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JAMES ST AUBYJV^A.M 
 
 Oriel Con. Oxon. 
 

 
 Digitized by the Internet Archive 
 
 in 2007 with funding from 
 
 IVIicrosoft Corporation 
 
 http://www.archive.org/details/britainshistoricOOpennrich 
 
J 
 
 BRITAIN'S 
 
 HISTORICAL DRAMA; 
 
 A SERIES OP 
 
 Rational Zxmt^it^* 
 
 INTENDED TO ILLUSTRATE THE MANNERS, CUSTOMS, AND RELIGIOUS INSTITUTIONS 
 OF DIFFERENT EARLY ERAS IN BRITAIN. 
 
 ENlflE 
 
 ** The Drama is an epitome of tlie minds and manners of mankind ; and 
 WISE MEN, in all ages, have agreed to make it, what in truth it ought to 
 be, a supplement to the Pulpit."— Archbishop Tili-otson. 
 
 LONDONj 
 SAMUEL MAUNDER, 30, REGENT STREET, 
 
 MDCCCXXXII, 
 
LONDON! 
 
 PRINTED BY WILLIAM CLOWES, 
 
 Stamford Street. 
 
LIST OF SUBSCRIBERS. 
 
 HIS MOST GRACIOUS MAJESTY, 
 
 €f)t amg* 
 
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 Aldridge, G., Esq., Christchurch 
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 ; Birnie, , M. D., Weymouth 
 
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 Bullar, Mr. J., Southampton 
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LIST OF SUBSCRIBERS. 
 
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 Cave, T., Esq,, Poole 
 Chard, Rev. G. W. T., Blandford 
 Chitty, T. B., Esq., Shaftesbury 
 Choppin, Rev. F., Corfe Castle 
 Clai'ke, G., Esq., London 
 Clarke, Rev. L., Archdeacon of 
 
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 Clevell, Mrs., Dorchester 
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 Collins, J., M.D., Wimborne 
 Colmer, Rev. J., Askerswell 
 Colson, Rev, Morton, Dorchester 
 Conway, Mr., Ringwood 
 Cooke, J., Esq., Newport 
 Coombs, H., Esq., Salisbury 
 
 Corbin, , Esq., Lymington 
 
 Coward, , Esq., Holloway 
 
 Cox, E.W., Esq., Taunton 
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 Davies, Rev. D., Swanwich 
 
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 Elliott, Rev. R., Devizes 
 
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 England, Rev. Dr., Archdeacon of 
 
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 Erie, William, Esq., Temple 
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 Evans, G., Esq., Wimborne 
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 Fellows, Rev. Dr., Reigate 
 Fill iter, G., Esq., Wareham 
 Finch, W., M.D., Salisbury 
 Fisher, R., Esq., Salisbury 
 Fisher, T., Esq., Dorchester 
 Floyer, Mrs., Stafford 
 
 Flucker, , Esq., London 
 
 Foote, J., Esq., Poole 
 Fox, Rev. H., Allington, Bridport 
 French, W. J., Esq., Wilton 
 Freeland, IMiss, Wareham 
 Fripp, Rev. S. C, Bristol 
 Fuller, J., Esq., Mount Terrace 
 Furey, Rev. J,, Fording Bridge 
 Fyler, James C, Esq., Heffleton 
 Lodge 
 
 Galpine, J. K., Esq., Blandford 
 
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List OF SUBSCRIBERS. 
 
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 Good, Rev. J. E., Salisbury 
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 Greenley, Rev. J., Salisbury 
 Groves, Mr., Wareham 
 Gundry, Mrs. Mary, Richmond 
 Gnudry, "W., Esq., Bridport 
 
 Hairby, J., M.D., Poole 
 
 Halford, Sir Henry, Bart., London 
 Hancock, Cjq)t. R.N., Weymouth 
 Hanham, Rev. P., Wimborne 
 Hannen, W., Esq., Shaftesbury 
 Harris, C. P., Esq., Plaistreet House 
 Harris, Rev. R., Wareham 
 Harrison, J., Esq., Poole 
 Harrison, W., Esq., Blandford 
 Harrison, J,, Esq., Portsmouth 
 Hawes, R., Esq., Wimbome 
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 Hawke, Mr., Wimborne 
 Hedgeland, Mra,, London 
 Henning, J., Esq., Weymouth 
 Henning, W. L., Esq., Dorchester 
 Herbert, Henry, Esq., Wimborne 
 
 Heywood, , M.D., Blandford 
 
 Higgs, Mr. D. C, Sherborne 
 Hilliar, Mr. James, Warminster 
 
 Hillyer, , Esq., Ryde 
 
 Hoare, Sir R. C, Bart., Stourhead 
 Hodgson, Rev. C. H., Salisbury 
 Hooper, R., Esq., Downton 
 Hopgood, ]Mr. Sidney, Downton 
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 Ireland, Mris., London 
 
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 Kittoe, W. H., Esq , Downton. 
 Knapp, K., Esq., R,N., Portsmouth 
 
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 Lindsay, Rev. H., Croydon 
 Locke, Mrs., Chelsea 
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 King 
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 monden, Kent 
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 Mayo, Rev. J., Wimbome 
 McDonald, W., Archdeacon of Wilts 
 Mears, Rev, T., Southampton 
 b2 
 
LIST OF SUBSCRIBERS. 
 
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 copies 
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 Milman,Rev. H.H., M.A., Professor 
 
 of Poetry at Oxford 
 
 Milridge, Mr. , Isle of Purbeck 
 
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 Moore, , M.J)., Ryde 
 
 Morley, Mrs., Wimborne 
 
 Morrice, Rev , Knowle 
 
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 Mulligan, T., Esq., Bath 
 
 M , Rev. E. B., L Castle 
 
 Myers, Thomas, LL.D., Blackheath 
 
 Neale, Sir Harry, Bart. 
 Nicholetts, E., Esq., Bridport 
 Nicholls, Messrs., London 
 
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 Penny, W. Webb, Esq., Sherborne 
 Penny, J., Esq, Sherborne 
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 Pike, W., Esq., Bucknowle House 
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 Abbey 
 Portman, E., Esq., M.P., Bryanstone 
 
 ]Sou8e, Blandford 
 
 Poole, Rev. H., Weymouth 
 Powell, General, Weymouth 
 Pretty, Miss, Poole 
 
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 Pugh, Rev. C, Weymouth 
 
 Racket T, Rev. T., Spitsbury 
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 worth 
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 Randall, T., Esq., Wilton 
 Randall, J. M., Esq., Farnham 
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 Rawlings, Mr. G., Fording Bridge 
 Read, Mr. David, Salisbury 
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 chester 
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 Roberts, G. L., M.D., Bridport 
 Rogers, Samuel, Esq., London 
 Rooke, H.., Esq., Downton 
 Row, Rev. J., Bristol 
 Rowe, J., Esq., Wimborne 
 
 Salisbury, the Very Reverend the 
 
 Dean of 
 Scotland, T., Esq., Alresford 
 Scott, Rev. Russell, Portsmouth 
 Seager, J., Esq., Poole 
 Selby, Mr. S., Wareham 
 Shenstone, J., Esq., Bath 
 Shipp, Mr., Blandford 
 Short, Rev. W., Chippenham 
 Shugar, J. S., Esq., Portsmouth 
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 Simpson, G., Esq., Devizes 
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 Skurry, Rev. F., B.A., Horningsham 
 Smart, C. N.; Esq., Salisbury 
 
LIST OF SUBSCRIBERS. 
 
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 Spink, Rev. S., Wimborne 
 
 Spurrier, Miss , Poole 
 
 Squarey, R., Esq., Salisbury 
 Standert, W. C, Esq., Taunton 
 Stanser, R. B., Esq. Southsea 
 Stebbing, H., Esq., London 
 Steele, J., Esq., Poole 
 Stephens, S., Esq., Shaftesbury 
 Steward, Mrs., Dorchester 
 Steward, G., Esq., Weymouth 
 St. George, Mrs., London 
 Stickland, J. B., Esq., Chelsea 
 Stickland, G., Esq., Winchester 
 Stone, J. Esq., Dorchester 
 Storey, R., Esq., Shaftesbury 
 Street, Mr. J,, jun., Downton 
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 Symonds, Mr. J., Dorchester 
 
 Tamlyn, Mr. W., Downton 
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 Templer, J., Esq., Bridport 
 Thomas, R. S., Esq., R.N., Ports. 
 
 mouth 
 Thorpe, G. P., Esq., London 
 Thring, John, Es<i., Warminster 
 
 Thring, Rev. W., D.D., Sutton Ve- 
 
 ney, Warminster 
 Toll, Mr. H., Sherborne 
 Toms, Mr., Taunton 
 Toogood, Mrs. C, Sherborne 
 Trenchard, G., Esq., Shaftesbury 
 Tucker, Mrs., Bridport 
 
 Turner, , Esq., London 
 
 Turner, W., Esq., Reigate 
 
 Virtue, , Esq., Weymouth 
 
 Wallace, Rev. J. C, Wareham 
 Warrington, T., Esq., London 
 Weld, J., Esq., Southampton 
 West, J., Esq., Taunton 
 Weston, S. W., Esq., London 
 Wheeler, J., Esq., Salisbury 
 Whitchurch, Samuel, Esq., Salisbury 
 Whitchurch, John, Esq., Salisbury 
 White, Mr., Christchurch 
 White, Mrs., Poole 
 Whitfield, Rev. E., Ilminster 
 
 Wicks, , Esq., Chippenham 
 
 Williams, Col. Sir Richard, Ports- 
 mouth 
 Williams, Rev. David, D.D., Head 
 
 Master of Winchester College 
 Williams, W., Esq., Wareham 
 Wills, Mrs., Poole 
 Wills, Rev. John, Bridport 
 Winchester, the Very Reverend the 
 
 Dean of 
 Winzar, David, Esq., Salisbury 
 Wise, J., Esq., Christchurch 
 WoUaston, — ~, Esq., Dorchester 
 Wood, Mr. G., Bath 
 World, Editor of the, London 
 
ERRATA. 
 
 Page 3, 
 ,, 11, 
 „ 13, 
 „ 102, 
 „ 131, 
 „ 1«5, 
 „ 226, 
 „ 234, 
 „ 234, 
 ^ 245, 
 „ 329, 
 „ 368, 
 „ 418, 
 „ 420, 
 „ 519, 
 
 line 
 
 23, 
 29, 
 15, 
 4, 
 38, 
 
 12, 
 10, 
 10, 
 23s 
 26, 
 2i9, 
 15, 
 7, 
 10, 
 
 for Mandubrog, read Cymbaline. 
 
 „ nation, „ nations. 
 
 „ flatterer, „ flatter. 
 
 „ hostages send „ send hostages. 
 for "What fearful groan was that? read Woe worth the hour. 
 for evil, read coil. 
 
 Strong, 
 
 Mercians, 
 
 chief, 
 
 t»C 
 
 the, 
 
 fountain 
 
 and Eth«lhrg, 
 
 earlessly, 
 
 bis. 
 
 strongly. 
 
 Mercian. 
 
 chiefs. 
 
 take. 
 
 their. 
 
 fountains. 
 
 and the Etheling' 
 
 fearlessly, 
 
 this. 
 
CONTENTS. 
 
 Page 
 Dedication ...*...... iii 
 
 Preface ....••..*• v 
 
 Arixinaj a Tragedy 1 
 
 Notes to ditto 121 
 
 Edwin AND Elgiva ; a Tragedy . . . . . ,141 
 
 Notes to ditto 251 
 
 TiiE Imperial Pirate j a Tragedy ..... 265 
 Notes to ditto .385 
 
 The Dragon King J a Tragedy 411 
 
 Notes to ditto 523 
 
TQ 
 
 THE KING'S MOST EXCELLENT MAJESTY. 
 
 Sire, 
 
 When, on commencing this work, I received 
 permission to dedicate it to your Majesty, I was 
 not insensible that, while it demanded my pro- 
 foundest gratitude, the value of such illustrious 
 patronage must ever far exceed my warmest 
 acknowledgments. Nobly fulfilling the duties 
 of your exalted station, and evincing a truly 
 paternal regard for the people over whom Provi- 
 dence has placed you, I felt that my performance, 
 however humble in itself, would have a lustre 
 shed on it by the encouragement your Majesty 
 has been pleased to give to a work, which, 
 professing to record, in a dramatic form, the 
 manners, customs, and religious institutions of 
 our early ancestors, might be entitled to the 
 epithet of national. 
 
 It was the noble ambition of one of those 
 heroes who figure in the following pages, to 
 render the fleets of Britain, at a very early 
 period, triumphant masters of the ocean, and by 
 
 a2 
 
iV DilDlCATION. 
 
 their superior power secure her glorious inde- 
 pendence. The annals of the British navy stand 
 pre-eminent as a portion of our national history ; 
 and England has the proud delight to acknow- 
 ledge your Majesty as one of those defenders 
 who have stood forward to maintain the honour 
 of her flas: on the boisterous element. 
 
 That affection for your Majesty's person which 
 was so universally manifested on your accession 
 to the throne, has since risen to a degree of 
 enthusiastic attachment, never surpassed, if 
 equalled, during any period of Britain's history. 
 
 That this love and veneration may never cease 
 while your Majesty sways the British sceptre, — 
 that your life may be long preserved, — and that 
 every earthly blessing may attend a Monarch 
 whose greatest happiness consists in the pro- 
 motion of his subjects' welfare, — is the earnest 
 prayer of ♦ 
 
 Your Majesty's 
 
 Most humble Servant, 
 
 And dutiful Subject, 
 
 J. F. Pennie. 
 
PREFACE. 
 
 The following Tragedies are intended to form a portion 
 of a National Dramatic Work ; not merely devoted to 
 the purposes of illustrating certain particular events, 
 which stand like lofty and isolated rocks amid the down- 
 ward rolling stream of British history, but also to display 
 a faithful picture of the manners, customs, and religious 
 observances of those various nations that have succes- 
 sively obtained the possession and dominion of this 
 island. 
 
 As far as I have any acquaintance with dramatic 
 writings, no similar work has ever yet been published. 
 
 We have, it is true, several old, neglected plays, 
 relating to the British, Saxon, and Danish dynasties, but 
 wholly unconnected by anything like an historic series, 
 while, at the same time, almost all the dramas of which 
 I possess any knowledge have in their characters — no 
 matter when their era, or where their scenes of action 
 are laid — the manners, feelings, institutions, and usages 
 which belong to the age and country of their respective 
 authors. This applies not only to the Shakspearian era 
 of dramatic composition in England, but also to all sub- 
 sequent periods, and to all civilized countries where the 
 drama has been cherished. In confirmation of this we 
 need only refer to Dryden's plays, and to most of the 
 French, Italian, and German productions of the stage. 
 
VI PREFACE. 
 
 I cannot do better, the more fully to elucidate my 
 design in this work, than quote, before I proceed any 
 farther, a passage from the Revue Encyclopedique. 
 
 'An extra condition is now imposed upon dramatic 
 poets, and the severity with which it is enacted, in the 
 opinion of certain critics, is a proof of an evident ten- 
 dency towards mental perfection, — we mean the condi- 
 tions of local verity. They wish tragedy to be at once 
 a source of instruction and study — not only to present a 
 general portrait of the passions, but to be a faithful 
 image of the manners of the people from whence its 
 subject is drawn ; they wish it to be characteristic of the 
 institutions, the opinions, and the prejudices of nations. 
 They allow the poet to create events, but when once he 
 has chosen his scene of action, they require an exact 
 description of the country, and a rigid historical truth in 
 the accessories ; in short, they require his picture to be 
 a perfect resemblance of its model. This exaction is far 
 from blameable, and this passion for truth reflects honour 
 on the age. In admitting how much it increases the 
 merit of the picture, we must nevertheless observe that 
 t demands a profound knowledge of the theatre, and a 
 most delicate tact to employ it well. The manners, the 
 customs, and the language of certain nations of antiquity, 
 and even of those of some more modern ones, are em- 
 bued with a stamp of rusticity that shocks the delicacy 
 of more civilized people. To repeat upon the stage the 
 vulgar abuse which Homer's heroes address to each 
 other, — to rake up, as some German authors do, the 
 contemptible relics, the pitiful quodlibets, of the heroes 
 of the feudal ages, — to hear these by the lowest of the 
 low, in language which would disgust our ears, in any 
 situation within a theatre, for the sake of preserving a 
 
PREFACE. VII 
 
 local verity, is what no man in his senses requires, or 
 would tolerate. The observance of the local verity pre- 
 sents another equally great difficulty to surmount. The 
 poet risks, in conforming himself to it, becoming unin- 
 telligible.' 
 
 I am not conscious in the following work of taking 
 greater liberties with history than all authors have hitherto 
 done before me, in dramatic composition, and others are 
 still doing in the form of historical romance. And here 
 I would observe that it is not my intention, should these 
 Tragedies be favourably received by the public, to drama- 
 tize some story selected out of every king's reign known 
 in British history, like Neele's Romances, but merely to 
 take such portions of that history as are, I conceive, best 
 suited to develop my plan, and at such distant periods 
 from each other as I may think proper ; yet so to be 
 connected as to exhibit a diorama of those great changes 
 which have taken place and followed each other, with 
 regard to dynasties, manners, and religious institutions, 
 during a long succession of years, down which has de- 
 scended the turbulent stream of our national annals. 
 
 I am well aware that this is a task of considerable 
 magnitude, requiring great labour of research, united 
 with poetical and dramatic ability, to render it in any way 
 a work that shall be pleasing and amusing, as well as 
 instructive and useful, without descending to ribaldry 
 and those flashes of pernicious wit, which, though often 
 brilliant, blast, like the lightning, the delicate flowers of 
 innocence and virtue, and destroy, as far as its fatal 
 influence extends, that bulwark of society — good morals. 
 
 That a wide taste for dramatic literature (whatever 
 may be the opinion of certain persons) will ever cease to 
 exist, I cannot for a moment believe. Our fondness 
 
VlU PREFACE. 
 
 for a full display of the different characters of mankind, 
 of every grade, in all their varied shades and lights, 
 arising from the good and the evil passions of the heart, 
 which is the peculiar province of the drama to pourtray, 
 and which is not in the power of history to accomplish, 
 must, as long as nature exists, and man delights to study 
 the noblest work of his Creator, ever be to the yomig 
 and the old, the polished and the rude, the most interest- 
 ing, the most lasting, the most rational, and the most 
 universal amusement. To reason otherwise would be to 
 assert that the unrivalled Dramatist of Nature, Shak- 
 speare himself, will cease to be read and esteemed, — 
 that he will sink into utter oblivion, and be, ere long, as 
 much despised and forgotten as the authors of giant 
 stories for the nursery. 
 
 But I would ask — can characters that never existed on 
 earth, save in the poet's imagination, create in his reader 
 a higher interest than the renowned of antiquity, who 
 have not only actually lived, but were persons of great 
 power and influence in their day and generation, and 
 the cause of those mighty changes, both in state and 
 religion, which have continually been taking place ever 
 since Britain has obtained a name among the nations. 
 If we know but little of those times and those characters, 
 the more ought our curiosity to be awakened, and our 
 interest excited, by an attempt to penetrate the obscu- 
 rity that has so long hung over them ; and every 
 endeavour which aims to clothe them, by the aid of 
 ancient chronicles, in their various attributes, and ani- 
 mate them with those passions which are consistent with 
 what is recorded of their actions, must be accounted 
 laudable. 
 
 Whitalter, speaking of Hume^ says, * He advances a 
 
PREFACE. IX 
 
 position, convenient, perhaps, for himself, but certainly 
 unjust in its nature, that the history of nations in their 
 infancy is not worthy a recital ; as if the commencement 
 of civil life, the dawn of the arts^ and the rise of litera- 
 ture, were not incidents as important and interesting as 
 the posterior account of them, their occasional eclipses^ 
 or accidental illuminations. 
 
 ' By this means, the whole portion of our history, which 
 (as I have formerly remarked) is the most important 
 IN ALL OUR ANNALS, is cousigncd ovcr to neglect and 
 carelessness, as unworthy a man of genius for its writer, 
 and incapable of affording entertainment and instruction 
 to the reader. And a strong brand is fixed upon that 
 period of our annals, which is (as I may say) the great 
 seed-plot of our national history, as it gives us the origin 
 and institution of all our government, all our civility, 
 and all our religion ; and is therefore fraught with infi- 
 nite variety of instruction and pleasure to the man, the 
 Christian, and the critic' 
 
 In addition to such authority as the foregoing, I have 
 the satisfaction of quoting a few observations from the 
 prospectus of a forthcoming work, illustrative of Anglo- 
 Saxon literature, by the Rev. Dr. Grundtvig, of Copen- 
 hagen, whose laudable efforts will, I hope, be crowned 
 with the success that such an undertaking deserves. 
 
 * If it should appear — as experience will clearly prove 
 — that these very Anglo-Saxons have exercised a far 
 greater influence over the modern civilized world, than 
 even their illustrious descendants ; and if the literary 
 relics of this people form some of the most invaluable 
 documents and records we possess for the Universal His- 
 tory of mankind — then, I say, it will be still more asto- 
 nishing that a nation, so acute and so enlightened as the 
 
X PREFACE. 
 
 English, should have chanced to overlook a source from 
 whence they might have derived both credit and profit 
 to themselves. And if, again, this Anglo-Saxon litera- 
 ture, far from being the dull and stupid trash which some 
 English writers of no small name have chosen to suppose, 
 should of itself make up a body of amusement and in- 
 struction, deserving, on its own account, the attention 
 and admiration of cultivated minds, it may be no fan- 
 tastic hope of mine, perhaps, that England will one day 
 regret the neglect and unkindness she has shown to her 
 high-born and honourable kinsmen, and atone for it by 
 *' one stride equal to many mincing steps." 
 
 * With Theodore of Greece and Adrian of Africa, classi- 
 cal literature, in the full extent to which it was then culti- 
 vated, was introduced into England ; and from the begin- 
 ning of the eighth century to the end of the eleventh she 
 appears — not even excluding a comparison with the East- 
 ern Empire — to have been the most truly civilized country 
 on the globe. It was here that a whole nation listened 
 to the songs of Caedmon and of Alcuin in their mother 
 tongue, while in France and Italy nothing was heard but 
 a jargon of barbarous sounds. It was here that, in the 
 eighth century, Beda and Alcuin shed a lustre, by their 
 classical attainments, over the whole of Europe ; and it 
 was from hence that Charlemagne, the sovereign of the 
 greater portion of the Western World, was compelled to 
 seek for an instructor. Even in these facts there is, 
 something dazzling, something which arrests the atten- 
 tion, and demands the homage of our respect ; but, what 
 is far more memorable and important in its consequences, 
 it was Anglo-Saxon missionaries who carried Christianity 
 to Germany and the North of Europe — missionaries 
 from a country which, having a literature of its own, in 
 
PREFACE. » 
 
 a language akin to that of Germany and Scandinavia, 
 made that literature the example, and that school the 
 pattern, of all the early literary attempts of those parts 
 of the world.' 
 
 So much for the Anglo-Saxons. And can there be 
 nothing said for the Britons, their predecessors in the 
 dominion of this island, who have been superciliously 
 styled the rudest barbarians ? The Britons barbarians ? 
 They merit not such obloquy, although it has been cast 
 upon them by the ignorance or pride of the far greater 
 number of our historians and antiquaries ; from which 
 they have, however, been nobly rescued by the impartial 
 and erudite pen of Dr. Henry, and the learned and sen- 
 sible author of the History of Manchester. 
 
 The Britons had their supreme Pen-teyrn, Dictator, or 
 Emperor, who reigned over all the tribes ; they had their 
 provincial kings, their nobles, their freemen, and caeths, 
 or slaves ; and their institutions were perfectly feudal, 
 and very similar to the Normans, as may be seen by 
 referring to the code of Welch laws, derived from the most 
 ancient customs of the early Cymry. They formed a vast 
 population, as Caesar and Diodorus both assure us ; they 
 had numerous towns, hill cities, and immense fortifica- 
 tions, which time has not, or ever will, destroy, — temples 
 and altars, which, to this day, strike the beholder with 
 wonder and awe at their Cyclopsean magnitude and 
 grandeur, and which, with their fragments of glass vessels, 
 beads, weapons of brass, &c.*, show, beyond all con- 
 tradiction, that the mechanical arts had arrived in this 
 
 * See Leland, ix., and Iten. Curio., p. 55, for British brass 
 kettles ; and for their brass weapons, BorlaseDeo Nicseus, that the 
 Caledonians have brass balls affixed to the end of their spears. 
 
Xll PREFACE. 
 
 island, long before the invasion of the Romans, to a high 
 state of perfection. 
 
 The Britons had a regularly established priesthood, 
 whose religion was celebrated with such pomp, that Pliny 
 says — ' Britannia hodieque earn (magiam) attonite ce- 
 lebrate tantis caeremoniis ut earn Persis dedisse videri 
 possit.' And though I doubt that Britain was the cradle 
 in which the superstitions of the east were nursed, — rather 
 believing the exact contrary of this, — yet the philosophy 
 of the Druids was as extensive as their power. They 
 were lawgivers, physiologists *, mathematicians, physi- 
 cians, geographers, theologicians, and astronomers, while 
 their wisdom and knowledge of the arts and sciences 
 made them far renowned, and drew to their schools, as 
 Csesar testifies, all the noble youth of the continent. 
 
 The Britons were the first who divided this country 
 into cymmwds, commots, and cantrifs ; each having its 
 own distinct court of law, in which was a regular ad- 
 ministration of justice, being held on the side or top of a 
 hill, within a small amphitheatre of turf or stone. Such 
 was the mount of the Keys in the Isle of Man. One of 
 these courts of justice is still to be seen, in the most per- 
 fect preservation, on a hill to the north of the village of 
 West Lulvvorth, in Dorsetshire. It is formed of a deep 
 circular vallum of earth, surrounded with a shallow dyke, 
 and has an entrance facing the east. The Britons had also 
 an excellent code of national laws, collected and founded 
 by Dyfnwal Moelmundd, from which it is quite clear that 
 Alfred the Great drew his noble institutions, translating 
 them into Saxon from the Latin of Gildas. An eminent 
 sage of the law has affirmed, ' that the ancient Britons, 
 
 ♦ Ea divinationum ratio, &c. &c. See Davies, p. 44. 
 
PREFACE. XUl 
 
 before they ever were subdued by the Romans, were ia 
 possession of that admirable system of jurisprudence the 
 present common law of England, and that no material 
 changes have been made in the system either by the 
 Romans, Saxons, Danes, or Normans.' 
 
 These Britons had also their senatus consuUum, or 
 assemblies of wise men and elders, who formed the laws 
 and governed the country, but whose decrees were of no 
 effect till ratified by the king, who, notwithstanding, could 
 neither make nor abrogate any laws without the consent of 
 the national assembly. The ardent love of liberty, ho- 
 nour, and warlike glory burned as brightly in the bosoms 
 of the Celtic tribes as in those of any of the successive 
 generations that have arisen in this island, and inspired 
 them to deeds worthy of the highest fame. 
 
 Let us, then, hear no more of the old Roman affecta- 
 tion and shallow cant which ignorantly pretends to cast 
 the disgrace of savage barbarity on the ancient Britons, 
 whose venerable relics give such aspersions the lie, and 
 proclaim them to have been a noble and a mighty people. 
 
 But to return to the design of the present work : if a 
 drama can be made, ^ as in a glass,' 
 
 To show the very age and body o' th' time, 
 Its form and pressure,' 
 
 the further it dives into the rich mines of antiquity, pio- 
 neered by authorities, the more must our knowledge, at 
 least, be enlarged ; and if, added to this, the poet can by 
 his art contrive to produce a strong concern in his reader 
 for the fate of his characters, and render his incidents 
 striking and effective, such a work will not only be in- 
 structive, but interesting in the highest degree. Ages 
 Jong buried in oblivion pass in review before us, and wq 
 
XIV PREFACE. 
 
 behold the world as it was a thousand years ago 1 Who 
 can contemplate such a picture without deep emotions of 
 pleasure, wonder, gratitude, and triumph, — ^wonder at 
 the past, and gratitude for the present. If there be any one 
 so dead to noble feelings, I envy not his mind let him be 
 who he may ; — he would wander through the venerated 
 ruins of an Herculaneum and a Thebes with indifference 5 
 he would cast a look of contempt on the tumulus of 
 Achilles, and contemplate, without a sigh to the fallen 
 brave, the plains of Marathon and the pass of Ther- 
 mopylae. 
 
 Whoever pretended there was no interest in the Roman 
 Father, Brutus, Virginius, Cymbeline, Julius Caesar, 
 Antony and Cleopatra, The Winter's Tale, Caractacus, 
 Hamlet, Macbeth, and numerous other dramas, because 
 the eras in which their characters lived are far removed 
 from the present period ? Indeed, the action of most of 
 those pieces is of an age anterior to the invasion of Caesar, 
 which are the remotest times to which we have, in the 
 present work, gone back. But let it be remembered that 
 in nearly all of those plays, exhibiting talent of the first 
 order, and which will never cease to be read while a taste 
 for literature has an existence, there is little or no due 
 keeping, no vivid colouring of manners and national 
 customs, which, had they been judiciously interwoven 
 with the thread of the plot, would have been like the gold 
 and silver gleaming through the splendid tapestry of the 
 ancients, and have thrown a tenfold charm over those 
 delightful productions. Dr. Johnson says, that the dis- 
 tance of country wherein the scenes of a drama are laid^ 
 allows the manners of the characters to be falsified, as 
 well as the incidents feigned : and the celebrated Racine 
 affirms, that remoteness of jjlace affords the same conve- 
 
PREFACE. 3iV 
 
 niences to the poet as length of time. This silly doctrine, 
 like many others, has had its day ; but no poet of the 
 present age, I should imagine, would venture to adopt it, 
 either with regard to place or time ; or if he did, his 
 productions must meet with that neglect and contempt 
 which they would justly merit, and he himself be despised 
 for his ignorance. 
 
 Can PizarrO;, a German play, which faintly attempts 
 to delineate the customs of the Peruvians (similar in 
 many parts of their religion to the Celtae), those savages 
 of another world, awaken a higher degree of interest in 
 an English audience ? And shall the customs, supersti- 
 tions, and warlike deeds of the ancient Britons, whose 
 name we bear, and with whom we love to assimilate 
 ourselves, as if they were actually our ancestors, — whose 
 Druids stood high in the scale of civilization, and whose 
 noble struggles for their country's liberty entitle them to 
 our admiration and respect, — shall these, in scenes and 
 times of heroic glory, excite no curiosity, awaken no 
 feelings of sympathy, because they belong to a more 
 distant age ? Can we be gratified with a dramatic display 
 of the actions of certain heroes of the Greek and Roman 
 nations, who, though perhaps more refined and en- 
 lightened, were not more brave, nor half so virtuous as 
 the Anglo-Saxons, yet pretend utter apathy and disregard 
 to the customs, rights, and political struggles of our fore- 
 fathers when moulded in a similar form — those warriors 
 whose valour obtained for us the land we live in, whose 
 laws and institutions we to this day follow, and to whom 
 we are indebted for many of our dearest rights and pri- 
 vileges ! If it can be so, then by the very same rule, and 
 by just as wise reasoning, we ought to discard all know- 
 ledge of the early history of our country, despise the 
 
XVI PREFACE. 
 
 beautiful fictions of antiquity, and becoming at once 
 downright blockheads, shut out for ever Homer and 
 Ossian from our studies, and, above all, fling Milton into 
 the fire, seeing the period of his tale, its characters, 
 scenes, and manners, are in part even before time itself 
 began, and all the rest of an anterior date to the story of 
 any other acknowledged poet in existence. 
 
 But I would hope better things of the present en- 
 lightened period, which lays claim to the title of the 
 Augustan age of literature, in spite of what has been 
 advanced to the contrary by a few, who, in their own 
 weak imaginations, believe themselves to be the wise 
 par excellence; and cannot think that the design of the 
 present work, whatever failings may be discovered in its 
 execution, will meet with neglect and contempt from a 
 discerning and candid public. Surely the attempt to 
 excite a due regard and taste for our national antiquities, 
 to scatter the flowers of poesy on the dark and rugged 
 fragments of other ages, however imperfectly performed, 
 is at least praiseworthy, and merits encouragement rather 
 than reprehension. On such a subject I shall briefly 
 speak in the words of a modern writer : * However difficult 
 my task, I am emboldened by the confidence I feel in 
 the candour with which the good and enlightened do ever 
 regard the experimental efforts of those who wish in any 
 degree to enlarge the sources of pleasure and instruction 
 among men.' 
 
 N.B.— By an unfortunate mistake In sending the JISS. to the Printer, the chro- 
 nolojpcal order of the TrnRedics is subverted : * Edwin and Elgivn,' instead of being 
 (be teconU piece, nhould have Blood the last In the Volume. 
 
A R I X I N A, 
 
 A TRAGEDY. 
 
 * Witness, Rome, 
 Who saw'st thy Caesar from the naked land, 
 Whose only fort was British hearts, repell'd 
 To seek Pharsalian wreaths.' 
 
 Thomson's Liberty, 
 
 ' And thou, O Julius, whose embattled host 
 First shook Invasion's scourge on Albion's coast. 
 Say, when from Cassibellan's agile car 
 Flash'd the just vengeance of defensive war ; 
 Say, did ye deem that e'er the painted race. 
 In distant times, your shore remote should trace, 
 Chase from your far-famed towers Oppression's doom, 
 Restore your wasted fields, protect the walls of Rome ?' 
 
 Pye's Carmen Seculare. 
 
DRAMATIS PERSONiE. 
 
 ROMANS. 
 
 Julius C^sar. 
 
 Tiberius Rufus. 
 
 Atrius, Lieutenant to Caesar. 
 
 Valerius, a Tribune. 
 
 Ventidius. 
 
 Claudia. 
 Lavinia. 
 
 Officers, Lictors, Roman Soldiers, &c. 
 
 BRITONS. 
 
 Cassfelyn, or Brazen Helmet, (the Brennin, or chief king of 
 
 Britain.) 
 Cymbaline, rightful heir to the British throne,! Nephews to 
 Theomantius, his younger brother. J Cassfelyn. 
 
 The Arch-Druid. 
 
 Carvilius, king of the Belgse, or the Carvillii. 
 EwYLLEN, friend to Cymbaline. 
 Dunvallo, king of Cornwall. 
 CiNGETONix, prince of Kent. 
 ToGORMA, king of Dimetia, or South Wales. 
 
 VORTIMER. 
 
 Uthyr, a child, son of Arixina and Mandubrog. 
 
 Arixina Singetona, High-Priestess of Melcom, or the Sun. 
 Dalthula, a Virgin of the Sun. 
 
 Druids, British Soldiers, &c. 
 
 B 2 
 
ARIXIN A. 
 
 ACT I. 
 
 SCENE I. — The Interior of the Roman Camp at 
 RutupcBf or Richborough. 
 
 Enter Claudia and Lavinia from opposite sides, 
 
 LAVINIA. 
 
 Friend of my bosom, say what sudden joy 
 Spreads o'er thy cheek young beauty's richest glow, 
 And from thy dark-orbed eye outflashing shines 
 Like day's first beams of glory ? 
 
 CLAUDIA. 
 
 O, Lavinia, 
 Thou for the noisy camp, the din of arms, 
 And unknown horrors of a savage land. 
 Filled with barbarians, quitt'st thy palace-home 
 To share my exile from the Ausonian clime, 
 And soothe my sorrows. — How can I repay 
 Thy unexampled friendship ! — Thou hast shared 
 My early joys, and now partak'st my woes. — 
 But talk of woes no more — for I have seen 
 The noble, god-like youth, whom to behold 
 Is ecstacy, is all that poets dream 
 Of bright Elysium ! and again have heard 
 The music-tones of his enchanting voice, 
 Far sweeter than Apollo's golden lyre. 
 
 ^ 
 
6 ARIXINA. [Act I. 
 
 Yes, he is here — I breathe with him once more 
 The same blest atmosphere — and did I call 
 This island savage ? — Oh, to me 'tis heaven ! 
 Rome, without him, is but a wilderness ; 
 While Arab deserts his loved smile would change 
 Tp JI^speri^^U'Qlimes, ^nd isle-bowers of the blest ! 
 
 ' ' '''''«•' LAVINIA. 
 
 'S^pakf^tj fhpKJOf Cyijabaline ? 
 
 CLAUDIA. 
 
 Ay, of whom else 
 Could I thus speak ? the gallant British prince, 
 Who from his stern usurping uncle — now 
 The king of this new world — for refuge fled 
 To Csesar and to Rome ; where soon he found 
 In Caesar a protector and a friend. 
 
 LAVINIA. 
 
 Would you had never seen this Celtic prince I 
 
 CLAUDIA. 
 
 Then had these eyes, Lavinia, ne'er beheld 
 
 The paragon of men ; then had this heart (1) 
 
 Ne'er throbbed with that wild passion which in words 
 
 Finds no expression, filling all the soul 
 
 With burning rapture, and whose shortest moments 
 
 Repay long years of suifering. Let me still 
 
 Endure the pangs of disappointed love, 
 
 Till tears and sorrow dim these eyes, and pale 
 
 My youthful cheek, and lay my wasted frame 
 
 In an untimely grave. Can I repent 
 
 Those hours of bhss which have been, when 'twas heaven 
 
 But to behold him, though far oft", and catch 
 
 The faintest sound of his joy-yielding voice, 
 
 The tones of which were lavished on some ear 
 
 That felt no music in them ? 
 
Scene I.] ARIXINA. 
 
 LAVINIA. 
 
 Still I say 
 You had been happy had you never met. 
 
 CLAUDIA. 
 
 Ay, negatively happy — a poor state 
 Of ease and stupid quiet, like a lake, 
 Forest-embosomed, whose weed-covered surface 
 Tempests nor sunlight visits. — I, Lavinia^ 
 Would rather feel the whirlwind and the storm 
 Roar round me^ so anon, betwixt the clouds, 
 The sun of passionate love its hottest beams 
 Flung on my bosom, warming all my soul 
 To wild delirious rapture. 
 
 LAVINIA. 
 
 Well I know 
 Your ardent feelings revel in those joys, 
 Heedless of dangers, which romantic love 
 Yields his enchanted votaries. 
 
 CLAUDIA. 
 
 Oh, 'tis bliss 
 Still, still to think on our first meeting-hour 
 Amid the golden palaces of Rome, 
 Where all was boundless splendour, all was joy. 
 Music, and feast, and dance. — Oh, how unlike 
 The simple dwellings of these island kings ! — 
 Thouffh dazzled with the vast magnificence 
 Of Roman conquerors, still the British prince 
 Moved, spoke, and shone amid the crowded pomp, 
 Like the bright spirit of some mighty hero 
 Raised to the Olympian halls of thund'ring Jove, 
 A deified companion for the gods ! 
 
 LAVINIA. 
 
 And is the prince arrived in Caesar's camp.? 
 
8 . ARIXINA. [Act I. 
 
 CLAUDIA. 
 
 Yes, he again to Britain is returned. 
 I saw him as I entered standing near 
 The eagles and the altars of the gods. 
 
 LAVINIA. 
 
 Remember, Claudia, you are wedded now 
 To stern Tiberius Rufus — as a wife 
 Preserve thy yet unspotted honour pure, 
 And banish from thy heart this British chief. 
 
 CLAUDIA. 
 
 Never in word or thought, much less in deed. 
 
 Will I dishonour him who is my husband — 
 
 But love for him I neither feel nor feign — 
 
 I wear no mask of falsehood. — Well he knows 
 
 That on my bright and happy morn of life 
 
 He dash'd despair's dark cloud ; and joy's young sun 
 
 Can never shine again ! — Did not my sire 
 
 Drag me, regardless of my prayers and tears, 
 
 To Hymen's shrine ? and did not this Tiberius, 
 
 Pernicious ruffian, seize my hand, and make 
 
 By force the priest unite us, though I poured 
 
 My curses deep and loud on all around. 
 
 Till e'en the very statues of the gods 
 
 Shook as if horror-struck ! while omens dire 
 
 The altar-victims gave ! — Oh, it was I 
 
 That was the victim ! I was sacrificed 
 
 To a stern heartless villain, who t' indulge 
 
 His own desires, reckless what I endured. 
 
 Stamped a base rape with holy marriage rites ! 
 
 LAVINIA. 
 
 And well I know his jealousy it was 
 
 Which prompted him to bring thee to the camp, 
 
Scene I.] ARIXINA. 9 
 
 Making thee follow Caesar to these wars. 
 Waged in an unknown land of fierce barbarians. 
 
 CLAUDIA. 
 
 Ay, but the marksman hath outshot himself 
 With his own bow, for Cymbaline is here ! 
 
 LAVINIA. 
 
 What canst thou hope for now from seeing him ? 
 
 CLAUDIA. 
 
 Indeed I know not Oh, I am wild with joy 
 
 That I have once more gazed upon his form ! 
 Mine he can never be — for virtue still 
 Hath a firm hold upon me. — Yet 'tis bliss, 
 A bliss which none can feel but such as love 
 With that unbounded passion I have done. 
 To look but on his shadow, as he moves, 
 A war-god in the sun, whose beams I envy 
 As they the plumes of his bright helmet kiss. — 
 And yet this joy dies into deep despair 
 When I upon my wretched marriage think ! 
 
 LAVINIA. 
 
 Think of thy husband, Claudia. - 
 
 CLAUDIA. 
 
 Do not my wrongs 
 Make guiltless all I feel for Cymbaline ? 
 Let me not think on them, or I am lost ! — 
 O, that I from this struggling heart could rend 
 The now unholy passion, though its strings 
 Were torn with it asunder ! I would die. 
 Perish at once, rather than live dishonour'd — 
 But oh this love — this passion-flame — this madness. 
 In spite of reason and of virtue, conquers, 
 And death alone can quench the rising flames 
 That burn within my bosom ! 
 
 {Flourish of martial music) 
 
no ARIXINA. [Act I. 
 
 LAVINIA. 
 
 Hark ! those trumpets speak 
 The approach of Csesar and the Roman chiefs. 
 
 Trumpets and horns. — Enter Standard-bearers with 
 Ensigns and Eagles. The Lictors with the fasces, 
 Caesar^ Tiberius Rufus, Atrius, Tribunes of the 
 army^ Officers, and Roman soldiers. — Claudia 
 and Lavinia retire up the stage, 
 
 CESAR. 
 
 Once more we plant our footsteps on these shores, 
 And lift our eagles of dominion where 
 Only the far-adventuring merchant-bark 
 Has traded for base profit. — We are come 
 To win the trophies of immortal fame^ 
 The soldier's glory and the Roman's pride. — 
 Yes, we, my gallant bands, again have crossed 
 The wide and stormy ocean, here resolved 
 Bravely to win a new and unknown world. 
 For which great Alexander wept in vain. 
 
 TIBERIUS. 
 
 Thou hast no need to weep like that mad Greek ; 
 There's a wide field before thee. — Thou wilt find 
 These Britons, if I err not, better warriors 
 Than Alexander met on Asia's plains. 
 
 cj:sar. 
 And therefore are they worthier of my sword ; 
 Worthy to cope with these my legions, who 
 In Gaul, Iberia, and Germanian wilds, 
 Have fought and won as bright and noble wreaths 
 As ever flourished on a Roman's brows. 
 Oh, 'tis my glory in the field to meet 
 These northern savages, whose greatest pride 
 
Scene I.] ARIXINA. H 
 
 Is their high freedom. — Not a soldier here 
 Feels prouder to be citizen of Rome, 
 Than they do of their wild inheritance 
 Of rocks, and woods, and caves. — Each has the fire 
 Of Brutus burning in his manly heart ; 
 And noble 'tis to meet such men in arms, 
 Who, shouting liberty, Hke lions fight, 
 And fearlessly the death of heroes die ! (2) 
 'Tis on the conquest of such gallant spirits 
 That I would build my fame — Let who will war 
 With the white-livered slaves of eastern kings, 
 Caesar would conquer men. 
 
 TIBERIUS. 
 
 And noble 'tis, 
 No doubt, in Caesar such heroic tribes 
 T' exterminate — lay waste with fire and sword 
 Their dear-loved country, and vile slavery's chains 
 Bind round the necks of those his falchion spares. 
 
 C^SAR. 
 
 Tiberius Rufus, I do know thee well — 
 
 Thou hast as true a Roman heart as e'er 
 
 Beat high for Roman honour and renown. 
 
 But though thy sword strikes bravely on our side, 
 
 Still art thou carping at our great designs. 
 
 And with a cynic sternness strivest to cast 
 
 A cold, dark cloud on all those mighty plans 
 
 This bosom labours with ; which when achieved' 
 
 Shall throw such glory on imperial Rome 
 
 As will the nation dazzle, while they gaze, 
 
 In awe and wonder wrapt, upon her power, 
 
 Making the old, with this new world, bow down 
 
 And worship her refulgence. 
 
12 ARIXINA. [Act I 
 
 TIBERIUS. 
 
 Worship Csesar, 
 
 Decked with imperial pomp ! -Do I not read 
 
 Rightly the import of thy lofty thoughts ? — 
 Thy pardon if I err. 
 
 C-ESAK. 
 
 Tiberius, nor thy scorn 
 Nor thy unjust suspicions stir my spirit. 
 I love immortal Rome dear as I love 
 My own renown, in spite of all her factions. 
 Nor do I wish to hide from friend or foe 
 That passion for high fame and gallant daring 
 Which burns within my bosom. — O, these eyes 
 Have tears of envy and of self-reproach 
 Wept o'er the page where live the peerless deeds 
 Of Alexander, whose immortal name 
 Flings through the gloomy shadows of the past, 
 Like an eternal fire, its beams of glory, 
 A bright example to the warrior's spirit. 
 
 TIBERIUS. 
 
 His glory was the tyranf s lust of power, 
 Centred within himself. — To poorly win 
 The phantom of renown he spilt the blood 
 Of guiltless millions ! — Living he performed 
 Not one deed truly greats and having won 
 The empire of the world, died — like a fool. 
 
 CESAR. 
 
 Let me but to remotest time be made 
 The poet's and historian's lofty theme ; 
 Let age to age my numerous conquests tell. 
 And that I conquered still t' improve mankind, 
 Ranking me next to Phihp's warlike son ; 
 And wheresoc'er my shade below shall wander, 
 
Scene I.] ARIXINA. 13 
 
 No joy the bright Elysian bowers can yield 
 
 Will equal that proud ecstacy to learn 
 
 My battle-deeds shed glory on the tale 
 
 Of Rome, when all her power and pomp are dust, 
 
 And she, like mighty Babylon of old. 
 
 Is but a name on earth ! 
 
 TIBERIUS. 
 
 Psha ! idle dreams ! 
 Useless, if realized. — What's earthly fame 
 To a poor shadowy ghost in Pluto's realms ? 
 I pant for no distinction after death — 
 Give me the high distinction, while I live, 
 Of a free mind, that will not crouch in fear 
 E'en to the greatest yet of woman born, 
 No, nor the proudest flatterer ; and I reck not 
 Though with my steeds and dogs, when I am dead, 
 My name rot in oblivion. 
 
 [Claudia and Lavinia come forward. 
 Claudia here ! — 
 
 What means thy presence where Rome's warriors meet 
 To plan high schemes of conquest, and prepare 
 For scenes of bloody strife ? Go to thy tent. 
 
 CLAUDIA. 
 
 Why should my presence vex thee ? Hast thou not 
 
 Made me thy wife, Tiberius ? brought me here 
 
 To be a follower of great Csesar's camp, 
 
 And mix with warrior-men in scenes of death ? 
 
 Although a woman, in my bosom beats 
 
 A Roman heart that glories in the deeds 
 
 Of Rome's brave heroes ; and, since thou hast made 
 
 A soldier of me, doubtless I have right 
 
 To mingle in these councils, and partake. 
 
14 ARIXINA. f Act I. 
 
 Chieftains^ of all your honours, as, perforce, 
 I share your toils and dangers. 
 
 TIBERIUS. 
 
 Woman, peace 1 
 Or thou wilt make me think thy wits are marred. 
 We want no Amazonians in our ranks. 
 And wish, still less, to have them for our wives — 
 Retire to thy pavilion. 
 
 C^SAR. 
 
 Noble Claudia, 
 Stay thou, and grace this meeting with thy presence ; 
 I joy that thou art with us to behold 
 The deeds of Romans in this land of battles. 
 To thee a noble princedom shall be given. 
 And thou a fairer Cleopatra reign 
 In this new world, than shines in Egypt's halls. 
 
 TIBERIUS. 
 
 She shall not borrow light of thee to shine — 
 No lending wives for me to friend or foe. 
 I hate such Grecian customs from my soul. 
 I'd rather plant my dagger in her heart ! 
 Nor, while I husband her, shall she have rule 
 In any world where I am. — Gods ! must I find 
 Caesar a rival too ? {Aside.) 
 
 CiESAR. 
 
 I do request, 
 Tiberius, she may tarry yet awhile — 
 And let me, lady, introduce to thee 
 The young and noble Prince of this great Isle, 
 Whom his usurping uncle hath deposed, 
 And who, by us, shall be restored to power. 
 And made the tributary lord of Britain. 
 See ! he is here. 
 
Scene 1.] ARIXINA. 1^ 
 
 Enter Cymbaline and Theomantius in Roman habits. 
 
 TIBERIUS. 
 
 Destruction fasten on him I 
 How did the gay, voluptuous savage 'scape, 
 Amid the Alps, the daggers of my slaves ? (Aside.) 
 
 CYMBALINE. 
 
 Hail, mighty Caesar ! — (starts.) Ha ! all-gracious gods ! 
 Whom do these eyes behold on Albion's shores ? 
 Have I fair Claudia found mid noisy camps 
 And councils of stern warriors ? 
 
 TIBERIUS. 
 
 Ay, young Prince, 
 But not to meet thee did she hither come. 
 She is a follower of the camp, to wait 
 On me — her husband — and perform my bidding. 
 Claudia, retire this instant to thy tent ; 
 It is my absolute command. — Away ! 
 
 CYMBALINE. 
 
 False Claudia ! she is wedded then, I see. 
 And cannot now be mine. — I'll strive to repay 
 Her treachery with that scorn it justly merits. 
 
 [Claudia, as she makes her exit with Lavinia, exchanges 
 
 looks with Cymbaline, who casts on her an upbraid- 
 
 ing glance. 
 
 CESAR. 
 
 (To the Prince.) Dost thou know Claudia ? 
 
 CYMBALINE. 
 
 {With seeming carelessness.) I have, noble chief, 
 Met the fair lady in the festive crowd. 
 Mid the resplendent palaces of Rome. 
 
 TIBERIUS. 
 
 But I will take good care thou meet'st her not 
 In these thy native forests. (Aside.) 
 
16 ARIXINA, [Act I. 
 
 C^SAR. 
 
 Let that pass. — 
 Right welcome to thy kingdom, injured Prince. 
 With welcome, also, we thy brother greet : 
 He shall to all his honours be restored, 
 And thou, by this strong arm of power enthroned. 
 Sway the chief sceptre o'er the Island kings. 
 
 THEOMANTIUS. 
 
 Thanks to great Caesar, we shall quickly win 
 Ample revenge by his victorious sword. 
 
 CYMBALINE. 
 
 My everlasting thanks to mighty Caesar, 
 
 Thanks to the Roman Senate, who are still 
 
 Friends of the oppressed, and guardians of the world. 
 
 We now shall gain our birthright, and, once more, 
 
 Dwell in our fathers' halls, from which Cassfelyn 
 
 Drove us to seek for aid from thee in Gaul. 
 
 Thy arms have conquered millions ! None can stand 
 
 Against thy legions in the battle-day .^ — 
 
 I well remember how the German hordes 
 
 RushM o'er the plains of Gaul, and how they fell 
 
 Before thy sword, on the Rhine's crimson banks, 
 
 In mountain piles ! — O, I can ne'er forget 
 
 The hour of triumph, when thou first didst cross 
 
 That boisterous river, which no Roman chief 
 
 Had ever passed before. — 
 
 TIBERIUS. 
 
 True, but his stay 
 On th' other side, methought, was somewhat short. 
 
 CYMBALINE. 
 
 Yet long enough to win eternal fame ! 
 And conquer nations ne'er by other power 
 Conquered before ! — The bravest, fiercest tribes 
 
Scene I.] ARIXINA. 17. 
 
 Yielded their country, and in terror fled.- — 
 The gallant passage of that mighty stream 
 Alone, shall an illustrious triumph be 
 To Caesar through all ages ! 
 
 TIBERIUS. 
 
 O, how sweet 
 This honied flattery is to Caesar's ear ! 
 His soul feeds on it like the hungry vulture 
 On stinking carcasses. (Aside.) 
 
 CYMBALINE. 4 
 
 But O, what glory now shall Caesar win, 
 For having crossed the western ocean's surge, 
 And planted Rome's proud eagles on the shores 
 Of a fair world, till late to Rome unknown ! 
 Who here shall stand before him ? Not Cassfelyn, 
 Though to the field he lead the bravest sons 
 Of valour found in Britain. — Gallant Caesar, 
 Kneeling before thee, and thy chiefs, and all 
 Yon host, we, by thy country's victor-gods, 
 Those sacred standards, swear to hold these realms 
 In amity with Rome — nor do we fear 
 Again to be deposed, while Rome shall own 
 Us her ally, and Caesar call us friend. 
 
 TIBERIUS. 
 
 Methinks you need not in such haste have been 
 To swear to Rome allegiance for your kingdom. 
 You might have waited till your throne were won, 
 And Caesar could bestow it. 
 
 CYMBALINE. 
 
 What Caesar wills 
 Must be performed, and Fate herself obeys him. 
 
 TIBERIUS. 
 
 What gross idolatry ! — I'd rather be 
 
 c 
 
18 ARIXINA. [Act I. 
 
 A forest wolf, and on a desert hill 
 Behowl the midnight stars, than flatter e'en 
 The greatest man on earth, though all the world 
 Bowed at his footstool. 
 
 CiESAR. 
 
 'Tis our will that thou 
 Shouldst sit upon thy father's ancient throne, 
 And rule these Island-realms as Rome's ally. — 
 Are not our scouts returned with news where lurks 
 The British army ? 
 
 ATRIUS. 
 
 No, mighty leader ; 
 The very tidings of thy preparation, 
 And second advent to this distant land, 
 Have struck such terror through its savage hordes. 
 That they will never dare again, in arms. 
 To meet thy vet'ran legions. — Not a man, 
 With steed or chariot, on their shores appeared 
 To hurl a lance, or draw a bow against 
 Our disembarking troops. 
 
 TIBERIUS. 
 
 No, they remember 
 When, with his sacred eagle in his grasp, 
 Scaeusius, standard-bearer of the tenth 
 Brave legion, from the deck dash'd gallantly 
 Amid the waves, and rushed upon their ranks 
 Of iron chariots — shouting — « Romans, on ! 
 Rescue your standard from the foe, or be 
 Disgraced for ever ! — On, for Rome and glory ! ' 
 These coward Britons hide their heads in fear 
 Of such another onset. 
 
 CYMBALINE. 
 
 It is false ! 
 
I.] ARIXINA. 19 
 
 TIBEEIUS. 
 
 False! 
 
 CYMBALING. 
 
 Ay, false as hell ! — Britons were never cowards ! 
 Never did a true Briton hide his head. 
 Or shrink from danger. — There is not a warrior 
 In all this great and noble Isle, but bears 
 A heart as valiant as the bravest Roman 
 That ever drew a sword for Rome and glory ! 
 They will not hide their heads, though on these shores 
 A second time great Caesar's banners float, 
 And none but Caesar can their valour quell. 
 
 TIBERIUS. 
 
 Proud renegade ! cast from thy country's bosom, 
 
 Thou, but a princely beggar, darest insult 
 
 A Roman citizen ! I challenge thee 
 
 To single combat, and thy sword shall prove 
 
 The truth or falsehood of thy lofty boasting. 
 
 IVe galled him to the soul — and if he's brave, 
 
 My own arm now shall yield me full revenge ! {Aside.) 
 
 CYMBALINE. 
 
 Set out the lists amid the Roman camp. 
 
 And, in the sight of Caesar and his host, 
 
 This sword shall prove thou hast belied my country, 
 
 Or that I am unworthy Caesar's friendship. 
 
 CiESAR. 
 
 We do forbid the battle — there shall be 
 No private feuds 'twixt Romans and brave friends, 
 While a new world before us lies unconquered. 
 When thou art seated on thy British throne 
 Thy pleasure be obeyed. 
 
 C 2 
 
90' ARIXINA. [Act I. 
 
 CYMB ALINE. 
 
 I have beheld, 
 Imperator, the glory of thy arms. 
 With generous envy of thy matchless fame ; 
 I have beheld Rome's thousand palaces 
 Flashing in gilded pomp at sunset hour ; 
 In her refulgent Capitol have bowed 
 Before its golden shrines ; and I have gazed 
 Upon her dark-eyed beauties in their pride. 
 Assembled 'mid her splendid halls of state ; 
 Have, in her awful senate, sat enrapt 
 To hear her mighty orators display 
 The eloquence of gods (3) — and I admire 
 Not more the splendour of her gallant fame 
 Than her impartial justice ; while her genius. 
 Bright with refinement, sciences and arts, 
 Cer the dark midnight of barbarian lands 
 Sheds a diviner light than all her conquests ! 
 But O, I love my own poor native isle 
 Dearer than all the gorgeous pomps of Rome, 
 Her dark-eyed beauties, noble hearts, and triumphs ; 
 And never will I, while one vital drop 
 Visits this patriot heart, with patient tameness 
 Hear her defamed, or by the proudest Roman 
 Called, what she ne''er will be while ocean floods 
 Engirdle her white cliflPs — a recreant coward ! 
 
 TIBERIUS. 
 
 Thou art at present safe. — A time may come 
 
 CYMBALINE. 
 
 Safe ! what from thee, proud, lying Roman ? Safe ! 
 I scorn all safety from such power as thine. 
 I am a Briton^ — prouder of that name 
 
Scene I.] ARIXINA. 21 
 
 Than any title Romans can bestow ; 
 
 And soon a time will come when thou shalt feel 
 
 A Briton''s vengeance ! — O, I would forego 
 
 My birthright and my throne, and live in bonds 
 
 The basest slave, rather than not enjoy 
 
 The bliss of proving on thy cloven helm 
 
 That thou hast basely lied ! 
 
 TIBEKIUS. 
 
 I do not play 
 The woman with my tongue when passion moves me ; 
 Nor mouth out vauntings of my own exploits. 
 Therefore be sure, thou insolent savage, whom 
 Thy isle hath cast as filth from off her shores, 
 That I shall play the Roman with my sword, 
 Meet when we may, — and shouldst thou gain this throne. 
 Thy kingship, but a meteor of the fen. 
 Will, o'er the barbarous darkness of thy realm. 
 Shine its brief hour of twinkling pomp, and then 
 Fade, to be seen no more. 
 
 Enter Ventidius. 
 
 Ventidius. 
 Most mighty Caesar, 
 The men whom thou didst send as spies to find 
 The British army, are returned, and bring 
 News that a powerful host of many nations. 
 With harnessed steeds and chariots, are encamp'd 
 In a thick wood beyond the S tour's green banks. 
 
 CESAR. 
 
 How far from hence ? 
 
 VENTIDIUS. 
 
 Not six hours' march, my lord. 
 They by their various movements seem preparing 
 
IX^ ARIXINA. [Act I. 
 
 Hither to steal, beneath the shades of night, 
 
 And this our camp assail. — All the chief kings 
 
 O' th' south, 'tis said, are gathered there to fight 
 
 Beneath the imperial banners of Cassfelyn, 
 
 ^Titled THE Brazen Helmet. In a skirmish 
 
 Four knights have been made prisoners ; and no doubt 
 
 Will fall by the Druids' knives. (4) 
 
 CiCSAR. 
 
 By Hercules, 
 I'll rush upon these Britons in their camp, 
 Ere they stir forth — their blood-bespotted altars 
 Shall be o'erthrown ; their dim, enchanted groves, 
 Beneath the axe, bow to th' immortal genius 
 Of mighty Rome, and on their Brazen Helm 
 This sword, in deadly thunder, soon shall clash ! 
 Tiberius, and prince Cymbaline, forget 
 All private quarrels, and unite to spread 
 Rome's glorious conquests. O, my soul's on fire. 
 These warlike islanders again to meet 
 Amid the burning conflict ! Atrius, thou 
 My good lieutenant, in my absence keep 
 Strict watch o'er all th' entrenchments. 
 
 ATRIUS. 
 
 Good my lord. 
 My utmost vigilance will be employed 
 To guard against surprise. 
 
 CMSAR. 
 
 Ventidius, bid 
 The tribunes marshal instantly three legions 
 Of horse and foot, and let the guides attend ; 
 Follow me, chiefs — 
 
 Awake the deep toned instruments of war. 
 And in their brazen .clamour let thy voice, 
 
Scene I.] ARIXINA. fS 
 
 All conquering Rome, strike terror to thy foes, 
 And sound the glory of thy fame abroad, 
 As the far pealing thunder-crash proclaims 
 The omnipotence of cloud-encircled Jove ! 
 
 [A grand flourish of martial music. — Exeunt Lictors, 
 Caesar, Ventidius, Theomantius, Atrius, Officers, 
 Roman Soldiers with Eagles, Sfc. — Manet Cym- 
 baline and Tiberius Rufus. 
 
 CYMBALINE. 
 
 Thou wilt, ere long, behold these British warriors 
 Put forth the eagle beaks, and brazen horns 
 Of their strong helms against thee. (5) 
 
 TIBERIUS. 
 
 Ay, like snails, 
 To draw them in again at the first gleams 
 Our sunbright falchions shed. 
 
 CYMBALINE. 
 
 Thou 'It find them men — 
 Though they are rebels, I must do them justice; 
 They '11 put thy Roman metal to the proof, 
 And show in battle they have lion hearts. 
 When this day's struggle for my rights is o'er, 
 We '11 bravely meet as foes, — till then, Tiberius, 
 Let no strife come between us. [Exit, 
 
 TIBERIUS, 
 
 Curses blight thee ! 
 I thought the Alpine vultures, long ere now. 
 Had feasted on thy carcass, and thy bones 
 Lay whitening in the lonely mountain winds. 
 Grim night wolves howhng o'er them. — He has 'scaped — 
 By cowardice, or treachery ? — 'Tis no matter — 
 I've brought my wife from Rome's infectious air, 
 
^^ ARIXINA. [Act I. 
 
 That sink of all licentiousness and vice. 
 
 To these wild deserts for a goodly purpose ! 
 
 To place her in the reach of him she loves ! 
 
 Oh, in her dreams oft have I heard her breathe 
 
 His name — the cursed slave ! — with heart-heaved sighs 
 
 Of wanton tenderness. — Amid the battle, 
 
 Can I not steal upon the British dog, 
 
 And smite him through the ribs ? — No, I will wait 
 
 A fitting time and place, the insolence 
 
 Of this proud savage to chastise, and take 
 
 A sure and manly vengeance ! 
 
 END OF THE FIRST ACT. 
 
ACT II. 
 
 SCENE I. — A Sacred Grove, near the British 
 Encampment. 
 
 Enter Arixina Siiigetona and Dalthula. 
 
 ARIXINA. 
 
 Didst thou, Dalthula, see my lovely boy 
 At day-break in his secret, woody bower ? 
 
 DALTHULA. 
 
 I did, most honoured lady. 
 
 ARIXINA. 
 
 Call me friend, 
 For I've no other friend on earth but thee : 
 O these ferocious strangers of the south, 
 Who claim the world's dominion, are again 
 Landed upon our shores ! — Soon will be heard 
 The thund'ring drum, the winding horn, and yell 
 Of dreadful warriors, ringing through these shades ! 
 Should those invaders of our freedom win 
 The blood-dyed field, and through our sacred groves 
 Rush in their dreadful fury, driving us 
 From these recesses, Oh, what will become, 
 Dalthula, of my poor ill fated child ? 
 
 DALTHULA. 
 
 Indeed, I tremble both for him and you ; 
 Nor know I how to advise. 
 
26 ARIXINA. [Act II. 
 
 ARIXINA. 
 
 Ah ! well thou know'st 
 That it is certain death to own him mine ! 
 I who am of the vestal train the chief, (6) 
 And now th' high priestess of the glorious sun. 
 To thee alone I've told — who too art one 
 Of that high ofR ce — this most dreadful secret. 
 Which now with terror turns my blood to ice ! 
 O where is Cymbaline ? — Were that false prince 
 But here, he might preserve his hapless child, 
 And secretly convey him hence to some 
 Strong hold of safety. — But he is far away ! 
 He hath the wretched mother and her child 
 Both, both abandoned to despair and death ! 
 He dwells with pomp, amid the splendid halls 
 Of the proud stranger, reckless of the woes 
 That rend my anxious heart I 
 
 DALTHULA. 
 
 Hope better, lady : 
 Should he the Celtic throne, his birthright, win. 
 By Roman aid, he may preserve you both 
 By his high power, and claim you for his queen. 
 
 ARIXINA. 
 
 No, my Dalthula, he remembers not 
 His solemn oaths, his vows of endless love. 
 Long years have past since I his face have seen. 
 Or heard from the betrayer. — Fatal hour ! 
 When first I met him with his hounds and hawks 
 Amid the summer forest. — By the stone (7) 
 Of Cuthla's tomb the noble hunter stood : — 
 O, he appeared like our bright god of flame 
 Lighted from his sun-blazing car to sport 
 The hours away in chase amid our woods ! 
 
Scene I.] ARIXINA. ^7 
 
 I loved, although I knew 'twas death to love ! 
 I knew my doom, if once discovered, yet 
 Passion, like a wild tempest, o'er me rushed. 
 And I should on the burning pile have died 
 In ecstasies, blest with the false one's love ! 
 
 DALTHULA. 
 
 Who could resist the influence of love's power 
 That conquers all, when he in such a form 
 As Cymbaline's appeared ? 
 
 ARIXINA. 
 
 / should, Dalthula ;-— 
 I should have from his fatal presence fled. 
 Though he had been indeed the god of light. 
 I was a Vestal, and the sacred fire 
 Of virtue in my bosom should have blazed 
 In its refulgent fulness, and consumed 
 All earthly passion, all unholy thoughts .' 
 Had he detained me, I should in my heart 
 Have plunged his sword, have yielded its best blood. 
 But not my spotless honour ! — then might I 
 Have unpolluted died, as I had lived. 
 Devoted to pure virtue and the gods ! 
 
 DALTHULA. 
 
 Yet, sacred lady — 
 
 ARIXINA. 
 
 Call me no more, 
 Dalthula, by that title, I command. 
 I am not sacred, though I minister 
 Before the altar-fire. — Virtue alone 
 Is sacred ; it is only she can claim 
 Respect and homage both from men and gods. 
 O, I have fallen from that all glorious height, 
 Where once I stood in purity enshrined, 
 
28 ARIXINA. [Act II. 
 
 Which shed a dazzling glory o'er my soul — 
 
 I yielded to the earthly flame of love — 
 
 I was betrayed, undone! — and since have known 
 
 Nothing but misery, terror, and despair ! 
 
 It is not guilt alone that haunts my soul. 
 
 When I before great Milcom's altar stand, (8) 
 
 Amid the bowing train of priests and virgins ; 
 
 I am a mother — and a mother's fears 
 
 For a loved child distract me ! — O, how dreadful, 
 
 To think that name, which others of my sex 
 
 Proudly delight in, is to me the source 
 
 Of fearful and unutterable horrors ! 
 
 DALTHULA. 
 
 O, calm those fears 5 your child may yet be safe. 
 
 ARIXINA. 
 
 Not if these Romans come. — O, they will rush 
 Amid the sacred bower where I have hid 
 The lovely one, since from the hollow oak, 
 His cradle in the forest depths, I took him. 
 No place, however hallowed, and untrod 
 By feet profane, but these war-fiends of blood 
 Will enter ! — they will tear him from my arms ! 
 His precious blood will smoke upon their swords, 
 And I — O, wretched mother, cannot, dare not save him ! 
 (A flourish of horns.) 
 
 DALTHULA. 
 
 Those horns of war call the assembled kings 
 
 To council in the temple's inner circle. 
 
 A solemn sacrifice will there be made 
 
 To Hesus, god of war. — You must attend, (9) 
 
 And lead in solemn march the vestal train. 
 
 ARIXINA. 
 
 I see the gathering tempest of my fate 
 
Scene II.] ARIXINA. S9 
 
 Comes hastening in its darkness, like the storm 
 
 Along the desert hills ! — Roll on, ye clouds, 
 
 Ye thunders burst on my devoted head. 
 
 For I have sinned against the angry gods ; 
 
 But spare my guiltless child. — If hither come 
 
 These Roman tyrants, I will own him mine. 
 
 And if we perish, we will die together ! [Exeunt. 
 
 SCENE II. — A Forest. In tJie centre a grand Druidical 
 Temple, or double circle, like the ancient Stonehenge. 
 On one side are three Trilithons, each composed of two 
 pillars, or rocks, higher than the rest, with a transom 
 stone resting on them; under the centre Trilithon a 
 great hearthstone on the ground, on which is a fire 
 burning, A long avenue of rocks or pillars is seen 
 at the upper end of the stage leading from the Temple 
 filled on each side with British Soldiers, In the 
 centre of the inner circle is a lofty pillar, 
 
 Cassfelyn, Carvilius, Dunvallo, Cingetonix, and 
 Togorma are discovered standing each by his 
 pillar, surrounded with Officers. — Cassfelyn 
 being by the central, or chief pillar. The Charac- 
 ters come forward, 
 
 CASSFELYN, 
 
 Kings of the south ! well are ye met this day, 
 Your battle- weapons here to join with mine, 
 In the proud cause of Britain's liberty. 
 Again these wolves of Rome, these tiger hordes, 
 That wage eternal war with all mankind, 
 Have crossed the seas, and prowl upon our shores. 
 ■^y Tyvi's stream I learn they are encamped. 
 O may the dark fiend of the rotten fens 
 
30 ARIXINA. Act II. 
 
 Shake from his gloomy wings all maladies, 
 
 And breathe the red plague on them, till their flesh 
 
 Drop piece-meal from their bones ! — Yet would I rather 
 
 That they might live unscathed, save by our swords, 
 
 That we may have the glory and renown 
 
 Their legions of destruction from our shores 
 
 To sweep into the sea. 
 
 DUNVALLO. 
 
 Piercer of shields, 
 Helmet of Britain, thou art our chief king 
 And leader of our armies — (10) 
 
 CASSFELYN. 
 
 Yes, I've won, 
 Not more by conquest than the people's love, 
 The sovereignty supreme of this great isle. 
 
 CINGETONIX. 
 
 And long may'st thou retain it, not one doit 
 Of tribute yielding, or one rood or foot 
 Of this thy empire to the insatiate foe. 
 
 CASSFELYN. 
 
 Perish my name, like a base mountaineer's, 
 
 Torn be the crown from these balm-honoured brows, 
 
 Drag me at Caesar's chariot wheels through Rome, 
 
 And let this kingly sword, this brazen helm 
 
 Be in her Capitol as trophies hung 
 
 To my disgrace eternal, if I yield 
 
 One inch of my loved country to a foe, 
 
 Or tribute pay for Britain, while one drop 
 
 Of British blood warms this determined heart, 
 
 Devoted to her freedom ! 
 
 TOGORMA. 
 
 Gallant prince, 
 Thou merit' st that high^power on thee conferred 
 By thy confiding country. 
 
Scene II.] 
 
 ARIXINA. 31 
 
 DUNVALLO. 
 
 Yes, unworthy 
 Was Cymbaline, thy nephew, to have rule 
 O'er those high spirits and their thousand tribes 
 Who dwell in Ynis, Prythian's warlike isle. 
 
 CASSFEYLN. 
 
 Why he, the unmanly traitor ! spent his hours 
 
 In soft voluptuous ease, and all the follies 
 
 Of love and women^ wine and Roman pomp. 
 
 To emulate the luxuries of that race. 
 
 With all their curst refinements, which ennerve 
 
 The lofty mind, and sink the warrior down 
 
 Into a tame submissive shackled slave, 
 
 Was his delight — therefore I rose in arms. 
 
 And with the people cast him out a beggar, 
 
 A dunghill hound, to crouch, and supplicate 
 
 Those lordly thieves, whom he so much admires, 
 
 For leave to basely live upon the crumbs 
 
 Rome's senate flings him from their king-served board ; 
 
 And now I hear he comes in Caesar's train, 
 
 Hoping to win these realms by Caesar's sword, 
 
 And hold them in base vassalage to Rome. 
 
 DUNVALLO. 
 
 That cannot be — 
 
 CASSFEYLN. 
 
 Cannot ! no, by yon sun. 
 The worshipped god of light, it shall not be ! 
 Britain will never bow to foreign power ; 
 Will never homage yield but to a king 
 Born of her blood — a king who shall be free, 
 And free his people, while one man is found 
 To struggle for her glory ! — She will shout 
 Freedom in council, freedom in the field ! — 
 
32 ARIXINA. [Act II. 
 
 And freedom still shall be the sun-bright throne 
 On which her kings shall reign, while through all time 
 Shall her own ocean's lion-sounding voice 
 Shout freedom round her shores ! (11) 
 
 CARVILIUS. 
 
 But why, my lord. 
 And royal general, this unmeet delay ? 
 It irks my soul, impatient for the fight, — 
 Why have we not these hated Romans met 
 On yonder shores, as erst we did when first 
 This Caesar dared invade us ? — I would fain 
 Have met him there with our united hosts, 
 ^And dyed the ocean deep with Roman blood ! (12) 
 
 CASSFELYN. 
 
 IVe other plans, Carvilius, well matured, 
 
 For this great struggle. — Caesar shall be met — 
 
 CARVILIUS. 
 
 And who is Cassar ? what are his proud legions 
 
 That we should for a moment shun their spears ? 
 
 Is he more terrible in battle-day 
 
 Than all the car-borne warriors of the south ? 
 
 1 and my followers fear not e'en the bravest 
 
 That ever lifted buckler. — Let us on — 
 
 Sound for the march. — Tyrants, the foes of Britain, 
 
 And her high liberty, should not be suffered 
 
 To imprint a footstep on her sacred shores ! 
 
 CASSFELYN. 
 
 Check thou thy noble spirit's martial fire 
 But a few hours, and it shall have full vent 
 To blaze amid the conflict. 
 
 CARVILIUS. 
 
 O, I hate 
 Idly to lie encamped amid these woods— 
 
Scene II.] ARIXINA. 8$ 
 
 'Tis like a tiger that in secret lurks 
 To spring upon his weak unguarded prey : 
 I'd rather, like the kingly lion, stalk 
 Fearless abroad, and make the desert ring 
 With my repeated roarings. 
 
 CASSFELYN. 
 
 Aye, and lose 
 Both victim and revenge. — Hear me, ye chiefs ; 
 I have my scouts to watch this Caesar's movements, 
 And will not on one general battle stake 
 The safety of my country. — Soon, no doubt, 
 He will divide his army ; half his troops 
 Will seek us, and the other part remain 
 To guard his camp and navy. — Should he find 
 Us here, ere night, while 1 the fight sustain, 
 Carvilius, thou shalt haste to Tyvi's banks 
 With a strong host of chariots, foot and horse, 
 And storm their camp, and set their fleets on fire : 
 Such enterprise well suits thy ardent zeal. 
 
 CARVILIUS. 
 
 O, that the sun were in the green wave sunk, 
 And I beheld the watch-fires of the foe ! — 
 As the loud thunders of a thousand streams, 
 Swelled by the winter storms, roll down the hills, 
 So shall the crimson tide of battle roar 
 Around their midnight tents ! 
 
 Enter Vortimer. 
 
 VORTIMER. 
 
 Great king of kings, 
 Caesar hath left his camp by Tyvi's flood, 
 And hitherward with twice six thousand foot, 
 
 D 
 
34 ARIXINA. [Act II. 
 
 And half his heavy armed cavalry, 
 Comes forth to seek thee. 
 
 CARViLius (kneeling). 
 
 Theme of bardic songs, 
 Helmet of Strength, I here beseech thee, grant, 
 Ere I depart with those I lead, to assail 
 The foeman's camp, I may the glory share 
 Of this day's noble strife. — I cannot bid 
 My banner move from off the battle-field 
 And see my friends, my gallant countrymen. 
 Fighting against th' oppressors of the world. 
 
 CASSFELYN. 
 
 It shall be so. — Carvilius, thou shalt not 
 
 Retreat till half the triumphs of the field 
 
 Are nobly won or lost. — I will reserve 
 
 Ten thousand for thy service. — How near the foe ? 
 
 VORTIMER. 
 
 Full two hours' march from Calmar^s woody hill. 
 
 CASSFELYN. 
 
 We'll wait them here. — Go bid th' High-priest begin 
 The sacrifice to Hesus, god of war. \_Exit Vortimer. 
 
 Will Cymbaline with these vile Romans come. 
 And draw a traitor's sword against his country ? 
 O that my arm may meet him in the fight ! 
 Then if he fall by me, his blood shall rest 
 On his own head, and Britain will applaud 
 The deed that rids me of a rival foe. — (Aside.) 
 
 (Music of harps, trumpets, and horns at a distance.) 
 Hark ! the priests 
 
 Are leading here the Roman captive slaves, 
 Whose blood must on great Hesus' altar flow. 
 
 Enter down the avenue ofrocks, between the ranks 
 of British soldiers, a train of Bards in vestments 
 
Scene II.] ARIXINA. 
 
 siii 
 
 of white and azure^ playing on their harps and 
 trumpets; then the Arch-Druid in his robes^ 
 glittering with gold, and wearing a breast-plate 
 of gems (13), with chains of gold round his necic, 
 a crimson hood on his head, and his beard long 
 and flowing, — All the soldiers fall on their knees 
 as fie passes. — The kings bend very low. — Behind 
 the Arch-Druid comes a procession of Druids and 
 Vates, the first, next the Arch-Druid, bearing the 
 sacrificing knife, others carrying smoking censerSy 
 and all with branches of mistletoe. — Then 
 Arixlna Singetona, as High-priestess of the Sun, 
 in the robes of her office^ and adorned with the 
 splendid emblems of that deity, her hair crowned 
 with flowers ; followed by Dalthula, Virgins of 
 the Sun, and Druidesses. — Behind them are led 
 in chains, with garlands on their heads, four 
 Roman captives by other Druids, as to the sacri- 
 fice. Solemn music — A slow dance of the Druidess 
 and Virgins of the Sun round the pillars of the 
 Temple. — Arixina comes to the front of the stage 
 opposite to the Arch-Druid. — The captives are 
 led to the centre of the stage, and the Arch' 
 Druid sprinkles a lustration on their heads. — 
 All the characters, except the Arch-Druid and 
 the High- priestess, kneel during the ceremony, 
 
 GRAND CHORUS OF BARDS. 
 
 Let the trump's sonorous breath 
 Pour the solemn hymn of death ! 
 Let the harp its tuneful treasures 
 Fling abroad in bardic measures I 
 
 D 2 
 
S6 ARIXINA. [Act II. 
 
 Till the magic caves profound 
 With the awful notes resound ! 
 Till th' enchanted oaken tree 
 Waves its green leaves to heaven's wild minstrelsy. 
 
 Let the forest depths prolong 
 The mingled pomp of holy song — 
 Like Cromala's cataract crash. 
 Where maddened rivers downward dash ; 
 Like the midnight's thunder swell, 
 When troops of cloud-veiled spectres yell ; 
 Like tempest-hymn o' th' wrathful sea 
 Be heard afar the bards' wild, harmony. 
 
 Dews from magic herbs that bloom 
 Round Belenus"* ancient tomb, 
 And those dark grey sacred stones 
 That guard the mighty Cadarn's bones 
 On the victim warriors fling, 
 With drops from Melcom's wizard spring ; 
 Crown them with wreaths of mistletoe 
 Which on the blood-stained central oak tree grow. 
 
 Weave the mystic dance around, 
 Softly beat the holy ground : 
 Gods and spirits from the skies 
 Join our awful mysteries, 
 Sound the last deep trumpet strain. 
 Burst the warrior captives' chain ; 
 Hark ! the gods in thunder call 
 Our noble victims to their airy hall. 
 
 ARCII-DRUID. 
 
 Ye sacrificcrs, to yon cromlech lead 
 
 The captives forth. — They are our country's foes; 
 
Scene II.] ARIXINA. it 
 
 Their blood shall be the first of Rome's proud nation 
 We shed for liberty — and on their heads 
 Be laid the sins of Britain. — They will prove 
 To war's stern god a grateful sacrifice : 
 Conduct them hence. 
 
 {The Captives are led off; the Druid, with the sacrificing 
 knife, and other Druids following them.) 
 
 ARIXINA. 
 
 (Aside.) Ah, wretched men ! I pity you — 
 Yet Rome, 'tis said, with all her proud refinements, 
 Is e'en as cruel ; for her conquering chiefs. 
 When they in triumph to their temple march, 
 From thence command their captives to be slain. 
 (A flourish of trumpets and harps.) — (Shouts without.) 
 
 ARCH-DRUID. 
 
 'Tis done ! — they bleed ! they fall ! — the god of war 
 Receive their smoking blood ; and give to these 
 Defenders of their country in the battle 
 Victory and deathless fame ! — Behold the knife. 
 Red with their gore ! 
 
 (The officiating Druid rushes in with the knife bloody, 
 kneels f and gives it to the Arch-Druid.) 
 Ye chieftains of our isle, 
 Touch with your swords this Roman blood, and swear 
 That you will Britain save from these invaders, 
 Or die for your loved country's liberty ! 
 {All the kings touch the bloody knife with their swords.) 
 
 CASSFELYN. 
 
 We swear to nobly conquer, or to die — 
 
 ALL. 
 
 For liberty ! 
 
 (The soldiers shout around the temple, '^Liberty! we'll 
 die for liberty .'" — A grand flourish of trumpets, with 
 the tremendous roll of the British chariot-drum.) 
 
38 ARIXINA. [Act II. 
 
 Enter a Druids with a young hoy in his armSf followed 
 by two or three other Druids. 
 
 DRUID. 
 
 Great father of our order, we have found, 
 Gathering the wild flowers of the wood, this child. 
 He greatly seemed alarmed, and said, when questioned, 
 He from his mother's bower had run to catch 
 His favourite bird that from its cage had flown. 
 But no one knows or owns him. 
 
 ARCH-DRUID. 
 
 Then he's ours. — 
 A pleasing sacrifice — (Taking the child in his arms.) 
 
 He shall be given 
 This day unto the sun — ^'tis fit great Melcom 
 At such a time should also have due worship. 
 
 ARIXINA. 
 
 (^Perceiving the boy) — Eternal gods ! have mercy ! — 
 
 Dalthula, 
 
 It is, it is my son ! 
 
 DALTHULA. 
 
 Ah, dearest lady. 
 Conceal your agonies, or you are lost ! 
 (Arixina advances towards the Arch-Druid tremblingly , 
 
 drawing her veil so as to conceal her face from the 
 
 child.) 
 
 ARIXINA. 
 
 It is impossible ! — Most sacred sire. 
 Let me for that sweet innocent entreat — 
 Do not, O, do not take his guiltless life : 
 He is no captive, nor a foe to Britain. 
 Plunge not yon blood-distilling blade of death 
 In his sweet bosom. — Thus on bended knee 
 
 1 do implore thee spare him — give him up 
 
Scene II.] ARIXINA. S9 
 
 To these extended arms ; let me protect 
 That beautiful, that innocent child from harm. 
 
 ARCH-DRUID. 
 
 What ! a high-priestess of the sun to rob 
 
 Her god of such an offering ? monstrous thought ! 
 
 A sacrilege to heaven's all-radiant king ! 
 
 ARIXINA. 
 
 Nay, mercy, mercy to that friendless child ! 
 He cannot for himself thy pity crave ; 
 Then hear me for him plead — 
 
 ARCH-DRUID. 
 
 Away with him ! 
 What means this earnestness for a strange boy 
 Whom no one owns ? 
 
 ARIXINA. 
 
 He weeps — a supplicating tear 
 Falls from his radiant eye upon this bosom. 
 And wilt thou, canst thou have the ruthless heart 
 To doom him to the sacrificer's knife, 
 And be the murderer of so sweet a child ! 
 Ah ! (shrieks.) What have I said ? — O pardon, pardon 
 
 me, 
 Most holy sire, — my brain, my bursting brain 
 Burns with the flames of madness I 
 
 ARCH-DRUID. 
 
 By great Bell, 
 There is some fatal mystery in this ! 
 Th' High-priestess raves ! — Take her, ye virgins, hence. 
 
 ARIXINA. 
 
 No, no, I'll never leave thee while I've strength 
 Thus, thus to hold thee fast, till thou hast given 
 That infant to these arms. 
 
40 ARIXINA. [Act II. 
 
 ARCH-DRUID. 
 
 Give him to thee ! 
 Wouldst thou defile the sun's most holy rites 
 With earthly feelings of a mother's love ? 
 Shall these pure virgins see upon the bosom 
 Of their high -priestess nursed, a child, and hear 
 Her call him son ? — O, infamy accursed ! 
 He shall this instant die ! 
 
 ARIXINA. 
 
 O, take my life 
 For his — I'll be the bleeding sacrifice — 
 I will not let thee go — thus to thy knees 
 I cling for mercy — ^let me for him die — 
 I'll be a willing victim to that god 
 Before whose fire I minister ; so thou 
 Wilt bid that infant live. 
 
 ARCH-DRUID. 
 
 Thou for him die ? — 
 
 ARIXINA. 
 
 {Unguardedly flinging back her veil.) 
 Aye, in this bosom plunge deep to life's core 
 The blood-stained knife of death ! burn me alive 
 Amid yon sparkling flames ; but spare, O spare 
 This innocent child ! 
 
 UTHYR. 
 
 (Shrieks at seeing Arixina.) Ah, mother ! mother ! 
 Save me, O save me from these dreadful men ! 
 
 ALL THE CHARACTERS. 
 
 ( With astonishment and terror.) Mother ! 
 
 ARCH-DRUID, 
 
 Pollution ! infamy ! and horror ! 
 
 ARIXINA. 
 
 No, no, I'm not his mother — No, ye chiefs, 
 
Scene II.] ARIXINA. 4l 
 
 Ye kings^ ye awful ministers of heaven. 
 
 He is no son of mine ! — torments and racks ! 
 
 I know him not ! — Distraction, hell, and darkness ! 
 
 UTHYR. 
 
 O, yes you are my mother — dearest mother, 
 Save me, and take me, as you used to do, 
 With kisses to your bosom. 
 
 ARIXINA. 
 
 Ah ! believe him not ! 
 'Tis false ! — The flames of hell are blazing round me ! 
 Guilt adds to guilt — these are the fruits of crime. 
 Where can I turn for mercy ! — (^Aside.) 
 
 ARCH-DRUID. 
 
 (About to give the boy to the Sacrlficer.) 
 
 Bear him hence. 
 To instant death ! 
 
 ARIXINA. 
 
 Off I touch him not ! he is 
 A Prince's son ! — Come to these arms, my child — 
 
 (Snatching JJthyv from the Arch-Druid.) 
 Alas, my boy ! thou hast declared the truth. 
 And I am stained with falsehood and with shame ! 
 With guilt, deep, dreadful guilt ! — I know my doom ; 
 Together we will die, if die he must, — 
 I'll perish with my son ! 
 
 ARCH-DRUID. 
 
 Woman accurst ! 
 The land will groan beneath thy fearful crime ! 
 It hangs upon our isle like a black cloud, 
 Fraught with the maledictions of the gods ! 
 Death-flames and torments only can atone 
 For such foul deeds ! — ^To-morrow both shall die ! 
 
W ARIXINA. [Act II. 
 
 ARIXINA. 
 
 Vengeance and death I know must be my fate ; 
 For ye stern, ruthless priests no mercy show ; 
 Unalterable are your dreadful laws, 
 And I submit — To hide my guilt, and save 
 This innocent child from that fell Druid's knife, 
 I uttered falsehood — I have deeply sinned. 
 Brought infamy upon our sacred office, 
 And merit death ! — But O, again I kneel. 
 Beseech, implore for mercy to this child ; 
 Let not the son die for the mother's crimes. 
 
 ARCH-DRUID. 
 
 Yes, both shall die ! — Who is the guilty father ? 
 Thou call'dst that bastard brat a Prince's son — 
 Stand forth, ye kings — the Druids' sacred laws 
 Will not absolve the greatest of you here, 
 If any present, sacrilegious monster ! 
 Hath dared defile a daughter of the sun ! 
 
 ARIXINA. 
 
 I know not what I said — Believe me not, 
 
 I've uttered falsehoods ! — 'twas to save my child — 
 
 I merit not behef, for I am mad 
 
 With shame and horror ! O my child ! my child ! 
 
 ARCH-DRUID. 
 
 Name him, I charge thee by the awful curse 
 Which hangs upon my tongue — 
 
 ARIXINA. 
 
 Never, I swear 
 By all that's holy ! — 
 
 Heap living coals, ye priests, upon my head ; 
 Flay me alive, and on my quivering flesh 
 Pour streams of flaming oil, yet silence still 
 Shall dwell upon my lips, and in the grave 
 
Scene II.] ARIXINA. 43 
 
 I'll bury deep his name ! — Is 't not enough 
 The mother and the guiltless son must die 
 To satisfy your vengeance ! 
 
 ARCH-DRUID. 
 
 Part them quick ! 
 And in the secret caverns of the rocks 
 Let them be hidden from the sight of day, — 
 The sun will darken in his course to view them ! 
 
 ARIXINA. 
 
 Ye shall not part us. — O, if ye are men, 
 Show me some little pity. — Let him stay 
 To soothe a mother's pangs a few short hours. 
 We shall then part for ever ! — Be content 
 To take our lives — but doom me not to suffer 
 A thousand deaths in one I O, he is wound 
 Around my bleeding heartstrings — tear him not 
 
 Till the last death-hour from me 
 
 O, I would grapple with the hungry bear 
 To save him from destruction. — Savage wolves. 
 Let go your hold ! — O, for a giant's strength ! 
 They have him now ! the curses of despair 
 Fall heavy on you when you need the gods ! 
 
 ARCH-DRUID. 
 
 Away with them ! I sicken at their presence. 
 
 ARIXINA. 
 
 Hurl me at once amid yon scorching flames ! 
 
 Fall, ye polluted rocks, ye pillars, fall ; 
 
 Dash out my maddened brains ! Ha ! ha ! ha ! ha ! 
 
 {Faints in the arms of the Druids,) 
 
 UTHYR. 
 
 O, mother ! mother ! — ^Tear me not away 
 From my dear mother ! let me go with her. 
 
 (Arixina and the child are borne off separately,) 
 
44 ARIXINA. [Act II. 
 
 Enter Vortimer. 
 
 VORTIMER, 
 
 Prepare for battle ! All the Roman horse 
 Are dashing through the Stour's perturbed waves. 
 Helmet of Britain, draw thy sword, and lead 
 Thy powers against great Caesar. 
 
 CASSFELYN. 
 
 O, bright sun, 
 Look not this day upon the crime of her 
 Who watched thy holy fire. Hesus, descend, 
 With great Tamaris, girt in thunder-clouds. 
 And on our swords let your red lightnings flash 
 Destruction, as we strike for Britain's land ! — 
 Dunvallo, guard the ramparts to the west. 
 Thine be the office {To Cingetonix) to protect this temple, 
 The sacred House o' th' Sun. (14) — I'll out and seek 
 This Caesar, sword to sword. — The plumes that wave 
 Above this Brazen Helmet shall be seen 
 Amid the hottest strife, the signal banner 
 To all who would for British freedom die ! \_Exif. 
 
 CARVILIUS. 
 
 Out, trusty weapon ! thou shalt now be made 
 Red to the very hilt in Roman blood ! 
 For Britain ! liberty ! and glory ! 
 
 [^Exeunt — Shouts and alarums, Sfc, 
 
 SCENE III.— r/ie Outside of the Forest. 
 Trumpets sounding. 
 
 Enter Caesar, Cymbaline, Tiberius Rufus, Valerius, and 
 Roman SoldierSf with Eagles, ^c. 
 
 C^SAR. 
 
 Valerius, bid the second legion march 
 
Scene III.] ARIXINA. 45 
 
 Against the western ramparts of the wood ; 
 And when the Britons issue from their barriers, 
 Let yon steel-harnessed knights of gallant fame 
 Dash on their charioteers. 
 
 VALERIUS. 
 
 I shall obey. \_Exit Valerius. 
 
 CiESAR. 
 
 Tiberius, thou, I know, wilt prove thyself 
 A worthy Roman. — Cymbaline, thy sword 
 Strikes with us — not to enslave thy native land, 
 But to exalt, ennoble, and refine her 
 From all the dross and dregs of savage life 
 Which she lies grovelling in, and make her meet 
 To be the ally of Rome. — Caesar doth war 
 Not more for glory than to improve mankind. 
 
 TIBERIUS. 
 
 And yet methinks it is most sad to find 
 
 This base ungrateful world, he fights to mend, 
 
 Still thankless for his favours. 
 
 CYMB ALINE. 
 
 Did I not 
 
 Believe that my loved country, when allied 
 T' imperial Rome, would lift her head as high 
 In arts and splendour as the proudest land 
 The sunlight visits, I would plunge this sword 
 In my heart's core, rather than draw it here ! 
 
 TIBERIUS. 
 
 The fittest sheath on earth thy sword can find. (Aside.) 
 
 CYMBALINE. 
 
 I know her spirit — and the time will come. 
 Perhaps when Rome may only be a name, 
 That she shall sit upon her ocean throne. 
 
4^ ARIXINA. [Act II. 
 
 Wrapt in the glory of her might and fame, 
 And be another Rome in power and greatness ! 
 
 TIBERIUS. 
 
 Yes, prophet-dreamer, when the towered pomp 
 Of evening clouds descend upon thine isle, 
 Of woods and wolves, in real substantial glory, 
 Time may behold this rivalry of state, 
 'Twixt Rome and Britain. 
 
 CYMBALINE. 
 
 O, it dawns already ! 
 And, spite of clouds and storms, still shall it shine 
 Increasing to full splendour ; nor, till time 
 And nature die, will its refulgence set ! 
 
 Enter Valerius. 
 
 VALERIUS. 
 
 The foe comes thundering on. 
 
 CiESAR. 
 
 Away ! my lords ! 
 Advance, my eagle-bearers^ on their ranks ; 
 Romans are ever ready for the field. 
 
 [Exeunt — Shouts and alarums. 
 
 SCENE \N.—The Field of Battle.— Another part of 
 the Forest. — Alarums. 
 
 In the back part of the scene are ramparts, or green 
 mounds, winding among the trees, lined loith British 
 soldiers. — Valerius and Romans rush on and attack 
 them. — A general battle. — Martial music, ivith the 
 deep roll of the British chariot-drum. 
 
 Enter Cymbaline. 
 
 CYMBALINE. 
 
 Brave Britons ! though ^e war against my right. 
 
Scene IV.] ARIXINA. 4T 
 
 I glory to behold your valour give 
 The lie to false Tiberius. — I have done 
 Some execution on them, but I feel, 
 Though rebels, a reluctance on my arm 
 Hang heavily when raised to strike them down. 
 
 were they on my side, and I against 
 These Romans, I, by Hercules, should feel 
 A giant's force and vigour for the fight. 
 
 Enter Cassfelyn. 
 
 CASSFELYN. 
 
 Charge on those Roman foot, and let them feel 
 How British swords can strike for liberty ! 
 Dash on, ye charioteers, amid the ranks 
 Of those steel-harnessed horsemen ! Let your wheels 
 Down steed and rider mow ! 
 
 A tremendous sound of chariots rushing on to combat 
 is heard behind. 
 
 Ha ! by yon sun, 
 'Tis Cymbaline ! And have I found thee, rebel ? 
 Clad in the Roman habit too ! — Base slave ! 
 Thou traitor to thy country ! who hast brought 
 These wolves of rapine to our island homes, 
 
 1 have thee now, and thus reward thy treason. 
 
 CYMBALINE. 
 
 Give me my throne, give me my people's love, 
 Of which, usurper, thou hast basely robbed me ! 
 Thy presence rouses all my rage, and I 
 Will on thee, like the wounded lion, rush ! 
 
 [Exeunt Cassfelyn and Cymbaline fighting. — Enter 
 on the other side, Caesar, Ventidius, and Romans, 
 
 CESAR. 
 
 Come on, my friends ; bravely our troops have shown 
 
48 ARIXINA. [Act II. 
 
 That Roman courage is invincible ! 
 
 Tiie second legion has the intrenchments stormed. 
 
 And now the hottest fury of the fight 
 
 Rages around their temple — let us thither. 
 
 [Trum'pets^ alarums, — Exeunt. 
 
 Enter Cassfelyn, 
 
 CASSFELYN. 
 
 The gods pour curses on those Roman slaves ! 
 IVe lost my destined victim in the rush 
 And swell of the fierce conflict. 
 
 Enter Togorma and Britons, 
 
 TOGORMA. 
 
 Haste, great chief, 
 Our stoutest ranks fall back ! The Romans enter 
 Within the sacred ramparts, like a flood, 
 Bursting its barriers ! To the temple, — on ! — 
 There Cingetonix needs thy speedy aid ! 
 
 CASSFELYN. 
 
 Illustrious warriors of bow and shield, 
 
 Remember, chains and slavery are the gifts 
 
 Of these far-roaming eagle-bannered hordes, 
 
 Who dare imprint their blood-steps on our shores ! 
 
 Eternal glory shines upon the tombs 
 
 Of those who for their country bravely fall. 
 
 And songs of bards proclaim their deathless fame. (15) 
 
 Shout, Britons, to the charge ! like thunder rolling 
 
 From cliff to cliff along the midnight hills, 
 
 Waking the drowsy sun-bird. — Thus on high 
 
 The red plumes of the Brazen Helm I wave ! 
 
 This is bright freedom's standard ! — round it rally I — 
 
Scene IV.] AttlXlNA. 49 
 
 A thousand battle-fields shall yet be fought 
 Ere Britain to these Roman robbers yield ! 
 
 [^Shouts f alarums — Exeunt. 
 
 Enter Tiberius wounded* 
 
 TIBERIUS. 
 
 These Britons on our ranks with tiger-roar 
 Spring like the dog of hell ! — Caesar, though thou 
 The day hast won, thine eagle's golden pinions 
 Will never sweep in glory o'er this isle 
 Of savage furies ! — Deeply have they gashed 
 Through buckler and through harness — O, could I 
 But find this Cymballne, while strength remains 
 To give him battle ! — Ho ! thou king of wolves ! 
 Thou prince of shaggy bears ! Tiberius calls ! — 
 Come from thy lurking-place, and prove thyself 
 Worthy a Roman's sword ! — Give me, ye Fates, 
 But life to win revenge, then care I not 
 How soon ye cut the thread of this existence. 
 
 Enter Cymbaline. 
 
 CYMBALINE. 
 
 By the bright god of day, I cannot fight 
 As 1 was wont under great Caesar's banners 
 In Germany and Gaul. — 1 feel as if 
 A curse fell on me when a Briton sinks 
 Beneath my sword — 
 
 TIBERIUS. 
 
 I with this scarf must hide 
 These bleeding wounds, or his proud spirit will 
 Decline the combat. {Aside.) 
 
 CYMBALINE, 
 
 What thinks Tiberius now ? 
 E 
 
so ARIXINA. [Act II. 
 
 Do these same coward Britons hide their heads 
 From thee and Caesar ? 
 
 TIBERIUS. 
 
 Thanks, good king of tigers, 
 Monarch of hunger-maddened wolves and bears, 
 For the remembrance of the lie thou gav'st me. 
 
 CYMBALINE. 
 
 And I as freely give it thee again — 
 Lions in battle hast thou found these Britons ; 
 Nor is there one who, in the field, this day 
 Has not, by yonder sun, given thee the lie 
 Right bravely with his sword. 
 
 TIBERIUS. 
 
 And thus do I 
 Revenge the insult, villain, on thy head ! 
 No Csesar is there here to part us now. 
 
 CYMBALINE. 
 
 There's blood upon thee — thou hast felt already 
 The island lion's fang. — Go, Roman dog, 
 And whine thou in thy tent. — I will not stain 
 The honour of this sword by lifting it 
 Against a wounded foe. — Go, get thee gone !■ — 
 
 {Turning from him.) 
 
 TIBERIUS. 
 
 'Tis British blood ! it is thy country's blood ! 
 
 The blood of yonder cowards, who are now 
 
 Flying before the Romans! — Dastard slave ! — [Crosses.) 
 
 Thus do I stand and bar thy way to flight — 
 
 Thou fear'st to meet a Roman in the field ! 
 
 CYMBALINE. 
 
 Fear ! shameless miscreant ! by the holy gods, 
 Wert thou great Hercules, I'd meet thee thus. 
 And choke thy falsehoods in thy gushing blood ! — 
 
 {They fight) 
 
Scene IV.] ARIXINA. 51 
 
 A grand flourish^ shouts, Sfc. Enter CaBsar, Valerius, 
 Ventidius, Roman officers and soldiers, eagle- 
 bearerSf 8^c. 
 
 CiESAR. 
 
 Shame on you both ! — What ! on the plains of glory, — 
 Where we for empires strive, — thus meanly wage 
 A petty, personal feud ! Put up your swords — 
 The vanquished Britons all have fled the field. 
 And left their camp to us. — Here for the night 
 Pitch we our tents. — Strike victory's noblest strains ! 
 There 's glory in the trumpet's martial sound, 
 That flings proud rapture o'er the warrior's soul. 
 When conquest binds her laurel round his brows ; 
 The triumph of this day preominates 
 Rome's future empire o'er this far famed isle. (16.) 
 
 Flourish. — Shouts. — The standard-bearers surround 
 Caesar, and other Roman officers and soldiers enter, 
 forming a grand military picture. 
 
 END OF THE SECOND ACT. 
 
 E 2 
 
ACT III. 
 
 SCENE I. — The Pmtorium of the Roman Camp at 
 RutupcE, — Eagles, Altars of the Gods, Banners, <^c. 
 arranged in lines. — The General's tent in the back 
 ground. 
 
 Enter Cymbaline and Ewylleii at different sides. 
 
 EVVYLLEN. 
 
 Welcome, my friend; what news bring'st thou from 
 
 Csesar ? 
 
 CYMBALINE. 
 
 Victory waits on his steps, his brows to crown 
 
 With her immortal garlands ; and the foe 
 
 Where'er he moves before his genius flies. 
 
 As if a god in arms the Romans led ! 
 
 Q'he rebels, with their Brazen Helm, are driven 
 
 From their strong forest ramparts and their temple. 
 
 Where, with his army, Caesar now encamps. 
 
 EWYLLEN. 
 
 What brings thee hither at this hour, my prince. 
 Fresh from the battle-field ? 
 
 CYMBALINE. 
 
 Ewyllen, thou 
 Art the loved friend and partner of my soul ; 
 And, though thou hatcst these Romans, for my sake 
 Still in their camp reluctantly dost linger. 
 I will to thee reveal what brought me here, 
 With harness yet unvvashcd from rebel blood.-— 
 Claudia, the lovely, the enchanting Claudia, 
 
Scene I.] ARIXINA. S& 
 
 AVhom, as thou knowest, to madness I adored, 
 Is in this camp. 
 
 EWYLLEN. 
 
 Here! 
 
 CYMBALINE, 
 
 Yes, — and — 'married i 
 
 EWYLLEN, 
 
 Married ! 
 
 CYMBALINE. 
 
 Ay, to Tiberius — false, and cruel woman 1 
 
 EWYLLEN. 
 
 Why hast thou then a wish again to see her ? 
 
 CYMBALINE, 
 
 I cannot, O I cannot live, Ewyllen, 
 Without a farewell meeting to pour forth 
 The injured feelings of my tortured soul. 
 Caesar's dispatches therefore did I crave 
 To be the bearer of to Atrius here, 
 His chief lieutenant. — I must seek him out. 
 
 EWYLLEN. 
 
 Take thou my counsel. — Back to Caesar's camp 
 Return this very night — See her no more, 
 
 CYMBALINE. 
 
 Not see her ? — when with fierce impatience burns 
 
 For one last interview my wounded spirit ? 
 
 Impossible ! — O, hadst thou, gentle friend. 
 
 Met her, as I have done, at evening hour, 
 
 On Tiber''s flowery banks, when the soft winds 
 
 Their perfumed music through its green reeds sighed, 
 
 And flung the moon her veil of silvery light 
 
 O'er myrtle groves and orange bowers, whose fruit 
 
 Shone like the richness of a golden mine ; 
 
 When Rome's proud palaces at distance rose, 
 
^4* ARIXINA. [Act III, 
 
 Like a bright dreamy vision, in their pomp, 
 While sweet-toned lays of nightingale and flute 
 Came shedding o'er the beautiful and grand 
 Their shadowy-lighted spells of wild enchantment — 
 O, hadst thou met her there, in such an hour, 
 Thou wouldst have thought another Venus smiled 
 In thy rapt arms, and heaven was all around thee ! 
 
 EAVYLLEN. 
 
 Child of romantic passion — 
 
 CYMBALINE. 
 
 O, I tell thee, 
 Hadst thou but met her, as I oft have done, 
 Amid the golden halls of revelry, 
 Where Rome's bright star-eyed beauties thronged in 
 
 pomp. 
 While she outshone the fairest of that throng, 
 And her dark eyes, flashing with radiant fires. 
 Had on thee shed their richest, sweetest light, 
 Thy heart, like mine, would with love's frenzy burn ! — 
 O, what bright hours of bliss I've known in thee, 
 Immortal Rome, when gorgeous feast and song, 
 Music, and love, and beauty round me flung 
 The dazzling splendours of th' abode of Jove 1 
 
 EWYLLEN. 
 
 thou art, in thy passion's frenzied mood. 
 Wild as the wildest waves that headlong rush 
 Where'er the tempest bids. 
 
 CYMBALINE. 
 
 Why 'tis in vain 
 To struggle with the swell of passion's tide. 
 
 1 float upon the surge to isles of bliss. 
 Heedless of rocks and storms. 
 
 EWYLLEN. 
 
 Thou wilt be wrecked— 
 
Scene I.] ARIXINA. HB 
 
 CYMBALINE, 
 
 Let me be wrecked but on some happy shore, 
 Where love and beauty dwell, and I care not 
 What howling tempests bear me to their arms. 
 
 EWYLLEN. 
 
 Is this a prince, an exiled prince, who comes 
 To seek a throne and kingdom by his sword ? 
 And who, to aid his cause, hath hither brought 
 The vaunting conquerors of the world, who boast not 
 More of their victories on the embattled plain. 
 Than of their cold, stern virtues, and the triumph 
 Won by them o'er their passions. — Yet hast thou, 
 In the first hour of glory, left the field 
 .For a false-hearted, proud, forgetful woman ! 
 
 CYMBALINE. 
 
 Oh for one smile from Claudia, I would fling 
 
 Kingdoms and sceptres to the wind as chaff. — 
 
 No — there is on%, more dear than Claudia's smile — 
 
 Britain, I would not cast thee from my heart 
 
 For all the bliss that woman's love can yield ! 
 
 Bear witness. Heaven, I came not more to win 
 
 My noble birthright in this ocean-isle, 
 
 Than to improve, enlighten, and refine 
 
 My barbarous subjects, till, by bright example, 
 
 My native land in arts and arms shall shine 
 
 The queen of islands, and the friend of Rome. 
 
 EW^YLLEN. 
 
 Rather her conquered slave. 
 
 CYMBALINE. 
 
 What means my friend ? 
 
 EWYLLEN. 
 
 He means that if this kingdom thou dost win 
 
 By Rome's proud tyrant arm, thou from that hour 
 
56 ARIXINA. [Act Iir. 
 
 Wilt be a homager, a royal slave, 
 
 And the poor image of a powerless king, 
 
 Who grasps a shadowy sceptre ! 
 
 CYMBALINE. 
 
 No, Ewyllen, 
 I shall be an ally, not slave of Rome. 
 O, I would rather herd with the grim bear 
 In forest-caves, and struggle with the wolf 
 To share his midnight blood-feast, than enslave 
 My noble country, for the brightest crown 
 Bome has the power to give. 
 
 EWYLLEN. 
 
 Ay, there it is — 
 Britain must be the gift of Rome if thou 
 Wouldst have her for thy kingdom. — But, my friend, 
 Think'st thou that Britons ever would remain 
 The quiet subjects of a prince imposed 
 Upon them by these robbers whom they hate ? 
 A prince who must to Romans tribute pay. 
 And ask their leave how long the sceptre he 
 Shall sway o'er his dominions ! 
 
 CYMBALINE. 
 
 By great Hesus, 
 Thou plant'st a thousand daggers in my heart ! — - 
 Caesar's proud triumph o'er my countrymen. 
 Though they are rebels, gives me misery, pain 
 
 Unutterable ! 1 feel I'd rather lose 
 
 Empire and life than to dominion climb 
 By treading on the neck of my loved country, 
 Bowed prostrate to a foe. — But now for Atrius — 
 Then to fair Claudia I'll devote an hour, 
 And charge her with her falsehood — (going,) 
 
Stsene L] ARIXINA, 6Y 
 
 EWYLLEN. 
 
 Ah, my prince. 
 Is there no hour when on your thoughts intrude]! 
 The wrongs of Arixina ? 
 
 CYMBALINE. 
 
 Yes, Ewyllen, 
 Amid the joys and splendid scenes of Rome, 
 And in the wine-stirred riot of the camp. 
 Her form would haunt me still, — I've deeply wronged 
 
 her! 
 And deeply do I still repent that hour 
 When boundless passion led me to the crime, 
 The awful crime ! — Name her to me no more ! — 
 I would forget there e'er was such a being, 
 So wildly sweet, so beautiful, so kind, 
 So guiltless, and so injured ! 
 
 EWYLLEN. 
 
 You might now, 
 Protected by these Romans, yet atone 
 For all the wrongs youVe done her. 
 
 CYMBALINE. 
 
 H0W5 my friend ? 
 
 EWYLLEN. 
 
 Make her your queen. 
 
 CYMBALINE. 
 
 What madness hath possessed thee ? 
 Own that I ever loved a vestal maid. 
 Devoted to the sun ! — nay, more, betrayed. 
 Polluted her, who for her noble blood 
 And sanctity was to the God of Day 
 Made the High-priestess ! — 
 
 EWYLLEN. 
 
 Yet if on thy head 
 The British diadem— 
 
58 ARIXINA. [Act III. 
 
 CYMBALINE. 
 
 Dost thou not know 
 The dread severity of Druid laws ? 
 That kings dare not absolve when priests condemn I 
 Thou only knowest beside ourselves on earth 
 The fatal secret — and were it revealed. 
 We to the horrid flames should both be given ! 
 Or could the fear of Rome preserve my life, 
 I should be shunned, abhorred, cast out, accursed 
 By men and gods, a wretch whom all would hate ! 
 Death from a doom so terrible were bliss ! — ' 
 I dare not claim her. — No, that dreadful deed 
 Must in oblivion be for ever buried ! [Exeunt, 
 
 SCENE IL-—The outside 0/ Claudia's Pavilion. 
 Enter Claudia. 
 
 CLAUDIA. 
 
 Tiberius Rufus is brought wounded back, 
 And now lies on his couch within the tent. 
 O would to heaven he in the field had fallen 
 By British swords, or I myself could find 
 The peaceful grave, and be at rest for ever ! 
 Perhaps he yet may die— then, then the prince 
 Might without crime be mine, and I with him 
 Ascend the throne of Britain. — Rapturous thought ! 
 But should Tiberius of his wounds be healed ? — 
 Is there no way to rid me of that man ? 
 Could I not, when he sleeps, steal to his couch 
 And — with his dagger ! — Horrid, dreadful thoughts 
 Rush on my stormy soul ! — Revenge, avaunt ! 
 Down, down my wrongs. — I will not be a fiend f 
 
Scene II.J ARIXINA. Pt\ 
 
 Enter Cymbaline. 
 
 CYMBALINE. 
 
 O, my loved Claudia, what unhoped for joy 
 To meet thee on the shores of Albion's isle — 
 Joy, did I say ? — Alas, it had been bliss. 
 Bliss measureless, hadst thou not hither comel 
 The wife of this Tiberius whom I hate. 
 
 CLAUDIA 
 
 Not more than I do, prince. 
 
 CYMBALINE. 
 
 What ! dost thou hate him ? 
 Then, Claudia, art thou not niore fair than false I 
 Ay, doubly false ! false both to him and me ! 
 
 CLAUDIA. 
 
 To neither, Cymbaline. — 
 
 CYMBALINE. 
 
 I hither came, 
 Quitting the field of honour and renown. 
 And, dearer still, revenge for all my wrongs. 
 To look once more upon thy lovely form. 
 To chide, upbraid, to curse thee for thy falsehood. 
 And then for ever from thee tear myself. 
 And seek in absence to forget thy charms. 
 But O, one look of thine, one tender glance 
 Fires all my soul, and I could weep and rave. 
 Yet still upon thy matchless beauty dote, 
 Forgetting all but thee ! — O, cruel Claudia ! 
 
 CLAUDIA. 
 
 Cruel indeed has been poor Claudia's fate ! — 
 
 'Tis she who is most wronged. — When thou didst quit 
 
 The world's proud capital to join in Gaul 
 
 The Roman armies, I was by my sire, " 
 
 And this Tiberius, to the altar dragged. 
 
60 ARIXINA. [Act III. 
 
 And there, despite resistance, forced to give 
 This hand in marriage ! — O, my bridal night 
 To me was misery, horror, and despair ! 
 While all my hours have since devoted been 
 To fruitless plaints and weeping tears for thee 1 
 
 CYMBALINE. 
 
 Thy injuries fire my soul with boundless rage ! 
 
 CLAUDIA. 
 
 Tiberius is returned. — In yonder tent 
 He wounded lies — ^buried perchance in sleep — ■ 
 No guards are near him. — If thou wert to steal 
 Softly—it might be done. — 
 
 CYMBALINE. 
 
 What means my Claudia ? 
 
 CLAUDIA. 
 
 Why that — ^but no — thy looks forbid my thoughts 
 To shape themselves in words — 
 
 CYMBALINE. 
 
 Claudia^ thou knowest 
 That I within this bosom feel for thee 
 Such an excess of passion as no heart 
 But mine e'er felt before. — 
 
 CLAUDIA. 
 
 Why then arise, 
 And fearlessly avenge my burning wrongs ! 
 Avenge thine injured Claudia's shrieks and tears. 
 When she was by Tiberius basely dragged 
 To his detested bed. — O, hour of horror ! — 
 Avenge thyself — and Claudia is thine own ! 
 
 CYMBALINE. 
 
 1 will, my Claudia, all thy wrongs avenge. 
 And, like a man, bravely avenge them too ! 
 When this base ravisher shall from his couch 
 
jScene II.] ARIXINA. 61 
 
 Arise again in strength, and with his sword 
 Meet me in gallant combat. 
 
 CLAUDIA. 
 
 Ah, my prince. 
 Thy spirit is too honest, bold, and noble, 
 To deal with these deep Romans full of guile : 
 Thou dost not know the subtle, dark designs 
 Italian vengeance takes against a foe. — 
 Did not three ruffians, as thou climb*st the Alps, 
 Rush from their secret covert to destroy thee ? 
 
 CYMBALINE. 
 
 They did — but I and my brave follower laid them low. 
 
 CLAUDIA, 
 
 Then with thy dagger through his wounded side 
 Strike thou the murderer whose slaves they were. — 
 That villain, I now tell thee, was Tiberius ! 
 If thou depart the camp when it is done, 
 Thou shalt be safe. — Nay, 'twill be thought he died 
 Of his deep wounds this day received in battle — 
 What means that look ? — Why dost thou tremble thus ? 
 Canst thou lack spirit to revenge thy wrongs ? 
 Courage, when all is sure ? — Nay, be a man — • 
 
 CYMBALINE. 
 
 I will ! — ^but not a monster ! — not assassin ! 
 Stealing to stab, at midnight hour, the wounded — 
 Though I in love am passion*s wildest child, 
 I would not by a deed so base, so damned. 
 Stab my own honour for the Roman empire I 
 O, Claudia 1 Claudia ! 
 
 CLAUDIA. 
 
 Hear me, Cymbaline— ^ 
 O, if I lose liim by this rash design, 
 I shall go mad, and do the deed myself — (Aside), 
 
62 ARIXINA. [Act III. 
 
 No more I'll urge thee my foul wrongs t' avenge, 
 Deep as they are. — But is not this Tiberius 
 In black intents — what are they less than deeds ? — 
 A most detested villain, and a murderer ? 
 
 CYMBALINE. 
 
 He may — but I will never be that wretch ! — 
 No dark Italian vengeance shall be mine. 
 Britons, when they are wronged, loudly proclaim 
 Their injuries to the world, and bravely seek 
 Noble revenge, like men, in open day. 
 
 Enter a Slave. 
 
 SLAVE. 
 
 Madam, my lord Tiberius doth command 
 That you attend his couch. 
 
 CLAUDIA. 
 
 Silvius, retire, \_E3cit Slave. 
 O, Cymbaline, my dear-loved gallant prince, 
 Let not a shade of anger cloud that brow. 
 Nor dim the love-lit sunshine of those eyes. 
 For what I in my passionate madness spoke. 
 I am the sufferer, and content I''ll be 
 To bear this load of misery, so I lose 
 Not thy esteem and pity. 
 
 CYMBALINE. 
 
 I do love 
 Thee still to desperation ! — ^but would sooner 
 Lose thee for ever, than dishonoured live. 
 Though with thee immortality were mine ! 
 
 CLAUDIA. 
 
 And when dost thou return to Caesar's camp ? 
 
 CYMBAUNE. 
 
 When Claudia bids. 
 
Scene IL] ARIXINA. BS 
 
 CLAUDIA. 
 
 Tarry another day — 
 I now must to Tiberius — he indeed 
 Is ill, almost to death — his wounds may prove 
 Mortal before another sun shall rise. 
 
 CYMBALINE.] 
 
 'Tis of no import how Tiberius dies^ 
 
 Whether upon his couch, or in the field 
 
 By this good sword — so he dies honourably. — 
 
 When he is with the spirits of his sires. 
 
 Then will I Claudia to the altar lead. 
 
 And to immortal Caesar her present 
 
 As queen of Britain, — Farewell, dearest Claudia. [jEa:it, 
 
 CLAUDIA. 
 
 He still is mine ! — I have not lost him yet — 
 
 And mine he shall be ere another sun 
 
 Set on the ocean wave — by marriage mine — 
 
 Tiberius may recover. — I'll not live 
 
 A wife dishonoured in that Roman's eye 
 
 By his too just suspicions. — No, nor trust, 
 
 For my deliverance and the British crown, 
 
 To the fearful hazard of a warrior's sword. — 
 
 (^Storm at a distance,) 
 What must I do ? — Claudia, 'tis thine own hand 
 Must use the bloody dagger, set thee free 
 From those strong chains of tyranny and marriage 
 Tiberius fastened on thee ! — 
 
 Hark ! I hear 
 The coming of the tempest ! Ay, 'tis he, 
 The fiend of murder with blood- streaming locks ! 
 He walks abroad upon the midnight storm. 
 Wrapt in the fire-cloud ! — Passion and revenge 
 
^^ ARIXIXA. [Act III. 
 
 Are in his train. — Howl on, ye deafening winds ; 
 
 Ye thunders, drown the death-groan of my victim. [^Ea;it. 
 
 SCENE III.— 2%e inside of the Tent. 
 Tiberius Rufus lying wounded on a couch, 
 
 TIBERIUS. 
 
 Where is this woman that she loiters thus, 
 Regardless of the sufferings I endure ? 
 Ah, that she-wolf now triumphs in my pains ; 
 Wanton with hope that I shall soon expire. 
 And she, with her curst paramour, enjoy 
 Her pleasures uncontrolled — but if 1 die, 
 ril to my freedman Titus leave in charge 
 That he to her administer quick poison. 
 
 Enter Claudia, overhearing the latter part of his speech. 
 
 CLAUDIA. 
 
 Thanks, kind Tiberius — that's another spur, 
 An honest one, to make the blow more sure. (^Aside.) | 
 I wait your will, my lord, — (^advancing.) What is your 
 pleasure ? 
 
 TIBERIUS. 
 
 Why am I left alone, as if I were 
 
 A ghastly corpse, laid ready for my burning ? 
 
 Where are my servants ? why are all my slaves 
 
 Sent from about my couch ? Thou tender wife ! 
 
 Thy duties to thy husband are performed 
 
 With a becoming cheerfulness and care 
 
 To please and soothe him in his agonies I 
 
Scene III.] ARIXINA. 65 
 
 Out on thee, base one !— -I can read thee well ; 
 
 There is a wanton joy lurks in thine eye, 
 
 Mocking the pangs I feel, and rioting 
 
 In fond lascivious hopes. — Though from this couch 
 
 I cannot rise, yet, woman, my commands 
 
 Shall be obeyed. — 
 
 (Storm^ thunder.) 
 Why what a coil is there 
 Amid the stormy heavens ! as if the gods 
 Were come abroad to punish some dire crime 
 Now on the eve of acting. — Call my slaves. 
 
 CLAUDIA. 
 
 Is there^ my lord, aught I on earth can do 
 To give you ease or pleasure ? 
 
 TIBERIUS. 
 
 Yes, perform 
 What I command. — I'll be removed from hence 
 Into the inner tent — some opiate drugs 
 Shall there be given me, for I fain would sleep — 
 
 (Claudia goes to the side scene, and beckons on several 
 slaves.) 
 If I, in such a night as this, can sleep. 
 Why how the ocean roars ! while the winds howl 
 In fearful mockery of his noisy wrath ! 
 I fear me Csesar's fleet will be destroyed ! — 
 But come what may, I cannot aid him now. 
 Soft, lift my couch, ye slaves, and bear me hence. — 
 So, — gently — watch beside me till I sleep. 
 (Tiberius is borne off on the couch by the slaves. — The 
 storm increases.) 
 
 CLAUDIA. 
 
 0, that these deeply-sounding winds and storms 
 Would rock him into sleep fast as the slumbers 
 
"" ARIXINA. [Act III. 
 
 Of the eternal grave ! O, Cymbaline ! 
 It is for thee and love I dip my hands 
 Deep in a husband's blood ! — This passion-flame 
 Hath made me madder than the seas and storms 
 That rave around me ! But he shall be mine ! — 
 One hour of bliss with him, though bought with blood, 
 Would a dull age outweigh without his love ! 
 I'll do it, though I perish for the crime ! 
 
 Enter a Slave. 
 
 SLAVE. 
 
 Madam, my lord is sunk in deepest sleep. 
 
 CLAUDIA. 
 
 Let all then gently leave him, lest you break 
 
 His slumbers by your presence. [Exit Slave. 
 
 {Storm increases.) 
 
 Now is come 
 The hour of my revenge ! — ^'Tis terrible ! 
 My courage falters. — Hark ! what shrieks are those 
 That come betwixt the pauses of the blast ? — 
 They are the drowning cries of Roman sailors ! — 
 Come, fiends of darkness, to my bosom come, 
 Fill me, ye Furies, with your direst rage ! 
 Death is around me, and on every side 
 Wailings, and shrieks, and terrors ! — 'Tis a night 
 Well fitted for so horrible a deed — 
 Nay, no remorse. — What if my arm should fail ? 
 Why then to my own heart I'll strike the blow, 
 And, if I cannot live for love and empire, 
 I'll die, like a brave Roman, to be free ! \_Exit. 
 
 (The storm becomes violent, mingled with the roaring of 
 the sea ; and warlike cries and shouts at a distance.) 
 
f 
 
 Scene III.] ARIXINA. 67 
 
 Enter Lavinla. 
 
 LAVINIA. 
 
 Where is my Claudia ? What a dreadful night ! 
 
 The sea his mountain billows on the shore 
 
 Dashes in thunder, where a thousand wrecks 
 
 Lie scattered with the dying and the dead ! 
 
 The savage Britons too, more dreadful still, 
 
 Have stormed the camp, and shout around our tents. 
 
 The Romans fly amazed ! {A deep groan behind.) 
 
 All-gracious gods ! 
 What fearful groan was that ? — Woe worth the hour (17) 
 In which we landed on these frightful shores ! 
 
 Enter Claudia at the back part of the stage, pale^ and 
 disordered in her attire, with a bloody dagger, 
 
 CLAUDIA. 
 
 The deed is done ! — His wounds are mortal now ! 
 He will awake no more ! — Ha ! Lavinia here ! 
 
 (Claudia shrieks at seeing Lavinia, and tearing partly 
 off her veil, hides in it the bloody dagger.) 
 
 LAVINIA. 
 
 O, Claudia, blood and death are every where ! 
 
 CLAUDIA. 
 
 What dost thou know of blood, or death, or crime ? 
 
 LAVINIA. 
 
 What means that deadly paleness ? Why art thou 
 Disordered thus ? — Yet O, 'tis such a night 
 As well may fright thee ! — Hear'st thou not the roar 
 Of yonder ocean, and the crash of ships 
 Dashed on the rocks, the sailors' dying cries, 
 The shout of battling hosts, the yell of fear, 
 And the fierce thunder-mingled clash of swords ? 
 
 F 2 
 
68 
 
 ARIXINA. [Act III. 
 
 CLAUDIA. 
 
 No — I hear nothing but a dismal groan 
 Stifled in blood ! 
 
 LAVINIA. 
 
 O, Claudia, dearest Claudia, 
 Thy wits are sure bewildered ! 'tis the horrors 
 Of this tremendous night ! 
 
 CLAUDIA. 
 
 Ay, 'tis the horrors 
 Of this most horrid night ! — Yes, thou saidst true ; 
 Murder and blood, and death are every where ! 
 Come, let us hence. — Did you not hear that groan ? 
 {Storm, shouts, Sfc.) 
 
 LAVINIA. 
 
 Ay, of the dying, by the Britons slain ; 
 Mingled with shouts and thunders ! — 
 
 CLAUDIA. 
 
 O, that the clouds 
 Would pour their vollied lightnings on my head, 
 And turn me into ashes ! 
 
 LAVINIA. 
 
 What, alas ! 
 Can make thee rave like this ? Where is Tiberius ? 
 
 CLAUDIA. 
 
 He on his couch doth lie — so deep his slumbers. 
 That battle^ storm, nor thunder will awake him ! 
 
 LAVINIA. 
 
 Come, let us call him. 
 
 CLAUDIA. 
 
 Not for a thousand worlds ! — 
 He could not quit his couch though all Rome's armies 
 Called him to be their leader ! 
 
 LAVINIA. 
 
 Eternal gods ! there's blood upon thy veil ! ^ 
 
Scone III.] ARIXINA, 6*9 
 
 CLAUDIA. 
 
 Blood ! — madness ! Where ? — O, 'tis Tiberius' blood ! 
 Soft ! — or I, in my phrenzy, shall discover 
 The accursed deed ! — 
 
 Why dost thou look aghast ? 
 He started in his sleep — and his red wounds 
 
 Did bleed afresh I staunched them with my veil — 
 
 Deep in the gaping gashes did I thrust — (shrieks.) 
 Ha ! — how he groaned ! — and with that deadly groan 
 Gushed forth the crimson tide ! — he half uprose 
 From off* his bloody couch ! — and then — 
 
 LAVINIA. 
 
 Merciful powers ! — 
 
 CLAUDIA. 
 
 Ay, then he sunk again 
 To quiet slumbers. 
 
 LAVINIA. 
 
 O, thy wits are marred .' — 
 (Shouts and alarums near.) 
 The furious Britons come ! where shall we fly ? 
 
 CLAUDIA. 
 
 O, any where from this detested place ! — 
 I shall be calmer soon. — Off*, blood-stained veil! 
 Away, thou damning evidence of guilt ! 
 And in the strife and carnage of this night 
 Be lost for ever ! — [Aside, and flinging away the veil 
 
 with the dagger in it.) 
 
 LAVINIA. 
 
 Haste, Claudia, haste ! 
 
 CLAUDIA. 
 
 Tis done ! — 'tis past ! — and I — O what am I ? (Aside.) 
 
 [^Exit^ led off by Lavinia* 
 
70 ARIXINA. [Act III. 
 
 SCENE IV. — A part of the Roman Camp, near the 
 Sea. — The Stage darkened. — A tempest, with thunder 
 and lightning. — The Roman Fleet shattered and dashed 
 on the rocks. — Shouts and excursions. — Roman sol- 
 diers driven across the Stage by the Britons. 
 
 Enter Carvilius and Dunvallo. 
 
 CARVILIUS. 
 
 The gods fight on our side. — Tamaris shakes 
 
 The earth with his loud thunder-shouts on high, 
 
 And hurls his hghtning arrows on our foes ! 
 
 The ocean, that engirdles us, is wroth 
 
 At the invasion of his own loved isle. 
 
 And dashes their proud fleet on yon dark rocks. 
 
 With all their skilful mariners, to be 
 
 The greedy sea bird's prey. 
 
 Flash out, ye livid flames, and light us on 
 To the brave work of death ! fire this curst den 
 Of Roman wolves, and with your bolts consume 
 All that escape our swords ! 
 
 Enter Cassfelyn in the disguise of a common soldier, 
 waving in his hand tivo Roman Eagles, followed by 
 other Britons, 
 
 CASSFELYN. 
 
 Shout, Britons, shout ! 
 Glory and triumph to the noble cause 
 Of British freedom ! — See, my gallant friends. 
 The magic standards of these lordly thieves, 
 The eagle-gods, which from their bearers I, 
 Down-cleaving them, with shouts of victory, tore ! 
 
Scene IV.] ARIXINA. 7l 
 
 CARVILIUS. 
 
 O, gallant Briton, thou shalt be ennobled, 
 If rank and honours can ennoble one 
 So truly great already. 
 
 CASSFELYN. 
 
 Your pardon^ chiefs, — 
 This is th' excursive warfare we must wage 
 Against these Romans who enslave the world ; 
 Till, starved, and harassed by our sudden onsets, 
 They quit our isle, or perish on its shores. 
 
 CARVILIUS. 
 
 This will our late discomfiture revenge, 
 
 And teach them nothing can subdue, but death, 
 
 True British courage. 
 
 CASSFELYN. 
 
 We have fired their tents. 
 And made an ample banquet for the wolves. 
 Sound a retreat ! — Forgive me^ princely chiefs, 
 I deem it meet we should withdraw amid 
 The wild confusion which i' th' foeman's camp. 
 Leagued with the midnight tempest, we have raised. 
 Atrius his scattered legions now collects. 
 And leads them hitherward. 
 
 CARVILIUS. 
 
 Dare not to breathe, 
 Soldier, a word of our retreating yet — 
 'Tis I who here command. — By the red shield 
 Of Hesus, now I look on thee again. 
 Thou art our chief, the king of Albion's host ! 
 Who, in this mean disguise, hast nobly won 
 Those gloried trophies ! 
 
 CASSFELYN. 
 
 Yes, Carvilius, I 
 
*72 ARIXINA. [Act III. 
 
 Would not deprive thee of this post of honour, 
 This dangerous, gallant service for thy country, 
 Nor could I stay behind when such a blow- 
 Was struck for liberty. — Gather around me, 
 And while I wave on high these trophy spoils. 
 As we retreat, lift triumph's joyous shout ! 
 Death to the Romans ! Britain ! Liberty ! 
 
 The Britons surround Cassfelyn, forming a picturesque 
 grouping. — Shouts, grand flourish of trumpets^ horns, 
 8fc, 
 
 END OF THE THIRD ACT. 
 
ACT IV. 
 
 SCENE I. — Before Caesar's Pavilion at Verulam. 
 Enter Caesar and Ventidius attended. 
 
 C/ESAR. 
 
 These Britons harass us by night and day. 
 Attack the parties we send out to forage, 
 And cut off our supplies — 
 
 VENTIDIUS. 
 
 'Tis plain they hold 
 Their liberty far dearer than their lives. 
 
 CiESAR. 
 
 Yet have we, spite of their determined courage, 
 
 Forded their mighty river^, reached, and ta'en 
 
 This the defenced city of their strength, 
 
 Cassfelyn's capital — and I*m resolved 
 
 My friends in Rome, Ventidius, ne'er to meet 
 
 Till I submission win of their chief states. 
 
 With power to claim a triumph for the trophies 
 
 That I from this fame-lauded isle will bear. 
 
 Conquest and martial glory are my aim ; 
 
 And my bright honour's pledged, that Britain shall 
 
 Rome's wide-spread sovereignty submit to own. 
 
 VENTIDIUS. 
 
 Some eastern states already humbly claim 
 To be enrolled as her allies and friends. 
 
 CiESAR. 
 
 0, I the steps of Jove's proud Capitol 
 
74 ARIXINA. [Act IV. 
 
 Will mount with peerless glory, and obtain 
 The world's dictatorship, or find in Britain 
 A soldier's grave, which shall to latest time 
 Be my eternal monument of fame ! 
 
 Enter a Centurion. 
 
 CENTURION. 
 
 A dust, great Caesar, towering to the sky, 
 In murky clouds, is from the ramparts seen. 
 Near to those fields where lately thou didst send 
 A legion to collect the standing corn ; 
 And cries of battle come upon the winds 
 With horn and chariot-drum. 
 
 C^SAR. 
 
 Send instantly 
 To aid our foragers, two legions forth : 
 The Britons are again, like lurking wolves. 
 Broke from their forest coverts. [Exit Centurion. 
 
 Enter Valerius^ 
 
 VALERIUS. 
 
 Noble chief, 
 Disastrous news from Atrius is arrived. 
 These island savages Rutupae's camp 
 Assailed and entered, many valiant men 
 Destroying in their fury ! Long it was, 
 Ere the Lieutenant could his frighted legions 
 Rally around him, and repel the foe. 
 Two eagles have been taken ! — ^but there yet 
 Remain far sadder tidings to be told. 
 
 CiGSAR. 
 
 Out with it. — Caesar will not shrink to hear 
 The worst thou hast to utter. 
 
Scene I.] ARIXINA. 75 
 
 VALERIUS. 
 
 That same night 
 Thy fears were all confirmed ! — Our noble fleet 
 The dreadful storm destroyed ! Rutupae's shores 
 Are with dead carcasses and wrecks o'erspread ! 
 
 C^SAR. 
 
 This is disastrous news ! — yet shall it not 
 Stir us from our fixed purpose. — We will send 
 Forthwith unto Libienus in Gaul, 
 For all the battle-galleys in his ports, 
 And three new legions. 
 
 VALERIUS. 
 
 I have other news. 
 Which bear a diff'erent aspect. — There are come 
 To Verulam from the Trinobantian states, 
 (The hereditary realms of Cymbaline,) 
 Ambassadors, waiting to make submission 
 To thee and Rome, and for their king to take 
 Whoever thou wilt give them. 
 
 CESAR. 
 
 I will meet 
 Them in my tent. — They for their king shall have 
 Young Cymbaline, their own liege sovereign lord : 
 He shall be reinstated in his rights 
 Without delay — his influence will extend, 
 And that attachment which he feels to Rome, 
 Her manners and her glory, have great weight 
 Among these savage nations. 
 
 Enter a Centurion. 
 
 CENTURION. 
 
 Haste, my lord — 
 Thousands on thousands of the British pour 
 
76 ARIXINA. {Act IV. 
 
 From the surrounding woods, led by Cassfelyn ! 
 Unnumbered chariots, with their sharp-edged scythes, 
 Along the mountains flash, like streams of fire ! 
 Their horsemen fill the plain. — The legions call 
 Through all their ranks for Caesar. 
 
 C^SAR. 
 
 Caesar comes, 
 To lead them on to conquest. — When the field 
 Is won, Valerius, we direct will march 
 Back to Rutupae, there to await th' arrival 
 Of new supplies, and a strong fleet from Gaul. 
 After the battle, bring the ambassadors 
 With thee unto my tent. 
 
 VALERIUS. 
 
 I shall, my lord. 
 l^Exeunt Valerius and Centurion. — Music — Shouts. 
 
 CJESAR. 
 
 Melodious trumpet — thy war-breathing measures, 
 
 With tramp of steeds and their fierce riders' yell, 
 
 The shout of closing ranks, the brazen clamour 
 
 Of chariot-wheels, on dashing to the fray, 
 
 Wake a wild stir of rapture in my heart 
 
 Felt only by the warrior girt for battle ! 
 
 Rush on before me in thy dreadful arms, 
 
 Thou lion-visaged Mars ! that I may add 
 
 This ocean-circled island to the realms 
 
 My conquering sword hath won. — Then will I seize 
 
 The sceptre of the world ! — while Pompey's laurels' 
 
 Shall wither in the splendour of my power. 
 
 His sun must set before my rising glory ! 
 
 And his renown fade like the stars of morn. 
 
 When the bright king of day comes forth to reign ! 
 
 [Exit 
 
Scene II.] ARIXINA. 77 
 
 SCENE II. — The Roman Camp at Rutupce, 
 Enter Ewyllen. 
 
 EWYLLEN. 
 
 Now to the altar leads gay Cymbaline 
 
 The Roman widow. — O, I do not like 
 
 This hasty marriage. — Maids of Italy 
 
 Shall never be my choice. — I hate their pride, 
 
 Their affectation, their luxurious pomp, 
 
 And, if what I suspect be true, this night 
 
 I trust the princely Cymbaline, hke me, 
 
 These Romans, with their secret deeds of blood 
 
 And open rapine, will detest^ abhor, 
 
 And spurn their treacherous friendship. 
 
 Enter Arixina Singetona, her hair dishevelled and her 
 appearance wild, 
 
 ARIXINA. 
 
 By the aid 
 Of kind Dalthula, from my dungeon cave 
 Have I escaped, and reached at length the tents 
 Of the proud stranger foe. — Say, gentle youth, 
 If thou canst tell, where the pavilion stands 
 Of Britain's regal prince. 
 
 EWYLLEN. 
 
 I can — but thou 
 Wilt not obtain an audience at this hour. 
 
 ARIXINA. 
 
 My woes, my agonies, demand access 
 
 At any hour. — Let him be where he may. 
 
 At council, or at feast, or on his couch 
 
 In balmy slumber sunk, I must behold him. 
 
^78 ARIXINA. [Act IV. 
 
 EWYLLEN. 
 
 Urge not thy vain request. 
 
 ARIXINA. 
 
 O lead me to him — 
 There is a beam of pity in thine eye — 
 Then pity her who o'er the desert wilds, 
 Through forest depths, and dark wolf-haunted glens, 
 Mid night and storms into a lawless camp 
 Of fierce invaders tremblingly hath come, 
 To save a son, an only child from death ! — 
 Guide me to Cymbaline. — These chains of gold, 
 And precious pearls of Britain, shall be thine. 
 If thou conduct me to the prince's tent. 
 
 EWYLLEN. 
 
 You cannot see him. 
 
 ARIXINA. 
 
 Cannot ! but I will ! 
 Or make my wrongs and miseries speak so loud, 
 That all the camp shall hear, though round me ring 
 A thousand deep-mouthed instruments of war ! 
 I'll force my entrance to his tent, though there 
 A thousand guards with flashing spears stand ready 
 To bar my passage, or on their sharp points 
 Dash my devoted bosom ! {Musical a distance.) 
 
 EWYLLEN. 
 
 Hark ! he comes, 
 Those sounds proclaim his marriage rites are done ; 
 And now, with torch and trumpet to his tent 
 He leads his Roman bride. — At such an hour, 
 Thy luckless wail is an ill-timed intrusion. 
 
 ARIXINA. 
 
 His bride ! his Roman bride ! — O dreadful words ! 
 The horrid tidings strike my wildcred brain 
 
Scene II.] ARIXINA. 
 
 79 
 
 And wither all my frame, like lightning fires 
 Blasting the desert's lone and shivering tree ! 
 O, 'tis for her that I have been abandoned ! — 
 My last hope now is fled ! and all to come, 
 Dark, desolate despair ! — No, no, my child, 
 My child may yet be saved. — Sweet patience, heaven, 
 A little, yet a little longer grant 
 The use of reason, that for my loved boy 
 I may implore and move this cruel prince 
 To save him from the flames. — What sounds are these ? 
 
 {Music nearer.) 
 It is the bridal hymn, which on the winds 
 Of midnight floats. — O, on my ears it falls 
 Like shrieks and wailings of dim spectre forms 
 Wrapt in the tempest cloud. 
 
 Sprightly music. — Enter a procession of boys with 
 flaming torches and censers, preceding the bride. 
 — Enter Cymbaline, leading Claudia, dressed in 
 a flowing tunica, embroidered with purple, her 
 head crowned with flowers, from which flows the 
 flammeum, or long flame-coloured veil of mar- 
 riage. — A train of maidens behind her with distaff 
 and spindle, S^c. — A youth, handsomely dressed, 
 carries behind her the cumerum, or covered vase, 
 supposed to contain her utensils. — Numerous at- 
 tendants on the bride and bridegroom, 
 
 THE EPITHALAMIUM. 
 
 Thalassio ! Thalassio i 
 Touch the cythern and the flute, 
 •Let no sweet instrument be mute. — 
 
 Hail the hour of bridal glee, 
 
 Hour of pomp and revelry. 
 
80 ARIXINA. [Act IV. 
 
 To the kingly bridegroom joy ! 
 
 Sprung from the immortal line of Troy ! 
 Strew the young bride's path with flowers^ 
 Lead her to love'*s rosy bowers. — 
 
 Juno doth on thy nuptials smile, 
 
 Queen of Britain's noble isle. 
 Thalassio! Thalassio ! (18) 
 
 CYMBALINE. 
 
 My Claudia, why 
 
 That pensive cloud upon thy radiant beauty ; 
 Casting its dimness o'er thy sunny smile ? — 
 Blest was the hour when thou didst set thy foot 
 On Albion's shore, where a bright crown awaits 
 Those lovely brows ; where all thy days to come 
 Shall pass in splendour, and thy nights in bliss. 
 
 CLAUDIA. 
 
 Heaven grant they may. ^ 
 
 CYMBALINE. 
 
 They will, they must, they shall ! 
 Caesar again hath from Cassfelyn's brows 
 Torn fame's green laurel, and now to the camp, 
 In all the trophied pomp of triumph, comes ! 
 On his high state the conquered warriors wait 
 Of my paternal kingdom, which submits 
 Already to my sway. — Be joyous, then, 
 For with no bitter drops shall fate, sweet love, 
 Dash our bright cup of bliss. — 
 
 (Arixina advances towards Cymbaline, who starts 
 ivith surprise and terror.) 
 
 Eternal powers ! — 
 Why comest thou here, pale, injured form of woe. 
 To mar my joy, and turn my blood to ice I 
 
Scene II.] ARIXINA. 81 
 
 ARIXINA. 
 
 Ah, Cyrabaline ! — I come not to upbraid. 
 Nor mar thy bridal joys. — I came not here 
 Thy pity for my sufferings to implore : 
 No — may'st thou long be blest with thy fair bride 
 When I am dust and ashes ! — But, O prince. 
 One is there who yet lives, for whom my prayers, 
 My tears, to thee are offered. — 'Tis my child — 
 The dreadful secret is at length discovered. 
 And my poor innocent is doom'd to feed, 
 With his sad mother, the devouring flames ! 
 I have escaped — to thee I fly for mercy. — 
 
 CYMBALINE. 
 
 Away ! I know thee not. — This woman raves ! 
 Lead on the bridal train. — Come, my sweet Claudia. 
 
 ARIXINA. 
 
 (JVildly falling at his feet, and catching his robe.) 
 O, yet, in pity hear me, Cymbaline. — 
 Dost thou not know that Arixina whom 
 Thou once with such devoted passion lovedst ? 
 Think of the days long past, when oft we met 
 In sweet Dunrathcol's woods. — No, no, think not 
 On those sad meetings ! they have brought despair, 
 Misery, and horror, on my wretched head ! 
 Yet think — O think upon my death-doomed child, 
 For whom a mother's heart with anguish throbs. 
 Haste, in the might of Rome's all-conquering arms, 
 And save him ere the dawn- clouds blush with light, 
 Or he to-morrow dies ! 
 
 CYMBALINE. 
 
 Take her from hence, ye slaves 
 But use her mildly, for her wits are crazed. 
 
 o 
 
^^ ARIXINA. [Act IV. 
 
 ARTXINA. 
 
 No, no, I am not mad — ^indeed I am not. — 
 O, let these tears of misery win compassion. — 
 Has thy once gentle soul no pity left 
 For a poor, desolate, heart-broken mother, 
 Who kneels to thee for mercy ? — Let me not 
 Die at thy feet, but save, O, save my son ! 
 
 CYMBALINE. 
 
 'Twere madness to comply. — It cannot be. — (Aside.) 
 
 ARIXINA. 
 
 Come, I will be thy guide to where he lies 
 Cold in his prison cave — no mother near 
 To soothe his grief and lull him into slumber. — 
 Haste to preserve him from the Druid fires. 
 And I shall perish on the burning pile, 
 Blessing thee as I die ! 
 
 CLAUDIA. 
 
 Poor supplicant I 
 If thou canst rescue this devoted child. 
 Go, Cymbaline, I yield thee to her wishes. 
 
 CYMBALINE. 
 
 Claudia, it cannot be ! Thou dost not know 
 The dreadful consequence ! My kingdom, life, 
 Would all be lost, were I to save this child, — 
 Let her be taken hence. 
 
 ARIXINA. 
 
 I will not hence. — 
 Here at thy feet I'll die !— O, CymbaHne ! 
 Thy cruelty has broke, quite broke my heart ! — 
 I have no strength to wander back again. — 
 Can I return to part, for ever part 
 With him I love far dearer than my life. 
 
Scene II.] ARIXINA. 83 
 
 My only joy, my last fond hope on earth ! — 
 
 Yes — I will strive to see him once again ; 
 
 And O, when thou art joyous at the banquet, 
 
 Lifting the bridal wine cup to thy lips, 
 
 I shall be on the dark and lonely heath, 
 
 A wretched mother frantic with despair ! 
 
 Returning back to see my child destroyed, 
 
 And then to die myself amid the flames !■ — 
 
 O, Cymbaline ! could I have once believed 
 
 Thou wouldst have been so cruel ? — (^Bursting into tears.) 
 
 CYMBALINE. 
 
 By the gods, 
 Her sorrows make me like a woman weep. 
 I must retire, or be for ever lost .' — {Aside.) 
 
 ARIXINA. 
 
 Ah ! I behold him now ! my child, my child ! 
 
 I see the priest conduct him from his cave, 
 
 A victim to the sun, a victim for 
 
 His guilty mother's crimes ! My sin hath brought 
 
 Destruction on his head. — O, it is I 
 
 That am his murderer ! — It maddens me ! — 
 
 Ah ! now I see him on the altar laid ! 
 
 I see him blackening in the horrid flames, 
 
 Writhing in agonies ! His last death screams 
 
 Ring in my ears ! — Distraction ! furies ! fiends ! 
 
 I'll snatch him from those hellish fires, ye priests, 
 
 Ha [^{Shrieks.) 
 
 There's nothing but a heap of burning bones ! 
 
 They crumble into dust ! — Oh, mercy ! — mercy ! — 
 
 {Falls on the ground.) 
 
 CYMBALINE. 
 
 Raise the poor, injured sufibrer, my Ewyllen, 
 And bear her to a tent. — 0, deep remorse 
 
 G 2 
 
84 ARIXINA. [Act IV, 
 
 Visits my bleeding heart. — {Aside.) 
 
 My Claudia, come, 
 The marriage banquet waits. I fear this scene 
 Will shade thy beauties with a deeper gloom. 
 Music will raise thy spirits. 
 
 CLAUDIA. 
 
 No, I feel 
 A shuddering horror creep o'er all my frame ! 
 What is her guilt to mine ? — This night — 
 Would it were dawn ! — I sicken at the past, 
 And dread the future ! — {Aside.) 
 
 {Music strikes up — the procession moves on.) 
 
 [Exeunt Cymbaline and Claudia. 
 
 EWYLLEN. 
 
 She revives — look up — 
 Ill-fated Arixina, I know all 
 Thy hapless story. — Let me to yon tent 
 Convey thee safe. Rest till to-morrow comes, 
 And thou, with thy sweet child, may yet be saved. 
 There still is hope. Lady, if I err not. 
 Prince Cymbaline will quit this robber's den 
 And be again a Briton. 
 
 ARIXINA. 
 
 No — nor rest. 
 Nor hope is there for me, till in the tomb 
 I, with the ashes of my boy, shall sleep. 
 I must away ere dawn, to take a fond, 
 A last adieu — the feehngs of a mother 
 Will give me strength my footsteps to retrace. 
 1 am resolved. — Yes, since I cannot save, 
 ril perish with my son ! [^Exeunt. 
 
Scene III.] ARIXINA. 85 
 
 SCENE III. — An inner tent, fitted up as a bridal 
 chamber, — A lofty couch or bed, sumptuously orna- 
 mented with rich tapestry (19) and garlands. — Music 
 within.'^On an ivory table, near the side-scene, lies 
 Claudia's bloody veil. 
 
 Enter Cymbaline alone. 
 
 How harshly jars that music on my ear : — 
 
 'Tis not in union with the heavy gloom 
 
 Which Arixina's ill-timed coming flings 
 
 On the rich splendours of my bridal hour. 
 
 Should this disastrous tale be blabbed abroad, 
 
 Farewell to all my hopes ! — There''s a strange cloud 
 
 On Claudia's brow — a fearful something weighs 
 
 Her spirits down — and in her eye I read 
 
 A dreadful meaning — a remorse that seems 
 
 To gnaw her heart-strings ! — Hence, ye horrid thoughts ! 
 
 It cannot be. — Suspicion hangs upon her. — 
 
 I will not think — thought sets me on the rack ! 
 
 What could Ewyllen mean by those strange words 
 
 He dropped when speaking of her husband's death ? — 
 
 If she be guilty of a crime so damned 
 
 I'll tear her from my heart, though I that hour 
 
 With grief and madness die ! — 
 
 Mistrust is false ! — 
 I deeply wrong her — 'tis impossible. — (Sits by the table,) 
 The mournful tale which I to her have told 
 Of Arixina's love hath made her sad, — 
 What's this ? — (ffis hand falls unconsciously on the veil.") 
 It is her veil — worn on that very night 
 When she so strongly urged me to despatch 
 Her wounded husband, — On that night he died.— 
 
86 ARIXINA. [Act IV. 
 
 Immortal gods ! it is distained with blood ! — 
 
 (^Rises, snatches the veil from the table, and the 
 dagger falls from it to the ground. He takes it up.) 
 A dagger ! — madness ! — racks ! Eternal horrors ! 
 *Tis to the hilt besmeared with human gore ! — 
 This is a damning witness of her guilt ! 
 It is her husband's blood that crimsons o'er 
 This instrument of murder ! — O, a deep, 
 Cold horror comes upon ray shuddering frame ! — 
 My injured Arixina, all thy wrongs 
 Are now revenged on this woe-stricken heart ! 
 The murd'ress comes. — I'll tax her with the deed. 
 
 {Hides the veil and dagger in his bosom.) 
 
 Enter Claudia. 
 
 CLAUDIA. 
 
 Why, good my lord, have you the banquet left ? 
 
 The chiefs lack your society within. — 
 
 Such absence mars the cheer of our espousals. 
 
 Why look'st thou so aghast ? — ^The dews of terror 
 
 Stand on thy brow ! — O, thou art ill, sweet love. — 
 
 Why rolls thy flashing eye as if it gazed 
 
 On some horrific spectre ? — Let these arms, 
 
 My lord, my bridegroom, fold thee to my heart. — 
 
 Lean on thy Claudia's bosom. — 
 
 CYMBALINE. 
 
 I would sooner 
 Repose me on the giant serpent's folds ! 
 Off ! come not near me ! — ^Ah i dost thou not see 
 That ghastly spectre frowning by thy side. 
 His gaping wounds encrimsoned fresh with blood 
 
 CLAUDIA. 
 
 Where ! where I — Alas ! alas ! he 's mad ! 
 
Scene III.] ARIXINA. 87 
 
 CYMBALINE. 
 
 Woman ! 
 Know'st thou this gory veil, this poniard blade. 
 Steeped in a husband's blood ? (20) 
 
 CLAUDIA. — (Shrieking.) 
 
 Ha ! open, earth, 
 Hide, hide me in thy centre from the sight ! 
 What fiend of hell hath hither brought those proofs 
 Of death and blood against me ? 
 
 CYMBALINE. 
 
 Murd'ress, I see imprinted on thy brow, 
 
 In damning characters, thy hideous guilt ! 
 
 Let furies from the yawning gulfs below 
 
 Howl round our marriage banquet, and hot blood 
 
 Quaff from the wine-bowl ; let the ghastly fiend 
 
 Of murder there his hell-dark wing outspread 
 
 To fright thee into madness, and around 
 
 Thy lonely couch may thy pale husband's ghost 
 
 Shriek vengeance on thy head, while his deep curses 
 
 Blast thy pernicious beauty, till thou sink'st, 
 
 Despised, abhorred, to an untimely grave I — 
 
 CLAUDIA. 
 
 Hold, Cymbaline ! for mercy I implore ! 
 
 Pour not the thunder of thy curses on me, 
 
 For I'm already sunk beneath the ban 
 
 Of heaven and conscience to the last despair ! 
 
 I do confess my crime — yes, I it was 
 
 Who plunged that dagger in his gaping wounds 
 
 As on his couch he slept ! — But O, for thee 
 
 I gave that death-blow — yes, it was for thee 
 
 I dyed these hands deep in a husband's blood. 
 
 And plucked damnation on my guilty head I 
 
88 ARIXINA. [Act IV 
 
 No bounds for thee did my fond passion know ; 
 Headlong it bore me on a stormy sea 
 Of fierce desires, oft bright with golden gleams, 
 Till down I sunk in the dark tide of crime ! 
 Yet O, forgive — and take me to thy mercy. 
 
 CYMBALTNE. 
 
 O, Claudia ! What, so beautiful, and yet 
 So basely guilty ? — Why Aurora gave 
 Her radiant roses to thy lovely cheek, 
 And all the Graces on thy form bestowed 
 Divine enchantment ! — Yet art thou begrimmed 
 With damning guilt, black as the foulest fiend ! 
 Look on that mirror. — Thou art pictured there 
 Bright as another Venus ! but thy heart — 
 Plell in it burns with all her hideous forms ! — 
 Perdition on Italian beauties light ! 
 
 CLAUDIA. 
 
 Cymbaline ! it was in self-defence 
 
 1 struck the blow ; for, had his battle-wounds 
 Proved mortal, he would^ vvith his latest breath, 
 Have to his freedman given command that I 
 Should follow him by poison ! 
 
 CYMBALINE. 
 
 May the gods 
 Rain plagues and maledictions on thy country, — 
 A country with revenge and murder filled ! 
 I now abhor the very name of Rome ! 
 Lightnings consume her armies, earthquakes heave 
 Her towers from their foundations ! May she sink, 
 With all her palaces, to the dark centre ! 
 And let her last dread shriek, when down she plunges^ 
 Amid sun-darkening clouds of dust, be heard 
 
Scene III.] AUIXINA. 89 
 
 Throughout the world, that all the nations whom 
 Her haughty pride enslaved, may o*er her fall 
 Lift the glad shout of triumph ! — (going.) 
 
 CLAUDIA, 
 
 Stay, Cymbaline— 
 O do not, do not leave me here alone — 
 May we not yet be happy ? — 
 
 CYMBALINE. 
 
 Happy ! What ! 
 With abase, gore-drenched murderess ? — Canst thou dare 
 To hope for happiness, who hast embrued 
 Thy fell hand in a wounded husband's blood ? 
 O, could I lay my head upon thy bosom 
 And dream of happiness ? No, by yon heaven, 
 I'd rather with the tigress in her den 
 Stretch my life-wearied limbs, than rest with thee ! 
 
 CLAUDIA, 
 
 Then it is done ! this heart is smote in twain ! 
 Is this my bridal night ? are these the joys 
 For which my passionate soul so fondly sighed ? 
 O, that the storms had hurled thee to the gulfs 
 Of deepest ocean, and the billows rolled 
 Ten thousand fathoms o'er thy lifeless form, ' 
 Ere I beheld thee in Rome's palace halls ; 
 Then had I never been the wretch I am ! 
 
 CYMBALINE. 
 
 A wretch indeed ! — Go, hide thee in some den 
 Amid the forest, where no human eye 
 May e'er again look on thee — with the wolf 
 On his dark midnight hill, howl out thy woes 
 Till keen remorse consume thee ! 
 
 CLAUDIA, 
 
 Trample not 
 
90 ARIXINA. [Act IV. 
 
 A friendless creature in the dust, who kneels 
 To thee for mercy.— Nay, then, since I've lost 
 All hope on earth, come, maniac fury, come, — 
 Drown this remorse, this horror of the past. 
 In wild forgetfulness. — Let memory have 
 No seat in this poor brain — 
 
 A hell-black cloud 
 Encircles me ; the furies from it rush. 
 Their scorpion stings shoot through my withered heart ! 
 The camp is all in flames ! blaze on, ye lightnings, 
 Till nature on her funeral pile expires ! — 
 Ha 1 (^shrieks) what terrific form glares on my sight ? 
 It is my murdered husband ! — Show me not 
 Thy gaping wounds. — O, staunch those spouting veins! 
 Off, off thou damned veil, thou art bedashed 
 With stains of blood ! — Ha ! he is there again ! 
 He rushes on me, wrapt in lightning fires ! 
 O, save me, save me from his dreadful vengeance ! 
 
 {Rushes out.) 
 
 CYMBALINE. 
 
 Guilt, guilt, how awful, terrible thy doom ! 
 I sinned against the gods when I defiled 
 Their vestal Druidess, and now I feel 
 A punishment almost too great to bear. 
 
 Enter Ewyllen. 
 
 EWYLLEN. 
 
 How does my prince approve of Roman wives ? 
 Are they immaculate ? 
 
 CYMBALINE. 
 
 Sink them to hell ! 
 And curst be all that bear the Roman name ! 
 I am, Ewyllen, weary of this life : 
 
Scene III.] ARIXINA. 91 
 
 Woe comes on woe, and horrors clip me round. 
 All is confirmed ! that veil and bloody dagger — 
 How came they here? 
 
 EWYLLEN. 
 
 / placed them there^ my friend. 
 That night when Caesar's fleet was by the storm 
 Half wrecked and lost, and the brave Britons rushea 
 Within the rampires of the Roman camp, 
 I passed Tiberius' tent the hour he died, 
 And near it found those witnesses of guilt. — 
 I did suspect this Claudia of the deed, 
 And thought, if they before her were produced, 
 Her crime might be discovered. — 
 
 CYMBALINE. 
 
 Would to heaven, 
 I ne'er had on her fatal beauty gazed ! 
 
 EWYLLEN. 
 
 Grieve not for her. — I joy to find that thou 
 FeePst once more like a Briton, and hast flung 
 The shackles of thy Roman bondage off*. 
 
 {Shouts and war-cries,) 
 
 CYMBALINE. 
 
 What shouts are those ? 
 
 EWYLLEN. 
 
 The Britons have again 
 Entered the slumbering camp, and the remains 
 Of Caesar's fleet are wrapt in struggling flames. (21) 
 Come join the banners of thy native land, 
 And, laying private enmities aside. 
 Draw forth thy sword for British liberty. 
 Better to rule thy native province free 
 Than sit on Britain's throne a Roman slave. 
 
y^ ARIXINA, [Act IV. 
 
 CYMBALINE. 
 
 No, my Ewyllen, I no more will draw 
 This battle-blade — soon shall it by my side 
 Be in the dark tomb laid. — I do repent 
 That e'er I joined these Romans, — but 'tis past — 
 I scorn the pomp of crowns. — No more shall I 
 Shine in the field amid the warrior throng, 
 Nor rein my steed, nor rush in battle-car, 
 Like the strong whirlwind, on the van of war. 
 Where is poor injured Arixina ? 
 
 EWYLLEN. 
 
 In yon tent^ ■ 
 I left her to her sorrows. 
 
 CYMBALINE. 
 
 Would that I 
 Could save her and her child — but 'tis too late ! — 
 
 EWYLLEN. 
 
 Come, rouse thy noble energies, my prince, 
 And be again thyself — (^Shouts nearer.) 
 
 Hark ! they approach I 
 Out, Cymbaline, and lead them on to victory. 
 
 (Dunvallo without.) 
 Dash down their tents, and trample all their pomp. 
 Their gaudy, dainty fopperies, in the dust ! 
 
 Enter Dunvallo, Cingetonix, and British soldiers. 
 
 Ha ! Cymbaline ! and have we found thee here. 
 
 Betrayer of thy country ? Traitor, thou 
 
 No more shalt draw thy sword on British crests-^ 
 
 What ! silent ? How thy guilt confounds thee, prince. 
 
 Away with him — he is our captive foe, 
 
 And to our laws shall answer for his treason. 
 
 \^Alaru7ns3 8fc* Exeunt, 
 
Scene IV.] ARIXINA. 9^ 
 
 SCENE IV. — The outside of the Roman ramparts near 
 the sea. — The Roman fleet appears wrapped in flames. 
 
 Enter Carvilius, and other Britons » 
 
 CARVILIUS. 
 
 The glorious deed is done ! O, noble sight ! 
 
 Now, ye proud Romans, where's your boasted fleet ? 
 
 The flames destroy those ships the tempest spared. 
 
 O that all Britain now could gaze as I do 
 
 On yonder mounting flames, where slavery lies 
 
 On her red funeral pyre ! Shout oev her fall, 
 
 My valiant sons of steel ! Freedom is ours ! — (Shouts.) 
 
 Enter from the ramparts, Dunvallo, Cingetonix, and 
 Britons, with Cymbaline^ Arixina, and Ewyllen, as 
 prisoners, 
 
 DUNVALLO. 
 
 On, on, my friends — Caesar pursues our steps I 
 The midnight darkness will secure our flight. 
 Behold our captives. — Here's a noble prize ! — 
 Haste to yon shadowy woods. — Away ! I hear 
 The shout and thunder of the approaching foe. 
 
 [^Ea;eunt. — Shouts, 
 
 Enter Caesar, Ventidius, Valerius, and Roman soldiers. 
 
 CiESAR (entering.) 
 My camp again assailed ! O, grief and rage ! 
 The remnant of my shattered galleys all 
 By fire destroyed ! — Ha ! they, by Jove, are fled ! 
 The bony, gaunt, and blue-dyed savages. 
 Pursue with speed, Valerius, but no further 
 Than yonder flames yield light. 
 
 [Exeunt Valerius and soldiers. 
 
d#: ARIXINA. [Act IV. 
 
 VENTIDIUS. 
 
 These warlike bands, 
 Fierc as the onward rushing sea, impelled 
 By tempests, break into our slumbering camp, 
 Then backward roll their scattered tide of war 
 Into the forest depths. 
 
 CMSAR. 
 
 Soon as arrives 
 A fleet from Gaul, I will embark, my friend. 
 For that fair country, where the voice of war 
 Calls us again to quell new insurrections. 
 
 VENTIDIUS. 
 
 What ! will you quit this Britain ere she yields ? 
 Why 'twill be said you only hither came 
 To show it to your soldiers, and then left 
 A new-discovered world t' a tameless foe. 
 
 CJESAR. 
 
 Why Britain is subdued — she yields consent 
 Tribute to pay to Rome for half her realms. 
 Have I not hostages from many states, 
 Despite Cassfelyn's power ? — Soon will I claim 
 A triumph for the conquest of this Isle, 
 And, as I march to th' Capitol, display 
 The captive slaves and spoils that I have won ; 
 These fierce and savage Britons, as they pass 
 In chains, behind my golden chariot-wheels, 
 Will from our wondering citizens of Rome 
 Win thunders of applause for my exploits. 
 
 Enter Valerius and Roman soldiers. 
 
 VALERIUS. 
 
 We the barbarians to their woods have chased, 
 And many stragglers from their ranks are slain. 
 
Scene IV.] ARIXINA. 95 
 
 CiESAR. 
 
 Well have ye driven those fierce marauders hence. — 
 
 Romans, Cassfelyn with a feeble host, 
 
 Deserted by allies, around us hovers. 
 
 To-morrow I will lead our army's strength 
 
 To where he lurks 'mid Calmar's neighbouring woods. 
 
 Strike a last blow, and scatter all his hordes. 
 
 Like chaff before the rushing whirlwind driven ; 
 
 Then we for Gaul embark, my gallant friends, 
 
 The conquerors of this world, to win new glory, (Shouts,) 
 
 Enter Claudia, distractedly, 
 
 CLAUDIA. 
 
 Ha, they have dragged him from me I he is gone, 
 And I no more shall see him ! O, could I 
 Have at his feet expired, my parting sighs 
 Would sure have won his pity and forgiveness — 
 O, there is no forgiveness for a wretch 
 Like me in earth or heaven ! 
 
 CiESAR. 
 
 Alas ! fair Claudia, 
 What mean these exclamations ? 
 
 CLAUDIA, 
 
 I am mad ! — 
 Mad with the horror of those crimes Tve done 
 For love of one who flies disgusted from me ! 
 My hands are dyed in blood ! a husband's blood ! 
 I've murdered him I — But I have deeply drunk 
 A draught of cold oblivion, which will soon 
 Calm this wild tempest of the soul, and close 
 These eyes in endless slumbers ! 
 
 CiESAR. 
 
 Why, if this 
 Be true which thou dost utter, thy foul deeds — 
 
96 
 
 ARIXINA. [Act IV. 
 
 CLAUDIA. 
 Demand the vengeance of the angry gods ; 
 I feel their wrath already round me burn ! 
 Remorse and dark despair pour on my heart 
 The fiercest torments of the nether hell ! 
 Haste, Cymbaline — the bridal banquet waits — 
 Come let me bind these garlands round thy brow — 
 And fold thee in these arms. — Now we no more 
 Will from each other part. — Ha ! {shrieks) why 'tis he ! 
 That dark, grim spectre with his gaping wounds ! 
 Oh, how the crimson torrents o'er me gush ! 
 I'm covered with his blood ! — A vaunt, thou fiend ! 
 Blast me not with the lightning of thine eyes — 
 Ye gods have mercy — Oh ! — 
 
 {Falls and dies. — All the characters group 
 around her,) 
 
 END OF THE FOURTH ACT. 
 
ACT V. 
 
 SCENE I. — A grand circle, or temple of rock pillars. 
 At the upper end, on a pile, ready to be lighted, stands 
 a gigantic image, or rude form of a man, composed of 
 wicker-rvorh. — On twelve stones, in the centre of the 
 temple, are seated twelve Druids as judges ; on the 
 uppermost seat is the Arch-Druid in his robes, with 
 his sacred breast-plate, 
 
 Cassfelyn discovered standing beside a pillar 
 within the circle, with Carvilius, Dunvallo, 
 Cingetonixj Togorma, and British officers, 
 
 ARCH-DRUID. 
 
 Bring forth the prisoner, let him stand before us. 
 
 (Cymbaline is brought in, guarded, and in chains,) 
 Now, you Cassfelyn, king of all the isle. 
 Arraign the captive — in this awful synod 
 We sit as judges, by our sacred right, 
 Upon all criminals. (22) 
 
 CASSFELYN. 
 
 This prisoner, who 
 Before your dread tribunal stands in chains, 
 Is one of princely birth, my nearest kinsman. 
 It may seem like foul malice, and a wish 
 In me to take his life, appearing here 
 As his accuser ; but I from my soul 
 Pluck out all private feelings of revenge. 
 All jealousy of power, and now stand forth 
 
 H 
 
98 ARIXINA. [ActVi 
 
 My country's representative and friend, 
 
 And, in her name, charge this young prince with treason, 
 
 Treason to Britain and her liberty. (23) 
 
 CYMBALINE. 
 
 Thy accusation is not more unjust. 
 
 Than groundless. — By yon worshipped sun's pure light, 
 
 There's not a heart among you all that beats 
 
 With more devotion, and a purer love 
 
 For Britain's weal, her liberty, and fame, 
 
 Than mine has ever done, — and while, ye gods, 
 
 That fount of life wells forth one vital drop, 
 
 Its last proud wish will be for Britain's glory ! 
 
 CASSFELYN. 
 
 Thy tainted actions give thy words the lie. 
 Didst thou not quit thy country, fly to Rome, 
 And plot with her proud senate to enslave 
 Our freedom, dearer still to British hearts, 
 Far dearer than their lives ? 
 
 CYMBALINE. 
 
 Who drove me there ? 
 Was it not thy red arm that basely seized 
 My birthright and my crown ? Did I not fly 
 To Rome for safety from thy ruthless power, 
 To claim redress for all my crying wrongs ? 
 
 CASSFELYN. 
 
 Too young, voluptuous, and too prone of heart 
 To copy Rome's pernicious pomps and follies, 
 The Celtic states decreed thou wert unfit 
 To sway the mighty sceptre of this isle 
 In such disastrous times, when Rome's fierce eagles 
 Wave their dark pinions o'er our threatened sliores, 
 Ready on Freedom's trembling form to swoop 
 With talons dyed in blood ! — Therefore to me 
 
Scene I.] ARIXINA. 99 
 
 They gave th' imperial diadem of Britain. 
 I was the people's choice, and that's a title 
 Far nobler than hereditary claims. 
 When princes are unworthy. 
 
 CYMBALINE. 
 
 Why thou art 
 Th' usurper of a faction. — Thy false title 
 Is writ in kindred blood 1 
 
 CASSFELYN. 
 
 And thine, washed out 
 In those deep streams which from thy country's heart 
 Thou, like a ruffian parricide, hast drawn 
 Beneath proud Caesar's banners — 
 
 Sacred priests, 
 'Tis plain this rebel hath betrayed his country, 
 Offered to sell her for a slave to Rome^ 
 And brought the invader on our injured shores. 
 
 CYMBALINE. 
 
 Not to enslave my country — no, by heaven. 
 Not to enslave her, but to lift her high 
 In opulence, and glory, and renown, 
 Worthy the noble liberty she boasts. 
 
 CASSFELYN. 
 
 Thou art this Caesar's friend, and canst not be 
 The friend of liberty. — Let the dread synod 
 Pronounce his sentence — innocent, or guilty ? 
 
 DRUIDS. 
 
 Guilty of blackest treason ! 
 
 CASSFELYN. 
 
 And his doom ? 
 
 ARCH-DRUID. 
 
 Is forthwith to be crucified amid 
 
 The sacred forest to the gods below ! (24) 
 
 H 52 
 
100 ARIXINA. [Act V. 
 
 But thou^ Cassfelyn, still shalt have the power 
 His sentence to revoke. 
 
 CYMBALINE. 
 
 My doom is fixed, 
 Nor have I one remaining wish to live. 
 Life is a burthen, and I now shall be 
 Well pleased to shake it off. — Now will I own 
 That I repent me deeply having joined 
 These Romans, and my dying lips will breathe 
 The direst curses on them ! 
 
 CASSFELYN. 
 
 If thou speak 'st truth ? — 
 Enter Vortimer. 
 
 VORTIMER. 
 
 Helmet of Britain, there is just arrived 
 Caesar's lieutenant, Atrius, and he comes 
 As an ambassador to offer terms. 
 
 CASSFELYN. 
 
 Go, and admit the chief— we'll here receive him 
 
 In presence of heaven''s holy ministers, 
 
 And our assembled kings. [Exit Vortimer 
 
 Enter Atrius attended. 
 
 ATRIUS. 
 
 Hail to Cassfelyn! 
 I bring from Caesar offered terms of peace, 
 Of friendship and alliance with the Romans, 
 W ho to the wide-extended world give law. 
 
 CASSFELYN. 
 
 Not to the world — no, not to all the world — 
 Britain no Jaws from Romans will receive. 
 
Scene I.] 
 
 ARlxmii 
 
 i6t 
 
 But say on what conditions Cassar offers 
 Peace to the Britons. 
 
 ATRIUS. 
 
 First that thou restore 
 Prince Cymbaline, thy captive, to his throne. — 
 
 CASSFELYN. 
 
 This Cymbaline, in passion's vengeful hour. 
 
 Has been a traitor of the deepest dye, 
 
 And would have sold his country to the Romans. 
 
 He is my lawful captive, and condemned, 
 
 Not by my voice, but by his country's laws, 
 
 To suffer speedy death. — Shall I release 
 
 The rebel from that fate he merits, and. 
 
 To please this Caesar, set him on a throne ? — 
 
 No, though that Bald-head's sword were at my throat ! (25) 
 
 You call us rude barbarians, savage hordes. 
 
 Ferocious as wild wolves, — now mark me well — 
 
 Stand forth, prince Cymbaline — pluck off his chains — 
 
 I give thee life — I see thou dost repent — 
 
 I give thee too 
 
 Thy vassal throne and kingdom — not through fear 
 
 Of Caesar's power — 'tis my free gift of pardon. — 
 
 Atrius, when thou return' st, tell thy proud chief 
 
 That thus a savage Briton takes revenge 
 
 On those that injure him when at his mercy. 
 
 CYMBALINE. 
 
 O noble uncle! — tell him, Atrius, too, 
 That Cymbaline disclaims all Roman friendship, 
 And only wishes in the ranks to die, 
 Fighting for Britain's freedom. 
 
 CASSFELYN. 
 
 Stranger chief. 
 What other terms doth Coesar to us send ? 
 
I<i9, • ' ; c'" ; '^ . .' ' i J . c I ; • ; apjxina. [Act v. 
 
 ATRIUS. 
 
 That thou o*er Britain Rome's dominion own ; 
 To her, as vassal, annual tribute pay. 
 And to our camp by me hostages send ; 
 Who as securities for thy good faith 
 With Caesar shall remain, — then shalt thou be 
 Admitted to the privilege and state 
 Of an ally to Rome, holding thy seat 
 Supreme o'er Britain's isle, 
 
 CASSFELYN. 
 
 No, perish first 
 The warlike name of Britain ! perish first (26) 
 This noble isle ! may she be swallowed up 
 In the eternal ocean's deepest gulfs. 
 Ere she a foreign power's dominion own ! 
 
 ATRIUS. 
 
 Thou wilt ere long repent this high disdain 
 Of Roman condescension to a foe. 
 
 CASSFELYN. 
 
 Of Roman insolence ! — Never ! no, never ! — 
 
 Shall I for this my noble island realm, 
 
 My just inheritance, descended down 
 
 From earliest periods, through a line of kings, 
 
 Who here with glory for long ages reigned, 
 
 Ere thy base robber nation had a name, — 
 
 Shall I pay tribute to a proud brigand 
 
 Sprung from a wolf-bred race of yesterday ? 
 
 No, while I wear this helmet, freedom's safeguard ; 
 
 While my strong shield this lion impress bears, (27) 
 
 While I can wield this claymore, and one man 
 
 I'ollows my dragon banners, I will fight, 
 
 And, rather than the smallest tribute yield. 
 
 Perish for my loved country's liberty ! 
 
 (The Druids all rise and shout) 
 
Scene I.] ARIXINA. 103 
 
 ATRIUS. 
 
 Is this thy last resolve ? 
 
 CASSFELYN. 
 
 Chieftain, it is ; 
 So bear it to thy general. 
 
 ATRIUS. 
 
 Soon will he. 
 Since thou disdain' st allegiance and submission 
 To those who earth's wide masterdom have won, 
 Lead on his legions newly filled from Gaul, 
 And scatter all who yet remain to aid 
 Thy hopeless cause. — And soon shalt thou be dragged 
 A captive slave at Caesar's chariot wheels, 
 Through Rome's loud-shouting streets. 
 
 CASSFELYN. 
 
 No, chieftain, no — 
 A British king will die for liberty, 
 But never be a slave ! 
 
 ATRIUS. 
 
 What madness drives 
 Thee on to ruin's gulf.? Destruction yawns 
 Beneath thy feet ! 
 
 CASSFELYN. 
 
 He cannot sink in ruin 
 Who for his country dies ! — No, if I fall 
 For Britain's freedom, I shall rise to glory. 
 Eternal glory, and the brightest fame ! 
 
 ATRIUS. 
 
 And fall thou wilt. — ^Thou canst not hope to quell 
 The power of Caesar, whose triumphant arms 
 Subdue all nations, and command the world. 
 
 CASSFELYN. 
 
 Boast not, thou haughty Roman. — I have met 
 
104j ARIXINA. [Act V. 
 
 This Caesar on the blood-drenched plains of Gaul, (28) 
 
 As he can well remember, and bore ofF 
 
 The heads in triumph of his bravest chiefs 
 
 Fixed to my battle-car. — I will not vaunt 
 
 How I have met him on the insulted shores 
 
 Of this my native isle. — Those grinning skulls, 
 
 Which I, as gallant trophies, still have kept, 
 
 Speak loudly for me, that I never fear 
 
 Caesar to meet in combat. (29) 
 
 ATRIUS. 
 
 Here, then, ends 
 My embassy. — Thus at thy feet 1 cast. 
 In Caesar's name, my javelin of defiance ! (30) 
 Farewell, Cassfelyn ; I shall meet thee soon 
 A throneless captive in the Roman tents. 
 
 \_Ea:it Atrius, guarded, 
 
 CASSFELYN. 
 
 Chieftains and kings, one glorious struggle more. 
 And if, like men, we firmly meet the shock, 
 Britain shall yet be free. 
 
 ARCH- DRUID — (advancing). 
 
 My sovereign lord. 
 Our isle's defender, 'tis the fated hour 
 When Arixina must to yonder sun-god, 
 As an atonement for her crimes, be offered. — 
 In that gigantic image shall she perish. 
 She and her son, that so the powers may bless 
 Our isle again, and crown our arms with victory. 
 Attend, ye kings, with sorrow-humbled hearts. 
 This solemn, dread oblation to our god ; 
 And let the warlike spirits of our sires. 
 Mantled in misty clouds, behold the deed 
 That purifies with fire our land from guilt. [Exit 
 
Scene I.] ARIXINA. 105 
 
 {Deep and solemn music. — Enter a procession of 
 Bards, with harjjs, playing a 7noumful requiem. 
 — Druidesses hearing wreaths of yew. — Then 
 enter Arixina Singetona, led between two chief 
 Druids, dressed in the sacred symbols of her 
 order; other priests following with the holy fire 
 in censers, to light the pi/e. — Chorus of Bards 
 closes the procession, — Enter, on the other side, 
 the Arch-Druid, with Uthyr, the child, led by a 
 Druid, followed by a train of other priests.) 
 
 CHORUS OF BARDS. 
 
 Fling the solemn-chanted spell 
 From the harp and magic shell. 
 That wins the angry sun t' unshroud 
 His pomp, veiled in yon thunder-cloud ; 
 To shed his wonted radiance- smile 
 On Ynis Prithian's guilty isle, 
 For she who hath his rites defiled 
 In flames shall perish with her child ! 
 
 Spirits that in darkness dwell. 
 Ascend from the red gulfs of hell ! 
 Hover, hover round yon pyre. 
 And fan with hideous laugh the fire ! 
 Amid the crimson flame-streams burst. 
 Die, guilty pair ! — die, ye accurst ! 
 
 ARIXINA. 
 
 Now, then, the hour is come ! — the hour that ends 
 My soul-o'erwhelming miseries. — Ha ! my child ! 
 My loved, my innocent child. — O, let me fold him 
 For the last time to this distracted bosom, 
 
6 ARIXINA. [Act V. 
 
 Bedew his cheek with tears, and on his lips 
 
 A dying mother's kisses fondly press. — 
 
 O, 'tis an age since I have seen my child I 
 
 How pale he looks ! — Give, give him to these arms. 
 
 ARCH-DRUID. 
 
 Woman, avaunt ! Such criminals as thou. 
 Abhorred by earth and heaven, can have no claim 
 To pity or indulgence. — Thou no more 
 Shalt press this crime-begotten imp of sin 
 To thy polluted bosom — chains shall bind 
 You both asunder, as in yon dread form 
 Ye perish to appease the wrath of heaven. 
 
 ARIXINA. 
 
 Fell^ unrelenting priest ! and can no words 
 Thy ruthless bosom move to grant me this. 
 This little favour to embrace my child. 
 Ere the devouring flames encircle me ? — 
 Nay, then, O mighty king, to thee I turn — 
 Prostrate I fall before thee. — Surely thou 
 Hast power the iron hearts of those stern men 
 To soften into pity. — O, have mercy, — 
 Not on the guilty, — not on me, — I crave 
 No pardon for my crimes, but to my child 
 Extend thy regal mercy. — Save, O save 
 That innocent boy from perishing with me ; 
 Let not the mother's guilt fall on his head. 
 And I shall die content. 
 
 CASSFELYN. 
 
 I dare not plead 
 For thee, nor for thy child, since thou hast sinned 
 Not against man, but the immortal gods : 
 Thy country is polluted by thy crimes. 
 Which death alone, in flames, can purge away ! 
 
h 
 
 Scene 10 ARIXINA. 107 
 
 ARIXINA. 
 
 And are the gods inexorably stern 
 
 To those who with repentant tears and prayers 
 
 Implore forgiveness ? Will those righteous powers 
 
 The guiltless with the guilty punish ? — No, 
 
 They are far more merciful than these their priests. 
 
 The ministers of blood. — Ah, Cymbaline, 
 
 Art thou here to behold the dreadful fate 
 
 Of Arixina, priestess of the sun ; 
 
 Who dies, she and her child, for having dared 
 
 To indulge an earthly passion in her heart, 
 
 And yield to a betrayer's fatal wiles. 
 
 CYMBALINE. 
 
 Would I were sleeping in my father's tomb 
 High on Dathcalmar's mountain. — 
 
 ARIXINA. 
 
 Thou art young, 
 And in ihy heart some pity seems to dwell. 
 For tears hang on thine eyelids. — Gentle prince, 
 Look on that child — his innocence would melt 
 The savage lion in his sternest mood 
 To spare and fawn upon him. — Hapless boy ! 
 He never knew a father's tender care 
 Or kiss of melting fondness, — ^he was born 
 Amid the forest's solitude, in dread 
 Horror, and agony, — a mother's tears 
 Were his first welcome to this world of woe ! 
 Yet, Oh, I loved him, — dearly, fondly loved him, 
 And can I now endure the dreadful thought 
 That he his mother's punishment must share. 
 And die for her transgressions ? — 
 
 CYMBALINE. 
 
 No, he shall not ! 
 
108 AJRIXINA. [Act V. 
 
 ril perish for him ! — 
 
 Hear me, ye stern-browed servants of the gods, 
 Spare the high-priestess and her guiltless son, 
 And I will be the victim. — I have drawn 
 My sword against my native land, and now 
 Would fain atone for all the wrongs I've done, — 
 Avert the maledictions of the gods. 
 And die to save my country ! 
 
 ARGH-DRUID. 
 
 Hence ! rash prince ! 
 The king hath pardoned thee. — ^No substitute 
 Can on him take this wretched woman's guilt. 
 Yd idol-god his fated victim claims ! — 
 Mercy preserve us ! — See the anointed rocks 
 With horror move, and shake the solid ground ! 
 Fall on your knees — ye kings and people, fall ! — 
 And hark ! I hear a dreadful spirit's voice 
 Deep on the solemn silence breaking forth 
 From yonder living rock ! 
 
 (A pause. — Then an awful voice from one of the 
 rock-idols is heard.) 
 Let Arixina die ! — (31) (A pause of terror,) 
 
 ARCH-DRUID. 
 
 Strip off those sacred symbols of the sun, 
 With every splendid sign of vestal office. — 
 
 {To the Druids.) 
 Her ashes shall be scattered to the winds, 
 And infamy rest on the wanton's name 
 For ever, and for ever ! — 
 
 {Voice from the rock-idol.) 
 
 Ay, for ever, and for ever ! 
 
 {Slowly and solemnly,) 
 
Scenfel.] ARIXINA. 109 
 
 ARIXINA. 
 
 dreadful ! dreadful ! — 
 
 ARCH-DRUID. 
 
 On her arms 
 Bind fast those chains, then lead her to her doom ! 
 
 ARIXINA. 
 
 Off, monsters ! I ivill take a last embrace 
 Of my sweet boy ere the devouring fire 
 Feed on his lovely form ! 
 
 (Arixina rushes wildly towards the Arch-Druid, 
 and snatches the child in her arms,) 
 Ah, my poor child ! 
 O, how shall I endure to see the flames, 
 The fierce red flames encircle thee, my boy. 
 And hear thy dying cries ! — O, that some hand 
 Would plant a dagger in this heart, or madness 
 Come, like a rushing whirlwind, on my brain ! 
 
 UTHYR. 
 
 O, mother, mother ! let me go with you. — 
 
 1 do not care for death, so you are with me. 
 
 CYMBALINE. 
 
 Sweet innocent ! — O, how my bosom yearns 
 To press him closely here. — I will confess 
 I am the guilty father, and we all 
 Will die together ! — (Aside.) 
 
 (^As he rushes forward to speak, Arixina, suspecting 
 
 his design, motions him to silence, and expresses 
 
 by her looks a wish to die alone.) 
 
 ARCH-DRUID. 
 
 By great Tamaris' thunder-circled throne, 
 
 I do suspect this Cymbaline to be 
 
 1 he guilty father. — I will yet find out 
 
 The horrid mystery. — (^Aside.) — Woman of shame, 
 
 i 
 
110 ARIXINA. [Act V. 
 
 Thou fain would st save that boy. — He shall be safe — 
 
 I pledge a Druid's sacred word his life 
 
 By me shall be untouched, if thou pronounce 
 
 His impious father's name. 
 
 ARIXINA. 
 
 O, horrible ! — 
 
 ARCH-DRUID. 
 
 Confess — or by helPs dreadful gods shall he 
 Die with thee in slow torments; with thee sink 
 To the dark gulfs below, there dwell in anguish 
 Unnumbered ages ; and when they are past 
 Your souls shall transmigrate through reptile forms, 
 And animate the vilest, ugliest monsters ! (32) 
 
 ARIXINA — {shrieking) . 
 Ha ! mercy ! mercy ! — O, I see there's none 
 On earth for me ! — Alas, my guiltless boy, 
 Can I behold thee die ? — and yet thy father, — 
 If I preserve thee, he must share thy doom 1 
 O, I am torn with agony of soul. 
 Yet death nor madness comes ! — No flames can equal 
 The racks, the pangs, the horrors I endure ! — 
 Though he betrayed, abandoned me to shame, 
 To misery, and to death ; though he refused 
 When I implored him on my knees to save. 
 Yet will I never, never give him up 
 To thy relentless power. 
 
 ARCH-DRUID. 
 
 On to the pile 
 
 ARIXINA. 
 
 Ay, to the pile ! — Come with thy mother, come. 
 My martyred boy, together will we die ! 
 
 CYMB ALINE — (rusMng to her). 
 No, I will save him ! — Injured Arixina ! 
 
Scene I.j ARIXINAi 111 
 
 Thus, thus I clasp you both in these fond arms. — 
 My wife, my child, my still-loved Arixina ! 
 
 ARIXINA. 
 
 Ha ! ha ! ha ! ha \-^(Faints in his arms.) 
 
 ARC II- DRUID. 
 
 Seize on the Prince, and lead them both to death ! 
 Enter Vortimer. 
 
 VORTIMER. 
 
 Helmet of Strength, the Romans are advancing ! 
 The hills and vallies^ covered with their arms, 
 Seem moving masses of resplendent light ! 
 Hark ! to the shouting foe ! — his van is near. 
 
 (Shouts at a distance,) 
 Lead forth to instant battle all thy strength. 
 Or Britain sinks for ever ! 
 
 CASSFELYN. 
 
 We are ready 
 At every point. — 
 
 ARCH-DRUID. 
 
 Renowned prince of nations, 
 This day the sacred Druidesses, all 
 With torches at the eternal sun-flames lit, 
 Will join the battle, and from rank to rank 
 Rushing, with wind-spread locks and war-cries loud. 
 Fill every soldier's bosom with fierce rage 
 To win the prize of freedom. 
 
 CASSFELYN. 
 
 This, my chiefs, 
 Is liberty's last struggle. — Now be men. — 
 Hurl, like the cloud-bolts of the tempest skies. 
 Arrow, and spear, and stone, against the foe ; (33) 
 Let the two-handed sword like thunder fall (34) 
 
11^ ARIXINA. [ActV. 
 
 Upon the Roman breast-plate, and let slip 
 
 Your wolfish war-dogs, howling for the fight ; (35) 
 
 In strength be like the mountain elk. in courage (36) 
 
 The proud sun-gazing eagle and the lion ! 
 
 Life nobly scorn, and win immortal glory ! — 
 
 Die all ! die bravely ! — 
 
 Or, braver still, preserve your country free ! (37) 
 
 [^SJiouts, alarums. — Exeunt Cassfelyn and chiefs, 
 ARCH-DRUID — (Jto the Dvuids) . 
 Convey those culprits to the sacred caves. 
 Till this great battle's ended. 
 
 CYMBALiNE — {shaking the Druids from him). 
 Off, ruthless slaves ! 
 My Arixina is, compared to you, 
 Fell murderers, spotless as the brightest spirit 
 That dwells among the gods. — {Shouts, Sfc.) 
 
 Enter a British soldier wounded, his sword bloody, 
 
 SOLDIER. 
 
 Where is the king ? 
 The Romans have the outer ramparts scaled, 
 And, like a raging fire, bear all before them. — (^Shouts.) 
 
 CYMBALINE. 
 
 Give me thy sword. — (Snatches the Soldier's weapon.) 
 
 Now hence, ye blood-stained priests ! 
 Or ye shall feel the vengeance of this arm ! 
 
 (^The Druids retire.) 
 
 ARCH-DRUID. 
 
 Thou, for this outrage, to the gods shalt soon 
 
 Repent in penal fires a thousand ages ! ' [Exit. 
 
 CYMBALINE. 
 
 Come, my sweet boy, my Arixina, come, 
 I'll bear thee to some place of safety, then 
 
Scene I.] ARIXINA. 113 
 
 Rush on these Romans, and, since I must die, 
 Die, Hke a soldier, in a noble cause ! 
 
 ARIXINA. 
 
 No, I will follow — we will fall together. 
 Enter Roman Soldiers^ driving a party of the Britons. 
 
 CYMBALINE. 
 
 Stand, ye base cowards, for your country stand ! 
 Wear ye the garb and visages of Britons, 
 Yet fly before the foe ? — See ! to your shame. 
 With fire-brands for their banners waved on higli. 
 How yonder women rush amid the foe, 
 And fearless urge you on to manly deeds ! 
 Mailed in the madness of my fate, I am, 
 Singly, a host in arms ! — I'll lead you on 
 Into the thickest of the foeman's ranks, 
 And dash down all before me ! — Ye shall find 
 That Romans are not gods on British ground. 
 
 \_Exeunt Cymbaline and Britons, driving 
 off the Romans, 
 
 ARIXINA. 
 
 Ah, how he rushes on ! — I cannot follow 
 
 With thee, my child. — On every side the Romans 
 
 Recoil and fly before his deadly brand ! 
 
 He saves his country ! and his country, sure, 
 
 Will save her brave protector. — O, my child, 
 
 Thou and thy father now will both be saved. 
 
 And I, — I shall die happy. — (Shouts and Excursions.) 
 
 Hark ! again the fight 
 Gathers around us. — Let me shelter thee. 
 My trembling boy, behind those lofty rocks. 
 
 (Retires, — Shouts. 
 I 
 
114 
 
 ARIXINA. [ActV. 
 
 Enter Cassfelyn, Dunvallo, and British soldiers, driving 
 other Romans across the stage, 
 
 CASSFELYN, 
 
 Down with their eagles ! tread them in the dust ! 
 And bathe their banners in Rome's noblest blood ! 
 The fortune of the day is turned, and we 
 Are victors. — To whose valour do we owe 
 The brightest portion of this hard-won conquest ? 
 
 DUNVALLO. 
 
 To Cymbaline, my lord. — Behold where yonder 
 Before him, and those Britons whom he leads, 
 Whole squadrons backward reel, like forest oaks 
 When earthquakes move beneath them ! 
 
 CASSFELYN. 
 
 He doth well 
 Atone for all the past. — On, gallant friends. 
 Nor cease this glorious struggle for our rights, 
 Our country, and our homes, till on these shores 
 Not one of all yon robber host remains, 
 Save those the hungry wolf and eagle claim. — 
 
 [^Shouts, — Exeunt. 
 
 Enter Ewyllen. 
 
 EWYLLEN. 
 
 What wonders doth Prince Cymbahne perform ! 
 
 Atrius is taken captive ; Caesar fled, 
 
 With foul disgrace, the field ! — From yonder mount 
 
 Of sacred fire I saw their scattered lines 
 
 And sword-riven squares in broken masses flying 
 
 For safety to their ships. 
 
Scene I.] ARIXINA. 115 
 
 Grand flourish of martial music. — Shouts, <^c. — 
 Enter Cassfelyn, Carvilius, Dunvallo, Cingetonix, 
 Togorma, and part of the British army, in 
 triumph. — ^Atrlus, and other Roman officers, led 
 captives. — The Arch-Druid, with his train of 
 Druids and Bards, at the top of the stage, so as 
 to fill up the back ground. — Enter Arixina and 
 the child, near the front. 
 
 ARIXINA. 
 
 Where is my Cymbaline ? Let me behold him 
 Once more and give my boy to his protection ; 
 Then shall I die in peace. 
 
 Shouts. — Enter a train of Druidesses, with dishe- 
 velled hair and blazing torches. — Then Cymbaline 
 rushes on with his sword bloody, and himself 
 wounded, followed by Britons. 
 
 CYMBALINE. 
 
 My country's saved ! — 
 CsBsar embarks, and Britain now is free ! (38) 
 Let Albion lift from shore to shore the shout 
 Of liberty ! of glorious liberty ! 
 
 Till Rome's proud towers shall tremble at the sound I 
 Let your glad shouts, my noble Britons, mingle 
 With my last breath. — Spare injured Arixina, — 
 Spare that sweet boy. — I for my country die ! 
 O, glory ! triumph ! bliss ! — O^ Arixina ! 
 Victory ! victory ! victory ! 
 
 {Staggers towards Arixina, falls, and dies at her feet.) 
 ARIXINA. — (^Shrieking.) 
 Ha ! the last chord of life is rent asunder ! 
 My child, Cassfelyn, O, protect my child !— 
 
 I 2 
 
116 ARIXINA. [Act 
 
 The gods bless thee my loved one ! — Take this last 
 Sad kiss from thy departing mother's lips, — 
 Farewell, my child, for ever ! 
 
 {FallSf and dies on the body of Cymbaline. 
 
 Cassfelyn tenderly takes the boy in his arms, and 
 all the characters form a grand picture around 
 him, to the deep and solemn music of the harps 
 and trumpets of the Bards. 
 
 CHORUS OF BARDS. 
 DIRGE. 
 
 SEMI-CHORUS. 
 
 Mightiest of the mighty thou ! 
 Regal pearl-wreaths decked thy brow ; 
 On thy shield the lion shone, 
 Glowing like the setting sun ! 
 And thy leopard- helmet's frown, 
 In the day of thy renown, 
 O'er thy foemen terror spread, 
 Grimly flashing on thy head. 
 Master of the fiery steed, 
 And the chariot in its speed, — 
 As its scythe-wedged wheels of blood 
 Through the battle's crimson flood, 
 Onward rushing, put to flight 
 E'en the stoutest men of might, — 
 Age to age shall tell thy fame ; 
 Thine shall be a deathless name ! 
 Bards shall raise the song for thee 
 In the halls of Chivalry. 
 
Scene IJ ARIXINA. 117 
 
 GRAND CHORUS. 
 
 His shall be a noble pyre ! 
 Robes of gold shall feed the fire ; 
 Amber, gums, and richest pearl 
 On his bed of glory hurl : 
 Trophies of his conquering might, 
 Skulls of foes, and banners bright. 
 Shields, and splendid armour, won 
 When the combat-day was done^ 
 On his blazing death-pile heap. 
 Where the brave in glory sleep ! * 
 And the Romans' vaunted pride. 
 Their eagle-god, in blood- streams dyed. 
 Which, amid the battle's roar, 
 From their king of ships he tore ; 
 Hurl it, hurl it in the flame, 
 And o'er it raise the loud acclaim ! 
 Let the captive and the steed 
 On his death-pile nobly bleed ; 
 Let his hawks and war-dogs share 
 His glory, as they claimed his care. 
 
 SEMI-CHORUS. 
 
 Silent is his hall of shields 
 
 In Rath-coFs dim and woody fields. 
 
 Night-winds round his lone hearth sing 
 
 The fall of Prythian's warlike king ! — 
 
 Now his home of happy rest 
 
 Is in the bright isles of the west ; 
 
 * Vide Caesar. 
 
118 ARIXINA. [ActV 
 
 There, in stately halls of gold, 
 He, with the mighty chiefs of old. 
 Quaffs the horn of hydromel 
 To the harp^s melodious swell ; 
 And on hills of living green, 
 With airy bow of lightning sheen, 
 Hunts the shadowy deer-herd fleet 
 In their dim-embowered retreat. 
 He is free to roam at will 
 O'er sea and sky, o'er heath and hill. 
 When our fathers' spirits rush 
 On the blast and crimson gush 
 Of the cloud-fire, through the storms, 
 Like the meteor's brilliant forms. 
 He shall come to the heroes' shout 
 In the battle's gory rout ; 
 He shall stand by the stone of death. 
 When the captive yields his breath ; 
 And in halls of revelry 
 His dim spirit oft shall be. 
 
 GEAND CHORUS. 
 
 Shout, and fill the hirlass horn, 
 Round the dirge-feast quaff till morn ; 
 Songs and joy sound o'er the heath, 
 For he died the warrior's death ! 
 Garlands fling upon the fire. 
 His shall be a noble pyre ! 
 And his tomb befit a king. 
 Encircled with a regal ring 
 Which shall to latest time declare, 
 That a princely chief lies there. 
 
Scene I.] ARIXINA. 119 
 
 Who died to set his country free, 
 Who fell for British liberty ; 
 His renown the harp shall sing 
 To 'mail-clad chief and battle-king, 
 And fire the mighty warrior'*s soul 
 Long as eternal ages roll ! 
 
 END OF ARIXINA. 
 
NOTES. 
 
 (1) The paragon of men. . . p. 6. 
 
 * The Britons were taller than the Gauls, but not so strong. The 
 young Britons, whom Strabo saw at Rome, were higher by half a 
 foot than the tallest man there. 
 
 * The Silures are mentioned with ruddy cheeks and curled hair.' 
 ^- Anglo Saxons, vol. i. 
 
 * The ancient Britons were a tall finely-proportioned race, and the 
 women fair, and of exceeding good features. Plutarch says, the 
 strength of nature wrought long in the Britons, for they some- 
 times lived to the age of one hundred and twenty years.' — Speed, 
 book V. 
 
 * Nature seems to have been no less liberal to the Celtic nations, 
 and in particular to the Gauls and Britons, in the natural powers 
 and faculties of their minds, than in the formation of their bodies. 
 The Gauls are represented by all the ancient authors who speak 
 of them, as an acute and ingenious people, very capable of acquir- 
 ing any art or science to which they applied. But the Britons 
 were declared by one who was well acquainted with both nations 
 to be still more acute than the Gauls ; and to have had a happier 
 genius for the acquisition of the sciences. And truly the imagi- 
 nations of a people who delighted so much in poetry as the ancient 
 Britons, and who courted the Muses with so much ardour, and (if 
 we may judge from their few remains) with so much success, 
 must have been very warm and lively." — Henry's England, p. 440. 
 
 (2) And fearlessly the death of heroes die .' . , p. 11. 
 
 * The boldness and intrepidity of the ancient Gauls and Britons 
 were so great, that they despised even death itself in its most fright- 
 ful forms.' — Henry's England. 
 
 (3) The eloquence of gods, • . p. 20. 
 
 Cineas, sent by Pyrrhus as an ambassador to the Romans, de- 
 clared that the senate appeared a reverend assembly of demigods. 
 
 * Maj estate etiam quam vultus gravitasque oris prse se ferebat 
 similliraos Diis.'—Livy. 
 
1^2 NOTES TO ARIXINA. 
 
 (4) Will fall by the Druids' knives. . . p. 22. 
 
 * One of the maxims of the Druids, according to an ancient Bur- 
 gundian author, is — Prisoners of war are to be slain on the altars, 
 or burnt alive, enclosed in wicker, in honour of the gods. 
 
 * Tacitus, speaking of the Britons in Anglesey, says, that they 
 stained their altars with the blood of their captives ; and con- 
 sulted their gods by the fibres of men. 
 
 * But besides the sacrifice of beasts, which was common to the 
 Druids, they had a custom, which in point of cruelty and detesta- 
 tion surpasses all that we have hitherto surveyed. This consisted 
 in the offering of human victims at the polluted shrines of their 
 imaginary gods. At these altars, their enemies were sacrificed, 
 and their friends offered. Sometimes the vigorous youth and 
 comely virgin were immolated on these sanguinary altars, and 
 sometimes the smiling infant was carried from the bosom of its 
 mother to the flames, which terminated its life. 
 
 * While they were performing these horrid rites, the drums and 
 trumpets sounded without intermission, that the cries of the mise- 
 rable victims might not be heard, or distinguished by their friends ; 
 it being accounted very ominous if the lamentations of either 
 children or parents were distinctly heard while the victim was 
 burning.' — Drew's History of Cornwall. 
 
 * And for that cause, such as are grievously diseased, or continu- 
 ally exposed to the dangers of war, do either sacrifice men for an 
 oblation, or vow the oblation of themselves, using the ministry of 
 the Druids in such sacrifices, being persuaded that the immortal 
 deity cannot be pleased but by giving the life of one man for the 
 life of another ; and for that purpose they have public sacrifices 
 appointed.' — Cces. Com. lib. vi. ch. ix. 
 
 That the Druid rites were in many points similar to those of the 
 Canaanites, we learn from the following words : — 'Enflaming your- 
 selves with idols under every green tree, slaying the children in 
 the valleys under the cliffs of the rocks.' — Isa. Ivii. 5. 
 
 * And they have built the high places of Tophet — to burn their 
 sons and their daughters in the fire.' — Jer. vii. 21. 
 
 We agree with King, that the South Sea islanders were, when 
 visited by Cook, similar, in some of their religious customs, to the 
 ancient Britons — 
 
 * We were greatly shocked with the behaviour of Toogahowe, 
 who two days ago had caused a young man (his own younger 
 brother) to be strangled that his father might recover.' — Mission- 
 ary Voyage to the Southern Pacific Ocean. 
 
 * And the king of Moab offered up his son on the wall of the 
 city.'^2 Kings iii, 27. 
 
NOTES TO ARIXINA. 123 
 
 Examples of human sacrifices were very common m most bar- 
 barous nations, and even practised in Greece and Rome. Aristo- 
 menes the Messenian sacrificed three hundred men, among whom 
 was Theopompus, one of the kings of Sparta, to Jupiter of Ithome. 
 
 Themistocles, in order to procure the assistance of the gods 
 against the Persians, sacrificed some captives of that nation, 
 Bacchus had an altar in Arcadia, upon which young damsels were 
 beaten to death with rods. Such sacrifices were frequently oft'ered 
 to the manes and infernal gods. Hence Achilles slew twelve 
 Trojan captives at the funeral of Patroclus. 
 
 iEneas is another example of the same practice : 
 
 Four sons of Sulmo, four whom Ufens bred, 
 He took in fight, and living victims led. 
 To please the ghost of Pallas, and expire 
 In sacrifice before his funeral fire. 
 
 On the 13th of May, thirty old men were anciently thrown from 
 the Sublician bridge into the Tiber, to the lemures,t,he hobgoblins, 
 or spectres of the dark, supposed to be the souls of deceased friends. 
 It was not till the year 657, that the decree ne homo immolaretur 
 was made by the senate of Rome. 
 
 (5)0/' their strong helms against thee. . . p. 23. 
 
 * In battle, the Kimbri appeared with helmets representing fierce 
 beasts gaping, or some strange figures ; and added a high float- 
 ing crest, to make them look taller.' — Anglo Saxons. 
 
 Diodorus expressly tells us, lib. v. p. 353, — ' The Gauls wore 
 brazen helmets, having either horns affixed to them, or so con- 
 trived as to represent the faces of birds or beasts. And we may 
 therefore, from the close similarity of the customs of the two 
 nations, conclude very fairly that such were in use amongst the 
 Britons.' — Munimenta Antiqua. 
 
 * ViTziPUTZLi,the chief deity of the Mexicans, had on his head 
 a helmet of feathers of different colours, made in the shape of a 
 bird, the bill and tuft whereof were of burnished gold.' — History 
 of the Conquest of Mexico. 
 
 When Marius fought the last battle with the Cimbri it is said, 
 * their cavalry, consisting of fifteen thousand men, were magnifi- 
 cently mounted ; each soldier bore upon his helmet the head of 
 some savage beast, with its mouth gaping wide.' This must mean 
 that their helmets were formed in the shape of the heads of fierce 
 beasts. 
 
12i 
 
 NOTES TO ARIXINA. 
 
 (6) / who am of the vestal train the chief, , . p. 2(5, 
 
 * Pomponius Mela informs us of a female order of religious, 
 amongst the Gauls, dedicated to one of their deities, who made 
 vows of perpetual celibacy ; these votaries, or Druid priestesses, 
 were called Sence, Camden thinks it was originally written 
 Lenae, which word, he says, is old British for a nun, as he found it 
 in some ancient glossary. 
 
 * In the times of Druidism, we find in Ireland females devoted to 
 CELIBACY. There was in Tara a royal foundation of this kind, 
 wherein none were admitted but virgins of the noblest blood. It 
 was called Cluain-Feart, or the place of retirement until death. 
 The duty of these virgins was to keep up constantly the fires of 
 Bel, or the Sun, and of Samhain, or the moon, which customs 
 they borrowed from their Phoenician ancestors. During the con- 
 tests between Cormoc and Feargus, Dunling, the son of Endeus, 
 with a number of wretches equally abandoned, broke into this 
 retreat, where were thirty professed vestals ; and not being able to 
 violate them, basely put them all to the sword. This sacrilege of 
 the Lagenian prince gave great scandal to the kingdom, which 
 Cormoc severely punished, by putting him to the sword, with 
 twelve of his principal associates.' — History of Ireland, vol. ii. 
 
 * Druidesses. — These were females who assisted in the offices, 
 and shared in the honours and emoluments of the Druidical priest- 
 hood. When Suetonius invaded the island of Anglesea, his sol- 
 diers were somewhat daunted by the appearance of a great number 
 of these consecrated females, who ran to and fro among the ranks 
 of the British army like enraged furies, with their hair dishevelled, 
 and flaming torches in their hands, imprecating the wrath of 
 heaven on the invaders of their country. The Druidesses of Gaul 
 and Britain are said to have been divided into three ranks or classes. 
 Those of the first class had vowed perpetual virginity, and 
 lived together in sisterhoods, being much sequestered from the 
 world. They were great pretenders to divination, prophecy and 
 miracles, and they were held in high estimation by the people, who 
 consulted them on all important occasions, as infallible oracles, 
 and gave them the honourable appellation of Sence, 
 
 * Mela, who has described one of these Druidical Nunneries, 
 says that it was situated on an island in the British sea, and con- 
 tained nine of these venerable vestals, who pretended to raise 
 storms and tempests by their incantations ; to cure the most in- 
 veterate diseases, to transform themselves into all kinds of animals, 
 and to predict future events, which however they discovered to 
 none but those who came into their island, for the avowed purpose 
 
NOTES TO ARIXINA. 125 
 
 of consulting their oracle, none of whom we may imagine would 
 come empty-handed. 
 
 * The second class consisted of certain female devotees, who were 
 indeed married, but spent the greatest part of their time in the 
 company of Druids, and in the offices of religion, and conversed 
 only occasionally with their husbands. The third class was the 
 lowest of all, and was composed of such as performed the most 
 servile offices about the temples, the sacrifices, and the persons of 
 the Druids.' 
 
 (7) When I first met him with his hounds and hawks * 
 
 Amid the summer forest. . . p. 26. 
 
 * It is a certain fact, that in Britain, the Romans viewed the fal- 
 coner with admiration, immediately imitated his art, pursued the 
 diversion with ardour, and greatly improved it by the introduc- 
 tion of spaniels into this island. 
 
 * Falconry, then, as an European sport, seems to have been 
 almost circumscribed within the limits of Britain ; and it was uni- 
 versal among the British chiefs. Every chieftain among the 
 ancient Britons maintained a considerable number of birds for the 
 sport. In a remarkable passage in Ossian, peace is endeavoured 
 to be gained by the proffer of " an hundred managed steeds, a hun- 
 dred foreign captives, and a hundred hawks with fluttering wings, 
 that fly across the sky." 
 
 ' Here then we have gained our highest point, where falconry 
 seems to exist in this island, unknown to the countries around, or, 
 if casually observed, marked only with astonishment. 
 
 * A question then arises, was falconry invented (as Druidism is 
 idly reported to have been) in Britain ? was it indigenous, spring- 
 ing up spontaneously in British soil ? or was it an exotic, imported 
 into this island from some distant country ? 
 
 * As we discover it no where else in Europe at this period of high 
 antiquity (except a straggling plant in the country above Amphi- 
 polis), let us stretch our views to Asia. Here we find it luxuriantly 
 flourishing. To the Indians, the Arabians, the Persians, and all 
 the people of the east, falconry seems to have been familiar from 
 the highest antiquity. In the fables of Pilpay (an Indian 
 Brahmin), and other oriental writings, hawking is often described.' 
 —Historical Outlines of Falconry. 
 
 (8) When 1 before great Milcom's altar stand. . , p. 28. 
 
 That Milcom, Melcom, Molec, or Moloc and the Sun, or 
 Baal, Bell, Bealan, Belus, Belenus, Belatucadro, signified one 
 
126 NOTES TO ARIXINA. 
 
 and the same deity is quite clear, from ancient authorities. Altars 
 have been dug up in Britain dedicated to Belatucadro, and that 
 he was also worshipped in this island under the name of Melcom 
 is equally evident, his name being to this day attached to certain 
 places, where no doubt his altars were erected. * Thus,' says Faber, 
 in his Dissertations on the Mysteries of the Cabiri, * Melcomb 
 Regis in our own island is partly Punic, and partly Latin, the latter 
 word being explanatory of the former. Thus also, Aberford is com- 
 pounded of a Welch and an English word ; both of which signify 
 a passage over a river. There are two places or villages, called to 
 this day the two Melcoms, in Dorsetshire.' 
 
 ' Molock, called Molech and Milcom. He was the reputed god 
 not only of the Ammonites, but of the Moabites also, (Lorin in 
 Act. 7. ex (Ecumen.) He had his name from iVa Malac, signi- 
 fying to rule or reign. The seventy elders translate him a.^x'^y^ 
 ficcffiXsu;, prince, or king. Such king-idols were Adram Melech, 
 and Anam Melech, the gods of Shepharvaira, unto whom that 
 people burnt their children in the fire." 
 
 (9) To Hesus, god of tear. . . p. 28. 
 
 * One God supreme the universe does sway.' 
 
 The Druids" system of general relative duties. 
 
 * The Druids worshipped one supreme god, immense and in- 
 finite ; but would not confine their adoration to a temple, because 
 they deemed it inconsistent with those attributes. Yet they ad- 
 mitted an inferior class of deities, and paid divine honours to 
 Jupiter, Mars, Apollo, and Mercury, under the denomination of 
 Taranus (Tamarus), Hesus, Belenus, and Teutates. To these 
 some authors have added Minerva and Diana, under the name of 
 Andraste, and Hercules, who was known to the Britons under the 
 name of Ogonus, the god of eloquence.' — Smollett, 
 
 We would ask was not Teutates, Then, Taut, the Dhiu Tuo, 
 God the father, the supreme and infinite ? 
 
 The author of a * Sketch of the Early History of the Cymry,' 
 hinks thatTyd, {ain being merely a termination of proper names,) 
 the instructor of the Britons, was the same with Theuth, or Theu- 
 tates, and the Egyptian Thoth. 
 
 It is very probable, says the same author, that it was Hu the 
 mighty, who afterwards was worshipped by the Celtic, or Cimbric 
 nations, under the names of Heus, or Hesus ; and this opinion 
 seems to be supported by an ancient piece of sculpture, on which 
 Hesus is represented as cutting trees, a representation which 
 denotes either clearing the ground, or pruning, either of which is 
 suitable to the character, 
 
NOTES TO ARIXINA. 127 
 
 (10) ■ thou art our chief king. 
 And leader of our armies. . . p. 30. 
 
 * The British kingdoms, we have reason to believe, were in pos- 
 session of a system of laws of considerable extent, before they 
 were subdued by the Romans. Some of these kingdoms had sub- 
 sisted several ages before that period. Almost a whole century had 
 elapsed between the first invasion of Britain under Julius Caesar, 
 and the second under Claudius, and yet we find no material dif- 
 ference in the political state of Britain in these two periods. In 
 both it was divided into several little monarchies ; each of which 
 was governed by its own king ; and it had no doubt been in this 
 state long before the first of these invasions.' — Henry's England. 
 
 * Though little remains that can give a just idea of the internal 
 policy, by which the island was governed in those times, it is 
 still possible to perceive one general principle which prevailed in 
 it to the time of Vortigern ; and in Ireland to the time of Eliza- 
 beth ; which is, that though the island was in the three original 
 divisions, and afterwards in the several sub-divisions, governed 
 by kings or princes of each division, or sub-division, some one of 
 them held a sovereign power over the whole island.' — Sketch of 
 the Early History of the Cymry. 
 
 * The supreme sovereign was, according to the original institu- 
 tion, to be always of the Cambrian race, by whom the sovereignty 
 was claimed as their right. Some exceptions, commemorated in 
 the Triads, are a confirmation of the general rule. The sove- 
 reignty consisted in the power of confirming, if not of making laws 
 that should be of force throughout the island ; of levying the 
 whole power of the kingdom in case of invasion, and punishing 
 the Reguli for any infraction of the general laws, by ravaging 
 their territories to compensate the injury. 
 
 * In cases of minority, the sovereignty devolved to the next of 
 kin, of age and abilities to assume it. 
 
 * Such was the sovereign power possessed by Cassibelan, when 
 the island was invaded by the Romans.' — Ibid, 
 
 (11) Shout freedom round her shores ! . . p. 32. 
 
 The ancient Britons were no less remarkable than the other 
 Celtic nations for their love of liberty and abhorrence of slavery, 
 and for the bravery which they exerted in preserving the one, and 
 defending themselves from the other. They submitted with plea- 
 sure to the government of their own princes, which was mild and 
 legal, but they were struck with horror at the thought of being 
 reduced to servitude. 
 
128 
 
 NOTES TO ARIXINA. 
 
 The character which Tacitus gives of them is very honourable. 
 * The Britons are a people who pay their taxes, and obey the laws 
 with pleasure, provided no arbitrary illegal demands are made 
 upon them ; but these they cannot bear without the greatest im- 
 patience ; for they are only reduced to the state of subjects, not 
 of slaves.' — Henry's England. 
 
 (12) And dyed the ocean deep with Roman blood! . . p. 32. 
 
 ' We see upon the highest eminence that overlooks Wilton, and 
 the fertile valley at the union of the Nader and Willy, the famous 
 king-barrow. This, questionless, is a Celtic tumulus, and the very 
 name, inherent through long revolutions of time, indicates it to be 
 the grave of a king of this country of the Belgce, and that Wilton 
 was his royal residence. 
 
 ' If we reflect a little upon the matter, it appears a supposition 
 far from improbability, that this is the very monument of Carvi- 
 lius mentioned by Caesar, who joining with the other kings along 
 the country on the sea- side from hence to Kent^ attacked his sea- 
 camp on the Rutupian shore, and this was to make a diversion to 
 the great Roman general, pressing hard upon Cassihelan. For as 
 the late learned Mr. Baxter observes in his Glossary, where should 
 Carvilius live, but among the Carvilii ? as Segonax, one of his 
 confederates, among the Segontiaci; that is, Segontium, or Caei'- 
 segont, as the Britons call it, v/hich is now Silchester. 
 
 * Where then should Carvilius live but at Carvilium, now Wilton^ 
 or where be buried but in the most conspicuous place near his 
 palace ? and no other barrow competitor to leave any doubt or 
 scruple. 
 
 * We took notice, when, with particular pleasure we visited his 
 tumulus, and paid our respects to the illustrious manes of the 
 royal defunct, that among other views of great distance, we could 
 see a long barrow beyond Stonehenge, and all the long ridge of 
 Mar tinsal- hill, St. Ann's-hill, and Runway-hill,heyond that, upon 
 which goes the great Wansdike, which I take to be the northern 
 boundary of the Belgic kingdom. I question not, but one purpose 
 of his interment was to be in sight of the holy work, or temple of 
 Stonehenge, Here then, we may conclude, rest the ashes of Car- 
 vilius, made immortal by Caesar, for bravely defending his cown- 
 ivy:— Stukeley's Iter. Curio., Iter. vi. 
 
 (13) And wearing a breast-plate of gems. . , p. 35. 
 
 The breast-plate of Aaron was not peculiar to the worship of 
 the Hebrews. 
 
The Urim and Thummim. — There was a remarkable imitation 
 of this sacred ornament among the Egyptians ; for we learn from 
 Diodorus, (lib. i. p. 68. Ed. Rhod.) and from ^lian, (Var. Hist. 
 1. xiv. c. xxxiv.) * that their chief priest, who was also their su- 
 preme JUDGE 171 civil matters, wore about his neck, by a golden 
 chain, an ornament of precious stones, called truth, and that a 
 cause was not opened till the supreme judge had put on this orna- 
 ment. This was the president of the first tribunal of the Egyptian 
 nation. Their number was thirty from the principal cities. When 
 the court passed sentence, the president turned the brilliant image 
 of truth towards the party in whose favour the trial was decided, 
 without speaking a word.' 
 
 The learned Spencer (De Legib. Hebr. 1. iii.) positively asserts, 
 that the Jewish tabernacle, and all its furniture, was an imitation of 
 the portable temples of the heathens, and of the custom of carrying 
 their gods along with them, in their migrations from one country 
 to another. If he be right, is it not far more probable, that the 
 Hebrews borrowed their sacred breast-plate from the Egyptians, 
 than that the latter imitated the former in this instrument of 
 priesthood? 
 
 It is also highly probable, when we consider the traffic which 
 the Egyptians and Phoenicians (see Mr. Essex, on the Antiquity of 
 Brick and Stone Buildings in England, Archceologia, vol. iv.) car- 
 ried on with the Britons, whose temples, gods, and forms of wor- 
 ship were so similar to those of the eastern nations, that their 
 high-priest also had his breast-plate of precious stones, which he 
 wore on all solemn occasions. We are the more confirmed in this 
 by the following : — 
 
 Keating says, * The famous Moran (Mac Mavin) was one of 
 the chief judges of this kingdom (Ireland). When he sat upon the 
 bench to administer justice, he put his miraculous jodha.n 
 WORA.N about his neck, which had that wonderful power, that if 
 the judge pronounced an unjust decree, the breast-plate would 
 instantly contract itself, and encompass the neck so close, that it 
 would be impossible to breathe ; but if he delivered a just sen- 
 tence, it would open itself and hang loose upon his shoulders.' 
 
 * The Rabbi in the Talmud say, that the Messias shall be called 
 Joden Muren, for he shall be the judge, as in Isaiah 11. Thus it 
 is very plain, that the Irish name is derived from the Chaldee 
 Choshen Hemeshpot, or Joden Moren.' — Jos. Heideck Prof. Ling^ 
 Oriental. 
 
 * With regard to the Druids, we may infer from Strabo's account 
 of those in Gaul, whom the British so nearly resembled, that this 
 prder of men were even richly clad ; and that some of them even 
 
 K 
 
ISO NOTES TO ARIXINA. 
 
 wore golden chains, or collars about their necks, and had their 
 garments dyed with various colours, and adorned with gold.' — 
 Munimenta Antiqua. 
 
 * Quod ut cum iis quadrat, quae de eorum aureis ornamentis, 
 tinctis vestibus, armillis, rasis Britannorum genis et mento, atque 
 id genus aliis a Csesare et Strabone recensentur viderint quorxim 
 interest.' — Selden. 
 
 (14) The sacred House o' th' Sun. . . p. 44. 
 
 * All the ancient altars found in Ireland, and now distinguished 
 by the name of Cromlechs, or sloping stones, were originally called 
 Botal Bethel, or the House of God, and they seem to be of the 
 same kind as those mentioned in the Bible.' — Vide Col. Vallencey, 
 
 * And he shall break in pieces the images of the House of the 
 Sun which is in the land of Egypt.' — Dr. Blaney^s Translation of 
 Jeremiah, xlviii. 13. 
 
 (15) And songs of bards proclaim their deathless fame, . . p. 48. 
 
 A Dr. Jones has published what he is pleased to call a History 
 of Wales, in which he ignorantly asserts, that the British bards 
 were mere * crackers of pitchers and blowers of rams' horns ;' but 
 having good authorities to the contrary, we do not choose to put 
 any faith in the silly disparagements which he attempts to throw 
 on the ancient poets of his nation. * The bards celebrated the 
 noble actions of illustrious persons in heroic poems to the sweet 
 sounds of the lyre.' — Ammianus Marcell., lib. xv. c. ix. * The Bri- 
 tish bards are excellent and melodious poets, and sing their poems, 
 in which they praise some, and satirize others, to the music of an 
 instrument resembling a lyre.' — Diod. Sic. lib. v. c. xxxi. 
 
 This last mentioned author also says, * Sometimes, when two 
 armies are standing in order of battle, with their swords drawn, 
 and their lances extended, on the point of engaging in a furious 
 conflict, these bards have stepped in between them, and by their 
 sweet and enchanting songs calmed the rage of the warriors, and 
 prevented the shedding of blood. Thus even among barbarians 
 rage gave way to wisdom, and Mars submitted to the Muses.' 
 
 The poems of Ossian, however altered by Macpherson, to please 
 the ear of modern taste, are a suflScient testimony to the merits of 
 Celtic poetry, as well as the uses and purposes to which it was 
 devoted by the bards. 
 
 * The bards,' says Dr. Henry, * constituted one of the most re- 
 spected orders of men in the British states, and many of the 
 
NOTES TO ARIXINA. 131 
 
 greatest kings, heroes, and nobles, esteemed it an honour to be 
 enrolled in their order. Their persons were held sacred and in- 
 violable, and the most bloody and cruel tyrants dared not offer 
 them any injury.' 
 
 (16) Rome's future empire o'er this far famed isle. . . p. 51. 
 
 It is asserted by some writers, t^iat the Romans did not know 
 whether Britain was an island or a continent, till about the year 
 85, when Agricola had the chief command of the Roman legions 
 in this country. 
 
 * In the mean time, a cohort of Usipians, raised in Germany, and 
 sent into Britain, having slain a centurion and other soldiers, that 
 were appointed to exercise them in arms, took to sea in three pin- 
 naces, and having killed some of the mariners whom they sus- 
 pected, the rest they constrained to do their office. 
 
 * Thus having escaped, and none knowing what was become of 
 them, having no pilot, they were carried at random, as the tide 
 and wind drove them, to and fro the island, using piracy where 
 they landed. But at length, as they were reduced to extremity, 
 they drew lots to eat one another, and through wonderful difficul- 
 ties, having been driven round the north of the island, they were 
 taken first by the Suevians, and afterwards by the Frisians, and 
 then sold into Britain, where they were discovered. 
 
 * These were the first which discovered to the Romans that Bri- 
 tain was an island.' — Britannia Antiqua Illustrata. 
 
 But surely Cymbaline must have known that his native country 
 was an island; and if he knew it he most undoubtedly made 
 Csesar acquainted with it, and therefore I do not conceive it 
 improper that Caesar should call Britain an island. 
 
 It is said, that Agricola, after subduing the Caledonians, * sent 
 a fleet to scour the coast,' and thus first discovered Great Britain 
 to be an island. 
 
 But we need go no further than Caesar's own words in his Com- 
 mentaries to prove his knowledge of the insular situation and form 
 of Britain. 
 
 * Insula natura triquetra, cujus unum latus est contra GaUiam, 
 &c. Tertium est contra Septemtriones, cui parti nulla est objecta 
 terra,' &c. 
 
 (17) What fearful groan was that f . . p. 67. 
 X 
 
 r 
 
 as myself. 
 
 This exclamation happens not to be borrowed from Scott, but 
 from king Solomon, to whom Sir Walter is indebted for it as well 
 
 K 2 
 
1^^ NOTElS I'D ARIXINAj 
 
 (18) Thalassio! Thalassio ! . . p. 80* 
 Plutarch, Rom. Quaest. ; 1 Virg. Eel. viii. 
 
 (19) With rich tapestry and garlands. . . p. 85. 
 
 The art of making tapestry is of the highest antiquity, and may 
 be satisfactorily traced back as far as the curtains made for the 
 Hebrew Tabernacle in the wilderness. 
 
 ' Some of the meaner British captives Caesar employed for ser- 
 vices in the theatre, to attend the tapestry hangings, wherein he 
 had caused to be curiously woven the figures of the Britons, and 
 his victories over them. Of these, Virgil writes thus. 
 Purpureaque intexti toUant aulaea Britanni.' 
 
 Britannia Antiqua Illustrata, 
 
 (20) Woman! 
 
 Know'st thou this gory veil, this poniard blade, 
 Steeped in a husbands blood? , . p. 87. 
 
 * "When Dr. Donne took possession of his first living, he took a 
 walk into the churchyard, where the sexton was digging a grave, 
 and throwing up a skull, the doctor took it up, and found a rusty 
 headless nail sticking in the temple, which he drew out secretly, 
 and wrapped it up in the corner of his handkerchief. He then 
 demanded of the grave-digger whether he knew whose skull that 
 was. He said it was a man's who kept a brandy-shop ; an honest, 
 drunken fellow, who one night having taken two quarts of brandy, 
 was found dead in his bed next morning. — " Had he a wife ?'* 
 " Yes." ** What character does she bear ?" " A very good one, 
 only the neighbours reflect on her because she married the day 
 after her husband was buried." 
 
 * This was enough for the doctor, who, under the pretence of 
 visiting his parishioners, called on her ; he asked her several ques- 
 tions, and among others, what sickness her husband died of. She 
 giving him the same account he had before received, he suddenly 
 opened the pocket handkerchief, and cried in an authoritative 
 voice, *' Woman, do you know this nail ?" She was struck with 
 horror at the unexpected demand, instantly owned the fact, was 
 tried, and executed.' 
 
 A friend, some years ago, told me a tale which he had read re- 
 specting a lady who murdered her husband, in the time, I think, of 
 a plague, with a golden bodkin, for the purpose of marrying ano- 
 ther man with whom she was passionately in love. I never, by any 
 chance, have met with this story in print myself, and have but a 
 Ver)^ faint outline of my friend's recital of it j but the shadow, a? 
 
NOTES TO ARIXINA. IBS 
 
 It were, floating before my mind of that lady, is certainly the origin 
 of the character of Claudia, a character, I conceive, new to the 
 stage. How similar, or how unlike she maybe to the lady of the 
 golden bodkin, I have not the most distant idea, nor the means of 
 judging, nor is it of the least consequence. 
 
 (21) Of Ccesafs fleet are wrapt in struggling flames. . . p. 91. 
 
 * While Caesar was thus engaged in taking the Llan, or town 
 (Verulam, orGwerulan),the virtuous Cassibelaunus, warmed with 
 the love of pure glory, was in continual action, investing the sta- 
 tion at Rutupse, destroying the naval camp, and capturing the 
 Roman ships then at anchor at Deal.' — History of Wales, 
 
 (22) in this awful synod 
 
 We sit as judges, by our sacred rights 
 Upon all criminals. . . p. 97. 
 
 The Druids.—* They pay the highest honours (says Diodorus 
 Siculus of the Gauls) to their divines and philosophers, who are 
 called Druids. It is their custom never to .'perform any sacred 
 rite without one of these philosophers ; for as they believe them 
 to be well acquainted with the will of the gods, they think them 
 the most proper persons to present both their thanksgivings and 
 prayers. 
 
 * Diogenes Laertius places them in the same rank, in point of 
 learning and philosophy, with the Chaldeans of Assyria, the Magi 
 of Persia, and the Gymnosophists and Brachmins of India. 
 
 * It is acknowledged by all the writers of antiquity who mention 
 the Druids, that they were greatly admired and respected by their 
 countrymen, who not only listened with reverence and submission 
 to their religious instructions, but also committed the two most 
 important charges, the administration of justice, and the edu- 
 cation of their most noble youth, entirely to their management," — 
 Henry's England. 
 
 * Few dared to dispute their (the Druids) infallibility; but if by 
 chance, an individual had so much temerity, he was punished by 
 an excommunication so dreadful, as to be deemed more terrible 
 than the cruellest death. From that moment, he was looked upon 
 as a person abandoned by gods and men ; universally hated and 
 contemned, none would communicate with him ; but he was suf- 
 fered to drag through a miserable existence, till penury or sorrow 
 snatched him from a world in which he could find neither pity nor 
 relief.' — RusselVs History of England. 
 
 * An interdicted person was deemed both impious and wicked ; 
 all fled from him, and avoided his presence and conversation, lest 
 
134 NOTES TO ARIXINA. 
 
 they should be contaminated by the intercourse. He was allowed 
 no legal rights. He participated in no honours' — Turner. 
 
 * The reason why the Christian religion got footing so soon in 
 Britain above other nations, among many causes this especially 
 is given by historians, namely — the learning, piety, and devotion 
 of the Druids, who were so eminent in this island, as that they 
 decided and judged not only in spiritual, but civil affairs, and were 
 resorted to like oracles for their profound judgment and skill in 
 questions of the highest concern ; and many of their tenets, of 
 which the immortality of the soul was chief, were great inlets to 
 that religion.' — Brit. Antiq. Illustrated. 
 
 f(23) Treason to Britain and her liberty, . . p. 98. 
 
 * Whilst he (Caesar) meditated a second descent, with powers 
 more adequate to the enterprise, the treachery of a petty chieftain 
 facilitated a success, which otherwise he might, perhaps, have 
 sought in vain. This was the defection of Afarwy (Mandubratius), 
 nephew of Cassibelan, and at this time chief in the Isle of Thanet 
 and king of Kent : hence the name of this traitor is deservedly 
 branded with infamy.' — Early History of the Cymry. 
 
 (24) Is forthwith to be crucified amid 
 
 The sacred forest to the gods below! . . p. 99. 
 
 Strabo says, * And other sacrifices of men by them are spoken 
 of; for some they shoot with arrows, and some they crucify in the 
 sacred groves,' 
 
 (25) Noy though that Bald-head's stvord were at my throat .' p. 1 01 . 
 
 Caesar is alluded to in the Triads under the name of Bald-head. 
 * Julius Caesar, whom the Britons called lolo Voel, or Julius the 
 Bald.' 
 
 (26) The warlike name of Britain. . . p. 102. 
 
 * The word Briton is derived from the Welsh appellative Bry- 
 thon, which truly signifies warriors ; and thus also |Brythwch, 
 a battle. The term, therefore, as applied to the nation, signified 
 the warriors.' — Early History of the Cymry. 
 
 (27) While my strong shield this lion impress bears. . . p. 102. 
 
 To pretend, as many do, that armorial bearings were not used 
 prior to the Crusades, is perfectly absurd. 
 
NOTES TO ARIXINA. 135 
 
 * Painting. — Before the use of clothes was extended to the cen- 
 tral and northern parts of Britain, the natives are observed to 
 have painted their bodies, not by rubbing or besmearing them 
 with colour, but in a much more artificial manner, and consisting 
 of a variety of figures of beasts, birds, trees, herbs, and other 
 things. But, in proportion as clothes came into general use 
 among the ancient Britons, this practice of body-painting declined; 
 and as soon as they were completely clothed, it was laid aside. 
 But the art of painting did not suffer anything by that change : 
 for in order to preserve their family distinctions and the ancient 
 badges of their nobility, they then painted the same figures of va- 
 rious animals and other things on their shields, which they had 
 formerly painted on their bodies. The art of painting even gra- 
 dually improved, and those figures which had been painted of one 
 colour only on their bodies, were painted of various colours, in 
 imitation of life, on their shields.' — Dr. Henry. 
 
 King, in his Munimenta Aniiquay says, * armorial bearings 
 seem clearly to have been introduced among the Gauls ; for Dio- 
 dorus, describing the long shields of the Gauls, which we have 
 just referred to, says, they were varied with particular marks or 
 colours, properly belonging to each individual person, lib. v., 213, 
 p. 353, which perfectly accords with what Tacitus says concerning 
 the Germans ; that they distinguished their shields with the most 
 nicely-chosen colours : scuta tantum lectissimis coloribus dis- 
 tinguunt.' — Tacitus de Moribus Germanoru?n, sec. vi. 
 
 And even the Indians of North America are not without their 
 armorial paintings. Hearne, in one of his journals, speaking of 
 the Indians on the Copper-mine River having received by their 
 spies the news of an encampment of the poor Esquimaux about 
 twelve miles off, says — * after they had put their guns, targets, 
 spears, &c., in order, we were ferried over the river, the doing of 
 which, as we had only three canoes, took some considerable time. 
 It must be observed, that before we set out on the west side, all 
 the men painted their targets, some with the image of the sun, 
 others with the moon, others with different kinds of birds and 
 beasts of prey, and some had the images of fairies and other ima- 
 ginary beings on them, which, according to their silly imagina- 
 tions, are the inhabitants of the different elements, as the earth, 
 sea, air, &c. Some were contented with a single representation, 
 whilst others would have their targets covered to the very margin 
 with hieroglyphics quite unintelligible/ 
 
136* NOTES TO ARIXINA. 
 
 (28) This Ccesar on the blood-drench' d plains of Gaul. . . p. 104. 
 
 From Caesar's narrative, it appears that the Britons had fre- 
 quently sent auxiharies to Gaul, a measure to which they might 
 have been induced by the connexion subsisting between the two 
 countries, in order to repel a foreign power, had there been no 
 other motive ; but at this time there was another, to which the 
 Triads attribute the hostilities of Caesar against this country. 
 * Cassibelan, enamoured of Flur, the daughter of Auggnach Gorr, 
 finding that she had been carried off by a prince of Gascony, 
 called Mwrchan, and presented to Julius Caesar, made a descent 
 on Gaul ; and having slaughtered six thousand of the Caesarians, 
 rescued and brought her back. Caesar, to avenge himself, came 
 into Britain; — Triad 102 and 124. 
 
 Caesar says, hb. iii., c. ix, that the Celtic Amoricans sent for 
 some of the British tribes to aid them against his invasion of their 
 territories ; which, in c. xviii, he assigns as one of his reasons for 
 invading Britain. 
 
 (29 ) Those grinning skulls. 
 
 Which I, as gallant trophies, still have kept. . . p. 104, 
 
 The British warriors preserved the bones of their enemies whom 
 they slew ; and Strabo says of the Gauls (who were, as he in- 
 forms us, far less uncivilized than the Britons, but still nearly 
 resembled them in their manners and customs), that when they 
 return from the field of battle they bring with them the heads of 
 their enemies fastened to the necks of their horses, and afterwards 
 place them before the gates of their cities. Many of them, after being 
 anointed with pitch or turpentine, they preserve in baskets or 
 chests, and ostentatiously show them to strangers, as a proof of 
 their valour ; not suffering them to be redeemed, even though 
 offered for them their weight in gold. This account is also con- 
 firmed by Diodorus. Strabo says that Posidonius declared he saw 
 several of their heads near the gates of some of their towns, — a 
 horrid barbarism, continued at Temple-bar almost down to the 
 present period. 
 
 (30) Thus at thy feet I cast. 
 
 In CcBSar's name, my 'javelin of defiance. . . p. 104. 
 
 * Caesar sent Volusenus in a ship of war to explore the coasts of 
 Britain ; but Volusenus, not venturing to land and treat with the 
 inhabitants, threw the bloody spear on the British shore, and, in 
 the Roman name, loudly declared war against the Britons.' — 
 History of Wales. 
 
NOTES TO ARIXINA. ISl 
 
 ' Caesar first landed in Britain on the 26th of August, about five 
 in the afternoon.'— See Lowthorp's Abridgm. Philos. Trans., v. iii. 
 p. 412. 
 
 Anthony Muret (Var. Lect. vi.) says, * that some historian re- 
 lated that Julius Caesar once made a voyage to Britain with a 
 single galley and a hundred men ; and being charmed with the 
 wonderful beauty of the country, on his return, attempting to make 
 a settlement there, he was forcibly driven out by the invincible 
 inhabitants. This, if ever, must have happened when Caesar, 
 being about to sail to Britain, previously and alone, explored the 
 harbours, navigation, and access to the island, as we are informed 
 by Suetonius in Julio Caesare, cap. Iviii. 
 
 (31) (A?i awful voice from one of the rock- idols is heard.) 
 
 Let Arixina die! . .p. 108. 
 
 Girald Cambrensis gives an account of a speaking-stone at 
 St. David's in Pembrokeshire. 
 
 ' The next I shall notice is a very singular kind of a monu- 
 ment, which I believe has never been taken notice of by any anti- 
 quarian. I think I may call it an oracular stone : it rests upon a 
 bed of rock, where a road plainly appears to have been made, lead- 
 ing to the hole, which at the entrance is three feet wide, six feet 
 deep, and about three feet six inches high. Within this aperture, 
 on the right hand, is a hole two feet diameter, perforated quite 
 through the rock sixteen feet, and running from north to south. 
 In the above-mentioned aperture a man might lie concealed, and 
 predict future events to those that came to consult the oracle, and 
 be heard distinctly on the north side of the rock, where the hole 
 is not visible. This might make the credulous Britons think the 
 predictions proceeded solely from the rock-deity. The voice on 
 the outside was distinctly conveyed to the person in the aperture, 
 as was several times tried.' — Arch. Soc. Ant. Lond,, vol. viii. 
 
 The moving stones, or Logans, were known to the Phoenicians 
 as well as the Britons. Sanconiatho, in his Phoenician History, 
 says, that Uranus devised the Bcetylia, Gr. ; Botal or Bothal, 
 Irish; Bethel, Heb., or stones that moved as having life. — 
 Damascius, an author in the reign of Justinian, says he had seen 
 many of these Bcetylia, of which wonderful things were reported, 
 in Mount Libanus, and about Heliopolis in Syria. 
 
 (32) Your souls shall transmigrate through reptile forms. 
 And animate the vilest, ugliest monsters/ . . p. 110. 
 
 * The Druids threatened those who dared to disobey their com- 
 mands with a metempsychosis the most terrible f" r death. 
 
138 NOTES TO ARIXINA. 
 
 * The mysterious rites and worship of the infernal gods, according 
 to Aylett Sammes, was practised in Britain. Among the British 
 remains, is a MSS. of Triads, setting forth the doctrine of trans- 
 migration/ — See Turner's Vindication of Ancient British Poems. 
 
 (33) Hurly like the cloud-bolts of the tempest skies. 
 
 Arrow, and spear, and stone, against the foe. . . p. 111. 
 
 * Some of them (the Britons) used slings for stones.' — Muni- 
 menta Antiqua, 
 
 (34) Let the two 'handed sword like thunder fall, . . p. 111. 
 
 * One of the long and broad two-handed swords, which, there is 
 great reason to think, actually belonged to a British chief, who re- 
 sided in the neighbourhood, and was buried on the spot, was dug 
 up at Chalens, in the Isle of Ely in 1757, together with a celt, or 
 spear-head, the umbo of a shield, an urn, and a glass vase.' — Mu- 
 nimenta Antiqua. 
 
 One of the swords was also seen by Pennant at Talyskir in the 
 Isle of Rum, one of the Hebrides. It was called a cly-more. 
 
 (35) Your wolfish war-dogs, howling for the fight. . p. 112. 
 
 ' They (the Britons) had a particular species of dogs most ex- 
 cellent for hunting, and so fierce, that the Gauls made use of them 
 in war.' — King. 
 
 (36) In strength be like the mountain elk. . . p. 112. 
 
 The elk, or leigh, a gigantic species of deer, existed in this 
 country, and, in the ancient books on hunting, is enumerated in 
 the class called ' beasts of swift flight: 
 
 (37) Or, braver still, preserve your country free! . . p. 112. 
 
 The speeches of Cassfelyn to his soldiers throughout the drama 
 are well supported by the following quotations : — 
 
 * The British kings and chieftains, who were educated by the 
 Druids, were, in particular, famous for their eloquence. This is 
 evident from the many noble speeches that are ascribed to them 
 by the Greek and Roman writers. For though these speeches 
 may not be genuine, yet they are a proof that it was a well known 
 fact, that these princes were accustomed to make harangues on 
 these and the like occasions. 
 
 * It is evidently sufficient to show that our British ancestors did 
 
NOTES TO ARIXINA. 139 
 
 not wholly neglect the improvement of their minds, and the cultiva- 
 tion of the sciences ; and consequently that they did not deserve that 
 contempt with which they have been treated by some of our own 
 historians, nor the odious names of savages and barbarians, 
 which have been so liberally bestowed on them, as well as on other 
 nations, by the supercilious literati of Greece and Rome.' — Dr. 
 Henry. 
 
 * Tacitus says, the British chieftains before a battle fly from 
 rank to rank, and address their men with animating speeches, 
 tending to inflame their courage, increase their hopes, and dispel 
 their fears. 
 
 * Their harangues were called, in the ancient language of Bri- 
 tain, Brosnichiy Kah, which is translated literally by Tacitus, 
 indtamenta belli.' — Ibid. 
 
 (38) Ccesar embarks, and Britain now is free i . . p. 115. 
 
 That the Romans did not look upon Caesar's enterprise as an 
 absolute conquest of Britain, we learn from authors of the best 
 authority. Tacitus says, he did not conquer Britain, but only 
 showed it to the Romans. Horace, in the time of Augustus, calls 
 them " Invictos Romano Marte :" and Lucan scrupled not to 
 affirm, that he turned his back in a fight, to the Britons, in quest 
 of whom he went with such mighty preparations. 
 
 • Territa quaesitis ostendit terga Britannis.' 
 
 ^-Smolletfs History of England. 
 
 ' Dion Cassius says, that in a battle the Britons routed the 
 Roman infantry. Horace and TibuUus intimate, in several places 
 of their writings, that, in their days, the Britons were not consi- 
 dered a conquered nation. " Many eminent authors relate," says 
 Sammes, " that Caesar, in his British proceedings, speaks too ad- 
 vantageously of himself." ' 
 
 * Tacitus writes of Caractacus, that, encouraging the Britons, he 
 often invoked the manes of his ancestors, who drove Caesar the 
 Dictator out of the isle, by whose valour they were freed from the 
 axes and tributes of the Romans, and preserved the bodies of their 
 wives and children undefiled. And Dion affirms, that once in the 
 second expedition all his foot were routed ; Orosius, that another 
 time all his horse ; and it is manifest, that for many years after 
 Britain was governed by its own kings, and its own laws.' — Brit, 
 Antiq. Illustrata. 
 
 THE END OF ARIXINA. 
 
EDWIN AND ELGIVA, 
 
 OR, 
 
 NORWEGIAN VENGEANCE. 
 
 A TRAGEDY. 
 
 * Submit, ye Laity ! ye profane ! 
 Earth is the Lord's, and therefore ours ; let kings 
 Allow the common claim, and half be theirs ; 
 If not, behold ! the sacred lightning flies !' 
 
 * ^ ik * * ^ 
 
 * Mother of tortures ! Persecuting Zeal , 
 High-flashing in her hand the ready torch, 
 
 X)r poniard, bathed in unbelieving blood ; 
 Hell's fiercest fiend ! of saintly brow demure, 
 Assuming a celestial seraph's name, 
 "While she, beneath the blasphemous pretence 
 Of pleasing parent Heaven, the source of love, 
 Has wrought more horrors, more detested deeds, 
 Than all the rest combined.' — Thomson. 
 
DRAMATIS PERSON.E. 
 
 Edwin, King of England. 
 
 Eric, a Norwegian, the dethroned and last King of North- 
 umberland. 
 Odo, Archbishop of Canterbury. 
 DuNSTAN, Abbot of Glastonbury. 
 RoDOMOND, Chief of the Royal Scalds, or Minstrels. 
 Earl Oswald, Friend to the King. 
 RoGVALDER, Friend to Eric. 
 Redwolfgar, Captain of a Band of Robbers. 
 Ethelward, a creature of Dunstan's. 
 Hermit. 
 
 GuTHLAC, a Minstrel. 
 1st Robber. 
 2nd Robber. 
 3rd Robber. 
 4th Robber. 
 Officerv' 
 
 Elgiva, the Queen. 
 
 Gunhilda, ex-Queen of Northumberland. 
 
 Cuthburqa, Mother to Elgiva. 
 
 Chiefs, Officers, Soldiers, &c. 
 
 Scene, the Palace at Winchester and Gloucestershire. 
 
EDWIN AND ELGIVA, 
 
 ACT I. 
 
 SCENE I. — An open place near the Royal Palace at 
 Winchester, 
 
 Enter Eric on one side, dressed as a Saxon Jcnighty and 
 Rogvalder on the others disguised as a wandering 
 Saxon minstrel, 
 
 ROGVALDER. 
 
 Good stranger, wilt thou tell me if I'm near 
 The royal palace of the Saxon king? 
 
 ERIC. — (Starting.) 
 That voice ! — Ye mighty gods of my forefathers I 
 O, how its tQnes remind me of past days 
 Of fame and glory ! — Can it be that thou 
 Art my Rogvalder, still alive, and clad 
 In a poor wandering harper's simple weeds ? 
 
 ROGVALDER. 
 
 Thunder of Odin ! do these eyes behold 
 My prince, my friend, son of Norwegian Harold, 
 North umbria's warlike king, vested in garb 
 Of vassal knight to some accursed Saxon ? (1) 
 
 ERIC. 
 
 'Tis even so — Eric, in Norway called 
 
 *♦ The axe of blood," hath learnt, my friend, to bow (2) 
 
 His iron neck in homage to his foes. 
 
146 EDWIN AND ELGIVA. [Act I. 
 
 ROGVALDER. 
 
 My hopes have then proved true — the tale was false — 
 Thou didst not perish on that blood-drenched field 
 Where fell five mighty kings, who fought beneath 
 Thy ocean banner, when with thy defeat 
 The kingdom of Northumberland was lost. 
 
 ERIC. 
 
 No, my Rogvalder, I have pined for years, 
 Since that disastrous day which Edred won. 
 In indigence, a pirate of the woods. 
 Prowling for Saxon plunder^ and my sword 
 With Saxon blood oft gilding to the hilt ! 
 But that was poor revenge — it could not quench 
 The struggling, raging fires of hatred here ! 
 
 (^Laying his hand on his bosom. 
 
 ROGVALDER. 
 
 Deeply I mourned thy fate 
 
 ERIC. H 
 
 How meanly vile 
 Such petty warfare was to me, who oft, 
 Quitting the luxuries of regal sloth, 
 When on these brows North umbria's diadem 
 Shone in full power and splendour, sought and won 
 The gallant sea-king's spoils — O, how those days 
 Of fame and glory gleam on my remembrance, 
 Like the last golden radiance of the west 
 When the bright sun's departed ! 
 
 ROGVALDER. 
 
 Ay, those times 
 Were times of glory to the bold sea-rover, 
 When piracy was honourable craft. (3) 
 
 ERIC. 
 
 0, then with reckless spirit, flashing eye^ 
 
r 
 
 Scene I.] 
 
 EDWIN AND ELGIVA. 
 
 147 
 
 And sword of victory from my vessel's deck, 
 My throne of power, I viewed the subject- world ; 
 As forth I led the sea-kings of the north. 
 And all the hardy chiefs, who loved to sport 
 With Ocean in his wrath, around the coasts 
 Of Scotland's frighted land. — The western isles 
 Trembled to see my gallant ships lie moored 
 Within their harbours ; Cambria's princes fled 
 Before my glittering spear, and Erin's shores 
 Yielded a golden spoil ! — nor did I spare 
 The Saxons' southern realms ; their blazing towns 
 Lighted me on to plunder, and my barks 
 Were loaded with their riches, while their maids 
 And bravest youths I sold as captive slaves 
 Far from their native homes. (4) 
 
 ROGVALDER. 
 
 By Odin's head, 
 It makes my spirit burn to hear thee speak 
 Of thy past deeds of fame. 
 
 ERIC. 
 
 ^ Then did I reign 
 
 The sovereign of the ocean ! Glory spread 
 Her dazzling robe around me, and I shone 
 O'er all the mightiest sea-kings of the north 
 In wide renown, as blaze the meteor pomps 
 O'er the pale stars of midnight. 
 
 ROGVALDER. 
 
 Ay, my prince, 
 I too won honour in those gallant deeds 
 Of manly piracy. — Now coward merchants 
 Are honourable men, and the brave rover, 
 Who every peril scorns, and nobly wins 
 
 L2 
 
148 EDWIN AND ELGIVA. [Act I. 
 
 Spoil for a thousand barks, is basely deemed 
 Worthy the gallows-tree. 
 
 ERIC. 
 
 Yes, we are fallen 
 On luckless times — all ancient usages 
 Of ocean chivalry are passed away — 
 Our sun is set ! — 
 
 ROGVALDER. 
 
 And we, what are we now ? — 
 A vagrant harper, and a Saxon slave, 
 Are Eric and Rogvalder ! 
 
 ERIC. 
 
 O, think not 
 I'd be a Saxon slave, to cringe and bow 
 To those my soul abhors — I who once sat 
 On Norway's throne, and ruled the stormy North, 
 But for the hope to win a full revenge 
 On Alfred's hated line. 
 
 ROGVALDER, 
 
 O, may I live. 
 Son of the storm and wave, to see the hour 
 That pours the balm of vengeance on thy wrongs, 
 So deeply rankling to life's inmost core ! 
 
 ERIC. 
 
 What though his grandson Athelstan did give 
 Northumbria's vassal crown to me, when round 
 The summer isles a fugitive I roamed. 
 The lion of the sea ; yet had he not 
 Ere that sent Haco, my detested brother. 
 Brought up i' th' soft refinements of his court. 
 To drive me from my native seat of power. 
 And hold dominion o'er my rebel subjects ? 
 
Scene I,] 
 
 EDWIN AND ELGIVA. 
 
 149 
 
 ROGVALDER. 
 
 Ah, fatal day ! when they young Haco called 
 To the Norwegian throne, thy father's gift. 
 
 ERIC. 
 
 And did not Edmund, heir to Athelstan, 
 Because I scorned to reign his royal slave, 
 But would be free the summer days to lift 
 The sea-king's plunder banner wheresoever 
 The blue waves bore me, — did not Edmund set 
 A price upon my head ? — But 'tis my joy 
 To think that, hid in robber's garb, I sought 
 The banquet hall where he held festival, 
 And plunged my war-knife deep into his heart ! 
 Then, 'mid the wild confusion, unpursued, 
 Fled to the forest, while my follower fell 
 Covered with stabs and blood ! — (5) 
 
 ROGVALDER. 
 
 A glorious blow ! 
 Worthy thy gallant arm. 
 
 ERIC. 
 
 And did not Edred, 
 Who, at his death, filled England's regal seat. 
 When I was on the deep, Northumbria enter, 
 Destroying all before him ? — Soon I turned 
 Homeward my vessel's prow, and bravely met 
 The Saxon tyrant, who by Tadwine's cliff 
 Had forced my subjects, at the red sword's point. 
 To swear obedience. — But that battle-day 
 Thou know'st I won not, though fought gloriously- 
 I fell amid the slain, and since that hour 
 It is believed I fell to rise no more. (6) 
 
150 EDWIN AND ELGIVA. [Act I. 
 
 RpGVALDER. 
 
 Short was the victor's triumph, for disease 
 Soon dragged him to the tomb. 
 
 ERIC. 
 
 When I stabbed Edmund, 
 That was my first revenge ! — But while it throbs^ 
 This heart will never know one hour of peace, 
 Till I have all the Saxon line destroyed ! 
 
 ROGVALDER. 
 
 And what are now the plans by which thou hopest 
 To win fresh vengeance for long years delayed ? 
 
 ERIC. 
 
 I have no settled plan, but, like the tiger. 
 In ambush crouch, ready with yell of joy 
 To spring upon my victim. — Yes, I wait 
 To see dissensions rise between this boy, 
 This son of Edmund, and those factious chiefs 
 Who throng his court. 
 
 ROGVALDER. 
 
 Command me — ^let me share 
 The danger and the glory of thy vengeance. 
 
 ERIC. 
 
 Here is my hand — thou soon shalt find employ. 
 Rogvalder, thou behold'st great Norway's king 
 Sunk from his glory down to a poor knight 
 E'en of a Saxon priest. — But little knows 
 This primate of all England, how I hate 
 Him and his Christian creed, though at the font 
 One of his saintly herd marked on these brows 
 The sign o' th cross, on which their God was hung ; 
 While Athelstan stood sponsor for my faith. 
 And set North umbria's crown upon my head. 
 
Scene II.] 
 
 EDWIN AND ELGIVA. 
 
 151 
 
 ROGVALDER. 
 
 I grieve to find thy just revenge delayed. 
 
 ERIC. 
 
 It may be nearer than thou think*st, my friend. 
 This is young Edwin's coronation day ; 
 Some circumstance from that perchance will rise, 
 Which I may to my deadly purpose shape, 
 And from it pluck revenge. 
 
 ROGVALDER. 
 
 It was, my prince, 
 The regal festival which led me here 
 To join the minstrel bands (7) — Thou know'st the harp 
 Was ever my delight in festive hall, 
 And how I oft awoke its strings to chant 
 Thy warlike deeds upon the ocean wave. 
 
 ERIC. 
 
 Brave sharer of my glory, we again, 
 
 After long years of parting, are united. 
 
 Come with me to Gunhilda, who will joy 
 
 To see thee still alive. Thy presence adds. 
 
 My brave Norwegian, to that raging thirst 
 
 Of vengeance which consumes my inmost soul ! 
 
 I feel the time draws near — O, we will have 
 
 A great revenge, great as my burning wrongs ! [^Ea:eunt 
 
 SCENE II. — A grand Saxon Hall in the Royal 
 Palace. 
 
 Enter Rodomond. 
 
 RODOMOND. 
 
 This is a day in which I shall be crowned 
 
 As well as Edwin — crowned with fame, not gold. 
 
^52 EDWIN AND ELGIVA. [Act I. 
 
 The paltry god of fools ; nor earth-born gems 
 
 Which borrow light to shine — The precious stones 
 
 Of Genius will be my bright coronal, 
 
 Radiant in their own glory as the stars ! 
 
 My coronation ode is now complete — 
 
 Each line is worth St. Peter's beard and hair, (8) 
 
 Ay, and the relic of St. Basil's ribs 
 
 To boot !■:— O that the hour of banqueting 
 
 Were come, that I might chant it in the hall ! 
 
 Enter Gunhilda. (9) 
 
 GUNHILDA. 
 
 What, royal bard, in the deep musings wrapt 
 Of thy wild flights of fancy ? 
 
 RODOMOND. 
 
 No^ fair dame, 
 Not wrapt in flights of fancy, but in joy, 
 The real substantial joy of deathless fame, 
 Which shall be mine a thousand ages hence, 
 When this great day is chronicled and marked 
 In the long roll of time. 
 
 GUNHILDA. 
 
 Why, one might think 
 Thou, and not Edwin, England's kingly heir, 
 Wert this day to be crowned. 
 
 ROUOMOND. 
 
 And so I am — 
 
 GUNHILDA. 
 
 Eh!— 
 
 RODOMOND. 
 
 Woman, I now tell thee that these brows 
 Shall wjth a nobler diadem b? bound 
 
Scene II.] EDWIN AND ELGIVA. 153 
 
 Than th' envied Saxon crown ! The ode which I 
 Have on th' approaching coronation penned 
 
 Is O, I cannot tell what 'tis — 
 
 My modesty prevents me — words would fail 
 To paint its beauties — its sublimities — 
 
 GUNHILDA. 
 
 What pity 'tis that modesty so rare 
 Should, like a veil, hide so much excellence! 
 
 RODOMOND. 
 
 It cannot long be hid — it must burst forth 
 In all its intellectual blaze of glory ! 
 'Tis a rich mine, filled with poetic gems, 
 A crowded garden of sweet-smelling flowers ! 
 Which, blended, for these brows will form a wreath, 
 Whose splendours, when a thousand earthly crowns 
 Have faded, like a meteor, still will shine, 
 Another sun in its unborrowed light ! 
 
 Genius, Genius ! 
 
 So fondly hast thou wrapt my dizzy head 
 In dazzling floqds of glory, that I fear 
 
 1 shall destroy my hearers with the blaze 
 That will burst from me in the shouting hall ! 
 
 GUNHILDA. 
 
 Why, minstrel fool, art thou so vain to think 
 
 The twangling of thy harp can o'er thee fling 
 
 A brighter splendour than the regal state 
 
 And warlike majesty of sceptred kings ? 
 
 Away, dull slave ! thou ne'er hast known the pomp 
 
 That waits on princes seated on a throne, 
 
 'Mid flattering throngs of courtiers, who the knee 
 
 Of homage bend ; thy form of vulgar clay 
 
 Has ne''er been mounted in triumphal car, 
 
 f he worshipped lord of battle, at whose nod 
 
IM EDWIN AND ELGIVA. 
 
 [Act I. 
 
 The vanquished nations tremble — Vaunt no more ! 
 I hate to hear lean-witted slaves decry 
 Those honours which the nobly great enjoy, 
 And which themselves, being ignobly born, 
 Can never hope to win. 
 
 RODOMOND. 
 
 Dull minstrel fool ! 
 Lean-witted slave ! — God of the tuneful lyre ! 
 Have I been made the king's chief Scald for this ? 
 I, on whose happy birth kind Nature showered 
 Her richest gifts, and gave me brighter wit 
 Than ever fell before to mortal lot ! 
 Why, I was in my very cradle rocked 
 By the bright god of poets into dreams 
 Of 
 
 GUNHILDA. 
 
 Self-conceit — from which thou ne'er hast woke. 
 
 RODOMOND. 
 
 And all the Muses nursed me on their bosoms, 
 From which I drew poetic streams of milk, 
 That have immortal made me — 
 
 GUNHILDA. 
 
 As the winds 
 That pipe at midnight through the storm-shook woods, 
 And die ere morning, to be heard no more ; 
 None heeding whence they came, nor where they go. 
 
 RODOMOND. 
 
 Thou envious woman, my renown in song 
 Shall be as lasting as my endless themes, 
 And brighten as it onward moves through time : 
 A sun, in which all rival stars are lost ! 
 
Scene II.] EDWIN AND ELGIVA. 155 
 
 GUNHILDA. 
 
 Thy foster-nurses, thou vain suckling braggart, 
 Have filled thee with such arrogant conceits, 
 That on the clouds of vanity thou walk'st, 
 Making thy banquet of the empty air, 
 The reeky breath of popular applause 
 Which in its birth expires — 
 
 RODOMOND. 
 
 No, lady, we 
 Court-minstrels live on more substantial food, 
 And leave poor bards — no matter for their merit — 
 To feast on that light diet. 
 
 GUNHILDA. 
 
 O, I'd rather be 
 A moping owl, and hoot the listless moon 
 From some lone, haunted tower, than sweat to win, 
 By slender wit^ the praise of drunken chiefs 
 Carousing o*er the wine-cup. 
 
 RODOMOND. 
 
 Barbarous woman ! 
 Dost thou not know that we who strike the harp 
 Are the companions and time-honoured friends 
 Of mightiest kings, whose proudest deeds would be 
 Of little moment, if not sung by us, 
 In hall and bower ? — Fame lives not with the sword : 
 The pride of martial glory is a shadow. 
 Which dies when the proud sun of power is set, 
 Unless the harp give immortality. (10) 
 
 Enter Eric and Rogvalder. 
 
 ERIC. 
 
 Chief of the royal minstrels, I now bring 
 
156. EDWIN AND ELGIVA. [Act I. 
 
 A brother of the harp, who fain would join 
 
 Your coronation melodies, and strike 
 
 His strings at banquet- hour before the king. 
 
 RODOMOND. 
 
 Whence comes the wandering Scald ? — I know him not — 
 His mean appearance speaks him meritless. 
 Some vain pretender to the art, no doubt, 
 Who strolls through villages, and twangs his wires 
 At cottage doors, charming the hinds and serfs 
 With his vile strains. The fair, and market-cross, 
 And well-frequented bridge, are places where 
 Such minstrels should resort. (11) 
 
 ROGVALDER. 
 
 Uncourteous Scald ! 
 I in the halls of noble chiefs have sat, 
 The minstrel of the feast — 
 
 RODOMOND. 
 
 No doubt, and feasted 
 Well for thy pains — Go, get thee there again ! 
 
 ROGVALDER. 
 
 Nay, in the courts of Scandinavian kings 
 Have won applause 
 
 RODOMOND. 
 
 Thy own, I question not. 
 Presumptuous vagrant ! wouldst thou dare to join 
 Our band select, within whose sacred circle 
 None are permitted to attempt the art, 
 Save the high-favoured few approved by me ? 
 
 ROGVALDER. 
 
 Hear me but touch these strings — 
 
 RODOMOND. 
 
 Away ! thy touch 
 Would be to me the^^cr^echings of the death-bird ! 
 
Scene II.] EDWIN AND ELGIVA. 157 
 
 So finely tuned, so critical my ear, 
 
 The slightest discord would unhinge my frame, 
 
 And send me in a fever to my couch. 
 
 GUNHILDA. 
 
 Thou merit'st the blue plague, and none to tend thee ! 
 
 ERIC. 
 
 Without a hearing dost thou dare condemn ? 
 
 RODOMOND. 
 
 A hearing ! Heaven assoil me from such torment ! 
 We by the minstrel judge the minstrel's works. 
 Laud, or condemn, by party's stern decrees. 
 At our tribunal none can mercy find 
 Who are not of our school. 
 
 GUNHILDA. 
 
 Nor they, unless 
 Thou think'st their merit 's far below thine own — 
 The very dregs of Genius — Would thou wert 
 My household minstrel, I would have thee kept 
 On sour pottage and hard haberdine. 
 Till thou hadst learnt some justice. 
 
 ERIC. 
 
 He would starve first. 
 
 GUNHILDA. 
 
 So do I think ; and had I now my will. 
 
 His next song should be, like the dying swan*s. 
 
 His own funereal lay. (12) 
 
 RODOMOND. 
 
 Die when ye will. 
 No bard for you shall raise the noble song ! 
 Inglorious shall ye both sink to the grave, 
 And rot in dark oblivion ! — As for thee. 
 Thou travel-tainted vagrant, get thee gone ! 
 The Saxon court is not the place wherein 
 
1^8 EDWIN AND ELGIVA. [Act I. 
 
 The drivellings of thy muse can e'er be heard. 
 Go, strike thy wires, lout-headed, herd-groom witling, 
 And chant thy songs to dancing bears and beggars. (13) 
 
 \_Exit Rodomond. 
 
 ERIC. 
 
 Regard him not, self-idolizing fool ! 
 Yes, we will strike, my friend ; but it shall be 
 Nor lyre nor tabor, but the hearts of Saxons, 
 Whose death-groans will to us be sweeter music 
 Than e'er the magic harp of Odin breathed ! 
 Gunhilda, in this minstrel vest behold 
 Rogvalder, whom we long have mourned as dead. 
 
 GUNHILDA. 
 
 Ha ! ^tis the bosom friend of my brave husband ! 
 Welcome, Rogvalder, if th' unqueened Gunhilda 
 Can give thee welcome in a stranger's halls. 
 
 ERIC. 
 
 See, Dunstan, Abbot of Glastonbury, comes ! 
 Let us withdraw, and schemes of vengeance plan. 
 
 ROGVALDER. 
 
 Say but the word, my prince, and I will stab 
 This Saxon monarchy heir to thy just hate, 
 Before the altar, at his coronation ! 
 
 ERIC. 
 
 Then wouldst thou fall. 
 
 ROGVALDER. 
 
 O, glorious thus to die, 
 Winning revenge for thee ! 
 
 ERIC. 
 
 If fall we must, 
 Together we will perish — but as yet 
 We must be wary. — This way — follow me. [Exeunt 
 
Scene II.] EDWIN AND ELGIVA, 159 
 
 Enter Dutistan and Ethel ward. 
 
 DUNSTAN. 
 
 Again I move in England's regal court, 
 
 From which by envious foes I once was driven ; 
 
 Accused by fools of dealing with the devil 
 
 For magic purposes, because I shone 
 
 In the ennobling sciences above 
 
 The comprehension of their swinish minds. 
 
 ETHELWARD. 
 
 I should not think, lord Abbot of Glastonbury, 
 That the old fiend of sin would wish to hold 
 Or intercourse or friendship with your lordship, 
 After th' unceremonious treatment he 
 Met at your midnight cell — Surely his nose 
 Must still retain the marks of your red tongs ; 
 For long you held him in your gripe, 'tis deemed, 
 From his continued shrieks and hideous bowlings. 
 
 DUNSTAN. 
 
 O, how religion can be made to fool 
 And gull the multitude by specious show 
 Of zeal, austerity, visions, and prayers, 
 And feigned wrestlings with the Evil One ! 
 The people little think — poor simple souls ! — 
 That I it was who those strange bellowings madej 
 Which passed for Beelzebub's. (^Aside.) 
 
 ETHELWARD. 
 
 No doubt, my lord. 
 He came with ill intent. 
 
 DUNSTAN. 
 
 True, Ethelward ; 
 But I his coming turned to good account : 
 My sanctity and victory o'er the fiend 
 
160 EDWIN AND ELGIVA. [Act I. 
 
 Brought wealth as well as fame. — Edmund the king 
 I drew to my dark cell, and soon was made 
 Lord Abbot of Glastonbury. — On these brows 
 The mitre of that ancient convent rests, 
 And I, a mate for loftiest earls and kings. 
 Precedence take e'en of St. Alban''s lord. 
 And I'm the keeper of the royal treasures ; 
 Those golden stores, amassed by many kings, 
 Are in the coffers of my abbey kept. 
 
 ETHELWARD. 
 
 By Joseph's blooming staff, you must, my lord, 
 Be e'en the happiest liegeman England holds. 
 
 DUNSTAN. 
 
 Alas ! nor fame, nor power, nor wealth can yield 
 
 True happiness ; I find it to my cost ! — 
 
 Thou wast my bosom friend ere I was great, 
 
 And know'st another passion than ambition 
 
 Filled this now cold, dead heart — I loved a maid ; (14) 
 
 she was fair and pure as angel forms, 
 And when I wandered with her in the groves, 
 As to the nightingale's wild music rose 
 
 The cloudless moon, and leaf and flower were bathed 
 In dewy light — then I indeed was happy. 
 
 ETHELWARD. 
 
 A virgin love is a bewitching thing — 
 It makes one melt like wax before a fire ! 
 
 1 do remember once upon a time — 
 
 But 'tis no matter — I have done with love. 
 And all its soft beguilements. 
 
 DUNSTAN. 
 
 How frequent still the tones of her soft voice 
 Come on my ear in cell and altar-aisle, 
 Sweet as the lark's last song at evetide hour 5 
 
Scene II.] EDWIN AND ELGIVA. 161 
 
 And midnight visions of her beauty oft 
 Disturb my hoUer dreams. 
 
 ETHELWARD. 
 
 Ay, I remember, 
 She was a comely, buxom wench, with such 
 A well-turned ankle, and a neck that might 
 Be for its whiteness with the swan's compared ! 
 And then her eye ! — O, I can ne''er forget 
 The brilliant twinkle of its languishment ! 
 It warmed one's very heart — But I have done 
 With praising female beauty. 
 
 DUNSTAN. 
 
 I was won 
 By a kinsman's strong entreaties to become 
 The inmate of a cell — O, Ethel ward, 
 It was a dreadful struggle ! but reHgion 
 Conquered the earthly passion, and I took 
 The habit of Benedict. — Ambition now. 
 For rule and high preferment in the church. 
 Possesses all my soul. 
 
 ETHELWARD. 
 
 And glorious is 
 The course which you have taken — one step more. 
 And England's primacy will then be your's ; 
 For Odo's head is bowed beneath the weight 
 Of many years. 
 
 DUNSTAN. 
 
 Yes, I ere long shall be 
 (For early visions have foretold my greatness) (15) 
 Prince of the hierarchy ! and then, my friend. 
 The topmost hill of glory is in view — 
 The triple crown, the apostolic throne, 
 Seat of St. Peter, at whose golden footstool 
 
 M 
 
162f EDWIN AND ELGIVA. [Act I. 
 
 Emperors and kings bow down ! — Withdraw awhile, 
 For Odo comes, th' Archbishop of Canterbury. 
 
 [Exit Ethelward. 
 Now is the time for me to climb to power 
 In state as well as church — A minor's reign 
 Showers golden opportunities on him 
 Who can keep place beside the sovereign's throne. 
 To be the grand dictator of the realm. 
 Edwin is young, and in his manners mild ; 
 I must contrive to keep him still in awe, 
 And mould his mind to all our great designs ; 
 / then shall be the ruler of the land. 
 
 Enter Odo. 
 
 O, good my lord 
 
 Of Canterbury, humbly on my knee 
 
 Your sacred benediction do I crave. 
 
 ODO. 
 
 Thou hast my blessing — but kneel not to me ; 
 
 The church is honoured by so young a saint. 
 
 Thy penances, thy fastings, thy abode 
 
 In a sepulchral cell, where thou didst put 
 
 The awful enemy of man to flight — 
 
 That splendid pile which thou hast reared for heaven, 
 
 Making the order of Benedict its rules, (16) 
 
 As an example to degenerate monks — 
 
 All point thee out to be a shining star, 
 
 A glorious light in this declining age 
 
 Of scandal to the priesthood. 
 
 DUNSTAN. 
 
 O, my lord, 
 My poor deservings merit not such praise. 
 I am but an unprofitable servant 
 
Scene 11.] EDWIN AND ELGHVA. l63 
 
 E'en at the best— yet would I gladly spill 
 
 My heart's best blood in this most righteoiis cause 
 
 Of reformation. 
 
 ODO. 
 
 We, my lord, must move 
 The king to our good purpose ; then we'll rouse 
 All England to adopt the discipline 
 Of Benedict. 
 
 DUNSTAN. 
 
 The idle and profane — 
 Such are the greater portion of our clergy, 
 It grieves me much to say — shall take the cowl, 
 And with austerities amend their lives. 
 We'll have no married priests — O, it will be (1*1) 
 A fflorious revolution in the church ! 
 I burn with ardour to commence the work. 
 
 ODO. 
 
 Well, Dunstan, do I know thy holy zeal 
 
 To clear the fold, and from the tainted flock 
 
 Turn out those shepherds who walk not with us 
 
 In the new light given to the favoured few. 
 
 This royal scion, this young twig will bend 
 
 As we incline it, and the church shall then 
 
 Cast forth the evil-minded, and become 
 
 Pure and unblameable. — But we must now 
 
 Onward to crown the king. (^Trumpets at a distance. 
 
 Those trumpet sounds 
 Speak the procession ready to attend 
 Our monarch, in his coronation robes, 
 To yon cathedral aisles. \_Exit Odo. 
 
 DUNSTAN. 
 
 I come, my lord. 
 The skilful bard wins fame and royal grace 
 
 M 2 
 
164 EDWIN AND ELGIVA. [Act I. 
 
 By noble verse, and sounds which on the ear 
 
 Melodious rapture fling — The warrior gains 
 
 Renown and glory in the battle-field, 
 
 And makes his sword the sceptre of dominion — 
 
 But not for me are now such paths to power : 
 
 One only way, Ambition, is there left, 
 
 By which I can attain thy radiant heights. 
 
 Religion is the field for me to shine in. 
 
 I'll make the superstition of the age 
 
 My noble steed to bear me on to glory. 
 
 And in hypocrisy's close mail ensheath'd, 
 
 Like a brave knight, bear all opposers down ; 
 
 Then I in future ages as a saint 
 
 By dreaming fools shall be revered and worshipped I 
 
 END OF THE FIRST ACT. 
 
ACT II, 
 
 SCENE l.-^The Palace of Winchester in the hack 
 ground, with the grand Entrance to the Cathedral on 
 one side of the stage, near the front. 
 
 Enter a train of Virgins^ strewing flowers, from the 
 Palace — then a procession of Monks and Clergy bear- 
 ing censers, crosses, and sacred pictures — files of sol- 
 diers with banners and martial music. Officers of the 
 King's household, with swords of state, the sceptre, 
 the imperial crown of all the Saxons borne on a 
 cushion — the holy oil for the anointing, carried hy a 
 Bishop — a large globe on a spear, the regal insignia of 
 the Saxon kings. The King in his royal robes, led 
 between Odo, the Archbishop, and Dunstan, under a 
 magnificent canopy of state, other Prelates following in 
 their pontifical habits. The Priests, chanting the An- 
 them, Officers, and Soldiers, close the Procession, The 
 stage crowded with the populace — a general shout as 
 the King appears. 
 
 The procession passes across the stage, and enters the 
 doors of the Cathedral. Eric and Rogvalder stand 
 near the bottom of the stage. 
 
 The Anthem. 
 
 Hail to the son of Alfred's line ! 
 Whose brows shall wear the golden sign 
 Of England's regal power — 
 
166 EDWIN AND ELGIVA. [Act II. 
 
 Blessings and joys on him descend, 
 Prolong his race till time shall end ; 
 Sound the loud trump, hail the glad hour, 
 And triumph shout to his kingly power. 
 Shout all, God bless the king ! 
 
 May Victory her bright pinions spread 
 Around his balm-anointed head, 
 
 England's redoubted tower ; 
 Let glory circle his proud throne, 
 And Ocean his dominion own. — 
 Sound the loud trump, proclaim his power, 
 And hail his coronation hour, 
 
 Shouting, God bless the king ! 
 
 ERIC. 
 
 O, that the anointing balm poured on his brows 
 
 Were rankest venom from the serpent's jaws ! 
 
 Or crimson lava from the thunder- womb 
 
 Of stormy Hecla flung, till clinging fires 
 
 Burnt to the very marrow of his bones, 
 
 And, maddened with fierce torments,he dashed out 
 
 His smoking brains upon the altar stone ! 
 
 ROGVALDER. 
 
 Would it not give thee equal joy to see 
 
 This war-knife thus far dipt in his heart's blood ? 
 
 ERIC. 
 
 Yes — ^no ! — I'd have him linger years in pain — 
 Years are too short — ages would scarce suffice 
 To satisfy the cravings of revenge ! 
 Two royal crowns have from these brows been torn 
 
 By his detested house ! The earth and sea 
 
 Both, both were my dominions ; I was lord 
 
gi^ne I.] EDWIN AND ELGIVA. 167 
 
 Of the wide ocean, and my warlike name 
 Made all the nations tremble ! 
 
 ROGVALDER. 
 
 True, my prince. 
 
 ERIC. 
 
 And now am I a wretched, skulking slave ! 
 
 Prating to thee of dagger-blows and stabs 
 
 At one poor heart, whom death would quickly ease 
 
 Of every pang 0, this proud festival 
 
 Will madden me ! — it tells me of the pomp, 
 The sceptred power, and majesty of kings, 
 Which once were mine, but can be mine no more ! 
 
 \_Music heard, 
 
 ROGVALDER. 
 
 Hear me, my lord 
 
 ^^ ERIC, 
 
 Hark ! — how the music peals 
 In thunder from yon temple gates ! — To me 
 It sounds like adders' hisses in the ears 
 Of a sad captive, doom'd in darksome cell 
 To perish by their stings. (^Shouts and trumpets. 
 
 Ha ! now they set 
 The crown upon his head ! — Mine is torn off, 
 And trampled in the dust ! — Now, now they kneel. 
 And pay their worship in repeated shouts 
 
 To that detested boy ! O, had I but 
 
 The strength of that ferocious wolf who, when 
 
 The end of all things comes, shall break his chain, (18) 
 
 And men and gods devour, then would I rush 
 
 Within yon portal, and both king and people 
 
 Rend limb from limb, and strew their bleeding fragments 
 
 O'er altar, tomb, and shrine ! 
 
 {Rushes wildly off, followed by Rogvalder, 
 
168 EDWIN AND ELGIVA. [Act II. 
 
 SCENE II. — A room of state in the palace. 
 
 Enter Elgiva and Cuthberga. 
 
 ELGIVA. 
 
 O, happy day ! may the propitious stars 
 Pour down their kindest influence as the crown 
 Rests on his sacred brows; may angels shake 
 Around him from their bright empurpled wings 
 The richest odours of their heavenly clime ; 
 And the blest Virgin Mother sacred balm 
 Upon the anointed shed — O, may his reign (19) 
 Resplendently as yonder sunbeams shine, 
 And, scattering far the stormy clouds of state^ 
 Fade full of years and glory ! — Why, dear lady, 
 Dost thou not share my joy ? — Those tears but ill 
 Besort the splendours of this festal day, 
 In which all England triumphs. 
 
 CUTHBERGA. 
 
 Ah, my child, 
 I know not why, but there is a dark cloud 
 Comes o'er that happiness I fain would feel, 
 Big with prophetic fears that some strange woe 
 Is hastening onward to overwhelm us all ! 
 
 ELGIVA. 
 
 Away with such weak fancies, and let joy 
 Alone possess thy soul 
 
 CUTHBERGA. 
 
 Alas ! I strive, 
 But cannot check these sighs. 
 
 ELGIVA. 
 
 My swelling heart 
 Beats high with rapture — not that 1 am queen 
 
Scene II.] EDWIN AND ELGIVA. 169 
 
 Of many nations in this seagirt isle ; 
 
 No — not a taint of pride distains my bliss : 
 
 My pleasures have a brighter, nobler source. 
 
 I joy because the honours of this day 
 
 Are worn by him I love — I joy that now (20) 
 
 Merit may claim my smiles to make her happy ; 
 
 That he who wanders naked I can clothe — 
 
 The hungry feed ; and by example show 
 
 That England's queen will only cherish virtue ; 
 
 Nor in secluded pomp live for herself, 
 
 But for her people's good. 
 
 CUTHBERGA. 
 
 Ah, my sweet child, 
 "Twere cruel now to damp those joys which rise 
 From a young heart so innocent as thine. 
 
 ^ ELGIVA. 
 
 O that my joy could win from thee a smile ; 
 For still a mother's smiles to my glad heart 
 Are like the sunshine on the fields of spring. 
 
 CUTHBERGA. 
 
 Thine is a primrose path at life"'s gay morn, 
 
 Strewed with the sweetest flowers of hope and joy ; 
 
 Honour his sunny beams of glory flings 
 
 O'er all the laughing landscape, and the winds 
 
 Are full of music as they breathe around thee. 
 
 0, may no tempest rise, no dark despair 
 
 Come o'er the brightness of thy blissful dawn ! 
 
 ELGIVA. 
 
 Yes, mine is bliss indeed — for love alone 
 Has made the noble, kingly Edwin mine. 
 O, were he but a low-born peasant youth, 
 Tending on the green mountain's side his flock, 
 And for the regal crown, the gorgeous pomp, 
 
ITO EDWIN AND ELGIVA. [Act II. 
 
 Which now encircle him, a wild-flower wreath 
 Smiled on his marble brows, he would to me 
 Be all my tender, unambitious heart 
 Could love, or form a wish for here on earth. 
 
 CUTHBERGA. 
 
 Great are the duties which thy lofty station, 
 As England's queen, demands to be performed. 
 
 ELGIVA. 
 
 Yes, dearest mother, it hath pleased high heaven. 
 And our most glorious king, to place me next 
 Himself in majesty ; therefore I stand 
 Before the nation as a guiding light, 
 A beam of glory on which all will gaze, 
 As the tired sea-boy eyes the polar star ; 
 Clouds of disgrace shall ne'er bedim the fire 
 Of virtuous honour which within me burns. 
 For I would leave in Time's historic page 
 A name immortal, on which future ages 
 Might pause with love and reverence. 
 
 CUTHBERGA. 
 
 I'll not fear 
 Thou wilt disgrace thy queenly dignity. 
 
 ELGIVA. 
 
 Never, I trust, shall pride or cruel scorn 
 E'en to the lowest in these realms obstruct 
 Those generous feelings I now cherish here. 
 The good of all degrees my love shall share, 
 And win my utmost bounty. — I would have 
 The English court to be sweet Virtue's home, 
 From whence the splendours of her light shall shine 
 Throughout this noble isle. [Harp struck without. 
 
 What sounds are those. 
 
Scpije II.] EDWIN AND ELGXVA. IP 
 
 Struck by a master hand ? But O to me 
 All sounds are tuneful on this happy day. 
 
 Enter Rogvalder. 
 
 KOGVALUER. 
 
 Permit, fair queen, a ipinstrel, who has swept 
 In many a highborn lady's bower the strings 
 To love and gallant deeds, a lay to chant 
 On this proud festival. 
 
 ELGIVA, 
 
 Welcome to me 
 The minstrel harp that chants my Edwin's praise, 
 The pride of all the Sa^^ons. 
 
 RO,GVALDER. 
 
 I've obtained 
 Admittance here with an intent to plunge 
 This dagger in the bosom of the queen, 
 And give the deepest pangs to Edwin^s heart 
 Ere his own fate shall come — but such her beauty 
 And her gentle bearing, that I stand awe-struck, 
 As if some form of other worlds appeared 
 Before me in their glory ! Yet would I 
 Eric revenge, whose hosom-treasured wrongs 
 Fling on his soul the tempest-clouds of madness. (Aside. 
 
 ELQIVA. 
 
 Why, gentle Scald, dost thou not touch the wires ? 
 For I in latticed gallery dearly love 
 To listen to the minstrel's magic chords. 
 I hold him hght and worthless who pays not 
 Honour and homage to the sons of song. 
 Genius deserves the worship of the world ! 
 Green live his garlands when the hero's fade ; 
 
173 EDWIN AND ELGIVA. [Act II. 
 
 For he it is who o'er all earthly things 
 A sunniness of sweet enchantment flings. 
 
 ROGVALDER. 
 
 Witchcraft is in her voice, and in her eye 
 
 A heaven-like brightness that would melt to love 
 
 The sternest sea-king's heart ! (Aside.) 
 
 CUTHBERGA. 
 
 Let us withdraw — 
 There is a fierceness in that dark man's glance 
 Which makes me tremble ! 
 
 ROGVALDER. 
 
 I will turn away 
 My face and do the deed ; for if I look 
 On beauty so divine, though at her breast 
 This dagger gleamed, I should repent, and from 
 My nerveless grasp would fall the knife of vengeance. 
 
 (Aside.) 
 [Rogvalder advances, with his face averted, towards 
 the queen; and as he suddenly lifts his dagger to 
 stab her, Rodomond enters, and seizes his arm, 
 snatching the dagger from him. Elgiva shrieks, 
 and sinks into the arms of her mother. 
 
 RODOMOND. 
 
 Ha ! scowling fiend of hell, would'st thou destroy 
 The queen, whom as a saint her subjects worship ? 
 
 ROGVALDER. 
 
 Ay, thou intrusive slave ! e'en she, and all 
 In whose detested veins flow Saxon blood ! 
 
 RODOMOND. 
 
 Not, by the holy rood-tree, while one drop 
 Of Saxon blood warms this devoted heart, 
 Whether a man or demon, shalt thou harm 
 One hair of my loved mistress. — I would grapple 
 
Scene II.] EDWIN AND ELGIVA. 173 
 
 E'en with the ramping lion to preserve 
 
 My queen from danger. Ho I within there, guards ! 
 
 ROGVALDER. 
 
 Away, base reptile ! from me take thy hand, 
 Or I, the war-wolf of the north^ will place 
 This foot upon thy neck, and strangle thee ! 
 
 [Rogvalder shakes off Rodomond, and is about to 
 rush upon him, when the guards enter and seize the 
 pirate, 
 
 RODOMOND. 
 
 Why, by the good St. Stephen's blood, thou art 
 That shag-eared ruffian, that base beggar's dog. 
 Who aped our high profession ! — Thou a Scald ! 
 Well did I count thee for some banished rogue, 
 Some midnight murderer, when I first beheld 
 Thy wolfish visage. Tear the minstrel vest 
 From off his back, and to a dungeon bear 
 The dunghill cur, the loathsome coystrell coward ! 
 
 ROGVALDER. 
 
 A coward ! would I had thee sword to sword ! 
 My eagle blood should prove thy coystrell breed. 
 And make thee howl with terror ! 
 
 RODOMOND. 
 
 Craven slave ! 
 Stabber of women ! — peace, thou foul disgrace 
 And blot to manhood ! Now I do bethink me : 
 Thou hither camest with Harold, Odo's knight, 
 A strange, suspicious-looking friend of thine 
 
 ROGVALDER. 
 
 I know him not for any friend of mine. 
 I stand alone in this my bloody purpose, 
 And am content to suffer for its failure, 
 
IM El)WIN AND ELGIVA. [Act It. 
 
 RODOMOND. 
 
 Suffer thou shalt, ere long 
 
 (Trumpets and loud shouts. 
 Those trumpet tones 
 And joyous shouts of multitudes proclaim 
 The coronation ended, and the king 
 Returning to the banquet. Guards, lead off 
 That regicide to prison. (Rogvalder is led off, 
 
 ELGIVA. 
 
 Rodomond, 
 To thee I owe my life, and I will ever 
 Esteem thee my preserver. — Take thou these 
 Resplendent bracelets, as a token given 
 Of gratitude eternal. 
 
 CUTHBERGA. 
 
 Rodomond, 
 Behold me kneel, the mother of a queen, 
 A thousand times to thank thee for the life 
 Of a beloved child. — Take thou and wear 
 This chain of gold, bedecked with costly gems, 
 A token of thy bravery. 
 
 ELGIVA. 
 
 Thou shalt be, 
 Good Rodomond, ennobled, and become 
 One of the king's own thanes. 
 
 RODOMOND. 
 
 O, pardon me, 
 I have but done my duty — ^yet, in honour 
 Of you,' fair dames^ I**!! wear these precious gifts, 
 Proud to have saved from danger England's queen. 
 But for ennobling me — you will forgive 
 My bold avowal — but I needs must deem 
 I lack not true nobility, who am 
 
Scene II.] EDWIN AND ELGIVA. IW 
 
 The king's chief minstrel. Genius has done moi*e 
 Than Odin's blood could do to make me noble. 
 He from whose lips immortal music breathes, 
 In poesy, the language of the gods, (21) 
 And pours a glory o'er the deeds of kings, 
 Claims rank and homage with the proudest chiefs. 
 
 ELGIVA. 
 
 Noble I deem thee, Rodomond, in song. 
 And noble too in valour. 
 
 RODOMOND. 
 
 That just tribute 
 Paid to my talents better pleases me. 
 By the blest rood, than all these sparkling gems. \^Aside. 
 Sure there is not the basest carl that lives, 
 But with his heart's best Wood well-pleased would part 
 To save from ruffian stabs a beauteous queen ! 
 
 ELGIVA. 
 
 My study, Rodomond, shall be to learn 
 How to reward thy merits. 
 
 RODOMOND. 
 
 It is meet 
 You should be told I hither came to rehearse 
 My coronation ode — O, every line 
 Is a rich honey-bearing marigold, 
 And every verse a cluster of all flowers, 
 Gathered in poesy's bright golden meads, 
 From which the minstrels of succeeding ages 
 May steal, like morning bees, a thousand sweets. 
 Wherewith to scent their wild and stinking weeds. 
 
 ELGIVA. 
 
 And dost thou sing it in the warriors' hall ? 
 
 RODOMOND. 
 
 Undoubtedly — but much I fear my hearers 
 
176 EDWIN AND ELGIVA. [Act II. 
 
 Will not be able to endure its pomp. 
 
 O, as I wandered in the lily fields 
 
 Of fancy, such a sudden blaze of splendours 
 
 Burst on my head, that ever has it since 
 
 Seemed as if all my brains were turned to light ! 
 
 Do you not, ladies, mark its radiance shine 
 
 In sparks, and rays, and twinklings from these eyes, 
 
 When of my ode I speak ? — Without one jot 
 
 Of vanity, in justice I declare 
 
 That measures so replete with gems and flowers 
 
 Have never yet been poured to harp or lyre ! 
 
 But I must to the king, that he may learn 
 
 What danger threatened her he loves so well. 
 
 ELGIVA. 
 
 Stay, Rodomond, — I would not for the world 
 Cast such a cloud upon the splendid joys 
 Of this day's festival ■• 
 
 RODOMOND. 
 
 But your escape, 
 And my grand ode, will make all clear again. 
 
 ELGIVA. 
 
 This day of England's glory should be full 
 Of sunniness, like summer''s shadeless noon. 
 O, not one drop of bitter grief would I 
 Cast in his coronation- cup of joy, 
 Or mar that proud delight his heart now feels 
 At banquet-hour 'mid Britain's high-born chiefs. 
 Silence then rest upon thy lips this day, 
 Nor breathe the danger past. 
 
 RODOMOND. 
 
 I shall observe 
 Most faithfully my glorious queen's commands. 
 O, what a subject for my muse to-morrow ! 
 
Scene 11.] EDWIN AND ELGIVA. 177 
 
 Myself the hero too ! — The court, the city, 
 Ay, and all England, with my fame will ring. 
 
 [Exit, 
 
 CUTHBERGA. 
 
 My child, my queen, I now believe we oft 
 Are warned by ministers of heaven, in dreams 
 And dark forebodings, of those fatal ills 
 Which are to come upon us. — Still my heart 
 Presages deeper woes ! 
 
 ELGIVA. 
 
 O, cherish not 
 That mood of sadness ; danger all is past. 
 My heart no room can find for grief or fear. 
 My Edwin reigns, and in his honours I 
 Am blest beyond desert, beyond my hopes. 
 
 CUTHBERGA. 
 
 I own thou hast attained an envied seat 
 Of happiness on earth — ^long be it thine ! 
 
 ELGIVA. 
 
 O, but for words to paint his manly beauty ! 
 
 The phoenix of the age 1— His cheeks would make 
 
 The dew-rose blush with envy ; his blue eye. 
 
 Clear as the heavens, with intellectual glory 
 
 Beams bright as morn's young star ; his gracious smile 
 
 Spreads gladness like the dawn on all observers; 
 
 His voice is music tuned to love, and still 
 
 Such majesty and grace dwell in his form, 
 
 That like a god in mortal shape he moves ! — (22) 
 
 I But see ! — he comes. — Quickly, my lady mother, 
 Dispel that cloud of sadness from thy brow. 
 And welcome him, like me, with smiles of joy. 
 1 
 
178 EDWIN AND ELGIVA. [Act II- 
 
 Enter King Edwin in his royal robes of ceremony ^ and 
 the crown on his head, 
 
 EDWIN. 
 
 At length have I escaped the crowded hall, 
 
 The. wassail bowl, the banquet, and the din 
 
 Of chiming harps, the shout of warrior chiefs. 
 
 Those boasting lifters of the rubied cup. 
 
 Who in their boisterous mirth no Hmits keep, 
 
 With all the proud solemnity of state. 
 
 To fly to the sweet quiet of thy arms. 
 
 My queen^ my life, my love ! (^Embracing Elgiva.) 
 
 ELGIVA. 
 
 Joy to my lord 
 On this auspicious morn I With rapturous tears 
 To Heaven 1 kneel, and pray that England's crown — 
 Set on thy head this day — long, long may grace 
 Those brows with glory, happiness, and fame ! 
 May''st thou inherit all thy people's care — 
 And well thy virtues merit their affections ; — 
 As Heaven's high regent be thou feared for justice. 
 For victory honoured, and for mercy loved ; 
 And may all pray with me — God bless the king ! 
 
 CUTHBERGA. 
 
 Daughter, I kneel with thee, and say — Amen ! 
 And may the saints, who guard the good, avert 
 All evil from him — and a mother's blessing 
 Be on you both, my children ! 
 
 EDWIN. 
 
 Rise, honoured lady, rise my dear-loved wife ; 
 Let me embrace you both : I'm sorely wearied 
 With keeping state, with pageantry and pomp. 
 
Scene II.] EDWIN AND ELGIVA. 179 
 
 It is no easy life to bear this load 
 
 Of cumbrous pride that hangs upon a king. 
 
 OfFj glittering ensign of regality ! 
 
 Ambition's blood-stained idol — lie thou there ! 
 
 {Takes off his crown, and flings it on the grounds) 
 O, how reviving thus to cast aside 
 The gorgeous shackles of a kingly state. 
 And hold sweet converse with the minds we love 
 In freedom unrestrained. 
 
 ELGIVA. 
 
 'Tis bliss indeed I 
 
 EDWIN. 
 
 O, my Elgiva ! it is like the freshness 
 
 Of the sun-brightened landscape, gemmed with flowers, 
 
 In summer's rainbow dyes, to him who long 
 
 In dungeon gloom has shook his heavy chains^ 
 
 And sighed for liberty. 
 
 Enter Dunstan and a Bishop, 
 
 Ha ! who comes here ? 
 How now, Abbot of Glastonbury ! what means this ? 
 Thus to intrude upon my private hours. 
 Devoted to domestic peace and love ! 
 Am I a king ? 
 
 DUNSTAN. 
 
 Not by thine actions, boy. 
 
 EDWIN. 
 
 Boy ! audacious priest ! but hence, nor move my wrath I 
 I will not be disturbed. 
 
 DUNSTAN. 
 
 Nay, but thou shalt. — 
 Thou hast disturbed the mirth of all thy chiefs, 
 
 N 2 
 
180 EDWIN AND ELGIVA. [Act II. 
 
 Ethelings, and thanes, who throng the festive hall, 
 By thy untimely absence. — Art thou mad. 
 Thus to forget thy dignity and place. 
 And treat thy princely courtiers with contempt, 
 Scorning their fellowship ? 
 
 EDWIN. 
 
 I scorn them not ; 
 Nor is my bounty lessened by my absence, 
 I have dispensed my money-gifts and lands, 
 Steeds richly harnessed, swords, and glittering mail ; 
 Largess unbounded I bestowed on all. 
 My tables groan beneath the sumptuous feast ; 
 My cupbearers replenish still their bowls, 
 O'erflowing with delicious mead and wine ; 
 What would they more ? 
 
 DUNSTAN. 
 
 The presence of their king. 
 
 EDWIN. 
 
 I'm weary of their noisy revelry, 
 
 And choose retirement from the scenes of riot. 
 
 DUNSTAN. 
 
 Is this a time for dalliance in the bower, 
 
 The wanton bower, of thy fond lady-love ? 
 
 This is the day that England's diadem 
 
 Was placed upon thy head, amid the shouts 
 
 Of England's bravest spirits — yet thou scorn'st 
 
 To hold communion with those mighty chiefs 
 
 Who chose thee for their king, and hither comest (23) 
 
 To toy and prattle with a love-sick woman 5 
 
 To feed upon an amorous lip, and melt 
 
 Thy soul away in the lascivious fires 
 
 That dart bright witchery from her rolling eye ! 
 
Scene II.] BDWIN AND ELGIVA. 181 
 
 Awake from such weak folly ere too late, 
 And take a manly spirit. 
 
 EDWIN. 
 
 Ah, beware ! 
 Or thou wilt rouse a lion spirit here 
 That shall coerce thee, though the devil himself 
 Fled howling from thy grasp, as thou, stern priest, 
 Wouldst have the world believe. — Dare not to breathe 
 Another word against the purity 
 Of this fair saint, thy sovereign's spotless queen. 
 
 DUNSTAN. 
 
 Then I must tell thee, holy mother Churchy 
 From your affinity in blood, denies 
 To her the sacred title of a wife. 
 
 ELGIVA. 
 
 Injurious, daring priest ! our holy rites 
 
 Have made us one, and distant far are we, 
 
 Though of one house, in blood. — What ! wouldst thou 
 
 cast 
 Reproach upon my honour, and thy king 
 Blacken with infamy ? — Shame on thee light ! 
 Thou dost disgrace the mitre on thy brows. 
 
 EDWIN. 
 
 Be calm, sweet love ! his spirit shall be curbed. 
 What, shall a churchman dare to brave his prince ? 
 Urge me no more, lest I forget myself. 
 
 DUNSTAN. 
 
 Thou hast forgot thyself, vain, wanton youth, 
 To idle here ! — ^List to those angry sounds 
 That issue from yon hall, like the dark sea, 
 Ere in full wrath he thunders round his shores. 
 And wrecks a nation's pride ! They are the voices 
 Of all the illustrious warriors in the land, 
 
182 EDWIN AND ELGIVA. [Act II. 
 
 Calling on him they crowned this day to mount 
 That regal seat his great forefathers filled, 
 And cheer them with the welcome of his smiles. 
 
 ELGIVA. 
 
 'Tis the king's will to tarry here, and who 
 Shall dare command him hence ? 
 
 DUNSTAN. 
 
 1 dare command him ! 
 As minister of the great King of Kings, 
 And delegate of all the assembled chiefs, 
 
 Heaven's and the nations representative 
 
 God for thy mercy ! what do I behold ? 
 The crown of England cast upon the ground ! 
 
 EDWIN. 
 
 Yes, and he 
 
 Who flung it there will in fit time resume it, 
 
 And make thee feel its power. 
 
 DUNSTAN. 
 
 Heaven send me patience ! 
 This is the crown which thy forefathers sought 
 Through seas, and storms, and rivers shed of blood 
 On this wave-guarded isle ! The crown which he. 
 Lord of a hundred battles, Cerdic, tore 
 From Britain's native kings ! the diadem 
 Which bound great Egbert's brows ; which Alfred wore, 
 Whose fame shall live in England's brightest story 
 Long as she bears a name ; which he preserved 
 With his loved country's freedom from the hordes 
 Of the wild savage northmen, and transmitted, 
 Circled with tenfold splendours by his deeds, 
 To Athelstan, renownedly the first 
 Great monarch of all England ! — (24) 
 
 EDWIN. 
 
 And ril wear it 
 
Scene II.] 
 
 EDWIN AND ELGIVA. 
 
 183 
 
 As doth become the lineal heir of those 
 Time-honour'd kings. 
 
 DUNSTAN. 
 
 No, Edwin, thou hast cast 
 This ancient symbol of imperial power, 
 This sacred glory of thy house, away. 
 To wanton in voluptuous beauty's smile ! 
 Nay, yet resume it, whilst thou hast the power, 
 And to thy angry chiefs return with me. 
 
 EDWIN. 
 
 Hence from my presence ! I will not return. 
 
 DUNSTAN. 
 
 Misguided prince, by holy Peter's head, 
 I will not hence, till to the banquet-hall 
 Of warriors I have brought thee. 
 
 EDWIN. 
 
 Ha ! begone ! 
 On thy allegiance, treasonable intruder, 
 I charge thee to withdraw. — Shall I, a king, 
 Monarch of all the Saxon Sj be debarred 
 A pleasure which the meanest slave enjoys. 
 To pass an hour in sweet domestic peace ? 
 
 DUNSTAN. 
 
 Thou, as a prince, dost to thy people owe 
 Those duties I must now on thee enforce. 
 It is not treasonable to crown a king, 
 And thus the golden circle on thy brows 
 A second time I place. — Good bishop, aid 
 To make this stubborn king his honours wear 
 As doth become a king. — 
 
 (They force the crown on Edwin's head.) 
 Sure I'm the first 
 Who forced a crown upon a princely head. 
 
184f EDWIN AND ELGIVA. [Act II. 
 
 Kings wage eternal warfare for the prize 
 Which thou takest so reluctant. 
 
 ELGIVA, 
 
 Insolent ! 
 Thou daringly hast rushed into the presence, 
 Insulted, and maltreated thy liege lord. 
 Traitor ! my shrieks shall through the palace ring ! 
 Treason ! ho ! treason ! — Guards, protect the king ! 
 
 DUNSTAN. 
 
 Drag him along — on to the hall, I say. 
 EDWIN — {struggling.) 
 Off, ye vile slaves ! my vengeance waits you both ! 
 
 DUNSTAN. 
 
 I'll answer for this deed before the nobles. 
 
 \_Exeunt Dunstan and the Bishop j dragging off* the 
 King, 
 
 CUTHBERGA. 
 
 Alas ! how will this end ? 
 
 ELGIVA. 
 
 Be not cast down ; — 
 Edwin, descended from an ancient line 
 Of mighty kings^ will not with tameness brook 
 An insult so outrageous. — Come what may, 
 This do I know, while I his smiles enjoy, 
 I must be greatly happy. — Thrones may fall. 
 And crowns become as dust, and empires fade 
 Like a bright dream of glory ; but the mind. 
 Sublime in virtue, can outlive the wreck 
 Of all earth's greatness, and be blessed still. 
 And in a forest cave, if love dwell there, 
 Find a sweet home of joy. 
 
 END OF THE SECOND ACT. 
 
ACT III. 
 
 SCENE I. — A Saxon Hall in the Ejnscopal Palace 
 at Winchester. 
 
 Enter Eric and Gunhilda. 
 
 ERIC. 
 
 Joy, joy, Gunhilda ! here is noble evil 
 
 Stirred up among these Saxons ! Priesthood wars 
 
 With royalty O, 'twill be like the strife 
 
 When thunder-tempests with the ocean wage 
 Terrific combat, and his mountain surge 
 Rolls in resounding whirlpools ! I shall now 
 Ride on the storm, like the dark fiend of shipwreck^ 
 And shape it to my vengeance. 
 
 GUNHILDA. 
 
 Joy, indeed ! 
 Where is that queller of the devil, Dunstan ? 
 
 ERIC. 
 
 Fled ! doomed to banishment, and stripped of all 
 His honours, wealth, and titles ; and the king 
 Hath sent to seize on both his monasteries 
 Of Abingdon and ancient Glastonbury, 
 Resolved to turn out all those shaven crowns. 
 The lazy Benedictines. 
 
 GUNHILDA. 
 
 Let them starve 
 And rot upon a dunghill I would the plague 
 Consumed the hypocrites and their abettors ! 
 
186 EDWIN AND ELGIVA. [Act III. 
 
 Could I have had my will, I would have poisoned 
 
 The banquet-cups of yesterday's proud feast, 
 
 That king, and earl, and thane, and bishop all. 
 
 With one fierce yell of madness might have died, (25) 
 
 And the deep wail of England for her nobles 
 
 Have rung from shore to shore ! But what says Odo ? 
 
 ERIC, 
 
 He loud in wrath vents curses on the king, 
 And vows to be revenged for this disgrace 
 Brought on his canting order. 
 
 GUNHILDA. 
 
 Ah, but is 
 The bishop's party strong ? 
 
 ERIC, 
 
 England's chief leaders 
 Are on his side ; and of the churchmen, few 
 Will dare oppose the primate. 
 
 GUNHILDA. 
 
 What's his design ? 
 
 ERIC. 
 
 I know not yet — but, be it what it may, 
 
 Eric, the axe of blood, will hew his way 
 
 To vengeance on the house of Athelstan ! 
 
 Rogvalder, thou hast yet to learn, is cast 
 
 Into a dungeon, for a rash attempt 
 
 To stab the queen : he failed — but I, no doubt. 
 
 Shall in the approaching tumult soon release him. 
 
 GUNHILDA. 
 
 I trust the rashness of that daring chief 
 Will not defeat our purpose. 
 
 ERIC. 
 
 Do not fear — 
 The tempest swiftly gathers which will burst 
 
Scene I.] EDWIN AND ELGIVA. 187 
 
 On Edwin's head. — Dark hints^ by Odo whispered, 
 
 Give hopes of a rebellion near at hand. 
 
 That will uncrown this late crowned heir of Alfred. 
 
 GUNHILDA. 
 
 Uncrown him ! that would poorly gratify 
 
 The vengeance-passion which consumes our hearts, 
 
 As flames enshroud a martyr ! 
 
 ERIC. 
 
 We shall quench 
 Those deadly fires, ere long, in blood, Gunhilda, 
 Or greatly perish ! — O, to me time lags. 
 And life grows insupportable, till comes 
 The hour that on its death-wing brings the last 
 Fierce struggle for revenge!^ 
 
 GUNHILDA. 
 
 Could I but see 
 Rogvalder's deadly war-knife to the hilt 
 Red with Elgiva's blood, and hear the king, 
 Who loves her with a measureless excess, 
 Howl out his grief in madness o'er her corse, 
 That would indeed be triumph ! a refinement 
 On great revenge, which nothing could outgo I 
 
 ERIC. 
 
 Gunhilda, thou dost merit a high place 
 
 In Odin's halls of glory, there to fill 
 
 The vanquished foeman's wine-skull for the brave. (26) 
 
 GUNHILDA. 
 
 Thou canst not wonder, Eric, that this bosom 
 
 Has long shut out all softness of my sex. 
 
 I who reigned twice a queen, — to whom was paid 
 
 The homage of a thousand noble slaves : 
 
 One smile of mine — for beauty thou wilt own 
 
 Once mantled o'er this cheek her rosy bloom— 
 
188 EDWIN AND ELGIVA, [Act HI. 
 
 Was valour's proudest guerdon ; pomp and state 
 Showered splendour on my path, and admiration 
 Still poured her flattering witchery in my ear. 
 
 ERIC. 
 
 Thou hadst a claim to all the gods could give. 
 
 GUNHILDA. 
 
 I thank them not ! since they resumed their gifts. 
 Thrones, empires vanished, and with thee I roamed 
 A wretched, outcast plunderer of the woods. 
 For regal robes, decided with refulgent gems, 
 Rags were my covering, and the blighted rose 
 Of beauty withered on my cheek beneath 
 The bitter, biting blast. Those whom thy arm 
 Struck to the earth, I stript, and gave their limbs 
 To the cloud-piercing eagle and the wolf. — 
 I lured the Saxon to our cave of death. 
 That thou might'st there despatch him, till I grew 
 With scenes of blood familiar ! — Saxons, ye 
 Have made me what I am ! — — 
 
 ERIC. 
 
 Retire — for lo. 
 The stern precursor of our vengeance comes. 
 It is the archbishop. 
 
 GUNHILDA. 
 
 O, I hate to look 
 On power and grandeur, now no longer mine, 
 And would have all be wretched as myself. [^Exit, 
 
 Enter Odo. 
 
 ODD. 
 
 'Tis not to be endured A mitred abbot 
 
 Degraded, banished ! — and now messengers 
 Sent after to deprive him of his sight 
 
Scene I.] EDWIN AND ELGIVA. 189 
 
 If found on English shores ! — A spotless saint ! 
 
 Who vanquished Beelzebub, the prince of darkness ! — 
 
 Abolish, too, my new^ heaven-founded order. 
 
 And crush our grand reform i' th' very bud, 
 
 And all to gratify a wanton woman ! — 
 
 A sword ! a sword ! • St. Benedict, to purge 
 
 The guilty court of its abominations ! — 
 
 Harold ! 
 
 ERIC. 
 
 My sacred lord, I wait your will. 
 
 ODO. 
 
 Thou art my knight ; a stout, bold, powerful soldier. 
 Fit to command a host in battle-hour. 
 Since thou hast been with me, I still have found thee 
 Faithful and diligent. 
 
 ERIC. 
 
 My readiness 
 Goes ever with your bidding. 
 
 ODO. 
 
 It is well. 
 Thou know'st this kingly boy, on whose weak brows 
 So late we set the crown, hath dared to lift 
 His arm against the church, and deeply wound 
 In all his honours one of her holiest sons. 
 The church must not be trampled on — no, not 
 By any crowned head in Christendom. 
 Few are the guards that now attend the king ; — 
 At midnight to his palace thou shalt lead 
 All my retainers — a brave, goodly band. 
 
 In war-feats well accomplished. Ha, I see 
 
 The lightning gushing from thine eye's dark orb, 
 Alive with martial jSre ! — 0, thou dost feel 
 
190 EDWIN AND ELGIVA. [Act III. 
 
 A right good ardour to avenge the wrongs 
 Done to the sacred priesthood ! 
 
 ERIC. 
 
 Curses on thee. 
 Thou shaven-pated dotard ! — No, I feel 
 A tumult of fierce joy rush to my heart. 
 That now at last the wished-for hour is near, 
 And pant to avenge myself ! (Aside.) — Shall I my sword 
 Strike to the heart of Edwin ? 
 
 ODO. 
 
 No!— 
 
 ERIC. 
 
 What then ? 
 
 ODD. 
 
 Tear from his arms that base and shameless woman 
 He calls his queen, and drag the wanton here. — 
 They shall be parted ! — In the judgment hall, 
 Before the chiefs, by virtue of that power 
 With which the church hath vested me, will I 
 Pronounce divorcement on their marriage, and 
 Brand her fair forehead with the name of whore ! 
 Then banish her the realm ! — 
 
 ERIC. 
 
 Ha, ha, ha, ha ! 
 
 ODO. 
 
 What means that fiend-like laugh ? — Think'st thou I lack 
 The power to punish kings who dare rebel 
 Against heaven's ministers ? — Or is it joy 
 To learn that power is mine ? 
 
 ERIC. 
 
 Yes ! joy, joy, joy ! 
 Delirious joy, good bishop ! — Transports rush 
 Like quivering lightnings through my frame ! I burn 
 
Scene I.] EDWIN AND ELGIVA. 191 
 
 With eager exultation ! < Revenge ! revenge ! 
 
 O, thou art come at last to allay those flames 
 That feed upon my vitals ! and all bright 
 And gloriously triumphant is thy coming ! 
 Thanks, thanks, most noble bishop ! — Let me kneel 
 And press my burning lips upon thy hand ! 
 
 ODO. 
 
 What cause hast thou for this wild savage joy ?— 
 Has Edwin injured thee ? 
 
 ERIC. 
 
 Injured me ! — ^ha, ha, ha ! — 
 O, that I had the ocean's mighty voice, 
 When in his wrath he on the foam-clad rocks 
 Dashes the shrieking mast-boy, then would I 
 Shout my fierce joy to Norway's farthest shore ! 
 
 ODO. 
 
 Who art thou? 
 
 ERIC. 
 
 Your poor slave, my gracious lord, 
 Eagerly anxious to perform your will. — 
 I must subdue this madness of revenge. 
 Which rolls its tide of pleasure on my soul. (Aside.) 
 
 ODO. 
 
 No matter who thou art — I see I*ve chosen 
 A fitting instrument for my designs. 
 
 ERIC. 
 
 The world could not have found thee such another ! 
 
 ODO. 
 
 'Tis well.— Prepare my soldiers for their duty. 
 
 ERIC. 
 
 I fly, my lord ! — Not the gaunt forest wolf, 
 With hunger howling, on his victim springs 
 So joyously, as I now haste to bring 
 
19^ EDWIN AND ELGIVA. [Act III. 
 
 This queen within the power of yonder saint. 
 
 What, ho! Gunhilda ! ho! [Exit 
 
 ODO. 
 
 Kings may command lay subjects, but the church 
 Shall govern kings. — I will avenge my friend ! 
 The church has in his person been insulted. 
 Look to thy crown — it totters on thy head. 
 Lascivious prince ! — He who the diadem 
 Placed on thy brows, may yet those brows uncrown ! 
 
 [EmL 
 
 SCENE IL— .^ Hall in the Palace of the King. 
 
 Enter Rodomond and Guthlac. 
 
 RODOMOND. 
 
 O, Guthlac, how provoking ! that his highness 
 Should quit the hall of thanes just as I took 
 The harp to sing my coronation ode ! 
 And then, when Dunstan dragged him back again. 
 All was confusion, suUenness, and discord. 
 
 GUTHLAC. 
 
 Beshrew my harp-strings, if I do not think 
 Those noisy guests of Edwin*'s wine-hall lost 
 That which had gained their wonder. 
 
 RODOMOND. 
 
 Wonder, Guthlac ! 
 Their admiration ! their unbounded plaudits ! 
 If its astounding language had not quite 
 O'crpowered their faculties of speech and reason I 
 Such melody ! — and then such metaphors ! — 
 'Tis spangled with them like a peacock's tail, 
 When all its gorgeousness is spread i' th* sun ! 
 
Scene II.] EDWIN AND ELGIVA. 193 
 
 GUTHLAC. 
 
 Thy heavy genius has the peacock's pride, 
 
 Without one feather of his brilliant plumage. (Aside.) 
 
 RODOMOND. 
 
 Wouldst thou believe it ? — I have called the king 
 
 By twenty epithets in one short verse ! — 
 
 The illustrious prince ! the unicorn of war ! 
 
 GUTHLAC. 
 
 That is a horned figure. 
 
 RODOMOND. 
 
 True, but then 
 An ancient symbol of great strength and power. — 
 Splitter of shields ! — Cracker of double pates !— 
 There is a figure ! meaning head and helm. 
 The dragon of renown ! 
 
 GUTHLAC. 
 
 Who never yet 
 A single battle fought. 
 
 RODOMOND, 
 
 But then he will — 
 That's the same thing.-— The very pouch of bounty ! 
 Sun of his people ! 
 
 GUTHLAC. 
 
 Should it not be rather 
 The father of his people ? 
 
 RODOMOND. 
 
 O, how dull !— 
 I mean the light of England, as the sun 
 Is the great light of heaven. — Mark, Guthlac, mark 
 This grand comparison — England's stout cudgel, 
 That well belabours all her hostile foes ! — 
 Is not that fine .? — for England would be nothing 
 Without her oaken staff of royalty.-!- 
 
19^ EDWIN AND ELGIVA. [Act III. 
 
 And then the queen — O, I have not forgot 
 Our gracious queen — her eyes of moony blue ! — 
 That is, of course, eyes like the radiant moon. 
 
 GUTHLAC. 
 
 But then the moon's not blue ■ 
 
 RODOMOND. 
 
 Pshaw ! — thou a poet ! 
 Bards should compose what none can comprehend. 
 Save those of our high calling. — Thou dost mar. 
 With thy ill-timed, impertinent remarks. 
 
 The cadence of my lay. The queen — a star ! 
 
 That sheds on England virtue's sweetest moonlight ! 
 
 GUTHLAC. 
 
 A star shed moonlight — that's a glaring figure ! — 
 
 RODOMOND. 
 
 No, no — not moonlight ; — sunlight ! 
 
 GUTHLAC. 
 
 That's more glaring still ! 
 
 RODOMOND. 
 
 So much the better. — 
 Figures and tropes are nothing if not bold. 
 But where did I leave off? — ay, the queen — ' 
 The very apple-tree of beauty, flushed 
 With all its spring bloom ! — Britain's full-blown sun- 
 flower, 
 From which the needy,' like a swarm of bees. 
 Gather the honey-dews of charity : — 
 There is a touch of the sublime and grand, 
 Worth all the relics of St. Alban's shrine ! 
 
 GUTHLAC. 
 
 Sublime indeed ! 
 
 RODOMOND. 
 
 Ay, think'st thou not, my friend, 
 
Scene 11.] 
 
 EDWIN AND ELGIVA. 
 
 195 
 
 I shall be handed down to distant ages 
 A most surprising monument of genius ? 
 
 GUTHLA,C. 
 
 No doubt you will, for you have not an equal 
 In your high-soaring fancy's rich conceits. 
 
 RODOMOND. 
 
 With all due modesty, I think thou'rt right. 
 
 GUTHLAC. 
 
 Why future generations sure will build 
 
 A lofty pillar or temple to the fame 
 
 Of Rodomond^ the prince of Saxon Scalds. 
 
 RODOMOND. 
 
 That, Guthlac, is already done ; — ^my works 
 On every subject which the pen can touch, 
 Voluminous and vast, richly inscribed 
 With gold and curious paintings^ are laid up 
 In the monastic libraries. — These for me 
 A giant pile have reared, which shall outlive 
 The wreck of marble monuments and towers. 
 And lift its head, proud in immortal youth, 
 When this great palace is a heap of dust, 
 Claiming the admiration of the world 1 
 
 GUTHLAC. 
 
 O, thou dost merit all the world will give 
 To thy surprising genius — which will be 
 Oblivion and neglect, world without end. (^Aside.) 
 
 RODOMOND. 
 
 Ah, Guthlac ! what do gifted bards like us. 
 
 Who feel the glow of inspiration scorch 
 
 Our souls up to a cinder, not endure, 
 
 To charm mankind, and win the glorious steep, 
 
 Where we are loaded with eternal wreaths, 
 
 That wave and rustle in the breath of fame, 
 
 O 2 
 
196 EDWIN AND ELGIVA. [Act III. 
 
 Like a huge oak-tree, shook by summer gales ! 
 O, we are martyrs to our sun-fire thoughts, 
 And waste Hke wax amid the flames of genius ! 
 
 GUTHLAC. 
 
 And then expire in cold and sparkless ashes. 
 
 RODOMOND. 
 
 Sparkless ! 
 
 A thousand future bards will stir my ashes 
 
 To warm themselves, and light their smoky fires. 
 
 But O, those wretches ! who, when we our harps 
 
 Strike in the hall, pretend to mete our powers, 
 
 And growl, like snappish curs, their censures forth, 
 
 Without or mind to judge, or heart to feel — 
 
 They are a misbegotten, mongrel crew, 
 
 The snarling breed of prejudice and ignorance, 
 
 The curse of genius and the land's disgrace ! 
 
 GUTHLAC. 
 
 And can such buzzing insects of a day 
 Annoy you with their stings ? 
 
 RODOMOND. 
 
 No, Guthlac, no : 
 They have my deepest scorn. — Such wasps can ne'er 
 Give pain to him who, in the radiant mail 
 Of Genius clad, shines through those envious clouds 
 That hover round him, like the morning sun 
 Piercing the reeky fogs o' the rotten fen. 
 
 Enter Edwin and Earl Oswald. 
 
 EDWIN. 
 
 What ! has the haughty monk escaped my vengeance ? 
 
 OSWALD. 
 
 Yes, good my liege j ere I could reach the coast 
 
Scene IL] EDWIN AND ELGIVA. 197 
 
 He had embarked, and was far out at sea. 
 Before a favouring gale. 
 
 EDWIN. 
 
 'Tis well for him 
 He made good speed to quit the shores of England, 
 O, "^tis not to be borne that I, a king, 
 Should by that priest be braved in my own chamber ; 
 Insulted with rude taunts, and basely dragged 
 Before my nobles, like a robber-slave ! 
 Anger and shame still burn upon my cheek. 
 
 OSWALD. 
 
 For his bold insolence he merits death. 
 
 EDWIN. 
 
 No, my loved friend, not deatl/; — our Saxon laws 
 
 Award not death to any, save the free 
 
 Who take the robber's craft ; and I would not (27) 
 
 Trespass upon their mildness— I'd not have 
 
 The blood of any of my subjects shed. 
 
 A king should punish with a fathers love. — 
 
 O, Rodomond, to thee I owe the life 
 
 Of my Elgiva — how can I reward thee ? 
 
 RODOMOND. 
 
 My glorious prince, by listening to the ode 
 Which I have on your coronation penned, 
 And which that meddling knave of Glastonbury 
 Prevented being chanted in the hall. 
 It merits well a hearing from your highness, 
 For O, my gracious lord, 'tis such an ode 1 — 
 
 EDWIN. 
 
 To-morrow in the great wine-chamber wq 
 Again hold state, with our beloved queen. 
 There will we listen gladly to thy harp, 
 And think meanwhile what I can do to serve thee. 
 
198 EDWIN AND ELGIVA. [Act III, 
 
 RODOMOND. 
 
 Thanks to the saints ! — Ye lagging, weary hours, 
 Speed swiftly on — to-morrow will the crown, 
 Th' unfading crown of poesy, be mine ! 
 My ode ! my ode ! will now be heard, in spite 
 Of all the abbots and bishops in the kingdom ! 
 
 [Exeunt Rodoraond and Guthlac. 
 
 Enter Elgiva. 
 
 ELGIVA. 
 
 My gracious lord- 
 
 EDWIN. 
 
 O, thou art doubly dear, 
 My sweet Elgiva, now I know thy life 
 Has been endangered by a ruffian's fury. 
 What now would be my grief, my wild despair, 
 Hadst thou been by his murderous poniard struck ! 
 
 ELGIVA. 
 
 O, think of that no more ; — our dangers past 
 Should only make our present joys more bright. 
 Th' insulter of thy majesty is fled. 
 And he who aimed a death-blow at my heart 
 Lies in his dungeon-chains. — Then from thy brow 
 Banish that cloud, and let gay, sunny fancies 
 Play in thy smile, and light thy heaven-blue eye 
 With splendours from the radiant source of joy. 
 Art thou not happy ? 
 
 EDWIN. 
 
 Yes, that thou dost live. 
 And I can hold thee in these arms of love. 
 My gentle wife, more soft and beautiful 
 Than visions of young Genius, when he dreams 
 
Scene II.] 
 
 EDWIN AND ELGIVA. 
 
 199 
 
 Of lovely forms i' the bowers of paradise ; 
 While o'er thee innocence and goodness fling 
 Their own enchanting brightness ! In thee centres 
 All I can wish for, save m3r people's love. (28) 
 
 ELGIVA. 
 
 And thine shall be their love, their fervent homage ; 
 For we will study how to make them happy. 
 All shall be cherished by us as our children, 
 And thou adored, as the indulgent father 
 Of one great family, whose joyous hearts 
 Shall pour a thousand blessings on their king ; 
 While prayers from every corner of the land 
 For him ascend to heaven. 
 
 EDWIN. 
 
 My noble queen ! 
 Good Oswald, does she not deserve the hearts 
 Of all our subjects ? 
 
 OSWALD. 
 
 Hers and yours they are ; — 
 Such virtues as ye both inherit add 
 Refulgence to the glory of a throne, 
 Nor borrow aught from greatness, — While she lives, 
 And you, my liege, shall reign, England will be 
 Far, far beyond all other nations blessed. 
 
 {Flourish of horns,) 
 
 EDWIN. 
 
 What mean those martial sounds at this late hour ? 
 Enter 'Ev'icin armourf followed by Soldiers, 
 
 ERIC. 
 
 {Advancing, and seizing the Queen.) Lady, you must 
 with me ! 
 
200 EDWIN AND ELGIVA. [Act III . 
 
 EDWIN. 
 
 With thee, base slave ! 
 Unhand her — or my sword shall in thy blood 
 Be to the pommel bathed ! 
 
 ERIC. 
 
 Weak boy ! tempt not 
 The sinewy power of this strong arm of war, 
 That in a thousand battles has struck down 
 The proudest men of might. 
 
 EDWIN. 
 
 I scorn its power; 
 And did the giant strength e'en of a host 
 Now nerve thy brawny limbs, I'd with thee cope, 
 And perish, or release my insulted queen ! 
 
 OSWALD. 
 
 And I will aid thee, though he fight beneath 
 Some master-spell of hag- wrought witchery. 
 
 (Edwin and Oswald rush on Eric, who striJces their 
 
 ^ swords at one blow in pieces.) 
 
 EDWIN. 
 
 Treason ! what ho ! my guards ! 
 
 ERIC. 
 
 Thy guards are all 
 My prisoners — and a prisoner shalt thou be 
 Within thy palace, till this woman here 
 Has heard her doom pronounced. 
 
 ELGIVA. 
 
 My doom ! 
 All-gracious Heaven ! what doom, dark, stern-eyed 
 chief ? 
 
 EDWIN. 
 
 Who art thou, fierce, mysterious man of scorn. 
 That thus thou darest with armed bands to enter 
 
Scene II.] EDWIN AND ELGIVA. ' SOI 
 
 My palace gates at midnight's peaceful hour, 
 Seize on my queen, and make thy king a captive ? 
 
 ERIC. 
 
 My king ! ha ! ha ! ha ! ha ! No king art thou o'er me — 
 
 Fair, smooth-faced, love- sick boy, thou art my scorn ! 
 
 A thing — made for a woman's toy — her minion ! 
 
 Go, gaze upon thy beauty in a glass, 
 
 And worship thy sweet form — but dare not think 
 
 I own thee, or the loftiest man on earth, 
 
 My sovereign ! — Rule thou o'er thy cringing slaves. 
 
 The weeds that creep beneath thy sapling shade ; 
 
 But think not o'er the giant oak to reign, 
 
 That towers above the forest. — Who I am 
 
 Thou, Edwin, soon shalt to thy sorrow learn. 
 
 Come, thou must hence with me ! 
 
 (Seizing the arm of the Queen.) 
 
 ELGIVA. 
 
 With thee, thou dreadful, savage, frowning being ! 
 Who, like a demon from the gulfs of hell. 
 Hast in thy darkness risen to destroy 
 All happiness, all hope ! 
 
 (Breaks from him, and rushes to Edwin.) 
 O, my sweet lord ! 
 I cannot, will not part from thee, to go 
 I know not where, with this terrific fiend ! 
 
 ERIC. 
 
 Resistance is in vain. (Again seizing her arm.) 
 
 ELGIVA. 
 
 Off; monster! off"! 
 If thou wilt murder me, here let me die ; 
 Here, in the faithful arms of my loved husband. 
 
 ERIC. 
 
 Tear them asunder I (To the Soldiers, who seize the King,) 
 
202 EDWIN AND ELGIVA. [Act III. 
 
 ELGIVA. 
 
 (ShrieJcing.) Ha, save me ! save me ! 
 
 My lord, my king, let me not lose thy hold — 
 
 O, dreadful ! dreadful ! — 
 
 By ruffian fiends to be at midnight hour 
 
 Dragged forth to death — or worse, perhaps, than death, 
 
 To horrible pollution ! — O, the flames 
 
 Of madness flash around my burning brain 
 
 At such a thought ! 
 
 EDWIN. 
 
 What can I do to save thee ? 
 
 ERIC. 
 
 Die! 
 
 EDWIN. 
 
 Ay, freely — take, here take my life for hers. 
 
 ERIC. 
 
 Thy doom is not yet come ; — no, live and languish 
 In those keen agonies which for her fate 
 Thy heart will suffer — till I bid thee die ! 
 
 ELGIVA. 
 
 Nay, have compassion, have some little mercy (^Kneeling) 
 On my despair, if in thine iron heart 
 One spark of human feeling has a place — 
 
 ERIC. 
 
 Not one for thee ! 
 
 ELGIVA. 
 
 Remorseless chief! — yet, yet, 
 I do implore thee, some brief mercy show — 
 O, spare me but to-night ! 
 
 ERIC. 
 
 No, not if all 
 Thy saints knelt to entreat me by thy side. 
 No further waihng — Come, thy fate is fixed ! 
 
Scene II.] EDWIN AND ELGIVA. 
 
 ELGIVA. 
 
 Farewell, my dearest Edwin ! — O, I feel 
 
 The murderous knife already in my bosom. 
 
 Sundering the heart-cords ! See, the blood-streams gush 
 
 Forth from the gaping wound ! O Edwin ! Edwin ! 
 
 (^Faints in the arms of Eric as he tears her from 
 Edwin, and bears her off. ) 
 
 ERIC. 
 
 Guard you the king, (To the Soldiers.) 
 
 This is the second triumph of revenge ! \_Exeunt 
 
 EDWIN. 
 
 God, for thy mercy save me ! do I dream ? 
 Can this be real, or some horrid vision, 
 That strikes upon my brain like molten lead ! 
 
 OSWALD. 
 
 I cannot utter what my spirit feels, 
 
 That burns with ardour to avenge thy wrongs. 
 
 EDWIN. 
 
 O, I was late the happiest in my realms, 
 Rich in the love of her who was my world 
 
 Of blessedness Now from these doting arms 
 
 Have hell-dogs torn her ! and while here I stand. 
 Powerless to save or rescue, her sweet form. 
 In all its angel beauty, is given up 
 To ruffian violence ! — Hurl your red bolts, 
 Avenging fires, and blast them with destruction ! 
 Ah, brutal fiends ! I see your gleaming knives ! 
 I hear her death- shrieks on the midnight winds, 
 Her last blood-stifled groan ! Despair and madness I 
 
 (Edwin falls^ Oswald kneels mournfully over him, 
 
 and the Soldiers form a picturesque group 
 
 around them.) 
 
 END OF THE THIRD ACT. 
 
ACT IV. 
 
 SCENE I. — A Judgment-hall in the Episcopal Palace ; 
 at the upper end a Tribunal, with a Chair of State, in 
 which Odo appears seated. The Hall is crowded with 
 Chiefs^ Officers, and Soldiers. 
 
 ODO. 
 
 Chieftains of England, now assembled here, 
 
 Around our judgment-seat, ye know that Edwin 
 
 To mitres and to lands hath barred the right 
 
 Of Dunstan, that meek, pious, holy saint, 
 
 And banished him the kingdom, for performing 
 
 His duty and your wishes — Ye are bound, 
 
 I tell you, by the laws of God and man, 
 
 To do him justice, and support his cause 
 
 Against a wicked tyrant, who hath wronged 
 
 A heaven -illumined pillar of the church. 
 
 To indulge his lewd desires, and gratify 
 
 The vengeance of a base, ambitious harlot, 
 
 Who in her wantonness hath urged him on, 
 
 Like Jezebel of old, to slay God's priests, 
 
 And bring the wrath of heaven upon our land. (S9) 
 
 From this tribunal we shall now pronounce 
 
 On her the righteous judgment of the church. 
 
 Let her be brought before us. — 
 
 Enter Elgiva, led by Eric, and followed by Guards, 
 
 We have sent, 
 
Scene I.] 
 
 EDWIN AND ELGIVA. 
 
 205 
 
 Woman of guilt, by virtue of our office, 
 
 As heaven's vicegerent o'er the Saxon church, 
 
 Her guard from all impurity and vice, 
 
 To take thee from the king, with whom thou livest 
 
 In foul adultery, to the great disgrace 
 
 And glaring scandal of the English court. 
 
 ELGIVA. 
 
 'Tis false, injurious priest ! 
 
 ODO. 
 
 Woman, beware 
 How thou insult'st the minister of heaven. 
 Or on thy head the church's awful ban 
 Will from this dread tribunal be pronounced. 
 
 ELGIVA. 
 
 Yes, thou raay'st launch the thunder of thy curse 
 
 On my devoted head, but innocence 
 
 And virtue will enshield me — The bright saints 
 
 Are witness to the purity which rules 
 
 My thoughts and actions, and heaven will return 
 
 That curse on him whose lips shall dare pronounce it ! 
 
 ODO. 
 
 Dare ! haughty strumpet ! 
 
 ELGIVA. 
 
 Peace, thou insolent ! 
 I am a wife, a queen, and should command 
 Decent respect from thee, the least which thou 
 Couldst to a woman pay. — I will not stand 
 Tamely and hear such hell-black infamy 
 Cast on my stainless virtue. — 111 doth it 
 Become thy reverend years and priestly function. 
 Thy sacred pall, thy seat, and lofty state. 
 To use such vile opprobrious terms of speech, 
 Which would, my lord, disgrace thy meanest slave. 
 
206 EDWIN AND ELGIVA, [Act IV. 
 
 I am, alas ! *tis true, 
 
 A poor, weak, helpless woman, in your power. 
 Dragged hither by that ruffian and his band ; 
 Yet here I boldly stand before you all, 
 Fearless in conscious virtue ! — Here I stand, 
 Your sovereign's wedded wife, and dare defy 
 The malice of my bitterest foes to cast 
 A shade of guilt on my unsullied honour. 
 
 ODO. 
 
 Pernicious woman ! thou art not the wife 
 
 Of England's sovereign ; — for allied are ye 
 
 Ey blood, within prohibited degrees ; 
 
 Therefore our holy statutes do forbid 
 
 A union so disgraceful ; deeming it — 
 
 Mark^ thanes and chieftains, mark — concubinage ! 
 
 ELGIVA. 
 
 Where slept this law till now, thou stern-browed judge ? 
 
 Why was it not proclaimed when^, at the altar. 
 
 With holy vow and solemn rite, I gave 
 
 My virgin hand in marriage to the king, 
 
 And the good bishop blessed us as we knelt 
 
 Before our Lady's shrine ? — This is a trick ^ 
 
 To blacken me i' th' opinion of the world. 
 
 And render Edwin odious to his subjects ; — 
 
 'Tis crafty, deep revenge ! — 
 
 ODO. 
 
 I will not hear 
 Such language uttered from thy guilty lips, 
 Thou Jezebel ! Thy tongue is fraught with malice ; — 
 Hear thou, in silence, that decree which shall 
 Go forth against thee : — By the authority 
 Of canon law, vested in me, I now. 
 Our sometime queen, pronounce thy marriage void ! 
 
Scene I.] EDWIN AND ELGIVA. 207 
 
 It is annulled, and thou art from the king 
 Divorced for ever ! 
 
 ELGIVA. 
 
 O, no, no, no ! 
 Eternal mercy ! not divorced for ever i 
 Say not for ever, stern, unfeeling judge ! — 
 Thou canst not sunder those whom Heaven has joined 
 In holy wedlock. 
 
 ODO. 
 
 Woman, it is done ! — 
 The solemn doom is from my lips gone forth, 
 Which nothing can revoke ; and, for thy penance, 
 Thou shalt be banished to a distant isle, 
 Nor ever tread again on England's shores ! 
 
 ELGIVA. 
 
 Ha ! then the bolts of your terrific vengeance 
 Are fallen, indeed, upon me ! they have pierced 
 Through my distracted heart ! Shall I no more 
 Behold my Edwin, my loved, wedded lord ? — 
 
 ODO. 
 
 No, never ! — 
 
 ELGIVA. 
 
 Cruel, cruel ! — Grant me one, 
 One little boon — I beg it on my knees — 
 O, let me see him but for one short moment — 
 Let me, if thou hast any mercy left, 
 That I may take a last, a sad farewell. 
 Ere, broken-hearted, I from hence depart. 
 
 Cuthberga rushes wildly in. 
 
 CUTHBERGA. 
 
 Where is my child ? 1 will behold my child, 
 
^08 EDWIN AND ELGIVA. [Act IV. 
 
 Or make your palace echo with my shrieks I 
 
 (^Rushes into the arms of Elgiva.) 
 
 ELGIVA. 
 
 Ah ! what, my mother here ! the dreadful storm 
 Thou dread'st is fallen, indeed, upon my head ! 
 Yon ruthless judge hath from my husband's arms 
 Divorced me, and for ever ! — I am doomed 
 In banishment to wander far from home, 
 And find an exile's grave ! 
 
 CUTHBERGA. » 
 
 Divorced ! and banished ! 
 Thou, Edwin's wedded wife ! the queen of England ? 
 Banished ! — for what ? — 
 
 ODO. 
 
 Silence thy brawling tongue ! 
 And thou, fair harlot, hear thy further doom — 
 We do decree. 
 
 That for thy wanton deeds, and those vile arts. 
 Given wholly to the devil ! by which thou'st caused (30) 
 A cruel persecution to be raised 
 Against that humble saint, the holy Dunstan, 
 A martyr to thy lewdness, — thou shalt now, 
 On that fair forehead, with a burning iron. 
 Be branded with the infamous name of whore ! 
 
 (Elgiva shrieks, and falls on the ground.) 
 That in thine exile, wheresoe'er thou wand'rest. 
 The good may scorn and shun thee ! 
 
 CUTHBERGA. 
 
 O, my lord, 
 Thus on my knees imploringly I sue 
 To thee for mercy on my guiltless child ! 
 Spare, spare the iron's burning infamy. 
 
Scene I.] EDWIN AND ELGIVA. S09 
 
 O, have compassion on a mother's tears^ — 
 I will for her all penances perform, 
 The most severe that woman can endure. 
 To absolve her from your sentence ! I will lay- 
 Aside these robes, and mourn in dust and sackcloth ; 
 Barefooted I on pilgrimage will walk, 
 And make the flints my bed, my canopy 
 The stormy clouds of night, nor taste of food, 
 Save bread and water, till, my strength o'erpowered, 
 I at the threshold of some shrine expire ! (31) 
 
 ODO. 
 
 Away ! thou art the abettor of her shame. 
 And shalt on bread and water in a cell 
 Be kept for life !-— Prepare the irons there ! — 
 Take up the wanton, bear her to yon chamber. 
 And execute her sentence! 
 
 CUTHBERGA. 
 
 Must I plead 
 In vain for mercy, stern and ruthless judge? 
 Thou hast no wife, no children ; ne'er hast known 
 A parent's boundless love, a parent's anguish, 
 Or thou wouldst have some little pity on me. 
 Oj there are not on earth such tender ties 
 As those which bind a mother to her child ! 
 'Tis for an only daughter now I plead, — 
 Show her some mercy for the love of heaven ! 
 
 ODD. 
 
 None ! — ^for I am the foe inflexible (32) 
 
 To vice and crime ! — Part them, and lead them off*! 
 
 ELGIVA. 
 
 mother, mother ! — 
 
 {Reviving, and rushing into Cuthberga's arms.) 
 Must I, too, be torn 
 P 
 
^10 EDWIN AND ELGIVA. [Act. IV. 
 
 From thee for ever ? — Must I never feel 
 Thy fond embrace, nor look upon thee more ? — 
 My heart is breaking ! — O, my dearest mother, 
 How can I say to thee, Farewell for ever ? — 
 Where, where art thou, my Edwin ? — ah, alas ! 
 Thou canst not save me from these fiend-like men ! 
 
 CUTHBERGA. 
 
 Our tears and agonies move not their pity ; — 
 Would I could die for thee, my guiltless child ! 
 
 ELGIVA. 
 
 That I am guiltless Heaven will witness for me, 
 When yonder judge shall be himself adjudged 
 Before its awful bar ! 
 
 ODO. 
 
 Bear them away I 
 
 ELGIVA. 
 
 Remorseless priest ! O give me but a moment 
 To gaze for the last time upon a mother, 
 A'^tender mother, I shall see no more ! — 
 But we shall meet ere long in brighter worlds, 
 Where none shall part us ! — See, they come to stamp. 
 In burning characters, upon my brow. 
 That horrid mark of shame ; and I, though guiltless. 
 Must bear it, as I wander through the world 
 Like the first homicide ! Ha, ha, ha, ha ! 
 
 (^Sinks into the arms of some of the soldiers^ as they 
 approach her^ and is borne off,) 
 
 CUTHBERGA. 
 
 My child ! my child ! 
 Thou truculent wolf, clad in a shepherd's garb, 
 A mother's curses on thy death-bed light ! 
 
 (Cuthbcrga is borne off on the opposite side.) 
 
Scene I.] EDWIN AND ELGIVA. Sll 
 
 ODO. 
 Base woman ! — but thy maledictions fall 
 Like storm-winds on the everlasting rock. 
 Chieftains ! I, as the minister of Heaven, 
 Have done my duty ; — ^'tis your part to act 
 With equal vigour, and compel the king 
 T' restore our holy abbot to his rights — 
 That angel, sent by Heaven t' reform the church, 
 To turn out those voluptuous sons of sloth, 
 The clergy, who regard alone the fleece, 
 And give their wealth to holy men like us. 
 
 CHIEFS. 
 
 Dunstan shall be recalled ! — A saint ! a saint ! 
 
 ODO. 
 
 Enough, my friends ! — Retire each to his place. 
 A sacred benediction rest on all ! 
 
 {The Chiefs retire, bowing very low to the Archbishop.) 
 Harold, thou hast performed thy office well, 
 
 And well shalt be rewarded. Now, young king, 
 
 I've swept the court of thy impurities ; 
 
 If thou resist, I will stir up the north. 
 
 Where I have potent friends — Prince Edgar stands 
 
 Near to thy throne — Beware ! — He who shall make 
 
 That child a sovereign, will himself be king. \_Exit. 
 
 ERIC. 
 
 The north ! 
 
 The north should be my kingdom — Have I there 
 No friends among that Scandinavian race ? — 
 Are there no hopes for me, that I, amid 
 These storms of state, may shape myself a way 
 Once more to kingly power ? — Hope dawns upon me— 
 A glimmering radiance in the horizon breaks ! — 
 I stand like a proud mountain, on whose heights 
 
 P 2 
 
^12 EDWIN AND ELGIVA. [Act IV. 
 
 The rosy beams of morning shed their light, 
 
 While all beneath is darkness and repose ! \_Exit. 
 
 SCENE IL—A Hall in the Royal Palace. 
 Enter Rodomond and Guthlac. 
 
 RODOMOND. 
 
 Here is a forest of rank treason, sprung 
 Up from our English sail o'er half the land ! — 
 Reared by the devil's magic in one night, 
 Bearing the fruits of death, and dropping dews 
 Of blood and poison on us ! — O, for an axe 
 To clear it by the roots ! 
 
 GUTHLAC. 
 
 Ay, but I fear 
 'Tis of too vast a growth. 
 
 RODOMOND. 
 
 Or some fierce tempest, 
 Raised by grim witches, that would level it (33) 
 AVith one tremendous swoop, wide room to make 
 For the true kingly oak of royalty 
 To spread its branches over all the land, 
 That every Englishman beneath its shade 
 Might sit in fearless peace. — The beauteous queen — 
 The rose of glory banished from the kingdom ! 
 Branded with infamy ! 
 
 GUTHLAC. 
 
 Ay, king and people 
 Are governed by the sword-law of a priest, 
 
 RODOMOND. 
 
 Destruction fasten on all priestly tyrants, 
 And sweep oppression in its every form 
 
Scene II.] EDWIN AND ELGIVA. Sl3 
 
 Clean from this suffering and long-wearied world ! 
 
 But my grand ode — O, Guthlac^ Guthlac ! 
 
 My coronation ode will never now 
 
 Transport the queen''s glad ear ! — O what a loss 
 
 Has she sustained ! — Her miseries had been soothed 
 
 Could she have in her exile with her borne 
 
 Some memory of my sweet enchanting strains ! 
 
 I do not think that Odin's magic song. 
 
 Said to have raised the dead, might be compared 
 
 With that sublime effusion ! 
 
 GUTHLAC. 
 
 O, good lord ! 
 Was ever vanity before like thine ! (Aside.) 
 
 RODOMOND. 
 
 Branded ! — That brow of lilies, round which bloomed 
 
 The violet flowers of modesty ! — Why she 
 
 The very golden necklace wore of virtue, 
 
 Decked with the jewels of benevolence. 
 
 And graciousness to all was in her smile. — 
 
 The devil take that cope-crowned monk, say 1 ! 
 
 GUTHLAC. 
 
 Thou utterest sacrilegious treason, friend ! 
 
 RODOMOND. 
 
 Why tyranny, that ghastly monster, stalks 
 Through all the land, in the white garments clad 
 Of priestly sanctity, and monkish cowl, 
 Making the king a slave ! — O, I could weep 
 Myself into a river, broad and long 
 As Avon or the Severn, for the queen, 
 Bight well contented to be such a stream. 
 Could I but drown the archbishop in my waves, 
 
^14 EDWIN AND ELGIVA. [Act IV' 
 
 Enter Edwin and Earl Oswald, 
 
 EDWIN. 
 
 And is it possible that my loved queen, 
 
 My wedded wife, is banished from my realms—^- 
 
 Branded upon her fair and virtuous brows 
 
 With burning irons ! — O, it maddens me ! 
 
 My very blood seems turned to veins of lire. 
 
 Which thrill, with hopes of vengeance, through my 
 
 frame. 
 Till horror at Elgiva's wrongs and sufferings 
 Congeal to ice those life-streams ! 
 
 RODOMOND. 
 
 Would I were fire ! 
 I'd burn the bishop's palace and himself 
 To ashes, long ere night ! 
 
 EDWIN. 
 
 O, I am now 
 
 The shadow of a king ! — Winter has rushed 
 Upon my early leaves ! — Obedience, power. 
 Honour, and state fall off, and leave me naked ; 
 While those who sought the shadow of my boughs. 
 When in my verdant freshness I o'ertopped 
 The lofty forest, fly before the blasts 
 Of treason, which through my weak branches howl, 
 And threaten to uptear me by the roots. 
 
 OSWALD. 
 
 AU. will not leave thee — Wessex and her chiefs 
 Are eager to behold thy banners wave, 
 And shout revenge ! — Then yield not to despair, 
 Though Mercia and Northumberland conspire 
 With rebels to dethrone their lawful prince. 
 
Scene II.] EDWIN AND KLGIVA. 215 
 
 EDWIN. 
 
 Dethrone me !— Will they dare ? — But what to me 
 Are thrones and empires without her I love, 
 By ruffians from me torn ! 
 
 RODOMOND. 
 
 True, good my liege, 
 And, woeful to narrate, she has not heard 
 My coronation ode ! — But you shall have 
 Ample revenge for these indignities. 
 
 EDWIN. 
 
 How, how, good K-odomond ! 
 
 RODOMOND. 
 
 ril write, my lord. 
 An elegiac-satiric-tragic ode 
 On the base injuries done to our loved queen^ 
 Which shall so lash those hypocrites, her foes. 
 That they will hang themselves with sheer vexation, 
 And which, of this be certain, will transmit 
 Their infamy down to the latest ages : — 
 
 0, that will be revenge worthy a king ! 
 
 Enter Odo. 
 
 EDWIN. 
 
 Ha ! hoary traitor, how darest thou appear 
 In my insulted presence ? 
 
 ODO. 
 
 Dare* young prince ! — 
 
 1, who, as Heaven's high delegate, have cleansed 
 The libidinous court of sin, and punished crime. 
 Dare come before thee, or the loftiest head 
 That wears a diadem. 
 
^16 EDWIN AND ELGIVA. [Act IV. 
 
 RODOMOND — (aside) . 
 
 Ay, he is one 
 Of those who dare the very devil himself 
 To mortal combat ! but if he survive 
 The shafts of my keen satire, he must be 
 More than a match for all the devils that fly ! 
 
 [^Exeunt Rodomond and Guthlac. 
 
 ODO. 
 
 Nay, thou weak, wanton boy, I come to claim 
 Thy thanks for what I Ve done. 
 
 EDWIN. 
 
 My thanks ! my curses, 
 Thou proud insulter ! 
 
 ODO. 
 
 Prince, beware ! curse not 
 The minister of holiness, to whom 
 The awful power to curse or bless is given. 
 Or on thy head will tenfold be returned 
 Thy maledictions ! 
 
 EDWIN. 
 
 Thou hast from me torn 
 A gentle wife, so beautiful, so good, 
 So virtuous^ that no speck or stain could mar 
 Her sun-bright honour — yet hast thou, stern man. 
 Unfeeling as the forest-savage, marked 
 Her brow with infamy's detested brand. 
 And banished her like a base criminal ! 
 Away ! I cannot bear to look upon thee ! 
 Thou hast the ruthless spirit of a fiend ! (34) 
 My heart, Elgiva, for thy sufferings weeps 
 Blood drops ! — ^but thou shalt be revenged ! 
 
 ODO. 
 
 Weep for 
 
Scene II.] 
 
 EDWIN AND ELGIVA. 
 
 217 
 
 Thy sins^ young king, for they must be atoned 
 
 By penance, fasts, and tears. — If thou wouldst have 
 
 The holy rites of church, wouldst keep thy crown, 
 
 Recall good Dunstan from his banishment. 
 
 Northumberland and Mercia are in arms ; 
 
 They shout for Dunstan, and demand him home. (35) 
 
 EDWIN. 
 
 Perish crown, empire, life ! let all float down 
 Rebellion''s crimson tide to swift destruction, 
 Ere that saint-seeming fiend his foot shall set 
 Again on England's shores I 
 
 ODO. 
 
 Then Edgar reigns ! 
 
 EDWIN. 
 
 Ha ! thou foul traitor, hence ! ere I forget 
 That sacred station which protects thy person. 
 
 ODO. 
 
 I scorn thy power — Thy foes are Heaven's loved friends. 
 
 Thou wouldst prevent the church's reformation, 
 
 And for a wanton darest defame a saint : 
 
 I do pronounce thee, prince, henceforth accursed ! — 
 
 Look to it — for no tongue but mine can from 
 
 The dread anathema absolve thy soul ! {_Exit 
 
 EDWIN. 
 
 O, my loved Oswald, was there ever king 
 So injured, so insulted I 
 
 OSWALD. 
 
 Rouse to arms ! 
 The Wessex men burn to avenge thy wrongs. 
 
 Enter Messenger, 
 
 MESSENGER. 
 
 My royal lord, the powerful Earl of Mercia, 
 
SIS EDWIN AND ELGIVA. [Act IV. 
 
 With the Northumbrian chiefs, are on the borders 
 Of Wessex, followed by their numerous bands, 
 Proclaiming Edgar king ! 
 
 EDWIN. 
 
 This is the work 
 Of that arch-rebel Odo— Haste ! send forth, 
 And gather men, whose hearts, like mine, are steeled 
 To noble enterprise — Let the fierce storm 
 In all its dark magnificence roll on ; 
 I will not quail to meet it. Heaven is witness, 
 I scorn the wish to trample on the rights 
 And freedom of my people ; but as one 
 Of England's sons, I will my own just claims. 
 Bravely defend or perish. — From thy scabbard, 
 Sword of my fathers, leap ! protect my crown. 
 My loved home-joys, from violence and rapine, 
 And for a deeply-injured wife reap thou 
 A harvest of revenge ! — He merits not 
 The name of man who, in a cause so sacred, 
 Would not his heart's last life-drop freely shed ! [^Exeitnt. 
 
 SCENE III. — A Forest : at the back part of the stage 
 an entrance to a Cavern, 
 
 A group of Robbers, some lying on the ground, others 
 carelessly leaning against the trees. 
 
 FIRST ROBBER. 
 
 Share me no plunder when the fight is won, 
 If I am not a-wearied of this ease : 
 Sloth has its tiresomeness as well as toil. 
 
 SECOND ROBBER. 
 
 Would not the distant music of some band 
 
Scene III.] 
 
 EDWIN AND ELGIVA. 
 
 219 
 
 Of gleemen, Cuthbert, and their merry jugglers, 
 Returning from the hall of lordly thane^ (36) 
 Rich with his gifts, delight thee? — We would soon 
 Ease them of all they by their glee-games won. 
 
 FIRST ROBBER. 
 
 Ay, Hubert, or the sight of passing mass-thane. 
 Mounted upon his steed, with jewelled trappings, (37) 
 And cope of gold, and vest embossed with gems, 
 Journeying with splendid train to distant abbey. 
 Or on a visit to some giver of loaves. (38) 
 
 THIRD ROBBER. 
 
 Or it were but a pilgrim band, with offerings 
 For Alban's or Augustin's holy shrine, 
 'Twould be relief from this dull idleness 
 To make them yield their treasures at our altar 
 Of manly free-craft — {Horn at a distance.) 
 
 Hark ! — I hear the horn 
 Of brave Redwolfgar, our redoubted chief. 
 There's something stirring, by its merry tones. 
 To ease our weary limbs of sluggish dullness, 
 And call us into action. 
 
 FIRST ROBBER. 
 
 Any change 
 Is welcome now — ^We have not had a bout 
 With monks or laymen for a tedious time ; 
 Ours, after all, is but a scurvy craft. 
 Unless well followed. 
 
 Enter Redwolfgar. 
 
 REDWOLFGAR. 
 
 Up, ye sluggards ! up, 
 My merry greenwood lads ! — Buckle your mail. 
 
220 EDWIN AND ELGIVA. [ActlV. 
 
 Purse-pluckers, rangers of the roguish moon, 
 Who, laughing bawd to wanton sports and tricks, 
 Lights us to lords' and misers' heavy bags, 
 That we, their friends, may ease them of their cares. 
 Out, and be stirring ! — On the forest borders 
 There is a band of men who have in charge 
 A lady, bearing her — no matter where — 
 She is a prize. — Out with your blades of steel, 
 And show what honour on our manly calling. 
 My noble hearts of courage, ye confer. 
 
 FIRST ROBBER. 
 
 We''ll soon scour off their rust of slothfulness 
 
 With well-aimed blows on buckler and on helm. 
 
 Hurrah ! my jolly hunters, all the year 
 
 Lasteth our ' time of grace ' to start the game ; 
 
 'Tis never out of season, so it comes 
 
 Within our scent. — On, my brave sloth- hounds, on ! 
 
 [Ea;eunt Robbers. 
 
 REDWOLFGAR. 
 
 I ween, by their appearance, we shall glean 
 
 A sorry booty from the whoreson herd 
 
 Of light-armed serving grooms to this fair dame ; 
 
 But, if I marked her rightly, she is worth 
 
 A prince's ransom in her dower of beauty. 
 
 Though she in jewels and apparelment 
 
 Outvalue not the wealth of a franklin's wife. — ■ 
 
 The game's in sight ! I hear the wild halloo 
 
 Of my fleet-footed rangers, as they onward 
 
 Bush merrily to their work. [^EMt, 
 
Scene IV.J EDWIN AND ELGIVA. 
 
 SCENE IV. — A rocky Mountain- gorge, covered with 
 forest-trees, A waterfall and torrent : a narrow plank 
 throivn across the cataract from rock to rock. A noise 
 behind, with shrieks and clashing of swords. 
 
 Enter Elgiva, greatly alarmed, in a plain dress ^ with 
 a scarf bound on her forehead, and her robes disor- 
 dered. She ascends the rocks towards the bridge, 
 
 ELGIVA. 
 
 Mercy defend me ! 
 
 Where shall I fly for safety ? Those who led 
 
 Me on to exile, through these frightful woods, 
 
 By fell brigands assaulted, all are fled, 
 
 Or, weltering in their blood, with death-pangs writhe ! 
 
 I have escaped, amid the strife of swords. 
 
 But am pursued by those wild forest rovers, 
 
 And further flight is barred ! — Ye saints, looli down 
 
 In mercy on me ! — Ah, a narrow bridge ! 
 
 Could I but cross it, I might shun their search. 
 
 And hide me in some cave or leafy bower. 
 
 O, what a fearful height ! — A dizziness 
 
 Comes o'er me at the sight ! — Ha, they are here ! 
 
 Enter Redwolfgar and three Robbers. 
 O, blessed Virgin, aid my trembling steps ! 
 
 REDWOLFGAR. 
 
 Follow her quickly, ere she cross the bridge, 
 Or we, amid the mazes of this forest, 
 May lose the lovely prize. 
 
 Elgiva crosses the bridge with great trepidation; the 
 three Robbers reach it just as she gets on the other 
 
22S EDWIN AND ELGIVA. [Act IV. 
 
 side. As they run across, the bridge breaks, and they 
 all fall into the torrent of the chasm, and are seen no 
 more. Elgiva lifts her hands in thanks to Heaven, 
 and disappears among the rocks. 
 
 By hell ! there go 
 Three of the bravest spirits in my band ! 
 They should have met a nobler death — No matter — 
 She is a beauteous wench, whom I to gain 
 Would not regard the loss of half my troop. 
 I know a way by which to follow her — 
 I'll call my blood-hound to pursue her track. 
 Look to the booty there ! and strip the slain. \_Exit. 
 
 SCENE Y,— Another part of the Forest 
 Enter the former Robbers, with others. 
 
 FIRST ROBBER. 
 
 What dost thou say ? Is there an army near ? 
 
 FOURTH ROBBER. 
 
 Yes, on the eastern skirts o' the forest lies 
 A powerful host of rebels, who proclaim 
 The brother of young Edwin as their king. 
 I from some stragglers learnt that in their camp, 
 Which is well fortified, they mean to wait 
 Edwin's approach, with all his Wessex men, 
 When there will be a bloody battle fought. 
 
 FIRST ROBBER. 
 
 Good tidings for the hunger-bitten wolves 
 
 And croaking ravens ; they'll gorge like pampered kings. 
 
 Those lordly great ones, who fare daintily, 
 
 Will now be food themselves for carrion fowls. 
 
Scene v.] EDWIN AND ELGIVA. S23 
 
 FOURTH ROBBER. 
 
 Ay, and good news for us too, jolly comrades. 
 These civil wars are glorious times for such 
 As thrive by forage. — Let the blood-red arm 
 Of insurrection be upraised, and then 
 Hurrah ! for noble plunder, my brave lads. 
 
 FIRST ROBBER. 
 
 Then grey-beard justice, on his solemn stool, 
 
 Is knocked o' th* mazzard with his own strong lance, 
 
 And iron-visaged law skulks like a cur 
 
 From the bold lion-face of fearless power. 
 
 We from these troubled times will courage pluck, 
 
 And quit our forest sanctuary, lads. 
 
 To roam at will, and share a golden spoil. 
 
 SECOND ROBBER. 
 
 We'll trample on the necks of all the great ones, 
 And turn them out to take the beggar's place, 
 Whom from their doors they spurned. 
 
 THIRD ROBBER. 
 
 No, hang them all ! 
 
 FOURTH ROBBER. 
 
 Skin them alive ! that will be glorious sport ! 
 And, stuffed with straw, nail to the gallows-tree 
 Their skins, to terrify the trembling judge. 
 And teach the law a retributive lesson, 
 For having dared to murder honest men 
 Of our right noble calling. 
 
 FIRST ROBBER. 
 
 We'll deal out 
 The laws to those who made them. It is fit 
 They drink the poison who prepared the draught. 
 But we must fleece those dead dogs who lie yonder — 
 I fear they've little to reward the blows 
 
EDWIN AND ELGIVA. [Act IV. 
 
 We've taken in this scuffle — then to-niirht 
 We'll have a jovial bout, my lads, and drain 
 The beaker lustily. 
 
 SECOND ROBBER. 
 
 And make the woods 
 Ring with our shouts of freedom ! liberty ! 
 
 FOURTH ROBBER. 
 
 Slay all who join not with us in the work 
 
 Of general plunder ! — Crush all rule and power ! — 
 
 FIRST ROBBER. 
 
 Except our own — Down with authority ! — 
 Rob priest and layman ! — 
 
 SECOND ROBBER. 
 
 Pillage ! 
 
 THIRD ROBBER. 
 
 Burn ! 
 
 FOURTH ROBBER. 
 
 Lay waste ! 
 
 FIRST ROBBER. 
 
 Death ! 
 
 SECOND ROBBER. 
 
 Blood ! 
 
 THIRD ROBBER. 
 
 Destruction ! — 
 
 ALL. 
 
 Hurrah ! freedom ! liberty, and plunder ! [Exeunt, 
 
Scene VI.] 
 
 EDWIN AND ELGIVA. 
 
 225 
 
 SCENE YL— The inside of a Hermifs Cell, or Cave^ 
 an Altar on one side, a Death^s-head and Bones, with 
 an Hour-glass placed on it, under a Crucifix, — The 
 Stage half dark. 
 
 Enter Hermit — he stands gazing from the entrance of 
 the Cavern. 
 
 HERMIT. 
 
 Now the soft hour of contemplation reigns — 
 
 How sweetly tranquil ! — Nature sinks to rest, 
 
 O'ercanopied with evening's golden clouds, 
 
 While summer's music lulls her to repose. 
 
 Nor care, nor woe, nor stormy strife of man 
 
 These ancient woods disturb. — Here all is love 
 
 And harmony around my forest dwelling. 
 
 The gush of streams, where the green alders grow. 
 
 The wind's soft whispers to the drowsy flowers, 
 
 The blackbird's parting hymn^ the stock-dove's voice, 
 
 So lovelorn, yet so sweet, all join to shed 
 
 A calm and holy feeling on the soul. 
 
 E LGi VA — (without) . 
 Ho ! gentle hermit, ho ! 
 
 HERMIT. 
 
 Who wakes the echoes of these solitudes 
 With voice so sweetly plaintive ? 
 
 ELGiVA — {appearing at the entrance.) 
 It is I, 
 A wandering, wretched, injured, helpless woman, 
 Who, without friend, or home, or hope, implore 
 The shelter, holy hermit, of thy cell, 
 Till morning light returns. 
 "^ Q 
 
226 EDWIN AND ELGIVA. [Act IV. 
 
 HERMIT. 
 
 That may not be. 
 
 ELGIVA. 
 
 Oj by yon blessed cross, and him who died 
 Upon it for our sins, I do beseech thee. 
 Let me claim thy protection from a band, 
 A robber band, of murderers who pursue 
 My fainting steps — they will not dare profane 
 This sacred sanctuary with their crimes. 
 
 HERMIT. 
 
 Thy seeming innocence and beauty plead 
 Strong in thy behalf, nor to preserve 
 Thy life can I refuse thee an admittance 
 Within my rocky cell. — Come, then, and taste 
 Its humble fare, and peace be to thy fears. 
 
 ELGIVA. 
 
 Thrice blessed hermit ! — ^but my trembling lips 
 Refuse to utter what my bosom feels. 
 
 (The Hermit brings forward a table, with fruits^ a 
 pitcher of water, and a lamp burning.) 
 
 HERMIT. 
 
 Rest, lady ; — here are summer fruits and herbs, 
 
 They are a hermit's feast : I'll pour for thee 
 
 The limpid freshness of yon gushing rill ; 
 
 And, for thy night's repose, there is a bed 
 
 Of withered leaves — while I without will watch 
 
 And guard thy peaceful slumbers. — Thou dost seem 
 
 Wayworn and faint, 
 
 And woe-begone is thy fair countenance — 
 
 This draught may give relief. 
 
 ELGIVA. 
 
 O, holy father, 
 
Scene VI.] EDWIN AND ELGIVA. 227 
 
 I am the child of sorrow, and my heart 
 
 Is almost broke with misery. 
 
 {As Elgiva lifts her hand to take the cup which the 
 Hermit offers her, the scarf falls from her brow, 
 and discovers the characters marked on it — she 
 shrieks, and the Hermit drops the cup, starting 
 with horror.) 
 
 HERMIT. 
 
 Blessed saints. 
 Preserve me pure from sin ! — what do I see ? 
 A branded malefactress ! a false woman. 
 With her vile wantonness stampt on her brow 
 In characters of shame ! 
 
 ELGIVA. 
 
 No, no, I am 
 
 No wanton— no, by yon bright heaven ! 
 I am not an abandoned, guilty wretch ! 
 Though a vile name is on my forehead stampt 
 By burning irons. — O, it was a deed 
 Of dire revenge, by ruthless monsters done. 
 
 Who could no pity feel. O, fly me not, 
 
 But hear my tale of misery, and thine eyes 
 Will weep at the sad story. 
 
 (Storm without, continuing to increase,) 
 
 HERMIT. 
 
 Off! thy touch 
 Is an accurst pollution ! — Thou hast more 
 Than human beauty in thy witching looks ! 
 I*m spell-bound by thine eye — 
 
 ELGIVA. 
 
 Is thy heart. 
 Too, against all pity steeled ? 
 
 Q 2 
 
228 EDWIN AND ELGIVA. [Act IV 
 
 HERMIT. 
 
 Hark ! what a tempest ! 
 God and the saints be merciful to me ! 
 Thy coming has stirred up the elements 
 To an unearthly warfare ! — I see it now — 
 It is the Tempter of mankind who hath 
 Assumed that form of beauty to betray me ! — 
 But heaven has on thy forehead set its mark ! 
 The ban of everlasting wrath be on thee, 
 Thou evil one ! — To conquer, is to fly. 
 
 (^Rushes off, fhe storm increases.) 
 
 ELGIVA. 
 
 O, horrible ! but I deserve it not, — 
 
 There is no pity in this world for me. 
 
 If long I bear this brand upon my brow, 
 
 I shall against the flinty stones my brains 
 
 In frenzy dash, and hide the shame in blood ! 
 
 Hark ! those fell robbers come to tear me hence. 
 
 (^Noise ivithout.) 
 Where shall I fly for safety from them now ? 
 
 REDWOLFGAR (wlthout) . 
 
 Holla ! old hermit^ art thou in thy cell ? 
 
 ELGIVA — {shrieking). 
 Ha ! 'tis the voice of their terrific chief! 
 Ye thunders, rolling through the dreary sky. 
 Strike with your bolts these rocks, that they may fall, 
 And bury me beneath a mountain tomb. 
 O, blessed cross, protect me ! 
 
 {Flies, and kneels at the foot of the cross.) 
 
 Enter Redwolfgar. 
 
 REDWOLFGAR." 
 
 Ha 1 at last 
 
Scene VI.] 
 
 EDWIN AND ELGIVA. 
 
 229 
 
 I've found thee, fair one, have I ? By St. Peter, 
 ^Tis kindly done to soothe the lonely hours 
 
 Of a poor hermit. O, these saintly sons 
 
 Of abstinence have still a hankering wish 
 For a stray beauty — still a little spark 
 Left in the ashes of their former fires, 
 Ready to kindle when a soft white hand 
 Stirs up the dying embers. 
 
 ELGIVA. 
 
 Blessed Virgin, 
 Haste on the lightning's crimson wing, and save 
 Me from this man. 
 
 REDWOLFGAR. 
 
 A table spread ! and cups ! 
 No doubt with something better filled than water. 
 A comfortable bed ! — and all so private ! 
 Who could suppose intrusion was so near ? 
 Why, this old spider must have fasted long 
 In his snug den amid the forest here, 
 Since in his meshes such a lovely fly 
 Has been entrapped. — But where is fled this saint ? 
 Cease praying. — Come, I'll lead thee where reign mirth 
 And better feasting ; and in me thou'lt find 
 A jollier lover than a withered hermit. 
 
 ELGIVA — {hiding her forehead with her hands). 
 Hence ! fly me ! I am mad — mad as the winds 
 And thunders which through yonder forest roar ! 
 My flesh is covered with the spotted plague ! 
 I breathe the pestilence ! — If thou wouldst live 
 Another hour, fly from me ! 
 
 REDWOLFGAR. 
 
 The plague! no— thou 
 With love's sun-fever only canst infect 
 
230 EDWIN AND ELGIVA. [Act IV. 
 
 Those who approach thee ; for thy breath is like 
 The purple violet's fragrance on its bank, 
 Rich with the dews of morn, and I will taste 
 Fearless that lip whence such sweet odours steal. 
 
 ELGIVA. 
 
 Away, base villain! 
 
 {As she pushes him from her, he observes the cha- 
 racters on her forehead,) 
 
 REDWOLFGAR. 
 
 Ha ! thou coy some dame. 
 Is that the plague upon thy spotted brow ? 
 Ha, ha, ha, ha ! — 
 
 This squeamish, delicate, affected virtue 
 From one who, for the frailties of her sex, 
 A branded forehead bears ! 
 
 ELGIVA. 
 
 Heaven, art thou deaf 
 To all my cries ? Where shall I turn for refuge ? 
 Stern chief of blood ! from thee I dare not hope 
 For mercy or remorse. — Though on this brow 
 The burning iron has imprinted guilt, 
 Yet am I innocent, and virtue is 
 The only blessing left me. 
 
 {Deep thunder and lightning, which flashes within 
 the mouth of the cave.) 
 
 Know'st thou not. 
 That she who is enshrined in purity 
 Has a bright angel-band, with swords of flame. 
 To watch and guard her from pollution's power.? 
 Dost thou not hear, amid the crashing woods, 
 Where rush loud whirlwinds of avenging fire, 
 Their voices in those awful thunder sounds. 
 
Scene VI.] EDWIN AND ELGIVA. 231 
 
 And see their lightning brands around thee flashing 
 The red destruction ? 
 
 REDWOLFGAR. 
 
 I nor hear nor see 
 Aught but thy voice and the lightning of thine eyes. 
 How beautiful ! despite that damned brand — 
 I will not give thee up — thou shalt be mine. 
 Ay, mine, this hour, though howling fiends our couch 
 O'ercanopy with thunder-storms, and all 
 The woods that curtain us become one sheet 
 Of crimson- wavering flame ! 
 
 (^As Redwolfgar rushes to embrace her, tremendous 
 thunder — the rocks in the back part of the ca- 
 vern are split, and tumble with a horrible crash. 
 The stage is filled with a crimson blaze — Red- 
 wolfgar, struck by a flash, staggers and falls — 
 Elgiva kneels to return thanks to heaven as the 
 curtain sinks.) (39) 
 
 END OF THE FOURTH ACT. 
 
ACT V. 
 
 SCENE I. — A grand Pavilion in the camp of the 
 Mercians and Northumbrians. 
 
 Enter Dunstan. 
 
 DUNSTAN. 
 
 England, I am 
 
 Thine own again ! and if our arms prevail 
 Against this headstrong and voluptuous prince, 
 Then shall our new and glorious light shine out 
 O'er all the land — (Shouts and trumpets without.) 
 
 Now the wild conflict swells ! 
 The cymbalon, and drum, and trumpet's voice, (40) 
 Are in the banner-cry and carnage din 
 Of helmed warriors drowned. 
 
 Enter Odo. 
 
 ODD. 
 
 Welcome, my lord, 
 From a brief exile to thy country ""s bosom. 
 We have not in thine absence idle been 
 In this good work of holy reformation. 
 Look on yon field — There is a glorious sight ! 
 Those glittering ranks are the church militant. 
 Under my blessing joyously they march 
 Forth conquering, and to conquer — We have ta'en 
 A great revenge, my friend, for thy disgrace. 
 
Scene I.] EDWIN AND ELGIVA. 233 
 
 DUNSTAN. 
 
 Heaven aid us ! — why, by holy Joseph's thorn, 
 The Mercians fly before the Wessex men ! 
 Base wretches ! how the cowards turn their backs ! 
 While Edwin, like a veteran warrior, mows 
 His way through falling ranks ! O, that I had 
 A soldier's harness, and a soldier's skill, 
 To wield the weapons of war ! then would I drive 
 Those dastards back upon the foe, and strew 
 The field with slaughtered heaps — (^Shouts.) 
 
 St. Austin shield us ! 
 Edwin's blood-sprinkled banners move this way ! 
 We must, my lord, retreat. 
 
 ODD. 
 
 Retreat ! no, I 
 Will perish first — a martyr to the church ! 
 But where is Harold, that stout, valiant knight. 
 Who my retainers leads ? — Look to the right — 
 My banner keeps the field — I see him now — 
 Like a tall rock, amid the battle-tide, 
 He keeps the foe at bay ; his lion voice 
 Recalls the fugitives. — Brave, noble Harold ! 
 Wulfstan of York, who helm and mitre wears. 
 Now rushes on afresh, with Oslac joined, 
 Northumberland's good Earl. 
 
 DUNSTAN. 
 
 Ay, now I see 
 The men of Wessex fly. — (Shouts.) 
 
 ODO. 
 
 That is a shout 
 Of victory on our side. — Cheer up, my lord — 
 Harold hath seized the standard of the king ! 
 How the press thickens round him — He is down I 
 
234 EDWIN AND ELGlVA. [ActV. 
 
 Shout ! shout ! the day is won ! the victory's ours ! 
 The church, the church shall triumph o'er her foes ! 
 (^Shouts and trumpets nearer and nearer.) 
 
 DUNSTAN. 
 
 Edwin shall be dethroned. 
 
 ODO. 
 
 At least deprived 
 Of England's better provinces, which lie 
 North of the Thames — such is the cry of all 
 The Mercians and Northumbrian chief of power, 
 Who claim the boy, prince Edgar, for their king. 
 
 DUNSTAN. 
 
 A proper choice — for then the sovereignty 
 Will on our shoulders rest as his protectors. 
 
 {Grand flourish of trumpets.) 
 
 Enter Eric in splendid armour , his sword bloody — Edwin 
 and others, as captives, followed by Wulfstan, Arch- 
 bishop of York, Earls of Mercia and Northumberland, 
 Chieftains, and Soldiers. 
 
 ERIC. 
 
 There, good my lord Archbishop^ is your prisoner. 
 This is the third great triumph of revenge ! — 
 Silence those trumpets there ! 
 
 DUNSTAN, 
 
 No, let them sound 
 To earth and heaven the glory of our conquest. 
 Their sounds are holy, 'tis the church's voice, 
 Triumphant o'er a lewd and lawless king. 
 
 EDWIN. 
 
 Imperious traitor ! art thou here again ? 
 
Scene t.] EDWIN AND ELGIVA. ^ 
 
 DUN^TAN. 
 
 Ay, Edwin, and thoii hast no more the power 
 To bar me from an Englishman's just right 
 To breathe his native air. 
 
 ODO. 
 
 Edwin, thou art 
 The captive now of heaven's high ministers. 
 Whom thou hast scorned — insulted — 
 
 EDWIN. 
 
 Rather say 
 The ministers of hell ! who have made war 
 Against your lawful prince — a king that ne'er 
 Infringed his people's liberty or rights. 
 Ye should be messengers of peace and love. 
 The tender, harmless pastors of your flocks ; 
 But ye are traitors, men of strife and death ! 
 Who 've drawn the vengeful sword, and brothers taught 
 'Gainst brothers to uplift the deadly blade. 
 The son to strike the father, and the sire 
 His hand to crimson with his off*spring's blood 1 
 
 ODO. 
 
 'Tis thou who art the author of these evils. 
 
 EDWIN. 
 
 Thou to thy treason add'st the crime of falsehood. 
 
 Against a priestly tyranny I drew, 
 
 Enforcedly, my sword — I drew it for 
 
 My country's liberty, for my own rights. 
 
 Not only as a sovereign, but a man, 
 
 An English freeman, who, while life remains, 
 
 Will struggle to the last, and nobly die, 
 
 Ere the dear sanctity of his loved home 
 
 Shall by unlawful power be violated. 
 
236 EDWIN AND ELGIVA. [ActV; 
 
 ODO. 
 
 Thou fought'st for guilt — we in the cause of heaven. 
 
 EDWIN. 
 
 'Tis thus ye seek in mild religion's garb 
 
 To hide your proud ambition, treason, thefts — 
 
 Yes, ye are robbers of the vilest cast ! 
 
 Y' have stol'n by violence my dearest treasure. 
 
 My wife, my guiltless wife— where, where is she ? ', 
 
 Ye brand-inflicting murderers ! where's my wife? 
 
 DUNSTAN. 
 
 I tell thee, stubborn king, thou hast no wife. 
 
 EDWIN. 
 
 I had, base hypocrites, ere from these arms 
 Ye banished her to infamy and woe — 
 And now ye seek to rob me of my crown. 
 
 DUNSTAN. 
 
 The crown is not thine own — it was to thee 
 Intrusted by the people, for their good. (41) 
 Thou, by thy profligate impiety. 
 That crown hast forfeited, with all thy rights, 
 Prerogatives, and state — and by our voice. 
 The chiefs of Mercia and Northumberland ^ 
 Disown thee for their king ; and their allegiance 
 Transfer to thy young brother, princely Edgar. 
 
 EDWIN. 
 
 Ye are a herd of most pernicious traitors ! 
 Perjured deceivers ! and your country's bane ! 
 Insolent priest ! ye dared to interfere 
 With my domestic happiness and peace, 
 And, fiend-like, turn my home, which was to me 
 A heaven, into a hell ! making this heart 
 Beneath the wolfish fangs of hopeless grief 
 To bleed unceasingly — and now to crown 
 
Scene I.] EDWIN AND ELGIVA. 237 
 
 Your base indignities, ye would dethrone 
 Your true, anointed king ! 
 
 DUNSTAN. 
 
 'Tis thy desert ; 
 Thou reap'st the harvest of thy evil doings. 
 
 EDWIN. 
 
 Insulting hypocrite ! my crying wrongs 
 Make my hot brain with frenzied fury burn ! 
 Ten thousand curses blight you ! till ye wither 
 E'en to the bone, a horrible example 
 Of heaven's avenging wrath ! 
 
 ODO. 
 
 The curses of th* accursed 
 Fall on themselves ! — I fearlessly decree 
 That thou shalt be deprived of all thy realms 
 North of the Thames. Ye champions of the church, 
 Chiefs of Northumberland and Mercia, choose 
 Who now shall o'er you reign. 
 
 CHIEFS. 
 
 Edgar shall be our king — Long live king Edgar ! 
 
 (Shouts.) 
 ERIC — (advancing) . 
 Silence those shouts, ye false and fickle chiefs ! 
 He shall not be your king. 
 
 ODO. 
 
 Who dares forbid it ? 
 
 ERIC. 
 
 I dare forbid it — I, their rightful prince ; 
 I, Norway's Axe of Blood ! the king who roamed 
 Lord of the ocean, and wild terror spread 
 Where'er his name was heard ! and on whose brows 
 The diadem of Northumberland was placed. 
 Your voices hailed me king — to me you swore 
 
238 EDWIN AND ELGIVA. [Act V. 
 
 Submission and allegiance ; mine ye are, 
 Mine is the kingdom, and, by all the gods ! 
 Mine it shall be, or I'll destroy your cities, 
 And desolate with fire and sword your homes ! 
 
 ODO. 
 
 What, has the tomb given back its dead again ? 
 Or does some demon animate that form ? 
 
 ERIC. 
 
 Fool ! neither. — Though I with the slaughtered fell. 
 On Tad wine's field, I fell to rise again. 
 
 ODD. 
 
 Seize on th' apostate ! take the ocean-robber ! 
 A prison be his empire. — 
 
 ERIC. 
 
 Let one here 
 Dare move his arm to touch me, and this blade 
 Shall cleave him instantly. If I but wave 
 This helm above my head, a thousand swords 
 Will flash from yonder ranks in Eric's cause ! 
 A thousand bowmen point on you their shafts ; 
 A thousand slingers ready stand to hurl 
 A stony tempest that shall crush you all ! (42) 
 
 ODD. 
 
 The ban of heaven be on thee ! 
 
 ERIC. 
 
 I despise, 
 Fearless, thy curses, as I scorn thy anger ! 
 Pale, shaven-pated fool ! didst think for thee 
 This arm was lifted in the storm of battle ; 
 That Eric, twice a sovereign, was thy slave, 
 Thy tool of vengeance on that Saxon king ? 
 No, thou wast mine ! — I served thee to obtain 
 A great revenge, for which I thirsted years ; 
 
Scene I.] 
 
 EDWIN AND ELGIVA. 
 
 239 
 
 And, — thanks to thee, meek, humble, saint-like priest, 
 Thou pander to my rage, — IVe somewhat slaked 
 The burning fire within. 
 
 EDWIN. 
 
 What have I done 
 To cause thy fiend-like hate ? 
 
 ERIC. 
 
 Thou ? — nothing ! — 
 If thou wouldst learn the cause why I pursue 
 Thee with unceasing hate, go ask the dead ; — 
 Call up the shades of thy detested race 
 From whom thou'rt sprung ! — Ask Athelstan, thine 
 
 uncle. 
 Through whom the kingdom I of Norway lost ! — 
 Ask Edred, who Northumbria's diadem 
 Tore from these brows — and ask thy father, who 
 A price set on my head ! — But 'twas this arm — 
 It is my glory now to tell thee, prince — 
 Which stabbed him at the banquet to the heart 1 — 
 That first revenge was gladness to my soul ! 
 But I'll have greater yet — for I have sworn 
 By Odin's throne, to root the line of Alfred 
 Out of these kingdoms ! 
 
 EDWIN. 
 
 Monster ! miscreant ! fiend ! 
 Thou damned murderer of my royal sire i 
 My soul is sick with horror to behold thee ! 
 
 ERIC. 
 
 Thou puling idiot ! thou cold-blooded coystrel ! — 
 Will not the serpent, when his speckled folds 
 Are trod on, plant his venomed sting i' th' heel 
 Of his proud enemy ? — Will not the elk, 
 Lord of the forest, when by hunters wounded, 
 
240 EDWIN AND ELGIVA. [Act V. 
 
 Gore the fierce baying bloodhounds till he dies ? — 
 
 Live yet awhile, thou crown-bereaved king, 
 
 To feel increasing misery every hour — 
 
 When I think fit, my war-knife shall release thee ! [Ea;it. 
 
 ODO. 
 
 Chieftains of Mercia and Northumberland, 
 This pagan, this apostate, must not reign 
 Over one foot of England''s Christian soil ! — 
 All who his banner follow, on their heads 
 
 Anathemas shall light ! All holy saints 
 
 Assoil me from defilement! — Can it be ? — 
 This wicked woman here on English ground — 
 How has she 'scaped her guards ? 
 
 Enter Elgiva wildly. 
 
 ELGIVA. 
 
 Where is my lord, 
 My own loved husband ? — Joy ! transporting bliss ! — 
 He lives ! he lives ! and I once more behold him ! 
 They told me thou wert fallen on yon red field — 
 Wildly I sought thee mid the blood-drenched slain. 
 Resolved to die there with thee ! 
 
 EDWIN. 
 
 Thou hast rushed 
 Into the fell wolf's lair, and I, a captive, 
 Have not the power to save thee. 
 
 ELGIVA. 
 
 Yes thou hast — 
 Thy dagger will release me from all woe ! — 
 Come, plunge it here, and save me from those horrors 
 Which I shall be again exposed to, when 
 Torn from thy faithful arms — O, let me die, 
 
Scene I.] EDWIN AND ELGIVA. S41 
 
 Here, here upon thy bosom, and my faint 
 Departing sighs shall bless thee for thy kindness, 
 
 EDWIN. 
 
 Alas ! what can I say to give thee comfort ? — • 
 That lovely brow, so branded — 
 
 ELGIVA. 
 
 Ay, with shame ! 
 With infamy ! — which nothing but the grave, 
 The wished-for grave can hide — I feel it still ! 
 The glowing iron on these ghastly brows ! 
 A fever scorches up my frenzied brain ! — 
 O, since I have beheld once more thy face, 
 I now would be at peace. — Come, come, sweet love. 
 Let's seek the tomb, there is no mercy here — 
 Nothing but shame, and agony, and horror ! 
 Let me find pity in thy gentle heart ; 
 O, give me sweet release ! 
 
 ODO. 
 
 I must not listen, 
 As a true minister of holiness, 
 Thou daughter of perdition, to thy wail. 
 Edwin, depart, and take what yet remains 
 To thee of this thy kingdom ; — 'tis a boon 
 Of clemency — be thou right thankful for it. 
 Chiefs, we must in to council. — -Thrust him out, 
 
 {To the soldiers,) 
 And drag that wanton to our inner tent ! 
 
 ELGIVA. 
 
 Ah, then we meet no more ! — O, cruel Edwin, 
 That had the power to rescue, yet refused ! — 
 Death is my doom ! I see it written there, 
 On that dark brow, implacably stern, 
 Thou murderous priest ! — Edwin, again I call 
 
 R 
 
^2 EDWIN AND ELGIVA. [Act V. 
 
 Upon thee to preserve thy trembling wife 
 From the dire, lingering torments of these fiends ! — 
 O, for the love of Heaven, now set me free ! — 
 Strike ! strike, and save me ! 
 
 [Edwin raises his dagger to stab her, but his courage 
 fails him, and he drops his arm ; he attempts to 
 speak, but is overpowered by his feelings. 
 
 Ah, thou faint of heart 1 
 This is our last embrace. — Farewell for ever ! 
 
 [Edwin is hurried off by soldiers, while others drag 
 Elgiva to an inner pavilion. Exeunt. 
 
 SCENE II.— A distant part of the field. A flourish 
 of martial music, shouts, Sfc. 
 
 Enter Eric, Gunhilda, and Rogvalder in splendid robes. 
 
 ERIC. 
 
 Once more, my friend, 
 Dost thou behold me in my regal sphere, 
 King of Northumberland ; and o'er yon host, 
 Won to acknowledge me their sovereign leader 
 With brave devotedness, have I command. 
 Thou too, Gunhilda, movest again a queen. 
 Dashing the tempest clouds aside to break 
 In all thy radiance forth, as the full moon 
 Shines on the ocean when the storms are past. 
 
 GUNHILDA. 
 
 Long have the heavy clouds hung o'er our fate, 
 And others soon may rise. — Our kingly power 
 As yet beams feebly ; we have many foes ; 
 Dunstan and Odo, with their saintly clan, 
 Will strive to stop our course. 
 
Scene IL] EDWIN AND ELGIVA. ^43 
 
 ERIC. 
 
 O, I will spurn 
 These Christian priests ! — I'll hold them prisoners soon 
 Within the towers of York. 
 
 GUNHILDA. 
 
 No ; rather win 
 The hypocrites by their own selfish arts 
 Of deep dissimulation ; promise them 
 Power, honour, riches, and they'll soon be thine, 
 Thy slaves and minions. — Think how great their sway 
 O'er all men's minds. 
 
 ROGVALDER. 
 
 The queen doth counsel well. 
 
 GUNHILDA. 
 
 What a proud bliss to walk in the new splendour 
 Of our success, which, like the golden sun 
 Emerging from a long eclipse, now shines 
 Once more in all the pomp of regal state ! 
 Amid a bannered army to receive 
 The worship paid by gallant chiefs, and hear, 
 As through those gleaming ranks of war we move. 
 Their shouts of welcome pealing to the skies ! — 
 But hast thou given thy vengeance up on Edwin, 
 Content with his dethronement ? 
 
 ERIC. 
 
 No ; by Odin, 
 I would not spare him for another kingdom ! — 
 My eye is on him ; — like the mountain cat 
 That with his trembling victim plays awhile 
 Ere he devours, I with his miseries sport. 
 
 GUNHILDA. 
 
 We must devise to get within our power 
 
 R 2 
 
244} EDWIN AND ELGIVA. [Act V. 
 
 That boy, prince Edgar : while he lives, our throne 
 Will not be firmly seated in the North. 
 
 ERIC. 
 
 Yes, he, and every scion of the stock 
 I will, Gunhilda, sweep from off the earth ! — • 
 The kingdom is divided, and the times 
 Favour our bold attempts. 
 
 GUNHILDA. 
 
 Ay, then the crown, 
 The imperial crown of England will be ours ! 
 
 ERIC. 
 
 Exulting thought ! — Our dawn of power and glory 
 Breaks forth and brightens into perfect day ! 
 
 Enter an Officer. 
 
 OFFICER. 
 
 Haste, haste, my prince ! the Northmen all revolt ! 
 Rebellion spreads on every side around thee. 
 Like flames by tempests through a forest driven ! — 
 Odo and Dunstan are pronouncing curses 
 On all who join thy banners ! 
 
 ERIC. 
 
 Inconstant do^s ! 
 
 o 
 
 Fickle as waves, that move where list the winds! — 
 I'll stifle in their blood those bishops' curses, 
 And bravely face rebellion, though he wear 
 A lion visage, and his tumult shouts 
 Outroar the stormy ocean ! — Follow me ! 
 Death or a kingdom be my banner cry ! 
 
 (Exeunt Eric, Rogvalder, and officer. 
 
 GUNHILDA. 
 
 Distraction ! — Have we toiled, and won the steep, 
 
Scene III.] EDWIN AND ELGIVA. 245 
 
 Thence to be headlong dashed, ere we have drained 
 
 The cup of joy revenge held to our lips ? — 
 
 If fall we must, O for the strength, ye gods ! 
 
 To make the world one hideous wreck, and sink 
 
 In thy dark tomb, destruction, all mankind ! [Exit. 
 
 SCENE Uh— Another part of the field. 
 Enter Elgiva, faint and wounded, supported by a soldier, 
 
 ELGIVA. 
 
 My bitter foes, to whom I ne'er did wrong, 
 At length their ruthless mahce have completed ; 
 The knives of Odo's warriors have divided 
 My sinews to the bone ! — Blood streams afresh 
 At every step ! — Here will I lie me down. 
 Good, gentle friend, for I can move no further. 
 I would not let them mock my parting sighs.' 
 Thanks for thy goodness — nay, begone, or they 
 Will punish thee for this last deed of mercy. 
 
 \_Soldier goes off. 
 I soon shall be at peace. — Before my eyes 
 Dim mists are swimming, and strange shapes appear 
 To flit around me; yet is there one wish, 
 Which lingers here in this sick, fluttering heart — ] 
 Could I but tae a last, a parting look 
 Of my loved Edwin — hear his voice once more, V 
 
 And in his arms breathe out O, this is death ! — 
 
 It cannot be (^Faints, 
 
 Enter Edwin. 
 
 EDWIN. 
 
 Listless I wander without hope on earth ! — 
 
S46 EDWIN AND ELGIVA. [Act V. 
 
 Of friends, of realms bereft ! — O, deeper grief, 
 Bereft of her who was my dearest joy ! 
 E LG I VA — {reviving,) 
 Ha ! (shrieks) 'tis my Edwin ; — 'tis my husband ! — 
 
 haste, 
 And take my parting kiss, my last adieu, 
 Then shall I die in peace ! 
 
 EDWIN. 
 
 Merciful Heaven ! — 
 
 'Tis she, my own Elgiva ! on the ground ! 
 Thus let me raise thee in these doating arms. 
 O, thou art mine again^ and now we'll fly 
 And dwell in some lone forest, where our foes 
 Can never find us. — Farewell, kingdoms, crowns — 
 Adieu to all but thee ! — O, we shall yet 
 Be happy, love. 
 
 ELGIVA. 
 
 No, Edwin, not on earth. 
 
 EDWIN. 
 
 Blood ! O, distracting horror ! thou art dying ! 
 Those fiends have murder'd thee ! — Is there no hope ? 
 
 ELGIVA. 
 
 None, but in heaven, where we shall meet again ; 
 For guiltless have I lived, and innocent 
 
 Of any crime I die. O, my poor mother ! 
 
 Anguish will break her heart — but the kind saints 
 Will take her to their mercy. — Edwin, thou 
 Wilt meet us both hereafter — then what joy ! 
 Life swiftly fades — the dews of death are on me ! 
 
 Forgive my enemies 1 see thee not — 
 
 Yet feel thy tender grasp — grieve not for me — 
 
 My foes no more can reach me. — Edwin, O (Dies.) 
 
Scene III.] EDWIN AND ELGIVA. S^'Y 
 
 EDWIN. 
 
 O, leave me not — a poor, heart-broken wretch, 
 
 Wild with despair! — Alas, she hears me not ! 
 
 Her eyes are fixed, and her sweet spirit 's fled 
 
 To dwell in heaven. — I shall not long survive thee l-^ 
 
 Enter Eric. 
 
 ERIC. 
 
 My kingdom is departed ! — ^yes, 'tis gone, 
 As fades the pageant of a splendid dream ! 
 And noW:, like a dark stormy sea, that howls 
 Round midnight shipwrecks, I for objects seek 
 To vent my fury on, and would depart 
 Myself in one fierce tempest of revenge 1 — 
 Then shall I, 'mid Valhalla's halls of glory, 
 Gunhilda meet, to banquet with the brave. — 
 Joy, thou art here ! 
 
 EDWIN. 
 
 Hence, curst, detested savage ! 
 Intrude not on my misery, or this arm 
 
 ERIC. 
 
 Ha, ha, ha, ha ! — A threat to me ! 
 
 What, whining o'er a carcass ! — 'Tis thy wife, — 
 
 Cold, dead — this is revenge, indeed ! — 
 
 Howl out thy miseries to the passing winds, 
 
 Thy heart-heaved groans are music in my ears. 
 
 EDWIN. 
 
 Fell regicide ! thus I my father's ghost 
 
 Avenge on his foul murderer ! — (^Stabs Eric.) 
 
 Blood shall have blood ! the voice of heaven proclaims it ! 
 
 ERIC. 
 
 O, for a moment's strength — great Odin, strength ! 
 
^48 EDWIN AND ELGIVA. [Act V. 
 
 To plant this dagger in his throat — and then 
 
 I die content 
 
 (jf/e staggers forward^ and attempts to reach Edwin 
 with his poniard, but fails.) 
 
 O for this last revenge ! — 
 I — I cannot reach him — ha, ha, ha! — (Dies.) 
 
 (Flourish of trumpets, shouts, ^c) 
 ODO — (without). 
 Pursue the pagan dog ! 
 
 Enter Odo, Dunstan, Mercian and Northumbrian 
 Chiefs and Soldiers, with banners. 
 
 Ha ! is he dead ? 
 I would have had him, as a base apostate, 
 Linger out life in torments. — Let the sword 
 Return into its scabbard, and the land 
 Have peace through all her borders. — Edgar now 
 Reigns o'er the North, and triumph crowns the church. 
 
 EDWIN. 
 
 Behold thy triumphs, thou despiteful priest ! 
 
 A murdered queen, spotless as yonder sunbeams, 
 
 Murdered by thy fell agency — a king 
 
 Cast by thy treasons from his father's throne, 
 
 And rendered by thy savageness of soul, 
 
 That knew no softening beam of tender mercy, 
 
 More wretched than the most unhappy slave 
 
 That pines in hopelessness! — These are thy triumphs! — • 
 
 But future times will strip thee of thy mask. 
 
 And thy dark demon features shall be seen, 
 
 The scorn of all mankind ! — O, my Elgiva ! 
 
 The cords of life are broke ! but sunbeams flash, 
 
 Not of this world, across my deep despair: 
 
Scene III.] EDWIN AND ELGIVA. 249 
 
 They from the brightness of thy beauty beam 
 Amid yon cherub train. — Stay, lovely spirit, 
 I come to join thee in the realms of bliss — 
 Now we shall part no more ! (43) 
 
 (Edwin falls by the body of Elgiva, and all the 
 characters form a group around them.) 
 
NOTES. 
 
 (1) Vested in garh 
 
 Of vassal knight to some accursed Saxon. , . p. 145. 
 
 A knight, even in the full chivalric meaning, was a military ser- 
 vant of somebody, either of the kin^, the queen, a favourite lady, 
 or some person of dignity. In a state very similar to this are the 
 cnihttas in the Saxon wills. They appear to us, in like manner, 
 in a rank far above a servant in the Saxon gild-scripes. Of these 
 fraternities, cnihts constituted a part, and are distinctly mentioned, 
 though with a reference to some lord to whom they were subordi- 
 nate ; a situation which seems best explained by supposing them 
 free and respectable dependants. — ' If a cniht draw a sword, the 
 lord shall pay one pound, and let the lord get it when he may.' — 
 Hist. Ang. Sax. 
 
 (2) Eric, in Norway called 
 * The Axe of Blood: p. 145. 
 
 * Eric the Ferocious, surnamed *' Axe of Blood," king of Nor- 
 way.* — See Hist, of Norway, by I. P. G, Catteau Calleville, Knight 
 of the Polar Star. 
 
 (3) When piracy was honourable craft. . . p. 146. 
 
 Harold, the father of Eric, prohibited piratical excursions on 
 every part of his dominions ; he drove Rollo from Norway on that 
 account. Commerce however was in such credit, that Biorn 
 prince of Westfold, the son of Harold Harfagre, became a mer- 
 chant, and by his more warlike brothers was distinguished by that 
 title. Others also of illustrious ancestry were traders, and are 
 mentioned for the affluence they acquired by it. — Hist. Ang. Sax. 
 
252 NOTES TO EDWIN AND ELGIVA. 
 
 (4) Their blazing towns 
 
 Lighted me on to plunder, and my barks 
 Were loaded ivith their riches, while their maids 
 And braveat youths I sold as captive slaves 
 Far from their native homes. . . p. 147. 
 
 ' We read that the pirates of the North seized every moveable 
 commodity where they invaded, and destroyed by fire the habita- 
 tions and growing produce of the field, when they could not 
 remove it ; that part of the inhabitants they slew^ on the spot, 
 and carried away the others for slaves, sharing them by lot ; that 
 of these captives they slew such as were too old for labour, and 
 were therefore unsaleable ; and that they exposed the others to 
 the public market so unsparingly, that we find at one time a 
 queen, pale, worn out with fatigue and sufferings, and squalidly 
 clothed, and on another occasion, a prince, standing up to be pur- 
 chased like cattle. We see that, from the plentiful supply, so low 
 was the price, that Olaf the prince, who afterwards became the 
 king of Norway, and the invader of England, was sold for a gar- 
 ment, and that a collection of boys were disposed of for a fine 
 groat.' — Hist. Ang. Sax, 
 
 What delectable times to have lived in ! 
 
 (5) My follower fell, 
 
 Covered with stabs and blood. . . p. 149. 
 
 Malmsbury asserts that England was filled with fables respect- 
 ing the death of Edmund ; and Wallingford says that it was, up to 
 the period of his writing, uncertain who was the murderer, or 
 what was the cause : — * Sed qua ratione vel a quo occisus fuit 
 usque ad prsesens incertum habetur/ 
 
 (6) I fell amid the slain, and since that hour 
 It is believed I fell to rise no more. . . p. 149. 
 
 Mailros calls Eric the last king of Northumberland. Eric 
 came into England in 939 : if he had then reached the age of 
 thirty, which is not likely, he could be only forty-six at the period 
 of Edwin's coronation. 
 
 It is said by Matthew of Westminster, and other authors, that 
 Eric was treacherously kilJed byMaccus, after his last battle with 
 
NOTES TO EDWIN AND ELGIVA. 253 
 
 Edred, in a desert. Be that as it may, I have chosen, for the pur- 
 pose of displaying the ferocious character of a Sea-king or Vikingr, 
 that he should survive the loss of his kingdom. 
 
 And here perhaps it will not be improper to state, as the facts 
 are mentioned by only one modern historian, — that the noble- 
 minded Athelstan received as fugitives at his court the wife, 
 and Lewis, the son, of Charles the Simple, after the dethrone- 
 ment of that monarch, and also Alan, the banished prince of Bre- 
 tagne, who was educated at his court. Both these sovereigns, by 
 his assistance, were restored to their dominions. Haco, the vir- 
 tuous son of Harold of Norway, was also carefully brought up by 
 him, till the Norwegians, expelling the cruel Eric, his brother, 
 called him to the throne of Norway. Such was the generosity of 
 Athelstan, that, on the arrival of the fugitive Eric on the British 
 shores, he gave him the tributary kingdom of Northumberland. 
 
 (7) To join the minstrel bands, . . p. 151. 
 
 The minstrels, or Saxon gleemen, often travelled in large com- 
 panies. 
 
 The emperor Henry IH., at his marriage with Agnes Poictou, 
 to please the monks, disappointed the poor minstrels, who had 
 assembled in great multitudes on the occasion, giving them neither 
 food nor reward, but ' sent them away,' says a monkish author, 
 *^with empty purses and hearts full of sorrow.''— -S^rw/^. 
 
 (8) St. Petefs beard and hair, , , p. 152. 
 
 ' In Athelstan's time numerous relics were collected from 
 abroad — such as a part of our Saviour's sepulchre, a piece of the 
 real cross, part of the Virgin's dress, St. Bartholomew's head, St. 
 Paul's neck-bones, St. Andrew's stick, St. Stephen's blood, St. 
 Peter's beard and hair, the finger of Mary Magdalen, and a thou- 
 sand others.' — See Dugdale's Monast., vol. i. 
 
 (9) Enter Gunhilda. . . p. 152, 
 
 In Haralld's Saga, Gunhilda is represented as exceedingly 
 beautiful, but detestably cruel and deceitful ; yet highly intelli- 
 gent and winning in her manners. 
 
254 NOTES TO EDWIN AND ELGIVA. 
 
 (10) Unless the harp give immortality. . . p. 155. 
 
 * The literature of the age,' says Turner, * was in the hands of 
 two very different bodies of men, the clergy and the Scalds.' These 
 Scalds, or minstrels, as they were called in the middle ages, * were 
 commonly of the chief blood of their country, oftentimes of the 
 king's council, and his attendants in war, that with their own eyes 
 they might be witnesses of great actions, and, not taking them 
 upon trust, might be better able with truth to deliver them to 
 posterity. 
 
 * Besides the famous actions of kings and great persons com- 
 posed in verse, the Scalds drew out genealogies of their forefathers, 
 as it appears in the chronicle of Olaus, where there is mention 
 made of one of them. Oc taldi han longfeda til Semingh — He 
 wrote their progeny to Seming ; and again. It ni KuedieraWptald 
 XXX. langfedgar Rognwalls — In this verse are reckoned up thirty 
 descents of Rognwall. Upon this account these poets were in 
 great favour with princes, and were liberally provided for in their 
 courts.' 
 
 (11) The fair, and market-cross. 
 
 And well-frequented bridge, are places where 
 Such minstrels should resort. . . p. 156. 
 
 Alhelm is said to have sung his poems on the bridges, for the 
 purpose of instructing the people. 
 
 (12) His next song should be, like the dying swan's. 
 His own funereal lay. . . p. 157. 
 
 * It is very remarkable that the ancient Icelandic bards should 
 have got hold of that fabulous opinion of the swan's being a sing- 
 ing-bird, which so generally prevailed among the Greek and 
 Roman poets.'— A^o^e* to Northern Antiquities. 
 
 (13) And chant thy songs to dancing bears and beggars. . .p. 158. 
 
 * One part of the gleeman's profession, as early as the tenth 
 century, was teaching bears and other animals to dance, to tum- 
 ble, and to put themselves into a variety of attitudes, at the com- 
 mand of their masters.' — See the engraving of an Anglo-Saxon 
 gleeman's bear-dance, in Struttj p. 176. 
 
NOTES TO EDWIN AND ELGIVA. 255 
 
 (14) I loved a maid. . . p. 160. 
 
 Vide the Life of Dunstan, Anglo-Saxons. 
 
 (15) Early visions have foretold my greatness. . . p. 161. 
 
 * He (Dunstan) frequently visited the old British church at 
 Glastonbury, and it is said that he had there a vision of his future 
 greatness, and that a venerable phantom pointed out the place 
 where he was to build a superb monastery.' 
 
 (16) The order of Benedict. . . p. 162. 
 
 In the tenth century a new religious discipline was spread in 
 Europe, which occasioned the misfortunes of Edwin. This was 
 the Benedictine order of monks. Odo, one of the order and its 
 warmest patron, was the son of one of those ferocious Northmen 
 who had infested England under Ingwar and Ubbo. He had been 
 himself a soldier in the first part of his life, in the reign of Ed- 
 ward, and he quitted the military profession to assume the eccle- 
 siastic. He attended Athelstan in the battle of Brunanburh ; and 
 as other bishops combated at that time, and as it is confessed 
 that he knew immediately of the king's sword breaking in the 
 conflict, and supplied the loss, it is probable that he partook of 
 the fray, though his encomiasts talk only of his prayers. These 
 circumstances may be worth noticing, as they explain that stern 
 severity which was so unhappily exerted against Edwin and 
 Elgiva. — AnglO'Sax.y vol. ii. 
 
 (17) We'll have no married priests. . . p. 163. 
 
 In the first general Lateran Coimcil, 1123, the twentieth canon 
 forbids priests, deacons, or monks, to have wives or concubines, 
 and declares null and void the marriages which they have con- 
 tracted. 
 
 The great object of Dunstan and Odo was to convert the clergy 
 into monks, and to fill the nation with Benedictine institutions. 
 
 (18) That ferocious wolf who, when 
 
 The end of all things comes, shall break his chain. 
 And men and gods devour. . . p. 167. 
 
 * Odin is devoured by the wolf Fenris at the Raonarockur, or 
 the twilight of the gods,' — Thirty-second Table of the Edda, 
 
256 NOTES TO EDWIN AND ELGIVA. 
 
 (19) And the blest Virgin Mother sabred balm 
 Upon the anointed shed! . .p. 168. 
 
 Walsinghara gives an account of the pretended miraculous 
 anointing oil given to Becket by the Virgin Mary, with which 
 Henry the Fourth was anointed, to inspire a popular belief that 
 he was chosen by heaven, and ordained to be the champion of the 
 church. This tom-foolery, no doubt, greatly influenced him to 
 burn those whom the priests styled heretics. 
 
 (20) I joy because the honours of this day 
 Are worn by him I love. . . p. 169. 
 
 * The Anglo-Saxon queen was crowned as well as the king, un- 
 til the reign of Egbert, when this honour was taken from her. 
 The crimes of the preceding queen, Eadburga, occasioned the 
 Anglo-Saxons to depart awhile, in this respect, from the customs 
 of all the German nations.' — Hist. Anglo- Sax, 
 
 (21) He from whose lips immortal music breathes y 
 In poesy, the language of the gods, . . p. 175. 
 
 * It was the constant study of the Scalds to lift their poetic style 
 as much as possible above that of their prose ; so that they formed 
 a kind of new language to themselves, which they called, after the 
 manner of the Greeks, Asommaal, the language of the Gods.' — 
 Northern Antiq. 
 
 (22) Such majesty and grace dwell in hisform^ 
 
 That like a god in mortal shape he moves / . . p. 1 77. 
 
 Edwin (not Edwy, which is only an abbreviation, like Willy for 
 William) was surnamed Panculus, or All-Fair. 
 
 (23) Those mighty chiefs 
 Who chose thee for their king. . . p. 180. 
 
 The crown was elective as well as hereditary among the Anglo- 
 Saxons, and often they deviated out of the direct line to advance 
 to the throne one of a collateral branch. 
 
 (24) Athelstan, renownedly the first 
 
 Great monarch of all England / . . p. 182. 
 
 The claims of Egbert, to have been the first monarch of all 
 
NOTES TO EDWIN AND ELGIVA. 
 
 257 
 
 England, are, says Sharon Turner, * unquestionably surreptitious. 
 The competition can only be between Alfred and Athelstan. Our 
 old chroniclers vary on this subject: some denominate Alfred the 
 first monarch ; some give it to Athelstan. The truth seems to be, 
 that Alfred was the first monarch of the Anglo-Saxons, but Athel- 
 stan was the first monarch of England. The Danish sovereigns, 
 to whose colonies Alfred chose, or was compelled, to yield North- 
 umbria and East Anglia, divided the island with him ; therefore, 
 though he first reigned monarch over the Anglo-Saxons, from the 
 utter destruction of the octarchy, it was not till Athelstan com- 
 pletely subjugated the Anglo-Danish power, that the monarchy of 
 England arose.' 
 
 (25) Could I have had my will, I would have poisoned 
 
 The banquet-cups of yesterday's proud feast. . . p. 186. 
 
 * Gunhilda poisoned her husband's brother Halfdan/ — Ha- 
 ralld'8 Saga. 
 
 (26) there to fill 
 
 The vanquished foeman's wine-skull for the hrave. . . p. 187. 
 
 ' In Valhalla their cups are the skulls of enemies they have 
 slain. A crowd of virgins wait upon the heroes at table, and fill 
 their cups as fast as they empty them.' — Edda, Iceland Mythol. 
 
 (27) our Saxon laws 
 Award not death to any^ save the free 
 Who take the robber's craft. . . p. 197. 
 
 * If an Englishman that hath lost his freedom afterwards steal, 
 he shall be hanged on the gallows, and no recompense made to 
 his lord ; if any one kill such a man, he shall make no recom- 
 pense on that account to his friend, unless he redeem him within 
 a twelvemonth.' — Laws of King Ina. 
 
 (28) In thee centres 
 
 All I can wish for, save my people's love. . . p. 199, 
 
 The character of Edwin, notwithstanding the lying defamation 
 of the monks, was amiable and virtuous ; and had he not been 
 prematurely cut off by his inexorable enemies, his reign would 
 no doubt have been an honour to the English nation. 
 
 I 
 
258 NOTES TO EDWIN AND ELGIVA. 
 
 * Tenuit namque quadrennio per resiium amandus:— Ethel- 
 ward, p. 849. 
 
 ' Non illaudabiliter regni infulam tenuit.— In principio reg- 
 num ejus decentissime fioreret, prospera et laetabunda exordia 
 mors immatura ^^txrcc^ii:— Huntingdon, 
 
 (29) Who in her wantonness hath urged him on. 
 
 Like Jezebel of old, to slay God's priests. . . p. 204. 
 
 * MSS. Cleop. This author, and Adelard, Nero, c. 7, politely 
 attach to the lady's name such epithets as impudens virago, Je- 
 zebel, &c, Osberne uses the delicate phrase of nefandae mere- 
 tricis, and sagaciously informs us, Mulieri animum instigat diabo- 
 lus.'— A^o^e* to Anglo-Sax. 
 
 (30) "I We do decree. 
 
 That for thy wanton deeds, and those vile arts. 
 Given wholly to the devil. . . p. 208. 
 
 We have put Osberne's wise opinion into the mouth of Odo, as 
 quite appropriate to his ignorant, superstitious, and savage cha- 
 racter. 
 
 (31) I will lay" 
 
 Aside these robes, and mourn in dust and sackcloth ; 
 Barefooted I on pilgrimage will walk. . . p. 209. 
 
 ' The laws of Edgar state, that a mighty man, if rich in friends, 
 may thus, with their aid, lighten his penance. He must first 
 make his confession, and begin his penance with much groaning. 
 Let him then lay aside his arms and his idle apparel, and put on 
 haircloth, and take a staif in his hand, and go barefoot, and not 
 enter a bed, but lie in his court-yard. If this penance be imposed 
 for seven years, he may take to his aid twelve men, and fast three 
 days on bread, green herbs, and water. He may then get seven 
 times an hundred and twenty men, who shall all fast three days, 
 and thus make up as many days of penance as there are days in 
 seven yesus.' ^Leg. Sax. 
 
 (32) for lam the foe inflexible 
 
 To vice and crime .' . . p. 209. 
 
 * It is not denied by the old chroniclers, that Odo was active in 
 
NOTES TO EDWIN AND ELGIVA. 259 
 
 these measures ; why else is the passage added immediately after 
 the murder, stating his being the inflexible enemy to all vice ? ' — 
 Sharon Turner. 
 
 (33) Or some fierce tempest. 
 
 Raised by grim mickes. . . p. 212. 
 
 * There are penal statutes in the capitularies of Charlemagne, 
 in the canons of several councils, and in the ancient laws of Nor- 
 way, against such as raise storms and tempests — Tempestarii 
 being the name given to such persons.' 
 
 (34) Away ! I cannot bear to look upon thee ! 
 
 Thou hast the ruthless spirit of a fiend! . . p. 216. 
 
 The mantle of tyranny and assumption of power seem to have 
 descended on the shoulders of Od.o from the celebrated St. Cyril 
 (a precious saint!), bishop and patriarch of Alexandria. The first 
 act of authority which we read Cyril did, after his elevation to the 
 see by force and sedition, was to shut up the churches of the 
 Novatians, seize on the sacred utensils, and plundering the house 
 of their bishop, Theopemptus, drive him out of the city, stripped 
 of every thing he possessed. Another instance of his usurpation 
 of civil authority, was on account of a riot, which was occasioned 
 by one Hierax, a schoolmaster (a professed admirer of the bishop), 
 in which some violent Christians were killed by the Jews, who 
 were numerous in Alexandria. Cyril, the next morning after the 
 fray, by break of day, put himself at the head of the Christian 
 mob, and without the knowledge of the governor, took possession 
 of the synagogue, drove the Jews out of Alexandria, pillaged their 
 houses, and allowed the Christians who were concerned with him 
 in the riot, to appropriate to themselves all their effects. But 
 what makes the character of Cyril come more nearly in resem- 
 blance to that of Odo, is the inhuman murder, by his connivance, 
 of the celebrated Hypathia, the daughter of Theon, a learned 
 philosopher, who governed the Alexandrian academy with great 
 applause, in the latter part of the fourth century. On his death 
 he was succeeded as head of the academy by his daughter, whom 
 he had educated not only in all the qualifications of her sex, but 
 in the most abstruse sciences. This amiable lady, possessed of 
 great talents, was assailed, when passing through the streets of 
 Alexandria, by one of Cyril's monks, and dragged into a church, 
 where she was stripped of her garments, and had her flesh torn 
 
 S 2 
 
260 NOTES TO EDWIN AND ELGIVA. 
 
 off with sharp tiles ; and when this accomphshed female died be- 
 neath the torments of the monks and priests, they tore her limb 
 from limb, and dragged her mangled remains about the streets, 
 and then burnt them in the fire. — ^Vide Socrat., 1. viii. c. 14. 
 
 (35) Northumberland and Mercia are in arms; 
 
 They shout for Dunstan, and demand him home. . p. 2 17. 
 
 * The remainder of Edwin's reign is not distinctly related, but 
 the main results are clear. The Mercians and Northumbrians 
 rebelled against him, drove him beyond the Thames, and ap- 
 pointed Edgar, his brother, a boy, to govern them in his stead. 
 Dunstan was immediately recalled with honour.' 
 
 (36) Would not the distant music of some band 
 
 Of gleemen, Cuthbertj and their merry jugglers. 
 Returning from the hall of lordly thane. . . p. 2 19, 
 
 * It was no uncommon thing with the itinerant minstrels to find 
 admission into the houses of the opulent, by whom they were 
 handsomely rewarded for the exertion of their talents.' — Strutfs 
 Sports and Pastimes. 
 
 (37) Ay, Hubert, or the sight of passing mass-thane. 
 
 Mounted upon his steed, with jewelled trappings, . p. 219. 
 
 Mass-thane, a clerical nobleman. 
 
 Jennettes of Spain that ben so white. 
 Trapped to the ground with velvet bright. 
 
 Squyer of Low Degree. 
 Their gold rings contained gems; and even their garments, 
 saddles, and bridles, were sometimes jewelled. — Anglo-Saxons, 
 
 (38) Or on a visit to some giver of loaves. . . p. 219. 
 
 The origin of the title of * my lord.' * The etymology of this 
 title of honour,' says Coats, * is well worth observing. It is com- 
 pounded of illaf, a loaf of bread, and ford, to give, or aford ; so 
 that illaf ord, now lord, implies a giver of bread ; because in those 
 ages such great men kept extraordinary houses, and fed all the 
 poor, for which reason they were called "givers of bread," a thing 
 
NOTES TO EDWIN AND ELGIVA. 261 
 
 now much out of date, great men being fond of retaining the 
 title, but few regarding the practice for which it was originally 
 conferred.' 
 
 (39) Redwolfgar^ struck by a flash, staggers a7id falls., -p. 231, 
 
 The incident of Redwolfgar's being struck by a flash of light- 
 ning, as far as my knowledge goes, is quite new to the drama ; 
 but it is a circumstance as far from being improbable as it is from 
 being impossible. We have but too many instances to prove this, 
 many persons being killed by lightning, both without and within 
 their houses, almost every summer. 
 
 (40) The cymbalon, and drum, and trumpet's voice. . p. 221. 
 
 The drum is a tense leather stretched on two cones, joined 
 together by their acute part, which resounds on being struck.— 
 Bede. 
 
 (41) The crown is not thine own — it was to thee 
 
 Intrusted by thepeople, for their good ... p. 236. 
 
 It has been before stated that the Saxon crown was elective. 
 
 (42) -^ thousand slingers ready stand to hurl 
 
 A stony tempest that shall crush you all . . p. 238. 
 
 The following curious fragment, transcribed from a manuscript 
 translation of Vegetius de Re Militari, so early as 1408 (reign of 
 Henry IV.) by a Mr. Green, will show, that the use of slings was 
 continued down at least as far as that period in the English army : 
 
 * How the sheltron of the legions shall be lerned and taught. — 
 Now will we shew^ how the sheltron of the legions shall be taught 
 to set hemself in ordenaunce in caas that ennmyes ben nigh, and 
 this may bee shewed by settyng of one legion, after that yef need 
 be of m 00, the horsemen evermore shal bee set in the corners. 
 The sheltron of the fotemen of the fyrst sort, shal bee set in the 
 ryght corner, and w^ete thou well that cohort is not ellis but the 
 numbre of fiyfty hundred knyghtis, and every legion is ten co- 
 horts. Than, as I sayd before, the sheltron of fotemen of the 
 fyrst cohort shukle be set in the fyrst corner of the sheltron, and 
 to hem the secunde cohort shal be joined. The iiid cohort shall 
 
S6S NOTES TO EDWIN AND ELGIVA. 
 
 holde the middes of the sheltron, and to hem the iiiith shalbe 
 knytt. The vth cohort shall hold the lyfte corner of the sheltron, 
 and tho that furthermost bee in fyght ben ecleped princes, and 
 other ben cleped principalis, this ordenaunce was cleped the grete 
 armature, the which had helmes, haberjons, and brest plates, leg 
 harnesse, grete swordis, that men clepe spatus, and also litill 
 swordis, that were cleped litill spatus. They had also shaftis 
 leded at the ende, five at the lest, the which wer cast with grete 
 myght. Also they had double dartis, one of the more syse, ano- 
 ther of the lasse ; the more had an hede of iron iii square, the 
 weight of iv uncis, and the shafte of v foot and an halfe, the which 
 now is cleped a pile, and to the use of this shot the knyghtis wer 
 most used ; the which shot, and it wer vastly and myghtly shot, 
 it persed shield and haberjon, and horsemen oftetyme destroyed ; 
 another lesse dart they had, the which had an hede of iron iii 
 square, of v uncis weight, the shafte of iii fote and an halfe, the 
 which now is cleped a broche, and sometyme it was cleped a litill 
 broche. The first sheltron is of princes, the secunde of shaftemen, 
 that with justing speris, casting speris, and dartis, ben taught and 
 lerned to fyght; after hem were sett lyght armed men, with 
 sheldis covered, the which fyght with battis of lede, with swordis, 
 and with shott of hande ; after hem comen bowmen, armed with 
 bassenettis and brest plates, gird with swerdis, bowes and ar- 
 rowes ; after hem was sett hand slyngis and shaft slyngis, cast- 
 yng stones; after hem was sett arrowblasters, the which shotten 
 arrows and quarrellis with arblastes and bowes of brake. The 
 secunde sheltron, in the same wise, was armis, in which wer sett 
 knyghtis of the spere, both in the secunde sheltron, the vi cohort 
 of knyghtis hilden the ryght corner, and to hem' wer joined the 
 seventh; what a cohort is I have shewed before ; the viii and ixth 
 cohort hilden evermore the myddes of the sheltron ; the xth, in 
 the secunde sheltron, hild enmore the lefte corner.' 
 
 The Saxons were very skilful in the use of the sling ; its form 
 is preserved, says Strutt, in several of their paintings, and the 
 manner in which it was used as far back as the eighth century. 
 In a MS. poem in the Cotton Library, entitled * Knyghthode 
 and Batayle,' written about that period, says the above author, 
 are the following lines : — 
 
 Use eck the cast of stone, with slynge or honde ; 
 It faUeth ofte yf other shot there none is. 
 
 Men harneysed in steel may not withstonde 
 The multitude and myghty cast of stonys ; 
 
 And stonys in effecte are every where, 
 
 And slynges are not noyous for to beare. 
 
NOTES TO EDWIN AND ELGIVA. 263 
 
 (43) Now we shall part no more ! . . p. 249. 
 
 * One author even states that he was assassinated. If, from 
 the want of fuller evidence, we hesitate at believing this, we must 
 at least admit the affecting account that his spirit was so wounded 
 by his persecutions, that, unable to endure unmerited odium, de- 
 privation of power, a brother's rebellion, and the murder of his 
 beloved wife, he sunk pining into death before he had reached the 
 full age of manhood; — Hist. Anglo-Sax. 
 
 END OF EDWIN AND ELGIVA. 
 
THE IMPERIAL PIRATE. 
 
 A TRAGEDY. 
 
DRAMATIS PERSONtE 
 
 = British Princes. 
 
 Carausius, Emperor of Britain. 
 
 Allectus, Consul, and pretended Friend to the Emperor. 
 
 dungarth, -^ 
 
 Ambrosius, 
 
 Ardoc, 
 
 Caswallon, 
 
 ViNDOMA, 
 
 Dhu Cadern, Friend to Dungarth. 
 
 MoNTCiLLius, a Tribune. 
 
 The Arch-Druid. 
 
 2nd Druid. 
 
 The Rex Sacrorum. 
 
 OcTAvius, an Ambassador of Rome. 
 
 LiLTUs, a Tribune. 
 
 Flamin. 
 
 Messenger. 
 
 Oriuna. 
 
 Malvvina. 
 
 Ruthinia. 
 
 Roman and British Soldiers, Officers, Druids, Bards, &c. 
 
THE IMPERIAL PIRATE 
 
 ACT I. 
 
 SCENE I. — A wooded Valley, dim with the shadows 
 of evening. At a distance^ a green mound, or tumulus, 
 covered with flowers , 
 
 Enter Malwina. 
 
 MALWINA. 
 
 Hail, hour of eve ! when fond remembrance flings 
 Her spells of pleasing sadness o'er the soul, 
 Recalling words and forms of those we love, 
 Whom death or distance from our arms hath torn. 
 This is the hour I come to mourn the dead, 
 Where I have raised a monument to him 
 Whose bones lie tombless on some battle-field. 
 Far from his native land ! — Kind Nature shares 
 My hopeless grief — from the dim forest comes 
 Sad music, like the sound of lonely harps. 
 When they foretell the fall of warrior-kings : (1) 
 The river wanders by with plaintive voice, 
 And the leaf-hidden nightingale laments 
 With passionate feeling, as if she had lost, 
 By fowler's snare, like me, her gentle mate ! 
 O, that my solU could with yon sun-bird mount 
 Where, purple-clouded, on the world below 
 
2*70 THE IMPERIAL PIRATE. [Act I. 
 
 Gleams a rich glory, like the gate of heaven ; 
 There dwell in light and blissfulness with thee, 
 My loved, my lost Ambrosius ! — 
 
 Enter Caswallon, in the garb of a Hunter, 
 
 CASWALLON. 
 
 In tears, Malwina ? — Nay, my child, forbear — 
 All sorrow, fruitless sorrow, must be laid 
 Henceforth aside. — Weep for the dead no more. 
 Carausius the renowned, who reigns supreme 
 O'er Britain's guarded isle, and is at Rome 
 Acknowledged emperor, calls thee to his arms. 
 His messengers, from Sorbiodunum*s towers, 
 Erst the time-hallowed city of the sun, (2) 
 Are at our cavern-home, and wait to lead 
 Thee, my loved forest-maid, to Caesar's throne ! 
 The pomp of empire, like the morn-beams bright 
 Waking the flowers, on thy young beauty dawns 
 To dry those tears, and banish every cloud 
 Of unavailing sorrow from thy brow. 
 
 MALWINA. 
 
 The shadows of the grave would be to me 
 
 More welcome than the splendours of a throne. {Aside.) 
 
 These are the tears of love, my princely sire. 
 
 Shed o'er the simple monument of him 
 
 Who won, by your consent, my virgin heart. 
 
 Honoured for valour by the Roman legions, 
 
 He Dioclesian's banners in the east, 
 
 To win new glory, followed — There, alas ! (3) 
 
 The flower of Britain's knightly warriors fell. 
 
 Wounded to death on Persia's blood -drenched plains ! 
 
 I, by thine aid, yon funeral mound have raised, (4) 
 
Scene I.] THE IMPERIAL PIRATE. 271 
 
 And still my sad delight has been at morn 
 And evening hour to visit this loved spot, 
 Where last we parted — ne'er to meet again ! 
 
 CASWALLON. 
 
 Come, dry thy tears^ and quit this mournful scene. 
 
 MALWINA. 
 
 Must I this valley leave, so long my home, 
 To dwell with strangers in a world unknown ? 
 Yes — I remember now that I have pledged 
 (Ah ! 'twas your fond entreaties that prevailed) 
 My hand to this Carausius, — but my heart — 
 That never can be his ! — O, my Ambrosius ! 
 Thy cherished image dwells eternal there. 
 And thou art ever present to my sight, 
 In all the manly beauty of thy youth, 
 Or on the fields of death, with clymore-gash, 
 Cold, sleeping in thy blood. 
 
 CASWALLON. 
 
 Nay, my sweet child, 
 Banish such gloomy fancies from thy mind ; 
 For now the time is come that thou shouldst know 
 The whole of my sad story, and why we 
 Have in this forest dwelt so long alone : 
 Thou hast to learn the cause which drove me forth 
 A desert wanderer from my goodly home, 
 And the time-reverenced honours of our line. 
 List to me then. — 
 
 MALWINA. 
 
 I do attentively. 
 
 CASWALLON. 
 
 In Coritania's ancient city stood 
 
 The noble palace of my princely sires, (5) 
 
272 THE IMPERIAL PIRATE. [Act I. 
 
 And Roman temples crowned its swelling hills, 
 
 That yielded scenes rich as Italian climes. 
 
 Thou wert too young its beauties and its pomp 
 
 To bear in mind, ere we were driven from thence 
 
 To herd with brutes in caves and forest- wilds — 
 
 When Dioclesian gave his stern commands 
 
 That all should be destroyed who dared refuse 
 
 To offer sacrifice with pagan rites, 
 
 Britain, which had till then the fiery scourge 
 
 Of persecution 'scaped, became the scene 
 
 Of dreadful slaughter ! In one day were slain 
 
 A thousand holy martyrs near the walls 
 
 Of sad Etocelum ! named from that deed (6) 
 
 The blood-red field of death ! 
 
 MALWINA. 
 
 O, horrible I 
 
 CASWALLON. 
 
 On then the ruthless bands of pagans came, 
 
 Like streams of fire storm-driven along the forest. 
 
 I and my Coritanians were of those 
 
 Who in this ocean-guarded isle embraced 
 
 The holy faith of Christ, scorning to bow ' 
 
 In homage at the heathens' idol-shrines. — 
 
 Firmly resolved, with unpolluted rites, 
 
 To worship Him, the true and only God, 
 
 I was about, Malwina, forth to go. 
 
 And bravely meet those hell-excited hordes. 
 
 Whose crimson knives reeked to th' insulted heavens 
 
 With Christian blood, protesting by the saints 
 
 To fearlessly proclaim my faith, and win 
 
 The star-refulgent wreath of martyrdom ! 
 
 MALWINA. 
 
 O, how did you escape ? 
 
Scene I.] THE IMPERIAL PIRATE. 273 
 
 CASWALLON. 
 
 Hear me, my child. 
 Already on the evening winds up gushed 
 The redly struggling fires on every side 
 From Coritania's smoke-encircled fanes ; 
 While wolfish howlings of those pagan bands, 
 The roar of ravenous flames, the crash of tower 
 And falling temple, mingled with the screams 
 Of maid and matron, youth and hoary age, 
 Rang through my palace-halls, as on I passed, 
 Nobly to die for God ! — Ah, then it was 
 That thou, my child, my only, tender child, 
 Didst, shrieking, rush in terror to these arms ! 
 O, at that moment of expressless horror, 
 I felt my spirit melt — the martyr's strength, 
 The glorious firmness of unshrinking faith. 
 Which fills the soul it fires with bliss to meet 
 Death in his direst form, all, all was quenched 
 In fond paternal love and fear for thee ! 
 
 MALWINA. 
 
 Ah, my dear father ! 
 
 CASWALLON. 
 
 O, the utmost vengeance 
 My bitterest foes could in their malice wreak 
 On me, I should undauntedly have scorned ! 
 But to behold my child hurled in the flames, 
 Or tossed on pagan spears ; to view her form 
 Dabbled in blood, and hear her dying cries. 
 All powerless to avenge or to defend — 
 O, my Malwina ! — I for thee gave up 
 The crown, the martyr's sun-bright crown of glory ! 
 Hid in the garb of serf, with thee concealed 
 Beneath my vest, I rushed through flames and blood, 
 
'274 THE IMPERIAL PIRATE. [Act I. 
 
 And from destruction's lion-fangs escaped. 
 Hither to these wild, unfrequented shades 
 I fled to hide my little trembling dove 
 From the fell eagle's talons, and became 
 A hunter of the forest. — Young Ambrosius, 
 Prince of the Catyellani, wandering here, (7) 
 With hound and hawk, till lost amid these woods, 
 Thou , finding, to our secret cave didst lead : 
 He gazed on thy mild beauty, gazed and loved — 
 But the brave youth is fall'n ; and thou hast paid 
 Meet tribute to the memory of his virtues. 
 Now other thoughts should fill thy gentle breast, 
 For thou it is who canst thy sire restore 
 To all his wonted rights — and then, to view 
 Thee seated on this isle's imperial throne 
 Will more than recompense his sorrows past, 
 Making his few days blessed. 
 
 MALWINA. 
 
 Ah, my lord. 
 This emperor, this Carausius — 
 
 CASWALLON. 
 
 Is a prince . 
 Renowned for warlike deeds throughout the world. 
 Though not a Christian, yet in chains hath he 
 Fell Persecution's raging blood-fiend bound. 
 When this great chief his host against the Picts 
 And northern robbers led, I, from these woods 
 Emerging, met him in bright Lindum's halls, (8) 
 And boldly claimed the kingdom of our house, 
 By an usurping pagan now possessed. 
 Love in the warrior's soul, as with me thou 
 Didst kneel before him, lit his passion-flame 
 From the pure radiance of thy dove-like eyes. 
 
Scene I.] THE IMPERIAL PIRATE, 275 
 
 The chieftain started at the sudden blaze. 
 
 And swore, by Jove, when from the field of spears 
 
 He came triumphant, if thou wouldst bestow 
 
 On him thy hand, the honours to restore 
 
 Of our ancestral line — He hath in pomp 
 
 To Caesar's towers returned, with victory crowned 
 
 O'er the wild saVage nations of the North, 
 
 And claims thee for his bride. 
 
 MALWINA. 
 
 Ah, good my lord, 
 A gloomy fierceness on his pale brow sits, 
 Repelling soft emotions ; and his eye, 
 Darker than is the wintry midnight cloud, 
 That holds the struggling thunder, sheds a light 
 Which dazzles like the storm-flash when it strikes 
 The giant oak-tree from its mountain throne. 
 And then the voice of this wild pirate-king — 
 'Tis rough as his own seas, when they in wrath 
 With tempest- winds contend. 
 
 CASWALLON. 
 
 O, thou shalt find. 
 My gentle child, that his dark eye will shed 
 0''er thee a light, mild as the evening star, 
 On its own brightness gazing in the stream, 
 While his deep voice will sound as musical 
 As winds that wander through the twilight groves. 
 Caressing the young flowers. 
 
 MALWINA. 
 
 Ah, sad the hour 
 When we, my father, shall from hence depart ! 
 What charms have thrones or palaces for us. 
 Whose happy dwelling is a sparry cave. 
 With pillar of rich chrysolite, and arch 
 
 T 2 
 
276 THE IMPERIAL PIRATE. [Act I. 
 
 Of rainbow-gleaming gems ; where a bright fount 
 Of living water in the centre flows, 
 Around whose brim a thousand glittering plants 
 Their crystal leaves and ruby blossoms spread. 
 Like bowers of fairy-land ? 
 
 CASWALLON. 
 
 Ah, simple maid, 
 A transient glimpse of that great world which lies 
 Beyond this forest only has been thine — 
 Unknown to thee the joys of wealth and power. 
 
 MALWINA. 
 
 And who, like us, for such false joys would sigh ? 
 Our empire is this quiet, sun-loved vale 
 Of woods and waters, harmony and flowers ; 
 Nor want we here fit subjects for our state : — 
 The wolf-dog watches nightly in our cave. 
 An honest, faithful guard, and still without, 
 As morn peeps laughing through the misty skirts 
 Of the departing night ; and when eve steals 
 Like dim-seen spirit down the shadowy vale, 
 Our forest-bards make all the green woods ring 
 With carols wild of love : on yonder fields,' 
 Where, like a hermit's life, the river flows 
 In its sweet placidness, reflecting heaven, 
 The roebuck wanders, and the fearless fawn 
 Sleeps in the sunshine. — Here all beasts of chase. 
 And birds of brilliant plumage, make their home ; 
 While o'er yon waves the lily-pinioned swan 
 Queens it in all her pride. Is not this state 
 Far happier than the monarchy of kings ? 
 Treason and murder dwell in princely halls. 
 As thou hast told me, and gem-blazing crowns 
 Yield their proud wearers nought but anxious cares. 
 
Scene I.] 
 
 THE IMPERIAL PIRATE. 
 
 277 
 
 O, give thy kingdom to the stranger, who 
 Dwells in thy fathers' towers — for thou art old, 
 And I regard it not, nor would exchange 
 For the most gorgeous palace of the C2Esars 
 This dear-loved valley and its flowery woods. 
 
 CASWALLON. 
 
 Poor child of Nature ! thou this humble state 
 
 Of savage life wilt scorn, when on thy sight. 
 
 In the bright city of the sun, shall burst 
 
 The splendid festival, the bridal pomp 
 
 Of an imperial court, whose rainbow dyes, 
 
 And perfumed lights, and throngs, all jewel showered, 
 
 Pleasure's own heaven shed o'er th' enchanted halls ; 
 
 While music's melting chords of rapture sigh 
 
 Voluptuous languishment. 
 
 MALWINA. 
 
 Sweeter I ween. 
 And far more innocent, to me the songs 
 Of nightingales amid these solemn woods. 
 When moon and stars fling from their golden urns 
 Glory that shines eternal. 
 
 CASWALLON. 
 
 Yet bethink thee — 
 For I indeed am old — ^how soon thy sire, 
 Thy sole protector in this desert place. 
 May with his fathers sleep, and leave thee here 
 A prey to horrid loneliness and want. 
 O, could I close my dying eyes in peace. 
 And know that thou wast friendless and forlorn, 
 In a strange world a stranger ? — Then consent 
 To my fond wishes. Come, let us depart 
 With this brave emperor's messengers of love. 
 Fain would I, ere my death, in him behold 
 
278 THE IMPERIAL PIRATE. , [Act I, 
 
 The husband and protector of my child. 
 Since I the glorious prize of martyrdom 
 Gave up to save thy life, O, for my sake, 
 Britain's imperial wreath accept and wear. 
 By birthright thine, descended from the race 
 Of her most ancient kings ; then shall thy sire 
 Depart in peace when his last days are numbered. 
 
 MALWINA. 
 
 Whate'er my feelings, for your sake will I 
 
 Be all you wish — indeed, indeed I will. \_Ea;eunL 
 
 SCENE II. — A grand Roman Hall in the Palace of 
 Sorbiodunum, (9) with lofty pillars of marble, Ty- 
 rian hangings, superb mirrors of glass, (10) statues of 
 heroes and gods, and beautiful paintings representing 
 the sea-fights of Carausius. (11) Magnificent vases 
 of silver, placed on pedestals of ivory ; urns of myrrh 
 and amber, filled with exotic flowers ; and cassolets of 
 gold, with smoking odours^ 
 
 Enter Allectus. 
 
 ALLECTUS. 
 
 What idle show of pomp is here displayed ! 
 
 Is this a pirate's cabin ? — For bright swords, 
 
 And spears, and all the implements of war, 
 
 Here stand scent-breathing urns, statues, and flowers, 
 
 And all the ornaments that ever shone 
 
 In Nero''s golden palace. Did not dark 
 
 And mighty passions my fierce bosom stir, 
 
 I should with laughter make these proud halls ring 
 
 To see such splendid fooleries. Now the slave 
 
 Has o*er his late rag-covered shoulders flung (12) 
 
Scene II.] THE IMPERIAL PIRATE. 279 
 
 Th' imperial purple, he in pride outgoes 
 The most voluptuous Roman. Thus it is, 
 When beggars from their dunghills rise to greatness. 
 They outrage all decorum ! 
 
 Enter Montcillius. 
 
 Welcome, Tribune ; \ 
 Thou com'st right opportunely. — 
 
 MONTCILLIUS. 
 
 Noble consul, (13) 
 When will the lingering wheels of our brave plot 
 Be set in motion ? The praefectus thou 
 Of our Praetorian bands shouldst 
 
 ALLECTUS. 
 
 Bright-haired boy, 
 Dost thou this cabin of a rover mark ? 
 How like an armoury hung ! — Ambition's fool ! 
 He little thinks that I, — who at his side. 
 Through all the roughest storms which howled across 
 The madly- spiteful ocean, constant stood, 
 And with him fought, till blood-incarnadined 
 The foamy sea-waves rolled, — that I it is 
 Who will, ere long, be lord of these bright halls. 
 And wear the island crown. 
 
 MONTCILLIUS. 
 
 He holds this night. 
 As I have learnt, in high solemnity. 
 His bridal banquet : gird we then our swords 
 Beneath the festal robe, and at a signal 
 Let each conspirator rush round his couch, 
 And stab him in his cups. 
 
280 THE IMPERIAL PIRATE. [Act I. 
 
 ALLECTUS. 
 
 Thou art more rash, 
 Eager, and headstrong, than the battle-steed^ 
 That with his rider dashes on the ranks 
 Ere the shrill trumpet sounds the onset peal. 
 Th' important time draws near. — Possess thy soul 
 In patience till our noble plot, matured, 
 Pour its destruction on the pirate's head ; 
 As the volcano, which hath slumbered long, 
 Bursts on th' affrighted world in midnight flames. 
 
 MONTCILLIUS. 
 
 My hatred to him 
 
 ALLECTUS. 
 
 Pshaw ! thou hot-spurred youth, 
 How slight thy cause for hatred to Carausius, 
 Compared with mine ! Yet do I calmly hide 
 My wrongs in smiles, as sunbeams gild the cloud. 
 Dark with the coming tempest. 
 
 MONTCILLIUS. 
 
 Know'st thou not 
 He deeply injured me ? 
 
 ALLECTUS. 
 
 Well ! — has he not 
 More deeply injured me 9 — This corsair chief, 
 True to his plunder-craft, th' affections stole 
 Of Oriuna from me, whom I loved 
 With all th' excess of measureless desire. 
 He won her hand, and soon, they say, she died ! — 
 A veil of myst'ry hangs upon her fate — 
 And certain 'tis some foul crime haunts his soul ! 
 Thou think'st me tardy in my bold design ; 
 But know the vulture-passion of revenge 
 Consumes my vitals^ drinks my heart's best blood. 
 
Scene II.] 
 
 THE IMPERIAL PIRATE. 
 
 281 
 
 Till I behold our daggers in the bosom 
 
 Of this gold-sceptred spoiler ! — {Martial music) 
 
 But he comes. — 
 Withdraw awhile ; we'll meet again anon. 
 
 [Exit Montcillius. 
 Vengeance ! the sleep of years hast thou shook off, . 
 And, lightning-eyed, with death-roar comest abroad. 
 Roused like the hungry lion from his lair. 
 Seeking thy fated prey ! — O, how I long 
 To dash the slave IVe served for my great purpose 
 From this stern bosom, and behold him stretched 
 With blood-choked gaspings at my feet, while I 
 Pluck from his brows the crown ! 
 
 Flourish of trumpets. Enter Carausius in his trabea of 
 purrple, richly embroidered with gold and gems; a 
 crown on his head, enwreathed with laurel: a train 
 of Slaves and Eunuchs in costly habits: Vindoma, 
 Ardoc, and other British Princes and Chiefs, attending 
 on his state. 
 
 CARAUSIUS. 
 
 Ah, my loved friend. 
 The partner of my perils and my glory ! 
 I gladly meet thee here. 
 
 ALLECTUS. 
 
 Hail to Augustus ! — 
 Thou kingly mariner of deathless fame, 
 How do I joy to see thy merits crowned 
 With the bright circle of imperial power ! 
 Britain, a queen among the nations, reigns. 
 By thee enthroned, the sovereign of the deep ! 
 
282 THE IMPERIAL PIRATE. [Act I. 
 
 CARAUSIUS. 
 
 And reign she shall, long as this arm can wield 
 A sword in her defence. 
 
 ALLECTUS. 
 
 Thou hast but won 
 What thy deservings merit. — Long the clouds 
 Of Roman envy and oppression veiled 
 Thy rising greatness, till that warlike arm 
 Compelled her iron neck to bend in homage. 
 What joy feel I to see thy mighty genius. 
 Long struggling upward to these glorious heights. 
 Spread its bright eagle- wings, and bask in all 
 The dazzling splendours of imperial pomp ! 
 
 CARAUSIUS. 
 
 Happy the hour my brother emperors sought, 
 By an assassin's hand, to take my life ; 
 For then my well-manned fleet from Gallia's coast 
 To Britain's isle, my native home, 1 steered ; (14) 
 Where a glad empire our arrival hailed 
 With shouts of welcoming.— Then on these brows, 
 With mine own hand, placed I her ocean-crown, 
 Swearing her independence to maintain 
 Against her proudest foes ; to make the deep 
 Crouch at her island- throne a wiUing vassal. 
 And her proud war-ships lift her banners high 
 In triumph o'er the world ! (15) 
 
 ALLECTUS. 
 
 There is no joy. 
 Of all the joys on earth, like that which fills 
 The soul, when we complete our long-delayed. 
 Long-cherished plans of glorious enterprise. 
 To which the mind devoted all her powers ; 
 Bursting those iron chains stern haughtiness 
 
Scene II.] THE IMPERIAL PIRATE. 283 
 
 Around the ethereal wings of genius binds, 
 When she obscurity's dim clouds would pierce, 
 And soar into the heaven of bright renown. 
 'Tis bliss supernal to compel proud scorn 
 And lordly power, at last, to own our worth ; 
 And, trampling envy's serpents in the dust, 
 Break forth refulgent as the orb of day, 
 When the dark storm departs ! — Such triumph shall, 
 Ere long, be mine. — Thy shadow stands between 
 The sun of empire and my golden hopes ; 
 But I will hurl thee from thy radiant sphere. 
 And mount the chariot of imperial glory. — {Aside.) 
 
 ARDOC. 
 
 I must assert, my lords, there is a pride 
 That yields the high-born mind a nobler joy 
 Than to be Caesar — 'Tis the pride of birth 
 And kingly lineage, from remotest time 
 Flowing through blood untainted. 
 
 CARAUSIUS. 
 
 Tell not me 
 Of kingly ancestry, or pride of birth ; — 
 I laugh all princely dynasties to scorn ! 
 'Tis merit that confers nobility — 
 Genius deserves to wear the proudest crown. 
 For she alone can conquer death and time. 
 And win the wreath of immortality. 
 My chiefs are chosen from the lowest ranks. 
 For talent only can have weight with me ; 
 Their own deserts are honour's brightest badge, 
 Far nobler than the vain patrician pride 
 Derived from rotting bones. 
 
 ALLECTUS. 
 
 Those men who owe 
 
284 THE IMPERIAL PIRATE. [Act I. 
 
 Their power and greatness to the chance of birth, 
 The common accident of every day, 
 With borrowed hght shine faintly, Hke the moon 
 When her true source of lustre is withdrawn ; 
 But ages roll away ere such a star 
 O'er time's horizon in its glory burns. 
 As now on Britain's happy sea-laved isle 
 Sheds its auspicious influence ! 
 
 CARAUSIUS. 
 
 No flattery, consul, — 
 Such music only charms the ear of fools 
 And tyrants ; to an honest mariner 
 It sounds displeasing as the mermaid's song 
 That tells of coming storms. 
 
 ALLECTUS. 
 
 Rightly dost thou 
 My flattery figure — it foretels a storm 
 That soon thy bark shall wreck, whose banners flout 
 Proudly the winds on fortune's sun-bright sea. (Aside.) 
 
 Enter an Officer. 
 
 OFFICER. 
 
 Most noble Cassar— • 
 
 CARAUSIUS. 
 
 Well, what tidings, sir ? 
 
 OFFICER. 
 
 The prince of Coritania and his daughter 
 Are at the palace gates, my lord, arrived. 
 
 ARDOC. 
 
 What prince of Coritania ? — By the gods, 
 There is no prince who can that title claim, 
 Save Ardoc, who before the emperor stands. 
 
Scene II.] THE IMPERIAL PIRATE. 285 
 
 CARAUSIUS. 
 
 Caswallon^ from his regal honours driven 
 
 ARDOC. 
 
 Perished, with all his house, when Dioclesian 
 Commanded that the Christians should be slain 
 Throughout the Roman empire. 
 
 CARAUSIUS. 
 
 No — he fled ; 
 And with his daughter, Britain's fairest rose. 
 Hath in a forest-cavern dwelt concealed. 
 
 He now must to his princedom be restored 
 
 But haste, ye chiefs, with all my courtly train. 
 And to our presence, with due pomp, conduct 
 The Augusta of the west. — (^Retires to a distance.) 
 
 \_Exeunt Allectus, Vindoma, and Attendants, 
 
 ARDOC. 
 
 What I must I lose 
 So fair a portion of my princely state ? 
 Shall I yield Coritania to this chief, 
 A hated Christian ? — Curses on his head ! 
 Which the dark grave, I thought, had pillowed long : 
 And now he comes, as from the dead, to claim 
 My just inheritance. — I must withdraw 
 Awhile to cool this rage ! — [^Exit. 
 
 CARAUSIUS. 
 
 Prince of the North, 
 We have been deeply pondering how thy loss 
 
 Of Coritania Ha, what gone ? — Yes, yes. 
 
 To welcome his long-absent brother-chief, 
 
 As one risen from the grave. The grave ! — O, why. 
 
 Dark prison-house, dost thou so oft yield up 
 
 Thy ghastly tenants to appal our sight, 
 
 And make the stoutest heart with terror quail ? — 
 
286 THE IMPERIAL PIRATE. [Act I. 
 
 The grave ! — No grave hadst thou ! 
 
 Thou wanderest on the shores of Charon's flood. 
 Perturbed vision, seeking rest in vain ! — 
 Thou hadst no funeral rites, no mournful lay, 
 Save thine own shrieks and howls of stormy wave, 
 As o'er thy head, ill-fated Oriuna, 
 The wild Atlantic rushed ! The foamy surge 
 Was made thy winding-sheet, and the dark rocks 
 That lie amid the deep, thy watery bier ! 
 Sleep''st thou where the great serpent coils his folds. 
 And loathsome monsters haunt ? or have the winds 
 And billows hurled thy tombless bones to blanch 
 On some far distant isle's bright palmy shore ? — 
 I know not — but, pale, fearful spirit, thou 
 Seem' St always with me ! — Hence, unreal shadow ! 
 Shriek not, dread spectre, o'er my nuptial couch. 
 To fright ray lovely bride ! 
 
 Enter a band of AmbubagcE, or Syrian maids, playing 
 on flutes (16) ; then a train of Virgins strewing 
 flowers, Caswallon^ leading Malwina, followed by 
 Allectus, Vindoma, Princes, Chiefs, and Soldiers, with 
 Eagles and Banners. — Caswallon and Malwina kneel 
 to the Emperor. (17) 
 
 CARAUSIUS. 
 
 Welcome, sweet maid. 
 Child of the desert, to these splendid halls 
 Of Caesar's palace.— Rise, and let me pay 
 Glad homage to thy beauty. — Hadst thou stood 
 Before Apelles thus, with brighter charms 
 His Venus, rising from the love-soothed waves, 
 Would have the world enchanted ! — Through those eyes 
 A soul of purity, all radiant, shines j 
 
Scene II.] THE IMPERIAL PIRATE. " 287 
 
 The rose of morn is damask' d on that cheek, 
 And from thy lips of ruby innocence 
 Joy breaks in sunny smiles. Here shalt thou reign 
 The imperial partner of our sea-girt throne. 
 
 MALWINA. 
 
 Lord of the deep, and sovereign of the west, 
 Malwina merits not such proud distinction. 
 
 CARAUSIUS. 
 
 Thou merit' st all an emperor can bestow. 
 Not the famed warrior of the Grecian host 
 Laid at his captive's feet his laurel crown 
 With such fond ardour of devoted love, 
 As I now feel to offer thee the spoils 
 Of land and wave, won bravely by this arm 
 When my triumphant fleets rode o'er the deep^ 
 Guarding the imperial provinces of Rome 
 From the bold ocean-rovers of the North. (18) 
 Ye Celtic chiefs, and princes of our isle, 
 Be witness that I take this lovely maid 
 For my fair empress-bride. — Britain no more 
 Shall to a foreign power in bondage bow ; 
 Her island-gem from Rome's imperial crown. 
 Beyond all others valued, we have plucked. 
 And on this regal maiden's brows will bind 
 The inestimable prize. 
 
 VINDOMA. 
 
 I, in the name 
 Of these my brother chieftains of this isle, 
 Before thee kneel our homage to renew. 
 Emperor of land and sea ; while joy o'erflows 
 Our grateful hearts, that for thy spouse thou takest 
 A princess of the Cymry's legal line. 
 Britain, with shouts of gladness^ lifts her voice 
 
288 THE IMPERIAL PIRATE. [Act I. 
 
 To hail Carausius and his lovely bride 
 The Augustus and Augusta of the west ! 
 
 (^Flourish of trumpets, shouts, ^c) 
 
 CASWALLON. 
 
 O, what a tide of rapture floods my soul, 
 To see my forest- child, amid this throng 
 Of princely chiefs, the sovereign of her people ! 
 
 CARAUSIUS. 
 
 Thrice happy Britain's billow-circled isle, 
 
 That laughs the might of haughty Rome to scorn, 
 
 And in whose naval power the eternal city 
 
 Shall, trembling on her seven proud hills with fear, 
 
 A second Carthage find which ne'er will fall ! 
 
 CASWALLON. 
 
 No, she with each succeeding age shall rise 
 In still increasing glory. 
 
 CARAUSIUS. 
 
 From the coasts 
 Of storm-beat Scandia to the sunny shores 
 Of Bosphorus our mighty fleets command 
 The subject-ocean ; and the Saxon kings. 
 With all their roving barques, my galleys join. 
 The conquered chiefs of Caledonia's land. 
 And the fierce Picts, are now our firm allies ; (19) 
 While those wild hordes of lawless mountaineers. 
 That overran Brigantium's ravaged plains, 
 Beyond Gal-Sever's barrier-lines are driven. 
 And now that noble work of Roman power 
 Stands a new wonder of the admiring world. 
 Stretching o'er moorland, vale, and cloud-girt hill. 
 In all its castled strength, from sea to sea ! 
 There, on its ramparts flash the guards' bright spears 
 From watch to watch, and wave my red-gold banners. 
 
Scene II.] THE IMPERIAL PIRATE. 289 
 
 The savage inroads of the north defying ! (20) 
 Peace dwells within our borders. — Thou^ good prince, 
 The father of our empress, shalt to all 
 Thy regal dignities be now restored 5 
 And every chief, meet to his rank, receive 
 Gift- tokens of our love. 
 
 CASWALLON. 
 
 Right noble Caesar, 
 Words fail to express my grateful thanks, as thus 
 I bow in homage to thy sovereign power. 
 
 CARAUSIUS. 
 
 Ye princes, who to our imperial state 
 Due service yield, we at the spousal feast 
 Again, ere long, will meet, and when are done 
 The bridal rites, we'll lift our wine-cups high, 
 And quaff to Britain's glory copious measures. 
 
 [Grand flourish, exeunt — Manens Allectus. 
 
 ALLECTUS. 
 
 Ah, injured Oriuna ! why didst thou 
 The fondness of this faithful heart reject. 
 
 For him who O, it maddens me to think 
 
 What may have been thy fate ! — him who now weds 
 Another for ambition i^ — Why, with thee 
 A shepherd's life in some sequestered vale, 
 I had preferred to all the power of kings. 
 Deprived of thy loved sun-smiles, which to me 
 Had brighter been than empire's brightest pomp ! 
 But these soft thoughts befit not my stern mood : 
 Dominion and revenge fill all my soul ! 
 And here comes one who, by his gloomy port, 
 
 Seems a fit instrument to aid my purpose. 
 
 U 
 
290 
 
 THE IMPERIAL PIRATE. 
 
 [Act I. 
 
 Enter Ardoc. 
 
 Thou look*st displeased — what ails thee, noble prince ? 
 What hath the Augustus done to move thy spleen ? 
 
 ARDOC. 
 
 Augustus dost thou call this base brigand ? 
 
 Who from a slave-mart hath himself upraised, 
 
 By daring robberies, to dishonest fame. 
 
 And grasped, with lawless power, the imperial crown ! 
 
 What have I uttered ? — Treason ! doubtless treason ! 
 
 For thou art this bold ocean rover's friend. 
 
 ALLECTUS. 
 
 Sure thou art bold to speak in Caesar's court 
 Thus to his honoured consul, who stands next 
 In state and dignity ; but though thy warmth 
 And open heart have hurried thee beyond 
 The bounds of prudence, thou art safe with me. 
 Truly to speak, I hate him deeper far 
 Than thou canst do — I have much greater cause. 
 But what has moved thy choler thus, my friend ? 
 
 ARDOC. 
 
 Moved me ? — Does he not treat me with contempt ? 
 A low-born spoiler ! — Me ! a prince whose blood 
 Flows from the first of Celtic chiefs who gave 
 This isle a name among the ancient kingdoms ! 
 Patience, ye gods ! — These Roman consuls, who 
 The lineal dignity of princes scorn, 
 Surpass them far in pomp and insolence ! 
 
 ALLECTUS. 
 
 And is this treatment thy sole ground for hate ? 
 
 ARDOC. 
 
 No ! — He of half my sovereignty intends 
 To strip me, and restore the provinces 
 
Scene II.] THE IMPERIAL PIRATE. 291 
 
 Of Coritania to my Christian foe. 
 Because, forsooth, this old man of the woods 
 A daughter hath, whose dainty form it seems 
 Is all bewitching in the pirate's eyes. 
 
 ALLECTUS. 
 
 Hast thou not heard how brave Marc Antony, 
 Thralled by an idle woman, lost the world ? — 
 And this Carausius may his empire lose 
 For such another toy. 
 
 ARDOC. 
 
 Let him — ^but I 
 Will not, by the great image of Mongontus ! (21) 
 Be fooled of my fair kingdom through the arts 
 Of a young forest wanton. — No ! I'll quit 
 This robber's palace ere yon sun-god sets 
 Amid the crimson splendours of the west, 
 And to Caer Conan''s regal tower return ; (22) 
 There, round my standard call Brigantia's chiefs, 
 The bravest warriors found in Britain's land. 
 
 ALLECTUS. 
 
 Well, and what then ? 
 
 ARDOC. 
 
 I'll from the prince vrho rules 
 Sea-girt Minavia, (23) and those warhke kings 
 That in the green isle of Yverdhon reign, (24) 
 Which never the proud foot of Roman trod, 
 Speedy assistance seek ; — then shall the flames 
 Of a rebellion o'er the north rush forth 
 That will consume this pirate ! 
 
 ALLECTUS. 
 
 No — not him — 
 But thee^ and all thy followers, as the blaze 
 Of tempest-clouds the shepherd's reedy hut 
 
 U 2 
 
292 
 
 THE IMPERIAL PIRATE. [Act I. 
 
 To ashes turns, far scattered by the winds. 
 The wolf, though famished, from the lion's jaw 
 Dares not to snatch his prey. 
 
 ARDOC. 
 
 And darest thou deem 
 Me courageless in battle-hour ? 
 
 ALLECTUS. 
 
 No, prince ; — 
 A heart hast thou as dauntless in thy bosom 
 As this Carausius, or the bravest born. 
 But nor in field, nor on the ocean- surge 
 Has ever chief been found who from his brows 
 Could pluck the wreaths of victory. — Let the lustre 
 Of his proud triumphs be a beacon-light 
 To warn thee of that fatal rock on which 
 The wild swell of thy wrath is bearing thee, 
 There to be wrecked and sunk ! — Now mark me, prince, 
 I learn, the emperors, from my spies at Rome, 
 Still jealous of Carausius, are resolved 
 The tide of battle on this isle to pour, 
 And hurl their rival from the imperial throne. 
 But in this court are chiefs with me colleagued. 
 Who trust not to the doubtful chance of war 
 For the fulfilment of their just revenge. 
 The tyrant's doom draws near ! for we have sworn 
 Before the altar, in his blood to dip 
 
 Our hotly-eager weapons ! Dark-browed chief. 
 
 Come join with us — thou shalt the Cassius be 
 Of our firm union. — 'Tis the noblest plot 
 That ever o'er a city's midnight towers 
 The crimson flames of conflagration flung ! 
 
 ARDOC. 
 
 But how ? — and when .? — and where ? 
 
Scene II.] 
 
 THE IMPERIAL PIRATE. 
 
 293 
 
 ALLECTUS. 
 
 Our plans are yet 
 Not ripe for execution. — Die he shall ! — 
 Perhaps, like Caesar, where the senate meets, 
 Or in the bath, or on the bridal couch — 
 As best befits our glorious enterprise. 
 That deed achieved, I mount the imperial throne, 
 And thou o'er Coritania shalt be king, (25) 
 E'en to the tower-crowned ramparts of the north. 
 Hence ! — raise thy banner ; gather valiant men — 
 I'll tell the emperor they are needed here 
 To guard the southern coast. (26) 
 
 ARDOC. 
 
 A gallant plot ! 
 Give me thy hand, and take a warrior's grasp— 
 The cordial grasp of honest fellowship. 
 Thou soon shalt see what a brave host I'll bring, 
 With swords and hearts devoted to our cause. [^E,vit. 
 
 ALLECTUS. 
 
 Thus do I make the passions of weak men 
 
 The steps by which to climb that lofty height 
 
 Where glory and dominion wait to wreath 
 
 Their sunbeams round these brows ! — 0, when I lost 
 
 My Oriuna, hidden sorrow quelled 
 
 My spirit to its slavery. — I became 
 
 Torpid and frozen, till revenge awoke. 
 
 And bright ambition rushed upon my soul, 
 
 In splendour vivifying all her powers ! 
 
 So stand the iron waves of Bothnia's gulph. 
 
 Smote by the wintry blast, where not a sound 
 
 Amid its dismal solitudes is heard, 
 
 Save the keen tempest howling round the peaks 
 
 And icy ridges of that dark, dead sea. 
 
294 THE IMPERIAL PIRATE. [Act I. 
 
 A scoiFer at its deep unbroken silence ; 
 Till, hastening from the south, the lord of day 
 Melts those rock-billows with his radiant smile ; — 
 Then dips her plumes the sea-bird in the flood, 
 And there again spreads her white sails the barque, 
 Filled with the breezes of young laughing spring ! 
 
 END OF THE FIRST ACT. 
 
ACT II, 
 
 SCENE I.— ^ Hall in the Palace, 
 Enter Carausius. 
 
 CARAUSIUS. 
 
 Why must I still be dogged and haunted thus ? 
 Are there no charms to drive this vision hence ? 
 Can it be real ? — 'Tis remorse that fools us 
 With a strange mockery of mortality. 
 Making what is not seem as if it were. 
 
 Enter AUectus. 
 
 Timely dost thou approach : — weighed down am I, 
 Despite my lofty state, with secret grief. 
 Fain would I this long-burthened soul reheve. 
 
 And make thee sharer of her inmost thoughts. 
 
 (^ pause,) 
 
 ALLECTUS. 
 
 Why then hangs silence on thy faltering lips ? — 
 Have I not, prince, through all thy bright career, 
 Beside thee stood ? have I not fought and bled 
 In thy great cause, and urged thee on to glory ? 
 Till with her trump, that pealed from shore to shore, 
 Renown thy name hath shouted, and in power 
 Thou stand'st above the world, like yonder sun. 
 Rich in his boundless wealth of golden lischt ! 
 Am I not worthy, then, to share thy griefs, 
 And know thy bosomed secrets ? 
 
'^96 THE IMPERIAL PIRATE. [Act II. 
 
 CARAUSIUS. 
 
 Yes, Allectus, 
 I will the veil of shame pluck from this heart, 
 Though horror freeze thy life-streams into ice, 
 When thou shalt on its naked blackness look, 
 Circled with blood-gorged adders of remorse ! 
 
 ALLECTUS. 
 
 What qualms of priest-ridden conscience move thee 
 
 now? 
 Have we so long been corsairs on the deep, 
 Familiarized with scenes of blood and plunder, 
 To start at any deed which thirst of power. 
 Honour, and wealth, might tempt us to perform ? 
 I am not used to tremble at a tale 
 Of murder, or of spectres, like a maid 
 When she some beldam's midnight legend hears, 
 
 CARAUSIUS. 
 
 No deed of blood, save in the battle's rage, 
 E'er stained this hand ; but O, there is a deed, 
 A savage deed of death, which mars my peace, 
 And frights the balmy slumber from my couch ! 
 Well didst thou know my wife, my Oriuna-- 
 
 ALLECTUS. 
 
 Yes, mighty Caesar Would I never had, 
 
 Or thou hadst never won her from these arms. (Aside.) 
 
 CARAUSIUS. 
 
 How happy was I in her virtuous love, 
 Till a false friend, a most pernicious caitiff, 
 (Become my foe, for some pretended wrong 
 Which I had done him) by his specious wiles 
 Wrought on my unsuspecting mind, and I 
 Grew mad with jealousy ! — His arts produced 
 Such damning proofs, that not a doubt remained. 
 
Scene I.] THE IMPERIAL PIRATE. 297 
 
 In my distracted bosom, of her crime ! 
 
 0, by that demon set in secret watch, 
 
 I fancied that I saw her paramour 
 
 Come from her midnight chamber ! Then, convulsed 
 
 With frenzied passion, vowed I dire revenge! — 
 
 On Gallia's western shore there lies a rock 
 
 Which, at the tide's low ebb, the watery veil 
 
 Flings from its dark and seaweed-covered brows. 
 
 At dead of night from my once happy home 
 
 I led my wife, and, taking her on board 
 
 A light chaloupe, in silence o'er the waves 
 
 Steered to that fatal rock ! — Ha ! thou turn'st pale. 
 
 ALLECTUS. 
 
 By Hercules, I do, indeed, now feel 
 
 An icy coldness creep through all my veins ! — 
 
 How ends the tale ? 
 
 CARAUSIUS. 
 
 In vengeance, death, and murder I 
 I landed her upon that little isle, 
 Round which, with wolfish bowlings for their prey. 
 The rampant surges gathered, as the winds 
 Came wrathful o'er the sea. — There to her fate 
 I left her with my curses ! — Her sad cries 
 For mercy o'er the midnight ocean rang ; 
 But I no mercy felt ! — Her last wild shrieks, 
 When the returning tide around her rose, 
 Came by me on the storm, as far away 
 The flashing billows bore me ; but I laughed. 
 Fiendlike, with joy, till came no more the wail 
 Or struggle-cry from that wave-covered rock ! 
 
 ALLECTUS. 
 
 Thou hell-born monster ! — Ha, I have no sword, 
 Or I should plunge it in thy murderous heart ! — 
 
29S THE IMPERIAL PIRATE. [Act II. 
 
 But I must calm this passion Down, fierce rage — 
 
 Thy hour, revenge, draws near. {Aside.) 
 
 CARAUSIUS. 
 
 I see thou art struck 
 With horror at poor Oriuna's fate. 
 Ah, didst thou know my guilt-tormented feelings ! — 
 Wolf-like remorse, with quenchless thirst of blood, 
 Preys ever here ! 
 
 ALLECTUS. 
 
 Nay, my loved, gallant friend. 
 This is no time to think upon the past 
 With vain regret. — Who shall your vengeance blame ? 
 
 CARAUSIUS. 
 
 Not blame .'* — why, she was innocence itself ! 
 As he, the exciter of my fury, proved, 
 With demon scoff and mockery, when I told 
 The savage deed I had done, — who, when he saw 
 The horrors I endured, shouted with joy 
 That his revenge was won ! 
 
 ALLECTUS. 
 
 Didst thou permit 
 The wretch a moment's breath for prayer to heaven ? 
 
 CARAUSIUS. 
 
 No ! for I buried in his fiendish heart 
 
 My sword e'en to the hilt ! — That was a deed 
 
 Of justice to the injured! — Leaving him 
 
 Blood- weltering on the shore, I then embarked 
 
 On board my fleet, and roamed the rolling seas. 
 
 But peace or joy this heart ne'er since hath known ! 
 
 W^hen storms had passed, and sunbeams showered with 
 
 gold 
 The wreck-concealing deep, which sunk to rest, 
 Like a gorged monster slumbering o'er his prey. 
 
Scene I.] THE IMPERIAL PIRATE. 299 
 
 Still was she with me ! — In the thunder-strife 
 Of battle, and at night's soft hour, when sat 
 Moon-lighted silence on the glittering waters, 
 Her shadow, pale and cold as snowy cloud, 
 Beside me stood ; and when my harassed frame 
 Snatched brief repose, she haunted all my dreams ! 
 Nor found I refuge in the noisy wrath 
 Of wrestling elements — for still there came 
 Shrieks as of one who struggled hard with death. 
 And gaspings of despair, which rose and sunk, 
 Then rose again more loud and fearful still ! 
 Nor could the tempest, with its demon howl, 
 Those cries of anguish drown ! 
 
 ALLECTUS. 
 
 O, may they ring 
 Eternal in thine ears ! — {Aside,) 
 
 CARAUSIUS. 
 
 Ha ! here again I 
 Yes, I behold her pale and sea-drench 'd form ! — 
 Look, where she stands ! — This tale hath called thee up 
 From the dark ocean-depths ! — O, for a spell 
 To bind thee in the Atlantic's lowest gulfs. 
 Where storm- winds ne''er were heard! — A vaunt, dim 
 
 shade ! 
 Hence from my sight ! — O, thou wilt drive me mad ! 
 
 ( Rushes off distractedly,) 
 
 ALLECTUS. 
 
 At last I've won the fatal secret from him, 
 Which makes thy deadly cup, Revenge, o''erflow ! 
 Carausius, thou shalt drain it to the dregs ! — 
 But I, to make my purpose sure, must work 
 This murderer'*s ruin darkly — like the wind 
 That, rushing o'er the sea unseen, though felt, 
 
300 THE IMPERIAL PIRATE. [Act II. 
 
 Dashes on foam- spread rock the gallant barque, 
 Round which the liquid mountains clash in thunder, 
 And, battling with the breakers as she sinks, 
 The storm her death-hymn yells with maniac joy ! [_ExiL 
 
 SCENE II. — The inside of a rocky Cavern on the 
 Durotrigian Coast, a Lamp burning in the centre — 
 a Storm without. 
 
 Dungarth and Ruthinia discovered, in habits of wolf- 
 skinsy at a frugal repast. 
 
 RUTHINIA. 
 
 Happy am I the tempest's dirge-like voice 
 Roused not the deep to wrath ere you, my prince, 
 In safety reached the shore, 
 
 DUNGA.RTH. 
 
 Ah, have I not, 
 Ruthinia, oft forbid thy tongue to use 
 That title to an outcast wretch like me ? 
 Driven from my father's shield-hung halls of power 
 To hide myself in this rude ocean-cave, 
 And, as a fisher^ on the sounding seas 
 Our daily pittance gain. — Ill-spoken title ! 
 O, it calls up my wrongs, my burning wrongs. 
 That sting my soul to madness ! 
 
 RUTHINIA. 
 
 Pardon me — 
 I did not, Dungarth, mean to raise a thought 
 Of what thou hast endured 
 
 DUNGARTH. 
 
 I, the late chief 
 Of brave Damnonia, by the Imperial Pirate 
 
Scene II.] 
 
 THE IMPERIAL PIRATE. 
 
 301 
 
 Was from my palace and my kingdom driven, 
 Because I scorned to be a titled slave, 
 And ask his leave to reign. — Yet, not content 
 With that injustice, the base dog, his tribune^ 
 In presence of the scoffing Roman legions. 
 Bound me with thongs, and on my naked back 
 Inflicted bloody stripes 1 Scourged, like a felon, 
 I then was driven without the Roman camp. 
 To hide my infamy in woods and caves. 
 Like a wild, savage beast ! 
 
 RUTHINIA. 
 
 Alas, my Dungarth ! 
 What a heart-piercing sight was that to me ! 
 I wept, and knelt, and prayed, but all in vain — 
 Nothing could move that flinty-bosomed chief. 
 
 DUNGARTH. 
 
 O, but for one short hour of stern revenge. 
 
 This Pirate-king in battle- van to meet, 
 
 With all his Roman dogs that mocked my shame ! 
 
 But hope is gone — or my brave friend, Dhu Cadern, 
 
 Ere this had to our sea-beat cave returned 
 
 With news of some revolt. 
 
 RUTHINIA. 
 
 Then be resigned 
 
 To what the gods ordain More sweet to me 
 
 This simple pittance which thy labour draws, 
 Though gained in danger, from the sounding deep ; 
 More dear this foam-besprinkled cavern, wreathed 
 With sea-weed garlands, than the splendid feasts 
 And gorgeous pride of Csesar's golden halls. 
 For here, with thee, I love to sit, and list 
 The vesper-music of the ocean, when, 
 In gentle mood, he wakes a solemn hymn 
 
302 THE IMPERIAL PIRATE. [Act II. 
 
 To his bright queen of waters, as she comes 
 
 In cloud-pomp forth, with crimson blush, to fling 
 
 Her beauty on the darkness of his bosom, 
 
 Which her mild beams, like love for love, reflects. 
 
 And pleasant, Dungarth, 'tis, with thee, to hear. 
 
 As I do now, in this our sheltered cave. 
 
 The voice of wrathful sea-gods, from the depths 
 
 Loud shouting to the tempest. — Smooth thy brow ; 
 
 We are more happy here than Caesar is 
 
 Amid the glittering courtiers and proud guards 
 
 Of his imperial halls. (27) 
 
 DUNGARTH. 
 
 Thy words are vain. 
 Though kindly meant to soothe my dreary exile — 
 No beams of joy through those foul clouds of shame 
 That rest so darkly on me e'er will break 
 Till great revenge is mine ! — That wolfish yell, 
 That shout of mockery, and that hiss of scorn, 
 Which from those Romans came, as through their camp, 
 Smarting with wounds, and covered with my blood, 
 I passed, in agonies of shame and rage. 
 Still ring in my distracted ears, and pluck ^ 
 Reason and patience from their seat within 
 This tempest- troubled bosom ! — All is here 
 Frenzy, and desperation, and revenge ! — 
 
 (Storm increases'.) 
 
 RUTHINIA. 
 
 Alas, my husband ! do not thus give way 
 To such wild gusts of passion — O, 'tis hke 
 The wreckful storm without. — A time may come 
 To give thee triumph o'er thy ruthless foes. 
 
 DUNGARTH. 
 
 When ? when ? — No, Time has not one hour for me 
 
Scene II.] THE IMPERIAL PIRATE. 303 
 
 That in his gloomy pilgrimage shall beam 
 Resplendent with the glory of my vengeance ! 
 All here is dark^ and stormy as yon sea ! 
 
 {Laying his hand on his bosom.) 
 Thou spokest right truly — the wild elements 
 
 Are like my wounded spirit. 
 
 Rage on in all your cloud-compelling wrath,- 
 
 Ye houseless and unruly winds, that seem 
 
 Fit emblem of my state ; now sound aloud 
 
 Your trumpet-voices in the Corsair's ear. 
 
 And howl forth my deep wrongs ! — unseat the rocks, 
 
 Down hurl the lofty tower upon its dwellers. 
 
 And the time-hallowed spectre oak that dares, (28) 
 
 Proud of its strength, to wrestle with your might ! — 
 
 Up, and be stirring in thy noisy work 
 
 Of wreck and death, thou fiercely-passionate sea, 
 
 And let the mast-boy''s dying shrieks be heard 
 
 In the brief pauses of thy cataract roar ! 
 
 And thou, terrific Bera, thunder-spirit, (29) 
 
 Who, cloud-o'ershadowed, on the mountains dwellest, 
 
 Lift up thy voice, and as thou send'st abroad 
 
 Thy thousand death-flames, those swift messengers 
 
 Of vengeance on the guilty, bid them dash 
 
 The palace-towers of Caesar to the ground. 
 
 And, falcon-like, spread their blue quivering wings 
 
 Above his head, — then smite him to the heart ! 
 
 RUTHINIA. 
 
 Forbear, in pity, Dungarth, O forbear ! 
 
 Thy words, like dark enchantments, raise the storms 
 
 To an unearthly fury ! — Hark ! — O, gods ! 
 
 Be merciful unto us ! what sad shriek 
 
 Was that which o'er yon dashing breakers came ? — 
 
 Dim, cloud- veiled ghosts are on the hollow blast, 
 
304 THE IMPERIAL PIRATE. [Act II. 
 
 Moaning with doleful voice, and tempest-spirits, 
 Kings of the elements, with lightning eyes, 
 Sweep o'er the foamy-vaulting surge, and chant 
 
 The mariner's dismal death-song! 
 
 List ! — what a dreadful crash ! — and now again 
 Comes that shrill shriek of woe ! 
 
 DUNGARTH. 
 
 Buthinia, 'tis 
 No spirit's voice, but cry of drowning wretches. 
 Some bark is on the rocks of Muope dashed. 
 I'll forth — not for base plunder, but to lend my aid. 
 And succour the distressed. \_Exif, 
 
 RUTHINIA. 
 
 The gods preserve thee ! 
 Ah, he has still a noble, kindly heart ! — 
 But when the past comes o'er his gloomy thoughts. 
 The cloud of madness rolls across his brow. 
 O, if one hopeless being yet remain, 
 Tossed on the shivered fragments of the wreck. 
 Ye lightning spirits, rend the veil of night, 
 And from the sea snatch darkness as ye fly 
 Across the stormy terrors of its wrath , 
 That Dungarth may behold and timely aid 
 The sinking sufferer. 
 
 Enter Dungarth, bearing Oriuna in his arms. 
 
 Thanks, ye gods ! he's safe ! 
 Think' st thou there's life in this poor sea-drenched form ? 
 
 DUNGARTH. 
 
 I saw her standing, wild in agony, 
 
 By the red lightning, on the shattered barque. 
 
 And, plunging through the breakers, reached the wreck 
 
Scene II.] THE IMPERIAL PIRATE. 
 
 305 
 
 Just as a mountain billow swept her ofF 
 
 Into the troubled deep. — The rest have perished ! 
 
 RUTHINIA. 
 
 yes, she lives ! — her eyelids move — soft ! — raise her. 
 
 ORIUNA. 
 
 And am 1 still alive ? — Have I escaped 
 Death, whose terrific eye shot lightning gleams 
 Athwart the frightful gloom, whose thunder voice 
 In the dark whirlwind roared? — Yes, I am safe ! — 
 
 1 feel I am — though still I hear the storm. — 
 Twice from the raging deep have I been snatched, 
 
 In peril's darkest hour ! Ha^ my preserver ! — 
 
 To thee I owe my life ! — ^Take thou these chains 
 Of burnished gold, and these resplendent gems, 
 Too poor a gift for thy heroic daring. 
 
 DUNGARTH. 
 
 Though poor am I e'en as the poorest slave, 
 I want no gaudy trappings or rich gems ; 
 They do not now befit my abject state. 
 Fully am I repaid in having saved 
 So fair a lady's life — nay, keep them all ; 
 Keep them, I say, for better purposes. 
 
 ORIUNA. 
 
 Thy words are gentle, though thy garb is rude : 
 Thou hast seen better days ? 
 
 DUNGARTH. 
 
 No matter, lady — 
 My days of brightness long have been departed. 
 And all to come are full of dark despair ! 
 No more of this. — You needs must want repose — 
 Take thou the lady to our inner cave. {To Ruthinia.) 
 
 ORIUNA. 
 
 Nay, good my friend, the clouds begin to break, 
 
 X 
 
SH^ THE IMPERIAL PIRATE. [Act U. 
 
 And on thy path gleams fortune's rising sun, 
 For thou hast from a watery tomb preserved 
 The wife of thy liege emperor. 
 
 PUNGABTH. 
 
 My emperor I — ha, ha, ha ! 
 I know no emperor that hath rule o'er me ! — 
 Lady, of whom speak you ? 
 
 ORIUNA. 
 
 Strange man ! — Canst thou, 
 A dweller of this isle, that question ask ? — 
 I speak of great Carausius, he who sways, 
 O'er land and sea, the sceptre of the west, 
 Thy sovereign lord ! 
 
 DUN(JARTH. 
 
 No lord is he o'er me : 
 Go bid the lion at his footstool crouch, 
 The leopard lick the dust beneath his feet ; 
 But think not I will bend my neck to him 
 Whose name my soul abhors ! — No ! I will live, 
 Long as this heart that loves my native land 
 Beats in my bosom, free as the wild bull 
 And kingly elk, that range the forest bowers. 
 And be at least the monarch of myself ! 
 
 ORIUNA. 
 
 Why, haughty man ! darest thou rebel against 
 That conqueror who defied the world's proud lords. 
 And wrested from their grasp this queen of isles ! 
 Think' st thou thy puny arm can match his strength, 
 Or reach the dazzling heights of his renown ? — 
 As easily the hermit owl might dash 
 The warrior sun-bird from the blaze of day. 
 As thou oppose Carausius ! 
 
Scene II.] THE IMPERIAL PIRATE. 307 
 
 DUNGARTH. 
 
 Let me meet 
 This victor breast to breast, and sword to sword ; 
 And if I offer not his blood to th' gods, 
 Whose curses I upon his head invoke 
 With all the maledictions of dark spirits 
 That fling the lightning and the plague abroad 
 To blast mankind, then may his battle steeds 
 Trample me in the dust, and o''er these limbs 
 His chariot drive in triumph ! 
 
 RUTHINIA. 
 
 I entreat 
 That thou wilt, Dungarth, calm this frantic mood. 
 
 DUNGARTH. 
 
 How can I, wife, be calm ?• — The very n^rae 
 Of this Carausius in my soul awakes 
 Feelings of madness ! 
 
 OI^IUNA. 
 
 Gloomy-visaged slave 1 
 Let me pass from thy cavern 
 
 DUNGARTH. 
 
 Slave 1 — Ye shades, 
 The glorious spirits of my great forefathers, 
 Can ye hear this, and from your midnight clouds 
 Forbear, in all your meteor pomp, to rush 
 And shame this woman ? — My brave country's sons 
 Were never slaves, till Roman tyrants set 
 Their proud feet on these shores — ^blood- wolves, whose 
 
 sires 
 Were lawless thieves, when mine were free-born kings ! 
 
 ORIUNA. 
 
 Kings ! — thou, a wretched serf, the son of kings ! 
 
 X 2 
 
308 THE IMPERIAL PIRATE. [Act II. 
 
 Enter Dhu Cadern. 
 
 DUNGARTH. 
 
 Welcome, Dhu Cadern ! — Glad am I to see thee ! 
 What tidings bring'st thou from Damnonia's land ? 
 
 DHU CADERN. 
 
 Great news, my gracious lord. 
 
 DUNGARTH. 
 
 Gre^t I perceive. 
 
 By the bright flashing of thy joy-lit eye. 
 
 Lady, you pass not here — you are my prisoner ! 
 
 ORIUNA. 
 
 Thy prisoner, insolent ! — Have I been saved 
 From the wild fury of the deep to be 
 The prey of some fierce robber ? 
 
 DUNGARTH. 
 
 No ; thou art 
 The lawful captive of an honest man. 
 The title of a robber I fling back 
 On thy base husband, that wild corsair, who 
 Plundered the roving plunderers of the sea, 
 But ne'er returned the booty to its owners, 
 And who, with matchless impudence, at last 
 Stole from the master-robbers of the world 
 
 A third part of their empire ! Lead, Ruthinia, 
 
 The pirate's wife within the interior cave. 
 
 ORIUNA. 
 
 Thou may'st repent this outrage, daring man, 
 To me who am thine empress. 
 
 [Exeunt Ruthinia and Oriuna. 
 
 DUNGARTH. 
 
 Now thy talc. 
 
Scene II.] 
 
 THE IMPERIAL PIRATE. 
 
 309 
 
 DHU CADERN. 
 
 The western tribes and the Morini too (31) 
 
 Are up in arms, impatient of the yoke 
 
 The imperial pirate on their necks hath laid, 
 
 Hating the chief placed o''er them. — They rejoice 
 
 That thou art still alive, and call thee forth 
 
 From this thy hiding-place again to be 
 
 Their prince and leader. — Warlike bands are met 
 
 To attack Iscalia and Caer Ruth's strong towers^ (3S) 
 
 Those cities of the Romans ; and the Cangi (33) 
 
 Join the revolt, that spreads on every side 
 
 Like lightning round the storm-clouds ! 
 
 DUNGARTH. 
 
 Thou indeed 
 Bring' st glorious news ! — We'll journey hence at morn 
 To the hill city of my ancient sires, 
 Duncarmo's mountain-fort, which never yet 
 Has by the accursed Romans been profaned. 
 My dragon banners of defiance there 
 m to the winds unfurl, and join my powers 
 With the brave Cangi ! — Yon proud lady, too. 
 That would-be empress, shall with us depart. 
 The wife of this sea-robber is my slave ! 
 A prize that gives bright earnest of success ! 
 
 DHU CADERN. 
 
 How came she here ? 
 
 DUNGARTH. 
 
 On yonder surge-lashed rocks 
 The bark which bore her to these shores was wrecked ; 
 I snatched her from the billows. 
 
 DHU CADERN. 
 
 Thou hast won 
 A victory in her capture, ere thy sword 
 Hath from its scabbard flashed ! 
 
3i0 THE Imperial pirate. [Act it. 
 
 DUNGARTH. 
 
 Yes, the dark night 
 Of my despair, like yonder waihng stortn. 
 Is fast departing from me, and the gleams 
 Of vengeance and of glory through the clouds 
 Are redly breaking ! — Liberty's bright sun 
 Arises on my people, and its beams 
 From shore to shore shall goldenly outspread ! 
 We'll rouse, like Boadicea, once again 
 All Britain to the noble gallant work 
 Of freedom and revenge ! — Thy trump shall sound, 
 
 Liberty ! throughout the joyous land. 
 And waken every British heart to glory ! 
 
 DHU CADERN. 
 
 1 trust the time approaches when these eyes 
 Shall see the flames ascend from Roman cities. 
 And all their splendour turned to heaps of dust ! — 
 Down with their marble palaces and halls, 
 
 And covered temples, filled with glittering pomp. 
 
 Where on their pictui-ed floors, with mincing step, 
 
 They delicattely walk atid dance along 
 
 To mellow flutes and organ-pipes, that breathe 
 
 Enchanted strains of witchery ; where they lie, (34) 
 
 Luxurious slaves ! at banquet tables, heaped 
 
 With gold and silver vessels, on irich beds 
 
 Of ivory and purple, while their brows 
 
 And sparkling cups are crowned with rosy flowers, 
 
 And aromatic odours round them burn 
 
 In vases that with rainbow splendours gleam. (35) 
 
 Curst be the effeminate dogs ! 
 
 DUNGARTH — (nof heeding him). 
 Yes, I perceive 
 The hour draws near. — Britain again shall have 
 
Scene n.] THE IMPERIAL PIRATE. 311 
 
 Her king of kings, born of the ancient blood, 
 
 The Celtic lineage of her native chiefs, 
 
 i\nd Freedom bind her sun-wreaths round his brows. 
 
 DHU CADERN. 
 
 I'd rather share the wolf *s dark bone-strewed dfen, 
 
 Or on his heathy bed with th' elk lie down ; — 
 
 I'd rather pluck her quarry from the eagle. 
 
 And with the stern bear feed, — than sleep beneath 
 
 Their gilded roofs, or at their costly feasts 
 
 Loll in unmanly pomp, like a soft maid, 
 
 On dainty beds, perfumed with flowers and scents. 
 
 DUNGARTH. 
 
 I'll to the hallowed tomb of that great chief 
 Rinvala, godlike father of our line ; 
 And from his bony grasp the magic sword, 
 That thunderbolt of war, seize dauntlessly ! 
 'Tis prophesied by Druid-seers of old 
 That he who from the tomb his clymore takes 
 Shall sever Britain's iron yoke of bondage. 
 And set his country free ! 
 
 DHtr CADERN. 
 
 O, if we win 
 The glorious day, these strangers and their arts 
 Shall all be rooted out ! — I'd crucify 
 The wizard-authors of those magic crafts 
 That make their gilded palaces more bright 
 Than e'en th' enchanted halls where fairies hold 
 Their midnight sports, and, like th* Icenian queen. 
 Give their voluptuous pomps to feed the flames ! 
 
 DUNGARTH. 
 
 No, no, Dhu Cadern, 'tis their proud ambition, 
 And not their arts, which has enslaved my country. 
 
312 
 
 THE IMPERIAL PIRATE. [Act IL 
 
 DHU CADERN. 
 
 I hate their fopperies, ostentatious shows. 
 And boundless pride. — Our once bold, warlike youth 
 Are grown debased by Rome's pernicious manners, 
 And copy all her arts and soft refinements. (36) 
 Look, look, my lord, the skies are wrapped in fire ! 
 A thousand meteors rush o'er yonder clouds, 
 Quivering and glowing with ethereal lights, 
 Like sunset splendours ! — See, what warrior hosts, 
 Of dazzling limb, with arms of rainbow dyes. 
 Come in their glory forth ! their flashing spears 
 O'er all the northern arch refulgence shed. 
 Mark how the bannered ranks shine out, then fade. 
 In the pale dimness of the passing mist. 
 
 DUNGARTH. 
 
 Dhu Cadern, 'tis an omen from the gods. 
 
 Britain, thy change approaches, and the fall 
 
 Of tyranny draws nigh ! — Ere Rome was struck 
 
 By Boadicea's spear, 'tis said that earth 
 
 And heaven gave warning ! that our fathers' ghosts 
 
 Shrieked in her palaces, and prophets ran 
 
 Wildly about the streets, shouting her doom. (37) 
 
 Behold ! with sanguine floods the heavens are stained ! 
 
 And the pale remnant of those airy forms. 
 
 With riven banner and war-shivered arms. 
 
 Fade in their flight away — So shall thy power 
 
 And far-spread glory, Rome, in darkness sink, 
 
 Like yonder dreamy pomp of spirit-shapes, 
 
 And plague the world no more ! 
 
 END OF THE SECOND ACT. 
 
ACT III. 
 
 SCENE I. — A series of splendid Coenacula, or grand 
 banquetting-rooms, opening one beyond the other^ in 
 the palace of Sorbiodunum, A magnificent banquet 
 prepared in all the profusion of Roman voluptuous- 
 ness. Statues of the gods, and enormous salt-holders 
 of massy silver, placed along the centre of the tables, 
 covered ivith various dishes of gold, urns inlaid with 
 gems, and Etruscan vases of exquisite workmanship, 
 filled with beautiful flowers. Couches of ivory ^ covered 
 
 ' with purple and scarlet, embroidered with gold. 
 
 Carausius, Allectus, and Malwina are discovered on an 
 elevated throne or couch, surrounded with superb hang^ 
 ings. Caswallon, Montcillius, Vindoma, ivith other 
 British Princes, Ladies^ and Chiefs of various nations, 
 fill the couches. Groups of Celtic Bards, in their 
 parti-coloured robes and hoods, leaning on their harps. 
 IVar- dancers and Gladiators in splendid armour, A 
 band of Ambubaice, with flutes and timbrels, and 
 bells on their ankles, are discovered dancing. Carau- 
 sius waves his hand, and they cease, when other females, 
 with garlands of flowers, join in the SaltatioPyrrhica, 
 or war-dance, with a band of Roman Knights, to the 
 martial airs of trumpets and horns. 
 
 CARAUSIUS. 
 
 Retire — and let our British bards advance. 
 And to the harp a spirit-stirring lay 
 
314 THE IMPERIAL PIRATE. [Act III. 
 
 Of Other days rehearse. — We love to hear 
 
 The Celtic war-song, or the sounding lyre 
 
 Roll its deep music, like the cataract-flood. 
 
 Famed harpers of the holy hill of bards, 
 
 The halls of song, the city of the sun, 
 
 Well are ye skilled to touch the hallowed chords. 
 
 And waken those wild melodies of glory 
 
 That rang where steel-clad warriors met of old. 
 
 With battle wearied, at the feast of shells. (38) 
 
 DUAN, BY THE BARDS. 
 
 Dark was the hour, nor moon nor star 
 
 Glanced on the rolling deep. 
 As in his might the strong-armed son of war 
 Roused his fierce legions from their sleep. 
 Couched on Morinia's rocky strand. 
 Battle to wage in Britain's unknown land ; 
 Where the departed spirits rest, 
 The home of shadows, blessed isles o' the west. (69) 
 
 Deeply then the weapon-clang, 
 Neigh of war-horse, trumpet-call. 
 
 O'er the midnight ocean rang, (40) 
 Mingled with the dying fall 
 
 Of the ground- sea's distant roar, 
 
 And lofty galley's splashing oar ; 
 
 With tramp of hosts in war-array, 
 
 Eager to mix in bloody fray, 
 
 And creek of hoisted sail, and cry 
 
 Of sea-boy 'mid the shrouds on high, (41) 
 
 The clang of wakened ocean- fowl, 
 
 And prowling wolf's death-snuffitig howl. 
 
Scene I.] THE IMPERIAL PIRATE. 
 
 i\b 
 
 Then glanced to torch -light, far and ne£tr, 
 Steely cuirass, shield, and spear ; 
 Blazoned banner's purple fold. 
 And thunder-bird with plumes of gold. 
 Hark ! ascends the shout on high. 
 While the deep echoing cliffs reply, 
 As the last warrior quits the strand, 
 And climbs the flower- wreathed (42) deck the rear- 
 ward band. 
 
 Anchors are weighed, the lessening lights reveal 
 The seaward-moving fleet ; the trumpet-peal 
 And soldiers' shouts, scarce heard upon the wind, 
 Proclaim GauPs midnight coast left far behind. 
 On, on the galleys steer. With anxious eye 
 Stands on the deck proud Caesar, to descry, 
 'Mid dawn's white mists, the whiter cliff's arise 
 Of Albion, towering in the shadowy skies. 
 A new and unknown world ! where he a name 
 Immortal hopes t' achieve, and deathless fame, 
 That shall a triumph win at Rome, and be 
 A prelude to th' imperial dignity. 
 
 Now all the rosy richness of the morn 
 Bursts o'er the heavens, and brilliant dyes adorn 
 The golden-billowed deep, while cloud-formed isles 
 Rise from the ruby wave, bright with Aurora's smiles. 
 Then, as the silver mists slow rolled away, 
 Which hung along the eastern verge of day. 
 Shone Albion's gleamy summits bold, 
 With banner crowned and rampart-hold. 
 Shouts at the sight arose on high, 
 Like thunders gathering round the sky, 
 
316 THE IMPERIAL PIRATE. [Act III. 
 
 From galley, bark, and brigantine, 
 Which to the rising sunbeams flashed 
 With brazen prows, and oars that dashed 
 
 Aside the foamy, sparkling brine. 
 
 But as the war-ships onward steer, 
 Myriads of rays glance far and near, 
 From shield and breastplate^ sword and spear ! 
 For on Britannia's cliffs and strands 
 
 Unnumbered hosts in arms are seen. 
 With horsemen ranged in threatening bands, (43) 
 
 And warlike chariots rushing on between ', 
 While, as the astonished Romans gaze, 
 Rock, hill, and shore are one vast armour- blaze. 
 
 Now martial coil, and din, and combat-yell resound i 
 Th' invader pours his stranger bands, 
 And plants his eagle ensigns on the sands. 
 Legions on legions rush I — 
 Shields clash on shields, horsemen on horsemen bound ! 
 Armour rings, 
 The war-steed flings 
 
 o 
 
 His rider to the ground — 
 And o'er the strand the crimson blood-streams gush ! 
 
 With blood the headlong billows froth, 
 And lash th* encrimsoned rocks, as wroth 
 That Rome's slave-banners are unfurled 
 On Liberty's sea-guarded world. 
 
 Carcass, and galley- wreck, with shivered shield and 
 spear,' 
 
 Chariot, and struggling steed, and charioteer. 
 Around each battle-riven file. 
 Dying for their own dear-loved isle. 
 
Scene I.] THE IMPERIAL PIRATE. 317 
 
 On ocean float — that mingles with the rout, 
 Drowning the stern-souled warrior's shout. 
 
 Hark ! how the scythe-wheeled cars roll on in thunder ! 
 
 Their drivers' skill in fight is Caesar's fear and wonder! 
 And forward still the gallant Britons dash, 
 To the chariot-drum and the cymbal-clash. 
 Still as in Freedom's cause they fall, 
 Fresh squadrons rush at glory's call ! 
 The arrows hiss in cloudy flight, 
 The red shore flames with armour-light ; 
 Groan, and shout, and victor-cry, 
 Blend with the yell of those who fly ; 
 Earth trembles with the battle-shock, 
 
 And Ocean howls along his shores of everlasting rock ! 
 
 But who that day, amid the strife, 
 
 The noblest palm of knighthood won ? (44) 
 
 It was Cathmorna's gallant son. 
 Who for his country bravely gave his life. 
 In warfare's brightest lists renowned, 
 
 Dunalbion met th"* invader's host, 
 And stretched cold on th' ensanguined ground 
 
 Rome's proudest chiefs, her strength and boast ! 
 But vain his skill as charioteer, 
 
 And vain, alas ! his far-famed might — 
 He fell by Csesar's thirsty spear. 
 
 And closed his eyes in endless night ! 
 
 Ah, who is she, so pale, so fair, 
 With flowing robe and golden hair, 
 Wandering with fearful step among 
 The sea-strand's ghastly, gory throng ? 
 
9m THE IMPERIAL PIRATE. [Act III. 
 
 She listens — but no sound, save ocean's roar, 
 
 Is on the winds — the struggle-cries of death are o'er ; 
 
 Gone is the victor, and the vanquished fled. 
 
 And round her lie in heaps the silent dead, 
 
 The fallen steed, the riven shield and car, 
 
 With all the wreck and havoc of the war. 
 
 Fair Mina left Torlatha's tower, 
 Dunalbion sought at twilight hour, 
 And by the sounding ocean's marge, 
 Stretched cold upon his blood-dashed targe, 
 
 The dark-eyed chief she found ! — 
 Along the cliffs, along the shore. 
 Where late was heard the battle-roar, 
 A lonely shriek of anguish rings 
 On sullen night's dim, flagging wings, 
 
 As sinks the maiden on the ground ! 
 
 Again she rose ; — the fierce wolf howled — 
 The grim bear o'er the dead man growled. 
 As he rent with his tusks the mail away, 
 And gorged on the flesh of kings till day ! 
 Then she, despite her wild alarms, . 
 That death-pale warrior in her arms 
 To the woody stream of Lona bore. 
 And from his deep wounds washed the gore ; — 
 But he spake not — moved not — ^by his side 
 Sunk Mina on that blood- red field and died ! 
 
 CARAUSIUS. 
 
 Thanks, honoured bards, right well have ye attuned 
 To deeds of ancient years your solemn harps. 
 On your deservings shall my hand bestow 
 Imperial largess. — Swordmen, now advance ! 
 
Scene I.] THE IMPERIAL PIRATE. 319 
 
 Display, ye Samnite gladiators, all 
 
 Your warlike sports with energy and skill, 
 
 Unstained by blood. (45) 
 
 {The Gladiators perform a mocJc exhibition of their 
 feats to the sound of martial music.) 
 (To Malwina.) — Do not these splendid halls, 
 The rich-toned warblings of the bardic harp, 
 The sprightly dance, and gladiatorial sports 
 Of manly strength, find favour in thine eyes ? 
 
 MALWINA. 
 
 Nay, marvel not, my lord, if scenes so new 
 With all their pomp o'erpower a simple maid, 
 Whose home has been till now a desert cave, 
 Whose poor companions in her lowly state 
 Were woodland fawns, and gentle birds that sang 
 Amid the red flowers, rich with morning dews, 
 Their artless lays of joy, till grove to grove 
 Spake sweetly in wild music. 
 
 CARAUSIUS. 
 
 Now then, my gallant chiefs, drink deeply all. 
 Ere to the nuptial shrine I lead my bride. 
 Lift high your rose-crowned cups, and wave your gar- 
 lands. 
 In honour of your emperor's spousal hour. 
 
 ALL. 
 
 Joy to the bridal of the great Carausius ! (46) 
 
 (Shouts, trumpets, ^c.) 
 
 Enter Messenger. 
 
 MESSENGER. 
 
 Mighty Augustus ! pardon me, who am 
 The bearer of ill news. — Constantius Caesar 
 
320 THE IMPERIAL PIRATE. [Act III. 
 
 Has, with a powerful fleet, passing the Straits 
 Of Hercules, landed in Gaul, and driven 
 Thy firm allies, th' Armoricans and Francs, 
 From all their cities ; and he threatens now 
 To pour his legions on the British shores. 
 
 CARAUsius — (rising) . 
 What ! do our treacherous partners in the empire 
 Menace this noble isle ? We laugh to scorn 
 Constantius and his host ! This arm has torn 
 The chains of bondage from my own home isle, 
 And hurled them in the face of her oppressors ! 
 Britain shall lift her head in bold defiance 
 On her eternal rock, whose heights outswell 
 The stormy billows, and from thence behold 
 The shipwreck of her foes. A mariner, 
 A dauntless sea-king, now her bright crown wears 5 
 And well shall he maintain, to the last drop 
 That warms his patriot heart, the sacred rights 
 Of his loved people, who will by his side 
 Defend the glory of their native land, 
 And to those tyrant lords that fain would bind 
 The world in slavish chains, from shore to ghore. 
 Shout — Britain shall be free ! 
 
 ALL. 
 
 Most noble Caesar ! 
 Freedom or death ! shall be our banner-cry. 
 
 CARAUSIUS. 
 
 Have these vain-glorious fools of Rome forgot 
 How I at midnight stormed Maximian's camp, 
 When he in hurried flight his safety sought, 
 While Ocean, to my will obedient, rose 
 Dark in his stormy wrath, and deep beneath 
 The vaulting billows dashed those rampart walls 
 
Scene I.] THE IMPERIAL PIRATE. 321 
 
 Raised round Bononia's port, to hem me in (47) 
 With all my battle- ships ? — Then forth I steered 
 My fleet in triumph, and the diffs of Gaul 
 O'er the great deep re-echoed loud the shouts 
 That hailed me emperor. — What, can they forget 
 How I, when here enthroned, near Vecta's isle (48) 
 Maximian's fleet in glorious conflict met. 
 And spread the surges with its burning wreck, 
 Till all the blood-stained ocean seemed on fire ? 
 
 ALLECTUS. 
 
 O, what a spirit-moving scene was that. 
 When your brave galley by his admiral lay — - 
 Her crimson banners to the winds displayed. 
 With beak of burnished brass, and bank on bank 
 Of oars, that rose and fell, like giant wings 
 Of silver, flashing in the midday sun 
 To martial pipe and clarion ! 
 
 CARAUSIUS. 
 
 Ay, my friend — 
 Then as I grappled to her side the Roman, 
 How flew around us arrows, spears, and stones. 
 Thick as the tempest-hail that fiercely comes 
 Down on the hill of winds ! — My dart-pierced shield 
 Was like a rock on which the green trees shake 
 Their foliage to the breeze 5 my clymore streamed 
 With reeking blood — I stood upon the dead, 
 And soon the leader of the Roman fleet 
 Met sword to sword ! — My battle-heated brand 
 Smote his proud war-crest, as the thunderbolt 
 Dashes against the tower, that shattered falls 
 Amid the storm ; — he sunk with dying groan 
 On the blood-deluged deck — I shouted forth 
 My victory to the skies, then hurled a storm 
 
 Y 
 
322 THE IMPERIAL PIRATE. [Act III. 
 
 Of sulphury firebrands on his shrieking crew ! 
 
 Loosed from our hold, their kingly-moving ship. 
 
 With sail and banner blazing, o'er the deep 
 
 Floated a red volcano, wrapped in smoke. 
 
 Till down she sank with death-cry, yell, and shout, 
 
 Amid the hissing waves ! while I, the lord 
 
 Of ocean, won the triumph ! 
 
 Enter Messenger. 
 
 MESSENGER. 
 
 Noble Csesar — 
 
 CARAUSIUS. 
 
 What tidings of high import dost thou bring ? 
 For such thy looks seem big with. 
 
 MESSENGER. 
 
 Good my lord. 
 The chieftain of Damnonia's provinces, 
 Dungarth, is from his secret hold come forth. 
 Like a grim hungry bear, and hath stirred up 
 Rebellion in the west. 
 
 CARAUSIUS. 
 
 Ha, slave of hell ! 
 Is that despiteful dog again in arms ? 
 Sulpricius, with the Flavian legion, shall 
 Make war against him, and the rebel's head 
 Be hither brought to grace my palace gates. 
 
 MESSENGER. 
 
 Imperial Caesar, all the Cangian chiefs 
 
 Have joined his standard, and are in full march 
 
 Iscalia to besiege. 
 
 CARAUSIUS. 
 
 The Cangi too ! 
 
Scene I.] THE IMPERIAL PIRATE, 323 
 
 Dare they rebel ? — Why then take off the heads 
 Of all those youths given by that stubborn tribe 
 To me as hostages, (49) when I subdued 
 The herd-groom warriors, and their blood be on 
 Their fathers' brows !— Vindoma, see it done ! 
 
 [Exit Vindoma. 
 
 MALWINA. 
 
 O, let me for those hapless youths intreat ! — 
 Slay not the innocent ! 
 
 CARAUSIUS. 
 
 Sweet, simple maid. 
 The Roman law requires their instant death ! 
 It pains me to deny thy first request. 
 This foul rebellion calls for vigorous means 
 To quench its rising flames ; more dangerous far 
 This homebred strife than all the fleets and legions 
 That Rome can send against us. — From the feast. 
 Princes, we must retire to secret council. 
 Forgive me, sweet Malwina, this departure 
 Awhile from thy loved presence. — Soon will come 
 The hour of bridal bliss, when Hymen's rites 
 With sacrifices in Jove's awful fane 
 Shall be performed, and on those lovely brows 
 This hand the British diadem shall place ! 
 
 [Exeunt Carausius, AUectus, and several chiefs; others 
 remaining at the banquet at the upper part of the 
 stage, A bard, with his hood concealing his face, 
 comes down nearly opposite Malwina, and leans 
 unobserved on his harp, steadfastly watching her. 
 
 MALWINA. 
 
 Would I were crowned with death-flowers on ray bier, 
 And for the trump-tones of these gorgeous halls 
 My funeral dirge were sung by weeping maids ! (50) 
 
 Y 2 
 
324 THE IMPERIAL PIRATE. [Act III. 
 
 How ill accords this scene of festal joy 
 With the sad feelings of my aching heart ! — 
 Bright, shadowy spirit, dweller of the clouds, 
 Dost thou not for thy loved Malwina sigh ? — 
 Where at this hour of her sad destiny 
 Art thou, my dear Ambrosius ? 
 
 BARD, 
 
 Here he stands, 
 White-bosomed maid, on thy soft beauty gazing ! 
 
 MALWINA. 
 
 Ye blessed saints that guard the innocent ! 
 
 What voice was that ? — 'Twas an illusive spell. 
 
 Some viewless spirit flung upon the air 
 
 To enchant my startled ear. — Oft have I heard 
 
 Such flute-like tones come on the evening winds. 
 
 Wandering in music by me as beside 
 
 His monument I hngered in the woods 
 
 Of my late happy home. — 'Twas but the dream 
 
 Of a bewildered fancy — I would have 
 
 Soft melody to soothe my troubled soul — 
 
 Mournful, yet sweet as angels breathe around 
 
 The flame-pile of the martyr. — Gentle b^^rd, 
 
 Why dost thou o'er thy silent harp-strings lean 
 
 As if in sorrow ? — Hast thou no wild tale 
 
 Of mingled love and sadness to beguile 
 
 My heart of its own anguish ? 
 
 BARD. 
 
 Yes, I have 
 A tale of one who in the battle fell. 
 While a false-hearted maid 
 
 MALWINA. 
 
 His voice again ! — 
 Off with that shadowy hood ! — I will behold 
 
Scene I.] THE IMPERIAL PIRATE. 325 
 
 Thy dim, pale ghost, and rushing to thine arras 
 Die on thy bosom ! Ha ! 'tis he ! 'tis he ! 
 
 (The Bard, throwing back his hood and opening his 
 vesft discovers himself to be Ambrosius. Mal- 
 wina shrieks t and faints in his arms.) 
 
 AMBROSIUS. 
 
 This looks not like cold falsehood. — Gentle maid ! 
 And dost thou love me still ? — Force may, perchance, 
 Have placed thee in the power of this Carausius. 
 Look up, and bless me with thy wonted smile^ 
 My beautiful, my own beloved one ! 
 
 MALWiNA — (reviving). 
 And dost thou live, indeed ? and art thou not 
 The vision of my dreams ? No, no — I see, 
 I feel thou art alive ! — and thou hast dared 
 To seek me in the dreaded lion's den ! — 
 O, I am wild with transport, thus again 
 To view thee risen as from the loathsome grave, 
 All warm with life, to know that thou art come 
 To rescue thy Malwina from the power 
 Of him my soul abhors. 
 
 AMBROSIUS. 
 
 Dost thou, in sooth. 
 Maiden of beauty, scorn this self-praised Caesar ? 
 O, thus to know that thou the pirate hatest, 
 More than repays the miseries I have borne 
 For loss of thee, my only joy on earth. 
 
 MALWINA. 
 
 Thou shalt not lose me — we'll together fly ' 
 To some lone isle or region, far remote. 
 Beyond this ocean- warrior's utmost reach. 
 
326 THE IMPERIAL PIRATE. [Act III. 
 
 But tell me, how, with life, didst thou escape 
 From the blood-fields of slaughter ? where I learnt 
 My knightly hero fell, no more to lift 
 His battle-spear, or through the bannered ranks 
 Dash on his gallant war-steed ! 
 
 AMBROSIUS. 
 
 In the last 
 Fierce conflict with the Persian, on whose side 
 The furious Parthians fought, heaven's blue arch rending 
 With their terrific thunder-yells of war, (51) 
 I, steed to steed, the champion of the east 
 In deadly combat met — The mighty one 
 Fell by this conquering arm ! — But — Heaven so willed — 
 The last blow of his giant weapon smote 
 Through my steel-guarded side, and I too sunk 
 Amid the gory carnage of the field. 
 There all the night, my dead foe for my pillow, 
 I bleeding lay ; and as the copious dews 
 Chilled my cold, stiffening limbs, I turned mine eyes 
 To the bright stars outflashing in the west, 
 And thought of thee and my loved native land, 
 To whom I bade, with burning tears, farewell ! 
 But, as the day- smile flushed the rosy skies, 
 Some peasants of the country, seeking spoil. 
 Found me still breathing, and at my entreaties 
 Conveyed me to their dwelling, where my wounds 
 With balmy herbs they healed. — Then soon I bade 
 Adieu to my preservers, and in search 
 Of Dioclesian wandered. — He I learnt, 
 After the battle, had returned to Rome : 
 I to that city followed him, and thence 
 Hastened my pilgrim-feet once more to set 
 
Scene I.] THE IMPERIAL PIRATE. 327 
 
 On mine own native shores, and to this bosom 
 Take my lone dove of beauty. 
 
 MALWINA. 
 
 How didst thou, 
 Ambrosius, find me here ? 
 
 AMBROSIUS. 
 
 I cannot paint 
 My heart's wild joy as I, at eventide, 
 Thy forest-cavern reached, where we had spent 
 So many blissful hours of love together. 
 How throbbed my veins as I its portal passed, 
 And stood once more beneath its lofty roof ! 
 But all was silence, solitude, and gloom ! 
 On thy sweet name a thousand times I called, 
 But no one answered, save the viewless echo, 
 That, like a lonely spirit prisoned there. 
 Regretful for thine absence, still sighed back, 
 A thousand times, Malwina ! 
 I roamed the woods and valley, but in vain ; 
 Till, after long and weary search, I learnt 
 That thou hadst, with thy sire, for ever left 
 Thy forest-home to be the empress-bride 
 Of this Carausius. — Cursing him, the spoiler, 
 I hither flew, in deep disguise, resolved 
 To tear thee from the pirate's arms, or bathe 
 Thy bridal altar with my gushing blood ! 
 
 MALWINA. 
 
 My gallant, generous prince, this night we'll fly— — - 
 
 AMBROSIUS. 
 
 Whither, my sweet Malwina, shall we fly ? 
 Such is the corsair's power, should we attempt 
 To quit this isle, his numerous fleets, that guard 
 
328 THE IMPERIAL PIRATE. [Act III. 
 
 Our sea-encompassed land, would intercept 
 
 Our flight, ere we the storrpy ocean cross'd. 
 
 No : if we fly, my gentle maid, we must 
 
 As banished exiles wander far from all 
 
 The social haunts of polished man, and herd 
 
 Amid the forest depths, with wolves and bears. 
 
 And lawless mountaineers, more brutish e'en 
 
 Than the most savage brutes ! — Canst thou, so young, 
 
 So beautiful, quit these luxurious scenes, 
 
 Where bright refinement and magnificence 
 
 The witchery of their dazzling splendours shed — 
 
 While round thee wait a thousand gold-clad slaves, 
 
 And princely courtiers in low homage bow ? 
 
 Canst thou the imperial diadem give up, 
 
 Cast off" those gorgeous trappings of proud state, 
 
 Forget thy sex, and roam the savage woods. 
 
 In the rude wolf-skins of an outlawed slave ? 
 
 Or can that delicate and lovely form 
 
 Mix in the battle-tumult, hurl the lance. 
 
 And bend the bow of steel ; nor heed the blast. 
 
 The bitter howling blast, when tempests rave. 
 
 In all their fury, o'er the desert heath. 
 
 And lightnings rend the oak, while leafless woods 
 
 Beneath the hoary desolation bow 
 
 Of winter's drifting snow ? 
 
 MALWINA. 
 
 Ay, dear my lord, 
 My own Ambrosius, joyously I'll quit 
 These radiant halls of revelry and song, 
 To which, by a fond sire's entreaties won. 
 Have I been brought — fling off" these glittering robes 
 Of gems and gold, and, tearing from my locks 
 
Scene I.] 
 
 THE IMPERIAL PIRATE. 
 
 329 
 
 This bridal veil, these rosy-blushing wreaths, 
 Array me in the woodland hunter's garb ; 
 Nor in the arrowy van of combat shrink, 
 But brandish at my warrior's side the sword, 
 Faithful to death ! — I will not fear the ra^e 
 Of tempests, when their gathered winds come forth, 
 Like sounding hosts, to battle, and the oak 
 Sinks, struggling, in its pride ; nor when the elk 
 Shakes from his brows the desert snows at morn. 
 And the white woods beneath their burden bow. 
 
 AMBROSIUS. 
 
 O, what in strength can equal woman's love ! 
 In the bright hour of joy our brightest bliss, 
 And still the constant beam that sweetly sheds 
 Its trembling radiance o'er our dark despair. 
 
 MALWINA. 
 
 What though we from the haunts of polished life 
 Are driven to seek the desert, why should we 
 Herd with the wolf, or fiercer robber clan ? 
 No, we will make our summer bower alone. 
 Mid forest shades, where dwells the gentle fawn. 
 The hazel, and the scented lime-tree, hung 
 With woodbine-blossoms, shall our home o'erspread, 
 And there the wild rose shed its evenincr flowers. 
 Our dwelling shall these kingly halls surpass 
 In all the splendour ; for its emerald roof 
 With gold and living gems shall nightly burn. 
 As through the leaves ten thousand watchful stars 
 In their rich glory flash ; — nor shall we lack 
 Those sweetly-mellowed music tones that wait 
 On Nature in her holy solitudes. 
 
330 THE IMPERIAL PIRATE. [Act III. 
 
 The vesper- winds, as they their incense waft 
 To day's departing orb, round every bough 
 Will their inconstant anthems faintly sing, 
 While, leaping forth with his deep voice of joy, 
 A merry spirit of the woodland dell, 
 The blue fount warbles ever. 
 
 AMBROSIUS. 
 
 Ah, sweet maid, 
 And shall we find, amid the wilderness, 
 A spot like those bright islands of the blest 
 Where Druids say that happy spirits dwell ? 
 
 MALWINA. 
 
 Yes — for 'twill be the paradise of love. 
 There, when we press our leafy couch in peace, 
 On its bright rainbow-canopy of flowers, 
 The nightingale shall sing our bridal hymn, 
 As through the shades the tender moonlight steals, 
 Kissing the sleepy blossoms. — When the morn 
 Her roseate splendours o'er the forest flings. 
 The sprightly lark shall rouse us with her lay. 
 While the full chorus of the laughing woods 
 Hail the bright coming of the eternal sun. . 
 Nor when stern winter with his ruflian blasts 
 Plunders the groves of all their verdant pride. 
 Shall we be comfortless ; — no, dear Ambrosius, — 
 For then we^ll in some sparry cavern dwell. 
 Like my loved home by Derwin's valley-stream ; 
 There, as the noisy winds, in bitter wrath. 
 Rush howling through the cloudy hall of storms, 
 And to the heavens the mountain proudly shows, 
 Lightning-endiademed, its gloomy brow. 
 We'll charm, with harp and song, the hours away. 
 
Scene I.] THE IMPERIAL PIRATE. M^ 
 
 AMBROSIUS. 
 
 Yes, we, my dear Malwina, shall be blest, 
 In the communion of each other blest ; 
 Feeling no want of man's delusive pomp. 
 Or his false fellowship. 
 
 MALWINA. 
 
 I was not formed 
 For artful courts, and gaudy scenes like these. 
 Dear are to me the empurpled hills and woods, 
 The beauty of the morn, in sunbeams clad, 
 The golden-vested eve, star-crowned by love. 
 The virgin softness of the moonlight hour, 
 When every sound melts on the ear in music ; 
 The thunder pealing through the mountain glens, 
 And all the tempest's dark magnificence ! — 
 Who then that joys, like me, in Nature's pomp, 
 Would linger in these prison-halls, or sigh 
 For the poor grandeur of man's home of care ? 
 When, in their splendours, forest, hill, and vale, 
 Woo me to come and taste their dewy freshness ; 
 When cataracts in tuneful thunders call, 
 And fountain-urns, and birds, and fragrant flowers 
 Of fairy tints, with all their pleasantries, 
 And voices of sweet sound, invite me hence ! 
 
 AMBROSIUS. 
 
 Since thou wilt, dearest, for my sake, become 
 
 A dweller of the desert, we this night 
 
 Will from these towers escape. — Freedom unfurls 
 
 Her sacred signal-banners in the west. 
 
 And we will shape our flight for Coitmaur's forest. (52) 
 
 The pirate soon may fall. — Now let us part : 
 
 At midnight in the vestibule we meet — 
 
 Till then adieu. — O, Venus, guide our steps 
 
332 THE IMPERIAL PIRATE. [Act III. 
 
 Safely o*er mountain, heath, and sedgy moor. 
 Till we the embowered retreats of Coitmaur reach. 
 
 \_Exeunt severally, 
 
 SCENE II. — A Room in the Tower or Fortress of 
 Duncarmo, 
 
 Enter Ruthinia and Oriuna. 
 
 RUTHINIA. 
 
 How didst thou from that horrid rock escape, 
 Left by thy cruel lord to perish there ? 
 Thy story moves me greatly. — We are here 
 Free from the intrusion of those warrior chiefs. 
 
 ORIUNA. 
 
 O, 'twas a dreadful hour ! — on every side 
 
 The vastness of the sea stretched far and wild. 
 
 Each moment gaining, with its sullen roar, 
 
 Upon that little surge-devoured isle. 
 
 The ruthless billows had already reached 
 
 My trembling feet, and I, foam-sprinkled, stood 
 
 Shivering to the cold blast that whistled throiigh 
 
 My dark hair, floating round me, when the moon 
 
 Shone brightly out between the passing clouds, 
 
 And I beheld a vessel sailing near ! 
 
 I waved my scarf, and shrieked aloud for help 5 
 
 They heard my cries, and kindly sent a boat 
 
 Which took me from that death-rock, (53) as a wave 
 
 Swept howling o'er its deeply-hidden brow, 
 
 And safely bore me to the distant shore. 
 
 RUTHINIA. 
 
 How canst thou feel a wish again to see 
 
 This savage emperor .? Not for worlds would I 
 
Scene II.] THE IMPERIAL PIRATE. 333 
 
 Be placed within his power ! Lady, with us 
 Remain in safety, nor attempt to dare, 
 A second time, his jealous wrath, which knows 
 No spark of mercy. 
 
 ORIUNA. 
 
 What, is this poor life 
 Deprived of honour ? Who would bear its load 
 When crush'd with obloquy, contempt, and shame ? 
 O, I would dare a thousand deaths to prove 
 Before the world my stainless innocence ! 
 And I will prove it in the British court ! 
 Then, though from his stern bosom — where so oft 
 I've hung, while rapture beam'd in his fond eye — 
 He dash me to the ground, ay, trample on me. 
 And with his dagger pierce my faithful heart. 
 That loves him still, I shall with pleasure die. 
 And, like the setting sun, when from his orb 
 He flings the shadows of the stormy clouds. 
 With the pure lustre of a spotless name 
 Depart, undimmed, in glory ! 
 
 Enter Dungarth in armour. 
 
 DUNGARTH. 
 
 Now, proud lady, 
 Thou dost behold me what I truly am, 
 No longer a poor fisher, but a king ! — 
 Once more in arms I shine, and lift the shield. 
 The sacred shield of freedom, for my country. 
 
 ORIUNA. 
 
 Name not thy country's freedom, Dungarth, no ! 
 
 That is a poor disguise, a specious veil 
 
 Thou o'er thy dark and plotting treason fling'st, 
 
334 THE IMPERIAL PIRATE. [Act III. 
 
 To hide its hideous visage. — Britain owns, 
 With glory owns, Carausius for her lord, 
 Whose eagles, winged with victory, splendours shed 
 O'er her proud brow, that dazzle Rome, and strike 
 The adder-stings of envy through her heart. 
 
 DUNGARTH. 
 
 His glory is dishonourable fame ; 
 'Tis not the mild and radiant light of justice. 
 Cheering the land it shines on, but the glare 
 And dagger-flashes of oppressive power. 
 At noble freedom's naked bosom aimed ! 
 He rules by Roman laws and Roman swords, 
 And all that bear the hated name my soul 
 Despises and abhors ! 
 
 ORIUNA. 
 
 Thou, factious chief, 
 A traitor art to him and to thy country ! 
 For thou wouldst by rebellion plunge her deep 
 In civil strife, and with a reckless hand 
 Let the fierce hell-born fiends of discord loose 
 O'er this fair empire, in their whirlwind course. 
 To scatter ruin, havoc, death, and flames ! 
 Be warned in time — Dismiss thy rebel bands, 
 And at the footstool of Carausius kneel 
 In humble homage ; then mayst thou regain 
 Thy princely father's seat. 
 
 DUNGARTH. 
 
 I, lady, kneel 
 In homage to a pirate, whom e'en Rome 
 Hates and disdains ! — No ! — I, sprung from the line 
 Of Belgae's princely warriors, was not born 
 To cringe, and lick the dust beneath the feet 
 Of a proud upstart, who would dare to bind 
 
Scene II.] THE IMPERIAL PIRATE. 
 
 The chains of servile bondage round these limbs. 
 And make me his poor tool — Never will I 
 Bow to a slave-born corsair, till some arm 
 Of greater power than mine, in battle-field, 
 Shall from my shoulders take this head, and roll 
 The bleeding trophy at the tyrant's feet ! 
 
 ORIUNA. 
 
 Then written is thy doom ! — And canst thou hope. 
 Vain-glorious as thou art, the wreath to win^ 
 Where he, the lord of battle^, hurls his lance, 
 And dashes, in the sun-refulgent car 
 Of victory, through the war-ranks ? 
 
 DUNGARTH. 
 
 Can I ? — ay, 
 I c?o, by the pure flames of Melcom's shrine ! 
 But why vaunt'st thou with such a lavish tongue 
 Of this proud tyrant's might ? who, scorning thee 
 And all thy lofty beauties, leads this night 
 (As faithful spies inform me) to the altar 
 A high-born princess of the Celtic line. 
 On whose fair brow this isle's imperial crown, 
 In some few hours, amid the shouting court, 
 Will in its splendours flash. 
 
 ORIUNA. 
 
 O for the wings 
 Of the strong eagle to convey me hence, 
 To pierce these clouds that darken me, and rise 
 Once more to honour's brightness ! At thy feet. 
 Prince of the darkly-flowing locks, I fall ; 
 For thy sad tidings have subdued my pride. 
 And humbly, fervently, to thee implore 
 For freedom and release, that I may hence. 
 And in the emperor's court for justice call !— 
 
 395 
 
336 THE IMPERIAL PIRATE. [Act III. 
 
 O, let me now depart j — 'tis not for pomp, 
 For titles, or for empire, I would clamour, — 
 No — but to prove I have been basely wronged ; 
 To prove my innocence — than crowns or life 
 To me far dearer ! — Grant me, grant me this, 
 And I'll to thee return, and be thy slave ! 
 
 DUNGARTH. 
 
 Free art thou to depart, for I no longer 
 
 Deem thy captivity my cause can aid. 
 
 'Tis his deep policy which makes him choose 
 
 An empress of our ancient regal bloody 
 
 That he with rosy wreaths may hide the chains 
 
 Flung round ray injured country. — Hence, with speed — 
 
 And to the crafty pirate with thee bear 
 
 My stern defiance. 
 
 ORIUNA. 
 
 By the avenging gods, 
 If he refuse to listen to the proofs 
 I bring him of my innocence, and scorn 
 To do me speedy justice, I will make 
 His palace-halls with my deep injuries ring ! 
 Then, if I perish in his awful presence, 
 I'll die as I have ever lived — with honour ! 
 
 l^Ea;it Oriuna. 
 
 DUNGARTH. 
 
 Go — and may wild confusion, rage, and strife 
 
 Be thy attendants. Hark ! the tempest-winds 
 
 Come in their anger forth. — Ruthinia, 'tis 
 
 The hour when I the tomb of my famed sires 
 
 Must enter, with due rites, and seize the sword^ 
 
 The magic brand of Britain'^s liberty, [Exeunt, 
 
Scene III.] 
 
 THE IMPERIAL PIRATE. 
 
 337 
 
 SCENE III. — A Grove of Oaks on a lofty place. In 
 
 the centre a great tumulus surrounded by rocks. On 
 
 one side an entrance, concealed by a large stone. A 
 storm, with thunder and lightning — solemn music. 
 
 Enter a procession of British Maidens, who move in 
 slow dances round the tomb, scattering on it flowers. 
 A train of Druids in their sacerdotal habits. Bards 
 with harps, then Soldiers with banners and arms. 
 Dungarth, Ruthinia, Dhu Cadern, and Celtic Chiefs. 
 
 GRAND CHORUS.— INCANTATION. 
 
 Spirit of the honoured dead ! 
 
 To what regions art thou fled ? 
 
 Lo ! thy tomb we burst asunder ! 
 
 Hark ! a thousand peals of thunder 
 
 Through thy dim death-chamber ring, 
 
 To break thy slumbers, warrior-king ! 
 
 Spirit, dost thou dwell on high 
 
 On eagle rocks amid the sky ? 
 
 Where mountains of eternal snow 
 
 Hang piled o'er ice-gulfs far below ; 
 
 There, with those spirits who the wind 
 
 And tempests in their caverns bind, (54) 
 
 High converse hold at sunny even, 
 
 When earth beneath seems turned to heaven ! 
 
 And hill and plain, all amethyst. 
 
 Glow like the dove's empurpled breast ; 
 
 While golden wood and lofty steep 
 
 Flame out with glory — and the deep, 
 
 In liquid ruby, flashing lies, 
 
 A mirror of the gorgeous skies. 
 
 Z 
 
338 THE IMPERIAL PIRATE. [Act III. 
 
 Or dost thou the blue ocean roam, 
 And make its coral caves thy home ? 
 There with its serpent monsters play. 
 And join the mermaid's magic lay ? (55) 
 I' th* wave-gods' pearly halls of power 
 Feast with the sun at evening hour ? 
 Where ten thousand gem-bright flowers 
 Bloom around their wealthy bowers. 
 And shaft and pillar burn with light, 
 Like fire-clouds flashing through the night, 
 When loud winds hurry them along 
 To the dark tempest's thunder-song — 
 Or, with the sea-maids, fairy isles 
 Form'st thou of clouds and sunny smiles, 
 Flinging o'er all Elysian dream 
 Of grove, and field, and hill, and stream. 
 Cheating the mast-boy's gladdened eye 
 With visions of a sunset sky, 
 Till fades th' enchantment from his sight. 
 And all around is lonely sea, and sky, and night I 
 
 Spirit of the warrior-dead. 
 To what regions art thou fled ? 
 Dwell'st thou in the isles o' th' blest. 
 Where our mighty fathers rest ? 
 Where remembrance bears no sting 
 Of earth in its imagining ; 
 Where the weary still repose 
 On beds of violet and rose, 
 And music of the nightingale 
 Is heard in every wood and vale ; 
 While the winds melodious sigh 
 To the waters warbling by, 
 
Scene III.] THE IMPERIAL PIRATE. 339 
 
 And the fountain flings its showers 
 Through the fruit-trees' golden bowers ; 
 Where the hero's hunting horn 
 Wakens up the laughing morn ; 
 Where, with airy bow and spear, 
 He oft pursues the flying deer — 
 Then returns to quaff and sing 
 In the halls of banqueting. 
 
 Warrior-spirit of renown, 
 Who didst wear the kingly crown, 
 Dost thou, riding on thy cloud. 
 Bid yon flames the skies enshroud ? 
 Or dost thou on far distant shores. 
 Where the combat-tempest roars. 
 Dash in thy shadowy car along. 
 Amid the fiercest warrior-throng ? 
 Or art thou by the victim-stone 
 Listening to the captive's groan ? 
 Where'er thy mighty spirit dwells. 
 We invoke thee by these spells : — 
 
 By thine everlasting fame, 
 
 By great Hesus' warlike name. 
 
 By the gods in heaven that dwell, 
 
 By the gloomy powers of hell, 
 
 By that spectre-haunted tree, 
 
 The cross of blood, the agony (56) 
 
 Which the sprinkled victim feels. 
 
 When 'neath the sacred knife he reels — 
 
 By the ghosts of all thy line. 
 
 And the sun's blood-scattered shrine — 
 
 By our solemn mysteries, by 
 
 Th' eternal God of gods, we cry, 
 
 Z 2 
 
340 THE IMPERIAL PIRATE. [Act III. 
 
 Grant, thou dim cloud-vestured spirit, 
 Thy son may thy death-sword inherit ! — (57) 
 As thou hopest in peace to rest, 
 Grant, O grant him this request. 
 
 Roll the stone of the dead away ! — 
 Protected by our magic lay, 
 Dungarth shall enter, and the brand 
 
 Take from the slumbering warrior's bony hand ! 
 
 {The stone is removed j and Dungarth enters the tomb.) 
 
 SEMI-CHORUS. 
 
 From their hall of dark clouds come 
 
 Kingly spirits round the tomb ! 
 
 Lightnings from their bright spears flash 
 
 To the thunder's dreaded crash !— 
 Hark ! airy harps with solemn chantings ring, 
 And there are sounds like th' eagle's rustling wing 
 Borne on the stormy blast ! — Our spells have woke 
 
 The giant warrior on his dusty bed ; 
 The slumber of unnumbered years is broke, 
 
 And slowly he uplifts his awful head ! ' 
 
 (Dungarth rushes from the tomb with the sword 
 and shield.) 
 
 GRAND CHORUS. 
 
 See ! Rinvala's dauntless son 
 Hath the sword of freedom won ! 
 And his father's brazen shield, 
 Which shall, in the combat-field, 
 On the car-borne warrior's head 
 Victory's lightning-glories shed ; 
 
Scene III.] 
 
 THE IMPERIAL PIRATK 
 
 341 
 
 While that dread glaive shall, in his hand. 
 Drive the proud stranger from our land ! 
 
 Hark ! — on the night- winds from afar 
 Come the stormy sounds of war ! 
 'Tis the Roman horn's shrill wail, 
 Echoing from Moilena's vale ; 
 'Tis the tramp of warrior men, 
 Marching down Cathmorna's glen ; 
 'Tis the clang of knight and steed 
 Rushing on to battle-deed ! 
 Through Atha's wood, to thunder-light, 
 Flash buckler, sword, and eagle bright. 
 Now Ardin's plain is all on fire. 
 With host on host, in war-attire ! 
 Onward ! to the battle-cry — 
 Britain ! — Our King ! — and Liberty ! 
 
 (^Shouts — grand march — the sword and shield 
 borne before Dungarth.) 
 
 END OF THE THIRD ACT. 
 
ACT IV. 
 
 SCENE I. — The Grand Audience Hall in the Palace of 
 Sorhiodunum. At the upper end, the imperial throne, 
 under a canopy of purple, showered with golden palm- 
 trees, as emblems of the emperor* s victories. 
 
 Enter Carausius, Montcillius, and AUectus, attended by 
 the whole Court. The Lictors, with their axes, and 
 the Eagle-bearers, advance on each side of the throne. 
 
 CARAUSIUS. 
 
 Now let th' ambassador from Rome appear 
 Before us — in the presence of our court ; 
 We'll give him audience, as becomes a prince 
 Who sits on Britain's throne. 
 
 Carausius takes his state. — Enter Octavius; attended. 
 
 Octavius, thou 
 Art welcome to our shores. 
 
 OCTAVIUS. 
 
 Health to Carausius 1 
 
 CARAUSIUS. 
 
 What greetings from our partners in the seat 
 Of earth's dominion bears thine embassy ? 
 
 OCTAVIUS. 
 
 I bring thee words of peace and right good will 
 From]Rome's great senate, and the lords o' the world, 
 
Scene I.] THE IMPERIAL PIRATE. 343 
 
 If thou accede to their decrees, gone forth, 
 Regarding thee and Britain. 
 
 CARAUSIUS. 
 
 Their decrees ! 
 Why, what have the decrees of Rome to do 
 With me or Britain ? — I am sovereign here ! — 
 Not her Cisalpine provinces, or those 
 That lie beyond the cloud-veiled Pyrenees, 
 No, nor her own Italia do I claim ; 
 Nor on the golden shores of Afric's clime, 
 Or the bright east, have I made one attempt, 
 By policy or arms, to win dominion ; 
 But while one gallant soldier lives to fight 
 Beneath my standard, or one war-ship floats 
 On Ocean's wave for British liberty, 
 I will retain the sceptre of the West 
 With unrestricted power, and Britain shall 
 Be free from Roman bondage ! 
 
 OCTAVIUS. 
 
 Then I'm sorry 
 To tell thee, that the emperors and the senate 
 Will be thy foes, and Rome her legions pour. 
 Led by Constantius, on this rebel-isle ! — 
 Mark me — unless thou own them for thy lords. 
 And as their legate rule, at once resign 
 The imperial title, which thou hast usurped, 
 (For so they bade me speak) give up thy fleets 
 To their appointed officers, and make 
 Britain a province of the Roman empire. 
 They will make war on thee and all the tribes 
 That in this island dare abet thy treason, 
 Till they have driven thee from the British throne ! 
 
344 
 
 THE IMPERIAL PIRATE. [Act IV. 
 
 CARAUSIUS. 
 
 Then tell them, that the war shall never cease 
 
 Long as Carausius, whom they fear and envy. 
 
 Has in his veins one drop of British blood ! — 
 
 What ! own these Romans for my sovereign lords, 
 
 Who, full of treacherous guile, retract their oaths 
 
 Of peace and friendship, sworn before the world, 
 
 When they acknowledged me — through craven fear — 
 
 Their partner in the empire ! — Yield my fleet ! 
 
 The very bones and sinews of my country ! — 
 
 A dauntless seaman, in whose bosom beats 
 
 A British heart, whose brows the laurelled crown 
 
 Of Britain wears, give up her noble fleets 
 
 To a proud foe that would, in fetters bound. 
 
 Drag her a slave at his triumphal car ! 
 
 No! — I would sooner limb from limb be torn 
 
 By savage beasts of prey, than yield one plank 
 
 Of Britain's glorious navy, or one foot 
 
 Of her loved soil, to a rapacious foe ! 
 
 OCTAVIUS. 
 
 Constantius has a powerful fleet prepared. 
 And waits for me on yonder Gallic shores ; , 
 When I to Caesar shall thy words repeat. 
 The signal-banner from his admiral's mast 
 Will to the breezes fling its blood-red folds. 
 And his armada hide the British seas ! 
 
 CARAUSIUS. 
 
 Soon shall the seas hide him and all his fleet 
 Deep in its caves, the ocean-monsters' prey ! 
 May this boy-Caesar speedily embark — 
 Say, that we long, on our own element, 
 To meet him fleet to fleet, and ship to ship ! 
 
Scene I.] THE IMPERIAL PIRATE. 345 
 
 Then shall be seen what Britons can perform, 
 When by their sea-king led, their chosen prince, 
 In liberty's great cause ! Then will we prove, 
 I, and my people, of one heart and soul, 
 United to repel an insolent foe, 
 Whether this noble isle, that stands aloof 
 From all the world, a world within itself, 
 Fenced and embosomed by the eternal deep. 
 Shall be a free and independent land, 
 Or a degraded province of the Romans ! 
 
 OCTAVIUS. 
 
 The Britons by revolt have forfeited 
 Their rights and privileges, and must soon 
 Submit, as conquered rebels, to those laws 
 The senate and its emperors shall impose. 
 
 CARAUSIUS. 
 
 Their rights, their privileges, and their freedom, 
 Which they so highly, dearly prize, and which 
 Their brave forefathers have from age to age 
 Shed their best blood in torrents to preserve. 
 They now in sacred trust to me confide, 
 As their deliverer from the Roman yoke. 
 Their brother, father, and their patriot prince ! 
 That charge right manfully will I maintain 
 Against all tyranny and lawless power, 
 Or nobly perish in its just defence, 
 Winning: a name that shall for ever live 
 With fadeless glory in my country's annals ! 
 
 OCTAVIUS. 
 
 Sorry am I to bear such rebel words 
 Back to Constantius : hoped I to have been 
 The messenger of peace. Own but the power 
 
346 THE IMPERIAL PIRATE. 
 
 [Act IV. 
 
 Supreme of Rome, and thou may'st still remain 
 The greatest man in Britain. 
 
 CARAUSIUS. 
 
 No, Octavius, — 
 Mehercules ! I*d rather be the least ! — 
 Ay, e'en the dungeon-slave that toils and pines 
 In Rome's infernal prisons, where no beam 
 Of daylight comes to cheer her wretched captives, (58) 
 Than be the instrument, the miscreant tool. 
 By which she would enslave my dear-loved country ! — 
 I scorn to reign a bondman to her will, 
 And be the king of slaves 1 
 
 OCTAVIUS. 
 
 Then I foresee, 
 Carausius, thy dominion will be short. 
 
 CARAUSIUS. 
 
 Short let it be, if such the will of Jove : 
 But glory and bright fame shall mark its course 
 To after years, and I shall be renowned 
 As the first prince who for my country won 
 The empire of the seas ! — Ages unborn 
 Will name me as the founder of her greatixess, 
 When her proud fleets shall round the ocean sail, 
 And with her warlike triumphs awe the world ! 
 Go, tell these Roman Caesars I will d e 
 As I have lived, an independent prince 
 Of a free people ! — But we fear no power 
 That Rome can lead against this envied isle 
 Of dauntless warriors. — Dynasties may fall. 
 And tyrants from their palaces be driven, 
 Despised and hated, as the useless chaff 
 Before the winnowing tempest ; but the king 
 Who, in the affections of his people fixed, 
 
Scene I.] THE IMPERIAL PIRATE. 347 
 
 With justice rules, and guards their rights and freedom, 
 Shall every storm that shakes his throne survive, 
 More firmly rooted, and immortal live, 
 From age to age, the glory of his country ! 
 
 OCTAVIUS. 
 
 I have your leave, Carausius, to retire ? 
 
 CARAUSIUS. 
 
 See him in safety to the coast conveyed. [Exit Octavius. 
 
 Enter Messenger. 
 How now ! — The news. 
 
 MESSENGER, 
 
 Sulpicius sends, my lord. 
 To say he has a bloody battle lost, 
 And Dungarth is victorious ! 
 
 CARAUSIUS. 
 
 Ha ! then we. 
 To-morrow's dawn, ourselves will take the field. 
 As flies the bounding roe from hunter's shout, 
 So shall these rebel hordes, that dare to sound 
 The trump of civil strife, before the flame 
 Of our bright arms retreat ; — when they are quelled, 
 We'll mount the galley's deck, and onward lead 
 To nobler battle-coil our island fleets, 
 Where Britain shall with Rome for conquest struggle ! 
 Chieftains, we must be active ! — these are times 
 That call on every Briton through the land. 
 Whose bosom with one spark of patriot zeal 
 Burns for his country's honour, in her cause 
 To arm with gallant bearing, and protect 
 Her liberties and weal. — Such manliness 
 Can only make us worthy of the name 
 
^48 THE IMPERIAL PIRATE. [Act IV. 
 
 We proudly boast, the name of valiant Britons ! 
 But first our marriage rites shall be performed. 
 Lead forth Malwina— to the temple porch 
 Let the procession of our spousals move. 
 
 Enter Officer, 
 
 OFFICER. 
 
 Imperial Caesar, thy fair empress-bride 
 Is from the palace fled ! 
 
 CARAUSIUS. 
 
 Ha ! fled ! with whom ? 
 Her father ? 1 
 
 OFFICER. 
 
 No ; it seems, my lord, that he 
 Was ignorant of her flight. 
 
 CARAUSIUS. 
 
 Pursue her, quick ! — 
 She cannot from the city gates escape. 
 Bring her to Juno's temple. — Onward ! lead ! 
 
 [Exeunt Carausius and Attendants — manent AUec- 
 tus and Montcillius. 
 
 ALLECTUS. 
 
 Montcillius, these are stirring times for us. 
 Ere Rome invades, we must the pirate strike ! 
 
 MONTCILLIUS. 
 
 Ay, now the golden hour of our revenge 
 Dawns brightly ! Let us to the temple haste. 
 And on the altars of the gods outpour 
 His blood in full libation ! 
 
 ALLECTUS. 
 
 Tribune, thou 
 Wouldst mount, like Phaeton, our sun-bright car, 
 Unknowing how to manage its fierce steeds. 
 
Scene I.] 
 
 THE IMPERIAL PIRATE. 
 
 349 
 
 He who cannot with firm and stoic calmness 
 Guide the proud chariot which to glory bears him, 
 Though rolling on the whirlwind, from his seat 
 Will soon be dashed, and set the world on fire 
 To perish in its flames ! 
 
 MONTCILLIUS. 
 
 By Hercules ! 
 The tardy- working plots of wily statesmen 
 Suit not my eager daring. 
 
 ALLECTUS. 
 
 Hear me, chief. 
 Ardoc, the stormy spirit of the north, 
 To-morrow will arrive at Aburi's temple 
 With all his warlike clansmen. — I have won 
 The Arch-Druid to our purpose, and by him 
 All who in secret to that fane will flock, 
 Their mystic ceremonies to perform, 
 For 'tis Midsummer's ever-hallowed eve ; — 
 There, as I stand by the inaugural stone, 
 The pillar of the ancient Celtic kings, 
 The Druid on my head the crown will place, 
 And me proclaim their emperor. — Then we'll join 
 With all the British powers the imperial legions. 
 In which to-morrow this Carausius takes 
 The chief command against th' audacious Dungarth ; 
 He to our tented council I'll allure 
 With all his chiefs, — for httle does he dream 
 I was the tribune, by another name. 
 Who scourged him to the bone ! — there shall he fall. 
 With his attendants, by our trusty swords ! 
 Thus at one blow, Montcillius, will I crush 
 This dangerous insurrection of the west. 
 Then, with blood-reeking blades, at midnight watch. 
 
350 
 
 THE IMPERIAL PIRATE. [Act IV. 
 
 We'll rush into the pirate-dog's pavilion, 
 ■ And stab him on his couch, while through the camp 
 Our partisans shall shout — Allectus reigns ! 
 
 MONTCILLIUS. 
 
 Hope comes at last. — But why seek'st thou the aid 
 Of these wild Britons to obtain the crown ? 
 Have we not in the legionary ranks 
 Sufficient friends to this right noble cause ? 
 
 ALLECTUS. 
 
 Uncrafty youth — in dangerous times like these, 
 
 When Rome without is threatening, and rebellion 
 
 Makes his red falchion bare, I'd all men win, 
 
 All parties and religions, to my cause. — {Flourish, 
 
 Those trumpets sound the emperor's bridal march ! 
 
 Join we the grand procession. — Aid me, thou 
 
 Bright injured spirit of my Oriuna, 
 
 In this great work of empire and revenge 
 
 On thy accursed destroyer ! \_Exeunt. 
 
 SCENE II. — The outside of the Temple of Juno in 
 Sorbiodunum. — Night, 
 
 Enter Ambrosius and Malwina disguised. 
 
 AMBROSIUS. 
 
 See ! how the torch-lights flash on yonder steps 
 That to the palace lead, like the red track 
 Of lava-fires which down the mountain-steeps 
 Of -^tna gleam afar ! We are betrayed ! 
 The emperor's guards pursue us, and the way 
 I've lost, by which to reach the western gate, 
 Where I the watch have bribed to let us forth. 
 
 MALWINA. 
 
 O, my Ambrosius ! whither shall we fly ? 
 
Scene III.] THE IMPERIAL PIRATE. 351 
 
 The guards advance ! they come, they come this way ! 
 O, I shall sink with terror ! 
 
 AMBROSIUS. 
 
 Courage, love ! 
 Let us ascend this portico, and try 
 The temple-gates. — Haste, dear Malwina, haste ! 
 The valves yield to our wish ; — here we may hide 
 Till the pursuit is o'er, at least may claim 
 Protection from Carausius, at the altar. 
 
 [Exeunt into the Temple, 
 
 SCENE 111.— The grand Nave of the Temple of 
 Juno opening into the Cella, splendidly illuminated 
 with lamps, — A Balustrade circles the Cella, or- 
 namented with beautiful paintings and elaborate 
 statuary, — A purple \Veil^ wrought with figures of 
 goldf hangs from the roof partly concealing the most 
 sacred place, within which stands a superb Image of 
 the Goddess on a pedestal of silver, her head encircled 
 with a crown of sparkling gems, and by her side a 
 Peacock in all the radiant hues of the living bird. (59) 
 An altar of gold stands before her, smoking with per- 
 fumes — the whole Temple decorated with branches and 
 flowers. 
 
 Sprightly music. — Enter Maidens with garlands, the 
 Rex Sacrorum in his robes, Flamins, Auspices, Vic- 
 timarii, with their sleeves tucked up and naked to 
 the waist, and a train of boys bearing flaming torches 
 and censers of incense ; Ladies, carrying the distaff 
 and spindle ; a youth with the Cumerum, or covered 
 vase ; Priests of Juno leading victims, adorned with 
 flowers and white fillets: Allectus, Montcillius, 
 
352 THE IMPERIAL PIRATE. [Act IV. 
 
 British Princes and Chiefs, standard-bearers, with 
 eagles and the imperial globe; Carausius, in his 
 triumphal robe and crown, with the Sacred Fire car- 
 ried before him, and followed by his Prcstorian 
 guards, with trophies and laurels. 
 
 EEX SACRORUM. 
 
 Lead on the victims to the outer court. 
 Enter a Flamin. 
 
 FLAMIN. 
 
 Two fugitives at our high altar claim 
 Refuge and sanctuary. (60) 
 
 CARAUSIUS. 
 
 Lead them here ; 
 I must behold them ere you grant their claims. 
 
 (Ambrosius and Malwina are led in by priests.) 
 As I suspected — 'tis the princess and 
 
 Some hired slave and yet no slave looks he ;~ 
 
 Distracting fears crowd on my troubled mind ! {Aside.) 
 
 Malwina in this vest ! — And who art thou, 
 
 Arrayed in peasant weeds, that, in the hour 
 
 Of nuptial pomp, wouldst from these arms have stolen 
 
 My empress-bride, to plunge her in disgrace ? 
 
 Thy looks belie thy garb. 
 
 AMBROSIUS. 
 
 Thou art the robber ! — 
 I do not heed thy frowns — for thou didst steal 
 The treasure of my soul, my own true love, 
 Mine by affection's tenderest, purest ties ! — 
 No matter for my name — I am a soldier 
 Of noble birth, and no slight fame have won 
 In Rome's imperial legions ; — here I stand, 
 
Scene III.] THE IMPERIAL PIRATE. 353 
 
 And boldly claim this princess by the right 
 Of her affianced husband. 
 
 CARAUSIUS. 
 
 Frontless slave ! 
 The serpent-breath of hell's dark furies blight 
 Thy dainty form, thou doubly-felon traitor ! 
 Thou art the gold-bought spy of Dioclesian 
 And this Constantius, who in envy seek 
 To wrest the island sceptre from my grasp. 
 The altar shall not save thee from my vengeance. — 
 Death is thy sentence ! — a disgraceful fate 
 Such treason shall reward ! 
 
 MALWINA. 
 
 O, mighty prince. 
 Have mercy on the noble, gallant youth ! 
 He is no Roman spy — 'twas his fond love, 
 His tenderness for me that brought him here. 
 O, on my head let all thy vengeance light ! — 
 'Twas I who urged him my escape to aid, 
 Heart-sickened with the splendours of a court. 
 To him were plighted all my virgin vows, 
 Amid the shades of my loved forest home. 
 I thought him dead, or I had ne'er been won 
 To enter thy proud halls. — O, warrior chief, 
 Let now thy generous nobleness of soul 
 Outshine the glory of thy wide renown, 
 And have compassion on two youthful hearts, 
 Linked in love's bands, which not e'en death can sever ! 
 Let us depart in peace ; — we only beg 
 Some little hermitage amid the woods, 
 Some lonely cave, where ne''er ambition comes; 
 There still our prayers at morn and eve shall be 
 For blessings on thy head ! 
 
 2 A 
 
354 THE IMPERIAL PIRATE. [Act IV. 
 
 CARAUSIUS. 
 
 No — never, never ! — 
 It cannot be ! — What ! quit her whom I love 
 With boundless, burning passion — ^yield her up 
 To a detested rival, and subvert 
 Those noble plans by which I hoped to bind 
 The hearts of all the kingdom to my interest ? — 
 O, I can feel the patriot's glorious zeal. 
 The warrior'^s fire, the love of bright renown ; 
 But such exalted nobleness of soul 
 I cannot reach ; — such Roman virtue I 
 Can ne'er attain — and if I could, by heaven ! 
 'Twere madness to resign her ! — Guards, secure 
 The traitor ! He shall die this very hour ! 
 
 (The soldiers seize Ambrosius.) 
 
 MALWINA. 
 
 Alas ! if ever pity found a place 
 
 In that stern bosom, have compassion now 
 
 On a heart-broken suppliant, and revoke 
 
 Thy cruel sentence ! — O, where is my father ? — 
 
 Would he were here to plead on bended knee ! — 
 
 Sure his grey hairs, in sorrow bowed beforfe thee, 
 
 Would waken pity in thy struggling heart, 
 
 And win thee to have mercy on his child^ 
 
 Who, if Ambrosius falls, must with him die — 
 
 Die, maddened in despair ! 
 
 Enter Caswallon. 
 
 CASWALLON. 
 
 Die, my sweet child ! — 
 And have I brought thee here, my innocent. 
 From thy loved, happy home of rocks and woods 
 
Scene III.] THE IMPERIAL PIRATE. 355 
 
 To treacherous courts, for woe and death their fangs 
 So soon to fasten on thee ? — Cursed ambition ! 
 Which tempted me to drag thee to these scenes 
 Of splendid misery ! — Ha, Ambrosius here ! — 
 Is he still living ? — Now I learn the cause 
 
 Why thou the palace fledd'st O, spare the life 
 
 Of this brave princely Briton, noble Caesar, 
 And to him yield his long-betrothed bride ; 
 Then all the land thy justice will applaud, 
 And thine shall be the love of every heart, 
 
 CARAUSIUS. 
 
 Yield her to him ! — No, rather yield my life. 
 
 My empire, and my glory ! — If her hand 
 
 Malwina, bright enchantress of my soul. 
 
 To me will at the altar give, I swear 
 
 By Mavor, awful power ! to spare the life 
 
 Of this Ambrosius I — Speak the word, sweet maid. 
 
 His fate hangs on thy lips ! 
 
 MALWINA — (shrieking) . 
 
 Ha 1 horrible I — 
 Mercy, Carausius ! O, have mercy on me ! 
 
 CARAUSIUS. 
 
 Speak instantly, for I am wild with rage ! 
 
 MALWINA. 
 
 O, dreadful, dreadful ! — No ! — I dare not give 
 This hand to thee while my Ambrosius lives ! 
 
 CARAUSIUS. 
 
 Lead him to instant death ! 
 
 MALWINA. 
 
 Hold, for the love 
 Of blessed heaven, and all the saints of light ! — 
 Spare him ! — O spare him I — Here, relentless man, 
 
 2 A 2 
 
356 
 
 THE IMPERIAL PIRATE. [Act IV. 
 
 I give my hand, and with it yield my life ! — 
 
 O, my Ambrosius ! (^Faints in the arms of her father.) 
 
 AMBROSIUS. 
 
 Tyrant ! ravisher ! 
 Thou soon shalt rue this guilty barbarous deed 
 Of lawless violence ! 
 
 CASWALLON. 
 
 Unpitying chief ! 
 Dig deep a grave that shall contain us both — 
 For keen remorse and sorrow soon will sink 
 These grey hairs to the tomb with my loved child ! 
 O, yet revive for thy poor father's sake — 
 Look on me once again before I die ! 
 
 Enter one of the Auspices, with his divining rod^ in great 
 terror, 
 
 AUSPICE. 
 
 Imperial Csesar, all the victims slain 
 
 Give fearful signs and unpropitious omens! — 
 
 The marriage rites, my lord, must be deferred. 
 
 CARAUSIUS. 
 
 Away with signs and ominations all ! 
 
 This instant shall the rites be solemnized, 
 
 Though earth and heaven should fearful warnings give ! 
 
 Let e'en the dead start up, in horrors clad, 
 
 Before my sight, yet, by the sword of Mars ! 
 
 Lovely Malwina, thou shalt be my bride ! 
 
 [As Carausius goes to take the hand of Malwina, 
 
 Oriuna rushes in and stands before him ; he utters a 
 
 cry of horror^ and sinks senseless on the ground. 
 
 All the characters group around him in terror and 
 
 astonishment, 
 
 END OF ACT IV. 
 
ACT V. 
 
 SCENE I. — A Room in the Palace. 
 
 Enter Allectus and Oriuna. 
 
 ALLECTUS — {to Mmself as he enters). 
 My Oriuna lives. — Now is she mine — 
 I thank thee, goddess Fortune ! — Empire, love, 
 Ambition, and affection, all shall soon 
 In full-tide glory meet to crown my wishes — 
 A bright reward for long-enduring patience ! 
 
 ORIUNA. 
 
 Why am I hither brought, and not allowed 
 
 To see the emperor ? — Lead me, lead me to him ; 
 
 Each moment seems an age till I remove 
 
 The cloud that rests upon my slandered name, 
 
 And with unsullied innocence appear. 
 
 As I've been wont, before him ! — Thou, Allectus, 
 
 Art his best, dearest friend — be also mine, 
 
 And aid me to regain his once fond heart. 
 
 Where I was shrined in love ! 
 
 ALLECTUS. 
 
 I mean to be 
 Thy truest friend, and set thee on the throne 
 Of Britain's empire. 
 
 ORIUNA. 
 
 O, 'tis not for throne? 
 I am impatient:, or imperial state ; — : 
 
358 THE IMPERIAL PIRATE. [Act V. 
 
 AUectus, I am innocent of crimes 
 
 Alleged against me — crimes which I abhor ! 
 
 ALLECTUS. 
 
 I know thou art 
 
 ORIUNA. 
 
 Let me but clear my honour 
 To him whom still with virtuous tenderness 
 I deeply love, though he, in moody wrath. 
 Left me to perish on a sea-bound rock, — 
 And if it then shall be his stern command, 
 I will retire and dwell, unseen, unknown, 
 With solitude and sorrow. 
 
 ALLECTUS» 
 
 No, those charms 
 And noble virtues were not formed to pine 
 In dull obscurity, a prey to grief. 
 Such excellence befits the proudest seat 
 Of earthly power, and thine shall be the throne 
 Of this brave isle, on which the majesty 
 Of thy perfections, like the sun, shall shine 
 And make these nations with its lustre blest — 
 But not with thy fell murderer, not with him 
 Who left thee where the rage of storm and sea 
 Beat on thee shelterless, to be the prey 
 Of monsters — he the greatest monster born !— ^ 
 And canst thou love, or kind esteem retain 
 For such a ruthless husband, who now seeks 
 Another for the partner of his throne ? 
 Husband ! — No claim has he to such a title ! 
 His cruelty hath broke the marriage bands. 
 And thou art, by the laws of men and gods. 
 Freed from his savage power ! 
 
Scene I.] THE IMPERIAL PIRATE. 359 
 
 ORIUNA. 
 
 What do I hpar ? 
 
 ALLECTUS. 
 
 Ah, Oriuna ! hast thou then forgot 
 
 My passion — tender, ardent, and sincere — 
 
 Which in this heart, since first thy beauties met 
 
 My ravished eyes, hath undiminished burnt ! 
 
 Thou didst refuse me for a murderous fiend. 
 
 Who never could have loved thee ! — From thy heart 
 
 All thoughts of that devoted robber banish. 
 
 And yield thyself to him who hath so long 
 
 In secret languished for thy peerless charms. 
 
 I offer thee my hand, thou ever dear one, 
 
 And with it Britain's diadem ! — for know. 
 
 In some few hours, I from the throne shall hurl 
 
 The proud Carausius, and amid the shouts 
 
 Of yonder host assume the imperial purple ! 
 
 ORIUNA. 
 
 Patience, ye gods ! — Till now surprise hath held 
 
 My tongue in silence. Marry thee, false wretch ! 
 
 Thou double traitor to thy prince and friend ! — 
 I mount the throne with thee, dyed in the blood 
 Of my loved noble husband ! he who stands 
 In the full splendour of his gallant deeds, 
 Beside thy dark, perfidious, abject form. 
 Like the bright sun, that darts its golden beams 
 Athwart the thunder-tempest, fraught with death ! 
 
 ALLECTUS. 
 
 Hear me 
 
 ORIUNA. 
 
 Away ! I will not hear thee — 
 Thou craven, treacherous slave ! — What ! wouldst thou 
 dare 
 
360 
 
 THE IMPERIAL PIRATE. [Act V. 
 
 To lift thy arm against a mighty prince ? 
 Thou, who hast never done one noble deed 
 To gild thy villainies, or garland won 
 To rank thee with the great in deathless fame ; — 
 Shalt thou, base earthworm, crawl into the seat. 
 That seat of glory which Carausius fills, 
 And sit the mockery of imperial power ? 
 Shall the gaunt wolf the kingly lion beard. 
 And o'er the desert reign ? (Trumpets.) What sounds 
 are those ? 
 
 ALLECTUS. 
 
 Carausius, madam, to the battle-field 
 
 Goes forth with all his legions ; but no more 
 
 Shall he these halls behold ! his doom is fixed ! 
 
 This is my palace now, and hither I 
 
 Shall soon return in bright triumphal pomp, 
 
 The Emperor of the West !— {Shouts, Sfc.) 
 
 ORIUNA. 
 
 O, for a voice 
 To drown those trumpet-sounds with cries of death ! 
 Ha ! there he comes in all the blaze of arms 
 Through his loud-shouting ranks, to mount his steed. 
 That paws impatiently the ground, to bear 
 His gallant rider through the ranks of war. 
 What, ho ! Carausius, ho ! hear my wild screams ! 
 Cease those triumphant notes ! — Death ! treason ! mur- 
 der ! 
 Are at thy heels ! — Help ! let me forth ! my cries 
 Shall drown a thousand trumpets ! — Murder ! treason ! 
 Unhand me, villain ! — 
 
 ALLECTUS. 
 
 Guards, I say, advance ! 
 
Scene I.] THE IMPERIAL PIRATE. 361 
 
 Enter Soldiers. 
 
 Thou seest I am prepared on every hand. 
 Take this distracted lady to my chamber ; 
 There guard her till I to these palace towers 
 Return your emperor. — See that she escape not. 
 Look to it, on your lives ! 
 
 ORIUNA. 
 
 I will not hence. 
 While I have voice or strength — Off ! touch me not ! 
 By your allegiance, by the noble fame. 
 The honour and the glory of a soldier, 
 I call on you to seize that bloody traitor ! 
 Seize him, and save your prince, your gallant leader — 
 Whose banners you have followed, who hath fought, 
 Bled, conquered, by your side, and to you given 
 Spoils of a thousand nations ! — Seize that slave ! 
 And I will to the emperor's face proclaim 
 His long-loved friend a cowardly assassin ! 
 
 ALLECTUS. 
 
 Away with her this instant ! 
 
 ORIUNA. 
 
 Soldiers ! — no, 
 Ye merit not the name ! O, ye are slaves ! 
 Slaves to the blackest, deadliest slave alive ! 
 O, for one look, one last, one parting look, 
 Of yonder gallant hero ! — O, my lord. 
 My husband, I shall never more behold thee ! 
 
 (Oriuna is home off by the Guards.) 
 
 ALLECTUS. 
 
 What stubborn constancy, where least deserved, 
 Some women manifest ! — Weak-minded fools ! 
 'Tis all perverseness, and the sex's pride. 
 
362 THE IMPERIAL PIRATE. [Act V. 
 
 Who contradiction love, and still will urge, 
 
 Like a strong current *gainst the heady winds, 
 
 Onward their boisterous course ; the more opposed. 
 
 The more determined — while their wilfulness 
 
 They dignify with the high-sounding name 
 
 Of noble fortitude ! 
 
 But things of greater moment now demand 
 
 My thoughts and powers — I will release Ambrosius : 
 
 He needs no further spur than love to make 
 
 Him draw his sword for us. Now to the temple ! 
 
 The crown — the crown of Britain — waits me there ! [Exit, 
 
 SCENE n. — One of the concentric double Circles 
 formed of rock-pillars in the immense Temple of Aburi 
 — a lofty pillar in the centre. Beyond this circle^ 
 through the openings betwixt the stones, is seen part 
 of another circle of vast extent, which forms the outer 
 boundary of the Temple, with a long avenue of pillars ^ 
 stretching out in perspective to a distant hill, on which 
 is another circle. Evening — fires, burning in other 
 jyarts of the Temple, throw a partial light on the 
 rocks. (61) 
 
 Enter Chief Druid, with other Druids, and a Chorus of 
 Bards. (6S) 
 
 CHIEF DRUID. 
 
 We are the last poor remnant of our order, 
 Degraded from that awful power which once 
 Made kingly warriors tremble ! — We are like 
 The shadows of the mighty, whose dark tombs 
 Are on the lonely desert — feeble ghosts, 
 That fade, with shrieks, amid the stormy clouds. 
 
Scene I.] 
 
 THE IMPERIAL PIRATE. 
 
 363 
 
 These Romans our authority have crushed ; 
 
 Another priesthood reigns, and a new faith, 
 
 The creed of strangers, like a deep, still stream, 
 
 Rolls through the land, sweeping away all rites, 
 
 Celtic and Roman, in its widening course ! 
 
 Some few there are who, when our holy fires 
 
 Are lit amid this solemn temple, raised 
 
 To great Teutates, come to worship here (63) 
 
 In secrecy and dread. — Hail, hallowed hour ! 
 
 Eve of Midsummer, hail ! — Now visions rush 
 
 Of ages past in dimness o'er my soul, 
 
 And mournful are my thoughts ! — On this great night, 
 
 In years departed with our brave forefathers. 
 
 Our hills and mountains shone with sacred fires. 
 
 And all our groves with blessed music rang. 
 
 Struck from the sweet harp of a distant land, 
 
 By the red strangers to our island brought ; (64) 
 
 Till Albion, like one mighty temple, seemed 
 
 With glory filled, and hymns of sacred joy 
 
 To Melcom, the bright ruler of the year. 
 
 Now we no longer dare the flames to light 
 
 Of Baal-tine on the dark and lonely hills ; 
 
 And in our honoured groves no sound is heard. 
 
 Save hunger-howl of wolf and death-bird's scream ! 
 
 SECOND DRUID. 
 
 Though crowds of our high order long have fled 
 To other realms, where Rome has never stretched 
 O'er slavery's neck her sceptre-sword of blood, 
 Yet linger many in loved Albion's land 
 Who shall preserve our knowledge and our rites, 
 Wrapt in mysterious veil, to unborn years. 
 
 ARCH-DRUID. 
 
 No — my prophetic visions tell me we 
 
364 THE IMPERIAL PIRATE. [ActV 
 
 Shall pass away in dark forgetfulness, 
 
 And our renown fade like a falling star ! 
 
 Our tombs shall be upon the desert heath, 
 
 And darkly tell to other times there lived 
 
 A mighty race — but who shall sound our fame ? 
 
 This awful temple will be left forlorn, 
 
 Its grey stones sink with age in solitude ! — 
 
 Thrice-holy fane ! can I these tears restrain 
 
 To think how, like a widow, soon shalt thou 
 
 Sit scorned and desolate ? — Mark me, ye bards — 
 
 BARDS. 
 
 We do, most reverently. 
 
 ARCH-DRUID. 
 
 Ye have been taught 
 How these vast pillars faintly shadow forth 
 Circles of space, eternity, and time ! — ■ (65) 
 The first is that which God alone pervades. 
 The Great Supreme ! — next Immortality, 
 The dwelling of the soul ; and last, the months 
 And days the sun rolls round in his bright course. 
 Yon circle holds three stones, which typify 
 The Mighty Ones, the dread Cabiri named, (66) 
 Wisdom, and Power, and Goodness, centred all 
 In Him, the God of gods I — This lofty spire 
 Stands the Teutates ; he to whom this Bethel, (67) 
 Taught by the wisdom of Phoenician sages, 
 Our fathers reared — he who the seamen led 
 O'er stormy ocean to these distant isles ; 
 Who, in a land of mysteries, far from hence, (68) 
 Counted the golden stars, and now is made 
 The winged messenger from earth to heaven — 
 Conductor of the dead — and who, when comes 
 The end of all things, shall the dead restore ! 
 
Scene II.] THE IMPERIAL PIRATE. '3G5 
 
 Yon stone of death, the cromlech, on which streamed 
 
 The blood of captives, standing there alone, 
 
 The image is of that stern, gloomy god, 
 
 The principle of Evil ! — Bear these things 
 
 Deep in your minds, ye bards, for music's power 
 
 Your order may prolong to distant years. 
 
 When round the heath-flower on our desert tombs 
 
 Sigh the night- wearied winds. 
 
 SECOND DRUID. 
 
 Be not thus sad 
 And hopeless, holy sire — 
 
 ARCH-DRUID. 
 
 Let come what may, 
 Here will I live and die ; for I have sworn 
 This seraph temple never to forsake — 
 All-hallowed shadow of Divinity ! 
 Solemn to me are thine anointed rocks ; 
 Dear art thou to my soul ! — Eternity 
 And resurrection^ when from the cold tomb 
 To a new life and glory we shall spring, 
 And the dark reign of Evil be destroyed. 
 Are emblemized in thee. — May no rude hand 
 Thy sacred pillars touch, in years remote, 
 But may'st thou stand till earth in fire dissolves. 
 And the departing heavens shall be no more ! 
 
 [Trumpets at a distance,) 
 
 SECOND DRUID. 
 
 Here comes the Roman chief, my lord, who claims 
 The British empire, and expects that thou 
 The diadem on his dark brows shouldst place. 
 He promises our rites and holy order 
 Shall be restored in Britain. 
 
366 THE IMPERIAL PIRATE. [Act V. 
 
 ARCH-DRUID. 
 
 Ah, good Carul, 
 Little reliance have I on the faith 
 Of Roman promises. — Can we forget 
 The tale of other years, when Romans rushed 
 Through Mona's blessed isle, bathed in the blood 
 Of all the priesthood, who brave martyrs fell 
 For freedom and religion, while the groves, 
 That dimly curtained with their jasper leaves 
 The solemn sanctuary of the gods, 
 Beneath the horrid axe, down-crashing, sank. 
 And altar, pillar. Bard, and Druid, lay 
 In one dire, gory ruin ? 
 
 SECOND DRUID. 
 
 Many chiefs 
 Of Celtic lineage have the cause espoused 
 Of this Allectus. 
 
 ARCH-DRUID. 
 
 Ay, too oft are they 
 Ambition-won to any change of state ; — 
 But O, Religion, for thy sake alone 
 I join this Roman's dark conspiracy. 
 Strike the Phoenician harp, and chant the song 
 Of ancient times, the wizard-lay that calls 
 Those left of our few bands, whose pilgrim feet 
 Turn hitherward this night with us to worship. 
 
 CHORUS OF BARDS. 
 
 From the tempest-shook isles of the far distant West, (69) 
 Where the proud ocean sun-bird builds her lone nest, 
 And where to the breakers'* fierce lion-like roar 
 Howls the dark fiend of shipwreck along the wild shore ; 
 
Scene II.] 
 
 THE IMPERIAL PIRATE. 
 
 367 
 
 From the cloud-compassed blood-cape, around whose 
 
 dim steep 
 Dash the storm-lifted waves of the foam-covered deep, (70) 
 Where the hurricane comes in its strength and its ire. 
 From regions unknown, on its red wings of fire. 
 From Carn-bre's oak groves and her granite-piled hill, 
 That ring to the harp and the trumpet's sweet thrill, 
 From her altars of death, and her rocks tinged with 
 
 blood. 
 And her old giant tree-god, the king of the wood ; (71) 
 Come to the sound of the harp's magic string — 
 Come, Bards, to the temple, come, Druids, to the ring 
 Of Teut, for 'tis midsummer's joyous eve; 
 Come all, and the gods' rich blessings receive. 
 
 From Penmaen Mawr's circles of dark-grey stone, 
 
 And Idris' proud star-crowned mountain throne, 
 
 From the snow-crested heights of the eagle's strong 
 
 brood, (72) 
 And the rocks of memorial in Mona's dim wood ; 
 From wild Karn-le-hau to the green Hebrides, 
 Set like emerald gems in the western seas ; 
 From the bright-gleaming sun-fire on Purbeck's high 
 
 mount, (73) 
 By the deer-hunter seen when he lifts the glad shout, 
 As he rises at dawn, and chases afar 
 The dun-coloured roes on the banks of the Var ; (74) 
 Where eternal it shines through tempest and gloom. 
 O'er the desert of night and the warrior-chief 's tomb ; 
 From the wild heathy Meineu's forest-clad steep, 
 From the meteor-lit isles of the dark northern deep ; 
 From the shield-covered halls and the moss-grown bowers 
 Of Duth-caron, beyond Gal-Sever's strong towers. 
 
368 THE IMPERIAL PIRATE. [Act V. 
 
 Come all, to the sound of our magical lyre, 
 And merrily dance round the Baal-tine fire : 
 Bring flowers, bring branches of vervain and oak. 
 To cast on the flames as the gods ye invoke. (75) 
 
 SEMI-CHORUS (without. ) 
 
 To Midsummer's holy eve, all hail ! 
 
 Its melodies float on the wings of the gale ; 
 
 The sweet bird of night joins your spell-woven lay, 
 
 That calls us to honour the bright lord of day. 
 
 See ! the moon from her palace of clouds comes to view 
 
 The dance of the fairies o'er the midsummer dew, 
 
 Illuming the shades with splendours that glow 
 
 Like the meteor's rich pomp, and the storm's radiant bow I 
 
 While the spirits of earth, and of ocean, and air, 
 
 With us to the rites of our Sun-god repair ; 
 
 From their cloud-isles of beauty that goldenly lie 
 
 Where sank from his glory the king of the sky ; 
 
 Where dwell those bright genii, with warriors of old. 
 
 In diamond tower and palace of gold. 
 
 Which o'er the pale shadows of eve deeply ^low, 
 
 Where silver founts flash, and nectar-streams flow, 
 
 Where pearly seas roll round the amethyst bowers. 
 
 And sing in soft music to their beautiful flowers — 
 
 Now downward they glide to our low earthly clime, 
 
 To the hymn of the bard and the harp's witching chime. 
 
 Hark ! — melodies, melodies that bright hopes inspire. 
 
 Waking echoes more tuneful than Sul's golden lyre, (76) 
 
 From airy harps float, where the green forest-bowers 
 
 Bend like fountain all silvered with moonbeam showers ! 
 
Scene II.] THE IMPERIAL PIRATE. 369 
 
 Enter Pilgrim^ Druids, and Bards, 
 
 FULL CHORUS. 
 
 Hail to the temple of our sires ! 
 Hail to the Baal-tine's hallowed fires ! 
 Hail, sacred father ! hail, ye sons of song ! 
 And hail to all this temple's holy throng ! 
 
 ARCH-DRUID. 
 
 Welcome, good pilgrims, hither. (Trumpets near.) 
 
 Carul, go, 
 With lustral rites those war-chiefs purify, 
 And lead them to our presence. 
 
 [Exeunt Carul and several Druids, 
 Ministers 
 Of the Divinity, ye who can read 
 The mystic writings of the twisted branch, (77) 
 Known only to our sacred order, learn 
 That we this night, at yonder regal stone. 
 Place the imperial crown of Britain's Isle 
 Upon a Roman's head, who hath to us 
 Sworn to restore our priesthood. But he comes. 
 
 Enter Allectus in splendid armour, wearing the imperial 
 robe, Montcillius, and other Conspirators^ Ardoc, 
 Arabrosius, British Chiefs, and Druids, 
 
 ALLECTUS. 
 
 Hail to the arch-pontiff of the Celtic faith ! 
 Father of sacred knowledge, low we bow 
 In homage down before thee. 
 
 ARCH-DRUID. 
 
 Rise, my son ; 
 May'st thou be of our holy creed, and bend 
 In worship to our gods. — Bring forth the crown 
 
 2 B 
 
370 THE IMPERIAL PIRATE. [Act V. 
 
 From age to age preserved, the sacred crown 
 
 Of great Dunvallo, who the golden round 
 
 Of sovereignty first wore in Britain's land. (78) 
 
 [^Exeunt Druids. 
 Now stand thou by the pillar of the king, (79) 
 Where on thy brows the hallowed balm we'll pour, 
 While all the chieftains shout, Long live our sovereign 1 
 (Solemn music — the crown and anointing oil borne 
 in by the Druids — the Arch-Druid leads Allectus 
 to the chief pillar of the inner circle.) 
 Before the imperial diadem we set 
 Upon thy brows, kneel thou, and turn thy face, 
 Allectus, to the north, where, in yon circle, 
 The dread Cabiri stand !^ — Those mystic pillars, 
 The symbols of the awful attributes 
 Of that great Universal One who dwells 
 In bright infinitude ! and swear by Him 
 To raise the Druid hierarchy divine 
 To their primeval honours, and subvert 
 The Christian faith which spreads o'er all the land I 
 Remember, dreadful is the solemn oath — 
 No power can e'er absolve thee, and the pangs 
 Of ages numberless in penal fires 
 Must follow its violation ! — Kneel, ye chiefs. 
 And, with your future emperor, take the oath. 
 
 (^A shriek is heard behind, and a voice exclaims) — 
 Hold, hold, Ambrosius ! take thou not the oath ! 
 
 Malwina rushes wildly in, and falls at the feet of 
 Ambrosius. 
 
 ARCH-DRUID. 
 
 Who dares our solemn mysteries profane 
 With her unhallowed presence ? 
 
Scene II.] THE IMPERIAL PIRATE. 371 
 
 AMBROSIUS. 
 
 Malwina here ! 
 Why didst thou enter this forbidden place ? 
 
 MALWINA. 
 
 Because I feared to mix with lawless bands, 
 
 Or stay alone in darkness far from thee, 
 
 Where fearful deeds of blood have been committed ! 
 
 O, I implore thee, take not thou the oath. 
 
 The horrid oath, which will upon thy head 
 
 Bring everlasting curses ! 
 
 ARCP-DRUID. ^ 
 
 Chiefs of Britain, 
 Ye know 'tis death, by our most sacred laws, 
 To all who dare within yon bounds to come, (80) 
 Unpurified and unabsolved from sin 
 By lustral rites and prayer of Druid priest ; 
 And ere, Allectus, on thy head we place 
 The imperial diadem of our loved isle, 
 We this rash maid in sacrifice demand. 
 An offering to the sun. — Now, chieftain, now 
 Give us a proof that thou art of our faith, 
 And wilt our priesthood honour, as becomes 
 A duteous son, by leading that fair maid 
 To yonder death-stone. — Dost thou yield her up ? 
 
 AMBROSIUS. 
 
 He yield her up ! what right hath he, or thou 
 To this loved maid, the chosen of my heart ? 
 No human power shall touch her, while this arm 
 A sword can lift ! — The Roman laws have long, 
 Ye tyger-Druids, held you bound in chains. 
 And now ye deeply thirst for human blood 
 But if it here again must flow, 'tis yours 
 That shall, in ample floods, these stones bedash ! 
 
 2B 2 
 
372 THE IMPERIAL PIRATE. [ActV. 
 
 ARCH-DRUID. 
 
 Blaspheming wretch ! the gods, not we, demand 
 The victim's life, as their just right who gave it ; 
 The greatest token of our love and homage 
 They can from us receive. (81) 
 
 ALLECTUS. 
 
 Ambrosius, peace ! 
 No one, I swear, shall harm that gentle maid, 
 
 ARCH-DRUID. 
 
 Take back the Celtic crown. — I will not place 
 That precious treasure on thy faithless head. 
 Though death should be my doom ! 
 
 ALLECTUS — {snatching the crown). 
 
 Then, by great Jove, 
 I'll place the crown myself upon these brows ! — 
 Now shalt thou find I am the emperor here 
 
 Without thy aid. 1 have no time for words — 
 
 Beyond the temple rampart thousands wait 
 
 Whose shouts will hail me sovereign of the isle ! 
 
 Thy feeble voice I heed not. If I wave 
 
 This sword, they round these rocks will fearless rush 
 
 In gleaming arms, and fill the fane with victims ! 
 
 He who is on my side shout manfully — > 
 
 Long live AUectus, emperor of the west ! 
 
 {All the Chiefs shout, and are answered by conti- 
 nued shoutings without.) 
 
 ARCH-DRUID. 
 
 Mark, thou false Roman, short will be thine empire ! 
 Like the faint meteor shall its glory fade 
 In deep oblivion ! — Hark ! the mighty wings 
 Of our great god, descending from yon stars, 
 That watch his awful temple, I now hear 
 
Scene II.] 
 
 THE IMPERIAL PIRATE. 
 
 373 
 
 Sweeping with torrent- sounds through heaven's dim 
 
 vault ! 
 Terrific power ! king of the gates of death ! 
 His shadowy pinions canopy the fane ! — 
 He comes upon my spirit, and by me 
 Denounces on thy head the fatal curse ! 
 Dost thou not hear his thunder-voice, that calls 
 Thee to the land of shadows and of darkness ? 
 Speed to thy doom ! Away ! the sword is drawn 
 That shall be red with blood ! a traitor's blood ! 
 
 \_Exit Arch-Druidf Druids^ and Bards, 
 
 ALLECTUS. 
 
 Heed not his ravings. — Onward^ chiefs, to where 
 The pirate lies encamped. Morn shall not dawn 
 Ere we have done the deed which makes this crown 
 Sit firmly on my head. — Sound, trumpets, sound ! 
 And let your warlike clamours hail me emperor ! 
 
 [Exeunt. — Music within, — Manent Ambrosius and 
 Malwina. 
 
 MALWINA. 
 
 O, join not this conspiracy of blood ! 
 
 AMBROSIUS. 
 
 No — ^he is false as hell ! and basely steals, 
 
 With an assassin''s hand, the British crown. 
 
 I will no more, my dear Malwina, hazard 
 
 The loss of thee. — To my ancestral home 
 
 Our weary steps shall turn, and find sweet peace: 
 
 There, in retirement, shall thy beauty bloom, 
 
 And spread love's rosy blossoms round our bower. 
 
 So that sweet modest plant of other climes. 
 
 Fearing the glare of day, its lovely flowers 
 
 To the soft dewy kisses of the moon 
 
 Opens in all their splendour, and makes rich 
 
374 THE IMPERIAL PIRATE. [Act V. 
 
 The night- winds with its odours ; but when dawn 
 Comes laughing through the groves with wanton eye, 
 Its bashful petals, trembling, close, and die ! (82) 
 
 l^Exeunt. 
 
 SCENE lll.—The Tent of Carausius. 
 Enter Carausius and Lilius. 
 
 CARAUSIUS. 
 
 To-morrow, tribune, at the break of day, 
 
 We give this Dungarth battle. — Hast thou issued 
 
 The order to our legions ? 
 
 LILIUS. 
 
 Yes, my lord. 
 
 CARAUSIUS. 
 
 Think'st thou this traitor will not fly to-night. 
 And cheat us of a triumph ? 
 
 LILIUS. 
 
 Noble Caesar, 
 I rather think he will abide the chance 
 Of one day's gallant strife. His rebel bands 
 Are posted to advantage, and lie trenched 
 Behind yon swelling ramparts. 
 
 CARAUSIUS. 
 
 Well, I trust 
 We shall behold his banners floating there 
 When from my tent the trumpet summons me. 
 Good Lilius, go, bring me some generous wine ; 
 Wine of the sun-loved hills of Italy. 
 
 (Lilius brings wine.) 
 Is it the midnight watch ? 
 
Scene III.] THE IMPERIAL PIRATE. 375 
 
 LILIUS. 
 
 Almost, my lord. 
 
 CARAUSIUS. 
 
 Time, thou with leaden feet movest slowly on. 
 When will the east roll back its heavy clouds, 
 And the bright ruby gates of morn unfold, 
 
 To let Apollo's flashing chariot forth ? 
 
 The night-air chilly feels. — FiJl me a goblet — 
 
 This cheers the heart — .Fill for thyself, good Lilius — 
 
 We shall be warmer ere to-morrow's noon. — 
 
 Is not my friend Allectus yet arrived 
 
 Within the camp, with those brave northern bands, 
 
 By Ardoc led, whom he went forth to meet ? 
 
 LILIUS. 
 
 No, gracious prince. 
 
 CARAUSIUS. 
 
 Well — leave me, tribune, now, 
 And set the midnight watch around my tent. 
 I'm wearied with this march, and on my couch 
 Would take a few hours' rest. Call me by dawn. 
 
 LILIUS. 
 
 I will, puissant chief. [Exit. 
 
 CARAUSIUS. 
 
 Rest ! — can I rest ? 
 No — ^rest comes not to me ! — For now her shade 
 That by the altar stood, more palpable 
 Than any former vision, and forbade 
 The nuptial rites, with tenfold horror haunts 
 My troubled thoughts ! — And must I then endure 
 
 This endless visitation of the dead ? 
 
 I'll call him back, and he shall watch my couch. — 
 Lilius ! what ho ! — Why, I but act the fool 
 
 Thus to expose my weakness. No, I'll drown. 
 
 In ample draughts, these fears that shame the warrior — 
 
376 THE IMPERIAL PIRATE. [Act V. 
 
 As he takes the goblet, enter Oriuna : he dashes it on 
 the ground. 
 
 Ha ! all the horrors of dark hell rush on me ! 
 She's here again ! — Ho ! Lilius ! Tribune ! help ! 
 Save me ! O, save me from that injured shade ! 
 
 (SinJcs on the couch. 
 
 ORIUNA. 
 
 Carausius! 
 
 CARAUSius — {not daring to look at her). 
 Ha, that voice ! its thrilling sounds 
 Pierce through my icy heart ! — A vaunt ! avaunt ! 
 Thou much-wronged spirit ! 
 
 ORIUNA. 
 
 I no spirit am^ 
 But live and breathe ; saved from that stormy rock 
 On which thou leftist me, in thy moody wrath, 
 To darkness and despair ! 
 
 CARAUSIUS. 
 
 And is not this 
 Some wildly-blissful dream ? Am I awake ? — 
 Saved from that rock ? — No, no, impossible ! 
 Such joy is not for me. 
 
 ORIUNA. 
 
 If it be joy, 
 Then open wide thine arms, and fondly take 
 Thy guiltless Oriuna to thy heart, 
 
 And make her once more blest ! 
 
 (^He hesitates tremblingly — then^ extending his arms, 
 she rushes into them,) 
 
 O, my Carausius ! 
 Indeed, indeed I am most innocent. 
 
 CARAUSIUS. 
 
 She lives ! she lives ! and I am once more happy ! 
 
Scene III.] THE IMPERIAL PIRATE. 377 
 
 Yes, innocent I know thou art ; for he, 
 The miscreant ! who seduced me by his wiles 
 To plan thy death — a slow, but dreadful death, 
 Fell speedily by this avenging arm, 
 And, dying, cleared thy honour. — But that night — 
 That horrid night ! — How can I bear to look 
 On that mild face of innocence, or meet 
 The glances of thine eye ? 
 
 ORIUNA. 
 
 Turn not away — 
 For thou wilt, in these eyes, my lord, behold 
 No angry glance, but constant, fond affection. 
 Beaming through tears of rapture. — Ah, alas ! 
 I must these transports check. — Thy life, my lord, 
 Thy Hfe's in danger ! — 
 
 CARAUSIUS. 
 
 What saidst thou ? my life 
 In danger ! 
 
 ORIUNA. 
 
 Ay, Carausius — even now 
 Treason is plotting in this camp, with arm 
 Of power, to drag thee from thy throne, and steep 
 Her dagger in thy blood ! A horrid serpent 
 Round thy deluded bosom coils, and soon 
 His venomed fangs will in thy heart be fixed, 
 If thou haste not to crush him ! — 
 
 CARAUSIUS. 
 
 Say, to whom 
 Thy wild words point — 
 
 ORIUNA, 
 
 To AUectus ! that arch-traitor ! — 
 Thy bosom friend ! thy brother dear in arms ! — 
 
378 THE IMPERIAL PIRATE. [Act V. 
 
 CARAUSIUS. 
 
 Impossible ! it cannot, cannot be ! 
 
 ORIUNA. 
 
 Nay, let me tell thee Hark ! — do I not hear 
 
 A distant tumult rising ? — 
 
 CARAUSIUS. 
 
 'Tis the wind 
 Around the tents low murmuring, or the tramp 
 Of silent guards. — Proceed, my Oriuna. 
 
 ORIUNA. 
 
 I to thy palace came, through seas and storms, 
 
 To clear my injured honour. — When I rushed 
 
 Amid the joyous temple's bridal train. 
 
 Thou thought'st I came a guest from other worlds, 
 
 But so did not AUectus ; for he led me 
 
 Forth from th' astonished throng, and privately 
 
 Unfolded his rebellion to mine ear. 
 
 Then dared insult me with his hated passion, 
 
 And tempt my virtue with that glittering bribe 
 
 He deemed already his — ^the imperial crown. 
 
 I spurned him from me, and the faithless slave 
 
 Made me his prisoner — but my guards were men. 
 
 And, when he left the palace, with me fled hither, 
 
 To make his deep-laid treason known. 
 
 (Noise without, and clashing of swords.) 
 They come ! — they come ! — Alas ! I am too late 
 To save thee from their daggers ! — Dreadful doom ! 
 I now can only with thee die, my lord ! — 
 Yes, in each other's arms we'll fall together. 
 And may the gods have mercy ! 
 
 CARAUSIUS. 
 
 Ho ! my guards ! — 
 Lilius, my armour ! — ^bring my helm and sword — 
 
Scene III.] THE IMPERIAL PIRATE. 379 
 
 My sword ! my sword ! that never failed me yet. 
 And I will singly combat with a host 
 Of foes and traitors ! 
 
 Montcillius, Ardoc, AUectus, and a crowd of Conspira^ 
 tors rush in with drawn swords. 
 
 Ha ! how dare ye, slaves. 
 Rush armed into our presence? Know you not 
 'Tis death to those who, when the watch is set, 
 Enter the emperor'^s tent ? 
 
 MONTCILLIUS. 
 
 Ay, death to thee, 
 Thou tyrant ! 
 
 ORIUNA. 
 
 Hold ! for mercy hold — 
 Ye shall not murder him but through my heart ! 
 
 (Montcilhus tears Onunafrom Carausius.) 
 
 CARAUSIUS. 
 
 Leave me, my Oriuna, let me die 
 Like a brave Roman soldier. 
 
 ORIUNA — {clinging to Montcillius). 
 I'll hold thine arm 
 
 Till thou in pieces hack'st me ! O, AUectus ! 
 
 Have mercy on us, if thou be a man ! 
 
 (Montcillius violently breaks from Oriuna, rushes 
 on Carausius and wounds him— All the Chief 
 Conspirators rush forward and stab him. — 
 Oriuna shrieks.) 
 
 Ha ! God of gods ! O, horrid, horrid sight ! 
 
 CARAUSIUS. 
 
 AUectus too ! — Thou worse than Brutus ! — O ! 
 
 (Falls and dies,) 
 
380 THE IMPERIAL PIRATE. [Act V. 
 
 ALLECTUS. 
 
 Now lift the shout of triumph through the camp, 
 
 Till yonder hills re-echo back the sound, 
 
 And cry, AUectus reigns ! (^Shouts and trumpets.) 
 
 ORIUNA. 
 
 Base monsters ! fiends ! 
 A hell-begotten crew of murderers all ! 
 O, ye have slain the greatest man on earth, 
 The bravest soldier, and the noblest prince ! 
 Cowardly slain him, and your country left 
 Defenceless to her foes ! — O, my Carausius, 
 Sad was our parting hour, but sadder far 
 This meeting-time of death ! — Thy gaping wounds — 
 O, horrible ! they rive my heart in twain ! 
 
 ALLECTUS. 
 
 My Oriuna, now shalt thou be mine ! 
 
 ORIUNA. 
 
 Thine ! — she would rather on the desert meet 
 The fierce blood-drinking tiger, rather feel 
 His death-fangs in her throat, than thou, dark fiend, 
 Shouldst with thy touch pollute her ! — But there yet 
 
 Is mercy with the gods 
 
 (^Snatches the sword from Montcillius, and stabs 
 herself.) 
 
 This is the way. 
 The only way I can escape thy power. 
 
 ALLECTUS. 
 
 Ah, thoughtless fool ! Montcillius, thou hast suffered 
 My brightest wreath in victory's hour to fade ! 
 Rash Oriuna, I now mourn my triumph, 
 And e'en revenge grows bitter ! 
 
 ORIUNA. 
 
 Hence ! stand off ! 
 
Scene III.] THE IMPERIAL PIRATE. 381 
 
 I cannot die in peace if thou approach. — 
 Wait, my Carausius, for thy Oriuna — 
 We shall at last be happy. — Grief is past, 
 And crowns await us in the Elysian bowers, 
 Where death nor treachery comes (Dies.) 
 
 ARDOC. 
 
 Bouse thee, AUectus ; this is not a time 
 For fruitless wailings o'^er a stubborn woman. 
 Resume the man, if thou wouldst be the emperor. 
 I hear the clash of swords amid yon tents. 
 There yet are foes to conquer. 
 
 ALLECTUS. 
 
 Right, brave prince ; 
 We must not thus give way to useless grief. 
 
 Enter Officer, 
 
 OFFICER. 
 
 Great Caesar, Dungarth and his rebel host 
 Have under cover of the night assailed 
 The drowsy camp, and this way comes the chief, . 
 With footsteps deeply dyed in ^Roman blood ! 
 All is, my lord, confusion and alarm ! 
 
 ALLECTUS. 
 
 Thou dost mistake ; he is no foe of ours ; 
 
 He comes, though late, with all his chiefs, to join 
 
 Our brave confederacy. — Now mark, when I 
 
 My sword wave thus, let not a man escape 
 
 To see the dawn ; our victory then, my lords, 
 
 Will be complete, and won the British crown. (Shouts.) 
 
 Dungarth, Dhu Cadern, and British Chiefs enter ^ with 
 their swords bloody. 
 
 Why, how now, Dungarth ! It was not to slay 
 
38? THE IMPERIAL PIRATE. [ActV. 
 
 Our soldiers, but the tyrant of the isle. 
 That I for thee did send. 
 
 DUNGARTH. 
 
 That voice ! that face ! — 
 How they recall to mind those bloody stripes 
 I from the tribune bore !• — (Aside.) 
 
 ALLECTUS. 
 
 But know, the deed 
 By us is done — Behold thy foeman fallen ! 
 
 DUNGARTH. 
 
 My vengeance then dies with him for the wrongs 
 He did to me — But, treasured here, lives still 
 A deep, unsated, deadly, fierce revenge, 
 Which blood alone can quench ! 
 
 ALtECTUS. 
 
 Hast thou not yet 
 Glutted thy tiger-appetite ? 
 
 DUNGARTH. 
 
 'Tishe! 
 'Tis he! I know him by that scornful smile 
 Which curls his bloodless lip. — {Aside.) — No, loath- 
 some villain ! ' 'it 
 Detested hell-dog ! serpent ! coward ! traitor ! 
 Dark murderer of thy friend that trusted thee 1 
 Thou art the wolf that bade thy shag- eared slaves 
 Scourge me with thongs ! — Me, born the princely heir 
 To kingdoms ! — till my veins gushed crimson showers ! 
 Now blood for blood ! and thus I quaff my fill ! 
 
 (Stabs Allectus.) 
 
 ALLECTUS. 
 
 Ha ! British dog ! — Fall on, my friends and guards, 
 And let me see him bleed, before I breathe 
 
Scene III.] THE IMPERIAL PIRATE. 383 
 
 My last ! O, terrible, to perish 
 
 Just as my hand had grasped the (Dies.) 
 
 DUNGARTH. 
 
 Move not an arm ! — the man that stirs shall die ! 
 
 Ye are my captives all ! — Ten thousand swords 
 
 For Albion's freedom wave around these tents. — 
 
 Constantius' fleet hath in the ocean mist 
 
 Escaped the British navy, and is now (83) 
 
 Landing upon our shores ! — On, then ! and he 
 
 Who manfully will for his country fight. 
 
 Let him the British standard join, while I, 
 
 Your rightful sovereign prince, will lead you forth, 
 
 And my loved island from her foes defend. 
 
 Or perish on her shores for liberty ! [^Exeunt omnes. 
 
NOTES. 
 
 (1) From the dim forest comes 
 Sad music, like the sound of lonely harps. 
 
 When they foretell the fall of warrior-kings. . . p. 269. 
 
 A superstition among the ancient Celts. 
 
 (2) Sorbiodunum's towers. 
 
 Erst the time-hallowed city of the Sun. . . p. 270. 
 
 * Nothing can more decidedly show the importance of this great 
 citadel (Sarum) of the Celts than its various names : — First, if I 
 am right, the City of the Sun (Sul, Sol) ; next the City of 
 Carautoc, Caractacus ; next, the City of the Caesars.' — ^Vide that 
 highly interesting work entitled Hermes Britannicus, by the Rev. 
 Lisle Bowles, 
 
 (3) He Dioclesian's banners in the east. 
 To win new glory, followed. ... p. 270. 
 
 ' Under the emperors, the Roman armies were in a great degree 
 composed of foreigners, and the provinces saw with regret the 
 flower of their youth carried off for that purpose.' — Tacit. Hist. 
 iv. 14.; Agric. 31. 
 
 (4) /, by thine aid, yon funeral mound have raised. . . p. 270, 
 
 * The Romans raised their tumuli inanes or honorarii, as MnQSA 
 did for Deiphobus, whom he supposed was slain, and his body 
 lost. The soldiers of Drusus cast up one for him in Germany, 
 though his body was carried to Rome. Cenotaphium vel tumulus 
 honorarius, Sec.'— Vide Suet; Tacit., Ann. i. 26. At this period 
 the Britons were Romanized in their manners. 
 
 2 C 
 
386 NOTES TO THE IMPERIAL PIRATE. 
 
 (5) Coritania's ancient city. . . p. 271. 
 Leicester — the Rate Coritanorum. 
 
 (6) In one day were slain 
 
 A thousand holy martyrs near the walls 
 Of sad Etocelum ! . .p. 272. 
 
 Lichfield arose from the ruins of the Roman Etocelum, and 
 owes its name to the massacre of a thousand Christians, slain by 
 the fury of the pagans in the tenth persecution. Lich signifies, in 
 the old Saxon, a corpse, from whence comes the word lichwake, 
 to watch with the dead. 
 
 Bede says, in Leicestershire and in Lichfield so many were 
 slain, that these places became another Golgotha, which, says 
 John Ross of Warwick, the latter name imports — a field of dead 
 bodiies. For this cause, says Speed, the city, even to this day, doth 
 bear for its seal an eschochean or field charged with many martyrs. 
 
 See also SammeSy Aurel. Vit.y Eusebius, &c. &c. 
 
 (7) Young Ambrosius, 
 
 Prince of the Catyellani, , . p. 274. 
 
 The Catyellanii were the original inhabitants of Bedfordshire, 
 Buckinghamshire, and part of Hertfordshire. 
 
 This eniperor, this Carausius — 
 
 Is a prince 
 Renowned for warlike deeds throughout the world. . . p. 274. 
 
 * Dioclesian, and Maximinian Hercules his adopted son, what- 
 ever their aversion might have been to such a partner, were com- 
 pelled to purchase peace by acknowledging Carausius emperor in 
 Britain, which he governed as an independent monarch. There 
 are now extant some of his coins, having on one side his head, 
 with this inscription— " IMP. CARAVSIVS, P. T. Aug.;" on 
 ihe reverse, the portraits of two emperors joining hands, alluding 
 particularly to the peace with Maximinian. Besides these, are 
 some medals of Dioclesian, Maximinian, and Carausius, having 
 on the reverse '' ProvidentiaA.V. G.G.G.'' and "Poa; A.U.G.G.G.," 
 which show that there were three emperors at that time, and at 
 peace with each other,' 
 
NOTES TO THE IMPERIAL PIRATE. 387 
 
 Lord Coke, in his Essays, remarks that a triumvirate of empe- 
 rors was an unusual phenomenon ; but the state of the continent 
 was so tottering, that neither Dioclesian nor Maximinian were in 
 any degree strong enough to dismantle the achievements of Ca- 
 rausius. Some faint preparations of resistance were attempted by 
 Maximinian, but necessity compelled the Romans soon to with- 
 draw hostilities, and to enter into articles of peace, by which 
 inglorious treaty the proclaimed Pirate was declared FeliXy and 
 the avowed usurper was surnamed Augustus, 
 
 (8) Bright Lindum's halls. , . p. 274, 
 City of Lincblri. 
 
 (9) The palace of Sorbiodunum. . . p. 278. 
 
 This mountain-fortress (now Old Sarum), in distant ages, was 
 no doubt called the Hill of the Bards, the City of the Sun, wor- 
 shipped at Stonehenge. Tliis temple, and its worship of the sun, 
 Diodorus, from Hecatseus, has plainly described, and I am happy 
 to find that my conviction of this, published in The Tale of a 
 Modern Genius, is fully confirmed by so able a writer and scholar 
 as the Rev. Lisle Bowles. * They have also a city,' says the Si- 
 cilian, * consecrated to this god, whose citizens are most of them 
 harpers that chant the sacred hymns of Apollo in the temple. They 
 have likewise among them philosophers and diviners, whom they 
 call Saronides, who are held in great veneration and esteem, 
 through whom they present their thank-offerings to the Deity. 
 These Druids are obeyed both in peace and war.' Sorbiodunum, 
 one of the names of this city, seems to be derived from both its 
 sacredness and its strength. Don, or dun, in the Celtic and 
 Scythian, implies a fortified place or hill, and I have always found 
 that when don or dun is compounded in the name of any place in. 
 this kingdom, it possesses the remains of some ancient fortress. 
 For instance, Bindon, a hill-city on the coast of Dorset, is un- 
 doubtedly, from its most singular remains, of Phoenician origin ; 
 Bhin, in Phoenician, is a lofty hill — also Dunium, Maiden Casile, 
 near Dorchester ; Dunheved, Launceston in Cornwall ; Dunstaff- 
 age, the renowned seat of the first Scottish princes, and where the 
 STONE of Scone, on which they were croivnedj was originally so 
 long preserved. 
 
 ' There is much reason to think the emperor Severus sometimes 
 took up his abode in this city. Here unquestionably dwelt many 
 
 2 C 3 
 
388 NOTES TO THE IMPERIAL PIRATE. 
 
 noble Romans, as is most evident from the coins of Constans 
 Magnentius, Constantine, and Crispus, that have so frequently 
 been found amidst its ruins. It was taken at length by Kenrick 
 the Saxon in 553, and continued for many ages the residence of 
 the Saxon kings.' — Munimenta Antiqua. 
 
 According to the author of Antiquitates Sarisburienses, several 
 of the Roman emperors actually resided here. 
 
 \ (10) Mirrors of glass, . . p. 278. 
 
 Speaking of a window at Pompeii, Sir WiUiam Gell says, * It 
 was not only formed of glass, but good plate glass, highly ground 
 on one side, so as to prevent the curiosity of any person upon the 
 roof. 
 
 * In process of time, glass became so much the fashion, that 
 whole chambers were lined with it. The remains of such a room 
 were discovered in the year 1826, near Ficulnea, in the Roman 
 territory, and are hinted at in a passage of the Roman Naturalist : 
 *' Non dubie vitreas fracturas cameras si prius id inventum 
 fuisset." 
 
 * In the time of Seneca, the chambers in Thermae had walls 
 covered with glass and Thracian marble ; the water issued from 
 silver tubes, and the decorations were mirrors.' — Pompeianay Iry 
 Sir William Gell. 
 
 (11) Beautiful paintings, . . p. 278. 
 
 By the late researches made by the government of Naples in 
 the ruins of Herculaneum, in the interior of a house were disco- 
 vered many pictures, representing Polyphemus and Galatea, Her- 
 cules and the Hesperides, Cupid and a Bacchante, Mercury and lo, 
 and Perseus killing Medusa. Also vases and articles in glass, 
 bronze, and terra cotta, as well as medallions in silver, represent- 
 ing in relief, Apollo and Diana. 
 
 The newly discovered paintings are far superior to those previ- 
 ously found, and prove that painting among the ancients was not 
 below the other arts. 
 
 (12) Now the slave 
 
 Has o'er his late rag-covered shoulders flung 
 TK imperial purple. . .p. 278. 
 
 Carausius, many historians assert, was a man of mean parent- 
 
NOTES TO THE IMPERIAL PIRATE. 389 
 
 age, by birth, of Menapiae, now St. David's, or, as others affirm, of 
 Batavia. 
 
 (13) Noble consul, the prevfectus thou 
 
 Of our Pra4orian bands shouldst . . p. 279. 
 
 • Carausius took AUectus, his praefectus praetorio, for his col- 
 league and fellow- consul. Aurelius Victor says the praefectus 
 praetorio was the next man in dignity to the emperor.' — Medallic 
 Life of Carausius, b. i. 
 
 ' Every magistrate who was a judge of military persons and 
 causes, and commander of the soldiery, was styled praetor, and his 
 court the prietorium. The prefect of the praetorium at Rome was 
 the commander of the emperor's praetorian guard. To him was 
 committed the care of maintaining public discipline and good 
 manners, and he received all appeals made from governors of 
 provinces. This office was created by Augustus to supply the 
 duties of Magister Militum and the Dictators. Constantine 
 abolished the praetorian guard and the praetorium at Rome, and 
 instituted four praefects of the praetorium ; two in the east, the 
 one called of the East, the other of Illyricum ; and two of the 
 West, called, the one of Italy, and the other of Gaul. These were 
 the supreme magistrates of the empire, and held the next place to 
 the emperor. AH other magistrates and governors in the provinces 
 were subject to them, and they commanded both the armies and 
 the provinces.' — Vide Onuphrius de Imperio Romano ; Hotmannus 
 de Majistrate; Gutherius de Officii Domiis Augustce.] 
 
 (14) Britain's isle, my native home. , . p. 282, 
 
 Dr.Stukeley says, Carausius was sprung of the old British blood 
 royal, of a graceful personage and a fine understanding. Some 
 believe him to have been a Roman. — See his life by Mons. Gene- 
 brier. At all events, it was agreeable with his policy to assert 
 himself a native of Britain. Helinandus, who lived in the twelfth 
 century, in the Passion of St. Gerion, asserts him to be of noble 
 birth. So also does Eutropius. 
 
 (15) And her proud war-ships lift her banners high 
 In triumph o'er the world! . . p. 282. 
 
 Dr. Campbell has very justly observed, * that Carausius deserves 
 to be remembered in our history, since, how bad soever his title 
 
38D NOTES TO THE IMPERIAL PIRATE. 
 
 iniglit he, he made a good prince to the Britons, and carried the 
 maritime power of this country so high, as not only to vindicate 
 his own independence, but also to strike terror into the whole 
 Roman empire. It is true, many historians treat him as an 
 usurper, a thing that appears a little hard, since those they still 
 call emperors had no better title than what they derived by fighting 
 on land, which serves to afford him some colour of right in virtue 
 of his power by sea.' 
 
 ' A mariner can only command mariners ; the element is formed 
 for the people, or rather, the people, like the fish, are formed for 
 the element. Had Carausius been a land officer, all his schemes 
 must have proved abortive ; but from those few particulars of his 
 life which have reached our times, he appears to have been as 
 successful as he was wicked, as bold as he was powerful, and as 
 fit to command as he was ready to execute. It is to him we owe 
 the first dawnings of our naval power, which has since appeared 
 in all its meridian glory.' — Lord Coke. 
 
 ' His fleets rode triumphant in the Channel, commanded the 
 mouths of the Seine and the Rhine, ravaged the coasts of the 
 ocean, and diffused beyond the columns of Hercules the terror of 
 his name.' — Smollett. 
 
 * A.D. 288. Towards the end of this year, Maximinian sent 
 express orders to kill Carausius, but he had the caution to prevent 
 it. He had address enough to gain over all the officers, secured 
 the outworks of Boloign, and stood on his own defence. Carausius 
 engaged the whole of Legio IIIL, Flavia, and several more, to 
 side with him ; and Maximinian found himself unable to force 
 Boloign to surrender, so that, on September 7, Carausius was 
 saluted emperor, and he carried away the whole Roman fleet 
 (then under his command) with him to Britain, where he was re- 
 ceived with all possible acclamations of joy.' — Medal. Hist, of 
 Marcus Aurelius Valerius Carausius. 
 
 (16) Enter a band of Ambubaie^, or Syrian maids, playing on 
 flutes. . . p. 286. 
 
 The Romans, at their splendid entertainments, hired bands of 
 Syrian maidens, called Ambubaiae, signifying a flute, to play on 
 those instruments, as the voluptuous conquerors of the world 
 lolled on their couches. Carausius, no doubt, imitated all the 
 luxuries and splendour of his former masters. 
 
JfOTBS Tp THE IMPERIAL PIRATE. 391 
 
 (17) Caswallon and Malwina kneel to the emperor, . . p. 286, 
 
 It was in the reign of Carausius that kneeling to the emperors 
 was first introduced by Dioclesian. 
 
 (18) When my triumphant fleets rode o'er the deep^ 
 Guarding the imperial provinces of Rome 
 From the bold ocean-rovers of the North, . . p. 287, 
 
 * The Franks and Saxons so infested the coasts of Belgium, 
 Gaul, and Britain, that the Roman government was compelled to 
 station a powerful fleet at Bologne to confront them. The com- 
 mand was given to Carausius, a Menapian of the meanest origin, 
 but a skilful pilot and a valiant soldier. It was observed that this 
 commander attacked the pirates only after they had accomplished 
 their ravages, and never restored the capture to the suffering pro- 
 vincials. This excited suspicion that, by wilful remissness, he 
 permitted the enemy to make the incursions, that he might obtain 
 the booty on their return. 
 
 * The emperor, informed of the treasons of Carausius, ordered 
 his punishment. Apprised of his impending fate, he took refuge 
 in augmented guQt and desperate temerity ; he boldly assumed t)ip 
 purple, and was acknowledged emperor by the legions in Britain.' 
 — Hist. Ang. Sax. 
 
 (19) The conquered chiefs of Caledonia's land. 
 
 And the fierce Picts, are now our firm allies, , . p. 288. 
 
 • Carausius had valour and dexterity enough to quiet these hos- 
 tile and warlike nations of the Scots and Picts. In short, he made 
 them friends to each other, and friends to himself. 
 
 ' But to give the higher sanction to the covenant made between 
 these potentates, he built that round temple on the banks of the 
 river Carron, called Arthur's Oon, the British Pantheon, where, 
 on an altar, they religiously swore to be faithful to each other — 
 the king of the Scots, and of the Picts, and Carausius.' — Dr, 
 Stukeley. 
 
 An ignorant wretch, some years ago, demolished this temple, 
 to build with the stones a mill-dam. 
 
392 NOTES TO THE IMPERIAL PIRATE. 
 
 (20) Gal-Sevefs barrier-lines. . . p. 288. 
 
 The British name of the wall bui]t by the emperor Severus 
 across this island. 
 
 * This wall repaired,' says Dr. Stukeley, * by Carausius, was one 
 of the noblest works of human labour ever performed by a great 
 people. It stands unrivalled in Europe. It was seventy miles in 
 length, with eighteen cities, eighty-one castles, and three hundred 
 and thirty-three turrets, with all their mounds, roads, ramparts, 
 and astonishing apparatus.' 
 
 * W. Hutton, esq. walked six hundred miles, at the age of seventy- 
 eight, to survey the dimensions of this celebrated shattered wall.' 
 — Mrs. Hedgelands Epitome of General Knowledge. 
 
 (21) The great image of Mongontus. . p. 291. 
 
 An idol in the mythology of the ancient Britons, worshipped in 
 Northumberland. Camden says, that Risingham, on the river 
 Reed, a Roman station called Habitaneum, was in his time popu- 
 lar on account of its having been the abode of a deity, or giant, 
 called Magon ; and appeals, in support of this tradition, to two 
 Roman altars taken out of the river, inscribed Deo Mongonti 
 Cadenorum. 
 
 (22) Caer Conan's regal tower. . . p. 291. 
 
 King says, Conisborough Castle in Yorkshire }vas the seat of 
 the Brigantian chiefs, and called Caer Conan, the City of the 
 King, standing near the river Dune or Dun. This tower, the 
 architecture of which is far anterior to the time of the Romans, 
 still remains perfect, and commands the most beautiful views. 
 
 (23) Sea-girt Minavia. . . p. 291. 
 The Isle of Man. 
 
 (24) The green isle of Yverdhon. . . p. 291, 
 The Celtic name of Ireland, 
 
NOTES TO THE IMPERIAL PIRATE. 393 
 
 (25) And thou o'er Coritania shalt he king. . . p. 293. 
 
 The Romans permitted many tributary kings, or princes, to rule 
 under their dominion in Britain, as well as in various other parts 
 of their vast dominions. As a proof of this, I need only mention, 
 among numerous others, Prasutagus king of the Iceni, who, 
 dying, left by his will the emperor and his daughters coheirs to 
 his possessions and treasures. 
 
 * Many of these sovereigns were allowed by the Romans to con- 
 tinue in possession of their thrones, and enjoy the full extent of 
 their ancient authority. Under all the rigour of the provincial 
 regimen, the sovereigns of the tribes were allowed to remain in 
 general. This our historians have never supposed before ; and 
 the reverse of it has been universally believed, but the fact is suffi- 
 ciently authenticated. 
 
 * And at this remarkable era (the time of the Roman departure) 
 we see monarchs appear immediately in every quarter of the island ; 
 and the whole body of the Romanized Britons as much divided 
 into distinct principalities as ever the primeval had been, and as 
 much under the government of distinct princes.' — Whitakefs 
 Manchester. 
 
 (26) Gather valiant men, — 
 
 ril tell the emperor they are needed here 
 To guard the southern coast. . . p. 293. 
 
 * Such were the feudal tenures of the Britons. And in the 
 continuation of them under the Romans, the obligation of attend- 
 ance upon the king in his wars would still be retained by the 
 crown, but enforced only at the command of the conquerors. Pru- 
 dence would induce them in this manner to continue the ancient 
 privilege of royalty. 
 
 * It would enable them, upon any emergency, to raise a number 
 of soldiers, and embody them with their own, with great facility 
 and without expense. And had such a power of the crown been 
 taken away from it during all the long era of the Roman residence, 
 it would never have been recovered afterwards, and consequently 
 could not have descended to the British sovereigns of Wales.' — 
 Ibid. 
 
 (27) And pleasanty Dungarth, 'tis zvith thee to hear. 
 As I do now, in this our sheltered cave. . . p. 302. 
 
 * Eponine had married Sabrinus, a Gallic prince, who revolted, 
 
394 NOTES TO THE IMPERIAL PIRATE. 
 
 in 69 of the Christian era, against the emperor Vespasian. He 
 was conquered, and hid himself in a subterraneous cavern. He 
 informed Eponine of the place of his retreat ; where this tender 
 wife found him, waited upon him for nine years, and was delivered 
 of two children. At length their asylum was discovered, and 
 Vespasian caused them both to be put to death, without respect 
 to the virtue of Eponine.' 
 
 * On viewing the caves and dens which once belonged to the 
 Britons, it is impossible not to call to mind, that after the defeat 
 of the Canaanites by Joshua, five of their kings fled, and hid them- 
 selves in a cave at Makkeda.' — See Munimenta Antiqua, on the 
 hiding-places of the ancient Britons. 
 
 (28) And the time-hallowed spectre oak that dares^ 
 
 Proud of its strength, to wrestle with your might .' . . p. 303. 
 
 « The Gauls (or Celts) called the misselto, guthyl, or guth-eyl, 
 that is, good-heal ; and the oak, marentaken, or the tree of spec- 
 tres,' This must have had an allusion to the human sacrifices 
 offered in their groves. 
 
 (29) And thou, terrific Bera, thunder- spirit. 
 
 Who, cloud- overshadowed, on the mountains dwellest. p. 303. 
 
 Bera, or Cellachvera, in the Celtic mythology, is represented 
 as the goddess of thunder, and the producer of storms and tor- 
 rents. She dwells on the highest mountains, and steps with easp 
 from one mountain to another. 
 
 (3 1) The western tribes and the Morini. . . p. 309. 
 
 The Morini were one of the Belgic tribes, who, about the year 
 350 before Christ, passing the Rhine and getting possession of the 
 northern provinces of France, soon crossed the Channel, and dis- 
 possessed the ancient Celts of the coasts of Kent, Sussex, Hants, 
 Dorset, and Cornwall. The Morini drove out or exterminated the 
 Durotriges, the inhabitants of Dorset, and settled in their hill- 
 cities, which are all remaining to this day. 
 
 (32) To attack Iscalia and Caer Ruth's strong towers. . . p. 309. 
 Iscalia, Uchester ; Caer Ruth, the red city, Exeter. 
 
NOTES TO THE IMPERIAL PIRATE. 395 
 
 (33) and the Cangi 
 
 Join the revolt, that spreads on every side. . . p. 309. 
 
 Dr. Stukeley says, * the Cangi were a numerous and powerful 
 people in the time of Carausius, who dared now to rebel. They 
 yi'ere extended all along the western coast of Somersetshire, Che- 
 shire, and Lancashire, as well as in North Wales, I apprehend 
 he (Carausius) engaged them in Somersetshire, not far from 
 Bath; 
 
 In the additions to Camden, the Cangi are said to inhabit So- 
 mersetshire and the north part of Wiltshire. 
 
 The learned annotator on the county of Somerset is judiciously 
 of opinion that Somersetshire and North Wilts are not to be 
 ranked under the Belgae, but the Cangi. 
 
 * Ostorius hastened to subdue the Cangi on the confines of 
 Devon and Somersetshire.' — ^ist, de Wintonia. 
 
 (34) They delicately walk and dance along 
 
 To mellow flutes and organ- pipes. . . p. 310. 
 
 The mention of an organ among the Romans may, perhaps, be 
 thought ridiculous by my readers, when many antiquarians assert, 
 though very erroneously, that such an instrument was not known 
 to the christianized Saxons at a much later period ; it is, never- 
 theless, a fact, that the Romans were as well acquainted with the 
 organ as the moderns of the present day. 
 
 * In a painting at Pisa, copied from an ancient Roman sculp- 
 ture, is a concert, in which appear a man playing on four bells; 
 a female with a lyre ; a figure with a trumpet, another with a 
 violin, another playing the organ, and a sixth, at the bottom, 
 blowing the bellows attached to that instrument : — also, on the 
 obelisk, two figures performing on separate organs, and nymphs 
 dancing.' — From an extremely rare and valuable work in the Bri- 
 tish Museum, entitled Artes et Metiers des Anciens, illustres par 
 des Monumens, ^c, ^c» 
 
 (35) In vases that with rainbow splendour gleam. . . p. 310. 
 
 * Britain was not now in the state in which the Romans 
 found it. The natives had been ambitious to attain, and hence 
 had not only built houses, temples, courts, and market-places 
 in their towns, but had adorned them with porticoes, galleries. 
 
396 NOTES TO THE IMPERIAL PIRATE. 
 
 baths, and saloons, and with mosaic pavements, and emulated 
 every Roman improvement.' — Anglo-Saxons, vol. i. p. 223. 
 
 The Romans used glass cups and vases of every size, made in 
 imitation of various kinds of precious stone. 
 
 ' In the time of Martial, about a century after Christ, glass cups 
 were common, except a peculiar kind of calices which displayed 
 changeable or prismatic colours, which, as Vossius says, were 
 procured in Egypt, and were so rare, that Adrian, sending some to 
 Servianus, ordered that they should only be used on great occa- 
 sions. The myrrhine vases, however, which were in such request, 
 seem at last to have been successfully traced to China. Proper- 
 tius calls them Parthian ; and it seems certain that the porcelain 
 of the east was called myrrha di Smyrna, to as late a date as 1555.' 
 — Pompeiana. 
 
 (36) Our once bold, warlike youth 
 Are grown debased by Rome's pernicious manners. 
 And copy all her arts and soft refinements, . , p. 312. 
 
 Tacitus asserts that Agricola, during his command in Britain, 
 excited among the natives a taste for the Roman arts and customs ; 
 that their towns were embellished with stately temples and porti- 
 coes, and that the British youth imitated the fashions of Rome, 
 learned her language, and applied to the study of eloquence and 
 erudition. 
 
 (37) and prophets ran 
 
 Wildly about the streets, shouting her doom. . . p. 312. 
 
 * It is said that, previous to the destruction of CaAialodunum by 
 Boadicea, the statue of Victory in the temple fell down of its own 
 accord, with its back turned, as if it would pass to the enemy ; and 
 women, in a holy rage and extasie, prophetically sung that de- 
 struction was a coming; and dismal voices were heard in the 
 council-house, and bowlings and screechings in the theatre. 
 Strange spectres walked in the neighbouring frith, the ocean 
 looked of a bloody hue, and at low tide the shapes of dead bodies 
 lay imprinted on the sands ; all which prodigies raised hopeful 
 expectations in the Britons, but, in the veterane soldiers, terrour 
 and despair.'— ^n7. Antiq, lllustra. 
 
 (38) Famed harpers of the holy hill of bards, 
 
 The halls of song, the city of [the sun. . . p. 314. 
 
 * We have found the Hyperborean " Island" (of Hecataeus)— 
 
NOTES TO THE IMPERIAL PIRATE. 397 
 
 * the remarkable round temple to Apollo in that island— the 
 sacred precincts ;'" — ^but where is the city of the *' Harpers" 
 of Apollo, without which the similitude would be incomplete? 
 Now, what is the very name of Salisbury ? Solis-bury, as we have 
 before observed. Let us then turn to '* the city" near the round 
 temple and woody precincts. This is a city sacred to the same god. 
 What god ? the Sun ! The temple, the city, and grove of Apollo 
 are thus connected. 
 
 * The Celtic bard and the Celtic harp, according to these ideas, 
 never were and [never could be the offspring of the uninstructed 
 and rude aboriginal inhabitants of this island. The Phoenicians 
 from Tyre, and subsequently from Carthage, or Cadiz, as they 
 were the visiters, were the great instructors in Druidical disci- 
 pline and solemnities, making these rites the more impressive, 
 from a mixture of oriental pomp, on the imagination and hearts of 
 those who flocked round " the strangers of the distant land:' 
 And the harp of the bards was the harp struck in a strange land, 
 such as it appears in the caverns of Thebes ; as to Thebes we 
 have referred the origin of the doctrine of the Druids.' — Hermes 
 Britannicus. 
 
 As a confirmation of this, I shall copy the following from 
 Richardson's Travels, vol. i., where he describes the tombs of 
 Egypt : — ' Intermixed vyth the figures we frequently meet with 
 the more agreeable pictures of entertainments, with music and 
 dancing, and well-dressed people listening to the sound of the harp, 
 played by a priest with his head shaved, and dressed in a loose, 
 flowing, white robe, shot with red stripes." Here is the very robe 
 of the Druids. 
 
 (39) The home of shadows, blessed isles o" the west. . . p. 314. 
 
 Isacius Tzetzes calls the British isles (perhaps Mona and Angle- 
 sea) the Fortunate Islands ; and says, it is reported the souls of 
 the dead are carried thither. Milton and Sammes think that the 
 above-mentioned islands were celebrated by the ancient poets 
 under the name of the Fortunate Islands and the Elysian Fields. 
 
 (40) Neigh of ivar-horse, trumpet-call , 
 
 Oer the midnight ocean rang. . . p. 314. 
 
 * Caesar set sail from Gaul about midnight, and reached the 
 coast of Britain at ten in the morning, August 26th, in the 55th 
 year before the birth of Christ.' — Sammes. 
 
 * Caesar first landed in Britain on the 26th of August, about 
 
398 NOTES TO THE IMPERIAL PIRATE. 
 
 five in the afternoon.' — See Lowthorp's Abridgm. Philos. Trans. y 
 V. iii. p. 412. 
 
 (41) And creek of hoisted sail, and cry 
 
 Of sea-boy 'mid the shrouds on high. . . p. 314. 
 
 Nauticus clamor. — Virg. JEn., iii. ; Luc. ii. 
 
 (42) Arid climbs the flower-wreathed deck the rearward band, 
 
 p. 315. 
 
 Virg. Mn. iv. 418. 
 
 (43) With horsemen ranged in threatening bands. 
 And warlike chariots rushing on between, . . p. 316. 
 
 * And the cavaliy of their (the British) armies consisted equally 
 of horsemen and charioteers.' — Whitaker, 
 
 (44) The noblest palm of knighthood won. , .p. 317. 
 
 * In omni Gallia eorum hominum qui aliquo sunt numero atqtie 
 honore genera sunt duo ; — alterum est Druidum, ^alteram Eqiii' 
 turn.' — Ccesar. 
 
 Among the ancient Britons the Uchelwyfs, or Knights, held the 
 next place to the king about his person. 
 
 (45) Display, ye Samnite gladiators, all 
 
 Your warlike sports with energy and skill. . . p. 319. 
 
 * 'I'hey (the Romans) wanted n6 mannet bf diversion while they 
 were eating, having ordinarily music and antique dances, and, in 
 ancient times, gladiators.' — Romce Aniiquce Notitia. 
 
 * This emperor studied to adapt himself so much in every thing 
 to the Roman genius, as is apparent in these and all his coins, 
 and by his whole fconduct.' — Dr. Stukeley. 
 
 (46) drink deeply all, 
 
 Lift high your rose-crowned cups, . . p. 319. 
 
 From the Romans (and not from Rowena's drinking the health 
 
NOTES TO THE IMPERIAL PIRATE. 399 
 
 of Vortigern, as is commonly supposed) came the custotn of 
 drinking healths. * It was a kind of invocation to the gods and 
 emperors, whose names they often mentioned, among their cups, 
 with many good wishes.' 
 
 The Saxons had also their cup of Odin. 
 
 * The Romans used to drink to the health of one another thus, 
 " Bene mihi, bene vobis, ^c." Plautus, Pers. Sometimes in ho- 
 nour of a friend or mistress ; and used to take as many cyathi as 
 there were letters in the name.— TibuU., Martial. The Greeks 
 drank first in honour of their gods, and then of their friends ; 
 hence Grceco more hihere^ Cic. Verr.' — Roman Antiq. 
 
 (47) Raised round Bononia's port, to hem me in. . . p. 321. 
 Boloign. 
 
 (48) JFhen here enthroned, near Veda's isle. . . p. 321. 
 
 Isle of Wight, derived from the British, Guithor or Guict, that 
 is, the * divorced,' or * separated.' 
 
 (49) Why then take off the heads 
 
 Of all those youths given by that stubborn tribe 
 To me as hostages. : . p. 323. 
 
 * Touching the security, which the Romans required, of the 
 loyalty of such people as they conquered, their tnanner was to take 
 as hostages a sufficient number of male children of the chiefest 
 men of that nation, whose lives depended upon their parents' fide- 
 lity, and ended with the first suspicion of rebellion.' — Brit. Antiq. 
 Illus. 
 
 (50) My funeral dirge were sung by weeping maids .' . . p. 323. 
 
 * Fingal commanded his bards; they "sang over the death of 
 Lorma. The daughters of Morven mourned her for one day in the 
 year.' 
 
 * Go, with thy rustling wing, O breeze ! sigh on Malvina's 
 tomb : it rises yonder beneath the rock, at the blue stream of 
 Lotha. The maids are departed to their place — that is the young 
 virgins who sung the funeral elegy over her tomb.' — Ossian, 
 
400 NOTES TO THE IMPERIAL PIRATE. 
 
 (51) The furious Parthians fought, rifting the air ' 
 
 With their terrific thunder-yells of war. . . p. 326. 
 
 Plutarch says, that at the horrid din of war which the Parthians 
 raised in battle, the Romans threw down their arms and fled. 
 
 (52) And we mill shape our flight for Coitmaufs forest, p. 331, 
 
 Selwood Forest, which once covered the greater part of Somer- 
 setshire. 
 
 (53) They heard my cries, and kindly sent a boat 
 
 Which took me from that death-rock. . . p. 332. 
 
 * A similar circumstance actually occurred many years ago in 
 Scotland. M'Lean of Duart, whose castle, now in ruins, stands 
 on a promontory in Mull, it appears, hated his wife, though beau- 
 tiful and virtuous, merely because she was barren. He placed 
 her on a rock, which was covered at high tide, at the south end 
 of the isle of Lismore, called to this day the Lady's Rock. She 
 was saved by the crew of a vessel passing by, when she had given 
 herself up for lost, and was conveyed to her brother at Inverary.' 
 — See a Companion and useful Guide to the Beauties of the 
 Western Highlands, <^c. 
 
 (54) There, with those spirits who the wind 
 
 And tempests in their caverns bind. . . p. 337. 
 
 Plutarch informs us, it is the belief of the Celtic nations, that 
 the souls of their heroes, on quitting the body, roam on the winds 
 and tempests. 
 
 (55) And join the mermaid's magic lay. . . p. 338. 
 
 <* Fon Oi-marra, the song of the m&rm^ids:'—Cath-Loda, 
 Duan II. 
 
 (56) By that spectre-haunted tree. . . p. 339. 
 
 * Amid their deep woods they (the Druids) had a stately old 
 tree, with its branches lopped off, and the largest fixed to the 
 body, expanding horizontally at the top, so as to cause the whole 
 to resemble a T.' — Muni. Antiq, 
 
NOTES TO THE IMPERIAL PIRATE. 401 
 
 (57) Grant, thou dim cloud-vestured spirit. 
 
 Thy son may thy death-sword inherit / . . p. 340. 
 
 * But remember, my son, to place this sword, this bow, the 
 horn of my deer, within that dark and narrow house, whose mark 
 is one gray stone.' 
 
 * The hunter may find the steel, and say, " This has been Os- 
 car's sword, the pride of other years." ' — Temora, b. i. 
 
 * Gaul went to his father's tomb to take the sword. His address 
 to the spirit of the deceased hero is the subject of the following 
 short poem.' — Note to Temora. 
 
 This custom of burying their swords with the ashes of the Celtic 
 warriors was certainly either borrowed or brought with them 
 from the east. 
 
 * And they shall lie with the mighty that are fallen of the un- 
 circumcised, which are gone to hell (the grave), with their wea- 
 pons of war J and they have laid their swords under their heads.'-^ 
 Ezekiel xxxii. 27. 
 
 * Awake, Angantyr ! Hervor, the only daughter of thee and 
 Suafu, doth awaken thee. Give me out of the tomb the hardened 
 sword which the dwarfs made for Suafurlama.' — Incantation of 
 Hervo — vide Hervazer Saga, Olai Vereti. 
 
 (58) In Rome's infernal prisons, where no beam 
 
 Of daylight comes to cheer her wretched captives. . .p. 346, 
 
 The ergastula were dungeons where the Romans compelled 
 their slaves to labour. Columella (1. i. c. 6) advises that they 
 should be always built underground. Sicily was filled with er- 
 gastula, and was cultivated by slaves in chains. Eunus and Athenis 
 caused the servile war, by breaking up these horrible prisons, and 
 giving freedom to sixty thousand slaves. 
 
 (59) And by her side a peacock in all the radiant hues of the 
 
 living bird. . , p. 351. 
 
 * Confarreatio was when the matrimonial rites were performed 
 with solemn sacrifices, and offerings of burnt cakes by the Ponti- 
 fex Maximus and the Flamen Dialis. This was the most solemn 
 and sacred tie of the Roman marriages, according to Pliny 
 lib. xviii. c. 2. No marriage was celebrated without consulting 
 the auspiceis, and offering sacrifices to the gods, especially Juno, 
 the goddess of marriage.' — Tac. Ann., x. 27. 
 
 2 D 
 
402 NOTES TO THE IMPERIAL PIRATE. 
 
 The emperor Adrian presented to the temple of Juno at Euboea 
 a crown of gold, a purple mantle, embroidered with the marriage 
 of Hercules and Hebe in silver, and a large peacock, whose body 
 was of gold, and his tail composed of gems resembling the natural 
 colours of the bird. 
 
 (60) Tioo fugitives at our high altar claim 
 Refuge and sanctuary, . . p. 352. 
 
 * Altars and temples afforded an asylum, or place of refuge, 
 among the Greeks and Romans, as among the Jews. The Trium- 
 viri consecrated a chapel to Caesar in the forum, on the place 
 where he was burnt ; and ordered that no person, who fled there 
 for sanctuary, should be taken from thence to punishment. But 
 the shrine of Julius was not always esteemed inviolable ; the son 
 of Antony was slain by Augustus, although he fled to iV— Roman 
 Antiquities. 
 
 (61) The immense temple of Ahun. . . p. 362. 
 
 This once magnificent temple of Druidical worship the Rev. 
 Lisle Bowles has cleared of those heaps of rubbish which ages 
 and antiquarians had piled upon it, and satisfactorily proves it 
 to have been a temple dedicated to Thoth or Teutates. It origi- 
 nally represented the complex figure of the circle and seraph 
 with extended wings. Kircher is said to have preserved the 
 following fragment from the Phoenician : — ' Jove is a figured 
 circle ; from it is produced a serpent : the circle 'shows the divine 
 nature to be without beginning and without end ; the serpent is 
 his word, which animates the world, and makes it prolific ; his 
 •wings are the Spirit of God, which gives motion to the whole 
 system.' 
 
 (62) Enter Chief Druid, with othei- Druids, and a Chorus of 
 Bards. . . p. 362. 
 
 It is quite a mistaken notion which many entertain, that the 
 Druids were all destroyed and banished from this island by the 
 Romans. Sharon Turner, speaking of the first conquests of the 
 Saxons in this island, says, * The majority of the Britons were 
 professing Christianity, and had sent bishops to the councils on 
 the continent. But Druidisra, which yet had its regular temples 
 
NOTES TO THE IMPERIAL PIRATE. 403 
 
 in Bretagne, was lingering in some corners of the island, and was 
 still, by its traditions and mysticism, affecting the minds of the 
 British bards of that period. 
 
 * Gwalchmai, the son of Meilyer, wrote between the years 11 50 
 and 1190. In his elegy upon the death of Madawe, Prince of 
 Powys, the same bard exclaims — 
 
 * " Och Duw na dodyeu 
 Dydd brawd, can deryw 
 Derwyddon weini nad — 
 Diwreciddiws Py wys peleidriad rhyvel ! " 
 
 * " Would to God the day of doom were arrived, since Druids are 
 come attending the outcry ! The gleaming spears of war have 
 eradicated Powys." 
 
 * The bard had heard a report of the fall of his prince, but he 
 hoped it might be only a false rumour, till the news was brought 
 by the Druids. Here then we find the existence of Druids in the 
 middle of the twelfth century positively asserted.' — Davis's My- 
 thology and Rites of the British Druids. 
 
 Selden, speaking of some ancient statues found in Germany, 
 and supposed to be those of Druids, says, * They were six in num- 
 ber, and found at the foot of a mountain which, abounding with 
 pines, was therefore called Piniferus, and in the German lan- 
 guage Wichtelberg, upon the confines of Voitland, in a certain 
 monastery. Being dug up and exposed to view, Conradus Celtes, 
 who was present, in his judgment thought them to be figures of 
 ancient Druids, They were seven feet in height, bare footed, 
 their heads covered with a Greek hood, or cukil, with a budget 
 by their side, and a beard descending to their very middle, and 
 about their nostrils plaited out into two divisions. In their hands 
 was a book, with a Diogenes' staff, which is supposed five feet in 
 length ; a severe and morose countenance, with a downcast and 
 sorrowful look, and their eyes fixed on the earth. 
 
 * Thus early did Druidism decline in the island, not rooted up, 
 as has been universally supposed, by the violence of a proscrip- 
 tion, but undermined by the progress of Roman learning, and 
 overborne by the irruption of Roman manners.' — Whitakefa 
 Manchester', 
 
 (63) Some few there are who, when our holy fires 
 Are lit amid this solemn temple, raised 
 To great Teutates, come to worship here, , , p. 363. 
 
 • The Celts popularly worshipped Mercury, that is, Thoth, 
 Du Taith, the God of Commerce, that led the seamen over the 
 
 2D2 
 
404 NOTES TO THE IMPERIAL PIRATE. 
 
 deep — the unfolder of the starry heavens, and the teacher of the 
 Doctrine of Immortality. He who taught immortality might 
 naturally appear as the conductor of the dead and restorer of 
 life.' — Bowles's Hermes Britannicus. 
 
 In Niebuhr's plates of those tombs, discovered by him in a 
 desert near Mount Sinai, is the representation on one of them of 
 the gates of Hades, with the figure of Hermes, or Mercury, half 
 concealed by the door, who, having opened the entrance, and in- 
 troduced the spirits of the dead, forbids, with his serpent-bound 
 rod of office, any intrusion into the eternal and secret mansions of 
 the departed. 
 
 Lucan speaks of Teutates as one of the chief deities of the Gauls 
 and Britons, to whom human sacrifices were offered. 
 
 immitis placatura sanguine diro 
 
 Theutates. 
 
 (64) By the red strangers to our island brought. . . p. 363. 
 
 * The Phoenician lives in Cornish legend, and in the Welsh 
 triads, under the figure of a "red and bony giant," Ruddlwn 
 Gawr." — Miles' s Deverel Barrow. 
 
 Havillan, an ancient Celtic bard, writing of the mingled race of 
 Phoenician and British blood in Cornwall, says that * their specta- 
 cula, or public games, in honour of their gods, were the slaughter 
 of men, and that they drank of their blood." This perfectly 
 accords with the Canaanite priests, who * ate the sacrifice of the 
 dead.' 
 
 (65) These vast pillars faintly shadow forth 
 
 Circles of space, eternity^ and time! . . p. 364. 
 
 * Davis says, the Druids divided the whole existence into three 
 circles: — 1. Cylch y Cengant, the circle of space, which God 
 alone pervades ; 2. Cylch yr Abred, the circle of courses, evi- 
 dently, as I should interpret it, the circle of the course of time ; 
 and in corroboration of this, we have remarked the stones are 
 twelve — months ; days of each month, thirty. 
 
 * It appears to me, looking at the precise number of these 
 stones, natural to conclude that they stand the great emblems 
 of — what ? Time and Eternity ; that the twelve stones are the 
 zodiacal signs of the Egyptian Hermes, the Celtic Teuth, the 
 aboriginal Thoth.' — Bowles's Her. Brit, 
 
NOTES TO THE IMPERIAL PIRATE. 405 
 
 (66) Yon circle holds three stones, which typify 
 
 The Mighty Ones, the dread Cabiri named. , . p. 364, 
 
 * At Abury stand three stones in the middle of one circle; 
 what are these ? the three Mighty ones — the Cabiri — unde Abiri. 
 What is the great solitary stone in the other centre, called by 
 Stukeley the obeUsk, and which was higher than all the others ? 
 The Celtic Taute.' — Hermes Britannicus. 
 
 * Still the secret worship was of one infinite God, whose repre- 
 sentation was the' (great) * circle.' ** He sitteth on the circle of 
 the earth. Isaiah." — Bowles, 
 
 * It would, indeed, seem that both the British Druids and the 
 Saxon Pas^ans had as high a sense of the Supreme Deity, as 
 some of the Orphic verses show to have existed in some of the 
 minds of ancient Greece.' — Anglo-Saxons. 
 
 * Sanconiatho, the Phoenician, speaking of Hermes Trismegis- 
 tos (or Thoth), says, *• For thus much himself confesseth — Deus 
 omnium Dominus et Pater, fons et vita, potentia et lux et mens 
 et spiritus ; et omnia in ipso et sub ipso sunt. Verbum enim ex 
 esse prodiens, perfectissimum existens, et generator et opifex, &c." 
 
 ' Among the Druids one only awful mystery was the object of 
 their ceremonies, whilst the Celts in general, "omni Gallia," had 
 the gods of thunder, of light, of battle, besides their great Taute, 
 the maximus Mercurius.' — Hermes Britannicus. 
 
 (67) This lofty spire 
 
 Stands the Teutates ; he to whom this Bethel, . . p. 364, 
 
 Col. Vallency, Reb. Hib., vol. ii. 
 
 (68) Whoy in a land of mysteries , far from hence. 
 Counted the golden stars. . . p. 364. 
 
 The worship of Teutates was derived from the Egyptians, and 
 perhaps came from them, through the Phoenicians, to the British 
 isles. 
 
 * In Polwhele's History of Cornwall, is a quotation singularly 
 illustrative of the Celts deriving, from the Phoenician and Egyp- 
 tian mythology, the circle and serpent as symbolical of the god of 
 the world.' 
 
 * Zus hu asphira^ &c.— in Welch, Sws, &c. 
 
406 NOTES TO THE IMPERIAL PIRATE. 
 
 • Zws is a mighty sphere, producing a circle ; in it the earth re- 
 volves. The mighty sphere shows the course of the Self -puissant 
 One ; the nature of his inherent wisdom illuminates the seal of 
 animation (the world), thence made prolific ; to make it ascend 
 is the mighty breath of the Self-puissant, which sets in motion the 
 whole animated system.' — Hermes Britannicus: 
 
 * Indubitable circumstances prove that in Egypt was worshipped 
 one infinite, eternal Being, without beginning or end, the maker 
 of the world, symbolized under the form of the sacred serpent 
 Gneph.' — Hermes Britannicus, 
 
 (69) From the tempest -shook isles of the far distant West. p. 366. 
 The Soilly Isles, 
 
 (70) From the cloud-compassed blood-cape^ around whose dim 
 
 steep 
 Dash the storm-lifted waves of the foam- covered deep, p. 367. 
 
 Bolerium — the Land's End, called by the British bards Pen- 
 f ing-huaed, the promontory of blood. 
 
 (71) From Carn-bres oak groves and her granite-piled hills, 
 p. 367. 
 
 Carn-bre, a celebrated place of Druidical worship ; vide Bor- 
 lase. ' Taron-wy, according to the Triads, is a divinity, whose 
 simulacrum was an oak-tree ; and he is mentioned as the god of 
 thunder by Taliessin.' — Note to Hermes Britannicus. 
 
 (73) From the bright- gleaming sun-fire on Purbeck's high mount, 
 p. 367. 
 
 Pur-beck, the house of the sun, the seat of the eternal fire, like 
 Heliopolis of Asia. At Bal-bec was erected the grand Puratheia 
 to the sun. There can be little doubt that this eternal fire was on 
 the isolated and lofty caph or mount, on which now stand the 
 Saxon ruins of Corph, or Corfe, castle. 
 
 (74) The dun-coloured roes on the banks of the Var* • • p« 367. 
 
 The British name of the Frome, which forms, on one side, the 
 Isle of Purbeck. 
 
NOTES TO THE IMPERIAL PIRATE. 407 
 
 (75) Bring flowers, bring branches of vervain and oak. 
 
 To cast on the flames as the gods ye invoke. . . p. 368. 
 
 The following lines, translated by Barnabe Googe in 1570 (see 
 Strutt), have a reference to Druidical rites, preserved from age 
 to age, on Midsummer-eve. 
 
 ' Then doth the joyful feast of John the Baptist take his turne. 
 When honfiers great with loftie flame in every towne doe burne : 
 And yong men round about with maides doe daunce in every 
 
 streete, 
 "With garlands wrought of mother-wort, or else with vervaine 
 
 sweete ; 
 And many other flowers faire, with violets in their handes. 
 Whereas they all do fondly thinke that whosoever stands. 
 And thorow the flowers beholds the flame, his eyes shall feel no 
 
 paine. 
 When thus till night they daunced have, they through the fire 
 
 amaine 
 With striving mindes doe run, and all their herbes they cast 
 
 therein. 
 And then, with wordes devout and prayers they solemnely begin. 
 Desiring God that all their ills may there confounded be, 
 Whereby they thinl^e through all that yeave from agues to be 
 
 free.' 
 
 (76) Waking echoes more tuneful than Sul's golden lyre, p, 368, 
 The British name of Apollo, or the sun. 
 
 {77) The mystic writings of the twisted branch. 
 Known only to our sacred order, , . p. 369. 
 
 * The word aos in Irish, which first signified a tree, was applied 
 to a learned person ; and feadha, woods or trees, became the term 
 applied to prophets or wise men, undoubtedly from their know- 
 ledge of the alphabet, or sylvan character. The learning of the 
 sprigs consisted in arranging, tying, and intertwining them in 
 various ways, thereby altering their expression or import. Small 
 branches of diff'erent trees were fastened together, and, being 
 placed in the tablet of devices, were read by sages who were 
 versed in sciences. The art of tying the sprigs in numerous and 
 intricate knots was an important part of the mystical studies of 
 
408 NOTES TO THE IMPERIAL PIRATE. 
 
 the Druidical order, and appears to have been known by few.'— 
 The Scottish Gael, or Celtic Manners. 
 
 (78) the sacred crown 
 Of great Dunvallo, who the golden round 
 
 Of sovereignty first wore in Britain's land. . . p. 370. 
 
 Dunvallo, or Molmutius, is, by some old British writers, said 
 to be the first who was installed with rites and ceremonies of 
 coronation, and that wore at his inauguration a crown. 
 
 The Irish kings wore golden crowns long before the introduc- 
 tion of Christianity into that island. Some of them have been dug 
 up out of the bogs. 
 
 (79) Now stand thou by the pillar of the king. . . p. 370. 
 
 * Behold the king stood by a pillar, as the manner was.* — 
 2 Kings xi. 14. 
 
 * The king or chieftain, according to the most ancient usages, 
 standing by the pUlar in the midst, and the great officers standing 
 by their respective pillars, in their proper stations around him.' — 
 Muni. Antiq. 
 
 * In the isle of Ila there was fixed a large stone seven feet 
 square, in which there was a cavity, or deep impression, made to 
 receive the feet of Mac Donald, who was crowned king of the 
 isles. Standing on this stone, he swore that he would continue 
 his vassals in the possession of their lands, and do exact justice 
 to all his subjects ; and then his father's sword was put into his 
 hand, and the bishop of Argyle and seven priests anointed him 
 king, in presence of all the heads of the tribes in the isles and con- 
 tinent ; and at the same time an orator rehearsed a catalogue of 
 his ancestors.' — See Martin's Description of the Western Isles. 
 
 Of the original custom of chieftains standing, on certain great 
 occasions, by a pillar, or at or upon a stone, says King, there are 
 also many most ancient proofs on record. 
 
 Such a stone was the ancient one of Scone, on which the kings 
 of Scotland were crowned, brought from Ireland, and on which, 
 to this day, the kings of England sit at their coronation. 
 
 (80) Ye know 'tis death, by our most sacred laws. 
 
 To all who dare within yon bounds to come. . . p. 371. 
 
 These sacred boundaries are still to be seen round the Celtic 
 
NOTES TO THE IMPERIAL PIRATE. 409 
 
 temples. Moses erected similar barriers round Mount Sinai, to 
 keep off the common people. 
 
 (81) Blaspheming wretch ! the gods^ not we, demand 
 
 The victim's life, as their Just right who gave it, . , p. 372. 
 
 * The original principle' (of human sacrifices) * was this, that 
 nothing could be too valuable to be offered to God. The principle 
 was surely good, but, when carried to excess, bad.' — Higgins's 
 Celtic Druids, 
 
 (82) So that sweet modest plant of other climes. , , p. 373. 
 
 * The cactus grandiflorus, or the night-blowing Cereus, which 
 opens its exquisite perfume to the night, but closes before the 
 morning, not to be seen again perhaps for years.' As Ambro- 
 sias is supposed to have been a considerable traveller, I hope this 
 simile will not, by the critical reader, be considered out of cha- 
 racter. 
 
 (83) Constantius' fleet hath in the ocean mist 
 Escaped the British navy. . . p. 383. 
 
 * The Roman fleet escaped the British in a fog, which lay at the 
 Isle of Wight ; and, as soon as the soldiers were landed, Con- 
 stantius set fire to all the ships, that they might confide in nothing 
 but their own valour.' 
 
 The death of Carausius is according to history, which some say 
 took place at York. 
 
 END OF THE IMPERIAL PIRATE 
 
THE DRAGON-KING. 
 
 A TRAGEDY. 
 
 * Belief in every kind of prodigy was so established in those dark ages, 
 that an author would not be faithful to the manners of the times, who 
 should omit all mention of them. He is not bound to believe them him- 
 self, but he must represent his actors as beUeving them.' — Horace 
 Walpgle, 
 
DRAMATIS PERSONiE, 
 
 BRITONS. 
 
 Arthur Pen-dragon, the Pen-teyrn, or Cliief King of Britain. 
 
 MouRic Medrawd. 
 
 Meridoc, Governor of Sorbiodunum. 
 
 Merlin, the British Prophet. 
 
 Clydoc, 1 K,j. jjtg ^f the Round Table. 
 
 RODERIC, J 
 
 Citizen. 
 
 1st Plebeian. 2nd Plebeian. 3rd Plebeian. 
 
 Old Man. Young Man. 
 
 Officer. 
 
 GwENYFAR, Queen to Arthur. 
 
 Imogenia, Sister to the British King 
 
 SAXONS. 
 
 Cerdic, King of West Saxnaland, founder of the English 
 
 Empire. 
 Kenrick, the jEtheling, or Prince, his Son. 
 Oric, King of Kent. 
 CissA, King of the South Saxons. 
 Porta, a Saxon Chief, founder of the Saxon Keep-tower at 
 
 Porchester Castle. 
 
 WiTHGAR, 
 
 Priest. 
 Officer. 
 
 Helga. 
 
 1st Adelruna, 2nd Adelruna. 3rd Adelruna. 4th Adelruna. 
 5th Adelruna. 
 
 British and Saxon Soldiers, Officers, &c. 
 
THE DRAGON-KING, 
 
 ACT I. 
 
 SCENE I. — The Pavilion o/Cerdic w the Saxon Camp, 
 near Sorbiodunum. 
 
 Shouts, cymbals f trumpets, and clashing of spears (1). 
 Enter Cerdic in a Triumphal Car of Shields, hung 
 with Garlands, and borne by Saxon Soldiers (2), fol- 
 lowed by Kenrick, Cissa, Oric, Porta, Chiefs, and 
 Warriors. Cerdic descends from the Car, and the 
 Soldiers resume their shields of which it was formed, 
 
 CERDIC. 
 
 Thanks, gallant followers ! ye have set the crown 
 Of a new kingdom on these war- scathed brows, (3) 
 Which to estabhsh in this sea-locked isle, 
 This ocean-paradise, we, with our host 
 Of battle-loving and illustrious warriors,, 
 Crossed the wild turmoil of the stormy deep. 
 Resolved to find an honourable grave, 
 Or to our sons, throughout all time, transmit 
 A fair inheritance among these Britons. 
 
 ALL. 
 
 Hail, to great Cerdic ! All hail, king o' th' west I 
 
 CERtolC. 
 
 God of Valhalla ! whose immortal blood 
 
416 THE DRAGON-KING. [Act I. 
 
 Flows in these veins, bear witness, I now swear 
 To observe the laws, defend my new- won power 
 On every side extend my kingdom's limits, 
 Revenge my people's injuries on their foes, 
 Long as this arm my war-old brand can wield ; 
 And in this isle some gloried deed achieve, 
 Which shall transmit mine and my people's name 
 To all succeeding ages with renown. (4) 
 
 KENRICK. 
 
 Let me be one among the first to hail 
 My father sovereign of West Saxnaland ! 
 Thou hast already, potent chief, performed 
 -An act which will transmit thy honoured name, 
 In Saxon legends, to the end of time. 
 Thy new-won victories o'er the numerous host 
 By Nazanleod led from many realms (5) 
 In this fair isle, has on a lasting throne 
 Established thee, and made thy fame immortal 
 As our great father-gods ! (6) 
 
 CERDIC. 
 
 Yes, he is fallen, 
 With all his ranks, and all his men of might, 
 Whom I devoted to the god of war, (7) 
 The splendid city of Belgarium 's mine, 
 With all its temples, palaces, and towers. 
 And Saxon gods are in its stately fanes — 
 Where late the Christians worshipped — ^now adored ; (8) 
 Henceforth that noble city shall be called 
 Win-ceaster, and be made the regal seat 
 Of our increasing empire. 
 
 KENRICK. 
 
 Thou hast planted 
 A scion of the immortal tree of Odin, 
 
Scene I.] THE DRAGON-KING. 417 
 
 Which there is firmly rooted, and shall flourish. 
 Watered with streams of British blood, till all 
 Its glorious branches o'er the isle extend, 
 And every clan and tribe, united, claim 
 Its shadow and its shelter ! — I am one 
 Who minister before great Odin's shrine, (9) 
 And gods and spirits, whom I oft consult. 
 By our famed father's runes and magic spells, (10) 
 Have, in mysterious songs, amid the temple. 
 Chanted dominion, power, and boundless glory 
 To Cerdic and his line, whose ancient house (11) 
 Has for its founder our chief god himself. (12) 
 
 PORTA. 
 
 I heed no omens, nor have faith in spells. 
 
 My sword and battle-axe are all the gods 
 
 To whom I homage yield — they, and the strength (13) 
 
 Of this unshrinking arm, have won me rule 
 
 On yonder southern coast. — May I my shield 
 
 In battle lose, if I do not defy 
 
 These gods and goddesses ! — I ask nor fear 
 
 Aught from their power, nor do I heed the creeds 
 
 Of Christian or of Pagan. (14) 
 
 CERDIC. 
 
 Thou art brave. 
 And in the war-van thy bright anlace is 
 Foremost to strike the foe ; but, by the white 
 And holy steed of prophecy, I swear 
 It is not good thus to despise the gods : (15) 
 I would not hear our deities insulted. 
 
 PORTA. 
 
 Let those believe who may your fancied gods, 
 I, lord of shields, only believe in him 
 
 2 E 
 
418 THE DRAGON-KING. [Act I. 
 
 Who made yon sun, the fulgent torch of heaven. 
 Our mother earth, and all that I behold. (16) 
 
 ORIC. 
 
 Kenrick, the princely priest, hath prophesied 
 
 His sons shall be the greatest in this isle, 
 
 The proud Bretwaldas of the Saxon realms ; (17) 
 
 But never will the line of Hengist, who 
 
 First planted on these shores the white-horse banner, 
 
 Be vassal kings to any lord that reigns. 
 
 KENRICK. 
 
 If, king of Kent, the gods have so decreed, 
 In vain will be an arm of flesh upraised. 
 To oppose the destiny of unborn years. 
 
 PORTA. 
 
 King Cerdic and Etheling well may urge 
 Devoted reverence to the gods, since they, 
 A sacred race, are their immediate sons ; 
 What should prevent themselves from being gods ? 
 And if they are, let them be worshipped too 
 With incense, sacrifice, and holy song. 
 
 CISSA. 
 
 Much I revere the gods, but still I worship' 
 
 The goddesses with deeper heart-devotion — 
 
 I mean the goddesses of this green isle. — 
 
 Brighter than she who in her fairy bowers 
 
 Weeps golden tears, and reigns the queen of love, (18) 
 
 Are British maids. Nine to the bridal couch 
 
 Have I already led, with star-like eyes 
 
 And ruby lips, sweet as the blood-red wine. 
 
 But which shall have the honour, when my corse 
 
 X-ies, in its glory, on the funeral pyre. 
 
 To blend with mine her ashes in the flames, 
 
 And at the war-feast on my spirit wait, 
 
Scene I.] THE DRAGON-KING. 419 
 
 In Odin's halls of splendour may I die, 
 Mud-suffocatedj a base coward's death, 
 If I can tell, — so much I love them all. (19) 
 
 CERDIC. 
 
 Hast thou not led them to bow down the knee 
 Before great Odin's image ? 
 
 CISSA. 
 
 No, not one, 
 By my good sword and shield. 
 
 CERDIC. 
 
 By the white horse, 
 I would not have a son of mine espouse 
 A Christian maid, though on her head were placed 
 The crown of all the Christian realms on earth ! 
 
 KENRICK. 
 
 Ah, Imogenia ! what will be thy fate 
 
 If thou consent not to renounce thy creed ! — (Aside.) 
 
 PORTA. 
 
 Not if she were descended from their gods ? 
 Why what a splendid union that would be ! 
 And then their heirs of half the world might win 
 The sceptre and the worship ; — then thy line 
 Might be the gods of earth, if not of heaven. 
 
 CERDIC. 
 
 My gallant chiefs, let no dissensions rise 
 To mar our triumph, and the progress check 
 
 Of victory's proud career.' The raven and wolf 
 
 Are feeding on the flesh of Nazanleod, 
 
 And all his helmed nobles ; but there lives 
 
 A greater prince than he — the Dragon-king, (20) 
 
 Arthur, renowned in battle, and the songs 
 
 Of all the British bards. — That mighty chief, 
 
 Who o'er the princes of this sea-girt isle 
 
 2 E 3 
 
420 THE DRAGON-KING. [Act I. 
 
 Dominion holds, is gathering far and near 
 
 A numerous host! stern-minded sons of batt.e, 
 
 Who well have learnt to handle sword and spear 
 
 KENRICK. 
 
 Let them advance, like the deep snows that rush 
 Down from the northern sun-smote mountain-steeps, 
 We earlessly will meet them, where grim Slaughter 
 His thunder and his arrowy tempest pours. 
 And lay them silent as those mountain snows 
 Sleep on the ruined valley ! 
 
 CERDIC. 
 
 Brave my son, 
 Well hast thou spoken. — But this British king 
 Hastens, I've learnt, to meet us, ere we take 
 His strong and lofty hold of Sorbiodunum ; 
 Where tower on tower, and wall on wall uplift 
 Their battlements to heaven. — I counsel then 
 That we haste onward, and those walls begird 
 With bristled spear and lance ; that when he comes 
 He may behold — if the proud city yield 
 Not to our summons^ nor unfold her gates — 
 Their tumbling fragments, blackened by the flames. 
 And in his halls, that shine with Roman pomp, 
 Meet the stern wolf and bear, with bloody jaws. 
 Feasting upon the dead. 
 
 Enter Withgar. 
 
 WITIIGAR. 
 
 Breaker of shields. 
 Giver of bracelets to the valiant, we 
 A village, forest-bosomed, have discovered 
 In yonder vale, through which our host must pass 
 
Scene I,] THE DRAGON-KING. 421 
 
 To reach the lofty city of the west ; 
 
 'Tis filled with British vassals, who dispute 
 
 Our progress with their swords. 
 
 CERDIC. 
 
 Son of the battle, 
 Some chosen troops lead to dislodge the foe, 
 But grant their lives if they as captives yield. 
 
 lExit Withgar. 
 
 CISSA. 
 
 I will go mingle with the fight, my lord. 
 
 ORIC. 
 
 And so will I. 
 
 PORTA. 
 
 Nor can I stay behind, 
 Though 'tis a fray unworthy of my sword. 
 
 [Exeunt Cissa, Oric, and Porta. 
 
 KENRICK« 
 
 I too would gaze upon this scene of strife. 
 And be a witness of thy soldiers* valour. 
 
 CERDIC. 
 
 Stay, Kenrick, I must talk with thee alone. 
 Enter Officer^ 
 
 OFFICER. 
 
 Great king of earls, the Britons do refuse 
 To yield themselves, or let thy army pass, 
 While one remains alive. 
 
 CERDIC. 
 
 Go, bid yon bowmen 
 Discharge a shower of arrows winged with fire (21) 
 Against the village ; — we'll burn out these wasps 
 From their wood-sheltered nest, [Exit Officer. 
 
422 THE DRAGON-KING.' [Act I. 
 
 My son, there hangs 
 A cloud upon thy brow, which not the joy 
 Of conquest^ and of rising empires won 
 In this delightful isle, I see, can banish. 
 Of late I've marked thee — marked thy pensive mien, 
 Thy lonely wanderings in the groves, as if 
 The singing bowers of birds and haunt of streams 
 Were far more pleasing than the soldier's camp — 
 As if the love-sick turtle's murmuring voice 
 And sorrow- warbled notes of nightingales, 
 Soothing the moonlit dreaminess of eve, 
 Were sweeter music to thine ear become, 
 Than the soul-stirring swell of stormy trump 
 And cymbal-clamour, calling men to battle. 
 
 KENRICK. 
 
 Nay, most redoubted sire 
 
 CERDIC. 
 
 Nay, gentle son, 
 Thou seem'^st to copy these voluptuous Britons, 
 These Romanized and wanton islanders, 
 Who, sunk in luxuries and idle pomp. 
 Became rank cowards, and imploringly 
 Protection of the hardy Saxon sought, 
 For home and life, against fierce robber hordes. 
 Remember in the veins of British slaves 
 Flow their proud masters' blood, the blood of Romans ! 
 Who Odin drove, the father of our race. 
 From his dominions in the eastern climes. (22) 
 
 KENRICK. 
 
 So have I heard, my lord. 
 
 CERDIC. 
 
 Hear it again, 
 And hearing it, remember too, my son, 
 
Scene I.] THE DRAGON-KING. 
 
 Offspring of gods, he kindled in the hearts 
 
 Of all the free-born nations of the north 
 
 A never-dying fire of fierce revenge ! 
 
 And onward still she poured her armies forth, 
 
 Legion on legion, till through Rome's proud streets 
 
 They, like red lava-torrents, swept away 
 
 Her sons and palaces in one vast ruin ! 
 
 And she who sat on her imperial throne, 
 
 The splendid queen of nations, wept in blood 
 
 Her former mighty triumphs, as she sank, 
 
 Shrieking, amid destruction's crimson flames ! 
 
 KENRICK. 
 
 What would your words imply ? 
 
 CERDIC. 
 
 That thou, the son 
 Of Odin, ne''er must wed with one whose veins 
 Are tainted with the hateful blood of Romans ! 
 
 KENRICK. 
 
 Alas ! my father 
 
 CERDIC, 
 
 Ah, I know thy heart. 
 And its base fondness for a captive maid, 
 This British Arthur's sister, whom thou took'st 
 A veiled vestal from some neighbouring abbey ! — 
 Thou must not wed her, for she is a Christian, 
 And Roman blood contaminates her line. 
 
 KENRICK. 
 
 Shield of the Saxons, stir not up thy wrath 
 When I for that fair Christian maid declare 
 A love beyond all bounds I — Well do I know 
 'Tis a disgrace to one of Odin's line ; 
 And I have striven, since first the hour these eyes 
 Gazed on her matchless beauty, to despise her. 
 
 423 
 
424 THE DRAGON-KING. [Act I. 
 
 CERDIC. 
 
 Weak-hearted youth ! pursue that noble course, 
 And thou wilt be the conqueror of thyself, 
 A greater glory than to win a kingdom ! 
 
 KENRICK. 
 
 Hear me, my honoured father ! — Well you know 
 
 Since you my snow-white shield of expectation (23) 
 
 Placed in my hands^ and girded on my thigh 
 
 The envied sword of knighthood, never has (24) 
 
 The fiercest tide of battle made me turn 
 
 My back upon the foe, or lose my shield, 
 
 On which thou hast permitted me to bear 
 
 The impress of the eagle ! — War, my lord, (25) 
 
 And my high ministry at Odin's shrine 
 
 Have still engrossed my heart ; but now I own 
 
 CERDIC. 
 
 'Tis weakness — 'tis the indulgence of a passion 
 Which thou shouldst scorn — which on thy shield's re- 
 fulgence 
 Casts a dark stain ! — Bear thou in mind the eagle 
 Emblazoned on its field, and soar above 
 Passion's dim cloud and tempest, like that bird 
 Of kingly power, into the sunny blaze 
 Of fame, imperishable as the stars, 
 That through eternity's unfathomed depths . 
 In midnight splendours flash ! 
 
 KENRICK. 
 
 Ah, my torn heart — 
 Yes, I with clang of trump and cymbalon. 
 And the loud burly of tumultuous war, 
 The touching voice of gentle love will drown ! — 
 Yet in the roar of battle still will shine 
 
Scene I.] THE DRAGON-KING. 425 
 
 Her beauty on my soul, like mid-day suns 
 Bursting in glory through the thunder storm ! 
 
 CERDIC. 
 
 Hence with such folly ! — 111 doth it become 
 The son and priest of Odin ! — What is love 
 Or beauty, when compared with honour, fame, 
 And martial glory ? — 
 
 KENRICK. 
 
 Nothing, nothing, nothing ! 
 I yield her up — I banish from my heart 
 Her peerless image, formed to be adored 
 And worshipped as a goddess ! 
 
 CERDIC, 
 
 Ah, I see 
 Thou canst not of her speak but in such terms 
 As do betray the infirmness of thy heart. 
 
 KENRICK. 
 
 Nay, good my lord, though I cannot forget 
 
 That the bright sun-smiles of her loveliness 
 
 Have on the dim and thorny path of life 
 
 A transient glory shed, yet shall they not 
 
 Seduce me from my duty, or the road 
 
 To fame and greatness ; her transcendent charms 
 
 Will be to me through all hereafter time 
 
 But a bright vision of departed bhss : 
 
 I am like one who dreams of fairy-land, 
 
 Its rosy bowers thronged with the beautiful 
 
 Of shape and feature, in their dazzling pomp, 
 
 And to the dull realities of life 
 
 Wakes with regretful memory. 
 
 CERDIC. 
 
 Then will soon 
 Her form from thy remembrance fade away. 
 
426 THE DRAGON-KING. [Act I. 
 
 Like the pale star that lingers last in heaven. 
 When from the ruby -portals of the east 
 Looks laughing forth the golden- vested morn. 
 
 KENRICK. 
 
 Never, till on the light of memory and of life 
 
 Death flings the eternal shadows of the tomb ! — {Aside.) 
 
 CERDIC. 
 
 To end at once thy weakness, mark me, son ! 
 I have devoted her to Odin's shrine, 
 A noble sacrifice, if I subdue (26) 
 
 The lofty tower-crowned city of the west - 
 
 Ha! that pale brow of death ! — Why stand'st thou thus, 
 
 Withered with horror, like a flame-scorched victim ? 
 
 Is this thy conquest o'er that passion-spell 
 
 Which chains thy soaring spirit down to earth ? 
 
 Well did I deem no other way was there 
 
 To break the potent charm — and, ere the trump 
 
 Its battle-song awoke, I gave command 
 
 Such honours as become a victim deemed 
 
 Most worthy war's dread god, should in our halls 
 
 Wait on the worshipped maid. (27) 
 
 KENRICK. 
 
 A victim ! doomed 
 To bleed at Odin's shrine ! — O horrible ! — 
 It shall not be ! — Hear me, my father, hear 
 Thy wretched son implore, on bended knee 
 
 CERDIC. 
 
 I will not hear ! — Thy knee in such a cause 
 Yields but disgraceful homage — rise, ere I, 
 Wild in my wrath, the curses of the gods 
 On thee call down ! — Plead not in her behalf^ 
 Or I shall count thee as no son of mine. 
 But a base niggard slave ! (28) 
 
Scene I.] THE DRAGON-KING. 427 
 
 KENRICK. 
 
 Ha ! niggard slave ! — 
 Ye gods ! must I endure such foul reproach ? — 
 O, wert thou not ray sire 
 
 CERDIC. 
 
 Nay, fret and chafe, 
 And knit thy stormy brows — shall I be moved 
 At thy weak indignation ? 
 
 KENRICK. 
 
 Down, proud heart ! — 
 I must this fierce resentment curb, or lose 
 All hope of joy on earth (Aside.) — ^Yet hear me, sire ! 
 I vow in solemn awe by my broad shield, 
 By Odin's throne ! if thou this captive princess, 
 Without whom 'tis impossible, I feel, 
 And feeling dare to own, that I can live ; — 
 If thou wilt but relent, and give this, maid 
 To me in marriage, I will take yon city. 
 And be the first from her strong towers to fling 
 The white steed's banner-folds, or in her breaches, 
 Mid blood-drenched piles of slaughtered Britons, fall — < 
 Whom I devote to Odin, a redemption 
 For Imogenia''s life ! (29) 
 
 CERDIC. 
 
 What, shall a son 
 Of Cerdic wed a Christian ? — Never, never ! 
 
 KENRICK. 
 
 She will abjure her faith in Christian creeds. 
 
 CERDIC. 
 
 If not, she dies, by all my hopes of conquest ! — 
 Though that same hour — all ill betide her beauty ! — 
 In which she falls thou too shouldst perish with her ! 
 
428 THE DRAGON-KING. [Act I. 
 
 Enter Officer, 
 
 OFFICER. 
 
 Lord of the Saxons, flames have circled all 
 Yon village, and the forest is on fire, 
 But not a Briton from the conflagration 
 Rushes to save his life. 
 
 CERDIC. 
 
 Are they so brave. 
 To fall with their loved homes rather than yield ? 
 Lead me to witness such heroic firmness. 
 Ere I believe it true. [Exeunt Cerdic and Officer, 
 
 KENRICK. 
 
 Vain are resolves ! — 
 I thought I could resign her, till I found 
 That she, the loveliest of her sex, was doomed 
 An offering to the gods. — She shall not die. 
 If the most ardent, most devoted love 
 Can win and save her ! — Die ! — O, what to me 
 Would be the wealth of empires, or renown, 
 Though, like a constant star, through the long course 
 Of distant years my name should brightly sl^ine, 
 Without my Imogenia ! — O, true love 
 Can ne'er be quenched — deeply 1 feel it cannot I — 
 ^Tis like the unchanging and eternal sun 
 That sheds on all things a voluptuous glory ; 
 Tempests and clouds may oft its splendours hide, 
 Yet still it shines in its own radiant sphere. 
 And daylight flings o'er earth through all her storms. 
 
 [Exit. 
 
Scene II.] THE DRAGON-KING. 
 
 429 
 
 SCENE II. — A Wooded Country, At a distance, a 
 Village in Flames, which extend to the surrounding 
 Forest. 
 
 Enter Cissa, Oric, Porta, and Cerdic, Chiefs and 
 Soldiers. 
 
 CERDIC. 
 
 And has there not a Briton yet been seen 
 To issue from the flames ? 
 
 ORIC, 
 
 Not one, my lord. 
 They fought, like men, with arrow, sword, and lance. 
 Against overwhelming force, till the red fires 
 Fastened, like hungry lions, on their huts ; 
 Fainter and fainter then grew their hoarse shouts, 
 Till fell, amid the flames, the last brave man. 
 And perished with the home that gave him birth ! 
 
 PORTA. 
 
 A noble sacrifice to Cerdic's gods ! 
 Since they, as he believes, are pleased to view 
 The mangled carcasses of human beings. 
 And, like a herd of famished wolves, delight 
 To snuff^ the savoury fumes of burning blood. 
 
 CERDIC. 
 
 Porta, thou dost blaspheme the gods I serve, 
 And, scorning holy mysteries, art become 
 The very child of folly. By my shield, 
 This is a great example to us all ! 
 Such manliness doth merit a renown 
 Immortal ! Britons, this one noble act 
 Redeems your island from its old reproach 
 
430 THE DRAGON-KING. [Act I. 
 
 Of cowardice and slavery to the Picts. 
 It sets you far above the Roman name, 
 And all the patriot deeds of ancient glory ! 
 Britons, I must acknowledge ye are men, 
 
 Worthy to cope with Saxons ! On, my friends ; 
 
 Prepare our march for Sorbiodunum's towers. \_Exeunt. 
 
 SCENE III. — A Roman Hall in the Palace of Sorbio- 
 dunum. 
 
 Enter Mouric, Medrawd, and Melva. 
 
 MOURIC. 
 
 Melva, are those fleet steeds prepared without 
 The city gates, which are to bear us hence 
 From this devoted palace with the queen ? 
 
 MELVA. 
 
 They stand, my prince, concealed amid the shades 
 Of a thick grove, in yonder western vale. 
 
 MOURIC. 
 
 'Tis well ! We must be speedy, for the king, 
 
 Arthur Pen- dragon, is advancing on us, 
 
 With a strong host of hardy warriors, gathered 
 
 From Gwynedd and Dehewbarth's mountain-lands, (30) 
 
 From Pen-cair to Penringhaued's blood-stained cape. (31) 
 
 But he, I deem, will be too late to save 
 
 This city from the Saxons, or his queen 
 
 From my enamoured arms. Melva, she comes ; — 
 
 Retire, and wait without the palace gates. [Exit Melva. 
 
 Enter Gwenyfar. 
 
 All things are ready for our instant flight. 
 
Scene III.] THE DRAGON-KING. 431 
 
 GWENYFAR. 
 
 Ah, Mouric, gentle youth, too fondly loved, 
 
 The eventful hour is come, and now I shrink 
 
 With wild alarm and terror from the verge 
 
 Of this dread precipice which yawns before us ! 
 
 I must not leap the frightful gulf of shame. 
 
 And be an outcast, an abandoned wretch, 
 
 The scorn of earth and heaven ! Oh, leave me, leave me, 
 
 While yet one ray of virtue dawns to light 
 
 My wandering steps to honour and to peace. 
 
 MOURIC. 
 
 Leave thee ? No, never ! Is thy love to me 
 Grown on the sudden cold? — Ah, Gwenyfar, 
 I thought thy passion ardent as my own, 
 And that its all-controlling power had silenced 
 This cold reluctance, as the ocean's voice 
 The sea-boy's death-cry drowns. 
 
 GWENYFAR. 
 
 Ah, 'tis, I fear, 
 Virtue'*s faint death -cry, her last feeble struggle. 
 Amid this passion's wild, unruly storm ! 
 If thou art noble, save me from myself, 
 Nor, like the fierce, remorseless surges, sink 
 My shipwrecked fame and honour. Though I cannot 
 Cease to regard thee with the fondest love. 
 Too amiable, enchanting, gallant youth, (32) 
 Yet let me bury in my heart this flame. 
 Like a sepulchral light hid from the world. 
 Till death shall quench the fire, nor to mankind 
 Proclaim my guilty shame. 
 
 MOURIC. 
 
 What is the world. 
 Its censure, or its scorn, to those who love 
 
432 THE DRAGON.KING. [Act I. 
 
 As we do ? In each other's fond embrace 
 
 Centres our world, with all its bliss and glory. 
 
 The warrior's fame, the monarch's power and state, 
 
 When placed in competition with thy smiles, 
 
 To me are despicable as the flame 
 
 Of the red-burning oak, when with the sun 
 
 In all its earth-enhghtening pomp compared ! 
 
 GWENYFAR. 
 
 And shall I leave my husband ? that brave prince, 
 The pillar of the Cymry, on which leans, 
 Its sole support, the empire of the Britons ! 
 When harassed, too, by host of savage foes. 
 Which ocean's tide casts on our frighted shores, 
 Increasing, like his billows with the storm, 
 And threatening to destroy us ! 
 
 MOURIC. 
 
 Has not he 
 Left thee, my Gwenyfar, for distant wars. 
 Against his kinsmen waged, for lust of fame 
 And idle glory, which he fain would win, 
 Though the red sword dispeopled half his realms ? 
 Left thee exposed to the fierce Saxon's wrath, 
 Which knows not any mercy ? — Who, now flushed 
 With their late victory o'er the bravest men 
 Britain e'er looked on in her bannered fields. 
 Are hastening to besiege these Roman towers, (33) 
 And this fair city, queen of all the west. 
 Smite with the sword, till none remain to wail 
 O'er the dark fragments of her smoking walls ! 
 
 GWENYFAR. 
 
 Alas, bright city ! I for thee must weep. 
 
 Shall this proud palace be a heap of dust. 
 
 And the fierce sword rush through her gates in blood ? 
 
Scene III.] THE DRAGON-KING. 433 
 
 MOURIC. 
 
 Men's hearts within the city faint with terror, 
 
 And the wild cry of fear and prayer ascends 
 
 From every hopeless dwelling. And wouldst thou 
 
 Here tarry, Gwenyfar, to be a slave 
 
 To these detested pagans, to endure 
 
 Their brutal scoffs and insults, to be made 
 
 The instrument of their lascivious pleasures, 
 
 And, led a sacrifice to Cerdic's gods, 
 
 Yield thy fair bosom to the murderous knife ? 
 
 GWENYFAR. 
 
 Oh, horrible ! — where shall I fly for peace ? 
 
 MOURIC. 
 
 To these extended arms, my queen, my love ! 
 Far to the west, on Fowey's verdant banks, 
 The ancient castle of Restormal stands, 
 The reffal dwellinc^ of Cornabian chiefs. 
 Thither I'll bear thee, where nor cymbal clang, 
 Nor death- wail of the trumpet shall be heard ; 
 Where the wild Saxons' war-shout ne'er hath woke 
 The slumbering echoes of those mountain woods. 
 That have for ages flourished round its towers. 
 I'll cast my useless sword away, nor think 
 Of aught but love, as we together roam 
 Along the embowered banks of Fowey's flood ; 
 And thou shalt weave fresh garlands for these brows, 
 While I will touch old Urien's bardic harp, 
 That hangs neglected in the trophied hall. 
 To the wild songs and tales of other years, 
 
 GWENYFAR. 
 
 I fear no olden tale will be so sad 
 
 As ours, if I consent with thee to fly. 
 
 % F 
 
434 THE DRAGON-KING. [Act I. 
 
 MOURIC. 
 
 Banish such weakness ! — Thou shalt have gay sports, 
 
 And merry pastimes, such as still are held, 
 
 When comes Midsummer's eve^ in every hamlet. (34) 
 
 The groves of Fowey oft shall be illumed 
 
 With blazing fires, and harp and bagpipe ring (35) 
 
 From bower to bower, while youths and maidens dance, 
 
 And in the flames their rainbow garlands fling 
 
 Of magic herbs and flowers, and wild lays chant 
 
 Of ancient bards ; — and other, nobler games. 
 
 Of manly exercise, and chariot races, 
 
 With all the mimic pomp of tournay-feats 
 
 By mail-accoutred knights, on gallant steeds, 
 
 Shall be performed to please thee. (36) 
 
 GWENYFAR. 
 
 Ah, my lord,- 
 
 MOURIC. 
 
 Yet hear me ! — Thou shalt to the victors give 
 
 The prize of glory, as they kneel before thee 
 
 And worship thy sweet beauty. Then, when shines 
 
 The sunny morn, we '11 to the greenwood shades. 
 
 Making them ring with hunter's horn and, shout : 
 
 There thou with merlin and with snow-white hound, 
 
 To rouse the feathered game, shalt gaily roam ; 
 
 And my strong falcon of the rock shall bring 
 
 The swan and crane down from their lofty flight. (37) 
 
 O, thou wilt be so happy ! 
 
 GWENYFAR. 
 
 Ah, sweet prince, 
 Can joy or peace dwell in that heart from whence 
 Virtue is banished, to return no more ? 
 
 MOURIC. 
 
 Nay, talk not thus : 'tis virtue to be wise, 
 
Scene III.J THE DRAGON-KING. 435 
 
 And shun those horrors doomed on thee to fall 
 If thou dost tarry here. 
 
 Enter Melva, 
 
 MELVA. 
 
 My lord ! my lord ! 
 The dreadful Saxon army is in sight I 
 The distant hills are flashing with its ranks. 
 Speed from the city, or 'twill be too late 1 
 
 MOURIC. 
 
 Haste, haste, my Gwenyfar, and let us fly, 
 Ere the affrighted citizens their gates 
 
 Fling open to the foe ! Lose not a moment ! 
 
 Captivity and death await thee here ; 
 
 But love and peace are in Cornabia's groves. 
 
 Sighing to dress thy blissful bower in roses. 
 
 GWENYFAR. 
 
 Alas ! I, like the ancient victim, stand 
 Between two dreadful fires ! — If here I stay, (38) 
 Saxons and death fall on me ! — if with thee 
 I fly, eternal shame must be my doom ! 
 Ah, that imploring look, too lovely prince. 
 Subdues faint virtue's last remaining power ! 
 Arthur, farewell ! — Mouric, for thee will I 
 Abandon all that woman should hold dear. 
 More dear than life ! — and, be my portion bliss 
 Or misery, I'll share thine instant flight ! 
 
 END OF THE FIRST ACT. 
 
 2 F ^ 
 
ACT II. 
 
 SCENE I. — A Street in Sorhioclunum, crowded with 
 people y vjJio appear in great terror. 
 
 Enter a Citizen, 
 
 FIRST PLEBEIAN. 
 
 And hast thou seen the Saxon army, friend ? 
 
 CITIZEN. 
 
 Alas ! I have, in all its proud array, 
 And Cerdic, their fierce war-king, at the gates 
 That front the rising sun, demands admittance. 
 PLEBEIANS (^crowding round the Citizen, and exclaiming 
 together) 
 What are his terms ? — Will he preserve our lives ? 
 Save us from plunder ? — Will he spare the city ? — 
 Say what are his demands — speak, tell us quickly ! 
 
 CITIZEN. 
 
 Instant surrender to his victor troops ! 
 
 Which if complied with, all shall have their lives, 
 
 And leave to quit the city, or remain 
 
 Subjects to Saxon rule ; — if we refuse. 
 
 He swears by all his gods to storm our walls, 
 
 Give every soul to the keen falchion's edge. 
 
 And make the city one vast heap of ruins ! 
 
 OLD MAN. 
 
 Ah, wcUaday I what shall we do, my friends ? 
 
 YOUNG MAN, 
 
 Bravely resist, long as a stone or dart 
 
Scene I.] THE DRAGON-KINa 437 
 
 Remains to hurl against this pagan foe 
 Within the city ramparts ! 
 
 CITIZEN. 
 
 'Tis in vain ! — 
 Few are the troops that guard these ill-manned walls. 
 We cannot long resist ; and if we could, 
 The horrors on us all must quiclcly come 
 Of burning thirst and famine ! 
 
 FIEST PLEBEIAN. 
 
 Ay, thirst and famine ! 
 
 SECOND PLEBEIAN. 
 
 True, we have no supply of fount or stream, 
 
 THIRD PLEBEIAN. 
 
 No^ nor of food to stand a six days* siege. 
 
 FIRST PLEBEIAN. 
 
 Where is King Arthur ? — He regards us not, 
 Nor hastens to our rescue — he has left 
 The city to the mercy of the foe ! 
 
 SECOND PLEBEIAN. 
 
 Who knows not what it means, if once resisted. 
 
 THIRD PLEBEIAN. 
 
 Here comes the governor, let's hear him speak. 
 
 CITIZEN. 
 
 O, he would have us fight until the foe, 
 Maddened with rage, enters to sack the city, 
 And all our shrieking wives and children yield 
 Their throats to these barbarians' bloody knives ! 
 
 FIRST PLEBEIAN. 
 
 Heed not his words — 'twere better to be slaves. 
 Than all to perish by the Saxon sword ! 
 
 Enter Meridoc and Chiefs, 
 
 MERIDOC. 
 
 What mean these downcast looks, this idle loitering, 
 
438 THE DRAGON-KING. [Act II. 
 
 When ye should snatch your weapons and appear, 
 Like vaUant men, upon the city ramparts, 
 Shouting defiance to the pagan hordes ? — 
 Hence to the walls, ye lily-livered crew ! 
 And colour o'er your cheeks with Saxon blood, 
 To hide the paleness fear hath painted there i 
 
 CITIZEN. 
 
 It is in vain to brave it, governor. 
 We cannot hold the city out six days, 
 Nor have we men to guard the naked walls. 
 
 MERIDOC. 
 
 Who told thee so, thou craven-hearted fool ? — 
 
 Not men to guard the walls ! — by the bread of heaven ! 
 
 But we have men, and valiant men^ enow 
 
 To keep the city forty times six days ! 
 
 And I will keep it too^ so long as I 
 
 Can keep my dauntless spirit in this body ! 
 
 CITIZEN. 
 
 We will not heed thy boastings, governor. 
 Where is the king ? — Unmindful of his duty, 
 He leaves the ill-guarded city to its fate. 
 What men of might or leaders have we here^ 
 Who with this Cerdic and his chiefs dare cope ? 
 
 MERIDOC. 
 
 What though, with all his sword-girt paladins, (39) 
 
 Arthur, the far-renowned, be absent still. 
 
 Yet have we not the gallant noble Mouric, 
 
 A tower of strength, whose deeds of martial fame 
 
 Are the proud theme of bards ? — Go, call the prince. 
 
 \Exit Officer, 
 And, though I would not boast, I swear to fight. 
 To save us all, my countrymen and friends. 
 Us and our children's children from vile bondage 
 
Scene I.] THE DRAGON-KING. 430 
 
 To these detested Saxons, till their swords 
 Hack limbless this old trunk ! 
 
 THIRD PLEBEIAN. 
 
 The governor 
 Is a most valiant soldier, and the prince 
 A well-tried man in arms. 
 
 CITIZEN. 
 
 Soon will the cry 
 Of raging thirst and famine through our streets 
 Be heard by night and day. The summer sun 
 Hath dried our cisterns up, nor have these rulers, 
 Relying on the host of Nazonleod, (40) 
 Wisely provided, by supplies of corn, 
 The city for a siege. 
 
 FIRST PLEBEIAN. 
 
 No, we are made 
 The tools and slaves of those who are our lords ; 
 And now, to keep their power, they would compel us 
 To endure the miseries of a lengthened siege. 
 
 CITIZEN. 
 
 Yes, and then fall — as fall the city must 
 Ere many days — all victims to the swords 
 Of these wild conquerors, who, if now admitted. 
 Would treat us as their friends. 
 
 SECOND PLEBEIAN. 
 
 'Tis but a change, 
 At worst, of masters ; and what is't to us. 
 Who nothing have to lose but our poor lives. 
 Whether a Briton or a Saxon chief 
 Rule us with iron bondage ? 
 
 MERIDOC. 
 
 Can it be. 
 Ye spiritless and ignominious herd, 
 
440 THE DRAGON-KING. [Act II. 
 
 That ye would thus give up your noble rights 
 
 Of manly freedom, and not strike one blow 
 
 For Britain and your homes ? — Fear ye to fast. 
 
 Yet fear not bondage — galling, endless bondage ? — 
 
 O, I would drag this famine-wasted form 
 
 Along the rampart rounds, till I expired 
 
 With thirst and hunger, grasping freedom's sword, 
 
 Rather than banquet on the richest viands 
 
 In halls of splendour, where grim Tyranny 
 
 My vanquished country in his slave-chains held ! 
 
 Enter Officer, 
 
 OFFICER. 
 
 Prince Mouric from the palace, good my chief, 
 Widi Gwenyfar the queen, hath fled, and left 
 The city to its fate ! 
 
 MERIDOG. 
 
 Fled widi the queen ! — 
 Christ for thy mercy ! — then all hope is lost ! 
 Shame and destruction seize the fugitives ! 
 
 FIRST PLEBEIAN. 
 
 Now, friends, to parley with the Saxon king. 
 
 SECOND PLEBEIAN. 
 
 On to the gates — accept his offered terms : 
 Submit in time, and let the conqueror in. 
 
 MERIDOC. 
 
 Yet for a moment pause 
 
 FIRST PLEBEIAN. 
 
 No — hear him not ! 
 Down with the chiefs ! down with the governor ! — 
 They would destroy us all ! . 
 
Sceno I.] THE DRAGON-KING. 441 
 
 THIRD PLEBEIAN. 
 
 Away with him I— 
 Fling wide the city gates ! 
 
 SECOND PLEBEIAN. 
 
 Ay, meet the Saxons 
 With songs of welcome ! — Let them tread on garlands, 
 As through our streets the potent conquerors pass ! 
 
 {Trumpets at a distance.^ 
 
 FIRST PLEBEIAN. 
 
 On, on to meet them — hark ! the trumpet sounds 
 Their final summons to surrender ! 
 
 ALL. 
 
 On! 
 Hail them with shouts ! — Hail to the noble Saxons! 
 
 Enter Arthur Pendragon, in the disguise of a monhy 
 with hood, Sec 
 
 ARTHUR. 
 
 Hold ! ye deluded Sorbiodunians^ hold ! — 
 
 Fools ! madmen ! cowards 1 stand ! or my good sword 
 
 Shall cleave the foremost of you, who dare move 
 
 One step towards yonder gates ! — The fiendish howl 
 
 Of death and slaughter rises on the winds ; 
 
 And would you, trembling lambs, those wolves of blood 
 
 Admit within your rampart-guarded fold ? 
 
 The surges of destruction round you roar 5 
 
 Yet, like a strong bark on the ocean swell^ 
 
 If nobly brave and faithful to yourselves. 
 
 Ye shall outlive the horrors of the storm, 
 
 And lift your banners to the sunny gleams 
 
 Of victory and deliverance ! — Whence hath come 
 
 This coward fear on Britain's war-famed sons^ 
 
442 THE DRAGON-KING. [Act II. 
 
 Shaking them, as in wrath the mighty wind 
 Bends the weak river reeds, when they should tower 
 In manly courage, like their giant oaks 
 Wrestling with the dark tempest ! 
 
 FIRST PLEBEIAN. 
 
 Who art thou, 
 That speak'st with such authority to us ? — 
 A monk turned warrior ? — Get thee to thy cell ! 
 A rood becomes thee better than a sword ! 
 
 ARTHUR. 
 
 Silence, thou valiant only in disgrace ! 
 
 Is there no spirit of our ancient blood 
 
 Left in your bosoms^ that ye thus would yield 
 
 Your just inheritance to roving pirates — 
 
 Our lovely queen of isles, our paradise, 
 
 With her rich valleys blushing to the sun 
 
 In all their bloomy dyes ; her mountains, crowned 
 
 With stately forests, where the proud stag dwells ; 
 
 Her corn-fields rustling to the summer winds. 
 
 Like golden seas ere setting suns depart ; 
 
 And her fair cities, with their castled hills. 
 
 Towering in Roman strength and Roman grandeur, 
 
 All nations look on with desiring eyes ; — 
 
 And would ye yield one rood of this bright land, 
 
 Without bedewing it with your best blood ? 
 
 THIRD PLEBEIAN. 
 
 He talks it well — ^hear, hear the warrior monk. 
 
 ARTHUR. 
 
 Shall ye, the Cymry, whose forefathers came 
 
 Far o'er the ocean to this blessed isle. 
 
 And reigned primeval lords of all its woods, (41) 
 
 Yield up what they bequeathed in sacred trust 
 
 To you and to your children ? — What ! shall Britons 
 
Scene I.] THE DRAGON.KING. 443 
 
 Their envied birthright lose ?— shall they be swept 
 From off their native soil, and only leave 
 A name behind, to all succeeding years 
 Disgraced with cowardice? — View yonder plains. 
 Look on your warlike father's ancient tombs ! — ■ 
 There lie the ashes of the mighty dead, 
 Who nobly for their country fought and fell 
 Beneath the Roman sword, preferring death 
 To bonds and slavery. — Their fame-honoured deeds 
 Fling o*er the stream of time eternal glory, 
 Like sunbeams on the glittering river's course, 
 Turning to golden radiance all its waves. 
 
 CITIZEN. 
 
 Listen no longer to his artful tongue : 
 The king hath left us, given us up a prey. 
 Our wives and children, to the Saxon sword, — 
 -And we must yield, or perish ! 
 
 ARTHUR. 
 
 Lying slave ! 
 Left you ! No ; never, never will the king 
 His people leave, if they forsake not him ; 
 But for their rights, in freedom's noble cause. 
 Fight with them, for them, to life's latest gasp ! — 
 Here stands the king ! Ye feeble-minded men, 
 
 {Throwing off his disguise.) 
 Behold his dragon-helm ! Behold the badge 
 Of our religion on his robes emblazed ! (42) 
 Behold his caliburno, blade of fire. 
 Blest by the midnight vision of St. Joseph, 
 At his high shrine in Avalonia's isle ! (43) 
 Along its edge gleams victory's radiant glory ; 
 The glory of a hundred battles fought 
 For Britain and for freedom ! — Soon shall flash 
 
444 THE DRAGON.KING, [Act U, 
 
 Its vengeance-lightnings round yon pagan crests, 
 And blast their boastful mi^ht ! 
 
 o 
 
 {The Citizen shrinks hack abashed; and ihe Plebeians 
 shout — ) 
 
 The king ! The king ! 
 
 ARTHUR. 
 
 Ay, let your shoutings mingle with the clouds. 
 And to the trumpet-clangours of yon host 
 Right bravely speak defiance ! 
 
 MERIDOC. 
 
 O, my lord, 
 A gush of pleasure through my bosom thrills, 
 Felt, but not to be .told, at thy appearance ! 
 Greatly I joy that thou, in happy hour. 
 Art from the north returned to save this city. 
 Bushing on sure destruction in its fear, 
 Like the wild stag that dashes o'er the cliffs, 
 And meets his fate, when on the forest winds 
 Comes the stanch blood-hounds' far-resounding yell. 
 
 ARTHUR. 
 
 Yes, and returned with wide-augmented fame J 
 I have subdued the tyrant of the north, 
 Huel, my bitterest foe. This blessed sword 
 Was dimmed with his false blood ! and I have won 
 In Caledonia's forest victor-wreaths 
 O'er gathered hosts of many nations, who 
 Crossed the blue hazy ocean to this isle. 
 Spreading dismay and death on every side. (44) 
 And now, with glory circled, will I soon 
 Thig Cerdic meet again, on yonder plains ; 
 With whom I 've for the battle mastery striven 
 So oft in fields of carnage. 
 
Scene X.] TRt DRAGON-ICINa 445 
 
 MERIDOC. 
 
 Fields of fame ! — 
 Victorious prince, the pillar of our tribes, 
 Their guardian leader, on whose head doth rest 
 The glory of thine ancient warlike race ! 
 Thou, through the storms and darkness of the times, 
 Onward to freedom shalt thy people guide, 
 And burst the pagan chains ! — O, thy proud name 
 Will through all after-years on Britain shed 
 A bright renown, as o'er the northern arch 
 Unfading shines the constant polar star ; 
 To which shall future bards with rapture point, 
 And conquerors turn their eyes, with ardour fired 
 To emulate thy greatness, as they steer, 
 Shouting for freedom, through the battle-surge, 
 
 ARTHUR. 
 
 Yes, I was born, my friends, to be your champion, — 
 The champion of the holy Christian faith ; 
 And never shall this sacred blade be sheathed, 
 Till I have freed my country from these hordes, 
 Or this, my badge of championship, be made 
 My winding-sheet of honour, steeped in blood. 
 On the red fields of slaughter ! 
 
 FIRST PLEBEIAN. 
 
 Noble Arthur ! 
 
 SECOND PLEBEIAN. 
 
 We'll follow thee to death ! We'll fight for freedom ! 
 
 THIRD PLEBEIAN. 
 
 No yielding to the foe ! We'll scorn their fury ! 
 
 FIRST PLEBEIAN. 
 
 Scoff at their threats ! 
 
 ARTHUR. 
 
 Ay, as the sun-born eagle 
 
446 THE DRAGON-KING. [Act II. 
 
 Glances at the red lightning, and upsoars, 
 Amid the storm-piled clouds on high, to meet 
 The thunder-spirit in his wild career, 
 Disdaining all his wrath, — so fearlessly 
 
 We'll greet the Saxon onset ! 1, my friends, 
 
 A gallant host have in full march advancing 
 Against this robber-king : — to-morrow ye 
 Shall see its banners floating on your plains. 
 And hear its shouts, the battle heralding. 
 Around your lofty towers I 
 
 MERIDOC. 
 
 May Heaven to thee 
 The victory yield ! — It will, I know it will ! — 
 O, how I long to follow in thy train, 
 And imitate thy deeds ! 
 
 ARTHUR. 
 
 I, by my spies, 
 Learning that Cerdic was advancing hither, 
 And that your hearts, because of him, were faint, 
 Hastened to give you certainty of succour. — 
 Let watchmen be on every turret placed, 
 And a strong guard along the rampart walls. 
 This night we in our palace hall will meet 
 At solemn feast our warrior-knights of fame. 
 Hang out your blazing lights in every street ; 
 Let all your towers like noble beacons shine. 
 And joy and mirth resound from every dwelling ! 
 Let him who doth refuse to-morrow's dawn 
 To draw a sword beneath St. Mary's banner, 
 For liberty and Britain's noble cause. 
 Be scorned by men, and die accursed by heaven ! 
 
 [^Shouts, Exeunt 
 
Scene II.] THE DRAGON-KING. 447 
 
 SCENE II. — A Hall in the Palace. 
 Enter King Arthur attended^ and Meridoc. 
 
 ARTHUR. 
 
 Well know I, Meridoc, thy honest heart ; — 
 That thou wouldst rather perish 'neath the ruins 
 Of these fair towers, than yield them to the foe. 
 But where hath princely Mouric hid his face, 
 That foremost of you all he stood not forth, 
 With naked clymore, to oppose the rabble ? 
 
 MERIDOC. 
 
 Alas, my lord, 
 
 ARTHUR. 
 
 Why dost thou look dismayed 
 And trouble- struck, good chief, nor give response ? 
 Again, I ask, where is the truant prince ? — 
 And where, ye who attend my kingly state, 
 Stays our fair queen, that she is not the first 
 To hail her lord's return to these glad towers. 
 Crowned with triumphal wreaths, to welcome him 
 To the long-absent joys of his loved home ? — 
 O, how I long to fold her in these arms, 
 And pour a flood of rapture o'er her heart 
 (That shares in all the glory of my fame), — 
 Like spring's young sun, when he, in golden pomp. 
 With burning kiss salutes the joyous earth. 
 
 Encircling her with his own living splendours ! 
 
 What means this silence ? — Answer, I command I 
 
 MERIDOC. 
 
 Deeply I grieve to say prince Mouric fled 
 Ere your arrival, and regardless left 
 The city to my care. 
 
448 THE DRAGOK-KING. [Act II. 
 
 ARTHUR. 
 
 What ! fled ! and left 
 Those two most valued treasures, which I hold 
 Dearest on earth, — my beauteous, gentle queen, 
 And my beloved city, — to become 
 A prey to these rapacious sons of blood ? 
 When I commanded he should strictly watch, 
 
 And guard them from all danger ? Dastard slave ! 
 
 Unworthy of the line from which he sprang ! 
 The misbegotten mongrel ! — Some base herdgroom 
 Defiled his mother's marriage-bed, and she 
 Gave life to one, who on her name hath cast 
 A foul, eternal blot ! Where is my queen ? — 
 
 MERIDOC. 
 
 How shall I utter it ? 
 
 ARTHUR. 
 
 Ah, she is ill 
 With terror, trembling hke the gentle fawn 
 When the blood-quaffing wolves around her howl. 
 O, let me fly to soothe and calm her fears ! 
 
 MERIDOC. 
 
 I know not how to tell the fatal truth, — 
 Yet told it must be. Patience be thy balm ! — 
 The queen is also, with her paramour, 
 The guilty Mouric, fled ! — 
 
 ARTHUR. 
 
 Fled ! and with Mouric ? 
 My dear-loved kinsman, and my bosom friend ! — 
 
 My Gwenyfar ! O, holy virgin- mother. 
 
 Shield me from madness for my country's sake ! 
 Yet madness were a refuge from the pangs, 
 The agonies of soul I now endure ! 
 
Scene II.] THE DRAGON-KING. 449 
 
 A cloudy dizziness comes o'er my brain ! 
 My senses reel beneath this fearful shock ! 
 
 MERIDOC. 
 
 Glory of Britain, summon to thy aid 
 The grace of patience ! Not the hero shines 
 With nobler lustre in the fields of conquest, 
 Than in th' endurance of his private sufferings 
 With manly fortitude, 
 
 ARTHUR. 
 
 All virtue fails 
 To allay the tempest here, and fortitude 
 Struggles in vain to stop this tide of grief! 
 I have been wandering in a blessed dream 
 Of love and bliss, high on a hill of flowers ; — 
 A fearful storm at last hath wakened me, 
 And shot its crimson flame-bolts through my heart, 
 Hurling me o'er the mountain precipice, 
 Down, down to gulfs of horror ! — Traitor ! fiend ! 
 Foul, lecherous hell-dog ! — O, wert thou but here. 
 Crouching beneath my vengeance, I would dash 
 Thy limbs upon the pavement, trample out 
 Thy crime- polluted soul, and dip my feet 
 In thy hot villain-blood ! 
 
 MERIDOC. 
 
 Gracious my lord, let me now counsel peace 
 To thy wild griefs 1 — Invoke the Virgin's aid, 
 Whose banner in the battle gives thee victory ; 
 Let her benign and holy influence shed 
 A calm on the fierce passions of thy soul, 
 Like the soft fairy moonlight on the sea. 
 When from its surge hath passed the storm away. 
 
 ARTHUR. 
 
 What, Meridoc, doth not that wretch deserve, 
 
 2 G 
 
450 THE DRAGON-KING. [Ad II. 
 
 Who, under the false mask of smiling friendship, 
 Wins the confiding heart, till it believes 
 His is a god all purity and truth. 
 Trusting its dearest treasure to his care, 
 The sacred treasure of a spotless wife ; 
 Who, when the lovely prize is in his power. 
 The accursed robber, bears it off, and laughs 
 That heart, which loved him as itself, to scorn, 
 Mocking its agony ! — O, he deserves 
 The deepest gulf in hell ! 
 
 MERIDOC. 
 
 Yet, yet be calm. 
 
 ARTHUR. 
 
 Who can with calmness bear a wrong like this ? 
 
 I cannot rest, till I behold my sword 
 
 Red with his treacherous life-stream to the hilt ! 
 
 MERIDOC. 
 
 Yet Gwenyfar 
 
 ARTHUR. 
 
 Name not the adulterous pest ! 
 Dishonour-blasted wretch ! O, I could rend 
 Her limb from limb, and joy to shake her blood 
 From my encrimsoned garments, as the eagle 
 Ruffles her pinions when she upward soars, 
 Gorged with her victim»banquet ! 
 
 MERIDOC. 
 
 Ah, my lord, 
 Pardon my boldness ; but such dreadful thoughts 
 Of fell revenge befit not one who wears 
 That holy badge of meekness on his robes ; 
 His image, who all woes and injuries bore 
 With unrepining bravery. 
 
Scene II.] THE DRAGON-KING, 451 
 
 ARTHUR. 
 
 Shall I not 
 Revenge an injury so deep, so galling, 
 That it o'erwhelms all patience, as the waves 
 In gathered mountains o'er the dark rock dash, 
 That would impede their fury ? — No, I am not 
 That coward wittol, who would tamely bear 
 The shame a villain heaps upon my honour, 
 While the base world, that laughs at me, applauds 
 Him for a deed which should consign his name 
 To infamy eternal ! 
 
 MERIDOC. 
 
 Good my lord, 
 I would not have thee slumber o'er thy wrongs ; 
 A prince whose deeds resound through many lands; 
 No, I would have thee bear them like a hero 
 Worthy thy high renown, — Let not despair 
 O'ercome the great deliverer of his country — 
 She claims thy thoughts, thy energies, thy powers. 
 Before all private wrong. Soon will this shame 
 Pass from thy brightness as the moon's dim shade 
 Glides from the kingly sun's refulgent orb, 
 And thou again shine forth in all thy glory. 
 Untarnished with a spot. 
 
 ARTHUR. 
 
 Ah, Meridoc, 
 Can I my gentle Gwenyfar forget ? 
 Forget her love, her innocence, and beauty ? — 
 Hers seemed a spirit for communion made 
 With those bright shapes that float on golden clouds, 
 And visit holy saints, while her fair form 
 Was moulded such a soul to imparadise ; 
 And when she smiled, 'twas heaven ! — But she is fallen ! — 
 
 2G2 
 
452 THE DRAGON-KING. [Act II. 
 
 The tempter hath betrayed her ! — fallen for ever ! 
 Like the proud seraph from his sun-bright throne, 
 To deadly shamelessness ! 
 
 MERIDOC. 
 
 O, think no more 
 On her perfections, or the base seducer ; 
 But calm the headstrong current of thy wrath. 
 
 ARTHUR. 
 
 Go, bid the sea be calm, and cease to pour 
 
 His dragon-howl of terror on the night, 
 
 When felon whirlwinds o'er his solitudes 
 
 Dark in their madness dash : — 
 
 Go, bind the savage bison of the woods. 
 
 And the fierce elk, that freeborn mountain-king. 
 
 In flowery wreaths, and yoke them to thy car, 
 
 Or mount the thunder-tempest in its might, 
 
 And send the lightnings on thine errands forth, 
 
 And make them do thee service ! but think ^not 
 
 To calm the moody wrath of wild despair. 
 
 That, like a tigress of her whelps bereaved, 
 
 Yells for revenge and blood ! \_Ea;if. 
 
 MERIDOC. 
 
 Great are this godlike chief's heroic virtues ; 
 And, when unmoved by passion, he is mild 
 And kind as morning sunshine, in a flood 
 Of glory flung o'er the green vale and hill. 
 The joyous flowers awakening in their beauty ; 
 But, when by anger stirred, his rage is like 
 The storm-swelled cataract's far-sounding crash. 
 Whose waters in their desolating course 
 Spread ruin and dismay ! His wrongs may well 
 Excuse this burst of fury. There is yet 
 Another cause for sorrow.-— Hapless princess ! 
 
Scene III.] THE DRAGON-KING. 453 
 
 Poor Imogenia ! thy captivity 
 
 Will make his cup of bitterness o'erflow ! \_Ea;it. 
 
 SCENE III.— ^ Hall in the Palace o/Cerdic at Win- 
 chester, hung with tapestry of gold. (45) 
 
 Enter Imogenia, followed by Slaves, ivho, as she turns 
 round to them, kneel to receive her commands, 
 
 IMOGENIA. 
 
 Retire — I need no service, and would be alone. 
 
 [^Exeunt Slaves, bending very low. 
 Still am I held a captive in these halls. 
 Where pagan rites and superstition reign 
 In all their gloomy terrors ! — When will come 
 The hour of my deliverance ? — Ah, false heart, 
 Thou hast betrayed me ! 'Tis not for deliverance 
 These heavy sighs are breathed ! Love, fatal love, 
 Fills my whole soul with its destructive flames. 
 Consuming every holier thought and purpose ! 
 I, of the ancient blood of British kings, 
 A barbarous Saxon love ! 
 
 Whose sword spreads death and terror through all ranks, 
 And desolates the land which gave me birth ! 
 O monstrous madness ! — Yet in vain I strive 
 To win the victory o'er this lawless passion ! 
 
 Enter Helga. 
 
 HELGA — (^kneeling). 
 Permit me, gentle princess, to attend. 
 With sacred homage, on your regal state. 
 Captivity, I see, sits heavy on you ; 
 Would I could soothe your sorrows. 
 
454 THE DRAGON-KING. [Act II. 
 
 IMOGENIA. 
 
 Helga, rise. 
 Thou canst not, meek-eyed pagan, ease the grief 
 Or calm the tempest of my troubled soul. 
 But why is this, that wheresoe'er I move, 
 Splendour, observance, and deep homage wait, 
 As on some being of unearthly power ? 
 I'm weary of this idle pomp and worship ; 
 It suits not with a captive's humble state. 
 
 HELGA. 
 
 Ah, little does the hapless princess dream 
 Such honours still are paid to those our chiefs 
 Devote a sacrifice on Odin's altar. 
 Would I could save her ! — (^Aside.) 
 
 IMOGENIA. 
 
 Helga, thou alone 
 My love dost claim of all who on me wait. — 
 There is a rooted sorrow in thy heart 
 Which ofttimes on that cheek in tears is seen, 
 Like showers on early roses ; yet art thou 
 No captive among strangers ; thou art free 
 To wander and enjoy the pleasant scenes 
 Of hill and valley, when the skylark floats. 
 Like a dim speck, amid the golden sea, 
 And purple cloud- waves of the gorgeous east. 
 While downward in a stream of music comes 
 His joyous morn-hymn, like an angel's song. 
 
 HELGA. 
 
 Ah, lovely lady 
 
 IMOGENIA. 
 
 And when day declines^ 
 When earth is paradise, and heaven all glory, 
 Far from the city's crowded haunts of care. 
 
Scene III.] THE DRAGON-KING. 455 
 
 Still art thou free with the young fawn to trip 
 Along the forest glades^ and pluck the flowers 
 That weep, like parted lovers, for the sun, 
 And listen to the farewell- carolled songs 
 Of gay birds, making all the woods rejoice ; 
 While I sit here, like a lone, widowed dove, 
 A prisoner, pining for my home and friends. 
 
 HELGA. 
 
 I am a stranger, too, in this strange land : 
 
 Like thee, I feel a home-spell on my heart, 
 
 That binds me to those scenes which gave me birth. 
 
 Far from the fairy shades was I brought up 
 
 Of this bright land of flowers. On the dark shores 
 
 Of Scandia's sea, amid the stormy north, 
 
 Stood my loved father's halls, a lordly dwelling. 
 
 There, with the elk, I on the mountain-steeps. 
 
 The happy child of Nature, wildly roamed. 
 
 My music was the roar of tempests rushing 
 
 With lion fury on the struggling woods. 
 
 When spirits shrieked, amid the deep defiles, 
 
 Bright with their lightning wings ! I loved to hear 
 
 The proud sea dash his billows on the shore. 
 
 The torrent's yell, and the far-sounding voice 
 
 Of mountain avalanch, from rock to rock 
 
 Rolling in thunder to the lonely vale. 
 
 While solitude called unto solitude, 
 
 Like shouting armies in the battle-day. 
 
 IMOGENIA. 
 
 And canst thou sigh for desertness like this ? 
 
 HELGA. 
 
 Deeply I sigh for those wild scenes of grandeur. 
 O, 'twas my joy, when winter's wizard power 
 Smote into silence northern lake and sea. 
 
456 THE DRAGON-KING. [Act 11. 
 
 And the broad surges stood like mountain cliffs^ 
 To whirl my reindeer-car o'er glassy plains^ 
 And dash through drifted piles of feathery snow. 
 
 IMOGENIA. 
 
 Why didst thou leave thy native land, to roam 
 With these wild sons of war ? 
 
 HELGA. 
 
 Ah, gentle princess. 
 There is a spell that comes upon the heart, 
 More mighty than the enchantment e'en of home ; 
 And, if I err not, you too feel its power. 
 'Tis love — whose magic influence led me here, 
 A pilgrim stranger to these distant shores. 
 
 IMOGENIA. 
 
 O, thou hast touched a chord, to which this heart 
 Vibrates in unison — but ah, what pain, 
 What thrilling terror doth its music strike 
 Through all my trembling frame ! — Yet, tell me who 
 Has won thee from thy home and all its joys ? 
 
 HELGA. 
 
 'Tis Porta, that brave chief, whose arms have, gained 
 A wide renown on Scandia's stormy shores. 
 And he, fresh wreaths in distant lands to win. 
 Hath followed Cerdic to these island wars, 
 Leaving me friendless here in stranger halls, 
 To wait with weariness till he shall come 
 From the red havoc of the carnage field. 
 But ah ! perhaps amid the trampled dead 
 My gallant warrior lies ! 
 
 IMOGENIA. 
 
 How blest thy love, 
 Compared with my ill-destined, hopeless passion ! 
 
Scene III.] THE DRAGON-KING. 457 
 
 HELGA. 
 
 Kenrick, the illustrious battle-prince 
 
 IMOGENIA. 
 
 Breathe not 
 To me his name ! — I would not, dare not hear it ! 
 Rapture and death are mingled in the sound ! — 
 Heart- sorrowing hour in which I first beheld 
 His noble form ! — Would, Helga^ I had died 
 Ere I was borne a captive from the walls 
 Of Ambri's holy abbey ! 
 
 HELGA. 
 
 Would you wed 
 The godlike prince, whose homage to your beauty 
 Is like the worship mortals pay to spirits 
 Whose radiant charms their midnight visions bless. 
 Your union might give peace to Britain's land. 
 If you refuse, I dare not name the horrors 
 That will ere long befall you. 
 
 IMOGENIA. 
 
 Wed him ! no — 
 Impossible ! — He is a pagan chief ! 
 And though, with tears of anguish and regret, 
 My love for him I own is measureless. 
 Yet never, never must I be his bride ! — 
 Can nuptial wreaths in love''s soft union bind 
 Christian and pagan ? — O, as well might winter. 
 Clad in eternal snows, bright summer woo^ 
 In all her purple wealth of blooming flowers, 
 To yield her beauties to his cold embrace. 
 And bind her roses round his stormy brows; 
 As well might the tempestuous midnight hope 
 To win the life-awakening smile of morn. 
 
458 THE DRAGON-KING. tAct II. 
 
 And blend his shadows with her ruby light ! — 
 
 It cannot be (^Flourish of martial music.) 
 
 HELGA. 
 
 Those trumpet measures speak 
 Ken rick's arrival at the palace gates. 
 I pray the gods, he, for thy sake, may win 
 Thee to his love, and thus avert that doom 
 Which else must soon be thine. [^Exit. 
 
 IMOGENIA. 
 
 O, that I now 
 Could, like the eagle, to some desert fly. 
 Where none might ever find me ! — No — 'tis false ! 
 My lips belie my heart — I fain would stay, 
 To catch the love-spell of his eye, that beams 
 So darkly beautiful, like some bright star 
 O' th' flower that owns its influence. Fatal passion ! 
 Thou dost beguile me to my souPs undoing ! 
 Why stand I rooted here ? — O, I am like 
 The midnight helmsman, who enchanted hears 
 The song of ocean-spirit, from her shell 
 Breathing the soul of music o'er the seas ; 
 Her moonlit magic calls the tempest forth 
 His bark to sink amid the howling deep, 
 Yet he delighted listens, till her voice 
 Dies on the rising winds* 
 
 Enter Kenrick. 
 
 KEN RICK. 
 
 My Imogenia ! — 
 All-beauteous maid, thy splendour-darting eye 
 Is the bright star of happiness to me, 
 Guiding my course, through tempest-surge and gloom, 
 
Scene III.] THE DRAGON-KING. 459 
 
 To love's enchanting haven ! — I have flown 
 
 From battle-fields and noisy camps to spend 
 
 A few brief hours with thee, whose blissful smile 
 
 Comes o'er the turmoil of a warrior's life, 
 
 Like sun-gleams through the tempest, and thy voice 
 
 Soothes my fond soul with music-breathing tones, 
 
 After the yell and din of battle-strife. 
 
 Like the love-passioned nightingale's wild lay 
 
 When evening storms are past. 
 
 IMOGENIA. 
 
 Alas, my lord, 
 Why hast thou left, for me, the tented field. 
 The post of honour, and the warrior's glory. 
 The clarion's blast, that tells of victories won. 
 And shout of bannered ranks, their leader hailing 
 The lord of conquered cities ? — 'Tis not meet 
 That I, thy captive slave, should see thee more. 
 Or hear thee talk of love. 
 
 KENRICK. 
 
 Not see me more ! 
 Nor listen to the pleadings of affection — 
 Young, ardent, fond aff*ection ? — Imogenia, 
 What means this cold disdain ? Am 1 become 
 Unworthy of thy love ? Am I not born 
 Of kingly lineage, valiant, and well skilled 
 In all the martial feats of manly strength ? — 
 Not e'en the Berserkir, in battle-hour, (46) 
 When frenzy rushes on him till he roars 
 Like the lance-maddened lion, dares to strive 
 With me for victory. Who like me can hurl 
 His sword and spear into the air, and catch 
 Their sharp points harmlessly ? — or who will bend 
 My steel-bright bow, and to the mark dispatch 
 
460 THE DRAGON-KING. [Act II. 
 
 Like me the death-winged arrow ? — I can mount 
 The craggy precipice, and plant my shield 
 On the proud eagle's eyrie. I am skilled 
 In Runic characters, and ofttimes win, 
 From envious Scald, the honours of the harp, 
 Blending the poet's with the warrior's wreath — 
 And wilt thou scorn me, love ? (47) 
 
 IMOGENIA. 
 
 Ah, can the dove 
 With the cloud-cleaving eagle dare to mate. 
 Leave the green forest for the storm-crowned peak, 
 And gaze upon the sun ? — I scorn thee not. 
 Redoubted chief ; my eyes, my lips have told 
 That all my heart is thine. But O, my lord. 
 There is a dreadful gulf betwixt our loves 
 Which neither e'er can pass ! 
 
 KBNRICK. 
 
 By Frlga's brightness, 
 Nothing shall our affianced hearts divide, 
 If thou 
 
 IMOGENIA. 
 
 Hear me, my prince — I am a Christian maid, 
 And of a royal Hne of Christian kings, 
 To whom this isle has long obedience paid ; 
 Religion doth forbid that I should wed 
 With one of pagan creed. 
 
 KENRICK. 
 
 O, I am come 
 To supplicate thee on my bended knees, 
 To yield thy faith and worship at our altars. 
 Then will a throne be thine, our loves be blest, 
 And thou thy country's deep and bleeding wounds 
 Heal with the balm of peace ! 
 
Scene III.] THE DRAGON-KING. 461 
 
 IMOGENIA. 
 
 Renounce my faith ! 
 And worship your false gods of rock and stone, 
 Whose altars are defiled with human blood ? — 
 Renounce my faith in Him who made the world, 
 And hung yon sun amid the golden skies ? 
 Shall I, for earthly thrones of transient pomp, 
 Give up a throne eternal in the heavens ? 
 To save my bleeding country I would yield 
 Freely this form to the devouring flames, 
 But not the immortal principle within 
 To everlasting fires. 
 
 KENRICK. 
 
 Nay, sweet my love, 
 Believe thou still in Him, the awful Sire 
 Of men and gods, whose power we also own — (48) 
 Ancient of Days, the essence of all things 
 That have been, are^ and shall be ! — Still to him 
 Mayst thou pay sacred homage — then consent 
 This night to kneel in yonder temple aisles. 
 At the high shrine of Odin, there renounce 
 Thy Christian creed, and from the golden censer 
 Cast incense in the altar-flames that burn 
 Before his sacred image, 
 
 IMOGENIA. 
 
 O, forbear, 
 Nor urge me to a deed so dread, so damning ! — 
 My blood turns cold with horror at the thought ! 
 
 KENRICK. 
 
 O, but for my sake, Imogenia, yield ! 
 
 If thou hast in thy tender, gentle heart 
 
 One spark of young affection, one kind thought 
 
 For him who with unbounded passion loves. 
 
462 THE DRAGON-KING. [Act II. 
 
 And who would die for thee, O sink me not 
 Down the dark gulf of madness and despair ! 
 
 IMOGENIA. 
 
 Kenrick, were I to yield, soon wouldst thou see 
 Thy hapless Imogenia plunged in madness ! 
 And then to die a frantic, base apostate, 
 And be for ever lost ! — O, save me, save me, 
 Ye saints and martyrs of the blessed cross. 
 From such soul-blighting guilt ! 
 
 KENRICK. 
 
 Ah, Imogenia, 
 My stern and unrelenting sire hath sworn — 
 O, how shall I reveal the dreadful tale — 
 At his return to lead thee to the temple. 
 When that fair form must on the altar lie, 
 A blackened corse amid devouring flames ! — 
 Nothing can save thee from that awful doom, 
 But the renouncement of thy Christian faith ! 
 
 IMOGENIA. 
 
 O, let me die rather than live accursed. 
 
 To battle feebly with a fierce despair. 
 
 And feel the blood-gorged vulture of remorse 
 
 Still preying on my heart — to wear the brand 
 
 Of foul apostacy upon my brow. 
 
 Become a loathsome mark of public scorn. 
 
 And leave to all posterity a name 
 
 Blackened with odious guilt ! — No, Kenrick, no ! 
 
 Better to die, and be at peace with heaven ! 
 
 Then will the crown of martyrdom be mine ! 
 
 And when the last faint groan of life shall cease, 
 
 My spirit, mid a seraph band, shall mount. 
 
 With palm and harp of gold, to yonder skies, 
 
 And win a sunbright throne ! 
 
Scene III.] THE DRAGON-KlNG. 4^3 
 
 KENRICK. 
 
 Sweet Imogenia, 
 Yet, yet have pity, — if not to thyself. 
 To me some mercy show. — Thus do I kneel, — 
 I, the proud Saxon prince, son of a god ! 
 Kneel to implore thou wilt thy faith forswear ; 
 For I it is who must, as Odin's priest, 
 Strike to thy heart the blow ! My hand must take 
 The life of her whom more than life I prize ! 
 I must behold her fail beneath my blade, 
 And her death-struggles view, as, bathed in blood, 
 She yields her gentle spirit to the gods ! 
 
 IMOGENIA. 
 
 O, far more welcome, then, will be to me 
 
 Death, which shall put a period to my woes, 
 
 Since thou must give the blow. — And dost thou hope 
 
 I can be won to thy terrific creed ? 
 
 Could I by love but draw thee to become 
 
 A heart-devoted Christian Grant, ye saints, 
 
 That when the dreadful trial-hour arrives, 
 My firmness, as I die baptized in blood. 
 May win thee to the true and only faith 
 Revealed to erring mortals 3 then my death 
 Will be triumphant glory, 
 
 KENRICK. 
 
 By my sword 
 And eagle shield, in awful mood, I swear 
 I will not see thy death ; for when this arm 
 Should strike thee at the altar, I will plunge 
 The knife in my own heart. 
 
 IMOGENIA. 
 
 O5 Kenrick, Kenrick ! 
 
464 THE DRAGON-KING. [Act II. 
 
 'Tis now thou plant'st a dagger in my bosom ! 
 
 To see thee perish, fall by thine own hand ! — 
 
 No ! rather let me die a thousand deaths ! 
 
 O, that these eyes had ne'er beheld thy form, 
 
 Thou kingly one, adorned with ever}'^ grace 
 
 To captivate the soul of yielding woman. — 
 
 I am undone ! — I see, I see my fate ! — 
 
 The tempest of despair around me darkens ! 
 
 The vengeance-fires of heaven flash through the 
 
 gloom ! 
 For mercy, mercy, Kenrick, I implore ! — 
 
 KENRICK. 
 
 Thou sweet enthusiast, let me to this heart 
 Fold thee, my soul's bright treasure, and kiss off 
 Those tearsj that hang like dews on morning flowers. 
 
 IMOGENIA. 
 
 Why do I listen to thy flattering voice, 
 
 Whose tones are like the sound of distant music 
 
 On desert sands to an expiring pilgrim ? 
 
 Why do I gaze upon that spell-like eye, 
 
 Dark as the darkest blue of heaven, when shines 
 
 Through its rich depths the star-beams ? — I will look 
 
 No longer on its brightness ; 'lis a light 
 
 Through the wild tempest flashing o'er the rock. 
 
 The rock of death, where all my hopes are wrecked ! 
 
 O, art thou not the minister of blood ? 
 
 Why do I love thee to my soul's destruction ? 
 
 KENRICK. 
 
 Banish these timid fancies. Come, sweet maid, 
 The priests are gathered in the solemn temple, 
 And wait, with awful mysteries, to receive 
 Their lovely convert. Then shall bridal rites. 
 
Scene III.] THE DRAGON-KING. 465 
 
 My princess, make us one, and all the Saxons 
 Will hail thee as a goddess through the land. 
 
 IMOGENIA. 
 
 A fiend ! a fiend ! to be abhorred for ever ! 
 
 KENRICK. 
 
 Wilt thou behold me weltering in my blood, 
 Self- slaughtered at thy feet ? 
 
 IMOGENIA, 
 
 O, not for worlds ! 
 'Tis I, 'tis I will die — since thy stern sire 
 Demands my life to please his horrid gods ! 
 
 KENRICK. 
 
 Still must I, Imogenia, plead in vain ? — 
 Then let me perish here ! — I will not live 
 To see the sternness of my father's wrath, 
 When he shall from the fields of battle come, 
 In all his pomp of victory, to these towers.— 
 Unyielding maid, 'tis Kenrick who must die. 
 Thus — doomed by thee — thus, at thy feet, I fall. 
 The bleeding victim ! — 
 
 {Lifts his dagger to stab himself.) 
 
 IMOGENIA. 
 
 Hold, sweet Kenrick, hold ! 
 
 {Catching his arm.} 
 
 Lead me where'er thou wilt. On every side 
 
 'Tis darkness, horror, anguish, and despair! 
 O, my bewildered brain ! — I hear the sound 
 Of mighty tempests, and the thunder-clang 
 As of a host to battle marchins^ forth ! — 
 It is the rushing sound of demon wings ! 
 Hell from her confines is unloosed, and comes 
 
 2 II 
 
466 THE DRAGON-KING. [Act II. 
 
 With her red-whirling flames, and shrieks, and curses, 
 
 To hurl the apostate down her roaring gulfs ! 
 
 Ferocious forms, with wild, terrific yells, 
 
 Shout forth their fiendish triumph ! — O, I sink. 
 
 Blazing, amid a hurricane of lightnings ! 
 
 Ha, ha, ha, ha! {Falls into the arms o/Kenrick.) 
 
 END OF THE SECOND ACT. 
 
ACT III. 
 
 SCENE I. — A Grand Roman Hall in the Palace of 
 Sorhiodunum. The Round Table in the centre. A 
 magnificent Banquet. Arthur seated under a Canopy. 
 Meridoc, Clydoc, Roderic, and all the Knights, dis- 
 covered feasting. Bards at a distance^ playing on 
 their Harps. 
 
 ARTHUR. 
 
 My gallant paladins, knights of the cross, (50) 
 Your order is the first of Christian faith, 
 And ye are sworn the champions of its cause. 
 The brave defenders of your native land. 
 Against all heathenesse ! — Fill to its brim 
 The rosy wine-cup ; lift the goblet high. 
 And let the hydromePs rich amber-stream 
 Rise sparkling to your lips. This is a night 
 When the brave bearers of the shield and spear 
 Should, after the fatigues of war, repose. 
 And feast in kingly hall to joyous strains 
 Of harp and martial legend. — Through yon gates 
 Will we rush forth, at early dawn, and chase 
 These wolves of slaughter from their camp, and then 
 For Venta''s towers, where, in captivity, 
 My dear-loved sister Imogenia pines. 
 
 CLYDOC — (to Roderic). 
 Dost thou not mark that dim and heavy cloud. 
 Which, spite his vain attempts to wear the smile 
 
 2 H 2 
 
4G8 THE DRAGON-KING. [Act III. 
 
 Of careless mirth, hangs on the darkened brows 
 Of our brave Draojon-kinoc ? 
 
 RODERIC. 
 
 Well may deep gloom 
 Obscure the wonted sunshine of his joy 
 At the triumphal feast. — Hadst thou a wife 
 Who pressed, in wantonness, her ruby lip 
 Upon another's cheek, and with him fled 
 Home and thy doating arms, I ween that thou 
 Wouldst something bear upon thy laden brows 
 More weighty than a cloud. 
 
 CLYDOC. 
 
 From which my sword 
 Should quickly free them. — Dost thou think I'd wear, 
 Like the slow elk, my monstrous horns aloft, 
 To be entangled in the forest boughs. 
 Till the fierce dogs of scandal fastened on me ? 
 No ! — Had I such a wife, I soon would cast 
 The frail one off, like a base weed, to rot, 
 And on my clymore should her lover's blood 
 Stand till its fever cooled. 
 
 Enter Ivor. 
 
 IVOR. 
 
 Lord of the battle, theme of fame-tuned harps, 
 The vanguard of our swift-approaching host 
 The queen and Mouric in their flight have ta'en. 
 
 ARTHUR. 
 
 Where is the traitor and that wretched woman ? 
 
 IVOR. 
 
 Now at the western gate. 
 
 ARTHUR. 
 
 Go, Ivor, haste 
 
Scene L] THE DRAGON-KING. 469 
 
 And bring them to our presence ; here will we, 
 Before our chiefs and warriors, sentence pass 
 On those vile criminals. 
 
 IVOR. 
 
 My lord, the queen 
 Refuses to be brought 
 
 ARTHUR. 
 
 What ! lingers yet 
 One tint of shame encrimsoned on her cheek ? 
 And is she guilt-confounded ? — Let her then 
 Stand here, amid my warrior-knights, the scoff, 
 The mockery, and abhorrence of the brave. 
 Hence, heed her not, but to the banquet-hall 
 Drag the base wanton and her paramour. [Exit Ivor. 
 O, I am in a storm of passions whelmed ! 
 The battle in its hottest rage is sport 
 To the fierce tempest here ! — I, who adored 
 This woman, once all beautiful and pure, 
 Must now for ever cast her from my bosom, 
 A false, toad-spotted wanton! — O, how hard ! — 
 But I will act the stern, impartial judge, 
 Despite a lover's weakness lingering here. 
 Like the faint golden gleam ere darkness wins 
 O'er dying day the triumph of the skies. 
 
 Enter Mouric, Gwenyfar, veiled) Ivor, and Guards^, 
 
 GWENYFAR. 
 
 Ah, fatal love ! canst thou support me now 
 
 To bear contempt, the stings of venomed tongues. 
 
 And joy malignant of the herd who exult 
 
 O'er greatness in disgrace ?— O, virtue, honoured. 
 
 And honouring all o'er whom thou shedd'st thy brightness. 
 
 How do I feel thy loss ! — (Aside,) 
 
470 THE DRAGON-KING, [Act III. 
 
 ARTHUR. 
 
 Hail, Mouric ! prince illustrious, paragon 
 
 Of faithful friends, bright valour's darling child, 
 
 Who bravely to the enemy showed his back, 
 
 Leaving to lustful violence and blood 
 
 This city, which on him relied for safety ; 
 
 Who, made the guardian of a friend's best treasure, 
 
 Magnanimously robbed that friend, and fled, 
 
 Like a true knight, from battle-scenes of fame 
 
 To the lascivious bowers of wantonness ! 
 
 Welcome to warrior-festival and song, 
 
 A meet companion for the sons of honour ! 
 
 MOURIC. 
 
 Thy mockery I repay with equal scorn. 
 
 What I have done, I've done. If that it be 
 
 A crime to feel love's wild, delirious bliss, 
 
 I have a powerful plea Behold, ye chiefs, 
 
 Thisj this is my excuse 
 
 {Lifting the veil from the face o/Gwenyfar.) 
 If there be one 
 Among you who can on such beauty gaze, 
 And not forgive my passion — save yon king-^ 
 Let his proud gifts, his honours, and his fame 
 Be what they may, I pity their possessor. 
 And deem him less than man. — My doom I read, 
 Arthur, in thy stern eye. — Lead me to death, 
 And thou shalt find my last act will belie 
 The aspersions thou hast uttered. 
 
 ARTHUR. 
 
 Crafty fiend ! 
 Such angel loveliness should on thy heart 
 A holy spell have cast, all loose desires 
 Quenching in reverence. O, her peerless form 
 
Scene I.j THE DRAGON-KING. 471 
 
 Seemed to enshrine whatever of heaven's own brightness 
 
 To mortals is revealed. 
 
 Thou, demon of the storm, hast darkly rushed 
 
 O'er beauty's paradise, transforming it 
 
 To a most loathsome desert^ now the abode 
 
 Of guilt's foul, snaky monsters ! — Plagues feed on thee l 
 
 Hence with the miscreant to the dungeon's gloom ; 
 
 When we have won the battle, he shall die ! 
 
 (Mouric is led off by the Guards,) 
 
 GWfiNYFAR. 
 
 Now comes my sentence Let me plead, my lord. 
 
 Not for myself 
 
 ARTHUR. 
 
 For whom, then, wouldst thou kneel? 
 Thy paramour ? — That doubles thy foul crime, 
 And conquer's pity struggling in my heart 
 To save thee from thy fate ! — How shall I calm 
 The whirlwind raging here ! — O, Gwenyfar, 
 My love for thee was boundless as the heavens I 
 Thy smile was brighter to my soul than fame, 
 And thy applause more dear than shout of hosts 
 On victory's blood-red fields ! — My wrongs unman me ! — • 
 These scalding tears burst forth, in spite of rage. 
 And tell hdW 'much I loved thee ! — Pardon, chiefs, 
 The weakness of the warrior — these are drops 
 Wrung from my inmost heart by agony ! — 
 I must be quick, ere madness on me rush ! 
 Justice calls out, and vengeance, though she rend 
 The cords of life asunder, shall pronounce. 
 Thou, guilty one, thy doom ! — Guards ! lead her hence, 
 Into the camp of yonder Saxon host, 
 And leave her to their mercy ! 
 
472 THE DRAGON.KING. [Act III. 
 
 GWENYFAR — (shrieking) . 
 
 Ha ! ruthless king ! 
 Stab, hack me piecemeal with thy blood-stained sword ; 
 But do not send me forth amid yon camp 
 Of barbarous, lawless Saxons ! — Death I crave ! 
 0, give me death, — but let me die before thee ! 
 
 ARTHUR. 
 
 I will not listen ! From yon eastern gate^ 
 
 Go, thrust her forth ! 
 
 GWENYFAR. 
 
 O, horrid, horrid fate ! 
 
 [^Exity led by Guards, 
 
 ARTHUR. 
 
 She's gone for ever ! — Farewell to the light 
 That shone on life's dark path ! — O, when I lay 
 Amid the storm-shook tent, at midnight hour, 
 Her image soothed my troubled mind to rest. 
 And in the battle turmoil still I thought 
 
 On my loved Gwenyfar ! But she is gone ! 
 
 Torn from this heart for ever ! — 0, 'tis like 
 
 The final parting of the soul and body ! 
 
 A death-like gloom on my wild spirit comes ! - 
 Am I awake ? — 
 
 MERIDOC. 
 
 Nay, good my royal lord, 
 
 ARTHUR. 
 
 Outpour the ruby-gushing wine, to quench 
 
 My fiery thirst ! Deep let me drink, and drown 
 
 The flames that scorch me here ! 
 
 Another goblet ! — fill it to the brim ! 
 
 There''s poison in the cup ! (Dashing it away.) 
 
 Revenge hath drugged 
 The potion with the venom of his snakes ! 
 
Scene II. | THE DR/.GON-KIKG 4':3 
 
 It flows, like molten lead, through all my veins ! 
 
 My Gwenyfar, come pass thy soft, cool palm 
 
 Across these burning brows ! Ha ! she is gone ! 
 
 Driven forth to be the mock of savage hordes, 
 
 A slave to the fierce lust of every robber 
 
 That prowls at midnight through yon heathen camp ! 
 
 All curses on her base seducer light 
 
 At his last hour ! O, torture ! madness ! death ! 
 
 (FallSf and the Kniyhts group round him.) 
 
 SCENE II. — A dim Grove near the Saxon Camp, 
 
 Enter several Adelrunce or Prophetesses , in white tunics 
 and vests, girt with belts of brass^ to which are sus^ 
 pended naked swords, (51) 
 
 FIRST ADELRUNA. 
 
 The young moon on the evening's raven locks 
 
 Her pearly crescent hangs, the signal-light 
 
 Our battle-god, amid his cloudy halls, 
 
 Gives for to-morrow's strife. At early dawn (52) 
 
 The crooked seaxen shall be red with blood ; 
 
 The barbed arrow to its death-mark speed ; 
 
 The battle-charger's neigh and tramp be heard. 
 
 The chariot's thunder-wheels, the shout and yell 
 
 Of steel-clad men, struggling and falling, where 
 
 The broken ranks meet like contending seas ! 
 
 Proud city, thou shalt fall ! round yonder towers 
 
 The dread Valkyriur, on their snow-white steeds, 
 
 Shall, rushing, lift the voice of war, and fling 
 
 From their bright shields the lightning of destruction ! 
 
474 THE DRAGON-KING. [Act III. 
 
 Enter other AdelruncB, 
 
 Say, sisters of the magic Runes, what ye 
 
 Have on the night-air heard ? — The elements 
 
 Speak out the gods' decrees ; and rocks, and streams, 
 
 And woods, and hills, are all prophetic spirits. 
 
 That syllable the future in our ears, 
 
 Who are the entheal ministers of heaven. (53) 
 
 SECOND ADELRUNA. 
 
 I come from where the mountain cataract flings. 
 In giant might, o'er rock and jutting crag, 
 Its hundred streams ; through dewy mist and spray 
 Gushing like molten silver. Hoarsely deep 
 Was its eternal roar and hissing crash ; 
 Loud as the awful voice of Thor, when he. 
 Clad in the tempest, lifts his thunder-shout. 
 Making the world's foundations shake, and all 
 Its dwellers pale with fear ! — I stood, and heard 
 Still far and wild the solemn music roll. 
 With song o' the flood's immortal genii blent ; 
 And as it rolled, from glen and cavern rang 
 Th' unearthly cry of ^ Battle ! battle ! battle V 
 
 THIRD ADELRUNA. 
 
 I from Dunmorna's ocean summits come. 
 Where by the ancient tombs of warrior-kings 
 I stood with solitude. The night-gales rushed. 
 From their dark home of storms, abroad in wrath. 
 And on the hill-top dashed the thunder-clouds. 
 Then burst, with shattered flames, dread peal on peal ! — 
 Th' affrighted sea-bird screamed, as by her cliff's 
 Passed the redoubled roar ! Then rose the deep. 
 Outstretched to the black verge of heaven, and howled 
 
Scene II.] THE DRAGON-KING. 475 
 
 To all the gathering winds with maniac rage, 
 
 Like writhing monster in the pangs of death ; 
 
 While o''er his gloomy surges onward shot 
 
 The lightning's blood-red flashes ! With the storm 
 
 Came the long rush of crowds, and wild lament, 
 
 As of a city sacked ! I heard the crash 
 
 Of faUing towers, the trampling and the shout 
 
 Of bannered hosts, as they to victory marched ; 
 
 While ever and far off the mountain spirits 
 
 Sang in deep chorus, * Victory ! Victory ! Victory ! ' 
 
 FOURTH ADELRUNA. 
 
 I have been wandering where the wizard depths 
 
 Of Cheddar's chasms yawn like Hela's gulfs ! 
 
 Where thunder-shivered pinnacle, and spire, 
 
 And rugged battlement, enwreathed with clouds, 
 
 O'er their elf-haunted caverns towering, fling 
 
 The dunnest pall of darkness. Through the gloom 
 
 Howled savagely the hungry wolf, and snuffed 
 
 The hollow blast as it had swept across 
 
 The battle -heath, encumbered with the slain ; 
 
 The raven flapped her wing with prophet croak. 
 
 And the strong eagle dashed the cloud aside 
 
 With her broad pinion, screaming for her prey. 
 
 Then came the ringing of the warriors' mail, 
 
 And shadows indistinct before me passed 
 
 In lurid-gleaming steel, whose dusky forms 
 
 Made darkness more obscure ; while unknown sounds 
 
 Of combat-music in their richness streamed 
 
 From mountain, steep, and tor. — There by me rushed 
 
 Sognor, the king of elves, with meteors crowned, (54) 
 
 On a pale steed, couching his beamy lance ; 
 
 And, as he smote his shield, there came a light 
 
 As of a wailing city wrapped in flames ! 
 
476 THE DRAGON-KING. [Act III. 
 
 Then far and near shone out th' encrimsoned rocks 
 In that long-wavering blaze, and the red heavens 
 Echoed with frantic shrieks of ' Murder ! Murder ! * 
 
 FIFTH ADELRUNA. 
 
 By weird spirits led, I have been where 
 
 The waveless fountain, like a dead thing, lies 
 
 Amid the demon cavern of stern Ochus, (55) 
 
 And on the raven plumes of darkness sleep 
 
 Silence and death ! — As musing there I stood 
 
 By the blue flame that from his eyelids streamed, 
 
 I saw the giant-dweller of that den 
 
 Armed with his iron mace — his stature reached 
 
 The black stupendous arch that frowned above, 
 
 And from his lips there came a muttered sound. 
 
 Like distant thunders — Silence fled in fear ! — 
 
 ' Death, go thou forth ! — To-morrow shall the field 
 
 Be for thy banquet spread !' — Death heard his voice, 
 
 And shook his phantom wings with joy, till rang 
 
 Th' abyss with fearful sounds. — They ceased, and then 
 
 I heard the dread night-whistler shriek for blood, (56) 
 
 Till every wide-arched rock and hollow cave 
 
 Yelled back the dismal cry of « Blood! Bloo(i ! Blood ! ' 
 
 Enter Cerdic^ Oric, Cissa, and Porta. 
 
 CERDIC. 
 
 Say, ye diviners of the unborn years. 
 
 Ye sisters of the warlock spell and rune. 
 
 Skilled in the mysteries of our ancient sires, 
 
 Shall we against yon city draw the bow 
 
 At morning light, and on our banner-staves 
 
 The trophy-scalps of these vile Christians hang? (57) 
 
Scene II.] THE DRAGON-KING. 477 
 
 FIRST ADELRUNA. 
 
 Thou giver of the bracelet and the shield, 
 The lamp of war amid yon dusky clouds 
 The god of spells hath lit -, the viewless Jpowers 
 Of nature call thee forth at early dawn, 
 Slayer of kings, to conquer and destroy ! 
 
 SECOND ADELRUNA. 
 
 I, from the rushing torrents, heard a voice 
 
 Cry, ' Hail, great Cerdic ! war-king of the west !* 
 
 THIRD ADELRUNA. 
 
 I, from the mountain-tombs of ancient chiefs. 
 And tempest- clouds that round them make their dwell- 
 ing* 
 Heard the wild chant of spirits, as they sang 
 Victory to Cerdic, mightiest in the Isle ! 
 
 FOURTH ADELRUNA. 
 
 I, from those caverns that in darkness lie 
 
 Beneath the eternal precipice and peak 
 
 Which mortal foot ne*er dared, have heard the shout 
 
 Of th' elfish race, filling those solitudes | 
 
 With thousand echoes, as they Cerdic hailed, 
 
 ' The king of battles ! father of a line 
 
 On whose dominions in hereafter times 
 
 The sun shall never set !' 
 
 PORTA. 
 
 How wonderful ! 
 And have ye heard, most wise prophetic women, 
 Your oracles my destiny pronounce ? 
 
 FIRST ADELRUNA. 
 
 Thou scorn'st our order, and revil'st the gods 5 
 That smile proclaims thy unbelief; but know, 
 A voice from the four winds hath gone abroad ! — 
 
478 THE DRAGON-KING. [Act III. 
 
 Death, and oblivion, and no seat for thee 
 Amid Valhalla's golden halls of bliss ! 
 
 PORTA. 
 
 Why, what reck I ! — Let death come when it may. 
 
 Oblivion follows — 'tis the fate of man ; 
 
 And for your dreams of Odin's drunken palace, 
 
 One cup below is sweeter far than all 
 
 The visionary draughts its wine-skulls yield. 
 
 Enter Priests, and a train of Scalds with their harps, 
 
 PRIEST. 
 
 Worship of battle, leader of the brave, 
 
 The milkwhite prophet steed, by torch-beam led. 
 
 Hath all the spears, arranged on yonder plain. 
 
 Passed with propitious omen ; set thou then, (58) 
 
 At morning light, the battle in array 
 
 'Gainst yon devoted city. 
 
 CERDIC. 
 
 Thanks, ye gods, 
 
 Your will shall be obeyed !- There is the sound 
 
 Of joy and revelry in Caesar's towers; 
 The city is ablaze with lights of triumph, 
 And on the night winds float the silver strains 
 Of bagpipe, timbrelon, and lute, and harp. 
 How silent at this hour will be to-morrow 
 Those desolated walls ! Yet shall there shine 
 A fiercer light on that dark sullen sky. 
 For then thy kingly chambers shall be wrapt 
 
 In one red conflagration ! 
 
 But where is Kenrick ? — He hath sworn to lead 
 Our battle-van, and be the first to plant 
 The white-horse banner on that city's gates, 
 
Scene II.] THE DRAGON-KING. 479 
 
 PORTA. 
 
 Kenrick, my lord, was seen at twilight hour 
 To leap the entrenchments of the camp, and fly 
 On his fleet steed across yon misty plain. 
 No one knows whither. 
 
 CERDIC. 
 
 Fly ! impossible ! 
 
 Ah, now my heart misgives me ! — Is he gone ? — 
 But let that for the present rest. — Ere morn 
 He will return, and be the foremost chief 
 
 Amid the ranks. Princes, we'll to our tents. 
 
 And snatch a brief repose. 
 
 Enter Officer and Guards, with Mouric prisoner, 
 
 OFFICER. 
 
 Leader of hosts. 
 The watch placed at the western verge o* th' camp 
 This captive found, who, by his bearing, seems 
 A chieftain of high order. 
 
 CERDIC. 
 
 Who art thou ?. 
 
 MOURIC. 
 
 A Briton — and, if rightly I have guessed, 
 Thou art the Saxon Cerdic. 
 
 CERDIC. 
 
 Thou speak'st truly. 
 What is thy business here ? 
 
 MOURIC. 
 
 To join my arms 
 With thine against the Britons. Thou behold'st, 
 Prince of the northern tribes, an injured chief, 
 Porn of the blood of Albion's regal line. 
 
480 THE DRAGON-KING. [Ad HI, 
 
 Arthur, my kinsman, who to yonder towers 
 Ere night returned, and on the morning winds 
 Will fling his banner thee to meet in fight. 
 Cast me into a dungeon, hoping soon 
 To take my head ; but by a faithful slave 
 Was I conducted through a secret cave 
 Beyond the city walls. — Now, though I scorn 
 Death e'en as bravely as the bravest Saxon, 
 Yet would I win revenge ; then let me fall, 
 How soon no care have I. 
 
 CERDIC. 
 
 Revenge be thine, 
 If faithfully on our side strike thy sword. 
 
 MOURIC. 
 
 For that great purpose did I hither come. 
 While on the plain ye fight, give me a band, 
 And I will guide them through the cavin-way 
 To Caesar's palace, and yon eastern gate 
 Fling wide at your approach. 
 
 CERDIC. 
 
 Come to our tent — 
 The banquet for the brave shall be prepared. 
 A noble manliness and comely grace 
 Adorn thy warhke port, that wins our heart. 
 May Nocca, spirit of the watery realms, 
 Feed on my veins when in the river floods 
 I bathe these war-worn limbs, if thou shalt not (59) 
 Be honoured in our court ! — Come to the feast ; 
 Thy blood with mine shall in the wine-cup mingle, 
 In which our swords we^'ll dip, and lift the draught, 
 With solemn oath of friendship, to our lips, 
 Which earth nor heaven dissolves ! — Strike up the 
 
 song, (60) 
 The Scaldic war-song, to your laurelled harps* 
 
Scene II.] THE DRAGON-KING. 481 
 
 CHORUS OF THE ADELRUN.^ AND SCALDS. 
 
 Banners in the light shall stream 
 
 Of the morning's purple beam. 
 
 And the golden clouds be riven 
 
 With battle-cries that swell to heaven ! 
 
 Then shall burst the warrior's song 
 
 From man to man the ranks along ; 
 
 Thousand, thousand swords outflash, 
 
 Steed and chariot onward dash. 
 
 Where struggling valour shouting falls, 
 
 And the trumpet's death-hymn calls ; 
 
 Where, before the set of sun, 
 
 Victory's blood- wreaths shall be won. 
 
 Cerdic, Cerdic, mighty king ! 
 
 Round yon towers thy fame shall ring, 
 
 As they sink amid the roar 
 
 Of rushing flames, to rise no more ! [Exeunt, 
 
 SCENE III. — A Plain — The Saxon Camp dimly seen 
 at a distance. 
 
 Enter Gwenyfar. 
 
 GWENYFAR. 
 
 Methought the sound of music floated by ; — 
 
 Have not these heathen wassailers yet laid 
 
 The bowl aside for sleep ? — I fear each moment 
 
 The rude grasp of some savage son of wine. — 
 
 Fear ! what have I to fear ? I, who am cast 
 
 From state, from all society, despised, 
 
 Shunned, and detested ! — What if I repent ? 
 
 Eternal tears will not wash out my stains, 
 
 2 I 
 
482 THE DRAGON-KING. [Act III. 
 
 Stern, unforgiving mortals, in your eyes, 
 
 Nor penitence absolve ! No — I am fallen 
 
 Never to rise again ! — Away then all 
 
 Contrition and remorse ! There's no forgiveness, 
 
 Not even in the grave ! — Relentless man ! 
 
 This cruelty hath, like a burning iron, 
 
 Seared my grief-wounded heart, and thus I fling 
 
 Repentance from me. Henceforth will I cherish 
 
 One only passion here — revenge ! revenge ! 
 
 A terrible revenge on that stern king 
 
 Who had on me no mercy — who hath cast 
 
 Me forth to endure the extreme of wretchedness 
 
 That can befall a woman ! — Hence with fear. 
 
 For I am now the genius of all evil. 
 
 And nothing can to me bring further ill ! 
 
 Enter Cissa. 
 
 The midnight banquet, and the health-bowl passed 
 
 So freely round, have heated me, and I 
 
 Woo balmy sleep in vain. — I'll walk the rounds 
 
 Of the deep-slumbering camp. How sweet the winds 
 
 Breathe on my hot cheek freshness ! Tower and tent 
 
 Are silent all, save where the royal guests 
 
 Quaff in yon proud pavilion. — Gentle bird. 
 
 Companion of the night, thy music sounds 
 
 Far sweeter than the harp of drowsy scald 
 
 Amid the boisterous warriors. How ! a woman ! — 
 
 Alone ! at such an hour, so near the camp ! — 
 Ye gods ! what beauty ! why, the setting moon 
 Lingers on yonder hill to gaze upon thee. 
 
 GWENYFAR. 
 
 O, that I now, like yon pale moon; could sink 
 
Scene III.] THE DRAGON-KING. 483 
 
 Amid the rolling grandeur of the deep, 
 And sweet oblivion rest upon my name, 
 Trackless and dark, as o'er the storm-sunk wreck 
 The billows close for ever ! 
 
 CISSA. 
 
 Why dost thou 
 So wildly look ? Beauty like thine might win 
 Homage, command, and love wherever seen. 
 But what has brought thee here ? 
 
 GW^ENYFAR. 
 
 Revenge ! revenge ! ' 
 
 CISSA. 
 
 On whom ? 
 
 GWENYFAR. 
 
 Arthur, the Briton ! He hath thrust me forth 
 To wretchedness, to shame, to be the slave 
 E'en of the meanest soldier in yon camp ! 
 
 CISSA. 
 
 A slave ! — By Odin,' thou shalt be a queen ! 
 
 Thou owest him thy best thanks for sending thee 
 
 From yon proud city doomed to feed the flames. 
 
 Beauty has ever found with me protection ; 
 
 It is the only idol of my worship. 
 
 Joy to the hour I met thee — I have nine 
 
 Fair wives, and thou shalt, sweet one, be the tenth ; 
 
 The queen of queens ! for thou outshinest them all, — 
 
 And reign with me the empress of the South. 
 
 GWENYFAR. 
 
 What ! can it be thou hast nine wedded wives ? 
 
 CISSA. 
 
 Ay, *tis the custom of our noble tribes ; 
 It is the regal mark of wealth, and power, 
 Honour, and high dominion. — Thou shalt have 
 
 2 12 
 
484 THE DRAGON-KING. [Act III. 
 
 A train of captive queens on thee to wait, 
 The handmaids of thy pleasure. 
 
 GWENYFAR. 
 
 Talk thou not 
 To me of pleasure ; give me great revenge. 
 And I am thine ; ay, soul and body thine ! 
 Another step in guilt ! — But I have strayed 
 Beyond the pale of virtue, and there now 
 Is no retreating from the gulf of crime ! — (^Aside,) 
 
 CISSA. 
 
 To-morrow will I seek this Arthur out 
 Amid the fiercest whirlwind of the fight, 
 And bring to thee his head. — Come to my tent ; 
 Thou shalt this very hour be made my bride. 
 
 GWENYFAR — (with Mttemess.) 
 A bride ! — Let me behold thy sword red with his blood. 
 Then hurl me in the flames of yonder city, 
 And let my dust be buried 'neath its ruins ! 
 
 END OF THE THIRD ACT. 
 
ACT IV. 
 
 SCENE J.-^The Plain before the City of Sorbiodunum. 
 Martial Music. 
 
 Enter Cerdic, Porta, Oric, Cissa, and Saxon Army, 
 
 CERDTC. 
 
 The purple banners of the advancing sun 
 Already float on yonder eastern sky ; 
 But ours shall wear a deeper sanguine stain 
 Than those, ere nightfall comes. There is a stir 
 On Caesar's city walls ; our trumpet notes 
 Have called the foe to action. — But say, where 
 Is the young ^theling Kenrick — why doth he 
 Still loiter in his tent ? He should have been 
 The first amid these gallant ranks to gird 
 His seaxen on his thigh, and shake the light 
 From his refulgent mail of ring- wrought steel. (61) 
 
 PORTA. 
 
 Lord of the Northmen, Kenrick has been sought, 
 But empty stands his tent ; he to the camp 
 Is not, as yet, returned. 
 
 CERDIC. 
 
 Not yet returned ! 
 Fly, seek him everywhere — search hill and vale ! — 
 No— 'tis in vain ! — ^his passion hath undone him ! 
 The twilight of his fame is on him fallen ! 
 
486 THE DRAGON-KING. [Act IV. 
 
 He is disgraced for ever ! I could pluck 
 
 My beard out by the roots with very madness ! 
 
 CTSSA. 
 
 The prince may yet arrive ere one brave sword 
 Clash on a British foeman's cloven helm. 
 
 CERDIC. 
 
 No ! — ^lie is lost ! to honour lost ! for love 
 
 Hath flung its spell of witchery o'er his heart, 
 
 And in the bowers of soft, voluptuous pleasure 
 
 Bound him a wiUing slave. May the dark prince. 
 
 That o*er the genii reigns of scorching fire, (62) 
 
 The curst enchantress blast ! who from his duty 
 
 Enticingly hath won him to her arms, 
 
 And darkened his young morn of bright renown ! 
 
 May she — who is a Christian maid — for this 
 
 Hereafter sink to those abodes of crime 
 
 Which never sunbeam blest, where tempests rain 
 
 Eternal poisons, and devouring wolves 
 
 The guilty rend ; where Pain and Sickness lie 
 
 Howling for ever on their snaky beds, 
 
 And Torment dwells with Horror ! 
 
 CISSA. 
 
 Goddess Freya ! 
 Is that a place for beauty to abide in ? 
 Shame on thee ! I would have those made for love, 
 Of every creed, to cross the rainbow-bridge 
 That to the god's glad home of pleasure leads ; 
 There, by _the honeyed fount of happiness, 
 On which the snow-plumed swans bright circles make 
 To their own melodies, the gentle creatures 
 Should, with the star-eyed destinies of Time, 
 Dance to the god-scald's harp beneath the ash, 
 The magic ash^ whose silver leaves o'ershade 
 
Scene I.] THE DRAGON-KING. 487 
 
 The crimson-clustered flowers of heaven's fair clime, 
 Till I arrived, led by the maids of war ; 
 Then should they in great Odin's solemn halls 
 Outpour for me the purple wine, and hail 
 My coming with soft smiles of rosy joy. (64) 
 
 PORTA. 
 
 Thy heaven above is still thy heaven below. 
 Pity thou couldst not make the last immortal, 
 Since that is certain, and none who have past 
 Death's iron portal ever yet returned 
 To blab of what's beyond. 
 
 CERDIC. 
 
 Hence with such folly ! 
 Hear me, ye chiefs ; ye Saxon soldiers, hear. 
 This fair betrayer of my kenrick''s honour, 
 My captive, whom I late was almost won 
 From the red knife to save, before you all 
 I, by the radiant mane o' th' sun's bright steed, 
 By the stern mother of death, by all the gods, 
 Swear to devote a victim at the altar ! — 
 Father of battles, hear my solemn vow ; 
 Give me yon city, and the maid be thine ! 
 On, gallant warriors ! onward to th' assault ! 
 
 \^ShoufSf flourish* — Exeunt, 
 
 SCENE 11,— Before the Walls of the City. 
 
 Enter Arthur, Meridoc, Roderic, Clydoc, Knights, and 
 British Army, from the gates. 
 
 ARTHUR. 
 
 The wolves of rapine are ah'cady roused 
 
 And howling for their prey. — Wc are prepared. 
 
488 THE DRAGON-KING. [Act IV. 
 
 The sun begins to mount the golden skies, 
 And his first rays dance on our sparkling helms 
 With happy omen. — Lift our blest banner 
 Wide on the morning winds, and fling abroad 
 The battle-summons from the brazen throat 
 Of the deep- thundering dudag, till the sound (65) 
 From hill to hill re-echoes. 
 
 Enter Merlin. 
 
 MERLIN. 
 
 Back, great king ! 
 Safe in thy towers remain another day. 
 I've seen a fatal vision ! There have been 
 Accents of sorrow whispered from the clouds. 
 I heard the solemn abbey's choral swell 
 Floating along the dim and hollow aisles, 
 And there were strains of saint and martyrs' harp, 
 With angel voices, low and sadly sweet, 
 Chanting a requiem o'er the blood-stained bier 
 Of kingly warrior in his dark tomb laid ! 
 Go thou not forth ! — This day is marked for ill 
 In Britain's calendar 1 Woe to her empire ! 
 The mighty pillar of the Cymry falls, 
 And all the goodly fabric it upheld, 
 In ruin sinks ! — Hark to the hateful yells 
 Of triumph from the northern birds of blood ! 
 The Saxon eagles on the fragments perch ; 
 There shall they make their home, in kingly power, 
 And with their brood divide the noble spoil ! 
 
 ARTHUR. 
 
 Prophet revered, recall thy gloomy words ; 
 Dishearten not these valiant sons of war 
 
Scene II.] THE DRAGON-KING. 489 
 
 With dark forebodings. Be it as it may, 
 I for my country and my God have drawn 
 This sacred sword, which I will never sheathe 
 While my strong arm can lift it in their cause, 
 Till I have swept the heathen from these shores I 
 Calmly as yonder sun, when tempests rise, 
 His course of glory follows, till he sets 
 Amid the crimson splendours of the west. 
 Will I, through battle-storm and danger press 
 To the bright goal of fame, though the red turf 
 Should my death-pillow be ! 
 
 MERLIN. 
 
 Ay, he must set ! 
 The sun, the light of Britain, set for ever ! 
 A wailing and a lamentation rings 
 From shore to shore ! Gird sackcloth on your loins. 
 Children of Britain, for your sun goes down ! 
 The demon of rebellion dashes him 
 From his bright sphere ! — Our glory is departed ! 
 Gone, gone ! for ever gone ! [Exit. 
 
 ARTHUR. 
 
 Rouse all, my knights, and mail yourselves in courage. 
 
 Arthur ne'er turned his back to proudest foe. 
 
 My country now is all that's dear to me ! 
 
 And by the holy sangreal, blood of Christ, (66) 
 
 I here devote myself, if heaven so will, 
 
 A victim for my country ! Let me die 
 
 For her a blessed martyr ! but O, give. 
 
 Give her the victory, that I may depart 
 
 Triumphant in her glory ! — Sound the charge ! 
 
 [Exeunt — shouts, music. 
 
490 THE PRAGON-KING. [Act IV. 
 
 SCENE 111.— 'Another part of the Field. 
 
 Enter J on one side, Cerdic, Oric, and Saxons j on the 
 other^ Arthur and Britons. 
 
 ^ , ARTHUR. 
 
 Wolf of the north, demon of blood and death, 
 
 Again meet we in fight for Britain's crown ! 
 
 Despoiler of my country, ocean-robber, 
 
 Why comest thou, like the red plague, on our shores, 
 
 AVith famine and destruction in thy train. 
 
 To curse the once happy dwellers of this isle ? 
 
 CERDIC. 
 
 Fool, 'tis the gods have sent us to these shores. 
 That we, the mighty, should the weak subdue. (67) 
 Why springs the yelling tiger on the stag. 
 The lion on the steed, his heart-blood quaffing ? 
 Why dashes from her cloud-encircled home 
 The eagle on the white flocks of the valley ? 
 Because the gods have to the powerful given 
 The courageless a prey. — Strength, strength is law, 
 And wide dominion, and by lawful conquest ^ 
 This island is our empire. — Wilt thou, then. 
 Dare to dispute our title ? 
 
 ARTHUR. 
 
 Ay, to death ! 
 There's not a Briton in the field this day 
 But will dispute it bravely. Saxon wolves. 
 Though bloodily ye leap into our fold, 
 Ye shall not find us lambs. — Sanctions no god 
 The title thou dost claim. Thy path is marked 
 With robbery, ruthless violence, and blood ! 
 Justice, the attribute of heaven, thou scorn'st, 
 
Scene III.] THE DRAGON-KING. 491 
 
 And all thy vaunt of power misused, is but 
 The savage triumph of a beast of prey. 
 
 CERDIC. 
 
 I came not here to bandy with thee words ; 
 Deeds of the sword are my best arguments. 
 If thou wilt yield this city and the land 
 Far as where Avon with the Severn blends, 
 There shall be peace betwixt thy realms and mine. 
 
 ARTHUR. 
 
 Peace ! There can be no peace with treacherous Saxons ! 
 
 Shall I, who have for Britain's freedom fought 
 
 So many battles, — from the north returned. 
 
 Where the huge Colgrin fell beneath my sword. 
 
 While I his camp of plunder made my spoil, 
 
 And drove the Picts and Scots beyond the Tyne, — 
 
 Shall I yield thee the princedom of the west ? 
 
 No — I demand the cities thou hast won, 
 
 For all the land is ours I — Go, get thee hence. 
 
 With these thy savage hordes of ocean-rovers ! 
 
 Go, seek a kingdom on the stormy deep, 
 
 And mayst thou find thy palace in its caves ! (68) 
 
 ORIC. 
 
 And why not claim my kingrick, too, of Kent, (69) 
 
 Which Vortigern to mighty Hengist yielded. 
 
 As tribute for protection to his throne 
 
 And craven subjects from the Scottish swords ? 
 
 ARTHUR. 
 
 Darest thou to name that pirate — a disgrace 
 
 To valour and to manhood ! He it was — 
 
 The wolf-eyed murderer ! — who, on yonder plain, 
 
 Met, at the kingly feast of amity. 
 
 The princes and the elders of this isle. 
 
 There did that blood-dog, shouting to his clan 
 
492 THE DRAGON-KING. [Act IV. 
 
 ' Saxons, your blades uncover !' draw his knife^ 
 
 And to the heart the brave Ambrosius stab, 
 
 As he the wine-cup lifted to his lips, 
 
 Pledging the Saxon's health ! Then rushed those slaves 
 
 On all the unarmed nobles of the land, 
 
 And strewed the splendid banquet with their limbs ! 
 
 Britons ! sons of the slain ! yon temple-rocks 
 
 Are yet encrimsoned with your fathers' gore ! (70) 
 
 Hear ye not, even now, those martyr-shrieks, 
 
 Those piercing cries in vain for life and mercy ? — 
 
 Still, still they ring from yonder fatal plain. 
 
 And call on you for vengeance ! — Let them rouse 
 
 Your gallant spirits bravely to requite 
 
 That hour of blood and treachery ! — Draw 1 and be 
 
 The battle- word, Our fathers, and revenge ! 
 
 CERDIC. 
 
 Awake the thunder of the sacred drums ! 
 Ye prophet-matrons, chant the battle-song ! (71) 
 Flames for the city ! death to all the Britons ! 
 {Flourish, shouts, general battle — The Britons retreat 
 slowly before the Saxons.) 
 
 SCENE lY. -—Another part of the Field— The City at 
 a distance. Alarums, excursions. 
 
 Enter Arthur. 
 
 ARTHUR. 
 
 Good Caliburn, thou reek'st with Saxon blood 
 E'en to the hilt ! yet Saxons still prevail. 
 Mother of God^ and all ye angel hosts, 
 Lend us swift aid against these heathen hordes. 
 
Sceue IV.] THE DRAGON-KING. 493 
 
 Who with false rites our altars have defiled ! 
 Here comes a noble foeman — Yield thee, chief ' 
 
 Enter Porta. 
 Or feel the vengeance of this lifted brand. 
 
 PORTA. 
 
 Yield ! — Never ! I have sent down Hela*s gulf 
 
 Too many deadly-handed sons of war. 
 
 To cower beneath the arm of mortal strength. 
 
 ; {They fight, Arthur disarms Porta.) 
 
 ARTHUR. 
 
 Thou art my captive, but I will not take 
 Thy life, though forfeited ; my Christian faith 
 Forbids me to destroy a conquered foe. 
 
 PORTA. 
 
 Know, Christian, I despise thy proffered boon : 
 A Northman scorns to accept life's worthless gift 
 From his subduer ! Never shalt thou quell 
 Th' undaunted spirit ! I have vowed to die 
 Free as I've lived, nor be a captive slave, 
 But in my armour like a hero fall ! 
 Still liberty is mine, and death's dark gate 
 My entrance into Odin's halls of pomp ! 
 Thus laughingly I welcome the grim king — 
 
 (Stabs himself with his war-knife.) 
 Thus dash off chains and bondage! — and my blood 
 Hurl at thee in defiance ! — Ha, ha, ha ! (Dies.) (12) 
 (Saxons driven across the field by Britons.) 
 
 ARTHUR. 
 
 Brave countrymen, the day shall soon be ours ! lExit, 
 
494 THE DRAGON-KING. [Act IV. 
 
 Enter Cerdic and Cissa. 
 
 CERDIC. 
 
 Fight, Saxons, to the last man ! Die or conquer ! 
 Shrink not before the feeble blows of cowards. 
 Are ye not of the blood of that brave race 
 Who on the shores of every land in Europe (73) 
 Have made all nations quake ? — Another struggle, 
 And victory shall be yours ! Look on those towers : 
 There ample booty every soldier waits, 
 Who handles well his arms. — Hurl, slingers, hurl 
 Your vollied showers ; bend, archers^ every bow, 
 And, like the lightning, launch your poisoned arrows. 
 Strike, swordsmen, strike on burganet and shield, 
 Like the huge mace of Thor ! — To fame and plunder ! 
 
 lExiU 
 
 Enter Arthur. 
 
 ARTHUR. 
 
 Another sea-king ! — Pirate dog, I greet thee 
 
 Thus for my injured country ! {They fight ^ Cissa. falls.) 
 
 Thy dark reign 
 Of robbery's at an end. — Mother of God ! 
 What do I see ? — The Saxon banner flings 
 Its white-horse folds from yonder palace towers ! 
 What ho ! my knights ! my knights ! Treason and death 
 Enclose us round ! — O, let my life atone, 
 Ye angry powers ! — ^Take me, but spare my country ! 
 
 [Exit, 
 
 Enter Oric and Withffar. 
 
 D 
 
 ORIC. 
 
 Ha ! Cissa fallen I 
 
Scene IV.] THE DRAGON-KING. 495 
 
 CISSA. 
 
 Witness, ye chiefs, I die 
 A fearless soldier's death. — Within yon tent 
 Waits my new queen, my best beloved, in vain, 
 To her all honours pay, and let her mount 
 My funeral pyre in state, that I may have 
 Due rites of sepulture. — Ye maids of war, 
 I hear your rushing steeds, I see your forms 
 Of brightness sweep across the blood-drenched field ; 
 Ye call me to the banquet of Valhalla — 
 I come, I come ! {Dies,) 
 
 ORIC. 
 
 Such rites as do befit 
 A kingly soldier's burial shall be thine, 
 And noble rise thy green tomb on the plain, 
 A monument to future years. (74) [Exeunt. 
 
 Enter Arthur. 
 
 ARTHUR. 
 
 Ho ! Clydoc ! Roderic ! Yet for Britain strike ! 
 
 Strike, till we fall together ! — Ah, the day. 
 
 The day I fear is lost ! — My bravest knights 
 
 Are on the plain, like red leaves strewed, when comes 
 
 The voice of autumn in the stormy gales. 
 
 Ha ! yonder gates are opened to the foe ! — 
 
 O, I could lift my voice, and o'er thee weep, 
 
 City beloved — thy doom I see is come ! 
 
 And soon shalt thou, a widow desolate. 
 
 In darkness sit, with ashes on thy head ! 
 
 Mouric advances from her gates, and joins — 
 
 The double traitor ! — with his country's foes I 
 
49G THE DRAGON-KING. [Act IV. 
 
 Enter Mouric. 
 
 MOURIC. 
 
 Proud Arthur, we are once more met, where thou 
 Didst least expect to find me — where both no more 
 Shall part with life ! — Hadst thou the victor been, 
 I had no mercy found — expect none now. 
 Tyrant, from me ! 
 
 ARTHUR. 
 
 Mercy from thee, false coward ! 
 Thou lecherous, loathsome, treason-spotted slave ! 
 Thy country's basest foe ! with whom compared, 
 Cerdic in brightness like an angel shines ! — 
 But thus do I my own and Britain's wrongs 
 Upon thy head repay. 
 
 {They fight, Arthur is severely wounded.) 
 
 MOURIC. 
 
 I would not quite 
 Destroy thee — linger on some hours in anguish, 
 To see the Saxons' triumph, and the fall 
 Of thy loved country ! — 'Twill add bitterness 
 To thy departing pangs ! — So fare thee well. 
 I've won a brave revenge ! (75) [^Exit, 
 
 ARTHUR. 
 
 O, thou hast won 
 Hell-blighting infamy ! — Thy name shall stand 
 To future ages as a mark for scorn 
 And execration ! On thy head the ban 
 Of heaven and thy distracted country falls ! 
 
 Enter Meridoc, Roderic, and Clydoc, 
 How goes the day ? — Is there yet any hope ? 
 
Scene IV.] THE DRAGON-KING. 497 
 
 MERIDOC. 
 
 Alas, there's none ! — ^Thy bravest troops are slain ! 
 The city by thy kinsman is betrayed, 
 The accursed Mouric, and the shouting Saxons, 
 Eager for plunder and bedrenched in blood, 
 Rush onward to our walls ! 
 
 ARTHUR, 
 
 Rally again I 
 The Saxon ranks are in disorder thrown 
 With eagerness to reach the city gates ! — 
 My standard ! ho, my standard ! Charge ! Dash on 
 
 them 
 Like famished lions ! — Shout ! shout for the cross I 
 
 Arthur will lead you yet to — O 
 
 (Faints in the arms of Meridoc.) 
 
 MERIDOC. 
 
 Sweet holy Virgin Mother! — He is dead ! 
 And all is over ! 
 
 RODERIC. 
 
 No, he yet revives. 
 Bind up his bleeding wounds. 
 
 ARTHUR. 
 
 O, my kind friends. 
 No longer can I for my country fight ;— 
 Weep not for me — 'tis Britain claims your tears. 
 Soft — take me from the field, for all is lost,— 
 To Avalonia's isle would I be borne ; 
 There, by its holy fountain, may these wounds 
 Perchance be healed. — But if I die, the veil 
 Of dim uncertainty fling o'er my fate. 
 My warlike name will keep the patriot fire 
 That burns in Celtic hearts, for ever bright ; 
 And when in after years shall other chiefs 
 
 2 K 
 
4^^ THE DRAGON-KING. [Act iV. 
 
 For Britain draw the sword, the wild harp's song 
 Will be of my return from fairy-land, (76) 
 To lead her gallant sons, and give them freedom ! — 
 Stanch these red floods ! — O Britain ! O my country ! 
 
 (Arthur is borne off. 
 
 Grand flourish — Enter Cerdic, Oric, Withgar, and 
 Saxons. 
 
 CERDIC. 
 
 Now the hard foughten field is bravely won, 
 And Caesar's palace ours ! — But Kenrick — may 
 The night-hag fasten on him ! — he is far, (77) 
 With bloodless sword, far from this scene of glory ! 
 Disgrace hath fallen on his war-honoured name ! — 
 He who, ensheathed in valour, should have stood 
 Amid the battle, like a giant pine, 
 Wrestling with the dark tempests of the north, — 
 He lingers in the enchanted bowers of love, 
 And for a woman's smile hath lost his fame ! 
 
 WITHGAR. 
 
 Worship of armies, these impatient bands 
 Thirst for the city's spoil. 
 
 CERDIC. 
 
 O, this deep grief. 
 And fierce resentment, and paternal love, 
 Make my wild bosom like the meeting place 
 Of many rivers, when the whirlwind sweeps 
 Their dark and troubled waters ! — From my heart 
 1 now could tear him, though twined round its stnngs. 
 Nor weep to see the headsman's fatal axe 
 Recking with his warm blood ! — The sorceress, she 
 Shall pay the forfeit due !- 1 do forget, 
 
Scene IV.] THE DRAGON-ICING. 499 
 
 Busied with these sad thoughts, the work which yet 
 Is to be done. — Brave soldiers^ on to plunder ! 
 All, all is yours ! — Slay, pillage, and destroy ! 
 And let the queenly city blaze to heaven, 
 An offering to great Odin, for the victory ! 
 
 END OF THE FOURTH ACT. 
 
 K2 
 
ACT V, 
 
 SCENE I. — Tlte Plain of Sorhiodunum beyond the 
 Camp of the Saxons, The City at a distance. 
 
 Enter Imogen ia. 
 
 IMOGENTA. 
 
 Kknrick has brought me to the Saxon camp, 
 And wild is he to find that yonder towers, 
 Ere his return, are taken. Hapless city ! 
 Thou art become a prey ; thy sons are led 
 Into captivity, thy daughters made 
 Slaves to a cruel foe. Yet is thy fate, 
 With all its terrors, blest, compared to mine ! 
 No slave am I, yet deadlier misery far 
 
 On me is fallen — for I O, what am I ? — 
 
 Cold, maddening horror all my heart-blood chills 
 To think on what I am— a foul apostate ! — 
 And now a fevered wildness on my brain 
 Comes^ like a thunder-tempest, and I feel 
 As if possessed with demons ! — Ah, the king I 
 
 Enter Arthur, borne on a litter by British Soldiers ; 
 Meridoc, Roderic, and Clydoc. 
 
 My brother ! O^ my brother ! 
 
 {Falls on his neck, and iveejos.) 
 
 ARTHUR. 
 
 Holy Mary, 
 
Scene I.] THE DRAGON-KING. 501 
 
 I thank thee that I live once more to see 
 My dear, loved sister, ere my spirit quits 
 This weary, war-demolished house of clay. 
 To find a better home. 
 
 IMOGENIA. 
 
 And is it thus 
 We meet again ? — Thy cheek is deathly pale ! 
 Is this the mighty hero of the battle, 
 The glory of the Cymri, and the shield 
 That guards his fallen country ? 
 
 ARTHUR. 
 
 Fallen, indeed! 
 And I, who stood amid the fields of war, 
 Like a strong tower above the ocean floods, 
 Am levelled by the storm, and nought remains 
 But the surge-vanquished ruins ! — Gentle sister, 
 
 ( Tempest at a distance.) 
 Come from the horrors which surround thee here. 
 And refuge take in Avalonia's isle. 
 A tempest gathers in the darkened sky — 
 Look not so wildly — I may yet survive, 
 To hurl destruction on this Saxon king. 
 And all his race accurst, 
 
 IMOGENIA. 
 
 O, curse thou not 
 The race of Cerdic, for prince Kenrick is — 
 
 ARTHUR. 
 
 A pagan wolf ! — and Til yet hunt him down ! 
 
 IMOGENIA. 
 
 0, not for worlds ! you must be friends and brothers. 
 
 ARTHUR. 
 
 Brothers ! — Ah me I thou art distracted grown 
 With long captivity. — Kenrick my friend ! 
 
502 THE DRAGON-KING. [ActV. 
 
 No : sooner would I call the savage elk, 
 Or the fierce bison, with his shaggy mane (78), 
 Brother and friend, than grasp his pagan hand, 
 Red with my country's blood ! — But I am faint. 
 
 And passion makes my wounds to bleed afresh 
 
 Come, sister, come with me. 
 
 IMOGENIA. 
 
 I cannot go. 
 
 ARTHUR. 
 
 What ! wouldst thou tarry here, to be again 
 The slave of Saxons ? 
 
 IMOGENIA. 
 
 Not their slave — no, no — 
 But their loved queen 
 
 ARTHUR. 
 
 My knights, convey her hence ; 
 Her wits do seem disordered. 
 
 IMOGENIA. 
 
 Touch me not ! 
 My Kenrick calls me hence ; I must away. 
 He waits 
 
 ARTHUR. 
 
 Thy Kenrick ! hell and madness ! 
 A horrid, dark suspicion o'er me comes. 
 This Kenrick, this base pagan 
 
 IMOGENIA. 
 
 Is — my husband ! 
 
 ARTHUR. 
 
 Mother of God ! take, take my soul to thee ; 
 For this last blow hath struck me to the heart ! 
 All maledictions light upon thy head I 
 Base one, accurst of heaven ! 
 
Scene L] THE DRAGON-KING. 503 
 
 IMOGENIA. 
 
 Hold, Arthur, hold ! 
 O, curse me not ! — Alas, alas ! he faints ! 
 I have destroyed my brother, and my soul 
 Given to the dreadful enemy of mankind ! 
 
 (Storm increases.) 
 Ye blackly-rolling clouds, dark as my fate, 
 Your crimson vials of wrath on me outpour. 
 And quench your burning arrows in my blood. 
 
 That I may be at peace.-- 1 merit all 
 
 Thine indignation, heaven ; but spare, prolong 
 My gallant brother's life ! 
 
 ARTHUR. 
 
 And did I dream 
 My sister, whom so tenderly I loved, 
 From fame, from honour, and religion fallen. 
 Had to a pagan — Britain's bitterest foe — 
 Her hand in marriage given ? — Say, Imogenia, 
 For mij sake say, that some malignant fiend 
 Has, in thy lovely form, belied thy truth. 
 
 IMOGENIA. 
 
 Ah me, my lord, 'twere false to say that I 
 Am not the wife of Kenrick. — But he is 
 So kind, so loving-gentle, and so noble — 
 Long I refused, till fondly won at last 
 By his perfections 
 
 ARTHUR. 
 
 Dark perdition seize him ! 
 May lightnings fasten on his form, till they 
 Change the betrayer to a blackened corse ! 
 O, had I strength, wild with distracting rage, 
 I should wipe out the foul disgrace thus cast 
 
^04 THE DRAGON-KING. [Act V. 
 
 Upon me with thy blood !^-Yet tell me all ; 
 How, when, where didst thou wed this pagan dog? 
 
 IMOGENIA. 
 
 I was devoted by the Saxon king 
 
 A captive victim to his gods of blood ! 
 
 To save my hfe^ — no, not my life, but Kenrick's^ 
 
 Who swore, if I would not become his bride, 
 
 He, at the altar of the dead, would plunge 
 
 The knife in his own heart ! . 
 
 ARTHUR. 
 
 Ah ! better far 
 Thy blood should o'er their hellish shrines have 
 
 gushed 
 Than thus, frail maiden, in thy weakness, yield 
 That beauty, blossoming on the kingly branch 
 Of ancient Christian lineage, to be plucked 
 By a vile pagan chief. 
 
 IMOGENIA. 
 
 O, had I fallen 
 A glorious martyr, then would heaven have flung 
 Her golden portals open to receive 
 The star-crowned Imogenia — now a sad, 
 Heart-broken wretch, bewilderingly I wander, 
 Mad with remorse and guilt ! — Subdued by love, 
 I fell ! I fell ! — and, by my Kenrick led. 
 With virgin train, and wreath, and trumpet-peal, 
 At midnight to the temple of his gods. 
 Became his wedded wife. O, 'twas a scene 
 Of boundless horror ! I am haunted still 
 With the remembrance of that dreadful hour. 
 When passion'^s joy and desolating crime 
 Closed round me like the storm, on whose dark skirts 
 
Scene I.] THE DRAGON-KING. 505 
 
 The sunbeams with the pale and ghastly lightning 
 For day's dominion struggle. 
 
 MERIDOC. 
 
 Hapless lady ! 
 
 IMOGENIA. 
 
 The hideous fragments of a human victim 
 
 Lay smoking on the altar, smeared with blood ! 
 
 Above the flames, like a grim giant, stood 
 
 The Saxon god of war, in brazen arms. 
 
 That o'er the place, where holy mysteries once 
 
 AVere celebrated of the Christian faith, 
 
 Dusky refulgence shed. A crowd of priests 
 
 And prophet- women gathered there, with knives 
 
 And hands dyed in the slaughtered victim's gore, 
 
 Darkly around me ; while terrific music 
 
 Along the hollow temple rose and fell, 
 
 Like those strange sounds that come from ocean-caves, 
 
 When the forewarning spirits of the storm 
 
 Fling on the winds the muttered spells of shipwreck. 
 
 Then was I led to cast into the flames 
 
 Incense to Thor and Odin, and renounce 
 
 All faith in Christ ! 
 
 ARTHUR. 
 
 And didst thou, couldst thou do 
 A deed so horrible ? 
 
 IMOGENIA. 
 
 I did! I did! 
 And lost me heaven ! — Yet smooth that brow of wrath — 
 O, hast thou ever felt what 'tis to love 
 With wild enthusiast passion ? If thou hast, 
 Some little pity still must in thy heart 
 Be found for ihy poor sister. 'Twas to save 
 My Kenrick from the tomb that I became 
 
506 THE DRAGON-KING. [Act V. 
 
 A base apostate. — Long did I refuse ; 
 Till moved the frightful statues of the gods, 
 As if with life inspired, and yell, and hiss, (79) 
 Came from their stony lips, with words unholy, 
 Denouncing death to Kenrick, if I dared 
 Refuse to be a pagan. Redder seemed 
 To glow the war-god's armour ; and methought 
 From the dim cloud of smoke that round him rose, 
 Glared fiendish eyes ; and shapes of ghastliness, 
 On pinions bright with lightning, hovered o'er me ! 
 Then through the aisles a thousand thunders broke, 
 In long and awful peal, to their foundations 
 The ponderous arches shaking! and each pause 
 Was filled with dirge-like wailings, as of ghosts 
 Wandering in torment ! From the altar-stone 
 The victim-skeleton raised his fleshless arm , 
 Black with the guilty flames ! Wildly I shrieked 
 With frantic horror, and the incense flung 
 Upon the dead man's bones amid the fire, 
 When the vast temple far and wide was Avrapped 
 In one undying blaze, while laughter rang, 
 From spirits immortal, in my frenzied ears. 
 And all hell seemed around me ! 
 
 ARTHUR. 
 
 Take me hence ; 
 I feel life ebbing fast. — I cannot bear 
 To look on one whom once I held so dear, 
 Now lost to me, to heaven, and to her country I 
 O, let me die, for I have sister, wife, 
 And empire lost ! — O, wretched, wretched Arthur ! 
 
 \_Ea;eunt — Arthur is borne off. 
 
 IMOGENJA. 
 
 Yet for one last embrace I — He's gone for ever ! 
 
Scene I.] THE DRAGON-KING. 507 
 
 I am cast off, abandoned, and accursed! 
 Why dart the flame-bright shafts of angry heaven 
 Above my head, yet scorn to strike a wretch 
 That loathes existence, and seeks death in vain ! 
 
 Enter Kenrick. 
 
 KEN RICK. 
 
 Why, dearest Imogenia, wanderest thou 
 From the protection of my watchful love, 
 When, drunk with conquest^ wild disorder reigns 
 Throughout the Saxon camp, and rape and murder 
 Are at their bloody work ? Nay, look not thus 
 Despairful, dear one. — Thou art deathly cold — 
 With me there"'s safety. Let this fond embrace 
 Warm thee to life and pleasure in these arms. 
 
 IMOGENIA. 
 
 Ah, thy love-beaming eyes shine on my woe, 
 Like the bright sun which from the tempest breaks 
 In glory o''er the ruins of that land, 
 Where with destruction and with death hath passed 
 The hill-uprooting earthquake ! Leave me, prince. 
 Leave me to wander in the desert world, 
 Far from the home of man, where I may find 
 Some lonely cave in which to weep and die. 
 
 KENRICK. 
 
 Die ! all the gods forbid. And wouldst thou leave 
 
 Thy Kenrick to despair ? — I who am driven 
 
 Almost to madness, who have honour, fame, 
 
 And warlike glory lost ? Was not the wreath 
 
 Of battle won, and I not in the field ? 
 
 The city taken, while with thee I lingered 
 
 Far from the scene of triumph ? Shame is fallen, 
 
508 THE DRAGON-KING. [ActV. 
 
 Deep, deadly shame, on my inglorious head I 
 I have lost all for thee ! 
 
 IMOGENIA. 
 
 No, thou hast yet 
 Thy better part preserved. Thou mayst be saved — 
 Become a Christian, and a kingdom waits 
 Thy happy spirit in the realms of bliss : 
 A kingdom and a crown, whose splendours will 
 Outshine the sun, and be immortal when 
 His orb shall from its golden sphere be dashed. 
 And darkness quench his lustre. — I have cast 
 Deep midnight on that beam of Deity 
 Which lighted up this clay. Dark, dark am I, 
 Save when the lurid fires of hell blaze forth, 
 Still burning, burning here ! 
 
 KENRICK, 
 
 Sweet Imogenia, peace (Storm,) 
 
 IMOGENIA. 
 
 Peace ! — No, I'm doomed to everlasting woe ! 
 Hark ! how those terror-sounding thunders roll ! 
 Spirits of wrath from their fleet pinions shake 
 The lightning's blood-red vengeance on the guilty ! 
 
 (The City appears inflames.) 
 It is the voice of Him I have renounced ! 
 It speaks dread condemnation to the apostate ! 
 Hear'^st thou not those soul-harrowing shrieks of murder 
 From yonder towers ? — And see, the flames ascend ! 
 The city blazes to the clouds ! The clouds 
 Dash downward fire on fire; and earth and heaven 
 Are in one awful conflagration wrapt ! 
 Away, away ! I'll mount the battlements. 
 And leap into the burning gulf below ! 
 \_Ilushes wildly off^ Kenrick endeavouring to restrain her* 
 
Scene II.] THE DRAGON-KING. 509 
 
 SCENE II. — The Pavilion of Cerdic illuminated ivith 
 the distant fire of the City, 
 
 Enter Cerdic, Oric, Withgar, Saxon Officers, and 
 Soldiers, 
 
 CERDIC. 
 
 City of Caesar, who didst proudly sit 
 Queen of the West, high on thine ancient throne, 
 Scorning to yield, how art thou humbled now ! 
 The tempest^ as it fans thy funeral pyre. 
 Howls forth its joy, and all our mighty gods 
 Shout o'er thy fall, making the hollow arch 
 Of heaven resound with thunder ! Arthur slain, 
 Or fled disgraced for ever; our great triumph. 
 Chieftains, is now complete, and we have fixed 
 The Saxon monarchy in this fair isle 
 Immoveable, till o'er the world shall come 
 The twilight of the gods. 
 
 ORIC. 
 
 Cissa is fallen, 
 And Porta feasts with Odin — all the South 
 Will we divide between us. — That bold stroke 
 Of policy shall to my throne of Kent 
 Give the Bretwaldaship o'er all the Saxons. — (Aside.) 
 
 CERDIC. 
 
 Agreed, brave son of Hengist. — Withgar, thou 
 The thane shall be of Guithor's isle, that rears 
 Its white cliffs o'er the southern main, and drive 
 The Britons out, or make them all thy slaves. 
 But, sad to say, a dark cloud comes across 
 The brightness of my conquest. He who stands 
 
5l0 THE DRAGON-KlNa [Act V. 
 
 Next in degree to our war-gotten throne. 
 
 Has on his shield of honour cast a stain 
 
 Which blood must soon wash out. He, I am told. 
 
 With his fair captive maid of royal line, 
 
 Is to the camp returned. — Bring the disgraced 
 
 WITHGAR. 
 
 Queller of kings, he comes. 
 
 Enter Ken rick. 
 
 CERDIC. 
 
 Thou recreant slave !— < 
 That I should live to call one, in whose veins 
 The blood of Cerdic flows, by such a name ! 
 Thou hast thy birth dishonoured, and plucked down 
 That shame, which most a gallant soldier fears. 
 Upon thy head, its garlands blasting all ! 
 How canst thou answer to these eorls and thanes 
 For battle-vows by thee so basely broken ? 
 
 KENRICK. 
 
 I own, redoubted lord of bannered hosts, 
 
 With shame I own, that I have failed in duty 
 
 To these brave warriors and the Saxon nation, v 
 
 But thou, and all who in thy presence stand, 
 
 Will, for those deeds my battle-blade has done 
 
 In other fields, acquit me here this day 
 
 Of cowardice, that basest crime which stains 
 
 The soldier's name. When I these war-tents left, 
 
 I thouoht at mornino^-lifrht to stand amidst 
 
 The foremost in the ranks. — Love, powerful love — 
 
 And who among the sternest of you here 
 
 Has lived till now, and never felt its influence ? — 
 
 'Twas love my absence claimed. A captive maid, 
 
 Whose beauty not those goddesses that dwell 
 
Scene II.] tHE DRAGON-KlNG. 5ll 
 
 In Odin's halls can equal, by my sire 
 Was doomed to death, if she consented not 
 To worship at our altars : 'twas to win 
 Her to our faith, to save her life, and make 
 The lovely one my bride, that lost me all 
 The fame I should this day in fight have won. 
 But here I pray by Irminsul's red banner, (80) 
 His blood-besprinkled altar and his shield. 
 My death may not be on the corse-strewed plain, 
 Nor my last bed the warrior's crimson pyre. 
 If I do not retrieve my glory lost. 
 In the next battle field. 
 
 CERDIC. 
 
 There is one way, 
 One only way by which thy blighted wreaths 
 Can bloom again, — by which thou canst restore 
 Thy tarnished honour to its wonted brightness, 
 And be my son again. 
 
 KENRICK. 
 
 O, name it, name it ! 
 
 CERDIC. 
 
 Lead to the altar her who tempted thee 
 
 Thy battle vow to break, and plunge thy knife. 
 
 As Odin's priest, in Imogenia's heart ! 
 
 KENRICK. 
 
 She is my bride ! my bride ! my wedded bride ! 
 
 CERDIC. 
 
 The nobler then the sacrifice which thou 
 Shalt make to injured honour ! — Not ten cities 
 Sacked by thy sword shall raise thy fame so higli, 
 Or win such worship from the Saxon host^ 
 As this heroic deed ! 
 
512 THE DRAGON-KING. [Act V. 
 
 KENRICK. 
 
 Hell-deed of murder ! 
 She has her gods abjured, and bowed the knee 
 Before great Odin''s image ! 
 
 CERDIC. 
 
 Well, young prince. 
 The worthier is she then to be an offering 
 To him the lord of battles, who will now 
 Into his paradise the maid receive 
 With all the pomp of heaven, and place her near 
 His thunder-throne of glory. (81) 
 
 KENRICK. 
 
 . At thy feet 
 The wretched Kenrick kneels to thee for mercy ! 
 Soften that solemn sternness in thine eye, 
 Nor, for one error, plunge thine only son, 
 Like a huge billow, rushing o'er the wreck. 
 To wild despair's dark gulf ! — I cannot live 
 If thou bereave me of my Imogenia ! 
 O, think how tenderly thou lovedst me once. 
 And, when a boy, how in the art of war 
 Thou schooledst me ever with a father''s pride* 
 And have I not, till now, thy bright track followed, 
 As, near its parent's wing, undazzled, soars 
 The sun-born eaglet in the cloudless blaze ? 
 
 CERDIC. 
 
 Dishonoured vows have dashed thee from thy sphere ; 
 Thy lofty claims are perished in their brightness, 
 As falling stars are in the tempest lost. 
 
 KENRICK. 
 
 The crowned with conquest and with empire, thou 
 Shouldst in thy glory that compassion feel 
 Which o'er the victor flings the brightest lustre, 
 
Scene I.] THE DRAQON-KING. 513 
 
 Which to the laurel all its splendour gives. 
 
 Let a kind father plead for his lost son ; 
 
 Listen to thine own heart, and mercy there. 
 
 Will find her home of love, will o'er the storm 
 
 And whirlwind passions of this bosom fling 
 
 The sunbeam of forgiveness. 
 
 O, yield me Imogenia, and for aye 
 
 Banish me hence, a wandering, outcast slave : 
 
 Crowns, empires, all will I give up to save 
 
 My Imogenia's life ! 
 
 CERDIC. 
 
 Weak-minded boy !— 
 Where is she now ? 
 
 KENRICK, 
 
 Alas^ in yonder tent* 
 
 CERDIC, 
 
 Go, place a guard, with all due honour, round hef. 
 Prepare the awful rites 1 Call every priest 
 And prophet-matron to the solemn scene. (8^) 
 
 \_Exeunt Officers. 
 
 KENRICK. 
 
 Hear, father, hear my cries of wild despair ! 
 
 If ever pity touched thine iron heart, 
 
 O save her, save her from the bloody knife ! 
 
 CERDIC. 
 
 Hear me, my son — Heaven witness that I feel 
 For thy distress ; but not, like thee, dare I 
 Break for a vi^oman, though more beautiful 
 Than the bright queen of elves, my solemn oath. 
 Before the sun, the army, who my vow 
 All witnessed, on the battle-eve I swore, 
 By Odin, mighty spell-god ! if he gave 
 
 2L 
 
514 THE DRAGON-KING. [Act V. 
 
 The city to our swords, I at his shrine 
 I'his captive maid in sacrifice would offer. 
 
 {Soldiers shout, A sacrifice ! A sacrifice !) 
 
 KENRICK. 
 
 Stern-minded sons of battle, scorn ye .thus 
 The anguish of a brother warrior's heart ? — 
 Keep thy dread oath, and I'll the victim be ! 
 My blood shall Imogenia's life redeem. 
 Here is my naked bosom — soldiers, strike ! 
 Strike to the heart ! Fulfil my father's vow ! 
 
 CERDIC. 
 
 Away ! thou ravest — thy passion maddens thee. 
 
 KENRICK. 
 
 Mad let me be ! — O, for the thunder's might 
 
 To hurl the red hot bolts — —No, not on thee — 
 
 Not on thy head, my father. I'll endure 
 
 The miseries of my fate a little longer ; 
 
 Endure with bravery, and with bravery die. [Exit. 
 
 CERDIC. 
 
 I can the starting tear restrain no longer. — 
 
 Shame to the Saxon soldier ! 'tis unseemly. 
 
 What must the father's feelings be, when they 
 
 Can make e'en Cerdic weep ! — Let me be firm. 
 
 Kenrick, though priest of Odin, will not smite 
 
 The victim-bride — Nature forbids the blow ; 
 
 But if not guarded will himself destroy. 
 
 Demand his sword, watch him with care, and let 
 
 The Adelrunae take the captive's life. [Eseunt Officers, 
 
 Enter Officer. 
 
 OFFICER. 
 
 Mouric, the Briton, who betrayed the city. 
 Was by a woman slain amid the streets, 
 
Scene I.] THE DRAGON-KING. 515 
 
 AVho, from a burning tower, hurled on his head 
 A mighty stone. 
 
 CERDIC. 
 
 It was a just reward. 
 (The body of Cissa is brought in by Soldiers on their 
 shields.) 
 My gallant prince, thou hast right nobly fallen ; 
 And for thy funeral shall a stately pyre 
 Blaze to the midnight clouds. 
 
 ORIC. 
 
 He did request, 
 When dying on the field, his best-loved queen. 
 Now in his tent, might mount the smoky pile. 
 And join him in Valhalla^s blissful halls. 
 
 CERDIC. 
 
 Withgar, go lead the honoured lady here, 
 She on a gorgeous throne of fire shall sit, 
 
 lEa;it Withgar. 
 A crowned queen in majesty and pomp. 
 Seven war-steeds shall of noble breed be slain, 
 And seven brave British captives of yon city, 
 To his departed shade. Fling on the pyre 
 The regal banner and the golden shield, (83) 
 The glittering mail, the gore-empurpled robe. 
 And let the scalds with harp and trumpet sound 
 The chieftain's fame, that Odin''s cloudy halls. 
 As he ascends, their thunder-crashing gates 
 May open fling, and gods and heroes hail, 
 With loud acclaim, the warrior's kingly coming. 
 
 Enter Gwenyfar and Withgar. 
 
 GWENYFAR. 
 
 The deadly strife and the wild shriek have ceased 
 
 2 L 2 
 
516 THE DRAGON-KING. [Act V. 
 
 In yonder streets, where all is desolation ! 
 
 Thou, like a black and burning mountain, stand''st, 
 
 city of the sun ; and o'er the heavens, 
 
 As flaming fragments fall of tower and temple, 
 Rush upward crimson streams ! — Where stay so long 
 Thy chariot-wheels, O warrior of the south ? — 
 Why comest thou not from the red fields of death ? 
 Revenge waits for thee, with her vulture glance. 
 Claiming the blood-stained trophy of thy sword. — 
 Ha, dead ! — cold on his gory shield he lies. 
 Would I were sleeping with him ! 
 
 CERDIC, 
 
 Soon thy wish 
 Shall be accomplished. Hail, fair lady ! I 
 Now wait to lead thee in proud triumph forth 
 To mount the funeral pile of thy dead lord ! 
 High on his death-throne shalt thou sit a queen. 
 With purple flames of glory curtained round. 
 And, happy pair, as ye to ashes sink, 
 Amid the shoutings of the Saxon host. 
 And victor-song from pealing trump and harp, 
 Your spirits to the skies shal upward soar, 
 Attended with due pomp of captive slaves, 
 And banquet 'mid the gods. 
 
 GWENYFAR. 
 
 Away, dark chief! 
 I'll not endure thy demon-glance of scorn ; 
 
 1 will not be the mock and scoff of pagans, 
 Nor mingle in their horrid rites of blood. 
 
 CERDIC. 
 
 The mock and scoff! — When on the flame-pile throned, 
 Thou wilt be worshipped by the Saxon host 
 As a bright goddess. 
 
Scene I.] THE DRAGON-KING. 517 
 
 GWENYFAR. 
 
 What! must I be burnt? 
 Consumed to ashes ? feel the hungry flames 
 Feed on my quivering limbs while yet aUve ? 
 O, I will rend the heavens with my shrieks I 
 Fiends ! murderers ! monsters ! — Is it come to this ? — 
 Guilt, thou hast brought these horrors on my head. 
 O, Mouric, Mouric ! had I never listened 
 To thy betraying tongue, I had been blest. 
 
 CERDIC. 
 
 Fire the red pile, and chain her to its summit ! 
 
 GWENYFAR. 
 
 Blood- wolves and demons ! curses on you light I 
 Accursed are your hell-like customs all ! 
 Flames ! flames ! I feel them scorching to the bone ! 
 Flames here, and flames hereafter, which will burn 
 Unquenchable ! — My brain, my brain's on fire I 
 Deaths death ! — O, for eternal death 1 
 
 [Gwenyfar is led off, 
 
 CERDIC. 
 
 These are your coward, Christian wives, who shrink 
 From that high glory which awaits the brave. 
 Sound all the trumpets there, and let the drums 
 Her maniac ravings drown. The hour draws near 
 In which this captive-bride must be led forth. 
 And yield her spirit to our warrior-god. 
 
 [Mmsic. — ExeunU 
 
^18 THE DRAGON-KING. [Act V. 
 
 SCENE II.— 2%e Tent o/Kenrick. 
 Imogenia and Kenrick discovered on a couch, 
 
 IMOGENIA. 
 
 Grieve not, my dearest Kenrick ; I'm resigned, 
 And calmly wait my summons to the grave. 
 This scene of woe and suffering soon will close. 
 And I shall die the martyr's glorious death, 
 And expiate ray crime. I feel no more 
 The terrors of the apostate. Dark despair 
 Yields to a heavenly dawn of peace and hope. 
 I shall find mercy at the throne of God, 
 Through Him, the sinner's friend. 
 
 KENRICK. 
 
 I have no hope on earth ! When thou art gone, 
 No sun will shine for me 1 O, that my blood — 
 How freely would I shed it ! — might redeem 
 Thy life, my Imogenia. 
 
 IMOGENIA. 
 
 We shall soon, 
 If thou wilt be a Christian, meet again ; 
 Meet where no cruel father shall divide us. — 
 Hark to that music ! — not of earthly strings : 
 It has a sound of heaven. — Thou hear'st it not. 
 It is the requiem-lay of martyr-band. 
 Sun-radiant pinions glance through yonder cloud. 
 Waiting to bear me hence. — Those blessed strains 
 Breathe pity and forgiveness. — Weep not thus — 
 A few short moments, and I shall be happy. 
 
 KENRICK. 
 
 While I, till death release me, must endure 
 Those heart deep agonies no time can heal. 
 
Sceuell.] ' THE DRAGON-KING. 519 
 
 Not one faint ray o'er my despair shall gleam, 
 For thou wilt on thy Kenrick smile no more ! 
 
 IMOGENIA. 
 
 Alas for me ! — I wbuld restrain my grief, 
 But when I look on that pale brow, I feel 
 The martyr's strength expire, and fond affection 
 Bursts forth in floods of tears. — Ah, my loved Kenrick ! — 
 
 {Falling on his bosom.) 
 
 Yet, for thy Imogenia's sake, be calm 
 
 Aid me, O aid me, to support his anguish. 
 For my poor heart is breaking ! — When thine eye 
 Shall gaze hereafter on that beauteous star. 
 Now setting o'er those mountains of the west^ 
 Wilt thou not think of thy loved Imogenia, 
 And this sad parting hour ? 
 
 KENRICK. 
 
 O, never more 
 Shall I behold that bright star of the west. — 
 Kenrick with thee will die ! 
 
 IMOGENIA. 
 
 All heaven forbid ! 
 No fatal mischief on thyself commit. 
 I would depart in the fond hope that we, 
 Ere long, shall meet again in brighter worlds. 
 My spirit o'er thy midnight couch shall watch, 
 And oft shalt thou behold thy Imogenia 
 Brighter, far brighter, in thy happy dreams ! {Music.) 
 
 KENRICK. 
 
 They come, they come to tear our hearts asunder ! 
 
 Relentless father ! — O, my Imogenia, 
 
 I cannot give thee up ! I'll twine these arms 
 
 Thus round thy neck, and he that strikes shall wound 
 
 Thee through my bleeding heart ! 
 
520 THE DRAGON-KING. [Act V. 
 
 IMOGENIA. 
 
 Let this sad kiss. 
 
 This farewell kiss it is, it is the last ! 
 
 O, let it calm the wildness of thy soul, 
 
 And be it long remembered on thy lips ! • 
 
 Now summon all thy manly fortitude 
 
 To say farewell for ever 1 
 
 (Kenrick remains motionless with grief. 
 Indeed, indeed, for young hearts, bound so closely 
 In lover's strong bands, 'tis dreadful thus to part ! 
 O, ye bright saints and martyrs, for your strength 
 
 To bear this awful trial 
 
 For thee to Heaven I lift my latest prayer, 
 
 O, mayst thou be a Christian ! — Nay, yet speak, — 
 Sweet Kenrick, speak — O;, let me once more hear 
 Thy soothing voice ! — Dear Kenrick, say farewell ! 
 
 Enter Cerdic, Oric, a7id Withgar ; a train of Priests 
 with torches and the sacred fire; the chief Adelruna 
 bearing the sacrificing- knife y followed by Prophetesses 
 and Virgins with garlands. Scalds, with harps and 
 trumpets ; Saxon Officers and Soldiers, carrying the 
 white-horse banner ^ (^'c, forming a grand procession^ 
 to wild and solemn music, 
 
 FIRST ADELRUNA. 
 
 Come, victim-bride, the altar for thee waits. 
 
 IMOGENIA. 
 
 Hear me, dark war- king of the lion-glance. 
 
 Ye savage women, and ferocious priests, 
 
 Lift up your eyes to yonder gorgeous heavens : 
 
 Behold how He, the eternal God of gods. 
 
 Has showered yon sapphire depths with golden orbs, 
 
Scene II.] THE DRAGON-KING. " 521 
 
 And filled all worlds with life, and joy, and love : 
 
 Can such a God delight in altars heaped 
 
 With smoking flesh, and mangled limbs, and blood ? 
 
 No ; the pure sacrifice which He requires, 
 
 Is love to Him, and mercy unto all, — 
 
 For He ©""er all hath still a father's care. 
 
 Ye know him not, remorseless, proud destroyers ! 
 
 Yet earth and heaven are splendid with His shadow ! 
 
 Yon stars are but the dust of his bright path ; 
 
 His dark pavilion is the stormy cloud ; 
 
 His voice the thunder, and His smile the sun ! 
 
 The years will come, when your false gods and faith 
 
 Shall vanish from the earth, and be the dream 
 
 Dark of the ages past. One moment more 
 
 Hear, all ye Saxons ; hear, ye martyr-bands, 
 
 Who gloriously have passed through flames and blood ; 
 
 And all ye cherubim, who yonder sit 
 
 High on your golden thrones of brightness, hear, 
 
 And witness that, with deep contrition, I 
 
 Renounce all pagan gods, and die a Christian ! 
 
 {The music strikes up, and the procession begins 
 slowly to move, with Imogenia placed between 
 the Priest with the sacred fire and the Adelruna 
 with the sacrificing -knife. Imogenia extends her 
 arms to take a last farewell of Kenrick, who^ 
 starting, rushes towards her,) 
 
 KENRICK. 
 
 I come ! I come ! O, Imogenia, O ! 
 
 {Falls : Imogenia shrieks, and falls on him, — The 
 characters form a picture round them,) 
 
NOTES. 
 
 (1) CyinbalSy trumpets, and clashing of spears, . .p. 415. 
 
 Cymbals were used by the Saxons, as may be seen in Bede, 
 vol. viii. 1062. 
 
 (2) A triumphal car of shields t hung with garlands^ and home 
 by Saxon soldiers. . . p. 415. 
 
 Among the northern nations their new king was carried on the 
 shoulders of their chiefs or senators ; from which custom we pre- 
 serve, says the translator of Northern Antiquities, in England to 
 this day, the rehc of carrying our members of parliament, as 
 soon as they are elected, in chairs on the shoulders of the bur- 
 gesses. 
 
 (3) ye have set the crown 
 
 Of anew kingdom on these war-scathed brows. . . p. 415. 
 
 The crown was always elective among the early Saxons. 
 
 (4) I now swear 
 
 To observe the laws, defend my new-won power. 
 
 On every side extend my kingdom's limits. . . p. 416. 
 
 This was th^ exact coronation oath of the Saxon war-kings. 
 
 (5) By Nazanleod led from many realms. . . p. 416. 
 
 Nazanleod fell in battle, leading the greatest army that the Bri- 
 tons had ever assembled to check the progress of the Saxons. He 
 was slain with five thousand of his followers ; and so great was 
 the disaster, that the region far around the scene of conflict was 
 
521 NOTES TO THE DRAGON-KING. 
 
 for ages called by his name. This place has been long disputed 
 by authors ; but as the Saxon name of the New Forest was 
 Ytene, which certainly has a great affinity to Natan, pronounced 
 Naetaen, we think the learned Dr. Milner perfectly right in assign- 
 ing the scene to the New Forest. 
 
 (6) arid made thy fame immortal 
 
 As our great father-gods ! . . p. 416. 
 
 It is well known that all the Saxon kings derived their genea- 
 logy from Odin, the Scandinavian god of war. 
 
 * The Gothic nations, according to their different dialects, called 
 him by various names, as Woden, Oden, Odin, Othen, and 
 GoDAN and Gugdan. The Saxons called him EoptJen, and the 
 Dutch GuoDKN. Sometimes he was called Wode, Ode, Gode, 
 and GuoDE ; and also Woen and Goen. He is sometimes called 
 All-father, the father of the gods; and Wal-father, the 
 father of Slaughter, because they are all his beloved sons who 
 fall in battle, whom he takes to himself into his palace, called 
 Walholl, and Wingolf, where they are called Ginheriar, that 
 is, the only heroes.' — Brit. Antiq. Illustra. 
 
 The Anglo-Saxons and the Danes paid the highest honours to 
 Odin ; the Norwegians and Icelanders to Thor ; and the Swedes 
 to Friga. 
 
 (7) and all his men of mighty 
 
 Whom I devoted to the god of war, . . p. 416. 
 
 * The warriors of the North, who went to battle, made a vow to 
 send Odin a certain number of souls, which they consecrated to 
 him. The souls were Odin's right ; he received them into Val- 
 halla, his ordinary place of residence, where he rewarded all such 
 as died sword in hand.' — North, Antiq.t vol. ii. p. 75. 
 
 (8) Henceforth that noble city shall be called 
 Win-ceaster. , , p. 416. 
 
 Winchester. — * Its magnificent cathedral was made subservient 
 to the gloomy and impure rites of the Saxon idols, Thor, Wodin, 
 Frea, and Tuisco.' — Dr. Milnefs Hist, of Winchester. 
 
 They had a temple (Pontamus M. Adamus) all wrought with 
 gold, in which was exposed to view tliree of their principal gods. 
 
NOTES TO THE DRAGON-KING. 525 
 
 (9) I am one 
 
 Who minister before great Odin's shrine^ . • p. 417. 
 
 * They often united the priesthood and the sovereignty in their 
 own person, after the example of Odin. And it was in conse- 
 quence of that custom that, in later times, kings still performed 
 some functions of the priesthood, or set apart their children for an 
 office so highly revered.' — North. Antiq, 
 
 (10) By our famed father's runes and magic spells. . . p. 417. 
 
 * The same ignorance which made poetry to be regarded as some- 
 thing supernatural, persuaded them also that the lettejs or runic 
 characters, which were then used by the few who were able to 
 write and read, included in them certain mysterious and magical 
 properties.' — North. Antiq. 
 
 * It is sufficient to know that the word runa, in its proper sense 
 signifying letters, is of great antiquity, and higher than Wodin, 
 and is derived, in all probability, from ryn, sl furrow; but the 
 abusive acceptation of it for magic is more modern, begun in the 
 time of Wodin, when the people were persuaded by their priests 
 and impostors, that the characters themselves had a secret power 
 and operation in them to work miracles.' — Brit. Antiq. Jllustra. 
 
 * Wormius says, that the Gothic race gave themselves names} 
 from these runes. From whence came Guthrun, or Gothic Runn; 
 Sigtrun, or victorious Runn ; Runulpher^ helping Runn ; Run- 
 geiry warlike Runn : so with women, Solruna, Sigruna, Ofruna, 
 Auruna, &c. &c. 
 
 (11) Have, in mysterious songs, amid the temple y 
 
 Chanted dominion, power, and boundless glory. . , p. 417, 
 
 * They (the Goths) "had oracles, like the people of Italy and 
 Greece ; and ^these oracles were not less revered, nor less famous 
 than theirs. It was generally believed, either that the gods and 
 goddesses, or, more commonly, that the three destinies, whose 
 names I have given elsewhere, delivered out their oracles in their 
 temples.' — M. Mallet, 
 
 (12) To Cerdic and his line, whose ancient house 
 
 Has for its founder our chief god himself. , , p. 417. 
 
 Cerdic was reckoned the tenth in descent from Odin. 
 
526 NOTES TO THE DRAGON-KING. 
 
 Gibson expressly says, * It is from Odin all our royal families 
 derive their descent.' 
 
 (13) My sword and battle-axe are all the gods 
 To whom I homage yield. . . p. 417. 
 
 * From the earliest antiquity they paid divine honours to their 
 swords, their battle-axes, and their pikes. The Scythians com- 
 monly substituted a sword as the most proper symbol to represent 
 the supreme God.' — M. Mallet. 
 
 (14) nor do I heed the creeds 
 
 Of Christian or of Pagan. ^ .p. 417. 
 
 In the history of Olave, king of Norway, a warrior publicly 
 declares that he relies more on his own strength, and on his arms, 
 than upon Thor or Odin. Another says, in the same work, ' I 
 would have thee know, that 1 believe neither in idols nor spirits ; 
 I have travelled in many places ; I have met with giants and mon- 
 strous men ; they could never overcome me ; and to this hour my 
 own force and courage are the sole objects of my belief.' 
 
 * But the followers of the prevailing religion ^ormiirnQs punished 
 these irreligious persons. In the above work mention is made of 
 a man who was condemned to exile for having sung, in a public 
 place, verses to this purpose : — " I will not insult or affront the 
 gods ; nevertheless, the goddess Friga inspires me with no 
 respect. It must certainly be, that either she or Odin are chime- 
 rical deities."' — This last line, perhaps, should be, neither she nor 
 Odin are anything to us.' — M. Mallet. 
 
 (15) but, by the white 
 
 And holy steed of prophecy, I sioear. . . p. 4 1 7. 
 
 * Besides the inspection of the entrails of beasts, they (the 
 Saxons) especially observed the neighing of horses. For this 
 purpose the whitest that could be picked out were kept, at the 
 public charge, in groves and places set apart for them. These 
 were never set to common work, but drew the holy chariot, which 
 was followed by the priest and king, or prince of the city. Their 
 presages, of all others, carried the greatest credit, both with 
 priest,, people, and prince ; for they looked on themselves as the 
 servants of the gods, but on these horses as their intimates,' — - 
 ^rit, Antiq, lllustra. 
 
NOTES TO THE DRAGON-KING. 527 
 
 I have no hesitation in asserting, that the worship which the 
 Anglo-Saxons paid to white horses, was the origin of those figures 
 of white horses which are to this day seen on the sides of many- 
 hills in different parts of England :--for instance, the one in Berk- 
 shire, which Wise, and other writers adopting his opinion, have, 
 I consider erroneously, ascribed to Alfred, as a trophy of his great 
 victory over the Danes at Ashdown. The enormous giant cut 
 out on the side of a hill above ihe town of Cerne in Dorsetshire, 
 is not only considered to be of great antiquity by antiquarians, 
 but also to be a representation of some Saxon god. He was called, 
 says the historian of that county, Heil. But, from the circum- 
 stance of his having a large club in his hand, I think it far more 
 likely to be an image or figure of Thor with his mace, the only 
 weapon that god is supposed to have used. There is one of the 
 sacred horses near Westbury in Wiltshire, well cut ; and another on 
 a hill not far from Marlborough in the same county. They are of 
 high antiquity, and still venerated by the common people. Tra- 
 dition ascribes them all to Alfred ; but I believe them to be of far 
 earlier origin, and designed not only as sacred objects of worship 
 and veneration, but also as noble and imperishable monuments 
 of the proud triumphs and conquests of the pagan Saxons over 
 Christianity and its followers the Britons. 
 
 (16) /, lord of shields i only believe in him 
 
 Who made yon sun, the fulgent torch of heaven. . . p. 418. 
 
 Harold Harfagre, the first king of all Norway, declared in the 
 midst of a large assembly of his people, ' I swear and protest, in 
 the most solemn manner, that I will never offer sacrifice to any of 
 the gods adored by the people, but to him only who hath formed 
 this world, and every thing we behold in it.' 
 
 (17) The proud Bretwaldas of the Saxon realms.. . . p. 418. 
 
 The Bretwalda was a title assumed by the chief king of the 
 Saxon octarchy, whoever he might be at the time ; similar in im- 
 port to the British Pen-dragon, or Pen-teyrn, implying the chief 
 king. The British Unbenaeth, and the Saxon Britwaldaship, was 
 the headship or monarchy over all the tribes. 
 
 (18) Weeps golden tearSy and reigns the queen of love. , . p. 418. 
 
 * Freya, the goddess of love ; the Nome, who weeps golden 
 tears; — Vide the Edda, 
 
528 NOTES TO THE DRAGON-KING. 
 
 (19) Nine to the bridal couch 
 
 Have I already led. . . p. 418. 
 
 * Among the Goths, men of wealth and power considered a 
 number of wives as a mark of grandeur ; and, according to Taci- 
 tus (Germ., c. 20), political reasons also sometimes brought about 
 these matches. The Christian religion, not without great diffi- 
 culty, got the better of this custom ; which still prevailed in the 
 North so late as the tenth century. One of the wives seems to 
 have possessed a superior rank, and to have been considered as 
 the chief and most legitimate. But as it was her distinguished 
 prerogative to accompany her lord to the grave ^ or fimei'al pile, 
 she would hardly be an object of envy or jealousy among the ladies 
 of the present age.' — North. Antiq. 
 
 Mud-suffocated, a base coward's death. • . p. 419, 
 
 Among the laws of the Germans was one which condemned 
 cowards to be suffocated in mud, covering them over with 
 hurdles. 
 
 (20) A greater prince than he — the Dragon-king, 
 Arthur, renowned in battle. . . p. 419. 
 
 The seventh historical Triad asserts Arthur to have been the 
 Pen-teyrn, the Pen-dragon, the head or chief king of all the Bri- 
 tons. 
 
 * Cassi-vellaunus, or Cassi-bellinus, the Belin, or king of the 
 Cassii, was created the Pen-dragon, or commandant of the kings. 
 Cuno-Belin, signifying the head king, was his successor in the 
 Pendragonship. Caractacus was undoubtedly the Pehdragon of 
 the Britons ; as is equally implied in the name Cara-tac, Cara- 
 tog, or head king.'— Vide Hist, of Manchester. 
 
 (21) Go, bid yon bowmen 
 
 Discharge a shower of arrows winged with fire. . .p. 421. 
 
 * Bow. — This is said not to have been a weapon of war among 
 the Anglo-Saxons ; but a plate in Strutt, and a passage in Asser 
 Menevensis, which calls bows and arrows instruments of war, 
 prove the contrary. Both the sling and bow were used by the 
 Franks, as the Salic law shows, though certain historians have 
 advanced the contrary. They even used poisoned arrows ; for 
 thus they destroyed the army of Quintius in the wood,'— -Fo*- 
 brooke's Ency. Antiq. 
 
 The Saxons also used poisoned arrows. 
 
NOTES TO THE DRAGON-KING. 529 
 
 Grotius proves that the Scythians or Goths, who spoke the 
 Getic tongue, from whom the Anglo-Saxons derive their origin, 
 and in whose language the etymology of many English words is to 
 be found, took their name from Shieten, which signifies, in their 
 tongue, to shoot, because they were excellent archers'; and 
 j-cytcan, in the Saxon language, implies to shoot. 
 
 So far from not being archers, the Scythian bows were prover- 
 bial. (Like a Scythian bow, Strabo.) And in the History of the 
 Saxons, written by Verstegan, we find, by the figures published 
 in that work, that the Saxon arms were spears, halberds, shields, 
 CROss-BOWs,, swords, which were broad and curved, something 
 like a scythe (the seaxen), and hatchets or axes, which they called 
 bills. 
 
 (22) Who Odin drove, the father of our race. 
 
 From his dominions in the eastern climes. . . p. 422. 
 
 That Odin, the ancestor of the Saxon kings, with his Scy* 
 thians or Goths, came from the East, is, we conceive, to be clearly 
 proved, by the striking similarity of many of their customs to those 
 of the eastern nations. We shall quote a few, condensing them 
 as closely as possible. 
 
 * If the Saxons sprang from the Saca-senae, who lived near 
 Persia, which is the most probable account of their origin, tradi- 
 tions, connected with the battles of Alexander, might have re- 
 mained with them as with the nations in the east.' — Hist. Anglo- 
 Saxons. 
 
 It seems very plain, from ancient historians, that when Mith- 
 ridates fled from the Roman armies, under Porapey, into the 
 deserts of Scythia, and stirred up its nations to espouse the cause 
 of liberty, Odin, whose original name was Sigge, joined his forces 
 to those of the king of Pontus ; but, being overpowered, withdrew 
 into the north of Europe, and established an empire where the 
 Roman name was unknown. 
 
 * Odin, the great ancestor of the Saxon and Scandinavian chief- 
 tains, is represented to have migrated from a city called Asaland, 
 which implies the city and land of the Asse, or Asians. The cause 
 of this movement was the Romans ; Odin is stated to have moved 
 first into Russia, and thence into Saxony.' — Hist. Ang.-Sax., vol. i. 
 
 This Sigge was the warrior, priest, and prophet of his god Odin, 
 whose name 'he either adopted, to give himself the greater autho- 
 rity, or it was conferred on him by his posterity. It has been 
 reasonably asserted by learned authors, that a desire * to be re- 
 venged on the Romans was the ruling principle of his whole con- 
 
 2M 
 
530 NOTES TO THE DRAGON-KING. 
 
 duct. This leaven, which he left in the bosoms of the northern 
 people, fermented a long time in secret ; but the signal once given, 
 they all fell, as it were, by common consent, upon this unhappy 
 empire ; and, after many repeated shocks, entirely overturned it, 
 thereby revenging the affront offered so many ages before to their 
 founder.' 
 
 But to return to the customs of the Goths.— Baptism was an 
 eastern rite both of Jews and Gentiles. As a proof of this, it 
 would be useless here to multiply ancient authorities *. This rite 
 was used by the Scandinavians. ' I know if I sprinkle a boy with 
 water, he shall not die in war, although he goes to battle.' — Vide 
 the Edda. 
 
 * The Germans dipped their children in the waters of the Rhine.' 
 — See Pennant. 
 
 The plurality of wives, mentioned before, in which the chief 
 men among the Goths indulged, is another eastern custom, as well 
 as their Suttees, or the burning of the favourite wife on the fune- 
 ral pile of her deceased husband. The Saxons bore on their ban- 
 ners the white horse. The kings of Persia had a white horse led 
 before them. In the Indian mythology, the white horse of 
 Crishna was sent out to subdue all nations to his laws. There 
 is another white horse, in the same mythology, with wings of great 
 virtue and power ; being accounted a transformation of Vishnoo. 
 In the Revelations, Death rides on a pale horse. In the more 
 early mythology of Greece (Hes. Theogon.), not the eagle, but 
 PegasuSy was the thunder-bearer of Jupiter. * And I saw heaven 
 opened, and behold a white horse, and he that sat on him,' &c, — 
 Rev. xix. 
 
 * The art of poetry Odin brought from Asia, as, ^besides other 
 arguments, the very name of it sufficiently showeth. The ancient 
 ScALDi called it Asamal, that is, the language of the Asians. 
 From the sweetness of its running, it was called Odin's Miod, 
 Odin's Mead ; and from its copiousness, Odin's ^ge, Odin's Sea.' 
 — Antiq. et Orig. Sax. 
 
 There are numerous words in the Persian language which are 
 in sound and signification precisely the same in the old Enghsh : 
 we will only instance one, Witten-a-gamote, which, in both 
 tongues, literally means a national assembly. Huet says, that 
 * the German language bears a great affinity to the Persian. The 
 
 * Aristotle says the Celts plunged their infants newly born into cold 
 water. 
 
 See also the 122nd £p. of Gregory to Boniface, the Apostle of the 
 Germans. 
 
NOTES TO THE DRAGON-KING. 531 
 
 cause of this may be imputed to their common origin, from the 
 
 Scythians.' 
 The celebrated ash, in the Edda, from the roots of which flows 
 
 a fountain where wisdom is concealed, and which communicates 
 
 with another stream, in which is found the knowledge of things to 
 
 come, has a striking analogy to the Tree of Knowledge of good 
 
 and evil. 
 Whence came, but from the East, such words as those in the 
 
 Voluspa, which is of higher antiquity than the Edda f 
 
 * Then,' that is, after the death of the gods and the conflagration 
 of the world, ' we emerge from the bosom of the waves, an earth 
 clothed with a most lovely verdure. The fields produce their 
 fruits without culture ; misfortunes are banished from the world.' 
 Compare this with the passage in Revelations, * And there was a 
 new heaven and a new earth,' &c. Of the destruction of the pre 
 sent world, the Voluspa says, * The black prince of the genii of fire 
 issues forth from the South, surrounded with flames — the rocks 
 are shaken, and fall to pieces. Men tread in crowds the path of 
 death. The heavens are split asunder.' Again — ' The sun is 
 darkened ; the sea overwhelms the earth ; the shining stars va- 
 nish out of heaven ; the fire furiously rages ; the earth draws to 
 an end.' Let any one compare this with numerous passages in the 
 Bible on the same subject. 
 
 But, to end this long note, the Abbe Banier says, that the 
 northern nations borrowed their doctrines either from the Persians 
 or their neighbours. 
 
 In the pretended Book of Enoch are many things to be found 
 similar to the fables of the Edda. But of all the Theogonies, that 
 of the Chaldees, cited from Berosus by Syncellus, is the nearest, 
 says Mons. Mallet, to the Scandinavian. 
 
 (23) Since you my snow-white shield of expectation 
 Placed in my hands. , , p. 424. 
 
 * "When a young warrior was first enlisted, they gave him a 
 white and smooth buckler, which was called the shield of expec- 
 tation. This he carried till, by some signal exploit, he obtained 
 leave to have the proofs of his valour engraved on it. For this 
 reason none but princes, or persons distinguished by their ser- 
 vices, presumed to carry shields adorned with any symbol.' — 
 North. Antiq. 
 
 2M2 
 
532 NOTES TO THE DRAGON-KING. 
 
 (24) and girded on my thigh 
 
 The envied sword of knighthood. . . p. 424. 
 
 Selden, in his Titles of Honour, says, that the origin of chi- 
 valry in Germany and Gaul had no sort of reference to the knights 
 of ancient Rome, but must have arisen from themselves, or the 
 other warlike nations of the north. 
 
 Knighthood was no new institution of the middle ages. 
 
 * Everything that constituted chivalry' (confraternite) ' was 
 established in the North in those early ages, when they had not 
 the least idea of it in the more southern nations.' — Vide Notes to 
 the History of Charles and Grymer, Swedish kings. 
 
 (25) or lose my shield, 
 
 On which thou hast permitted me to bear 
 The impress of the eagle ! . . p. 424. 
 
 The shield of the celebrated Saxon idol Irminsula, according to 
 Meibomius, bore a lion in a field of flowers. Jedutt, another 
 Saxon idol, represented an armed man, holding in his right hand 
 a club set with spikes, and in his left a shield, on which was a 
 vrhite horse in a red field. 
 
 The banner of that portion of old Saxony called Ditmarsia, be- 
 tween the Eyder and the Stoer, had on its field an armed soldier 
 on a white horse. 
 
 A hundred other instances might be adduced of Saxon he- 
 raldry, 
 
 (26) I have devoted her to Odin's shrine, 
 A noble sacrifice. . . p. 426. 
 
 • The Goths sacrificed to Odin not only the vulgar sort of 
 people, but princes and kings ; nay, some of their lesser gods 
 while living, as will afterwards appear.' — Sammes" Antiq. Orig. 
 Sax. 
 
 * The first king of Vermland was burnt in honour of Odin. 
 Hacon, king of Norway, offered his son in sacrifice, to obtain of 
 Odin the victory over Harold.' — Saxo-Grammat. 
 
 s * Aune, king of Sweden, devoted to Odin the blood of his nine 
 sons, to obtain the prolongation of his own life.' — Worm.^J^Ionum, 
 Panic, 
 
NOTES TO THE DRAGON-KING. 533 
 
 (27) JVait on the worshipped maid. . . p. 426. 
 
 All those captives among the Goths, on whom the lot fell to be 
 sacrificed, were treated with honours, and overwhelmed with 
 caresses. 
 
 (28) But a base niggard slave ! . . p. 426. 
 
 * Nithing (modern niggard) was the most opprobrious term that 
 could be used to a person among the Saxons; implying every 
 thing sordid, villanous, base, cowardly, stingy, and infamous. 
 
 * We have a remarkable proof, in English history, how much 
 this name was dreaded and abhorred by our ancestors. King Wil- 
 liam Rufus, having occasion to draw together suddenly a body of 
 forces, only sent word to all such as held him in fee, that those 
 who did not repair to his assistance, should be deemed nithing ; 
 and, without further summons, they all flocked to his standard.' — 
 Note to North. Antiq.,from Matthew Paris. 
 
 (29) I vow in solemn awe by my broad shield. . . 
 Whom I devote to Odin, a redemption 
 For Imogenias life! . . p. 427. 
 
 * Military vows did not originate with the Normans. It was 
 usual among all the old warriors of the North, when they under- 
 took any enterprise of moment, at some festival to lift on high 
 their mead-cups, and make a solemn vow, which nothing could 
 afterwards induce them to break. This was called Atstrenga heit, 
 to vow on high.* — Mons. Mallet. 
 
 These northern warriors sometimes devoted themselves as a 
 redemption for their country. 
 
 (30) From Gwijnedd and Deheiobarth's mountain-lands, , . p. 430. 
 British— South and North Wales. 
 
 (31) From Pen-cair to Penringhaued's blood-stained cape. p. 430, 
 Penrin ghaued. Land's End, the Bolerium of Ptolemy. 
 
 (32) Too amiable, enchanting, gallant youth. . . p. 431. 
 
 In Triad 83, Medrawd is spoken of as a most engaging person, 
 to whom it W51S almost impossible to deny anjr re^juest, 
 
534 NOTES TO THE DRAGON-KING. 
 
 (33) Are hastening to besiege these Roman towers y 
 And this fair city. . . p. 432. 
 
 This noble city was taken by Kynric, about 552, and the greater 
 part of its inhabitants put to the sword. 
 
 (34) When comes Midsummer" s eve, in every hamlet. , . p. 434. 
 
 For the customs, long continued after Christianity overspread 
 Britain, on Midsummer's night, see a note to the ' Imperial 
 Pirate.' 
 
 (35) and harp and bagpipe ring 
 
 From bower to bower. . . p. 434. 
 
 * In digging under all these foundations to make these various 
 discoveries, was found at the bottom of all a bronze figure of a 
 Roman soldier playing upon a pair of bagpipes. It most clearly 
 ascertains, from the place and manner in which it was found, and 
 the time when it must have been lost, the use and existence, 
 amongst the Romans, of this instrument, on their very first arrival 
 in this island. And the whole is a proof that the bagpipe was 
 originally no Scotch, but a Roman instrument ; a fact that is also 
 stronsjly corroborated by the bas-relievo at Rome, mentioned by 
 Dr. Burney, where a Grecian sculptor has given, in like manner, 
 the representation of this instrument.' — Munimenta Antiqua. 
 
 The bagpipe was an ancient Hebrew instrument,, and might 
 have been brought to the Britons, like the eastern harp, by the 
 Phoenicians. 
 
 (36) With all the mimic pomp of tournay -feats 
 By mail-accoutred knights. . . p. 434. 
 
 Military orders, — ' The military diversions of tournaments are 
 not, as they have been generally imagined to be, the invention of 
 these later ages. They were customary among the Britons, as 
 they remained among their descendants of Ireland and Caledonia 
 to the third century. Such schools of war, therefore, king Arthur 
 found already instituted in the provinces ; and he seems to have 
 particularly encouraged them. After the great victory which he 
 obtained over the Saxons in the Caledonian forest, he seems to 
 have celebrated a triumphal tournament in the field. And the 
 
NOTES TO THE DRAGON-KING. 535 
 
 small entrenchment which has ditches within the rampart, and 
 is popularly denominated Arthur's Round Table, still remains 
 upon the spot a probable memorial of the fact.' — Dr. Henry, 
 
 Who can be so weak as to believe, with De St. Palaye, that chi- 
 valry cannot be traced further back than the eleventh century, or 
 that such a system should spring up, all at once among so many 
 nations of Europe, if they will but attend to what Tacitus says of 
 the customs of the Germans? — * As noble youths advance in age, 
 and acquire esteem, other young warriors attach themselves to 
 them, and swell their retinue. Nor does any one blush to be seen 
 among these attendants and followers.' Palaye, in his Me- 
 moirs of Chivalry, says, * To be thus attached to some illustrious 
 knight, had nothing in it degrading.' — Again, Tacitus says, * There 
 is great emulation among the followers, who shall stand highest in 
 the prince's or chief's favour ; and among the chiefs, who shall 
 have the most numerous and valiant attendants.' This was exactly 
 the case among the barons of the middle ages. It is also as plain, 
 * that vassalage and feudal tenure were established among the Goths 
 as among the Normans, their descendants ; for if the Gothic 
 chiefs gave not their retainers lands, they gave them war-horses, 
 every kind of arms, and " money-gifts," and always feasted them 
 at their plentifid tables.' It is therefore as silly to suppose chi- 
 valry a comparatively modern institution, as it is to believe that 
 armorial bearings were. never used previously to the crusades. 
 
 (37) The swan and crane down from their lofty flight. . , p. 434. 
 
 Cranes in large flocks formerly haunted this island, particularly 
 Lincolnshire and Cambridgeshire. 
 
 (38) Alas ! 7, like the ancient victim^ stand 
 Between two dreadful fires ! , .p. 435. 
 
 This alludes to the ancient Celtic and Irish proverb of passing 
 between the fires of Bell or the Sun, used when any person is 
 placed between two trying and difficult situations, like the Scylla 
 and Charybdis of the ancients. 
 
 (39) What thought with all his stvord-girt paladins, . . p. 438, 
 The Knights of Arthur's Round Table. 
 
636 NOTES TO THE DRAGON-KING. 
 
 (40) The summer sun 
 
 Hath dried our cisterns up 439. 
 
 The ancient hill-cities of the Britons, like many of those in the 
 land of Canaan, had in general no fountains, only dry cisterns or 
 pits, to receive and retain the rain which fell from the clouds. 
 Such dry wells we have found still remaining in some of these 
 lofty fortresses. 
 
 (41) the Cymry^ whose forefathers came 
 
 Far o'er the ocean to this blessed isle. . . p. 442. 
 
 * The original Cymry came from Deffrobani, over the hazy sea, 
 to the isle of Britain, and to Armorica, where they have remained.' 
 —Triad 4. 
 
 * Upon their landing in Britain they found it uninhabited, and 
 took a formal possession of it as of original occupation and right. 
 The description given of the island at that time is, that it was full 
 of bears, wolves, and of two other species of animals, denomi- 
 nated by the Triad, Exainc and Ychain banog. Of these, the 
 former is in use to signify beavers ; the latter, literally translated, 
 would be the oxen with high prominence." — Early Hist, of the 
 Cymry. 
 
 (42) Behold the badge 
 
 Of our religion on his robes emblazed! . . 443. 
 
 Nennius, enumerating the battles of Arthur, says, that in the 
 fight at Castle Gunnion, he had the image of the cross and 
 the St. Mary on his shoulders. And Vincentius, another ancient 
 author, asserts, that on the banner of Arthur was portrayed the 
 Virgin Mary with her son in her arms. 
 
 (43) Behold his caliburno, blade offre. 
 
 Blest by the midnight vision of St. Joseph^ 
 
 At his high shrine in Avalonia's isle .' . . p. 443. 
 
 The sword of Arthur was called excalibur, caliburno, or cali- 
 burn, for it is variously spelled. Spenser calls it Mordure. His 
 shield is named Pridwin, and his spear Roan, by the Romance 
 •y^riters. Avalonia, or Isle of Apples, is the present GJastonbury. 
 
NOTES TO THE DRAGON-KING. 537 
 
 (44) I have subdued the tyrant of the norths 
 Huel, my bitterest foe. This blessed sword 
 Was dimmed with his false blood! , . p. 444. 
 
 Geoffrey of Monmouth says, that Arthur was the son of Uther, 
 the Pendragon or Dictator of the Britons, by an adulterous con- 
 nexion with Igerna, wife of Gorlois, duke of Cornwall, favoured 
 by the aid of Merlin's magic skill. This is like the rest of his 
 dreamings. 
 
 * Arthur also maintained a war against the Britons in the north 
 of this island, and killed Huel their king. He was greatly rejoiced 
 at this success, because, says Caradoc, he had killed his most 
 powerful enemy. Thus Arthur, by his wars with his own coun- 
 trymen, as much assisted the progress of the Saxons, as he after- 
 wards endeavoured to check it by his struggles with Cerdic' — 
 Hist. Anglo-Sax., vol. i. 
 
 (45) hung with tapestry of gold. . . p. 453. 
 
 Tapestry was known to the Babylonians. Such hangings were 
 called Babylonica; vide Plin. 1. viii. c. 48. Colores diversos pic- 
 tura intertexere, &c. ; Plaut. in Sticho. Babylonica magnifico 
 splendore ; Lucret. 1. iv. Among the ancients, garments were 
 curiously woven with various figures, and even' historical designs ; 
 for Eneas gives to Cloanthus a robe, in which was represented 
 Ganymede's translation to heaven. The curtains of the Hebrew 
 tabernacle were made of fine twined linen of blue, and purple, 
 and scarlet, with cherubims of cunning work. It was an art of 
 the highest antiquity, and seems never to have been lost. That 
 it was well known to the Saxons, need no better proof than by 
 referring to their elder writings. 
 
 There was then a number 
 
 Of men and women 
 
 "Who in the wine-chamber 
 
 Of the gi-eat mansion prepared — 
 There shone, variegated with gold. 
 
 The web on tht? walls ! 
 
 Many wonders to the sight of each of the warriors. 
 
 That would gaze on it, became visible. 
 
 The Saxon Poem of Beowulf. 
 We have mentioned many other instances, which may be seen 
 in tjie fourth volume of the Olio, p. 169, 
 
538 NOTES TO THE DRAGON-KING. 
 
 (46) Not e'en the Berserkir, in battle-hour. . . p. 459. 
 
 The Berserkir of the north adopted the fury of an enraged wild 
 beast, as a most horrible artifice of battle, designed to intimidate 
 the foe. Odin is said to have practised it, and boasted of it as a 
 magical trick. Saxo describes the Berserkir fury in his seventh 
 book, pp. 123-4. 
 
 (47) Who like me can hurl 
 
 His sword and spear into the air, and catch 
 Their sharp points harmlessly f . . p. 459. 
 
 The northern warriors * could have no hope to be acceptable to 
 the women, but in proportion to the courage and address they 
 had shown in war, and in their military exercises.' — North. Antiq., 
 vol. i. 
 
 * I know how to perform eight exercises : I fight with courage ; 
 I keep a firm seat on horseback ; I am skilled in swimming ; I 
 glide along the ice on skates ; 1 excel in darting the lance ; I am 
 dexterous at the oar; and yet a Russian maid disdains meT — 
 Complaint of Harold. 
 
 King, warrior, pirate, and poet were often united in the person 
 of a northern chief. 
 
 (48) Believe thou still in Him, the awful Sire. . . p. 461. 
 
 No doctrine could be held in higher reverence arpong the 
 ancient Germans than this— Regnator omnium Deus, caetera sub- 
 jecta atque parentia, says Tacitus. 
 
 ' All that one can discover, amidst so much darkness, is, that 
 the Scandinavians were not seduced by the impostures of the 
 Asiatic Odin, so far as to be generally persuaded that he was the 
 supreme God." — Mons. Mallet. 
 
 (50) My gallant paladins, knights of the cross, 
 
 Your order is the first of Christian faith. . . p. 467. 
 
 No one now pretends to deny the real existence of Arthur, 
 though his character has always appeared through the dim and 
 magnifying mists of romance. We have drawn nothing relating 
 to him from the wild and mythological fables of the MabinogioR, 
 but only from those resources which are authentic. 
 
NOTES TO THE DRAGON-KING. 539 
 
 * About the year 516 or 517, Arthur was elected by the states 
 of Britain to exercise sovereign authority, as other princes had 
 been chosen in dangerous times, for his superior bravery and abi- 
 lities, being till that time only a chieftain of the Silurian Britons. 
 He continued to present a successful opposition to the Saxons, till 
 a fatal dissension broke out between him and Medrod (Medrawd), 
 and which, about the year 540, kindled a civil war, and Medrod 
 joined his power with the Saxons.' — Rees's Cyclopcedia. 
 
 * But this was not enough to diffuse a spirit of gallantry over 
 the kingdom, and kindle a flame of heroism in the nation ; for that 
 something else was requisite which should allure, by the novelty 
 of the establishment, and engage by the permanency of reward. 
 This Arthur saw, and established a military order. Tt was 
 the first that had ever been instituted in the island ; and it has been 
 since imitated by all the nations on the continent. By means of 
 this association, Arthur mixed among the provincials a general 
 glow of ingenuous heroism ; the fi.rst spirit of chivalry that ever 
 appeared in Europe. The order naturally survived its founder ; 
 and the members of it were denominated the warriors of Arthur, 
 though the persons were born half a century after his death.'— 
 Whitaker, 
 
 * Nothing is more probable, notwithstanding all that has been 
 sneeringly asserted to the contrary, than that Arthur should insti- 
 tute an order of knighthood ; for, so far from its being, according 
 to Whitaker, '* the first spirit of chivalry that ever appeared in 
 Europe," such a spirit was common among the Germans and 
 Gauls from the earliest periods ; and we have already seen that 
 ** everything that constituted chivalry was established in the North 
 in the remotest ages." The honour of conferring this dignity on 
 the German Rittery or knight, corresponded exactly, says O'Hal- 
 loran, with those institutions among the ancient Irish. Arthur 
 only established in Britain what had been for ages the glory of 
 Ireland. For the various orders of Irish knights, see O'Halloran.' 
 — Hist, of Ireland. 
 
 There was an order of knights, in the seventh century, in 
 France, called the knights of St. Rimini. We also learn, from the 
 Letters of Cassiodorus, that Theodoric, king of the Ostrogoths, 
 established in Italy an order of chivahy in the same century. See 
 also Dr. Henry. 
 
 (51) Enter several Adelrunce or Prophetesses. . . p. 473. 
 
 Johannes Magnes, in speaking of Filemar, hath these words : 
 * Making inquiry into the customs of his country, he found among 
 
540 NOTES TO THE DRAGON-KING. 
 
 his people a certain sort of cunning women called adelrun^ ; 
 for, in the Gothic tongue, Runa signifies an art, sometimes, parti' 
 cularly, the art of magic,'— Aylett Sammes. 
 
 (52) The young moon on the evenings raven locks 
 Her pearly crescent hangs. . . p. 473. 
 
 Clemens Alexandrinus says, that there are among the Germans 
 a sort of women that are called holy, who, observing the heads of 
 rivers, and the sound and rolling of waterfalls, foretell things to 
 come. These women permitted not the Germans to fight with 
 Caesar until the new moon. 
 
 * Adelruna is nothing, properly, but a learned or literate woman, 
 Runasten, a learned piece of work ; runic, a learned copy of verses ; 
 but Adelruna came to express a witch ; runasten, a charm or 
 talismanic figure ; and runic, an incantation, in succeeding time.' 
 "^Sammes. 
 
 (53) The elements 
 
 Speak out the gods" decrees. , . p. 474.^ 
 
 The Gothic nations * considered the elements as so many organs 
 by which the Deity manifested his will and his resolves.' — See 
 more of this in the first volume of Northern Antiquities, 
 
 (54) There by me rushed 
 
 Sognor, the king of elves. . . p. 475. 
 
 * Alfur — by this name the Saxons called their elves, inhabiting 
 rocks and caves ; and the sacrifices to them were called Alfblot. 
 The Goths called them Dwergh, and the Saxons Dpejij and 
 Djjeojrh. The chief of these elves, or fairies, was Mog Sognor ; 
 the second Durin, &c. ; and this imaginary race was divided into 
 Guttels, or Trulls, and Coballs, good and evil spirits.' Hence our 
 word trull, for a vagrant strumpet. 
 
 * It is the doctrine of the ancient Gothic or northern mytho- 
 logy which has produced all the stories of fairies and the marvel- 
 lous romances.' — North. Antiq, 
 
 (55) Amid the demon cavern of stern Ochus. . . p. 476. 
 Ophus Bochus was a magician and demon among the Saxons, 
 
NOTES TO THE DRAGON^KING. 541 
 
 dwelling in forests and caves ; and we have his name and abode 
 handed down to the present day in Somersetshire. 
 
 * Where the famed grotto Ochihol is found. 
 Which does, Parthenope, all thine outdoe.' 
 
 Sir Rich. Blackmores ' King Arthur.^ 
 
 (56) I heard the dread night-whistler shriek for blood. . . p. 476, 
 
 * The whistler shrill, that whoso hears doth die/ 
 
 Spenser^ canto xii. 
 
 (57) and on our banner- staves 
 
 The trophy -scalps of these vile Christians hang f. . p. 476. 
 
 * In battle, they (the Scythians) drank the blood of the first 
 enemy whom they mastered. They scalped their opponents, and 
 offered their heads to their king,' — (David did the same with that 
 of Goliath) — * and they made drinking- skulls of the greatest of 
 their enemies. In these customs our Gothic ancestors 
 
 RESEMBLED THEM.' Hist. Anglo-SuX. 
 
 How similar are all barbarous nations ! * At each of the villages 
 we observed small sticks, of the length of two feet, painted red, 
 stuck in the earth in various situations, but chiefly on the roofs of 
 houses, each bearing the fragment of a human scalp, the hair of 
 which streamed ^in the winds.' — James's Expedition to the Rocky 
 Mountains, 
 
 (58) The milk-white prophet steed, by torch-beam led. 
 Hath all the spears, arranged on yonder plain. 
 Passed with propitious omen. . . p. 478. 
 
 When war was designed against any nation, says Cran^ius 
 and Saxo-Grammaticus, they set up three rows of spears, with 
 others across them. Then the white horse was led out towards 
 them by the priests : if he passed them with the right foot for- 
 ward, it was accounted as a propitious omen ; but if he once, in 
 passing them, put his left foot foremost, they gave up their in- 
 tended enterprise. 
 
 (59) May Nocca, spirit of the watery realms. 
 Feed on my veins. . « p. 480. 
 
 * Nicksa, Neccus, or Nocca, an ocean god.' — Wormius, Mon,, 
 1. i. c. 4. 
 
5^ NOTES TO THE DRAGON-KING. 
 
 In Denmark he was called Nicken, and said to frequent hot 
 only the sea, but rivers and deep brooks, in the shape of a sea- 
 monster with a man's head. If a man was drowned, it was a 
 common saying, * Nicken hath sucked him.' Hence comes our 
 sailor's phrase, * Old Nick.' 
 
 (60) Thy blood mth mine shall in the wine-cup mingle. 
 In which our swords we'll dip. , . p. 480. 
 
 In Lucian's Dialogue, entitled * Toxaris,' or 'Friendship,' Toxa- 
 ris says, when we have cut our fingers, and the blood flows into 
 a cup, and we have dipped the points of our swords into it, and, 
 lifting the cup, have drunk both together, there is nothing can 
 divide us. 
 
 Herodotus says, speaking of the Scythians, that those who form 
 a league of friendship, make, with a knife or sword, a gash in their 
 bodies ; then they dip their weapons into the cup, and, with so- 
 lemn oaths, drink the wine and blood; and not only they who 
 make the league, but also the followers of the chiefs. 
 
 (61) From his refulgent mail of ring-wrought steel. . . p. 485. 
 
 That the Anglo-Saxons wore ring or chain mail, though the 
 contrary is asserted, is sufficiently evident from their own writings. 
 
 ' The mail shone upon him ; the heavy net was linked by the 
 smith's care.' * My braided battle -garment adorned with gold.' 
 * The net of iron: — Saxon Poems. 
 
 (62) May the dark prince. 
 
 That o'er the genii reigns of scorching fire. , » p. 486.' 
 
 Surtur.— Vide the Edda. 
 
 (64) Dance to the god-scald's harp beneath the ash. . . p. 486. 
 
 Braga was the god of the Scalds, or music. 
 
 All the leading ideas of this speech are to be found in the Scan- 
 dinavian mythology, the greater portion of which, from its very 
 nature, must have been brought by Odin and his followers from 
 the East, let who will assert the contrary. 
 
NOTES TO THE DRAGON-KING. 543 
 
 (65) and fling abroad 
 
 The battle-summons from the brazen throat 
 Of the deep-thundering dudag, . . p. 488, 
 
 See General Valiancy. 
 
 (66) And by the holy sangrealy blood of Christ. . . p. 489. 
 
 Arthur is said to have sent one of his knights on an adventure 
 for the sangreal, or the vial which was supposed to contain the 
 
 REAL BLOOD. 
 
 (67) That we, the mighty, should the weak subdue. . . p. 490. 
 
 * The Gothic nations looked upon war as a real act of justice, 
 and esteemed force an incontestable title over the weak, a visible 
 mark that God had intended to subject them to the strong. The 
 weak had no right to what they could not defend.' — North. Antiq, 
 
 (68) Where the huge Colgrinfell beneath my sword, . . p. 491. 
 
 * He routed Colgrin, the Saxon Duke, and all his forces, con- 
 sisting of Saxons, Scots, and Picts, who were committing ruin 
 and devastation in Britain. He took their camp, and slew Col- 
 grin and another leader.' — Rees's Cyclopcedia. 
 
 (69) And why not claim my kingrick, too, of Kent .? . . p. 491. 
 
 The old Teutonic word rick is still preserved in the termination 
 of our English hishoprick. Stubbs, in his libel, ' The Discovery of 
 a Gaping Gulf,' &c., imprinted 1579, says, * The queen has the 
 kingrick in her own power.' 
 
 (70) yon temple-rocks 
 
 Are yet encrimsoned with your fathers' gore t , . p. 492. 
 
 King, speaking of Stonehenge, says, * No place surely was so 
 fit to assemble both Vortigern and his train of chieftains, for the 
 purpose of a solemn treaty, as that high-place, where the Britons 
 ha4 so often been accustomed to assemble on their most awful 
 public occasions,' 
 
544 NOTES TO THE DRAGON-KING. 
 
 (71) Ye prophet-matrons f chant the battle-song! , . p. 492. 
 
 Aventinus, giving a description of the priestesses (lib. i.), and 
 of their cutting the throats of the captives, and receiving the 
 blood in a large cauldron, says, in the midst of the fight they used 
 to strike upon skins stretched over their waggons, which produced 
 a fearful and tremendous sound. Strabo (lib. vii.) says the same ; 
 but both these authors are describing the customs of the Cim- 
 brians, or Kimmerians, a distinct race from the Goths, or Scy- 
 thians. Be it as it may, the drum was not unknown to the 
 Saxons, for Bede clearly describes it as a tense leather, stretched 
 on two cones joined together, which resound on being struck. 
 
 * Going to battle, they invoked the name of Odin, and sung 
 hymns to his praise.' — Mallet. 
 
 William of Malmesbury speaks of the war-song (cantilena) of 
 Roland, which was sung at the battle of Hastings by the Nor- 
 mans. Strutt, in his * Sports and Pastimes,' says, that the cele- 
 brated minstrel, Taillefer, appeared at the head of the Conqueror's 
 array, singing the songs of Charlemagne. 
 
 (72) Hurl at thee defiance!— Ha! ha! /ia .'—(Dies.) . .p. 493. 
 
 * It shall hereafter be recorded in history, that king Halfer died 
 laughing.' — Barthol., p. 6. 
 
 King Regner died singing the pleasure of falling in battle : his 
 words are, * The hours of my life are passed away, I shall die 
 laughing." 
 
 Saxo, speaking of a single combat, says, one of the champions 
 PKLL, LAUGHED, and DIED. To die with his arms in his hands, 
 was the vow of every freeman. They considered slavery as the 
 most dreadful of all conditions. Frotho, a Danish king, when 
 taken in battle, obstinately refused all offers of life. ' To what 
 end,' said he, * should I reserve myself for so great a disgrace ? — 
 Future ages would say, Frotho has been taken by his enemy ! ' 
 
 Olave, king of Norway, when fighting with Sevin, king of 
 Denmark, finding his ship surrounded, rather than be a prisoner, 
 leaped into the sea, and perished. 
 
 (73) Who on the shores of every land in Europe 
 Have made all nations quake. . . p. 494. 
 
 * The Saxon exploits on the ocean inflicted such wounds on the 
 Roman colonies and commerce, that a peculiar fleet was appointed 
 
NOtfiS TO THE DRAGON-KING. 645 
 
 to counteract them. Every historian mentions them with dread 
 and hatred.' — Hist. Anglo-Sax, 
 
 Zosimus says, the Saxons, for courage of mind, strength of 
 body, and the enduring of toil, are renowned above all the Ger- 
 mans. Marcellinus says they are dreadful to the Romans. Sido- 
 nius Apollinaris gives a woeful account of their piratical incur- 
 sions. (Lib. viii., Epist. ad Numantium.) 
 
 * We can speak more decidedly on the part of our ancestors, 
 the Saxons, who seem to have been skilful in the management of 
 the sling." — StrutVs Sports and Pastimes. 
 
 (74) A kingly soldier's burial shall be thine, . . p. 495. 
 
 Another proof of their Asiatic origin. — ' Woden enacted a law, 
 that the dead should be burnt with all their moveables ; deeming 
 that they would be more welcome to the gods, with whose corpse 
 the fire consumed most goods.' — Sammes. 
 
 Alfred, in his Voyage of Ohthere to the North Pole, gives a most 
 interesting account of the manner of burning the dead among the 
 Gothic tribes of Eastlande. 
 
 * Odin introduced new customs, attended with more magnifi- 
 cence. In the succeeding ages they were wont to raise funeral 
 piles, and reduce the bodies to ashes, which were collected toge- 
 ther into an urn, and deposited under a mound of earth.' — North. 
 Aniiq. 
 
 * Eat over the solitary wanderer immourningly. Mark my hil- 
 lock with the simple flower.* — Saxon Poem. 
 
 (75) So fare thee well. 
 
 Pve won a brave revenge ! , . p. 496. 
 
 * Arthur perished at last ingloriously, in a civil feud with Med- 
 rawd his nephew, who is said to have engrossed the affections of 
 Gwenyfar.' — Hist. Anglo-Sax.y vol. i. 
 
 (76) the wild harp's song 
 
 Will be of my return from fairy -land. , . p. 498- 
 
 * Arthur, mortally wounded, was carried out of the field, and 
 committed to the care of his friends at Glastonbury. The death 
 of Arthur was long concealed, and a wild tale diffused among the 
 populace, that he had withdrawn from the world into some magical 
 
 2N 
 
546 NOTES TO THE DRAGON-KING. 
 
 region, from which, s^i a future crisis, he was to reappear, and lead 
 the Cymry in triumph through the island.' — Hist. Anglo- Sax. 
 
 In the year 1189 his tomb was discovered in the abbey of Glas- 
 tonbury. Giraldus says he saw and handled the inscription, 
 * Hie jacet sepultus incytus Rex Arthurus in insula Avallonia.' 
 
 See a fac-simile of this inscription in Gibson's Camden, and also 
 in Whitaker. 
 
 (77) May the night-hag fasten on him / . . p. 498. 
 
 * Mara, was their (the Saxons') night-hag : hence they said 
 JMaren rider ham. And to this day some superstitiously take the 
 disease ephialtes, or the oppression of the chest, for a witch or 
 gob^n, and call it the night-mare.' — Antiq. et Orig. Sax. 
 
 (78) Or the fierce bison, with his shaggy mane. . . p. 502, 
 
 * The wild bull, the bison, bonassus, or buffalo, fierce and sa- 
 vage, with a hanging mane like a lion, was a native of the British 
 forests. Fitz- Stephens says, that in his time (the twelfth century) 
 these animals roamed at large in the immense forest of Middlesex.' 
 — Vide Fitz- Stephens's Descrip. ofLond.y p. 26, ed. 1772. 
 
 (79) and yell, and hisSy 
 
 Came from their stony lips, with words unholy. . . p. 506. 
 
 The religion of the Saxons, says Sharon Turner, appears to 
 have attained a regular establishment, and much ceremonial 
 pomp. When they settled in Britain they had idols, altars, tem- 
 ples, and priests . 
 
 * It should seem the idols, or statues themselves of the gods, 
 delivered these oracles viva voce. Thorstein, says an Icelandic 
 chronicle, entered a temple, in which was a stone statue ; he pro- 
 strated himself before it, and prayed it to inform him of his destiny. 
 The stone chaunted forth these verses.' 
 
 (80) But here I pray by Irminsul's red banner. . . p. 511. 
 
 This celebrated idol, whose name is variously spelt, seems to 
 have been a principal god among the Saxons on the continent. 
 His temples were spacious and magnificent. Sharon Turner ob- 
 serves, * Our ancient Irmin-street has been conjectured to have 
 
NOTES TO THE DRAGON-KING. 547 
 
 been derived from the name of this idol. If so, the inference 
 would be reasonable, that it was worshipped also in England.' 
 
 (81) Into his paradise the maid receive 
 
 With all the pomp of heaven. . . p. 512. 
 
 * Odin excluded from his 'paradise all women who did not, by 
 some violent death, follow their deceased husbands.' — Cox's 
 Fern. Script. Biog.^ vol. ii. 
 
 (82) Call every priest 
 
 And prophet-matron to the solemn scene. . . p. 513. 
 
 * It is a most remarkable fact, that an instance existed of a hu- 
 man sacrifice in the northern parts of this island, even so late as 
 the ninth century, about the year 893. When Einar, thane of 
 Caithness, had taken captive Haldanus, prince of Norway, a sacri- 
 fice was prepared with horrible solemnity; and Haldanus, the 
 destined victim, was made an offering to Odin ; and on his re- 
 mains a tumulus of stones was raised to perpetuate the memory of 
 the event.' — Published at the end of Cordinefs Antiquities of 
 Scotland. 
 
 In the western parts of Iceland, in the province of Thornes- 
 thins", there is a circle of stones, where tradition has still preserved 
 the record, that men were sacrificed, after they had been killed, 
 at a vast stone placed therein. 
 
 (83) Fling on the pyre 
 The regal banner and the golden shield. 
 
 The glittering mail y the gore- empurpled robe. . . p. 515. 
 
 * Hialraar's warriors interred the dead body of their chief, and 
 buried his gold along with it.' — Hist, of Charles and Grymer, <^c. 
 
 The burrows in Russian Tartary have been found to contain 
 great treasures, and garments covered with gold. The bones of 
 the war-horse of Childeric, king of the Franks, were found in his 
 tomb. Slaves and wives were sacrificed on the funeral rogus of 
 the northern warriors, that they might enter, with all due pomp, 
 the halls of Odin. 
 
 THE END, 
 
LONDON J 
 
 Printed by WILLIAM CLOWES, 
 
 Stamford- street. 
 
POETICAL WORKS, 
 
 PUBLISHED BY THE SAME AUTHOR. 
 
 THE ROYAL MINSTREL, or the AVITCHERIES of 
 ENDOR. An Epic Poem, in Twelve Books. 
 
 ' There is in the poem of the Royal I\Iinstrel great power, and still 
 greater promise. An author capable of writing such a work, should here- 
 after be a writer of great eminence. The versification pleases me much ; 
 and a second poem will, I doubt not, be a still stronger and more suc- 
 cessful effort of your imagination.' — The Rev. H. H. Milman, Professor 
 of Poetry at Oxford. 
 
 ' As far as concerns the fable of the Royal Minstrel, there is nothing 
 wanting to the propriety and eventful magnificence of the subject which 
 should be adopted for an heroic poem. The author has not sunk under 
 the variety and magnitude of the theme. The reader will discover few 
 occasions where the poet has failed to clothe his execution in dignity and 
 strength ; and very many in which he has availed himself to the utmost 
 of the splendid materials before him, 
 
 ' We entertain a highly favourable opinion of the powers of this au- 
 thor's mind, and if our laudatory observations have the effect of procuring 
 the encouragement of our readers for a man of true genius and amiable 
 character, we shall be satisfied that our time and attention have not 
 been expended in vain.' — New Edinburgh Review, No. 9. 
 
 ' If ever again the intrinsic purity, delicate softness, and harmonious 
 numbers of true epic poesy shall be found to inspire admiration, and dis- 
 seminate virtuous sentiment, we cannot hesitate to declare our convic- 
 tion, that this author must stand high among the writers of his class.'-— 
 Bath and Cheltenham Gazette. 
 
 See also a highly favourable review in two numbers of the Literary 
 Gazette. 
 
POETICAL WORKS BY THE SAME AUTHOR. 
 
 ROGVALD. An Epic Poem, in Twelve Cantos. 
 
 * Be it our object, therefore, to strongly recommend the perusal of 
 this author's poem on its own substantial merits ; to entreat our readers 
 to forego the prejudices they may have imbibed and nourished against 
 this higher species of intellectual exertion (prejudices most unworthy the 
 Augustan era of literature) ; and to assure them, that there is a redeem- 
 ing talent in this poem that will amply reward their time and attention.' 
 '-^Gentleman^s Magazine^ vol. 93. 
 
 ' This poem forms a well-told narrative, interspersed with some 
 charming episodes, and displays an originality of thought, a beauty of ver- 
 sification, ^^and a poetic grandeur, which are very rarely to be met with, 
 even in poems of much less magnitude, but which are here sustained 
 through twelve cantos. The interest of the poem never flags for a mo- 
 ment ; and although it abounds in the most powerful descriptions, and 
 scenes of the deepest pathos, yet there are no sudden transitions, no 
 forced similes, or unnatural images, the author holding on the even 
 tenor of his way the whole poem throughout.' — Literary Chronicle, 
 No. 215. 
 
 * The peculiar gra6e of its similes, the connexion and uniformity of its 
 story, the ingenuity of its incidents, render it, as a poem, at least, one 
 of the most faultless, if not the most amusing, books that have for some 
 time appeared. On the whole we must award to him the acknowledg- 
 ment of a truly poetic genius. 
 
 ' We have seen enough to convince us that it has all the witching 
 charms of a northern romance, softened and adorned with the splendid 
 colourings of the classic muse.' — La Belle Assemblee, No. 177. 
 
 ' This is an author who, had he received one-hundredth part of that 
 Encouragement which has been so lavishly bestowed on Scott and Byron, 
 would have, ere now, surprised the world with the vividness of his ima- 
 gination.' — BeWs Life in London. 
 
 * The action is deeply wrought, anxiously interesting, full of excite- 
 ment, and transformation and vicissitudes. The story of Rogvald alto- 
 ther is, in fact, rather romantic than epic, possessing more of communion 
 with the beautiful poetic romances of Scott and of Byron, than with 
 the legitimate creations of the epics of other days.' — New Edinburgh 
 Review, 
 
POETICAL WORKS BY THE SAME AUTHOR. 
 SCENES IN PALESTINE ; 
 
 OR, 
 
 DRAMATIC SKETCHES from the BIBLE. 
 
 * These are most interesting subjects ; and we can assert that they are 
 described with spirit and pathos. O that the lovers of poetry would 
 burn every volume of the Satanic school, and purchase such works as that 
 we now recommend ; then they would be able to gratify their taste with- 
 out risking their salvation. It will be happy for them if they lose no 
 time in obtaining these Dramatic Scenes.' — Baptist Magazine. 
 
 ' His Scenes in Palestine is a work which we strongly recommend to 
 the notice of our friends. The specimens we give will sufficiently evince 
 the very great beauty and sweetness of this author's poetry.' — Timers 
 Telescope. 
 
 ' In this view, Scenes in Palestine merit the particular attention of 
 those to whose care the formation of young minds is intrusted, and who 
 are so often at a loss to find works which, while they amuse and delight 
 the fancy, may serve to strengthen the associations of religion and vir- 
 tue.'— iV^ew; Times, No. 8464. 
 
 ' Mr. Pennie is, beyond doubt, a man of taste and feeling, who has 
 thoroughly acquainted himself with the peculiar beauties of Hebrew 
 Poetry, and who has succeeded, in a very happy degree, in embodying, 
 with dramatic effect, some of those touching narrations, which fired our 
 imaginations while as yet we sat on our mother's knee. The sentiment 
 of this volume is without a taint, the language and imagery are easy, and 
 well sustained; the allusions to patriarchal life and eastern customs 
 are appropriately managed, and the eflFect of the whole is to afford delight 
 and improvement,^ — Evangelical Magazine, N. S., No. 35. 
 
 ' The same smoothness of versification and strength of conception 
 reign throughout the work, which abounds in passages equally beauti- 
 ful as those we have extracted, and exhibit a deep reading in Scriptural 
 subjects, a command of language, and that warmth of expression indis- 
 pensable in poetic composition.' — Bath and Cheltenham Gazette. 
 
 ' We would comfort this author if we could, by recalling to his me- 
 mory how many sons of genius have breasted the billows of despair with 
 manly vigour, and, surmounting all opposition, have rode triumphantly 
 on the wave which threatened to break in ruin around them, and have 
 landed at last in the haven of their highest hopes. In the volume before 
 us he has dramatised Scripture scenes with taste and effect.' — Gentleman** 
 Magazine. 
 
 •*■ These Dramatic Sketches are well chosen, and many of them are in 
 
t»OETICAL WORKS BY THE SAME AUTHOR. 
 
 themselves highly dramatic ; they have, however, been rendered doubly 
 so by Mr. Fennie, who is extremely felicitous in his treatment of Scrip- 
 tural subjects. There is a richness of versification, often rising into 
 sublimity, in some of these pieces, which would do credit to 
 ANY POET OF THE PRESENT DAY.' — Literary Chronicle^ No. 307. 
 
 ' Mr. Pennie is an author of great and original genius, and as 
 irreproachable in life, as distinguished by talent.' — The Rev. Lisle 
 BowleSf Canon Residentiary of Salisbury. 
 
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