THE LIBRARY 
 
 OF 
 
 THE UNIVERSITY 
 OF CALIFORNIA 
 
 LOS ANGELES
 
 \
 
 SKIPPED STITCHES 
 
 VERSES 
 
 ANNA J. GRANNISS 
 
 AUTHOR OF TH 
 
 "OLD RED CRADLE' 
 
 "THE OLD HOMESTEAD." 
 
 CfjousantJ. 
 
 KEENE, N. H. : 
 
 DARLING & COMPANY, BOOK AND JOB PRINTERS.
 
 Copyright 1893, 
 by ANNA J. GRANNISS. 
 
 All rights reserved.
 
 TO H. E. P. 
 
 If I could find infield, or wood, some flow' r, 
 Some nameless flower, sweeter than all the rest, 
 
 Yielding its bloom and fragrance etfry hour, 
 Then, leaving half its sweetness unexprest 
 
 In its deep chalice, closed in petals white, 
 
 Which, at the lightest breath would lean apart, 
 
 And so disclose a glowing roseate light, 
 
 Some lovely thing had kindled at its heart; 
 
 If I could find such fiow'r, in field, or wood, 
 While yet its petals hung with early dew, 
 
 Fd pluck it up, and name it Gratitude, 
 And make all haste to offer it to you. 
 
 623832
 
 TO MY MOTHER 
 
 I LOVINGLY DEDICATE 
 
 MY HOME-SONGS 
 
 AND SHOULD THIS LITTLE VENTURE FIND ITS WAY TO 
 ANY OF MY 
 
 FELLOW TOILERS 
 
 WILL THEY PLEASE ACCEPT A FEW 
 
 SKIPPED STITCHES 
 
 AS SPECIALLY DEDICATED TO THEM. 
 
 A. J. G.
 
 INDEX. 
 
 PRELUDE 9 
 
 SET TOIL TO A TUNE 13 
 
 SONGS AND BURRED NEEDLES 14 
 
 THE MESSAGE 20 
 
 APRIL 22 
 
 A CHILD ASLEEP 22 
 
 WHERE THE VIOLETS GROW 24 
 
 MY GUEST 26 
 
 HER DOMINION 28 
 
 To MY MOTHER 30 
 
 THE OLD RED CRADLE 31 
 
 AN OCCULTATION 32 
 
 THE MASSACRE OF THE ROSES 34 
 
 FR AGM ENTS 35 
 
 THE AGED ONES 36 
 
 THE LOST JEWELS. 37 
 
 THE BOOK WITH THE QUAINT RED LEATHER COVERS 39 
 
 Two ROOMS 40 
 
 THE DEATH OF THE LEAVES 41 
 
 A PART IN THE PLAN 43 
 
 WHAT Is THE WONDER ? 44 
 
 RESTING IN THE OLD ARM CHAIR 46 
 
 THE SAINTS' MESSENGER 48 
 
 A CRADLE SONG 49 
 
 KEPT 50 
 
 To A CACTUS BLOOM 52 
 
 AN OLD TREE'S SOLILOQUY v_> 
 
 To MY COMRADES 55
 
 PRELUDE. 
 
 The sun comes up, and the day is crowned 
 With its face turned toward the west; 
 
 And all day long in the mill is found 
 The bustle of toil's unrest. 
 
 The steam sings out to the silent steel, 
 
 Till pulley and shaft reply; 
 The thread unwinds from its mimic reel, 
 
 And slips through the needle's eye. 
 
 lick, click, and over the long white track, 
 
 The stitches begin to go 
 Like, tiny steps where none turn back 
 
 In crossing a field of snow. 
 
 Or whether the softest south winds blow. 
 Or the north grows dark with fears, 
 
 While the changing seasons come and go, 
 I'm stitching away the years, 
 
 And the great world never asks, or cares. 
 What may go in with the seams; 
 
 Whether bits of song, or broken prayers, 
 Or only a toiler's dreams.
 
 10 
 
 But something born of the toil and grind, 
 
 Keeps pleading to be confessed; 
 It cries from its cradle in the mind. 
 
 And it will not let me rest. 
 
 And so, when the days and seams are long. 
 
 When the pulleys creak and moan. 
 I just skip a stitch and sing a song, 
 
 But the world has never known 
 
 That it soothes the ache of hurts and wrongs: 
 
 That brighter the needle gleams, 
 In threading life through the simple songs, 
 
 That go tucked away in seams. 
 
 But the seams grow frayed, and old, and worn., 
 
 And the little songs fall out: 
 They know they are ill-clad waifs forlorn 
 
 That nobody cares- about. 
 
 And they bring me little good or gain. 
 
 In their ragged bits of rhyme. 
 Save, as they sing amid toil and pain, 
 
 Of the rest in " aftertime " ; 
 
 When toil is done, and the day kneels down 
 
 With its worn face turned away, 
 While cool hands take off its fevered crown. 
 
 And slip on its robe of gray, 
 
 Then, up and down thro' the busy mill, 
 
 Its swift wheels begin to slow, 
 And the loud pulse of the steam grows stilt 
 
 In the engine-room below.
 
 PRELUDE. 11 
 
 And the old bell, waiting in its tower 
 
 For pulley and shaft to cease, 
 Rings the first stroke of the closing hour, 
 
 For the toiling hands' release. 
 
 And then, from the great deserted rooms, 
 
 The grim shadows chase the light; 
 The dim corners quickly fill with glooms, 
 
 And the mill 4 ' shuts down " for night. 
 
 For night when over these long white seams, 
 
 The darkness at last shall fall ; 
 The night will find, for one toiler's dreams, 
 
 Skipped -Stitches, and that is all.
 
 Skipped Stitches, 
 
 SET TOIL TO A TUNE. 
 
 Set your toil to a tune, aye, a happy tune, 
 
 And sing as you hoe, my laddie; 
 Set your toil to a tune, as sweet as the June, 
 And sing as you sew, my lassie, 
 
 For toil is pleasure, 
 
 When set to measure 
 Of mystical rhythms and runes, 
 
 And common-place toil 
 
 On fabric or soil, 
 Can be set to a thousand tunes. 
 
 Set tunes to the stitches, and sing as you sew, 
 
 Aye, sing while the lads, fair lassies, 
 Set tunes to the furrows and sing as they hoe,- 
 Songs lie asleep in the grasses! 
 
 For the heart that sings, 
 
 The hours fly on wings 
 Of mystical rune and rhythm. 
 
 And carry the tunes 
 
 Of a year of Junes, 
 And the glad heart of the toiler with 'em.
 
 SOXGS AM) IU IIRKI) NEEDLES". 
 
 SONGS AND BURRED NEEDLES. 
 
 SOXG. 
 
 We count it a pleasure to earn our bread ! 
 First the leaves are green, then yellow and red 
 By our daily toil we are housed and fed, 
 From the leaf in bud, till the leaves are shed ; 
 The thread keeps winding off from its reel, 
 If it's smooth and strong then all goes ' weel r % 
 But a knot stops close to the needle's eye, 
 It's a little thing, but it can't go by 
 A dry leaf clicks at the window-pane, 
 We clip the knot and thread up again ; 
 Yes, we like the taste of our hard-earned bread. 
 Let the leaves be green, or yellow and red. 
 Or the trees quite bare, with the last leaf shed. 
 
 LE X<. 1. 
 That cricket's singing almost frenzies me; 
 
 For half an hour it's piped the self-same strain; 
 The worst it used to do was make me sad, 
 
 But now, it's driving needles thro' my brain. 
 
 You know the cricket rarely sings till fall. 
 
 By that I know the summer's almost dead T 
 And yet, I've barely had two buttercups 
 
 Xo wonder, then, its singing hurts my head-
 
 SONGS AND BURKED XEEDLES. 15 
 
 I used to love the crickets when a child, 
 
 The dear brown hoppers, but I then hopped, too, 
 
 And had my share of summer buttercups, 
 And ev'ry other wild flower, that I knew. 
 
 I find the same things have a difference 
 When heard, or felt, at widely different times 
 
 I used to call just jingles poetry, 
 
 But I know better now, and call them rhymes. 
 
 I used to think that heaven would tire me out 
 With endlessness I hope I've been forgiven, 
 
 For now, indeed, I find I've grown so tired, 
 My sweatest hope is that long rest in heaven. 
 
 Diverted by the years, all former things 
 Find newer meanings or become estranged; 
 
 By this I know my soul has not stood still, 
 In that my old ideals have been changed, 
 
 We are the toilers who earn their rest; 
 
 Oh, the year is growing old ! 
 The sun is setting far southwest; 
 
 Oh, the winds are growing bold ! 
 The winter is long and hard at best; 
 
 Oh. the winter is hard and cold! 
 And what shall we do when cold weather comes ? 
 And what shall we do to warm our poor homes ? 
 If the thread will slip thro' the needle's eye, 
 Let cold weather come, for warmth we can buy.
 
 If?. SOXYrK ANH TU'KKFTn XFIKDT.I >. 
 
 We'll list the windows, and list the doors: 
 We'll lay bright nigs on the kitchen floors: 
 
 Sing, needle, click and sing, 
 The coldest winter must yield to spring! 
 
 XEEDI.T: Xo. 2. 
 A child is sobbing somewhere up the street, 
 
 Its sense of justice wronged, it wails and cries; 
 The dear Lord only knows how it may weep 
 
 From keener sense of wrong, before it dies. 
 
 Poor little waif! I'd love to take him up 
 And comfort him, and kiss away his hurts; 
 
 His mother has to earn her bread and his, 
 By making other children bibs and skirts. 
 
 He has to get along as best he can ; 
 
 Brave baby soul, he never asked to come 
 He may be one of heaven's own astray 
 
 The infant Christ was born without a home. 
 
 I wonder if such childhood makes the man 
 More truly just, more pitifully kind 
 
 To little fellows crying on the street 
 
 Because they've been left out, or left behind. 
 
 Or if instead, he turns against the world, 
 Ignoring all it gives of later good, 
 
 And, by supreme indifference, thinks to 
 Revenge his own neglected babyhood.
 
 SONGS AND BURRED NEEDLES. 17 
 
 SONG. 
 
 Oh, we are of those who toil and trust, 
 
 Others may, too. but the toiler must; 
 
 God has not gone to some distant star, 
 
 He's in the mills where the toilers are. 
 We know he smiles on us every one, 
 For the sake of Christ, the carpenter's son; 
 None other could hear in the noisy mill, 
 But "God hears a thought," and heaven grows still 
 While he measures the tears and counts the sighs 
 Of the anxious hearts, lifting up their cries 
 Oh! what shall we do when our loved ones fail ? 
 Oh! what shall we do when their cheeks grow pale ? 
 And how shall we buy them fresh fruits and flowers, 
 If we 'tend to their wants in the working hours ? 
 But how can we leave them sick and alone ? 
 
 Oh, how we toilers do love our own! 
 
 All we can do is to toil and trust. 
 
 Others may, too, but the toiler must ; 
 
 And God remembers, and He is just. 
 
 NEEDLE No. 3. 
 Great men have lived and died, before to-day, 
 
 Leaving the lore their minds had bred and nurst; 
 But babes cannot begin where they left off, 
 
 They have to lisp and learn their letters first. 
 
 One man invents a thing, and puts it by, 
 And dies before he brings it to the test; 
 
 Another finds it good, but incomplete, 
 
 Improves upon't. then he. too, goes to rest.
 
 18 soNGS AM) BURRED NP^KDLES. 
 
 For some are blind in this, some lame in that. 
 
 It keeps the world from getting on too fast, 
 And wins the Present's due acknowledgment 
 
 For all it owes the venerable Past. 
 
 Indeed it ought to stimulate the man 
 
 To do some worthy work to leave behind 
 
 With this gray-headed banker of the world. 
 Where ev'ry man's a debtor to his kind. 
 
 'Tis strange to think of time so far remote 
 There was no reverend Past to draw upon: 
 
 Hut then God was, He is, and He will be 
 God of the great world's night-fall, as its dawn. 
 
 SONG. 
 
 Oh! the wearisome week! How slow it wears! 
 The days are so long and so full of cares, 
 There is hardly time for our hurried prayers, 
 But God hears those, 
 And only He knows 
 
 Just how much it means to stop and pray, 
 
 At either end of the toiler's day; 
 It's dark in the morning; it's dark at night: 
 How do our homes look in the broad day light ? 
 Are the little ones' faces sad or bright ? 
 Had we noticed the mother's hair was white ? 
 The needles buzz in monotonous hum ; 
 Oh! the first bell-stroke, will it ever come ? 
 
 It's getting dark, and it's hard to see, 
 
 And T know my own are needing me.
 
 SONGS AND BURRED NEEDLES. 19 
 
 The great wheels throb, and the pulleys groan, 
 Till they seem to sound like a human moan, 
 And the heart stands still with a sudden fear, 
 Oh, how is it hearts beat, year after year ? 
 Ah! this is too dreary a song I know, 
 But this is sometimes 'tis not always so. 
 
 NEEDLE No. 4. 
 I hear the turtle singing in the land! 
 
 The longest woe or winter wears away; 
 And I at last have come to understand, 
 
 That life is better, taken day by day. 
 
 If we recall the past, and wail and cry 
 Over lost joys, or some remembered pain, 
 
 The present, needs must weep in sympathy, 
 And so lose all its joy, and nothing gain. 
 
 While if the future we would penetrate, 
 And sit and wonder what the end will be, 
 
 It's more than likely we shall 'rise to find 
 Our chances of success in jeopardy. 
 
 So life is better taken day by day, 
 
 Moment by moment rather, from God's hand. 
 The wilderness is traversed step by step, 
 
 By those who would go up and take the land.
 
 20 THE MESSAGE. 
 
 THE MESSAGE. 
 
 I sent it far out on the midnight air; 
 A great voiceless wish, an unspoken prayer. 
 I know what I said when I sent it out, 
 As I watched it hover and beat about, 
 
 And then cross the dark mountain toward the sea 
 " O, sometime my wish will be granted me, 
 And sometime my prayer will be answered me, 
 
 From over the mountain and over the sea" ! 
 
 And I told the spirit of air and wind 
 To carry my message, to seek and find 
 Its answer, then over the mountain's track 
 Come swiftly, and bear me the answer back. 
 
 And I had sweet dreams, sweet as dreams could be, 
 Of my voiceless prayer being answered me, 
 Of my one wild wish being granted me. 
 
 From over the mountain and over the sea. 
 
 I opened the window at dead of night; 
 
 All the ground with winter's snow lay white 
 
 Had I slept in the lap of bygone springs ? 
 
 Did I dream of the beat of rapid wings ? 
 O. my friend, the one prayer I breathed out to thee, 
 
 Is its answer winging its way to me ? 
 
 Is it bringing pardon and peace to me 
 From over the mountain and over the sea ! J
 
 THK MESSAGE. 21 
 
 It was night, and the ground lay white with snow, 
 And the last bird had vanished months ago. 
 But straight from the way where the day-star springs. 
 Through the still night air came the rush of wings; 
 
 And a bird, unknown on this side of the sea, 
 Fluttered in on weary white wings to me. 
 A living message of peace for me, 
 
 From over the mountain and over the sea. 
 
 The wish I sent out on the midnight air, 
 The message I breathed in that voiceless prayer, 
 Was the anguished burden, "Forgive! Forgive! 
 Oh, my wronged friend, if thou still dost live! " 
 
 Did the waves of the night air carry my plea ? 
 Did the unknown bird bear fast and free 
 His answer of pardon and peace to me, 
 
 From over the mountain and over the sea ? 
 
 The feverish dream of a burdened mind ? 
 An invisible waif of the winter's wind ? 
 Ah the open sash in that morning's chill; 
 And the strange bird dead on the window-sill 
 
 With the sweet, sudden sense of a mind set free, 
 Were pledges my sin was forgiven me. 
 Strange tokens of pardon and peace to me, 
 
 From over the mountain and over the sea. 
 
 Came news of death from an Eastern land, 
 With these words, writ by a comrade's hand: 
 " At the hour of midnight the message came. 
 I forgive,' he said, then breathed your name.
 
 22 AI'Kir.. A CHILI) ASLKEP. 
 
 And died.' ? Oh, is the soul both sides of the sea 
 What was the white wonder that came to me ? 
 Had his spirit crossed over to answer me, 
 
 Ere its last long flight above mount and sea ? 
 
 APRIL. 
 
 April laughed, and threw a kiss: 
 Then afraid it seemed amiss, 
 Quick she dropped a shining tear, 
 And it straightway blossomed here ; 
 Seeing this, she then threw more. 
 Crying harder than before 
 A tear for ev'ry kiss she threw; 
 From ev'ry tear a blossom grew, 
 Till she laughing, ran away, 
 And left her flowers all to May. 
 
 A CHILD ASLEEP. 
 
 A sinner sat in the room at night 
 
 Where a sweet child lay asleep, 
 And strange tears came to the wear-y eyes 
 
 That had been unused to weep; 
 The mind went back to another time, 
 
 When she lay her childish head, 
 Aye, in just such happy innocence 
 
 On her own low trundle bed.
 
 A CHILI) ASLEEP. 23 
 
 She seemed to feel the good-night kiss, 
 
 The hand upon brow and hair, 
 And she heard her mother's gentle tones, 
 
 With her own voice lisping prayer; 
 Then the fountain of her heart o'ernowed, 
 
 And swept through those evil years, 
 Tntil all their bitter wrong and sin 
 
 Dissolved in repentant tears. 
 
 She knelt and prayed glad angelic hands 
 
 Once anew their harp strings sweep; 
 Babes may hear such music in their dreams, 
 
 For the child smiled in her sleep. 
 Then a holy Presence filled the room, 
 
 And breathed low the word " Forgiven " ! 
 But the sinner heard, and lifted up 
 
 Her face toward God and heaven. 
 
 The redeeming miracle was wrought! 
 
 Then the still night wore away, 
 And a beautiful new soul beheld 
 
 In the east the breaking day. 
 What the song and sermon had not done, 
 
 For the sick soul sin-defiled, 
 God's spirit did in the silent room, 
 
 By means of a sleeping child.
 
 L'4 WHERE TILE VIOLETS GIJOW. 
 
 WHERE THE VIOLETS GROW. 
 
 I know a place where the violets grow, 
 
 As blue as the summer sky, 
 And I'll tell you if you care to know, 
 
 For you would not pass them by. 
 
 You remember where the lilies grow 
 With the delicate meadow-rue ? 
 
 It's early now, but before you know 
 They will ring their bells for you : 
 
 Well, that is the lot you have to cross, 
 Then follow the old stone wall; 
 
 It's nearly covered with speckled moss, 
 There, under the button-ball. 
 
 And it's there two tiny pathways meet 
 One leads to I don't know where; 
 
 The other will choke with meadow-sweet. 
 In the hot mid-summer air. 
 
 But take it now, and follow the brook. 
 
 As it runs along the ridge ; 
 You'll notice some cresses in a nook 
 
 Growing somewhere, near the bridge.
 
 UI1KUE T1FK VIOLETS GROW- 25 
 
 And then come the 1 pussy-willow trees, 
 
 Where the boughs bend over so, 
 They dip the water, then lift again. 
 
 Whenever the light winds blow. 
 
 Farther on, the brook bends suddenly, 
 
 With a gurgling mur-m-u-r-r-um, 
 As if it were turning back to see 
 
 Why the willows did not come. 
 
 But the violets ? Where do they grow ? 
 
 Stop at the bend of the brook, 
 Shut your eyes and take three steps or so, 
 
 Then open them wide, and look. 
 
 There they are blue, yes. blue as the sky 
 
 When deepest in love with June ; 
 When all nature sets her melody 
 
 To the rarest of sweet tune. 
 
 Why, they seem to make the very air 
 
 A violet-colored mist, 
 And you'll almost think as you stand there, 
 
 That the earth and sky have kissed. 
 
 When I came upon them in the dew, 
 
 I think in my first surprise, 
 1 thought that a bit of heaven's own blue 
 
 Had fallen before my eyes. 
 
 I found them day before yesterday. 
 
 When out for a tramp and oh. 
 It is lovely all along the way - 
 
 To where the violets grow.
 
 26 MY GUEST. 
 
 MY GUEST. 
 
 The day Is fixed that there shall come to me 
 
 A strange mysterious guest; 
 The time I do not know, he keeps the date. 
 So all I have to do Is work and wait. 
 
 And keep me at my best. 
 And do my common duties patiently. 
 
 I've often wondered if that day would break 
 
 Brighter than other days 
 
 That I might know, or wrapped in some strange gloom, 
 And if he'd find me waiting in my room, 
 
 Or busy with life's ways, 
 With tired hands, and weary eyes that ache. 
 
 For many years I've known that he would come, 
 
 And so have watched for him; 
 And sometimes even said " He will come soon!'" 
 Yet mornings pass followed by afternoon, 
 
 With twilights dusk and dim, 
 And silent night-times, when the world is dumb-. 
 
 But he will come, and find me here or there. 
 
 It does not matter when. 
 
 For when he comes, I know that he will take 
 In his, these very hands of mine that ache, 
 
 (They will be idle then.) 
 Just folded may be. witli a silent prayer.
 
 MY GUEST. 27 
 
 Yes, he whom I expect has been called Death, 
 
 And once he is my guest, 
 Nothing disturbs of what has been, or is; 
 I'll leave the world's loud company, for his, 
 
 As that which seemeth best, 
 And none may hear the tender words he saith 
 
 As we pass out, my royal guest and I, 
 
 As noiseless as he came; 
 For naught will do-, but I must go with him 
 And leave the house I've lived in closed and dim, 
 
 It only bears my name, 
 I've known I should not need it, by and by. 
 
 And so I sleep and wake, I toil and rest, 
 
 Knowing when he shall come, 
 My Elder Brother will have sent for me, 
 Bidding him say, that they especially 
 
 Have need of me at home, 
 And so, I shall go gladly with my guest.
 
 HER DOMINION.. 
 
 HER DOMINION 
 
 She never sat upon a throne 
 
 With a scepter in her hand. 
 And never to my knowledge 
 
 Has she owned a foot of land ; 
 But I've often sat and watched her 
 
 Through the tidy window screen., 
 And I know in her dominion. 
 
 She's a veritable queen. 
 
 Who ? why, my little neighbor 
 
 With the gingham apron on. 
 Or a bit of fluted muslin 
 
 When the morning's work is done-. 
 Yes; she rents a tidy cottage 
 
 Right here across the street, 
 Where she keeps the windows shining 
 
 And the door-yard fresh and neat. 
 
 All the walk is gaily bordered 
 
 AVith petunias and phlox. 
 And the door is always opened 
 
 For every one who knocks. 
 Where, unless she is preceded 
 
 By a little laughing elf. 
 With sweet, unconscious dignity. 
 
 She waits on the door herself.
 
 IllvR DOMINION.. 
 
 Her subjects ? why, her children, 
 
 Just as loyal as can be. 
 And the way they wait upon her 
 
 Is quite beautiful to see: 
 While she keeps them glad and happy 
 
 With the smile upon her face. 
 And teaches them sweet manners, 
 
 By her own habitual grace. 
 
 There's a handsome, manly fellow 
 
 Goes off early in the day, 
 Ooming back again, as daylight 
 
 Just begins to fade away; 
 He's gallant as he is handsome 
 
 Could a sovereign ask for more, 
 Than the homage which he pays her, 
 
 When she meets him at the door ? 
 
 "Why, her home is her dominion ! 
 
 Home where love is all the law; 
 IV here no harshly uttered mandate 
 
 Her wee subjects over-awe. 
 But I'm talking of my neighbors, 
 
 I'm ashamed as I can be, 
 I've been peeping through my shutters. 
 
 And they've just sat do"wn to tea. 
 
 I can hear their cheerful chatter, 
 With soft laughter now and then. 
 
 And I say, the dear Lord bless them. 
 Ten times over, and again:
 
 For it does me good to watch them. 
 Seems so cozy, and all that, 
 
 And I've nothing much to : tend to., 
 But my knitting and my cat. 
 
 TO MY MOTHER. 
 
 My wish for thee, whose tireless love 
 Alike could chasten and approve: 
 My wish is that thy life might be 
 As full of joy as love for me. 
 
 My hope for thee is like a star 
 That shines beyond where tempests are-r 
 My hope for thee, first loved and best, 
 Is one long day of perfect rest. 
 
 My prayer for thee who taught me pray/- 
 Would swing the gates of heaven away. 
 Until the light of heaven appear 
 To shine across thy pathway here. 
 
 My love for thee could that obtain 
 A healing balsam for thy pain, 
 Ah, then it were already thine, 
 Could it be bought with love of mine.
 
 THE OLD RED CRADLE, 31 
 
 THE OLD RED CRADLE. 
 
 Take me back to the days when the old red cradle rocked, 
 
 In the sunshine of the years that are gone ; 
 To the good, old, trusty days, when the door was never locked, 
 
 And we slumbered unmolested till the dawn. 
 
 I remember of my years I had numbered almost seven, 
 
 And the old cradle stood against the wall 
 I was youngest of the five, and two were gone to heaven. 
 
 But the old red cradle rocked us all. 
 
 And if ever came a day when my cheeks were flushed and hot, 
 When I did not mind my porridge or my play, 
 
 I would clamber up its side and the pain would be forgot, 
 When the old red cradle rocked away. 
 
 It has been a hallowed spot where I've turned through all the 
 years, 
 
 Which have brought me the evil with the good, 
 And I turn again to-night, aye, and see it through my tears. 
 
 The place where the dear old cradle stood. 
 
 By its side my father paused with a little time to spare, 
 
 And the care-lines would soften on his brow, 
 .Ah! 'twas but a little while that I knew a father's care, 
 
 But I fancy in my dreams I see him now. 
 
 By my mother it was rocked when the evening meal was laid, 
 
 And again I seem to see her as she smiled 
 When the rest were all in bed, 'twas there she knelt and 
 prayed, 
 
 By the old red cradle and her child.
 
 62 AN <7( < ILTATIOV. 
 
 Aye, it cradled one and all, brothers, sisters in it lay, 
 And it gave me the sweetest rest I've known. 
 
 But to-night the tears will flow, and I let them have their way. 
 For the passing years are leaving me alone. 
 
 And it seems of those to come, I would gladly give them all r 
 
 For a slumber as free from care as then, 
 Just to wake to-morrow morn where the rising sun would fall. 
 
 'Hound the old red cradle once again. 
 
 But the cradle long has gone and the burdens that it bore, 
 
 One by one have been gathered to the fold, 
 Still the flock is incomplete, for it numbers only four, 
 
 With one left out straying in the cold. 
 
 Heaven grant again we may in each other's arms be locked. 
 
 Where no sad tears of parting ever fall : 
 God forbid that one.be lost, that the old red cradle rocked; 
 
 And the dear old cradle rocked us all. 
 
 [Copyright 1 **">, by Charles D. Blake & Co.] 
 
 AN OCCULTATION. 
 
 So many times. I've seen the great round moon. 
 Creep slowly from behind yon old mill-roof, 
 And with a kindly face look in at me. 
 Still bending o'er my uncompleted task, 
 And then, with tender grace withdraw herself. 
 To climb again the stairway of the heavens, 
 I'p to her chamber, all alight with stars. 
 And hung with white cloud-draperies to hide 
 A little of her loveliness.
 
 AX OCCULTATIOX. 33 
 
 One night, 
 
 'Twas when the moon was new, and in the west 
 Hung high a crescent beautiful, I saw 
 Aldebaran draw near, and seem, to pause 
 Upon the shadowed disc, then slip from sight 
 Between the shining points, as if to hide 
 Him from the twin stars of the Hyades. 
 (Instinctively I laid a finger on 
 My lips, a-hush and simultaneously 
 The charmed night held itself so still, 1 heard 
 An old Pine drop a needle on the ground,) 
 And soon, I saw him peep from underneath 
 The shining rim, and take his place again, 
 And then right merrily go down the west, 
 To put the little stars to bed. 
 
 Wise men, 
 
 Who know the names, and courses of the stars, 
 As I know names, and blooming times of flow'rs, 
 Called what I saw an occupation, else 
 I might have thought it just a good-night game 
 Of peek-a-boo, played by that merry group 
 Of Hyades.
 
 THE MASSACRE OF THE 
 
 THE MASSACRE OF THE ROSES. 
 
 The Lady Rose and her family, 
 
 In the early part of June, 
 Had planned for a grand rose festival. 
 
 To be held the next full moon. 
 
 The Lady Rose, of her family 
 
 Was as proud as proud could be ; 
 " Some shall wear yellow, and some wear red, 
 
 And some shall wear white," said she. 
 
 " And some shall be dressed in full pink skirts. 
 
 Some in salmon's palest hue, 
 And some in crimson, and each shall wear 
 
 A real pearl-o'-the-dew." 
 
 With their lovely costumes partly on, 
 
 They chatted, as roses will, 
 And the moon was half way up the sky, 
 
 When they set the last wee frill. 
 
 'First, the Lady Rose herself stepped out, 
 
 Leaning lightly on the wind, 
 Then the half-blown belles, and timid buds. 
 
 Came in trios close behind. 
 
 The place belonged to Miss Marguerite, 
 She had fenced and hedged it well, 
 
 And just where that bold Jack Frost came in, 
 Why, no one could ever tell.
 
 FRAGMENTS. 35 
 
 But right in the midst of the festival. 
 
 They all felt his icy breath, 
 And the Lady Rose and her family 
 
 Were frightened almost to death. 
 
 They gathered their dainty flounces up, 
 
 And prepared to run away, 
 But in icy tones that froze their hearts. 
 
 He commanded them to stay. 
 
 The timid buds in their green slashed coats. 
 
 He pinched them till they were black, 
 And if any did make their escape, , 
 
 They have never dared come back. 
 
 Well, Miss Marguerite walked out next day. 
 
 Yes; and afterwards she said 
 That every rose at the festival, 
 
 Was black in the face and dead. 
 
 FRAGMENTS. 
 
 A broken song It had dropped apart 
 Just as it left the singer's heart. 
 And was never whispered upon the air, 
 Only breathed into the vague " Somewhere ' 
 
 A broken prayer Only half said 
 By a tired child at his trundle bed; 
 While asking Jesus his soul to keep. 
 With parted lips, he fell fast asleep.
 
 30 THE AGED OM>. 
 
 A broken life Hardly half told 
 When it dropped the burden it could not hold 
 Of these lives, and songs, and prayers half done. 
 God gathers the fragments every one. 
 
 THE AGED ONES. 
 
 Make the way smooth for the aged feet: 
 
 The path has been hard they've had to tread. 
 
 And they shrink from what they yet may meet. 
 For the way looks dark that lies ahead. 
 
 Make the work light for the feeble hands, 
 Once they were fair and soft as your own; 
 
 But with patiently welding Love's strong bands. 
 Into the hands hard seams have grown. 
 
 Soften the light for the aching eyes, 
 
 Grown tired, perhaps, in their watch o'er you, 
 _ While tenderly hushing with luli-a-bys, 
 
 Through silent hours when you never knew. 
 
 Make the weight light for the weary arm, 
 'Tis tired, with many a day's work done; 
 
 With passing so often 'twixt you and harm, 
 Let it " lean hard " on your stronger one. 
 
 Smooth the hair tenderly off the brow, 
 Something has left deep furrows there; 
 
 The mother's care you would so miss now, 
 Has cut those lines, and blanched the hair.
 
 THE LOST JEWELS. 37 
 
 And kiss sometimes the quivering lips, 
 Thousands of times have they kissed you. 
 
 Saying, 4i No nectar the bee e'er sips, 
 Is sweeter from flower-bells filled with dew." 
 
 The ear has grown dull with each passing year, 
 And the voice grows weak it feels and owns, 
 
 But once, 'twas only a mother's ear 
 Could tell the language of baby-tones. 
 
 Make the heart glad by your thoughtful care, 
 Long has it thought and planned for you, 
 
 Beating with many a silent prayer, 
 And self-denial you never knew. 
 
 Make the bed soft for the tired frame 
 
 Just a few more times, a very few, 
 Shade the winds from the flickering flame 
 
 Till the thread of life shall have burned in two. 
 
 THE LOST JEWELS. 
 
 " Have you seen or heard of my jewels ? 
 
 Came you by the meadow path, 
 Where I challenged the merry maiden 
 
 With handfuls of aftermath ? 
 Saw you aught that shone in the grasses 
 
 With a rarely lustrous hue ? " 
 
 ic We came by the path thro' the meadow, 
 And saw but the morning dew. "
 
 TIN: I.O.-T .IK \\KI.S. 
 
 " Came you round thro ? the daisy acre, 
 
 And over the wild rose stile, 
 Where Flora sat resting her basket. 
 
 And chatting with me the while ? 
 Saw you aught that lay in the pathway, 
 
 That shone with a pearly gleam ? " 
 
 ' Aye, we crossed the stile just after you. 
 And saw but a stray sunbeam." 
 
 " Did you pass by the clump of alders, 
 Where the shade lay dark and cool ? 
 
 (I was there when the village children 
 Passed by on their way to school.) 
 
 Saw you in the shade of the alders 
 
 That which might have been my gems ? " 
 
 "Nay; we saw but the purple berries 
 That hung on their wine-red stems." 
 
 " But has no one found them my treasures, 
 My fair pearls so lustrous white ? 
 
 They were lost somewhere in the morning, 
 And now it is almost night. 
 
 Surely, some one can find my jewels, 
 Or their like, in some fair clime." 
 
 " Xay; for the gems you lost this morning, 
 Were the precious pearls of time."
 
 THE BOOK WITH THE (^I'AINT RED I.EATI1KII CO V EJJS. 
 
 THE BOOK WITH THE QUAINT RED LEATHER COVERS. 
 
 The old kitchen of my childhood, 
 
 With its fire-place and its delf, 
 Was made hallowed by the presence 
 
 Of the Book upon the shelf, 
 Where for years its quaint old covers 
 
 Caught the firelight's ruddy flame, 
 For the Book and " old red cradle " 
 
 Were there long before I came. 
 
 It has shared a place beside me 
 
 In many a childish nap, 
 For my mother used to rock me 
 
 With it resting on her lap ; 
 And e'en now, through years of changes, 
 
 Tender memories are stirred 
 By the rocking of a cradle 
 
 Or the reading of the Word. 
 
 When its weight was quite too heavy 
 
 For my hands to hold with care, 
 It was opened out before me, 
 
 On a low-backed wooden chair; 
 While I read of Paul and Silas, 
 
 With their feet fast in the stocks 
 Spelled the words, demurely seated 
 
 On an old cracked candle box.
 
 40 TWO KOOMS. 
 
 I've a picture of my mother, 
 
 (I can close my eyes and see) 
 Bending o'er those sacred pages, 
 
 With us all about her knee, 
 And we never missed her blessing 
 
 When the evening prayers were said, 
 And she closed the leather covers, 
 
 While she tucked us up in bed. 
 
 There's no cradle gently rocking 
 
 On the old home kitchen floor, 
 And no children just at night-fall. 
 
 Press in thro' the open door; 
 But the dear old family Bible, 
 
 Teaching its eternal truth. 
 Is the one unchanged possession. 
 
 Which outlives a vanished youth. 
 
 TWO ROOMS. 
 
 A beautiful room with tinted walls: 
 A bust where the colored sunlight falls, 
 A lace-hung bed with a satin fold, 
 A lovely room, all blue and gold 
 And weariness. 
 
 A quaint old room with rafters bare: 
 A low white bed, a rocking-chair, 
 A book, a stalk where a flower had been. 
 An open door, and all within 
 Peace and content.
 
 THE DEATH OF THE LEAVES. 41 
 
 THE DEATH OF THE LEAVES. 
 
 Wet, wet, wet, lie the leaves ! 
 
 Loose from the boughs where they burned and blushed, 
 
 Now they are lying all limp and crushed, 
 
 Their mellow music is drowned and hushed 
 
 In the great down-pour of the autumn rain, * 
 
 I watched them yesterday thro' the lane 
 
 Drifting, dallying, dallying, drifting, 
 
 Resting, rallying, lighting, lifting 
 
 Over the hill and clown the hollow, 
 
 Kustling gaily, " Who'll come and follow ? 
 
 We are going to find the swallow! " 
 
 The north wind started them on the track, 
 
 In a giddy whirl they came rushing back, 
 
 Hither and thither the wild wind's game. 
 
 So all the day long they went and came; 
 
 Spreading like beautiful bits of flame 
 
 Along the roadside, and through the lane 
 Quenched to-night by a whole day's rain 
 Drenched thro' each fibre and fine-drawn vein. 
 
 For death in Nature the great sky grieves, 
 
 And rains its tears on the fallen leaves. 
 Wet, wet, wet, lie the leaves !
 
 THE DEATH OF T1IK LEAVES, 
 
 Dead, dead, dead, lie the leaves ! 
 Some, caught on hedges, hang torn and brown ~ 
 Some lie in by-ways, some in the town. 
 Wherever the great rain beat them down. 
 Pressing on pavements their delicate prints. 
 Lighting the gutter with pale yellow tints 
 Yesterday, falling, fluttering, flying. 
 To-night they are lying still, and dying 
 Huddled in heaps 'round the tree-trunks, dead. 
 While great bare branches stretch overhead. 
 And seem to whisper, as if they said. 
 
 *' Let the gray sky weep, a tree ne'er grieves, 
 Sighing all winter for its lost leaves ! 
 We push them off as the year grows old. 
 And our roots strike deeper for frost and cold, 
 While the dead leaves mix with the mother-mould.. 
 And a strange new impulse thrills us through. 
 Till Nature revives and skies are blue. 
 And the old leaves live again in the new ! " 
 T Tis a beautiful truth the old tree weaves 
 From its fallen garland of faded leaves. 
 Dead. dead, dead, lie the leaves I
 
 A PART IN THE PLAX, 43 
 
 A PART IN THE PLAN, 
 
 'Because my life is what it is, 
 
 Shall I despair, 
 And offer up bitter complaints 
 
 Instead of prayer ? 
 Because my life is what it is, 
 
 I may instead 
 Be drawn the closer unto God, 
 
 And comfortted; 
 
 And the comfort wherewith He comforteth, 
 Makes precious every need, 
 
 And life as it is. if He wants it so, 
 Is precious to me indeed. 
 
 Because my life is what it is, 
 
 Heav'n seems more sweet, 
 And ev'ry joy that finds me out, 
 
 I rise to meet 
 With keen surprise, because my life 
 
 Is what it is, 
 The least in that stupendous plan 
 
 Of Deity's. 
 
 For my part in the plan is but weakness, 
 My place in the structure small 
 
 But what a thing for a worm of the dust 
 To be in the plan at all !
 
 44 WHAT IS THE WONDEB? 
 
 WHAT IS THE WONDER? 
 
 No wonder the birds are so happy! 
 
 No wonder they feel so gay : 
 And so should we, if we lived in a tree. 
 
 Under cool, green leaves all day. 
 
 What wonder they wake up so early. 
 
 And carol so loud and sweet ? 
 So might we, too, if we'd nothing to da 
 
 But sit and sing for our meat. 
 
 Why wouldn't the spiders like to spin 
 
 Fine webs on the garden floors ? 
 We should like to spin, too. if we might do- 
 
 All our spinning out of doors. 
 
 The bees hard at work in the clover ? 
 
 H'm, they're only after treats ! 
 " So busy/' you say, " all the livelong day ? ' r 
 
 Yes, but they just live on s~weets I 
 
 Oh, well may the ferns look fair and fine, 
 
 In delicate green arrayed ; 
 They've had naught to do, ever since they grew 
 
 But fan themselves iu the shade.
 
 WHAT IS THE WONDER? 45 
 
 No wonder the daisies stand so straight. 
 
 All holding their heads just so; 
 All day in the air, with no thought or care, 
 
 And nothing to do but grow. 
 
 No wonder the runnels laugh so loud. 
 
 As they dance along the way; 
 So should we, too, if we'd nothing to do, 
 
 But run through the fields all day. 
 
 The giddy winds go a-gossiping, 
 
 Always telling all they know, 
 Then likely enough, go off in a huff 
 
 All they ever do is blow \ 
 
 No wonder ho, ho, just stop a bit ! 
 
 Xo wonder you think, do you, 
 That the birds and bees and flowers and trees 
 
 Should do what they have to do ? 
 
 But I think we'll leave the wonder now 
 
 For the winds to tell the flowers; 
 They all do their best, with a happy zest 
 
 Oome, let us be doing ours!
 
 46 KI->TIN(, TV THi; (H,I> ARM ('HAIK_ 
 
 RESTING IN THE OLD ARM CHAIR, 
 
 There is someone here in my home to-night. 
 
 Thank the good Father above. 
 Whose hair is now threaded all thro' with white.. 
 
 Someone to cherish and love; 
 Her tender care I have never yet missed. 
 
 No : not for a day a day 
 Since the hour my infant brow she kissed, 
 
 Long before her hair was gray. 
 
 Resting, resting, so weary is she. 
 
 She with the soft white hair, 
 Long years ago. she used to rock me. 
 
 Now, she rests in the old arm chair. 
 
 T Tis the mother about whose side we flocked. 
 
 When the night was drawing nigh. 
 In the home where the cradle gently rocked. 
 
 To her tender Lull-a-by ; 
 It was there, she told of a home in heav'n. 
 
 There, she taught us of the way. 
 And prayed that the children God had given; 
 
 Might never be led astray.
 
 47 
 
 When the others went to the wi Upper Fold,'' 
 
 Long she grieved and sorrowed sore, 
 And now, holding her dear as heart can hold 
 
 1 love for the other four; 
 There are lovelier homes than mine, to-day 
 
 Whose pleasures I envy not. 
 Where an old arm chair has been set away. 
 
 Xow vacant perhaps forgot. 
 
 A mother sits here in my home to-night, 
 
 /Thank the good Father above, 
 A mother, whose hair is fast growing white, 
 
 Is mine, to cherish and love 
 Some count out their wealth in silver and gold. 
 
 And guard it with jealous care. 
 I'm richer than they, and yet all I hold 
 
 Rests here, in the old arm chair. 
 
 Kesting, resting, so weary is she, 
 
 She with the soft white hair, 
 Long years ago, she used to rock me, 
 
 Now, she rests in the old arm chair,
 
 48 THE SAINTS* 
 
 THE SAINTS' MESSENGER. 
 
 If I knew it now, how strange it would seem ? 
 
 To think, to know, ere another day 
 
 I should have passed over the silent way.. 
 And my present life become as a dream ; 
 
 But what if that step should usher me 
 Right into the sinless company 
 
 Of the saints in heaven. 
 
 I'll carefully watch the door of my lips 
 As I talk with my comrades to-day, 
 And think a little before I say, 
 
 To see that no careless expression slips, 
 Which I should find would so ill compare 
 With the holy converse uttered there, 
 By the saints in heaven. 
 
 If they let me in oh, how sweet, how strange-* 
 The thought, that before a new day dawn, 
 I may put the incorruptible on. 
 
 That beautiful garment, the robe of change ! 
 And walk and talk with that happy throng, 
 Perhaps join my voice in the " new. new song,' 
 With the saints in heaven.
 
 A CRADLK SONG. 49 
 
 But I fear lest I should be poorly meet 
 
 To mingle much with the saints at all; 
 
 My earthly service would seem so small 
 Just going of errands on tired feet; 
 
 But oh, how blest, if it were my share 
 
 To be the trusted messenger there, 
 For the saints in heaven ! 
 
 With holy missives to take and bring, 
 Sometime, perhaps, it would come to be,. 
 That some pure saint would commission me 
 
 To carry his message straight to the King: 
 And the King his answer would defer, 
 To turn and smile on the messenger 
 Of his saints in heaven ! 
 
 A CRADLE SONG. 
 
 Karest and fairest, sweetest and best, 
 1 have a song-bird in a white nest; 
 The songs he sings, on bright little wings 
 Nestle down in my heart to rest. 
 
 Fairest and rarest; not to be sold; 
 The dearest darling a nest could hold: 
 Peek-a-bo-peep, and then go to sleep 
 Some little birds are out in the cold. 
 
 Karest and fairest sleepiest too 
 
 My little song-bird has eyes of blue: 
 
 Sleep-ee-to-sleep, and no more bo-peep, 
 
 Till he awakes when other birds do.
 
 50 
 
 KEPT. 
 
 Though beset and tempted by foes without, 
 And tortured within by dark fears and doubt 
 Oft perplexed and troubled and tossed about, 
 Yet kept ! 
 
 Though hindered or helped, relieved or tried. 
 To-day permitted, to-morrow denied, 
 Yet by the strong Presence I walk beside 
 Still kept ! 
 
 When my feet down flowery paths would stray, 
 That would lead far off from the King's highway. 
 Back to the rugged path day after day 
 I'm kept. 
 
 Through the narrow defiles one treads alone, 
 When the lips are mute, while the heart makes moan. 
 And the way leads onward, untried, unknown. 
 I'm kept. 
 
 Down dim lonely valleys, up rocky steeps, 
 Where the thunders roll, and the tempest sweeps. 
 Still ever by Him who calms and keeps 
 I'm kept.
 
 51 
 
 When the way seemed blocked by a solid wall, 
 And my feet stood still and my hands let fall, 
 My soul through the darkness that shuts out all 
 Was kept. 
 
 And then, when I wrestled in wild despair, 
 And so blindly beat at the barrier, 
 Still the poor soul that only moaned for prayer, 
 Was kept. 
 
 In the waiting-time when all strength was spent, 
 And with folded hands the days came and went, 
 Ah! then I learned what these two words meant 
 t; Just kept." 
 
 I am learning slowly, and oh,- 'tis sweet 
 To rise again on my rested feet, 
 And so toil on singing in glad repeat, 
 " I'm kept ! " 
 
 Would I know all the way marked out for me, 
 As it winds away to the great gray sea ? 
 Xo, oh, no ! It is better far to be 
 So kept. 
 
 Just to know each day I am being led, 
 Only trusting the way that lies ahead, 
 Quite content with knowing each step I tread 
 Is kept. 
 
 ' And when I come down to life's farther strand. 
 When the first wave reaches me where I stand, 
 I shall then in the hollow of His hand 
 Be kept !
 
 .V2 TO A CACTUS BLOOM. 
 
 TO A CACTUS BLOOM. 
 
 Ye beauteous flower, marvellous hued, 
 With what wonderful light art thou imbued ? 
 Has an angel's breath, in a world of sin, 
 Stolen through thy petals to hide within :' 
 That thy crimson chalice is all aglow 
 With a light unknown to this world below ? 
 What is the sweet secret within thee sealed. 
 Which for man's entreaty thou wilt not yield ? 
 Some beautiful hint thou art. God-given, 
 To bloom on earth, with a tint of heaven, 
 Just caught from its pillars of amethyst. 
 To veil thy heart in a violet mist, 
 Lest the curious gaze of sinful men 
 Should fright thee back to thy heaven again. 
 
 AN OLD TREE'S SOLILOQUY. 
 
 I'm very cold; my boughs are almost bare: 
 
 For wind-sprites, busy in the autumn air. 
 
 Are stripping Off my leaves; they grudge to spare 
 
 Even a few to nestle at my feet; 
 The birds that sang all thro' the summer time 
 Desert me now, to seek a sunnier clime. 
 Leaving me here alone, to meet the rime 
 
 And feel the sting of wintry wind, and sleet.
 
 AN OLD TREE'S SOLILOQUY. 5; 
 
 I'm very old; fast yielding to decay ! 
 My topmost bough has fallen quite away, 
 A poor old broken tree that's had its day, 
 
 I only stand here waiting for the end. 
 Alone apart from other trees I've stood, 
 Denied the social joys of brotherhood, 
 Felt in the closer contact of the wood, 
 
 Where trees converse together, friend with friend. 
 
 My last pale leaf goes drifting down the stream 
 Upon whose bank I stand, as in a dream, 
 And wonder how the cold dark waters seem, 
 
 And if my little leaflet is afraid 
 Strange premonitions haunt me like a pain; 
 The impulse that has thrilled in every vein 
 Is still ; it means I shall not leaf again, 
 
 Xo more will happy children seek my shade ! 
 
 The little ones that used to come and play 
 
 Have changed, grown old, and some, infirm and gray, 
 
 Leaned on their staves awhile, and went away, 
 
 So far away, they will not. come again. 
 In my cool shade one often used to rest, 
 Who seemed to bear some sorrow on her breast, 
 She always turned her sad face to the west, 
 
 As if there was the solace for her pain. 
 
 But that was long ago by some decades of years ; 
 I've always hoped her faith outlived her fears, 
 That some sweet joy came to dry her tears, 
 When sorrow's tender mission was fulfilled;
 
 ")4 AN OLD TREE'S soui.o^ry. 
 
 Since then, how many seasons have gone l>y. 
 Trailing their "changes over earth and sky; 
 How many mortals have been born to die, 
 
 How many sweet bird-voices have been stilled ! 
 
 The last lone nest that clung so close to me. 
 The wind has fretted till it's almost free, 
 And by a single straw hangs helplessly 
 
 'Tis well its little tenants are away! 
 When they come back, and find the old tree gone. 
 Think you they'll miss the bough they built upon: 
 Or on some younger tree, sing to the dawn 
 
 As gay a carol, as they sang last May ? 
 
 They do not know, the pretty, nighty things, 
 That come and go at pleasure on swift wings, 
 How the fixed nature of an old tree clings 
 
 To those it keeps, a little while a year. 
 I loved them so ! 'Tis hard to yield them all, 
 The robin's song; the early bluebird's call 
 Even the squirrel's chatter, in the fall. 
 
 Has always been a pleasant sound to hear. 
 
 How black the sky looks there above the hill 
 In the northwest; the air is strangely still: 
 I feel a strong presentiment of coming ill 
 
 I wish I'd been a straighter. better tree ! 
 And yet, what has a poor old tree to dread ? 
 Why lives the trunk, after its top is dead : J 
 My last green leaf has budded, and been shed. 
 
 I can but fall, what more can happen me ?
 
 TO MY COMRADES. 55 
 
 I'd choose to fall unnoticed, in the dark, 
 Before the cruel axe has rent my bark. 
 Leaving a pile of whitened chips, (to mark 
 
 Where once I stood) their own sad tale to tell. 
 A mighty shivering has seized my form; 
 I feel too weak to meet this rising storm, 
 I wonder if I ever shall 
 
 [Even as it spoke, the old tree groaned and fell.] 
 
 TO MY COMRADES. 
 
 Oh, what shall I say to you comrades, mates; 
 
 To you with familiar faces, 
 Who have joined with mine, your lives and fates, 
 
 In the old accustomed places. 
 
 We have shared in common our hopes and fears, 
 And mingled our joys and sorrows; 
 
 Have bidden each other " good-nights " for years, 
 And "good-mornings " on the morrows. 
 
 To some we have said "good-by," and for aye; 
 
 They are gone past all returning 
 While others have married and gone away, 
 
 Xew ways, and duties learning. 
 
 Sometimes we have seen our work thro' tears. 
 
 And upon each other's faces, 
 We have read the record of weary years, 
 
 Such as death alone erases.
 
 56 
 
 Then again, we have shaken hands with fate, 
 
 And grown happy in our striving, 
 Till we've equaled perhaps, the learned and great, 
 
 In the joy of real living. 
 
 We have seen the growth in each other's souls, 
 
 Of worthy and true ambitions ; 
 And with eyes still fixed upon distant goals, 
 
 Have fulfilled our humble missions. 
 
 We have kept thro' the busy mill's turmoil. 
 
 Our several likes and leanings, 
 And have drawn from our lives of earnest toil, 
 
 Many sweet and precious meanings. 
 
 You have all had your cherished hopes and plans 
 
 Laid away in hidden niches, 
 And I O, comrades under bans, 
 
 I'll own up to skipping stitches. 
 
 And here are a few, if you care to take 
 Sometime when you have the leisure; 
 
 I can only wish I had power to make 
 The "stitches" afford you pleasure. 
 
 But here is my hand to you, comrades, mates, 
 And since toil is our common creed, 
 
 I shall hope to meet you beyond the gates. 
 And I wish you all " Good-speed " !
 
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