■■■■ffii; NIGHTINGALE VALLEY NIGHTINGALE VALLEY; A COLLECTION OF CHOICE LYRICS AND SHORT POEMS. FROM THE TIME OF SHAKESPEARE TO THE PRESENT DAY, ^ ? EDITED BY WILLIAM ALLINGHAM. LONDON : BELL AND DALDY, 186, FLEET STREET. 1862. PEEFACE. THE intention of this book simply is to delight the lover of poetry. Specimens critical and chronological have their o^Yn worth ; we desire to present a jewel, aptly arranged of many stones, various in colour and value, but all precious. Nothing personal or circumstantial, nothing below a pure and loving loyalty to the Muse, has been wittingly suffered to interfere betwixt the idea and its realization. Much, it is true, is perforce omitted ; but should the brotherly reader and the judicious critic haply find the little volume, ^er se, a good thing, they will scarcely complain that it does but its part. Do we curse the cup of refreshing handed us from the well because it is not twice as large — when the well itself, too, remains ? Those who best know of such things will the most readily see that a collection in any sense complete or exhaustive has not been thought of here, but an arrangement of a limited number of short poems, with some eye to grouping and general effect, and to the end (as said) of delight. But of delight — noble and fruitful. The grand word " Poetry" has its mean associations, — as " organ" may suggest a solemn cathedral, or a Savoyard and monkey. True Poetry, how- VI PREFACE. ever, is not, as some suppose, a kind of verbal confectionery, with cramp fantastic laws that impose great labour to little purpose. If one has anything to express in words, why go thus roundabout ? asks our sternly prosaic friend. The relations of the human mind ,with the world are not so simple as he takes for granted. Men are not only intellec- tual and moral, but emotional and imaginative. Sorrow and joy are very real, yet often very illogical ; and so also, and oftener, are those faint rapid shadows and gleams that pass con- tinually over the mind, composing the multiplex hue of life. The moods of the sagest, are they never submissive to the wind in a keyhole, the crackling of the flame, a vernal odour, or the casual brightness or gloom upon a landscape ? At the least touch of any sense gates to Infinity are ready to fly open. Such is man's nature ; and since he further finds himself urged to regulate what belongs to him, without and within, and mutually to con- trol the one by the other, so, as he gains indus- trial, scientific, religious development, he also becomes an Artist — in picture, in sculpture, in architecture, in music, in verse. Language has music in it ; from this Poetry (Verse-Poetry is always meant) derives its form and quality. It is the most melodious arrange- ment of language. The proportiomditi/ neces- sary for this end excites mystically a desire for proportionality in all other respects, reaching inward to the very spirit of the thought which is to be expressed. The stimulated and thoroughly alert Imagination requires its pure insight to be shapcn forth in the most perfect possible diction — judging all by a fine rapid-glancing logic, peculiar, airy, genuine. In short. Musical Proportionality is the life-principle of Poetry, and the product Poetic Beauty. As for the use of Poetry — I will tell you this accurately, when j'ou can put me Love into a crucible, and Faith into a balance. Such an attempt being too difficidt, let us agree to abide by matter-of-fact. And matter- of-fact shows us that Verse-Poetry (daughter of Language and Music, born at a time of the world whereto History stretches not backward) has been cherished and beloved amongst all the nations, ancient and modern, barbarous and civilized. Babes love the sovmd of it, youth passionately delights in it, age remem- bers it gladly; it helps memory, purifies and steadies language, guards elocution ; it gives wings to thought, touches hidden verities, can soothe grief, heighten joy, beautify the common world, and blend with the divinest aspirations. Poetry and Science (rank them as you please) are equally founded on the nature of man in mystic relation with the Universe. Hoiv Poetry manages to evince itself in ma- terial form woidd be hard or impossible to explain ; even if possible, still doubtless the secrets ought to be kept, like those of love. The profane, when they suppose themselves to VllI PREFACE. comprehend either, have but lost the degree of sympathetic knowledge — of instinctive and genuine feeling, which they inherited as men. It is difficult indeed to become u critic and remain a man. Fitly, therefore, to examine even the shortest genuine Poem is the rarest success of literary judgment. Perhaps it is not venturing too far to say that a true Poem is al- ways conceived by a sort of happy chance — descending, as it were, out of the sky ; but, as a finished whole, is the fruit of a most actively attentive condition (yetwith ease — not strained) of the rarest natural endowment. Every Poet is not a great one ; but, whatever his rank in the guild, ho is a maker, creator in little, and his successful work fine and true of its kind, possessing (however simple and modest) a secure, determinate, dignified aspect, standing firm with good hold upon the ground, and prov- ing its direct right to exist as much as a healthj- human being when he looks into your ej-e. Every true Poet is such by the same peculiar and inimitable fire that so splendidly beams from the greatest ; and is born capable to discover the art of poetry, had it been thitherto unknown. Some poems have soul in a bad body, and arc by nature soon for death ; many things under the name arc only puppets, dolls, mere wax and wood, — finer and prettier, sometimes, and, for a little, more admired than what is alive. Our Book hopes to please best the most unsectarian worshipper of Song, — one who can equally enjoy the floating charm of" Claribel," or "Tell me, thou Star,"' a thing of close-wrought gold like " My Last Duchess" or " Ulysses," the work-a-day vigour of Scott's lyrics, the sym- pathies of Wordsworth in their pensive and deliberate movement, the celestial-infantine fancies of William Blake, and the unconscious pathos and pieturesqueness of an Old Ballad. He will perhaps compare Shelley's " Fugitives" with Campbell's more realistic treatment of a similar theme in " Lord Lllin's Daughter," finding himself in the midst of either storm — with the lovers pushing off from shore, where " In the scowl of Heaven each face Grew dark as they were speaking," and with the other two, murmuring proud plea- sure, " While, around, the lash'd ocean, Like mountains in motion, Is withdrawn and uplifted. Sunk, shatter'd, and shifted To and fro." He wiU love Herrick (naturally and always a true lyrist), and taste, almost with a kind of awe, the delicately delicious lighter movements of our grand Master, like those of Philomel herself to the Faery Queen — " Philomel with melody Sing in our sweet lullaby; Lulla, lulla, lullaby :" and then admire how one little Song (such a one is " Go, lovely Rose,") can save a sinking Poet, like a solitary plank in the shipwreck of his fame. He •wall bring fit audience to the X PREFACE. subtle, romantic vibrations of Coleridge's too often despondingly-introspective mind, or to the winged rush of Shelley's most eager spirit, leaving air alive with billows of melody, or to the rich and dreamful tones of that even younger voice which too soon fell silent. He will gladly claim America for blood-relation in intellect and poetry, on account of her one Great Writer (as yet), whose prose is so royally precious as to outvalue even his own verse, fine as that is. Nor will he fail to recognize the sad fantastic tune of the few weird notes, sounding as from a cave, which belong to the poet of " the Raven ;" or the firm and trustworthy tone of Bryant, the transatlantic Campbell. He will be one who can appreciate the emphatic swing of " Ye Mariners," and the mysterious modulation in such words as " Wild roses and ivy serpentine.''^ And he will greatly rejoice to remember that of the men who have enriched these pages and the world, some are still living, " to brighten the sunshine." CONTENTS. Page C^OXNET. To the Nightingale 1^ Wake, Lady Milton . 1 . Joanna Baillu 2 Inscription for a Fountain on f Heath Coleridge 2 Fair Ines Hood 3 Sic Vita 5 A Sonnet upon Sonnets Wordsworth 5 Jock o' Hazeldean Scott 6 The Passionate Shepheard to hi Love Chr. Marlowe 7 To-day .... T. Carlyk 8 The Seven Sisters Wordsworth 9 Song. From "The Miller's Daugh ter" Tennyson 11 Autumn. A Dirge . Shelley . 12 The Amulet Emerson 13 The Character of a Happy Life Sir H. Wofto) IS*-" Want of Sleep , Wordsworth 14 Abou Ben Adhem and the Ange [ Leigh Hunt 1.5 Lucy Ashton's Song . Scott 16 A Dream .... W. Allingham 16 Ode to the Cuckoo John Logan 18 Coronach. From " The Lady o the Lake" . Scott 19 It is not beautie I demand , 20 The Question Shelley . 21 Barthram's Dirge 23 The World's Wanderers Shelley . 24 My Last Duchess R. Browning 25 Song. The Season for Wooing W. C. Bryant 27 Sonnet. Composed by Grasmer Lake .... Wordsworth 28 Hohenlinden Campbell . 29 {^onnet. From the Portuguese E. B. Browninc J 30*.- Clerk Saunders . . Old Ballad 31' Invocation of Silence . R. Flecknoe . 35 CONTENTS. Page Claribel. A Melody . Tennyson 36 France seen from the Coast of England .... Wordsworth 37 The Sower's Song T. Carlyle 37 Song. Why so pale and wan Sir J. Suckling 38 I remember, I remember Hood . 39 Sonnet. The Idle Voyager Hart. Coleridge 40 The Lover of Music to his Piano- Forte .... Leigh Hunt 41 The Fairies. A Child's Song W. Allingham . 42 The Last Day of Autumn . • 44 Ballad. Sigh on, sad heart Hood 44 To Dianeme .... Herrick . 46 The Bells Edgar A, Poe 46 To Mary in Heaven . Burns 50 The Northern Star , 51 To Lucasta, going to the Warres R. Lovelace 52 A Farewell .... Tennyson 53 Sonnet. Twilight among Moun- tains .... Wordsworth . 54 Introduction to " Songs of Inno- cence " . . . . W. Blake 54 Song. The Owl Tennyson 55 Sonnet. To Mr. Lawrence Milton . 56 The Dream of Eugene Aram Hood . 56 To the Virgins, to make much of Time .... Herrick . 63 Protus ..... 7?. Broivning . 64 Song. I wander'd by the brook-side R. M. Milnes 66 The Nightingale Coleridge 67 The Haunted Palace . Edgar A. Poe 71 Evening Song of the Priest of Pan John Fletcher 72 The Fugitives .... Shelley . 74 To a Dejiarted Friend In Memoriam 76 Song. From " As you like it " . Shakespeare 77 Sonnet. On first looking into Chapman's Homer Keats . 78 The Apology .... Emerson . 78 Tibbie Bur7is . 79 Choral Song of Illj-rian Peasants Coleridge . 81 The Raven .... Edgar A. Poe 81 Flowers ..... Hood . . 88 Fable Emerson . 89 As I lay a-thinking . R. H. Barham 89 A Man's Requirements E. B. Brownin^ 7 91 CONTENTS XIU Page Mea Culpa .... 93 Break, break, break . Ttnnyson 94 Sonnet, Absence Shakespeare 95 The Tiger .... W. Blake 95 Song. From the Spanish of Iglesias W. C. Bryant 96 Yarrow unvisited Wordsicorth 97 Adieu ..... T. Carlyh 99 To a Sky-Lark .... Wordsicorth 101 The Twa Corbies Bor. 31instrelsy 101 Dirge for the Year Shelley 102 Song of Ariel .... Shakespeare 103 Sonnet. Ou his Blindness Milton . 104 Song on May Morning Milton . 104 Ulysses ..... Tennyson 105 Song of Ariel .... Shakespeare 107 To Autumn .... Keats . 107 I do confesse thou'rt smooth and faire ..... , 109 Ned Bolton .... TV. Kennedy 110 Goodbye ..... Emerson 113 The Caique .... W. Thackeray 114 To Shelley . 115- Therariia ..... W. Allingham 115 The Blossom .... W. Blake 116 Sonnet. Love's Slave Shakespeare 117 Song. Go, lovely rose E. Waller 118 Tarn Glen .... Burns 119 Ode to Evening W. Collins 120 Loss ..... In Memoriam . 122 The Lady's Yes E. B. Brownin ; 123 A Lament .... Shelley . 124 The Forging of the Anchor Sam. Ferguson . 125 To Daffodils .... Herrick . . 129 An Angel in the House Leigh Hunt . 1.30 Bonnie George Campbell . . 131 The Humble"- Bee Emerson . 132 Disdain returned Thomas Carew 134 Auld Robin Gray Lady Lindsay . 134 Song. From " Zapolya" . Coleridge . . 136 Sonnet. Mary Queen of Scots . Wordsworth . 137 Lines composed in a Concert Room Coleridge . 137 Over hill, over dale . Shakespeare . 138 Circumstance . . . . Tennyson . 139 The Sands o' Dee . . C. Kingsky . 139 Ode to a Nightingale Keats . 140 XIV CONTENTS. The Laboi-atory Inscription for a Fountain . The Ruose that deck'd her Breast Fitz-Eustace's Song . The Exile .... Sonnet. Love's Consohition O'Brien of Arra Lord Amiens' Song, in the Forest of Arden .... Sonnet. September . The Two April Mornings . Lord Ullin's Daughter The Arrow and the Song . whistle, and I'll come to you, my lad .... Sonnet. Absence and Presence . Kubla Khan ; or, a Vision in a Dream .... She dwelt among the untrodden ways .... Up at a Villa — down in the City Forbearance .... The Brook .... La belle Dame sans Mercy Sonnet. The Sense of Loss The Hour of Prayer . Sonnet. Love's Silence - Song. From " The Princess" . To my Sister .... Ye Mariners of England Sonnet. To Cyriack Skinner Fairy Song .... Sonnet. A Parting . Nose versus Eyes Cupid's Curse .... Song. From " The Ladv of the Lake" . . ' . The Lady's Grave To the Cuckoo .... In the stillness o' the Night Song. A spirit haunts the year's last hours .... Herrick's Litany Sonnet. From " Michael Angelo" Spring and Sorrow R- Browning . Birry Cormcall W. Barnes Scott Hood Shakespeare Thomas Davis Shakespeare . Hart. Coleridge Wordsicorth Campbell H. Longfellow Burns Shakespeare Coleridge Wordsworth R- Browning Emerson Tennyson Keats TVordsivorth Felicia Heman, Sir P. Sidney Tennyson Wordsworth Campbell 3Iilton . 31. Drayton Cowper . George Peek Scott M. Boddington Wordsworth W. Barnes Page 143 146 146 148 149 150 151 152 153 154 156 158 1.58 159 160 162 163 167 167 169 171 172 173 173' 174 176 177 178 179 180 181 183 184 185 186 Tennyson . 187 Herrick . .188 Hart. Coleridge 189 In Memoriam . 189 I CONTENTS. XV Page Chonis of the Flowers Leigh Hunt 190 An End . . . . • Chris. Hossefti 194 To a Water Fowl IF. C. Bri/ant 195 Venus of the Needle . W, AUiiitfham 196 Song of Ariel .... Sliahespeare 198 To a cold Beauty Hand . 198 I cannot see the features right . Ill Memoriam 199 Ulalunie ..... Edcjar A. Poe 200 Lines. Written in Early Spring Woi-dswnrlh 203 The Maid's Lament . W. S. Lundor 204 Fairy Song. From " The Maid's Metamorphosis" John Lyly 205 Evening ..... Tenni/smi 205 Edoni o' Gordon Old BaUud 206 Phillida and Corydon N. Breton 211 Lord Randal .... Bor. Minstrelsy 212 Evening ..... In Meinoriam 213 The Bridge of Sighs . Hood . 214 Song. At a Lady's Window Shakespeare 217 Song. False friend, wilt thou smile or weep Shelley . . 218 The Wife of Usher's Well . Old Ballad . 218 The Knight's Tomb . Coleridfie 220 The Shadow of Night Gov. Patmnre . 221 The Fairy Thorn Sam. Feryuson 223 The House .... Emerson . 226 His Wish to Privacy . Herrick . . 227 Love ..... Coleridge . 227 Song for August H. Martineau . 231 Lullaby for Titania . Shakespeare 232 Upon the Image of Death . R. Southwell . 233 The Angel .... W. Blake . 235 Lovelv Marv Donnelly W. Alliiiqham . 235 Walyi Waly . '. . . Old Ballad . 238 Hymn to Diana Ben Jonson . 239 Sonnet. Eagles Wordsworth . 240 The Reverie of poor Susan . Wordsworth . 241 The Pains of Sleep Coleridge 242 The Skylark .... James Hogq . 243 Edward, Edward Old Ballad . 244 Ode on Melancholy . Keats . 246 Sonnet. The Trosachs Wordsivorth . 247 Ballad. She's up and gone Hood . . 248 Incantation. From " Remorse" . Coleridge . 249 Song. From " Rokeby" . Scott . 249 XVI CON! 'ENTS. Page Now the hungry lion roars Shakespeare . 250 What Pleasure have great Princes Bijrd 251 Fair Helen of Kirkconnell . Bor. Minstrelsy 252 Down on the Shore . jy. AUingham . 254 The Jovial Beggar . Pluyford 255 Love for no less than Love . George Wither . 256 The Soldier's Dream . Campbell 258 A Lyke-Wake Dirge . 259 Where he would have his Verses read .... . Herrick . 260 Young Lochinvar . Scott . 261 When the W^orld is burning . Ehenezer Jones 263 May and Death R. Browning ■ 264 Lines to an Indian Air . Shelley . 265 The Death of the Old Year Tennyson 266 Lyrics for Legacies . Herrick . 268 Notes 269 Index of First Lines . . 283 NIGHTINGALE VALLEY. NIGHTINGALE VALLEY. A COLLECTION, INCLUDING A GREAT NUMBER OF THE CHOICEST LYRICS AND SHORT POEMS IN THE ENGLISH LANGUAGE. EDITED BY GIRALDUS. Sul lito un bosco era di qucrce ombrose, Dove ognor par che Filomena -piagna ; CK in mezzo avea v.n pratel con vnafonte, E quinci e quindi un solitario monte. Aeiosto, Orl. Fur. x. 113. LONDON: BELL AND DALDY, 186, FLEET STREET. 1860. NIGHTINGALE VALLEY. TO THE NIGHTINGALE. NIGHTINGALE, that on yon bloomy spray Warblest at eve, when all the woods are still, Thou with fresh hopes the lover's heai-t dost fill, While the jolly hours lead on propitious May. The liquid notes that close the eye of day. First heard before the shallow cuckoo's bill. Portend success in love. O ! if Jove's will Have link'd that amorous power to thy soft lay. Now timely sing, ere the rude bird of hate Foretell my hapless doom in some grove nigh. As thou from year to year hast sung too late For my relief, yet hadst no reason why. Whether the Muse, or Love call thee his mate. Both them I serve, and of theii' train am I. Milton. NIGHTINGALE VALLEY. [WAKE, LADY!] UP ! quit tliy bower, late weaivs the hour. Long have the rooks caw'd round the tower O'er flower and tree loud hums the bee, And the wild kid sports merrily. The sun is bright, the sky is clear. Wake, lady ! wake, and hasten here. Up ! maiden fair, and bind thy hair, And rouse thee in the breezy air : The lulling stream that soothed thy dream Is dancing in the sunny beam. Waste not these hours, so fresh, so gay, Leave thy soft couch, and haste away. Up ! time will tell the morning bell Its service-sound has chimed well : The aged crone keeps house alone. The reapers to the fields are gone ; Lose not these hours, so cool, so gay, Lo ! while thou sleep'st they haste away ! Joanna Baillik. INSCRIPTION FOR A FOUNTAIN ON A HEATH. THIS Sycamore, oft musical with bees, — Such tents the Patriarchs loved ! O long unharm'd May all its aged boughs o'er-canopy NIGHTINGALE VALLEY. 6 The small round basin, which this jutting stone Keeps pure from falling leaves ! Long may the Spring, Quietly as a sleeping infant's breath, Send up cold waters to the traveller With soft and even pulse ! Nor ever cease Yon tiny cone of sand its soundless dance, Which at the bottom, like a Fairy's page. As merry and no taller, dances still. Nor wrinkles the smooth surface of the Fount. Here twilight is and coolness : here is moss, A soft seat, and a deep and ample shade. Thou mayst toil far and find no second tree. Drink, Pilgrim, here ; here, rest ! and if thy heart Be innocent, here too shalt thou refi-esh Thy spirit, listening to some gentle sound, Or passing gale or hum of murmuring bees ! Coleridge. FAIR INES. OSAW ye not fair Ines ? She's gone into the West, To dazzle when the sun is down. And rob the world of rest : She took our daylight with her, The smiles that we love best, With morning blushes on her cheek, And pearls upon her breast. O turn again, fair Ines, Before the fall of night. For fear the moon should shine alone. And stars unrivall'd bright ; NIGHTINGALE VALI,ET. And blessed will the lover be That walks beneath their light, And breathes the love against thy cheek I dare not even write ! Would I had been, fair Ines, That gallant cavalier, Who rode so gaily by thy side. And whisper'd thee so near ! Were there no bonny dames at home. Or no true lovers here. That he should cross the seas to win The dearest of the dear ? I saw thee, lovely Ines, Descend along the shore With bands of noble gentlemen, And banners waved before ; And gentle youth and maidens gay. And snowy plumes they wore ; — It would have been a beauteous dream,— If it had been no more ! Alas, alas, fair Ines, She went away with song. With music waiting on her steps, And shoutings of the throng ; But some were sad and felt no mirth, But only music's Avrong, In soimds that sang farewell, farewell, To her you've loved so long. Farewell, farewell, fair Ines, That vessel never bore So fair a lady on its deck, Nor danced so light before, — NIGHTINGALE VALLEY. Alas, for pleasure on the sea. And sorrow on the shore ! The smile that blest one lover's heart Has broken many more ! Hood. SIC VITA. LIKE to the falling of a star, Or as the flightes of eagles are, Or like the fresh Spring's gaudie hue. Or silver drops of morning dewe, Or like a wind that chafes the flood, Or bubbles which on water stood, — E'en such is man — whose borrow'd light Is straight call'd in and paid to-night. The wind blows out, the bubble dies, The Spring entomb'd in Autumn lies. The dewe's dried up, the star is shot, The flight is past — and man forgot. [A SONNET UPON SONNETS.] NUNS fret not at their convent's narrow room ; And hermits are contented with their cells ; And students with their pensive citadels ; Maids at the wheel, the weaver at his loom. Sit blithe and happy ; bees that soar for bloom, High as the highest Peak of Furness-fells, Will murmur by the hour in foxglove bells : b NIGHTINGALE VALI^EY. In truth, the prison, unto which we doom Ourselves, no prison is : and hence to me. In sundry moods, 'twas pastime to be bound Within the sonnet's scanty plot of ground: Pleased if some souls (for such there needs must be) "Who have felt the weight of too much liberty, Should find brief solace there, as I have found. Wordsworth. JOCK O' HAZELDEAN. 'HY weep ye by the tide, ladye ? Why weep ye by the tide ? I'll wed you to my youngest son, And ye shall be his bride. And ye shall be his bride, ladye, Sae comely to be seen" — But aye she loot the tears doon fa' For Jock o' Hazeldean. " Now let this wilfu' grief be done, And dry that cheek so pale : Young Frank is chief of Errington, And lord of Langley-dale ; His step is first in peaceful ha', His sword in battle keen," — But aye she loot the tears doon fa' For Jock o' Hazeldean. " A chain of gold ye shall not lack, Nor braid to bind your hair ; Nor mettled hound, nor managed hawk, Nor palfrey fresh and fair ; NIGHTINGALE VALLEY. And you, the foremost o' them a', Shall ride our forest queen" — But aye she loot the tears doon fa' For Jock o' Hazeldean. The kirk was deck'd at morning- tide, The tapers glimmer'd fair ; The priest and bridegroom wait the bride, And dame and knight were there. They sought her baith by bower and ha' ; The lady was not seen : She's o'er the border and awa' Wi' Jock o' Hazeldean ! Scott. THE PASSIONATE SHEPHEARD TO HIS LOVE. COME live with me, and be my Love, And we will all the pleasures prove That vallies, groves, hills, and fields, Woods or steepie mountaines yields. And we will sit upon the rockes Seeing the shepheards feede their flockes By shallow rivers, to whose falls Melodious birds sing madrigalls. And I will make thee beds of roses, And a thousand fragrant posies, A cap of flowers, and a kirtle Imbroydered all with leaves of myrtle : 8 NIGHTINGALE VALLEY. A gowne made of the finest wooll Which from our pretty lambs we pull ; Fair lined slippers for the cold, With buckles of the purest gold : A belt of straw, and ivie buds, With corall clasps and amber studs : And if these pleasures may thee move, Come live with me, and be my Love. The Shepheard swaines shall dance and sing For thy delights each May-morning : If these delights thy mind may move, Then live with me, and be my Love. Christopher ]\Lvrlowe. TO-DAY. SO here hath been dawning Another blue day : Think wilt thou let it Slip useless away. Out of Eternity This new Day is born ; Lito Eternity, At night, will return. Behold it aforetime No eye ever did ; So soon it for ever From all eyes is hid. NIGHTINGALE VALLEY. Here hath been dawning Another blue Day : Think wilt thou let it Slip useless away. T. Carlyle. THE SEVEN SISTERS; OR, THE SOLITUDE OF BINNORIE. SEVEN daughters had Lord Archibald, All children of one mother : You could not say in one short day What love they bore each other. A garland, of seven lilies wrought ! Seven sisters that together dwell ; But he, bold Knight as ever fought, Their Father, took of them no thought, He loved the wars so well. Sing, mournfully, oh ! mournfully. The solitude of Binnorie ! n. Fresh blows the wind, a western wind, And from the shores of Erin, Across the wave a Rover brave To Binnorie is steering : Right onward to the Scottish strand The gallant ship is borne ; The warriors leap upon the land. And hark ! the Leader of the band Hath blown his bugle horn. Sing, mournfully, oh ! mournfully, The solitude of Binnorie ! 10 NIGHTINGALE VALLEY. III. Beside a grotto of their own, With boughs above them ck)sing, The seven are laid, and in the shade They lie like fawns reposing. But now, upstarting with aifright At noise of man and steed. Away they fly to left, to right — Of your fair household, Father-knight, Methinks you take small heed ! Sing, mournfully, oh ! mournfully, The solitude of Binnorie ! IV. Away the seven fair Campbells fly, And, over hill and hollow, With menace proud, and insult loud, The youthful Rovers follow. Cried they, " Your Father loves to roam Enough for him to find The empty house when he comes home ; For us your yellow ringlets comb, For us be fair and kind ! " Sing, mournfully, oh ! mournfully, The solitude of Binnorie ! V. Some close behind, some side by side, Like clouds in stormy weather. They run, and cry, " Nay, let us die. And let us die togetlier." A lake was near ; the shore was steep ; There never foot had been ; They ran, and with a desperate leap Together plunged into the deep, Nor ever more were seen. NIGHTINGALE VALLEY. 11 Sing, mournfully, oh ! mournfully, The solitude of Binnorie ! VI. The stream that flows out of the lake, As through the glen it rambles, Repeats a moan o'er moss and stone For those seven lovely Campbells. Seven little Islands, green and bare, Have risen from out the deep : The fishers say, those sisters fair By fairies are all buried there, And there together sleep. Sing, mournfully, oh ! mournfully, The solitude of Binnorie ! WORDSAVORTH. [SONG.] (from " THE miller's DAUGHTER.") IT is the miller's daughter. And she is grown so dear, so dear, That I would be the jewel That trembles at her ear : For hid in ringlets day and night, I'd touch her neck so warm and white. And I would be the girdle About her dainty, dainty waist. And her heart would beat against me. In sorrow and in rest : And I should know if it beat right, I'd clasp it round so close and tight. 12 NIGHTINGALE VALLEY. And I would be the necklace, And all day long to fall and rise Upon her balmy bosom, With her laughter or her sighs ; And I would lie so light, so light, I scarce should be unclasp'd at night. Tennyson. AUTUMN. THE warm sun is failing, the bleak wind is wailing, The bare boughs are sighing, the pale flowers are dying ; And the year On the earth her death-bed, in a shroud of leaves dead Is lying. Come, months, come away, From November to May, In your saddest array, — Follow the bier Of the dead cold year. And like dim shadows watch by her sepulchre. The chill rain is falling, the nipt worm is crawling. The rivers are swelling, the thunder is knelling For the year ; The blithe swallows are flown, and the lizards each gone To his dwelling. Come, months, come away ; Put on white, black, and grey ; NIGHTINGALE VALLEY. 13 Let your light sisters play ; Ye, follow the bier Of the dead cold year, And make her grave green with tear on tear. Shelley. THE AlVIULET. YOUR picture smiles as first it smiled, The ring you gave is still the same. Your letter tells, O changing child, No tidings since it came. Give me an amulet that keeps Intelligence with you, Red when you love, and rosier red, And when you love not, pale and blue. Alas, that neither bonds nor vows Can certify possession ; Torments me still the fear that love Died in its last expression. Emerson. THE CHARACTER OF A HAPPY LIFE. HOW happy is he born and taught. That serveth not another's wUl ; Whose armour is his honest thought, And simple truth his utmost skill ! 14 NIGHTINGALE VALLEY. Whose passions not his masters are ; Whose soul is still prepared for death ; Untied unto the worldly care Of publick fame or private breath : Wlio envies none that chance doth raise, Or vice ; who never understood How deepest wounds are given by praise ; Nor rules of state, but rules of good : Who hath his life from humours freed ; Whose conscience is his strong retreat ; Whose state can neither flatterers feed, Nor ruin make accusers great : Who late and early doth God pray More of his grace than gifts to lend ; And entertains the harmless day With a well-chosen book or friend : This man is freed from servile bands Of hope to rise, or fear to fall ; Lord of himself, though not of lands ; And having nothing, yet hath all. Sib Henry Wotton. [WANT OF SLEEP.] A FLOCK of sheep that leisurely pass by, One after one ; the sound of rain, and trees Murmuring ; the fall of rivers, winds and seas. Smooth fields, white sheets of water, and pure sky ; NIGHTINGALE VALLEY. 15 I thought of all by turns, and yet I lie Sleepless ! and soon the small birds' melodies Must hear, first utter'd from my orchard trees ; And the first cuckoo's melancholy cry. Even thus last night, and two nights more, I lay, And could not win thee, Sleep ! by any stealth : So do not let me wear to-night away : Without Thee what is all the morning's wealth ? Come, blessed barrier between day and day. Dear mother of fresh thoughts and joyous health ! Wordsworth. ABOU BEX ADHEM AND THE ANGEL. (d'hEKBELOT BIBLIOTHEQUE ORIENTALE, 1781, TOM. I. P. 161.) ABOU Ben Adhera (may his tribe increase) Awoke one night from a deep dream of peace. And saw, within the moonlight in his room, Making it rich, and like a lily in bloom, An angel writing in a book of gold : — Exceeding peace had made Ben Adhem bold, And to the presence in the room he said, " What writest thou ? " — The vision raised its head, And with a look made of all sweet accord, Answer'd, " The names of those who love the Lord." " And is mine one ?" said Abou. " Nay, not so," Replied the Angel, Abou spoke more low, 16 NIGHTINGALE VALLEY. But cheerly still ; and said, " I pray thee then, Write me as one that loves his fellow-men." The angel wrote, and vanish'd. The next night It came again with a great wakening light, And show'd the names whom love of God had bless'd. And lo ! Ben Adhem's name led all the rest. Leigh Hunt. LUCY ASHTON'S SONG. [from " THE BRIDE OF LAMMERMOOR."] LOOK not thou on beauty's charming ; Sit thou still when kings are arming ; Taste not when the wine cup glistens ; Speak not when the people listens ; Stop thine ear against the singer; From the red gold keep thy finger ; Vacant heart and hand and eye. Easy live and quiet die. ScoTT. A DREAM. I HEARD the dogs howl in the moonlight night. And I went to the window to see the sight ; All the dead that ever I knew Going one by one and two by two. On they passM, and on they pass'd ; Townsfellows all from first to last ; NIGHTIN&ALE VALLEY. 17 Born in the moonlight of the lane, And quench'd in the heavy shadow again. Schoolmates, marching as when we play'd At soldiers once — but now more staid ; Those were the strangest sight to me Who were drown'd, I knew, in the awful sea. Straight and handsome folk ; bent and weak too ; And some that I loved, and gasp'd to speak to ; Some but a day in their churchyard bed ; And some that I had not known were dead. A long, long crowd — where each seem'd lonely. And yet of them all there was one, one only. That raised a head, or look'd my way ; And she seem'd to linger, but might not stay. How long since I saw that fair pale face ! Ah, mother dear, might I only place My head on thy breast, a moment to rest, While thy hand on my tearful cheek were prest ! On, on, a moving bridge they made Across the moon-stream, from shade to shade : Young and old, women and men ; Many long-forgot, but remember'd then. And first there came a bitter laughter ; And a sound of tears a moment after ; And then a music so lofty and gay. That every morning, day by day, T strive to recal it if I may. W. AXLINGHAM. 18 NIGHTINGALE VALLEY, ODE TO THE CUCKOO. HAIL, beauteous stranger of the grove ! Thou messenger of Spring ! Now Heaven rej^airs thy rural seat, And woods thy welcome sing. What time the daisy decks the green. Thy certain voice we hear : Hast thou a star to guide thy path, Or mark the rolling year ? Delightful visitant ! with thee I hail the time of flowers. And hear the sound of music sweet From birds among the bowers. The schoolboy, wandering in the wood To pull the primrose gay. Starts, the new voice of Spring to hear. And imitates thy lay. Soon as the pea puts on the bloom, Thou fliest thy vocal vale. An annual guest in other lands. Another Spring to hail. Sweet bird ! thy bower is ever green. Thy sky is ever clear ; Thou hast no sorrow in thy song, No Winter in thy year ! O could I fly, I'd fly with thee ! We'd make, with joyful wing. Our annual visit o'er the globe, Companions of the Spring. John Logan. NIGHTINGALE VALLEY. 19 CORONACH.^ [fKOM " THE LADY OF THE LAKE."] HE is gone on the mountain, He is lost to the forest ; Like a summer-dried fountain, When our need was the sorest. The font, reappearing, From the rain-drops shall borrow ; But to us comes no cheering, No Duncan to-morrow. The hand of the reaper Takes the ears that are hoary ; But the voice of the weeper Wails manhood in glory ; The autumn winds rushing W^aft the leaves that are serest, But our flower was in flushing When blighting was nearest. Fleet foot on the correi,'- Sage counsel in cumber. Bed hand in the foray. How sound is thy slumber ! Like the dew on the mountain, Like the foam on the river. Like the bubble on the fountain. Thou art gone, and for ever ! Scott. • Coronach, funeral song. ^ Correi, the hollow side of the hill. 20 NIGHTINGALE VALLEY. IT is not beautie I demand, A chrystall brow, the moon's despair, Nor the snow's daughter, a white hand. Nor mermaid's yellow pride of hair. Tell me not of your starrie eyes, Your lips, that seem on roses fed. Your breastes, where Cupid tumbling lies, Nor sleeps for kissing of his bed, — A bloomie pair of vermeil cheeks, Like Hebe's in her ruddiest hours, A breath that softer musick speaks Than summer winds a-wooing flow'rs. These are but gauds : nay, what are lips ? Corall beneath the ocean-stream. Whose brink when your adventurer slips, Full oft he perisheth on them. And what are cheeks, but ensigns oft That wave hot youth to fields of blood ? Did Helen's breast, though ne'er so soft. Do Greece or Dium any good ? Eyes can with baleful ardour burn ; Poison can breath, that erst perfum'd ; There's many a white hand holds an urn, With lovers' hearts to dust consumed. For chrystall brows, there's nought within ; They are but empty cells for pride ; He who the Syren's hair would win, Is mostly strangled in the tide. NIGHTINGALE VALLEY. 21 Give me, instead of Beautie's bust, A tender heart, a loyall mind, Which with temptation I would trust. Yet never iink'd with error find, — One in whose gentle bosom I Could pour my secret heart of woes, Like the care-burthen'd honey-flie, That hides his murmurs in the rose, — My earthlie comforter ! whose love So indefeasible might be, That, when my spirit wonn'd above, Hers could not stay, for sympathy. THE QUESTION. IDREAM'D that, as I wander'd by the way, Bare Winter suddenly was changed to Spring, And gentle odours led my steps astray, Mix'd with a sound of waters murmuring. Along a shelving bank of turf, which lay Under a copse, and hardly dared to fling Its green arms round the bosom of the stream, But kiss'd it, and then fled, as thou mightest in dream. There grew pied wind-flowers and violets ; Daisies, those pearl'd Arcturi of the earth. The constellated flower that never sets ; Faint oxlips ; tender bluebells, at whose birth The sod scarce heaved ; and that tall flower that wets Its mother's face with heaven-collected tears. When the low wind its playmate's voice it hears. 'SI NIGHTINGALE VALLEY. And ill the warm hedge grew lush eglantine, Green cowbind and the moonlight-colour'd may, And cherry blossoms, and white cups, whose wine Was the bright dew yet draiu'd not by the day ; And wild roses, and ivy serpentine. With its dark buds and leaves, wandering astray ; And flowers azure, black, and streak'd with gold. Fairer than any waken'd eyes behold. And nearer to the river's trembling edge There grew broad flag-flowers, purple prankt with white, And starry river-buds among the sedge. And floating water-lilies, broad and bright. Which lit the oak that overhung the hedge With moonlight beams of their own watery light ; And bulrushes, and reeds of such deep green As soothed the dazzled eye with sober sheen. Methought that of these visionary flowers I made a nosegay, bound in such a way That the same hues which in their natural bowers Were mingled or opposed, tlie like array Kept these imprison'd children of the Hours Within my hand, — and then, elate and gay, T hasten'd to the spot whence I had come. That I might there present it ! Oh ! to whom ? Shelley. NIGHTINGALE VALLEY. 23 BARTHRAM'S DIRGE. (from " MINSTRELSY OF THE SCOTTISH BORDER.") THEY shot him on the Nine-Stane Rig, Beside the Headless Cross ; And they left him lying in his blood, Upon the muir and moss. They made a bier of the broken bough, The saiigh ' and the aspen grey ; And they bore him to the Lady Chapel, And waked him there all day. A lady came to that lonely bower, And threw her robes aside, She tore her ^ling-long yellow hair. And knelt at Barthram's side. She bathed him in the Lady-Well, His wounds sae deep and sair ; And she plaited a garland for his breast, And a garland for his hair. They row'd him in a lily sheet, And bare him to his earth, And the Grey Friars sung the dead man's mass, As they pass'd the Chapel-Garth. They buried hira at the mirk midnight. When the dew fell cold and still. When the aspen grey forgot to play. And the mist clung to the hill. - Saugh, " sally," willow. ^ Ling, heather. 24 NIGHTINGALE VALLEY. They dug his grave but a bare foot deep, By the edge of the Nine-Stane Burn, And they cover'd him o'er wi' the heather-flower. The moss and the lady-fern. A Grey Friar stay'd upon the grave, And sang till the morning-tide ; And a friar shall sing for Barthram's soul, While the Headless Cross shall bide. THE WORLD'S WANDERERS. TELL me, thou star whose wings of light Speed thee in thy fiery flight, In what cavern of the night Will thy pinions close now ? Tell me, moon, thou pale and grey Pilgrim of heaven's homeless way, In what depth of night or day Seekest thou repose now ? Weary wind who wandei'est Like the world's rejected guest, Hast thou still some secret nest On the tree or billow ? Shelley. NIGHTINGALE VALLEY. 25 MY LAST DUCHESS. (ferrara.) THAT'S my last Duchess painted on the wall, Lookmg as if she were alive ; I call That piece a wonder, now ; Fra Pandolf's hands Work'd busily a day, and there she stands. Will't please you sit and look at her ? I said " Fra Pandolf" by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance. But to myself they turn'd (since none puts by The curtain I have drawn for you, but I) And seem'd as they would ask me, if they durst, How such a glance came there : so not the first Are you to turn and ask thus. Sir, 'twas not Her husband's presence only, call'd that spot Of joy into the Duchess' cheek : perhaps Fra Pandolf chanced to say, " Her mantle laps Over my Lady's wrist too much," or " Paint Must never hope to reproduce the faint Half-flush that dies along her throat ; " such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart — how shall I say ! — too soon made glad, Too easily impress'd ; she liked whate'er She look'd on, and her looks went everywhere. Sir, 'twas all one ! My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace — all and each Would draw from her alike the approving speech, 26 NIGHTINGALE VALLEY. Or blush, at least. She thank'd men, — good ; but thank' d Somehow, — I know not how — as if she rank'd My gift of a nine hundred years old name With anybody's gift. Who'd stoop to blame This sort of trifling ? Even had you skill In speech — (which I have not) — to make your will Quite clear to such an one, and say " Just this Or that In you disgusts me ; here you miss, Or there exceed the mark" — and If she let Herself be lesson'd so, nor plainly set Her wits to yours, forsooth, and made excuse, — E'en then would be some stooping, and I choose Never to stoop. Oh Sir, she smiled, no doubt, Whene'er I pass'd her ; but who pass'd without Much the same smile ? This grew ; I gave com- mand ; Then all smiles stopp'd together. There she stands As if alive. WlU't please you rise ? We'll meet The company below then. I repeat The Count your Master's known munificence Is ample warrant that no just pretence ' Of mine for dowry will be disallow'd ; Though his fair daughter's self, as I avow'd At starting, is my object. Nay, we'll go Together down. Sir ! Notice Neptune, though. Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me. KoBEBT Browning. NIGHTINGALE VALLEY. 27 SONG. [THE SEASON FOR WOOING.] DOST thou idly ask to bear At what gentle seasons Nymphs relent, when lovers near Press the tenderest reasons ? Ah, they give their faith too oft To the careless wooer ; Maidens' hearts are always soft ; Would that men's were truer ! Woo the fair one, when around Early birds are singing ; T\lien, o'er all the fragrant ground, Early herbs are springing : When the brookside, bank, and grove, All with blossoms laden. Shine with beauty, breathe of love, — Woo the timid maiden. Woo her when, with rosy blush, Summer eve is sinking ; When on rills that softly gush Stars are softly winking ; TVTien, through boughs that knit the bower. Moonlight gleams are stealing ; Woo her, till the gentle hour Wake a gentler feeling. Woo her when autumnal dyes Tinge the woody mountain ; When the dropping foliage lies In the weedy fountain ; 28 NIGHTINGALE VALLEY. Let the scene, that tells how fast Youth is passing over, Warn her, ere her bloom is past, To secure her lover. Woo her when the north winds call At the lattice nightly ; When, within the cheerful hall, Blaze the fagots brightly ; While the wintry tempest round Sweeps the landscape hoary, Sweeter in her ear shall sound Love's delightful story. W. C. Bryant. SONNET. COMPOSED BY THE SIDE OF GRASMERE LAKE, 1807. CLOUDS, lingering yet, extend in solid bars Through the grey west ; and lo ! these waters, steel'd By breezeless air to smoothest polish, yield A vivid repetition of the stars ; Jove, Venus, and the ruddy crest of Mars Amid his fellows beauteously reveal'd, At happy distance from earth's groaning field. Where ruthless mortals wage incessant wars. Is it a mirror ? — or the nether Sphere Opening to view the abyss in which she feeds Her own calm fires ? — But list ! a voice is near ; Great Pan himself low-whispering through the reeds, " Be thankful, thou ; for, if unholy deeds Ravage the world, trancjuillity is here ! " Wordsworth. NIGHTINGALE VALLEY. 29 HOHENLINDEN. ON Linden, when the sun was low, All bloodless lay th' untrodden snow, And dark as winter was the flow Of Iser, rolling rapidly . But Linden saw another sight. When the drum beat, at dead of night, Commanding fires of death to light The darkness of her scenery. By torch and trumpet fast array'd, Each horseman drew his battle-blade. And furious every charger neigh'd. To join the dreadful revelry. Then shook the hills with thunder riven, Then rush'd the steed to battle driven. And louder than the bolts of heaven. Far flash'd the red artillery. But redder yet that light shall glow On Linden's hills of stained snow. And bloodier yet the torrent flow Of Iser, rolling rapidly. 'Tis morn, but scarce yon level sun Can pierce the war-clouds, rolling dun. Where furious Frank, and fiery Hun, Shout in their sulph'rous canopy. The combat deepens. On, ye brave, Who rush to glory, or the grave ! 30 NIGHTINGALE VALLEY. Wave, Munich ! all thy banners wave, And charge with all thy chivalry ! Few, few, shall part where many meet ! The snow shall be their winding-sheet, And every turf beneath their feet Shall be a soldier's sepulchre. Campbell. SONNET. FROM THE PORTUGUESE. HOW do I love thee ? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and Ideal Grace. I love thee to the level of every day's Most quiet need, by sun and candlelight. I love thee freely, as men strive for Right ; I love thee purely, as they turn from Praise ; I love thee with the passion put to use In my old griefs, and with my childhood's faith ; I love thee with a love I seem'd to lose With my lost saints, — I love thee with the breath. Smiles, tears, of all my life ! — and, if God choose, I shall but love thee better after death. Elizabeth Barrett Browning. NIGHTINGALE VALLEY. 31 CLERK SAUNDERS. [old ballad.] CLERK Saunders and may Margaret Walk'd ower yon garden green ; And deep and heavy was the love That fell thir twa between. " A bed, a bed," Clerk Saunders said, " A bed for you and me ! " " Fye na, fye na," said may Margaret, " Till anes we married be." -. " Then I'll take the sword frae my scabbard. And slowly lift the pin ; And you may swear, and save your aith, Ye never let me in. " Take you a napkin in your hand, Tie up your bonnie e'en. And you may swear and save your aith, Ye saw me na since yestreen." It was about the midnight hour When they asleep were laid. When in and came her seven brothers Wi' torches burning red : When in and came her seven brothers Wi' torches burning bright ; They said, " AVe hae but one sister. And behold her lying with a knight ! " 32 NIGHTINGALE VALLEY. Then out and spake the first o' them, " We will awa' and let them be."' And out and spake the second o' them, " His fathei" has nae mair but he." And out and spake the third o' them, " I wot that they are lovers dear." And out and spake the fourth o' them, " They hae been in love this mony a year." Then out and spake the fifth o' them, " It were great sin true love to twain." And out and spake the sixth o' them, " It were shame to slay a sleeping man." Then up and gat the seventh o' them, And never a word spake he ; But he has striped his bright brown brand Out through Clerk Saunders' fair bodye. Clerk Saunders he started, and Margaret she turn'd Into his arms as asleep she lay ; And sad and silent was the night That was atween thir twae. And they lay still and sleepit sound. Until the day began to dawe. And kindly to him she did say, " It is time, true love, you were awa'." But he lay still, and sleepit sound, Albeit the sun began to sheen ; She look'd atween her and the wa', And dull and drowsie were his e'en. Then in and came her father dear : Said — " Let a' your mourning be ; NIGHTINGALE VALLEY. 33 I'll carry the dead corpse to the clay, And I'll come back and comfort thee." " Comfort weel your seven sons, For comforted I will never be. I trow 'twas neither knave nor loon Was in the bower last night wi' me." The clinking bell gaed through the town. And carried the dead corpse to the clay. Clerk Saunders stood at may Margaret's window, I wot, an hour before the day. " Are ye sleeping, Margaret ? " he says, " Or are ye waking presentlie ? Give me my faith and troth again, I wot, true love, I gied to thee." " Your faith and troth ye sail never get, Nor our true love sail never twin, Until ye come within my bower. And kiss me cheek and chin." " My mouth it is full cold, Margaret, It has the smell, now, of the ground ; And if I kiss thy comely mouth Thy days will soon be at an end. " O, cooks are crowing a merry midnight, I wot the wild fowls are boding day ; Give me my faith and troth again, And let me fare me on my way." " Thy faith and troth thou sail na get, And our true love sail never twin, Until ye tell what comes o' women. Wot ye, who die m strong traivelling?" s 34 NIGHTINGALE VALLEY. " Their beds are made in the heavens high, Down at the ibot of our good Lord's knee, Weel set about wi' gillyflowers ; I wot, sweet company for to see. " O, cocks are crowing a merry midnight, I wot the wild fowls are boding day ; The psalms of heaven will soon be sung, And I, ere now, will be miss'd away." Then she has taken a chrisom wand, And she has stroken her troth thereon ; She has given it to him at the shot-window, Wi' mony a sad sigh and heavy groan. " I thank ye, Marg'ret ; I thank ye, Marg'ret ; Ever I thank ye heartilie ; But gin I were living, as I am dead, I'd keep my faith and troth with thee." It's hosen and shoon, and gown alone, She climb'd the wall and foUow'd him. Until she came to the green forest, And there she lost the sight o' him. " Is there ony room at your head, Saunders ? Is there ony room at your feet ? Is there ony room at your side, Saunders ? Where fain, fain, I wad sleep." " There's nae room at my head, Marg'ret, There's nae room at my feet ; My bed it is fu' lowly now, Amang the hungry worms I sleep. " Caidd mould it is my covering now. But and my winding-sheet; NIGHTINGALE VALLEY, 35 The dew it falls nae sooner down Than my resting-place is weet." Then up and crew the red red cock, And up and crew the gray : " 'Tis time, 'tis time, my dear Marg'ret, That you were going away. " And fair ]\Iarg'ret, and rare Marg'ret, And Marg'ret, o' veritie. Gin e'er ye love another man, Ne'er love him as ye did me." INVOCATION OF SILENCE. STILL-BORN Silence ! thou that art Flood-gate of the deeper heart ! Offspring of a heavenly kind. Frost o' the mouth, and thaw o' the mind, Secresy's confidant, and he Who makes religion mystery. Admiration's speaking'st tongue, Leave, thy desert shades among, Reverend hermits' hallow'd cells, Where retired Devotion dwells, — With thy enthusiasms come. Seize our tongues, and strike us dumb ! Richard Flecknoe. 36 NIGHTINGALE VALLEY. CLARIBEL. A MELODY. WHERE Clarlbel low-Heth The breezes pause and die, Letting the rose-leaves fall : But the solemn oak-tree sigheth, Thick-leaved, ambrosial, With an ancient melody Of an inward agony, Where Claribel low-lieth. At eve the beetle boometh Athwart the thicket lone : At noon the wild-bee hummeth About the moss'd headstone : At midnight the moon cometh. And looketh down alone. Her song the lintwhite swelleth, The clear-voiced mavis dwelleth. The fledgling throstle lispeth. The slumbrous wave outwelleth, The babbling runnel crispeth. The hollow grot replieth Where Claribel low-lieth. Tennyson. NIGHTINGALE VALLEY. 37 [FRANCE SEEN FROM THE COAST OF ENGLAND.] SEPTEMBER, 1802. INLAND, within a hollow vale, I stood ; And saw, while sea was calm and air was clear. The coast of France — the coast of France how near ! Drawn almost into frightful neighbourhood. I shrunk ; for verily the barrier flood Was like a lake, or river bright and fair, A span of waters ; yet what power is there ! What mightiness for evil and for good ! Even so doth God protect us if we be Virtuous and wise. Winds blow, and waters roll, Strength to the brave, and Power, and Deity 5 Yet in themselves are nothing ! One decree Spake laws to them^ and said that by the soul Only, the Nations shall be great and free. WORDSWOETH. THE SOWER'S SONG. NOW hands to seed-sheet, boys. We step and we cast ; old Time's on wing ; And would ye partake of Harvest's joys, The corn must be sown in Spring. Fall gently and still, good corn, Lie warm in thy earthy bed; And stand so yellow some morn. For beast and man must be fed. 5 NIGHTINGALE VALLEY. Old Earth is a pleasure to see In sunshiny cloak of red and green ; The furrow lies fresh ; this Year will be As Years that are past have been. Fall gently, Sfc. Old Mother, receive this corn, The son of Six Thousand golden sires : Ail these on thy kintlly breast were born ; One more thy poor child requires. Fall gently, 8fC. Now steady and sure again, And measure of stroke and step we keep ; Thus up and down we cast our grain : Sow well and you gladly reap. Fall gently and still, good corn. Lie warm in thy earthy bed ; And stand so yelloiv some morn, For beast and man must be fed. T. Caelyle. SONG. WHY so pale and wan, fond lover ? Prithee, why so pale ? Will, when looking well can't move her, Looking ill prevail ? Prithee, why so pale ? Why so dull and mute, young sinner, Prithee, why so mute ? Will, when speaking well can't win her, Saying nothing do't ? Prithee, why so mute ? NIGHTINGALE VALLEY. 39 Quit, quit for shame ; this will not move, This cannot take her : If of herself she will not love, Nothing can make her. The devil take her ! Sir John Suckling. I REMEIMBER, I REMEMBER. I REMEMBER, I remember, The house where I was born, The little window where the sun Came peeping in at morn ; He never came a wink too soon, Nor brought too long a day, But now, I often wish the night Had borne my breath away ! I remember, I remember. The roses, red and white. The violets and the lily -cups. Those flowers made of light ! The lilacs where the robin built. And where my brother set The laburnum on his birth-day, — The tree is living yet, I remember, I remember. Where I was used to swing, And thought the air must rush as fresh To swallows on the Aving ; My spirit flew in feathers then, That is so heavy now, And summer pools could hardly cool This fever on my brow ! 40 NIGHTINGALE VALLEY. J remember, I remember, The fir-trees dark and high ; I used to think their slender tops. Were close against the sky : It was a childish ignorance. But now 'tis little joy To know I'm farther off from heav'n Than when I was a boy. Hood. SONNET. [THE IDLE VOYAGER.] HOW long I sail'd, and never took a thought To what port I was bound ! Secure as sleep, I dwelt upon the bosom of the deep And perilous sea. And though my ship was fraught With rare and precious fancies, jewels brought From fairy-land, no course I cared to keep, Nor changeful wind nor tide I heeded aught. But joy'd to feel the merry billows leap, And watch the sunbeams dallying with the waves; Or haply dream what realms beneath may lie. Where the clear ocean is an emerald sky, And mermaids warble in their coral caves. Yet vainly woo me to their secret home : And sweet it were for ever so to roam ! Hartley Coleridge. NIGHTINGALE VALLEY. 41 THE LOVER OF MUSIC TO HIS PIANO-FORTE. OH friend, whom glad or grave we seek, Ileav'n-bolding shrine ! I ope thee, touch thee, hear thee speak, And peace is mine. Xo fairy casket, full of bliss, Outvalues thee ; Love only, waken'd with a kiss, More sweet may be. To thee, when our full hearts o'erflow In griefs or joys, Unspeakable emotions owe A fitting voice : ^lirth flies to thee, and Love's unrest, And Memory dear. And Sorrow, with his tighten'd breast. Comes for a tear. Oh, since few joys of human mould Thus wait us still. Thrice bless'd be thine, thou gentle fold Of peace at will. No change, no suUenness, no cheat, In thee we find ; Thy saddest voice is ever sweet, — Thine answer, kind. Leigh Hunt. 42 NIGHTINGALE VALLEY. THE FAIRIES. A child's song. Up the airy mountain, Down the rushy glen, We daren't go a-hunting For fear of little men ; Wee folk, good folk. Trooping all together ; Green jacket, red cap. And white owl's feather ! Down along the rocky shore Some make their home. They live on crispy pancakes Of yellow tide-foam ; Some in the reeds Of the black mountain-lake, With frogs for their watch-dogs, All night awake. High on the hill-top The old King sits ; He is now so old and gray He's nigh lost his wits. With a bridge of white mist Columbkill he crosses, On his stately journeys From Slieveleague to Rosses ; Or going up with music On cold starry nights, To sup with the Queen Of the gay Northern Lights. NIGHTINGALE VALLEY. 43 They stole little Bridget For seven years long ; When she came down again Her friends were all gone. They took her lightly back, Between the night and morrow, They thought that she was fiist asleep. But she was dead with sorrow. They have kept her ever since Deep within the lakes, On a bed of flag-leaves. Watching till she wakes. By the craggy hill-side, Through the mosses bare They have planted thorn-trees For pleasure here and there. Is any man so daring As dig one up in spite, He shall find the thornies set In his bed at night. Up the airy mountain, Down the rushy glen. We daren't go a-hunting For fear of little men ; Wee folk, good folk. Trooping all together ; Green jacket, red cap. And white owl's feather ! William Allingham. 44 NIGHTINGALE VALLEY. T THE LAST DAY OF AUTUMN. (from the GERMAN.) HE year lies dying in this evening light ; The poet, musing in autumnal woods, Hears melancholy sighs Among the wither'd leaves. Not so : but like a spirit glorified The angel of the year departs, lays down His robes, once green in spring, Or bright with summer's blue ; And, having done his mission on the earth, Filling ten thousand vales with golden corn. Orchards with rosy fruit. And scattering flowers around, — He lingers for a moment in the west, AVith the declining sun sheds over all A pleasant, farewell smile. And so returns to God. BALLAD. SIGH on, sad heart, for Love's eclipse And Beauty's fairest queen ! Though 'tis not for my peasant lips To soil her name between. A king might lay his sceptre down. But I am poor and nought : The brow should wear a golden crown That wears her in Its thought ! NIGHTINGALE VALLEY. 45 The diamonds glancing in hei* hair, Whose sudden beams surprise, Might bid such humble hopes bewai'e The glancing of her eyes. Yet looking once, I look'd too long ; And if my love is sin, Death follows on the heels of wrong, And kills the crime within. Her dress seem'd wove of lily-leaves, It was so pure and fine ; lofty wears, and lowly weaves ! But hoddan grey is mine. And homely hose must step apart Where garter'd princes stand : But, may he wear my love at heart. That wins her lily hand ! Alas ! there's far from russet frieze To silks and satin gowns ; 1 doubt if God made like degrees In courtly hearts and clowns : My father wrong'd a maiden's mirth, And brought her cheeks to blame. And all that's lordly of my birth. Is my reproach and shame. 'Tis vain to weep, 'tis vain to sigh, 'Tis vain this idle speech ; For where her happy pearls do lie, My tears may never reach. Yet when I'm gone, e'en lofty pride May say of what has been. His love was nobly born and died, Though all the rest was mean. 4f5 NIGHTINGALE VALLEY. My speech is rude, but speech is weak Such love as mine to tell ; Yet, had I words, I dare not speak : So, Lady, fare thee well ! I will not wish thy better state Was one of low degree, But I must weep that partial fate Made such a churl of me. Hood. TO DIANEME. SWEET, be not proud of those two eyes, Which star-like sparkle in their skies ; Nor be you proud that you can see All hearts your captives, yours yet free ; Be you not proud of that rich hair Which wantons with the love-sick air : Whenas that ruby which you wear. Sunk from the tip of your soft ear, W^ill last to be a precious stone When all your world of beauty's gone. Herbick. THE BELLS. I. HEAR the sledges with the bells — Silver bells ! What a world of merriment their melody foretells I How they tinkle, tinkle, tinkle. In the icy aii' of night ! NIGHTINGALE VALLEY, 4/ While the stars that over-sprinkle All the heavens, seem to twinkle With a crystalline delight ; Keeping time, time, time, In a sort of Runic rhyme, To the tintinabulation that so musically wells From the bells, bells, bells, bells. Bells, bells, bells. From the jingling and the tinkling of the bells. II. Hear the mellow wedding bells. Golden bells ! What a world of happiness their harmony fortells ! Through the balmy air of night How they ring out their delight ! From the molten-golden notes, And all in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon ! Oh, from out the sounding cells, What a gush of euphony volummously wells I How it swells ! How it dwells On the Future ! how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells, bells, Bells, bells, bells, — To the rhyming and the chiming of the bells ! III. Hear the loud alarum bells — Brazen bells ! 48 NIGHTINGALE VALLEY. What a tale of terror, now, their turbulency tells ! In the startled ear of niglit How they scream out their affright ! Too much horrified to speak, They can only shriek, shriek. Out of tune, In a clamourous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire Leaping higher, higher, higher, With a resolute endeavour Now — now to sit, or never. By the side of the pale-faced moon. Oh, the bells, bells, bells ! What a tale their terror tells Of Despair ! How they clang, and clash, and roar ! What a horror they outpour On the bosom of the palpitating air ! Yet the ear it fully knows. By the twanging. And the clanging. How the danger ebbs and flows ; Yet the ear distinctly tells, In the jangling. And the wrangling. How the danger sinks and swells. By the sinking or tlie swelling in the anger of the bells— Of the bells— Of the bells, bells, bells, bells. Bells, bells, bells— In the clamor and the clangor of the bells ! IV. Hear the tolling of the bells — Iron bells ! NIGHTINGALE VALLEY. 49 What a world of solemn thought their monody compels ! In the silence of the night, How we shiver with affright At the melancholy menace of their tone ! For every sound that floats From the rust within their throats Is a groan. And the people — ah, the people — They that dwell up in the steeple, All alone ; And who, tolling, tolling, tolling. In that muffled monotone, Feel a glory in so rolling On the human heart a stone — They are neither man nor woman — They are neither brute nor human — They are Ghouls ! And their king it is who tolls ; And he rolls, rolls, rolls, Eolls A pzean from the bells ! And his merry bosom swells With the paean of the bells ! And he dances and he yells ; Keeping time, time, time, In a sort of Runic rhyme. To the pEean of the bells — Of the bells : Keeping time, time, time. In a sort of Runic rhyme. To the throbbing of the bells — Of the bells, bells, bells, — To the sobbing of the bells ; Keeping time, time, time. As he knells, knells, knells, £ 50 NIGHTINGALE VAXLKY. In a happy Runic rhyme, To the rolling of the bells — Ofthebells, bells, bells,— To the tolling of the bells, Of the bells, bells, bells, bells- Bells, bells, bells — To the moaning and the groaning of the bells. Edgar A. Poe. TO MARY IN HEAVEN. THOU lingering star with lessening ray, That lov'st to greet the early morn, Again thou usherest in the day My Mary from my soul was torn. Oh Mary ! dear departed shade ! Where is thy place of blissful rest ? See'st thou thy lover lowly laid ? Hear'st thou the groans that rend his breast ? That sacred hour can I forget ! — Can I forget the hallow'd grove. Where by the winding Ayr we met To live one day of parting love ! Eternity will not efface Those records dear of transports past ! Thy image at our last embrace — Ah ! little thought we 'twas our last ! Ayr, gurgling, kiss'd his pebbled shore, O'erhung with wild woods, thickening green i The fragrant birch, and hawthorn hoar, Twined amorous round the raptured scene. NIGHTINGALE VALLEY. 51 The flowers sprung wanton to be press'd, The birds sung love on every spray, Till too, too soon, the glowing west Proclaim'd the speed of winged day. Still o'er these scenes my memory wakes, And fondly broods, with miser care, Time but the impression deeper makes, As streams their channels deeper wear. My Mary ! dear departed shade ! Where is thy place of blissful rest ? See'st thou thy lover lowly laid ? Hear'st thou the groans that rend his breast ? Burns. " THE NORTHERN STAR." [a tynemouth ship.] THE Northerri Star Sail'd over the bar, Bound to the Baltic Sea — In the morning grey She stretch'd away, — 'Twas a weary day to me. For many an hour, In sleet and shower. By the lighthouse rock I stray : And watch till dark For the winged barque Of him that is far away. 52 NIGHTINGALE VALLEY. The castle's bound ^ I wander round Amidst the grassy graves, But all I hear Is the north wind drear, And all I see are the waves. The Northern Star Is set afar Set in the Baltic Sea ; And the waves have spread The sandy bed That holds my love from me. TO LUCASTA, GOING TO THE WARRES. [published 1649.] T. TELL me not, Sweet, I am unkinde. That from the Nunnerie Of thy chaste breast and quiet minde. To AVarre and Armes I flie. II. True, a new Mistresse now I chase. The first Foe in the Field ; And with a stronger faith imbrace A Sword, a Horse, a Shield. ' The castWa bound — Tynemouth castle, the grounds of which are used as a cemetery, or were when this was written. NIGHTINGAXE VALLEY. 53 III. Yet this inconstancy is such As you too shall adore ; I could not love thee, Deare, so much, Loved I not tlonour more. Richard Lovelace. A FAREWELL. FLOW down, cold rivulet, to the sea. Thy tribute wave deliver : Mo more by thee my steps shall be. For ever and for ever. Flow, softly flow, by lawn and lea, A rivulet then a river : No where by thee my steps shall be, For ever and for ever. But here will sigh thine alder tree, And here thine aspen shiver ; And here by thee will hum the bee, For ever and for ever. A thousand suns will stream on thee, A thousand moons will quiver ; But not by thee my steps shall be, For ever and for ever. Tennyson. 54 NIGHTEVGALE VALLEY. SONNET. [TWILIGHT AMONG MOUNTAINS.] HAIL, Twilight, sovereign of one peaceful hour ! Not dull art Thou as undiscerning Night ; But studious only to remove from sight Day's mutable distinctions. — Ancient Power ! Thus did the waters gleam, the mountains lower. To the rude Briton, when, in wolf-skin vest Here roving wild, he laid him down to rest On the bare rock, or through a leafy bower Look'd ere his eyes were closed. By him was seen The self-same Vision which we now behold. At thy meek bidding, shadowy Power ! brought forth ; These mighty barriers, and the gulf between ; The flood, the stars, — a spectacle as old As the beginning of the heavens and earth ! WORDSWOKTH. [INTRODUCTION TO " SONGS OF INNOCENCE."] PIPING down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he, laughing, said to me, " Pipe a song about a lamb," So I piped with merry cheer ; NIGHTINGAXE VALLEY. 55 " Piper, pipe that song again," So I piped, he wept to hear. " Drop thy pipe, thy happy pipe. Sing thy songs of happy cheer ;" So I sung the same again. While he wept with joy to hear. " Piper, sit thee down and write In a book, that all may read." So he vanish'd from my sight ; And I pluck'd a hollow reed ; And I made a rural pen. And I stain'd the water clear. And I wrote my happy songs. Every child may joy to hear. William Blake. SONG. THE OWL. WHEN cats run home and light is come. And dew is cold upon the ground, And^the far-off stream is dumb, And the whirring sail goes round. And the whirring sail goes round ; Alone, and warming his five wits. The white owl in the belfry sits. When merry milkmaids click the latch. And rarely smells the new-mown hay, And the cock hath sung beneath the thatch Twice or thrice his roundelay. 56 NIGHTINGAXE VALLEY. Twice or thrice his roundelay : Alone, and warming his five wits, The white owl in the belfry sits. Tennyson. SONNET. TO MR. LAWRENCE. LAWRENCE, of virtuous father virtuous son, Now that the fields are dank and ways are mire. Where shall we sometimes meet, and by the fire Help waste a sullen day, what may be won From the hard season gaining ? Time will run On smoother, till Favonius re-inspire The frozen earth, and clothe in fresh attire The lily and rose that neither sew'd nor spun. What neat repast shall feast us, light and choice, Of Attic taste, with wine, whence we may rise To hear the lute well touch'd, or artful voice Warble immortal notes and Tuscan air ? He who of these delights can judge, and spare To interpose them oft, is not unwise. Milton. THE DREAM OF EUGENE ARAM. '^T^WAS in the prime of summer time, J_ An evening calm and cool. And four-and-twenty happy boys Came bounding out of school : NIGHTINGALE VALLEY. 57 There were some that ran, and some that leapt, Like troutlets in a pool. Away they sped with gamesome minds, And souls untouch'd by sin ; To a level mead they came, and there They drave the wickets in : Pleasantly shone the setting sun Over the town of Lynn. Like sportive deer they coursed about, And shouted as they ran — Turning to mirth all things of earth, As only boyhood can : But the usher sat remote from all, A melancholy man ! His hat was off, his vest apart. To catch heaven's blessed breeze ; For a burning thought was in his brow. And his bosom ill at ease : So he lean'd his head on his hands, and read The book between his knees ! Leaf after leaf he turn'd it o'er, Nor ever glanced aside ; For the peace of his soul he read that book In the golden eventide : Much study had made him very lean, And pale, and leaden-eyed. At last he shut the ponderous tome ; With a fast and fervent grasp He strain'd the dusky covers close. And fix'd the brazen hasp : " O God, could I so close my mind, And clasp it with a clasp ! " 58 NIGHTINGALE VALLEY. Then leaping on his feet upright, Some moody turns he took ; Now up the mead, then down the mead, And past a shady nook : And lo ! he saw a little boy That pored upon a book ! " My gentle lad, what is't you read — Romance or fairy fable ? Or is it some historic page. Of kings and crowns unstable?" The young boy gave an upward glance — "It is the Death of Abel." The usher took six hasty strides, As smit with sudden pain ; Six hasty strides beyond the place, Then slowly back again : And down he sat beside the lad. And talk'd with him of Cain ; And, long since then, of bloody men, Whose deeds tradition saves ; Of lonely folk cut off unseen. And hid in sudden graves ; Of horrid stabs, in groves forlorn. And murders done in caves ; And how the sprites of injured men Shriek upward from the sod — Aye, how the ghostly hand will point To show the burial clod ; And unknown facts of guilty acts Are seen in dreams from God ! He told how murderers walk'd the earth Beneath the curse of Cain — NIGHTINGALE VALLEY. 59 With crimson clouds before their eyes, And flames about their brain : For blood has left upon their souls Its everlasting stain ! " And well," quoth he, " I know, for truth, Their pangs must be extreme — Wo, wo, unutterable wo — Who spill life's sacred stream ! For why ? Methought last night I wrought A murder in a dream ! " One that had never done me wrong — A feeble man, and old ; I led him to a lonely field, The moon shone clear and cold : Now here, said I, this man shall die. And I will have his gold ! " Two sudden blows with a ragged stick, And one with a heavy stone. One hurried gash with a hasty knife — And then the deed was done : There was nothing lying at my foot, But lifeless flesh and bone ! " Nothing but lifeless flesh and bone. That could not do me ill ; And yet I fear'd him all the more. For lying there so still : There was a manhood in his look, That murder could not kill ! " And lo ! the universal air Seem'd lit with ghastly flame — Ten thousand thousand dreadful eyes Were looking down in blame : 60 NIGHTINGALE VALLEY, I took the dead man by the hand, And call'd upon his name ! " Oh God, it made me quake to see Such sense within the slain ! But when I touch'd the lifeless clay, The blood gush'd out amain ! For every clot, a burning spot Was scorching in my brain ! " My head was like an ardent coal. My heart as solid ice ; My wretched, wretched soul, I knew. Was at the devil's price : A dozen times I groan'd ; the dead Had never groan'd but twice ! " And now from forth the frowning sky, From the heaven's topmost height, I heard a voice — the awful voice Of the blood-avenging sprite : ' Thou guilty man ! take up thy dead. And hide it from my sight ! ' " I took the dreary body up, And cast it in a stream — A sluggish water, black as ink, The depth was so extreme. My gentle boy, remember this Is nothing but a dream ! " Down went the corse with a hollow plunge, And vanish'd in the pool ; Anon I cleansed my bloody hands. And wash'd my forehead cool, And sat among the urchins young That evening in the school ! NIGHTrNGAXE VALLEY. 61 " O heaven, to think of their white souls, And mine so black and grim ! I could not share in childish prayer, Nor join in evening hymn : Like a devil of the pit I seem'd, 'Mid holy cherubim ! " And peace went with them one and all, And each calm pillow spread ; But Guilt was my grim chamberlain That lighted me to bed, And drew my midnight curtains round, With fingers bloody red ! " All night I lay in agony, In anguish dark and deep ; My fever'd eyes I dared not close, But stared aghast at Sleep ; For Sin had render'd tmto her The keys of hell to keep ! " All night I lay in agony, From weary chime to chime. With one besetting horrid hint, That rack'd me all the time — A mighty yearning, like the first Fierce impulse unto crime ! " One stern, tyrannic thought, that made All other thoughts its slave ; Stronger and stronger every pulse Did that temptation crave — Still urging me to go and see The dead man in his grave ! " Heavily I rose up — as soon As light was in the sky — Q2 NIGHTINGALE VALLEY. And sought the black accursed pool With a wild misgiving eye ; And I saw the dead in the river bed, For the faithless stream was dry ! " Merrily rose the lark, and shook The dewdrop from its wing ; But I never mark'd its morning flight, I never heard it sing : For I was stooping once again Under the horrid thing. " With breathless speed, like a soul in chase, I took him up and ran — There was no time to dig a grave Before the day began : In a lonesome wood, with heaps of leaves, I hid the murder'd man ! " And all that day I read in school, But my thought was other where ! As soon as the mid-day task was done, In secret I was there : And a mighty wind had swept the leaves. And still the corse was bare ! " Then down I cast me on my face. And first began to weep, For I knew my secret then was one That earth refused to keep ; Or land or sea, though he should be Ten thousand fathoms deep ! " So wills the fierce avenging sprite. Till blood for blood atones ! Aye, though he's buried in a cave, And trodden down with stones, NIGHTINGALE VALLEY, 63 And years have rotted off his flesh — The world shall see his bones ! " Oh God, that horrid, horrid dream Besets me now awake ! Again — again, with a dizzy brain, The human life I take ; And my red right hand grows raging hot Like Cranmer's at the stake. " And still no peace for the restless clay Will wave or mould allow : The horrid thing pursues my soul — It stands before me now ! " The fearful boy look'd up, and saw Huge drops upon his brow ! That very night, while gentle sleep The urchin eyelids kiss'd, Two stern-faced men set out from Lynn, Through the cold and heavy mist ; And Eugene Aram walk'd between, With gyves upon his wrist. Hood. TO THE VIRGINS, TO MAKE MUCH OF TIME. GATHER ye rosebuds while ye may I Old Time is still a-flying : j\jid this same flower, that smiles to-day, To-morrow will be dying. The glorious lamp of heaven, the sun, The higher he's a-getting. 64 NIGHTINGALE VAXLEY. The sooner will his race be run, And nearer he's to setting. That age is best which is the first, ^AHien youth and blood are warmer ; But, being spent, the worse and worst Times still succeed the former. Then be not coy, but use your time ; And while ye may, go marry ; For, having lost but once your prime. You may for ever tarry. Herkick. PROTUS. AMONG these latter busts we count by scores, Half-emperors and quarter-emperors. Each with his bay-leaf fillet, loose-thong'd vest, Loric and low-brow'd Gorgon on the breast ; One loves a baby fiice, with violets there, Violets instead of laurel in the hair. As those were all the little locks could bear. Now read here. " Protus ends a period Of empery beginning with a god : Born in the porphyry chamber at Byzant ; Queens by his cradle, proud and ministrant. And if he quicken'd breath there, 'twould like fire Pantingly through the dim vast realm transpire. A fame that he was missing, spread afar — The world, from its four corners, rose in war, NIGHTINGALE VALLEY. 65 Till he was borne out on a balcony To pacify the world when it should see. The captains ranged before him, one, his hand Made baby points at, gain'd the chief command. And day by day more beautiful he grew In shape, all said, in feature and in hue, While young Greek sculptors gazing on the child Were, so, with old Greek sculpture reconciled. Already sages labour'd to condense In easy tomes a life's experience : And artists took grave counsel to impart In one breath and one hand-sweep, all their art — To make his graces prompt as blossoming Of plentifully-water'd palms in spring ; Since well beseems it, whoso mounts the throne, For beauty, knowledge, strength, should stand alone, And mortals love the letters of his name." Stop! Have you turn'd two pages? Still the same. New reign, same date. The scribe goes on to say How that same year, on such a month and day, " John the Pannonian, groundedly believed A blacksmith's bastard, whose hard hand reprieved The Empire from its fate the year before, — Came, had a mind to take the crown, and wore The same for six years, (during which the Huns Kept off their fingers from us) till his sons Put something in his liquor" — and so forth. Then a new reign. Stay — " Take at its just worth" (Subjoins an annotator) " what I give As hearsay. Some think John let Protus live And slip away. 'Tis said, he reach'd man's age At some blind northern court ; made first a page, Then, tutor to the children — last, of use About the hunting-stables. I deduce 6(3 NIGHTINGALE VALLEY, He wrote tlie little tract ' On worming dogs,' Whereof the name in sundi-y catalogues Is extant yet. A Protus of the Race Is rumoui-'d to have died a monk in Thrace, — And if the same, he reach'd senility." Here's John the smith's rough-hammer'd head. Great eye, Gross jaw and griped lips do what granite can To give you the crown-grasper. What a man ! Egbert Browning. SONG. WANDER'D by the brook-side, I wander'd by the mill, — I could not hear tlic brook tlow. The noisy wheel was still ; There was no burr of grasshopper. No chirp of any bird ; But the beating of my own heart Was all the sound I heard. I sat beneath the elm-tree, I watchVl the long, long shade, And as it grew still longer I did not feel afraid ; For I listen'd for a footfall, I listen'd for a word, — But the beating of my own heart Was all the sound I heard. He came not, — no, he came not ; The night came on alone ; The little stars sat one by one Each on his golden throne ; NIGHTINGALE VALLEY. The evening air pass'd by my cheek, The leaves above were stirr'd, — But the beating of my own heart Was all the sound I heard. Fast silent tears were flowing, When some one stood behind ; A hand was on my shoulder, I knew its touch was kind : It drew me nearer — nearer ; We did not speak a word, — For the beating of our own hearts Was all the sound we heard. K.. M. MiLNES. THE NIGHTINGALE. A CONVERSATION POEM. NO cloud, no relique of the sunken day Distinguishes the West, no long thin slip Of sullen light, no obscure trembling hues. Come, we will rest on this old mossy bridge ! You see the glimmer of the stream beneath, But hear no murmuring : it flows silently. O'er its soft bed of verdure. All is still, A balmy night ! and though the stars be dim. Yet let us think upon the vernal showers That gladden the green earth, and we shall find A pleasure in the dimness of the stars. And hark ! the Nightingale begins its song, " Most musical, most melancholy" bird ! ^ ' Most musical, most melancholy. — This passage in Milton possesses an excellence far superior to that of mere de- scription. It is spoken in the character of the melancholy 68 NIGHXmGALE VALLEY. A melancholy bird ! Oh ! idle thought ! In nature there is nothing melancholy. But some night-wandering man whose heart was pierced With the remembrance of a gi-ievous wrong, Or slow distemper, or neglected love, (And so, poor wretch ! fill'd all things with himself, And made all gentle sounds tell back the tale Of his own sorrow) he, and such as he, First named these notes a melancholy strain, And many a poet echoes the conceit ; Poet who hath been building up the rhyme When he had better far have stretch'd his limbs Beside a brook in mossy forest-dell. By sun or moon-light, to the influxes Of shapes and sounds and shifting elements Surrendering his whole spirit, of his song And of his fame forgetful ! so his fame Should share in Nature's immortality, A venerable thing ! and so his song Should make all Nature lovelier, and itself Be loved like Nature ! But 'twill not be so ; And youths and maidens most poetical. Who lose the deepening twilights of the spring In ball-rooms and hot theatres, they still Full of meek sympathy must heave their sighs O'er Philomela's pity-pleading strains. My Friend, and thou, our Sister ! we have learnt A different lore : we may not thus profane Nature's sweet voices, always full of love And joyance ! 'Tis the merry Nightingale That crowds, and hurries, and precipitates man, and has therefore a dramatic propriety. The author makes this reinnrk, to rescue himself from the charge of having alluded with levity to a Hue iu Milton. NIGHTINGALE VALLEY. 59 With fast thick warble his delicious notes, As he were fearful that an April night Would be too short for hiin to utter forth His love-chant, and disburthen his full soul Of all its music ! And I know a grove Of large extent, hard by a castle huge. Which the great lord inhabits not ; and so This grove is wild with tangling underwood. And the trim walks are broken up, and grass. Thin grass and king-cups grow within the paths, But never elsewhere in one place I knew So many nightingales ; and far and near. In wood and thicket, over the wide grove, They answer and provoke each other's song, With skirmish and capricious passagings, And murmurs musical and swift jug, jug, And one low-piping sound more sweet than all — Stirring the air with such a harmony. That should you close your eyes, you might almost Forget it was not day ! On moon-lit bushes, Whose dewy leaflets are but half disclosed, You may perchance behold them on the twigs, Their bright, bright eyes, their eyes both bright and full. Glistening, while many a glow-worm in the shade Lights up her love-torch. A most gentle Maid, Who dwelleth in her hospitable home Hard by the castle, and at latest eve (Even like a Lady vow'd and dedicate To something more than Nature in the grove) Glides through the pathways ; she knows all their notes. That gentle Maid ! and oft a moment's space. 70 NIGHTINGALE VALLEY. What time the moon was lost behind a cloud, Hath heard a pause of silence ; till the moon Emerging, hath awaken'd earth and sky With one sensation, and these wakeful birds Have all burst forth in choral minstrelsy, As if some sudden gale had swept at once A hundred airy harps ! And she hath watch'd Many a nightingale perch'd giddily On blossomy twig still swinging from the breeze, And to that motion tune his wanton song Like tipsy joy that reels with tossing head. Farewell, O Warbler ! till to-morrow eve, And you, my friends ! farewell, a short farewell ! W^e have been loitering long and pleasantly. And now for our dear homes. — That strain again ! Full fain it would delay me ! My dear babe. Who, capable of no articulate sound. Mars all things with his imitative lisp. How he would place his hand beside his ear, His little hand, the small forefinger up. And bid us listen ! And I deem it wise To make him Nature's playmate. He kno-svs well The evening-star ; and once, when he awoke In most distressful mood (some inward pain Had made up that strange thing, an infant's dream) I hurried with liim to our orchard-plot. And he beheld the moon, and, hush'd at once. Suspends his sobs, and laughs most silently. While his fair eyes, that swam with undropp'd tears, Did glitter in the yellow moon-beam ! Well ! — It is a father's tale : But if that Heaven Should give me life, his childhood shall grow up Familiar with these songs, that with the night He may associate joy. — Once more, farewell. Sweet Nightingale ! Once more, my friends ! farewell. Coleridge. NIGHTINGALE VALLEY. 71 THE HAUNTED PALACE. TN the greenest of our valleys, By good angels tenanted, Once a fair and stately palace — Radiant palace — rear'd its head. In the monarch Thought's dominion — It stood there ! Never seraph waved a pinion Over fabric half so fair. Banners yellow, glorious, golden, On its roof did float and flow, (This — all this — was in the olden Time long ago,) And every gentle air that dallied In that sweet day, Along the ramparts plumed and pallid A winged odour went away. Wanderers in that happy valley, Through two luminous windows, saw Spirits moving musically, To a lute's well-tuned law, Round about a throne, where sitting (Porphyrogene !) In state his glory well befitting. The ruler of the realm was seen. And all with pearl and ruby glowing Was the fair palace door. Through which came flowing, flowing, flowing. And sparkling evermore, 72 NIGHTINGALE VALLEY. A troop of Echoes, whose sweet duty Was but to sing, In voices of surpassing beauty. The wit and wisdom of their king. But evil things, in robes of sorrow, Assail'd the monarch's high estate. (Ah, let us mourn ! — for never morrow Shall dawn upon him desolate !) And round about his home the glory That blush'd and bloom'd, Is but a dim-remember'd story Of the old time entomb'd. And travellers, now, within that valley. Through the red-litten windows see Vast forms, that move fantastically To a discordant melody, While, like a ghastly rapid river, Through the pale door A hideous throng rush out for ever. And laugh — but smile no more. Edgar A. Poe. [EVENING SONG OF THE PRIEST OF PAN.] (from " THE FAITHFUL SHEPHERDESS.") SHEPHERDS all, and maidens fair. Fold your flocks up, for the air 'Gins to thicken, and the sun Already his great course hath run. See the dew-drops liow they kiss Every little flower that is ; NIGHTINGALE VALLEY. 73 Hanging on their velvet heads Like a rope of crystal beads ; See the heavy clouds low-falling, And bright Hesperus down calling The dead Night from underground, At whose rising, mists unsound, Damps and vapours, tly ajjace Hovering o'er the wanton face Of these pastures ; where they come Striking dead both bud and bloom. Therefore from such danger, lock Every one his loved flock. And let your dogs lie loose without. Lest the wolf come as a scout From the mountain, and, e'er day, Bear a lamb or kid away, Or the crafty thievish fox Break upon your simple flocks. To secure yourselves from these. Be not too secure in ease ; Let one eye his watches keep, While the other eye doth sleep ; So shall you good shepherds prove. And for ever hold the love Of our great God. Sweetest slumbers And soft silence fall in numbers On your eyelids : so farewell ; Thus I end my evening's knell. John Fletcher. 74 NIGHTINGALE VAIXEY. THE FUGITIVES. I. ^T^HE waters are flashing, X The white hail is (lashing, The lightnings are glancing. The hoar spray is dancing, — Away ! The whirlwind is rolling, The thunder is tolling. The forest is swinging. The minster bells ringing, — ■ Come away ! The Earth is like Ocean, Wreck-strewn and in motion ; Bird, beast, man, and worm. Have crept out of the storm — Come away ! II. " Our boat has one sail, And the helmsman is pale ; — A bold pilot, I trow. Who should follow us now," — Shouted he — And she cried : " Ply the oar ; Put off gaily from shore ! " As she spoke, bolts of death Mix'd with hail, speck'd their path O'er the sea. NIGHTINGALE VALLEY. And from isle, tower, and rock, The blue beacon-cloud broke, Though dumb in the blast, The red cannon flash'd fast From the lee. III. " And fear'st thou, and fear'st thou ? And see'st thou, and hear'st thou ? And drive we not free O'er the terrible sea, I and thou ? " One boat-cloak did cover The loved and the lover — Their blood beats one measure, They murmur proud pleasure Soft and low ; — While around, the lash'd Ocean, Like mountains in motion, Is withdrawn and uplifted, Sunk, shatter'd, and shifted, To and fro. IV. In the court of the fortress Beside the pale portress. Like a bloodhound well beaten The bridegroom stands, eaten By shame ; On the topmost watch-turret, As a death-boding spirit, Stands the grey tyrant father, — To his voice the mad weather Seems tame ; 75 76 NIGHTINGALE VALLEY. And with curses as wild As e'er cling to child, He devotes to the blast The best, loveliest, and last Of his name. Shelley. [TO A DEPARTED FRIEND.] DOST thou look back on what hath been. As some divinely gifted man, Whose life in low estate began And on a simple village green ; Who breaks his birth's invidious bar, And grasps the skirts of happy chance. And breasts the blows of circumstance. And grapples with his evil star ; Who makes by force his merit known And lives to clutch the golden keys, To mould a mighty state's decrees, And shape the whisper of the throne ; And moving up from high to higher, Becomes on Fortune's crowning slope The pillar of a people's hope. The centre of a world's desire ; Yet feels as in a pensive dream, When all his active powers are still, A distant dearness in the hill, A secret sweetness in the stream, NIGHTINGALE VALLEY. The limit of his narrow fate, While yet beside its vocal springs He play'd at counsellors and kings, With one that was his earliest mate ; Who ploughs with pain his native lea And reaps the labour of his hands, Or in the furrow musing stands ; Does my old friend remember me ? In Memoriam. SONG. [from " AS TOU LIKE IT."] UNDER the greenwood tree AVho loves to lie with me, And tune his merry note Unto the sweet bird's throat. Come hither, come hither, come hither : Here shall he see No enemy But winter and rough weather. Who doth ambition shun, And loves to live i' the sun ; Seeking the food he eats. And pleased with what he gets, Come hither, come hither, come hither : Here shall he see No enemy But winter and rough weather. Shakespeare. 78 NIGHTINGALE VALLEY. SONNET. ON FIRST LOOKING INTO CHAPMAN'S HOMER. "UCH have I travell'd in the realms of gohl, And many goodly states and kingdoms seen ; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-ln'ow'd Homer ruled as his demesne : Yet did I never bi'eathe its pure serene Till I heard Chapman speak out loud and bold : Then felt I like some watcher of the skies, When a new planet swims into his ken ; Or like stout Cortez when with eagle eyes He stared at the Pacific — and all his men Look'd at each other with a wild surmise — Silent, upon a peak in Darien. Keats. THE APOLOGY. 'HINK me not unkind or rude, / JJL That I walk alone in grove and glen I go to the god of the wood, To fetch his word to men. T Tax not my sloth that I Fold my arms beside the brook ; P^ach cloud that floated in the sky Writes a letter in my book. nt:ghtingale valley. 79 Chide me not, laborious band, For the idle flowers I brought ; Every aster in my hand Goes home loaded with a thought. There was never mystery But 'tis figured in the flowers, Was never secret history. But birds tell it in the bowers. One harvest from thy field Homeward brought the oxen strong ; A second crop thine acres yield, Which I gather in a song. Emerson. TIBBIE. TUNE " INVERCAULd's REEL." O TIBBIE, I hae seen the day Ye wadna been sae shy ! For laik o' gear ye lightly me ; — But, trowth, I careua by ! Yestreen I met you on the moor. Ye spak na, but gaed by like stouro ;' Ye geek at me because I'm poor ; But fient a hair care I. Chorus. O Tibbie, &c. I doubtna, lass, but ye may think, Because ye hae the name o' clink, ' Stoure, a whirl of dust. 80 NIGHTINGALE VALLEY. That ye can please me at a wink, Whene'er ye like to try : But sorrow tak him that's sae mean, Although his pouch o' coin were clean, Wha follows ouy saucy quean That looks sae proud and high ! Although a lad were ne'er sae smart. If that he want the yellow dirt Ye'll cast your head anither airt And answer him fu' dry : But if he hae the name o' gear Ye'll fasten to him like a brier, Though hardly ho, for sense or lear, Be better than the kye. But Tibbie, lass, tak my advice, — Your daddie's gear maks you sae nice ; The deil a ane wad spier your price Were ye as poor as I ; There lives a lass in yonder park, I wadna gie her in her sark For thee wi' a' thy thousan' mark, — Ye needna look sae high ! Chorus. O Tibbie, I hae seen the day Ye wadna been sae shy ! For laik o' gear ye lightly me ; — But, trowth, I carena by ! BUENS. NIGHTINGALE VALLEY. 81 CHORAL SONG OF ILLYRIAN PEASANTS. [from " ZAPOLYA."] UP ! up ! ye dames, ye lasses gay ! To the meadows trip away. 'Tis you must tend the flocks this morn, And scare the small birds from the corn. Not a soul at home may stay : For the shepherds must go With lance and bow To hunt the wolf in the woods to-day. Leave the hearth and leave the house To the cricket and the mouse : Find grannam out a sunny seat. With babe and lambkin at her feet. Not a soul at home may stay : For the shepherds must go With lance and bow To hunt the wolf in the woods to-day. Coleridge. THE PvAVEN. ONCE upon a midnight dreary, while I ponder'd, weak and weary. Over many a quaint and curious volume of for- gotten lore, 82 NIGHTINGALE VALLEY. While I nodded, nearly napping, suddenly there came a tapping. As of some one gently rapping, rapping at my chamber door. " 'Tis some visitor," I mutter'd, " tapping at my chamber door — Only this, and nothing more." Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wish'd the morrow ; — vainly I had sought to borrow From my books surcease of sorrow — sorrow for the lost Lenore — For the rare and radiant maiden whom the angels name Lenore — Nameless here for evermore. And the silken sad uncertain rustling of each purple curtain Thrill'd me — fill'd me with fantastic terrors never felt before ; So that now, to still the beating of ray heart, I stood repeating " 'Tis some visitor entreating entrance at my chamber door — Some late visitor entreating entrance at my chamber door ; — This it is, and nothing more." Presently my soul grew stronger ; hesitating then no longer, " Sir," said I, " or Madam, truly your forgiveness I implore ; NIGHTINGALE VALLEY. 83 But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you" — here I ojjen'd wide the door ; — Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing. Doubting, dreaming di-eams no mortal ever dared to dream before ; But the silence was unbroken, and the darkness gave no token. And the only word there spoken was the whisper'd word, " Lenore ! " This I whisper'd, and an echo murmur'd back the word, " Lenore ! " Merely this, and nothing more. Back into the chamber turning, all my soul within me burning. Soon I heard again a tapping somewhat louder than before, " Surely," said I, " surely that is something at my window lattice ; Let me see, then, what thereat is, and this mystery explore — Let my heart be still a moment and this mystery explore ; — 'Tis the wind, and nothing more ! " Open here I flung a shutter, when, with many a flirt and flutter. In there stepp'd a stately raven of the saintly days of yore ; 84 NIGHTINGALE VALLEY. Not the least obeisance made he ; not an instant stopp'd or stay'd he ; But, with mien of lord or lady, perch'd above my chamber door — Perch'd upon a bust of Pallas just above my chamber door — Perch'd, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, " Though thy crest be shorn and shaven, thou," I said, " art sure no craven. Ghastly, grim, and ancient raven wandering from the Nightly shore — Tell me what thy lordly name is on the Night's Plutonian shore ! " Quoth the raven, " Nevermore." Much I marvell'd this ungainly fowl to hear dis- course so plainly. Though its answer little meaning — little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blest with seeing bird above his chamber door — Bird or beast upon the sculptured bust above his chamber door. With such name as " Nevermore." But the raven, sitting lonely on the placid bust, spoke only That one word, as if his soul in that one word he did outpour. NIGHTINGALE VALLEY. 85 Nothing farther then he utter' d — not a feather then he fluttered — Till I scarcely more than mutter'd " Other friends have flown before — On the morrow he will leave me, as my hopes have flown before." Then the bird said " Nevermore." Startled at the stillness broken by reply so aptly spoken, " Doubtless," said I, " what it utters is its only stock and store Caught from some unhappy master whom unmer- ciful Disaster FoUow'd fast, and follow'd faster, till his songs one burden bore — Till the dirges of his Hope that melancholy burden bore Of ' Never — nevermore.' " But the raven still beguiling all my sad soul into smiling, Straight I wheel'd a cushion'd seat in front of bird, and bust, and door ; Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of yore — What this grim, ungainly, ghastly, gaunt, and ominous bird of yore Meant in croaking " Nevermore." This I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burnt into my bosom's core ; 86 NIGHTINGALE VALLEY. This and more I sat divining, with my head at ease reclining On the cushion's velvet lining that the lamplight gloated o'er, But whose velvet violet lining, with the lamplight gloating o'er, She shall press, ah, nevermore ! Then, methought, the air grew denser, perfumed from an unseen censer Swung by angels whose faint foot-falls tinkled on the tufted floor. " Wretch," I cried, " thy God hath lent thee— by these angels he hath sent thee Respite — respite and nepenthe from thy memories of Lenore ! Quaff, oh quaff this kind nepenthe and forget this lost Lenore ! " Quoth the raven, " Nevermore." " Prophet ! " said I, " thing of evil ! — prophet still, if bird or devil ! — Whether Tempter sent, or whether tempest toss'd thee here ashore. Desolate yet all undaunted, on this desert land enchanted — On this home by Horror haunted — tell me truly, I implore — Is there — is there balm in Gilead ? — tell me — tell me, I implore ! " Quoth the raven, " Nevermore." " Prophet ! " said I, "thing of evil — prophet still, if bird or devil ! By that Heaven that bends above us — by that God we both adore — NIGHTINGALE VALLEY. 87 Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore — Clasp a rare and radiant maiden whom the angels name Lenore." Quoth the raven, " Nevermore." " Be that word our sign of parting, bird or fiend ! " I shriek'd, upstarting — " Get thee back into the tempest and the Night's Plutonian shore ! Leave no black plume as a token of the lie thy soul hath spoken ! Leave my loneliness unbroken ! — quit the bust above my door ! Take thy beak from out my heart, and take thy form from off my door ! " Quoth the raven, " Nevermore." And the raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door ; And his eyes have all the seeming of a demon's that is dreaming, And the lamplight o'er him streaming throws his shadow on the floor ; And my soul from out that shadow that lies floating on the floor Shall be lifted — nevermore ! E. A. PoE. NIGHTINGALE VALLEY. FLOWERS. TWILL not have the mad Clytie, Whose head Is turn'd by the sun ; The Tulip is a courtly quean, Whom therefore I will shun ; The Cowslip Is a country wench, The Violet Is a nun ; — But I will woo the dainty Rose, The queen of every one. The Pea is but a wanton witch, Li too much haste to wed, And clasps her rings on every hand ; The Wolfsbane I should dread; Nor will I dreary Rosemarye, That always mourns the dead ; — But I will woo the dainty Rose, With her cheeks of tender red. The Lily Is all in white, like a saint, And so Is no mate for me — And the Daisy's cheek is tipp'd with a blush. She is of such low degree ; Jasmin Is sweet, and has many loves. And the Broom's betroth'd to the Bee ; — But I will plight with the dainty Rose, For fairest of all is she ! Hood. NIGHTINGALE VALLEY. FABLE. THE Mountain and the Squirrel Had a quarrel, And the former call'd the latter " Little Prig Bun replied, " You are doubtless very big, But all sorts of things and weather Must be taken in together To make up a year, And a sphere. And I think it no disgrace To occupy my place. If I'm not so large as you. You are not so small as I, And not half so spry : I'll not deny you make A very pretty squirrel-track ; Talents differ ; all is well and wisely put ; If I cannot carry forests on my back, Neither can you crack a nut." Emerson. A AS I LAY A-THINKING. S I lay a-thinking, a-thinking, a-thinking, Merry sang the Bird as she sat upon the spray ; There came a noble Knight With his hauberk shining bright, 90 NIGHTINGALE VALLEY. And his gallant heart was light, Free, and gay ; And as I lay a-thinking, he rode iipon his way. As I lay a-thinking, a-thinking, a-thinking. Sadly sang the Bird as she sat upon the tree ; There seem'd a crimson plain, Where a gallant Knight lay slain. And a steed with broken rein Ran free ; As I lay a-thinking — most pitiful to see. As I lay a-thinking, a-thinking, a-thinking. Merry sang the Bird as she sat ujDon the bough 5 A lovely Maid came by, And a gentle Youth was nigh. And he breathed many a sigh And a vow ; As I lay a-thinking — her heart was gladsome now. As I lay a-thinking, a-thiuking, a-thinking, Sadly sang the Bird as she sat upon the thorn ; No more a Youth was there. But a Maiden rent her hair, And cried in sad despair, " That I was born ! " As I lay a-thinking — she perished forlorn. ' As I lay a-thinking, a-thinking, a-thinking. Sweetly sang the Bird as she sat upon the briar ; There came a lovely Child, And his face was meek and mild, Yet joyously he smiled On his sire ; As I lay a-thinking — a cherub might admire. NIGHTINGALE VALLEY. 91 But as I lay a-thinking-, a-thinking, a-thinking, And sadly sang the Bird as it percli'd upon a bier ; That joyous smile was gone, And the face was white and wan, As the down upon the swan Doth appear ; As I lay a-thinking — oh, bitter flow'd the tear ! As I lay a-thinking, the golden sun was sinking, O merry sang that Bird as it glittei"'tl on her breast With a thousand gorgeous dyes. While soaring to the skies 'Mid the stars she seem'd to rise As to her nest ; As I lay a-thinking, her meaning was exprest : " Follow, follow nie away ! It boots not to delay," — ('Twas so she seem'd to say) " Here is rest ! " KiCHARD H, BaRHAM. A MAN'S REQUIREMENTS. LOVE me, sweet, with all thou art, Feeling, thinking, seeing, — Love me in the lightest part, Love me in full being. Love me with thine open youth In Its frank surrender ; With the vowing of thy mouth, With its silence tender. 92 NIGHTINGALE VALLEY. Love me with thine azure eyes Made for earnest granting ; — Taking colour from the skies, Can Heaven's truth be wanting ? Love me with their lids that fall Snow-like at first meeting : Love me with thine heart, that all The neighbours then see beating. Love me with thy hand stretch'd out Freely — open-minded : Love me with thy loitering foot, — Hearing one behind it. Love me with thy voice that turns Sudden faint above me ; Love me with thy blush that burns When I murmur " Love me ! " Love me with thy thinking soul — Break it to love-sighing ; Love me with thy thoughts that roll On through living — dying. Love me in thy gorgeous airs, When the world has crown'd thee : Love me, kneeling at thy prayers, With the angels round thee. Love me pure, as musers do, Up the woodlands shady : Love me gaily, fast, and true, As a winsome lady. Through all hopes that keep us brave, Further off or nigher. NIGHTINGALE VALLEY. 93 Love me for the house and grave, — And for something higher. Thus, if thou wilt prove me, dear, Woman's love no fable, / will love thee — half- a-year — As a man is able. Elizabeth Barrett Browning. MEA CULPA. AT me one night the angry moon Suspended to a rim of cloud Glared through the courses of the wind. Suddenly there my spirit bow'd And shrank into a fearful swoon That made me deaf and blind. "We sinn'd — we sin — is that a dream ? We wake — there is no voice nor stu." ; Sin and repent from day to day. As though some reeking murderer Should dip his hand in a running stream, And lightly go his way. Embrace me, fiends and wicked men. For I am of your crew. Draw back. Pure women, childi-en with clear eyes. Let Scorn confess me on his rack, — Stretch'd down by force, uplooking then Lito the solemn skies ! Singly we pass the gloomy gate ; Some robed in honour, full of peace, 94 NIGHTINGALE VALLEY, Who of themselves are not aware ; Being fed with secret wickedness, And comforted with lies : my fate Moves fast ; I shall come there. All is so usnal, hour by hour ; Men's spirits are so lightly twirl'd By every little gust of sense ; Who lays to heart this common world ? Who lays to heart the Ruling Power, Just, infinite, intense — ? Thou wilt not frown, O God. Yet we Escape not thy transcendent law ; It reigns within us and without. What earthly vision never saw Man's naked soul may suddenly see, Dreadful, past thought or doubt. 1 REAK, break, break, On thy cold gray stones, O Sea ! And I would that my tongue could utter The thoughts that arise in me. O well tbr the fisherman's boy. That he shouts with his sister at play ! O well for the sailor lad. That he sings in his boat on the bay ! And the stately ships go on To their haven under the hill ; But for the touch of a vanish'd hand, And the sound of a voice that is still ! NIGHTINGALE VALLEY. 95 Break, break, break, At the foot of thy crags, O Sea, But the tender grace of a day that is dead Will never come back to me. Tennyson. SONNET. [ABSENCE.] FROM you I have been absent in the spring, When proud-pied April, dress'd in all his trim. Hath put a spirit of youth in everything, That heavy Saturn laugh'd and leap'd with him. Yet not the lays of birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer story tell. Or from their proud lap pluck them where they grew, Nor did I wonder at the lilies' white. Nor praise the deep vermillion of the rose, They were but sweet, but figures of delight. Drawn after you, you pattern of all those, — Yet seem'd it winter still ; and, you away. As with your shadow I with these did play. Shakespeare. THE TIGER. TIGER, tiger, burning bright In the foi'est of the night ! What immortal hand or eye Could frame thy fearful symmetry ? 96 NieHTINGALE VALLEY. In what distant deeps or skies Burnt the ardour of thine eyes ? On what wings dare he aspire — What the hand dare seize the fire ? And what shoulder, and what art Could twist the sinews of thy heart ? And when thy heart began to beat, What dread hand form'd thy dread feet ? What the hammer, what the chain ? In what furnace was thy brain ? Did God smile his work to see ? Did He who made the lamb make thee ? William Blake. SONG. (from the SPANISH OF IGLESIAS.) ALEXIS calls me cruel ; The rifted crags that hold The gather'd ice of winter. He says, are not more cold. Wlien even the very blossoms Around the fountain's brim, And forest walks can witness The love I bear to him. I would that I could utter ]\Iy feelings without shame ; And tell him how I love him. Nor wrong my virgin fame. NIGHTINGALE VALLEY. 97 Alas ! to seize the moment When heart inclines to heart, And press a suit with passion, Is not a woman's part. If no one comes to gather The roses where they stand, They fade among their foliage ; They cannot seek his hand. W. C. Bryant. YARROW UNVISITED. {See the various Poems, the scene of ivhich is laid upon the hanks of the Yarroiv ; in particular the exquisite Ballad of Hamilton, begimmtg : — " Busk ye, busk ye, my bonny, bonny Bride, Busk ye, busk ye, my winsome Marrow .'") FROM Stirling castle we had seen The mazy Forth vxnravelFd ; Had trod the banks of Clyde, and Tay, And with the Tweed had travell'd ; And when we came to Cloveuford, Then said my " winsome Marroiv," " Whate'er betide, we'll turn aside, And see the Braes of Yarrow." " Let Yarrow folk,yrae Selkirk town, Who have been buying, selling. Go back to Yarrow, 'tis their own ; Each maiden to her dwelling ! On Yarrow's banks let herons feed. Hares couch, and rabbits burrow ! H 98 NIGHTINGALE VALLEY. But we will downward with the Tweed, Nor turn aside to Yarrow. " There's Galla Water, Leader Haughs, Both lying right before us ; And Dryborough, where with chiming Tweed The lintwhites sing in chorus ; There's pleasant Tiviot-dale, a land Made blithe with plough and harrow : AVliy throw away a needful day To go in search of Yarrow ? " What's Yarrow but a river bare, That glides the dark hills under ? There are a thousand such elsewhere As worthy of your wonder." Strange words they seem'd of slight and scorn My True-love sigh'd for sorrow ; And look'd nie in the fixce, to think I thus could speak of Yarrow ! " Oh \ green," said I, " are Yarrow's holms. And sweet is Yarrow flowing ! Fair hangs the apple frae the rock,^ But we will leave it growing. O'er hilly path, and open Strath, We'll wander Scotland thorough ; But, though so near, we will not turn Into the dale of Yarrow. " Let beeves and home-brod kine partake The sweets of Burn-mill meadow ; The swan on still St. Mary's Lake Float double, swan and shadow ! ' See Hamilton's Ballad as above. JSriGHTINGALE VALLEY. 99 We will not see them ; will not go, To-day, nor yet to-morrow ; Enough if in our hearts we know There's such a place as Yarrow. " Be Yarrow stream unseen, unknown ! It must, or we shall rue it : We have a vision of our own ; Ah ! why shoukl we undo it ? The treasured dreams of times long past, We'll keep them, winsome Marrow ! For when we're there, although 'tis fair, 'Twill be another Yarrow ! " If Care with freezing years should come, And wandering seem but folly, — Should we be loath to stir from home, And yet be melancholy ; Should life be dull, and spirits low, 'Twill soothe us in our sorrow. That earth has something yet to show, The bonny holms of Yarrow ! " A^'0RDSW0RT^. ADIEU. LET time and chance combine, combine, Let time and chance combine ; The fairest love fi-om heaven above, That love of yours was mine, My dear. That love of yours was mine 100 NIGHTINGALE VALLEY. The past is fled and gone, and gone, The past is fled and gone ; If nought bnt pain to me remain, I'll fare in memory on, My dear, I'll fare in memory on. The saddest tears must fall, must fall, The saddest tears must fall ; In weal or woe, in this world below, I love you ever and all, My dear, I love you ever and all. A long road full of pain, of pain, A long road full of pain ; One soul, one heart, sworn ne'er to part,- We ne'er can meet again. My dear, We ne'er can meet again. Hard fate will not allow, allow, Hard fate will not allow ; We blessed were as the angels are, — Adieu for ever now. My dear. Adieu for ever now. T. Carlyle. NIGHTINGALE VALLEY. 101 TO A SKY-LARK. I. ETHEREAL minstrel ! pilgrim of the sky ! Dost thou despise the earth where cares abound ? Or, while the wings aspire, are heart and eye Both with thy nest upon the dewy ground ? Thy nest which thou canst drop into at will, Those quivering wings composed, that music still ! II. To the last point of vision, and beyond, Mount, daring warbler ! — that love-prompted strain ('Twixt thee and thine a never-failing bond) Thrills not the less the bosom of the plain : Yet might'st thou seem, proud privilege ! to sing All independent of the leafy spring. III. Leave to the nightingale her shady wood ; A privacy of glorious light is thine ; Whence thou dost pour upon the world a flood Of harmony, with instinct more divine ; Type of the wise who soar, but never roam ; True to the kindred points of Heaven and Home ! WoKDSWORTH. THE TWA CORBIES.^ AS I was walking all alane, I heard twa corbies making a mane ; The tane unto the t'ither did say, " Whar sail we gang and dine the day ? " ' Corhies, ravens. 102 NIGHTINGALE VALLEY. " In beliint yon auld fail ' dyke, I wot there lies a new-slain kniglit ; And naebody kens that he lies there But his hawk, his hound, and his lady fiiir. " His hound is to the hunting gane, His hawk to fetch the wild-fowl hanie, His lady's ta'en anither mate, Sae we may niak' our dinner sweet. " Ye'U sit on his white ~hause-bane, And I'll pike out his bonny blue een ; Wi' ae lock o' his gowden hair We'll theek^ our nest when it grows bare. " Mony a one for him makes mane, But nane sail ken whar he is gane. O'er his white banes, when they are bare, The wind sail blaw for evermair." Scott's Border Minstrelsy. DIRGE FOR THE YEAR. ORPHAN hours, the Year is dead, Come and sigh, come and weep ! Merry hours, smile instead. For the Year is but asleep : See, it smiles as it is sleeping, Mocking your untimely weeping. As an earthquake rocks a corse In its coffin in the clay. So white Winter, that rough nurse. Rocks the dead-cold Year to-day. Fail, tuif, sod. * Hause, neck. ■* Tlicek, thatch. NIGHTINGALE VALLEY. 101; Solemn hours, wail aloud For your mother in her shroud ! As the wild air stirs and sways The tree-rock'd cradle of a child, So the breath of these rude days Rocks the Year : be calm and mild, Trembling hours, she will arise With new love within her eyes. January grey is here, Like a sexton by her grave ; February bears the bier, March with grief doth howl and rave, And April weeps, — but, O ye hours ! Follow with May's fairest flowers. Shelley. SONG OF ARIEL. [from " THE TEMPEST."] COME unto these yellow sands, And then take hands, — Curtsied when you have and kiss'd ; (The wild waves whist) — Foot it featly here and there ; And, sweet sprites, the burden bear. Hark, hark ! Bough, wough. {dispersedly') The watch-dogs bark. Bough, wough. {dispersedly') Hark, hark ! I hear The strain of strutting chanticleer Cry, cock-a-doodle-doo. Shakespeare. 104 NIGHTINGALE VALLKY. SONNET. ON HIS BLINDNESS. WHEN I consider how my light is spent, Ere half my days in this dark world and wide ; And that one talent which is death to hide Lodged with me useless, though ni}'^ soul more bent To serve therewith my Maker, and present My true account, lest he, returning, chide ; " Doth God exact day-labour, light denied ? " I fondly ask : but Patience, to prevent That murmur, soon replies, " God doth not need Either man's work, or his own gift ; who best Bear his mild yoke, they serve him best ; his state Is kingly ; thousands at his bidding speed, And post o'er land and ocean without rest ; They also serve who only stand and wait." Milton. SONG ON MAY MORNING. NOW the bright Morning-Star, day's har- binger, Comes dancing from the east, and leads with her The flowery May, who from her green lap throws The yellow cowslip and the pale primrose. NIGHTINGALE VALLEY. 105 Hail ! bounteous May, that dost inspire Mirth, and youth, and warm desire : Woods and groves are of thy dressing. Hill and dale doth boast thy blessing. Thus we salute thee with our early song. And welcome thee, and wish thee long. Milton. ULYSSES. IT little profits that an idle king. By his still hearth, among these barren crags, Match'd with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel : I will drink Life to the lees : all life I have enjoy'd Greatly, have suiTer'd greatly, both with those That loved me, and alone ; on shore, and when Through scudding drifts the I'ainy Hyades Vext the dim sea : I am become a name ; For always roaming with a hungry heart Much have I seen and know ; cities of men And manners, climates, councils, governments, Myself not least, but honour'd of them all ; And drunk delight of battle with my peers. Far on the ringing plains of windy Troy. I am a part of all that I have met ; Yet all expei'ience is an arch wherethro' Gleams that untravell'd world, whose margin fades For ever and for ever when I move. How dull it is to pause, to make an end, To rust unburnish'd, not to shine in use ! As though to breathe were life. Life piled on life 106 NIGHTINGALE VALLEY. Were all too little, and of one to me Little remains : but every hour is saved From that eternal silence, something more, A bringer of new things ; and vile it were For some three suns to store and hoard myself, And this grey spirit yearning in desire To follow knowledge, like a sinking star. Beyond the utmost bound of human thought. This is my son, mine own Telemachus, To whom I leave the sceptre and the isle — Well-loved of me, discerning to fulfd This labour, by slow prudence to make mild A rugged people, and through soft degrees Subdue them to the useful and the good. Most blameless is he, centered in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods When I am gone. He works his work, I mine. There lies the port : the vessel puffs her sail : There gloom the dark broad seas. My mariners, Souls that have toil'd, and wrought, and thought with me — That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads — you and I are old ; Old age hath yet his honour and his toil ; Death closes all : but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with Gods. The lights begin to twinkle from the rocks : The long day wanes : the slow moon climbs : the deep Moans round with many voices. Come, my friends, 'Tis not too late to seek a newer world. Push olF, and sitting well in order smite NIGHTINGALE VALLEY. 107 The sounding furrows ; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down : It may be we shall touch the Happy Isles, And see the great Achilles whom we knew. Though much is taken, much abides ; and tho' We are not now that strength which in old days jMoved earth and heaven ; that which we are, we are ; One equal temper of heroic hearts Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield. Tennyson*. SONG OF ARIEL. [from " THE TEMPEST."] FULL fathom five thy father lies ; Of his bones are coral made ; Those are pearls that were his eyes : Nothing of him that doth fade But doth suffer a sea-change Into something rich and strange. Sea-nymphs hourly ring his knell. Hark! now I hear them, — ding-dong bell ! Shakespeare. TO AUTUMN. EASON of mists and mellow fruitfulness ! Close bosom-friend of the maturing sun ; Conspiring with him how to load and bless 108 NIGHTINGALE VALLEY. With fruit the vines that round the thatch-eaves run ; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core ; To swell the gourd, and plump the hazel shells With a sweet kernel ; to set budding more. And still more, later flowers for the bees. Until they think warm days will never cease, For Summer has o'er-brimm'd their clammy cells. Who hath not seen thee oft amid thy store ? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor. Thy hair soft-lifted by the winnowing wind ; Or on a half-reap'd furrow sound asleep. Drowsed with the fume ofpoppies, while thy hook Spares the next swath and all its twined flowers ; And sometime like a gleaner thou dost keep Steady thy laden head across a brook ; Or by a cider-press, with patient look, Thou watchest the last oozings, hours by hours. Where are the songs of Spring ! Aye, where are they? Think not of them, thou hast thy music too. While barred clouds bloom the soft-dying day. And touch the stubble-plains with I'osy hue. Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies ; And full-grown lambs loud bleat from hilly bourn ; Hedge-crickets sing ; and now with treble soft The redbreast whistles from a garden-croft. And gathering swallows twitter in the skies. Keats. XTGHTIXGALE VALLEY. 10! I DO confesse tliou'rt smooth and faii'e ; And I might have gone near to love thee, Had I not found the slightest prayer That lips could speak, had power to move thee : But I can let thee now alone As worthy to be loved by none. I do confesse thou'rt sweet ; yet find Thee such an unthrift of thy sweets, Thy favours are but like the wind That kisseth everything it meets. And since thou canst with more than one, Thou'rt worthy to be kiss'd by none. The morning rose that untouch'd stands Arm'd with her briars, how sweetly smells ! But pluck'd and strain'd through ruder hands Her sweets no longer with her dwells, But scent and beautie both are gone. And leaves fall from her, one by one. Such fate, ere long, will thee betide. When thou hast handled been awhile ; Like sere flowers to be throwne aside ; — And I shall sigh, while some will smile, To see thy love to everyone Hath brought thee to be loved by none. 110 NIGHTINGALE VALLEY. NED BOLTON. A JOLLY comrade ia the port, a fearless mate at sea, — IVlien I forget thee, to iny hand false may the cutlass be ! And may my gallant battle-llag be beaten down in shame, If, when the social can goes round, I fail to pledge thy name ! Up, up, my lads ! — his memory ! — we'll give it with a cheer, — Ned Bolton, the commander of the Black Snake privateer ! Poor Ned ! he had a heart of steel, with neither flaw nor speck ; Firm as a rock, in strife or storm, he stood the quarter-deck ; He was, I trow, a welcome man to many an Indian dame. And Spanish planters cross'd themselves at whisper of his name ; But now, Jamaica girls may weep, rich Dons securely smile, — His bark will take no prize again, nor e'er touch Indian isle. 'Sblood ! 'twas a sorry fate he met on his own mother-wave ! The foe far off, the storm asleep, and yet to find a grave ! With store of the Peruvian gold, and spirit of the cane, — NIGHTINGALE VALLEY. Ill No need would he have had to cruise in tropic climes again : But some are born to sink at sea, and some to hang on shore, And Fortune cried God speed ! at last, and wel- comed Ned no more. 'Twas off the coast of Mexico — the tale is bitter brief — The Black Snake, under press of sail, stuck fast upon a reef; Upon a cutting coral reef, scarce a good league from land — But hundreds both of horse and foot were ranged upon the strand. His boats were lost before Cape Horn ; and, with an old canoe. Even had he number'd ten for one, what could Ned Bolton do ? Six days and nights the vessel lay upon the coral reef; Nor favouring gale, nor friendly flag, brought prospect of relief: For a land-breeze the wild one pray'd, who never pray'd before. And when it came not at his call, he bit his lip and swore. The Spaniards shouted from the beach, but did not venture near ; Too well they knew the mettle of the daring privateer ! A calm! — a calm ! — a hopeless calm ! — the red sun, burning high. Glared blisteringly and wearily in a transparent sky; 112 NIGHTINGALE VALLEY. The grog went round the gallant crew, and loudly rose the song, The only pastime at an hour when rest seem'd far too long. So boisterously they took their rouse upon the crowded deck. They look'd like men who had escaped, not men who fear'd a wreck. Up sprung the breeze the seventh day. Away ! away to sea Drifted the bark, with riven planks, over the waters free ; Their battle-flag these rovers bold then hoisted top-mast high, And to the swarthy foe sent back a fierce defying cry. " One last broadside ! " Ned Bolton cried ; deep boom'd the cannon roar, And echo's hollow growl return'd an answer from the shore. The thundering gun, the broken song, the mad tumultuous cheer. Ceased not, so long as ocean spared the shattered privateer. I saw her, — I, — she shot by me like lightning, in the gale ; We strove to save, we tack'd, and fast we shorten'd all our sail : I knew the wave of Ned's right hand, — farewell ! — you strive in vain ! And he, or one of his ship's crew, ne'er enter'd port again. William Kennedy. NIGHTINGALE VALLEY. 113 GOODBYE. GOODBYE, pi'oud world, I'm going home, Thou'rt not my friend, and I'm not thine ; Long through thy weary crowds I roam ; A river-ark on the ocean brine, Long I've toss'd like the driven foam ; But now, proud world, I'm going home. Goodbye to Flattery's fawning face. To Grandeur, with his wise grimace. To upstart Wealth's averted eye. To supple Office low and high, To crowded halls, to court, and street. To frozen hearts, and hustling feet. To those who go, and those who come ; Goodbye, proud world, I'm going home. I'm going to my own hearth-stone Bosom'd in yon green hills, alone, A secret nook in a pleasant land. Whose groves the frolic fairies plann'd ; Where arches green the livelong day Echo the blackbird's roundelay. And vulgar feet have never trod A spot that is sacred to thought and God. when I am safe in my sylvan home, 1 tread on the pride of Greece and Rome, And when I am stretch 'd beneath the pines Where the evening star so holy shines. 114 NIGHTINGALE VALLEY. I laugh at the lore and the pi-ide of man, At the sophist schools, and the learned clan ; For what are they all in their high conceit, When man in the bush with God may meet. Emekson. THE CAIQUE. YONDER to the kiosk, beside the creek. Paddle the swift caique, Thou brawny oarsman with the sun-burnt cheek. Quick ! for it soothes my heart to hear the Bulbul sjseak ! Ferry me quickly to the Asian shores. Swift bending to your oars. Beneath the melancholy sycamores Hark ! what a ravishing note the love-lorn Bulbul pours. Behold, the boughs seem quivering with delight, The stars themselves more bright. As 'mid the waving branches out of sight The Lover of the Rose sits singing through the night. Under the boughs I sat and listen'd still, I could not have my fill. " How comes," I said, " such music to his bill ? Tell me for whom he sings so beautiful a trill." " Once I was dumb," then did the Bird disclose. But look'd upon the Rose ; NIGHTINGALE VALLEY. 115 And in the garden where the loved-one grows I straightway did begin sweet music to compose." " O bird of song, there's one in this caique The Rose would also seek, So he might learn like you to love and speak." Then answer'd me the bird of dusky beak, " The Rose, the Rose of Love blushes on Leilah's cheek." W. M. Thackeray. TO MUSIC, when soft voices die, Vibrates in the memory ; Odours, when sweet violets sicken. Live within the sense they quicken. Rose-leaves, when the rose is dead, Are heaped for the beloved's bed ; And so thy thoughts, when thou art gone. Love itself shall slumber on. Shelley. THERANIA. UNKNOWN Belov'd One ! to the mellow season Branches in the lawn make drooping bow'rs ; Vase and plot buz-n scarlet, gold, and azure ; o 116 NIGHTINGALE VALLEY. Honeysuckles wind the tall grey turret, And pale passion-flow'rs. Come thou, come thou to my lonely thought, O Unknown Belov'd One. Now at evening twilight, dusky dew down-wavers, Soft stars crown the grove-encircled hill ; Breathe the new-mown meadows, broad and misty ; Through the heavy grass the rail is talking ; All beside is still. Trace with me the wandering avenue, O Unknown Belov'd One. In the mystic realm, and in the time of visions, I thy lover have no need to woo ; There I hold thy hand in mine, thou dearest. And thy soul in mine, and feel its throbbing, Tender, deep, and true : Then my tears are love, and thine are love, O Unknown Belov'd One. Is thy voice a wavelet on the listening darkness ? Are thine eyes unfolding from their veil ? AVilt thou come before the signs of winter — Days that shred the bough with trembling fingers. Nights that Aveep and wail ? Art thou Love indeed, or art thou Death, O Unknown Belov'd One ? "William Allingham. THE BLOSSOM. M ERRY, merry Sparrow ! Under leaves so green A happy Blossom NIGHTINGALE VALLEY. 11' Sees you, swift as arrow, Seek your cradle narrow, Near my bosom. Pretty, pretty Robin ! Under leaves so green A happy Blossom Hears you sobbing, sobbing, Pretty, jiretty Robin, Near my bosom. William Blake. SONNET. [LOVE'S SLAVE.] BEING your slave, what should I do but tend Upon the hours and times of your desire ? I have no precious time at all to spend, Nor services to do, till you require. Nor dare I chide the world-without-end hour, Whilst I, my Sovereign, watch the clock for you, Nor think the bitterness of absence sour. When you have bid your servant once adieu ; Nor dare I question with my jealous thought Where you may be, or your aifairs suppose, But, like a sad slave, stay and think of nought. Save, where you are how happy you make those : So true a fool is love, that in your will (Though you do anything) he thinks no ill. Shakespeare. 118 NIGHTINGALE VALLEY. SONG. GO, lovely rose ! Tell her, that wastes her time and me, That now she knows, When I resemble her to thee, How sweet and fair she seems to be. Tell her, that's young And shuns to have her graces spy'd, That hadst thou sprung In deserts where no men abide, Thou must have uncommended dy'd. Small is the worth Of beauty from the light retired : Bid her come forth. Suffer herself to be desired. And not blush so to be admired. Then die ! that she The common fate of all things rare May read in thee : How small a part of time they share That are so wondrous sweet and fair, Edmund Waller. NIGHTINGALE VALLEY. 119 TAM GLEN. MY heart is a-breaking, dear TIttie ! Some counsel unto me come leu' ; To anger them a' is a pity, But what will I do wi' Tam Glen ? I'm thinking, wi' sic a braw fallow. In poortith I might mak a fen' ; What care I in riches to wallow. If I may not marry Tam Glen ? There's Laurie the laird o' Drumellor, " Guid day to you," — brute ! he comes ben He brags and he blaws o' his siller. But when will he dance like Tam Glen ? My minnie does constantly deave me, And bids me beware o' young men ; They flatter, she says, to deceive me, — But wha can think sae o' Tam Glen ? My daddie says, gin I'll forsak' him He'll gie me guid hunder marks ten, — But if its ordain'd I maun tak' him, O wha will I get but Tam Glen ? Yestreen at the Valentine's dealing My heart to my mou' gied a sten ; For thrice I drew ane without failing. And thrice it was written — Tam Glen. The last Halloween I lay waukin My droukit sark-sleeve, as ye ken, 120 NIGHTINGALE VALLEY. His likeness cam up the house staulkin, And the vera grey breeks o' Tarn Glen ! Come counsel, dear Tittie, — don't tarry ! I'll gie you my bonnie black hen Gif ye will advise me to marry ^ The lad I loe dearly, Tam Glen. Burns. ODE TO EVENING. F aught of oaten stop or pastoral song May hope, chaste Eve, to soothe thy modest ear (Like thy own solemn springs, Thy springs, and dying gales) ; O Nymph reserved, — while now the bright-hair'd sun Sits in yon western tent, whose cloudy skirts, With brede ethereal wove, O'erhang his wavy bed. And air is hush'd, save where the weak-eyed bat With short shrill shriek flits by on leathern wing. Or where the beetle winds His small but sullen horn, As oft he rises 'midst the twilight path, Against the j^ilgrim borne in heedless hum, — Now teach me. Maid composed. To breathe some soften'd strain. Whose numbers, stealing through thy darkening vale, May not unseemly with its stillness suit. As, musing slow, I hail Thy genial, loved return ! NIGHTINGAXE VAXLEY. 121 For when thy folding-star arising shows His paly circlet, at his warning lamp The fragrant Hours, and Elves Who slept in buds the day. And many a Nymph who wreathes her brow with sedge And sheds the freshening dew, and, lovelier still, The pensive Pleasures sweet. Prepare thy shadowy car. Then let me rove some wild and heathy scene ; Or find some ruin 'midst its dreary dells, Whose walls more awful nod By thy religious gleams. Or if chill blustering winds or driving rain Prevent my willing feet, be mine the hut That from the mountain-side Views wilds, and swelling floods. And hamlets brown, and dim-discover'd spires, And hears their simple bell, and marks o'er all Thy dewy fingers draw The gradual dusky veil. While Spring shall pour his showers, as oft he wont, And bathe thy breathing tresses, meekest Eve ! While Summer loves to sport Beneath thy lingering light : While sallow Autumn fills thy lap with leaves, Or Winter, yelling through the troublous air. Affrights thy shrinking train. And rudely rends thy robes, [Till thou hast refuged where the cheerful glow Bids welcome, and the wind-unshaken lamp, To household mirth and song, And dear domestic joy :] So long, regardful of thy quiet rule, 122 NIGHTINGALE VALLEY. Shall Fancy, Friendsliiji, Science, smiling Peace, Thy gentlest influence own, And love thy favourite name ! William Collins. [LOSS.] YOU thought my heart too far diseased ; You wonder when my fancies play To find me gay among the gay, Like one with any trille pleased. The shade by which my life was crost. Which makes a desert in the mind. Has made me kindly with my kind. And like to him whose sight is lost ; Whose feet are guided through the land. Whose jest among his friends is free. Who takes the children on his knee. And winds their curls about his hand : He plays with threads, he beats his chair For pastime, dreaming of the sky ; His inner day can never die. His night of loss is always there. In Memoriam. NIGHTINGALE VALLEY. ]23 THE LADY'S YES. ' "^TES !" I answer'd you last night; X " No ! " this morning, Sir, I say. Colours, seen by candle-light, Will not look the same by day. When the tabors play'd their best. Lamps above, and laughs below — Love me sounded like a jest. Fit for Yes or fit for No ! Call me false, or call me free — Vow, whatever light may shine. No man on thy face shall see Any grief for change on mine. Yet the sin is on us both — Time to dance is not to woo — Wooer light makes fickle troth — Scorn of me recoils on you ! Learn to win a lady's faith Nobly, as the thing is high ; Bravely, as for life and death — With a loyal gravity. Lead her from the festive boards, Point her to the starry skies. Guard her, by your fiiitliful words. Pure from courtship's flatteries. 124 NIGHTINGALE VALLEY. By your truth she shall be true — Ever true, as wives of yore — And her Yes, once said to you, Shall be Yes for evermore. Elizabeth Barrett Browning. A LAMENT. SWIFTER far than summer's flight. Swifter far than youth's delight, Swifter far than hapjjy night. Art thou come, art thou gone : As the earth when leaves are dead, As the night when sleeji is sped, As the heart when joy is fled, I am left lone, alone. The swallow Summer comes again, The owlet Night resumes her reign, But the wild swan Youth is fain To fly with thee, false as thou. My heart each day desires the morrow, Sleep itself is turn'd to sorrow, Vainly would my winter borrow Sunny leaves from any bough. Lilies for a bridal bed, Roses for a matron's head, Violets for a maiden dead, — Pansies let my flowers be : On the living grave I bear Scatter them without a tear ; Let no friend, however dear, Waste one hope, one fear for me. Shelley. NIGHTINGALE VALLEY. 125 THE FORGING OF THE ANCHOR. COME, see the Dolphin's anchor forged — 'tis at a white heat now : The bellows ceased, the flames decreased — though on the forge's brow The little flames still fitfully play through the sable mound. And fitfully you still may see the grim smiths ranking round, All clad in leathern panoply, their broad hands only bare — Some rest upon their sledges here, some work the windlass there. The windlass strains the tackle chains, the black mound heaves below, And red and deep a hundred veins burst out at every throe : It rises, roars, rends all outright — O, Vulcan, what a glow ! 'Tis blinding white, 'tis blasting bright — the high sun shines not so ! The high sun sees not, on the earth, such fiery fearful show ; The roof-ribs swarth, the candent hearth, the ruddy lurid row Of smiths that stand, an ardent band, like men before the foe. As, quivering through his fleece of flame, the sail- ing monster, slow Sinks on the anvil — all about the faces fiery grow. 126 NIGHTINGALE VALLEY. " Hurrah ! " they shout, " leap out — leap out ;" bang, bang the sledges go : Hurrah ! the jetted lightnings are hissing high and low — A hailing fount of fire is struck at every squashing blow, The leathern mail rebounds the hail, the rattling cinders strew The ground around : at every bound the swelter- ing fountains flow, And thick and loud the swinking crowd at every stroke pant " ho ! " Leap out, leap out, my masters ; leap out and lay on load ! Let's forge a goodly anchor — a bower thick and broad ; For a heart of oak is hanging on every blow, I bode, And I see the good ship riding, all in a perilous road — The low reef roaring on her lee — the roll of ocean pour'd From stem to stern, sea after sea ; the mainmast by the board ; The bulwarks down, the rudder gone, the boats stove at the chains ! But courage still, brave mariners — the bower yet remains. And not an inch to flinch he deigns, save when ye pitch sky high ; Then moves his head, as though he said, " Fear nothing — here am I." Swing in your strokes in order, let foot and hand keep time ; Your blows make music sweeter far than any steeple's chime. NIGHTINGALE VALLEY. 127 But, while you sling your sledges, sing— and let the burthen be. The anchor is the anvil king, and royal craftsmen we! Strike in, strike in — the sparks begin to dull their rustling red ; Our hammers ring with sharper din, our work will soon be sped. Our anchor soon must change his bed of fiery ricli array For a hammock at the roaring bows, or an oozy couch of clay ; Our anchor soon must change the lay of merry craftsmen here. For the yeo-heave-o', and the heave-away, and the sighing seaman's cheer ; When, weighing slow, at eve they go — far, far from love and home ; And sobbing sweethearts, in a row, wail o'er the ocean foam. In livid and obdurate gloom he darkens down at last; A shapely one he is, and sti'ong, as e'er from cat was cast. O trusted and trustworthy guard, if thou hadst life like me. What pleasures would thy toils reward beneath the deep green sea ! O deep Sea-diver, who might then behold such sights as thou ? The hoary- monster's palaces ! methinks what joy 'twere now To go plumb plunging down amid the assembly of the whales. And feel the chui'n'd sea round me boil beneath their scourging tails ! 128 NIGHTINGALE V.\XLEY. Then deep in tangle-woods to fight the fierce sea unicorn, And send him foil'd and bellowing back, for all his ivory horn ; To leave the subtle sworder-fish of bony blade forlorn ; And for the ghastly-grinning shark to laugh his jaws to scorn ; To leap down on the kraken's back, where 'mid Norwegian isles He lies, a lubber anchorage for sudden shallow'd miles ; 'Till snorting, like an under-sea volcano, off he rolls ; Meanwhile to swing, a-buffeting the far astonish' d shoals Of his back-browsing ocean-calves ; or, haply in a cove, Shell-strown, and consecrate of old to some Un- dine's love, To find the long-hair'd mermaidens ; or, hard by icy lands. To wrestle with the Sea-serpent, upon cerulean sands. O broad-arm'd Fisher of tlie deep, whose sports can equal thine ? The Dolphin weighs a thousand tons, that tugs thy cable line ; And night by night, 'tis thy delight, thy glory day by day. Through sable sea and breaker white, the giant game to play — But shamer of our little sports ! forgive the name I gave — A fisher's joy is to destroy — thine office is to save. IflGHTINGALE VALLEY. 129 O lodger in the sea-kings' halls, couldst thou but understand Whose be the white bones by thy side, or who that dripping band, Slow swaying in the heaving wave, that round about thee bend, With sounds like breakers in a dream blessing their ancient friend — Oh, couldst thou know what heroes glide with larger steps round thee. Thine iron side would swell with pride ; thou'dst leap within the sea. Give honour to their memories who left the plea- sant strand. To shed their blood so freely for the love of Fa- therland, WTio left their chance of quiet age and grassy churchyard grave. So freely, for a restless bed amid the tossing wave — Oh, though our anchor may not be all I have fondly sung. Honour him for their memory, whose bones he goes among ! Samuel Ferguson. TO DAFFODILS. FAIR daffodils, we weep to see You haste away so soon ; As yet the early rising sun Has not attain'd his noon : Stay, stay, 130 ^^rGHTEsrGALE valley. Until the hastening day Has run But to the even-song ; And, having pray'd together, we Will go with you along. We have short time to stay, as you We have as short a spring ; As quick a growth to meet decay As you, or any thing : We die, As your hours do ; and dry Away Like to the summer's rain, Or as the pearls of morning dew, Ne'er to be found again. Herrick. AN ANGEL IN THE HOUSE. HOW sweet it were, if without feeble fright, Or dying of the dreadful beauteous sight, An angel came to us, and we could bear To see him issue from the silent air At evening in our room, and bend on ours His divine eyes, and bring us fi'om his bowers News of dear friends and children who have never Been dead indeed, — as Ave shall know for ever. Alas ! we think not what we daily see About our hearths, — angels, that are to be, Or may be if they will, and we prepare Their souls and ours to meet in happy air, — A child, a friend, a wife whose soft heart sings In unison with ours, breeding its future wings. Leigh Hunt. NIGHTINGALE VALLEY. 131 BONNIE GEORCxE CAMPBELL. HIE upon ilielands, And low upon Tay, Bonnie George Campbell Rode out on a day ; Saddled and bridled, And gallant to see : Hame cam' his gude horse, But hame cam' na he. Out ran his auld mither, Greeting fu' sair ; Out ran his bonnie bride, Reaving her hair. He rade saddled and bridled, Wi' boots to the knee : Hame cam' his gude horse, But never cam' he. " My meadow lies green, And my corn is unshorn, My barn is to bigg,^ And my babie's unborn." He rade saddled and bridled. Careless and free : Toom^ hame cam' the saddle, And never cam' he. ' Bigg, build. '^ Toom, empty. 132 NIGHTINGALE VALLEY. THE HUMBLE-BEE. BURLY dozing humble-bee ! Where thou ai't is clime for me. Let them sail for Porto Rique, Far offbeats through seas to seek, I will follow thee alone, Thou animated torrid-zone ! Zig-zag steerer, desert-cbeerer, Let me chase thy waving lines, Keep me nearer, me thy hearer, Singing over shrubs and vines. Insect-lover of the sun, Joy of thy dominion ! Sailor of the atmosphere, Swimmer through the waves of air. Voyager of light and noon, Epicurean of June, Wait, I prithee, till I come Within ear-shot of thy hum ; All without is martyrdom. When the south wind, in May days, With a net of shining haze Silvers the horizon wall, And, with softness touching all. Tints the human countenance With a colour of romance. And infusing subtle heats. Turns the sod to violets. Thou in sunny solitudes. Rover of the underwoods. The green silence dost displace. With thy mellow breezy bass. NIGHTINGALE VALLEY. 133 Hot midsummer's petted crone, Sweet to me thy drowsy tone, Telling of countless sunny hours, Long days, and solid banks of flowers, Or gulfs of sweetness without bound In Indian wildernesses found, Of Syrian peace, immortal leisure. Firmest cheer and bird-like pleasure. Aught unsavoury or unclean, Hath my insect never seen. But violets and bilberry bells, Maple sap and daffodels. Grass with green flag half-mast high, Succory to match the sky. Columbine with hoi-n of honey. Scented fern, and agrimony. Clover, catch-fly, adder's-tongue, And briar -roses dwelt among ; All beside was unknown waste, AU was picture as he pass'd. Wiser far than human seer, Yellow-breech'd philosopher ! Seeing only what is fair, Sipping only what is sweet. Thou dost mock at fate and care, Leave the chaff and take the wheat. When the fierce north-western blast Cools sea and land so far and fast, Thou already slumberest deep, — Wo and want thou canst outsleep, — Want and wo which torture us, Thy sleep makes ridiculous. Emekson. 134 XIGHTINGALE VALLEY. DISDAIN RETURNED. HE that loves a rosie cheeke, Or a corall lip admires, Or from star-like eyes doth seeke Fuel to maintain his fires ; As old Time makes these decay, So his flames must waste away. But a smooth and stedfast minde, Gentle thoughts and calm desires. Hearts with equal love combined. Kindle never-dying fires. Where these are not, I despise Lovely cheekes, or lips, or eyes. No tears, Celia, now shall win My resolved hearte to return ; I have search'd thy soul within. And find nought but pride and scorn ; I have learn'd thy arts, and now Can disdain as much as thou. Thomas Caeew. AULD ROBIN GRAY. WHEN the sheep are in the fauld and the kye at hame. And a' the weary warld to sleep are gane. The waes o' my heart fa' in showers frae my e'e, While ray gudeman lies sound by me. NIGHTINGALE VALLEY, 135 Young Jamie lo'ed me weel, and sought me for his bride ; But saving a crown he had naething else beside. To mak' the crown a pound, my Jamie gaed to sea ; And the crown and the pound were baith for me. He hadna been gane a year and a day, When my father brake his arm, and our cow was stown away ; My mither she fell sick, and Jamie at the sea ; And Auld Robin Gray cam' a-courting me. My father couldna' work, and my mither doughtna spin, I toll'd day and night, but their bread I couldna win; Auld Rab maintain'd them l)aith, and wi' tears in his e'e. Said, " Jenny, for their sakes, O marry me ! " My heart it said na ; I look'd for Jamie back ; But the wind it blew high, and the ship it was a wrack ; His ship it was a wrack, — why didna Jenny dee ? why do I live, to cry, Wae's me ! My father urgit sair, my mither didna speak. But she lookit in my face till my heart was like to break. They gied him my hand, though my heart was at the sea ; Sae Auld Robin Gray he is gudeman to me. 1 hadna been a wife a week but only four, When sitting sae mournfully ae night at the door, I saw my Jamie's wraith, for I couldna think it he, Till he said, " I'm come back, love, to marry thee." 136 5nGHTINGAXE VALLEY. sair did we greet, and muckle did we say ; We took but ae kiss, and we tore ourselves away. 1 wish that I were dead, but I'm no like to dee. why do I live, to say, Wae's me ! 1 gang like a ghaist, and I carena to spin. I darena think on Jamie, for that wad be a sin. But I'll do my best a gude wife to be ; For Auld Robin Gray is kind to me. Lady Anne Lindsay. SONG. [from " ZAPOLYA."] A SUNNY shaft did I behold, From sky to earth it slanted. And poised therein a bird so bold, — Sweet bird, thou wert enchanted ! He sank, he rose, he twinkled, he troU'd Within that shaft of sunny mist ; His eyes of fire, his beak of gold. All else of amethyst. And thus he sang, " Adieu ! adieu ! Love's dreams prove seldom true. The blossoms they make no delay. The sparkling dewdrops will not stay. Sweet month of May, We must away. Far, fai" away ! To-day! to-day!" COLEEIDGE. NIGHTINGALE VALLEY. 13^ SONNET. MARY QUEEN OF SCOTS. (landing at the mouth of the derwent, workington.) DEAR to the Loves and to the Graces vow'd, The Queen drew back the wunple that she wore ; And to the throng, that on the Cumbrian shore Her landing hail'd, how touchingly she bow'd ! And like a Star (that, from a heavy cloud Of pine-tree foliage poised in air, forth darts, When a soft summer gale at evening parts The gloom that did its loveliness enshroud) She smiled ; but Time, the old Saturnian Seer, Sigh'd on the wing as her foot press'd the strand. With step prelusive to a long array Of woes and degradations hand in hand — AVeeping captivity, and shuddering fear Still'd by the ensanguined block of Fotheringay. Wordsworth. LINES COMPOSED m A CONCERT ROOM. OGIVE me, from this heartless scene released. To hear our old musician, blind and gray, (Whom stretchiog from my nurse's arms I kiss 'd) 138 NIGHTINGALE VALLEY. His Scottish tunes and warlike marches play, By moonshine, on the bahny summer-night, The while I dance amid the tedded hay With merry maids, whose ringlets toss in light. Or lies the purple evening on the bay Of the calm glossy lake, O let me hide Unheard, unseen, behind the alder-trees, For round their roots the fisher's boat is tied, On whose trim seat doth Edmund stretch at ease. And while the lazy boat sways to and fro, Breathes in his flute sad airs, so wild and slow. That his own cheek is wet with quiet tears. But O, dear Anne ! when midnight wind careers. And the gust pelting on the out-house shed Makes the cock shrilly on the rain-storm crow, To hear thee sing some ballad full of woe. Ballad of ship-wreck'd sailor floating dead Whom his own true-love buried in the sands ! Thee, gentle woman, for thy voice re-measures Whatever tones and melancholy pleasures The things of Nature utter ; birds or trees Or moan of ocean-gale in weedy caves. Or, when the stiff'grass'midthe heath-plant waves, Murmur and music thin of sudden breeze. Coleridge. [from " A MIDSUMMER NIGIIt's DREAM."] Fairy, /^^^^l^l^ ^i''^? "■^*^i' dale, K^J Thorougli bush, thorough briar, Over park, over pale, Thorough flood, thorough fire, NIGHTINGALE VALLEY. 139 I do wander everywhere, Swifter than the moone's sjihere ; And I serve the Fairy Queen To dew her orbs upon the green : The cowslips tall her pensioners be, In their gold coats spots you see. These be rubies, fairy favours, In those freckles live their savours : I must go seek some dew drops here, And hang a pearl in every cowslip's ear. Shakespeare. CIRCUMSTANCE. TWO children in two neighbour villages Playing mad pranks along the heathy leas ; Two strangers meeting at a festival ; Two lovers whispering by an orchard wall ; Two lives bound fast in one with golden ease ; Two graves grass-green beside a gray church- tower, Wash'd with still rains and daisy-blossomed ; Two childi'en in one hamlet born and bred ; So runs the round of life from hour to hour. Tennyson. THE SANDS O' DEE. o I. MARY, go and call the cattle home, And call the cattle home, And call the cattle home, Across the sands o' Dee :" 140 NIGHTINGALE VALLEY. The western wind was wild and dank wi' foam, And all alone went she. n. The creeping tide came up along the sand, And o'er and o'er the sand, And round and round the sand, As far as eye could see ; The blinding mist came down and hid the land — And never home came she. III. Oh, is it weed, or fish, or floating hair ? — A tress o' golden hair, O' drowned maiden's hair. Above the nets at sea. Was never salmon yet that shone so fair, Among the stakes on Dee. IV. They row'd her in across the rolling foam, The cruel crawling foam. The cruel hungry foam. To her grave beside the sea : But still the boatmen hear her call the cattle home, Across the sands o' Dee. Charles Kingsley. ODE TO A NIGHTINGALE. I. MY heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk. Or emptied some dull opiate to the drains NIGHTINGALE VALLEY. 141 One minute past, and Lethe-wards had sunk : 'Tis not thi'ough envy of thy happy lot, But being too happy in thy happiness, — Where thou, light-winged Dryad of the trees, In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. II. O for a draught of vintage, that hath been CooI'd a long age in the deep-delved eai'th, Tasting of Flora and the country-green. Dance, and Provencal song and sun-burnt mirth ! O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim. And purple-stained mouth ; That I might drink, and leave the world unseen. And with thee fade away into the forest dim : in. Fade far away, dissolve, and quite forget "What thou among the leaves hast never known. The weariness, the fever, and the fret Here, where men sit and hear each other groan ; Where palsy shakes a few, sad, last grey hairs. Where youth grows pale and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs ; Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. IV. Away ! away ! for I will fly to thee. Not charioted by Bacchus and his pards, 142 NIGHTINGALE VALLEY. But on the viewless wings of Poesy, Though the dull brain perplexes and retards : Already with thee ! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays ; But here there is no light. Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. V. I cannot see what flowers are at my feet. Nor what soft incense hangs upon the boughs, But in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild ; White hawthorn, and the pastoral eglantine ; Fast-fading violets cover'd up in leaves ; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. VI. Darkling I listen ; and for many a time I have been half in love with easeful Death, Call'd him soft names in many a nmsed rhyme. To take into the air my quiet breath ; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstacy ! Still wouldst thou sing, and I have ears In vain — To thy high requiem become a sod. VII. Thou wast not born for death, innnortal Bird ! No hungry generations tread thee down ; NIGHTINGALE VALLEY. 143 The voice I hear this passing night was heard In ancient days by emperor and clown : Perhaps the self-same song that found a path Through the sad heart of Ruth when, sick for home, She stood in tears amid the alien corn ; The same that ofttimes hath Charm'd magic casements opening on the foam Of perilous seas, in faery lands forlorn. VIII. Forlorn ! the very word is like a bell To toll me back from thee to my sole self ! Adieu ! the fancy cannot cheat so well As she is famed to do, deceiving elf. Adieu ! adieu ! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side ; and now 'tis buried deep In the next valley -glades : Was it a vision, or a waking dream ? Fled is that music : — do I wake or sleep ? Keats. THE LABORATORY. (ancien regime.) Now that I, tying thy glass mask tightly. May gaze through these faint smokes curl- ing whitely, As thou pliest thy trade in this devil's smithy — Which is the poison to poison her, prithee ? 144 NIGHTINGALE VALLEY. II. He is with her ; and they know that I know Where they are ; what they do : they believe my tears flow While they laugh, laugh at me, at me fled to the drear Empty church to pray God in for them ! — I am here. in. Grind away, moisten and mash up thy paste, Pound at thy powder, — am I in haste ? Better sit thus, and observe thy strange things, Than go where men wait me and dance at the King's. IV. That in the mortar — you call it a gum ? Ah, the brave tree whence such gold oozings come ! And yonder soft phial, the exquisite blue. Sure to taste sweetly, — is that poison too ? V. Had I but all of them, thee and thy treasures, What a wild crowd of invisible pleasures ! To carry pure death in an earring, a casket, A signet, a fan-mount, a fiUagree-basket ! VI. Soon, at the King's, but a lozenge to give And Pauline should have just thirty minutes to live! To light a pastille, and Elise, with her head. And her breast, and her arms, and her hands, should drop dead ! NIGHTINGALE VALLEY. 145 VII. Quick — is it finish'd ? The colour's too grim ! Why not like the phial's, enticing and dim ? Let it brighten her drink, let her turn it and stir, And try it and taste, ere she fix and prefer ! VIII. What a drop ! She's not little, no minion like me — That's why she ensnared him : this never will free The soul from those masculine eyes, — say, " no ! " To that pulse's magnificent come-and-go. IX. For only last night, as they wliisper'd, T brought My own eyes to bear on her so, that I thought Could I keep them one half minute fix'd, she would fall, Shrivell'd ; she fell not ; yet this does it all ! X. Not that I bid you spare her the pain ! Let death be felt and the proof remain ; Brand, burn up, bite into its grace — He is sure to remember her dying face ! XI. Is it done? take my mask off! Nay, be not morose. It kills her, and this prevents seeing it close — The delicate droplet, my whole fortune's fee — If it hurts her, beside, can it ever hurt me ? XII. Now, take all my jewels, gorge gold to your fill. You may kiss me, old man, on my mouth if you will ! But brush this dust off me, lest horror it brings Ere I know it — next moment I dance at the King's. Robert Browning. 146 NIGHTINGALE VALLEY. INSCRIPTION FOR A FOUNTAIN. (more GRiECO.) REST ! this little Fountain runs Thus for aye : — It never stays For the look of summer suns, Nor the cold of winter days. Whosoe'er shall wander near, When the Syrian heat is wor.st, Let him hither come, nor fear Lest he may not slake his thirst : He will find this little river Running still, as bright as ever. Let him drink, and onwards hie, Bearing but in thought, that I, Erotas, bade the Naiad fall, And thank the great god Pan for all ! Bakry Cornwall. THE RUOSE THAT DECK'D HER BREAST. [DORSET DIALECT.] POOR Jenny were her Roberd's bride Two happy years, an' then 'e died ; And zoo^ the wold vo'ke" maide her come Varsiaken,' to her maiden hviome. But Jenny's merry tongue were dujii' ; ' Zoo, so. ' TFold vo'ke, old folk. * Varsiaken, forsaken. NIGHTINGALE VALLEY. 147 An' roun' her comely neck she wore A moornen^ kerchief, wher avore The ruose did deck her breast. She wa'k'd^ aluone wi' eyeballs wet To zee the flow'rs that she'd a-zet ; The lilies, white's her maiden frocks. The spik,^ to put 'ithin her box, Wi' columbines an' hollyhocks ; The jilliflow'r an' nodden pink. An' ruose that touch'd her soul to tSink^ O' iSik that deck'd her breast. Var^ at her wedden, jist avore Her maiden han' had yert*' a-wore A wife's goold ring, wi' hangen head She wa'k'd along ^ik flower-bed, Wher bloodywa'iors,' stain'd wi' red, An' miarygoolds did sku-t the wa'k. An' gather'd vrom the ruose's sta'k A bud to deck her breast. An' then her cheiik wi' youthvul blood AVere bloomen as the ruose's bud ; But now, as she wi' grief da pine, 'Tis piale's the milk-white jassamine. But Roberd 'ave a-left behine A little biaby wi' his fiace. To smile an' nessle in the pliace Wher the ruose did deck her breast. William Barnes. ' Moornen, mourning. ^ Wa'k'd, walked. ^ Spik, lavender. '' DzV;^, think. ("D" is an Anglo-Saxon letter, used by Mr. Barnes, and near!// equivalent to " th.") * Var, for. ® Yert, yet. ' BlnodywcViors, (warriors,) name given to the garden wall-flower. 148 NIGHTINGALE VALLEY. FITZ-EUSTACE'S SONG. [from " MARMION."] WHERE shall the lover rest, Whom the fates sever From his true maiden's breast, Parted for ever ? Where through groves deep and high Sounds the loud billow ; Where early violets die, Under the willow ; Chorus. Eleu loro, &c. Soft shall be his pillow. There, through the summer day, Cool streams are laving ; There, whilst the tempests sway, Scarce are boughs waving ; There thy rest shalt thou take, Parted for ever ; Never again to wake. Never, O never. Chorus. Eleu loro, &c. Never, O never. * Where shall the traitor rest. He, the deceiver. Who could win maiden's breast, Ruin and leave her ? In the lost battle. Borne down by the flying. NIGHTINGALE VALLEY. 149 Where mingles war's rattle With the groans of the dying. Chorus. Eleu loro, &c. There shall he be lying. Her wing shall the eagle flap O'er the false-hearted ; His warm blood the wolf shall lap Ere life be parted. Shame and dishonour sit By his grave ever : Blessing shall hallow it, — Never ! O never ! Chorus. Eleu loro, &c. Never ! O never ! Scott. THE EXILE. ^ I "^HE swallow with summer X Will wing o'er the seas, The wind that I sigh to Will visit thy trees, The shij) that it hastens Thy ports shall contain, But me — I must never See England again. There's many that weep there :, But one weeps alone For the tears that are falling So far from her own ; — So far from thy own, love. We know not our pain ; If death is between us, Or only the main. 150 NIGHTINGALE VALLEY. When the white cloud reclines On the verge of the sea, I fancy the white cliffs And dream upon thee. But the cloud spreads its wings To the blue heav'n, and flies. We never shall meet, love, Except in the skies. Hood. SONNET. [LOVE'S CONSOLATION.] WHEN, in disgrace with fortune and men's eyes, I all alone beweep my outcast state, And trouble deaf Heaven with my bootless cries. And look upon myself, and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd. Desiring this man's art, and that man's scope, With what I most enjoy contented least. Yet in these thoughts myself almost despising ; Haply I think on thee, — and then my state (Like to the lark at break of day arising From sullen earth) sings hymns at heaven's gate ; For thy sweet love remember'd such wealth brings, That then I scorn to change my state with kings. Shakespeare. NIGHTINGALE VALLEY. 151 O'BRIEN OF ARRA.i (air " THE PIPER OF BLESSINGTON.") TALL are the towers of O'Kennedy, Broad are the lands of MacCarha, Desmond feeds five hundred men a-day ; Yet, here's to O'Brien of Arra ! Up from the Castle of Drumineer, Down from the top of Camalta, Clansman and kinsman are coming here, To give him the Cead Millia Falta P See you the mountains look huge at eve — So is our chieftain in battle ! Welcome he has for the fugitive, Usquebaugh, fighting, and cattle. Up from the Castle of Drumineer, Down from the top of Camalta, Gossip and ally are coming here, To give him the Cead Millia Falta. Horses the valleys are tramping on, Sleek from the Sassenach manger ; Cre-aghts the hills are encamping on — Empty the bawns of the stranger ! Up from the Castle of Drumineer, Down from the top of Camalta, Kern and bonaght are coming here. To give him the Cead Millia Falta. ' An Irish Chieftain, fighting against the English of " The Pale." ^ Irish words, meaning, " A hundred thousand wel- comes ! " and pronounced like Kade 3Itel-ya Fault-ya. 152 NIGHTINGALE VALLEY. He has black silver from Killaloe, Ryan and Carroll are neighbours, Nenagh submits with a pillaleu, Butler is meat for our sabres ! Up from the Castle of Drumineer, Down from tlie top of Camalta, Ryan and Carroll are coming here, To give him the Cead Millia Falta. Scarce 'tis a week since through Ossory Chased he the Baron of Durrow, Forced him five rivers to cross, or he Had died by the sword of Red Murrough ! Up from the Castle of Drumineer, Down from the top of Camalta, All the O'Briens are coming here. To give him the Cead Millia Falta. Tall are the towers of O'Kennedy, Broad are the lands of MacCarha, Desmond feeds five hundred men a-day ; Yet, here's to O'Brien of Arra ! Up from the Castle of Drumineer, Down from the top of Camalta, Clansman and kinsman are coming here, To give him the Cead Millia Falta ! Thomas Davis. LORD AMIENS' SONG, IN THE FOREST OF ARDEN. [from " AS YOU LIKE IT."] I. LOW, blow, thou winter wind ! Thou art not so unkind As man's ingratitude ; B NIGHTINGALE VALLEY. 153 Thy tooth is not so keen, Because thou art not seen, Although thy breath be rude. Heigh-ho ! sing heigh-ho unto the green holly ! Most friendship is feigning, most loving mere folly. Then heigh-ho the holly ! This life is most jolly. ir. Freeze, freeze, thou bitter sky ! That dost not bite so nigh As benefits forgot : Though thou the waters warp Thy sting is not so sharp As friend remember'd not. Heigh-ho ! sing heigh-ho unto the green holly ! Most friendship is feigning, most loving mere folly. Then heigh-ho the holly ! This life is most jolly. Shakespeare. SONNET. SEPTEMBER. THE dark green Summer with its massive hues Fades into Autumn's tincture manifold ; A gorgeous garniture of fire and gold The high slope of the ferny hill indues ; The mists of morn in slumbering layers diffuse O'er glimmering rock, smooth lake, and spiked ari-ay Of hedgerow thorns, a unity of grey ; All things appear their tangible form to lose In ghostly vastness. But anon the gloom 154 NIGHTINGALE VALLEY. Melts, as the Sun puts oiF his muddy veil ; And now the birds their twittering songs resume, All Summer silent in the leafy dale. In Sjjring they piped of love on every tree. But now they sing the song of memory. Hartley Coleridge. THE TWO APRIL MORNINGS. WE walk'd along, while bright and red Uprose the morning sun ; And Matthew stopp'd, he look'd and said, " The will of God be done ! " A village schoolmaster was he. With hair of glittering grey ; As blithe a man as you could see On a Spring holiday. And on that morning, through the grass. And by the steaming rills. We travell'd merrily, to pass A day among the hills. " Our work," said I, " was well begun ; Then, from thy breast what thought. Beneath so beautiful a sun. So sad a sigh has brought ?" A second time did Matthew stop ; And fixing still his eye Upon the eastern mountain-toj), To me he made reply : NIGHTINGALE VALLEY. 155 " Yon cloud with that long purple cleft Brings fresh into my mind A day like this which I have left Full thirty years behind. ■' And just above yon slope of corn Such colours, and no other, Were in the sky, that April morn, Of this the very brother. " With rod and line I sued the sport Which that sweet season gave. And, to the churchyard come, stopp'd short Beside my daughter's grave. " Nine summers had she scarcely seen. The pride of all the vale ; And then she sang ; — she would have been A very nightingale. " Six feet in earth my Emma lay ; And yet I loved her more, For so it seem'd, than till that day I e'er had loved before. " And, turning from her grave, I met. Beside the churchyard yew, A blooming Girl whose hair was wet With points of morning dew. " A basket on her head she bare ; Her brow was smooth and white : To see a child so very fair. It was a pure delight ! " No fountain from its rocky cave Ere tripp'd with foot so free ; 156 NIGHTINGALE VALLEY. She seem'd as happy as a wave That dances on the sea. " There came from me a sigh of pain Which I could ill confine ; I look'd at her, and look'd again : And did not wish her mine ! " Matthew is in his grave, yet now, Methinks, I see him stand. As at that moment, with a bough Of wilding in his hand. Wordsworth. LORD ULLIN'S DAUGHTER. ACHIEFTAIiSr, to the Highlands bound, Cries, " Boatman, do not tarry ! And I'll give thee a silver pound To row us o'er the ferry." "Now who be ye, would cross Lochgyle, This dark and stormy water?" " O, I'm the chief of Ulva's isle. And this, Lord UUin's daughter. " And fast before her father's men Three days we've fled together. For should he find us in the glen My blood would stain the heather. " His horsemen hard behind us ride ; Should they our steps discover. Then who will cheer my bonny bride When they have skin her lover ?" NIGHTINGALE VALLEY. 157 Out spoke the hardy Highland wight, " I'll go, my chief — I'm ready : It is not for your silver bright. But for your winsome lady. " And by my word, the bonny bird In danger shall not tarry ! So though the waves are raging white, rU row you o'er the ferry." By this the storm grew loud apace. The water-wraith was shrieking ; And in the scowl of heaven each face Grew dark as they were speaking. But still as wilder blew the wind. And as the night grew drearer, Adown the glen rode armed men. Their trampling sounded nearer. " O haste thee, haste ! " the lady cries, " Though tempests round us gather ; I'll meet the raging of the skies, But not an angry father." The boat has left a stormy land, A stormy sea before her ; When, oh ! too strong for human hand, The tempest gather'd o'er her. And still they row'd amidst the roar Of waters fast prevailing : Lord Ullin reach'd that fatal shore. His wrath was changed to wailing. For sore dismay 'd, through storm and shade, His child he did discover : One lovely hand she stretch'd for aid. And one was round her lover. 158 NIGHTrNGAI,E VALLEY. " Come back ! come back ! " he cried in grief, " Across this stormy water ; And I'll forgive your Highland chief, My daughter ! Oh my daughter ! " 'Twas vain : — the loud waves lash'd the shore. Return or aid preventing. The waters wild went o'er his child, And he was left lamenting. Campbell. THE ARROW AND THE SONG. I SHOT an arrow into the air, It fell to earth, I knew not where ; For, so swiftly it flew, the sight Could not follow it in its flight. I breathed a song into the air, It fell to earth, I knew not where ; For who has sight so keen and strong That it can follow the flight of song ? Long, long afterward, in an oak I found the arrow still unbroke ; And the song, from beginning to end, I found again in the heart of a friend. H. W. Longfellow. O WHISTLE, AND I'LL COME TO YOU, MY LAD. O WHISTLE, and I'll come to you, my lad, O whistle, and I'll come to you, ray lad ; Tho' father and niither and a' should gae mad, O whistle, and I'll come to you, my lad ! NIGHTINGAXE VALLEY. 159 But warily tent, when you come to court me, And come na unless the back-yett be a-jee ; Syne up the back-stile and let naebody see, And come as ye were na comin' to me. At kirk, or at market, whene'er ye meet me, Gang by me as tho' that ye cared na a Hie ; But steal me a blink o' your bonnie black e'e ; Yet look as ye were na lookin' at me. Aye vow and protest that ye care na for me. And whyles ye may lightly my beauty a wee ; But court na anither, tho' jokin' ye be, For fear that she wyle your fancy frae me. O whistle, and I'll come to you, my lad, O whistle, and I'll come to you, my lad ; Tho' father and mither and a' should gae mad, O whistle, and I'll come to you, my lad ! Burns. SONNET. [ABSENCE AND PRESENCE.] SO am I as the rich, whose blessed key Can bringhim to his sweet up-locked treasure. The which he will not every hour survey, For blunting the fine point of seldom pleasure. Therefore are feasts so solemn and so rare, Since seldom coming, in the long year set. Like stones of worth they thinly placed are, Or captain-jewels in the carcanet. So is the time that keeps you, as my chest, 160 NIGHTINGALE VALLEY. Or as the wardrobe which the robe doth hide, To make some special instant special-blest By new unfolding his imprison'd pride. Blessed are you, whose worthiness gives scope, Being had, to triumph, or being lack'd, to hope. Shakespeare. KUBLA KHAN ; OR, A VISION IN A DEEAM. A FRAGMENT. [ One day in the summer of 1 797, Coleridge tells w^, being at afarm-hotise on Exmoor, he fell asleep in his chair after reading in " Purchases Pilgrim- age" these or some such words, " He?'e the Khan Kuhla commanded a palace to be built, and a stately garden thereunto : and thus ten miles of fertile ground were enclosed with a wall" and waking after three hours, was aware that a long chain of verse had linked itself in his mind. He instantly wrote doivn the folloioing icords ; but being then called au'ay 07i business and detained above an hour, he found on his return that, save some scattered lines and images, the remainder of the beautiful dream-symphony was fled : nor could he ever after recover it.'\ IN Xanadu did Kubla Khan A stately pleasure-dome decree : Where Alpha, the sacred river, ran Through caverns measureless to man, Down to a sunless sea. So twice five miles of fertile ground With walls and towers were girdled round : NIGHTIXGALE VALLEY. 161 And there were gardens bright with sinuous rills, Where blossom'd many an incense-bearing tree; And here were forests ancient as the hills, Enfolding sunny spots of greenery. But oh ! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover ! A savage place ! as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon-lover ! And from this chasm with ceaseless turmoil seething, As if this earth in fast thick pants were breathing, A mighty fountain momently was forced : Amid whose swift half- intermitted burst Huge fragments vaulted like rebounding hail. Or chaffy grain beneath the thresher's flail : And 'mid these dancing rocks at once and ever It flung up momently the sacred river. Five miles meandering with a mazy motion Through wood and dale the sacred river ran. Then reach'd the caverns measureless to man. And sank in tumult to a lifeless ocean : And 'mid this tumult Kvibla heard from far Ancestral voices prophesying war ! The shadow of the dome of pleasure Floated midway on the waves ; Where was heard the mingled measure From the fountain and the caves. It was a miracle of rare device, A sunny pleasure-dome with caves of ice ! A damsel with a dulcimer In a vision once I saw : It was an Abyssinian maid, And on her dulcimer she play'd. Singing of Mount Abora. M 162 NIGHTINGALE VALLEY. Could I revive within me Her symphony and song, To such a deep delight 'twould win me That with music loud and long I would build that dome in air, That sunny dome ! those caves of ice ! And ail who heard should see them there. And all should cry, Beware ! Beware ! His flashing eyes, his floating hair ! Weave a circle round him thrice. And close your eyes with holy dread. For he on honey-dew hath fed. And drunk the milk of Paradise. Coleridge. HE dwelt among the untrodden ways Beside the springs of Dove, A Maid whom there were none to praise And very few to love : A violet by a mossy stone Half-hidden from the eye ! Fair as a star, when only one Is shining in the sky. She lived unknown, and few could know When Lucy ceased to be ; But slie is in her grave, — and, oh, The difference to me ! Wordsworth. NIGHTINGALE VALLEY. 163 UP AT A VILLA— DOWN IN THE CITY. (as distinguished by an ITALIAN PEBSON OF QUALITY.) I. HAD I but plenty of money, money enough and to spare, The house for me, no doubt, were a house in the city-square. Ah such a life, such a life, as one leads at the window there ! II. Something to see, by Bacchus, something to hear, at least ! There, the whole day long, one's life is a perfect feast ; "While up at a villa one lives, I maintain it, no more than a beast. III. Well now, look at our villa ! stuck like the horn of a bull Just on a mountain's edge as bare as the creature's skull, Save a mere shag of a bush with hardly a leaf to pull! I scratch my own, sometimes, to see if the hair's turn'd wool. But the city, oh the city — the square with the houses ! Why 164 NIGHTINGALE VALLEY. They are stone-faced, white as a curd, there's some- thhig to take the eye ! Houses in four straight lines, not a single front awry ! You watch who crosses and gossips, who saunters, who hurries by : Green blinds, as a matter of course, to draw when the sun gets high ; And the shops with fanciful signs which are painted properly. What of a villa ? Though winter be over in March by rights, 'Tis May perhaps ere the snow shall have wither'd well off the heights : You've the brown plough'd land before, where the oxen steam and wheeze. And the hills over-smoked behind by the faint grey olive trees. VI. Is it better in May, I ask you ? you've summer all at once ; In a day he leaps comjilete with a few strong April suns ! 'Mid the sharp short emerald wheat, scarce risen three fingers well, The wild tulip, at end of its tube, blows out its great red bell Like a thin clear bubble of blood, for the children to Y>\(ik and sell. VIT. Is it ever hot in the square ? There's a fountain to spout and splash ! NIGHTINGALE VALLEY. 165 In the shade it sings and springs ; in the shine such foam-bows flash On the horses with curling fish-tails, that prance and paddle and pash Round the lady atop in the conch — fifty gazers do not abash, Though all that she wears is some weeds round her waist in a sort of sash ! VIII. All the year long at the villa, nothing's to see though you linger, Except yon cypress that points like Death's lean lifted forefinger. Some think fireflies pretty, when they mix in the corn and mingle. Or thrid the stinking hemp till the stalks of it seem a-tingle. Late August or early September, the stunning cicada is shrill, And the bees keep their tiresome whine round the resinous firs on the hill. Enough of the seasons, — I spare you the months of the fever and chill. IX. Ere opening your eyes in the city, the blessed church-bells begin : No sooner the bells leave off, than the diligence rattles in : You get the pick of the news, and it costs you never a pin. By and by there's the travelling doctor gives pills, lets blood, draws teeth ; Or the Punchinello-trumpet breaks up the market beneath. 166 NIGHTINGALE VALLEY. At the post-office such a scene-picture — the new play, piping hot ! And a notice how, only this morning, three liberal thieves were shot. Above it behold the archbishop's most fatherly of rebukes, And beneath, with his crown and his lion, some little new law of the Duke's ! Or a sonnet with flowery marge to the Reverend Don So-and-so, Who is Dante, Boccaccio, Petrarca, Saint Jerome, and Cicero, " And moreover," (the sonnet goes rhyming,) " the skirts of Saint Paul has reach'd. Having preach'd us those six Lent-lectures more unctuous than ever he preach'd." Noon strikes, — here sweeps the procession ! our Lady borne smiling and smart With a pink gauze gown all spangles, and seven swords stuck in her heart ! Bang, whang, whang, goes the drum, tootle-te- tootle the fife ; No keeping one's haunches still : it's the greatest pleasure in life. X. But bless you, it's dear — It's dear ! fowls, wine, at double the rate. They have clapp'd a new tax upon salt, and what oil pays passing the gate It's a horror to think of. And so, the villa for me, not the city ! Beggars can scarcely be choosers — but still — ah, the pity, the pity ! Look, two and two go the priests, then the monks with cowls and sandals, NIGHTTNGAI.E VALLEY. 167 And the penitents dress'd in white skirts, a-holding the yellow candles. One, he carries a flag up straight, and another a cross with handles, And the Duke's guard brings up the rear, for the better prevention of scandals. Bang, whang, whang, goes the drum, tootle-te- tootle the fife. Oh, a day in the city-square, there is no such pleasure in life ! Robert Browning. FORBEARANCE. HAST thou named all the birds without a gun ; Loved the wood-rose, and left it on its stalk ; At rich men's tables eat«n bread and pulse ; Unarm'd faced danger with a heart of trust ; And loved so well a high behaviour In man or maid that thou from speech refrain'd. Nobility more nobly to repay ? — O be my friend, and teach me to be thine ! Emerson. THE BROOK. I COME from haunts of coot and hern, I make a sudden sally And sparkle out among the fern. To bicker down a valley. 168 NIGHTINGALE VALLEY, By thirty hills I hurry down, Or slip between the ridges, By twenty thorps, a little town, And half a hundred bridges. Till last by Philip's farm I flow To join the brimming river, For men may come and men may go, But I go on for ever. I chatter over stony ways. In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow. I chatter, chatter, as I flow To join the brimming river, For men may come and men may go, But I go on for ever. I wind about, and in and out, With here a blossom sailing, And here and there a lusty trout, And here and there a grayling. And here and there a foamy flake Upon nie, as I travel With many a silvery waterbreak Above the golden gravel, And draw them all along, and flow To join the brimming river. NIGHTINGALE VALLEY. 169 For men may come and men may go, But I go on for ever. I steal by lawns and grassy plots, I slide by hazel covers ; I move the sweet forget-me-nots That grow for happy lovers. I slip, I slide, I gloom, I glance, Among my skimming swallows ; I make the netted sunbeam dance Against my sandy shallows. I murmur under moon and stars In brambly wildernesses ; I linger by my shingly bars ; I loiter round my cresses ; And out again I curve and flow To join the brimming river. For men may come and men may go, But I go on for ever. Tennyson. LA BELLE DAME SANS MERCY. AH, what can ail thee, wretched wight, Alone and palely loitering ? The sedge is wither'd from the lake, And no birds sing. Ah, what can ail thee, wretched wight. So haggard and so woe-begone ? ] 70 NIGHTINGALE VALLEY. The squirrel's granary is full, And the harvest's done. I see a lily on thy brow, With anguish moist and fever-dew ; And on thy cheek a fading rose Fast withereth too. I met a Lady in the meads. Full beautiful, a fairy's child ; Her hair was long, her foot was light, And her eyes were wild. I set her on my pacing steed, And nothing else saw all day long ; For sideways would she lean, and sing A faii-y's song. I made a garland for her head, And bracelets too, and fragrant zone : She looii'd at me as she did love, And made sweet moan. She found me roots of relish sweet. And honey wild, and manna dew ; And sure in language strange she said, I love thee true. She took me to her elfin grot. And there she gazed and sighed deep. And there I shut her wild sad eyes — So kiss'd to sleep. And there we slumber'd on the moss, And there I dream'd, ah woe betide. The latest dream I ever dream'd On the cold hill-side. NIGHTINGALE VALLKY. l7l I saw pale kings, and princes too, Pale warriors, deatli-jiale were they all ; Who cried "La belle Dame sans mercy Hath thee in thrall ! " I saw their starved lij^s in the gloom With horrid warning gaped wide, And I awoke and found me here, On the cold hill-side. And this is why I sojourn here Alone and palely loitering. Though the sedge is wither'd from the lake. And no bu-ds sing. Keats. SONNET. [THE SENSE OF LOSS.] SURPRISED by joy— impatient as the Wind I turn'd to share the transport — oh ! with whom But Thee, deep buried in the silent tomb. That spot which no vicissitude can find ? Love, faithful love, recall'd thee to my mind — But how could I forget thee ? Through what power, Even for the least division of an hour, Have I been so beguiled as to be blind To my most grievous loss ? — That thought's return Was the worst pang that sorrow ever bore. Save one, one only, when I stood forlorn, Knowing my heart's best treasure was no more ; That neither present time, nor years unborn Could to my sight that heavenly face restore. WOEDSWOBTH. 1 72 NIGHTINGALE VALLEY. THE HOUR OF PRAYER. CHILD, amidst the flowers at play, AVhile the red light fades away ; Mother, with thine earnest eye Ever following silently ; Father, by the breeze of eve Call'd thy harvest work to leave ; Pray ! ere yet the dark hours be. Lift the heart and bend the knee ! Traveller, in the stranger's land, Far from thine own household band ; Mourner, haunted by the tone Of a voice from this world gone ; Captive, in whose narrow cell Sunshine hath not leave to dwell ; Sailor, on the darkening sea ; Lift the heart and bend the knee t Warrior, that from battle won Breathest now at set of sun ; Woman, o'er the lowly slain Weeping on the burial plain ; Ye that triumph, ye that sigh, Kindred by one holy tie. Heaven's first star alike ye see, — Lift the heart and bend the knee ! Felicia Hemans. XIGHTIXGAXE VALLKY. 173 SONNET. [LOVE'S SILENCE.] BECAUSE I breathe not love to everie one, Nor do not use set colours for to weare, Nor nourish special locks of vowed haire, Nor give each speech a full point of a groan ; The courtlie nymphs, acquainted with the moan Of them who in their lips Love's standard beare, " What, he ?" say they of me, "now I dare sweare He cannot love ! No, no, let him alone." And think so still ! if Stella know my minde. Profess indeed I do not Cupid's art ; But you, fair maids, at length this true shall finde, That his right badge is but worne in the heart : Dumb swans, not chattering pies, do lovers prove : They love indeed, who quake to say they love. Sir Piillip Sidney. SONG. [from " THE PRINCESS."] TEARS, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn fields, And thinking of the days that are no more. Fresh as the first beam glittering on a sail, That brings our friends up from the under world. Sad as the last which reddens over one 174 NIGHTINGALE VALLEY. That sinks with all we love below the verge, So sad, so fresh, the days that are no more. Ah, sad and strange as in dark summer dawns The earliest pipe of half awaken'd birds To dying ears, when unto dying eyes The casement slowly grows a glimmering square So sad, so strange, the days that are no more. Dear as remember'd kisses after death, And sweet as those by hopeless fancy feign'd On lips that are for others ; deep as love. Deep as first love, and wild with all regret ; O Death in Life, the days that are no more. Temntson. TO MY SISTER. WRITTEN AT A SMALL, DISTANCE FROM MY HOUSE, AND SENT BY MY LITTLE BOY. T is the first mild day of March : Each minute sweeter than before The redbreast sings from the tall larch That stands beside our door. There is a blessing in the air. Which seems a sense of joy to yield To the bare ti'ees, and mountains bare, And grass in the green field. My Sister ! ('tis a wish of mine) Now that our morning meal is done, Make haste, your morning task resign ; Come forth and feel the sun. NIGHTINGALE VALLEY. ] 75 Edward will come with you ; — and, pray, Put on with speed your woodland dress ; And bring no book : for this one day We'll give to idleness. No joyless forms shall regulate Our living calendar : We from to-day, my Friend, will date The opening of the year. Love, now a universal birth, From heart to heart is stealing. From earth to man, from man to earth : It is the hour of feeling. One moment now may give us more Than years of toiling reason : Our minds shall drink at every pore The sjiirit of the season. Some silent laws our hearts will make, Which they shall long obey : We for the year to come may take Our temper from to-day. And from the blessed power that rolls About, below, above, We'll frame the measure of our souls : They shall be turn'd to love. Then come, my Sister ! come, I pray. With speed put on yovu" woodland dress ; And bring no book : for this one day We'll give to idleness. Wordsworth. 1 7f> MGHTINGALE VALLEY. YE MARINERS OF ENGLAND. (a naval ode.) YE mfiriners of England, That guard our native seas ; ^\^lose iiag has braved, a thousand years, The battle and the breeze ! Your glorious standard launch again To match another foe ! And sweep through the deep. While the stormy tempests blow ; While the battle rages loud and long, And the stormy tempests blow. The spirits of your fathers Shall start from every wave ! For the deck it was their field of fame. And Ocean was their grave : Where Blake and mighty Nelson fell Your manly hearts shall glow, As ye sweep through the deep. While the stormy tempests blow ; AVhile the battle rages loud and long, And the stormy tempests blow. Britannia needs no bidwark. No towers along the steep ; Her march is o'er the mountain waves Her home is on the deep. With thunders from her native oak She quells the Hoods below — NIGHTINGALE VALLEY. 177 As they roar on the shore When the stormy tempests blow ; When the battle rages loud and long, And the stormy tempests blow. The meteor flag of England Shall yet terrific burn ; Till danger's troubled night depart, And the star of peace return. Then, then, ye ocean warriors ! Our song and feast shall flow To the fame of your name. When the storm has ceased to blow ; When the fiery fight is heard no more. And the storm has ceased to blow. Campbell. SONNET. TO CYRIACK SKINNER. CYRIACK, this three years' day these eyes, though clear. To outward view, of blemish or of spot, Bereft of light, their seeing have forgot ; Nor to their idle orbs doth sight appear Of sun, or moon, or star, throughout the year, Or man, or woman. Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope ; but still bear up and steer Right onward. What supports me, dost thou ask ? The conscience, friend, to have lost them over- plied 178 NIGHTINGALE VALLEY. In liberty's defence, my noble task, Of which all Europe rings from side to side. This thought might lead me through the world's vain masque, Content though blind, had I no better guide. Milton. [FAIRY SONG.] COME, follow, follow me, You fairy elves that be, Which circle on the greene ; Come, follow Mab your queene. Hand in hand let's dance around, For this 2^1ace is fairy ground. When mortals are at rest, And snoring in their nest ; Unheard and unespy'd, Through key-holes we do glide ; Over tables, stools, and shelves, We trip It with our fairy elves. And, If the house be foul, Or platter, dish, or bowl. Up stairs we nimbly creep, And find the sluts asleep : There we pinch their arms .ind thighes ; None escapes, nor none espies. But if the house be swept, And from uncleanness kept. We praise the household maid, And duely she Is paid : NIGHTINGALE VALLEY. 179 For we use before we goe To drop a tester in her shoe. Upon a miishroome's head Our table-cloth we spread ; A grain of rye or wheat Is manchet which we eat ; Pearly drops of dew we drink In acorn cups fill'd to the brink. The grasshopper, gnat, and fly Serve for our minstrelsie ; Grace said, we dance awhile, And so the time beguile : And if the moon doth hide her head, The glow-worm lights us home to bed. On tops of dewie grasse So nimbly do we passe, The young and tender stalk Ne'er bends when we do walk : Yet in the morning may be seen Where we the night before have been. SONNET. [A PAETING.] SINCE there's no help, come let us kiss and parte : Nay, I have done : you get no more of me ; And I am glad, yea, glad with all my heart. That thus so cleanly I myself can free ; Shake hands for ever, cancel all our vows. And when we meet at any time againe, 180 NIGHTINGALE VALLEY. Be It not seen In either of our brows That we one jot of former h)ve retains. . . Now at the last gasp of Love's latest breath, \Mien, his pulse failing, Passion speechless lies. When Faith is kneeling by his bed of death, And Innocence is closing up his eyes. Now, if thou wouldst, when all have given him over, From death to life thou niight'st him yet recover! Michael Drayton. [NOSE VERSUS EYES.] REPORT OF AN ADJUDGED CASE NOT TO BE FOUND IN ANY OF THE BOOKS. BETWEEN Nose and Eyes a strange contest arose, The spectacles set them unhap25ily wrong ; The point in dispute was, as well the world knows, To which the said spectacles ought to belong. So Tongue was the lawyer, and argued the cause AVith a great deal of skill, and a wig full of learning : While chief baron Ear sat to balance the laws, So famed for his talent in nicely discerning. In behalf of the Nose it will rpuckly appear. And your lordship, he said, will undoubtedly find. That the Nose has had spectacles always in weai% Which amounts to possession time out of mind. Then holding the spectacles up to the court — Your lordship observes they are made with a straddle NIGHTINGALE VALLEY. 181 As wide as the ridge of the Nose is ; in short, Design'd to sit close to it, just like a saddle. Again, would your lordship a moment suppose ('Tis a case that has happen'd, and may be again,) That the visage or countenance had not a nose, Pray who would, or who could, wear spectacles then ? On the whole it appears, and my argument shows, With a reasoning the court will never condemn, That the spectacles plainly were made for the Nose, And the Nose was as jilainly intended for them. Then shifting his side (as a lawyer knows how), He pleaded again in behalf of the Eyes ; But what were his arguments few people know. For the court did not think they were equally wise. So his lordship decreed, with a grave solemn tone, Decisive and clear, without one if or but. That whenever the Nose put his spectacles on. By daylight, or candlelight, — Eyes should be shut. C0WP£R. CUPID'S CURSE. [sung by (EKONE and PARIS. FROM " THE ARRAIGNMENT OF PARIS :" A DRAMATIC PASTORAL — 1.584.] (E71. TT^AIRE, and faire, and twice so f'aire, X^ As faire as anie may be. The fairest shepherd on our greene, A Love for any Lady. 1^2 NIGHTINGALE VALLEY. Paris. Faire, and faire, aud twice so faire, As faire as any may be, Thy Love is fair for tliee alone, And for no other Lady. (En. My Love is faire, my Love is gay, And fresh as bin the iiowers in Ma}^ And of my Love my ronndelay. My merry, merry, merry roundelay. Concludes with Cupid's Curse : They that do change old love for newe. Pray Gods they change for worse ! (En. Faire, and faire, and twice so fau-e. As faire as any may be, The fairest shepherd on our greene, A Love for any Lady. Paris. Faire, and faire, and twice so faire. As faire as anie may be, Thy Love is ftiire for thee alone, And for no other Lady. (En. My Love can pipe, my Love can sing. My Love can nianie a pretty thing. And of his lovely praises ring My merry, merry, merry roundelays. Amen to Cupid's Curse : They that do change old love for newe, Pray Gods they change for worse ! George Peele. NIGHTINGALE VALLEY 183 SONG. [from " THE LADY OF THE LAKE."] SOLDIER, rest ! thy warfare o'er, Sleep the sleep that knows not breaking ; Dream of battle-fields no more, Days of danger, nights of waking. In our isle's enchanted hall Hands unseen thy couch are strewing. Fairy strains of music fall. Every sense with slumber dewing. Soldier, rest ! thy warfare o'er. Dream of fighting fields no more ; Sleep the sleep that knows no breaking. Morn of toil, nor night of waking. No rude sound shall reach thine ear. Armour's clang, or war-steed's champing, Trumji nor pibroch summon here Mustering clan, or squadron tramping. Yet the lark's shrill fife may come At the day-break from the fallow, And the bittern sound his drum. Booming from the sedgy shallow. Ruder sounds shall none be near, Guards nor warders challenge here. Here's no war-steed's neigh and champing, Shouting clans or squadron's tramping. Scott. 184 NIGHTINGAXE VALLEY. T THE LADY'S GRAVE. 'IIEY laid my lady in her grave, My lady with the deeji blue eye ; 'Twas not in sainted ground Where crosses stand around, But by the river's side, where the green sedges wave. They had not seen that lady's smile Ere her unhappy days were come ; Or the last bed of rest, Hallow'd by prayer and priest, Would not have been withheld, as if from something vile. They would have loved that deep blue eye. Because it told a tale of heav'n ; And in her candid look Read, as in holy book, Immortal things and jiure, belonging to the sky. But by the river's sedgy brink, Where her cold corse was floating found, They hid my lady fair Unbless'd by jiriest or pray'r. Where yellow iris and pale reeds the water drink. The river lily's humid flow'r, And cresses with their cold green leaf, In place of tomb, denied By harsh and impious pride, Grow there ; and sounds from heav'n sweep by at evening hour. Mary Boddington. NIGHTINGAIiE VALLEY. 185 TO THE CUCKOO. O BLITHE New-comer ! I have heard, I hear thee and rejoice. O Cuckoo ! shall I call thee Bird, Or but a wandering Voice ? While I am lying on the grass Thy twofold shout I hear, That seems to fill the whole air's space, As loud far oflf as near. Though babbling only to the Vale, Of sunshine and of flowers, Thou bi'ingest unto me a tale Of visionary hours. Thrice welcome, darling of the Spring ! Even yet thou art to me No bird, but an invisible thing, A voice, a mystery ; The same whom in my school-boy days I listen'd to ; that Cry Which made me look a thousand ways In bush, and tree, and sky. To seek thee did I often rove Through woods and on the green ; And thou wert still a hope, a love ; Still long'd for, never seen. 186 NIGHTINGALE A'ALLEY. And I can listen to tliee yet; Can lie ujion the plain And listen, till I do beget That golden time again. O blessed Bird ! the earth we pace Again appears to be An unsubstantial, faery place ; That is fit home for Thee ! Wordsworth. IN THE STILLNESS O' THE NIGHT. [DORSET DIALECT.] OV all the housen ^ o' the pliace, There's oone" wher I da'' like to call By dae ar night the best ov all, To zee my Fanny's sniilen fiace ; An' dere^ the stiately tress da grow, A-rocken as the win' da blow, While she da sweetly sleep below. In the stillness o' the night. An' dere at evemen,^ I da goo, A-hoppen auver*^ ghiates'^ an' bars. By twinklen light o' winter stars. When snow da dumper'^ to my shoe ; An' zometimes we da slyly catch A chat an hour upon the stratch,^ An' piart wi' whispers at the hatch ^^ In the stillness o' the night. ' Housen, houses. ^ Oone, one. ^ Da, do. ■* Dere, there. * Evemen, evening. ^ Auver, over. ' Ghiates, gates. * Clumper, gather in a lump, (an excellent word.) " Stratch, stretch. '" Hatch, wicket-gate. NIGHTINGALE VALLEY. 187 An' zometimes she da goo' to zome Young naighbours' housen down the plaice, An' I da^ get a clue to triace Her out, an' goo to zee her huome;^ An' I da wish a vield"* a mile. As she da sweetly chat an' smile, Along the drove,^ or at the stile, In the stillness o' the night. William Barnes. SONG. A SPIRIT haunts the year's last hours. Dwelling amid these yellowing bowers : To himself he talks ; For at eventide, listening earnestly. At his work you may hear him sob and sigh In the walks ; Earthward he boweth the heavy stalks Of the mouldering flowers : Heavily hangs the broad sunflower Over its grave i' the earth so chilly ; Heavily hangs the hollyhock. Heavily hangs the tiger-lily. The air is damp, and hush'd, and close, As a sick man's room when he taketh repose An hour before death : My very heart faints and my whole soul grieves At the moist rich smell of the rotting leaves, And the breath ' Gon, go. ^ Da, doth. ^ Huome, home. ' Vield. field. ^ Drove, a cow-path between hedges. 188 NIGHTINGALE VALLEY. Of the fading edges of box beneath, And the year's last rose. Heavily hangs the broad sunflower Over its grave i' the earth so chilly Heavily hangs the hollyhock, Heavily hangs the tiger-lily. Tennyson. HEllRICK'S LITANY. IN the hour of my distress, When temptations me oppress. And when I my sins confess, Sweet Spirit, comfort me ! When I lie within my bed. Sick in heart and sick in head, And with doubts discomforted, Sweet Spirit, comfort me ! When the house doth sigh and weep. And the world is drown'd in sleep, Yet mine eyes the watch do keep. Sweet Spirit, comfort me ! When the priest his last hath pray'd. And I nod to what is said, 'Cause my speech is now decay'd, Sweet Spirit, comfort me ! When the judgment is reveal'd, And that open'd which was seal'd. When to thee I have appeal'd. Sweet Spirit, comfort me ! Herrick. NIGHTINGALE VALLEY. 189 SONNET. FROM THE ITALIAN OF MICHAEL ANGELO. THE might of one fair face sublimes my love, For it hath wean'd my heart from low desires, Nor death I need, nor purgatorial fires ; Thy beauty, antepart of joys above, Instructs me in the bliss that saints approve ; For oh ! how good, how beautiful must be The God that made so good a thing as thee. So fair an image of the heavenly Dove. Forgive me if I cannot turn away From those sweet eyes that are my earthly heaven, For they are guiding stars benignly given To tempt my footsteps to the upward way ; And if I dwell too fondly in thy sight, I live and love in God's peculiar light. Hartley Coleridge. [SPRING AND SORROW.] NOW fades the last long streak of snow. Now burgeons every maze of quick About the flowering squares, and thick, By ashen roots the violets blow. Now rings the woodland loud and long, The distance takes a lovelier hue. And drown'd in yonder living blue The lark becomes a sightless son"'- 190 NIGHTINGALE VALLEY. Now dance the lights on lawn and lea, The flocks are whiter down the vale, And milkier every milky sail On winding stream or distant sea ; Where now the seamew pipes, or dives In yonder greening gleam, and fly The happy birds that change their sky To build and brood ; that live their lives From land to land ; and in my breast Spring wakens too ; and my regret Becomes an April violet, And buds and blossoms like the rest. In Memoriam. CHORUS OF THE FLOWERS. w E are the sweet Flowers, Born of sunny showers, Think, whene'er you see us, what our beauty saith : Utterance mute and briglit Of some unknown delight, AVe fill the air with pleasure, by our simple breath : All who see us, love us ; We befit all places ; Unto sorrow we give smiles ; and unto graces, graces. Mark our ways, how noiseless All, and sweetly voiceless. Though the March winds pipe to make our passage clear ; NIGHTINGALE VALLEY. 191 Not a whisper tells ^ATiere our small seed dwells, Nor is known the moment green, when our tips appear. We thread the earth in silence. In silence build our bowers. And leaf by leaf in silence show, till we laugh atop, sweet Flowers ! The dear lumpish baby, Humming with the May-bee, Hails us with his bright stare, stumbling through the grass ; The honey-dropping moon, On a night in June, Kisses our pale pathway leaves, that felt the bride- groom pass ; Age, the wither'd dinger, On us mutely gazes. And wraps the thought of his last bed in his childhood's daisies. See, and scorn all duller Taste, how heav'n loves colour. How great Nature, clearly, joys in red and green; What sweet thoughts she thinks Of violets and pinks. And a thousand flushing hues, made solely to be seen ; See her whitest lilies ChUl the silver showers. And what a red mouth has her rose, the wonuui of the flowers ! Uselessness divinest Of a use the finest 192 NIGHTINGALE VALLEY. Palnteth us, the teachers of the end of use ; Travellers weary-eyed Bless us far and wide ; Unto sick and prison'd thoughts we give sudden truce ; Not a poor town -window Loves its sickliest planting, But its wall speaks loftier truth than Babylon's whole vaunting. Sage are yet the uses Mix'd with our sw^eet juices, Whether man or may-fly profit of the balm ; As fair fingers heaVd Knights from the olden field. We hold cups of mightiest force to give the wildest calm. E'en the terror Poison Hath its plea for blooming ; Life it gives to reverent lips, though death to the presuming. And oh ! our sweet soul-taker, That thief the honey-maker, AVhat a house hath he, by the tliymy glen ! In his talking rooms How the feasting fumes. Till his gold cups overflow to the mouths of men ! The butterflies come aping Those fine thieves of ours, And flutter round our rifled tops, like tickled flowers with flowers. See those tops, how beauteous ! What fair service duteous NIGHTINGALE VALLEY. 193 Round some idol waits, as on their lord the Nine ? Elfin court 'twould seem ; And taught perchance that dream Which the old Greek mountain dreamt upon nights divine. To expound such wonder Human speech avails not ; Yet there dies no poorest weed, that such a glory exhales not. Think of all these treasures, Matchless works and pleasures, Every one a marvel, more than thought can say ; Then think in what bright showers We thicken fields and bowers. And with what heaps of sweetness half stifle wanton May : Think of the mossy forests By the bee-birds haunted. And all those Amazonian plains, lone lying as en- chanted ! Trees themselves are ours ; Fruits are born of flowers ; Peach and roughest nut were blossoms in the spring ; The lusty bee knows well The news, and comes pell-mell. And dances in the bloomy thicks with darksome antheming. Beneath the very burthen Of planet-pressing ocean We wash our smiling cheeks in peace, a thought for meek devotion. Tears of Phoebus, — missings Of Cytherea's kissings, o 194 NIGHTINGALE VALLEY. Have in us been found, and wise men find them still ; Drooping grace unfurls Still Hyacinthus' curls, And Narcissus loves himself in the selfish rill ; Thy red lip, Adonis, Still is wet with morning ; And the step that bled for thee, the rosy briar adorning. Who shall say that flowers Dress not heav'n's own bowers ? AVho its love, without them, can fancy, — or sweet floor? Who shall even dare To say we sprang not there, And came not down that Love might bring one piece of heav'n the more ? Oh pray believe that angels From those blue dominions Brought us in their white laps down, 'twixt their golden pinions. Leigh Hunt. AN END. LOVE, strong as death, is dead. Come, let us make his bed Among the dying flowers ; A green turf at his head, And a stone at his feet. Whereon we may sit In the quiet evening hours. NIGHTINGALE VALLEY. 195 He was born in the spring. And died before the harvesting ; On the last warm summer day He left us ; — he would not stay For autumn twilights, cold and grey; Sit we by his grave and sing, " He is gone away." To few chords, and sad, and low, Sing we so. Be our eyes fix'd on the gras,s, Shadow-veil'd, as the years pass. While we think of all that was In the long ago. Christina Kossetti. TO A AVATER-FOWL. WHITHER, 'midst falling dew. While glow the heavens with the last steps of day, Far through their rosy depths, dost thou pursue Thy solitary way ! Vainly the fowler's eye Might mark thy distant flight to do thee wrong. As, darkly painted on the crimson sky. Thy figure floats along. Seek'st thou the plashy brink Of weedy lake, or marge of river wide, Or where the rocking billows rise and sink On the chafed ocean side ? 196 NIGHTINGALE VALLEY. There is a Power whose care Teaches thy way along that pathless coast, — The desert and illimitable air, — Lone wandering, but not lost. All day thy wings have fann'd, At that far height, the cold thin atmosphere, Yet stoop not, weary, to the welcome land, Though the dark night is near. And soon that toil shall end ; Soon shalt thou find a summer home, and rest, And scream among thy fellows ; reeds shall bend, Soon, o'er thy shelter'd nest. Thou'rt gone, the abyss of heaven Hath swallow'd up thy form ; yet, on my heart Deeply hath sunk the lesson thou hast given. And shall not soon depart. He, who from zone to zone Guides through the boundless sky thy certain flight, In the long way that I must tread alone, Will lead my steps aright. W. C. Bryant. VENUS OF THE NEEDLE. OMARYANNE, you pretty girl, Intent on silky labour. Of sempstresses the pink and pearl, Excuse a peeping neighbour ! NIGHTINGALE VALLEY. 197 Those eyes for ever drooping, give The long brown lashes rarely ; But violets in the shadows live, — For once unveil them fairly. Hast thou not lent that flounce enough Of looks so long and earnest ? Lo, here's more " penetrable stuff" To which thou never turnest. Ye graceful fingers, deftly sped ! How slender, and how nimble ! might I wind their skeins of thread, Or but pick up their thimble ! How blest the youth whom love shall bring. And happy stars embolden. To change the dome into a ring, The silver into golden ! Who'll steal some morning to her side To take her finger's measure, While Maryanne pretends to chide, And blushes deep with pleasure. Who'll watch her sew her wedding-gown. Well conscious that it is hers ; Who'll glean a tress, without a frown. With those so ready scissors. Who'll taste those ripenings of the south, The fragrant and delicious — Don't put the pins into your mouth, O Maryanne, my precious ! 1 almost wish it were my trust To teach how shocking that is ; ] 9S NIGHTINGALE VAI.LEY. I wish I had not, as I must, To ([uit this tempting lattice. Sure aim takes Cupid, fluttering foe, Across a street so narrow ; A thread of silk to string his bow, A needle for his arrow ! William Allingham, w SONG OF ARIEL. [from " THE TEMPEST."] HERE the bee sucks, there suck T ; In a cowslip's bell I lie ; Tliere I couch when owls do cry ; On the bat's back I do fly After summer, merrily. Merrily, merrily, shall I live now. Under the blossom that hangs on the bough ! Shakespeare. TO A COLD BEAUTY. I. LADY, wouldst thou heiress be To Winter's cold and cruel part ? When he sets the rivers free, Thou dost still lock up thy heart ; Thou that shouldst outlast the snow But in the whiteness of thy brow. NIGHTINGALE VALLEY. 199 II. Scorn and cold neglect are made For winter gloom and winter wind, But thou wilt wrong the summer air, Breathing it to words unkind, — Breath which only should belong To love, to sunlight, and to song. III. When the little buds unclose. Red, and white, and pied, and blue. And that virgin flower, the rose. Opes her heart to hold the dew, Wilt thou lock thy bosom up. With no jewel in its cup ? lY. Let not cold December sit Thus in Love's peculiar throne : Brooklets are not prison'd now. But crystal frosts are all agone ; And that which hangs upon the spray, It is no snow, but flower of May. Hood. CANNOT see the features right. When on the gloom I strive to paint The face I know ; the hues are faint And mix with hollow masks of night : 200 XIGHTIN&ALE VALLEY. Cloud-towers by ghostly masons wrought, A gulf that ever shuts and gapes, A hand that points, and palled shapes In shadowy thoroughfares of thought ; And crowds that stream from yawning doors, And shoals of pucker'd faces drive ; Dark bulks that tiunble half alive, And lazy lengths on boundless shores : Till all at once beyond the will I hear a wizard music roll. And through a lattice on the soul Looks thy fair face and makes It still. In Memoriam. ULALUME. THE skies they were ashen and sober ; The leaves they were crisped and sere — The leaves they were withering and sere : It was night in the lonesome October Of my most immemorial year ; It was hard by the dim lake of Auber, In the misty mid-region of Weir — It was down by the dank tarn of Auber, In the ghoul-haunted woodland of Weir. Here once, through an alley titanic. Of cypress, I roam'd with my Sold — Of cypress, with Psyche, my Soul. These were days when my heart was volcanic As the scoriae rivers that roll — As the lavas that restlessly roll NIGHTINGALE VALLEY. 201 Their sulphurous currents down Yaanek In the ultimate climes of the pole — That groan as they roll down Mount Yaanek In the realms of the boreal pole. Our talk had been serious and sober, But our thoughts they were j^alsied and sere — Our memories were treacherous and sere — For we knew not the month was October, And we mark'd not the night of the year — (Ah, night of all nights in the year !) We noted not the dim lake of Auber — (Though once we had journey'd down here) — Remember'd not the dank tarn of Auber, Nor the ghoul-haunted woodland of Weir. And now as the night was senescent And star-dials pointed to morn — As the star-dials hinted of morn — At the end of our path a liquescent And nebulous lustre was born, Out of which a miraculous crescent Arose with a duplicate horn — Astarte's bediamonded crescent Distinct with its duplicate horn. And I said — " She is warmer than Dian : She rolls through an ether of sighs — She revels in a region of sighs : She has seen that the tears are not dry on These cheeks, where the worm never dies, And has come past the stars of the Lion To point us the path to the skies — To the Lethean peace of the skies — Come up, in despite of the Lion, To shine on us with her bright eyes — 202 NIGHTINGALE VAXLEY. Come up through the lair of the Lion, With love in her luminous eyes." But Psyche, uplifting her finger, Said — " Sadly this star I mistrust — Her pallor I strangely mistrust : — Oh, hasten ! — oh, let us not linger ! Oh, fly ! — let us fly ! — for we must." In terror she spoke, letting sink her Plumes till they trail'd in the dust — Till they sorrowfully trail'd in the dust. I replied — " This is nothing but dreaming : Let us on by this tremulous light ! Let us bathe in this crystalline light ! Its Sibylic splendour is beaming With Hope and in Beauty to-night : — See ! — it flickers up the sky through the night ! Ah, we safely may trust to its gleaming. And be sure it will lead us aright — We safely may trust to a gleaming That cannot but guide us aright, As it flickers up to Heaven through the night." Thus I pacified Psyche and kiss'd her, And tempted her out of her gloom — And conquer'd her scruples and gloom ; And we pass'd from the shade, as I kiss'd her, But were stopp'd by the door of a tomb — By the door of a legended tomb ; And I said — " What is written, sweet sister, On the door of this legended tomb ? " She replied — " Ulalume — Ulalume — 'Tis the vault of thy lost Ulalume ! " Then my heart it grew ashen and sober As the leaves that were crisped and sere — NIGHTINGALE VALLEY. 203 As the leaves that were withering and sere, And I cried — " It was surely October, Was this very night of last year, That I jounaey'd — I journey'd down here — That I brought a dread burthen down here — On this night of all nights in the year, Ah, what demon has tempted me here ? Well I know now this dim lake of Auber — This misty mid-region of Weir — Well I know now the dank tarn of Auber, This ghoul-haunted woodland of Weir." Edgae a. Foe. LINES WRITTEN IN EARLY SPRING. 1798. HEARD a thousand blended notes, While in a grove I sate reclined, In that sweet mood when pleasant thoughts Bring sad thoughts to the mind. To her fair works did Nature link The human soul that through me ran ; And much it grieved my heart to think What man has made of man. Through primrose tufts, in that green bower, The periwinkle trailed its wreaths ; And 'tis my faith that every flower Enjoys the air it breathes. The birds around me hopp'd and play'd, Their thoughts I cannot measure : — But the least motion which they made, It seem'd a thrill of pleasure. 204 NIGHTINGALE VALLEY. The budding twigs spread out their fan, To catch the breezy air ; And I must think, do all I can, That there was pleasure there. If this belief from heaven be sent. If such be Nature's holy plan. Have I not reason to lament What man has made of man ? Wordsworth. THE MAID'S LAMENT. I LOVED him not ; and yet now he is gone I feel I am alone. I check'd him while he spoke ; yet could he speak, Alas ! I would not check. For reasons not to love him once I sought. And wearied all my thought To vex myself and him : I now would give My love could he but live Who lately lived for me, and when he found 'Twas vain, in holy ground He hid his face amid the shades of death. I waste for him my breath Who wasted his for me : but mine returns. And this lorn bosom burns With stifling heat, heaving it up in sleep. And making me to weep Tears that had melted his soft heart : for years Wept he as bitter tears. Merciful God ! such was his latest prayer, These may she never share ! (Quieter is his breath, his breast more cold Than daisies in the mould, NIGHTINGALE VALLEY. 205 Where children spell, athwart the churchyard gate, His name and life's brief date. Pray for him, gentle souls, whoe'er you be. And oh ! pray too for me ! W. S. Landor. FAIRY SONG. [from " THE maid's METAMORPHOSIS."] By the moon we sport and play, With the night begins our day ; As we dance the dew doth fall ; Trip it, little urchins all ! Lightly as the winged bee, Two by two, and three by three. And about go we, and about go we ! John Lyly. [EVENING.] LOW-FLOWING breezes are roaming the broad valley dinim'd in the gloaming : Thorough the black-stemm'd pines only the far river shines. Creeping through blossomy rushes and bowers of rose-blowing bushes, Down by the poplars tall rivulets babble and fall. Barketh the shepherd-dog cheerly; the grass- hopper caroUeth clearly ; Deeply the turtle coos ; shrilly the owlet halloos : 206 NIGHTINGALE VALLEY. Winds creep ; dews fall chilly ; in her first sleep earth breathes stilly : Over the pools in the burn watergnats murmur and mourn. Sadly the far kine loweth : the glimmering water out-floweth : Twin peaks shadow'd with pine slope to the dark hyaline. Low-throned Hesper is stayed between the two peaks ; but the Naiad, Throbbing in mild unrest, holds him beneath in her breast. The ancient poetess singeth that Hesperus all things bringeth, Soothing the wearied mind. Bring me my love, Rosalind ! Thou comest morning and even ; she cometh not morning or even. False-eyed Hespei", unkind, where is my sweet Rosalind ? Tennyson. EDOM O' GORDON. [old BALLAD.] IT fell about the Martinmas, When the wind blew shrill and cauld, Said Edom o' Gordon to his men, " We maun draw to a hauld. " And whutna hauld sail we draw to. My merry men and me ? We will gae to the house of the Rodes, To see that fair ladye." NIGHTINGALE VALLEY. 207 The ladye stood on her castle wa', Beheld baith dale and down ; There she was avare of a host of men Came riding towards the toun.^ " O see ye not, my merry men a' ? see ye not what I see ? Methinks I see a host of men ; 1 marvel who they be." She ween'd it had been her luvely lord, As he cam' riding hame ; It was the traitor, Edom o' Gordon, Wha reck'd nor sin nor shame. She had nae sooner buskit hersell And putten on her goun, Till Edom o' Gordon an' his men Were round about the toun. They had nae sooner supper set, Nae sooner said the grace, But Edom o' Gordon an' his men Were lighted about the place. The ladye ran up to her tower-head, As fast as she could hie, To see if by her fair speeches She could wi' him agree. " Come doun to me, ye ladye gay. Come doun, come doun to me ; This night sail ye lig within mine amies. To-morrow my bride sail be." " I winna come down, ye fause Gordon, I winna come down to thee ; ' Toun (town), an enclosed place. 208 NIGHTINGALE VALLEY. I winna forsake my ain dear lord, — And he is na far frae me." " Gie owre your house, ye lady fair, Gie owre your house to me ; Or I sail burn yoursell therein, But and your babies three." " I winna gie owre, ye fause Gordon, To nae sic traitor as thee. And if ye burn my ain dear babes, My lord sail mak' ye dree. " Now reach my pistoll, Glaud, my man, And charge ye weel my gun ; For, but an I pierce that bluidy butcher. My babes, we been undone ! " She stude upon her castle wa' And let twa bullets flee : She miss'd that bluidy butcher's heart, And only razed his knee. " Set fire to the house !" quo' fause Gordon, Wud^ wi' dule and ire : " Fause ladye, ye sail rue that shot. As ye burn in the fire ! " " Wae worth, wae worth ye, Jock, my man ! I paid ye weel your fee ; Why pu' ye out the grund-wa' stane, Lets in the reek to me ? " And e'en wae worth ye, Jock, my man ! I paid ye weel your hire ; Why pu' ye out the grund-v/a' stane. To me lets in the fire ? " ' Wud, mad. NIGHTINGALE VALLEY. 209 " Ye paid me weel my hire, ladye, Ye paid me weel my fee : But now I'm Edom o' Gordon's man, — Maun either do or dee." O then bespake her little son, Sat on the nurse's knee : Says, " Mither dear, gie owre this house. For the reek it smothers me." " I wad gie a' my gowd, my bairn, Sae wad I a' my fee, For ae blast o' the western wind, To blaw the reek frae thee." O then bespake her daughter dear, — She was baith jimjj and sma' : " O row' me in a pair o' sheets, And tow me owre the wa' ! " They row'd her in a pair o' sheets. And tow'd her owre the wa' ; But on the point o' Gordon's spear She gat a deadly fa'. O bonnie, bonnie was her mouth, And cherry were her cheeks. And clear, clear was her yellow hair, Whereon the red blood dreeps. Then wi' his spear he turn'd her owre ; gin her face was wan ! He said, " Ye are the first that e'er 1 wish'd alive again." p 210 NIGHTINGALE VALLEY, He turn'd her owre and owre again ; gin her skin was white ! " I might hae spared that bonnie face To hae been some man's delight." " Busk and boun, my merry men a'. For ill dooms I do guess ; — I cannot look on that bonnie face As it lies on the grass." " Wha looks to freits,^ my master dear, Its freits will follow them ; Let it ne'er be said that Edom o' Gordon Was daunted by a dame." But when the ladye saw the fire Come flaming o'er her head. She wept, and kiss'd her children twain» Says, " Bairns, we been but dead." The Gordon then his bugle blew, And said, " Awa', awa' ! This House o' the Rodes is a' in a flame, 1 hauld it time to ga'." And this way lookit her ain dear lord, As be came owre the lea ; He saw his castle a' in a lowe, Sae far as he could see. " Put on, put on, my wighty raen. As fast as ye can dri'e ! For he that's hindmost o' the thrang Sail ne'er get good o' me." ' Freits, (frights ?), ill-omens, ill-luck. NIGHTINGALE VALLEY, 211 Then some they rade, and some they ran, Out-owre the grass and bent ; But ere the foremost could win up, Baith lady and babes were brent. And after the Gordon he is gane, Sae fast as he might dri'e ; And soon i' the Gordon's foul heart's blude He's wroken his fair ladye. PHILLIDA AND CORYDON. IN the merry month of May, In a morn, by break of day, Forth I walk'd by the wood-side, Whenas May was in his pride : There I spied, all alone, Phillida and Corydon. Much ado there was, God wot ; He would love, and she would not. She said, never man was true ; He said, none was false to you. He said, he had loved her long ; She said, love should have no wrong. Corydon would kiss her then ; She said, maids must kiss no men, Till they do for good and all : Then she made the shepherd call All the heavens to witness truth. Never loved a truer youth. Then with many a pretty oath. Yea and nay, and faith and troth, Such as silly shepherds use. When they will not love abuse, 212 NIGHTINGALE VALLEY. Love, wliich had been long deluded, Was with kisses sweet concluded ; And Phillida with garlands gay Was made the Lady of the May. Nicholas Breton. LORD RANDAL. WHERE hae ye been. Lord Randal, my son ? O where hae ye been, my handsome young man?" " I hae been to the wood ; mother, make my bed soon, For I'm weary wi' hunting, and fain would lie down." " Where gat ye your dinner, Lord Randal, my son ? Where gat ye your dinner, my handsome young man ?" " I dined wi' my love ; mother, make my bed soon, For I'm weary wi' hunting, and fain would lie down." " What gat ye to dinner, Lord Randal, my son ? What gat ye to dinner, my handsome young man?" " I gat eels boil'd in broo' ; mother, make my bed soon, For I'm weary wi' hunting, and fain would lie down." " And where are your bloodhounds. Lord Randal, my son ? And where are your bloodhounds, my handsome young man ? " NIGHTINGALE VALLEY. 213 " O they swell'd and they died ; mother, make my bed soon, For I'm weary wi' hunting, and fain would lie down." "01 fear ye are poison'd, Lord Randal, my son ! O I fear ye are poison'd, my handsome young man !" " O yes, I am poison'd ! mother, make my bed soon, For I'm sick at the heart, and I fain would lie down." Scott's Border Minstrelsy. [EVENING.] SWEET after showers, ambrosial air. That rollest from the gorgeous gloom Of evening over brake and bloom And meadow, slowly breathing bare The round of space, and rapt below Through all the dewy-tassell'd wood, And shadowing down the horned flood In ripples, fan my brows and blow The fever from my cheek, and sigh The full new life that feeds thy breath Throughout my frame till Doubt and Death, 111 brethren, let the fancy fly From belt to belt of crimson seas On leagues of odour streaming far, To where in yonder orient star A hundred spirits whisper " Peace." In Memoriam. 214 NIGHTINGALE VALLEY. THE BRIDGE OF SIGHS. " Drown'd ! drown'd ! " — Hamlet. jNE more Unfortunate, Weary of breath, Rashly importunate, Gone to her death ! Take her up tenderly, Lift her with care ; Fashion'd so slenderly. Young, and so fair ! Look at her garments Clinging like cerements ; Whilst the wave constantly Drips from her clothing ; Take her up instantly. Loving, not loathing. — Touch her not scornfully ; Think of her mournfully, Gently and humanly ; Not of the stains of her, All that remains of her Now is pure womanly. Make no deep scrutiny Into her mutiny Rash and undutiful : Past all dishonour. Death has left on her Only the beautiful. NIGHTINGALK VALLEY. 215 Still, for all slips of hers, One of Eve's family — Wipe those poor lips of hers Oozing so clammily. Loop up her tresses Escaped from the comb, Her fair auburn tresses ; Whilst wonderment guesses Where was her home ? Who was her father ? AVho was her mother ? Had she a sister ? Had she a bi-other ? Or was there a dearer one Still, and a nearer one Yet, than all other ? Alas ! for the rarity Of Christian charit)^ Under the sun ! ,.jl0 Oh ! it was pitiful ! Near a whole city full, Home she had none. Sisterly, brotherly, Fatherly, motherly Feelings had changed : Love, by harsh evidence, Thrown from its eminence ; Even God's providence Seeming estranged. Where the lamps quiver So far in the river, 216 NIGHTINGALE VALLEY. With many a light From window and casement, From garret to basement, She stood, with amazement, Houseless by night. The bleak wind of March Made her tremble and shiver : But not the dark arch, Or the black flowing river : Mad from life's history Glad to death's mystery Swift to be hurl'd — ■ Any where, any where Out of the world ! In she plunged boldly. No matter how coldly The rough river ran, — Over the brink of it ; — Picture it — think of it. Dissolute man ! Take her up tenderly, Lift her with care ; Fashion'd so slenderly. Young, and so fair ! Ere her limbs frigidly Stiifen too rigidly, Decently, — kindly, — Smoothe, and compose them ; And her eyes, close them. Staring so blindly ! Dreadfully staring Through muddy impurity. NIGHTINGA1.E VALLEY. 217 As when with the daring Last look of despairing Fix'd on futurity. Perishing gloomily, Spurr'd by contumely, Cold inhumanity, Burning insanity, Into her rest. — Cross her hands humbly As if praying dumbly. Over her breast ! Owning her weakness, Her evil behaviour, And leaving, with meekness, Her sins to her Saviour ! Hood. SONG. [AT A LADY'S WINDOW.] FROM " CYMBELINE." HARK! hark! the lark at heaven's gate sings, And Phoebus 'gins arise, His steeds to water at those sjirings On chalieed flowers that lies ; And winking marybuds begin To ope their golden eyes ; With every thing that pretty bin : My lady sweet, arise. Arise, arise ! Shakespeake. 218 NIGHTINGALE ^'ALLEY. SONG. FALSE friend, wilt thou smile or weep When my life is laid asleep ? Little cares for a smile or a tear The clay-cold corpse upon the bier ; Farewell ! Heigh-ho ! What is this whispers low ? There is a snake in thy smile, my dear, And bitter poison within thy tear. Sweet sleep, were death like to thee, Or if thou couldst mortal be, I would close these eyes of pain, — When to wake ? Never again. O world, farewell ! Listen to the passing-bell ! It says thou and I must part. With a light and a heavy heart. Shelley. THE WIFE OF USHER'S WELL. [old ballad.] THERE lived a wife at Usher's Well, And a wealthy wife was she, She had three stout and stalwart sons. And sent them o'er the sea. NIGHTINGALE VALLEY. 219 They hadna been a week from her, A week but barely ane, When word cam' to the carline wife, That her three sons were gane. They hadna been a week from her, A week but barely three, When word cam' to the carline wife. That her sons she'd never see. " I wish the wind may never cease. Nor fish be in the flood. Till my three sons come hame to me, In earthly flesh and blood ! " It fell about the Martinmas, When nights are lang and mirk. The carline wife's three sons cam' hame. And their hats were o' the birk. It neither grew in syke nor ditch. Nor yet in ony sheugh ; But at the gates o' Paradise That birk grew fair eneugh. " Blow up the tire, my maidens ! Bring water from the well ! For a' my house shall feast this night. Since my three sons are well." And she has made to them a bed. She's made it large and wide ; And she's ta'en her mantle round about, Sat down at the bed-side. Up then crew the red, red cock. And up and crew the gray ; 220 NIGHTINGALE VALLEY. The eldest to the youngest said " 'Tis time we were away. " The cock doth craw, the day doth daw, The channerin' worm doth chide ; Gin we be miss'd out o' our place, A sair pain we maun bide." " Lie still, lie still but a little wee while. Lie still but if we may ; Gin my mother should miss us when she wakes, She'll go mad ere it be day. " Our mother has nae mair but us ; See where she leans asleep ; The mantle that was on herself. She has happ'd it round our feet." O it's they have ta'en up their mother's mantle, And they've hung it on a pin : " O lang may ye hing, my mother's mantle. Ere ye hap us again ! " Fare-ye-weel, my mother dear ! Fareweel to barn and byre ! And fore-ye-weel, the bonny lass, That kindles my mother's fire." THE KNIGHT'S TOMB. WHERE is thegrave of Sir Arthur O'Kellyn ? Where may the grave of that good man be? By the side of a spring on the breast of Helvellyn, Under the twigs of a yoimg birch tree . NIGHTINGALE VALLEY. 221 The oak that in summer was sweet to hear And rustled its leaves in the fall of the year, And whistled and roar'd in the winter alone, Is gone, and the birch in its stead has grown. The Knight's bones are dust, And his good sword rust ; His soul is with the saints, I trust. COLEHIDGE. THE SHADOW OF NIGHT. HOW strange it is to wake And watch while others sleep. Till sight and hearing ache For objects that may keep The awful inner sense Unroused, lest it should mark The life that haunts the emptiness And horror of the dark. II. How strange the distant bay Of dogs ; how wild the note Of cocks that scream for day, In homesteads far remote ; How strange and wild to hear The old and crumbling tower. Amidst the darkness, suddenly Take life and speak the hour ! in. If dreams or panic dread Keveal the gloom of gloom. NIGHTINGALE VALLEY. Kiss thou the pillow'd head By thine, and soft resume The confident embrace, And so each other keep In the svire league of amity, And the safe lap of sleep. IV. Albeit the love-sick brain Affects the dreary moon, 111 things alone refrain From life's nocturnal swoon : Men melancholy mad, Beasts ravenous and sly, The robber and the murderer. Remorse, with lidless eye. V. The nightingale is gay, For she can vanquish night; Dreaming, she sings of day. Notes that make darkness bright : But when the refluent gloom Saddens the gaps of song, We charge on her the dolefulness. And call her crazed with wrong. VI. 'Tis well that men shoukl lie All senseless, while the sun, Coursing the nether sky. Leaves half the world o'er-ruu With baleful shapes unseen ; And foul it is when we By loud carousal desecrate Night's evil sanctity. NIGHTINGALE VALLEY, 223 VII. 'Twere good that all should pray, And so lie down to rest, While yet the wholesome day Is lingering in the West. His prayer shall turn to peace, Who still regards with awe The midnight's noxious mystery, And nature's genial law. Coventry Patmoek. THE FAIRY THORN. AN ULSTER BALLAD. " ^'"^ ET up, our Anna dear, from the weary Vjr spinning wheel ; For your father's on the hill, and your mother is asleep : Come up above the crags, and we'll dance a high- land reel Around the fairy thorn on the steep." At Anna Grace's door 'twas thus the maidens cried, Three merry maidens fair in kirtles of the green ; And Anna laid the rock and the weary wheel aside, The fairest of the four, I ween . They're glancing through the glimmer of the quiet eve. Away in milky wavings of neck and ankle bare ; The heavy-sliding stream in its sleepy song they leave, And the crags in the ghostly air : 224 NIGHTINGALE VALLEY. And linking hand and hand, and singing as they go, The maids along the hill-side have ta'en their fearless way, Till they come to where the rowan trees in lonely beauty grow Beside the Faii'y Hawthorn grey. The hawthorn stands between the ashes tall and slim, Like matron with her twin grand-daughters at her knee ; The rowan berries cluster o'er her low head grey and dim In ruddy kisses sweet to see. The merry maidens four have ranged them in a row, Between each lovely couple a stately rowan stem, And away in mazes wavy, like skimming birds they go, Oh, never caroU'd bird like them ! But solemn is the silence of the silvery haze That drinks away their voices in echoless repose. And dreamily the evening has still'd the haunted braes. And dreamier the gloaming grows. And sinking one by one, like lark-notes from the sky When the falcon's shadow saileth across the open shaw. Are hush'd the maiden's voices, as cowering down they lie In the flutter of their sudden awe. For, from the air above, and the grassy ground beneath, NIGHTINGALE VALLEY. 225 And from the mountain-ashes and the old Whitethorn between, A power of faint enchantment doth through their beings breathe, And they sink down together on the green. They sink together silent, and stealing side to side, They fling their lovely arms o'er their drooping necks so fair. Then vainly strive again their naked arms to hide, For their shrinking necks again are bare. Thus clasp'd and prostrate all, with their heads together bow'd. Soft o'er their bosom's beating — the only human sound — They hear the silky footsteps of the silent foiry crowd, Like a river in the air, gliding round. Nor scream can any raise, nor prayer can any say, But wild, wild, the terror of the speechless three — For they feel fair Anna Grace drawn silently away, By whom they dare not look to see. They feel their tresses twine with her parting locks of gold, And the curls elastic falling, as her head with- draws ; They feel her sliding arms from their tranced arms unfold. But they dare not look to see the cause : For heavy on their senses the faint enchantment lies Through all that night of anguish and perilous amaze ; Q 226 NIGHTINGALE VALLEY. And neither fear nor wonder can ope their quiver- ing eyes Or their limbs from the cold ground raise. Till out of Night the Earth has roll'd her dewy side, With every haunted mountain and streamy vale below ; When, as the mist dissolves in the yellow morning- tide, The maidens' trance dissolveth so. Then fly the ghastly three as swiftly as they may, And tell their tale of sorrow to anxious friends in vain — They pined away and died within the year and day. And ne'er was Anna Grace seen again. Samuel Ferguson. THE HOUSE. THERE is no architect can build As the Muse can ; She is skilful to select Materials for her plan ; Rafters warily to choose Of immortal pine. Or cedar incorruptible. Worthy her design. She threads dark Alpine forests. Or valleys by the sea, In many lands, with painful steps, Ere she can find a tree. NIGHTINGALE VALLEY. She ransacks mines and ledges, And quarries every rock, To hew the famous adamant For each eternal block. She lays her beams in music, In music every one, To the cadence of the whu'ling world Which dances round the sun. That so they shall not be displaced By lapses or by wars, But for the love of happy souls Outlive the newest stars. Emerson. HIS WISH TO PRIVACr. GIVE me a cell To dwell, Where no foot hath A path ; There will I spend. And end. My wearied years In tears. Herrick. LOVE. ALL thoughts, all passions, all delights Whatever stirs this mortal frame. All are but mmisters of Love, And feed his sacred flame. 228 NIGHTINGALE VALLEY. Oft in my waking dreams do I Live o'er again that happy hour, When midway on the mount I lay, Beside the ruin'd tower. The moonshine, stealing o'er the scene Had blended with the light of eve ; And she was there, my hope, my joy, My own dear Genevieve ! She lean'd against the armed man, The statue of the armed knight ; She stood and listen'd to my lay, Amid the lingering light. Few sorrows hath she of her own. My hope ! my joy ! my Genevieve ! She loves me best whene'er I sing The songs that make her grieve. I play'd a soft and doleful air, I sang an old and moving story — An old rude song, that suited well That ruin wild and hoary. She listen'd with a flitting blush. With downcast eyes and modest grace ; For well she knew I could not choose But gaze upon her foce. I told her of the Knight that wore Upon his shield a burning brand ; And that for ten long years he woo'd The Lady of the Land. I told her how he pined : and ah ! The deep, the low, the pleading tone NIGHTINGALE VALLEY. 229 With which I sang another's love, Interpi'eted my own. She listen'd with a flitting blush, With downcast eyes, and modest grace ; And she forgave me, that I gazed Too fondly on her face ! But when I told the cruel scorn That crazed that bold and lovely Knight, And that he cross'd the mountain-woods, Nor rested day nor night ; That sometimes from the savage den. And sometimes from the darksome shade, And sometimes starting up at once In green and sunny glade, — There came and look'd him in the face An angel beautiful and bright; And that he knew it was a Fiend, This miserable Knight ! And that unknowing what he did. He leap'd among a nmrderous band. And saved from outrage worse than deatli The Lady of the Land ; — And how she wept, and clasp'd his knees ; And how she tended him in vain — And ever strove to expiate The scorn that crazed his brain ; — And that she nursed him in a cave ; And how his madness went away, When on the yellow forest-leaves A dying man he lay ; — 2'40 NIGHTINGALE VALLEY. His dying words — but when I reach'd That tenderest strain of all the ditty, My faltering voice and pausing harp Disturbed her soul with pity ! All impulses of soul and sense Had thrill'd my guileless Genevieve ; The music and the doleful tale, The rich and balmy eve ; And hopes, and fears that kindle hope, An undistinguishable throng, And gentle wishes long subdued. Subdued and cherish'd long ! She wept with pity and delight. She blush'd with love, and virgin shame ; And like the murmur of a dream, I heard her breathe my name. Her bosom heaved — she stepp'd aside. As conscious of my look she stept — Then suddenly, with timorous eye She fled to me and wept. She half inclosed me with her arms. She press'd me with a meek embrace ; And bending back her head look'd up, And gazed upon my face. 'Twas partly love, and partly fear. And partly 'twas a bashful art, That I might rather feel, than see The swelling of her heart. NIGHTINGALE VALLEY. 231 I calm'd her fears, and she was cahn, And told her love with virgin pride ; And so I won my Genevieve, My bright and beauteous Bride. Coleridge. SONG FOR AUGUST. BENEATH this starry arch Xought resteth or is still ; But all things hold their march As if by one great will. Moves one, move all, — Hark to the footfall, — On, on, for ever. Yon sheaves were once but seed ; Will ripens into deed : As cave-droj^s swell the streams Day thoughts feed nightly dreams ; And sorrow tracketh wrong As echo follows song, — On, on, for ever. By night, like stars on high. The hours reveal their train ; They whisper and pass by ; I never watch in vain. Moves one, move all, — Hark to the footfall, — On, on, for ever. They pass the cradle head. And there a promise shed ; 232 NIGHTINGALE VALLEY. They pass the moist new grave, And bid rank verdure wave ; They bear through every clime The harvest of all time, — On, on, for ever. Harriet Martineau. [LULLABY FOR TITANIA.] FROM " A MIDSUMMER NIGHT's DREAM." First Fairy. YOU spotted snakes with double tongue, Thorny hedgehogs, be not seen ; Newts, and blind worms, do no wrong ; Come not near our fairy queen. Choj'us. Philomel with melody Sing in our sweet lullaby : Lulla, lulla, lullaby : lulla, luUa, lullaby : Never harm, nor spell nor charm, Come our lovely lady nigh ! So good-night, with lullaby. Second Fairy. Weaving spiders, come not here ; Hence, you long-legg'd spinners, hence ; Beetles black, approach not near ; Worm, nor snail, do no offence. Chorus. Philomel with melody Sing in our sweet lullaby : NIGHTINGALE VALLEY. 233 Lulla, lulla, lullaby : luUa, lulla, lullaby : Never harm, nor spell nor charm, Come our lovely lady nigh ! So good-night, with lullaby. Shakespeare. UPON THE IMAGE OF DEATH. BEFORE my face the picture hangs That dailie should put me in minde Of those cold qualms and bitter pangs That shortly I am like to finde : But yet, alas ! full little I Do think hereon, that I must die. I often look upon a face Most uglie, grislie, bare, and thin ; I often view the hollow place Where eyes and nose have sometime been : I see the bones across that lie ; Yet little thmk, that I must die. I read the label underneathe, That telleth me whereto I must : I see the sentence eke that saithe " Remember, man, that thou art duste ;" But yet, alas, but seldom I Do think indeed, that I must die ! Continually at my bed's head An hearse doth hang, which doth me tell That I, ere morning, may be dead, Though now I feel myself full well : But yet, alas, for all this, I Have little minde that I must die ! 234 NIGHTINGALE VALLEY. The gowne which I do use to weare, The knife, wherewith I cut my meate, And eke that old and ancient chair Which is my only usual seate, All these do tell me I must die ; And yet my life amende not I ! ]My ancestors are turn'd to clay, And many of my mates are gone ; My youngers daily drop away ; — And can I think to 'scape alone ? No, no, I know that I must die ; And yet my life amende not I! Not Solomon, for all his wit, Nor Samson, though he were so strong. No king, nor ever person yet. Could 'scape, but Death laid him along ! Wherefore I know that I must die ; And yet my life amende not I ! Though all the east did quake to hear Of Alexander's dreadful name. And all the west did likewise fear The sound of Julius Ca?sar's fame. Yet both by death in duste now lie ; Who then can 'scape, but he must die ? If none can 'scape Death's dreadful darte. If rich and poor his beck obey. If strong, if wise, if all do smarte, Then I to 'scape shall have no way. O grant me grace, O God, that I My life may mende, sith I must die ! Robert Southwell, XI&HTINGALE VALLEY. THE ANGEL. IDREAM'D a dream, what can it mean ? And that I was a maiden queen, Guarded by an Angel mild : Witless woe, was ne'er beguiled! And I wept both night and day. And he wiped my tears away ; And I wept both day and night, And hid from him my heart's delight. So he took his wings and fled ; Then the morn blush'd rosy red ; I dried my tears, and arm'd my fears With ten thousand shields and spears. Soon my Angel came again ; I was arm'd, he came in vain ; For the time of youth was fled. And grey hairs were on my head. William Blake. LOVELY MARY DONNELLY. AN IRISH ballad. OH, lovely Mary Donnelly, it's yon I love the best! If fifty girls were round you I'd hardly see the rest. 236 NIGHTINGALE VALLEY. Be what it may the time of day, the place be where it will, Sweet looks of Mary Donnelly, they bloom before me still. Her eyes like mountain water that's flowing on a rock, How clear they are, how dark they are ! and they give me many a shock. Red rowans warm in sunshine and wetted with a show'r, Could ne'er exjiress the charjning lip that has me in its pow'r. Her nose is straight and handsome, her eyebrows lifted up. Her chin is very neat and pert, and smooth like a china cup. Her hair's the brag of Ireland, so weighty and so fine ; It's rolling down upon her neck, and gather'd in a twine. The dance o' last Whit-Monday night exceeded all before, No pretty girl for miles about was missing from the floor ; But Mary kept the belt of love, and O but she was gay ! She danced a jig, she sung a song, that took my heart away. When she stood up for dancing, her steps were so complete. The music nearly kill'd itself to listen to her feet ; NIGHTINGALE VALLEY, 237 The fiddler moan'd his blindness, he heard her so much praised, But bless'd himself he wasn't deaf when once her voice she raised. And evermore I'm whistling or lilting what you sung, Your smile is always in my heart, your name be- side my tongue ; But you've as many sweethearts as you'd count on both your hands. And for myself there's not a thumb or little finger stands. Oh, you're the flower o' womankind in country or in town ; The higher I exalt you, the lower I'm cast down. If some great lord should come this way, and see your beauty bright. And you to be his lady, I'd own it was but right. O might we live together in a lofty palace hall. Where joyful music rises, and where scarlet cur- tains fall ! O might we live together in a cottage mean and small ; With sods of grass the only roof, and mud the only wall ! O lovely Mary Donnelly, your beauty's my distress. It's far too beauteous to be mine, but I'll never wish it less. The proudest place would fit your face, and I am poor and low ; But blessings be about you, dear, wherever you may go ! William Allingham. 238 NIGHTINGALE VALLEY. WALY, WALY. [old ballad.] OWALY, waly, up the bank, O waly, waly, doun the brae. And waly, waly, yon burn-side, Where I and my love were wont to gae ! I lean'd my back unto an aik, I thocht it was a trustie tree. But first it bow'd and syne it brak', — Sae my true love did lichtlie me. O waly, waly, but love be bonnie A little time while it is new ; But when it's auld it waxeth cauld, And fadeth awa' like the morning dew. O wherefore should I busk my heid. Or wherefore should I kame my hair ? For my true love has me forsook. And says he'll never lo'e me mair. Noo Arthur's Seat sail be my bed, The sheets sail ne'er be press'd by me ; Saint Anton's well sail be my drink ; Since my true love's forsaken me. Martinmas wind, when wilt thou blaw, And shake the green leaves off the tree '1 O gentle death when wilt thou come ? For of my life I am wearie. 'Tis not the frost that freezes fell, Nor blawing snaw's iuclemencie, NIGHTINGALE VALLEY. 239 'Tis not sic cauld that makes me cry ; But my love's heart grown cauld to me. When we cam' in by Glasgow toun, We were a comely sicht to see ; My love was clad in the black velvet, An' I mysel' in cramasie.^ But had I wist before I kiss'd That love had been so ill to win, I'd lock'd my heart in a case o' gowd. And pinn'd it wi' a siller pin. Oh, oh ! if my young babe were born, And set upon the nurse's knee ; And I mysel' were dead and gane, And the green grass growing over me ! Q' [HYMN TO DIAI^A.] I UEEN and huntress, chaste and fair, Now the sun is laid to sleep, Seated in thy silver chair State in wonted manner keep : Hesperus entreats thy light, Goddess excellently bright ! Earth, let not thy envious shade Dare itself to intei-pose ; Cynthia's shining orb was made Heav'n to clear, when day did close : Bless us then with wished sight. Goddess excellently bright ! ' Cramasie, cramoisie, crimson. 240 NIGHTINGALE VALLEY. Lay thy bow of pearl apart, And thy crystal shining quiver ; Give unto the flying hart Space to breathe, how short soever : Thou that niak'st a day of night. Goddess excellently briglit ! Ben Jonson. SONNET. EAGLES. (composed at dunoixie castle in the bay OF OBAN.) JSHONOUR'D Rock and Ruin ! that, by law Tyrannic, keep the Bird of Jove embarr'd Like a lone criminal whose life is spared. Vex'd is he, and screams loud. The last I saw Was on the wing ; stooping, he struck with awe Man, bird, and beast, then, with a consort pair'd. From a bold headland, their loved aery's guard. Flew high above Atlantic waves, to draw Light from the fountain of the setting sun. Such was this Prisoner once; and, when his plumes The sea-blast ruffles as the storm comes on. In spirit for a moment he resumes His rank 'mong free-born creatures that live free, His power, his beauty, and his majesty. Wordsworth. NIGHTINGALE VALLEY. 241 THE REVERIE OF POOR SUSAN. AT the corner of Wood Street, when daylight appears, Hangs a thrush that sings loud, it has sung for three years : Poor Susan has pass'd by the spot, and has heard In the silence of morning the song of the Bird. 'Tis a note of enchantment ; what ails her ? She sees A mountain ascending, a vision of trees; Bright volumes of vapour through Lothbury glide. And a river flows on through the vale of Cheapside. Green pastures she views in the midst of the dale, Down which she so often has tripp'd with her pail ; And a single small cottage, a nest like a dove's. The one only dwelling on earth that she loves. She looks, and her heart is in heaven : but they fade. The mist and the river, the hill and the shade : The stream will not flow, and the hill will not rise, And the colours have all pass'd away from her eyes ! Wordsworth. 242 NIGHTINGALE VALLEY. THE PAINS OF SLEEP. ERE on my bed my limbs I lay, It hath not been my use to pray With moving lips or bended knees ; But silently by slow degrees, My spirit I to Love compose. In humble trust mine eye-lids close. With reverential resignation, No wish conceived, no thought exprest, Only a sense of supplication ; A sense o'er all my soul imprest — That I am weak, yet not unblest, Since in me, round me, everywhere Eternal strength and wisdom are. But yester-night I pray'd aloud In anguish and in agony, Up-starting from the fiendish crowd Of shapes and thoughts that tortured me : A lurid light, a trampling throng. Sense of intolerable wrong. And whom I scorn'd, those only strong ! Thirst of revenge, the powerless will Still baffled, and yet burning still ! Desire with loathing strangely mix'd On wild or hateful objects fix'd : Fantastic passions ! maddening brawl ! And shame and terror over all ! Deeds to be hid which were not hid. Which all confused I could not know, Whether I suffer'd, or I did : NIGHTINGALE VALLEY. 243 For all seem'd guilt, remorse or woe, My own or others', still the same Life-stifling fear, soul-stifling shame. So two nights Dass'd : the night's dismay Sadden'd and stunn'd the coming day. Sleep, the wide blessing, seem'd to me Distemper's worst calamity. The third night, when my own loud scream Had waked me from the fiendish dream, O'ercome with sufferings strange and wild, I wept as I had been a child ; And having thus by tears subdued My anguish to a milder mood. Such punishments, I said, were due To natures deepliest stain'd with sin, — For aye entempesting anew The unfathomable hell within. The horror of their deeds to view, To know and loathe, yet wish and do ! Such griefs with some men well agree. But wherefore, wherefore fall on me ? To be beloved is all I need. And whom I love, I love indeed. COLEBIDGE. thp: skylark. I IRD of the wilderness, Blithesome and cumberless, Sweet be thy matin o'er moorland and lea ! Emblem of happiness. Blest is thy dwelling-place — O to abide in the desert with thee ! 244 NIGHTINGALE VALLEY. Wild is thy lay and loud, Far in the downy cloud, Love gives it energy, love gave it birth. Where, on thy dewy wing, Where art thou journeying? Thy lay is in heaven, thy love is on earth. O'er fell and fountain sheen. O'er moor and mountain green. O'er the red streamer that heralds the day. Over the cloudlet dim. Over the rainbow's rim, Musical cherub, soar singing away ! Then, when the gloaming comes. Low in the heather-blooms Sweet will thy welcome and bed of love be ? Emblem of happiness, Blest is thy dwelling-place — O to abide in the desert with thee ! James Hogg. EDWARD, EDWARD. [old ballad.] " TTTHY does your brand sae drap wi' blude, V V Edward, Edward ? Why does your brand sae drap wi' blude. And why sae sad gang ye, O ?" " O, I hae kill'd my hawk sae gvide, Mither, mither : O, I hae kill'd my hawk sae gude : And I hae nae mair but he, O." NIGHTINGALE VALLEY. 245 " Your hawk's blude was never sae red, Edward, Edward : Your hawk's blude was never sae red. My dear son, I tell thee, O." " O, I hae kill'd my red-roan steed, Mither, mither : O, I hae kill'd my red-roan steed. That carried me fair and free, 0." " 'Gin your steed be gane, ye hae plenty mair, Edward, Edward, 'Gin your steed be gane, ye hae plenty mair ; Some ither dule ye dree, O." " O, I hae kill'd my father dear, Mither, mither : O, I hae kill'd my father dear, Alas ! and wae is me, O." " And whatten penance will ye dree for that, Edward, Edward ? And whatten penance will ye dree for that ? My dear son, now tell me, O." " I'll set my feet in yonder boat, Mither, mither : I'll set my feet in yonder boat. And I'll fare over the sea, O." " And what will ye do wi' your towers and your ha', Edward, Edward ? And what will ye do wi' your towers and your ha', That were sae fair to see, O ?" " I'll let them stand till they doun fa', Mither, mither : I'll let them stand till they doun fa' ; For here never mair maun I be, O." 246 NIGHTDCGAXE VALLEY. " Aud what will ye leave to your bairns and your wife, Edward, Edward ? And what will ye leave to your bairns and your wife. When you gang over the sea, O ?" " The warld's room : let them beg through life, Mither, mither : The warld's room : let them beg through life ; For tliem never mair will I see, O." " And what will ye leave to your ain mither dear, Edward, Edward ? And what will ye leave to your ain mither dear ? My dear son, now tell me, O." " The curse of hell frae me shall ye bear, Mither, mither ! The curse of hell frae me shall ye bear, Sic counsels ye gave to me, O ! " Percy's Reliques. N ODE ON MELANCHOLY. O, no ! go not to Lethe, neither twist Wolf's-bane, tight-rooted, for its poisonous Nor suffer thy pale forehead to be kiss'd By night-shade, ruby grape of Proserpine ; Make not your rosary of yew-berries, Nor let the beetle, nor the death-moth be Your mournful Psyche, nor the downy owl A partner in your sorrow's mysteries ; For shade to shade will come too drowsily, And drown the wakeful anguish of the soul. NIGHTINGALE VALLEY. 247 But when the melancholy fit shall fall Sudden from heaven like a weeping cloud, That fosters the droop-headed flowers all, And hides the green hill in an April shroud ; Then glut thy sorrow on a morning rose. Or on the rainbow of the salt sand-wave. Or on the wealth of globed peonies ; Or If thy mistress some rich anger shows, Emprison her soft hand, and let her rave, And feed deep, deep upon her peerless eyes. She dwells with Beauty — Beauty that must die ; And Joy, whose hand is ever at his lips Bidding adieu ; and aching Pleasure nigh. Turning to poison while the bee-mouth sips : Ay, in the very temple of Delight Veil'd Melancholy has her sovran shrine, Though seen of none save him whose strenuous tongue Can burst Joy's grape against his palate fine ; His soul shall taste the sadness of her might. And be among her cloudy trophies hung. Keats. SONNET. THE TROSACHS. THERE'S not a nook within this solemn Pass But were an apt confessional for One Taught by his summer spent, his autumn gone. That Life is but a tale of morning grass Wither'd at eve. From scenes of art which chase That thought away, turn, and with watchful eyes 248 NIGHTINGALE VALLEY. Feed it 'mid Nature's old felicities, Rocks, rivers, and smooth lakes more clear than glass Untouch'd, unbreathed upon. Thrice happy quest, If from a golden perch of aspen spray (October's workmanship to rival May) The pensive warbler of the ruddy breast That moral sweeten by a heaven-taught lay. Lulling the year, with all its cares, to rest ! WOKDSWOBTH. BALLAD. SHE'S up and gone, the graceless girl ! And robb'd my failing years ; My blood before was thin and cold. But now 'tis turn'd to tears ; My shadow falls upon my grave. So near the brink I stand ; She might have stay'd a little yet. And led me by the hand. Aye, call her on the barren moor. And call her on the hill ; 'Tis nothing but the heron's cry, And plover's answer shrill. My child is flown on wilder wings Than they have ever spread ; And I may even walk a waste That widen'd when she fled. Full many a thankless child has been. But never one like mine ; Her meat was served on plates of gold, Her drink was rosy wine. NIGHTINGALE VALLEY. 249 But now she'll share the robin's food, And sup the common rill, Before her feet will turn again To meet her father's will. Hood. INCANTATION. [from the tragedy of " REMORSE."] HEAR, sweet spirit, hear the spell. Lest a blacker charm compel ! So shall the midnight breezes swell With thy deep long-lingering knell. And at evening evermore, In a chapel on the shore. Shall the chaunter, sad and saintly, Yellow tapers burning faintly. Doleful masses chaunt for thee. Miserere Domine ! Hark ! the cadence dies away On the quiet moonlight sea : The boatmen rest their oars and say. Miserere Domine ! Coleridge. SONG. [from " rokeby."] "WTIARY lot is thine, fair maid, A A weary lot is thine ; To pull the thorn thy brow to braid, And press the rue for wine. 250 NIGHTINGALE VALLEY. A lightsome eye, a soldier's mien, A feather of the blue, A doublet of the Lincoln green, — No more of me you knew. My love. No more of me you knew ! This morn is merry June, I trow ; The rose is budding fain ; — But she shall bloom in winter snow Ere we two meet again. He turn'd his charger as he spake, Upon the river shore ; He gave his bridle-reins a shake, Said, " Adieu for evermore. My love ! And adieu for evermore ! " Scott. [from " A MIDSUMMER NIGHt's DREAM."] ^ Puch. Now the hungry lion roars. And the wolf behowls the moon, Whilst the heavy ploughman snores, All with weary task foredone. Now the wasted brands do glow ; And the scritch-owl, scritching loud. Puts the wretch that lies in woe In remembrance of a shroud. Now it is the time of night That the graves, all gaping wide, Every one lets forth his sprite, >aGHTrN'GALE VALLEY. 251 In the church-way paths to glide. And we fairies, that do run By the triple Hecat's team, From the presence of the sun Following darkness like a dream, Now are frolic : not a mouse Shall disturb this hallow'd house. I am sent with broom before To sweep the dust behind the door. Shakkspeaee. WHAT PLEASURE HAVE GREAT PRINCES. [from BYRd's " SONGS AND SONNETS OF SADNESS AND PIETIE." 1588.] WHAT pleasure have great princes, Completer to their choice. Than they whose humble chances In quiet life rejoice, And fearing not, nor scorning. Sing sweet in summer morning ? Their dealings plain and rightful Are void of all deceit ; They never know how spiteful It is to kneel and wait On favourite presumptuous Whose pride is vain and sumptuous. All day their work each tendeth, At night they take their rest, More calm than he who sendeth His ship into the east, — 2b2 NIGHTINGALE VALLEY. Where gold and pearl are plenty, But getting very dainty. For lawyers and their pleading, They 'steem it not a straw ; They think that honest meaning Is of itself a law, Where conscience judgeth plainly ,- So spend no money vainly. O happy who thus liveth, Not caring much for gold ; With clothing which sufficeth To keep him from the cold ; Though poor and plain his diet, Yet merry is he, and quiet. FAIR HELEN OF KIRKCONNELL. [old ballad.] [Adam Fleming, says tradition, loved Helen Irving, or Bell, (for this surname is uncertain, as tvell as the date of the occxirrence) daughter of the Laird of Kirkcminell, in Dumfriesshire. The lovers bei7ig together one day by the river Kirtle, a rival suitor suddenly appeared on the opposite hank and pointed his gun ; Helen threiv herself before her sweetheart, received the bullet, and died in his arms. Then Adam Fleming fought loith his gxiilty rival and slew him.'\ WISH I were where Helen lies ! Night and day on me she cries ; O that I were where Helen lies, On fair Kirkconnell lea ! I NIGHTINGALE VALLEY. 253 Curst be the heart that thought the thought, And curst the hand that fired the shot, When in my arms burd Helen dropt, And died to succour me ! think na ye my heart was sair When my love dropt, and spak' nae mair ! There did she swoon wi' meikle care, On fair Kirkconnell lea. And I went down the water side, None but my foe to be my guide. None but my foe to be my guide, On fair Kirkconnell lea. 1 cross'd the stream, my sword did draw, I hack'd him into pieces sma', I hack'd him into pieces sma'. For her sake that died for me. O Helen fair, beyond compare ! I'll mak' a garland o' your hair. Shall bind my heart for evermair, Until the day I dee ! O that I were where Helen lies ! Night and day on me she cries ; Out of my bed she bids me rise, Says, " Haste, and come to me ! " Helen fair ! O Helen chaste ! Were I with thee I would be blest, Where thou liest low and tak'st thy rest. On fair Kirkconnell lea. 1 wish my grave were growing green, A winding-sheet drawn o'er my e'en, 254 NIGHTINGAI.E VALLEY. And I in Helen's arms lying, On fair Kirkconnell lea. I wisli I were where Helen lies ! Night and day on me she cries ; And I am weary of the skies, For her sake that died for me. Scott's " Border Minstrelsy^ DOWN ON THE SHORE. I OWN on the shore, on the sunny shore ! Where the salt smell cheers the land ; Where the tide moves bright under boundless light, And the surge on the glittering strand ; Where the children wade in the shallow pools. Or run from the froth in play ; \Vhere the swift little boats with milk-white wings Are crossing the sapphire bay. And the ship in full sail, with a fortunate gale, Holds proudly on her way. Where the nets are spread on the grass to dry, And asleep, hard by, the fishermen lie. Under the tent of the warm blue sky. With the hushing wave on its golden floor To sing their lullaby. Down on the shore, on the stormy shore ! Beset by a growling sea, Whose mad waves leap on the rocky steep Like wolves up a traveller's tree. Where the foam flies wide, and an angry blast Blows the curlew olT, with a screech ; NIGHTINGALE VALLEY. 255 Where the brown sea-wrack, torn up by the roots, Is flung out of fishes' reach ; Where the tall ship rolls on the hidden shoals, And scatters her planks on the beach. Where slate and straw through the village spin. And a cottage fronts the fiercest din With a sailor's wife sitting sad within, Hearkening the wind and water's roar, Till at last her tears begin. William Allingham. THE JOVIAL BEGGAR. [pLATFOEd's " CHOICE AIRES." 1660.] THERE was a jovial Beggar, He had a wooden leg, Lame from his cradle. And forced for to beg. And a-begging we will go, Will go, will go. And a-begging we will go. A bag for his oatmeal. Another for his salt, And a long pair of crutches. To show that he can halt. A bag for his wheat, Another for his rye. And a little bottle by his side To drink when he's a-dry. Seven years I begg'd For my old master Wilde, 256 NIGHTINGALE VALLEY. He taught me how to beg When I was but a child. I begg'd for my master, And got him store of pelf, But Heaven now be praised, I'm begging for myself. In a hollow tree I live, and pay no rent. Providence provides for me. And I am well content. Of all the occupations A beggar's is the best. For whenever he's a-weary He can lay him down to rest. I fear no plots against me, I live in open cell ; Then who would be a king, lads, When the Beggar lives so well ? And a-begging we will go, Will go, will go, [LOVE FOR NO LESS THAN LOVE ] SHALL I, wasting in despair, Die because a yfoman's fair ? Or make pale my cheeks with care 'Cause another's rosy are ? Be she fairer than the day Or the flowery meads in May, If she be not so to me What care I how fair she be ? NIGHTINGALE VALLEY. 257 Shall my foolish heart be pined 'Cause I see a woman kind ? Or a well-disposed nature Joined with a lovely feature ? Be she meeker, kinder than Turtle-dove or pelican, If she be not so to me What care I how kind she be ? Shall a woman's virtues move Me to perish for her love ? Or her well-deserving known Make me quite forget my own ? Be she with that goodness blest Which may gain her name of Best, If she be not such to me What care I how good she be ? 'Cause h.eY fortune seems too high Shall I play the fool and die ? Those that bear a noble mind. Where they want of riches find, Think what, with them, they would do That without them dare to woo ; And unless that mind I see What care I how great she be. Great, or good, or kind, or fair, I will ne'er the more despair : If she love me, this believe — I will die ere she shall grieve ; If she slight me when I woo, I can scorn and let her go ; For if she be not for me What care I for whom she be ? Geokge Wither. s 258 NIGHTINGALE VALLEY. THE SOLDIER'S DREAM. UR bugles sang truce, for the night-cloud had lowei-'d, And the sentinel stars set their watch in the sky ; And thousands had sunk on the ground over- power'd, The weary to sleep and the wounded to die. When reposing that night on my pallet of straw, By the wolf-scaring faggot that guarded the slain, At the dead of the night a sweet vision I saw. And thrice ere the morning I dream'd it again. Methought from the battle-field's dreadful array Far, far I had roam'd on a desolate track : 'Twas Autumn, — and sunshine arose on the way To the home of my fathers, that welcomed me back. I flew to the pleasant fields traversed so oft In life's morning march, when my bosom was young ; I heard my own mountain goats bleating aloft. And knew the sweet strain that the corn-reapers sung. Then pledged we the wine-cup, and fondly I swore From my home and my weeping friends never to part ; My little ones kiss'd me a thousand times o'er. And my wife sobb'd aloud in her fulness of heart. NIGHTINGALE VALLEY. 259 Stay, stay with us, — rest; thou art weary and worn ! And fain was their war-broken soldier to stay ; — But sorrow return'd with the dawning of morn, And the voice in my dreaming ear melted away. Campbell. A LYKE-WAKE DIRGE.^ [old.] THIS ae nighte, this ae nighte, Everie nighte and alle, Fire, and selte, and candle-lighte, A)id Christe -receive tliy saule. When thou from hence away art past, Everie uiglite and alle. To Whinny-muir thou comest at last, And Christe receive thy saule. If ever thou gavest hosen and shoon, Everie nighte and alle. Sit thee down and put them on, And Christe receive thy saide. If hosen and shoon thou gavest nane, Everie nighte and alle, The whinnes shall pricke thee to the bare bane, And Christe receive thy saide. From Whinny-muir when thou mayst passe, Everie nighte and alle. To Brigg o' Dread thou comest at last, Ami Christe receive thy saule. ' See Note. 260 NIGHTINGALE VALLEY. From Brigg o' Dread when thou mayst passe, Everie nighte and alle, To Purgatory Fire thou comest at last, And Christe receive thy saule. If ever thou gavest meate or drinke, Everie nighte and alle. The fire shall never make thee shrinke. And Christe receive thy saide. If meate or drinke thou gavest nane, Everie nighte and alle, The fire will burne thee to the bare bane, And Christe receive thy saule. This ae nighte, this ae nighte, Everie nighte and alle. Fire, and selte, and candle-lighte, And Christe receive thy saule. WHERE HE WOULD HAVE HIS VERSES READ. IN sober mornings, do not thou rehearse The holy incantation of a verse ; — But when that men have both well drunk and fed Let my enchantments then be sung or read. When laurel spirts i' the fire, and when the hearth Smiles to itself and gilds the roof with mirth ; When up the Thyrse is raised, and when the sound Of sacred orgies flies around around ; When the rose reigns, and locks with ointment shine. Let rigid Cato read these lines of mine. Herkick. NIGHTINGALE VALLEY. 261 YOUNG LOCHINVAR. [from " MARMION."] O, YOUNG Lochinvar Is come out of the west ! Through all the wide border his steed is the best ; And save his good broadsword he weapon had none ; He rode all unarm'd, and he rode all alone. So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar ! He stay'd not for brake and he stopt not for stone ; He swam the Eske i-iver where ford there was none ; But ere he alighted at Netherby gate. The bride had consented, the gallant came late ; For a laggard in love and a dastard in war. Was to wed the fair Ellen of brave Lochinvar. So bravely he enter'd the Netherby Hall, Among bridesmen and kinsmen and brothers and all;— Then spoke the bi'ide's father, his hand on his sword, For the poor craven bridegroom said never a word, " O come ye in peace here, or come ye in war. Or to dance at our bridal, young Lord Lochinvar?" " I long woo'd your daughter, my suit you denied ; — Love swells like the Solway, but ebbs like its tide ; And now am I come, with this lost love of mine To lead but one measure, drink one cup of wine. 262 NIGHTINGALE VALLEY. There are maldeus in Scotland more lovely by far, That would gladly be bride to the young Loch- invar ! " The bride kiss'd the goblet, the knight took it up, He quaff'd oflf the wine and he threw down the cup; She look'd down to blush, And she look'd up to sigh, With a smile on her lips, and a tear in her eye. He took her soft hand, ere her mother could bar, — " Now tread we a measure ! " said young Lochinvar. So stately his form, and so lovely her face, That never a hall such a galliard did grace ; While her mother did fret and her father did fume, And the bridegroom stood dangling his bonnet and plume ; And the bride-maidens whisper'd, "'Twcre better by far To have match'd our fair cousin with young Loch- invar ! " One touch to her hand, and one word in her ear, When they reach'd the hall-door ; and the charger stood near ; So light to the croupe the fair lady he swung. So light to the saddle before her he sprung ! " She is won ! we are gone, over bank, bush and scaur They'll have fleet steeds that follow ! " quoth young Lochinvar. There was mounting 'mong Grsemes of the Netherby clan ; Forsters, Fenwicks, and Musgraves, they I'ode and they ran ; NIGHTINGALE VALLEY. 263 There was racing and chasing on Cannobie lea ; But the lost bride of Netherby ne'er did thej see. — So daring in love, and so dauntless in war, Have ye ere heard of gallant like young Lochinvar ? Scott. WHEN THE WORLD IS BURNING. (stanzas for music.) WHEN the world is burning. Fired within, yet turning Round with fiice unscathed, — Ere fierce flames, uprushing, O'er all lands leap, crushing, Till earth foil, fire-swathed ; Up amidst the meadows. Gently through the shadows, Gentle flames will glide. Small and blue and golden : Though by bard beholden When in calm dreams folden, Calm his dreams will bide. Where the dance is sweeping, Through the greensward peeping Shall the soft lights start ; Laughing maids, unstaying. Deeming it trick-playing, High their robes upswaying. O'er the lights shall dart ; And the woodland haunter Shall not cease to saunter 264 NIGHTINGAJLE VALLEY. When, far down some glade, Of the great world's burning One soft flame upturning, Seems, to his discerning, Crocus in the shade. Ebenezer Jones. MAY AND DEATH. I WISH that when you died last May, Charles, there had died along with you Three parts of Spring's delightful things ; Aye, and for me, the fourth part too. A foolish thought, and worse, perhaps ! There must be many a pair of friends Who, arm in arm, deserve the warm Moon's birth, and the long evening-ends. So, for their sake, prove May still J\Iay ! Let their new time, like mine of old. Do all it did for me ; I bid Sweet sights and sounds throng manifold. Only, one little sight, one plant Woods have in May, that starts up green Except a streak, which, so to speak Is Spring's blood, spilt its leaves between, — That, they might spare : a certain wood Might lose the plant ; their loss were small : And I, — whene'er the plant is there Its drop comes from my heart, that's all. lloBERT Browning. NIGHTINGALE VALLEY. 265 LINES TO AN INDIAN AIK. I ARISE from dreams of thee, In the first sweet sleep of night. When the winds are breathing low, And the stars are shining bright. I arise from dreams of thee. And a spirit in mj feet Hath led me — who knows how ? To thy chamber window, sweet ! The wandering airs they faint On the dark, the silent stream ; And the champak odours pine Like sweet thoughts in a dream ; The nightingale's complaint It dies upon her heart ; As I must die on thine, Oh ! Beloved as thou art. O lift me from the grass ! I die, I faint, I fail ! Let thy love in kisses rain On my lips and eyelids pale. My cheek is cold and white, alas, My heart beats loud and fast ; O press it to thine own again. Where it will break at last. Shelley. 266 NIGHTINGALE VALLEY. THE DEATH OF THE OLD YEAR. FULL knee-deep lies the winter snow, And the winter winds are wearily sighing Toll ye the church-bell sad and slow, And tread softly and speak low, For the old year lies a-dying. Old year, you must not die ; You came to us so readily. You lived with us so steadily. Old year, you shall not die. He lieth still : he doth not move : He will not see the dawn of day. He hath no other life above. He gave me a friend and a true true-love, And the New Year will take 'em away. Old year, you must not go ; So long as you have been Avith us, Such joy as you have seen with us, Old year, you shall not go. He froth'd his bumpers to the brim ; A jollier year we shall not see. But though his eyes are waxing dim. He was a friend to me. Old year, you shall not die ; We did so laugh and cry with you, I've half a mind to die with you, Old year, if you must die. NIGHTINGALE VALLEY. 267 He was full of joke and jest, But all his merry quips are o'er, To see him die, across the waste His son and heir doth ride post-haste, But he'll be dead before. Every one for his own. The night is starry and cold, my friend, And the new year blithe and bold, my friend, Comes up to take his own. How hard he breathes ! over the snow I heard just now the crowing cock. The shadows flicker to and fro : The cricket chirps : the light burns low : 'Tis nearly twelve o'clock. Shake hands, before you die. Old year, we'll dearly rue for you : What is it we can do for you ? Speak out before you die. His face is growing sharp and thin. Alack ! our friend is gone. Close up his eyes : tie up his chin : Step from the corpse, and let him in That standeth there .alone, And waiteth at the door. There's a new foot on the floor, my friend, And a new face at the door, my friend, A new face at the door. Tennyson. 268 NIGHTINGALE VAXLEY. LYRICS FOR LEGACIES. GOLD I've none, for use or show, Neither silver to bestow At my death ; but thus much know, That each lyric here shall be Of my love a legacy, Left to all posterity. Gentle friends, then do but please To accept such coins as these, As my last remembrances. Herrick. NOTES. Note A. Dates. Born. Died. George Peele 1552? 1598? John Lyl}- 1554? Sir Philip Sidney 1554 1586 Nicholas Breton 1555? 1624? Robert Southwell 1560 1595 Michael Drayton 1563 1631 William Shakespeare 1564 1616 Christopher Marlowe 1563 1593 Sir Henry Wotton 1568 1639 Ben Jonson 1574 1637 John Fletcher 1576 1625 George Wither 1588 1667 Thomas Carew 1589 1639 Robert Herrick 1591 1674 Edmund Waller 1605 1687 John Milton 1608 1674 Richard Flecknoe 1678? Sir John Suckling 1608? 1643? Richard Lovelace 1618 1658 William Collins 1720 1756 William Cowper 1731 1800 John Logan 1748 1788 William Blake 1757 1828 Robert Burns 1759 1796 Lady Anne Lindsay 1750 1825 Joanna Baillie 1762 1851 William Wordsworth 1770 1850 Walter Scott 1771 1832 Samuel Taj'lor Coleridge 1772 1834 James Hogg 1772 1835 Born. Died. 1776? 18— 1777 1844 1784 1859 1788 1845 1792 1822 1794 1835 1796 1821 1796 1849 1798 1845 270 NOTES. Mary Bodilington Thomas Campbell Leigh Hunt Richard Harris Barham Percy Bysshe Shelley Felicia Hemans John Keats Hartly Coleridge Thomas Hood EdgarA. Poe 1811? 1849 Note B. Page 5. Sic Vita. Printed among the poems of Francis Beau- mont, — and of Bishop King. Perhaps either of them may have put the lines into this shape, but neither origi- nated them ; for morallings to the same tune upon " Man's Mortalitie," were much in fashion about that time, and seem modelled upon some traditionary strain. Note C. Page 7. The Passionate Shepheard to his Love, — " that smooth song," as Izak Walton says, " which was made by Kit Marlowe," is taken from England's Helicon, a.d. 1600, a collection of short pieces in the pastoral form, — for there ;u-e fashions in themes as well as in styles. The phrase " passionate shepherd " itself was a la mode, and heads the only verses by Shakespeare f" On a day, alack the day ! ") which appear in that collection. Note D. Page 13. The Character of a Happy Life. " The variations in the different copies of these verses are unusually numerous ; I have collated those of six," says Mr. Hannah, in his careful edition of" Poems by Wotton, Italeigh and others " (Pickering, 1845). In our version a few words {humours for rumours, accusers for oppressors, ivell-chosen for religious') diifer, on good IMS. authority, from the ordinary reading : see Hannah, as above, pages 29, 31. Note E. Page 29. At Hohenlinden, a forest and village about twenty English miles east of Munich, a French republican army, under Moreau, defeated the Austrians, Dec. 3rd, 1800. It NOTES. 271 was the first struggle of the winter campaign of that year, and resulted in an armistice favourable to the French. It has sometimes been stated that Campbell witnessed this battle, or that he visited the field soon after; but the poet had finally cjuitted Bavaria some six weeks before, and was then at Altona. The value of the lyric is from its general force, not its details, which are inexact. XoteF. Page 31. Clerk Saunders. This wonderful old ballad was first printed in Scott's Border Minstrelsy, " from Mr. Herd's MSS- with several corrections from a shorter and more imperfect copy, in the same volume, and one or two con- jectural emendations in the arrangement of the stanzas." This version here given is the fruit of further compai'i- son and consideration. The " clinking bell " was a hand-bell rung before the corpse at the funeral ; those who heard it in its passing prayed for the soul of the deceased : — " And as they sat, they heard a bell clinke Biforn a corps, was caried to the grave." Chaucer's Pardonere's Tale. " Chrisom wand" is a conjectural emendation of the meaningless " chiystal wand," as hitherto printed. The words " Old English and Scottish Ballads " awaken as single though complex an idea as if we spoke of Chaucer's Works, or Shakespeare's. Yet the Ballads, as we have them, are the work of a crowd of persons, be- longing to dilTerent generations and various classes. Many of the versions are imperfect, many of the readings obviously spurious, and one may detect here and there the consequences of the unequal taste and skill, often arbitrarily applied, of the numerous transmitters and re- corders. It seems possible, and very desirable, that an Editor, bringing special aptitude and diligence to the task, may sometime be found to bring part, at least, of this tangled heap of treasure into a shape more for the general behefit. The difiiculties are not few, and the work, when finished, would need to be its own excuse and justification. Note G. Page. .50. To Mary in Heaven was written by Burns in September, 1789, on his farm of EUisland, near Dumfries, he being then thirty years of age. His wife gave the following 272 NOTES. account, or at least the substance of it, according to Allan Cunningham's " Life of Burns:" " Robert, though ill of a cold, had busied himself all day long with his shearers in the field, and, as he had got much of the crop in, was in capital spirits. But when the gloaming came, he grew sad about something — he could not rest. He wandered first up the water-side, and then went to the barn-yard ; and I followed him, begging him to come in, as he was ill, and the air was cold and sharp. He always promised, but still remained where he was, striding up and down, and looking at the clear sky, and particularly at a star that shone like another moon. He then threw himself down on some loose sheaves, still continuing to gaze at the star." When he came in he seemed deeply dejected, and sat do-\vn and wrote the first vei-se : " Thou lingering star," &c. The subject of his reverie was Mary Campbell, a peasant's daughter, who, when she captivated the Poet, some three or four years before the date given above, was dairy-maid in Coilsfield — " the Castle of Montgomery." One Sunday in May, the lovers met in a sequestered spot on the banks of the Ayr, to take farewell before Mary's departure, for a time, to her friends in the West Highlands. In parting they exchanged their Bibles, as trothplight. Burns having written in his, along with his name, the two texts, " And ye shall not swear by my name falsely — I am the Lord ;" Levit. xix. 12. ; and " Thou shalt not forswear thyself, but shalt perform unto the Lord thine oath;" Matthew, v. 33. This book is in existence, as well as a tress of Mary's hair, which is " very long, and very light and shining." It was the last meeting of the lovers ; Mary died of fever in the following autumn. Note H. Page 51. The Northern Star. These lines, with another verse here omitted as inferior, are given in Hone's Table Book (1827), vol. i. page 657, with this preface: " Some j'ears ago a Tynemouth vessel called ' The Northern Star ' was lost, and the following ballad made on the occasion : the memory of a lady supplies the words." It is noticeable that strong natural feeling, in a mind where there is usually no poetic skill, can sometimes with success shape its experience into a simple poem. NOTES. 273 Note I. Page 52. Richard Lovelace, born 1618, eldest son of Sir William Lovelace, of Woolwich, Kent, was gentleman-commoner of Gloucester Hall, Oxford, 1G34, served King Charles in Scotland as ensign, and afterwards captain, and " was accounted," says Wood, " the most amiable and beautiful person that ever eye beheld ; of innate modesty, virtue, and courtly deportment." Staunch royalist, he presented to parliament the Kentish petition for the restoration of the King, and was therefore imprisoned for several months in the Gatehouse, Westminster, where he wrote his lyric " To Althea from Prison." After the surrender of Oxford, he commanded a regiment in the French King's service, and was wounded at Dunkirk ; a false report of his death reaching Lucy Sacheverell, a lady whom he had long loved, and by whom most of his poems were inspired, she soon after was married to another. Li 1648 he returned to London, and was again cast into prison, where he arranged his poems (many of them already separately published with music) for the press. The little volume (164 pages) appeared in 1649, under title " Lucasta : [i. e. Lux Casta, memorial of his Lucy] Epodes, Odes, Sonnets, Songs, &c., to which is added Araminta, a Pastorall, by Richard Lovelace, Esq. ;" it contains three pretty pieces, which are often reprinted, " To Lucasta, going to the Warres," " The Grasse-hopper," and " To Althea." His losses in his King's cause, and generosity to all needy persons, ruined Lovelace's fortune, and, when set at liberty after the execution of Charles, " he grew very melancholj' (which brought him into a consumption), became very poor in body and purse, was the object of charity, went in ragged clothes (whereas, when he was in his glory, he wore cloth of gold and silver) and mostly lodged in ob- scure and dirty places." — Wood. He expired in 1658, only forty years old, at very mean lodgings in Gunpowder Alley, near Shoe Lane, and was buried at the west end of St. Bride's Church. His portrait shows a long, shapelv face, high, sweet, and pensive. His " Posthume Poems" were published by his brother in 1659. He also wrote two plays, never printed, " The Scholar," and " The Soldier." Note J. Page 54. W^illiam Blake was born November 28, 1757, the son of a hosier in Broad Street, Carnabv Market, which is 274 NOTES. now on the right-hand side of Kegent Street, London. At the age of fourteen, having shown an early bent for pictorial design, he was apprenticed for seven years to Mr. Basire, engraver ; and, besides learning his art, proceeded to make innumerable original sketches, and also to com- pose a vast quantity' of wonderful verses. When twenty- six j'ears old Blake's marriage with Katherine Boutcher took place — a real union, of mutual respect, perfect sym- pathy, tender affection. The quiet, brown-eyed Katherine had true taste for art, and gained skill enough to assist in colouring her husband's drawings ; she copied with de- light the strange verses he so often dictated ; she honoured his painting, his poetry, his simplicity, and his mysticism. He now left his father's, and went to live in Green Street, Leicester Fields. In his thirtieth year, with the advice and assistance of John Flaxman, the sculptor, a volume of Blake's poems (seventy pages) was published, the style of which, incompact in thought and plan as they mostly are, reminds one, and in that sleepy hour of the English Muse, of our very highest men. Blake opened a print-shop, which did not succeed ; and, during the last half of his life, gave his mornings to the graver, by which he earned a modest subsistence for himself and his wife, and his evenings to original drawing and poetry. " Were I to love money," he used to say, " I should lose all power of thought ; desire of gain deadens the genius of man. My business is not to gather gold, but to make glorious shapes, expressing god-like sentiments." Music, too, we hear of his composing, but he wanted the art of noting it down, and no specimen remains. Most of Blake's engraved works are rare. His illustrations to " Job" are to be had, — to Blair's " Grave," and Young's " Xight Thoughts" still more easily; but his own " Songs of In- nocence and Experience," with sixty-four designs, or, as he ciills them, " inventions," are scarcely ever publicly offered for sale; and as seldom, or more seldom, his " Urizen," twenty-seven inventions ; and " Gates of Para- dise," sixteen. The designs of the " Songs of Innocenc e and Experience" consist of a number of scenes, tinted in a sweet and peculiar manner, presenting, with a kind of spiritual exaltation, images of youth and manhood — of domestic sadness and fire-side joy — of the gaiety, the in- nocence and happiness of childhood; and each scene having its accompanying verses finely pencilled in colours, and curiously interwoven with the group or landscaiie. NOTES. 275 Blake, as he grew older, grew poorer, but not less in- dustrious or less cheerful ; his habits became still more retired and inexpensive; he lived like a hermit in the wilderness of London, a hermit ministered to by an angel, who was his wife. A strange faculty which he had of vision-seeing, grew stronger and stronger ; ideas of every sort took definite visible form, doubtless through large measure and over-activity of a power which we all pos- sess — witness our dreams. It seems certain that the visual nerve maybe stimulated from its internal or brain end with force equal, in some cases, to that exercised by external objects. One may note that while William Blake, a singular boy of fifteen, was busy learning engrav- ing with Mr. Basire, and making sketches and verses, he may any day have met unwittingly in London streets, or walked beside, a placid, venerable, thin man of eighty- four, of erect figure and abstracted air, wearing a full- bottomed wig, a pair of long ruffles, and a curious-hilted sword, and carrying a gold-headed caue, — no Vision, still flesh and blood, but himself the greatest of modern Vision- Seers, Emanuel Swedenborg by name ; who came from Amsterdam to London in August, 1771, and died, in No. 26, Great Bath Street, Coldbath Fields, on the 29th of March, 1772. Blake was accustomed to paint the visionary faces and groups which appeared to him ; and the ghosts, among whom were many historical personages, usually " sat " as steadily as could be wished. His verses, too, are always thoroughly concrete in their nature. Blake spent the last year of his life in Fountain Court, Strand, which is nearly opposite Exeter Hall, and there died, 12th of August, 1828, aged seventy. His wife sur- vived him some years. A memorial volume, selected from the abundant evidences of his genius, poetic and pictorial, which now lie scattered in several hands, and are mostly inaccessible to the world, would, if lovingly and liberally executed, be very charming and valuable, and, in truth, a national honour. Creative genius, in any department, is too rare and precious that we should be content " to lose a drop" of that immortal gift. But to produce adequate fac- similes of Blake's best engraved de- signs, and, in especial, of his curiously-tinted drawings, some of which are astoundingly fine, would be no jobber's work. It remains to add that for the version of " The Tiger," 276 NOTES. here presented, differing somewhat from those hitherto published, use has been made of a MS. book of Blake's, belonging to a friend of the editor, full of the oddest chaos of verses, drawings, and memoranda. NoTK K. Page .56. Eugene Aram. In the summer of the y^ar 1759, a human skeleton was accidental!}' turned up in a quarry near Knaresborough in Yorkshire, and was supposed to be that of one Daniel Clark, who had suddenly disappeared from the locality about thirteen years before. One Richard Houseman, being arrested on suspicion, exclaimed that the skeleton was not Clark's ; and, losing his self-posses- sion, at last directed a search to be made in St. Robert's Cave, where another skeleton was found which proved to be that of Clark. Further inquiry resulted in the arrest of Eugene Aram, formerly of Knaresborough, and now usher in a school at Lynn in Norfolk, a studious and learned man. He was tried at York Castle, on the 3rd of August, made an elaborate and ingenious^ — too ingeni- ous defence (to be found in Kippis's Biog. Britatt.), and was found guilty of the murder of Clark, who, with Houseman, had been his accomplice in several robberies. After confession of guilt, followed by an attempt at suicide, Eugene Aram was hanged at York, and his body suspended in chains in Knaresborough Forest. Note L. Page 89. Richard Harris Barham's best-known book is one of the comic order, entitled The Ingoldshy Legends, in which great cleverness is but poorl}' emploj'ed. These graver verses are said to have been the last he ever made. Note M. Page 109. / dn confesse thou'rt smooth and fuire, has been said, but not with certainty, to be by Sir Robert Avton, a Scottish courtier of James I, and a friend of Ben Jonson. Note N. Page 110. Ned Bolton. The substance of what we have been able to learn regarding the author of this dashing buc- caneer ballad, equal to Scott's best hrics, is that he was a native of the north of Ireland, some time a newspaper writer, afterwards British Consul at Galveston in Texas, NOTES. 277 in which country he died, or, as some accounts say, was killed, about twenty j-ears ago. We have seen a volume of his poems, entitled " Fitful Fancies," and published, we think, in 1826, which contains Ntd Bolton, but no- thing else near so good. We have an impression that he published another volume of verse, but have not been able to lay hands on it. Note 0. Page 120. Ode to Evening. This poem is here printed with spacings that bring out both sense and sound more clearly than the usual arrangement, which is wholly superficial. Nothing is hereby lost, and much gained. The addition of four lines, enclosed with brackets, near the end, is less excusable — unless, with those readers to whom, after fit consideration, they may succeed in making their own ex- cuse. Note P. Page 134. Auld Robin Gray was written by Lady Anne Lindsaj', daughter of the Earl of Balcarras, born 1750 ; married to Sir A. Barnard, 1793; died, without issue, 1825, in Berkeley Square, London. She was pretty, vivacious, and agreeable. Writing shortly before her death to Sir Walter Scott, Lady Anne sa3-s : " Robin Gray, so called from its being the name of the old herd at Balcarras, was born soon after the close of the year 1771. My sister Margaret had married and accompanied her husband to London ; I was melancholy, and endeavoured to amuse myself h\ attempting a few poetical trifles. There was an ancient Scottish melody of which I was passionately fond; [Miss SufF Johnstone], who lived before your dav, used to sing it for us at Balcarras. She did not object to its having improper words, though I did. I longed to sing old Sophy's air to different words, and give to its plaintive tones some little history of virtuous distress in humble life, such as might suit it. . . . At our fire- side and amongst our neighbours * Auld Eobin Gray' was always called for, — I was pleased in secret with the approbation it met with ; but such was my dread of being suspected of writing anything, perceiving the shyness it created in those who could write nothing, that I carefull3' kept my own secret." It became a disputed cjuestion whether the ballad was ancient or modern, and a reward of twentj' guineas was offered in the newspapers for decisive 278 NOTES. proof on the point. Mr. Jerningham, secretary to the Anti- quarian Society, endeavoured to entrap the truth from Lady Anne in a manner which induced her to put him otF un- satisfied, and the authorship was not made public until after her decease. (See Lockhart's Life of Scott, 1844, page .585, and note.) " It remains to be added, that although ' Auld Kobin Gray' was originally written to the old tune of ' The Bridegroom greits when the sun gaes down,' it is now, with the exception of the first verse, which retains the old air, universally sung to a beautiful modern tune, composed by the Rev. William Leeves, rector of Wrington, who died in 1828, aged eighty." — Book of Scottish Song. (Blackie and Son. 1843.) Note Q. Page 143. The Laboratory. A study of the present lyric will throw some light upon the principles of this wonderful Poet's versification. Take this verse, for example, and emphasise the words given in italics : — " He is Avith her ; and they know that I know Where they are, what they do : they believe my tears How While they laugh, laugh at me, at me fled to the drear Empty church to pray God in for them .'—I am here." Emerson has frequently rhythms of a similar character, such as " Tax not," (two syllables to be dwelt on to the length of three) : — " 3'ux not my sloth that I Fold my arms beside the brook." And, " One harvest from thy field Homeward brought the oxen strong." It is always delightful to recollect that both our Essayist (to be better known "after some time"), and our Biogra- pher of Frederick (both ours, though one of them lives beyond sea) are admirable poets, with in each case certain peculiarities and limitations, very note-worthj', but not here to be expounded. Note R. Page 169. La Belle Dame sans Mercy. " Among the pieces printed at the end of Chaucer's works, and attributed to him, is a translation, under this title, of a poem of the celebrated Alain Chartier, secretary to Charles the Sixth and Seventh. It was the title which suggested to a friend the verses at NOTES. 279 the end of our present number." — Leigh 'Hunt's Indicator, for May 10th, 1820. The verses were there signed " Caviare." In Mr. Milnes's " Life, &c. of Keats," ii. 268. is a version beginning, " O what can ail thee, Knight-at-arms," transposing the fifth and sixth stanzas, and with a few other variations. It is dated 1819, and seems to be evidently an earlier form of the poem than that which is here given from the Indicator. Note S. Page 178. Fairi/ Song. Bishop Percy printed this in his " Reliques," under name The Fairy Queen, stating that it was " given, with some corrections by another copy, from a book en- titled ' The Mysteries of Love and Eloquence, &c.'" Lon- don, 1658. 8vo. The vei-se which he gives as the sixth we have omitted ; it runs : — " The brains of nightingales. With unctuous fat of snails. Between two cockles stew'd. Is meat that's easily chew'd ; Tailes of wormes and marrow of mice Do make a dish that's wondrous nice." Note T. Page 184. The Lady's Grave is from certain " Poems, by Mrs. Boddington," (Longman, 1839,) which, though without substance enough to endure, have a delicate and tender strain of originality running through them, and drew the remark from a friend of ours, that " she must have been a delightful woman to know." A correspondent of" Willis's Current Notes," in May, 1852, has furnished the follow- ing information : " Mary Boddington was the daughter of Patrick Comeiford, a Cork merchant, and niece of Sir William Glendowe Newcomen. She was born at Cork in 1776, and, having marrietl, in 1803, Mr. Boddington, a West Indian merchant, left her native city. After the peace of 1815, Mrs. Boddington travelled much on the continent." She also published " The Gossip's Week," a collection of tales, " Sketches in the Pj'renees," and *' Slight Reminiscences of the Rhine." Note U. Page 186. The Rev. William Barnes, a Church of England clergy - mao, residing at Dorchester, is author of several volumes 280 NOTES, of Poems, which, from being written in the dialect of his native Dorsetshire, have attracted less general notice than they deserve. A series of more genuine and delightful sketches, or photographs of rural character and scenery, cannot be found in English literature. The rustic dialect, come down, in our author's opinion, by independent descent from the Saxon dialect which our forefathers brought from the south of Denmark, is easy to master, and enhances the freshness and originality of these poems, which, soon or late, will infallibly be better known. Mr. Barnes has also published some works on Anglo-Saxon literature. John Russell Smith is his publisher. Note V. Page 205. \_Evening.'\ These verses are from the "Poems ; chiefly Lyrical," by Alfred Tennyson, published in 1830, wherein they are entitled " Elegiacs." Note W. Page 218. The wife of Usher's Well, hearing her three sons are lost at sea, passionately prays that the storm may never cease till they come back to her in flesh and blood. One night, at Martinmas, her three sons come home ; the mother feasts all her house, then makes a wide bed for her three sons, and sits down by the bedside. But at cockcrow, when she has dropt asleep, these three, who are no living men, but spirits, strangely repossessed of their old bodies for a season, depart for ever from that house. This Ballad was first published in Scott's " Border Minstrelsy : " two verses, " Lie still," &c., and " O, it's they've ta'en up," &c., are from Mr. Robert Chambers's version, recovered from recitation : one, " Our mother has nae mair," is now added, to complete the sense ; and to the same end, the reading, " fish be in the flood" is put instead of " fishes in the flood" — Scott's, which he notes as obscure, and probably corrupted by reciters. Mr. Aytoun has '' freshes in the flood ;" Mr. Lockhart suggested "fashes," i. e. troubles. " Carline-wife" implies, here at least, a rustic woman, keeping a farm. " Martinmas," the feast of St. ]\Lartin, 11th of Novem- ber. One may remark that this, being the customary time to kill winter beef and pork, was a season of rustic feasting and jollity. " Birk" is birch. " Syke," a marshy NOTES, 281 bottom. " Sheugh," a small trench. " Channerin'," fretting (Scott). A large mantle used to be, and still is, in old-fashioned localities, perhaps the most important and indispensable article of every peasant woman's wardrobe. It served many uses, and lasted many yeai-s, a familiar and homely-sacred object to the children of a family. Note X. Page 238. Wcdy, waly was first published in Allan Eamsay's " Tea Table Miscellany," in 1724, and marked " Z," as an Old Song. Note Y. Page 244. Edward, Edward. This darkly terrible tragic ballad was first printed in " Percy's Reliques," " transmitted to the editor by Sir David Dalrymple, Bart., late LordHailes." Note Z. Page 259. This Lyke-Wake [i.e. Dead-Watch] Dirge is of the North of England, and is said to have been sung, in Yorkshire, over corpses, down to about 1624, (see Brand's " Pop. Antiq." 1841, ii. 155.) Scott, publishing it in his Border Minstrelsy, noted : " The late Mr. Eitson found an illustration of this dirge in a MS. of the Cotton Library, containing an account of Cleveland, in Yorkshire, in the reign of Queen Elizabeth ' When any dieth, certaine women sing a song to the dead bodie, recyting the jorney that the partye deceased must goe ; and they are of beliefe (such is their fondnesse) that, once in their lives, it is good to give a pair of new shoes to a poor man, forasmuch as, after this life, they are to pass barefoote through a great launde, full of thornes and furzen, except by the meryte of the almes aforesaid they have redeemed the forfej'te ; for at the edge of the launde, an oulde man shall meet them with the same shoes that were given by the partye when he was lyving ; and, after he hath shodde them, dismisseth them to go through thick and thin, with- out scratch or scalle.' — Julius, F. VI. 459," " The Bridge of Dread, lying in our road when we pass from this world, is described," says Sir Walter, " in the legend of Sir Owain, No XL. in the MS. collection of Ro- mances, W. XLi., Advocates' Library, Edinburgh." The Orientals have a similar fancy, of a narrow bridge over an abvss. 282 NOTES. Ill the Border Minstrelsy, the second line is given, '' Fire and sleet and candlelight," with the note thats/eef seems to be corrupted from stlt, i. e. salt, which it was customary to laj' in a platter on the breast of the corpse. In Brand we \\a.\Q fleet, i. e. water (Anglo-Saxon), but the whole version there seems inferior. The sixth verse of the dirge is lost. Note Z Z. Page 265. Lines to an Indian Air. This exquisite song is here so given as to assist eye and mind in following the inter- woven rhymes. Let us i-emark that hardly any great poet, certainly no modern one, has been so inaccurately printed as Shelley. Helps to the very necessarj' revision are in existence, and ought quickly to be used. The reading " pine," in the second verse, instead of " fail," must, for the present, rest on its own merits. We believe that the " fail," in the third verse, caused the same word to be slipt into the second, under the notion of making the iteration more exact; but such merely verbal and mechanical iteration is not in place here, and destroys the rhvmic structure of the lyric in a very uu-Shelleyan man- ner. The other slight variations from the usual version have come to the editor, through an eminent living poet, from a copy found in the pocket of Shelley's corpse AVe have inquired after the Indian Air, but, if there was one (and a friend of Shelley's thought there was), it seems untrace- able. INDEX OF FIRST LINES. A CHIEFTAIN, to the Highlnnds bound A tiock of sheep that leisurely pass by A jolly comrade in the port, a fearless mate at sea A Spirit haunts the year's last hours . A sunny shaft did I behold A weary lot is thine, fair maid . Abou Ben Adhem (may his tribe increase) Ah, what can ail thee, wretched wight Alexis calls me cruel All thought, all passions, all delights Among these latter busts we count by scor As I lay a-thinking, a-thinking, a-thinkin As I was walking all alane At me one night the angry moon At the corner of Wood Street, when davlijcht appears .... Because I breathe not love to everie one Before my face the picture hangs Being youi- slave, what should I do but tend Beneath this starry arch . Between Nose and Eyes a strange contest Bird of the wilderness Blow, blow, thou winter wind . Break, break, break . Burly dozing humble-bee . By the moon we sport and play Child, amidst the flowers at play Clerk Saunders and may Margaret Clouds, lingering yet, extend in solid bars Come, follow, follow me Come live with me, and be my Love Come, see the Dolphin's anchor forged — 'tis at a white heat now . . . . . Page 156 14 110 187 13(j 249 1.5 169 96 227 64 89 101 93 241 17.3 233 117 231 180 243 152 94 1.32 205 172 31 28 178 7 125 284 INDEX OF FIRST LINES. Come unto these yellow sands . . . . Cyriack, this three years' day these eyes, though clear Dear to the Loves, and to the Graces vow'd Dishonour'd Rock and Ruin ! that, by law Dost thou idly ask to hear Dost thou look back on what hath been Down on the shore, on the sunny shore Ere on my bed my limbs I lay . Ethereal minstrel ! pilgrim of the sky Fair daffodils, we weep to see . Faire, and faire, and twice so faire False friend, wilt thou smile or weep Flow down, cold rivulet, to the sea From Stirling castle we had seen From you I have been absent in the spring Full fathom five thy father lies . Full knee-deep lies the winter- snow Gather ye rose-buds while ye may Get up our Anna dear, from the weary spinning wheel .... Give me a cell .... Go, lovely rose Gold, I've none, for use or show Good-bye, proud world, I'm going home Had I but plenty of money, money enough and to spare ...... Hail ! beauteous stranger of the grove Hail, Twilight, sovereign of one peaceful hour Hark ! hark ! the lark at heaven's gate sings Hast thou named all the birds without a gun He is gone on the mountain He that loves a rosie cheeke Hear, sweet spirit, hear the spell Hear the sledges with the bells Hie upon Hielands ..... How do I love thee? let me count the ways How happy is he born and taught How long I sail'd and never took a thought How strange it is to wake How sweet it were, if without feeble fright INDEX OF FIRST LINES. 285 Page I arise from dreams of thee .... 265 I cannot see the features right . . . . 199 I come from haunts of coot and hern . . . 167 I do confesse thou'rt smooth and faire . . 109 I dream'd a dream, what can it mean . . 235 I dream'd that, as I wander'd by the way . . 21 I heard a thousand blended notes . . . 203 I heard the dogs howl in the moonlight night . 16 I lov'd him not ; and yet now he is gone . . 204 I remember, I remember ..... 39 I shot an arrow into the air . . . . 158 I wander'd by the brook- side .... 66 I will not have the mad Clytie .... 88 I wish I were where Helen lies . . . 252 I wish that when you died last May . . 264 If aught of oaten stop or pastoral song . . 120 In sober mornings, do not thou rehearse . . 260 In the greenest of our valleys . . . . 71 In the hour of my distress . . . . 188 In the merry month of May . . . . 211 In Xanadu did Kubla Kahu . . . . 160 Inland, within a hollow vale I stood . . 37 It fell about the Martinmas .... 206 It is not beautie I demand .... 20 It is the miller's daughter . . . . 11 It is the first mild day of March . . . 174 It little profits that an idle king . . . 105 Lady, wouldst thou heiiess be . . . . 198 Lawrence, of virtuous father virtuous son . . 56 Let time and chance combine, combine . . 99 Like to the falling of a star .... 5 Look not thou on beauty's charming . . 16 Love me, sweet, with all thou art . . . 91 Love, strong as death, is dead . . . . 194 Low-flowing breezes are roaming the broad valley dimm'd in the gloaming . . . 205 Merry, meny sparrow . . . . . 116 Much have I travell'd in the realms of gold . 78 Music, when soft voices die . . . . 115 My heart aches, and a drowsy numbness pains . 140 My heart is a-breaking, dear Tittie . . . 119 No cloud, no relique of the sunken day . . 67 280 INDEX OF FIRST LINES. No, no ! go not to Lethe, neither twist Now fades the hist long streak of snow Now hands to seed-sheet, boys . Now tluit I, tying thy glass mask tightly . Now the bright Morning-Star, day's harbinger Now the hungry lion roars Nuns fret not at their convent's narrow room blithe new-comer ! I have heard , O give me, from this heartless scene released O Maryanne, you pretty girl O Mary, go and call the cattle home O nightingale, that on yon bloomy spray . O saw ye not fair Ines .... O Tibbie, I hae seen the day O unknown Belov'd one ! to the mellow season O waly, wal}% up the bank O, where hae ye been. Lord Randal, my son O whistle, and I'll come to you, my lad O, young Lochinvar is come out of the west Oh friend, whom glad or grave we seek Oh, lovely Mary Donnelly, ifs you I love the best Once upon a midnight dreary, while I ponder'd, weak and weary .... One more unfortunate .... On Linden, when the sun was low . Orphan hours, the year is dead Our bugles sang tniee, for the night-cloud had lower'd ...... Over hill, over dale ..... Ov all the housen o' the pliace . Piping down the valleys wild . Poor Jenny were her Roberd's bride . Queen and huntress, chaste and fair . Rest ! this little fountain runs . Season of mists and mellow fruitfulness Seven daughters had Lord Archibald Shall I wasting, in despair She dwelt among the untrodden ways Shepherds all, and maidens fiiir She's up and gone, the graceless girl INDEX OF FIRST LIXES. Sigh on, sad heart, for Love's eclipse Since there's no help, come let us kiss and parte So am I as the rich, whose blessed key So here hath been dawning Soldier, rest ! thy warfare o'er . Still-born silence ! thou that art Surprised by joy — impatient as the wind . Sweet after showers, ambrosial air Sweet, be not proud of those two eyes Swifter far than summer's flight Tall are the towers of O'Kennedy Tears, idle tears, I know not what they mean Tell me not. Sweet, 1 am unkinde Tell me, thou star whose wings of light . That's my last Duchess painted on the wall The dark green Summer with its massive hues The might of one fair face sublimes my lov The mountain and the squirrel . The Northern Star .... The skies they were ashen and sober The swallow with summer The warm sun is failing, the bleak wind is wailin, The waters are flashing The year lies dying in this evening light There is no architect can build . There lived a wife at Usher's Well • There was a jovial beggar There's not a nook within this solemn Pass They laid my lady in her grave They shot him on the Nine-Stane Kig Think me not unkind or rude . This ae nighte, this ae nighte . This Sycamore, oft musical with bees Thou lingering star with lessening ray Tiger, tiger, burning bright 'Twas in the prime of summer time . Two children in two neighbour \allages Under the greenwood tree Up! quit thy bower, late wears the hour Up the airy mountain Up ! up ! ye dames, ye lasses gay We are the sweet Flowers 287 Page 44 IT'.t 159 8 183 35 171 213 46 124 151 173 52 24 25 153 189 89 51 200 149 12 74 44 226 218 255 247 184 23 78 259 2 50 95 56 139 2 42 81 190 288 INDEX OF FIRST LINES. We walk'd along, while bright and red What pleasure have great Princes . When cats run home and light is come When I consider how my light is spent When, in disgrace with fortune and men's eyes When the sheep are in the fauld, and the kye at harae ..... When the world is burning Where Claribel low-lieth . Where is the grave of Sir Arthur o'Kellyn Where shall the lover rest Where the bee sucks, there suck I Whither, 'midst falling dew Why does your brand sae drap wi' blude Why so pale and wan, fond lover Why weep ye by the tide ladye Ye mariners of England . 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