TWELVE MONTHS WITH THE BIRDS AND POETS SAMUEL A. HARPER 0) 3 > s ? m o ;< 5 I : L_ A . H A R P E R^ ATTORNEY AT LAW 33 SOUTH CLARK STREET C HICAGO BRADLEY, HARPER 5, KIGGINS RANDOLPH 5157 ' Cuckoo calling from the hill, Swallow skimming by the mill, Swallows trooping in the sedge, Starlings swirling from the hedge, Mark the seasons, map our year, As they show and disappear." Matthew Arnold. My To Son Sa The Companion of You re Wrong, Sir, Sparrows Aren't Vandals BY BOB BECKER. At last the lowly English sparrow has a real champion. This sassy little gamin has been the target of many verbal attacks lately. We have heard from dozens of bird fans who are down on the sparr> But now conies Samuel A. Harper, author of " Months with the Birds and the Foots," to champion the cause of the little Britisher. H : ments in behalf of the sparrow are as foil "At the outset I a- Meltje Blanchan, who says ' Ind deal of nonsen.^' nit the sparrov, .is. . . . The sparrows are prepared to live while others would starve. They kill no other birds.' " I feel." continues Mr. Harper, '' that there are at least two very sub- stantial reasons. why extermination of the English sparrow should not be ad- vocated. First, the grave danger that uninformed persons would kill a large number of other useful species of spar- rows by mistake, and second, because the English spar rremely use- ful in certa; .-? of the country by reason of its feeding habits. "As to their destructiveness, they certainly are no worse than some of our favorite home birds. Robins often destroy cherry, olive and other fruit crops, and the bluejays and the black- birds are quite as destructive as the English sparrow. " Much more good would be ac- complished if we directed our fight against the arch enemy of all birds, the house cats, which many people allow to roam at will, each killing at least fifty birds in the course of every year." TWELVE MONTHS WITH THE BIRDS AND POETS SAMUEL A. HARPER. WITH ILLUSTRATIONS RALPH FLETCHER SEYMOUE, Copyrighted, 1917 Ralph Fletcher Seymour This edition of "Twelve Months With the Birds and Poets," by Samuel A. Har- per, is limited to two hun- dred copies, of which this is Number Ralph Fletcher Seymour, Publisher/ CHICAGO. MCMXVII. FOREWORD This study of birds and poets is divided into twelve chapters, one for each month of the year, beginning with April, the opening of the birds' year. The birds are discussed in the month most appropriate to them by reason of habits of nesting, migration or other distinguishing characteristics. This plan enables the reader to live through the year with the birds, and to learn when to look for them. The observations were made in Illinois, Indiana and Michigan, and the book may be used as a safe guide for the study of the more common birds of this latitude from the Rocky Mountains east to the Atlantic seaboard. If out of the joy of writing it there has grown an unconscious purpose in this little book it is that busy men might pause and see the beauties of the world all about them and "read nature like the manuscript of heaven," for as surely as they do so and life "Hath yet one spring unpoisoned, it will be Like a beguiling music to its flow." SAMUEL A. HARPER. Chicago, December I, 1917. INTRODUCTION Surely the year begins in April, when the world has her face freshly washed, a new dress of flower draped green satin, and lifts up her voice in the piping of a million spontaneous feathered song- sters singing out their little hearts in the ecstasy of the mating fever. The birds and flowers are Nature's most exqui- site gifts to man. Much as I love flower form, colour and fragrance, and appreciate the medic- inal value of many lovely herbs, with me the palm always is awarded to the birds; because they have flower colour, the grace of flight, the gift of song, the instinct of home making and keeping, and are wonderful insect and weed exterminators. Every soul alive to beauty and music and even slightly appreciative of benefits received must love the birds, while from the beginning of time they have been one of the greatest sources of inspiration to poets and painters. The oldest painting pre- served in the world is a picture of birds; while the poets of all time have piped their lays concerning, not only the nightingale, lark and bobolink, but the owl, heron and buzzard, as well. Sweetly as the birds have sung, the best of them never have 8 Introduction equalled the songs which they have called forth from the hearts of the poets. Some of the most inspired of these songs are here quoted, and to them there has been added much sane and careful observation of bird life and habits. This is a book to love, to own and to give to your discerning friend. Limberlost Cabin, October 21, 1917. io Twelve Months With the old earth takes on her new livery of green. At this season one feels the impulse of the little mediaeval page, in Alexander William Percy's "A Page's Road Song:" "If Thou wilt make Thy peach trees bloom for me And fringe my bridle path both sides With tulips red and free, If Thou wilt make Thy skies as blue As ours in Sicily And wake the little leaves that sleep On every bending tree I promise not to vexen Thee That Thou shouldst make eternally Heaven my home ; But right contentedly A singing page I'll be Here in Thy Springtime." It is commonly supposed that the origin of the word "April" is the Latin aperio, meaning "I open." To me this is a happier and more appro- priate explanation of the genesis of the name than the other tradition that April was Aprilis, founded on the Greek name of Venus (Aphrodite) . True, April might justly be called the Queen of months, and as it is also the month of love making for many animals and birds, it therefore may be said to have some of the characteristics of the Grecian Goddess. The Birds and Poets n But when March has blown his windy trumpet, and proclaimed the tyrant winter dead, and timid April comes, with smiles and tears, it is as if the trump of Gabriel had sounded, and all the earth had "opened" unto heaven! It is the month of the first spring buds. The bud says : "My leaves instinct with glowing life Are quivering to unclose; My happy heart with love is ripe I am almost a rose." It is the month of nest building for our early spring birds. It is the month when the lingering snows on the shadowed hillside melt before the ascending sun, and form the numberless little spring runs in which the first spring green appears. It is the month of the singing frogs, new born in every swamp and meadow pool, whose chorus is: "It is sprrrrrring! It is sprrrrrring!" As John Vance Cheney sings, in his "Spring Song," it is the glad time: "When to pool and log Come newt and frog, And the first blade peers at the snowdrift's edge, And there's dreamy green along the hedge." It is the month of regeneration of the earth's waiting soil, made ready by melting snows and cleansing showers, for its new increase of all the green things of earth. It is the month of burgeon- 12 Twelve Months With ing, of promise and of joy, as voiced by Louis Untermeyer : "God, I return to You on April days When along country roads You walk with me, And my faith blossoms like the earliest tree That shames the bleak world with its yellow sprays My faith revives, when through a rosy haze The clover-sprinkled hills smile quietly, Young winds uplift a bird's clean ecstasy * * * For this, O God, my joyousness and praise!" With what alert and expectant ear do we await the first spring robin's call! With what a thrill of ecstasy do we hear his first spring song! I never find it necessary to record in my note book, the date of the arrival of my first spring robin. I know the dates for years back. His cheery call means for me the beginning of a new year, and forgetfulness of winter, as Thos. S. Jones so happily expresses it: "You hold my winter in forgetfulness; Without my window lilac branches swing, Within my gate I hear a robin sing." And while the bluebird shares with the robin the glory of being our most common and most beloved April bird, "When mid the budding elms the bluebird flits, As if a bit of sky had taken wings;" The Birds and Poets 13 he less often announces his arrival at our back door. He makes an occasional welcome visit to our lawn, or to a neighboring shrub or tree, but for the most part prefers the more open country, yet not too far removed from man and his habitations. But the robin seems to love the intimate com- panionship of man. He feeds in our home yards and sings in our trees and shrubs. He often builds his nest on a projecting timber of house or barn. The attitude of the bird toward man is a sweet and singular mixture of friendliness and timidity. The natural instinct and art of all birds is to con- ceal their nests, both as to position and material, yet the love of the robin for man's society has so far overcome his natural instinctive fear, that he sometimes builds his nest on a window ledge or over the door of our dwelling. Why should we not return this affection, which on the part of the bird represents a conquest over its fear for man? This year of which I write (1916), on April first a pair of robins began bringing grass and mud to the ledge of a south second-story window of my suburban home, for the purpose of making a nest. It need hardly be said that they were not disturbed. I considered the house worth an extra $1000 at least, with this "addition." Joyce Kilmer suggests the added glory that comes to "A tree that may in summer wear A nest of robins in her hair." 14 Twelve Months With The window shade was carefully drawn, so that the birds would not be disconcerted. While robins are usually not easily frightened out of their deter- mination to build a nest in a particular place, and often fight for their right to choose the location of their domicile, we did not intend to run any risks of the birds changing their plans. All day Satur- day and Sunday they were busy, with their weaving and their masonry. The female after depositing a circle of mud on the inside of the nest, would nestle into it and softly mold it into a cup by turning her breast round and round against its rim, and churning her wings up and down to smooth its edges. I observed after one such process that she flew into a neighbor's yard and bathed herself in a basin of water on the lawn, washing the mud from her breast. My young son, who was greatly excited during these building operations, and who was with difficulty restrained from fright- ening and annoying the birds, asked if we could finish the nest if the birds became frightened and deserted it, and I know I answered him truly when I said that "no one but a bird can build a nest!" The birds are the oldest miners, masons, carpenters and builders, weavers and basket makers. "What nice hand, With every implement and means of art, And twenty years' apprenticeship to boot, Could make us such another?" The Birds and Poets 15 By Sunday night the nest was apparently fin- ished and ready for its eggs, and then for four days no robin was seen to come near it. Our household, from young son to grandmother, took on a worried look! Had the nest been aban- doned? My explanation to an anxious family was that the robins, being experienced masons, knew that the wet mud of the nest was no fit receptacle for the eggs, and therefore the birds would wait until it dried. A more probable expla- nation for the four days' desertion of the new- built nest, however, is that the egg of mother robin was not yet ripe, and that the nest was there- fore prepared too soon. Nature lovers in their enthusiasm are all too likely to attribute to birds and animals a wisdom and intelligence which they do not possess. Just as the beauty of the bird and its song is largely subjective, born of the spirit of the bird lover, so its acts prompted solely by instinct, sense communications and kindred influ- ences are often, in the subjective imagination of the enthusiastic nature student, mistaken for and mis-called judgment. If the mother robin really waited for the nest to become dry, it is more reasonable to assume that she waited from mere instinct, resulting from the sum total of the experience of herself and her ancestors in nest building, rather than that she had any conscious knowledge that a wet nest was not a good place for her eggs. Both the barn swallow and the phoebe, who 1 6 Twelve Months With employ mud in their nest building, frequently wait a day or two after the nest is finished before laying their eggs, which action might be attributed to instinctive solicitude for the future family, but this practice is not peculiar to birds who use mud in their nests, so that the delay is more likely due in each case to the fact that the egg is not mature. Mr. Burroughs relates a story of a creeping warbler whose egg became ripe before the nest was finished. After excavating the site for the nest, the bird laid the egg, and then finished the nest over it. So that if instinct sometimes errs upon the one side and fails to prompt the bird to build its nest in time, it may easily err on the other side and urge nest building too soon. But, to return to our nest on the window ledge, whatever the reason may have been for her four days' absence, at the expiration of that time the female robin returned to the nest, and then laid one egg a day until four were in the nest, and as I write she is faithfully warming the nest and its eggs, and clamorously protesting when any one appears at the window, or at any window in the vicinity. This experience of the robin's nest on the win- dow ledge reminds me of Wordsworth's lines on the robin at his casement window: "Stay, little cheerful Robin! stay, And at my casement sing, Though it should prove a farewell lay And this our parting spring." The Birds and Poets 17 Lowell, in his beautiful lines "To the Dande- lion," recalls the robin of his childhood: "The sight of thee calls back the robin's song, Who from the dark old tree Beside the door sang clearly all day long, And I, secure in childish piety, Listened as if I heard an angel sing With news from heaven, which he could bring Fresh every day to my untainted ears When birds and flowers and I were happy peers." Stedman gives high praise to the early spring notes of the robin: "The sweetest sound our whole year round 'Tis the first robin of the spring! The song of the full orchard choir Is not so fine a thing." He is loved by Wm. W. Caldwell as the har- binger of spring: "From the elm-tree's topmost bough, Hark! the Robin's early song! Telling one and all that now Merry spring time hastes along; Welcome tidings dost thou bring, Little harbinger of spring, Robin's come 1" He means renewed faith for Charles G. D. Roberts : 1 8 Twelve Months With "Have I fainted, have I doubted, In the days that have gone by? Have I said 'There is no rising Unto mortals when they die?' It is past, that blind self-wounding. I have heard the robin sing, I have caught the Easter message, In the first breath of the spring." The well known feeding habits of the robin, in running through the grass and pulling earth worms out of the sod, is very vividly, as well as amusingly, told by Katherine Van D. Harkee in the following stanzas: "Abstracted, contemplative air, A sudden run and stop, A glance indifferent round about, Head poised another hop. A plunge well-aimed, a backward tug, A well-resisted squirm, Then calm indifference as before, But oh, alack, the worm!" Any one who has seen a robin feeding will vouch for the dramatic accuracy of this description. Almost three weeks after the nest on the win- dow ledge was commenced, another pair of robins began building a nest on a telephone pole about fifty feet from my back porch. The father robin in the window ledge family must be an attractive fellow among the females, and a charming singer. The Birds and Poets 19 to have gained so long a lead over the rest of his kind in the neighborhood in the matter of mating. This pair seemed to be the earliest in nesting of any in the whole vicinity. I saw many nests being built, two and three weeks later. Naturalists are a good deal divided in opinion as to the object of the birds in singing, and as to what relation it bears to the mating of the birds. Certain it is that the bird's voice serves to express various emotions, such as distress, fear, anger, tri- umph, or mere happiness. It is also true with many species that the female is attracted to the male by his beautiful appearance, and his powers of song, selecting the male that pleases her most in these respects. I do not believe, as contended by some; that the singing of birds is almost exclu- sively the effect of rivalry and emulation. Birds love beautiful and attractive things, as we do, altho' of course with less conscious intelligence, and the beauty of form, color and song of the male, added to the natural mating instinct of the female, determines her choice. With few excep- tions the males, during the mating season, exhibit something very like a definite desire and inten- tion to ensnare the female, by whatever attractions nature may have given them, whether it be of song or plumage. It is altogether probable that the male bird has a mixed purpose in singing, made up of the mere joy of singing, emulation, and, during the mating season, an instinctive desire to excite, attract or fascinate the female bird. 2O Twelve Months With It is not necessary to go far into the fields or deep into the woods to see many of our finest birds. " 'Tis Eden everywhere to hearts that listen." And it is by no means essential to a real enjoy- ment of our birds that one should be a scientific student of orders, families, and all the rest of the technical lore of the professional ornithologist, nor even to be able to identify all the birds that he may see. If he only sees and hears them, it is enough. For those whose hearts listen when they are in the fields or woods, no bird will rise to its perch without being seen and enjoyed, and no bird will utter its call or sing its song, how- ever soft or ventriloquous, without its being heard and loved. Emerson's lines are still true: "Many haps fall in the field Seldom seen by wishful eyes But all her shows did Nature yield, To please and win this pilgrim wise. He saw the partridge drum in the woods; He heard the woodcock's evening hymn; He found the tawny thrushes' broods; And the shy hawk did wait for him; What others did at distance hear, And guessed within the thicket's gloom, Was shown to this philosopher, And at his bidding seemed to come." One may live and enjoy life without being able to identify many of the more uncommon birds, The Birds and Poets 21 but God pity the man who never sees or hears them, when they are all about him! One must not be content to take only his body with him into the woods and fields, if he would see and hear and enjoy, for their sights and sounds are a part of the natural scene, and he must make his own spirit a part of such scene if he would have full companionship with it. "Lacking the heart-room the song lies dead; Half is the song that reaches the ear, Half is the hearing." Bird notes, with some exceptions, are elusive and indefinite, a part of the composite hum and atmosphere of the woods, and to the careless and unsympathetic ear are not naturally or easily detected and detached from the general ensem- ble of woods sounds. But to him who is "fellow to leaf and flower, brook, bee, and bird," all the little voices of woods and fields "speak a various language." " 'Kneel,' whispered the breeze; On wistful knees In the swaying grass I sank, While, all around, A soft choral sound Swelled from bower and bank. Two tender blows, And I arose Of sordid aims bereft, 22 Twelve Months With By the accolade Of a green grass-blade Ennobled and enfeoffed. Now am I lord Of weald and sward, Fellow to leaf and flower! Brook, bee and bird Have passed the word That owns me from this hour !" By some such "Sylvan Ceremony," Charles Shepard Parke would initiate us into the blessed order of out-of-door spirits. Thoreau once said that sometimes when he went into the woods he was alarmed to find he had left his spirit behind, and that he was only projecting his body on its way into the forest. But I am sure that one must not only be accom- panied by his spirit on his outdoor rambles, but that his spirit must also be "fellow to leaf and flower," and in intimate correspondence with all the soft, elusive and delicate sense communica- tions which are transmitted by all nature to those and to those only who are attuned to hear these quiet messages. "A child of nature, that is child of God, I count these lovely kindred mine." I would not leave the impression that this infi- nite order of the spirits of nature is an exclusive The Birds and Poets 23 society of aristocrats, to which only a chosen few may hope to be admitted. On the contrary, the order is as wide and its appeal to all mankind is as open and urgent and inviting as nature itself. All the joys of fellowship and kinship with nature are to be had for the mere asking. I know of no plan whereby one may add more to his happiness than by a study of our birds and their habits. Emerson called them his darlings: "Darlings of children and of bard, Perfect kinds by vice unmarred, All of worth and beauty set Gems in Nature's cabinet; These the fables she esteems Reality most like to dreams. Welcome back, you little nations, Far-travelled in the south plantations; Bring your music and rhythmic flight, Your colors for our eyes' delight." The anxious hunt after a new and strange bird, whose song, form or plumage has attracted one's attention, is a source of never-ending interest and enjoyment. It includes all the coarser joys of the sportsman, and many finer and rarer spiritual pleasures which are unknown to the mere hunter of game. No matter how thoroughly acquainted one may be with the birds, he may run into a sur- prise in the woods or fields at any moment, and happen upon a bird he has never seen, or which 24 'Twelve Months With may be exceedingly rare in the area of his observa- tions. Bird study carries with it the satisfying of an interested curiosity, which is ever on the alert for a new discovery. It easily adapts itself to our accustomed outdoor sports and recreations, such as walking, hunting and fishing. And while, as we have said, for one with eyes and ears for the woods, it is not essential to the enjoyment of bird life that one shall be able to idenitfy all the birds, it is of course true that the more one knows of them, the better he loves them, and he should be familiar with the names and characteristics of our more common birds. In April the birds appear in such large num- bers it is sometimes confusing to the student, who finds all manner of strange and interesting birds flying about him in the woods and fields. Before he can concentrate upon one for a sufficient length of time to observe its markings, song or habits, others of perhaps greater interest divert his atten- tion, until he, like a child who happens upon a profusion of wild flowers in the woods, in his anxiety to reach them all, misses many. It reminds one of these lines from a poem by Katherine Tynan : "After the lark the swallow, Blackbird in hill and hollow, Thrushes and nightingales all roads I trod." The best time of day for observing the birds is the morning or the late afternoon, especially The Birds and Poets 25 on bright days, for then the birds are out in their favorite haunts, feeding, and may, if carefully approached, be studied at close range. The eyesight and hearing of the birds is far superior to that of man, so that walking in the birds' haunts should be avoided as much as pos- sible. Upon arrival at the place where one may expect to find the birds, he should quietly stand or sit, and wait for them to appear. A favorite and very effective ruse to attract them is to kiss the back of the hand, held closely against the mouth. The squeaking sound thus produced closely resembles the mating call of many birds, and if practiced cautiously will often bring around the observer a number of his feathered friends. While the eyesight of birds is very keen, they are frightened only by unusual sounds or by move- ment, and if one stands or sits still he will find abundant opportunities for studying their plumage and habits. Observing these few simple precautions, I have found that the crow, the most cunning and alert of all our birds, the fox of the feathered tribe, will alight in a tree but a few feet distant, and comport himself with the same unconcern as if he were in the remotest forest, observed by no one. Do not use a gun. It is unnecessary. Opera or field glasses, however, are indis- pensable. The distinguishing marks of many birds are not discernible with the naked eye from the distance at which one is usually compelled to 26 Twelve Months With observe them. With a good small glass, and the sun at one's back, the markings become clear and definite. Notes of the markings, methods of flight, songs and calls should be made on the spot, first, because the mere process of reducing them to writing tends to accuracy of observation and description, and second, because the memory is faulty, and if many strange birds are seen the marks and songs of different birds will become confused in the mind of the student, so that he cannot recall them definitely when he consults his key, in an effort to identify them. One or more simple guides to the classification and identification of birds is essential. This, sup- plemented by a book listing and describing the birds of the local area in which the student lives, will be sufficient for all his purposes. If, in addi- tion, a good museum is available where the mounted birds may be seen and studied, much that is difficult will be made easy. If these suggestions are followed, little real difficulty will be experienced by the student in identifying the more common birds, and many that are not so common, and the joy that a new identification will bring will more than compen- sate for all his pains. Often, after a new bird has been identified, the student will be surprised to find how common it is, and will wonder how he has passed it by, unseen and unheard, for so many years. In my own modest yard I am visited each April The Birds and Poets 27 by a goodly number of birds, and some of these I would not even notice had I not previously met them in the woods and fields and learned to love them. Judging from some stories which have been written, doubtless there are nature enthusiasts who would even ascribe to some of the birds a knowledge of social proprieties and customs, for certain it is that if you will but call on the birds they will return the call, and you will know and enjoy them when they come. If you continue treat- ing them with indifference, and never care to see or know them, it is quite certain you never will, more's the pity. They will not first seek you out, but if you will but cultivate their acquaintance, you will see them often, either at your home or at theirs. In addition to our old friends the robins, I have been visited this April by blue birds, flickers, house wrens, towhees, white-throated sparrows, cedar waxwings, blue jays, wood, Wilson and gray- cheeked thrushes, meadowlarks, bronze grackles, brown thrashers, song sparrows and a Grinnell's water thrush, and I shall be happy indeed to return the calls of each and every one. Some of them live with me during the summer, and our home life without them would lack something fine which it now has. The song sparrow may be heard almost any spring or summer day. Henry Van Dyke claims him as an old friend: 28 Twelve Months With "There is a bird I know so well, It seems as if he must have sung Beside my crib when I was young; Before I knew the way to spell The name of even the smallest bird, His gentle-joyful song I heard. Now see if you can tell, my dear, What bird it is that every year, Sings 'Sweet sweet sweet very merry cheer'." A song sparrow sang this refrain a few evenings since from a shrub in a vacant lot adjoining mine, in a sort of mixed chorus with two robins. The robins were singing together their usual hymn- like, warbling song, and the song sparrow broke in at regular intervals with this sweet, musical refrain, in the nature of an obligate, and the chorus they made was far superior to the Met- ropolitan Opera, and to be had for the mere listening! The beautiful white-throated sparrows arrive near my back fence about the i8th of April, and flit about quietly in the grass and leaves and underbrush, emitting their characteristic low whistle: J J ^3 and shyly scratch- ing with both feet together among the old dead leaves. Harrison Smith Morns' "Lonely-Bird" well describes this beautiful sparrow: "O dappled throat of white ! Shy, hidden bird ! Perched in green dimness of the dewy wood, And murmuring, in that lonely, lover mood, Thy heart-ache, softly heard, Sweetened by distance, over land and lake." The Birds and Poets 29 The gray-cheeked thrushes were a mystery to me for one long season. They so closely resemble the Bicknell's thrush and the olive-backed thrush, and the Wilson's thrush or veery, that they can be readily distinguished only by an experienced observer. During my first summer at our sub- urban home they appeared upon the lawn late in April, in their trim olive-drab gowns, stealthily hopping about in the grass, and quietly and some- what anxiously watching any one who approached near them. Their coyness was emphasized by the light ring about the eye, which gave them an alert, inquiring expression. Their song resembled, as much as anything that could be suggested, the musical twanging of a guitar. I was unable to identify them with certainty until one day, after a severe storm, I found a dead bird near the walk, bordering a neighbor's premises, and readily iden- tified it as a gray-cheeked thrush. Among the little groups that have visited us each season since that time, during the spring and fall migrations, there has been an occasional olive-backed thrush, but aside from the veery, which is common espe- cially during migration, the gray-cheeked is per- haps the most abundant. Their modest appearance, their silent, coy man- ners, and their beautiful and unique song combine to make their semi-annual visits of unusual interest. The flickers are always numerous with us in April, and indeed all through the summer. Their loud spring calls of "wick! wick! wick! wick!" 30 Twelve Months With and the vigorous, nasal "kee-yer!" are full of all the joy and optimism of the season, and almost any morning at the first streak of dawn one of them may be heard vigorously hammering with his bill upon any available object which offers a good sounding board. He seems to enjoy the rolling tattoo as much as his call, and it has a certain music of its own. An old, dilapidated wren box in my yard has been visited almost daily by a flicker. After alighting upon it and looking around him with a lordly air, he proceeds to ham- mer on the top of the empty and unusually sonorous old box, and after each strumming he raises his head erect, and sends forth his ringing clarion of "wick! wick! wick! wick!" as if to emphasize his very great importance in the whole scheme of nature, which program of alternate drum- ming and calling is carried on usually for fifteen or twenty minutes. He is thus seen to be equally skilled in vocal and instrumental music. Flickers are very obviously attracted by any object which affords them a noisy sounding board for their drumming. I have known them to hammer on loose tin or metal on the roof of houses and barns until it became necessary to remove or cover the attractive metal to avoid the noisy din. As this tat- tooing sound is heard chiefly during the breeding season, it is considered by some as a love song, or a love call to the bird's mate. The flicker has many aliases, as many as thirty- six having been compiled, including, among the The Birds and Poets 31 more common, high-hole, clape, yellow-hammer and golden-winged woodpecker, and, while he is listed in the family of picidae, he has never seemed to me a true woodpecker. With characteristic independence he constantly disregards almost all the accustomed and well-known habits of his tribe. Contrary to the custom of woodpeckers, he is frequently seen disporting himself in the grass, often in the company of robins or meadowlarks. More often than otherwise he alights upon a hori- zontal limb of a tree, rather than upon an upright stem or trunk, after the manner of his kind. Now and then, just contemptuously to show the world that it is easily done, he flies against the side of a tree, like a common woodpecker, grasps the bark with his claws, and supports himself in an upright position, with the aid of his heavy, stiff tail feathers. Nor does he depend for his food upon grubs pecked out of dead limbs, but, like the robin, he seems to find worms and insects more easily. He is extremely fond of ants, and eats seeds and a great variety of food which the red-head, hairy or downy woodpecker would not touch. For a nest he always appropriates some natural cavity, instead of boring a hole for him- self, like his brother woodpeckers. I have won- dered that Darwin did not cite the flicker as an instance of variation from type, and speculate upon his ultimate destiny as a member of some other family. He seems dissatisfied with his class, and destined for some other and different order. 32 Twelve Months With Who knows but that, with his joyous optimism and his impudent, self-reliant spirit, he may not some day be in a class by himself? The flicker is one of the many common birds which, like the perfume of some old-fashioned garden flower, calls up old associations, as in Mr. S. M. McManus' "Flicker on the Fence": "Between the songs and silences of the flicker on the fence, A singing his old fashioned tune, full of meanin' and of sense, I fall into a musin' spell sometimes of other days, When things was mostly different, leastwise in many ways; And I feel so kind of lon'some with the new things round about, And am like the taller candle, waitin' fer to be snuffed out, I look around to find a sign that I hain't lost my sense, And get my bearin's when I hear the flicker on the fence." The cedar waxwings are peculiarly gentle and attractive birds. They usually travel in small troups of from five to nine birds, flying just high enough to clear the treetops, quietly dropping down into a tree now and then for the purpose of feeding. They have as much individuality as the flicker, but, unlike him, they are proverbially gentle and refined, and their neat brown coats The Birds and Poets 33 always have the appearance of being "tailor made." They are trim, neat and genteel, almost to primness. A small flock of five flew into the top of a soft maple in my yard about the aoth of April, and announced their presence by their char- acteristic subdued call, which Thoreau describes as their "beady note." To one whose ears are attentive to bird calls, this is usually the first sign of the cedar-bird's presence, for the call is unusual and absolutely distinctive, somewhat resembling a subdued "z" sound made by breath- ing through a comb covered with tissue paper. The conspicuous crest and neat grayish-brown plumage, with this characteristic call, make iden- tification easy. The saucy blue jay, with all his egg-stealing proclivities and his quarrelsome habits, compels our admiration. He is impudent and disdainful in his conduct toward other birds, and shows his contempt for many of them by mimicking their call notes. He will seldom permit another bird of any kind to perch in the same tree with him. But, after all, his conduct seems more inspired by an excess of hilarious spirits than by any ill humor, and so we pardon him for his noise, and love him for his saucy enthusiasm. While the jay has a number of short notes which he uses occasionally, apparently to mimic other birds, in addition to his customary "jay! jay!" (or "make! make!" as my small boy interprets it), few have ever heard his real song. He has a pretty war- 34 Twelve Months With bling refrain, which I have heard rather happily described as a mixture of the songs of the blue bird and robin, and in many years of observation of the birds I have never been sure of hearing his song but once, on which occasion I was able to observe the bird while singing. It is a pity he doesn't take time to use his song oftener, but apparently he thinks singing is effeminate or an unworthy pastime, and therefore contents himself with his noisy "make! make! make!" The jay is another bird of strong individuality. The blue jay is the only one of the family in this latitude, east of the Rocky Mountains, and it has therefore been the only jay with which I have been familiar, and yet its individual traits are so characteristic and distinctive, and therefore so easily detected and identified in other members of the jay family, that when I saw the mountain jay for the first time in the Rockies a few years ago I knew it instantly, and also when I saw the Canada jay for the first time, in the summer of 1915, in the forests of Ontario, I identified it at once without difficulty. A jay is a jay the world over. His plumage may vary in color, but he always discloses his identity by his characteristic movements, and by what Riley called his "sass" : "Mr. Bluejay, full o' sass, In them baseball clothes o' his, Sportin' 'round the orchard jes' Like he owned the premises!" The Birds and Poets 35 Our blue jay has a very erect and conspicuous crest, which has doubtless been gradually acquired through years of sauciness, in accordance with the laws of natural selection and variation! Among my favorite April visitors is the towhee or chewink. This fine bird has been neglected by ornithologists and poets alike, and his beauti- ful coat and quiet, graceful habits are "unhonored and unsung." He is as beautiful in vernal plumage as the Blackburnian warbler, or the American redstart, but, compared with the host of admirers of these forest favorites, "there are very few to love and none to praise" the modest towhee. I stood within fifteen feet of a beautiful male towhee in woods bordering the Desplaines River, about the i5th of April, and for several minutes watched him scratch (both feet together) and tumble the dead leaves about, in search of food. His beautiful velvety black head and shoulders, and his bright vest of reddish brown, and his long, graceful body, and his conspicuous white tail feathers, made him as exquisite a wood's picture as one often sees. The towhee is modest, without stealth; proud, without arrogance; beautiful, without vanity. He seeks "the untrodden ways," and is coy and retir- ing in his habits. You will always find him browsing among the leaves, or twitching about among the low branches of shrubs or in brush piles. He seldom or never even takes a high perch, so that his beautiful coat may be seen and admired. 36 Twelve Months With He seeks no publicity, and seems not to care for public favor or approval. These traits make him none the less worthy of our love and apprecia- tion; indeed, how much finer is it for virtue to be found out, than that it should proclaim itself from the treetops. If this towhee would come out of his quiet haunts and perch himself upon a high tree, and, facing the setting sun, sing us a ringing song after the fashion of the robin or the wood thrush, he would be instantly and eternally famous. Isn't it fortunate that we love some birds for their quiet, modest and gentle ways, and that we may also love others for their impudence and noise! Birds thus resemble men in their varying indi- vidual traits and characteristics. The meadowlarks do not often come into my yard, altho' they will now and then alight in a tree for a few moments in passing, but I can hear their clear, ringing call every day in the meadows adjoining the river, two blocks distant. Few bird songs have the penetrating intensity of the meadow- lark's. While traveling through the country by rail I have frequently heard its ringing call at intervals above the noise and rattle of the train, recalling the lines of Ina D. Coolbrith: "Sweet, sweet, sweet! Oh happy that I am! (Listen to the meadow-larks across the fields that sing!) Sweet, sweet, sweet, O subtle breath of balm, O winds that blow, O buds that grow, O rapture of the spring!" The Birds and Poets 37 The visit of the Grinnell's water thrush to my yard was a noteworthy event. While this bird is perhaps the most common of the water thrushes passing through this area, he is seldom seen away from low, wet thickets, and I was much surprised at his appearance on my lawn. While he is classed as a warbler, he resembles the thrushes in appear- ance, though he is smaller and less brown, having a drab, white-striped coat, and he moves with a marked tilt of his trim body as he pauses in his course through the grass or among the low bushes. However brief my visits to the woods in April may be, I am always sure of a warm welcome from the birds when I return their call, and it is remarkable what a vast amount of pleasure one may receive from short trips of this kind, stolen here and there from the busy hours of the ordi- nary workdays. The birds are busy much earlier than we are, and it is not at all necessary that one's appointments with them be either inter- rupted or cancelled altogether because of the business cares that "infest the day." We may see them at all times in their homes in the early morning, and still be at office or shop in ample time for the day's work. A thirty-minute walk which I took on the morning of April i3th might be cited as an example. I crossed a bridge over the Desplaines River, and in the meadow lying to the west heard the songs of both field and song sparrows (among the most beautiful songsters of the sparrow fam- 38 Twelve Months With ily). To the east, across the bridge, is a high wire fence, with a wooden cornice, the whole covered with vines, which at this time were still bare and brown. In. one of the angles of the cornice, and partially concealed by the dark vines, I noticed a robin building a nest. A few feet farther I turned into a street bordering the woods and leading into them, and in the front yard of a vacant house saw, among the bare shrubbery, a kinglet (a small king!), pluming his feathers, as if he had just taken his morning's bath and was making his toilet for the day. Watching him carefully as he fluttered and turned about, I caught sight of the tuft of bright red feathers on the crown of his head, which marked him as the ruby-crown, and then, his toilet finished, he poured forth his joy in the finest little soft and yet distinct wren-like song that it has ever been my good fortune to hear. The kinglet's song, while clear and distinct at close range, is not loud, and cannot be heard at any considerable distance. And, again, these little birds are usually so busy hopping about the lower trunks of trees and among the lower branches, feeding, that they apparently have little time for singing. The small, wren-like, olive-green bodies of the ruby-crowned and golden- crowned kinglets are very similar in appearance, and sometimes they are not easily distinguished, except by the bright markings on the crown, which give them their respective names, although the golden-crowned is somewhat smaller. The names The Birds and Poets 39 of these little birds are sometimes misleading to the student, because he expects to see a conspicuous red or golden patch on the head, but as a matter of fact the red or golden patch is not easily seen unless the bird tips his head down, so one may see the very top of his head (which he is sure to do if one watches him a few moments, because of his very great activity), but when he does so a very few distinctly marked feathers in the center of the crown will be visible. In an adjoining meadow, just before reaching the woods, I observed a sparrow hawk flying about and "hanging up" over the field, in search of his morning meal. Passing into the woods skirting the river, I fol- lowed a path which led through heavy brush and second growth, as yet entirely bare, with no signs of spring buds. The first bird note I heard was the whistle of a cardinal in the distance, towards the river, and I recalled Riley's tribute to the "red bird" : "Go, ye bards of classic themes Pipe your songs of classic streams ! I would twang the redbird's wings In the thicket while he sings!" Pausing to listen to this wonderful song, I was startled to hear, among the bare bushes at my right, a chorus of clicking noises which sounded exactly like a shower of fine hail stones falling among the leafless shrubs. The impression was 40 Twelve Months With so realistic that I involuntarily glanced skyward to see if any passing leaden cloud could be respon- sible for this commotion, when I discovered a large flock of juncos, in their drab coats, flitting about in the brush, showing their white tail feathers with every "tsip! tsip!" that they uttered. The familiar call of this little bird is almost icy in its brittle staccato, and suggests the cold wintry days when they are so plentiful, and which they seem to enjoy quite as much as the warm days of spring. But the balmy air and bright sunshine of this April morning seemed also to fill the juncos to the bursting point, for one or two of them perched upon a neighboring tree and poured forth their happiness in their rather rare and unusual song. In the meantime I had caught sight of the female cardinal, on the opposite side of the path, feeding among some old vines overhanging the low trees, and while watching her some disturb- ance along the river beyond her flushed her bril- liant mate, who came flying directly over me, like a ball of fire, alighting on the opposite side of the path. Retracing my steps to the entrance of the woods, I observed a pair of yellow-bellied sapsuckers chasing each other about through the trees, and returning after each excursion to a small poplar directly in front of me, where they would rest a moment, clinging to an upright limb, or to the tree trunk, talking confidentially to each other, The Birds and Poets 41 and then off they would go on another helter- skelter through the naked branches, and back again to the favorite poplar. While watching the play of the sapsuckers, a myrtle warbler flew into the poplar and exhibited his conspicuous yellow rump, which makes his identification so easy. Just as I was saying a reluctant farewell to my feathered friends, a troup of five or six trim cedar-birds flew into the tops of the trees bordering the woods, coming from the direction of the village, and, after pausing long enough to bid me "good morning," continued their journey on into the woods. This was by no means an unusual or exceptional April morning for the bird lover. Indeed, the number and variety of birds seen was insignificant as compared with what might be observed upon a longer trip, or one taken later in the migrating season. Yet when thirty minutes, by the way, will yield so much of enjoyment and inspiration, why do we not more often make these little saunterings a part of our work-a-day lives, to cheer and brighten them, thenceforth and forever? I always regret the departure of April, but she ushers in flowery May, thus reminding us of the beautiful lines of Oliver Wendell Holmes: "At last young April, ever frail and fair, Wooed by her playmate with the golden hair, Chased to the margin of receding floods O'er the soft meadows starred with opening buds, In tears and blushes sighs herself away, And hides her cheek beneath the flowers of May." MAY. In this May-month by grace of heaven, things shoot apace. The waiting multitude of fair boughs in the wood, How few days have arrayed their beauty in green shade! The golden willows lift their boughs the sun to sift: Their silken streamers screen the sky with veils of green, To make a cage of song, where feathered lovers throng. Hearing their song, I trace the secret of their grace. Ah, could I this fair time so fashion into rhyme, The poem that I sing would be the voice of spring. Robert Bridges. jHE older poets loved to describe May as a beautiful maiden, clothed in sunshine and scattering flowers on the earth, while she danced to the music of birds and brooks. For example, Spencer wrote: "Then came fair May, the fayrest mayd on ground, Deckt all with dainties of her season's pryde, And throwing flowers out of her lap around." 44 Twelve Months With It would be impossible for a poet to employ a prettier or happier figure to express the freshness and youthful beauty of the May time. Of course the futurists and "cubists" of modern poetry never write about anything so old and hackneyed as "spring" or "May." They more often depend upon genre pictures for inspiration for their vers libre which probably accounts for their showing so little of it ! But to the real poet it was as natural as express- ing his thoughts in rhyme to write of spring as a beautiful maiden in all the fresh radiance of youth. "When the world that still was April Was turning into May," the transition was merely the fulfillment of the wonderful promise of April. The bud of April is the blossom of May. The fresh fulfillment of so glorious a promise as April holds could not well escape, in the order of nature, its manifest destiny of fragrance and beauty. May holds not the matronly maturity of June, but it holds something sweeter and more lovable. It is "As if time brought a new relay Of shining virgins every May." Birds, like men, enjoy the beauties and the deli- cious perfumes of May, and it is therefore not at The Birds and Poets 45 all strange that they prefer nesting and rearing their little families among the May flowers. Surely the beauties of nature were designed for all creatures, as justly claimed by Christina Rossetti : "Innocent eyes not ours Are made to look on flowers, Eyes of small birds and insects small; Morn after summer morn The sweet rose on her thorn Opens her bosom to them all. The last and least of things That soar on quivering wings, Or crawl among the grass blades out of sight, Have just as clear a right To their appointed portion of delight As queens or kings." Man has always assumed a vast superiority over all other created things, and has attempted to establish it as a fact by making it a part of his religion. To the Roman, all others are barba- rians. To the Christian, all others are heathen. To man, all other animals are inferior, and living simply for his use and entertainment. Who knows what the great truths of nature may be? As we live and move upon our own little planet, man appears to our vision to be nature's crowning work, and we are now looking forward to a super- man who shall eventually bridge the span between 46 Twelve Months With earth and heaven. Maeterlinck in his "Life of the Bee" says : "We conclude that we stand on the topmost pinnacle of life on this earth; but this be- lief, after all, is by no means infallible." As our little planet is probably the illimitable universe of the ants, is it not quite as reasonable to suppose our universe to be merely the little world of some super-creature that we know not of? The animals in "Alice in Wonderland" seemed to regard Alice as an inferior because of her different physical form. I am quite sure the ants and many other tiny creatures regard us as very awkward, clumsy, elephantine, foolish folk, following after many strange gods, and wholly missing the real pur- pose of life, which is not to gain, but to be success, merely to let life flow through us, in all its fullness, in the same simple manner that the flowers grow and the birds sing. Emerson expresses this sentiment in "Musketa- quid": "Canst thou, thy pride forgot, like nature pass Into the winter night's extinguished mood? Canst thou shine now, then darkle, And being latent, feel thyself no less?" And Van Dyke prays for this power to live naturally: "By the faith that the flowers show when they bloom unbidden, The Birds and Poets 47 By the calm of the river's flow to a goal that is hidden, By the trust of the tree that clings to its deep foundation, By the courage of wild birds' wings on the long migration, (Wonderful secret of peace that abides in Nature's breast!) Teach me how to confide, and live my life, and rest." Edwin Markham appropriately compares our civilization with that of the ants, in a poem which he has beautifully named "Little Brothers of the Ground" : "Little ants in leafy wood, Bound by gentle Brotherhood, While ye gaily gather spoil, Men are ground by the wheel of toil; While ye follow Blessed Fates, Men are shriveled up with hates; Yes, they eat the wayside dust, While their souls are gnawed by rust. Ye are f raters in your hall, Gay and chainless, great and small ; All are toilers in the field, All are sharers in the yield. But we mortals plot and plan How to grind the fellow man; Glad to find him in a pit, If we get some gain of it. So with us, the sons of Time, Labor is a kind of crime, 48 Twelve Months With For the toilers have the least, While the idlers lord the feast. Yes, our workers they are bound, Pallid captives to the ground; Jeered by traitors, fooled by knaves, Till they stumble into graves. How appears to tiny eyes All this wisdom of the wise?" At least it becomes us not to magnify unduly our own importance in the universe, and greedily accept all the beautiful things of nature as our rightful due, created expressly for our own par- ticular use or pleasure, without at least showing our appreciation and giving thanks! If we had brought as much joy and beauty and harmony into the world as the birds, we might then be justified in claiming kinship with them, as Lowell did when he recalled his untainted boyhood as the time "when birds and flowers and I were happy peers." In this latitude the month of May is the very height of the nesting and migration season. Per- haps more birds nest with us in May than in any other month of the year, and practically all of the spring migration takes place between the fifteenth of April and the first of June. Our regular May birds, it seems, will not come in April, no matter how favorable the weather may be. I have often looked for some of the usual May arrivals in April, because of early The Birds and Poets 49 warm weather, but the Baltimore oriole, the scarlet tanager, the bobolink, many of the war- blers and other birds will not come until May. They are true to May, no matter how warm a welcome April may offer them. Contrary to the popular impression and the early opinions of students of migration, tempera- ture has but little influence upon the migratory habits of the birds. Food supply is undoubtedly the most controlling consideration. Those birds whose favorite food can readily be obtained in winter, uninterrupted by snow or other weather conditions, are usually permanent residents, and do not migrate southward in autumn. Birds have wonderful breathing capacity, and hence great animal heat, and seldom are seriously affected by cold weather alone. Tiny chickadees, creepers and nuthatches seem less inconvenienced by the cold, sharp air of winter than we do. The food of many birds is quite inaccessible in winter, how- ever, and the ever-present and controlling impulse of self-preservation unfailingly directs them to their food supply. But, given an abundance of its favorite food, a bird's movements no longer seem to be governed by the calendar. Red-headed woodpeckers, for example, were supposed to migrate southward in the fall and pass the win- ter south of Maryland, until Dr. Merriam, in his interesting account* of the habits of this spe- cies, tells that in one county in New York their * Bull. Nutt. Orn. Club, Hi, 1878, pp. 123-128. 50 Twelve Months With abundance in winter was in no way affected by the seventy of the weather, but was entirely dependent upon the success of the crop of beech- nuts, which constituted their food. Many of the nature poets refer to the birds as seeking warmer climes. The subject of migration very naturally appeals to the poet's imagination, and the balmy air and sunshine of the southland is a far more inspiring theme for the poet than mere food, but the latter is the really practical, essential, habit-producing thing, after all. With all the scientific study and research that has been given to the subject of migration of the birds, especially during the last few years, it still remains a mystery, and doubtless always will, and it is not at all surprising that the poet's imagination has been fired by it. One of the most beautiful early- American poems was inspired by a migrating bird, Bryant's lines "To a Waterfowl": "Whither, 'midst falling dew, While glow the heavens with the last steps of day, Far, through their rosy depths, dost thou pursue Thy solitary way? There is a power whose care Teaches thy way along that pathless coast, The desert and illimitable air Lone wandering, but not lost. The Birds and Poets 51 All day thy wings have fanned, At that far height, the cold thin atmosphere, Yet stoop not, weary, to the welcome land, Though the dark night is near, And soon that toil shall end; Soon shalt thou find a summer home, and rest And scream among thy fellows ; reeds shall bend, Soon, o'er thy sheltered nest." Browning expressed the same faith in that "power whose care" teaches his own path, as He teaches the paths of the birds: "I see my way as birds their trackless way. I shall arrive, what time, what circuit first I ask not * * * In sometime, His good time, I shall arrive : He guides me and the bird. In His good time !" No other explanation than that given by these poets has yet been offered for the unerring instinct of the birds in seeking their old feeding grounds and breeding haunts, often thousands of miles removed from their winter base. Many interesting facts, however, have been established with reference to the regular semi- annual migration of many of the birds, but how they are able successfully to traverse such great distances, often oversea for many hundreds of miles, and return to the same area season after season, is one of nature's riddles. 52 Twelve Months With Many influences, however, have a more or less important bearing upon the migration of the birds, among which may be mentioned coast lines, river channels, food supply, sex impulses, hun- ger, love, homing instinct, inherited or acquired memory, temperature, storm conditions, magnetic meridians, etc., all of which are good as far as they go, but none of them, nor all of them together can wholly account for the phenomenon. The ancients observed that some birds visited them only for short periods and at certain seasons, but they apparently sought or found no explana- tion for it, and some thought that the birds hibernated, after the manner of certain animals who thus survive the period when the food supply is entirely cut off. While flying is not the only way in which animals migrate, it is the most effective, and most of the birds are thus structurally well provided with the means of escaping from the disastrous effects of adverse circumstances, and in this way nature has wisely provided against the necessity for hibernation. The fact that the birds are endowed with the power of flight suggests some things which doubt- less have had an influence upon the cause or origin of migration. For example, this power enables the birds to avoid many of their natural enemies, and also to move rapidly from one feed- ing ground to another. They have therefore naturally traveled away from those things which The Birds and Poets 53 were disadvantageous to them, and sought condi- tions that were more favorable. In the same manner they formed habits of wandering in search of food. In their wanderings, which gradually have been extended over wider and wider areas, they have discovered attractive feeding grounds and suitable nesting places; and when to this are added the other recognized influences, the cause of or reason for migration is about as fully explained as it ever will be. When about to give birth to a calf, the domes- ticated cow will sometimes break out of the barn or yard and hide herself in the protecting woods or brush. Although a pet cow, she will defend the retreat against all comers, and allow no one to approach her young. This action represents a reversion to the habits of her wild ancestors, forced to the surface by the great elemental fact of reproduction. Many wild animals act in a similar manner under these circumstances, often travelling considerable distances. I have some- times wondered if it might not have been a simi- lar elemental impulse in the birds which in the dim past was the real cause or origin of the present fixed habit of long-distance migration. The ease with which the birds might respond to this impulse, with their wonderful powers of flight, would make such movements on their part most natural. Certain it is that as our northern spring approaches, the sex impulse, the strongest of all animal impulses, upon which reproduction and 54 Twelve Months With the very existence of the species depend, over- comes all other desires, and the bird grows restless and, guided by the hereditary instincts mentioned, it seeks its breeding area. Wanderings in search of food or in response to the sex impulse might, of course, lead in any direction, and be entirely aimless, as originally they doubtless were, but, following the course most obviously to their advantage, the birds now usually travel south in search of food, and north in search of home, and these journeys have grad- ually been extended until they now cover hundreds of miles over both land and sea. Some very interesting facts have been definitely ascertained with reference to the height that birds attain during migration, and the speed and dis- tances traveled. Birds, in migrating, often ascend to great heights, for which two principal reasons have been assigned: first, that it increases the range of vision, and, second, that they thereby reach a zone or stratum of atmosphere in which flight may be more easy. In 1888 Dr. Frank M. Chapman published an account of certain observations made by him, in which he calculated that the birds traveled at heights varying from 600 to 15,000 feet. A number of the birds which he observed were seen flying upw r ards, crossing the moon there- fore diagonally, "these evidently being birds which had arisen in our immediate neighborhood, and were seeking the proper elevation at which to The Birds and Poets 55 continue their flight."* Beginning their flight, birds have been observed flying upwards in an al- most perpendicular direction, until they reached heights beyond the range of the natural vision. They usually rise to the greatest heights when start- ing upon oversea journeys. Ducks and geese normally travel at about 40 to 50 miles per hour, but Prof. J. Stebbins and Mr. E. A. Fath made careful calculations from observations with a telescope, and found that birds passed at rates varying from 80 to 130 miles per hour.f With favorable winds, even these rates of speed are sometimes greatly increased. The distances traveled by the birds, some of them so tiny that one would think they would be wholly lost in the wide blue expanse of heaven, are very remarkable. The palm warbler, which is a common migrant with us in May, nests in Canada, 3000 miles from Cuba, its winter home. It is a tiny bird, about five inches long, less than half the size of a robin. Similar long trips are made by many of the other warblers that are so small that the ordinary casual observer never sees them at all as they flit about in our treetops in May and September. The American golden plover nests along the Arctic coast from Alaska to Hudson Bay, and winters in Argentina, in southern South America, 8000 miles distant, and in the course of its migra- Auk, 1888, p. 37. t Science [New York], rriv., 1906, p. 49. 56 Twelve Months With tion to its winter home makes the longest single- flight oversea journey of which we have any record. This flight is from the coast of Nova Scotia across the Atlantic southward to South America, a distance of 2500 miles. These birds have magnificent powers of flight, and Mr. G. H. Mackay thinks, with reason, that in making this long oversea journey under favorable conditions they travel at a speed of from 150 to 200 miles per hour. The Eastern or Pacific golden plover winters in certain islands of the Southern Pacific Ocean, including the Low Archipelago, which is 5000 miles, by direct air route, but about 11,000 miles, by way of its migration route from Alaska, which is also the summer home of this species. These two golden plovers, therefore, which are sub-spe- cifically distinct, nest in Alaska little more than one hundred miles apart, and one travels east through Nova Scotia, and south 8000 miles to South America, and the other travels south-west to Siberia and China, and then south-east to the islands of the southern Pacific, a distance of about 1 1,000 miles. These two birds, very similar in gen- eral appearance, nesting in the same area, never fail to separate into two distinct migrating groups, one travelling south-west 11,000 miles, and the other south-east 8000 miles, to winter homes as remote from each other as they could well be in two widely divergent species. Our robin makes a leisurely 3OOO-mile trip twice The Birds and Poets 57 a year, taking about seventy-eight days for each trip. Most of the birds when migrating, travel at night, and feed by day. Many of the most inter- esting and reliable observations on record have been made at lighthouses, and elsewhere by view- ing with a telescope the face of the moon, across which the birds have been seen flying. Many of our summer residents may be called half-migrating, for while they usually migrate southward in the fall, and return in the spring they sometimes remain in the north during the winter, especially in neighborhoods where the requisite food may be had, thus proving again that food is the most controlling consideration in the migration of the birds. Among the common birds that sometimes spend the winters with us may be mentioned the robin, blue bird, meadowlark, junco, kinglets, cardinal, nuthatch, woodpeckers, chickadee, goldfinch, and certain of the sparrows. The casual observer seldom sees any of them in winter, but to eyes that see and hearts that listen, they frequently bring a message of gladness into the dreary wastes of winter. I have several times seen the robin in midwinter, and the other birds mentioned are not infrequent winter residents or transient visitants. A bird lover friend of mine whose home is adjacent to a dense wood adjoining a river, where the cardinals nest every summer has induced one of these beautiful birds to winter with him, by feeding him all summer and late into the 58 Twelve Months With fall until the bird apparently forgets to migrate to a warmer clime. Many winter and semi-migra- tory birds may be attracted to one's home in both summer and winter by a regular practice of feed- ing, and by a permanent basin of water for the birds to use for drinking and bathing. The birds one may see and enjoy in May are bewilderingly numerous. One of my May favor- ites is the Baltimore oriole. To my mind he is one of the few birds possessed of all the known bird accomplishments. He has brilliant plumage, a beautiful song, and is a master in the art of nest building. When I hear his first golden whistle in the spring, when the tulips are in full bloom, I am reminded of Fawcett's beautiful lines : "How falls it, oriole, thou hast come to fly In tropic splendor through our Northern sky? At some glad moment was its nature's choice To dower a scrap of sunset with a voice? Or did some orange tulip, flaked with black, In some forgotten garden, ages back, Yearning toward Heaven until its wish was heard, Desire unspeakably to be a bird?" My young son, anxious to supply the robins who had nested on our window ledge, with what he thought was suitable material for their nest, carried some fine threads of flax into the yard and The Birds and Poets 59 laid them in the grass where he hoped the robins would find them, although the robin's nest had long been finished, and was built of much coarser material, but a pair of orioles espied it and eagerly appropriated it for the delicately woven, pensile nest which I, by this means, discovered they were building in a neighboring elm. When I hear the first oriole sing in the spring, I feel an impulse to run out into the sunshine and stretch my hands out to him in glad welcome. The golden buoyancy of his song is an invitation out doors and is as brilliant as his beautiful coat. He seems to say : "Come out beneath the unmastered sky, With its emancipating spaces, And learn to sing as well as I, Without premeditated graces." His song and his nest recall Lowell's beautiful lines : * * * f rom the honeysuckle gray The oriole with experienced quest Twitches the fibrous bark away, The cordage of his hammock-nest, Cheering his labor with a note Rich as the orange of his throat. High o'er the loud and dusty road The soft gray cup in safety swings, To brim ere August with its load Of downy breasts and throbbing wings, 60 Twelve Months With O'er which the friendly elm-tree heaves An emerald roof with sculptured eaves. Below, the noisy World drags by In the old way, because it must, The bride with heartbreak in her eye, The mourner following hated dust : Thy duty, winged flame of Spring, Is but to love, and fly, and sing." Another favorite May bird, quaint and Quaker- like in character, which I have loved since my boy- hood days when every country bridge offered a shelter for his nest, is the phoebe, of which, also, Lowell sings : "Ere pales in Heaven the morning star, A bird, the loneliest of its kind, Hears Dawn's faint footfall from afar While all its mates are dumb and blind. It is a wee sad-colored thing, As shy and secret as a maid, That, ere in choir the robins sing, Pipes its own name like one afraid. It seems pain-prompted to repeat The story of some ancient ill, But Phoebe! Phoebe! sadly sweet Is all it says, and then is still." The phoebe is homey, domestic and trustful, and his quiet ways win the affections of us all. His The Birds and Poets 61 rather insignificant song "pewit phoebe/' "pewit phoebe," is as humble as the bird himself. Indeed, Witter Bynner, with characteristic naivete, finds his very silence golden : "Under the eaves, out of the wet, You nest within my reach; You never sing for me and yet You have a golden speech. You sit and quirk a rapid tail, Wrinkle a ragged crest, Then pirouet from tree to rail And vault from rail to nest. And when in frequent, witty fright You grayly slip and fade, And when at hand you re-alight Demure and unafraid, And when you bring your brood its fill Of iridescent wings And green legs dewy in your bill, Your silence is what sings. Not of a feather that enjoys To prate or praise or preach, O Phoebe, with your lack of noise, What eloquence you teach!" We are glad to have him return every year, as he frequently does, to the same bridge, barn or porch, and build his nest of moss and mud. The 62 Twelve Months With phoebes seem less numerous of late years, perhaps because .the old fashioned wooden bridges have been replaced by steel and concrete, and they are not so often seen near houses and barns, except in the country districts. They arrive in April, and usually begin nesting about the first of May. Their nests are frequently infected with vermin of various sorts, which sometimes kill the young birds, and this may account for their building a new nest when rearing a second family. They are not noted for meticulous housekeeping. In addition to the phoebe, which is perhaps the most common of our flycatchers, we have the wood pewee, the Acadian, Traill's and least fly- catchers, all of which are demure, drab-colored birds with quiet, plaintive notes. The wood pewee also "pipes its own name" even more distinctly than the phoebe, a mournful, delicate whistled "pee-a-wee" which may be heard at all hours almost any day in the shady woods in May, or indeed all through the summer, when other birds are silent. Trowbridge has honored him with these verses : "For so I found my forest bird, The pewee of the loneliest woods, Sole singer of these solitudes, Which never robin's whistle stirred, Where never blue bird's plume intrudes. Quick darting through the dewy morn, The redstart trilled his twittering horn, And vanished in thick boughs: at even, The Birds and Poets 63 Like liquid pearls fresh showered from heaven, The high notes of the lone wood-thrush Fall on the forest's holy hush: But thou all day complainest here, 'Pe-wee ! Pe-wee ! peer !' ' Next to the humming bird, this little flycatcher builds the most exquisite little nest of all the feath- ered kingdom. It is always flattened out on a single horizontal limb, is only about an inch in height, lined with the finest root fibre, and covered with crustaceous lichens held together with cobwebs and caterpillar's silk with such skill and art that it is almost impossible to distinguish it from a moss- covered knot, natureVown handiwork. The soft, pensive, plaintive note of this little bird, in the midday heat of a summer day in the woods, when all other birds are silent, has a peace- ful, quieting influence, like the cooling shades of the forest where alone the song may be heard. When feeding it sits on a dead or projecting branch of a tree from which it darts at intervals in graceful undulations among the shadows of the wood, catching its insect prey, and returning to its perch, where it repeats its feeble song, usually accompanied by a quivering of the wings, and a downward tilt of the tail. The Acadian flycatcher is also quite common in this latitude, more common than the Traill's or the least flycatcher. Of course the most distinguish- ing trait of the flycatchers, and the first aid to 64 Twelve Months With identification, is the characteristic habit of darting from the limb of tree or bush into the air and snap- ping at insects and then fluttering back to the perch to watch for the next quarry. Most other insect- eating birds gather the insects from the surface of trees or leaves. The Traill's is about six inches in length, the Acadian somewhat smaller, and the least flycatcher, the smallest of them all, is little more than five and a half inches in length. All three have olive-green and fuscous or brownish backs, and are somewhat difficult to distinguish, but the least flycatcher may usually be identified by its smaller size and its horn-colored lower man- dible, which in the other two species named is white or flesh colored. The Acadian is perhaps the most often seen in the Mississippi Valley. My first experience with the Traill's flycatcher was an interesting one, and may aid other bird students in distinguishing this little flycatcher from some of its similarly marked congeners. One late afternoon in May I was attracted by a small bird, darting up from a low bush in pursuit of insects, and although there were other shrubs near, I noticed that he always suddenly darted back after capturing his meal to the very twig from which he had flown. On several occasions he darted out in a horizontal direction from his perch, snapped up the insect, and then although there was an equally desirable perch directly beneath him, he would precipitately dart back to the identical bush from which he had flown, all The Birds and Poets 65 of which was done so suddenly that the little bird appeared to be tied to a rubber band which vio- lently jerked him back to his perch. Sometimes he would fly straight up into the air three or four feet above the shrub, and then tumble over and dart down again, as if he had been shot in his flight. I remember one of his side-flights was so quick and sudden, I thought he had left the bush and flown away, and my eyes followed the direc- tion of his flight for some distance, until I suddenly lost him. Glancing back at his old perch, I was surprised to find him there cooly waiting for another dainty winged morsel to appear. I was not then familiar with this peculiarity of the bird, nor with the bird itself, but I felt con- fident that this marked characteristic would be mentioned by some authority as a distinguishing trait. I hurried to consult a number of the modern authorities, and to my surprise found that none of them mentioned this as the peculiar habit of any of the flycatchers. At last I referred to the authority of all authorities, Audubon, and there I found it at once : "returning with marked sudden- ness to the same place to alight." Audubon, one finds, settles many things that all the rest know not of. He spent all of his long life in the woods and fields observing the birds, and his record of his ob- servations is marvelously free from mistakes, and wonderfully full of just what one wants to know about birds. His wisdom is born of his own expe- riences, and is not mere knowledge gathered from 66 Twelve Months With books written by others. The habit of returning to the same perch is common to a number of the fly- catchers, but the helter-skelter haste of the Traill's in doing so is unique. Therefore should you ever observe a little fly- catcher busily engaged in darting after insects among low trees or shrubs, and invariably return- ing with sudden precipitation to the same perch, you may be quite certain it is Traill's. The kingbird, the most common of all of our flycatchers, and much larger than those we have been considering usually returns to the spot from which he started in pursuit of an insect, but not so precipitately, and he cannot, of course, be confused with the Traill's flycatcher. The scientific name of the kingbird is tyrant flycatcher, but while he vigorously assails anyone who approaches his nest, as any bird of courage and spirit will do, I think this name is a base slander, because the crow is the only bird against whom he seems to have a grudge, and for this special antipathy he doubtless has a very sufficient reason. I recall one time finding a nest of this bird in a tree overhanging a small stream in Northern Indiana. While rowing in the stream, I passed directly under the nest, which I could easily reach by standing up in the boat. I stopped the boat by clinging to the overhanging branches, and rising looked directly down upon the mother bird sitting on the nest, from which she refused to move until I actually touched her back. She then merely The Birds and Poets 67 hopped over to an adjacent limb, and scolded me, with wings half spread and eyes glistening. The male meanwhile kept violently darting down to within an inch of my head, and making more fuss than his mate. The courage and spirit of the two birds was an inspiring sight. I took some pic- tures of the nest with the mother bird half repos- ing upon it, with her wings partially spread as if ready to battle for her young if need be. I never got a camera closer to a mother bird on the nest than on this occasion. I was actually compelled to back away some distance, to get the proper focus for the picture. While the kingbird is thus aggressive and full of spirit, I have never known him to be tyrannical, in any proper sense, or even quarrelsome. The great-crested flycatcher is a rare summer resident. I have seen this largest and finest of our flycatchers in the deep woods along our rivers and on the sand dunes at the south end of Lake Mich- igan. About May 29, this year (1916) I saw a number of them noisily flying about in old dead tree tops as if they were mating. Their calls are loud and clear, and some of their notes resemble the whistle of the cardinal, and others sound very much like the trilling tree-toad notes of the red- headed woodpecker. But they are just enough unlike either to attract attention and arouse one's curiosity, and of course when the bird, (which is larger than the cardinal, and something of the same shape) is once seen, with its crest, and plain 68 Twelve Months With grayish-brown coat, and sulphur-yellow belly, he is easily identified. He always uses snakeskins in his nest, which he builds in a hole in a dead tree, and he usually leaves a piece of it hanging out of the hole for the purpose, as claimed by some authorities, of frightening away his enemies. The yellow-billed cuckoo is a common summer resident arriving early in May. It is a long, thin> dove-like bird, brownish gray in color, with a slight greenish gloss, the long tail conspicuously dotted with round white spots. He slips noise- lessly into a tree, and disappears in its leafy depths in an almost ghostly manner, and if you are able to spy him out you will find him sitting absolutely motionless, apparently in a sort of trance, from which he awakes to hop stealthily about in search of caterpillars. His song is strikingly character- istic, and suited to his spirit-like movements, a monotonous and unmusical "k6