Pin I Pi UC-NRLF * 3 57b 233 ■'.■■■•■ ^^^^-^v^-i—^ M-nT— T- 1ITGHIE HI!?! i :IH I II III);.: in I H 1 1 nt>m FROM FRIEND TO FRIEND BY THE SAME AUTHOR UNIFORM EDITION In Ten Volumes. With Vignette Title-pages. Large Crown 8vo. 6s. net each. OLD KENSINGTON. THE VILLAGE ON THE CLIFF. FIVE OLD FRIENDS AND A YOUNG PRINCE. TO ESTHER, AND OTHER SKETCHES. BLUEBEARD'S KEYS, AND OTHER STORIES. 'I HE STORY OF ELIZABETH; TWO HOURS; FROM AN ISLAND. TOILERS AND SPINSTERS, AND OTHER ESSAYS. MISS ANGEL: FULHAM LAWN. MISS WILLIAMSON'S DIVAGATIONS, MRS. DYMOND. BLACKSTICK PAPERS With Portraits, including a Portrait of W. M. Thackeray, from a newly-discovered Miniature Painting. 6s. net. FROM THE PORCH With Portrait. 6s. net. > > [Frontispiece FROM FRIEND TO FRIEND By LADY RITCHIE (KDITF.D BY HER SISTER-IN-LAW, MISS EMILY RITCHIE) WITH A PORTRAIT NEW YORK E. P. DUTTON AND COMPANY 681 FIFTH AVENUE 1920 PREFACE It was during the last months of her life that my sister-in-law put together and revised the writings in this volume, forming one more little gallery of her vivid, far-ranging memories. The sketch of Mrs. Sartoris first appeared as a Preface to the republication of " A Week in a French Country House," by Messrs. Smith, Elder & Co., and she wished that her sincere thanks should be given to Mr. John Murray for permission to republish it as well as " From Friend to Friend" and " Two letters from W. M. T." which came out in the Comhill Magazine. Her thanks were also due to Messrs. Macmillan, and to the Editors of The Sphere and of The Illustrated London News, in which the story of " Binnie " was published in 1893. EMILY RITCHIE. VI CONTENTS PAGS From Friend to Friend i Mrs. Sartoris, 1314-1879 40 Mrs. Kemble, i 809-1 893 77 A.Roman Christmas-time 93 Present Tapestries and Far-off Bells and Pome- granates . . . 98 Two Letters to a Painter from W. M. Thackeray 104 In a French Village 114 Binnie • 124 FROM FRIEND TO FRIEND I A child who was, I suppose, once myself sat on the stairs in an old house at Twickenham with a thrill of respectful adventure, looking up at the carved oaken figure of a Bishop with benedictory hands standing in a niche in the panelled wall. The house was Chapel House in Montpelier Row, inhabited in those days by a Captain Alexander who had fought in the Peninsular War, and who christened his children by the names of the battles, and my sister and I were spending the summer there while my father was in Germany. We enjoyed the old house and garden, and the youthful companion- ship of Vittoria Alexander, my contemporary. When I read the address on some letters which have been lately shown me by the present Lord Tennyson, one of those wonderful mental cinemas we all carry in our minds flashed me back to the panelled rooms and the dark hall and the oak staircase and the benedictory Bishop. Among those who passed before him, treading the broad steps after the Alexanders had left, cam~ the Poet Laureate and his wife, 2 FROM FRIEND TO FRIEND who lived for a time at Chapel House, where their son Hallam was born. But Tennyson wished to live in the country, and they did not stay very long at Twickenham. An early letter written from thence introduces a whole party of friends living in those days of peace. It is dated June 25, 1852, and was despatched by Mrs. Tennyson to Mrs. Cameron, her neighbour at Sheen, " My dear Mrs. Cameron, — Thank you. It was very pleasant being at Kew Gardens, still we should have liked two pleasant things instead of one. . . . We are by every post expecting a letter about a house which may send us in another direction, but I am not going to drag you house-hunting even on paper. My husband would, I am sure, listen with the most hearty interest to you. The East is a great inspiring theme. Would that his brother Horatio were doing something there ... he would have made a grand soldier of the old school. You would like him if he were not too shy to show himself as he is. He is living with his mother, but we will with all pleasure bring him. I am going to let Mrs. Henry Taylor know when we can say with any certainty when we shall be at home. Hoping that you and they will be able to come to us, 11 Very sincerely yours, " Emily Tennyson." MRS. CAMERON 3 This was but the beginning of the long life's friendship and correspondence between the two friends. They were ladies, in looks something like those familiar paintings by Watts, or by some of the old Italian masters he loved. Watts himself has painted Mrs. Tennyson more than once and recorded her beautiful spiritual aspect and features, and he has also left a portrait of her correspondent Mrs. Cameron ; a woman of noble plainness carrying herself with dignity and expression, and well able to set off the laces and Indian shawls she wore so carelessly. Mrs. Tennyson was more daintily attired ; she wore a quaint little gimp high to the throat, her soft dresses were of violet and grey and plum colour, a white net coiffe fell over her brown hair. Her hair never turned grey ; she remained to us all, a presence sweet and unchanged in that special and peaceful home-shrine to which no votary ever came more warmly true and re- sponsive than Julia Cameron, her neighbour in the island for so many years. Mrs. Cameron was one of the well-known family of Pattle sisters, gifted women who were able to illustrate their own theories. They were unconscious artists with unconventional rules for life which excellently suited themselves. My own first meeting with Mrs. Cameron was not very long after my youthful stay in 4 FROM FRIEND TO FRIEND Chapel House, one summer's day when my father took my sister and myself to Sheen to see an old friend lately returned from India. I remember a strange apparition in a flowing red velvet dress, although it was summer time, cordially welcoming us to a fine house and some belated meal, when the attendant butler was addressed by her as "man," and was ordered to do many things for our benefit ; to bring back the luncheon dishes and curries for which Mrs. Cameron and her family had a speciality. When we left she came with us bareheaded, with trailing draperies, part of the way to the station as her kind habit was. A friend of mine told me how on one occasion she accompanied her in the same way, carrying a cup of tea which she stirred as she walked along. My father, who had known her first as a girl in Paris, laughed and said : " She is quite un- changed," and unchanged she remained to the end of her days ; generous, unconventional, loyal and unexpected. Alfred Tennyson, writing to his wife in 1885, says : " I dined with Mrs. Cameron last night : she is more wonderful than ever in her wild beaming benevolence." There are several mentions of this most interesting, most emphatic lady in Sir Henry Taylors "Autobiography." Sir Henry, who was her chosen ideal among many, says ; " In SIR HENRY TAYLOR 5 India, in the absence of the Governor-General's wife, she has been at the head of the European Society, for Mr. Cameron was a very high official, succeeding Lord Macaulay as Legal Member of Council. In Lord Macaulay s Life a letter is quoted addressed by him to Mr. Ellis dated August 1835: 'Cameron arrived here about a fortnight ago, and we are most actively engaged preparing a complete Criminal Code for India. He and I agree excellently. Ryan, the most liberal of judges, lends us his best assistance/ " 11 Does Alice," Sir Henry writes to a corre- spondent, " ever tell you, or do I, how we go on with Mrs. Cameron, how she keeps shower- ing on us 'her barbaric pearls and gold,' Indian shawls, turquoise bracelets, inlaid portfolios, ivory elephants, etc., and how she writes us letters six sheets long all about ourselves ? . . . It was indeed impossible that we should not grow fond of her, and not less so for the many whom her genial and generous nature has captivated since." It is very difficult to describe Mrs. Cameron. She played the game of life with such vivid courage and disregard for ordinary rules ; she entered into other people's interests with such warmhearted sympathy and determined devo- tion, that, though her subjects may have occasionally rebelled, they generally ended by 6 FROM FRIEND TO FRIEND gratefully succumbing to her rule, laughing and protesting all the time. Sir Henry quotes her saying to some one with whom she had disagreed : " Before the year is out you will love me as a sister," and he adds that she proved the truth of this prophecy. She must have been a trying sister at times, especially when her relations and her adopted relations were ill. She longed to cure them on the spot ; she would fly in an agony from one great doctor to another, demanding advice and insisting on instant prescription and alleviation. " Culpable carelessness, profound ignorance," were the least of her criticisms of family physicians whom she had not sent in herself. She would eloquently describe the anxious hours she spent in waiting-rooms, obtaining opinions from great authorities who had not even seen the patient. Sir Henry's stepmother (Mrs. Cameron had barely known her) says concerning some attempted change : M I think I might have found good Mrs. Cameron's loving letter difficult to answer, and though I have a sort of scruple about refusing kindness and charitable love, yet I cannot help being glad you saved me. ..." II The real neighbours in life do not depend on vicinity only, they have a way of continuing THE TENNYSONS 7 to be neighbours quite irrespective of their different addresses. The Tennysons had ever a very faithful following of old friends wherever they happened to be. They themselves were the link binding many interests together. As I have said, the first letter quoted from Twicken- ham was followed by a lifelong correspondence. Mrs. Tennyson had hurt her wrist in early youth and writing was often difficult to her ; though until her son grew up, almost the whole of her husband's correspondence depended upon her. Mrs. Cameron, on the contrary, loved her pen. She wrote a large and flowing hand, She allowed herself in life and on paper more space than is usually accorded to other people. I remember her offering to write for my father. " Nobody writes as well as I do," she said, " let me come and write for you." It was in 1854 that the Tennysons first settled at Farringford. Those must have been happy days for Mrs. Tennyson, though the trial of delicate health was always there. She writes to Julia Cameron, describing the sights to be seen from her drawing-room windows : " The elms make a golden girdle round us now. The dark purple hills of England behind are a glorious picture in the morning when the sun shines on them and the elm trees." 8 FROM FRIEND TO FRIEND Again : "It is tantalising to have a big smooth rounded down just in front of a large window and to be forbidden by the bitter winter blasts to climb it. It is a pity the golden furze is not in bloom, for when it is it makes a gorgeous contrast to the blue Solent. . . . Alfred has been reading * Hamlet ' to me and since then has been drawn down to the bay by the loud voice of the sea. . . . There is something so wholesome in beauty, and it is not for me to try to tell of all we have here in those delicate tints of a distant bay and the still more distant headlands. These I see every day with my own eyes, and so many other things with Ms, when he comes back from his walk." Of her two boys she writes : " People say they are winning children, even those who are neither poets nor mothers. What should I do if I had not a poet's heart to share my feelings for the children ? " We get a pretty glimpse of Alfred one Christmas time putting on little Hallam's coatee, a present from Mrs. Cameron, needless to say. "Thanks, thanks, thanks," said Mrs. Tenny- son. " And for my frill, as Alfred calls it, and for the beautiful big ball which charms Hallam beyond measure and delights baby too, only with so much of fear in the delight that he dare MRS. TENNYSON 9 not approach the giant without having Mother's hand in his. I do hope that I shall hear that you are all well and that things grow brighter and brighter as Christmas comes on, for I cannot accept old Herbert's gloomy version of things. I will admit most thankfully that griefs are joys in disguise, but not the converse except as a half truth, and half truths are the most dangerous of all. God wills us to be happy even here . . . only let us give happi- ness its most exalted sense. I often think one is not told of joy as a Christian virtue as one ought to be. This, however, is rather by the way, for joy can subsist with sorrow, but happiness cannot be without happy circum- stances." Another Christmas brings more acknow- ledgments for other gifts, and also friendly reproaches. " The only drawback is the old complaint that you will rain down precious things upon us, not drop by drop, but in whole Golconda mines at once." Mrs. Cameron pays little attention to such warnings, for the next letter from Mrs. Tennyson begins with thanks again. " Why will you send us these things which are so beautiful ? " Mrs. Tennyson was afraid of wounding her friend ; she tried reprisals once, which we may guess at as we read Mrs. Cameron's own jo FROM FRIEND TO FRIEND reproaches and eulogies, combined in a letter concerning an Easter gift : " It really was an Easter Day offering to my spirit which seemed to tell me of ' a bride in clean raiment ' and ' a glittering star ' such as I may through God's grace be some day, but now I am a grandmother with every vestige of grace gone, not preserving, as you do, a youthful figure ; and truly I am not worthy of the lovely jacket and therefore I shall bring it back. ... Mr. Jowett has been sitting with Charles, and when he would long for the open air comes to cheer and enliven him. Truly he has a sweet virtue." Her name for Jowett was, " little Benjamin their ruler. " Her picture of him in her gallery will be remembered. Mrs. Cameron, the Martha friend, loved to work for the Mary friend. We read of a hat with a long feather and broad blue ribbons to be ordered in London —then messages and details about furniture from the mistress of Farringford. " I have tried many times to get some violet-coloured cloth, because Alfred has always admired the violet covering in your dining- room. Will you do me the kindness to get me some sufficiently good ? " Then she goes on to give news of her home, MRS. TENNYSON n of the bay-window being added to the study, " that dear little room hallowed by so many associations, which should scarcely be touched even in improvement." "Are you afraid of our falling leaves?" she writes, urging Mrs. Cameron to come and stay with them. u We sweep them up diligently every day for the good of our own little ones, and there would be an increased diligence for the sake of your poor sick lamb. I am so glad you returned thanks in Church : I am sure the world would be better if we claimed our right of brotherly sympathy with all, for it is only those who give theirs beforehand who think of claiming it. . . . " One letter dated January i, 1885, might have been written word for word to-day (1915). " Many, many happy New Years to you, my dear Mrs. Cameron, and to all you love. How vain is this wish for thousands on this particular year ! It is difficult to interest one- self in any common events. Only one's friends can take oft one's thoughts from the war. ..." Mrs. Tennyson envies some one who has sent out a shipload of help. '* Ah, well ! We may all do our little if we will but do what we have to do, and not waste our time in vain longings for that which is i2 FROM FRIEND TO FRIEND given to others to do. You can never have been guilty of this in all your life. . . . ' III Mrs. Cameron sometimes writes to Tenny- son as well as to his wife. Here is a quotation from a long letter written in 1855. " Dear Alfred, — It is so tantalising to be in your neighbourhood without being able to get to dear Farririgford, that I must write to you from this. If we stayed longer I am sure I should slide away and make a run for your coast, but we go home to-morrow when our week will be completed. Where are we if we are your neighbours ? Not near eno' and yet not far. In one of the loveliest homes of England, where from the Tower you can see the dear Isle of Wight, Parnassian Needles, and the silver thread of the outline of Alum Bay. . . . " Well, Canford is our dwelling-place during this Holiday week. This Manor, this Hall and the cricket ground have witnessed nothing but sunshine Holiday and midnight revelry all the twenty-four hours round." u The youthful host, Sir Ivor Guest, has had perfect success in his entertainment. Every- body has been charming and everybody has been charmed," MRS. HAMBRO 13 o 11 There has been great beauty here amongst the young Wives and young Maidens. " Amongst the young Wives 'the Queen of Beauty' is Mrs. Hambro (one month younger than my Juley) frolicsome and graceful as a kitten and having the form and eye of an antelope. She is tall and slender, not stately, and not seventeen — but quite able to make all daisies rosy and the ground she treads seems proud of her. " Then her complexion (or rather her skin) is faultless — it is like the leaf of ' that con- summate flower ' the Magnolia — a flower which is, I think, so mysterious in its beauty as if it were the only thing left unsoiled and unspoiled from the garden of Eden. A flower a blind man would mistake for a fruit too rich, too good for Human Nature's daily food. We had a standard Magnolia tree in our garden at Sheen, and on a still summer night the moon would beam down upon those ripe rich vases, and they used to send forth a scent that made the soul faint with a sense of the luxury of the world of flowers. I always think that flowers tell as much of the bounty of God's love as the Firmament shows of His handiwork." (After this digression the writer returns to Mrs. Hambro.) 11 Very dark hair and eyes contrasting with i 4 FROM FRIEND TO FRIEND the magnolia skin, diamonds that dazzle and seem laughing when she laughs, and a costume that offers new varieties every third hour," completes the sketch of the heroine. The letter also goes on to describe at length each of the ten members of the Guest family and many more visitors and relations, and is much too long to quote in its entirety, but I cannot omit the description of "all the young men and maidens standing in a circle in the High Hall, singing. " They all have splendid voices. All the boys play on flutes, violins and flageolets, singing every manner of Yankee chorus, glee and song ; they dance and toss india-rubber balls, but the grand Hall seems almost too noble for this, " l Storied windows richly dight Casting a dim religious light,' and its measureless roof, fitted for the organ's pealing sound, for the delight of anthem, and the joy of praise and prayer, and for reading of great and good Poems. I did once persuade them to reading in that Hall. I read your ' Ode on the Duke,' and it sounded solemn and sweet there. You know how dear Henry Taylor valued it, and I treasured in my heart your answer to his praise of it. I enclose you his little note to me about ' Maud ' because you said you would like to see it. I read also your lines to James Spedding. I read ' St. Agnes/ CANFORD IS too, in that Hall. Those chants are worthy of that edifice. " The house has immense capacities. Last Sunday we slept ninety people here, Lady Charlotte told me, tho' nothing extraordinary was going on. " We dine every evening twenty-six in number. Conversation is not fertile, but the young hearts don't need it." This was the year " Maud" was published. Poets always feel criticism, and the reviews of the poem stung Tennyson cruelly, with their misunderstanding of his personal attitude to- wards the war. "Is it not well," writes his wife, "that he should speak anger against the base things of the world, against that war which calls itself peace, slandering the war whence there is the truer peace ? Surely it was well, for he has not spoken in anger only ; if he has spoken against baseness and evil in the world he has also sung what every loving and noble heart can understand of its love and blessedness. But you are right. I do hope that in more unmixed and fuller tones he will one day sing his song. . . ." Mrs. Cameron's daughter Julia was engaged to Charles Norman in 1858. Emily Tennyson writes her congratulations : " It is like a book. All so perfectly happy, and 16 FROM FRIEND TO FRIEND yet I feel ungrateful for saying so, for so long as one believes in love and truth, so long must one believe in the possibility of happiness, and I myself, having so much of the reality, should most of all dare to believe in the possibility for others. Let them be married soon — I may be pardoned for a horror of long engagements/' In 1859 the Camerons were still on Putney Heath, but Mr. Cameron was preparing to visit his estates in Ceylon, of which disquieting news had reached him. " Charles speaks to me of the flower of the coffee plant. I tell him that the eyes of the first grandchild should be more beautiful than any flower," so Mrs. Cameron used to exclaim pathetically, and she wrote to her friend about the coming departure which she dreaded — " As for me I have been fairly drowned in troubles and cares, and the waters seem to pass over one's soul. The 20th November is now fast approaching and whilst it approaches I am not at all more prepared in heart or in deed. I have not had courage to make the necessary preparation. To-day the portmanteaux have been dragged out, and they stand, to me threatening, to Charles promising, departure." Mr. Cameron was seized with illness about this time. " I tell him this should be a warning not to MR. CAMERON'S ILLNESS 17 leave home and home care and comforts. He assures me that the sea voyage is the best thing for him and Ceylon is the cure for all things. I looked upon this illness as the tender rebuke of a friend. He requires home and its com- forts. He has been having strong beef-tea thickened with arrowroot six times a day !...." What would nurses of to-day say to Mrs. Cameron's menu when the invalid, her husband, was recovering ? " The patient has poached eggs at night, gets up at eleven, has his dinner (gravy soup and curry) at one, mulligatawny soup and meat at five, a free allowance of port wine, averaging a bottle a day. Ten drops of Jeremie's opiate every morning, a dose of creosote zinc and gum arabic before his meals, and a dose of quinine after each meal." Notwithstanding these home comforts and all his wife's remonstrances the invalid started with one of his sons, while she remained at home with the younger children. To add to her troubles Sir Henry Taylor was also very ill at this time and suffering badly from the com- plications of asthma. Mrs. Cameron says — " He bears what he calls a hedgehog in his chest with a most divine patience, even as a good husband would bear with a bad wife, and 18 FROM FRIEND TO FRIEND 1 fear he will have his hedgehog in his chest till death do them part."* This was an eventful year for the Camerons. The first grandchild, their daughter's child, was born. "May she ever be the delight of your lives !" wrote Mrs. Tennyson. " I can fancy the proud happiness of the little Uncles. After all this excitement, sorrowful and joyful, after the anxious watching of so many hours, you need care yourself I am sure, so now take a little thought for yourself and so best thought for those who love you." Already in 1859, not burglars on the lawn such as those Horace Walpole describes, but Cockneys, were beginning to appear on the Farringford grounds. We read of two who are sitting on one of the gates in the garden watching Mr. and Mrs. Tennyson under the cedars. Alfred is actually thinking of moving, so averse is he to these incursions. Later on he went for a change to Staffa and Iona while Mrs. Tennyson stayed at home, for her nerves were not able to bear the fatigue of journeys. Surges of pain when she wrote are mentioned and sleepless nights and weakness. Hospitable as she was by nature and by a sense of duty * He did most of his work for the Colonial Office from his sick-bed, and few Secretaries of State have done more important work than he. VISITORS AT FARRINGFORD 19 also, the entertaining of guests was often very tiring to her. Nevertheless we hear of many visitors — Lushingtons, Frank Palgrave, Simeons, Edward Lear (who called his house at San Remo Villa Emily after the most ideal woman he had ever known), Woolner the sculptor, who stays for some time, and we read about portraits he was taking of his hosts. " Alfred is charmed with the medallion of me, and I think myself, if such a picture can be made of my worn face, that, if Lady Somers and the Queens and Princesses of Pattledom were successfully done, it would set the fashion." She goes on to say— "Words fail Mr. Woolner, all eloquent as he is, when he speaks of the Pattle sisters, especially of the beautiful Mrs. Jackson and her three beautiful daughters." Among her guests Mrs. Tennyson specially enjoyed visits from Jowett. She says — 11 He stays this week on condition of being allowed solitary mornings for work. You know this suits me well who also have work, not a little, to do. In the evening Alfred or he reads aloud, and we are very happy." One year there is mention of a very important personage departing/rom Farringford to London — " Tithonus," the companion poem 20 FROM FRIEND TO FRIEND of " Ulysses," going to-day to Thackeray for the Cornhill" There had been a plan for buying a house at Freshwater for the Camerons, and the Tennysons are helping in the negotiation for securing the land before Mr. Cameron's return. Lawyers, business agents, purchases, furnishings take up much of the correspondence. Some people look upon business as a bore, Mrs. Cameron took it as the battle of life, with all interest and excitement. " The garden is being laid out," Mrs. Tennyson tells her ; " Merwood proposes that you should have a hedge of black' bay and copper beech which his wise man Pike tells him make an evergreen hedge almost impene- trable, but it is too hard a frost for planting. The ice is so thick that Hallam announces an iceberg." Then Mrs. Cameron writes — " C. is indeed well pleased to hear that all seems to prosper at Freshwater Bay for us. Yes, how dear it will be for our children to grow and live happy together playing mad pranks along the healthy lea ! " Then she continues — " Two days ago, in one of those rare bright days which sometimes make autumn delicious, FESTIVITIES 21 Henry Taylor walked about his own garden for an hour with Lord John Russell discoursing politics : he suffered in no way." IV It is pleasant still to remember the gaiety and youth of Freshwater in the seventies. The place was full of young people. Two of Mrs. Cameron's five sons lived with her and Hardinge, her special friend and adviser, used to come over from Ceylon from time to time to gladden his mother's warm heart, to add up her bills, to admonish her, to cheer and enliven the home. The two Tennyson boys were at Farring- ford. The Prinseps were at the Briary with a following of nephews and charming girls belong- ing to the family ; neighbours joined in, such as Simeons from Swainston, Croziers from Yarmouth ; officers appeared from the forts ; and as one remembers it all, a succession of romantic figures comes to one's mind, still to be seen in the pictures of Mrs. Cameron's devising. In those days she seemed to be omnipresent — organising happy things, summoning one person and another, ordering all the day and long into the night, for of an evening came impromptu plays and waltzes in the wooden ball-room, and young partners dancing out under the stars. One warm moonlight night I remember the C 22 FROM FRIEND TO FRIEND whole company of lads and lasses went stream- ing away across fields and downs, past silvery sheepfolds to the very cliffs overhanging the sea. Farringford, too, gave its balls, more stately and orderly in their ways. The rhyth- mical, old-fashioned progress of the poet's waltz delighted us all. An impression remains of brightest colour and animation, of romantic graceful figures, a little fanciful — perfectly natural even when under Mrs. Cameron's rule. She was a masterful woman, a friend with enough of the foe in her generous composition to make any of us hesitate who ventured to cross her decree. The same people returned to the little bay again and again. Some members of my own family, christened by her with names out of Tennyson and Wordsworth, or from her favourite Italian poets — Madonna this, Madonna that— used to join us Easter after Easter — and the friendly parties went roaming to the Downs, to the Beacon or towards the Briary. The Briary, where the Prinseps from Little Holland House were living, belonged to Watts the painter, for whom Philip Webb had built it. They were interesting people living there, and curiously picturesque in their looks and habits, to which the influence of the Signor, as we called Mr. Watts, contributed unconsciously. He and Mr. Prinsep wore broad hats and CORRESPONDENCE 23 cloaks, and so did Tennyson himself and his brothers. People walking in the lanes would stand to see them go by. Meanwhile Mrs. Cameron's correspondence never ceased — however interesting her visitors were and whatever the attractions of the moment might be. She would sit at her desk until the last moment of the dispatch. Then, when the postman had hurried off, she would send the gardener running after him with some extra packet labelled " immediate." Soon after, the gardener's boy would follow pursuing the gardener with an important postscript, and, finally, I can remember the donkey being harnessed and driven galloping all the way to Yarmouth, arriving as the post-bags were being closed. Even when she was away from Fresh- water, Mrs. Cameron still chose to rule time and circumstance. She sends word to Tennyson : " Dear Alfred, — I wrote to you from the Wandsworth Station yesterday on the way to Bromley. As I was folding your letter came the scream of the train, and then the yells of the porters with the threats that the train would not wait for me, so that although I got as far in the direction as your name, I was obliged to run down the steps, and trust the directing and despatch of the whole to strange hands. I would rather have kept back my letter than 24 FROM FRIEND TO FRIEND have thus risked it, had it not been for my extreme desire to hear of your wife. Day after day I get more anxious to hear and then I write again, and thus I write, not to bore you by satisfying my own heart's wish, but to know if I can be of any help or comfort. I have been writing one of my longest letters to Sir John Herschell to-day, but I won't inflict the like upon you." (Then came many pages of the reasons which prevented her from writing.) After she came to live near the Tennysons, Mrs. Cameron had no sense of ever having done enough for them or more than enough. She would arrive at Farringford at all hours, convenient and inconvenient, entering by the door, by the drawing-room window, always bringing goodwill and life in her train. She would walk in at night followed by friends, by sons carrying lanterns, by nieces, by maids bearing parcels and photographs. Hers was certainly a gift for making life and light for others, though at times I have known her spirits sink into deepest depths as do those of impressionable people. Torch-bearers some- times consume themselves and burn some of their own life and spirit in the torches they carry. When Julia Cameron took to photo- graphy, her enthusiasm was infectious and her beautiful pictures seemed a revelation. She was an artist at heart and she never felt PHOTOGRAPHY 25 satisfied till she found her own channel of expression in these new developments. Watts greatly encouraged her, and I heard him say of one of her pictures of himself, that he knew no finer portrait among the old Masters. One of her admirers, F. D. Maurice, wrote : if Had we such portraits of Shakespeare and Milton, we should know more of their own selves. We should have better commentaries on ' Hamlet ' and on ' Comus ' than we now possess, even as you have secured to us a better commentary on 'Maud' and 'In Memoriam ' than all our critics ever will give us." Browning, Darwin, Carlyle, Lecky, Sir John Herschell, Henry Taylor with his flowing beard, were all among her sitters and still reveal themselves to us through her. She photo- graphed without ceasing, in season and out of season, and summoned every one round about to watch the process. 11 1 turned my coal-house into a dark room," she wrote, " and a glazed fowl-house I had given to my children became my glass house, the society of hens and chickens was soon changed into that of poets, prophets, painters, children and lovely maidens. I worked fruit- lessly but not hopelessly. ... I longed to arrest all the beauty that came before me, and at length the longing was satisfied/' 26 FROM FRIEND TO FRIEND Miss Marie Spartali, a very beautiful young lady who had come over to pose as Hypatia to Mrs. Cameron, described finding her absorbed in another sitter, her parlourmaid, Mary Hillier, draped and patient, representing some mytho- logical personage. There was a ring at the outer bell ; focussing in those days took long and anxious minutes, and as Mary Hillier could not be allowed to move, Miss Spartali went to the door, where the visitor, seeing this lovely apparition dressed in wonderful attire, exclaimed, " Are you then the beautiful parlourmaid ? " This little ancient joke is still quoted against the beautiful lady. How familiar to all, who were forced by the photographer into the little studio, is the remembrance of the mingled scent of chemicals and sweetbriar already meeting one in the road outside Dimbola ! The terrors of the studio itself are still remembered, the long painful waiting, when we would have trembled had we dared to do so, under impetuous direc- tions to be absolutely still. This is her own description of her art, writing to Mrs. Tennyson : " I send you dear Louie Simeon's letter to show how they all value the likeness of the father of that house and home. It is a sacred blessing which has attended my photography. It gives a pleasure to LAVISH GENEROSITY 27 millions and a deeper happiness to very many. . . ." The coffee crop had failed in Ceylon several years and money difficulties became very serious for the Camerons. Photography might have paid better if the photographer had been less lavish in her gifts and ways. She was a true artist in her attitude towards money.* " I do not mean to let you ruin yourself by giving the photographs away," Mrs. Tennyson wrote : " I cannot pretend that I do not prize a kindness done to mine, more than if it were done to myself, still I feel bound to point with a solemn finger to those stalwart boys of yours, saying * Remember.' I see that I shall have to set up a shop for the sale of photographs myself all for your benefit." To these remonstrances the photographer would answer : " I have always tried to get my husband to share my feelings. So long as illness and death are mercifully spared us, dearth is to deeper wounds only a grain." Julia Cameron was not a woman of to-day. She seemed to belong to some heroic past. She has told me how as a girl she and her sister, * She, the most recklessly generous of women, was able to write : ** I myself never felt humiliated at the idea of receiving charities, for I always feel about friendship and love that what it is good to give it is also good to take," 28 FROM FRIEND TO FRIEND the dearest of them all, used to wander forth and kneel and pray on the country roadsides. Once when her eldest son went through a painful operation, which lasted some time, she had held his hand in hers through it all, and he said he could not have endured it if she had not been present. " As to my bearing it," she said simply, " what is there one cannot bear if one can give one grain of helpful support to any sufferer ? " Of a friend in great trouble she writes : " I am not sure that time with him will soften the calamity. God grant it may, but with some " c Time but the impression stronger makes As streams their channels deeper wear.' "In the case of my absence from my boys, the more it is prolonged, the more the wound seems to widen." It was during her husband's absence that she wrote : " I found when I was with you the tears were too near my eyes to venture to read out aloud Charles's letters. I am in very truth very unhappy. I assume vivacity of manner for my own sake as well as for others, but the only real vivacity now at this moment in me is to conjure up every form of peril, and my heart is more busy when sleeping than when PEREMPTORINESS 29 waking. When waking I fag myself to the uttermost by any manner of occupation, hoping thus to keep the wheels of time working till I hear again." V The legends are endless of Mrs. Cameron's doings at Freshwater, and to this day the older villagers retell of them — of the window she built and equipped in the room destined for Sir Henry Taylor. It was an east room ; she thought it looked dark in the afternoon and she determined that a western window should be there when her guest arrived next day. The village carpenter and his assistant builder sawed and worked late into the night, in the early morning the glazier was summoned; when the passengers arrived from the three o'clock boat the window was there, the western light was pouring into the spare room through the panes, and Mrs. Cameron's maid was putting the last stitches to the muslin blind. Another inspiration of hers was a lawn, also spread in a single night, for Mr. Cameron to stroll along when he went for his morning walk next day. She used to bring wayfarers of every sort in from the roads outside. We still may recognise some of the models living at Fresh- water — the beautiful parlourmaid, King Arthur who in robes and armoured dignity appears so 30 FROM FRIEND TO FRIEND often in her camera, and who, till a year ago still met travellers by the little steamer that runs from Lymington to Yarmouth Pier. Indeed wayfarers of every sort were made welcome by her. After my father's death she brought us to her cottage, where fires of hospitality and sympathy were lighted and endless kindness and helping affection sur- rounded us from her and from Farringford all through that cold and icy winter. When spring had passed and when at last summer was over, we gratefully returned to the sheltering bay where such good friends were to be found, and so we did for long years after. The Camerons' departure for Ceylon in 1875 will long be remembered— the farewells, the piles of luggage. Mrs. Cameron, grave and valiant, with a thousand cares and preoccupa- tions. Mr. Cameron, with long white locks falling over his shoulders and dark eyes gleaming through spectacles, holding his carved ivory cane in his hand and looking quietly at the preparations. There were animals— a cow, I have been told, among them, bales and boxes without number, their faithful maid Ellen and their son Hardinge, that spirited prop and adviser, ordering and arranging everything. He travelled with them, for he was on his way back to his post in the Civil Service at Colombo. Many of us came down to Southampton to see DEPARTURE FOR CEYLON u j them off in the vast ship manned by Lascars, crowded with passengers and heaving from confusion into order. I can still see Mr. Cameron in his travelling dress looking quietly up and down the quay at the piles of luggage, at the assembled friends ; he held a pink rose which Mrs. Tennyson had given him when he stopped at Farringford to take leave of her. A member of Mr. Cameron's family whom I had never seen before, for he had lived in India, had come from London with his wife and was standing taking leave with the rest of us. He was strangely like Mr. Cameron, with white hair and bright fixed eyes ; and even then, starting though they were for the great venture, Mrs. Cameron came forward and said to me that I must go back to town with her step-son and he would look after me. ... I remember presently finding myself sitting in the railway carriage, sadly flying home — away from the good friends of many a year, and vaguely wondering at the living likeness of Mr. Cameron sitting on the opposite seat. Then at Waterloo, after putting me into a hansom, even the likeness departed and I never saw either of the two again. VI It is pleasant to read of the happy progress of the travellers. 32 FROM FRIEND TO FRIEND From Julia Margaret Cameron to Alfred and Emily Tennyson, . " 1875. ". . . I now continue my letter in revived spirits, having left the month of partings behind, and having entered to-day the month of meetings. I think Ewen will send forth my Benjamin to greet me. My Har, endowed with double my prudence, has hitherto pre- vented me from telegraphing to tell my boys that we had actually started. I resisted at Freshwater. Resisted at Southampton. Har- dinge prevented me at Gibraltar, prevented me at Malta. He says Aden is the best spot, for we can then announce we have got over the Red Sea. " I need not say how often and often I am with you both in thought. I need not tell you that amidst all this bustling world of 380 people, my husband sits in majesty like a being from another sphere, his white hair shining like the foam of the sea and his white hands holding on each side his golden chain." They Travel on to Malta. u A real gem of the ocean ; everything glittered like a fairy world, the sapphire sea, the pearl-white houses, the emerald and ruby boats, the shining steps, a hundred and thirty- two in number, from the Ouai to the town — MALTA 53 all was delicious. As Har observed, I was the most childlike and exuberant of the party — only one thing disappointed me, that I did not telegraph to my Ceylon boys. We visited the Cathedral of St. John. How delicious the silence was after the life on board ! What a holy joy to kneel down in that solemn, silent temple and feel oneself alone with one's God ! " Her sympathy for the ship's captain must not be omitted : "We have daily prayers, and the Sunday evening service is specially imposing, with the dark ocean around, * The lamps filled with everlasting oil' above and the ship lamps hanging on the deck, and the one voice, like St. John in the Wilderness, crying to every one to repent." She raises subscriptions for a harmonium on board as a token of gratitude to the captain — " one in a thousand." Mr. Cameron would not land at Malta ; it had painful memories for him ; he had been there as a child with his beautiful mother, Lady Margaret, and his father, who was Governor of the Island. As they glide through the Suez Canal Mrs. Cameron writes : " It is an honour to the French nation that in the face of all assertions of impossibility from 34 FROM FRIEND TO FRIEND men of all countries, Lesseps persevered and achieved this mighty enterprise. Whilst I write we pass a pier, and at the end of it is a whole flock of camels, with camel drivers, waiting to see if any one cares to cross the Desert ; no one does care, so we glide on." " The only time I crossed, my Har was a baby in my arms, whom I never for one instant put down. We crossed through a beautiful starlight night. I have never for- gotten the rising of the morning star nor the utter silence ; one seemed to lose the idea of time and to feel in a land that could have had no beginning and still less could have no end." As she finished her letter the young moon is hanging over the vessel. " O what good it does to one's soul to go forth ! How it heals all the little frets and insect-stings of life, to feel the pulse of the large world and to count all men as one's brethren and to merge one's individual self in the thoughts of the mighty whole ! " Here is another letter written a year later to Mrs. Tennyson : " Easter, 1876. "My own Beloved and Sweetest Friend, — This day's post brought me your letter, so strong in love, so feeble in calligraphy, in the wielding of that pen which is meant to say so IN CEYLON 35 much but which now trembles in the hand which used never to tire. Its very trembling is ex- pressive of all that you have it in your heart to say. How glad I am that your sons, that Alfred's sons, should be what they are ! How truly does an answer seem to be given in them to your life of holy prayer ! I do so devoutly wish that you could spend next winter here, the air is so uplifting and so life-giving. I think my illness on arrival was the result of all that I suffered mentally and bodily, the hurry of that decision, the worry of all minutiae, the anguish of some partings, the solemnity of all, the yielding to my husband's absorbing desire, and the yearning need to live with my absent children, all this is satisfied, and beyond all this, beyond the inward content ; there is certainly a strength given by the aspect of nature in the Island." After describing Ceylon and its beauties, the mother returns to the theme she loves best of all, that of her son Hardinge, who had just paid her a visit. " He wore for my sake his very brightest looks, and you know there is no cheer like his. His spirits dance with intellectual freshness and buoyancy, all his talk is mirth and wide pleasantry, and his voice is full of song. " He has to travel in districts, sleeping in 36 FROM FRIEND TO FRIEND the open, and my imagination represents the invasion of beasts and reptiles. He walks through long grass where I fear snakes for his beloved feet. He says alligators on the river- side are the only beasts he sees, alligators ten or twelve feet long." (Here many pages follow partly concerning Ceylon and the people who then lived there, partly concerning Freshwater and its politics.) " And how is your dear Alfred, dearest of all and greatest ever in your heart beyond all ; above all, I hope not bothered about anything ? . . . Worries, for him, are as if these vast sublime mountains, instead of standing steady as they do, rearing their eternal heads to the sky, were to be swayed by the perishable chances of the little coffee-estates at their feet. " What is time in the eyes of Him to whom a thousand years are but as yesterday, and who pities us when we vex our immortal souls with fears of more or less gold, and good crops, one year or another ? " Think of us in a little hut with only mud walls, four thousand four hundred feet above the level of the sea." It was in her youngest son's bungalow on the Glencairn estate that Mrs. Cameron died, early in 1879, only a short time after her second return to Ceylon. She had been warned not to return, but she longed to be near " her boys." THE BURIAL GROUND 37 The illness only lasted ten days. When she lay dying, her bed faced the wide-open window ; it was a glorious evening and some big stars were shining. She looked out and just said, M Beautiful" and died, her last word, a fitting end to her reverent soul on earth. Her body was taken in a low open cart, drawn by two great white bullocks, and all covered with white cloths, over two ridges of mountains, and buried in the little churchyard at the bottom of the valley, between Galle and Colombo, where Hardinge was living. After this Hard- inge took his father and his mother's maid, Ellen Ottington, " old E," to live with him there. It was in May of the following year that Mr. Cameron died, and he too was carried over the mountains and buried in the church- yard where his wife was lying. " I can't describe to you the beauty of that valley," writes Mrs. Bowden Smith, who sent this record. " High mountains surround it and rolling green grass lands, and a great river runs all along it. The little church stands on a knoll not far above the river, which flows into a lower river, also a dream of beauty. They could not have found a more beautiful restinp-- place. Lady Tennyson survived her friend seven- teen years. 3 8 FROM FRIEND TO FRIEND " Such wert thou, half a Saint and half a Queen, Close in thy poet's mighty soul enshrined, Lady of Farringford."* And some one who loved her, speaking lately said to me : " Though her vocation was to be a poet's wife she reminded me of a holy Abbess of old, and there was something almost cloistral about her." She had a gift, we all felt, of harmonising and quieting by her presence alone ; often too tired to say much, she could contribute the right word to the talk for which Farringford was always notable. I have a special memory of once dining with the Tennysons in the company of George Eliot and Lord Acton, but it was Mrs. Tennyson's gentle voice which seemed to take the lead. The following paper left by Lady Tennyson concerning her husband might seem almost too intimate to quote here, if it did not give so truly the atmosphere at Farringford that one does not like to omit it :— " . . . He felt intensely the sin and all the evils of the world and all its mystery, and still kept an unshaken faith in the God of perfect love, perfect wisdom and infinite power, with that assurance of man's immortality which * Edith Sichel. TENNYSON 39 pointed to a hereafter where all would be recon- ciled. ' Be ye perfect, as your Father in Heaven is perfect.' In the life of Christ he found his Christianity ; undisturbed by the jarring of sects and creeds. Politics were to him patriotism, and passionately did he feel for all that concerned the welfare of the Empire. Party, as far as his own personal opinion went, was unintelligible. That all should work con- scientiously and harmoniously for the common good, each with such differing powers as God has given to each, recognising the value of the difference, this was his highest idea of Empire." Speaking of his wife Tennyson once said : " I felt the peace of God come into my life at the altar before which I married her." And after more than forty years of marriage he dedicated his last book to her. " I thought to myself I would offer this work to you, This, and my love together, To you that are seventy-seven, With a faith as clear as the height of the June-blue heaven, And a fancy as summer-new As the green of the bracken amid the gloom of the heather." MRS. SARTORIS 1814-1879 1 Most children share their parents' lives long before they are able to realise what these lives really are ; moreover, working parents have this advantage over playing parents, that their efforts, successful or otherwise, form no small part of their children's existence. The vital events of the family belong to the nursery as well as to the parlour ; they bring a certain experience along with them, a sympathy, a fellow-feeling, even if it is but that of infants at play. The daily life of the Kembles, their heroic standard of attainment, their high aspirations, their fine spirit in the front of disaster, their intelligence and modesty in success, was the school from which the two sisters, Frances and Adelaide Kemble, came forth : accomplished, competent women, with rare gifts and know- ledge, and with a natural dignity to fit — and to unfit — them for the world. That they should have been stamped by their early surroundings is but a part of the ruling of Fate, which, with THE KEMBLES 41 all its incongruities, shows so much consistency and good sense, if one may venture to use such an expression concerning Fate. In this remarkable, most stormy, family there must have been strange and rapid changes from darkness to bright sunshine, many flashes of light and lightning too. The Kembles strike one somehow as a race apart when one follows their story from book to book : they seem divided from the rest of us by more dominant natures, by more expressive ways and looks ; reading of them one is reminded sometimes of those deities who once visited the earth in the guise of shepherds, as wanderers clad in lion-skins, as muses and huntresses, not as Kembles only. The writer is glad to think her own time has overlapped that of this heroic race, which also possessed what the ancient gods certainly had not, a sense of humour to link with humanity. Common records do |not reach much beyond the days of Roger Kemble, the Jacob of the family; but one reads that once in far distant times Kembles and Campbells were one, and of Roger we learn that he, too, was handsome, that he married a manager's daughter, and deferred to his wife. " Give ' The Tempest,' madam," he cried " How can we give ' The Tempest' ? Who is there to play Prospero ? " "I will play 4 2 MRS. SARTORIS Prospero, sir," said the Mrs. Kemble of those days, speaking with authority, and from this definite lady came the great John, also the great Sarah, born immediately after the giving of "The Tempest," and twenty years later the youngest son, Charles, whose looks in marble effigy (shown to us by a host one day, on the stairs of the Garrick Club) Apollo himself might have envied. Charles Kemble, this handsome gentleman, was my father's old friend and the father of Fanny and of Adelaide Kemble, whose looks, especially the younger sisters noble outline, so much resembled his. These classic brows and deep-set eyes are again to be found in Mrs. Siddons' beautiful portraits. The sons, being often away at school and at college, fell less under the influence of the highly wrought home atmosphere than did the two daughters of the house. John Mitchell Kemble was well known as an archaeologist and a literary student; the younger was Henry, of whom I once heard my father say, that he was in early youth the most beautiful boy he had ever seen. Fanny Kemble was six years older than Adelaide. In her "Records of a Girlhood " there are many apparitions of "little sister" Adelaide. The fanciful brilliant child, mature and immature, with her many gifts, of silver FANNY KEMBLE'S -RECORDS" 43 speech, of golden music, her quick wit, her sensitive, impassioned moods, appears now and again and is always herself, There are pretty pictures given of the children's early days and love for country things, of the cottage at Weybridge to which Mrs. Charles Kemble, the mother, used to take them, spend- ing long summers there — happy for the children and soothing for the mother. She is described as she stands fishing by the river, hour after hour, with her family surrounding her. " We were each of us armed with a rod," Fanny Kemble says, t( and were more or less interested in the sport. We often started after an early breakfast, and, taking our luncheon with us, remained the whole day long absorbed in our quiet occupation." Mrs. Sartoris used to say that the passionate-hearted mother needed the calming rest of the tranquil waters, and flew to them for peace and refreshment from the strain and emotions of her London life. Little Adelaide, whose "tender-hefted" nature, says the elder sister, revolted against baiting the hook, alone hated the fishing. Besides these sports the children played cricket when the boys came home from school, Fanny being promoted to all the dignities of " long- stop." We hear no details of Adelaide's cricket, but I have no doubt she, too, played her part : all her life long she always 44 MRS. SARTORIS endeavoured to do whatever was being done around her ; it was a theory which she always preached and tried to carry out to the last. After learning how to fish and how to play cricket, Fanny Kemble was sent to Paris to be made accomplished in other ways. Little Adelaide meanwhile seems, from her own account, to have been left to run about the country at her own free will — neglected and untaught. She used to speak of her early youth with sadness not untinged with bitterness — so an old friend has told me. Meanwhile the parents' hopes were centred upon Fanny. In the museum at Stratford-on-Avon there is a picture connected with these youthful days, when as a Juliet of seventeen Fanny Kemble took the public by storm. She was attired on this occasion in the traditional white satin dress, and the painter represents the mother herself superintending her daughter's dressing. The girl is looking at herself shyly in a long glass : it is an interesting representation of the scene so admirably described in the " Records." Adelaide's first teaching came from her devoted aunt " Dal," her namesake and the good angel of the house, whom both sisters always held in tender remembrance. Mrs. Charles Kemble's keen, highly strung nerves could not always bear with early efforts. From sheer apprehension of her mother's agonised WEBER 45 exclamations, Fanny declares she herself often played false chords and sang false notes in her presence ; but she describes her sister's early natural and more certain gift for music steadily growing. There is a ballad by Bishop, " O there's a mountain palm," which Adelaide sang, she says, with a " clear, high, sweet, true little voice and touching expression. ..." The writer can also remember her own father's description of the girl making music, as indeed she did all her life long. He was quite a young man then, lately come to London, and was living very near to Great Russell Street and the corner house which had been John Kemble's home, and to which Charles and his family moved in 1830. My father has told me that when he first saw " Miss Totty" she was playing on a guitar, the most charming and graceful figure imagin- able. As I read in Fanny Kemble's memoirs " that she has bought A. the guitar she had promised her" from the proceeds of her first play, published by John Murray, I remember this early tradition. These were the days when Weber had come over to England to conduct his own noble measures, when " Der Freischiitz " was brought out at Covent Garden, to be followed by "Oberon." It was a time of golden promise — poets were young and writing their best, 46 MRS. SARTORIS music was sounding; while Miss Totty was studying hers, Mendelssohn and Rossini were stirring a vivid and impulsive generation to enthusiasm. Weber's exquisite masterpieces were ringing in people's ears. For the writer herself, the Mermaid's Song from " Oberon * first came to life years after in a Paris drawing-room ; where among shaded lights and flowers, and in the company — so it seemed at that time — of fairy troubadours and princes (perhaps after all they were only attaches from the Embassy close by), she listened to the lovely notes floating across from an inner room, where the musician stood surrounded by her chivalrous young audience.* Mrs. Sartoris had the instinct of a real musician, and also that of a good hostess : she liked her listeners to be a part of her music ; she liked the same faces round her again and again ; she liked an atmosphere peaceful, yet glowing and vibrating with her emotion ; she liked to see charming faces, young and gay, handsome and * Mr. Hamilton Aide* was present when Rossini himself for the first time heard this Mermaid's Song, which was indeed almost the last utterance of the dying Weber. Rossini expressed his natural and unreserved admiration, and said how much he should have wished to know Weber personally. When Rossini heard that Weber had hesitated to meet him because he had once written severely and even contemptuously of Rossini's music, "Tell him, w said Rossini, "tell him from me, that I consider it an honour to have been noticed at all by him at that time." EARLY SUCCESSES 47 sympathetic. Others among us she loved perhaps for other reasons — for she was faithful to old friends as well as to young ones. She was a born artist in daily life as well as in music, and she used daily life as if it were music to be enjoyed and carefully guarded from false notes. II When Adelaide Kemble came out as a singer and went abroad with her father it was one long progress of youth, of music, of arduous achievement, of responsive applause with all the horizons of Germany, of Austria, for a background. Consuelo's story was not more romantic than that of this young prima donna, nor was the noble independence of George Sands heroine more remarkable than that of this English maiden, holding her own with so much dignity and courage. Sometimes she must have been very lonely in her father's absences, being herself detained by study or by engagements ; sometimes she was surrounded by friends. She had devoted friends abroad, as well as at home ; some were influential, highly placed, others humbler companions of her toil. It was during these foreign tours that Adelaide Kemble formed a friendship with 48 MRS. SARTORIS Dessauer, the fanciful extraordinary musician who was her faithful knight and follower through so many difficult passes, and whom she partially portrayed as Monsieur Jacques in that charming story "A Week in a French Country House." Some of us can still re- member her singing of " Ouvrez, Ouvrez," a song of his which she made to vibrate with feeling. Both Mrs. Sartoris and Mrs. Kemble always spoke of Dessauer affectionately, recalling his oddities, his quaint simplicity. "II y a du danger, je te quitte," became a family saying. Mrs. Sartoris to the last loved to go back to these old days. She used as a girl to corre- spond with one very warm and faithful friend, the Countess de Thun, and it is to this lady that she writes of Mario as follows : " I found on my return to London a letter from M. de Candia (Mario) — telling me that he had at last, in despair at the utter neglect of his family, accepted an engagement at the Opera in Paris. He is not to make his dtbut for five or six months, and is now studying hard to prepare. His lovely voice and his pretty face are alone enough to ensure his success." Of Madame Viardot Garcia she says, " I passed a delightful evening at Brussels at de Beriots house, the mother and sister of poor Malibran are both living with him. Pauline Garcia and I sang CLARA NOVELLO 49 together. You cannot think how well our two voices went. It is as if we had been in the constant habit of practising together, and de Beriot played our accompaniments." Again, in another of her early letters to Madame de Thun, she mentions a young English concert singer who was meeting with great success. " Her name is Novello, her voice is exquisite, not so strong as mine, but far sweeter and lovelier ; every note is perfect, but for all that I forbid you to like it as much as mine; so it is that one is tolerant in principle, and tyrannical in action." Speaking of the hundred useless things people insist on teaching the young, she complains that they dull and blunt the keen enjoyment of the very things they would improve. " I think myself fortu- nate," she says, " that I was never sent to school. Shakespeare and Milton have given me far pleasanter thoughts than the rule of three, and the many accomplishments now taught." But though Adelaide was never sent to school, she went to Paris to study music, and my own father, writing in a melancholy mood long after to thank his old friend for a present of game she had sent him (and which he had carved as usual in company), alludes to the days when she was a young girl learning to sing in that dismal little room of the Rue de Clichy. " Were there any cares, I wonder ? 5 o MRS. SARTORIS I suppose there were, but the enjoyments were so great then to counterbalance; a five-franc dinner, a play on the Boulevard, and a grenier a vi7igt arts ! " . . . The Rue de Clichy of which he speaks was the street in which Miss Foster lived, under whose care both Fanny and Adelaide Kemble were placed, when they successively went to Paris. Then each in turn came out and made her mark, and each in turn married and left the stage for that world in which real tragedies and real comedies are still happening, and where men and women play their own parts instinctively and sing their own songs. Adelaide's short artistic career lasted from 1835 to 1842, long enough to impress all the subsequent years of her life. With all the welcoming success which was hers, there must have been many a moment of disillusion, discouragement, and suffering for a girl so original, so aristocratic in instinct, so quick of perception, so individual. u De la boheme exquise" some great lady once described her. The following page out of one of her early diaries gives a vivid picture of one side of her artistic life : " . . . Received an intimation that the company who are to act with me had arrived at Trieste, and would be here at eleven to rehearse the music. At twelve came Signor Carcano (the director of music), and a A REHEARSAL S 1 dirty-looking little object, who turned out to be the prompter. After they had sat some time wondering what detained the rest, a little fusty woman, with a grey-coloured white petticoat dangling three inches below her gown, holding a thin shivering dog by a dirty pocket-hand- kerchief, and followed by a tall slip of a man with his hair all down his back and decorated with whiskers, beard, and moustaches, made her appearance. I advanced to welcome my Adalgisa, but, without making any attempt at a return of my salutation, she glanced all round the room and merely said, " Come fa caldo qui ! Non c e nessuno ancora? Andiamo a prendere un caffe," and taking the arm of the hairy man retreated forthwith. Then came Signor Gallo, leader of the band, then the tenor, who could have gained the prize for unwashedness against them all — and after half an hour more waiting, Adalgisa and the hairy one returned, and after about half an hour more, arrived my bass, God bless him, he came clean ! "We then went to work — Adalgisa could think of nothing but her dog, who kept up a continuous plaintive howl all the time we sang, which she assured me was because it liked the band accompaniment better than the piano, as it never made signs of disapprobation when she took it to the rehearsals with the orchestra. She also informed me that it had five puppies, 52 MRS. SARTORIS all of which it had nursed itself, as if Italian dogs were in the habit of hiring out wet- nurses. . . . " III Adelaide Kemble returned from abroad in May, 1 84 1, and there seems to have been a family gathering in Clarges Street. The news of her many successes had preceded her — Mr. Chorley told them, as an instance, how on one occasion at Milan the audience had broken out cheering enthusiastically, without waiting until the Royalties had given the usual signal. " Now you want to know something about Adelaide," Mrs. Kemble writes to her friend, Miss St. Leger. " There she sits in the next room at the piano, singing, sample-singing, and giving a taste of her quality to Charles Greville, She is singing most beautifully, and the passionate words of love, longing, grief, and joy burst through that utterance of musical sound, and light up her countenance with a perfect blaze of emotion ; as for me, the tears stream over my face. . . . She looks very well and very handsome, and has acquired something completely foreign in her tone and accent. She complains of the darkness of our skies and the dulness of our mode of life here as intolerable." Dulness seems an epithet very little suited MUSIC 53 to the mode of life in Clarges Street, where Mrs. Fanny sits writing. " Music," she de- scribes, "from morning to night, the door open- ing again and again to visitors, old family friends, new acquaintances. Tenors, lords and ladies, actors, illustrissimi hctti quanti" she says. " Friday, my sister sings at the Palace, and we are all enveloped in a cloud of fashion- able hard work which rather delights my father, which my sister lends herself to, complaining a little of the trouble, fatigue, and late hours, but thinking it for the interest of her future career, and always becoming rapt and excited beyond all other considerations in her own capital musical performances." There is a pretty story in Fanny Kemble's " Records " of her little girl in bed, who sat up wide awake when her mother came into the room late one night, and asked her " how many angels there had been in the drawing-room below." Her aunt Adelaide had been singing. It is impossible not to continue quoting from Mrs. Kemble's Memoirs, so charmingly do they give the atmosphere and the colour of these bygone times. From Clarges Street the whole party — with the exception of Charles Kemble — go for a tour abroad. Mrs. Kemble's children and their nurse are with them, Mary Anne Thackeray, a lifelong friend, and Mr. Chorley, and the great Liszt, who subsequently E 54 MRS SARTORIS joined them in Germany. " At Mayence," says the critical biographer, tt my sister sang at a concert, and this was the first time I really have heard her sing in public. She sings in ' Norma' again to-night in Mayence, and I am going — of course without any anxiety, for her success is already established here — and with great anticipations of pleasure ; more even— if possible — from her acting than her singing." She adds, " I have always had the highest opinion of her dramatic powers, and I was, as I believe you know, earnest with her at one time to leave the opera stage and to become an actress ; I thought it a better and higher order of things than this mere uttering of sound and perpetual representation of passion and emotion. ,, Fanny Kemble also describes her sister at Frankfort giving scenes from " Lucia" and "Beatrice di Tenda." "What she does is very perfect," she says; "she occasionally falls short in the amount of power that I expected. Her movements and gestures are all remarkably graceful and easy, she impresses me even more as an artist than a genius, which I did not expect. Some of the things she did — I speak now of her acting — were as fine as some of Pasta' s great effects, and her whole performance reminded me forcibly of that finest artist." Mrs. Sartoris's own admiration for Pasta, under whom she had studied was immense, as may LISZT 55 be gathered from her account of that great singer. Mrs. Kemble gives that amusing story of Liszt which her sister used to tell, nay, to act for some of us, so that the present writer has always felt as if she had been present when Mme. de Metternich, the grand lady, invited the musician to her house, and after asking various, somewhat impertinent, questions about his stay in Paris, ended them with, " Enfin avez-vous fait de bonnes affaires la-bas ? " And Liszt's reply: " Pardon, madame, J'ai fait un peu de musique, je laisse les affaires aux banquiers et aux diplomates." The story is well known, but it never will be told again as it was told by Mrs. Sartoris, with all the droll impersonation of the lady, and the courteous malice of the great musician. So the delightful company travelled on : " Our whole expedition partook more of the character of a party of pleasure than a business speculation . . . the relations were those of the friendliest and merriest tourists and com- pagnons de voyage. Nothing could exceed the charm of our delightful travelling through that lovely scenery, and sojourning in those pleasant antique towns where the fine concerts of our two artists enchanted us even more than the enthusiastic audiences who thronged to hear them." 56 MRS. SARTORIS It must be confessed there are very agree- able moments now and again in our own lives and our neighbours', and it is a real pleasure to read of past happiness for people to whom one has owed so much of one's own. When Adelaide Kemble came out in Norma at Covent Garden that autumn, she sang the opera in English. The fortunes of the theatre, ''then at the lowest ebb," revived under the influence of her popularity. The place was quite empty the nights she did not sing, and overflowing when she appeared. I can remember her describing to us one of these performances, and her enjoyment of the long folds of drapery as she flew across the stage as Norma, and how she added with a sudden flash, half humour, half enthusiasm, " I have everything a woman could wish for, my friends and my home, my husband and my children, and yet sometimes a wild longing comes over me to be back, if only for an hour, on the stage again, and living once more as I did in those early adventurous times." She was standing in a beautiful room in Park Place when she said this. There were high carved cabinets, and worked silken tapestries on the walls, and a great golden glass over her head — she herself in some velvet brocaded dress stood looking not unlike a picture by Tintoret. Mr. and Mrs. Sartoris were married at AT ROME 57 Glasgow ; so their daughter, Mrs. Evans Gordon, has told me : it seems difficult to believe it ! Venice and its gondoliers and the Lido ; Rome and the yellow Arno ; even Paris with its golden domes and its sunset lights would have seemed a more appropriate place. But though Adelaide Sartoris was married at Glasgow, the rest of her life was spent in beautiful places, often among Southern scenes. IV The writer's first definite picture of her old friend remains as a sort of frontispiece to many later aspects and remembrances. We were standing in a big Roman drawing-room with a great window to the west, and the colours of the room were not unlike sunset colours. There was a long piano with a bowl of flowers on it in the centre of the room ; there were soft carpets to tread upon ; a beautiful little boy in a white dress, with yellow locks all a-shine from the light of the window, was perched upon a low chair looking up at his mother, who with her arm round him stood by the chair, so that their two heads were on a level. She was dressed (I can see her still) in a sort of grey satin robe, and her beautiful proud head was turned towards the child. She seemed pleased to see my father who had 58 MRS. SARTORIS brought us to be introduced to her, and she made us welcome, then, and all the winter, to her home. In that distant hour (there may be others as vivid now for a new generation) Rome was still a mediaeval city — monks in every shade of black and grey and brown were in the streets outside with their sandalled feet flapping on the pavement ; cardinals passed in their great pantomime coaches, rolling on with accompaniment of shabby cocked-hats and liveries to clear the way ; Americans were rare and much made of ; English were paramount ; at night oil-lamps swung in the darkness. Many of the ruins of the present were still in their graves peacefully hidden away for another generation to unearth ; the new build- ings, the streets, the gas-lamps, the tramways were not. The Sartorises had mantel-places with huge logs burning; Mrs. Browning sat by her smouldering wood fire ; but we in our lodging still had to light brazen pans of charcoal to warm ourselves if we shivered. At my request an old friend, who for our good fortune has kept a diary, opens one of his pretty vellum-bound note-books, and evokes an hour of those old Italian times from the summer following that Roman winter. He tells of a peaceful Sunday at Lucca, a place of which I have often heard Mrs. Sartoris speak with pleasure ; Leighton and Hatty Hosmer, AT LUCCA 59 the sculptress, and Hamilton Aide the writer of the diary are there ; they are all sitting peacefully together on some high terrace with a distant view of the spreading plains, while Mrs. Sartoris reads to them out of one of her favourite Dr. Channings sermons. Another page tells of a party at Ostia. M Very pleasant we made ourselves in a pine wood," says the diarist. " I walked by A. S/s chaise d porteur up the hills later in the evening. She talked of her past life and all its trials, and of her early youth. She said to me, ' I have suffered so much from unkindness and neglect, that it makes me lenient to any one who is kind. . . .' ' But this complaint must be taken with a reservation — it is almost a platitude to say so —but those who are a little more highly strung than their neighbours suffer accordingly, and more than accordingly. It is they themselves who respond to their own responsiveness. A word wrongly said, a sympathy slowly given, sets them a-quivering : this is the price of it all. Some one or other of us is perhaps set to a time that beats a little quicker or slower than the rest, and then the notes jar ; not because they are not in true accordance, but because they go at a different measure. Life is a concert in which crotchets and the quavers, alas ! do not always wait upon one another. Then comes an hour, as my father has said, 60 MRS. SARTORIS when one recalls long past things, the old affections start into life once more and seem to smite one. Wherever and whenever I think of Mrs. Sartoris it is always in memorable surround- ings, whether at Paris near the Seine, or in Rome, or in the fine old house in Park Place, or at Warnford, or at Warsash in Hampshire, by the sweet Hamble shore, where the great sorrow of their son's death fell upon her and her husband, where she herself died but a very few years after. She had made the place and she loved it ; so we all did, for to the charm of surrounding circumstances must be added the pleasure of such company as hers. It was not only the welcome and the atmosphere of her home that she gave us, but the romance of it all, and the interests of every kind. The very people she had known seemed to be there too ; the things which had struck her — to be happening again, with the accompaniment of her brilliant com- ment, her vivacious and most memorable talk. That gift of directness and incisiveness which came perhaps from their foreign blood belonged to both the sisters. V I can remember Mrs. Sartoris once laugh- ing and saying that one of the noblest acts she PROTEGES 61 ever did in her life was when a poor music- master had come to see her, on his way to call upon some influential patrons. His shirt- buttons had given way, with some untidy consequences which filled her with alarm as to what impression he might make upon his patrons. There were other people in the room. As the poor, shy man came up to take leave, she held his hand and said, in a low voice and not without an effort : " Good-bye, but before you leave this house go into the study down below and carefully examine yourself in the round mirror upon the wall." Her heart specially warmed to poor musicians. There was a girl who was study- ing at Paris, a charming, pretty creature, whose cause she took up warmly. She invited us to the play together ; she used to drive us both out ; she used to ask the young singer to her house, but some cruel fate threw the poor, charming girl into the clutches of a villainous music-master who ruined all her life, and the poor child vanished. There was another grim story I remember of a beautiful stranger Mrs. Sartoris once met on board a steamer on some one of the Italian lakes, and with whom she made a pleasant summer day's acquaintance. For two days, I think, they travelled on together. Mrs. Sartoris was delighted with her companion, interested 62 MRS. SARTORIS by her cleverness, her beauty, her feeling for art, and by a certain pathetic strain which vibrated through all her gay and brilliant spirits. And this is what happened quite soon after, when the Sartorises came back from Paris. They took up a newspaper one morning, and there read the account of a suicide. A fashion- able lady, living in the Quartier St. Honore, had invited all her friends to an evening party, and when the first guests were announced, was discovered in full dress, with diamonds in her hair hanging to the brilliantly lighted chandelier in the centre of the drawing-room, and her name was that of the mysterious lady of the lake. Trait after trait comes to one s mind, saying after saying. For instance, " how the time had come when it gave her infinite pleasure even to meet people whom her father and mother particularly disliked, so few were there left who had known them at all." Mrs. Gordon has told me that she can remember a meeting between her mother and George Sand in the Campagna of Rome, when the great Frenchwoman came hurrying from her villa, holding out both her hands in welcome, with cordial warmth and excitement. She wore a little cap tied under her chin, not unlike that Siddons-like coiffe Mrs. Sartoris herself used to wear in later days, and which became her IN PARIS 63 so well. Her beautiful head was like that of some classical statue nobly set upon her shoulders. But no classical statue ever looked at you as she did ; her eyes and mouth spoke before she uttered. She always seemed to me an improvisatrice. Both she and her sister had the rare power of stirring and stimulating one's sleepy makeshift soul, suggesting, satisfying. It was as if Mrs. Sartoris could at will compel the sound and the sense and the colour into that in which she was interested, she created as she spoke instead of only speaking, so that we were all for the time, and indeed for a life- time since, illumined by her. Mrs. Sartoris was once living in Paris in the Rue Royale, in a very stately apartment. It seemed to suit her, like all handsome and beautiful things. I do not suppose the modern aesthetic taste would have suited her. She liked glorious things full of colour, Italian, sumptuous, and she liked them used for daily life and pleasure. She made a home out of her lovely bric-a-brac and tapestries and cabinets. Something of course must be allowed for the grateful excitement of inexperience, but to us in those days, her houses seemed like succeed- ing paradises upon earth. I can remember on one occasion gazing in admiration at a glowing shaded lamp, the first I had ever seen, reflected from one glass to another, and listening to my 64 MRS. SARTORIS hostess as she sang Oberon's " Mermaid Song," from the far end of the room. Then came dinner in an octagon dining-room at a round table with pink wax candles and ices, and then a quick drive to the theatre where our stalls were kept for us. I remember neither the name of the theatre nor of the play, only the look of the bright lighted stage, and the pretty white house full of spectators. Mrs. Sartoris was using a pair of turquoise eye-glasses, through which she looked about, and presently she whispered to me, " There, to your left in the box on the first tier." I looked expecting I know not what, and my first impression was disappointment. I saw some figures in the box, two men standing at the back, and a lady in a front seat sitting alone. She was a stout middle-aged woman, dressed in a stiff watered- silk dress, with a huge cameo, such as people then wore, at her throat. Her black shiny hair shone like polished ebony, she had a heavy red face, marked brows, great dark eyes ; there was something — how shall I say it ? — rather fierce, defiant, and set, in her appearance, powerful, sulky; she frightened one a little. "That is George Sand," said Mrs. Sartoris, bending her head and makings friendly sign to the lady with her eye-glasses. The figure also bent its head, but I don't remember any smile or change of that fixed expression. The GEORGE SAND 65 contrast struck me the more, for my hostess, as I have said, scarcely needed to speak to make herself understood ; her whole counte- nance spoke for her even if she was silent. George Sand looked half-bored, half-far-away ; she neither lighted up nor awoke into greeting.* Mrs. Kemble once said she had heard George Sand described half in fun as "un- amiable, very emphatic, very dictatorial, very like herself, in short " ; but perhaps the descrip- tion was as superficial in one case as it assuredly would have been in the other. In odd juxtaposition in the present writer's mind comes the remembrance of a visit paid many years later by Mrs. Sartoris to George Eliot at North Bank in Regent's Park. It was an interview rather than a meeting. George Eliot, shy, serious, deliberate ; Mrs. Sartoris also a little shy, but talking rapidly and brilliantly, the acolyte present overwhelmed by the importance of the situation, and therefore greatly in the way. How useful it would sometimes be to be able to vanish at will like Prince Fortunio ! * I like better to think of George Sand as I never saw her, with grey hairs and a softened life, outcoming and helpful and living in her later years among her plants, and her grandchildren, and her poor people ; to imagine her as I have heard her described in her age, beneficent, occupied, tending and pre- scribing, distributing the simples out of her garden, healing the sick, softened by time, giving to others day by day what she still earned by her nights of persistent work. 66 MRS. SARTORIS But how grateful one is to be there at other times ! Adelaide Sartoris was a fine critic, and loved to exercise her gift. She used to make me read some of my early stories to her, and it is to her I owe a useful hint which I have tried to pass on to many young authors. " Read your MSS. aloud to yourself; " she said, " many things will then strike you, which other- wise you might pass over." She loved her following of young people, and was good and helpful to them all in turn. " Even her intolerance of stupidity was ex- pressed in witty but kindly words," says a young companion of those days, now indeed speaking ex cathedra. " One thing that always rings in my ears is her recitation of Shelley's 1 Good Night ' to a low obligato accompaniment on the piano ; " adds this lady, whose own music Mrs. Sartoris so much enjoyed. Into common life and its observances, its engagements and decorums, Mrs. Sartoris carried her sense of quick emotion. A girl who had put off her coming at the entreaty of another hostess describes her confusion and remorse when she arrived at Warsash, and was received with a certain state and grave ceremony, Mrs. Sartoris sitting in full dress in the centre of her big drawing-room, not rising to receive her. "You should not have done it," she THEATRICALS 67 said, and then presently she melted and kissed her. A very memorable meeting should not be unmentioned here. Was it yesterday only or years ago ? Was it in a wood near Athens, or in the forest of Arden itself, or in glades nearer home that we all assembled once to make merry and hold our woodland revels ? We had stages and rural bowers to perform in ; Theseus and Hippolyta and all the neighbouring sylphs and fauns came up to see the sport ; our host received I hardly know how many of us into his home ; the neighbouring houses overflowed with guests. Mrs. Sartoris played comedy ; Mr. Sartoris, who had an extraordinary and admirable gift of acting, took the leading parts. Mr. Aide, our host, played the Delaunay jeune premier. Surely Mr. Yates was there with his two-and-thirty speeches. The sun shone, there was a brilliant dazzle of sweet green freshened by rain, the song of birds rang through the woods, people kept arriving, driving up, talking, excited, agitated ; the properties went wrong, parts went astray, a whole Michaelmas goose, very essential to the farce, was missing, but nevertheless the plays went right and more than right. I think Lord Leighton, who had just finished his beautiful fresco in the Lyndhurst church, was stage manager. A hostess with beautiful white hair received us in the fragrant 68 MRS. SARTORIS house among the woods ; charming nymph-like figures came to the prompter's call, flitting under the trees. Not the least charming among them was " Christian Rupert," as Mrs. Sartoris has called her, singing "Vado ben Spesso," in her full ringing voice like the evening grace, when the rehearsals were over. The girls from under the trees looked like ladies out of Sir Joshua's pictures, passing through the flicker of shadow and sunshine. Their daughters are like them now, but not quite what their mothers were, and who is there to take the place of that noble improvisatrice, that bountiful spirit ruling the little company by right of birth and presence, unconsciously imposing itself upon others and carrying them along ? The daughter, who read me the pages out of her mother's diary, also gave me one or two letters from an old cabinet — a cabinet where Mrs. Sartoris herself had put them away. It stands among the family treasures, drawings and sketches by Leighton, by Mr. Sartoris and Val Prinsep, among many mementoes interest- ing in themselves and because of the interesting people they record. One book is a fine old black German Bible, on the first page of which is inscribed, " F. Liszt to Adelaide Kemble." Another volume touched me more nearly : it was a green morocco book beautifully bound, the name written in it by the giver, Edward FRIENDSHIPS 69 FitzGerald, and it contained Tennyson's " Morte d'Arthur " copied out in familiar hand- writing. Mrs. Kemble has told me how, as a young man, Mr. FitzGerald deeply loved and admired her sister, who had that special gift for making lifelong friends : Mr. Henry Greville and Lord Leighton are the first names among Adelaide Sartoris's that come to one's mind. How many more are there that one might remember ? Browning, my own father, Lord Lyons, Aide, Mr. Brookfield — they crowd on one's memory. Mrs. Gordon let me copy a note or two from her many records stored away in order and affection. Here is a letter from Dessauer to Miss Adelaide Kemble, out of the cabinet. " Ta lettre m'a fait le plus grand plaisir, elle est bonne, spirituelle et a de Tembonpoint, bref, c'est ton portrait. Tu me demandes la pareille* Ma chere, c'est impossible ! la mienne serait et sera toujours maigre, bete, et mechante, et par- dessus ecrite par la main d'un homme nerveux ; c'est-a-dire, pas lisible." He goes on to give a sensible disquisition upon genius, upon right and wrong, and the laws of justice in general : " II est vrai que le genie est une qualite d'esprit qui disorganise facilement nos qualit^s morales, mais je ne suis pas encore a la hauteur de croire que le genie a le privilege de commettre des choses que Ton ne permettrait pas un F 70 MRS. SARTORIS simple mortel. La lutte, la lutte, voila, ma chere, ce que je trouve admirable, et je crois que le D ne s'occupera pas beaucoup a 9a/' Here are a couple of Mr. Brookfield's notes which I could not but ask leave to quote — "Will you kindly mention in the proper quarter that I think I have left two pairs of shoes in my bedroom— -being Lent my going about barefoot at present attracts no observation, but the shoes would be convenient at Easter. . . ." Again, Mr. Brookfield writes on some subsequent occasion, inquiring whether a gold locket chased with emeralds and the legend "gone is gone" and "dead is dead" had been found on his dressing-table, " not that I ever lost such a thing," he continues, " or ever possessed such a thing to lose, but you will remember what I said about the old-fashioned- ness of writing to announce safe arrival after a visit — and this locket seems to me a competent pretext on which to hang the expression of gratitude for an unusually agreeable visit . . . the pleasure of which by no means ceases with its cessation, but abides perennially, as all things worth remembering do." There is a passage in one of Mrs. Sartoris's essays which seems to me to give the keynote of her deep convictions and which I will also quote. " Now, to love anything sincerely is an THE TRUE ARTIST 71 act of grace, but to love the best sincerely is a state of grace." It is not for old friends who remember that recollections are written, but rather to try to tell people who cannot remember of some of those who have gone before them, treading with memorable steps towards the infinite silence. When speaking lately to one and to another of those who had known Adelaide Sartoris, it was like listening to a chord to hear the voices recalling the well-known name, each striking its special note of remembrance. A wise and discerning Chatelaine, who from her youth had known Mrs. Sartoris and Mrs. Kemble, dwelt with interest on the different gifts by which the two sisters could best express what was in them. Mrs. Kemble, so essentially poetic and dramatic in her nature ; Mrs. Sartoris, so much of an artist, musical, with a love for exquisite things, and all that belongs to form and colour. (Some of us can remember hearing Lord Leighton say that though Mrs. Sartoris did not paint, she was a true painter in her sense of beauty of composition, in her great feeling for art.) Another old friend, with some show of reason, deprecated any attempt to record at all that which was unrecordable. " Would you give a dried rose-leaf as a sample of a garden of roses to one who had never seen a 72 MRS. SARTORIS rose ? " she exclaimed, recalling, not without emotion, the golden hours she had spent, the talks she had once enjoyed in the Warsash Pergola. "It would be an injustice to that dear and noble memory for me to attempt to rake up stale recollections of such happy hours. . . ." Perhaps it might indeed be wiser to acquiesce at once in the law that eventually carries all into oblivion, and yet it is almost impossible, while memory and imagination remain to us, to leave fragments of beauty, like broken temples lying neglected in a desert, unheeded and unrecorded. I think also we sometimes see others more clearly, with more justice, in remembrance, than we did at the moment of actual meeting, of past exaggeration, and past excitement. " You have only to speak of things as they are," said a great critic who had known Mrs. Sartoris in her later years. " Use no con- ventional epithets : those sisters are beyond any banalities of praise." One voice speaking of Mrs. Sartoris, be- longed to a lady sitting in her special corner of the old brown palace which was till lately her home. "That fine and original being," she said, " so independent and full of tolerance for the young; sympathising even with misplaced enthusiasm, entering so vividly into a girl's LADY PONSONBY 73 unformed longings. . . . When I first knew her," so this lady continued, " she seemed to me to be a sort of revelation ; it was some one taking life from an altogether new and different point of view from anything I had ever known before." Lady Ponsonby, the young maid of honour of bygone days, had made friends with Mrs. Sartoris over a sudden burst of laughter. They used to go about together rather shyly, not quite familiarly at first, but on one occasion the younger lady burst out laughing and the elder lady caught the infection. " Can you indeed laugh like that ? " said Mrs. Sartoris, laughing on herself, and the friendship was made. They met constantly, they used to talk and to speculate on the many things in which they were both interested. Once they went together to see some performance in which a youthful actor, lately come out, played in " Hunted Down," a melodrama, and in the " Road to Ruin," so admirably, that Mrs. Sartoris ex- claimed : " This is the coming man ! " On her return home that night, she wrote him a letter of congratulation, and asked him to come and see her. His name was Henry Irving. Other voices I have heard speaking. " faimais Adelaide" said Madame Viardot, uttering that best of all epitaphs. A woman — a well-known musician — going back to the 74 MRS. SARTORIS times when Adelaide Kemble first came out upon the stage, dwelt much upon the beauty of the young debutante's singing and impersona- tions, the full sweet tones of her utterance, and still more upon her very great and remarkable knowledge of music. Lady Thompson was Kate Loder in earlier years, and her praise has a meaning to it.* One more later friend to whom I applied rather surprised me by chiefly describing Mrs. Sartoris from the serious country lady point of view ; visiting the cottages, teaching the children, singing to the villagers in the old Hampshire village. And yet I have an old letter dated from Warnford Court which somewhat bears out this descrip- tion. The letter itself is so like her own voice speaking naturally, that I quote it here. " Have whoever you like on Monday," she writes, " take me anywhere you like on Tuesday. I am very well, for me, and shall not be tired by anything at home ; it was only the early rush out to the Popular on Monday that appeared like a sort of impossibility, and I also seem so happy chatting by your fireside — only don't think I shall want amusement. . . . I am sure to see the few people I want most * In Cox's musical recollections of the last half-century, we read of Adelaide Kemble : " She trod the stage like a majestic queen ; her singing was marked by the entire absence of meretricious ornament and by the quiet decision of its rhythm." LITTLE SCHOOL-CHILDREN 75 to see at some time or another during my visit. I shall see Jeanie Senior and Leighton, and Mrs. Brookfield and de Mussy ; and my dear old Henry Greville will be sure to look me up if he is in town. 11 1 am in an agitation about the examination of our school-children, which comes off at eleven to-morrow morning, and they are always so nervous, poor little things, that they do their very worst as a matter of course, and the mistress works herself into a fever, and so do I ! and I shall be thankful when it is Saturday. I had my class up here yesterday afternoon for a couple of hours, and they are coming again to-day to read poetry. I have given them simple little things to read which they can understand. I found the poems in the regular schoolbooks quite too difficult for me to explain, full of ' terrestrials ' and ' ethereal firmament,' and words and things I myself don't clearly understand. If the inspector insists on their reading to him out of the regulation lesson- book we shall be done for, and disgrace our- selves. Our inspector is William Warburton, a brother of poor Eliot's ; he is gentle with the little ones, which is everything. ..." The notes I have been able to set down are very slight, but such as they are, they indicate something of that vivid life, full of beauty, of impression, both reasonable, of fine 76 MRS. SARTORIS criticism, of feeling ; of that home of which the master and mistress were essentially hosts of mark ; ruling spirits not indeed to be forgotten by the many who have turned to them, and to the warming lights of their kindling hearth. MRS. KEMBLE 1809-1893 My father was a very young man when he first knew the Kemble family. In 1832 he himself was twenty-one, a couple of years younger than Mrs. Fanny Kemble, who was born in 1809. The mentions of the Kembles in a diary which he kept about that time are very constant. "Called at Kemble's." " Walked with Kemble in the Park. (Kemble was John Mitchell Kemble, Mrs. Fanny Kemble's brother.) We met the Duke, looking like an old hero." " Breakfasted with Kemble ; went to see the rehearsal of the Easter piece at Covent Garden, with Farley in his glory." Again : " Called at Kemble's. He read me some very beautiful verses by Tennyson." On another occasion my father speaks of seeing " Miss Tot, a very nice girl. Madam not visible" ; and again of " Miss Fanny still in Paris. ..." It was in the year 1851, or thereabouts, that my own scraps of recollections begin and that I remember walking with my father along 78 MRS. KEMBLE the High Street at Southampton; and some-* where near the archway he turned (taking us with him) into the old i\ssembly Rooms, where I heard for the first and only time in my life a Shakesperian Reading by Mrs. Fanny Kemble. I think it was the first time I ever saw her. She came in with a stiff and stately genuflexion to the audience, took her seat at the little table prepared for her upon which she laid her open book, and immediately began to read. My sister and I sat on either side of our father. He followed every word with attention ; I cannot even make sure of the play after all these years, but Falstaff was in it, and with a rout and a shout a jolly company burst in. Suddenly the lady's voice rose, with some generous cheery chord of glorious fun and jollity. I can hear the echo still and see her action as she pointed outwards with both open hands, and my father with a start, bursting into sympathising laughter and plaudit and crying " Bravo ! Bravo ! " and then again he sat back listening and looking approvingly through his spectacles. As we came away he once more broke into praise. " Don't you see how admir- ably she forgets herself ? " he said ; " how she flings herself into it all ? how finely she feels it ? " My father was that best of audiences, a born critic and yet an enthusiast ; and to the last he could throw himself into the passing FIRST MEETING 79 mood, into the spirit of the moment, while at the same time he knew what he was admiring, and why he admired. Some years passed before we met Mrs. Kemble again, in Rome. It was at a very hard and difficult hour of her life, so I have heard her say, a time when she needed all her courage to endure her daily portion of suffering. I was then a hobbledehoy, and (though she was no less kind to me than in later years) I only stared and wondered at her ways, asking myself what she meant, and how much she meant by the things she said, for I only half understood her; when I, too, was an older woman the scales fell from my eyes. One had to learn something oneself before one could in the least appreciate her. When the gods touch one's hair with gray, then comes some compensating revelation of what has been and is still. Now I can understand the pas- sionate way in which Mrs. Kemble used in early times to speak of slavery ; then I used to wonder only nor realise in the least what she felt, often she would start to her feet in agita- tion and passionate declamation ; she who with streaming eyes and wrung heart had walked about the plantations feeling more, perhaps, than any slave could do what it was to be a slave. To her free and ruling nature every hour of bondage must have seemed nothing 80 MRS. KEMBLE short of torture. In those far-back Roman days of which I have been writing, she used to take us out driving with her from time to time. " Where shall I drive to ? " asks the coachman. 11 Andate al Diavolo" says Mrs. Kemble gaily. " Go where you will, only go ! " And away we drive through streets and out by garden walls and garden gates to the Campagna, and as we drive along she begins to sing to us. I could box my own past ears for wondering what the passer-by would think of it, instead of enjoying that bygone song. I can also remember Mrs. Kemble sitting dressed in a black dress silently working all through the evening by her sister's fireside, and gravely stitching on and on, while all the brilliant company came and went, and the music came and went. In those days Mrs. Kemble had certain dresses which she wore in rotation whatever the occasion might be. If the black gown chanced to fall upon a gala day she wore it, if the pale silk gown fell upon a working day she wore it ; and I can still hear an American girl exclaiming with dismay as the delicate folds of a white silk embroidered with flowers went sweeping over the anemones in the Pamphili Gardens. Another vivid im- pression I have is of an evening visit Mrs. Kemble paid Mrs. Browning in the quiet little room in the Bocca di Leone, only lit by a SELF-IMPOSED LAWS 81 couple of tapers and by the faint glow of the wood fire. I looked from one to the other ; Mrs. Browning welcoming her guest, dim in her dusky gown unrelieved ; Mrs. Kemble upright and magnificent, robed on this occasion like some Roman empress in stately crimson edged with gold. It happened to be the red dress day and she wore it. " How do you sup- pose I could have lived my life," I once heard her say, " if I had not lived by rule, if I had not made laws for myself and kept to them ? ' Out of this stress of feeling, out of this passionate rebellion against fate, she grew to the tender, the noble and spirited maturity of her late days. In time, by habit and degrees, we learn to understand a little more how to fit ourselves to circumstance and life begins to seem possible, and to contain certain elements of peace and philosophy ; it is in mid-life, when people try to accommodate their own wants and wishes to those of others, that the strain is greatest and the problem occasionally passes beyond any powers of solution. Indeed very few solutions are possible, though wise compro- mises exist for all. Some natures are more adaptable than others, and not having very positive selves to manage, having impressions rather than strong convictions to act upon, they run fairly well along other people's lines ; but when strong feeling, vivid realisations, 82 MRS. KEMBLE passionate love of truth and justice, uncom- promising faith exist, then experience becomes hard indeed. When Mrs. Kemble went to her rest only the other day, the critics who spoke so inadequately of that great personality had not felt the influence of her generous inspiration. "A prouder nature never fronted the long humiliation of life," said Mr. Henry Jafctes who knew her intimately, touching upon the more tragic side of her history.* One should have a different language with which to speak of each of those one has loved and admired in turn. Such a language exists in one's heart, but how can one translate it into print ? Some friends seem like green places in the desert ; one thinks of them, and one is at rest. It is true also that there exist a certain number who oppress one with nameless dis- couragement, bores past and present. But the Elect are those who put life into one, who give courage to the faint-hearted ; hope, out of their own hearts' constancy, and to these Fanny Kemble belonged indeed. To the end she retained the power of making new friends, of being loved by them and of loving them. One member of my own family, whom the elder lady was pleased to christen Rosalind, only knew her when she was long past seventy years * In the Atlantic Monthly for May, 1893, 1 also read a very remarkable and most interesting article about my old friend, by Mr. Lee, who had known her in her youth. IN A SHOP 83 of age, but what a true and spontaneous link was that which sprang up between them both, one which, so wrote Mrs. Wister, added to the happiness of her mother's later years ! Mrs. Kemble returned love with love in full measure, whether it came to her in the shape of beautiful white azaleas from a faithful friend's hand, or of music played so as to delight her fine taste, or even as dwnmc Liebe with nothing to say, nothing to show. I once went out shopping with her on a spring morning when she thought her room would look the brighter for muslin curtains to admit the light. She carried a long netted purse full of sovereigns in her hand. We drove to Regent Street, to a shop where she told me her mother and her aunt used to go. It may have been over that very counter that the classic " Will it Wash ? " was uttered. The shopman, who had assuredly not served Mrs. Siddons, produced silken hangings and worsted and fabrics of various hues and textures, to Mrs. Kemble's great annoyance. I had moved to another counter and came back to find her surrounded by draperies, sitting on her ciiair and looking very serious ; distant thunder seemed in the air. u Young man," she said to the shopman, "perhaps your time is of no value to you — to me my time is of great value. I shall thank you to show me the things I asked 84 MRS. KEMBLE for instead of all these things for which I did not ask," and she flashed such a glance at him as must have surprised the youth. He looked perfectly scared, seemed to leap over the counter, and the muslin curtains appeared in a moment. Mrs. Kemble once asked me suddenly what colour her eyes were, and, confused and unready, I answered, " Light eyes." At the moment indeed they looked amber somehow, not unlike the eyes of some of those captive birds one sees in their cages sitting alone in the midst of crowds. Mrs. Kemble laughed at my answer. " Light eyes ! Where are your own ? Do you not know that I have been celebrated for my dark eyes ? " she said ; and then I looked again and they were dark and brilliant, and looking at me with a half-amused, half-reproach- ful earnestness. It must have been in the early years of the century that Sir Thomas Lawrence sketched that well-known and very charming head of Miss Fanny Kemble with which we are most of us acquainted. The oval face, the beautiful eyes, the wise young brows, the glossy pro- fusion of dark hair, represent her youth ; she was no less striking in her age, though no great painter ever depicted it. She grew to be old indeed, but it was only for a little while that she was an old woman. Stately, upright, CHARACTERISTICS 85 ruddy and brown of complexion, almost to the very last ; mobile and expressive of feature, reproachful, mocking, and humorous, heroic, uplifted in turn. This was no old woman, feeling the throb of life with an intensity far beyond that of younger people, splendid in expression, vehement, and yet at times tender with a tenderness such as is very rare. She was indeed one of those coming from the mountains, one of the bearers of good tidings. As a girl I used to watch Mrs. Kemble sedately at her work, and so in later days we have still seen her, sitting stitching in her armchair, dressed in her black silk Paris dress and lace cap. She sits upright by the window with flowers on the table beside her, while her birds are pecking in their cage. For a long time she kept and tended certain American mocking birds, letting them out of their cages to fly about the room, and perch here and there upon the furniture. " I have no right," she used to say, " to inflict the annoyance of my pleasures upon my servants, and therefore I attend to my birds and their requirements myself." She emphasises her words as she speaks, inserting the long coloured threads with extra point, or again, when she is interested in what she says, putting down her tapestry and looking straight into your face, while she explains her meaning directly and G 86 MRS. KEMBLE clearly, without fear of being misunderstood. I once complained to her of something said by some one else. " I do not care what any one thinks of me, or chooses to say of me" — I can almost hear her speak — " nay, more than that, I do not care what any one chooses to say of the people I love ; it does not in any way affect the truth. People are at liberty to say what they choose, and I am also at liberty not to care one farthing for what they say, nor for any mistakes that they make." What Mrs. Kemble did care for, scrupulously, with infinite solicitude, was the fear of having caused pain by anything that she had said in the energy of the moment ; she would remember it and think over it after days had passed. People did not always understand her, nor how her love of truth, as it appeared to her, did not prevent her tenderness for the individual ; she would also take it for granted, that whoever it was she was talking to also preferred the truth to any adaptation of it. Her stories of the past were endlessly interesting and various. She had known everybody interesting as well as un- interesting. She had always detested banalities, and even as a girl she seems to have had the gift of making other people speak out of their hearts. Her pathetic story of Mary Shelley haunts one with the saddest persistence, and seems to sigh back the curtain of the past. -AS YOU LIKE IT" 8; " Bring up a boy to think for himself," she as a girl once said to Mrs. Shelley ; and to this came the mother's passionate answer, " Ah ! no, no, bring him up to think like other people." Mr. Henry James instances among her other social gifts, her extraordinary power of calling up the representation of that which was in her mind, and impressing others with her own impression. Those, he says, who some- times went with her to the play in the last years of her life, will remember the Juliets, the Beatrices, the Rosalinds, whom she could still make vivid without any accessory except the surrounding London uproar. I myself fortunately once happened to ask her some question concerning "As You Like It," which had been Mrs. Sartoris's favourite play. Suddenly, as if by a miracle, the little room seemed transformed ; there were the actors, no, not even actors ; there stood Rosalind and Celia themselves, there stood Jacques, there was Orlando. One spoke and then another, Rosalind pleading, the stern Duke unrelenting ; then somehow we were carried to the forest with its depths and its delightful company. It all lasted but a few moments, and there was Mrs. Kemble again sitting in her chair in her usual corner ; and yet I cannot to this day realise that the whole beautiful mirage did not sweep through the room, with colour and light 88 MRS. KEMBLE and emotion, and the rustling of the trees, and the glittering of embroidered draperies. Mrs. Kemble told me that she herself had only once heard her aunt, Mrs. Siddons, read. She said the impression was very overpowering, though she had been almost a child at the time. It was from the witches' scene in " Macbeth " that Mrs. Siddons read. She was very old and broken at the time, and living in retirement, but for a moment she forgot her suffering state. The sense of storm and mystery and power was all round about, Mrs. Kemble said. One can imagine the scene, the dark-eyed maiden sitting at the feet of the great actress and receiving initiation from her failing hands. The true dramatic faculty does not indeed depend on footlights, or on a stage ; it is a special gift from spirit to spirit. Fanny Kemble was almost the very last representative of the ruling race to which she belonged, and in no small degree did she retain to the very end their noble gift of illumination, of giving life to words and feelings. She herself has defined this power. " Things dramatic and things theatrical are often confounded together," she writes. " English people, being for the most part neither one nor the other, speak as if they were identical — instead of so dissimilar that they are nearly opposite. That which is dramatic in human nature is the passionate, THE DRAMATIC 89 emotional, humorous element, the simplest portion of our composition ; that which imitates it is its theatrical reproduction. The dramatic is the real of which the theatrical is the false. A combination of the power," she continues, "of representing passion and emotion with that of imagining or conceiving it, is essential to make a good actor ; their combination in the highest degree alone makes a great one." I remember Mrs. Sartoris once saying, " I do not know if you will think it very conceited of me ; but it always seems to me that no one I ever talk to is able to say anything clearly and to the point, except myself and my sister Fanny. When she speaks, I know exactly what she means and wants to say ; when other people speak, I have to find out what they mean, and even then I am not certain that they know it themselves." Mrs. Kemble was dramatic rather than dictatorial. Her selection of facts was curiously partial and even biased ; not so her uncom- promising sense of their moral value. When she sat with her watch open before her, reading, writing, working by rule, it was because time itself was of importance in her eyes, rather than her work. For her, life belonged to time, rather than time to life. She carried her love of method into everything, even into the game of Patience with which she amused herself 90 MRS. KEMBLE Evening after evening the table would be set and the appointed number of games would be played conscientiously whether she was tired or not, inclined or not ; a beloved enchantress dealing out the passing destinies to the paste- board men and women on the table before her. Mrs. Kemble once sent over for a neighbour to teach him Patience ; one might moralise over the combination — Mrs. Kemble teaching Patience in her grand-seigneur fashion and meekly subservient to the cards ! It was indeed because she was so conscious of passion- ate interests and diversities, that she tried to shape her life to one recurring pattern. There is an anecdote of Frederica Bremer, who was not willing to see Mrs. Kemble on one occasion, explaining afterwards, " I could not see so many people as you are when I had a head- ache." She was indeed many people, actors and musicians, philosophers, teachers, and poets, in one. She was eighty before she attempted a novel, but her letters are models, especially the earlier ones. Her poems are very lovely. Her M Farewell to the Alps " was written after threescore years and ten had passed over her head, and I heard her read it with tears. Once I asked her why she so disliked the stage, loving all that belonged to it as she did. She said that it was because she loved her own being even more than her art ; that she found RELIGION 91 the constant simulation of emotion, in time destroyed in itself the possibility of natural feeling, and that she wished to keep the posses- sion of her own soul ; I think she has also written this somewhere in her " Records." These lines are hers : " A sacred burden is this life ye bear, Look on it, lift it, bear it solemnly, Stand up and walk beneath it steadfastly, But onward, upward, till the goal you win." Her convictions were deep ; what she said of her own religious faith was that it was " in- vincible, unreasoning." I have heard a friend describe how, as they came along the mountain pass from Rosehlaui, Mrs. Kemble made her bearers set her down at the summit of the ascent. " I will lift up mine eyes unto the hills," she said, breaking out into the words of the Psalm, and repeating verse after verse. She used to go regularly to church when she was in London, though I do not think any of the steeples and pulpits which adorn South Kensington exactly suited the deep and fervent spirit of her faith. She was neither High Church nor Low Church nor Broad Church, and once after witnessing a Catholic ceremony, the Fete Dieu, in some foreign city, she exclaimed to her foreign man-servant, u Oh, Govert, what an amusing religion you have!" But her faith was a noble one, and her reverence 92 MRS. KEMBLE for what was good and great seemed to make goodness and greatness nearer to us. Of all possessions, that of the added power which comes to us through the gifts of others is one of the most mysterious and most precious. Mrs. Kemble possessed to a rare degree the gift of ennobling that to which she turned her mind. Kindness is comparatively common- place, but that touch which makes others feel akin to qualities greater than any they are conscious of in themselves, was, I think, the virtue by which she brought us all into subjection. A ROMAN CHRISTMAS-TIME That particular Christmas-time of which I have been writing which we spent in Rome in 1853—54 still seems to me unlike any other in all my life. It began with chill winds and piercing weather, but in a little while winter turned to summer. The sun shone upon the Roman streets, flowers bloomed in the gardens, birds with their white wings crossed the windows of our old palace, standing open wide all day long. The music of the pifferari sounded in the air, so did the voices calling and singing down below. • We were in the Via della Croce, which leads to the Bocca dei Leoni, where Mr. and Mrs. Browning were living. It was Mr. Browning who had directed my father to our palace ; on the ground floor of which, a pastry- cook had established his shop, — Spilman, celebrated for his cream tarts and little cakes. He was a charming neighbour, so we thought in those days, and so did various children who used to come to see us from time to time, 94 A ROMAN CHRISTMAS-TIME climbing the stone staircase to spend an hour or two. Myfather was writing "The Newcomes" and drawing the pictures for " The Rose and the Ring " in those great vaulted rooms which we temporarily inhabited, with the marble tables and gilt armchairs and the swinging lamps and lanterns. Mr. Browning was also at work in his little study, while Mrs. Browning, at hand close by, sitting by her warm fire, was weaving her spells and, as we read, hiding her papers under the sofa cushion if anybody came in. My sister and I came in at many odd times, and though I can remember her little well-worn inkstand and her shabby pen, with which she wrote so delicately, I never saw any of her manuscript. Rome was crowded with visitors that Christmas ; charming Scotch people, gracious English ladies, enterprising young Americans. A beautiful bride took me more than once to see the gorgeous sights and functions of the season ; monks in their flapping robes and sandals walked the streets in those days ; so did cardinals, followed by their attendant foot- men : the Pope himself used to go by, blessing the kneeling people, his great coach following at a little distance. There were also peasants in their dresses and models lining the streets, GIBSON IN HIS STUDIO 95 My father took us to the galleries and to some of the studios. I can remember Gibson showing us his tinted " Venus," while Miss Hosmer stood by in a pinafore and with short curling hair. Mr. Gibson told my father the story of a couple who had just been to see him with their little boy, and he seemed much amused because the little boy had asked if that was a ball of soap the Venus held in her hand. Seeing her without her clothes he naturally thought she was going to be washed. " A ball of s-soap," Gibson repeated, grimly chuckling ; " he called it a ball of soap." My father's old friends, Mrs. Kemble and Mrs. Sartoris, were both in Rome. Mrs. Kemble ruled from the modest lodging near the Piazza del Popolo. Mrs. Sartoris's dwelling-place was very different. She was established in one of those charming spacious homes of hers which seemed to belong to her life and nature. Interesting people were always coming and going, from her rooms beautiful music was sounding where her flower-framed windows looked out across the wide Roman view. She made us look and admire — she loved to dispense and to share all this beauty with others. It was upon one of these golden days that my sister and I, crossing an open piazza, saw her carriage drawn up, not by the kerb but 96 A ROMAN CHRISTMAS-TIME standing well out in the sunshine, and within it sat a figure wrapped in a cloak. Leigh ton was waiting by the doorway of the carriage and he waved his peaked hat. Almost immediately Mrs. Sartoris herself came out of some house near by, and as we met her she said, " Look ; do you know who that is ? That is Lockhart, Walter Scott's son-in-law. He is very ill ; we are going to take him for a drive in the Campagna." He gazed straight before him like some solemn brooding eagle, silent and mysterious. He was wrapped in cloaks and wore a soft travelling cap, not unlike that hood in which Erasmus is commonly depicted. I only saw his profile and the pale clear-cut features as the carriage rolled away. The incident, trifling as it was, impressed me — the sick man, the strenuous life behind him, the feeling of the great Campagna outside the walls, the friends' good company, the glorious warmth of land and sky. The clown says that youth is a stuff that won't endure. But moments of youth last as long as we do ourselves, and we babble of green fields to the last. After the carnage had driven away that day, the pale beautiful face was still before me as if it belonged not to the present but to some mediaeval figure cut out of one of the galleries. I have said that Leighton was standing by JOHN LOCKHART 97 the open door of the carriage. Long after- wards I wrote and asked him if my impressions were correct and if he remembered that drive. He said he could not remember to which particular occasion I referred, but he used constantly to take long drives with Mr. Lock- hart, going out into the Campagna of an after- noon. u Was he not striking ? " Lord Leighton wrote. " Could any one forget him who had ever seen him with his beautiful clean-cut features, so pale and so fiery at the same time ; those eyes of jet in a face of ivory ?" And now I must quote one last sentence of Lord Leighton's letter concerning Spilman and the palazzo in which we lived and to which we returned that day after seeing Lockhart. " This stern man," so he wrote, M had one very human peculiarity. He was fond of — what do you call those rolled wafers full of whipped cream ? You would not have expected him to like goodies, would you ? " These, of course, were the very cream tarts which I can remember so well and which the children liked when they came to see us and the pictures that my father devised for them. But it was not for forty years that I knew Mr. Lockhart also liked them. PRESENT TAPESTRIES AND FAR-OFF BELLS AND POME- GRANATES I had been asked to look at some hangings which are for the present deposited at the Victoria and Albert Museum, and, going there accordingly, I was led by a young friend from court to court until we reached the place where they were displayed upon the marble floor. As I looked, suddenly an old friend's voice seemed to be sounding in my ears. " Yes, that is the Florentine tapestry," Miss Browning was saying. " Robert brought it all over with the rest of the furniture from the Casa Guidi." Then I remembered how the poet himself had come into the room, crossing it with that alert footstep of his, and how Miss Browning ceased speaking and let him go on with the story. It is sometimes difficult to distinguish between the things one has imagined and the things one has really known, but this little meeting is no imagination. The webs of life stretch on from year to year, from one land to another. The tapestry, ROBERT BROWNING 99 which now seems to bring Italy itself to Crom- well Road — to the " Textile Department " in whose keeping it is at present — also raises for some of us who used to go there, the London home where the poet first dwelt when he lived in Warwick Crescent forty years ago. "He loved antiquities," says Mrs. Sutherland Orr, describing it all in her biography, " in a manner which sometimes recalled his father's affection for old books." Most of his posses- sions had been bought in Venice, where his visits to the curiosity shops had been frequent. He liked to match the carved oak and massive gilding and valuable tapestries, all of which carried something of the Casa Guidi into his new home, and brass lamps which had once hung inside chapels were there, and to these was added, in the following years, one of silver, also bought in Venice, the Jewish " Sabbath Lamp." Browning had a theory which he used to propound that almost all great men had a strain of Jewish blood kindling in their veins — where his own came from I do not know. The days are far behind us when the poet lived in his house by the waterside, that peace- ful place to which he had come by chance and where he stayed for so many years. It was London, but to many of us it seemed London touched by some indefinite romance of its own ioo PRESENT TAPESTRIES a tranquil oasis by the canal, where the waters looked cool and where deep green trees shaded the crescent. The house was an ordinary house, but the oak furniture and tapestry gave dignity to the long drawing-room. Pictures and books lined the stairs ; in the garden at the back dwelt at one time two weird grey geese with quivering wings and long throats who used to come hissing and fluttering to their master. The presence of " the man of rock and sunshine " gave a soul to the four walls. It was here that he accomplished some of his finest work. It was here he made for himself a resting-place after his great sorrow. A carved oak cabinet used to stand in front of the tapestries as they hung upon the wall. When I saw them again, spread out upon the marble of the great hall in the Victoria and Albert Museum, it seemed to me that they were magic carpets to whisk one away, past the past itself, even that of Florence and of the Casa Guidi windows. It was in 1849 that the Brownings set up their home there. " Six beautiful rooms and a kitchen, " Mrs. Browning writes. " Three of them quite palace rooms opening on to the terrace." There the poets lived their own lives, seeing few English visitors ; as to Italian society, she says, " One may as well take to longing for the evening star." There is a little CLASSICAL FANCIES toi story connected with the flying carpets which my friends at the Victoria and Albert Museum told me. Mrs. Browning had complained of the cold, of the draughts from the terrace, and her husband went out then and there and bought these tapestries from a rag-shop hard by for a few hundred francs. Now the panels are said to be worth about ^2000. There are two of them 6 feet in height, 17 feet or so in length, enclosed in flowing borders of flowers and birds and foliage. It must have all been devised towards the middle of the sixteenth century. In Italy these classic fancies seem to keep alive in the sunshine. How vivid they must have been to those who worked the web, with all that special gay grace which belongs to ancient Italy ! A contemporary Autolycus might chant a list of the wonders depicted in these charming panels. Here are mythologies and metaphors and gardens and browsing flocks ; the gods in Olympus are looking down upon a golden age, upon an Arcady where the infant Hermes lies sleeping, and a messenger comes flying down from the clouds. We see far away blue hills and the towers of an ancient city ; and is not that a distant gibbet depicted with a figure hanging to it, just outside the city wall ? Then further on among the orchards and meadows we see our Hermes grown to man's estate, stealing the cattle and driving it im PRESENT TAPESTRIES away,— Bacchus appears and disappears ; surely music is in the air. Is that Apollo himself teaching a student to play upon the flute while dancers are merrily footing it? In the Brown- ings' home the tapestry had an air of domes- ticity, of poetic suitability. Here in the vast temple of the art at Kensington it gains a certain charm of its own quite apart from the interest which belongs to its associations. My friends at the museum can appreciate both, and long to keep this treasure. They have not available funds, but they dream of a golden- hearted benefactor and lover of the Brownings who would bestow this gift upon them or pur- chase it and bequeath it to the nation. Can this be the message conveyed by the flying figure coming straight from Olympus ? Mr. Birrell truly says that " Browning is the most dilettante of great poets. Do you dabble in arts and perambulate picture galleries ? Browning must be your favourite poet ; he is arts historian. Are you devoted to music? So is he, and has sought to fathom in verse the deep mysteries of sound. . . . Do you find it impossible to keep off theology ? Browning has more theology than most bishops, could puzzle Gamaliel and delight Aquinas." The critic quotes that noble saying, " Art was given for that ; God uses us to help each other so, lending our minds out." If ever a man lent M. MILSAND AND HIS WIFE 103 his mind out to help others it was the writer of " Fra Lippo Lippi." M. Milsand, of whom there is a photograph by Mrs. Cameron in which he is made to look like an inspired prophet out of the Old Testa- ment, was Browning s chief friend and faithful critic. He was also a most cheerful and human companion whose barrels contained good Bur- gundy. I once described a little festival to which we were invited, with Mr. Browning, by M. Milsand and his wife one summer when we were all in Normandy together. Now I cannot help adding a letter I have lately found from Madame Milsand written as a widow many years later concerning this meeting : " You do not mention when you speak of that poor little feast upon the terrace which you all enjoyed so kindly how Mr. Browning having seized his napkin and placing it as the foreign waiters do upon his arm, rose from the table to wait upon the ladies who were present. . . . Never had the poet seemed to me so interesting as upon that day, so brilliant and so delightful. Those/' says the lady, " who only live in their present happiness can hardly realise the pleasure of remembering. Is it not a daily joy to think that God has set along our road sincere and devoted friends ? " TWO LETTERS TO A PAINTER FROM W. M. THACKERAY The two letters here given, written to Mr. Frank Stone, and lately sent to the Editor of the Cornhill Magazine by Mr. Arthur Stone, were first posted from Paris to London at a time when my father had gone there to study art, and when he had first taken to writing as a means of earning his livelihood. My own recollections do not begin till some time after. Looking back at the vast ocean of days succeeding days to which some of us can still turn in wonder, I cannot quite tell where the various events should be reckoned with, and when it was that my sister came home after a drive with my father (we were then living with him in London) and told me that he had taken her to a studio where he had gone to see a friend of his, called Mr. Frank Stone ; that they seemed very happy to meet, and talked a great deal, and that before coming away my father said to his friend, "Do you remember painting my portrait over the picture of a lady A PORTRAIT OF W. M. T. 105 with a guitar ? " Mr. Stone said, " Of course I remember — I think I have it still ! " and he went into a sort of dark cupboard and pre- sently came out with a half-finished picture which he gave them, and they brought the canvas home in triumph in our little carriage. I can remember my father laughing as he looked at it, and saying he could still make out the red sleeves of the lady's dress through the dark paint of the background. I have often tried to do so. The picture now hangs on the wall of my son's house in Hertfordshire. It repre- sents my father as I never saw him, with curly brown hair ; there are no spectacles, dark eyes look out of a youthful, cheerful countenance. In another picture, the same eyes are repeated. It is that of my father's father, the same clear eyes and falling lids, which I have seen in others of the clan descended from the first William Makepeace Thackeray, who lived on Hadley Green and who left so many descendants. The portrait by Frank Stone must have been painted somewhere in the 'thirties, perhaps before the first of the two letters here given was written. It was as a painter that he had hoped to make his way rather than as a writer, and his heart always turned to the studios rather than to the inkpots. He would have liked to read books instead of writing them, and to paint pictures instead of looking at them, with and without 106 TWO LETTERS TO A PAINTER spectacles ; and the correspondence which has been kept by Mr. Arthur Stone, A.R.A., the brother of Mr. Marcus Stone, R.A., shows what a charm painting and painters ever had for the writer of "Vanity Fair." In 1835 he had gone over to study art in Paris, and he was working- at the Louvre and in a studio. In 1837 he had married and almost fixed his way of life, but he still looked backwards, and for- wards too, to the time when he should be a painter again, and one can realise what he felt for the work and the workers. In my own youth all our happiest outings and holidays were when we went with him to see pictures finished and unfinished on the easels of those kind and friendly magicians who evoked the dreams and the realities. My father was twenty- four when the first of these two letters was written. Mr. Stone was thirty-seven, exhibit- ing at the Royal Academy, and already well known. Letter folded without envelope, addressed to Frank Stone, Esqre. y 84, Newman Street, Oxford Street, With postmark ; 7, at Night, April 20, 1835. Your letter was the first of the batch, my dear Stone, and was more welcome to me even than the hot-cross buns, which, on this day, our religion ordains that we should devour. I have IN A STATE OF DESPAIR 107 been a little spooney ever since the perusal of the letter, but my tears (and there were one or two upon my honour) were those of a pleasant content, when I thought of the half-dozen good fellows who felt so kindly for me. God bless all the boys and watch over the liquors they drink and the pictures they draw. As for my- self — I am in a state of despair — I have got enough torn-up pictures to roast an ox by — the sun riseth upon my efforts and goeth down on my failures, and I have become latterly so disgusted with myself and art and everything belonging to it, that for a month past I have been lying on sofas reading novels, and never touching a pencil. In these six months, I have not done a thing worth looking at. O God, when will Thy light enable my fingers to work, and my colours to shine ? — if in another six months, I can do no better, I will arise and go out and hang myself. We have an exhibition here with 2500 pictures in it, of which about a dozen are very good, but there is nobody near Wilkie or Etty or Landseer; lots of history pieces or what they call here " ecole anecdotique " — little facts cut (out) of history and dressed in correct costumes ; battles, murders and adulteries are the subjects preferred. Of costumes, I have amassed an awful collection, and this in truth 108 TWO LETTERS TO A PAINTER is all I have done, except some infamous water-colour copies perpetrated at the Louvre when it was open. Now the old pictures are covered up until June by the performances of the modern men; there are lots of six-and- thirty feet canvases, but not a good one among them. Here is as good a portrait painter as ever I saw, one Champ Marlin, who has been abused by the Athenaeum man. No good water-colours this year, though I have seen some by Roqueplan (who is a little snob who condescended to do me out of a five-franc piece) that are as fine as Reynolds', most noble in point of colour, sentiment, force and so forth. I wish you would tell me how you used to make that nice grain. I have tried all ways in vain. I had hoped to have gone into Germany for the summer, and on to Italy in autumn, but my governors and the rest of our tribe are to come here in a month and I shall not be sorry to stay, and have a little more copying at the Louvre. Have you been asked to a tea-party by my Mamma? I wish you would call there some day, for you are a great favourite, and if you talk about the son of the house, you can't talk too much or stay too long. Mahony gives me great accounts of you and Mac. O happy men, you are on the high- road to fame and fortune — et moi, moi, pauvre jouet de la fortune, voyant jour par jour les AFTER MARRIAGK 109 esperances du matin moquees par les horribles realites du soir. Je n'ai qu'a lutter, a me resigner, a. me consoler de mes propres malheurs dans les succes de mes amis. With this flare up in the French tongue for the grammar of which I do not vouch, I must conclude my letter. God bless you, my dear fellow. I thank you very much for your letter and for your feelings towards I who is most sincerely your friend, W. M. T. Two years later, my father writes again. He is married by this time and living in Paris, and one may share his wistful leanings towards that peaceful life of art, and that tranquil ex- perience of effort after beauty, which was never to be quite his, though never quite denied to him all his life long. 15 bis, Rue Neuve St. Augustin, Paris, 20 January, 1837. My dear Stone, — I have sent some draw- ings to London, which I want to be submitted to your Committee, and for which I hope you will act as the God-Father or Patron. I fear very much that my skill in the art is not sufficiently great to entitle me to a place in your Society, but I will work hard and, please God, improve. Perhaps also the waggish line no TWO LETTERS TO A PAINTER which I have adopted in the drawings may render them acceptable for variety's sake. There is no man, I think, except Hunt who amuses himself with such subjects. I hope you and Cattermole will say a good word for an old friend and here I leave the business ; confiding in friendship ; trusting in Heaven ; and pretty indifferent about failure, because I don't think I deserve success as yet. I have sent the drawings to my Mother in Albion Street ; will you, like a bold fellow, take them under your charge and present them on the first Wednesday in February before the astonished Board ? I wish I had had more time to work, but the newspaper takes up most part of my time, and carries off a great deal of my enthusiasm. Mahony, who brings me news of the boys, says that you are all flourishing, and rich— Maclise with a fine house in Fitzroy Square, and Cattermole in possession of Windsor Castle, I think. Cannot you manage a trip here ? Only twenty-five shillings and I promise you dinners, breakfastses and every delicate attention on Mrs. T's part and mine. Lewis was here, and very much to my disappointment, I never knew of it until his departure. My letter is very incoherent, and yet I am sober, but the fact is three women are chattering at my elbow and I can scarcely write or think. A POPULAR PAINTER in Goodbye, my dear Stone, here is a very short letter, all about my own interests, but I have to write so hard for money, that I can't write for love. Send me a line about the lads and yourself, and salute them all for the sake of your old friend, W. M. Thackeray. There is a letter from Edward FitzGerald in 1845 to Frederick Tennyson : " If you want to know something of the exhibition, read Frasers Magazine for this month, Thackeray has a paper on the matter full of fun. I met Stone in the street the other day, and he told me with perfect sincerity and increasing warmth, how though he loved old Thackeray, these yearly out-speakings of his sorely tried him." The author of l( Vanity Fair " had not yet succeeded in climbing far upon the ladder of success, but Mr. Stone was now a painter to be looked to. From careful pencil drawings for the " Book of Beauty " (how often in early youth has the writer pored admiringly over these lovely ladies !), he had been elected Associate to the Water Colour Society, and then to the Royal Academy; then Associate to the Royal Water Colour Exhibition. His early works were engraved and very popular. II The Last Appeal" will be remembered. It is a touching and a dramatic appeal. The ii2 TWO LETTERS TO A PAINTER young man looks at the hesitating maiden ; there are other companion pictures of the same sort, " The Old, Old Story," " Cross Purposes," all engraved and admired for their graceful sentiment. The " Dictionary of National Biography ' writes of Frank Stone with courteous appreciation as the intimate friend of Dickens, the associate of the poets Campbell and Rogers, and of my father. He seems to have been one of the celebrated company of amateur players organised by Dickens, who went on tours, travelling north in the steps of Shakespeare and his companions. About 1850 Frank Stone exhibited various scenes from Shakespeare. Mr. Arthur Stone remembers, as I do, a summer which we were all spending at Boulogne, we of the ancienne garde of the present, being then in cheerful prime as boys and girls, frequenting the shores and ramparts of Boulogne and the gardens of acacia and monthly roses round the charming, somewhat mouldy houses and pavilions we inhabited, from which I can remember the Dickens family and the Stones issuing somewhat tumultuously, and Mr. Stone himself also standing there, portly, benevolent, tall, round-faced, surrounded by young people. " Why, of course, I remember him," writes my old friend, Mrs. Perugini; "I remember him from very early days, even before the Boulogne F. STONE AND HIS DAUGHTER 113 time. He always seemed to me a most delight- ful and most amiable giant, specially sent into this world for the amusement of my sister and myself, and 'the boys.' He had a way of shaking out a beautiful mop of brown waving hair that was perfectly irresistible." Mr. Stone's youngest daughter inherited a crown of burnished gold which I can still see shining in the doorway of Messrs. Colnaghis' shop, one day when my father had crossed over to speak to her and to her brother; she was married not long after to a son of John Sterling's. Her daughter still lives on Campden Hill, in the house her parents built there. IN A FRENCH VILLAGE Saturday. — I wonder when the English landed in France with Henry V. upon this very coast if it was as green and sweet to look upon as it is now. All along the way the hedges of clipped oak and nut trees and glowing maple are garlanded by travellers' joy in profuse abundance, by triumphant sprays of blackberry with red and purple fruit ; ivy creeps in and out, and convolvulus is turning to gold. The autumn tints glow in harmony, every now and then some shrill note of colour strikes beyond the rest. Cattle are grazing in the fertile fields, among sturdy apple trees studded with crimson birds fly in autumnal flights ; we pass pretty chateaus with their trim gardens, odd little wayside dwellings, fine old timbered farms with great barns and open yards. M. has been sketching one of these all day, and the rest of us — N., the musician, in her straw hat, and P. M. and A. M. — have driven up to bring the artist away. She is in no haste to leave ; she loves her work; she is painting the old barns; the cattle are in the fields. She has A PEASANT WOMAN'S SONG 115 been hospitably received by the owners of the farm; it is called La Ferme de Carabas. A pretty young woman with a child in her arms is standing by watching as M. packs up her implements ; the old farmer's wife comes and goes from the open doorway of the house. " I wish you would sing to these ladies before they leave," says M., looking up from her port- folio at the young mother. " Yes, I will sing if the ladies would like it," says the girl, and she sits down on a bench by the doorway, tucking the child conveniently upon her knee and motioning to us to sit beside her. Then she begins in a sweet shrill tone with a touch- ing cadence in it ; the baby tries to sing too and struggles ; the mother pays no heed but goes on with her song. There is something dramatic and pathetic too in her rendering, a French quality very unmistakable. The grand- mother who has come up carries the child off and the song goes on. The ballad is very long, very sad, about a young man who dies on the scaffold and gives his life for her he loves. Only two days ago we were in England, where the farmers' wives are silent for the most part. It is an odd experience to be sitting here listening as a matter of course to the sweet monotonous plaint which seems still sounding in our ears as we drive down the hill to our lodging by the sea. n6 IN A FRENCH VILLAGE Sunday. — Hearing strains of military music I went out upon my balcony this morning and saw other people also looking out from balconies and doorways and terraces, gazing up the street in the direction of the sounds. At the same time prettily dressed ladies in white dresses and bright colours, whole families — fathers, mothers, children, babes in perambulators- — all in their Sunday best, were streaming towards the sea. The music came from the hill-top ; none sounded from the blue waters, in dead calm, but flashing with their thousand lights. Havre de Grace across the great bay seemed strangely near, so did the long line of cliffs all delicately painted and stretching by Trouville and Deauville and all the other " villes " which lead to our little Villers-sur-Mer. Our hotel is in a pleasant street leading to the bay, while at the other end of it the road brings you to the church of St. Martin, whence so many chimes come all day long, calling to prayer or marking the passing hours — seven- teen o'clock, eighteen o'clock, as time goes here. Our hostess, the landlady of the Hotel de Paris, was standing in the doorway as we came out, and when asked what was happening she said it was a service in the church in memory of those who had died for their country. " Had we not seen the monument in the Place de l'Eglise ? Very surely we ought to go," A CELEBRATION 117 And accordingly we started, two of us — say A. M. and P. M. When we reached the Place other people already were waiting in the sunshine, and N. and M., our companions, among them. There are trees and pleasant shadows in the Place de l'Eglise, and benches where women are resting, and children are at play. In the centre of the square stands a monument carved with an inscription of grateful remem- brance, and with the names of those belonging to the district who have died for their country — men of Trouville, men of Cabourg, men of Azy, men of Villers and elsewhere. I could read of F. Coullas at Tonquin, of A. Ameline, of J. Lemonnier ; one could scarcely make out the names for the wreaths which were hanging over them. There were also flags and tri- colour ribbons and those strange wire garlands which the French are in the habit of putting up in memory of those whom they would honour. " La France Reconnaissante," " Sou- venir Francais," and other inscriptions were marked upon them. An effigy surmounts the stone slab, and down below on a lower step stands a bronze figure which I admired very much. It is that of a young soldier leaning forward with eager attention listening for the call, courageous, determined. Then came the notice of a banquet and of 1 n8 IN A FRENCH VILLAGE a dance and of the christening of a boat down by the sea. Meanwhile more and more people were coming up, most of them wearing the medal of the society; a certain number were also decorated with long striped green ribbons. I asked a handsome, very erect, old gentleman who was wearing one what it represented. "It is the ribbon w T hich we all wear who fought in the war of 'jo" said he, looking a little sur- prised ; " the war with Germany." Presently I saw an elderly lady wearing the same decora- tion pinned on her black dress; she had served in an ambulance I was told. Then at last Mass was over ; the great doors were flung open, the peasant people came out, the towns- folk, the visitors in their festive clothes. One ancient couple of peasants touched me as I saw them tottering out arm in arm through the crowd in their old-fashioned country dress with sad eager faces ; no need to be told what a personal feeling was theirs. Meanwhile more soldiers from outside had come marching up, a white-haired drummer was playing the drum in a spirited fashion ; the band was very old though the privates seemed mere boys. Then issued a fresh procession from the interior of the church itself — more veterans — and the choir in red and the priests in their berrettas and surplices, followed by the vicar in his lace A SALE u 9 vestments, while the cross was carried high and the flags followed and the drum struck up loudly, and the whole company marched down the hill to their banquet. There was some- thing strangely moving in this assemblage come to do such cheerful honour to those whose memory was still present. Some soldierly- looking Englishmen were standing by, who took off their hats till the procession had passed. In the afternoon, coming back from our Sunday drive, we found another assemblage in our street standing in front of an old furniture shop which we often had looked into as we passed. " Vente a TEnchere " was written up on a board, and every one was assembling. Certainly the most irresistible of auctioneers in a straw hat was dispensing china ornaments, bonbonnieres, Normandy crosses, Titians, and Rembrandts. A gentleman M. met afterwards had bought one of each, he told her. The company stood around, many were seated on chairs, making an afternoon of it, and the pretty shabby gimcracks were passed from hand to hand. " Only ten francs for the charming little object," says the salesman ; "I am sure that madame there will give four- teen for it ; at twenty it is a bargain. You take it, sir. Thank you." And as the enter- prising purchaser leans forward to receive his 120 IN A FRENCH VILLAGE prize he drops it with a crash upon the pavement. The whole company bursts out laughing, including the victim. But at this moment suddenly everybody stands up ; the auctioneer takes off his straw hat, all the rest uncover, and again the choir boys in red and the tall cross, and the flags and the priests in their order, and M. le Vicaire, come up from the seashore, and our little assemblage makes way for them. They have been christening the boat and blessing it before it starts on its long journeys, and they are now passing on to the church for vespers. Then immediately our friend the auctioneer resumes his spirited monologue, and as we came away I could see the old owner of the shop, doubled up by age, anxiously watching from his door- way. We went down to look at the sea ; the people were crowding on the jetty and the steps, the newly christened boat moored high up on the sands decorated with its flags and with flowers ; the crowds, mostly country people who had come from their distant villages by long hilly roads and green lanes, stood admiring. Some laughing boys and girls, also trimmed up with tricolour ribbons, went about in couples hand in hand shyly collecting for the czuvre of the day. Then the carts and chars-a-banc began to drive away across the hills; the sky turns to dull gold, WAR AND PEACE 121 while a noble clouded storm comes rolling up from the west. This was written in August, 191 3. Was it some presentiment which so impressed us as we stood by during the village-gathering, of the far more terrible war which was to over- shadow the old one ? Lady Ritchie was at Freshwater when she added these words, the last she ever wrote for publication. She had just witnessed another village-gathering in the little grey church held immediately on the news of the signing of the Armistice. The following letter from J. G. R., telling of the great day in London, she wished printed as a fitting conclusion. 7. G. R. to A. I. R. November 12, 1918. When the news came, it was choking was it not ? I saw the Times letter with the most apposite quotation from your father about the Stuarts, which applied to Wilhelm very nearly. And so he has run away into Holland ! It is as bad as James II. flying across the Thames and dropping his seal into the water. I cannot help wishing Wilhelm had been stopped by the Belgian crowd, as James was by the fishermen on the coast, and brought back and presented to the Tommies of the most forward British Regiment. 122 IN A FRENCH VILLAGE Though we had expected the news, when it did come, one could hardly believe it. I had been prowling about, getting various accounts, and was coming back to 55, when suddenly the maroons went off, and I saw our door open with M. and P. and the maids all looking as if they were stunned. Then I went and got on to a bus to go to Westminster and see what was happening. Servants in groups at every door, the school - children assembling with broad grins in the play- grounds, everybody rushing to get out flags, half laughing, half crying, people beaming and shaking hands. I managed to get on the front place of the roof, and as I went up Victoria Street, realised that I should see the most wonderful sight in the world. And indeed it was. The people of London giving way to the first rush of joy and wonder, and living again and being themselves, after four years of rigorous self-suppression. By the time we reached Trafalgar Square we were fairly stuck in a mass of vehicles trying to pass in different directions, and able to watch the marvellous sights on every side. Down came a band, marching to Buckingham Palace, but one could hear nothing but the big drum because of the roar of the crowds. It was a roar of laughter, of people whacking tin plates, shouting, singing, waving flags at each other, forming processions, ARMISTICE DAY IN LONDON 123 crowding into every lorry, till one thought the whole world was mad with joy. We all talked to each other, as if we had been old friends for years. I finally got down at Liverpool Street, where all the buses stopped as they said there would be no room at all to drive back. Then I went to St. Paul's, packed every inch by a serious-minded congregation, old people, nurses, families out for the day with their children, and was glad to rest for an hour before the thanksgiving service began. It seemed as if all the people inside joined with one voice. It was dark and drizzling when I came out, but all the city churches were ringing their bells like mad, and one felt that the dark cloud that had been hanging over us for four years had been suddenly cleared away, thank God, and we have all emerged, sadder and wiser. I can just imagine what you are feeling. King Albert in one fortnight having all Belgium back again. The Strasburg statue wreathed in French colours, after forty-eight years of crape, Christopher returning from captivity in Turkey, these and a thousand more ideas are suggested, and our A. and G. and so many others. Yr. most affecte. J. G. R. BINNIE I " I don't like him," said the poor lady anxiously. "Not that he isn't very clever, and of course he is very persuasive and very handsome — don't you think so ? — but he has nothing besides his curacy, except what his old mother allows him, and I do think it is a pity that he is going to refuse the naval chaplaincy. It seems such a chance, though the ship is stationed in the West Indies ; — my dear Albert was out there for years and years before he ever thought of marrying, dear fellow ; he must have known how much I . . . " " Has Alberta anything of her own ? " I interrupted. " She has her pension of ^ioo a year from the Fund, but she loses that if she marries, and of course she couldn't go on board ship," said the anxious mother nervously, trying to pull her right-hand glove on to her left-hand fingers, "and indeed Mr. Balsillie often tells the girls it would be dishonourable to marry, and he feels that his call is here among his flock, and AN ANXIOUS MOTHER 125 not on board ship at all. He wishes to be a lifelong friend to them both, to Binnie especi- ally, and she wishes it too and so does Dickie. Oh, I don't know what to wish, and I can't bear to seem cruel and unkind, and I thought I would come and talk to you," said the poor lady in the crumpled bonnet, fixing her wistful watery eyes upon me. " Dear Miss William- son, you have so much experience, and you must know so much about him, living in the same house. And you are so much older than I am. Oh, tell me what I ought to do," she repeated, as if the fact of four or five years' seniority endowed one with omniscience as well as with a few extra wrinkles, and enabled one to solve all the riddles of life straight off. And surely of all the riddles of life none are more difficult than those of fond parents whose children are bent upon making fools of them- selves ! Perhaps it is more difficult for mothers than for fathers to refuse their consent to hope- less entanglements; — men maybe more inclined to romance, but sentiment has an attraction for women, against which all the experiences of impecunious life and threadbare difficulties speak in vain. ..." She says I am breaking her heart when I try to interfere," Mrs. Willoughby went on. " I am sure it is the last thing I should wish to do. My dear Binnie was so happy 126 BINNIE and sweet until this horrid friendship began. — Dickie is almost as much upset as Binnie her- self, and I know if their dear father was alive he would entirely disapprove of it and be so much annoyed with me for having allowed it at all." As Mrs. Willoughby sat there, a meek big woman in her shabby black gown and red Indian scarf, she reminded me of some picture I had once seen hung up in a National School, of a devoted old pelican with a bleeding breast. The little Pelicans, Alberta and Cordelia, inappropriately curtailed into Binnie and Dickie, had been old pupils of mine. Dickie was dark and concentrated, and took, I suppose, after her late father ; Binnie was a simple-minded creature who favoured her mother's side of the house. She had the prettiest fair curls imagin- able, pinned up in shining ripples like sunbeams round her face with all the pretty blushes coming and going and the soft grey appealing eyes. " I think you are perfectly right to object to such an indefinite engagement," said I, adjusting myself to my character of impartial justice and experienced oracle. " You are only doing your duty as a wise and sensible mother. I like Mr. Balsillie well enough, but he certainly ought not to marry upon his income, and he shouldn't have said anything at all about his rubbishy friendship. " MR. BALSILLIE 127 Mr. Balsillie was lodging on the ground floor under my rooms in West Kensington. He was a broadset, active man in a round clerical hat, usually with a book under his arm. He had a neat profile. He wore spectacles. I used to meet him when I was starting of a morning on my round or again as I was coming back wearily after my day's teaching, when he was going off once more, brisk and energetic, to spend an evening among the mothers and grandmothers of the parish. He was a forward young man I used to think, rather too familiar as he would take off his wideawake with a friendly preoccupied air when he met me. He was dignified in manner, a trifle mysterious, but not a bad fellow. He was what is called a powerful preacher. He used to begin in a low voice, and suddenly he would shout at his congregation (many of the ladies were rather deaf and they certainly preferred Mr. Balsillie as a preacher to Archdeacon Meakin), Mr. Balsillie used to suggest all sorts of exciting possibilities — Pitfalls, Unruly Passions, Worldly Ambitions; while he warned us against the Temptations of the Flesh, the wiles of the Devil, Drunkenness, Infidelity. ... As Mrs. Willoughby said, one felt quite adventurous and prepared for anything, when one came away from one of his sermons. All this time my poor old pelican has been 128 BINNIE sitting with her eyes fixed on my face waiting for a further oracle, and after consideration I produce my verdict. " I think a change of scene would be the best thing for Binnie," said I. "She must be influenced by degrees. One can't do every- thing all at once/' " Oh yes, oh yes. How wise and right you are ! " cried the poor lady — " if only the girls will agree to it. If only I could afford. . . . Would Margate be change enough, do you think, or Southend ? — there is such a nice pier and we might try for lodgings. I do wish Dickie could be persuaded . . . but expense is the difficulty." Then I held out a straw which Mrs. Willoughby eagerly clutched at. I told her I was going north to stay with my old friend, Lady Frances Neville, in her Scotch manse, and I was almost sure I might take Binnie with me. I would write by that evening's post. "If you don't think Dickie will mind being left," said the poor soul rather anxiously. " Of course she won't," said I. Kind Lady Frances made no difficulty and agreed at once to my request. But as for Binnie she was as cross as such a good little creature could well be. When we told her of the plan she looked stony, stormy, grumpy, in- different by turns, even her curls seemed to A PROPOSED VISIT 129 lose something of their shine, and Dickie wildly protested, " Oh, mamma, you are always fuss- ing. We only want you to leave us alone. Poor Binnie, it is so hard upon her." The whole plan was almost given up in despair, when to my surprise and relief Mr. Balsillie, to whom Mrs. Willoughby impulsively appealed on the doorstep, took our side. " It will do her good/' he said in his clerical tone. M My little friend evidently needs a change. I know Lady Frances Neville and the country round Aviemore well — I have friends in that neighbourhood. Pray urge Miss Binnie to go, Mrs. Willoughby — advise her from me," he said. There was something peculiarly patronising in his tone and most irritating, I thought, but one had to be thankful for small mercies and to take them when they came in one's way. Binnie and Dicky doubtfully consented, and thus it happened that Alberta and I started off together on our northern journey, comfortably tucked up in our two railway corners with our luncheon overhead in a basket. Mrs. Willoughby was on the plat- form to see us off in her usual black. She had left the red scarf at home, but her spider-like veil and her limp jet trimmings, her shabby fingers and galoshes seemed to tell the history of this most unselfish, incapable lady. Her clothes hung limper than other people's clothes, 130 BINNIE her ribbons drooped feebly, her watery blue eyes appealed to the very rails for sympathy, as she stood struggling with her emotion, while Dickie beside her, trim, cross, indignant, stood looking daggers at me through the carriage window. I had influenced Mrs. Willoughby, I was carrying Binnie away, I was crushing her heart under my foot, to say nothing of Dickie's sisterly sympathies. Just at the last moment, when the guard was banging the doors of the carriages, there was a sudden scuffle, a third figure with flying coat-tails holding up a clerical hat darted forward and was immediately pulled back again by the brute force of a couple of porters. Mrs. Willoughby at the same moment threw up both her hands and burst into tears, the engine gave a shriek, the train moved off. Binnie, who had started up, not speaking but trembling very much, fell back in her seat deadly pale as the train slid away. The only other passenger in the carriage was a fashionable lady of a certain age, with jingling bracelets and many accessories, who came to my help and produced so many restoratives from her various bags and re- ceptacles ; flasks, salts, vinagrettes, that I felt it was an embarras de richesses. Little Binnie gradually recovered as we travelled on, languidly returning the various objects which A JOURNEY NORTH 131 had been handed to her. By degrees stifled sobs succeeded to her faintness and when at last she quieted down, I realised that my holiday had begun. The train was travelling past Hatfield and across the wide Hertfordshire plains. The country was looking radiant in its autumn robes of brown and crimson pranked with gold. The sun broke out. It seemed as if the hour were one sent from beyond the skies. What a contrast was this delightful landscape with its drifting clouds, to the weary roads and terraces along which I had been trudging all through the summer months ! My little companion sat silent, averting her eyes from mine when they chanced to meet, with a shy reproachful look. It was my unkind con- duct which caused the train to fly so quickly —my cruel persuasions which had induced her mother to send her away so far, putting all these counties, these fields and palings and villages, these church steeples and cottages and fruit trees and hay stacks between her and that well-loved place — that West Kensington road leading to the iron church with the clanging bell, whither all her thoughts were bound. We passed from fields to wolds, from valleys full of smoking factories to streams and dales and hedgerows ; we came to stately York with it minster towers against the clouds and its spreading trees reflected in the river, but Binnie i 3 2 BINNIE hardly raised her head. At Newcastle, where rocks and men meet like flint and steel, a faint colour began to glow in the girl's soft cheek, she seemed interested at last, and an exclama- tion broke from her pretty lips. " How like " — she began, but the words died away, while a stout figure in spectacles, in clerical attire, crossed the platform carrying a small portmanteau. " It is not Mr. Balsillie," said I drily. My patience was coming to an end, and I felt — Heaven forgive me — as if I should like to box the poor child's ears. Then we started off again. Towards six o'clock we came puffing and panting into Edinburgh, where the sky was crimson and the lights on each side of the great rocky defile were beginning to shine. As we slowly proceeded, Arthur's Seat, Holy- rood, Scott's monument, began all in turn to oust the wearisome phantom of the everhaunt- ing curate — Binnie (she was but nineteen) seemed to revive, to wake up, to look out of window, first on one side and then on the other. We were bound for Perth, and still through the sunset we travelled on, across the open Firth and its wondrous bridge where, what with the beauty of Scotland and the fresh air from the ocean, I could see Binnie's eyes happily shining once more. She was a provoking, silly little girl, and had done her best to seem indifferent, but the joys of SCOTCH SUNSHINE 133 travel, the powers of youth combined with the invigorating northern breezes, came to my help and for the next few hours I do believe the tiresome Balsillie obsession was exorcised. Alas ! that people can't always expect to have express trains at their command, to be carried straight away from their preoccupations, and whirled from one historic and romantic spot to another ; nor can they always have cheerful and expensive hotels brilliantly lighted up to receive them at the journey's end, such as that one which was waiting for us at Perth, where we found our table ready spread before us. Fresh fruit, scones and hospitable Scotch dainties of every description were set out, and Binnie's appetite certainly returned. She once burst out laughing at nothing at all, just as she used to do before Mr. Balsillie came upon the scene. Nor indeed did her pleasant humour desert her the next morning, when we started again in the early sunshine. Italian sunshine may have its own special attributes, Scotch sunshine always seems to me to have a quality of its own. It is Hope and Joy combined, something moral as well as physical. It played upon us all that day, while we travelled from Perth towards Inverness; along hill-sides of which the fragrant crests were just breaking into purple bloom, while the railway faithfully follows the stream as it K 134 BINNIE rushes across the moors to the sea. Has not Ruskin written of that peculiar sense of freedom which comes to us from these spontaneous, unpolluted places ? M I took stones for bread," he says, speaking of this very country, "but not certainly at the Devil's bidding." II The carriage was closely packed and indeed all along the way there were crowds of holiday people waiting for the train. Somewhere about Blair Athol a woman got in^with some children, and after setting them all down in their places, she pulled out a stocking and immediately began to knit. She was a decent Scotswoman of the middle class and seemed ready to talk, being apparently something of an oracle, while the children sat swinging their legs and staring, respectfully taking in every word she uttered. She was on her way to John of Groat's land for sea air for her little nephews and nieces, she told us all. She addressed herself first to one and then to another. An elderly Scotch couple who had started with us from Perth received her confidences with prosaic sympathy. Then an American joined in. He had a valise and a little boy travelling in neatly buttoned gloves such as only little American boys would consent to wear, and carrying a cane. The FELLOW-TRAVELLERS 135 little boy was called Putnam, and every now and then the elder man would impress upon Putnam the importance of making mental notes of the passing facts and places. "You have got to remember all this," said the mentor, "and carry it back to Nashville." The boy didn't seem so much impressed as his tutor by the value of statistics, but he listened willingly enough, together with the other children, to the stories the old lady was telling over her stocking, concerning John of Groat's land and the seven brothers who each wanted to be first ; so that their father had to build a house with seven doors by which every man entered separately and took his place at the round table where seven places were set. "Ye can see the verra place where the hoose once stood," she said, M they hae built an hotel now at the farthest point of the land and that point is whaur we are bound for. There's mony a tale I could tell ye o' all this countryside. D'ye mind the stories of the Grants of Rothie- murchus ? " And then in an eerie and awestruck voice she told us of the phantom Highlander who wanders the woods there — " meets you suddenly and tears ye an' ye flee, but stand up to him and he fades awa'. Ye must aye stan' up to him," said the story-teller, emphati- cally. There was a pause after this. I saw little Putnam clutch his cane and look uneasily 136 BINNIE out of the carriage window. The silence was broken by the American. u Your prospects would be greatly improved by a few gums, ma'rm," said he. "I find I miss the gums in this country. Pray," continued my traveller conversationally, as the sun broke out upon a beautiful curve of the road, " what might be the market price of one of those hills — that shiny purple one over yonder for instance ? " Was he going to pack it up and take it back to America in his valise ? — I almost for- gave him when I saw Binnie trying to suppress a faint giggle which seemed to me like some sign of her returning sanity. As for the Scotchman he answered gravely without a smile, that the hillside, heather and all, might be worth perhaps one shilling and sixpence to two shillings an acre. The American again desired Putnam, who had been sucking a peppermint, to note this, and then went on to ask how many strawberries were reckoned to a pound —