Phonetic attraction. R» J. Lloyd ■FFvOM-THE-LmRAK?/'OF -OTTO -BREMER.' mm PHOlsTETIC ATTRACTIOi^. i»a; Thesis suhniitted to the University of London, ^'' hij R. J. LLOYD, M.A., Candidate for the degree I of Doctor of Literature, 1888. m M5: f.ll' PHONETIC ATTKACTIO:^. Thesis siilnnltted to the VniveTsity of London, hy li. J. LLOYD, M.A., Candidate for the degree of Doctor of Literature, 1888. LIVERPOOL: Turner and Dunnett, Printers. 17a, Fenwick Street. MDCCCLXXXVIII. ' . • • •. • • • • • € • • • « » • • • • •• • • • I • • _ • »••••• *•* • •« • • • » • • • •• . E. as hrumn, in M. E. as hroulcen : its obedience to Grimm's law shows that it dates back to Aryan antiquity : it is actively used both in English and Latin, and so long as that activity lasts it preserves in both forms, in sjjite of long centuries of severance, an absolutely identical meaning. But in English its use at length declines; it is elboAved out of the way by foreign words, such as the vei'bs to «.ye and to enjuii : and 2xtri pas-ni, with the decline in its activity there sets in a perversion of its meaning. The word Avliich in its active phase had resisted the changes of millenniums, passes rapidly through several gradations of meaning, and now, after three or four centuries, is only heard in the sense of brookiwj an insult or an injury, which is certainly very far from enjoying it. Whatever be the cause of the inactivity of a word, whether it be pushed aside by busier rivals, or whetiier it is its misfortune to convey a meaning wliirh raivly nceut there is for synonyms a law of differentiation from wliicli they rarely escape : it is always hard for any Avord which is the synonym of a stronger one to survive ver}' lou'4 except on condition of assuming some slightly different mean- ing, which is waiting and wanting to he expressed. In this case the second Avord was felt to he especially suited to expiess the religious ideas of redeAnption and expiaticv. It had for a time a great currency in theological literature, and thus worked its way hack into the popular vocabulary under the douhle meaning of expiating an offence, and suffering or enduring a penalty. This last turn of meaning is probably due to the attraction of the verb to abide, a word at first totally uncon- nected with the verb to ahije, except by its sound. Tlie attraction set up by sound had been poAverless, or at least unobserved, to long as tlie two verbs Avere sejiarated by a vast gulf of meaning, but when once they were brought within the sphere of each other's sensible attraction, they rushed together and were merged, so that the one could hardly be distinguished from the other. Thus the verb to ahije oidy escaped the u.sual fate of weak synonyms in one case in order to f dl into it in anotheiv It Avas useless to have tAvo forms of tlu' verl) to abide, and the less frequent was discarded. The verb to aJujc no longer lives in spoken English, and is oidy used in literature as a consci(uis archaism. The strongest bond, then, by which a Avord and its meaning can be attached together is that of frequent use and im'cise meaning. Words fulfilling these conditions con- stitute the solid fuiindation, the iirm, bony skeleton of any language of Avhich they form a part. But in the nature of thiiigs tliey are few, especially in languages Avhich have attained to any degree of copiousness. The majority of Avords in any copious language are not of frequent use, and the majority of the meanings Avhich the unscientific vocabulary aims to express are either indefiiute in themselves or are prone to wander long and far under vaiious metaphorical disguises. i!(evertheless, such words often possess a very high degree B 104 of fixity, but it is attained iu a different way. Influences . which count for nothing with the stronger class of words are often quite sufficient to liold these weaker ones in their places with wonderfully enduring constancy. The strongest of these influences is that of phonetic association. Its operation is partly analogous to what we have seen of that of visual association in giving fixity to the meaning of colours ; but it goes much further than that. Words are themselves sounds, and their relations with sound are not mediate but direct, not occasional but ever present, not necessarily intellectual or conscious, but often automatic — either by nature or by the effect of long use. The nature of these relations varies from the utmost simplicity to the highest complexity ; but it is only in their simplest forms that they have hitherto received much attention. Much has been said about the influence upon language of the sounds of nature, the cries of animals and the interjections of men ; but it will be the chief aim of this essay to shew that beyond these simple and obvious cases there is a less obvious but much wider region wherein phonetic association has also its sway, and produces far more notable results. Nevertheless, our way to the complex must always lie through the simple, and it will lie necessary to give some brief attention to the obvious cases named, before advancing to the consideration of the more complex phenomena. There is an acknowledged difference in the expressiveness of words, a difference which all men feel but few ever attempt to analyse. Upon what, then, does expressiveness depend ? Clearly upon the vividness and completeness with which the spoken word recalls the act or tiling which it is intended to express. Now wliat power has a word to call up images of this kind, and whereby is it attained*? Some writers have maintained that there are certain instinctive interjectional cries which are linked by nature with the expression of certain emotions. But however that may be, it seems certain that these natural roots, if existent, are exceedingly sterile. They 105 do not lead up to any nomenclature of " emotions, our names for which, sucli as anger, lade, affection, envij, are almost uniformly drawn hy metaphor from the external world. Neglecting these, therefore, as doubtfully existent and certainly unimportairt, we may say, generally, that the expressiveness of a word lies in the strength of its associations with the act or thing which it is intended to represent. The word itself, of course, is clearly incapable of recalling by direct and immediate association anything except things of like nature with itself. It contains in itself two elements- voice and articulation — the one phonetic and the other mus- cular: and it has thus direct associations on the one hand with similar phenomena of sound, and on the other with similar phenomena of force and motion. Beyond this it cannot directly go. Of these two classes the former is by far the most numerous and definite : the number of natural sounds having some affinity to the sounds of the voice is very great, and the resemblance often very clear; but the move- ments of the vocal organs and the breath, so far as they are seen and felt in ordinary speaking, offer but few and mostly vague images of the phenomena of external motion and force. The former class will, therefore, when we conic to deal Avith them, claim our first attention, but reasons will be adduced for suspecting that the latter by their directness exercise a subtle intiuence of great power. When Ave once pass from direct to secondary association, the step may be taken in either of two different directions. Given a certain sound in nature, and a certain more or less exact counterpart of it among the sounds of the voice, we may pass by secondary association, either on the one hand to those other external phenomena Avhich associate themselves most firmly with the external sound, or on the other to those vocal utterances which, though not identical with the given words, are of exceedingly similar articulation. There is, for example, a certain kind of sound in nature which we represent imitatively by the word eracli. BetAveen 106 the spoken word and the natnral .sound there is a direct and strong association ; and that association is capable of being extended by a second link in either direction. Now, what are the strongest links on either side? On the side of the external sound the stronofest connection which it has to offer is that which binds it to the phenoniearon with Avhich it is most frequently associated in nature, which iu this case is that of fracture or breakage : and by virtue of this the word, which originally meant only a noise like that of breaking, comes to mean breaking itself, and then by another link of the same kind it comes to mean tlie lissure which is the result of breaking. But the spoken Avord has also its associations, of which the most elementary are those which Ijind it to all similar sounds, and especially to all words which in any degree resemble it. We are entitled to conclude, on purely physio- logical grounds, that the mere utterance of the word crack must partly reanimate in the organism the traces of all similar sounds to wdiich it is already accustomed, such as creak, crake, croak, crow, crock, crockery, crackle, crackling, cracker, cracknel, and crash, besides many more in a less degree, whose resemblance is less striking. It will probably sound [uiradoxical to say that of these two kinds of association the second is generally, and in the course of ages always, the more powerful in its influence upon the growth of language and tlie history of words. The other appears from an intellectual point of view so much more natural, reasonable, and even necessary, that it seems almost an absurdity to place it upon a level with random associations of sound like thesp, possessing a good deal more, apparently, of rime than of reason. For the word random describes (piite rightly the nature of this association, so far at least as the first link of it is concerned. Its complete randomness is not seen in the ex- ample given, because it so happens that nearly every word strongly resembling the word crack has some imaginable affinity 107 of meaning with it. But the same associations would have been momentarily kindled in the organism even if each of these sounds liad liappened to be wedded to an opposed, or an incongruous, or an irrelevant meaning. It is true that un'^er ihose ciicumstances, the incipient association would in each case have been instantly snapped : the association attaching to the word on its other or intellectual side would have effectually 1 arred the way to consciousness. A hostile meaning would immediately quench it, whilst an irrelevant or incon- gruous meaning would give it no point of attachment. Be tliis as it may, the first link of such an attachment is always formed inevitably, firmly, automatically in the organism, and that none the less that in most instances we never become conscious of it. vSuch conclusions at least appear to be quite warranted by p.sychological facts. The association between sinuilar Avords is in the hearer an association of sound with sound, and in the speaker an association of muscular motions with muscular motions. Such associations, if very exact or very habitual, are foiuid to operate quite unconsciously. Their circuit seems to be completed within the ganglia of special sense, either with- out reaching at all to the cerebral hemispheres, or, at any rate, without reaching them in such a way as to emerge into consciousness. Let us now turn to the other kind of secondary association — association not through form but through meaning. Closer examination will show that such associations are by no means so natural and necessary as we seem to feel them to be at first sight. The feeling of their naturalness and necessity is largely an aftei'growth, arising from habitude and phonetic identity. If they were really natural and necessary the same associations would always grow ; but they do not. Take the verb to crackle, which is the frequentative and diminutive form of crack ; it never gets beyond its original phonetic meaning : the sense of fracture or fissure is entirely Avanling. Hut its absence is purely arbitrary, fur the correspond- 108 ing French verb craqueler not only has the sense of minute fracture, but has it to the exckision of the original sense of crackling. The reason wliy we are disposed to make, relatively, too much of this kind of association is that it is . necessarily, to some extent, intelligent and conscious. Between the sound we call a cracJi, and the phenomenon of breaking, or the thing we call a fissure, there is a gulf of meaning which can only be crossed by a very distinct intellectual act, an act so marked that the Avord may easily have continued, as many have done before, to be used in its original sense for scores or hundreds of years before anybody ventured to take the leap which mentally separates its secondary from its primary meaning. For the first meaning is one purely for the ear : to any other organ it conveys not a particle of information; but the secondary meanings address themselves to the sight, to the touch, to the muscular feelings ; it is by these that we appreciate and understand both the act and the results of breakage. These are not only not phenomena of souml, but they have not, of necessity, any scrap of connection with it. Now, though it is easy, as already pointed out, for impressions of the .s'«?we sense to link themselves automatically together without the intervention of consciousness ; it is rarely, indeed, that such connections can be effected between impressions of different senses Avithout the conscious co-operation of the mind. What few connections of that kind exist are of a very fundamental kind, and seem to be implanted by nature to minister to our most elementary perceptions and wants. But in all ordinary cases the impressions of diverse senses cannot be linked in the lower nerve-centres ; con- nection fails altogether to be established, except through the brain and the mind. Thus it comes to pass that the attraction to which words are subjected by contiguous meanings makes a much greater show in our minds than the attraction due to neigh- bouring sounds. The steps to which the first leads are few, 109 great, and conscious, bnt the second is a gentle, invisible, but unceasing and self-multiplying force, whose influence we are prone to overlook altogether until it becomes too palpable to be neglected, and then we commonly set it down to entirely different causes. This will be seen more fully later on : enough has perhaps now been said to justify provisionally the division of the subject hereinafter adopted. Its fuller justification will probably be attained when the arguments here foreshadowed have been discussed more amply in tlicir proper order and the validity of their conclusions has been ])rought to the decisive arbitrament of facts. It is proposed, then, to discuss the phenomena of phonetic association in its two first and most important stages, whicli we will continue to call, as heretofore, the primary and tlie secondary ; it is proposed to divide the first of these into two parts relating to the direct expressiveness of words, firstly in describing sounds, and secondly in describing pheno- mena of force and motion : and finally, it is intended to divide secondary association into two parts, the first relating to the secondary associations of words on the side of sound, and the second on the side of meaning. Tertiary and remoter types of association will only be treated in those forms whose extreme force and directness permit them to be fairly grouped with the secondary. Beginning then with the direct expression of natural sounds by spoken words, we find ourselves at once in a province where even the primary law of definite ami frequent associa- tion, so wonderfully illustrated by (rrimni, is (tiily very partially oljeyed. The process of phonetic transmutation, which in so many prominent instances fails completely aftei' thousands of years of attrition, to weaken the bond between a primeval Aryan word and its meaning, has a fiital efiect upon words whose meaning is itself phonetic : and the more purely phonetic the meaning the more fatal is the effect. Were we to go, for example, and try to find an iVryan prototype for our word, cruel; our search would be in vain. 110 We oufjht. if we found anvtliiiifj at all, to find a root GRAG or CiARCijOr ?ometliing like that; but we do not. The nearest we find is GAR, t) creak or cry, but we fail to find that it is connected with the English word by any vestige of historical filiation. We do find, on the other hand, a root KARlv, whose affinity in sound is in itself enougli to prove its want of affinity in history and family descent : and what it seems to show is this — that our Aryan ancestors were as much alive to the descriptive meiits of a syllable like tliat as we are, and employed it accordingly. And whenever we try to trace back to Aryan sources a word whose meaning is almost entirely phonetic, the result in nineteen cases out of twenty is utter failure. It is not hard to conjecture how thi^ may l)e, and the exceptions themselves will be fouiul to add force to our conjectures. Let us attempt to follow in imagination the fortunes of the Aryan root KARK or KRAK, and to see if we encounter anything which would militate agaiast its long stability. Let us suppose that it made its way in due coarse into the Low German languages. Bat in doing so it must pass inevitably through a certain phonetic transformation. It is transmuted into the form HRAH or, perhaps, HLAH : and it is possible that we see it still in the Gothic hlahjan, which is the old English hlehhan and the modern English laugh. But it is "a far cry" from crack to laugh. Why this great change of meaning'? Well, it cannot be denied that the word hul quite lost its first descriptiveness by being transformed into HLAH or HRAH : and to make matters worse, the far more descriptive forms KRAK and KLAK seem to arise by a kind of new Ijirth in the Teutonic languages themselves. The old word is attacked and beaten on its own ground, and it only just manages to survive in one collateral meaning, which it luckily happens to express with greater phonetic propriety in its alt-red than in its original form. Another similar survival is the verl) to wheeze, O.E. hwcesaii. This is said to be descended from the Aryan root KWAS, to Ill sigh, sob, or pant. Whether the sense of wheezhig was strictly within the original meaning does n^t ap})ear, but it is quite clear that when Teutonic tongues twisted it into HWAS, it became more descriptive of that meaning than it had ever been before; and it continues to live exactly in the degree and way in which it continued to be imitative. Facts, therefore, seem to point to the conclusions which we might have suspected beforehand, that in describing sounds, men always in the long run prefer those words which imitate them most closely, and that in this province at any rate, tliere is an innate attraction which either draws form towards meaning or meaning towards form, so that here, at least, the empirical law of Grimm, and even the great law of definite and frequent association upon which it is based, are systematically eluded or defeated. The same conclusions are illustrated in another way when we find that words with the same phonetic meaning are often found to have a much closer resemblance in different languages, than Grimm's law would warrant. When we place the English dink and dcmk alongside of the Latin dongor and the Greek KXa^jT] ; or the English boom or endwo alongside of the Greek l36fM/3o<; or kokkv^: or the M. E, tinken, with its modern offshoots tinker and tinkle, alongside of the Latin tinnitus and tintinnabulum, we illustrate strongly the failure of Grimm's law to maintain its hold over words whose meaning is mainly phonetic. But it is only in words that are very markedly phonetic that these conclusions hold good in their fullest extent. It might be thought, for example, that the names given to the cries of animals would always be closely imitative, and that if names whicli were not imitative did, in fact, arise, they would be liable to be very soon supplanted by more expres- sive forms. And we do, in fact, find that this ha]>pens in most cases: the words caw, coo, cluck, mew, purr, tell their own story, and even the less happy imitation, hleat, finds a very close parallel in the Greek ^XriXV- ^^^^ ^^'^ ^^^"^® ^^^^' 112 content in English during tlie whole historical period to express the noises of tlie ox and dog by the words helloio and harli, which are by no means closely imitative, if they are so at all. It is not because they are hard to imitate; the Latin mugire, and the Greek /jiVKdo/biai are palpable imita- tions of tlie noises of cattle, and parallel forms are heard even in our own nurseries, but they fail to unseat the established Avord. Wliy is this so? It is simply that when we take a word to mean the cry of a certain animal its meaning is no longer purely phonetic: it is no longer a word like hum, boom or huzz, meaning only a certain sound Avhenever and wherever it is met with : it is confined to such a sound issuing from a certain source. This shows how slight a thing is sometimes sufficient to bring even words of strongly phonetic meaning under the regular laws of language. Yet even bark and bellow may not be in the last resort entirely unimitative. They are said to be traceable to the Aryan roots BHEAG and BHAL, and in that case they are not originally the names of specific cries at all, but general names for certain kinds of sound. It is conceivable that the one arose imitatively from such noises as those of the tearing of leather, or coarse textile materials, and the other from those of resounding vessels, and the like. This, of course, is mere hypothesis, but the very powerful sway of imitation in the phonetic province justifies us in seeking an imitative origin for every phonetic word. Let us now pass on to consider, briefly, the other sphere in which the voice is capable, though in a minor degree, of direct imitation — the region of force and motion. It would l)e vain, however, to imagine that there is always a clear line of demarcation between this region and the former one. Sucli words, for example, as the modernly inven- ted 2^'^ff ^^'^ bang have from the first a mixed imitativeness, partly of sound and partly of force and motion; and tlie case is further complicated by the ease with wliich even a purely 11.3 phonetic root takes on kinetic meanings by secondary associa- tion. This will be well illustrated when we come to discuss the modern Avord hoom and its cognates. It seems also pretty clear that modern English words are less capable of imitating nature on the kinetic side than those of the primitive Aryans. Those forcible utterances represented by us as KH, DH, and BH, are only very feebly represen- ted by the modern h, or tli, or v. One needs only to pronounce after the Sanskrit fashion the Aryan roots BHEAG and BHAL, already alluded to, or the still more forcible BHLA, to blow, and BHRAM, to hum or vil)rate, in order to realize the weakness of our own vocal resources as compared with the energetic forms of former times. It is not surprising, therefore, to find that Avords of kinetic meaning do not possess that mobility which phonetic ones exhibit, l»ut may generally be traced back to distant Aryan or Teutonic roots ; and also that the appearance of new roots developed by purely kinetic inritation is com- paratively rare. Yet modern English Avords are ni>t quite removed from kinetic influences or devoid of kinetic expression, as may be seen in several Avays. The trilled r is one of the most forcible utterances which survive in English : and the exaggerated use of it Avhich is artfully made by the tragedian is the commonplace of satire. It is not unlikely that the historical groAvth of force in Avords like arranf and arrogant is due to their possessing this letter in a position wliere it must be forcibly trilled, i.e., in a short accented syllable, Avitli a vowel following. This is seen still more cleatly in Hio wurd alai-inn, wlien^ such a voAvel is actually thrust iutn iJn' word to facilitate a f.^rcible pronuneiatiun coiiespuiuling to its meaning. It Avould be prssiblc to extend this line of observation to more delicate shadec of expression. The sound of the rolling r might easily be imagined to have some affinitj' Avitli that of round bodies trundling and bounding along a flat surface, and might be fancied to account for, not the origin, but the 114 preferential use of the word barrel to represent a rolliiig package, herrij a round fruit, and for harrow generally meaning a trundling vehicle. It might also be imagined that the vibratory nature of the trilled r has something to do with its general force as a termination, in giving to verbs a frequentative meaning. We hear no longer any trill in such words as Jiiclcer and Jiatier, but in the older fikeren and floteren it was evident enough. So also if we take any very large family of synonyms, such as those which signify various kinds of tearing or breaking — break, bur.-"U(j and the Latin pnnijo lielps us nothing. Tlic former seems to Ite onlv another recent English word like h(W(i itself; its idcntitication by Professor Skeat with the earlier ;)ra?/f/ or pr())) 5 ) 1230 bulge bulge bag, jioucli Ereucli — Gaulish. „ I'a^' bagge bag Scaud. ? 1297 bald hallede rotund, hairless Eng. from ball or Welsh % 1300 big big stout, stioiig dialectal — Scand. % „ ball bal globe Scand. ] Com. 132.5 bale bale bale Fr. or Flem.f Tent. 1300 boulder hulder cobble-(stone) dialectal — Scand J „ bnll holle bubble variant of howl} 1314 bole bole tree-trunk Scandinavian. 1413 bowP buule ball French — Latin. 1430 baggage uagage baggage French — Romanic. U7 Found in English ^^^^.^^ AD. Earliest Earlics'; English form. English meaning. Origin traceable to 1440 Lulk hoik a heap Scandinavian. 1450 budget hoirgetle liag, poucli French dim. oibnhjc. 1513 bilge hilge hull (of ship) variant of buhje. 1549 ballot^ ballot voting ball Ital. dim. of ball. 1552 billoAv helloice billow Scand. — Teut. 1557 bullet ballet cannon ball French dim. of: bo tcP 1865 ballot^ ballot small bale „ „ bale Instead of finding that our three leading types go all straight back to Aryan antiquity, we hud ourselves unable to trace the bag- forms back to the Anglo-Saxon at all, nor can we accept bealci-an as a normal representative of the radical bait/-. It is the subordinate form bal- which alone finds full and strong representation in the earliest English. Xot that the complete root baJ[/- is totally ab.sent : it is found in the now long extinct verb belg-an, to swell with rage, but it is not a familiar power in the language like its so-called Aveaker derivative, hal-. The subsequent history of the group quite accords with these beginnings. The existence of such a compact body of Anglo-Saxon words of one type and meaning fticilitates the adoption of more. Eighteen such words are here catalogued ; but it is instructive to notice that 07ili/ one of them turns out to be in any way a derivative or variant of any of the original six. Yet they markedly adhere to the same phonetic type and to the same class of meanings, insomuch that the majority of them might have easily been conjectured to have etymological relations to the root bal-, if the materials for historical research had not existed. These facts cast a strong light backward upon the original group which is found existing in Anglo-Saxon. What reason have we to suppose any greater community of origin in these words than in their successors, or any more filial principle of growth in Anglo-Saxon than in Early English? "Would not fuller knowledge have shewn the same diversity of origin in them also ? These are questions which cannot he ansAvered, hut the fact tliat they can ho leasoiiahly asked ought to inspire caution in asserting relationship between the words which seem to range thoni&elves under tlie same etymological radical, unless they exhibit, at the least, a form and meaning which can be exactly accounted for, either by phonetic law or by grammatical derivation. It is clear that even then we may easily admit some relationships which have no right to be admitted. The groups often hitherto assumed to be etymological turn out to be largely phonetic, nor is such a group much less stable or permanent than an etymological one. The present example would show it to be even more so. The death of the A.S. verb he.lg-mi. left two of the three main divisions of the great BHALGH tribe extinct in English, and powerless to revive by any process of etymology. But the still remaining link of sound helped back the 5a/_7-forms, and these in turn, losing their I in forms like houge and budge (for huhje) may have helped back the Z'a^-forms : and it is thus possible that this ancient family of words now at length finds itself reconstituted in English by the same force Avhich first, in all likelihood, created it, the force of phonetic attraction. Some assumptions are involved here which it is best to state. (Jiic is that the variability of Keltic consonants might permit the h of bulge to be identified with Aryan BH : and the other is that the fcrtr/-forms, or some of them, really go back through Scandinavian to a Teutonic or Aryan source. Yet the reconstituting force, after all, was not etymological but phonetic; and liaving by this example shown that ancient roots continue to grow in modern times by phonetic attraction, we will endeavour to show, finally, that their very origin may be sometimes due to the same cause. It has already been hinted that there are signs of the growth of new and indigenous word-families in English during the historical period. A list of such a family is given below, which seems to cluster round, rather than to groAv out of, the root syllable bom-. 149 Found in Word. English. 1225 bounce Earliest English form. Earliest English meaning. Origin. hunse to thump, to Lang prob, imitative, (to rebound, not till 1519) bob bonche honcJie bom to pommel a bunch, a hump to tlmmp, to punch part of the body a kind of cannon to hum or boom prob. imitative. ig unknown, cf. bimch^ French — Latin. imitative. Fr. — Lat. — Greek. imitative. 1588 bomb 1593 bound 1597 bumble 1280 bob 1325 bunch' 1362 bunch" 1387 bum 1430 bombard bumbard 1440 boom bomhon 1553 bombast bombage waddinf 1566 bump bump to cause to swell (1611, to strike heavily) borne an explosive Spanish — Latin. bound to leap French — Latin. bombill buzzing, bluster imitative. The first thing which strikes us on scanning these particulars is tliat the group is decidedly not Aryan ; it not only appears to arise without the aid of cither imported or inherited models, but it is without any clear Aryan prototype at all. The next thing worthy of remark is that its origin is even more purely phonetic than it appears to be : for Avhen we trace back tlie four apparent exceptions we are led straight back in two cases to the imitative Latin word bomb-us, Greek ^o/j.^a, a booming sound ; in the case of bound, which is the French word boiid-ir, we find a wonderful parallel to the English bounce and bump, for its early meaning in French is to resound ; and in the case of bombast we have an apt instance of an uncom})leted phonetic and historical attraction, from a totally alien source, in actual operation under our eyes. The thiid point which arrests attention is the practical identity of the radical syllable in nearly all the early forms, coupled with the absence of any vestige of an etymological relationship. There is not a word upon the list which can clearly be said to be a variant or a derivative of any otlier of tliem. Can we suppose then that there is no kin