Southern Branch of the University of California Los Angeles Form L 1 This book is DUE on the last date stamped below Form L-9-15rn-8,'24 BOURBON LILIES A STORY OF ARTIST LIFE. BY LIZZIE W. CHAMPNEY. NEW YORK : JOHN W. LOVELL COMPANY, 14 AND 1 6 VESEY STREET. COPYRIGHT, 1878, BY LOCKWOOD, BROOKS AND COMPANY. COPYRIGHT, 1883, BY JOHN W. LOVELL COMPANY. 120 p ^ ^ 3 i -z* s c C35 irffltHORMAL SCHOOL, Lo Angeles, Cal. BOUBBON LILIES. CHAPTER I. CHUMS. .... A steady hand To hold, a steadfast heart to trust withal ; Merely a man that loves you, and will stand By you, whate'er befall. JEAN INGELOW. ""pOURRIEZ-VOUS, monsieur, m'indicjuer un h6tel, ou des chambres a louer ? The speaker was a gentleman almost faultless in dress, but with a pleasant exp on his clearly-cut, aristocratic features, not look Frenchy, though he spoke without and Vandyke Brown familiarly called V< nevermore to be mentioned by his full n these pages felt in some unreasoning wa^ he was a foreigner like himself While arriving at this conclusion, he mentally envied the stranger his proficiency in French. It was only a year 10 BOURBON LILIES. since Van had left America ; he had just returned to Ecouen, near Paris, from a winter in Rome, and French, which he had not acquired before leaving France, seemed doubly difficult now. In his blundering, good-natured way he stammered, in a mixture of the two languages, while he fumbled for his pocket phrase-book, which he had unfortunately left at his studio, that he hardly understood French, and spoke it, if possible, more poorly, but if the gentleman would try him on Italian, he thought he should be able to reply. *'Non parlo Italiano, aber wenn Sie Deutsch sprechen ? " Van shook his head hopelessly, and his cosmo- politan questioner next addressed him in a, to Van, utterly incomprehensible language, which he fancied Portuguese, if indeed it were not Arabic, or perhaps it might be modern Greek. It turned out to be Russian, and the gentleman's native tongue ; but poor Van would probably never have known this if the next attempt at conversation had not been couched in perfect English. " Come to my arms ! " exclaimed the young American. " I beg your pardon, sir, but my delight at finding some one who can speak English and French must have got the better of my reason. CHUMS. 1 1 You are the very individual I have been looking for, some one to share my studio and apartments. Don't talk to me about hotels or rooms, but come right down to my den ; it isn't sumptuous, but it 's better than anything you can find in the village, and you are welcome to stay as long as you wish." " You are very hospitable," replied the other, " and hoping that you may not have cause to repent your kind offer, I hereby accept it, pro- vided you allow me to share in the disagreeables as well as the agreeables. I have an idea thafwe shall get on very well together, for I am an artiot, as I see you, are, and " " How in the world " began Van. " Oh ! you have the genuine artistic look, uid besides, none but artists ever come to Ecouen, I fancy." "You have been here before, then?" " On the contrary, I have scarcely ever heard of the place, though I have spent half my life in Paris and devoted my summers to its environs. Strange, wherever I have been I have met com- patriots of yours. Perhaps it was because the manufactory of Sevres and the palaces of St. Cloud and Versailles attracted them, for the season I spent on the heights of Meudon, I met 12 BOURBON LILIES. more tourists than ever before in my life. I ran over to coquettish little Ville d'Avray, but the Americans had found it out before me ; they were as thick at Bougival as the oarsmen in the rowing season, and they literally swarmed at Malmaison and St. Germain. Last summer I tried Enghien, but here too the fairy villas and open air concerts were filled with pretty Yankee girls, who spent the morning in tiny row-boats, ruffling the lake and showing their embroidered stockings, or in making excursions to Montmo- renci for cherries. I met them at Montreuil, invalids I was told, but they consumed peaches until their cheeks were as round and as full of color as the fruit, and no one else could buy a basket of it : all were promised to the sick ladies. In the rainy season there were as many fast young men from your country at the Bois as fast horses, and I never attended a hunting party in the neighborhood of Paris without being told by some Nimrod that boar hunting was very slow sport compared with shooting alligators in Florida, or buffalo on the Plains. Tell me, my dear sir, are there any Americans left in America ? " Van laughed heartily. " You must remember that there are a good many of us," said he. " There must be," replied Orsovitch. " Toward CHUMS. 13 the last of the summer I went to St. Denis, thinking there could be no attraction for pleasure- seekers there, but I had hardly commenced sketch- ing the interior of the abbey, when I was assailed by two literary ladies the worst specimens that I have yet met of the genus Americanus. They were deciphering inscriptions and asked my help ; when they ascertained that I spoke English there was no getting away from them. I slipped away to Vincennes to visit a military friend, and met them the next day prowling about the dungeon, 'such an interesting place for persons with antiquarian tastes.' I would not go to Barbizon because I knew there were American artists both there and at Fontainebleau ; but among all the foreigners whom I have ever met, I never heard one speak of Ecouen ; indeed, few of the Parisians know it. I really fancied that I had i.1 last found an uninvaded village and the first person I meet is an American ! " "Don't let me frighten you away," said Van shyly. He had listened to his companion's adven- tures with an amused look upon his face, and without the slightest thought of taking offense. This handsome man, with his good-natured raillery of Americans (a raillery with its sting taken out by his easy politeness), with his general air of BOURBON LILIES. worldly wisdom, without any of the bitterness which such wisdom brings, with a face that seemed to tell that its owner had seen and tasted of every pleasant thing in life except sin, had quite won Van's heart. It was not an unimpres- sionable heart at any time, for Van's nature was as frank and affectionate as it was sensitive and retiring; but there was something in this man that peculiarly attracted him. Van, himself, was scarcely more than a boy, and, as a consequence, worshiped manliness ; he envied experience because his own had hitherto been narrow, and, above all things, he admired and revered talent in others because, as yet, his own was unrecog- nized even by himself. It was not the mere convenience of having an interpreter which had moved him to share his quarters with this stranger; something told him that this was no ordinary character, though no premonition, how- ever faint, of what they were to mean to each other in the future, that theirs was to be a love "passing the love of women," to undergo the most trying of tests and to come off victorious over all, was granted to him then. He felt him- :lf won from his accustomed reticence, however, and continued warmly, " I think you will like Ecouen ; it is certainly CHUMS. IS unlike any of the other suburbs of Paris, and any other place that I was ever in ; it is simply a quaint little village, dropped down almost unchanged from medieval times. The streets, ,, as you see, run steeply up-hill, or dive abruptly down ; they wind, and double, and zig-zag, and lose themselves in picturesque court-yards, which make delicious backgrounds ; they are paved with detestable cobble-stones, that wear out one's shoes, and murder one's corns; the sidewalks are none of the cleanest, and the dinners cooking within doors have frequently a flavor unaccepta- ble to fastidious noses. The doorsteps them- selves overflow with babies, whose voices are not always harmonious, but who make capital models, as do those very old, oddly-dressed grandames, whom you see hobbling about All the people are so simple-minded, so honest and quaint, that one can scarcely believe that the gay capital lies within ten miles of us. ' Thou art so near, and yet so far,' I often sing to it as I see it hanging over there, like a lovely paint- ing, . upon the southern horizon, for there is nothing Parisian here." "Quite true," replied Orsovitch. "I noticed as I came that even the railway leaves Ecouen so far to one side that you get none of the noise 1 6 BOURBON LILIES. and dust of the station. I sent my luggage on by the omnibus, and found the walk a very delightful one. I certainly am glad that I took it, since by so doing I have found so pleasant a companion. But tell me, are there many for- eigners in Ecouen ? " " Almost every European nation has its repre- sentative, and your especial friends, the Ameri- cans, are not lacking, but I think you will be pleased with the society. I never saw a more harmonious one ; my countrymen hero from Philadelphia and the far West greet each other a old neighbors, and those from Boston and New *ttt r Orleans forget political differences, and are dear friends. But this is my garden-gate ; we have all of this rambling house to divide between us ; may your life here be a very pleasant one." Van found Orsovitch an intelligent, high-bred young man, connected with the nobility, talented, farther on the road to art than himself, helpful, and thoroughly companionable. His knowledge of English was a great piece of good fortune to the young American, who was continually making blunders, which even the good nature of v' Orsovitch could only regard as " something quite impossible." On the day of his coming to Ecouen, being of an economical turn of mind, CHUMS. 17 and having been advised by an old traveler to always journey third-class, he so clearly explained himself to the station-master, that, instead of one third-class ticket, which he supposed he asked for, he was handed three first-class ones, stamped, dated, and not exchangeable. Dear, gentle, cordial Madame Frere endured tortures, in her polite attempts to understand him. One day he remarked that he thought Orsovitch must have been a fumiste all his life, meaning, of course, fumcur ; and it was not until Orsovitch himself explained the mistake, that Van under- stood that he had denominated his aristocratic friend as something not far removed from a chimney-sweep, when he only wished to say that he was a great smoker. He meant to tell Madame Frere, at that first dinner at her house, that the sauce with which the ragout was served was so delicious that he could have eaten her great Angora cat with it, but instead of this, he remarked that he had quite as lief eat " Chiffon " as that mess. As his friend said, it was impossi- ble, but Orsovitch understood him through all, and received his most preposterous blunders with polite good humor. They painted, read, and rambled together, going through a history of France during the 1 8 BOURBON LILIES. evenings, and in their daily tramps " doing " all the castles, ruins, churches, and other places of interest within a radius of twenty miles, all but Ecouen's proudest glory, the Chateau de Montmorenci, which has gathered this village, and twenty others which once owned the great Duke's sway, " under its wings, as a hen gathers her chickens." It was a matter of great regret to them, that this they could not obtain per- mission to explore. They tormented themselves by reading of the treasures of art stored there : faience, by Palissy, trodden under foot like common tiling ; and copies of Raphael's frescoes of Cupid and Psyche, paneled over as unfit for pure eyes to look upon. For, since the time of Napoleon, the chateau has been occupied by the School of the Legion of Honor. They made sketches of the exterior from every point of view, and raged and fumed to no purpose, for the chateau looked down upon them as calmly inaccessible as it did upon the Huguenots in the days of the great Constable, and the Bourbon Prince de Conde could hardly have looked back upon it more longingly from exile after the lilies of his family were forbidden to bloom upon its stately heights. They borrowed every old chronicle and manu- CHUMS. 19 script bearing upon its early history, and eagerly devoured all the annals of the Montmorenci family, for the background of history against which Ecouen is set is a glorious one. The dramas that have been enacted in the old castle by royal and princely personages form many chapters of state history and volumes of tragedy. The private stories of the more unassuming houses are scarcely less interesting; many of them are as old as the great chestnut tree in the Square, to which the Chevalier Bayard fastened his horse while making a call on the young ladies at the castle. I am no antiquarian; the story I have to tell is of the Ecouen of to- day, which is wholly given over to artists of different schools and departments. Historical painters pore over musty records, and unfold precious costumes in ancient stuffs. Animal painters establish themselves in immense barns, where sheep, horses, and calves find themselves at home by the side of precious canvases. Por- tiait painters study the human face. Land- scapists dot the meadows with huge, white umbrellas. Decorative artists spread lovely flowers broadcast on fresco, or strew them daintily on exquisite fans. There is a marine painter, though no ocean, then there are several 20 BOURBON LILIES. architects, a sculptor or so, etchers and litho- graphers, illustrators, and the omnivorous student. Thank Heaven, as yet, there is no painter of nudities ! With all this variety, Edouard Frere is still the leading spirit, and the style most cultivated is genre, the sympathetic painting of simple subjects from lowly life, children or old people, for the most part, so grouped as to tell a story which shall touch the fancy or the heart. My story, like the paintings of this school, deals with plain and common people, striving to show something of the tenderness and the heroism, the goodness and nobility, of commonness, for " Art may tell a truth Obliquely, as the thing shall breed the thought. So may you paint your pictures, twice show truth, Beyond mere imagery on the wall. So write a book shall mean beyond the facts, Suffice the eye and save the soul beside." ^ It tells only the lives of two artists, and of a few peasant models, with all their grinding toil and simple pleasures, a side of artistic life which I have never seen in print, and one other life, of which I may say, as a celebrated artist has said of his work, "It is a dumb, noiseless, silent story, told as best it may be by the author to those whom it may concern. And it does tell its story. Not to everybody. But to somebody" EULALIE: A TREASURE TROVE. 23 because the woman who bore it was a scandal- loving old soul, more certain to hear and report the latest gossip than the daily newspaper. " If we could only get young girls to pose for us, but they are not to be had for love or money. To be sure, I have offered only the latter induce- ment as yet, though I don't know but I shall be driven to trying the first if every other expedient fails." As Orsovitch spoke, the young men were standing for the hundredth time in front of the church, staring up at the tantalizing castle. The sun was near its setting, and its level rays fell upon the rose window over the door of the church, lighting it up till it flamed a gem "of fifty facets ; " as the sun sank lower, spots of light still swam upon the window, like flakes of gold-leaf slowly melting into the dead, sea-water color of the glass. The cool afternoon breeze lightly lifted and let fall the branch of box tied to St. Acceul's sculptured hand, as though he were sprinkling holy water on the worshipers leaving the door, or gently beckoning them to enter. " Let us go in and look at the windows," said Orsovitch, "the stained glass here is of the same period as that in the castle ; let us be thankful that the church at least is open to us " 24 BOURBON LILIES. "By the way," said Van, "I saw a notice posted in a window at Vilier le Bel, the other day, which may be exactly your affair : ' Id on pose les eccltsiastiques. ' I did not know before that models made a specialty of representing church characters, though I was acquainted with a young man in Paris who made a reputation by sustain- ing the attitude required for the crucifixion, till finally he posed for nothing else. Perhaps all the saints of the calendar are included in this notice ; i so, some inspired St. Cecilia or pretty little St. Catharine would not come amiss just now as a change." " Ignoramus," said Orsovitch laughing, " I saw that placard ; it is 'Id on pose Jlastiques," and has nothing whatever to do with models." As he spoke they entered the church and stood admiring the windows gorgeous with renaissance saints, bordered with the arms of the Prince de Conde, the purple fleur de Us. Suddenly Orsovitch caught his companion's arm, with the exclama- tion, " By Jove ! what a heavenly face ! " He pointed to a window on the left of the altar, which represented Louise de Coligny with her sisters, "The Montmorenci girls," as Van fa- miliarly called them, on their knees before Our Lady of Seven Sorrows. The Virgin was stand- EULALIE: A TREASURE TROVE. 25 ing, draped in a mantle and flowing robe of violet blue ; there was white drapery about the face and the mantle was thrown veil-like over the head ; her heart, pin-cushion like, was the receptacle of seven huge swords. Whatever the expression of the face had been, it was indistinguishable now from age and from the ill-treatment which the window had received, and Van, much surprised at his friend's extravagant exclamation, replied indiffer- ently that it was an interesting piece of art. "Art!" reiterated Orsovitch, "it is no such thing ; it is a most unconscious bit of nature. Hush ! she will hear you ; she is rising." Then for the first time Van noticed that they were not alone in the church. A kneeling figure rose, glided down the aisle past them and out at the door. But in the one rapid glance they caught, each saw a strange resemblance in the sweet, serious face to that of Mary's in another window of the little church, the Mary of the Adoration in the Raphael window, a face such as Mary's must have been before the cruel swords pierced through her soul. Not yet the lady of sorrows, but a calm girlish countenance, though already there seemed to rest upon it a shadow of suffering, the premonition of pain. " I must paint that girl," said Orsovitch, as he 4 26 BOURBON LILIES. dashed out of the church and followed her. They had not far to go, for she entered a wee sparrow- box of a shop fronting the village place, on which stood the church, and bearing the word Modes above the door. They found her seated behind the tiny counter, with her lap full of gay flowers. An erect, well-preserved woman, whom they took at the time to be her mother, but who proved to be her aunt, came forward. Her flashing eye told of a violent temper, and Van wondered at the courage which Orsovitch displayed in stating his errand. The woman did not, on the whole, seem displeased ; to judge from her face it was a request which had been preferred often before, but there seemed some especial reason for listen- ing to it now. The little modiste looked up in a quick, frightened way. " Oh ! no, no," pleaded she with her aunt. " Ame'de'e would not like it. " " How much will you pay her ? " asked the other. " Five francs a day, as long as she cares to come. 1 should like to engage mademoiselle for the entire summer, if that were possible, and we should be happy to have you accompany her, madame, if mademoiselle objects to visiting alone the studio of two young artists." EULALIE: A TREASURE TROVE. 2? " No, no," said the little modiste mare decidedly than ever ; " I cannot go under any conditions ; please do not urge me any more, it is quite impossible." " It is quite impossible to decide the matter so hurriedly," said hef aunt; "you must give us time to talk it over and think about it. Eulalie is a good girl, and she will do what is right in the matter. If she concludes to come, could you not arrange it so that it should not be known in the village ? Eulalie has never posed, and if she should do so now, there would be no end of scandalous talk about it." " It can be managed very easily, madame," replied Orsovitch. And, indeed, their studio offered them peculiar advantages for this purpose. It was situated in a large unoccupied house, whose front gate opened on the extreme end of the village street. They had a magnificent but neglected garden, which ran far back into the meadows. All around, protecting it after the French fashion from the gaze of the outside world, was a high stone wall, and at the end of the garden leading to the meadows was a little gate. The key to this gate Orsovitch now handed Eulalie, telling her how she might reach it unob- served by making the circuit of the village, if, 28 BOURBON LILIES. after taking two days to consider the matter, she decided to accept his offer. " What a jolly lark this ! " said Van to Orso- vitch, as he helped him oil the rusty lock of the little gate the next morning ; " really something romantic at last in this dismally prosaic village." "No, Gazette" (this from Orsovitch to the dried-up little old woman who was digging dande- lions for her rabbits in the meadows), " I shall not want you to pose this week, and probably not next. I will call and let you know when I do want you. I say, Van, don't you wish she were coming to-day ? And meantime, what shall we do ? for I can't bear to paint from another model, now that I have had a glimpse of that divine face. I will go and make a landscape study somewhere, and call on some of the other artists on my way home, and inquire if we have not, without know- ing it, left some place of interest unexplored, especially to make to-morrow pass less weari- somely." After Orsovitch had gone, it occurred to Van, as he reviewed the adventure of the day previous, that he had caught a glimpse of Pere Paquerette (a withered old man who not unfrequently posed for him) in a room at the back of the little shop. He was eating a dish of soup, and appeared to EULALIE: A TREASURE TROVE. 2Q be at home. If so, Van felt that he had a clue to Eulalie's family history in a rambling talk which the old -man had given him the autumn before. As he played in an idle way with the picture upon his easel, the incident of that day came back to him like a dream picture, and taking up another panel he sketched a capital caricature of Pere Paquerette, enveloping him in a gray coat, or redingote grise, an article of clothing which he never saw without being reminded of the old model. CHAPTER III. THE KEDINGOTE GRISE. The mossy marbles rest On the lips that he has pressed In their bloom ; And the names he loved to hear Have been carved for many a year On the tomb. O. W. HOLMES. * I ""HE day that Van recalled was a transition one in the previous autumn. October's dying breath lingered in the atmosphere, blending and harmonizing the exquisite French landscape, making him understand the delicate grays which her artists love so well to render. And yet bleak November had at twelve o'clock the night before given the fields his rude greeting kiss, leaving them blanched with dismay, while the falling leaves blushed red at his impertinence. The sun had melted the thin rime of frost, and it sparkled now in myriad tear-drops .on every doomed blade and leaf. " All flesh is grass," Van said to himself, as he brushed his way (30) THE REDINGOTE GRISE. 3 1 rapidly through the meadows. " It will be our turn soon, little merry green men ; thank God there is a resurrection for us both." He was on his way to the village burying-ground, and this was why his thoughts took so funereal a turn, for it was the Fete des Morts, the day on which, as his morning paper had Frenchily informed him, the Parisians put the last touch to the " toilet of the tombs " the "trousseaux of the dead." It was the day which, strangely enough, has been appropriated generally to the dead throughout nations differing widely in customs and in forms of religion : the English Eve of All Souls, and the weird Hallow-een of the Scotch. In France it is celebrated by decking with flowers, for the last time in the year, the graves of the loved and lost. A good-by kiss, as it were, before they are left a^one for the long winter to bitter moan- ing winds and pitiless falling rain. The Ecouen church-yard was a true God's-acre in point of size, sown so thickly with graves that friends might have realized one of Victor Hugo's beauti- ful ideas, and clasped hands as they lay under the daisies, silently caressing them in the dark ness. Only a little church-yard filled with simple village folk. The great Abbey of St. Denis, that magnificent sepulchre of kings, lay not far away, 32 BOURBON LILIES. making a picturesque spot in the landscape. But the royal dead kept their own society, as apart in death as in life from the simple people here. Van was too early for the procession which was coming presently to decorate the graves, and he leaned idly against the stone wall, looking away at the Abbey of St. Denis and the beautiful panorama which stretched behind it, for Paris with all her palaces lay there, her domes and spires seeming to float in the purple haze, through which rose a city without foundations, it seemed as beautiful and ethereal as the Celestial City itself. Conspicuous above all was the gilded dome of the Invalides. Van was in a fault-finding mood, and for him the brilliant bubble spoiled the whole landscape. In his walk that morning he had passed a fine old mansion, not a chateau, but a house such as the lesser nobility would not have disdained to inhabit. It had been sacked and destroyed during the Revolution, but the walls would have been picturesque and noble in their ruirfe, had it not been that sacrilegious hands had used the entire fagade as a bulletin-board, covering it with flaring posters and gaudy announcements of fetes. Cov- ering a number of others was an overcoat of hideous pattern, the sign of a well-known shop in THE REDINGOTE GRISE. 33 Paris. Van knew that the redingote grise was one of the distinctive peculiarities of Napoleon's costume, and in an unreasoning way connected him with the insult done the noble house. " What had he done for the poorer classes toward enlightening the ignorance which, with grinding poverty, drove them to such mad outbursts of fury ? " His order, " Gild the dome of the Inva- lides," came like an answer to Van's question. The gold which should have been expended in food for his overworked, underfed people was spread upon that glittering bauble, and all at once the sight grew loathsome to him. Be it remembered that Van was .a Radical Republican ; for him there was but one form of government for every people, and he especially disliked any- thing which suggested Napoleon or his dynasty. He was roused from his reverie by the pro- cession which now entered the cemetery, mumb- ling a chant for the dead. There was the usual number of unspiritual-looking priests in tarnished gold and dirty lace. A slight disturbance oc- curred at the gate, for the boy wich the holy- water pot was missing. Another altar boy was dispatched in search of him, and, finding the delinquent sauntering leisurely along, examining the decorations with the eye of a connoisseur, 5 34 BOURBON LILIES. he brought him back to the priest, who curled his ears smartly with his breviary, and proceeded with the necessary sprinkling. All this without the slightest interruption of the chant ; indeed, the blows descended somewhat as the baton of a singing-master might have done, Ora pro no whack Maria sanctis whack. After the ecclesiastics came the men, and then the women all in black. Silently each sought her grave, and prayerfully knelt beside her dead. Only one old man seemed not at home here, and wandered aimlessly about like Van himself. It was the old model, Pere Paquerette. There were two versions as to how he came by his name. One was that as his wits were shaken, a young English artist had nicknamed him Father Dazy ; and the village people had asked the meaning of the word of some other English-speaking person, who, not knowing the circumstances, and mis- taken by the sound, had told them it was paquc- rette, the common field daisy. The other explana- tion, and the one which Van preferred, was that the old man's white hair falling from his bald crown, resembling the petals of the flower, had suggested the name. He looked dazed and bewildered enough now, however, as he wandered THE REDINGOTE GRISE. 35 among the graves, whimpering, "I can't find them ; O, sacred heart of the Mother of God ! I can't find them." Presently he knelt before a grave over which a little chapel of ground glass had been built, sheltering a small image of the Virgin and a wreath of orange blossoms, not a funeral wreath, by any means, but just such an one as a Parisian modiste would have prepared for a bride. Perhaps she was a bride, poor young thing, for the age marked upon the tablet was eighteen. Van wondered what relation she could have been to this old man, his daughter, per- haps. The ceremonies were over, and the people were leaving the church-yard. A woman passing noticed Pere Paquerette, and shook him roughly by the shoulder. " But that is not your grave ! " she exclaimed ; " come along with me and I will put you right." " Is not that Josephine Hautcoeur's grave ? " asked the old man. " The Marchioness de Plaisance ! Is it likely the noblesse of France would be buried in such a place as this ? " said the woman scornfully. " Besides, who knows that she is dead ? She is no older than yourself. It is over sixty years since she left the village," the woman added to Van, BOURBON LILIES. " but Pere Paquerette never lets us forget that she lived here once." " She died for me the day that she was mar- ried," muttered the old model, as the woman stationed him before a stone upon whose moss- Sjown front Van read in French : To ANTOINE ROCHE, Corporal Regiment of Grenadiers, Old Guard, ist Empire ; and Chevalier of the Legion of Honor. Died at the Hotel des Invalides, August Qth, 1840. And to CONSTANT, his son, killed at Sebastopol, September igth, 1855. And to JOSEPHINE DUVAL, nee Roche, his daughter, killed at Paris, April I5th, 1871. There were other inscriptions, but the stone had so sunken into the earth that Van could not read them. On the head of this stone Pere Paquerette hung a garland of yellow immortelles, among which black ones were so intertwined as to form the words "A mon phe" Bending a branch of willow over one of the graves, he suspended from its centre a small medallion of stained glass on which clasped hands were rudely represented. Beneath, on the grave itself, lay a wreath of camellias, showing that some one had been here before. "So your father died at the Invalides," Van said. THE REDINGOTE GRISE. 37 " Yes, m'sieu," replied Pere Paquerette, " bul he lived there many years first, and so did Josephine Hautcoeur's father." " And who was Josephine Hautcceur ? " Van asked. "My sceur de lait ; and now I suppose you don't know what that means," grumbled the old man. " I should be obliged to you if you would explain," Van replied. " Well, when I was a baby my mother took her to nurse. You see, my father was a soldier in her father's regiment, and we slept in the same cradle, and brother Constant wheeled us out in the same little wagon. He and all the family grew to love the gentle little blue-eyed thing, but sitting opposite to each other always, we got so used to looking into each other's eyes that she liked me best, and we never forgot one another." " How could that be, Pere Paquerette," if you were both babies ? " Van interrupted, but the old man's reply was so pettish that he let him ramble on, fearing to lose the story if he made any further objection. The old model continued : " When she was old enough she went to the school that Napoleon made in the castle yonder for the daughters of his old soldiers. My sister 3 8 BOURBON LILIES. Josephine was already there, and we used to hear of the other Josephine through her. Our two fathers were both at the Invalides. General Hautcoeur had lost his sight, and my father had lost pretty much all he could spare and still live. When I visited him he would take me out to see his rockery. Almost all the soldiers had them : a little garden plot to work as they liked, but nearly all would have it arranged in military fashion somehow. Sometimes it would be a tiny fort, with cannons cut from wood and painted black, mounted on every side, and regimental flags cut from their handkerchiefs and painted the proper colors. And now and then you would see the whole plan of a battle-field, with earthworks and field-pieces, and even the soldiery themselves, little wooden pegs stuck in the sand. My father had a rockery with a little pond about it that was almost always dry. He called it the Rock at St. Helena. He used to say that he wanted to think of ' him' as he was, and he had a little silvered image of the man in the redingote grise on the top of the rockery, which he worshiped more than if it had been an image of the Virgin. How those old fellows did love their general ! You could not make one of them believe he was dead. 'One sees very plainly that you do not know THE REDINGOTE GRISE. 39 him,' was all they would say. I was something of a poacher in those days, and one morning in the forest I found a tree which grew so near the wall about the castle park that I could let myself down into it from one of the branches. I found my sister inside, and asked her if she or the other Josephine had any message to send to the Inva- lides, as I was going to see father in a few days. She told me to come again at moonrise, and they would meet me at the Fountain Hortense in the park. The girls were kept very strictly, and this was a daring thing for my sister to propose, but it pleased me all the better for that. When I reached the fountain, I saw that something unusual was going on, for the southern wing, where Madame Campan's apartments were, was all ablaze with candles. I lay down in the grass and waited until they were all put out, and others began to glimmer in the chambers under the roof, where were the girls' dormitories. Pretty soon these too were gone, and, wondering what had kept the girls, I got up to go -away. Just then two dark figures slipped from the Pavilion Austerlitz and came toward me. " ' Is that you, little brother,' says Josephine Hautcceur. ' Oh, I am so frightened ! ' and the hand which she laid on my arm shook like a 40 BOURBON LILIES. trapped bird. Then my sister explained that Queen Hortense, whom Napoleon had made Lady Patroness of the Institution, and who lived sometimes at the Chateau of St. Leu, not far off, had come unexpectedly to see them, and there had been a fete in her honor. ' And all through the evening,' said Josephine Hautcoeur, 'I felt so guilty ! When we were in the Hall of Honor, the one that has the painting of Esau hunting, over the great fire-place, I whispered to Josephine, See, there is our little poacher ; and I could have almost thought Madame Campan heard me, for she asked me directly to give them some music. And when we crossed the court just now, with our shoes in our hands so as not to make any noise, the Palissy tiles struck a chill through my feet, and though I could not see them in the dark, I knew that the snakes and lizards and all those slimy things were there, and I fancied I felt them squirm as I stepped on them.' My sister gave me her message for our father, and then the other Josephine said, 'And tell my father for me that I thank the Marquis de Plaisance for the honor he does me, but I can never be his wife, for our great Napoleon said he wished all the daughters of the Legion of Honor to become the wives of men who should faithfully serve France, THE REDINGOTE GR1SE. 4 1 either in the army or in the administration, and were Monsieur de Plaisance an Italian prince, instead of marquis, I had rather be the wife of a common French soldier.' " ' Josephine, Josephine,' I cried, ' I am fifteen years old. I will be a man soon, and I will be a soldier if you wish. I have loved you all my life ; only say you will wait for me.' " ' This is quite enough,' said a stern voice above our heads ; ' we have overheard a part of your interesting conversation.' " Looking up I saw two ladies : the one who was speaking, very grave and all in black, Madame Campan ; the other, all in white, with a mischievous laughing face, Queen Hortense. It was she who spoke next, throwing an arm around each of the girls, something about forgiving the culprits for the sake of some wild pupil of Madame Campan's in St. Germain-en-Laye ; then, without waiting for a reply, she said to the girls, ' Let us hurry away before the thunder-bolt falls,' and led them back into the castle, leaving me alone with the lady superior. I have no clear idea of what she said to me ; I only know that I left by the great gate, and that I promised her solemnly never to go there again. When I told my story at home, Constant sprang up. ' I shall enlist 6 42 BOURBON LILIES. to-morrow,' said he. ' But you shall not marry Josephine Hautcosur for all that,' I cried. With that he called me baby, and we quarreled then and there, and never spoke to each other again." " And did Constant marry Mademoiselle Haut- cceur ? " Van asked. " Oh, no ! " replied Pere Paquerette ; " he never came back to us, but was killed at the siege of Sebastopol, as the stone says." " And she ? " Van asked. " I stood behind the door of the Madeleine and saw her go up the aisle to become the wife of the Marquis de Plaisance. She was all in white, and one of the sprays in her veil caught on the door ; a bud broke off. It was like the flowers in the glass case on the grave yonder. I kept it a long while, but it is lost now." " I see your sister Josephine was killed," Van said, glancing at the inscription. " How did that happen ? " " Josephine married a soldier, and followed the army a long while as a nurse. Her husband was a good fellow, but ten years younger than Josephine, and a little giddy, as most of the brave boys are apt to be. Josephine supported herself and her little girl, and paid all his debts when he died. Her child was her idol, but she THE REDINGOTE GRISE. 43 lived to see her die, leaving her a little grand- daughter. Her son-in-law was a soldier too, and very much such a man as her husband had been, and he was glad enough to relinquish the baby to Josephine, when she gave up the army and became one of the nurses at the Hotel Dieu. As soon as her little grand-daughter was old enough, she placed her in a school for the daughters of soldiers, but all of her earnings were saved up to buy her presents. She was paid very little, only fifteen francs a month, and she had studied nursing as a profession at the castle, besides having a long practical experience of it. She had to work hard, too, for the young medical students only visited the hospital to make experiments, and the Sisters of Charity shirked everything but praying on to the paid nurses. My father left her his rockery when he died, and Josephine had it placed on a table in one of the wards to interest the patients. She was known for a zealous Bonapartist, and at the time of the Commune they destroyed the rockery, crying, A bas Napotion ! and tumbled my sister over the stairs to Vive la Rtpublique ! She would not have lived much longer, any way ; she was an old woman; she came in with the century. Her life was not harder than that of most women. 44 BOURBON LILIES. M'sieu the Cur was right when he said that woman's lot was 'to love, to suffer, to weep, to pray, and to die embracing the crucifix.' Her grand-daughter's future is bright enough, how- ever, thanks to the Empress Eugenie." "What did the empress have to do with it?" Van asked, with the inward determination to slip quietly away and leave the old man talking to the tombstones, if he showed signs of entering into such another rambling story. " M'sieu knows, without doubt, that when the emperor was married the city of Paris voted six hundred thousand francs to purchase a necklace for his bride. But the empress asked that instead a school should be endowed for young girls. Little Eulalie was there eight years, learning her books and embroidery, and to make artificial flowers. The money they earn by their work during their stay is saved and given them when they leave, at eighteen years of age, as a dowry. When Eulalie left, a sister of her father's (he was killed at Worth, and Eulalie worships his memory, though he never did anything for her) turned up, and Eulalie lived with her a while in Paris, work- ing at a wholesale flower establishment there until I persuaded them to come and set up a shop of their own here, which they did, using THE REDiNGOTE GRISE. 45 Eulalie's money. There is no occasion whatever for Eulalie to marry, but a girl as pretty as she never goes long without a lover. Hers is well enough, though he does not believe that a pretty face is so much money in one's pocket, and will never consent to her posing." Van looked at his watch. It was quite late, but the old man's talk had given him plenty to think about. In the first place the redingote grise covered more of good than he had imagined, and he began to understand how certain ideas and forms of government might, while meaning nothing to him, be useful and dear to others. It was his first lesson in tolerance, and he did not forget it. " It was Eulalie who laid that wreath on her grandmother's grave," continued Pere Paquerette, who had developed an inexhaustible capacity for gossip, " and there would be as many as twenty funeral wreaths over my father's if the Prussians had not stolen them." " The Prussians rob the graves ! What do you mean, Pere Paquerette ? " exclaimed Van. "Why, during the war King William passed over this road, and the detachment of German troops that were stationed here wished to get up some decorations in his honor; but it was late 46 BOURBON LILIES. in the fall, and the flowers were almost all gone, so that the young officer who had the matter in charge had scanty material to work upon. But he was a genius ! What do you suppose he did, sir? He stole La Gazette's clothes-line, and stretched a great table-cloth across the highway, having first fastened red tomatoes upon it in such a way as to form the words, in German, 'Wel- come King William.' Still this was not beautiful enough, so he came here and gathered all the wreaths of immortelles that he could find, and made a border for his banner with them, and festooned the clothes-line too for its whole length. How we others did laugh when we saw it ; no one but a German would have thought of such a thing." "But I should not have laughed," Van said "It was far too appropriate Prussian honors gained at the expense of French graves. I should think the idea would have struck the young officer, and kept him from touching the votive offerings." " Something did frighten him, for he came first at night, and went away saying that he heard the dead people rattling about in their coffins. But I think what he heard was the wind striking the glass medalions and jet ornaments against the THE REDINGOTE GRISE. 47 stones. It might remind one of the rattling of bones, if one heard it alone of a dark night." "Thank you for your story, Pere Paquerette," said Van. " Here is something with which to buy fresh garlands for the defrauded graves." "M'sieu is very kind," said the old man, greedily accepting the coin Van offered ; " but to me the ' tapping of the souvenirs here always seems like the tinkling of glasses ; and if m'sieu is willing, I think all the people buried here would be just as well pleased if I should break m'sieu's coin at the Esptrance, at the foot of the hill, and drink to the fourth Napoleon." CHAPTER IV. THE CHATEAU DE LA CHASSE. Blow,bugle, blow, set the wild echoes flying, And answer, echoes, answer, dying, dying, dying. TENNYSON. " TT 7HAT, nothing but that caricature of Pere Paquerette ! " said Orsovitch in surprise, as he threw down his sketch-box on his return from a day in the meadows ; " you were wont to be a worker, Van." " I am afraid I have turned dreamer now," replied the other. " Certain it is that I have done almost nothing to-day ; and the trouble is that I do not see my way out of these unprofitable musings into something practicable. I wish I had found a model like yours, who could awake the slumbering fires of genius and inspire me to work." " Is that all ? " said Orsovitch ; "why, you are welcome to sketch the little modiste, if you like, (48) THE CHATEAU DE LA CHASSE. 49 while she is posing for me. I don't know that I 've got her yet, so I can afford to be generous." "Really, do you believe she will come?" " Not a shadow of doubt of it ; but prepare for a tramp now, for I have discovered some uncom- monly fine sketching for you." "Are we to set out to-night ? " " No, my indolent friend, but you may as well get your knapsack and arrange your traps now, foi we ought to have an early start, and you are such a late sleeper you had best make all preparations overnight." "Where are we going? Do you think we will find anything worth the pains ? " Van asked in- credulously, without leaving his comfortable posi- tion in the hammock swaying under a chestnut tree that resembled a bridal bouquet, when seen from a distance, and near by was an enormous hive of buzzing hannetons, or May bugs. Now that it was warm enough they spent their evenings, as a general thing, in the garden. "One question at a time," replied Orsovitch. " I find that there is a marvellous old Chateau de la Chasse, of the same period as our castle, and belonging to it in by-gone days, buried in the depths of the Foret de Montmorenci ; but, for a wonder, it is accessible to strangers ; indeed, there SO BOURBON LILIES. is a custodian whose special business it is to show strangers from the town of Montmorenci over the premises. It is only four miles distant, and we are sure to find something stunning. I shall use it for a back-ground to a hunting scene, with hounds in the fore-ground and valets in livery." Early the next morning Orsovitch was awak- ened by the rattling jingle of their little alarm clock, and by Van singing uproariously, Voila la sonnette . De la trompette, Qui nous appelle A la victoire I " This was the nearest he ever came to a stanza from a popular hunting song, the air of which had become more than familiar to all of Van's friends. As they entered the forest after a long and exhilarating walk, they were somewhat surprised at hearing the same air played finely upon a hunting horn. "Somebody is here before us," said Orsovitch. They quickened their steps and after two or three sharp turns in the road, entered a long avenue leading to the chateau, much to their surprise without seeing the musician who had greeted their entrance to the forest. "Some phantom hunter," said Orsovitch gayly, THE CHATEAU DE LA CHASSE. 5 1 " this wood is rich enough in associations, and is mysterious and old enough, to be haunted. Only look at the chateau ; is not that well worth our walk ? " It was indeed a massive building of huge blocks of undressed stone, rising at the corners into four round towers, all but one left unfinished, or, more probably, destroyed by age, for the chateau had stood for nearly four hundred years between the two little lakes with the dim forest all around. Fishing in a little boat, a short distance from shore, stood a handsome young man of thirty. He laid down his rod on seeing the artists, rowed quickly to shore, and approached them. He wore a shooting-coat and breeches of brown velvet, with silver buttons and buff chamois- skin leggins. He might have been taken for a sportsman, were it not for the silver plate upon his cap, upon which were engraved the words Garde Chasse. He at once accorded the young men permission to paint near the chateau, and proceeded to show them the objects of .interest. The stables, evidently of more recent construc- tion, and containing forty or fifty stalls, pleased Orsovitch. "I should think you would arrange yourself a room out here," said he ; " the lofts are at least dry and airy, while that old tower, with 52 BOURBON LILIES. the water continually lapping its foot, must be as damp and dismal as a dungeon keep. I should be sure to get up some night and quietly step out of the window into the moat." The guard laughed, but shrugged his shoulders uneasily. " One doesn't commit suicide when one is happy, monsieur, not even in one's sleep, and I have such pleasant dreams that I could never be such a fool as to disturb myself by walking." In the entrance hall Van noticed a hunting horn hanging against the wall, and spoke of the air which they had heard played a short time before. " It was I," said the guard ; " I always liked that tune ; I used to play it for the boys to charge to, when I was bugler in the Forty -third ; " and taking down the instrument he made the cliffs on the opposite side of the lake echo back the strain " A la victoire ! A la victoire ! " " I always sound it when I am down-hearted and lonesome ; the echo yonder seems to answer me and tell me to keep up good courage, as a brother soldier might do if he were keeping vidette out there. It was the echo you heard ; it is twenty minutes' walk from here. I can hear it myself repeated faintly but distinctly several THE CHATEAU DE LA CHASSE. 53 minutes after I have sounded it. The boys used to go straight to death unhesitatingly with that charge ringing in their ears. I believe I could do it myself." Orsovitch seemed little interested in what the young man was saying ; he was examining a curious silver object which hung beside the hunting horn. " What is it ? " he asked, and he noticed the name Ame"dee du Lac engraved upon the handle. " That is a dog-whip which the Due de Champ- noix gave me when I won the race at Long Champs for him. I was his jockey when I was fifteen. I had muscles like steel wire, but I was a slender little fellow and did not weigh anything to speak of, and that was where Grisette had the advantage of the other horse, whose rider weighed at least ten pounds more. But the duke kept me too well ; I grew fat, and, a few years after, I became a soldier ; that thinned me down quickly enough, I assure you. There is only one thing at all peculiar about that whip ; touch this spring in the handle, so, and out pops this knife, stiletto fashion. It is the only weapon I ever carry, but with it and the help of Mees there, I should not be afraid of a tussle with any poacher in the forest." 54 BOURBON LILIES. Me*es was a large white bull-dog, which fol- lowed its master, snuffing suspiciously at the artists' heels. " You have given your dog an odd name," said Van. "It is English, is it not?" replied the guard; " they told me it meant demoiselle" " He means Miss," said Orsovitch ; " it is a very common name with the French for their dogs." While speaking the guard led them from room to room of the chateau, all empty and desolate till they reached the one in the tower, whose window looked down upon the lake they had already remarked from the exterior. Here were collected all the antique pieces of furniture found in the other apartments. As the chairs and fauteuils were upholstered in different materials and colors, for the most part faded and tattered, the guard had covered them all with white linen, which * comported well with the character of the room, the carved panneling of which had been origi- nally painted white, though age had given it a very soft and agreeable creamy tint. The chimney-piece, which reached the ceiling, was of white stone, richly sculptured in bas-relief and supported by twisted columns. On the opposite side of the room stood the bed, its soft white THE CHATEAU DE LA CHASSE 55 curtains floating down from a gilded crown-shaped canopy. A console-table, in the style of Louis XIV., with high mirror and white wood work carved in mazes of knotted and looped garlands, stood on one side of the window, an inlaid ivory cabinet of Italian workmanship upon the other. Before the bed, upon the floor, which was waxed till it shone like a mirror, reflecting each object as perfectly as the surface of a lake, lay a bit of old tapestry, the figures in faded blue upon a white ground. White curtains hid the window which occupied the bay formed by the tower. "This was the Prince de Conde's chamber," said the guide. " I should have thought it some lady's room,' Van replied ; " are you not mistaken, could it not have belonged to his wife ? I should have thought Charlotte de Montmorenci might have had a taste for hunting and hard riding even before her elopement What do you think, Orsovitch ? " " I do not think a girl of her tempeVament would have liked such a room," he replied. " Her boudoir should have been wainscotted with rose- colored satin. This is too cold ; it reminds me of one of the snow palaces at St. Petersburg. See ! that chandelier with the crystal pendants, in the BOURBON LILIES. middle of the room, carries out the idea ; it is a great glittering stalactite, and those smaller can- delabra on either side of the door are icicles formed from water trickling through crevices. Ugh ! it freezes me. I should not think any woman could bear to stay here." " Not with the man she loved ? " asked the guard, with strange earnestness. " Perhaps," laughed Orsovitch, " but she would have to love you very much, mon enfant. Such devotion on the part of woman has never come into my life. I congratulate you if you have found it. But seriously, all women love bright hues, they are artistic in their nature, and there is not one positive bit of color in this room." " Oh ! yes there is," replied the guard, and he drew aside the window curtains, and suddenly all the floor was flecked with purple spots, for the window was bordered with the arms of the Prince de Conde in the stained glass. It was as though the fleur de Us, having once taken root, had be- come indigenous to the soil and blossomed from every crevice of the old buildings which had once recognized it as an emblem of royalty. Orsovitch grasped his friend's arm impulsively. "This is the strangest thing I ever saw in my life, Van ! If I were a spiritualist I should think THE CHATEAU DE LA CHASSE. 57 some fearful crime had been committed in this room ; just look at that bed ! " Van looked for some time without grasping his meaning, for he saw only that the coverlet was sown thick with nickering Bourbon lilies, when suddenly in their midst, in vivid scarlet, there flamed distinctly a gallows. Van looked to the window to see what occasioned the strange appear- ance, and found the explanation simple enough. The centre of the window had been formed of four scarlet panes, so arranged as to form a cross ; two of these, the head and one cross-piece, having been broken, were replaced with transparent glass, so that the remaining colored panes the standard and cross-piece, with the bit of lead connecting the two formed the disagreeable sign which had startled Orsovitch. Van pointed this out, and added in English, " For Heaven's sake do not say a word more, or the crime will be committed now and here by our friend the guard. You have already twice mortally offended him, and he looks angry enough to throttle you and relish the operation." " If that is the case," replied Orsovitch, " I will take away the exciting cause ; his society is not so agreeable that I should be wasting my time in it," and saying something in French about its BOURBON LILIES. being high time his sketch was laid in, he clattered noisily down-stairs, whistling "A la victoire" as he went. This was so different from his usual polite manner that Van noted it with mild sur- prise ; there seemed to be something antagonistic in the very natures of the two men. "Your friend is right," said the guard moodily; "he knows women better than I do, and the room is not gay. I might hang a bird-cage with a couple of canaries here, that would give her song and occupation as well." He was standing in the arch of the window with his hand on the heavy oaken mullion, and as he spoke he touched the capstone of the arch where the three crescents of Diane de Poitiers were intertwined. " It is very strong," said he ; " see, it will bear my whole weight. Perhaps I will hang a basket of hyacinths here ; then we would have color and perfume, and she loves flowers. We will see ; of one thing I am certain : I will have more red panes put in the window ; she shall never have a thought of the gallows tree in this room. Why must he put a horrible fancy in the one pleasant spot in the world for me ? I hate him for it." He had quite forgotten Van's presence, and the young American recalled him to himself by some pleasant commonplace remark, thanked him 59 for his kindness in showing them the ruin, and slipped a coin into his hand as they went down the stairs together. Long afterward, every event of the day came back to him as vividly as though acted before him in a drama, whose most trivial incident leads on to the tragedy at its close ; and he seemed to see again before him the handsome guard with his hand on Diane's crescents, the broken cross burning its red gallows-brand upon his face, and all the shining floor about him bright with the flickering Bourbon lilies. Never, in after-life, even in the midst of an exciting chase and jovial companions, could he hear, without a shudder, the inspiriting notes of the hunting-horn sounding merrily a la victoire, d la victoire ! After they had finished their sketches, Orso- . vitch looked for the guard in every direction, in order to give him the customary fee, but he was nowhere to be seen. " Insolent beggar ! " said he at last angrily, " I believe he has absented himself on purpose, because he is too proud to take money ; well, he is a franc the poorer, that 's all. That such people should have ideas of that kind ; one would think he was lord of the castle, instead of a mere game- keeper. It is strange what a difference there is 60 BOURBON LILIES. between the male and the female of the genus peasant. Look at that little girl that we hope to have pose for us ; in certain surroundings I should take her for a lady, and yet she belongs to the same class as this animal of a guard. Bah ! the mere statement of the fact is an insult to the girl. What a muddle our social distinctions are ! " CHAPTER V. WHERE THE MARQUIS IS. When street strawberries are sold, piled in pottles like sheaves, And young ladies are sold for the strawberry leaves. OWEN MEREDITH. The vignettes all that lot are scalps I took in London, Naples, Nice, At Paris, and among the Alps : Those foreign lovers act like geese. But, dear, they are such handsome men. We go to France, next year, again I MARY A INGE DE VERRE. TF Orsovitch, in fresh fields and pastures new, had forgotten the Americans who had annoyed him so much the previous summer, they had not forgotten him. In an elegant suite of rooms commanding the Champs Elyse'es, where wealthy Americans love to congregate, a young girl with a bright, bewitch- ing face and a graceful form, attired in the very- height of the newest mode, was looking abstract- edly at the throng of carriages below, passing to and from the Bois. (61) 62 BOURBON LILIES. An older lady, reclining languidly in an easy- chair, was turning with fingers heavily laden with diamonds the leaves of a large photograph alburn an album filled with cabinet photographs of handsome men, the military predominating, but mixed in with students from every university of Germany, and an exquisite belonging to the Queen's Own on the same page with one of the choristers at the Sistine Chapel. TVIrs. Poser's face clouded as she noticed the latter vignette. "Fanny," she exclaimed, "this sort of thing has lasted long enough." " That 's what I think," replied the young girl can, my dear, that it 's time you were i if you hadn't been scolding me ever since e back to Paris because I am dull, and en dragging me about from matinees to from the races to the opera, driving me distracted with amusements, falsely so . Poser scanned her sister with a sharp, critical glance. " I can't imagine what has come over you, Fanny. You used to be the gayest of the gay. You are not becoming disenchanted, I hope. Nothing makes a girl appear so old as WHERE THE MARQUIS IS. 63 that blase way of not caring for amusements or anything else. At your age one ought to be enthusiastic. A man may be a perfect cynic, but he never admires a woman who is disgusted with life. You used to be wild for society, and crazy over waltzing, but now you are as serious as a Quaker." " And just now you were saying that it was time I was serious." Mrs. Poser bit her lip. " You know very well what I mean, you perverse child. I mean that instead of wasting your time haunting the picture galleries, you ought to cooperate with me in my efforts to get you suitably married." " You are so very capable in such matters that I don't see any need of putting in my little oar." " Now, Fanny, sarcasm is thrown away on me. though I must say it does not come with a very good grace from you, when you know that I am devoted to your interests." And Mrs. Poser hid her dry eyes behind her lace handkerchief. "Yes, dear, I know it," exclaimed Fanny impulsively, kneeling beside her sister and throw- ing an arm about her waist. "What do you want me to do? I agree to anything, Puss ; any- thing but marrying the marquis." "And I don't see why you object so to that 64 BOURBON LILIES. poor dear marquis, with his aristocratic hotel in the Faubourg St. Germain, that has been in the family for so many generations. His mother thinks the world-in-all of you. I am sure nothing could have been more marked than her invitation for us to spend a fortnight at her villa in Enghien, and we really compromised ourselves in accept- ing. I would never have gone if you had not led me to suppose that you liked the marquis. And how mortifying it was when Pauline Pry an- nounced the engagement in the American Reg- ister, and the congratulations began flocking in ! I should think that circumstance alone would u been enough to make you verify the report, you could have done it so easily. There 's Wiley has been fishing for him in the most stakable way these six months for one of aughters, and Mrs. Soper would give her to have him for a son-in-law." 'hat is one of my reasons. I don't want to lentified with that set. You know that a Pauline Pry wrote on ' Where the Marquis jre will the mothers be gathered together ! ' ' fancy no one would take me for your ar, Fanny," said Mrs. Poser complacently, thing one of the little bows with which her sleeve was ornamented. "It really seems to WHERE THE MARQUIS IS. 65 me, my dear, that you have a morbid horror of titles. If a man has noble blood in his veins, it sets you against him at once. Your particular penchant just now appears to be for poor young artists, just as last winter you doted on interest- ing but impecunious musicians." Fanny's face flamed crimson. "Now you mean Abondieu Tamburini. I am sure he had nobler blood in his veins than the marquis even. Every one said at Rome that his father was a cardinal and his mother a countess." Mrs. Poser raised her hands in horror. " My dear child!" she exclaimed, "never mention Signor Tamburini again, that irregular way is worse t origin. What would the n you speak of such a thing ? . proper in her ideas. And as to rank even if it were the proper thing for cardinals to marry why, the marquise is so very aristocratic that she looks down on the Napoleons. I heard her say that the Empress Eugenie was canaille, whatever that may be, and I only wonder that she can consider you a suitable match for her son." " I think the wonder is sufficiently explained after the unblushing way she inquired of you as to the amount of my dowry." 9 66 BOURBON LILIES. " But, Fanny, that is the regular way of doing things here. You know that she explained that they were not at all mercenary, and only wished a sum equal to that which they intended to give their son. That ruinous old chateau is very val- uable ; all it needs is to be put into repair to make a very elegant residence." " I would rather sit in the Sistine Chapel and hear Abondieu Tamburini sing, than own all that estate ; so don't talk to me about the marquis again that's a dear. There, Mr. Goth is just knocking at our front door. I had quite forgotten that I promised to visit the Cluny Palace with him this morning. Good-by, my dear. I love you dearly, indeed I do." Mrs. Poser sat for a long time after her sister left, wrapped in thought, her cogitations, with sundry repetitions, running something in this way: " It is just as I thought. Fanny need not try to deceive me by talking about Tamburini ; that was all ended long ago. It is that distinguished- looking artist that she met when we were staying with the marquise at Enghien. Let me see : Fanny was rowing on the lake ; had stopped the boat in a shady spot, and was reading a novel. I found her curled up there, the very picture of WHERE THE MARQUIS IS. 67 demure unconsciousness the minx actually pre- tended that she did not know that this strange gentleman, sitting only a few yards away, was putting her in his picture. I am confident that was the first time she saw him. Then he called on the marquise her reception evening, and Fanny played and sang, and chatted with him fully half an hour. I couldn't ask the marquise who he was, without emphasizing Fanny's con- duct. How provoking it is that there are no introductions in French society. I don't believe that Fanny herself knows his name. Then we saw him at one of the open-air conr^rfc A - ' when the marquise sent cherries in her own phae hunting party that dashed rode a splendid horse, and ^ rich hunting costume was very becoming; but then our postillion said that the party were guests of the Due de Champnoix, and of course the horse belonged to the duke's stud, and I dare say the duke furnished the hunting suits too. Where did we see him next ? I do believe he was in the same hotel with us when I was so sick at Mon- treuil. What delicious peaches those were, to be sure. There was some one there that Fanny was interested in, for I never knew her before to be so 68 BOURBON LILIES. anxious for me to get well, so that we could drive about. The marquise had impressed upon me the importance of not allowing her to go out of the house unless properly chaperoned. And then we saw him next at the French Exhibition of Pictures, which they so absurdly call the Salon. I never dare write it so in my letters for fear that my friends at home will think I am becoming an inebriate, and report all round that Fanny and I are in the habit of frequenting saloons. How dreadfully bored he did look, to be sure ! Precosia Pry, the artist, had fastened upon him, and was parading him up and down as though he were a chained tiger in a Roman triumphal procession. That must be the reason that Fanny hates Precosia so. And the Prys must know all about him ; they are the most wonderful women to find out things. A state secret would not be safe if they were in the country. I- will go down and call on them while Fanny is at the Cluny. Fanny must have known that she could find out all about her handsome unknown by applying to them, and her pride has served me a good turn in keeping her away from them. She has preferred to go mooning about the picture galleries in the hope of some day running against him. If she only knew how delightfully transparent she is ! " WHERE THE MARQUIS IS. 69 Mrs. Poser was more than satisfied with the result of her call on the Prys. "It will not be such a bad match for Fanny after all," she said to herself as she reentered her little boudoir. " A Russian count is quite as good as a French marquis, but Fanny must not suspect that I favor the affair, or even that I know anything about it. I wonder why I never suspected that he was noble. I might have known that none but the very ctme de la crime could have the entree of the marquise's receptions could any ordinary artist be th de Champnoix ? Fanny is qui strange she did not guess thai the nobility, and take fright at once. Ana now he is at Ecouen, and the Prys are going out there. Nothing to fear from them, for the more he sees of them the more disgusted he will be. Precosia will make an excellent foil for Fanny, but we must be on the ground to let the contrast appear. How fortunate I mentioned to Precosia the fancy Fanny had taken for art, and asked her advice as to a master for her before I learned that M. Orso- vitch was in Ecouen. Now our going there will not have the look that it would otherwise have had. I '11 have a little talk with Mr. Goth, too, about the artists ; he knows everybody, and can 7O BOURBON LILIES. give me all the information I need. I wonder how Fanny will take the announcement ? " The announcement when it came was received very quietly. Fanny was interested in Orsovitch, but she had no suspicion of the plot which her sister had formed, and was simply pleased to hear that for awhile they were to abandon fashionable life and betake themselves to the Vilier le Bel, a village adjoining Ecouen, where she was to become the pupil of the distinguished artist, Monsieur Robusti. She really enjoyed art, and the prospect of serious devotion to it came like a great boon to fill the dreary emptiness of her life. She had lived hitherto in the shallows, but she was fitted for life's depths, and deep indeed were the waters waiting for gay little Fanny Fitz-Flirt. CHAPTER VI. THE LOT IS CAST. Ask me no more: thy fate and mine are sealed: I strove against the st /^VF the two days whic. finding of Eulalie i, during which she was to dt sition made her, the first Wets ounaay and the second a day of considerable importance for the canton, as it was the one upon which the draft occurred, the young men of the vicinity drawing lots to decide whether they must serve in the army for the next five years. Adolph, the only child of Eulalie's aunt, was among this number ; he was the apple of his mother's eye, and she could not endure the thought of losing him for that length of time and perhaps for ever. She had found another young man who had said that if he drew a good number and Adolph a bad one he would exchange and go as substitute, in con- (71) 72 BOURBON LILIES. sideration of a very large sum of money. No amount would have been too much for Adolph's mother to give, had she possessed it, but un- fortunately, the sum named exceeded all that she had, or could possibly earn in the time demanded for payment. Her only hope now was that Adolph would be lucky and draw a good number. Still her motherly love and anxiety were such that they would allow her no rest, and she tormented herself, and all with whom she came in contact, with her apprehensions. Her conversation with Orsovitch had moreover given her a new idea, and with all the earnestness which she could have displayed had his fate been already decided, she begged Eulalie to consent to pose and help buy her cousin's ransom. She began as soon as the young men had left, as they sat down to their evening meal. " I can not, aunt, indeed I can not," was Eula- lie's unvarying response ; " I promised Amedde that I would never sit for any of the artists ; he said that he could not put confidence in any one that did." " But Amedee's own mother poses, and a better soul never lived," said her aunt, while Pere Paquerette grumbled over his soup, I'Amedee has no more sense than a baked THE LOT IS CAST. 73 owl. Don't I pose ? What would become of the artists, that's what I should like to know, if we did not ? There 's Monsieur Dansaert I 've stood for every one of his figures of drunkards. I keep that battered old silk hat of mine on purpose for 'em. I sweep out his studio and clean his brushes, and all he has to do is to slap the paint on the canvas. I rather think he owes the greater part of his success to me. and T mn glad I 've helped h to their country tc -'e th< tell you that since amount to anything painters are the admiration and stupefaction of the world ! " As Pere Paquerette achieved this period he waved his soup-spoon to heighten its rhetorical effect, and the gesture overturned and broke the water caraffe at his elbow. "Animal!" hissed his sister-in-law, between her teeth, as she picked up the broken pieces of glass. " But I forgive you," she added more pleasantly, as she took her seat at the table ; " in your bushel of chaff there is sometimes one grain of wheat, and what you just said about it being better to encourage artists, who are a harmless set enough when they pay their bills, 10 74 BOURBON LILIES. instead of the army, which brings nothing but ruin and sorrow, is all very true. It seems to me that enough of this family lie in the church-yard yonder, having given their lives to their country ; and I should not think that you, Eulalie, would be so anxious to see your cousin sent away, per- haps as a Chasseur d'Afrique, and be brought back with both his handsome legs shot off, or never come back at all, more likely." And she burst into tears before the picture her imagination drew. Eulalie's eyes were moist. " I do not want to have him go, aunt," said she; "and perhaps he will not have to do so. He has not drawn yet, and we need not afflict ourselves beforehand." " If you are so certain that he will draw a good number, why can't you let it rest on that, and just promise that you will pose if he is drafted ? That is all I ask." " Because I promised Ame'de'e that I would not pose under any conditions. " " You need not be so afraid of Ame'de'e," per- sisted her aunt ; "he need never know." " I am not afraid of Ame'de'e ; whether he knew or not would make very little difference. I should know, and I am afraid of my own con- science." THE LOT IS CAST. 75 " You are a proud girl, with no natural affec- tion. You see, Adolph, how much your cousin cares for you. You might die before her eyes, and it would make no difference to her; she would not sit an hour and let an artist copy her face to save you. And all for what ? Not because she does not wish to displease her lover she has just said that she does not care whether she pleases him or not ; no, it is only because she is too good. She sets herself up to be better than the Mere Angelique ; she does not hesitate to cast reproach on the profession of her old uncle. She is so very virtuous that I wonder she could ever have her photograph taken." And having vented all her spite, she bounced out of the room in a transport of rage. "Don't you mind, Eulalie," said Adolp^i, who had kept a discreet silence while in the presence of his mother. " I hope I may draw a bad number, I am wild to go. Nom d'un chien, I am tired of staying here in Ecouen, and working like a beast. Soldiers have nothing to do but to drink and kiss the girls ; no danger of another war in the next five years. If I should go to Algiers, I would have a chance to see the world, and I would send you some ostrich feathers for your shop. If you know what you are about, Eulalie, you '11 just 76 ' BOURBON LILIES. play sweet on old Ame'dee. He 's a regular mine of gunpowder, a fortune to own ; but you will have to keep fire out of the way or there '11 be an explosion." Eulalie's sleep was troubled that night by r ' 1 dreams of Adolph blown to atoms by the )n of a bomb, which came hissing through just missing her face, and glaring -at her me'dee's eyes as it passed, aunt refused her morning kiss, and she alone to the old church troubled in mind, inking it her duty to yield, she was so used ifice herself for others. >urs is no Christian determination," her HL. lad said as she left ; " such hardness of heart and obstinacy come only from the devil." And Eulalie replied, " I am not determined ; I am only seeking for the right, and I pray God to show it to me to-day." Kneeling on entering, she prayed for a sign, and looked for it earnestly through all the early part of the service ; but the mass was said, and the choir boys, led by the withered old man in the black skull-cap, holding the huge brass trumpet had grumbled the responses, and still none had come. She looked up wearily as a cure, a stranger to Ecouen, mounted the carved pulpit His first lap, but t Lord." h could tell wh the morrow ; u even Monsieur t. to preside over the result would be no His hands, and she was She came home with a bi. her face, the look of one whv. perplexity into the care of an. powerful enough to order all for t aunt, though never before noted for hci i^ i& i~ fervor, approved these pious convictions with a genuineness that none could doubt. Nothing was now too good for her niece, and she opened her. best pot of marmalade in honor of her decision. The day of the draft dawned clear and beauti ful. Light booths were placed along the street by sellers of cake and refreshment of various kinds, who never missed such an occasion of dis- playing their wares, but appeared as regularly as the day itself in every village of the department. Their carts, which had arrived early in the morn- ing, stood under the great chestnut tree. On the ILIES. ;ad long silver and blue icarts of gingerbread, and ariety. Two new kegs of k of vin ordinaire had been house the night before, and ^.s resplendent in her Sunday apron whose frills were as white and stiff as .gh carved in alabaster. The landlady had ipped in early to buy a fresh red rose for her nead-dress, which vied in color with her own wine-tinted cheeks. She sat behind her counter now, her fat form shaking with laughter, as she oked with the countrymen flocking in from all quarters. How the crowd thickened. Eulalie could see it all from her window : the boys in blue blouses who were to draw, buying the gaudy badges soon to be stamped with a lucky or unlucky number. Monsieur Bonenfant, keeper of the Esperance, was there with his own son, and he had promised that if the boy drew a good number he would treat the conscripts to a wine supper that evening. Little girls were selling ribbons with which to decorate the hats of the boys. Now and then one of these, mindful of Eulalie, would step into the shop to buy his ribbon there, and have her fasten it upon his hat for him. THE LOT IS CAST. 79 Adolph had said as she arranged his : "There are only thirty to serve for five years. I will hold up my number as I go past the door, and if it is over thirty you will know that I am exempt. There go the gendarmes ; how handsome ! are in their dark blue uniforms laced with and their great cocked hats and black must Maybe I will be a gendarme some day, } horse of my own, live in a fine house, an< like them." As to the last clause, it was all likely, for Adolph's beardless face was c<- with freckles which matched in tint his locks, and gave promise that the mustache, when it did come, would be of a like fiery color. " Des rubans !" shouted the little badge-ven- dors ; " d cinq sons les ntbans ! " Eulalie tried to control her nervousness and go quietly about her work. She set herself to arranging 1 the articles in the little window, though her eye continually sought the street. Old Martin le Maladroit, the town crier, was beating his drum to attract atten- tion, and when all was quiet for a moment, began to read his proclamation in a high, cracked voice. Eulalie opened her door and listened. "Avtsf" said the little man, peremptorily giving three final rolls to his drum. "Avis ! Tottt le monde est prfvenu que les jeunes gens qui sont 80 BOURBON LILIES. inserts four la pour la mer horizontale ' ' H ere le Maladroit was interrupted by a shout of laugh- ter from the crowd, and adjusting his spectacles, and grumbling that the notice was very badly written, he made another trial. " Qui sont inserts pour Tannfe me'ridionale" The hubbub that fol- lowed was still more wild, and le Maladroit was obliged to beat his drum for a long time before order was restored, and he was allowed to inform the jeunes gens, who, he had at last discovered, were enrolled for I 'ann/e territorials, that their names would now be read, and the lots drawn. It was only a few minutes afterward, though it seemed an age to Eulalie, that she saw Monsieur le Sons-pr^fet standing on the steps of the mairie at the end of the street, announcing the result of the draft. She could not bear to watch them any longer. It was all decided now; and yet she would not know for several minutes the chance which might mean so much for her, and she walked over to her aunt's work-table and began to bring order out of the confusion which reigned there. She wound each bobbin of cotton as carefully as though her fate depended upon the neatness with which her task was done, and afterwards folded and assorted a number of little shirts and slips THE LOT IS CAST. 8l small enough for some child's doll, tying them with narrow blue ribbon before she laid them in a large flat box, for they were the various articles for a layette which had been finished the week before. Her aunt was a very skillful needle- woman, and as the department of linen wear in Eulalie's establishment was not an extensive one, she managed it nicely. One by one Eulalie's fingers caressed the dainty little garments : she toyed with the tiny cap, looking down lovingly upon it, not because she admired its delicate embroidery, but as she might have looked if there had been a baby's face within its satin ribbon border, and the baby had been her own. Some- thing of the look her aunt understood, it was so plainly written, for she said : " I will make a layette a great deal handsomer than this one for your first baby. There, hear the noise ; it must be that all is decided." The two women flew to the door. The boys were forming in line in front of the mairie, and now came marching down the street to the sound of le Maladroit' s drum, which one had seized. One of their number led the way, flourishing a ribbon-decorated stick as he danced nimbly back- ward, facing his company. " It is Adolph ; how glad he looks ; he must have -drawn a good num- 82 BOURBON LILIES. ber," said his mother. " There, he is holding up his Hat to us. Can you read it ? The wind blows the ribbons so. Ah, it is 50 ! There, I ou so : he is exempt ! And you have had icroics for nothing Don't you wish you ien a iittle more willing to pose, now there leed of it > ou are mistaken, auni," said Eulalie quietly; not 50 but 30, the very last number among if ted But there, do not look so distressed , '! ort go. tor I will pose." CHAPTER VII. THE LED A. But evil is wrought by want of thought, As well as want of heart HOOD. r I^HE next day Eulalie came, and no profes- sional model could have posed better. She took easily and gracefully every position given her, and kept it with the immovableness of a marble statue. This did not prevent her talking, however, and Van wondered that he had thought her face sad, it lighted up with such cheerful enthusiasm as she gave the explanations she had heard of the windows in the church. Had they noticed the one next to that of Our Lady of Seven Sorrows ? It was Odet de Coligny, nephew of the Due de Montmorenci, in his scarlet robes, for he was a cardinal. " Only," said she, " it was such a pity he turned Calvinist after the window had been placed there by his uncle, and disguised as a sailor crossed the Chan- nel in a little row-boat, and sought refuge in (83) BOURBON LILIES. England. Nobody knew then what to do with the window ; it was too bad to destroy so hand- some an ornament, and yet no one wanted the portrait of a heretic in the church. At last some one solved the difficulty by placing Adam and Eve driven from Paradise in the sashes above his head. And to show that Mother Church was very pitiful, and would welcome back her erring children, they added the design of Christ seeking the wandering sheep upon the dark mountains of sin." There were other legends and bits of history, but this, heretic as Van was, interested him most. What mattered it that there was every evidence that all the sashes of the window had been placed at one and the same time ? The appropriateness of the designs was almost enough to vouch for the truth of the story. When it grew too dark to see to paint longer, Orsovitch gave Eulalie a gold piece, and told her that the next day's work would be easier, as he had decided that he wished only to paint her face, and she might sit all the time. "And may I bring my flowers?" she asked. " I can work at the same time, and I promise you not to move." " I hardly think you will be able to work,- >aid THE LED A. 85 Orsovitch, " but you may bring them, certainly ; we can at least try." As she turned to go she passed the little book- case, and paused a moment to examine the books. " If there is anything there you would like to borrow," said Van, " you are welcome to it." Her eyes sparkled with delight, and she laid her hand on the great History of France. " May I take this ?" she asked ; "you are too good, and I have read so little history." Orsovitch studied his sketch long after Eulalie had gone. " I don't know what to do with it," he said ; "there is material there for a picture, and I must use it ; now, the question is, as what ? " In a startled look in the beautiful, dreamy eyes he had caught the expression with which she looked up when he first suggested her posing ; but the exquisite pale cheek was dimpled with the smile which had flickered upon it as she told her legends. Van lighted the lamp, and Orsovitch brought forward his portfolio of sketches and studies, and looked them all over vainly for a subject. He lingered awhile over some studies made at the Cluny Palace, of steel armor of the fifteenth century, inlaid with gold and silver. " She would make a good Jeanne d'Arc," said he ; " she has just that mysterious superhuman air 86 BOURBON LILIES. of inspiration, and the contour of* her face is something like the bas-relief in the Orleans Museum ; though to my mind, after all, the only satisfactory ideal of Jeanne d'Arc is the one rendered by the Princess Marie in her statuette in the same collection, and I fear the subject is too difficult for me as yet." And he began turning over the canvases placed with their faces to the wall. There was one made in a life school at Paris, a study from the nude. Orsovitch had displayed immense care and remarkable taste in the flesh tints. The little study was really an exquisite bit of color. The model must have been a wo- man of uncpmmon beauty, and Orsovitch had subtly idealized her. He had painted the figure as reposing upon a green bank, in an attitude at once remarkable for its grace and the difficulties which it presented in foreshortening difficulties nobly overcome by careful drawing and masterly modeling. . The study had been much admired, and would have made a charming picture had it not been for the face, which was repulsively common, even vulgar. It was for this reason that he had set it aside, not even caring to work up any accessories to it, leaving a square of un- covered canvas in the right-hand corner of the picture. THE LEDA. 7 " Eureka ! " exclaimed Orsovitch ; " only imagine a swan in the foreground, and this face, with all its fascination and fear, instead of that brutal thing, and it would make my fortune as a Leda ! Hold, what do you say, Van ? " for his companion was silent " I do not think it the right thing to give Mademoiselle Eulalie's face to a nude figure," Van replied ; " I am positive she would feel insulted." " She need never see it/' replied Orsovitch, "nor need any one who knows her. I have an amateur in ,my mind, who will be in Paris this spring. I am sure this will suit him, and it will be shut up at once in his private collection in Russia. Now, where 's the harm ? " " I would not do it," persisted Van. "Pooh!" exclaimed his friend half angrily; "one must think of one's own interests some- times, and this cannot possibly injure our little model." And Orsovitch proceeded to erase the face already upon the canvas. The next morning Eulalie came with her materials for flower-making. She worked for a wholesale house in Paris, she said, and furnished her own little shop at the same time. She had plucked a number of natural flowers as she passed BOURBON LILIES. through their garden, and she now proceeded to imitate them. " These are not for my patron," said she ; " I have so long wanted to make a wreath for Our Lady of Seven Sorrows in the church, but I have never felt that I could spare the time until now. They are to be all lilies, purple and white like these," and she showed the sweet-scented white lilies and the stalks of royal fleur de Us. As her deft fingers clipped and joined the bits of violet velvet and satin, she said : " I think dark blue the most beautiful color of all. The violet is the imperial emblem, you know, and our family are all Bonapartists, though .of itself I think the Bourbon lily the more royal flower." " Purple always suggests mourning to me," Van said ; "but it is very becoming to you, made- moiselle," and taking down a volume of Ruskin, he translated for her what the art critic says of color. " I mean," said Eulalie confidentially, " as soon as I can afford it, to buy a dark blue English vaterproof, with a capeline to go over my head so. I wish I could have it for the Ecouen fete, but that is impossible." " When is the fete ? " asked Orso\dtch. "The first Sunday in next month, and Ame'dee THE LEDA. 9 has promised to make me dance every set. My aunt is making me a new white dress, and we wil' have such a merry time. The fete is very beau- tiful, messieurs ; you should go to see it." " Who is Amede'e ? " Van asked ; and he was not at all surprised when she replied, " The guard at the Chateau de la Chasse." " He is a strong, well-built fellow," said Orso- vitch ; " he reminded me of the Antinous at the Louvre. He carries his dog-whip as though it were a rapier. Altogether a handsome young man, though it strikes me that he may be the possessor of a remarkably bad temper." " He is a little difficult, that is, sometimes," admitted Eulalie; "but you should know his mother, la Mere Angelique such a heavenly old lady." " I have heard," said Orsovitch, " that it matters little what sort of a wife one has, provided one's mother-in-law is agreeable : is that your theory, Mademoiselle Eulalie ? " Eulalie colored deeply, and Van, to hide her embarrassment, said quickly, " She must be quite a contrast to the other village women, for as far as I have met them, La Gazette is a good type, and her match for malice I have never seen else- where." 90 BOURBON LILIES. " La Gazette has a grown-up daughter," said Eulalie, " whom she has proposed to the Mere Angelique for Ame^tee. She is to have a dowry of five hundred francs. Some of the peasants are quite rich, while we bourgeoisie are as poor as the noblesse" (Pride of caste cropping out even in the poor modiste?) " Has Gazette's daughter a tongue like her mother?" asked Orsovitch. " You know her, I think," replied Eulalie ; " she is La Poissonniere." "Yes, I know her," retorted Orsovitch, "and I know her to be a remarkably impudent hussy. I would not take her, if I were Amedde no, not with any dowry. Why is it," he continued, addressing Van, "that selling fish renders the voice more harsh and discordant than any other calling. I never knew a fish-wife whose voice did not resemble the shrill shriek of ocean birds ; that of our poissonniere is peculiarly startling, it curdles the marrow in my bones every time I hear it. I fancy that no human utterance, not even the cry of the African bushmen, can be less musical." Turning to Eulalie, he added, " You need not come to-morrow, child, for I am going to Paris to make a study of a swan ; but be sure not to fail me the day after." THE LED A. 9 1 "By the way," said Van, "have you begun that history yet ? " "Oh, yes!" replied Eulalie, "I read two can- dles out last night." " Then tell me all about it. We will have a regular class, and you shall recite to me each day." Eulalie, delighted with the idea, gave at once a correct r&um/ of what -she had read, which Van supplemented with the events of the same epoch occurring in other countries, and the second day of posing passed even more rapidly than the first. CHAPTER VIII. LA MERE ANG^LIQUE. Scanty goods to her had been allotted, Yet her thanks rose oftener than desire, While her long fingers, bent and knotted, Fed with withered twigs the dying fire. GEORGE S. BURLEIGH. "\ 7"AN knew the Mere Angelique well. He had not said so to Eulalie, because he hoped she would go on talking about her, for he loved to hear her talk. Her opinions were so naive, and yet so sensible withal, for she had received a more thorough education at the Maison Eugenie than at first appeared ; she was well-read as regarded French literature, and knew much of the world, through her experiences at the flower manufactory at Paris ; and yet, withal, she was marvellously * innocent and child-like. Van had a host of sisters, and was dubbed brother by many girls at home who were not his sisters, and yet he had never known an American girl who was like Eulalie. It seemed to him that (92) LA MERE ANGfiLIQUE. 93 she was ignorant of everything which they knew, and that none of their accomplishments com- prised the graces of mind and manner that made her so attractive. Of the two types Eulalie's had the charm of novelty, and he resolved to become thoroughly acquainted with this new phase of character, never thinking that it might prove to him a dangerous study. " She will always be young," he said to himself, "and our girls are world-worn and disgusted with life at eighteen. What will Eulalie be like at eighty ? The Mere Angelique?" And suddenly the old woman acquired a new interest for him. Orsovitch had gone to Paris ; the day stretched before him a dull blank in contrast with the lively chat and pleasant companionship of yesterday ; why not get the Mere Angdlique to pose for him, and from her garrulous good-nature find the key to the problem that was interesting him. He really wanted her, too, to assist him in realizing an ideal for a picture that had long been haunting him, and he placed upon his easel a study of an autumnal landscape, made the fall before. He intended to call the picture " Ready for Har- vest ; " it would represent an old woman whose face should be nobly expressive of duty well performed, and of calm, even triumphant look- 94 BOURBON LILIES. ing forward to the last enemy already overcome. She would be seated at the roadside, her pilgrim's staff in her hand, the harvest fields stretching away in the background, and sere leaves flecking the ground about her, while she waited for the reapers. One of these should be known to be approaching, from the shadow of his scythe which the slant beams of the morning sun threw at her feet. From Frere's school Van was fast drifting into one of sentimentalism. The transition was a natural one. Frere has been rightly called the Head of Sympathetic Art ; but his sympathy is always frank, sincere, found first in nature itself, and represented with delicacy of feeling, but with little of idealization. Never does he invent a touching story and then pose his models to enact it ; never is there the slightest trace of affectation in any of his most touching pictures. They are realistic, discovered, not created. It was for his pupil, George Boughton, to carry his art one step further and to take his place, as by preeminence, the painter of sentiment. Van had been greatly moved by his Bearers of the Burden, which he had seen lately at the Academy, and by Passing into Shade, earlier and still more touch- ing, painted, probably, under the green arched LA MRE ANGELIQUE. 95 avenue leading to the Chateau de Montmorenci. He was walking now in Boughton's path, though later he came to recognize that Frere was grander in his simplicity and perfect truth. Van was in the romantic period of life, and he gave to inanimate nature and to human faces meanings which they never possessed. He paused now before the little gate lodge of the Villa Adeline, where Mere Angelique lived, and looked through the wrought-iron gates at the mediaeval-looking gray old building beyond, half-covered with ivy, and surrounded, by a wilderness of bright flowers which, from April to November, contrived always to present areas of brilliant bloom, and wondered what had been the history of this old mansion, and whether the Mere Angelique was identified with it. " I will get her to tell me its legends," he thought; "it will not do to talk of Eulalie all the time." He rang the bell, and Charlotte appeared. Charlotte was the village " pot-au-feu " girl, who, twice a week, made her rounds with herbs and vegetables for soup, in an odd willow " hptte" or basket, which she wore strapped across her shoulder. And Charlotte tells him that the Mere Angelique has been gone these three hours with the modiste, who keeps the little shop on the square, for a day's excursion to the Chateau de la Chasse. 96 BOURBON LILIES. Van is disappointed, but averse to losing the day. "Then can you pose for me, little Char- lotte ? " " Very easily, for Anethol, who is here to-day at work in the garden, will mind the gate ; but then, the Mere Angelique has left Mimi in my charge." " Mimi can come too, and we will go to the forest." And on their way, and in the merry green-wood, the children chatter like two happy and noisy robins ; and Van, though he finds Charlotte a very provoking model, retaining scarcely for an instant the same expression or position, finds much to interest him in their childish prattle. Charlotte tells him that Mimi and she are not really sisters, but both waifs, adopted by the good Mere Angelique, whom she calls grand'mere, and who feeds and clothes them from her own earnings. In the intervals of posing, she is studying her catechism, in prepa- ration for her first communion ; and when Van asks her the questions, she answers confidently to "Who killed our Saviour, Jesus Christ?" " Les Juifs, les princes des pritres et les Parisiens." (The Jews, the chief priests, and the Parisians !) Looking at the book, Van found the mistake as slight in words as in point of fact. The LA MERE ANGfiLIQUE. 97 Pharisiens (Pharisees) meant nothing to her, while she knew the Parisians were not friends to Christ. Now they play hide-and-seek behind the trees, repeating a round equivalent to the "Onery- twoery-ickery-an " of American children, and of which the following is an almost literal transla- tion : Marguerite of Paris, Lend me your slippers gray, To guide my feet to Paradise On this sunshiny day. We will see the little birds That Jesus made of clay. Each evening in the chapel old He lights the candles without doubt Bread, Pipe, Bridge of gold, The prettiest child goes Out! "You seem to love the little Jesus, my child," said Van. " Oh, yes ! " replied Charlotte. " It was He who helped me to sell my violets." "Tell me about it, my little one." " It was at Argenteuil, before we came to live at Ecouen. We were poor ; oh ! so very poor. Grand'mere used to work in the fields, and I went with her. Mimi had not -come to live with us 13 98 BOURBON LILIES. then. Coming home through the woods grand'- mere would tell me stories, though she was very tired. She is so very kind. One evening I had my apron filled with flowers, which I had picked on the way ; and, as I looked up into her good face, I wished that I could do something to help her. Just then we passed the crucifix that marks the beginning of the village, and I saw that some one had hung a garland of early violets about it. ' They are blessed flowers,' said grand'mere. And, all at once, the thought came to me that I would sell violets through the month of May, for that is the month of Mary, when people buy them for the altars. So the first of May I told grand'mere I did not want to go into the fields any more. And she said I might mind the house, if I chose ; and, leaving a bowl of milk for my breakfast, and some knitting for me to do while she was gone, she went away alone. Every day, as soon as she was out of sight, I would run into the woods, pick my violets, and make them into little bouquets with ivy leaves. I would leave the prettiest one before the sacred relic in the church, and then hurry into Paris, and sell my flowers on the steps of Notre Dame des Victoires." " What relic have they at Argenteuil ? " asked Van. LA MERE ANGfiLJQUE. 99 " Monsieur has not heard then of the tunic of the infant Jesus, which grew with his growth so that his blessed mother never had to make him another ? " Van had not heard of it. Was she sure that this was the authentic tunic ? And how large was it ? " Oh, yes indeed, for plenty of miracles have been wrought by it ; it was large enough for a boy five years old ! " " Then it could not have grown any more after that, and Christ's mother did have to make him another." " Oh ! yes it did, monsieur, but this is as it was when he and it were little ; but monsieur must not put me out. I never had a bunch of violets left after four o'clock, it was the tunic which made them sell so well, and as I carried my knitting with me and did my work on the church steps, grand'mere, finding my stint always done, never suspected that I had been away. But the last of the month came and closed the market for flowers for the Virgin. There was one gentleman who always bought two or three bunches, and on that day, seeing that I had been crying, he asked me what was the matter. When I told him, he said, ' Never mind, little one, 100 BOURBON LILIES. perhaps something better wiH happen next' When I reached home, I found grand'mere there before me. I was afraid she would ask me where I had been, but she did not, for there were other women there and they had brought Mimi, a little red thing, all wrapped in flannel. They said her mother was dead and they wanted grand'mere to take her. ' I would,' said grand'mere, and the tears stood in her eyes, ' but I have no money to buy her milk.' ' Oh ! yes you have, grand'mere,' I cried. ' Keep the little mimi. [You see I did not once think it was a baby, but supposed it was a kitty they had wrapped up there.] I have money enough to buy milk for two months, and she can catch rats after that.' And I ran and poured all my milk money big sous and half- franc pieces into grand'mere's lap. 'Where did you get this money ? ' said she, looking very serious. Before I could say a word the gentleman who had bought my flowers, and who had followed me home without my knowing it, entered the house and told the whole story. Then he said, ' I am an artist and live at Ecouen, though I have a studio at Paris too, and spend a great deal of time there. I have a large garden and no time to attend to it myself. There is a little house with it too,' and he offered grand'mere very much LA MfcRE ANGfiLIQUE. IOI money to go and be his gatekeepeer and gardener. So that is why we are here, for it was M. Dupin- ceau, and he gave us part of the" land to culti- .vate for ourselves, and I sell all that we raise from it." "A very touching story, little Charlotte," said Van ; " and does the Mere Ang61ique love the little Jesus as much as you do ? " "No; Grand'mere is not pious. She hardly ever goes to hear mass. She says she thinks as did the great duke, who built the castle on the hill yonder. When he died, the priest wanted him to think of religion ; and he said, ' Mon pere, do you think I have lived eighty years with honor, not to know how to die in a quarter of an hour ? ' Grand'mere is not pious and Monsieur the Cure says she will go to purgatory some day. I like to go to church. See what I gained at the last church lottery ! " (And she held up a little silver medal.) "He did not give me the ribbon, though. I had to pay four sous for that. Monsieur the Cur6 has lotteries once a week to make the people come to vespeis. Without that they would not come, even if he had the Angelus rung all night. I shall celebrate my first com- munion soon, and that will be beautiful ; one is all in white, with a crown, like a bride ; I will IO2 BOURBON LILIES. pose for monsieur afterward in my new dress, if he wishes. I shall wear it to the fete. I like fetes almost as well -as mass, because we dance there. Do they dance on fe* te days in America, or only on Sundays ?" The question is a puzzling one, and Van does not attempt to answer it, and Charlotte wanders on : " I have posed for lots of pictures, but not for so many as the little Jesus ; in every church I was ever in there are two or three with him in them. I wonder whether the artists always remembered to give him his two sous ? " As this seems to be a mild hint to Van, who is strapping up his colors, he acts upon it immedi- ately, and Charlotte trudges away, singing a song of Lucien Gothi's, which Van has often heard from her before, as she passes through the village vending her vegetables, and which might be ren- dered thus : "Little Charlotte Sells echalote, Laurel leaves for the brave, And sage for the grave; Thyme, that gives us gray hairs, Leeks, that weep for our cares. She has in her kotte All you need for your pot; Then come, buy garlic and echalote. LA MERE ANGELIQUE. 1 03 Only one of the Breton market-girls; But her onions are clustered orient pearls, Each carrot a golden ingot. Her radishes, red as my lady's lips, Or as slender and pale as finger-tips, Like kisses, are spicy and hot. 'Stead of flounces and ruffles, rainbow-hued I have mushrooms and truffles, fresh and good, To keep me from turning cocotte. Instead of a silken trailing gown, There jauntily droops from my shoulders do-wn- A peasant's light willow hotte. Never fancy for that I am happy the less, Selling my parsnips, my parsley and cress; Only look now how briskly I trot Buy, then, of my salad, it costs but a sou, I Ve given my ballad for nothing to you, The ballad of Little Charlotte." CHAPTER IX. FIRST COMMUNION ROSES. Life was a play, and yoar hands grasped after the roses of heaven I . . . Love is atonement With God ; but love among mortals Is but an endless sigh I He longs, and endures, and stands waiting ; Suffers, and yet rejoices, and smiles with tears on his eyelids. LONGFELLOW'S CHILDREN OF THE LORD'S SUPPER. A S Eulalie entered her little shop with the twi- light, after her second day at the studio, her aunt started, and ran the needle with which she was embroidering into her finger. " There ! " she exclaimed with a grimace, " but that is droll. I was thinking of thee, and expecting thee ; I said to myself when the clock struck, She will be here soon, and here I start when thou comest, as though I had seen that which is impossible.'* "That is because you are tired, aunt. Have you had many customers; shall I light the candles ? " (104) FIRST COMMUNION ROSES. IO5 " Yes and no ; that is to say, I .have been deluged with business, every idle person in the village has been here, and I do not want any candles. Thy dinner is waiting for thee, and after thou hast finished, Adolph shall bring chairs, and we will sit out of doors under the great chestnut tree ; we can see if any one comes, an*l it is gayer there. "And now," she said, as her needles clicked briskly over the knitting with which she always replaced her sewing when it was too dark to see, "and now I will tell thee who has been here. In the first place, Monsieur le Cure*." " Monsieur le Cure ! what could he want ? " " That is evident enough. The children have been saying their catechism to him for a month past ; they will be ready soon for their first com- munion. There are a great many girls this year, and they will want their wreaths of white roses. M. le Cure has always taken an interest in thee, and he said there was no reason why the girls should not buy their crowns of thee, instead of going to Paris for them, as they did last year, or to the milliner's at Vilier le Bel, who gets most of the churches' custom simply because she has dedicated her shop to St. Didier, and has a painting of the archbishop in his robes, with his 14 106 BOURBON LILIES. pointed hat and hook, over her door. And M. le Cure" wished to warn you in time, that you might have a good stock on hand a dozen and a half for the village girls, and three dozen for the pupils at the chateau. It is a large order. Thou shouldst make enough from the communion this year to pay for thine own wine and A me" dee's for" " Don't talk so, aunt ; thou knowest I do not want to make money by it. I would give them their crowns if I could," and the tears crept to Eulalie's eyes as she thought of the beautiful procession : the boys with their curling hair uncovered, carrying the long tapers and chanting as they went ; followed by the girls, modest little brides, all in white, with their long veils, sweet, "tremulous lilies," under the fluttering violet banners, escorted by the dignitaries of the church in scarlet and lace and gold and satin. How they were met on the bridge over the castle moat by the ladies of the Company of Jesus, with their charges scattering rose leaves and singing, Then the service in the castle chapel added to that in the old church ! She would not gain a penny by the roses, if only she might enter with the procession and renew her vows with them. " What makes thee so silent, Eulalie ? Here are five minutes that thou hast said nothing." FIRST COMMUNION ROSES. "I I did not mean to be silent. Did any one else come?" " Did not I tell thee that every one came ? The next was the Mere Angelique. ' Eulalie is at Paris,' said I. La Gazette, who was buying some jet beads (she wanted me to take three yards of passementerie that her daughter made in pay- ment, but I made her pay for it in heavy copper ; rich as she is, I say it is shameful), La Gazette, who heard what I said, snapped out, ' What omnibus did she take ? I was washing win- dows all the morning at the Hotel du Nord, and I did not see her go.' I could have bitten her, but I pretended not to hear, and the Mere Angelique went on to say that to-morrow is Amedee's fete day,* and it would please him if thou wouldst spend the day at the Chateau de la Chasse." Eulalie opened her eyes in astonishment that the Mere Angelique could suggest such a breach of French propriety. Her aunt saw the look. "Ah, never fear; it is all right. She is to come and fetch thee, and will bring thee back. Thou wilt spend the whole day with her, and thy uncle Paquerette will go * Birthday of patron saint ; celebrated in France instead of one's own birthday. 108 BOURBON LILIES. too. She invited me also, but I must stay to mind the shop. I will send Adolph to tell the artists that thou canst not come to-morrow, for this is the more important." " No need of that, aunt I have to-morrow as holiday already ; and, aunt, I will tell Ame'de'e that I am posing ; I shall have plenty of good opportunity. He may be angry, but he ought to know." " That shalt thou not," cried her aunt angrily. " What ! wouldst thou give me the lie ? Did I not say that thou wast at Paris ? Besides, child, even if he forgave thee he would not suffer thee to pose any longer, and though the artist has been generous, yet, hast thou not earned my Adolph's ransom ? Oh ! promise me, my child, to wait until thou art married, then tell him all thou pleasest ! Eulalie, Eulalie, am I not right ? " " You are right, aunt ; Ame"dee would not wish me to pose again. I have promised you to earn the money, and you may rely upon me." "Tell me about the artists. What dost thou think of them, and which dost thou like the best?" " I like Monsieur Van best." "That is the tall and black? " " No, that is Monsieur Orsovitch." FIRST COMMUNION ROSES. IOO, " But he is the handsomer ! ", " Yes, but Monsieur Van is the better." 5 Monsieur Orsovitch is not then good ? What has he ever said to thee ? " " Nothing ! I 've no doubt he is good, aunt, but I like Monsieur Van best : he is more like one of us. Monsieur Orsovitch belongs to the high noblesse. Then Monsieur Van knows so much ; his wife will be very lucky, for she can study all her life with him, and how nice it must be to have a husband who knows more than one's self." Eulalie's aunt would have enjoyed questioning her further, but the conference ended here, for a neighbor stopped near them to chat. The next day seemed to Eulalie the happiest one of all her life. Mere Angelique came early. Pere Paquerette had on a clean blouse and his best cap, and he offered politely to carry the old lady's immense lunch basket, which attention Mere Angelique declined, for she was by far the stronger of the two. Eulalie filled her work- basket with a drift of snowy petals, for she meant to commence the first communion roses while at the chateau. The morning air was exhilarating, and as soon as they left the village she gave free vent to the frolicsome mood which possessed her, HO BOURBON LILIES. and ran and gamboled like the child she was. Life seemed a long play-day to her, and she so very young, the years must be interminable ere she should reach the age of those two plodding on so slowly and yet so blithely. " Sapristi ! " said Pere Paquerette, " the child must have a balloon instead of a heart, it is so light." "In place of my head, more likely," laughed Eulalie ; " that is empty enough, while the young man coming yonder is enough to fill any girl's heart, however large." It was quite true, Ame'de'e was approaching, with sincere delight illumining his handsome, but usually gloomy, features. He kissed Eulalie, after his mother, in the formal way permitted to French lovers, and then walked by her side up the avenue leading to the chateau. What a day it was ! Never before had they had any quiet and confidential talk about the future. Like all French engagements, theirs had hitherto been a very formal affair, with no delightful intimacy or exchange of thought and experiences. To-day they talked to their hearts' content. Mere Ange"lique and Pere Paquerette were there without being there, their presence scarcely noticed by the happy lovers. FIRST COMMUNION ROSES. Amed^e took them out to row upon the lake, and Eulalie sang a duet with the echo. They fished, roamed the forest for early wild flowers, and explored the chateau, where Am6dee showed them the room which he had fitted up for Eulalie. " It is very beautiful," said she ; "let us sit here for the rest of the day, I could never tire of it." Am^dee looked happier and handsomer than ever. " I was afraid you might be lonely and homesick here," he said. " Oh, never ! for you would be here ; and, see, I should still have my work," and, opening her basket, she showered him playfully with snow- flakes. "Aunt will still keep the store, and I know you will be willing that I should supply her with flowers. I can gain nice little sums that way. And I mean to make you an apple-tree before ' winter, Mere Angelique," this to the old lady, who was broiling the fish in the next room, "a little one that you can set in your window, so that passers-by shall stop and say, ' How many fagots does the Mere Angelique burn, that she has an apple-tree in blossom at this season ? ' I shall make it natural enough to deceive the wisest of them, be he an ancient gardener like Pere Paquerette." " Why don't you make her a Napoleon peach- 112 BOURBON LILIES. tree, such as I had when I was gardener at Montreuil ? " said the old man. " I trained it against the south side of a stone wall. It had eight branches ; the first ran up, slanted down, and then shot up again, that made the N; the second slanted up and down and twisted around, that made the A ; and so on with all the letters. Nom d'un chameau ! but you should have seen it in blossom. Many are the fine people that came to see it. One veiled lady in an elegant coup6 carried away some of the blossoms and left a gold napoleon in my hand. I have always believed " here his voice sunk to a mysterious whisper " that it was the empress ! I had rare flowers in that garden : white lilacs that I blanched from cuttings from purple ones by a process that no one else knows, and sold them in winter at a price to take the eyes from your head. Ah ! if I only had a little garden now, like yours, Mere Angelique, I could make all our fortunes ! " " I think Mere Angelique would prefer the fleurde Us to your Napoleon peach," said Eulalie. " She may have some that I have been making lately. Monsieur Van says that violet is the most perfect of colors, because it is made from red and blue, the two most beautiful ones." " Who is Monsieur Van ? " asked Ame"dee, but FIRST COMMUNION ROSES. 1 13 before Eulalie could reply, crafty Pere Paquerette spoke up. " She means Monsieur Van Tromp, the Flemish cheese merchant, who raises tulips and has one famous one that is almost black. Eulalie stopped to look at it in his window, and he came out and asked her if she could make a flower like that. Why, it was no more fit to be put in the same box with Eulalie's flowers than one of my sabots." Eulalie flushed with shame and vexation. Was she never to free herself from this network of falsehood? Pere Paque- rette's subterfuge brought her forgotten secret to mind again, and she longed to tell Ame'de'e, frankly, the whole miserable story. If it had been her secret alone, she would have done so. Amedee looked at her admiringly ; how beautiful she looked, sitting within the recess of the stained window, " Amid heraldic shields and banners set In twisted knots and wildly tangled bands, Crimson and green, and gold and violet, Falling so softly on her snowy hands," as she twined her roses. " Tell me the history of all those devices," said Amedee ; " I think you learned everything at the Maison Eugenie." This with a touch of envy in his voice ; it was the only hint of peasant boorish IS 114 BOURBON LILIES. ness of which he was capable, this distrust and dislike of superior education. Eulalie' s wider experience of Parisian life, though only as sales- woman in a flower store, combined with the natural instincts of a lady, more than the learning of books, had placed her upon a higher plane than Am6dee's. If one is quick to perceive, the streets of Paris will give a wider education than the halls of most universities. Slow as he was of perception, Amedee saw this, and while he was proud of her superiority it pained and angered him at the same time. " I did not learn much at the school," said Eulalie pleasantly, " only what I will teach you in one winter if you care to learn. But since I have known you and this old chateau, I have been reading all the history I could lay my hands on ; it is, oh, so interesting ! " and Eulalie ran into an enthusiastic history of the Montmorencis ; "and just to think!" she added, "it was a daughter of that very Charlotte de Montmorenci who nearly made the war between France and Spain, by running away with the Prince de Conde" to Brussels. It was her own daughter who married William of Orange, and he is Mr. Van's hero ! " " I don't think it was any great match," said Mere Ang&ique, " that a daughter of our castle FIRST COMMUNION ROSES. 1 15 should marry a friend of that Dutch cheesemonger, Van Trump, and an orange peddler at that, I believe you said." Ame'dee saw Eulalie's confusion, and, thinking that it was occasioned by his mother's brusque- ness, changed the subject. " You shall teach me all you know when we are married, Eulalie. I have a thick head, but I believe you could make a stone learn, and no task that you could set me would be too hard for me to perform for your sake. You shall make of me just what you see fit. I am glad you know the most, for now it is right as well as my wish that you should rule in everything." They sat apart. Mere Angelique and Pere Paquerette were unpacking the lunch- basket and setting the table ; in the clatter of the dishes they could not hear what was said. Was ever any girl so happy, thought Eulalie, as she answered, "I shall try to help you all I can, Ame'dee, but I am not so wonderful as you think ; you will be surprised, too, to find what a naughty girl I am ; you must be ready for fearful revela- tions when we are married." " Do you suppose our married life will be at all like this ? " " I suppose it will be just like it, Amede'e." "Then it will be a sacred communion," said the young man solemnly. Il6 BOURBON LILIES. Eulalie nodded, with tears in her eyes. " I hope it is not wicked," she said, " but the same thought has been in my mind all day : this is our first communion." After the dinner, Mere Angelique said, " Sing some thing, Eulalie ; we must be going soon, or it will be dark before we get out of the forest." And Eulalie sang, to an air by Niedermeyer, that sad love-song of Lamartine, The Lake, which loses so much by translation : I. Toward shores unknown forever wafted, Borne on through the darkness without return, Fateful darkness, On the Lake of Ages anchored never. II. O ye silent rocks, forest and lonely water, Whom time spares, rejuvenates or passes, Ye are changeless. Moanedst thou thus in the year that a-gone is. III. Swept the wind thus thy waves to her dear feet, And I come to thy shores again lonely. Changeless Nature ! Keep at least the souvenir of that eve. IV. That thy winds which murmur, reeds that sigh, Faint perfumes, obscure forest and lake, may One word utter : Love, it, too, is eternal and changeless t CHAPTER X. THE VILLA ADELINE. I could not love thee, dear, so much, Loved I not honor more. RICHARD LOVELACE. ' /^\N the morning succeeding the events which have been described in the last two chap- ters, Van received a note from Orsovitch, who had not yet returned from Paris, saying that the painting of the swan, which he was making, in- terested him so much that he should spend another day upon it, and asking him to inform Eulalie that she need not call at the studio. Having accomplished this errand, Van again asked himself in what way he should occupy the day ; and again his thoughts reverted to the Mere Angelique. What little Charlo'tte had told him had interested him in her for her own sake ; this time, too, he was more successful, and, having seated her in a sunny angle of the garden, he began the picture to be entitled Ready for Harvest. "7 Il8 BOURBON LILIES. It only needed a word to set the old lady chatting. Van was a favorite of hers, and she hardly ever came to pose without bringing him some trifling present. Once it had been an ancient Delft-plate, with a gaudy painting of a tulip upon it ; at other times, a cream-cheese in a tiny heart-shaped dish, a cabbage-leaf of straw- berries, or a small nosegay. Van began the conversation by telling her how much he had enjoyed his day with the children. "But Charlotte tells me," he added, "that you are from Argenteuil, and have only lately come here, while I had supposed you one of the oldest inhabitants of Ecouen." "And so I am," said the old woman, proudly ; " I was born and brought up in the same little gate-lodge where I live now, and only went to Argenteuil when I was married." "Then the house has been in M. Dupinceau's family ? I had fancied from something he said that he bought it only a few years ago." " M. Dupinceau's family live in another part of France ; he is only a new-comer, but he respects the old house, though he has not so good a right to it as I have, for my family have been ser- vants there ever since it was built. Ah ! many grand people have lived there first and last. THE VILLA ADELINE. I have heard my father talk a deal of Mademoiselle Adeline, the first owner ; it was built for her more than a century ago. She was a comedienne at a theatre in Paris, but very rich, and enter- tained a great many noble people at the villa. Wild parties from Paris would drive through the village long after midnight, waking everybody up with their laughing and their singing, bring- ing Mademoiselle Adeline back from one of her triumphs. And then there was a hurrying and scurrying of the servants, and dinner to be got for from ten to twenty people, without the least warning, at four o'clock in the morning. She could not stay rich long that way, monsieur knows, for she threw the money that she earned out of the windows. But my father never would hear a word against her ; and, indeed, there was none ever spoken, for she was as generous to the poor as to her friends in higher rank, and they have named one of the streets for her. She was pious, as well as charitable. In the park there stands a little chapel, with stained glass windows, which was Adeline's oratory ; they use it for a summer-house now, and the ladies take their sewing there, and read novels and play chess, and sometimes M. Dupinceau smokes a cigar there, how wicked Adeline would have I2O BOURBON LILIES. thought them ; and they sometimes speak as if she were wicked, and I think both are good. When the Revolution of 1789 came, and the church was pillaged and turned into a temple of reason, I have heard my father say that Adeline would have nothing to do with the new order of things. She sent the village painter to cover the windows of the church, inside and out, with a coat of whitewash, and that saved them ; they would have been stoned if the committee from Paris had seen the saints ; I don't know why, I am sure, for I never heard but the saints were decent people enough. The altar orna- ments, the relics, and the vestments were taken and sold at auction. The chief treasure of the church was a crimson velvet banner, richly em- broidered in gold by the Princess Anne Palatine of Bourbon. Adeline bought it, and used it as an altar cloth in her little oratory, but it disap- peared with- her, and we never heard of it again till one day M. Dupinceau bought it of some one in Montmorenci, who had it made up as a fire- screen, and knew nothing of its history. M. the Cur6 saw it as it was brought through the village, thought he recognized it from the church records, and called on M. Dupinceau, asking him to give it back to this church ; this M. Dupinceau would THE VILLA ADELINE. 121 not do, and M. the Cure cursed the house and all within it ; and this is, perhaps, the reason that so much of sorrow has happened there in time past, though all has gone merrily of late." " Who lived in the house after Adeline ? " asked Van. "Ah ! you must go to Pere Paquerette for that story. It was one of Napoleon's generals ; he had a daughter at the School of the Legion of Honor at the chateau, and he died with Pere Paquerette's father, at the Invalides. The old man is never tired of talking of Napoleon, canaille that he was ; but the next owner of the villa belonged to the real noblesse. It was the Comte de Champnoix, who came to Ecouen with the Restoration. He entertained the allies Prussians, Poles and English in his house, and brandy flowed like water. Ah ! those days come within my own remembrance ; but he kept the house furnished in the style of the Empire, as General Hautcoeur had left it, except a few rooms that were arranged in the style of Louis XVI., in honor of Adeline, and the comte liked those rooms best. Adeline's chamber was left with the same furniture that it had in the time of the comedienne, a great square canopied bed, big enough for six people, and mirrors all around in 16 122 BOURBON LILIES. every wall, and mirrors set into the floor and ceiling. We always prepared this room for the comte when he sent word he was coming, for he lived most of the time in his grand hotel in Paris. His wife hated the country, and never came to Ecouen. I saw her once when I went in with the donkey to carry vegetables to the chef de cuisine for the family. She was just stepping out of her coach, and, though she was very finely dressed, I could not help thinking that she was the most disagreeable lady I had ever seen. I think the comte used to be glad to get away from her, and come out to Ecouen for a little rest and quiet ; but it was not often that he could do so, for he was court chamberlain to the king. We were glad to see him come, for the great house and park were lonely enough when there was no one there. One morning I was placing a fresh bouquet of fleur de Us on the little stand under the tall portrait of Adeline in the white salon. We always placed Bourbon lilies somewhere in the house when the comte was at home, on account of his political notions, for the comte did not care for flowers for their own sakes. He had arrived the night before, and came into the room as I finished placing the bouquet. " ' What are you thinking about, Angele ? ' THE VILLA ADELINE. 123 said he, for I had stopped a moment, not know- ing he was there, and was looking at the lovely portrait. Mademoiselle Adeline was a very beautiful woman ; in the picture she wore a light- blue velvet dress, which fell straight to her feet, without hoop or flounce, or fold or wrinkle of any kind, very narrow and smooth, and trimmed around the bottom with light gray fur. It had the tiniest little corsage, hardly big enough for a baby, and from it her white shoulders mounted up, up, like a white rose bursting out of its little thimble of green. " ' What were you thinking about ? ' said the comte again, touching me under the chin with the tip of his finger. " ' I was envying Mademoiselle Adeline her beauty,' said I; 'but I hardly fancy, after all, that she was as happy as we are when you are here.' " ' Ah ! ' said the comte, slowly, taking both my hands ; ' then you love me a little, Angele ? Truly, now ? ' " ' Oh ! a great deal, Monsieur le Comte,' said I r 'we all love you a great deal.' " ' Well ! that is curious,' said he, letting go my hands, and walking to the window. ' Is it pos- sible that any one can love such an old bit of 124 BOURBON LILIES. leather as I am, so tough that the surgeons have thought best not to hack at me any longer. How old are you, Angele ? ' and the comte took a large pinch of snuff, so large that he had to wipe his eyes after it, and did not notice that he put the snuff-box into his pocket without screw- ing on the cover, which he had let fall. " ' Eighteen, Monsieur le Comte,' said I, and I ran to pick up the cover for him, for the comte had a wooden-leg, though he was none the less handsome on that account I used to think it made him all the more stately. As I handed him the snuff-box cover, a gold oval with a coronet of diamonds, he said, " ' You need not have envied Mademoiselle Adeline; you are every bit as beautiful as she, Angele. It is only dress that makes the dif- ference. How would you like to have just as fine clothes as she had, have this house and park ill for your own, as she did, and a coach to drive out in whenever and wherever you liked ? Perhaps I should come oftener and stay longer if you were suited with such a plan, little Angele, and could promise me to love me, not only a great deal, but better than any one else in the world.' " ' I don't know, Monsieur le Comte,' said I. ' I love you very much ; but then, I love Emile :iIE VILLA ADELINE. 125 du Lac too, and I have promised to marry him, and I am afraid he would not like it.' " ' Ah ! ' said the comte again, thoughtfully, ' I did not know that you were betrothed. But you could give him up ; could you not, Ang61e ? Come, choose between us. Which do you love the most ? This Emile is a handsome fellow, I suppose,' and the comte looked at himself in the glass. " ' Oh, no ! Monsieur le Comte,' said I, hur- riedly ; 'he is not nearly so handsome as you. 1 " ' He is young, then.' " ' Yes, Monsieur le Comte.' " ' And poor ? ' " ' Yes, Monsieur le Comte.' " ' Ah ! then he has the advantage of me. And you love him best ? Come, now, don't be afraid to say so.' " ' Oh, no ! Monsieur le Comte,' I said, sob- bing ; ' I love you best, you are so good and so so magnificent.' " ' Then you will say to Emile that he may marry whom he chooses, and that you do not care a button for him.' " ' But that would not be true, Monsieur le Comte.' " ' Come, come, what a funny little Angela 126 BOURBON LILIES. you are. Then will you leave it to me to decide for you, since you cannot decide for yourself ? ' " ' Yes, yes, Monsieur le Comte, for my head is all in a whirl, and you are so good and know so much, you will decide it best.' " And so he did ; for, though M. le Comte was called a very worldly, godless man, God spoke to his soul then, and I think the Evil One must have been so astonished by his reply as not to dare to speak for his soul when he died. What he said next was, " ' Then wait here just a moment, and I will be back.' When he came I knew his step, but I did not look, for my head was buried in my arms on the sofa. ' You left this matter wholly for me to decide, Angele ? ' he said. '"Yes, Monsieur le Comte,' I replied, rising, and trembling so that I could scarcely stand. " ' I have just had a talk with your father about Emile du Lac. He says that he is a very honest fellow, and that he would have no objections to your marrying him if he were not so poor. So I have arranged all that, and provided some em- ployment for him at Argenteuil. I should rather you would not live just here, Angele, you under- stand, where I should see you all the time after you are married. I have tried to decide for your THE VILLA ADELINE. 1 27 best good, my child. Name one of your children for me, so as not quite to forget me ; and so, good-by.' "The comte held out his hand to me, and I covered it with tears and kisses. He drew me to him, and said earnestly, ' I have not been selfish, Angele ; God knows it is because I love you that I have decided thus.' "That was a long time ago, Monsieur Van, but I have held for the Bourbon lilies ever since, for I have thought if a simple comte could be so noble, what must the king be. And I named my only son for him, Ame'dee, and wrote to the comte that I had done so. He did not forget him, for in his will he desired his nearest kinsman, the Due de Champnoix to take him into his service. Ah ! the old noblesse could never do an ignoble thing. I wonder, monsieur, if there is any real nobility nowadays ? " Van did not answer, but the lesson had sunk deeply into his heart. He wished that Orsovitch had been there to hear it with him, and somehow after it he could not ask the old lady, as he had intended, to gossip about Eulalie. CHAPTER XI. GATHERING CLOUDS AND FLOWERY PATHS. Come, show us the rose with a hundred dyes, The lily that hath no spot, The violet deep as your true love's eyes, And the little forget-me-not BARRY CORNWALL. "\ T 7 HEN Orsovitch showed Van the swan wh' he had painted at Paris, the young man was delighted. The whites were treated in a masterly manner, and contrasted charmingly with the warm carnations of the figure ; but what especially struck him was the carriage of the swan's head and neck. There was something snaky in the curve, the head was drawn back, as though in act of striking, and the eye, too, was that of a serpent, fiery red. While praising the execution, Van remonstrated again with his friend against Eulalie's face appearing in the picture. Argue as Orsovitch might, Van had still the same unconquerable aversion to what he called an act of sacrilege. To turn aside the dispute, which was becoming (128) CLOUDS AND FLOWERY PATHS. 1 29 almost angry, Orsovitch opened a package and shook out a handsome waterproof cloak, navy blue in color, and ornamented richly with passe- menterie. " Don't you think she will be pleased ? " he asked. " I shall give it to her over and above the daily five-franc piece we agreed upon." The next morning, just before Eulalie came, two handsomely dressed American ladies, guided by the garc_on from the village inn, tripped up the stairs and fluttered into the studio. Orsovitch had just placed his Leda upon the easel, but on catching sight of the visitors he replaced it in the cabinet with the smothered ejaculation, " Shades of the mighty ! Van, there are those St. Denis Americans." Van had quite forgotten the incident Orso- vitch had related at their meeting, but seeing that his friend was disturbed, he stepped forward to receive the ladies. The elder regarded him with a stony stare through her spectacles, and remarked, " We were told that this was the studio of the Count von Orsovitch." The younger lady, who also wore glasses, but of a more jaunty type, raised them and slowly surveyed the apartment. At the end of her scrutiny she gave an affected little squeak ; 17 130 BOURBON LILIES. " There he is now, Pauline ! " and dashing fonvard she seized Orsovitch's hand, which he had not offered, and gave him the exuberant greeting of an old friend. Pauline, following in the wake of her sister's flounces with a more dignified stride, opened her card case as she passed Van, and presented him, with dignity, a small card, on which was inscribed, " Miss Precosia Pry and Sister." The sister was the senior, but Miss Precosia was a " professional," as Pauline Pry ex- pressed it, and as a matter of business her name was mentioned first. " And why have you never called on us, my dear count," said Miss Pauline. " I am sure Precosia sent you word where we were staying, and she has painted the most mag- nificent picture, something really extraordinary, so pronounced by the best of judges. It has been very favorably noticed by the press, too. Here are a few clippings in regard to it." Miss Pauline did not say that all of these notices were written by herself, but she presently informed Van that she had come to Ecouen to write up the artists, and depended upon him to take her round and introduce her. Orsovitch, who was anxious lest Eulalie should arrive, remarked, at the same time glancing at his watch, that it was a thousand pities, but he had an engagement CLOUDS AND FLOWERY PATHS. 131 for the day, and ought really to be away at that moment. " Oh, that is of no consequence," said Miss Precosia, " we shall be in Ecouen for a week or two, and if you are too busy mornings you can take us around afternoons ; and, my dear count, you really must spare me a day in Paris to look at my picture." "What is the subject?" asked Orsovitch. " Oh ! the subject is Russian, and you are sure to like it : The Battle on the Road to Iliali. All the officers are from portraits. Prince Eugene, especially, is said by a friend of his to be wonder- fully life-like." " I shall certainly call and see it," said Orso- vitch ; and Van, who could stand it no longer, tore a leaf from his sketch-book, wrote rpon it, " N~e montez^pas encore, Mademoiselle Eulalie ; il y a du monde" and hastening through the garden, twisted it between the bars of the little gate. Eulalie was not in sight. " She will see this when she comes, and wait in the garden," he said to himself ; " it would never do for those prying creatures to see her here." When he returned to the studio they were still talking, though Orso- vitch had edged them politely to the door. " And, my dear count," Miss Precosia was 132 BOURBON LILIES. saying, " one doesn't paint battle scenss five yards square, and go to all the trouble that I have gone to for data and that sort of thing, merely for one's own pleasure, you know." " Indeed ! Then I am to understand it is an order?" " By no means ; I'm sure I wish it was ; the picture is only fit for some gallery or a very large private collection, and I have been thinking that perhaps you might have some influence with the Emperor of Russia. I should like ever so much to sell it to him. I could afford to let it go quite cheap, the mere fact would be such a card for me, you know." " I am not personally acquainted with the emperor," stammered Orsovitch, for once thrown entirely out of his self-possession by his intense surprise. " But I dare say you have some friend who is. I see you are busy now, and we '11 talk it over some other time, after you've seen it, perhaps. Au revoir." Shortly after they left, Eulalie came in, look- ing white and frightened. " You read my note, I suppose," said Van. " Your note ? No, m'sieu ; did you give it tc La Gazette for me?" CLOUDS AND FLOWERY PATHS. 133 " No, indeed ; I wound it about the gate. What made you think I could do such a foolish thing as to trust it to that harpy ? " " Because I met her a little way from here ; she had a crumpled paper in her hand, and smiled so maliciously as she bade me good morn- ing, that I felt sure something had happened." "And she frightened you so that you did not see the note, that was all ; I will run right down and get it for you." But the note was not where Van had placed it, nor could he see it anywhere upon the grass. It was very strange, for there was no wind, and he wondered what could have spirited it away. When he reentered the room, Eulalie had donned her new waterproof ; she had thrown the hood over her head without re- moving the little white fichu which she usually wore out of doors. She saw by his empty hands that Van had not found the note, and an expres- sion of despair came into her face. " Oh ! keep that pose and look for one in- stant," he cried ; " it is exactly that of Our Lady of Seven Sorrows. Orsovitch, lend me your model for only one hour, that 's a dear fellow ; let me simply block in a sketch ; " and, seizing his palette, Van painted rapidly what might have been taken as a copy of the figure in the church *34 BOURBON LILIES. window, with the face restored and glorified. The fleur de Us of two days before were lying faded at her feet on the model stand, and he painted them too. When he had finished, he showed her his work. " It is the Virgin herself," she said with awe ; " how I wish I might have a copy of it" " Keep it, if you like," said Van ; "the picture is too sad a one for my liking ; and see, I have gayer souvenirs of you," and, opening a sketch- book, he showed her some twenty drawings of her head taken from different points of view, and giving varying phases of expression. "While Orsovitch has been painting, I have been busy with pencil," he said. "You are welcome to the Mater Dolorosa, since I have these." "Thanks m'sieu," replied Eulalie; "I shall frame it with a wreath difleiir de Us ; I made too many the other day for my garland for the Virgin." As she laid aside her cloak, and folded it, her eye was caught by the embroidery. " But this is curious," said she; "this is the thistle pattern that Sidonie la Poissonniere invented. She is the only one who makes it here ; " and she pointed out the graceful curling leaves and tassel-like blossoms. "It may be that it was she who made this," CLOUDS AND FLOWERY PATHS. 135 said Orsovitch, "for there was an old woman in the same room of the store where I bought it, whose face looked strangely familiar ; and, now I think of it, she must have been La Gazette. The girl who sold the waterproof joked about its being for my true love, and the little old woman looked at me so sharply from over her great basket, that I noticed her." " It was she," said Eulalie ; " she told my aunt that she was to take her work to her patron yesterday." A cloud seemed to have come over them, and conversation languished. " Please tell us some of your legends," said Van. " I do not think of any now," she replied ; "but I will sing something, if you wish. I am making some white flowers to-day, you see- they are roses for the young communicants ; and when these are finished, there is an order for Madame Robusti's fete day, and, if you like, I will sing you a song about the flowers." The following may serve as a translation of Eulalie's song. The witchery was all in the singing and the singer: 136 BOURBON LILIES. FLEURS STANCHES. White flowers, white flowers, all flowers among, Camellias, jasmine, roses ; 'Tis for the pure, the loved, the young, Each sweet bud opes and closes. White buds, on mossy beds at rest, Like children's heads on mother's breast, Sweet innocents, that bloom beside Red flowers of passion and of pride, Ye have not felt the thorn regret, Nor known the canker-worm, as yet ; But shine, like stars, 'mid leafy gloom ! Tis for the young white roses bloom. The jasmine blossoms, faintly sweet, Tell of a bliss not yet complete ; Midst leafy dusk, like maidens coy, They hide their sweetness and their joy ; And secrets, told by orange flowers, Are safely kept in jasmine bowers. O rare, sweet buds, shedding perfume, Tis for the loved ye breathe and bloom Pale altar lilies, stately fair, What garland lies beside you there / Their petals 'neath the taper's light, Than hands that hold are not more white, Those waxy hands on satin laid, Whose soul was whitest God e'er made. O marble flowers, on marble tomb, Tis for the pure camellias bloom ! White flowers, white flowers, all flowers among, Camellias, jasmine, roses ; Tis for the pure, the loved, the young, Each sweet bud opes and closes. CLOUDS AND FLOWERY PATHS. 137 The song seemed to have dispelled the cloud, for, after they had thanked her, Eulalie said : " This reminds me of the work-room at the fleu- ristes in Paris, where I made flowers after leaving the Maison Eugenie, until I came to Ecouen. We used to sing that song often, though there was only one of us whose specialty it was to make white flowers, and that was little Marie. She was the picture of innocence, that child, in her long-sleeved, high-necked apron, filling a basket like that with great branches of white lilac ; you would have thought her an angel, she looked so sweet and saint-like, with her great aureole of blonde hair, and, meanwhile, she was the completest little hypocrite that ever lived. She slept in the same room with Mademoiselle Ernestine, the forewoman, who had the keys of the great safe where the money was kept. Our house was a wholesale one, and did business with England, Russia, and America, and some- times there was a great deal of money in the safe. Mademoiselle Ernestine had been in the house thirty years, and was known to be perfectly trustworthy ; but the money began to go all the same, and no one could find out the thief. Monsieur the head of the establishment was for making a great fuss, calling in the police, and 18 138 BOURBON LILIES. discharging all the employes ; but Mademoiselle Ernestine said, ' Just wait awhile ; discharge no one ; wrong-doing is always discovered, if you let it alone long enough.' But it was hard to wait patiently, when, regularly every night, a five hundred franc note slipped away. We were all very anxious that the thief should be found out, for, of course, until that was done, we were all suspected. But, dear me, one can never judge by appearances. There was Reinette, whose specialty was roses, but who had anything but a rosy path through life, poor girl. She was the handsomest girl in the establishment, and one of the most skillful. She would go to one of the flower markets every day, always on the look-out for roses. She invented the creamy roses folles, that made the success of the house one year, worn with a long, drooping ostrich plume on a Rubens felt hat. She seldom made but one flower a day, but it was always something new, in exquisite taste, and with a style of its own that no one could give but she. She never made anything that was not chic, though everything was copied from nature, gloire des batailles, or a triomphe de Luxembourg, or a spray of tender wild roses and sweet briar. Then she would hand it into the work-room, where the girls would CLOUDS AND FLOWERY PATHS. 139 copy it, and turn out, each of them, a gross or so a day. She had a salary which ought to have kept her out of temptation ; but she was known to be in trouble about this time, and often came to the room with her cheeks white and her eyes swollen. Mademoiselle Ernestine watched her narrowly. Such a head as that woman had she ought to have been prefect of the police, or a gendarme, at least. She followed Reinette to the markets, and from the keepers of the flower- stands found out her secret. There was an artist a fan decorator who used to come to the stalls, too, to paint flowers. He was very clever, and made lovely fans. I have seen them for sale at the Palais Royal wreaths and gar- lands and bouquets, on satin and gauze. They brought very high prices ; and he told Reinette that she could make more money painting flowers than by copying them in her way, and that he would teach her, ah, gentlemen, you artists are not all good ! and now he had gone away, nobody knew where, not even Reinette. "Mademoiselle Ernestine next suspected Zizi, a girl in the mourning department, who had a past which made her an object of suspicion. She had been a ballet girl at the Gymnase, but she fell from the flying trapeze and broke her leg, 140 BOURBON LILIES. and her profession was closed for her. But mis- fortune could not take away Zizi's love of fun ; she was always playing mad pranks, and would come stumping down the stairs, with her little crutch, faster than any of us, making more noise than a detachment of recruits in sabots, and sing- ing, with all her might, Pattes de Velours, or else Peau de Satin, which was just as inappropriate, for she had a complexion as black and rough as the husk of a walnut. We always liked to hear her coming, and would say to one another, ' There is Zizi ; now we shall laugh.' Working over mourning goods never made her sad ; she ridiculed everything, pain, crime, love, happi- ness, and death itself. Mademoiselle Ernestine always looked at her out of the corners of her eyes, for she had played a practical joke upon her once. About this time, Paris was thrown into a furore by a certain mysterious Mademoi- selle de Barcelone, who had rooms at the Grand Hotel, from which she issued at six o'clock every evening, to ride to the Bois de Boulogne, in an elegant coach, lined with pink satin. It was said that she was very beautiful, and that she wore magnificent costumes and jewelry. She had a box at the Opera Comique, where she appeared at each Sunday or Saturday night representa- CLOUDS AND FLOWERY PATHS. I4 1 tion, attired in a resplendent toilette. People said, too, that she was carrying on a flirtation with the leading actor, then the handsomest man in Paris. All Paris was interested. Some said she was a princess in disguise ; some, an adven- turess. The papers discussed her, and we over our work discussed the papers. Zizi was always the most interested. 'More news about old Barcelone,' she would say ; ' depend upon it, she 's an impostor. So much the better. Vive la bagatelle ! ' One day she read that the mys- terious lady had bought a five thousand franc ring at the Palais Royal, destined, no doubt, for the fortunate actor. When Mademoiselle Ernestine heard this, her eyebrows contracted. On the night preceding the purchase of the ring, five thousand francs had been abstracted from the safe. The coincidence in the sums was re- markable, and Mademoiselle Ernestine thought if the nightly deficit was to be raised from hun- dreds to thousands, it was high time the thief was found. 'What is peculiar,' said Mademoi- selle Aglae, the workwoman who, next to Made- moiselle Ernestine, had been longest in the estab- lishment, and enjoyed the reputation of being the greatest fright, as Reinette did of being the beauty, ' what is very peculiar is, that this fine 142 BOURBON LILIES. lady never appears until after five in the after- noon. She may live a very different life the earlier part of the day, just as if one of our girls should take a fancy for that kind of mas- querading, and should leave the house every afternoon at four. She. would have time to de- scend from her room at the Grand Hotel, take her drive, return to it, and be back here before the doors were closed ; and Saturday and Sunday evenings all the girls have to themselves.' "'A very ingenious idea,' said Zizi, 'so in- genious that no one could possibly have con- ceived it, except the one who executed it also. Mesdemoiselles, we have before us the borrower of the funds of our firm, and mysterious Made- moiselle de Barcelone, standing confessed, in one and the same person, Mademoiselle Aglae ! ' " Everybody screamed with laughter, for, as I have said, Mademoiselle de Barcelone was said to be strikingly handsome ; and the idea of poor Mile. Aglae', with ~ her thirty-eight years, her skeleton figure and projecting teeth, taking the part of this enchanting myth, was too ridiculous. Mile. Aglae was usually quite oblivious to jokes on her personal appearance, but this one, with its hint at theft, made her furious ; she seized a great pair of shears, and there would have been CLOUDS AND FLOWERY PATHS. 143 trouble, had not Mademoiselle Ernestine taken them away from her, saying gently, ' Come, come, my good Aglae", you are above suspicion, and your idea is worth attention. There are only two girls who leave at four o'clock : little Marie, who takes her old mother to the oculist every afternoon to have her eyes treated ; and Zizi has never given any reason, except that she could work more rapidly than the rest, and preferred, when her work was finished, to amuse herself by a promenade.' " ' Then it lies between you and me, little Marie,' said Zizi defiantly. " Marie did not reply directly, but, turning to Mademoiselle Ernestine, said, ' I am told the mysterious lady walks with a limp.' " ' When the mysterious lady next appears, she will have a black eye,' shrieked Zizi, throwing the ink-bottle, which stood on Mademoiselle Er- nestine's desk, across the room, cutting an ugly gash on Marie's forehead, and spoiling the bridal wreath she was making. Mademoiselle Ernestine came toward Zizi with a very peculiar expression upon her face, and, taking her by the arm, led her out of the room. Some time afterward, Marie whispered about the news that Zizi was locked up with her work. ' We shall see now,' she added, 144 BOURBON LILIES. 'whether Mademoiselle de Barcelone takes her usual drive, and appears in her box at the opera this evening.' Later I heard Mile. Aglae, who had been sent to see, report that her coach drew up in front of the Grand H6tel, and the coach- man said he had orders to call for her, but Mademoiselle de Barcelone was not in her room. Another peculiar thing was, that for several days while Zizi was in confinement, no money was taken. Then Mademoiselle Ernestine thought she was sure of her affair, and she had Zizi arrested, though Reinette and I persisted, with all our might, that she was innocent. Zizi proved, at her trial, exactly where she had been on every afternoon ; and others testified that Mademoiselle de Barcelone had been seen in public since her imprisonment, though she had never gone near the Grand H6tel. The dresses which she had left there could never have fitted Zizi ; and all who had seen the mysterious lady asserted that no disguise could have made Zizi resemble her. " Suspicion next fell upon Mademoiselle Agla6 herself, not as having anything to do with the Barcelone affair, but as being the thief. It was started by her behavior in throwing suspicion on Zizi, and was confirmed by her giving up her CLOUDS AND FLOWERY PATHS. 145 position in the house, and taking passage for Martinique, immediately on Zizi's arrest. She was very much provoked at being detained for the trial, and Mademoiselle Ernestine felt sure that at last she had found the real culprit. But no ; that, too, was satisfactorily explained. Mile. Aglae" had received an offer of marriage from an old friend. It must be that women are very scarce in Martinique, or he would never have thought of her. Naturally she was impatient to be off. Her department had been that of field flowers. She would search the woods from spring to autumn, and came back from the country with a herbarium in a shawl-strap, and a botanist's can full of ferns and mosses, grasses, cones, and all sorts of wild flowers, with sprays of ivy, and other vines. It was greatly owing to her skill that wheat flowers and scarlet cockles, vio- lets, and buttercups, and daisies became so fash- ionable for spring wear. One cannot have all the good gifts ; and if one is lacking in one direction, it is often made up in another. Mile. Aglae" was homely and clever, studied botany out of working hours, and knew thoroughly all the wild flowers of France. Lately I have heard that she has written a book on the flora of the country where she lives." 19 146 BOURBON LILIES. "And was this thief never found?" asked Orsovitch. " Oh, yes. Just as I began to think that it was my turn to be suspected, I was walking through the street on which is the Hdtel Drouot, when I saw a very large photograph in a window, and I said to myself, ' Tiens, how much that looks like our little Marie!' but I saw that it could not be she, for the lady was dressed, a la grande dame, in white satin and point lace. I told Mademoiselle Ernestine, and the next day she went with me. ' It is Marie,' said she. The photographer said that it was the celebrated Mademoiselle de Barcelone, but that she had never called for it. And so Marie was found out, for her mother had never had anything the matter with her eyes ; and every afternoon Marie had gone to a room which she had rented in the Latin Quarter, changed her work apron for a waterproof and bonne's cap, gone out and made purchases, which she said were for her mistress, and which she carried to the Grand Hotel. No- body noticed her in the halls, there were so many servants, until she descended the grand staircase as Mademoiselle de Barcelone ; and yet, the child had the face of an angel, with her fluffy blonde hair, her sweet blue eyes, and, above all, hei CLOUDS AND FLOWERY PATHS. 147 innocent expression ; and she was only sixteen years old ! How I have run on. You should tell me not to talk when I weary you." "You interest me very much," replied Orso- vitch. " It is growing late ; but to-morrow, when you come, tell me some more stories of your friends' lives. They introduce me to a class of society new to me, and to which I had never before given a thought." CHAPTER XII. SOME HIGH SOCIETY. "The first was dressed in rose-red silk, And the second in velvet green, The third in satin as white as milk, Would their souls as white had been." T)APA Robust! was a painter whose reputa- A tion was made in a single picture, received at the Salon, well hung, medaled and purchased by the government. He might have gained a fabulous income, had he been a hard worker. The picture dealers clamored for his paintings, and he snapped his fingers at them. Amateurs flocked to see him, and he entertained them right royally, listened to their honeyed words of compliment, but sent them empty-handed away. Madame Robusti and Corinne, who would have liked a larger margin for spending-money, wept and entreated ; but his reply was ever, " I have achieved one success ; I know better than to follow it up with a failure." And so Papa Ro- (148) i.W Angeles, Cal, SOME HIGH SOCIETY. 1 49 bust! never followed it up with anything, but lived a life of elegant leisure on the interest of money placed in certain safe though inartistic investments. The day on which Eulalie had posed for Orso- vitch, and had told the histories of the flower girls, was Mamma Robusti's fete day. The young men had received much kindness from the worthy lady, and, according to established custom, had pre- sented themselves at her house on the previous evening, to offer their compliments and two enor- mous bouquets. Van, whose unlucky blundering pursued him like an avenging spirit, carried a bouquet composed of white lilac, white hyacinths and tube roses, and learned afterwards that Madame Robusti was afflicted with a sort of chronic hay fever, and that all of her friends were particular to give her only scentless flowers. What made the mistake doubly unfortunate was the fact that in France white flowers typify youth or death, and such a gift to a lady of over sixty summers was, in either light, a decided imperti- nence. But Madame Robusti loved foreigners, and easily forgave their mistakes ; she spoke a little English, and usually managed to have sev- eral Americans at each of her receptions. All who called in acknowledgment of her fete were BOURBON LILIES. invited to a dinner on the following day. As soon as Eulalie had taken her departure the young men commenced their preparations for the even- ing. " Sport your white tie and lightest gloves, Van," said Orsovitch. " This is a dress affair, and we are likely to meet some high society. I should not be surprised if my friend, the Due de Champnoix, were there. You must look your best, for little Corinne will have all the dandies of her acquaintance to compare you with to- night." Corinne was the daughter of the house, and Van had found himself often in her society during the past winter. Time was when the remark which Orsovitch had just made, uttered when he was performing the delicate operation of shaving, would have occasioned him two or three cuts, but now he went through its performance with a tolerably steady hand. The Robustis lived at Villa La Joyeuse, in a neighboring village, a lordly piece of property, though not kept up in its former grandeur. The house, an elegant mansion in the style of an Italian villa, dated from the year 1500, and was situated in the midst of a magnificent park. Van, while he envied Orsovitch the grace with which he bowed himself into the immense white salon, already partly filled with guests, to render his SOME HIGH SOCIETY. I 5 * own bashful awkwardness less conspicuous, en- tered in the wake of an excessively dressed lady, and, occupied by the phenomenon of seeing him- self reflected and re-reflected five times in the grand Venetian mirrors, and in thinking what a good lesson it was in perspective, got himself hopelessly entangled in her train and a Persian rug, which slipped about on the polished floor as though it were bewitched. He did not fall, but felt himself grow very red in the face during the process of disentanglement. Not so the lady, who was perfectly mistress of the occasion, and who said, languidly, " You are an American, are you not ? So glad ! Will you be so good as to take me up to the mistress of the house ? I don't know her at all, and my giddy little sister has run off with that horrid Mr. Goth. I 'm Mrs. Poser from Chicago, but she wont know me by that name. Say, please, that I 'm Miss Fitz Flirt's sister ; Fanny it> one of his scholars, at least, she brings hei pictures to him for criticism." As they passed through the room, Van caught a glimpse of the Misses Pauline and Precosia Pry. " There are two of our compatriots," said he. " Perhaps you are acquainted with them." " I ! " replied Mrs. Poser, " why, I make it a point 152 BOURBON LILIES. never to know Americans ; I consider it just so much valuable time wasted. I came abroad to learn the languages, to have the advantages of foreign society, to to well, not to get ac- quainted with my own countrymen. Fanny has hosts of American friends, chiefly young gentlemen. She can't help it, they will find her out ; and she is so impulsive that she don't discourage them, as she ought. There's that Mr. Norman Saxon Goth, that she is talking with now ; he is such a great traveler, and so very cosmopolitan, that, really, I don't object to him ; but, I assure you, it is a great responsibility to chaperone such an attractive girl as Fanny." After presenting the lady to his hostess, Van found himself for an instant by the side of Co- rinne. She was dressed very simply and prettily in white muslin, and let her eyes fall modestly as he approached. She had only monosyllabic re- plies for all his remarks, and never ventured an idea of her own. He had always found her so ; always the white dress, always the modest falling lashes, and sweet silent lips ; but then, Mamma Robusti's volubility left no room for conversation, and her quiet seemed refreshing in contrast. To-night, as he plied her with one leading ques- tion after another with the same ill success, he SOME HIGH SOCIETY. 153 asked himself if her silence were all diffidence or partly stupidity ; then he grew angry with himself. Would it be any better to be pertly and impertinently forward, like Precosia Pry, or insinuatingly familiar, like Mrs. Poser ? Which did he prefer, American or French society ? He did not answer the question, for his thought flew to another French girl, and he felt sure that her bearing in such a company would be different from either type. He was awakened from his reverie by the announcement of dinner, and by Mamma Robusti's whispered permission to take the dear girl down. In the general procession he found himself just behind Orsovitch, who was escorting the young lady whom Mrs. Poser had pointed out as her sister, and whom we already know as Fanny Fitz Flirt. Their conversation floated back to him, and, as he and Corinne had nothing to say, he could hardly help listening to it. " So you have seen Miss Precosia Pry's grand picture," said Orsovitch ; " what do you think of it ? " " I think it the most remarkable bit of mosaic I ever saw." " Mosaic ? I hardly comprehend." "Well, I dorit mean album of contributions 154 BOURBON LILIES. from friends. I won't say that another artist than Precosia has ever touched a brush to it, but every idea, every object in the picture is copied and stolen. If the cards of the artists who have indirectly contributed to that picture were strung rosary fashion, and tied to it, the whole affair would resemble a kite with the most extraordi- narily long tail conceivable. Perhaps it does not come strictly under the head of artistic forgery, but, for my part, whatever faults a picture has, I ask that it should be original. * Do see it your- self, and tell me if the general composition of the picture is not taken from No. of the battle scenes at Versailles, if the sky is not a direct copy from one of Theodore Frere's, if the first sketches from which the horses were painted could have ever been drawn by any oae but Du Cheval they are so badly painted that the original fine sketching is almost obliterated, but one can see perfectly that the one who colored so wretchedly could never have drawn the first out- lines in so masterly away. And then the Asiatic types, they are taken directly from young Le Maure's sketches last winter among the Arabs. As for foreground studies, and the wounded and dying men, the figures betray too 'much fine fore- shortening and knowledge of anatomy ; some of SOME HIGH SOCIETY. 155 those sharp-drawn features were sketched in the morgue and at the time of the Commune, and Precosia Pry never did it. The picture does not hang together at all." " Behold how you Americans love one another," said Orsovitch, sarcastically ; and then Van lost him in the confusion of looking for names on the comic dinner cards, indicating the place of each guest. The floral offerings of the night before orna- mented the table. In front of Van stood a graceful basket of magnificent purple and white lilac. " What perfect flowers ! " was his excla- mation. "That was Miss Fitz Flirt's gift," replied Corinne ; " they ought to be perfect, they are not natural." "Yes; are they not lovely?" chimed in Mrs. Poser, who sat opposite. " My sister had them made to order by the little milliner at Ecouen ; she makes exquisite things ! " " She has made a great many flowers for me," said Corinne. " I have one party dress trimmed with roses en deux tons" " Two tons of artificial flowers ! Surely not on one dress," exclaimed the astonished Van, while the working of Corinne's face told plainly her BOURBON LILIES. intense d-ts re to laugh ; she only conquered it by continuing the conversation : " It was a great deal prettier than the dress I have on, though mamma bought this at Worth's, touteconfectionnte" Van glanced at the young lady's attire, half expecting to find it garnished with bon bans, and, in his surprise at not seeing any kind of con- fectionery upon it, for the first time in his life attempted a French joke. " I hope you got it at a prix donx" said he ; but Corinne did not understand, and, somewhat piqued at the impli- cation of cheapness, devoted herself to her coffee, and made no further attempts at chat. After the dinner, Mamma Robusti took his arm, and upbraided him for not having called oftener ; gave him pleasant little details of their last sum- mer at Biarritz, and promised that after one or two other ladies had kindly given them some music, Corinne should " sing for him an Ameri- can ballad which a so pleasing foreigner whom they had met at the seaside had taught her. There were very many Inglees at Biarritz, and they were all enchant^ with the ballad, which was very a la mode in America." Van listened with high expectation to the first notes struck on the little upright piano by modest Corinne. He expected to hear " Home, Sweet Home," or SOME HIGH SOCIETY. 157 the "Last Rose of Summer," and was hardly able to preserve his gravity when Corinne sang, with much pathos and dignity, " Oh ! vare, and oh I vare, Has my leetle tog gone." "Why do you smile ? " asked Mamma Robusti. " Is there anything in that song not suitable for a young girl to sing? You Americans are so very free. Ah ! if the dear girl knew that she was singing anything improper she would cry immediately, she is so very sensible." (Mamma Robusti meant sensitive, and Van fortunately understood her.) "Do you know all these American ladies ? " she rattled on, partly in French and partly in English ; " one sees so many more of them nowadays. I suppose it is because the opening of the Suez Canal shortens the voyage. Am I not right ? " There was something so appealing in the little woman's ignorance, that Van could only assent that it made a very considerable saving in distance, provided one went that way. " If she can only forgive my blunders," he thought, " I am sure I can hers, funny as they are." At this point Papa Robusti invited several of the gentlemen to his studio, saying he wished to introduce them to some distinguished guests. They were 158 BOURBON LILIES. three portraits, which he had recently pur- chased, and took this opportunity of exhibiting to his friends. "All of these ladies," said he, as he drew aside the curtain, behind which the easels supporting the paintings were ranged, "have been more familiar with this house than we are. The one in rose-colored silk, standing in the open window, is Marie de Valois, Duchesse la Joyeuse, for several years Lady of Ecouen after the sway of the Montmorencis. This house was her favorite residence, and I am confident that the portrait was painted here. Examine the background and you have a view of my park from the balcony of the ' chambre rose' It represents a fete champetre, for there are gentlemen and ladies inWatteau costumes promenading on the lawn, and the gilded sedan chairs, which have brought them from Paris, are waiting under the great trees on the right. The lady on the other side, in white satin, is Diane de Poitiers. I had this portrait copied from the one at Versailles, in order to make my trio complete. The old Connetable de Montmorenci was her firm friend, and she spent much of her time here during the reign of Francis I. The central picture is the gem of my collection. It is Charlotte de Montmorenci, daughter of the SOME HIGH SOCIETY. 159 connetable. Chronologically, too, she comes in between the other two ladies. The picture was purchased for me in Brussels, where she took refuge when the infatuation of King Henry of Navarre drove her from the court, and from her own home." Van glanced at the face, and started with sur- prise : Eulalie's eyes were looking at him from the canvas, there was Eulalie's forehead and 'Eulalie's hair, but the lower part of the face was sharper, more markedly French in outline, while the con- tour of Eulalie's cheek and chin was so soft and rounded that it had often made him think of the prettiest peasant girls of Brabant. He looked at Orsovitch, but he betrayed no surprise, and was apparently examining the portrait as a connois- seur, with an eye to its artistic merits only. " Does it resemble any one that you have ever seen ? " asked Van impulsively. Orsovitch frowned slightly, and replied coolly, " It reminds me of the Virgin of the Adoration in the Raphael window of our little church." " Very likely," said Papa Robusti. " The Raphael window was placed in the church shortly before the marriage of Charlotte ; it may be that her father selected it on account of the resem- blance in the face of the Virgin to that of hi daughter." 160 BOURBON LILIES. " Do you think this an original portrait ? " asked one of the guests. " It bears the signature of Porbus," replied the host proudly. Van sudied the picture attentively. It was a half-length portrait. A green velvet riding habit, richly sewn down the front with jewels, draped the slight but resolute figure ; her hands were filled with her husband's lilies, while on a ribbon-like scroll which encircled them was inscribed the device, " Date manibus lilia plenis" The gentle- man who had been pointed out to Van as Mr. Norman Saxon Goth, remarked that this was one of the mottoes of the Bourbon family. After a little longer inspection of other paintings, the gentlemen strolled down into the parlors, spend- ing the rest of the evening in alternately dancing and playing billiards. There was something quite ridiculous to Van in their tumultuous entrance, choosing the first partners they happened to meet, whirling them violently through a waltz too rapidly to admit of conversation, dropping them into a window seat with an awkward bow, and instantaneously retreating en masse to the billiard room as soon as the music ceased. The smoke in this sacred retreat nearly strangled him, and he ventured to remain in the parlors between two SOME HIGH SOCIETY. l6l of the dances. His presence seemed to act as a dead weight upon the ladies ; as soon as they per- ceived him all conversation ceased. Mamma Robusti crossed the room and assured him that she was so glad he had stopped, as they were just going to serve a very aristocratic American drink, and she wanted his opinion as to whether her " Ponch au rhum " was a success. In effect, the ladies were refreshing themselves with rum punch, under the impression that they were fol- lowing the example of the highest-toned Ameri- can society. Nor did Mrs. Poser undeceive her hostess, but sipped her tiny glass with evident satisfaction. As Orsovitch and Van walked homeward in the clear, broad moonlight, Van admitted that he did not much enjoy French high society. "You haven't seen it yet," said Orsovitch; " that was only bourgeoisie half-way stuff. Give me a princess of the blood or a peasant girl : extremes meet In my opinion, the society of flower girls that Eulalie described is in every way superior to that in which we have just mingled. I doubt if there was a single lady among them as deep a specialist in any scientific study as Mademoiselle Aglae" in botany. Cer- tainly Reinette must have been prettier than any ' 62 BOURBON LILIES. girl there, and Zizi infinitely more witty and agreeable. In fascinating power, I would match little Marie against Miss Fitz Flirt, and in what society will you find a more perfect lady than our Eulalie?" CHAPTER XIII. ONE RAINY DAY. How beautiful is the rain I After the dust and heat, In the broad and fiery street, In the narrow lane, How beautiful is the rain I LONGFELLOW. T TOW soothingly the gentle rain fell that night. It wove itself with Van's dreams and his waking thoughts, until he could scarcely distingush the one from the other. Grateful rain : springing like thankful tears from reservoirs so full of content and sweetness that they could hold no more. Pitiful rain : weeping a sorrow not its own ; falling steadily on graves over which no other tear-drops had ever fallen, moistening afresh the sod over neglected and for- gotten ones, freshening the garlands laid yester- day on those whose care showed there were hearts who could never forget. Comforting rain : bringing a message of good cheer to those who, (163) BOURBON LILIES. while the world slept about them, still watched and wept a sin long since washed away and for- given, or a sorrow that refused to be healed ; telling them that the same God "who covereth the heaven with clouds, who prepareth rain for the earth, healeth the broken in heart, and bindeth up their wounds." Very tender and loving was the message which the rain brought that night, alike to the happy, the sorrowing, and the sinning to all who had ears to hear. It still rained, when late in the morning Van entered the studio and found Orso- vitch seated with a discontented air before his picture. " What disgusting weather," said he ; " there is no light and shade ; I shall not be able to paint on my Leda. How provoking it is ! just my luck, too ; if I had commenced a picture requiring a grey day, we should have had brilliant sunshine," and opening the door he stepped out upon the balcony, and regarded the sky with a glance as lowering. " It is really too bad," replied Van. " I shall miss her pleasant little stories. I never thought there could be anything of interest in the lives of apprentices in an establishment for making arti- ficial flowers. Yet look at those four girls, as ONE RAINY DAY. 165 Eulalie sketched them : beautiful Reinette, wild Zizi, hypocritical