Mj^/k^m^m^sm. ft t UC-NRLF B 3 im STT OQO .j>!Sw''''''''"'"''^iiiM l^.w* Lw^M prjjgj'^^|y^^;y; I iafctjs^j ar^S Sin OOO .7??? '-■:: -Sii. :•--> ~^r >\'--^' -yi ,- ■., :4r ■:<^''^^---. .m;^ '-.■^ ^. . :-lJv, "\, llllKlllY UERARt Ji^ ^ ENO-R&VED BTJ.SAHZmN AFTEn Jl FOBTTaiT FROM LUT. ■ "TT Kl ,, v^^A THE i AND (M A GIFT BOOK FOR ALL SEASONS. NEW-YORK: PUBLISHED BY MARK H. NEWMAN & CO., 199 BROADWAY. LOAN STAC\^ EDWARD O. JENKINS, PRINTER, No. 114 Nassau street, N. Y. CONTENTS. Page Page A Short Paper on Procter, . . . . 3 Autobiography of a Sensitive Spirit, . 104 To the Genius of Poetry, 6 « To the Unknown God," 106 Money at Interest, 6 " A Thing of Beauty is a Joy forever," 107 The Dead Weight, 10 Original Anecdotes of General Washington , 109 Hannah Adams, 11 A Summer Evening, .... 111 The City of Night u Motives, ....... 112 The Unforgotten, : . . . • 17 The Conquest of Peru, .... 115 Melville, the Pulpit Orator, . 18 Rev. N. S. S. Beman, D.D., 118 An Hour with Thomas P. Hunt, . 22 A Green Old Age, 12S The Old Scotch Couple, .... 26 The Vanity of Human Things, . 124 The Outlet of Lake George, 29 The White Lamb, 125 Professor Samuel F. B. Morse, 30 " My Peace I give unto you," . 127 A Funeral in the Country, 33 The Claims of Sacred Music, . 12S Tennyson's Locksley Hall, 38 The Thousand Islands of the St. Lawrence , 131 Associations, ..... 41 « Peace, Be Still," 132 Charles I. and Cromwell, 42 The Fear of Death, 133 Time the Healer, .... 46 The Feast of the Lord, .... 136 My Country Residences, 47 Let Us Love Each Other 13S The River of Life, .... 51 Horseback Rambles, .... 139 The Design of Life, .... 52 Home, . . . 141 The Mother's Lament, 54 A Soliloquy 142 The Crystal Palace, .... 55 Sunset in Baffin's Bay, 144 True Greatness, 60 Guardian Angels, 144 The Puritans Judged by their Writings, 63 Robert Browning, .... . 145 The Sisters of Bethany, 66 Earth's Oldest Son 147 "Westminster Abbey, .... 67 On the Death of a Dear Friend, . 150 The "Wo-Prophet of Jerusalem, . 6S The Presence of God, .... 150 Evening near a Great City, . 69 "I would not Live Al way," , 153 More Precious than Rubies, . 70 Personal Character of Dr. Chalmers, 156 The Treasures and Pleasures of Geology, 74 Some Great Work, .... 162 Rage for Unearned Wealth, . 77 Apostrophe to Niagara, .... 167 The Fear of being an Old Maid, . 79 Gems of Modern English Poetry, 168 The Voice of the Sea, . 81 They Fade, 171 Half-way People, 82 A Plea for Old Trees, 172 The Spirit-Land, .... . 84 Spirit of Love, 173 The Right Side for the Bride, 85 Prejudices against Innovation, . . 174 Tlie Minstrelsy of Nature, . 87 Dignity, 177 The Christian Catacombs of Rome, 88 The Ideal : • . 179 Submission to Providence, . 98 The True Source of Happiness, 160 '■ And God said. Let there be Light," 94 Early Piety, . 185 Dies lra3, . 95 Farewell, ...... 187 Two Stories for the Fireside, . 96 Old English Sacred Poetry, . 188 The Bible Class, .... . 102 Whither Goest Thou? .... 190 Dr. Gutzkff, the Missionary, . 103 The Stranger's Grave, . 191 r ; 1 ^55 IV CONTENTS. The Law of Thrift, Youth, Luther and his "Work, . Earthly Sorrow, .... A Wish, " Speak Tenderly to the Erring," The Family in Heaven, . '' Rejoice in the Lord," The Seven Wonders of the World, Runga, Tlie Past and the Future, Romance of Every-Day Life, Page 193 196 197 201 201 202 205 206 201 210 211 212 Stanzas, . . .... The Martyrdom of Polycarp, . Rosabel, One of the Graces, .... Bunker Hill and Calvary, Man's Extremity, God's Opportunity, The Press, Early Life in the Country, . The Use of Tears, .... Louis Kossuth, . . . . . Tiie Warrior and the Poet, . The Christian's Death-Bed, Page 212 217 220 221 226 227 229 230 234 235 241 242 Cmhlli0Jimettt0, 1. Kossuth. 2. Abdication of Mary, Queen of Scots. 3. Outlet of Lake George. 4 5 Professor Morse. Family of Cromwell. 6. The Crystal Palace. 7. Mount Washington Falls. 8. Rev. S. H. Cox, D.D. 9. Ataliba and his Family. 10. Rev. George Potts, D.D. 11. St. Lawrence and tbe Thousand Islands. 12. Columbus propounding his Theory. 13. Rev. William B. Sprague, D.D. 14. Remorse of Charles IX. 15. Rev. Leonard Bacon, D.D. 16. Rev. S. H. Tyng, D.D. JHiiBir, The Song of the Zephyrs. The Song of the Wood Nymphs. The Song of the Robin. I've a Home in the Yalley. Sing to Me. The Lily Bells. Sing, Sing to Me. Why do Summer Roses Fade 1 -^ jCDctJicntcti to i^Svs. Cnvolinc 5[®ilson. WRITTEN AND COMPOSED BY ANNA BLACKWELL. Allegretto Sclicrzando. ^^T -»_ it^T '^ :s_ 3: :i^ 1. In the gold - en sun-light, 'Neath the moon's pale beam, m * S n" i- S5 S" lit -it 5? -^- -^-g - ?^ ^ ^ ^- r-i E -F -p--- { Where the sil - ver star-light Palls on the trem - bling stream ; ^ _- - __-. 1 ^-i (S 7 to? 5 ^- T ^- -y -m- -9i. -p^ f=^^ -(© — « -t- -\9- —l^- 33:i -=i- S: -F- ]•»::«: ± f^-w -p^ O - ver field and bow - er, Where proud the blue waves tow-cr, We ^^a THE SONG OF THE ZEPHYRS. y^^ ^- Vn. poco ralleutaudoa ^=1^?=: S^ '^ '-C2: -^ T sport the joy - ous hour ! W U3i ai»_ ^ CoIIa "Voce. Trip - ping light - ly, trip - ping light-ly, Acellerando, Iieggiero staccatoa 1 V -«J •!- -m — 4»- -^=^- -P- .Q ISl -^ — 9 — P ? -S^ i9 I r^ ^-^S: »_ .» ^_ ^ f=KS Ro - vers, joy-ous rov-ers we, Flitting brightly, flitting brightly O - ver land and -n ^- -&\ — sh^~&i — ^ — ~'^ 'H' r; "n^ t« ^F? :i=: #_€ ^ -i_^_:^ ii3 ^ 3 ^-f» -&-m~ &-0- -& — ^ -^ r F "1 I v -^- -^ r#- M- -"i^j-i5L_«: ;p sea! i M- ^-^^ -HB- :s: gi <»'ng -^ I i^: W- 311 3±: ■jg — |g — (•- :s »-»-p- :t 5 .Q-, 2. Rose in dewy splendor, Lily fair and pale, And the viulet tender. All list our loving tale ! Their sweet face low bending, And richest odors lending, With our pure breath soft blending ! So we trip it, trip it lightly, Rovers, joyous rovers we. Flitting brightly, flitting brightly, Over land and sea I t- ^ M A SHORT PAPER ON PROCTER. B T K 8 TODDARD. Bryan "Waller Proctkr (Barry Cornwall) w.as a schoolfellDW of Byron'.s at-Uarrow ; while the young lord was enjoyinur part, we are aj t lo fancy that a man of Procter's genius rather resembles certain authors in certain phases of their character and writings, than that he del.be- rately imitates them. The stigma of imilatioa A SHORT PAPER ON PROCTER, 13 easily and too often falsely stamped on meif of kindred minds. " There is a mountain in Macedon, and a mountain in Wales." There is, certainly, great resemblance between Procter and Hunt, but it is rather in subject than style : Hunt is pleasant, careless, affected, and blip-shod ; one can hardly trust hirn in serious passages, for fear of smiling : his face is always on the smirk. Procter is careful in his diffusion ; sweetly plea- sant, serious and solemn in his delicate affectations, and never, in the sense of Hunt, slip-shod. Hunt has more exuberance and animal spirits ; Proc- ter m.ore pathos and refined feeling. If Procter could not have written " Rimini," Hunt could not have written "The English Songs" of Procter. Both are beautiful and unique in their way; and the world is wide enough for them without jost- ling. Procter must have been a careful student of old books in liis time; his language and style betrays it ; above all, his little songs, which are undeniably the finest of modern times, always ex- cepting the best of Burns. One can hardly tell one of his best songs from one of Shakspeare's, it is so full of the very soul of poetry : passion and lyrical feeling are interblended like scent and color in the heart of a violet. Many of them are running over with vague emotions, and delicate sensibilities. Kings and queens, pages and princesses, lads and lassies, all hearts and stations find a fit utterance in his magical lines. Some- times he is as clear as noonday ; sometimes as shadowy and unsubstantial as a dream ; but al- ways poetical and human. Now he will sing you a drinking ditty that Sir John Suckling would have delighted to father ; anon a love poem worthy of Catullus, and as chaste as Paradise. He writes in all moods, and under all inspirations : and is probably, in his songs, the most dramatic wiiter since Shakspeare. Here is one of the first that we lay our hands on. Of course you are all aware of the festivities of olden times — tlie misletoe bough that was sus- pended from the ceiling — and tiie custom of kissing the maids beneatli it. Happy custom ! not yet obsolete in the rural districts of England. Read this little song, and guess who wrote it. No ! it was not Shakspeare. TUK MISI.ETOE. Wlien winter nights grow long, And winds without blow eold, We sit in a ring roond llie warm wood fire. And listen to stories old ! And we try to look grave (as maids should be) When the men bring in boughs of the Laurel-tree, Oh, the Laurel, the evergreen tree, The poets hate laurels,— and why not vie ? How pleasant when night falls down, And hides the wintry son, To see them come in to the blazing fire, And know that their work is done ; Whilst many bring in, with a laugh or rhyme. Green branches of Holly for Christmas time ! Oh the Holly, the bright green Holly, It tells (like a tongue) that the times are jolly I Sometimes, (in our grave house Observe, this happeneth not:) But, at times, the evergreen laurel boughs. And the holly are all forgot ! And then ! what then ? why, the men laugh low. And hang up a branch of — the Misletoe ! Oh brave is the Laurel ! and brave is the Holly ! But the JlUsUtoe banisheth melancholy ! Ah, nobody knows, nor ever shall knoui, What is done under the Misletoe ! Here is another, but of a very different cast ; sombre and dark, and yet right jolly withal. The subject is as old as life. It is Death and the rest he brings. An attempt to embody and personify the King of Terrors, the monarch of a greater realm than ever Alexander wept for in his wild- est moments. The subject is deep, awful, and magnificent, not repulsive. A lesser poet would have pictured a skeleton, skull, ribs , cross-bones and all. Procter leaves that to the reader's im- agination, and only gives the outline of a dusky old king, pledging his subjects in the wine of forgetfulness : KING DEATH. King Death was a rare old fellow I He sat where no sun could shine, And lifted his hand so yellow, And poured out the coal black wine. Hurrah ! for the coal black wine I There came to him many a maiden. Whose eyes had forgot to shine ; And widows with grief o'erladen. From a drnughl of his sleepy wine. Hurrah ! for the coal black wine ! The Schnlar left all his learning ; The Poet his fancied woes ; And the Beauty her bloom returning. Like life to the fading lose. Hurrah ! for the coal black wine ! All came to the royal old f.-ilow, Who laughed till his eyes dropped brine. As he gave them his hand so yellow. But pledged them in Death's black wine. Hurrah— Hurrah ! Hurrah! for the coal black wine ! Here is something as sweet as the life of a child, fresh, simple and touching. If you have ever loved and lost a little wingless angel, whose voice was more thai> words to you, I fancy yoti will like it. How pretty it is ! Read it slowly, and with due emphasis, as if you felt it, and you will before you get through with it. TO THE GENIUS OF POETRY. 5 THE LITTLE VOICE. Once there was .t little Voicp, Merry as the month of May, Tli:U dill cry '• Rejoice! Rejoice .'" Now — tis How II away ! Sweet it was, and very clear. Chasing every tliou>;lit of pain, Summer! sIliII I ever hear Such a voice again ? I have pondered all night long Listening for as soft a sonnd ; But so sweet and clear a song Never have I found ! I would give a mine of gold. Could [ hear that little Voice. — Could I, as inda)5 of old, At a sound rejoice ! — But perhaps one of tlie most remarkable traits in Procter is the home feeling in many of his poems. They seem to have been written in the iniiUt of his f.imily, around the fireside of a win- ter night. The " Song for .Adalaide" is one of the most beautiful nursery lyrics in the world, just such a song as a happy father would sing to his wife. '■ The Prayer in Sickness'' and " the Petition to Time" can hardly be read, without loving the man; such poems prove conclusively that the humblest emotions and feelings are poet- ical in tiie hands of a true artist. Nothing is too mean for the poet to glorify and exalt; but most common things must be exalted, to be glorified and made poetical. A dull Flemish exactness to tlie mere outside trutli of objects is not, nor ever can be, artistic. This was the great mistake of Wordsworth in the beginning of his career, when he wrote "Betty Foys" and "Peter Rells;" and it would have killed him if he had not had genius enough to retrieve himself in other respects : his be.st poems are contradictions of his own theo- ries — A PETITION TO TIME. Tovich US gently, Time 1 Let us glide adown thy stream Gently — as we sometimes glide Through a iiuict dream ! Humble voyagers are we. Husband, wife, and children three — (One is lost, — an angel, Hod To the azure overhead !) Touch us gently, Time ! We've not prond nor soaring wings: Our ambition, our content Lies in simple things. Hnmhlo voyagers are we.. O'er Life's dim unsounded sea Seeking only some calm clime ; — Touch US ffcntly, gentle Timel AVe have not left ourselves room to copy any of his lyrical poeme,^er se, which we hardly dare believe the reader would think equal to those we have quoted. A pure lyric, — like one or two of the best of Shakspeare's, such as " Hark ! hark ! the lark." " Tell me where is Fancy bred," and "Un- der the Greenwood Tree," is rarely appreciated by the mass' of poetical readers, not to say poets themselves. It is considered too small and tri- fling : but the trifle however is a diamond. The same remark will apply to the best songs of Burns ; and to one or two of the last poems of Tennyson. "The Cradle Song," for instance, in the new editions of the Princess." In conclu- sion, let us reccommend all our readers who love fine poetry (and who does not '() to read the English songs and other small poems of Barry Cornwall. TO TIIE GENIUS OF POETRY, Thonserapli voiced, bright child of heaven, To whom the godlike power is given, Life's misty path to hne with light. And gem with start grief's curtain'd night ; Unveiling to prophetic eye The secret fount of haimony : Thee I invoke. Unseen, unheard ihou art hy those In who^ dim souls no vision glows Of something yet to be possest, Tde dream of which makes mortals bleit; And few will on thy pinions rise. To grander, glorious beaming skieii. Bright child of heaven. BntT, thou angel-guide, with thee. All railiant in thy purity, Will leave the laden, earth-clad throng, With all their ills, their strife, their wrong. To tre.-id that starry spirit way, Soal'teachingin its mystery, Tboa child of heaven. MONEY AT INTEREST BY MISS MUNEOE " I SHALL he very happy — won't you ? — when we have a little money laid by," said Philip Clay- ton's pretty wife, as she poured out tea for him in tlieir cheerful little parlor, through whose open window stole the soft breath of summer, laden with the fragrance of the sweet-briar that fringed the grass-plot, and the honeysuckle that draperied the rustic porch. " I am very happy now," replied Clayton, smiling, as he glanced from the fair face that looked on him to the laughing boy who was romp- ing with a spaniel on the grass. " Well, and so am I," said Mrs. Clayton, smil- ing also : it would have been strange if she was not happy, with a husband who loved iier de- votedly, and no sorrow or danger glooming on the sunny horizon of her life. " But you know what I mean — it will be a great comfort and satisfac- tion when we are able to lay up something as a provision for the future. And think what a plea- sure it will be to find the interest coming in at once to help us!" " No, DO 1" laughed Clayton ; " to carry out the thing properly we must not spend the interest, but lay that up also to accumulate into a large fortune by the time we are three or fourscore years old. But come, Hetty, let us not concern ourselves so much about a future that may never come. If it does come, God will, I trust, enable us to provide for it ; but the blessings of the present are ours to enjoy and be thankful for. So give me another cup, and then let me hear that song you sung me yesterday; it has been echo- ing in my ears all day ; and every line I wrote seemed to be accommodating itself to the tune." So the song was sung, and others followed, drawing the child dancing in from his gambols to hear the music, and the evening passed pleasant- ly as it was wont to do, making Mrs. Clayton for- get, in the happiness of the present, her anjfiety for the future. Years passed by, and found and left as great and yet greater happiness at the little cottage — for other childish voices made its walls resound with merriment, and not one blessing had been recalled, to leave a shadow on remembrance ; and, moreover, the cherished wish of Henrietta seemed on the point of being realized ; for the first five hundred dollars were very nearly amass- ed, by their care and frugality, out of Philip's salary from the baniiing-house where he was a clerk; and already liis over-anxious wife reckoned the interest, as the small yet welcome addition to their income which should enable the second five hundred to be more quickly collected. On the other side of the clear stream which glided quietly through the village stood a house, whose inmates had known far less of prosperity than was the portion of the Claytons. Yet there had come a briglitness over their prospects ; and after many misfortunes, Richard Allen thought that the clouds had passed at length, and the long delayed sunshine was gleaming forth ; for a situa- tion as clerk promised him not merely a compe- tence, but the means of setting his son, a fine boy of fifteen, forward in the world. He had been but six months in his situation, and twice that time in the neighborhood, where he was of course but little known, though that little was calculated to win respect ; and of all, Clayton perhaps knew and liked him best. One evening they were leaning over the bridge that spanned the stream, watching Frank Allen as he altered, and worked at, and launched, and guided on its course, the little boat which Harry Clayton — six years his junior — was unable to make sail down the stream, and they smiled to see how the child clapped his hands with delight, and how pleased Frank was to aid the ignorance and awkwardness of his little com- panion. "Strange," said Allen, "that as men we should lose the feelings which seem inherent in us in childhood and in boyhood. In those years our first impulse is to help those who are weaker or more inexperienced than ourselves. But as time passes, those feelings die away and are forgotten; and how seldom it is that we find men pleased and eager to extend a helping hand to those who are less fortunate than themselves ! How much more frequently do they appear to exult in their advantages all the more that others are without MONEY AT INTEREST. them ! And if they do aid a feebler brother, is it not usually done coldly and reluctantly, as an acknowleiljcfd but disagreeable duty, instead of with the pleasure and alacrity which character- ized our boyliood's exertions to help those who needed ?" "There are exceptions," replied Clayton, "and I would wish to think they are numerous." " So would I," said Allen, "and they ought to be numerous ; for surely every year of our lives shows us more and more how dependent men are on tlieir fellow-creatures, in some shape or an- other: it seems designed to teach us mutual kindness, charity, and forbearance ; but the lesson is too often unheeded, and sometimes read back- wards to serve a different end. But don't think me a grumbler, or a misanthrope, because 1 say this. I know there is much good in the world ; but I cannot help saying that there might be, and ought to be, much more." " J suspect we need only look into our own hearts U< own the truth of that," sai