Julian the Apostate By D. S. Mereshovski Translated by Charles Johnston Henry Altemus Philadelphia COPYRIGHT 1899, BY HENRY ALTEMT INTRODUCTION. The present trend toward romantic fiction is the sign of a healthy reaction in literature. It sounds the death of the pseudo-realism so ram- pantly self-assertive during the last decade. That realism divided itself into two camps. The pornographists, like Zola, engaged in accurate but purely pathological studies of the hog that lies couchant in all humanity, and even after twenty centuries of Christianity is still rampant in many of us. They gave us a portion of the truth. Now a portion can never be real. On the other side were the photographers, like Henry James, and W. D. Howells, who used their flashlights only upon man and woman in full-dress, smiling pleas- antly and with their company-manners assumed for the occasion. Of the infinite capacities of the human heart for good or for evil these writers gave us but the vaguest intimations. Henc.e they, also, saw but a portion of the truth. Hence they, also, were essentially unreal. But the advent of the new school of Stanley Weyman, Anthony Hope, and, greatest of all, Sienkiewicz and Mereshkovski, marks a return to the ever-new and ever-old, the historical and romantic fiction which pleased our forefathers and mayhap will continue to please our descendants to the end. These novelists dare to take large canvases and paint upon them stirring and splen- did scenes, lit up by human passion. They do not 3 2039640 4 Introduction. represent man as all dirt, nor as a deity, but render him in his aspect as he lived and lives: Half dirt, half deity, unt alike To soar or sink. They reproduce for us the actual heroes or vil- lains, in high places and in low, who have stormed across the past of the world, and they kin them to the present by showing us more or less directly how they were actuated by the same mixture of noble and ignoble motives that rule the human breast of to-day. I have mentioned Mereshkovski in the same breath with Sienkiewicz because he seems to me equal in the power of reproducing the pagan or semi-pagan past in its gorgeous decadence. His portrait of Julian the Apostate is well worthy a place besides the portrait of Nero in Quo Vadis, and I am not sure that it was not the more diffi- cult task. Julian, a much more complex char- acter than Nero, required infinitely more delicacy in the high-lights and in the shading, more chiar- oscuro, a finer technique, in short, on the part of the artist. Yet Julian in the one book stands out as boldly and intelligibly as Nero in the other. Julian the Apostate, in fact, is one of the most interesting characters in history. Notwithstand- ing his early death and the shortness of his reign it is with a start we remind ourselves that he M r as barely thirty when he died and had been Emperor for only a year and a half he made a mighty impress upon his time. Historians may call him a reactionary engaged in a hopeless strug- gle against destiny, sociologists an atavist, strug- Introduction. 5 gling for the restoration, of the extinct civilization of which he was a laggard type, and humorists a Mrs. Partington combating the roaring onslaught of the advancing ocean with mop and broom. They would all be right. Yet the more hopeless the task he set himself, the more extraordinary was the measure of Julian's achievement. During the eighteen months when he held the mastery of the world it almost seemed that he would turn backward the wheels of progress, abolish the pres- ent, and project the past into the future. But he was struck down in battle in the very heyday of his power. The dying cry which has been put into his mouth, "Thou hast conquered, Galilean!" may be only a poetical figment, nevertheless it is an embodiment of historical truth. With the death of him who had been shudder- ingly styled Antichrist by the followers of the new faith, the victory of Christ and of that new faith was made complete. Mereshkovski has presented a brilliant and effective picture not only of this central figure but of the epoch in which he lived, when Catho- lics and Arians were but the largest factions in a host of contending sects which made up an inhar- monious camp of Christians. He has reproduced the ever-changing moods of the period, its habits, its manners, its passions, its entire life, in short, with the rarest fidelity to history and to human nature. Basing his work upon the eternal verities he is far more real than the self-styled "realists." WILLIAM SHEPARD. JULIAN THE APOSTATE. PART I. CHAPTER I. SCUDILO AND THE MAGICIAN. Twenty stadia from Cesarea of Cappadocia, on the wooded spurs of the Argian hills, beside the great Koman road, was a spring of warm, healing water. A block of stone, with coarsely-graven sculptures of human figures and Greek inscrip- tions, bore witness that the spring had once been consecrated to the brothers Castor and Pollux, the Dioscuri. The images of the heathen gods re- maining uninjured were held to be the images of the Christian saints Cosmas and Damian. On the other side of the road, opposite the holy spring, was built a low tavern, covered with straw thatch, with a foully-kept courtyard for cattle, and a shed for fowl and geese. In the tavern could be had goat's cheese, grey bread, honey, olive oil and the sour local wine. The tavern was kept by the crafty Armenian, Syrophenix. A partition divided the tavern in two parts, one for the common folk, the other for more esteemed guests. Under the ceiling, blackened by acrid smoke, hung hams and bunches of scented 8 Julian the Apostate. mountain herbs, for Fortunata, the wife of Syro- phenix, was a notable housewife. The tavern had an evil name. Honest people did not remain there after nightfall. There were rumors of dark deeds done under that low roof. But Syrophenix was cunning, and could give a bribe when need was, and so came forth dry out of the water. The partition consisted of two slender columns and of an old faded cloak of Fortunata's, instead of a curtain. The columns, with their naive pre- tension to Doric style, were the one elegance of the inn and the pride of Syrophenix. Once gilded, they were long since cracked and peeled. The once bright purple, but now dusty blue cloak, was variegated with innumerable stains, the traces of all the breakfasts, suppers and dinners that recalled to the beneficent Fortunata ten years of her family life. In the clean half, shut off by the curtain, on the narrow couch, worn through in many places, beside a table with a pewter mixing-bowl and wine-cups on it, reclined Marcus Scudilo, the Roman military tribune of the sixteenth legion, and the ninth cohort. Marcus was a provincial dandy, with one of those faces at sight of which forward slave-girls and the cheap heterae of the suburbs cried out in simple-hearted ecstacy: "What a handsome man!" At his feet, on the same couch, in an humble and uncomfortable atti- tude, sat a stout man, red-faced and short of breath, with a bald head and thin, grey hair drawn forward from the nape of his neck to the temples, Publius Aquila, the centurion of the eighth hundred. At a little distance off, on the Scudilo and the Magician. 9 floor, twelve Eoman legionaries were playing at knuckle-bones. "I swear by Hercules!" exclaimed Scudilo, "I would rather be the last man in Constantinople than the first in a mouse-hole. Is this life, Pub- lius? Come, answer with a clear conscience, is this life? You know that nothing is coming but drill and the barracks and the camp. You rot in a foul marsh and do not see the light!" "Yes, you may well say it, life here is not gay," assented Publius, "but then how peaceful." The old centurion was watching the knuckle- bones. The game was an absorbing one. Pretend- ing to listen to his superior's gossip, and nodding to his words, he watched the game under his brows, and thought: "If the red-headed fellow throws cleverly he is likely to win." Then, for the sake of appearances, Publius asked the tribune, as though the question interested him: "Why do you say the prefect Helvidius is angry with you?" ' "Because of a' woman, my friend, all because of a woman." And Marcus Scudilo, in a fit of talkative confi- dence, with a great show of mystery, speaking in the centurion's ear, related that the prefect, "that old he-goat Helvidius," was jealous of him on account of a newly-arrived hetera, a Lilybasum. And Scudilo wished to win back the prefect's favor at once by some considerable service. Not far from Cesarea, in the fortress of Macellum, Julian and Gallus were confined, the cousins of the ruling Emperor Constantius, and nephews of Constantine the Great, the last scions of the ill- -starred house of Flavius. On ascending the throne, 10 Julian the Apostate. through fear of rivals, Constantius had assassi- nated his uncle, the father of Julian and Gallus, Constantino's brother, Julius Constantius. Many other victims fell. But Julian and Gallus they spared, sending them to the lonely fortress of Macellum. The prefect in Cesarea was in serious difficulties. Knowing that the new emperor hated the two boys, who reminded him of his crime, Helvidius wished and yet feared to divine the emperor's will. Julian and Gallus lived in per- petual dread of death. The crafty tribune, Scu- dilo, dreaming of the possibility of a career at court, understood from the hints of his superior that he could not decide to take the responsibility on himself, and was frightened by the rumors of the escape of Constantino's heirs. Then Marcus Scudilo decided to go with a company of legion- aries to Macellum, to arrest the prisoners at his own risk, and to bring them to Cesarea, holding that he had nothing to fear from two youths, mere abandoned orphans, detested by the em- peror. By this daring deed, he hoped to regain the favor of the prefect Helvidius, which he had lost for the golden-haired Lilybasum. But he only told Publius a part of his plan, and this with the utmost caution. "What do you wish to do, Scudilo? Have orders come from Constantinople?" "No, there are no orders. No one knows any- thing for certain. But rumors, you see, .a thou- sand different rumors, and expectations, and hints, and insinuations, and threats, and secrets, oh, no end of secrets! For things like that you get thanks. Any fool can carry out an order. But you must guess the ruler's will without words! Si-udilo and the Magician. 11 Let us see, let us try, let us look out. Most of all, courage, courage, signing yourself with the sign of the cross! I depend on you, Publius. May- hap, we shall both soon be drinking at court, and a better wine than this." Through the small, latticed window fell the melancholy light of a gloomy evening. The rain pattered monotonously. Further on, beyond a thin clay wall, with many holes in it, was a stable. A smell of manure came from it. The clucking of hens, the shrill piping of chickens and the grunting of pigs were mingled together. Milk was pouring into an echoing vessel; the housewife was milking her cows. The soldiers were quarreling about the stakes, and abused each other in whispers. At the level of the ground, between the osier wattles, lightly smeared with clay, the soft pink snout of a sucking pig peeped through a crevice. He had got caught in a trap, and could not draw back his head, and squeaked piteously. Publius thought: "Well, that is all very well, but meanwhile we are nearer the courtyard than the court." His excitement had passed. The tribune also, after his incautious confidences, had grown weary. He looked at the grey rainy sky, through the win- dow, at the pig's snout, at the sour lees of the bad wine in the pewter bowl, at the dirty soldiers, and bitterness came over him. He struck his fist on the table till it staggered on its uneven legs. "Here, you rogue, you betrayer of Christ, Syro- 12 Julian the Apostate. phenix! Come here. What kind of wine is that, you rascal ?" The inn-keeper ran up. He had hair as black as jet, in little curls, and a beard as black, even with a bluish tinge, and also in innumerable little ringlets. In moments of conjugal tenderness, Fortunata used to say that Syrophenix's beard was like a cluster of sweet grapes. His eyes were also black and of uncommon sweetness. A won- derfully sweet smile never left his lips, bright red lips. He was like a caricature of Dionysus, god of wine, and seemed altogether black and sweet. The inn-keeper swore by Moses, and Dindymene, and Christ, and Hercules, that the wine was excel- lent; but the tribune declared that he knew in whose house Glabrio, the Pamphylian merchant, had his throat cut a short time back, and that he would bring him, Syrophenix, to trial one of these days. The terrified Armenian rushed at full speed to the cellar, and soon came back, trium- phantly carrying a bottle of unusual form, wide and flat below, with a narrow neck, covered with cobwebs and moss, as if it was grey with old age. Through the cobwebs here and there appeared the glass, no longer transparent, but dull, with a slight rainbow tint. On a billet of cypress-wood, hung around the neck of the bottle, you could make out the letters "Anthosmium" and, further on, "an- norum centum" (a hundred years). But Syrophenix vowed that the wine had been a hundred years old in the time of the Emperor Diocletian. "Dark?" asked Publius, ecstatically. "As pitch, and perfumed like ambrosia. Ho, Fortunata, for a wine like this we need the crystal Scudilo and the ]\Iagician. 13 glasses. And bring us some fresh, white snow from the ice-house." Fortunata brought two goblets. Her face had a color of perfect health, with a pleasant yellowish bloom, like the ripest plums. It seemed that rustic freshness breathed from her. and a scent of new milk, a farmyard smell. The inn-keeper glanced at the bottle with a sigh of adoration, and kissed the neck of it. Then he carefully removed the wax seal and uncorked it. They put snow in the bottom of the crystal cup. The wine trickled forth in a thick, black, scented stream, the Snow melted" from the strength of the fiery Anthosmian, and the crystal sides of the goblet were dimmed and bedewed by the cold. Then Scudilo, who had had a cheap education, he was capable of confusing Hecuba and Hecate, pompously repeated the single verse of Martial that he remembered: "The crystal's whiteness darkens with old Falernian." "Wait a moment. It will taste better yet." And Syrophenix plunged his hand into his deep pocket and brought forth a little phial, cut from a single onyx, and with a feeling smile carefully poured into the wine a single drop, of precious Arabian cinnamon. The drop fell into the black Anthosmian, like a dull, white pearl, and melted into the wine. A sweet, strange odor pervaded the room. While the tribune drank slowly, in rapture, Syrophenix clucked his tongue : "Byblian, or Maronian from Thrace, or Lace- nian from Chios, or Icarian wine, are all rubbish compared to this." 14: Julian the Apostate. It grew dark. Scudilo gave the order to pro- ceed homewards. The legionaries buckled on their breastplates and helmets, fastened the yellow greaves on their right legs, and took their shields and swords. When they had passed beyond the partition, the Isaurian shepherds, looking like brigands, sitting round their fire, rose respectfully before the Eoman tribune. He was full of the sense of his own dignity, and his head hummed, and his veins glowed with the fire of the noble wine. On the threshold, a man came up to him, in a strange eastern dress, a white robe, with red, transverse stripes and a high, many-storied headgear of felt, a Persian tiara, that looked like a tower. Scudilo stopped. The Persian's face was refined, long and thin, of a yellowish olive color. His narrow, pier- cing eyes were full of deep, crafty thought. In his every movement there was an expression of haughty calm. He was one of the wandering con- jurors and astrologers, who proudly called them- selves Chaldeans, Magians, and Mathematicians. He immediately informed the tribune that his name was Nogodares; he was staying with Syro- phenix on his journey; his path lay from distant Adiabene to. the shores of the Ionian Sea, to the renowned philosopher and theurgian, Maximus of Ephesus. The magian asked permission to exhibit his art and to tell the tribune's fortune. They closed the shutters. The Persian pre- pared something on the floor. Suddenly a slight crackling was heard. All became silent. A ruddy flame rose in a long, thin tongue from the smoke, which filled the room with its white clouds. No- godares put a two-stemmed, reed-pipe to his blood- Scudilo and the Magician. 15 less lips and played, and the sound was sombre, pitiful and reminiscent of a Lydian funeral song. The flame, as if affected by this mournful sound, grew yellow, then faded, and then flashed up again with a faint, pale blue light. The magian threw some dried herbs into the flame. A strong, pleasant odor filled the room. The odor also seemed melancholy; like the odor of half-dried grass, on a misty evening, in the dead wilderness of Arachosia or Drangina. And hearing the melancholy sound of the two- stemmed pipe, a large snake began to glide forth slowly from a black basket at the magician's feet, unwinding its folds with a rustling sound, and glittering with a metallic sheen. Then he began to sing in a low, monotonous voice, so that the song seemed to come from afar. And he repeated the same words: "Mara, mara, mara," many times. The snake wound itself around his lean body, and caressingly, with a soft hissing, brought its flat, green, scaly head, with eyes glowing like car- buncles, close to the magician's ear; the long- forked tongue flashed out hissing, as if it was whispering something. The magician threw the flute on the ground. The flame again filled the room with dim, white smoke, but this time with a heavy narcotic odor, as if of the tomb, and sud- denly went out. It grew dark and fearsome. All were bewildered. But when they opened the shutters, and the leaden light of the rainy twilight entered the room, there was not a trace of the snake and the black basket. The faces of all seemed deadly pale. Nogodares came close to the tribune: "Rejoice! The great and signal favor of the 16 Julian the Apostate. blessed Augustus awaits you; the early favor of the Emperor Constantius." Then for some moments he examined Scudilo's hand and the lines in his palm inquisitively, and, quickly hending to his ear, so that no one could hear, said in a whisper: "Blood, the blood of Caesar is on this hand." Scudilo was terrified. "How dare you, cursed Chaldean dog? I am a loyal servant!" But the other almost mockingly gazed into his face, with a penetrating glance of his cunning eyes, and whispered: "What do you fear? After many years. And can you win glory without blood?" When the soldiers left the tavern, pride and gladness filled the heart of Scudilo. He ap- proached the holy spring, piously crossing himself, and drank some of the healing water, invoking Cosnias and Damian in heartfelt prayer, and secretly hoping that the soothsaying of Nogodares would not prove vain. Then he sprang on his splendid Cappadocian stallion, and gave the sign for the legionaries to march. The standard- bearer raised the standard of purple cloth em- broidered with a dragon. The tribune was over- come by a desire to make a show before the crowd streaming out from the tavern of S}Tophenix. He knew that it was dangerous, but could not restrain himself, intoxicated with wine and pride. Stretch- ing out his sword in the direction of the mist- covered fortress, he cried out loudly and haughtily: "To Macellum!" A murmur of astonishment arose; the names of Julian and Gallus were uttered. A Wandering Conjurer. (P. 14.) Julian's Dream. 17 The trumpeter, standing in front, gave the signal, blowing his copper "buccina," twisted up- ward in several curves, like a ram's horn. The long-drawn sound of the Roman trumpet echoed far up the cliff, and the mountain echo sent it back again. CHAPTER II. JULIAN'S DREAM. Darkness reigned in the great sleeping-chamber of Macellum, once the palace of the Cappadociau kings. Ten-year-old Julian's bed was hard; a bare board, covered with a leopard-skin. The boy him- self desired it so. It was not in vain that his old tutor, Mardonius, deifying the wisdom of old, educated him in the stern principles of the Stoic philosophy. Julian could not sleep. The wind rose from time to time in gusts and wailed mournfully in the crevices like some captive animal. Then came sudden stillness. And in that strange stillness he could hear the large rain-drops fall from time to time, with metallic resonance, on the stone flags, evidently from a great height. It seemed to Julian that in the dark shadow of the vaulted roof he could catch the swift rustle of a bat's wings. He could distinguish the heavy breathing of his brother, sleeping on a soft couch, for he was a delicate and fastidious lad, under the old-fash- ioned, dusty baldachin, the last remnant of the 18 Julian the Apostate. luxury of the Cappadocian kings. The heavy snore of the pedagogue Mardonius was heard in the next room. Suddenly the small, heavily-clamped door of the secret staircase in the wall creaked softly and opened, and a ray of light dazzled Julian's eyes. The old slave-woman, Labda, entered. She was carrying a bronze lamp in her hand. "Nurse, I am afraid; do not take the light away." The old woman set the lamp in the semi-circular stone niche above Julian's pillow. "You are not asleep? Is your head aching? Are you hungry? That old sinner Mardonius half starves you. I have brought you some honey- wafers. They are good! Taste!" To feed Julian was Labda's greatest delight. But Mardonius did not allow it, by day, so she brought him dainties secretly at night. Labda, a half-blind old woman, who could hardly drag her feet after her, always went about in the black robe of a nun. She was considered a Thessalian witch. But she was a pious Chris- tian. The haziest ancient and modern supersti- tions were mingled in her mind into a strange, wild religion. She mixed prayers and incanta- tions, Olympian gods and goat-legged demons, the rites of the Church and witchcraft. She was hung all over with little crosses, sacreligious amulets of dead bones, and charms from the relics of saints. The old woman loved Julian devotedly, with a superstitious love, holding the boy to be the sole lawful heir of the Emperor Constantine, and Con- stantius a murderer and a usurper. Labda knew, as no one else did, the whole Julian's Dream. 19 genealogical tree, and all the immemorial family traditions of the house of Flavins, and remem- bered Julian's grandfather, Constantius Chlorus. Bloody court secrets were hidden in her memory. At night the old woman told everything to Julian^ indiscriminately discerning. And though there was much which his childish mind could not understand, his heart died within him from dim dread and indignation. With dull eyes, and even monotonous voice, she related these terrible, end- less stories, as people tell old tales. Setting down the lamp, the old woman crossed Julian, looked to see whether the amber amulet on his breast was safe, and repeating two or three incantations, to drive away evil spirits, she dis- appeared. Julian sank into a heavy half-sleep. He was hot, and those slow, heavy drops of water tortured him, falling through the silence, from above, as if into a resounding vessel. And he could not tell whether he was asleep or not; whether it was the night wind blowing, or old Labda, like one of the Fates, muttering and whis- pering in his ear the terrible traditions of his family. What he had heard from her, and what he himself had seen in his childhood, mingled together in a confused delirium. He saw the corpse of the great emperor on^a splendid catafalque. The dead man was rouged and powdered; a many-storied head-dress of false hair had been made by skilful wig-makers. They brought little Julian to kiss his grandfather's hand for the last time. The child was afraid. He was dazzled by the purple, the diadem on the false curls and the blaze of precious stones, glittering 20 Julian the Apostate. in the light .of the funeral candles. Through the heavy Arabian incense he smelt the odor of death, the smell of decay, for the first time. But the courtiers, the bishops, the eunuchs, the generals greeted the emperor as if he was alive; ambassadors bowed before him, maintaining their pompous etiquette; the servants of the government read out edicts, laws, and decrees of the senate, seeking the dead man's assent, as if he could still hear, and a whisper of flattery hovered over the crowd: people assured each other that he was so great that by the special grace of Providence he alone reigned, even after his death. And the boy knows that he slew his own son. The young hero's whole fault lay in this, that the people loved him. The son was calumniated by his stepmother; she loved her stepson with a criminal love, and took vengeance on him, as Phaedra did on Hippolytus. Afterward it was dis- covered that the wife of Caesar was concerned in a criminal intrigue with one of the slaves employed in the imperial stables, and she was stifled in a bath of scalding water. Then came the turn of the noble Licinius. Corpse after corpse, victim after victim. The monarch, tortured by con- science, prayed the hierophants of the pagan mys- teries to purify him, but they refused. Then Bishop Oscius assured him that in religion alone there were mysteries able to cleanse him, even from such crimes as these. And so a splendid Labarum, a standard with the monogram of the Christ, in precious stones, now glittered above the 'Catafalque of him who slew his son. Julian wished to wake, to open his eyes, and could not. The resounding drops fell ss before, Julian's Dream. 21 like heavy, slow tears, and the wind whispered; but it seemed to him that it was not the wind, but that Labda was whispering, like an ancient Fate, muttering in his ear the terrible tales of the house of Flavius, with her toothless lips. Julian dreamed that he was in the cold damp- ness, beside the porphyry sarcophagi, filled with the dust of kings, in the family crypt of Constan- tius Chlorus. Labda was covering him, and hiding him in the darkest corner, among the coffins; and was rocking sick Gallus to sleep, for he was ill with fever. Suddenly a death-like cry echoed up above in the palace, from room to room, beneath the vaulted stone roofs of the resounding, deserted arcades. Julian recognized his father's voice, and tried to cry out in answer and to run to him. But Labda held the boy back with her bony hands, and whispered: "Hush, hush, or they will come!" and covered him over from head to foot. Then slow steps sounded on the stairs, ever nearer and nearer. Labda crossed the boy and whispered incantations. A knock at the door, and by the gleam of torches were seen the soldiers of Caesar. They were disguised as monks. The Bishop Euse- bius, of Nicomedia, led them. Breast-plates gleamed under their black gowns. "In the name of the Father, and of the Son, and of the Holy Ghost, open! Who is here?" Labda shrank into the corner with the children. And again reechoed the words: "In the name of the Father, and of the Son, and of the Holy Ghost, who is here?" And again the third time. Then the murderers probed the corners, with their naked sword-blades. Labda 99 Julian the Apostate. threw herself at their feet, and showed them sick Gallus and helpless Julian. "Fear God! What can a five-year-old boy do against the emperor?" And the soldiers forced all three of them to kiss the cross in the hands of Eusebius and swear fealty to the new emperor. Julian remembered the great cross of enameled cypress wood, with the image of the Saviour; lower down, on the old, dark wood, were visible traces of fresh blood, reddening the hands of the murderer who held the cross. It might be the blood of his father, or of one of his six cousins, Dalmatius, Hannibalianus, Nepotianus, Constan- tine, the younger, or the others. The fratricide stepped over seven corpses to mount the throne, and all was accomplished in the name of Him who was crucified on the cross. And more and more, many a victim to count and to remember whom was difficult. Julian awoke from fear and from the silence. The loud, slow drops had ceased to fall. The wind was stilled. The lamp, unflickering, burned in the niche with a steady, thin, long tongue of flame. He sprang up on his bed, listening to the loud beating of his own heart. . The silence was deathlike and intolerable. Suddenly, below, re- sounded loud voices and steps, from room to room, under the vaulted roofs of stone, along the echo- ing, deserted arcades, here in Macellum, as there in the crypt of the Flavii. Julian shuddered; he thought he was still delirious. The steps drew near and the voices grew clearer. Then he cried out: "Brother! brother! are you sleeping? Mar- donius! Do you not hear?" Julian's Dream. 23 Gallus awoke. Mardonius, barefoot, with dis- heveled gray hair, in a short night tunic a eunuch, with wrinkled, yellow and puffy face, like an old woman's, ran to the secret door. "The prefect's soldiers! Dress quickly! We must flee!" But it was too late. The creak of iron was heard. The small, iron-studded door was shut from the outside. On the stone pillars of the great stairway gleamed the light of torches, and in the light appeared the purple standard and the shi- ning cross with the monogram of the Christ on the helmet of one of the legionaries. "In the name of the orthodox and hlessed Augustus, the Emperor Constantius, I Marcus Scudilo, tribune of the legion of Fretensis, take under my ward Julian and Gallus, sons of the patrician Julius." Mardonius, with his sword drawn, stood, bar- ring the path of the soldiers, before the closed door of the sleeping-chamber, in a most martial pose. His sword was dull and good for nothing. It served the old pedagogue only during the lessons of the Iliad to show his pupils, by living examples in classic pose, how Hector fought with Achilles. The scholastic Achilles could hardly have beheaded a fowl. Now he flourished the dull sword before Publius' nose, according to all the rules of the military art of Homer's time. Pub- lius, who was drunk, grew furious at this. "Out of the way you lard-bladder, old carrion, wind-bellows! Away, if you do not want me to pierce a hole and let the wind out of you!" He seized Mardonius by the throat and threw him so fnr that he struck the wall mid almost fell. 24 Julian the Apostate. Scudilo ran to the doors of the sleeping-chamber and flung them open. The steady flame of the bronze lamp grew pale in the red light of the torches. And the tribune for the first time in his life beheld the last descendants of Constantius Chlorus. Gallus looked tall and strong. But his skin was fine, white and soft, like a girl's. His eyes were light blue, lazy and indifferent. His hair was fair as flax, a common sign of the race of Constantine, and, falling in curls, it covered his strong, healthy neck. In spite of the manly mold of his body and the light down beginning to appear on his chin, eighteen-year-old Gallus seemed a mere boy; such innocent bewilderment and childish fear were manifested in his face. His lips trembled like a little child's when it is begin- ning to cry, and he helplessly winked his eyelids, red and swollen with sleep, with their light lashes, and slowly crossed himself, whispering: "Lord have mercy! Lord have mercy!" Julian was a lank child, lean and pale. His face was ugly and irregular. His hair was coarse, smooth and black. His nose was too large. His lower lip stuck out. But his eyes were remark- able; making his face one of those which once seen can never be forgotten, large, strange, changeable, with a mature, intense and morbidly bright glitter, which sometimes seemed mad. Publius, who in his youth had often seen Con- stantine the Great, thought: "That boy will be like his uncle." Julian's fear at the presence of the soldiers van- ished. He felt only anger. Clenching his teeth, he cast the leopard-skin from the bed across his Julian's Dream. 25 shoulders and gazed at Scudilo steadily, with knit brows, and his protruding lip trembled. In his right hand, under the leopard-skin, he grasped the hilt of a keen Persian dagger, secretly given to him by Labda. The point was poisoned with a deadly venom. "Wolf's cub!" muttered one of the legionaries, pointing at Julian, to one of his companions. Scudilo wished to pass the threshold of the sleeping-chamber, when a new thought came to Mardonius. He cast his useless sword away, caught the tribune by his cloak, and suddenly cried out in a piercing, unexpectedly shrill and womanish voice: "What are you doing, knave! How dare you insult the messenger of the Emperor Constantius? I am charged to bring these imperial scions to the court. Augustus has restored them to his favor! Here is the order from Constantinople." "What does he say? What order?" Scudilo glanced at Mardonius. The wrinkled old-woman's face bore witness that he was really a eunuch. The tribune had never seen Mardonius before, but he well knew in what high favor the eunuchs were held at the emperor's court. Mardonius hastily drew a packet forth from the great book-chest, with the parchment rolls of Hesiod and Homer, and gave it to the tribune. Scudilo unrolled it and turned pale. He only read the first words, saw the name of the emperor, who called himself, in the edict, "Our Eternity," and did not notice either the year or the month. When the tribune saw the immense and familiar seal of the emperor, of dark green wax, on gilded 26 Julian the Apostate. ribbons, a mist came before his eyes. He felt his knees trembling. "Forgive me! This is a mistake!" "What, you knaves! forth from here; don't leave a trace of yourselves! And drunk, too! The emperor shall know all!" Mardonius quickly snatched the paper from Scudilo's trembling hands. "Do not ruin me! We are all brothers; we are all sinful people. I pray you in the name of Christ." "I know what you do in the name of Christ, rascal! Forth from here!" The poor tribune made a sign of surrender. Then Mardonius once more raised the blunt sword and, brandishing it, took the classic pose of an ancient warrior. The drunken centurion alone struggled toward him, crying: "Let me go, let me go! Fll stick him and see how the old lard-bladder bursts!" They dragged the drunken man away by the arms. When their steps had ceased, and Mardonius was satisfied that the danger was over, he laughed aloud. His whole flabby, effeminate body quivered with laughter. The old man forgot the dignity and decency of the pedagogue and hopped about on his weak, bare legs, in his night tunic, crying out exultantly: "Children, my children! Glory be to Hermes! We cheated them cleverly! The edict is three years old. Fools, fools!" Before sunrise Julian sank into a deep, quiet sleep. He awoke late, refreshed and gay, when the pale blue sky was gleaming through the high lattice of the window of the sleeping-chamber. CHAPTER III. THE MONK EUTROPIUS. In the morning came the lesson in the cathe- chism. The teacher of theology was the monk Eutropius, an Arian presbyter, with hands that were always damp, cold and bony; with pale, melancholy, frog-like eyes; bent, long as a pole, thin as a splinter. He had a repulsive habit of furtively licking the palm of his hand, then quickly stroking his thin, gray temples with it, and immediately clasping his fingers together and cracking his knuckles. Julian knew that the one movement would inevitably be followed by the other, and this irritated him to the verge of mad- ness. Eutropius wore a patched black gown with many stains, asserting that he wore poor garments from humility. In reality, he was a miser. Eusebius, of Nicomedia, Julian's spiritual guar- dian, had chosen this teacher. The monk suspected in his young pupil a secret contumacy of spirit, which, if not overcome, in the teacher's opinion, threatened Julian with everlast- ing damnation. The teacher was unwearying in speaking of the feelings which the boy ought to entertain toward his benefactor Constantius. Whether he was ex- plaining the text of the New Testament, or the Arian dogmas, or the allegories of the prophets, everything led to that, to "the root of holy obe- dience and filial subjection." It seemed that the 27 28 Julian the Apostate. religion of love, with all its martyr sacrifices, was only the flight of steps up which the triumphant Constantius had ascended to the throne. But sometimes while the monk was speaking of the emperor's benefactions heaped on Julian, the boy looked into his teacher's eyes with a deep and silent gaze. He knew the monk's thoughts at the moment, and the monk likewise knew the thoughts of his pupil. And neither of them uttered a word. But afterward, if Julian broke down, forgetting some text, or the names of the Old Testament patriarchs, or failed to repeat some prayer, Eutro- Eius looked at him exulting, in silence, with his rog-like eyes, and softly caught Julian's ear be- tween his finger and thumb, as if caressing him. The boy felt the two sharp, cruel nails slowly burying themselves in his ear. Eutropius, in spite of his forbidding character, was of a mocking and even gay humor. He gave his pupil the ten- derest titles: "My dear," "first-born of my soul," "my beloved son," and made sport of his imperial origin. Every time when he pinched Julian's ear, and his pupil grew white with anger rather than with pain, Eutropius said in a cringing voice: "Is not your Majesty displeased with your humble and unlearned slave, Eutropius?" "And, licking his palm, he stroked his temple and softly cracked his knuckles, adding that it would sometimes be a good thing, a very good thing, to give ill-tempered and idle boys a lesson with the rod, that this was even the counsel of Holy Writ, that the rod enlightened a dark and rebellious spirit. This he said only to subdue the "devilish spirit of pride" in Julian. The boy knew that Eutropius would not dare to carry out The Monk Eutropius. 29 his threats; and the monk himself was secretly convinced that the boy would rather die thaii allow himself to be beaten. Yet the teacher often spoke of it, and at great length. At the end of a lesson, when a text was being explained, Julian happened to drop some hint of the antipodes, about which he had heard from Mardonius. Perhaps Julian did this intention- ally to exasperate the monk. But the latter laughing a thin, crackling laugh, carefully cover- ed his mouth with his hand. "And who told you about the antipodes, my dear? Well, you have made me laugh, sinner that I am. I know, I know that the old fool Plato speaks of them somewhere. And so you believe that people walk upside down?" And Eutropius set himself to confute the god- less heresy of the philosophers. Was it not shame- ful to think that men, made in the image and likeness of the Creator, should walk on their heads, making a mockery of the firmament? And when Julian, wounded for his beloved sages, spoke of the earth's spherical form, Eutropius suddenly ceased laughing and flew into such a passion that he grew scarlet, and stamped his feet. "You have heard this godless lie from Mardo- nius, from that old heathen!" When he was angry he stuttered in his speech, and the spittle flew in flecks from his lips. It seemed to Julian that this spittle was poisonous. The monk fell savagely on all the sages of Hellas. He forgot that he was speaking to a child and launched into a whole sermon, which wounded Julian in a sensitive place. He attacked Pythag- oras, as an old man fallen into his dotage, in 30 Julian the Apostate. the most shameful terms. And Plato's ravings seemed to him not worth talking about. He simply called them abominable, and spoke of the great pupil of Socrates as an imbecile. "Head what Diogenes Laerlius says about Soc- rates," he said to Julian, with malicious pleasure, "and you will see that he was a usurer, and besides that, he stained himself with sins which it is not lawful even to speak about/' But a special detestation was awakened in him toward Epicurus. "I hold him to be unworthy of an answer. The bestiality with which he plunged into all kinds of passions, and the baseness with which he made himself the slave of sensual pleasures, show well enough that he was not a man, but a beast!" Quieting down a little, be began to explain some impalpable shade of Arian dogma., falling with peculiar bitterness on the orthodox Catholic Church, which Eutropius counted heretical. Through the window, from the splendid, de- serted garden, came a breath of freshness. Julian pretended to listen attentively to Eutropius. In reality he was thinking of other things, thinking of his dear teacher Mardonius, and remembering his learned lectures, his readings from Homer and Hesiod. How unlike they were to the monk's lessons! Mardonius did not read Homer, but chanted him in the manner of the old rhapsodists, and Labda laughed at him, saying that he howled like a dog at the moon. And in fact, for people who Avere not used to it, it was droll at first. The old eunuch conscientiously scanned every foot of the hexameters, waving his hand in time, and a tri- The Monk Eutropius. 31 umphant grandeur covered his yellow, wrinkled face. But as his thin, womanish voice grew ever louder and louder Julian no longer noticed the the old man's ugliness, but only his living, pas- sionate soul, moved and stirred by the perfection of beauty. A shiver of delight ran down his back. The divine hexameters mingled and flowed like waves. He saw the parting of Hector and Andro- mache; Odysseus longing for his Ithaca, on Ca- lypso's isle, before the sad, unharvested sea. And a sweet pain stirred Julian's heart; a longing for beloved, ever-living Hellas, the motherland of the gods, the motherland of all who love beauty. Tears trembled in the teacher's voice, tears flowed down his yellow cheeks. At times Mardonius spoke to the boy of wisdom, of the stern worthies, of the death of heroes for freedom. And how unlike these speeches also were to the lessons of Eutropius; Mardonius told him of the life of Socrates. When he came to the "Apology" before the people of Athens, the teacher sprang to his feet, took up an attitude of stately dignity, and declaimed the philosopher's speech from memory. His face grew peaceful and rather disdainful. It seemed as if he were not judged by the people, but judging the people. Socrates asked not for mercy. All the power, all the laws of the state, were as nothing before the freedom of the human soul. The Athenians might put him to death, but could never take away the freedom and happiness of his immortal spirit. And when this Scythian, this barbarian, who had been bought a slave from the banks of the Borysthenes, loudly repeated "Liberty!" it seemed to Julian that there was such a superhuman beauty in that word that 32 Julian the Apostate. even the fair imagery of Homer grew pale before it, and gazing with wide-open, almost ecstatic eyes, at his teacher, he trembled and grew white for very joy. The boy woke up from his dreams, feeling the cold, bony fingers approaching his ears. The lesson in the catechism was at an end. Kneeling down, he pronounced a prayer of gratitude. Then leaving Eutropius, he ran swiftly to his room, took a book, and went to his favorite nook in the garden, to read in peace. The book was interdicted: "The Symposium of the Blasphe- mous and Unclean Plato." On the stair, Julian unexpectedly ran into the departing Eutropius. "Wait, wait, my dear! What sort of a book has you Majesty got?" Julian looked up at him quietly and gave him the book. On the parchment binding, Eutropius read the title in large letters: "The Epistles of Paul the Apostle." He gave it back, without opening it. "Oh! that's it, is it? Remember that I am responsible for your soul before God, and before the mighty Emperor. Do not read heretical books, especially the philosophers, whose vain learning I sufficiently confuted to-day." That was the boy's usual subterfuge. He wrapped the dangerous books in bindings with innocent titles. From his childhood, Julian had learned to dissemble, with more than a child's skill. He took a pleasure in deceiving, especially Eutropius. He sometimes pretended, dissembled, and deceived, without any particular need, from mere habit, misleading everyone except Mardonius, with a feeling of malicious and vengeful pleasure. The Monk Entropitis. 33 In Macellura, amongst numberless idle servants, men and women, there was no end of intrigue, slander, gossip, suspicion, tale-bearing. All this servile throng, in the hope of some personal profit, day and night spied on the royal brothers fallen into disfavor. Since Julian could remem- ber, he had expected death from day to day, and little by little had almost grown accustomed to perpetual fear, knowing that neither in the house nor in the garden could he take a step or make a movement that might escape thousands of curious, unseen eyes. The boy heard much, and under- stood much, but had to pretend he neither heard nor understood. Once he overheard a few words of a conversation between Eutropius and a spy sent from Constantius, in which the monk called Julian and Gallus the royal whelps. At another time in the gallery, under the windows of the kitchen, the boy involuntarily heard how the drunken old cook, irritated by some impertinence of Gallus, said to the slave-woman, his paramour, who was washing dishes: "God protect my soul, Priscilla, I cannot understand how it is they have not smothered them yet!" When Julian, after the catechetical lesson, ran from the house, and saw the greenness of the trees, he breathed more freely. The eternal snows of the two-peaked summit of the Argian mount gleamed white against the blueness of the sky. A cool breath blew from the neighboring glaciers. Paths led away into the dis- tance, through the impenetrable shadow of south- ern stone-oaks, with their small, shining, dark- green leaves. Here and there a ray broke through, and fell on the green of the plane-trees. On one 34 Julian the Apostate. side of the garden there was no wall. It ended there in a declivity. Beneath extended the dead desert to the very horizon, to Antitaurus. A hot breath came up from it; but in the garden, cold water sounded, murmuring and bubbling foun- tains played, and streamlets gurgled under clumps of oleanders. Macellum a century ago had been the favorite retreat of Ariarathes, the luxurious and half-mad king of Cappadocia. Julian took his way with his Plato to a lonely grotto, not far from the declivity. There stood goat-legged Pan, playing his fhite, and a little altar. From a lion's mouth, a stream of water fell into a marble shell. The entrance was curtained by tea-roses. Through them were seen the hillocks of the desert, misty-blue, undulating like the sea. The scent of the tea-roses filled the cave, and the air would have been heavy but for the crystal spring. The wind brought with it pale yellow leaves, strewing them on the ground, and in the water of the basin; and the humming of bees was heard in the warm, dark air. Julian, lying on the moss, read the "Banquet." Much of it he did not understand. But the charm of the book lay in its being forbidden. Laying Plato aside, he wrapped it again in the binding of the Epistles of Paul the Apostle, went softly up to Pan's altar, gazed a while at the jolly god, as at an old companion, and lying on his breast on the yellow leaves, brought forth from the interior of the altar, broken and covered with a thin board, an object which was carefully wrapped up in a piece of cloth. Unwrapping it tenderly, the boy set it before him. It was his own handiwork, a splendid toy ship, a Liburnian The ]\Ionk Entropius. 35 trireme. He came close to the basin, and put the boat into the water. The trireme rocked on the little waves. It was complete, three masts,, rigging, oars, a gilded beak, and a sail, made from a silk rag that Labda had given him. It remained to make the rudder, and the boy set to work. Whittling a piece of wood; he looked away now and then into the distance, at the undulating hills that peeped between the roses. And over his toy ship he soon forgot all insults, all his hatred and perpetual fear of death. In his grotto, he imag- ined himself lost somewhere amongst the waves;, in a desert cave, high above the sea, subtle- souled Odysseus, building a ship to return to his beloved Ithaca. But there, among the hillocks, where gleamed the roofs of Cesarea, like the foam of the sea, a cross, a little, shining cross, over a basilica, tormented him. That everlasting cross! He tried not to see it, consoling himself with hie trireme. "Julian! Julian! Where is he? It is time for church! Eutropius is calling you to church!" The boy shuddered, and .hurriedly hid his tri- reme in the hollow of the altar. Then he set his hair and clothing in order, and when he left the grotto, his face had again taken on its impenetrable and unchildlike expression of deep dissimulation, as if life had flown away from it. Eutropius, holding Julian's hand in his cold,, bony hand, led him to the church. CHAPTER IV. THE BASILICA OF SAINT MAURICE. The Arian basilica of Saint Maurice was almost wholly built of stones from the ruined temple of Apollo. The sacred court, the atrium, was surrounded on its four sides by colonnades. In the center a fountain bubbled, for the ablutions of the wor- shippers. In one of the side porticos was an old sarcophagus of carved and blackened oak. In the coffin lay the miracle-working remains of Saint Mamas. Eutropius set Julian and Gallus to build a stone grotto over the relics. The work of Gallua, who considered it a pleasant exercise, got on won- derfully; but Julian's wall kept falling all the time. Eutropius explained this by saying the Saint Mamas refused the offering of the boy, who was possessed of a spirit of demoniac pride. Near the grotto was a crowd of sick folk, waiting to be healed. One of the Arian monks held a pair of scales. The pilgrims, many of them from dis- tant villages, many parasargs off, carefully weighed pieces of linen, woolen or silk stuff, and laying them on the tomb of Saint Mamas, prayed for a long time, sometimes through the whole night until morning. Then they weighed the same piece of stuff again, to compare it with its former weight. If the stuff was heavier, it meant that the prayer was heard, that the saint had given his blessing like evening dew, falling on the silk, the 36 The Basilica of Saint Maurice. 37 linen, or the wool, and now the stuff could heal diseases. But often the prayers remained un- heard, the stuff remained light, and the pilgrims passed days, weeks, or months beside the tomb. There was one poor woman there, an old nun, Theodyle by name: some thought she was a saint; others thought her half mad. For years she had not left the tomb of Saint Mamas. The sick daughter, for whom the pilgrim had originally asked the saint's blessing, had died long ago, and Theodyle went on praying as before, over her piece of faded, ragged cloth. From the atrium, three doors led into the Arian basilica: one of them into the men's division; another into the women's division; the third, to the division for the monks and the clergy. Along with Gallus and Eutropius, Julian en- tered by the middle door. He was the anagnost of St. Maurice's; that is, the church reader. A long black robe with wide sleeves covered him. His hair, anointed with olive oil, was held back by a thin band, to keep it out of his eyes, while he was reading. He passed through the crowd, with humbly bent head. His pale face almost involuntarily took on the expression of hypocrit- ical humility, which was indispensable, and to which he had long accustomed it. He entered the high Arian ambo. The frescoes on one of the walls represented the martyrdom of St. Euphemia. The executioner had caught hold of the martyr's head, and was holding it bent back, immovable. Another, open- ing her mouth with a pair of tongs, brought a cup close to her throat, probably with melted lead. Beside it was depicted another scene of torture. 38 Julian the Apostate. The same St. Euphemia was hanging to a tree by her hands, and the executioner was scarring her blood-stained and almost childish limbs with an instrument of torture. Under the frescoes was an inscription: "By the blood of the martyrs, oh Lord, thy church is made beautiful, as by purple and fine linen." On the opposite wall sinners were depicted, flaming in hell. Above was seen paradise, with the just made perfect; one of them was gathering red fruit from the tree of life; another was sing- ing, playing on a harp; and a third was bending down, leaning on a cloud, and watching the tor- tures of hell, with a serene smile. Beneath was the inscription: ''There shall be weeping and gnashing of teeth." The sick from the tomb of St. Mamas entered the church. There were lame, blind, cripples, paralytics, children on crutches, looking like old men, demoniacs, idiots, pale faces with inflamed eyelids, and with an expression of dumb and hope- less submission. When the choir ceased, in the silence was heard the heart-breaking sighing of the church widows, in their black dresses, or the rattling of the old Monk Pamphilus' chains. During many years, Pamphilus had not exchanged a word with any one, perpetually repeating: "Oh Lord! oh Lord! give me tears, give me feeling, give me mortal memory!" The air was hot, as in a vault, heavy, charged with incense, the smell of wax, the smoke of lamps, the breath of all those sick people. That day Julian had to read from the Apoc- alypse. The Basilica of Saint Maurice. 39 The terrible images of the Kevelation were enumerated. There was the pale horse, and his name that sat on him was Death. And the nations of the earth trembled, for the end of all things was at hand. And the sun became black as sackcloth of hair, and the moon became as blood. And men said to the mountains and rocks: "Fall on us, and hide us from the face of him that sitteth on the throne, and from the wrath of the Lamb. For the great day of his wrath is come, and who shall be able to stand?" And the prophecy was repeated: "And in those days shall men seek death, and shall not find it; and shall desire to die, and death shall flee from them." And a cry arose: "Blessed are the dead!" And there was the bloody slaughter of the nations. And the vine of the earth was cast into the great winepress of the wrath of God, and the winepress was trodden, and blood came out of the winepress, even unto the horse bridles, by the space of a thousand and six hundred furlongs. And men blasphemed the God of heaven, be- cause of their pains and of their sores, and re- pented not of their deeds. And an angel cried with a loud voice, saying: "If any man worship the beast of his image, the same shall drink of the wine of the wrath of God, which is poured out without mixture into the cup of his indignation, and he shall be tormented with fire and brimstone in the presence of the holy angels, and in the presence of the Lamb. And the smoke of their torment ascendeth up for ever and ever; and they 40 Julian the Apostate. have no rest day nor night who worship the beast and his image." Julian ceased. Silence reigned in the church. Heavy sighs were heard through the frightened crowd, and people beating their heads against the flagstones of the church, and the rattling of the idiot's chains, as he cried: "Oh Lord! oh Lord! give me tears, give me feeling, give me mortal memory!" The boy looked up, at the great half-circle of mosaic, between the pillars of the arcade. It was the Arian image of the Christ, a menacing, dark, thin face, with a golden oreole and diadem, already grown like the diadems of the Byzantine emper- ors; almost an old man, with a long, thin nose, and tightly-pressed lips. With his right hand he was blessing the earth, and with his left hand he held a book, and in the book was written: "Peace be unto you. I am the light of the world." He was seated on a splendid throne, and a Eoman emperor (it seemed to Julian that it was Constantius) was kissing his feet. But at the same time, there, below, in the twi- light, where was only the light of a small lamp, was seen a bas-relief on a sarcophagus of the ear- liest Christian period. There were sculptured graceful little Nereids, panthers, merry Tritons, and beside them Moses, simple-minded Jonah with the whale, Orpheus charming wild beasts with the sound of his lyre, olive boughs, doves, fish, simple symbols of pure, childlike faith. And among them the Good Shepherd, carrying a lamb on his shoulders; the lamb that had been lost and was found, the sinner's soul. He was simple and joy- ful, the bare-footed youth with his beardless, The Basilica of Saint Maurice. 41 humble and modest face, like the faces of the poor country people. He wore a smile of heavenly gladness. It seemed to Julian that no one any longer saw or knew the Good Shepherd, and with that little image of other times was bound up in his mind a kind of far-away, childish dream, which he sometimes wished to recall, and could not. The youth with the lamb on his shoulders looked at him alone, with a mysterious reproach. And Julian whispered the word he had heard from Mardonius: "Galilean!" At that moment the oblique rays of the sun, falling through the window, made a tremulous pillar in the smoke of the incense; and the pillar, slightly rocking, seemed to rise into a menacing, dark head, the head of the Arian Christ, sur- rounded with a golden oreole. The choir suddenly burst forth triumphant: "And let all flesh of man keep silent, and stand in fear and trembling, and let nought upon earth trust in itself. For the King of kings and Lord of lords cometh to judge and to give them for food to the faithful. And let the angels come before him, with every principality and power, the many- eyed cherubim and the six-winged seraphim, cov- ering their faces, and singing: Alleluia! Alleluia! Alleluia!" And the chant swept like a storm over the bent heads of the worshippers. The image of the bare-footed youth, the Good Shepherd, departed to an immeasurable distance, but still watched Julian reproachfully, and the boy's heart was full, not of reverence, but of intol- erable fear before that secret, which he was not destined to penetrate his whole life long. CHAPTER V. THE SHRINE OF VENUS. From the Arian basilica, Julian returned to Maeellum, taking with him his model trireme, completed, and carefully wrapped up, and unseen by anyone, Eutropius had gone away for several days, slipped out through the gates of the for- tress, and ran past the church of St. Maurice, to the neighboring shrine of Aphrodite. The sacred grove of the goddess bordered on the graveyard of the Christian church. Hostility and quarrels, even lawsuits between the two tem- ples never ceased. The Christians demanded the destruction of the unclean shrine; the priest Olympiodorus made complaints against the church watchmen: by night they secretly broke the immemorial cypresses of the sacramental grove, and dug graves for Christian dead in the sacred soil of Aphrodite. Julian entered the grove. The warm air encir- cled him. The heat of midday sucked big drops of resin from the grey, gnarled roots of the black cypresses. Julian felt as though the twilight of the grove was full of the inspiration of Aphrodite. Statues gleamed white among the trees. Here was Eros, drawing his bow. Probably one of the church watchmen, in wrath against the idol, had broken off the marble bow. Along with the god's two pretty arms, Love's weapon lay in the grass, at the foot of the statue. But the armless boy, 42 The Shrine of Venus. 43 planting one plump leg in front of him, was still aiming with a wanton smile. Julian entered the house of the priest Olym- piodorus. The rooms were tiny, narrow, almost playthings, but cozy. There was no luxury, but rather poverty. There were neither carpets nor plate. Plain stone floors, wooden furniture, cheap amphoras of baked clay. But in every trifle there was distinction. The handle of a simple kitchen lamp was a figure of Poseidon with his trident. It was antique, wonderful work. Sometimes Julian gazed long in ecstasy at the graceful form of a clay vase of cheap olive oil. Everywhere on the walls bright frescoes were seen: here the Xereids, seated on their scaly water-horses; there a young goddess dancing, in a long robe with curved and swelling folds. Everything in the little house was smiling, flooded with sunlight. The Nereids on the walls were smiling, and the dancing goddesses, and the Tritons, even the scaly sea-horses, and the bronze Poseidon on the handle of the lamp. And the same gayety was on the faces of the dwellers in the house. They were born gay. They did not know how to be unlovely, or angry, or gloomy. They were satisfied with a dozen or two of tasty olives, some white wheaten bread, a bunch or two of grapes, some cups of wine, mixed with water, this was a regular feast for them. And Diophane, the wife of Olympiodorus, would hang a wreath of laurels in the doorway in sign of the festival. Julian entered the little garden of the Atrium. Under the open sky was a fountain, and beside it, among narcissus, acanthus, tulips and myrtle, stood a little bronze image of Hermes, winged, 44 Julian the Apostate. laughing, like everything in the house, ready to spread his wings and fly away. Over the flower- beds, in the sun, hovered butterflies and bees. Under the light shadow of the portico in the courtyard, Olympiodorus and his seventeen-year- old daughter Amaryllis were playing the graceful Athenian game of cottabus. On a little column, sunk into the ground, swayed a transverse cross- beam, like the scale-beam of a balance. At each end of it were hung small cups. Under each was placed a vessel of water, with a little bronze statu- ette in it. The game was to splash wine out of a cup, from a certain distance, so that it should fall in one of the scales, which then tipped down, and struck the bronze statuette. "Play, play. It is your turn!" cried Amaryllis. "One, two, three!" Olympiodorus splashed the wine, but missed. He laughed a childlike laugh; it was strange to see a full-grown man, with grey streaks in his hair, carried away by a game, like a child. The girl, with a charming gesture of her bare arm, throwing back the purple tunic, splashed the wine, and the kottabos struck the statuette, and rang. Amaryllis clapped her hands, and laughed. Suddenly they saw Julian in the doorway. They all began to kiss him, and embrace him. Amaryllis cried: "Diophane, where are you? Look at the guest who has come. Quick, quick!" Diophane ran in from the kitchen. "Julian, my beloved boy! You look as if you had grown thin. We have not seen you for a long time." The Shrine of Venus. 45 And she cried out, radiant with pleasure: "Well, make merry, my children. To-day we shall have a real feast. I shall make garlands of fresh roses, and roast three whole perch, and make sweet ginger pastry!" At that moment, a young slave-girl came up and whispered to Olympiodorus that a rich patrician lady from Cesarea wished to see him, as priest of Aphrodite. He went out. Julian and Amaryllis were left to play kottabos. Then noiselessly on the threshold appeared a ten-year-old, slender, pale, fair-haired girl, Psyche, the younger daughter of Olympiodorus. She had light blue, large, sad eyes. Alone of the whole household she seemed to Olympiodorus not consecrated to Aphrodite, a stranger to the gen- eral gladness. She lived a life apart, remained pensive, when the others laughed, and no one knew the cause of her sorrows and her joys. Her father considered her a pitiful creature, -incurably ailing, tainted by the evil eye, and the charms of his everlasting foes, the Galileans. They took his child in revenge. Black-curled Amaryllis was Olympiodorus' favorite daughter. But her mother secretly spoiled Psyche, and loved her sickly child with a jealous passion, not understanding her inner life. Psyche, unknown to her father, went to the basilica of Saint Maurice. Neither the caresses of her mother, nor her prayers, or threats were of any avail. The priest in despair shunned Psyche. When she was mentioned, his face clouded over, and his expression became unkind. He asserted that, through his daughter's impiety, the vineyard for- 46 Julian the Apostate. merly blessed by Aphrodite, began to bear less fruit,, that the little cross of gold, which the girl wore on her breast, was enough to pollute the temple of Aphrodite. "Why do you go to the church?" Julian asked her once. "I do not know. It is pleasant there. Have you seen the Good Shepherd?" "Yes, I have seen him. The Galilean! Where did you learn about him?" "The old woman Theodyle told me. Since then, I have gone to the church. And why is it, tell me, Julian, why do they all hate the Good Shep- herd so?" Olympiodorus returned triumphant, and told of his talk with the patrician lady. She was a young, distinguished girl. Her betrothed had ceased to love her. She thought that he was be- witched by the charms of a rival. She had gone many time to the Christian church, fervently praying at the' tomb of Saint Mamas. Neither fasts, nor vigils, nor prayers availed. "As if the Christians can help you!" exclaimed Olympio- dorus, contemptuously, and glanced under his knit brows at Psyche, who was listening attentively. "And so the Christian came to me. Aphrodite will heal her." He triumphantly showed two white doves tied together. The Christian lady had asked him to offer them as a sacrifice to the goddess of love. Amaryllis, taking the doves in her hands, kissed their soft red toes, and cried that it was a pity to kill them. "Father, let us offer them, but without killing them." The Shrine of Venus. 47 "How? Can there be an offering without blood?" "Let us do this. Let us set them free! They will fly straight up to heaven, to the throne of Aphrodite. Is it not true the goddess is there, in the sky? She will take them to her. Allow me, please, dearest!" Amaryllis kissed him so tenderly that he had %ot the courage to refuse. Then the girl loosed the doves, and set them free. They fluttered their white wings with a joyful rustle, and flew up into the sky, to the throne of Aphrodite. Shading his eyes with his hands, the priest watched the Christian's offering disappear in the blue. And Amaryllis jumped with joy, and clapped her hands: "Aphrodite! Aphrodite! Accept this bloodless sacrifice!" Olympiodorus went out. Julian triumphantly and shyly approached Amaryllis. His voice trembled, when he uttered the girl's name in a low voice, and his cheeks grew red. "Amaryllis, I have brought you " "Yes, I wanted to ask long ago what you had with you?" "It is a trireme." "A trireme? What kind? What for? What do you say?" "A real Liburnian one!" He began rapidly to unwrap his present, and suddenly felt an indefinable shame and shyness. Amaryllis watched him, bewildered. He grew completely confused, and looked at her silently, entreatingly, launching the toy ship in the basin of the fountain. 48 Julian the Apostate. "Do not think, Amaryllis. It is a trireme, a real one, with sails. You see, it floats, and there is a rudder." But Amaryllis laughed aloud at his present. "How odd you are! What am I to do with a trireme? You cannot go far in her! That is a ship for mice or cicadas! Better give it to Psyche, she will be glad. You see how hungrily she is watching!" Julian was deeply hurt. He tried to assume an indifferent expression, but felt that tears were near, that his throat was contracted, that his lips trembled and pouted. He made a desperate effort, restrained his tears, and said: "I see, you do not understand anything." He thought a moment, and added : "You do not understand anything about art." But Amaryllis only laughed the louder. To add to the insult, she was called away to meet her betrothed. He was a rich merchant of Samos. He scented himself too much, dressed without taste, and made grammatical blunders in conversation. Julian detested him. The whole house was overcast for him, and its gayety fled when he learned that" the Samian had come. From the next room came the joyful twittering of Amaryllis, and the voice of her betrothed. Julian seized his beloved Liburnian trireme, which had cost him such infinite pains, broke the mast, tore up the sail, tangled the rigging, broke and disfigured the hull, without saying a word, with silent detestation, to the no small astonish- ment of Psyche. Amaryllis returned. On her face were the traces of another's happiness, the excess of life, The Shrine of Venus. 40 the immeasurable joy of love, which makes young girls feel the need of kissing and embracing some one. "Julian, forgive me. I have offended you. Well, forgive me, dear. You see how I love you, I love you." And before he could come to himself, Ama- ryllis, throwing back her tunic, flung her bare, fresh arms around his neck. And his heart ceased beating from the sweetness of passion: he saw, nearer him than he had ever seen them, those big, soft, dark eyes. A perfume breathed from her, strong as from flowers, when you press your face into a bouquet. The boy's head was turned. She pressed his body to her supple young breast. He closed his eyes, and felt on his lips a lingering, tormenting kiss. "Amaryllis! Amaryllis! Where are you?" It was the voice of the Samian. Julian pushed the girl away from him with all his strength. His heart was sore with pain and hate. He cried out: "Let me alone, leave me!" tore himself away, and fled. "Julian! Julian!" Unheeding, he ran from the house, through the vineyard, through the cypress grove, and only stopped at the temple of Aphrodite. He heard them calling him, he heard Dio- phane's gay voice, announcing that the ginger pastry was ready, and did not answer. They began to look for him. He hid in the laurel bushes at the pedestal of Eros, and waited. They thought he had run back to Macellum. The household had grown used to his sombre strangeness. When all had grown quiet, he left his hiding- 50 Julian the Apostate. place, and looked at the temple of the goddess of love. The temple stood on a considerable hillock, open on all sides. The white marble of the Ionic columns, flooded with sunlight, bathed voluptuously in the azure, and the dark, warm blue rejoiced, embracing the marble, cold and white as snoAV. At either corner, the pediment was crowned with two acroteres, in the form of griffons. With uplifted claws, with open eagle beaks, with round, woman's breasts, they stood out, firm outlines against the blue heavens. Julian ascended the steps to the portico, softly opened the unfastened door of bronze, and en- tered the interior of the shrine, the sacred naos. Coolness and stillness breathed around him. The declining sun still lighted the upper row of capitols, with their fine carving, like ringlets. Below was twilight. From a tripod came the scent of the burned ashes of myrrh. Julian shyly raised his eyes, pressing close to the wall, and holding his breath. He was struck dumb. It was she. Under the open sky stood white Aphrodite Anadyomene, in the midst of the temple, goddess new-born from the foam, in all her unshamed beauty of nakedness. The god- dess looked on heaven and earth with a smile, wondering at the loveliness of the world, not knowing yet that it was her own loveliness, reflected in heaven and earth, as in everlasting mirrors. The touch of human garments had not defiled her. Thus stood she there, perfect and The Shrine of Venus. 51 naked, like that cloudless sky of almost menacing blue above her head. Julian gazed insatiate. Time stood still. Sud- denly he felt a throb of reverence run through his body. The boy, in his dark, monk's gown, fell on his knees before Aphrodite, with face uplifted, pressing his hands to his heart. Afterward, still as distantly, and as shyly, he sat on the pedestal of a column, his eyes fixed on her, and his cheek pressed to the cold marble. The stillness entered his soul. He sank into sleep. But even in dream, he felt her presence. She drew nearer and nearer to him. Her soft, white arms encircled his neck. The boy gave himself up with a passionless smile to her passionless embrace. The coldness of the marble entered into the deeps of his heart. This holy embrace was not like the hot, painfully passionate embrace of Amaryllis. His soul was set free from earthly love. This was the last rest, like the ambrosial nights of Homer, like the sweet repose of death. When he awoke, it was dark. Stars were shi- ning in the square of open sky. The sickle of the moon cast a gleam on Aphrodite's head. Julian arose. Olympiodorus must have come, but had not noticed the boy; or had not wished to disturb him, guessing his grief. On the bronze tripod, fresh coals were glowing red, and a thread of scented smoke rose before the image of the goddess. Julian approached with a glad smile, and from the vase of chrysolite, between the feet of the tripod, took a few grains of scented resin, and 52 Julian the Apostate. threw them on the coals of the altar. The smoke rose thicker. And a rosy gleam of fire flamed up, like a light flush of life on the goddess's face, mingling with the gleam of the new-born moon. Pure Aphrodite; as it were Urania, descended from the stars to the earth. Julian bowed down and kissed the feet of the image. He prayed to her: "Aphrodite! Aphrodite! I will be thine for ever!" And hot tears fell on the cold marble feet of the statue. CHAPTER VI. CALLUS AND THE DANCING GIRL. In one of the poor and dirty quarters of Syrian Seleucia, on the shore of the Mediterranean sea, the trade haven of Antioch, the great, narrow, crooked streets issued on a square by the wharves. The sea was invisible from the forest of masts and rigging. The houses consisted of disordered frames heaped together, and smeared with clay. On the street side, they were sometimes covered with a tattered carpet, looking like dirty rags, or matting. In all these corners, frames, by-streets with their heavy smell of washing, launderies, and work- men's baths, a variegated, beggarly, and hungry mob perpetually swarmed. Gallus and the Dancing Girl. 53 The sun was setting after burning the earth dry. The twilight descended on swift wings. The heat, dust, and glow still hung heavy over the city. From the market came a suffocating smell of meat and vegetables, that had lain all day in the heat. Half-naked slaves were carrying bales from the ships along the gangway-planks. One side of their heads was shaven. Red weals from blows were seen through their rags. On the faces of many were great scars, branded with hot irons. Some times there were the two letters, C and F, meaning "Cave furem," "Beware of the thief." Fires were being lit. In spite of the approach of night, the stir and talk in the narrow by-streets did not diminish. From a neighboring smithy were heard the ear-splitting blows of a hammer on sheet-iron; the glow of the furnace flamed, the black smoke rolled upward. Alongside bakers, covered from head to foot with the white dust of flour, with red eyelids, inflamed by the heat, were setting bread in the ovens. A shoemaker, with an. open shop-front, from which came a smell of cob- bler's wax and leather, was stitching shoes by the light of a little lamp, sitting on his haunches, and with full throat singing a song in a barbarian tongue. From one room to another, across a by- street, two old women, regular witches, with dis- heveled grey hair, were crying out and abusing each other, stretching out their hands to scratch each other, and all on account of a cord on which they hung rags to dry. And below, a merchant, hurrying from afar, on a bony, broken-down nag, to a market which was to take place on the mor- row, was carrying a whole mountain of stale fish in his wicker panniers. The passers-by turned and 54 Julian the Apostate. cursed at the intolerable stench. A fat-cheeked little Jew, with ruddy curls, was hammering a huge bronze dish, delighted with the deafening noise. Other children, small, innumerable, born and dying every day in hundreds in that nest of paupers, rolled in the dust, squeaking like sucking pigs, round a pool where were pieces of orange- peel and egg-shell. In even darker and more sus- picious by-streets, where lived the petty thieves, where a smell of dampness and sour wine rose from the taverns, sailors from the ends of the earth went arm in arm, shouting out drunken songs. Over the doors of a lupanarium was hung a lamp with a carven image, dedicated to the god Priapus; and when the curtain in the doorway was raised, a crowded row of little rooms, like stalls, were seen within. Above each was a sign with a price. In the breathless darkness the naked bodies of women gleamed white. And above all this noise and talk, over all this human filth and poverty, was heard the distant sigh of the breakers, the murmur of the invisible, everlasting sea. At the very windows of an underground kit- chen, kept by a Phoenician merchant, beggars were playing at knuckle-bones, and chattering. The fumes of stewing fat spread from the kitchen, in thick clouds with a smell of pastry and cooked game. The hungry knaves inhaled it, closing their eyes in delight. A Christian, a dyer of purple, dismissed from a rich Tyrian factory for theft, who was hungrily sucking a leaf of mallow, thrown out by the cook, spoke: ."And good people, what is doing in Antioch Callus and the Dancing Girl. 55 it is best not to speak about it, especially at night- fall! The other day, the starving people pulled the prefect Theophilus to pieces. And what for, God only knows! When they had done with him, they remembered that the poor fellow was a good sort, and an honest man. They say Caesar set the mob on him." Then a broken-down old man, a very skilful pickpocket, began: "I saw Caesar once. I don't know. I liked him. Young he was, with hair as white as flax. A fat face, but good-natured. But how many murders, oh Lord, how many murders! Revolution! Peo- ple go through the streets in fear." "All that is not Caesar but his wife, Constan- tina: she is a witch!" Some strangers came up to the speakers, as if they wished to take part in the conversation. If the light from the kitchen nad been stronger, it might have been seen that their faces were painted, that their clothing was tattered and torn artifici- ally, like that of beggars on the stage. In spite of his rags, the hands of the dirtiest were white and fine, with pink, trim nails. One of them said to his companions, speaking low, close to his ear: "Listen, listen, Agamemnon: they are talking about Caesar here, too." The stranger whom they called Agamemnon seemed to be drunk. He staggered. His beard, unnaturally thick and long, made him look like a fantastic brigand. But his eyes were good-natured, bright-blue, and even childish. His companions stopped him with a frightened whisper: "Take care." 56 Julian the Apostate. The pickpocket continued in a whining voice, as if he was singing: "No, but tell me, men and brothers, is it right? Bread gets dearer every day. People die like flies. And suddenly No, only think of it, is that right? A day or two ago, a big, three- masted ship came from Egypt. Everybody was delighted. We thought it was bread. Caesar, they said, wrote for it, to feed the people. And what was it, what was it, good people? Dust from Alexandria, a special kind of red, Libyan dust, to rub the athletes with. Dust, instead of bread. Well, is that right?" he concluded, making a ges- ture of dissatisfaction with his deft, thievish fingers. Agamemnon nudged his companion. "Quick! ask his name! ask his name!" "Gently, not now; later." A wool-carder remarked: "We have everything quiet enough in Seleucia. But in Antioch, treachery, accusations, spying!" The dyer, who had sucked the mallow-leaf for the last time, and thrown it away, convinced that it* had lost the last vestige of taste, muttered gloomily under his breath: "Well, please God, human flesh and blood will soon be cheaper than bread and wine." The wool-carder, a terrible drunkard and phil- osopher, sighed heavily: "Oh-ho-ho! We wretched mortals! The blessed Olympians play with us as if we were balls. Now to the right, now to the left, now up, now down: men weep, but the gods laugh!" Agamemnon's companion managed to mix in the conversation, and deftly, as if he hardly cared, Callus and 'the Dancing Girl. 57 asked their names. He even managed to overhear what the wandering shoemaker said in a whisper to the wool-carder, about a plot against Caesar's life, among the Pretorian soldiers. Then going a few steps backward, he wrote the names of the speakers with an elegant stylus on wax tablets, where many names were already recorded. At this moment there came from the market- square the hoarse, rumbling sounds of a hydraulic organ, like the cry of some subterranean monster, something between laughter and crying. A blind Christian slave was paid four oboli a day to pump water to produce these strange and weird sounds. Agamemnon dragged his companions to the booth, beside which stood the organ; it was cov- ered, like a tent, with blue cloth, on which were silver stars. A lamp illuminated a blackboard serving as a notice-board with a program of the representation, written in chalk, in Syrian and Greek. Inside, it was breathless. It smelt of garlic and smoking oil-lamps. To supplement the organ, two piercing flutes were shrilling, and a black Ethiopian was hammering a tambourine, and turn- ing up the white of his eyes. A dancer leaped and twisted on a rope, clapping his hands in time to the music. He sang a fash- ionable song. The lean, snub-nosed buffon, the cinaedus, was old, hideous, and grey. Drops of sweat streamed from his shaven forehead, mixed with rouge. His wrinkles, plastered with powder, were like crevices in a wall, where the lime is melted by the rain. When he disappeared, the organ and the flutes 58 Julian the Apostate. stopped. A fifteen-year-old girl came out on the stage to perform the famous "cordax," a dance that all the people were mad about. The fathers of the church fulminated against it, the Eoman laws forbade it, but all in vain. The cordax was danced everywhere, by poor and rich, the wives of senators and street-dancing girls alike. Agamemnon cried out in ecstasy: "What a girl!" Thanks to the fists of his companions, he strug- gled through to the front row. The lean, dusky body of the Nubian girl was encircled round the middle only by a gauze-like, rose-colored fabric. Her hair lay thickly on her head, in glossy black curls, after the manner of the women of Ethiopia. The girl's face was of the purest Egyptian type, recalling the face of the sphinx. The crotalistria began to dance languidly and. carelessly as though she were weary. Above her head, the bronze cymbals, the crotalia, tinkled almost inaudibly in her finely-shaped hands. Then her movements grew quicker, and sud- denly from beneath her long lashes, her yellowish eyes flashed, transparent and fierce like the eyes of a wild beast. She straightened herself, and the bronze crotalia rang with a penetrating note, so keen and clear that the whole crowd started, breathless. Then the girl began to turn, swift, slender, supple as a snake. Her nostrils distended. A strange cry broke from her lips. At every swift movement, her small, dark breasts, girt with a green silk net, trembled like two ripe fruit in the Gallus and the Dancing Girl. 59 wind, and the rouge with which they were tipped shone red through the net. The crowd cried out with delight. Agamem- non was beside himself. His companions held him by the arms. Suddenly the girl stopped, as if her strength had failed her. A light shiver ran along her dusky body from head to foot. Silence followed. The Nubian's head was thrown back, and the cym- bals above it vibrated with an almost intangible, dying sound, like the wings of a captive butterfly. Her yellow eyes grew dim. But in their very depths gleamed two sparks. Her face was set and menacing. And on her thick, red lips, the lips of the sphinx, a faint smile trembled. And the bronze cymbals died into stillness. The crowd cried out and applauded so loudly that the blue stuff with silver stars fluttered like a sail in a storm, and the master of the booth thought it would fall. His companions could no longer restrain Aga- memnon. He threw himself on the stage, raising the curtain, and reached the platform. His companions whispered to him: "Wait! It could be done to-morrow. Now they might " Agamemnon interrupted. "Not to-morrow, now!" He went to the master of the booth, the sly Greek Myrmex, and hastily, almost without ex- planation, poured a heap of gold coins into the lap of his tunic. "The crotalistria is your slave?" "Yes; what desires my master?" Myrmex looked first at the torn dress which 60 Julian the Apostate. Agamemnon wore, and then, with astonishment, at the gold. "What is your name, girl?" "Phyllis." To her also he gave money, without counting it. The Greek whispered something in Phyllis' ear. She threw the ringing coins into the air, and caught them again in her palm, and laughing, turned her gleaming golden-glinting, wild eyes on Agamemnon. He spoke: "Come with me!" Phyllis cast a dark cloak over her bare, dusky shoulders, and glided out beside him into the street. She asked submissively: "Where?" "I do not know." "To your house?" "Impossible. I live in Antioch." "And I only came in the ship to-day, and I know nothing of this city." "What are we to do?" "Wait. Just a little while ago, I saw an un- closed temple of Priapus in the next by-street. Let us go there." Phyllis drew him along, laughing. His com- panions wished to follow. He said: "Do not come. Stay here." "Take care! At least take a weapon. In this quarter it is dangerous." And drawing a short sword, like a dagger, from under his cloak, one of his companions gave it to him, respectfully. The handle was splendidly inlaid. Stumbling through the darkness, Agamemnon Galhis and the Dancing Girl. 61 and Phyllis entered a dark side-street, not far from the market. "Here! here! do not fear; go in." They entered the porch of the small, deserted temple. A hanging lamp faintly illumined the coarse old columns. "Close the door!" Just then, from the interior of the temple, came a piercing, cackling, and a weird flutter of white wings, raising such a wind that the lamp almost went out. Agamemnon let Phyllis go, and stammered: "What is that?" White forms glimmered in the darkness, like ghosts. Agamemnon, completely frightened, crossed himself involuntarily. "What is it? The power of the cross be over us!" At that moment something pinched his foot sharply. He cried out with fright and pain. Then he caught his unknown enemy by the throat. He pierced another with his sword. A deafening noise of cries and hissing, and cackling, and flut- tering, arose. The lamp flickered up for the last time, before going out; and Phyllis called out, laughing: "They are geese, the sacred geese of Priapus! What have you done?" The victor stood, white and trembling, holding in one hand his bloody sword, and in the other a slaughtered goose. Loud voices were beard from without, and a whole crowd with torches pressed into the temple. In front was Scabra, the old priestess of Priapus. As was her wont, she had been peaceably drinking 62 Julian the Apostate. her wine in the neighboring tavern, when she heard the cries of the sacred geese, and hastened to their assistance, with a whole crowd of night- wanderers. Her hooked red nose, grey, unkempt hair, and eyes like two steel blades, made the priestess of Priapus the image of a Fury. She cried out: "Help! help! The temple is polluted! The sacred geese of Priapus are slain! See, these are godless Christians! Seize them!" Phyllis escaped, covered from head to foot by her cloak. In an instant the crowd dragged Aga- memnon out to the market-place; he was so be- wildered that he still held the dead goose in his hand. Scabra called the Agoranomes, the market watchmen. Every moment the crowd grew denser. Agamemnon's companions ran to his rescue. But it was too late. From their haunts, from the taverns, from the shops, from blind alleys, people streamed forth, attracted by the noise. On their faces was that expression of delighted and ecstatic curiosity which always appears at a street commo- tion. A blacksmith ran up, with a hammer in his hand; the old women, his neighbors, the baker, smeared with paste, the shoemaker, hurried up, limping. And behind all the rest, the little red- headed Jewish boy flew along whisting and shout- ing, hammering his bronze basin with a deafening din, as though he was sounding the tocsin. Scabra cried out, sticking her nails into Aga- memnon's garment: "Wait! Ill get at your vile beard! I won't leave a lock of it! You carrion, raven's food! You Callus and the Dancing Girl. 63 night marauder, you are not worth the cord you will hang by!" Finally, the awakened Agoranomes appeared, very questionable in their outward looks, much more like night robbers than guardians of the peace. In the crowd, the noise was so deafening, min- gled cries, laughter, abuse, that no one could understand anything. Some one cried out: "Mur- derers!" Others: "They were stealing!" Yet others: "Fire!" But at that moment, dominating everything, resounded the thundering voice of a half-naked, red-headed giant, with a freckled face, by pro- fession, a bath-attendant; by calling, a street orator: "Citizens. Hear me and hearken. I have been following that knave for a long time, and his com- panions, too. They were writing down names. They are spies, spies of Caesar!" Scabra, carrying out her long-formed intention, clutched Agamemnon's hair with one hand, and his beard with the other. He tried to push her aside, but she pulled with all her might, and to the astonishment of all, the long black beard and thick hair remained in her hands. The old woman fell on her back. Before the people, instead of Agamemnon, stood a handsome young man, with flowing, soft hair, light as flax, and a little beard. The crowd was dumb with astonishment. Then the voice of the bath -man thundered forth again: