A - ) I J:f K..--^ B E R '^ ^ L F Y>i LIBRARY UN.'VERSITY OF CALIFORNlAy' l> GERALDINE A SOUVENIR OF THE ST. LAWRENCE BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY Cbe S^itur^iDe pres^, CamlinDfle i8q2 Copyright, 1881, By JAMES R. OSGOOD S5 CO. All rights reserved. The Riverside Press, Cambridge, Mass., U. S. A. Printed by H. 0. Houghton & Company. STo (But 715 PREFACE. Yeabs ago I resolved to write a romance in the style of verse which follows. I chose this style as specially well adapted to a wide variety of expression, and be- cause at that time, so far as I knew, no author had employed it at such length and for such purpose. "When it was similarly made use of by an English poet, at a date much more recent than my resolve, his poem's popularity confirmed my choice as wise ; but I have refrained persistently from reading that poem, or hearing it read, or in any way learning of its character, spirit, and scope, lest unconsciously I might borrow of its style or thought. Having now taken leave, as far as probably I ever can, of my own " Geraldine,** I shall devote the earliest leisure accorded me to beix*ming acquainted with Owen Meredith's " Lucile." GERALDINE. There is something of poetry bom in us each, Though in many, perhaps, it is born without speech, — An existence but dumb and uncertain, that strives For expression in vain through the whole of their lives ; That is glad when the spring wears its beautiful smile, Ajid is sad when all nature to tears would beguile ; That can feel in the summer a glory divine Thrilling on through the days in their silvery shine ; That can drink in delight in its radiance rare When the mellow-hued autumn breathes peace like a prayer ; That can weep with the world m its woe of to-day, And to-morrow take part in its merriest play ; That can stand on the mountain-tops often, and see \yhere the far-away gardens of paradise be ; That can sound with its plummet of feeling the deeps Where despair in the darkness of destiny sleeps ; That can feel, and can be, yet can never express All the feeling and being its life may possess, 8 QEBALDINE. But that yearns with a yearning no poet e'c* knew \n its silence of years for the speech of the few. He was barely a poet, this friend of my verse, Though the singers not seldom at measure are worse, And at rhyme ; for his ear was so delicate strung That it caught the clear music, whatever was sung. And was deaf to all discord, or listened as one For whom time of tormenting had early begun : He was less than a poet, if poetry means To bewilder the senses with fanciful scenes ; To envelop each thought with such mystery round As to leave it a marvel of meaning profound ; To make pretence of passion, and tragedy act As if love were a lie, and all fiction were fact ; To be chiefly unreal, yet ever to seem As if always the real came dressed in a dream. Yet men spoke of his poems with praise, though they said " He is playing at verse," as delighted they read : ^' He was meant for a poet in earnest, but waits For a storm-flood of feeling to open the gates Of his soul, till the song that is hidden shall rise Over hearts that are hushed with a sudden surprise.*' It is true that he took to occasional rhymes With an art that was rather instinctive at times : You might call it a genius ; but what, in the test, U a genius for doing, but doing it best? OERALDINE. » And although at poetic expression he caught Half the grace of a poet, and added the thought And the sentiment often, and many could praise With a flattery honest his lyrics and lays, He was not at his best in this work of his pen ; For his speech was a power to move upon men : And he held that the work of his life was to speak As he might for the right, be it humble and weak ; And his words were unfaltering, fearless, and strong In the ears of the world in complaint of the wrong. He was better at prose than at verse ; for he made Every sentence to cut like the stroke of a blade Never dull : he was quick to discover the sense Of all sophistries subtle ; and every pretence He would riddle and scathe with an irony bom Of his genuine honor, his marvellous scorn. They had faith in his future, who frequently heard His defence of the true ringing out till it stirred Every heart to keen sympathy. But, as for him, It was little he thought of the years that were dim In the distance ahead. He was living to-day With its needs and its gifts; and no cynic could say He was laggard of life. Full abreast of the hour Did he keep, never sparing of work or of power. He was spendthrift of being, without any heed For the want of the morrow, its duty or need. 10 GERALBINE. *'Let the future take care of itself," was his thought: " If I care for the present, as every man ought, Do the work of a man with the will of a man, "lis enough." So he made neither purpose nor plan For the future : he held no ambitious desire To mount up on his deed to a deed that was higher. No ideal he worshipped, of work or reward. As if he were a servant, and labor his lord, He would do every task that before him was set With his might, and the wages of work would forget In the pleasure of work, never counting it vain That he wearied his body, and wasted his brain, Without recompense fit ; since instinctive he knew That the best compensation for service most true '^'=j but had in the seizing ; that wages are small, Be they measureless even, if wages are all. Yet he wondered sometimes, in a curious way. How to-morrow would differ in work from to-day ; What its spirit would be ; what its impulse and scope ; What its faith and its feeling, its heart and its hope : And so wondering often, he stood, as it seemed. At the door of a duty of which he had dreamed In some dream of great doing, — a something so broac? That it reached from his hand to the hand of his God, Taking in by its infinite measure and span The upholding of truth, the uplifting of man, GERALBINE. 11 In espo al degree ; but lie shrank as with fear From th . possible future, unsought and too near. He was conscious that on in the years he would find More of life than might add to the peace of his mind ; Y'et so vaguely he felt it, so faint did it seem, That he counted his consciousness only a dream, And gave heed to it rarely. One evening he wrote In such mood to the friend of his heart, — just a note, When the veil of his vision half lifted to show A few glimpses beyond : — " That you love me, I know; That I love you, my darling, you feel just as sure. And that both of our loves to the end will endure. But the end? I am here face to face with the dread That in pathways unlooked for my feet must be led ; That your life and my own are to drift far apart As the true from the false. There's a cry in my heart Df regret and dismay ; f jr you measure the sum Of my wishes and wants, and your love has become The one thing of my craving, — none other so sweet And so strong and so helpful. None other could meet Just the need of my soul as you meet it. I feel That you feel this and know it ; and I should conceal Such a fancy as here I have named, but that you Have a faith that is strong, and a heart that is true, 4jid will say I am morbid, and need but your kiss To return me the hope and the cheer that I miss. 12 OEBALDINE: *' I have told you before of the fancy I hold, That my work is to be by some duty controlled Which I may not discover till years have gone by ; And perhaps through some wilds of experience I Must pass in to my clear field of labor. My way Has been sunny and bright all along till to-day ; Bat I know, as I know that I live, that there are Heights and depths in my nature transcending by far All that yet I have measured. No gift is for nought, Be it even to suffer ; and sorrow unsought May bear fruit that is sweet from the bitterest seed. You will see where this logic must certainly lead : Any gift is for ultimate use. We may wait All unknowing, unheeding, capacity great To enjoy or to suffer ; dead levels of life May reach onward before us ; the wearying strife Of the days may go on without increase or rest ; We may seem of but commonplace being possessed, With its commonplace ends to be met : but in time To some great height of gladness we sudden ms^ climb, Or go down to some valley of grief, where the dark Never knows a sun's rising or song of a lark Singing straight into heaven, or amid all the din Of the e very-day battle some peace may begin. Like the silence of God in its regal content, Till we learn what the lesson of yesterday meant. GERALDINE, 18 " But forgive me, my darling, for hinting of tears Ln the possible future. What comes with the years We'll accept as we may, never dreaming of pain In the present ; believing God's morrows are gain, \ ^Z^^u Be they cloudy or bright, let them hold what they will We are wedded to life, if for good or for ill, / Or for better or worse ; and its issues must be ' As is best and is wisest for you and for me, If to-day we are faithful and trustful and true. And so love me, my darling, as 1 must love you." 14 QSSALDINS. n. *' SnAXL we go and hear Trent to-night, Bell, at the Hall?'' Major Mellen was making his afternoon call On the witty and beautiful Isabel Lee, Whom so often in leisure he dropped in to see. They were cousins, by kin or by common consent : If the former, 'twas distant. " You've heard about Trent? " ** He who wrote that sweet thing in the last magazine. Which you read me one night, — ' In my Passion Serene'?" " Yes, the same. We were friends, he and I, long ago, As I told you, I think. He's a man you should know, — . Can talk poetry, prose, metaphysics, or sing His own songs to you even, with pathos to bring The quick tears to your cheek. He has sentiment strong As you'll see by and by, when you weep at his song ; But reform is his hobby : he'll go for the Right With a capital R, in his lecture to-night ; GERALDINE. 16 And they say as a speaker his powers are rare — I've not heard him in years. But, good coz, have a cai*e ! He's engaged to a lovely brunette, with dark hair And pmk cheeks, like yourself : were her beauty but blonde, You might win him away with the contrast." ''Beyond Any question he's safe, my dear major. The man Who can sing of a passion serene, as he can, Must have little of passion to stir. I'm afraid That your paragon wouldn't just suit me, — too staid And too deep. His philosophy matches not mine ; For love isn't as water. You sip it like wine. And grow giddy and wild with the tasting. His words, As you read them, were sweet as the singing of birds ; But I lilvc not his faith." And her finely cut face Had a look that was puzzling. The very least trace Of surprise had the major's. '' You do not suppose," He remarked, " that the rhyme of a verse-maker showa His true feeling ? You never would take him to task For philosophy, sentiment, worn as a mask To conceal what is under? A woman will veil What she feels in expression each lover must fail To unriddle ; and poets are privileged, too. As to much that they say, if not all that they do, If a poet pretend to write out of his heart, It is mainly pretence ; and the very best art 16 GEBALDINE. That he has is in making men weep while he grieves Over fiction he never one moment believes, But they swallow as fact.*' She looked up at him then With a smile that he read as a sort of amen. ' ' And so be it, what then ? * ' he continued. ' ' Why, this : All the woes of a poet are idle ; his bliss Never blisters the paper he pours out his life on ; His pen's not a patent, particular siphon To run off the liquid of love, in his verse, From his soul. If ecstatic, he's simply unreal : His sonnets of love are to something ideal. As the love that he sings." " You are bitter, now, majoi • Sarcastic and bitter and foolish. I'll wager You once took to sonnets yourself, when more callow. Don't let any talent you've buried lie fallow ; Turn poet again, since the trick of deceit You have learned (if the sum of all poetry sweet Be pretence) , which a poet must practise, and cover Your faith and your feeling when you are a lover." She laughed, — just a ripple of music from lips That too often put pearly white teeth in eclipse ; And he echoed her mirth rather languidly. ''WeU, I ip certain I never plied you, Madame Bell, GERALBINE. 17 With my sonnets," he parried ; '' and no other glances Than yours could allure me to making advances Afoot or on Pegasus then, I'll not say By the light of whose look and whose smile 1 might stray From my loyalty now. I confess I am grown Rather fickle to love and to truth, as is known To the most of my friends." And a smile half-sarcastic Ran over his features so mobile and plastic. *' But this fellow Trent, he's as true, on my soul, As the needle, much boasted, is true to the pole ; Not but that a bright woman like you, cousin dear, With an iron heart in her, if coming too near. Might attract him and win him, and hold him a while ; But he'd turn by and by from her lessening smile To his star in the north.'* *' To his passion serene, He would say, I suppose. That remains to be seen " — "And be tested? Perhaps. You must hear hun to- night. And then let me present him. His theme may be trite ; But he'll say what he says in so pleasing a diction, You'll think to be fact, philosophical fiction Che blankest, — at least for a little. No doubt, When the ring of his words into silence dies out, V'ou will question your faith, and will count it absuixi. And be freed from it quite. But the song of a bird 18 GERALDINE. You believe when you hear it (though hs ply it sing Of some hope whose fruition no morrow may bring) For the music that's in it ; and Trent has a voice That may even your sensitive hearing rejoice. You will go if 1 call for you early? " *'I*m free To confess I would like this young poet to see, Since you paint him so warmly. Invite him to sup With us after the lecture. I'll brew him a cup Of sweet compliments, if he deserve it, and learn What he thirsts for the most from the world in return For his gifts to the world, — whether praises or pence ; Whether garlands of roses, or blossoms of sense ; Whether wooing or worship. Your geniuses crave Very much of their friends : you must serve them as slave Or cajole them as equal, with flattery sweet To their taste ; you must fawningly lie at their feet, Or devotedly feed them with b(»nbons. The more You bestow, will they ask. They're a terrible bore To your patience, and make a most liberal drain On your pity." *' Be merciful. Bell ! It is plain That you're jealous of genius. Such comments as those [ must flatly resent." And he, laughing, arose. '* For we should not be blamed, who are pets of the stara And the heirs of the gods. Any failing that mars Our strict beauty of life is a fault half divine." An