Bridges 
 Theodore Roosevelt
 
 THE LIBRARY 
 
 OF 
 
 THE UNIVERSITY 
 OF CALIFORNIA 
 
 LOS ANGELES
 
 Theodore Roosevelt 
 
 As Author and Contributor
 
 THE LIBRARY 
 
 OF 
 
 THE UNIVERSITY 
 OF CALIFORNIA 
 
 LOS ANGELES 
 
 GIFT OF 
 
 DEAN AND MRS. 
 GUSTAVE 0. ARLT
 
 Theodore Roosevelt
 
 Copyright by Pirie MacDonald.
 
 Theodore Roosevelt 
 
 As Author and Contributor 
 
 By 
 Robert Bridges 
 
 York 
 Charles SrjJbner's Sons 
 
 Publisher^ofacribner's Magazine 
 1919
 
 COLONEL ROOSEVELT, as a con- 
 tributor for twenty years to Scribners 
 Magazine, was one of the most 
 thoughtful, considerate, and efficient au- 
 thors. When he promised a manuscript for 
 a certain date, that promise was kept abso- 
 lutely, no matter what intervened. 
 
 When he returned from the Spanish- 
 American War and landed at Montauk, he 
 sent word to the magazine that he wanted 
 to talk about his proposed story of "The 
 Rough Riders." Just before he started on 
 that expedition he had said in a brief in- 
 terview: "If I come back, you shall have 
 the first chance at anything I write." 
 
 It was, therefore, on the first afternoon 
 after he returned to his home at Oyster 
 Bay that, on the lawn at Sagamore Hill, we 
 talked over the book which developed into 
 
 in 
 
 1561 61 '
 
 Theodore Roosevelt 
 
 "The Rough Riders." It was all perfectly 
 clear in the Colonel's mind. He knew the 
 grand divisions of his story, although he 
 had not written a line. There were to be 
 six articles, and the date was set for the 
 delivery of the first one so that the serial 
 could begin in the magazine promptly. 
 
 Very soon he was nominated for Governor 
 of New York. I said to him one day: "I 
 suppose this will interfere with your dates 
 for 'The Rough Riders'?" 
 
 "Not at all," he replied; "you shall have 
 the various chapters at the time promised." 
 
 As everybody knows, he made a vigorous 
 campaign for Governor of New York, and 
 was elected, and inaugurated in the follow- 
 ing January. Notwithstanding this arduous 
 and exciting time, he fulfilled every promise 
 and the book was delivered on time. 
 
 It was the same way with his "Oliver 
 Cromwell," which was written while he was 
 Governor of New York. He was a busy 
 
 [2]
 
 As Author and Contributor 
 
 man, but his literary work was just as com- 
 plete as though he had devoted his whole 
 time to it. 
 
 When he was President he sent for me, 
 and, taking me into his library, opened a 
 drawer in his desk, lifted out a complete 
 manuscript, put it on the desk, and said in 
 effect: 
 
 "It isn't customary for Presidents to 
 publish a book during office, but I am go- 
 ing to publish this one." 
 
 We then went over together the com- 
 plete manuscript of "Outdoor Pastimes of 
 an American Hunter." Some of these 
 papers had been written before. Other 
 chapters were the product of his hunting 
 trips in Colorado and Louisiana while Presi- 
 dent. The book was ready for the printer, 
 title-page and all. 
 
 In all the long and busy years of his 
 Presidency, if you wrote and asked him a 
 question one day, the reply, almost with- 
 
 [3]
 
 Theodore Roosevelt 
 
 out exception, would be received on the 
 third day, just as soon as a letter could 
 get to Washington, be answered and re- 
 turned; and all his letters had a personal 
 touch, with characteristic corrections, or 
 the impulsive postscript written with his 
 own hand. 
 
 To him the making of a book was a de- 
 light. He knew all the machinery of it, and 
 he read his proofs with the accuracy and 
 industry of an expert. 
 
 But the literary work that he best en- 
 joyed was writing his "African Game 
 Trails." The whole book, even the preface, 
 was written by his own hand, word for 
 word, in triplicate, in the very heart of 
 Africa. One of the men who was with him 
 said that no matter how arduous the day 
 in the hunting-field, night after night he 
 would see the Colonel seated on a camp- 
 stool, with a feeble light on the table, writ- 
 ing the narrative of his adventures. Chap- 
 
 [4]
 
 As Author and Contributor 
 
 ter by chapter this narrative was sent by 
 runners from the heart of Africa. Two 
 copies were despatched at different times. 
 When he got to the headwaters of the Nile 
 one of the chapters was sent from Nairobi 
 and the duplicate was sent down the Nile 
 to Cairo. These blue canvas envelopes 
 often arrived much battered and stained, 
 but never did a single chapter miss. 
 
 It was the same way with his "Brazilian 
 Wilderness," and the Colonel used a part 
 of the same stock of paper that he had taken 
 to Africa. Each block consisted of three 
 shades arranged in order, white, blue, and 
 yellow, so that the original and two copies 
 were distinctly marked. Only a few months 
 ago the Colonel said: "I have just used the 
 last of those pads that I took with me to 
 Africa." A special water-tight and ant- 
 proof case had been made for that trip and 
 loaded with enough paper, as it proved, to 
 write half a dozen books. 
 
 [5]
 
 Theodore Roosevelt 
 
 In civilized countries the Colonel gen- 
 erally dictated his articles and books, but 
 made a most thorough revision of the type- 
 written copy. The stenographer who took 
 his dictation for "Oliver Cromwell," when 
 Roosevelt was Governor, said that he would 
 appear in his study with some books of 
 reference and a pad of memoranda. Then 
 he would start to dictate, and with hardly 
 a pause would complete a chapter of his- 
 torical narrative which demanded a very 
 careful knowledge of dates and places. This 
 was not as easy as a narrative of personal 
 experiences. Nevertheless, I once read a 
 chapter of it before the Colonel had seen 
 the stenographer's transcript. It could have 
 been printed as it stood, with mere mechan- 
 ical proofreading corrections. 
 
 Colonel Roosevelt took a great interest 
 in the illustrations, the type page, and the 
 cover of his books. He came in one day 
 with a painting made by a friend of one of 
 
 [6]
 
 As Author and Contributor 
 
 his boys and said: "I think that will make a 
 first-rate frontispiece in color for "A Book- 
 Lover's Holiday in the Open.' " It was the 
 painting of a cougar in a tree on the brink 
 of the Grand Canyon. 
 
 His son Kermit, who was with him on his 
 African and Brazilian trips, became an ex- 
 pert photographer and made hundreds of 
 photographs from which both of those books 
 were illustrated. It was a delight to see the 
 father and son together going over this ma- 
 terial and making the choice of pictures. 
 Each would recall some incident, and the 
 anecdote and by-play were as good as any- 
 thing in the printed books. 
 
 The Colonel was particularly proud of 
 Kermit's endurance. He said one day that 
 there was not a single one of the negro 
 runners who could outlast Kermit in the 
 African wilds. 
 
 In short, Colonel Roosevelt was the ideal 
 contributor, the ideal author to deal with, 
 
 [7]
 
 Theodore Roosevelt 
 
 open to every suggestion and ready to con- 
 sider any reasonable change. It was an 
 unending pleasure to work with him. He 
 inspired the same sort of loyalty in his liter- 
 ary coworkers as he did among the mem- 
 bers of his regiment of soldiers. Those who 
 knew him adored him, even though they 
 often disagreed with him. 
 
 [8]
 
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