UN Si Librii C. K. DCDKN THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES ft JULIAN FANE. JULIAN FANE. % lUcmoir. BY ROBERT LYTTON. ' All, not the music of his voice alone, But his sweet melody of thought, which fed Our minds with perfect harmony, is flown ! " Lay of Brag i. By the Hon. Julian Fake. WITH A PORTRAIT. LONDON: JOHN MURRAY, ALBEMARLE STREET. 1871. LONDON : BRADBCRY, EVANS, AND CO., PRINTERS, WHITEFR1ARS. F/37 L CONTENTS. CHAPTER I. i Introductory. — Parentage. Battle of Busaco. Lord Bur- ghersh returns to England with Dispatches. His Marriage. His Spanish Reports. At the Head- quarters of the Allied Armies in Germany. Battle of Leipzig. Accompanies the Triumphal Entry of the Allies into Paris. Appointed Envoy to the Grand Duke of Tuscany. Present at the Battle of Tolentino. Signs the Convention of Caza Lanza. Lord and Lady Burghersh return to Florence. — Birth of Julian Fane CHAPTER II. Childish Days. Intimacy between Mother and Son. School Days. Thames Ditton. Harrow. His father appointed British Minister at the Court of Berlin. Ill-health. Life at Berlin. Precocious Musical Faculty. Meyerbeer. The Diplomatic Service in 1 8 I 1. Taste for Poetry. Heinrich Heine. Prepa- ration for the University. At Oakington . vi CONTENTS. CHAPTER III. PAGE Fellow Commoner at Trinity. Characteristics. Choice of Companions. The Apostles. Chancellor's Medal. Letters. Demeanour towards Women. Return to Berlin. Visit to Dublin. The Apostles at Blackwall. Last Days at Cambridge. Recollections of his Fellow Collegian, Mr. James. Gains from his College Life . 2 1 CHAPTER IV. Qualities which fitted Julian Fane for Parliamentary success counteracted by others of a different order. Life at Apethorpe. Verses descriptive of Apethorpe. Attache" at Vienna. Life there. Early Verses. Point of view from which they should be regarded. Speci- mens. Later unpublished Poetry . . . .67 CHAPTER V. Unpublished Translations from Heinrich Heine, and sketch of Heine, by Julian Fane . . . .90 CHAPTER VI. Life at Vienna from 1851 to 1856. Attached to the Earl of Clarendon's Special Mission, and present at Paris during the Congress of that year. Secretary of Legation at St. Petersburgh, and life there from L856 to 1858. Official Reports. Baron Brunow. Secretary of Legation and Embassy at Vienna from 1898 to 1866. Life at Vienna. Habits, occupations, characteristics 144 CONTENTS. vu CHAPTER VII. PAGE " Tannhauser," and other Poems, written at Vienna. Study of Shakespeare's Sonnets. Writings after that model. Poems to his Mother 170 CHAPTER VIII. Report on Austrian Commerce . . . . .221 CHAPTER IX. Visit to Venice. Taste for old Pictures. Opinions about Modern Poets. Impressions of Wagner. Change of House. Serious illness in consequence of it. Return to England. Appointment to Paris. Marriage. Paternity. Retirement from his Profession. Plans for Life in England. Widowhood .... 24s CHAPTER X. Mr. Vernon Harcourt's Recollections of Julian Fane . 2P>3 CHAPTER XL Failing Health. Continued Interest in Literature and Public Affairs. Latest Employments. Poems ad Matrem. Increasing Sufferings and Isolation. Sym- pathy of Friends. Religious Belief. Designs for the Future. Sonnets to his Mother. His Sister's recollections. Last Hours. Latest written words. The End. Tributes to his Memory . . . .277 APPENDIX 299 JULIAN FANE. CHAPTER I. Introductory. — Parentage. Battle of Busaco. Lord Burghersh returns to England with Dispatches. His Marriage. His Spanish Keports. At the Head-quarters of the Allied Armies in Germany. Battle of Leipzig. Accompanies the Triumphal Entry of the Allies into Paris. Appointed Envoy to the Grand Duke of Tuscany. Present at the Battle of Tolentino. Signs the Convention of Caza Lanza. Lord and Lady Burghersh return to Florence. — Birth of Julian Fane. There is a small class of men endowed with remarkable gifts, whose superiority must yet remain always inadequately recorded. The evi- dences of it are chiefly in the impression which it makes upon those who have felt the personal in- fluence of its possessors, and this impression is incommunicable. It is impossible, indeed, that such men should pass out of the world unmissed : but they are like childless proprietors, who lay up nothing for the distant heir. Their intellectual opulence is hospitably lavished upon personal 2 JULIAN FANE. friends, and bequeathes to their posthumous fame a title which can only be supported upon credit. Yet the influence of these men upon the society they adorn is too beneficent to be altogether evanescent. Their presence animates and sustains whatever is loveliest in social life. The world's dim and dusty atmosphere grows golden in the light of it. Their mere look rebukes vulgarity. Their conversation elevates the lowest, and brightens the dullest, theme. Their intellectual sympathy is often the unacknowledged begetter of other men's intellectual labour ; and in the charm of their companionship we are conscious of those benignant influences which the Greeks called Graces, but which Christianity has con- verted into Charities. Such was the character of the man to whose memory these pages are dedicated. Had health and length of days been allotted to him, his rare intellectual and moral worth would doubtless have remained in evidence more durable than the grateful memory of friends, or this imperfect record of an existence too brief for the complete fulfilment of its affluent promise. INTRODUCTORY. 3 Very little, however, of all that was in him, or of all that came from him, survives in the few literary remains which are here collected. They are, indeed, but as broken fragments of dispersed masonry, which can suggest to the passing tra- veller no just idea of the general strength and symmetry of the edifice wherein they once occu- pied subordinate places. But the intrinsic value of such a life as Julian Fane's must be estimated by the rarity of its own loveliness, and is fully expressed by its finished fulfilment of the finest type of intellectual high breeding. He was, I think, the most graceful and accomplished gen- tleman of the generation he adorned ; and by this generation, at least, appropriate place should be reserved for the memory of a man in whose cha- racter the most universal sympathy with all the intellectual culture of his age was united to a refinement of social form, and a perfection of personal grace, which, in spite of all its intellec- tual culture, the age is sadly in want of. There is an artistry of life as well as of literature, and the perfect knighthood of Sidney is no less precious to the world than the genius of Spenser. b2 4 JULIAN FANE. John Fane, Lord Burghersh, who, in 1841, succeeded to the title and estates of his father as eleventh Earl of Westmorland, had in 1803 entered the army, after taking his D.C.L. degree a- Fellow Commoner at Cambridge. He served on the staff of the Duke of Wellington (then Sir Arthur Wellesley) from the beginning of the !\ 'ii insular war till the victory of Busaco, and was Bent to England with the news of this event by Sir Arthur Wellesley, who, after the battle of Talavera, had been created Viscount Wellington. His health having suffered during the campaign, he did not return to Spain, but obtained his Lieutenant-Colonelcy whilst in England, and married, in 1811, Priscilla Wellesley, the third daughter of the third Earl of Mornington. To hifl mother Julian was indebted for the early cultivation of the many graces and talents which he inherited from her. Before leaving Spain Lord Burghersh had, in obedience to the instruc- tions of Lord Wellington, visited various parts of the Spanish Peninsula; and the reports which he addressed from those places to the head-quarters of the British army were so highly approved by LORD BURGHERSH. 5 the Commander-in-Chief, that in 1813, after the expiration of the armistice of August (which was immediately followed by the accession of Austria to the alliance against Napoleon) Lord Burgh ersh was, on the recommendation of Wellington, selected by Lord Castlereagh as Military Attache' to the head-quarters of the Allied Armies in Germany, then commanded by Prince Schwart- zenberg. His young wife accompanied him. They left England in September ; but the diffi- culties of travelling were great, and it was only on landing at Stralsund (after a three weeks' sea-voyage) that they first heard of the Battle of Leipzig, which was fought on the 18th of October* Lord and Lady Burghersh accompanied the triumphal entry of the Allies into Paris in 1814, and in the autumn of the same year Lord Bur- ghersh was appointed British Minister to the Grand Duke of Tuscany. After the escape of Napoleon from Elba, which was followed by war * Lord Burghersh published an account of the proceedings of the allied armies, which was much praised by military authorities, and has been quoted by Sir W. Scott, and other historians of the campaign. JULIAN FANE. between Austria and Naples, Lord Burghersli rejoined the Austrian head-quarters. He was preseni at the Battle of Tolentino, and signed the Convention of Caza Lanza, which brought back the old King of Naples to his capital. After the return of the king from Sicily, Lord BurgluTsh resumed his post at Florence. "On our way back there," says his wife, in one of her letters, "we met at Viterbo an English messenger bringing news of the Battle of Waterloo." The young couple remained at Florence till the year 1830 ; and six children were born to them in that city, one of whom Avas Julian Henry Charles Fane, the subject of the present memoir. CHAPTER II. Childish Days. Intimacy between Mother and Son. School Days. Thames Ditton. Harrow. His father appointed British Minister at the Court of Berlin. Ill-health. Life at Berlin. Precocious Musical Faculty. Meyerbeer. The Diplomatic Service in 1844. Taste for Poetry. Heinrich Heine. Pre- paration for the University. At Oakington. He was born on the 2nd October, 1827, and was only three years old when his parents re- turned to England. Wordsworth has ascribed the most permanent tendencies of his own mind to those influences of external nature which, mingling with the unconscious acquisitions of childhood, " lived along his life " through later years. Perhaps the temperament of Julian Fane may have been similarly favoured in childhood by those sweet influences which haunt the purple slopes of the Apennines and the sunny banks of the Val d'Arno. He was not destined to revisit Florence in after life ; but, when contemplating all the flower-like grace of his luxuriant nature, 8 JULIAN FANE. T have sometimes thought there was a felicitous fitness in the fact that to this fair child the gods, who loved him, should have allotted so fair a birthplace as "the city of flowers." Not many years after their return to England, Lord and Lady Burghersh were plunged into deep affliction by the loss of a beloved daughter, who died at the age of fifteen. Their elder boys were already at school, and their only surviving daughter (now Lady Rose Weigall) was still in the nurse's arms. The companionship of the little Julian, to whose education she devoted herself, then became the chief solace of his mother ; and with her the child remained till he was eleven years old. I cannot better describe the peculiar character of their intercourse at this period than by the touching words in which she herself has alluded to it. " His tender devotion to me during that time," she says, "and the feeling and good sense he showed, were much beyond his years. They laid the foundation of that intense love and perfect confidence which bound us together ever after. Apart from filial and maternal affection, we were the closest and most trusted friends to each other. LADY BURGHERSH. 9 Even his marriage did not abate in the least this love and confidence." The education of Julian's two brothers, who had chosen the army for their profession, was more directly under the superin- tendence of their father. It was the wish of Lord Burghersh that his youngest son should be edu- cated at Harrow and Cambridge ; but all other arrangements for the boy's education he left, with well justified confidence, to the judgment of his wife. This accomplished woman was already the friend and correspondent of many of the most eminent men in Europe. She was herself a good musician, and a painter whose power of execution and knowledge of art were considerably beyond those of a mere dilettante. The daily companion- ship of such a mother must have been far more instructive than any ordinary ' schooling ' to the child ; who doubtless derived from it that intense distaste of all vulgar and unintelligent pleasures, and that instinctive appreciation of intellectual and moral beauty, which gave select distinction to the character of his after-life. The regular school-days came, however, and in the year 1838 the little Julian was sent to a 10 JULIAN PANE. private establishmenl at Thames Ditton. He was then in his eleventh year; and he remained at Thames Ditton till 1841, when he commenced at Harrow the customary course of an English boy's education. Meanwhile, the Whigs had been in office, and L..rd Burghersh on the shelf. But on the return of the Tories to power Lord Burghersh re-entered the foreign service as British Minister at the Court of Berlin ; to which post he was appointed by Lord Aberdeen in 1841. Shortly afterwards his son Julian, in consequence of a severe fever which had greatly weakened a frame already delicate, was obliged to leave Harrow. He re- joined his parents at Berlin; and the five years passed with them in the Prussian capital con- stituted one of the most important educational periods of his life. Berlin was, at that time, the residence and the rendezvous of an unusual number of distinguished men. To a thoroughly sociable temperament, and the exquisite amiability of perfect high- breeding, Lord and Lady Burghersh united a keen taste for intellectual refinement. Lord SOCIETY AT THE BERLIN LEGATION. 11 Burghersh was himself an enthusiastic musician. His wife was a woman whose society was as delightful to artists and men of letters as to statesmen and men of the world. In their hands the hotel of the British Legation at Berlin became a sort of continental Holland House, where Genius and Beauty, Science and Fashion, Literature and Politics, could meet each other with a hearty reciprocal welcome. Among the daily habitues of this agreeable house were Alexander von Humboldt, whose habit it was to dine there every Sunday; Kauch the sculptor; Meyerbeer, whose conversation was as brilliant as his music ; Felix Mendelssohn ; and the painters Begas, Hensel, and Magnus. To the honour of the Prussian Court be it said that all these illustrious men were also among the most frequent and honoured guests of the late king. A letter in which their kindhearted and accom- plished hostess has favoured me with some of her personal reminiscences, makes touching reference to this little group of eminent persons. "Tbey are all gone," she writes, " and I know not if their equals now exist ! Ranch, the sculptor, was I- JULIAN FANE. the perfect mode] of a fine old grand seigneur, botli in look and manner; though born in a very humble position. With Humboldt, Meyer- beer, and Ilauch, I kept up correspondence as long as they lived. All knew and appreciated the charm, the talents, and the beauty of the dear boy who was then my pride and joy. MEeyerbeer especially adored him; and admired his singular musical talent, which, from his child- hood, was remarkable. As a child, indeed, his passion for music was so great that I feared it might, if encouraged, interfere with his general education, and I would not allow him any music lessons. He literally never learned even the notes of music ; which he much regretted in after- life. Yet, ignorant as he was of all the rules of tin.' art, his exquisite ear supplied the deficiency. AVhilst yet quite a boy, he once played on the pianoforte parts of a new opera of Meyerbeer's which he had only heard the night before. Yet he played them so correctly that Meyerbeer, who was present, and who had not allowed any part of his score to be seen, inquired, in great agitation, ' Who can have given him the music ? ' and INSTINCT FOR MUSIC. 13 would not believe that he played it only from memory, after one hearing." His musical instinct was indeed extraordinary ; and to it was probably attributable his keen sus- ceptibility to beauty of sound in verbal expres- sion, although both music and poetry were rather the acconrplishrnents than the occupations of his after life. Two of his musical compositions will be found in an appendix to this Volume. I am, myself, no competent judge of such composi- tions. But I doubt if those who have not heard them played and sung by himself, can fully realize the effect which they once derived from " The touch of a vanished hand, And the sound of a voice that is still." For, in all that was sung or said by him who wrote them, there was a peculiar and quite in- describable charm which seemed to flow directly from the visible presence of the man himself. At the time when Julian Fane entered the diplomatic service, it was the custom for our Ministers and Ambassadors abroad to attach, if they pleased, to their Embassies and Missions, 1 I. JULIAN FANE. young men who were personally known to them, and whom they thought likely to prove useful or agreeable members of their Staff. These appointments were not, of course, made directly by the Ministers and Ambassadors themselves, but by the Secretary of State for Foreign Affairs, on the recommendation of the Ministers and Ambassadors ; or, to speak with strict accuracy, by the Crown on the recommendation submitted to it by the Secretary of State, at the request of the Ministers and Ambassadors. The class of persons thus admitted to subordi- nate employment in the foreign representative service of the Crown, was practically limited to the two categories of which it ought, as a general rule, to be composed : young men of social station and independent means, or young men of more or less tested ability and marked promise. The first fulfilled adequately the ornamental, the second the operative, functions of a pro- fession which combines the duties of national representation with those of international nego- ciation ; and of both the system had no higher type than it was to find in Julian Fane. ATTACHE AT BERLIN. 15 Whether the like success will attend the modes of selection more recently adopted remains to be seen. Julian would undoubtedly have passed with ease and distinction any competitive ex- amination, for he was, from childhood, a good linguist, and a rapid as well as an accurate reader. But it may be doubted if such exami- nations could have either tested or certificated the peculiar qualifications he possessed for success in diplomacy — the mingled sweetness and dignity of his wondrous social charm, his quick and just appreciation of character, his precocious know- ledge of life, his pleasant wit and large good humour, his rapidity and accuracy of generalisa- tion, his persuasive power of exposition. It was in the year 1844 he was thus officially attached to his father's Mission at Berlin ; and he was then only seventeen years of age. It is easy to imagine the stimulating effect of daily inter- course with such a society as I have described upon the intelligence of a naturally quick-witted and precocious boy. But there is a name more conspicuous than any of those yet recorded which must now be mentioned in connection with the L6 JULIAN FANE. intellectual impressions at least indirectly re- ferable to this period of his life, though its positive influence may probably date somewhat hiter. In the German literature of the Restoration there is little to admire. The mantle of Goethe had not fallen upon any of his numerous disciples. The romantic school had, on the whole, failed in the mission which at first it seemed destined to fulfil. The reaction against Eighty-nine had converted patriotism into the instrument of des- potism. The strong sarcastic voice of Brentano (Bettina's brother) was silent in a cloister. Gorres had suffered clue penance for the revolu- tionary vagaries of his youth. Pedantry and poltroonery had their own way. That great war which rescued from the first French Empire the international independence of Europe, had be- queathed no political liberties to the populations of Germany, whose victory, like the honey of Virgil's bees, was profitable only to their pro- prietors. But in 1825 the publication of the first volume of the " Reisebilder " revolutionized the whole literature of Germany, and placed it hence- HEIXBICH HEINE. 17 forth under the brilliant popular dictatorship of Heinrich Heine. About five years subsequent to the appointment of Lord Burghersh to the Mission at Florence, that is to say, in the year which witnessed, in England, the Cato Street Conspiracy and the imprisonment of Hunt, and, in France, the first great Parlia- mentary triumph of the French Liberals, — there happened to be living at Bonn a young law student, who was the son of Jewish parents and the pupil of Franciscan friars. From Bonn he migrated to Gottingen, and shortly afterwards appeared at Berlin as the enthusiastic disciple of Hegel. There he was at once recognized as a young man of precocious culture, and peculiar genius, by Franz Bopp the philologist, Chamisso the poet, Varnhagen von Ense, and one or two other distinguished men. About this time he unsuccessfully attempted to obtain for his pecu- liar genius a wider recognition by the publication of some dramatic poems, which all the splendour of his subsequent reputation has not yet redeemed from the oblivion to which they were immediately consigned by the public. Possibly, his peculiar 18 JULIAN FANE. genius had not found in these poems its peculiar form. This form, however, it did triumphantly find in the f< Reisebilder." And, as I have said, in the year 1825 the publication of that inimita- ble book revealed to Germany, once for all and once for ever, the existence of by far the greatest poet she has produced from Goethe to the present day. The " Reisebilder " was succeeded quickly by the " Buch der Lieder," and a rapid torrent of {lie intensest lyric song. Throughout Germany, therefore, the disturbing, almost bewildering, influence of Heine was in all its freshest and fullest activity about the time when Julian Fane, still a mere lad, was living at Berlin. He did not himself at that time begin the study of those writings, but an early acquired and accurate knowledge of German (that invalu- able implement of culture) enabled him not long after to read them in their original language ; and, although his naturally robust character in- stinctively rejected all that was dangerously perverse in Heine's influence, the impression that was made upon him by his introduction into that Classlsche Walimrgisnacld, which Goethe first RETURN TO ENGLAND. 19 imagined on the plains of Pharsalia and the heights of Peneius, and which Heine subse- quently realised and ruled, appears to have re- mained throughout the whole of his after life. His regular study of the poems began with his first settled residence at Vienna, in 1851 ; and the latest work on which he was engaged, when stricken down by the painful malady that prema- turely terminated his existence, was a critical biography of the poet himself. Some of his smaller pieces he had in the meanwhile, and at various times, translated into English verse ; and these translations, which (with his habitual dis- like of publication) he printed only for private circulation, have been noticed in the " Edinburgh Review " by Lord Houghton, whose own admir- able success in the same most difficult task gives particular interest and authority to his opinion of all similar undertakings. Heine's future translator could not, however, remain much longer in the capital of Hegel, that first of Heine's " Gods " who afterwards figured " in exile." He was approaching the age of nineteen ; and in 1846 he returned to England c2 20 JULIAN FANE. to prepare himself for the University, under the tuition of the Rev. Mr. Whitaker, at Oakington. The best part of a year was passed here; and his exchange of the luxury and idleness of Berlin for the simplicity and study of this quiet English parsonage, was accounted always by Julian as one of the beneficent occurrences of his life. To its influence on him at a critical time, he attributed much of what was best in his later life ; his only regret was that it had not been of earlier date and longer duration ; and some of his latest in- structions for the education of his own children were the fruit of this experience. In the course of the following year he matriculated, as Fellow Commoner, at Trinity College, Cambridge. CHAPTER III. Fellow Commoner at Trinity. Characteristics. Choice of Com- panions. The Apostles. Chancellor's Medal. Letters. Demeanour towards Women. Return to Berlin. Visit to Dublin. The Apostles at Blackwall. Last Days at Cam- bridge. Recollections of his Fellow Collegian, Mr. James. Gains from his College Life. " I think," says Lord Houghton, in a letter to the present writer, " that Julian Fane made the most impression on me when he was at Cambridge. I used to go up there often to see my old play- fellows, and the natural, easy way he fell into his place among them, after his independent and luxurious life at Berlin, struck me as very estim- able." The change from Berlin to Cambridge was, indeed, a great one. But the luxury which Julian Fane had learned from his Berlin expe- riences to appreciate most, was the luxury of intellectual society ; and he commenced his Uni- versity life with the inestimable advantage of a mind already too cultivated to find any attraction 22 JULIAN FANE. in those coarse and unintelligent amusements which often waste the time and purse of under- graduates, in whose educational career there is no interposition between the public school and the university. " .Mr. Fane was entered at Trinity as one of my pupils," writes Dr. Thompson, the present Master of Trinity. "I was then senior tutor of the College, in 1847 ; and he began to reside in the October of that year. Though I believe he was not much older than the average of under- graduates, Mr. Fane had seen much more of the world, and was far more generally accomplished than the majority of his contemporaries. I never had a pupil who impressed me at a first interview more favourably ; and I look back with unmixed pleasure on the whole period of our intercourse as friends rather than tutor and pupil. He had a fine and catholic taste in literature, and his associates were, for the most part, men like- minded with himself; not so much hard University students (though there were such among the number), as young men of active and inquiring (and, in some cases, really original) minds. No- AT CAMBRIDGE. 23 thine: was more remarkable in Mr. Fane than his marked preference for intellectual merit over rank and position in society. One of his most intimate friends was a sizar, — a clever and cultivated person ; and, with one exception, I do not remember that he was intimate with any of the then fellow-commoners and noble- men." This love of intellectual society, combined with a rare capacity for commanding the sympathy of such society, soon rendered Julian Fane one of the most beloved and brilliant members of a curious social institution which may claim the merit of having united in life-long friendship an extraordinarily large number of successful and remarkable men. In the year 1820 a certain number of Cambridge undergraduates, who were attracted to each other by a kindred taste for literature, and a common reverence for free inquiry (not then as generally tolerated as it is now), founded amongst themselves at St. John's College a small society for weekly essay and discussion. Tomlinson, afterwards Bishop of Gibraltar, was one of the founders of it, but, in 2 1 JULIAN FANE. tlic time of Julian Fane, it had migrated to Trinity College, and had already been distin- guished by the names of Charles Buller, Sterling, Maurice, Tennyson, and many other young men of subsequent eminence in literature or public life. This Society called itself a conversazione society. But, owing to the fact that the number of its resident members (undergraduates and bachelors of arts) was limited to twelve, it soon became known as the Society of the Cambridge Apostles : — a name which was at first given to it, says Mr. Christie, in derision. Apostles of intellectual freedom in the Halls of Authority, its members might, however, fairly consider themselves. Free discussion, excluding no subject of intellectual interest, was the object and the occupation of their weekly gatherings. To ensure this freedom, the annals of the Society have been kept secret. But Mr. Christie, formerly Minister at Brazil, who was himself an Apostle, contributed some years ago to the pages of Macmillan's Magazine an exceedingly interesting account of this Society. In that article Mr. Christie quotes the high A DISTINGUISHED SOCIETY. 25 tribute paid to the intellectual freedom of the Cambridge Apostles by Bishop Thirrwall, who -was one of them himself. In the year 1834, during the controversy which then raged on the question of admitting Dissenters to University degrees, Mr. Goulburn and others having ex- pressed in Parliament much fear of the mis- chievous effects of theological controversy amongst undergraduates, Thirlwall scouted their alarm by a reference to the Cambridge Apostles. "You may be alarmed," said the future Bishop of St. David's, " when I inform you that there has long existed in this place a society of young men, — limited, indeed, in number, but continually receiving new members to supply its vacancies, and selecting them in preference among the youngest, — in which all subjects of the highest interest, without any exclusion of those connected with religion, are discussed with the most perfect freedom. But, if this fact is new to you, let me instantly dispel any apprehension it may excite, by assuring you that the members of this Society for the most part have been, and are, among the choicest ornaments of the University : that some 26 JULIAN FANE. arc now amongst the ornaments of the Church : and that, so far from having had their affections embittered, or their friendships torn and lacerated, their union has been one rather of brothers than of friends." Undoubtedly this sentiment of brotherhood is a very noticeable quality of Cambridge Apostle- ship. The members of this Society have been through life the enthusiastic and often the influential champions of each other's claims to public notice. The fastidious delicacy and subtle sweetness of Mr. Tennyson's poetry, for instance (which were not immediately appreciable even to Coleridge), might perhaps have withheld from his genius the broad popular recognition which is not even yet, and probably never will be, accorded even to Shelley and Keats, had it not been for the intelligence and perseverance with which its most recondite beauties have been sought out, proclaimed, defended against hostile criticism, and gradually impressed upon the public mind, by those of his brother Apostles who, since quitting the University, have acquired in various walks of life a reputation for intellect ADVANTAGES OF APOSTLESHIP. 27 and culture which gives authority to their literary- taste and judgment. The effect of the Society upon its members was thus not only stimulating to their intelligence in youth, but also advan- tageous to their success in manhood. The man of genius who enters the great battle-field of life a solitary soldier, must expect to find every man's hand against him. He comes into the field with- out followers, without comrades, without a leader or a camp. If he is worsted in the combat he will be shot like a freeshooter for lack of a recog- nized uniform, and refused the conventional courtesies of civilized warfare. To begin life as ODe among a band of clever young men, who sincerely admire themselves and each other, and are prepared, each of them, to recognize in the success of a comrade flattering evidence of their personal sagacity, as well as an additional triumph to their collective superiority, cannot but be an immense practical advantage to those who are so fortunate as to possess it. From this point of view the Cambridge Apostles may be regarded, like Balzac's Conseil de Treize, as a sort of mutual - praise - society. But absolute 88 JULIAN FANE. mediocrity cannot puff itself into the dimensions of genius, and certainly a Cambridge Apostleship is a genuine order of merit. Almost all the members of this Legion of Honour have in after life worthily justified the admiration with which, as undergraduates, they regarded each other. In the long list of Cambridge Apostles may be men- tioned, amongst men who succeeded in public life, the names of Charles Buller, " lively as Luttrell, logical as Mill ; "* Lord Stanley, the present Earl of Derby ; Mr. Horsman ; Monckton Mimes, now Lord Houghton ; Bishop Thirlwall ; Mr. Spencer Walpole, who was Secretary of State for the Home Department in Lord Derby's cabinet ; Mr. Kenneth Macaulay, afterwards Member for Cambridge; and Henry Lushington, Govern- ment Secretary at Malta, whose biography has been written by a more eminent brother Apostle, Mr. Venables. Amongst others who have been distinguished in literature and scholarship, may be mentioned John Kemblc, the Anglo-Saxon scholar; John Sterling, "the subject of two bio- graphies by two such men as Julius Hare and * " St. Stephen's," a Poem. By Lord Lytton. CAMBRIDGE APOSTLES. 29 Thomas Carlyle";* Alfred Tennyson, the Poet Laureate ; Arthur Hallam, whose early death is the subject of Mr. Tennyson's "In Memoriam;" Edmund Lushington, Professor of Greek at Glas- gow ; W. H. Thompson, Regius Professor of Greek, and now the successor of Whewell as Master of Trinity ; Blakesley, Canon of Canter- bury ; the accomplished master in the Chelten- ham Training College, Mr. Henry James ; Charles Merivale, the historian ; Dr. Kennedy, Head Master of Shrewsbury ; the late Dean Alford, and the present Archbishop Trench, poets as well as divines ; James Spedding, the biographer of Bacon ; the versatile Tom Taylor ; Arthur Helps ; Dr. Butler, the present young Head Master of Harrow ; F. W. Farrar, the distinguished philo- logist ; the present Sir Frederick Pollock ; Ver- non Harcourt (Historicus) ; Frederick Maurice ; and our two great philosophical lawyers, Henry Sumner Maine and FitzJames Stephen. The perfect freedom of thought and utterance which has always given to the meetings of this Society their especial charm, would be destroyed * Macmillan's Magazine, Nov. 1SG4. 30 JULIAN FANE. by any publication of its discussions ; but I have bei 11 assured by many of his fellow Apostles that Julian Fane was the life and soul of their pleasant gatherings, and the most brilliant member of the little group which then comprised such men as Earoourt, Maine, Henry James, and the present Lord Derby. His general culture was probably larger than that of most of his College contem- poraries. In knowledge and experience of the world he was certainly their superior. His accu- rate memory and ready wit rendered immediately available for conversational effect the whole of his mental furniture ; and from an early observation of mankind he had acquired the faculty which gives appropriate application to the study of books. His intellectual capital was all in ready money, or so invested that it could be drawn out at a moment's notice, to meet the most unex- pected liability. This gave him, in discusssion, an easy advantage over more heavily armed anta- gonists, whose reserve forces could not be thrown with equal rapidity upon the immediate point of attack. His own intellectual resources were indeed so well disciplined that they arranged PERSONAL TEAITS. 31 themselves without confusion in logical line of battle at the first word of command. No man was ever less cursed with the esprit du has de Vescalier. In physical frame he was considerably above the average stature. Notwithstanding the angularity which great thinness gave to his bodily framework, all its movements and gestures were as graceful as those of a young pinetree marching to the music of Orpheus. The genial effect of his lively intelligence was greatly increased by a singularly expressive flexibility of countenance, a musical and finely modulated voice, and a rare distinction of attitude and gait. I doubt if any man, with the exception of Lablache, was ever so consummate an artist in the management of his facial muscles. I have seen him imitate the late Lord Brougham, not only with a marvellous ex- actitude of voice and gesture, but also with an instantaneous transformation of feature which was absolutely bewildering. His extraordinary mimetic power may be imagined from the fact that he could, without the aid of voice or action, and solely by a rapid variation of physiognomy, con- jure up before the eyes of the most unimpression- 32 JULIAN FANE. able spectator the whole pageant and progress of a thunderstorm. 1 have often watched him per- form this tour deforce, and never without seem- in-- to see before me, with unmistakeable distinct- ness, the hovering transit of light and shadow over some calm pastoral landscape on a summer's noon ; then, the gradually gathering darkness in the heaven above — the sultry suspense of Nature's stifled pulse — the sudden flash — the sportive bickering play of the lightning — the boisterous descent of the rain — the slow subsidence of all the celestial tumult ; the returning sunlight and blue air ; the broad repose and steady gladness of the renovated fields, with their tinkling flocks, and rainy flowers. The capacity of producing, at will, such effects as these by the mere working of a countenance which Nature had carved in the calmest classic outlines, could only have resulted from a very rare correspondence between the intellectual and physical faculties; and it is no slight moral merit in the possessor of such gifts, that he rarely exercised them at all, and never for the purpose of ungenerously ridiculing his fellow creatures. 1 1 COLLEGE FRIENDS. 33 "You will be the most unpopular man here," said the present Lord Derby (who was somewhat his senior) to Julian Fane, on the latter's arrival at Cambridge. " Why so ? " "Because you are so tall that you will be always looking down on your acquaintances." " On the contrary ; I shall certainly be the most influential man at Trinity, because my acquaint- ances will be always looking up to me." He was" never -without a pleasant and appro- priate answer to the challenge of the passing moment. " We were undergraduates together at Trinity College, Cambridge," says Mr. Watson, one of the ablest of his College contemporaries, "and I used frequently to meet him in the society of friends common to us both, who were more intimate with him than I was. I can recal, even after an interval of twenty years, the effect pro- duced upon us all by his bright and genial presence. J certainly never knew at that time, nor do I think 1 have ever since met with, any man whose social qualities (understanding the term in its best sense) were so distinguished as his. He possessed a D :; I JULIAN FANE. brilliant wit, a keen sense of humour, and an unrivalled gracefulness of manner and expression. Thus he was never at a loss for a reply, even among the readiest. But his repartees were never sullied by ill-nature, and never degenerated into sarcasm. Nor did he, in his most playful sallies, forget what was due to his own self-respect, or wound the self-esteem of other men." These words, as I transcribe them, recal to my mind a somewhat amusing instance of Julian Fane's conversational readiness, which I had the opportunity of appreciating when he and I were colleagues at Vienna. We happened to be dining together with Baron Anselm Rothschild. One of our fellow guests, an English Member of Parlia- ment, and a veteran Goliath of that Liberal Philistia which holds dominion in the north of England, was somewhat dogmatically impressing upon our minds the urgent necessity of Parlia- mentary Reform. The conversation subsequently turned upon the political institutions of Austria, and in criticizing the then newly-established Parliamentary system in that Empire, Mr. exclaimed, " Sir, you cannot compare this Reichs- I CONVERSATIONAL READINESS. 35 rath with the British Parliament. The British Parliament is the most perfect political institution which the world has yet witnessed. It faithfully and forcibly represents all the political intelli- gence, all the opinions, all the interests, of the British Empire." "Ah, Mr. ," said Julian Fane, "you have quite convinced us ! Who could resist such an argument against Reform ? " The table was in a roar. But to return to the writer who has favoured me with his personal reminiscences of Julian Fane at Cambridge, and who was not only an Apostle, but a Fellow of Trinity, and the Second Wrangler of his year. " Great as were Fane's social gifts," Mr. "Watson continues, " they by no means represented the whole of his remarkable and versatile nature. His tastes were eminently intellectual, and his companions were the hard readers and hard thinkers among his contemporaries. For English poetry, indeed, he seemed to have a perfect passion; and the only occasion on which I ever reinenibur to have seen his equanimity disturbed was when an attempt was made by some mis~ d2 36 JULIAN FANE. chicvous companions to goad him out of his habitual self possession by unfair and flippant criticisms on the work of a favourite author. Finally, what impressed me more than all was the genuine and hearty goodness of his disposition. Though petted by society, possessing a large and varied acquaintance with life in all its phases, and subjected from an early age to influences which would have produced, in an ordinary nature, a mere blase man of the world, there was not a trace of hardness or cynicism to be found in him. He had very wide sympathies, ever ready to be enlisted in any subject, however remote from his own special tastes, and in any persons, whatever their pursuits, provided only they were good and generous. I believe that many poor students (some perhaps who have since raised themselves by their efforts, and some destined to lifelong- obscurity) will remember the charm of his cheer- ing society, and retain a grateful recollection of the interest he manifested in their progress, and his hearty unaffected solicitude for their success." In confirmation of Mr. Watson's testimony to the "genuine and hearty goodness of Julian TRUE CHARITY. 87 Fane's disposition," I might mention many acts of his life which have come within my own ex- perience. He was not of those whose right hand is a babbler to their left. But one of the most active and inexhaustible qualities of his nature was its unbounded benevolence : charity, I would say, if that word were not liable to a conventional construction which, though perfectly respectable, is very imperfectly christian. Certainly, however, no man ever preserved pure, in the midst of a necessarily worldly life, so deep a well-spring of that genuine christian charity which springs not from the intellect but the heart, not from duty but from grace, and without whose divine sympa- thy benevolence is barren and protection pitiless. He very seldom would allow his name to appear in the subscription list of any charity, but he subscribed anonymously to many; wherever any votes, or other patronage, were incident to such subscriptions, he was always scrujmlously con- scientious in the disposal of them; and one of the last acts of his life affords characteristic illustra- tion of the spontaneous loving kindness which animated the whole course of it. In the course 38 JULIAN FANE. of the year which preceded his death he observed in the Tvmesan advertisement containing an appeal from "A. L." to some other initials, which implored pity for the dreadful condition of one absolutely reduced to want and despair. It ended with these words : " For God's sake, and for the remembrance of past happiness, gone for ever, send me the means to leave this dreadful town." His quick intuitive sympathy guessed at once the whole sad story. He immediately forwarded to the address given in the newspaper a ten-pound note, with the request that it might be acknowledged in the Times to "B. C." The acknowledgment was made in these words : "A broken-hearted mother and her child acknowledge with deep gratitude, &c, &c." Julian Fane did not compete for honours at Cambridge. He was at no time of his life an idle man ; but he was always a desultory reader rather than a hard student. The only University distinction which he sought to obtain (he had gained a College prize for a prose essay the year before) was the Chancellor's medal, and this he won by a prize poem on the death of the Queen UNIVERSITY PRIZE POEM. 39 Dowager. This poem, " On the Death of Queen Adelaide," was, says Dr. Thompson, " remarkable for its Miltonic rhythm. It was a designed imita- tion of the Lycidas, and in many respects a poem of great promise, and above the average of such compositions. Dr. Whewell, a good Miltonic scholar, was, I remember, much struck by the skill with which the metre was managed." PerhajDS all that could be said for the poem, is thus said fairly enough. Truth of feeling and originality of utterance could hardly be looked for in it, since all evidence of these qualities is almost necessarily excluded by the imposed con- ditions of such a task as the application of Miltonic rhythm to an elegy on such an event. But, assuming that the object of these exercises (like that of modern Latin and Greek verses) is to display familiarity with the style of some great original poet, by closely imitating his peculiar cadences, and copying his most characteristic ex- pressions, then it must, I think, be admitted that this particular prize poem on the death of Queen Adelaide is a masterpiece of ingenious artificiality ; and written more unmistakably "after the manner 40 JULIAN FANE. of Master John Milton" than Howe's Tragedy of "Jane Shore" is "writ," as he informs us, "after the manner of Master William Shakespeare." The poem opens with an invocation to Mel- pomene to descend, " From fount Castalian and the Delphic steep," and "in melting melodies to weep" a death which " shall not lack some sad melodious tear." In vain, however, " the tears of Evening fall, In vain the early breezes, as they sweep Through the dark woodland, sigh ; and from the spray Trilling their matins sweet the wild birds call ; For she no more upon the dawning day, Listening their joyous lay, Shall bend her wistful eyes for ever closed ; Closed in the night of death's long slumber deep, But angels wake to guard her dreamless sleep." Peace, Faith, Hope, Devotion, Love and Wisdom, then appear in celebration of the virtues of the estimable lady, who is described as a shepherdess, followed by her "few faithful sheep " who hear her voice " no more, Nor list her footfall on the path before Climbing the height of Virtue's rugged steep." ON THE QUEEN DOWAGER'S DEATH. 41 The " Guardian spirits of the Isle," and their attendant "Nymphs," are next called upon to explain where they were " when wan-eyed Grief was born," and allowed to darken the sunshine on the happy face of the departed Queen Consort. But, before they can reply, the Elegist truly observes that the inquiry is useless, since they could have done nothing to,avert her fate, for " From on high proceeds the dread command, And dire Necessity, with equal hand, Slow, as she moves, dispassionate and stern, Alike unto the gentle and the proud, Scatters the lot from her capacious urn." The fallacious character of earthly grandeur is then deplored and illustrated by the fact that " Innocent sleep, that loves the shadowy spot By the lulled streamlet of the valley, flies The sounding palace for the peaceful cot." After which Echo rises " from her aery shell, by Werra's silvery wave." " Next, Father Thames, as with due dirges low The decent pomp along his banks was led, Rose from the stream, and clasp 'd his urn, and said : ' Thee first my waters welcomed ; thee the bride Of royal Clarence, foster'd on the main, Whom now, sweet Queen, thou comest with fit train 42 JULIAN FANE. Once more to find, — sleep softly by his side. Sleep : at thine ear my limpid waters flow, And the voiced waves make music as they glide.' Last reverend Camus, as he footed slow, Heard the far echoes mourn, and from the tide Which fair reflects his Granta's thoughtful brow, Uprose, and spake," kc. Finally, " Albion weeps no more," but " As Memory haunts her sovereign's tomb, She to the throne uplifts her happy face ; There still she views the heavenly Virtues bloom, And sweet Religion blossom in her place." All this paraphernalia of Pagan mythology, and geographical personifications, marched out to the roll of Miltonic music in honour of the obsequies of the poor amiable Queen, is rather too much of labour misapplied and wasted. But if the boyish exercise contains no direct evidence of original poetic faculty, be it remembered that all possi- bility of such evidence was a priori strictly excluded by the prescribed conditions of it. No one who has ever wasted time in the perusal of University prize poems can fail to agree with Dr. Thompson that its merits are very much " above the average of such compositions." Certainly it displays the possession of a highly cultivated ear, a THE MEDAL TWICE CONTENDED FOR. 43 trained faculty of composition, a great knowledge and appreciation of Miltonic verse, a keen percep- tion of the particular effects which are pleasing in the eyes of academic judges, and a very skilful subordination of all means to that end. There are other and higher qualities, however, more useful throughout life to their possessor, of which this mere poem is a proof. Those qualities are the patience and modest self-confidence mani- fest in the fact that the skill displayed by it, and the success achieved, represent its writer's second attempt to win the Chancellor's Medal. The want of success that attended his first is very good-humouredly referred to in a letter to his friend Henry James, from which, however, I will take only the closing lines : " I think I shall stop here another week : I want to see Thompson, who will be up then. My affec- tion for him grows with time. I pray you very earnestly, write to me soon. I am all alone, the glory of the town, the only Fellow Commoner in Cambridge. I am not bored, however, because I am engaged — on vjhat? I will tell you in my next ; but I like letters, particularly from Cheltenham." 44 JULIAN FANE. It was probably on some poetic composition that he was engaged ; for most of the contents of a small volume of verse, which he published shortly afterwards, appear to have been written about this time. These verses are, for the most part, merely the melodious expression of that poetic temperament which, before circumstances have yet determined the object and character of their ambition, is the most common indication of genius in the boyhood of men of various accom- plishments. They must hardly be regarded as the utterances of a spirit exclusively consecrated to the priesthood of song, and ambitious of the highest rank in that hierarchy. But no image of Julian Fane would be complete if it failed to illustrate the opulent manysidedness of him, in which such verses find their appropriate value. Poets, statesmen, orators, and thinkers there have been, and will be again, whose attainments in the special department of each could never, perhaps, have been equalled by him, even had he devoted to the exclusive development of any one of his many and great talents the concentrated energies of a life to which the fragility of his constitution AN EARLY SONNET. 45 denied longevity, whilst the favour of Fortune absolved it from that necessity of definite labour which gives motive power to latent capacity. But I never met before, and have no hope to meet again, a man in whom statesmen, poets, and orators could immediately recognize so many and such high potentialities of worthy achieve- ment in their own departments of intellectual activity : and I doubt if it be possible to select from the boyish versification of any man whose name is not recorded amongst those of acknow- ledged poets, a specimen of verse more chastened in expression, or more carefully completed in form, than the following — SONNET TO A CANARY BIRD, TRAINED TO DRAW SEED AND WATER FROM A GLASS WELL SUSPENDED TO ITS CAGE. " Thou shouldst be carolling thy Maker's praise, Poor bird ! now fetter'd, and here set to draw, "With graceless toil of beak and added claw, The meagre food that scarce thy want allays ! And this — to gratify the gloating gaze Of fools, who value Nature not a straw, But know to prize the infraction of her law And hard perversion of her creature's ways ! Thee the wild woods await, in leaves attired, 46 JULIAN FANE. Where notes of liquid utterance should engage Thy bill, that now with pain scant forage earns ; So art thou like that bard who, God-inspired To charm the world with song, was set to gauge Beer-barrels for his bread — half-famish 'd Burns ! " The echo of Miltonic studies lingers very grace- fully along this pretty sonnet. A note of more genuine and spontaneous sentiment is occasionally also sounded by some of the love-poems in the little volume from which I extract it ; and a letter written at this time to Mr. James makes sportive allusion to the boyish sentiment which probably inspired them. This kind of boyish sentiment is, perhaps, too vague and evanescent to deserve the name of love ; although the tenderness and purity of its transient influence deserve a better name than caprice. It is only to certain rich natures that such emotions come in boyhood ; and in none but the most happily constituted disposi- tions do they come and go with only good effect upon the character in after life ; like those light mists which are drawn forth at dawn by the warm temperature of some fine and fertile climate, and destined, when they disperse in rain or dew, to fructify the soil they spring from. Nothing DEMEANOUR TOWARDS WOMEN. 47 was more noticeable in the maturity of Julian's character than the sincerity and delicacy of all its emotional manifestations. In his intercourse with women, he united to an almost boyish enthusiasm, a manly chivalry of sentiment, and grave tenderness of gentle power, which found exquisite expression in the charming courtesy of his demeanour. Deferential, without timidity, and cordial, without familiarity, there was always, in his manner towards them, an indirect, un- uttered, homage to the highest prerogatives of their sex, combined with an equally indirect indication of the reserved force of his own, which must, I think, have been singularly flattering and attractive. Like all men whose strength of character is' of refined fibre, he had in his tem- perament something of the heroically feminine quality ; and this was felicitously reflected in the mingled delicacy and power of his physical frame and habitual gesture. In the year 1848 he lost his eldest brother, and on the 31st of May in that year he writes again to his friend Henry James: "I arrived in town od Friday night, just in time to see almost the 48 JULIAN FANE. last hour of consciousness of nxy poor clear brother. I watched his bedside till Monday night, when, at ten o'clock, he died in my arms — tranquilly and effortless. The only consolation I can have under the present circumstances is afforded me by the reflection that I tended him in his last hours, and that his latest breath was drawn when I was with him. I shall not return to Cambridge for some time. I may possibly go down there for a fortnight after you are all gone away, in order that I may save my term. I shall be very happy if you can find time to write me a line ; and I hope, if I am in London when you pass through, that you will not forget to look up 3 T our old friend. I am anxious to know how your reading goes on, and if you are sanguine about your examination. * * * I am overwhelmed with the most melancholy business — all the sad offices of which a brother's death constitutes one the discharger. " Good-bye, my dear James, " Yours very much, "Julian Fane. " 1 am not at all well myself." WORK IN PROSPECT. 49 In the summer of the same year he writes to the same friend : " I have in view the writing of a large — not bulky, but serious poem. I can hardly as yet give you any idea of its shape, since it has not yet sufficiently worked itself out in my own mind, but it is to treat largely of politics in a meta- phorical form ; to touch upon the philosophy suited to the present age ; to advocate a certain system of reform in society ; to recognize the Spirit of the Age, separating the spurious cant which is prevalent concerning it from the indu- bitable truth of its existence, and to endeavour to point out the real course of action which by its voice, now echoed throughout Europe, it directs mankind to pursue. I meant to have begun im- mediately this effort, but I now wish to write first a poem in blank verse on a pretty and touching Scotch tale, which I have long had in my mind's eye." The Scotch tale seems to have remained un- written. I can find no trace of it amongst his papers, and am sorry that nothing came of it; but any interruption of time and thought must have 50 JULIAN FANE. been providential if it saved him from further waste of either on the more ambitious design of which also no trace remains. An illness in the spring of 1849, by which he lost a term, prevented him from taking his Fellow Commoner's degree as M.A. until the year 1850. But in the meanwhile he passed the Christmas vacation at Berlin, doing some occasional work at the Mission to which he was already attached : and thence he writes to his friend Henry James on the 4th of January, 1849, about the difficulties he has experienced in ascertaining " what are the wants, or rather, I should say, what are the attainable wants (for they want everything) of the good Prussian people. The town is perfectly tranquil in appearance (it is, as you know, in a state of siege), but I believe that a great deal of angry and bitter feeling is concealed beneath the constrained and unnatural appearance of calm which you everywhere meet with. My belief is that the French will return before long to monarchy. It appears to me that when once they manage to shift themselves off that parapet, they rush down into the depths of democracy with such QUITTING CAMBRIDGE. 51 rapidity that they are unable to remain at the bottom when they have reached it : for the impetus given them by the rapidity of their descent propels them up the hill again on the other side, where they eventually arrive at what they started from." On the 17th of June in the following year he writes from Cambridge to the same friend. " Your conjecture with respect to the allusion in V. H.'s letter was correct. I have been sum- moned back to Cambridge to superintend the passage of my Exercise through the Pitt Press. Many thanks for your felicitations; and more for your promise of spending a week with me at Cambridge before I leave its classic shades for ever. I recite my Exercise on the 2nd of July, and take my degree on the 4th, and shall pro- bably go down on the following day. * * * After leaving Cambridge, I proceeded directly to Dublin, on a visit to my brother there, with whom I remained a fortnight. I was quite delighted with the city, and all it contains: men, beasts, and buildings. Such gallant men, and such lovely women ! such divine carmen, and such enchanting e 2 52 JULIAN FANE. lamplighters! such nunneries, and oh! such nuns! I worked very hard at sight-seeing (a stupendous labour!) while I was there ; and in the first three days I had seen all the notable things — and nothings — in the town. The consequence of which was that, in my waking hours, my mind was coniplcxed with complicated recollections of palaces, pigstyes, pictures, popery, potatoes, politics, and pagodas, which chaos of things also haunted me in my sleeping hours with horrible nightmares. I set about, however, after the first week, going over all my previous tracks of sights once more, and came away with a distinct idea of the city and its people, — having learnt a little and seen a great deal. " I have not yet read ' In Memoriam ' through ; and will not, until I have done so, express any opinion on it. What I have read gives me a very high idea of its merits, and I look forward with intense satisfaction to the pleasure (although it can scarcely fail of being a melancholy one) of reading it attentively through. "I arrived in London on Tuesday the 11th, and attended the dinner at Black wall on Wednes- A DINNER AT BLACKWALL. 53 day. Trench was president ; Yoal vice-president ; and ' the number of the men was about twenty.' Of these were four only belonging to the existing Society, namely, Stephen, Watson, Yoal, and my- f. I sat between Henry Hallam and Trench, the former of whom charmed me exceedingly. Trench, too, who is eloquent and tender-hearted and earnest, I liked well. There was speechifying without end and without aim, and I became drowsy under the influence of verbose members who insisted on thanking me for drinkino- their health (which I didn't), and, in short, I was delighted when Spedding got up and proposed that at the next meeting the promiscuous oratory should be quashed, and only those speak who had something to say, and wit wherewith to say it. The only speeches I cared to hear were those of Venables and Tom Taylor, both of which were very clever. I was, however, delighted at having had an opportunity of meeting the elders, with all of whom I was greatly pleased ; and I advise you not to neglect another opportunity of making their acquaintance." The initials which occur in the beginning of 54 JULIAN FANE. this letter arc those of his College friend, Mr. Vernon Harcourt, who, of all his Cambridge acquaintances, was, I think, the one for whose intellectual power he retained perhaps in after- life the strongest admiration. Nor was the friendship then commenced between them for a moment suspended or diminished at any period of their subsequent career. They remained to the last firmly and tenderly attached to each other, and my later chapters. will contain Mr. Harcourt's recollections of the friend he loved so well. I subjoin meanwhile a few brief notes on Julian's College life by another most distinguished contemporary. " I clearly recollect," writes Mr. Sumner Maine, "that, when my acquaintance with Julian Fane began at Cambridge, I thought him much the most brilliant young man I had met or seen. The vivacity and readiness of his conversation, his grace of person and manner, his hereditary taste and skill in music, the amazing fluency with which he spoke two or three foreign lan- guages, the knowledge which his familiarity with continental society had given him of things and ME. SUMNER MAINE'S RECOLLECTIONS. 55 people only seen at Cambridge through the im- perfect medium of newspapers, would probably have left this impression on my mind, even if our acquaintance had not ripened into friendship. But I ultimately knew him well enough to find that my first impressions hardly did him justice. I have always thought that there was something not a little remarkable in his choice of associates at Cambridge. There were several sets of men at that time in the University, which might have appeared to have natural attractions for a person of his peculiar accomplishments and tastes, but the society to which he actually attached himself, consisted of young men who believed themselves to be united by a common devotion to serious thought, enquiry, and discussion — a devotion which some of them, I dare say, carried to the verge of affectation. It is probable that some, though by no means all, of the subjects with which his new friends occupied themselves were new at that time to Julian Fane, but he took them up with keen interest, his observations on them were thoughtful and often original, and he could quite hold his own in our debates. 56 JULIAN FANE. " If I had to single out one quality or capacity which then distinguished him more than another, I think T should say it was the faultlessness of his taste. His own University success was in some degree an illustration of this. Of all the hopeless subjects which the authorities at Cambridge are in the habit of prescribing with the professed object of stimulating the poetical faculty in under- graduates, the subject on which Julian Fane had to write a Prize Poem was about the most hope- less, but there was great good taste as well as ingenuity in the selection of ' Lycidas ' as a model, and the young writer followed the spirit and rhythm of his original with a curious felicity. In our frequent discussions on poetry I never failed to be struck by his critical power. " Julian Fane's profession allowed him to be little in England after he quitted Cambridge, and my own profession took me ultimately to a distant countrv. The communications which passed between us consisted chiefly in messages expressing a hope on either side, never destined to be fulfilled, that our personal intimacy might one day be renewed. His diplomatic career and TRIBUTE OF ANOTHER COLLEGE FRIEND. 57 the promise of professional eminence and useful- ness which he gave, are only known to me by report ; but if much ability, great tact, great versatility, and a power of attracting men growing chiefly out of unfailing sweetness of disposition, contribute to success in his profession, he ought to have succeeded brilliantly, for all these qualities were his in the days when he was familiarly known to me." The account of Julian's University life I will now close with another sketch of him as he appeared to his contemporaries there, by Mr. Henry James, also a most intimate and valued College friend. Mr. James has so justly and delicately appreciated the character of his friend, that I gratefully avail myself of his considerate permission to print here the felicitous description of it contained in this interesting record of his personal recollections. "To recal the Julian Fane of this period [1847 — 1850] is to remember the brightest hours of the happiest of my College days. I believe that all men felt exhilarated by his presence. He brought to the discussion of graver topics such 53 JULIAN FANE. buoyancy of heart, and to lighter talk contributed so much wit and gaiety and happy laughter, that dulness and he were seldom found together. Those who knew him only by name and by sight, and drew their estimate of ' Fane of Trinity' from hearsay comment, and such casual indications as his habits and manner afforded, would probably describe him as a singularly handsome and graceful man, of a refined and sensitive nature, redeemed from all charge of effeminacy by a manly dignity of presence and a certain noble carelessness, who held himself rather lightly aloof from the usual pursuits of University men. He seldom attended lectures, never boated, utterly disliked wine- parties, very rarely was seen at a breakfast, cared neither for billiards nor cards, never rode nor drove, rarely visited the Union, and belonged to no ' set.' It was but natural that coming up to Cambridge after the experience of four years at a foreign Embassy, his interest in College life — though he was then under twenty — should differ from ours, who rejoiced in it mainly as bringing freedom from the restraints of school, and as being our first introduction, to responsible life. ORDINARY LIFE AT CAMBRIDGE. 59 He saw in it only a delightful opportunity for quiet reading, and for the cultivation of his special sifts. His distribution of time was somewhat unusual. Those who wished to have a walk with him did well not to fix the meet at their own rooms, but wisely sought his about one o'clock, and supplemented the ineffective efforts of his College servant to break his slumber. They broke lightly enough, however, at a friend's voice, and no more willing or more joyous companion could one anywhere find. Neither monotonous roads nor gloomy weather clisj^irited him. Indeed, I never remember seeing him even for a moment moody or despondent ; but he had always the air of a man of faultless health and temper, to whom simply to live was enjoyment. After hall his wont was to retreat to some friend's rooms, and there to sit at ease and talk and talk. Those only who have known the infinite charm of his conversation, can imagine how vividly the memory of these hours lives for many of us. For myself I owe to them, beyond the inexhaustible delight which they opened to me in a friendship so warm and kindly, the first germs of thoughts, and 60 JULIAN FANE. feelings, and tastes, which I have often since recognized as most valuable possessions. Not seldom we sat thus till midnight; though his usual habil was to return about eight to his own rooms, and sit up reading and writing till the morning. " His intellectual sympathies at this time were essentially artistic. He took a very strong in- terest in politics, and had a leaning towards philosophy, but poetry and music he passionately loved. Possibly many of his friends never heard him read a line, for he most sensitively shunned the reputation of an enthusiast, but sometimes, as the memory of some favourite passage stirred within him, he would glow with the fire of Shakespeare's burning thought, or melt to the tremulous tenderness of Tennyson or of Shelley. His voice was then as a perfect instrument in a master's hand, ready to utter the most intense passion, or to vibrate to the lightest touch of subtle feeling : yet not voice only was eloquent, but every look and motion. The force of his expression is witnessed to by the fact that I can remember to this hour, as I read ' Hamlet ' or ' In POETRY AND MUSIC. 6] Memoriam ' or many of Shelley's lyrics, his action and tones as he read thern to me twenty years ago ; and its excellence is attested, by my judg- ment at least, as I find that I still can gain no more delicate or more profound appreciation of these passages than that which I caught thus from him. Of his own poems of this period I need not speak, as most of them have been pub- lished. His power in music I was not able at all adequately to measure, though I could not but observe constantly how great was his love for it. Ho had an exceedingly fine ear, and quite a marvellous facility in remembering music he had heard. He often composed, though as he knew nothing at this time of musical notation he was unable to write anything down. He not unfre- quently would .sing over to me the airs to which he had linked some favourite lyric. He very soon banished his piano from his rooms, as he found that it stole his thoughts from reading; and one might well understand that, hearing how often in the day they were unconsciously pursuing some melody. " It was a matter of regret to some of us, I G2 JULIAN FANE. remember, that he did not take part frequently in the Union debates. To my knowledge he spoke there but once, when he created an impression — it was in the midst of a debate on democracy — rather by the announcement of certain startling intelligence which he had that evening privately received of the popular insurrection in Berlin, than by any eloquence he displayed. He had certainly the presence, the fire, and the gift of ready thought and word which go to make an orator. I doubt, however, whether he would not always have needed a great occasion, and a highly cultivated audience to call him forth. He did not care much, I think, to persuade masses of men, but rather to win those for whom he had affection. Many of those who now so deeply regret his loss will remember how powerfully he could urge an argument in which his feelings were engaged. Many too will recal with what grace and vigour, and also with what infinite humour he took his part in those more friendly and free debates* which ' in another place ' were waged * An allusion to the Conversazione Society before described. AS A CAMBRIDGE APOSTLE. 63 ' On mind and art, And labour, and the changing mart, And all the framework of the land.' " From his first entrance into that Society, he eagerly embraced the tradition of fraternity which he found to be one of its most cherished prin- ciples. Always eager-hearted and unrestrained, he found himself at once in a climate suited to his genial and affectionate nature. He would hardly have been the leader of thought amongst us, even if we had been disposed to acknowledge one, nor was he, as some others were, the recog- nized champion of certain opinions to be held against all comers. He was always, however, a forward fighter, and brought a very tough lance into the field. Still be will be rather remembered amongst us, I think, for his brilliance and grace, fa- his buoyant spirits, for his gentle wit and happy raillery, for his generous warmth of heart and quick sympathy, and for all those countless courtesies which so much endeared him to us all. " No one of his intimate friends could at any period of his life, I imagine, speak of him with- out enthusiasm. For myself no words would 61 JULIAN FANE. seem to me too strong to describe the admiration which I felt for him in our College days. It is possible, no doubt, to analyse this feeling to some extent, and thus show in part to others, the secret of the charm he exercised. This I have tried to do : but words can no better paint the beauty of a spirit finely touched by nature, than they can describe the individual expression of a face, or the tones of a voice. It will be at once seen that I have attempted to recal him only as he was when he ' wore the gown.' Distance and diversity of life, though they never weakened our friendship, from that time so far separated us as of necessity to make my knowledge of him in the maturity of his power very fragmentary. I have but recorded my impression of him as he was during a brief period of repose in his active life, retracing the mere outline of a living picture which always has been dear and now is sacred in my memory. "H. A. J." " October, 1870." A few words it will be right to add before pass- ing from these College days. The delight in his EESULTS OF CAMBRIDGE LIFE. 65 companionship, then felt by all, has been in a remarkable manner shown by these letters quoted from some of the most distinguished of the men who had the privilege of sharing it. But there were also results from his Cambridge residence, of which mention should not be omitted. Prominently as we see the charm of his social habits remaining in the recollection of all who at that time came in contact with him, I have reason to know that he was also acquiring while there, notwithstanding a mode of life that seemed adverse to the acquisition, gains in the way of labour and study which were afterwards a very precious possession to him. Underneath that seemingly desultory life, he managed to find time for much hard, steady work ; and it was his own belief at a later time that the check thus placed on the inclinations which his nature might have led him more freely to indulge, had been his greatest advantage brought away from Cambridge. Many causes afterwards conspired to weaken this ; but the determination with which he went to College, and the degree of success that attended the effort he there made to repair the GG JULIAN FANE. interruptions to his previous education, were influences that remained with him to the very last not inoperative. The practical side of his character, almost unconsciously to himself, had been silently strengthened by them. " Every one who knew him thoroughly," writes one who was not a sharer in his College life, but who watched closely his subsequent career, "must have felt that what after all was pre-eminently remarkable in him, was the strong practical understanding, the upright, almost stern sense of justice, which, mingling with so many light and bright qualities as rose ever to the surface with him, constituted the secret of his attraction to so many persons of the most opposite tastes and tendencies." It was in my opinion in an especial manner due to the effect upon him of his work at Cambridge, that this force of character found the means to make itself thus variously felt, and that so many men of opposite pursuits and temperaments liked him, were influenced by him, and thought themselves the better for their intercourse with him. CHAPTER IV. Qualities which fitted Julian Fane for Parliamentary success counteracted by others of a different order. Life at Ape- thorpe. Verses descriptive of Apetliorpe. Attache at Vienna. Life there. Early verses. Point of view from which they should be regarded. Specimens. Later unpublished Poetry. M i:. James has referred in his sketch, to the natural eloquence of Julian Fane, with some doubt as to whether it was of a kind likely to achieve a great Parliamentary success. My own impression is that if, at any period of his life, Julian Fane had entered Parliament, his success as a speaker would have been immediate and brilliant. But. I greatly doubt whether he either would or could have taken an active or leading part in the business of the House. He possessed in a high degree all those qualities which recom- mend a first speech to the favourable hearing of such an assembly as the House of Commons. His figure was lofty and striking; his countenance expressive and eminently high bred ; his gesture F 2 08 JULIAN FANE. naturally graceful. I !«■ had exquisite taste and tact, thorough good humour and good sense, and that tolerance of platitude which is so valuable a quality in dealing with popular assemblies. But with his passion for literature, he would probably have broken loose from any prolonged servitude to the vulgar drudgeries of Parliamentary life; and, even if he could have resolved upon the permanent subordination of his inbred tastes to common-place business, the way would not have been clear for him. We all know what sort of career is offered by English political life to any man who is too conscientious to attach himself to party. I once expressed to an eminent English politician my surprise at the pledge he had given his con- stituents to support a measure in which I was unable to detect anything deserving the approval of his acute and searching intellect. The reply (made in all seriousness) was " If I had not given the pledge, I could not have represented any Liberal constituency ; and as I am not a Tory there was no help for it." His sister says of Julian, in a letter to the POLITICS AND A PROFESSION. 69 writer : " His scrupulous dread of, and contempt for, deceit, or double motive, was (if it be possible) carried to excess. It was certainly this which made him renounce the ideas entertained for him by others (and at times by himself) of Parliamen- tary life. Clear-judging enough to see the weak side of all parties, he was too conscientious to bear the idea of attaching himself to any ; dread- ing lest he should ever have to compromise between bis party and his conscience; and he carried this feeling to such an extent that it induced him to give up all thoughts of the career for which his tastes, as well as his abilities, really most fitted him." It was probably the same fastidious conscientiousness which also prevented him from entering the Church : a profession which, regarded merely as a profession, was at all times very attractive to his contemplative temperament ; and to which at one time he had a strong inclination. In 1st!), whilst he was still at Cambridge, the state of his health necessitated change of air and absolute repose of mind. Acting on the advice of Lis physicians he returned to Apethorpe, the 70 JULIAN FANE. country scat of Lis father, who with the other members of his family was then abroad. Here his time was passed chiefly in the society of an old keeper, and in the enjoyment of field-sports, for which he retained to the last the keenest relish. " He often recalled that time," says his sister, " as one of the happiest in his life. He loved the place, and everything about it ; and I have heard him say, in later years, that, had he gone into the Church (as was once thought of,) the life in the old rectory at Cliffe (close to Apethorpe, and in his father's gift) would have been more congenial to his real tastes than the life which, as it happened, he was destined to lead." His affection for Apethorpe, and the tenacity of it, have found touching expression in some delightful lines written by him in the year 1860. By a few delicately desciTptive touches, they set before us a perfect picture of the old house he loved so well ; and the reader will find in them adequate evidence of the grace and strength of his later versification. " The moss-grey mansion of my father stands Park'd in an English pasturage as fair AT APETHOEPE. 71 As any that the grass-green isle can show. Above it rise deep-wooded lawns ; below A brook runs riot thro' the pleasant lands, And blabs its secrets to the merry air. The village peeps from out deep poplars, where A grey bridge spans the stream ; and all beyond, In sloping vales and sweet acclivities, The many-dimpled, laughing landscape lies. Four-square, and double-courted, and grey-stoned, Two quaint quadrangles of deep-latticed walls, Grass-grown, and moan'd about by troops of doves, The ancient House ! Collegiate in name, As in its aspect, bike the famous Halls Whose hoary fronts make reverend the groves Of Isis, or the banks of classic Cam." "He was never happier than when at Ape- tho-rpe," (I quote from the letter of one who was much with him in those days) " and never more brilliant or more genial than when living there with his country neighbours. He seemed to take the liveliest interest in all the poor of the village, and the dependants of his father's estate. "With the keenest sense of humour and a rare appreciation of character, it was his daily delight to draw out their peculiarities. But in doing so he threw himself heartily into all their in- terests, and divined their feelings with a genuine sympathy. In such intercourse he was gracious 72 JULIAN FANE. without being patronising, and familiar without loss of dignity. From bis parents he inherited the power of giving unaffected cordiality to all social relations; and he was as anxious to please, as considerate, and as attentive to the feelings of others, when entertaining the humblest and least gifted of his father's numerous country guests, as amid the brilliant intellectual society in which I have met him at other times." In 1851, Lord Westmorland quitted Berlin, and was appointed British Minister at Vienna. Thither his son Julian accompanied him, in the character of unpaid attache' to that Mission. He was promoted to the rank of Second Paid Attache in the winter of the same year, and to that of First Paid Attache' in the summer of 1853. The duties of First Paid Attache' to a large Mission are often onerous. He organizes its mechanical work, and assigns to each of his subordinates his appropriate labour, for the adequate performance of which the responsibility rests with him, not with them. He keeps its archives and the various registers of its current correspondence, political, commercial, consular, and private. In German Missions it is ATTACH^ AT VIENNA. 73 generally the First Attache who undertakes the principal work of translation, which is often heavy. In addition to these duties Julian Fane, so long as Lord Westmorland remained Minister at Vienna, performed those of Private Secretary to his father. All this while he continued to mix largely in Viennese society ; of which, says one who knew him at that time, " he was the life and soul ; dancing at all the balls, acting in all the private theatricals, frequenting the club, &c." Never- theless his professional and social occupations did not prevent him from assiduously prosecuting his private studies, and cultivating his many accom- plishments. After a long day of professional business, followed by a late evening of social amusement, he would return in the small hours of the night to his books, and sit, unwearied, till sunrise in the study of them. Nor did he then seem to suffer from this habit of late hours. His nightly vigils occasioned no appearance of fatigue the next day. This was probably the most active and animated period of his life; and I think that during these years he read harder and more systematically than at any later time. In the 71 JULIAN FANE. year 1852, he returned to England to superintend the publication of a small volume of poems, of which it is now time to speak. Julian Fane was the perfect realization of a character as rare perhaps as that of the poet, the statesman, or the orator. But it is not any of these, and it essentially differs from them all. It is that of the man who partakes of them all, who understands, judges, and feels them all. Of him I use the word "accomplished" only in the highest sense. The outcome of his complete individuality was thoroughly original ; but it was not original poetry, original eloquence, or original intellect. It was original charm : a charm not only original hut unique, and which included a high degree of poetry, eloquence, and intellect. He was a man of whom it might truly be said — " All liberal natures his did hold, As the Ark held the world of old." His verses, therefore, must be regarded only as one of the incidental products of his multitudinous accomplishments, and as evidence of his many- sided sympathy with all forms of intellectual CHAEACTEE OF EAELY POEMS. 75 beauty. From this point of view they are remark- able. They are not the embodiments of those great objective conceptions which constitute the originality of creative poets ; nor yet are they the spontaneous irrepressible bird-notes of that genuinely lyric temperament which unconsciously transmutes all subjective sensations into an original music of its own. They have been written partly to solace a passionate taste for poetry, partly as the choicest forms of expression for domestic affections deeply felt, and yet ideally contemplated. In some childish verses written by him in his schoolboy days, after alluding to the poet's desire of fame, and prevision of posthumous renown, he says— " But I myself desire not The joys which spring from such a source ; I covet, know them, prize them, not ; I feel not their inspiring force." " Events," he says — " in after years remain Still fresh and clear to memoiy, But we can never feel again The bliss they gave in passing by: " save by the aid of Poetry which revives our faded 76 JULIAN FANE. impressions, and restores not only the outward image, but also the inmost emotions, of the past. " And we behold our childhood's home, Our days of youthfulness and joy, The scenes thro' which we loved to roam When yet we claimed the name of Boy." "These," he concludes, "are the charms for which I write : this the ambition of my soul ! " "Whereto I find appended this pencil-mark in the handwriting of later days : " God wot, the ambi- tion is poor enough, and the rhymes worthy of it. J. F." Yet these childish rhymes (poor, indeed, as compared with the careful polish and deepened strength of his later compositions) indicate very truthfully the nature of those sentiments for which his cultivated taste, and passionate love of beautiful language, first prompted him to find appropriate expression in verse. The lines thus written were not challenges to fame, but sacred gifts privately offered on the altar of household affections. All his early verses are to be described as of an essentially domestic character ; for the most part they appear to have been prompted by the daily incidents of personal friendship or family SELECTION OF POEMS FOR PUBLICATION. 77 affection ; and the subjects and titles of them will sufficiently explain why I leave them undisturbed in the sanctuary of those household gods to whose gentle worship they were dedicated. "To my mother, with a wreath of flowers;" "On re- ceiving a note from two young ladies with only the word wir in it ; " " To B , during sick- ness ; " "On leaving Berlin, 1847;" "On my father's birthday ; " " Lines to be repeated by B to her mother on her birthday ; " " To B. ; " " To Ernest Fane " (his brother) ; " To L." (his dead sister); "To my mother;" "An Ode," addressed to Jenny Lind, whose genius he warmly admired, and for whom he had a cordial affection. "A birthday choral ode;" "To K ■;" "To , in the first leaf of her commonplace book ; " " To B " (in French) ; " In memory of Lord Belfast ; " " In memory of Lord Baglan ; " &c. Out of a large number of verses written on such subjects only a very limited selection could pro- perly be made for publication. In that selection he was assisted by his mother, to whom most of tlicm-had been originally addressed. The small volume published in 1852 was the result of their 78 JULIAN FANE. deliberations; and, says she, "we afterwards laughed heartily at one of the criticisms denounc- ing the number and variety of his amours, as im- plied by the numerous names to which the verses were addressed : the fact being that he and I together had chosen and applied them, carefully avoiding the names of friends." From this little volume, I select the following specimens of its writer's earliest poetry. TO KATHLEEN. When, in that hour which saw us part, My faltering voice refused to tell The anguish of an aching heart, From thy sweet lips these accents fell i ii. " Thou leav'st me on a darkened strand, And, fading from my faithful eye, Like Light thou passest from the land, And I will follow — or I die." in. I wait, I watch, as from a tower, On leaden wings the minutes move I Thou comest not, nor comes the hour That brings me tidings of my love. PUBLISHED PIECES. 79 IV. I wait — and Morning 1 comes indeed 1 I watch her glowing steps encroach Upon the dark, and think to read The signal of thy sweet approach ; v. Or draw, when twilight veils the world, Vague promise from the rich array Of clouds, like banners half unfurled, That droop about the dying day. VI. So Morn and Eve, that slow succeed, By turns my futile fancy fire, And bring but lying thoughts to feed An ever-unfulfilled desire. VII. But these blank, bitter hours that still The daily death of hope renew, Are weak to vancpiish Love, and kill The cherished thought that counts thee true. TO THE SAME. Kathleen I my saint, thou art in heaven, No griefs can cloud thy nature now ; Thy sin (if sin it were !) forgiven, A glory girds thy guiltless brow : 80 JULIAN FANE. And thou with all the sainted Dead, Win) wateh (rod's throne with happy eyes, Dwilli -t whore tours are never shed, And only Pity sometimes sighs. All ! turn not thy clear eyes below, Lest thou, whose human tears would roll Adown thy cheek, in streams of woe, If ever sorrow dimmed my soul, Should'st see me where I sit forlorn, And rock and sway an aching breast, And strive in vain, while so I mourn, To lull my sleepless woe to rest : Lest thou, my darling, noting this, Should'st feel a vague sense o'er thee creep Of something wanting to the bliss Of Angel-souls — who cannot weep ! TO THE SAME. I sailing on life's ocean lone, Knew thee, Kathleen ! whilst thou wast here, A nature higher than my own, And centred in a higher sphere ! And looking on thee from afar, Fair beacon-light to my frail bark, I saw thee lapse, a falling star, And slide into eternal dark ! PUBLISHED PIECES. 81 Ay me ! what voice of piteous range, AVhat song of sorrow from my lips Can paint the black, the bitter change That marred my life at thy eclipse ! A helmless bark, by tempest torn, At random on the wild waves cast, Whose tattered colours float forlorn, In signal, from the broken mast ! Which sail-less drives, with rigging bare, Before the whirlwind's withering breath ; Blow on ! bleak blast of keen despair, And dash it on the rocks of Death ! ODE. The year lies bound in wintry chains, The keen frost sparkles in the air, The snow-sheet whitens all the plains, The leafless trees are black and bare ; The swallow hath fled o'er the lea, The songsters make no minstrelsy, The bitter wind makes hollow moan ; Around each household hearth a throng Is gathered for the tale or song ; But thou art not the groups among, Thou sittest in the house alone ! ii. The year is up, and full of mirth, The laughing plains are decked with green, 82 JULIAN FANE. Spring- walks upon the happy earth, The venial breezes blow serene ; The birds pour song- from every tree, Beneath them hums the murmuring- bee, The air is rife with merriest sound ; All hearts are light— the hour is sweet, Glad faces in the sunshine meet, Both young and old leave their retreat, But thou with Solitude art found ! in. Thou art not of a sullen mind, For thou art loving, gentle, good ; Thou art no hater of thy kind, But thou adorest Solitude. The Seasons change, the fleeting years Pass on ;— in thee no change appears, Thou art the same from day to day ; Calm, quiet, amorous of rest, But, with an equal temper blest, Not bitter to the stranger guest Who traverses thy lonely way. IV. All in thy solitary hours What consolation dost thou find ? Large comfort from those heavenly Powers That brood about the lofty mind ; The spirits of the Great and Good Attend upon thy solitude, With Wisdom's philosophic scroll ; And from the bright immortal page Of bard inspired, and reverend sage, (The Wise and Just of every age) Is fed the fountain of thy soul. PUBLISHED PIECES. 83 v. Then let the silly blockhead prate About " the joyous and the free ! " And gTavely shake his empty pate, And mourn the lot of such as thee ! He knoweth not (himself unblest) The calm contentment of that breast "Where dwells divine Philosophy ; She takes the salt from human tears, She leaps the gulf of countless years, And scorning abject doubts and fears, Points upwards to her home— the sky ! VI. I will not say that thou art free From thoughts which wring the tender heart : The reflex of thy memory May haply cause thy tears to start ; Thou art so full of mystery, I will not scan thy history, But let me speak that which I know : If gentle in thy thoughts and deeds Thou, having sown thy generous seeds, Hast reaped in tears a crop of weeds, Thou hast great comfort in thy woe I VII. O'er countless wrongs the heart aggrieved, In anguish for a space may brood ; But happy he, who hath received, And not requited, ill for good 1 The shining deeds by Virtue done, (As through the tempest breaks the Sun) Their rays through clouds of sorrow dart ; G 2 8-A JULIAN FANE. And, whatso'er thy griefs, I know A thousand virtuous acts bestow (Though breaking through thick mists of woe) Their heavenly sunshine on thy heart. VIII. But here I cease my minstrelsy, Too fearful lest I miss my end ; And, tender heart, in wounding thee, Against my better thought offend. Thou hast no need of words from me, For thine own soul's divinity Can lift thee from the world below ; And, passing through thy upturned eyes Into the regions of the skies, Thy spirit can sublimely rise Beyond the thoughts of earthly woe ! SONG. The winds are lulled in perfect sleep, The slumbering leaves they are not stirred, And only from his covert deep The nightingale's sweet note is heard ; He sings and trills, nor waiteth long Ere from the hazel-copses nigh, His happy mate her happiest song Attunes into a sweet reply ! So answer, dearest ! thou, nor wake The echoes rudely to my ear, Or this wild heart I feel will break At sudden joy, to know thee near ; PUBLISHED PIECES. 85 But softly sing that, through the trees, Thy voice, before thee on the pad, Way reach rue like a plaintive breeze, And like a sigh that is not sad. TO MINNA. Thy words imply that Love which bides In human breasts, perforce must know A rise and fall, an ebb and flow, As constant as the ocean tides ; Be it so ! with those whose petty cares In narrow hearts have sown disease ; Dearest ! thou art unlike to these, Nor should thy love resemble theirs ; Be thy rare love like that sweet sea Which, peerless, owns enchanted waves, And in still beauty tideless laves The happy shores of Italy ! A SIMILE. A thronkd queen listening the musical love Of thronging multitudes, resembleth thee Seated upon the waters, and above Bearing thy bold brow, beautiful and free, While at thy sovereign feet the subject Sea 86 JULIAN FANE. Rolls — and vast multitudes of vocal waves, With such strange din as Love and Liberty Send from the wild hearts of new-franchised slaves, Salute thy ear, and echo, Albion ! through thy caves. AD MATREM. If those dear eyes that watch me now, With looks that teach my heart content : That smile which o'er thy placid brow Spreads, with Delight in pure concent : And that clear voice whose rise and fall Alternates, in a silver chime : If these fair tokens false were all That told the tale of fleeting Time — I scarce should mark his swift career, So little change has o'er thee passed, So much thy Present doth appear Like all my Memory holds most dear, When she recalls thy perfect Past ! Unchanged thou seem'st in mind and frame Thy sweet smile brightens still the same : In thy fair face is nothing strange ; And when from out thy pure lips flow Thy earnest words with grace, I know Thy Wisdom hath not suffered change I And so thy Presence, bland and glad, Wherein no trace of change appear?, Proclaims not that this day will add A fresh sheaf to thy garnered years I But Time himself proclaims his power, And will not pass unheeded by : At every turn his ruins lie, PUBLISHED PIECES. 87 I track his steps at every door ; Or, musing with myself, I find His signet borne by every thought, From many a moral blemish wrought By more of commerce with my kind ; Who am not armed, as thou in youth, To bear unhurt the brunt of Life, To battle with the foes of Truth, And issue scarless from the strife ; Not pure, as thou, to pass unscared, Where knaves and fools infest the ways, By their rank censure unimpaired, And spotless from their ranker praise. And thus the slow year, circling round, Mara with no change thy sold serene, While I, though changed, alas ! am found Far other than I should have been, And only not at heart unsound, Because thy love still keeps it green ; Oh ! therefore, from that worst decay To save me with Love's holiest dew, Heaven guard thee, dear ! and oft renew Return of this thy natal day : And teach me, with each rolling year That leaves us on a heartless Earth, To love thee so, that Love may bear Fruits worthier of thy perfect worth ; And so, whatever ills betide, "Whatever storms about me lour, Though broken by the bolts of Pride, And scorched by Envy's lightning power, I shall not perish in the blast, But prosper while thou still art nigh, By my pure love preserved, and by My guardian Spirit saved at last. 83 JULIAN FANE. The " Ode " which I have included among these poems was written by Julian to the second wife of his grandfather; an eccentric woman, whose life had not been happy, but who possessed many fine and generous qualities which were warmly appre- ciated by her grandson. In all that have been quoted, taken from the volume published in 1852, the influence of various popular poets, and chiefly of Mr. Tennyson, can doubtless be detected : but I have already indicated the point of view from which I think they should be regarded. Upon a later page, however, will appear some poems hitherto unpublished, which express the same vividness of personal affection, deepened as the years had passed, and which take from his maturer thought and experience a higher cha- racter. From his earliest boyhood to the latest year of his life, his mother's birthday never came and went without being greeted by him with a tribute of song. Neither business, nor pleasure, nor extreme jihysical pain ever interfered with the religious regularity of these annual dedica- tions of an affection exalted into piety by the sacred tenderness and infinite depth of its devotion. LATER UNPUBLISHED POETEY. 89 Many of them were sonnets in the form of which Shakespeare made such wonderful use, and which later English poets have so little employed, that, in the range of modern poetry, few happier examples of it exist than Julian Fane's. He made of it, as the Great Master had done, a " key to unlock his heart." Originality of expres- sion accompanies all intensity of genuine feeling ; in the poetic nature it takes its highest and happiest manifestations ; and what is merely imitative in the manner of his sonnets "Ad .Matrem," is no drawback from the pleasure with which they will be read. Their source and inspi- ration went deeper than any other emotion of his life, and some of them are the best poetry he has written. CHAPTER V. Unpublished Translations from Heinrich Heine, and .sketch of Heine, by Julian Fane. In the month of November, 1855, Julian Fane contributed to the Saturday Review an article upon Heinrich Heine, which I believe to be the first article published by that Review on the subject. Many excellent ones upon it have since appeared, both in the Saturday Review, and other critical periodicals; and the life and works of Heinrich Heine are now better known to the English public than they were at the time when Fane's notice of them was written. This article, however, is still interesting. It contains one of his excellent translations from Heine, and forms an appropriate introduction to the others, to be shortly given, in connection with which it is here reprinted. CONTRIBUTION TO THE SATURDAY REVIEW. 91 HEINRICH HEINE, POET AND HUMORIST. Heixrich Heixe commenced his literary career in the year 1821. He then published, under the title of Tout Jit id Sorrows, the first series of those lyrical poems which compose the celebrated Book of Songs [Buck der Lieder), and four years later appeared the first portion of his Scenes of Travel (Beisehilder) — two productions which at once established his fame as the founder of a new school of German letters. The latter work, written in prose, with interludes and fragments of verse which have since been incorporated into the Buck der Lieder, is neither a romance nor a descriptive book of travels. It may rather be called a picture of the times in which it was written. The hopes and fears which then agitated the minds of men, the conflict of opinions, religious, moral, and political, which convulsed society, are, under many disguises, and with much circumlocution, the themes of which it treats. One of the chief aims of the scornful writer was to revile that spirit of patriotism which, while it roused the German people to throw off the yoke of France, had taught them, in resisting French domi- nion, to rebel also against French ideas and to repu- diate the principles of the Eevolution. When that national enthusiasm in Germany passed away with the 92 JULIAN FANE. causes that had engendered it, a profound melancholy seemed to settle upon the nation. It might in part have been produced by the reaction which naturally followed a period of such fierce and enduring excite- ment ; but the influence of disappointed hope, leading to the relinquishment of long-cherished expectations, was plainly to be traced in the sullen lethargy of the people. The author of the Reisebilder denounced both the hopes which had elated and the disappointment which now T depressed his countrymen. Their follies are the object of his contemptuous satire ; the glories of the Consulate and Empire kindle his wild declama- tion ; and the Emperor, transfigured in the imagina- tion of a poet, becomes the hero of revolutionary France — the rude inaugurator of a new era for men. But there is no subject too grave, no theme too light, for the supple pen of the brilliant writer. At one moment, he assaults and takes by storm the strong- holds of antiquated opinion ; at another, he describes with infinite humour a tavern-supper; and an English tourist, a schoolboy, a passing cloud, furnish him with food for merriment or reflection as he pursues his careless way. Into the province of Art the young Reformer entered with an audacity which astounded its sober and terrified guardians. Singing his wild " C,a Ira," he proceeded with revolutionary zeal to overturn the idols he there found enthroned. The ON HEINRICH HEINE. 93 romantic school, -with its nasal twang, must depart ; the maudlin worshippers of a canting sentimentalism must be thrust out ; senseless forms, from which the spirit had long since fled, now get buried without any rites of sepulture ; exact propriety and pompous gravity are dismissed with a laugh, and pedantry in all its sickly shapes must be banished from the national literature. Great was the dismay, and great also the indignation, produced by the feat of the adventurous writer. His countrymen divided at once into two hostile parties, one of which saw with alarm and shame the attack made upon all that it had been taught to consider venerable, while the other, gazing with rapture on the havoc that had been done, hailed its author as the chief of a happy revolution in the histoiy of literature and art. But if opinions were divided on the merits of the Eeisebilder, there was one general acclamation to extol the Book of Songs. Here was a mere youth writing lyrics with a freshness of diction and terseness of ex- pression which would have done honour to the great Goethe himself, and with a grace of fancy which was peculiarly his own. Those who had been accustomed to look for the springs of poetry only in the artificial sentiments of rose-coloured romance, and to receive their inspiration in contemplating the characters and acts of heroes of fiction, were now taught that a true 94 JULIAN FANE. poet could discern spiritual beauty in the unsophisti- cated emotions of a rustic's heart, and could kindle with enthusiasm in singing of the deeds and destiny of his fellow-men. The Book of Songs was at once appropriated by the people, and it has ever since been rehearsed and sung by all the populations of Germany. It was appropriated by the people because the beauty of its inspirations was such as could be loved by the most unlettered, and understood by those who could give no reason for their admiration. Special culture, producing technical knowledge, is necessary to him who would thoroughly appreciate works of Art, and the delight felt by the contemplator of its noblest productions will generally be in exact proportion to his apprehension of the skill required to execute them. An ignorant lover of music may be pleased with a symphony by Mendelssohn, but his pleasure will be meagre compared with that of the student who can trace intricate harmony to the subtle combinations of the great master. There are, however, certain efforts of art which, dealing with some familiar occurrence, some vulgar scene or trite sentiment, present them perfect in truth as recognized by every eye, and perfect also in poetry as not recognized before by any eye but that of the artist ; and to a large appreciation of these no knowledge is needed. The humour of Wilkie will tickle the soul of the unimaginative man POEMS CHARACTERIZED. 95 who gravely played at " blind-man's-buff " in the house of his countiy-cousin last week ; and the sober moralist, who yesterday rebuked, somewhat roughly, the little girl whom he took for an incorrigible liar, will melt to-day at the pathos of Wordsworth and weep over "We are Seven." The genius of Heine loves to busy itself with the actual world, and, com- bining the humour of Wilkie with the pathos of Wordsworth, has taught the simplest of his country- men to be tender over the sorrows of a broken-hearted clown, and to make merry with the selfishness of " a generous man." Such poems as " Der arme Peter," " Der brave Mann," and many others in a similar style, have become national property, and it is to them that the Book of Songs owes its great popularity. But if, as has been above indicated, the author of the Book of Songs showed, both in his selection and treatment of some subjects, that he possessed qualities in common with the gentle spirit of Wordsworth, he discovered a far closer affinity to the fierce, fretful soul of Byron. He had eagerly embraced, in common with the youth of his day, the principles of Ethics and Theology propounded by Hegel ; and in the philosophy of the new school he had thought to find a theory of the universe which could raise him above all vexations of the spirit, and render him, as a demigod, superior to " the ills that flesh is heir to." His first contact 9G JULIAN FANE. ■with the world served to dispel the flattering delusion, and the bitterness of his disappointment vented itself in a passion of satirical invective which respected neither things human nor divine. The youth, who had sung with the tenderness of Wordsworth, now scoffed with the temerity of Voltaire, ridiculed with the savageness of Swift, and railed with the spleen of Byron. When the storm of his satire had somewhat abated, his writings became the expression of a soul that still doubted whether it should blandly smile or bitterly scoff at humanity. The fiendish element of sarcasm, in the man was counteracted by his great human attribute of humour, and this in its turn was tempered by the gentle charities of a kindly imagina- tion which saved its possessor from genuine misan- thropy. But from the day when his faith in the philosophy he loved was shaken, Heine ceased to be an earnest man, and the manifold inconsistencies of his life and writings have followed as a natural sequel upon the overthrow of all law in his moral being. In the year 1830, being an exile from his own country, he took an active part in the political feuds of the day at Paris. He was of too liberal and enthusiastic a nature to feel sympathy with the advo- cates of reaction, and he lacked the firmness of cha- racter arising from sincerity of conviction, which would have led him boldly to declare for the revolutionary TIIEEE-FOLD CHAEACTER OF THE POET. 97 cause. While he avowed himself a Royalist, he wrote with the license of an insurrectionary chief. If he sometimes appeared as the earnest champion of Louis Philippe and Casimir Perrier, he more frequently displayed himself as the incorrigible humorist, who" ridiculed all parties and believed in the principles of none. To the true lover of liberty, who is ever the true hater of anarchy, the political career of Heine is a source at once of irritation and regret, and its history must touch with unaffected sorrow the soul of every true admirer of his rare genius. In all his latter works he appears in a threefold character — as the tender imaginative poet, the fresh genial humorist, the snarling bitter cynic ; and with mingled outbursts of pathos, merriment, and irony he astonishes and perplexes his countrymen. They turn to the volume named Neue Gedichte, and find poems which are conceived with the simplicity of thought befitting a child, and clothed in a purity of language not unbecoming the lips of a saint. They turn to Deut-«hl'in