mi THE ART OF ALDEN lu ilii iii' ill liiiiiih'^'' i I "' i|S i hit'' • ;•- iiili^ipifl'ii'i'"' i i! 'KiiiS ilPi'lPi !■•:■■. '"""Hi! 1 1! ii:,;! liillll ii.i EDUCATION DEPT. Books by PROF. RAYMOND MACDONALD ALDEN o/ Leland Stanford Junior University The Art of Debate xv+279 pp. i2mo. $1.12 net. A practical manual of argumentation and debating, sufficient- ly systematic to be serviceable as a text-book. Legal argument is talcen as a means of approach to the treatment of such matters as burden of proof and evidence; and the classification of methods of proof is based on the exigencies of actual debate. Prof. E. N. Scctt, University 0/ Michigan : " It is a fresh and interesting treatment of the subject, packed with ideas expressed in a most delightful and taking away. English Verse With Specimens illustrating its Principles and History xiv+459 pp. i2mo. $1.25 net. Bliss Perry ^ Editor of the Atlantic Monthly : " It is a skill- fully planned and admirably compact handbook. I know of no treatise on versification which is so well adapted for practical use in the classroom.'* Introduction to Poetry xvi+371 pp. i2mo. $1.25 *t^i' A discussion of the theory of poetry, treating the various classes of poems separately, problems of the inner nature of poetry and the technical metric subdivisions. Henry Holt and Company Nbw York Chicago THE ART OF DEBATE ■T RAYMOND MACDONALD ALDEN, Ph.D. ASSOCIATE PROFESSOR IN LELAND STANFORD JUNIOR UNIVERSITY ,'. \ \\vr\V]\\\ : /. NEW YORK HENRY HOLT AND COMPANY Copyright, i9oe» BV HENRY HOLT & Ca WfiOA;^XQfi..mPT-i'': TO 5amc0 patRer f)aU AND 5o0cpb parftcr TRIlarren, BOTH EX-PRESIDENTS OF THE "HARVARD UNION, ADMIRABLE DEBATERS, AND PEERLESS FRIENDS. ^2-19520 Digitized by the Internet Archive in 2008 with funding from IVIicrosoft Corporation http://www.archive.org/details/artofdebateOOalderich PREFACE. A LARGE part of the contents of this book is based on material originally prepared for students of argumentation at Harvard College and the Uni- versity of Pennsylvania. The interest lately de- veloped in the practice of formal debate, together with the interest in general debate which is always found in democratic communities, has suggested that the discussion of such a subject, revised so as to meet the needs of others besides college stu- dents, may be of service to various kinds of readers. In its present form, then, the book is designed to be helpful to those interested in any form of de- bate. If any consideration may be claimed for the particular manner in which the subject is treated, at a time when of the making of many books of rhetoric there is no end, it is hoped it may be for its practical character. The great part of the con- tents has been drawn directly from the writer's ex- perience as a participant in and an observer of de- bates. In the arrangement of material, where there is any difference between the order of theory VI PREFACE, and the order suggested by common practice, the latter has been preferred. The temptation to be highly systematic, at the expense of every other consideration, besets the writer of anything like a text-book. It is so fascinating to discover that figures of speech may be classified under twenty- nine heads, that methods of proof may be reduced to a table of seventeen divisions and sub-divisions, and that gestures- — analyzed to the utmost — are just forty-five in number, that no little self-control is required to abstain from inflicting such classifi- cations on one's students or readers. The subject of argumentation, being related to the science of logic, is peculiarly susceptible of artificial treat- ment. But the aim of the present writer has been, while placing stress on systematic presentation, tc look at the whole subject less from the standpoint of the theorist than from that of the practical de- bater. It is for just this reason that legal argument has been largely taken as the basis for the general subject of debate. It is in the pro- fession of the law that the art of debate has for a long time achieved a highly practical development, and in that profession only. Phi- losophers have seldom been successful debaters, just as rhetoricians are seldom distinguished writ- ers, and professional elocutionists seldom orators. But in the law public debate has been forced to PREFACE, Vll cut a straight path toward success, and we may look to it for guidance — while not necessarily try- ing to master its artificial system — whenever our object is to convince and persuade practical men. On the other hand, the law has much to learn from logic and rhetoric. Many who are proficient in its subject-matter are quite unfamiliar with the art of using their knowledge effectively. " The time will soon come," said a distinguished lawyer recently, " when our law schools will have to teach their stu- dents not only the law, but also the art of selecting and arranging their arguments, and of presenting them with convincing efifect." There is a sense in which a hand-book of any art is either inadequate or superfluous. Good de- baters, like most good folk, are not to be made to order. It may be said of them as in the famous recipe for cooking hare: Urst catch your man. It is vain to write rules for one who has neither a knack at reasoning or a gift of expression. But the ex- perience of schools and colleges where regular courses in debate have been established indicates that rudimentary endowments, both of reason and expression, may be so developed under intelligent training as to produce unexpectedly happy results. It must, however, be understood that for every pre- cept there must be a dozen, or a hundred, oppor- tunities for practice. Readers familiar with the literature of this Vlli PREFACE. subject will not need to be told of my in- debtedness to " The Principles of Argumentation," by Professor George P. Baker, who was the first, so far as I am aware, to develop a practi- cal system of instruction in argumentation. Espe- cially in the treatment of analysis and allied mat- ters, in the chapter on " Preliminary Work," I have made use of Professor Baker's presentation of the same subject. Other books which have been found helpful are Professor Sidgwick's " Process of Argu- ment," Professor Thayer's '' Preliminary Treatise on Evidence at the Common Law," the Rhetorics of Professors A. S. Hill and J. F. Genung, and Pro- fessor Wendell's " English Composition." I may also recommend to those interested in the subject Holyoake's " Public Speaking and Debate" (Ginn &: Company), Sheppard's "Before an Audience; or, the Use of the Will in Public Speaking " (Funk & Wagnalls), and Buckley's " Extemporaneous Oratory for Professional and Amateur Speakers" (Eaton & Mains), — all suggestive and thoroughly readable books. Thanks are also to be recorded for most friendly and helpful advice received from Dean William Draper Lewis, and Professor George Wharton Pepper, of the Law School of the Univer- sity of Pennsylvania. It will be found helpful to use a manual like this in connection with a good collection of specimens of argument, such as Baker's " Specimens of Argu- PREFACE, IX mentation/' Wagner's " Modern Political Ora- tions " (Henry Holt & Co.), or Johnston's " Rep- resentative American Orations " (Putnam's). But the chief point is constant practice under com- petent criticism R. M. A. Philadelphia, March, 1900. TABLE OF CONTENTS. CHArTBR PACK I. Nature of Debate i What Debate is i The Basis of Debate i What Debate Involves 3 Conviction and Persuasion 4 The Power of Persuasion 5 Danger of Conviction or Persuasion alone 6 Science and Art Distinguished 8 II. Subjects of Debate 10 Propositions as Subjects for Debate 10 Subjects to be Avoided 11 Qualities of Good Subjects 18 The Wording of the Proposition 18 Affirmative Form 18 Brevity and Exactness 19 Fairness and Impartiality 21 Formal Debates 22 Legal Debate ^ 23 Qasses of Legal Arguments 26 General Debate 27 Debate Looking toward Action 29 III. Preliminary Work 31 Importance of Analysis 31 Defining the Question 32 Conditions of the Question 33 Narrowing the Question 34 Analysis of Jury Question 35 Analysis of Copyright Question 36 xi xil TABLE OF CONTENTS, CHAPTER PACK 111. Preliminary Work — Continued. Analysis of Silver Question 36 Analysis of Legal Questions 38 Analysis of Venezuelan Question 40 Results of Analysis 41 Study of Both Sides 42 Gathering of Material 44 Facts and Opinions 45 Arguments of Others 47 Tabulation of Material 48 The Outline or Brief 50 Form of Outline 52 Outline on Woman's Suffrage 53 Legal Briefs 58 IV Burden of Proof 61 Burden of Proof Defined 61 Legal Definition 62 Burden of Proof and Presumption 63 Term used in Two Senses 65 Burden of Proof in Formal Debate 66 How the Burden may Shift 67 Burden of Proof in General Debate ,. 68 Methods of Shifting the Burden 69 Presumption in Expansion Question 71 Presumption in Suffrage Question 72 Relation of Affirmative and Negative 74 V Methods of Proof -^y All Proof Inference from Experience yy Establishing of Facts 79 Credibility of Witnesses 80 Use of Testimony in Debate 82 Expert Testimony and Authority 83 Limitations of Authority 84 Use of Argument from Authority ,.. 85 Processes of Reasoning 86 A priori Evidence 87 TABLE OF CONTENTS, xiil CHAPTER PAGB V. Methods of Proof — Coniiimed. Value of Proof of Antecedent Probability 88 Antecedent Probability in General Debate 90 Analogy or Example 90 Abuse of Analogy 92 A posteriori Evidence 94 Limitations of Circumstantial Evidence 95 Processes of Reasoning 97 Proof in Questions of Policy 98 Typical Schemes of Proof iod Honesty 105 VI. Methods of Refutation 106 What is to be done with the Opposite Side? 106 Questionmg of Facts 107 Attacking Testimony 108 Refutation of Authority no Refutation of a priori Evidence ill Refutation of Example 113 Refutation of a posteriori Evidence „ 114 Causes and Effects 115 Fallacies or Gaps 117 Begging the Question 118 Ignoring the Question 120 Reductio ad Absurdum 122 The Dilemma 126 Facts in Refutation 127 Methods of Refutation Summarized 128 The Principle of Refutation 130 Distinction between Opposing Arguments 131 Knowledge of the Other Side 133 Attitude toward Opponent 134 Persuasive Refutation 136 VII. Structure and Style 137 Matter and Form 137 The OutHne the Basis of Structure 137 The Introduction 138 xiv TABLE Of CONTENTS CHAPTER tAOB VII. Structure and Style — Continued. Two Methods of Approach 139 Order of Proof ^ , 141 Exigencies of Debate 142 Inverted Refutation 143 The Conclusion 145 Summaries 146 Persuasiveness in the Conclusion 147 Different Kinds of Conclusions 148 Relation of Structure and Style 151 Paragraph Structure 152 Transitions 154 Development of Finished Argument Illustrated.. 155 The Compact Style 156 The Diffuse Style 158 The Compromise i6o The Laws of Style in Argument 164 Clearness 165 Economy of Time 166 Art of Condensation 167 Citation of Authorities 168 Time Required for Condensation 172 Force 173 Sources of Force 174 Concreteness 174 Figures of Speech 176 Use of Illustrations 177 Legitimate and Illegitimate Illustrations 180 Elegance 182 Persuasiveness ; 182 Artistic Qualities 184 Great Ideas 184 VIII. The Spoken Debate 187 Relation of Written and Spoken Speech 187 Advantages of Writing 188 Preparation fo^ Delivery , 189 TABLE OF CONTENTS. xv CMArrBB PACK VIII. The Spoken Debate— Cow/imk^c/. Use of Notes 192 Degree of Extemporization 192 Danger of Memorization 194 Fluency 195 Expansion of Speech 197 Preparation for Rebuttal 197 Armed with Material 198 Extemporaneous Refutation 199 Rapidity of Thought 202 Place of Delivery 203 Qualities of Delivery 205 Clearness 205 Enunciation 206 Purity of Tone 207 Force 209 Vigor and Variety 210 Pitch 211 Elegance 212 Posture 213 Gesture 213 Training for Delivery 214 Relation of Speaker to Audience 215 Appendix 217 Arguments. 221 Expansion in the Eastern Hemisphere 221 The Retirement of the Greenbacks 230 The Venezuelan Message 2:ilS Briefs 243 Brief of a Legal Argument 243 Brief of Macaulay's Speech on Copyright 249 Brief on the Retirement of the Greenbacks 253 Brief on the Restriction of Trusts 257 Propositions for Debate... 267 THE ART OF DEBATE. I. NATURE OF DEBATE. If argumentation is the art of convincing others of the truth or falsity of a disputed matter, debate may be said to be the art of doing this what under conditions such that both sides of ^«^»*«i«' the case can be heard and that the advocates of each side can reply directly to those of the other. It is clear that, while such debate can be carried on through written arguments, it is best adapted to the conditions of public speech; and it is to such conditions that the word is commonly applied. In its simplest form debate is universally prac- ticed; for its use depends only on the fact that dif- ferent men look at many matters from The Basis different points of view, while neverthe- °^^®^**8' less it is always assumed that they can reach the truth by precisely similar processes. If I should differ with a friend on a point the truth of which is beyond human attainment, it would be useless for us to debate it; and in the same way if the ^ • * „ . L. . ^j ;_ u Jh «> a r//£ /^/?r Of DEBATE, truth were believed to be attainable, and yet if my friend and I were so differently constituted that we could never arrive at truth by the same path, ar- gument would be equally out of place. But as a matter of fact, experience shows that, while from a superficial point of view there are a thousand dif- ferent methods of forming opinions, yet all men reason by what are fundamentally the same pro- cesses. If, then, I have discovered the truth for myself, I may with confidence undertake to lead my friend along the path which I followed in search of it. Once granted that the path is a clear one, and that we are both perfectly reasonable be- ings, and we cannot fail to arrive at the same point in the end. But while, from this point of view, argumenta- tion is so simple and so universal a process, from another it is an art of some difficulty and complica- tion. Real men are never perfectly reasonable be- ings: their reasoning processes are modified by in- heritance, education, or personal interest. And few disputed matters are so easily determinable that one who does not understand something of the laws of argument will be able to convince another who sees them in a different light from himself. When we add to this the problem of convincing whole groups of men, and the further problem of meeting attacks on one's opinion at the very mo- ment when they are made, the matter becomes a NATURE OF DEBATE. 3 large one. So it happens that in every period and in every community there are but a few skillful de- baters, and that they are likely to be among the most useful and the most prominent members of society. They are especially notable in self-gov- erning communities, where large bodies of people have not only to decide questions but to act as a unit upon their decision; here the orator and the debater become leaders of men. The mental habits which go to make a good de- bater are of the highest type, and are usually de- veloped only by considerable training. ^^■•* They involve: the ability to find out as involves, well as to defend the truth, the ability to analyze keenly and sift the essential from the trivial, the willingness to consider questions apart from the prejudices with which one is tempted to view them, and finally, the power of expression. To these must be added, for one who will be successful in active debate, the ability to decide quickly which of two or three possible lines of attack shall be chosen, and the power of rapidly arranging one's thoughts in a way to make them seem reasonable to others. These are not every-day qualities. It is sometimes distressing to reflect how few of one's acquaint- ances are in the habit of forming their opinions apart from personal interests, inherited tastes, popular opinion, or other forms of prejudice. Not one man in ten or twenty does anything of the 4 THE ART OF DEBATE. kind. It is one of the highest aims of education to bring about conditions under which opinions will be held because they have been legitimately earned, not lazily inherited or borrowed. This judicial habit of mind is the deadliest foe to popular fallacy, eloquent sophistry, and the like — to all doctrines which, on analysis, prove to be logical tramps, without visible means of support. Again, the judicial habit of mind is frequently found with- \ out the accompanying gift of expression. We are all acquainted with people who can reason fairly well but are perfectly incapable of imparting their reasons to any one else. They cannot so much as give clear directions for finding a given street and number, without resorting to diagrams or gestures to atone for inadequate statement. Clever people make up for deficiency in this respect by various devices, — by wit and humor, it may be, pr perhaps by bluster and bravado; in such ways they may make a good impression, but without the ability to express processes of reasoning they cannot produce permanent results. The good debater, then, must be able both to find reasons and to give them. When we look a little more closely at the work of the debater, we see that it consists in something Oonwjtdon more than the expression of a train of and Persua- . ^ sion. reasoning, or even the ability to make others admit that one's reasoning is correct. One may wish to induce his hearers not only to agree N/lfURE OF DEBATE, 5 to his doctrine but to act upon it; and experience shows that action does not by any means always follow conviction. But further, even when no action is desired, it is not enough merely to force admissions; for, as the familiar saying has it, one who is convinced against his will is (fundamentally) " of the same opinion still." From these consid- erations it has become common to say that the two great divisions of argument are Conviction and Persuasion. The first has to do with the ability to show that one's reasoning is right; the second with tlie power to dispose one's hearers to accept the reasoning as their own, and — if need be — to act u^n it. It may be that this conquest of the dispo- sition will come after the conquest of the intellect, ov it may be that it must come first in order to make the conquest of an obstinate intellect possible. Let us. take an example. A citizen of a western State, we will suppose, who has been educated to believe in a silver basis for our national ^he Power finance, goes to hear a speaker defend the of Persua- gold standard. The arguments advanced are so powerful, standing by themselves at least, that it is impossible for the listener to avoid the conviction that his position has been overthrown. This, however, is not enough. If the speaker treats the advocates of silver with such scorn that the man in the audience feels himself personally ill- treated, or if the interests of the class or section 6 THE ART OF DEBATE, which he represents are entirely neglected in the argument, our hearer will go away with much the same feeling that he would have if he had been knocked down by a stronger man in a controversy. He will feel incapable, perhaps, of self-defense, but will still be utterly without sympathy for the posi- tion of his opponent. If, on the other hand, the speaker should exhibit such sympathy with his opponents as to create the impression that all classes of citizens are equally his friends, and if he should show a conciliating appreciation of the way in which the advocates of a silver standard come to take the position that they do, his hearer might not only be forced to admit himself in the wrong, but: actually be well disposed to submit himself to th>« guidance of the other's mind. It should never bn forgotten that such weapons as scorn and sarcasm, while they may relieve the feelings of one who knows himself beaten, or serve to entertain the friends of one who is certain of victory, cannot be safely used against those whom one wishes to win over to his own side. These two elements, then, the power of reaching the reason, and the power of winning the disposi- Dangerof tiou and moviug the will, belong side by wPwsul^ side in all successful debate. It is not sion alone, that ouc part of a speech is to be given up to the one, and another part to the other; but that the whole, both in matter and manner, is to be NATURE OF DEBATE. > 7 made to serve the ends of each. With either neg- lected the full effect cannot be secured. What has already been said has perhaps indicated sufificiently the danger of mere conviction without persuasion. The opposite fault is even more serious. Many de- baters who feel forcibly the necessity of winning the sympathy of their audience, depend too en- tirely — especially if they are gifted in promoting good-nature or arousing passion — upon this side of their work. Debate that is purely persuasive will leave results uncertain, temporary, and unjust: uncertain, because emotions are of themselves much more variable than the processes of reason; temporary, because when the emotion aroused by eloquence has passed away, if there be no deposit of rational conviction, no reliance can be placed upon the future attitude of those addressed; and unjust, because a gifted speaker can make appeals both alluring and deluding, on behalf of the most unrighteous cause, and lead the careless hearer, who fails to perceive the absence of real argument, into humiliatingly untenable positions. The temp- tation to substitute the mere auxiliaries of debate for its solid matter — the great temptation of the campaign orator and the demagogue of every class — will be carefully shunned by the keen and honest thinker. In the case of popular audiences it may win temporary success; but before trained hearers, such as judges in courts of law or any B THE ART OF DEBATE, highly intelligent bodies, it is perilous from iirst to last. Individuals differ greatly among themselves as to the element of debate on which they are likely to lay most stress. One v^ill be disposed to pursue j the rigid 'essentials of a discussion, v^ithout appre- ' ciating the chance of making it attractive. Another will seize upon the elements susceptible of emo- tional or rhetorical treatment, and slight the essen-- tials. Each should guard against his particular ^ temptation, and strive after a finished whole. It must be evident from all this why we speak of the art, not the science, of debate. It is true that o . , reasoninsr must proceed on scientifically Science and ox- j ArtDis- accurate lines, and that there is a science ngnis e . (^gg^ling with the laws of its procedure, called Logic. But to state and classify these laws is an after-thought. Logic looks back over the paths which every one's mind has trod, and de- scribes them, not so much to furnish guides for future travelers as from scientific curiosity. Its processes must be rigidly followed, but they can usually be assumed to be familiar, without regard to knowledge of their Latin names. The mediaeval theologians and philosophers believed that they could demonstrate all truth by the processes of for- mal logic, but their works are read to-day only for historical reasons. Their formal processes have never proved practically fruitful. In every age men are obliged to attack freshly the doubtful matters NATURE OF DEBATE. 9 that arise before their minds, and to reason them out according to the circumstances in which they find themselves. In every age those v^ho would change and direct the opinions of others have to go about it from the human point of view; that is to say, they have to apply the universal processes of reasoning to the particular people with whom they have to deal, and adapt them to constantly chang- ing conditions. So it is that debate is an art, and cannot be mastered by the aid of mere rules, but admits of almost infinite variation and develop- ment. In this respect it is like music and poetry and painting; but on the other hand, just as any ot these can be studied and analyzed and practiced, so in debate it will not be useless to take up the sub- ject in a systematic way. These, then, are the problems we have to con- sider: — the use of the universal laws of reasoning, the development of the habit of analysis and of un- prejudiced methods of investigation, the secret of clear and rapid expression of intellectual processes, and the art of adapting one's material to his hearers so as to win their favor and affect their conduct. Clearly the art that involves all this is of no mean order. It goes further than those which reach only the intellect or the emotions, and aims to move the will. Its masters have the power that makes leaders of men. II. SUBJECTS OF DEBATE. Debate differs from other forms of discourse in presupposing two sides for the subject discussed, both of them capable of fair presentation. Propositions ^ . . . - as Subjects It has an antagonist constantly m mmd. for Debate. ^^^ subjcct fof debate, then, must be such that it can be reduced to the form of a propo- sition; for a proposition is the only form of words which has two distinct sides, an affirmative and a negative. All matters which men discuss argu- mentatively, whether in courts of law, deliberative bodies, or private life, can in fact be reduced to such a proposition; and to so reduce them often clears the ground of discussion very serviceably. The principal verb of the proposition will state the affirmative; if a negative word is added, it will state the negative. If the question is one of pure fact, the verb will commonly be the verb to^^_be; if it is one of theory or policy, the verb will frequently be ought or some similar auxiliary. It is clear that if there is to be rational debate on the proposition, it must state something sufficiently distinct and reasonable to be capable of fair presentation, whether it be read affirmatively or reversed so as to 10 SUBJECTS OF DEBATE. II State the matter negatively. This is of course a very different thing from saying that both sides must be capable of positive proof. Much debate is carried on, even in matters of public importance, with no form of words in mind as a proposition, to which disputants are rigidly held. Yet where accuracy is demanded, or where a decision of any sort is to be rendered for one side or the other, such a form of words is almost necessary. So in courts of law we find indictments, motions, pleas, and the like, the wording of which is scrutinized with the utmost care, and to the exact discussion of which the disputants are re- stricted. In like manner we have motions, bills, and resolutions in deliberative bodies, which are intended to represent accurately the real question to be discussed. In all these cases the quality of debate is at its best, it need hardly be observed, when the form of words discussed represents most perfectly the real question at issue. In real life questions at issue arise from circum- stances usually beyond the control of the dis- putants, and the only problem is to state them and analyze them as clearly as may ^g^^^^oiJ'e^. be. But where debate is engaged in for practice, as in literary organizations, intercollegiate contests, and the like, the subjects debated are chosen, broadly speaking, by those who are to dis- cuss them. With such cases in mind, a few sugges- It THE ART OF DEBATE. y.. 4 tions may be made regarding debatable subjects. Let us put these in the form of warnings against certain sorts of topics which are to be avoided for formal debate. 1. Obvious propositions. As a matter of practice it may sometimes be instructive to demonstrate a generally accepted truth, as in the case of a geo- metrical theorem. But it is clear that an intelli- gent debate cannot be held on the question, ''Re- solved, That the sum of the three angles of a triangle is always equal to two right angles." Neither can one debate successfully the statement that tem- perance is a useful virtue, or that the cruelties of the Turks are reprehensible, or that Shakespere was a great poet. Yet it is not uncommon to hear debates on propositions whose obviousness is con- cealed only by verbal ingenuity. It is not incon- sistent with this to say that an obvious truth may be the foundation for the argument on one side or another of a disputed matter, so that it may be nec- essary to give some time to its exposition at the outset. But this is only preliminary to the argu- ment proper. 2. Propositions the truth of which depends wholly on the meaning of some ambiguous word or zvords. In such cases the meaning of the word may be a legit- imate subject for discussion, but the proposition involving the word cannot really be debated until the doubtful meaning has been settled; and the SUBJECTS OF DEBATE. X3 proposition will then have been shown to be true or false by the very act of definition. There is nothing more unprofitable than a debate in which much time is spent in wrangling over the inter- pretation of some ambiguous term. Thus the ques- tion, ^^ Resolved, That the Monroe Doctrine should receive the support of every American," would de- pend wholly on the interpretation of the phrase " Monroe Doctrine," upon which there is by no means general agreement. In a debate the two sides would be likely to disagree utterly in their ex- pHDsition of the question; while they might find themselves without cause for dispute if they could agree on a definition. The question, "Resolved, That Mr. Cleveland's interpretation of the Monroe Doctrine in the Venezuelan boundary question should receive the support of every American," would be more easily handled. 3. Propositions the truth or error of which is prac- tically incapable of demonstration. By this it is not meant to include questions dealing with matters where evidence is difficult to obtain and final proof usually admitted to be only approximate, such, for example, as the question of the immortality of the soul. Such matters need to be discussed with great caution, their limitations being frankly admitted, but there is no reason why they may not be well argued on both sides. On the other hand, ques- tions whose wording is such as to give neither side X4 THE ART OF DEBATE, reasonable hope of refuting the position of the other, are unsuitable for debate. / An example is the old question, ''Resolved, That the pulpit affords more opportunity for eloquence than the bar." The natural course of events in a debate on such a proposition would be for the afBrmative to heap up examples of ecclesiastical eloquence, and the negative to rejoin with accounts of forensic oratory. Each side might also adduce certain disadvantages in the opposing profession; but there could be no adequate proof or adequate refutation. The prop- osition makes a comparison, but no standard of comparison could be found by which to make any definite demonstration; and the only consolation for the audience would be that the question is one of no real moment to any human being. In like manner, vague questions of taste, such as the com- parative value of the work of certain poets, and the like, while they may be interesting topics for gen- eral discussion, are unsuited to formal debate. 4. Propositions involving more than one main issue. Such questions cannot always be avoided in real life, but when one has a choice of subjects they are to be shunned. The difficulty is sufficiently obvious. They need to be treated as motions are frequently treated in deliberative bodies, — ^that is, divided on the demand of some member who per- ceives the difficulty of debating more than one thing at a time. A proposition for debate, then. SUBJECTS OF DEBATE, i5 should not be a compound sentence, nor a complex sentence whose subordinate clause contains any- thing not necessary for the explanation of the prin- cipal clause. An example of the first sort of error would be: ''Resolved, That the United States should annex Cuba and establish therein a colonial form of government." Of the second sort: ''Resolved, That the supporters of the Populist party have sub- stantial grievances which their movement is likely to relieve." Questions of this kind are not impos- sible for debate, but they become dangerously con- fusing, especially when it is desired to win a deci- sion on the merits of the argument. A question may even be, on its face, a simple statement, and yet involve more than can well be treated in one discussion; nay, it may include matters incon- sistent with one another from the point of view of argument. An interesting example of this occurred in 1895, when two college societies agreed to hold a joint debate on the question: "Resolved, That the foreign policy of President Cleveland should be ap- proved." The debaters chosen felt some diffi- culty, from the first, owing to the fact that a for- eign policy Is not a single, concrete affair, but must be judged from a number of isolated acts. In this case there were involved the matter of our rela- tions with the provisional government of Hawaii, the Behring Sea difficulties, the non-recognition of the Cuban republic, the dispute between Great l6 THE ART OF DEBATE, Britain and Nicaragua, and the attitude of our g-ov- ernment toward the disorders in Turkey. If all of these things could be unified by showing them to be consistent elements of a single line of con- duct, the question might be intelligently discussed in a single debate. It seemed that most of them could be so unified. In most, if not all, of these cases, the attitude of the administration had been essentially conservative, avoiding all interference or international entanglements. The affirmative therefore made preparations to defend such conser- vatism, and the negative to demand a more vigor- ous and aggressive policy. Even then the ques- tion was a large one. But a few weeks before the debate .was to take place. President Cleveland is- sued his Venezuelan message, and confusion was worse confounded. This was an act hard to recon- cile with the generally conservative administration of our foreign relations, and if the debaters were to pursue their original plans they must either ignore this event which had aroused universal in- terest, or must pass lightly over the previous acts of the administration. The dilemma was so serious that the debate was abandoned altogether. It is clear, then, that if it is necessary to debate a propo- sition involving more than one essential issue, it must first be determined whether the different mat- ters involved are capable of being grouped under one general principle; and, if they are not, it must SUBJECTS OF DEBATE, 17 be determined which is to have precedence in de- ciding the issue. 5. Propositions devoid of interest to the audience addressed. Ta warn against such themes may seem superfluous, but experience shows that the warn- ing is not needless. The root of the difficulty is in thinking of debate as an ingenious exercise rather than a practical means to an end. Any trace of the former feeling will result in formality and arti- ficiality, the great enemies of good speaking. No question is fitted for public discussion which is merely theoretical. The proposition should have arisen in reality, and the debaters should be able to make clear how it arose and why it should claim at- tention. Not long ago two societies held a joint debate on the question, ^^ Resolved, That Ambition is productive of more good than evil." The speakers were eloquent and ingenious, but there hung a dead weight on the whole proceeding from the fact that no one in the world was seriously dis- cussing such a problem, or would care how it might be decided. Observe, too, that the question vio- lated two of our previous rules. Its solution de- pended absolutely on the meaning of the vague word " ambition," and it was incapable of demon- stration for lack of any practical measure of com- parison. Both sides fired harmless shots past their enemy's lines, and made little effort to hit each other. i8 THE ART OF DEBATE, Subjects for debate, then, wjren they are matter fliiti f ^^^ choice, should be single, unambigu- goodSub- ous propositions, capable of approximate ^*^*'' proof or disproof, and of some genuine in- terest to those concerned. Let us now briefly consider the wording of the proposition, when its general nature has already The Word- ^^^^ determined. A few suggestions ingofthe may be added to those implied in what roposi ion. ^^^ already been said. The subject for de- bate should usually be stated affirmatively, except in a case where the negative bears the burden of proof, — 'that is, where the negative has, on the face of it, the duty of presenting proof before the affir- Affirmative i^^tive is bound to reply. Reasonable Form. economy of time demands that the first speaker should not be obliged to defend what is assumed to be true until proved otherwise. For this reason the resolution discussed a moment ago might better have been worded: ''Resolved, That Mr. Cleveland's foreign policy should be con- demned." It was embarrassing for the affirmative to defend that which had not yet been attacked. A college debate on the question, "Resolved, That it is inexpedient for the United States to enter into a treaty of alliance with Great Britain," was a fail- ure because neither side — owing to the negative wording of the proposition — felt obliged to open up the question and propose some particular sort of SUBJECTS OF DEBATE. 19 treaty for adoption. On the other hand, a success- ful intercollegiate debate was held on the question: ''Resolved, That the interests of the United States are opposed to the permanent control of any por- tion of the Eastern Hemisphere." Although the proposition seemed to be phrased negatively, yet the affirmative had something, definite to prove, and accepted the responsibility. It was not simply the negative of the statement, " Interests favor per- manent control; " it was a declaration of a policy. Propositions, then, should be so stated that definite progress will have been made at the end of the first speech. Beyond this, the most important rule for -the wording of the question is that it shall be as brief as exactness will permit. There is always Bre^ty and a struggle between the requirement that Exactness, everything essential shall be included, and the re- quirement that the phrasing shall not be so over- loaded as to fail of conveying a distinct idea at a single stroke. It is surprising what difificulty is fre- quently found in expressing what seems to be a perfectly clear idea. The chief danger is that, all unexpectedly to those who state the question, the main emphasis of the discussion may fall upon what was intended to be no part of the subject, or at most a minor one. Every one has heard debates that have taken this unforeseen and embarrassing turn. Sometimes much time is wasted in quibbling 20 THE ART OF DEBATE. over the meaning of an important word in the proposition. Whenever it is possible to do so, de- baters on both sides should come to a preliminary agreement as to the real meaning of the question; for, while different interpretations may give rise to ingenious fencing, they will only hinder genuine argument. Reasonable persons do not debate words, but ideas. When a debate is to be held for purposes of practice, or whenever it is possible to limit the terms of the question under discussion, it is well to exclude side issues from consideration, and fix the argument upon what seems the central issue. Thus, when an intercollegiate debate was to be held on the question of the annexation of Ha- waii, it was feared that the discussion might be made scattering by the introduction of such mat- ters as the benevolent attitude of our people toward the Hawaiians, or the difficulty of ascertaining the real wishes of the Hawaiians on the subject. These matters were therefore ruled out by the addition of certain words to the proposition, so that it read, not, " The United States should annex the Ha- waiian Islands," but, " It would be for the best in- terests of the United States to annex the Hawaiian Islands, granted the free consent of their inhabit- ants." Obviously the question before the people of the country was the original and wider one, and could not be limited in any such way; but for a brief and formal debate it was wise to limit discus- SUBJECTS OF DEBATE, 21 »ion to the most important phase. In such cases the wording of the proposition should make clear whether the question is one of fact or of policy; if of policy, whether abstract grounds of justice or grounds of expediency are chiefly to be considered; and if expediency, whose interests are to have pre- cedence. Otherwise the debaters on respective sides may argue what are really different proposi- tions. The last rule to be laid down relative to the wording of the proposition is that all " begging of the question " is to be avoided. In its ^ , ^ ^ Fairness narrowest sense this means that no word andimpar- must be admitted into the proposition * ^' which of itself constitutes an argument for or against the proposition. Such a question would be: *^ Resolved, That the inhuman treatment of the Armenians by Turkey is reprehensible." Here the word " inhuman " renders all argument superflu- ous. In a wider sense the rule means that every- thing should be avoided in the statement of the question which indicates the attitude of the per- son stating it, by throwing the slightest commen- dation or slur upon either side. The necessity for this rule is perfectly obvious in a formal debate: no question can be tolerated which gives either side an evident advantage. But it should also be ob- served in arguments where any speaker has the right to state the question for himself. If he 22 THE ART OF DEBATE. wishes to be fair he should assume that there is a real question of difference to be considered, and that it will be to the advantage of every one to have that difference stated in terms acceptable to both sides. If, in his statement of it, he betrays either enthusiasm or contempt, he will be suspected of inabihty to do it full justice. Appearance of preju- dice always discounts argument. Briefly to summarize the foregoing suggestions: propositions for debate should be worded so that the affirmative will be under the first responsibility of proof, should be as brief as may be consistent with exactness, should make the issues involved as distinct as possible, and should avoid every appear- ance of partiality. All this, while not without significance for de- bate of a general character, has had chief reference Formal ^^ formal debates where a chosen ques- Debates. tion is discusscd and a decision is ren- dered on the merits of the argument. It has al- ready been suggested that (with the exception that the subject of debate may well be sim- plified for the sake of brevity and clearness) such debates will be most satisfactory when so con- ducted as to approach most closely the discussions of real Hfe. In all contests of this character there is an artificial element — especially when a strong desire for victory is involved — which is in danger of detracting from their usefulness. In real life SUBJECTS OF DEBATE, 23 questions arise out of practical emergencies; they cannot always be reduced to exact forms of words; and they are not decided by a discussion between three men on one side and three on another, in which the issues are closely watched to see which has the best of it. If, then, in formal debating, stress is laid on those matters which are peculiar to formal debating, — quibbling over the wording of the question, rapid repartee, and the mere tri- umph of one speech over another, — the practice will be a questionable preparation for real life and its contests. If, however, under these artificial con- ditions, the stress is still laid on the merits of the question, so presented as to convince — if possible — persons really interested in its settlement, the value of the practice is very great. The difference may be compared to that between the gymnastics which are studied under professional training for purposes of exhibition, and the exercise which goes to make muscle for every-day use. In legal debate, while the conditions are not so artificial as in formal debating contests, they are still much more artificial than in the gen- ^ j eral discussion of public affairs. The law Debate. of English-speaking countries is a growth of long development, and its practice is hedged in by what seem at first sight to be merely traditional rules and regulations. These rules had their origin in attempts to serve the practical ends of justice, and 24 ^THE ART OF DEBATE, most of them are still useful to the same end; but to common observers they frequently seem to offer hindrances to the simple search for truth. Thus many things which are good evidence for the ordi- nary man as he investigates an alleged crime, are ruled out absolutely from the consideration of juries. Lawyers are forbidden to make statements in court which the newspapers make, and by which public opinion is greatly influenced. Legal '* pre- sumptions," so called, are established, which de- clare the age at which a person may be presumed capable of crime, the length of time which he may be presumed to remain alive after disappearing from common knowledge, and so on, with small respect for the means which private citizens use in forming judgments on the same points. In courts of law such grave interests are at stake that it is necessary to lay down these rigid rules and apply them — sometimes — even in the face of common sense. This has a marked effect on legal argument. A lawyer in striving to win his case will make use — and, according to common opinion, will be jus- tified in making use — of all possible technicalities in his favor. If he can find a flaw in the indictment brought against his client, he will not trouble to prove him innocent. If he can overthrow the point on which his opponent has based his plea to the court, he will be content not to go into the real issue back of it; and the court, in deciding the plea. SUBJECTS OF DEBATE. 25 will often expressly ignore what seems to the lay- man the important point of the case. Such cir- cumstances as these seem to be unavoidable in legal procedure, where uniform rules of practice have to be adopted for all possible cases, even if the inter- ests of justice are thereby sometimes jeopardized. But in spite of all this, those lawyers appear to be most largely successful who are not given to fight- ing on technicalities, but who give the impression that the fundamental merits of the case are their chief concern. A jury will listen with suspicion to an argument which seems to shirk the real issue; and even a judge, educated to weigh the very dust in the balance, will give more consideration to a motion made by an attorney known to be careful of the interests of justice, than to one made by a lover of technicalities. The great arguments of great lawyers — like Mr. Carter and Mr. Choate, for example, in our own time — are marked by an appearance of enthusiasm for justice, of considera- tion for the important issues at stake, which affect not only the courts addressed, but all within hear- ing. The most important elements of legal debate, then, are not different from those of general de- bate.* * In support of this I am very glad to be able to cite a dis- tinguished legal authority, Professor James B. Thayer, who in his " Preliminary Treatise on Evidence at the Common Law " observes: " Let it be distinctly set down, then, that the whole process^ 26 THE ART OF DEBATE. Legal argument is roughly divisible into three great classes. The first class is that dealing with the proving of facts, and is chiefly prac- Ui&SSBS 01 •<<<• 1 ' Legal ticed in the calling and cross-examina- Aiguments. ^j^^ ^£ witnesses. The handling of testi- mony, as well as of other sorts of evidence, is gen- erally recognized as one of the most important tasks of the lawyer. The second class is that deal- ing with the establishment of legal principles by the citation of authority. Since law is in itself so much a matter of tradition and precedent, and since it is desired to maintain the utmost uniformity in the administration of justice, our courts give the greatest possible weight to the opinions of other courts having a bearing on questions brought be^ fore them. This indicates the second great task of the lawyer, — the finding and applying of authorita- tive precedents. The third class of legal arguments is harder to define; it consists in the application of processes of reasoning to the facts and the authority presented, so that jury or court may be convinced of the inference which the lawyer wishes to draw from his material. All these forms of argument are familiar even to those knowing little of courts and law. In criminal cases, for example, every one of legal argumentation, and the rules for it, essential as these are, and forever pressing upon the attention, are mainly an affair of logic and general experience, not of legal precept." (p. 271.) SUBJECTS OF DEBATE. 27 knows that the chief matter is commonly the prov- ing of facts by evidence. In cases brought before higher courts on appeal, it is not usually disputed facts, but questions of legal principle, which are discussed; the only witnesses cited, therefore, are the records of other courts and the mental proc- esses of the judges. When we turn from both formal debating con- tests and legal argument to the debate of delibera- tive bodies and of the people as they dis- (General cuss public affairs, what sort of questions Debate. do we find? The difference is almost entirely one of proportion. We find people disputing questions of fact, as is done in the courts; but they commonly investigate these questions with less accuracy and thoroughness than the courts, and they use all pos- isible sorts of evidence, — hearsay, newspaper re- ports, and the opinions of their friends, — in ascer- taining the facts. The matters of precedent and authority, which we found looming so large in the courts, take small space in the public mind. The opinions of private citizens, and of deliberative bodies for that matter, are little bound by prece- dent; and the private citizen is likely to think that no authority on earth can greatly affect him in a matter of opinion. Nevertheless, the argu- ment from authority, as we shall see hereafter, has ^ place in ordinary debate. And of course the sort of argunient that is based on processes of rea- 2B THE ART OF DEBATE. soning is found in all debate. In deliberative bodies men debate questions of parliamentary law, argu- ment on which closely resembles, in its general na- ture, the discussions of courts on constitutional law. Debate on all manner of public questions, — the tariff, finance, foreign policy, and the like, — in- volves delicate reasoning on cause and effect, human nature and natural law, as well as on prin- ciples of abstract justice. It is questions requir- ing action, and dependent upon disputed points either of moral principle or of self-interest, that assume in general argument a place altogether out of proportion to that which they occupy in legal debate. These questions of policy or expediency may be said to take the place, with the people at large, of the legal arguments based on authority. The public debater in a moral community appeals to the conscience of his hearers as the highest au- thority. He also appeals to their self-interest, as a matter having great weight, though not to be so loudly spoken of. If the two are agreed, and he can say, '' First, this is right; and secondly, it is to your advantage," he has a very strong case. But neither the one argument nor the other would be safe in a court of law. Thus a Mormon might argue in favor of polygamy on the ground that it is theo- retically justifiable, and that it would be beneficial to the community. If he were on trial in a court neither argument would be admissible; however SUBJECTS OF DEBATE. 29 much the judge might agree with them, he must say, " To the law and the testimony." Before a popular audience, however, the Mormon might present his case from the side of abstract justice, he might give facts drawn from polygamous com- munities, and he might argue from those facts that polygamy is beneficial to society; if the audi- ence were of his own people, he might also cite the authority of religious books. So through all sorts of questions these different types of argument ap- pear. A final difference between legal argument and that of a more general character, which has already been sucfeested by the mention of ques- . ,. . \ , , ,. , , Debate look- tions of policy, is that the public debater ing toward discusses questions which appeal to the ^^^^°"' will. A judge or jury has only to decide the ab- stract merits of the case presented, and to record the decision; no further action is expected on the part of either, and the rendering of the decision does not usually affect the interests of either. But when one seeks to move his hearers to vote for a pending bill or resolution, to support a certain can- didate, to pursue a particular line of conduct in business, or to give money to a favorite cause, his arguments must strike at deeper springs than those of pure reason. Such questions demand the best powers of the orator, — powers which may be 30 THE ART OF DEBATE, almost out of place in a court-room, but which will shake the will of the crowd. It has been impossible to classify debatable questions in any thoroughly systematic way. What- ever classification one chooses, one group will in- determinately melt into another. But it is hoped that this examination of some of the elements of legal as contrasted with general argument, may serve to make clear the points of likeness and of difference in all forms of debate. It may have shown why one must adapt himself to the particu- lar question under discussion, as well as to the par- ticular audience addressed, and why some debaters will always be at their best on certain topics, and others successful along different lines. The prob- lem, however, is always the same at bottom: given a real difference of opinion, caused either by dif- ferent beliefs as to the facts, or by different infer- ences from the facts, to produce agreement of opinion by making your hearer believe the facts that you believe, and draw the same inferences from them. III. PRELIMINARY WORK. Thus far we have reached the point where the subject for debate has been stated as accurately as possible. We turn now to look at it from the op- posite direction, and ask such questions as: Just what does the proposition maintain ? and Just what lines of proof are necessary to its demonstra- tion? The importance of this preliminary analysis of the question cannot be emphasized too strongly. It would not be too much to say that if one has but an hour to spend in preparation J^l^^jyX for debate, half of it should be spent in considering just what the question means and what are the essential points to be proved. Much of the difference between poor debaters and those who are successful is found just here. Too often one can see that a speaker has seized thoughtlessly upon one or two points connected with the question, either because he has been most familiar with them or because they afiford best opportunity for elo- quence; while his opponent may be able to show that, however true all that the first speaker has said, it is not of first-rate importance for the purpose in 31 3* THE ART OF DEBATE. hand. No hearer will listen with patience when it appears that the speaker has not grasped the essen- tials of his question. And it is not uncommon, when the facts in the case are undisputed, to find a debate resting largely upon the ability of one side or the other to analyze it keenly. The first element, then, is to make clear the pre- cise meaning of the question. This, as was sug- Definingthe gested in the preceding chapter, may go Queation. very far toward clearing up the argument. It was there said that no subject should be debated, when it can well be avoided, whose significance depends largely upon the meaning of certain am- biguous words. It may happen, however, that one side will find it necessary to show at some length that the fallacy of the opposition rests on some false definition. This might be the case, for example, where such phrases as " republican form of govern- ment," " Monroe Doctrine," " personal liberty," and the like, were involved. One would then have to turn his introductory line of argument into an exposition of the doubtful phrase. With reference to debates where particular words or phrases play an important part in the statement of the question, a word of caution must be spoken as to the use of dictionary definitions. Without disrespect to dictionaries, it may be said that they seldom furnish definitions likely to be serviceable for argumentative purposes. Dictionaries admit PRELIMINARY IVORK. 33 all meanings of words which are sanctioned by any reputable usage, — many of them quite divergent in character. In other words, the dictionary can- not answer what is usually the important question: Which, of two or more possible meanings, is the reasonable one for present purposes? It is of no use, then, for a speaker to flourish a dictionary, exulting because it gives the definition he desires to use; his opponent can doubtless do the same. If, then, we are not to seek definite authority for our interpretation of the question, how shall it be determined? Generally in the sources. Conditions of surroundings, and present conditions of tion. ^*"' the subject discussed. The interpretation must above all be reasonable if it is to be a basis of argu- ment. It must seem to the persons addressed to be a fair statement of what the question means to them. It must exhibit no appearance of having been laboriously searched for in order to conform to the point that the speaker wishes to prove. The etymology or history of any word involved in the question is a minor matter; the pres- ent meaning of the word is the important thing. All really debatable questions arise, as has been said, from real differences of opinion. It is these real differences, and not questions of phras- ing, which should be discussed. A recent inter- collegiate debate was lost because the side defeated declined to accept the meaning of the question as 34 THE ART OF DEBATE. interpreted by their opponents, and spent practi- cally their whole time in defending a different one. Similarly, when the question of an arbitration treaty between the United States and Great Britain was being discussed, much time was consumed in theoretical interpretations of the words " per- manent court of arbitration," although it was one particular plan that was before the people of the country for consideration. All this does not ignore the fact that in discussions where particular forms of words are involved, as in set debates and in legal controversies dependent on the interpretation of certain documents, it is an essential duty of the debater to interpret the form of words and be ready to defend his interpretation if it be questioned. The point is simply that a form of words should never be allowed to obscure the real question, and that definitions should have reference not to theo- retical meanings, but to the meaning of the words under the circumstances. Words are to be the servants of the debate, not the debate a slave to words. When the meaning of the question has been deter- mined, the next step is to inquire what is the essen- Hwpowing tial thing to be proved. Very few propo- th^QuMtion. gitions are so simple that they can be proved by applying the evidence directly to the whole question, without the use of intermediate steps; and very few are so clearly understood that PRELIMINARY WORK. ^5 popular talk about them does not include number- less matters not essential to their proof. There will usually be one point, or at most two or three, which analysis will show to be of supreme importance. Such a point may be called the main issue. The main issue is that which it is chiefly necessary to prove, in order to prove the whole proposition. It is found by discarding all minor matters connected with the question, and fixing the attention upon that which properly forms the central portion of the argument. Some examples will make this more clear. Take the question : " Resolved, That three- fourths of a jury should be competent to render a verdict in all criminal cases." It will appear on analysis that both sides admit that absolute justice AMiyrisof cannot be expected in jury trials; the aim, JuryOTieB- therefore, is to secure the most perfect justice consistent with a uniform system. There arc two sorts of interests involved: the interest of every accused person, that he shall suffer the least possible chance of conviction if innocent, and the interest of the people as a whole, that accused per- sons shall have the least chance of escape when guilty. The existing law seems to express largely the first sort of interest, which has always received great stress among Anglo-Saxon races. The main issue may then be said to be: Will the proposed change increase the chances that public justice will 36 THE ART OF DEBATE, be done, witliout disproportionately lessening the chances that innocent individuals will escape un- just conviction? A similar sort of analysis, in a different kind of question, occurs in Macaulay's speech on the pro- posed Copyright law of 1841. Macaulay Copyright showed that a copyright law of any kind QneBtion. -^ ^ ^^^ ^^ ^^^ public in the interest of authors. Since, however, the interests of authors are those of literature, the public should be willing to pay the tax. The main issue, then, in the pend- ing discussion was this: Would the proposed exten- sion of the copyright period result in advantages to authors sufficiently great to compensate for the disadvantages to readers? Macaulay showed that the disadvantages to readers would be greatly in- creased, while the advantages to authors would be but little greater than under the existing law. Many questions depend for their analysis upon proposed remedies for admitted evils. Thus the proposition to establish the free coinage of silver . , ^ , in the United States is larg^ely based on Analyslfl of . . . . Silver QnoB- certam inconveniences which certain por- °"' tions of the people are said to feel as grievances. There is a sense in which these incon- veniences are admitted on all sides. While the question could be analyzed from a number of dif- ferent points of view, perhaps the main issue might best be stated as a double one, after this fashion: PRELIMINARY IVORK. 37 Would the free coinage of silver relieve (i) the government of the United States, and (2) the people at large, from present financial incon- veniences? Another method of analysis might be drawn from the position of those opposing the proposition. It is claimed that the proposed policy would result in disaster to the business interests of the country, because gold would be driven out to such an extent as to interfere with its use in in- ternational exchange, while the monetary value of silver would tend to fall to its commercial ratio of something like 32 to i. The main issue, then, might again be stated as a double one: Would the estabhshment of free coinage result in (i) the ex- portation of gold to a degree that would interfere with its use in international trade, and (2) in the fall of the exchange value of coined silver to a ratio of 32 to i? This is a subject whose compli- cations make it peculiarly difficult to analyze satis- factorily. One may hear a dozen speeches devoted to it, in political campaigns, and be unable to re- duce the various arguments to any clear system. It is safe to say that most of the debates on the silver question would be more satisfactory if the participants held themselves rigidly to some such method of analysis as has just been suggested. Let us now take an example from the analysis of a legal question. In cases depending upon ques- tions of fact the process of analysis is comparatively 33 THE ART OF DEBATE. simple. Thus in a criminal case the main issue may be simply the question of the credi- Legai QueB- bility of one of the witnesses, upon whose *^°"*' testimony the prosecution chiefly re- lies. Or the main issue may be a matter of infer- ence from testimony; — such a question, for ex- ample, as whether the presence of the accused per- son at the time and place where the crime was committed warrants the belief that he was con- cerned in the committing of it. In all such cases, then, as in general debate, there is usually one main issue upon which the decision must chiefly rest. But it is in more complicated matters than ques- tions of fact that such analysis is most necessary. Of these the celebrated Income Tax cases of 1894-95 form a good example. Congress passed a law levying a tax of two per cent, upon all in- comes of citizens or residents of the United States exceeding $4000. The question arose whether this law was constitutional. The process of analysis was briefly as follows. The Constitution requires that di- rect taxes be apportioned among the States accord- ing to population, whereas duties, imposts, and ex- cises must be uniform throughout the United States. Taxes on land have always been understood to be direct taxes, but there has never been an adequate decision as to just what other taxes might also be regarded as direct. Economists usually regard any tax as direct which is collected from the very per- ^ • , . PRELIMINARY IVORK, S9 sons who are expected to bear the burden of it, — as distinguished, for example, from duties on im- ported goods, which are intended to fall not upon the importers but upon buyers. The courts, on the other hand, have shown a disposition to limit the term " direct tax '' to capitation taxes and (as has been said) taxes on land. The questions in dispute, therefore, were chiefly these: First, is a tax on the income of personal property direct, and so required to be apportioned among the States? If so, the tax of 1894 is unconstitutional. Second, since it is ad- mitted that a tax on real estate is direct, is a tax on the income derived from real estate, by rents or otherwise, also direct, and so required to be ap- portioned among the States ? If so, again, the tax of 1894 is unconstitutional. Third, if any part of the tax is held not to be direct, but of the nature of an impost, is the exemption of incomes under $4000, and of certain specified kinds of business, in violation of the requirement that duties, im- posts, and excises shall be uniform throughout the United States? In this case also the tax of 1894 is unconstitutional. On these three questions the complicated Income Tax cases largely rested.* * It was that part of the tax covered by the second of the three questions which was declared void by the Supreme Court (in the case of Pollock v. Farmers' Loan & Trust Co., 157 U. S., p. 429), the Justices who heard argument in the case being equally divided on the other two. For the sake of simplifying the analysis I have omitted mention of that 40 THE ART OF DEBATE, One more illustration. In the winter of 1895-6 many debates were held on the question: ''Resolved, . , . , That President Cleveland's Venezuelan Analysis of , , , • , r i Venezuelan message should receive the support of the Question. people." The circumstances will be easily recalled. A long-standing dispute between Vene- zuela and Great Britain had reached a critical point, at which arbitration was desired by Venezuela but declined by England. President Cleveland ad- dressed a message to Congress, expressing fear lest Venezuela was being unjustly pressed into submis- sion, and arguing that it was the duty of the United States to investigate the matter, and to insist on justice being done. The message aroused vigorous and protracted debate. Historians and geog- raphers took up the matter of the boundary-line, and discussed its proper survey. Certain portions of the President's message were based on argu- ments drawn from the historic " Monroe Doc- trine," and there was much discussion as to whether that Doctrine had any proper bearing on the Vene- zuelan controversy. Above all, certain expres- sions in the message had suggested the possibility of serious differences between the United States and Great Britain, and those who looked upon a war with England either with complacency or with horror entered into clamorous debate over the part of the tax levied on incomes derived from municipal bonds, which was also declared void. PRELIMINARY IVORK. ' 4i prospect. Yet for the purposes of definite argu- ment all these matters were of minor importance, and had even to be set aside as tending to obscure the main issue. Mr. Cleveland had not attempted to decide the merits of the boundary dispute, but only to ask for a commission which might do so. He had not based his entire message upon the Monroe Doctrine, but had used it as an auxiliary argument. And clearly the matter of a war with England was not the main issue, for if the position of the administration was right, every one would agree to support it whatever might happen, whereas if it was wrong it should be condemned even if there were no danger of war. This was the line of analysis by which minor matters might be set aside. The main issue would seem to have been : Is the Venezuelan controversy sufficiently connecte^l ■with (i) the interests or (2) the duty of the United States to warrant our government in intervening? These illustrations have been given in such num- ber and detail, because of the great importance of indicating what is meant by analysis, and Eeeuitsof of showing how questions of various sorts -^a^y^S' can be reduced to one or two issues upon which their settlement largely depends. This preliminary analysis ought, of course, as far as possible, to be acceptable to debaters on both sides. If both sides are agreed as to what constitutes the main issue, the debate will already have made substantial prog- ip^ THE j4RT of debate. ress. It Is, however, impossible to expect the dis- putants always to agree thus far. In such cases the one who speaks first should present an analysis which will appear just and impartial even to those of the audience who are disposed to favor the op- posite side; and the opponent speaking next will have to begin by attacking the analysis. It will never be safe to decline altogether to discuss any issue raised by an opponent, as though one were afraid of it; but it will be perfectly reasonable to try to show that it is not an essential issue. The work of analysis clearly presupposes a full understanding of the question on both sides. The study of one's opponent's case is too often Both^Sides neglected. Its importance cannot be stated too emphatically. It is told of a great lawyer that he remarked: " If I have time to study only one side of a question, I study that of my adversary." He must have had in mind the fact that one does not really understand his own side until he knows what is to be said against it. Some questions cannot even be subjected to preliminary analysis until this has been accomplished. Take for example this proposition: The surplus silver bullion in the United States Treasury should be coined and used to defray the current expenses of the government. The outline of obvious direct proof is simple enough: the bullion is lying' idle, the receipts of the government arc falling behind PRELIMINARY ^ORK. 43 the expenditures; why not apply the supply to the need? The trouble is that any one listening to such a line of argument says instantly to himself: '* If this bullion is not being coined in the manner pro- posed, there must be some reason in the minds of the authorities why it is better as it is; I can therefore form no opinion on the question until I know what that reason is, and what is alleged in its favor. If the advocate of the change does not know why it is opposed, he knows very little about his subject; if he knows, and yet keeps still about it, he is not honest/' So a question may be dangerous from the very fact of appearing to be all on one's own side; and even the opening speaker in a debate cannot afford to be ignorant, or to seem to be igno- rant, of the attitude of his opponent. Analysis, then, may be said more broadly to include not only the questions, Just what does the proposition maintain? and. What must chiefly be shown in order to prove the truth of it? but also. What objections are made to it? and, How far are the objections significant? One can then de- termine what objections can easily be thrown aside and shown to be of small importance, and which ones must be set up to be disproved as thoroughly as one's positive position is to be proved. If there are any objections whose relation to the question does not at first seem clear, there should be no rest until that relation has been settled satisfactorily. 44 THE ART OF DEBATE, If there are any which cannot either be shown to be unimportant or be directly disproved, something is wrong with one's case. To sum up, one never knows what must be proved until he knows what is to be disproved. The preliminary study of the question will in- volve, in most cases, a good deal of search for fathering of i^iatcrial; and something is to be said as Material. to the method of such search. The amount of reading necessary will of course depend on the nature of the subject in hand. In any case care should be taken that the reading is not made a substitute for thinking. It is well to make a temporary analysis of the question as it presents itself to one's mind, before looking up any material in books; then, as one reads, the material will ar- range itself according to what seemed at first to be the principal heads and sub-heads, at the same time very likely suggesting an improved method of analysis. It is as though one should divide a box into a number of pigeon-holes, with a view to assorting all his papers. As the papers were ex- amined they would fall into one or another of the groups for which places had been prepared, but at the same time they would be likely to suggest that either more or fewer pigeon-holes would give a better classification; so the partitions could be moved about to suit the change. In like manner one's reading on any subject should fit into a pror PRELIMINARY IVORK. 45 visional scheme of analysis, while the scheme should be allowed to grow and change as new ideas may indicate. In reading that is intended as a preparation for debate, three classes of material will ordinarily be found. The first is that of simple facts. Here are included such matters as undisputed statistics, his- torical statements, and scientific truths, which are of such indubitable validity that no special author- ity need be cited in support of them. The second class includes facts not to be accepted on their face, but depending for their value upon their source; — such as the testimony of a traveler as to things seen in a foreign land, or the decision of a judge on a doubtful point of law. Here the source of the fact constitutes a part of the argument itself. The third class of material includes the arguments of others, the worth of which has nothing to do with their source. If the source of material is named in this case, it will be as a matter of courtesy or simple honesty, not as an element in the proof. The distinction between these classes of material is not an artificial one, but has practical bearings. The three sorts of material should be very p^^^g ^^^ differently used. The class of undisputed Opinions, facts is the most simple; to discover them is the first object of the preliminary reading, and to set them forth distinctly will be the first duty of the debater. They are introductory to the arguments 46 THE ART OF DEBATE, based upon them. The material of the second class we shall have to consider later under the head of Testimony and the argument from Authority. It may be said here, however, that material of this class should be selected with great care. Since its value depends wholly upon its source, the value of the source will determine its use. Debaters some- times exhibit a ludicrous lack of appreciation of the relative value of sources. If they have lighted upon any quotation favoring their side of the case, they will bring it with them into the debate, wave it triumphantly in the face of their opponents, and exclaim: " Does not the morning paper make the following statement? " or, " I came across this paragraph to-day, in some magazine whose name I have forgotten, which is in itself a sufficient ref- utation of the position of my opponents.'' One cannot too carefully remember that no hearer is bound to accept a quoted statement as of any more value than his own opinion, unless the high char- acter of the source be distinctly shown. More than this, even if the character of the source be very high, it is of small value in a case of mere opinion on a disputed matter. If the question is really de- batable it is to be presumed that wise men will be found on each side; so that to quote even the Presi- dent or the Chief Justice in such a case will show that there is something on one's side worth con- PRELIMINARY tVORK. 47 sidering, but nothing more. Quotation-marks are no sign of plenary inspiration. The material of the third class includes actual arguments on both sides of the question. Briefly stated, the proper use of this material is to Arguments enable the reader to set in order all the o^^*^®"- opposing arguments as matter to be refuted, and to make the favorable arguments his own. What is it to make the argument of another one's own? It is so to appreciate its value that it will take its place in one's mind as a part of one's own view of truth, apart from everything peculiar in the way it was first expressed. It can then be re-expressed in one's own fashion. There is no copyright on a process of reasoning. It is only the method of ex- pression that can be said to be borrowed or stolen; and cases will be very rare in which it will not be more effective to use an original method of expres- sion, than to quote the words of another. Every one who reads knows how the ideas discovered are assimilated in his own mind, so that he forgets the source while keeping the substance. In this way the Congressional Record and the North American Review may reappear in debate under a new form, just as last week's meat and vegetables reappear this week in bone and blood and muscle. This is the fruitful method of reading for all purposes, and particularly for debate. Some system will be found necessary for the 48 THE ART OF DEBATE. orderly tabulation of. the material found in prelimi- nary reading and study. If the question is one of Tabulation Ordinary interest, the investigator will at of Material, first be appalled by the amount of material which will come to hand. The daily press, Poole's Index, and the Congressional Record will frighten him by the abundance of their stores. In all this matter there will be some more authoritative and more concisely stated than the rest, and this should be selected as soon as possible. This being done, it will very soon appear that the contents of other articles will group themselves easily under heads already set down, and the great body of useful material will soon have been gathered in. But how shall the heads be tabulated and grouped? Most of us have found that it is never prudent to do serious reading without a pencil at hand. The best sort of note-book for such purposes as we are con- sidering is simply an abundant collection of cards or slips of paper, on which separate points may be jotted down as they present themselves. These can then be easily assorted and reduced to a small num- ber of groups. Repetition will in this way be read- ily discovered; the main headings of the argu- ment will loom up after a little; and by judicious shuffling one may be sure that he has included everything he has gathered together, and has got it into intelligible shape. I have seen a friend who is a zealous and successful debater literally sur- PRELIMINARY fVORK. 49 rounded by piles of these little slips or cards, em- bracing all the facts of the case to be debated, the main lines of proof, and the possible points of the opposition. It was little wonder, after this had been done, that in his finished argument every separate bit of material fell into its place as neatly as though he had been able to think out everything in the first place in its logical order. A plan practically identical with what has just been suggested is described by Professor Wendell, in his " English Composition," * as a means for securing the best order in any composition. " On separate bits of paper " (he says) " I write down the separate headings that occur to me, in what seems to me the natural order. Then, when my little pack of cards is complete, — in other words, when I have a card for every heading I think of, — I study them and sort them almost as deliberately as I should sort a hand at whist; and it has very rarely been my experience to find that a shift of arrangement will not decidedly improve the original order. Ideas that really stand in the relation of proof to proposition, frequently present themselves as co-ordinate. The same idea will sometimes phrase itself in two or three distinct ways, whose superficial diflferences for the moment conceal their identity; and more frequendy still, the compar- ative strength and importance, and the mutual rela- tions, of really distinct idjpas will in the first act of com- position curiously conceal themselves from the writer. * Page 165. 50 THE ART OF DEBATE. A few minutes* shuffling of these little cards has often revealed to me more than I should have learned by hours of unaided pondering." Obviously all that is here said of the suggested method, v^ith general composition in view, is doubly applicable to preparation for debate. The analysis of the subject and the tabulation of material ought to combine to produce an outline The Outline ^^ ^^^ argument which is to be made, or Brief. Such an Outline really completes the con- structive work of debate, up to the point where such matters as illustration, persuasion, and rhetori- cal form come in; and it is the almost indispensa- ble prerequisite to orderly debate. There are at least three reasons why a careful outline is so im- portant. In the first place, no ordinary person can carry in his mind a complete view of the material for an argument, if he has it only in the large form in which it has come to him and in which he wishes to present it to others. The ground covered must be viewed, as it were, in miniature, in order to be understood in its structure and relations, just as a thousand miles of territory cannot be understood as a whole, even by one who has traveled over them, without the aid of a small map which will show the shape of the country at a glance. The reason why so many speakers seem to go a great distance with- out coming to any destination, is because they start out seeing the road only from one hill to another. PRELIMINARY IVORK. 51 and have obtained no map for the entire trip. An outline for a speech, then, may be said to be a map, on a large scale, of the country to be covered. Again, such an outline is important because when the time comes for putting the argument into its final form, whether it is to be first written or spoken directly from the outline, the author should have all his faculties free for the perfecting of phrase- ology* — the attainment of perfect clearness, ele- gance, and force. The work of construction should have been completed in advance. Any one accus- tomed to public speaking can rise and speak ex- temporaneously, if he has had sufficient time to determine the outline of what he wishes to say; the fluency and force gained by experience will do the rest. But without a plan in mind he will be Hkely to say very little, though he may be a good while in doing it. Finally, an outline is necessary in order that the structure of the argument may be made clear to the audience. The speaker's mind may be so soundly logical that one point will develop from another in the best order, without preliminary care being taken to secure this end; but it is not likely that many minds in the audience will be as able. They must be helped by being let into the secret of the structure, — by an occasional " first," " secondly," and " thirdly," as the circumstances may require, or by less formal hints; and the speaker cannot 52 THE ART OF DEBATE, give this help if he has not prepared an outline for himself. The outline, then, will put into visible form the results of analysis. Analysis will have determined Form of ^^^ ^^^ ^^ ^^^ principal points to be Outline. proved; these points will form the main headings of the outline. The material gathered will have grouped itself under a number of dif- ferent methods of proof; these groups will be put under the appropriate headings. Certain matter will have been found to be not so much actual proof as matter for introductory or concluding comment; it will be given its place before or after the body of the argument. The outline, moreover, should make clear not only the order of the parts, but their relation one to another. Every statement should be so set down that it will be evident whether it is a main heading, — that is, something which goes to prove the proposition directly,— or a subordinate heading, removed by one or more steps from the main question. To put the matter in a slightly different way: any two parts of an outline for argument are either co-ordinate, — that is, intended to perform precisely similar functions, — or of different orders, — that is, intended for dif- ferent purposes. The problem is to show at a glance which are co-ordinate, main headings, prov- ing the proposition directly, and which are sub- ordinate, leading to the proposition indirectly. The ' ' PREUMINARY IVORK, 53 simplest solution is merely to have all co-ordinate parts of the outline occupy the same position on the page. The main headings may begin at the extreme left of the paper; headings of the next order a half inch to the right of the main headings ; and so on, as far as may be necessary. Such an ar- rangement presents to the eye, at a glance, the relations of the different parts of the argument. It is of course merely an extension of the paragraph idea, upon which we depend in all reading to in- dicate the places where the structure of the com- position changes. In an extended composition it would be confusing to have paragraph indentations of different degrees, because the eye could not fol- low them at a glance; but in a miniature outline it is quite practicable to use a separate degree of indentation for every sort of subdivision of the thought. Let us take an example illustrating the growth and arrangement of an outline for debate. Sup- pose that a speaker is to argue in favor of woman's suffrage in the United States. Woman's After doing some reading and thinking '^ ^®' on the subject, and jotting down the points dis- covered in the order in which they have occurred to him, his notes run somewhat as follows: 1. Importance of the question. 2. Idea of woman's suffrage has made rapid prog- ress. 54 THE ART OF DEBATE. 3. Suffrage is a natural right. 4. Americans believe that taxation implies repre- sentation. 5. Woman is more moral than man. 6. The only other disfranchised classes are idiots, criminals and children. 7. Women would produce a good effect on politics. 8. Objection: Women cannot do military service. 9. Women interested in education of children. 10. Objection: Home interests would be injured. 11. Disfranchisement of woman a mere tradition. 12. In America practically all citizens vote. 13. Objection: Women are represented by men. 14. Experience in Colorado, Wyoming, etc. 15. Very many women now in business. 16. Women much interested in reforms. 17. The present a favorable time for trying the ex- periment. 18. Laws still exist unfavorable to the interests of women. 19. Unmarried women have not even partial repre- sentation. 20. Women need the ballot to protect their real in- terests. 21. According to the Declaration of Independence, all persons are born free and equal. Here, clearly, is a good deal of useful material, but in a quite unserviceable form. The different statements bear very different relations to one an- other. Numbers i, 2, 11, and 17 are of slight value PRELIMINARY IVORK. 55 as proof, but are interesting for preliminary con- sideration or concluding appeal. Numbers 4, 6, and 12 seem to belong together, under some head- ing having to do with the theory of the franchise in the United States. In the same way 3, 9, 15, 18, and 20 have to do with the question of the interests of women; while 5, 7, and 16 have to do with the interests of the country at large. Aside from the matter of arrangement, the headings are seen not to be co-ordinate in their functions as proof. Thus 5 and 16 are proofs of 7, if they have any value, and should evidently come together under 7. 21 seems to be an attempt at proof of 3. Numbers 9, 15, and 18 are proofs of 20; under this head, also, belongs the objection stated in 13, to which 19 is a partial answer. In the same way 14 may well be used as an answer to the objection stated in 10; while 6 is really a form of answer to an objection not stated, coming under the idea expressed in 12. Arranging the headings according to this anal- ysis, and filling in certain gaps in order to indi- cate the full connection of the various ideas, we have an outline something like this: Women should have the right of suffrage in the United States. Introductory. The problem of suffrage of grave importance in America. $6 THE ART OF DEBATE, Originally the right to take part in government was based on physical force. In the United States, however, it is supposed to be based on principle, not tradition. I. To deny women this right is unreasonable according to the principles of government in America. Here suffrage is called " universal." (It is no objection to say that suffrage is denied to certain classes by law, for This denial is largely based on assumed incapacity, as in the case of idiots, crim- inals, and minors.) (Neither is it sufficient to say that women are excepted because of incapacity for military service, for Men are not disfranchised when incapaci- tated by age or infirmity.) Here the principle is accepted that taxation im- plies representation; and women are taxed. II. To deny it is unjust. Suffrage is a natural right of citizens, for It is the means by which they are to protect and exercise the freedom and equality guaranteed them by the Declaration of In- dependence. Women need the suffrage to protect their inter- ests. Many of them have business interests. Many are interested in the education of chil- dren. PRELIMINARY IVORK, 57 Many still suffer from laws unfavorable to their personal rights (as in the case of hold- ing property, guardianship of children, etc.) (It cannot be said that they are represented in these matters by men, for In the nature of the case a man cannot represent the interests of a woman ; and Unmarried women are not even pro- fessedly represented.) III. To deny it is contrary to the interests of the nation. The influence of women in politics would be beneficial. Women are, broadly speaking, more moral than men. Women are more interested in reforms. (It cannot be urged that the interests of the home would be injured, for This is contrary to the nature of women; and Experience in Colorado, Wyoming, and elsewhere, proves the contrary.) Conclusion. This movement has grown beyond all expectation, and has been successful in many localities. The present is an opportune plan for trying it in the United States. This outline is of course by no means complete; detailed evidence is not indicated, and only a few 58 • THE ART OF DEBATE, of many objections are refuted; but it is at least arranged in an orderly manner, so that the argu- ment based on it should have a structure easily ap- preciable, and one using it should be able to tell at any particular point just how much had been proved. It will have been noticed how the system of marginal indentation makes clear the relations of the various statements in the outhne. Those be- ginning at the extreme left (numbered I., II., and III.) are the main headings which go directly to prove the proposition. Those beginning an em to the right are proofs of the main headings under which they stand; and those still further indented are proofs one step further removed. Objections are stated and refuted under the headings to which objection is supposed to be made. Thus an outline map is formed for the entire process of argument.* It is such an outline as this, adapted to legal argument and developed so as to indicate not only the plan but the substance of proof, that ega e s. j^^^y^j.^ ^g^j| ^ a i^i-j^f " Legal bricfs, then, are much fuller than would be found useful for general debate, since their purpose is not so much * This, as was suggested, is the simplest form of outline or brief. Where the outline is to be subjected to criticism or discussion, or where it is to serve any other purpose than that of a preliminary sketch for the use of the individual speaker, it will be found useful to employ a more elaborate system of correlation. The best system of this kind is ex- plained in Baker's " Specimens of Argumentation " (Holt & PRELIMINARY fVORfC. 59 to aid the speaker in his argument as to give the court, and the attorney for the other side, the sub- stance of the writer's case. Not infrequently, in- deed, cases are submitted to court on the briefs alone, without oral argument. This requires a full written statement of the facts in the case, and a definite record of all the evidence necessary to give ground for a decision. Yet the best legal briefs are as clear in structure as though they were mere skeleton plans. By conciseness of statement, the numbering of the main divisions of the proof, and careful paragraphing, they still serve, in a sense, as maps of the country to be traversed. Those who have had much to do with the briefs of inexperi- enced lawyers complain that they are often lament- ably deficient in clearness and order. The secret of the defect has already been indicated: it Hes chiefly in careless analysis of the question and the proof. Too much stress cannot be laid on the fact that, whether in a court of law or in a general assem- bly, the debater who has constructed a strong plan for his argument has gone a good way toward win- ning his case. The preliminary work of the debater may now be assumed to be complete. We have of course passed over, for the time being, the consideration Co.), and "Principles of Argumentation" (Ginn & Co.); and is illustrated by the brief on the Trust question, in the Appendix. 6o THE ART OF DEBATE. of the particular kinds of proof which will have been determined and brought together before even the outline of debate was prepared. But we have ex- amined in detail the process of analysis, the prob- lem of preliminary reading and study, and the method of constructing an outline. Another use- ful preliminary process, it may be observed, is that of conversation. A prospective debater should have no hesitation in becoming a bore to his friends, in order to make sure that no ideas relating to his subject shall escape him. Those friends are most useful who take the opposite side from his own, and who will attack every position he occupies. After some hours' friendly discussion of this sort, it is not likely that either participant will have con- vinced the other of error, but that will not matter; new light will certainly have been struck out by the clash of opposing minds. When all this has been done, the debater should go before his audience so full of his subject, so ready for whatever may be said about it, that his only thought — the sole thing about which he will have any doubt or fear — will be to crowd what he has to say into the appointed time, and to drive it home with the utmost possible effectiveness. IV. BURDEN OF PROOF. We now approach the central problem of argu- mentation, the nature and use of proof. Through all the preliminary work this has been the object in view, and the point has been to ascertain just what sort of proof was needed and where it might be found. In the consideration of the " outline " we assumed for the time being that the proof had already been collected. We now turn to examine its nature more closely. At the outset of this subject we meet the ques- tion of the so-called " Burden of Proof," a topic of great importance for all sorts of debate, yet one concerning which few persons seem to be clearly informed. The principle is in reality a very simple one; the confusion is simply in the use of terms. The Burden of Proof is defined most .simply as " the obligation resting upon one or other of the parties to a controversy to establish by proofs a given proposition, before being Proof de- entitled to receive an answer from the ^^®^' other side." To put it in another way, the burden of proof is the chief responsibility in the argument; or, in still another way, it rests upon the side which 61 6a THE ART OF DEBATE, would be assumed to be defeated if no progress at all were made in the consideration of the case. Let us look first at this matter from the legal point of view. Here are the words of Lord Jus- tice Bowen: "In every lawsuit somebody must go on with it; the plaintiff is the first to begin, and if he does nothing Legal he fails. If he makes a prima facie case, and Definition. nothing is done by the other side to answer it, the defendant fails. The test, therefore, as to the burden of proof is simply to consider which party would be successful if no evidence at all was given, or if no more evidence was given than is given at this particular point of the case." * "The plaintiff is the first to begin," or — in a criminal case — the prosecutor, because it is he that brings the charge or complaint. He creates the case by making a statement, and " he who affirms must prove." The. question then arises: does the burden of proof rest on this same party through- out the argument, or may it be shifted upon his opponent? In one sense, it may certainly be shifted. To continue the quotation from Lord Jus- tice Bowen: " It is not a burden which rests forever on the per- son on whom it is first cast, but as soon as he, in his turn, finds evidence which, prima facie, rebuts the evidence against which he is contending, the burden • Case of Ahrath v. No.E. Ry. Co. BURDEN OF PROOF. 63 shifts until again there is evidence which satisfies the demand. Now, that being so, the question as to onus of proof is only a rule for deciding on whom the obli- gation rests of going further, if he wishes to win." To the same effect is the language of Stephen in his work on Evidence: " The burden of proof in any proceeding lies at first on that party against whom the judgtnent of the court would be given if no evidence at all were produced on either side. ... As the proceeding goes on, the burden of proof may be shifted from the party on whom it rested at first by proving facts which raise a presumption in his favor." We can now see the relation of this term " bur- den of proof " to the closely related term " pre- sumption." A presumption is " that which may be logically assumed to be Proof and true until disproved." So if the burden ^^««^°^p*^°^' of proof is on the plaintiff, the presumption favors the defendant; but if the plaintiff makes what the jurists call a " prima facie case," he raises a pre- sumption against the defendant. Examples of this are perfectly familiar. Thus every man is pre- sumed to be innocent until he is proved guilty; but if, in a trial for murder, the accused person were shown to have been alone with the murdered man at the time when the crime was known to have been committed, the prosecution would have 64 THE ART OF DEBATE. made a prima facie case, and the burden would be upon the accused to overthrow the presumptive evidence against him. Or, in a civil case, a man is presumed to have a right to occupy the house he Hves in; but if his landlord attempts to evict him, and shows a document purporting to give him the right to do so, signed by the tenant, then the bur- den shifts upon the defendant, and he must either show that the signature to the document is not his, or that the document is invalid for some other rea- son. "The rules on the doctrine of legal presumptions . . . may, in many cases, be referred to the four fol- lowing maxims: ist. That no one shall, in the first in- stance, be called on to prove a negative, or be put on his defence, without sufficient evidence against him having been offered, which, if not contradicted or ex- plained, would be conclusive. 2d. That the affirmative of the issue must be proved; otherwise men might be called upon by a stranger to prove the title to their property, which they might often be unable to do, though the title was in fact good. 3d. That possession is prima facie evidence of property. . . . 4th. What- ever any thing or person appears or professes to be, is considered to be the fact, until the contrary is proved." (From an article on " Presumptions of Law " in the Law Magazine, reprinted in Prof. Thayer's " Prelimi- nary Treatise on Evidence.") From one point of view, then, the burden of BURDEN OF PROOF, 65 proof may be shifted from one side to the other by the raising of presumptions. But from another point of view it ahvays rests on in Two the side whose duty it is to prove the ^^^' main proposition. Thus Chief Justice Church said, in deciding the case of Caldwell vs. N. J. Co.: " The burden of maintaining the affirmative of the issue, and, properly speaking, the burden of proof, remained upon the plaintiff throughout the trial." And, broadly speaking, in a trial for murder the duty is upon the prosecution, from the beginning of the trial to the end, to prove its whole case; or, in a case dealing with the seizure of property, the party laying claim against the apparent owner can- not get rid of the responsibility of proving the claim laid down at the outset. From this point of view " the burden of proof " really means something different from what it meant in the cases previously cited. Professor Thayer states the distinction clearly: " In legal discussion, this phrase, * the burden of proof,* is used in several ways. It marks (i) The pe- culiar duty of him who has the risk of any given proposition on which parties are at issue, — who will lose the case if he does not make that proposition out, when all has been said and done. ... (2) It stands for the duty . . of going forward in argument or in producing evidence; whether at the beginning of a case or at any later moment throughout the trial or the 66 THE ART OF DEBATE. discussion. (3) There is an undiscriminated use of the phrase, perhaps more common than either of the other two, in which it may mean either or both of the others." * It would not have been reasonable to spend so much time in the exposition of these legal ques- Burden of tions, if they were technical matters pecul- Fomi^ iar to the practice of courts. As a matter Debate. of fact, the principles just considered are perfectly applicable, from beginning to end, to the question of the " burden of proof " in the debate of ordinary life; and if they were understood with precision many absurd arguments, or interruptions of arguments, would be avoided. In ordinary de- bate, then, a proposition is laid down, and the dis- putant having the duty of proving it is said to bear the burden of proof. One may, of course, lay down a statement of such a character that reason requires us to believe it until someone else has taken the re- sponsibility of proving it untrue; but such a state- ment is hardly suitable for debate. We have seen that in formal debates it is always unfortunate to have the question so worded that the first speaker must spend his time in supporting a proposition presumptively true. The first speaker, like the at- torney for plaintiff or for prosecution in court, should have the presumption against him: he should oppose existing conditions, propose some new or untried policy, or at least lay down a state- * Law of Evidence, p. 355. ^ ^ BURDEN OF PROOF. 67 ment which a portion of his audience is not pre- pared to accept. He will have to make definite progress in his proof; he will be under the obliga- tion, from the beginning to the end of the debate, of making good his proposition; and it will be enough for his opponent, who has the negative, ftierely to prevent him from doing so successfully. If he makes no positive case, or if the negative does nothing more than destroy what he builds up, he must be judged to have lost the debate. If he proves any single point which establishes his case, and the negative cannot overthrow it, he must be judged to have won. Thus, in one sense of the term, the disputant on whom rests the burden of proof must cheerfully ac- cept it, and never forget or attempt to evade the responsibility. On the other Burden hand, as in law, there is a sense in which °^*^ ^^^' the burden of proof may shift back and forth. The first speaker may show in his first speech that, al- though he has the burden of opposing existing conditions, yet the real presumption is against ex- isting conditions. If he has to defend a new and untried measure, he may yet show that experience 90 leads up to this measure as to shift the presump- tion in its favor. At the close of his argument, then, a prima facie case will have been made for his side, and the burden will be upon the negative to show why his claim cannot be maintained. If they do not attack his argument directly, but set 6B THE y4RT OF DEBATE, Up a counter-case of their own, the burden Is still on them to establish that counter-case and to show that it evades the points made by the affirmative. If they do so successfully, the presumption is again in their favor, and the affirmative must go on to further proof or meet defeat. Thus far we have looked at this matter from a somewhat rigidly technical point of view, — ^the Bm-denof point of vicw of the judge, whether in a Genwd court or in a matched debate. The same Debate. principle, as has been said, applies to ar- gument in general, but it must be applied in a broader way. It is not enough, when addressing a general audience, to try to win one's case on technicalities. A debater who does so always runs the risk of finding his victory a sort of defeat in disguise. A lawyer may save his client from punishment by discovering a flaw in the indict- ment, or by merely throwing such doubt over the evidence that the jury feels the guilt has not been proved " beyond a reasonable doubt." But if the accused is to free himself from suspicion in the eyes of the community, much more than this must be done. He must show that the ground of accusa- tion was absolutely mistaken; he must, if he can, not only prove himself not had, but prove himself good. This is the sort of proof that is demanded for general debate. One may be defending some President, or Senator, or Mayor; one may be seek- BURDEN OF PROOF. 69 ing support for some law, or taking the part of some society or party against which wrong mo- tives have been charged. In all such cases there will be a technical presumption of innocence, but this will count for comparatively little in the pubUc mind. It is not a question of whether the Senator has done anything which might send him to prison, but whether he is a good Senator. It is not a ques- tion of whether the proposed law can be shown to meet the particular points where its opponents at- tctck it, but whether on the whole it will be a good law. So the, general debater must win his case in a broader fashion than would be required of him in a court of law. And the burden of proof which he will try to shift will not be the technical burden of proof, but the real burden of doubt upon the minds of his hearers. He will not strive after in- genuity in juggHng with presumptions that depend upon forms of words, but after success in dealing with the question: Where, according to the feel- ing of my hearers, does the true presumption He at this point in the argument? In a sense, of course, any proof offered by the affirmative at the opening of debate, is a means of shifting: the burden of proof: but very Metnods of commonly the most convenient method Shifting of doing so is to establish a presumption ^^^^^^e^- in favor of the proposition by showing that it is more reasonable, on the face of it, than its oppo- TO THE ART OF DEBATE. nents have supposed. Some illustrations may make this clear. In a criminal trial the attempt of the prosecution to show the general bad character of the accused, in order to establish the antecedent reasonableness of his guilt, is a case in point. Some time ago a debating society discussed the question: *' Resolved, That in the United States the strength of the Federal government should be gradually in- creased, as compared with that of the separate States." The first speaker on the affirmative spent most of his time in showing that the resolution fa- vored just such a process as had in fact been going on from the adoption of the Constitution up to the present time. Having done this, he explained his object somewhat as follows: " Why have we taken so much time in a mere review of a past tendency, when we are to consider the pres- ent and future? In order to show that it is really our opponents, and not we, who have the heaviest re- sponsibility of proof, since it is their business to argue against an established course of events, and ours to defend it. A second reason for doing so is because we have thus answered in advance the chief possible ob- jections to this tendency. They cannot tell us that it threatens individual liberty; for we all know that free- dom is now more fully developed than when Wash- ington laid the corner-stone of the Capitol. They can- not urge that such a tendency will tend toward an im- BURDEN OF PROOF, 7^ proper increase in the functions of government, for we know that to-day we let our citizens mind their own business in a way that has scarcely been seen before. They cannot say that such growth is a violation of the contract made at the adoption of the Constitution, unless they would show that we have steadily violated that contract for more than one hundred years, and have never discovered it. They must not complain of the possible destruction of the individual State, or the loss of its local authority, for in the face of all this his- tory there is no single State to-day that fears for one moment its dissolution or absorption. In short, the nation has not by this tendency moved away from any of the great ideas of the Constitution, but has by means of it crowded through all difficulties, and breathes very freely to-day." A similar example is to be found in the case of debates on " expansion," or various proposed an- nexations of territory. In these cases the _ ^ •^ rresnmption affirmative has borne a heavy burden of in Expansion proof, and the negative has made the ^^^^^^^' most of the fact by emphasizing the novelty of such propositions, the extent to which they form de- partures from the usual policy of the country, and the new dangers likely to be involved. The affir- mative has met this by the claim that the proposed expansion of interests is in line with certain natural developments, that it has been anticipated and ex- 72 THE ART OF DEBATE. pected by many of our public men, and that it would not, therefore, properly interpreted, be a departure from an historic policy. This line of ar- gument was used in connection with the annexa- tion of Hawaii, and again, more recently, in con- nection with the territories won from Spain. " We have in fact annexed attractive territory," it has been said, " whenever we have had opportunity; and our economic and political development has been such as to lead logically to what is now pro- posed. Nay, we may even claim that it is for us to demand, when an attractive opportunity for expan- sion is offered, that those opposing it should show why it is not to be used." In other words, the affirmative has sought to relieve itself of the real burden of proof, and to establish a preliminary pre- sumption in its own favor. One additional example will suffice. A debater had to argue in behalf of woman's suffrage. He had what mieht be called a triple burden Presnmption . . ^ in Snffi-age resting on him : that belonging naturally Qnestion. ^^ ^^^ affirmative, the fact that he favored a change from familiar conditions, and the strong popular opinion against him. He tried to relieve him.self of this in an interesting way. He showed how the idea of popular government, as held in America, is that all citizens having an interest in the operations of government, and capable of ex- BURDEN OF PROOF. 73' pressing an intelligent opinion on its operations, should have the right to do so through the fran- chise. He pointed out the several reasons why, under this rule, minors, idiots, and criminals are disfranchised. Women, he said, constitute a fourth class, but evidently not from a similar reason. They are excluded, in fact, from causes now obsolete and merely traditional; the custom goes back to the period when physical force was the basis of gov- ernment, and when woman had no public interests such as have arisen in the evolution of society. Her social, intellectual, and business privileges have changed; her political privileges still lag behind. If an intelligent traveler from another planet could be imagined as coming to visit our country and study its institutions, he would be likely to say: " One thing I do not understand. You have one large class of persons, possessing those qualities which you say are the prerequisites of citizenship, and involved in nearly all the interests which citi- zenship seems intended to protect; and yet they are excluded from the chief function of citizen- ship." It is for those who are able to do so (the ar- gument concluded) to show why such an inconsis- tent condition of things should persist. In other words, the attempt was to throw back the logical burden of proof upon the negative, and establish a presumption for the proposed change. 74 THE ART OF DEBATE, Opinions will of course differ as to the value of these different lines of argument; but the point of Relation of illustration is simply the general method aad™ega^* pursued, which was essentially the same tive- in all of them. In the first case the affir- mative tried to establish the presumption by show- ing that its own side was really that of existing conditions. In the second case the attempt was to do the same thing by establishing a line of tendency made up of analogous conditions. In the third case the attempt was to show the in- trinsic reasonableness of the proposition. In all the cases the object was to secure a favorable atti- tude, on the part of those addressed, toward the side which technically had the presumption against it. Such methods are of no little value in the hands of those who find themselves called upon to defend radical or unpopular measures. They should never, however, be used to the exclusion of direct proof, nor be made an excuse for shirking that permanent burden of proof which we have seen always remains on one side of the controversy. When the propo- sition laid down is a general one, the afBrmative must be ready to show particular cases in which it is true, and explain any particular cases cited in opposition. When a plan is proposed in somewhat vague terms, they must accept the responsibility of showing particular ways in which it could be car- ried out. Thus if the question favor a court BURDEN OF PROOF. 75 of arbitration, they must describe at least one sort of court which they will prove practicable. On the other hand, they have their choice of the par- ticular instance best suited to their purpose, — be it one out of a hundred; and when that instance has been set up, the burden is upon the negative to attack that. If we reverse the question, and find the affirmative laying down the proposition that a court of arbitration is inadvisable, then the bur- den rests upon them to prove this true for all pos- sible courts of arbitration; they are under no obli- gation to bring instances, but upon the negative rests the responsibility of adducing at least one in- stance which WiW overthrow che general presumption established by the affirmative. Thus in every case the affirmative has always its original proposition to prove. No jugglery of words, as has already been sai4, should be allowed to enter into this matter. A good debater will rarely need to use the words " burden of proof " in his argument, or to tell his audience that he has been trying to shift the bur- den upon his opponent; he will shift not the name but the reality, by making his case so clear and strong that the audience will be carried with him. Then his opponent will see for himself that he is under the obligation to recapture his ground. Briefly to recapitulate: The burden of proof is, in the first place, the obligation resting upon the affirmative to prove the proposition it lays down at 7^ THE ART OF DEBATE, the outset, — an obligation which it never escapeu; and, in the second place, the obligation of either disputant to produce proof at any moment when, in the absence of such proof, the other side would be judged to be in the right. In a word, it is simply the demand of the audience: Show your proof, if we are to believe! METHODS OF PROOF. The attempt to classify processes of proof has always been the bugbear of students of argumen- tation. A dozen different systems of classification have been thought out by those who have analyzed the operations of the reasoning faculties from dif- ferent points of view. Too often the matter has been approached merely from the standpoint of theory, or of the principles of logic, rather than from that of the practical debater. It is natural for one with an orderly mind to seek to analyze and classify all the processes that he makes use of, and to be disturbed if he cannot make this analysis consistent and inclu- au Proof sive. As soon, however, as one makes &^"^°* _ the attempt with methods of proof, and rience. begins to apply his system to the various examples that occur to him, a hundred difficulties arise. One sort of proof seems to run into another; a piece of reasoning seems to be inductive from one point of view, and deductive from another; and the use of the simplest sort of evidence appears, when one considers it closely, to involve processes of reason- ing which are commonly thought of as belonging to complicated arguments. 77 7S THE ART OF DEBATE. The difficulty is a real one. The various names and systems which have been invented for these things are in fact only superficial, and often obscure the inner likeness of all meth- ods of proof. Reduced to its lowest terms, all our processes of reasoning, great and small, are simply inferences based on experience. Sometimes the inferences are so rapid that we do not realize that the process has taken place, as when we hear a voice and infer that a man speaking is the cause of the sound; whereas sometimes they are labored and prolonged. Sometimes, again, the experience on which the inference is based is limited, and the inference therefore uncertain, as when we infer that a man will tell a lie because we knew him to tell one before; while at other times the experience is broad and prolonged, as when we infer from innumerable instances that all men are mortal. All testimony, when used as proof, is based on the inference, from experience of greater or less value, that the witness is able and willing to tell the truth; all argument from authority is based on inference of a similar kind; while of course such argument as is called " proof by Example " or " by Analogy " is infer- ence from experience of past instances similar to the one in question. Even the distinction between inductive and deductive reasoning, which forms a basis for the study of logic, is only a matter of the point of view taken, and cannot be applied thor- METHODS OF PROOR 79 oughly in comparing various practical processes of proof. In making inductions we are constantly using deductions, and in making deductions are using inductions. Indeed the great fallacy of in- ductive argument (mistaking an accompanying or preceding fact for a cause) is a form of the so-called fallacy of " post hoc ergo propter hoc,'' which is treated in deductive logic as closely connected with the fallacy of " Begging the Question." * Let us, then, put aside for our present purpose any attempt to arrange our methods of proof ac- cording to a perfectly consistent system, by which they may be pigeon-holed in mutually exclusive groups. On the other hand, we will examine all these methods from the standpoint of their use in practical debate. We have already seen something of the classes into which various arguments naturally fall, in the discussion of debatable subjects in courts Establishing of law as compared with general debate o^i'aots. (see Chapter II). The first of the classes was that of the simple establishing of facts. This is what the lawyer does at the opening of his case, and he does it largely by the calling of witnesses. So the hand- ling of testimony is in a sense the first problem of all debate where the facts are disputed, or where they need to be clearly brought out as a basis for • For a clear discussian of this whole question, see the ad- mirable little book by Sidgwick, " The Process of Argument." So THE ART OF DEBATE, argument. The witnesses in general debate may be called from all quarters of the globe, and may be private citizens, public men, newspapers, or merely common rumor. They may, of course, differ very greatly in the degree to which their testimony can be relied upon, and the great point in the use of their testimony will be to make its credibility clear. This credibility will depend, first, upon the abil- ity, and secondly, upon the wilHngness of the wit- Oredibiuty ^^^s to give an accurate account of the of Witnesses, matter under consideration. It will make no little difference whether the matter is one con- cerning which any reasonable person could speak with certainty, or whether it is one requiring the skill of a trained observer; whether — to put the same thought in other words — it involves one of those rapid inferences which we are always making in commonplace matters, or one of those more com- plicated inferences (such as a chemist or a physician makes in analysis or diagnosis) where a mistake is easily possible. Again, it will make a difference whether the wit- ness has any imaginable interest in the establish- ment of the fact to which he testifies. Experience shows that the most honest of men are likely to see events through glasses colored by their prejudices and interests, and that one who investigates a mat- ter in the hope of finding certain facts which he wishes to make known, is altogether likely to see METHODS OF PROOF, Si what he went to see. So if an admirer of the Cubans goes to Cuba on a trip, and is followed by one who has no liking for the island or its inhabi- tants, we may expect that on their return they will present quite different reports, even on matters of fact. Even if they have seen just the same things (and it is not probable that they have, not having been looking for them), their inferences have been different. The conflicting reports of the two com- missions — the Spanish and the American — that investigated the destruction of the battleship Maine, both having the same facts before them, present a striking example of this tendency. So it hap- pens that if a witness is known to be wholly with- out interest in the matter to which he testifies, — as when a scientist, traveling with his eyes open only to scientific truth, describes what he sees in Cuba or the Philippine Islands, — the testimony has special value. And further, if a witness gives merely incidental testimony, with no thought as to its bearing on any disputed matter, or if he gives merely negative testimony, — not mentioning a matter which he would naturally mention if it were known to him, or if he testifies to a fact which is opposed to his prejudice or his interests, the testi- mony has double value from such circumstances. The principle is simply that testimony is strength- ened by whatever gives us reason to infer that the «a THE ART OF DEBATE. fact as stated is an accurate representation of the fact as existent. These are some of the rules governing the value of testimony, which are the result simply of our -- , common experience with witnesses of all Testimony kinds. In the procedure of courts of ^ ® "■ *' law these, and many others, have been re- duced to a great system of rules — rules which, like all rules of law, have their basis in common judg- ment but have been crystallized into an artificial code of practice. In speaking of the use of evi- dence in general debate, the only point requiring emphasis is that the value of testimony, as deter- mined by means of common judgment, shall be clearly brought out in the course of argument. A lawyer has ample opportunity to do this in con- nection with the giving of the testimony; by ex- amination and cross-examination he brings out all the points necessary to the establishing of the credi- bility of his witness. But a debater in general argu- ment has no such opportunity; he cannot summon witnesses in person, but must quote from their pub- lished utterances, and he usually has much less time than the attorney in which to present his evidence. He must seek, then, in the very moment of giving his testimony, to show in a dozen words why it is to be believed, to point out the difference be- tween testimony of a flimsy character, based on mere rumor or newspaper gossip, and that derived METHODS OF PROOF, 83 from witnesses of capable judgment and disinter- ested state of mind. If the facts of the case are in dispute, or if their presentation is essential to the proving of one's proposition, this clear setting forth of one's testimony may be the critical point in the argument. Some debaters make the grave error of falling back upon general assertions, instead of being prepared to mass their witnesses when a statement is questioned by the other side. But mere assertion will count for very little when a fact is really in dispute. Expert testimony, so-called, and argument from authority, are clearly distinguished in legal proof; the one dealing with matters concerning j, ^»pg,_ which testimony is being taken, the other timony and with matters of legal interpretation which ^ ° y* have been judicially decided. In general debate, however, the two are very similar. We have al- ready seen something, in Chapter II., of the nature of the argument from authority. In this case the proof consists in the inference that the authority cited is competent to speak decisively on the point in question. Such authority is, then, a kind of testimony. We are more likely, however, to call it " expert testimony " when it concerns a disputed fact, — as when we give the opinion of a scientist or a business man concerning events which he is sup- posed from his position to understand with accuracy, ^-and " authority " when it concerns inferences 84 THE ART OF DEBATE, of a more abstruse character, or principles on whicH only certain authorities have the rig-ht to speak. A court, then, constitutes an authority on points of law; a church constitutes an authority on ecclesi- astical matters; a book universally accepted as the source of information on matters within its province constitutes an authority within that province — like the United States Pharmacopeia, for example, in matters of drugs. All such authorities, evidently, to be useful for purposes of proof, must be recog- nized as authoritative by those for whom the dis- puted point is to be proved. A Spanish court will exercise no authority over the judgments of American lawyers; a Roman Catholic prelate can- not affect the judgments of Protestants on points of religion. The authority must be respected, or its authority, in matters of opinion, does not exist. It was remarked in an earlier chapter that the use of the argument from authority is much slighter in general debate than in legal discus- ?f AntSy. s^o^s- There are, in fact, few disputed matters on which an authority can be found, recognized by all whom one wishes to con- vince. In the matter of religion and theology, for example, there is no general authority recognized as existing on earth, outside the particular organs and ofBcers of particular churches. The right of private judgment in religion, and the right of indi- vidual application of the principles of religion to METHODS OF PROOF. 85 practical conduct, has become triumphant in modern civiHzation. If, then, one is debating a moral question, he is forced — except for a general appeal to certain fundamental principles of Christi- anity or ethics, such as he believes his audience accepts — -to bring proofs bearing on the particular case in dispute and appealing to the private judg- ments of those addressed. He not only can no longer appeal to the church to declare that the sun goes round the earth, but he cannof appeal to it to tell certainly what is right and wrong. Men will decide according to their own consciences. And this is only one illustration of the decay of the argument from authority in modern debate. On the other hand, wherever the question in dis- pute concerns matters in a particular sphere or organization, and there is in that sphere „ ^, ^ , ^ Use of Argxi- or organization an authority which those mentfrom engaged in the dispute are bound to ^* °" ^' recognize, the argument from authority still has an important place. Examples are to be found in the decisions of the Supreme Court of the United States, on points relating to our constitu- tional law (though even here the private citizen does not hesitate to take issue with the court, if he is sufficiently venturesome); in the rules of order or by-laws governing various parliamentary bodies ; and in the doctrines and practices governing par- ticular religious sects. Where the authority, then, 86 THE ART OF DEBATE. is definitely recognized, the task of the debater is to make clear just what the authority declares, that it may be shown to have the effect of proof on the matter in hand. It is here in good part that the question of individual skill comes in. *' In legal argument," says a distinguished lawyer, " where so much depends upon the marshalling of pre- cedents, it is particularly important that the debater should make such a statement of his authorities as will bring out with clearness tJie phases of them which it is to his interest to emphasised And it is no less important, when authorities are involved, in general debate. As in the case of testimony, the debater usually has less time than the lawyer in which to develop his authority. To quote exten- sively will not only waste time, but to the average audience will be obscure and uninteresting. Much depends, therefore, on the rapid bringing out of the points of authority which are essential to the mat- ter in dispute. When these points can be obtained, they are among the debater's most powerful weapons. The third class of proof into which we divided legal argument was that of processes of reasoning Processes of applied to the facts obtained. This sort of Eeaaoning. proof is no morc truly a matter of in- ference than the direct use of testimony or author- ity, but it involves inferences of a more elaborate and appreciable character. Let us consider these ^ METHODS OF PROOF. 87 processes according as they are based on matters before the fact in dispute, or on matters after the fact. By matters before the fact in dispute are meant those circumstances leading up to the point under discussion, which, when the time of the a priori disputed event is past, are examined as Evidence, throwing some light upon that event. Of these the most important are those which may have been the causes of the disputed fact. Argument based on these has commonly been called argument from " Antecedent ProbabiHty," since the method of its use is to show that the event was possible or prob- able, on the ground that there was sufficient cause to produce it. The great example of this method of proof is found in the proof of motive in criminal cases. If B has been murdered, and A is accused of the crime, the first effort of the prosecution is to show that A had some motive in committing the crime. If it can be shown that he bore an old grudge against B, that B was aware of secrets which it was to A*s interest not to have revealed, or that A would profit by the property of B at his "death, then an aspect of probability is thrown about the charge. The object of the argument is to carry the minds of the jury to the moment immediately preceding the crime, and make them see that at that moment it was not unlikely that it would be committed by the accused person, if it was to be SB THE ART OF DEBATE. committed at all. In like manner, after an acci- dent to a railroad bridge, the attempt might be made to prove that the bridge was imperfectly con- sftructed, not only from the fact of the accident, but from facts previous to the completion of the struc- ture which would indicate such negHgence on the part of the builders as to lead to faulty construc- tion. It will be noticed that the value of this sort of proof is wholly of a preparatory and corroborative Value of character. Standing by itself, the proof fecelnt^" ^^ antecedent probability is absolutely Probability, worthless. No matter how many circum- stances combine to make it probable that A will murder B, no one will bring A to trial if there is no evidence that B has been murdered. Nor will any one sue a builder on the ground of negHgence, if there is no proof of actual fault in his work. Such proof is also worthless if there is a single piece of strong evidence on the other side. If A is shown to have been absent from the town where the murder was committed, at the time of its oc- currence, no amount of proof of motive will have any weig^ht against him. But on the other hand, it is to be noticed that proof of antecedent proba- bility is a very valuable accessory to other sorts of proof, when the other proof is of a doubtful charac- ter. Without the most positive evidence against him, it is difficult to convict a man of a serious METHODS OF PROOF. 89 crime if no motive for it can be shown. Such proof is valuable, too, not only as being corrobora- tive of direct evidence, but as preparing- the way for such evidence in the mind. Predisposed opin- ions have such weight that it is difficult to persuade men to believe even direct evidence, if they are con- vinced of its antecedent improbabiHty. A striking example of this is the general disbelief in miracles and other alleged supernatural events. Most people do not take the trouble even to investigate such events when reports of them are circulated, and do not credit even what seems to be the evi- dence of their own eyes, because they are so firmly convinced of the improbability of supernatural oc- currences. If they could once be convinced that such things were antecedently reasonable, that there was adequate cause for them in the constitu- tion of the universe or the peculiar circumstances preceding their manifestation, it would be much easier to persuade them that the evidence was good. Advertisers of proprietary medicines make use of the same principle. Before presenting testimonies of cures, they make it plain why their particular remedy may be expected to cure such and such diseases, from the nature of both disease and rem- edy; after the reasonableness of cure has been indi- cated, testimony of cure is more readily received. This suggests a somewhat wider use of the argu- 90 THE ART OF DEBATE. ment from antecedent probability than the proof Antecedent which IS based simpIy on an adequate fn GeS c^^se for an alleged effect. The method Debate. may be used in general, to show that what one wishes to prove true is theoretically possible or probable, that it conforms to known laws, that it is likely to be true. Such proof is widely service- able. In debating economic problems, for exam- ple, one may show that the alleged fact, if it can be proved to exist, will be in conformity with some recognized economic law. Or in proving a politi- cal proposition one may use the doctrines of authorities on political science to show that the proposition is likely to be true, and thus — in a sense — make the argument from authority a proof of antecedent probability. Proof of some hypotheses, indeed, like that of the immortality of the soul, is based almost entirely on this method- of demonstra- tion, and never reaches beyond the point of show- ing that the matter in question is likely to be true. Another sort of proof dependent on reasoning from matters before the fact in dispute, is that from Analogy or analogy or example. In a certain sense Example. t^ig method of proof runs through all the methods we have discussed or can discuss; for since all proof is a matter of inference based on experience, we must base our proofs on the resem- blance between the disputed matter and similar matters which have come within the range of our METHODS OF PROOF, 91 experience. Thus the inference that a voice in- dicates a person speaking, or that a smoke indicates fire, is based on a number of examples running through all our past experience, so numerous and orderly as to amount to actual demonstration. If the proof is based on only one or two examples, or on a resemblance so slight as to deserve no better name than analogy, we then say that the existing re- semblance indicates a certain likelihood or proba- bility that the fact in dispute will correspond to the similar fact of experience. Thus if a man has acted in a particular way under certain circumstances, we may argue that under similar circumstances he will act in a similar way. If the circumstances of a murder are similar to those of another murder occurring some time before, we may argue that the guilty person may be discovered in a man- ner similar to that previously employed. If the condition of a country, economic or political, closely resembles that of another country in a period known to historians, we may use the history of the other country to prove what we wish about the modern condition, — that is, as Patrick Henry said, we may judge of the future by the lamp of the past. In all these cases we infer from similar conditions that similar causes are or have been at work, and will be likely to produce, or to have pro- duced, similar results. The weakest form of this argument, the argu- 92 THE ART OF DEBATE. ment from analogy, is frequently abused. Many Abuse of debaters in fact mistake a mere illustra- Anaiogy. ^[on for a proof. That this mistake is a very old one is shown by some remarks of Sir Philip Sidney in his " Defense of Poesy ": " The force of a similitude," he said, " not being to prove anything to a contrary disputer, but only to ex- plain to a willing hearer, the rest is a most tedious prat- tling: rather over-swaying the memory from the pur- pose whereto they were applied, than any whit inform- ing the judgment, already either satisfied or by simili- tudes not to be satisfied." The same thought was suggested by George Eliot, in connection with Mr. Stelling's '' favorite metaphor, that the classics and geometry consti- tuted that culture of the mind which prepared it for the reception of any subsequent crop." " It is astonishing," she observed, " what a different result one gets by changing the metaphor! Once call the brain an intellectual stomach, and one's ingenious conception of the classics and geometry as plows and harrows seems to settle nothing„ But then it is open to some one else to follow great authorities, and call the mind a sheet of white paper or a mirror, in which case one's knowledge of the digestive process becomes quite irrelevant. It was doubtless an ingenious idea to call the camel the ship of the desert, but it would hardly lead one far in training that useful beast." Resemblances, then, may illuminate an argument METHODS OF PROOF. 93 when they admittedly indicate that similar princi" pies are involved; otherwise they are mere rhetori- cal embellishments. In a debate on the prohibition of the liquor traffic the advocate of prohibition compared the liquor traffic to a deadly upas-tree, and urged that the only thing to do with such a tree was, not to trim it or fence it, but to cut it down; this indicated the method of prohibition. His opponent replied that, while it might be a good plan to cut down the tree, a great tree cannot be felled at a stroke, but that one must chop a little on one side, then a little on the other, and that a long period of maneuvering is necessary be- fore the fall of the tree can be accomplished. The impression produced was that the second speaker had the best of the argument. He had in fact made use of a rhetorical opportunity, such as hastily chosen illustrations will commonly afford; but neither speaker had done anything by way of proof. The first one had illustrated the principle that an admitted evil is to be destroyed if possible; the second had illustrated the principle that evils cannot always be destroyed at a single blow. Both principles were perfectly obvious; the question as to which of them applied to the Hquor traffic in the particular community concerned, was still un- touched. These are some of the methods of argument based on matters before the fact in dispute. They 94 THE ART OF DEBATE, are often valuable as introductory to more direct proof, in order to prepare one's hearers for such proof and to indicate that one's proposition is rea- sonable and probable; they are rarely of value standing by themselves. We now turn to proof based on matters after the fact in dispute. Corresponding to the argument from antecedent probability, which attempts to show the probability A posteriori ^f an event by pointing out causes likely Evidence. to producc it, is the argument which points out effects likely to have been produced by the event in question. This is a safer method of proof than the former, since it is easier to see the cause of an effect than to predict an effect from a cause. If a man has been shot we know that some- one shot him, but if a man has fired a shot we can- not say certainly that it took effect. Or, if an act has been accomplished we know there was a motive back of it, but we cannot be so sure that a motive will be completed in action. Proofs arising from facts appearing after the disputed event, indicating the disputed event as their cause, are therefore among the most highly valued methods of argu- ment. They are frequently called arguments from " Sign," the effect being regarded as the sign of the cause. Thus in a trial for murder, all the facts relating to the accused person after the occurrence of the crime belong to proofs of this class. The fact that METHODS OF PROOF, 95 the accused was found with a smoking pistol in his hand, that there was blood upon his garments, that footprints near the place of the murder cor- respond with the shape of his shoe, that he hid himself and showed consciousness of guilt, — all these are effects indicating his guilt as the cause. Or, in a suit based on criminal negligence in a rail- road accident, evidence drawn from the condition of the track where the accident occurred, or from the condition of the signals in a switching-tower, would be effects indicating criminal negligence as their cause. The same sort of proof is common in all kinds of debate. The use of statistics furnishes a familiar example. In order to prove that a cer- tain tariff or monetary system has been beneficial to the country, statistics are quoted showing in- creased prosperity in the years following the time when the system in question took effect. Such facts indicate the beneficial operation of the law as the cause of the increased prosperity. But this method of proof, while it is more to be relied upon than proof from antecedent probability, yet has marked limitations. It will al- Limitationa ready have occurred to the reader that the ^'I^^f^™" examples just given belong to that sort of ETidenoe. proof which is called " circumstantial evidence; " and the danger of relying too impHcitly on such evidence has passed into a proverb. Much hesita- tion is felt in convicting a man of a crime on cir- 96 THE ART OF DEBATE, cumstantial evidence alone. Some striking works of fiction, such as Miss Green's *' Leavenworth Case " and Miss Woolson's " Anne," have been written to illustrate the danger of such judgments. The source of the danger is evident on a moment's thought. This method of proof is based on two as- sumptions: first, that the alleged fact was of itself sufficient to be a cause of the known fact; and second, that there was no other fact, existent at the same time, which may have been sufficient cau;->e of the known fact. These assumptions, espe- cially the second, are difficult of certain proof. Men have therefore been convicted of crime cm the ground that known facts could be accounted for only by their guilt, and other facts have after- ward been discovered which were ample to account for the facts first known, without the assumption of guilt. The difficulty is to prove so large a nega- tive as the statement that there are no other possible causes than the one alleged. The same difficulty is strongly felt in general debate. It forms the chief hindrance to the use of statistics in such arguments as those indicated a moment ago. If one is to prove that the prosperity of a given year was due to a certain tariff law passed the year previous, he must, theoretically, be prepared to show that there was no other cause operating to produce the prosper- ity, as well as that the law in question was com- petent to produce it. But in public affairs all man- METHODS OF PROOF, 97 ner of causes and effects are almost inextricably interwoven, so that it is a serious task to trace out any one event or force to its own particular conse- quences. Students of natural science, in order to study cause and effect, arrange materials so as to isolate the particular event under investigation from all concomitant circumstances, and perform original experiments in order to test their theories. But students of economic and political laws cannot ordinarily do anything of this kind. Such diffi- culties are so well recognized that many economists confine their proofs almost entirely to the range of theory, — that is, of antecedent probability, — de- clining to give evidence drawn from concrete facts. l^his, however, of course imperils the convincing- ness of their arguments. It is usually dangerous to let either the argument from cause or that from effect go without the support of the other. If antecedent probability and sign agree, one's case will be strong. Thus far we have been considering methods of proof most clearly applicable to questions of dis- puted fact; questions, that is, in which inferences are to be drawn from one ^^^^^^^ fact to another. Beyond these are the more complicated problems of interpreta- tion and application. Such problems, however, when analyzed, are found to depend upon such simple processes as we have already consid- 98 THE ART OF DEBATE. ered. If one can establish the general principles on which one's case must be decided, and if one can then search out and establish the essential facts that belong to it, the rest is simply that application of facts to principles which any normal mind can be trusted to make. This is the sort of reasoning that is expressed in the syllogism. When one says that all men are mortal and that A is a man, it only requires that the two facts shall be set forth so as to be readily compared, in order to have it believed that A is mortal. In like manner, if one shows from the Constitution that an ex post facto law is for- bidden, and then, from an analysis of its text, that a given law is an ex post facto law, the conclusion is plain. The third term of the syllogism never needs to be proved. The great task of the debater, then, is to set forth the principles and the facts at issue in such a manner that their relations are per- fectly clear and that the minds of those addressed will proceed naturally to the conclusion. Something should be said of methods of proof in questions of policy, beyond what was suggested Proofin regarding them in the chapter on De- Questions of batable Questions. Such questions dif- °^°^' fer from those involving legal discussion, because they are directed not to the past or present, but to the future. If one argues for the adoption of a certain law, the election of a certain can- didate, or the acceptance of a certain line of METHODS OF PROOF. 99 conduct, he is dealing with issues not yet reached, and to which the rules of evidence applicable to past events cannot be directly applied. Yet the proof of facts is almost always involved. The choice of the candidate will depend on proof as to his career in the past; the passage of the tariff law will depend in part upon what can be shown of the ef- fect of previous tariff laws; the adoption of a line of conduct will depend on the fact that others have prospered by its adoption. These questions of policy, as was hinted in the former chapter, com- monly depend first upon principle, secondly upon interest. The task is to show that a given proposi- tion is theoretically just or reasonable, and then that it will be practically useful. This may be com- pared with the method of proof based on matters before the fact and that based on matters after the fact. In other words, one will seek first to show the antecedent reasonableness of the policy, before giving evidence of its probable success. The rea- sons for doing this will be the same that lead one to use the argument from antecedent probability on questions of disputed fact. The effort is really to raise, at the outset, a presumption in favor of one's case. We may recall the examples suggested, in the last chapter, of arguments in which such an effort was made. Thus in the argument on woman's suffrage the effort was to show, in the first place, that the adoption of woman's suffrage xoo THE ART OF DEBATE. would be on the face of it reasonable and natural, in consideration of the theories of government held in a republic like our own; then, in the second place, to show that the evidence of experience fav- ored the plan, as beneficial to the state and its in- terests. This general method of proof, two-fold in its form, is applicable to all sorts of debatable questions. The general development of the argu- ment will be, (i) The proposition is likely to be true; (2) It is true as shown by the facts in the particular case examined; and we may add, (3) It will be true in all corresponding cases. Let us further illustrate these various methods Typical qI proof by a number of typical outlines, Bohemesof ... , r , Proof. suggestive of the general manner of set- ting about the preparation of argument. (I.) A is guilty of crime. I. He committed the act charged. 1. It was antecedently probable that he should do so. a) Facts that were competent causes, h) Facts drawn from similar cases. 2. He is shown to have done so. a) Direct testimony. h) Facts that are effects. II. The law makes this act a crime. 1. There is every reason why it should (moral reasons). 2. Such and such a statute makes it a crime. METHODS OF PROQF ; ' , ' \i<>% ' d) It makes " x" a crime. h) This act is " x." i. Authority in similar cases. (II.) The proposed plan should he adopted. I. It is antecedently reasonable. 1. It is in accordance with precedent. 2. It is just (i.e., in accordance with prin- ciple). 3. It is favored by A, B and C II. It is expedient. 1. It meets existing needs. a) X is needed. a') It will supply x. b) y is needed. b') It will supply y. 2. It has worked well elsewhere, o) Testimony. 3. The effects will be good a) upon the interests oi x; b) upon the interests of y. III. There is no better plan. 1. .«• is not better. 2. y is not better. Such outhnes as (I.) and (II.) evidently involve the syllogistic type of argument for the establish- ment of certain of their parts. Particular types of proof in syllogistic form are as. follows: **S' THE ART OF DEBATE. (III.) A is commendable. 1. ;r is commendable, and i'. ;r is characteristic of A. 2. y is commendable, and 2'. y is characteristic of A. etc. (IV.) Evils exist. 1. X exists. 2. X is an evil. etc. (V.) A is a case coming under the law x, 1. The law x covers 0, />, and q. 2. A involves (p, or q). Again, we may invert any of these types for thtf purpose of proving a negative. Thus (II.) inverted would become (VI.) X should not be adopted. I. It is unreasonable. 1. Contrary to precedent. 2. Contrary to principle. 3. In disfavor. II. It is inexpedient. 1. Meets no existing needs. a) It seems to be intended to meet a, b) But a is not needed. 2. Has proved unsuccessful. a) Testimony. METHODS OF PROOF, 103 3. Effects would be evil o) upon the interests of A; h) upon the interests of B. III. There is a better plan. I. 3; is better. Finally, we may arrange the proof in such a way that all parts of it relating to general conditions may be treated together, as introductory, and all parts relating to the particular case in dispute in a second division. By such a method the full na- ture of the proof, perhaps of the proposition itself, is reserved with a sort of cumulative effect. Such a plan might take t'he form of (VII.) I. In a case like the present the true proposition must 1. Conform to the principle x. 2. Be consistent with precedent. 3. Meet existing needs, such as a, b and c, 4. Have proved successful where tried. 5. Satisfy the interests of A, B and C. 6. Explain all the facts in the case. II. The proposition in question 1. Violates the principle x. 2. Is inconsistent with precedent. 3. Does not meet needs such as fl, b and c. 4. Has proved unsuccessful where tried. 5. Is opposed to the interests of A, B and C. 6. Fails to explain facts x, y and 2. It is of course quite impracticable to suggest in this way all possible types of choice and arrange- I04 THE ART OF DEBATE. ment of proof. It is sufficient to show how a few such outlines indicate the general methods which may most conveniently be followed in the demon- stration of ordinary propositions. The particular case must always determine how the methods are to be chosen and combined. The analysis of the question will show just what must be proved; one may then apply the means of proof described in this chapter to the thing to be proved and the audience to be addressed. To do this successfully one may ask himself these questions: What facts must I estabHsh? By w'hat witnesses can I estab- lish them? Can I cite any accepted authority in my behalf? How can I show the antecedent rea- sonableness of my proposition? What evidence can I adduce that can be explained in no other way than by the truth of my proposition? And — if the question be one of policy, — how can I show that the proposition conforms to the principles in which my hearers believe, and to the interests which most concern them? These, then, are the common methods of proof. But a word of caution must be said against the assumption that when one has found a method of proof he has really proved his case. Processes of reasoning, keenly devised, are all very well; but they must ultimately rest upon facts. To have these facts at his command is the business of the debater. No mistake is more common, among METHODS OF PROOF. 105 young debaters, than the habit of making many as- sertions which, if true, would no doubt prove their case, but which are not backed up by evidence. Many a speech which seems to contain a good deal of material can really be reduced to a series of statements of the speaker's opinions about the sub- ject. But the very fact that the subject is debated indicates, of course, that something more than opinions must be shown. It will pay, then, to be honest with one's self, and consider carefully what can be proved conclu- sively for one's case, what can be proved only to a certain degree of probability, and °^®"y' what cannot be proved at all. One need not con- fess all the weaknesses of his case to his hear- ers; but when one is speaking from conviction, it may be well to remember that other people's con- victions ought naturally to be established on no better and no worse foundations than one's own. The proof that is sufficient for an honest speaker ought to suffice for an honest hearer. There is no need of asserting roundly what is after all only a probability or a guess. It gives one's opponent fine opportunity to trip one up. It is true that all proof is in a sense only an approximation to cer- tainty; but if the certainty of the hearer can be made equal to the honest certainty of the speaker, and brought to the point of the desired action, that is enough. VI. METHODS OF REFUTATION. Thus far we have considered the subject of proof almost entirely on its positive side: given a propo- Whatisto sition, how to demonstrate the truth of the^^o'Ste ^^^ ^^^ ^^ ^^^ ^^^^ ^^ ^ debatable sub- Side? ject there must always be in mind the other side of one's task: namely, how to demon- strate the error of the opposite proposition. When one has the negative side, indeed, — the opposite side from that on which the burden of proof chiefly rests, — refutation constitutes the great part of one's work. And it has already been remarked, in the chapter on Preliminary Work, that the study of both sides of the question, and of what is nec- essary to be said on one side in refutation of the other, is an indispensable part of the preliminary analysis. Before entering upon debate, there- fore, the well-prepared disputant will have deter- mined just what position he will take regarding every probable argument of his opponent, quite as definitely as he will have determined what direct proof he will offer for himself. The outline of various methods of proof, as given in the preceding chapter, has already indicated, by xo6 METHODS OF REFUTATION. 107 implication, the methods which are naturally to be employed in refutation. To refute an argument one must simply understand its weak points and aim at them. If no weak points can be found, it must be shown that the argument — though per- haps good in itself — is insufficient to prove the main proposition in dispute. The place and order in which this refutation will be undertaken are mat- ters that we must consider a little later. For the present it will be well briefly to reconsider the vari- ous methods of proof, having in mind the manner in which they are open to attack. The first division of proof was that relating to the simple establishing of the facts in the case, and this was seen to be done largely by the Questioning ofifering of testimony. In considering the of Facts, facts set forth by an opponent, one must first of all decide whether they may be admitted as true or whether they must be disputed. There is a choice, then, of three methods of refutation. One may say, The alleged facts are not true; or. The facts were correctly stated, but wrong inferences were drawn from them; or. The facts alleged are not true, and even if they were, the inferences would be unwarranted. If one can follow the sec- ond method with safety, time will of course be saved, and the opponent who has occupied himself in establishing the admitted facts may be regarded as having done quite as much for one side as for Io8 THE ART OF DEBATE, the other. If, on the other hand, the alleged facts cannot properly be admitted, their incorrectness must be clearly pointed out. The simplest way of doing this is to show that they are on the face of them incredible: that they contradict each other, for example, or that they are inconsistent with facts generally known. Thus Mr. Lincoln is said to have refuted testimony regarding events alleged to have occurred on a moonlight night, simply by intro- ducing an almanac and showing that there could have been no moonlight at the time in question. It may be that one can indicate the incredibility of alleged facts simply by proving the contrary facts. Yet if testimony has been ofifered by the other side, it will ordinarily not be safe to ignore it. If no witnesses have been produced, testimony may simply be demanded; but if apparently good wit- nesses have testified, one must show distinctly why they are not to be believed. All testimony, as was indicated in the last chap- ter, is based on the assumption that the witness is Attacking capable of knowing the truth about the Testimony, point in question, and that he is willing to tell it. If the witness can be shown to be preju- diced, then suspicion will be justly aroused. If statistics are offered by one side, and it can be shown by the other side that they were compiled expressly for the purpose of proving the disputed fact, by persons interested to prove it, a presump- METHODS OF REFUTATION, 109 tion will have been raised against them. If the witness is distinctly a witness for the disputant on one side of the question, — if he has been sought out by that disputant, questioned so as to bring out what the disputant desires to show, and perhaps even prompted or coached in advance of giving testimony, — his testimony will in so far be open to question. And on the other hand, if the witness can be shown to be of incompetent judgment, so as not to be trusted in dealing with the particular matters in question, the effect is of course the same. Thus a color-blind person, or a deaf person, would be incompetent to testify on matters requir- ing the use of the senses; and there are many mat- ters, involving elements of art, or mechanics, or practical business, on which witnesses must speak according to their education or experience along particular lines. If testimony can be shown to be worthless in no other way, one may attack the gen- eral character of the witness so as to destroy belief in his truthfulness.* All these methods are well recognized in courts of law, and skilled lawyers * A classic example of skillful handling of an opponent's evidence is Lord Erskine's great speech in defense of Lord George Gordon, February 5, 1781. A great part of the de- fense consisted in the analysis of the testimony presented by the Crown, either the character of the witnesses or the con- sistency of their testimony being attacked. See the reprint of the speech in Baker's " Specimens of Argumentation," especially pp. 111-131. no THE ART OF DEBATE. Spend much time in refuting the testimony offered by the other side, by means of cross-examination of witnesses and the like. In general debate one is forced to refute testimony in a more rapid and more indirect fashion. The debater must emphasize clearly the points about the testimony or the wit- ness which are open to attack, so as to destroy belief in the alleged facts in the minds of those who have heard them stated. Closely connected with the handling of testi- mony, as we have seen, is the use of the argument Refutation of ^^^^ authority. Argument of this sort Authority. ^i^y of coursc be rcfutcd by showing that the authority cited is really not competent to speak authoritatively on the matter in dispute; — that the matter is one, it may be, on which any in- dividual is at liberty to form his own judgments, so that there can be no ex cathedra judgment set up to which reverence must be paid. This is the privi- lege of any debater, for example, when an authority is quoted on matters of religion or morals; he may appeal from the alleged authority to the in- dividual conscience. Or, one may quote a dissent- ing opinion from an authority at least as good as that quoted by one's opponent, and thus raise a presumption that one's own position has at least as good standing as the opposite; a lawyer, for example, may quote the judgment of a highly re- spected court, Hke that of the Supreme Court of METHODS OF REFUTATION, Xil Massachusetts, against that of another court less widely and favorably known. It may be said, how- ever, that in a very large number of cases it is not worth while to attempt to refute directly the argu- ment from authority. In most debates such an ar- gument is at best merely corroborative, — proof, in a sense, of antecedent probability; and if the au- thority cited by an opponent is recognized and re- spected by one's audience, it may arouse prejudice to attack it in an obvious way. It will commonly be wiser to treat the authority courteously, but to heap up so much proof on the other side as to show great likelihood either that it was mistaken or that it was misinterpreted. Those who reverence any book or body of men may be led to forsake their authority unaware, when they would only be roused to defend it if it were directly attacked. We come now to proof based on inference from matters before the fact. Proof based on a cause which it is argued was sufficient to pro- ^ ^ , ,. . . .. . Refutation duce the disputed fact, as in the case of of a priori proof of motive, may be refuted in one of ■^^^®^*'®* two ways: by showing that the fact alleged as cause did not exist, or that, while admittedly exist- ing, it was not sufficient to produce the disputed event. Thus in a case where it should be argued that an accident was due to defective construction on the part of the builders, on the ground that they had been observed to do their work in a neg- 112 THE ART OF DEBATE. ligent manner, opposing proof might be directed to show that there had been no neghgence, or — that being impossible — to show that no amount of negligence, in the particular form charged, could have resulted in the accident whose cause was in dispute. In general, however, the argument from antecedent probability is not susceptible of satis- factory direct refutation. The same causes which make it a weak form of proof, standing by itself, make it difficult to overthrow it definitely. Thus in the case of proof of motive, it is usually impos- sible to prove that the motive was insufBcient to account for the act alleged; and in general one cannot do much in proving what an alleged cause could not produce. The safest method of refuting this sort of proof is usually to set up a proof of an- tecedent probability on the other side; to show that if one's opponent's case is reasonable on the face of it, one's own is equally so; and hence to raise the presumption that the a priori argument of the other side counts for very little. If reasons have been set forth why A would be likely to have done a certain act, and one can in reply show good rea- sons why he was unlikely to do it, it cannot be said that the first argument has been definitely an- swered; but its effect has been largely destroyed. The argument from Example, so called, is also likely to be of so slight a character as to require small attention from the opposing debater; it is METHODS OF REFUTATION. 113 of course to be refuted, when necessary, by showing that the example cited differs in Refutation some essential particular from the case in of Example, dispute. When this can be done, the force of the example is destroyed. Thus it is common for law- yers, when the judgment of a court has been cited against them by the opposing counsel, to point out by way of refutation that while the case cited resembles the pending case in superficial features, there is a difiference in one important particular, and that on that difference the decision of the court must turn. Or, when a debater cites the relations of England with her colonies as precedent for pro- posed policies in the case of the United States and dependent territory, it may be rejoined that there are essential differences between the conditions of government in England and the United States, which practically nullify the comparison. In a de- bate in favor of an international court of arbitra- tion, it was argued by the affirmative that, just as tribes had grown out of families and nations out of tribes, so the establishment of international re- lations was a natural step in advance, — ^a step toward " the parliament of man, the federation of the world." It was rejoined by the negative, how- ever, that there is an important difference between the growth of government in the development of nations and federations, and that proposed in a mere treaty of arbitration: in the former case, all 114 THE ART OF DEBATE, departments of government have grown and been magnified together, — executive, judicial, and leg- islative; whereas it is now proposed to unite two nations in certain judicial arrangements, yet with- out any united legislative body for the promulga- tion of laws, and without any executive arm to carry the decisions of the international tribunal into effect. The refutation was ingenious and ef- fective. We must next consider the refutation of proof by inferences drawn from matters after the fact, — E fat ti f ^^^^ proof as that by " sign " or cir- a posteriori cumstantial evidence. Our examination 71 ence. ^^ ^j^j^ method of proof, in the preceding chapter, must have made clear the points at which it is open to refutation. This proof rests, we saw, on the assumption that the known fact can be ac- counted for only by presuming the disputed fact as its cause. If, therefore, it can be shown either that the disputed fact, if it existed, would have been in- sufficient to produce the known fact, or that there are other facts equally well known which might have produced it, the proof is overthrown. Thus in a trial for murder, if the case against the accused person rested on the fact that he was found near the scene of the murder with blood on his cloth- ing, the defense would undertake to account for his presence and for the blood-stains, in such a way as to destroy the necessity of assuming that METHODS OF REFUTATION. 115 his guilt was the only possible cause. Or, in the use of statistics, which we saw to be a common case of circumstantial evidence, when certain figures are offered as proof that a given law was beneficial, the opposing side must show that the figures can be accounted for on a different assump- tion. If they can go further than to show that they could be so accounted for, and show definitely that the cause may be known to be different from that alleged, the proof by " sign " is completely overthrown. An interesting case of this kind oc- curred in a debate on the so-called Norwegian or " dispensary " system of regulating the liquor traffic. The affirmative attempted to prove the benefits of the system by showing that after its adoption the arrests for drunkenness in the affected territory had greatly decreased in number. The other side, however, was able to make it appear that certain changes in the police regulations, oc- curring at just the time in question, were sufficient to account for the smaller number of arrests with- out indicating any diminution in the amount of liquor consumed. This sort of refutation is one of the most im- portant weapons of the debater. It deals with one of the most difficult duties of the rea- oauaeaand son, — that relating to causes and effects. Effects. The same reasons which make it hard to determine, when one has recovered from a disease, whether Ii6 THE ART OF DEBATE, the recovery is due to the medicine taken or to other causes, make it hard to decide on the results of particular laws and on many questions of public policy. When there is a defect in the argument from cause and effect, it is commonly due to the fallacy called by logicians the fallacy of *' Post hoc ergo propter hoc'' — that is, the fallacy which assumes that because one event is observed to suc- ceed another, it must be the effect of the latter. To refute this fallacy successfully requires, above all things, a mind well stored with facts pertinent to the subject in hand. A good illustration of refutation under this head is quoted by Fowler, in his " Inductive Logic," from Professor Rogers's *' Manual of Political Economy." " There is not a shadow of evidence," says Rogers, " in support of the statement that inferior lands have been occupied and cultivated as population increases. The increase of population has not preceded but fol- lowed this occupation and cultivation. It is not the pressure of population on the means of subsistence which has led men to cultivate inferior soils, but the fact that, these soils being cultivated in another way, or taken into cultivation, an increased population be- came possible. How could an increased population have stimulated greater labour in agriculture, when agriculture must have supplied the means on which that increased population could have existed? To make increased population the cause of improved agri- METHODS OF REFUTATION, ill culture is to commit the absurd blunder of confound- ing cause and effect." * A fallacy may be called a gap in a process of rea- soning, and it may be said in a sense that all refu- the arguments of one's opponents. If paiiacies tation consists in pointing out gaps in or Gaps. there is one such gap in an argument, sufficient to expose the whole case to attack from without, it matters little how^ strong the rest of the case may be; just as it matters little how large a break in the wall of a fort may be, if it is sufficient to admit the forces of the enemy. The task of the refuting de- bater, therefore, is to keep his attack concentrated on these weak points. Let us examine some common classes of these gaps or fallacies. There may be, in the first place, a mere lack of evidence. The opponent may have * Dr. Fowler adds the remark that this argument " appears to ignore the fact that a population may have an insufficient supply of food, though what it does possess may be just competent to sustain life." The whole question indicates the difficulty of arguing accurately about economic conditions. The entire chapter on " Fallacies Incident to Induction," in Fowler's " Logic," is full of suggestions to students of argu- ment. See, for example, the quotation from Sir G. C. Lewis (p. 323), in which it is pointed out that even when we have reduced our facts to those which are actually related as cause and effect, the different facts may act and react upon each other, so that each, in turn, is both cause and effect. So with industry and wealth, intelligence and good government, drunkenness and poverty, national character and environ- ment, and the like. Il8 THE ART OF DEBATE. made assumptions which he was bound to prove. Beffffingthe '^^^^ involvcs the so-called fallacy of Question. " Petitio Principii," or *' Begging the Question." In its simplest sense, to beg the ques- tion, or to assume what one is bound to prove, is merely to make statements which appear to be con- vincing but which are really unsupported by evi- dence. In a larger sense this fallacy is involved in many inferences of a complicated sort. Thus one is said to beg the question when he uses a word at one time in one sense, and at another time in a different sense, and yet draws a conclusion depend- ing on the assumption that the two words are the. same. Many arguments involving the use of sucli words as " socialist," '* democrat," *' free trade," " expansion," and the like, really involve this fal- lacy. Thus the phrase " question-begging epithet," first used by Jeremy Bentham, has come to be commonly applied to any term applied for the very purpose of discrediting the person or thing in question. " It makes no little difference," says one writer, " whether we call a man a progressive or a revolutionist, a conservative or a reactionary." The term '' Jingo " is a term of recent origin which well illustrates this sort of fallacy. A '* Jingo " is, in the popular sense, a citizen over-noisy or head- strong in his patriotism; to say that a certain opin- ion, therefore, indicates ''Jingoism," is to call it over-no'isy or unreasonably patriotic, which is no METHODS OF REFUTATION, 119 doubt the very matter in dispute. Such instances of begging the question are to be refuted by caUing attention to the fact that the term used has two meanings, a colorless one and a prejudicial one, and that to apply them in the prejudicial sense is simply to assume what one must prove. In a recent debate on a question relating to the extension of the suffrage, it was argued on one side that citizens have no inherent right to vote, since the state always decides just which citizens shall constitute voters. It was replied that such an argument really begged the question, since the very point at issue was: who constitute the state? and have a right to exercise authority in its name? To say, therefore, that the state sets limits to citi- zenship and suffrage is merely equivalent to say- ing that those who enjoy such privileges usually have a certain power to keep others from getting them; and nothing as to natural right is proved. This somewhat ingenious argument illustrates how the fallacy of begging the question appears in de- bate in all manner of forms. Similar examples are to be found in many discussions of monetary prob- lems. Speakers often refer to an increase or diminution in the amount of currency in circula- tion, as though it meant an increase or diminution in the fortunes of individual citizens. " We are told," said a speaker in a recent political campaign, " that if this measure is adopted we shall have too I20 THE ART OF DEBATE, much currency. I do not know how you feel about it, but I have never yet seen the time when I had too much money, and I have never met any one else who complained that he had too much." A more question-begging argument could not be imagined. Whenever one has to consider the pos- sibility of more money being brought into the country, whether by one means or another, he must ask himself: Will this money be the property of the government? Will it be in the hands of a few in- dividual citizens? or Will it come into the general circulation? To assume that any one of these con- ditions is the same as any other, is to assume what must be proved. A particular form of this fallacy is sometimes called " Ignoratio Elenchi," or " Ignoring the Ignoring the Qucstiou." This is a gap between the Qnestion. proof offered and the main question un- der debate. It appears when the debater really shifts his argument from one issue to another, and seems to have proved the matter in dispute when he can be shown to have proved something quite different. Such cases may arise from the use of ambiguous terms in two different senses, such as we discussed a moment ago. Or they may appear when the argument is shifted from the general prin- ciple under discussion to some one instance, and that instance is made to take the place of the whole question. Many debaters show marvelous skill in METHODS OF REFUTATION. 121 gliding almost imperceptibly from one proposition to another, and it requires corresponding skill to make them hold their ground. Thus even lawyers, who are held within bounds more than most de- baters, will — when their case is weak on the side of evidence — attempt to win juries by much talk about vague matters of justice and righteousness. In debates where the question is stated to be one of the interests of the nation or individuals con- cerned, one often hears argument relating solely to matters of theoretical right and justice, not in- volved in the question of interest at all. Whenever a debater indulges largely in vague talk about per- sonal liberty, public justice, freedom and independ- ence, and similar phrases, one may have a suspi- cion that he feels that his actual proof is weak, and is attempting to " ignore the question " without being discovered. This is the opportunity for ef- fective refutation. In all such cases it is one's privi- lege to admit everything that has been said on the side issue, and then show with rigid distinctness just what the question involves, and how this has been neglected for other things. It will be seen that these various fallacies, so- called, cannot be perfectly distinguished from one another, and applied as exact names to particular arguments. Their boundaries intermingle and are easily lost. In a sense most flaws in proof may be called instances of " non sequitur," — that is, 122 THE ART OF DEBATE. mistaken inferences where we say, " It does not fol- low "; in a sense nearly all may be called instances of " begging the question." It is of little import- ance to name them. The point is to recognize where there is a gap in the proof which invalidates the argument, and to make this so clear that the effect of the fallacious argument will be swept away. A particular method of refutation which is widely used, and of which a word should be said at this Reduotlo ad point, is that called the " Reductio ad Absurdum. AbsurdtimJ' This is a term borrowed from geometrical demonstration, where the pro- cess is very familiar. If we wish to show the im- possibility of constructing a triangle of which one side shall be longer than the sum of the other two, we draw a triangle and declare — for the moment — that one of its sides is longer than the sum of the other two; then we show to what absurd conclu- sions this immediately leads us. The process in general argument is precisely similar. We assume that the proposition we wish to refute is true, and then point out to what absurd results it leads. This method may of course be applied to the main ques- tion against which we are debating, or to any par- ticular proposition which has been raised by an opponent. When well done it is among the most effective means of refutation. A particular form of it is called the Dilemma, when one can show that METHODS OF REFUTATION. X23 an opponent's position must lead to one of two al- ternate results, and can then show the falsity of each of these. A story is told of Mr. Lincoln, in the early years of his career as a lawyer, that he had to defend a man accused of murdering another by striking him down with a shovel in the village store. The witnesses for the prosecution all agreed as to the places where the murdered man and the murderer were standing at the moment of the crime. Mr. Lincoln measured ofif in the court-room distances corresponding to those indicated by the testimony, himself took a shovel in his hand, and then showed that — although he was considerably taller than his client — it was quite impossible for him to reach as far as from the point where the ac- cused was said to have stood to the place where the murdered man fell. The testimony for the prosecution was thus, in a sense, reduced to an absurdity. In a sense, too, this is done wherever witnesses can be shown either to contradict them- selves so strikingly, or to agree with such sus- picious exactness, as to make it absurd to credit the statements to which they testified. A familiar example of the rediictio ad ahsurdum occurs in Macaulay's Copyright speech of 1841.* He was arguing that any copyright is open to cer- * See the speech, in Baker's " Specimens of Argumenta- tion," and the Brief in the Appendix to this book. 1^4 THE ART OF DEBATE. tain objections on the ground that it is a monopoly, and that monopoly always makes things dear. " If, as my honorable and learned friend seems to think, the whole world is in the wrong on this point, if the real effect of monopoly is to make articles good and cheap, why does he stop short in his career of change? Why does he limit the operation of so salu- tary a principle to sixty years ? Why does he consent to anything short of perpetuity? He told us that in con- senting to anything short of perpetuity he was making a compromise between extreme right and expediency. But if his opinion about monopoly be correct, extreme right and expediency would coincide. Or rather why should we not restore the monopoly of the East India trade to the East India Company? Why should we not revive all those old monopolies which, in Eliza- beth's reign, galled our fathers so severely that, mad- dened by intolerable wrong, they opposed to their sovereign a resistance before which her haughty spirit quailed for the first and for the last time? Was it the cheapness and excellence of commodities that then so violently stirred the indignation of the EngHsh people? I believe, Sir, that I may safely take it for granted that the effect of monopoly generally is to make articles scarce, to make them dear, and to make them bad." The same method is used in the speech on Mr. Cleveland's Venezuelan Message, quoted in the Appendix. In reply to the objection that the Presi- dent had adopted an unduly warlike tone in his METHODS OF REFUTATION. 125 reference to our relations with Great Britain, the speaker said: " Doubtless he should have said that, although he believed the American people support his position, yet if Great Britain should object we would of course sub- mit; and that no serious consequences could possibly occur, since no consideration of our own rights could compare with the evil of having to fight for them. We are not in the habit, however, of electing Presi- dents who talk that way." Sometimes this method appears when there is an opportunity to show the weakness of an opponent's position simply by stating it in another form. Thus Senator Hoar, in a recent debate in the United States Senate, referred in this way to Senator Bev- eridge's claim that to establish good colonial gov- ernments in distant islands would stimulate good government at home: " If I understood him correctly, he said also that he thought it was not necessary to wait until we could get the very best of government here, but if we established it abroad under some commissioners to be appointed by some executive authority, they would govern so well that they would furnish a good example for us at home, and we should improve. I suppose, though he did not say it, that he thinks also we had better not have free speech here in the United States Senate until they have got it out among the Filipinos, to see whe- ther it works there, and then it may come back to us 126 THE yiRT OF DEBATE, in a way which gradually would permit us to use it here, in a sort of diluted form." * The form of the method of Dilemma is equaUy familiar. A single example will sufifice, taken from The Di- Lord Mansfield's great speech in the case lemma. q{ Evans, before the House of Lords in 1767. His claim was that to be a Dissenter from the Established Church was no longer recognized by law as in any sense a crime. " If it is a crime not to take the sacrament at church, it must be a crime by some law; which must be either common or statute law, the canon law enforcing it being dependent wholly upon the statute law. Now the statute law is repealed as to persons capable of plead- ing that they are so and so qualified ; and therefore the canon law is repealed with regard to those persons. " If it is a crime by common law, it must be so either by usage or principle. But there is no usage or custom, independent of positive law, which makes nonconform- ity a crime. The eternal principles of natural religion are part of the common law. The essential principles of revealed religion are part of the common law; so that any person reviling, subverting, or ridiculing them may be prosecuted at common law. But it cannot be shown, from the principles of natural or revealed re- ligion, that, independent of positive law, temporal punishments ought to be inflicted for mere opinions with respect to particular modes of worship. * Congressional Record, Jan. 9, 1900. METHODS OF REFUTATIOU. 127 " Persecution for a sincere though erroneous con- science is not to be deduced from reason or the fitness of things. It can only stand upon positive law." * Such forms of refutation as these depend upon the ability of the debater quickly to analyze and test the reasoning processes of his oppon- Paotsin ent. Skill of this sort is of the greatest Befatation. service; but an equally important element in suc- cessful refutation is, as has already been indicated, an ample knowledge of all the facts in the case in dispute. It is, after all, mastery of incontrovertible facts rather than ingenious reasoning v^hich is likely to be most convincing; and if in the progress of an argument a debater is able to bring forward facts which have been neglected by the other side, the effect is most important. This is to show a great gap in the structure of one's opponent; if he has built up his argument regardless of essential mat- ters, he has built it — no matter how finely — in vain. Many striking examples of this will occur to those who have listened to well-fought debates. Not long ago a public official was attacked by one who was a candidate to succeed him in office. The official was a prosecuting attorney. It was proved that he had left untried several hundred criminal cases that were awaiting attention, that many of • See the whole speech, in Baker's " Specimens of Argu- mentation." laS THE ART OF DEBATE, these had remained on the docket for months and years, that several of them were cases involving serious charges, three being based on indictments for murder. When the attorney appeared in per- son to reply it seemed that the evidence was over- whelmingly against him. He showed, however, that he had tried as many cases as the courts would give him time for; that of the hundreds remaining on the docket most related to trivial charges of assault or breach of the peace; that in the case of many of these the parties making the complaint had themselves requested the withdrawal of pro- cess; and that of the three oersons not yet tried for murder, two had committed suicide, and tlie third had run away! It was a striking instance of the way in which an apparently strong case may be overthrown by the presentation of facts which the other side has ignored. Let us now briefly summarize the methods of refutation we have been considering, so as to indi- cate roughly the various possible types of argument one would be likely to adopt, in attacking the proof of another. In general, one may refute the argument of an opponent either (-i) by showing that the facts in „ . , i, the case are not true as alleged; or (2) Methods of ... o ' v / Eefatation that, the facts bcmg admittedly as alleged, umma ize . ^|^^ inferences drawn from them are in- correct; or (3) that the alleged facts are not true, METHODS OF REFUTATION, 129 and that even if they were true, the inferences are unwarranted. It is important that there shall be no doubt, in the mind either of the debater or of his audience, as to which of these positions he wishes to occupy. In particular, one may refute opposing argu- ments — (i) By showing that the witnesses cited are either (a) prejudiced, {jS) of incompetent judgment, or (c) morally untrustworthy. (2) By showing that the evidence alleged is in- credible because (a) inconsistent with known facts, or (^) self-contradictory. (3) By showing that the fact alleged as sufficient cause of the disputed fact either (a) did not exist, or (6) was insufficient to act as cause in the manner alleged. (4) By showing that the fact alleged as the re- sult of the disputed fact (a) did not exist, or (&) is not evidently a sign of the disputed fact, or (c) that there were other acting causes. (5) By showing that examples cited are differ- ent, in essential points, from the case in dispute. (6) By showing that the opposite side has as- sumed something which it was under obligation to prove. (7) By showing that the proof offered does not bear directly on the matter in dispute. 130 THE ART OF DEBATE. (8) By showing that statements made lead to ad- mittedly absurd conclusions. (9) By showing that the opposite side has ig- nored essential facts. It remains only to add a few suggestions regard- ing the general character and use of refutation. _^ . In the first place, regarding the need for pieofRefa- such direct refutation as we have just *' been considering. It may be thought that it is enough to prove one's own case directly, with- out disproving that of one's opponent. But where the question in dispute is genuinely debatable, this is never safe. If one side of a proposition is proved directly, and then the other appears to be proved equally well, the result is confusion. The audience finds difficulty in judging between the two argu- ments, and may be left to base its judgment on mere trivialities, not being able to decide on the merits of the case. Where a debater contents him- self with proving his own case, finely scorning the arguments of his opponent, he has his hearers at his mercy for the time being; but if his opponent has the last word, he will leave no permanent ef- fect. It should not be forgotten that persons can- not be soundly convinced of the truth of a dis- puted proposition, until they have not only been shown the arguments in its favor, but the defects in the arguments brought against it. More than this, the refutation of opposing arguments should, METHODS OF REFUTATION. ^Sl if possible, show not only that they are false, but why they are false. The effort should be to lead one's audience to see just how one's opponents came to mistake the truth of the question, and to be led into the sort of proof they offer. If one shows only the fact that a statement is to be dis- believed,- — that something is wrong with it, — it may still crop up again and be believed in a different form; but if one can make clear its fundamental error, he has destroyed its chances of effectiveness in the minds of his hearers. Yet while refutation should be so thorough, from this point of view, in another sense there is need for a word of warning against carrying Distinction the attempt at complete refutation too ^^^^X^' far. Many debaters make the mistake of gnments. attacking everything said by their opponents, so long as there is the slightest chance of attacking it, with little regard for its importance in the argu- ment. Statements/ made by one's opponents in de- bate may be roughly divided as follows: first, those which one may admit to be true without com- promising one's case; secondly, those which are open to attack, but which have no bearing on the argument, — mere errors of memory or the like; thirdly, those which may be questioned and which have some connection with the argument, but which evidently make no great impression on the audience addressed; fourthly, those which must be 13* THE yfRT OF DEBATE, overthrown in order to destroy the impression that they are strong proofs on the opposite side. These four classes of statements require very different treatment. The first class should be admitted to be true, in order to clear up the ground of argu- ment so far. The second class should be ignored altogether. The third class should be lightly touched upon, and briefly refuted if there is suffi- cient time. The fourth class should receive the brunt of the refutation. A watchful debater can easily tell which portions of the opposing argument have made an impression on the hearers, so that they must be overthrown if his own case is to make a good showing. Yet one often sees much time wasted in the refutation of statements which have made no special impression, merely because they can be refuted. The typically clumsy debater may be easily known in what he calls his rebuttal argu- ment; he has noted down on a slip of paper a long list of " points " made by his opponent, which he rehearses for the purpose of attacking them; some of Ihem are mere illustrations, passing thrusts, perhaps mere misquotations or shps of the tongue. His refutation is a long series of short dabs at all parts of his enemy's armor, without a single sweep- ing stroke at a vital part. Choice and emphasis are as important qualities in refutation as in all other sorts of discourse. ^ ^^ All this goes to show, what was pointed out in METHODS OF REFUTy4TION. I33 the chapter on Preliminary Work, that one must make as careful a study of the case of his j^o^jg^-g opponent as of his own. One must know of the other f . < • J Sidei its Strong pomts and its weak points, and show the audience that one understands it and ap- preciates its material. Oftentimes one of the most useful methods of refutation is simply to state the case of the opposite side better than it has been stated by its adherents, and then to analyze it so as to exhibit its flaws. If they have stated it in the form of abstract principles, one may put it in con- crete form, and perhaps make the absurdity of the principle clear by a practical illustration; or, if it has been stated in a specific form, one may restate it in the form of the general principle involved, and show the unreasonableness of that. Oftentimes the most important element in refutation is to show that the opposite side has really misunderstood or misrepresented one's position, and to relieve it from the error that has gathered about it. One needs constantly to avoid letting the discussion be led o^ to side issues, by turning back at every step to the real issue under consideration. Many ob- jections raised by opponents are quibbles about words, and the simplest way to dispose of them is to recall the minds of the audience to the real situa- tion. " If you will turn back," said a debater on one occasion, " from the imaginary cases which my opponent has presented for our solution, to the 134 THE ART OF DEBATE. question with which we started, it will be clear that the difficulties raised do not exist in actual condi- tions, but are only theoretical and imaginary." But in all these cases equally, it is clear that not to un- derstand the position of the opposite side will be to run every risk of defeat. This leads us to a final thought, regarding the general attitude of the debater toward his oppon- Attatude ent, during the process of refutation. Opponent. Should he treat his adversary as an enemy, or as a friend who has gone astray? Should he pour forth scorn upon the arguments he has to answer, or treat them, when he can, as. de- serving of respectful consideration? The former method is undoubtedly in frequent use, but the lat- ter is undoubtedly the more intelligent and safe. It is the clumsy debater who begins his reply by saying that he has really heard nothing worthy of being answered, and that he has been astonished to see how much breath has been wasted in the absence of real argument. Besides being a boorish and discourteous method of retort, this style of re- buttal does small credit to the case one is discuss- ing. If there is really nothing requiring one's pow- ers of refutation, small skill is needed in one's re- ply. But if the adversary has really made out a strong case, and one is ready to admit it, the task of rebuttal is seen to be worthy of one's best powers. It happens, therefore, that those debaters METHODS OF REFUTATION, 135 usually win the greatest respect and show most real argumentative power, who recognize from the first that there is something to be said on both sides of the question, that something has been said on the opposite side from their own, and that the ar- guments of their opponents — at the point where they cannot be admitted as valid — deserve respect- ful treatment and serious reply. It must of course be admitted that something de- pends on the character of one's opponent. Occa- sionally it seems to be necessary to answer a fool according to his folly, and a boor according to his rudeness. Something, too, depends upon the au- dience. If one has been unfairly treated in debate, if one's opponent has persistently misrepresented one's position, or indulged in the rudeness of per- sonal attack, then one may well leave the mild man- ner in which he would have preferred to speak — not, indeed, in order to return the misrepresenta- tion and abuse in kind, but in order to strike back with genuine indignation and reproach. If the au- dience has perceived the unfairness, it will be ready to join in the indignation of the reply. But one must not anticipate his audience too far, and show much more feeling than they can easily share. The sympathy of the audience is, indeed, the great end of the wise debater. If he can carry them with him, his success is assured. The audience may be a single man, such as a judge in a court of law, 13^ THE /^/?T OF DEBATE, it may be a half dozen judges, or a crowded popu- Persuasive ^^^ assembly. If it is desired not merely Refutation, to show one's skill in argument, but to carry the hearers along in the train of one's argu- ment, to bring them to see from one's own point of view, then the manner of attack must be friendly. If they hold some of the opinions which one is en- gaged in refuting, they will not listen if those opin- ions are treated with scorn. They must be ap- proached as friends. It must be assumed that they are anxious to know the truth, and will eagerly re- ceive it if they can be made to see it aright. The debater, then, should seek not only to destroy the error he is refuting, but — if possible — at the very moment of doing so, to build up the corresponding truth."^ His refutation should be keen, unflinching, thorough, but at the same time respectful, friendly, and not merely destructive but constructive as well. * A good illustration of this method will be found in the speech on the Retirement of the Greenbacks, quoted in the Appendix, where the argument of the negative, though in form refutation, is largely built upon the advocacy of a better proposition than that offered by the affirmative. VII. STRUCTURE AND STYLE. We have now reached the point where the work of the debater is to be put into its final form. The question has been analyzed; the outline Matter and of. proof has been determined upon; the ^<'™' ntethods of proof and the evidence have been dhosen; and the arguments of the opposite side have been examined, so far as possible, with a view to refutation. For some debaters the hard part of tlie work has been completed; for others it has just begun. Some, that is to say, will find that when tliey have gathered and arranged their material, tlie matter of verbal form goes far toward looking OHit for itself; while others enjoy the more exacting task of prepapation, but find themselves awkward when it comes to clothing their material in pleasing form. The outhne or brief, prepared as the result of the preliminary work of the debater, should form the basis of his finished argument. Its order „^ ^^^^ and divisions will, in a general way, indi- the basis oi cate the order and divisions of his speech, "^^^^®" — subject, of course, to such changes as the laws of rhetoric or the exigencies of the debate may sug- 137 138 THE ART OF DEBATE. gest. Certainly his outline will provide for the three general divisions of his argument, the Intro- duction, the body of proof, and the Conclusion. Let us briefly consider these divisions. The object of an Introduction is twofold. In the first place it serves to furnish the basis for iTjjg debate, in an adequate statement of the Introduction, question in dispute and the reasons for considering it. In the second place, to use the familiar saying of Cicero, it aims to render the audience " benevolos, attentos, dociles," — well- disposed toward the speaker's personality, atten- tive to his speech, and ready to be instructed by his arguments. These results are secured largely by a combination of the qualities of clearness and persuasiveness. The opening of a speech in de- bate, unless it is to be immediately connected with a speech which has just preceded it (when practi- cally no introduction may be required), should state in unmistakable terms the nature of the ques- tion under consideration, and its origin — that is to say, the reason why it deserves attention from the audience. It should also state very briefly (or refer to them if they are perfectly well known) the funda- mental facts in the case, in so far as they are agreed upon by both sides. If the burden of proof rests upon the speaker, he may do well to admit the fact frankly, and at the same time in a way that will lead up to his intended attempt to shift the burden upon the other side. If the presumption is in hii STRUCTURE AND STYLE. 139 favor, he >vill do well to point this out in a manner that will not arouse prejudice by its arrogance. He will then make clear what he feels to be those elements in the subject which should especially interest the audience, and upon which the case must chiefly rest. All this — unless the circum- stances are unusual — should be done in a manner indicating respect for the opposite side in the de- bate, and showing that the speaker forgets him- self and his personal interests in his desire to pre- sent his subject to the audience. Statements cal- culated to arouse the opposition of persons hold- ing views different from the speaker's will, for the time being, be avoided. The effect will be that, at the end of the Introduction, the audience will know precisely what the debate is to be about, and precisely what the present speaker takes to be the main issue; they will also beUeve that he is capable of presenting his side of the case in a calm and fair frame of mind. In a sense, of course, the debater has choice of more than one method in constructing his Intro- duction. He may state definitely not only TwoMeth- the side of the case which he wishes to proach. support, but the sort of proof which he intends to offer in supporting it. He may take the audi- ence into his confidence, and tell them just what the plan of his speech is to be, in order that they may follow it as he proceeds and see that he does just what he proposed to do. Under ordinary cir- I40 THE ART OF DEBATE. cumstances, this method has great advantages. Thus it is common for lawyers, before presenting their proof in detail, to state to the court or jury precisely the points on which they wish to offer evidence, and just how they expect to show that those points establish their case. The court may then decide whether these " offers," as they are called, are admissible in view of the nature of the case. An audience in general debate enjoys being taken into the speaker's confidence in a similar way. Yet there may be cases where a different plan is advisable. When the cause to be defended is an extremely unpopular one, when the audience must be won — if at all — by slow and careful de- grees, or when the proof to be presented is of such a nature as not to be appreciated until all the evidence is in, then the debater may adopt a more wary course. He may not explain the nature of his argument at the outset, perhaps not even admit which side he intends to establish; but may open up the question as though he had little inter- est in deciding it in either one way or the other, and then lead his hearers on by paths that they have not foreseen, until he brings them, unex- pectedly perhaps, to the point which he wished them to reach. Such a plan requires skill, but is occasionally of no little value. The Introduction, then, either may or may not conclude with a clear statement of the plan of the speaker's argument. STRUCTURE AND STYLE, 141 Regarding the structure of the main body of proof, very little can be said that is applicable in a general way. The nature of the proof orderof must determine the best order for its ^^°°^' presentation. In general, however, it will of course be well to present at the outset the argument from antecedent probability, — proof that the proposition is likely to be true, or at least that there is no valid presumption against it, — since it is the object of this argument to prepare the minds of skeptical hearers for the stronger proof that is to follow. There are perhaps very few cases in which it is not well for the debater, immediately following his intro- duction, to show in a general way the antecedent reasonableness of his proposition, before stating direct evidence in its behalf. Such proof leads up gradually and persuasively from the introductory matter to the central portion of the argument. Examples of this sort of procedure have already been given in considering the burden of proof and methods of proof. Following the argument for antecedent probability naturally comes such proof as circumstantial evidence. In the case of ques- tions of policy, proof relating to the principle in- volved would naturally be followed 'by that re- lating to the interests involved. These are the general rules of order which suggest themselves to any intelligent debater. Sometimes it is necessary to consider what the I4« THE ART OF DEBATE. or4er of arguments shall be, viewed from the standpoint of their relative strength. Shall one proceed gradually from the weaker sort of proof to the stronger? Certainly this would be better than the reverse order. Rhetoricians generally agree, however, that the beginning and the end of discourses and parts of discourses are the places of greatest emphasis; one's best material, therefore, should naturally come here. The weaker proof may then be brought in in a position protected by what has preceded and what is to follow; there will thus be a chance that its weakness may escape ob- servation. Sometimes it is necessary to place one's very best proof at the beginning of the argument, in order to overcome prejudice or to overthrow the effect of a speech just made on the other side. Genung remarks — what is undoubtedly true — that in such a case this strong proof should be briefly repeated at the end of the argument, in order to secure the benefit of its force in that emphatic posi- tion. In general it is to be said that all rules regarding the ordering of material are to be regarded as merely provisional, when it comes to the ^f Debate* exigencies of actual debate. This is par- ticularly true in the cause of refutation. One may and should plan the order of his refu- tation according to a consistent scheme, so that it will take its place easily and clearly in STRUCTURE AND STYLE. 143 connection with the direct proof. He should make up his mind wher-e it will probably be best to take up the main points of his oppo- nent's argument, and where it will be best to return to the matters wherein his opponent may have attacked his arguments as first advanced. But the circumstances of the debate may, and often will, make it necessary for him to throw this plan overboard, and spring at once to the point where it has become evident that the main contest is going on. It is not the order in which ideas ought theo- retically to have precedence, but the order in which ideas present themselves to his hearers, that he must consider; and if he insists on proceeding ac- cording to his original plan, when the audience is impatient to hear what he has to say upon some matter that has become prominent in the discus- sion, he will be likely to lose his case. In the concluding arguments made before the Supreme Court of the United States in the famous *' income tax " cases, occurred an interest- inverted ing example of what we may call inverted Sefatation. refutation, — refutation, that is to say, where the point last made by an opponent was the first to be taken up by the debater in reply. This argu- ment was carried on by two of the most dis- tinguished American lawyers, Mr. Carter for the government, and Mr. Choate for the opponents of the income tax. In his concluding speech Mr. 144 THE ART OF DEBATE. Carter, having finished his positive constitutional argument, made a final appeal urging the court to abstain from interfering, on technical grounds, with the will of the people. The present subject, he said, was one calculated to arouse the interests, even the passions, of the people, and to array class against class. '' Noithing could be more unwise and dangerous than an attempt to baffle and defeat a popular determination by a judgment in a law- suit. When the opposing forces of sixty millions of people have become arrayed in hostile political ranks upon a question which all men feel is not a question of law, but of legislation, the only path of safety is to accept the voice of the majority as final." Mr. Carter even hinted that previous at- tempts on the part of the Supreme Court to thwart the popular will had been swept away by the power of public opinion. When Mr. Choate rose to reply he referred facetiously to Mr. Carter's eloquent warnings, and continued: "It never would hav€ occurred to me to present either as an opening or closing argument, to this great and learned court, that if, in their wisdom, they found it necessary to protect a suitor who sought here to cling to the Ark of the Covenant, and invoke the protection of the Constitution, that possibly the popular wrath might sweep the court away. I have had some surprises this morning. I thought until to-day that there was a Constitution of the United STRUCTURE AND STYLE. 145 States, and that this court was created for the purpose of maintaining the Constitution as against unlawful conduct on the part of Congress.'* In this way Mr. Choate swept away whatever effect had been produced by the peroration of Mr. Carter. One need not suppose, of course, that either passage had any important effect on the court or the case. They were the mere by-play of giants in controversy; but they illustrated the method of skilled debaters. In particular, the incident showed how it may sometimes be well, at the opening of one's argument, to sweep away an effect just produced by an opponent, before pro- ceeding with one's own case. This brings us to the matter of the Conclusion. The Conclusion should be the point at which the skill of the debater is most in evidence, TheOon- and where he masses all his forces for diision. final attack and victory. Almost invariably the nature of the Conclusion should be decided on in advance. One may not know how he is to open his speech, nor just what line of argument will be most advisable, until he has heard all that his op- ponent has to say; but one can usually know be- forehand how he wishes to conclude, — what great thought or feeling he wishes to leave finally ring- ing in the ears of his audience. Unforeseen cir- cumstances may, of course, upset one's plans, and make the proposed conclusion inappropriate; but 146 THE ART OF DEBATE. in nine cases out of ten there is little danger of this. When the speaker, therefore, observes that his time is about to expire, he should rapidly bring to a point the particular matter on which he is speaking, and should then pass over — even if much that he wished to say must be omitted — ^to that with which he wished to end. Otherwise his speech may be left hanging in the air. The first object of a Conclusion should be to leave the hearers with a full understanding of what the line of argument has been, and how it has established one's case. This may require a brief summary of the entire line of proof, if the proof has been somewhat long and compli- cated; or it may require only an emphatic restate- ment of the strongest arguments already advanced — those on which the speaker conceives his suc- cess chiefly to depend. The method and extent of these concluding restatements or summaries must depend on the exigencies of the particular debate. They are of small value as mere formalities, so that one need not take time at the close of a de- bate to say, " Let me now briefly summarize the ground over which we have gone," merely for the sake of appearing systematic. The point is, to re- hearse and emphasize those arguments which the audience needs to have left ringing in their ears; And a watchful speaker can judge, in any particular case, which these arguments are. STRUCTURE AND STYLE. 147 One wishes not only to leave the audience clearly possessed of the conclusion of one's argu- ment, but also in a proper state of mind, persuaiiTe- — well-disposed toward the whole side nesamthe P ^, , 1 • 1 Conolusion. of the controversy which one repre- sents, and willing to act upon the conclusions reached, if action is required. Something like an application of one's case to the immediate audience, then, will naturally follow the restatement of proof. But whether this application shall be direct and unimpassioned, — a simple effort to reach the will of the hearers through their reason, — or more elaborate and impassioned, — an effort to reach the will through the feelings, — must be decided for each particular debate. The character of the audi- ence and the nature of the subject will determine how far any appeal to the emotions will be appro- priate. A judge in a court of law will be likely to determine questions according to pure reason; a jury will be more likely to be moved by their feelings. In general, the more intellectual an audi- ence the more suspicious it is likely to be of merely emotional appeals. And there is quite as much dif- ference in subjects as in audiences. To attempt any considerable appeal to the emotions on a subject relating to the tariff or the currency, will be likely to be absurd; while other subjects, such as those relating to wars for liberty, are of course highly susceptible of emotional treatment. The safeguard 148 THE ART OF DEBATE. of the speaker must be to avoid going any further than he can be sure of carrying his audience with him. Some illustrations of different methods of stating a concluding application or appeal may make these Diff t suggestions somewhat more clear. The kinds of great speech of Lord Mansfield in the case of Kvans, delivered m the House of Lords in 1767, is an example of a dispassionate, dis- tinctly intellectual conclusion to an argument. The summary of the main points of the argument is merged with the parliamentary motion to afBrm the judgment which Lord Mansfield had been de- fending. " In the case before your Lordships, the defendant was by law incapable at the time of his pretended elec- tion; and it is my firm persuasion that he was chosen because he was incapable. If he had been capable, he had not been chosen, for they did not want him to serve the office. They chose him because, without a breach of the law, and a usurpation on the Crown, he could not serve the office. They chose him, that he might fall under the penalty of their by-law, made to serve a particular purpose; in opposition to which, and to avoid the fine thereby imposed, he hath pleaded a legal disability, grounded on two acts of Parliament. As I am of opinion that his plea is good, I conclude with moving your Lordships, That the judgment be affirmed." A still more striking case of this sort of con- STRUCTURE AND STYLE. 149 elusion is found in Daniel Webster's defense of the Kennistons. Here, although addressing the jury, the great lawyer was content to conclude his argu- ment with a summary of his proofs and a direct ap- pHcation of them to the duty of the jury. " From the time of the robbery to the arrest, five or six weeks, the defendants were engaged in their usual occupations. They are not found to have passed a dollar of money to anybody. They continued their ordinary habits of labor. No man saw money about them, nor any circumstance that might lead to a sus- picion that they had money. Nothing occurred tend- ing in any degree to excite suspicion against them. When arrested, and when all this array of evidence was brought against them, and when they could hope in nothing but their innocence, immunity was offered them again if they would confess. They were pressed, and urged, and allured, by every motive which could be set before them, to acknowledge their participation in the offence, and to bring out their accomplices. They steadily protested that they could confess nothing because they knew nothing. In defiance of all the dis- coveries made in their house, they have trusted to their innocence. On that, and on the candor and dis- cernment of an enlightened jury, they still rely. " If the jury are satisfied that there is the highest improbability that these persons could have had any previous knowledge of Goodridge, or been concerned in any previous concert to rob him; if their conduct that evening and the next day was marked by no cir- cumstances of suspicion; if from that moment until ISO THE ART OF DEBATE, their arrest nothing appeared against them; if they neither passed money, nor are found to have had money; if the manner of the search of their house, and the circumstances attending it, excite strong sus- picions of unfair and fraudulent practises; if, in the hour of their utmost peril, no promises of safety could draw from the defendants any confession affecting themselves or others, it will be for the jury ta say whether they can pronounce them guilty." Turn now to a conclusion of another sort, when Lord Chatham was addressing the House of Lords in his splendid protest against the inhumanities of some of the early British efforts to suppress -the" American Revolution. Here the appeal is not to a court, nor on a legal question, but to the House of Lords in its representative capacity and on a question of colonial policy tand public justice. " I call upon that right reverend bench, those holy ministers of the Gospel, and pious pastors of our Church — I conjure them to join in the holy work, and vindicate the religion of their God. I appeal to the wisdom and law of this learned bench, to defend and support the justice of their country. I call upon the Bishops to interpose the unsullied sanctity of their lawn; upon the learned Judges, to interpose the purity of their ermine, to save us from this pollution. I call upon the honor of your Lordships, to reverence the dignity of your ancestors and to maintain your own. I call upon the spirit and humanity of my country, to vindicate the national character. I invoke the genius STRUCTURE AND STYLE, ^S' of the Constitution. From the tapestry that adorns these walls the immortal ancestor of this noble Lord frowns with indignation at the disgrace of his coun- try. . . " I again call upon your Lordships, and the united powers of the state, to examine it thoroughly and de- cisively, and to stamp upon it an indelible stigma of the public abhorrence. And I again implore those holy prelates of our religion to do away these iniquities from among us ! Let them perform a lustration ; let them purify this House, and this country, from this sin. " My Lords, I am old and weak, and at present un- able to say more; but my feelings and indignation were too strong to have said less. I could not have slept this night in my bed, nor reposed my head on my pillow, without giving vent to my eternal abhorrence of such preposterous and enormous principles." We have now considered briefly the general structure of the finished argument as a whole. The detailed inner structure of the various ^ , ^, . Relation of main divisions is of no less importance, Structure but it is difficult to do more than call at- *^ ^ *' tention to the problem as one to be solved accord- ing to the general laws of rhetoric. The problem of structure in an argument is one of peculiar im- portance, and, in a sense, of peculiar difficulty. The various parts, and their relation to one another, are to be made perfectly clear to the audience, and yet this is to be done without such an appearance of IS* THE ART OF DEBATE. formality and baldness as to make the argument seem like a mathematical demonstration. In a word, structure must be emphasized, and yet not to the sacrifice of literary form. The skeleton must be discernible, but it must be clothed in flesh. The difficulty here is a real one. In most arguments the structure is not clear enough, and the audience has no definite idea, at any particular moment, just what progress has been made. But when debaters realize this, study the subject of structure, and draw careful outlines or briefs of what they wish to say, they are very likely to go to the other extreme, and make a speech that is full of firsts, secondlies and thirdlies, of formal phrases like " Thus it will be seen," '' I now proceed to another point," and the like, which destroy all artistic effect. Mathe- matics and art are, in fact, if not enemies, neigh- bors of such incompatible temperaments that it requires some skill to make them live together in peace. It has already been said that the structure of the brief should be the basis of the structure of Paragraph the finished argument. Ordinarily, too. Structure. ^\^^ paragraph structure of the brief will suggest the paragraph structure of the finished argument; and upon the paragraph structure of the latter a great part of its clearness and force will depend. If the paragraphs, then, follow one an- other according to the arrangement of the headings STRUCTURE AND STYLE. 153 in the outline or brief, the general orderliness of the argument is insured. But these paragraphs are of course not to be numbered or lettered as in a brief. They cannot even be made visible to the persons addressed; for it is of spoken, not of writ- ten argument that we are thinking, and a slight pause for the taking of breath, with perhaps a change of the pitch of the voice and a still slighter change of bodily posture, is all the speaker can provide to indicate transition in the argument. He can, however, by a careful use of the connective tissue of language, help to make his structure clear. He must not omit a single step in his line of argu- ment, and expect the audience to supply it for tliemselves. He must not even omit the conjunc- tions, '' hence," and " therefore," and '' because," and all the rest, which serve to show just how two statements are related to each other. And if he wishes to be pleasing as well as clear, he must do this with variety, not marshalling his sentences in monotonous array like the statements in a brief, but letting them — so far as their mere verbal form is concerned— trip about in constantly changing ifashion like the sentences of ordinary speech. The result, if he is successful, will be that one can listen to his argument as easily as to the conversation of a friend, and at the same time can follow its struc- ture as easily as the demonstrations in a geometri- cal text-book. 154 THE ART OF DEBATE. The study of the paragraph is a whole subject in itself, and there is little time in this connection in which to take it up. But it is perhaps of even greater importance in argumentative work than in ordinary composition. The paragraphs in a speech, as in an essay, should each be a unit, the expression of one central idea; and it is even more important in a speech than in an essay that this central idea should be instantly and clearly understood. A reader may go back and read the paragraph over again, if he is not sure of its purpose on first read- ing, but a hearer cannot do this; he must catch the thought at once or never. For the accomplish- ment of this the beginning and the end of the para- graph are of chief importance; and two rules re* lating to these parts will be found, while not uni- versally useful, of very wide significance. First, Let the opening sentence of the paragraph indicate what its general subject is to he, and, if possible, what is its connection with the paragraph that has preceded. Secondly, Let the last sentence of the paragraph state in a summary form the main thought which the para- graph is intended to express. The effect of these rules in a speech is as marked as in a written discourse. In the latter the opening and closing sentences of the paragraph are especially emphatic because they are conspicuous to the eye. In speech they must be made emphatic by the speaker's voice, and by the STRUCTURE AHD STYLE, I55 pause which precedes and follows the paragraph. In other words, at each transition point in the argu- ment the speaker will indicate by a change of tone and a pause that the point is one of transition; and the first sentence of the new division will indicate clearly what point the speaker wishes now to bring before the audience. At the end of the period he will restate the main thought of the division in a short, emphatic, summarizing sentence, which will leave no shadow of a doubt as to what it is that he has just been trying to declare. In order to illustrate the ways in which a portion of an argument may develop from a group Development of headines in an outline, let us consider o/^^^^^®^ » ' _ Argument what might be done in developing a sec- illustrated. tion of a brief on the subject of a law restricting immigration into this country. In the decision of this question, all interests save those of the United States are to he rejected. 1. For if our interests and those of aliens are identi- cal, the latter need not be considered. And if our interests and theirs conflict. Congress must prefer ours. 2. The government, like an individual, has the pri- mary duty of self-preservation; and this meas- ure is for that end. 3. The fact that America has a mission to perform on behalf of the races of the world can have no bearing on the action of Congress; for iS^ THE ART OF DEBATE. Congress is not empowered to take action of a purely altruistic nature, even when such action would be consistent with home in- terests; how much less, therefore, when it is inconsistent with our own interests ? Moreover, the duty of the United States toward the world cannot be accomplished if the fundamental character of its institu- tions deteriorates; and it is for the pre- vention of such deterioration that the pres • ent bill is framed. With this section of an outline as a basis for the of whom had gathered most of the material for argument, the other of whom was to make the prin- cipal argument in court. The latter said to his colleague, the junior counsel, who was a brilliant and unusually ready speaker: "The case is called for this afternoon. I cannot be ready to speak until to-morrow. If you can occupy the time till court adjourns to-day, I will be on hand at nine in the morning." The young lawyer went into court and began to speak. He brought with him hundreds of pages of records relating to the case, and read them as leisurely as the court would allow. It seemed to him that time had never passed so slowly, but he talked on and on, perceiving, — as he told STRUCTURE AND STYLE, i73 his friends afterward, — that everyone in the court- room was growing more and more impatient of him and his case. The judge tried to hurry him, but he declined to be hurried. At length the time for adjournment came, and he announced that his colleague would finish the argument in the morn- ing. So far as his afternoon's speech was con- cerned, not an inch of progress had been made in winning the case. Meantime his colleague, one of the most distinguished members of the bar, went home after a hard day's work, prepared his argu- ment in the pending case during six hours of the night, went into court next morning, and in twenty minutes made the speech that 'he had been six hours preparing. That speech won the case. We come now from the quality of Clearness to that of Force. Many persons who would other- wise be successful debaters make a failure at just this point. They gather and ar- range their material with skill, but they fail to make it interesting or to drive it home. The general judgment of those who have heard many debates, — whether in debating societies, conventions of citi- zens, legislative bodies, or courts of law, — is that, where there is no unusual excitement present, the debating is abominably dull. And this is not the fault of the subjects discussed, for everyone knows that certain speakers are always listened to with interest and even entertainment, whether they 174 THE ART OF DEBATE. speak on popular themes or on the most technical matters in the world. There are a half dozen men in the United States Senate who are sure of hav- ing- crowded galleries to hear them, even if they speak on some abstruse question of tariff or cur- rency, or on some private pension bill. Such men should be carefully studied by all who wish to be- come successful debaters. They have the quality of forcefulness, which carries what they have to say into the ears of their audience, and even draws hearers to them, eager to listen. A certain degree of force is secured by the mere quality of clearness, combined with earnestness. If Sources of ^ Statement is made in a manner to be Porce. at once understood, and if it is made in a manner that shows the speaker thoroughly be- lieves it and is eager to give it to others, there must be a responsive spark struck off in the mind of the hearer. To develop an enthusiasm for one's sub- ject, then, an intense desire to convince and per- suade others of the proposition in hand, will usu- ally result in a forcible style. One's sentences will be short and vigorous, and will be driven home by the earnestness that is behind them. Apart from this, perhaps the element of style that contributes most to the quality of force is that Concrete- ^^ concreteness. It is a curious fact that "»»*• a statement couched in general terms will almost never be as effective as when stated in terms STRUCTURE AND STYLE. 175 of a specific, concrete case. One who talks wholly of general laws will soon make any audience drowsy; while concrete cases will at least keep them awake. The debater should study his case with this in mind, and decide before he makes his speech what specific cases he can make use of, to add force to his theories. It may be only a ques- tion of the choice of words, — the substitution of a particular term for a more general one, or a figura- tive for a literal statement. Orators, instead of saying that the British empire extends over all quarters of the globe, are in the habit of saying — for greater forcefulness, — that the sun never sets on the English flag. Instead of speaking of alien races, a wise debater will say " Chinese and Italians '* when he can. Instead of talking of agricultural conditions in general, he will mention potatoes and pigs, — the homelier the concrete cases may be, the better, for they will bring distinct and lively images to the hearer^s mind. It is particu- larly interesting to see what a difference this con- crete method makes in the citation of statistics. Statistics in debate are in danger of forming a per- fect desert of dullness. Yet they need not do so in skilled hands. In large numbers they cannot be made to appeal to the ear, but must be seen in the form of tables. " Statistics," said a witty pro- fessor, " are like children: they should be seen and not heard." In debate, therefore, one should never 17^ THE /iRT OF DEBATE. read a whole table of figures, but should select the point essential to the argument, and put that in a brief and interesting- form. There is all the dif- ference in the world between this statement: '' The exportations of the United States to France in 1898 amounted to $25,542,673; while the exportations of France to America amounted to $12,476,316 " — and this: " For every dollar that went over seas to France last year, two dollars came back." In dealing with statistics in general debate one should nearly always discard small numbers and fractions; they blur the picture, which is to be made as vivid as possible. Rhetorically speaking, ten thousand dollars is a larger sum than $10,142.67. In Hke manner, images of individuals loom up larger in the imagination than those of classes. A speaker during the time of the Chicago riots of 1894 mov^id his audience to enthusiasm by declaring: "If neces- sary, every regiment in the United States army must be called out, that the letter dropped by the girl Jenny, at some country post-office back in Maine, may go on its way to her lover in San Francisco, without a finger being raised to stop its passage!" In the same way any departure from common- place forms of speech, if it is not obviously intro- Figures of duced for artificial effect, will add to the Speech. force of argument. A bit of irony, if not too malicious or savage in style, wiU wake an audi STRUCTURE AND STYLE, 177 ence to fresher appreciation. The form of an- tithesis, in which opposing ideas are set over against each other by way of more vivid contrast, will do the same. A recent debater, borrowing a hint from a remark of Macaulay's, introduced the following passage into a political attack on the administration: " Macaulay says somewhere, in speaking of King Charles the First: * We charge him with having broken his coronation oath; and we are told that he kept his marriage vow! We accuse him of having given up his people to merciless inflictions; and the defence is, that he took his little son on his knee and kissed him! We censure him for having violated the articles of the Petition of Right; and we are informed that he was accustomed to hear prayers at six o'clock in the morning!' So we may say in regard to the de- fenders of the President. When we charge that he has used his high office for poHtical ends, debauched the civil service, discarded the very reforms pledged by the platform on which he was elected, and given over the army to the plundering of corruptionists, what is the answer? that he is a man of charming disposition in the family circle, that his Thanksgiving proclamations breathe forth piety in every line, and that he scrupul- ously avoids traveling on the Sabbath day!" This brings us to the matter of the use of illustra- tions in debate. We have seen, in the uae of niui- chapter on Proof, that illustrations are trationa. not arguments, and should never be used as if they 178 THE ART OF DEBATE. were. They may, however, make argument clear, interesting, and forcible. Their quality of con- creteness serves, as it always does, to keep the audience awake, and to arouse distinct images in the mind. If there is anything of wit about them, and it is felt to be appropriate and not irrelevant, the effect is all the better. Thus even an amusing story may be introduced into debate with good re- sults. But concerning this much caution must be urged. To introduce a story merely because it is funny, to take precious time in the telling of it when every moment is needed for argument, or to make a far-fetched attempt to apply it to the immediate controversy when it is not to the point, — any of these things will produce an effect of weakness which one cannot afford to risk. Only when it is clearly illustrative of the matter in hand, — and not then if it will take long in the telling, — is an anec- dote to be introduced into debate. Two or three examples of successful illustrations in debate may make these principles more clear. When an unjust bill was introduced into the House of Commons in 1741, and was defended on the ground that it was the only remedy proposed for existing evils, Mr. Pitt replied to its sponsors in this fashion: "The honorable gentlemen say no other remedy has been proposed. . . Suppose no other remedy should be offered; to tell us we must take this, be- STRUCTURE AND STYLE. 179 cause no other remedy can be thought of, is the same with a physician's telHng his patient, ' Sir, there is no known remedy for your distemper, therefore you shall take poison — I'll cram it down your throat.' I do not know how the nation may treat its physicians; but I am sure if my physician told me so, I should order my servants to turn him out of doors." Again, in an American court a suit for damages was brought against a railroad company which had refused a ticket reading '' From A to B ," on the ground that the passenger was traveling from B to A . The attorney for the rail- road argued that the passenger was really claiming a different service from that he had paid for. '^ He paid for passage from A to B ," he said, " and yet demands passage from B to A . He might as well buy a barrel of potatoes at a grocery, and then sue the grocer on the ground that he did not deliver apples instead." When the attorney for the plaintiff had opportunity to reply, he said: "The illustration drawn from the barrel of apples and the barrel of potatoes seems to be an unfortunate one for my friend on the other side. The present case would be better illustrated by a grocer who, having sold a customer a barrel of ap- ples, should insist that he should begin at the top and eat down, whereas the customer had a pref- erence for beginning at the bottom and eating up! " Here the illustration was an admirable one, for i8o THE ART OF DEBATE, it not only turned the laugh against the speaker's opponent, but served at the same time to make dear the very point of the argument which was being developed. A similar example is found in the fable at the opening of the speech on the Venezuelan Message of President Cleveland, quoted in the Appendix. In this case the fable was of course constructed for Mie purpose of illustrating the case in dis- and iikgiti- P^^^' ^^^ ^^^^ ^^^ ^^^^ ^^ Carefully that matenius- every phrase in the story had its signi- ficance for the Venezuelan question, the remarks of the thief being intended to cover the most important arguments on the opposite side of the debate. So the story, while told in the most condensed manner possible, did not even take from the time of argument the time required in its telling; for it was developing the argument at the very time that it was interesting the audience and preparing them for the more weighty material that followed. Such illustrations are serviceable in more than one way. But what shall be said of a speaker in an important debate, who took nearly half his time in telling the story (amusing in itself) of a man who was left hanging in the air through an accident that occurred while he was climbing a tree, — the point being that the opponents of the speaker had been left in a similar position by their unsuccessful arguments? Such a story may well STRUCTURE AND STYLE. i8l be called question-begging. It depended for its effectiveness on the possibility that the audience were all convinced that the speaker had triumphed over his opponents in argument; and it contri- buted nothing to the argument save a discourteous side-thrust at the previous speaker. Debaters who use illustrations after this manner deserve nothing better than defeat. The forcible debater, then, is one who is deter- mined that his audience shall listen to him, and ibat his arguments shall be driven home. He will not go out of his way to search for wit, for oppor- tune repartee, for illustration or anecdote, but he will use all such aids if they come appropriately to his hand. He will have such earnestness that his audience cannot help feeling the contagion of it. He will reach out after the most homely facts that be- long to his subject, in order to bring images of concrete things before the minds of his hearers. He will select the great essentials of his argument, and emphasize them so that no one can go away forgetting them. He will make use of climax as he has opportunity, and see that the ends of his paragraphs, of his main divisions, and of his speech as a whole, are the strongest parts of all. We come now, finally, to the quality of Elegance. The word is an unsatisfactory one, for it suggests to many persons a quality which many arguments would do quite as well without. As rhetoricians l82 THE ART OF DEBATE, understand it, however, it means nothing inconsis- tent with simplicity, directness, or force. It implies the choice of the right word in the right place, the observance of the laws of unity and proportion, and the almost indefinable atmosphere of good taste and dignity which should characterize every form of discourse. Since it is related to debate, for the most part, in no peculiar way, we need give it only very brief consideration here. It is perhaps as an aid to persuasiveness that the quality of elegance is chiefly useful in argument. Persuaaive- One may Convince another even while MSB. giving an impression of violence or vul- garity, but in order to persuade some personal sym- pathy should be established, and the qualities of dignity, good taste, and ease have much to do with this. Persuasiveness depends, too, on the adapta- bility of the speaker to the circumstances of the debate and the audience addressed. The manner and method suited to one sort of hearers will be quite out of place with those of another. Enough has already been said to indicate that the attitude of friendliness on the part of the debater, toward those he is addressing, is one of the first essentials to success. He must say nothing without his audience in mind. He must try to enter into their feelings, and mingle his with theirs. If they are unfriendly, he must seek a common ground from which STRUCTURE /4ND STYLE. 183 they and he can make a start toward investiga- tion of the question in hand. If they show any disposition to go with him, he must be ready to meet them half way. Yet some speakers, if one might judge from their style and manner, direct their remarks into the air, or would be as well con- tent to deliver them as a monologue within their own room. What wonder that they cannot per- suade? The secret of persuasive power seems to lie, first, in getting a personal hold on one's audi- ence, and then in finding out by what motive they may be moved. If it be nothing better than self- interest, well. If it be — as it almost always will — through their higher selves, their principles, aspira- tions, loves and venerations, better still. All this will have its effect on the style of the adaptable debater. His language will be appropriate to him- self, to his subject, to the circumstances of the discussion, and to the audience. It will have power over the audience, to hold them rigidly to pro- cesses of reason, w^hen the speaker wills, and to arouse their feelings and move their passions, when it is that that he wills. Used in this way, human speech has almost magic powers. It not only guides the reason, but awakens memories, starts floods of old associations, stirs the passions, and moves the will. This brings us to a concluding thought, — the artistic quality which may properly pervade an i84 THE ART OF DEBATE, argument, as well as any other form of discourse. The debater should strive to make his speech a Artistic work of art in its own sphere. A work of Qualities. ^rt must havc, first of all, unity; and no argument is satisfying without a dominant idea. It must have, in the second place, proportion; and we have seen how this quality is important in de- bate as a regulating principle in the selection and emphasis of one's material. In the third place, a work of art must have continuity and coherence; this quality will preserve the argument from the scrappy, scattering effect which so many debates produce. In the fourth place, it must have some element of general truth, — something beyond merely temporary or local interest, — ^which will dignify it, elevate the thought of those studying it, and give it a certain permanent significance. A speech embodying these qualities, if it is preserved by some chance beyond the time when first de- livered, will still have the charm which the work of all great orators holds, after the original cir- cumstances of its utterance have been forgotten. Now it may be admitted that, whereas every argument may and should be characterized by the first three of these qualities of a work of art, it is too much to ask that the fourth quality shall be present in every debate. There are some subjects, we have seen, dealing with matters of a slight or temporary character, and without STRUCTURE AND STYLE. I^S appeal to any high principles or deep feelings, in the discussion of which it would be absurd to try to introduce the element of permanent significance or broad general truth. Yet these subjects are, on the whole, rare in the experience of debaters. It is not often that a disputed subject is without con- nection with some principle, some general truth, some high thought or deep feeling, which will — if one only looks for it — illuminate the dry details of tlie discussion. Great debaters love to lead their audiences to these elevated points of view. Said a dvibater of experience and success: " I never like to close a speech on a question of any importance without showing, if I can, some deeper significance ill the question than lies on the surface, and mak- ing the audience see that the discussion has been worth while wholly apart from the temporary cir- ctimstances that gave rise to it." This is why speakers have a fondness for concluding an address with a bit of poetry or other imaginative literature; for it is precisely the quality of poetry to illuminate small things by showing the elements of general truth and permanent significance that lie behind them. In unskillful hands such attempts are in danger of being absurd. An impassioned perora- tion, or a sudden flight of poetry, tacked on to a commonplace speech as though one felt the neces- sity of adding something of the sort before sitting down, is of course nothing less than ridiculous. If i86 THE ART OF DEBATE, there is any high thought or deep feeling in the subject, the speaker must lead his hearers to it gradually, and not affect any feeling which they cannot be prepared to share. It may not be possi- ble to introduce any element of feeling whatever. But one can nearly always ask himself, What, after all, makes my argument worth while? What thought or purpose animates it which I should be glad to have handed down in my name to another generation? For while subjects change superficially from year to year, Demosthenes, Cicero, Pitt, Patrick Henry, Wendell Phillips, and Victor Hugo really spoke on the same themes, — the same great ideas, — and the torch of the debater is passed on from hand to hand. VIII. THE SPOKEN DEBATE. We have now followed the progress of the de- bater's work up to the point of the actual making of his speech or speeches. He has decided just what he wants to say, and just how he wants to say it, in so far as this can be done before the actual exigencies of debate are upon him. Some of his most important problems are still to be solved. One of these problems we have temporarily ignored or avoided, in what has been said in the preceding chapter. We have assumed, Relation of i'or the sake of convenience, that the gp^tel^*^ speech could be written down in advance Speech, of its delivery, and that the choice and arrange- ment of words could be made at that time and ac- curately followed in the spoken debate. As a mat- ter of fact, however, we know that this cannot be done. Whatever we may think of public speaking of other sorts, it is absolutely destructive of debate to be bound by what has been prepared. And apart from the fact that one must be ready for all sorts of unforeseen emergencies, one cannot be sure of saying just what he has decided upon in advance. The peculiarities of a speaker's own mind and 187 i88 THE ART OF DEBATE, memory are quite as uncertain, oftentimes, as the exigencies of debate. This brings us at once to the problem of the re- lation of written to spoken language, of the speech prepared to the speech delivered, and of the use of notes in public speaking. In all these matters so much depends upon the ability and experience of the particular speaker, that it is impossible to say anything by way of guidance beyond the mc^st general suggestions. It may be agreed at once, however, that a written speech, read from the manuscript, is generally unsuited to the uses of de- bate. There is but one sort of speech less deserv- ing of success, and that is one written in advance and delivered from memory, word for word. Per- haps not one speaker in a hundred can deliver a memorized speech with perfect naturalness of man- ner, or can memorize a speech from beginning to end and yet hold himself ready to make such changes as occasion may demand. For most per- sons it will be better to read from manuscript directly, and lay it aside when necessary, than to seek to conceal the want of extemporaneousness by the transparent device of mem.orization. Such being the case, shall one give up all idea of writing out in advance his arguments for public idTantages debate? By no means. There are many of Writing, reasons why a speech should be written down at the outset, even if the manuscript is never THE SPOKEN DEBATE. 189 used at all. One never knows just what he has to say until it is written down. Ideas often seem to flow from the point of the pen, and arrange them- selves on paper as they would never do in one's rrtind. Certainly one never knows how much he has to say until it is written down, and for a de- bater this is an important point. Again, all those matters relating to style, which we were consider- ing in the last chapter, can be considered and worked out at one's leisure, with pen and paper at hand, and not left to the haste and excitement of the public assembly. It does not follow that the work of deciding them will be wasted because the written speech is not delivered without change. Finally, the writing out of material is a great aid to the memory, as all students know who have taken lecture notes or made written analyses of material for examinations; and the ideas of the speaker will be much more likely to occur to him in the orderly fashion in which he has planned them, if he has wTitten them down in that order. To write a thing, word for word and letter by letter,, is to wear a path in one's brain which it is not easy to efface. What shall be done, then, with this argument when once carefully written out? This the indi- vidual debater must answer for himself. Preparation Perhaps he may destroy it, and feel that ^o^^^ii^e^y- the mere act of writing it has prepared him for his 19© THE ART OF DEBATE. public speech. Perhaps he will read it over once or twice, in order to see how it sounds and how much time it takes, and let it go at that. Perhaps, again, he will study it over and over again, until he has almost memorized it by familiarity, though not by rote. All this will depend, of course, upon the degree to which the speaker trusts himself to say what he wants to say when on his feet, and the extent to which he feels that he must leave the pre- cise character of his remarks to be determined by the state of the discussion at the time he enters it. There is always a conflict here between accuracy and exactness, on the one hand, and freedom and fluency on the other. There are debates in which every word must be measured and weighed before it is uttered, and others in which the enthusiasm and the rapid thinking belonging to the heat of the discussion can be trusted to take care of the words. In the one case, the debater should bring his material as nearly as possible to the point of exact preparation, without mechanical memoriza- tion; in the other he will take with him to the plat- form or bar nothing but a knowledge of his plan, and his material in the rough. The following plan proves useful to many de- baters. They first write out their argument in full, on the basis of the preliminary outline. This ar- gument is carefully timed, and must then usually be condensed in order to bring it within the re- THE SPOKEN DEBATE, 19* quired limits. All matters of phrasing and illus- tration are as carefully corrected and polished as though the speech were to be read from the manu- script. Then a new outline is made, drawn from the full argument as written. This outline will dif- fer somewhat from the original, for new material or improved arrangement will have been suggested in the writing out of the argument. If the debater is sure of his memory, he is now ready for his pub- lic speech. If, however, he fears that he will not be able to say just what he has decided upon say- ing, he will give some further study to his manu- script, reading over the full argument until it is entirely familiar, and then studying his outHne to see whether its headings suggest to him what he wishes to say under each one. The last step will be to make sure that he is familiar with the out- line itself, so that he will not lose himself between one division of his speech and the next. Unless he is confident through experience, he will do well to prepare a condensed copy of his outline on a card, and carry it in his pocket to the place of de- bate. He should not expect to use it, or even to hold it in his hand as an advertisement of his in- security to the audience; but it will be a comfort to know that it is at hand in case of need. The principle governing the question of the use of notes is simply that nothing must interfere with the natural relations of speaker and audience. It 192 *' THE ART OF DEBATE. is natural for one man to talk to another; but it is not natural for one either to read or recite his own thoughts to another. On the other hand, it is quite natural to read aloud the thoughts of another writer; and in debate, when a quotation of any length is to be introduced, such as the citation of an authority or the written testi- mony of a witness, it is more natural and reasonable to read directly from book or paper than to at- tempt to quote from memory. In such cases, the very presence of book or document is an element of strength; but the ideas of the speaker himself are to derive their strength from his presence and utterance. It may be asked whether the careful study of a written argument and of an outline, as here sug- 2:ested, is not in a sense a violation of Degree of Extempori- the idea of extemporization? In a sense, of course, it may be so regarded; but the point is that the study of the written argument should never reach the point of mechanical mem- orization. It may reach the point where the speaker knows just how many paragraphs his speech will contain, and what the general order of sentences may be in each paragraph; or, when certain ideas have to be expressed very accurately or pointedly, he may even be practically certain as to what words he will use in particular places. But he will use the same words that he wrote down not THE SPOKEN DEBATE. 193 because he has learned them so thoroughly as to be able to recite them, but because, having spent no little thought on the best method of expressing certain ideas, when those ideas recur to his mind the chosen words will recur also as the best form in which to utter them. The practical character of this' sort of prepara- tion is illustrated by an incident that Mr. Holyoake tells in his book on '* Public Speaking and De- bate": " John Arthur Roebuck was the most mathematical speaker in Parliament in his time. He knew that the shortest distance between one point and another was a straight line, and he took it. Sitting at his table one day, he told me what he was going to say at Salisbury, where, at the Bishop's request, he was to deliver prizes to students. A fortnight later I read a report of his speech in the Times, which, so far as I remembered, was word for word what he had said to me. The reason was that the words of a perfect statement are not changeable. If any term can be changed for the better it means that a wrong word has been used. Thus, to a trained mind, understanding is in place of memory. The chosen words recur to the speaker be- cause they are inevitable ; none others will express the sense intended." The debater who has prepared himself in this way will never be bound to the words previously chosen, so as to feel embarrassed if different ones 194 THE ART OF DEBATE. fall from his tongue ; nor will his speech move on in Dwigerof a predetermined flow of language, with- tion. ' out adapting itself spontaneously to the need of the particular moment. Up to this point the careful preparation of a speech may be ad- vantageous, especially if the speaker is inexpe- rienced, or if his argument is to come at the open- ing of debate, when he can determine in advance what should be said, or if he must be sure of oc- cupying a definitely limited period of time. But the debater, no matter how timid and inexpe- rienced, should guard carefully against becoming a slave to the speech that he has written down, or even to the outline that he has brought with him as a safeguard. He can never gain fluency and confidence without trusting himself. It is better to make a dozen failures in the attempt to be gen- uinely extemporaneous, than to educate one's self to the use of crutches. The dangers of extempore speaking, imposing as they are, are not so great as those of memoriter speaking. As soon as a speech is finally committed to memory, one loses the power of ut'ering it spontaneously. The mind, too, is liable to play strange tricks, and run off on a line of thought by itself, trusting to the memory to carry on the speaking. Then, if the memory suddenly weakens in its mechanical performance of duty, everything is lost, and there is small chance of recovery. The way to avoid this — to put the THE SPOKEN DEBATE, 195 matter in terms of psychology — is, never to learn a speech so thoroughly as to turn it over to the lower centers of nervous action, the centers which act of themselves without high cerebral command. So long as the speaker is choosing for himself at each moment just what words to use at that mo- ment, his speech will affect the audience as a fresh, real and spontaneous utterance. The precise words to be used in debate, then, must usually be left to the moment of speaking, not only in order to be easily changed at the will of the speaker, but in order to ^*"°^' give an easy and natural style. The assurance that the right word will be at hand when needed is of course a matter of experience. To acquire fluency a speaker should try always to use the best word for his purpose, even in common conversation or when talking to himself. He should read the works of great writers and speakers, and when he meets a new word, if it seems a good one, should store it away for the first opportunity he may have of putting it to service. He should talk as much as his conscience will permit, not only in company but alone, not being frightened by the common opinion that to talk to one's self is a symptom of insanity. Perhaps the most effective single sort of practice in fluency is that already suggested in connection with the preparation of a speech: to stand up as though to speak to an imaginary au- igS THE y4RT OF DEBATE, dience, and attempt to reproduce the substance of what has been written down, in words fitted to the purpose but extemporaneously chosen. When one conies to a point where a fitting word does not suggest itself, one may say something — anything, for the time being, as one would do before an au- dience in such a case; but afterward the point should be taken up again and the right word de- termined. It is surprising, when one has once determined upon the right words and phrases for a certain number of occasions, how many purposes they will seem to serve. Gradually, then, one*s ready vocabulary will grow; and the time may come when it may be said of the speaker, in small measure, what Mr. Holyoake says of Gladstone: " With Mr. Gladstone it is as though he took upon the platform with him vast piles of the English lan- guage, from which he takes, with a swift hand, what- ever he requires for the purpose of the moment; words of strength, or beauty, or brightness — of light, or shade, or force, until each passage is perfect. When a sentence is begun, you cannot always foresee how Mr. Gladstone will end it. But the great artist never fails. His eye sees all the while the fitting word lying by his side, and he dashes it in with the spontaneity of a master." One final word as to the relation of the written and spoken speech. We have seen that the style of written discourse is more compact and less dif- THE SPOKE'N DEBATE, 197 fuse than that of spoken language. Unless, there- fore, the debater writes with unusual and Expansion unnecessary diffuseness, his written wok 0^ Speech, will naturally expand as it becomes freer and more conversational in oral utterance. For this reason, as well as from the fact that space must be left for material suggested at the moment of speaking, the prepared argument should never be so long as to occupy, in its written form, the full time allowed for speaking. Otherwise the end of it may never be heard. What, it may be asked at this point, of prepara- tion for rapid rebuttal in debate? This, again, is so much a matter of individual ability preparation that it is impossible to offer anything forEebuttai. more than general suggestions. The ability to an- alyze, recapitulate, and refute the arguments of an opponent rapidly, when there is little time for re- flection, may be regarded as a sort of inspiration, which it is almost useless to try either to analyze or teach. Nevertheless, granted some natural apti- tude for it, it may be remarkably strengthened by practice. To those with little of such natural apti- tude for rapid thinking on their feet, this conso- lation may be offered: that good rebuttal in debate is not by any means so largely a matter of rapid, extempore thinking, as is very commonly sup- posed. Observation shows that, even when the debater on one side must follow his opponent with- 198 THE yIRT OF DEBATE. out opportunity for reflection on the arguments of the latter, the occasions are rare on which the op- ponent will be found to have introduced any mate- rial which could not reasonably have been antici- pated. Most debatable questions are discussed pretty thoroughly in an informal way, before they are ever brought to the point of formal debate; and it is a very unusual debater (except, of course, on occasions when some new piece of evidence has been discovered) who can devise a method of proof which a careful opponent will find surprising or unexpected. Usually the most that will be unex- pected will be the general arrangement of proof, or the form in which it is stated. To prepare for extemporaneous refutation, then, is simply to do what we have considered in former Armed with chapters: to analyze the question from Material. |-]^g point of view of the opponent as well as from one's own, to become acquainted with all probable or possible arguments on the opposite side, and to be provided with abundant evidence for overthrowing them. What is often thought to be great brilliancy is really only careful prepara- tion. To have at one's hand the evidence that is needed is worth more than great eloquence. In a recent intercollegiate debate the speakers on one side quoted in support of their position from an ar- ticle written by a professor in the opposing insti- tution. It was at the opposing institution that the THE SPOKEN DEBATE. 199 debate was being held, and the quotation of course made no little impression on the audience. It was, in fact, merely a half-quotation, misrepresenting the general tenor of the article by selecting some sentences and carefully omitting others. The pro- fessor who had written the article was present in the audience, was of course profoundly annoyed by the use made of his statements, but could not rise and interrupt the debate to explain the true state of affairs. Unfortunately none of the debaters representing the institution where the debate was held had brought the article to the platform, nor was any of them sufficiently familiar with its con- tents to give a true account of it. There was noth- ing to do, therefore, but to ignore it. If one of them had been able to rise and read two or three sentences in the context of what had been quoted, throwing back upon his opponents the charge of garbling the evidence, the effect would have been most striking. The incident illustrates the im- portance of being prepared with all sorts of ijiate- rial on the subject in hand, expected and unex- pected, before actually entering upon debate. What must be done extemporaneously, then, in the matter of refutation, is, first of all, to decide which of the material prepared for the „ , ^ ^ Eitempora- purpose is to be used, and which may be neons Refu- discarded. One need not answer what has not been charged ; one must emphasize in refu- 200 THE y4RT OF DEBATE, tation what has been emphasized in direct proof. In the second place, one must arrange the material of refutation in a connected and pleasingly coher- ent fashion, avoiding — as has been suggested in other connections — the use of separate, scrappy- pieces of rebuttal. Usually this arrangement need not be wholly a matter of extemporaneous decis- ion; for, except when the debate takes an unex- pected turn, one can decide in advance in what connections it will be best to take up particular ar- guments of the opposite side. In the third place, the form of expression in rebuttal, as in most of the argument, must be left to the judgment of the moment. It will depend on what has been said, and on the way in which it has been said. A court- eous opponent needs one sort of reply; a pug- nacious adversary another. Sometimes the argu- ments to be attacked may be treated with con- tempt; usually they must be respectfully answered. The very phrase of an opponent will often furnish a skillful debater with a phrase for replying to him; the emphasis which he lays upon a word will give one an emphasis for one's own case. Thus Pitt, in a debate in the House of Commons in 1741, when he was called to order in a passion by Mr. Wynn- ington, said, in resuming his speech: " Sir, if this be to preserve order, there is no danger of indecency from the most licentious tongues. . • THE SPOKEN DEBATE. 201 Order may sometimes be broken by passion or inad- vertency, but will hardly be re-established by a moni- tor like this, who cannot govern his own passions while he is restraining the impetuosity of others. . . That I may return in some degree the favor he intends me, I will advise him never hereafter to exert himself on the subject of order; but whenever he feels inclined to speak on such occasions, to remember how he has now succeeded, and condemn in silence what his cen- sure will never amend." * Thus Macaulay, too, when the poverty of Mil- ton's granddaughter w^as urged as an argument for a long term of copyright, was able to retort in this fashion: " If, Sir, I wished to find a strong and perfect illus- tration of the effects which I anticipate from long copy- right, I should select, — my honorable and learned friend will be surprised, — I should select the case of Milton's granddaughter! As often as this bill has been under discussion, the fate of Milton's granddaughter has been brought forward by the advocates of monop- oly. My honorable and learned friend has repeatedly told the story with great eloquence and effect. . . Why, he asks, instead of obtaining a pittance from charity, did she not live in comfort and luxury on the proceeds of the sale of her ancestor's works? But, * These are not, in fact, the words of Pitt himself, but arc taken from the report written down afterward by Dr. John- son. Th'cy doubtless contain the substance of Pitt's retort, but are in the characteristically heavier style of Johnson. 2oa THE ART OF DEBATE. Sir, will my honorable and learned friend tell me that this event, which he has so often and so pathetically described, was caused by the shortness of the term of copyright? Why, at that time, the duration of copy- right was longer than even he, at present, proposes to make it. The monopoly lasted not sixty years, but forever. At the time at which Milton's granddaughter asked charity, Milton's works were the exclusive prop- erty of a bookseller . . Milton's works are under a monopoly. Milton's granddaughter is starving. The reader is pillaged, but the writer's family is not en« riched." To pass to a very recent example: in a debate on the colonial policy of the United States, the debaters on one side repeatedly quoted statistics relative to Dutch Guiana, as proving certain laws of trade relative to colonies and their mother- countries. In reply, the opposing debater adduced contradictory statistics from a number of colonies of great size and importance, and concluded with the remark: " Ladies and gentlemen, there are more things in heaven and earth than Dutch Gui- ana!" Such skillful retorts as these just quoted come, as has already been suggested, by a sort of inspira- Bapidityof ^^on, and all that a debater can do is to Thought.' pray that, when the needful moment comes, the inspiration may be his. To cultivate rapidity of thought while on one's feet is possible, THE SPOKEN DEBATE. 203 but not easily reducible to rules. One must speak as often as he can without making himself a pub- lic bore. One may well be watchful, in conversa- tion, of opportunities for keen rebuttal of weak ar- guments and empty sayings, though he need not make himself unpopular by putting his thoughts into words. Above all, one must be earnest in his thinking and in his investigation of doubtful ques- tions; for earnestness is the mother of fluency. To such an one, if he be naturally fitted for a speaker, the act of rising to speak, the presence of an audi- ence, the feeling that the occasion is a pressing one — that everything depends upon him, will act not as embarrassments, but as stimulants. His nerves will tingle, his blood flow quickly, his brain work like an engine. Ideas will come pouring upon him, from the very time and place. Words will fol- low suit, in such numbers as to need repression father than stimulus. There is only one thing bet- ter than to hear a debater at such a moment, and that is to be the debater one's self ! We come now to the final problem of the de- bater, that of delivery. It is a troublesome mat- ter, as being an essential to success, and piaceof yet a subordinate one. As a means to Delivery. an end it is of great importance; in itself it is to be forgotten as soon as possible. To the speaker absorbed in his subject, and eager to convince his audience, it is a bore to be obliged to give attention 204 THE ART OF DEBATE. to the use of his voice, the position of his feet, or the motions of his arms. He rightly says that he is interested in more important matters. It is no doubt true that if one must choose between sub- ject-matter and deUvery, subject-matter should be chosen without a moment's hesitation; that a speaker with fine voice and presence, but with nothing to say, is far worse off than one with fine brains but poor elocution. And it would be a corn- fort to be able to add that, if one will only attend to the matter of his speech and the earnestness of his purpose, the delivery will take care of itself, or at least not make much difference. Unfortunately, however, experience forbids our saying so. We all know learned, even brilliant men, whose writings, whose conversation perhaps, are of the very fir^t rank, and yet whom no one cares to hear make a public address. It may be from the simple fact that they cannot be heard; or it may be that they speak audibly, yet with so little vigor or variety that it is impossible for any one to listen to them for any length of time, remaining wide awake, without great power of concentration. On the other hand, we know men with comparatively few original ideas, whose speeches when printed and read prove to be vastly inferior to those of the former class, yet who can always command an au- dience and move an audience, through nothing else than their ability as speakers. These are the actual THE SPOKEN DEBATE, 205 conditions. And it follows that a debater without a good delivery is a soldier but half armed. He may know what he wants to aim at, but he cannot be sure of hitting it. The characteristics of a good delivery may be stated in the same words as the qualities of a good style: clearness, force, and elegance. And Qualities of the general laws of delivery are very Delivery. closely related to the laws of style. Both are means for expressing what one thinks in a way that will make it the property of others. In both cases the aim is to make ideas intelligible, to drive them home, and to put them in pleasing and effective form. The quality of clearness, then, provides that the speaker shall be heard. Whole books have been written, and will continue to be written, on the use of the voice in public speak- ing; it would be unreasonable, therefore, to at- tempt here anything more than the slightest help in the way of practical suggestion. So much de- pends, too, upon the natural voice of any particu- lar speaker, that each person must find his own critics and learn his own lessons. It may be said in general that making one's self heard is not by any means altogether a matter of loudness. Many speakers, used to immense audience rooms or to open-air meetings, speak too loud to be heard when they are in a small room. To bellow before a small 2o6 THE ART OF DEBATE, audience is ridiculous as well as wearisome. To speak with apparent ease and with quietness, and yet distinctly, is best of all. It is true that a cer- tain amount of loudness is necessary in a large room. Usually a speaker can judge what this should be by fixing his mind upon the part of the room most distant from him, and directing his voice with such force that he will realize that he is reaching at least that distance. If the room is a large one, he may at first be content with making himself just audible, and no more, to his most dis- tant hearers; the force of his voice will then naturally increase as he proceeds. But apart from the matter of strength of tone, the elements of clear speaking requiring no little attention from most persons are clearness of enunciation and purity of tone. Ability to make one's self heard in large assemblies is often simply a matter of distinct enunciation. There are usually three points to be noticed here. The first is not to swallow the tone, but to keep the mouth well open and let the vowel sounds have a good chance to go straight from the place where they are made to the ears of the audience. It is aston- ishing how averse some speakers are to opening their mouths when they talk. " Dr. Blank may say a great many fine things," said one college profes- sor in speaking of another in the same Faculty, '' but one seldom realizes it, because he says them THE SPOKEN DEBATE. 207 inside his throat and a good part of them never gets out." The second element of distinctness is to utter one's consonants neatly and fully, and not to let them constantly slip away into nothingness. Failure to pay sufficient respect to the consonants of the language is a cause of much unintelligible public speaking. Even if it does not interfere with clearness, it produces a most slovenly and inelegant style of speech. The third element of distinctness is to keep up the force of utterance to the very end of each sentence, and not let the conclusion dis- appear into the speaker's throat. Many speakers seem to tire of their sentences before they are through uttering them; their minds no doubt are running on ahead to prepare for what is to be said next; the result is that a hearer must fall back on his knowledge of the subject or of the language to know how their sentences probably end. As a mat- ter of fact, we have seen that the end of a sentence or paragraph is usually its most important part. It should therefore be brought out with special dis- tinctness, and serve to clinch the thought which has just been uttered. The element of purity of tone is even more dif- ficult to treat apart from individual cases. It is a matter which few persons understand, p^tyof though all appreciate it in the sound of Tone, different voices. Impure tones are caused by the presence of inharmonious " over-tones," as they 2o8 THE ART OF DEBATE. are called, which sound in conjunction with the principal pitch at which one speaks. Any one can appreciate this by speaking in a deliberately harsh tone of voice, and listening for the discordant over- tones which can be heard in the throat. Singers spend many weary hours of practice in order to rid themselves of these impure tones. Speakers can do the same thing, if they will. Indeed the quality of the voice can usually be improved at will, by fix- ing the mind on it, and deliberately relieving it of the poor qualities of sound which one uses in com- mon speech. A poor quality of tone is often due to the same cause which produces a weak or indis- tinctly enunciated manner of utterance, — namely, the failure to fix one's thought on the audience addressed, and to force out the tone in their direc- tion. If one speaks in a sort of soliloquy, not let- ting the voice really escape from one's own throat, the resulting tones will be Hkely to be impure and unpleasant. If one opens his mouth and speaks straight out of it at a definite distant object, the quality will be improved. But all these matters relating to the use of the voice must be worked out by every speaker for himself. Deep breathing must be cultivated, in order not to tire the throat and the upper part of the chest by too great depend- ence upon them. An open throat must be culti- vated, free from that constriction which so often tires speakers' voices when they do not know what THE SPOKEN DEBATE. 209 IS the matter. Oftentimes catarrhal affections, or other enemies of the general health, must be dis- posed of if the voice is to be at its best. Constant criticism must be sought from those who are able and willing to tell one the truth about his voice and delivery. In this way, by the firm and con- stant use of the will, a weak and harsh voice may become comparatively strong and pure. The quality of force, in delivery, is of almost equal importance with that of clearness. It has, in- deed, already been touched upon, since the two are very closely connected. The object of force in delivery is the same as that of force in style, — to make people not only hear but listen, and to drive home into their consciousness what the speaker is saying. Here is where we all realize that many speakers fail. Those in the habit of speaking to audiences that feel obliged to listen whether they want to or not, such as college pro- fessors, are very likely to make no effort to do any- thing more than simply say what they have to say, as though they were laying the matter on the table, or talking it into a phonograph, knowing that any one who should come by might take it up and get the benefit of it, or might not. But a debater must not be content with any such sort of speaking. He must make sure that his important ideas are heard because the very tone in which he speaks them is so insistent that the audience cannot choose but «lo THE ART OF DEBATE. hear him. He must bring out clearly, by changes in his voice, every change in his line of thought, so that it will be more certain of being understood. He must establish so close a connection between himself and his hearers, that from the moment he begins to speak until he sits down, it will be as though there were a current of electricity running on a wire between him and each one of them. A good speaker knows when this is the case, and in- sists on making and keeping up this — as it were — magnetic connection. Vigor and variety, then, may be said to be the main elements of force in delivery. The important Vigor and ideas of one's speech must be emphasized. Variety. must be driven home, as though one were giving each of them a blow with a hammer. But if there is a constant hammering at the same de- gree of force, its effectiveness will soon vanish. Some speakers make the mistake of beginning at full speed, full heat, and full force. They are them- selves excited at the very moment of commencing, and do not realize that the audience is not yet ready to sympathize with their state of mind. When a speaker begins in a heat, and the audience is cool, they are likely to laugh at his waste of energy, and be entirely unmoved or even repelled. Or, if he begins violently and continues violently, as some loud-voiced speakers do, the audience may soon go to sleep, as they would do under the influence of THE SPOKEN DEBATE. 211 any other sort of monotony, when they have be- come used to the noise. The wise debater, then, will begin with something of the same sort of cool- ness and deliberation which his audience may be supposed to feel; he may then gradually warm to his subject, and carry the audience with him to greater degrees of force and higher planes of feel- ing. He will never pursue one manner of speak- ing too long at a time, remembering that force is always gained by change and contrast. A dropping of the voice, when one has been speaking loudly, is as impressive as a sudden raising of it when one has been speaking quietly. If both vigor and variety are used, the audience will be pretty cer- tain to Hsten if the speaker has anything at all to say. Variety of pitch, as well as of force, is an ele- ment of good speaking which many persons find very hard to attain. Not only is any- ,,. ,. , -^ -^ Pitch. thmg approachmg a monotone sure to produce the effect which we rightly call '* monot- ony," but it is quite impossible to bring out all the shades of meaning that any speech contains, without constant variety of pitch. We have, in fact, in our common speech, a vast number of little Umcs which express the relations of ideas quite as accurately as words. Everyone under- stands these tunes, but not everyone has the flexibility of voice to produce them easily. The 21* THE AKT of debate. habit of singing, in which the pitch of the voice is of course constantly changing, is per- haps the most natural means of acquiring this flexibiHty; it also helps in the gaining of strength and good quality of tone. Not every speaker can hope to sing for the pleasure of others; but every speaker can and should sing a good deal for the good of his speaking voice. Regarding the third great quality of delivery, elegance, very little need be said. It means, first of all, that a speaker shall rid himself so far as possible of those particular temp- tations to awkwardness or uncouthness which es- pecially beset him. To do this he must have friendly critics, who will not spare to tell him what absurd things he does when he is in the excite- ment of speaking. He must exercise his will-power until he is sure that he is master of himself. Ele- gance means, too, the same sort of dignity and per- suasiveness in speaking that it means in style. The speaker must respect himself and his cause, but not be thinking of himself or talking of him- self as though he were the theme of all his speeches. This is the prescription for true dignity of manner. He must respect his audience, too, and address them with the courtesy with which he would ad- dress any individual among them who might be his guest. This is the prescription for persuasive- ness of manner. If these qualities abound, the THE SPOKEN DEBATE, 213 Speaker will be pardoned much want of elegance in the placing of his feet or the movement of his hands. The mention of hands and feet suggests the question: what can we say of posture and gesture, that shall be useful to the debater in a general way? Almost nothing at all. Erect posture is a matter of habit and of a self- respecting state of mind. The speaker who slouches, or stands in a hang-dog fashion, has either acquired inelegant and unhygienic habits \«hich gymnastic practice must correct, or else he h not on the proper terms with himself, his sul> jcct, and his audience. The self-controlled speaker, who feels that he is master of the occasion, will be likely to take a position of self-control. Even then, however, he may need friendly caution as to shuf- lling his feet, carrying his hands in his pockets, or indulging in bodily contortions when he is carried away by enthusiasm. As to gesture, very little of it is needed in de- bate. What there is should be the outcome of the natural feeUng of the speaker. A gesture prescribed and provided for a particular ^^^^' place is one of the most lamentable pieces of gym- nastics in the world. On the other hand, a gesture that comes from the spontaneous enthusiasm of the s])eaker will have good chance of being effective, even if it violate all the commandments of Delsarte. 214 THE ART OF DEBATE. Critkism of gesture, then, must b'e largely indi- vidual and corrective. If a speaker has formed the bad habit of waving his arms or beating his fore- finger all through his address, he should be told of it and led to restrain himself. " Faithful are the wounds of a friend." On the other hand, if he makes almost no gestures at all it is because there is too little freedom and force in his general man- ner, because he is embarrassed or constrained, or has too little warmth of feeling; in such a case the cause must be corrected, not the effect. There are, indeed, laws of gesture, as there are laws of style, though it seems to be impossible to write a treatise on them and keep within the bounds of sanity. It will do a debater no harm to learn something of these laws, — may even in the long run do hinJ. good, but only when they have been absorbed into his general make-up. The entire nature and use o^ gesture, rightly looked at, are from within. How much training In mere delivery is advisable for an inexperienced speaker? All that he can get, Training for Provided it is training of a general char- Delivery, acter, and not for a particular speech. Much practice on a particular speech is likely to destroy its spontaneous quality. But training of a general kind, with competent criticism and a rigid use of the will for the purpose of correcting faults and gaining force and elegance, can scarcely be overdone. The ambitious speaker should sing and THE SPOKEN DEBATE. 21 5 shout all he can, to make his vocal cords strong and flexible, and should practice gymnastics in or- der to strengthen his lungs and improve his muscular self-control. He should deliver many speeches to the walls of his own room, and should watch his expression and gestures in a good-sized mirror. It is only by speaking privately to a mir- ror that one can discover the mistakes of facial or bodily expression which one's friends will never dare point out; and such a discovery, made in pri- vate, is without the bitterness of publicity. To do all these things with a particular occasion in mind would be to incur the danger that, when the occa- sion had arrived, one should think not of the duty of the moment, but of posture, gestures, or quality of tone. But to do it frequently by way of general practice ought to wear tracks in the brain and along the nerves, such that, when an occasion demands all one's power, nerves and brain will re- act as they have been trained to do, and leave the attention to look after higher things. All these matters of delivery can, from one point of view, be reduced to a single principle. The suc- cessful speaker is one who is able to reach j^gj^^Qj^^f and move his audience. To do this he Speaker to must not speak as though talking to him- self, or into the air, but must talk to them. He must reach out after them, must touch them by his speech, must enter into their sympathies so as to 2i6 THE ART OF DEBATE. move their feelings and wills. Two great facts must be in his mind: his subject and his audience. To bring these two together, as he sees them, is the whole end of his work. Himself he must for the time being forget. If this principle is operat- ing in an ideal way, the brain will act logically, the style will move in orderly and fluent lines, and the whole physical man, as well as the man of thought and feeling, will be at its best. The debater with even moderate attainments of this kind will be in a fair way to become what it was said at the very opening of this book that a great debater always is: a leader of men. APPENDIX. INTRODUCTORY NOTE. The material in the Appendix is added for con- "venience of illustration and reference. The editor is tinder many obligations to those whose courtesy has aided in making possible the use of it for the present purpose. The speeches are from recent discussions on real iflsues, and so, while perhaps not such trustworthy n\odels of style as those of orators whose work has be- come historic, illustrate methods of debate which are genuinely susceptible of imitation. It was intended ti> include also a specimen of Congressional debate; but the conditions of discussion in our legislative bodies are such as to make it difficult to choose speeches which are at once careful, brief, and — stand- ing by themselves — intelligible. Any student of argu- mentation will, of course, do well to seek in the Con- gressional Record for suggestions relative to debating in deliberative assemblies. The speech of Mr. Meade is given as an example of refutation in extemporaneous debate. In this case the subject was such that the affirmative side had not only to prove its proposition but, from the very begin- ai7 2i8 APPENDIX. ning, to attack the arguments of the opposite side; and the present argument is an unusually skillful piece of solid rebuttal. The speech of Mr. Warren is an example of clear analysis and clear presentation of a subject unusually difficult to treat before a popular audience. Reference was made to it, in the text of the book, as an instance of constructive refutation, a definite plan being offered in place of the proposition of the affirmative. Its com- pactness of style is also worthy of study. The speech on the Venezuelan Message is given primarily as an example of persuasion in debate. Tha decision in this case was to be rendered not by judges, but by a general vote of the audience, which consisted largely of members of the club supporting the nega- tive side. The object of the speaker, therefore, was to choose the arguments most likely to appeal to those present, to state them in popular form, and — while making clear the moderate position of his own side — to attack the negative arguments which were most influential in the community represented. The briefs which follow the speeches are of course designed to illustrate different methods of building up an argument for debate, and of arranging one's material in outline. In some the method is compara- tively free and simple; while such an instance as the brief on the Restriction of Trusts illustrates the most thorough and rigidly formal type of outline. The legal brief is included for the purpose of illus- trating the peculiar methods of legal argument, on a question of purely technical, rather than popular, in- terest, where matters of both fact and law are involved. APPENDIX, 219 In this case considerable condensation was necessary, since, as was pointed out in Chapter III, legal briefs usually involve not only an outline, but a fairly full statement, of proof. The material is given in sufficient fullness to indicate the method of handling legal pre- cedent and authority; the handUng of the evidence could not so well be brought out in a limited space. Complete legal briefs, illustrating the handling of evi- dence, are of course easily accessible. The brief from Macaulay's speech on Copyright is included as illustrating the way in which the clear- ness of structure of an argument may be brought out by drawing an outline from the finished speech. The brief on the Retirement of the Greenbacks is of course an outline of a single speech in a university debate ; that on the Restriction of Trusts, on the other hand, is an outline of the whole case of the negative in such a debate — detailed evidence excepted. Circumstances must of course always indicate how full and how formal an outline is advisable for any particular pur- pose. The student of argument should err, if it at all, on the side of fullness and formality, for the sake of good practice in the analysis and construction of material. Of course no originality is claimed for the list of one hundred Propositions for Debate which make up the third division of the Appendix. They have been gathered from many sources, and most of them have been actually tested in debate. It is believed that there is not one question on the list which is not genuinely debatable. Many of them, however, in order to avoid the limitations of particular times and places, have 220 APPENDIX, been stated in a form more general and more in- clusive than would be found serviceable in practice. Such a list can, at best, be only suggestive. When formal debates are held fney should be on subjects chosen so far as possible from present conditions of living interest; and general subjects should be made as specific as may be, by applying them to particular times and places. Thus any of the subjects in the present Ust referring to " the States " in general, should be altered to read " Massachusetts," or " New York," or " Pennsylvania," according to the place and conditions of the proposed debate. Subjects relating to art, literature, pure ethics, philosophy, and the like, have been purposely omitted, as experience indicates that they are unlikely to be profitable for formal oral debate. They are often valuable for discussion of a more informal character, and may, of course, where a live issue is clearly drawn and generally understood, be debated with profit. The one necessary quality of a debatable subject is that it shall be one on which living opinion is genuinely divided. I. ARGUMENTS. EXPANSION IN THE EASTERN HEMISPHERE. (Speech delivered by Mr. Edward Sherwood Meade, of the University of Pennsylvania, in the CornellrPennsylvania Debate of February, 1899. Pennsylvania had the affirmative of the subject: "Resolved, That the interests of the United States are opposed to the permanent acquisition of territory in the Eastern Hemisphere, except so much as may be needed for naval stations.") The affirmative in this debate has taken strong ground in favor of expansion. We are expansionists in the broadest interpretation of that term. We are in favor of the largest possible extension of American trade and American enterprise. But in advocating expansion we have not lost our balance. We have been careful to base our advocacy of the American theory of expansion on the American practice of ex- pansion, which is expansion on our own continent, and within the Western Hemisphere. The first speaker on the affirmative made such a convincing plea in favor of this western expansion that he has won over to our view of the matter not only you, ladies and gentlemen, who have come here with open minds and unbiased judgments, but even . • 221 a22 APPENDIX, \ his opponents, who may reasonably be supposed to have inbibed a prejudice in favor of expansion in the East instead of in the West. The arguments of my colleague were, indeed, so conclusive, that the negative speaker who followed him so far departed from what we may suppose was his original intention, as to sup- plement and support my colleague's argument, show- ing in great detail the nature of our expansion in the past one hundred years, and filling in with nice ex- actness the broader outlines of the picture of national greatness which my colleague had so ably drawn. For this we thank him. We had hoped to convince the audience; we had not dared to hope that we should convince our opponents. The second speaker on the affirmative has followed up this advantage by showing not only that western expansion is to our greatest economic advantage, but that eastern expansion, which means of course the permanent retention of the Philippine Islands, will be attended with grave political dangers; — dangers of war, dangers of political centralization, dangers to na- tional character and national ideals. By this time the negative had recovered themselves sufhciently to take up the original thread of their argument, from which their first speaker had departed in his desire to sup- port the argument of my colleague; and the gentle- man who preceded me has given you a glowing prophecy of the advantages to the United States of trade with China. He has told you that we must have markets, that those markets lie in the East, and that permanent retention of the Philippine Islands will not only introduce us to those markets, but will furnish ARGUMENTS, 223 US with a trading base from which we may capture the trade of China, of enormous extent and far greater promise. This is his argument for eastern ex- pansion. And he does well to base his contention on the ground of economic advantage, where we are only too glad to follow him. The American people are thrifty and enterprising. They dislike to make investments in losing enter- prises. No matter what expansionists may say aboui " our duty to civilization," it is our interests, rather than our so-called " duty," that will determine our course of action. Now what are the commercial ad- vantages of annexation? In the first place, it is plain that the trade advan- tages of annexation do not lie in the Philippine Is- lands. No matter what the United States may do with the islands, — whether we give them inde- pendence, or hand them over to a foreign power, — our government can provide in the transfer that equal rights with all other nations be given to our mer- chants. We can secure no more than this by annexa- tion, for, by declaration of the President and by our manifest self-interest in the friendship of England, we shall maintain the policy of the open door in the East, and under this policy all nations will have an equal chance in the Philippine trade. Sixty-five per cent, of the imports of these islands come from the British Empire; from the United States practically nothing. We have no special advantages in producing the cheap implements and materials which are mainly demanded by the natives, and it is unlikely that, unless favored by tariff discrimination, we could capture from other ai4 APPENDIX. nations the trade which they now control. Then, too, the imports of the island* are only ten and a half mil ' lions of dollars, and all of this would be insufficient compensation for the burdens of annexation. Expansionists in general are quite ready to concede this. But they claim that possession of the islands will give us a foothold for trade with the East; and on this ground they justify their policy. The political and financial burdens of annexation, as shown by my colleague, are very serious. At home we are secure from attack, and therefore free from war taxation. Our government is thoroughly demo- cratic; our people become more homogeneous twtr^ year. A policy of colonial empire weakens our mili- tary position, increases the burdens of taxation, intro** duces the one-man power into our government, an(\ transforms the United States of America into th xzmo. |x.a5. This book is well adapted to the needs of the beginner because it treats of the rhetorical effectiveness of g'iven forms for given purix>se8 and because it furnishes, in convenient arrangement, an unusual quantity of material. This material consists of illustrative passages, arranged for each point in chrono- logical order, and, in addition, a large number of brief comments by various critics. C. T. Winchester, Professor in Wesleyan University^ Middletotvn^ Ct.: — I think it certainly the most useful manual upon the subject that I have recently seen. The examples are copious and admirably selected, and the principles drawn from them clearly stated. Dr. Henry Van Dyke, Professor in Princeton University:— It seems to me an excellent book, much needed and thoroughly well made. I venture to predict for it large usefulness. Bliss Perry, Editor of the Atlantic Monthly:— It is a skilfully planned and admirably compact handbook. I know of no treatise on versification which is so well adapted for practical use in the classroom. Lewis's THE PRINCIPLES OF ENGLISH VERSE. By Charlton M. Lbwis, Professor in Yale University. 143 pp. i6mo. I1.25. To such persons as enjoy poetry, but think they might enjoy it more if they found its metrical structure less bewildering, this little book offers material assistance. The sutement of principles will also be of interest to scholars and pi^ofessional metrists. Outlook:— It ought to be in the hands of lovers of poetry who are not entirely familiar with the technical forms of the different kinds of verse which give them pleasure. ... In this compact and easily read volume, in untech- nical language, the various kinds of meter are described with sufficient fulness and illustration to give the intelligent lover of poetry all the information he needs and to furnish also an excellent text-book. Hart's STANDARD ENGLISH SPEECH. The Development of Standard English Speech in Outline. By J. M. Hart, Professor in Cornell University. x+93PP< i6mo. $1.00. An attempt to show how the Englishman or American of tonlay has come by his pronunciation. The treatment is technical and presuppoces somt knowledge of Old English. Pancoast's Introduction to English Literature By Henry S. Pancoast. Third Edition^ Revised and Enlarged, ix + 656 pp. i2mo, $1.35. This edition has been entirely rewritten and printed from new plates on a larger page. Greater space has been given to the Early and the Middle English periods and to the literature of the Queen Anne and Victorian periods. Lives of Bunyan, Dryden, Steele, Cowper, and others have been added. C. G. Child, Professor in the University of Pennsyl- vania: — It is far and away the best elementary text-book of English Literature in existence. William Lyon Phelps, Professor in Yale University: — This is an exceedingly valuable book, in fact one of the best summaries of English Literature that has ever been written. James Hugh Moffatt, Central Hi^h School, Phila- delphia, Pa.: — I have always liked this book because it shows so clearly that English Literature is an expression of national life, and because it is not only about literature but is literature itself. Dr. Albert Leonard, Superintendent of Schools, New Rochelle, N. F.;— The book has been made even better than it was before the revision. There is no better text- book for High School work in English Literature than this book, and I am sure that this revised edition will win a still larger number of friends. Pancoast' s Introduction to American Literature By Henry S. Pancoast. xii + 393 pp. i6mo. |i.n. The Nation; — Quite the best brief manual of the subject we kn6w. . . . National traits are well brought out with- out neglecting organic connections with the mother country. Forces and movements are as well handled as personalities, the influence of writers hardly less than their individuality. HENRY HOLT AND COMPANY NEW YORK CHICAGO Pancoast's Standard English Poems Spenser to Tennyson. Selected and edited by Henry S. rANCoAST. xxiii + 749pp. i2mo. $1.50, Henry A. Beers, Professor in Yale University:— ''l):!.^ collection seems to me, in general, made with excellent judgment and the notes are sensible, helpful, and not too weitlaufig. Fred Lewis Pattee, Professor in State College, Pa,: — An ideal selection from every standpoint. Samuel Thurber, Girls' High School, Boston:— VLr. Pan- coast had in view the teacher who means to give the best possible conspectus of English poems, rather than the searcher for gems to make a golden treasury. Yet the book is a treasury, for all that. . . . Challenging compari- son as [a text-book], it easily takes first rank. . . . Surely nobody is using a book of this scope quite so good as this. Pancoast's Standard English Prose From Bacon to Stevenson. Selected and edited by Henry S. Pancoast. ix + 676pp. i2mo. $1.50. 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