THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES mj>^ m tfrni JiT- f>4m: ^^m V >-'■ ^i-i-' •■>:'--*•>'■' m >f.' l&i^liK^i? m:j^ n ■*.i: mm. '''■)■' >M ^mmm mM:rJ^^mm^: '' *'^"c.--t- * ^* Copies of this book in various styles of leather binding may be obtained on application to the publisher, Mr. Henry Froivde, Oxford University Press Warehouse, Ainen Corner, E.C. GOLDEN TREASURY OF ANCIENT GREEK POETRY WRIGHT &^ ABBOTT UWiVKKSITY of CALIi^OKJNi. AT LOS ANGELES LIBRAEY HENRY FROWDE Oxford University Press Warehouse Amen Corner, E.G. THE GOLDEN TREASURY OF ANCIENT GREEK POETRY BY R. S. WRIGHT, M.A. HONORARY FELLOW OF ORIEL COLLEGE SECOND EDITION. REVISED EVELYN ABBOTT, M.A., LL.D. FELLOW AND TUTOR OF BALLIOL COLLEGE AT THE CLARENDON PRESS MDCCCLXXXIX 12 nil MH ZWHN MCT AMOyqiAC, Ati i,' In qTe(t)ANO(QiN cThn. Euripides TA ^ PREFACE. In this second edition of the Golden Treasury I have introduced some changes : ^ I. The number of the pieces selected has been ^ largely increased, especially in the first and second v\4 sections, and in the Fragments of the Comic Poets. 2. Headings have been prefixed to the passages with few exceptions. '^j 3. The notes have been omitted. But a few of the longer notes, which seemed of peculiar value — either as translations or analyses, or as explanations i of the situation in the text — have been collected in i the Appendix of Selected Notes. To these notes vj I have added two : one on Hesiod's Calendar ; and a second on Alcman's Agido. 4. In a second Appendix a few translations by various authors, which have become classical, are printed. I have to thank Messrs. Bell and Messrs. Macmillan for permission to print the translations by Mr. Calverlev and Mr. Arnold. vi PREFACE. As the lines of Alcaeus, to which the short poem of Sappho, printed on p. 176 (no. v), is a reply, have been omitted in their proper place, I add them here : 'IottXok' ayva /x6XXi;^o/ieiSe ^dncpoi. ^tXo) Tt e'lTTTju uWii fie KcoXvei. atScoy. EVELYN ABBOTT. CONTENTS. I. Epic Poets. INTRODUCTION ILIAD I. Helen on the walls at Troy (II. iii. 130-244) n. Greeks and Trojans (II. iv. 422-456) III. Hector and Andromache (II. vi. 392-502) IV. The watch fires (II. viii. 553-565) V. Achilles and the gifts (II. ix. 308-426) VI. Ate (II. ix. 496-514) VII. Ajax (II. xi. 544-574) . VIII. A snow storm (II. xii. 278-289) IX. Hector (II. xv. 263-280) . X. Sarpedon (II. xvi. 666-683) XI. Patroclus (II. xvii. 424-447) . XII. The grief of Achilles (II. xviii. 1-126) xiii. Achilles on the rampart (II. xviii. 203-242) XIV. The shield of Achilles (II. xviii. 368-617) XV. Z,^cao« (II. xxi. 67-113). FACE 3 7 II 13 17 18 22 23 24 25 26 27 28 32 34 43 Vlll CONTENTS. ILIAD {continued) page XVI. ScrtM/rt^rf^r (II. xxi. 211 382) . .... 45 XVII. T/ie death 0/ Hector (II. xxu. 297-515) ... 51 XVIII. .<4c/»7/fs fl»rf Pr/rt;M (II. xxiv. 471-563) ... 59 XIX. The luailfor Hector (II. xxiv. 695-804) ... 62 ODYSSEY I. Odysseus and Nausicaa (Od. v. 269-vi. 328) II. Odysseus and Alcinous (Od. vii. 208-225) III. The return to Ithaca (Od. xiii. 1-95) IV. Telemachus and Odysseus (Od. xvi. 154-233). V. The dog Argus fOd. xvii. 291-327) VI. The vision of Theoclymenus fOd. xx. 345-371) VII. The slaying of the suitors (Od. xxi. 404-434 ; xxii 1-125, 203-309, 381-389, VIII. Odysseus and Penelope (Od. xxiii. 80-255) HESIOD I. 7%^^w a^^-s (Works and Days, 106-201 j II. The invisible watchers (Works and Days, 248-264) III. fFi(«/«- (Works and Days, 504-525) IV. Marriage (Works and Days, 695-705} . V. A Calendar (Works and Days, 765 828) VI. Zeus and Prometheus (Theogony, 535-617) VII. Typhoeus (Theogony, 820-868) HOMERIC HYMNS I. The blind poet (Apollo, 165 176^ II. The invention of the lyre (Hermes, 39 62) III. 7"Af o.r-5/ffl/^r (Hermes, 235-281) . IV. Dcntctcr at Eleusis (Demeter, 98-183, V. Dionysus and the pirates (Dionysus) 67 86 87 91 94 95 96 106 113 1x6 117 118 119 121 124 127 127 128 130 133 CONTENTS. ix II. Lsnric Poets. page INTRODUCTION 139 I. CALLINUS, A war-song ...... 149 II. TERPANDER, To Zeus . . . .■ . .150 III. ARCHILOCHUS i. He serves Ares and the Muses . . . . .150 ii. Spear ever in hand . . . . . . .150 iii. The Eubocaiis at war . . . . . .151 iv. Wine on board ship . . . . . . .151 V. His shield ........ 151 vi. Nil admirari . . . . . . . .151 vii. Neobule ......... 152 viii. Trust to the Gods ....... 152 ix. The good captain . . . . . . .152 X. Patience . . . . . . . . .152 xi. A coming storm . . . . . . -153 xii. Nil desperandum . . . . . . .153 xiii. The Dithyramb . . . . . . .153 IV. SIMONIDES OF AMORGUS i. Change and decay . . . . . . .154 ii. Life's uncertainty . . . . . . .154 iii. ' Modo non genus omne perosusfoemineum' . . 155 V. ALCMAN i. Agido ......... 160 » ii. Calliope ......... 162 iii. The aged poet . . . ... . . . 162 iv. Cheese-making ....... 162 ' V. The sleep of the hills . . . . . .163 X CONTENTS. VI. TYRTAEUS page i. A war song ........ 163 ii. Tlie warrior ........ 164 iii. The glory of the brave ...... 166 iv. March-song ........ 167 VII. MIMNERMUS i. Vivnmus atque aniemus ...... 168 ii. ' The leaves of hope' ...... 168 iii. The journey of Ike sun ...... 169 '^Ul. A RI ON, A thanksgiving 169 IX. ALCAEUS i. The soldier's hall . . . . . . .170 ii. The ship in a stortn- . . , . .171 iii. ' Fill the cup and fill the can' 172 iv. The droughty season . . . . . .172 V. Vino pellite curas . . . . . . .173 X. SAPPHO i. To Aphrodite . . . . . . . .173 ii. The power of beauty . . . . . .174 iii. The moon and stars . . . . . .175 iv. The poet of Teos . . . , . . . 1 75 V. To Alcaeus ........ 176 vi. Forsaken . . . . . . . .176 vii. Forgotten in death . . . . . . .176 viii. ' / cannot mind my wheel, mother ' . . . . 1 76 ix. Hesperus . . . . . . . . I'j'j X. The apple 177 XI. ERINNA i, ii, iii. Three epitaphs 177 CONTENTS. xi XII. SOLON i. Salami's . . . . . . . . .178 ii. Aihois . . . . . . . _ .179 iii. The tyrant ........ 180 iv. Man proposes, God disposes . . . . .180 V. The ages of life . . . . . . . 1 82 vi. How he aided Athens . . . . . .183 XIII. STESICHORUS i. The sitn's goblet 184 ii. Tyndaretts . . . . . . , .184 iii. A palinode . . . . . . . .184 iv. Sing of war no more . . . . . .185 V. Songs of spring . . . . . . • 1 85 XIV. IBYCUS i. Spring tSs ii- Eros 186 XV. DEMODOCUS i. The Milesians . . . . . . . .186 ii. The Chians ........ 187 iii. The good Cilician . . . . . . .187 iv. ' It was the dog that died' 187 XVI. PHOCYLIDES i. Womankind . . . . . . . .187 ii. Night thoughts 188 iii. Virtue 188 XVII. XENOPHANES i. The banquet . . . . . . . .188 ii. He is better than tnany athletes . . . .189 iii. Poetic theology . . . . . . . igo Xll CONTENTS. XVIII. THEOGNIS i. Evil communications ii. Do not make friends of the ' low ' iii. Man proposes, God disposes 'w. Cyrnus immortalised V. May I triumph over my enemies vi. Why does Zens tolerate the wicked ? vii. The happiest lot viii. He is all true gold . ix. Constrain no man at a feast X. He welcomes Clearistus . xi. The ship in distress . xii. Money is all in all . xiii. The sufferings of the Just xiv. Thrift .... XV. Patience .... xvi. Hope .... XIX. HIPPONAX i. / owe thee naught . ii. Plutus .... iii. The epicure iv. Stripping for a fight XX. ANACREON i. Fo Artemis ii. 7b Dionysus . iii. 7b fl maiden . iv. Bring me wine V. //c »s oW PAGE I go 191 191 192 192 193 193 194 194 195 196 196 197 198 199 199 200 200 200 20I 201 202 202 203 203 XXI CA J. LIS TRA TUS, Song to Harmodius 204 CONTENTS. Xlll PAGE XXII. UNKNOWN, Swallow song 205 XXIII. UNKNOWN, Eiresione 206 XXIV. SIMONIDES OF CEOS i. To Scopus of Thessaly ...... 206 ii. The heroes of Thermopylae ..... 208 iii. The Spartans at Thermopylae 208 iv. The Athenians at Plataea ..... 208 V. The Lacedaemonians at Plataea .... 209 vi. Timocreon of Rhodes ...... 209 vii. Cleobulus of Lindus ...... 209 viii. Danae ......... 210 5CXV. TIMOCREON, Thcmistocles 211 XXVI. PR A TINAS, A dance song 212 XXVII. HYBRIAS, A drinking song . . . .213 XXVIII. BACCHYLIDES i. Happiness ........ 213 ii. Peace ......... 214 iii. Prosperity ........ 214 iv. Visions ......... 215 V. Cassandra ........ 216 XXIX. PINDAR i. For Thero of Agrigentum (Olymp. ii) . . . 216 ii. It is safer to think nothing unworthy of the gods (Olymp. i. 28-35) • • • • • .221 iii. The first Olympic gam.es (Olymp. xi. 60-77) ■ • 221 iv. For Hiero of Aetna (Pyth. i) ..... 222 V. Glory and wealth (Pyth. viii. 88-97) . . . 227 vi. Apollo and Cyrene t,Pyth. ix. 31-116) . . . 228 XIV CONTENTS. XXIX. PINDAR {contmtied) v\i. Gods and men (Nem. vi. 1-7) viii. The bliss of life (Isth. v. 12-16) ix. A song in honour of Dionysus (Fragm.) X. An eclipse (Fragm.). xi. (i) Elysium (Fragm.) (2) Life in death (Fragm.) (3) The souls of the punfied (Fragm.) XXX. EVENUS, On a swallow XXXI. UNKNOWN i. A prayer to the Fates ii. Unity ...... iii. Fellowship ..... XXXII. ARIPHRON, Health XXXIII. ARISTOTLE, Virtue . PAGE 230 231 231 232 233 234 234 235 235. 236 236 237 III. Dramatic Poets. INTRODUCTION 241 1. AESCHYLUS i. Salamis (Persac, 377-432) ..... 248 ii. The shade of Darius (Persac, 'jgS-S^g) ■ ■ ■ 250 iii. Amphiaraus (Seven against Thebes, 568-625) . 252 iv. 77?^ zf/7/ q/"Zao/>'te5 (Hippolytus, 1416-1458) . 337 vi. Alcestis dying (Alcestis, 252-272) .... 339 vii. Ion (Ion, 82-183) 34° viii. TV/f/ozccr q/"mMs/'c (Helena, 1301-1352) . . 344 ix. The crime of Thycstes (Electra, 699-746) . 346 X. Dionysus (Bacchae, 105-150) ..... 348 xi. The Bacchants {Bacchae, 6']'j-']T^). . . . 350 xii. Ilion overthrown (Hecuba, 905-952) . 354 xiii. Iphigenia's prayer (Iphigenia in Aulis, 1211-1252) . 355 xiv. Iphigenia a willing sacrifice (Iphig. Aul. 1368-1401) 357 XV. Cassandra (Troades, 294-461) .... 358 IV. ARISTOPHANES i. Dicaeopolis (Acharnians, 280-556) . ii. The sausage-seller (Knights, 40-222) iii. Strepsiades (Clouds, 1-431) iv. Chorus of birds (Birds, 676 783) 365 375 382 402 CONTENTS. XVll h. r IV. ARISTOPHANES {continued) pack V. his (Birds, 1 170-1245) . . . . . • 406 vi. Maidetis song (Lysistrata, 1247 -1272 ; 1729 1322) 409 vii. Wives' arts (Thesmophor. 502-519) . . . 413 viii. The song o/t/if iiiystae {Frogs, s'!^2-253 ; 448-459) 414 ix. The prologues of Euripides (Vvogs, iig-i~i2^']) . 416 X. 'A haunt of ancient peace' (Pax, 11:^0-1158) . . 418 IV. Fragments chiefly from the New Comedy. I. EPICHARMUS i. The Parasite {Hope) . . . . . .421 ii. Aphorisms ...... ■ 421 U.PLATO. The tomb of Thcmistocics [Frag. Inc. 1) . 422 III. ANTIPHANES i. The higher style {Aphrodisins) 422 ii. The Cottabus (Birth of Aphrodite) .... 423 iii. Maritime empire (The Rich) .... 424 iv. A riddle (Sappho) 425 W. ANAXANDRIDAS. The Egyptians {Cities) . . 426 V. EPICRA TES. Plato in the Academy (Frag. Inc. i) 426 VI. TIMOCLES. TTaOrjuarajv KaOapais (Dionysiazusae) . 428 VII. EUBULUS. Measures of wine (Semele) . . 429 VIII. ALEXIS i. Live while you live (Autodidascalus) . . . 429 ii. Poverty (Olynthia) 43° iii. The universe (Frag. Inc. i) . • . . • 43^ iv. Men and wine {F)emeiv\\xs) 431 V. Dress improvement (Isostasium) .... 432 vi. Eros (Phaedrus) 433 XVIU CONTENTS. PAGE 433 434 434 434 435 436 437 437 437 ■ 438 438 439 IX. MENANDER i. Actors and vintcs (Epiclerus 2) li. Lcucas (Leucadia i) iii. The good getiiiis (Frag. Inc. i8j iv. Life is a fair (H3'pobolimaeus) V. Human life (Theophorumene) vi. Good and evil (The Misogynist) vii. Physicians (Phanium) viii. Eros (The Treasure) ix. Law (Frag. Inc.) . X. PHILEMON i. The siimmuni bonuni (Pyrrhus) ii. Mans sorrows (Frag. Inc.) XI. STRATO. The Homeric chef . V. Alexandrine Poets and Epigrams. INTRODUCTION I. THEOCRITUS i. Daphnis (Id. i. 64-75, 114-141) ii. Unrequited love Td. iii. 12-20) iii. Thalysia (Id. vii. 129-147) iv. Menalcas and Daphnis (Id. viii. 33 56) . V. Hylas (Id. xiii) ..... vi. The feast of Adonis (Id. xv. 1-99) . vii. Eros stung by a bee (Id. xix) . viii. Age and youth (Id. xxix) II. BION i. Cypris and Adonis (Id. 42-59. 65 76) ii. The teacher taught Id. iii) 443 445 447 447 448 449 452 457 457 459 460 CONTENTS. xix III. MOSCHUS PAGE i. Eiiropa (Id. ii. 102-130) ..... 461 ii. Tlic Jloivers return (Id. iii. 105- 1 11) . . . 462 IV. CALLIMACHUS. Hymn to the Bath of Pallas (Hymn v. 1-34, 43-54} 462 V. APOLLONIUS i. Hylas (Argonautica, i. 1207-1239) .... 464 ii. Eros and Ganymede (Argon, iii. 114-158) . . 465 iii. Medea (Argon, iii. 802-824) 4^7 VI. LYCOPHRON. Alexandra s vision (Alex. 249-257', 468 VII. ANACREONTICS i. Love, his only theme ...... 469 ii. Drinking universal ....... 469 iii. The visit of Eros ....... 470 iv. The adornment of his Clip . . . . .471 EPIGRAMS. I. i. The Erctrians in Media (Plato) .... 472 ii. On the Greeks at Chaeronea ..... 472 iii. The tomb of Achilles ...... 473 iv. Hector ......... 473 II. i. Spring (Meleager) ....... 473 ii. Voyaging (Leonidas) ...... 474 iii. The wine-press (Agathias) ..... 475 b2 XX CO NTE NTS. III. i. The fairest Jloiver (Meleager) . ii. Hue and cry for Eros (Meleager) . iii. Lysidice (Philodemus) iv. ' Gather ye rosebuds ' (Rufinus) V. A garland (Meleager) vi. ' Leave a kiss within the cup ' (Agatliias) vii. Hesper Phosphor (Meleager) . \iii. Heliodora (Meleager) ix. The ti'iiui and the rose X. Lovers astronomy .... 475 476 476 476 477 477 477 478 478 478 IV. i. The morning and evening star Plato) 478 ii. Heliodora dead (Meleager) 479 iii. The tomb of Baucis ' Erinna) . 479 iv. Crethis (Callimachus) 480 V. Prote 480 vi. The dead bride (Meleager) 480 vii. viii. Prexo (Leonidas) , Sopolis (Callimachus) 481 481 ix. Sailor and husbandman ( Plato) 481 X. The shipwrecked sailor (Plato) . 481 xi. The grave (Paulus Silcntiarius) 482 xii. ' After me the deluge ' 482 xiii Live while you live . 482 xiv Hope and chance 482 XV. Dion (Plato) .... 483 xvi. Pindar (?\aio) . 483 CONTENTS. XXI xvii. Heyaclitus (Callimachus) xviii. The tomb of Sophocles (Simmias) xix. The tomb of Anacreon (Antipater) XX. Clitagoras (Leonidas) xxi. Amynticltus .... 483 484 484 484 485 V. i. Artemis Diotimus) 485 ii. Eros asleep (Plato) 486 iii. Mother and child (Parmenio) 486 iv. Faun and pipe Agathias) 486 V. Niobe 1 Meleager) . 487 vi. The hunter's tomb . 487 vii. Anacreon (Leonidas) 487 viii. An engraved gem (Plato) 488 ix. Pan piping Plato") 488 VI. i. Life is a play {PaWadas) . . . . • ii. Naked I came and naked I shall go (Palladas) iii. We are fed on air (Palladas) . iv. Life and nature V. Woman's Life (Agathias) vi. A game at dice (Agathias) vii. The path of Life (Poseidippus) viii. The stars (Ptolemy) ix. Drink and be merry X. The music of the stars Argentarius) xi. I have lived my life {FhWodemMS) . 489 489 489 489 490 490 491 491 491 492 492 xxu CONTENTS. SELECTED NOTES. 1. Iliad iii. 130-244 2. //?«. C, and thenceforth at least underwent no material change. Their preservation down to that time without fatal loss is to be attributed to the practised memory and Homer- ised taste of the professional reciters or rhapsodists, Homer's curators and heirs. By the seventh century the epic impulse seems to have died away as the form of society changed in Greece, and not only were no new epics of importance pioductd, but the Iliad and Odyssey gradually l,cgan to pass from the public places into schools and EPIC POETS. 5 homes. But at the same time copies began to be multiplied and the text to be carefully guarded from corruption. As the substance of a liberal education, as a treasury of rhetoric, as an inexhaustible mine of philosophical and political problems, as acknowledged authorities on matters of history, genealogy, and morality, and the source whence poets drew their inspiration, as well as through the reverent admiration which they never ceased to command, they passed down in generally good preservation to the Alexandrian grammarians. These critics exerted great powers, with the advantage of having to deal with a yet living language, to purify and correct the great mass of epics which had been preserved to them. They included the two Homeric works in a general edition or cycle, which con- sisted of an arrangement of all the principal epic poems according to the relative chronology of their subjects, so as to form a complete course of heroic narrative, but bestowed their chief pains on the Iliad and Odyssey. Zenodotus cleared the text of all that seemed to him contradictory or unworthy ; Aristophanes restored much that seemed to have fallen out or to have been unjustly rejected ; and Aristarchus, chief of the three, combining the results of their labours with his own, produced a text and commentai-y which are the basis of our readings and interpretation of Homer. The text as we now find it is in the main as it was fixed by him; for though the extant manuscripts, with the exception of a portion of the Iliad which is found in a very ancient uncial manuscript, are not older than the eighth or ninth century (that is, at least nine hundred years later than the time of Aristarchus), and are in many places very inaccurate, they are supplemented by scholia which preserve much of the results of his criticism. Originally the Homeric poems were recited by the Homerids or bards in person, with a prelude and perhaps an occasional accompaniment on a harp ; afterwards by professional rhapso- dists, who with laurel-boughs in their hands, and, in later times, 6 HOMER. distinguished by coloured dresses, of red for the Iliad and of purple for the Odyssey, singly or by parts recited particular books or even the whole poems, generally without any musical accom- paniment, but with marked rhythm and appropriate gestures, to assembled crowds at banquets and public festivals. The fact that these songs were primarily intended for the ear and not for the eye explains many of their peculiarities, such as the plain structure and shortness of the sentences, the customary epithets and formulas often repeated, and those frequent transitions and apostrophes, the harshness of which would be much lessened in recitation, and which might even be especial opportunities for the display of the reciter's art in the production of sudden dramatic effects and picturesque impersonations. Hesiod was generally thought by the Greeks to have been either the senior or the contemporary of Homer. The author of the Works and Days (or Calendar of Husbandry), which alone (^Pausanias says) of the Hesiodic poems was admitted by the I'oeotians to be genuine, states that he lived at Ascra near Helicon, and that his father had come from Kyme in Aeolis. The Homeric Hymns are of different dates, probably ranging from 750 to 500 B. C. HOMER. ILIAD. I. Nine years the Greeks laid siege to Troy, and by help of Achilles kept the Trojans within their walls. But in tJie tenth year, when Achilles withdrew in wrath from the -war, Zeus gianted Thetis^ prayer that the Greeks might fly before the Trojans until Agamemnon should repair Achilles' wtong ; and the same flight sent a lying dream to bid Agamemnon give battle in the morning, for that he should take the town. When the next day the Greeks came near, the Trojans went out to meet them by the hillock at the gate ; but before the battle ZL'as joined Paris challenged Ulenelaus to single combat for Helen and her wealth in the midst of the armies. While the priests made ready the sacrifices for a truce. Iris led Helen to the gate to see the fight. There Helen meets Priam, and names for him the chiefs of the Greeks below. " Afvp' 'i6i, uvfj.(f)a 0tA'/, iva decTKeXa epya iSrjai TpQ}(ov 6' (TTTToSa'/xcoi' Koi ' \x.aia)v ;(aXKo;;^tTCOi/a)i'. oi TTplv fTT aXXrjXoi.(Ti ([iepov Tro\v8aKpvv hp-qa (V TreSto), oKooio XtXaio'/xei/ot TroXefxoio, 01 8t] vvv earai cnyrj — TroXf/xos he irinavTai — 5 dairiai AceKXi/xeVoi, irapa S' f'yx^^ fiaKpa nknriyev. airap 'AXe^afbpos Koi dprjKpiXoi MeveXaos fiOKp^s iy)(iii}cn pii)(rj(TOVT(a nfpl aeio' r« 8e Ke viKxicravTi, (f)iXr] k(kXt](tt] ukoith. 8 HOMER. '^Qf eiTTovcra Bta yXvKvv "ififpov ffi^aXe ^v/jw io avbpoi re Trporepoio Koi acrreos rjde toki]U)V. (wr'iKa 8' apytvvficn Kokv^apevT] oBovrjcnv wppuT (K ffaXdpoio, Tepev Kara 8aKpv ^fovaa, OLK oirj' apa Tjjye koX ap(f)i7ro\oi 8v enovro, Aidpr] IIiT6i]ov dvyaTTjp KKvprvr) re ^owmi. 15 ot\^a 8' eneiff iKavov odi ^Katai TriiXai rjnav. n'l 8' ap(p\ nplapov Koi Ildvdoov r]8f QvpoiTTjv Ai'tprrov re KXvriov & 'iKeraova t o^ov Aprjos, OiiKaXeytov Tf Koi ^AvTTjVcop, TTfTrvvpeva iip(f)a), ("iuTO BrjpoyfpovTti eVt '2Kai^ai nvXrjaiv, 20 yrjpa'i 817 TToXepoio TTfnavpevoi, dXX ayoprjTcu f (T^Xoi, TfTTiyfaaiv foiKore^, 01 Tf Kad vXrjv ?ifv8peo) f(f)f^6pfvoi OTTO \eipi6f(r(Tav U'lcriV Tii'ioi apa Tpoicov rjyrjTopfs fjvr ent rrvpyco. ot 6' as ovv eibovff 'EXevrjv en\ nvpyov lovcrav, 25 rJKa TTpos dWrjXovi fnta TTTfpufvr dyopevov. " ov vtptcris Tpaas koi evKVT}fii8as A)(aiovs T0ifj8' dp(fH ywaiKL ttoXvv xpovov uXyea TT(i, 30 /xjy8* Tjp.'iv TfKfeiriTL T OTTicraai nrjpa Xnroirn, Qs op* ((Pav, TIplapLOS 8' 'E\ei>T]v eKaKtacraTo (f)o>v^' " tfvpo napoiff ikdovaa, (fjiXov rtKOi, i^ev ipt'io, f')(j)pa I^T] TTpoTfpov re ttotji/ jrrjovs re <}}i\nvi rt — nv Ti poi alriT) fVirt* dan vv poi aiTioi elaiv, 35 ot pot €(f)U)ppr](Tav nuXtpov TroXvdaKpvv A)(atV " al8ol6s T€ poi ea(Tt, (j)ikf eKvpe, 8(ii'6s re' (OS b(f)e\ev davriTos pni dSfic KaKus, Smrore 8evpo vU'i aco fTToprjv, 6a\apov yvarovi re XnTovcra 45 ncu8d Tf TTJkvyiT-qv Kcii 6pr]XiKU]v epareLvrjv. oXXa TO. y ovk iyivovTO' to Kai Kkaiovaa TiTrfv en'iKOvpns icov pera Tolcriv tKi^Brjv I'jpnTt r<» OTe t fjXBov ^Apa^oves avTiavfipai' 60 aXX ovS' oi Toaoi fjaav ucroi iXiKconfs A^^aioi. Afvrepov avT 'OSvarja l8(ov tpeeiv 6 ytpaioi' eiTT aye poi /cat Tovof, (piAov t(KOS, os tis 00 tCTTiv peiuiv pev Ke(paXjj 'Ayapepvovos ArpetSao, fiipvTfpos 8' oip'tKTLV iSe (TTtpvoiaiv ISeadai. 65 Tev)(ea ptv ol (ceirai fTri x^^^"' TrovXv^oTeipi], avTos 8f KTiXos COS eVtTTajXetrat aTi^as dv8pi] iv hr]fX(f 'iddnTjs Kpavarjs irep iovarjs, tl8(t}s TTavToiovs T€ 8dXovi Kai p.T]8ea irvKvd" Tr)v S avT ^AvTrjvap TreirvvpLivos durlou rjvda' " S) yxivai, Tj piiKa tovto enos vrjfxtpTei eeiTTts' 75 fj8r] yap Kal 8eip6 ttot rjXvBe bios 'OSucrcreir, ati) (ViK ayyekirjs, crvp dp}fi(f>iXo) 'MevfXda' Toijs d e'-yw i^iiviuira Koi iv p.eydpoiai (f)iXrjcra, afx(f)OTfpoiV de (})vr]i> ihdrjv Kai pr]8fa TTVKvd. aXK ore 8f] Tp^fucriv iv dypofitvoiaiv tpi^dev, 80 (TTavTOii' fxeu MevtXaos vneipe^^v evpeas cop-ovs, (ificfxi) 8' e^opevco, yepaparepos fjev '08vacrfvs. dXX' ore 8t) p.vBovs Kol /xjjSeu irdcnv vcpaivov, J] TOi fifv MfveXaoi eTTiTpo^^dbrfV aydpevtv, navpa p.(v, dXXa pAXa Xiyecos, eVet ov TToXvpvBoi, 85 ov6' d(^apapTO(TTr]s, (I Koi yevd vcrrepos rjev. dXX' ore dt] noXvprjTis dvcu^aev 'Odvcrcrevs, ardaKfv, vnai he 'lOeaKe Kard x^ovos ofipara nrj^as, (TKqitTpov S* ovT OTTicro) (jvTi TTpoTTprjves ivutpa, aXX a(rr(fi(f)es i'^^taKtv, didpei cfxoTi eoiKo^s' 90 v, aiaxfn SeiSiores koi oj/etSea ttoXX a / ol eanu. 'Qs (puTO, Tovs 8' Tjdrj Kare^eu (fivai^oos aia iv AaKf8ai.povi avdi, (piX;] iv TrarpiSt yairj. 115 [iii. 130-244.] II. Alenelaus disarmed Paris, and the Trojans were ready to restore Helen and end the war. But lest Troy should escape its ruiti, Here and Athene moved Pandarus to shoot secretly at Menclaiis. His arrow broke the truce ; and the armies join battle beneath the walls. I2s 8* oT iv aiyjaXo) ttoXv^xj^'I KVfia faXdaarj: opwT inaa-avrepov Zecpvpov vtto Kivrjcravros' * 13 HOMER. TTovTco iiiv Tf TTpoiTa KopviTceTai, avTap eneLra Xfpaa) prjyvvpevov p.(yd\a 0pep.fi, dpcjn 8e r uKpas Kvpruv lup Kopv(f)oiT(it,, anoTTTvei 5' c'lXos ii^vr]v' 5 ilii TOT fTraacrvTfpai Aavacov Kiuvvro (^dXayyfs vuiXepfois n6\fp6v8f (ceXfue 8e oiaiv eKacrros Tjyep.ovcov' 01 8' aXXoi (ikiiv 'icrtiv — ouSf /ce T(s (Trjp,dvTopa£' dp.(p) 8e Trdaiv 10 Tfvxfa noiKiX' eXapUf, tu e'lpevoi iarix^ocovTo. Tpcoes S', (OS T oies TToXv7Tup.ovos avSpos iv avXfj ftvpiai {(TTTjKacnv cipfXyupevai yaXa XfVKov, a^fJXei pfpaKv'iai, uKovovcrai ona dpvwv, hs Tpaxov dXaXrjTos dva crTpaTov evpiiv opwpei' 15 oil yap irdvTav f/ev Sfxos Bpoos ov8 la yrjpvs, uXXa yXwacr' ([lepiKTO, ttoXvkXtjtoi 8' eaau av8pes. tbpcre 8e Toiis p-ev "'Aprjs, rovi 8e yXavKojTTis 'A6t]vt] Afi/xof T r]8e 4j()/3os koi ' Epis upoTov pepav'ia, Apeos av8po(jj6i>oio KaaiyvrjTrj eTaprj re, 20 fj T oXlyq pev TvpioTa KopvacTfTai, avTcip erreira ovpavw ecTTrjpL^f Kuprj koi eVi x^ovi ^aivei. fj a(f)lU Koi TQTi Pf'lKOS OpOUOV ip^uXi peCTCrCO (p^opevq Ka6' opiKov, u(j)(XXovaa (TTovov (iv8pa)V. Ot 8' 076 8f] pi" eV x^P°^ ^^°- ^vviouTfs 'lkovto, 25 rrvv p (jjiiXov pivovs, crvv S' eyxfu Koi peve av8pa>v X(iXprjKU)v' (trap dfTTrtSej op(f}aXd(craat '(TvXr]VT d.X\f]Xrj(Ti, TToXiis 8' dpvpay^ui upu>p(i. i'uda 6' lip.' olpcoyf) re Kcii fup^tuXr) niXfv i]v8pu)V uXXvvTuiv Tf Ku\ uXXvpivoiv, pee 6' (upciTi yalti, 30 wj 8' OTf \fipappoi noTupoi kut !jp(<7(f)i peovTfs ILIAD. 13 Kpnvvav fK fj.eyu\(ov, koi\t]s evroaOe xnpdSprjs' TOiv 8e T€ TrjXocre tovnov iv ovpeaiv fKXve Troiprjv' Q)S TOIV p.i(Tyoptvu)V yiviro la^rj re novos re. :5:; [iv. 422-456.] III. Though Achilles lay in his tent apart, Diomed kept the field against Aphrodite and against Ares, and drove hack the Trojans to the walls in spite of Zens'' will, for Athene sat at his side. To propitiate her anger Hector sent the Trojan matrons in procession to her temple, and retitrniiig to the front found Andromache 'with Astyatiax weeping at the gate, and bids them tliere fa7-civell. EuT6 r,vka^ iKave 8i.fp)(6fjifvos pfya I'kttv "SiKaias TT} yap e/xeXXe die^ipfvai, TTf^iovSe fvo a\o)^os TToXvdaipos ivavTlt] rjXde Oeovcra Av8popd)(rj, 6vyciTr]p fieyciXrjTopos 'Hert'cowy, HfTiav OS 'ivauv vno likaKca vXrjeaar], c Qtj^j) VTroTrXaKir}, KiXUeacr livhpeacnv dvd(Tcra>u' Tov nep 8rj BvyaTTjp e'xed' ''EKTopi xoXKOKopvarf/ . T) 01 i'neiT TJvTrja , apa 8' dp(pLiToXos kUv avrf/ 770.1.8 eVi kuXttco exovcr druXdcppova, vrjTTLov avTcos, EKTopi8r]v dyanrjTiiv, dXiyKiov darepi KaXa, 10 TOV p EKTcop KaXeeaKe '2Kapdv8piov, airap 01 (iXXoi AarvuvaKT' oios yap epvero "iXiop "EKTOip. rJTOi o piv p€i8rja-fu tSwi/ is TTai8a aia>7rjj' Av8popdxT] 8e ol (iyxi- naplararo 8dKpv xf'ovcra, 61/ r apa ol (jyv ;(f ipl, erros t 'ic^ar , (k t uvopa^ev' 1 z, " Satjuowe, cf.6i(rfi ere 76 crov pevos, ouS' tXeaipfis 14 HOMER. -Koiha re vryn'iayov kui %\i aixfiopov, rj rdxa xhpi (TeO ifTOfiaC Ta)(a yap i(rav, Qi'j^rjv vyj/iTTvXov' KUTu 8' eKTavev 'Heriava, 25 ov8e piv e^evdpt^e, cre^dcraaTO yap to ye dvpa, dW apa piv KareKTje avv evreai. 8ai8aXeoi(Tiv rjS' en), arrjp exeeu' nepl 8e TrreXeas ecfjvrevcrav vvpcj)ai opearuides, Kovpai Aius alyioxoio. ot fie poi eTTTCL KacriyvriTOi, eaav ev peydpoicriv, 30 01 pev ndvres la kIov fjpaTi A'ibos elVco' rrdvTas yap KareTrftfive noddpKTjs 8los 'A)(iXXevs I3ov nXoKO) vXTjetra]], rfju eVel *ip 8eiip' ijyay ap aWoKTi KTedreacriv, 35 ci\|r o ye Tr]v dneXvae \a^a)u dnepdaC cinoiva, narput S! ev peydpoiai f3d\' ' Aprepis to;^/atpa. 'EKTop, drdp (TV pot erraL naTrjp Ka\ noTuia prjrrjp r]8e KaalyvTjTOS, crv 8e pot daXepos napaKoirrfs. aXX aye vvv eXeaipe Kul avTov p'lpv en\ nvpyco, 40 pT) TToiS' 6p(f)aviKov 6r]Tjs XWI" '''^ yvvcuKa. Xaov 8e (TTr](Tov nap epiveov, ev6a pdXiaTa dpliards ecTTi noXis koI enl8popov enXero re^xoi. rpis yap rrj y eXddvres eTreiprjaavB oi apicTToi dprfi' Aiaure 8vo) Ka\ dyaKXvTov ^ibapevrjU 45 2 LI AD. 15 ijS a/^^ ATpetSnf koi TvS/oj (iXki/xov vlov' fj TTOv rii (T(l)iv eviaTTf deoTrpoTrloiv (ii eldcos, tj vv Kai avToiv 6v^6s enorpwei kol dvayft, Trjv 8 avre Trpoaefine fj.eyas KopvdaioKos EKTap' " Tj Koi ffiaii Td8( navra ixeXei, yvvai' aXXa fxaX' alvms 50 atSeojLtai Tpaas Km Tpwddas (XKfcrLiTeTrXovs, a'l Ke KQKus cos v6(T(l)iv dXvcr/cd^cd noXepoio, ov8e fie dvp-bs avaytv, iivii fj.a6ov epp.evai icr6\os aU\ KaX TrpaiToicn fxeTO. Tpaxaai pd)(ea0ai., dpvvpevos narpos re peya KXeos r]8' ep.6v avTov, 55 fv yap ey re tSe \6(pov ijnrioxaiTrji', dfipov an' aKpoTuTTjs Kopvdos vevovra uorjaas. (K S' eyekaaae Trarrjp re (f)i\os Koi TtoTvia jjLTjTTjp. 8o aiTiK aiTo Kparos Kopvff eiXero (paiSipos "E/crcop, Koi TTjv p.iv KaTidrjKev eVt ;(^oi't TTapcfiavooaaau' ai/rap o y' 6v (f)LX.ov v'lov inei Kvae TrrjXe re x^paiv, etTrei* fjifv^dpevos Ati t aXXoicriv re Btoiaiv' " Z(v aWoL re Seoi, Bore drj k(u Tovde yeveadm 85 7rdi8 fpov, uis Ka\ iyoa irep, dpirrpenea TpayecrcriP a)Se, ^iirjv t dyaQov, koi 'iXt'ov i0t dvaaP€v ndaai aKOTTiai Koi Trpuoves aKpoi 5 Ka\ vairai, ovpavvdiv b' lip vneppdyrj aaneTos aidrjp, ■ndvra 8e t f'tderai ciaTpa, yiyrjde 8e re (ppeva noiprjv' T6(T(ra pecTTjyv Vfa>v rjbe auvSoio poaoov Tpuxav KaiovTcov nvpa (paivero 'iXiodi irpo. ;^iXt* ap iv TTfSi'ft) Tivpa Kaiero, Trap be eKdarco 10 C i8 HOMER. «TaTO irevTTjKOVTa (Tf}iai nvpos aldonevoio. iTTTTOi 8e Kpl XevKov ipeiTToiievoL Km ukvpa^, iaraoTiS Trap oxfa-(j)LV, kvdpovov f]S) ii'ifivov. [viii. 553-565-] V. That night Agamemnon sent chiefs with prayers and gifts to Achilles ; but Achilles spurns his gifts and him. " Aioy€i/es XaepTu'ibr], 7To\vpi]xav 'OSvaraeii, vpT] fiev 8t] tov pv6ov dnrfXeyicos anoenreiv, ji rrep 8ij (ppovia re (cat ws r€Te\e(xp.evov earai, cos plT] pioi Tpv^tjre 7raprjp.(voi aXkoBev aXXos. fxBpos yap fioL Kelvos ofiSiS 'AiSao irvkr^aiv, [ OS X fT-epoj/ fih Kfvdt] cVi (ppeaiv, llXXo 8e eiTrrj. avrap iyo)v (pea> wr (loi toKel elvai upiara. ovT epLf y 'Arpttcirju ^ Ayap.epvova TTfKTfpev oico ovT oKKovs Aai/aouj, enel ovk apa Ttr x«P'^ ^^^ fidpvaaOai brjioicriv eV di/Spao-t i/coXf/itS atet. tcTT] fjio'ipa ptvavTi, Ka\ el paka tls TToXefiL^oi' iv be Ifi Tipfi fjpev kukos rjbe Ka\ eadXos' ^Kardav 6pv. 20 10 ILIAD. 19 h(i)hiKa hr\ (rvv vrjva\ noKtis oKaTra^ avOpinrav, TT((ps 5' (vhfKii v avdpooTraiv 'ArpeiSat; eTrei os tis dvrjp dyados Koi e)(e(pp(i)v, TTjv avTov ({)ikeei koi KTjderai, a>s Koi eyo) ttjv 35 eV dvpoii (piXfOV 8ovpiKTT]TTjv irep iovaav. vvv 8' eirel €K ;^etpwi' yepas eiXero Kal p, aTrdrrjaeu, pi] p(v TTeipdro) iv elSoros' oij8e pe Trettrei. d\X' 'o8v(Tev (Tvv (Toi t{ kol aXXoitriv /3ao"iXe€crti/ vrjecrcriv dXe^epevai 8r]'iov nvp. 40 7 pev 8r] pdXa ttoXXcx TTOvqcraro v6(T(f)iv ipeio, Koi 8f) Tflx^os eSetjue, koi ^Xacre rdippov eV avra (vpe'iav peydX-qv, iv 8f crKoXonag KareTrrj^ev' nXX' ovS" a>s 8vvaTai adepos "EKTopos di>8pncf}6voi.o 'iCT)(^eiv. "Ocfipa 8" iyo) per 'AxaLo7(nv TvoXepi^ov, 45 ovK tdfXearKf pdxTJv dno T6t;^eoff opvvpev "EKTwp, dXX' ocrov es Sicaids re TrvXas (cat (j^rjyov iKaveV fvda TTOT oiov i'pipvf, poyis 8e pev €K(pvy€V 6ppi]v. vvv 8', eVei ouK edeXco noXepi^e'pev'EKTOpi 8ta), C 2 30 HOMER. avpiov tpa All pe^as Koi nacri Beoicnv, 50 vrji], 60 avTts (CJiv[3pt^MU eXero Kpeiutv 'Ayr.pepvoou ATpfidrjs' rw nuvT ayopevepev, ws eTTtreXXo), apcpadov, o(f)pa Koi a'XXot eincrKv^uivTai 'A;^atoi, et Tiva TTOV Aavaav en eXTrerai e^anaTijaeii/ alep dvaideirjv enieipevos' oiS' av epoiye 65 TerXair) Kvveos rrep ea>v els a>7ra ibeuOai. ovSe Ti oi jSovXas avp(f)p(ia(Topai, ov8e pev epyov' e/c yap 017 /n uTtarrjCTe Kai TjAiTfV ovo av er uvtis e^andcjwir' entecrcTiu' aXis 8e ol' dXXa eKrjXos (pptTU)' fK yap eii (pptvas eiXero prjTiera Zevs. 70 ex^pa. 8e poi tov 8copn, Tia 8e piv ev Kapos a'lCTj. ov8 ei poi 8eKUKis re Ka\ elKoauKis roaa 8oir] o(T(ra re oi vvv eijTi, Ka\ e'i noQev uXXa ycvoiTO, ov8 oa es 'Opxopevov TToTivlrraeTai, ov8' ocra Qrj^as AiyvTTTias, 061 TrXetora 86pois ev KTTjpara Kelrai, 75 ai ff (KaTopTTvXoL elcri, 8itjk<')(tioi S' dv eKuaTas dvepes e^oixveiicri crvv imroicriv Kal oxeo'CpiV uv8 ei poi roVa 8011] oaa yj/dpados re kovis re, ILIAD. 31- ovSe Kiv lis tri Bv/iov ffiov TvelafC 'Aya/xe'^vwi', ■npiv y' aiTO wacrav e/Lioi 86fxfvai Ov/iaXyea Xoi^rjv. 80 Kovprjv 6' 01) yafMeoi Ayaixijivovos 'Arpfidao, ov8 el ■)(^pv(Te'ir) A(f)po8[r>] kuXXos epi^oi, tpya 8 A6)]vaii] yXavKamSi laotpapi^of ov8f p.iv hs yapea' 6 S' 'A)(ai(ov liXXov eXeaOco, Of Tis ol T eTTeoLKe Ktu OS ^acTiXevTepos ecrrip, 85 7]v yap 8i] pe (rdoxrt Otol Koi oiVaS' t«co/.tot, UrjXfvs 6rjv poi eneira yvvaiKa. ye pdcraerai avro^. noXXal 'A)(nu8es elaiv du 'EXXaSa re ^$ir]v je, Koiipai dpL(TTr]U)V, 01 Te TTToX'iedpa pvovraC rdatv 7]u k eBeXaipi, (plXrjv jrou'jaop' aKOLTtv, ^o evda be poi paXa noXXov errecrcrvTO Ovpos dyrjucop yrjpavTi pvrjaTfju aXo^ov, eiicvlav aKoiriP, KTi'jpaai repTTeadai ra yipoiv eKrrjcraTO JJrjXevs. oil yap epol yj/v^^tjs dvrd^iov oi'S' ocra (j)a(ni/ iXiov eKTijadat,, ev vawpevov TTToXUdpov, 05 TO 7rp\v (TT elpi]vr]s, irplv eX6e1v vlas 'A)(aia>v, ov8 ocra Xd'ivos ovSus dcfiijropoi eVroy eepyei, ^oi^ov A7roXXa)2'or, Ilvdol evi irerprjea-aj]. Xrj'iarol pev yap re (Soes Ka\ 'Icpia prjXa, KTT]To\ be rpiTToSes re Ka\ imrav ^avda Kaprjva' loc dv8p6i be ^/'ll;^I7 ituXlv eXdelv ovre Xe'iarrj ov6 iXerf], enel ap Kev dpeiylrerai epKos obovraiv. prjTrjp yap re pe (^rjiTL 6ea, Qeris dpyvpone^a. 8i)(0a8ias Krjpai cj^pepev Bavdroio TeXocrbe. ft pev K avdi pevcov Tpdooov ttoXiv dpcpipd^copai, loc; (oXeTO pev poL voaros, drap KXeos acpBiTov ecrraL' tl 8e Kev o'lKaS" "iKapi (jiiXTjv e? naTpidn yalav^ 22 HOMER. oiKiTo fioi xXfOf ea6\6v, eVt 8r]pbv 8e fjioi alcov \f(T(T(Ta(., ouSe Ke fi S)Ka Tf'Xos davaroio KixeirjA Kai 8 au Tois aXXoicnv eyo) TTapafxvdrjauifirjv i lo oiKaS" dTTonXeietv, eVfl ovKeri Bijere TeKpcop iXi'ou alireivijs' fiaXa yap idev evpvojra Zfvs ;(elpa ifjv vnfpeax^, TeBapariKaai fie Xaoi. dXX' Ipe'is pev loin-fs apiaTTjeaaiv ^Axaicou dyyeKirju an6({)a(T6e — to yap yepas iarl yepovToiv — , 115 o(f)p nXXrjv (ppd(a>VTai €v\ (j>peai p^riv dpflvoy, 7] Ke a(f)tv vrjds re crdrj Ka) Xaov Axniwv vr]V(r\i> em y\a(j)vpr)^, iiru ov acpKriv TJ8e y eroipj], ffv vvv iTvoi 5 Xicradpevoi, ore Kiv tis inrep^rjTj Ka\ dpaprrj. Ka\ yap re Airai etcrt Aios Kovpai peydXoto, ;^(aXat re pvcral re Trnpa/SXcoTres r d' oplXov, 6r]p\ ioiKOis, evrponaXi^ofievos, oXiyov yuvv yovvos dpei^cov. as B ai6(ova Xeovra ^ocbv ano peatravXaio 5 eaaevavTO Kvves re Koi dvipes dypoiarai, 01 re piv ovK elcocn ^oa)V eK Trlap eXeadai ndvvvxoi ('ypT]acropTes' 6 be KpeiSov epari^wv I6vei, dXy ov Ti TTprjacrei' Bapees yap aKovres dvTiov diaaovcri Bpacreidav otto ■)(eipcov, 10 Kaiopevai re Serai, tus re rpel ecravpevos nep' r](i)dev b' dirovoacpLV e^q TeTirjori Bvpoi' d)s Aias TOT dno Tpoioov TeriTjpevos rjTop 24 HOMER. Tjlfj TrdXX deKccv' Trepl yap 8U VT]va\v 'Aji^atciu/. wr 8 OT ovos Trap apovpau l^v ((iirjcraTo iraldas i ;; vcoofji, CO 8fj TToXXa Trept panciy a/i(/)ts eay?, Kfipfi T flcrfXBiov ^adii Xrj'iov' (,i 8e re Tratfiey TV7rT0V0"ll' pOTTokoKTL' /3t7J 6« TC VTjTTir] avTwv' j oT€ T a>p(TO prjTUTa Zfvs viS "EKTwp Xaiyp'ripa Tro'Sa? koi yovvar ivwpa orpvveov JTrTr^ay, fVei Beov eKXvev avbrjv. 01 , (OS T Tj €Aa(pov Kepaoi' i] uypLOV aiya ecraevavTO Kvpei re koi avepes aypoiwrai' 10 rov pfv T T]\il3aT0i Trirprj /cm Satr/cioy vKr] flpiKTOT, ov8^ apa T( cr(pi. Ki)(i]pevm a'laipov ^ev' t5>v be 6' vTTo ta)(TJs i(puvT] Xis rjvyevfios fls oSov, alyj/a 8e Travras diTeTpawe koi pep-aajras' 0)5 Aavaoi ficos pev opiKaSop atev enovTo, ' 15 vvcrarovTfS ^icfxaiv re kui eyxtaiv dp(f)Lyvoi(riv' avrap eVei 'l8ou "EKTOp" eTroi)(6p(vov arix^as dvhpoiV, rap^rjcrav, iracriv 8e TTapal ttoo"! Kamrecre 6vp6s. [xv. 263-2S0.] 2.6 HOMER. X. Hector was lord of the field, for Zeus with his own hand urged him on, and Agamemnon, Odysseus, and Dioyned lay wounded by their tents. But when fire was already at the ships, Achilles lent Patroclus, his friend, the divine armour and immortal horses, attd the Trojans fled before him. Only Sarpedon, Zeus' son, withstood him and fell. The twin brethren Sleep and Death bear the tall body to its home. Kai TOT 'ATToAAwi/a Trpo(ri(j)r] vecpeXrjyepeTa Zeus' " fl 8' aye vvv, <^tXe 4>0(/3f, Ke\aivf(pes aifj.a Ka.0T)pov fXdo)v eK (B(\f(ov 2ap7TTj86va, Kai p.iv eireiTa ■jvoWov cnronpo <^epa>v Xovcrov noTapioio pofjciv \p'i(T6v T apfipocrir], nepl 8 afijipoTa eip-OTa eaaov, 5 TTep-Tre 8t piv rrop-Tiolcnv afia KpaiTrvoiai cf)ep€a6ai, 'Ytti/w (cai Qavaro) bi8vfj.do(riv, 01 pa piv SiKa 6i]crovcr eV Avkit]s evpeirjs tt'iovl br]p.u>, evda i Tapx^orovai Kaaiyvr^Toi. re eVat re TvpilHo} T€ (TTTjKr] re* TO yap ye pas e'crri davovTiov. ' 10 'Qs e(\>aT , ov6' apa TruTpbs dvr]Kov(TTr](Tev 'AttoXXodi'. firj 8t kut' 'l8aia)v opij^v es (pvKoTTiv alvfjv, avTiKa S' en ^eXecov ^apTTTjbova blov deipas, TToXXcii' dnoTTpf) (})epa)v, Xovaev •norap.oio pojjfTiv Xplo'tP T dp.j3poaiTj, irepi 8 ap^poTa eipara eaaev, 15 ■nepne 8e piv TvopTvoiaiv apa Kpainvoiai (fyepeadai, Yttvo) KOI OavuTca 8i8vpAocriv, ot pa piv 6)Ka KuTdfaav (V Avk[t]s fvpetrjs niovt Stj/iim. [xvi. 666-683.] ILIAD. XI. Patrochis in luniyfollouimg further than Zeus had granted to him to succeed, Apollo disarmed, Euphorbus wounded, and Hector slew. The immortal horses weep for him. Qy 01 fiev fidpvavTO, ai8rjpeios S' opvfiaydos Xa^Kfov ovpavbv lkc 8i aWepos drpvyeToio' imroi B AiaKidao p^d^rji dndvevdev eovres KXaiov, eVei 8t] Trpcora nvdefrdrjv fjvi6)(oio iv Kovirjcri TTfcrovTos v(^ EKTopos dv8po(p6i'oio. 5 rj fidv AvTop,e8a)v Aicipeos oKKifjios vlos iroWa fiev ap p.d(TTiyi Bofj eTTep.ai€TO deivcov, TToXXa Se neikixtoKTi TrpoarjvBa, iroXka S' dpeirj' TO) S OUT ayJA eVt v?]as eVi Tr\aTVP 'EW^uttovtov ijdeXeTTjv Uvai ovr es noKepov per 'A^^atovs, 10 dXX' (OS re arrjkr} pevei (p.nebov, rj t eVt Tvp^co dvepos €(TTi]Kj] TedvTjoTos !]€ yvvaiKos, a)f fievov d(7(f)a\ea)s nepiKaXXea bi(^pov e^ovrfs, ov8ei eviaKipyj/avTe Kaprjara. Sa/cpva 8e (r(ptv depfia Kara ^Xf(})dpu>v )(apd8is pee fivpopivoKTiv 15 rjvioxoio nodco' duXepr] d' epuaiveTO x^^'^'l ^(vyXrjs i^ipmovcra napa ^vyov dp(poTepa>6ei'. pvpopevco 6' apa tu> ye Ibutv fXerjae KpoiiuoJ', KivTjcras 8e Kdprj Trporl ov pv6i]craT0 dvfxov' " a SetXw, Ti (T^at'i hopev n»jX^t avuKTi 20 duTjTciy vpfls S' icTTov dyrjpo) t ddavdro) re. rj tva 8v(XTrjvoc(7i per' dvbpdcTiv aXye' e'xfJTOv J 28 HOMER. oil \i.lv yap tl ttov iariv oi^vpartpov avhpoi TTcivTdiv, oaaa rf yaiav eiri nvtlfi re Koi epnei. [xvii. 424-447.] XII. Ai ratfoclus death, grief for the friend whom he heul sent to fight in his stead and to fall, drove out the anger from Achilles'' heart. In vain Thetis warns him of his own death that must follow Hector s. The counsel of Zeus is fulfilled, and the fate of Troy once more proceeds. *£l^ 01 ftev fidpvavTO defias TTvpos aWop.ivQio, 'AvtiXoxos 6' 'Axi\i]'i TroSaj Ta)(vs (iyyeXos rjXBev. Tov fi' (vpe Trpoirapoide veav opdoKpaipacov, Tu cjipovfovT dvci 6vp.bv a 8t] reTfXecrneva tjeV 6\6r](Tas 8' (ipa eiVe Trpoy ov fieyaXrjTopa 6vp6v 5 " u) poi fyu>, Tl T ap avT€ KaprjKopuuiVTfs A;(nioi vrjualv eTTt Kkovfourai aTv^upevoi Trebioio \ firf Bf) /zot TeXe'crcotri 6eoi KaKci KT]8ea dvpSj U3S TTOTe fj-oi p-TjTrjp Bifnecppabe, kcil poi i'enrev Mvpiiiboucov TOV lipia-TOV en ^oyovros e'/xeto 7 XfpfTiv vTTo Tpaxov Xe i\f/ fiv (})aos r]e\ioio. 1] jxaKa hi] TedvrjKf MfvoiTiov ciXKipos vios, (T)(^t\ios' rj T (KeXfvov dna)crap,evov Brfiov TTvp uy\r (tt\ vrjas 'ipfv, pr]K "EKTopi i(f)i paxfirdai. EIos 6 Tav6' (oppaive Kara (j)peva Koi kutu 6vp6v, 15 Tof})pa ul ey-yu^ef rjXdev uyavov Ntaropos xnos, baKpva 6(pp.a x*'^", ^>aTO 8' dyyiXiriv ak(y(ivr]v' " to fjLOi. llr]Xios vie batcppovos, rj jxaXa Xvyprjs ILIAD. 39 icfiTai naTpoKXos, veKvos Se 8i) ufxcfufxa^ourai 20 yvfjivoii' wrap ra y( rev^e' ^X^'' KopvdaioXos ^E/crcop." Qs (paTO, Tuv b a)(eos vecfjeXt] eKdXv\//e peXaiva. dp(f)OTfprjat 8e ;^fpo"ti' eAcoi' koviv aWaXoeacrav XeuaTo KUK KeipaXTJs, ;^apt'ei' 8' rjcrxvve npocrcoTToi/' v(KTapf(a 8e xiTavL pLeXutv' up.(f)i^ave T€0p7;. 25 aiiTos 8' eV Kovirjai fiiym peyaXaxTrl ravvaBfls KeiTo, (piXijai Se X^P""* i^^P'fjv jiaxvve Sat^coi/. dpcoat S*, ;i(7fTaro UdrpoKXus rf, dvpuv aKfj^ep-ffai fieydX' "aixov, eK de 6vpa^e edpajMOv d/x^' 'AxtXrja 8ai(j)poi'a, ;^epo-i Se Ttaaai 30 arqdfa TTfnXrjyovro, Xv6ev 6 utto yvia eKdaTTjs, 'AvTiXoxos S' irepoodev obvpero daKpva Xei^cov, X^^pai €x<>>v 'AxiXi^jOS' 6 S' eareve KvBdXipov Ktjp' Sfi'Sie yap pr) Xatpou UTrorpij^fte aibtjpoi. (rpepdaXeov S' wpco^ev' aKovcre 8e noTPia prjTTjp 35 j'lpevr] iv ^evdeaaiv dXos napd narpl yepovri, KbiKvaev T ap eTTfira' 6e(u Se piv dp(pay€povTO, irdcrai ocrai Kara ^ev6os dXos N7;prjiSe? fjirav. [evff ap* fT]v TXaiiKr) re QdXeid re KvpodoKi] re, "SrjcraiT) ^neta re Qor] 6 ' AX'lt] re ^oums, ^o KvpodoT] re koi 'AKrairj kul Aipvojpeia Ka\ MeXlrr] koi' latpa kch 'Apaa(ra' evda 8' erjv KXvpevr] ^Idvdpd re Ka\ ^Idvacraa, 30 HOMER. MaTpa Kai 'Qpddvia evTj-XoKafxos t 'Afiddeia aWat 6' at Kara ^ep6os aXos 'NrjpTjiSfs rjaav.j TOiv fie KOI upyv(f)eop 77Xf)ro anfos' al 6 dpa iracrai 50 (TTi]6ea ri(7T\r]ynvTo, Qtrii S i^rip-^e yooio' " Kkvre, Kaaiyvr^rai Nr;prjiSe?, o^p iv Traaai fiSer aKovovaai ocr epco k'vi Krjdea dvpco. io fioi eycb 8etXij, a> pni dvcrapicTTOTOKeia, ij T enel tip T€Kov vlov dpvpovd re Kparepov re, 55 (^oxov Tjpaxov' 6 b dvedpapev epve'i iaos' Tov pev iyo) dpiy^aaa, (^vrov wy yovvui aXw^s, vr]v eicrco Tpaxrl pn^rjcropevov' tov S' 011;^ vnode^opai aiiTts oiKoSe voaTi](ravTa, topov UrfKrj'iov eltro). 60 o(f)pa Se pot ^u)6t Koi Spa (f)dos rjeXioio, a^vvrai, ov8e ri ol Siivapac j^paicrpriaaL lovcra. dXX' fi'/i', o(l)pa I'Sw/xt (fyiXov t€kos, i]8' eTraKovcra OTTL piv iKfTo nevdos dno irToXipoio pevovra. Sis apa vf]aaaa XiVe aneos' al 8e avv aiiTrj 65 SaKpvoeaaai 'iaav, TTepl 8e affiicn Kvpa daXdcrcrrji pijyvvTO. Ta\ d' ore fi?) Tpolrjv (pijicaXov ikovtq, UKTrjV flaave^aivov eVtcr^^f/ja), i'vda 6apeia\ Mvppitovoov e'lpvvTO vies ra^iip dp(f) AxiXrja. TW fie ^api) \e6 fralpos 80 UdrpoKXos, Tov eyw Trepi TvavTutv riov eTaipav, icrov ipii Ke^f^nvai, OS T« TToXii -yXu/cicoi^ /xtXiros KaToKfijiopeuoio av^pSiv (V arfidfaaiv di^erai ^vre Kanvos' no ws (>£ vuj/ ix^\(i)(Tev dva^ dvhpwv ' kyapip.va>v. dXXd Ta p.€v TTpoTerCx^ai iaaop.ev dxvvpevoi irep, dvpov fv\ (TT^df(T(Ti c})i\ov 8ap.acravTes dvdyKT)' vvv 8' dp:, o4>pa (pikr^s KeOTepr](nv Xfp«^' i:apiidv dnaXdav boKpv opop^aphriv, dbivov arovaxn'^ai. i^tflr^V yvouv S" 6)f 8^ hP'^v h^ Tro\epoio Tvinavpai. i 25 unSe / epvKf pdxvs (pt'Xeovad irtp- ohhe pe Trelaeis." [xviii. 1-126.] XIII. Firs/ standing on the wall unarmed, by the mere terror 0/ his voice and form he scares the Trojans from the body of his friend. Airap 'AxtXXtvs Sipro Stt'c^iXos' dp4>\ S' 'A6i]vrj ipois leipLOiai ^fiV alyiba ev(Taav6eaaap, 120 ILIAD. 33 d/i0i Se ol Ke(j)ai\^ veCJ)os eore^e 8la dedav Xpvcreov, ex S' avroC Sale ] yiyvfTai dtaaovaa, nepiKTiovecraiv IhtcrOai, 10 at K(v TTws (Tvv vrjvaLV dpris aXKTrjpts iKoovrai' a)s an 'AxiXXijos Ke^aX^s v vtto OvpopaiaTfcof, a)s TOT^ dpi^y'jkri (poovrj yever AlaKiSao. ol S' ci)j ovv aiov ona xdXKeov AiaKidao, 20 TrdtTiv 6piv6r] 6vp6s. drap KaXkirpix^s irnroi d\lr oxea Tponeov' oaaovro yap aXyea dvpa. fjvioxoi S' eKTrXrjyev, iTTfl 't8ov aKdparov irvp 8eiv6i> vvep Ke(j)a\iis peyaBvpov Hrjkeioivos Suiopevov' TO fie Sate Bed yXavKanis Adrjvrj. 25 Tp'is ptv virep rdcppov peydX' taxe 8ios 'Ax^XXevs, Tpls fie KVKT)6i]aav Tpcoes KXeirol t iTTiKOvpui. evda fie Ka\ tot oXovto Si;wSeKa KT]s (Itt(t 'A)(iWevs baKpva OepfMu X^'^'^y f'^*' flai^e tthttov iraLpov Kflfievou iv (jyeprpcp, Sedaiypevov o^ei ;(aXKc5. Toi/ p Tj Toi peu eTTepne avv imroicnv Km oxfi-v 35 €? TVoXepoVy ov8 avrii e'Se^aro vo(TTT](ravTa. HeXiov S' d/fapavrn ^oQittis ttotvui "Hprj nipyJAev en 'QKeavoio poas dfKovra veeadai. r]e\ios pei> edv, navcravTO Se blot 'A;^aioi (^vXoTrtSoy KpaTfpfjs /cat opouov TToXepoio. ^o [xviii. 203-242.] XIV. Thefts visits Hephaeshis, and procures from hivi new armour for Achilles. The shield is described. Qs 01 pev ToiavTa npos aWrfKovs ayopevoV }i(paifTTOV 8' iKavf bupov GeVts apyvponf^a av. Tov b flip' IbpaovTa fXiaaopefov Trepl (f)vcras, 5 CTTrfv^ovTa' Tpiirohas yap ieiKocn Ttavrai eTtv^fv ((TTapevai nfp\ toIxov evaradeos peyc'ipoio, Xpv(rea 8e (t(J) vtto KVKKa eKucrroi TTvdpevi OiJKev, o(}}pa ot avToparoi dfiov dvaaiar dyava 7)8' avrii irph's 8u>pa veoiaro, duvpa Ibeadai. 10 01 8 rj TOL Toaaov ptv e^ov reXos, ovara 8' ov nco 8ai8d\ta npoaeKeiTO' rd p rjprve, Konre 8e beupovs. ocpp o ye TavT fTrovflro l8vLr}(Ti npanihiCTUiv, T6(Ppa 01 e'yyv^ei/ fjXde Sea Qeris dpyvpowi^u. Ttiv 8e tSe TTpopoXovcra Xupn XmapoKprj^fpvos 15 ILIAD. 35 KoKt], rrjv coTTvif TifpiKXvTos afi:f)iyvrj(is' (V T cipa ol (pi) x^'P' enos t ((par (K t uvrifia^ev' " TiTTTf, Gen ravvneTT^e , iKc'weis rjfierepov fiw alhoiT) T( (piXr] re ; Trdpos ye /uei/ ov ti 6ap.i^(i.s. «XX' eTTfo TrpoTtpco, iva rot Trap ^dvia 6(1(0. 20 fly npa (pwi'Tjcraaa npocrd) aye 8ta dfdcov. rrjv p.iv (TTSLTa Kade'iaeu eVt 6p6vov dpyvporjXov KoKov SatSaXe'ov" iino Se 6prjvvs ttoctIv ^(v' KfKXero 6* li(f)ai(TTov KKvTOTe)(yr]v eirre re p.v6ov' ""Hc^ntore, 7rpo/ioX' wSe' QeVis vu ri treio ^'^'''''C^'- '5 TT]v 8' r]p.€i^fr eneira TtepiKXvTos dfx(piyvrjeis' " T) pd vv fxot beivi] re Koi aidoir] ^fos 'ivhov, 7] p.' e'crdojcr', ore /x' liXyns dcpiKtro TrjXe Treaovra p.r]Tpoi e'/x^y tdr/yrt (cvi/coTriSoy, 17 /u, fdeXijcrfV Kpvyj^ai )(, 30 fi pt] pL TS.vpvvop.T] T€ Qeris 6 virede^aTo /coXttm, 'Evpvvop.r], dvydrrjp a^^oppoov 'nKeavoio. T^(Ti Trap' flvderes )(dXKevov 8aidaXa noXXa, iTopTTas re yvap-Trrds 6' eXiKas KaXvKds re Koi oppmv fv (xnrfi yXa] taav, ai. pe crdoDcrav. 7] vvv TjptTepov 86p.ov iKei' Tw p.e p.dXa ;^pe« TTavTa Qen KaXXinXoKdp.a> ^uidypin riveiv. 40 aXXa av p.ev vvi> ol irapddes ^(ivrfLi (caXd, 6(pp av iyu) cjivaas aTToddopMi onXa re TTavra." H Koi OTT aKp-oSiToio TriXcop a'irjTov dveaTT) )(ii)Xtva>v' VTTo Se KvrjpLai puiovro dpaiai. D 2 36 HOMER. (f)v alBoiT) T€ (pCKr] re ; rrdpos ye pev ovtl Bapi(eis. a{j8a o Ti (ppoveeis' reXeVai 3c pe dvp-oi avayev, el bvvapai TeKeaui ye (cat el rereXea-pefou eariv. 60 Top b' rjpeijBeT eTreira Qeris Kara baKpv x^ovaa' "'H^aicrr , ^ apa br] Tis, oaai 6ea'i ela ev 'OXv/iTTw, rocra-aS' eVi (jipecrlv j/aiv dveax^ro Krjbea Xvypd, o(T(r epo\ eK nnaecov Kpovibrjs Zei/f aXye ebuxev ; ('k pev p aXXdcoj/ uXidmv dvbpl bdpaaaev, 65 AlaKibr] IlrjXrj'i, Ka\ er^rju dvepos elvr]V TToXXa fioX' ovK edekova-a. 6 pev brj yrjpa'i Xuypw Kelrai evl p.eydpois dprjpevos, dWa be poi vvV viov iirei p.01 bwKe yeveadai re Tpa(f)fp.eu re, f^oxov rjpdxov' 6 6' dvebpapev epve'l icros' "JO Tuu pev eyoi 6ptylra(7a (^vrbv i)s yovvoi aXca^f, vrpxriv eTrnrpoerjKa Kopcoviaiv iXiov eiau) Tpaai paxrja-dpevov' top ovx inrobe^opui avris ILIAD. 11 oiKOf^e poaTrjaavTa, Sofxov UriXTjiop etcrcu. o(f)pa fie fioi ^u>eL Ka\ Spa cf)dos rjeXioio, 75 a^vvrai, ovBe rt, oi 8vvafiat. ^paicxfiTJaaL lovcra. Kovprjv fjv apa ol ytpas e^eXof vies 'Ap^aicoj', rfjv a^ir e/c )(fipS)v fXero KpeLcov Ayapepvcov. Tj Toi 6 T^s dxeav (pp€va<: ((pdiev' avrap A)(aiovs TpS)iS eVt irpvpvTjaiv eeCkfov, ov8e dvpa^e 80 ettBi/ i^iivai. tov he XicrtrovTO yepovres ^Apyeicdv, koL ttoXXo TrepiKkvTa hoip' ovopa^ov. ev6 avTos pev eTveiT rjuaivfro Xoiynp apvvcit, avTcip 6 ndrpoKKov ■nep\ piv to. a Tev)(ea ecnrev, nepne 8e piv noXepopde, noXvu 8' cipa Xaof onaacrep. 85 Trap 8' ^pap papvavro irepl '2Kairj(n irvkrjcrip' Kai in) Kep avrrjpap ttoKlp eTrpadop, el pr) AttoXXwi/ TToXXa KaKO. pe^aPTO MepoiTiov akKipop vlqp eKTav ep\ Trpopa)(oi(Ti Koi EKTopi kGSos eduKep. TovpeKa pvv to. era yovpaB^ iKavopai, ai k edeXTjcda 90 vUl ipw oiKvpopa 86pev acnrtSa koi Tpv(pdXei,ap Koi KaXas KvrjplSas, eTna(j)vpiois dpapvias, KOI dapr])^ ' o yap fjv oi. anaXeae tticttos era'tpos Tpojcri hnpe'is' 6 he Kelrai iiri x6op\ Ovpap d-}(ev(x)P.^ Tt]V S" ripei^er eneira irepiKXvTos dp(}iiyvT]eis' 95 " Bdpcrei' pT] Toi ravra perd (fipeai arjai peXoproip. a* ydp piP dapdroio Sva-Tj^e'os oJSe hvpaiprju poacpip anoKpvyj/ai, ore piv popos aivos iKdvoi, u>s ol Te\i)(ea KnXd Trapeaaerai, old Tis aire dv6pdnT(x)V TToXeutv BavpdacreTai, os Kep 'ihrjrai." 100 ' Q.S elTTOjp TTjv pev Xirrev aurou, ^rj S en\ (pvaai, rds 8' is Tivp erpey^re, KcXevae re epyd^eaOai. i2uri)i 3S HOMER. (pvaai 8 iv xodvoiaiv ((iKoai naaai {(J)v(tu)v, navToirjv fVTrprjaTov avT/jLtju i^avieiaai, aWoTt fXiP (TTTfvSovTi TTapemievai, «AXore 8' uuTf, lo; onncos HcpaicTTos r ideXoi koi epyou avoiro. ^oKkov S iv TTvpl /3uXXev areipta Kacrcrirepov re Koi xpvaov Tipr^vra Ka\ apyvpov' avrap eneira dtjKiv iv iiKpoQiTa piyav I'lKpova, yivTo de X^'P' pai(TTT)pa KpaTfpTjv, (Tfprjcpi. 8e yivTO nvpdyprjv. no Hotel be npoiTiara craKO? fieya re cm^apov re navToae daiddWav, nepl 8 avTvya /3a\Ae (paeivrjv, Tpin\aKa pappaperjv, eK 8 dpyvpeov reXapcovn. nevre 8 ap avrov eaav tra/ceos tttvx^s' avrdp iv avrcj nuifi 8ai8aXa TroXXa ISvirjcri 7rpaTrl8e(Tcnv. 1 1 :^ 'Ev fjiev yaiav erev^', kv 8' ovpavov, iv 8e daKaircrav, TjeXiov T UKupavTa aeXrjvrjv re 7rXij0ov(Tav, ev 8e Tct Tfipea ndvra, rd t ovpavos iaT€Tai, n\T]'id8ai & 'YdSa? t€ to re adivos 'Qplcovos 'ApKTOv 6\ r)v Kal apa^nv ijTiKXrjacv KoXeovaiVy 120 ijT (wTov aTp((j:)eTai Ktii t Q.pla>va 8oKevei, oiTj 8 appopos icTTi \(HTpu)V 'ilKeavoin. Ev 8f 8vu> TroiTjire TrdXeis peponav dv6pcj)ira)V KaXds. iv jfj piv pa ydpoi r tcruv elXanivai re, vvpfjitis 8 e'/c daXdpcov 8ui8(i}v vno Xapnopevduv 125 Tjyivenv avii Iicttv, iroXiii 8' vpei'cuos dpwpeC Kovpoi 8 vp)(r](TTripes i8ivfov, iv S' apa to'ktiv avXul (poppiyyes re ^orjv 'ix^ov a'l 8e yvvaiKes itTTupevai duvpa^ov inl npoBupoiaiv tKuarr]. Xaui 8 elv dyopii eaav ddpooi' ev6a 8e ve'iKos 130 uaoipei, 8vo 8' uv8pts ive'iKiov tiveKa rioivijs ILIAD. 30 avhph% dnov iv X^P^^ ^X°^ T]epo(f)diV(iiv' TolcTiv eneiT TJ'iacrov, upoilirjSis 8e diKU^ou. Kflro 8' lip* iv peaaoicTL Suw ^fpucroio rdXavra, 140 rc5 86pev OS pfTu roiai 8ikt]p Wwrara €inoi. Tfjv 6' ireprju ttoXic dp(jA 8vio arpaToi tiaro Xacof TfvxfO'i Xapnopevoi. 8ixa 8e (T(jiitTLU rjvdave ^ovXrj, r]€ Sianpadieiv fj tivSixa Travra 8daa(T6ai, KTrjaiv ocrrjv TTTokUdpov iTiriparov evrus ifpyeC 145 o'l 8' ov TTco TTfidovTo, \6xu) 8' vTreBajprjaaovTO. Tfixos fiev p aXoxoi re (piXai koi vrjTria xeKva pvar €({)e(rTa'.Tes, pera 8' duepes oiis ex^ y^pas" oi 8' Xaav' r/px^ ^' "pa o(f)iv "Aprjs Koi TlaWas 'Adi']vr], lipcpo) ;^pvo-eic>), ;(pv(Tem 8e etpara ecrdrjp, 150 KoXai Koi pfyaku) crvv Tevx^TLv, wore 6((i) n(p, dpcfns dpi^7]\u>' Xaoi 8 vn oXl^oves rjaav. 01 8' oTf 8)'] p Ikcivov 061 (r(})iaiv (Ue Xf;;^?j(r(«, eV nnrapui, 061 t dp8pus k'rjv TvavreoGL ^OTolcriv, evff apa ro'i y 'l^ovT ilXvpevoi aidoni xoXkm. 155 Tolo-t 8' eiTfiT dirdvfvde 8v(o . 01 piv TCI 7rpo'i86vTes ine8papov, wku S' 'ineira 160 40 HOMER. TafxvovT dfj.(p\ ^oav dye'Xas Kol TTiifO KoKa dpy€vv((ov oiwv, KTfivov 8' tVi /MT^Xo/Sor^par. o'l 8' as ovv envdovTo iroXiip KeXaSov napa ^ovcriv flpdcov TTpcnrapoide KaQrjpievoi, avTiK ((fi mncou ^dvres aepcnTT<)8a)v p,€TfKia6ov, ot\|/a 8' lkovto. iG^ arrjadpfvoi S (pdxovro pd^rjv Trorapoio Trap" o)(0a<;, /SaXXoi/ S aXXr^Xovf ;(aX/cijpe(Tti/ ey)(eir)(TLv. €i> 8' "Epis, fv Se KuSoov exovcra veovrarov, aXKov aovrov, aXXov Tf6vr]0)Ta Kara podov eX/ce ttoSoui/" i^o (ifia 8 fx ^t"-^ cofioiai 8ar)V KoXrjv ^pvnrfirjv' peXaves S ai^a ^orpves rjnav^ icip eoTjjACft be Kaposi dtapnepes dpyvperjariv. ap(f)i fie Kvavi-qv KanfTov, nepl S' epKOs eXnaaev KaaaiTepov' p.ia S' o'lrj drapTriTos ^ev en avrrjv, TT] VKTO'OVTO (poprjes, ore rpvyoaev akcorjv, TvapBeviKcii be leai Tji6eoi draXa cfipoveovTes 200 nXeKTois ev TaXapouri (pepov peXirjdea Kapnov. Toicriv b ev peaaoicri ttciIs (poppiyyi Xiyelrj ipepoev Kiddpi^e, Xii'ov b' virb koXov cieibev XeTTTaXerj (fioovfj' rot be prjcrcrovTes dpapTTJ poXivfi T tvypa re ttoctI aKaipovres eirovTO, 205 'Ei/ S' dyfXrjv Tto'i-qae ^oav 6pdoKpaipdu)V' a'l be jSo'ff ■^pvcrolo TfTev^aro Kaaanepov re, pvKr]6pm b' dnb Konpov eTrecruevovTO vopovbe trap TTorapov KeXdbovra, irapa pobavov bovaKrja. Xpvaeioi be voprjes ap ecTTf^oaivTO ^ueacriv 210 Tecrcrapes, evvea be (T(pi Kvves rrobas apyoi enovro. trpepbaXeco be Xeovre bv ev TrpaTrjai jSoeacriv ravpov epvyprjXov e)(eTr]v' o fie paKpa pepvKois eXKero' rbv be Kvves pereKiadov j;S al^rjoi. TO) pev dvapprj^avre ftobs peydXoio ^oeLrjv 211:; eyKara Koi peXav aipa XacpvacreTov' oi be voprjes nvrcof evbiecav raxeas Kvvas orpwovres. 01 b rj Toi baKeeiv pev dTTerpcoTrSiVTO XeovTCOV, 4-! HOMER. 'i(TTafifi/oi 8e juaX' eyyvs v\uKTeov e(c r' dXe'ovTo. Ev 8e vofjiop TToirjcre nepiKXvTos dixquyvijeis, 220 fv icnXtj ^Tjacrrj^ fxeyav oicov dpytvvdcov, j(is, Tv. ol §" ore piv dpi^ucTKOv (TriiTTapivoLcn irdhecraiv pda pdX', a)f ore ris Tpo)(6v appevov iv iraXdpija-iv f^dpevos Kepapevs irfiprjaeTai, a'l k€ dirjaiv' aXXoTf S' uv 6pe^a(TK0i> €t:\ crrip^ay aXXrjXoicnv. 235 TToXXor 6' Ipepdfuru ^(opov nepiurrad opiXos T€pndpevoi' pera Se' cr^iy epeXTTfTo 6elos doidus (f)()ppi^u)v' Soto) 8e Kv^iarrjTrjpe kut avrovs poXTrTjs (^dpxovTos ibivevov Kara pecraovs. 'Ev 8" fTi6ei noTapolo pe ^ a (rdevos 'QKeavoio 240 avTvya nap nvpdrrjp craKeos nvKci ttoitjtoIo. Avrap fTreiSfj rev^e aaKos peya re (TTiiSupdi' re, Tfv^ apa ol 6u>prjKa (^aavdrepov nvpos auy^j, Tfv^t de ol Kopvda jBpiaprju, Kpordflinis upapviav, kclXtju 8(u8aXirji', eVi Se ;^pucreoj/ Xdcfxtu rjKiv, 245 reO^e he ol Kvrjp'ihai euvou KucraiTipoto. \vTap enel ndvd' CttXu Kdp.e kXvtus up(f)iyvy](ii, ILIAD. 43 fiTjTpoi 'Axt-^^rjos Br^Kf irpuTnipotdeu deipas. fj 6* tpr]^ 03S oXto kut Ov\vpnov VL(p6evTu<;, Tfi'Xfa fiappaipovTa irap' 'Vl^aiaroio (fiepovora. 250 [xviii. 368-617.] XV. 77ie next day, terrible in Ids new armour, Achilles 7-eturned to the field. Not even helpless Lycaon finds mercy at his hands. H roi. 6 piv Bopv paKpov dvecrxeTo Sios 'A)(iWfvs ovTapfvai pf paces, 6 8* vneSpape koI Xa/3e •yoww;' Kv^as' ey-\*'''7 ^' "p' ^"'■ep pujtov ev\ yaiij fO'TTj, ifpii/ij xpoos I'ipevai dvhpopeoio. avjap 6 Ti] fTeprj piv eKlhv iWiaaeTO yovvaii', 5 t/; S' irept] i'^fv i'yX°^ aKUXptvov, ov8e pfdUc [khi piv (pcovfjaas tnea nrepofPTa Tr/joo-jjuSa'] " yovvoiipai a, 'Axi^ev' av be p.' aiSeo Kai p' e\fr](TOi>. avTi Toi ftp iKerao, 8ioTp{CJ)es, aldoLoio' nap yap coi Tr/jwrw Tracrdpriv Arjprjrepos aKrrjp, 10 rjpari rw ore p! etXty eiJKTipevij iv aXoofj, Kai p (TTfpacrcras uvevOev liyatv narpus re (piXav re Afjpvov fs rjyadei]!/, fKOTop^oiov 8e tol Tj\(pov. vvv be Xvprjv rpls Tocraa nopwv — rjcoi Se pol eariv i]8e dvcodfKaTr], or e's'D^iov elXrjXovda ic TToXXa TvaQtov — viv av pe rejjs iv x^po'i-i' e'drjKeu poip oXoT]' peXXw T70V d7re';(^e(T^at Ait iraTpi, OS pe crol uiiris edooKe' pivvvBdbiov 8e pe prjTrjp yeivaro AaoBorj, dvydTrjp "AXtoo yepovros, AXrfw OS AeXeyeo'cTi (juXoTrroXepoiaiv dvdcraei, 20 YiTjbavov aiTTTjeacrav excov en\ Sarj-'tde^rt. 44 HOMER. ToO S' t-Xi SvyaT€pa Uplnum, TroXXaj Se /cat «XX«s' T^s fie Sua) ■yei/(!/i6or^a, crii S' «^'|)co 8fipoTOfiT](Teis. ?! TOi TOP irpioTOKji pera TvpvXeeaa-i 6dpa(T(Tas, nvTidtof no\v8a)pov, fVet /3aXey o^fi dovpi' 25 vGi/ Se 817 eV^a'S' e/x°'' fa^oi^ ea-aerni' ov yap oio) (Trtj x^'P"^ (j)fv^ea6aL, iiTfl p fTreXnaae ye taipav. aXXo Se TOi epeo), av S' fVi (/)pe(rt /3aXXeo o-fjo-ti/- /iij |ie KTfiv', €7j-e( ovx opoydoTpios "E/cropof ei^t, OS TOI iraipov eTTtcfivev ivrjka t€ Kparepov re. ?,o ^ns apa piv Upiapoin npoa-rjvda (paiSipos vloi \i(T(T6pivos iTTiecrtnv, dpeiXiKTov 6' on uKovaev' " vi]ni{, pf) poi anoiva in^avarKto, prjh' dyopeve. Trp\v pev yap HuTpoKkov emcnre'iv aicripov rjpap, Tocjipa Ti pni 7re(pi8e(T6ai eVi (pptcrl cjyiXTepov fjfv 35 Tpu>a>v, KOI TToXXovs fcooiij eXov tj8' errepaa-aa' vxJv 8' ovK ecrS' os Tis BdvaTov (})vyrj, ov /cf d(6s ye 'iXt'ov TTprmapoiBtv iprjs iv x^P^'- (^"Xr/trii', Km TTuvTuiv Tpayav, nepi 8' av Upu'ipoio ye Trat'Scof. aXXa (/)iXos 6(ive Ka\ av' t'itj d\o(}}vpeai ovtws ; 40 Kordave Ka\ UaTpoiiKos, o rrep (reo noXkov apeivav. ovx opdqs olos Ka\ eyw (caXoj re /xeyn? Te ; TvaTpos S" eiy dyaOolo, 6ea he pe yelvuTO p.r]Tr]p' aXX' fTTi Tot Ka\ epo\ 6dvaT0s Ka\ potpa KpaTairj — firafrai fj t]o)S, fj beiXr], rj peaov rjpap — 45 omroTe tj? kuI epe1o''hpei eK 6vpbv eXrjrai, f) o ye 8ovp\ ^>iXa)i/ 17 0770 vevprirjuv oVcrrw. [xxi. 67-113.] ILIAD. ' 45 XVI. Scaniander presses hard upon Achilles till he is checked by the fires of Hephaestus. Kai vv K fTi Trkeovas KTuve UaLovai wKVi A;^iXXe(;f, (I fjif] )(^a)tTafievos 7rpo(re'0j; ttotujjlos ^advhivqs, av€pi fladfidos, f3a6ftjs S' (Kipdey^aro divrjs' "cl) 'A;(tX6r, nepl fieu Kpareets, nepl 6 aiavXa /jeffts dvdpav' alel yap toi dp,vvovcnv 6eo\ avToi. 5 ei TOt Tpcbas e8a)Ke Kpovov ttqis ndvras oXeacrac, e^ fp.e6ev y eXdaas neSiov Kara jxeppepa pe^i' nXfjdfi yap 817 poi veKvap ipnreLvd pi(6pa, ovtf Ti irrj hvvapuL iTpo-)(tit,v poov eiy oka Slau areivopfvos vfKiKaai, av 8e Kreiveis ai'5»;Xa)y. lo oAA aye or] kul eaaov ayrj p. ex^') "PX^M^ Kauiv. Tov 8' drrapfilSopfvos npoaecfii] ttoSus cokus 'A;(tXXfL'j" " fcrraL raiira, '2K.dpav8pe SiOTpe(jf)€S, as crv (ceXei/ets. Tpoiay 8' ov irplv Xt]^o> inrep(pidXovs fvapi^av, TTp\v eXaai Kara aarv Koi "EKTopi TteiprjOrjuai 1 5 dvTi^irjv, rj Kfv pe dapdaaerai, fj Kev eyw tov. ^Qs €1770)1/ Tpdiea-aiv irriacrvTO huipovi iaos. Koi TOT 'AnoXXava irpo(re(j)T] noTupoi fia6vhlvT)s' " w TTonoi, dpyvpoTo^e, Ato? t€kos, ov av ye ^ovXas elpvcrao Kpovitovcs, o toi pdXa ttoXX eneTeXXev 20 Tpojcri TTapecndpevat nai dpvveiv, elaoKev eX6r] beieXos 6\j/e 8vcdv, (TKidar} 8' epi^toXov upovpav. 'H Ka\ 'A;(tXXeiis p.ev BovpiKXvTos evBope /xeao-w Kpj)pvoii dnat^as' 6 S' eneaavTO oldpaTi Bvav, 46 HOMER. TTujTa S' optf6 p((dpa KVKu)[xfi'oi, uxre Se veKpovs 25 ndXXovs, ot pa Kar' avrov aXis eaav, ovs ktuv ' A\t.X\evi' Toiis eK/SaXXe dvpa^e, pepvKws rjvTe ravpos, X^pTovde' ^(aoiis fie adco Kara Ka\a peedpa, KpvTSTOiV fv bluijai. fia6eli]aiv pfyakrjcnv. bfivbv 8' ap,(f)' *A)^ik7Ja KVKOipefov laraTo Kvpa, 30 utdd S' (u (TaKf'i TviTCToov poos' oi8e nodeaaiv (iXe (TT-qpi^acrdai. 6 8e nTfXerjv (Xe ^epatp (iitpvea peyaXrjV' 17 5 e'/c pi^ecov ipinovaa KpTjpiiov anavTa diaxrev, eneaxe 8e KaXa pieOpa ofoicrii' TTVKivoiai, ye(})vp(oaev Se piv avrov 35 f (TO) naa ipcnovcr ' 6 8' lip ek hivrj^ duopovcras rj'i^fv mhioio ttoo-I Kpanvvo'icri TrereaOai, SftVar. ovbe t fXrjyf peyas 6e6s, wpro S' eV avroi aKpoKfXaivioutu, 1i>a piv Travaeie novoio d'lov 'Ax^XXrju, Tpwecrai Se Xotyoi/ rlXaXffoi, 40 nrjXeiSrjs 8' anopovatv baov t (tu 8ovpos fp(tir], nlfTOv oipar (x^^ peXavoi, tov BrjprjTTJpos, oy 6' apn KcipTiaroi re Koi &Kiaros TTfrer^vav' Tw fi/cwy i'j'i^fv, eVt (vy J 6 8' oniade pioiv eiTeTO peydXoi opvpaySoi. 0)9 8' or' dvrjp oxtrrjyns dno Kprjvrjs peXavvdpov tip (fiVTU Kcii KrjTTOvi v8aTi poQV xiyfpovevrj, ^fptri pdKtXXav ix^v, dpdprji e^ ('xpira ftdXXuiv' TOV p(v re npopeovTOi iino r^r^^ISfs Cmaaai 50 u\X(vvTaC TO hi T S)Ka Kartifiopivov K(Xapv(fi X<^p(>> <*" nponXfl, (pBuvei 8e Tt koi tov ayovra' wi aU\ 'AxiXijn kixtjctiito Kvpa paoio ILIAD. 47 Km Xaiyj/rjpov (ovra' 6fo\ hi re cf)€pTfpoL dvBpav. oaaaKt S opprjcreie TvoSdpKTjs 8los 'A^^tXXeiiy 55 (rTTJvai fvavT ^lov, Koi yvutpevat, ti piv anavTfs addvaroi cf)o^eov(Ti, rot ovpavov evpvv (^ovaiv, Tocra-aKi piv peya Kvpa dunfTeos irorapoio Trkd^ mpovs Kadvnepdev' 6 8' vxlfoae TTocra\v fV^jSa 6vpV > >SJ\ 1 > * if, llr]AeLOT]s o u)pci)^€V loav fis ovpavov fvpvv " Zev TidTep, a)s ovth pe deatv iXeeivov VTreaTrj (K TTorapolo tracoaai. frreira fie Kai ri ndOoipi. aWos h' ovTii p'.i t6(tov aiTios Ovpaviavatv, 65 aKKa (j)i\r] prjvrjp, r; pe yj/evSecrcnv fdfkyev' fj p ecparo Tpoicov vnb rfi)(e'i dcoprjKrdav Xaf\j/r]po'is oXeecT^at ' AnoXKcovos ISfXeeacriv. as p. 60fX EKToap Krelvai, os cv6d8e y 'drpad) upicrros' Tffl K dyados pev fTrecpv, dyadov be Kev e^fvdpi^ev. yo vvv 8e pe XevyaXfco fiavdrto elpapTO dXavai ipxdiVT iv peydXu) norapo), a>s Traiba crv(j)opj36vj ov pd T evavXos airoipcrr] ■^eiponvi TTepoivra" Qs (pdro, TO) be pdX' uxa Tlocreibdaiv Kai ^Adrjvrj aTT]rr]v eyyiis lovre, be pas b' avbpeaaiv eiKrrjv, -;; X^^pi- 8e X^^P^ Xa^dvres enicTTaaavT eireecrcriv. Tolcri be pvdcov f]px^ Uoa-fibdoov evoaix^oav' " Hrjke'ibr], p-qr ap ri Xirjv rpee prjre ti rdp^ei' Toiu) ydp Toi VQo'i decov eTnTapp66a> elpev, Ztjvos enaii>r)cravTOs, eyo) Ka\ IlaXXay 'Adt'^vrj' 80 u>s OV Toi TTorapa ye bapr]pevai a'icripov etrriv, aXX' obe pev rdxa Xcoipljaei, av be e'lcreai avTos' 48 HOMER. airap crol nvKivas irrrodTjcrofxfff, a'i k€ iriBrjaC fii] TTpiv naviiv ^eipas opouov irokf.p.oio, TCjHV Kara 'iXioCJji kXvtu Tei)(ea Xaov eeXcrai 85 TpoiiKov, OS Ke (f>vyt}(n. crii 8 EKTOpi 6vp6v anovpas a\l/- e'ni vijas ipfu' 8i^opev 8e rot ev;^09 dpecrdai. To) fiev ap Sis tliroure per' ddavdrovs airfjSrjTriv, avTap 6 ^Tj — ptya yap pa 6ecov atrpwev ecpfrprj — fs neSiov' to 8e irdv nXriff vbaros eK)(vp€voio, 90 TToXXa 8e Tfxjxea KaXa 8aiKrapevoiV al^rjoyv nXiDOV Ka\ viKVis. tov 8 v\j/6cre yovvar e7rrj8a irpos poov diaaovTos dv Wvv, ov8e piv eaxfu fupvpfcov norapos' peya yap adevos en^aX' 'Adrjvr]. oiiSe '2Kdpav8pos eXrjye to hv pevtis, aXX eVi pdXXov (j5 ^oifTO UrfXeicovt, Kopvacre 8e Kvpa pooio v'^oa deipopevos, '2,ip6ftTt 8e /ce'/cXer avcras' " <^iX€ KaaiypTjTe, crdfvos dvepos dpcfjoTepoi Trep s nepixfvas, pvpiov, ov8e ol ofTT? (TnaTfjaoi/Tai 'Axaiol no aXXf^aC Toaarjv at u(tlv Ka6viT(p6e KoXv^ct). ILIAD. 49 alTov ot /cm ur]\xa Terev^erai, ovde ri fitv xpeio iCTTQi rvfifBoxorja, ore fiiv ddnrwaiv A^atot. 'H K(i\ fiTwpT 'A;^(X^t KVKwp,ivos, v^l/offf dvav, fiopfivptov u(f)poi re Kcil aifiari. kol veKveaiTW. 1 1 5 TTopCpvpeov S' apa Kvpa Sunfreos Trorapoio "la-TdT aeipopevov, Kara fi' {]pee UrfKeicovn. "Hprj Se pe-y nv(T^ n^pi^bfiaaa A;^iX^V, pr] piv aiToepaeif piyas norapos ^advbivrjs. avTiKa 8' "Hc^niOTOi/ Trpoae(f)o}V(ev, ov (^l\ov vloV 120 '' OpCTfOj KvX^iOTTO^HOV, ( fJiOV TiKOS' (i-VTU (TeBsV JUp AUvBov BiuijevTa pn^jl rjicTKoptv eivai' dXX' e-rrapwe Ta;(toTa, Tn(f)av(rKeo 8e (f)\6ya ttoWijv. avrap t'-yw Zecjyvpoio koi apyeaTao Noroio etcropai i^ akoOev x'^\fTTfjV opcrovaa ovfXKav, 125 rj K€V aTTO Tpiawv KeCpaXas koi revx^a KT]ni, (fi'Kfypa KOKov (popeovaa. cri) 8e Sdvdoio Trap ox^as (56v5pfa KaV, (V S' avTov tei irvpi prjSe ere rrdpTvav pfiXiXioii eneeaaiv dnorpeTveToi kol dpeifj' prjde nplu dmrnavf Teov pevos, «XX' otvot ui> 6y) I 30 s 8' OT UTru)piv6s BopeT]s v€oap8e 0X0)171/ ai\j/ dy^Tjpdvrj' X"''p^' ^^ M'" octtis fdetp]]' S)r e^rjpdv6q ivebinv rrdv, /caS 8' iipa veKpovs K^ei>' 6 8' e'y Trorapov rpeyj/e 0Xoya Tiap^pavooiaav. KaiopTO TTTfXe'at Te kcu iVe'ai ^Se pvplKai, 140 E 50 HOMER. Kai€TO 8e XcoTof re iSe Bpvov r)8e Kvneipov, ra TTfpi KoXa pieBpa aXis noTafio7o Tre^vKei" TflpovT e'y;(eXv€y re Koi Ixdves ol (caret SiVas, 1)1 Kara Ka\u pee6pa KV^iarav i'vBa kol evOa TTVOifj Tupofifvoi. TToKvprjTtos HcjiaiCTTOio. 145 Ka'uTO S' ly TTOTapolo enos r e<^ar" ex r* op6pa(eV ""Hc/jaio-r, 01/ ris (rot ye 6fu}v dvpar avTKpfpiCeiv, ovS' au (yu) (to'i y hbe iTvp\ (\)\eye6ovTi paxoip.r}v. Xrjy epiSos, Tpccas 8e Koi avrUa 8'ios 'A;(tXXeiis aareo? e'^eXdcrete' tI poi epiSos koi npayjjs ;' 150 *^ TTup) Kaioufvos, ava 8' e rocroi/ alrios eipi 160 ocTcrov 01 akkm navres, ocroi Tpo^eaaiv apayoi. dXX' ^ rot /iev e'yo)!/ aTroTrauo-o/iai, ei aw (ceXeveiy, naveadu) he /cat ouros. e'ycb S' eVt Kal rdS' opovpai, pf] TTOT eVi TpmeacTiv uk(^t]aeiv kukov rjpap, pT]8^ onoT tiv Tpoirj pakepM nvpl nacra duTjTai 165 daiopeVTj, 8ai(i)(Ti 8' 'Apf]'ioi vies A;(atoJi'. AvTctp errel ro y uKOvae 6ta kevK(^kevos''\lpr], avTiK up "ll(f)aiaTov npnaetpaveev, op (f)lkop vioV '^"HcfjaicTTf, crx^o, reKVOv ciyoKkees' ov yap e'oiKep ILIAD. 51 aQavarov Oeov uSe jBpoTuv evfKa (Trv(p(\l^iiv, 1 70 ' Q.S e(f)a6\"H<.piHaTos 8e Karea^eae deairidaei T;vp, n^opj^ov S' dpa Kvpa KartacrvTO KoKa peedpa. [xxi. 211-382.] XVII. A// day he drove the Trojans up the shore, slaying till Scaviafider 'was choked tvith the dead, and the remnant hardly found shelter within the gate. Hector alone disdained to fly, and, betrayed by Athene, fights atid falls. '' Q. noTTOi, Tj pdXa 8fj pe 6foi ddvaropSe KaXeacrav' At]1(I)o[3ov yap eyo) y ecpdprjv fjpcoa Trapelvcu' oXX' 6 pev iv rei^ei, epe S" (^aTruTrja-ev 'Adrjurj. vvv 8e 8tj eyyvOi poi Odvaros kqko?, ov8e T avevBtv, oiS' aiKei]' T] ydp pa ttoXui to ye (piXrepov rjev ^ Zrjvi re Koi Aios vii iKT]l36Xb}, 01 pe irdpos ye irp6(f)poves elpvuTo' vvv avri pe puipa Ki-xfivei. pfj pav acTTTOvSt ye kiA aKkeicos dnoXolprjv, dXXa peya pe^as Ti Koi ecra-opevoiai Trv6e(r6at. 'Or apa cpa)VT](Tas elpvaaaru (pdayavov o^v, 10 TO 01 vno XaTrdprjv TtTaTo peya re CTTi^apov re, o'lprjdev be d\e\s uts t aleTos v'v kqkov "EKTopi Siw, ilaopuav xpoa koKov, &7Tt] et^eie /idXtcrTO. 25 Tov 8e Kol ciyO^o Tocrov pev €;(e XPO" X"^''^*^ Tfvx^n, Ka\a, ra UarpOKkoio ^'irjv evdpi^e KaraKTas' (f)aiutTO 8' iy KXTjldes an a>pcov at^e"' fx^'^^'-^y 'S.avKauirjv, Iva re "^vx^^ cokkttos SkeQpos. TJi p eVi 01 penaois eXaa eyxf'i S'os A;(iXXf i/f, 30 avriKpv S" aTraXolo 81 avx^^^s i]\v6' CLKOxr]. ov8' up' un d(T(f)dpayov peTiir} rdpe ;(oXKo/3dpeia, o(f)pa Ti piv TTpoTu'nTOi dpei^opfvos eneeaaiv. rjpmf S' eV Kovirjs' 6 S' enfv^aTO Sloy 'A;^tXX6iis' ""F.KTop, drdp TTOV ((f)r]s UaTpoKXff i^evapi^wv 35 o-wr etrafaff, tpe S' oi/biu 0771'^eo v6a(f)iv eovra, VTjiru. Toio 8' avevOev dov re tokijcoi', pTf pe ea irapa vrjvcrl Kvvas (caTaSd\|/'at i\xai(DV, aXXa cri' piv x^>^dv re aXij xP^'^dv re 8(8f^o, 8ii)pa rd roi 8a)0"ov(ri Trarrjp Koi rrdrvia pfjrrjp, 45 (Tojpa be oiKab tp,6v dupevai, trdXiv, ucfipa nvpos pe Tpufs KOI Tpdxov oXop^ot XeXd;(Ki;s A^jiXXevs" " pT] p.f, Kvov, yovvcdv yovvd^fo prjbe tokijcov. ILIAD. 53 ai yd/) TTws avTuv [xe [livos icai dv^os aveirj c,o o)^' u7roTaiJ,v6fjL€voi> Kpea ednfi'ai, old fi topyas, ws ovK ecrff os ot(3o9 'AttoXXwi/, eadXov eovT oXeacocnv evi ^.Kai^ai TTvXrjaiv. Qs (ipa p.iv ftnovra reXos davdroio KdXv^et', 65 ^l^vx^rf 8' eK p(6ea>v TTTapivq Ai'So'crSe ^ef:iTjKei, ov ir6Tp.ov yooaxja, Xmovcr d8poTriTa Ka\ ijfSrjv. Tov Koi redvrjcora npocrrivba 8ios A;^tXX*i;r' '• TeBvadi' Krjpa S' eyo) rare 8e^op.ai, 6tt7t6t€ Kev 8f] Zevi eQiXrj reXecrai r]8' dOdvaTot 6(o\ liXXoi. 70 'H pa, Koi eK veKpoio epvcrararo )(iiXKeov ey^o;, Kai TO y avevaev eurj^ , o O ott oipav Tev^^e eavAa aiiiardevT' aXXoi 8e Trepi8pap.ov vies A^^aiaVy 01 Koi $r)f]aavT0 (pvfjv koi el8os dyrjTov "KKTopos' ov8 (ipa 01 rij uvovttjti ye irapeaTT], ^5 S)8e 8e Tis e'lneaKev Idav es TrXrjcrtoi' aXXoV " o) nonoi, T) fidXa Sr) p-aXaKarepos dp.pa K€ ri yvapev Tpoicov voov, ov tiu €)(ov(nv, J7 KaToKeiylrovcnv ttoKiv uKprjv roOSe neaoPTOs, Tje p.evet,v p-epAaai kol "EKTopos ovKer eovros. oXXn TL Tj poi ravTa ({>iXos dieXe^aro 6vp6s ; Kf'tTai nap vrjeacn vtKvs c'lKkavTos udanTog go YluTpoKKos' Tov 6' ovK imXTjaopai, ocpp' tiv eywye ^(jiolaiv pereco Kai poL (piXa yovvar dpaprj. ft be 6av6vTOiv nep KaruXrjQovT elv 'AtSao, avTap eya) kol Keldi (piXov pepvrjcropL eraipov. vvv 8 ay dtihovTfs nairjova, Kovpoi 'A^aioiV, 95 vTjvcrlp em yXap.€v. rjpdpeOa fie'ya kv8os' e7re(j)vop,fv "EKTopa blov, w Tpioes Kara I'kttv 6ea> as eip^erowi/ro.' H pa, Kui'EKTopa 8'iov deiKea prj^ero f'py"- upcf)0Tfpu)v perdmcrSe nodcov TiTprjve rivovre 100 fV (T(pvp6v eK TTTepvrjs, fioeovs S' e^tjnTev lp.dvTas, eK 8i(ppoio 8' edqae, Kdprj S' e'XKfa6at eacrev' e's 8i(f)pov 8' avajiai, dvd re kXvtci rev^e' delpas, pdan^ev p eXdav, to) 8' ovk ('iKovre Trereadrju. TOV 8' Tjp ekKopevoio KoviauXos, dp(]ii 8e ;^aiTat 105 Kvdveai irLTvavTo, Kdprj 8' dnav ev Kovirjaiu Kf'iTo ndpos )(apiiv' Tore be Zevi bvapeveecraiv ILIAD. i;i; daiKev ueLKicraaadai (rj iv naTpidi yairj, 'ill Tov jiev KeKoviTO Kaprj dnav' rj 8e vv fJ-rjrrjp TtXXe K6p.T]v, OTTO Se Xinaprjv eppiyJAe KokvnTprjv i \ o Tr]\6(J€, KaKvcTiv ti pc'ika fjieya ttcuS' ecriSovaa. (ffKo^iv 8 iXeeLva Trarijp (f>lXos, dp(f)\ Se Xaoi KcoKVTM T e'l^ovTO Koi olpwyj] Kara liarv. Tw be nakicTT ap erjv evaXiyKiop, a>s fl anacra Wios o(f)pv6eaaa TTvp\ 8e ttottjp roioaSe rervKrat, UrjXevSj OS piv (TiKre Ka\ erpecjie TTrjpa yevecrdai 125 TpaxTi. pdXicrra 8 epol nepl TTavTav aXye' e6i]Kfv' Toa-aovs yap poi Tvaihas drreKTave TrjXeddovTas. roiv TTavTcav ov Toaaov d8vpopai dx^vpevos nep (OS evos, ov fi (ixos o^v KaToiaerai' A'ibos ('laa>, EKTopos. cos otpeXev daveeiv iv ;^epa"(i' iprja-iV 130 Tw Ke Kopfs ^€i8€\aT^' ^ yap Kt a(j)i fiaXa p-eya kv8os eqada ^cooi e(j)V' vvv ail ddvaroi Ka\ fxoipa Ki;^ai'ei. 140 ' Q.S f(PaTO KKaiovcr'' aXoxos if ov ttco ti ntTTVCTTU "EKTopos" ov yap 01 ris irq-rvfioi a-'^tkos i\6uiv ^yyeiX' otti pa. 01 nocrcs '4k.to6l pipve nvXauv, a\X' T] y icTTOP vcfiatve pv)(a 86pov vy^rTjXoio SiirXuKa TTop(f)vp(Tjv, iv 8e 6p6va irotKiK enaaafv. 145 KfKkfTo S' dpCfyiTToKoiaiv (virXoKap-ois kuto Sco/xa dfjL(}n TTvpl a-Tijcrai Tp'nroha peyav, ocppa TreXoiro "EKTdpi dfppa XofTpa pn)(r]s fKvo(TTt]aavTi, vrjTTir], ovO (vurjdiv o piv pdXa TrjXf Xoerpuv Xtpalv 'Axi-XXtjos ddpaae yXavKcoTns Adjjvt]. 150 KWKVTQV 8' fJKOVfre kcli olpa>yris diro nvpyov' 7T)i S fXeXi^df] yv'ia, xf^pai de 01 eKnece KtpKis. T] 8' avTis 8fi(orj(Tii' evTrXoKupLoicri perqvda' " 8*0x6, 8va> fxoi en(a-6ov, i'Sw/x' otiv epya rervKTai. al8oir]s fKvprji onos €kXvov, iv 8' efioi avrfj i^^ aTj]6(ai TrdXXtrai rJTop dva ard/xa, vep6e be yovva Tvfjyvvrai' eyyiis 8t) ti kukov Upidpoio TtKiaaiv. a\ yap dir ovaros (ir) epfv eiros' dXXa pdX aivojs 8(15(1) pi] 8t] poi 6pa re (cai elvarepes dXts farrav, cu e p(rd a-cfiicriv elx°^ tiTvCop-evrju dnoKea-Bai. T) 6' eVel ovv aptvwTO Ka\ eV (^piva 6vp6s dyepBt], dpl3Xr]dr]v yoocdcra pera Tpcorjariv eeineV 180 ""EKTOp, eyo) dvaTrjvns' Irj lipa yiyvoped' a'urrj dp(p6Tfpoi, (TV fiiv iv Tpoit] Upidpov Kara biopa, avrdp eyco Qrj^rjaiv vno HXuKcp vXrjeaa-j] €i> 86pa 'Heri'coros, o p 6Tpe(f)e tvtBov ivovcrav, 8vapopos alvopopov' ws pr} uXpfXXf TeKerrdai. 1S5 vvv 8e (TV pivp" 'AiSao 8up.ovs vno Kevdeai yairjs (pX^ai, avTup ep.€ aTvyepa iv\ nevdei Xeineis X^]P^v ^^ peydpoiaC TTuis 8' en vrjnios auVcos, ov TiKopev arv t e'yo) re hvcrdppopoi' ovre (Tv tovt(0 eaa-eai, "EKTOp, uvnap, ene\ Oaves, ovre (roi ovtos. lyo ijv Trep yap 7i6\ep.()v ye i toktjuiv. aioXai elXai eSovrat, inei Ke Kvves Kopeaoivrai, yvpvov' ardp rot eipar eVt peydpoiai Keovrai Xenru re Ka\ ;)^apiei'Ta, Tervypeva X^P^'- ywaiKotv. 215 aXX rj roi rdSe ivdvTa KaTa(j)X(^CL> irvpl KTjXeco, uv8fv croL y ocfieXos, errel ovk eyKeiaeai avro'is, aXXa Trpof Tpaioiv Kai Tpoiid8u)v KXeos eivai." Qs e^aro KXaiova', enl 8e arei/dxovTo yvvalKts. [xxii. 297-515.] ILIAD. 59 XVIII. T-ivclve days Achilles viourncd for ratroclus afid dragged Hector in ignominy ronnd the tomb. Btit the twelfth night Zeus sent the old king Priam to Achilles' tent to ransom the body of his son. Tfpcov lovs Kiev oi/cou, rfj p 'AxtXfvs iCeaKf 8u jiol Irjs eV vrjt^vos fjaav, Tovs 8 mXXoi'S' /xoi eriKTOP eVi fxeyapoiat yvvalKfs. Txv fifv TToXXwy Bovpoi ApTjs vTTo yovvoT fXvafV OS 8f fiot OLOS frfv, fipvTo Be aarv kui avrovs, rov av Trp6}T]u Krdvas ap-vvofjievov Tvepl naTprjs, 30 EKTopa' Toil vuv H-ve-^ Ikclvu) vrjas A^aicov, Xvaopfvos irapa aeio, (^s'pu> 8 airepeicri anoiva. nX\ a?8eio 6(ovs, A^tXfO, avTov t eXeqaou p.vr](jupLevos aov Trarpos' eyu> S' eXeeivoTfpos irep, (TXrjv S* ot' ov iTu> Tis firixdovtos ^poTos (iXXos, 35 avSpoi TTaibo(l)6voio ttotI aropa Xf^p' opeyeadai. Qs (f)dT0, Tut b' I'lpa Trarpos ixp^ ipepov 2)pae yooio' u\f/-dp.fvos 8' tipa x^'-P^s dnoiaaTO rjKa ye'puvTa. TO) 8i pvijaapiuu), 6 pev "EKTopos dv8po(j)6voio KXaV d^ipa, npondpoide Trobcov AxtXijos eXvadeis, 40 ai/rdp 'AxiXXeis KXaiev iov narep , tlXXore S avre ndrpoicXov' 7U)V Se (TTOVuxt] Kara, bwpar opaipft. avrap end pa yooio TerdpTrtTO 8ios AxiXXevs, [kuI 01 dno TrpaTri8cL>v f]\6^ Ipepos r;S' otto yvloav,^ avTiK dno 6p6vov S>pTo, ytpovra 8e ;^etpof auicrTrj, 45 olKTfipav noXiov re xdpr], TroXidv re ytvfiov' Kul piv (f)a)VTj(Tas eitea nrepoevTa Trpoai]v8a' "'a 8eiX', rj 8r) iroXXd KdK uuaxeo aov Kara 6vp6v. TTbiS (rXqs (ir\ pTjus Ax"i-03V e'KCepev oios, dvbpos es ofpdaXpoiiij os toi TroXcar re Kai eaoXovs 50 vitas (^efdpi^a ; aibijpetov vv toi rjrop. uAX' dye 8q KOT up e^ev enl 6p6vov' uXyea b' i'pnqs ILIAD. 6 1 f. IV dvfja KaraKelaBai (acro/xfi', axvii/ifvot. nep, ov yap Tis TTprj^ii ireXfrai Kpvfpoio yooio. o)s yap (TTfKXuxrnvTO 6eoi ftftXoTfrt jipoTolaiv, 55 ^(Ufti/ a)(yvpevois' axjTOi 8f r aKrjdffi ela'iv. hoini yap re nidoi KaTaKfiarai eV Aios ovSei, Scitpoov oia diSaxrt, kokcov, ertpns df, (c'lcov'

o ye Kvperai, aXAorf 6 e 6rjKe 6f6s kukov, otti ol ovti Tvaibcov ev peyapoim yovr] yevero Kpeiourav. aXX epa Tralfia TfKfv TTavawpiov' ovSe vv top ye 'jo yrjpdaKOVTa Kopi^co' eVet pciXa rrjXodi TTaTprjs rjpai ev\ Tpoir], ae re KrjScov T]8e era reKva. Kcii ae, yepcv, to Trp\v pev aKovopev oX^tov elfai' ofpov' ov8e TIS oXXoff fyvco Trpaad' dvBpuiv KaXXi^uivaiv re yvvaiKu>v, dXyC (ipa Kaacrdv^prj, iKfXri ^pvcrerj A(Ppo8iTr], 5 TltpyapLOV elcravajSacra (^iXov Trarip flaevorjaeu faranr tv ditppoi, KTjpvKa re doTujBouiTrjv, t6v 8" up' ((f) fjp^iovcou i8e Kttpevov iv Xexetcrcriv. Ka>KV(rev t ap' eneira, yiyu>vi re trav Kara octtv' " ox/'fcr^f, Tpwfs KOI Tpad8es, "'EKTop lovTfs, lo ei TTOTf Ka\ fcooiTi p-axT)S eKvocTTrja-avTi Xaiptr', fVet ptya )(dppa TroXft t fjv navTi re 8rjpa). Qs f(paT , oi/hf Tis avTu6 eVt TrroXei XtTrer uvqp oiiSe yvvrj' ndiTus yap diiv vfKpbv ayovTi. i ;; rrpcoTat tov y aXo^os re (^iKrj koi irorvia fi-rjrrjp riWecrdrjV, en lipa^av ivrpo^ov di^aaai, anropevai. Kf(paXTji' KXalav 8 ap(pi(TTaff o/xtXoy. Kai vv Ke 6)7 npoTrav rjpap e'y rjiXiov Kara^vvra "EKTOpa baKpv X'^^vres obvpovro npo irvXawv, 20 61 pr] up eK bi({)poio yepwv Xaoicn p€Tr]v8a' " e'l^are poi ovpevcn 8ie\6fpeV avrap fireira acreirde K\av6po1o, tTrrjv dyaycopi 86pov8e." 'Q.S e(pa6 , 01 8e budT-qcrav Koi el^av aTTr^vrj. ol 8 67ret elaayayov kXvto. 8a>paTa, tov piv eneira 2c, rp-qriHs iv Xf^^ecrai Oiaav, Tvapa 8' fiaav doi8ovi dprjvcov i^dpxovs, ol re arovoeaaav doi8T]v 01 pev 8ri 6pr]veov' (lii 8e arevaxovTO yvvaiKes, rfiaiv 8 'AvSpopd^'T} XevKokevos ^jp^f yooio, "EKTopos dv8po(p6voio Kap-q pera x^ptrlv exovcra' 30 " avfp, air aiwvos veos wXeo, Ka8 8e pe XW^^ XfiTreis iv peydpoiai' Trd'is S" en vtjnios avras, ov TfKopev (TV T eyoi re 8v(Tdppopoi, ov8i piv o'lat fj^r]p l^eadai' Trplv yap ttoXis fjbe Kar uKprjs TTepcreTM' rj yap oXcoXas itrnTKOTTOs, os re piv avrfjv 7,e, pvaKev, fx^s 8' dXoxovs Ke8vas Ka\ vfjiria TeKva' at 8r] Toi rdxa vrjvcnv oxT]^ovrai yXa(pvpfjiTLV, Koi pev eyo) pera rrjai.' cri) 8 av, tckos, rj ipoi avTj] ev/^eat, ev6a k(v epya deiKta ipyd^oio, ddXevav irpo IwaKTos dpeiXixov' rj tis 'Ap^ntwi' 40 pL\j/ei x^i^p^s fXu)v diTo TTvpyoVj Xvypov oXedpov, Xadpfvos, w 8r} ttov d8(X(p(ov eKTavev''EKTap fi TvaTep r)e Ka\ vlov, eVei pdXa ttoXXoi 'Axaiaiv 64 HOMER. "EKTopos fv TTaXdfiTjcriv 68a^ fXov acnrtrov cvSai. oil yap nfiKi^os eaKe ttottjp Teos eV dai Xvyp;i' 45 Tco Kai fiiv Xao\ pev 68ipovTai Kara aarv, app'qTov hi TOKeicTL yuov Koi nfvdoi edrjicas, 'KKTop' tpoi Be fiaXiaTa XeXfixj/erai tiXyfa Xvypa' oil yap fioi BvijCTKoyv Xe^ecov i< ^elpas operas, ov8e tI pot, etnas ttvkivov e'lros, ov re k(v aie\ 50 pepvifprju vvKTas re Ka\ rjpaTa 8aKpv xeovaa. ' Qs ecparo /cXai'oucr', eVi 8e (jrevaxovTo yvva^Ket. Tijaiv 8' avO' 'EkuiStj d8ivov e^rjpx^ yomo' ""Eicro/3, e'/xw 6vpci TvavTuiv ttqXv (piXTare TratScoi', ^ pev poi fcooy Trep ioov (})iXos Tjada QeoicnV 55 <)t 8' (ipa treO Kr)8ovro Ka\ iv davdroio nep a'laf). uXXovs pev yap Tral8as fpovs noSas co/cvs A;((XXeiiy TVfpvavx ov Tiv eXecTKC, Tif prjv aXos arpvyiToio, es 2iifiov fs T lpl5pov Kal Arjpvov dpLx^aXofcrcrav' (Tfv 8' eVei e^fXero yj^v^rjv ravarjKU. ^^qXkw, 60 TTukXa pvard^faKev fov irepl arjp irdpoio, llarpoKXav, rov i'TTf(})V€5' dvf(TTTj(T(v 8i piv 0x18 cos" vvv 8f poi ipcrr)fis /cm Trp6(T(f)aT0S iv ptydpoKTiv Keirrai, tw ik(Xos ov t dpyvporo^os AnoXXuiv ois dyavois (ifXetao'iv eVoi^^d/iifi/oy KaTeTrecf)vev. 65 Qy f(f)aTo KXaiovaa, ydov 8 aXiacrrov upiviv. Tji 8a(pa>v ttoXu (PiXrarf navroiv, ?! ptv poi TTocris iariv ^ AXe^avhpos 6foei8i}S, or ^' ayaye Tpnirjv8^' w? 7rp\v wfjxXXov oXtadat. 70 17^17 yap vvv px)i to'8' itiKoarbv froi errTiv i^ ov KfWfv (^T}v Ka\ fpjjs uTreXifXvBa TrdrpTjs' ILIAD. 65 dXX' ov TTca (T€i) uKOvaa KaKov eVos ov8 aavcprjXov' dXX' ei Ti'y fxe Koi nXXoy fv\ fjieyupoKTiv (Vitttoi daepcou fj yaXocov rj (Ivarepcov evniirKav, 75 fj iKvpr) — eKvpos Se ivarrjp u)s rjirios aiei — , dXKa (TV Tov y ineeacn 7rapaiv, p.fj irp\v ■nrjpavieiv, npLv ScoSeKUTT] poXu rju)i.' ^Qi €(pa6\ 01 S' VTT dpa^rjaiv ^oas T]p.i6vovs re ^evytwcrav, aiyl/^a S' enfiTa irpb aarens rjyfpeOoPTO. evurpxap ptv tol ye dyLPeov aumrov vXrjv' 90 dXX' ore fiij heKarq f(pdvr] (paecrlpjSpoTOS rjus, Koi TOT ap e^i(j}€pov Opaavv "EKTOpa SciKpv )(eovTes, iv hi TTvpfj vnaTT] vfKpov Bicuv, ev d ejHaXov nvp. rjpos S' rjpiyeviia (pdvr) po8oddicTvXos rjaii, T^pos ap' dpcfn TTvprjv kXvtov "EKTopos eypero Xaos. 95 \avTap 67rei p fjyepdev opriyepefs r iyevovTo^ TrpS)Tov piv KOTO. TrvpKaif]v a^eaav aidoTTi oiva ndcrav, ondacrov iireaxe nvpos ptvos. avrap eneira ooTfa XfVKLi XiyovTO KaaiyvrjTOi, 6 erapoi re pvpoptvoi, daXipbv be Karei^eTO BaKpv Tvapticciv. xco Koi rd ye ;(pDCTei)jy e's XdpvuKa QrjKav ekovres, F 66 HOMER. TTopipvpeois TreVXoiort KaXv\l/avT(s [iaXaKoicriv' ai\l/a 8" lip €9 Koikriv Kunerov Bfcrav, avTup inrepdev TTXJKvoicnv \aecrai, KareaTopeaav fieyuXotcnv. plfi(j)a Se (TTJn e^eaV nepl 8e (TkottoI uuto iravrr], 105 p-r) npiu €(^opprj6a.iv eiJKvrjpibes A)(aioi. y^evavres 8e ro (rtjpa irdXtp kIov' avrap eneira ev crvvnyfipopevoL 8aivvvT eptKvdea baiTa 8oi)pa(rti> iv Upidpoio 8torpe0€or ^aaiXrjos. Qs 01 y djx(f)UTrov Tu(pov "EKTopos ImroSdpoio. 1 10 [xxiv. 695-804.] HOMER. ODYSSEY. In the tenth year from the fall of Troy, when the other chiefs of the Greeks had reached their homes, Odysseus still lay in Calypso'' s island, all his companions lost, himself hopeless of return. Bnt tvhen the destined time was come, at the bidding of Zeus, Calypso helped him to a raft and a fair wind homezvards, and on the tzuentieth night, shipwrecked and naked, but latided at last and safe from Poseidon's wrath, he slept on the shore of Scheria. The next day Naiisicaa, commanded by Athene in a dream, came down ivith her maidens to wash, and taking pity on him led him to her father s house. TT]d6(rvvos 8 ovpo) TreTua iaria Slos 'Odvaaevs. avrap 6 nr]8akici} Wiivero Te^vT]evTa)S TjfjLevos' ov8e ol vttvos inX ^XecfiapoKTiv ennrTev nXr;taSas r eaopcovTi koi Ofj/e 8vovTa Boatrqv "ApKTov 6 , T]v Koi apa^av iiriKk'qcnv KoXeovaiv, s. T} T avTov (TTpe(p(Tai Kai t 'Slpiava Sojcevet, oir] 8 appopos fCTTi XofTpoyv 'QKfavoio' TTjv yap 8r] piv avuiye KaXu'\|/-w hla 6eda>v TTovTOTTopfvepevai eV apKTTfpa x^i'pos e)(^ovTa. enra 8e koi 8e*ca fiev TrXe'fj/ TJpara Trovronopevcov, lo F 2 68 HOMER. oKTcoKaiSeKiirv Se <^avr] opea (TKioevTa ydirjs aLr]Ka)v, 061 r liyx>-(TTov ireXev aiira' 61(7070 8' a)f OT fpivov iv rjepoeiBiL novra. Tov 8' (^ AWiuttuv dvicov Kpe'iuiv evoaixdo)v TtjXodev €K 2oXvpio>v opeoiv'idiV ('laaTo yap ol 15 TTOVTov eTTiTT^acoV 6 S' exo^o-aro KT]p66i paWov, KivT](Tas Be KiipT] irpoTi ov fi,v6i]aaTo BvnuV " w TTOTTOi, T] fxaXa Btj fifre^ovXeva-au 6eo\ oXXwy djLi0' 'Obvarji ififio puT AWioneacnv ioPTOS' Koi Br) ^air]K(ov yairjs o-x^Soi', i'vda oi alaa 20 iK(^vyUiv p.(ya nelpap vi^vos, fj piv Uavei. oXX' ert p.fv plv (prjut adrjv iXdau KaK6Tr]T0S." ^Qs eiTToov (jvvayfv ret/jeXn?, erdpa^e Be tvovtov Xfpo-\ rpiaiunu eXwv, TTdans B' op66vvev deXXas TTam-oioiV dueptou, (tvv Be ve(j)eeaai. KuXv^ev 25 ya'iav Ofiov ku\ ttuvtoV opapei S' ovpavdOev vv^. a-i/p 8' Evpos re Notos t 'eirefrov Zt(f)vp6s re Bi (raris Koi Boperjs aldpr]yeveTT]s, p.eya Kvp.a KvXivBayv. ' Koi TOT 'OSi/o-o-^oj XvTO yovvara Ka\ (f)iXov rjTup, oX^fjO-as 8' upa elire npos ov fityaX^ropa BvpttV 30 " w p.01. eyo) BeiXoi- tL vv \).oi pijKiara yfvr)Tai ; BeiBco fifi Brj iidvTa den vr]fjieprea einev, {j p.' efit?;/ccoi', o^t TOi /ioip e'o-rii' dXu^at. T^ 8f, ToSe Kprihfp.vov vno arepvoio Tuvvcrcrai (ifi^poTOV' ov8f Ti Toi nadeeiu 8eos ov6 diroXetr^aj. avrap enr]v x^lpedaiv ftfid'^eai rjirtipoio, 80 ayjr dno\vaufj.evns ^akeeiv els o'lvoTra ttovtov TToWov ott' 7]TV(ipov, nvToi S dTTovoacpt, TpanecrBai. 'Qs apa (pcovrjaaaa 6ed Kpi'jBffxvov eduKev, avTT] 6' Hx//- es TTOVTOV ibva-fTo Kvp.aivovTa aWvir] ('iKvla' fxiXau Se e Kifxa KuXv^ev. 85 avrdp 6 pfpprjpL^e TroXvrXas Bios OSucrerevs, dx6y] fj.01 iy(o, fiT] r'ls p.01 ii^alvrjcnv bokov avre dBavaTwv, oxf p.( axibirjs dTrofSrjvai avayei. aXXd /idX' ov TTO) TTficrofji', end fKcis ufjidciKnolaiv 90 yaiav iyuv Ihojxrjv^ 061 fxoi ({)uto (pv^inov eivai. dWii /idX' wS' tp^ta' doKiei B( fxoi fivai ("ipiarov. o<^p' av ixfv Kev bovpar ev dppopifjaiv dprjprj, t6(})p' ai/TOV fifvea Ka\ TXrjcrofiai ilXyta mi(T)(<^V aiirap tnrjv 817 ^ot (TxebiTju 8ia Kxipa rivd^rj, 95 vrj^ofi, tVel ov ix(i> ti ndpa Trpovorjaai afifivov. Eioy 6 Taxi6^ wp/xati/e Kara (ppivci Kin kcitu dvfxov, ODYSSEY. 71 wpae S iiti fxtya KVfia YloaeiSdcov fvoaixBaiv. beivov T dpyaXtov re, KUTTjpecjits, fjXacre d avTov. wr 5 (ive/xos ^arjs ijicov Orjpuiva Tivd^r] 100 Kap(j)a\fa)v, to. pev lip re dieaKedaar' aXXv^ts «AA;;, 6)s Tijs Sovpara paKpa SucrKfSacr' aiirap 'OSvaaevs ap(j) evi Sovpari (iaive, KeXrjB' cos imrov eXavvcov, tipara S' e^anedvue, tcI ol Trope 87a KaXv\|/'a). avTiKa 8e Kprjhipvov vno (rrepvoio ravvaatv, 105 avTos 8e TTpT]vl]i oXt Kc'nnvecre, x^'P^ Trerdcraai, vr})(tpevai pepaais' 'i8e 8e Kpeicov fvocrlxdav, Kivijcras 8e Kap-q nporl ov pvOrjcraTO BvpoV " ovTCio vvv KaKo. TvoKka. TvaBuiv akoa Kara ttovtov, (Is o Kfv av6pu)noicn 8ioTpe(pef(TaL piyeirjs. no aXX 01^8 a)s ere eoXjra opoa-creadai KaKOT-qros." 'iif apa (j)a)vi](ra^ ipacrev /caXX/Tpi;^as imrovs, iKeTO 8' eis Alyas, ode ol KkvTa Sw/xar' eaaiv. AvTap AOrjvairj Kovprj Aios «XX' eporjcrev. T] TOL Tcov tiWav avepodv KareSrjae KeXevdovs, lie iravtraadai 8' eKeXevae Koi evvTj&rjvai airavras' oupcre 8 eVt Kpamvov Boperjv, irpo 8e Kvpar ea^eu, ea)s o ye ^rnqKeaai (piXrjperpoKTC piyeir) 8ioyevT]s 08v(r€vs, Bdvarov Ka\ Krjpas dXv^as. EvOa 8va> vvktos 8110 r fjpara Kvpari nqya 120 TrXaffTO, jroXXa 8e ol KpaSirj irpoTioaaeT okeBpov. aXX ore 8r] Tp'iTov fjpnp eunXoKapos reXecr ^cor, Kai TOT eneiT avepos pep eTravcraTo, rj 8e yaXt'jVT] enXero prjpepiri, 6 8 apa (r)(e86p e'i(Ti8e ya7av o^v pdXa Trpo'i8coPj peydXov vno Kvparos updels. 1 25 ms 8 or av dcTTrda-ios /3('oros TraldecrcTi (paprjT) 72 HOMER. TTUTpos, OS iv vovfia K^rai KpoTfp (ikyea 7ra(r;^coi', Brjpov rrfKofitvos, arvyepos Se ol exP"^ Baipcov, dcrmiaLov S' tipa t6u ye 6fm KaKiirrjTos eXvaav, ws 'Odvael cunvaarov teiaaro yala Koi vXr], 130 vrj)(f 8' eTj-eiyo/xevos no(T\v t]TTfipov fTn^rjvai. a\X ore Toaaov aTrrjv ocrcrov re "yeywz/e ^orjcras, Koi S17 BovTTOv iiKovaf TTori cnrikdheacn 6ciKd(T(TT]i, (^p6\6(i yap p-f'ya KVfj,a ttot) ^epov rjTrelpoio dfivov epevydpevov, e'lkvTO be trdvff dXus "X''/?* ■'SS oil yap eaav Xipeves vijaiv o)(oi, oi'S' eVtcoym, dXX' uKTal 7rpo/3Xr}rff eaav (TTnXddes re ndyoL re") Ka\ TOT Odvaarjos Xvto yowaTa Ka\ (f)ikov rJTop, d^^Orjaai 5' apa eiTre npos ov peydXrjTopa 6vp6v' " 8v(TTaL kXvtos epvoalyaios." 155 ODVSSEV. 73 EIos 6 Tavff wpfiaive Kara (ppe'i/a K a Kara Bvfiov, r6(ppa 8e fiiv peya Kvpa 4>^pf Tpr])(e'iav «V aKzrjV, tv6a K dno pivovs 8pv>i', ftw? M^V" K^pa naprjXBev. Koi TO pev a)f irraXv^e, naXippodiov 8e piv avris TrXrj^ev enecravpeuov, ttJKov 8( piv ep^aXe novrco. u>s 8 oTf 7rovXvTTo8os 0aXdpr]i e^eXKopevoio irpos KOTvXt]8ov6(f>iv TTVKivai Xd'iyyes e^ovTai, 165 ws TOW Tvpos TTiTprjdi 6pa(Tfido}v dno x^ipoiV pivol dnibpv<^6iv' rbv 8e peya Kvpa KaXv^eu. (v6a K( 8tj 8vaTJ]vos vnep popov oSXer 'OhvcraiVi, ft yiTi inKppocrvvqv SwKe yXavKams 'Adrjurj. Kvp-aros e^ava8vs, rd r epfvyerai rjneipovhe, 170 vrjxf ''■apf'^) ff yaiav opapevo^, ft ttov efpevpoi Tj'iovai T( napairXrjyai Xipivas re dakdcrcTTjs. aXX' ore S17 norapo'io Kara aropa KaXXipooio i|e vecov, rfj 8t] ot eelaaTO ^'^pos aptoTOi, Xelos Trerpdcov, koi in\ CTKeiras r]v dvepoio, 175 (yva> fie jrpopeovra, Kol ev^aro ov Kara dupou' " kXvOi, ava^, oris ecrai' ttoXvXXiottov Be a iKapo), (^ievyoiv (K TTovToio UoadBdaiVos evnrds. alboios pep t fcrrl koi ddavdroiac dfoiatv dvdpcjv OS Tis iKrjTai oKaipevoi^ as koI eyw vvv 180 crov re poov v aKrlaiv e'l^akXev, OVT op^pos nepdaoKe Buipnepes' Ijs tipa rrvKvoi dWfjXoKTiv e(f)vv fTTapoi^uBis' avs vtt ^OBvaaevs ODYSSEY. 75 bvCTfT' u(f)Up (V (VvfjV (TTafJlT](TaTO X^P*^^^ cpiXjjdiv fvpelav' 0i)XXcoj' yap frjv x^cris rjXiBa TToXkf], 215 oacrov t rje dvo) rje rpe'is avbpas epvcrdaL apj) x^ifxtpiTj^ el Ku\ fju'iXa Trep xe^di> & vtt dnijur]' Kovpr] 8 eV SaXcipoio cfiepev fadrjTa (pafivrjv. Kol TTjv pev KaTi6i]K€V H^iCTTta eV dm']vr]j 300 78 HOMER. fJi'>]Trip S' fv Kicrrrj eriSei fievofiKf' eScoSiji/ TTUVToirjv, iv 8' o\j/a tiOcl, iv S" oivov f)((Viv a(TKaaiTn avv aptpiTToXoKri, yvvni^lv. 305 T] 8 fXajiev fxadTiya Koi fjvia crfyaXdeira, fxacTTi^ev 8' iXdav' Kava)(fi 8' rjv rjfiiovoi'iv, at 8 (ifjLOTov ravvovTOj (pipov 8 icr6r]Ta Koi avrfjif, oi)K oirjv' (ipa r/; ye koi afi(f)iTrokoi k'iov liWai. At 6 ore 8r] TroTa/MOio poov TrepiKaWe ikovto, 310 evd rJTOL TtKvvoi fjcrav inTjeravo], ttoKv 8 v8a)p KoKov VTreKTTpnpeei ^aka Trep pvTVouivra KaOripni, evO ai y fjpu'ivovs fi(v vnfKnpofkvcrav umjvrji, Kai ras p.tv afvav irorafiov Trdpu 8ivTj€VTa rpayeiv aypcoariv fxiXi-qtea' rai 8* an dnrjvrjs 315 flfxara ;^epcrif eXovro Koi ia(f)6p€ov peXav vdwp, (TTfl^ov 8 iv fiudpoKTi 6oo}s f/jiSa TTpocpipovaai. avTap fTTfi TrXvvuv re Kudrjpdv re pvira rravra, e^e'irjs neraaav •napci Blv s OBucrevs eypotro, i'Sot t' evaniSa Kovprjp, rj oi ^atrjKcov uvdpcov ttoXiv rjyrjcraiTO. (TCpaipav erreiT eppiyjre ^er' dptpinoXov jSacriXeia' 340 dpcpiTToXov pev apapre, (Sadelj) 8' fpjSciXe divrj, at o eiTL paKpov avcrav o eypero oios Oovcnrfvs, e^opevos S' (oppaive Kara (ppeva Koi Kara. dvpoV " Q) poL e'-yo), reap aire fiporOtv is yaiav iKavai ; Tj p OL y v^picrrai re koi aypioi ov8e BUaioi, 345 ^e (f)L\6^€ivoi, Kai (T(f)iv voos iaTi Beov8r]s ; &5 T€ /Lie Kovpucov dp(f)rjXvde drjXvi dvTrj, wp(j)da>v, at e;^oucr' opecov ameiva Kaprjva Kai TTTjyas TTorapSiv KOt TTtVea iroirjevra. T) vv TTOV dvdpcoTTcov elp\ crxf86v avBrjfurcov ; 350 uAA ay eycov avTos TVfiprjcropai ijoe looopai. Qs elnav Bdpvccv vnebvcreTo 8ios ' 08va-a'fvs, eK TTVKiv^s 8 hXjjj TTTopOov Kkdcre x^'pi ^<*X*''?? (pvWcov, as pvaaiTo nept XP°'- P^^a (pooTos. ^r] 8 'ipev cos re \fa)v opecrtrpo^os, oKkI nfTTOidas-, ^^s, OS T €40" iiopefos Kai arjpevos, ev 8e 01 oVcre 8alfTai' avrdp 6 /Soutri pfTep^fTai 77 otecrorii' jje per dyporepas fXdcpovs' KeKerai 8f e yacrrfjp So HOMER. HTjXai/ TTfi.pT)(TovTa Koi e? ttvklvqv Sofiov iXde'iv. as Odvaevs Kovpijaiv (hn^oKanoicnv e'fjLfWev 360 fii^errBai yvfxvos Trep ewV XP^*-^ y^P ^x^^vev. (rpepdaXfos 8 avT^cri (pcivr] KeKaKwpevos oXjuj;, TpuTcrav S aXXvSts liKkrj en rjiuvas Tvpov^ovaas. o'lTi 8 AXkivoov dvydrrjp peve' rfi yiip \\6rjvq 6dp(ros evl (ppeal 6riK€ Ka\ fK 8fOs tlXero yviav. 3615 arrj 8 avra crxopevrj' 6 8e pepprjpi^ev ^08v(Tcrevs fj yovvav XiaaoiTo XajSwi/ doomda Kovprjv, ■q avT(os eneeaaiv aTrocrTada peiXixioiaiv \i(T(roiT , el 8fi^ei€ ttoXlv kui eipara doirj, cos ilpa oi (fipoveovTi Sodtrcraro Kep8iov elvai, 3^0 \i(T(T€(Tdai eTTfeaaiv unoaTada peiXixioicriv, prj oi yovva XajSovri ^oXojcrairo cppeva Kovprj, avTiKa pclXixiov kw. Kfp8a\eov cpuro pvBov' " yovvovpai ere, livaacra' 6e6s vv tls tj jSporos eaai ; el piv Tis 6e6s eacTi, to\ ovpavov evpvv exovaiv, 375 Apre/xiSi ere eyco-ye, Atoj Kovprj peyuXoin, el86s re peye66s re 'pvrjv t ayxiCTa t'tcr/co)" el 8e Tis eacn ^poruiv, to\ em x^ov\ vauTaovcriv, TpKTpaKapei pev aoi ye iraTTjp koi noTvia pr]TTjp, TpiapuKcipes 8e KacrlyvqToC piiXa nov a(f)iai Ovpus 3S0 ulev e'C(ppoavi'i](Tiv laiverai eiveKa ae'io, XevaaovTcov Toi6v8e 6dXos x^P^'" ei-O'oixveixTav. Keivos 8' av nep\ Krjpi paKupraros e^oxou aXXav, 09 Ke rr' efSvoiai ^piaas oik6v8 dyayr;rai. oil yap TTco TOi6v8e X8ov fiporov ocpdaXpolaiv, 385 ovT av8p ovre yvvuiKa' oiviKOs V€Ov (pvos dvfp^ofjievov fvorjaa' f]\0ov yap Koi Kelaf, ttoXvs 8e poi eanero Xao^, rfjv 68uv f] 8rj epfWev i/xol kuku Kr]8e' taeaOai. 390 2)y 6' avras koi kuvo lbu>v (Tfdrjnfa 6vpa> OTjv, ejret ov ttw toiov dvr'jXvdeu e< 86pv ya'ir)s, (as ere, yvvai, ayapai re Tedrj-rrd re, SeiSta r' alvcos yovvav a^acrBaC ;^a\e7roi' Se' pe Tvivdos 'iKavii. X^^C^S ifiKOOTU) Cpvyov rjpaTi vivoira ttovtov' 395 T6(f)pa 8e fi altl Kvpa (fyopei Kpanrvai re dveXkm vrjaov (Itt' 'Qyvylr]s' vvv S' evddde /ca/3/3aXe 8aipav, o(f)p en TTov Kal Tfjdf nddco kcikuu' ov yap dtu) iravatad , dXX' eVt TroXXa 6eo\ reXeovai Tvdpoidev. aWd, avaacT , fXenipe' ae yap KUKa TroXXa poyrjaas 400 ts TvpdiTriv 'iKoprjv, rcav 6' ciWwu ov Tiva oi8a avffpuinwv, 01 Tr)p8e iroXiv Kal yaiav e^ova-ip. aarv 8e pot 8fi^ov, 80s 8e paKos dpv (TTfoi^ iKeTTjv Tokandfuov dvTui(TavTn. aarv be roi Sf I'^co, epeco 8e tol ovvona Xacov, ^(UT]K€s fJ-ei> Tijudf noXiv Kai yaiav e^ovaiv^ 420 (Ifii S" iya> dvyuTtjp fifyakrjTopos AX^twuto, ToZ S' iK i>ait']K0}v (^eraL Kcipros re /Sit; re." H pa, Koi apcpiTToKoiaiv einXoKapoicri KiXfvaev' " (rTrjre poi, dpcfyiTTokot.' TTOcre (pfvyere (para idoiKTui ; T) fjii] TTOv Tiva bvapevfcou (pdaB" efipevai dvdpav ; 435 oi'K eo"^' ovTOS dvrjp diepos /S/ioroy, ov8e yivriTui,, or Kev ^airjKav dv^pwv is yaiav iKrjrai trfioTrjTa (^epojf fiaka yap (piXoi ddavdroiaiv. oiKeofjitv S" aTrdvivde TroXvKXvaTCj eVi novra, ((TxaToij ov8e rtf cippi ^porwu eVi/xtayerat ciXXos. 430 dXX o5e Tis 8vaTT]vos dXaipevos iv6db iKavei, T()i> vvv xpr) Kopieiv' irpos yap Atoy elcriv anavTfs ^e'lvoi re 7rTco;^oi re, Boats 8' oXiyrj re (JjIXt] re. dXXa toT , d/ii0t7roXoi, ^etVw ^poiaiv re noiriv re, XovcraTf T eV norapu), 06' enl crKiTTas etrr dvipoio. 435 Q.S €(Pa6', al 8' tcrrav re Ka\ dXXrjXyjai KiXfvrrav, Kab S" lip '08v(T(rri' daav fnl (TKenas, fv6eu 'icrav, elnov 5' (ipa KOvprj. avTap 6 €K TTorapov XP^^ vi^ero ^los 'Obvcra-fiis iiKpr^v, rj ol vara /cat evpeas apiTex^v uipnvs' 450 etc KfipaKrii 8 ecrprj^ef I'lXos ^voov drpvyfroio. avrap eVf J S7 TFavra Xoiaaaro koX Xltt (iXeiyp-fi/, apcpH 8e ftpara eaaaff a 01 nope irapOivos ddpfjs, rov p€v AOrjvairj BrjKfv, Atof e'/cyeynuia, pd^ovd T ficn8eeiv Koi ndcrcrova, Kab Se KdpT]TOS 455 ovXas T]K€ Kupas, vaKLvdivat av6ii opoias. cos 8 ore tls ;^pu(rov Trfpi^eveTai dpyvpo) dvqp i^pis, Of Hcpaiaros dedaeu koI HaXXus 'A6r]i>i] re^vr^v TravTOLr]v, x^P^^^^Ta Se fpya reXeifi, S)S apa Tw Karexfvf X'V'" Ke(f)nXfj re koi wpois. 460 f^(T tireiT dTrdvfvde kiu)v e/rl 67va 6aXd(T(Tr]s, KuXXf'i Koi xdpKTi. cttlX^wv' SrjelTO Se Kovprf. or) pa TOT dp. ov TrdvTcov dfKTjTt deoip, OL"0Xvpnov exovcnv^ 465 ^(urjKecra- 08 dvrjp enipiayfTai avTiOioicriv irpoaBev piv yap 8r] poi deiKeXios 8eaT eivai, vvv 8e dfolaiv eoiKe, to\ oiipavov evpxjv e^oucrtj', ai yap tpnX Toioabe irocris KfKXrjpivos e'lr) evddSe vaieTda)i>, Kal ol 0.801. avTodi pipvfiv. 470 aXXa Sot, dptpinoXoi, ^ftVco (Bpaaiv Te ttociv Tf." '12s ecfiad , ul 8" apa Trjs pdXa p(v kXvov r]8' eTTtdoirro, nap 8" ap' '08v(T(Tri'i i'deaav (ipuicriv re ndcriv re. iJTui, 6 nlvf Kal ri^fv B' Tjniovovs Kparepavvxns, tw 6' e/3r; avTrj, Syrpvviv S' 'oSvff^a, e/ros r ^ar , 'U r SuofiaCfU- " 5pa€0 8f) viv, ^dve, 7roXti/S' 'Ipiev, <4pa ae 7re>r/^o 480 narpoi ifiov irpos SSifia 8at(})povo?, evda ae (})r]pi ndvTcov ^mfjKav elbrjaepev ocro-oi apiaroi. dXXa pnX' S)8' fpS""* SoKc'ets Se /Liot ovk amviaaeiu. o(Pp av pev k uypovs "opfv kol epy dv0pi>nav, T6(i)pa (Tvu dp(t)in6\oiai piff fipi6vovs Kai dpa^av 485 Kap7ra\[pios i'px(v oTrXa pfXcnvucov dXeyovaiv, ndapara Km (rnflpa, /cm dTro^vovaiv iperpd.- ov yap ^aUiKea-at /xe'Xei /3ioy ovbe 4>apiTpr], 495 aXX' i(TToi Ka\ eperpa veav Ka\ v^es e'icrai, jpriv dyaXXopfvoL nuXi^v Trfpocofft OdXaaaaV Twi/ aXftiVco (fj^piv dbfVKea, pi] ris diviaaw pu>pev' ev6a 8e TTarpos epov ripevos redaXvld t dXcar], ToiTcrov dno tttoXios oaaop re y/ycoj'e fiorjcras' fvda Kade^opevos pe'ivai xpdvov, els o Kev ripels 520 aT eari' Ka\ av Trai's rjyrjcraiTO 525 vfjnios' ov pev ydp ti eoiKora roicri rervKTat 8u>paTa ^aiTjKiov, oios 86pos AXkivooio rjpioos' dXX OTTOT av tre 8opoi Keicvdacri koi avXrjj axa pdXa peydpoio SuXdepev, orifievos udavaros co9. Tov TrapafjLfiyf/uixevos p.r}Tpbs nepi yovvaai )(f'ipas 535 pdWdv TjftfTeprjSj iva voanjxov rjfiap idrjai ■)(inp(i)v KapTToXipois, el Koi pdXa TrjXudev ecral. ei Kiv TOi KflvT] ye (f)i\a cppovericr eVl dvpw, eXvoipT] TOi entira S" eVe^SaXXfi/ IpdaBX-qv. 545 hxj(r€TO T TjfXios, Koi Toi kXvtov nXaos lkovto Ipbv 'ABrp^airis, iv up e^(TO 81os 'OSvcrcreuy. avrlK eTTfiT rjparo Aios Kovprj peydXoio' " KXiidi pev, alyio^oio Aios reKOi, UTpvTO>vrj. vvv hi] TTep pev aKovaov, (nf\ Ttdpog ov ttot uKOvaras 550 paiopivov, ore p. eppaie kXvtos evvoaiyaios. 8<')i p fs ^aiTjKas (piXov eXduv rj8 eXefivup. Oj ((par fv)(6p€vos, rov h eKXve UaXXas Adrjvr]. [v. 269-vi. 32S.] II. OJyssetis tells Alcinous that he is no god, but a jnortal with hunger and thirst, which are stronger than sorrow. " 'AXkiW, aXXo ri rot pfXtro) t}>pfarii'' ov yap eycoye ndavuToiaiv toiKa, to\ ovpavhv (vpvv ixovcnv, ODYSSEY. 87 oil he'fias oiSe (jivijV, dXKa Spr^Tolai ^poToiioiv. ovs Tiuas vfids Icrre fiuXiaT o^eovras o'i^vv avdf)7rcoi>, Tolaiv k(u ev aXyeaiP Icraxraifirjv. 5 Koi 8' ert Kfv Koi fj.aX\ov tyo) Ka/ca ixv6'q(jai)ii]v, ocraa ye Sij ^vfj-TrcwTa 6(u>v Iuttjtl fioyrjaa. aXX' e/xe fifV SopTr^crai fcurare Krjdunevov TTfp* oi) yap Ti arvyepr) in\ yaarepi KvvTfpov aXXo fTTkeTO, T] T fKiXfvae eo pvr](Ta(r6ai dvdyKj] 10 Kui pdXa Tfipopevov koi ivi cfipeal •nev6o<: e)(0VTa, ws Koi iyco nivdoi pev e^w (ppeaiv, rj Se pd\ aui earBepevat KeXerai Koi inuiptv, eK 8e pe TVuvTdiV Xr]6dvei o(T(T inaduv, K(i\ (vnTXi]craadai nvuiyei, i/pels S' oTpvvea-dai dp r]o'i ^aivopivr)(^iv, 15 ws < epe Tuv Bvartjvov eprjs inilBrjiTeTe naTpr}!, Kai nep noXXa naduvra' Idovra pe koi Xlttoi aicou KTrjaiv eprjv, 8pwds re Koi vylrepecfyes peya Sw/ia. [vii. 20S-225.] III. T/ie return of Odysseus to Ithaca. 'Q.'i e^a6\ ol S' a'/ja iravres ukt)!/ iyevovro aiconfj, Kr]Xr]6pa} S' ea^ovTO Kara peyapa aKioevra. rov 8' avT 'AXklvoos dnapei^ero cftavrjcrfv re' " w '08va-ev, eVfl t/ccu epbv ttotI ;^aX»co/3aTes da>, i4repeaT ^AXkivoos, Toicriv S' tTri^vdave piidos. 0( peu KaKKilovTfi e^av ojKo'fSe eKacrros, ^pos 8' Tjpiyeveia (pdirq poSobaKTvXos Hcos, v^db' fTreaaevovTO, (jiepov 8' fiirjvopa x<^\kuv. Koi TO. pev €V KaTidrjx Ifpbv ptvos 'AXklvooio, ao avTos l(ov 8id VTjos VTTO C^ya, pf] Tiv eraipav /SXaTTToi iXavvovTcov onore anepxt^lciT ipeTpois' 01 S' f(f 'AX/civooio k'iov Ka\ hair dXtyvvov. Toicri hk fiovv upeva Upov pivos AXkii/Joio Zrivi Kf'KaipefpfL Kpovl8r), os iraa-iv avdaaei. 25 pirjpa 8e KfjavTfs 8aivvvT epi/cvSe'a Saira repTTopfvoi' p.fTa 8e (T(j)iv fpfXnfTo delos aotSor, At;/xoSokos, XaoTo-t TtTipevos. avrap 'OSvaatvs Tj-oXXa TTpos rjf'Kiov /cec^aX^i^ rpene nap'fiavoofTa, bvvat. intiyupivos' 8t) yap piviaive vtecrBaC 30 in 8' OT dur}p 86p7roio XtXaiWai, w re -rravrjpap vfiov dv i\Kr)Tuv ^6t oivone tti^ktov apoTpov' daTraaicos 8' upa tw KaT(8v (pdos ^eXtoio Bopnov (TTOixfdSai, ^Xd^frai 8e re yovvar lovrC Z)S '08v(Tfi danaarov (8v v' dva 8 icrraTO Sios OBvcrcrevi, 'AprjTT] S' eV x^'P' TiSei 8enas dp(j)iKVTreWov, Kai piv (pcovqcras enea nrepoevTa jrpoarjvba' " Xalpe poi, Si ^acriXeia, diapnepes, els o Ke yrjpas TKBt] Ka\ fidvaros, rd t en dvQpatiToicn TteKovTai. 60 avrdp eyu) veopai' ^aaiK'fi." Qs elnav Inep ov8i)i> e^rjatTo hlos OhviTcrevs. Tw S' apa KTjpvKa rrpoiei pevos 'AXkivooio, T]yela'dai eirl vrja dofjv Ka\ ffiva 6a\dcra~qs' 65 ^ApTjTT] 8' apa oi Bpcoas dp errepTre yvva^Kas, Trjv pev (pdpos e^^ovaav eiJnXvves r)8e )(tTS)va, 90 // M E R. rr\v S eTepTjv ;^7jXoi' ttvkivtjv afi onacrae KOfxi^eiV T) 8 aWrj a'lTOP re (jiepfv koi ou'Of epv6p6v. AvTup intl p enl vrja KarrjKvdov rfde duXaaaav, j-o aiyj/a rd y ei> vrp, yKacpvp^ TTO^nrjes ayavcil 8(^dpfi'OL KaTfdfVTO, TToaiv Kai ^pwaiv dnacraW Ka8 6' ap' Obvacrti'i cTopeaav prjyos re \lvov re vrjos eV iKpiotpiv yXaCpvprjs, iva vrjyperov fvBoi, ■npvpvrjs' av 8e koi auTos i^rjcrero koI KareXefcro 75 (Tty//' Toi 8e KaO'i^QV fin Kkrj'icriv eKacrrni Kocrpoi, Tidcrpa 5' eXvaav dno rpTjToio \i6oio. evd' oi dvuKXivdei/Td dvtpp'nrTovv ciKa irrjdo), Kol T(5 vrjSvpoi VTTvos €7ri ^XecpdpoKTLV fTTiTrrev, VTjyp(Tn5 6eev fpntdov' ov8e K€V iprj^ KipKos opapTijdfLfVy eXa(PpoTaTOs Trerer/i/wj'. l)i T] pipfpa deovaa Oakddcrrjs Kvpar trapvev, (ivhpa u re TtroXepovi uXeyeivd re Kvpara Treipuv, 817 Tore y drpepas fv8f, XeXacrpevos oaa enenovfifi. EvT darffp vTTfpecTXf (f)advTaTos, of re pxiXiara fp)(tTai dyyeXX(t)i> (f>dos Hoxis JjpiyefftTjr, TT)pos 8f) pfjaui npocmnXvaTO TrovTOirnpct vrjis. 95 [xiii. 1-95.] ODVSSEV. 91 IV. T/ie meeting of Teleniachns and Odysseus. 'H pa Kai copae avi^op^ov' 6 S' fiKtro Xfpcn irihCka, orjaapevos vno noacri noAivO lev. ovo up Atii]vr]v Xrjdep uTTo CTTadpoio Kiu)V Evpaios iKpop^os, aXX T] ye a^^edov rjXde' Se'pas S" ifiKTO yvvaiKi KoKfj re fieyaXrj re Kai dyXaa epya Idv'irj. 5 (TTT] 8e Kar avrldvpov KXiairjs '08varj'i (pave'iaa' OVO apa iT)\epa ^os loev avriov ovo evorjaev ov yap TTCos navTecrai 6eo\ (paivovTai evapyds' aXX Odvaevs re Kvves re 'i^ov, Kai p ov)^ vXdovTO, Kvv^Tjdpm d ertpuxre did aTadpolo (p6^r]6eu, 10 T] S dp' en u(ppvai pevae' vdrjcre 8e dlos 'OSvtrcrei'f, €K 8 TJXdei/ peydpoio TvapeK peya Tfixiov avXrjs, (TTT] 8e TrdpaiO' avrrji' rdv 8f npocreenreu 'A6tjvtj' " 8ioyeves Aaepridhrj, TTo\vpT])(av Ohvaaev, /jdr] vvv aw TraiSt ewos ipdo fjLTjb eiriKevBe, i ^ tus av pvrjaTrjpa'iv Bdvarov Ka\ Krjp apapovre fpXT]a6ov TrpoTi darv irfoiKXvTov' ov8' eyu> avTi] 8r]p6v dnd ava 20 6riK. dp(f)\ (jTi]6ecrai, Se'pas 8' w^tXXe Kai rjlSrjv. d\p- Se peXayxpoirjs yivero, yvadpdi 8e TuvvaBev, Kvdveai 8 eyevovro yeveid8es dp(pl yeveiov. fj pev ap o)? ep^acra TraXti' Kiev' avrdp '08vaaevs Tj'iev is kXictitju' ddp^rjae 8e' piv CJiiXos vlo?, 25 92 HOMER. Tap^T]cras 8' frepcocre /3dX' onfiara, /i^ 6e6s fHj, K.il HIV (p(ovr](ras f-rrea Trrfpuevra TTpocrrivba' " aWo'ios pot, ^f'iVf, r]S veov rje irdpnidev, oWa 8e elpoT ex^'^j ''"' ''"°' XP^^ ovKtd'' opo'ios. rj pd\a Tis 6fds eaai, rot ovpavov evpvv exovaiv' 30 aXX' iXt?^', tva Toi Kexapicrpeva baopep Ipa T)8€ xp^or^f'^ 8o)pa, Tervypeva' ^ei'Sfo S' Tjpeav. Top 8' Tjpfil^eT eneira TToXurXa? Stos 'OSi^o-trfvs' " ov TIS TOI deos elpi' t'l p ddavaToicriv eiaKdi ; aXXa TraTTjp Tfos dpi, Tov eiveica av crTevax^C^v 35 Trdaxfi-s oKyea ttoXXo, j3ias vnobeypfvos dvdpcov. ^Q.s apa (f)(x}vr](Ta5 vloi/ Kixre, ku8 Se napeiav buKpvov fjKe x^pdC^' "i^dpoi S' i'xe j/wXe/xes aiei. TrjXf'paxos S', oi yap ira iireideTO ov nuTep^ eivai, f^avTis piv (Tceaaiv dpeL^opfVos Trpoaeenrev' 40 " oil a-v y 'OSuo-creus eoro-i, iraTrjp epos, dWd. pe Saipcov 6(\yei, o(pp^ €Ti paXXov obvpdpevos (TTfvaxiC<^. ov yap TTCos av 6vt}tos uvrjp Tabs prjxavdcoTO c3 auToii ye voca ore prj 6eos avTos ineKomv pi]'iBici)S iBekoiV 6elr] veov t]e yepovra. 45 rj yap toi veov T/ada yepoov Ka\ deiKea eaao' vvv be Beo'itTiv eoiKas, ot ovpavov evpvv exovaiv. Tov 8' dnapeifiopevos irpoaec})!] iroXvprjTis 'Obvaaevs- " Tt]\epax', ov ae eoiKe cf)iKov Trarf'p' evbov eovra ovTf Ti 6avp.d^eiv Trepiao'iov ovt dydacrOai' 50 oil pev yap toi er aXXos eXevaeTai evddb' 'Obvaaevs, fiXX' 08' eyw TOioa-be, iraQwv KaKci ttoXXu 8' d\rj6eh, TjXvdov fiKOfTTo) eVfi' e's naTpiba ya'iav. uvrup Toi Tobe k'pyov 'Adrjvairjs dyeXdrjs, ODYSSEY. 93 rj re fit Tvitov edrjKfv, oncds e6(\{i' bvvarai yap' 55 uXXore fj.ep tttcoj^w fvakiyKiov, (iWors 8 avre avSpl v4oi Ka\ Kitka TTfpl XP^'- f'MC"" f'x'"'''"'' pT]i,diov fie dediaij to\ ovpavliv evpvv e'xovaiu, rinkv Kvbj]vai Bvtjtov ^porov r]8e KaKuxrui.' Qs apa (pcovTjtras Kar ap e^ero, Tr^Xepa^os fie 60 ap(f)i)(ydf\s irarep icrGXbv dSvpero, BciKpva Xtl^oiv. dp(j)OT(poicn fie Tolaiv iiip' ipepos a>pTO yooio' kXoIov fie Xtyeooy, adivdoTtpov fj t otatvoi, (f)rjvai T] alyvmoi •ya/x\|/-a)i/u;^e$', oicri re TiKva dyporai i^fiXovTo Trdpos nerfrjva yei^eaOiu' 65 S)s apa Toi y e'Xeeti/oi' vtt <)(j)pvai haKpvov et/3oi', KOI vv K obvpopevoiaiv e8v (jidos rjeXioio, el pfj TT]kfpa)(os Trpoaecpooveev ov narep aL\j/a' " TTOLT] yap vvv hevpo, ndrep ajj;/ce'y p dyayov vaiaiKXvToi, 01 re Koi dXXov9 dvdpcoTTOV^ TTfpTrovcTiv, OTIS (T(})eas fl(Ta(j}LKr]Tai' 75 Kai p €v8oPT iv vrji 6ofj errl ttovtov dyovTfs KUTdfcrav els idaKrif, enopov fie pot dyXad bmpa, XoXkov re ^P'^o'dv re dXis iaBr^rd 6 iKpavTTjP. Ka\ Ta pev iv CTTrjeacri Beuiv Iott^ti KeovTai' vvu ai) fievp iKoprjv vTTo6ripocrvvr]a-iv Adrjvrjs. 80 [xvi. 154-^33-] 94 HOMER. V. The hound Argus ktmus his tnaster again and dies. \v 8e Kvcov Kf(f)a\i']v re (cat ovara Keifxevos ecrx^v, Apyos, Odvacrrjos TaXa(ri(f)povos, ov pa ttot uvtos 6pe\fr€ fxev, ov8 djrovrjTO, Tidpos S' ets lXtoi» ip-qv oi)(€TO' TOP Se ndpoidev dyivecTKOv veoi avBpes aiyas fir dyporepas r;8e npoKas r;Se Xayoiovs' 5 8ri Tore Keir dnudiCTTos dwoLxoiJ-evoio I'lvaKTos, iv TToXkfj Koirpa, fj 01 TTpondpoide dvpdoiv Tjp.i6i>(i}v re /Socoi' re Skis Ke;fvr', o(f)p av ayoiev bficies 'OSuccr^oj repevos peya KonprjaovTes. (v6a KV03V Keir "Apyo? iviTrXeios KWopaiaTeav. 10 df] Tore y, cos ivorjcnv Obvacrea eyyvs eopra, ovp/j fjLev p o y (crrjve Koi ovara Ku^liuXfv cipcfico, aaaov S ovKer tneira dvvrjTaro olo uvuktos iXBepeV avrap 6 v6(r(f)iv i6&)i/ dnopop^aro tuKpv, pfla XaOihv 'Evpaiov, u({)ap 6 ipedvero pvOca' 15 " EvpMi, ?! pdXa Gavpa Kixcv o8e Kelr ev\ KOTrpm. KoKos p.ev 8(pas fariv, drop rdSe y ov adcpa oiba, €t Or] Kai raxvs ecr/Cf oeeiv fin eiOet rwoe, Tf avrais oioi re rpaTre^rifs Kvves dvbpav y'lyvovT , dyXaiTjs 8 evenev Kopeovcnv avaKres. 20 Tiv 8 dnapei^opevos irpoatcfirjs, Evpaie av^oira' " Ka\ X'lrjVj dvbpoi ye Kvav oSe rr]Xe dauovroi. fl TOi6a8' firj Tjpeu 8epas rj8e Kai fpya oiov piv Tpoir]v8f KiQ)v KureXfiirev OSvcrcrfvy, aiy^d Ke drjTjo-aio I8i>v raxyr^ra Ka\ aXKrjv. 25 ODYSSEY. 95 ou fiev yap rt (f)vye(rya ip.o\ TropTTTJas uird^eiV 20 fieri poi d(p6aXpoi re Koi ovara kol n68es ap<^i or' dvfjp (poppiyyos emaTupfvos koi aoio^s pTji^ian (rduvcrcre vtoy nepl KoXXoni X^P^'^^t a^l/as dp(f)0Tfpcj)dtv ivaTpe<^e.s 'ivrepov oius, j 2)f up uTfp (TTTOvbris Tuvvaev piya to^ov OBvacevs. bf^iTfpfj b' apa X^'P' Xa/3wj/ TTfiprjaaTO Vfvprjs' ODVSSEV. 97 fj S' vno KoXov aetcre, ^^fXiSovi eiKeX?; av^fju. fivrjcTTfipcnv S' ap' ax^os yevero fJ-eya, iraai 8* apa XP^^ erpdiTfTO' Zevs 8e fieyaX' eKrvne a-qpaTa (f)aLvcov' lo yrjdrjaev t ap eVreiTa TToXvrXay 8ios OSutrcreiiy, oTTi pa ot ripas ^fce KpoVou Traif ayKiiXo/nT^rea). etXero S' uikvv oicrrbv, o ot rrapeKeiTO rpanefy yvpvos' Tol 8' aXXoi koiXtjs evToade (paperprjs Keiaro, ra>v rax epeWov 'Ap^atoi Treiprjaeadai. 15 Tov p eVt TT^X*' f^*^" €\k€V vevpf]v y\v(f)i8as re, avToQev (K dis pe pvrjcrTrjpes dripd^ovres bvovrai. vvv 8' &pT) Koi 86piTov 'AxaiolcTiv rervKeaOai 25 ev ^dft, avrap eirevra koi aXXco? e'^idaaBai pokTvfi Koi (poppiyyL' to. ydp r dvaB-qpara 8aird?. 'H, Km iir' 6(f)pi/ai vevireV 6 8 dp(f)edfTO ^i({)os o^v Trj^epaxos (plXos vlbs 'o8va(rrjos 9eioio, dp(p\ 8e X^'pa (pi\r]v ^dXev eyx^h "yX' ^' "P' «'L"'oi' 30 Trap dpovov icrrfjKei KeKopvBpevos aidoiii x''^''^- avrap 6 yvpva)6r] paKecop no\vpT]Tis ^08va(Tevs, aXro S' enl peyav ov8bv exit^v ^i6i> T]8e (papeTpT]v lav epnXei-qv, raxeas 8 eKxevar o'larovs avToii Trpoade ito8pa, o(f)pa TTi'oi oivoio' (povos 8e 01 ovk evl 6vppa6 , oncas l8ov tivbpa neaovra, eK 8e dpovcov dvopovcrav opivdevres Kara 8cbpa, TrdvTocre iranraivovTes eiJ8pT]Tovs Trori roixovs' 55 ovbe nrj danti erjv, ovh liXKipov ey^os eXecrBai. veiKfiov 8 Obvdrja xoXcoroiaiv eirteaaiv' " ^elve, KaKu)S dvbpcov To^d^eu' ovkct deBXav aXXuiP dvTidaeis' vvv roi croos alnvs oXedpos. Koi yap 8fj vvv (f)ci)Ta KareKzaves os pey apicrroi 60 Kovpav elv iduKr)' rco a ivOdbe yvwes ebovTai. "icTKev fKucTTOS civfjp, eTTfl Tj (jjdaav ovk edeXovra tivhpa KuraKTe'ivai' to 8e vtjttioi ovk evorjaav, cos Br] acpiv Kcii Tidmv oXedpov Treipar efp^nTO. ODYSSEY. 99 Toil? S' ap' Inobpa Ibiov Trpocrecf)!] nokvixTjTn ObvtTfrevs, 65 ^ o) Kill"??, Oil jj. er ((pacTKeo vnorpcmov oi t]8ri Kflrai os airios en\eTo navrcov, 'Avtlvoos' ovtos yap fnlrjXev rdbe epyn, 80 ov Ti ynpov Toacrov K€XP'r]P-fvos ov8i ;^aT/^coi', dXX' aXKa (ppoveaiVj rd ol ovk ereKecrcre Kpovlaii', o(^p 'l6dKr]s Kara 8rip.ov eiJKTififmjs ^a(riXevoi uvTos, drap crov TralSa KaraKTfiveie Xo;(?jcray. viiv 8' 6 fiev iv p-oipi] nfCparaL, (rv 8e (peiBeo Xaaiv 85 (rS)v' drap cipfies omaOev dpecradptvoi Kara Brjpov, ocrcra rot eWeVorai Kai e8r]8orai iv fieydpotcriv, Tifirjv dp.(f)\s ayovres eeiKOcra^oiov eKacrros, ^nXKOv re ^(pvaov t aTToScocro^ei', ety o Kf aov Krjp lavdjj' Trplv 8" ov ri vefifaariTov KexokSxrdat," 90 Toj/ S' ap" V7r68pa tScbi/ rrpoaecpr] TroKvpi]Tis 'OBvaaevs' " Y.vpvpa^ , ov8' et p.01 irarpaia wdvT aTroBotre, ocrcra re vvv vpp^ eon, ku\ e'l nodev aXX imdeiTe, H 2 loo HOMER. ovhi K€v SiS €Ti )(e7pas efias XTj^aifii cf)6voio wpiv Traaav ixvi)(TTr]j)as vnep^aairjv aTToricrai, 95 viiu vfiiv napuKtiTai ivavrlov tje fidx^ecrdai fj (^fvyeiv, OS Kev ddvarov Koi Krjpas dXv^rj. aWd Tiv oi) (peii^eadai oiofxai alnvv okedpov." 'fir (pdro, Tav S' avTov \vto yovvara Koi (piKov rJTop. Toiaiv S' Eipvpiaxos Trpo iii^oov rjbe (papeTprjv, oidov (iTTO ^taTov TO^dacrtTai, els o Ke irdpras npfie KaraKTfivr]' ak\d p.vrj(ro}ii(6a ■)((ipp7)s. (jidayavd re cnrdcraaaBe, koi avriaxfo'de rpanf^as 105 toiv (oKvpopcov' tnl S' avTui irdvres f')(a3p,ev dBpooi, «i Ke fiiv ov8ov dnaxropev T]8e dvpdap, e\6a>n£v 6' dva acrrv' jSojj 8 loKiara yevoiro. rvfi(ras elpvaaaro cfjdayavov o^ii 110 ^d^Keov, dij.(f)0Tepa6ev uKaxfievov, aXro 8 en avra (TfJLepdakea Id^oop' o S cipaprj/ 8109 Odvacrevs lov dnoTrpo"L(\s (idWe (TTrjdus Trapd pa^ov, ev be 01 TJTraTi n^^e 6oov (SeXos' e'/c 8' cipa ;i^etpos (pdayavov T)Ke ;^a^aff, Trepippr]8f]s 8e rpaTre^r) 115 Kdmreae 8ivr]6e)s, aTri 8' e'ibara x^^^t^ epa^e Koi Senas dpCJiiKinreWov' 6 8e x^ova rvme pertoTTco 6vpw dvid^oiv, TTOCTt 8e Qpovov dpLXov narep eiaa(})iKav(p, avTos 8e irpcoTLCTTa nepl xpo' 8vcreT0 ;^aXKoi'. a>s 8' avTcoi tw 8pa>e 8veadr]v revx^a KoXd, 145 f'arav 8' dp(^^ 'OSucr^a 8ai(f)pova noiKiXopriTrjv. airap o y , o(ppa pip avrm dpvveadai eaap lo), Tocppa pvrjtTTTjpcop epa y aie\ w « fi olkco /SaXXif TiTVCTKopfvos' Toi 8 dyxiorivot ennrTOP. airap eVet XIttov toi 6'icrrevopTa apaKra, 150 To^ov pev irpos aradpop (varaOeos peyapoio 102 HOMER. fKkiv ecTTclfjievat, -rpos ivania nafxcpavocovTa, ai/Tos 8 afi(f) a^otcn aaKos Oero TtrpadeXvuvov, Kparl 8 eV l(pOifj.a> Kvverjv evTVKTov edr]Kev, "iTTTTOvpiv' tfivou 8e \6(j}os KaOvnepQev euevtV iz,^ (iXfTO 8 aXKipa 8ovp€ 8vci) KeKopvBpiva ;^aXKc5. * * * * Zv6a pevos irvelovres icpearaaav, ol peu fV ov8ov Teaaapts, ol 8 evroaOe 86p(i)v TroXees re Koi ecrBXoi. Toilai 8 en dy^lpoXou dvydrTjp Aios rjXBev 'Adrjvr], Meirropi eioopevri rjpev oepas rjoe Kai avorjv. loo TTjv 8 08vcrevs ytjOrjaej/ I8a>v, Kai pvBov eenrev' " MfUTop, upvvop dprjv, pvTJaai 8 irdpoio (j)iXoio, OS (T dya6a pe^eaKov' oprjXiKir] 8e poi icrai. 12s (^dr ciopevos Xiioaadov f'ppev Adrjvrju. pvrjaTTjpfs 8 iTipuidev opoKXeov iv peydpoicriv. 165 irpmroi TTjv y ivevme AapaaTopi8r}s AyeXaos' " MevTop, pt] a eVefcrcrt 7TapanT€7rl6i](Tiv 08v(raevs pvTjdTTjpeaai, pd^eadat, dpvptpevai Se ot avra. l)8f yap TjpeTepov ye voov reXeecrBaL otco" oTTTtore Kev tovtovs Kreoipev, Trarep Tj8e koi viov, i 70 tu Se crv To'iaiv eneira Trecjy^aeai, oia pevoivas ep8eiv (V peydpois' crat 8 avTov Kpdari Ticreis. aiirap fTn)v vpecov ye [Has dcfxXaipeda x^aXKa, KTiipaG' OTToaaa rot eVrt, tu t evhoBi Ka\ ra 6vpr]cf)iVj Tuiaiv '08vaarjos perapi^opev' ou8e toi vlas 175 fwfii' fv peydpoicriv edaopev, oube Bvyarpas, oi/8' (iXo)(OV Ke8vr]v lOdKrjs Kara ucxtv jroXeveiv. Qs 4'dT', 'A6r]Pair) 8e ■)(oXa>(TaTO Krjpudi paXXof, ve'iKfaaep 8' '08v(TTJa ;^oXcoToio'tj' erreecraiV OBVSSjSV. ,03 " ovKCTi (Toiy, 'OSvo-eO, nhos ffntfbov, ovbe tis uXkij, 180 ott] or dficf)' 'EXfVJ] XevKoyXfva fviraTepeirj fivaeres Tpayea-aiv efxapvao vaXefies ale\ TTokXovs 8 aubpas eTre^j/ej eV alvjj drjioTjiri, (rfi rjKoi ^ovXji IIpLupov noKis evpvdyvia. Tras 8f] i/vv, ore auv ye 86pov koI KTTjpaO' iKaueis, 1S5 avra pvrjarTipau 6Xo(f)vpem uT^Kipos elum ; dXX aye Sevpo, Treirov, nap' e/x' luTavo Koi I'Se epyuu, o(f>p flSfjs oioi Toi eV dvSpaai 8v(rptvee(r(n.v MevTcop 'AXKipi8r]s evepyeaias diroTCveii/," 'H pa, Kai ov noi Trdy^v 8i8ov irepaXKea vUrjv, 190 aXX er apa crdeveos re Koi akKrjs ireiprYn^ev Tjpfv OSvcraTJos rj8' vlov Kv8aXipoio. avTT] 8 aWaXoevTos di>d peydpoio peXadpov e^er dvai^aaa, xeXi.86vi uKeXr] avTt]v. Mvr](TTrjpas 6' &Tpvve Aapaa-Topi8i]s 'AyeXaos 105 Evpvvopos re Ka\ 'ApiXoi, ^8t] cr)(r](Tei dvr)p o8e ;^6tpas daTTTOvs' Ka\ 8t] oi MfVToyp peu e'j3r] Keve' evypara ehrav, 01 8 oioi XeinovTai eVi npcoTjjcri dvprjaiv. Toj vvv pf] apa Travrei dcpUre bovpara puKpd, 205 uXX ayeO ol e^ vrpcoTou dKovTicraT , a'i Ke irodi Zevs bar] Obvirarja ^Xrjadai Kal kv8os dpevBai. tCov 8 aXXav ov Krj8os, enf]u ovtos ye ivearjuiv" I04 HOMER. Qj ecpad' , ol 8 Spa Travrei aKovricrav cos eKfXivev, iffifvoi' TCI 8e TTcivTa eraxria 6rJK€v Adrjvrj. 210 Tu>v aWos fi(v aTadfxov eva-radfos iicyupoio ^f^\f]K€iv, oXXoy Se 6vpr)v irvKivas dpapvlav aXXou 8' ev Toi;(G) peXir] Trecre ^aXKO^dpeia. avrap eVfl 817 hovpar akfvavTO p-vrjarfipwu, To'is S' upa pvdcop ^px^ TToXvrXay 8ios '08vv e'inoipi koX a/i/iii/ pvrjOTTjpCLiv fs opiKou aKovria'ai, 01 pepuacriv r}p(as e^fvapi^M €7rt TTpOTepoicri KaKoiatv. ''Q.s ecpaff, 01 8' apa Travres uKovTiaav o^ea 8fwpa avra TiTvaKoptvoi' ArjpoTrroXepov pei> ^08vaafvs, 220 'Evpvd8T]v 8 apa TT]Xepa)(os, ' EXarov Se (TvjSwTrjs, Ilfiaav8pov 8' ap eneipve 0oS)v em^ovKoXos dvtjp. 01 pev (naff apa Travres 68a^ eXov airnfTOU ouSuf, pvTjcTTTjpfs 8" dvexa>pr}crav peyapoto pv)(pv8f. Toi o ap enrji^av, vfKvtov e§ ^yX^ eXovTO. 325 AvTLS 8e pvqcTTrfpis aKovriaav o^ea 8ovpa Upevoi' TO 8e 77oXXa iruxria 6rjK(v 'A6tjvtj. rajf aXXos peu (TTaBpbv ivaraOiOs peyupoio fit^XrjKeiv, aXXos 8e Svprjv ttvkivu>s dpapvlav' aXXov 8* (V Toix ptXiT) Trecre ;)^aXKo/3a/)6ta. 230 'Ap(Pipi8(i)v 8 apa TrjXepaxov [idXe X*'P *'^' Kapna Xiy8Tjv, aKprjv 8e pivov SrfXrjaaro ;j(aXKoj. KTrjaiTTTTos S' Eiipaiov vnep aaKOi eyxe'i paKpa> wpov enfypu\j/fi>' tu 8' vne pnraTo, Trinre 8' e/Jfiff. Tol 8' avT dpcf)' 'Ofiva^a Saicjipova noiKiXoprjT'qv 23J pirqcrTTjpav is opiXov uKovTiaav u^ea 8iwpa. tvff avT Evpv8dpavTa (iuXe TTToXiTTopdos 'OSvcrtrevy, ODYSSEV. 105 ' AfjL(})ifj.eBovTa Se TriXefia^os, UoXv^ov 5e crv/SwrT^y KTrjcnmrov 8 ap eneiTa 0oS)v fm^ovKoXos avf)p fiel3\rjK€i npos (TTTJOos, fTrevxopevos fie 7rpoar)v8a' 240 " o) HoXvOfpa-elBT] (f)i\oK(pTop{, pfj ttot? ndpnav fiKcov a(f)pa8ir]S peya (Inflv, aXXa deola-iv fivoov eniTpeyJAaij eVfi 7 ttoXv (peprepol elaiv. TovTo roi uvri irodos ^eivrfiov, ov nor edcuKas uvTidea 'OSvaij'c 86poi> kot akrjTfvovTi'' 245 'H pa ^omv fXtKatv eni^ovKoXos' avrap ^08v(T(Tfvs ovTa Aap.a(TTopi8r]v avroaxfSov fyx^^ poKpco. TirfXepaxos 8 EvTjvopiSrjv AeioiKpirov ovtu 8ovp\ pfcrov Kfvecova, 8ianp6 8e ;(aXAc6i' eXaacreV rjpiTve Se TrpT]vf]s, x^""" S' rjXacrf ttovtI /lercoTrw. 250 8f) TOT A6r]vmrj (fydKrin^pOTOV alyi8' aveaxfu vyfrodev i^ 6po(j)7Js' tS>v 8e (jjptves fiTTOiTjdev. ol 8' e(pel3ovTO koto, peyapov j3def a>s dyeXaiai' Tas piv T aloXos oiaTpos fs T alyvmol yapyjrwwxfs ayKvXoxf'iXai e^ opewv fX66vT(s eV opuidecrai, dopcoaiV Tai pep T ev ttsS/oj ve(pea TTToxTcyovcrai levrai^ oi 8e re ras oXeKOvaiv indXpivoi, oiibe tis dXKTj yiypcTai ouSe (pvyr)' x^^povai 8e' r due pes uyprj' 260 las apa to\ pvrjaTrjpas ineaavpevoi Kara 8wpa TVTVTOV e7ricrTpov, 8dne8ov 8' awav dlpari 6vev. Uanrrjvep S' '08vv fxiv T rjfXios (paedav i^eiKtro 6vfx6v. o)? TOT apa fivrjarripis en aXki]\oi(Ti Ke)(yvro. [xxi. 404-434; xxii. 1-125, 203-309, 381-389.] VIII. The meeting of Odysseus and Penelope. Tfju d rjpel^fT enfira Trepic^putv TlrjveXoTTeia' " p-aia (f>!^i], )(aXe7r6v ere deav aleiyeverdav 8-qvfa flpvcrdai, paXa irep TzokviSpiv iovcrav' aXX' fpnrjs 'lopev pera Traib ipov, o(Ppa idapat nvbpas pyqfTTTjpas reGvqoTas, rjb' os {Tre(f)Vfv. 5 Qj (f)apein] Kare^aiv vnepco'ia' ttoXXci S/ oi Krjp (oppaiv, rj dmivfvdf (^'CKov nocriv i^epeelvoi, j) napcTTCKTa kikku Kaprj Koi x^'P^ Xa^ovaa. T] 8' eVet flarjXdfv Koi vrrep^r) Xoavov ov86v, t^er fnar OSvcrJ/os ivavrlrj, iv irvpoi avyfj, 10 Toixov Tov erepov' 6 8 apa npbi Kiova paKpfjv i)(TTO Kara) opocov, jroTiSeyptvos fi ri piv (nrot l(p6ipT] napuKotTis, enel iBfu daT fK t ovupa^fv' ODVSSEV. 107 '' fjL^rep efXT], dvcrfJTjTep, aTrrjvia 6v)j.6v i)(ov(Ta, Ti(l>6' 0VTQ3 Tvarpos vo(T(f)i^(ai, ov8f Trap avTuv i^ofiivq fivdoLaiv dvelpeai ovSe pfToKkqs; 20 ov pev K uXXt] y' 2)Se yvvr] t(tXt]6t(, 6vpM dvSpos af^ecrralr}, of oi kuko. ttoKXci poyijaas eXSoi eeiKocTTw eVe'i €s TrarplSa yaiav' (Toi 8' alfl Kpa8iT] (TTepeooTepr] e'crri Xidoio, Top 8 avre npocreenre Trepi(pp t ^ Its' /3 ' ' * 5^' > ^ ss ^ ovo eis coTva loecroai evavriov. ti ereoc 0^ €(rr OdvcTfiis koX oIkov iKaverai, rj pdXa vSi'i yvwaopfd dXXrjXav Ka\ Xai'iov' eari yap r]p'iv 30 ai]pa6 , a Sij /cat va>'i KeKpvppeva iSpev dir uXXcov. Qs (pdro, pfi8i](jev 8e TToXiirXas Sioy 08v(rafvs, ai'^a 8e TijXepaxov eVrea Trrepdeira Trpoai]v8a' " TTjXfpa)(', rJToi prjrep eVi ptydpoiaiv eavov neipd^fiv epedeu' rd^^a 8e (ppdaeTai ical npuov. 35 vvv 8 OTTC pvTTou), KaKO, 8e xpo' fipara elpai, TovpeK dripu^ei pe Kal oi/'ttoj (pr^crl tov eivai. Tjpus 8e (ppa^aped onats b)^ apicrra yevrjTat. Koi yap Tis 6 iva (pSira KaranTeivas (vl Srjpo), o) prj TToXXoi ecoaiv docrcrrjTTJpes OTrlaaco, 40 s p-oi boKti fivai apitrra. Trpcora p.iv up \ovaaa6f Kai afi(f)ievas, 8pcous 8' ev fieyapoiaiv dvayere etp-aff iXecrdai' nvTup Bfios doibbs e)(a)v ^oppiyya Xiyeiav rip.1v Tjyficrda) CpiXoTrniypovos op^rjOpoio, 55 coy Kep Tis (paiJ] ydpov ffipfvai e'/cros dKovcov, T] dv obbv crTf'i)(a>v, fj 01 TrfpivaurdovcnV fXT] 7rp6(r6f (cXeos eiipv (jiovov Kara aarv yevrjrai dvdpoyv fiVT}(TTrjp(cv, Tvpiv y ifpuis eXdeptu e^a) dypov €s fjp.fT€pov jToiXvdevSpeov. evda 8 eneira 60 (ppacrcropfd' om Ke Kep8os 'OXvfnrios fyyvaXi^rj. ^Qs f<^aB\ ol 8' tipa tov paKa piv kXvov r]8 e7ri6ovTo, TTpcoTo pep ovv XovcravTO kol dpcpiea-avro ^^ircovai, oTrXicrdep be yvvaiKes' b 8' eiXero Oelos doibbs (poppiyya yXacpvprfv, ev 8e a-^iuiv Ipepov Sipaev 65 pokTTTJs re yXvKeprjS Koi dpvpovos bp-)(r]6poio. Toiaiv 8e peya 8S)pa TrepiarevaxiC^TO nocraiv dv8pu>v Trai^ovTOiV KaWi^wvav re yvvaiKcov. lihe 8e Tis ftntaKe 86pcov eKToadev UKOvav' " ^ pdXa 8rj Tis eyrjpe nuXvpvfjaTTjv ^a(riXeiav' 70 axerXiT], oiS" erXj; Troaios ov Kovpi8ioio (ipvadai peya bwpa 8tap7repes, eios ikoito. ^Qs tipa TIS e'inea-Ke, ra 8' ovk 'iaav ws ereTVKTO, aiiTcip '08va'(Tfja peyuXriropa w evl oiko 'Evpvvop.ri Tapir] Xovaev /cat ;^pt(rei' eXam, 75 ODVSSEV. 109 dfi(p\ Se fiiu (papo^ koKop (3d\ev rjbe x^irwua' avTiip KCLK KeipaXfjs KaWos ttoXv )(fvfv 'A.6Tjvt] [fiei^ovd T elaideeip /cat ndcraova' KaS 8e KaprjTos ovXai ijKe KOfias, vuKLvQivut avdd Ofio'ias. 035 6 ore Tis 'x^pvdbv irfpix^everai dpyvpco dvijp 80 tSptj, ov "li(f)ai(TTOs SeSacf Kal IlaWds 'a6j]i^ T€)(yr]v TravToiTjv, x^apUvra 8e fpya reXeUf Sjs fJLev Tm nfpixtve X''P"' KecpaX^ re koI M/oiots.] (K 8 acrufxivdov ^rj 8epas ddavdroKTiv ofioios' ay avTis /car ap e^er tni opovov evoev avetrrt], 85 dvTiov Tjs dXoxov, /cut p-iu -rrpos pxOov eenrev' '' 8aip.ovLrj, wepl aol ye yvvatKuiv drjXvrepdcov KTJp arepapvou edrjKav OXvpTTta 8d)paT '4)(ovTes' ov fiev K ciWq y a)8f yvvrj rerXT/ori Bvpoj dvBpos d(})e(TTair], os ol /ca/ca ttoXXo fioyTjaas 90 eX6oi eeiKocrra ere'i es irarpiba yaiav. aXX o-ye /Liot, iidia, CTTopeaov Xexos, o(j)pa /cat avTos Xe^ofiai' rj yap T^ye (nSrjpeos iv (ppecri dvfios." Tov 8 aire irpotreenre iTfpid i8viau' " a> yvvai, f) piaXa tovto eWos dvpaXyii eeiTTfS" no HOMER. TLS Se /ioi aXXoo-f 6rJKf A6;^of ; )(aXf7r6u 8e K(v etr] 105 Koi ixaX iniaTafjLfvo), ore fxij 6e6s aiiTos (ireXduiv avSpcov 8 ov Kiv Tis ^ojoi fipoTos, ovKk jiak fjl3a)v, pua pi€TO)(ki(T(Tiifv, ene\ ptya (jripa rervKrai iv Xf'x^' dcTKrfTU)' to 8 f'yo) Kdn0LVLKi (paeivov. ovTco Toi Tobe crrjpa 77i(f)avaKopai' oi/be ti olba, T] pot er epnehdv e'crri, yvvai, Xe^os, rje tis rjbr] dvbpa>v (iXXoae BrJKe, Tcipwv vtto ivvBpev eXairjs. 125 'S2s (puTO, Trjs b' airov Xvto yovvara kul (f>ikov fjrop, arjpaT dvayvo(aT)s t« ol epireba TrecfjpaS" Obvaaevs' buKpv(Tav' TToXXot yap koku Kep8ea ^ovXtiiovcriv. [oiifie Kev 'Apyfir} 'EXevrj, Aios iKyeyavIa, avbp\ Trap aXXoSaTrw f'piyr] (piKorrjTi Kal evvfj, 140 ft y]8t] o piv avTiS 'Aprfioi vies 'Axaicbv d^epei'ai oUofbe (jiiXrjv e's Trurplb' e/xeXXoj/. Tiji/ ^roi pe^ai Oeos uipopfv epyou aetKes' TTfv 8' a-njv ov npoadfP ew eyKUTdiTO 0vpa Xvypfjv, i^ Tjs irpcoTa Koi rjpeas "iKero Trevdos.^ 145 vvv 8 , fVet ^'8t] (TTjpaT dpKppaSea KareXe^as tvPTJs fipereprjs, rjv ov jSporos a'XXoy djTairei, aXX oloi (TV T iyu) re koi dpcpliroXos pla povvrj AKTopls, fjv poi fiwfce TTarfjp ert devpo kioxktj], Tj vwiv e'lpvTO 6vpas ttvkivov daXdpoio, i-o ireidfis 8tj pev dvpov, drrrjvea irep patC iovra" 'Q,s (paro, ra 8 en paXXov v(p' Ipepov u>pae ydoio" KXaie 8* €)((ov aXo^^oj/ dvpapea, iceBva 18vlav. COS 8 oT av aandaios yrj vrjx^opfvoicn (bavrjjj. 6)v Te IlocreiSdcoj/ evepyea vi] ev\ ttovtq) l k c paia-j]^ ewfiyopevrjv dvepco Kal Kvpari Trrjya' TTavpot 8 €^€(f)vyuv TToXirjs dXos T]Trfip6v8e VTj^opevoi, TToXXf] 8e nepl XF"' rerpocfiev aXpr], acnrdfrioi 8 ine^av yairjs, KaKOTrjra cfivyovrei' o)s apa Tp aairaa-Tos erjv irocris flcropocoajj, 260 SeLprjs 8 ovTTco ndpnav dcpiero 'irrj)(fe XevKa. KM w K 68vpopkvoi(n, (f)dvrj po8o8dKTvXos 'Hojf, 112 HOMER. el fXT] ap aXX ivoriae dea yXavKanis 'Adrjvr], irvKxa fiev iv TrepaTtj 8o\ix^v a-^ediv, 'Hei 8' avTf pvaar iir 'QKeavS xpiJcrodpovov, ovb' ea Ittttovs i6= fevyw;cr5' wKVTroSay, (^aos avBpunvoim (f)epovTas, AapiTov Koi 86pov "A'itos elaco, v6(TT0v fTaipoicnv Si^rjpevoi rj8 epoi avrw. dXX' €pxfv, Xe'/crpoi'S' 'lopev, yvvai, o(fipa Koi rjtrj i 'j^ VTTVoi vTTo yXvKepu) Tapnwpfda KoiprjdevTf. ' [xxiii. 80-255.] HESIOD. I. The five ages. Et o fSeKeis, erepov rot eyw Xoyov eKKopvcfxliaai fv KOI firia-Tajjievas' (rv S' evi (ppeai jSaXXeo afjaiv. XpviTfov fieu TrpaTcara yevos pepoiraiv avOpmnav dOavaroi iroLrja-av 'OXvpnia bcopar e)(0VTes. Ot fiev ini Kpovov rja-av, or ovpava f'p^aaiXevev s^ axTTe 6fot S e^^oaov ciKrjbea dvpov e)(ovTes, v6(r(piv cirep re Tiovmv Kai 6'i^vos, ovSe re 8ei\6v yrjpas iirrjv, aU\ Se TroSay Ka\ )(eipai o/noioi TepnovT iv daXajai KaKuiu eKToa6ev awavTcnv' dvrja-KOP 8' us vnv(o dedprjpivoi' icrSXa 8e jravra lo Toiaiv erjV Kapnov 5' e^epe ^eidapos cipovpa avTopaTT] TToXXoj/ re koI acfydovov' oi 8' edeXripol T)(TVXoi epya vepovTO avv iaSKoia-iv noXeecra-iv a(f)V€io\ pi]Xoiat, ^t'Xot paKupeaai Qeoiaiv. avrap eireiSfj tovto yevopots, 30 1^ Bepis avdpoDTTOiai kut tjdea. rovs pev eneira Zeiis Kpovi8r]s eKpv^e xo^ovpevos ovveKa ripas OVK iBi8ovv paKapecrai Bfois ot "O'Xvpnov 'ixovaiv. avTup ene) Koi tovto yivos Kara yala Kokvxj/f, To\ pev eTTixSovioi paKupes BvrjToi KaXeovrai 35 Seirepoi, nAX' epTrris Tiprj Ka\ rolaiv oTrr^Sei. Zeiis be Trarrip rpiTov aX\o yevos pepoirav dvOpairav Xa^Keiov 7roir] S" dpyuCovTO' peXas S' ovk ((XKe aibrjpos. 45 Koi Tot piu xft'ffO'O'"' ^^o acperepTjo-i tapevrts ^TJaav €9 fvpmevra 86pou Kpvepov 'Aidao vmvvpvor Ouvaros be Kcii tKnuyXovs nep eovras eiXf peXas, Xapnpuv 6' eXnrov cjjuos rjeXioio. HESIOD. 115 AvTcip ijTf\ Koi TovTO yevos Kara yaia KaXv\^ei/, 50 avTii er liXXo rerapTOV eVi )(6ov\ iiovKv^OTeipTf Zevs Kpovidrjs TTOirjae diKaiorepov koi apeiov, dv8pcov Tjpaycov Beiov yevos, ot KaXeovrai r}jxi6eoi, irporepr] yevef] kut dneipova yaiav. Kai Tovs fj-ep TToXe/xos re kokos aai (f>v\oms atvr) 55 Toiis fifv e(jieiXov iyai 7Tep.irT0iai p.eTeivai. dv8pd(Tiv, dXX' fj Trpoade davelv ^ eneira yeveadai. vvv yap drj yevos earl ai8r]p€ov' ov8e nor rjpap Trava-ovTat Kapdrov Kai oi^vos, ovbe tl vvKvap 70 v ottiv elSores' ovde k€v ot, ye 80 yr^pavTeaai TOKfvariu uno 6peivTT]pi,a hoiev, XfipoBiKoi' €Tfpos S' eTfpov TToKiv €^a\aTvd^€i. ovbe Tis fvopKov X^P'-^ eaaerai ovbe biKaiov ovT ayaOov, paWov he KUKotv peKTrjpa Koi v^piv dvepa Tipi]aovcn' 8tKr] 8 eV ;j(ep(7t, Kai aihas 85 ovK earai' ^\dyf/ei 8' 6 kukos tov dpeiova (patra p.v6oicn (TKoXiols iveTTCov, in\ 8' opKov opdrai. ^fjKos 8' dvdpwTTOicnv oi^vpoiviv airaviv 8v(TK€\a8os, KUKoxapTO^, opaprrjaei, arvyepaTrrjs. Koi Tore S17 Trpos ' OXvpnov dno x^cvos evpvobeirjs 90 XevKolcriv (pdpecrac KaXyxj/apfvco XPO<* koXov ddamraiv fj-erd (jivXou 'irov npoXnrovT dvBpvnrovs Ai8wf Kai Nefifcris' rd 8e Xe Liberal tiXyea Xvypd di/rjToli dvOpanoicn, kukov 8' ovk eaiTfrai dXKrj. [Works and Days, 106-201.] II. T/te invisible watchers for injustice on the earth. i2 ^acriX^tf, vp-eii 8e Karacppd^ecrde kch avTol TTjvbe tiKTjv' iyyxjs yap iv ivOpmiroKriv iovTes aQdvaroL (fipd^ovrai otroi (TKoXi.fj(ri dUrjatv dXXrjXovs Tpi^ov(Ti 6fU)V OTTiv OVK dXeyovres. rpls yap pvptol ttaiv eVt ;^^oj'i TrovXvfioTflpT] dBdvaroi Zrjvos (fivXaxes BvqTav dvQpiinwv' ni pa (PvXucrcrovaiu re 8iKas koi axfrXia epya, HE SI on. 117 r]epa eaaajievoi ttuvtj] VT{s eV aiav. r] 8e re napdevos earl Aiktj, Aios eKyeyavla, KvdvT] T aidoLt] T€ deols o'l "O^vfinov expvaiv, 10 Kai p' OTToTav tIs piv ^Xdnrij s ovord^aiv, avTiKu nap Ail Trarpi KaOf^opfvr) Kpoviavi yqpviT dvdpaTToiu aSiKov voov, o(pp^ droTiarj S^/ios draaffaXias jBnaCKecop, 01 Xvypd voevvres (IXKj] napKKivcoai 8iKas (tkoXicos iviirovTes. 15 Tavra (f)vXa(Ta6ixevoi, ^acriXels, Wwert pvBovs, 8uipo(f)dyoi, (XKoXicov 8e 8ik(ov eVt 7Tdy)(V \d6ea6e. Oi avTot KaKo. t€v\€1 dvrjp aXXw koko. Tev-)(a>v, f] 8e KaKT] ^ov\f] TM ^ovXevaavTi KaKiffTrj. [Works and Days, 248-264.] III. IVznfer. Mrjva Be Ar}vaia>va, kqk fjpara, ^ovbopa navra, TOVTOV dXfvaadai, Koi TrT]yu8as, at r enl yaiav TTvevcavTos Bopeao dvarjXeyees reXedovaiVj Of re 8ia QprjKr]^ iTnrorpocpov evpe'i ttovtco ('p7rvevv 10 yjrvxpos e'cbi' 8idrj(n Bacrvarepvcov nep euvTcov. KUL re 8ia pivov jSoos epxcrai, ovSe piv C(r;(ei. ii8 HESIOD. Kai Tf St* aiya ar]cn Tavvrpixa' Trcoea 8 ovri ovvfK iirrjeTavai rpl^es avrav, ov 8idr]aiv *s avifiov BopeoV rpoxa^ov Se yepovra ridrjai, 15 Koi 8ia napdfuiK^s andKoxpoos ov 8iar](Tiv, ij T€ 86fia)v evTocrOe (})iXrj irapa firjTepi /xifivei, 01/770) epy flbvia iroXvxpvcrov ^ AcfipobiTrjs' evTf XoeaaafifVTj rtpeva XP°^ *"' ^''''" f^«'? Xpi(rap.fVT] wxi'i) KaToke^erai ev8o6i oikov, 20 rjp.aTi x^i-P'^P'-^i OT di'Ofrreos ov TToSa Tev8ei, ev T dnvpoy o'Uco Kcii rdecri XevyciKeoLaiv. [Works and Days, 504-525.] IV. 'ftpatos 8e yvvaiKa reov nori oUov ayecrBai, fiTire TpiJjKoUTcav (reav fiaXa ttoXX aTroXenrcov fir]T ini6i\s ixaKa ttoXXu* yap.os 8e rot wptoy ovtos' fj be yvvf) Terop' fj^aoi TVip-Trra 8e yafiolro. Trap6iViKr]v 8e yap-elv, iva fjdea Ke8va 8t6a^/j9. 5 Ttjv 8e fiaXicrra yajxeiv rjris (xiOev iyyv6i vaiei, TTCLvra p-aX' an(f}\s I8d)v, p,rj -yetroo-t x^PP-^''^^ yWV^- nil fih yap ti yvvaiKos dufjp XT]i(eT ufiftvov rfjs dyaOfji, rrjs 6' avre kuk?]! ov plyiov «XXo, 8imvo\6xq^' 17 T livbpn Kai 'Icfydip-ov nep eovra 10 fvei uTfp SaXoC Koi iv ana yrjpa'i drjKev. [Works and Days, 695-705.] HESIOn. 119 V. A calendar. "Hfiara S' (k Aiodev Tre<^v\ayfxevos fv Kara jioipap TTt(f)pa8(iX€U SjLicofcrcrt" Tpir]Kd8a [x-qvoi dpi(TTT]V epya t enoTTTeveiv r]8 appaXirjV daTeaadai,. AtSf yap r]p.epai dal Aibs Ttdpa ixrjTioeuros, (VT av aKrjBurjv \ao\ Kplvovres ayaxrtv. 5 Trpo>TOv evt] rerpas re /cat il386p,>], lepov ^p-ap' rfj yap ^ AttoWcovu ■)(^pv(jdopa yeivaro Arjra' dySoaTT] T evarrj re Si;to ye p.ev fjpaTa prjvos e^oX de^opevoio ^porrjain epya nevecrdat. evdeKUTT] re SvcoSeKcir?/ r, lipcpo) ye pev eadXai, 10 Tjp,eu ois TreLKfiv, rjd^ ev8(Kdrt] rrjs ipdeKdrrjs p.ey dpeivcov. rfj ydp TOL vfl vtjpar aepcrnroTrjTos apn^vrjs rjpuaros sk rrXeiov, ore t 'i8pis aapou dparat. Tfj 8* icTTOv aTr](raiTo yvvrj, npo^akoiTO re epyov. 15 pr]v6s 8' larapivov TpiaKai8fKdTr}v dXeaadat, ffKepparos ap^aadai.' (jivrd 8 eudpe^j/acrdat dpicrTr]. eKTT) S' T] pecTcrr] pdX' dcrvpcpopos ecrri (jiVTolaiv, dvSpoyovoi 6' dyaOrj' Kovpj] 8' oii avp(f)op6s icTTiv, ovre yevecrOai Trpcor' ovt tip ydpov dvrt^oXrjaai. 20 ov8e pev T) TTpaTi] eKTrj Kovpucn yeveadai npp,evos, dXX' ipicpovs rdpveiu Koi Trwea pr^Xav, crrjKov T dp^i^aXeiv Troipvrjiov, rj-rviov rjp-ap' f'adXf] 8' dv8poy6vos' cjiiXed 8e re Kepropa ^d^eiv, \l^€v8ed 6' alpvXiovs re Xoyovs Kpv(f)iovs r oapiapovs. 25 i:o HESIOD. fxf]v6s 8 oyBoaTTj Kairpov koI ^ovv epifivKou Ta/ivefifp, oi'pijas 8e Svoy^eKaTrj ToKatpyovs. fiKciBi 8' eV p.fyakT], TiXfco fjp,aTt, laropa (puiTa yeivacrOai' p.aXa yap t€ voov TveTiVKacrp-ivos iariv. fcrffkrf 8* avhpoyovo^ biKarrj, Kovpr}(n. 8e rerpas 30 pLfatrrj. rfi 8e re pii\a koi ei\i7ro8as eXi/cas ^ovs Koi Kvva Kap)(ap68ovTa Ka\ ovprjas raXaepyoits TTpTjvveiv errl X^'A"^ rideis. irec^vka^o Se 6vpa) (iKyea dvp-o^opeiv' pdXa toi rereXeapevov rjpap. (V 8e TeTaprrj prjvos uyecrd (is oikov ukoitiv, 35 oluivovs Kplvas 01 677 epypoTi rovro) apidroi' TTtpTTTas S" f^akeaadai, eVei x'^XfTrat re Koi alval. fv TrepTTTr] yap cf)aaiv Epivvas dpcjinroXeveiv "OpKOv Tiinipevov, top "Epis reKe TTTJp.' imopKois. pei/ re Koi oX^ios os Ta8e Tvavra fl8ais ipyd^TjTai dvairios ddavaroKriv, opvidas Kplvatv (cat vnep^aaias aXeeivav. [Works and Days, 765-828.] VI. Zeus and Prometheus. Kat yap OT iKpivovTO Beoi dvrjTol t iivdpconot yirjKcopr], TOT eireiTU fieyav ^ovv 7rp6(ppovi dvfia 8aaadfi(vos npovdrjKe, Aios voov e^ana(f)i(rKCi>v. Tols fiev yap irdpKag re Ka\ tyKara Tv'iova 8rjp6i iv pLvdo KaTeBrjKe, Kakvi^a<: yaarpl ^oeirj, 5 Tci 8' avT 6(TTea XevKci |3o6s 8oXtrj eVl Tf-)(yT] evdeTicras KaredrjKe, KaXv^as apye'ri 8t]pa, 8rj TOTf piv TTpocTfftTTe TTQTrjp dv8pa)V re Qewv re' 'laTrertofiSf;, irnvToit. dpiSeiKfT dvaKToov^ S) Trenop, ats eTepo^rfXas 8tf8da-(Tao fioipas. 10 '^fir (^ciro KepTopecov Zevs a(f>6iTa p.r]8ea eiSws' TOP 8" aire irpoa-ifLTve YlpoprjOevs dyKvXoprjTjjs, rJK enipfiBrjcras, 8oXlt]s 8' ov X^BtTo Te^vrji' Zev Kv8i(TTe, p.fy icTTe Beaiv aleiyeveTucov, rwvS" eXfv oTTiroTepTjP ere ipi (f>pe(T\ 6vp.6s dpayei. 15 122 HESIOD. 4>^ pa BoKe.cppoveoiv' Zevs S' affidira jjLTjBfa elbajs yvoi p oi/f) riyvo^r]cre 86Xov' koko. 6' ocraero 6vpw dvjjrois dvOpaXToiai, to. koI rikifcrBai epeWe. ;i^fpo"t S" o y' dp(poTfpr)aiu dj/fiXero XevKOV aKeia. )(a}craTO 8e (^pevas cip(pl, x6\os 8e ptv ik€to dvpov, 20 a)f "Sej; 6(rT£a XevKO. ^oos 8o\ir] eVl Te)^vr). tK Tov S' ddavdroiaiv eVt )(6ov\ (f)vK' dvOpatnav Kaiovcr ocrrca XfVKU dvrjevrcov eVi jBoipav. TOV 8e pey 6)(^6riaai 7Tpoa((Pr] ve(f}eXr]yepeTa Zeus' laTreTiovi8r], navTcov nepi prjSea ei^coy, 25 d) Trerrof, ovk apa tto) SdKlrjs inekrjdeo Te)(vqs. Qs (fidro x'^op.evos Zevs a(f)diTa prjbea flbms. eK TovTov 8f] eneira, SoXou pepvrjpevos ale\, nvK ibl8ov peXeoicri nvpos pivos daapdroio durjTois dvdpanois, 01 enl x^ovi vaierdovcriv. 30 aWd piv (^aTrdTTjcrev eiis ttois 'laTrerolo, «X€\|/-ar aKapdroio nvpos TijXecrKOTrov avyfju ev kolXco vdp6r)KL' daKev 8' lipa veiodi 6vp6v • Zrjv v\l/ij3pep€rr]v, e;^oXv o ye ttoXX ivedrjKe, xdpis 8' aTreXa/ZTrero ttoXXij, davfiaairj, ^cooicriv ioiKora (ficovrjecrcnv. Avrap ineihr] rev^e Kokbp kukov uvt dyadolo, e^dyay evOaTTtp aXXot ecraf Oeoi fjS' cipOpcoTToi 50 Kocrjici dyaWofievTjv yXavKOiniSos o^pipondrpTjs. davfia 8 e^ ddavdrovs re deovs dvrjTovs r dvdpaiiTOVs, (OS (i8ov 86X0U alnvv, dp,rj\avov dvOpuinoiaiv. Ek rris yap yevos ecrrl yvvaiKav BrjKvTepdatv. ■nrfpa pey ai OvqToiai per dv8pdai vaitrdovcnv, 5;;; ov\opevr)s neuirjs ov (Tvp(f)opoi, d\}vai 8' eV Trdarjcriv eanv Seivfjs Ke(f)aX^a-i lO TTuvToirjv on Ulaai, dde(r, ^aipSTe 8 vneis Tracrai' efjiuo 8e Koi fieroTnadev fivfjcraaff, onnoTe Kev tis eTrixdovicov dvOpwTruv ivOah dveiprjTai ^elvos raXaTrei'pioy i\6i>p' & Kovpai, tLs S' vppLV dvTjp rjSiaros doiScciV 5 evddde TrcoXelrai, Koi reco Teprreade paXiaTa ; iifiels 8 €v paXa irdaat, vnoKplvaarO evcpijfias' TV(p\os dvfjp, olKel 8e Xtw evi TranraXaea-aT]' Tov TTOcrai fifTomardev dpicrrevovcnv doi8at. fipels S' vpfTepov Kkeos oiaopav, oaaov fir aiav 10 dv6pa>Tr(ov (rTp€(f)6iJ.eada TroXets evvauraaxras' 01 S* eVi 8rj TTfiaovrai, end koX lTr]Tvp.6v icrnv, [Apollo, 165-176.] II. The invention of the lyre. Qs ap e(})rj' Koi ;(epcrti' afi dp(f)OTept](nv ddpas, a\j^ eicro) kU 8a)pa, (^ipwv ipareivov advppa, evd" dvaprjXdxTas yXvcpdvco ttoXioIo (rtSijpov, 128 HOMERIC aluiv f^froprjirev opfcrKaioio ;^eXu)i'r;y. (f)(ocri fiepcp-vai, It) ore bivrjQuicnv air 6<^6a\jJia)v upapvyaiA d)f ap enos re Koi epyov eprfSero Kv8ipos 'Epprjs. 7rf)^e 8 ap iv peTpoKTi rapcbv 86vaKas KaXdfioio, TTfipTjuas 8ia vayra Xidoppivoio )({Xo}vr]s' 10 (ipcfn 8e 8eppa Tavvaae jSoo? 7rpa7ri8ecr(Ti.v efjcnv^ Koi 7rrj)(€is evidrjK , eVt 8e ^vyov rjpapev dp(f)oii/' €7TTa 8e o'vpcfxovovs oiuii' iravvcrcraTO xop8ds. Avrdp eTr€i8f] Tfv^e (jiepcov ipareivov advppa, TrKrfKTpa eTTeiprjTi^e Kara pepos' r] 8 vno ^(ipos 15 apepSaXeov Kovd^rjcre' deos 8' virb KoKbv uei8ev, i^ avT0(TXf8ir]s Treipuipevos — rjiJTe Kovpoi j'jI^rjToi Oaklijcn TvapaifioXa Kepropeovaiv — up(ji\ Aia 'K.povi8rjv Kai '^\aia8a KaK\nTi8iKov , (OS rrdpos wpl^faKou iraipflrj (jiiXorrjTi, 20 fjv T avTOV y€verjv ovopaKkvTov e^ovopd^cov' dptpiTToXovs T eyepatpe koL dyXad 8a>paTa 'Nvpcjirjs, Kai Tpino8as kutci oIkov, enrjiTavovs re Xe^rjTas. Koi TO piv ovv rjii8e, rd 8e (fypealv uXXa pevoifa. [Hermes, 39-62.] III. T/ie ox-stealer. Tov 8" ojf ovv fv6r](T€ Aios KOL Maid8os vlbs )(co(')p(vov TTfpl ftovalv iKrjfioXov 'ATToXXcoj^a, (TTTupyuv ftrco Kuredvpf dvijfPT' Tjiire TroXXi]v HYMNS. 129 nptuvcov avBpaKirjv ovkr) cnrobos d/z0tKaXv7rr€t, S)s 'Ep/jtrji 'EKuepyov Ibtov dXeeivev iuvTov. 5 iv 8' okiyat avvikacrae Kaprj ^elpdi Tf TTodas re, (j>r] pa veoXXovTos, irpoKoKevpevos fj^vpov vtvvov, eyprjcracov ereou ye' ^eXvu S' 11770 pacrxaXu eix^e. yvo) 8' ovh' r]yvo[r\(je Aios Koi ArjTovs vlos vvp(j)T]v T oupeiTjv nepiKoKXea koI (f)iXov vlov, 10 TratS' oXiyov, SoXirjs elXvpevov evrpo7rlr](ri. iraTTTrjuas 8' apa nduTa pv^ov peydXoio dopoio rpels d8vT0VS dvecoye XajScjv kXtjIBu ^aeivi]V, veKTopas epnXeiovs 7;S' dpfipocrirjs epareivrji' TToXXos 8e xp^ords re Koi (ipyvpos evhov eKeiro, 15 TfoXXd 8e (poiviKoevra Koi apyvcpa eipara pvp(pr]s, oca 6ea)V paKapcov tepol 8dpoi evros e^ovcnv' evff enei e^epeeive pv)(ovs peydXoio Sdpoio Arjroidrjs, pvdoKTi TrpoarjvSa KvBipov 'EpprjV 'il TToi, OS iv XiKvia KardKeiai, prjvve poc ^ovs 20 Bdrrov' eVel rdxa vati bioKTopeB' oii Kara Kocrpov. piyp-co yap ere Xn/Scoj/ e's Tdprapov rjepoevra, eis ^6(pov (ilvupopov Ka\ upr^xavou' ov8e ae prjrrjp es (f>dos ovbe irarrjp dvaXvaerai, dXX' vtto yairj eppTjcreis oXoolcriv iv dvSpdaiv ^yepovevav, 25 Tov S' 'Epprjs pvOoicnv apei^ero Kep^aXeoiaf A7]Toidr], TLva rovrov dnrjvea pvBov eenras ; 17 ^ovs dypavXovs 8i^T]pevos iv6d8 iKdveis ; OVK 180V, ov TTv6dpr^v, OVK oKXov pvBov ciKOvaa' ovK av pr]vvaaip', ovK av prjvvrpov apoipijv' 30 ovTi (Sowj/ eXorJJpt, Kparaia (pcorl, eoiKa. OVK ipbv epyov rovro, ndpos 8e poi aXXa pfpTjXev' K ISO HOMERIC VTTVOS efioiye fiefir]\e mi ijfifTeprjg yaXa firjTpos, (TTrdpyava r iipcf)' unioicnv e^f"' '^ci' deppu Xoerpa, p.f) Tis TovTo irvdoiro, 7t66(v rofif vfiKOs eTV)(6T}' 35 Kal Kfv 8rj fxiya 6avp.a fier (idavdroKTi yevoiro, TToiba v(ov yeyaara hia ivpoBvpoio Trepijaai ^ovalv in nypavkoiai' to 8 tiTrpeTreais ayopfven, X^^s yevoprjv, airako\ 8e nodes, rpr])((la 8' vno )(6atv. ft be 6e\eis, narpos Ke(jiakf]v jxeyau opKOv ofiovp.af 40 fifj p.iv eyu) p,rjT avTos vnia)(opai airios eivai, p-ffTe TLV liWov OTTcoTra ^omv kXottov vfierfpaan/, aiTcves al /3ofs fiat* to 8e Kkeos oiov ukovco. ^^s up e^Tf Ka\ TTVKvbv dno ^\f(j)dpu)u dfiapvaacop n(Ppvs pinTd^«TKfv, opitpevoi ev6a Koi €v6a, 45 fidKp' dnoavpi^civ, oKiov tov pvdov viroay^av . [Hermes, 235-281.] IV. Detneter at Eleusis. "EffTO 8' iyyvi obolo (f)i\ou TfTirjpevr) TjTop, Ylapdevioi cf)pfaTi, odev vhpevovTO TToAirai, fv (TKij), avTap vrrepde iT€(f)VKei Bdpvos eXalris, yprji TToXaiyevf'i evaXlyKios, rj re tokoio ftpyrjTai hcapoiv Tf (f)i\o(TTf(pdvov 'A(f)po8iTris, 5 oiai re Tpocf)o\ eicri depiTTOTioKav ^acriXrjcov TTai8o)v KOI Tap'iai kutu 8dopaTa rj^^evTa. TT)v 8e 'idov KfXfoto ''E\evaivi8ao Ovyarpes, (p-^opfvai fxed' vbwp ilrjpvTOv, o(f)pa (fiepoifp HYMNS. 131 KiiKiTi,(n ;^aAK6ij;(rt ^'Cka npos twnara Trarpus, 10 T€(T(Tapes, ware deal, Kovpjfiov av6os e'xova-ai, KaWiSiKi] Koi EXftaiSiKTi Arjfiw t epoea-aa KaXXiOuT} 6 , 7] rail' TrpoyevecrTarr) rjev anacrav' ovb' fjvaV xu\fTTo\ be 6enl 6vr]Toiaiv Spciadai. ay)(ov 8 iardpevai enea rmpoevTa Trpoarjiidav' 15 Tis TTooiv eaal ypijiJ naXaiyeveaiv avGpammv ; TiTTTe fie v6(T(pi iroXrjos OTreaTixfS, ov8e 86fioia-i TTiXva; evda yvvaiKfs dva fieyapa (TKioevra TifKiKai, cos av Tvep wSe, kcu oTrhoTfpai yeydaaiv, (U Kf (Te (pikavTai r]p.€V eVei rjdi Kai f'pyco. 20 '12s e'(j)aV Tj 6' fTTfeaaiv upfl^ero rrorva 6edu>v' reKva ^i\', aiTiVfS fare yvvcuKuiv drjkvTepduiv, Xaiper ' e'yo) S ipuv pvdijcropaf ov toi deiKes Vfuv elpop.ivrjmv dXrjdea pv6ij(rci(rBai. Aojs fiev e'/xot y ovop.' itrri to yap Bero ttotviq liTjrrjp. 25 viJv avre KprjTjjSep en fvpea vara BoKdatTrjs TjXvdov ovK edeXovcra, ^Irj 8' dsKovcrav dmyKj] nvdpes Xj^iorrij^es dm^yayov. 01 pev eneira vrji. 6ofi QopiKovbe Knreaxedop, evda yvvaiKes 7]neipov (7r€j3r](Tuv doWe fs, 7]8e Ka) avroi' 30 be'iTTVov S' TjpTvL'OVTo TTtipa 7rpvpvr](ria vrjos' aXX epo\ oi) 86pTTOio peXicfypovos rjparo 6vp6i' Xddpr) 6' 6pprj6tl(Ta 81 i^ireipoio peXaivrjs, (j)€vyov VTrep(pidXovs arjpdvTopas, oTis ai iiriaxofj-evai iavmv Trrvx^as ip.epoivT(x)V rj'i^av KOiXrjv Kar dpa^LTclv' dp(jA 8e ^mrai 80 u)p,ois di(T(TOVTO KpoKrjio) livdei Ofxolai. rerpov 8' eyyvs 68ov Kv8prjv 6e6v, 'iv6a ndpoi nep KaXXinov' avTup eneiTa (f)iXa irpos 8a>pnTa ivarpos Tjyevvff' Tj K ap oiricrBe (piXov reTiTjiievr] fjTOp (TTelx^e Kara KpTJdev KeKoXvppivq' dpcfn 8e TrenXos 85 Kvdvfos paSivoicri Oeris e'XeXt^ero iroacnv. [Demeter, 98-183.] V. Dionysus on board ike pirates^ ship. 'Afi(pi Aioivvaov, 2ep.eXr]s ipiKv8eos vlov, pvrjaopai, cjs i(f>dvr] wapa 6'tv aXos arpvyeToio, oKT^ en Trpo^XrjTi, verjvirj dv8p\ e'oiKojy, TrpadTjlBr]' KaXcn 8f TrepiaafiovTo fOeipai, i.U HOMERIC Kvaviai, (f)apos Se nepi ari^apols fX^" "^M*"^ 5 7Top(f)vpeov. raxo. S' ap8pes (iJaaeXpov drro vqoi XxfiarcLi irpoyevovTo Boas eVi oivona ttovtov, TvpcTTjvoi — Tovs 8' fjye kqkos popos — ol Se l86vTes VfiKrav fs aWrjXovs, rdxa S' €K6opov' alyf/a S' iXoures tivav eni a(f)eTepris vrjos, Kexf^P^H^fVOi. rjrop. lo vlop yap piu f(f)avTO diorpefjieaiv ^aaCKriwv fivaij Kai Searpdls edfXou delv dpyoKeoicnv. Tov S ovK icrxiive 8eapa, Xvyoi S ano TrjXoae tutvtqv XfipoiV T]8€ TTodmv' 6 Se p(L8ida>v eKadrjTO oppacri Kvaveoicri' Kv^epvrjrqs Se vorjaai, 15 avTiKa ois erapoicnv eVe/cXero, (pavijcrev re" AaipovLoij Tiva rovhe Oeov Secrpeueff eAuvres, Kaprepbv, ov8e (})fp(iv ti/varui piv vrjvs evepyfjs. i] yap Z,€vs ooe y fcmv t) apyvpoTO^os AnoAKiou ■qe Uoaeiddav' enei ov SvrjToiai ^porolaiv 20 ei(ceXos, ciKKd. deois, 01 'OXv/xTTta Soi^ar exovtriv. oXX ayer', avm dcpZpeu in rjireipoio peXaivrjs avTiKa' p,T]& eni x^'^P'^s laXXere, prjri ;^oXa)^etS' opat] upyaKfovs t dvepovs Koi XaiXawa noXXrju. Qs (jidTo' ibv S' dpxbs arvyfpo) rjvlnaTTe pvOa' 25 huipdvC, ovpov Spa, Cipa S' l(niov eXiceo vqos, avpTTavd^ onXa Xafiav' oSe S' aiir uvdpecTcn peXrjaet. fXrropai, 7} Aiyvrtrov dcpi^erM, fj o ye Kvnpov, ^ fS 'Ynep^opeovs, *j eKaarepco' is Se TfXevrfjv (K TiOT tpel avToii re (jiiXovs koi Krrjpara ttuvtu, 30 fws T€ KuaiyvtjTOvs' eVet fjpiv fp^aXe daipav. Qs flnoiu, larov re Koi 'kttiov eXKero vrjos. tpTsvfvcrfv S uufpos picrov 'kttiov, dp(JH S up' oTrXa HYMNS. 135 Karravvuav' raxa 8e cr(f)iv {({>aiv(TO duv^ara epya. oivos fiev TrpcDTicrTa 6or)v ava vija fieXaivav 35 rjbinroTos Kf'KdpvC eucoSr/y, wpvvro 8' oBfirj afi^poaiT]' vavTos 6c rdc^os Xa/3e Travras l86vTas. avTiKa 8' aKporarov napa ItTTiov i^eTavvaO-q ap.TTe\os €v6a Koi euda, KaTfKp7]p.vo}VTO 8e ttoXKoI ^OTpves' a/x0' Icttov Be fxeXas (ikiaaeTO kktctos, 40 avdeai TTjXeddav, x^pi^is S' «Vt Kapnos opaptC TrdvTfs Be a-KaKpiol OTeffidvovs e'x'"^- °' ^^ IBovres v^a TrdXiv tot eirena Kvl3epvrjTT]v eKeXevov yi) iteXdaV 6 B' apa a(f)L Xeav ye'ver evBoBi vrjos Beivos eV dKpoTaTrjs, fieya 8' e^paxeV ev B' apa p-eaaj) 45 apKTov fTTOiTjaev Xaaiavx^va, arjiiaTa (^aivutv' av 8' edTT] p.epavia, Xeav 8' tVi aeXpaTos tiKpov Betvov vnuBpa IBoiW ol 8' e's irpvp.vr}v e(f)6j3r]6ev , dp-cpl Kv^epi>f)TT]v Be, cra6(f>pova 6vp.ov e\ovTa, earav up' eKnXijyevTes' 6 8' i^aTrivTjs enopovaas fO apxov e\'* ol Be Bvpa^e, kukov p.6pov e^aXvovTes, Trdvres 6fiS>s irfjBrjaav, enel 'iBov, els aXa Blav, 8eX(p'iv6S 8' eyevovTO. KvjBepvrjTrjv 8' eXerjcras ' eaxe6e, Ka'i p.iv e6t]Ke navoX^iov, eine re fivBoV Qdpaei, B'le KUTCop, rw ep.(o Kexapi(Tp.eve 6vp.ca' 55 fi/Lit 8' eyco Aiovva-os epi^popos, ov TtKe pT}Ti]p KaBprjis 2epeXrj, Aios ev cj)iX6Tr]Ti piyelaa. Xaipe, TeKOS 2ep.eXr]s eiioiniBos' ovBe nrj eaTLv aeio ye Xrj66p.evov yXvKeprjv Koafirjcrai doiBiju. [Dionysus.] II. LYRIC POETS. LYRIC POETS. It is likely that even in the Homeric age a few short poems of a lyric character, threnes, paeans, and Linus-songs, may have been current among the people of Greece. But they were probably of the nature of general liturgies or formulas by long use gradually shaped into metrical form, and rehearsed as occasion required without adaptation to the circumstances of the particular case. The author of the Works and Days was the first, so far as we know, to address formal composition to interests of the time. But trammeled by the epic metre, and limited and homely in range without being individual, he is hardly an exception to the general conclusion that the poems of the epic age had no intrinsic relation to the events amidst which they were produced. They are mere impersonal voices of a remote antiquity singing in set phrases of a past still more remote. It seems as if uniformity of social and political life supplied no events interesting enough or no passions strong enough to demand and obtain for themselves a distinct and formal expression. But when history opens with the end of the eighth century, a great change has come over Greece. Violent convulsions had broken up the old constitutions and substituted new relations of dominant and repressed orders in each state. Numerous colonies of exiles or of adventurers had been planted on the opposite shores of the Mediterranean and on the Euxine, had there come in contact with races of different origin, language, and arts, had risen rapidly in wealth and civilisation, and had developed new and more free political forms. The Grecian world was doubled ; 140 LYRIC in each part political movement was strong : in each, arts and a commerce which widened the field of observation and gave birth to science through navigation and its rude attendant astronomy, started into life : and the two parts were connected with each other, and were benefited each by the other's advances, through the means of a great trade, which the colonies collected from the countries whose shores they fringed, and poured inwards into the mother country, and of numerous confederations and more free intercourse at multiplied festivals and games. Thus the whole nation, and its several states, and their political parties, (as it were) awoke to consciousness through the double process of intercommunication on the one hand, and conflicts of Greek with barbarian, state with state, and order with order, on the other. What does not seem new or is not observed to be in contrast with other things does not call for distinct enunciation; but a newly felt nationality, new political passions, new knowledge, and new pursuits and festivals, coinciding with the acquisition from Asia of new instruments and styles of music, and with leisure to demand art, and wealth to pay for it, necessarily produced in a nation naturally inclined to poetical expression new forms of poetry, addressed not to the legendary past, but to the present and its interests. Accordingly there suddenly sprang forth a variety of forms of composition, each adapted to some particular species of subject, in rhythm, metre, diction, and accompaniment. The intellectual character of the Greeks was especially distinguished by inventiveness, by power of classiti- cation, and by power of harmonising form with matter and details with substance ; and that same simplicity of expression or development which has made the names of their spontaneous political forms to stand ever since for natural genera in politics, as if they had been universal classifications framed by nature herself, and made also their various species of poetical form complete and harmonious in every part, in the relation of parts to the whole, and of the wholes to the occasions. ' From Olympus POETS. 141 (says Colonel Mure^) down to the workshop or the sheepfold, from Jove and Apollo to the wandering mendicant, every rank and degree of the Greek community, divine or human, had its own proper allotment of poetical celebration. The gods had their hymns, nomes, paeans, dithyrambs ; great men their encomia and epinicia ; the votaries of pleasure their erotica and sym- posiaca ; the mourner his threnodia and elegies ; the vinedresser had his epilenia ; the herdsmen their bucolica ; even the beggar his iresione and chelidonisma.' There were a hundred im- portant occasions of public or private life, and each received its proper and distinct celebration, that is, a particular species of composition, measured out in appropriate rhythm, with music expressive of the feelings of the moment, and glorifying those feelings by association with legend and with similar occasions in the lives of gods. Technical names of more than fifty such distinct species of poetry have been preserved, though of their several characteristics we have generally only indistinct in- formation, and of the history of their origin and their inventors scarcely any which is not either unintelligible or untrustworthy. The region of myths is not j^et past, and there are frequent signs on the one hand that the labours of many have been attributed to one great name, on the other that what might seem a sub- stantial and individual person is in reality only a reflexion of the career and attributes of a prototype perhaps not wholly real in his turn. Those who were impelled to poetical expression at the be- ginning of this period found ready to their hand in the Homeric poems a store of characters and of legends ready cast by use and tradition into an artistic form, a high standard of taste, models of various and sustained eloquence, and perfected technicalities of art. They found a language clear and even superfluously full, made articulated and supple through the retention of free in- flexions and by particles already finely discriminated to suit the 1 Vol. III. p. 63. 142 LYRIC quick changes of epic events, and in its very birth and mould adapted to light metrical forms. The only drawback was that but one metre was so far actually provided to their hand. From the general use of the hexameter for oracles and in the older inscriptions, and from the silence of Homer as to other metres, it must be inferred that no other, or at least no other which was well defined, was as yet in use. Tentatively at first, and but slowly changing from this old simple verse, they proceeded to shape their new materials into the new forms of a less simple and sensuous, but more passionate and varied poetry. The later Greeks distinguished two chief periods in this advance, the elegiac and iambic period and the lyric period ; and the second they subdivided into lyric proper and choral : but all three branches, if they did not originate at the same time, yet coexisted throughout their later growth, and were cultivated with more or less impartiality by the same poets. There is no proof that the elegy was the first advance, but it seems the most natural transition from the hexameter, the change being no more than the omission of the last half of the .third and sixth feet. But even this slight change produced a fundamental difference. For the sustained continuity of the hexameter there is substituted a series of short strophes or stanzas which forbid a connected narrative, but invite short and antithetic sentences complete in themselves and fitted to deal with a limited subject. Compared with the hexameter, the elegy is monotonous and less free and variable : compared with the lyrical metres, it is again less variable and is also less capable of adaption to a musical accompaniment ; but on the other hand, within its own limits of form admits more freely than they do the substitution of long syllables for short and short for long, according as convenience or the nature of the subject may require. For the credit of its invention there are four or five claimants, between whom it is impossible to decide. But if Callinus or Tyrtaeus anticipated Archilochus in its invention, to Archilochus appears to remain at least the credit of having freed POETS. 143 it from the epic diction with which it is encumbered in their martial exhortations, and of having made it serviceable for subjects of common life. It was used by all the lyrical poets after him, generally for short compositions, which were often, but not always, of a plaintive character. In particular it became from its short and equable stanzas and antithetic character the usual vehicle for pi)litical and moral sentiments in Solon and Theognis, with other less-known poets called Gnomists, or writer of sen- tences, whose verses may be regarded as the beginning of ethical philosophy in Greece. A much greater advance was made in the iambic and trochaic metres, which from their treble or unequal {pmXaaioC) times are better adapted than the equal dactylic flow of the hexameter or the elegy for rapidity and vehemence. Of the two the trochaic (or 'runner'), descending from long to short, is the more light and rapid ; the iambic, rising from short to long, is more forcible, and when constructed in lines of six feet combines the continuity of the heroic measure with a simplicity which is suited to common subjects. The invention, or at least the perfection, of both is probably due to Archilochus. This extraordinary genius the unanimous voice of antiquity pronounced to be on the whole the equal of Homer, in force and feeling and variety his superior.' Intense, passionate, individual, full of life and force, he influenced literature as no other poet but Homer has done before or since. Of four capital changes, each the source of many more in later times, he must be considered to have been the author. Firstly, he was the earliest to reduce to form, if not to invent, perhaps the elegy and almost certainly the trimeter iambic, tetrameter trochaic, the anapaestic, choriambic, and Ionic metres, the bases . of all later developments. In some cases the foot may have been earlier known, but it was he who defined the length of lines and the laws of versification ; and the varied forms of lyric poetry in a nearly perfect form seem to have been as spontaneous expres- ^ Homer was thought superior in invention. 144 LYRIC sions of the moods of his mind as are particular musical tones of the length and tension of a string. Secondly, he was the first, with the partial exception of Hesiod and perhaps of Callinus and Tyrtaeus, to clothe in poetry personal and contemporary instead of legendar)- subjects. Thirdly, he first substituted common, terse and simple diction, the parent of Ionic and Attic prose, for the diffuse pomp of the Epic style. Lastly, it is not too much to say that his habitual and unsparing vituperation of all men and human things was the commencement of criticism and satire in Greece. So far the lonians, always full of change, have taken the lead in invention. But lyrics proper were perfected by other races. Lyric poetry derives its name from its close association with instrumental music. It is probaljle that whilst the narrative parts of the Epic poems were in recitation accompanied, if accom- panied at all, only by a continuous and monotonous strain, certain passages of a livelier spirit were arranged to livelier music under the names of Nomes or Arrangements. But so long as the lyre possessed only four strings even these can hardly have been much diversified. They became more various on the introduction of flutes or clarionets (from their great compass called -irafjulmvot av\oi), and still more when Terpander added three strings to the lyre. From this time poetry and music become closely united, and strictly lyrical poetry begins. From the first it was of two kinds. One kind (the purely lyrical) consisted of a series of short and similar stanzas or strophes made up of lines also more or less similar in themselves, intended for recitation by an individual with a musical accompaniment entirely subordinated to the words. Such were the alcaic and sapphic stanzas, and others • which are preserved only in Horace — measures adapted to express short bursts of individual passion but too nionotonous in re- petition for a long and continuous composition. They were cultivated, after Archilochus, chiefly by the passionate and impulsive Acolians of Lesbos and the neighbouring settlements, and perfected by Alcaeus, Sappho, and the fervid Ionian Anacreon, whose harp was of twenty strings — the poets of love POETS. 145 and wine. After Anacreon this kind of poetry seems to have declined before the choral forms and to have become confined to scolia or drinking catches, such as the song of Harmodius and Aristogeiton, extemporised or recited at banquets by various guests in their turns as the myrtle-branch was handed from right to left round the table. In the other kind not only the music was relatively of more importance, but there was a further accompaniment of dancing which tended to become the dominant element of the whole, and the words were sung not by one voice but by the whole chorus or company of dancers. Hence this kind was known as choric or dance-poetry. This also was perfected by the Aeolians, but ex- clusively under Dorian patronage and in connection with Dorian games and dances and the worship of the Dorian god Apollo in the Peloponnese. It divided itself into several branches, varying with the nature of the subjects and with the different degrees of importance given to the words, the music, or the dance. In the paean, or Apollo-song, the most elevated and severe species, the poetry seems to have been dominant; as was the dance in the hyporcheme, a less severe variety, in which gestures and mimicry to a great extent superseded words. The artistic combination of the dancing with the poetry is attributed to Thaletas, and to Alcman, the Horace of Greece ; the in- troduction of a trained professional chorus to Arion ; and the perfection of a threefold arrangement in strophes, antistrophes, and epodes — that is, long stanzas of continuous and complex rhythm intended to be sung by the chorus advancing, corres- ponding stanzas to be sung by the chorus retreating, and con- cluding parts to be sung at rest — to Stesichorits : whence the ' triad of Stesichorus ' came to signify the elements of a liberal education. One peculiar form of choric ode is important both from its estimation and culture in Dorian Greece and from its connection with the Attic drama. Archilochus had composed paeans to Dionysus, like the paeans of Apollo. To these Arion gave the distinct form of the dithyramb or cyclic song of L 146 LYRIC Dionj'sus, sung by a chorus of satyrs in circular dance round his altar with a poetical monologue or dialogue embodying some ad- venture of the god : and Lasus of Hermione (Pindar's master) freed them from the trammels of antistrophic arrangement. In character these dithyrambs were turbulent and enthusiastic. They seem in earlier times to have been commonly composed in the trochaic tetrameter. In subject the choral poems generally were for the most part grave and treated of legendary subjects and the adventures of the gods. In the hands of Stesichorus they even became epic in character, like passages of Homer rewritten in lyric diction and form. After the time of Stesichorus Sparta ceased to take the lead, the Pythian games became a national school of music and poetry, and 13'rical composition from the middle of the sixth century to the time when it becomes merged in the Attic drama is of no particular tribe or place in Greece, although, in that choral species which Sparta perfected, it retained throughout its career of increasing splendour the Dorian impress in form and dialect. It is not known that Simonides or Bacchylides made any inno- vations in the form or scope of lyrical poetry. Their fragments show an advance in elaboration and sweetness of expression, but they founded no school or style, and Pindar reads them many sententious lessons on their acquiescence in unworthy traditions, and their reliance upon art rather than upon inborn force and truth. Even Pindar's own innovations were rather in spirit than in form. It was by the example of his elevation in 'thought and tone that he founded a scliool which has lasted into modern times. There is in his triumphal odes no passion, no creation of character or incident, scarcely any construction or subordination of personages, situations, or times, conducing to the vivid pre- sentation of ideas or sentiments. In all, the motive, and to a great extent the treatment, is the same. A Greek has been victor in one of the great national games at a time when the games were the principal expression of Greek nationality, and POETS. 147 had more glory to give than even poetry, politics, or war, and his victory had to receive that poetical celebration without which no success was complete. Pindar uses the opportunity to bring out the heroic and ideal side of life. The victory is regarded as the crown of the victor's existence, the blossom of the perfection of his house, the complement and result of personal worth, family greatness, and ancestral connection with gods and heroes, some- thing which gives a largeness and greatness to the present akin to those of the past. It is not in novelty of form, or variety of idea or illustration, but in the sustained elevation of thought and style with which from this point of view human life is regarded, that Pindar's originality appears. Of the relations between music and poetry in the lyrical age we know little more than that the ancients considered different modes, and even different genera of music, and to some extent different instruments, to have been naturally appropriate to different kinds of subjects and to have possessed in themselves distinct moral and emotional properties ; and that, of the two, the music was generally subservient. Whether there was the same appropriation of music to metre as of music to subject is more doubtful, though it is often affirmed and though the same persons are constantly treated as the inventors of corresponding musical and metrical forms. What is more certain is that music and poetry generally were not till a late period commonly separated in use. The same general name of Music and the same technical terms belong to both in common ; and the lyre was as much the Muses' as Apollo's, and even when used to lead the dance was associated with song. It was not till poetry in its iambic form in the drama had discarded music that music in return set up for itself and became a separate branch of art, though the origin of the separation may be dated back to that introduction of the flute which first necessitated a division of the musician from the singer. Beautiful as the remains of the Greek lyrical poetry still are, they must yet necessarily have lost much of their original beauty with the loss of the musical commentaries L 2 14S LYRIC POETS. so delicately adjusted to the idea and to the rhythm. To us they come as comparatively cold and bare without their interpreting and guiding music, as Greek architecture without its colour. There may not be much reason to regret the fate which has left only the Iliad and the Odyssey to represent the cycle of Greek epics ; but it is otherwise with the loss of the lyrical writers. For more than a century and a half of the most stirring times of Greek history, an unbroken succession of poets did not cease to produce poems for the chief relations of public and private life in their perpetual repetition through successive generations, for national games and local festivals from year to year, for banquets and dances, marriages and funerals, from day to day, and to many of these the consent of antiquity gave high, to some the very highest praise. Yet of all these scarcely one remains to us entire, with tlie exception of forty-four odes of Pindar, all of one kind. Of other lyrical poets perhaps six thousand lines, or fragments of lines, remain, many of them pre- served less for their beauty than for their religious or critical or grammatical interest. But such as they are, they are yet our best records of the opinions and tone of thought of the Greeks of that age. The poets were the great instructors of Greece, and even their fragments reflect better than late historians the manners and mind of their time. I. Callinus. A luar-song. Tt/ifjey Te yap eori Koi aykaav avhpi \xa-)(^(y6ai •y^f Tiipi KCLi iraihoiv Kovpidlrjs r a.\6)^ov dvafieveaiv' dduaros 8e tut eaaeTai, onnoTf Kev 8rj Moipai eTriKXaxTacr' , dXkd ris I0vs 'Itu> fyX°s avaaxop.evos koi In daivlbos aXKifxov r)Top 5 eXaas, to TrpcoTOV fxiyvppfvov TroXepov. ov yap Kcos ddvarov ye (f)vyelv dpappevov earlv avbp , ovb el TTpoyovciv fj yevos (iBavaTOiv. TToXXoKt difiorrJTa cfivycbv Kal dovnov {ikovtuiv epxeTai, ep 8' o'lKoi poipa Ki^ev davdrov' lo aXX 6 pev ovK epTras brjpoi (piXos ov8e 7ru6eiv6s, TOP 8 oXi'yos (TTei'dxei Kal peyas, rjv ri Trddrf' Xaw yap (jvpnavTi nodos Kparepocppovos dvSpoi BvrjCTKOVTos' {cowf S' a^Liis I'jpLdeoov' coaTrep yap piv nvpyov ev ocpdaXpoiaiv opooaiv' 1 ^ €p8ei yap iroWav a^ia povvos ecov. ijo T E R PA N D E R. 11. Tcrpander, To Zeus. Zev navTcov ap)(a, TtaVTcav dyrjTcop, Zev, croi TrefXTTco TavTav vjxvcov dpxdv. III. Archiloclms. i. He serves Ares and the Muses. '£X\ii S eyo) depuTTcov piv EvvaXioi.o avaKTOi, Koi Movae'av eparov dcopov enKTraptvos, ii. Spear ever in hand. 'Ei/ ^opi piv pni pd^a pepaypivrj, (u 8op\ 8' oivos 'itrpxtpmos, TTiVo) S' fu 8op\ KfKKiptvos. ARCHILOCHUS. 151 iii. The Euboeaits at war. Ov Toi TToAX* eVt To^a ravvcrcrfTai. ov8e BaiielaL (Ti^ievhovai, evr ai> 8t] fiaXov Aprjs (Tvvayr) iv TTebioa' ^t0e'coi' Be iroKvaTOVOv ecra-fTai fpyov' TavTTjs yap Kflvoi dalfioves fieri pnx^^ BfaiTorai Ev^oi-qs tovpiKKvroi. iv. Wine on board ship. 'AX\' aye, crvi/ KaQavL dorjs 8ta afXp-ara vrjos (boira Kai KoiXoov natpaT ac^eXfce Kadcov, (iypei S' olvov ipvBpbv dno rpvyos' ov8e yap ripels VTjCpeiv iv s ^{jBrjKOis 7roaa\, Kapdirjs 7r\eos. X. Patiejue. 6vpf, 6vpL upr^xuvoifTi. Kr]hf(Tiv KVKwpeve, ilva S" i'x^v pfvcop T (lAe'^ev npoaf^oKuv ivavriov (TTepvov, ev boKoiaiv t^dpuiv TrKTjaiov Karaaradus ARCHILOCHUS. 153 a(Tcf)d\e(t)i' koi (irjTe vikcov afj.(f)d8r]v dydXXeo, fjirjre viKrjBds iv oIkco KaraTrecrafv oBvpeo' 5 aXXa ■f^apToiaiv re ;f«Ipe koi KaKoicnv atrx'^'^^i ji-q Xirjv' yiyvaaKf S' oios pvcTfios civdpoiTTOVs i'xft. xi, A coming storm. V\avK , opa, ^adiis yap ^8r] Kvpatriv Tapdacerai TTomos, ap(f)\ S aKpa Fvpeav upOov IcrTaTai v((pos, (TTipa xfipavos' Kixdvei 6' e$ deXiTTiTjs ^d/3os. xii. JVtl desperandtim. Xp7]paTa>v uiKnrov ovbiv icmv ov8^ dircopiOTOv, ov8e 6avp.dcnov, eVetS/) Zevs ivarijp ^OXvpnlcov (K fj.€(Ti]p^piT]s edrjKe vvkt dTTOKpvt^as (pdos rjXiov XdpiTOVTOs' Xvypop 6' ^X^* eV dvdpmirovi Seoy. iK 8e Tov Koi TTiaTa ndirra KanieXiTTa yiyverai c dv8pd(TiV prjSels ed' vpav elaopmp davpa^era, prj8 orav 8eX(fHcn dijpfs dvrapeh^avrat. vopov evoKiov Kai apevas. 154 SIMONIDES OF AMORGUS. IV. Simonides of Arnorgus. i. Change and decay. Ovbev ev dvOpuTroiai fievei XP^H-' eH-Trebov alfi' fv 8e TO KuXXiarov Xto? eenrev dvrjp' ott) irep (f)v'k\uv yevei], roir) 8e Ka\ av8p(oV navpoi ixfjv 6vr]Tv ovacri 8e|a/iei/oi (TTepvois eyKaTfdevTO- napeari yap cXttI? eKaara, nvbpoiP TJ re veav arTr]decTiv ip.(pveTai. eur]Ti>v 8' o(t>pa Tif avdoi i'xj) iTo\vi]paTOV i)^r]i, KOv(pov e'xcDV 6vp.ov noW uTeXearn vofC ovTt yap eXTTi'S' e'xet yrjpacrepifv oi/Ve eaveladai, ovS' vyirjs orav j;, (ppovrib" e'x" Kap^arov. VTfTTWi ols TavTT] Ketrai voos, owfie 'tcraa-iv as xpovoi eo-<9' ij^rjs Ka\ ^uWoi oXi'yos dvTjTo'ii- aXKa av ravra fxaOlov ^lotov ttoti repp-u ■^vxv Twi' dyadav tXtjOl xaptCofievos. ii. Li/e^s -uncertainty. 'Q Trai, reOvos \i.kv Zei/s e^" ^apvKTViroi TzuvTOiv oa eari, koi ridrja onij deXeC pooi S' ovK eV dvOpoiTroicnV aXV f(f)fjp(poi. a Hrj lioT aid (Sipev, oibeu etbores, orrcos {Kacrrnv fKTfXevTrjafi Bfos. lO SIMONIDES OF AMORGUS. 155 eXTTts fie TTcivras Kannrfidelr] rpe0ei anprjKTOv opjxaivovTas' ol fiev fjfiepTji/ fievovmv eXdelv, ol 8' ertav Ttepirpoivas. vecora S' ov8e\s ocrns ov 8ok€£i 0poTU>v TrXourm re Kayadolaiv l^eaBai nXtov. lo (poavfi 8i Tov p,iv yrjpas t'i^rjXov Xa/36i/, Trpiv repp, iKrjrcUj tovs 8e 8v(TTr)voi vocroi (f)aeipovai dvrjraiv, rovi 8' "Apei 8€8prjpei'OVS TTfpTvei peXalvtjs 'AIStjs vtto )(6ov6s' ol 8 iv daXdaar) XaiXaTTt Kkovevpevoi 15 Koi Kvp,avTai ^'kiv' ol 8 ay)(6vr]v arj/'avTO 8v(TTrjvu) popco, KavrdypeToi XeiVovfrtf rjXiov (f)dos. ovTO) KUKwv (m ov8iv' aXKa pvpiai 20 jSpoToicTL Krjpes KdveTTicjipaaToi 8vai Kui TrrjpaT eariw el S" epol TTidoiaTO, ovK av Kanav epcopev, ovb in aXyeaiv KaKois (^ovres Qvphv ai.Ki^oipeda. iii. Modo 7ton genus otime perostis foemineztiu. Xcopls yvvaiKos 6e6s enoirjcrev voov TO. irpS)Ta' Tr)v peu f^ vos TavvTpf)(Os, Tjj navT dv oIkou ^op^opco Tre(pvppeva uKOcrpa Kcirat Km Kvkiu8eTai ;^a/Aat" avTrj S' ciXovTos dTrXvTois t iv eipaaiv 5 iv K07rpir](Tiv Tjpevr] TriaLveTai. 156 ShMONIDES OF AMORGUS. Tr)v 8' e'l dXiTprjS 6e6s e6r]< oKamKOS yvvaiKa, Trdprcov tdpiv' ov8e jxw kokcov 'Ki'\r)6ep ovbev, oiide twv afj-etvovav. TO fx€v yap aiiTcbv eiVe noWaKis KaKov, 10 TO 8' ia&\6v' opyrju S' dXKoT aXKoirju ex^i- Tf)v 8' 6K Kvvos XiTnpyov, avTop.T]Topa, 7) -navT cLKOvaai, iravTa &' el8evai 6e\ei., TrdvTT) 8e TTairra'ivovaa km irXava>fiivr) XAjjAcei/, ^v Koi firjbev dvdpancov opa. 15 Tzavcreie 8' t'lv pnv ovt aTreiKrjaas avrjp, oiib' (I xo^(^^^^^ e^apd^eiiv \i6(0 odovrai, OVT uv /ifiXi'^ws nvdeipLevoi, ov8' el Trapa ^e'lvouriv rjnevj] Tvxoi' aXX' fp.Tre8ois cmprjKTOv avovijv e;(fi. 20 Tfjv 8e TrXdaavTes yr]tvr}v 'OXv)n7riot fbcoKav dvbpl TrrjpoV ovre yap Ka»c6«', OVT ecrffkov oiidev aide ToiavTr] yvvT], fpyav Se fiovvov eadUiv eTTicrTaTai' Knits' fjv KaKQV ;(et/xa)ya TTOtfjO-j] 6eos, 25 piyaxra di(ppov aaaov eXKeTai nvpos. Tt]v 8' CK doKdaarjs, fj 8v iv (f)pf(T\v vofl, TTju pev yeXa re Kal yeyrjdeu fjpeprjv' enaivetrei piv ^dvos (v 86pois i8a)v' " OvK f(TTiv uXXt) TTiabe Xwicoi/ yvvrj 3° fv Tfdaiv dvOpoDTTOKTiv, ov8e KaXXto)!'. Trjv S" oiiK dvfKTOs ovt iv o(})6a\po'is I8e'iv, ovt' aaaov iXBflv, dXXce paivtTai t6t€ nn\r]TOv, wn-iTtp dp.(pl TiKvoiviv kvcov' dufikixns 6€ TTUfri KdiroOvpirj 35 SIMONIDES OF AMORGUS. '3/ I'XPpoidiv Ida Kai (piXoicri yiyveTcii. axTTTep dakaacra ttoXXukls fxev drpefifji ea-TtjK anrjfiav, X'^Pf^^ vavTj](Tiv fieya, dtpeos iv S>pTj, noXKaKis Se fiaiverai ^apvKTvnotcn KUfiaaiv (poptvuevr) — j.o TaVTTj pLokldT fOlK€ TOiaVTTj yvvi]. opyr}v' (pvfjv Se ttovtos dXXoirjv e^ft. Tfjv S CK (TTroSfiJjs Kn\ naXivrpi^eos ovov, »j )v Se Tovrepov pcopfjaeTai' carjv 8 exovres poipav ov yiyvaicrKopev. Zevi yap peycarov tovt eno'irjcrev kokov, 115 Ka\ 8eptii enat/6{i Xpvcros Mr aKi}paroi, TO T apyvpiov TrpoacoTTov 20 fita^aSaj/ ri rot Xeyco ; ALCMAN. x6, Ayrja-ixopa fifp avra' a8e bivrepa neS" 'AyiScbi/ to el8os iTTTTOs el^rjvca KoXa^ des bpafXiiTai. rat UeXeidbes yap afxiv 25 OpOia (pdpos (f)fpoicrais vvKTa 6' dp^poaiav dyedrjpiov aa-Tpov aieipoixevai pd^ovTai. Ovre yap ri 7Top(f)vpas Toa-aos Kopos cocrr dpvvai, 30 oiVe TTOiKiKos bpdndiv TTayxpva-ios, ov8e pirpa Av8ia, veavibuiv iavhv Kpord^atv liyaXpa, ov8e Toi NavvSis Kopai, dXX' oils' 'Epdra aiei^rjs, ov8e 2v\aKis re Koi KXerjcnarjpa, ovd" es Ahrja-ip^poras iv6oli\v\Xa, Aapaina r epard re 'lavdepls" dXX' 'Ayrjaixopa ^e Trjpfi. Ov yap a Kak\ia(pvpos 'Ayrjaixopa irdp avrel ; 'Ayi8ol pea-cj)' dp fxevei, 6w(TTrjpia Klip! inaivfl. aXXd Tdp8' dpcoVj aiot^ Of^aa-d'' aTTOj/z^rt aVa M 35 40 45 i62 ALCMAN. (cai reXos" ypav<: to ti^ eiTTOi/xi K* "aTrai/ [liv avTci 50 Tzapaepoi ixdrav dno Bpavoi \eXaKa y\av^'" iyiov hi to. fiiv 'Awn /idXtora avbuvT)v epa>' irovav yap a/jLiv Idrap eyevTO. (^ ' Ayrfo-ixdpai Sf vedviSfs 55 rj p a'lvas f paras kire^av. ii. Calliope. Mwtr' aye, KaXXioVa, dCyarep Aioy, «p;)(' ipuTcbv infav, eVi S' ipepov vfiva Ka\ xaplevra rlBfi x^P""' iii. TVz^ a^^^ /^i?^ Ov p.' en, TTapOeviKal p.eXiyapv(s lp.€p6(})a>voi, -/v'la (jitpeiv bivarai- ^d\e 8t] ^d\e KtjpvXos f1r]v, iis T eVi Kvparos av6os dp! d\Kv6ve(T(n iroT^Tai vrjXfyfs TJTOp fX'^v, a\in6p(j)vpoi e'lapos opvis. iv. Cheese-making. noXXuKt 8' €V KOpv(fia'is opeaiv, oKa deolaiv dBj) TToXiKpapos iopra, Xpiia-iov ayyos exo(.(Ta ptyav aKvcpop, old re TTOipiVis (ivSpes exovcriv, Xfp«rl Xeovreiou yu\a drjcrao, Tvpov fTvprjaas p.iyav arpv^ov upyKpovrav. TYRTAEUS. 163 V. The sleep of the hills. Y.voovniv 8' 6pea)v Kopv(j)ai re koL . e^dpos pev yap Toiai pfTsacrfTai. ovs iciv iKTjTai Xpf](Tpo(TVjnj T eiKU)V Ka\ (TTvyepfj Trevirj, aiaxvvei re yei/os, kutu 8' dyXaov et'Sos €Xey)((i,, naicrl S' dripir) Ka\ KaKoTTjs tTrerat. 10 ft ovTcos dv8p6s Toi dXcopevov oiSf/it" (Spr; yiyvtrai, ovt atSwy ovr onis ovt eXeor, M 2 164 TYRTA BUS. Ovfia yrjs nepi Trja-^e fia^ajufBa Koi nepi naiBoiv dvi](TKaifi(v ■^vx^EOiv fir]K(Ti (pfiSofievoi. (i> veoij uWa fj.d)(€a6e nap aXXrjXoiai ptvovres, 15 fJ.rj8e (pvytjs alcrxp^s up)(eTe p.r]8e (}>6(iov, aWa peyav iroulade Koi uXkiixou ev (f)peal Qvfxov, (jirjSe (f)iKo\f/v)(€lr iivSpdai fiapvapevoC Toiis 8e TvakmoTtpovi, hv ovKeri. yovvar eXacfypa, fit] KciTaXfLTTOVTes (pevyere, rovs yepaiovs' 20 aicrxpov yap dr) tovto ptrd npondx^oicrt irecrovTa Kuadai TTpoade vecov av8pa naXaioTepov, fjbrj XevKov e)(OVTa Kapt] noXiov re yivaov, 6vp.ov imuTTVfiovT uXKip.ov iv kovitj, aljxaToevT aldola (jjiXais iv )(€pa\v e^opra — 25 aia)(p6v T dcfjdaXfjLols Kal vep.ecrrjroi' I8elv — Ka\ XP^^ yvpvcodevTa' veoicri 6e navT ineoiKfv, bPj p.r]8 (KTos |3fXecoi/ eardrco daniS" e'xiov. <(XXd Tis iyyvs lap avTocrx^^ov e'yxd paKpat rj ^[(pei oiird^cop hrjlov upbp eXfTco' 30 Ka\ noda nap ttoSI dels koi in danlSos da-nib* epetaas, fP 8e \6(f)0P re X6noi(nv apicnov KaWidTuv re (f)epeip yiyverai dv8p\ vea. ^vvuv 8 ecrdXov tovto noXrj't re navTi re 8r]pco, 15 o(7Tts uvrjp Biotas iv irpopaxoicn p^vfi vatXefxeas, alaxpai 8e (jivyrjs enl Trdyxv Xddrjrai, ^f/vxr]V Koi Ovpbv TXr]p,ov(i napdepevos, OapavuT) 8' eneaif rbv TrXrjalou iiv8pa TrctpecTTws' ovTOS avTjp dyaOos yiyverai iv TruXepco' 20 aiyj/a 8e Svafieveuv dvbpwv erpeyj/e (fidXayyai Tprjxeiai, aTrov8[] t e(T)((Oe KVfia paxes' OS 8 avT ev TTpop,d)(Oicn ireauv (f)iXov olXfcre 6vpov u(TTv T€ Kui Xaov9 Koi Tiarep evKXeicra^, TtoXXa 8ia (TTepvoio Koi dcmlSos 6p,(j)aXoea(Tr]s 2^ Ka\ 8ia BcoprjKOs npucrdev iXrjXapevos, TYRTAEUS 167 tI)V S 6\o(f)vpovTai fiiv ofiibs vioi r]8e yepovres, apyaXeo) re nodco Trdaa KeKrjSe noXis' Koi TVfji^os Koi TralSes iv dvdpunrois dpiarjfioi, Koi naibav 7rai8fs koi yivos i^oTTiaco. 30 nv8e TTOTf Kkios icrffkbv dnoWvrai ovS' ovopH aiirov, aX\ vno yrjs Ttep icop yiyuerai ddiimiTos, ovTiv (tpiarevovTn pevovrd re p.apvdiiev6v re yrfs TTfpi Koi naiboav Oovpos "Apijs oXe'a-?/. rjv Se (pvyrj fiev Krjpa Tavrjkfyeos davdroio, 35 viKTjCTas S' alx/J^ijs dyXaov fv^os fXrj, TTaPTeg p.iv Tipaxriv o/jwy veoL T]8e ttoXuioI, TToXXa fie Tfpivva nadwv fp^erai els ^AtdqV yrjpdcTKav acTToicn, jxeTanpind, ov8e ris avrov ^XdnTfiv ovT al8ovs ouVe dUrjs e'^tXet, 40 nduTes 8 iv daiKOKTiv ofias veoi ot re kut avrbv (lkov(t' eK x^P^^ ^"'- '''^ naXaiOTepoi, TavTTjs viiv Tis dpTjp dperrjs els aKpov iKeadac TTeipda-dco 6vp.a, p.r} p.edie\s iroXepov. IV. March-soiig. ' Kyer, a> 2ndpTas evdv8pov Kovpoi narepav TToXiaTdv, Xaia p.ev 'Ltvv Trpo^dXea-de, 86pv 8e^irepa S' evToXpLcas ftf] cpeMfxevoi rds ^coaj" ou yap TTurpiov to. '2ndpTq, ]f.S MIMNERMUS. VII. Mimnermus . 1. Vivajims atque amemus. Ti's hi ^ios, ri 8e repirvov nrep XP^<^^V^ 'A^poStV?;? ; Tf6valr)v, ore fioi /iijKc'ri Taiira jxeXoi, KpvnTa8iT] (piXoTTjs Koi jitftXt;^a bwpa Koi evvrj' fi ^^Tjs civdfa ylyvtrai apTvakea avbpdaiv Tjbe yvvai^iv iirii 8' odvvTjpov eTreXOr] 5 yrjpai, 6 T alcrxp^" opais /cat kuXov civbpa Tide'i, nUi piv (})pevas afKJn KaK, KvpToicri vi>Tois o^eovres, llXoKa ^ripfias TrXaKos 15 repvovTis, acrri^rf iropov, (^utns hokioi as p. a(j) ciXnrXoov yXacpvpas vfcus fls oidpa 7Top(j)vpovv Xipvas tpi^av. IX. A Icaeus. i. The soldier s hall. Mappaipei 8e piyas hopos )(aKKa>' iracra d' "A-prj k^ko- (rpTjrai crTeya Xdfinpaiijiv Kvv'iaKn, kut- TCLV AfC/coi Karvnepdev nv- 5 TTtOl X6(p')C. vevoKTiv, K((puXaiaii> uv- ALCAEUS. 171 hpuiv ayaXfiUTa' ^(dXKiat fie TraaaaXois KpvTTTOicni' TTfpiKeifievai 10 XafiTTpat Ki/dfii^ei, apKOS l- crX^pu} ("ieXevs, dwpoKes re vtoi XtVw KoiiXai re kut aanides j3flS\ripevai' 15 Trap 8e XaX/ciStKat airaOai, Trap 8e ^uipara iroKka kcil KvndTTides' Tav ovK ecTTi Xa6e(T6\ iiTii- 8r] Trpa>Ti(TT vno Fepyov e- 20 (TTapev ToSe. ii. T/te skip in a storm. AcyvpeTTjpi tcoi> avepcov (jTuaLv' TO pev yap 'dv6fv Kvpa KvKivbfTai, TO o (.voev appes av to ptcra'oi' vai (popTjpeda crvv peXaiva, Xfip \o aTfi)(ei, TTctpe^ei 8' afxm tvovov ttoKvv (ivtKtiv, iiTfi K€ vaos eixfia VTjara, .... iii. Ft/l the cup and fill the can. XeifJ.a>v, TieTvdyaaiv S vBdroiv poai. Ka/3/3aXXe tov x^eipav , em pev Tidfis TTvp, iv be Kipvais oivov d(j)ei8ecL>s peXiXpov, avTctp dp(fn Kopcra 5 puXdaKOv dp(}}iTideis yvocfiaXKov. * * * nv xpr) KUKOiai 6vpov eTTiTpenrjv' TrpoKoxl/opfv yap ov8ev dtrdpevoi, 0} BvK)(i, (pdppaKov 8 api(TT0V otvov (PfiKapevoii pf6va6r]v. 10 iv. The drotcghty season. 'I'/yyf TTvdpova Foiva' to yap aaTpop nepiTfWeTai, d S" u>pa ^aXena, ttuvtu 8e 8iyj/aicr' vno KavpoTos. I'X^t 8 (K TJ-fTuXcoV fd8(a TtTTl^, TTTtpvyaiV 8' VTTO KaK)((fi Xiyvpav itvkpov doi8av, Oipos omroTa SAPPHO. 173 cpiKoyiou Kara yau Trenrdfievov -navTa Koravdvi}. 5 avBei Koi aKoXviJLOs' vvv 8e yvvaiKes ixiafjararai, XtTTToi S' ap8pes, eVet Koi KftpaXav Koi yova ^eipios Vino pellite cur as. nivcofjiev' Ti TO \v)(vov ftivojjifv ; ha. "^anff), dbiKTjfi. ; 20 Koi yap al (jievyei, raxecos 8iu>^ei, al Be bSipa pi) 8fK£T , dWa taxrei, al Se prj (piXfi, Taxfoas SAPPHO. To Alcaeus. At S* r\X(^ eaXcov 'Ifiepov rj KoKcov, Koi fXTj Ti ftiTTTjv yXSicrcr ckvku kukov, ai8(os K€ (T ov Kix^avev oTTTrar , aXX' eXeyey nepi tco StKato)?. VI. Forsaken. Ae8vKf fjiev d aeXdwa Koi TiXtjiaBts, fxifraL 8e vvKTfs, TTcipd S' fpx^''' "^Pf") eyo) Se pova Karevdo). vii. Forgotten in death. KfiT^afoicra Se Kficfai Trora, koju pvapoavva aeBev f(T(T(T ovTf TOT ovt' vcTTfpov' OV yap TTf S/j^ftj (ipobav TOiu (K Ilifpiny, dXX' dcpduris kjjv AtSa bupois (funrdafii ttcS' dpMvpav veKvcav eKneTTOTap-eva, viii. ' / cannot mind my wheel, mother^ V\xjKtia fiUTtp, oijToi bvvapai KpeKtju tov kttov, TTodw 8dp(i(ra ndidoi ^pahivav 8i 'A(})p68iTav. ERINNA. ix. Hespertis. feairepe, navra (f)ep(ou, ocra rf)aiuo\is eV/cfSao-' avcos, as ilirdyiTo nevKai, 5 ToS' eVi /caSeo-ra? ec^Xfye TvvpKa'idv Koi av p.iv, Z> 'Ypevaie, ydpav poXTraiou doibav es BpTjvwv yoepup (pdtypa piOappoaao. XII. Solon. i. Salamis. AvTos Kfjpv^ ijXdov d(f> ipfpTTJs ^aXaplvoi, Koapiov (TTtap (o8t]v t dvr' dyoptjs Bepevos, * * * "Eirju 817 TOT* tya ^oXfydv8pios ^ 2iKivrjTrjs avrl y ^Adrjvaiov, TraTplb' dpfi\f/dpevos' ajyl/a yap av (pdris rjSe piT dvdpoinoiai yevoiro' 5 'Attikoj ovtos dvYjp TOiV '2a\apiva(f)fTcbv. * * * 'lopfv fh 2itXaplva, paxqadpivoi. Trfp\ rijcrou ipfpTris, }(a\f7i6v T ai(r\os dn(tia6p.evoi. SOLON. ij9 ii. Athe7ts. HfJLfTepa Se noXis Kara fiev Aios ovttot oXetrai aiaav koX fiaKupcov dewv (fiptvas adavaratV ro'irj yap fxeyadvpos eTriaKonos u^pipoTraTpr] TlaXkui 'A6r]vair] p^fZpa? V7vep6(v i'^d' avToil 8e (jidelpeiv fxeydXrjv ttoXlv d({jpa8ir]aiv 5 a(TTo\ ^oiikovTai xprifiaai TTtidufievoi, Srjfxov 6! t'lyefiouav adiKOs poos, olatv eroipov v^pios fK peydXT]i aXyea ttoWu Trade'iv' ov yap iiriiTTavTai KaTf^eiv Kopov ovfie napovcras ev(f)poavuas Kocrpfiv haiTos iv rja-vxirj. 10 TrXovrovaiv S' dSiKois epypacri nfidopevoi ov6 lepoov KTedvcov ovre ti Sripocrlcov (f>€i86p€voi KkfTTTOVfTLV {(ji c'lpTTayfj (iWodep oXXoy, ov^e (pv\u(T(T0PTai afpLva 6e'pe$Xa Alktjs, i] (Tiyaxra awoiSe ra yiyvupeva npo t iovra, 15 TW Se xpo'vo) irdvTas rjXd' dnoTiaopevr}. TOVT rjbr] TTaa-r] TroXei ep^erai sXkos cifpvKTOv, els Se KaKrjv raxeas rjXvde bovXua-vvqv, fj a-rdcTiv f'pcpvXop ivoXepdv ^' ev^ovr (TTfyfipfi, OS TToXXav epart^v uXfcrev j'jXiklijv' 20 e/c yap dvapeveav Taxe(^S TToXvrjpoTOP ucttv Tpvxfrai ev avvodois to7s ddiKovai (f>iXais. Taira /lev iv Si}/uco (TTpefpfrai kuku' tcov 8e ntpixpwv iKvovvrai noXXo\ ycnav is dXAo8a7r^i> TrpaOepres ^eapLoldi t aeiKiXioitri dedfi/Tfs, 25 Kol KOKci BovXoavvTis arvyva (pepovai ^la. N 2 iSo SOLON. oi'TCi) Srjfioaiov kukov tp-^frai OLKad' cKaaTO}, avXftoi 8 (T e;(fti' ovK edikovai Bvpni, vyj/rj\6u 8 VTTfp epKoi vnepdopev, eipe 8e mivras fl Kai ris v iv /ivx*^ ?/ 6a^iip<>iv. 30 ravra 8i8d^ai. Ovpbs ' A6rjvaiovs /xe KeXfvei, a>s KOKCi irXeloTa TroXet Svavofiia Trape^ei, tvvojxla 8' evKoapia kcii apria ttclvt cntof^aivet., Kai 6 ap.a rois uSlkois cificpiTidrjai Tre'Sas* Tpa-\ea Xfiaivei, navei Kopov, vfipiv ufiavpoi, 35 aialvfi 8' nrrjs avdea cpvopeva, fv6vv(i 8e 8iKas aKoXias inrepi](f)avd t fpya irpavvd, Travel 8' fpy^ 8i^o(TTaaLT]s, ■navd 8' dpyaXerjs epibos xoXov, ecm 8 vtt avTTJs TTavra kut dv0pw7Tovs apria Koi Trivvrd. 40 iii. T/ie tyrant. Ek vecf)e\r]s TreXerai x^dvos pevos rjbe ;(rtXdf7;y, ^povTT} S' (K \ap.Tvpds yiyufTM d(TT(powTJs' di'8pS)v S' (K peyuXoiv ttoXis oXXurai" eis 8e povap^ov Srjpos d'iSpiTj 8ov\o(Tvvr]u eneaev' Xirjv 8' (^dpavT ov pd8i.dv ecrri KaTacr)(€iv 5 voTfpov, dXX' rj8r} )(pr] irtpX navra voe'iv. iv. Man proposes, God distoses. Qvryroi 8 2)Se vofvpev opSys dyu66s rf kokos rf" (vdrjvelu avTiis 86^av eKaaros e'x^') SOLON. 181 TTpiv Ti iraBeiv roVe 8' avBis odvperai' (Ixpt 8e tovtov XatTKovres Kov(j)ais iXirLcn rfpnofifda. XaxjTis fMev vova-oiaiv vii dpya\et]ai TvifaOfj, 5 (as vyiTjs i'cTTat, tovto KaTe(f)pa.(raTo' f'lKXos, 8fi\6s (MV, uya66s doKii epfievai uvfjp, KOI KoKos, pop(pi)v ov xopieaaav e'xaiv' 61 8e ns dxprjpcov, Trevirji di ptv f'pya jBidrai, KTrjaeaBai Travras XPW^'''^ noXKa doKel, 10 (TTTevoei fiXXooev aXXos* 6 pei^ Kara novrov uXurai iv vt]V(r\v xPTlC^f o'lKuBe Kepdos ayeiv IxdvoevT , avepoKTi (f)opfiip.(vos dpyaXeoia-iv, 0etSa)Xi)i' "^vxrjs ov8(fj.LT]v Bepevos' aX\og yr]v Tepvcov TToXvbevBpfOP fls iviavTov ic XarpiVfL, TolcTiv Kap.nvX uporpa peXd' tiXXos A6r]vairjs re Koi 'H(pai(TTOv TToXvrexvea epya Saeiy x^'-P^'-^ ^vXXeyerai j3lotov (iXXof 0Xvp,Trid8a>v Movaecov ndpa hcopa dtdtKrai, ipepT^s ao(f)[r]s perpov €7nardp,evoi' 20 ciXXou pdvTLV fdrjKev iiva^ iKaepyos 'AttoXXcov, eyvco 8 av8p\ kokov rrjXodev epxopevov, CO (TvvopapTrj(TCA>cn 6(o'c ra Se popcripa ttuvtcos ovT€ Tis olcuvos pva-erai ovd^ Upu' aXXot Uaiun/os TToXvcpappuKov epyov i'xovTfs 2^ IrjTpoi' Koi Tols ov8ev fTreari reXoi' TToXXaKi S" f^ oXiyrjs d8vpt]s peya yiyverat ilXyoi, KOVK av Tcs XvaaiT rjnia (pdppaKa bovs' rov 6e Karats vovctokti KaKovptvov dpyaXeais re d'\lrdp.evos ;(efpoii/ alyira ridrja vyir]. 30 i82 SOLO.V, MoTpa 5e Toi 6vr)Toiv ylyverai ddavdrav,^ TTcicn 8c TOi KLubvvos ETT epyjiacTiv, ov8e tis oi,8ev TTij (TXTjcrdv /LxeXXft TTprjyfiaTos ap)(0fiet'0v' fiXX' 6 jieu fv ep8eiv neipcopevos, ov TrpovoTjcras 35 fls ptydXrjv arrfv Koi )(^\e7rfjv enecrev, TiJo Sf KaXas epdoirri Beos Trep\ navra dibooaiv (TvvTV\iT)p dyadrjv, '4s crnevBovcn' r'ts av Koptati eva navran ; Kep8(d Toi 6vT]T(HS conaaav dddvaroi' iiTT) S' e^ airav dva(j)alv€Tai, tjU ottotuv Zeis TTtp'^p'rj TicropiVTjp, aXkoOeP aXXos e^ft. V. The ages of life. IlaTf plv uPTj^os eoop eVt PTjnios epKos oBovtcov (f)V(rus f'/c,SaXXet npcorov iv enr ertaip' Tovs S' fTfpovs ore brj reXtarj deos (ttt eviavTovs, rjl^rjs fKcPaiPfi (TTjpaTa yeipopevrjs' TTJ TpLTaTT] Se yeueiop df^opevccv fTi yvicop 5 Xa;^i/oi}rat, XP°'-^^ apdos dpfi^opfprjs' TT) 8e TfTapTj} TTOS Tts fV i^BopdSi pey apiaTOs l(TXVP, fjpr' ap8pes (Trjpar f\ov(T dper^s. TTtpTTTT] 8' wpiop apbpa ydpov peppripepov tivai Koi Traidup f'^Tfli' (Ictottictco yepfrjp' 10 TV 8' (KTrj TT(p\ irdvra KOTaprvfrai poos dpBpus, ov8^ fp8fiv iff 6poi)S fpy dnuXapvu 6iK(C SOLON. 183 cTrra Se vovv (cat yXwcrcrai' eV ilSSofidcriv fiey apurros OKTO) T' (ifjiffioTepwv Te(T(rapa Koi 8eK err]' TTj 8' evdrrj ert fiev dCvarai, fxakaKarepa S avrov 15 Trpof ^eydXiji' aperrjv •ykaxrad re koi aocpil]' TTJs BeKarrjs 8' e'i tls rekecras Kara fierpov ikoito, nvK av iiapos foov fioipav e)(Oi, davdrov. vi. Jlota he aided Athens. ^vfjifiapTVpolrj ravT av iv 8lkt} x,povov firjTrjp fieyifTTt] daifMovociv '0\vp,TTLa>v aptara Trj fjLeXaiva, rijs iya irore opovs aveiXov noWaxfj TreirrjyoTas, TrpoaBev Se 8ovXevovaa, vvv tXevdepa. 5 TToWovs 8' Adrjvas Tvarpi^ els deoKTiTov dvfjyayov 7rpa6evTas, aWov e/cStKcos, aXXov diKaicos, tovs S dvayKairjs vno X^prjcrfMov XeyovTas, yXwacrau ovkst Attiktiv lepras, as dv noXXa^^fj nXavcopfvovs, 10 TOVS S' ivOdb avTov bovXirjs deiKea €)(0VTas TjGrj, becrivoTav rpopevp-evovs, fXevdepovs i'drjKa' ravra fxev Kpdxfi, Ofiov ^irjv re kuI dUrjv avvapfxodas, fpe^a Koi 8t.r]vva cos inveaxopLriv. 15 Bfapovs 8 ofioiovs Tu> KUKM T€ Kayado) fvSelav els eKaarov dppLOcras biK-qv eypayj/a. Kevrpou 8' aXXos i>s eya Xa^oiv KaKo^pahr]S re Kai (f)iXoKTr]p(ov dvfjp ovT av KarecT^e drjpov, ovt eTravaaro, 20 Trp\v av Topd^as Trlap e^eXrj ydXa. t 184 STESI CIIOR us. XIII. Stesichorus. The Sufi's goblet. AeXioy S* Yn€piopi8as SeVas iaKarf^aivev Xpvaeov, ocf)fm 81 'Q.Keavoio Trepcio-as a(piK0i6 iepas ttotI J3ev6ea vvktos ipefiva.': TTOTi fiarfpa KovpidUiv r liko^ov Tvalhas re cf)lXovs' 6 b' is aXcros e/3a dcKpvaicri KaraaKiov TToaal Trais Aios. ii. Tyndareiis. OvveKa Tvvbdpeois pe- fcov noT€ TTuat Beols piovvas Xuder' r]TTi.o8a)p(o Kv7Tpi8os' Kciva 8e Tvv8(ip((o Kupais xokatcrapevT} 8iydpL0vs Tf Koi Tpiyupovi Tidrjaiv Koi XiTTfadvopas. iii. A palinode. OVK fCTT iTVpOS \6yOS OVTOS, ov8' i'^as ev vavcriv (vatXpois, ov8' iKeo TTfpyupa Tpoia^. I BY C us. i8s iv. Sing of ivar no more. MovfTo, (jv fxev TroXejiovs UTTOnaa^evr], ^(t e/xov Kkelovaa 6fa)v re ydjiovs avhpuiv re Bairas Koi daXias fioKupcov. V. Songs of Spring. ToinSe •)(^pr] 'Kapirav Sa/ico/xara KaWiKOfiuiv iifivelv ^pvyiov peKos e^evpovras a^pws rjpos eTrep)(op(vov. XIV. Idycus. i. Spring. 'Hpt pev al T€ KvBaiviat pT]\i8es apdupevM poav eK TTorapaiv, iva irapdepap nrjTTOS aKijpaTOs, ai r olvavdi8es av^opevai a-Kiepola-iu vc})' epveaiv 5 olvapeois 6aki6oicnv' ipoi 8 (pos ov8epiav KaruKoiTUi co- pav, a6' vTTo areporras (jiXeycDv i86 DEMODOCUS. OprjLKios j3opeas, accrav irnpa Kinrpibos a^aXeais lo fiaviaiaiv ipffivos ddap.lSrjS tyKparecos TTai8u6(v (^vXacrcreL T]p.eTfpas (})pivas ii. Eros. "Epos avTe fie KvavioKTiv vno fi\e(f)apois raKsp ofifiatri depKopievos Krjkripacn ■navrobano'is fs mreipa h'lKTva Kvirpihoi pe /3aXXet" ^ pLUV Tpop(co viv intpxopfvov, 5 wcrrc (Pepf^vyoi Imros dedXo(f)6- pos TTOTi yrjpal aeKcop (Tvv oxfO'(Pi Ooois fS dfJiiSXav e^a. XV. Demodocus. Epigrams. i. The Milesians. Kal ToSe A7j/io8({Kov MtXi7{riot d^vveroi. pkv OVK (1(MKiiXiSe(o' TtTopcov mvo TOivhe yevovro prjv av8paTov pep Bebv vpvfiv evcPpovas {iv8pas (v(}jTjpoii pvdoii Kcil KiiOapoicn Xoyoij, XENOPHANES. 189 OTmaavra^ 8e koI (v^afiipovs to. BiKaia Bvvaardai 1:^ irprjaaeiv — ravra yap cov fan TTpo)(fipoTepov — ovx v^pig triviiv ottoctov kcv e^cov d(piKOio o'lKad tivev TrpOTroKov, pfj ndvv ytjpakeos' dvbpau (5' alvflv tovtop, 6s fcrdXa nio)v dva(paivei, (US j; pvrjpocrvvr], kch tov, os up(f)' dper^?, 20 ovTi pdxas SuTTfi Tirrivav ovde TiyavTcov, ouS ail Kevravpoov, nXdapara twv irporepau, 1) (TTuaias (T(fie8avdi' to2s ov8ev xPW'O" ^veariv oeS)v 8e Trpopr]d(CT]v alep ex^iv dyaOov. 11. He is better than many athletes. AAX €t pkv TaxvTTjTi Tro8ai> vUrju tis apovro T] TrevTaffkevav, ev6a Aios Tfp,(vos Trap TLicrao pofjs iv 'OXvpTr'irj, e'lre ■na\aio>v, 7] Kai TTVKTOcrvvrjv akyivoeaaav eXcoj/, f'lTe TO Bdvov ciedXov b TvayKpariov KaXtovcriv, 5 acTToicnv k eirj KvdpoTfpos TTpocropdi/j Kai K€ 7rpoe8piT]v cfiavepfjv iv dyaxriv apoiro, Kai Kiv OTT i'l'q brjpocriav KTfuvcop e/c TToXewv Ka\ da>poi>, o ol KeiptjXiou e'irj' eiTf Ka\ LTVTTOia-iv, ravrd x anavra Xdxot, 10 ovK eau a^ios, axnrfp iya' puyprjs yap dpeivonv dvhpav T]8 "LTTTTav rjpeTfpr) cro({)ir]. aXX eiKij pciXa tovto vopi^erai' ov8e biKaiou npoKpiveiv pa>pr]v ttjs dyaBrji p epy iv ayoivi Trikei, TovveKev av 8r] paXKov iv (i/voplrj iroXis e'lr)' apiKpov S aif TL TTokd )(dppa yevoir' eVi tS, 20 ft Tis ue6\evo)v viKoJ Uiaao ivap o)(6as' ov yap niaivei ravra pv)(Ovs iroKfons. iii. Poetic Theology. WavTa dfols avidrjKav ''Oprjpos 6 'Hcrt'oSos re oacra Trap av6panoi(Tiv oviibea kcu yj/6yos eVrl, 01 TrXeicrr (Cpdiy^avro deoiv adeplaria fpya, KXenreiv, poL)(iveiv re /cat uXXtiXovs dnaTfVfiv. XVIII. Theognis. i. Evil conwiunications . TaOra piv ovras 'ladi.' KaKoiai be pfj npocropiXd. avdpdaiv, aXX' aiei Ta>v dyadoiv f'xfo' Kai pera Toicriv n'lve Ka\ ecrdif, Kcii perci ro'taiv iff, Ka\ avdave toIs, iov peyuXrj tvvapis. icr&Kojv peu yap an iadXa paOfjatat' fjv fie KaKolcriu 3 avppio'yTjs, anoXe^s Ka\ rw iovTa voov. raiiTa pu6u>v dya6oi(Tiv opiXee, Kai ttotc (jjijaeis (V crvulBuvXfvfiv Tottrt (piXnicriP epe. THEOGNIS. 19 r ii. Do not make friends of the ' low.^ MrjBfis a dvdpaiTTOiv nelcrrj kokou avbpa (ptXrjaai, Kvpve' Ti 8 ear o(j)f\os SetXor dvrjp i> ; oiiT av a ex ■)(CLKeTTol.o novov pvcraiTO Koi aT-qs, ovTe Kev icrGkbv excov roii (i(Ta8ovp f6e\oi. ofiXovs 8 ev epdovTi fiaTaioriiTi] ;^a/3ty (arip' 5 iaov Koi cnrelpeiv tvovtov oKos ttoKitjs. ovTf yap av ttovtov (nreipcov fiadv Xifiuv d/.tcos', ovT€ KOKOvs eii 8pwv ev mikiv a.i>Ti\dj3oi?' u7r\r](TT0v yap e^ovai KaKol voov' i]v 5' iv dpLuprrjs, tS)V TTpoadfv TrdvTcov eKKe)(VTai (piXoTrjs. 10 oi 8 dyadol to p.fyi(TTOP eiravpiaKovai iraddpres, fivijfia 8 ex^^^^ dyaScov kciI X^P'" e^o-niaa. * * * fiijTTOTe Tot KGKOV av8pa (})i\ov TTOielcrdai iruipov, aXX alfl (f)€vy€iv ware kukou XifjLtva. in. Man proposes, God disposes. Ovhiis, Kvpv, tiTTjs Kal Kfp8fos alrios avTos, dWa 6eoi TovTcou 8a>T0pfs dp(f)OT€pcov' ov8i Tis av6pd)Tra)V fpyd^erai eu ippecrlv etScas (5 reXos eir ayaduv yiverai e'lre KaKov. TToWdKi yap toKfcov 6i). lo iv. Cyrfzus ifnmortalized. 2ot \ikv fyo) TTTep eScoKa, ahv ois en inreipova ttovtoi' TTOiTrjcnj Koi yi]v natrav aeipcipevos prj'idias' Solvrji 8e Koi elkanivrjcn napecrcrrj ev ndcrais, ttoXXv}( InnMV vuiToiaiv e(Pr]p.€vos' dXXd ae nefiy^ret dyXaa Movadav daipa loaretjidvMj/' TrScrt yap, oiai p,eixrjXe, koi eacropevoKnu doibr] 15 ecrcrri o/xwr, o'^p' av j/ yrj re /cot rjeXios' ai/Tap eycov oXiyr]! napct aeii ov Tvyx'i-V(i> aldovs, dXX' oxrnep piKpov naiha Xoyois p anuTas. V. May I triumph over my etieniies. 'AXXa ZeO TeXeadv poi 'OXvpnie Kaipiov evx^jV 86s 8e poi upTL KUKwv Kai Ti nade'iu dya66v. THE OG NTS. 193 Tedvairjv S', el firj Ti KaKwv afJLnavfia nepifivecov evpoifiqu 8oir]v t avT aviav avias' aicra yap ovras icrri' ncni 8' ov ^atVerai rjfjuv 5 dvdpu)v, ot ra/xa ;^pij/naT e)(ov(n ^'irj av\r](TavT(s' e'yo) 8e Kvav inepTjcra ^(apdSprjv ^fifj.dppa> TTOTapo) navr airocreKTd.p.evos' Twv e'lrj p.e\av aipa TTielv, ini t eaffkos opoiTo 8aip,(i)v, OS Kar fpov vovv reXeaeie rdbe. 10 vi. IV/ty does Zeus tolerate the wicked ? Zev (f)iXe, davpa^o) ere' ai) yap TravrecrcTiv dvdaaeis TiprjV avTos e'x^oyv Kal peyuXrjv dvvaptv' dvdpuiTTutv S' ev oiada voov koI 6vp6v eKaaTov' v aoavaroicTLV aooi ; rjv T enX craxppoavvrjv rpecjidjj voos, rjv re irpos v^piv, dvOpoiTTcov udiKois epypacn weidopevav, 10 epnrjs okj3ov e')(ov eiTa[ir]adiJ.ei'ov. viii. I/c is all true gold. El /i' fde'Xfis Trkvveiv, KfCJ)uXris njiiavTov an iiKp-qs aU\ \fVKov vb(jL)p pevaerai rjfxeTeprjs. evpfjaeis 8e [le Traaiv eV epyp.a(nv coanep unecpdov Xpvaov^ epvdpov tSeif TpifSoiMevov ^aaavco, TuO XPO'^y KadvTTfpde peXas ov^ aTrreTat, los 5 oiS' evpios, ate\ d' uv6o<: i'xei Kadapov. ix. Constrain no man at a feast. Mr/SeVa Tcoi/S' dcKOvra fieveiv KurepvKe irap r]fuv, fxriBe dvpa^e Ke'Xfu' ovk idiXovT levai, fiTjb^ evbovT eneyeipe, 2i/xwi/tSf/, ovtlv tiv rjpav 6a)pr])(6evT oicw naXdaKos virvos eXr], firjbe Tov dypvTTveovTa KeXev deKovra KadevoeiW 5 Trav yap dvayKalov XP^I^ dviqpov etpv' Tc5 TTLPfiv S' fOeXovTi TTupacrrahov olvoxofiroi' ov ndaas vvktus ylverai d/3pa naOeiv' avTap eyo) — perpop yap f^'^ peXirj^eos olvov — vTvviw XvcriKuKov pvfjaopai, o'lKab id)V' lo ij^co S' «r olvoi x^P''^^'''^'''^^ dvhpX TrerrocToai, ovT€ Ti yap vfjcl)a>, ovre Xirjp ptOvo). Of 8' av vnepljuXXr] 7r6(Tios perpnp, ovKeri Ke'ivos TTji avToii yXi', Tore pi'jttios' dXXct aii ravra yivixTKUiv fiT] ttIv oivov vnep^oXddrji'j «X\' fj np\v fiedveiv inravifTTacro — p.r] ere ^idado} yavTrfp, ware kukov Xdrpiv i(pT][j.€piov — , 20 7] napeuiv [xr] mj/e* crv S' " eyx^f tovto jidraiov KoiTiWeis alfi' TovueKo. rot pe6veis' T] fieu yap (peperai (f)t\oTr]aios, rj 8e TTpoKeirai, Tijv 8i dfo7s cnrevdeis, rrjv 8' eVt )(eip6s «X^'** apvficrdai 8' ovk oldas' civlktjtos 8e toi ovtos, 2;, OS TToXkas TTLvoiv pLTj Ti fidraiov epfi. Vfids 8* €v fivdelade Trapa KprjTrjpi. fiivovm, dXKrj\(x)V eptSos hrjpiv ipvKopevot, es TO peaov (^coi/evvrfS' opws eVi koI avvdnaaiv' ^ovTcos crvp.TToai.ov yiverai. ovk a^api. 30 X. He welcomes Clcaristiis, 'HX^e? S17, KXeapicTTe, jSadiiv 8ia ttovtou avvaaai, evoao (TT ovoev €-)(Ovt , co raAav, ovoeu e)(wv. VT]6s Toi TrXevpjjaiv vno ^vya 6t]croii€P lypeis', KXffiptcr^', oV e\opfv X°'''' StSoicrt 6eoL. rv dTZo6i]cropai, ovre ti juet^oj/ aijs eveKa ^evirjs liWodev olcrofifda. 7]v 8e Tis elpcoTO. Tov ffxov ^'lov, &)6e 01 dnflv' S)(t6 eva p.iv ^elvov Tvarpui'Lov ovk aTToXdiTeiv, ^iivia Se TrXeorecrcr' ov SvvaTOS nape^fip. O 2 196 THEOGNIS. xi. The ship in distress. ovK uv duiaiixrjv Tols ayauoicri fjvvoiv' vvv 8e fie yivaxTKOvra Trapepx^Tm, (lp.\ 8 a(})(tivos Xpffp-ocrvi/rj, iToWSiv yvovs irep apeivov ert, ovvfKa vvv (f)ep6fif(Tda Kaff Icrrla Xev/ca ISdKovres 5 MrjX/ou €K irovTOv vvKra 810. 8vo(^ipr)v' avrXeiv 6' oIk edeXovaiV vnep^dWei fie ddXacrcra dp.(poT€pa>v Toix^V tj p,d\a Tis ;i^aXe7ra)y aw^erai, oV ep8ov(n' Kv^fpvrjTrjv fiev tnavaav iaGKov, o Tis (^v\aKr]v eix^v eVto-Ta/xei/aj' 10 XpTjpara 8' apTrd^ovcri, ^ij], Koapos 8 dTroKuiXev, 8aa-p6s 8' ovKfT 'icTos yiverai is to pecrov, (f)opTr]yo\ S' apxovai, KaKoi S' dya6C>v Kadvrrepdfv. 8eipaiva> pt) ncos vavv koto. Kvpa nij]. ravTU poi rjVLxdoi KfKpvppfva toIs dyado'icriV 15 yivcocTKOL 6' ("iv ris vvv kokov, ^v O-O0OJ /;. xii. Money is all in all. Y.I pev f'xovTOS epov ttoXXoI (j)iXoC ffv 8e Tt 8eivov (TvyKvpCTTi, Tvavpoi ttkttov e;(0U(7t voov. * * * TrXij^ft S' dv6pu>no)V dperr] p'la ylverai f]8e, TrXovTflv Ta>v 8' aXXcov ov8ev up' rjv ocpeXos, 01/8' ei croi(f)po(Tvvr]v pev exois 'Pa8apdvdvos avTov, 5 TTKeiova 8" tlbelrji 2icrv({)ov AioXi'Sew, THEOGNIS. 197 Of rt )cai e'^ AtSfw TroKv'idpfirjaiv dprfkdev, Trdaas JJepa^povrjv alfxvXLni(ri Xdyotc, fj T€ fipoToifi TTape^ei XtjOtji/^ jSXdiTTovaa vooio — (iXXoi 8' ovttcl) Tis TovTo y fTre, tuiv acpap elu uv7titv)((^v e\a:3(v, Si(TT fs uKmpa Tvovelv K.a\ prj bupev w k ediXjj tls. fiSov S' aWov, OS fl yaxev(^v b()vX.()(Tvvrjv reXeois' ovS' el yr^pai Ikoio, to. p^pij/xara wuvr dnobpan)' 25 ev be Toiaibf yevei xP^P^t' upiarov ex^iv. THEO GNIS. 199 €t \i.kv yap TrXovrels, noXXol (piXoi, rjv Be nevrjai, navpoi, KovKiff opais avroi avi)p dyaOos. * * * (pel^eadai p(V "ipuvov, end ov8e BavovT anoKkaUi ovO(\s, i]v pi) opa xpripara Xemopeua. 30 XV. Patience. TdX/za Qvpi KaKolcriv op(os aTXrjTa Trenovdas' fietXftJi' rot KpadiT] yiverai o^vTepr]' pr]8e av y dnpi^KTOKTiv en' epypaaiv aXyos de^cov "ix6fo, prjS" ("xdei pr)Te (f)iXovs dvia prjS' exdpoiis evippaive. Becov S' elpappeua Bci)pa 5 ovic av pr]'i8L(os 6vr]rbs dvfjp irpocpvyoi, ovT ciu nop(pvperji Kara^vs es TivOpevn XipvTjs, ov6' orav avTov exU Tdprapos rjepoeis. xvi. Hope. 'EXttis iv dvdpanrois povvq 6eos ecr6\i] eveariv, aXXoi 8' OvKvpTTovb' (KnpoXnrovTes e^av' (uX'^To pev Ularis peyaXr] 6e6s, w;^fi'o S avSpSiv 2(o^poavvT]' Xdpires t, m ^iXe, yrjv eXmov' opKoi 8' ovKiTi TTicrroi iv dvdpoiTTOKn 8iKaiot, 5 ovbe ^eoii? ov8e\s a^erai d6avd.T0vs' euae^eav 8' dvbpaiv yevos etpdirai, ov8e de'piaras ovKeri yivaxTKova ov8e pev evvopias. aXX' oCJ)pa TLS C'^ei Koi Spa (pdos rjeXioio, evae^eav Trepl deovs, 'EXnida TrpoapevfTO}, 10 200 HIPPO NAX. i\)\k Se deolai, Koi ayXaa ^xrjpia Kaiutv 'EXtti'Si re TrpcoTJ? Ka\ iwnarrj Bviruy. (ppa^eado) S' dbUcov uvSpMV (tkoXiou \6yov aiei, ot BeSiv uBavaTbiv ovBev oTTifo/xej/oi altv eV dXXorpi'otj KTfdvois tirtxp^cn vorjfxa, 15 alaxpa KUKols epyon o-u/x/3oXa 6r)Kdp.€voi,. XIX. Hipponax. I owe thee naught. 'E/xo; yop oiiK eSwKas oiVe kco ■)(Kaivav taa-elav, iv xfi/xw"' (pappaKov piyevs, ovT da-Keprjcn tovs ttoSos daaelrjcriv eKpv\l/as, w? pi? M°' X'M^''"^" pijyfurat. ii. Plutus. ^Epoi 8e likovTOS, eari yap Xirjv tv(})Xqs « TtaKi' fKdav oi)Sa/i' eheV 'liviriova^, didcopl (rot pvfiy dpyvpov rpirjKOVTa, Koi 770XX' eV itXXa- rds (f>pevat yup beiXaios. iii. The epictirc. 'O plv yup avTtav fj(TVXji re Koi pv^Srju Gvvviba re Koi ixvttostov fjnepas naaas ANA CR EON. 201 8aivvfievos, Sxnrep Aaixyj^aKrjvoi (iivovxos, Karecpaye St) tov KXfjpov' aare xPV o'KunTfiu ireTpas opelas, avKa jifrpia r/wyaf, 5 Koi Kjudtvov koXXlku, SuvXlov xppTOV. * * * ovK UTTayas re Koi Xayw Karaj^piiKcoi/, ov rrjyaviTas a-r](TdiJ.oi(n (papnaaaav, oi/S' drraviras Krjpioiaiv efilBdnTcov. iv. Stripping for a fight. Adhere fxov Balfidria, ko-^cd BovndXov rbv 6(^6a\p.(Jv' ajj-^ibi^ios ydp dpn kovx d^aprdvoi Konrav. XX. A nacreon. i. To Artemis. Tovvovfjiai (T, eXa(pri06\f, ^av6i] TToi Alos, dypiav 8e(T7TOiv ApTffii Orjpuiv' T] Kov vvv enl Arjdalov 8lvrj(Ti BpatrvKaphmv g dv8pS)v eaKaropas noXiv Xaipova' ov ydp avrjuepovs TToifialvets TrokirjTas. 202 ANACREON. 11. To Dionysus. ^Slva^, a) Stt/Li«Xr;ff "Epco? KOI NvjLl(^(U KVai/COTTtSej avfiTrai^ovcTiv' (nKTrpecfieai 8 {i\|/'rjXa)v Kopv(pas opeav, 5 yovvovp-ai ere' crv 8 evfieviis eXff fjpiv, Kfx^P"'"^''^'*"/* ^' €V_;^a)X^? fTTaKovfiv. KXeu/SouXo) S' liyados yevev (TVulBovXos' Tov efwv 8 epmr , 10 iii. To a niaidai. IlcoXe Qpr]KLT], Ti 817 /Xf Xo^oi/ ofifiaaiv ^XeTTOvaa mfkeois (pevyfis, Soiceas de fi ov8ev f iSewzi (To(pov ; 'iep' vScop, ^f'p' olvov, S) TToi, (p€ S' dv6(iJ.€vvTas rjiuv (TTfcfidvovs, eveiKoVj as 8f) npus "Epcora ttvktoXi^co, * * * Ke\il3r]v, oKOis ufxvaTiv Trponio}, TO. fjLfv Se/c eyxeas i'Saros, ra Trevre d oi,vov Kvddovs, 0)5 dvv^picTTl dva drjvTe ^aaaaprjao). 10 "Aye 8i]VT€ fj.r)Ke6 ovtq) Trarayo) re KaXaXtjTa '2Kv6LKt)v nocTiv Trap o'iva> peXeTcbfxep, dWa (caXot? vTrmrivovTfS iv ypvois 15 KXeicrcopev Aiovvaov. V. He is old. ndXiol p€v i']pit' rj8T) KpoTW^Qi Kapr] T€ "KevKoVj XapUacra b' ovKeB" i](3t] Tvdpa, yrjpakeoL fi' oSdi/Ter. yXvKepov S ovKeTi ttoWos 5 j3i6tov xpovos XeXfiTrraf 204 CALL/STRATUS. Sui raiT dvacrToXv^o) Oafiu Taprapov SeSoiAccof. 'At'Sfco yap icm Seivos fivx^s, apyaXeq 8' ey avTOv lo Ka^oSoff' , o}(r7Tfp'Apfi68ios Kai'ApiOToyflTav, 10 or 'Adrjvairjs iv Svaiais avhpa rvpavvov "imrapxov fiiai.veTr]p. Ai€« (T(j)o)v k\(os ts' Kal TovninXe'ia-Tov opiaToi Tovs Ke Beoi cj)iXa>aiv. 20 TovvfKev ovTTOT iya> to prj yeveadai twoTov di^Tjpevos, Keveav e'y n- TrpaKTOv eXTTiSa potpav alcopos /SaXeo), TTavdpcopov avdpconov, evpveSovs octol KapTTov nlvvpfBa xBovos' 25 eVt S vppiv (vpa>u anayyeXeco' TTuVTas S* iTcaivrjpi Koi (f)iX(a>, eKOiv oaTis epbtj pTjBev alaxpov, dvdyKq 8' ovde 6eol pd^ovTai. 30 2oS SIMONIDES OF CEOS. ii. The heroes of Thermopylae. Twi/ «V OepfionvKaK davovrav iVKXerji fj-iv a Tvxa, koXos 8' 6 ttoV/xoj, ^onfjLos S' 6 ra(pos, npo yocov be fivaarii, 6 S" oIktos eiraivos' ivrafpiov be toiovtov ovt evpiis 5 ovff 6 TravbapuTcop dpavpaxrei XP"""^- avbpwv dyaSav o8e arjKos olKerav evho^lav 'EXXuSoj elXero- pLaprvpel be Aetovibas 6 2ndpTas ^aaikevs, dperds fxeyav XeXoiTTwr Koafiov devaov re K\eos. 'O iii. The Spartans at Thcrtnopylac. 'Q ^elv, dyyeWeiv AaKebaipoviois, on rfibe Keifxeda, roty Keivav pr]paai TT(i6upepoi., iv. The Athenians at Plataea. Et TO /caXir dvljaKeiv dper^ji pepos earl peyiarov, Tjpiv €K irdvTiov tovt' dnevtipe tvx^' 'EXKdbi yap anevbovTes eKev6epir]v nepiQelvai Keipeff dyrjpuvTM ^(pco/xei/oi evT^oyir]. SIMONIDES OF CEOS. 209 V. The Laccdaevionians at Plataca. "Acr^earrov xXeo? otSe (fiiXr] nepl Trarpt'St Sevres Kvaveov davdrov a/x(^e/3dXoj'ro pecpos' ovSe Tfdvacri davovres, eVft a(p' dperr] KadvnepOev Kvdaivovcr dvdyei Stu/ioror e^ AiSeco. vi. Timocreon of Rhodes. IloXXa cf)aya)v Koi ttoXXu Trtoji' koI TroXXa ko/c enrwu dvdpcJTTOvi Kelp.ai TipoKpeccv 'PoBios. vii. Cleobzthis of Lindus. Ti'f /cff alvijaeie voa mcrvvos AivBov vaerav KXeo^ovKov devdois TTOTOfjiOts (ivdetTL t' elapivo'iaiv dfXiov re 0Xoyi ;Ypi;(reas re aeXavas 5 /cat 6aka(T>'^"i' TOVTco yap dpa, tovtco Bepi^u), TOVTca ■Karid) tqv aSiiv oivov mv dp-TreXa)' TOVTO) decTTTOTas jivolas KeKXrjpac. 5 Tot 8e firj roXficovT e^etv 86pv Ka\ ^i(pos Koi TO KaXov XaicXTj'iov, irpo^X-qp-a xpt^Tos' ndvTes yovv TtenTTjcoTes upov TrpoaKvvevPTi pe becnroTav Koi piyav IBatriXTJa (paviovri. 10 XXVIII. Bacchylides. i. Happiness. "OX/Sioj, aire ^eo? poX- pdv re KaXcbv ewopfv aw T eVt^aXa) TV)^a a(j)pe- 6v ^lOTCiv Siayetf* ov yap Tts (TTixdovLcou 5 navra y (v8ai.paiv ecjjv. 214 BACCIIYLIDES. QvaTotcri ^fj (})vvai (fyepiarov, firjb' deXiov TrpocrtSeti/ ^eyyos* oAj3toff 8' ovbds ^poTcbv ndvTa xpoVoi/. ii. Peace. 'I'tKTft 8« TOi Svarolaiv Elpdva fxeyav nXovTOV Kol pf\iy\co(Taa>v aoiSai' avdea, 8ai8a\ea>v t enl jBcofjLwi/ deolaiv aWtadai /3ocoi/ ^avBa 0Xoyi prjpa ravvrpixoiv re prjXuiv, 5 yvpvacrlav re veois av- XSjv T€ Koi Kwpcdv peXeiv. 'Ev 8e ai^apo8iTOis ■nopira^iv alddv dpaxvdv iaroi neXoi^at' (yXfd re Xoyx^ra ^t'(^ed r' 10 dp(f)dK(n 8dpviiTai evpu>s' XaKKedv 8' ovk eVri (raXTrtyywi/ /cruTTOs* ovSe avKdrai pe\t er ear inrpax^o wS' udvpopevov 8ovelu Kapdiav J iv. Visions. rXvKfi' nuajKa epevas dfifj.iywp.eva Aiovvatoiai Bapois, dv8pd(Ti & v-^oraTdi irepTrei peplfivas' aiTi}( 6 fiev TroXewi' Kprj8epva Xvei, irda-i S' dvdpoiTTois povapxrjaeiv doKe'c 21: 10 Xpycoi 6 eAecpavTi Te pappaipovcriv olkoi, Tivpo(p6poi 8e KUT aiyXijevTa ttovtov vrjes iiyovcriv an Aiyvrrrov peyiarov 10 nXovTov' (OS TTivovTos oppaivei Keap. 2i6 PINDAR. V. Cassandra. Q Tpoiey aprjlcpikoi, Zfiis i\l/ifj.e8a)v, os anavTa tepKerai, oiiK. aiTLOs Bvarois iieyaXav a.\i(i)V' aXX iv fitao) Ke^rai KL)(e'iv TTaaiv uvBpumoicn AiKau ocriav, 5 uyvas 'Evvoftlas clkoKovBov Ka\ TTiuvTas Qefiiboi' oX/3tu)i' naides viv fvpovres (txjvoikov. XXIX. P iiida7\ i. For Thero of Agrigetttum, wimier in the chariot race. ^ Ava^icpopfxiyy^s vpvoi, rlva Beov, t'iv ijpcoa, Tiva 8' tivhpa K(\ahr)(TopfVj jJToi nlcra piv Aios' 'OXv^TriciSa 8' earaaev HpaKKfrjs UKpodtva TTokipOV. Qrjpcova be Tfrpaopias eveKa viKa(f)upov 5 y(ya)UT]Teov, owi 8ieov, luvdels doiBuls (vcPpcov (ipovpav trt irarpiav cripicnv Kopiaoi/ XotTTCo yivei. tu>v 8e Trenpayfievcov 15 €U SiKO, T€ Koi TTcipa SiKov aTTOirjTOV ov8 av Xpovos 6 TrdvTuiv naTrjp hvvairo 6epev epyav reXos' Xdda 8e TTOT/HQ) aw eiSni/xoj/i yevoiT liv. eaXcop yup ino x^tppuTav nrjpa 6vd;(r5ei' tSoicra 8 d^el Epivvvs (Tr€(ppe ol avv dWaXocpovia yepos aprfioV Xeifpdt] Se Qepcrav8pos epinevTi IloXvveiKei, ve'ois fv dfOXois iv pd^ais re noXepov Tipicpivos, ' A8pa(TTi8dv daXos dp(oy6v bopois' 45 odev (rneppaTos exovn p'i(av. irpend, tov AlvrjaLbapov eyKcopicov re peXtcov Xvpau re Tvyxavtpev. 'OXv/im'a peu yap avros yepas edeKTO, HvdojVL S' opnicXapov is d8eX(peov 'ladjxol re Koivai XdpiTfs avOea Tedplmrav dvcobeKa- bpopcov 50 uyayov' to 8e Tvxelv 7r(ipa>pevov dymvlas, napaXvti 8v!T(Ppovuv. 6 pav irXovTOS dperals 8e8ai.8aXpfVos (ptpei rav re Kcti rav 53-S3. How docs such wealth with virtue joined give great deeds to do and with hunger to achieve them stir the soul ! a beacon-star of destiny to him who has learned the dooms of the just and unjust. For to the unjust dead there is penance appointed in return to earth : for the unjust in this PINDAR. 219 Kaipou, fia6flav vne^^av fiipijivav dyporepav, CKTrffp api(rj\o9. in'jTvpov 55 a.v8p\ (jieyyos' (i ye piv €\u>v rts, oi8ev to peXKov, on Bavovruiv piv fv6u8' aiiTis aTruXapvot (ppevfs noivas fTicrav, to. 8 iv robe Aibs apx^ dXirpa Kara yas St/ca^et tis e'x^P? \6yov (ppdcrais dvayKq, 60 'i(Tov fie vvKTfi/, oLTives f'xaipov evopKiais, dbaKpvv vepovrai . alccva' Toi h dtrpocropaTov okx^ovti ttovov. oaroi S eroXpaaav ecrrpts fKOTepwdi ptlvavres otto ndpnav dbiKCDV ^x^i-v ^vxav, ireikav Aios 686u napd Kpovov rvpmv' ei'uci poKapoiv 70 vdaov uKeaviBes avpai TvepiTTveoicriv' avdepa be xP'^f^ov (})\eyei, Til pev ;^f/3(7(j^e!/ ott' dyXaOtv bevbpeav, vbap b aWa cjifp^ei, oppoiai Ta>v X^P^^ dvaTrkeKovri Koi (TTf(pdvois ^ovXais iv opOdicn 'Pabapdv6vos, 75 life there is a doom below ; but for the just is rest beside the honoured of the gods : and when for three lives on earth and three ages below they have endured steadfastly, resisting injustice to the end, for them Zeus' own path opens to the tower of Cronos and the islands of the blessed, whose im- 2 20 PINDAR. ou iraTTjp e^et Kpovos eroifiov avra irdpebpov, TTocris 6 ndpTcov 'Peas vne pTUTOv exoiaas Gpovov. IlrfKivs T€ Koi KdSfios iv rcnaiu aXeyoirrai' 'A;^tXXea t evetK, (irel Zrjvos rjTOp XiTols fTTeicre, paTTjp' 8o OS "E/CTop' e'ff^aXe, Tpoias Sfiaxov d(TTpa^T] Kiova, Kvkvov re davdra nopev, '\ovs re TralS" AWiona. noXXd fiot in ajKavos wKia l3eXr} ev8ov eVri (paperpas ^(ovdfvra crvvfToicnv' is Se to ttciv epfirjveiov 85 XdTiCft- (TO(pbs 6 TToKka eiScos ^va' pudovres 8e Xd^pOL nayyXoiCTaia, KopaKis &s, aKpavra yapverov Aios TTpos opvixa Bfiov. (Tifx^ ^^^ o-KOTToi To^ov, tiye dvpe, riva ^aXXopfv €K pa\6aKus uvre (ppepos (viikfas oiarovs Uvres ', fni. TOt, 90 ' AKpdyavTi ravvaais' avSdaopai ivopKiuv \6yov u\a6ii voca, mortal crowns shall replace the olive Thcro wins to-day : for there dwells Cadmus, the founder of his line, and thither go the pious and the bold to be counted with holy Peleus and the hero Achilles. 83-92. Enough : my song shall stay its pinions : not, O envious tribe of daws, that the eagle can soar no longer ; for see, once more I praise Thero, flower of a hundred years, liberal as beseems a king: but that envy waits on praise. Enough of the number of the sea-sands that they are count- less : enough that There's good deeds are as the sands of the sea. PINDAR. 221 rfKfti/ \x.r] Tiv fxarov ye erecov iroKiv ^iXots uv8pa fiaXXov evepyerav Trpaniatv d(f)dnve(TTep6v re X^P" Qr]pa)Vof. «XX' alvov e^a Kopos 95 ov Si'm crvvavTuptvos, aWa papywv vtt' dv8puv, TO XaXay^crai. 6e\\f^ev evwTTtSof 15 (TeKavai iparov (fxlo^. aeiSero 6e ttciu Tepe vos TepTrvdlcn daXlats TOP eyKapiov dp Kiivov alvjjani p.(voiva)v eXnopai fiT] ^aXKondpaov uKovff coaeiT dyavos l^aXelv e^ai •naXdp.a fiaKpd Se pirj/ais dpevaaaff dvriovs. 45 fl yap 6 Tzds ^(^povos oXfiov ptv ovtco kuI KTfdvav Btxnv (vOvvoi, KapuTcov 8' iniXacriv 7rapd(rx_oi. noble and strong, and the minds of the great gods themselves. PINDAR. 225 r] Kev nixvd(Tfi(v, olais iv iroKifiOKTi fxd)(ais rKafiovi '^vxa napeixeiv, "'''x' fvpiaKovTO 6(U)v naXafiais Tifj.au, olav ovTis EWdvav Sptnei, ttXovtov (TTf(f)dv(Ofi dy(pw)(ov, vvv ye pav rav 'ifCKoKTr^rao b'lKav i(pinu)V !^o f(TTpaTfv6r]' avi> 8' dvayKaia (^'Ckov Kal Tis i(ov fieyaXdvoip ecravev, (f)avTl Se AapvoSev eX/cft T(ip6p.epov perapfifiovras e\df7v 7]pa>as dvTtdeovs UolavTOs vlov To^oraV OS Upidpoio TToXiv irepaev, reXevT-acreV re novovs Aavaois, aaOevei. piv XP^''''- jSruVcoi/, dXXa poipiSiov rju. :;;; ovTO) 8' 'lepcovi neXoi opdcoTrjp Bibs TOP irpocnpTTOvTa xpdvov, uiv eparai, Kaiphv diSovs. Moiaa, Koi nap Aeivopevei KeXaS^crat TTiBeo p.01 TTOLvav TtBp'nvTvmv. x^PH-^ ^' ovk dWoTpiov vtKa- (popia TTurepos. ay fTTfir Airvas ^aatXel (fiiXiov e^evpcopfv vp.vov' 60 Tw TToXtv Kftvav OiobpuToa (Tvv iXev6(pla YXXi'oo? arddpas 'itpcov iv vdpois (KTiaa' i6iXovTi 8i IIop(j)vXov Ka\ pdu 'HpnKXfiddv tKyovoi oxOais V7TO Tavyerov vuiovres aleX pevav Ti6p.(naiv iv AlyipLiov Acoplois. eaxov 8' 'ApvKXas oX^ioi. 6^ Tliv866(v opvvpeioi, X(VK07ru>Xcov Tvp8api8av j3a6i8o^oi yti- roves, hv KXios livdr]TT(0V. crvv TOi Tiv K€P ayr)Tr]p avqp, via r (TTiTtWopieuos, tajiov ytpaipcov Tpdrroi crvpcfxovov ecj)' a(TV)(lav. 70 Xiaao/xai vevcrov, Kpoviav, dp,epov o(f)pa Kar oikou 6 ^olvi^ 6 Tvpcravaiv t dXakaros fX!J> vavoKTTovov v^piv Ihoiv Tciv npo Kvpas' oia '2vpnK0iTiaiv up)(a BafiaaOevres iradiiv, diKVTTopav aTTO vaihv o? a(f)i.v iv ttuvto) ^liXeff oKiKiau, 'EXXdS i^eKKiiV finpflas bovKias. dpeop.ui 'j^ Trap p.ev 2aXap.'ivos 'Adavalcov x^'P'" picrdov^ fv 'S.ndprq 6' epeo) npo Kidaipapos p.dxav, raicri Mj;Seioi Kdp.ov dyKvkoTo^oi, Trapa 8e rav evvhpov aKrav 'ipepa TTaibeticriv vpvov Aeii/o- pevtvs TeXeaais, rov ebi^nvT dpcf)' dpera, no\(p.io>v avhpCav KapovTcov. 80 Kaipbv el (j)6ey^aio, ttoWcHiv Trdpara crvvTuvvcrais iv ^pa)(f7, peicov enerai pap.os dvdpa)TT(ov. dno yap Kupos d/x,3Xi/i/et ulavijs Ta)(eias ekniBas' d(TT(av 8' (ZKoa Kpv(f)t.ou dvpLop liapvvd, /xdXicrr' iaXoiaiv eV aXXoTpiots, dXX* opus, KpeaaciV yap oiKTippov (pdovos, 85 p-q TvapUi KoXd. vi>pa BiKaia TTTjbaXno arparov' dil^euSei 8e TTpos uKpovi ;(dXKeve yXuiaaav. sach as the monster .whom you see vomiting flames above PINDAR. 227 €1 Tt KCLi (f)Kavpov irapaiduacrei, ntya rot. (peperai Trap aiOev. irokXav Tap-'uis earcn' ttoWoi fidprvpei dp-Cpo- TtpoLs TnaroL evavBii 8' iv opya nappevuiv, e'lTTep Ti (pike'is aKoav ddelav aul kKveiv, p.rj Kajive Xiuv 8aij-dvaL<:' 90 e^iei. S' dcnrep Kvfitpvdras dpfjp ItTTLOv dvtpoeu. pi] 8oXa)6j]i, a> (plXos, flrpairiXois KepBecrcr ' oniQopL^poTov uv)(r]pa 86^as oiov aTroi)(op.euuiv uvbpwv Siairav pawn, Kai Xoyi'oiff Koi dotSoif. ov (pOtvei Kpoiaov (}ii\uv a^poTaros em pieydXas 6^ iXni8os neTarat. you from his prison in Aetna near this new city of Hiero. Therefore let Hiero, the noble and the strong, unlike him, learn from music to order the pride of his power. Q2 228 PINDAR. vnoTTTfpois avopeais, ixcov Kpiaaova ttKqvtov fifpifj-vav. iv S" oXlyco ^poroiv j; TO TfpTTVov uv^(TM' ovTO) 8e KOI iviTVf'i )(afiai, dnorponoi yvutpa crecreicrpivov. fTTlipepOL' Tl Sf TIS ' Tl 8' OV TIS ', (TKIUS ovap nvOpuTTDS. aW orav a'lyka di6(T8oTos eXSp, ^apnpov (jieyyos enfCTTiv avSpuv Koi pfi\i)(os alwv. lo [Pyth. VIII. 88-97.] vi. Apollo attd Cyrene. 'O 8e Tov evaikevov dpfyj/aro nalda Kvpavav' d p,iv ov6 Icttcov TTa\ip^ap,ovs €(j)i\acrev 68ovs, ovT€ he'iTTvav oiKopiav /xe^' eraipav rfp^l^ia^, dXK' uKovTeaaiv re ;^aXK€oir (f)a(Tydvco Tf p.apvapeva Kepui^fu dyplovs 5 Bripas, T] TToWdv re Koi uav)(iov (^ov(t\v flpdvav TTapi)(oi(Ta naTpcoan, ruv St avyitoiTOV y\vTai (f)pev{s' Tis viv av6pa)Tva>v TeKev ; TTolas S' imocmau'de'iaa <^ijrX«f opea>v KevOpo^vas e;^et (TKioevrav, yeverai 8' d\Kas dirfipdvTov ', 6(Tia kXvtov x^P°- o' ivpotrfveyKfiv, 20 rj pa Kai €K Xe;^€coi' Ke'ipai pe\ir]8eu noiav ; rov be KevTavpos C^ipevrji, dyava ;^Xap6:/ yeXdaaais 6(f)pvt, pt]Tiv edv fv6vs apei^ero' KpvTTTai KXai8(s: euTi ao(f)ds Hfidovs iepdv (piXordrav^ ^o7^€, Ken €U re deo'is tovto Kavdpwrvois Ojuoi? aioe'ovT , dpcpavbov cibeins rv^^eiv ronpcciTov evvds. 21: Kai yap ere, top ov depiTou yj/evbei diyelu, erpmre pei\i)^os opya napcpdpev tovtov \6yov. Kovpas S", oTTodev, •yei/etii' e^epcoras, w ciua ; Kvpiov bs navTotv reXos olvda Koi Tratra? Ke\ev6ovs' ocraa re ^^iuv rjpiva (f)vXX' dvairepiivei, x.^7r6a-at 30 eV daXdaara koi Tiorapols yj/dpudoi Kvpaaiv pLTTois r dvepccv icKoveovTai, )(^uTi peXXei, ^(a- TTcWev earaeTai, ev Kadopas. ei 8e xpr] koi nap' (ro(f)ov dvTKpepi^ai, epeu)' TavTOL ttuctis iKeo (3da-aav jz rdvdi, KOI ^e'AXfij vnep ttovtov Aios e^o^ov 7707-1 KatTov eveiKai' ev6a viv dpxeTTokw Brjaeis, eVl Xaov dyeipais z:-,o PINDAR. va(na>Tav o)(6ov is afxcfiinftov' vvv d fvpvXeificov iroTvid (Toi At/3i'« be^fTai evKkta vvfjL(pav Stofxacnv ev )(pvfT€ois 7Tp6(f)podV' Iva ol )(6ov6s alaav 40 avTiKa o-vvTeKfdfLV evvojiov 8a>pr] fi (re TOVTcov fioip e(j)iKoiTO KoXiov, Qvara dvarolai Trpinei. 5 llsth.V. 12-16.] ix. A song in honour of Dionysus. "IhiT iv )(op6v, 'OXvpnioc, eVt re kXvtqv wepTrere X^P'-^i 6(o\, TToXi/jSaTOV 0I T aareos opfPaXov drofvra (V Tois lepals 'Addvan ol^Vf^Te 7ravBai8a\6v r fVKke aynpav. 5 loSeTCOV Xd^€T€ (TTfCfidvodV Tap eapLdpeTTTcov Xoi^au, AioOev re pa crvv dyXaa (Sere nopevBeuT doi8d. devrepov eVi KiacroSeTav 0e6v, Tov Bpopiov Epi^oav re ^porol KaXfopev. 10 yovov {iTrarcov piv Ttarepajv pfXirepsv yvvaiKOiv t( Kadpeidv epoXov. ev 'Apyei'a Ne^e'a pavrtv ov Xavddvet (boiviKos tpvos, OTTOT olxBevTos 'Q.pdv OaXdpov evoBpov enataxnv eap (j>VTa vtKTapfa. i 5 Tore ^dXXerai, -'32 PINDAR. t6t en ufi^porav ^^paov iparai i(av cf>6,3ai, p68a re Kofiaiai piyvvrai, a)(f1 T 6jjive(r(Ti TrpodcrTcov avrav Koi Xt/Sat/o) (TKiapov Ka\ xpvfreois Kapno'is ^€J3pi66s. Km TOL pev iTTTToiv yvfivacrlois re, toI 5e necrcrois, Tot 6e (})opplyyea(Ti repnovTai, Trapa be a-cfiKnv evavdfjs anas reBaXeu oX/3o?' t obpa 8 iparov Kara ^wpov Kibvarai ai€i 6va piyvvuTav trvpX TrjXfC^avel Travrola Biav eVi I3copo7s. — * * * ev6ev Tov aireipov epevyoirrai ctkotov ^Xrjxpol 8vo(Pfpas vvktos TvorapoL (2.) Life in death. 0\^ia 8 dnavTfs atcra \v(riTrovov rfXfurai/. Kai acopa pev Travrmv inerai Oavdroi nepiadevfl, ^a>6v 8 €Ti XeiTrerai alcovos etScaXoc' to yap ecm povov iK 6fcoV (v8ei 8e TvpaaadvTuiv peXecov, drup ivbovTeaaiv ev TToXXoTy ovelpois 8eiKVv(Ti Tfpin'mv effitpiroiaav )(aXen(hv re Kpiuiu. = 234 E VENUS. (3-) The souls of the Purified. Oim fie v inaKOvaar , ovpaviai )(66vial re ba'iixovei o) iravhdjxavToi' TTe/XTTcre S (ififiiv poSoKoXTrov 5 'E.vvojj.iav \mapo6p6- vo\)<: T d8(\(pas, AUav Koi (TT€(f)avT](p6pov "Elpavav' TToXiv re rdvde ^apvcppouau \eXu6oiT€ (JvvTV)^ia.v. 10 ii. (7mty. Ov xP^f^os dyXaoi anaviaiTaTOs iv 6va- rav dvaeXniaro) ^im, ov8 aSupai, ovS' dpyvpov kX'ivcu ivpos avOpoo- nov 8oKipa^6[Jifv dcrTpdnTei irpos o'^eis, ovde yaias evpvrreSov yovipoi lipL- 5 6ovTfs avrdpKfis yvai, ws dyado)v dpSpwf 6po(^pdhp.u>v votjctis. :36 ARIPHRON. iii. Fellowship . "Evv fjLOi TTive, (TVvrjlSa, crvvepa, crvaTf(Pavrj(f)6p(i, (f>povr]aco crco^poi/i. XXXII. A r iphro n. Health. 'YyUia, TTpfa^ia-ra paKapav, pLera. aev vaioipi to XnTTopevov floras, ari) Be pni 7rpo(})p(ov arvvoiKos fit]i' fl yap Ti? fj ttXovtov X"P'f *1 Tfneav ^ rds Icrobalpovos avBpay- 5 TTOiy ^a(Ti\r]i8os apx^s, T] TTodoav ovs eV Kpv(f>i(Hi 'A^poStrnj fpKf(Tiv drjpevopfv, T) ei ri9 (iKKa dtoOtv dvdpwnnLat rtpyp-i^ rj novoiv afj.nvoa nfffiavTai, 10 pLfTa CTfio, puKciip 'Yyifia, redaXf Koi Xa/iTret XapiTOiv eapi, TpuiXias re yepas /Se/Saioi'. III. DRAMATIC POETS. OfiOLovs TToiovvTes, KoKXiovi ypcicj}ov(nv. Aristotle, Poet. 15. III. DRAMATIC POETS. Even after Homer, and Archilochus, and Pindar, there was something wanting to poetical maturity in Greece. The poetry of vivid but unreflecting narrative and the poetry of individual passion had been perfected, but it still remained to add to events and sentiment the substance of ideas produced by analysis of life and its motives, and to recombine the whole into dramatic action, framed to exhibit in a subtle form * philosophy teaching by example.' The elements of that drama which supplied the want can be readily traced. Homeric legend provided an inexhaustible variety of elevated personages and tragic events. The iambists and lyrists had brought language and metre into a shape well adapted for simple yet poetical expression of common subjects. A mimetic element had been long growing up in the dithyrambic and phallic festivities of Dorian Greece, and perhaps still more in the recitations of those Homeric rhapsodists, who, as appears from the Ion of Plato, must have been in a manner actors as well as reciters, embodying in their own persons the characters whose deeds they recounted. Lastly, before the time of Aeschylus Ionian philosophy had arisen in Greece with its free, subtle and profound speculations on nature, on causes and on thought. But the stages of advance in the combination of these elements into a harmonious form of composition are very obscure. Aristotle tells us merely that tragedy originated with the sallies of the leaders of dithyrambs, and comedy with those of the phallic dancers ; that Aeschylus added a second personage or R 242 DRAMATIC POETS. actor, and subordinated the choric to the iambic or conversa- tional part ; and that Sophocles introduced a third actor and painted scenery. But whatever was the order of the improve- ments, all of them were made by Athenian poets. The period of the glory of the drama extends from about 480 to about 300 B. c. ; for the first sixty of which years tragedy held the first place, for the rest comedy. In both, Athens which had hardly appeared in the first two periods, stood not merely first, but alone. Throughout the tragic period new plays were perpetually exhibited at Athens from year to year in unceasing succession and ever new variety. At every exhibition each contending poet brought into the field at least three new tragedies, followed by a satyric play (the link between the dithyrambs of the preceding and the comedies of the following age) : and the same poets contended generally every other, sometimes every, year. Aeschylus is said to have produced seventy tragedies, besides satyric after- pieces, Sophocles and Euripides a hundred and thirteen and ninety-two plays, respectively ; and there were many other poets, in some cases equally or even more fertile, and who, though agreed to have been on the whole inferior to the three, were not seldom victorious over them on particular occasions. Of all these there remain to us only seven plays of Aeschylus, seven of Sophocles, and nineteen of Euripides : but of this number several are acknowledged master-pieces, and collectively they enable us to trace the course of the successive changes of spirit and form in which tragedy reflected the changes of philosophy and society. ' Though the subjects (says Mr. Grote ^), persons, and events of tragedy always continued to be borrowed from the legendary world, and were thus kept above the level of con- temporaneous life — yet the dramatic manner of handling them is sensibly modified, even in Sophokles as compared with Aeschylus — and still more in Euripides, by the atmosphere of democracy, political and judicial contention, and philosophy, encompassing and acting on the poet. ' History of Greece, vii. p. 441. DRAMATIC POETS. 243 'In Aeschylus, the ideality belongs to the handling not less than to the subjects : the passions apj^ealed to are the masculine and violent, to the exclusion of Aphrodite and her inspirations : the figures are vast and majestic, but exhibited only in half-light and in shadowy outline : the speech is replete with bold metaphor and abrupt transition, — " grandiloquent even to a fault " (as Quin- tilian remarks), and often approaching nearer to Oriental vague- ness than to Grecian perspicuity. In Sophokles there is evidently a closer approach to reality and common life : the range of emotions is more varied, the figures are more distinctly seen, and the action more fully and conspicuously worked out. Not only we have a more elaborate dramatic structure, but a more expanded dialogue, and a comparative simplicity of speech like that of living Greeks : and we find too a certain admixture of rhetorical declamation, amidst the greatest poetical beauty which the Grecian drama ever attained. But when we advance to Euripides, this rhetorical element becomes still more pro- minent and developed. The ultra-natural sublimity of the legendary characters disappears : love and compassion are in- voked to a degree which Aeschylus would have deemed incon- sistent with the dignity of the heroic person : moreover, there are appeals to the reason, and argumentative controversies, which that grandiloquent poet would have despised as petty and forensic cavils. And — what was worse still, judging from the Aeschylean point of view — there was a certain novelty of speculation, an intimation of doubt on reigning opinions, and an air of scientific refinement, often spoiling the poetical effect.' After Euripides there is no doubt that tragedy declined, lophon the son of Sophocles was alone regarded by Aristophanes as a possible successor to the tragic throne, and the Frogs represents the descent of Dionysus to Hades in quest of his lost Euripides, whose place there was none left on earth to supply, Comedy, Aristotle says, is even more obscure in its origin than tragedy. It was long of l^ss account, and could not claim that public patronage which enabled the tragic poets to command R 2 244 DRAMATIC POETS. every requisite accompaniment of music and dancing and scenery at the cost of the wealthiest citizens, rivals in the splendour of those appointments which in a wealthy but republican city were the chief opportunities for public display of riches and magnificence. At first, adhering closely to the traditions of its origin, it seems to have been a mere apotheosis of slander, and of the poets of this stage not enough remains to show whether their scurrility was set off by poetical merit. In Aristophanes, the Archilochus of the drama, it appears perfected in form : it has already lost much of its coarseness : and (if Aristophanes speaks truly of his predecessors) it has gained proportionately in wit. After him, it gradually became less and less bold, and losing at once much of its poetry with tlie loss of the chorus, and much of its freedom and range with the substitution of conventional for real characters, declined into the more prosaic comedy of manners. Yet for a time the decline was merely comparative. The question of the Alexandrian Aristophanes, 'O Menander, O life, of you two which was the plagiarist ? ' seems to be justified by the few fragments which remain, and by what is preserved in the ad- aptations of Plautus and Terence. The fragments of Alexis are even more remarkable than those of Menander, and in both humour is mingled with an elevation of thought which is perhaps less apparent in Aristophanes. Throughout the great age of tragedy the poets were more than ever the instructors of Greece. It was not only that in conjunction with the Sophists and the dicasteries they both filtered and enriched the language for the use of Plato and Aristotle, but they were a perpetual education in taste, and the medium through which the spirit and some of the results of the newly bom political and ethical philosophy were adapted to the com- prehension and diffused over the mass of the people. This was much less the case with comedy. Already in the time of Aristophanes the function of instructors had been transferred partly to the historians and orators, partly to the philosophers; and philosophy and oratory thencefoward attracted all the most powerful minds, and imparted to prose the art and poetical feel- DRAMATIC POETS. 245 ing which had formerly found no exercise or expression but in verse. There are two principal differences between our drama and that of Greece. Firstly, notwithstanding its name, Greek dramatic poetry had little to do with represented action. From the time of its origin in the monologue of the leader of a dithyrambic chorus, who expressed by his gestures the passion of the god. arising out of the adventures recited, but not the adventures themselves, it continued to address itself not to the represen- tation of actions, which it sometimes recites, sometimes merely presumes, but to the presentation of a passion or effect of the events or actions on character, especially on the character of the one person who is the protagonist of the play, and permitted itself no more of action and incident than sufficed to introduce the expression of that mental movement. The rule of Horace that Medea must not kill her children or Atreus dress human flesh or Procne or Cadmus undergo transformation on the stage, is only a particular instance of a much more general principle of Greek dramatic art. Secondly, action was the less necessary because the interest of the play was not that of the evolution of a new plot, but that of the good treatment of an old one. There are very few excep- tions to the rule that the subjects (in the case of tragedy) were familiar legends taken from the well-known heroic past, and those exceptions were regarded as singular by the Greeks themselves. Two plays of Phrynichus, the Taking of Miletus and the Phoenissae, and the Persians of Aeschylus, are the only known instances in the older tragedy. Early in the fourth century B.C., Agathon produced a piece called the ' Flower,' the plot and the characters of which were of his own invention, and which was thought remarkable on this account even by Aristotle, writing near the close of the fourth century B.C. It seems as if the Greeks preferred subjects already familiar, and cast by long tradition into an artistic form. They allowed and liked such variations as those which the same legend shows in the different treatment of Aeschylus, Sophocles, and Euripides ; but they must 246 DRAMATIC POETS. be no more than variations on the old and familiar air and not new and strange inventions. With such traditional plots and characters but little represen- tation of action was necessary for the effect at which the Greek tragedians aimed, and that little was made as formal as possible. There were numerous conventionalities and technical rules which were perfectly understood by the bulk of the spectators, and which at once led their minds to understand or even anticipate the poet's meaning and purpose. Not only they knew the sources from which he had taken his plot, and the names and bases of his characters ', and had by heart the national epics and popular lyrics, reminiscences and even adroitly-inserted quo- tations from which were to them a great part of the pleasure of the new play : but they were able to recognise from the fixed masks of the characters the emotion which was to be dominant in them during the scene ; and they were further helped to rise to the ideal elevation proper to the subject and the thought by the set emphasis, the utterance made sonorous by mechanical means, the long brilliant Bacchic robes, raised stature and tragic step of the actors. If a player came on at this place and time they knew that he was the leading character, and whence he had * Cp. Antiphanes, Poesis, Fragm. 191 Kock. Ma/ira/)ioi' lariv rj rpayaiSia TToirj^a Kani ttclvt', e? ye irpwrov oi Xoyoi iinu rwv Oearuiv dfflv (yvoupifTfXfvoi irplv Kai 7tv' fineiv dis virofxv^aai fxovov Sfi Tijv noirjTTjV OlSinow yap av fiuvov <}>u), rdWa ttuvt' 'iaaaiv v varrip Aaioy, firjTTjp 'loKaoTTj, Ovyarepfi, TraiSey Tti'es, Tt TKiatO^ ovTos, Tt vfnoirjKiv . av ndKiv ftTTT] Tiy ^AXK/xaicuva, Kal rci iraiSia iravr (iidvs ftprjx', oTt fxavfh aniKTOVtv rrjv fxrjTfp', (lyavaKTwv 5' ""AHpaaTOi fu^eous f/fei ndXiv t d-nftai, ic.r.X. \Vith this Antiphanes contrasts the hard fate of the comic poets whohave to make their own names, antecedents, plots, catastrophes and situations. DRAMATIC POETS. 247 come; if at another, they were informed accordingly. If a messenger came in from one side, an external element was to be added to the action ; if on the other, the announcement was to be of some passed crisis in the fortunes or of some effect already produced on the mind of the character whose sufferings were in progress : and at each pause the chorus came forward to explain to them the sentiment of the passed scene and to prepare them for the next, marking the successive stages by which the final climax of passion was being attained. A eschy lus. 1. Salamis. 'Ettci 8e (jieyyoi T]\iov KaTe(fjdiTO Koi vv^ fTTjjei, TTas dinjp Kanrjs uva^ (S vavv i)(a)pfi jras ff onXaiv eTrttrTarr;?' rails 8e ra^iv irapiKoKei veas fioKpas' irXeovai S' cos eKaaros rjv Tfraypevos, 5 Koi wavvuxot Sjj bidirKoov KaBldracruv vacbv auanTfS Travra vavriKov \eu>v. Ka\ i/i'l ex'^P^^t '^°^ M'*^' 'EXXrjvcau arparos Kpv(f)a'iov eKTrXovv oidnprj KadlcrraTo' iird ye p-evroi XevKOTrcoXoy rjpepa 10 Trdcrav Karetrx^ yaiav ev(^(yyr]s tSetc, TTpaiTOV pev Tjxfj KeXabos 'EWi']vcov napa poXTTTjdov rjv:pr]prj(Tfv, opdiov S apa dcT7;XdXa|e vrjariaTiSos irerpas Tixoi' (jiof^os Se nuai fiapfidpois TvaprjV 15 yvcoprjs uTT(i(T(l)a\(1v ^oXov dyatcri KcoTrav dpavaiiaaiv r epdnicov 250 AESCHYLUS. fTTaiov, eppd)(t^nv, olixmyrj 8' oyiOv k^q KcoKVfiaaiv Kare'i^,^ TreXayiav a\a, €U)S KeXaivrjs vvktos cI/x/x' n(^6tXfro. KaK(ov 0€ nKjjoos, ovo av ei OfK rffiara OTOi^tjyopoirju, oi/K av f KiTkTjcrcniJ.L aoi. ev yap too itrai, p.r}oap. T]p.€pa pia c^c irKrjOos ToaovTapidpQV uvdpancov Bavflv. [Persians, 377-432.] ii. The shade of Darius charges Atossa to warn Xerxes that his pride is his rttin. Darius. AXX ovh 6 peivas vvv iv 'EXXaSoy Tonois orpaTos Kvp^aei voaripov cruiTrjpias. Chorus. TTw? eiVny ; ov yap nav (TTpdrevpa jSapjSdpcov TTfpa TOP "EXXr;? TTopdpbv 'E.vpu>Trr)s cino ' Darius. Travpol ye ttoXXwi', el ti TTiaTfvaai 6fa>v 5 Xpr] 6f(T(f)dT0i(nv, is TO vvv imrpaypiva (BXtyj/avTa' avp^aivei yap ov to. pev, to S' ov. Kf'nrep Td8 eaT), ttXtjOos eKKpirov CTTparov Xfinei Kivaio'iv fXniaiv TTcneicrpivos. pipvovai 8' tvda irfhiov 'Aaanos pools 10 apBei, (f)iXov TTiacrpa BoiaiTaiv )(6ov'i.' ov as' jc ^copol S aicTTOt., daipdvuv ff 'i8pvpaTa npoppi^a (pvpdrjv f^avtcTTpanTai ^dSpav, AESCHYLUS. 251 Toiyap KaKas Bpciaavres ovk eXaTcrova 77dcr)(ovcn, ra fie /xeAXoucrt, Kov8eno) kokuv KpTjnls vweaTtv, aXX' er eKTriduerai. 20 Toaos yap earai TreXavos aip-arocrTayrfs irpos yfj UXaraiav Aco/Jt'Soj Xoy^rjs vtto' dives veKpajv fie Koi rpiToanopco yovrj a^wj/a arjpavoxicnv op-fxaaiv ^poTMu as ov)( inep(f>(v 6vt}tov ovra xpr] (fipove'tu, 25 v^pis yap f^avdova eKapnaxre ara^vv ivrrjSj odev nayKXavTOV e^apa 6tpos, TOiavB opoivres rcofSe TaTrirlpia, pepvTjad' 'Adrjva)v 'EXXdfios re, prjbe ns iinepcPpovrjcras tov Trapovra 8aip.ova 30 aXXcop epacrOeis oXfiov fK^erj fityav. Zevs TOi KoXacrrfis rayv xnrepKOTVutv ayav (ppoirqpdrcov eneariv^ evdvvos fSapvs. irpos ravT luiivov (rcocppovelv Ke)(pr]pevov TTivvcKer fiXoyoLCTL vovdeTrjpaai, 35 Xrj^ai deo^XajBovvd' vnepKonoi 6paU€L. (TV b\ 0) yepaia prjrep fj Sep^ov (p'^li eXdovcT es o'ikovs Kocrpov oaris evTrpejTTjs Xa^ovir' vTzavTia^e Traihi. Trarrl yap KaKuiv V7T aXyovs XaKibes ap(j)\ acopaTi 40 aTrjpoppayoiicri TTOiKiXatv fcrdrjpdTcov. dXX' avTov tv(pp6va)s crv TTpdvvov Xoyois' pdvTjs yap, oi'Sa, (roil kXv(ov dve^frai. eyo) d' lirreipi yfjs vtto ^6(^ov kuto). [Persians, 796-839.] 253 AESCHYLUS. iii, Amphiaraus. "Ektov "Keyoifi av av8pa aacPpoveoTarov oKktjv t (ipKTTOV fidvTiv, Ap.(pidpei(nv 8e irpos TrvXnis rerayntvos KUKoio-i ^d^ft TToXXa TuSeoJS ^iav, TOP dv8po(p6vTr]v, Tov TToXeo)? rapaKTopa, 5 p.fyicrTOV "Apyti twv kqkcov 8i8d(JKakov, 'Kpivvos KXrjTi^pa, TrpocrnoKov (povov, KOKOIV r 'A8pd(TT0) Tcov8e ^ovhfVTTjpiov' (cai TOV crov avdis Trpoafiopov dSeXt^eor, i^vjTTid^atv ovop.a, YloKvve'iKOvs ^lau, 10 Si'f T fv TeXevTTj Toijvop. ivhaTOVfievos, Kokfl.. Xf'yfi Se TovT enos 8ia aTOfia' " ^ Toiov i'pynv kol Bfoicrt 7rpoa(piKes KoXov t' uKOvcrai kol \4yeiv ptdvartpois, ttoKlv TTarpwav Koi deovi rovs eyyej/el? i :; TTOpdflv, (TTpdrfvp.' inaKTOv ip^e^'KrjKoTa. (irjTpus re TTJjyiji' Tis Karaa^ecrei SiKJ] ; TTOTpis T€ yaia arjs vno anovd^^ Sopl a\oi(ra ttuis croi ^vp.p.a)(os yevrja-erai ; eyorye flip 817 Tij«/Se niava) )(66ua, 20 fiavTis K(Kfv6(0i TToKfpias vtto ■)(6ov6s. fiaxuip.(ff , OVK aTifiov (Xttl^co fiopov, Toiaiiff 6 pdvTis dcrniS' (vkvkXou vifioiv Trdy)((iXKov Tjv5a' arjpa S ovk eTrrjv kvkXo). oil yap doKeiv apKTTOs, dXX' aval BeXd, 25 ^oBilav aXoKU 8ia (fipfvos KapTTovfifvos, AESCHYLUS. 253 €^ 7;s TO KeBva ^XacrTavei ^ovXevfiara. Toi/ro) (jocf)ovs Tf Kayadovs avTTjperas jTffnreiu irraivu). Seivos os Seovs crf^ei. Eteocles. (pev tov ^vvaWdcraovTos opvidos ^porois 30 SiKaiov avhpa roiai Svcrae^ecrrepois. (V TTavTi Tvpayei S* tcrff ofJuXias KaKTjs KaKlOV OvdiV, KapTTOS OV K0fll(TT€OS. aTT]9 (ipovpa Bavarov eKKapni^erai' T] yap ^vvea^ae ttXoiov evaf^rjs avrjp 35 vavraKTi depp.ois Koi navovpyiq rivi oXcoXtv dvBpmv crvv QeoTCTvcrTU) yevei, fj ^vv noXirais avBpdcnv diKaios U)V exdpo^fvois re Koi Beav dp.vT]pocn ravTOv Kvpri OiKkeovs Xeya, (Ta>(f)poiv 8iKaios dyados tvaf^r/s avrjp, piyas TTpiXpqTrjs, dvocr'ioL(Ti avppiyeis dpacrvcTTopoiaiP dv8pd(Tiv /3ta (ppevav 45 reivovcri Tropnrjv, ttju paKpav ttoKiv p.o\(iv, Albs diXovTO': ^vyKaQekKvcrOrjiKTai. 8oK.(Ji> p.iv ovv a(f)e pT]8€ npocr^aktlv TTvkais, ovx wf advpov ov8e Xrjparos kukt}, d\X' oiSei/ wr cr0e XPU TfKevTfja-ai pd^J], 50 fl Kapnos fcrrai dtcrcfyaToicri \o^lov. (piKel 8e aiyav fj Xeyeiv to. Kciipia. opcos 6' eV avra (para Aaadevovs ^iav ex&p6^(vov nvXcopov avrtrd^opfv, yepovra tov vovVf crdpKa 6' tj^axrav (pipei, 55 254 AESCHYLUS. ■KoBciiKfs o^fia, X^'^P'^ ^' "'^ fipabvi'trai Trap aaiTihos yv'pvcoOiv apnda-ai 86pv. 6iov Se hapov iiTTiv €VTV\elv ^poTovs, [Seven against Thebes, 568-625.] iv. T/ie will of Zeus. Lio% ipepos ovK tvdrjpaTOs irv^Qr]. TTavra toi cf)X(ye6fi Kav (TKOTW pfXaiva ^vu tv^o. fiepoTTfaai Xaols. Trlnrei S aa(pa\es ovS' eVt vara). i, Kopv(pa Atos el Kpavdf] npaypa TtXeiuv. 8avko\ yap irpaTrihav SdaKioi re Tflvovcriv Tropoi, KariSelv acppaaTOi. laTTTei o cXTTtSo)!/ 10 d(f> vylrnrvpyav TravoiXeis ^pOToiis, fiiav h ovTiv l^oTrki^ei, Tov tiTTovov haipovlutv' Tjpfvov avQ) (ppovrjpd ncos avToBev f^enpa^fu tpTras khpdvutv e rfXiov KaXco' iSfade fi oia irpos 6tu>v Trucrxoi deos. 5 bep)(6r]6 oiais alKiaKTiv 8iaKvai6[ievos tov fivpieTi] ■^povuv a&Xevau). TOiovb' 6 veos rayos naKupcov e^evp' eV epol Sea-pLov deiKrj. 10 (f)ev (f>€v, TO Tvapbv to t inepxop-ivov Ttrjp.a (TTevaxo), nrj ttotc pLo^dav )(pfj Teppara tmvS" eVtTelAat. KaiTOi Ti (j)ripi ; iravTa npov^eni(TTap.ai aKeBpcos TCI peXXovT, ov^e p.01 iroTuiviov 15 TTTjpL ov8iv Jj^et. TTju TrfTrpa)p,evrjv 8e xph aicrav (pepeiv cos pacrra, yiyvuxTKovQ otl TO TTJs dvdyKTjs ecTT ddrjpiTOV aGivos. dXX' ovTe cnydv ovTe prj criydv Tvxas olov Te fioi ratrS' ear/. Ovijto'ls yap yepa 20 TTOpwv dvdyKais Tolab' ivi^ivypai rdXas-' vapdr]K07rXi)p(i>Tov 8e Brjpaipai TTvpos TTrjyijv KkonaiaVj rj 8i8a(rKa\os TexvT]S nd(rr]s ^poro'is Tric^r^ve kol /xeyaj nopoi. TOioJj'Se TTOivcis aprrXaKrjpaTcou tivo), vnaidpiois Secr/xolcrt jraacraXevTos cov. "^ "^ */ -»/ a a, ea ea. -0 Tis d^c^, Tis 68pd TrpocTiTTTa p. acfjeyyrjs, BeocrvTos, fj /Sporeioy, fj K€KpapevT], iKeTO Teppoviov enl ndyop 30 TTOfcov ipcou decopos, tj Ti 8r] deXcov j Spare 8ecrp.ooTJ]v p.e hvcrnoTpov 6e6v, i-.<> AESCHYLUS. TOP Albs (\6p6v, Tov Trd(Ti Cfols Si aivexBelas i\66vff oTrdcroi rr]v Albs avKfiv eiaoixvfiia'iv, 35 8ia rfjv \iav ^iXorr/ra ^poruv. (f)ev <^eO, Tt TTOT av Kivadicrpa kXvoi iTt\as oi(x>va3V ] aWijp 8' eXa^paif TTTtpvyuiv pnruis vnocrvpi^ti. ■rrav p.01 ^w^epov to Trporrepnov. 40 [Prometheus Bound, 88-127,] vi. The gifts of Prometheus to man. Prometheus. y[.i] toi x^'S^y doKe'iTe prfS" avdaSla criyav p.i' crvvvola be hwrrTopai Keap, bpSiV ifiavrbv hhe npovcrfXovpevov. Ka'iToi Beo'icri rols veois tovtols yepa Tis aWos Tj 'yo) Trat/TfXco? bia>piv, 10 aXX* S)P bebtoK evvoiav e^rjyovpfvos' 01 TTpSiTa fiev ^XenovTfs (^XfTVOv fiaTrju, KXvovTes oiiK fJKOvov, dXX oveiparciv okiyKioi popcpaiai tov pnKpbv xpofov e(f>vpov eiKfj Travra, kovtc nXivdvcpels 15 b6povs Tvpoaeikovs Jjcav, ov ^vKovpyiaV KaToipv^ts S* evaiov &(tt dfjavpoi A ESC HYL US. 25; fivpfirjKfs ciPTpcov iv fivxals dvrjXlois. rjv 8 oihev avrois ovre ;^eiyLiaToy reKfiap ovT dvdenoiSovs rjpos ovre Kapnipov 20 Bepovs ^e(3aiou, aXX' arep yvap-qs to ndv enpaarcrov, i's re br) aarpav tbei^a rdi re Bva-Kpirovs Suo-ety. Kai prjv apiOpov e^o^ov croCJiicrpdTav e^fvpov avTOLs, ypapparav re avvUetTfis. 25 pvTjprjv ff dndvTcov povcroprjrop' ipydriv. Kci^ev^a TrpwTOs ev ^vyolac KViliBaXa ^evyXaicTt SovXevovra' a-uypaviv B" oncos 6i>r}T0is peyipa Kparos dvTinakov Zevs, prjo eXivva-aipi 6(ovs 6(rtais Bolvais TTonPia-a-opeva ^ovcpofois, nap' '^Keavov Trarpos aa-^earov nopov, prjb dXiToipi Xoyois' c S 258 AESCHYLUS. SKKa fioi ToS' fftfjiivoi KQi fj.r]TTOT tKTaKeir}. T]tv TL 6apavais evfiov aKMvovaav fv ei(ppo(7vvais. (^pi(i(TU> Be ae htpKO- p.€va pvpLois p.6xdoLs bioKvmopivov =^ '^ • , Z^i/a yap ov rpopecov avTovco yvuiprj aejBet dvarovi ayav, npopr]dev. 4)ip orras axapis x^P^^, ^ ^'^°^' '*'^^' ""^^ '"'* °^''" ' ^ ■'' Ti's eipapepiav apT]^ii ; ovb" iUpx&rjs okiyohpavlav ukikvv, laoveipop, a to cjioTMP ukabv yeVos iy,TT€Tiohi6r]aeTai, 5 rjv eKniTvuv rjparo drjvaioiv 6p6vu)V. T0iS)v8s fi6)(dav fKTpoTrf]P ovdels dfav dvvaiT av avTci Trkrjv ffiov Sfl^ai (Ta(f)a>s. cyo) TaS oi8a ;^(u rpoTTo). jrpos tuvto. vvv 6ap(TU)v Kadrjadco tols ne^apaiois ktvttois 10 iTiOTos, Ttvi'icracov t iv x^polv "nvpTTVovv jSeXos. ovdev yap avTM tovt' enapKeaei to pr) 011 TTfaelv aripois TrTcupaT ovk di/acr\€Td' Tolov irdkaKTTTjV vvv napacTKevd^fTai tV avToi avTW, 8vcrpa^u)TaTov repas' 1 5 OS 8r} Kfpavvov Kpeiartjov fvprjaet i^Xo'ya, PpovTijs 6' vnep^aXkovra Kaprepov ktvttoV Bdkadd'iav T€ yris TivaKTfipnv vocrov TpiaivaVy alxpfjv ttjv Hoafidcovos, (TKebq. iTTaiaas 8e rojSe Trpos kqkco padijaeraL :o otroi/ TO T apxeiv Ka\ to dovXeveiv 8ixa. Chorus. uki.v' Trevaei yap ov8ev SiV aviaTopels ep.e. Hermes. Toiolcrbe p-evToi Ka\ npiv avOahiap-acTLV is Tuahe iravTov nrjpovas KaBapfMicTas. Prometheus. TTjs (Ttjs \aTpe'ias ttjv ifJ-fjv 8vairpa^iav, Oo (Ta(f)S}s inicTTaa , ovk civ oKka^aip. iyco. AESCHYLUS. 261 Kpe'taaov yap oi/iai T?j8f Xarpeveiv mrpa fj TTUTpl (j)iivai, Zrjvl tticttov uyyiKov. ovTcas i/^pL^eip tovs v^pi^ovras xpeav, — Koi firjv epyo) kovk eVt fxvdco 65 ■)(6(iL)V cTfcraXeuTai' Sipv)(ia 8 ifx^ TTapajiVKarai ^povrrjs, eXiKes 8' (KKafiTTOvai a-Teponrjs ^dirvpoi, arpop^oi de koviv eiXicraovai' 70 UKipTO. K aviiioiv TTvevpara TrdvTciP els aWrjXa (rrdaiv avTinvovv aTTodfiKvvpeva' ^vvTerdpaKTai 8 aldrjp ttovtco. TOtao en epoi /aiTTTJ oioOev ye^ Tev^ova-a (f)u^ov areixei (pavepcos. S> prjTpos ep.7js ae^as, u> ij-dvrav aldijp KOLVop (f)dos €(\i(Tcr (piXou KeKXtjpevcOj TovTo vcv npocrevvenco. ovK e\(i) TrpoaeiKacrat, Tidvr eTTiaradpupevos, 5 262 AESCHYLUS. TrXrjv Albs, et to fidrau ano 0pomSoy a)(^Bos \pr] fiakeiv frrjTVficos' ov8 ofTTLS ndpoidev rjv peyas, 7ra[ind\(i> Opdcrei jipvcou, QvBev av Xe^ai rrplv cov, lo OS o (TTfiT (Cpv, rpta- KTtjpos oi)(€Tai Tvxav' Zrjva hi Tty 7rpo(j)p6vQ^s imviKia kKu^cov Tft'^erai cj)p€i/o)v to ttuv' Tov (j)pov€7v 0poTOVS 68a)- 15 (Tavra, tov Trddei pddos 6evTa Kvpicos f'x*'"'' (TTd^et 8 i'v & V77pa> npo Kaphlas p.vqamTjpu>v TTovos' koi nap a- Kovras ^Xde (Ta>(f)pove'iv' 20 8aip.6va>v 8e ttou X^^P'^ /States aikyia rnxivatv. Koi TU& rjyepiov 6 it peer - fivs veoiv A)(auKa)i>, fidvTiv ovTiva ^l^eyMV, 25 tp.T!aiois Tv)(aiai crvjXTVveoiv. — fVT dnkoia Kfvayyel fiapv- vnvT Ax^auKos Xewf, XoXkiSo? nepav exuiv TToKippuOms (V hvKlhos tottois, 30 The altars are blazing as for a triumph. Bnt there is a matter of dark omen for the Atreidae, which may Zeus clear away, for there is none else who can (1-22). When the army of the Argives was wasting at Aulis and the seer shewed AESCHYLUS. 263 •nvoai 8 anb ^Tpv/iovos fjiokovcrai KaKocrxoXoi, vfjcrriSfs, bvcropfioi ^fjormv (ikai, veatv re Koi nfitTfidrcov a^eiOets, TTa\ififj.r]Kr] -^povov riBelaai rpi^co Kare^aivov avdos 'Apyei'o)!/" 35 tTrel 8e Koi iriKpov ^fifiaros aXXo IITjX^P ^pi6vT€pov irpofiOKTiv fidm-is fiiKay^ev 7rpo({)epcov Aprepiv, Sxrre xBova /3a- KTpois iiTLKpovfTavTas 'Arpeldas 8dKpv iirj KaTa(T\e1v — 40 ava^ 8' 6 npea^vs tot elire (puivaV " ISapela peu Krjp to prj TTLdeadai, ^ape'ia 8' , fl tckvov 8ai^(o, 86pa}V ayaXpa, ficaivcov 7rap6evocr(f)dyoi.cr(, peiOpois iraTpaovs X^P^^ ^(Ofiov ireXas. 45 Ti Tci)v8' avev KOKav; TTwr Xinovavi yevcupai, ^vppaxMS dpapTav j Travcrnvepov yap Ovcrtas Trapdeviov 6 aipaTos op- ya Trepiopycos inidvpelv depis. ev yap e'lrj." 50 eVft 5' dvdyKas f8v XenaSvov (ppevos TTveuiv 8vcr(Te^T] Tpoiralav avayvov, dvUpov, Todev TO iravTOToXpop (ppove'iv penyvca — ^poTovs 6pa(TvveL yap alaxpdprjTis 55 there was no other way, the king gave his child to be a sacrifice for the ships (23-59). The stern arbiters cared not for her youth or her prayers : they bound her like a shegoat at the altar (60-77). 264 AESCHYLUS. ToKaiva itapaKona irpOL>Tonr]ixv ■7Tokfp,(OV dpayav Koi nporeKfia vaav' Xiras 8e koi K\r]86vas narpciovs 60 •jrap ovhkv alcova Trapdevfiop t edevTO (piKopaxoi ^pa^rjs, (fypdaev S' do^ots Trarijp /xer fv^av, SiKav xi/J'Oi-pns virepde ^aifJLOv 7r«VXoi(rt TrepiTrerf], 65 Trai'Tt dvfia Trpovani] Xa^elv depbrjv, (TropiaToi re KaWnrpupov (pvXaKav Karaaxf'if v(Tiv p,a6flv tTTippenei to p.fXXov, So TO 8e TTpoKXvdv, eVei yf voir up tjXv(tis, TTpoxaipero)- But as the arts of Calchas failed not of fulfilment so neither will justice fail, as those who have suffered always know. But we will not forecast the evil (78-86). AESCHYLUS. 265 UTOV Se TO) 7rpO(TT€VflV. Topov yuj) fj^ei avvopOpov avyais, TTfXoiTO 6' ovv rdni tovtoktiv evTrpa^is, cos 6eXei ToS' ayxKTTOV 'Attios 85 yaias fiovocppovpov epKos. [Agamemnon, 160-257.] X. TJie Ne»iesis of Helenas crime. AiTTovaa 8' daToicriv aanicTTopas kKovovs Xoyxlpovs re Koi uav^dras OTrXia-povs, ayovad r dpricpepvou 'iXiw (pdopuf, ^t^uKe pipcpa 8id nvXav, aTXrjTa rXdaa' TroXXa 8 earevop c Tob ivvinovTes hoputv irpocprjTcu' " to) loi 8copa dapa koi npopoi, 1(0 Xepfos Koi crri^oi ^iXafoper. "udpfCTTt, (Tiyda , aripos, dXoi8opos, dbiaros d(f)fpeva)v Idelv. 10 7t66co 8 vnepTTovTias (fidapa fio^et 86pa)v dvdcraeiv. eiip6p(}>(ov 8e KoXocraaiv fXderai x^P'^ dvBpl, oppdrav 8 iv a)(f]viais tppei Trdcr' 'A0poSiVa. jc 6vfip6(pavTOi 8e TievOripoves Trdpeicnv 8oKa.\ ^epovcrai. X^P*-^ paraiav. For Helen's fault not Troy alone (1-4) nor only Menelaus suffered (5-22). There is no home in Hellas which mourns not for a hero lost (22-43). And was the Atreidae's honour 266 AESCHYLUS. fidrav yap (vt av ecrdXa tls 8oicav opav, TrapaWd^aaa 8ia )((p(iov, ^e^QKev oyjns ov fj.(6vaTepov 20 ■nrepols oTraSoIs vnvov KeXevdois, Tu fiev Kar o'Uovs ecf)' iarrias dxV rdS' eoTi Koi rcovb' vnepfiaTaTepa. TO irav 8' d^' 'EXXdSos a'ias (Twopfitvois TVivOeia T\riaiKap8ios 25 Sofiojv eKctarov rrpenfi. nokXa yovv diyydvd ivpos rjTrap' ovs fiev yap ns (Trfp^ev oi8ev' dvTi 8e cfiarmv Tevxn »«"' (Tirohbs els iKacTTOv 86fj.ovi dipiKvelTai. 30 6 xP'^^^f^oifioi S' "Aprji a-uip.dTcov Ka\ ra'KaPTovxos iv fMaxu Bopos Trvpa>6ev (^ iXiou (piKoiai TTepTrei fiapv •<^r]yp.a hvcrhdKpvTov auT- 35 Tjvopos (TTToSoO yepLL- fcoi/ Xf^TjTUi evOerov. arivovcTL 8' fv XeyovTfS avBpa rov ptv cos pdxT)i tSpis" TOP 6' eu (j)ovals Kokas Treaovr dWorpias 8ial yvvaiKus. rdSe a-'iyd ris ^av- 40 (d. (j)6ovep6v 8' vn ciXyos epirei TrpobUois ^Arpeibnu. ol 8' avTou Trepl T€t;(Of dfjKai 'iXtdSoy yds evpopcfjoi KaTex'>^' Sofiois fievei, Suarrf/xTTTO? e^o) crvyyovcciv 'EpLvvcov. vfJLVovcri S' vjivQv 8o)fMacnv Trpocr/j/j.ei'at Trpoyrapxov arrjv' iv pepfi 5 dneTrrvaav 15 (was d8e\(f>ov ra TraTOvvTi 8v(rp.€ve1s. fjfjLapTov, 1] drjpS) TL ro^6TT]s ris ws J T] yj/fv^opavTis elp-i dvpoKovros (f^keScov ; eKHapTvpr]vb' dpaprias topwv. 20 Chorus. fat ttws av opKOV n^ypa yevuaicos Trayev TrmoiVLOV yevotro • davpd^o) Se ere TTOvrov Trepav Tpacpflcruu ukXudpovu ttoXiv Kvpdv \iyovaav, uxTTrep d TrapeardTds. Cassandra, p-dvris p AttoXXcov rcoS eTrecTTTjaev reXet. 25 Chorus. P^" 'fo' 0fds irep Ipepca nfTrXrjypepos ', Cassandra. irpoTov pev atS&JS rjv epol Xtyav raSe. Chorus- a^pvvfrni yap Trds Tis ev npdacrcov nXeov. Cassatidra. oiXX' r)v TraXaia-Tfjs, Kapr epol nveav X'^P^"- Chorus. ^ 'foi TfKvwv els i'pyov rjXBeTrjv vopa \ 30 Cassandra, ^vuaivea-aaa Ao^iav (\j/€vadpr]v. Chorus. rjbr] rf;(i'atcrti' ivBeois I'lprjpew] * Cassatulra. ^'S^ TroXtVais -ndvT edeaTn^ov Trddrj. Chortis. TTws hr]T tivaros rjaOa Ao^iov kovw ' Cassandra. eirtiQov ov8ev ovBtv, ojy ra'S fjpnXaKOV. 35 Chorus. Tjp'iv ye p.€V 8r] Tricrra dea-ni^dv 8oKfls. Cassandra, lov loii, ii £) koku, vn av p€ hfivhs opdopavreias ttovos (TTpofiil, Tupdcracov (f)poLpiois ==^ * * * opdre ToiKrde tovs 8up.ois e^rjpevovs 40 AESCHYLUS. 269 viov^i oveipoiv 'r7po(T(Pep€'is iJ.op(f)ct)naai ; Trdl8(i 6av6vT(s axnrepei Trpos rav (p'CKaiv, Xf'tpas Kpeiov iT^rjdovTes olKfias jSopus, Trarfjp fydaaro, 45 €K Twi/Se TToivas c})ripi ^ovXevfiP Tiva \f0VT "ivciKkiv €V Xe'x^' arpwcpapevou olKovpoi/, oipoi, ra pnXovri dfairorrj ijxci' (^epfiv yap x,P^ "^^ 8ovXiov ^vy6v. veS)v T enapx^os 'iXiou r uvaaTaTrjs 50 oiiK oidev oia yXaxrara piarjTrjs kvvos Xe^aaa, KUKTeivaaa (j)ai8p6vovs, dUqu arrjs \a$paiov, Tev^erat KOKfj TV)(r)' Toiavra Toikp-a' Brfkvs apcrevos (^ovivs ecrriv' ti viv KoXovaa 8v(T(pi\is 8ukos 55 Tvxoip, uv ' dp(pi(T^aii>au, f; ^KvkXav riva oiKovcrav iv TreVpaitrt, vavriXoiv ^Xa^rjv, Ovovaav " Ai8ov p-TjTep , u(J7tov86i/ t dpav (l)iXois TTveovaav * — ois 8 eTvcoXoXv^aTO fj TravTOToXpos, wanep iv p^ax^^ '''P^'^lly 60 80m Se ;^atpai' vocTTipco auiTrjpiq. Koi t5>v8 op.oiov el rt p,rj nddco' ti yap ; TO peXXov rj^ei. Ka\ av p. iv TO-Xd napaiv ayav aXriBopavTiv oiKTeipas ipels. Chorus. TTjU pev QvecrTOv Saira Trai8eia)V Kpecov 65 ^vvrJKa Ka\ TrifjipiKa' Ka\ (fxjjBos /x' e'xei K.X110VT aXrjBas ov8ev i^rjKaapeva. TO 8 aXX aKovaas iic 8p6p,ov irfcrav Tpixo). Cassandra. 'Ayap.ipvov6s ai (})r]p.' iivo-^ea-Bai popov. J70 AESCHYLUS. Chorus. fv(f)i]iJ.ov, w niXaiva, KOLjiijaou crrofia, 70 Cassandra. (ifOC ovti Ilaioiv twS' eTrKTrartl Xdyw. Chorus- ovK, e'lirep ea-rai y' dXXa jir) yivoiTo ttw?. Cassandra. <^v M^" Kafevxei, rois 6' anoKTeiveiv /le'Xet. Chorus. Tivoi irpos dv8p6s tovt axos TTopavverai ; Cassandra.^ Kiipr ap' av TrapecrKonfis ;^p7;o'/xa)i/ €p.5}v. 75 Chorus. ToO yap r^ovvros ou ^vvrJKa prj^avrji/. Cassandra. kol prjv ivyav y EXXt^i/ li^'iuTapai, (ftdriv. Chonis. Kai yap rd irvdoKpavTa' dvapaBij S' vpcos. Cassandra. Tvanai, olov to irvp enepxeraL 8e fioi. oTOTol, AvK(i ' AttoXXov, 0*1 iyo) eyd). So avTTj StTTOus Xeaiva crvyKoipcopevr] XnKo), XeovTos evyevovs dirovaiq, KTevel fte ttjv rdXaivaii' a>s Se ^uppaKov Tfv)(ov(Ta Kapov piaBov iv6i](TeL koto), eTrev^fTai dijyovaa ^cort (pdaryavov 85 epijs aycoyrjs avTiTiaeadai (j)6vov. Ti drJT ipavrris KaTayeX(OT €)(a) raSe, Ka\ (rKTJTTTpa Ka\ pavTfla irepl deprj v — ov Sixoppuncos — pdrr^v. 95 KoXovpevr] be (jioiTus ws dyvprpia TTTwxos ToXaiva XipoOv^s r)Viaxdpr]V. Kai vvv 6 pduTis pdvTiv eKnpd^as (pe AESCHYLUS. 271 nTTJjyay ey joiacrhi Bavaarifiovs TV)(as. ^(OfJiOv TTarpcpov 8' avr fTTi^rjvov (jLevei, 100 Bepfjiw KOTTfiaj] (Poivico TrpocrcJHiyfjLaTi. oi) fifjv uTifxoi y in 6eu)V reBvrj^ofiev. ij^et yap rjpaiv ciWos aii ripdopos, prjTpoKTovov (fiiTvpa, Tfoivdrcop narpos' cpvyas 8 d\r}TT)s r^crSe yrjs dno^evos 105 Kdrfidiv, aras rdaSe 0piyKO3cro)v (filXon' a^ei viv vTTTiacrpa Keipevov irarpos. Ti drjT iyco KaroiKOs wS' afacrreVco 5 firel TO TTpwTov eldov 'iXi'ov ttoXiv npd^aaav a>s fTrpa^ev, 01 6' ii)(ov ttoKlv ho ovTCits dnaWdaaovcriv iv deau Kpicrei, lovara Trpd^co, rXrjaopai to KaTdaveiv, opapoTai yap opKos iic 6(Siv fieyas. ' A180V TTvXas 8e Tdcrd' iyoa TrpoafvueTTco' enevxopai 8e Kaipiai TrXrjyijs Tv;(eti/, 115 as aa t68€. Chorus. <» TToXXct piv ToXaiva, ttoXXo. S' av (ro(f)f) yvvai, paKpav eTeivas. el S' (rrjTvpcos popov TOP avTTJs oiada, ttcos 6er]XdTov 120 /3o6? tUrjv Tvpbs ^a>p6v evToXpcos TraTtls ; Cassandra. ovK eor' aXv^is, a> ^evoi, xpo"*? nXea. Chorus. o S' vcTTaTof -ye tov xpovov npfo-^evfTai,. Cassandra. '7'^" to'S' ^pap' a-piKpa K€p8avu> (pvyfj. Chorus, aXX' icrvL TXrjpaiv over dn evToXpov (ppevos. 125 Cassandra. ovScis aKovei TavTa tu>v evdaipovcov. Chorus. aXX evKXecos toi KaTdavelv X^P'-^ ^poTci. 272 AESCHYLUS. Cassandra, iw ■nimp croO rail' re yevvoKov reKvcov. Chorus. Tt 6' eoTi xpW^f ^'^ *'"' ciTroaTpes rdS' o^ei dvixaTOiv ev ] Cassandra, ofioios drfibs Sxnrep e'/c Td(f)ov TrpeVf (. Chorus. OX) "Sivpiov aryKaiapa ScupaaLV Xeyetr. 135 Cassandra. aXX' et/xt kuv So/xottri kcokvctovct eprjv ^Kyapffxvovoi re poipav. apKeirw /3ioy, 10) ^fvoi. ovTOi 8v(Toi(a> $apvov cos opi/t? (f)6^a>' dXX' ws 6avov(TT] papTvpflre poc roBe, 140 oral/ -yui/j) •yvj/atKoj drr' epov Brivrj, avrjp re 8va8dpapTOs avr dvbpos nfCTT). fTTi^evovpai Tavra b o)? davovpevrj. Chorus. a> rXripov, oiKTfipu) ere Oeo-cfxirov popov. Cassandra. uTta^ er' elnflv prja-iv fj dprjvov 6i\(i> 145 ipov Tuv awT^f. TjXiai 8 iiT(v)(opai npos vararov (pcos to7s epols ripaopois i)(6poi^ (jiovfvat rols epols TLveiv opov bovKrjs Bavovcrrjs, (vpapoiis ;(etpco/Ltaros. to) (ipoTfia TT pay par ' evrvxovvra pev iRO (TKia Tis iiv irpey^reieV el 8e 8v(TTV)(^e'i , (ifiKals vypu)(Tv8 ev, Ti S' chep KaKav • ovk drplaKTOs ara * Chorus. aXX' eV tiv (k T0iv8e decs xprj^av Or. Father, how can lamentations of ours reach thy dark abode? Yet for thy honour they shall be paid. Ch. Doubt not the dead hear and arc reached by your appeal. El. Hear, father, my sorrows too, for they are great. Ch. Our sorrows shall become joy when the friend comes who will come. 2/4 AESCHYLUS. Qi'iT] KiKahovs evcfiBoyyoTtpovi' (lin-i 8e QprjVtiiv eTTtTi'/^/SjStcoi' iraiav fjifXddpois iv (BaaiXdoii 20 veoKpara ^iKov KOjxiacuv, Orestes. d yap lii 'IK'ko irpos Tivos AvKicov, nuTep, bop'irprjTos KaTrjvapicrdrjs, Xiniov uv evKXeiav iv 86poiai 25 TfKvcou re K(Xev6ois fTriaTpenTov alo) KTicras 7ro\v)(Q)(TTOv av fi^fs Ta(j)ov diuTTOvriov yas Scd/iacri!/ (v(f)6pr]Tov. Chorus. (f)iKos (l)i\oi(n toIs eVel koXws 6avovai, 30 Kara xOovos ffiTrpenav (Tep-voTifios ilvaKTcop, TTpoTToXos Te Twi> p.eylcrT(ov )(dovi(ov e/ctl rvpdv- V 8ovpiKp,riTi Xaw Or. Father, would that you had rather died under Ilion's walls, leaving glory to your children. CA. So would you also have been glorious, and even in death a king. AV. Yet not so, father : would that your murderers had rather died, and this trouble had never been. A ESC H YL US. 275 Chorus. Electra. Chorus. irapa iKandvBpov iropov T(6a\f/ai, ndpos S' ol KTav6i>T€s viv ovtcos dapijvai 40 6avaTrjpev6s oiov epiras Ch. Enough that the avengers are at hand, and the dead are on their side. El. Zeus, may the word be true. Ch. May I shout over their fall whom I hate. T 2 276 A ESC 11 YL US. TTOTilTCU, TTapoldtV §6 TTpCupaS dpipvs (irjTai KpaSias 6vp6i, ejKOTOv (TTvyos. Orestes. kol ttot av ap(^idaKr]s Zevs eVi X^'-P^ /3aXoi ; (pev (pev' Kcipava dai^as, TTKTTa yevoiTo X^Pf- diKav S' €^ ddiKcov dnaiTa). Kkiire 8e Yd x^^vlaiv re ripai. Chorus. oKka vofxos /xef (popias (rrayovas Xvpevas es irehov aXXo TTpoaairelu aina. j3oa yap Xoiyos Epiviiv TTapa Tciiv 77p6repov (pdipfvcov, arrjv irepav firdyovcrav en urrj. Electra. noi ttoI Si) veprepcov TvpavvLhfs ; tSere TTokvKpaTe'is dpai (pdipeixov, 'i8ea6' 'Arpei^uv rot XoiV dprjxdvas exovra ku\ dcopdrcov uTipa. nd Tis rpdrroiT di>, a> Zev ; Chorus. TrenaXrai S' avre poi cjjiXov Keap Topde Kkvovaav oIktov. KCii Tore p-eu dvaeXms, 6'^ 75 80 Or. Zeus cannot give back our father. It is for revenge I cry. Ch. Vengeance will surely come. The blood cries for retribution. E/. Have pity on us, O ye dead, O Zeus ! Ch. One moment hope darkens, the next, is unclouded again. A ESC HYL US. '-It Orestes. Chorus. Electra. KTTtXayxva hi fioi Kikaivoxj- Tai TTpos enos KXvovcra' orav o avT eiroAKes 6paae\ dTrearaa-tv 0^05 TTpos TO (pavelcrdai pot KaXws. Ti 5' ttv (pdvTfs Tvx^oipfv TJ rdnep TrdSoptv (i^fa izpos ye ratv reKopevcov ', Tvdpfcm (jalveiv, rd 8' ovti deXyerai' XiiKos yap u)(TT u>p6(^p(Aiv (iaavros e< puTpos effri dvpos, fKo\^a Koppov "Apiov e'lre Kiacnag vopois Ir^XepuTTpias, dTTpiyBoirXrjKTa TroXvnXdvrjra 8' rju iSfii' (Traaa-vTfpoTpijBrj rd X^po^ opeypara livoiOev dviKaOiv, ktvttm H CTVippodd KpOTrjTov dpov KoX TTavddXiov Kdpa. to) (ci) oaia TrdvToXpe pdrep, Satais iv iK(^opdis avev TToXirdv dvuKT , auev 8e irevdrjpdTdiv trXas dvoipcoKTOv avBpa Bd^cu. Orestes. to ndv dripas eXe^as, o'lpoi. 85 90 95 100 105 Or. We will be strong in our unspeakable wrongs. C/i. Avenge your father! Bitterly I mourned at his funeral. E/. A man unwept, a king unhonoured, he was borne to the fire. Or. Surely she shall pay for dishonouring him. Help me gods and my right hand ! 2 78 A ESC II YL ITS. TTorpos 8' aTifiaxTiv dpa ricrei eKOTi fiiv daifiovcov, fKari 8' ayLav x^pav. eTTtiT eyu) voi(Tas oXoipav. no Chorus. i\ia(TXciklpyn paOeiv. 1 25 Tvpenei 8' aKapnTco peixi Ka6r}K(iv. Orestes. o'e tol Xeyw, ^y-yfi/oC, Trrirep, (/x'Xoif. Electra. fyw 8 f7ri(j)6eyyopai K€Kkuvpeva. Ch. Avenge him I In his funeral was no less dishonour than in his death. El. Not even I, his daughter, might follow him to the fire. Remember this, Orestes ! Ch. Remember ! and go down firmly into the fight. Or. Help, father ! El. I cry to thee weeping. A ESCHYL US. 279 Chorus. Orestes. Elect ra. Chorus. crrdcrt? 5e TrnyKoiyo? aS' eTTLppodfl, — nKovcrov es (j^dos fioXcov^ ^vv 8e yfvov TTpos ix^povs. 1 30 ' ApTjs Apet ^vfji^aiKoi, AiVa Ai'ra. 1(0 Oeoi, Kpaiver fvhiKcos. Tpofios p.' icfifpTTei K\iiov(rav fiypdrav. TO popaipov pevd nnXai, ev)(op€Vois 8 av ^XBoi. [Choephori, 315-465.] Xlll. Orestes, hunted over land mid sea by the Erinyes, takes sanctuary at Athene^s altar. Orestes. ' Avacra' 'ABdvu, Ao^iov KeXevcrp-aciv fJKO), 8exov 8e TTpevpLfvats aXdaropa, ov TTpooTponaiov ov8 acpoi^avrov X^'P"? dXK dp^Xvv rj8rj TzpocTTeTpippivov re Trpos aXkoicriv OLKOis Koi Tropevp.aaiv ^porav. 5 opoia x^pfJ'ov Koi ddXacrcrav (Krrfpmv, (TM^cov ecpfTpas Ao^tou ;^p7;o-rr;piovs-, Trpoaeipi Scoprt koi Operas to aov, dtd. avTOv <^vAao"0"a)f avapLivco TfXos 8ikt]s. Erinyes. eiev' t68' f(TT\ Tdv8pos fKcfiaves TfKfiap. 10 €TT0v 8e fiTjWTripos dcpdeyKTOv (ppa8ais, Ch. Help us ! is all our cry. Or. O that the battle were begun. El. Gods, speed the right ! Ch. What is fated waits from of old, and will come at your prayer. 28o AESCHYLUS. TiTpavfJLaTta-fiei'Ov yap w? KvoiV vffiphv TTpos aipa Koi aToXayp.oi' fKfuicrTevopfv. TToXXoif Se fi6)(6ois dvdpoKprjcri (pvaia (mXay^vov' )(6ovos yap nas TT€TTOip.avTai tottos, jc VTTfp T€ JTOVTOV dTJTfpOlS TTCOTTJpacnV tjK6ov 8i6}Kov(r , ovbiv vcrrfpa v(a>s. Kai vvv o5 iv6ah eori ttov KaraTTTaKav. oap.T] /3/iOTeicoi' alpdrav pe TTpocryeXa. [Eumenides, 235-253.] XIV. T/te hynm of the Ei-inyes. Ayf hi] Kai yppliV ai^copfv, enel fxovcrap cnvyfpav a.no(f)aivea6ai dfSuKrjKe, Xf^dl T€ y^d)(r] TU KUT dv6pa)7TOVs wj enivapa crrda-ii cipa, e, evOvdUai 6" fjBopeff eivai. Tov fjL€v Kadapus ;(fipaf rrpovipovr DVTCs «v8p6p.ois KoKa, hvGcpopov nrap. Bu^ai T dvSpwv Kol pdX' vn aWepi aepLval TOKopevai Kara yai/ p.ivv6ovcTiv aripoi 60 r]fj.(Tepaii tcpoBois ii(\avfipocnv 6pxi]O'P'0'is t inK^Oovois iroBos. TrinTcov 8' oix olBtv rob vn a(Ppovi \vp.a. Toiov eVi KVf(pai dv8p\ fivcros TrfTTOTarai, Ka\ 8vo(}}fpdv Tiv d)(\vv /caret 8d>iJ.aT0S avbdraL ttoXvcttovos cfjarii. fifVfi ydp' evprj^avoL 65 Se KOI T(\€ioi., KaKwv re pvrjpovfs (TefjLva\, Kul bvcnrapriyopoL ^pordls, nTtfjL drifTa 8i6p.fvat \d)(Ti 6eoiU 8i)(0(rTaT0i:vT "JO dvTJKioi Xdnirq, 8v(To8oTTanTn\a 8fpKop.(v'ti(Ti Kn\ 8vaopp.dTois Ofiw. AESCHYLUS. 283 Tis ovv Tab ovx^ a^frai T€ Koi 8e8oiKfv ^poTa>v, efioii k\vci>v Beufiov 'ji^ TOV flOlpOKpaVTOV fK 6fS>V boOevra reXeov ; eTrl 8e fioi yepas Trakaiov, oiS' dTifxias Kvpcoy KaiTrep vtto )(66va rd^iv e)(Ov(Ta Kai 8vaj]Xiou Kvecpas, So [Eumenides, 307-396.] XV. T/ieizs. rO S J ivharelaQai tcis epas evnai^ias vocrav t dneipovs kol paKpala>vas ^lovs, ^vpLTravrd t ehroav deo(pike'is €p.ds TV)(as Traidv €7T€V(f)r]pT](Tep evSvpwp eVf. Kayoi TO $ot/3ou 6elov d\l/€v8es crrop-a g rfkTn^ov (Lvai, pavTiKjj ^pvov T()(yT), 6 S avTos vpucbv, avTos iv Ooivrj nap^v, avTos Tad elncov, ai/Tos eaTiv 6 ktuvcou TOV iraida tov ep.6v. [Fragm. 266.] 284 SOPHOCLES. II. Sophocles. i. The power of Man. IloXXa TO. 8fiva Koidev dv- dpanov deivoTfpov ireXei. TOVTO KOi TToXioiJ TTe'pav TTOVTOv xeijxeploi votcd X(Opfl, TTtpllSpV^lOKTlV 5 7TepV V7T OlSpatTlV, 6ea>v T6 Tciv vmpTarav, Yav av dypitjdv fdvr], TTOVTOV T etvaXuiu (f^iaip anre'ipaicn hiKTvoKkuxTTois, n(pis deipas aKrjnTou, ovpaviov a^os, TTipTrXrjai TT(8iov naaau atKiftoj/ (f)6^T]v vXr/s nebidbos, (v K ep-faradq p-eyas aWrjp' pvaavTfs 6' €'i)(op€V 6eiav vocrov, 15 Koi T0v8' UTraWayevTos iv xP^vd) puKpaj, T] TTols OpUTai, KUVaKOOKVei TTlKpUS opviOos o^vv (j)66yyov, 6)S otov icfvrjs (vvrji veoaacof op(Pav6v jBXe'^r] Xe'xos' ovTiO be x^^'i'l, ^iXov cos opa vtKvv, 20 ydoiaiv f^copoi^eu, (k K dpas kokcis rjpuTO Tolai Tovpyov f^etpyacrpepoii. K(u )((pcr\v evdiis 8<'v//'/ai/ cfjepft koviv, SOPHOCLES. 287 C/C t' eVKpOTTjTOV XokKtaS UpdrjV TTp6)(0V ^oalat TpicnrovBoKTi toi' v€kvv (TTiffxi. 25 )(^rjpe'ii l86vTes lepecrda, crvv he viv 6r]pcopeff ivdits oxibev iKneTTKi)yp.evT]v' K.a\ ras re TvpodBev rd? re vvv r]\€y)(opiv irpd^eis' — anapvos 8' ovhevbs KadiaraTo^ dXX' fj8eo)s eptoiye KoXyeivcos ap,a' 30 TO pev yap avTov e*c kukcov TTfcfuvyevai rjdicrrov, is kcikov 8e tovs (PiXovs dyeiv akyavov. aXka iravra ravd' rjaao) Xa^tlv e/uoi neC^VKe Tijs fprjs (rwTTjplas. CreoH. o"e S17, ae ttjv vevovaav fs ivehov Kapa, 35 (pjjs, 7] Karapvii prj 8e8paK(vai ruBe ; Antigotie- toi TT0icriv copiaav vofiovs. ov8e adfveiv tocovtov cooprju to. era KTjpvypaB coaT ay paiTTa KaaCJiaXr] 6ea>v vopipa Svvaadai. dvrjTov ov6^ vnepdpapelv. ov yap Tl vvv -ye Kaxdes, aXX' del ttots 50 Cfj Tavra^ Kov8e\s oldev i^ otov '(pdvi]. TOVTOiP tyo) OVK epeXXov, dv8pos ov8iv6i 288 SOPHOCLES. (f)p6vT}fJLa Bticraa*, iv dfolai rrjv dUrjv daxreiv. davovfieurj yap €$]]8r], tI 8' ov ; Kel fxr) (TV TTpovKrjpv^as. el 8e tov )(p6v'.>v i^^ Tvp6cr6ev Bavovpai, KepBos avr eya> Xeyoo. odTLs yap ev ttoWo'uti.v cos eyo) KaKo'is f//, TTcis oS' oir;^t KardavMU Kepbos (pepec \ ovrojs epoiye rovBe tov popov tv)(€iu Trap ovbev cikyos' aXX' av, el tuv i^ eprjs 60 prjrpos GavovT (idairrov rjva^oprjv veKvv, Keivms iiv fjKyovv' TolaSe 8' ouk akyvvopni. v eyicKripov, ovT e'invvp.(p€i6s TTco /Lie Tis vfivos 10 vp-vrjcrev, aXX Ax^povn vvp,(p€V(T(o. Chortis. ovKOvv Kkfivr] Koi enaivov €)(ovcr is t68 dTrep)(^{i Kevfios veKvav, ovTf cfidivdaiv TrXriyflcra voaois ovre ^Kpf'cov €7n';^etpa Xaxoua, 15 aXX avTovopos , C^ca, povrj 8r] Bvaruiv, 'AiSav Kara^fjcrfL. Antigone, ^icovtra 8rj Xvypordrav oXecrdai Antigo7ie. Unwedded and unloved, Hades leads me to his joyless shore. Elders. But gloriously, painlessly. Never woman died like you. Atitigone. Truly none but Niobe so wretchedly. U «90 SOPHOCLES. rav ^pvylav ^evav TavToKov StTTuXo) npos aKpco, 20 Tuv Kicraos ws dTevi)s TTfTpaia /3Xd(Tra Bafiaa-(v, Ka'i viv op^pco TUKopivav, wf fpdris dv8pci)v, )(io)v T ov8apa XfiVet 2^ Ttyyei 6 vtt ocppvcn irayKXavToii tftpd8as' a pe daipoov opoioTdrav KaTfvm^fi, Chorus. «XXa ^eo's roi Kid deoyevvrjs, rjpels 8e /3poTol Koi QvqToyevfis. 30 KaiToi (fidipevoi TOis lao6eois (yKXrjpa Xa^eiv pey dKovcrai. Aittigoitc. oipoi yikibpai, ri pe, npos 6fa>v narpaxidv, ovK dWvpevnv vlBpi^eis, dXX fTTicjiavTov 5 3jj 2) noXts, S) TToXew? TToXvKTTjpovei (ivdpfS' 10) AipKoiai Kprjvai QrjlSas t fvappuTOv (iX(Tos, epTTiis ^vppdpTvpas vppH (TTiKTiopni, 40 oia (jiiXcov oKXavTos, otois vopois rrpui eppa Tvpfid)((i)(TTov tp^upai rd^av noraivlov' (O) hvaravos, Elders. As the peer of goddesses died need a mortal repine to die ? Antigone. Mock me not till I am gone, lint thou at least, dear land, mourn for my fate. SOPHOCLES. 291 OVT (V ^pOTOlS OVT iv ViKpoicTLV HeroiKos, ov ^oicriv, ov Bavoixriv. 45 Chorus. Ttpo^ua eV e(T)(aTov Bpaaovs vip-rjXuv fs AiKas ^ddpov TVpOaiTT«J(S, S} TfKVOV, TToXv. narpa)oi> 8' (kt'ivus riv a6\ov. Antigone, t'^avcras uKyfivoTCiTas ipo\ fxepipvas co narpos rpi.noKia'Tov oitou Tov re irponavTos ufMerepov tt6tp.ov Kkeivo'ii XajibaKihaiaiv. 10) fiaTpwai XeKTpcov arai 55 Koipr]p,aTa r avToyevvrjT ep.u) narpl 8vap,6pov [xarpos, otcoi' eyd) TTo6 a Takai(^pu>v e(f)vv' npos ovs dpaloi, liya/Mos, aS eyw ptroiKos fp)(opai. 1(0 tvanoTfxoiv 60 Kacnyvrjre yapuiv Kvp-qcras, 6avtov iT ovaav Karquapts /xe. Chorus. (Te^eiv fj.ev evcnfieid tis' Kpdros 8' OTOi Kparos peXd Tiapa^uTov ovhap.rj TreXet. 6(; s oiS' av eis Tvavaair av, el XP^'-l \eyft.v' ovK (i^ed' wy Taxiorra, Koi KaTrjpeCJid TvplBa TrepiUTV^avTes, ws ('lpr]K e'yoj, 71; a(pere povrju eprjpov, eWe )(PU Onve'iv eiV* eV ToiaiiTTj ^waa rvp^eveiv areyr)' T]pe1s yap dyvoi rovni Tr]v8e ttjv Koprjv' ■ fieroiKias 8' oiiu t?]s uvea crTepT] vvp(pelou, u> KaTa(rKa(f)i)s 80 o'lKTjaLi delfppovpos, ol nopevofxai TTpos Tovs efiavrjji, cov dptOpov iv vfKpois ■n^flcTTov bihiKTai ^tpae kcu KaKiara 8f] /xaKpa KUTfipi, TTplv fioi pioipav e^rjKeiv ^lov. 85 f\6oii(Ta fievToi Kapr iv iXniaiv rpecjioi (f)i\r] pev Tj^eip irarp), 7rp(>a(j)i\r]s 8e croi, prjTtp, 0t'Xr/ de croi, KaaiyvrjTov Kupa' eVei davovras avToxeip vpus eyw Antig07je. Friendless and unloved I leave the blessed light. AVho would not weep for me? Creon. Will she cry forever? Away with Iicr to the tomb. Antig07ie. O dear ones, your love shall be my recompense. I die for you. SOPHOCLES. 293 eXou(7a KaKoarfirjfTa KuniTVfx^iovs 90 ^oas eScoKa' vvv 8e, YlnXvveiKes, to vv, ovT el TTOcris poi Kardavcov eTTjKfTO, 95 /3(a noXirSiv t6v8 av 7jp6p,r]v tt6vov. TWOS vofiov dr] Tavra Tvpos X'^P"' Xe'-yw ; noais p.ev av p.01 KUTOavovTos aWos rjv, Koi irals an aWov (jjcoTos, fl roiJS' fjpnXaKov, prjTpos 8' eV'AtSov Km Trarpos KeKevdoTOiv 100 ovK t, KpeovTi TavT '4bo^ apapraveiv Koi 8(iva ToXfidv, w Kaaiyvr)Tov mpa. Kal vvv ayei fie dia ^epcov ourto Xa^a)V, 105 oXeKTpov, dvvpevaiov, ouVe tov ydp.ov jxipGi Xa)(ovaav ovTe Traibeiov Tpo(f)rjs, dK\' 0)6' eprjpos Trpos (piXav tj 8v(rpopos fwcr' els BavvpTcov ep)(opai KaTa(TKavoi e'^oSot? f\6ovaa (pcovfii, u KacnyvrjTrj, (pariv, koxjK iv XPO*"? i'^aKpa hiha\6rjvai OeXeis Bvpa fiaralco firj xapi((cr6at Keva ; KdiTOi ToaoiiTov y oi8a KapavrfjV on 5 aX-ycd 'nl T0T9 napohaiv, uxtt av, el adevos 'kdl3oipi, 5i;X&)cro£// av oi avrols Xeyo), aXX' 1/ (TV Kplvfis' ei fi' (Xfvdfpav p.e bel ^TJv, TOiv Kparovvrav eVrt ndi'T ciKovaria. Electra. 8ei.v6v ye o- ovaav Trarpos ov av nais e^vr, Kflvov XtX^crdai, rT;? Se TiKTovar}s peXeiv. 15 imavTa yap cot rd/xa vovOeTTjpara * Kfivrjs StSn/cra, K(iv8fV (K cravTrjs Xeyeis. f 7rei6' eXoO -yt Odrep , ?; (f)pove'iv kokcos, fj tS>v (piXcov (f)povov(ra pr] pvfjprjv fX^LV' TjTis Xf'yeis pev apricos its, el Xd0ois 20 crBevos, TO tovtcov plaos eVSet^fiay av' fpov Se Trar/Jt Trdvra Tipcupovufvrjs ovre ^vvepSfis rrjv re bpuiaav fKTpfTTfLi. ov ravra Trpos KaKolcri htiXiav ex.''- j (TTti dtSn^ov, fj pdff f^ epov, t'l poi 25 Kepbos yevoiT &v roivde Xrj^uarj y6u>v. SOPHOCLES. ■ 295 ov ^w * KaKOis fief, oid ' e7rapKovPTa><: lie yLoi. XnTTo) Se Tovrovf, ajore tu) TeSvrjKOTi rifxas TrpoadnTfiv, ft tis ecrr eVet x^P'-^- cri) S' ^/xiv ij jXLdovcra fiicrels (ifP Xo-yw, 30 epyoi 8e rois (povevai ruv Trarpoi ^vpei. eyo) pev ovv ovk av tvoTj ovS" ei pot to. aa fieXXoi Tis o'lcreiv dap", e(^' oicri vvv ^^ibas, TovTOis inreiKaBoipi' ao\ 8e irXovcria TpuTTf^a KeiaOd) Koi TT(pippeiT(o /3tor, 35 epoi yap ecrrw rovpe pj] \viieiv povov ^ocTKrjpa' TTjs atjs 6' ovk epco Tiprjs tv^^^P' ovS" av av, aa}(pp(uv y oiicra. vvv S i^ov Trarpos TrdvTcov apicTTOv naida KfKXijcrdaiy koXov TTjs prjrpos. ovTco yap (f)av€l TrXei'crrots kokti, 40 BavovTa Tzarepa /cat (f)iXovs 7rpo8oiJaa aovs. [Electra, 328-368.] VI. T/ie feigned t^le of Orestes death. Clytenmestra. Seve, TuXt)6es eiTre, tw rpoTTO) SidXXurat ; Com/>ajn'on.KaTrepTr6pr]v npos ravra Ka\ to ttclv (f)pd(Tu). Kelvos yap eXdcov els to kXcivov EXXd8os Trpuaxrjp aywvos, AeX(f}i,Kci)v adXcav X'^P'-^i OT Tjader' di'8p6s dpOiiuv KrjpvypuTcou 8p6pov iTpoKi]pv^avTos, ov npoiTi] Kpiaris, flaijXde Xapnpos, ndai rots eKe'i aeons' 296 SOPHOCLES. dpofiov 8' lauxras Ta(pt(Tei tu repjiara viKTjs ex^cov f^^Xde TrdvTijxov yefms. 10 ;^a)7ra)j fxev ev TToXXolcri navpa. (toi Xtyco, ovK oi8a Toioi/d av^pos fpya Koi KpuTT], €v 8' lad' oaav yap elcreK.r]pv^au fipa(ir]s 8p6pcou SiavXcov adX' anep vopi^fTai, Tovrwv ei/eyKcov ircivTa TaTTtvLKia 15 toX/Stffr', 'Apyelos pev dvuKaXoiipevos, wopa S OpecTTTjy, rov to KXeivov 'EXXuSos 'Ayapepvovos arpdrfvp' dyelpavros iroTf. Koi ravra pev Toiaiid ' orav Se tis Beav ^XaTTTT], 8vv(ur av ov8 uv lp 6€o8pr]TU)V lino' 30 BotojTOj (iXXos, 8iKaTov iKTrXr)pu)V o)(oi>. ardvTfS S" off avrovs 01 rfraypevoi [ipaf:iris kXt]pocs f'rrqXuv kuI KaTfcrTrjaav 8i(ppovi, XaXKTJs VTToi adXmyyos H^aV 01 8' upa nrnois o/xo/cX 17 rra j/rf? rjvlas xepolv 35 ((Tciaav' (v 8e ttus fpfcrroidr) 8p6pos ktCttov KporrjTojv I'lppuTwv' Kuvii 5' oVoj SOPHOCLES. 297 (f)opeW' o^ov 8e TrdvTfs dvafieniyfievoi (peidovTO Kevrpatv ov8ep, cos vnepfiukoL )(v6as Tis avTOiv Kcii (ppvaypaff 'nrmKa' 40 ojjLov yap dp(f)l vcora Kcil Tpo-)(piv fidcreis Tj(f)pL^ov, elaeiSaWov 'nnTiKai nvoai. Kelvos 8' vn' aiiTTjv icrxdrrfp (TTrfKriv e\a>u €;^pi/i7rr del avpiyya, 8(§i6v S ave\s (Tfipalov LTTTTov eipye top itpotTKeip.tp.ov, 45 Kai TTp'iv pev opSoi navres earacrav 8l(f)poi.' k'neiTa 8' AIvluvos dvSpos acrTopoi TTCoKoi ^ia (pepovaiv, eK 8 vnoarpofpris reXovvrfi (ktov elddopov r fj8r) 8p6pov fj.eTW7ra avpTraiovcri BapKalois o^ois' 50 Kavrevdev ciWos aXXov i^ evus kokov edpave, KdveTrinTe, ndv 8 iiripirKaTO vavayLCDV Kpiaalov 'nrnLKiov 7Te8op. yvovs 8 ov^ AffrjVMV deivos rjvtO(TTp6(f)os e^a TrapacJTTa KavaKa))(^ev(i TTapels 55 kXv8(ov e uKpav naiaas' eOpavae 8 "i^ovos peaas x^'^'^''> Ka^ uvTvyoii' ooKi(T6e' avv S' eXiacreTai TfirjTois Ifiacri' Tov 8e tt'itttovtos iredoy ^o TTwXoi Bieandprjaav ey fifaov Spopov, arparos S ottu>s opa viv (KTrenTuxoTa SlcppMv, dvcoXoXv^f TOV Vfaviav, oi epya 8pdaas oia Xayx^uvei KaKci, cpopovpevos Trpos ov8us, uXKor ovpava 75 (TKeXr] 7Tpo(paivo)v, es re viv 8i(f)prfkdTcn, poXis KaTaaxedovTfs Ittttikuv bpopov, eXvaav alpuTTjpuv, cocrre prjbepa yvatvai (piXav 186vt uv uQXiov hfpas. Kai vLv TTVpa Keavns fv6v<: iv (ipa)(^ei 80 )^aXKU) piyiaTov (Tojpa ^eiXiuas anodov (f)fpov(riv avSpes ^coKeaiv Teraypevoi, onas irarpaas rvp^ou tKXdxj) x^°'^'^^- Toiavrd aoi ravr iarlvy toy pev iv Xoyu) aXyuva, rois 8 Ibovaiv, oinep i'lhopiv, 85 peyKTTU TidvTwv wv onan eyw kukuv. [Electra, 678-763.] Vll. Electra mourns over the urn feigned to hold the ashes of Orestes. i2 cjiiXTdrov pvrjpe'iov uvBpconuiv ipoi yjfvxrji 'Ope'cTTou Xninov, wi (t an eXmBuv ovX i>V7r(p e^iTTtpnov elcre8f^dpr]v. SOPHOCLES. 299 vvv fifv yap ov8eu ovra fiafrTa^a> p^fpoZf, 86fict}V 8e (T, 2) Tral, Aa/nrrpoi/ i^eTTfp.'^ eyo). 5 Wff olxpeXov napoi6(v eKXinflu (ilov, TTp\v is ^ei'Tjv (76 ■yauii' eKTrip^ai, xepoiv Kki'^acra rmvhe Kdvacrd)(ra(r6ai (povov, on(os davMV iKeiao t?j t6& rjpepa, Tvp^uv narpdiov koivov elXr]^uis pepoi. 10 vvp S' fKToi o'Ucov KciTTi yj)? aWrjs (pvyus KaKMS oTTcoXou, o"^? KacriyvrjTT]^ ^'■X^' KOVT iv (plXaiiTi x^P'^'-" h TuKaiv eyw Xovrpols (T (Koa-prja ovt€ irapcjiXeKTOV nvpos dvfL\6pr]v, 0)9 (Ikos, affkiov ^dpos. 15 dXX' iu ^ivaiuL x^P^'- Ki]8evde\s rdXas crpiKpos TTpoarjKus oyKos iv apiKpa Kvrei. o'lpoi rdXaiua rrjs ip^is TraXai Tpocprji afa)(/)eXj]Tov, rrjv iyco 6dp ap(f>\ aoi TTOfO) yXvKfl TTapeaxov. ovre ydp TTore 20 pTjTpos (TV y I'jcrda paWuv rj Kcipov (piXos, ovd^ ol KUT oiKOU Tjcrav, dXX iyu> Tpocpos, iyo) S" dSeXcj)!] aoi 7rpo(Tr]v8ii}priu dei. vvv S' eVXeXotTTf tuvt iv rjpepa pia 6av6vTi crvv (rol. ivdvTa yap arvvapnaiTas 25 ^vfXX' oncos ^i^rjKas. o'lxfrai. Trarrjp' ridvrjK eyo) croi' (f>pov8os avros et davojv' yeXacri S' ix^pol^' paiverai 8 tKjb' tjbovrji prjTTjp dptjTap, rjS ipol crv noXXi'iKis (f)Tjpas Xddpa TTpovTrfpirfS oiS (f>avovp€vos 30 Tj/iojpo? avTOs. dXXa ravd 6 dvaTVxrjs Saipoov 6 cros re Kupoi i^acpeiXfTO, ' 300 SOPHOCLES. Of (T hhi fjLoi TTpovTrf/JLyj/fv dvrl (piKrdTqs fiop(pijs CTTToSof re Koi crKiav (ivbocpeXi]. oifioL poi. 35 to Bffias oiKxpov. (jjev (pev. o) Beivordrai, o'lfj-oi /xoi, 7T€p(p6i\s KeXevdovs, cj)lXTad\ ws fi aTrwXecras' oTTcoikecras S^t', w KacriyvrjTov Kapa. TOiydp (TV 8e^ai p.' fs to aruv rude crreyos, 40 TTjv p.r]div es to prjSiv, cos (tvv trot Karat vaia> TO Xoittov. kch yap rjv'iK rjard' tivo), ^iiv Tov (Tov Bavovaa puTToXfLTTfadai Tn(f)ov. Toi/s yap davovrai ov^ opco XvTrovpeuovs. 45 [Electra, 1126-1170.] viii. IVanderijig Heracles. Chorus. Ov aloXa vv^ ivapi^opiva TiKTei KaT(vuu^fi re (pXoyi^opevou "AXiov "AXiov alra, TuiiTo Kapv^ai tov AXKprjvas, ttoBl poi nodi irali vuifi itot\ S) Xap-Tvpa aTepona (f)Xeyeda>v, 5 T] TTOVTias uvXwvas, ^ 8i(r(Tal(nv dneipois kXi6€\s, i'lTT , d) KpaTiaTiVOiV KUT (ippU. Tio6ovp.eva yap (ppevl mvddvopai Tuv dp.(f)iV€iKTi Arjidfeipau del Tell me O Sun, lord of sight, where wanders Heracles ? Deianira mourns her hero lost and will not be comforted, for all his life is a sea blown upon by tempests of fate. SOPHOCLES. 301 oia Tiv iwKiuv opvtv 10 ov nor evvd^fLV dSaKpiroiv /3Xf0npcoi' tt66ov, «XX' evfivaarov dv8pus ^elfia (pepovaav 68ov fvSvpiois fvvois dvav8pa>T0i(Ti rpv^ffrOai, kukclv bv(TTavov eXni^ovaav alirav. TToXXa yap war uKapauTos i c ^ NoTou ^ Bopea ris Kvpar iv ^vpi'i ttovto) aVT fTTlOVTa T lOT], ovT(o 8e TOP Kn^poyevrj Tpi<^ei to 8' av^et ^lotov ■nokvTTovov acnrep neXayos Kprjo-iov. dXXd rts deav 20 aleu dvapTrXaKrjTov " \i8a (T(f)€ dopcuv epmei. iov €7ripfp(f)op£va a' a- deta fxiv, dvria S' ola-co. (fiapi yap ovk dnoTpveiv fXnida TOP dyaBuv 2k XP^''al (T . dvdXyrjra yap oiiS" 6 TTavra Kpaivcov /SacrtXeiT e7re/3aXe dvarols Kpovidas. dXX' eVl Trrjpa Koi x^po^ naa-t. kvkXov(ti.v, niov apKTov (TTporf)d8€s Ke'Xfvdoi. pe'vfi yap ovt aloXa vv^ (BpoTo'iacv ovre Krjpes ovre nXovros, t,o oXX (i({)ap Be^aKf, rw 6' iirepxfrai ;j^a(/3ft(/ re Ka\ aT€pfcr6ai. Yet, O queen, despair not wholly. Not for man can there be unchanging bliss. Joy and woe roll round our life as darkness and light around the world : and for Heracles day will rise at last, for Zeus forgets not his children. 302 SOPHOCLES. a (cat 0"€ rav uvacraav eXniaiv Xeyeo Tab alev 'ia)(eiv' eVet ti's ojSe TeKVoifTi Zt]v {i^ovXov fidfv J Deianiia. ircnvarfxivri fiev, as dneiKacrai, Ttdpei 35 TTuOqfia Toiifiov' ois S eyo) 6viJ.o({)6opco fifjr fKfidBoii naOovaa, vvv S' tmeipos fl. TO yap vfci^ov ev TOLoiaBe ^oaKtrab X^poiaiv aiiTov, Kal viv ov dciXiros deov, ov8 op^pos, ov8e TTVivpArav ovhtv kKovu, 40 «AX -qhovais apo^dov e^alpfi. ^iov fi Tov6 , fcos Ttf uptI irapQevov yvvff KKr]6fi^ y^cijSij T fv vvKTi (f}povTi8ccv p^pos, iJToi. npos av8p6i tj reKvcov (fio^ovpevT). TOT UP TIS (IcTiboiTO, TTjV aVTOV (TKOTTOiP ^^ npa^iv, KaKoicriv oii e'-yw ^apvvopai. [Trachinian Women, 94-140.] ix. The consideration of mans state leads Odysseus to pity his fallen enemy. Athena. ^P^s, '08v(T(T(v, ttjp 6ea>v l(rxvv o(Tt) ; TODTOV Tli (IP (JOl ruphpbs Tj TVpoPOVOTfpOS rj Bpav dfj.(ipo>p 7]vpe6r] tu Kaipia] Odysseus. yap t]pds ovbiP oPTas (IWo TrXrjp ddaX' oaoiTTfp C'^pev ^ Kov(ftt]v aKiav. SOPHOCLES. 303 Athena. Toiavra toivvv elcropwp vnepKoiTov 10 fj.r]8fv TvoT ('inrji avTos (s Seoiis errot, fiT]8 oyKOv apT] prj8(v\ ei rivos ifkeov T) X^'P' ^pideii ^ fiaKpoii irkovTOV ^ndei. cos fjpepa xXtVfi re Kavnyei jrdXiv anavra ravOpanreia' rovs 6e auxppovas i :; deoi (f)tXov(Ti Koi crTvyovm rovs KaKovs. [Ajax, Ii8-i.:^3.] X. TecmesscCs prayer to Ajax. Teanessa. ^ hia-noT Alas, Tr]s dvajKalas TV)(r)s ovK. eariv oldev p.fi(pv dpdpanrois kukov. eyo) 8 eXevdepov piv (^e(pvv Trarpos, eiirep tivos (rdevovros iv irkovTa ^pvywV vvv 8' flpl 8ov\r]. deo'is yap a)S' eSo^e ttov :; Kai (TTj pdXiara x^'-P'-- roiyapovv, enel TO (TOP Xf^os ^vvTjXdov, fv (ppovcb TO aci, Kai , a'i8eaai 8e prjrepa TToXXwy irSiV K\r]pov)(ov, rj ere ivoWaKis dfo'is apiirai ^covza wpos 86povs poKelv' 25 o'lKTeipe S', d)va^, Traida tov aov, el veas Tpo(j)rji Sftfos opKos xal TTepiaKeXe'is (fipevei. Kciyo) y»p, OS to. 8ftu eKaprepovv tots 5 ^affif] wtS'Jpos coy, edrfKvvOrjv aropa TTpos rrjcroe rrji yvvatKos' oiKTeipay Se viv XnP'^^ "■''P e-)(6po'is TToiha t opcfiavov \infiv. dXX dpi TTpos re Xovrpa Kal napaKrlovs \eipS)vas, odi av Xvpad' ayvicras tpu 10 fiTJviv ^apfiav e^aXfiKTcopai deas' fioXoyv re x^pov evS" av aaTijBrj kl^o) Kpvi^(a ToS eyx^s rovpov, exdiarou j^eXwu, yaias opv^as fvda pi] tis oxj/eTaC dXX' avTo vv^ Aibrjs re aco^ovrmv kutco. i ^ f'-yo) yap €^ ov X^'P' tovt ib(^apr]v Trap "EKTopos Boyprjpa dvapevea-Tdrov, oStto) Ti K{8uuu k'axov Apynaiv ndpa. dXX' ear' aXr}6rjS i] ^porayv Trapoipia, fxdpav clBaipa dapa kovk 6vf}cnpa. 20' TOiyap TO \oi7t6v eianpea-dn pev deois e'lKfiv, padrjcropeada S Arpeidas aeiBeiv. apXOVTis elcriVj u>a6 VTretKreov. ri prj ; Koi yap TO. 8eiva Koi tu KaprepcoTaTa Tipals ineiKei' tovto ptv vi<}io(TTi0el$ 25 Xeipuves eKXdnpovaiv evKapTra Gepef f^ia-TaTai Se vvktos alavrjs kvkKos TT) XeuKOTTcoXo) (f)eyyos rjfiipa (pXeyeiv' dfivcov T arjpa nvevparav eKoipi(re crrevovTa irovrov' fv 8 6 TrayKpartjs vttvos 30 Xuei TTfdijaas, ov8 del Xa^cov e'xei. ijpels 8e nws ov yvmaopeda (Ta>(j)pove'w ; X 3o6 SOPHOCLES. e'yo) S , fTTicrrafiat yap apTias on o T f\apos ^p-Lv fs rocrovo e^aaprfos, ws Koi 0iXi;crcoi' avdis, es re tuv cfitXou 3:5 rocravB inrovpyuiv wpov piv avhpos "EKTopos ^evcov epoi puXiaTa pi(Tr]6fVTos, i)(6i(TTov 6^ opav, nenrjye 8' iv yfj noXepia rjj Tpwdbi, 5 (Ti8rjpoj3pS)Ti 6rjy6.vr] ver]KOvrjs' fTTTj^a 8 avTov ev irtpicrTflXas fyi), fwovaTUTov TcoS' dt>8pl 8ia tcixovs davtiv. ovToi pev evaKevovpev' eV 8e Ta>p8f poi (TV Tipuros, Si ZeO, koi yap (ikos, upKfuov' 10 SOPHOCLES. 307 aiTr](TO\iai be cr ov ^aKpoi/ ytpas Xa)(fii>' TTifx^ov Tiv fjfilv liyyfKov, kokiju (f)dTiv TevKpa (f}epopTa, npcoTos wy pe jScKXTacrr] TTfTTTOiTa roifie irepX peoppuvTO) ^L. 20 tcaXw S' apayovs ras dfl re napdivovs (lei 6 opacrai TTiivra rdu ^poTois nndq, crepvas Epii/vs ravvTVoSas, paBelv epe TTpos TO)i> ArpeiScoi' as dioWvpai. rdXas. Kai (T(f)as KUKovs KUKLO-Ta Koi iravoikedpovs 25 ^vvapTiddeiav, uxnrfp elcropaxj' tpe avTO(T(f)ayrj TnnTovra, tcos avT0(X(f)aye7.s TTpos rav (t)tXl(TTav (Kyovav oXoiaTO. IT , (a Taxf7ai ■noivipoi r 'Epivves, yfveade, pr) (Pfidtade navbrjpov (Trparov. 30 (TV 8 , Si TOV alnvv ovpavuv 8i(f)pr]\aTa}v "HXie, TTarpcpav Trjv eprju orav x^^ dva (.8]]s, (Tvicrxoiv ;(pu(TO»' Tpo(}>M. 35 f] nov TdXuiva, tt]v8 orav kXvt] (puTiv, fjaet peyau koukvtov iv Trddrj TToXet. oKX ovdev (pyop ravTu dprjvf'ia-dai pdrtjVj aXX upKTeov TO rrpdypa avv rdxn- tivl. X 2 3oS SOPHOCLES. S> eivaTf eavare, vvv ,x itvliKt^ai MoAwi'* 4° (re 8', 2) cf)afvvrii fifiepas to vvv af\as, Koi rbv hi(\)pevT^v "WKiov Trpoafwivco, TTavvaraTov 8t] kovttot avOis vUTtpov — w (ptyyos, 2) yjj? Ipov olaeias netov, 45 2fiXapvoj, o) Trarpaov etrrias jiiidpov, K'keivai T 'AB?ivm, Kal to aivrpocfiov ye'vos, KpTjvai re rrorafioi ff ol8f, Ka\ rii TpwiKC ■n(8la TvpoaavhS), xa^P^'^\ " Tpo(f)?is ifioi ri>iff vtiiv Aias tol'tto? ZaraTOV dpoeV ^o TCI 8' «XX' ev "AiBov Tois Kara fivd^croiiai. [Ajax. 815-865.] xiii. Lei the enemies of Ajax tj-itimph . They have littU cause. Tecmessa. Ot 6' ovv yiKi^vrc^v Kai^ix^ipovra^v kokoTj T0I9 ToGS'. tCTws Toi, Kfi ^XtTTOvra nfi "iv66ovv, 6nv6vT hv oiVw^ewf iv xp«''a Sopo?. ot yap KaKOi yi/w/xanri Taya^oi/ x^pot" exoire? oik 'icram, -npiv rt? iK^akji. 5 fVot TTticpos TiOvrjKfv ij KeivoLs yKvKvs, oirw S£ Tfpnvos. Siv yap i]pMT6r) tux"" (Kri)aaff avra, Ouvarov, vvirep rj6(\ev. ri brira toCS' eVfyyeXoiei/ av Kura ; Beo'ii Te6vT]Kev ovtos, ov Kfivoiaiv, ov. lo Trpor ravT 'Obvirafi'S iv Kfuoii viipi(,ira>. Aias yop alrois ovKer <vya TToSa I'co/idi^, 5 (umrXos yap eV avrbv tTT€v6pu>aKfi TTVpl /cat (TTepoTTciis 6 Atof y€ViTas, Ofivai 6 ap, (ttovtoi Krjpes avanXaKriToi. e\ap\j/f yap tov vKpofVTOs dpTicos (jiavelaa 10 (papa Ilapvaa-ov tov ahrjkov av8pu iravT l)^vivii.v. (poiTO, yap vrr uypiav vXav dvd T avrpa kcu nerpas are ravpos, peXeos peXeco ttoSI ;^j;pfva)i', 15 TO pfa-6p(pa\a yds dnovoacpi^oiv pavrela' ra K aet fwira TrfpinoTUTai. [Oedipus Tyrannus, 463-482.] XV. Pieljy and Pride. Et poi ^vveit] (pepovTi poipa rdv evaenTov ayvt'iav \dyu>v epyoiP re ndvTav, hv vopoi irpoKtivToi Blimily the queen locasta railed at the oracles of Zeus : but overhead the everlasting laws shine continually, shaming 3IO SOPHOCLES. i'v//'iVo8es', ovpaviav Si* aWepa TenvaOevTes, Siv "OXvfnros 5 TraTTjp fioDOs, ov8f viv dvara (f)V(ns dvepcov eTiKTfv, ov8e prfv nore \dda KaTaKOip.a(T(t' peyas cv tovtois Btos, ov8e yrjpda-Kfi. vjSpis (pvT fvei Tvpavvov' 10 v^pis, el TToWwv vTre pTrXrjadJj ptciTav, a pfj 'niKaipa prjbe (Tvpipepovra, uKporaTOv elcrava^cKT '^ * niroTopov wpovafv (Is awiyfca//, fvB' oil TTofii XPV^^H-V ^5 XP^Tai. TO KoXcos S ()(0V TToXfi naXaiapa pi'jnorf Xvcrai 6eov nlrovpai. 6eov ov Aj;^q) Trore TvpocrraTav 'icrxmv. [Oedipus Tyrannus, 863-882.] xvi. The fatal secret. locasta. Xdypas tivaKtes, 86^a poi iraptardBq vaovs ItcftrBai daipovcov, rdS eu ^epoTu (TTi(j)r] \a{iovs Kv^fpvrjrrjv veuis. ap av Trap vfia>v, to ^evoi, pnOnip Snov Ta Tov Tvpduvov dapar iarXv Olb'nrov ' paKi(TTa 8' avTov fiTrar', (I KaTurd' onov. areyai pev atSe* Kavroi evBov, Si ^eve' yvuf) Be prjTrjp rjBe twv Kfivov TiKvav, «A\' oK^'ui re Koi ^vv oX/3toi? dfl yevniT , (Keivov y oiiaa iravTtXrjs 8dpap. avTcos be kcu crv y , w ^ev' a^ios yap ei TTJs eveireias ovveK. dWa (})pd(' otov XPfj^cov d(j}i^ai )(a) Ti (rrjprivai 6e\a>v. dyadh bopois re Koi irocrei rw fTM, yvvai. Ta TToia ravTa ' Trpos rivos S dfpiypevos j fK Trji Kopivdov. TO S' eVro? oii^epco Td)( av rjdoio ptv, TTcos S' ovK av • dcrxdWnis 8' 'icrcoi. TL h eaTi, TTouiv hvvaptv wS' e)^et biTiXrjv " Tvpavvov avTov ovnixaipioi )(dov6i TTJS iaBpias aTTjaovaiVj u>s rjvBciT eVe?. Ti 8' J ov)( 6 irpea^vs HoXv^ns eyKpnrijs en ; ov drjT , eTiei viv OdvaTOs ev Tacfinis e)(ec. Ttats eiuui • rj TedvrjKe TloXvlUns, m yepov ; el pf] Xeyco TdXrjdes, d^ico davelv. S) irpoo'iToK , ov)^i Beanorrj Td8' wr tu^os fioXovaa Xf^fis ; oi 0eci>v pavrevpara, IV eoTe' ToiJTOv Ol8i7rovs TrdXai Tpepwv lO 2r> 30 35 312 SOniOCLES, rov avbp ((f)evyf fxi) ktuvoi' koI vvv o8e irpos TTjs TV)(r]s oXcuXfv uv8e touS' vtto, Ocdiptis. CO (piXraTov ywaiKos 'loKdaTr]s Kapa, 40 TL p" €^(7Tep\l/'0i 8fvpo T(i)v8e Sto/xaTtoi' • locdsta. (iKovf ri\v8p6i rovbe, Koi aKowei KXva>u TO. aipv tv tJk€i rov 6(ov pavreupara. Oediptts. ovTos 8e tIs ttot iari Ka\ tI poi Xeyfi j locasta. f< T^f Kopivdov, Trarepa rov (rov ayyiXuiv 45 ws ovK eV ovTa YloXvfiov, aXX' oXuiXoTa. Oediptts. TL ^Tjs, ^ev ; avrug pot av arjprjvas yevov. jMess. (I Toi/TO TTparov Set p' dnayyelXai aacjias, (V 'larB' (Kf'ivov 6avd(Tipov ^f^rjKora. Oedipus. Trorepa doXoiaiv, fj voaov ^vvaXXayf] ; r.,0 Jl/ess. upiKpa naXaia crapar evva^fi ponr], Oedipus, vodois 6 TXrjpav, ws eoiKev, ecpdiro, Jl/ess. Kul TU) paKpa yt avppfrpovpevos ;^'poi'M. Oedipus, (pfi ffifv, ri brjT civ, it yvvai, UKuTro'iro ris rrjv UvdopavTiv eariav^ rj rovs nvu} 55 KXd^ovras opvis, hv v(j)riyr]Tu>v eyw KTfVflv fpeXXov Trarepa rov epdv ; o Be 0av(ov KfvOei, KarutBev y^j' e'yo) S' 08' evOdhe t"i\l/avaros eyxovs, ei n prj rcjpa nodco KareCpdiB' oiiTco S av Guvwv f'lrj ^ epov. 60 TU 8 oiiv Ttapovra auXXcijioiv dfanicrpara Kflrai nap' "AtS?/ n6Xvf3os li^i ovoevos. locasta. ovKovv eyw aoi ravra npovXeyov rrdXai, ] Oedipus, rfxibas' eyo) he rw (jiofdo) Traprjydprjv, locasta. pr] viiv er avrcov pri8(v e's 6vpbv ^dXtjs. 65 Oedipus. Kid TTOJS TU prjrpos XcKTpov ovk oKvelv pe del; SOPHOCLES. 313 locasta. Ti 8' tiv (po^oir civBpmTTOs w to. rtjs TV)(ris KpaTti, TTpovoia 6 ecTTtv ovdfvos aacpTjs ', flKT] Kpi'lTlCTTOV C^V, CTTCO? dvvalTO TIS. ai) 8' es TO. nrjrpos p-fj ^eve. Mess. rj prjTov ; T] ov)(i BepiTov aWov elbeuat ' Oedipus. paKicna y' elne yap pe Ao^ias noTe XpTJvai piyrjvai pijTpl rrjpavToii, to re 85 TTarpcoov alpa X^P'^'- '"'*'* epais eXelu, u>v ovv^x >'] Kopivdos f^ (poll Tvakm paKpav aTTaKeiT' (vrvxais pev, dXX' opcos ra TWV TfKOVTUtV Oppud' T]8l(TT0V /SXeTTeil'. Mess. t] yap rtiS' okvcov Keideu rjcrG' dnoivToXis ; 90 Oedipus. TTarpos re XP^C'^" M oi' ovx'l roCSe tov (fjolSov cr', ava^, (TTfiKep evvovi rfkdov, e^eXvaclprju ' Oedipus, (fni pfjv X^P*-^ V ^^ a^'iav \df3ots tpov. Mess. Ku\ pfjv poKicTTa tovt d^pcKoprjVj oncos 95 314 SOPHOCLES. (Tov npos 86fiovs (\66vTos tv Tvpa^ai/ii ti. Oedipus. aXX ovttot eifii to7s (fivTevaaalv y ofiov. Mess. Z> TTol, KoKats et ^rjXos ovk tl8a>s t'i 8pas. Oedipus. TTcoy, w yepaie • npos 6ewv hihao(i€'i. Mess. up oicrda drjra irpbi BUris ovdev Tptpav ; Oedifms. Trcoy 6 ov\i, ttoT? y et ravSf yevvrjToiv e'(f)vv • 105 Mess. odovveK rjv croi Hokv^os ovhev (v yevei,. Oedipus. 7ra>s finns j ov yap JJokv^os e^f(f)va( pe ; Mess. ov paWov ovf)(v roOSe Tav8p6s, nXX' 'laov. Oedipus. Koi ttws 6 <^vcras i^ 'ktov tm prjbevi • Mess. dXX' ov a eyeivar ovt eKflvos ovt eyw. no Oedipus. dXX avrl tov 817 7rniS nor, ladi, tu)V ipu>v -^eipuiv Xa/3o')i/. Oedipus. Ka6 cob cijr nXXi;? ;^f ipos earep^ev peya j Mess. f] yap irplv avrbv e^fTTfia' aTraibla. Oedipus. (TV 5 epTTo'Krjcras, ^ td;(coi' p' avroi 8i8o)s ; 115 Mess. evpoiu vaiiaiais fv Kidaipavos tttvxcus. Oedipus. oaboiTTopds 8e npbi ti rovahe tovs tottovs ; Mess. ivravS' optiois rroipviois en«TTaTovv, Oedipus, noipfjv yap -qcrOa Kain Qr^reia TiKavqs ; Mess. (TOV S', ^ TtKVOVy (TWTTJp y{ TW TOT fV )(p('lVOi. 1 20 Oedipus. Ti S" aXyoi Ifr^^oir' eV kuko'is pe 'Kapfiavtis • Mess. TToSwi/ tiv (ipdpa papTvptjrreiev ra rrd. Oedipus, oipoi, tI toLt dpp^nioi/ ej/WTrfty KaK(')v ; Mess. Xvo) a i-^ovra hiaTopnvs ttoSoiv dKpds. SOPHOCLES. 315 Oedipus, heivov y ov€i8os (Tnapynvcov aveiXofirjv. 125 Mess. cocTT oivofxaadrji « Tvxrjs TniiTrjs os ft, Oediptis. & TTpos 6ea>v, irpos fxrjTpos, fj Trarpos, (ftpnaov. Mess. ovK 018 • o SoiT 8e ratr' fpov Xwoi/ (ftpovn. Oediptis. rj yap nap' I'iWov p! Tka^es ov8' avros rv^uv ; Mess. OVK, nWa Trotprjv aX\os 6kS/S&)(ti poi. 1 30 Oedipus. Tis ovros ; 7 Karoiada SriXcbaai Xoyo) ; Mess. Twv Aat'ov hrjnov tis wvopd^ero, Oedipus. T) Tov rvpavvov rrjcr^e yiji TraXai nore ; Mess. p.aXtcrTa. tovtov rdv^pos ovros rjv jBorfjp. Oedipus. T) kc'ktt eri ^cov ovros, Sxtt Ibelv epi ] 13^ Mess. vptls y lipia-r elbelr ^v oinrixapioi. Oedipus, eariv ris iipuiv roov 7mpecrru>ra)v nekas, oarts Karoide tov ^orrjp' , ov efvenei, ei.r ovv iiT dypa>v f'ire KavBdK fl(Ti8a>v , OTjprjpaB , as 6 Kaipos ijvprjadai rdbe. 140 Chorus, olpai pev ov8ev aXXov rj tov i^ dypav, ov Kapdrevfs TrpoaSev elai8e7v' drap r]0 av rao ovx rjKia-r av loKaarrj Keyoi. Oedipus, yvvai, vofls (Kelvov, ovriv dprlcos poXelv ((pupea-da tov & ovros Xe'yei ; 141; locasta. TIS 8' ovriv elne ; pT]8ev e'vTpanjjs, ra 8e pr)6(vrn ^ovXov prjoe ptpvijaBai pdrrjv. Oedipus. ovK av yivoiro rovd' ottcos eyo) XajBcov (TTjpeia roiavr ov (f)ava> rovpov yevos. locasta. p.f] npos 6eu>v, (Inep ri rov aavrov jiiov i;;o KijSei, paT(V'T>]s rnvS"' oKis vnaova iycu. Oedipus. Bdpaei. av pev yap ov8' e'dv rpiTrjs e'-ycb p.rjTp6s (}}avco rpt'SovAos, (K(f)avfl KaKr), 3i6 SOPHOCLES. locasta. ojiois mdov fioi, Xicrcrofxai' firj Spa rube. Oedipus. uiiK av Tndo'ijxrjv fir) ov ra6* iKjia6a.v crac^ws. 155 locasta. Koi jjlj]v (ppovovcrd y eii ra Xacrrd trot Aeyto. Oedipus, ra XwcrTa to'ivvv ravrd \l dXyvvfi TrdXai. locasta. o) 8v(rnoTfj. , e'lde firjirore yvoirjs os «(. Oedipus, u^ei tis eXdcov Sevpo rov ^orrjpd fioi * Tavrrjv o ecne TrXovaia ^aipeiv yevd, 160 locasta. lov loii, dvcrTrjve' tovto ydp cr fx^ fiovov Trpocrenrelv, uWo (5 ovnoO varepop. Chorus. tI iTore ^eiSrjKev, Ol8inovs, vtt uyplas a^arra XvTrrjs rj yvvrj ; hehoix t'^rw? pi] \ Trjs (TioyTrrjS rfjad dvapprj^ei kuku. 165 Oedipus. oTTola xPllC^'- pr]yvvr§ ecrr lipicrr eipyaiTfxivct^ fJLT] fl eKStSaCTKf, /LlT^Sc (Tll/^jSoilXf u' eVt. tyo) -yap ovK old' oy-jxacriv iroiois (SKfnciv ^ narepa ttot av TrpoaelSov els "AiSov /LioXa)!/, ov8 av ToXaivav fi-qrep , oiv ejxoi hvoiv ep-y ea-r\ Kpeiaaov uyj^ovqs (lpyaiTfifi>a. (jXV 7} reKuau 8tjt oyfns tjv e(})ip,epos, /^Xacrrovcr onas e'/SXaore, TrpoaXfvacrttv epoi. 10 ov brjra toIs y efinluiv 0(1)6 akixois nore' ov8 a(TTV y , ovSi irvpyos, ov8e 8aip6i>coi> ayviXpad Ipa, twv 6 TravrXrjpoyv e'-yo) KaWiarr dvrjp eis ev ye rais QrjlBais rpaipus uTreirTeprjcr' ep.nvT6v, nvTos ivveTTcov 15 wdflv anavras rbv da-e^rj, tov tK 6eoiv <})avevT avayvov Koi ye'vovs tov Aniov. Toidvb eya> Kj;XtSa prjvvcras fp-fjv opdo'is i'peWov op,pacnv tovtovs Spav • TjKKTTa y ' aXX el rrjs aKOVOvarjs er rjp 20 irriyrjs 8t cotu>v (ppaypos, ovk civ iv 2;; eKTeivas ev6vs, cos ebei^a prjirore tpavTov avdpijTTOicnv evdev rj yeyas '. d) IIoXi;/36 Kin Kopivde /cat ra Trdrpia Xoyo) naXaia 8a)pa6' , oiop apd pe KoWos KQKcov vTTOvXov i^eOpii^aTe. ^o vvv yap KOKos r wu kuk kokShv evpicTKopai. 3i8 SOPHOCLES. S) Tpfls KfXfvdoi Koi KfKpvjXfxivrj vciTrrj 8pvp.6s T€ Koi iTTevcoTTos iv TpinXais 68ois, at TovfJLuv aina ra>v efxav x^'-P^^ """^ inUre Trarpos, S.pd fxov p.ip,vi](rff on 35 oV epya 8pd(xas vpiv eira deijp ta>v onoi' fTrpacraov avdis ; Si yajMoi ydp,oi, ecjivcraB' Tjpas, koi (jivTevcravTee ndXiu dvelre ravTov aneppa, KaTTf^ei^are narepas, d8f\(f)ovs, TraiSas, aip' €pcj)v\iov, 40 vvpcpas, yvvaiKas, prjrepas re, ^^TToaa aicrxicTT fv dpdpojTTOiaiv epya yiyverai, uXX' OV yap av8dv k'aB' a prjbe 8pdu KaXov, oncos Tu^t'O'Ta rrpos Beav e^co pi ivov KaXv\f/aT, fj cjiovevaaT , rj BaXdcrcriov 45 (Kpi-yuT , evaa prjuor {L(Toye(Td ert. tr, d^iQxraT dvSpos ddXiov Biyelu. TTiOecrBf, pr) 8ei(TT]T€. rapa yap kuku ov8f\s Olds re nXrjv efjLov (fyeptiv /3porwi/. [Oedipus Tyrannus, 1367-1415.] xviii. Cojistaiuy lives in rcalnn above. Oedipus. 'Q cftiXrar Alyecoi ttoI, p.6vois ov yiyvfrat dfolcTi yrjpas ovbt Kurdavflv nore, Tu d' (iXXa (Tvyxe't irdvG' o nayKpaTr]S XP"'"JS'- (pdivei pep la^vs yrjs, (fidivfi 8e a-wparos, 6vi] 1 Tov nivQiTT uuf)(ovaa kictcov Kcu rav u^mov deov (^vXXaSa fivpioKapnov dvrjXiov dinjufpov T€ TTcivTOOV 10 d(l AioirvcTOs i^fiaTiVii. 6(ais dfj.(Pmo\aiv ridi'jvais. 6dXXfi 8' ovpavlai vtt axfos 6 KaWi^oTpvs Kar fjpap del 15 vapKicraos, fieydXaiv 6eaiv dpxalov aTe(f)avcop.\ o re )(pv(Taxryfis KpoKos' oi/S" avrrvot KpTJvai jjLivvdovaiv Krjtpicrov vofjiddes peedpcov, 20 aAA auv eir rjfiaTi wKVTOKns TTfbiav eirivicrcrerai dKrjpuTO) ^vv op^pco yds Aaias ovk eiraKova, ovS' ev Ta fifydXa AojptSt vdaco IleXoTros TTU>T70Te ^Xaarov cfivTfv/x d\fipa>Tov avToTTOiov, fyXtoiv (pol^Tjpa 8aict>v, 30 o Tu8e 5uXX«( pLiyiara \o)pq^ golden flowers ; Cephisus waters it ; and to the Muses and . Aphrodite it is dear. To this land alone Zeus and Athene gave their olive ; to this first Poseidon gave his steeds, and the swift oars which follow the Nereids' dance. SOPHOCLES. 321 yKavKo.^ Trai8oTp6cf)ov (j)vX\ov iXalas' TO fjifv Tis ovT€ feapos ovre yfjpa crr]p.aii>cov dXicocret x*^/^' ntpcrai' 6 yap atei/ 6pS)v kvkXos Xevcraei viv Mopiov Aios 35 Xa y^avKcoTTis 'Addva. (iXXot/ 8' alvou fX'^ parpOTToKfi raBe KparicrTov, bSupov Tov peydXov Baipovos, f iTTeti', x^'^vbs avxi]p-CL fieyiarov, evnrrrov, evncoXov, evQakaaaov. w nai Kpovov, av yap viv es 40 TOO floras avx^p^ , ava^ lIocrfLOuv, miTOLcnv TOV dKeoTrjpa xepov, tU TrXtiyx^'? TroXdpoxOos e- 20 ^o), Tis ov Kapdrav evi ; (fjovoi, (TTaatis, epty, paX"') Kcu (pOnvos' TO re KardpepTTTOv eViXe'Xoyx^ TTvparov aKpares dTrpoaopiXov . yrjpas ti4)i>^ov, Iva Trponavra 25 iv w rXdpav 08', ovK e'yo) pdvns, irdvTodfv fidpaos toy ti? aKTCi KvparoTr'Kr]^ ^f'/^^f-"" '^^"''f''''"') wf Kai rdi'Se KardKpas 3° Seti/ul KupaTOH-yeiff arat kXoj'€Ovo-ii' df\ ^vvovaai, other, trouble; and the third, such misery as encompasses this poor discrowned king. SOPHOCLES. 323 ax fi€V an de'Kiov Bvcrfiav, ai S avareXXovTos, al 8' dva fi((T(Tav (ikt'lv', 3;^ fli 8i vv^idv dnb pnrav. [Oedipus Coloneus, 1211-1248.] XXI. Hermes leads the blind king by the hand to the place of his death. XS>pov 8 , iireiyti yap pe tovk 0eov irapov, aTfixoipev TjSr], prjS' er fVTpeTrupe6a. (0 TToIfies, d)6 entaB'. eyoi yap fjyepcov a-(f)ap ail 7ri(f>aa-pai Kaipos, wa-nep acfia Trarpt. Xcopelrf, Ka\ prj y^avfT , dXX' (are pe 5 avTov Tov Ipov Tvp^ov e^fvpflv, Iva p.o1p dvbpi TwSf T»/Se Kpv(p6TJvai x^^^'- TJJd , a)Se, rfibe ^are. Tfj8e yap ji ayei EppLijs 6 TTopiTos rj T€ veprepa 6e6s. d) v, avTos T€ X'^P°- ^' 1^^ TTpocTTToXoi Te aol (v8a[puves yfVoia-6e, kutt evirpa^ia 15 pepvrjafff pov davovTos tvTvxf'is dei. [Oedipus Coloneus, 1540-1555.] Y 2 3^4 SOPHOCLES. xxii. The Passing of Oedipus. Messenger. Avdpes noXirai, ^wtohcotutcos fxev av TV)(oifii, Xe^as OldiTTOvv oXcoXora' a 8' rjv TO. TvpaxOiVT ovff 6 fiv6os fv ^pax^'i (ppdcrai Trapfariv ovre rapy ocr' rjv eKel. Choitis. oXojXe yap BvaTrjvos ; 5 A'/essenger. cb? XfXoiTrora Keivov Tov ail fiiorov e^enicTTaao. Chorus. TTois ; apa deia Kanovco raKas Tvxf} ', Jifessenger. rair earlv ijSr] Kanodavpaaai Trperrov, W9 pev yap eV^ei'S' fipTre, Ka\ av ttov irapinv e'^otad , vcjirjyrjTTJpns ovbfvos (piXcov, lo aXX avTos Tjplv nacriv e^rjyovpevos' fVft 6 aCJi'iKTo Tuv KarappuKTrjv o8ov XoXkoIs ^aBpoim yr]6ev ippi^oapivov, earq KeXtvdcov iv TroKvaxiarcov pia, kolKov TTiXas Kparrjpos, ov Ta Qtjaecov j -, Tlfpidov re Kelrai ttIctt aii ^vvOijuara' ('(p' ov peaov aras tov re QoptKiov nerpov KOiKrjs T d)(ep8ov Kano Xalvov Tdp.evai 40 TO \omhv rjbrj top ^lov did^erov. TOiavT en dXkijkoicnv dpcpiKeipevot XvySrjv eKXaiov iruvTes, ws 8e Ttpos reXoy y6a)V dcpiKovT ol'S' eV wpcopei ^orj, rjv pev cncaTTT]' ({ideypa 8' e^ai(f)i'r]i tivos 45 ^toii^ei' avTou, wcTTe iravTas dpBias (jTr]aaL (pojBM 8ei(TavTas e^aicpvqs Tpixas, KoXel yap avTov ttoXXu 7roXXa;(ij 6e6s' S) ovTos ovTos, Ol8nrovi, t'i peWopev ■Xbdpe'iv ■ TTuXai hi] rdnb (tov ^pa8vveTai. 50 o 6' wy eTn'icrdeT ck deoii KaXovpevos, nv8a pokdu oi ytjs livaKxa Qrjaea. Kdnel irpoarikOev, eiirev, w (piXop Kapa, 86s poi X^P°^ '^'i^ niariv dp^aiav tIkvois, 326 SOPHOCLES. vfii'ts Tf, TraTSf?, rcode' Koi Karmveaov c;j; fjLTjTroTe 7rpo6&)(Tfti/ rdcrS (kuiv, TeKiiv 8 oo" tiv fieXXijs (f)pov(ov ev ^vfJipeva. ToaavTU (^(nvrjcravTos flcrr^Kovcrapev ^vpnavTfs' dcrraKTi de , aXX' ^ Tis eK 6ewv nopTios, tj to vepTepuv SOPHOCLES. 327 (vvovv hiaarav y^s oKvirriTOv (3(16 pov. avjjp -yap ov areuuKros ov8e avv voctols 85 aXyeivus f^enffiTTfT, tJXX' el' rii /Sporcoi/ oavfiaaros. el Be fir] Sokco (fipovwu Xe'yeti', ovK av TTapfifiTjv oiai fifj 8ok(o (ppouelv. [Oedipus Coloneus, I579-1666.] XXUl. SkeJ>. Ytti/' 68vvas d8aris, "Ynve S' dXyecov, (vaes Tjpiv e'Xdoii, ofipaai S' avTiaxoii rdvb aiykav, a TeraTai. ravvv. 161 161 p.01 TTaiaiu. [Philoctetes, 827-832,] xxiv. Philoctetes deprived of his bow. Philoctetes. Q, rrvp av koi rrav SeT/xa Ka\ navovpylas deivris T€)(^vr]p exBiarov, ola /x' dpydaa), oi' T]ndTT]Kas' ov8' eTrai(T)(^vvei. p opcov Tov TTpomponaiov, tov iKerrji'^ w trvtrXte " dnecTTtpriKas rov (ilov ra t6^' i\ jSlou pf pdcpeXrjs, copot TaXas. dXX' ovde npoa^divfi p sti, 328 SOPHOCLES. dXX' wy ixf6T](T Xifxfves, o) Trpo/SX^rer, o) ^vvovalai, lO 6r]pu)V opeionv, 2) Karappcoyfs neTpai, vfiiu TaS', oi) yap aWov old orw Xcyo), dvaKKaiofiai ivapoixn to1% eladoaiv, oV epy 6 TTois II edpaaev oi^ A;i^iXXeo)ff. Ofjioaas dna^eiv otxaS', fs Tpoiav p. ayci* 15 TrpoaBfLS re x^^P** 8f$i-av, to. To^a fiov if pa \a^av Toi) Ztjvus 'UpaKkeovs ex^'» Koi Tolcriv 'ApyfioLcn (f)Tjva(T6ai 6tXei, cus avop eXcoi/ tcrxvpov e/c piay p. ciyfi, KOVK 018* ivaiputv veKpbv, t] kottvov crKiav^ 20 f18(o\op «XXcoj. oil yap au adevovrd ye eiXe'i' p!' i-nii olK av hb' ex"'^'''^ ^' M"? ^o^?* viij/ S* T)7ruTr]p.ai bvapopos. ri xph M ^P"" • dXX* dn'ofioj. dXXci I'Ci' er iv cravrai yei/oi}. Ti 6vov (povov 8e pvcrmv tktco rciXas TTpbs Tov SoKoiiuTos ov8ev elSivai kokov. 0X010 p.r} 770), np\p pudoip! el Ka\ nuXiu 35 yv6ip.r]v p.fToi(rfcs' (I 8e p.rj, 6uvoii kukoos. [Philoctetes, 927-962.] SOPHOCLES. 329 XXV. Woman's life. "^vv S ovbiv ilfii )((opii, dXKa ttoWukis e^Xf^a ravTjj rrjv yvvaiKt'iav (pvaiv, (i)S ov8ev icrfiev' ol, viai fiei> iv Trarpos fjdi(rTov, oifiai, ^(x)fjL€v avOpunruiv ^lov' TepTTvas yap U€i TrdvTas avoia Tpe(f)€i. 5 OTav S* is i]^T]v i^iKcapifff ev(Ppoues, oidovfxed^ €^(o Koi 8i€p.Tro\cL>p.eda 6€U)i> 7TaTpa>u>p Ta>v re (pvcravTcnv ano, ai pev ^ivovs trpos I'ivSpas, al 8e l3apj3apovs, al 8 els urjdr] 8a)pad\ al S* enippoda, 10 /cat ravT , inii8av evcppovr/ C^v^r] pla, Xpeap inaivfiv kcil hoKeiv KoXas ex^'"' [Fragment 517.] xxvi. Love is all tilings and in all. Q. TraiSe?, j^ rot KvTrpif ov KinrpLS pwov, aX\ eari ttoWwv ovoparuiv inrnvvpos. i'aTiv pep "AiSr/j, ccrrt 8' avoi(Ti TovKeivqs iJTepov, iv Orjpaiv, iv ^poToicriv, ei> Seols livco. Tiv ov Trakaiova (s rpls eK/3uXXei 6(oi)v j ft fj.01 depis, 6(jxis he TokrjQr] Xeyeiu, Atof Tvpavvfl TTVfvp.oucoV livfv 8op6s, 15 avfv (TiSrjpov Tvavra rot crvvTfp.vfTai Kvnpis TO. BvqrSiV koi deaiv ^ovXeiifxara, [P"ragment 678.] xxvii. Fortune changes as the moon. AXX ovpbs ae\ noTfios fv nvKvai 6eov rpo^u) KVKXflrat Kiii pfTciWutrcrfi (pvcriv. axTTTfp (TfKi]vrji S o^^ir (vcppuvas 8vo (TTijvai dvvaiT av ovtvot iv pop(pf] pui, dXX' e'^ dbr/Kov irpwrov i'pxfTai vta 5 TTpocrcona KaXKwovcra kul Tr\T]povp.evri, ■j^inTaviTfp avrrjs evytvecrTarrj (fiavTj^ TToXiv diappel Kuni iJ.t]8(v epx^erai. [Fragment 713.] EURIPIDES. 331 III. E u r i p ides. Song of the watch of Rhesus' camp before Troy. Tivos a. (jjvXaKa ; tis ajxei^ei rap efidv ' TTpcoru BiifTai (TTjfiela Koi eTTTanopoi nXeiaSes aWepiai, fitcra 8* aleros ovpavov TroTarai. eypeade, ti peXXere ' koltuu s eypeade irpos (^vkaKav. ov Xev(jareT€ prjvddos a'iyXav ; acos ori neJias aa>s yiyverai, Kai res TTpo8p6pa>u o8e y icTTiv dcrTTjp, Km fxfjp dio), 2t/idej/ros lo fjpeva Koiras (poiviai vpvii TroXv}(op8oTdTa yripv'i TratSoXeVwp peXonoios drjBovls p.epip,vas. rjbrj 8e vefiovai kut "l8av TToipina' vvKTijBpnpov 15 (Tvpiyyoi idv KaraKovo)' BeXyei, 8' opfMaros eSpav vnvos' aSioTos yap e^a ^XfCfidpois npos dovs. [Rhesus, 527-537. and 546-556.] 332 EURIPIDES. ii. MedecCs soliloquy. Medea. Apdaco raS'" aXXa ^aive bcay-arav faco, Koi irmcrl nopavv oia xp^j Kaff fjfifpav. S) TtKva TeKva, cr0a)i' ptv ecrrt 8^ ttoXis Kcii 8o)fi , ev a> XmovTfs ddXiav epe niKTjafT del /jrjTpos icmprjpivoc 5 fyo) 8' is ItKKrjV ynlav elpi Bt] (jivyas, TTp'v (r(f)(av ovaaBai KUTri8(li' evSmpovas, i:p\v XeKTpa /cat yvvaiKa koi. yaprjXiovs evvas dyqXai XapTrdSas t' dvaa-xedflv. S) SvaraXaiva Tijs ep^s avdadias. 10 aXXas ap' vpas, S> tikv, (^(dp€\j/upT)v, aXXas S ipo^dovv kcii Kare^dvdrjv irovois, crreppus eveyKovcr tv tokois aXyrj^ovas. ■q prjv TToff f) 8vaTr]vos eixov eXTtidas TToXXus eV iip'iv yrjpo^oaKTjafiv t epe 15 <«i Kar6avov(Tav x^pc^^" f^ TrepioreXftf, ^i]Xci)t6u dpdpwTTOiai' vvv S oXooXe df] yXvKf'ia (jipovris. a(po)v yap i(TTepT]pevr) Xxmpbv Sid^o) ^ioTOV dXyavov t' ipoi. vpfls 8e prjTfp' ovKiT oppacriv (f)iXois 20 Qyjrfcrff, is aXXo v, KovK ecTTi TTovoiv amTravcTis' 1 = iiXX 6 TL Tov ^7]v (piXTepov oXXo aKOTOs apTri(T)(a>v KpvnTei vetpeXan. bvaepcoTfs brj p, upvcraifjiav, VTTo T aiyeipois ev re Kop.T]Trj 35 Xfipayvi K\i6e7(r dvanavaaifiav. Nurse. w nai, t'i dpods • oil fif] Trap' o)(kci> TtiSe yrjpva-ei, fxavias tTTOxov piTTTOvaa Xoyov ^ Phaedra. irejineTi p. els opoi' eipt Tvpos vKav Koi. irapa TrevKas, 'iva drjpo^povoi 40 (TTfl^OVai KVVfS, (SaXiais eXu exova 45 iv x*tp' iSe'Xo?. Nurse. ri rror', w reKuov, T(i8e Kqpaivfis ; tL KvvT]yfai(t)u koi troi fjLfXerr) ; ri hk Kprjva'iuiv vaapuv epacrai • TTapa yap dpocrepu TTvpyon avvexfjs 50 kXitvs, odev croi jrupa yevoiT av. Phaedra. 8f(T7Toiv' aXlas "Aprepi Aipvas K(u yvpvacrioiv twv ImroKpoTuv, EURIPIDES. 337 fi^e ytvoifiav iv aols danedois, TTcoXovs EvfTas Sa/xaXtfo/iei/a. ^e^ Nzirse. tl t68 av Trapd(ppa)v eppcvp'o? IVo? • vvv 8i] fiiu opos l3d(T errl drjpas nouov ecrreWov, vvv 8' av '^a^i.u6oi£ err uKvpavrois TrcciKcov epaaai. rd8f fiavTeias a§ia TroWrjs, 60 ocTTis ere 6eaiv dvaaeipci^d Koi TTapaKonrei (ppevas, S> nai. [Hippolytus, 177-23S.] V, Artemis parts from her dying companion. Artemis. "EacroV ov yap ov8e yrjs vtto ^ocpop 6eas arifioc KiinpiSos (k npodvpias 6pya\ KaTaaK7]\jrov(nu es to v kukcov Tifias p,eyi(TTas iv TrdXft Tpoi^rjvia oaxrci)' Kopai yap a^vyes ydjiav rrapos 10 KOfias KepovvTal croi, 81' aloivos p-anpov TTfvBr} p,eyi(rTa SaKpvcov Kapnovpevco, aei 8e povaoTToios es ere Trap6ivu>v earai pepipva, kovk dvmvvpns necraiv epujs 6 i^alSpas es ere (nyT]6t](Terai. 15 (TV S", M yepaiov reKvov Atye'ws, AaiSe Z .^3fi EUR ir IDES. crov TralS' iv dyKaXaicTL Kai TrpocrfKKvcrai. uK(x)V yap aXeads viv' dvBpwTToicn 8e deav diSovrcov eiKos i^apaprdveiv. Koi (Toi Trapaivo) Trarepa fji.f] (JTvye'iv aidev, 20 'iTnroXvT' e'xfis yap poipav 7) 8i€(()6dpr]i . Ka\ xo'p'' fV"' 7"P °^ dep-is (pdiTovs opav, ovB opfia xptii-'^fi'V davacnpLOicriv eKTrvoals' opco fie a fjbrj TQvhe nXTjcriov KaKov. Hippolytus. ^aipovaa koi av arf^x^, irapBiv oX^ia' 25 fiaKpap 8e XeLTTOLS paBicos opiXiav. Xvco 8e ve'iKos Trarpl XPuC'^^^^^ atdev' KOI yap TTapoiOe crols eTretSopijv Xuyois. alal' Kar oacrav Kiyxdvei fi i']8r} aKOTOs. Xa^ov, Trdrep, p-ov, Ka\ Karopdcocrov de'pas. 30 Theseus. wpoi^ TtKvov, tI bpas pe tuv hvubaipova ', Hippolytus . oXcoXa, Ka\ drj veprepcov 6pS) nvXai. Theseus. t) ti)v iprjv avayvov iiiXmiiv (ppeva ; Hippolytus . oh Brjr, iuel cre tovS" fXevdepco cpovov. Theseus. tI (pj'/s ; d(}}irjs a'lparos p eXevdepov ; 35 Hippolytus. TTjv ro^uBapvov "Aprepiv paprvpopai. Theseus. S) aKd(f)os, ViKVUtV fie TTOpOfliVS i'xcov x^P f'^i't KOVTOi Xiipuv fjL yjdi] KaXel' " tl fireiyov' v /xdXtor' e'^ttol Kcu naiatv, oh 8?) irivBos eu Koivot rode. Alcestis. Me'^ere peBere p ijhiy kXivot , ov adepco nocriv — TTXrjaiov "AtSas — 1 5 CTKOTLa S' in oacrois vv^ icpipnei, TiKVa TiKV , OVK€Tl SlJ ovKeri paTJjp (TCpciv ecTTiv. XaipovTa, a TtKva, rdSf (^aoi opcorop. 20 [Alcestis, 252-272.] Z 2 340 EURIPIDES. vii. I07l. "Ap^ara fiev rciSe Xafinpa Tedpimruiv lyXto? t'l^ri Xdpnei Kara yrjv, aarpa Se (pevyei -rrvpl raS" aldepos es wx" ifpav, UapvTjo'iddes S' (ij3aToi Kopvcpai 5 KaTaKapLTrofievai, ttjv ijfiepiav &\ln8a ^poToicTi 8exovTat. (Tp.vpvT]': 5' dvvbpov KaTTVos els opnfpovs 'Poiliov TT€T€Tm. 6d(T & Upols eaobovs ^oljSov Ka6apas Orjaofxev vypals re TTftov paviacv voTfphv, TTTrjvoiP t dyiXas, 25 ai ffkanrovfTiv (Tffiv civadrjfiaTa, To^oicriv fficiis (ftvyudas 6i](rofX€V as yap dfirjrcop umjTcop re yfyo)? rovs dptyj/avras i'oi^ov vaoiis depmrevco. 30 (ly d) verjdaXis a> KaX\i(TTas TrpoTToXevfia 8d(f)vaf, d Tuv <^olI3ov 6vp.eXav craipeis vno uaols Ki]TT(x>v i^ dBavdroiv, 3:; Lva bpoaoi riyyovcr lepai * TUV devaov nayav {Kupoiilcrat fivpcrivas Updv cf)6l3av, a craipui 8dne8ov 6eov 40 Travapapios dp! diKiov nrepvyi 60a Xarpfvuv TO Kar rjpap. Si Tlatdv S) Ilaidv, fvaicov fiaioiv ('l7]S, S) AUTOVS TToi. 45 good words to-day. Mine is the office with bays and sacred flowers to deck the threshold of Phoebus, with water to purify Ills floor, and with my bow and arrows from his statues to scare the birds ; for he is my lord and my father to me, the fatherless servant in his temple (13-30). 342 EURIPIDES. KaKi}V ye tov ttovov, ot/3f, crot Trpo 86fxa)v \aTpeva), TiyiSiv pavTelov ebpaV kXcIVOS 6' O TTOVOS /xoi, Beoicriv bovkav ^ep e')(€iv, 50 OX) Ovardis, dX\' a.6avaT0L<;' ({/(plipOlS Se TTUVOIS po)(6(lv OVK UTTOKapVU). or^ds pioi yeveroip TvciTijp' TOV ^oaKOVTu yap evXoyo}. s;^ TO 8 cocpeXipov ep.01. TraTepos bvopa Xeyco ^oi^ov TOV KaTO. vaov. u) Ilaiav S> naiav, evaicov elaiav tl1]S, 2> AOTOVS TTflt. 60 dXV eKiravaco yap fioxOovs 8n(f)vas oXkois' )(pvtT€a)V 8 €K Tev)(iU)y pi\\/ui yaias irayav, nv aTTO^^fvom-ai 65 KaaToKias 8lvni, voTepov v8cop /3dXXa)!/, liaids (itt' (vvas a>v. (1.6 ovTcos ae\ $oi;3w So first with young Ijay leaves I sweep thy nlt.-ir, with myrtle tresses thy floor, O Paean, Leto's son. Shall I not be proud of my service when it is Phoebus whom I serve, my father that feeds me with his bounty (31-60) ? Now pure water of Castalia I sprinkle, with heart as pure. EURIPIDES. 343 Xarp^xKav [if] navaai^av, ^ 70 TTav(Taifj.av dyada fioipq. ea ta. (poiToio-^ ^8r] Xeinova-iv re TTTami Ilappaa-ov koitos' av8a) 1X1] ;cp('yx7rreti' OpiyKois 75 firiS" fs xpvcri}p(is oiKovs. pdp\ly(o a ai) robots, d) Zrjvoi Krjpv^, upvidmv yapr]pai ffrjcrccv reKvois ', yp-aXpoL o" fip^ovcrtv to^cov. And now see the birds come flocking from their haiints on the hills. Away ! away ! crook-beaked eagle ; row hence, purple-sandalled swan. Away ! far hence to where Alpheius swirls, to the Isthmian dales, you that would nest in the temples' eaves. Away ! lest I harm you against my will. 344 EURIPIDES. ov TTfiafi ', x^P^" ^^ bivais Toii *AX<^6toC watdovpyei, 95 ^ vdnos Icrdixiov, ws dvadt'jfjiaTa fir] ^XuTTTrjTai vaoi 6' oi ^oi^ov. KTeiveiv S' viids alBovfiai. Tovs 6eu>v dyyeXXoiTus (f)dfiaf 100 SvuTois. ois S' eyKfifiaL fio^Oots, oi^a} 8ovX(iiaa>, kov Xj^^co TOVS ^6(TK0VTas depanevav. [Ion, 82-1 S3.] viii. T//e potucr of vmsic. 'Opeta TTore bpopcibi KtoXcp p.uTqp 6eu>v eavOr] av vkavTa vdirq TTOTdp.Lui' re x^^M y^drav ^api(iipoij.6i' re Kvp. oXlov 5 TTo'^o) rds dnoixopivas dppi]Tov Kovpas' KpdraXa 8e ^p6p.ia bianpvaiov Ifvra KeXa8ov dvelSoa, Gripwv ore ^vytovs lO ^(v^daa 6(h aarlvas All this I do for Phoebus' sake, and I will never weary, for he it is that cares for me (61-103). When the mighty mother sought Persephone through the earth, shrill clangour of cymbals fed the frenzy which hurried EURIPIDES. 345 Tov apnaaBe'icrav kvk\icl>v Xopuiv e^Q) TTcipOfvlwv fjLfTa Kovpai luXkouobfs, & jjLiV To^ots" KpTtp-is, a 8' 15 fyX^'- Topyo)na TrdvoTrXos * * * avyd^oiv f^ ovpaviav aWav poipav eKpaive. hpopa'iwv S" ore TroXvTrKavrjTcov puTTjp fnavae ttovoiv 20 fiarevova-' dnopovs Bvyarpbs dpirayas SoXiovs, Xiopodptppovas S' (Trepaa 'Ibaidv l^vpcfmv (tkottk'is' piTTTei 8' fv TTei/dei 25 TTerpiva Kara 8pia TroKvvKpea' (ipoTo'iai 8 a)(\oa 7rf8ia -yas ov KapTTi^ova dpuTOis Xaav 6ei TratSos dXaoro). fTTtl O eTTaVCT flAaTTLVaS Sfoii ^poTfiay re yevei. Zevs iieiXi(Taa>v aTvyiovs 40 fMarpos opyas everret, fiare. crtp-vai Xapires, ire, TCI 7Tep\ rrapdeva Atjoi Ovpaxrafiiva \vT:av e^aWu^ar aXav, 45 MoCfrat ff vfivniai )(opa)v' XO-Xkov t avBav )(6ovlav TvTTava r eXafSe ^vpcrorffrj KciWicrra t6t€ Trpcora paKupoiv Kvrrpis, yi\aaiv re 6fa ~,o Se^aro r e's X^P'^ fjapv^pnpnv avKov TepcpOelcr^ a\aXayp.ui. [Helene, 1301-1352.] ix. T/ie crime of Thyestes. AraXas vtto parepos ^Apyeiciiv opeoiv Trore KXrjScov fv TToXuuaL ptvd (firjpais evappoarois (i> KuXcipois Then Zeus sent divine ambassadors with other music ; and as the deep roar of the brazen drum and the flute's low tones filled the void of her sorrow, she smiled again. When Atreus and Thyestes claimed the throne and waited for a portent to shew heaven's will, Pan led a golden lamb EURIPIDES. ZM Tiava \iovaav f]8vdpoop 5 TTveovT ^ ayputv rafiiav, Xpvainv apva KaWnrXoKOfjiov jropevaui' TtiTplvois T iirimas Kapv^ lu-X^'- fiuSpoii, ayopav dyopav, MvKr]va7ot, 10 v 8i66eu (TTepelaai. Xe'ycrai, rai/ Se ttI- v t oiaTprjdeis Aiovvcr>v vrre^TjKpi^op, rjvlx rjXios uktIvus u^ir](Ti Qeppnivav x^''>^(i- opu) be 6uiaovs rpels yvvaiKeimv xop(ov, (ov Tjpx evos pev AvTomrj, tov bevrepov 5 priTTjp \\yavrf arj, rplrov S' 'Ij/oj x^^P^^- evbov be irdaai awpacriv napeipevai, ai pev TTpbs eXdrrjs vcot epeiaaaai (po^rjVj bounds upon the hills, tossing his wanton tresses as he moves. EURIPIDES. 351 at 6 eV 8pv6s cjivWoKTi irpos rreSoi Kiipa fiKT] ^akovcrai acocPpovas, ov^ ms crv (fit/s 10 tovcopevas KpuTrjpL koi Xcotov yf/-6(f)o) Brjpav Ka6^ v\r]v Kvnptv rjprjpapevas. 1] at) 8e prjTT]p oiXoXv^ev iv pecrais crradflaa ^UK^nis, i^ vnvov KLvfiv bepas, pvKijpad^ Cos tJKOvae Kepocfiopcov jSowv. i ;; al 8 aTTofiaXovaai SaXepov oppdraiv vnvov avfj^av opda), 6avp! Iheiv fiiKoapias, vim, TToXatal, napdevoi t eV ti^vyts. Kol TTpara pev KaBelcav els wpovs Kopas, ve^piSas r dueo'TelXavB', ocrataiv appuruv 20 uvvheap iXeXvTO^ koi KaraaTiKTOvs 8opas o(Pecn Kare^axravTo Xi)(pS)cnv yevvv, ai 6' dyKuXatai BopKO.S' ^ aKvpvovs Xvkcdv dypiovs e^ovaai XevKov e8i8o(rav ydXa, oaais veoTOKois pacrros rjv anapycov ere 2^ ^p€(f)t] Xinovcrais' fTri 8 i'devro kktct'ivovs aT€(pdvovs 8pv6s T€ crpiXaKos r dv6ea(f)6pov. Ovpcrov 8e tls Xa^oiJa' enaiaeu es nerpav, o6ev 8po(T(o8rjs v8aTos iKTrrj8a vot'ls' aXXrj Se vupBrjK es 7re8ov KaBrJKe yijs, 30 Koi Tt]8€ Kprivrjv e^avrjK o'lvov Beos' ocrais 8e XevKov Traparos tt6$os iraprju, tiKpoicri 8aKTvXoiai Siapaicrai x66ua ydXaKTos ecrpoiis ei^ov' €< 8e Kiaaivav 6vpcrwv yXvKelai peXiTos ecrra^ov poai, 35 u>(TT , el TTaprjcrda, top deov, rbv vvv yj/eyeis, evx perrjXOes elcn8uv rciSe. 35J EURIPIDES. ^vvij^dofiev 8e (3ovk6\oi K(u iroiiieveg, Koivoiv \6yoiv Swo-oi'Tfy o\X7}Xoty '^piv, o)? hdva Spuxri davfiiiTcov r firn^ia' 40 Kcil Tis irXdvrjs kut aarv koI Tpi[j(»v XuyoiV e'Ae|fi' fis OTtavTas, Q (Tfjjivas TrXaKn? vniovTes opeccv, deXere drjpacrMfifoa Ilei'^/cos 'Ayavrjv p-r]Tep fK (iaKx^vfuiTCDV, X^pi-v t' (ivaKTi dMixfV ; ev S' i^juti/ Xeyeiu 45 sSo^f, dap.vcov S' eWoxL^ofiev (p6j3ai9 Kpv'^avTes avTovs' a'l 5e r^y reTnyfiivrjV (opav iKivovv Qvpaov e9 ^aK^evpaTa, "laK^ov a6p6oi aTopari, ruv Aio? ■yoi'oi', Bpo/xto:/ KoKovfrai' ■nav be (Twe^ciKx^va bpoi 50 Koi 6qp€S, oibev S' ^v aKiinjTov 8p6p(o. Kvpel S' 'AyaiiT] nXrjaiov dpaaKOva-d pov' Kayo) ^^eTTTjbrja, as (TwapTrnfrm diXcov, \6xp^v (cercoo-ar, ej/fl' eKpvTTToprjv dfpas. fj S' dvefSorjcrev, w SpojuaSe? f'/u"' KVVfS, 55 drjpMfx.eS' dv8pciov tSivS" vtt' aXX' eneade poi, ineadf, dCpaois bia x^P^^ wTrXicrpevai. fjpeU piv ovv (jifvyovTfS f^riXv^apev j3aKxa>v (Tnapayp.6v, ai 8e vepopevais x^o'?" /xoV^ot? i-nr]\6ov ;^etpoj daibrjpov pera. 60 KQi TTjv pev uv TTpoa-fldes ev6T)\ov nopiv p.vKoipfvr)v e;^ouo-ai' iv x^P"'^" ^''^W) oXXat 8e dapdXas Ste^opovf anapdypacriv. fiSes 5' av Tj irXevp^ f] 8Lxr]Xov (p^aaiv ptTTTupev (ivoi re Kn\ kutu)' Kpepnara oe 65 eo-ra^' vn eXdran duaTr€({)vppfv mpaTi. EU R I PID ES. 353 ravpoi S* v^piarcu Kels Kepas Bvfxoxjfxevoi TO Trpocrdev icrtpuWovTO rrpos yaiav 8efias, fivpidai xfipatv dyofjievoi vfavidoiv. Saarijov Se 8i£(f)opovvTo aapKos evtvTa 70 ^ ere ^vvd\j/'ai ^X((papa ^aaikfiois Kopais, )(a)pov(Ti 8', wcrr opvtdts dpOelaat 8p6p,cp, TreSitoi' vTrordaeis, ai nap Acrconov poais evKapTTOv eK/3dXXoucri QrjlSaKov (TTa)(yv' 'Ya-Las T 'Epvdpds ff, ai Kidaipavos XfTVus 75 vipOev KaTcoKt^Kaaiv, wcrTe TroXepioi, eVettrTrecrovtrai irdvT avco re koL Kara) BUcpepov' fjpTTa^ov piv iK Bopav reicva, OTTOcra 8 eV apois eSeaav, ov deafiav vtto irpoa-fixfT, ov8' eVtTrrei' es jxeKav nedov, 80 ov xoKkos, ov aiBrjpos' eVt 8e ^oaTpv)(ois Ttiip e(pfpop, ovS" eKULfv, 01 8 dpyrji vtto fls ottX' i)(U)povv, (pepopfvoi ^aK^uiv vno' ovnep TO deivof rjv dtap! I8eiv, dva^. Tas p.eu yap ovx jjpacrare XoyxcoTov /SeXos. 85 Keivai 8e Bvpaovs f^avieiaai ;^epwi/ fTpav/xdri^ov KdirevaiTi^ov s e'yoj kXvo), 95 A a 354 EURIPIDES. rijv TravaiXvnov ufxireXov tovfai ^jioToii. o'lvov 8f [xrjKeT (ivros ovk eariu Kvnpii, oi8' aXXo TepiTvov ovBev avOpainois en. [Bacchae, 677-774.] xii. I/ion overthrown. Sv \t.iv, a> irarpls 'iXtaf, Tcoi' anopdrjTwv iroXis ovKeri Xe^ei' Toiiov 'EXXdvoiv vecpos ajx(pi ae Kpinrrei 8op\ 8t} 8op\ irepcrav. dno Se arfcpdvav KCKapaai 5 TTvpyaVj Kara S aWdXov KrfK'iS' oiKTpoTUTav Ke;^pa)(rat, raKaLV , ovKeri cr efi^ciTtvcrcci. /xeaovvKTioi wXXvfiav, rjfios fK Senrvciv vtvvos fj8vs in oaaots 10 KidvaTat, fioXnav 8 utto koi )(opoTTOi5iv Ovaiav KaTanavcras TToVir iv ddkapLOis e/cetro, ^vcTTov 8' eVi TTacrauXo), vavTav ovKiB" 6pu)i> oixiXov ic, Tpoiav 'iXtaS' f'/x/3eu>s el)(ov, S> Trdrep, \6yov, TjeiOdv eTTa^ovcr', Sicrff opnprelv poi irerpas, KTJKe'iv re tuIs \s jSAen-eti/' tci 6' vno yrjv p.r] fi Idelv dvayKacrjjs. TrpoiTT] a' eKciXeaa naTepa, Koi av Traid ffie' 10 TTpitTT) 8e yovatri aolat aapa dova ipov (f)L\as ;(aptTa? f'8(0Ka Kdi/Tf8f^dpr]v. Xdyos S' 6 peu cros rjv oS'' apd a , w tikvov, (vbalpou dv8p6s ev 8oixuiaiv o-^opai, ^(oadv re kqi ddWovaav d^icos ipov ; 15 ovpos 6' oS' rjv av, Trept aov i^aprapevrjs yfveiov, ov vvv dvTiXd^opai X^P'-' Ti S' 2p* eyo) ere, Tvpicr^vv dp ea^e^npac epcov (plXaLo-tv vnoSoxcus 86p(oi'y miTep, TTOVoiv ti6t]vovs a7roStSo0o"« crot Tpo(jjas ; 20 TovTav e'ycb pev toou Xoycov pvrjprjv i'xo), cri) 8' eniKfXrjaai, Kai p dnoKrelvai OtXeis. pr] npds ere TleXonos Kal iTpos Arpe'cos naTpos Ka\ T^o-Se prjTpos, rj Trplu ablvovcr epe vvv bfVTfpav w8iua TJ/fSe XapjBdvei. 25 tI pni ptreaTL ruiv ^ hXe^dvhpov ydpcov ''EXfVTjs Te, TTudev ^X5' err dXtdpco T'Upw, narep ; /3X«'\|/'0i/ npos Tjpds, oppa Sof cj)iXrjpd re, iv' dXXd TovTo Kardavova e'xco crediv pvrjpfLov^ (I pi] to'ls ('poii TTiidei Xdyois. 30 d8fX(pe, ptKpos piv av y eTriKOvpos (piXoii, dpcos fie avv8dKpvaov, iKiTfvaov rraTpos Tr)v afjP dbfXcpfju pfj Oaveiv' a'ia6r]pd rt EURIPIDES. 357 Kav VT]niois ye rwv KaKav eyyiyverai. i8nv (Ticoncov Xicrcrerai a o8\ oj ndrep. 35 aXX atdiaai fie Ka\ KaroiKTeipov fiiov. vai, TTpos yeveiov a avropeada Suo v ep.S)V X6ya>v' paTrjv yap a elaopa dvpovpevqv o- poi 8i8oKTai' tovto S' avTo ^ovXopai evKKews TTpd^ai, napeiad t eK7ro8(ov ro tvayeves. 8(vpo 8t] (TKe-^cu ped' fjpa>v, prjrep, a>s koXms Xeyo)' 10 els ep 'EXXcis 17 peyicrrr] ndaa vvv cnTo^XeiveL, Kav epol 77op6p6i re vacov Koi ^pvycbv KaTaarKa(f>ai, Tcis re peXXovcras yvvaiKas rjv ri 8pu>cn ^dp^apoi, prjKed' dpird^eiv edv ras oXjSia? e^ EXXdSof, t6i> 'EXevrji riaavras oKeBpov, tjvtiv rjpTraaev Jldpis. 15 358 EUR I TIDES. ravra Trdvra Kardavovcra pvcrofiai, Km fxov kXcus, EXXuS a)s rjXevdfpaKTay p,aKapiov yfyrjcreTai. Koi yap nv8e rot Ti Xiav epe (piXoyj/vxflf XP^'^^' iraai yap pH HW-qcn Koivov ere/CfS, ov)(). cnn p-ovrj. ciKKa pvpioi pev avbpes dcnriaiv neffiapypevoi, 20 p.vpioi d f'pfTp ^xpvTfs, Trarpldos rj^LKTjpfvrjs, 8pav TL ToKp-qaovcnv e'^^^poii? \vnep 'EXXdSof daveiv, rj 8 fpfj ^vx^i pi' ovara rravra KcoXiKrei raSe ; Ti TO b'lKaiov rovTo y ; apd y exoptv avTenveiu eTrns ', KaTT fKeiv eK6a>pev. ov Set rdi'Se 8ia pdxT]S pokeli/ 25 Traaiu Apyelois yvvaiKoi ovveK ov8e KaTOave'iv. els y dvrip Kpdcrcratv yvvamav pvpicov opav (pdos. ft 8* f^ovXrjdr] TO aapa TOvpw"ApT€pii \aj3elv, e/LiTToScbi' yevrjaopdyo) SvrjTos avcra t^ 6ea ', aXX aprjxapov' SiScojut (Ta>pa Tuvpbv 'EXXdSi. 30 6viT ; inTTOpOfiTe Tpoiav, TavTa yap pvrjpild pov 8ia paKpov, Ka\ TralSey oiiToi zeal ydpnc koI 80^' fV'J- jSap^dpav 8 EW-qvas (tpx^i-V flKos, dXX' ov l^ap^dpovs, prJTtp, ' EW-qvau' to pev yap SovXoi/, ol 8" eXevdepoi. [Iphigenia in Aulis, 1368-1401.] XV. Cassandra. Talthybius."\T ^ eKKopi^fiv 8evpo Kaardvhpav xpeav ocrov Td^ia'Ta, 8pu)ei, ens a-TpaTrjXdTr} fs X^^P^ 8ovi viv fiTa Tcis flXrjypevas Kai Totaiv aXXois aixpuXaiTiSwv ayw. ea, Ti TT(VKT]s 'iv8ov a'l6eTui atXus ] 5 mp-TTpuaiP T] Ti 8pu}ai Tpuddes pvxoiis, EURIPIDES. 359 7ipos"Apyos, avrSiv r fKTrvpovai duifiaTa, Bavilv 6(\ov(rai ; Kapra Toi rovXevSepov iv Tols ToiovTOLS Si;crXo'(^a)s (jiepei KOKa. lo avoiy' avoiye, prj to rmtrSe Trpoarcpopov, ex^pof 'T 'AxMols, eli e/x' ahiav ^dXrj. Hecuba. ovk ecmv, ov TTifiTrpacni', aXXa nais ep-y) fxaivas Ooa^it bfvpo ¥,a(Tavhpa 8p6p(o. Cassandra, livexe, wdpfx^, (f)a)s 'Yp.ivaif, aoi. blbov 8\ a> 'E/cara, (pdos, 30 7rap6fvo.1v (Ttl XeKTpois, a vopos ex^'- TrdXXe ttoS' aWepiov, «Vaye X°P°^i eiav fvo7, d)s €714 narpos epov p-aKapicoTaTais Tvxais. 35 360 E U R I P I D E S. o ^opos oaios (fMoi, ilyf cri) oT,3e viu' Kara arou ev ddcfivais dvuKTopov dvrjTroXai, 'Yp.f]v, S) 'YpevaL , 'Yprjv. )(6pevf, fidrep, ai^aye, Tr6(^a auv 40 fXiacre raS" eKelae per eptdev 7To8mv (pf'povaa cf)ikrdTav fSdcriv. ^odre Tuv 'Yptvaiov, w, fiaKapiais aotSat? laK^ais re vvp(pav. 45 iV S) KaXXiTTfTrkoi ^pvyciv Kopai, piKneT ipov ydpuv rov TTfnpcopevov eiva ttoo-iv ipedev. Chorus. /3a(T(Xeta, ^aK^evovaav ov Xr'jy^ei Koprjv, prj K0ii4>ov aipj) {irip is 'Apyftwj/ arparov ; 50 Hecuba. "Hc^anxre, SaSov^fi? p^v ev ydpon ^poroiv, drop \vypdv yi ttjv8' dvaiBvaaeis (})povr]Ka(T , dXX' eV eu tuvto) peveis. 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KT(VU) yap avTov KavTinopOrjaoi 8opovs iToivas ii8f'K(j)(i)v Koi Trarpos \(i[Sovcr epov' d\X avT eucrco" TreXfKvv ou;^ vpvrjaopfv 05 fs Tpax^i^ov rov ipov fiai ■^(aTfpaiv, yo prjTpoKTovovs T ayoovas, ovs ovpoi ydpoi 6Tjaovcriv, olkcov t 'Arpecos di/dcTTaaiv' TToXiv fie 8ei^a> rrji'Se p.aKapi(i)Tepav fj Tovs A)(aiovs^ evdeos pev, dXX' opcos Tocro'i'Se y e^o) aTrjaopai ^aK\€vpaTU)V, ^5 oi Slot piav yvvaiKa kol p'lav Kvnpiv, 6rjpa>VTes 'EXeurjv, pvpiovs arraiXecmv. 6 8e (TTpaTTjybs 6 ao(f)6s i\6i(TTa)V vnep ra cpiXTar aiXea , TjBovas ras o'lKodev TeKVcav dSeXcpco 8ovs yvvaiKos ovveKa, 80 KoX rnvd' eKovcrrjs kov (Sia XeKrjapevTjs. inel S" eV aKTas tj'XvOov ^Kapavbplovs, fdvrjCTKOV, oil yrji opi anocTTepovpevoi, ovo vYiTTvpyov Trarpioos ovs Aprjs eAot, ov TTOtSas fl8ov, ov ddpapros ev x^P°i-^ 85 TTfTrXot? avvecrTaS.rja'av, ev ^evrj 8e yrj Kflvrai. ra 8' o'ikoi rotcrS' opoi iyiyveTO « / ) -»//l CMS/ 5. > fi. ' X^P^i'' T eoui^aKou, 01 o cnraioes ev oopois, (iWoLS TiKv eK^pi^l^avTes, ovSe npos Tu(f)ovs ead ocrrts aiiTo7s aipa yrj Baprjcrfrai. 90 7] rov8 eVaiVov to (TTpdrfvp end^iov. (jiyav lipeivov Tacrxpn, pr]8e povad poi yivoiT dot8os fJTis vpvi'jafi KOKd. 362 EURIPIDES. 'Y[iU)iS 8e npcoTov ^ev, to KaXXtoroi' (cXeo?, iinep ndrpas edurjaKOv' ovs 6' eXot 8upv, 95 VfKpoL y is o'Lkovs (f)ep6fievoi (f)i\a>v vno iv yf) Trarpma Trepi^oKcts fixov xOuvoi, ^(fpcrlv TTepicTTaXevTes hv fXP^^ vno. oaoi 8e fiTj davoiev iv fidxn '^pvyav, del /car' ^fiap (tvv 8dfj.apTi Kul TtKVOii 100 wKOvv, 'Axaiols S)v drrria-av fjdovai. TO. K "EKTopog (Toi XvTrp iiKovcrov oj? ex^'" bo^as dvTjp lipKJTos oc;(fr(U Oavuv. Koi ravT 'Axm^v t^is e^epyd^erat' el S' Tjaav oXkoi, xp^f^^os eXadev ai> yeyobs' 105 Tldpis S" f'yTJP'f TTjv Atoy, yrjfiai 8e nfj, (jLyoififvov TO Krjdns ei^fi' i^ 86p,ois. (peuyeiv p.ev oiiu ^pjj TvokepLOV, ocrris fv (ppoveC (I 6' is ToS" eXBoi, aricpavos ov< alaxpos noXei KoXcos oXeadai, p-f) KaXws 8e dvcrKXees. iio S)V ovvfK ov XP^7 M'''^Pi oiKTeipeiv (re yijv fj rdpa XtKTpa' tovs yap ixdl-o^fovs ipol Koi crol ydpoLcri rols ipols hia(li6epu>. Chorus. a>s fjfiews kuko'ictiv oiKeiois yeXas, peXTreis G a peXTrova ou a-a(f)ri Sei^eis lacos.u^ TaUhybius.el prj a 'AnoXXwv i^e^aKxevcreu (jipivas, ov rap apiu&i tovs e/ious o'TpaTrjXaTas ToialcrSf (f>T]fjLais e'^eVf/xTres ciu x^ovos. drap TCI crepva Kcii BoKTjpaaiv aocjya ovhev Ti KpeKTCTo) Tuiv TO prjhev rjv lipa. 120 6 yap p.(yi(TTOS to)P UuveXXijucov ava^, 'ATpeios (piXos nais, r^rxS' epcoT i^aiperop EURIPIDES. 363 fjiaivd8os inricTTrj' Koi jrevTjs fiev eijn eycb drap Xe)(os ye rrjad' av ovk eKTrjaufirji'. Koi (Toi fiev, oxj yap dprias fXfis (ppevas, 125 hpyeV oveidr] koi ^pvySav eTraivecreii dvfpoLS c^epeaBat Trapa8i8a>p' . eVrou fie poi, Trpos vnvs, koXov vvp(pfvpa tw crrpaTrjXaTr]. ail d', f]vLK av ere Aapriov XPuCn tokos ayeiv, eTreadat' craicppouos S ecret Xdrpis 130 yvvaiKos, as (f)aa ol poXovres ' iXioi/. Cassandta. 7 hewus 6 Xdrpis' ri ttot e)(ovai, rovvopn KTJpVKeS • fV dlViX^W^ TTCiyKOlVOV ^poTols 01 TTfpl Tvpdvvovs KOI TTokeis vTTrjpeTai. (TV Tiju f'prjv cjirjs prjTfp els 'Obvaaecos 135 7]$eiv peXaBpa j ttov 8' AttoWwvos Xoyoi, 01 (pacriv avTtjV els ep rjpprjvevpevoi avTov daveladai ; raXXa 8' ovk oi/eiStd). 8v(TTrjvos, OVK oi'S' old viv pevet iraBelv u>S xp^o-os aiira rdpa Kn\ pvyo)v koku 140 do^d ThOT elvai. heKa yap dvr\riTpui 145 KipKT], daXdaarjs 6 aXpvpds vavdyia, XaiTOV T epccTes, rjXlov & dyvdi j36es, at. adpKa (pavrjecrcrav ijcrovaiv ttots, TTiKpav Ohvcrcrel. yrjpvv. ens 8e crvvTepa, ^S)v eicr es Aidrjv, KiiKCpvyav Xipvrjs v8a>p 150 KaK «V 86poi(Ti pvpC evprjcrei poXcnv. 364 EURIPIDES. aKKa yap ri rovs 'OSuo"(recos i^aKovTi^oi Trovou?; (TTO-X ^ 07TCl>s TitT^KTr' is AtSou vviKpLO) yT]Hu>ne6a. r) KUKUS KaKCOS Ta<^1](J€l VVKTOS, OVK iv TJfJLepqj d> doKwu (TffJLVov Ti TTpaaaeiv, Aauai8cov dp^riyera. 1=5 Kap.e TOi veKpov (f)dpayyfs yvpvdb' eK^e^\r]p.evr]v vdari x^€ifidpp(o peovcrai Pvp(f)iov TreAa? racpov drjpcn baiCTOVcnv 8ds eV ova dyvrj Xpoa 8a> 6oais avpais ddvois av avpav laTion KapaSoKuiv, U)S fJt-lav TpioiV 'Epivvv Trjcr8e p f^n^av )(dovus. 165 ;(aip€ poi, prJTfp, BaKpvarji prjbev, 2) cf)LXr} iraTpis' 01 Tf y^s e'vep6 adeX(po\ x^ TeKOiv rjpds naTrjp, ov pciKpav Se^eadf p'' rj^oi d' es veKpovs viKr](^6po<: Ku\ 86povs ■nepaaa 'ArpeiScoi/, hv aTraykopeaff vno. [Troades, 294-461.] ARISTOPHANES. 365 IV. Aristophanes. i. DiCAEOPOLis, Chorus of Acharnian Old Men, Slave, Euripides. Dicaeopolis being in danger of his life from the chorus of Acharnian old men, who are angry at his having made a private peace with the Lacedaemonians, goes to Euripides to obtain the dress of a suppliant, and delivers himself of a speech over the block. Chorus. OvTOS avros icrriv, ovtqs. /3aXAe /3(iXX6 /SaOlXe ^aWe, TToie Tras tov fxiapov. ov ^akels, ov jSaXels ; Dicaeop. 'HpuKXeiy, rouri t'i icjTt ; ti)i> )(yTpav arvvrpl-^eTe. 5 Chorus, ere fJ.ev ovv KaraXeva-oiMev, w fxtapu KefjyaXrj. Dicaeop. avrX noias alvLas, od^apviu>v yepaiTaroi ; Chorus. ToiiT epcoras \ dvaiaxwTos el Koi j38(Xvp6s, S> TrpoSdra Trjs narpiBos, ocrris fjpMV povoi aTreicrdpfvos eira Svvacrai Trpof ep aTTo^Xenetv. 10 Dicaeop. dvT\ S' oji/ icnreicrdprjv ovk o'cbar' dXX aKovcrare. Chorus, aov y ciKOvacopfv " anoXel' Kara ere ^(uicropev tol^ \l6ois. Dicaeop. p,Tfhapoii, Trplv dv y dKovarrjT' aXX' dvaar^eaB wya6oi. 366 ARISTOPHANES. Chorus. O'JK a.va(T\i](ToyLnL' firjhe Xeyc /uoi uh \6yQv' o)? ^fiiiaTjKci ere KXiavoi eVt /jiaXXoi/, ov 15 KaTaT€nu> Toicriv ImreviTi KaTTVfxara. crov S' eyo) \6yovs Xeyovros ovk aKovaofiai fuiKpovs, o(TTis ecrnfi(ra> AdKcoaiu, dXXa ri/iupiycro/nai. Dicacop. S>yad6i, tovs [ifv AaKcovas eKTTo8(ov edaare, Tcov S' iiJLaiv (TTTOvhav aKovcraT , el koXcos icnrfi- crdfirjv. 20 Chorus. Tiuts 8' eV civ koXcos Xeyois av, i'nrep iantiaco y ana^ oiaiv ovre jSafJios ovre iricrTis ovd opKos fievei j Dicaeop. ol^ iyut koL tovs AuKcovas, ols ayav eyKelfieda, ovx anavTcov ovras Tjfjuv alriovs twv Trpayndrcov. Chorus, ovx cLnavTcav, u> iravovpye ; ravra 8>) roXfias Xeyeiv 25 epfpavws ^^rj Trpbs rjpds ', eir e'ya) aov (pelaofiaL • Dicaeop. ovx d.TTdvTa)v ovx dnavTciiV aXX' fyo) Xeyav 681 TToXX' au aTTOcprjvaiiJL eVetVovs ecrff a KaSiKOVfievovs. Chorus. ToiiTo tovttos fiftj/of r]8r] koI rapa^iKaphiov, el Gv ToXpt'jaeis vnfp twv TtoXepiav rjfxiv Xeyeiv. 30 Dicaeop. kuv ye p-rj Xeyco BiKnia, prjde to, TrXijdei Sokw — vnep fTTt^rfvov BeXTjao) ttjv beprjv excov Xeyeiv. Chorus, (lire poi. rl }^aj3av. Chorus, fine fioi, tL tovt uTTfikel tovttos, avBpes drjiaWai, Tois ^ hxapviKoiaiv rjplv ; p.Siv i'^d tov iraihiov Twv irapovTOiv evSov eip^as ; *] Vt tw Bpaavverai ; Dtcaeop.^dWiT ,(lfiovK((r6\ iyco yap tovtovI 8iacf)6(pS). 45 eiaopai S vpwv rax ocrris dvOpaKwv ri Krjderai. C/iones. us diTaX6p.€(T6\ 6 )^dpKos Srifxorrji oS' ear ip.6s. aWd fif] 8pd(rr]s 6 peXkds' pij8aiiios, S) prjSapas. Dicaeop. <»? aTroxTfj/ai, KeKpa^ff' iya yap ovk dKova-Ofxai. Chorus, dirokeis ap 6p.r]KiKa rovde (biKavGpaicea • 50 Dicaeop. ov8 ifiov Xeyovros Vfieis dprias rjKova-arf. Chorus. dXXa vvvl Xf'y', «i' croi Soicel, tou re Aa/ce- haipoviov avTov on tw rpona aovari 0i\os* COS ToSe TO \apKi8iov ov TrpoSoxro) ttotc. Djcaeop. tovs Xi6ovs vvv poi x<^H-dC^ Trpwrov i^epdaare. ce, Chorus. ovTOU trot x^pai, kuI trh KardBov TfdXiv to ^iffjos. Dicaeop. aXX ottojs p.r\ v toIs TpifBaxTiv eyKaBrjiiTai nov \l6oi. Chorus. eKcrecTfifTTai ^ofid^ . ov)( opas (Xdopevov • aXXa p.rj |xoi Trpocpatriv, dWd KOTdBov to j3eXos. uis o8e ye crtiaTos ajxa tji (TTpopove'is e'x^'* «XX' fjnep avTos ttjv 8iKr]v fittopi'a-oj, 75 6€\s devpo roinvi^rji'ov €y)(eipei Xeyeti/. Dicaeop.lhov deaaai, to peu iiri^rjvov roSl, 6 S' avffp 6 Xe^av ovToal tvvvovto(ti. djXfXfc pa TOP At' ovK. ivacrinbuiaopai, Xe^co 8' vnep AaKeSaipoviwv ci poL 6o/C€i. 80 KaiTOi SeSoiKa noXXd' tovs Te yap Tponovi Toiis T(ov dypoiKOiv oi8a ^aipovTas (T(f)68pa idv Tis aiiTOVi evXoyfj Ka\ Tr]V ttoXiv durjp aXa(a>u Koi dUaia KabiKU' KuvTavda XavQdvovd dnepnoXuipevoi,' 85 Tcov T av yepovTotv otSa Ttis yj/vxas oTi ovbev ffXiirovviv aXXo ttXtjv "^rjcfja BaKflv, avTOi T epavTov inro KXewi/of anadov inipo^hiuv. flu ovtos ovk flade^erai. 100 (opa ^CTTiv apa poi KapTfpav ^f/vx^jV Xa^elv, Kai poL (Sadiarf icrriv as Evpt,7ri8r]u. TToi Trai. ris ovTOi • ev8ov €(TT EvpiTrldrjs • OVK tvhuv €v8ov (cttIv, el yvaprjv ex*'^* nws ev8ov, eir ovk ev8ov ; 105 opdcos, S> yepov. 6 vovs pev e^co ^vXkeyaiv envWia OVK ev8ov, avTos 6' evSov dpa0d8r]v noiel Tpayci)8iav. S) Tpta-fiaKapi 'Evpnri8r], o9 6 8ovkos ovTU)a\ cro(j)a>s vTvoKpiverai. (KKa\((TOV avTov. no uk\ u8vvaTov. aXX' opcos. ov yap av aTreKdoiiJ,' uXXot Koyf/co ttjv Bvpav. Evpini8r], Evpnrl8iov, vTraKovcroVj e'lnep ttcottot' di'6pu>ncov Tivi iinKaionoXig Koke'i ae XoXXetSr^f, e'-yo), aXX ov a^oXt]. 115 oXX' {kkvkXtjStjt . Eurip. dXX' dBvvarou. aXX' opwi. dXX' (KKVK^Tjcropm' Karn^aivav b' ov (7;(oX7j. Evpi7ri8r], Eurip. ri XeXaKas ', dva^d8T)v TTOiels e^bv KaTa^d8T]i>' ovk eVoy ^aiXovs noifls, Bb 370 ARISTOPHANES. arap ri ra paKi €k rpaycoBias fX*'*) ^^o ecrBrJT (XfiVTjv ; oiiK cVoj tttco^ovs noie'ts. oAX' di'Tt/3oXco TTpus Tcou yovc'iToi' ep€i. 125 Eurip. TCI TToia Tpvx^ ', p^^ ^^ ols Oivivs 68\ 6 6v(T7TOTpos yepaios Tjyavl^eTo ; Dicaeop. ovk Olvews rjv, dXX er dSXiuiTepov. Eurip. TO. TUV TvTepos. 130 Eurip. TToias Tvoff dvijp Xaicibai aireiTai Tren'Kav • dXX' rj ^lXokttjtov to. tov nraxov Xf ■yetr • Dicaeop. ovk, dWd tovtov ttoXv ttoXv TrTcoxto-repuv. Eurip. dXX' 1] TO. bvuiTivrj 6e\eis TTcrrXdipara a BeX\(po(p6pTT]s eix' 6 x<^^^'S ovtoiti ; 1 35 Dicaeop. ov BeWepofj^ovTrjs' dWd KUKelvos pe.v t)v ^coXos, TrpoaaiTcov, trrw/ivXof, deivos \iyeiv. Eurip. olS" avhpa, Mvaov TijXe^of. Dicaeop. vai, TrjXecpov' TOVTOV 5<;s dvTi^oXco ere poi to crndpyava. Eurip. S) nal, bus avTO) TrjXtcfyov puKojpaTa. 140 Kelrai 6' av6ev TOiv QveaTeicov paiccnv, fiera^v twv 'ivovs. Slave. Ihov tovti Xa/3e. Dicaeop. h Zev bioTrra koi KaTdnTa napTaxrj. levcTKevdaaadai p oiov d^XicornToj/.J EvpiTTibrjj ^neidTjTTep e'xapla-a Tabi, 145 ARISTOPHANES. 371 KVLKtiva fioi 8us TuKuXovda TOiv paKu>v, TO mXidiov TTfpi TTjV Kf(f)a\rjv to Mvaiov. Sft ydf) fie fio^ai nrcop^of tivai T^fxtpou, eivai fjiiv ocnrep et/xt, (paivecrdai fie fj.jy Tvvs jJiev dearas etSevai fi os el'jix' ey 8' ciycb (ppovw. (ii y • olov rfdr/ pr]paTia)V epniiTKapai. 1 55 wrap 8eop.ai ye TTTcd^iKov ^uKTripiov. Eurip. Tovri Xa/Si)!/ anfXde Xaivrnv (TTa6p.a>v. Dicaeop. o) &^\^ , opa? yap wf aivu^Qovp.ai Sopav, TToXXwi/ 8e6p€vos (TKevapicov' vvv 8f] yevov yXicrxpos TTpocraiTav Xinapcov T . F.vpnr'i8t], 160 86s fioi airvpidiop 8iaKfKav^xevov \v)(V(x>. Eurip. tL 8', ^ ToKas, ere tovS" e^et, TtXeKovs XP^°^ 5 Dicaeop. xpeos pev ov8ev, ^ovXop,ai 8 opcos Xa^eiv. Eurip. Xvnrjpbs "lctO^ &v Ka.iTOX^p'r}0'ov hopatv, Dicaeop. cfiev' 165 fv8aipovoir]s, wcrnep rj prjTrjp TvoTe. Eurip. uTreXde vvv poi. Dicaeop. paKka poi 86s ev povov KOTvXliJKiov TO ;(etXoj drroKeKpovpevov. Eurip. (f>deipov Xa^oiv t68 ' laB" oxXrjpos oiv 86pois. Dicaeop. oijTrui pa AC oicrB' 01 avTos epyd^ei fca/cd. ij-o dXX', S yXvKVTUT 'EvpiniSr], tovtI povov, 86s pot, )(VTp[8iov a(f)oyyico ^e^vcrpevov. Eurip. avdpion, dipaiprjaei pe ti]V TpaycoSlav. B b 2 372 ARISTOPHANES. ant'Kde ravTrjui XnjScoi'. Dicacop. anepxofJ.ai. KaiToi ri 8pa(ra> ; 8ei yap evos, ov (ifj TV)(a)V 1 75 aTToXwX', iiKovaov, J) ykvKVTar EvptniSr)' TovTi Xa^cbv aneipi kov Trpocnip. en' tls TO (TTvvplhiov l(Txvd (loi (f)vXX€7a 86s. Eurip. a.TToka.'s \i . l8ov crot. (ppoiidd fioi tc. dpdpara. Dicaeop- dXX' ovKer, dX\' inrnpi. kcu yap elp' liyav 180 6)(\r)p6s, oil 8oKU)V pe Koipdvovs (TTvyelv. o'lpoi KaKo8aipu)v, as dnoXcoX'. eneXadoprjv eV (OTTfp eVri irdvra poi to. irpdypara. 'EvpiniSiov 0) yXvKVTaTov Koi (jiiXraTOV, KdKiar aTToXoipTjv, ei ri a airrjaaip ert, 185 irXrjV tv povov, tovt\ povov tovtl povov, (TKdvSiKd pot 8us, pr]Tp6d(V Sebeypevos. Eurip. dvfip v^pi^ei' (cXeie nrjKru 8a>pdT0)V. Dicaeop. u> 6vp , avev aKdv8iKos epnopevrea. ap oiaB" oaov tov dycov dyuivifi Td)(a, 190 piXXcov vTVip \aKe8ai.poviaiv uv8pa>v Xfyeiv; TTpoliaiue vvv, o) 6vpi' ypappt] 6' avrrp. €(TTr]Kas ', ovK el KoraTTioiv 'Evpmidrjv 5 eniivea' uye vvv, S) rdiXaiva Kap8ia, aireXff eKflcre, Kara ttjv /cec^aX^i' eKel 195 Ttapdaxfs, eiTToiKj drr' av avrf/ croi 8oKjj. ToXprjcTov^ '161, x'^P^^ov, (iynpai KapSias. Chorus. Ti Spdcreis ) tl 'prjcreis ; aXX icrBi vvv dvaicrxwTOS tiv cn8r^povs t dvrjp, oaris 7Tupa(Txo}V rg nuXei, tov avx^va 200 ana8pes 01 6fa>p.fvoi, ft 7rTCO)(Oi av eVftT fv ' Adrjvaiois "Keyeiv 205 piWo) irepi TTjs TvuXeas, TpvyaySLav noiwv' TO yap diKaiov otSe Koi TpvyaSia. eyo) 8e Ae^co 8eiva p-ev, biKaia Bt. ov yap pe vvv ye hia^oKel KXeaji/ on ^evcov TrapovTccv ttjv ttoXiv KaKcos Aeyo). 210 avTol yap ev dcTTCJv Afyw. 215 e'yo) Se piaS> pev AaKehaipovlovs cr(p68pa, KavTo7s 6 UoaeiScciv, ovttI Taivapto 6e6s, (Tficras anafTLv epftakoi tcis olKias' Kupol yap icTTiv dpireXia KeKoppeva. aTap, (f)i\oc yap ol napovres ev Xoyw, 220 Ti TaiiTU Toiis AciKcdvas alriapeda' T]pa)V yap civBpei, ov^\ tijv ttoKiv Xeyw — pepvrjade Tovff , otl ovxi ttju ttoKiv Xe'yo)— aXX dvhpupia po^drjpcij irapaKeKoppevn, iiTipa Ka\ napdaripa Ka\ Trapd^eva, 225 e(TVKO(f)dvTei Meyapecov tci )(KaviaKia' Kei TTOv aiKVOV Lboiev rj XayatSiov Tj -x^oipi^iov T] cTKopoBov 7) ^ovSpovs oXas, TavT rjv MeyapiKO. KaTrenpaT avdrjpepov. Ka\ TavTa pev 817 apiKpa Kd7n)(0}pia, 230 374 ARISTOPHANES. nopvrjv Se '2ifj.aidav idires Mf'-yopaSe veaviat. KXeTTTOvcri fiedvaoKOTralSoi' Kaff ol Mfyap?]s odvvais nefpiKriyyafiePOi dvTf^eKXeyp-av 'Aanaaiai iropva bvo' Kavrevdev ap^fj tov iroXtpov Kareppayrj 235 "EXXjjcti iracnv (K Tpiaiv XaiKacTTpiwv, fVTfvBfV opyfi UepiKXeqs ouXv/XTTto? ^(TTpaTTT, fl3p6vTa, ^vveKVKa ttjv 'EXXaSa, erlSfi vopovs coffTrep cr/coXta ytypappevovs, as xph Meya/jea? /xi^rf yff prjT iv uyopa 240 pr]T iv OaKuTTr] prjT ev rjneipa) piveiv. fVT(v6ev 01 M{yap?]s, ore 8f] 'nelvcov lidbrjv, AaKfSaipovicdv edeot^ro to yj/rjcfjicrp ottws pfToarpacjifir] to 8iu tus XaiKaaTpias' KOVK r]6fXop(v rjptls 8eopeva>v noWaKis. 245 KcipTfvdev rjhr] naTayos i]v tS}u dcTTriSwi'. epei Tis, ov XP^^' 'tXXa ti exp^jv etTrare. v tis (KnXevaas (TKcicPei dneduTo (prjvas Kvvibiov '2epL(pia>v, KaBrjcrd' au kv Sopoicriv ' fj ttoXXoG ye Set' 250 Kcil KapTa pivTuv eide'cos KadelXKfTe TpiCKoa ias vavs, rjv 8' iiv rj ttoXis TrXect Bopv^ov aTpuTKOTibv, TTe/ji Tpirjpcipxov ^orjs, pLcrdov 8i8opevov, IlaXXa8ia)i> xpvf^ovpevMV^ aroias aTevaxovurjs, (riTiau pfTpovpevau, 255 d(TKa>v, Tp(>naiTf]pa)v, Kd8ovs oivovpevav, (Ticop68(i)u, (Xacof, Kpopjxvutv iv 8iktvois, (TTe(f)dva)V, Tpix<-8(x)V, avXr]Tpi8u>v, vnainicov, TO vtu>piov 8' au Kconiuv nXaTovpevatv, ARISTOPHANES. 375 rvkmv •^o^ovvTuiv^ daKaiximv Tponovfieucov, 260 av\S)v K(\evaTu>v, viy\dpu>v, a-vpiyfidTav. TavT otS' OTt tiv 'ibpare' tov Se Trj\f(j)ou ovK owfiecrda * vovs ap' Tjpiv ovk evi. [Aeharnians, 280-556.] Demosthenes, Nicias {Athenian Generals), Sausage-Seller. Dem. Aeyoip.' av fjhrj. vav yap fi' Kfj^dpiarai tovto. koi nparjv y epov 15 pa^av pepa^dros iv livXa AaKcoviKTjv, 7rav(wpy6TaTd ttchs TVfpihpapav vcpapnaaas avTos Trapedr^Ke Tr]v vn epov pepaypeprji', Tjpds 8' aTTtXavvei, kovk eS tov BeanoTriv liXXov depantveiv, dXXa ^vpcrivrjv e^^wv 20 376 ARISTOPHANES. teiTTVovvros ecTTws dnocro^u tovs fjrjropas. aSft 8e xpnayLOvs' 6 Se ytpcov aijivWia. 6 8 avTov wy opa pefiaKKOrjKOTaj Te^vrjv TreTroirjTat,. Toiis yap evdov dvriKpvs y}ff v8ij Sta/3aXXet" Kara fiacmyovpeda 25 rjpiis' TlacpXayav 8e nepideoyv tovs oiKeras aiTii, TupaTTfi, ScopoSoKfT, Xeywv rnSt* opare top YXav 81 ipe pacmyovpfuov ' ' (1 prj p avanfi'TtT , aTToBavelcrde TTjp^pov, Tjpels Se 8i8opeV tl Se pfjj Tvarovpevoi 30 VTTo Tov yepovTos OKTanXdaia ^f^opeu, vxJv ovv avvfTavre (ppovricrwpfv, Siyade, TTOiav 686v vav TpfTvriov Ka\ npoi r'lva. Nic. KpuTKTT fKfimjv TTjV poXapeVj a>ya6i. Dem. aXX' ov)( oiov re tov Iia<^\ay6v ovhiv XnBfiv 35 f(popa yap avTos ■ndvT . i'^^ei yap to TaTa. Dem. 7rS>s 87ira nios yivoiT av dv8piKu)TaTa J JVic. ^eXTiCTTOV rjplv alpa Tavpeiuv ■milv, (') OepidToKXeovs yap 6dvaT0i aipfTuiTepo!. 45 Dem. pli At aXX iiKpaTov olvnv dyaQov 8a[pnvoi. icrwr yap av xprjardv ti (i'lvXevcraipfda. Nic, I80V y "iKpaTov. nep\ ttotov yovv iaTi croi ' iTois 8* tiv p(dva>v )(pri Tov voiiv IP ap8a kol Xe'yo) ri 8f^i6u. AHc. oifioi, Ti TToff fjp.(is ipydcrei Ta> aw ttoto) • Dem.ayaQ' dXX' eveyK' fyu> 8e KaraKKipijcropai.. rjv yap p.f6v(T6(o, Ttdvra ravrl Karandrrco 60 ^ovKeviiariav Ka\ yvajjudiav Ka\ voibiav. JVzc. (OS evTvx^s on ovk i\f](p6rjv ev8o6fv KXeTTTOIV TOV olvOV. Dem. ftVe fini, rTn^Xaycoj/ ri 8pa' Aic. fTTinaaTa Xe/^as dTjpioTrpad 6 (BdaKavos peyKei fjLfdvav iv raldi (ivpa-ais vtttios. 61; Dem. 161 vvv, uKparov iyKdva^ov p.01 ttoXvp, aTTOvdrjv. Nic. Xa/3e S17 Kai trirdfTov dyadov Baipovos' eX;^ (Xks TTjv TOV SaipLovot tov JJpap.viov. Dem. o) Salpov ciyade, aov to 0ovX(vp.\ ovk epov. Ntc. eiTT*, dj/ri/3oXw, Tt 'ia-Ti ' j-o Dem. TOVS xpritrpovs tu^v KKeyj/as epeyKe tov n.a(})\ay6uos ivhoOev, €0)9 Ka6ev8fi. Nic. TavT. d-Tap tov Salfiovos 8e8oi)( OTTwy pr] Tev^opai KaKo8aipovos. Dem. (pepe vvv eyu> pavTw Trpoaaydyco top X''"^) 378 ARISTOPHANES. TUV VOVV IV i!f)8u KOI \tys (J-fyaX 6 Jla(f)\ay(ov TrepSerai Koi ptyKtTai, war fXadov avTov top Upbv xP^^^f^^" ^«/3a)Z', SvTTfp y.aKi(TT f(f}vXaTTiv. Dem. S> (ro(j)f'p' tSw tI ap eueariv avroBi, 8o u) \6yia. fiov p-oi bos to noTtjptov Ta)(v. Nic. Idov' Tl (pTjcr 6 ;^'p7jcr/ioff ; Dem. (Tfpav eyxeov. Ale. iv Tois \oyiots eveariv erepav ey^eov ' Dem. S) BuKi. Nic. tI fari ' Dem. 86s to TroTrjpiov Tax^. Nic. TToXXw y 6 BcLKis exprJTo ra TroTTjpiGi. 85 Dem. o) piiape UacpXayuv, TavT ap' f(f)v\dTTOv TrdXai, Tov 7Tfp\ creavTov xpi'^y^^v oppcoSoiv ' Nic. Tirj ; Dem. ivTcivff eveaTiv avTOS as diToWvrai. Nic. KCLi 7Tci)s ; Dem. oTTwy ', 6 xP^<^P-6s uvTiKpvs Xeyei. as Trpwra pev aTVTnrfioTrwXrjs yiyveTai, 90 OS TrpoiTos f^(i T^r TroXfcoy tu Trpc'iypara. Nic. eis ovToal ttcoXt;?. ti TovvT€v6fv ; Xeyf , Dem. pfTa tovtov avBis t: pofinTonco\qs 8evTepos. Nic. 8vo Ta>8e TrcoXa, /cat tI T6v8e xph TTuGe'iv • Dem. KpaTf'iv, eas eTtpos dvrjp ^8f\vpa>Tepos 95 avTOv yevoiTO' fiera St tovt dnoWvTni. fTTiyiyveTai yap ^vpcronwXrjs 6 IIa0Xaya)i/, apnu^, KtKpaKTrjs, KvKXo/3opou (pavfjv fx'^"- Nic. TUV irpn^aTOTToArjv t/v tip diT(>kt(T6ai xp^av irjTo ^vpaonaXov j Dem. vt] At . 100 Nic. olfioi bflXaios. ARISTOPHANES. 379 TTodfV ovv av en yepoiro ttojXijs els fiovos ; Detn. eV' eorii' els, VTrep(f)va Te)(yr}v i'x^av. Nic. etTr', dvTi^oXa), rls icmv ; Dem. (inoi 5 AvV. 1*17 Ai'a. Dem. dXXaiTOTTcoX/ys 'iaff b roiiTov e^eXCov. Nic. tiXXai/roTTcoXT;? • h IlocreiSoi' r^y rexvrjs. 105 0ep6 TTov Tov avSpa tovtov e^evprjaofiev ' Dem. ^r]Tv rayi ru>v evhaipovodv . 1 20 .S". S. ri p , (bydd , ov nXvvetv eas rds KoiXius TTcoXfli/ re rovs dXXdvras, dXXd KarayeXas ; Dem. J) pcope, ttoIos KoiXias ', devpl ^Xene. ras (rTi\as opas ras rwvSe rcov Xaav ; S. S. 6pu>. Dcm.Tovrmv dirdvrav avros dp)(^eXas ecrei, 125 38o ARISTOPHANES. Kai Ttjv ayopai Koi tu>v Xtfitvcov (cat ttjs ttvkvos' 0ov\r]u naTTjacis Koi (TTpaTrjyovs (cXacrrao-ftf, Sijcrets, cf>v\d^(i.s, fv npvTavtia Xat(cd(rets, ^. S. e'yco ; Dent. (TV fiivTOi' Kovhinu> yt Trdvff opas. akV inavd^r^di Kimi rovXeov to81 i 30 Koi KUTi8f Tus VTjcrovs anadas iv kukXo). S. S. KaOopco. Dem.TL hal; rapnopia Ka\ tus oXKaBas ', S. S. eycoye. Deni. TTU)^ ovv ov ^je-ydXcos ivi!')aiixr)va.s ', en vvv TOP o(^6aKp.ov TtapaQciW eis Kapiau TOP St^iov, Tov S' iTfpov ils Kak)(rjh6va. I 35 .S". .S". fv8aip.ovrj(To) 6*, ei bias 6 xprjcrpLOs ovToa). Xeyei, avrjp (ieyicTTOs. S. S. f (Ve poi, Koi 7rw9 iya> dXXaiTOTrcoX/ys cop uvrjp yevr](Top.ai ; 140 Dem. hi aiiTO yap toi tovto koi ■ytyj'et p.tyas, oTLTj irovTjpos nd^ ayopai ei Ka\ Opaavs. S. S. OVK a^LO) 'yo) pnvrbv l(T\veiv p-fya. Devi, ("ipoi, Ti TTOT 'ia6^ on aavTov ov cf)r]s a^iov ' ^vvfi8evai n p.01 So/cft? travroi koKov. 145 pu>v (K KtiXcov ft KayaOav \ S. S. p.a Tovs Beovs, (I pf] K TTOVTjpcOP y. Dem. 2> paKapu r^i rvx^js, orrov TTfTTovdas dyadov eh ra Trpaypara. S. .V dXX , ojyd^', ovSe fiovaiKfjv iiricrrapai, ARISTOPHANES. 3S1 •nKr]v ypa^^uTcov, koi ravra /levroi koko icaKots. 150 Dem. TOVTi \i.6vov a €^\a\j/ev, on koi KaKo. kuko)!. fj 8rintiycoyia yap ov npos p.ovcnKov (T ((tt\v (ivhpus ov8e xprjaTov rovs rponuvs, oXX' els up,a6rj Kcti ^8e\vp6u. aXKa /xij Trapfjs a (TOi biSoaa ev rois XoyiuiaLv 01 6eoi. 155 S. S. TToss fiijra (liija 6 ;^pj7(r/idf ; Dem. ev vfj roiis deovs KOI 7roiKi\(j)S TTcos Koi (Ta(f)S)s rjviypevos. 'aXX' onorav papyj/j] ^vpcraUros a.yKv\o)(T]\T]s yap(pr]\fjcn, bpaKOvra KoaXtpov cilpaTonuirriv, Si] TOTS nacfiXayovcov pev anoXkvTai j] aKopoduKp}], 160 KuiXtoTrojKjjatv 8e Beos peya kv8os ona^fi, a'i Ka nfj TrcoXelu aXkai/ras paXKou eXcovrat. S. S. ttZs ovv ivpos e'/xe raur iarlv • avahihacTKe pe. Dem. ^vpcraieros pev 6 Ilat^Xaycov iaB" ovTOcri. S. S. tI 8' dyKv\o)(Tj\rjs eaTivj 165 Dem. avro ttov Xe'yei, OTi dyKvXaii rats x^po"''' upTrd^av (^f'pet. S. S. 6 dpuKOiv 8e TTpos ri " Dem. TovTO nepKJiavea'TaToi'. 6 SpaKdV yap eort paKpbv o t dXXas av paKpoV CIC7 aip,aTOTTiOTrjs f ovv dpaKovrd (f)r]ai tov ^vpcraUrov 1 70 tjBtj KpaTi]aeiv, at Ke pr) 6a\(f)6fj \6yois. S. S. ra pev \6yi aiKaXXei. pe' davpd^a) S' oTTas Tuv Brjpov olds T (TTiTpoTj-fveiv (ip eyu). Dem. cfiavXoTaTov epyov' tuvB' dnep ttokIs noief TapaTTe Kal x^opdev' opov za irpdypara 1 75 3S2 ARISTOPHANES. mravTa, Kai tov brjixov a«l Trpocmoiov VTToyKvKawav prjuariois fxayapiKo'is. TO. h aWa croi TTpoaeari hrjiiayayiKa, (fxuvrj fxiapUj ytyovas KaKcas, dyopaioi ft' fXfis anavTa rrpos tvoKLTelav 6. bii' i8o XpT](Tfini re crvpfiaivavGi kqi to TIvdiKou. dWa (TTtcfinvoii, Kol crnevhf tco KoaXepo)' XdiTTcos apvvfi TOV (iv8pa. [Knights, 40-222.] iii. Strepsiades, Pheidippides, Slave, Socrates, Disciples, Clouds. Strep. 'lou lav' 2} Z(v /SacrtXeC, to xi'W'^ ''"'^^ wktuiv octov (iTTepnvTov, ovhenoB fjpe'pa yfvtjaeTai ] Ka\ pfjv TTciXai y dXefcrpvoVos TjKova eyoi' ot 8' OLKeTcu peyKOvaiv' ukX' ovk av Tipo tov, j aiToKoio 8rjT , 6) noXepe, ttoXXcoj' ovveKa, or* oiihe KoXd(T e^eari pot. tovs olKCTas. dXX' ouS' 6 XPW'^^ ovToai veavlas eyfiptTai t^s vvktos, dXXa Trepderai (V TTcWe cnavpaLi iyK(KopbvXr)p.ivos. 10 aXX' et hoKfi, peyKaptv iyKfKoXvppevoi. dXX' oil Bvuapai deiXaios fvdfiv doKvopevos VTTO TTjs BaTrdmjs Koi ttjs (PuTprjs Kui tu>v ;(pfaji', bia TovTOVi TOV vl6v. 6 bi Kuprjv fp^coi/ imrd^eTai re koi ^vvapiKevtTai 15 dvfiponoXfl ff iTTTTovs' fy<>> S dnoXXvfJiat, ARISTOPHANES 383 opwf ayovarav rfjv (reXrjvrjv etudSas' ol yap TOKoi )(a)povaiV. anre, nai, Xv^vov, KtiKCpepe TO ypappare'iov, 1v avayvoi \afioiv onocroi.^ ocpeiXoo Kai Xoy/crco/xai tovs roKovi. 20 (bip" I'Sco, Ti ocpeiXo) ; ScoSe/ca pvas Haffia, Tov ficoSeKa pvas Ilaata ; ti (xPW^i'-W j or' €Trpidpr)v tov KomraTLau. o'lpoi TiiXas, flff f^enoTrrjv irporepov tov o(p6aXpov Xi6a. Phei. $iXq)1', aStKels" TKavve tov a-avrov bpopov. 25 Strep. TOVT ifJTL Tovr\ to kokov o p.' anoXuiXeKev' oveipoTToXfl yap Ka\ Kadtvdcop InTnKTjv. Phei. TToaovs 8p6povs eXa ra noXfpio'TJ]pia ' Strep. e/xe piv (tv ttoWovs t(f)XriKa p^wrepot tokov eVe;(vpdo-ea-^at' (paaiv. 35 Phei. ertov, w Trarep, tL 8v(TKoXalv€is Ka\ (TTp€(^n Tfjv vv^ff oXt^v J Strep. baKvei pe STjpapx^us riy (K toiv (TTpapdrcov. Phei. fa(TOV, S) duipovie, Karahapduv ti pe. Strep. (TV 8' ovv Kud(v8f' ra be XP^'^ TavT lad oti fs rfjv Kf(f)aXrjv anavra ttjv (rfjv Tpf\f/eTai. 40 (fifv. (Iff a>cj)eX' T] npopvT](TTpi dnoXeaSai KaKcos, rJTis pe yr]p eTTrjpe Tt)v o'tjv prjTfpa' e/iol yap rjv aypoiKOS ijfitoros /Si'of, 384 ARISTOPHANES. eVpCl)Tl(OV, ClKOp-qrOS, (IkiJ KfL/KVOS, 0pva>p p.(XiTTcns K(u Trpo^aTots Kal aTffKpvXon. 45 fneiT eyqiia MeyaKXeovc tov MfyuKkeovs d8(K(pt8r)v uypoiKos oiv i^ uaretoi, afp.vfjv, rpv(})(baav, iyKtKouTvpanivrjV . Tavrrjp or iyapovv, (rvyKaTeKkivofMTjP eyat o^wv Tpvyos, Tpaaias, ipiav Trepiova-las, 50 fj b ail fivpov, KpoKOV, KaTayXcoTTicrixdTcov, 8aTTdvT]s, Xacjivypov, K(o\id8os, T{i>(TvWi8oi. ov p.r]V epu) y as dpyos fjv^ dXX* iandda. eyu) 8 av avrf) 6olfxdriou deiKvvs roSt TTpuCJiaaiv i'p. — perd TavB , ottcos kuv tyeped' vlos ovrocrl, 60 epoi T€ S17 KOI Tji yvpaiKi Tayadji, TT(p\ TovpopaTos 8f] pTfvdep €\oi8opovp.(6a' Tj p.€p yap inn OP "^tpocrtTiOd irpos Tovpopa, SdpOnnrop i} Xdpnrnop ij KaWiTTTriSrjp, eyo) Se tov Trdnnov Wideprjv fi8copi8TiP. 65 reuis pep oiiv iKpipopeff' (ha tw xpovca Kniifi ^vpe^rjpfp Kudepfda ^ti,8i.Trni8i]P. ToiiTOP Toi/ vlop Xapfdupova (K/'pi^ero, OTap (TV peyas S)p dpp' tXavvTjs irpos ttoXm', Sinirep MeyaKXfTjs, ^i'(rriS' '('xoip. I'yco 6' ffjiTiP, 70 OTap fiep ovv Tas aiyas (k tov 'I'fXXewf, ARISTOPHANES. 385 axTirep 6 waTTjp aov, 8i(ji6epav evTjppevos. a\\ ovK emdeTO toZ? ep.o'is ov8eu Xoyot?, aXX imrepuv pov KciTe)^€ev Tav ^(pripaTaiv vvv ovv oXrju Ti]U vvktu (ppovTi^wv, 68ov 75 piav ei/pov urpairbv baipovias vnep^va, T]v r]v avairei tovtovi, (roidrjaopai, oXX i^eyeipai npSiTOv avrov ^ovXopai. TTWff SiJT ay TJdia-T avrhv incydpaipi 5 ttcos ; ^€1817777181], <^ei8iT7T7i8i.oi/. Phci. TL, w narep ; 80 Strep. Kvdov pe Koi ttjv ^"pa ^os ttjv Se^idv. Phci. I80V. TL ea-TCV ; Strep, eljre pot, (piXels ipe ; P/iei. V>] TOU noCTfiSoJ TOVTOfl TOU 17777101'. Strep, ptj poi ye tovtov prj8apQ)s tov mmov' ovTOS yap 6 $e6s a'trios poi rav KaKan/, 85 aXX fLTrep tK rrjs Kap8i(is p ovtcos (f)i\e1s, (o 7ia7, 77160V. Phei. t'l ovv tiiQapai 8x]ra aoi ; Strep. eKcrTpe\l/ov cos raxiCTa tovs aavTov rpoTTovSj Kcn pavOav eXQutv av eya> J7apaivt(r Trdrep ; Strep. ■\lrvxa)V aocf)aiv tovt eaTl (ppovTicrTrjpiov. evravff ivoiKova av8pes ol tov ovpavov 95 \eyovTes avaTreiOovcnv (ns ecTTiv T7viyevs KoxTTiv T7ep\ fjpas OVTOS, rjpe7s S' avSpoKes. ovToi SiSdaKova — apyvpiov rjv Tis 8i8co — C C 386 ARISTOriTANES. Xfyoma vikCiv koi fitfcata KadiKa. Phci. eiorjf Se Tt'i'fs J ^ loo Strep. ovK oi8' aKpi^ws Tovvojia' fifpilivocppovTiOTai KoXoi T€ Kflyadoi. Phei. al^oi, novripoi y' oi^a. tovs aXa^ovag, Tovs i>xpi-a>VTas, Tovs dfVTroBi'jTovs Xeyfts" S)V 6 KUKoSaipav ^coKpuTTjs Koi Xaipe(p(i}V. Strep. rjTj, a-imna' ^xijdfv fLTrrjs vrjjriov. IC5 d\X' €t Ti K7]8fi Tcov TTarpcoap aX(f}iTU)V, TovTu>'' ytvov poi, crx^acrapevos ti]v LirniKqv. Phei. OVK av pa tov Aiowaov, el doirjs ye poi TOVS (f)a(riavovs ovi Tptcpa Aewyd^as. Strep. iff, dvTi^oXcb KpuTovs u(pTikaro. Strep. ttSs hrjTn tovt ip(Tpr)(T( ; Disc. 8(^ia)TaTa. KTjpov BiaTTj^as, (iTa Ti)v y\fvWav Xafioov (ve^a\l/(V (S TOV K-qpov avTrjs to) ttooc, 150 Kara ylruxfta-rj ■!t(pu^v(Tav Il(p(TiKai. Tairras inroXvaas uv(perp(i, to x'^P'-ov. Strep. a> Z(v ^a(Tik(v, ttjs \(ttt6tt]tos tuiv (fjpevoiv. Disc. TL brjT uv, eT(pcv (I TTvOoio ScoKpdrovf C C 2 388 A R IS TO PITA NE S. (j)p6vri(TiJ.a ; Strep, ttolov • dvTt^oXa, KaTtnre fioi. 155 Disc. dvr'jpfT avTov Xaipe(fici)v 6 2(firjTrio': OTVoTfpa Ti-jV yvwprjv ex^'-f ''""^ ejuTTiSo? Kara to crrop.' aSeii', f; Kara rovppoitvyiov. Strep. Tt briT (Kfh'os fine nepl Trjs eprribos ', Disc. f(f>naKfv dvat TovvTfpov r^r ipTrlbog 160 crrevuv' Sia \enTov 6 ovroi airov ttjv TVvor]v ^'la I3a8i^fiv fvdii Toippoirvyiov' t-TTfira KoTKov npos artva irporrKeipevov Tov TTpcoKTov tj^e'iv VTTQ /3/as TOV TTvevpaTos. Strep. (niXniy^ 6 npcciKTus itrriv lipa tcov epni8av. 165 S rpicrpamptoi tov ^iieuTepeiipaTos. T) pablcos (^evyoiv tiv aTTocfivyoi biKTjv oaTis Bioibe TovvTepov Tr]s epnibos. Disc. 7rpu>r]V 8e ye yvaprjv peyuXr]!' d(f}rjpe$i] VTV dcTKaka^ioTov. Strep. Tiva Tponov] KUTeme fioi, 170 Disc. ^rjTOvvTOs avTOv Trji (TfXr/i'r^s Tiis 68ovs Knl T«y Trepi(f)opa9, eiT ai'co KexrjvoTns OTTO tJjs' dpo(j>rjs vvKruip yaXeoJTrjs KaTi)(ecrev. Strep. r]affT]P ynKewTi] KuTa^eaavTi ScoKpurnvs' Disc. fx^es Be y Tjpiv helnvnv ovk tjv ecnrepas. 175 Strep. eiev' t'i ovv npos TuXfjuT eirnkaprjaaTo ; Disc. KciTci TtjS TpatTe^r]s KaTUTrdcras 'KeTrrip' Tecppav, Kupy^fas olBe'hlcTKou, eha hinlir}Tr}v \ajiwv, (K Trjs TrakaifTTpas BolpuTiov v(f)eiXeTO, Strep. Ti ?iTjT (Kflvov Tt)v Qakrjv Bavpd^opev, 180 uvoiy aroiy dvvaas tu cPpovTiaTrjpcnv, ARISTOPHANES. 389 /cat bel^ov u)S TaxicrTd jjloi top '2a)KpuTT]. fjLadrjTio) yiifj' aXX* avoiye ttjv 6vj}av. o) HpcifcXfty, TavTi 7To8aTra to. drjp'ia • Disc. tI eQavixaaas ; raJ aoi Sokovctlv elKevai ; 185 Strep. Tois (K UvXov \7](l^6ii(n, rois AoKcoviKoh. arap tl ttot ev rrjv yrjv l3\eTrovaiv qvtou ' Disc. ^rjTOvaiv ovtoi to. Kara y/ys-. Sifep. l3o\^ovs apa ^rjTovcn, pr'j vvv rovToy\ cfipovrl^eTS' eyo) yap oiS lu etcri fieyaXoi Kal koKoL ifjo Tl yap otSe dpaxnv ol o-cpoSp' eyKeKvcfxires ', Disc. ovTOL 8 ep(j3o8icjiu)(Ttv iiTTO Tov Tdprapou, Strep. TL 8^6' 6 npcoKTus is tov ovpavuv ^Xe'nei • Disc. avTos Ka6' aiiTov da-Tpovopelv StSacrKcrai. «XX eio'iB , ii/a pj] Kelvos rjplv cttltiixj). 195 Strep. prjTTco ye pi]n(o y, dXX' inipiivavTOiv, Iva avToiai /coti/cocrco Ti TTpaypaTiov ipov. Disc. aXX 011;^ oiw T avToicri npos tov ue'pa e^co diarpl^eiv ttoXvu uyav icTTiv xpovov. Strep. Trpus tcov 6eu>v, tl yap Ta3' eaTLU ; fine poi. 200 Disc. daTpovopia pev avTi]i. Strep. tvvtI Be ti ; Disc. yeapeTpia, Strep, tovt' ovu tl icrri xp'^O'ipov ; Disc. yijv cluapeTpe'icrdaL. Strep. iroTepa Tip K\i]pov- Disc. ovKj aXXa ttjv (rvpivacrav. Strep. duTilov Xeyeti". TO yap CT6(pL(Tpa 8r]poTiKov Ka\ xPW^H-°^' ^05 Disc. avTT] 8e aoL y?js nepiooos TraV/jf. opas ', ai8e piu 'Adijvni. 390 ARISTOPHANES. Strep. Ti (TV Xeyeis ', ov irtidoyLai, eVet biKaaras ov)( opco Kadrjfiepovi. Disc. oiS TcvT uXrj6S)S Attikov to xcopiov. Strep. KQi TTOu KiKvw^s etcrli/ ov\xoi 87/iorat ; 210 Disc. ivraxiff eueiaiv. 17 8e y' 'EiijioC , w? opas, fjhX napaTerarai, fiaicpa. noppco ndvv. Strep. Old'' xnvo yap fjfjLa>v irapfTaOr] kol HepiKkiovs. dW f] AaKeBaipcov irov 'arriv J Disc. OTTOV arlv ; avTql. Strep. 0)5 iyyhs fjp.ciiv. tovto navv (ppovTi^fre, 215 TavTTjv d(f) rjp.S)v dnayayelv Troppco vrdw. Disc. aXX' ov)( oiov re vf] Ai. Strep. olp.u)^efpf Tii yap ovTOS outtI ttJs Kpepddpas dvqp ; Disc. avTos. Strep, tis avros ; Disc. 'EcoKpaTTjs. Strep a> Scofc/jarfs. i^' OVTOS, avctjiorjaou avTou poL piya. 220 Disc. avTOS pep ovv crv KaXeaov' ov yap put ax^oXfj. Strep. 2) 2diKpaT(s, 0) '2coKpaTi8iou. Socr. t'l pe KuXds, u)(l)Tjpepf ; Strep. irpcoTov pev o ti 8pas, dvTi(^o\o), /caVftTre pci. Socr. depolSaTO) Ka\ TrtpicPpovo) tuv rfXiov. 225 .Strep. (TTfiT uTTo Tcippov tovs deovs vnepcfypovfis, dXX' ovK dub TTfs yf]S, flnep. Socr. oil yap av noTe (^evpov 6p6(j}s TO. peTeapa vpaypara, fl prj Kpepdcras to vurjpa KaX ttjv (jipovriSa X^TTTTji' Kurapi^as (is tuv opoiov depa. 230 (I 8 S)V X"/^'' T<"tV(0 KUTcoBev iCTKonovv, ARISTOPHANES. 391 o\)K av nod eiipov' ov yap aXK' tj yrj (Ha e'S.Kfi Trpoi avTrjv ttjv iKpdda rfjs (ppovrldos. 7rd(r;^et 8e ravTu tovto koI to. Kapdapa. Strep, ri (pi'i^ ; 235 T] (ppovTis eXfcet ttjv iKpdd' els ra Kupdapa ; 161 wv, KaTu^r]d\ a> 'ScoKpuTidiop, coy epf, ' iva pe 8i8d^r]s SiVTTfp ei/(K €Xr]\v6a. Socr. fjXOes be Kara ri; Strep. fiovkopevos paOdv Xeyeiv. VTTo yap TOKcov xpr](TT(ov re SvaKokwraToiv 240 ayopai, (pe'popai, ra f^p-qpar ivi-)(ypu^opai, Socr. TTodev S' iiTToxpfcos cravrov eXades yevopfvos J Strep, voaos p enerpiyj/fu iTTTriKrj, SfiPi) cjiaydv. aXXd pe 8L8a^oi> tov erepov roiv croiv \6yoLV, Tov prjhev anodifiuvTa. picrdou S' ovtlv civ 245 irpaTTTf p opovpai aoi KaTadrjcreiu rovs decvs. Socr. TToiovs 6eovs opel av ; TrpS>Tou yap 6fo\ Tjplv VOplcrp oIk €(TTl. otrep. TO) yap opvvT ] i) cnhupioicriv, coanep iv 'Rv^avrlw ; Socr. ^oiXei rd Be'ia Trpdypar eldevai aacfyws 2:0 OTT ecrrlv 6pda>s ', Strep, vrj At", e'lrrep eari y(. Socr. Kal ^vyyeviaQai, raXs NecpeXaiiJiv ey Xoyovs, Ta2s fjpeTepaiai baipocriv ', Strep. pdXuTTd ye. Socr. KuBi^e TOiPvv irri tov lepov (TKipTioha. Strep. 180V Kddrjpai. 255 Socr. ToiTovl Toivvv Xa/3e rhv (TTeCpapov. Strep. f'ni tL (jric^avov, otpoi, ^wKpares, 393 ARISTOPHANES. oitTTrep nf Tov ?i6a^avff oncci fifj 6v(T€T{. Socr. ovK, aWa ravTa iruvra tovs reXovfievovs fjij.(LS TTOiovfifv, Strep. (Ira 8t) r'l Ktphavu) ; Socr. \iy(iv yivi](T€i rpififia, KpuraXov, TratTraXr]. 260 tiXX' ?;^' dTpep-i. Strep. fiaTuvAi ou •v|/'ei/(ret -ye fie" ' KiiTaTTUTTopevos yap TranraXr] yev^o'opai. Socr. (vcfjtjpelu xprj tov 7rpea^vTT)v Koi ttJs fvxv^ xmaKoveiv. o) heanoT "Va^, afieTprjT A.T]p, os ('xfis ttjv yrjv piTiCHpOV, Xafinpos T Al6r]p, crepvui re deal Nc^e'Xai ^pov- TTjaiKipavvoi, 265 upBrjTe, (puvrjT w decnroivai, rw (ppovTicTTrj fxereccpoi. Strep. /LiTjTTO) prjTTa) y(, Trplv av jqvtX ■nrv^uip.ui, firj Kara- fipexBw. TO he prihi KvvTJv olKodev eXdelv ep.e top KaKobalpov exovra, Socr. i\6iTe ^rjT, 0) noXvTLjXTjToi Ne^t'Xat, two' els eVt- 8ei^iv' tir' err' 'OXvuttov Kopvais lepais xiovofSXrjToiai KuOrjcrBe, 270 ftr' 'QfcenfoC Trarpas iv KtjTroii lepov xopbv larare 'Svp(Pcus, (It upa Net'Xou npoxpas vbarav ;)^/3Ucreats' apmecrBe TTpOXOKTlV, 17 MatcoTii/ XipuTjv exer rj aKOTreXov vK^oevra Mi- pavTos' . VTTaKuvaiiTe be^'tpevai Bvcriav nai toIs iepo^ai X^P' e'tcai. Chorus devaoi Ne^eXat, 275 ARISTOPHANES. 393 cipdrnfiev (pavepai Bpoaepav (pvaiv evdyrjrov, rrarpos air' 'Q.Keai>ov ^apva^eos {jyJAriXoiV optav Kopv(pas eVi deuSpoKupovs, Lva Trjkecpaveis aKonius a(^opatp(6a, 280 KapiTOVs T dpdopevav Upav )(66pa, Koi TTOTapwv ^adecov KfXabrjpaTa, Koi TTOVTOv Kikahovra ^apv^popoV oppa yap aWepos aKiipaTOV (reXayetrai pappapeais iv avyais. 285 aXX' dTroaeiadpfvai ve(pos op^piov ddavdras I8eas imhp(6a TrjXiaKUTTO) oppaTi ya'iuv. Socf. o) p.(ya aepvai Nf^eAat, (fiavfpws rjKovaaTe fiov KaXeaavTos. rjcrdov (Pcovrji apa kqI ^povTrjs pvKrjaapivtjs 6eo- aeTTTOv ', 290 Strep. Koi ae^opai y', Si TTokvTiprjToi, Kai ^ovXopai avTaTTOTrapbelv TTpos ras ^povrds' ovTas avras TeTpepaluo) koi TVfcpo^rjpai' Kel Bepis icrrlv, vvvi y r^hrj, Kel p.t] Qipts eiTTi. Socr. ov pT] (TKaiyf^ei. p^rjbe iroirja-eis anep oi rpvyubaipoves OVTOi, aXX ev(})T]p€i' peya yap ti 6fS>v Kiretrat cprivos doi^aii. 295 Chorus, napdevoi op^potpopoi, eXduipev Xnrapdv )(66va riaXXciSoy, fvap8pou ydu 394 ARISTOPHANES. KeKponos o-^ofievai TToSvrjpaTOv' oil ae^as dpprjTcov Upav, tva pvoToBoKos 86pos 300 ep TfXerms ayiais dvadeiKfVTai, ovpaviois re 6fois 8(oprjpaTa, vaoi ff vyl/(p€(pf7s Koi dyaXpara, KUi 7rp6ao8oi paKaputv Upitrarai, eiarecpavol re deSiv dvaiai BaXicn re, 305 TTavTodaTTuis iv wpais, TjpL T eTrepxopevu) Bpupia xapts, evKe\d8a)v re -^opav epedia-para, Kal Movcra j3apvl3popos aiXaJj/. Strep. TTpos Tov Atos dvrt^oXco erf, (^pdcrov, rives e'la, S) 2o3KpaT€s, avTui 310 al (jidey^dpevai tovto to aepuuv " pu)v fjpuvai rivfs elcTLu ; Socr. TJKiar, dW ovpdviai Ne^eXat, peydXai dfoi dv8pd- atv dpyois' amep yvuprjv koi 8ui\(^iu Koi vovv r^plu napex^ovcri Kai repareiav kuI nepiXe^iu koi Kpovatv Koi Ka- TaXrjyf/iv. Strep. ravT up aKovaaa avrav to pt8LO)yvo)pTjv vv^acr ere pa Xoyco avTiXoytjaai' 03(TT , et TTcos k'cTTiVj I8e'iv avras fj8T) (jiapepo)! iniBvpui. Socr. (BXene vvv 8evpi npos rrjv ndpvrjd'' t'j8t] yap opcj KUTlOlKTaS ARISTOPHANES. 395 rjavxa ravras. Strep, (pfpf, ttov, hei^ov, ^wpova avrai ; Socr. ndvv ttoXXo), 320 8ia tS)v KoiXwv Koi twv Satre'cor, avTcu TrXciyiai. Strep. Ti TO XPW^ j COS oil Kadopu). Socr. itapa. t^v e'lcrodov rjdrj. Strep. vvvL /no'Atj ovtws. Socr. vvv yc rot I'jbrj Kadopqs avrus, (I prj \r]pas ko- XoKVUTdlS. Strep. VT] At" eycoy, w TToKvTLp.rjToi, Tvavra yap rjhrj KaTe^ovai. 324 Socr. Tavras pevToi crv deas ovaas ovk jj^rjs ovb' e'vopi^es j Strep. fia At , oXX' opi^X-qv koi bpoaov avras rjyovfxrjv Kiil KaiTvov eipat, Socr. ov yap pa At oiad' oTirj TrXe/crrous avrat ^ocrKovai ao(piaTas, oovpiop,dvT€ts, larporexvas, a(ppayt.8ovv\apyoKo- prjTas, kvkX'kcv re ;^opwj/ do-paTOKapTrras, av8pas perewpo- (fyevaxas, ov8ev BpaiVTas ^6(tkov, iTpr]p.aivova-as re SveXXas, eiT depias, biepus, yapyj/ovs olavovs depoprjxels, opjSpovs B v8dT(i)V hpovepdv Nec^eXai/" etV dvT aVTWV KaTiTTLVOV 396 AR ISTO r II A NE S. Kearpau rffxcix'] fifyakai' ayaOav, Kpea r opvideia '"A'?^""- 335 Socr. dia ptuToi rdcrS' ou)(\ StKaiws ; Strep. 'ki^ov 8r] poi, tI Tradovaai, iiTTfp ^€(})e\aiy flaiv a\T]6ios, dvrjToi.s f'l^aai yvvai^iv, ov yap (Kelvai .y elai roiavrai. Socr. 4'^P^, TTolai yap Tives eluiv ; Strep. uvK 01.8a (ra(pS)S' f'l^aaiv yovv epioicnv ■KfTvrap.^voKTi, Kovxi. yvvai^\v, pa Ai, ouS' OTioiiV av-ai Se pLvui i)(ovaiv. 340 Socr. aiTOKpival vvv utt uv epcopai. Strep. "ktye vvv Ta)(tu)i o tl fiovXei. Socr. T^hr] TiUT aua^Xtyj/as f I'Ser Vf(f}e\7]v Kfvravpo) opoiav fj TrapdaXei ^ \vkco tj ravpeo ; Strep. p^ Ai" %yu>y , et'ra rt tovto ', Socr. y'lyvovrai ndvff o tl [iovkovTai' kut' yv pev 'idccxn Kopr]TJ]v, aypiov Tiva rav Xacrioiv Tovrav, otofTrep tou Zivo- (fidvTov, 345 (T/ccoTTTOucrai tijp paviav avTov KevravpoLi ijKacrav aiiTus. Strep. Tl yap, *]v apnaya tojv dqpoaiav KUTiduai ^ipaiva, TL dpcoaiv • Socr. UTTO'paLVovauL ttjv cjjvcriv avToii Xvkoi e^ai(j>in]s iytvovTO. .Strep. TuvT opa, raiiTU KXecavvpov uvTai tuv pl^^arrTiLv X^^s Ldovacu, on BfiXoraTov tovtov fwpuv, eXav ttKtjv t] UpodiKco, Tw p.ev a-o(pLas Koi yvoaprig ovveKa, (Toi 8e, OTi Ppevdvei T fv Toitriv oSotj kol rcLcpdaXpoi irapa^aXKeis, KavvirobTjTos koku ttoXX' oj/e^'et /ca^' Tjp.lv aep-voTrpo- Strep. d) r^ rov (pdeyparos, wy Upov koi aepvov koI TepaTci)8ei. 360 Socr. avrai yap toi pLOvai etirt Beat' rciXXa 8e ttclvt earl (pXvapos. Strep. 6 Zeis 8' fjpiv, cjjfpe, Trpos t^s Trj^, ovXvpTnos ov 6e6s icTTiv ; Socr. TTOios Zeuff ; ov pr) Xrjprjaeis' oiS' eari Z(vs. Strep. Ti Xeyets crv ; aXXa Tis vei ' tovti yap epoiy dnoCpTjvai TrptoTov dncivTcov. Socr. avrat, 8rj ttoV p.€ydXoLs 8e a iya arjiifiois avTo 8i8a^a>. 265 398 ARISTOPHANES. ^f'/jf, TTOu yap TTUTTOT lii'tv Nec^eXwi' vovr TJdr) TfOiacrm ; KaiTOi XP^^ aWpiai veiv avrov, ravras 6 Cmo- Strep. vr] tuv 'AttoXXco, tovto ye tol 8!} rw vvv Xo'yo) eii Tvpoaecpvcras' KaiToi TTporepov tov At" uKr]6a>s wpiTjv Sin KoaKivov ovpelv, nAX' o(TTis 6 jSpovTOiv iari (j)pdaov' rovro pe noifl TeTpepaiPfiv. 3 70 Socr. avrai ^povTuxn Kvkivhopivai. Strep. Tw TpoTTM, CO TTcivTa av Tokpav ] Socr. orav epn\r]a6o}(T vbaros iroWov KavayKaadcon-c (fyepecrdai, KaTaKprjpvdpfvai 7rXj7p€ts' op(Spov 81 dvdyKTjv, eha ^apelai th aWrj\a9 epTTiTTTovcrai p-qyvvvTM Koi narayovaiv. Strep. 6 S' dvayKd^aiU earl ris avras, ovx o Zei/j, wore (pepeadai ; 375 .^'ocr. T]Ki(TT , dXX' aWepios Slvos. Strep. Alvos ', tovti fi e\e\rjdrj, 6 Zfus ovK Siv, rlXX' uvT avTov A'ii>os vvv\ ^aai- Xfvcov. drap ovBev ttoj ntpi tov Trardyov Kai Ttjs f^povrrji p ibi^a^as. Socr. OVK fJKovads pov ras fie(peXas vdaros pearas on ({)T}p\ (pnnrTuv(Tai ets aWrjXas Trarayelv 6ta rrjv ttvkvo- rrjTa ; 380 ARISTOPHANES. 399 Strep. (j>epf tovtI tm xptj nL(TTfveiv ; Socr. OTTO (javTov 'yw (re hiba^m. fjSr] (v Kfit T«? SpiJ? Tus peyaXas' ri ttuOuiv ' ov yap 8r] 8pvs y fTTlOpKfl. Strep. ovK old ' drap fv av \eyeiv (palvei. t'. yap ffrriv 8tj6 6 Kepavvos ', Socr. orav els Tavrai iivepos ^rjpos perecopiadels kutu- KXetcrBji, 400 epBndfv alras wcrnep Kvariu (fjvaa, Kimeiff inr dpdyKrjs prj^as avTuf e^to (ptperai croiSapos Sta rrju TrvKvd- rrjra, VTTo Tov poi^Sov Ka\ Trjs pvprjg avros eavTov Ka- TaKa'ioiv. Strep. VT] Ai , eyw yovu aTe)(yu>s enadov tovtl nore Aiaaioiaiv. CDirrav yaarepa Toli avyyeveaiv, kot ovk €(T)(a>v apeXrjcras' 405 T] ap ecpvaar , eir (E^aKpvrjs oi.aAnKr]cra(Ta irpos avTU) Tiio(p6a\pci) pov TTpocrfTiXtjcrfv Ka\ KartKavcrfv to TrpoCTCOTTOV. C/ior»s. o) TTJi pfydXrjs (Tridvprjaas (Tocplas (tvdpcone Trap' wj (vBaipcDV (V ' ABrjvaiois Ka\ toIs E\Xt](ti yevfjaei, ft pvrjpoiv €1 Ka\ (ppoiTiCTTrjs zeal to TokatTTCopov evetrriv 4 1 o ARISTOPHANES. 401 fiTjTe piycov a)(0fi \iav, [xtjt apurrav eTTidvfxds, oivov T uTTix^i Koi yvfivaaicov Koi tcov uKKwv dvorjTCOv, Koi ^i\Ti(TTov TOVTO vo[ii^(is,oTrep eLKOs 8e^ibvav8pa, viKUP TTpaTTav Koi /SouXtvo)!/ Koi rfi yXaTTr] rrciXf- pi^cov. 4x5 strep. dXX' ffCKeu ye yl^v)(?jv crTeppas tvaKoXoKoirov re fJL(plpVT]S, Koi (peL8(i)\ov nal rpucrtjSi'ov yaarpos koi Ovp^peni- bi'iirvov, ap,ekei 6appu>v, ovveKa tovtoov eTn)(aXKeveiv irape- XotfJL av. Socr. SKKo Ti brjT ovv vopiels fj8r] 6e6u oiSev ttXijv anep r]p.i1s, TO Xuos tovtI Kai Tits Ne(^eXa9 (cai Trjv yJiarrav, Tpia ravTL ', 420 Strep, ovd av 8i,a'\ex.d(ir]v y aTt-^va^ rols SXKois, ov8^ av anavTuv' ov8 av Bvcraip! , oliK av anelaaip^ ovS' (Tiideirjv Xi/3ai'a)Toj'. Chorus. Xe'ye vvv rjplv o tl aoc Spcopev, Bappcov, &)s oik - aTV)(r] detTTTOLvai, deopai tolvvv {ip,u)v tovtI ttuvv piKpov, 425 rSiv 'EjXki]Vix)V elvat. pe Xe'yetf fKarov OTaStottrn' apiaroy. Dd 402 ARISTOPHANES. Chorus. dXX' ecrrai croi tovto Trap fjfxuiu' ware to \onr6v y •> \ (\\ y ano tovoi. iv Tw hiipa) yvodfias oi^Setj viKt](r(i nXfiovas tj au. Strep. fJLT] jxoL y€ Xe'yeti' yvoofias fxeydXas' ov yap tovtuv tTnOvfJiS), aXX' OCT fp.avToy wrpei/zoStK/Jfrai Koi rovs XPW''^^ 8io\icr6(lv. 430 Chorus. Tiii^ei rolvvv aiv Ip-eipfis' ov yap p,€yd\cov (iri- 6vp(is, [Clouds, 1-431.] iv. Chorus of birds, ft <^iX»;, 2) ^ovdrj, (o (jjiKraTov opvfcov, iravTwv ^vvvofie twv ip.uiv vfivoiv ^virrpo(pi' dr]8ol, rjXdfs rjXOes, u)v(nv olcovS)v yfvealv Tf deOiv norapav r 'Epe/3ovs re Xdovs re tioores opduis Trap ipov UpohUa kKuciv e'lTrrjre to Xninuv. Xaos rjv Koi "Sv^ ' Epe^os re peXav TTpwrjyv Koi Tdprapos evpvs' 77 8 ovt' drjp ovS' ovpavbs ^c" 'Epe^ovs S' eu dndpocri koKttois TlKT€l TTpaTlCTTOV VTTrjveplOV Nv^ Tj piKavoirTfpO^ 0)01', zo i^ ov nepiTeWopevais wpais ejSXacrTfv "Epcos 6 woBeivos, a-TiXj3(oi' vcoTov TTTepvyoiv xP^craiv, etKo)? dvepcoKfat. 8ivais. ovTos 8e Xaet mepoevTi piyds wxica Kara Tdprapoi/ evpvv fUfOTTfva-ev yevos rjpeTepov, koi Trparov dvr'jyayev e's (ficos. TTporepov 5' ovK r)v yevos ddavurav, irp'iv "Epas ^wepi^tv anavra' 2 e; ^vpptyvvpevciiv 8' erepcov irepois yever ovpavbs aKtavos re Kai yfj ndvTcov re deS>u paKdpav yevos a(j)diTov. wSe pev eapev Tro\v TJ-pea^uTaToi Trdvrav fiaKdpitiV. rjpets S' coy ea-piv ' EpcOTOS TroXXots drjXov' TTeropecrdd re yap Ka\ rolaiv epaxri, avv- ea-pev. -o iravra oe ovr]To7s ecrrlv d(j)' fjpSiv rav opvldoov tci peyiara. Trpcora pev u>pas (paivopev rjpfis ^p"S, p^ei^coi/oy, oTrajpas' (TTTfipeiv pev, orav yepavos Kpoi^ovcr es Ttjv Aijivrjv pera- X'^Pfl, Kai nr]8d\iov Tore vnvKXi'jpa (jipd^ei KpepdaavTi Ka6fv8(iv, (Ira 8 Opearr} ^Xalvav vcpaiveiv, a>a prj piyav d7ro8vr]. ^z, iKTivos 8' ail pera ravTa u, ore xpfj ^Xaivav TrcoXfii/ fj8ri koi \jj8dpi6v tl Trpiacrdai. fcrpiv S' vplv "Appav, Ae\(f)o\, AcoScoi't;, $oI/3os ' AttoWcou. (K66vt(s yap Trparov iir opvn, ovVco irpos anavra rpeVfcr^e, TTpos T ipTTopiav Koi Tvpos /Stdrou kttjctiv koi Trpos yap-ov dv8p6s' 4 1 opviv T€ vopi^fTC Trdvd^ ocrmrep irepl pavrelas dioKplvei' rjiJ.T) y vpiv opvis iari, Trrappov t opvida jcaXeire, ^vp^oKov opviv, (pavTjv opviv^ deptiTrovT opviv, ovov opviv. 2p' ov cf>avepa>s ripe'is IpAV fapev pavTtios 'AttoXXqji' ; 45 riv ovv Tjpas vopiarjTe 6eovs f^ere )(prja6ai pavrtcri Moi;cra(s avpai9 wpais ;^e(|i&)i'i Bipei pfTpico TTviyei kovk aTrodpairres KaOeBovped' uvco aepvvvopevoi 50 ^apa Tois V€(pekais axmep ^(O} Zevs dXXa TvapovTes 8o}(Topeu vplv aiirdis TraicriJ/ ttuiocov Trairnp liKovBvyuiav evSaipoviav fi'iov (Iptjvqu 55 vfoTTjTa yiKara xopoiis OaKias yaXa t oppidtov ware irapfcrraL kottiov vplv imb rav ayaBuiv' oi/Tco ■KkovTr](TiTe iravres. 60 Movcra "ho^pata, Tib Tib Tib Tib Tib Tib TiOT\y^, rroiKiXr]. pe6' tjt fyw vdnai(Ti Koi Kopvcfiuii iv opdais. ARISTOPHANES. 405 Tto Tto Tih TioTty^, 65 TIO Tto Tto TtOTty£, 81 (fi^i yepvos ^ov6rjs fxeXecov Tlavl vofxovs lepovs dvas to Xoittov, w? rjpas iVco, ocra yap eaTiv iv6ah alcrxpa Tea vopco KpaTovfxeva, Tavra ttovt Iutiv itap rjplv to'ictiv opvicriv KoXd. fl yap ifddb' i(TT\v alaxpbv tov iraripa tvtttuv vopco, 80 tovt €K€l KaXov Trap rjpiv iarXv, rjv Tis rw narpl TTpoadpapoiv e'lnj] iraTa^as, aipe TrXi^Krpoi', et pd^et. fl 8e Tvyxdvei tis vpccv 8pa7TtTT]s icrTiypevos, dTTayds ovtos nap ripiv ttockiXos KeicKrjaeTai. (I 8e Tvyxdvei tis u>v ^pv^ prjdev fjTTov l,Triv6dpov, 85 (ppvyiXos opvis iv6db eaTai, tov ^iXijpovos yivovs. (I 8e 8ovX6s iaTi Ka\ Kdp aianep 'E^rjKeaTi^rjs, ^utraro) Tzdirirovs reap rjpiv, Kal (pavovvTai (ppaTopes. et 8' 6 Hialov Tvpohovvai toXs dripois rots TTvXas /3ovXerai, TrepSt^ yevfcrdai, tov TraTpos veoTTiov' 90 o)? Trap' Tjpiv ov8eu alaxpdf eaTiv iKirepdiiCLcrai. TOldte, KVKVOl, TIO Tib Tib Tib Tib Tib TtoTty^, 4o6 ARISTOPHANES. (TV]x\iiyr] IBo7]V ofxov ■JTTfpois KpiKOvres 'ia)(OV AttoXXo), g^ Tio T«o Tio rioriy^, o)(6a> ((f)f^6fj.evoi nap E^pou norapov, TIO TIO TIO noTiy^, 8ia 8' alBtpiov vi(^os rj\di ^od' TTT?]^f 8e TToiKika cpiiXd re 6rjpu>v, lOO KvpoTa T ecr^eae vrp/fpos ai6pj], TOTOTOTOTOTOTOTOTOTiy^' nas S' enfKTVTTTjfr "OXvpTTos' eiXe 8e 6dp^oi avuKTas' 'OXv/x7rta5es be ptXas Xdpires MoC- crat T eVtoAoXv^ai'. 105 [Birds, 676-783.] Messenger, Peisthetairos, Chorus, Iris. Mess. lov Lov, Lov lov, lov lov. Pet's. tI to TTpaypa tovtI ; Mess. bdvoTara ireTvovOciptv. tS)V yap Bewp Tis apTi tSuv irapa tov Aios Sia tSdv nvKwv dcrtTTTaT els tov cupa, XaOoiv KoKoiovs (pvXaKas fipepocrKonovs. Pets. Si 8eiv6v fpyov Koi axeTXiov elpyaapevos. Tii Ta>i> 6eu)v ; Mess. ovK 'lapev ort S' el^e TTTepa, TOVT 'lapev. Pels. ovKOvv 8rjTa Trepnr6\ovs fXP*?" irefx^ai. Kar avrbv fvBvi; ARISTOPHANES. 407 Mess. «XX' enejjL^afiev rptafivplovs UpaKas tTTTroro^oraf, 10 ;((opei Se Tray tis opvxa^ ijyKvXapei'Oi, Kfpxvrjs, rpiupx^^, y^i^) Kvpivbts, deros' pvprj Tf KOI TTTepottrt Koi poi^ijpaaiv aldrjp Sovehai tov d(ov ^rjTOvpevov' KiicTT ov paKpav iiTraidei', aXX' ivravda. rrov 1 5 ^Of) (TTIV. Peis. ovKovv (r(})(v86i>as SfT \apfiav(iv Kcu To^a' X'^P^' 8evpo nas vTrrjperTjs' To^fve, Tra'if, acfifvdovrjv tis pot Sotco. Chorus. TTokepos aXptrai, noXepos ov (f}aT6s 20 TTpos ipe Koi diovs. ak\a cf)v\aTTe Tzas aipa nepivecpeXov, ov ' Epe^us ereKero, pj] ae Xddj] 6eu)V tis TavTj] nepSiv' (idpei 8e nas ki;/cXol) s, a> fiiapoiTaTr] " Irjs. ovK olda na At" e'ycoye Kara noias TTvXas. Pels. TJKOvaas aiirris olov elpaveveTai ' Tj-pos Toi/s Kokoidpxovs Ttpoarjkdes ] oii Xe'yetr ; 40 (T(ppaylb' €)(fis irapa raiv ireXapyav ', Iris. Tl TO KOKOV ; Peis. OVK eXafifs ; Ins. iytatVei? p^v ; Peis. ovBe avplSoXov imfiaXev opvidapxoi ovdfis Troiai vvv elaiv deol, ois 6vT€OV avToiis, aXXa fia At oi) rw Au'. 65 Ins. S> iiU)pe fiwpe, p.r] decov klvh (pptvas Seivas, OTTcos prj aov yeVoy TravaAeOpov Atoy jjLaKfWrj nav dvaarpe'^r] Alkij, Xiyvvs 8e acbpa Ka\ bopuv irepiTrrvxas KaTai6aXa}(Tri aov AiKvavlais /3oXmy. 70 Peis. ciKovaov avrrj' irave twv 7ra(p\aapdTCL)V' fX' drpepa. (pep" ISo), Trdrepa Av8ov i} ^pvya Tavri Xfyovaa p,opp,oKvTT€a6ai So/cety ; [Birds, 1170-1245.] vi. Rejoicing for Peace. Lacoiiian "Oppaov Maidens. , < t ,„ r r&)y Kvpcraviccs, a> Mvapova, TCLV reav pSiav, any ol8ev dpe rcoy t 'Aaawu'coy, OKa Tot pev (TT 'AprapiTio) k, wpoKpoov dfiKeKoL ■noTTO. Koka, rcby MijScoy t ei'iKcov. ape S' av AecoviBas Zaconian maidens. Stir the young men O Menaory to song that is thy daughter, to song that of us and the Athenians can tell, what time by Artemisium on the ships like heroes they were rowing, and the Medes were beating back. ^Io A R ISTO P FIANES. f ayev anep tcoj Kanpcos BdyovTui, olib, top uBovra' lo iroXvs S" d/i0i Tas yevvas dcjipos fjvcrei, TToKvs 8' afia Karrav aKeXcou d(pp6s uto. rjv yap raivBpfs ovk iXdacras Tas yj/dfipas, Tol Ilepaai. dypuTfp Aprapi (rrjpoKTOve 15 fioXe Sevpo, napaeve aia, TTorras crnovbas, 0)1 (Tvve)(r]i TToKiiv dfie )(p6vov. vvp av (jjiKla T ales evnopos firj 20 rais (TvpBfjKais KOL Tov alfivXav aKoctirtKav navaaififd^' i 8evp 'idi, SeOp', S) Kvvaye Trapcreve. 25 Athc7tian npuaaye ^opov, enaye x^P'^'^''^^! Maidens. , v 5., ,. », eTTi oe KuKeaov Aprepiv, Us, too, Leonidas was leading like the boars the tusk well whetting, fast about the jaws the froth forth-flowing, free adown the legs the froth down-pouring; for many as the sands were they, the Persians. Artemis of the wild wood, mighty in the chase, come to us, maiden divine : come to our reconciling, fast bind us for long. Henceforth peace with plenty follow ever on our agreeing ; from the fox-wiles of our cunning stay we our hands. Hither, come hither, O huntress maiden, come ! Athenian maidens. Hither with dances, follow with graces, Artemis bid to our festival : bid here her twin brother, leader ARISTOPHANES. 411 errt hk 8l8vfiov dye)(opov trjiop (v(f)pou, 67rt Se Nvaiov, OS fxera Mat^dat Buk;^ios bfipacn 30 SaUrai, Aia Tf TTvpl Mtoa fioKe AaKaiva npfWToi' ap.\v kXccoo tov 'AfxvKXais 'AttoXXw criov KOI xoXkloikop 'Aadvav, 45 Tvu8api8as t dyaacos, of dances, lord of paeans, lord of joy : bid Nysius of the Maenad rout, the bacchant of the eyes of flame: bid Zeus with the fire of his lightning : bid his spouse august and blest : and last bid all the gods : all shall be witnesses sure to the bond of our glorious peace that Cypris made to-day. Paean, ho! Paean! loud be yonr shouting, your shouts as for triumph, lae ! Evoe I Evoe ! Evae ! Evae ! Laconian maidens. Come then thy pleasant hills of Taygetus leaving, O muse of Laconia come, our lord Amyclae's Apollo to sing, and Athena of the brazen house, and the brave Tyndaridae that bicker still along Eurotas' stream. 413 ARISTOPHANES. roi hr] ivup 'Evparav yj/iaBBovTi. (ia [xcik' epl^rj, wia KOv(Pa TToXKcoVj cos ^Trdprav u/ii'iw/xfy, tjo TO (nS)v x^po' f-ieXouTi, KOI TToScOf KTVTTOi^ are ttcoXoi S' at Kopat Trap Tov 'EvpMTav apndXXovTi ttvkvu ttoSoTi' 55 oyKowoiot, Toi 8e Kopai cnlovQ UTrep ^aKxav 6vp(Ta88oav Koi rraibdoav. ayiJTai S' a Arj^ns Trais ayva ^(opayos evnpeTrrjs. 60 dW aye Kopav •napapTTVKihbi t€ ;(etpt TTodoiv re nddq a ris fXacpos' KpuTov S' up.a TlOl- 65 Up and away ! in the lightfooted dance away ! and the while of Sparta be our song, land of dancings to gods and ])atter of feet, where like colts by the river the maidens' quick feet unrestingly ply, their tresses streaming like tresses of Maenads waving the ivy-wand hurrying the dance ; while before them moves Leda's maid, choir-leader pure and fair. Come ! with your hands ])ut back your tresses from your brows : with your feet leap like the roe : and now for the clapping that quickens the dance : and still of the goddess the queen of goddesses be your song, of her of the brazen house, of her who is invincible. ARISTOPHANES. 413 ■f\ )(opco(})(\eTav. Koi Tav (Tiav S' av rav KpaTiffTav Tav irafiyLUXOV. [Lysistrata, 1247-1272, 1279-1322.] vii. Wives' arts. 'Erepav 8' eyolS' ^ 'cpatTKev uBiveiv yvvr) 8ex rjfiepas, eas inp'iaTO TTai8iov' 6 8' dvTjp 7re piTjpxfT wkvtoki wvovpevos' TO 8' elaecpepe ypav^ iv x^'''P9- '''^ naidiov, ii'a ^77 ISoccT], KrjpiM ^e^vajxivov' 5 €1^' o)? evevdfv rj (pepova, eidiis /3og, aneXO' aTTe'K6\ ijdr] yap, avep, p.01 Sojcw Tf^eiV TO yap rjrpov ttJs xvrpas eXaKTiaev. )(u> fiiP ytyrj6(bs iTpexev, 17 S e^ecnracrev €K Tov aropaTOi tov ttoiSiou, to 8 aveKpaytv. 10 €id^ f] piapa ypavs, .fj ^(fiepev to iraihlov, 6(1 pfidiuicra npos tov av8pa koi \eyei, Xeav Xe'coj/ (Toi yfyovfu, avriKpaypa crov, TO. T aXX' aira^dnavTa koi to ttoctQiov tS> crcj TTpoa-opoiov, 0Tpe/3X6t/ coaTrep KVTTapov. — 15 raiiT ov noiovpev to. Kaicci ," vrj Ttjv ApTepiv, f)pf7s ye. KaT 'EvpiniSr) dvpovpeda, ov8ep TvaQovaai fiu^ov ij SeSpaKa/iei/ ; [Thesmophoriazusae, 502-519.] 414 ARISTOPHANES. vm. The song of the inystae, Xanthias. Ovtos. Dionysus, ri etrriv ; Xanthias. ov KaTrjKovtras ; Dionysus, t'ivos '■, Xanthias. aiXSiv nvorjs. Dionysus, eycoyt , Koi 8a8(i)v ye fxe avpa Tis flaeTTvevae fivariKaiTaTrj. d\X' ^pe/xt TTTi^^avTes aKpoaaiyfuQa. Chorus. 'laKx , &"laK;(e. 5 "laKX, S)"laKxf. Xanthias. tovt '4 hecnvoB , ol /xf/xu>;/LieVoi ivTavOa nov Trai^ovcriv, ovs e(ppa^f vav. ahovari yovv rbv laKx^ov ovnep Aiayopas. Dionysus, xa/xol SoKoGcrif. T](rv)([av toivvv ayeiu 10 ^eXrKTTov iariv, w? av eldwpev aafpais. Chorus. "laKx, w TvoKvTiprjT ev edpais ivOahf vaiav, "laK)^, a> "laKXf, f\6e Tovb^ uva XeipMva ^opfvaav, oalovs is diaaoiTas, 15 TToXvKapTrov p.ev rivdacrav TTtp\ Kpari cra> jSpvovra crTep' Bpacrei S eyKaraKpovav TTobl Tav UK(')Ka(TTOV fpiXonaiypova ripav, 20 ■Xap'iTwv TrKelvTov e)(uvaav pepns, ayvuv, Upav ocri'oiv fivarais p^opc/ai'. Xanthias. Si norvia ■nokvrip.-qTe Arjfirjrpos xoprj, i)S f]dv fJioi 7rpo(T€Tn'€V(T€ ^(oipdoiv Kpecov. ARISTOPHANES. 415 Dionysus, ovkovv drpefi f^ftf, V" ri Koi X^P^U^ Xd^f/s ; 25 CJionis. eyeipe (f)\oyeas XafXTrdbas iv X^f'^'^ Tivdaaup, "laKx\ S)''laKX€, vvKTspov TeXeTrjs (j)aitT(f)6pos atTTijp. ^Xoyl (piyytrni be \eip.a)V' yovv TTaXXerat ytpovToov' 3° dnoaeiovTM be "Kvnas Xpovlovs T (TU)v TToKaiuiv eviavTovs, Upas vno Tipds. (TV be Xapndbi (peyycov Trpo^dbrjv e^ay err dv6r]pov eXeiov banebov 35 XopoTTOiov, pudnap, TjiSav. * * - * Xa>p<>ip(V is noXvppobovs 'Keipcovas dvdepaibeis, Toi/ ijperepov TpoTCOV, rbv KaWixopuiTaTov, 4° TTa'i^uvres, ov 6X/3iai MoTpot ^wdyovcTiv. fiovois yap rjplp rjXios Kal (f^eyyos 'i\apov ecniv, oovs Kal Toiis IbiMTOS. [Frogs, 312-352, 448 459.] ii6 ARISTOPHANES. IX. The Prologties of Euripides. Euripides. Xrjpfls' eyw 8e tovs npoXoyovs KoKas ttolS). Aesc/iylus. koi firji/ fia top At ov Kar enos ye aov kvicto) Tu prill €KacrTOVf aXXa i coot' ivapporreiv airai/, Ka\ KcoBiipiov Koi \riKv6iov Kai. BvKaKiov, f'v Tois lapjieioKri, del^co 8 avTiKa. Euripides. l8ov, av Bei^eis ; Aesch. . Euripides. Aiopvaos, os Bvpcroicn koI velipav dopals 1 5 KadaTTTos iv -nevKaifn JJapvavrop kutu nrjda ^(optvoiP, Aesch. XriKvdiov unioXfiKp. J)ionysus. o'ip.01 TTfnXriypfS' avdis iino ttJs XT}Kv6itv. huripides. dXX' ovhkp ecrrai npiiypa' irpoi yap tovtop\ TOP TTpf'jXoyop ovK e^ei npo(ru\j/ai XtjkvBov. 20 OvK fCTTip oaris tthpt upiip (vduipopd' f) yap TTfffiVKcos (a6X6i ovk ()(ei ftlov, rj Bvayepijs ijp Aesch. XrjKvdiop aTTotiiXfcrep. A R I STO PII A \' E S. 417 Dionysus, EvpiniSr], luiripides. ri (8' ; Dionysus, iav TTeidtj y fpoi. Euripides, ov drjT , eirel noWovs npoXoyovs e^cn Xtyeiv, IV ovTos ou;^ f^€i TTpocrd'^ai X^nvdov. 35 IleXo^fr 6 TavToXeios fs Uiaav poXcov Qoalviv innois Aesch. XrjKvdiov dnuiXiaev, Dionysus. Spas, ivpoa-rj^fv aiiOis av Ti]v Xi]Kv6ov. aXX , 6)ydd , eVt koi vvv dnobov nacrri Tf)(Vj]' Xf]\j/(i yap ofioXov ndvv KaXi'jV re Kayadrjv. 40 Euripides, pa tov Ai' ovnoi y' eVt yap ftai pot, av)(vol, Olixvs noT eK yfjs Aeseh. XrjKvdiov aTrto- Xecrfv. Euripides, eaa-ov fiirflv Trpco^' oXov pe tov (rTi)(ov. Olvfvs TVOT 6K yrjs noXvpeTpov Xa^u>v aTd)(VV, 6va)V dTTap)(ds Aesc/i. XrjKvdiov oTTcoXfO'ei'. 45 Dionysus. ptTa^v dvuv ; Ka\ tis avff vcfxiXeTO ; Euripides, eaaov, o> tup' npos to8\ yap fiTrdrcj. Zeuf, MS XfXeKTai Trjs dXrjBelas vnOj t E e 4iS ARISTOPHANES. JJioiiysjis. oTToXei a ' epel ynp, \tjki'6iov mruikeaiv, TO \riKv6iov yap tovt enl tois TrpoKuyoicri crov ^o wanep to K(opapxi8rj • ipirifiv epoiy' dpeaKfi, rov 6eov 8pS>vTOs KaXan. (iKX (lipfve Tuiv v re TrvpS)v pl^ou uvTois, rvtv re avKonv (^e^i, Tof Tf Mavijv T] '^iipa ^aaTprjcrdTU) k tov )(a>piov. oi) yap olov r eVrt TTuvras olvapi^eiv Trjptpov ovhk TvvrkuC,fLV, (TTeibij irapbuKov tu ^oipiov' Ko.^ ijjiov 8' (veyKiiTa) tis t))v ki'^^Xt^j/ Ka\ rw anivo)' i o r]v te Koi ttvos tis ivhov Ka\ 'Kayu>a rerrapa, ei Tt pi] ^iiveyKev avTwv rj yaXrj rrji icnrepas' f\l/6(pei yoiiv i'vdov ovk oi8' arra KuKvboiSona' ajf eVeyK', Si 7ru7, rpi rjplv, ev 8e doiivai tw TrarpL' /jLvppivas T a'tTTjaov e^ Alaxifdbov tcop Kapmpoov' i 5 ;(«/ia rrjs avTrjs 68011 Xapivddrjp tls /Swcrarw, wf tiv epmrj pe6^ r]pu)v, (V TTOIOVVTOS K(Ji(j)f'k0VVT0S TOV Oeov Tupoipcna, [Pax, 1140-1158.] IV. FRAGMENTS CHIEFLY FROM THE NEW COMEDY. E e 2 'Q Mevavbpe Koi ^U, iTorepos ap ifiav norepov ajTHiip^jcraTo ] Aristoph. byz. Epicharmus. i. The Parasite. XvvSenrvfO} tw Xcoiti, KoKfcrai Sfi fiovov, Kca ro) ya nrjBe Xwrri KcovBev Set KaXfti/. Tf;i/et Se xapUis t eifil Kn\ noieco noXvu yeXcora Koi tov icttmvt inaivfco. Kni, K(i Tis nvTLOV Ti X7 TTjPO) Xf-yew, c Tr]V(o KiBa^ofiai re Kan a>v rj)(^66fiav, KTJTVfiTa TToKka Knracpayiov, tto'XX* e'/xTriwi/, I'tneifxi. \vxvov S' ovx o nais fioi au^c^epft' epTTO) 8' f]\iadpu^a>v re K(;i ifnra (tkotos epTJfios. oKKa S' fVTi'xio To7s Trepnro'Kois, 10 roC^ otow ayaBov emXeyo) to7s dedis, o tl ov Xwi/Ti TrXelov dWa paariycou tl pe. • eTTft he X fi-Kco oIkuSis Kara(f)6ape\s, p (pddi. A. KaaioTTVovv S' avpav 81 a\6pas ; B. afivpvav fine, prj fioKpav, IJ.r]8e ToiovT ciXKo p.rj8ev, jur/Se TovpnaXiv Xeyav, 15 oTi doKel toCt' epyov eivai pel^ov, as (paalv rtves, avTO pev pT)8ep, nap' avro S aXKa (rv(TTpe(f)eiv nvKvd. [Aphrodisius.] ii. T/ie Cottalms. A. KoTTa^ielre riva rponop ' B. iyo) SiSa^oj Kad ocrov tiv tov kottu^ov d(f)e\s enl TfjV n\daTiyyn noirjar} necrelv — A. TrXaoTtyya ; no'iav ] tovto TOvniKeipevov ava TO piKpov, TO nivaKiaKiov \eyeis ', 5 B. TOVT ecTTi n\d(TTiy^ — ovtos 6 KpaTcov yiverai. A. nS)s S' e'lcreTai ti^ tovt ', B. eav dtyt] pdvou avTrjs, en\ tov pdvrjv necrelTai Kal \j/6(f)os fcrrai ndvu noXvs. A. npoi 6eS>v, Tot kotto^o) np6(Te(TTi Koi pdvrjs ns Sxrnep otKeVr/j ; 10 ea Set Xa/Sui' to noTrjpiov hel^ov vopco. B. avXr]TiKa>s Set KapKivovv tovs baKTvkovs, oivov Te piKpov eyxeai, Kai prj noXvV eneiT u(f)r]creis. A. tLvu Tponov ; B. bevpo ^\ine. . . 424 A NTIPIIA NES. rniovTov. A. o> IJocrfiSov, u>s v'^ov (r(f)68pa. 15 B. ovTOi iTOirjfT€ts. A. «XX* eycj fxev acpfvbovT] ovK uv (Cf)iKoifir]v avToa . B. a}CKa fxdvdave. [Birth of Aphrodite.] iii. T/ie true use of via7-ititnc evipire. "Evdvvos 5' excov (Tav8(i\ia Koi oiviKi^r]s ^€ Tavpeas 6' 6 (fiiXTaros, uv8pes TTuXat o\j/-o(p(iyri roiovro'i Tive^^ 5 fiioi Kara^po^di^fiv iv ciyopa Tci Tffj.d)(r)j opcovres f^edvrjrrKov cVI rm Trpdypnri, €(f)(p6v T€ Setfa-s rrjv dvo\j/[av Tidvv, kvkXovs 8e crvvayeipovTfs eXfyoi/ uv Td8^, 0)? oil ^laTou icTTiu ov8 duaaxfrov 10 TTJs [ifv daXdrrris dvTnroiei(rdal rivas vp.a>v dvaXiaKeiv re noWa -x^prj^iaTa, iiyj/ov 8e dfiipo firjbev ficniKelv fir)8e ypv. tL ovv o(f)e\os tS)V vijaiapxoov ecTTi ; 8el vopw KaraKkelcrai roCro, TrapaTrop.nTjv noidu 15 tS)v l)(Pvu>v, vvv8\ MfiTwi' (TvvrjpTraKfv Toiis uXieas, Koi Atoyfircov vq Ala annvras avaneneiKfv wy avrov (Pepfiv, Kov 8r]fioTiK6v ye tovto 8pa Toaairra (f)\o>v. [The Rich.] ANTIPHANES. 425 IV. A 7-iddle of Sappho. S. "Ect-ti (j)vcris drj^eia ^pecprj (TtS(ova vtto koKttois nvrrjs, ovTa 8 ("i(pava fior]v larrjcri yeycovov KOI 8ia TTovTiov oiSfia koi rjTTfipov 8ia TrciiTrj<: ois eWAft dvTjTcov, Tois 8' ov8e Trapovcriv aKoveiv e^f(TTiVj Kco(f>fjv S aKorjs aurBrjaiv €)(ov ndrfp, . . . pT]Ta)p (icpcovos, T)v firj aXw rpls Trapavofiav ', B. Kox lifjv aKpi^as wo/jLtjv (yvcoKevni is TO pr]6tv .... aWa Sjj Xeye. S. ffrjXeia piv vvv etTTi (pvais eViCTToX^, ^pecprj 8 Iv avT)] rrtpicpepei ra ypappara' acfiaiva S' ovra Tavra tols Troppco XnXfi ois /3ouXe^', erepos 8' av TV)(rj ris ttXtjctiov 20 iaTcbs dvayivdxTKovTOs, ovk aKoverat. [Sappho.] 426 EPIC RATES. IV A naxandridas. The Egyptians. OvK av dvvaL^rjv avfi/Maxfiv Vfuu eyw, ovff' ol rpoTToi yap 6jj.ovoov(j ovd' 01 vopoi fjfiav, an aXXrjXcav be bie^ovcriv ttoXv, /SoCf npocTKVveii, eyw Se Ova rots Beois' TTjv eyx^iKvv fxeyiarov rjytl haljiova, 5 Tjufls Be Tu)V oy\/a>v p-eyicrTov napa ttoXu, OVK ecraieig vei , eyu) oe y rjoofiat ndXia-ra tovtois' Kvva aejieis, tvttto) S' eyw, Toijy^ov KaTeadiovaav rjviic av }\.dl3a>. Touf Upeas ivddSe fiev 6\oK\rjpovs vopos 10 elvai, nap vplv 8 , an e'oiK, nnr]pyp.evovs. Tov aleXovpov KaKov e)(ovr eav 'lBjjs, KKdeis, iyoi 8' tJBktt dnoKreivas 8epco. Bwarai nap vpAV pvydkrj, nap' epoi Se y' ov. [Cities.] V. Epicrates. Plato in the Academy. A- Tt nXarwi' Kin ^nevainnos /cat MeveSrjpos, npos Ticri vvv hiarpifiovaLv ; nola (ppovTis, noios 8e Xoyos EPICRATES. 427 8ifp€vvaTai irapa Toiaiv ; 5 rdSe fj.01 TTivvTcis, el' ri Kareibays fjKfis, Xe^ov, Trpoy ycis * * . B. aXX olda "Keyeiv irepl TwvSe aaCpMS' JJavaBrivaiois yap Idchu ayeXrjv fifipoKicov €V yvpvaaiois 10 ' AKabrjpfias rJKovcra \6ya>v atpdrcov aTonav' Trept yap (pvaecos ufpopi^opevoi 8i()(u>pi^ov ^cicov re 0lov tevSpcov re cjivaiv 'Kaxdfoov re yivq' 15 (COT iv TOVTOIS TT]V KoXoKVVTTJV e^TjTa^ov Tivos €pi(ravTO Ka\ tivos ytvovs etvai TO (fjvTOV ] 8r]\ct3(TOi', el KaTOKrOd ti. B. 7rpa>Tipi^faBai Tivoi earl yerovs' oi 8e 8i;']povv. [Fragm. In cert.] VI. Timocles. nAeHMATfiN KA0AP2I2. 'Q rav, ftKovcrov rju ri am Sokw \eyeiv. ("ivSpooTTOi (an ^aov iTmrovov (^vaei, Kcu TToXXa \vTrJ]p o /3joj iv eavTa (ftepft. TTnpn\lrvxo.S ovv (ppovTiboiv avfvpero ravras' n yap vovs tcov It'iav XrjBrjv \a[ia)V 5 TTpos nXXoTpLco re ■v//'v;^aycoy7j^f i? Trddei, p.(6' fjbnvrjs dnrj^de 7rai8fv0€\s ap,a. rnvi yap Tpaya8nvs Trpcorov, ft /3ouXfi, aKonfi, as cocpeXoval rravras. 6 fiev av yap nfvrjs TTTcoxoTfpov avTou KaTafiadoiv tov TT]Xf(fiov 10 yevofifpnv fj8r) ttjv nevlav paov (ptpfi. o voaoiv Ti fiaviKov 'AX/Cjuecoi/' eaKe\j/aTO, acpdaXfJiia Tis, ela\ (KTTLVOV(Tl, TOP fit biVTfpOV epuiTOS rjboi/i^s Tf, top Tpirov 6' vjrvuVj OV eKTTiovTes 01 ao^ol KeKXrjpepoi r olKude )3a5t^oi;a-', 6 Se Tfrapros ovk en Tjperepos ear, aXX' v^peos' 6 Be nepnTOi ^orjs' eKTos de KapatV elBdopos 8' V7rwTiia>p' 6 8 oyBoos K\T]Trjpos' 6 S" eparos X°^V^} SeKUTOs Se papias, coo-re koI l3uKXiiv noul. 10 TToXvs yap els ev piKpbv dyyelov x^dels vTroa-KeXi^ei paara tovs nfirooKOTas. [Semele.l VIII. ^ lexis. i. Live while you live. Tt ravja Xrjpets (fiXrjpacfioop apco kotw AvKdop, 'AKa8r]peiap, 'i2tSetov nvXas, Xijpovs (TocpiaTcop • ov8e Ik tovtcov koXov. •nivapev^ epnipapev^ 2) ^Uwp^ Si'/cwf, 430 ALEXIS. Xatpj)fiev eoii evecm rijv y^v)(r]v rpec^etv. - Tvp^a^e, Mdvr]' yacrrpos oi8eu rjbiov. avTT} narrjp aoi kol naXiv prjrrjp p.6vr]. uperai be npea^eiai re (cat arparijyiai Kopnoi icfvoi •^o<^ovaiv avr dveipurap. y^v^fi ere baipfnv Tto TTfTrpcopevo) j^pova' lo e^etf S OCT av (pdyrjs re Koi Trlrjs p.6va' CTTobbs 8e TaWa, UepiKkerjs, K68pos, Kip-oiv. [Autodidascalus.] "EoTiv dvTjp p.0L iTTa))(os, /fdyo) ypavs, Koi BvyuTrjp Koi ttcus v'los. X^^ V XP'?""''"')) ^f'"^' ot 7rdvT€S. rovToiv ot rpeis denrvovpev, dvo 8' avTols (TvyKoivcovovpev, 5 pd^rjs piKpds. (fidoyyovs 8* dXvpovs 6pr]vovp€V, iudv prj8ev ex^u>pev, X^pwpa S aaiTCOP rjpau ovrav yiyverai d))(p6u. to. pepi] 8 fjpSyp XT) (TVVTU^lS TOV ^iov f(TT\v lo Kvapos deppos Xd;(ai/oj' •yoyyuXls Si^pos Xddvpos (prjyos PoXjSos T€TTi^ ept^ivdos dxpds TO T( BtLO^aves prjrpcaov (poi peXfbrip tcr;(ds, 15 ^Ppvyias evpTjpara (TVKrjs. [Olynthia.] ALEXIS, 431 iii. The universe in a dish. "'EXaBov yfvoiievos ov to TTpayjx rj^ovXero. Kara ;(eip6f ihoOr]' ttjv Tpdne^av tjk ejj^wj/, ((f)' r]! ineKeiT ov Tvpos ovb eXaav ytvr], vide TTUpe^ovaai, Kvicrav fjiuv TrXeiova 7rapoyj/i8(s kul Xrjpos, dXXa Trapfredrj 5 V7r€pr](pdva>s o^ovaa rav 'Qpcov Xoncis, TO Toil TToXov Tov navTos r]ij,tcr(pacpiop. airavT epfjv TUKtl yap iv tuvtt] KaXa, iX^vy, €pi Tr]v (fivatv TpoTTov riv icTTL' Koi yap oivov tov veov iToXXr] aiP alyoyp Kpap'ia, ^vXrirpiop Hvppip-qs rj^oucra Xcittup opOov tp toIs p^fiXecrtz', 25 8 tK TleipaiSys vnu touv kokcou Kai Trjs anopias (piXocrocjieiv inrj\6e poc. Kai fiot ^oKovaiv dyvoelv ol ^a)ypd(f)oi TOP Epara, crvvTopitTarov S' elne'iv, ocroi TOV BaipOPOS TOVTOV TTOIOVO'I.V flKovas. 5 eariv yap ovre BrjKvs ovr cipprjv, nciXiv ovre 0e6s ovt uvOpcoTTOs, ovr' d^fXrfpos ovT aiidis epcfipcov, dXXa avvevrjveypei/os TTaina)(66iv, ivX rvTro) be ttoXX' etS;; (jiepoiv. fj ToXpa piv yap dv8p6s, rj 8e 8eiXia 10 yvvaiKos, fj 8 I'lvoia pavias, 6 5e Xoyos (f>povoiiVTOs, f] a(f)o8p6Tr]s 8e drjpos, 6 fie novoi abdfiavTos, fj (piXoripia 8e balpopos. Koi raOr' e'-yo), pa rrjv ^Adrjvdv Kai deovs, OVK Old o Ti (CTTiv^ aAA. opois f;^ei ye rt 15 TOiQVTOV, iyyvs re elpi Toivoparoi, [Phaedrus.] IX. Menaiider. i. Some are actors, others vuiies in life. QuTTep Ta>v )(^opu>v ov TvavTes aSovij, dXX' oc^covot 8vo Tivfs 7] rpels rrapfCTTrjKaai ivavroiv €cr)(aToi fls TOV dptdpov, Kai Toid' oyno/coy ttcos e'xfi.' X^pav KUTiXP^f^'') C^o'i- S' ois eWtv /3/os. ^ [Epiclerus.] F f 434 ^I^ ^^^ ND E R. ii. Leiuas. Ov 8fj Xeyerai Trpa^TT) 'Sancpai Tov vnepKOfiTTOv 6rjpu>(ja ^uonv olarpcovTi ttcQch pl.\f/-ai rrerpai dno TrjXfCpavovs' dXXa Kar ei'^rjv cfjv, btcrnoT ava^, eix^ij/ietcr^a) Tepevos nepl AeuxciSos cikt^?. [Leucadia.] iii. T/ie good genius. AnavTi daipcov dvBpl avpnapiaTaraL eidvi yevopevu), pvarayooyoi tov ^iov dyados' naKov yap bcupov ov vopiareov fifai j3'ov jiXc'iTTTOi'Ta ^^pjjcrroc. [Fiagm. Incert.] iv. Zi/i: is a fair -with a feiu shows ; ivhich seen, depart before it is late. 'Yovrov ivtvyiirroTOV Xeyco, ooTij Oeooprjaas dXvncos, Uapixevcov, TO. (Tfpia TuvT dTrr]\6(v o6tv rjXdev Ta\v, TOV rjXiov TOV Koivov, acTTp , v8a>p, i^e(prj, nip' Tavra Kav eKarov errj ^tas del oy^ft, irapovTa, Kav ivinvToxis (r KaKcos. B. (TTapiaT€pa>s yap avro Xap^dvfcs' Ta dva^eprj yap Koi to. Xynfjcravrd ere opqs iv avTU>, ru 6 dyad ovKeTi /3Xf7ret?. fvpois S' av oiiBiv TU)V UTVavTOiv^ SifivXe, g clyadov OTCp tl pr) Trpotreort Kal KaKov. yvvy TToXureXi^y ear oxXrjpoUj ov8 ea ^ijv Tov \afi6v6^ wj ^ovXer', dXX evfari tl dyaQov uK aiiTrjs, TraTSes* iXOovr els vocrov TOV e)(OvTa TavTrjv eOepdnevcrev empeXoos. lo aTv^ovvTi crvpnnpepfivev, aTroddvovrd re e6u\l/e, TTepua-reiXev olKflas' opa eh Tav6\ orav Xvtt^ ti tcou Kaff fjpepav, ovTCi yap oX(Teis ndv to Trpayp' av b eitXeyrj d(\ TO XvTTovv, prjbev avTinapaTidels 15 tu)V npoo'SoKcopevoiv, odvvrjaet. 81a TeXovs. [The Misogynist.] ME NA ND E R. 437 Vll. Physicians. Oia hx] (piXovaiv laTpoi Xt'yeti/ T(i fj)av\a fiei^u) Kiii ra 8(iv vnfp(f)ol3a, TTVpyOVVTiS aVTOVS. [Phanium.] viii. Eros. EtV' oi) jxeyidTos fcrri rap deap Epcof Koi TifiiQiTaros ye tcop irdprap iroKv ', ovSeis yap ovrcos ecTTi cfifi8(ok6s (Tcf)68pa npdpunros ovS* ovrcos aKpi^rjs tovs rpoTrovs, 05 ov)(\ TOVTOi fiepida rS dea vepei TTJs ovaias' ocrois p.ep ovv wpacos e^fi, vfols er overt tovto iTpo(TTa.TTfi noieiv. oi 8' els TO yrjpas dpafSoXas iroiovpepoi, ovToi TrpoaaTTOTiPovcn tov xpopov tokovs. [The Treasure.] ix. Law. No'/ioy (f)vka)(6e\s ov8fv eariv t] popos J 6 pfj (f)v\a)(^6e\s Koi popos koi 8j]pios, [Fragm. Incert.] 43S PHILEMON. X. Phi lemon. i. The sum77ium bonutn. Ot (l)i\6cro(f)ot ^T)Tovcnv, (os aKrjKoa, Tifpi ToiiTo T avTois TToXiis avaXovrai xpovoi, TL eariv ayaBbv^ Kolhe els evprjKe ttw, Tt ecTTiv. dpfTrjV koi (})p6vT}(Tiv (f)a(Ti, koi Xeyovcri Travra paKkov tj rl TciyaOov. c; €V aypa diarpt^av TtjV re yrjv aKaTrroyv eyco vvv ti'pov, eLpi]vrj crriv' d) Zev (^iXraTf, T^? €Tra(f)po8iTov Koi (^ikavOpaTTOv 6(ov. yajxovs eopras avyyeveli iraiSas ^(Xoi/y, TvXovTov vyieiav crlrov oivov Tj^oftjv lo avTTj SiSa)0"i* TavTU ttuvt^ uv (kKltttj^ TeOvTjKe Koivfi Tray 6 rav ^avrav ^ios. [Pyrrhus.] 11. Jlfan makes himself sorrows. 'Q, rpiapaKapia iravra ku\ TpivoK^ia TO Orjpi , ois OVK fffTl TTfpl TOVTOiV \6yos' ovT fis eXeyy^ov ovBev avrSyv ep)(fTai., ovT uWo ToiovT ol8ev iar cixjtoIs kokov enaKTov, tjv S av (laeveyKqrai (})vaiv (Kitrrrov, (v6vs Kcii vopov TavTqv ex^i. tjpf'is 8" a[ii(>)Tov C^pev uvOpatnoi ^iov' STRATO. 439 Soi^Xei'o/Liei' 6o|ato"ti', evpopres vofxovs, irpoyovoKTiVj (Kyuvoiaiv. ovk ear nnoTVXf'^v KaKoii, Trp6(})a pa tovs 6eovs OCT av Xeyj] crvvLrjpL' Kaiva pr]para TTfiTopLcrpfvos yap iaTiv. (os elarjXde yap, fv6vs p errr]pa>Tr](T€ npoalSKeyj/as peya, 5 " TToo'Ovs KtKKrjKas pepoTrai eVi belnvov ', Xtye. e'yo) KiKkrjKa peponas enl delnvov • xoXas. Tovi be peponai tovtovs pf yiyvaaKeiv duKeli j ousels' napearrai. tovto yap vtj top Aia (Ti KaToXonrov, peponas eVi SetTrfof KaXelv. 10 ouo apa irapearai oanvpatv ovoeis oKtos , OVK o'lopai ye AaiTvpav. eXoyi^6pr]v, rj^ei ^iklvos, Mocrxio3V, NtKijparos, 6 Sell/', 6 delva' Kar ovop dveXoyi^oprjv' OVK tjv ev avTots ov8e els poi AaiTvpav. 15 oiiSeif Tvapearai, (pr]pi.. " Tt Xeyeis ; ov8e eis ; o-ipobp' rjyavuKTrja , axnrep 7]8iKripevos, el prj KeKXriKU Aairvpova, Kaivhv ndvv. ovo apa Oveis epvcnxuov , ovk ecprjv eym. " Bovv S' evpuperwTTOV • ov 6v(0 fiovv, a6Xie. 20 440 STR A TO. " UtiXa 6vaid^€is apa ', ' fia Ai", iya> jjiip ov, ovterepov airatu, npolBiiTinv 8'. " ovkovv (fs yap 8iavo€i p.' dnoXXvvai " 30 " ovra XaXflv e'lat&a. pfj toIpvv XaXa ouTco nap tpoiy oov. " aXXd Sta ras Terrapas 8pa)(pds aTTojSdXa) (^(firjcrij ttjv Tvpoaipeaiv ; ras ovXo)(^vTas (pepe 8evpo. tovto S' eVrl ti ; " Kpidau tI ovv, dnoTrXrjKTe, irepinXoKas Xeytis ', 35 " nrjyos ndpeari ; Trrjyos ', ov^l XaiKdaei, tpels (T(tv Tuv ^CXrjTa Xapfidvovra ^i^Xicou (jKOTTflv {KacTTOv TI dwuTat Toiv prjpdruv. ttXtjv iKfTevov avTuv TJdrj p.€Taj3aXfiv, 4^^ ■IvOpuyTTivuis XaXt'if t€. tou 8' ovk uv Td)(a iTTfidiv rj TTtiOu) pa Trjv yrjv oiSi" on. [Phoenicides.] \ V. ALEXANDRIAN POETS. EPIGRAMS. Baia fiiv aWa poha. Anthology. V. ALEXANDRIAN POETS AND EPIGRAMS. With the perfection of the drama the original growth of Greek poetry seems complete; and so far as Greece proper is concerned, a time has been reached, after which imitation and adaptation succeed to invention. But on the other side of the Mediterranean, in Alexandria, poetiy found a latter summer. The poems of Theocritus and his fellows are of no sort of interest in the history of Greece, yet in themselves some of them are perfect in their kinds. There is not much Greek which is so expressive, perhaps none which within a certain range of ideas is so fully and ac- curately expressive, as that of Theocritus. The scents and sounds of nature, the physical signs of love, are present in no faint image ; he is pathetic and dramatic ; and the richness and sweetness of his diction and versification do not leave the reader master of himself. But im.perceptibly the spirit of the poetry has changed. Artificial scenes and artificial griefs, personages and events ideal indeed but idealised from the commonest, not from the noblest forms of humanity, and a certain want of sim- plicity both in characters and in sentiments, mark a declension from Athenian art. Of ApoUonius of Rhodes, Lycophron, and other less known writers, men of letters rather than poets, little has been preserved which seems very good to a modern taste. For the most part they are mere imitators, destitute of art to construct and to sub- 444 INTRODUCTION. ordinate the less to the more important in poetical perspective, rhetorical in expression, and overloaded with epithets conveying antiquarian or mythological allusions which take the place of original images and thoughts. Rome and Byzantium succeeded to the position of Alexandria as the metropolis of letters, but neither produced any new birth of Greek poetry. With the exception of Musaeus (a. d. 550?), whose Hero and Leander in simplicity and pathos is in some parts almost worthy of Theocritus, and with whom the canon of ancient Greek poetry may be considered to be closed, their poetical writers in the language of Homer and Sophocles are but imitators of Alexandrian imitations. By the twelfth century even the ancient metres had perished and had given place to ' political verses ' distinguished from common prose only by division into lines of equal numbers of syllables. The epigrams collected by the Alexandrian and Byzantine anthologists range over more than ten centuries from the beginning of the sixth B. c. In this alone of all the branches of poetical writing the example of ancient taste continued to be followed down to late times, and many of the compositions in this kind of the Alexan- drian and even of the Byzantine period, though not equal to those of Simonides or Plato, are yet worthy in simplicity of manner and purity of style of the best ages of Greece. I. Theocritus. i. Daphnis. "ApxfTe ^(CKoXiKas, Mwcrai (j)i\ai, apx^r dciSas. QvpcTis 06' o)^ A'iTvai, Ka\ Qvpaiboi aS' d (fioyvd. TTO. noK cip' ^d' OKa Adis eTciKero, na ttoku, NvfKpai ; fj Kara UTjvfiu) KoKa Tepirea, fj Kara HivSa ; 01; yap d/] TTOTapS) ye fxeyav poov e'ix^r ' Avdira, 5 0116' A'lTva^ (TKontav, ov8' "Aki8os lepov v8(op. apxere ^cokoXikus, Mao-ai (piXai, clp^fT doidds. T^vov p.dv Owes, Trjvov \vkoi wpvaavro, TTivov x^< dpvpolo Xeav dveKkavcre Bavovra. apx^re ^coKokiKas, Mmaai (f)iXai, cipxer doibds. 10 TToXXai oi nap woaal /3oey, noXXol 8e re ravpoi, TroXXa\ S av 8afidXai Ka\ nopTies oidvpavro. " cipxere /So/coAtKay, Mcoaai (j^iXai., cipxcr doibds. d) Xi'Kot, a dues, S) dp' copea (pwXddfS (ipKTOi, Xaipiff- 6 ^(CKoXos vfipLiv eyo) Ad(j>vis ovk er dv vXav, 15 446 THEOCRITUS. ovK €T dva 8fjv^u)S, ovK aXcrea. X"*p' 'Ape'^otcra, Koi noTUfioiy to\ X^'^^ KaXof Kara Qvfi^pihos vBap. ap)^iTe ^(OKo\iKus, Mworat (^I'Xat, "/^X^ ' aotSay. Ad0i/(f eywv oSf r^fo?, o ras /Soas a)Se vopevcov, ^d(f)vis 6 Tccs Tavpa>s ko). Ttoprias a)Se noTiaSav. 20 ap)^eTe (3a>KoXiKas, MSxrai (filXai, '"px^^' dotSay. w nav Ilai', eir' eVcri xar' wpea paKpa \vKaia>, fire Tw y dpfpnroXels fJieya MatVaAof, eV^ eTTi vacrov rav ^iiceXav, 'EXtVa 8e XiV rjpiov, alnv re trajxa TTjvo AvKaovi5ao, to /cat paKupecrcriv ayatJTov, 25 Xij-yere (BcoKoiXiKus, Mwcrai, IVe, X)7-ye7-' aotSay. ev^, ava^, Koi rdi'Se ^ep euTTciKT-oio fiiKlnvovv fK KapS) avpiyya KaXui>, nepl xf'^os iXiKTav. Tj yap e'ywv iitt epairos ii "A'i8os eXKopai rjbr]. \f]yiTf jSooKoKiKO!, Mwaai, tVe, Xiyyer dotSdr. 30 vCi/ la p.€v (f>opfoiTe jBdroi, (fiopeoire S' aKavBai, 6. he KoKa vapKiaaos en dpKevdoia-i Kopdaai' navTit 8' evaXKa yevoivTO, koi a ttltvs oxyai evtiKai, Ad(j)uis enfl Oima-icei' kch tcis Kvvas w\a({)os cXkoi, Kr)^ opeoiv TOL (TKonrfs ar]86ai yapvcraivro. 35 Xrjyere (SukoKikus, Mcoaai, iVe, Xrp/eT doi8as. \(o pev t6(T(t flncbv aTreTraiVaro* rov 8' 'A(f>po8iTa fj'deX^ nvop6o)crai' rd ye pav Xipa Trdvra XeXomei fK MoLpav' x^ Ad(pvis fjSa poop' {KXvae 8iva TOP Mcicrats (plXov up8pa, top ov livp^paiaip dnex^fi- 4° [Idyll 1.64-75, 114-141.] THEOCRITUS. 447 ii. Unrequited Love. Qaaai fiav dLjjLciKyis i^bv I'lxos' aide y(voiyt,av a ^ojxfievda fieXicraa, Kol is reov avrpov 'iKotfxai', TOP Kiaaw 8ia8vs kqI tuv irripLv, a tv nvKiiaSij. vvv eyvav rbv Epwra" ^apiis 6e6s' v P« XffitVa? fxaadov edijXa^f, 8pv[i. eaTi Koi iv Keveolai (jjiXap-aatv odea Tep\l/is. [Idyll III. 12-20.] iii. T/ia/ysia. Tdtrcr' e(f)dpav' 6 Se fioi to Xayco)36Xoi>, uBv yeXa^n?, as wdpos, eK '^1oLaav ^eipfj'lov (onaaev ^p-fs. X^) pev, aTTOKXivas in dpLcrrfpa, rdv in). Uv^as flp

a8{u 6epeos fj.aka ttiovos, uaSe S' ottco/j';?. o)(^vai fiev Trap Troacrl, napci nXevpljcn 8e p.d\a 8ayl/iXtws afiiv envkivdero' to\ 8' eK€)(VVTO opiraKts ^pa^vXoiaL Kara^pidovrfs epacrbe' TfTpafVfs 6e TTidcov oTreXvero Kparos aXeicpap. 20 [Idyll VII. 129-147.] iv. Menalcas. "AyKea Kal noTafxo), 6elov ytvos, al n Mei/aA/caf TTO TTOX 6 (TvpiKTas TTpo(Tcf)iXes a(Tf fieXos, ^6(TKoiT eK yj/vxus ras a/xi/t'Sas" fjv de ttqk evdrj Au(j)vis exuv 8ap.aXus, pr]8eu eXacraov ex°'- Da/>kms. Kpavai Koi /Soravai, yXvKfpbv (pvrov, aiirep ofiolov 5 /novcricrSei ^d:f)vi.s raiaiv drjBovicrt, TOVTO TO [iaKoXiOV TTiaiufTe' Krjv TL MevaXfcny rJyS' dydyrj^ ^a'lpoov ii(pdova ndvTa vepoi. Afenalcas. tvff oh, iv6' ulyfs biBvp-aroKoi, fv6a fxiXicra-m (Tpdvta 7rXijpov(Tiv, ;((u Spiffs v\jriTfpai, 10 fvff 6 KoXbs MiXcof ^aiuei iroalv al 8' av dcjiepTTTj, XTfvs (f)a>Kas, (cat ^eos wj/, eVe/iie. 20 Daphnis. pr} poi yav HeXonos, prj pot xpvv, rav StxeXai/ is a\a. [Idyll VIII. 33-56.] V. Hylas. Ovx iiplv Tov "Epcora povois iT€x\ ^s iboKevpes, Nt/cia, (0 Tivi TovTo Biwv TvoKa riKvov eyevro' ovx aplv TO. KoKa rrpaTois Ka\a (^aivtrai rfpes, ot 6vaTo\ TTfXopfada, to S' avpiov ovk iaopHpes' aXXa Ka\ Ap(f)iTpvo>vos 6 x^^K^oKapdios vlos, 5 OS TOV Xlv vTripeive tov aypiov, rfparo TraiSos tS> xopiiVTos "YXa, TO) tov TrXoKoplba (f)opevvTos, 450 THEOCRITUS. Kal fiiv ■navT f8i8a^e, jrarrjp axrel cf)i\ov via, oacra ^a6u>v ciya66s Koi doiSifjios avTos fyevro' X<^pi-^ o' ov8fTToii TjS, ovS' et fieaou afiap opotTo, lo ovB" OKa d XevKiTTTTOs dvaTpe)(oi 6s Aios ciioi, ovff onoK opTaKi)(oi fiiwpoi ttotI koitov opiaev, aeiaafifuas Trrepd [larpos eV aWaXoevri nerevpa' o)v aiirw Kara dvpbv 6 irals neTrovafxevos en;, aiiTM S' eii eXKau is oKaQivhv ciybp" dirofialrj. 15 aXX* OKa TO }(pvcrfiov enXei fxera Kutas 'irjo-oiv AlaoviBas, 01 5 avrS apicrrrjei crvviTvovTo^ naaav eV ttoKiuiv Trpokiheyp-ivoi, cov oc^iKog ri, iKfTO x^ rnXaepyus es dcjiveiav laokKov 'A\Kfjirivas vlos MiSfuriSoy rjpcoluas' 20 (Tvv 6' avToo KarefSaLuev "YXas evfbpov is Apyo), OTIS Kvavfav ov)( rjylraro (Tvvhpuiid^wv vavs, oKXa bii^ai^f, ^a6vv 5' eifrihpafxe Tais, EvviKa, KoX MaXif, e'ap 6" 6p6u)aa Nv;(e('a. 45 rJTOi. 6 Kcbpos ineixe ttotco TToXvxavSea Kpcccrcrov, ^dip-ai eneiyopii'os' ral S' eu ;(fpl Trdaat e(pvaav' nao'dau yap (pais cnraXas ({)pevas dpcpedovrjcrev Apyelo) eVi TraiSt* KaTrjpnrf S' is /xeXav v8a>p ddpoos, ws OKU nvpa-os diT ovpavui 7]pmep dtJTrjp 50 dOpoos iv TTovTcd' vavrais 8e ns fnrev iraipos' KOv^oTip, oi TToiSes, TTOiflad' orrXa' TrXeva-riKos ovpoi. NvfKpm ptev crcpeTepois firl yovvaai Kapov exoicrai 8aKpv6evT , dyavdlcn Tzapc^vxovT (TreeacnV Apcpirpvaviddas Se rapacraopevos 7rep\ TratSi 55 (oxf'o, MaimricTTi Xa^wv fVKapnea To^a^ Koi ponaXov, to 01 alei> exdv8av€ te^irepd x^'V- rpjs piv YXav uijaev, ocrov ^a6vs ^pvye Xaipos' Tp\s 8' up' 6 TTois {indKovcrfv' dpaid S Ikito (Pcova i^ vdaros' Trapeav 8e pdXa axf^op, etSfro TToppa. 60 as 8' onoii Tjijyevfios dnoTTpodi Xls eaaKovaras vefipcb (p6ey^ap£vas ris (V apeaiv, uipocpdyos X7s, (^ evvds ecrnevaev eTOipoTdrav eVl Saira" 'HpaKXfr]s ToiovTOs iv arpnTTOKTiv aKdv0ais TToiba TTodibv 8e86vaTOj noXvv 6' iniXdpfiavi x^P°^- ^0 Gg2 45^ THEOCRITUS. a')((.r\t.oi ot ({)iK(OVTes' aXonixevos ocra iyioyrjcrev a>pea koI Spu/iws* to. 8' 'idaovos varepa Travr ^s. vavs fjLCVfv appiv e'xoKra perdpaia, rau Trapeovraiv' laria S' rjidioi peaopvKTiov f^€Kndaipov, HpaKXrja ptvovTfi' 6 8 , a n68fs ayov, e)(a)p(i ~o fiaivopevos' x^^^f"^ yop (aco 6e6s rjwap apvcraev. ovTco pii> KilWicTTos "Was paKapcov dpi6p.(LTai. 'HpaKXerjv 8 rjpcoes tKfpropeov XmovavTaVj ovveKfv rjparjcre TpiaKovrd^vyov Apyo)' TTCcrSa 8 es KoX;(cos re Koi a^fvov meTO ^acriv. 75 [Idyll XIII.] vi. The feast of Adonis. Gorgo. 'EvSoi Upa^ivoa \ Praxinoe. Fopyol (plXa, cos xpoi^w' eVSoT. davp. , OTi Kill vvv TjvBes' oprj 8i(ppov, Eivoa, avra' epfiake Ka\ TToriKpavov, Gorgo. ^X" KoKkidTa. Praxinoe. Kadi^tv. Gorgo. 2) Tus dXepuTca ■^v\as' poXis vppLu icrojdrjp^ Upa^ivua, TToXXw pei> o;^Xct), noXXav 8i Ttdpin- ■nav' 5 TTavTu KprjTrihfs, nuvrq )(Xapv8rj(^6poL livhpes' a o 000s arpvTos tv eKauTtpco o) ptA arroiKfis. Praxinoe. raiff 6 nupapos Trp/os in ea^aTu yds eXa(di' iv6oiv iXtov, oiiK oiKXfcnv, otvws prj yeirovts apes 9 aXXaXaiy, ttot f'piP, (pdoftpof kukov, aliv opoios. THEOCRITUS. 453 Gorgo. fxf] Xeye tov reov liv^pa^ (piXn, Aivcova Toiavra, TO} fxiKKci) TrapeovTos. oprj^ yvvai^ cos TTodopfj tv. dapcrei, Zunrvpioiv, yXvKepov tskos' ov Xeyei a7r(f)vv. aiaOdverai to lBp€(pus, vai tclv TTOTviav. koKos dn(pvs. ]''raxinoc. tnr(l)vs pav rrjvos Trpaiai', (Xiyopes Se irpiiav 6fjv 15 TTavTo] viTpov Koi (f)vKos dno (TKavds dyopdadav, Krjv6( ""■"f pvirov, i'pyov in epyo). 20 dXX' Wt, T'jopnexovov kcu rav TrepovaTpita Xafei). /Sfljues' tS) jSatrtX^oj es ucfivetcb UToXtpaicc, daaopevM tqv "Adoiuiv' aKovco xp'lH'^ koKuv ti Koapyjv Ttiv (3aai\iacrai>. Praxinoe. ev oXjSt'co oX/3ta navra. Gorgo. Siv iSe? Siv enrais Kev l8olcra tv rc5 prj IBovTi' 25 fpTreiv wpa k e'lrj, Praxinoe. aepyoTs uxiv eoprd. Evvoa, aipe to vapa, kcu is pecrov, alvodpVTrre, dts ndXiv. a'l yaXiai paXaKas ;^p?/0"So!^Tt Kadfv- deiv' Kivev 8f], (pepf 6aep avTuv. Gorgo. Upa^ivoa, fMiXa toi to KaTanTV)(^es ip.Trfp6vap.a TOVTO TTpenfi. Xeye poi, rroaao) Kare^a toi dcf)" IcttS) ; 35 Praxinoe. p.r\ (xvdcrris, Topyo'i' TrXeov apyvpiat Kadapw [jLvav 7] Svo' Tors S epyois Koi tuv ^V)(av noTedrjKa, Gorgo. a}p.av dni^a toi, Praxinoe. vai, koKov (inas. Tuip.TTi)(ovov 0fpe poij Ka\ TUV 6o\'iav KUTa Koapov dp TV, TiKvov' poppu), SaKveL 17T7TOS. 40 baKpv , baa edeXeis' x^^"^ ^ "^ ^^' '''^ yeveaBai. epnapes. ^pvyia, tov piKKou TraTcrSe Xa^dlaa' Tav Kvv e'crco Kcikeaov' Tav avXeiav dnoKXa^op. — 2> deo), ocrcrof o^Xos' ttws kcu ttoku tovto nepaam Xpf) TO KaKov \ pvppaKfs dvupidpoi km upeTpoi. 45 TToXXd Toij d> IlToXepaie, irtiroi-qraL KaXa f'pya, f^ a) iv uBavarois 6 TCKaiv. ov8e\s KUKoepyos daXflTai TOV lovra, tTapipivav AlyvTTTia-Ti' oia Tp\v (^ dnnTas KfKpoTapeioi uv8pes firaiahov, dXXdXoii 6paXo\, KQKa Traiyvia, ndvTes epeioi. 50 flSt'cTTa Fopyoi, tl yevoipeda ; to\ TVToXepiaTai Imroi Ta> jSaaiXrjos. avep (f)iXf, prj pe 7raTjjCT7;s. op66s dvidTa 6 TTvppos' 16' Evvoa, ap.cov. 0) fjLoi BiiXaia, 8ixa fiev to depLCTpiov rjdr] fcrxiCTTai, Topyol. ttottSj Atoy, aiVi yevoio 70 evoalfjLcov^ w ' vdpcoTTf, (pvXdaaeo rcL/^iTrep^oi/oi/ fiev. First Spectator. ^^'^ ^'^' ^'■^ 1^^"' "M'"^ ^« cpvXd^ofMai. Praxinoe. ddpoos oxXos' w6evv6' uxrntp ves. First spectator. Gapan, yvvai' eV KaXw ilp.ks. Praxinoe. Kels wpas, KfjneiTa, 0i\' dvSpcov, iv naXu} e'irjs, aupe 7Tepi(TTeXX(0P, XPI'^'^^ KcoKTipfjiovos dv- dpos. 75 45^ THEOCRITUS. cf)\i^€Tai Eivoa afifiiv' ay, a> 8ei\a tv, jStaffu. /caXXtor'* eVSot Tracrai, 6 rav vvov e/rr' UTTOKKd^as. Gorge. npa^ivoa, TToray S)8e' ra TTOiKiKa nparov adprj- aov, XfTTTo. Koi ois x^^pi-^vTa' Becbu irepovapara (f>a(T€ls. rraxinocTioTvi 'Adavaia' Tvoiai (r(/)' iTvovaarnv epiBoi, 80 TToioi ^aoypdcpoi ruKpi^ea ypdppar eypn\f/av ; w? ervfi iariiKavTi, koi ajy ervp! ivhivfvvTi. f'pyj/vx , ovK fvvfpavTci. (Toiv6pu>TT0i. avros S' wy darjros eV npyvpta) KaraKeiTai (cXtcr/xw, Trpdrov 'lov\ov dno KpoTd(p(i)v Kara- /SdXXmj', 85 6 TpKpiKrjTOs "AScoris o Krjv 'A)((povTi (piXe'iTai. Second Travaaaff' , d> dvaravoi, dvdvvra KcaTtXXoicrai Spectator. , , - ^ ' s. « rpi'yoi'es' (KKvaicrfvvri TrAaTdairOoicrai aTrapra. Gorgo. pd, TTodfv cov6panos; ri 8e riv, d KcortXai dpts', rraadpevoi (TTLTacrae' 'EvpaKoaiais (TriTacrafis ', 90 u)s eiSJ}y KOI TovTo, Kopivdiai, dpes avcodev, 61s Kol 6 BfXXepofficiyv' IleX OTTOwacricrrt \a\evpts' Aoapiabfv i'^ecTTi, 8oku>, tois AapueacTi. Praxmoe. ixf) (pvlr], MeXtrcoSej, 6s dpSiV Kaprepos f'lrj, TrXdv evos' ovk aXtyco, prj pni Kivedv dnopd^rji. f)_:^ Gorgo. aiya, Upa^ivoa' peWd top ' AboiVLV deiBeu d Tus Aypdas dvydrrjp TroXv'iHpis doi^os, uTis Koi '2ir(p'xiv Tuv u'lXfpov apiarevcre' (pfffy^flrai ti, adcf) otSa, koXoV tiadpinTTfTai fjbrj, [Idyll XV. 1-99.] THEOCRITUS. 457 vii. Eros shmg by a bee. Tof Kki-KTav TTOT "EpoiTa KOKo. KiVTaae fiiXiacra, KTjpiov eK aiplSXav avkivptvov' iiKpa 8e ■^(eipav haKTvKa TTuvr vnevv^ev' 6 S" uXyee, Koi x^P f^pyo-r), Koi Tav yav endra^e, koI aXaro" to. S' 'A0poStra ^f'l^ev Tav obvvav, Koi fiifK^iro, ottL ye tvtBov 5 6-qpiov ivrX pfXiaaa, Ka\ ('iKlko rpavpara TTOieT. Xn paTTjp yeXaaaaa, Tu S' ovk taov ecral peXiorcrais ', XOi tvt66s pev erjs, ra Se rpavpara aiXiKa noiels. [Idyll XIX.] viii. ./ige and youth. Olvos, w <^i'Xe ncii, Xeyerai, koi aXddea' Kcippe XPV pf6vovTas uXadeas eppevai, Krjva) pev rd (ppevav (pea) /cear iv pvxTt yrjpaXioL niXopes, Trplf dnonTvaai, Koi pv(ro\, vforara S' i'xev naXivdyperov ovK i'cTTi- Trrepvyas yap inapabias (^opic Kuixpes ^aphvTepoi ra ■jvoTT]peva avWa^elv. 3° Tavra xph votovra ireXfiv Trori/iwTcpoi/, Kai poL Twpaptvto avvfpdv aSoXcos (redev, oTTTTwr, uvLKa Tuv yevvv avbpetav fxU^} dXXaXoio-i 7reX«;xe5' 'Ax'^^"°' '^''^°'- al 8e Tavra (j)(pfiv dvepoiaiv fTTiTpeneis, 35 fV evp^ T( Xeyety, Ti pe, 8aip6vi\ ivoxXfls' vvv pev KrjTrl to. xpvcfa pak' hfKiV aidev [ialr)v, Ka\ ({jvXaKov vfKvoiV TTt'Sa Kep^epoV TOKU b\ ovbi KaXfiiVTOs eV avXftai.s Bvpais npop-oXoipi Kf, TTuvadpevos x«Xe7rw Trodo). 4° [Idyll XXIX.] BIO AT. 459 II. Bion. Cypris and dead Adonis. dvairoTfie fj.(7vov"A8u>vi., iravvcrTaTov as ere Kix^eiw, (OS ere TrepLTTTv^a), Koi )(€tXea ^^eiXecrt jii^a). i-ypeo Tvrdov'ASuvi, to 8' av witfiarou fie (piKaaov' TocrcrovTov fie (piKaaov ocrov fcoft to (plXafia, c, axpis ano '^v)(ris es ipov aTOfia Kels efiov Tfnap Trvevp.a Tfou peva;], to fie aev yXvKv (piKTpov dpeX^O), f< 8e TTiu) Tou epcoTa' (f)i\afia 8e tovto (^nXa^w, as avTov tov ' A.b Tov''A8a>VLV, o fiOL 6dve, Kai ae ^o^evfiai. ovdaKeis, o) TpmodaTe' ttoBos 8e fioi as ovap eTTTTj. XWl ^' " Kvdepeta, Kevol 8' dva 8a>fiaT "EpioTes. ald^Qi Tou'A^aviV aTrooXeTO KaX6s''A8(uvis. fiT]KeT eVi Spvpolai top dvipa p.vpeo, Kinrpi. 20 }6o nio N. ecTT ayada arijSai, ivTiv 'AScoj/tSt (fivWas iroifia' XfKTpov ex^i, Kvdepeia, to aov rdSe vfKpos AScows. Koi veKVS wi' KoXos ecm, Kn\6s veKvs, oin KadevBav. Kcirdeo VLV fjLoXaKois iv\ (jidpeaiv, ois iviavev, To'is fiera crev dvci vvKTa top Upov virvov epoxdei, 25 iTayxpv(Ta> KKivTrjpi' Trodti Koi arvyvov' A^aviv. /3dXXe S' fVi (TTe(j)uvoicn Ka\ civdecri' iravTa uvv avra, tbf T^vos TedvaKe, Kal civdea Tvdvr epapdvdr]. [Idyll I. 42-59, 66-76.] ii. T/ic teacher taught. 'A /ieydXa p~oi Kvnpis W vnvaovTi irapiara, vr]TTiaxov T6v"EpQ)Ta KoXds (k ;(etp6s ciyoKra, fs x^"'^^ vevard^ovTa, touov Se fj.01 ((ppaae pv6oV jiiXmiv poi, (^t'Xe ^ovra, XajBcov Tov"'Epa>Ta hlbaaKe. as \eye' x " 1^^" dmjvBev, e'-yo) 8', ocra jSaiKoXiaaBov, 5 VTjnios w? ideXovra p-aOe'iv T6u"EpoiTa diSaaKov, a>s (vpev TrKay'iavKov 6 Ilav, «? axikov Aduva, u)s x^^^" 'Eppdcjv, Kidapiv 6' 0)9 ddvs AnoXXav, ravrd ynv i^(hibai III. MoscJms. i. Europa. AeCr erdpai (piXiai Koi ofxrjXiKes, o(})p' eVt ratde e^ofievai ravpa Tepnaneda' 817 yap dndaas, vuTOV vTToa-Topea-as, dva8e^(Tai, old re vrjvi. TTprjiis ob' elcrtSeeiv kuI fieiXixoi, ouS« ti ravpois aXXoLcri npoaeoKf' vooi 8e ol tjire (jiairos 5 a'iaipos dpfpideei, povvrjs S' iniSevfTai av8fjs. cos (papevT], vwroiaiv e(j)i^av€ pfi8um(ru' al S' aXXm peXXtaKov. cicpap 6' dvtTrtXmTo ravpos, fju k'deX' dpnd^as' wkvs 8' eVi novrov Uavev. 7) 8e p.eraaTpi(p6f'L(Ta ^iXas KoXtfaKsv iraipas, 10 Xflpas opfyvvpevT)' rai b' ovk ibvvavro Kixdvfiv. aKTdcdv S' em^ds TTpoaaoi 6i(v, rjvTf SeX^is, XTjXais d^psKTOKTiv eV evpea Kvpara jSaivuv. r] be TOT ipxopiifoio yaXrjvidaa-Ke ddXaaaa' KTjTfa S' dp.({)U liraXXe Aios npondpoide irobouv' 15 yr]66(rvvos 8' vnep olbpa KV^iaTfe ^vaaoBe beXfjiis. Nrjpitbes 8' dvebva-av in i^ dXos, ai 8' apa ndaai KTjTeiois vcDTOiaiv i(pr]pevai dvroxeovTO. Koi 8' avTos ^apvbovnos vtreip dXos 'Ei/j/oo-iyatos K.vp.a KaTiBifoiV uXlrjs r]ya.To KeXevdov 20 avT0Kaa-iyvT)T(0' to\ 8' dp(pi ptv rjyepeSovTo TpiTOives, TTovToio ^advppuov evvaeriipfs, 462 CALLIMA CIIUS. K6)(\oL(nv Tuvaois ydfiiov jxeXos rjTvvovTes. T] S' «/j' i(^€^ojj.ivq Ztjpos ^oeoLs fni vcoroii, rfi fxev fx^" '''o-vpov hoKixpv Kepas, iv X^P'- ^ <'^^?7 25 (ipv€ nop(f)vper]P koXttov TTTVxa, o(ppa Ke fir] p.tv 8fvoi ((^ikKoyLivqv TToXiTJs aXos acnreTOV vScop, KoiXncodr] b' dvefioiai TreVXoj ^a6vs 'EvpcoTretrjs, laTiov old re vt)6s, eXa(f)pi^€aKe 8e Kovprjv. [Idyll II. 102-130.] ii. The flowers ret rn but vian returneth not. "Apx'^Ti Si/ceXiKai rto vrevdeos, npxere Moicrat, at, at, Toi fxaXuxai p^ev iirav koto, kclttov oXcovtm, Tj TO. p^Xcopct aeXiva, to r evdaXes ovXou avrjOov, v(TTepov ail ^atovri Koi els (tos ciXXo (pvovri' ap.p{s d\ oi nfyuXoL Ka\ Kaprepoi. r/ (rop,es, dvaKooi, iv x^ovi KoiXq. €v8op,{s eii fidXa paKpov ureppova vrjyperov virvnv, [Idyll III. 105-in.] IV. Callimachus. Hymn to tlie hath of Pallas. Ocrcrai Xarpoxooi ras IlaXXddos, e^ire Tracrai, e^ire' rav tmrcov upri (ppvaacrofxepav rap Upav icraKovcra, Ka\ & 6ebi evrvKos epTrei' v fjvd' utto yqyeviutv, aWa TToKv irpariaTOV vcj)' apfiaros av)(evas inTrau Xv(rafjLfva, nayms fKXvafv 'Q,KfavQ> lo IdpS) Kol padaptyyai' e(poij3aa€v Se nayePTa navra )(a\ivo(f)a.y(ov acppov dno (TTopdruiv. (b IT, Ax^ai'idbfs, Koi pr] pvpa, p,rj8 dXa/Saorpwy, (^(Tvpiyycov uiio (})66yyov VTra^ovicopj pTj pvpa, XmTpo)(6oi, TO. ETaAAaSt, pr]h' aka^uarpcos 15 {ov yap 'Adavaia )(pipaTa piKTii (ptXd) oiaere, p-qde Karompov' dii Kokbv oppa to Trjpas' ov8 OKa Tap ' ihav ^pii^ idUa^ep fpw, ovS €S 6pfi)(a\K0P peyd\a 6e6s, ou6e ^ipovPTOS e^Xeyp-ev h'lvap is diacfyaipopepap' 20 ov8 "Hpa" KvTTpis 8e Siavyea x^Xkop iXolcra, TToXXdKi TUP avTciP 8\s peTeOrjKe Kopap. d fie, 8\s e^t]KOVTa tiadpe^aaa 8iavX KdaTcop, o) Kal XP'-^''''^'- 't{po.is otto ;(atTai' 7re^T]Tai, Xinapop apacrapiva nXoKapop. i'^iff, 'A6avaia' napd toi KaTadvpios I'Aa, nap6ePi,Ka\ peydXap ira'ihfs 'AK((TTopi8dp. 464 APOLLO NI US. f^id , ^h.6avala TrepatnroKi, xpvcrfonrjKri^, 3j; iTTTTav Koi craKeuiv a8ofXfva Trardyoi. (xiifitpov, v8po(p6poi, pT) /SuTTTere' (rdfifpov, "Apyos, irlvfT dno Kpavdv, prjS' otto Ta>v iroTafiwv, adpepov, al 8u)Xai, ras Kd\7n8as rj is '^vcrdSeiav ^ is 'Apvpdivrjv o'laere rau AavaS). 40 Koi yap 8rj ^pv(rw re Kai apdeaiv vSara pi^as ij^ei (pop^aioiv ' lva)(os i^ opeatv, TaOdva TO Xoerpov aycov KaXov. dWa, UeXaaye, (Ppd^eo, pi] ouK i6iXu)i> tup ^acTLXeiap 'i8j]s. OS Kfv i8r] •yv/ii'ai' rdu UaWdda, Tiiv no\i.ov)(ov, 45 Tuipyos ido'^iirai Toiiro iravvcTTdTcov. [Hymn Y. 1-34, 43-54-] V. Apollonms, i. Llylas. T6(f)pa 8 Y\as x^^'^^ll o'^'^ Kd\ni.8i vorrcfuv SpiXov 8i^T}T0 Kprjvrjs Upbv pdov, ws Ktv o\ v8u)p (})6airi d(^vvcrupevos 7TOTi8upniov, ciXXa re irdura oTpaAtas Kara Koapov inapTiacrfLiv lovTi. 8t] yap piv Toioiaiv iv TJdeaiv avros e(j)fpf:ie VTjTTia^^ov TO. TrpwTu, 8(')pa>v iK narpos dnovpas, 8iov Qeio8dpavTos, ov iv ApvoTreaaiv eVe^fe VT]K(io)S, ftobs ap,(jn yecopopov dvTi6a>i>Ta. t'It(il (') pkv vciOLO yvas TtpvecrKiv dporpo) A POLL ONI us. 465 GetoSd/nas avlrf ^f^oXtjufvos' aiirap o top ye lo IBovv apoTrjv tjvcoye napaa-^enfv ovk fOeXovra. UTo yap npocpaaiv TToXfp.ov Apvonfcra-i (jaXiadai \fvya\eT]v, eVel ov Ti SUrji aXeyovres euaiov. dWa TO. p.€v TTjXov K€V aTTOTrXdy^eiev aotS^y. aiyfra 8' o ye Kpr'jurjv [XfreKiadev, ^v KoXeovai 15 Urjyus dyxlyvoi ntpivauTai. ol 8e ttov apri ^vix(f)aci)p laravTo X°P^^' ^e'^f yop cr(f)iai, Trdaais, ocraai Kua iparov 'Svpcpai p'lov dp-^fxpipovTo, Aprepiv evvvxtfjcriv del fxeXnecrdai doidali. ai p.ev oaai o-kottlus opecov Xdxov, rj Koi evavXovs, 20 ai ye fiev vXTjcupoi dnoTrpodev earixoayin'o, T] Be veov Kpf]vr]s dvebvero KuXXivdoto Nvpcfir] e'(f)v8aTLT]' top 8e o-^fSoj/ elaepurja-e KoXXe'i Kuc yXvKepijaiP epevdnpevop ;(a/3tVfcr(rt. Trpo? yap ol dixofxrjvis dn aWepos aiyd^ovaa 2=, /3nXXe 2eXT}vair]. ttjp 8e (jypevas fiTToirja-e Kvirpii, dprjxapirj 8e poyis (Tvvaye'ipaTo 6vp6p. avTap o y cof tu Trpcora p6a ei'i KaXniP epetcre Xixpis eTnxpipi<^6eis, irep\ 8' acnrerop e^paxev v8a)p XoXkov es Tjxrjevra cfjopevfiepop, avriKa 8' fj ye 30 Xmov pev Kadinrepdev en avxevos avdero ivrixvP, Kvaa-ai enidvovcra repev aropia' 8e^iTepf] 8e dyKcop ea-TVaae X"P'> M^'o".? 8' eviKalSQaXe 8'iptj. [Argon. I. 1 207-1239.] ii. Aphrodite seeking Eros finds hiin at play with Ganymede. ESpe 8e TOP y dirdpevQe, Ajoj OaXepfi iv dXo>f}, OVK oiov nera koi TapvfirjSea, top pa Ttore Zevs Hh 466 APOLLONIUS. ovpavui eyKarevaaaei/ fcpfariov ddavuToiai, KaXXfos i[X(p6eis. m/^<^ aarpayaXoKTi Se tw ye Xpvcrfiois, are Kovpoi oprjdees, e\j/i6(ovTo. ^ Kui p 6 pev TJhi} irdpivav iviiiKeov a> enl pa^a pdpyos Epcof XaiTJs inroiaxave x^ipos dyoarov, 6p6bi €(p((TT7)u)s' yXvKepov 5e ol dp en vrjiria KOvpi^ovTi, (Kpaipav evTp6x»Xov, rrjs ov crv ye peiXiov liXXo X(i-ps, XtVcTfTO 8' af\|/-a TTopfiv avToax^eSuv' rj S" dyavoiaiv 35 dvTOfMfVT] fMudoiaiv, fTTfipvaaaaa Trapeias, Kvaae iTOTi(T)(op€vr}, koi dpd^ero fifidioaxTa. " loTQ) vvi' ToBe aelo (pikov Kaprj, rjB e'/joi' avrris, rj fiiv (Toi 8a)p6v ye rrape^opai, ouS' dnnTTjaco, e'l Kev eviCTKLpxIrrji Kovprj jSeXo? AlTjTao, " 40 ^^' 6 8' ap' d(rTpayd\ovs avvaprjcraTO, KabBe cf)aeiva firjTpos irjSf ev navTas dpiOprjcrns, ^ belp! oXnov crTvyepoio Kara (ppevas fjXO AtSao. ecr-^eTO b' dprpaaij] brjpov ■)(p6vov, dpcfn be Tracrac 10 H h 2 468 LYCOPHRON. dv/j.rjbe'li ^lOTOio /ifXjjSwe? Iv^dXkovro. y.vi](TaTO fjiiv rfpirvbiv, ocr iv\ ^coolai ireKdurai, Hi'Tjcraff OfirjXiKirji nepiyrjdios, o'u'i re Kovpt]' Kai re (H TjeXios y\vKia>v yever tlaopaaaBai, f} napos, el (T(6v ye v6Tnp'. 20 TTVKVu S" dva KXyjidas eutv XveaKe 6upda>v, aiyXjji/ (TKeTTTopevr]' rfi 6' acnrdcnov ^ake (f)eyyos Hpiyevtjs, klvvvto 8' dva. TTToKiedpov e/cacTTOt. [Argon. III. 802-824.] VI. Lycophron. Alexandra's vision of i he fall of Troy. Kat hi] KaralOei yaiau 6px']0'Tf]i "Apt)s, (rrpopiBo) Tuv alfiaTTipov e^dp)(a)V vopov. dnacra 8e ^daiv Trpolppdruiv hj]ovpevTf Kelrai, TTfcf)piKav S' wcrre Xrjiov yvai Xoyx^ais dnocTTiXlBoPTei. olpoiyrj 6e poi 5 eV cocrt TTvpyav e^ uKpcov ivbdXXeTai, rrpos aWepos Kvpovaa vrjvepovs e^pas, yi'iM yvvaiKup Ka\ KaTappciynii nenXcou, uXXrjv en' uXXu a~vp.(^opuv debeyptvcov. [Alexandra, 249-257.] ANACREONTICS. 469 VII. AiiacreoTitics. i. Love his only I he vie. QeKoi Xeyeiv 'Arpei'Sar, 6e\v (KOTTT o^rjas. Tis, ((f^]^, $vpas dpd(T(Tfi ; Kara /xev cr^^iffif ovelpovs. 6 8 Epwf, avoiye, (^rjalv 10 ^p((pf, '70't, TTfipdaoipfV To8f TQ^ov, «i ri poi vvv 25 ANACREONTICS, 471 /3X«|3«Tat /3pa;(flcra vivpx], rapvei fie Kai /if rvTcrei fiftrov T]iTap, mcnrep oicrrpos' ava b aXXfrai Ka)(ii^uiv, ^eve 8', einf, (Tvyxapr]6i' 30 Ktpas d^Xa^fs pev icrriv, (TV be KapBltjv Trovrjcreis. iv. TAe adornment of his cup. Toj/ apyopov Topfvcras, H(j)aiaTe pot ttoitjctov TTavonXtav pev ovxiy TTOTTjpiov 8e KolXov' oaov 8vvT], ^aOvvov. g trnid 8e poi kut avrov prjT iiarpa, pr]6 apd^as, pfj aTvyvbv 'Qpicova' aXX apneXovs xXooxras^ Koi ^orpvas yeXcbvras, 10 avp Tw KaXoi Avaico. EPIGRAMS. I. i. The Eretrians in Media, OtSe TXOT Alyaioio ^apv^pofiov oibfia XtTroires EK^arducov TreStw Keifieff iv\ fxea-dra. X"-''P^j kXvtjj TTore waTpls 'Eperpia, ;^aiper', 'Adrjvai yfLToves Y.v(3oir]s, X°-^P^> &d\aGv Koi Travra Kampdovv , (V ^lOTTj fioipav 8 ovTi (j)vye'iu enopev. EPIGRAMS. 473 iii. The tomb of Achilles. 8vvvp(da' el S' oXiyj^i' a(ipHi eV ifioi kovlv, ovk e'/iol ala-\oi' 'EXXiji'coi' f)(6pals ;(fpcrti' ex Aiovvcra, tiv6ti ^orpvofVTOs (p(y^apevoi Tpixa kktctov. tpya 8e T{)(vf]fUTa ^orjyfvefcrat peXlaaaLi KoXa piXei Km aip!3Xu) ((prjpevai epyd^ovrai XfVKa TToKvTpr]TOio veoppvra KuXXea KTjpov, 15 TTavrq S' opvidav yfverj Xiyv(f)a)Vov dei'Sei" dXKvovfS TTfpi Kvpa, )(€Xi86vfs dp(f)\ ptXaOpa, KVKVos eV oxGaifTiv irorapov, kol vtt aXaos drjbav. ft 8e (f)VTO)V \alpov(Ji Kopai, Ka\ yala riOrjXf, \Tvp'i(,fi 8e vopevs, Koi Tepnerai evKopa pfjXa, 20 Koi vavrai TrXaovai, Aiuivva-os 8f ;(opfi5et, Ka\ ptXTzei TT(T(i]vu. Ka\ wbivovai peXio'aai, TTwy ov \pr] Ka\ uui86u ev napi koXov uilcrai ] [Meleager (?).] ii. Time for voyaging. O ttXoos apalos' koi yap XaXayevo'a )(fXi8a>v ^8t) p(pfiX(x)K(v, x^ x°/"'^'^ Z((})vpos' Xfipcovfs 8' dvdevai, crealyrjKtv 8e daXacraa Kvpaai Ka\ rprj^f't nvtvpari jUpaaaopevr]. dyKvpas dvtXoio, Kal (KXvaaio yvaia, 5 pavTiXf, Kal ttXclXus irdaav f(f)€\s oduvrjv. ravff 6 npiipros iyiov eniTeXXopai, 6 XififPiras, a)v6pco(}i , ats ttXwois iraaav eV ipLTTopirjv. [Leonidas.] EPIGRAMS. 475 iii. ■ The Wine-Press. *H/xetf \uv Trareovres amipova Kapnov [qk^ov afip.i.ya ^aK^fvrrjv pv6jj.ov duenXtKopev. ^8t} S' ("icrneTov oidpa Karippeev' oia Se Xe/xj3oi Kicrcrv^ia yXvKepuv vrD^eG" virep podiau, OKTiv apvaadpfvoi axf^iov ttotov rjvopiv ^8r], 5 depfiSiv Nrj'idBav ov pdXa Sevopevoi, fj fie koKt] TTOTi Xrjvov inrepKvnTOvcra 'PoddvOrj pappapvyfjs koKXovs papa KarriyXaicrfv. miPTiov 5' fK8eb6vT]VTo 6oa\ (ppe'ves, ovte ris rjpecov rjep, oi ov BdK)((i) Sdpvaro Ka\ TlaC^uj, 10 TXrjpoves' dXX' 6 piv dpne TrapaJ noalv cicpdovos rjplv' TTJs 8' ap in fXTTOtp^ povvov iirai^opeda, [Agathias.] III. * Herself, the fairest flower.'' "Y^hx] \iVKoiov ^a'XXet, ^aXXei 5e (piXop^pos vdpKKTcros, BaXXd 8' ovpf(ji(f)OLTa Kpiva. fjbrj S' 17 (piXepatTTOS, ev avOeaiv u>pipov liv6os, ZT]vo(piXa Ueidovs fjdv redrjXe p68oi>. X(ipu)V€s, tL pdraia Kopaii em (paibpa yeXdre " d yap nals Kpeaaav abvTrvoav (TTe(f)dv(ov, [Meleager.] 476 EPIGRAMS. ii.; Hue and cry for Eros. Krjpvcraco rov Epara, t6i> liypiov' I'lpTi yap lipri dp6pm)s €K Koiras cop^fr' ciTronTupfvos' ecTTi 8 6 TTois yXvKv8aKpvs, deiXaXos, u>kvs, ddaiJ,^fjs, (Tipa ye\a>u, TTTf poets vara, (f)apeTpo({)6pos. naTpos S' ovKtT i)(U) (ppd^eiv tlvos' ovt€ yap Aldrjp, 5 oil XdoiV (^rjcri reKiiv rov Gpaavv, oi TIeXayos. TrdvTi] yap Ka\ ivdcriv dnexl^erai. dXX' iaopdre fif] TTOV vvv ■^v)(cus a'AXa ridrjcn \ii/a. KaiToi Keivos, tSoii, Trepl (fxJiXfou. ov pe XfXrjdas, To^ora, ZT]vo<()iXas oppaai Kpvirropfvos. 10 [Meleager.] iii. Lysidice. Oi/Vco crot KaXvKU)V yvpvbv Otpos, ov8e peXa'ivei ^orpvs 6 napQiviovs TrpoiTo^oXav xdpiTas' dXX ^'?)r] 60a To|a veoL Brjyovcriv Epares, AvaiBiKTj, Ka\ TTvp Tvcfyerai eyKpv(f)iov. rf)fiiya>peu hvatpoirts, ecos ^eXos ovk eVt vevprj' pdvTis tyoi peydXrjs avTiKU nvpKa'irjS. [Philodemus.] iv. ' Gather ye rosebuds while ye t?iay.' Ylipnco (Toij 'PoSo/cXeia, rode o"Te'^os, livdeai koXoIs avTos ii(pi' T]p€Tepais nXf^dpevos TraXdpais. EPIGRAMS. 477 eoTTt Kpivov, pober) re koXv^, vortprj t uveyiwvT}, Koi vdpKicrcros vypos, Koi Kvavavyfs 'iov. TavTa oTC^ap^vrj, Xrj^ov pcyaXavxoi tovcra' c; avdels Koi Xijyeis koi uii koi 6 (TTe(pavos. [Rufinus.] V. A garland for Heliodora. nXe^cij XfVKoi'oi', ■nkk^ui 8' dna\r]v upa pvpTois vapKiaaov, TrXe^w kol ra yeXcovra Kpiva, TrXe^^co Koi KpoKov rjdvv' inniKe^co S' vaKivdov TTopCpvperjv, TrXf^co koi (piXepaaru pu8a, U)S av eVi KpoTd(j^oi<; pvpo^ocrTpv^ov 'H\io8a>pns :; (VTTkoKapov xaiTtiv dvoo^oXfj crTi(^avos. [Meleager.] vi. ' Leave a kiss within the cup? Et/xi pkv oxj (f)iX6oivos' orav b' f6€\j]s pe pedvaa-ai., Trpara aii yevopeptj Trpda(f)€pe, kol dexopai. et yap eTTf^avaeis rois )(^eiXeaii>, ovkcti vrjcjiciv evpapes, oiibe (^vyeiv top yXvKvv olvo)(6ov' TTopdpevei yap tpoiye KvXi^ irapd aov to (plXrjpa, ^ Kai pot, dirayyiXXei. rfjv ^(dpiv, rjv eXajBev. [Agathias.] vii. ' Sweet Hesper-Phosphor, dozibk light.'' HoCy ayyfXf, x^^P^t ^aea(f)6p€, Ka\ raxvs eXdois Eanepos, rjv dudyeis XdOpios av6is I'iycov. [Meleager.] 4/8 EPIGRAMS. viii. Heliodora. ''E-y;^ei, kcli ttoKiv elne, TraXiv, naXiv, 'HXiobwpas, eiTTf, Tois epov ep)(Ofievoicri Trap rjpiov enrare ^(aipeiv, aiT aoTOi TfXe'duvT , a'lB' erepas noXios, XoiTi pe vvp(pav evaav e-)^ei racfios, ftiTaTe Ka\ to' ;\^£ori narrjp p exaXfi Bavnida, X'^''"' y^fos Trjvia, u>s ddcivTi, Ka\ otti poi d avveTaip]s * Hpivv" ev Tvp^a ypdpp.' i^dpa^e ToSe. [Erinna (?).] 480 EPIGRAMS. iv. Crethis of Samos. Kpr}6i8a TTjv TToXvfivdov, eTncrrafievrjv Koka nai^etv, Bi^rjvrai ^ajjilcov 7roXXd(ct dvyarepes, Tj8i(rTav crvvepiBov del XdAoi/' fj S' uno^pl^ei (p6d8e Tov Trdaais vnvov 6(f)eik6nevov. [Callimachns.] V. Proie in Elysium. OvK edavfs, IlpcoTT], /xerf/S^s S' is dptivova ^wpov. Koi valeis paKapav vrjaovs daXir] eVt 7roXX_^, (v6a KUT 'HXvcrt'wf TTebiwv aKiprcoaa yeyqdas avBeciv iv paKaKoicri. KaKcou fKrocrQev aTravTcoV ov ^eipwv XvTrel a', oii kcivij. , ov vovaos i}/o)(Xe7, ov TTfivfjS, ov 8l\J/os f'xfi v en aoi ^Iotos' fcoeif yap dpepnTas aiyais iv KaOapaiaiv 'OXvpirov 7r\r](Ttop ovtos. vi. TAe dead bride. Ov ydpov, dXX' 'AlBqv iTTivvpv tiKoKapovs, Kai ireToXov iravTrj BaKkoi, podov, rj re (^ikoppo)^ aprreXos, vypa Trepi^ K\i]para x^evopevrj^ UveKfv iviirl-qi TnvvT6(f)pouos, rjv 6 pe\ixpos TJdKTjaev MovaSiv uppiya Koi "KapiTap. [Simmias.] xix. T/ie ioiiili of Anacreon. n, Kai Tis djr evdpvoio KaTa)(pa'ivoi,TO ydXaKTt. otos, dpoXyaloi/ pacrrov dva(Txdpevos, 10 Kprjn'iS' vypaivav (ntTvp^iov' elirl davovrav, flcnv apoiftalai Kav (f)dip.fvois )(dptTes. [Leonidas.] xxi. Amy7ttichtts, the husbandman. Tata (f)i\T] Tov TrpfajSw 'Apvvnxov ev0eo koXttols noXKcov pinjcrapevri tS)v (ttI aoi Kapdrcov. Kai yap aei npeppov crot npearrjpi^ev eXat'j^s, TToXXuKi Kai Upopiov KXrjpaaiu 7;-yXdi"(re, Kai Arjovs eTiKrjae, Ka\ vdaros avXaKas €\k(ou 5 diJKe /lev fv\d)(avov, drJKe S' oTrapocpopov. dv6 hv (XV TzpTjeia Kara Kpordcpov noXioio Kelao Kai dapivas dvdoKopei jBoTavas, V. i. Ariemis, 'Q,s rrpenei, Aprepis eltx' el 6' "Aprepiv aiiTos 6 ;^aX(cei'? pavvei. Zrjvos, kqv)( irepov dvyarpa, TCKpaipov TO Bpdcros rds napdevov. rj pd Kev e'lnots' ndaa ^Baiv oXlyou rade Kvvayeaiov, [Diotimiis.] 486 EPIGRAMS. ii. Eros asleep. AXcro? S' wy iKi)\ie.(T6a ^advaKiov, evpoiiev evbov 7rop(f)vpfois fxr]\oi(nv ioiKora iraiba Kvdrjprjs. ouS' e'xev Io86kov cfjapeTprjv, ov KafXTrvXa To^a' aWa TCI fiev bivbpi(T(TLv in evTreTuKoKTi Kpep.avro' avTOS S' ev xaXu/cecrcri poSav ireTtfh'qpivos inrva fv8fu p.ei8i6a>v' ^ovdai S' f(pvnepde /xeXKXcrat KrjpoxvTols evTos Xapotf eVi ;(et'Xecri ^aivov. [Plato.] iii. A mother wins her child from the precipice. IlaiSos d<^' {/■^r]\cov K€pdp.cov inrep aupa fxiroiiTa KVTTTOVTOS (Moi'po VTjncdxois a(f)oj3ov) p.r]Tr^p i^uTTiOfV p-a^Ci pereTpeip^e vorjpa. b\s Se TtKvu> ^ci)r]v eyKCf^dpicTTO yaka. [Parmenio.] iv. Eatm and pipe. AvTOpArus, aarvpicrKe, 86i>a^ reo? rj^ov IdWei ' 77 Ti irapaKkivas ovas ayeis KoXdpa} \ OS 8e yeXcoj' aiyrjcrep' icrtof S av (f)dey^aTO p,vdov, dXX' VTTU TfpTTCokris fi;^fro Xjy^eSoft. ov yap Ktjpos epvKev, tKuiv S' rjand^tTO (nyrjv, 6vpov oXov rpty^as nrjKTidos uaxoXij]. [Agathias.] EPIGRAMS. 487 V. N'iobe and her children. TaiTfiXi Trm, Nin^n, kXv ejuaf (jjariv, ayyeXov araj" fie'^ai crS)!' d^^eav olKvpoTurav XaXiav. \v€ KOfias avdbecTfiov, iw, ^apvTTfvdecri ^ol^ov yeivafieva robots dpcrfvonaida yovov.. ov (TOi TToibes eV (trrlv urap rl roS' aKko ', Ti \ev(T(T(0 ] 5 at, ai, TrXrifjiiivpei TrapdeviKoiai (f)6vos. a fiev yap fxarpos nepl yovvacnv, a S' ivi koKttois KSKXiTai, a S' ini yaj, d S eTripaa-Tidios' aWa S" avTanov Bap^el jSAos' a 6' eV oicrToi^ TTToxrcrft' TO J fi epTtvovv opp, en (pSts opua. 10 & be \aKov aTep^aaa TraXat (TTopa, vvv vnb 6dpl3evs pdrrjp (TapKOjrayrjs oia ireTT'qye Xldos. [Meleager.] vi. The hunter'' s tomb. "Abe Toi, 'Apxiov vie IlfpLKkees, a XiOiva 'yco earoKa crrdXa, pvdpa Kvvayeaias' irdvTa be toi nepl adpa TeTev)(aTai, nvirot, "iKOvres, at Kvvfs, ai (rrdXiKes, biKTV virep iTTaXiKcov, at, at, XniVa Trdura' ■neptTpoxdovcri be drjpes' 5 avTos S' elKoaeras vfjyperov vttvov e^eis. VU. Anacreon. TJpea^vv ' AvaKpeiovra xvbav (TecraXaypevov oIi'G) 6deo, bivarov areTTTOV vnepde Xidov, tSS EPIGRAMS. u>s 6 ytpuiv \'i)^yoi(nv in ojifiacnv iypa SeSop/co)? a;^pt Koi ciaTpayaXcov eXfcerat d/x7re;(oi/ai/* 8i(r(rS)v S' dpl3v\i8oiV tciv pev p'lav, oia pedvTrXf]^, 5 c!>\f(Tev' fv b erepa piKvbv apape 7rd(5a. piXntL 8' T]€ 'Bd6vX\ov fcjiipepov, ^e Mf-yto-rea, altispSav iTa\upa rav bvaepcoTa ^(e'Xvi'. oXXn irdrfp Aidrvtrf, (fyvXaaae piv' ov yap f'oiKev (K BcjK^^ou ninreiv BaKx^iaKov Btpaiva. 10 [Leonidas.] viii. ^w engraved gem. EiKoi^a nevre SoQiv piKpa \i6os ft'x^" ''«0'7i''f, cos ^Sr; TTcirras epnvoa ^oaKopevas' K(t\ T('i)(n Kuu dnfcf)(vye ra jHoidia' vvv Se Kparetrai tJj ^(pvcrfi pdvhpr] to l^pa^v ^ovKoXiov. [Plato.] ix. Pan piping. Siyarci) Xurrtoi' ApvaSwi' XeTTo? ot r otto ireTpas Kpovvol Koi jSXrj^r] novXvpLyrjs tokciOcov, avTos eVet avpiyyi ptXiaBerai evK(Xu!^u> Ilav, vypov U\s ^evKToiv f^f'iXns vntp KaXupav' al 8f TTfpi^ daXepdlai xopuv tto(j\v fcrrrjaravTo 5 'YbpuiSa vvp(pai, vvpcpai Apa^pvddes. [Plato.] EPIGRAMS. 4S9 VI. i. Life is a play, a game. '2KrjVT) T7as 6 ^los koi Traiyviov. rj fidde naL^fiu TT]U (T7rov8f]v juera^ety, i} (jiepe ras odvvas. [Palladas.] ii. Naked I came, and naked I shall go. Vrji {TTf^rjv yvfivbi, yvfiims 6^ inro yaiav aneifxi' Kai tL fidTT]v fjLoxdii}, yvixvov opcov to Ti\0S ', [Palladas.] iii, Zife is breath. Hepa XeTTTokfov fxvKTrjpodev dp.TrvelovT€S ^u>op.(v i]€\inv XafindSa hepKOfievoi, 7rdvT€s oaoi C^p-ev Kara rov fiiov' opyava S' ecrpev, avpais ^caoyovois nvevpara 8e)(vvpevoL. el 8e t;i.s ovv oXiyrjV iraKapTj (T(piy^fuv dvTp.i)v, 5 yf/v)(f]v avXTjcras (Is Ai8t]v Kardyei. ovTCos ov8eu eovres dyrjvopij] rptcpopeada, TTVOirjs i^ oK'iyrjs rjepa ^oaKopevoi. [Palladas.] iv. Life and nature. ITcoj Ti? "iviv Qavdrov (re (j)vyoi, ^U ; fxvp'ia ydp crev Xvypa, KOI ovT€ (pvyuv evjiapes, oi/Ve (jyeoeiv. 490 EPIGRAMS, fjBea filv yap crov ra (pvcrfi Ka\u, yaia, Qakaaaa, acrrpa, af\r]vaiqs kvkXu koL jyeXtoV TaXXa 6e irdvTa ^o/3oi re Kai a\yea' k^v ti iraOj] n? eadXov, up.oi(Sair]v 6'KSe;^;erai vfiieaiv. V. Wotnan^s life. 'Hi'^e'oi? ovK ea-Tt rocros novos, onirocros rjfjuv Tois drakoyl/iixoii ^XP^^ OrjKvTepms. Tois p.iv yap Trapeaaiv 6iJ.T]\iKes, ois ra p.fp'ijivr]s (iXyea fivdevvrai (^deyp-aTi BapaakecOj TTalyvia t afK^ieTTovcri naprjyopa, Ka\ kot ayvias TrXd^ojTai ypaipiSoov )(pQiiia(Ti pepftopivoi' Tjfuv S' ov8e cjyclos \iV(Taeiv Bipn, aXka peXdOpois Kpv7TT6p.e6a, ^ocj^epals (j)povTia-i Tr]K6p.evai.. [Agathias.] vi. A game at dice. 'E^d/ifws p.fv jrjhe nap' fiXuiyyi rpairi^r} iraiyvia KLvr^aas Ttpirva ^oXoKTvntrjs. fiTjTe be viKTja-as p-fyaXiCfo, pijT uTToXei^^ely li^vvao, TTjv uXiyrjv pi(iJ.(})6fievos ^oXtSa. /cm yap eVi (r/itJcpoTo-i voos 8ia(f}aivfTai av8p6s' Ka\ Kv(ioi dyyeXXet ^evdos ix'^^povvvr^s. [Agathias.] EPIGRAMS. 491 vii. The path of life. TLoirjV Tis ^LoTOLO rafxot, rpi^ov ; elv ayopfj fieu veUea Koi ;^aXc7rat nprj^ies' iv 8e 86p.ois (f)povTi8es' fv 8' dypols Kafxtircov dXis' iv 8e Bakdcrcrr] rdplBos' eVi ^fivrjs B' , ^v fiev exu^ '"') ^^o^" ^1/ d' diTopjis, dviTjpop. f^etj ydpov • ova dp,€pi.pvos 5 eaa-eai' ov yap.iui J Cfl^ ^'"' ep^lP-dTepos. TSKva, TTOVOC TTTipcoais oTrais |3toy. al veorqres a(ppov€s' ai TroXiai S' (fXTraXLV ddpavees. rjv apa Toij/Se dvoiv evus aLpeaii, r] to yevecrOac fir]benoT, fj to Baveiv avTiKa TiKTopevou. 10 [Poseidippus (?).] viii. The stars. OtS' on OuaTos eyw koi i(f)dp.fpos' aXX oTav uarpav fxaaTeva) nvKivds dp(})i8p6povs eXiKas, ovK€T eniyjrava) ttoo-j yalrjs, dX\d nap avTa Zav\ 6eoTpo(f)ii]s TTipTrXap.ai dp^poaiTjs. [Ptolemy.] ix. Drink and be jnerry. nli/e Kcd. fvcfipaivov' ti yap avpiov, r; ri to peWov j oi8(\s yiyvuxTKd. p,fj Tpe^f, p^f) kottiq. cos dvvacrai, ^dp^rai, perddos, (j^dye, dvrjTu Xoyi^ov. to ^rjv Tov prj ^iju ovSev oXtos anexft. Tras 6 /3tos rotoo-fie, porrr] povov' av npoXd^rjs, cov' 5 av be oavrjs, eTfpov iravTa, av o ovoev ex^'-^- 492 EPIGRAMS. X. The music of the s/ajs. Kco fidCto XP^'^^^^" *'^ ioTTfpLav )(opbv aa-rpaiv Xevaaaiv, ov8' ('iXXcov Xo£ i^dpvva xopovs' CTTfy\rat S' dv66jiokov Kparhs Tpixa rrjv KfXaSeivrjv TTT]Krl8a povcroTToKois x^pcnv (nr]pe6i(Ta. Kai Ta8e 8pu)V (VKO(rp.ov ex<^ ^iov' ovbe yap avTus Kocrfxos (ivevOe \vpr]s eVXero Kai uTecpdvov. [Marcus Argentarius.] xi. / have lived my life. ^Hpdadrjv' Tis S' ovxi ', K€Ku>paKa' ris 8' dpvrjroi Kcopav ; aXX' ipdvrjv. eK rlvos ; ovxi 6eov ; eppi(})3' TToXiij yap ineiyfTai dvri fj.i\aivr]s 6p\^ fjBrj, (TvvfTTjs (iyyeXos ijXiKirjs. Ka\ Ttai^eiv ore Kaipos, iTval^afieV fjviKa /cat vvv ovKiTiy 'KaiTfprjs (ppovrldos d^up,e6a. [Philodemus.] APPENDIX I, SELECTED NOTES. SELECTED NOTES. Page 7. [Iliad III. 130-244.] The scene as the poet conceived it seems to be this : — The ships of the Greeks lie drawn up in a long row on the sea shore. Troy stands three or four mOes inland on a low terrace of Ida, defended by walls and towers at intervals, and with a small isolated hill-citadel or Pergamus, rising immediately behind, and mount Ida in the rear of all. From the ships up to the town an open plain rises gradually, broken by a few sepulchral mounds, by the fountains from which Scamander flows off to the right to be joined by Simois, and by a beech- tree and a small hillock in front of the Scaean gate, which is in the middle of the wall directly facing the ships. From this gate the Trojans have issued and are ranged near the hillock, separated from the Greeks by the narrow space cleared for the combat between Paris and Menelaus. Priam and his coun- cillors and the two elders of the people are seated on the gate, from whence they look over the armies towards the coast and the line of ships below. 2. Page 22. [Iliad IX. 496-514.] The meaning is as follows. — The spirit of infatuation, or Ate (in this case the personified folly of Agamemnon), has done a wrong. In order to repair this wrong the repentant prayers of 496 SELECTED NOTES. the injurer (Agamemnon) fullow after her : — they are repre- sented as halting, wrinkled, blinking, while she is strong and vigorous, bounding forwards in the work of evil. If the prayers prevail and the injured person relents and forgives, they re- compense his mercifulness by granting his own prayer in his own time of need ; but if he is obdurate and refuses to grant the mercy which they ask, then they move Zeus to send on him the spirit of infatuation and mischief in order to draw him into the evil which is to be the punishment of his unmerciful- ness. 3. Page 24. [Iliad XII. 278-289.] Lines 1-12. lit., But from them — thick as may fall snow-flakes in a wintry day when all-wise Zeus is arisen to snow, shewing forth to men his shafts, and hushing the winds, showers cease- lessly until he covers the tall mountain-peaks and high fore- lands, (then) the blooming plains and fat tillage of men (below), and last they overspread bay-line and beach of the hoary sea — the flow of its tide their bound — and all else envelope fold on old as Zeus' storm falls heavily — so thick from each side at the other flew the stones, from Greek at Trojan, from Trojan at Greek, as they hurled, and loud over all that rampart rose the din. 4. Page 119. [Hesiod, fFor>&s fl«rf ZJajys, 765-828.] Give orders to slaves with a due regard to days as fixed bj' Zeus ; the 30th day is the best for reviewing work done, and making provision (dividing stores). The true order of days is as follows : The first (?), 4th and 7th are sacred: the 8th and 9th in the waxing month are excellent for work; the nth and 12th are good for shearing SELECTED NOTES. 4^7 and har\'est, but the 12th is better than the irth; then the spider begins her web in the long summer days (?), and the ant collects her store. That is the day for a woman to set a loom, and plan a piece of work. The 15th in the waxing month is not good for sowing, though it is good for planting. The middle sixth (i.e. the sixth in the second decade = the i6th) is bad for planting but good for male offspring— it is bad for girls both in birth and marriage (even the first sixth is not good for girls though good for some herdman's workj. The i6th is also good for marriage, a man born on that day will be clever with his tongue. The 8th and 12th are good for some herdman's work ; the 20th in the long days is the day for a genius to be born on : the loth is also good for male children ; the middle 4th (the 14th) for girls. This day is good also for taming cattle. Let it not be a day of evileboding ; for it brings all to pass. The 4th is a day for marriage, if the omens are favourable ; the 5ths are bad : the middle 7th (17th'), is a good day for threshing and woodcutting. The 4th is good for laying a keel; the middle 9th (19th) improves towards evening. The first 9th is good in every way, for planting and for births male and female : nothing goes wrong on that day. Few know that the 'thrice ninth' i27th or 29th) is good for broaching a cask, putting the yoke on oxen, mules and horses: and for launching a ship. On the 4th open a wine jar. The middle 4th (14th) is sacred above all. Few know that the 24th day is excellent in the morning, but worse towards evening. These are the good days : the rest are insignificant. Two calendars seem to be combined : we begin with a division of the month into two halves : and go on with a division into three decades. See the Scholia printed in Gais- ford's Poetae Minorcs, Vol. III. p. 341 ff. 5. Page 160. [Alcman i.] For the fragments of which these stanzas are the only legible part, see Bergk, Poetae Lyrici Graeci, ed. iv, Vol. III. Kk 498 SELECTED NOTES. p. 23 sqq. The papyrus upon which they are written was dis- covered by Marictte in 1855, in an Egyptian tomb not far from the second Pyramid. There is much that is uncertain and conjectural in the poem as here presented, but it is clearly a fragment of one of those Parthenia for which Alcman ■was famous. The themes of his praise are Agido and Hagesichora. The text is that given by Blass in Hermes, xiii. 15 ff., xiv. The general sense seems to be — First stanza : Praise of Agido, There is a vengeance that Cometh from the gods. Blest is he, who blithely weaves the day's thread, free from sorrow. I singofAgido's bright beauty, which is as the sunshine. But the far-famed leader of the dance (Agido) suffers me neither to praise or blame her. Preeminent among the rest is she, as a winning horse amid the humbler kine, a horse such as one sees in winged dreams. Second stanza : Praise of Hagesichora. See, it is a Venetian horse ; and like pure gold shines the hair of my cousin Hage- sichora : how can I tell all the loveliness of her fair face. That is Hagesichora ! After Agido she will ever follow next as the horse courses after the hound. When we bear the robe to Artemis the Pleiads rising aloft, a hunter's star, through the night divine, contend with us 'in beauty). Third stanza : Hagesichora is onr glory and protection ; we have no omarnents, no companions that can help save her. There is no wealth of purple that can aid us, nor any glittering golden serpent fi.c. bracelet"", nor the Lydian snood, the soft adornment of the brows of maidens. No nor can Nanno's hair help, nor Erata, nor Sylacis, nor Cleesithera ; nor will ye hasten to the dwelling of Acnesimbrota and say : O that Astaphis were mine, that Philylla would speak to me, or Damaepa, or lovely lanthemis. Hagesichora is our guardian. Fourth stanza : We shall win. Is not Hagesichora of the fair feet beside her (Agido \ While she remains with Agido, she commends the feast and me (?). Ye gods receive our prayers ; then is the end lightly gained : and I will speak as SELECTED NOTES. 499 an old crone might speak. ' " Thy singing as a maiden was nought, the crying of an owl." Next to the grace of the goddess who has put an end to our trouble, it is the beauty of Hagesichora whereby the maidens gain praise.' 6. Page 184. [Stesichorus iii.] This fragment is the commencement and only remains of one of the most celebrated lyrics of antiquity, the Palinodia, in which Stesichorus recanted an ode in which he had attributed to Helen all the sufferings of the Greeks in the war of Troy, and for which he had been visited with the wrath of Aphrodite. The idea of the Palinodia seems to have been that the real Helen never left Greece, and that it was a mere phantom which fled with Paris and caused the war. Col. Mure observes that the title of this poem is probably the origin of the expression ' to recant.' Page 221. [Pindar, Olymp. I. 28-35.] The legend ran that Tantalus boiled and served to his divine guests his son Pelops. Pindar prefers to account for Pelops' disappearance in another way, and in these lines justifies the innovation. The general sense is — Poetry has made current strange fictions of the gods and heroes ; it is for time to judge between the false and the true ; but in the meantime let us accept the worthier belief. Translate — Truly many things are wonderful ; and it may be that sometimes the bright web of legend figured in colours of falsehood beguiles mortals into reports wide of the truth ; and the Grace of whose giving is every charm of our life by her authority has oftentimes made ' The last stanza is given mainly after Blass, but it seems very doubt- ful. E A. K k ■7 ;oo SELECTED NOTES. credible even what is incredible. But the clearest judgment is that of the afterdays, and meanwhile for a man it is fitting to think nobly of the gods, for so the blame is less. 8. Page 261. [Aeschylus, Agam. 160-257.] In this first stasimon the chorus of elders ignorant as yet of the news of victory, but wondering at the flames which rise from the altars and at Clytemnestra's agitated approach, sings in a mixed strain of history and prophecy the sacrifice of Iphigenia. Lines 1-7. Zeus ! whoever he is, if that name is pleasing to him, by that I call on him. Though I weigh every name I can think of no name in comparison save that of Zeus which will enable me truly to cast from my thoughts the undefined burden of sorrow. 8-13. Neither Uranus nor Cronos but Zeus only can help. 10. will have aught to say, being of the past. 12. met his victor and is no more. 13. The emphasis is on ZTJi/ain contrast with his predecessors —But Zeus if one hymns with good heart in song of victory, he shall attain all wisdom. 9. Page 265. [Aeschylus, Agam. 404-474.] The apprehended Nemesis of Iphigenia's sacrifice was the subject of the first stasimon. This, the second, speaks in a still more uneasy and apprehensive tone of the great example of an accomplished Nemesis in the results to Troy of Helen's flight, and finds in the death of countless Greeks for the honour of the Atreidae a new and less obscure suggestion of evil av/aiting Agamemnon. Lines 9-10. The text is that of the best MS., ai-yaa" being Doric for (TiySxxa. Linwood, accepting a correction— n-cipeo-Ti a'ty SELECTED NOTES. 50I irrifios, oA\' aXofSopoy, &iri(rTos a.(pifiivav lSe7p — translates — 'he (i. e. Menelaus) stands by in silence, dishonoured, yet not re- proaching, hardly believing that he sees that she is gone from him.' Klausen — irdpeffri (sc. Helen) ff7y' h arifxavs (sc. the Atreidae) and understands a(pffj.eyu>v as — ' omnium quae dimissae sunt.' Paley — Trdpeffri cry', drifios aW' a,\oiSopos, aXyicrr' cLKpeififuav iSwv — 'He is present (i.e. at tlie bed) in silence, dishonoured, yet without reproaching her, perceiving with deepest pain (?) that she is gone.' These and other correc- tions are adapted to the metre of the passage, which is not the case with the MS. reading in the text. But whatever the original may have been it probably did not differ much in meaning from that reading. If that is in substance correct there is evidently an antithesis not only between artfios and akoiSopos, but also between the two lines as wholes, one (v. 9) referring to the unreality of the vision in the matter of voice and presence, the other (v. 10) to its apparent reality to the sight. This is the more probable since the rest of the song of the Trpo(j>rJTai seems to go on to make a similar antithesis be- tween presence to the eye and actual unreality, in three other forms (w. 11-21). If this is so, the general meaning of the whole passage (9-21) is — We see her with joy, but it is a mere vision, without voice to speak or hearing to listen to us (9-12) : her husband sees her form in her statues, but they are an un- satisfying cheat (13-15) : in dreams again he sees her, but that also is an unsubstantial phantom of his sleep : — and the exact meaning of 9-10 may be that she is still present to them visually, but in such a manner that she cannot speak to them {ffiyaff') nor can they speak to her either that she may be honoured {drifios) or blamed {a\oldopos), but still very dear to the sight since they have lost her. In this MS. reading acpe/xevuv must be a genitive absolute, but cKpe/uLevov in Hesy- chius (in Paley) seems to point to acpefiei/ovs or a(pe/j.eyois — dear for those to see who have lost her. But if this is the true interpretation, and if aiyacr', irifios, aXoidopos and aStffTos, are 502 SELECTED NOTES. all predicated of Helen, aSicrros at least must be a corrupt read- ing (perhaps for oZiaTov), as being a masculine form. 10. Page 267. [Aeschylus, Agani. 1 178-1330.] The scene which presents the vision of Cassandra (1071-1330) divides itself into five parts, of which the last four are given in the text. In the first or preliminary part Cassandra has but begun to be moved by the trouble of Apollo's inspiration, and as yet sees only vague prophetic shapes without connection or consistency ; a wailing child, a lifted arm, a falling victim. In the other four, propnetic paroxj'sms successively increasing in strength and lighting up horrors ever more and more closely imminent are alternated with inter\'als of calm in which Cassandra mournfully expostulates with the elders of the chorus because through the still continuing curse of Phoebus they refuse to believe her warnings. Lines 1-20 of the extract (/cal \j.)]v xpvcf^i>s k.t.A.) are the first clear vision, that of Erinyes revelling in the palace ; and are follo\ved by a rest in which Cassandra vainly brings evidences of her truthfulness (21-36). Lines 37-64 {lob iov, — vir' av fie K.T.K.) are the second clear vision, of as it were children carrying their own entrails. Here the children are the children of Thyestes whose murder and mutilation by their uncle Atreus were the beginning of the whole chain of Ate {irptiiTapxov &Trii'). Again a pause follows (65 -79), and Cassandra renews her appeals more impatiently than before. Thirdly, in lines 79-117 (TraTraT, oTov rh irvp K.r.K.) there is borne upon Cassandra in perfect clearness the vision of her own death and the resumption of her prophetic office by Phoebus ; and in the following interval (118- 129), her curse being gone with her inspiration, the elders begin to understand and tremble. Lastly, a final flash of prophecy shews her that the end is come ; she starts as if struck (130) ; and while the chorus moralises, Agamemnon's death-cry is heard (v. 1343 of the play). SELECTED NOTES. 503 It is remarkable how much of the choric parts in this scene is made up of interrogations and exclamations. Cassandra and the elders feel themselves almost passively under the influence of ominous events. They are played on by the god without their will and almost without their understanding ; and they speak with double meanings, obscure even to themselves till the event is come. 92-99. And lo ! where Apollo comes himself to strip from me my prophet's garb — Thou, whose livery I fling away, didst even while I wore it look on when I was scorned and set at nought (fj.a.TT}v) among my friends, by enemies in one consent (or reading jue'ya for fiera. — when I was mightily scorned by my friends who were but enemies). I was named with the wretches who starve from door to door, and he left me to bear it all. And now see me, the prophet, that prophet's handiwork ; —see whither he has brought me, even to this pass where I must die, where for espousals there await me the shambles, the blow, the hot blood, and the sacrificial death, fiatfiov irarpc^ov probably refers to the ceremony called irpoyaixita, a part of which was a sacrifice off"ered by the father of the intended bride at the altar of the family, irpoff^ayfxari, not a victim, but the act of slaughter, as in Eur. Troades 624. 146-153. lit. — To the sun I pray, to this his last light, for my avengers, that they may repay both my hated murderers alike for the poor slave's death, their easy prey. Alas for man's state ! Growing prosperous, it is likened to an outline, whose figure when adversity comes the touch of a wet sponge wipes out ; and the last state is far more pitiable than the first. That such is the meaning of v. 153 seems to follow from the answer of the chorus — ' Yes : why are men so eager for greatness ? It were better not to rise than to risk such fall.' But it may mean— and this I pity more than mj' own case. Here Cassandra rushes into the palace to die. 504 SELECTED NOTES. U. Page 277. [Aeschylus, Clioephori, 315-465.] Line 87. ^iroA/fes Cpotre" is corrupt. But understanding some such nominative as iKir\s the sense seems to be — One moment I despair and my heart is overclouded at the words I hear ; but when again * -x- * * * , then hope dispels the cloud of grief and lights up a fair prospect before me. 90-94. tI — ^ is for tI &\\o ^ — And for such hope what claim could we have so strong to bring forward as the actual wrongs which we suffer? If she try to fawn on us, those wrongs will reject her fawning, for like as the fierce heart of a wolf so the heart which I inherit is not to be appeased.— At this point the mourners give over lamentation and prayer, and nerve their hearts to action by remembrance of Clytemnestra's cruelties. 95-100. At his funeral I struck myself for mourning like a Persian or a Cissian mourner, and ceaselessly recklessly fell thick the blows of my hand, now on my head, now downwards, till my bruised and aching head was stunned with shocks. eTrippode? is the historical present for the past tense. That it is the Ko/xfihs at Agamemnon's funeral and not one now proceeding which is described seems to be proved by ^j/. The force of the passage is that the chorus is stimulating Orestes to vengeance by recalling the sorrows of that time, as Electra afterwards recalls its indignities. 12. Page 279. [Aeschylus, Eum. 235-253.] Orestes had taken sanctuary at Delphi and there and in his wanderings over the earth had been purified from the mere stain of blood-guiltiness. But as the Ate of matricide was still unsatisfied, the Erinj'cs demanded him from Apollo. Whilst they slept he fled by the god's counsel to Athene's city, and taking refuge at her altar prays for complete purgation by trial. SELECTED NOTES. 505 13. Page 281. [Aeschylus, Eum. 307-396.] Lines 20-25. These lines, which are the burden of the hymn, refer to the incantation called Ko-ra^idis or KaTaSecrfMos, which was properly applied to the binding of gods or demons so as to prevent, as c'n-ayccY^ to the summoning of them so as to accomplish, a particular event. Hence it is applied to any magical binding. In v. 20 the force of t^? Tedvfxevcp is general — the victim, such a victim as Orestes shall soon be. With e| 'Epivvwv must be understood vfivuTai, and the emphasis being on TO) Tiduufvcji the meaning of the whole is— Over such victims is sung by us Erinyes this strain which maddens, distorts, njins and binds the mind, ill music, a blight on men. aepv \ ,. • ^/careuj'a^ei re DiCouiva. TiKT^iaXiov^ , „ „ -^ \ > » ■> / 7r69j| , r ^ r" I aiTco TovTO Kapv^ai tov AAK/xy]vas i , r fioi vas) _ iroTe irais i' ^ ., , , ^ 1 (^ \afj.irpa, k.t.A. [fl Siffcraiaip airfipois KKLdels) The repetition of questions and of similar words at once ex- hibits more clearly the intended parallelism of the invocations and expresses the anxiety which agitates the chorus. ivapi(^o- 5o8 SELECTED NOTES. y-iva must be closely connected with aXoXa. — as if evapi(ofj.(fa rSiv al6\uiv iToiKi\fj.aT(i>v — the adorned Night despoils herself of that adornment, — the idea being that Night puts off her robe of stars to give birth to the sun. (pKoyiCofJ-evov refers to the fires of sunset as if funeral fires, and KarevmCei continues the metaphor of V. I, by which the sun is regarded as the babe of night. Kopv^ai has a double accusative, one of the tidings, and another of the subject of the tidings ; and both are explained by the following words irodi /jloi k.t.K. — namely where is Alcmena's son. KKidels — resting in the regions of sunset. Trovrias avXcovas is — the sea-straits of the Aegaean, and is governed by faiei. Si(rv is — in respect of what I have been saying. In aSeia (nom. sing.) yXv dvria (ace. pi.) Se, the order which we should expect, is reversed, as in 5e|ia /j.ev KaTa.fj.o/j.(j)a 5e — (though not perfectly good, yet on the whole good), Aesch. Ag. 145, and in Soph. O. C. 1536 6eol yap ev fiev 6\ph S' elffopwa-' — (though late yet surely). The sense is — Thus, blaming you, though I blame you I will be comforting still. In the word ' thus ' the chorus refers to what it has just said of the toils of Heracles on the one hand and his divine protector on the other (w. 15-21), and says : — while I shall blame you for despairing, I shall yet give you comfort by the considerations which I shall draw from what I have been saying. In the following lines it proceeds .with these considerations : namely, (i) that all men must suffer; (2) but they must also by their fate have seasons of joy, so that if Heracles is now in gloom his turn of joy will soon come ; and (3) if Zeus alternates joy and pain for other men, he can do no less for his own son. 33. Tr. — Thus there shall be comfort even in the blame I bring ; and I bid you not let your good hope wear out : for not even he who orders all things, the king the son of Cronos, can grant to son of woman not to weep. Still over us all in turn circles the alternation of joy and woe, as the Bear circles round the pole. As adorned Night abides not, so neither happiness nor evil always keep the sky, but quickly set no one while for another in his turn rises the day of joy or r.ight of loss. All this I bid even thee poor queen hold fast in hope ; for who hath found Zeus so uncareful for his sons ? 5IO SELECTED NOTES. 16. Page 321. [Sophocles, Oedipus Colonms, 1211-1248.] That the subject of this passage is not the general ayOpanrlvrt a-ir\r] Flourishing the Thyrsus high, ) Flinging forth alert and airy, To the sacred old vagary, The tumultuous dance and song, Sacred from the vulgar throng ; Mystic orgies that are known To the votaries alone — To the mystic chorus solely — Secret, — unrevealed, — and holy. X. O glorious virgin, daughter of the goddess ! What a scent of roasted griskin reached my senses. B. Keep quiet^and watch for a chance of a piece of the haslets. Choi-US. Raise the fiery torches high ! Bacchus is approaching nigh. Like the planet of the morn, Breaking with the hoary dawn, 5 36 SELECTED TRANSLATIONS, On the dark solemnity — There they flash upon the sight ; \ All the plain is blazing bright, \ Flushed and overflown with light. ) Age has cast his years away, '\ And the cares of many a day, > Sporting to the lively lay. ' Mighty Bacchus ! march and lead (Torch in hand towards the mead) Thy devoted humble chorus. Mighty Bacchus, move before us. Let us hasten, — let us fly, — Where the lovely meadows lie ; Where the living waters flow ; Where the roses bloom and blow. — Heirs of immortality Segregated, safe and pure, Easy, sorrowless, secure ; Since our earthly course is run, We behold a brighter sun. Holy lives — a holy vow — Such rewards await them now. [J. H. Frere.] 8. Page 452. The Feast of Adorns. Gorgo. Is Praxinoe at home ? Praxinoe. My dear Gorgo, at last ! Yes, here I am. Eunoe, find a chair, — get a cushion for it. Gorgo. It will do beautifully as it is. Praxinoe. Do sit down. Gorgo. Oh, this gad-about spirit! I could hardly get to j'ou, Praxinoe, through all the crowd and all the carriages. Nothing but heavy boots, nothing but men in uniform. And what a journey it is ! My dear child, you really live too far off. SELECTED TRANSLATIONS. 537 Praxinoe. It is all that insane husband of mine. He has chosen to come out here to the end of the world, and take a hole of a place — for a house it is not — on purpose that you and I might not be neighbours. He is always just the same — anything to quarrel with one ! anything for spite ! Gorgo. My dear, don't talk so of your husband before the little fellow. Just see how astonished he looks at you. Never mind, Zopyrio, my pet, she is not talking about papa. Praxinoe. Good heavens ! the child does really understand. Gotgo. Pretty papa ! Piaxinoe. That pretty papa of his the other day (though I told him beforehand to mind what he was about), when I sent him to a shop to buy soap and rouge, brought me home salt instead ; stupid, great, big. interminable animal ! Gorgo. Mine is just the fellow to him. . . . But never mind now, get on your things and let us be off to the palace to see the Adonis. I hear the Queen's decorations are something splendid. Praxinoe. In grand people's houses everj'thing is grand. What things you have seen in Alexandria ! What a deal you will have to tell to anybody who has nev-er been here ! Gorgo. Come, we ought to be going. Praxinoe. Every day is a holiday to people who have nothing to do. Eunoe, pick up j^our work ; and take care, you lazy girl, how you leave it lying about again ; the cats find it just the bed they like. Come, stir yourself, fetch me some water, quick ! I wanted the water first, and the girl brings me the soap. Never mind ; give it me. Not all that, extravagant ! Now pour out the water ;— stupid ! why don't you take care of my dress ? That will do. I have got my hands washed as it pleased God. Where is the key of the large wardrobe ? Bring it here ; — quick ! Gorgo. Praxinoe, j^ou can't think how well that dress, made full, as you have got it, suits you. Tell me, how much did it cost ? — the dress by itself, I mean. 538 SELECTED TRANSLATIONS. Praxinoc. Don't talk of it, Gorgo : more than eight guineas of good hard money. And about the work on it, I have almost worn my life out. Gorgo. Well j^ou couldn't have done better. Praxinoe. Thank you. Bring me my shawl, and put my hat properly on my head ; — properly. No, child {to her little boy), I am not going to take you ; there's a bogy on horseback, who bites. Cry as much as you like ; I'm not going to have you lamed for life. Now we'll start. Nurse take the little one and amuse him; call the dog in, and shut the street door. {They go out.) Good heavens ! what a crowd of people ! How on earth are we ever to get through all this ? They are like ants : you can't count them. My dearest Gorgo, what will become of us ? here are the royal Horse Guards. My good man, don't ride over me ! Look at that bay horse rearing bolt upright ; what a vicious one ! Eunoe, you mad girl, do take care ! — that horse will certainly be the death of the man on his back. How glad I am now, that I left the child safe at home ! Gorgo. All right, Praxinoe, we are safe behind them ; and they have gone on to where they are stationed. Praxinoe. Well, yes, I begin to revive again. From the time I was a little girl I have had more horror of horses and snakes than of anything else in the world. Let us get on ; here's a great crowd coming this way upon us. Gorgo. (to an old woman). Mother, are you from the palace? Old woman. Yes, my dears. Gorgo. Has one a tolerable chance of getting there? Old woman. My pretty young lady, the Greeks got to Troy by dint of trying hard ; trying will do anything in this world. Gorgo. The old creature has delivered herself of an oracle and departed. Praxinoe. Women can tell you everything about everything, Jupiter's marriage with Juno not excepted. Gorgo. Look, Praxinoe, what a squeeze at the palace gates! SELECTED TRANSLATIONS. 539 Praxinoc, Tremendous! Take hold of me, Gorge ; and you, Eunoe, take hold of Eutychis ! — tight hold, or you'll be lost. Here we go in all together. Hold tight to us, Eunoe ! Oh, dear! oh, dear! Gorgo, there's my scarf torn right in two. For heaven's sake, my good man, as you hope to be saved, take care of my dress ! Stmngcr. I'll do what I can, but it doesn't depend upon me. Pmxinoe. What heaps of people ! They push like a drove of pigs. Sf ranger. Don't be frightened, ma'am, we are all right. Praxiiioe. May you be all right, my dear sir, to the last day you live, for the care you have taken of us ! What a kind, considerate man ! There is Eunoe jammed in a squeeze. Push, you goose, push ! Capital ! We are all of us the right side of the door, as the bridegroom said when he had locked himself in with the bride. Gorgo. Praxinoe, come this way. Do but look at that work, how delicate it is ! — how exquisite ! Why, they might wear it in heaven. Praxinoe. Heavenly patroness of needlewomen, what hands were hired to do that work ? Who designed those beautiful patterns ? They seem to stand up and move about, as if thej' were real; — as if they were living things, and not needlework. Well, man is a wonderful creature ! And look, look, how charming he lies there on his silver couch, with just a soft down on his checks, that beloved Adonis, — Adonis, whom one loves even though he is dead ! Another Stranger. You wretched women, do stop your incessant chatter ! Like turtles, you go on for ever. They are enough to kill one with their broad lingo, — nothing but a, ^ a, a. Gorgo. Lord, where does the man come from ? What is it to you if we are chatterboxes ? Order about your own servants ! Do you give orders to Syracusan women ? If you want to know, we came originally from Corinth, as Bellerophon .:;40 SELECTED TRANSLATIONS. did ; we speak Peloponnesian. I suppose Dorian women may be allowed to have a Dorian accent. Praxinoc. Oh, honey-sweet Proserf)ine, let us have no more ■ masters than the one we've got ! We don't the least care for you; praj' don't trouble yourself for nothing. Gorgo. Be quiet, Praxinoe ! That ^rst-rate singer, the Argive woman's daughter, is going to sing the Adonis hymn. She is the same who was chosen to sing the dirge last j'ear. We are sure to have something first-rate from her. She is going through her airs and graces ready to begin. [M. Arnold.] THE END. AT LOS ANGELES LIBRARY This book is DUE on the last date stamped below 1. *-' ittl^® BEC'D MLD •JUL3 0'"~ ti - a DEC 2 »»«f "■ DEC 2 1 ,.,-,,, T -■. -1 -,.,-n.'i' lis. University 01 Cdlilornia, Lo L 007 625 218 8 UC SOUTHERN REGIONAL LIBRARY FACILIT' AA 000 537 299 o