( SPELLBINDERS MARGARET CULKIN BANNING 1 SPELLBINDERS BY MARGARET CULKIN BANNING NEW] Si WW YORK GEORGE H. DORAN COMPANY COPYRIGHT, 1922, BY GEORGE H. DORAN COMPANY COPYRIGHT, 1922, BY THE METROPOLITAN PUBLICATIONS, INC. SPELLBINDERS. II PRINTED IN THE UNITED STATES OF AMERICA 2-Z 8 s&J&SL TO MY FATHER WILLIAM E. CULKIN WHO HAS TAUGHT ME OF POLITICS AND PHILOSOPHY ivi575153 CONTENTS CHAPTER PAGE I AT THE BROWNLEYS* 11 II FREDA 30 III ON THE STUMP 36 IV CITY MICE 45 V A HUSBAND 64 VI MARGARET 76 VII AN UGLY GLIMPSE 87 VIII ADVENTURE 97 IX WORK FOR FREDA 108 X THE CLEAN WIND 116 XI NEWSPAPER CUTS 126 XII GREGORY LECTURES 135 XIII LIFE ENTRUSTED 141 XIV WHAT WAS TO BE EXPECTED . . . .152 XV THE CONVENTION 174 XVI MR. SABLE STARTS SOMETHING .... 188 XVII GAGE FINISHES IT 207 XVIII IN HOSPITAL 220 XIX MENTAL SURGERY 229 XX BARBARA BREAKS LOOSE 243 xxi Walter's solution ...... 259 XXII THE MOURNERS ....... 272 XXIII RESPITE 278 SPELLBINDERS CHAPTER I AT THE BROWNLEYS' GAGE FLANDON put his wife's fur cloak around her and stood back, watching her as she took a final glance into the long mirror in the hall. "I'm quite excited/' she said. "Margaret always ex- cites me and I do want you to meet her. She really must come to stay with us, Gage." "If you like. I'm not so keen." "Afraid of strong-minded women?" "It's not their strong minds I'm afraid of, Helen." 'Their alluring personalities?" She slipped an arm into his and led him to the door. "Not even that. Their horrible consciousness — self- consciousness. Their nervousness. Their aggressiveness. Most of all, I hate the idea of their effect on you." "You sound as if whole cohorts of strong-minded rapa- cious women were storming the city instead of one old college friend of mine come to bolster up the fortunes of your own political party." Flandon helped her into the automobile. "You know what I mean," he said briefly. He stayed silent and Helen Flandon left him to it. But even in the darkness of the car he could feel her excite- ment and his own irritation at it bothered him. There ii 12 Spellbinders was no reason, he told himself, to have conceived this prejudice against this friend of Helen's, this Margaret Duffield. Except that he had heard so much about her. Except that she was always being quoted to him, always writing clever letters to his wife, producing exactly that same nervous excitement which characterized her mood to-night. An unhealthy mood. He hated fake women, he told himself angrily, and was angry at himself for his prejudice. "It's too bad to drag you out to meet her. But I couldn't go to the Brownleys', of all places, alone, could I?" "Of course not. I don't mind coming. I want to see Brownley anyway. I don't mind meeting your friend, Helen. Probably I'll like her. But I don't like to see you excited and disturbed as she always makes you. Even in letters." "Nonsense." "No — quite true. You're not real. You begin by won- dering whether you've kept up to the college standard of women again. You wonder if you've gone to seed and begin worrying about it. You get different. Even to me." "How foolish, Gage." Her voice was very sweet and she slipped along the seat of the car until she was pressed close beside him. He turned her face up to his. "I don't care what the rest of the fool women do, Helen. But I do so love you when you're real — tangible — sweet." "I'm always real, about five pounds too tangible and invariably sweet." "You're utterly unreliable, anyway. You promised me you'd keep clear of this political stuff at least for a while. You quite agreed with me that you were not the kind At the Brownleys' 13 of person for it. Then along comes this Duffield woman to stir up things and you forget everything you said to me and are off in Mrs. Brownley's train." "I'm not in anybody's train, Gage." Mrs. Flandon straightened up. "And I don't intend to be in anybody's train. But it's a different thing to show decent interest in what other women are thinking and doing. Perhaps you don't want me to read the newspapers either." "I merely want you to be consistent. I don't want you to be one of these — " "Fake women," supplied his wife. "You repeat your- self badly, dear." Entering the Brownley drawing-room a few minutes after his wife, Gage found no difficulty in picking out the Object of his intended dislike. She was standing beside Helen and looked at him straightly at his entrance with a level glance such as used to be the prerogative of men alone. He had only a moment to appraise her as he crossed the room. Rather prettier — well, he had been warned of that, she had carried the famous Daisy Chain in college, — cleverly dressed, like his own wife, but a trifle more eccentric perhaps in what she was wearing. Not as attractive as Helen — few women were that and they usually paled a little beside her charm. A hard line about her mouth — no, he admitted that it wasn't hard — undeveloped perhaps. About Helen's age — she looked it with a certain fairness — about thirty-one or two. She met him with the same directness with which she had regarded him, giving him her hand with a charming smile which seemed to be deliberately purged of coquetry and not quite friendly, he felt, though that, he quickly told himself, must be the reflection of his own mood. "And how do you find Helen ?" he asked her. "Very beautiful — very dangerous, as usual." "Dangerous?" 14 Spellbinders "Helen is always dangerous. She uses her power without directing it." He had a sense of relief. That was what he had been feeling for. That was the trouble with Helen. But on that thought came quickly irritation at the personal com- ment, at the divination of the woman he disapproved of. "It is sometimes a relief ," he said, "to find some woman who is not deliberately directing her powers." "You make my idea crystallize into an ugly thought, Mr. Flandon. It's hardly fair." There she was, pulling him into heavy argument. He felt that he had been awkward and that it was entirely her fault. He took refuge in the commonplaces of gal- lantry. "Ugly thoughts are impossible in some company. You're quite mistaken in my meaning." She smiled, a half amused smile which did not so much reject his compliment as show him how impervious she was to such things. Deliberately she turned to Helen who had been enveloped by the ponderous conversation of the host. Mr. Brownley liked to talk to Helen and Helen was giving him that absorbed attention which she usually gave to any man. Gage and Margaret joined them, and as if she wondered at the brevity of their initial exchange, Helen gave them a swift glance. "Well," she said, "have the feminist and the anti- feminist found peace in each other?" "She refuses to be complimented," grinned Gage, rather sheepishly, immensely grateful to Helen for making a joke of that momentary antagonism. "Have women given up their liking for compliments ?" Mr. Brownley beamed upon them beneficently, quite con- scious of his ability to remain gallant in his own drawing- room. "Not these women surely." At the Brownleys' 15 Gage flushed a little. It was almost what he himself had said. It had been his tone. "We have been given so much more than compliments, Mj. Brownley," said Margaret Duffield, "that they seem a little tasteless after stronger food." "Not tasteless to most of us. Perhaps to a few, like Margaret. But most of us, men and women, will like then>as long as we have that passion for appearing to our- selves' as we would like to be and not as we are. ,, Over recovered ease of manner, Gage smiled at Helen. She had taken that up neatly. She had penetration, not a doubt of it. Why did she try then to subordinate her- self to these other women, people like this Duffield girl, these arrogant spinsters? He greeted his hostess, who came from the library, where a group of people were al- ready settled about the card tables. "Will you make a fourth with the Stantons and Emily Haight, please, Gage? You like a good game and Emily can furnish it." Mrs. Brownley was a tall, elaborately marcelled woman of about fifty. Handsome, people said, as they do say it of a woman who commands their eyes even when the sex attraction has gone. She had the ease of a woman whose social position is of long standing, the graciousness of one who has nothing to gain and the slight aggressive- ness of one who has much to bestow. Gage liked her. He remembered distinctly the time of her reign as one of the "younger matrons" — he had been a boy home from college when, at thirty-five, Mrs. Brownley, successfully the mother of two children, was dominating the gayety of the city's social life. Just as now — her hair gray and marcelled, and her dancing vivacity cleverly changed into an eagerness of interest in "welfare work" or "civic activity" — she released energies more in keeping with her age. 16 Spellbinders 'Til go anywhere you want me to," he said, 'Til play checkers or casino. I'll do anything — except talk to feminist females." "Well, Emily's surely no feminist — go along then — " It was a very small party, a dinner of ten to which the Flandons had not been able to come because of a late afternoon meeting at Gage's office. So he and Helen had come along later, informally, to meet the guest of honor, now sitting with Helen on a divan, out of the range Of the card players. "Have you begun operations yet?" Helen was asking. "Oh, no. It's a very vague job I have and you mustn't expect too much. I am not supposed to interfere with any local activities — just lend a hand in getting new women interested, speaking a bit, that sort of thing, rous- ing up women like you who ought to be something more than agreeable dilettantes." "If I'm agreeable — " began Helen. "I won't be put off. You write that nonsense in your letters. Why aren't you interested in all this?" "I truly am. Very noticeably. I'm secretary to this and treasurer to that — all the women's things in town. On boards of directors — no end." "And you care about them as much as your tone shows. Are you submerged in your husband then?" "He'd love to hear you say that. Love you for the suspicion and hate you for the utterance. No — hardly submerged. He's a very fascinating person and I'd go almost any lengths — but hardly submerged. Where did you get the word anyway? Ultra-modern for subju- gated? Gage is good to me. Lets me go and come, unchallenged — doesn't read my letters — " "Stop being an idiot. I'm not insinuating things against Gage. What I'm trying to find out is what you are interested in." At the Brownleys' 17 "I'm interested in so many things I couldn't begin to tell you. Psychoanalysis — novels — penny lunches — you / — Mrs. Brownley's career as a politician — my beloved babies — isn't that enough ?" "I'm not at all sure that it is enough." "Well, then you shall find me a new job and I'll chuck the old ones. Tell me about yourself. I hardly had a chance to hear the other day. So the great Harriet Thompson sent you out to inspire the Middle West with love of the Republican party ? It's hardly like you, Mar- garet, to be campaigning for anything so shopworn as the Republican party." "I do that on the side. What I do primarily is to stir up people to believe in women — especially women in women." "Then you don't believe in the G. O. P." "I'm not a campaign speaker, Helen. I'm an organizer. Of course I think I'd rather have the Republicans in than the Democrats for certain obvious reasons but if you mean that I think the Republican candidate will be a Messiah — I don't. Gage is a Republican — how about you ?" "Half Republican— half Socialist." "The extent of your Socialism is probably a subscrip- tion to a couple of magazines." "About." "You ought to focus on something, I think." "Go on. It does me good. After years of hearing mouthing nonsense," Helen spoke with sudden heat, "of hearing people say 'How wonderful you are, Mrs. Flan- don' and 'How do you manage to do so much, Mrs. Flandon?' and all sorts of blithering compliments, it's wonderful to listen to you. Though I'm not sure I could focus if I wanted to — at least for any definite period. I do, for a while, and then I swing back to being very 18 Spellbinders desperately married or extremely interested in something else. You can't put Gage in a corner like some hus- bands, you know, Margaret." "I should imagine not." "Suppose," said Mrs. Brownley, coming up to them, now that her other guests were disposed of, "that we have a little talk while the others are busy and plan our work a little. You don't really mean to carry Miss Duf- field off, do you, Helen?" "I must, Mrs. Brownley. I've been trying for years to get this young woman to visit me and, now that she is in the city, I couldn't let her stay with any one else. I didn't have any idea that she was going to be the organizer sent by the Women's Republican Committee." "I wouldn't have been sent either, if Mrs. Thompson hadn't been dreadfully short of workers. But she was, and I know her very well and though she knows I only go with her part way, I promised to do the best I could to organize things for her and get the women interested, even if I couldn't speak in behalf of the party and its candidates. You see, Mrs. Brownley, we've done so much organization for suffrage work among women that it comes pretty naturally to us to do this other work, just as it does to you." Mrs. Brownley nodded. "You'll be an immense help, Miss Duffield. What I had sketchily planned was a series of small meetings in the city, lasting over a period of a couple of weeks and then a big rally of all the women. You assure yourself of your audience for the big meeting by working up the small ones." "We must have some good speakers," said Margaret, "I am sure the National Committee will send us those from time to time." "The heavy work will be in the country districts." At the Brownleys' 19 "I suppose so. The women there will have to be rounded up and we should have some women of influence from the country districts to work with us. Can you find some?" 'There are some," answered Mrs. Brownley, "who've done a good deal of club work. There's a Mrs. Ellsmith and there's a new district chairman for the Federated Clubs who seems to be a bright little woman — a Mrs. Eric Thorstad. She comes from Mohawk, about seventy miles out of the city. It's a Normal School town, quite a little center for the surrounding villages. We might write to her." "We ought to see her," answered Margaret, "it works better. The more personal contact you get with the women now, the better. Why can't we go to Mohawk i — is that what you called it? — and some of the sur- rounding towns and do a little rounding up?" "We could — very easily. Mr. Brownley would let us have the Etta — that's the special car on his railroad which runs through all that country." "I think it would be better not. That identifies us too much, if you don't mind my saying it, with the rail- road. No — let's take the regular trains. And make this person come with us to do a little talking." She. indicated Helen with a laugh. "I'll come," said Helen, "of course." She sat back, as Margaret Duffield went on talking* in her deft, sure way, outlining the work to be done. It seemed to Helen that Margaret had hardly changed in eight years. She had been just like this in college, eager, competent, doing things for suffrage, talking fem- inism. Well, so had Helen, herself. But something had changed her point of view subtly. Was it being married, she wondered ? She couldn't rouse her enthusiasms really over all this woman business any more. Was it laziness ? 20 Spellbinders Was it lack of inspiration? Had she been making too many concessions to Gage's ideas ? She must have Mar- garet at her house. She wanted to see her and Gage in action. How they would row! She laughed a little to herself, thinking of Gage. The warm little feeling crept over her that always returned as she thought of him. How foolish Margaret was to miss all that — living with a man. Suddenly she felt expanded, experienced. She wanted to do something to show that all her discon- tents had vanished. She had been nervous and dissatis- fied since Margaret had come. Well, she had come, and Helen had measured herself up beside her, fearful of shrinkage in her own stature. What was it that to-night had reassured her, made her feel that Margaret had not really gone beyond her, that she was not really jealous of Margaret's kind of life? The others were still talking of projected trips into the country. "Let's go then," said Helen, leaning forward, "and get them so stirred up that we leave all the old farmers gasping. Let's start a rebellion of country women. Let's get them thinking!" Margaret stared at her. "That sounds more like you!" she exclaimed. "I'm full of energy," said Helen, on her feet now. "Margaret, you must come to my house within three days or I'll send a policeman for you. And now I'm going to break up Gage's bridge game." She could break it up. Gage was immediately con- scious of her. As she sat beside him, pretending quiet and interest, he could feel that she was neither quiet nor interested. He was pleased that she had broken away from the Duffield girl to come to him. He wanted to acknowledge it. To throw down his cards and put his arms about her. Since he couldn't do that he kept on thinking of it. At the Brownley s' 21 "You bring us bad luck, Mrs. Flandon," said Gage's partner, with a flavor of tartness. She rose again, laying her hand lightly on her hus- band's shoulder. "Driven away from the serious minded everywhere. If I go into the music room and shut the door tightly, may I play ?" That she knew would disturb Gage too. And she couldn't help disturbing him. She would play the things that held especial meanings for him and her. She would play the things which she had used to play in college for Margaret on Sunday evenings, set her by the ears too, startle her out of her seriousness as she had used to startle her. She would arouse in Margaret some of those emo- tions which couldn't be dead. She would find out if she had those emotions still. Then over the first notes she forgot what she meant to do. She was alone with herself — she had forgotten the others. And because she had forgotten, the things hap- pened to the others as she had meant them to happen. Gage, bidding deliberately to make his hand the dummy r left the card table and outside the door of the music room found Margaret, also listening. They took refuge in immediate conversation. "So she keeps up her music," said Margaret. "Yes. She works several hours a day. And we have an excellent teacher out here in the wilderness." With a formal excuse, he returned to his bridge game. At midnight Mrs. Brownley broke up the bridge by summoning the players to the dining room where there were iced drinks and sandwiches. Mrs. Brownley did that sort of thing extremely well. Men used to say with 22 Spellbinders gratitude that she knew enough not to keep them up all night, and her informal buffet suppers closed the eve- ning comfortably for them. It was a "young" crowd to-night — not young according to the standards of the de- butante Brownleys but people between thirty and forty. The Stantons, whom everybody had everywhere because they were good company and perfectly fitting in any group. Emily Haight, who had become ash-blond and a little caustic with the decreasing possibilities of a good marriage but whom every one conceded had a good mind, who "read everything" and played a master hand of bridge. She had sat next to Walter Carpenter at dinner, as she inevitably was placed when they were in the same company, because they had known each other so well and long and because it seemed to be in the back of people's mind that steady propinquity ought to produce results in emotion. He was quite the person for Emily — about her age, well-to-do, popular, keen-minded. But to-night at dinner he had devoted himself almost pointedly to Mar- garet Duffield. They had rallied him afterwards at the card table about his sudden interest in feminism and he had smiled his self-controlled smile and let them have their joke. He had played cards with Jerrold Haynes, another of Mrs. Brownley's "intellectuals," who had written a book once, and had it published (though never another), and who managed to concoct, with the help of Helen Flandon, almost all the clever remarks which were au courant in their particular circle. He and Car- penter had tried to make Margaret play bridge but she had told them that she couldn't, reducing them to a three-handed game which they were ready to abandon at twelve o'clock. Jerrold went as usual to Helen's side. There was a friendship between them which bathed in a kind of half- serious worship on his part and a bantering comrade- At the Brownleys' 23 ship on hers. They sat together in a corner of the long, oak-paneled dining room and made conversation about the others, conversation for the sake of clever words. "Walter has made his way to the candle flame again. He seems to have been captured," said Jerrold. Helen looked across the room curiously. Gage and Walter were both talking to Margaret who was standing in a little glow of electric candle light. Helen remembered that in college Margaret had done her hair that same way, in a loose knot modeled after some sculptured Psyche. "Don't you think she is lovely ?" she asked more in comment than question. "Do you mean beautiful ?" "Well— what do you think?" "I don't quite think of her as a woman." "Silly stuff—" "No, truly. Most women you sense. They either try to use their sex to allure or impress you or else they re- press it for any one of a dozen reasons. She — some- how seems to lack it." "It's not so easy as that, Jerrold, you phrase-maker. I've known her a long while and I have no idea whether she's in love, has been in love, yearns after or fights against it. You guess boldly, but probably not well." "Maybe not. You must tell me if I am right and you find it out." There was a sound of motors in the drive outside, then high pitched voices, and Mrs. Brownley went out into the hall. "Isn't this early for the youngsters?" asked Gage. They all laughed but though the conversation went on as before, an anticipation rested on them all. Against the background of the chattering voices in the hall, they seemed a little subdued, waiting. 24 Spellbinders Allison Brownley pushed her escort in. He seemed to be reluctant but she had her hands on his back and he came through the door, stumbling. "We can come to the high brow party, can't we?" cried Allison. "Can't we have some food? We're perfectly starved and there wasn't a table to be had at the Rose Garden." "I knew you must have been driven out of every- where to come home this early," called Gage, "though of course young men in the banking business might benefit by somewhat earlier hours." The young man laughed awkwardly. He was a rather pale, small young man, badly dwarfed by Gage's unusual bulk and suggesting a consciousness of it when he tried to draw Allison to the other end of the room. But she preferred Gage for the moment. She was not a pretty girl though she made that negligible. What was impor- tant about her was her vigor and her insolent youngness. Her hair was cut just below her ears and curled under in an outstanding shock and her scarlet evening dress and touches of rouge made Margaret, as she stood beside her, seem paler, older, without vigor. But she stood there only a moment, poised. Then the others, six of them, had invaded the dining room. Giggling, spurting into noisy laughter at unrevealed jokes, eating greedily, separating from the older people as if nothing in common could be conceived among them, they went to the farther end of the room, Allison with some youthfully insolent remark hurled back at Gage. The others seemed suddenly conscious that it was mid- night — the time when only extreme youth had a right to be enjoying itself. They took upon themselves the preliminary airs of departure. But Helen, separating herself from the group, went down the room to the young people. At the Brownleys' 25 They had settled into chairs and began to rise a little awkwardly but she did not let them, sitting down herself on the arm of Allison's chair and bending to talk to them all. They burst into gales of laughter at something she said. Gage and Jerrold watched her from the other end of the room. It was wonderful, thought Gage, how even beside those young faces, her beauty stood out as more brilliant. How her hair shone under those soft lights! How golden, mellow, she was in every gesture ! Jerrold, in need of some one to whom to comment, isolated Margaret. "Watch your amazing friend/' he said, "those children made us feel old and stiff muscled. See how she is showing us that they are raw and full of angles." "Is it important ?" asked Margaret. "I suppose not. Except that it is a time when youth seems to be pretty securely on the throne of things. And I like to see it get a jolt." m All the way home, Gage had wanted to say something to his wife, something in appreciation of her beauty, something to still somehow the desire to express his love. As they stood for a moment in their hallway he sought for but could not find the words. There was in him a conflicting, a very definite enmity to her consciousness of her powers. He did not want to increase it. It seemed to him that to have her know her charm meant that she would lose it. He had seen her lose it so. When he felt that she was deliberate — "You were very charming to-night, dearest." "The first duty of a woman," she laughed, "is to be charming, if she can." 26 Spellbinders There it was. She had set him back. He felt it cruelly. Why hadn't she simply turned and thanked him, given him the caress he was waiting for? Why had she made it all what he suspected? She had planned every move. Probably planning now — he became stubborn, thwarted, angry. "I didn't care much for your friend, ,, he said, lighting his cigarette. "No? But you won't mind my having her here." "Well, as you know, I'd much prefer not. I don't think that sort of woman a healthy influence." "And yet you know, Gage, I might be getting a little tired of merely healthy influences. The change might set me up." She too was strangely angry. She had been thrilled all evening by the thought of this home-coming. She had been saving up emotions to throw her into Gage's arms. She wanted to feel — to tell him she loved him. He was making it impossible. They stood there, longing for each other, yet on guard mentally, afraid of the other's thrust, the other's mockery. "Of course I can't refuse to let you have any friend of yours here at the house. Only if she comes, I do wish you'd excuse me as much as possible. I do not want to be rude and I certainly shall be if she involves me in these feminist arguments." "I don't believe Margaret would argue with you, Gage." She said it lightly, her insinuation that he was beyond the pale of argument flicking him with a little sting. "Possibly not. However, I should not care to waste her time. And as I said to you to-night I don't like her effect on you." "I am not particularly under her influence, Gage. I have my own ideas. What you probably mean is that At the Brownleys' 27 you object to my doing the things which are interesting women all over the world." "When have I ever objected to anything you've done?'' "I've done nothing, have I? Been secretary to a few small town clubs. Kept house. Tended my babies. That's all I've done except play the piano." "Did that dissatisfy you as much as your tone implies ?" "It's not enough to satisfy women now." He shrugged. "Well — do anything you please, my dear. I certainly won't stop you if you run for office." She was very cold. "You're sneering at me, Gage." He tossed away his cigarette and came up to her where she stood, still muffled in the cloak she had worn. She was fast in his embrace and it gave her the moment of relief she had sought. She closed her eyes and lay relaxed against his shoulder. And then came the creeping little fear. He had managed her like that. He couldn't respect her. "Darling Helen—" Her thought spoke. "Margaret would never have let herself go off the point like this—" "Oh, damn Margaret!" said Gage, letting her go, angrily. Helen looked at him in disgust and went upstairs. It wasn't, thought Gage, pacing up and down the living room, as if he were a reactionary. Helen knew that. He had no objection to women doing anything. He'd said so. He'd shown it. He'd put women on his local Republican committee. And sized them up pretty well too, he told himself. They worked well enough on certain things. Some of them had good minds. But 28 Spellbinders the issue with him and Helen had nothing to do with granting women a concession here and there. That was all right. The trouble was with this woman, these women who made Helen so restless, so unsettled for no particular reason, with no particular object. He hated, as he had said, the self-consciousness of it all. He hated this self-conscious talk, this delving into emotions, * this analysis of psychical states and actions, this setting of sex against sex. It ate into emotions. It had made women like that Margaret. He measured his dislike of her, bitterly. Even on their wedding trip she had interfered. He remembered the first flagging in Helen's abandonment to her love for him. That letter from Margaret, outwardly kind, he felt, outwardly all right, but suggesting things had brought it about. Helen had shown it to him. "She's afraid we'll become commonplace married people," she said, "but we won't, will we ?" There, at the start, it had begun. Discussion when there should have been no discussion — feelings pried into. How he hated college women. It should be prohibited somehow — these girls getting together and talking about things. Forming these alliances. All along the line, for six years, and this was the first time he'd even met her, this Margaret had been held up to him. Margaret's letters had come and with each of them would sweep over Helen that fear that she was becoming dull — sliding backward — those little reactions against him — those pull-backs. At the time Bennett was born the same thing had happened. First the natural beauty, then /that fear of being swept under by "domesticity." The way they used the word as if it were a shame, a disgrace. He felt he had never told Helen the half he felt about these things. And now that rotten oath had put him in the wrong. He'd have to apologize. He'd have to begin At the Brownleys' 29 with an apology and there he would be put in the entire wrong again. It wasn't as if women didn't have to be handled like children anyhow. They did. What could you do with them when they got into moods except coax them out of it? There was Helen upstairs now, probably hating him — wishing she were free — envying that spinster friend of hers. His thoughts took a sudden turn. She couldn't quite wish that. Surely she didn't want not to be married to him. She'd never said anything like that. He didn't really think she had ever for a minute wished it. She was crazy about Bennett and Peggy. She loved him too. On that thought he went upstairs, his apology on his lips, his mind tangled, but his need of peace with Helen very great. CHAPTER II FREDA FREDA met her father on the street three blocks from home. She saw him coming, laden as usual with books, a package of papers from the psychology class to correct — and the meat. The collar of his ulster was turned up around his ears but Freda knew him even in the gathering twilight, a block away. There was a de- pendency about Eric Thorstad's figure — about the meat — that was part of her life. "Liver or veal ?" she asked gayly, taking the fat package from under his arm. "It's a secret." "Sausage," she said, "I can tell by the feel and the smell." "Aren't you late, Freda ?" ' "I went to the movies." "Again? I wish you wouldn't go so often. What do you get out of them?" "Thrills, father dear." "All unreal." She skipped into a stride that matched his. "A thrill is a shiver of romance," she declared, "it's never unreal." "And what gives the shiver? The white sheet?" "I'm open minded. Could be a well tailored garden, Nazimova's gown, a murder on a mountain." He laughed and they went along briskly until they came to the third in a row of small yellow frame houses, 30 Freda 31 and turned in at the scrap of cement walk which led up to the porch. In the kitchen Mrs. Thorstad turned from the stove to kiss them both. "How was your meeting?" asked her husband. A kind of glow came over Adeline Thorstad's face. "It was a lovely meeting. I am sure that it is signifi- cant that so many women, even women like old Mrs. Reece will come to hear a talk on their civic responsi- bilities. You should have managed to come, Freda." Freda put an arm about her mother's shoulders. "I couldn't," she said. "I'd have spoiled the circle of thought. I don't care whether women vote or not." She was six inches taller than her mother's neat prettiness and at first glance not nearly so attractive. Her rather coarse hair was too thick and pulled back into a loose low knot and her features were heavier than those of her mother's, her skin less delicate. The neat pyramid of her mother's blond hair, her smooth, fair skin were almost as they had been fifteen years before. But Freda showed more promise for fifteen years hence. Her hair shaded from # yellow to orange red, her eyes were deep blue and her loose-hung, badly managed figure showed a broad gracefulness that her mother's lacked. She had somehow taken the little qualities of her mother's prettiness and made them grander, so that she seemed to have been modeled from an imperfect idea rather than a standard type. In her father was the largeness of build which might have accounted for her, though not too obviously for Mr. Thorstad stooped a little and days in the classroom had drained his face of much natural color. Still he had carried over from some ancestor a suggestion of power which he and his daughter shared. 32 Spellbinders "Don't talk like that, Freda. It's so reactionary. Women nowadays — " "I know. But I don't especially approve of women nowadays," teased Freda. "I think that maybe we were a lot more interesting or delightful or romantic as we were when we didn't pretend to have brains." But her mother ignored her. "Don't talk nonsense," she said. "Set the table and then I must tell you my news." They were used to news from Mrs. Thorstad. She was full of the indomitable energy that created little events and situations and exulted in them. Victories in the intrigues of the district federated clubs, small entanglements, intricate machinations were common- places to her husband and daughter since Mrs. Thorstad had become district vice-president. So now when the sausage, flanked by its mound of mashed potatoes, came sizzling to the table and Freda had satisfied her soul by putting three sprays of red marsh- berries in a dull green bowl in the middle, they looked forward to dinner with more anticipation than to Mrs. Thorstad's surprise. But she began impressively, and without delay. "I think that this entrance of women into politics may alter the whole course of our lives." Freda and her father exchanged a whimsical friendly glance in which no disrespect blended. "No doubt," said Mr. Thorstad. "If I were called to public office, think what a differ- ence it would make !" "What difference ?" asked Freda. "Why — there'd be more money, more chances to better ourselves." Her husband seemed to shrink at the cheaply aspiring Freda 33 phrase, then looked at her with something like the patience of one who refuses to be hurt. "So now you want to be the breadwinner too, my; dear?" Perhaps she took that for jocosity. She did not answer directly. "I met Mrs. Brownley — the Mrs. Brownley — at a meeting not long ago. She said she thought there would be a future for me." "No doubt," said her husband, again. He gazed into the sausage platter reflectively. Twenty years ago, he might have remembered, Adeline Miller had thought there was a future for him. She had intended to better herself through him. She was teach- ing then in a little town and he was county superintendent. They had met and been attracted and after a little she had condoned the fact of his Swedish name and of the two parents who spoke no English. She had exchanged the name of Miller for Thorstad, soberly, definitely determined to better herself and profit by the change. Then there came Freda. Freda, who had stimulated them both as healthy promising babies are likely to stimulate their parents. Thorstad had become a High School instructor, then had left that position after eight years to come as assistant to the professor of psychology in the Mohawk State Normal School, at a slightly lower salary, but "bettering himself." Ten years ago, that was. He was head of his department now — at three thousand a year. It was his natural height and he had attained it — not a prospector in his work, but a good instructor always. It had taken much labor to have come so far, nights of study, summers spent in boarding houses near the University that he might get his degrees. And Adeline had gone along her own path. During all these 34 Spellbinders years in Mohawk she had been busy too. First with little literary clubs, later with civic councils, state federa- tions, all the intricate machinery of woman's clubdom. She had her rewards. Federation meetings in the cities, little speeches which she made with increasing skill. She had been "speaking" for a long time now. During the war she fortified her position with volunteer speaking for Liberty Loans, War Saving Stamps. All this in the name of "bettering others." All this with that guiding impulse to "better herself." Her husband made no demands on her time which interfered with any public work. If it was necessary he could cook his own meals, make his own bed, even do his own washing, and there had been times when he had done all this for himself and Freda. Not that Mrs. Thorstad ever neglected her family. The Family, like Democracy and the Cradle, were three strong talking points always. She was a fair cook and a good house- keeper, a little mechanical in her routine but always adequate. And when she was away she always left a batch of bread and doughnuts and cookies. It was never hard on Eric and he, unlike some men, was handy around the house. He was handy with Freda too from the time he dressed her as a baby until now. Now he was handy with her moods, with her incomprehensible unwillingness to better herself by sharing in her mother's plans. Leaning a little toward her mother now, Freda brought the conversation off generalities. "But the news? We are all agog." "The news is that we are to have distinguished guests on Thursday. Mrs. Brownley, Mrs. Gage Flandon, and Miss Margaret Duffield of New York are making a tour of the country and they are to stop here for a day. I am to arrange everything for them. There is no telling to what it may lead." Freda 35 'They're coming here?" Freda's tone was disgusted. "A lot of women spellbinders. Oh, Lord, save us. I'm going camping." "It is a great privilege," said her mother, with a tight little motion of her lips. "I shall need you, Freda." CHAPTER III ON THE STUMP ST. PIERRE was the big city of the state. Around it a host of little towns, farming, manufacturing, farther away even mining, made it their center and paid it tribute by mail-order and otherwise. It was one of the Middle West cities at which every big theatrical star, every big musical "attraction," every well booked lecturer spent at least one night. It boasted branch establishments of exclusive New York and Chicago shops. It had its paragraph in the marriage, birth and death section in Vogue. Altogether it was not at all to be ignored. Harriet Thompson had known what she was doing when she sent Margaret Duffield West to organize the women of the St. Pierre section in groups which could be manipulated for the Republican party. Margaret stayed with Mrs. Brownley for a few days and then spent a week with Helen, during which time she found a pleasant room and bath which she leased by the month, and to which she insisted on going. Helen's remonstrances had no effect. "You're foolish to think of such a thing as my camping on you. Why I may be here for several months. No, I couldn't. Besides we'll have a really better time if we don't have to be guesting each other. And I get a reasonable amount for expenses which really needn't be added on to your grocery bill. Gage has party expense enough." 36 On the Stump 37 Gage was very cordial, particularly as he saw that her visit was not to be indefinite. It hurried him perhaps into greater gallantry than he might have otherwise shown. He did everything to be the obliging host and to his surprise enjoyed himself immensely. Margaret was more than a good talker. She gave him inside talk on some things that had happened in Washington. She could discuss politicians with him. No one spoke of the deteriorating influences of marriage and the home on women. Margaret was delightful with the children. She did not hint at a desire to see him psychoanalyzed. He found himself rather more cooperative than antago- nistic and on the day of Margaret's definite removal to her new room he was even sorry. Helen found the new room most attractive. It was a one-room and bath apartment, so-called, furnished rather badly but with a great deal of air and light. "It feels like college," she said, sinking down on a cretonne covered couch bed. "Atrocious furniture but so delightfully independent. What fun it must be to feel so solidly on your own, Margaret." "Not always fun, but satisfying," said Margaret, making a few passes at straightening furniture. Helen sighed faintly and then lost the sigh in a little laugh. "I'm actually afraid to ask you some things," she admitted, "I'm afraid of what you'll say. Would you really sooner not be married ?" "I think so. Emotional moments of course. On the whole I think I'd rather not be." "But you didn't always feel that way." "No — not six years ago." "Then was there a man you wanted?" "There were several men. But I didn't want them hard enough or they didn't want me simultaneously." 38 Spellbinders "Where are they now?" "God knows — quarreling with their wives, perhaps." "And you don't care?" "Truly — not a bit." Margaret's eyes were level and quite frank. "It's all dreadful nonsense, this magazine story stuff about the spinsters with their secret yearnings covered up all the time. I'm going to do something to prick that bubble before I die. Of course the conceit of married people is endless but at least spinsters have a right to as much dignity as bachelors." "All right," said Helen, "I'll respect you. I know I'm going home and that you aren't following me with wist- ful eyes wishing you could caress my babies. Is that it ? You comb your hair without a qualm and go down to dinner." "Exactly. Only before you go I want you to promise to go with us on this trip to the country towns. We'll be gone three days only. Gage can spare you." "I don't quite see what use I'd be." "I do. I want you to talk to them and charm them. I can organize. Mrs. Brownley can give them Republican gospel. What I want you to do is to give them a little of the charm of being a Republican. Borrow some of Gage's arguments and use your own manner in giving them and the result will be what I want." "Don't I seem rather superfluous?" "We couldn't do it without you. Mrs. Brownley for name — you for charm — and I'll do the rest of the work." Helen looked at her watch. "Gage will beat me," she declared, "I'm late for dinner again." ii The train bumped along for several hours. Mrs. Brownley read, her book adjusted at a proper distance On the Stump 39 from her leveled eye-glasses. Helen and Margaret fell into one of those interminable conversations on what was worth while a woman's doing. They were unexcited, but at Mohawk, Mrs. Thorstad arrived thirty minutes early at the railroad station, with Mrs. Watson's car, which she had commandeered. Mrs. Watson had also offered lunch but at the last minute her Hilda had become sick and thrown her into such confusion that Mrs. Thorstad, brightly rising to the occasion, had taken lunch upon herself and even now Freda was putting a pan of scalloped potatoes into the oven and anxiously testing the baking ham. It had fallen naturally to Mrs. Thorstad to arrange the meeting in Mohawk, Mrs. Brownley writing her that she need not consider it a partisan meeting, that its object was merely educative, to explain to the women what the Republican party meant. And Mrs. Thorstad had few scruples about using her influence to get as large a group together for the meeting as she could. To have these three celebrities for a whole day had been a matter of absorbing thought to her. They were to have a luncheon at her home, then to have an afternoon meeting at the Library and a further meeting in the evening. Mrs. Thorstad knew she could get a crowd out. She always could. Freda had not minded getting lunch. She didn't mind cooking, especially when they could lay themselves out in expense as was considered proper to-day. But she hated meeting these strange, serious-minded women. She had looked in the glass at herself and decided several times that she was altogether out of place. She had tried to bribe her mother into pretending she was a servant. But that was in vain. So Freda had put on the black taffeta dress which she had made from a Vogue pattern and was hoping they had missed their train. 40 Spellbinders Coming to the kitchen door her mother called her and she went in reluctantly. Then she saw Helen and her face lit up with interest. Her mother had said Mrs. Flandon was nice looking but she had pictured some earnest looking youngish woman. This — this picture of soft gray fur and dull gold hair ! She was like a maga- zine cover. She was what Freda had thought existed but what she couldn't prove. And it was proven. Speeding on the heels of her delight came shyness. She shook hands awkwardly, trying to back out im- mediately. But Helen did not let her go at once. "We are a lot of trouble, I'm afraid, Miss Thorstad." "Oh, no you're not. It's not a bit of trouble. I'll have lunch ready soon, but it will be very simple," said Freda. Her voice, thought Freda, is like her clothes. It's luxurious. The lunch was ready soon and to the visitors it was very pleasant as they went into the little dining-room. It was so small that the chairs on one side had to be careful not to back up against the sideboard. The rug was worn to thinness but the straight curtains at the windows, which did not shut out the sun, were daffodil yellow and on the table the little pottery bowl with three blossoming daffodils picked out the same note of defiant sunlight again. Helen looked around her appreciatively. Freda served them quietly, slipping into her own chair, nearest the door to the kitchen, only after the dishes were all in place and every one eating. She took her own plate from her mother absently. The others were talking. She listened to them, the throaty, assured voice of Mrs. Brownley, Miss Duffield's clear, definite tones and the voice of Mrs. Flandon, with a note of laughter in it always, as if she mocked at the things she said. Yet always with light laughter. On the Stump 41 "Are you interested in all this political business?" asked Mrs. Flandon of her, suddenly. "No," said Freda, "Not especially. But mother is, so I hear a great deal of it." Her mother laughed a little reprovingly. "Freda has been too busy to give these things time and thought." "How are you busy? At home?" She let her mother answer that. "Freda graduated from the Normal last year. We hoped there would be a teaching opening here for her but as there wasn't, we persuaded her to stay home with us and take a little special work at the Normal." Helen kept her eyes on the girl's face. Keenly sensitive to beauty as she was, she had felt that it was the girl rather than the mother who created the atmosphere of this house with which she felt in sympathy. She wanted to talk to her. As the meal progressed she kept her talking, drew her out little by little, and confidence began to come back to Freda's face and frankness to her tongue. "She's beautiful," thought Helen, "such a stunning creature." But it was later that she got the key to Freda. They were in the living room and she picked up some of the books on the table. They interested her. It was a kind of reading which showed some taste and con- temporary interest. There was the last thin little gray- brown "Poetry," there was "The Tree of Heaven," "Miss Lulu Bett," Louis Untermeyer's poems. Those must be Freda's. There was also what you might expect of Mrs. Thorstad. Side by side lay the "Education of Henry Adams" and "The Economic Consequences of the Peace." "Of course the mother reads those," thought Helen, "after she's sure they're so much discussed that they're 42 Spellbinders not dangerous any longer. But the mother never reads 'Poetry.' " "Your daughter likes poetry ?" she asked Mrs. Thor- stad. "She reads a great deal of it. I wish I could make her like more solid things. But of course she's young." Mrs. Flandon went out to the kitchen where Freda was vigorously clearing up. "You're doing all the work," she protested. "Very sketchily," confessed Freda, "I can cook better than I clear up, mother tells me." "That may be a virtue," said Helen. She stood lean- ing against the door, watching Freda. "Who reads poetry with you ?" "Father — sometimes. Oh, you mustn't think because you see some things I'm reading that I'm that sort. I'm not at all. I'm really not clever especially. I just like things. All kinds of things." "But what kinds?" "Just so they are alive, that's all I care. So I scatter — awfully. I can't get very much worked up about women in politics. It seems to me as if women were wasting a lot of time sometimes." "You are like me — a natural born dilettante." "Are you that?" asked Freda. Her shyness had gone. Here was some one to whom she could talk. "I'm afraid I am. I like things just as you do — if they're alive. It's a bad way to be. It's hard to con- centrate because some new beautiful thing or emotion keeps dragging you off and destroys your continuity. And in this world of earnest women — " "You criticize yourself. You feel that you don't measure up to the women who do things. I know. But don't you think, Mrs. Flandon, that something's being lost somewhere? Aren't women losing — oh, the quality On the Stump 43 that made poets write such things about them — I don't know, it's partly physical — they aren't relaxed — " She stood, pouring her words out in unfinished phrases as if trying desperately to make a confession or ask her questions before anything interrupted, her face lit up with eagerness, its fine, unfinished beauty diffused with half- felt desires. As she stopped, Helen let her stop, only nodding. "I know what you mean. You're right. It's all mixed up. It's what is puzzling the men too. We must talk, my dear." Helen was quite honest about that. She meant to talk with Freda. But there was no time that afternoon. In the Library club-room, crowded with women who had come at Mrs. Thorstad's bidding for a "fresh inspir- ation," Helen found her hands full. She gave her talk, toning it up a bit because she saw that Freda was expecting things of her and so wandering off the point a little. But the charm that Margaret wanted was in action and Margaret, quickly sensing the possibilities of Mrs. Thorstad's town, settled down to some thorough organization work. It was after the meeting that night that Helen saw Freda again. And then not in the hall. She had noticed the girl slip out after her own talk, as Mrs. Brownley rose to "address" the meeting, and wondered where she was going. To her discomfiture she had found that she was billeted on Mrs. Watson for the night as befitted their respective social dignities, and that Margaret was to spend the night at the Thorstad house. But it was from Mrs. Watson's spare room window that she saw Freda. The skating rink, a square of land, flooded with water and frozen, lay below. As she went to pull down the shade in her bed-room window — she had escaped from 44 Spellbinders Mrs. Watson as promptly as possible — Helen's eyes fell on the skaters, skimming swiftly about under arc lights which, flickering bright and then dim, made the scene beautiful. And then she saw Freda. She was wearing the red tam-o'-shanter which Mrs. Flandon had already seen and a short red mackinaw and as she flashed past under the light, it was unmistakably she — not alone. There was a young man with her. Helen watched her come and go, hands crossed with her partner, watched the swing of her graceful body as it swayed so easily towards the man's and was in perfect tune with it. "That's one way you get the alive and beautiful, is it?" thought Helen. Then, after a little, by some signal, the rink was declared closed. The skaters, at the sides of the rink, sat on little benches and took off their skates. The young man knelt beside Freda and loosened the straps, a pretty bit of gallantry in the moonlight. He had her arm. They were going home, walking a little more close to each other than was necessary, looking up, bending down. Helen could almost feel what they were feeling, excitement, vigor, intimacy. A little shiver went over her as she pulled down the shade at last and looked around at the walls with their brown scrolls and mottoed injunction to "Sleep sweetly in this quiet room, Oh, thou, whoe'er thou art." T CHAPTER IV, CITY MICE HE dismay of the young Brownleys was as great as that of Freda. But their indomitable mothers won. "But, mother, ,, cried Allison Brownley, "you don't mean you'd ask that — that little Swede girl here to the house? For a month? Why, I should think you'd see how impossible that is. We can't treat her as a servant, can we?" "No," said Mrs. Brownley, "you can't — not at all. She's a very clever girl — Normal School graduate." Allison sank on a divan, her short skirts shorter than ever in her abandonment, her face a picture of horrified dismay. "Normal School — you know what they are! Pimples and plaid skirts two inches from the ground, — China silk white waists. Oh, mother dear, it's very sweet of you to think of her, but it couldn't be done. What would we do with her? Why, the days are just full! All kinds of things planned now that Easter's over. We couldn't take her about, and we couldn't leave her at home. The Brownley girls and their little Swede friend ! Mother, I do think you ought to keep politics out of the home." Barbara joined in now. That was always her policy. To let Allie state the case and get excited over it and then to go after her mother reasonably if her mother didn't 45 46 Spellbinders give in. She was a more languorous type than Allie. "Bed-room eyes" one of the boys had said, at the height of his puppy wit. "If you had to ask them, mother, Lent would have been the time. It just can't be managed now. As a matter of fact I've practically asked Delia Underwood to spend three weeks here." That was a lie and she knew her mother would know it, but it gave her mother a graceful way out of the difficulty. But unfortunately Mrs. Brownley did not seem to be looking for loop-holes. She sat serenely at her desk, her eye-glasses poised upon the bills she was auditing. "I think you will like Miss Thorstad," she answered, ignoring all the protests. "You see it's really quite important for me to have her here. The mother is a very clever little woman and with a possible political future. Miss Duffield thinks very highly of her. While we are doing this active campaign work she will be invaluable here in the city. She's a good organizer — and she's a plain woman. She can handle plain women, Miss Duffield insists, better than we can. I wish you girls would understand that there is a great deal involved in this campaign. If we stand well out here it will be important for the district — in Washington." "Yes, mother — but why the daughter?" "For the simple reason that Mrs. Thorstad said she didn't like to leave her at home alone. It put me in the position of having to ask her. She is, as I remember, a pretty well-appearing girl. Mrs. Flandon, whom you admire so much, Allie, was immensely taken with her. At any rate, they have been asked, they will accept and they arrive next week." Allie looked dark. "Well, mother," she said, with a fair imitation of her mother's tone, "if you expect me to give up everything City Mice 47 for the sake of this little Swede, you're mistaken. The men will just howl when they see her." "Cheer up, Allie, ,, said Barbara, "they may fall in love with her. Brunhilde, you know — and all of that. I think it's a shame, mother." The girls looked at each other. They weren't ordinari- ly allies, but this mess was one they both would have to worry over. Their mother rose. "Of course, girls," she said, "it is an inconvenience. But it's a good thing to do. It means more than you may guess. Be nice to Miss Thorstad and you'll not be sorry. It might mean that platinum bracelet for you, Barbara, and for Allie— " "Mother," exclaimed Allie, "if I'm an angel to your little Swede would you let me have a new runabout — a Pierce, painted any color I like?" Her mother merely smiled at her but Allie knew her claim was good. She turned to her sister as her mother left the room. "She's going to do it, Bobbie, and we might just as well get something out of it, I'll tell the girls I'm getting my new car that way and they'll all help. We'll give little Miss Olson the time of her life." "You get more out of it than I do, I notice." Barbara was inspecting herself in the mirror of her vanity case from which she allowed nothing except sleep to separate her. "That's all right, Bob. I'll do most of the heavy work, I'll bet." "I shan't be able to do much, I'll tell you that. Miss Burns wants me for fittings every day next week and I've a lot of dates, for evenings." "Ted's giving you quite a rush, isn't he darling? Do you think he's landed this time or is it just that it's your turn?" 48 Spellbinders Barbara did not blush. She looked straight at her sister, her slim face disgusted. "Pretty raw, aren't you? As a matter of fact I think he could be landed if I had the slightest desire to do it. I'm not at all sure that I want him." Allie grinned. "That's all right. That's what they all say, all the ones he gives a rush and leaves lamenting. I am sort of surprised that you'd fall for him so hard. Even if he is the ideal lover, every one who isn't cross-eyed knows how he does it. I'd like a little more originality, myself." "I tell you this, Allie. That man has been misunder- stood. Because he's so rich and good looking every one's chased after him and then when he was decently civil they've taken advantage of him by spreading stories about his flirtations. He's told me some things about girls — " "Dirty cad," said Allie, cheerfully. "All right, if you want to be insulting, I won't talk to you." "Well, tell me what he said. I won't think about his being a dirty cad until afterwards." What humor there was was lost on Barbara. "I don't care to talk any more about him." Barbara looked at her watch to conclude matters. "And by the way, Allie, mother said I could use the limousine. I've got a lot of things to do and I'll need Chester all afternoon. Mrs. Watts is taking mother to the Morley reception and I'm calling for her. She said you could have the electric." "My God !" said Allie. "Why doesn't she offer me a hearse? Thanks, I'd sooner take old 1898 out again. And think about that Pierce I'm going to earn." She was out of the room in a minute, flying up the stairs, some grotesque words to a dance tune floating behind her. The Packard runabout, "old 1898," was City Mice 49 humming down the garage drive half an hour later. Stopping at two houses impressive as her own, she regaled the girls who were her friends with accounts of the "Swedish invasion." It was a good story, especially with the promise of the reward tacked on the end. But it was three days before Freda had capitulated. Her first reaction had been an angry shame at her mother's inclusion of her in her own invitation. She had simply flatly refused to go. A little later it was possible to regard the business with some humor, and the shame had lost its sting. She had never known those people anyhow — never would know them — it didn't matter what they thought. When she saw that the matter was not ended and sensed the depth of determination in her mother's mind that her daughter should go with her to the Brownley's she tried to be more definite even than before in her refusal. Her mother did not seem to hear her. She insisted on keeping the subject open, never admitting for a minute that it was or could be closed. She dwelt endlessly on the advantages of the visit — on the fact that the chance for Freda had come at last. "Chance !" stormed Freda, "why it isn't a chance to do anything except sponge on a few rich people whom I've never seen before in my life. You don't really suppose, mother, that I'd go down there and let those Brownley girls make my life miserable. You don't seem to realize, mother, that those two Brownleys are a very gay lot. They must be about my age — the older one anyway. Why, I wouldn't think of it. What on earth would I do? What on earth would I wear? What would I say? What on earth would I be there anyhow? I'm no politician. I'm not helping Mrs. Brownley strengthen 50 Spellbinders her fences or anything. If you ask me, mother, I wouldn't think of going if I were you. Don't you know she's just making a play to the gallery by having you? Probably bragging about her great sense of democracy! Why, mother !" "You don't seem to realize," — Mrs. Thorstad always began that way by assuming that you had missed her point, a point which was and always would be in accord with Right Living and Democracy and the Family and the Home, "that these social distinctions are of no value in my estimation. In this great country — " Freda led her mother away from the brink of oratory. "Look here," she said, "if they aren't a lot more important than we are — if you don't think they are — what is this wonderful chance you are talking about?" Just at what point Freda gave in, just at what point she felt that the possibilities of her trip outweighed its impossibilities she did not know. It was certain that the young Brownleys gave way to no noisier public mockery of the proposed visit than did Freda. She was even a little shrill. She told everybody how she "hated it," how she was going along to the homes of the idle rich to chaperon her mother, that she was "breaking into high society," that she was gathering material for a book on "how the other half lives," that she would probably be mistaken for a housemaid and asked to dust the bed- rooms, that mother was trying to "marry her off," that she "didn't have an idea what to wear." She talked to almost every one she met, somewhat unnecessarily, some- what defiantly, as if determined to let any one know about her reasons for going, as if defending herself against any accusations concerning her motive in making such a visit, perhaps making sure that no later discomfiture on her own part could be made more severe by any suspicion of pleasurable anticipation. City Mice 51 She planned her clothes for St. Pierre with mocking but intense deliberation. A dark blue tricotine dress — she bought that at the ladies' specialty shop and taking it home ripped off all the trimming substituting the flattest and darkest of braid. That was safe, she knew. She might not be startling but she would be inoffensive, she told her mother. There was a dress made by Miss Peter- son, who sewed by the day, from a remnant of bronze georgette, and half shamefacedly Freda came home one night with a piece of flame colored satin and made it herself into a gown which hung from the shoulders very straightly and was caught at the waist with silver cord (from the drapery department). And there was an evening dress at which Freda scoffed but she and Miss Peterson spent some fascinated hours over it, making pale green taffetas and tulle fit her lovely shoulders. "Though what I'm getting these clothes for is a mystery to me," grumbled Freda. "They probably won't even ask me to go out. Probably suggest that I eat with the servants." Yet she tried on the evening dress in the privacy of her room parading before her bureau mirror, which could not be induced to show both halves of her at once. And as she looked in the glass there came back the reflection of a girl a little flushed, excited, eager, as if in spite of all her mockery there was a dream that she would conquer unknown people and things — a hope that wonders were about to happen. Never was there a trace of that before her mother. Having agreed to go, Freda was, on the whole, com- plaisant, but on principle unenthusiastic. Her father gave her two hundred dollars the night before she went away. Mrs. Thorstad was at a neigh- bor's house and the gift was made in her absence without comment on that fact. Freda, whose idea of a sizable 52 Spellbinders check for her spending money was five dollars and of an exceptionally large one, ten, gasped. "But what do I need this for?" "You'll find ways, my dear. It's — for some of the little things which these other young ladies may have and you may lack. To put you at ease." "Yes, but it's too much, father dear. For three or four weeks. You can't possibly afford it." "Oh, yes, my dear. Only try to be happy, won't you? Remember that it's always worth while to learn and that there are very few people in the world who aren't friendly by nature." That thought carried Freda through the next twenty- four hours, beginning with worry when she got on the train as to whether they were expecting her after all, through a flurry of excitement at the sense of "city" in St. Pierre, the luxury of the limousine which had been sent to meet them, through the embarrassment of hearing her mother begin to orate in a mild fashion on the beauty of Mrs. Brownley's home and the "real home spirit" which she felt in it. Freda felt sure that such conversa- tion was not only out of place but bad taste anyway. She was divided between a desire to carry the visit off properly, showing the Brownleys that she was not gauche and stupid, and an impulse to stalk through the days coldly, showing her disdain for mere material things and the impossibility of impressing her. Yet the deep soft- ness of the hall rugs, the broad noiseless stair carpets, the glimpses through doorways into long quiet rooms seemingly full of softly upholstered furniture, lamps with wonderfully colored shades, pictures which had deep rich colors like the colors in the rugs, made her eyes shine, her color heighten. Mrs. Brownley met them at the house and took them to their rooms herself. Mrs. Thorstad had a big pleasant City Mice 53 room in a wing of the house given up to guest chambers and Freda's was a small one connected with it. "My daughters are looking forward so much to meeting you," Mrs. Brownley said easily to Freda. "They are out just now, but when you come down for dinner they will be home. We usually dine at seven, Mrs. Thorstad. It isn't at all necessary to dress." "She is nice, isn't she ?" said Freda, as the door closed after their hostess, "maybe it won't be so bad. Anyway, all experience is good. Glad I remember that much Nietzsche. It often helps." Mrs. Thorstad put her trim little hat on the closet shelf and began to unpack her suit-case. Freda explored the bath. "It's like a movie," she came back to say, "I feel just like the second reel when the heroine is seduced by luxury into giving herself — " "Freda!" "Truly I do. She always takes a look into the closet at rows of clothes and closes the door virtuously, gazes rapturously at the chaise longue all lumpy with pillows and stiffens herself. But she never can resist the look into the bath room — monogramed towels, scented soap, bath salts. I know just exactly how the poor girls feel. Certain kinds of baths are for cleanliness — others make a lady out of a sow's ear — you know." "Why are you wearing that dress?" asked her mother, rousing from her nap fifteen minutes later. "I was going down in my waist and skirt." "Mother — you can't. That wasn't what she meant by not dressing. She meant not evening dress. You'll have to put on your blue silk." "I wanted to save that for afternoon affairs." "You won't wear it put to-night. Come, mother, I'll hook you up." 54 Spellbinders They were down at five minutes before seven. Barbara was not visible but Allie and her mother and father waited for them in the drawing-room. Crossing the threshold of that room seemed to take all Freda's courage. If her mother had not been so absorbed in thinking of the way she meant to interest Mr. Brownley in her career, she would have heard the quick little catch of breath in Freda's throat as she came through the velvet curtains behind her. She did see the quickened interest on Allie's face and Mrs. Brownley's measured glance of approval at Freda. Freda had been right. The Brownleys were dressed for dinner, quite elaborately it seemed to her. She made no note of the discrimination in evening clothes, that Mrs. Brownley's velvet dress was high at the neck and Mr. Brownley's tie black instead of white. Allie came forward with her rough and tumble welcome, shaking hands casually with Mrs. Thorstad and frankly admiring Freda. Allie herself had dressed in a hurry and was noticeable chiefly for the high spots of rouge on each cheek. "Sorry I wasn't home when you came. I had to go to a luncheon and then to the theater. Couldn't get out of it. It was a party for a friend of mine who is to be married and I'm in the bridal party, you see. She's an awfully nice girl — marrying the most awful lemon you ever saw." Freda knew all about that marriage. It had been heralded even in Mohawk. Gratia Allen and Peter Ward. But she gave no sign of knowing about it. "Isn't it funny," she answered, getting Allie's note with amazing accuracy, "how often that happens? The nicest girls get the queerest men." "Not enough decent men to go around any more." So it was all right until Barbara came in. A little party gathered in the meantime — the Gage Flandons, City Mice 55 and Margaret Duffield with Walter Carpenter. Margaret was beginning to be asked as a dinner companion for Walter fairly often now. And as a concession to the young people Mrs. Brownley had asked three young men, Ted Smillie and the Bates boys, who traveled in pairs, Allie always said. They were all there when Barbara came in. Obviously she had some one, either the un- known guest or her friend Ted, in mind when she dressed, for she was perfectly done. Smoothly marcelled hair, black lace dress carrying out the latest vagaries in fashion, black slippers with jeweled buckles. As she gave her hand to Freda with the smile which held a faint hint of condescension, Freda bent her knuckles to hide the nail she had torn yesterday closing the trunk. She felt over dressed, obvious, a splash of ugly color. Ted had been talking to her but by a simple assumption that Freda could have nothing of interest to say, Barbara took up the thread of talk with him, speaking of incidents, people that were unknown to Freda. The Bates boys were talking to Allie. Freda stood alone for a moment — an interminable awkward moment, in which no one seemed to notice her. Then Gage Flandon crossed to her side and she gave him a smile which made him her friend at once, a smile of utter gratitude without a trace of pose. "How nice of you/' she said, simply, "to come to talk to me. I feel so strange." "My wife says you've never met any of us before. No wonder." "It isn't just that. I'm a little afraid I'm here without much reason. Mother brought me but Fm not a political woman and I'm not" — with a rueful little glance at Barbara — "a society girl at all. I'm afraid I'll be in everybody's way." She said it without any coquetry and it came out clearly so — as the plain little worry it was. Gage, who had 56 Spellbinders found himself a little touched by the obvious situation of the girl felt further attracted by her frankness. She seemed an unspoiled, handsome person. That was what Helen had told him, but he had grown so used to sophisti- cation and measured innocence that he had not expected anything from the daughter of this little political speaker. He had come to size up Mrs. Thorstad, for her name had been presented as a possibility in a discussion with some of his own friends as they went over the matter of recognizing women in the political field. As Mrs. Thor- stad gave her hand to him he had seen what he came to see. She had brains. She had the politician's smile. She could be used — and doubtless managed as far as was necessary. But the daughter was different. He liked that dress she was wearing. It showed her slim- ness, suppleness, but it didn't make her indecent like that lace thing on Bob Brownley. "I often feel like that," he answered her, "I'm not much of a society person either and I can't keep up with these wonderful women we're seeing everywhere. Women with a lot of brains frighten me." Idle talk, with his real, little prejudice back it, which Freda by accident uncovered immediately. She was talking against time so he would not leave her unguarded, and it was chance that she pleased him so much. jr "Women have a lot of brains now," she said, "in politics and — society too, I suppose. But I wonder if we weren't more attractive when we weren't quite so brilliant. I don't mean when we had huge families and did the washing and made the butter. I mean when we were more romantic and not quite so — " She stumbled a little. She was conscious of being historically at sea, vague in her definition of romance. But she had said that several times before and it came City Mice 57 easily to her tongue. She stopped, feeling awkward and then amazed at Mr. Flandon's enthusiasm. "That's it!" he exclaimed, "that's what I miss. Women have stopped being romantic. They've done worse. They've penetrated our souls and dug out the romance and analyzed it among themselves." But she could not answer. Some one announced dinner and Freda moved with the rest to get her first enchanted sight of the Brownley dining table with its wedgewood vases full of roses and narcissus, its shining perfection of detail. She was near her hostess' end of the table, Mr. Flandon at her left and one of the Bates boys at her right. Mrs. Brownley had wanted to talk to Gage and had decided, as she placed the cards, that Freda would take as little of his attention as any one present. She started in after the consomme to find out what Gage thought about the Republican committee. It was most unsatisfactory for he seemed to be absorbed in telling something to Miss Thorstad and gave answers to his hostess as if his mind were on something else. As for Gage, he was talking more animatedly than he had talked to any woman in years, thought his wife, watching him. "What heresy is my husband pouring into your ears, Miss Thorstad?" she asked, leaning forward. Freda blushed a little as the attention turned to her. "He is telling me the arguments I've been wanting to hear — against being a perfectly modern woman." "Proselytizing!" said Margaret. "Wait a bit, Miss Thorstad. Let me get the other ear after dinner." "Freda likes to tease," explained her mother to their host. Barbara looked a little disdainful, making some remark sotto voce to Ted. But he was not listening. 58 Spellbinders Freda had, in the rise of her spirits, given him a smile across the table, the kind of come-there smile she gave David Grant of Mohawk when she wanted to skate with him or dance with him — a smile of perfectly frank allure. He returned it with interest. Helen did not follow up her remark. It had been scattered in the comments. Gage caught her eye and she gave him a look which said, "I told you there was some- thing in that girl." Gage immediately wanted to leave the table and tell Helen all about it. But Mrs. Brownley wanted to know something again. He turned to her. It was fairly easy for Freda after all, in spite of Bar- bara, whose measuring eyes made her nervous whenever they were turned on her. She had a difficult time con- cealing the broken finger-nail and she was not at all sure whether to lift the finger bowl off the fruit plate with the lace doily or to leave the doily. Otherwise there were no great difficulties. There was a bad moment after dinner when it became clear to her that there was some altercation among the young people which concerned her. She could not guess what it was, but she saw Allie and Barbara in heated conclave. Then, with a little toss of her head, Allie came to her. "We thought that you and I and Fred and Tony would go down to the Majestic. We had six tickets but Bob seems to think she and Ted have another date." And then Ted ruined things. He turned from where he and Tony Bates were smoking by the mantelpiece and strolled over to Freda. "We're going to the Majestic — and I'm going to sit next to you," he announced. City Mice 59 in The Majestic was a vaudeville house, presenting its seven acts weekly for the delectation of its patrons, servant girls, business men, impecunious boys in the gallery, suburbanites, shop girls with their young men, traveling men, idle people, parties of young people like the Brownley girls, one of those heterogeneous crowds that a dollar and a half price for a best seat can bring in America. When the young Brownleys arrived, the acrobatic act which led the bill was over and the two poorest comedians, put on near the beginning of the bill before the audience grew too wearily critical, were doing a buck and wing dance to the accompaniment of some quite ununderstandable words. With a great deal of noise and mysterious laughter the late arrivals became seated finally, taking their places with the lack of consideration for the people behind them which was characteristic of their arrogance, making audible and derogatory comments about the act on the stage and curiously enough not seeming to anger any one. The girls with their fur coats, hatless, well dressed hair, the sleek dinner coated young men interested the people around them far more than they bothered them by their noisiness. They left during the last act and before the moving picture of "Current Events," all six of them getting into the Bates' sedan and speeding at forty miles an hour out to the Roadside Inn which was kept open only until midnight. The Roadside Inn was a brown mockery of Elizabethan architecture, about thirty miles out of the city on a good road. The door opened invitingly on a long low room full of chintz-covered chairs and wicker tables and at this time of year there was always a good open fire to 60 Spellbinders welcome any comers. Back of that a dining room and, parallel with the two, a long dance room, where three enforcedly gay negroes pounded out melodies in jungle time hour after hour every evening. Upstairs there were half a dozen small bed rooms for transient auto- mobilists who wanted to stay in the country for some reason or other or whose cars had broken down. The place was on the fence between decency and shadowy repute. It was frequented by people of all kinds, people who were respectable and people suspected of not being so. The landlady ignored any distinc- tions. She had made the place into a well-paying institution, had put its decoration into the hands of a good architect with whom she always quarreled about his charges and she asked no questions if her customers paid their bills. Probably she saw no difference between those of her guests who were of one kind and those of another. They all danced in much the same manner, were equally noisy, equally critical of the extremely good food and that was as far as her contact or comment went. If the food had not been so good, the place would have suffered in patronage, but that was unfailing. The cook was ready now at five minutes' notice to concoct chicken a la king and make coffee for the Brownley party and as they came back from the dance room after having tried out the floor and the music, their supper was ready. Freda had not acquitted herself badly there either. Without having all the tricks of the Brownley s, she had a grace and sense of rhythm which helped her to adapt herself. Besides she had the first dance with Ted. He held her close, hardly looking at her. That was his way in dancing. "You must be very gay in Mohawk," said Barbara when they were all at the table in the dining room again. City Mice 61 The edge of her malice was lost on Freda. "No— not at all. Why?" "You seem very experienced." A little glimmer of amusement came into Freda's eyes. "Well — not first hand experience. We read — we go to moving pictures." "I suppose lots of people are picking up ideas from the moving pictures/' Barbara commented carelessly. One of the Bates boys was drawing something from his pocket. Barbara looked at it indifferently, Allie with a frown of annoyance. "Didn't I tell you, Tony, to cut that stuff out?" "We'll all be cutting it out soon enough," said Tony. "Won't be any. This is all right. Tapped father's supply. A taste for every one and a swallow for me." He was a sallow thin young person whom the sight of his own flask seemed to have waked into sudden joviality. "I don't want any," said Allie. "Don't waste it." Then as Tony Bates ignored her protest, she drained her glass accustomedly. Barbara took her highball without a change of expres- sion or color. Freda tried to refuse but they laughed at her. "Come. You came to the city to have a good time." She felt that she couldn't refuse without seeming prudish. She has a fear of what the liquor might do to her, a desire to do what the rest did. Her head felt a little light, but that was all, and that only for a moment. It wasn't unpleasant. They all finished the flask. They danced again, Freda with Tony Bates, Barbara with Ted. Then Ted sought Freda again. He danced as he had the first time but he held her even closer, more firmly, making his position into an embrace, and yet dancing perfectly. From over 62 Spellbinders one of the young men's shoulders, Barbara saw it. Her face did not show any feeling. On the way home the embracing was a little promiscu- ous. Allie, dull from the liquor, lay sprawling against Tony's rather indifferent shoulder. Bob let the other Bates boy paw her lazily and Freda found herself rather absorbed in keeping Ted from going to lengths which she felt were hardly justified even by three or four high- balls. It was when they were home again after the young men had left that Freda felt the dislike of the other girl. It was as if Barbara had been waiting for the young men to go to make Freda uncomfortable. "I hope Ted didn't embarrass you, Miss Thorstad?" "Embarrass me?" "Ted is such a scandalous flirt that he is apt, I think, to embarrass people who aren't used to him. I always keep him at a distance because he talks about girls most awfully." "Oh, does he?" "I'm glad he didn't bother you. Don't let him think you like him. He makes the most terrific game of people who let themselves in for it." "Lots of people do let themselves in for it too," said Allie with meaning. Barbara steered away from the dangers of that subject. "I hope you're going to enjoy yourself, Miss Thorstad. There are no end of things going on." "You mustn't bother about me," said Freda, "I'm afraid that I am going to be a burden." Barbara let a minute pass, a minute of insult. "No— not at all." "Nonsense," said Allie, "everybody'll be crazy about you. You dance stunningly and the Bateses and Ted were nutty about you. You don't have to worry." City Mice 63 Freda said good night and left them. She went slowly up the staircase, thinking what fun it would be to climb that staircase every night, to go down it by natural right, to belong to it. The sense of Barbara's dislike pervaded everything else. She felt that she must have made a fool of her- self with that young fellow. He must have thought her a dreadful idiot. Ah, well, the first evening was over and she'd had some experience. She had been at a dinner where there was an entree, she had used a fish fork, she had danced at a roadhouse. She laughed at herself a little. "I've been draining the fleshpots of Egypt," she said, sitting on the bottom of her mother's bed. Her mother's prim little braids of hair against the pillow were sil- houetted in the moonlight. "You were very nice to-night," said her mother prac- tically. "Mrs. Flandon wants us both to go there for dinner Thursday night." "I like Mr. Flandon a lot." "Very little idealism," commented Mrs. Thorstad, wisely. CHAPTER V A HUSBAND YET something was hurting Gage Flandon. He had tried to decide that he was not getting enough exercise, that he was smoking too much, not sleeping enough. But petty reforms in those things did not help him. He felt surging through him, strange restless- ness, curious probing dissatisfactions. He was angry at himself because he was in such a state; he was morbidly angry with his wife because she could not assuage what he was feeling nor share it with him. Everywhere he was baffled by his passion for Helen. After six years of married life, after they had been through birth, parenthood together, surely this state was neurotic. Affection, yes, that was proper. But not this constant sense of her, this desire to absorb her, own her completely and segregate her completely. He knew the feeling had been growing on him lately since her friend had come to the city, but his resentment was not against Margaret. It was directed against his wife and that he could not reason this into justice gnawed at him. He was spending a great deal of time thinking about what was wrong with women. He would hit upon a phrase, a clever sentence that solved everything. And then he was back where he had begun. He could resolve nothing in phrases. He and Helen would discuss femin- ism, masculinism, sex, endlessly, and always end as antagonists — or as lovers, hiding from their own antagon- ism. But they could not leave the subjects alone. They tossed them back and forth, wearily, impatiently. 64 A Husband 65 Always over the love for each other which they could not deny, hung this cloud of discussion, making every caress suspected of a motive, a "reaction." When Gage had been sent at twelve years of age to a boys' military preparatory school, it had been definitely done to "harden him." He was a dreamy little boy, not in the least delicate, but with a roving imagination, a tendency to say "queer things" which had not suited his healthy perfectly grown body, his father felt. Some one had suspected him of having hidden artistic abilities. His parents were intelligent people and they tried that out. He was given instructions in music on the piano and the violin. Nothing came of them but ridges on the piano where he had kicked it in his impatience at being able to draw no melodies from it. With infinite patience they tried to see if he had talent for drawing. He had none. So, having exhausted their researches for artistic talent, his parents decided that there was a flaw in his make-up which a few years contact with "more manly boys" might correct. They prided themselves on the result. He succumbed utterly to all the conventions of what makes a manly boy and came home true to form. In college the quirk came out again once in a while. But Gage never became markedly queer. Impossible for an all-American half-back to do that. And he never mixed with the "queer ones." What eccentricities he had, what flights of imagination he took were strictly on his own. In due course he was admitted to the bar and on the heels of that came Helen. Those who saw him in his pursuit of Helen said that he seemed possessed. For once his imagination had found an outlet. For once all those desires which rose above his daily life and his usual companions had found a channel through which they could pour themselves. Eager for life as Helen 66 Spellbinders was, full of dreams, independences, fresh from her years at college, she could not help being swept under by the torrent of desire and worship that he became. They soared away together — they lost themselves in marriage, in the marvel of child creation. The war came. Gage met it gravely, a little less spread- eagle than most of his friends. He had a year in France and came back with a fallen enthusiasm. He never talked about that. He had plunged into money making. The small fortune his father had given him on his marriage had been absorbed in starting a home and Helen had nothing of her own. They needed a great deal of money and Gage got it, trampling into politics, into business, practicing law well all the time. He was now thirty-eight and had accumulated a remarkable store of influence and power. Very close to the Congressman * from his district, keen and far sighted, as honest in keeping promises as he was ruthless in dealing with political obstructionists, he was recognized as the key man to his very important district. He knew politics as he knew law but he built no ideals on it. It was perhaps his very thorough knowledge of the deviousness of its methods which made him reluctant to have Helen meddle with it. For although he had accepted the suffrage of women as a political phenomenon which had to be taken in hand and dealt with, he had no belief that the old game would change much. He nearly always looked his full age. His face was one of those into which deep lines come early, well modeled, but with no fineness of detail. And his large built body, always carelessly dressed, was the same. Yet there were times, Helen knew, when his eyes became plaintive and wondering and he looked as the little boy who was sent away to be "hardened" must have looked. Only he was learning to cover those times with a scowl. A Husband 67 He was finding that he could not quiet all the mental nightmares he had with his love for Helen. Because that love itself was infested by this strange new "woman problem." What securities of opinion had been swept away by study, by war, what questions in him were left unsatisfied — those things were hidden in him. He had clung to love and faith in marriage. And now that stronghold was being attacked. He was hearing people who called it all fake, all false psychology. And he did not know how much Helen believed these people. He felt her restlessness in horror. He saw no direction in which she might go away from him where she would not meet destruction, where false, incomplete ideas would not ruin her. It was making him a reactionary. For, because he had no solution himself, he was forced to fall back on negations. He denied everything, sank back into an idealism of the past. "I liked that girl," he said to his wife about Freda, "no fake." "None," answered Helen. "I hoped you'd like her, Gage." "She says that the trouble with women is that they've lost the spirit of romance and that they've dug the romance out of men's souls too." It was what he himself had said but it was easier to put to Helen in that way. "Young thing — full of phrases." His wife laughed lightly. It was the night on which Freda and her mother were to dine with them. Gage, dressed before his wife, had dropped in to watch her. He loved to see her do her hair. She seemed exquisitely beautiful to him when she deftly parted and coiled the loose masses of it — more than beautiful — exquisitely woman. He loved to see the woman quality in her, not to awaken passion or desire 68 Spellbinders but for the sense of wonder it gave him. He loved to cherish her. "We're all full of phrases," he said, a little hurt already. "But she has something behind her phrases. She's un- spoiled yet by ideas." "She's full of ideas. You should see the things that young modern reads. She's without experience — without dogmas yet. But she'll acquire those. At present she's looking for beauty. You might show it to her, she may find it in Margaret; perhaps she'll find it in her canting little mother." "She would find it in you if you'd let her see you." "Do you think I'm anything to copy? You seem dissatisfied so often, Gage." "Don't, Helen." He came over to where she sat and bent to lay his cheek against her hair. Her hand caressed his cheek and his eyes closed. She wanted to ask him what would happen to them if they could not bury argument in a caress but she knew the torch that would be to his anger. He felt her lack of response. "I'm not dissatisfied with you. I'm dissatisfied be- cause I can't have you completely to myself. I'm dis- satisfied because you can't sit beside me, above and indifferent to a host of silly men and women parading false ideas." "I'm not so sure they are false. I can't get your conviction about everything modern. I want to try things out." "But, Helen, it's not your game. Look — since Mar- garet came you've been dabbling in this — that — politics, clubs, what not. You are bored with me." "Impossible, darling. But you really mustn't expect the good, old-fashioned, clinging vine stuff from me. I'm not any good at it. Now please hurry down, dear, and A Husband 69 see if there are cigars and cigarettes, will you? And you'll have to have your cocktail alone because if I had one before Mrs. Thorstad she'd think I was a Scarlet Woman.' ' There was nothing for Gage to do but go with that familiar sense of failure. After he had gone, Helen's face lost some of its light- ness and she sat looking at herself in the glass. Without admiration — without calculation. She was wondering how much of love was sex — wondering how she could fortify herself against the passing of the charms of sex — wondering why Gage had such a frantic dislike of women like Margaret who hadn't succumbed to sex — wondering if that was the reason. She thought of the pretty Thorstad child. Gage liked her. That too might be a manifestation of vague unadmitted desire. She shivered a little. Such thoughts made her very cold. Then with a conscience smitten glance at her little porcelain clock she slipped into her dress and rang for the maid to hook it. The nurse maid came and entertained Helen, as she helped her, with an account of the afternoon she had spent with Bennett and Peggy. Peggy had learned to count up to ten and Bennett was trying to imitate her. Helen wished she had heard them. She hated to miss any bit of the development of her fascinating children. It was a feeling that Margaret had told her she had better steel herself against. It was a wonderful evening for Freda. In the thoroughly friendly atmosphere she expanded. She made it wonderful for Gage too. He had the sense of an atmosphere freed from all censoriousness of analysis. 70 Spellbinders Freda was drinking in impressions, finding her way by feeling alone. He basked in the warm worshipful ad- miration she gave his wife. They left early and Gage drove them home, leaving Freda at her hostess* door with a promise to give her a real drive some day and an admonition not to fall in love with any young wastrel. Part of their bantering conversation had been about Freda's falling in love and how completely she was to do it. "I'll let you look him over if you will, Mr. Flandon." "Fine," he said, 'Til see if he's the right sort." He had told Helen he was going to drop in at the club for a few minutes and see if he could find a man he wanted to see. But the object of his search was not to be seen and Gage was about to leave the lounge when Walter Carpenter called him. Carpenter lived at the club. He was stretched in one of the long soft chairs before the fire, his back to the rest of the room. Gage stopped beside him. "How's everything?" "So-so." Walter offered a cigar, and indicated a chair. "No — I think I'll go on home," said Gage, taking the cigar. "Better smoke it here." For all his casualness it was clear that Walter wanted company. Gage dropped into the nearby chair and they talked for a few minutes, without focusing on anything. Then Walter began. "Wonderful girl, that Vassar friend of Helen's." "Margaret Duffield ? Think so ?" "I've never seen a girl I liked as much," said Walter. He said it in the cool, dispassionate way that he said most things, without any embarrassment. Embarrass- ments of all sorts had been sloughed off during the fifteen A Husband 71 years of Walter's business and social achievements. Gage looked at him frowningly. "You don't mean you're serious — you?" "Why not — I?" repeated Carpenter, grinning im- perturably. He didn't look serious or at least impassioned, Gage might have said. His long figure was stretched out comfortably. It was slightly thickened about the waist,^ and his sleek hair was thinning as his waist was thicken- ing. His calm, well-shaven face was as good looking as that of a well-kept, well-fed man of thirty-seven is apt to be. It was losing the sharpness and the vitality of youth but it did not yet have the permanent contours of its middle age. And it bore all the signs of healthy living and living that was not only for the sake of satisfy- ing his appetites. "Why — it never occurred to me," said Gage, puffing a little harder at his cigar. "That I might get married?" "I don't know. I rather thought that if you married you'd pick a different sort of a girl." "I might have done that a long time ago. I've seen enough sorts. No — I never have seen one before who really— " He paused reflectively, unaccustomed in the language of emotion. "She's a fine looking girl." Gage felt he must pay some tribute. "She is fine looking. She has a face that you can't forget — not for a minute." "But," said Gage, "you must know that she's the rankest kind of a woman's righter — a feminist." "What's a feminist?" asked Walter calmly. "Damned if I know. It means anything any woman wants it to mean. It's driven everybody to incoherence. 72 Spellbinders But what I mean is that that kind of woman doesn't make any concessions to— sex." They lifted the conversation away from Margaret into a generalization. Both of them wanted to talk about her but it couldn't be done with her as an openly acknowl- edged example. "Well," answered Carpenter, "perhaps that was coming to us. Perhaps we were expecting women to make too many concessions to sex. There are a lot of uncultivated qualities in women you know. They can't devote all their time to our meals and our children." "I don't object to their devoting their time to anything they like. I do object to their scattering themselves, wearing themselves out on a lot of damned nonsense. Let them vote. Granted we've got to have a few female political hacks like this Thorstad woman. It won't hurt her any. It's all right for Mrs. Brownley — and that type of wise old girl — to play at politics. But for a woman — a young woman who ought to be finding out all the things in life that belong to her, who ought to be — letting herself go naturally — being a woman — for her to go in for a spellbinder's career is depressing and worse." Walter smiled quizzically. "Haven't women always been just that, spellbinders? Isn't that the job we gave them long ago? Haven't women been spellbinders for thousands of years ?" "God knows they have," said Gage. He was silent for a moment, recollecting his argument, then plunged on. V "It was all right when it was instinctive and natural but now it's so damned self-conscious. They're picking all their instincts to pieces, reading Freud on sex, analyz- ing every honest caress, worrying about being submerged in homes and husbands. It's wrecking, I tell you, Walter. A Husband 73 It's spoiling their grain. And I'll tell you another thing. It's the women's colleges that start it all. If I had my way I'd burn the things to the ground. They start all the trouble." Walter broke the silence again. "The reason I wanted to talk to you was because some of the difficulties you suggest were simmering in my own mind. And it always seemed to me that you and Helen got away with the whole business so well. You've had children — you've managed to keep everything — haven't you worked it out for yourself anyway?" "You can't work it out," said Gage, impatiently, "by just having children. It doesn't end the chapter." "It's a difficult time." "It's a rotten time. You know I can't help feeling, Walter, that the women of this generation are potentially all that they claim to be actually. It isn't that I'd deny them any chance. But to let them be guided by fakirs or by their own inexperience will land them in a worse mess than ever. Look at some of them who have achieved prominence-pictures in the New York Times anyway. Their very pictures show they are neurasthenic. Look at the books written about them that they feed on. Books which won't allow a single natural normal impulse or fact of sex to go unanalyzed. Books which question every duty. Books which are merely tracts in favor of barrenness. Books written almost always by people who live abnormally. After a diet of that, can any woman live with a man wholesomely — can she keep her mind clear and fine ?" Walter shook his head — then laughed. "Well — what are you going to do about it ?" "I'm not going to do a damned thing but growl about it, I suppose. As a matter of fact I don't care what most women do. But when I see the fakirs lay their 74 Spellbinders hands on Helen — Helen, who is about as perfect a woman — " he stopped abruptly, and then went on. "I'm not a very good person to talk to on this woman question. I'm balled up, you see. I only know that the trend is dangerous. They got their inch of political equality. Now they want an ell. They don't want to be women any longer." "It's all interesting," answered Walter. "Of course, it's difficult not to think in terms of one's own experiences. Now I never have seen a woman like Miss Duffield. Of course I haven't an idea that she'll have me. But per- sonally I'd be quite willing to trust to her terms if she did. I've never seen a woman of more essential honesty." They were disinclined to talk further. Gage, after a few trivialities, left Walter to his dream, conscious that what he had said had produced no disturbance or real question in the other's mind. It was easy for one to transcend generalities with the wonderful possibilities of any particular case, Gage knew. He'd done it him- self. " ni Unconsciously as he went toward his home, he was doing it again. He had never lost the magic of going home to his wife. Entering the still hall, where the single lamp cast tiny pools of light through the crystal chandelier, he was pervaded by her presence. Some- where, awake or asleep, above that stairway, was Helen. The gentle fact of it put him at peace. Her door was closed and he went softly past it to his own room. Then, in a dressing gown, he settled him- self in an easy chair by a reading lamp, no book before him, cherishing that mental quiet which surrounded him. Down the hall he heard her door open quietly and her footfall on the soft rug. She had heard him come in A Husband 75 and was come to say good night. With a quick motion he turned out the light beside him and waited. "Asleep, Gage?" She spoke softly, not to awaken him, if he were asleep. "No — resting — here by the window." She found her way to him and he gathered her up in his arms. "You wonderful bundle of relaxation ! Have you any idea how I love you like this ?" "Do you know, Gage, I think that for all our bad moments that we are really happier than most people ?" "There's no one in the world, dear, as happy as I am at this moment." "And it isn't just because I'm — " He bent his head to her, stifling her sentence. "You mustn't talk — don't say it. It isn't because of anything. It just is." "I know. And when it is — it swallows up the times when it isn't." "Hush, sweetheart. Let's not — talk. Let's just rest." He felt her grow even easier in his arms. All the instinct for poetry in him, starved, without vehicle, sought to dominate the relentlessness of her mind, work- ing, working in its tangles of thought. The meaning of his inexpressible love for her must come through his arms, must be compelling, tender. They sat together in the big chair enfolded in peace. And the same little secret thought ran from one to the other, comforting them. This is the best. CHAPTER VI MARGARET MARGARET made the faintest little grimace of dis- • may at the long florist's box for which she had just signed the receipt presented by the messenger. It wasn't a grimace of displeasure but a puzzled look as if the particular calculation involved was an unresolved doubt. Then she cut the pale green string and lifted the flowers out. There were flowers for every corner, fresia, daffodils, narcissus — everything that the florist's windows were blooming with during this second week of May. She touched them with delight, sorted them, placed them in every bit of crockery she could find. But Mrs. Thorstad sat in a chair drawn up before the mission oak table in Margaret's little rented apartment and waited. She was impatient that the flowers should have come at a moment when their discussion hinged on a crisis. And as if her respect for Margaret had fallen a little, she eyed the display without appreciation. Margaret talked, as she placed the flowers, however, as if she could separate her mental reactions from her esthetic. "Well," she said, "you saw the way the thing went. It was absolutely cut and dried. I knew there was no chance of getting a woman elected as one of the regular delegates to the National Convention. Pratt and Abbott were the slate from the beginning. Every one knew Gage Flandon wanted them and every one knew that meant they were Joyce's choice if Flandon wanted them. 76 Margaret 77 I had talked to Mr. Flandon about it but he wouldn't tell me anything really revealing. Except that the slate was made up and while they were very glad to have the women as voters that it might be better to wait another four years before they gave mem a chance to sit in at a National Convention. He didn't intend to have a woman and especially he didn't intend to have one because he knew there was some agitation to send his own wife." "That was what the mistake was, I think, Miss Duffield. I think another candidate might have done better." "But they never even mentioned any woman," ex- claimed Margaret. Then as if she got the other woman's meaning, she gave her a searching look. Mrs. Thorstad talked blandly on. Margaret finished her work of beauty and came back to the table, tapping the surface of it with her regained pencil. "What we must propose is a woman with a national ideal, a woman thoroughly interested in the district, conversant with its needs and with a democratic per- sonality." Thus definitely did Mrs. Thorstad outline what she believed to be her virtues, but Margaret did not seem to understand them as solely hers. "Helen Flandon combines all those things." "Personally," broke in the other woman, "I have always admired Mrs. Flandon immensely. But I have always felt that her interest in all these matters was perhaps a little transitory. That is no reflection on her, of course" (Margaret nodded acquiescence) "but a woman with so many domestic duties and with so much society life must necessarily not be able to give her whole mind to the work." "She'd give her whole mind if she got interested enough and I think she is nearly interested enough now. Helen Flandon is big material, Mrs. Thorstad. She has 78 Spellbinders the genius of leadership. It's a bit banked with ashes just now but it could be fanned into flame." "Won't the fact that she is Gage Flandon's wife work against her ?" "Not materially, I think. Of course that's one thing that bothers Gage. He thinks he'll be accused of using influence to get his wife in. Told me the thing was impossible on that account. Let him be accused of it. It doesn't matter. Her name will please the men. They'll think they're pleasing Flandon by letting her in and that's of course a thing he can't deny." Mrs. Thorstad apparently did not get all the subtleties of those statements. A settled darkness had come over her face — a kind of clouded vision. Margaret went blithely on. She talked easily, wisely, giving the wounded hopes of Mrs. Thorstad a chance to get over their first bleeding, giving her a chance to get her hopes fixed a little on that political future which, although she was apparently not to be made delegate at large, still loomed ahead. She suggested that Mrs. Thorstad should surely be at the Convention in some capacity. And she went on, telling of the Washington leaders, the section leaders, of the general plans for work and education in politics among women. Then she spoke of Freda. "Is she going to stay here after all ? I do hope so." "Well, I go home to-morrow. Mrs. Flandon has been interested in Freda's staying. She thought there must be things Freda could do here and Freda wants to stay. Freda doesn't typewrite but at the Republican headquar- ters there may be a place for her. Mr. Flandon has promised to speak to the chairman about taking Freda on as secretary. At first there'd be only a certain small amount of correspondence but later they say they could Margaret 79 put her in the campaign headquarters. I must go back to Mohawk. Freda stays for a day or so at Mrs. Brown- ley's — then if she takes this position, Mrs. Flandon will help her find a place to live. It's extremely kind of all of you to be so interested in Freda." "She's a very wonderful young person. I only hope she gets more interested in us." "She has all the irresponsibility of youth," said her mother, sententiously. "Oh, by the way," said Margaret, "I promised to lend your Freda a book. Here it is." She took a book from the table and gave it to Mrs. Thorstad who eyed it a little questioningly. "It's very stimulating if not altogether found," said Margaret. "So much of our literature is that." The older woman compressed her lips a little. "Not that I am not a Modern. But we are a little inclined to lose sight of the fact that our fathers and mothers — " This time her little platform manner was interrupted by the ringing of the house phone. Margaret spoke into it, briefly. "Why, yes, I'm nearly ready. I didn't realize it was so late. No, indeed not. Come in and wait for me." "Don't hurry, Mrs. Thorstad," she added, hanging up the receiver. "Mr. Carpenter can wait." But Mrs. Thorstad did hurry. And as she went out she met Walter Carpenter going in. She gave him her reserved little bow. The two Thorstads were still at the Brownley house. The visit had turned out so much better than Freda had feared that two weeks had slipped away quickly for her while her mother was working and planning and making speeches to small clubs and circles along the lines her 80 Spellbinders hostess desired. Freda was out with Allison Brownley on this particular afternoon and the two guest rooms were empty as Mrs. Thorstad entered them. She sat down in a straight chair (the habit of relaxing had long since failed her) and fell into thought, idly turning the pages of the book she had borrowed from Miss Duffield. A letter slipped out and fell to the floor. It had no envelope and as Mrs. Thorstad picked it up she read clearly the scrawl of writing in black, heavy masculine characters across the back of the page. It was a love letter to Margaret signed with a black sprawling male signature, "Gregory." So Mrs. Thorstad would phrase it with a little repression of her lips. There were words of passion — there was a flavor of intimacy — She read no more than that back page. Then, holding the letter as if it offended her, she placed it in one of Mrs. Brownley's envelopes and addressed it to Margaret. "Did I drive away a visitor ?" asked Walter. "No — she was through with me. You're rather a relief." Margaret could smile with the most complete friend- liness of any woman he had ever seen, thought her visitor. She lifted her head and smiled straight at you. L There were no evasions in her way of showing that she was glad to see you. She didn't hold her gladness as a prize, but made you a straight gift of it. He liked the dress she was wearing — a fawn colored cloth dress that outlined the straight lines of her figure — he liked the way her hair grew away from its boyish side parting with a little curve here and there. "I think I am a little early," he said, looking at his Margaret 81 watch, "but I thought since I was through at the office I'd come up, and you might be willing to come out for, a ride before we dine. It's just five o'clock/' "That sounds very nice. Sit down and amuse your- self while I get my hat." He obeyed, finding a book which did not seem to interest him at all but which gave him a chance to turn pages while she put on her hat and piled the papers on her desk. She turned to him as she was doing that. "You spoil me." "I'd like to spoil you." "Spoil me by treating me like a human being — forgetting that I'm a woman and that you've been taught to flatter women." "If I do that I can't remind you that I'm a man and it might be I'd like you to think of that." It was very light. Their tones were the perfectly controlled tones of those who have emotions thoroughly in check. But the note of seriousness was there and they were both too wise to pretend that it wasn't. "I'm quite ready to go," said Margaret. He helped her with her cloak and they went down the stairway. Once in the car, with Margaret bundled in robes he turned to the boulevards and they fell into talk again. They liked to talk to each other. They eluci- dated things between them. They liked the calmness of each other's reactions, the sense of mutual control they had as they held a subject poised on their reflections, as they explored the sensitive delicacy of some thought. Politics, people, books — but always their talk strayed back to men and women. As if in that kind of talk they got most pleasure from each other, as if the subject were inexhaustible. Walter had told Margaret a great deal about himself 82 Spellbinders and she had listened with interest. Then little by little under that cloak of the impersonal she had told him some- thing of herself, her interest in women. "Not that I idealize them. I don't. But they are far more interest- ing than any work — their problems are the biggest in the world." "Are you looking for still further concessions ?" "You mustn't use that word. We're looking for the truth in the situation. You think because we vote that the game's up, don't you? It's not. If women are ever going to be — women, Mr. Carpenter, they've got to develop all the qualities they've been letting rot and decay for hundreds of years. A few women have preserved the strength all women should have. But most of them — Do you dream that most of them have an idea of doing any real work — want any real work? Do you think they're going to give up their security of support without a struggle? They don't want independence in the majority of cases. They want certain rules relaxed for their convenience. But do you think that basically they want to give up their claim developed through ages as a 'weaker sex'?" She stopped, at the little smile in his eyes. "You think I'm as oratorical as Mrs. Thorstad, don't you ?" "I do not, but I was thinking that it was time we had some dinner." They stopped at one of the hotels and maneuvered their way through a crowded, ornate dining-room to a little table on the side of the room, Walter bowing gravely to a great many people as they went along. "You're a very solid citizen, aren't you?" asked Margaret. "I like solid citizens," he answered, "are they too on your list of obnoxious people and things?" Margaret 83 "Of course they are not." "I was a little worried after that list began developing. I don't want to be on the list of people you don't like." But it was not until they had finished dinner and were drinking coffee that he developed that thought. "I wonder if you know how hard you women are making things for men," he said, not abruptly but as if stating his brief. "Perhaps it was too easy before." "Perhaps. But you make it so difficult — you stand so aggressively strong — so independent of us that we can't find a thing with which to recommend ourselves. You don't want our protection — our support — you mistrust our motives." "I told you this afternoon that I thought most women did cling to protection and support." "Not the women we may want. You don't want the things I have to offer." His tones had hardly raised. In her first moment of embarrassment Margaret fumbled for words but he went on in that same quiet tone. "I thought it was as well to be frank with you. I couldn't see that I would gain anything by conventional- ities of courtship. And I'm a little old to indulge in certain forms of wooing anyhow. I have never seen any woman I wanted to marry so much. I like your mind.. 'And I mention it first because it is the thing which: matters least. I like more than that the way you smile. I would always have the greatest enjoyment from you as a woman of intellect. But the real reason I want you to marry me is because you are a woman of flesh and blood — and all that that means." She had flushed a little and as he ended in that controlled way, though for all his control he could not conceal the huskiness in his voice, she leaned forward 84 Spellbinders a little to him, as if in sympathy. But she did not speak. Her eyes fell away from his. "I care for you just as all men have a way of caring for women, Margaret — I love you very much." "I'm a very poor person to love," she answered, slowly. "You're a wonderful person to love. Do you think you could care for me — ever? After you'd trained me a bit?" "I like you to talk to — to be with as much as any one I've ever known," she said at last. " We've had a great deal of sympathy for each other. Of course I guessed you liked me. I rather hoped you wouldn't love me. Because" — and curiously enough her voice dropped as if in shame, almost to a whisper — "I'm so cold, Walter. I don't feel things like most women." "Let's get out of here," said Walter, rising abruptly. But he was unlucky. At the very door they were hailed by a passing automobile and discovered the Flan- dons, Jerrold Haynes and three other people, had seen them. They were invited to come along to the theater where there were a couple of vacant seats in the boxes the Flandons had taken. It seemed ridiculous to refuse. The play was conspicuously good, it was too cold a night for driving and they all knew that Margaret had no home to which they were going. So, unwillingly, Walter found himself made part of the larger group. For the rest of the evening he heard Margaret arguing with Gage, whom Walter noted, seemed very bitter on the matter of his wife's discussed entry into politics. He heard Helen say, suddenly and very quietly, after some rather blustering declaration of Gage's, "If the women want me, I shall go, Gage." Walter was conscious that there seemed an altercation beneath the surface, that the geniality of relation between Helen and Gage was Margaret 85 lessened. For a few minutes he thought Helen was flirting rather badly with that ass of a Jerrold Haynes. As he took Margaret home she talked at length of sending Helen to the Convention. "You've shelved me, haven't you?" he asked as they entered the tiny apartment so fragrant with his flowers. "I didn't mean to. Come in and we'll talk about you.' , "About you and me." He came in, readily. "I didn't understand that was what you wanted." She did not let him touch her and in the isolation of her room he could not persist. For a while he sat silent and she told him about herself and her lack of feeling. She had fine, clear, experienced phrases to tell of it. Yet she was conscious of making no impression. "I've passed the marrying time," she said. "Why?" "It involves things which have passed me by — that I. no longer need." "You mean — children?" "No — I haven't a lot of sentimental yearnings about them. But of course I would like to have children. There's an instinct to do one's duty by the race, in every woman." He actually laughed. "You chilled young woman. Well — what then has passed by you?" She did not tell him. Perhaps there were no words, no definite thoughts in her own mind. She must have been full of strange inhibitions. Analysis crowded so close on the heels of feeling with her that she never could have the one without the other. All her study, her watch- ing of men, all her study and analysis of women had made her mind a laboratory with her own emotions for victims of analysis. Gregory had told her that in that sprawlingly written 86 Spellbinders letter, now in the post office, being sent back to her from Mrs. Thorstad. Gregory held her thought for a moment. Then she looked at Walter with fresh appreciation. She liked to be with Walter. He didn't oppress her. His mind met hers without pushing. She felt protected in his com- panionship from that rude forcing of emotion which had been so hard on her. He was going now. At the door he held her hand. "I could be very good to you," he said, quietly. "Let me try." CHAPTER VII AN UGLY GLIMPSE TV/f RS. THORSTAD went back to Mohawk a few days *■**- later, leaving behind her a trail of increased prestige and carrying with her many assurances of appreciation which she could cogitate at her leisure. Her husband met her at the station, quietly, graciously pleased as he always was at a home-coming. "So Freda stayed for a while," he said, as they went down the street his arm hanging heavy with her suit- case. "Yes. It will be nice for her. Pleasant young girls, Mrs. Brownley's girls, although they haven't a great deal of mentality. Freda attracted quite a little atten- tion. Miss Duffield is very anxious for her to stay in St. Pierre but of course Miss Duffield is an outsider and cannot exert any influence. Mrs. Flandon had some very sensible suggestions. They were going to see if there was a chance for Freda to get a place as secretary to the general Republican district committee and later do some work for the campaign committee. She can't typewrite and that's a drawback but they thought they might get around that. She'll know in a day or so. It needs the consent of the chairman and he's out of the city. But he'll probably do just what Mrs. Flandon asks." "In the meantime Freda stays at Mrs. Brownley's?" 87 88 Spellbinders ''Yes, and if she stays for a definite work, Mrs. Flan- don will find her a place to live." 'The Flandons are nice people?" "Oh, yes, a worldly sort, but very good. Mrs. Flandon is to be made delegate at large from the state if they can manage it." "That's good stuff." "She's hardly the person for it," said Mrs. Thorstad. "As a matter of fact I am convinced that if this visiting organizer, Miss Duffield, who after all is in a most anomalous position, had not urged it (she is an intimate friend of Mrs. Flandon's) — well, if she had not interfered I might have been made the delegate at large myself. As it is, I'll have to try to get the Federated clubs to send me. I ought to be there. It's important for the future. I should have been the candidate for delegate at large." Her husband whistled and shifted the bag to his other arm. "I'm very glad you were saved that grave responsibility, Addie," he said, with his unfailing tact. "Yes — there is that side, of course. But this Miss Duffield is a person who'll bear watching. I never can see the point in sending these unsettled young women about the country organizing. They're dangerous in some ways. Now I happen to know that Miss Duffield is the sort of young woman who receives men in her rooms — it's only one room and there's a bed in it even if it has a cretonne cover — " "Addie— Addie— !" "But that's not all. At the same time she does receive men in her room — of course it may be all right and just a modern way — but she also gets passionate, very suspicious letters from other men." Mr. Thorstad frowned. But they reached the house just then and in the business of entering and commenting An Ugly Glimpse 89 on his housekeeping Mrs. Thorstad let the matter drop. She flew about efficiently and her husband sat back in his armchair and watched her. There was no doubt of his gladness at her return. His pleasant gray eyes were contented, a little sad perhaps, but contented. "Freda isn't involved with any young men ?" he asked. "No — they tease her about young Smillie — that's H. T. Smillie, First National Bank, you know, but she says that's just nonsense." n Yet it was that very night after the Thorstads had gone to bed and were sleeping in the pale light of a quiet moonlit sky, that Freda was forced to admit that it wasn't nonsense. All along she had hated staying without her mother, who after all was her reason for being here. She had to do it, however, or else abandon the chance of getting the job as secretary to the committee. Freda herself was a little homesick under all her excitement but, steady- ing her, there had come letters from her father which urged her to make the most of any opportunities which might come to her, which bade her make suitable and wise friends and learn as much as she could. One or two of the young men Freda met stood out, as being more interesting than the others. Ted Smillie, because he was so attracted to her from the first, had more or less intrigued her. Barbara's obvious dislike of the situation had forced both Ted and Freda into some- what closer acquaintanceship than would have naturally developed, but they both worked against Barbara's inter- ference. There was in Ted, for all his amorousness, a real feeling for health and beauty. That drew him to Freda and her to him and there was enough in the 90 Spellbinders glamour of being chosen by the most competed- for man as worthy of attention, to make Freda feel rather strongly in his favor. If he had been rude to her, as he might have been to the country guest of the Brownley's, she would have seen him more clearly, seen his weakness, his impressionability, read the laziness of his mind, seen the signs of self-indulgence which were already beginning to show on his handsome face. She would have seen him as too "soft" of mind and body. But he was frankly at her feet and it would have taken an older head than Freda's to analyze too clearly past that during those first few weeks. It was not the first attention she had had, of course. There were always young men who were ready to be nice to Freda in Mohawk. But much as they had liked her they had not, as she would have said, "made love to her." Ted did that. In his own way, he was good at it and Freda was collecting experiences and naive in spite of her power to get a perspective on her own situation. He had singled Freda out as capable of giving him a fresher thrill than any of the girls of his own "crowd." And he had ended by being pushed a little more than he expected by his own emotions. The prospect of Freda's return to Mohawk had annoyed him. He had felt that if she went now, it would be an incomplete experience. He wanted more than he had had. Freda had been pleasant, had been more than pleasant, been frank enough in showing how much she liked him. But he was used to more abandonment in the girls he knew — more freedom of caresses. He wasn't quite sure how far he wanted to go and of course he had no intention of marrying anybody, certainly not Freda. But he was unsatisfied. Mr. and Mrs. Brownley had gone to Chicago the day after Mrs. Thorstad had gone home and the three girls An Ugly Glimpse 91 were alone in the house with the servants. There had been a gay party at a hotel ballroom and at one o'clock the three girls had left the hotel with their escorts. Ted had his small car and Freda had wanted him to take Barbara home. But Barbara had demurred, strangely enough. She was going in the big car with the others, she said. Barbara had been making life hard for Freda all day. Wherever they had been she had managed to make Freda miserable. When the older Brownleys were home, and when her mother was with her, Freda had never been so completely at Barbara's mercy as she was to-day. Allie, her usual ally, had suddenly fallen away too. The fact was that Allie, having pressed her mother for the purchase of the new runabout, had been put off on the ground that her father said it was too expensive and on the further ground that Freda's visit was not over and that anyway Mrs. Brownley had made no definite promise. Allie was disgruntled and the enthusiasm she had had for Freda having run its brief course, like most of Allie's enthusiasms, she was willing to lend some slight support to Barbara's evident ennui with their guest. All through luncheon Barbara had engineered an extremely rude conversation about things and places which were entirely foreign to Freda. Not once had she let her guest slip into the conversation. She had misled Freda deliberately into wearing her flame colored satin dress to a very informal afternoon affair and appeared herself, like every one else, in the most simple suit, making Freda feel foolishly over dressed. It was a little thing but it pricked Freda. At dinner she had asked some people to come in whom she knew would follow her lead and they had again left Freda high and dry on the conversational sands. It had not been a pleasant day and even as they danced, she and Ted, that evening, Freda felt Barbara's 92 Spellbinders eyes rather scornfully on her and guessed at the little tide of innuendo that was being set in motion. She knew Barbara's ways by this time. She could not stand it another day, she vowed. In the morning she would see Mrs. Flandon or go to a hotel or back to Mohawk. It was clear that the others had not arrived when they drove up under the Brownley porte-cochere where a single light was burning. Freda did not want Ted to come in. She wanted to make her escape to bed before Barbara might arrive and make her a further target. Besides it was clear that Ted had been drinking and that he was most amorous. But he was insistent. The others would be along in a minute and he wanted to see one of the boys, he said. They went into the long drawing-room. A single standing lamp was lit beside a big divan and at Freda's gesture as if she would turn on more, Ted caught her hand. "Quite enough light," he said. "Come sit down." His methods were not as subtle as usual and they frightened Freda. But she thought it wiser not to quarrel with him and sat down obediently beside him on the divan — much too close for her taste. "You aren't really going away, are you, Freda?" "I can't stay forever. My welcome's wearing a little thin." She tried to pull away from that encircling arm but he would not have it. His strength had surprised her before, and she had not before minded his demonstra- tions. To-night she felt them as different, vaguely repellent. "Please don't, Ted." "I'm crazy about you, Freda. I've never seen a girl like you. There aren't any girls like you. Never have An Ugly Glimpse 93 been any. I never knew what it meant to be in love before." And all the time that arm tighter, heavier. His face seemed to Freda to thicken. She discovered that she hated it. Abruptly she wrenched herself free. But he followed her and unfortunately she had gone to an even darker corner. He pulled her to him and kissed her. It was the first time he had done it and it seemed to exhilarate him. There followed one of the worst half hours of Freda's life. She kept wondering what had happened to the others. She was conscious of herself growing disheveled. She realized that he was in earnest, that he was excited past his own control. In desperation she cried at him — "But I don't care for you at all/* "That makes it more interesting to a man," said Ted, gallantly. "Anyway, I'll never give up." "And," thought Freda, suddenly, with directness, "he hasn't said one word about marrying." With a kind of vague desire to sound the situation fully, she said — "Do you really want me to marry you?" The drinking that Ted had done had not improved his keenness of wit. He laughed. "I think you could almost make me do that," he answered, "but what's the use of marrying? What we want is love — you know. I sized you up at the start. Freda — you wonderful girl — let me tell you — " What he told her, the outlines of his plan, struck Freda with impersonal clearness. She had an odd sense of watching the scene from the outside, as an observer who jeered at her a little for being implicated. Similar scenes she had read about ran through her mind. She thought of Ann Veronica and Mr. Ramage. "He hasn't gone 94 Spellbinders quite far enough for me to actually fight him," she thought — and then — "I ought to ring for a servant or something — that's what's always done. I'm being insulted. I ought to either faint or beat him. I'm interested. Isn't it shocking !" , Above all these almost subconscious thoughts her mind dealt with practicalities. She wondered where the others were. She must get out of the house early in the morning. She wondered if Ted would keep this up even if the others came in. She tried to get to the door but her movement towards escape roused him further. It had evidently never en- tered his head that she really meant to rebuff him. He caught her in his arms. "So you see, beautiful, how easy the whole thing will be—" " He was growing noisy and she realized that she did not want the servants to hear. After all it wasn't her house. She saw that they had been alone for an hour. It was past two. And then to her immense relief she heard the limousine outside. "The others are here," she said to him. "Damn the others," he said mumblingly, and, without apology, forced himself into his overcoat. In the hall he seemed to recover himself. Perhaps his sense of social convention struggled and overcame his amorous- ness temporarily. He went out, past the entering girls, vaguely speaking rather at them than to them. Nothing of what happened after that seemed quite real to Freda. She was fairly worn out from her trying day and hour of struggle and embarrassment. As she stood for a minute by a long window trying to collect her thoughts, she heard the girls at the door and it flashed through her mind to ease the disgust from her own mind An Ugly Glimpse 95 by telling the whole business. She knew how frankly these girls talked of such things among themselves. They came in, Barbara leading. With a quick, sharp movement Barbara turned on all the lights and as if in a spotlight the disarrayed parts of the room seemed to stand out, the rug in which Ted's foot had caught and which he had kicked aside, the several chairs at unfamiliar angles, the divan all tossed, with pillows crushed — most of all Freda herself, hair somewhat disheveled, cheeks angrily flushed. Allie looked a little queer as she gazed around. Barbara, after one scornful glance, never took her eyes off Freda. "So you brought him here?" "Brought him? Ted? Where were the rest of you?" "You knew where we were. We said where we were going. We waited and waited at the Hebley's. Every one was wondering where you'd gone. You and Ted Smillie — at two o'clock. But I didn't really think you'd have the audacity to make my mother's house the scene of your — " The awful thing, thought Freda, is that she doesn't believe that. But she's going to pretend she believes it and it's just as bad as if she did. Some one had let her in for this. It looks exactly as if — she looked around and the color swept her face again. "You shameless girl!" Barbara went viciously on. "If my mother was here you wouldn't dare have done it. To think that we have to stay in the same house — to think — come Allie — " But Freda was roused, infuriated. The scorn of her own position, a position which allowed her to be insulted by such a person, rose above all else. She flung her cloak around her. 96 Spellbinders "I wouldn't stay in your house another night," she cried, "if I have to sleep on a park bench all night." The front door closed after her. As she reached the sidewalk she heard the door open again, her name called cautiously, heard the latch slipped. They were leaving the door open. As if she would go back — She went through the streets swiftly. CHAPTER VIII ADVENTURE ALL the time, under that motivating anger and determination not to go back, ran the two threads of thought — one quickly sifting the practicalities of a situation for a bare headed young girl in the streets of a city at two o'clock in the morning, the other analyzing, jeering at the melodrama of her position. "It's a warm night," she thought, "I'll probably get nothing but a terrific cold in my head if I do sit in Lincoln Park all night. That young devil ! She planned all that. She deliberately didn't tell Ted they were not coming straight home. There's no way of proving it. I'd like to bring her to her knees. I'll probably meet some fool policeman. How it will embarrass mother if this gets about. It's an ugly mess if I don't do things right. Nice ending to this visit. I knew the whole thing was bound to be disastrous. It was all a fake trip. That girl hated me from the start. As if I wanted that young fool." She was walking in the direction of the park, past the long iron fences, the smooth sloping terraces which characterized the Brownley part of the city. The street was absolutely quiet. Street lamps seemed very bright as she passed them. Here and there a light gleamed in a house, a night light behind an iron grilled door. Her footsteps seemed to resound with disastrous noise. She felt the sound of her walking was a disturbance of the 97 98 Spellbinders peace, an affront to the quiet of everything about her. She hurried, trying to feel as if she were called out by illness, imagining what she would say if accosted, a little cooler of anger and beginning to be enthralled and intrigued by her own adventure. Angry as she was, there was a thrill in the circum- stances. She was sure she would not go back to the Brownley house and that resolve was backed perhaps by her interest in what might happen — what adventure might be awaiting her. Quite fearless and untroubled by any physical nervousness, her only anxiety was that she was not quite sure of how to meet any eventuality. But the night was hers. For a few hours she was thrown upon its mercy, and it exhilarated her, as if she had been released from annoying restraints. In her rush from the Brownley house she had satisfied a host of petty feelings which had been accumulating for weeks. It was as if she had broken through a horde of petty conventions which had been gaining a hold on her. She felt more herself than she had yet felt in the city. As she went along she almost forgot Barbara. The park was still. The iron benches had long ago been deserted by even the last of the romantic couples. The policeman had evidently left the park for the night. Freda sat on a bench under a tree and tucked her feet under her to keep warm. ^Good thing mother insisted on an interlining in this coat," she said to herself. She heard the clock in Trinity High School sound half past two, after what seemed a long time. She was already chilled and cramped. Then she heard a sound of voices and looked up to see two men on the far side of the park, half a block away. It made her a little apprehensive. She suddenly felt a little unable to cope Adventure 99 with two of them. Two had no romantic possibilities. If it had been one wanderer — Hurriedly getting up, she slipped through the shadows and cleared the park, thankful that her coat was dark. "Well, then, I must walk," she said, trying to reassure herself by her own voice. Her feet were very cold and a little damp in their thin slippers. They hurt. For a minute she considered going to Mrs. Flandon's house. But she abandoned that idea. Mrs. Flandon wasn't the sort of person she wanted to know about all this. She'd think she was such a fool. It might hurt her chances of getting that place. Did she want that place, she queried and kept her mind fixed on that for a little, sliding into a dream of what she might do and how she might confound Barbara Brownley. By this time her walking had become fairly aimless. She had come through the residence district where she had been living, into a street of tall apartment houses. Here and there in the windows of these buildings lights still gleamed. Freda tried to amuse herself by wonder- ing what was happening there, tried to forget her painful feet. Then she met her second adventurer. He was walking very fast, his head up, and he rounded a corner so abruptly that she had no time to avoid him. As if he had hardly sensed her presence he passed her, then she heard his steps cease to resound and knew he was turning to look at her. He did more, he followed her. In a few strides he had caught up with her and Freda, turning her head, gave him a look meant to be fraught with dignity but which turned out to be only very angry. The man laughed. "Oh, all right," he said, "if you look like that, maybe there is something I can do for you. I wasn't sure of what sort of person you were. But I see now." 100 Spellbinders His voice was rich and clear and pleasant. Freda could not see what he looked like but she could tell he was young, and he did not sound dangerous. "Please don't bother me," she said, "I'm just — out for a walk." "I hope you're near home," he answered. Freda couldn't resist it. "I'm just exactly a hundred and thirty-nine miles from home." He tried to see her closely but her head was down. "No, you're not crazy," he commented, "so there must be a story or a mystery to you. Can I walk home with you — the hundred and thirty-nine miles?" "It's too far — and I'm really better alone." "Please. I'm not in the least dangerous and I don't want to annoy you. But you must admit that a young woman at three o'clock in the morning ought to let some- body accompany her on such prodigious walks. I'm out for one myself. I'd enjoy it." He talked like an Englishman — or an Irishman, thought Freda. And why shouldn't she talk to him. It was all too ridiculous anyway. But rather exciting. "I'm in a very silly mess," she told him, "and I haven't any place to go to-night." "And you wish I'd mind my own business?" "No — but there's nothing you can do. I'm not in the least a tragedy. In the morning I can straighten things out. I haven't committed any murders or any- thing like that. But I said I wouldn't go back to-night, and I won't." The young man considered. "Is it by any chance a husband to whom you made that statement?" "Oh, no," Freda laughed. "It wasn't a husband or even a father. It was just a girl." Adventure 101 "Well, you're a bit thinly clad to carry out your high resolve." She shivered. "Nights are longer than I thought." "Oh, you're right there," said he, "nights can stretch themselves out to infinity. However, we must shorten this one for you. I'd just as soon do it by conversation but your slippers — don't you think you'd better go back — for this one night?" "I couldn't." "Well, I approve of high resolves myself. I'm used to them and seeing people offer themselves up on their altar. There's no real reason why you should give in on any position you took, just because the sun is on the other side of the world. Could you tell me a bit more, maybe? If names mean anything to you at this hour of the night, mine's Gregory Macmillan. I don't live here. I'm staying at some hotel or other and I came here on business — that's what you always say in the States, isn't it, when you give an account of yourself?" "You're English." "Oh, God forbid," he cried, "English ! You insult me — but you don't mean to. No — Irish, Irish, Irish — I should have said it first and have been spared that accusation." "I'm sorry. I didn't know what your accent was. I see now. It was stupid of me." He laughed at her. "It's no matter. You're a very young woman, aren't you? I can tell from your voice. Well, you don't want to wander further with an Irish adventurer, do you ?" "I can't help myself." "Let's get down to facts. You quarreled." "Hardly that. I tell you it's a silly business. A drunk young man — a vicious girl who chanced to be my 102 Spellbinders hostess said things. So I walked out of her house. I can't go back without crawling back, can I?" "No — you can't go back if you'd have to crawl. But where else can you go? Haven't you some friend — some intimate?" "No — I can't disturb families at this hour — and I only know people here a little." "Isn't there perhaps some single lady? Some un- married woman to whom you could turn ? At this hour of the night it may be easier, you know, than at dawn. And you're dressed for the evening. Of course we might go back to my hotel. Let's see — a motor accident might do. No — that would involve things. You're sure you don't know some discreet spinster?" She thought. "I've only been here three weeks. Only perhaps Miss Duffield— ?" He started. "You don't mean Margaret Duffield? You know her? Why, of course, she's the very one. Do you mean her?" "And you know her too ?" "Know her? I have been talking with her until an hour ago. You mystic child, of course you'd know Margaret. Come, let's go to her and she'll tell me about you — and I'll get a chance to see her again to-night even — and perhaps, with you in charge, she'll want to see me." Freda was enchanted. Her feet were forgotten. Barbara was forgotten. The night, the delicious hour, the stranger who was chivalric and mysterious and knew Margaret Duffield, — all of it was rounding out a perfect adventure. She laughed in sheer delight. "Isn't it marvelous?" she asked, "this meeting you — you knowing the only person I could go to, isn't it curious and like a well-made dream?" Adventure 103 He took her by the arm, holding her up a little as they crossed the cobbled street. "Life at its best is only a well-made dream/' he answered. In all her life Freda had never met any one who dared to talk like that. It was three o'clock but the light in Margaret's apart- ment still burned. Little lines of it streamed out from the curtain edges. At sight of the light Gregory stopped. "Lucky it's on the ground floor," he said, "she can let us in without any of the others hearing us tramp by." Freda hung back a little. "It's rather an outrageous thing to do. I wonder if I should." "Nonsense. Anyway, you've no choice. I'm bringing my refugee here myself." They tiptoed into the little hallway and rang her bell — then went over by her door. It was characteristic of Margaret that she did not call, "Who's there?" from behind the door. She opened her door a little and looked out. "It's I," said Gregory, softly, "and a distressed lady, whom you know. Can we come in?" The door opened wider and Margaret put out her hand as Freda shrunk back a little. "Why, Freda — where did you come from ?" Margaret looked at Gregory, but he waited for Freda to tell her own story, perhaps not knowing how much she wanted to tell. In the light again, Freda had blushed scarlet and then turned pale, her cheeks wonderfully waxen and lustrous from the night air. Under her eyes there were circles of fatigue and her hair had clung to her head, damp from moisture. She looked at Margaret and seemed to remember that her adventure had begun in disaster. 104 Spellbinders "I'm so sorry to bother you like this — I'm so sorry. But he said I'd better." Again Margaret exchanged glances with Gregory. Gregory was looking at Margaret now as if he were conscious of the picture she made in the blue Grecian negligee which suited that slim, straight figure so well. But if she noticed his glance, she was impatient of it. "Of course it's no question of bother — but what is it?" Freda had made no move to drop her cloak. She held it close around her as she stood against the inside of the door. She told them as much as she could. "I couldn't go back." The eyes of her hearers were angry. "Of course you couldn't," said Margaret, simply. "And you can perfectly well spend the night here. In the morning I'll send for your clothes." She drew Freda, who was shivering now, over on the couch, then turned to Gregory. "Good night, Gregory — again. You bring adventure with you." There was a smile in her eyes which he seemed to answer by a look in his own. Then he looked past her to Freda. "Good night, little wanderer. I'll see you to-morrow." Freda saw him fully now. He was tall and thin and ugly. His dark eyes seemed to flash from caverns above his high cheekbones. But he had a wide Irish mouth and it smiled very tenderly at them both as he softly went out. Freda would not take Margaret's little couch bed for herself so Margaret had to improvise a bed on the floor for her guest, a bed of blankets and coats and Freda slept in Margaret's warm bath robe. Oddly, she slept far better than did Margaret, who, for a long while, held herself stiffly on one side that her turning might not disturb Freda. Adventure 105 They both wakened early. Freda found the taste of stale adventure in her mind a little flat and disagreeable. There were a number of things to be done. Margaret telephoned briefly to the Brownley house, left word with a servant that Miss Thorstad had spent the night with her. "I'll go up there after we have some breakfast," she said to Freda, "and get you some clothes. Then I think you'd better stay here with me. I'll ask the landlady to put an extra cot in here and we can be comfortable for a few days. And please don't talk of inconvenience" — she forestalled Freda's objections with her smile — "I'll love to have company. If you stay in town we'll see if you can't get a place of your own in the building here. Lots of apartments have a vacant room to let." She was preparing breakfast with Freda's help and the younger girl's spirits were rising steadily even though the thought of an interview with Barbara remained dragging. It was great fun for Freda — the freedom of this tiny apartment with its bed already made into a daytime couch, the eggs cooking over a little electric grill on the table and the table set with a scanty supply of dishes — two tall glasses of milk, rolls and marmalade. "It's so nice, living like this," she exclaimed. Margaret laughed. "Then the Brownley luxury hasn't quite seduced you?" "I was excited by it. I'm afraid it did seduce me temporarily. But for the last week something's been wrong with me. And this was it. I wanted to get out of the machinery. They leave you alone and all that — but it's so ordered — so planned. Everything's planned from the menus to the social life. They try to do novel things by standing on their heads sometimes in their own 106 Spellbinders grooves — at least the girls do — but really they get no freshness or freedom, do they ?" "I should say that particular crowd didn't. Of course you mustn't confound all wealthy people with them. They're better than some but a great deal less interesting than the best of the wealthy. And of course just because their life doesn't happen to appeal to your temperament — or mine — " "Are you always so perfectly balanced?" asked Freda, so admiringly as to escape impertinence. "I wish I were ever balanced," answered Margaret. "And now suppose you tell me a little more about what happened so I'll be sure how I had better take things up with the Brownley girls." Freda had been thinking. "It really began with me," she said. "Ted Smillie was Barbara's man and I was flattered when he noticed me. And of course I liked him — then — so I let it go on and she hated me for that." "Stop me if I pry — but do you care for the young man now ?" "Oh — no!" cried Freda. "I'm just mortally ashamed of myself for letting myself in as much as I did." "Everybody does." Margaret's remark brought other ideas into Freda's mind. She remembered Gregory Macmillan and his apparent intimacy with Margaret. But she asked noth- ing, going on, under Margaret's questioning, with her tale of the night before, and as they came to the part of Gregory's intervention, Margaret vouchsafed no information. An hour later, she came back from the Brownley house, with Freda's suitcase beside her in a taxi. "You did give them a bad night," she said to Freda, "Bob Brownley looks a wreck. It appears that later they Adventure 107 went out to search the park — scared stiff for you. And you had gone. They saw some men and were terrified." "Are they very angry ?" "Barbara tried to stay on her high horse. Said that although it was possible she had misunderstood the situation it looked very compromising and she thought it her duty in her mother's absence — . Of course, she said, she was sorry that matters had developed as they had. Poor Allie'd evidently been thinking you'd been sewed up in a bag and dropped in the river. They both want to let the thing drop quickly and I said they could say that you were staying with me for the remainder of your visit. I also told Barbara a few home truths about herself, and advised her to be very careful what she said to her mother or I might take it up with her parents." "All this trouble for me!" cried Freda. "I am ashamed !" "Nonsense. But I must go along quickly now. I've a meeting. Your trunk will be along sometime this morning. Put it wherever you like and the landlady will send the janitor up with a cot. And — by the way — if Gregory Macmillan drops in, tell him I'm engaged for lunch, will you? You might have lunch with him, if you don't mind." "I feel aghast at meeting him." "Don't let any lack of conventions bother you with Gregory. The lack of them is the best recommendation in his eyes. He's a wild Irish poet. I'll tell you about him to-night. I think you'll like him, Freda. He's the kindest person I know — and as truthful as his imagination will let him be." "What is he in St. Pierre for?" "Oh, ask him — " said Margaret, departing. CHAPTER IX WORK FOR FREDA IT was on that morning that Gage Flandon made his last appeal to his wife not to let herself be named as a candidate for Chicago at the State Convention. He had been somewhat grim since the district conven- tion. As Margaret had realized would happen, certain men had approached him, thinking to please him by- sounding the rumor about sending his wife to the National Convention. Many of them felt and Gage knew they felt that he had started, or arranged to have started, a rumor that his wife would be a candidate and that he meant to capitalize the entrance of women into politics by placing his own wife at the head of the woman's group in the State. It was a natural enough conclusion and its very naturalness made Gage burn with a slow, violent anger that was becoming an obsession. It began of course with the revolt against that suspicion of baseness that he could capitalize the position of his wife — that he could use a relation, which was to him so sacred, to strengthen his own position. Yet, when these men