nj!\ Catalogue of C^ineos, Intaglios, Medals, Bas-Reliefs, Busts and Small Statues,.. "Sold at His Rooms in Greek Street, Soho, London, and at His Manufactory in Staffordshire, By Jos 1 ^4^ edgwood % CATALOGUE O F I CAMEOS, INTAGLIO.S, MEDALS, BAS-RELIEFS, BUSTS AND SMALL STATUES; WITH A GENERAL ACCOUNT o F TABLETS, VASES, ECRITOIRES, AND OTHER ORNAMENTAL AND USEEUL ARTICLES. THE WHOLE FORMED IN DIFFERENT KINDS OF PORCELAIN AND TERRA COTTA, CHIEFLY AFTER THE ANTIQJJE, AND THE FINEST MODELS OF MODERN ARTISTS. By JOSIAH WEDGWOOD, F. R. S. and A. S. POTTER TO HER MAJESTY, AND TO HIS ROYAL HIGHNESS THE DUKE OF YORK AND ALBANY. SOLD AT HIS ROOMS IN GREEK STREET, SOHO, LONDON, AND AT HIS MANUFACTORY, INSTAFFORDSHIRE. THI SIXTH EDITION, WITH ADDITIONS. ETICURIA; 1787, ' i i i*> i'' r\ ■;.•' ^335" CO C/) CONTENT s. >- cc •< QC ^. CLASS L t^ \ Sect, t Small Cameos - . r^ Egyptian Mythology - Grecian and Roman mythology •• CO Sacrifices^ l^c. - CO CD Ancient philofophers, poets, and orators CO Sovereigns of Macedonia, l^c. - CM Fabulous age of the Greeks . War of troy "Roman hi/lory - C3 i Page 3 5 IJ 12 13 i^. 14 Mafks, chimeras, i^c, * - 20 Illufiricus moderns - - /^. Mifcellaneous fubjefis - - 21 Se6l. II. Intaglios or Seals - - 22 Antique fubjeBs - - - 23 Modern fubjeas - - - 27 CLASS IL X^r^^BAS-RBLIEFS, MeD^LHONS, TaBLETS, t^C. 29 :5o7i.30 CLASS . • ■ • •• •». • • • I » • • • • • • -.Q:!:. A §:&.::[I]: to X. Biographical <7W historical suites, viz» Clafs III. Kings and queens of JJia Minor ^i^c, 40 State/men, phllofophers, and orators of Greece 41 Poets of Greece - - - 42 Grecian heads of larger models - - ib, Clafs IV. Ancient Roman hijlory - - 43 Clafs V. Heads of illufrious Kom:xns - "45 ^om3.n beads of larger models - 46 Clafs VI. The twelve Caefars, with their Emprefles. 47 Clafs VII. Sequel of the 'Emperors to Cori/lanline. ib, CMsYlll, Heads of the Vo^QS. - - 48 Clafs IX. Kings o/England. - - 49 Kings oy France. - - 50 Clafs X. Heads of illufirious moderns, - 51 Princes, - - -■ ib. Statefmen and commanders - 52 Philofophers and naturahfis - ib, Phyjicians, - - - ^^ Englijh Poets, - - ib, French Poets, - - - ib. Painters, - - - 54 Jrchite^s, - - - //>. Antiquaries, - - iZ', Divines and moral writers, - z^. Ladies, - - - z^. C L A S S XI B u s T s , 0/ variou s fixes , 5 5 Statues, Animals, &c. - 59 CLASS C V ] CLASS XIL 'Tan ous kinds of lamps ^Wcandelabra, ufeful and ornamental - - - - 6o CLASS XTIL Tea /7W Coffee equipages, &c. * ihld. CLASS XIV. Flower POTS ^«^ Root POTS - *• 6i CLASS XV. Ornamental vases gJ antique forms ^ hi terra cotta, refemhUng agate, jafper, porphyry, and other varie- gated fiones - - « lyi^^ CLASS XVI. Antique vases of black porcelain, or artificial baf al- tei, highly finijhed, with bas-relief ornaments, is^c, 6z CLASS XVIL Vases, Pateras, Tablets, &c, with encaustic PAINTINGS, Etrufcan and Grecian - ibid, CLASS XVIIL Vases, tripods, and other ornaments, in the jafper "ivith coloured grounds and white bas-reliefs - 65 CLASS [ vi ] CLASS XIX. Ink VESSELS flW^EcRITOIRES - - 66 Paint chejis - - Eye cups - - - - 68 Mortars * - - - - /^. Chemical vessels - - - 69 CLASS XX. Thermometers, for meafuylng the degrees of heat ABOVE ignition - - ih A CATALOGUE. ^^♦^•■4'<-<»«'*4" JL HE progrefs of the arts, at all times and in every coun- try, depends chiefly upon the encouragement they receive from thofe, who by their rank and aflluence are legiflators in tafte ; and who alone are capable of beftowing rewards^ upon the labours of induftry, and the exertions of genius. It is their influence that forms the chara(5lcr of every age: they can turn the current of human purfuits at their plea- fure, and be furrounded either with beauty or deformity, with men or barbarians.- Great improvements cannot be made without: powerful patronage : no art ever was, or can be, carried to great perfe61:ion, with feeble efforts, or at a fmail expence; and it depends upon the views arnd liberality of thofe, who are poiTeflied of riches and power, whether individuals fhall be ruined or rewarded for their ingenuity. It was to the goodnefs, and generous protedlion, of our gracious Sovereigns, and of the nobiHty and connoif- feurs of this kingdom, that this manufactory owed its exiftence; and it is through the continuance of their fup- port, and the liberal encouragement of many princes and illuflrious perfons on the continent, that the proprietor has been enabled to rifl?> the expence of continual improvements, and to producs the various oi naraentai works, of which B he 2 CLASS I. he humbly fubmits the merit to the judgement of thofc svho are fkilled in thefe fubjeds. To give an idea of thefe ornaments, it will beneceiTary to mention the bodies^ or compofitions of which they are formed. The principal of thefe, in their prefent ftate of improvement, are the following. I. TerB-A cOTTa: refembling porphyry, granite, Egyptian pebble, and other beautiful ftones of the filiceous or cryftalline order. II. Basaltes : a fine black porcelain b'lfque, of nearly the fame properties with the natural ftone. It receives a- high polifli, ferves as a touchftone for metals, ftrikes fire with fteel, refifts all the acids, and bears, without injury, a fi ranger fire than the bafakes itfelf. III. White 'porcelaix bifquey wuth a fmooth wax- like furface ; of the fame properties as the preceding, ex- cept in what depends upon colour. IV. Jasper: a white porcelain hlfque, of exquifitc beauty and delicacy, pofieffing the general properties of the bafaltes, together with that of receiving colours through its whole fubftance, in a manner which no other body, an- cient or modern, has been known to do. This renders it peculiarly fit for cameos, portraits, and all fubje6ls in bas relief; as the ground may be made of any colour throughout, without paint or enamel, and the raifed figures, of a pure white. V. Bamboo, or cane-coloured bifque porcelain, of the fame nature with the porcelain No. 3. VI. A porcelain bifque of extreme hardness, little inferior to that of agate. This property, together with its refiftence to the ftrongeft acids and corrofives, and its impenetrability by every known fpecies of liquids, adapts it -happily for mortars, and different kinds of chemical veflels. The C L A S S I. 3 The various works, formed of thefe materials, are di- vided into twenty claffes. In the eleven firfl, I have drawn up a numbered catalogue oi the particular articles, ar- ranged with as much regularity as can well be expe6ted in a colleflion fo various and fo numerous, formed by gradual additions and increafmg every day, and in which it has been neceflary to continue to almoft every article the number that fell to its /hare on its firft introdudion. The other nine clafTes confxft chiefly of objeils which will ^not admit of any particular enumeration. Their forms, mag- nitudes, enrichments, degree of finifhing, &c. are in them- selves fo complex, and fo frequently varied to ^it the tafles of thofe who honour me with commiflions for them, that I can only endeavour ^to give a-general idea of their nature and application, *^* Thofe who may be pleafed to give orders for any of the nutribered ;xxx.ic\es, are requefted to mention xhefubje^s^ ^s well as the numbers in the clafs and fedlion. CLASS I. Cameos and Intaglios. Thefe are accurately taken from antique gems, and fronj the finefl models that can be procured from modern artifls. The Cameos are employed for various ornamental pur- pofes. They are fet in gold and ileel mountings, for rings, lockets, bracelets, fnufF boxes, watch keys and chains, and a number of other trinkets; as alfo for but- tons, which have lately been much worn by the nobility in different parts of Europe. They 4 CLASS!. They are ufed likevvife for inlaying in cabinets, writing tables, book cafes, Scc.-j- for whicli they form a mofl beau- tiful enrichment, at a moderate expence; the figures having that fharpnefs which the body of fine bifque porcelain is fo peculiarly adapted to receive; and the price of cameos, with feveral figures, being much lefs than that of any other durable imitations of the real ftones that have ever yet been made. The ladies may difplay their tafle a thoufand ways in the application of thefe cameos; and thus lead artiUs to a bet- ter ftile in ornamenting their works. T^iere are fpecimens of this kind already, which do no lefs honour to the heart, than to the talle, of the noble lady who chofe this way of patronizing and fupportingiin infant art; — which can only exifl: and be improved by the aid of fuch generous pro- tef^ion. The intaglios in the artificial bafaltes are excellent feals ; ■being exa61: imprejpons from the fined gems, with the lingular advantage of being little inferior in hardnefs to the gems themfelves. In thefe matexiaj5> cameos raay b,e fn;i(ie from intaglios, and intaglios from cameos, without lofing the drawing, the fpirit, or delicacy of the original work ; fo that gentle- men may iiave a great variety of feals or cameos, at a fmall expence ; or have an opportunity of making perfe6l and durable copies of the choicefi: gems. f The fecond, and fome cf the foUov.-ing clafles, afford larger Y^tct% for the purpofes laft mentioned. The cameos of this firft clafs are in general fmally of the fizes of the antique gems, whiqh moft of them are real impreflions from. I mention this to prevent di/appcintmen^s, w,hich fometimes happei}, from an idea that all the particular fubjcs of this clafs are modelled of large 'Czes as well as fmall. Such ot them as are fo, arc repeated in the refpeaivp ilaffcs following. - . - . SEC^ CLASS 1. SECT. I. SECTION I. Qat-alogue of Cameos; which are madey cither in the j after unth different coIg wed grounds, for ornamental pur pofes; or in the white porcelain hifqiie, at a very moderate price^ for thofe who wijh to form mythological or hiflorical cabinets » Thofe marked with an afterifk ^^ are l^eads, the o\\\tx^ figures^ Egyptian Mythology, \ Ofirls, or Apis, worflilpped by the Egyptians unucr the figure of an ox, with Harpocrates his fon, on the facred bark of the Nile; from a blach jafpcr, 3 Ifis, wife of Ofiris, with the flower Jotus on her head* ; from a green jaf per, in the pojpjjionof Mr, T.Jenkins, 4 Another figure of Ifis*; from a cameo, 5 The fame; from a fardonyx, 7 Ifis with the fiftrum; from a carnelian, 13 The temple of Ifis ; from a cameo, 1 7 Harpocrates with the fruit and leaves of perfea upon his head*; onyx, 19 Harpocrates fi:anding in a bark. 36 The flower lotus ; from a chalcedofiy, 42 An Egyptian fphinx with an ape; from a cajuco, cabi* net of baron Stofch, 1646 An Egyptian figure covered with hieroglyphics. 1690 Harpocrates the god of filence. J 727 Horus fitting upon the lotus, with the fun and moon, and pther hieroglyphics. Grecian and Roman Mythology, 47 Saturn holding a fcythe, and an open book at his feet; from a carnelian, 52 The Corybantes firiking their bucklers, to prevent the cries of the infant Jupiter from being heard by Sa- turn. S'i Q'^h^\Q'^ ; from a carnelian, 54 The fame* ; from a caineo. 55 The fame* ; from a carnelian, 59 Jupiter 6 C L A S S I. S E C T. I. CO Jupiter witli all his ^Htvihutes'^' ; from a carnelian, A^, PVood, 64 Jupiter and Ifis**. * 65 ]\i^\tev OXym'^m^* I from a far donyx, cabinet of the king of France. 66 Jupiter with the diadem^; /"r^w a cameo, 74 Jupiter Olympius fitting in the middle of the zodiac, with Mercury, Minerva, and Neptune; carncliauy king of Francis cabinet, 8^ Jupiter confervator; carncUan, 87 Jupiter fitting on his chariot drawn by four horfes, thundering upon the giants; Grecian ^juorkmanjhip^ Donnion. cabinet of the king of Naples, 94 Juno; carnclian, 99 Jupiter in the form of afwan, carefTing Leda; carneliaiu 10 1 The fame; from afardonyx, 102 Jupiter transformed into a bull, carrying away Euro- pa; amcthyfi, 104 Jupiter transformed into an eagle, carrying away Hebe ; carnelian, 108 Argus guarding lo transformed into a cow; ametj^jly cabinet of the grand duke of Tifcany, 1 10 The council of the gods; Jard'myx^ baron Stofch, 112 Janus with two faces'^; carnelian, 115 Minerva"'-; cr)fial, lord BrudenelL 117 Minerva carrying the segis*; blocd-colcurcd jafper^ king of France, 119 jMinerva with the segis^; redjajpcr, Afonf Frantz at Vienna ; Grecian^ Alpafii. 120 The fame*; niccolo, 125 Minerva flanding armed; carnclian, 128 The fame; antique pafe, 133 A talifman; carnelian^ king of France^ 134 Mercury; amethyfi, 135 The fame; ditto. 137 The fame; niccolo^ duke Strozzt, 140 Tije fame; carnelian, at Drcfdcn, 141 Mercury the fecret meflenger of the gods; carnelian^ duke Strozzi at R.omc, 142 Mercurv carrying a letter as a meflenger; hyacinth, 147 Mercury holding the head of Aries; Grecian^ Diofco- ridis ; in carnelian, lord Car life, 149 Mercury fittir.g upon Aries; carnelian, 152 Mercury god of travellers ; emerald, king of France, 154 Mercury keeping the flocks of Admetus ; plafma, 160 Mer- CLASS I. SECT. I. 7 160 Mercury cutting off the head of Argus; chalcedony, 164 Hermaphroditus; carnejian. 165 Theiame; ditto* 166 Hermaphroditus and Salmacis; carnellan, 167 The three Graces; car m-Uan, king of Naples, i;68 The fame; ditto, 169 The fame; plafma, 170 The lame; amethyjl, 171 Peace ; lapis lazuli, 172 The fame; niccoh* 176 Neptune ftanding with his trident ; fardoiiyx, 177 The fame; carneliaiu 178 Neptune upon his chariot drawn by four fea horfes ; rock cryjlal, duke Sirozzi, X79 Neptune fitting upon a dolphin ; chalcedony, 182 Neptune and Minerva difputing about giving name to Athens; cameo, king of Naples. 183 Neptune and Minerva adjufling the difpute; carnelian, ditto, 185 Nereus and Doris, fea deities; amcthyf, gravid duke of Tufcciny, 186 The fame; carnelian^ king of Naples, 188 One of the Nereides; ;;c^/^ <^^yflcil^ gravid duke, " \ Nereids; antique pafie, 191 The fame; amethyfi^ king of Naples, 192 Glaucus; chalcedony, king of Naples. 197 A River; carnelian, 201 Ceres'''; carnelian. 204 Ceres with the cornucopia ; ditto, 212 Flora"*; rock cryfial. 213 Pomona; carnelian, 214 The fame; agate, 219 Night fhedding popples; redjafper, king of France, 221 Apollo*; carnelian, 222 Thefame"^-; ditto. 224 Apollo laureled^^'; fardonyx, grand duke, 227 Apollo with the lyre*; ditto. 229 Apollo*-'; carnelian, grand duke, 232 Apollo ftanding; ditto. 234 Chiron, the centaur, inftrudling Achilles; carneliatiy la comteffe Carufini, 235 Apollo ftanding with the lyre; hyacinth, palace of Sit, j/lngelo, Rome. ^40 Apollo purfuing Daphne ; carnelian, 244 Phaeton 8 CLASS L SECT.!. 244 Phaeton falling from heaven; chalcedony. 245 Apollo and Marfyas; carnelion^ king of Naples, 246 The fame; in ditto, grand duke, 247 Marfyas bound by Apollo; in ditto, 248 The lyre of Apollo; carnelian, 253 Aurora and Cephalus; antique pajie, 258 Polyhymnia holding a book; carneiian, 266 Calliope; fardonyx, 273 Diana •^; afinehead^carnelian, 275 Diana with the bow; camelian, 277 Diana huntrefs; carnelian, 278 The fame; ditto \ Grecian,Y{t\\. 279 Diana of the mountains; amcthyjly king of Naples', G?'.^ ciany Apollonii. 287 ThegodLunus; carnelian, 290 Endymion with the Moon; ditto, 293 Bacchus crowned ; amethyfl, Alonf, Deringh, 297 Infant Bacchus; carnelian. 303 Bacchus educated by the nymphs; cameo, king of Na* pies, 304 Bacchus landing with the thyrfus; antique pafie, 305 Bacchus with a Faun; caryielian, 306 Bacchus fitting on a tyger; carnelian, 308 Bacchus and Ariadne-'*; cameo, king of Naples, 310 Bacchus and Ariadne riding on atyger; red jafper, grand. duke, 326 A Faun; carnelian, 329 The fame; ditto, 332 A Faun fitting with a goat; carnelian, grand duke, 333 A Faun v/ith a goat; carnelian, ^^^ A Faun holding a young Bacchus; cameo, king of Na^ pies, 343 A Faun with a bacchante; cameo, 346 A Faun inad or drunk ; fardonyx, king of France^ 348 The fame; ditto, 353 Pan ; carnelian, ditto, 355 Pan playing with a ^oat; carnelian, king of Naples^ 363 A bacchante; carnelian. 365 The fame; antique paflc, king of Naples, 368 The fame; cam,eo. •369 A bacchante with a thyrfus; carnelian, grand duke, 370 The fame; niccolo, comtejp Curujini> 371 The fame; ^/.^/<7. 372 A bachante with a tyger; carnelian, grand duke. 37S -^ CLASS I. SECT. T. 9 373 A bacchanal; ditto, king of France, 377 Callirrhoe, high prieftefs of Bacchus. 380 A bacchanal; carneUan, 382 A bacchanalian fiibjedl; ditto, 383 The fame; ditto, 385 The fame; ditto, 387 The fame; ditto, king of France, 388 The fame; chalcedony, 390 A young Hercules'"; Grecian, Eneius; aquamarine, duke Strozzi, 408 A Hercules''^; green jafper, 409 Infant Hercules killing the ferpents; onyx, king of France, 41 1 Hercules binding Cerberus; redjafper, king of France, 412 Hercules and Cerberus; carnelian, king of Naples, 414 Hercules killing Anteus; rock cryflal^ duke Strozzz, 416 Th e fa m e ; k ing of Naples . 421 Hercules ftrang^ing the Nemean lion; onyx. 424 Hercules fighting with Hippolita, queen of the Ama= zons; car-nelian, 425 Hercules wreftiing with Achelous transformed into a bull; ditto, A.ib The fame; ditto, 427 Hercules killing the Cretan bull; carnelian, lord Car- life, 429 Hercules carrying a live bull; carnelian ; Grecian An- therote. 442 Hercules fupporting the world ; emerald, king of Naples, 451 Hercules repofmg; carnelian, king of France, 454 Hercules embracing his fon Auge; carnelian, 455 Hercules overcome by Love: redjafper, king of France, 458 The fame; carneliaru 459 Hercules and lole*; carnelian, 460 Hercules carefling lole; amcthyf, grand duke; Grecian, Teucri. 462 Hercules bathing with lole ; cameo. 46:^ The centaur Neffbs bound by Love; ditto, 468 Hercules with his club; carnelian, faid to have been the feal of the republic cf Ttfcany, 469 Flercules going to nght the Amazons; rQck cryflal, kiyig of Naples, 473 Tole-^; carnelian, baron Stofch. 47'^ 'Xhe fames aniethyjl, king of Naples, 481 The fame*; carnelian^ 48.1 The fame'^; ditto, C 486 The 50 C L A S S I. S E C T. L 486 The ('dme-^ ; firdonyx, 4b8 lole landing with Hercules's club; antique pa/re. 494 A Vidlory writing upon his buckler; carjidian^ king n: France, 496 A Vi6>ory holding a pike; onyx^ bar on Stofch. 498 The fame; antique pajie, 499 A r\2N2\.yi&.or J ; Jardonyx, 501 Mars and Venus; plafma, grand duke, 505 Venus; plafma-, 511 Venus and Cupid; r^r/z^-iV^//. 513 The fame; ditto, 517 The {ame; fardonyx, chevalier Fic7ori ; Grecian j Acelii, 518 Venus vi6):rix; antique pafie, 519 Marine Venus; carnelian, . 520 Venus Anadyomene ; <^/V/o. 521 The temple of Venus; redj.afper, 523 Adonis; carnelian, 527 Vulcan forging armour for AchiHes, at the requefl of Venus; jardonyx, 537 Cupid inflaming the mind; niccoio, king of Naples, 538 Cupid repofmg. 539 Cupid holding a bow; carnelian, baron Stofch, 549 Two Cupids in a bark drawn by four dolphins; came- nelian, 579 Efculapius- ; ditto, 583 The fame*; chalcedony, 585 The fame"'; carnelian, 586 Efculapius ftanding with a ferpent; ditte^ 592 Hygeia flanding with the ferpent ; ditto. 628 Nemefis holding a flower. * 1600 Venus ftanding; carnelian, 1601 Venus fitting; ditto, 1604 Neptune, 1605 Ceres-. 1606 Bathing Venus. 1607 Hercules gathering the golden apples in the garden of the Hefperides. 1608 Apollo. 1 6 13 Minerva. 1620 Efculapius andHygeia» 1624 Young Hercules. 1625 Hercules. 1635 A bacchanalian triumph. 1639 Leander in the Hellefpont. .1640 A crouching Venus. 1645 A C L A S S I. S E C T. I. II ?e645 a deification. 1672 Marriage of Bacchus and Ariadne. 1674 Marriage of Cupid and Pfyche; duke of Marlborough 1675 Beautiful Medufa. 1677 The three Graces. 1678 Juftice with balance and cornucopia. 1679 Hygeia. 1681 Hygeia with a bafket, of flowery. 1682 Kygeia* 1697 Diana. 1698 Niobe. 1702 Young Bacchus. 1705 Venus. 1708 Young Hercules. 1710 Fortune. 17 15 Hercules flrangling the Nemean lioru 1728 Neptune. 1729 Mercury with a caduceus. 1730 Contemplating Mufe. 1 73 1 Hope. 1732 The fame ; [mailer, 1733 Omphalewith the club of Hercules, 1750 Juftice fitting. 1 75 1 Neptune ftanding. ,1752 Flora ftan ding. 1754 Venus belfefles. J 755 Venus de Medicis. 1756 The fame. Sacrifices, i^c, 598 A facrifice; rock cryfial, high conjlable of Cologne, ■603 The fame ; ditto^ duke Strozzi, -605 The fame; carnelian, 614 An enchantment; dltto^ king of France, 615 A prieft holding a patera : antique pajle, 616 A high prieftefs; fardonyx, prelate Molinari, 1 62 1 Hygeia, &c. a facrifice. 1622 An offering to Victory* 1644 A facrifice. 1749 Oifering to Minerva. ^763 Sacrifice to Cupid. C 2 /indent 12 GLASS I, S E G T. I. Ancient Phihfcphers, Poets, and Orators^ 654 Homer* ; chalcedony, Mr, Henri, 655 The fame'^ ; carneiian, 656 Plato"' ; ditto, 6b2 Socrates and Plato*; granite, 664 Socrates* ; carnelian, 666 Socrates and Ariftotle*; fardonyx, 670 Epicurus*; niccolo, lord Car lif.e, 675 Efop* ; carnelian, 676 Philemon*; hyacinth, 677 The fame*; carnelian,. 679 Euripides^; ditto, 682 Ariftides'*; ditto. 688 Antifthenes*; ditto, 689 Ariftoplianes*; carnelian, king of Naples, 690 Theophraftus*; hyacinth. 692 Diogenes*; cameo, high conjlahle of Cologny at Rgjnet 694 Diogenes difputing with Lais* ; carnelian, 7C0 Pythagoras*; engraved in gold, 701 Pythagoras fitting*; carnelian, 702 Anacreon; ditto, 703 Hippocrates*; ditto, 704 Apollonius Tyanaeus'^; green jafpcr, 705 Theon*; niccolo, 706 Lucius Apuleius*; carnelian, 707 Solon*; chalcedony, 709 Pindar -^^ ; c/)^/. ^11 Horace* ; emerald, 712 Periander*; chalcedony^ 715 Plautus* ; y^^r, king of Naples, 716 Mago and Dionyfms** ; plafma, 7 i 7 Charondas* ;y^;Wc;y'.v. 718 Democritus*; carnelian. 724 Sappho*; green j at per, France, 729 Ovid* ; yt7r^/i///)'.r. 730 Virgil*; hyacinth. 734 Seneca*; chalcedony, 740 Hermes trifmegiflus, with Mercury*s caduceus*; I 541 Livy^'; carnelian, king of France, 1656 Cicero*. 1 66 1 Cato of Utica^''. 168B Demoflhenes*, 1*700 Pho- C L A S S L S E C T. I. 33 1700 Phocion^^. ijoi Socrates'^. J 707 Homer'*. 1709 Phocion*. J 787 Seneca'^. Sovereigns of Alacedcmay lsc» 743 Alexander the greats- ; agate, 749 01 ympia his mother*; tiiccolo, Drcfdcn, 753 Lyllmachus''^ ; cryjlal. 756 Antiochus II. king of Syria*; carnelian, 762 Ptolemy king of Cyrene*; carnelian^ grand diikv, 765 Juba* ; green jafpcr, 767 Semiramis giving the command to her fon* ; fardonyx.. 768 MariniiT:!, king of Numidia"*; chalcedony, 769 The fame* ; -plajma, 772 Aicibiades*; -porphyry. 774 Hamilcar*; agate^ Mr, Edward Walpole, 775 Hannibal, with the Punic chara6lers*; amethyji. 778 P hoc ion*; cameo, cardinal Alexander All) anu 779 The fame- ; n'lccolo, 783 Byfas, founder of Byzantium* ; agate. 793 Cleopatra* ; hi the Roman college:, Grecian^ Eneius# 794 The fame* ; carnelian, king of France, 796 Ptolemy Soter, firft king of Egypt* ; oriental granite, grand duke, 797 The fame, with his family* ; carncUan. 799 Ptolemy Philadelphus, fecond king of Egypt* ; amc- thyft: 800 Arfinoe, daughter of Ptolemy Soter* ; carnehan^ grand duke, 801 Ptolemy Euergetes, third king of Egypt*; ditto, king of France, 804 Ptolemy Philopater, fixth king of Egypt*. 805 Ptolemy Euergetes, feventh king of Egypt* ; chalcedony, S13 Ptolemy junior, thirteenth king of Egypt*; carnelian^ Fabulous age of the Greeks, S 18 Prometheus forming a head. 823 Bellerophon taming Pegafus; carnelian, 828 Bellerophon conquering Chimiera; antique pafic, 832 Medea rejuvenating the father of Jafon ; carnelian, 840 CEdipus; onyx^ jVIr, Robinfon, 845 The- r4 € L A S S I. S E C T. I. 845 Tbefeus^- ; carnelian, S47 The fame ; fardonyx^ Aujlrian cabinet at Vienna ; Gre- cian^ Philemonis. 850 The fame, raifing the ftone under which his father had hid his fword ; carnelian, duke of Orleans, 854 A centaur carrying a branch of a tree, and a cornu- copia ; larnelian. 861 Leancler; chalcedony, S62 Theiame; camelian^ cQunteJs Carujini, 866 Cresfontus, Timeno, and Euriflhonus, drawing lots for the cities of Meffina, Argos, and Sparta ; car- nel'ian, 871 Perfeus; carneUan, 873 Perfeus with the head of Medufa; aquamarine^ duke of Devonjhire, 874 Perfeus with his armour; carneUan, king of Naples^ Grecian, Diofcoridis. B76 Perfeus and Andromeda ; red jafpcr, B77 Bellerophon watering Pegafus at the bottom of Par- nafTus; carneUan, S78 Medufa; chalcedony, duke Stro%%i\ Grecian, Solonis, 884 Meleager* ; carneUan, grand duke, 887 The fame; baron Stofck, 888 The fame; chalcedony, 893 Daedalus; ditto^ War of Troy, 912 Vnznv^^ ', far deny X, duke of Devon/hire \ Grecian, Ac- tionis. 913 Paris, with the Phrygian cap*; amethyfl, 921 He6^or and Andromache*"* ; carneUan, 927 Achilles*; ditto, 928 The infant Achilles carried by the centaur Chiron; ditto, 929 Chiron infl:ru61:ing Achilles; fardojiyx, 930 Chiron fhooting with a bow^ chalcedony, Metafaflo at Vienna, 932 Achilles playing on the lyre; amethyf, king of France', Grecian, Pamphilii. 939 Ajax and Teucer, defending the fleet from the Tro- jans ; carneUan, 940 Ajax carrying the body of Patroclus; agate, king of France, 942 The fame ; carneUan, grand duke, 933 A C L A S S I. S E C T. I. ij ^33 A foldier bringing the news of the death of Patroclus to Achilles ; canuo, countejs Carufim, 947 Hedlor dragged round the walls of Troy; carnclian, ^48 Priam begging the body of Hedlor from Achilles; onyx^ lord BrudcnclL 949 The fame; carnelian^ 954 Achilles wounded in the heel; aitto. 955 Ajax carrying the body of Achilles; niccclo, 956 Diomede carrying the body of Achilles; n'lccoh, 957 Diomede carrying away the palladium; carndlan\ Grs- clan, Diofcoridis. 958 The fame; ditto, duke Strozzu ^60 The fame; fardonyx, ■961 The fame; chaladony, 963 Diomede prevented by Apollo from purfuing Eneas; cariiel'iayi, 976 Laocoon; granite , duke of Leeds', from the Jiatue in the Vatican, 1684 Ajax guarding the body of Patroclus. Roman Hiftory. 987 The goddefs Roma, fitting with' trophies; carnelianf grand duhc, 998 Claudia, veftal virgin; ditto, king of France. 999 A veftal; chalcedony. 1000 Tuccia, a veflal, carrying water in a fieve in proof of her chaflity. 100 1 Claudia a veftal, drawing the loaded barge with hec girdle in proof of chaflity; carnelian, 1014 A chariot; cameo, king of Naples; Grm^«, Softraton* 10 1 6 A chariot; carnelian, king of France, 1037 Dacia reflituta; carndian, 1038 Lucius Papyrius, with his mother perfuading him to reveal the refolutions of the fenate; carnelian, 1044 A high priefl kneeling, and making a treaty of peace ; plajma, 1046 The Romans finding the books of the Sybils; ivhite agate, king of Naples, 1047 Sophonifba taking poifon, that fhe might not be led in triumph to Rome; plafma, 1048 Jugurtha delivered to Sy Ha; carnelian, 1049 Clelia given as a hoftage to Porfena; ditto, king of France, 1052 Captive foldiers ; fardonyx^ 1053 Mill- t6 C L A S S T. S E C T L 1053 Military charity; carndlan, 1054 A conquered province; ditto* 1055 Naval engagement between Auguftus and Antony; 7'Qck cryjial^ king of Naples, 1070 A foldier on horieback; onyx, 1071 Trajan fighting on horfeback; antique pajic^ prelate Moiinar'u 1075 The death of Julius Csfar; rock cyyjlalj abbe Fanchlni at Sienna, 1076 Nero in the habit of a mufe; carncUan, 1078 Marcus Aurelius on horfeback; cameo, from the bronze Jlatue at Rome, IC79 Antonia, with the urn containing the aflies of her huiband Germanicus; carneiian, 1083 Romulus*; ditto, loB^ Numa Pompilius*; niccolo, 1086 Numa Pompilius as a prieft''*; carneUan,. ioS3 AncusMartius"^'; niccolo, 1089 Lucius Junius Brutus*; vjhite amethyft, baron StofcB^ 1095 Lucius Valerius Publicola^-; carneiian^ grand dukc^ 1096 Marcus Junius Syllanus*; carneiian, 1097 Lucius Cornelius Sylla^''; ditto, 1 1 00 Scipio Africanus*; ditto, 1 101 Regulus with the nail behind his neck*; ditto-, 1 103 Cincinnatus*; ditto, baron Stofch, 1 104 Cato of Utica* ; chalcedony, 1 106 The fame*; jardonyx, 1 107 Caius Marius*; chalcedony, haronStofch^ 1 108 Pofthumus Albinus^; ditto, 1 1 1 1 Marcus Claudius Marcellus*; jafper^ 1 1 12 "V\ie ^\\m&^ ', carneiian, I T 14 Caius Numanius Valla*; carneiian^ U 15 Marcus CrafTus^- ; fardonyx, 1117 Quintus Fabius Maximus*; ditto^ 1 1 18 Lentulus*; carneiian, 1 1 19 Quint. CatuluS'-; /^ri/d??2)'.v. 1 1 22 Catocenfoi*; carneiian, king of France,, 1 1 23 P. Cornelius Nafieus*; amethyfl, 1 125 Cicero*; fardonyx, king of France, I !26 The fame^^; niccolo, prince of Orange, at the Hague^ 1 127 The fame*; cameo, prince Odcfcalchi at Rome, 1128 Marcus Varrus^* ; cornelian. 1 130 Mecsnas* ; ditto, king of Naples; Grecian, Solon is. 1 138 Pompey the great*; ditto, countefs Luneville at Naples. 1130 Cneius'Pompeius, fon of Pompey*; chalcedony, 1141 Sexi C L A S S I. S E C T. I. 17 1141 Sextus Pompeius*; aquamarine^ grand duke \ Crecia?!^ Agathonis. 142 The fame*; nlccolo, 143 Marcus Junius Brutus with the dagger* ; fardo?iyx» 144 The fame '^; black jaj per, 146 A coniular head* ; caniellaju 148 7'hefame*; ditto, 149 The fame*; ditto ^ grand duke ^ 151 The fame*; rcdjafper. 153 The fame*; carnelian, 154 A Roman family*; ditto, 156 Julius Ciefar'"^; cryjial, 159 The triumvirate of Marc Antony? Lepidus, and Au- gul-tus'-^ ; carnel'ian, 160 Antony and Cleopatra*; fordonyx^ Drefden, 165 Auguftus*; cameo^ king of Naples. 166 Auguftus, and Liviahis wife*; carnel'ian. 167 Li via*; carncllan, lord Car U fie. 170 Agrippa, fon-in~law of Auguftus* : green jafper, 172 Caius and Lucius Czefar*; carnel'ian, 173 Caius Caefar* ; ditto. 174 Lucius Caefar*; ditto, ij^ The fame*; hyacinth, 176 Tiberius* ; carnel'ian^ Air, Edvj, JValpok, 178 Tiberius*; carnel'ian, 179 Tiberius and Livia his mother* ; cameo, grand duke, 180 Drufius, fon of Tiberius*; chalcedony^ duke of De- vonjhire, 181 The fame*; carnellan. 183 Nero Claudius Drul'us, brother of Tiberius*; hya- cinth, grand duke, 184 The fame*; carnel'inn, 185 Antonia junior, daughter of Marc Antony* ; cameo, 194 Caligula and his fifter Agrippina*; cameo, 195 DrufiUa, fiftcr of Caligula*; carnel'ian, 198 Claudius^* ; green jafper, 199 Valeria MefTalina, wife of Claudius*; carnellan, 200 Agrippa junior, wife of Claudius*; y^z^v/^^^/j-r. 201 Britanicus fon of Claudius*; carnel'ian, 202 The fame* ; d'ltio, cah'inet Cappon'i at Rome, 203 Nero*; cameo, 207 Poppea, wife of Nero*; carnel'ian, 210 Galba* ; or'ieyital agate ^ king of France, 212 Otho^- ; carnel'ian, 213 Vitellius*; d'ltto, D 1214 Vi- 8 C L A S S I. S E C T. I. 214 Vitellius"^ ; canielian, 215 Vefpa^ian '^ ; cameo, grand duke, 216 Vefpafiaii''; carnelian, king of France, 218 Titus ''; ditto, 2 1 9 Tlie fame* ; cameo, 220 |ulia, daughter of Titus* ; oriental fapphlre ; treafury of St. Dennis, France ; Grecian, Euotli. 2 22 The fame*; hyacinth, Afonf. JDeringh; Grecian, Ni- candros. 223 Domitian*; cameo, king of Naples, 224 The fame* ; niccolo, 230 Nerva''^ ; camclian, 232 Trajan*; camclian^ 233 Trajan, Plotina, Marciana and Matilda*; onyx, king of Naples, 235 Plotina, wife of Trajan*; carnelian, 236 Marciana, fiRer of Trajau*; carnelian, 239 Hadrian* ; ditto, kir.g of Naples, 241 The fame*; i^i/^o. 242 Sabina, wife of Hadrian^'; ditto, duke of Marlborough, 243 The fame*; ditto, at Venice, 244 The fame*; ^ii/^. 245 Sabina veiled*; cryftal, prince TValdeck, 246 Antonius, the favourite of Hadrian*; carnelian, 248 The fame* ; ditto, 249 The fame* ; ditto. 253 -^lius Cajfar, brother of Hadrian ^^; amethyf, Couniefs Curufini, 256 Antoninus Pius*; amethyf, grand duke, 257 The Udme'--' ; ditto, king of Naples. 258 Faufcinn, wife of Ant. Pius*; carnelian, 260 The fame* ; ditto, 261 Fauftina veiled* ; ^/V/5. 262 GaUerius Valerius Antoninus, fon of Ant. Pius*- 263 Marcus Aurelius*; /ardo^iyx, 264 The fame"^; red jafpcr, 265 The fame^'; rock cryfal, 266 Marcus Aurelius and Fanftina"^; cameo, 270 Fauftina junior, wife of Marcus Aurelius'^; carnelian, 271 Lucius Verus^; antique pafe, I'll Thefame'^; carnelian, 275 ComiPodus^; hyacinth, gr^nd duke, 2"]"] The fame--; amcthyft, 280 Commodus and Ennius Verus, brothers'*^; cameo, 281 Pertlnax'"'; carnelian, 1282 Tiie C L A S S I. S E C T. L 19 1282 The fame'^*; plafma, "1288 Didia Clara*; carneliaru 1 29 1 Pefcennius*: ditto, 1292 A 1 b i n u s •• ■; chalcedony, 1293 Septimiiis Severus^^-; amcthyft, 1294 Septimius Severus'^; camcUan, I2y7 Sept. Severus, Julia Pia, CaracrJia^ and Geta»; ditto, 1295 Tliefame; ditto. 1299 Julia Pia, wife of Sept. Severus* ; hyachith» 1302 Caracalla*; (:/:?^/(f^.^:'?r)'. 1303 Thefame"^; carne[ia?u 1304 The fame*; ditto, 1306 Geta, brother of Caracalla' ; carnelian^ king of i^apks. 1307 Macrinus^*; ^//fj?. 1308 Diaduinenus*^; ditto* 131 1 Thefame--'; n'lccolo, 131 7 Alexander Severus*; ditto, 1320 Maxiniinius'^; plafma. 1323 Gordianus Africanus*,^^'^^'^'^^^^^'? haron Stofch. 1330 Sabina Tranquillina, wife of Cjordian*; carncllan, 1332 Philippus, Otacilla his wife, and Philippus junior his fon*; nice oh. 1333 Traj anus l])ec i u s ■'■ ; dltt&, 1335 Vol u fiau us"; carncllan, 1336 Emilianus*; chaladony, 1340 Claudius 11. Gothicus*; laph la^nlu 1 341 Qiiintillus''; fm7.'f//^w. 1343 Probus'*; ditto, 1344 Ale6^us^^-; djtto, 1345 Conflantine the great*; ditto. 1 346 The fame on horleback ; red jafper^ haron Stofch. 1348 ConflantinuSj his fon*; rock eryjlal^ grand duhc. 1 349 Julian the apoitate'^ ; fardonyx, 1350 The fame, with Fjavia Julia Helena bis v/ife*; gra- natc, 1609 Pompey the great. 1 6 10 The fame ; f mailer Jize, 1614 Caefar Germanicus. 1617 Lucius Junius Brutus. 1704 Sabina. 1 7 1 1 Cleopatra. 1,712 Marcus Aurpllus. 1735 Continence of Scipio. 1753 Antonia flauding. D 2 1757 So- 20 C L A S S I. S E G T. L 1757 Sophonifba. 2758 Julius Csefar. Mojksy Chhnceras^ Uc, 829 A chimcera; carnellan, 1 35 1 A man putting on a mafk; chalcedony, bar on Stojlrj^ 1355 Cupid malked; carneHan, 1356 The lame; redjafper, 1357 Cupid dreflinga mafk; carnelian* 1363 An adlor of comedy ; ditto. 1402 Two maj[k.s; dittOy grand duke, 1408 A chimsra; emerald, king of France, 1409 The fame; carnelian, 1449 A Sphinx; ditto, duke Strozzi, 1454 The fame; ditto. 153 :^ A bafihfk drawn by four cocks ; redjafper^ 161 8 Four mafks. Illujirious moderns^ 735 Alexander Pope*; chalcedony, 1537 Mary, queen of Scots* ; carnelian, 1538 Oliver Cromwell*; amethyfi, 1539 The Pretender*; carnelian, 1542 Baron Montefquieu* ; /^r^o^y;^. 1543 Cardinal Alexander Albani*; carnelian, 1544 Antonio Corregg^o*; cameo, 1545 Rafael Urbin*; carnelian, 1546 Mich. Angelo Buenaroti*; chalcedony^ 1547 Charles Maratti*; carnelian, 161 2 King George in*. 1619 Earl of ClanbralTil*, 1658 Cervantes*. 1659 Voltaire*. 1660 Grotius^. 1662 Milton*. 1671 Sir John Fielding*. 1673 Pope Clement XIV *. 1676 Inigo Jones*. 1685 Sir Ifaac Newton^*. 1686 The fame*. 1687 The {^ime^ fmaller^ from his own rifig^, 1689 Milton*. 1691 Henry IV of France*, 1692 Duke C L A S S I. S E C T. I. 2j 692 Duke de Sully*. 693 Louis XV*. 694 George 11'^. 695 Jofeph II, emperor of Germany*, 696 Oliver Cromwell*. 699 Mr. Blake*. 703 General Wafiiington* 706 Louis XIV. of t ranee*, 713 George III*. 714 Queen Charlotte*. 716 Countefs of Portland'^. 718 Mr. Hamilton of Bath^ 719 Shakefpeare'-. 720 Tlie fame*. 721 Mrs. Barbault"^. 722 Garrick, by Pingo^. 723 The fame, by Marchajit"^^^ 724 The fame, by Kirk*. 725 Dr. Mead*. 726 The fame, y)n<7//^r*. 736 Dr. Franklin*. 737 Lord Chatham*. 738 General Honeywood*. 739 George III, and queen Charlotte*, 740 The lame, y^zflZ/a-'^ 741 King of Pruffia*. 742 Prince of Pruffia*. 743 V^illiam III, of England*. 744 King of Naples*. 745 Queen of Naples*. 746 King of Sardinia*. Mlfcellaneous* 1 42 1 A man making a vafe; camcUany king of Fr mice, 1422 The fame; ditto, 1423 The (:in\e; cameo, ki?ig of Naples, 1424 The[dme; carne(iaf2, 1425 A vafe; ditto, 1426 The fame; ditto, J 434 The fame; ditto, 1457 A Won; ditto, 1458 The fame; ditto, duke Sirozzi, 1 426 The fame; ditto, 1463 A lionefs; ditto, 1464 A 22 C L A S S I. S E C T. n, 1464 A lion devouring a wild boar; dltio^ 1466 A lion devouring a horfe; redjafper, 1467 The fame; cameUan^ J 485 A fow; ditto, 1489 A bull; ditto, king of France; Grecian, Hillii. 1506 Two Ssa horfes; carndian, 5623 A conquering hero. J 680 A man firing a rocket^ \n the charadler of Mars* J 747 Jefus ChrilK 1748 Virgii> Mary, J 759 Brace of birds* 1760 A pointer dog, 3761 An Elephant. J762 A horfe. 3764 A rattlefnake. "^■•^■♦~>-V..V~V..V>^.» »p S E C r I N. IL Catalogue of LitagUos, J. H E intaglios, as now improved, take a good poIirfFi, and, when poliflied, have exadly the efied of iine black bafaltes or jafper. Another method has been difcovered of adding very con- fiderably to their beauty, by making the intaglio part black, and the fiat furface blue and highly polillied; by which means they are made to imitate the black and blue onyx (or nlccoh) with great exactnefs, and become equally ornamen- tal for rings as for fealsi* They are now likewlfe made, and polillied, in imitation of various coloured agates and other fl:o;ies; and in cyphers, with the letters of one colour, and the ground of another. The correa fiiarpnefs, and fuperior hardncfs, of thefe in- taglios, have now been fufficiently afcertained by expe- rience. Ant I- CLASS I. SECT, IL Antiqtje Subjects. i 2. 4 6 7 9 20 II 53 54 15 i6 17 19 2 1 22 ^3 24 25 27 28 29 3^ 33 34 35 3^ 37 38 39 40 41 42 43 44 45 46 47 48 A dancing F.-^un. Mars and Venus. Diomedes, Apollo, Tineas. Young Hercules*. A Vidlory. AVeftal. Hercules and lion. Neptune*. Apollo*. Meduni*. Homer.*. Scipio Africanus'^. Socrates*. Marcus Aurelius*. Sablna*. Lyfniiachus*. Neptune*. Ceres*. Efculapius*. Germanicus*. Hygeia. Adonis. Horace*. Cicero"^. A conquered province. Camillus'*. Ceres*. Socrates*"-* Olympias*. A Faun.*. Ptolemy Philopatcr* Sappho''^. An unknown queen, /)tT- baps Clcopatrcr, Minerva. Thefeus". Charondas'^\ A philofopher''. Bacchus*. AriAotle\ Hercuk^^ 49 Periander*. i;i Saopho*. 1 5Z Juha*. 53 Young Hercules'^. 54 I^^lculapius*. 55 Perfeus*. 56 A Faun-^ 57 A lionefs 58 Young Antoniniis*. 59 A lion in front. 60 Phocion*. 61 Polyhymnia*. 62 lole. 63 Mercury*'. 64 Drufus*. 65 Cicero*. 6b Laocoon''. 67 Plato*. 68 Atlas fupporting the world. 69 A lion devouring a liorfe. 70 Bacchus*. 71 Efculapius*. 72 Neptune*. 73 Demoflhenes*. 74 Repofing Hercules, 75 Cupid. 76 A Vafe, 77 Ariitophanes*. 78 Horace*. 79 Solon*. 80 Virgil*. 81 Young Fauftina*". 82 Didia Clara, daughter of IJidius Julianus'.. 83 Neptune*. 84 Hercules and lole*. 85 Contemplative Mufe 86 Sabina, wife of Hadrian, in the chara61:er of Cere3\ 87 Pom- ^■\ CLASS I. SECT. II. 87 Pompey*. 88 Cupid, inflaming the mind. 90 Poppea, wife of Nero.*. 91 Leander*. 92 Britannicusjfon of Clau- dius*. 93 Paris*. 94 Thefeus raifing a ftone, &c. 95 A Sphynx. 97 Chiron fhooting with a bow. 99 Jupiter Ammon, finally. loi Diomedes. 102 Venus*. 103 Venus and Cupid 104 A Sow. 105 A Sphynx. 106 Chiron, centaur** 107 Apollo*. 308 Pan*. 109 Lucius Junius Brutus*. ilO A figure from Hercu- laneumi 112 Auguftus Ccefar*. 113 Lucius Verus*. 1 14 Unknown*. 115 JuIiusCiefarandLivia*. 117 Scantilla, wife of Di- dius Juhanusjywfl//*. 1 1 8 Man making a Vafe. 1 19 Antinous*. 120 Ceres, fnaii^, 121 The Centaur Neffas, 122 Apollo ftanding with his lyre. 123 Juno upon an Eagle 124 A Bacchante. 125 Sacrifice. 126 Cupid and Pfyche. 127 Mercury ftanding 128 The three Graces 129 Mercury. 130 Mercury fitting on a ram. 131 Mercury, god of travel- lers. 132 Mercury raifing a dead man by the hand. 133 Mercury keeping the flocks of Adhietus 134 Cupid and Pfyche 135 Harpocrates*. T36 Ditto fiandinginabark. 137 Ditto withCornucopia. 135 Ditto. 139 Jupiter Confervator. 140 The three Graces. 142 Plutarch*. 143 A furious Faun. 144 Julius Csefar. 145 Jupiter, Hebe, and Ga- nymede. 146 Venus*. 147 Bacchanalian figures, 148 Venus Vidrix, 149 An Egyptian figure. J 50 Tlie three Graces. 151 Peace, or Union. 152 Neptune with fea-horfes 153 Pomona. 154 Phaeton falling from' heaven. 155 The lyre of Apollo. 156 Thalia. 157 Euterpe. 158 Melpomene. I £;9 Therpfichore. 160 Apollo and lyre. 161 Diana, huntrefs. 162 Endymion with the moon. 163 Bacchus with a Faun. 164 Bacchus fitting on a tyger. 165 Hercules overcome by Love. 166 Venus and Cupid. 167 The temple of ^^enus. 1 68 Cupid. 169 Efcu- CLASS L SECT. 11. 69 Efciilapius. 70 Enchantment. 71 ^fop*. 72 Pythagoras, fitting 73 Hero and Leander. 74 Perfeus Handing. 75 Meleaget with a boards head. 76 Claudia, veftal virgin. 77 Caftor and Pollux. 78 Roman matron 79 Antonia and urn. 80 Seneca in the bath. 81 Conftantine on horfe- back. 82 A man putting ori a ma{k. 38 Ciipid ma{l<.ed. 84 Cupid dreffing a mafk. 85 AChimasra. 86 A man making a vafe 87 A vafe. 88 A cock with the dia- monds. 89 Livy*. 94 Chiron the centaur, playing upon thelyre 95 Semiramis giving the command to her fon. 96 Alcibiades"*. 97 Hannibal*. 98 Prometheus forming a man. 199 Thefeus killing the mi- notaur. lioo Medea, S^c. 202 Jupiter Olympius**, 203 Cicero*. 204 Homer*, 205 ScjEvoIa, &Co 206 Hope. 207 Venus and Cupid* 208 Cupid and Pfyche- 209 lole*. 2H Cleopatra. 213 Regulus with the Nail*. 215 Jupiter with all his At- tributes*. 216 Birth of Bacchus, Ml-^ chad Angela's feaL 217 A cow and calf. 218 -^gle bIndingSilenus to a tree. 219 Sophonifba taking poi^ fon. 220 Calliope'o 221 Diana huntrefs. 222 Papirius and his mo- ther. 223 Marcus Junius Brutus*(i 224 lole*. 227 Anacreon*. 229 Agatho*. 230 Ennius*. 231 Apuleius=*. 232 Hermes Trifmegiftus^^. 233 Ovid*o 234 Theocritus*, 235 Pythagoras*. 236 Socrates*. 238 Medufa^% 239 Seneca'^. 240 Alexander*. 241 Minerva. 242 Marcus Aurellus oq horfebacko 243 lole. 244 Peace. 245 Jupiter and Leda. 246 Mars. 247 Bacchanahan figures. 248 Neptune (landing in St (hell. 249 Cicero*. 250 A bacchante with a Thyrfus. 251 Bacchus arid Ariadne on a tyger. 252 Saturn with an encir- ckd ferpent. £ 2153, Cy. ^6 CLASS I. SECT. 1/, :3 Cybe] 254 ^atnrn devouring a ilone. 2^5 Cybele-. 250 '^J'he flower lotus. 257 Belierophon watering Pt'gai'us. 258 Ifis With the fiH rum*. 259 Canopus. 260 Jupiter and Ills. 261 llis with the budding horns*. 262 Ganymede, 263 Virgil-'. 9,66 Madona*. 268 Two Cupids. 270 Mars and Yenusi,fmali. 271 Apollo, large'-^. 272 Venus. A/a Conquered province, o.'j^. Apollo.. 276 Madona". -77 Mars. 278 Venus. 279 Hygeia. 281 Vemis. 282 The three Graces. 2^5 JJ^jitannicu.s^-. 2H7 A Drieilefs. 288 Minerva. 289 Hygeia. 290 Diana of the moun- tains. ctqz Dia,n7,. 293 Apollo and Daphne. 294. Hercules killing the minotaur. 295 Venus*. 296 Pomona. 2)7 Saturn. 299 Venus viclx':iK. .300 Offering to vido-ry. 301 Diomedes cr Perieus. 502 Aerippnia. 303 304 306 307 208 309 310 312 3''3 3H -16 3^7 318 319 320 3^i '^22 A bull. Hani"jibal*. Neptune. Night ihedding poppies. Nereides. Priam be2"2in2 the bo- dy of He6lar from Achilles. Efculapius* Hygeia. A priell:. Neotune. if A lacritice. Virtue. Juftice. Neptune in peace with Alinerva. Mucins Sccevola before Porlena. UlyfTes flopping the chariot of Victory. A facrifice. Diana. Ceres inftru6tlng Trip- tolen^us in agricul- ture. Flora. Scj:>honiiba taking par- fon. Plato. Hope with an anchor* Two Sea-horfes. A lion feiz.ing a horfe. Pindar^ 3^4 326 327 3^S 329 330 Cybele givmg Jupiter to be educated. 2^1 A warrior. Hercules killing a bulh IVIucinusScsevoia burn- ing- his hand, &c. 332 333 334 335 33^ 337 Diogenes difputingwith Lais. A Sacrifice. Neptune*. A warrtor, 33^ A CLASS I. S E C T. ir. 27 $d9 340 342 344 345 34<^ 347 34^ 349 350 ^^2 A vv'arnor. A Bird let fiv, Wygeia. A Cupid. OiFerijig to vlflory. rcil'cius with armour, fmalL \'enus victrix. Silence*. Venus and Cupid. Cupid with a caduceus. A piping Bacchus and Cupid, A Cupid with a hut- terfly. EfciilapiuSjHygeia; and Ueleiphorus, 353 354 35S 35B 359 37^ 377 379 392 393 395 39^ 397 39^ 399 Three Cupids. Mariage of Cupid and Plyche. Two Cupids in a bark^ Zingara*. A gaping head*. Xenophon"% Flora*. Female fortune. M. Brutus*. Judgement of Hercules, [ui-lice ftanding, Achilles-. Otlerins.^ to Minerva. Virgil< Sacriiice to Cupidi. Modern Subjects. 89 96 3 The late pope, Ganga- nelli*. 5 Oliver Croinwell*. 12 Alexander Pope. 20 Sir Ifaac Newton*. 26 Geo r (re II-. o 31 George llh^. 32 Henry IV. of France*. A child with a cat. Sir Ifaac Newton, f-rom his ozun r'uig'^, 98 Oliver Cromwell, from a ring in the pofpjjJon of Sir Tbcm^>">-->'*">'>'»->-*.S.'» IT may be proper in this place to obferve, that if gentle- men or ladies choofe to have models of themfelves, families, or friends, made in wax, or cut in flones, of proper fizes for feals, rings, lockets, or bracelets, they may have as many durable copies of thofe models as they pleafe, either in ca- meo or intaglio, for any'of the above purpofes, at a mode- rate expence; and this nation is at prefent happy in the pof- feffion of feveral artifts of diftinguifiied merit, as engravers and modellers, who are capable of executing thefe fine works with great delicacy and precifion. If the nobility and gentry (hould pleafe to encourage this defign, they will not only procure to themfelves everlajt'ing portraits, but have the plfeafure of giving life and vigour to the arts of modelling and engraving. — The art of making durable copies, at a fmall expence, will thus promote the art of making originals, and future ages may view the produc- tions of the age of George III. • with the fame veneration that we now behold thofe of Alexander and Augiiflns. ' '.:..• Nothing CLASS 11. z<) No^I^ng can contribute more efFeduall}^ to diiFufe a good tafte through the arts, than the power of multiplying co- pies of fine things, in materials fit to be applied for orna- ments; by which raeans the public eye is infiruded, good and bad works are nicely difcriminated, and all the arts re- ceive improvement: nor can there be any furer way of ren- dering an exquifite piece, pofTefi^ed by an individual, famous, without diminifhing the value of the original; for the more cipies there are of any works, as of the Fenusde Medici s for in- fiance, the more celebrated the original will be, and the more honour derived to the pofleflbr. Every body wiflie?. to fee the original of a beautiful copy. A model of a portrait in wax, when it is of a proper fize for a feal, ring, or bracelet, will cofh about three giilncasi and of a portrait, from three to fix inches diameter, th-ce^ your, ov five guineas* Any number of copies of cameos for rings, in jafper with coloured grounds, not fewer than ten, are made at 5s. each. Any number of cameos for bracelets, in the jafper with coloured grounds, at 7s. 6d. each. Any number oi portraits in the fame material, from three to fix inches diameter, not fewer than ten, at lOs. 6d. each. C L A S S II. Bas-reliefs^ Medal-lions, Tablets, &c. X HE articles of this clafs have employed fome of the beft artifls in Europe; and It has been a work of much time and attention, as well as expence, to bring it to its prefent ftate. It is fi:ill receiving continual additions, not only from artijls. 30 CLASS IT. artifthy in our own and other countries, but likewife from the amateurs and patrons of the arts. I have lately been enabled to enrich it with fome charm- ing groupes, which lady Diana Beauclerc and lady Temple- toun, whole exquillte taile is univerfally acknowledged, Iiave honoured me with the liberty of copying from their defigns. The Portland vafe, late Barberini, for the acquifition of which to this country the artifts are fo much obliged to their well-known benefador Sir William Hamilton, will furniiTi a noble addition; and I caiinot fufficiently exprefs my ob- ligation to his Grace the duke of Portland, for entrufting this ineflimable jew^el tomycare, and continuing it fo long, n)ore than twelvemonths, in my hands; without which, it would have been impolTible to do any tolerable juftice to this rare work of art. I have now fome reafon to flatter myfelf with the hope of producing, in a fliort time, a copy which will not be unworthy the public notice. I wi(li like wife to pay my grateful acknowledgments to the marquis of Lanfdown, for the liberty of taking moulds from a fuite of dancing nymplis, and other beautiful figures, Inodellftd in Italy from the paintings found in Hercula- neum; — and to the duke of Marlborough, for a caft from the exquifite gem in his grace's colle6lion, the marriage ct Cupid and Pfyche. The Herculaneum Jhgures are all ex- ecuted in the bafaltes, but only three or four of them have as yet been adapted to the jafper cf two colours. The Marlborough gem has beeji made in the jafier coiripofition for fome time, but not till very lately in the degre-e of per- fection I wi filed for. I am likewife under particular obligations to lady Mar- garet Fordyce, lady Ann Lindfey, Mrs. Montague, Mrs. Crew and Mifs Emma Ci-ew; — to his grace the duke ot Montague, lord Befborough, Sir Walkin Williams Wynne, Sir Joiliua Rc^ynolds. Sir William Chan:ibcr<, Mr. \Velt, C L A s s ir. -I Mr. Aflle, and many others of the nobility, connoifTeurs, and principal artifts of this kingdom, for their kind and valuable affiftance, in bringing thefe works to that degree of perfe6lion, and that notice with the public, which they at prefent pofTefs. With fuch ample and liberal alTiflance, I may perhaps be allowed to hope, that the articles of this clafs may with propriety have a place among the fined or- naments which the arts of the prefent age have produced; and that no cameos, medallions, or bas-reliefs, of equal beauty, magnitude and durability, or {o highly finifiied, have ever before been offered to the public, Thefe bas-reliefs, chiefly in the jafper of two colours, are applied as cabinet pictures, or for ornamenting cabinets, book cafes, waiting tables, in the compofition of a great variety of chimneypieces, and other ornamental works. With what fffeci they are thus applied, may be feen in the houfes of many of the firft nobility and gentry in the kingdom. ^V* In the following catalogue, the dimenfions of the pieces are let down in inches and eighths of an inch* Thofe pieces, which have only one dimenfion expreffed, tire circic Icv; thofe which have two, may be made either oval or long-fq^uare„ <••<-♦'♦••-♦ f4'<"^->->-*'»'>'>">'*->->"*'*'>'>« 1 Birth of Bacchus 2 War of Jupiter and the Titans; oval 3 Deftrudlion of Niobs's children - 4 Feall of the gods - - - 5 Marriage fupper 6 An antique boar hunting 7 Jupiter and Ganymede; long fquart\ 8 Apollo and Marfya^ 9 Apollo and Dap! 10 Apollo atid Pyi 1 1 Judgment of Mi an ymcuc, arfya^ -j aphnc ( 'thon [ 'Ii a gem in the king of France'' s cabinet S 34 Diomede carrying away the palladium, 35 Bacchanalian boys ^ 36 The fame fubjeci J , 37 A bacchante and children Fauns, reprefenting four different fta ges of life, from youth to old age 39 40 41-'^ 42 Farnefian Hercules 34 Omphale 44 Apollo 45 Pjping Faun 1 High. wick. 4 6 6 8 6 6 5 2 II 6 2 6 2 2 4 I 4 5 I 4 2 4 6 4 2 6 2 4 4 2 3 6 2 4 3 I 2 2 2 I 4 o 2 3 3 2 2 I 4 II 4 16 I 2 6 'i I 6 4 7 2 4 4 3 3 3 4 ^ 6 8 9 7 4 3 46 Venus, GLASS Hi } ^ Dancing nymphs 46 Venus 47 Adohis 48 Ceres 49 Venus belfefTes 50 Althea, mother of Meleager, burning the firebrand 'Figures from paintings found in the ruins of Herculaneum; the models brought over by the marquis of Lanfdown : sn 52' 53 54 i S6J 577 58 > Centaurs, round tablets 59 i 60 Polyphemus 61 Marfyas and young Olympus 62 Papyrius and his mother 64 A bacchanalian figure '-65 Another ... 66 Venus belfefTes, - - \ ^ 67 Zeno - - -J 68 Cupid repofing - ^ - - 69 Judgement of Hercules; modelled agreeably to lord Shaftfburys idea of reprefenting this fubjca - - ' - The famCj fmallerfizes, down to ~ ^ 'yo Bacchanalian triumph, longfquare tablet \ 7 1 Bacchanalian facrifice, ditto, - - J 72 Death of a Roman warrior, ditto; from 1 an anrient Jarcophagus at Rome J 73 A lion; from an antique _ - - 74 Perfeus and centaur - - - ^5 Hercules and Thefeus fiipporting the 1 world, or The power of union - J 76 Head of r.n old fatyr, in a fine Jiyle^ and highly fin ifJkd - • - - 'ilt) ' ' - 33 High. Wide. 10 I 4 n 4 10 it 7 9 ii 15 9 2i 26 44 6 79 Night CLASS 11. 79 Nightl ...... 80 Day J 8 1 Meleager and Atalanta killing the Calydo- nian boar - - ^ - 82 A bull, finely modelled from the antique •83 Jupiter and Semele; - - - - '84 Hunting \ . . . 'S5 Bringing home the game, J -86 jNIuilc 1 . . •87 The arts/ •88 Fire I 89 Air Icmhkmaticai nprefaiiat.cns t)0 Earth j medallions ' - ^ I Water -' 93 Lyre and two fpliinxes ; a tablet w4 Large head of IMedufa; from an exquiftA marble in the po[JeJf.on of Sir IV, Hamilton J 95 The fame, another model 96 Another profile of the fame, with wings 1 ; /^'^i-A ^ oval ^7 Another profile 98 Jupiter 99 Juno 100 Apollo 101 A Mufe 102 Contemplative Mufe 103 Hercules ftrangling the lion 104 Hercules binding Cerberus j 105 Meleager J 106 juftice 1 107 Minerva r- - - - » 108 Hope J 109 Melpomene "^ no Comedy J* - 1 1 1 Dancing nymph -' Head of Bacchus 1 Head of Ariadne/ Spring 1 Summer I ; , . ^ > heads - - -- .Autumn j Winter J 118 Birth of BacchuS; fror,i the antique 119 Ifis, a head - - - - 112 114 115 ii6 117 High. WiJe 20 I 2 10 3 12 12 10 22 10 3 120 6|7 4 I2 4 Ariadne CLASS IL 35 120 121 22 23 24 25 26 27 28 29 30 31 32 ?>?> 34 35 36 37 38 39 40 41 42 43 44 4^ 46 47 48 49 50 51 52 53 54 j' heads Ariadiie Bacchus Pan Syrinx Perleus and Andromeda Indian Bacchus, a companion to No. y6. ^dh io ,} r55 160 161 ^64 Bacchanalian figureSj/rfiim ^^2 antlq^ue vnfe Lion and two boys; or The force of love Lion and three boys ; ditto JMaflvS, - - - Cupid and Hymen Cupid inflaming the mind A philofopher reading on the immortaHty of the foul _ _ _ Dead Jefus, with the Virgin and boys Pan repofing, with yoiing fatyrs Fauns facrificing ; a tablet Efculapius \ Hygeia J * AWal I Artemifia J Cupid on a lioii; Indian Bacchus Roman matron Sophonifba Hercules A piping Faun Abundantia j Medea rejuvenating Jafon's father J Bacchaisalian triumph, tabht An antique male figure holding :i feal upon his 4ips, with a grryhou fine Jludy Flebe and the eagle Juno "s Euterpe ^ Fame, &c. ^ A connuered province ar The power of love g :i feal | lund; a f High. WMc. 7! The 3^ i6s 66 :67 68 69 70 71 72 73 74 75 76 77 78 79 80 :8i 82 83 88 89 90 91 92 93 94 95 96 97 98 399 2C0 201 2.02 2C7, CLASS ir. The fame, fmallerjizes down to Head of Flora _ - - Sleeping Venus, cloathed A prieftefs - » Venus and Cupid Diomede carrying off the palladium *- Triumph of Ariadne, vj'ith choral figures A facrifice to Peace - - Group of four female figures A facrifice . _ - A bacchanalian piece Bas reliefs by John of Bologna " - by the fame - - - - Winged Cupid upon a fwan 1 from tvjs Ditto flying away with a fwan/ gems Judgement of Paris " ' - Goat and boys - ^ - Triumph of Silenus, from a gem Triumph of bacchanalian boys f Proceflions of little boys, &c. Four boys at play ^ Three ditto J Panther and bacchanalian boys Sacrifice to Hymen, to match No, 30, d'ffcrentfizes ' - Andromache "I An offering to Flora J The fame The fame - - - Sacrifice to Bacchus The fame - ^ = - Triumph of Bacchus The fame - - ' Apotheolis of Homer The' fame, f mailer fizes The nine Mufes - Ths fame, vj'ith fefoons or garlands High. Wide. 2 6 2 I 9 8 4 II 6 6 4 '3 4 2 7 10 4 14 2 ? ^ 2 6 9 10 fO 14 8 10 4 2 4 2 2 I 5 2 6 2 4 5 4 6 3 6 4 4 5 7 4 I 4 2 2 6 2 5 3 6 5 7 4 10 8 4 7 4 17 8 2 19 8 2 19 9 4 22i 6 4 14 7 2 10 7 4 H 8 25 10 25 204 The =;} CLASS IL 2C4 The Mufes with Apollo; m two pieces, for friezes to chimneypieces with No 202 for the tablet 205 Dancing Hours - « . The fame - - - The fame, with feftoons or garlands 206 Birth of Bacchus, from Mich* Jngtlo'^s feat - - The fame - - « !?,07 Triumph of Love 208 Sacrifice to Love « • - The fame - « „ 209 Triumph of Venus The fame - - w 212 Triumph of Bacchus and Ariadne The fame - ^ - 213 Boys and goat, bacchanalians The fame w • . 214" 215 216 217 218 219 220 221 222 224 Young Hercules » ^ * 225 Ganymede and eagle - - _ 226 Meleager and Atalanta, killing the Caly donian boar ' The fame - - „ 227 Tragedy, Comedy, and Apollo c;28 Ahorfe _ . . 31 The nine Mufes and Apollo, In feparate y pieces - - - - The fame, • • » - 229 Bacchus with an urn and grapes 230 Boys at play 1 231 232 233 234 The fame ^The four feafqps, in feparate pieces The fame * ^\.^ / 'lao High. Wide 6 5 2 8 II 12 6 2 9 4 10 4 8 9 9 4 10 6 7 9 5 4 ^ 4 18 18 14 6 18 23 27 II 21 25 17 20 26 11 4 12 6 8 3 4 6 2 6 2 II 2 9 4 5 3 2 4 I 6 3 34 I 42 235 The CLASS 11, 23s 237 238 240 241 242 244 245 246 2.47 248 249 250 252 The friohtcned hov^e, from AIj\ Stuhhs's -j cchhratcd p'ltiurc-y and modelled bv him- \ fclf . - _-'-•' The fall of Phaeton, modeled by the fame - - - A Roman proceffion - _ _ An oHering to Peace; from a defgn of 1 lady 'Tcm.pletoun s - - J The fame; fm.allcr fi%c Frieiidftiipconfohng Affliction ;y5-o;« ihe\ fame ----- j The fame, different fizes^ to Group of three boys \fromdef1gn5 of lady \ Ditto of two hoys j Diana Beauelerk'' s j 1'he fame, different flzes, to Four boys fingle, from thejame The fame, different f%es^ to Bacchanahan tablet of the f.x preceding ^ articles, under arbours, with panthers' \ flvins \w fefloons, &c, - - J Venus in her car drawn by fwans, with \ attendant Cupids, &c. from Lc Brtm j Cupid watering the fwans, he, from the\_ fcrm-: _ - - _ _ j iJomcflic employment ; from a dcfign of\ ABfsCrcvS's ' - - '- / different f I:: rs^ to ^ - - Donieftic employment, fro?n lady ^I'em-\ plcioun " - - - J different fizcs^ to - Family fchool, ^?;/^/ companion; from the fame - _ - The fame, different f%es^ to - -■ Study, and its coriipanion; from the fame afferent fi%es^ to - - IVJaria, from the fame - - 1 Eourbonnois fl-iepherd; its eompanlon J The fame, dfferent fzcs, to - ' Genii, from lady Templetoun; mea fared dia- gonally - - Tlie fame, dfferent fzes, to Companion to the foregoing - | Hitrh 1 I 2 12 9 6 5 4 Wide 17 4 21 4 21 II 4 4 4 4 2 6 O -> ;54 Infant CLASS II, 39 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 274 Sacrifice to Concordia, OfFering to Love Infant Academy,/? cw ap'u^Iurc -j differ C7it by S'r yoJhvM Reynolds - C Jizes fron Mufic Its companion - - 3 ^^ Blindman's hiilF; a group of boys The lame, jmaller Jvzes^ to Commercial treaty with France The fame iubjeft differently expreffed - Coriolanus, with his wife and mother \ perfuading him to return to Rome J Sacrifice to Hymen ~ ~ 1 ts companion } : ] Conjugal fidelity, its companion J The fame - - - - The river Thames 1 different Jvzss from Ifis its companion j to - - Jupiter, eagle, and Ganvmede Triumph ot Cybele » - « Hymen - - - - . Apotheofis of Homer \ Apotheofis of Virgil J Cupid iharpening his arrows 1 Cupid firinging his bow J The Graces erevfling the itatue of Cupid The young femftrefs, - Rcverfe, Brutus as judge, command- ing his fon to be put to death 7 The valour of Horatius Codes Reverfe, Conftancy of Scasvola 8 The return of the people to Rome from the facred mount Reverfe, The creation of Tribunes 9 Coriolanus * ► - Revafe, Filial fubmilTion 10 The zeal of the Fabians Reverfe, A di(5lator from the plough J I The twelve tables - - - Reverfe, The death of Virginia 11 Creation of Cenfors Rev erf e, Cenfors furrounded by the people - - - G 2 si 1^ I 753 I 750 39 715 85 660 244 510 245 509 246 508 260 488 266 483 275 479 Z'^Z 45^ 305 449 310 444 13 Genp-» 44 CLASS IV. 13 Generofity of the Roman ladies Reverfe, The treafury paying the debts of individuals - - - !4 M* Furius Camillus Revcrfe^ Rome delivered from the Gauls - - - 15 Manlius caufing his fon to be put to death _ , - - Revcyfe, Papirius pardoning Fabius 16 Decius devotes himfelf for his country Reverfe^ The fon follows the example of the father _ - - 17 The eftablifhment of the public roads Reverfe^ For the public utility iS Head of Pyrrhus - - - Reverfe, War of Pyrrhus ^9 Military art - - - i^^^tTy^^ Majefty of the fenate - 20 Difmtereftednefs of Fabricius Reverfe, Integrity of Fabricius - - 21 Firft Punic war ^<^^^^« 488) Revcrfc^ For the empire of the fea - 22 Alhance of the Romans with Hiero Rcverfe^ Aid of a faithful ally - 23 Head of Regulus Reverfcy Virtue of Regulus 24 Taking of Saguntum Reverfe, Second Punic war 25 Head of Hannibal Reverfe^ Hannibal palTing the Alps ij o 360 403 3^5 415 430 415 457 442 472 472 472 477 492 489 520 534 534 -5 » 394 35* 389 339 324 339 297 312 282 282 282 280 262 265 25- 220 219 220 a 6 Trebia, •CLASS IV. S»5 Tr«bia, Trafimene, Cannae, victories of Hannibal _ - - Reverfe, Hannibal overcome by pleafnres - _ - 27 Dignity of foul of Paulus Emilius i?£'^'^;y^, Wiftlom of the Senate - - 28 Revenge facrificed to the Public good Revcrfe, Diligence of Claudius Nero 29 Hannibal at the gates of Rome Rcvcrfc, Spain fuccoured 30 Head of Claudius Marcellus 31 Head of Publius Cornelius Scipio Afri- canus _ - - - Rcverfcj Continence of Scipio 32 Scipio pafles into Africa Revcrfcy Interview of Scipio and Han- nibal - _ - ^"^ Scipio, conqueror of Hannibal Reverfe^ Rome gives peace to Car- thao^e - - - o 34 Head of Quintius Flaminius Reverfcy Quintius giving the cup of liberty to many perfons crowned with flowers, and with this motto, Liberty rejlored to Greece 3^ Afia conquered - _ - Reverfe, Rome fuperior to Icings 36 The noble defence of Scipio Africanus Reverfey Scipio's retirement 45* o w si 536 218 535 2l5 535j 219 545 209 213 541 542 542 212 442 550 212 212 204 556 198 584 565 170 189 37 Th« 46*' CLASS IV, 37 The Ton of Paulus Emilius at Athens Reverfe, Paulus Emilius triumphing over Perfeus _ . - 38 Scipio and Lelius, the two friends Reverfc, Third Punic war, began 603 39 Sedition of the Gracchi Rcverfe, Jugurtha punifhed 40 Head of Mar i us _ . . Rcz-crfey Defeat of the Cimbri 41 Marius at Carthage Reverfe, Horrors of civil war 42 Head of Sylla • - ^ Reverfe, Abdication of Sylla 43 Head of Pompey _ - . Rcvcrfcy Security of Navigation 44 Head of Cicero ^ - ^ Reverfiy Triumph of eloquence 45 Pompey, Caefar, and CrafTus, united by ambition _ - ^ Rcverje^ Conquefl of the Gauls 46 The death of Mithridates Reverfe^ Avarice punifhed 47 BaniHiment of Cicero Reverfe, Cecero's return from baniili- ment ^ . ^ 48 Caefar paffing the Rubicon i^t-z/i^r/^, Flight of the fenate 49 Caefar and his fortune Reverfcy Intrepidity of Caefar 50 Battle of Pharfalia - - . Reverfcy Humauity of Caefar 51 Head of Julius Caefar _ - - Riverfiy Perpetual didator c w o o 584 606 619 647 664 686 688 691 694 689 700 695 696 705 706 706 708 706 52 Head CLASS Vf 45 ^2 Head of Catoof Utica - w ^^z-'^r/^, Death of Cato ^^ Head of Marcus Junius Brutus Reverfe, The laft eiForts of liberty r 54 Otftavius, Anthony, and Lepidus Re-verje, Divifion of the empire, ^5 Antony and Cleopatra _ - . Reverfe, Battle of Adlium. 56 Auguftus _ _ - - Reverfe, Reign of Auguftus. ^7 Head of Agrippa . • - Reverfe, Head of Mecenas 58 Head of Virgil - - ^ieJ Reverfe, Head of Horace - died 59 Catullus, Tibullus, and Propertius, repre- fented by three Genii Revefe, Head of Ovid and Terence 60 The head of Livy _ . _ R.everfey The head of Salluil. si £3 U 707 710 44 711 43 723 31 723 3^ 725 29 735 746 8 784 784 729 21 20 25 w4'-<"<"<-<"<"<"»'<"<"<'»-<'y^'>'»'»'»~»"»'»«>'»- > '»'»w CLASS V. Heads of Illustrious Romani. , 2 \ inches ^_y 1 1. Before Christ. • years years 15 OMULUS XV Numa four. 748 708 T. Quintus Fla- minius - died 182 Tullus Hoflilus 66 c Terence 159 Ancus Martius - 635 Marius 86 Junius Brutus 505 Sylla 78 M. V. Corvus - 337 Pompey the great, 48 Hannibal - 208 2 models^ A* B, - Scipio Africanus died 184 Cicero 42 riiiis 46 CLASS IT. Before Christ. • years C.iffivis M. Brutus Sallull M. Autonius died 42 35 30 Cleopatra Varro Virgil Horace - died After Christ. LIvy Ovid Agrippina Agrippa Perfeus Seneca died 26 40 65 Julia, daugliter Titus, A, B. Sabina Antinous Fauftina L. J. Rufticus of Jlour died Jlour » 3 inches hy i\^ Ma Cic Au rius. :ero» guflus. years 30 28 19 79 117 131 161 4 /kc^^ J 4)' 3* Junius Brutu?. Scipio Africanus. Marius, Sylla. Cicero. Pompey. Julius Crefar. Seneca. C L A S,S CLASS VI. 47 "•4S-<"<"<';<"<"<-<-<-<--.>».>»>.>.*->->»>-»~>« CLASS VI. The Twelve Caesars, fonrjizes, J, B, C, Z)« Their Empresses, onef.zc, 2 inches by 1 1,. Before Christ. 1 Julius Csefar and Pom pea 2 Augiiflus — Livia Jlour, After Chri ST. 3 Tiberius and Agrippina ^ 4 Caligula — Antonia . 5 Claudius — MelTalina . 6 Nero — Cdavia « 7 Galba — Lepida M 8 Otho — Poppeia - 9 Vitellius — Petronia . 10 Vefpafiau — ])omitilla . II Titus — Julia, his daughter 12 Domitian — Domitia - 48. 30 14 37 41 54 68 69 69 69 79 81: >«♦••>• >•>•>• »•♦. ►■•>->—■<►. ►• ►■>•♦• ►•>••>«"♦•♦•<-< 'CLASS VIL Sequel of Emperors from Nerva to Conjiantinc the ^rcaty in- clufive* After Christ. 13 TkTERVA flour, 14 JJ\ Trajan 15 Hadrian 16 Antoninus Pius 17 L. Verus year 96 98 13^ 161 Aftcf Christ. 18 M. Aur.AntoninuSjibi 19 Commodus -|i8o 20 Pertinax - "ji93 21 Didius Julianus -J193 22 Pefcennius Niger 19;' After 4S CLASS Vlt. After Christ. years After Christ. years 23 Septimus Severus 193 44 Volufiahus 251 24 Clodius Albinus 193 45 Emilianus 254 25 Caracallaj three mo- 46 L. Valerianus 254 deh 2ii 47 Gallienus 254 26 Get a, two ditto 211 48 S. Valerianus 254 27 Macriiius 217 49 Poftliumus 254 28 Diadumenianus 217 50 Claudius Gothicus 268 29 Heliogabalus 218 51 Quintilius 268 30 Alexander Severus 222 52 Aurelianus 270 31 Maximinus I. 235 ^l Tacitus 275 32 J.V.MaximinusII. 235 54 Florianus 276 33 Gordianus I. 236 55 Probus 276 34 Gordianus II. 236 56 Carus 282 35 Pupienus 237 57 Numerianus 282 36 Balbinus 237 5« Carinus 282 37 Gordianus IIK 238 59 Diocletianus 284 38 Valens Hoftilianus 240 60 Maximianus 286 39 Jul. Philippus 244 61 Conftantius 304 40 J. Philippus Fel. 244 62 Valerius Maximia- 304 41 Trajanus Decius 249 nus 42 Q:, Heren. Decius 249 63 Maximinus 304 43 Gallus 251 64 Conflantinus -| 306 CLASS VIIL The {leads of theVoVE-i* Jl HESE fine heads are fold at fix-pence a piece fingly^. cr at three-pence a piece to thofe who take the fet. CLASS CLASS viir. •'4S Heads of the Popes, ANN. DOM. AXN noM. jerusChrIfl,^,i?,C. \ *35 Felix II. 355 St. Peter, J, B, J 3^ Damalcus 367 37 Siricus 385 I Liiuis 67 38 Anaftafius 39^ 2 St. Cletus 7S — 3 St. Clement ►91 39 Innocent L 402 4 Evariflus 100 40 Zofimus 417 41 ]>oniface L 4i« 5 Alexander I. 108 42 Ca^leftinus 423 6 Sixtus I. 126 43 Sixtus 111, 432 7 I'elefporus 126 44 Leo 440 8 Hyginus 137 '45 Hilary 461 9 Pius 1. 141 46 Simplicius 467 10 Anicetus 157 47 Felix III. 483 1 1 Soter 168 48 (jelafius 492 12 P^leutherus 177 49 Anallafius 11* 496 13 Victor 192 50 Symmachus 498 14 Zephirinus 201 51 Flermirdas 514 15 Cailixtus 219 52 lohnl. - ' 523 16 Urban 1. 224 53 Felix IV. - 520 17 Pontianus 231 54 Boniface IL 530 18 Anterus 235 55 John 11. 53^ 19 Fabianus 236 56 Agapetus 53S 20 Cornelius 251 57 Syiverlus 53(> 21 Lucius 253 58 Vigilius 540 22 Stephen 255 59 Pelagius I. 555 23 Sixtus 11. 257 60 John 111. 559 24 Dionyfius 259 61 iienedidL 573 25 Felix 271 62 Pelagius II. 577 26 Eutychianus 27 Caius 28 Marcellinus 275 28-^ 63 Gregory 590 296 64 Sabinianus 604 65 BonitacellL - 606 29 Marcellus 304 66 Boniface IV. - 607 30 Eufebius 309 67 Deufdedit 614 31 Melchiades 311 68 Boniface V. 617 32 Silvefter 3H 69 Honorius I. - 626 33 Marcus ZZ^^ 70 Severinus ^39 34 Julius 33(^ 71 John IV. ^39 35 Liberius 352 72 Theodoras I. 72 y- 641 lartin 46' CLASS viir. ANN. DOM. ANJf BOM. 73 Martin I. 649 114 Boniface VL 897 74 Eugenius ^55 115 Stephen VII. ^97 75 Vitaiianus 655 -: -. 78 Adeodatus r 669 116 Theodorus IL 901 77 Domnus 676 IJ7 John IX. Benedia IV. 901 78 Agathon r 678 118 9^5 79 Leo 11. r 683 U9 Leo V. 906 80 Benedia II. - 684 120 Cliriltopher 906 81 John V. 6S5 121 Sergius III. 9C7 82 Conan 686 122 Anaflafius IIL 910 83 Sergius I. r 687 123 Lando I. 912 124 lohn X. 9^3 84 John YI. 701 125 Leo VI. 92B 85 John VII. 705 1 26 Stephen VIIl. 929 86 'Sifmius 708 127 John XL 931 87 Conftantin r 708 128 LeoVlI. ^ - 93^ SB Gregory II. - 7H 129 Stephen IX. 939 89 Gregory 11 F. 731 1 30 Martin 111. Mari- 90 Zachary 74T nus II. 943 9[ Stephen II 752 131 Agapetns II. - 946 92 Stephen III. 752 132 John XIL - 955 93 Paul I. 757 ^S'i Leo Vlll. . 9^3 94 Conflantin 767 134 Benedia V. . 964 95 Stephen IV. r 768 135 John XIII. . 9^^5 96 Adrian I. 772 13^ Donmus. 11. - 97- 97 Leo 111. 795 138 Benedia VI. - Boniface VII. 972 974 98 Steph€n V. * 816 139 Benedia Vll. 975 99 Palcal I. 817 140 [olin KIV. . 984 \QO Engeniiis IT. S24 141 John XV. - 983 ici Valentine I. 827 142 Gregory V. 996 IQ2 Gregory IV, 827 143 Silvefter 11. - 999 103 Sergius 11. 844 — - - 104 Leo IV. 847 144 ]ohn^yi,(f^ould 105 Pope Joan 854 leXWl, there ha - J06 Pen^dla IIL - 855 i-'irig been no X V 1 .>' I C03 107 Nicholas I. UJ 145 John XV 111. 1003 108 Adrian II. 867 146 Sergius IV. - 1009 109 John VIIL S72 147 Benedia VIII 1 01 2 1 10 Martin 11. or Ma- 148 lohn XIX. - 1013 rinus I. 882 149 Benedia IX. 1034 Ill Adrian IIL - 8S4 150 Ciregory VL 1044 U2 Steplien VL 885 151 Clement IL - 1046 U3 Formolus r 89? 152 DaiTT^fcus IL ^53 Le(| CLASS VIII. '41 ANN. DOM. ANN. A 153 Leo IX. - [O49 194 Nicholas IV. i i54Vi6lorII. - 1054 195 CeleflineV. . i f55 Stephen X. - f057 196 Boniface VIIL 1 156 Benedicl X. 1058 !57 Nicholas 11. ^059 197 Benedia XL - i 158 Alexander If. [061 198 Clement V. - i 159 Gregory Vil, ^073 199 John XXIL 3 i6o Hildebrand 1074 200 Benedia XIL I 161 Viaorlll. - 1086 201 Clement VL 1 162 Urban 11, [088 202 Innocent VL i 163 Pafcalll. - ] [099 2P3 Urban V. ^ i 204 Gregory XL i 164 Gelafus IL - ] [118 205 Urban VL - 1 T65 Calixtus II. ] [119 206 Boniface IX. 2 J 66 Honorius IL ] [124 ' l6j Innocent II. 1130 207 Innocent VIL I 168 Celefline 11. ^43 208 Gregory XII. i 169 Lucius II. 1144 209 AKxanderV. i J 70 p.ugenius III. n45 210 John XXIII. I jyi Anaftafius IV. ^^53 211 Martin V. - j IJ2 Adrian IV. 1154 212 Eugene IV. • i 173 Alexander III. ] 159 213 Nicholas V. i 174 Lucius III, - ] 181 214 Calixtus IlL I 175 Urban I IL - ] n85 215 Pius IL - I 176 Gregory VIII. n87 216 PaulIL - 1 Ij^ Clement III. fi88 217 Sixtus IV. I 178 Celeftine HI. or 218 Innocent VIIL I Couleflin [191 219 Alexander VI. i 179 Innocent III. 1198 220 Pius IIL - I 180 Honorius III, 3 [2l6 221 Julius IL - I 181 Ciregory IX. ] [227 222 Leo X. - I 182 CelellinelV. ] [241 223 Adrian^' I. - i 183 Innocent IV. ] 243 224 Clement VIL i 184 Alexander IV. ] f2i4 225 Paul 111. - I 185 Urban IV. - 3 261 226 Julius IIL - 1 J 86 CleiDentiy, j 265 227 Marcellus II. 1 187 Gregory X. ] 271 228 Paul IV. - I z88 Innocent V. j 276 229 Pius IV. - I 189 Adrian V. - i 276 230 Pius V. - I 190 John XX.orXXL] [276 231 Gregory XIII i 1.9 1 Nicholas III. j 277 232 Sixtus V. - I 192 Martin iV. - ] 28 1 233 Urban VIL - i J.Q3 Honorius IV. I 2^5 234 Gregory XIV. i 235 In 4^^ CLASS Vllt. ANN. DOM. 235 Innocent IX. 1591 236 Clement VIII. 1592 Leo XT. - 1605 Paul V. - 1605 Gregory XV. 1621 Urban VIII. 1623 Innocent X. 1644 S142 Alexander V II, 1655 243 Clement IX. 1667 244 Clement X. 1670 245 Innocent XL 1676 237 23B 241 ANN. t)OUi 246 Alexander VIII. 1689 247 Innocent XII. 169 i 248 Clement XI. 1700 249 Innocent XIII. 2 CO 1721 1724 1730 I>enec]i6t XIV. 1740 Clement XIII. in a Sealj and a ms^ Benedict XIIL 251 Clement XU. 252 253 GLASS C L IX, 49 CLASS IX. The Kings £?/ En d L A N D and France. _l HESE are fold in fets only, but either without or ivith the cabinets. SECTION /. Kings of England. ANN. DOM. Wm. the Conqueror 1066 Wilham Rufus Henry I, ANN. DOM. Stephen Henry II. Richard I. John Henry IIL Edward I. Edward IL Edward III. Richard II. Henry IV* Elenry V. henry VI. Edward IVi Edward V. Richard III. Henry VIL 1087 1 100 1189 1199 1216 1272 1307 1327 '377 1399 H13 1422 1 46 1 1484 1483 1485 Henry VIII. Edward VI. Queen Mary Queen Elizabeth James I. Charles I. OliTerCromwell, Pro- te6Ior Charles II. rejiorcd James II. William III. - Queen Mary II. Qiieen Anne George I. George II. 1 two Q^ Caroline J medals, George III. \ivjo Q; Charlotte J medals 1509 1547 1558 1603 1625 1649 1660 1685 1689 1689 1702 1714 1727 1760 ..^.V>-<-^"<-<-*"«>"|> ••<><...<>. -^. ^ SECTION IL Another Set of the Kings of England in high relief including their prcfent Maj flics. H SEC^ s^ CLASS IX. SECT. III. S E C T I N III. Kings of France, in fmall Camcf^, Began to ! Reign, Began to Reign. AlsN. DOM. ANN. DOM. I Pliaramond A20 35 Hug uEs Capet 987 2 Clod ion - 4^8 36 Robert 996 ^ Merovec 449 4 Chikleric 45^ 37 Henri - 1031 5 Clevis 481 38 Philip 1031 39 Louis VL - II08 6 Childebert 511 40 Louis YII. - II37 7 Ciotaire 560 41 Philip 11. - iiSo- 8 Ciotaire II. 5^5 42 Louis VIII. 1223 9 Chilperic 562 /L3 Louis IX. - 1226 44 Philip HI. I2>0 lo Ch:?robert 628 45 Philip IV. - 1285 1 1 Da^ob^rt 628 I 2 Clo\-is II. 638 /i.6 Louis X. - 1314 13 Ciotaire III. 660 A7 Philip V. - 1316 14 Cbilderic IL 669 48 Charles IV. .- I32I 15 Theodoric 679 49 Philip VI. - 1328 lO Clovis IIL- 690 50 Jean I35I 17 ChildericIL ^9S 51 Charles V. - 13^4 . 52 Charles VL 1380 18 Dagobeit II. 711 19 Ciiilperic 11. 716 53 Charles VIF.. 1422 20 Theodoric 11. - 720 5-1 Louis XL - I46I 21 ChildcrlcIIL - 74^ 5^ Charles VIII, 1483 22 Pepin 75^ 56 Louis XIL - 1498 23 Charlemagne 768 -/ — . 57 Francois - 1515 24 Louii queen — of 33 Lotaire 9.54 various models < andjizcs. 34 Louis V. 9S6 CL ASS CLASS X. 51 ^H»*'<"< A •<"<-^ •<-<■• ►•♦•♦->•♦••>•♦">'*->•►»" CLASS X. Heads of lllujlr'ious Moderns, X H E S E Heads are made either in the hlack Bafaltes^ or hlue and white Jcifpcr\ they are of various fizes, and different prices, from one fhilling a piece to a guinea, with and without frames of the fame compofition ; but moft of them, in one colour and without frames, are fold at one iliiUing each. Princes. Amu rat L Antonius, king of Navarre Henry IV. of France, A, B. C, Louis XIV. J, B. a Louis XV. Louis XVL C^een of France Louis Bourbon, prince of Condc King of Spain The Pope Prince Lambertini Chriftiana, queen of Sweden Charles Xn. of Sweden Prefent king of Sweden. Peter the great of Rufha, I 7 inches by 1 4. Peter Alexis, fon of Peter the great Em-prefs of RufTia Prince of Rufna Duke of Courland Emperor of Germany, two models John Sobielki, king of Po- land Augullius II. king of ditto Frederic, king of Pruffia Prince of Pruflia Prince of Lignes Prince of Brunfwick Prince of Orange Princefs of Orange Wilhem, £rfl prince of ditto Louife de Coligny, princefy of ditto Wilhem-Frederic, heredita- ry prince of ditto Princefs Fred. Wilhelmina Louifa of ditto Qiiee'n Elizabeth Henry IV. Charles I. Oliver Cromwell Charles 52 Charles IT. William III. George I. Cieorge IL Late prince of Wales Princefs dowager of Wales George III. /L B, C. CLASS X. Queen Charlotte, J, B. C Prince of Wales Duke of York Prince William Henry- Prince Ernefl: Auguftus Prince Auguftus Frederic Prince Adolphus Fredeiic Statesmen and Commanders. Duke de Sully Colbert Cardinal Fleury Cardinal Mazarin Cardinal Noai lies' Duke de Bouillon IVl. deSartine. ISIontefquieu jNIarihal Turenne Marflial Saxe Temminck, lord burgo- mailer ■ Cornelius de Witt John de Witt Michel Ruyter Barnevelt Peter Hein jRombout Hogerboots Egbert Kortenaar Baron Reden Duke of Bedford, regent oi France Algernon Sydney. Sir Robert Walpole John duke of Marlborough Lord Keppel Lord Hood '- Lord Amherfl General Elliot General Monkton General Wafliin[,'ton Governor Franklin Duke of Northumberland puke of IVIontague Marquis of Stafford Marquis of Rockinghani Earl of Shannon Earl Cowper Earl of Chatham Earl of Chefierheld Earl of Sandwich Lord HilliEorough Lord Mansiield' Lord North Lord Hawkefbury Bifnop of St. Afaph Sir John Philli})s Sir William Dolben Rt. hon. William Pitt Rt. hon. H. Dundas Hon: Warren Haflings Mr. Montague Endymion Porter Andrew Fountaine Philosopeiers and Naturalists Francis Verulam, lord Ea- Des Cartes con. Cralileo C^affendi Sir Ifaac Newton, A. B: C. Dr. Franklin Bergman Dr, Prieflley CLASS X. SI Dr. Prieflley Linnssus ISir Vv'illiam Hami: Iton Sir Hans Sloane De la Condamine Sir Jofeph Banks De Moivre Dr. Solander D'Alembert Dr. Fofter Diderot Capt. Cook Burlemaqni Fontenelle Locke Mr. Pennant Mr. Edv/ards Mr. Blake, late of Canton Magliaebechi in China Mr. More Ray Sir Afliton Lever Ksmpfer Physicians. Boerhaave Dr. Woodward Haller Dr. Pembertoii Van Sv/ieten Dr. Fothergil Dr. Freind Dr. James Fordyce Dr. Mead Dr. Buchan English Poets. Died Oldham 1683 ANN. DOM. Otway 1685 GeofFry Chaucer - 1400 Waller 1687 Jolm Gower 1402 Earl of Surrey Sir Philip Sydne y - 158^^ Dryden I70I Spencer - IS9S Addifon I7I9 Beaumont i(>i5 Congreve 1729 Shakefpeare, Jcvcral Prior I73I models 1616 Lanfdowne 1735 Fletcher ^^r^l Pope 1744 Johnfon - 1638 Swift 1745 Cowley 1667 Garrick, Jcvcral mo- Milton - 1674 dels 1779 Butler 1680 Milton, B. a. Rochefter 1680 French Poets. Moliere Boileau Crebilion Fontaine Corneille Racine Voltaire Painters 54 CLASS X. Painters. Di^d Anibale Carracci 1609 AI^N. DOM. Le Seuelll• 1655 1660 Leciiurclo da Vinci -Jiciiaei Angelo 1520 15^4 i ranciico Albini Carlo Maratti RataciU^ cla Urbino Giulio Romano - ^57^ 152- 1546 Sir [ofljua RevnoMs Ml-; Well ^ iNIr. Evres / ^ Corregio 1534 ' Architects. It Chriftopher Wren inlc^o lones Sir William Chambers Mr. Wyatt r>Iiirat:is MaiTei Dr. btukl-y AnTIQJ^ ARIES. Mr. Stuart Divi?;es mid Moral Writer: Mel and thou i^ralmus Grotins Conyers ?vliddletcii Roiilleau Montagne St. Evremont Fenelon, archbi/liop of Cambray Gonzalez Dr. Johnfon, izvo model'; Jonas Hanway Ladies. March icnefs Pompadour March, du Chatelet March. deSavigny Countefs Grignan Countefs de la Sasre o Countefs de Barre Madamti Dacier Mad. Chiiron Mad. de Scuderi Mad. d'Eflrces M^d. des Houlicres Mad, de Montelpan jignes boreau Kinon I'Enclos Lauia Dutchefs of Devonihire Lady Panks Lady Charlotte Finch Mrs. Montague Mrs. Barbauld Mrs. Kcnnicott Mrs. Siddons CLASS CLASS XI. 55 CLASS XL Busts, small statues, boys, animals, 5^c. X HE black bafaltes, having the appearance of antlqua bronze, and (o nearly agreeing in properties with the ha- i'altes of the Egyptians, is excellently adapted for bufts, fphinxes, fmall ftatues, &c.; and it is certainly an ohjecl of importance, to extend and preferve, in fuch durahk materials, as many as pofiible of the fine works both of antiquity and the prefent age : for after time has deftroyed even marbles and bronzes, as well as pi6l:ures, thefe copies will remain, and wnll tranfmit the produ6lions of genius and the portraits of illuiirious men, to the mofl diftaat times. Thofe who duly conGder the influence of t\\Qfi}:e arts on tlie human mlnd^ will not think it a fmall benefit to ths world, to diliufe their productions as vvide, and preferve them as long, as pofiible. The multiplying of copies of fine works, in beautiful and durable materials, mufi: ob- vloully have the fame efi'e(5i in refpecl: to tiie arts, as the in- vention of printing has upon literature and the fciences: by their means tlie principal produclions of both kinds w^ill bje- for ever preferved, and will efiecSlually prevent the re- turn of ignorant and barbarous ages. Nor have the artifi:s themfelves any thing to fear fron> tb.is multiplication of copies. Whatever awakens, and keeps alive, the attention of the public to the prodih6lions of the art^j and nothing can be more efi^cclual for that pur- pofe than tlie diffufion of copies rf fine zvrr-ks^ muft ulri- mately be ad.vantngeous to the artifi: who is capable of pro- Z ducing 5 C L A S S XL (iucing fine origlnah; for this general attention, in wha'- ever country it is fufficiently excited, will always produce amateurs, who, not contented with copies, which every one may procure, will be ambitious of poflelling fine ori- ginals, that copies from them may be multiplied and dif- fufed, to the crsdit of the pofTeffor, and the emolument as wtll a? credit of the original artifl. On thefeconfiderations the proprietor has, at a verycon- fiderable expence, extended the fubjedl:s of this clafs, and endeavoured to give them all the perfe6lion in his power; and he hopes the articles in the following lift will be found not unworthy of the notice of thofe, who have been pleafed to honour this difficult and expenfive undertaking with their generous patronage. A fmall aflbrtment of the figures is now made in the lafper of two colours, the effeft of which is new and plea- fmg. The proprietor is ambitious of preferving in thefe mate- rials the diftinguiihed charaders of the prefent times, either by making their buJIs in bafaites, or their portraits in has relief, in the jafper with coloured grounds: and he begs leave to obferve to thofe who may honour him with mo- dels or moulds for this purpofe, that if the models be made in clay, they either fl:iould be burnt, to enable them to bear carriage, cr plafler moulds taken from them in their foft ftate, which will anfv/er equally well; but that neither clay models nor plafters are to be oiled: they fliould be a £fth part larger than the figure required. Thefe models, cafis, or moulds, may be fafely fent from any diftance, and they fhall bs returnedj if defired, S E C- CLASS XL S E G T. L 57 -.♦.<-<"<-<..<-<-<-<"<~«'<>.».»->~>.>.>.».>->^->w SECTION. L Busts. ^hout 25 inches high. M. Aurelius Antoninus. Lord Chatham. Zeno. Plato. Epicurus. Junius Biutus. Marcus Brutus. Pindar. Homer. Cornpliur, de M^'itt. John de Witt. Antinous. Auguftus. Antoninus Pius. Inigo Jones. About 22 inches high, Palladio. Demofthenes. Minerva. Cato. Faullina, Rouireau, Cicero. Socrates. About 20 iJiches high. Dri Swift. Horace. Grotius. Seneca. Lord Bacon. ] oh n fori. Raleigh. About 18 inches hi?h. Newton. Venus De Medicis. Boyle. Abo:{t 165 inches hi^h> Young Germanicus. Young Marcus Aurelius. Agrinpinn. Dr. Fother^il. Abou^ 58 CLASS XL SECT. L Jbout 15 inches high* Homer. Deinocritus. Hippocrates. Galen. Ariftotle. Cicero. Veftal. Zingara, Chaucer. Beaumont. Fletcher. Shakefpeare. Milton. Congreve. Prior. Swift. Pope. Plato. Sappho. Julia. Seneca. Virgil. Addifon. Dryden. Horace. John Ton. Spencer. Madona. Madona. Locke. Newton. Boerhaave. Michel de Ruyter. Cicero. Locke. Newton. From 10 to 1 1| inches high George L Voltaire. Socrates. Ariftotle. M. Antony. Cleopatra. 7 and 8 inches high : Ne\vton, Locke. Prior. Congreve. Homer. Bacchus. Ariadne. Voltaire. Montefquieu. From 4 to 4I inches high. RoufTeau. Pindar. Ariftophanes. Voltaire. SEC- C L A S S XI. S E C T. 11. 59 SECTION II. Statues, An'ima!s, iffc, 1 Neptune, 1 feet. 2 Triton, ditto. 3 Polyphemus, i() mchesby \G. 4 Morpheus, a reclining figure^ 25 inches long. ^ A young female figure in the chara6ler of Ceres, fitting. 6 Infant Hercules, with the ferpent, 20 inches high by 23 broad. 7 G-^nyme^e^ from the Florentine All! feum, 12 inches. 8 B2.Qc\m9„from Saniov no, 11 inches, 9 The iume, from Al^ichae/ y^ngeio, 11 inches. 10 Egyptian lions, y?-i);7z /^^ Capitol. 8: long by 5 ^/^^. 1 1 Five boys, yro;?2 Fiamingo, r inches l^ng. 12 Egyptian Iph.ynxcrs, a pair, '0 inches long. 13 Grecian fphynxes, rt'/V/o, 12 inches lon^. 14 Ditto, 5 inches. 15 Egyptian ditto, with the lotus, /o /?3/^ candles, 6 inches 16 Sitting fphynxes, ^c///? nojjles, to hold candles, io| inches. 17 Griffins, with ditto, 13 /«f/6(? <^ji; 7, 18 Elephant, 16} inches long by < 4I /?/V/9. 19 Apairof Tritons,yroOT All chael Angela, 1 1 /7?r/;a high. 20 Bacchus, ajlutue, io| inches high. 21 Faun, ^i//o. 2 2 Two pug dogs. 23 Apollo, a ftatue, 1 1 inches. 24. Venus de Medicis, lof inches. 25 Mercury, 11 inches. 26 Voltaire, 12 inches. 27 Roufleau. 28 Venus rifuig from the fea, upon a pedeflal, richly orna^ mented with figures reprefentlng the fealons, 6| inches. ^ 20 Cupid fitting penfive 1 01 • ; 30 Venus reclining, io inches. 31 Ariadne reclining, 10 inches. I 2 Venus 6o CLASS XII. XIII, ^2 Venus 1 ^^ • 7 •^ Tv>, > lo inches, 33 Mercury J c?4 Zingara 1 ,^ • , •^^ ^ ° ( in inches, 35 Ceres J ' 36 Cupid, on a pedeJiaL 37 Hebe, ditto, 38 Small ftatues, on dlito* 39 Mars, ditto, 40 Venus, ^/V/o. 41 Jupiter, ditto, 42 Small bufts with emblematical terms. a<^^K>..>^.»«V»>H>,M>,c CLASS XII. VariQuslinds ©/"Lamps ^«^ Candelabra, ufeful and cr^ namental. X H E lamps are made both in the variegated pebble and black bafaltes; in tripods, with three lights, and other an- tique forms: fome are made in the jafper of two colours, adapted to Argand's patent lamp, the brilliant h'ght of which, being thrown upon the bas-reliefs, has a fingular and beau- tiful efFefl. They all bear the flame perfedlly well. Their prices are from two /hillings a-piece, to five guineas. The Candelabra are made in the fame materials, and are in price, from one guinea a pair, to four or five guineas. CLASS XIIL Tea ^«^ Coffee Equipages, ^c. JL E A pots, coffee pots, chocolates, fugar difhes, cream ewers, with cabinet cups and faucets, and all the articles of the tea table and dejeune, are made in the bamboo and bafalte ■ -' ■ t)oth §^^ CLASS XIV. XV. 6i both plain, and enriched with Grecian and Etrufcan orna- ments. They are hkewife now made in the jafpcr of two colours, polifhed within (not glazed) like the natural ftone, ornamented with bas-reliefs, and very highly finilhed. See the annexed plate, where the tranjparencj of the jafper is endeavoured to be reprefented. >•>«>. »H>^I».>.>..>.>M..O.>.>.>^. ►.. CLASS XIV. Flower tOTs, ^W Root pots. O F root potSj as well for bulbous as other roots, and of jiower pots or bouqiietiers, there is a great variety, both in refpe(5l to pattern and colour ; and the prices vary accord- ingly. The flower and root pots are from fixpencea piece, to feven fhillings and lixpence. Some of the bulbous-root pots are finifhed higher, with bas reliefs, enameling, &c, and the prices are in proportion. The ornamental or vafe flower pots are from one (hilling to eighteen fliillings or more. CLASS XV. Ornamental vases of antique formj; in the Terra COTTA, refemhling agate, jafper, porphyry, and other variegated ftones of the cryJialUnc kind, J. HESE vafes are adapted for ornamenting chimney- pieces, cabinets, book-cafes, &c. They are from 6 to 1 8 or 20 inches high. The prices, from 7s. 6d. to two or three guineas, according to^their fize, and 62-. CLASS XVI. XVIL snd the manner in which they are finifhed, with or without liandles, has reliefs, gilding, draperies, fefloons, medallions, &c» They are generally fold in pairs, or in fets of threcy five, OY [even pieces* 1 he fets of five pieces are from about two guineas, to five or fix guineas a fet* »♦■♦ ♦■♦•< "♦•♦<♦•< •<"<'...>~-^->->~>..>..>-»«». >» CLASS XVL A'Mliue irafes a/BhAcK porcelain or artificial ba- sal tes, highly fin'ijhedy with has relief ornaments, &c. o F this f|?ecies of vafes there are a great variety of ibnns, chiefly Grecian or Etrufcan. The fizes, from three or four inches high, to more than two feet: the prices, from 7s* 6d. a piece to three or four guineas, exclufive of the very large ones, and thofe which confift of feveral parts. The fets o( five, for chimneypieces, are from two guineas, to fix or eight guineas a fet» CLASS XVIL Vases, Pateras, Tablets, &c. with Encaustic Paintings, Etrujcan and Grecian^ X HE Vafes of thisclafs, as well as the paintings, are co- pied, with the utmoft exadtnefs, from the antique, as they are to be found in Dempfter, Gorius, Count Caylus ; but more efpecially in the moft choice and comprehenfive col- lection CLASS XVIT. 6- lefilonof Sir William Hamilton, which, to the honour of -the colledor and of this nation, and for the advantao'p.of our artifls, is depofited in the Britifii Mufeum. As it is evident, that the finer fort of Etrufc?.n vafes found in Magna Gra^cia, are truly of Greek workmanfiaip, and ornamented chiefly with Grecian fuhjeds drawn from the pureft fountain of the arts; it is prohable that many <^ the figures and groupes upon them pTeferve to us fl^etches or copies of the moit celebrated Grecian paintings; fo that few monuments of antiquity better deferve the attemti^aia of the antiquary, the connoiil^c^ur, or the ai-tiii, than the painted Etrufcan and Grecian vnfcs. The art of painting on vafes, &c. in the manner of tiae Etrufcans, has been loft forages; and is fuppofed, by the ingenious author of tlie DifTerLation on Sir William Hamil- tons Mufeum, (M. D'Hancarville) to have been loft in the time of Pliny. It was given up by all the antiquaries and connoiiTeurs who fpoke upon the fubjed; and when Sir William Hamilton's book was publiflied (of which a copy was, with a truly liberal fpirit, prefented to me by Sir Watkin Williams Wynne) that idea was not only confirmed,, but fuch an account given of the difficulties necelfarily at- tending the pradice of the art itfelf, as would have damped all attempts to recover it, if I had not made a confiderable progrefs before I read that difcouraging account; for fome proof fheets of Sir William Hamilton's work put into my ]iands by Lord Cathcart, and fome original I^trufcan vafes fliewn to my late friend and partner Mr. i^entley and me, by his Grace the late Duke of Nortliuraberland, had pr.eviouily called my attention to this objed. A careful examination of the colledions of Etrufcan vafes that were then in England, convinced me, that there could be no hopes of imitating tlieir paintings with any of our prefent enamel colours; all th.e enamels having a glof/y furface, Avhilfl: the Etrufcan paiiitiiigs have a ftone-lil-e fur- face. H GLASS XVII. face, without any glare or glafTy appearance. It was plain^ that the luccefs of any attempt to revive this loft art muft 'depend chiefly lapon the difcovery of a new fpecies of en- cauftic colour, eflentially different, in its effefl, froni the enamels now in ufe. In confequence of this obfervation, and by a great variety of experiments, tlie difcovery has been made, A complete fet of colours has been produced, equally durable and burnt- in as other enamels, but entirely free from the varniflied or glalTy afpe6l which, to all perfons of critical talle, is fo great an imperfedlion in the others, and which the artifts have in all ages fo earneflly, and in modern times fo unfuccefsfully, defired to avoid. The property upon which this happy ef- fe6l depends, produces at the fam.e time another advantage: the colours never fpread in the fire or run out of drawing, as the other enamels muft necefTarily do, in a greater or lefs degree, in confequence of their vitrifying and melting upon the piece. Thefe colours are fufficient not only to imitate all the paintings upon the Etrufcan vafes, but to do much more; to give, to the beauty of defign, the advantages of light and fhade in all the variety of colours. Perfons of the moft refined tafle have acknowledged this to be a higher and more perfedt fpecies of painting than was known to the world before the date of this invention; and therefore it is hardly neceffary to add, that no art is capable of producing richer or more valuable decorations. The ingenious experiments of Count Caylus, for recover- ing the ancient art of making the pi£lures called encaufiic in another branch of painting, had the fame objefl as mine \\\ point of talle, but in other refpeds there is no refemblance between the two arts: his colours are applied on canvai by the mediation of wax\ mine are hirnt-in upon porcelain by a red heat. It was thought neceflary to give this fhort account of an art which is new to the public, and which, it is hoped, Vfill appear, C L A J5 S XVIT. 65 appear, by the fuitable application of it, to merit attention. But a better idea of it than can be conveyed in words, may be obtained by examining the fpecimens, which have al- ready been honoured with places in the cabinets of moft of the princes and amateurs in Europe. The figures upon thefevafes are taken as well from gems, antique paintings, and bas-reliefs, as from Etrufcan vafes; and are executed with great care by the bell artifts that can be procured. No attention has been fpared to render them lit ornaments for the nobleft apartments; and conH- dering the great expence and rifk attending fuch delicate fubjedls, it is hoped the prices will be deemed reafonable. The vafes painted in this way are from 6 or 8 inches to 20 inches high; and in price, from one guinea a-piece to 10 or 12 guineas. Tablets, for chimneypieces, for cabinets, and for in- laying, are enriched with the fame fpecies of painting.. Thefe tablets are, from the bracelet fize, to 18 or 20 inches diameter. Some have been made, for that excellent artift Mr. Stubbs, fo large as 36 inches, and his exquifite enamels upon them after nature, which have been repeatedly ex- hibited in the Royal Academy, are evidences of the fpecies and value of the enamel paintings that may be producecj lapon thefe tablets. ■■'4*'^*•^*^•^^*•<^*'^>'^<^^■'<■'%■'0^"<^-"<■^<^» CLASS xviir. Vases, tripods, afid other orjimncntSy in the jafpcr zvith co* loured grounds and white has reliefs* See the Plate* XXS thefe are my latefi:, I hope they will be found to be my mpft improved work. Verbal defcriptions could give K but 66 CLASS XIX. bat an imperfect idea of the delicacy of the materials, the execution of the artift, or the general eiFecSl; and I muft therefore beg leave to refer thofe who wifh for information in thefe refpedls, to a view of the articles themfelves. The prices of thefe vafes are nearly the fame as thofe of the high-finifhed vafes with encauftic paintings. CLASS XIX, Iktc-stands, Paint chests, Eye cups. Mortars and Chemical vessels. D 'IFFERENT kinds of ink veflels and ink-flands have been made at this manufadtory, but the following is pre- fumed to be the befl and moft convenient that has ever yet been brought into ufe. C L A S XIX. 67 A A, the ink-ciftern, filled with ink up to F. B> pen tubes, clofe at bottom. C, a fmall opening into the ciftern, flopped with an air- tight plug. D, a conical tube^ communicating at bottom with the cif- tern, and in which the ink rifes only to E, being kept down, while the aperture C is flopped, by the prefTure of the atmofphere. When the ciftern is to be filled, take out the plug C, and pour in ink till it rifes nearly to the top, D and F. The plug^being then returned into its place, the ink in the ca- vity DE may be taken out, or on flanding for a few hours it will fubfide of itfelf to E, efpecially if warmed a little be- fore the plug is put in. The advantages of this ink- Hand are, That the form of the tube DE, through which the pen is dipped prevents, the foiling of the pen and fingers: — That the narrow end of this tube below E, prevents the pen from flriking againfl the bottom: — That the ink comes in conta6l with the air only in the fmall fpace E; by which means it is prevented from evaporating, growing thick, and fpoiling, as it does in all the common ink flands, where a large furface is una- voidably expofed to the air: — That the fediment, which the ink may depofite in flanding, will fettle chiefly on the broad part of the bottom, under the main body of ink; not where the pen is dipped, as the ink there is in fmall quan- tity, and continually fupplied with the fine part from above: — That the veflel being made of the fine compa^l black bafaltes, is neither corroded by the ink, nor abforbs it, nor injures its colour, as the metals ufed for thefe pur- pofes do; and that it admits of being finiflied, in point of workmanfhip, with the highefl degree of accuracy. Thefe ink-flands are fold feparately, as reprefented in the above plate, or with fand-boxes wafer-boxes, &c. form- \ng various kinds of ufeful and ornamental ecritoires, as well K :>- m 68 CLASS. XIX. in the jafper of two colours, as in the bafaltes; the prices are from fixpence, rifing according to the fizes, forms, and workmanfliip, to two guineas. The PainT^hests contain fets of large and fmall vef- fels, and neat pallets, for the ufe of thofe who paint in water colours: tliey are fold from five fliillings to half a guinea. The Eye cups, for bathing the eyes, are made of the compofitions imitating variegated pebbles, &c. The Mortars, of various forms and fizes, from two to thirteen inches in diameter, outfide meafure, and from one and a half to ten in the clear, are made in the hard porcelain No. 6; a material far fuperior to all thofe in common ufe for thefe purpofes, and nearly equal to agate. The excel- lence of thefe mortars for chemical and other curious ufes, is already well known ; and their valuable properties render them equally defirable for the purpofes of the apothecary and of the houfekeeper. Marble mortars arey^y?in comparifon with thefe, and a very confiderable quantity of the fubilance of the marble is abraded and mixed with all powders of the hard kind that are ground in them : — they are corroded and difTolved by all acids; and hence, befides altering the nature of any acid liquor put into them, by imparting to it as much of their fubftance as the quantity of acid requires for its faturation, the furface of the marble itfelf is rendered rough and ca- vernulous, and on that account ftill more liable to be abraded, and very difficult to be made clean : — oils of all kinds are. imbibed by them, fo that whatever follows an oily fubftance in fuch a mortar mud; partake of the fmell and tafte of the oil. Metalline mortars are difTolved or corroded, not only by acids, but by all faline fubftances, by fimple moifture, and C L A S S XX. 69 and by the air; and ibme experiments lately publiflied by Mr. Blizaid have given grounds to apprehend, that even dry fubftances, of the mere earthy kind, void of fallne mat- ter, and of no great hardncfs, will receive, by being pow- dered in brafs or bell-metal mortars, though perfedlly clean, a coppery impregnation, fufEcient to manifeft itfelf in the common chemical trials, and perhaps not altogether innocent in medicines or in aliments. From all thefe imperfe6lions the porcelain mortars are free, and their price is fufficiently moderate to admit of their general ufe. This compacSl hard porcelain is excellently adapted alfo for evaporating pans, digefting veflels, bafons, filtering funnels, fyphons, tubes, fuch as Dr. Prieftley ufes in fome of his experiments iniiead of gun-barrels, retorts, and many other veflels for chemical ufes, which I have made for my friends, of different forms and magnitudes, and with fome variations in the compofition itfelf, according to the views for which they were wanted. If, in this depart- ment, I fhould be happy enough to contribute any thing to- wards facilitating chemical experiments, by fupplying vef- fels more ferviceable, or more commodious for particular ufes, than are commonly to be met with, my utmoft wiflies in refpedl to thefe articles will be gratified. -♦■♦•< •<-*^-S"<"<-^'<'O-0-'*—O->->-*.-0«i CLASS XX. Th e r mom e t e r s for mcafuring ftrong fire, or the degrees of heat above ignition, X O thofe who are converfant in experimental enquiries, or in the operations of manufadures and arts that are car- ried on by fire, it is unneceflary to mention the importance of a thermometer, by which the force of fire, in furnaces of every kind, may be accurately meafureJ, and appre- ' elated 70 CLASS XX. ciated in the fame denominations, as the lower degrees of heat are by the common thermometers. Such an inftrument I have now the fatisfa6lion of offering to the public. As the thermometer itfelf is accompanied with a pamphlet explaining its conflruflion and ufe, and as the refults of my experiments, both refpe6ting its conftruc- tion, and the comparifon of its fcale with that of Fahren- heit's continued, have been honoured with a place in the *Tranfaftions of the Royal Society-j-, it will here be fuf- flcient jufl to mention the general principles on which it is founded ; v'l'z. that earthy bodies of the argillaceous order have their hulk dlminiJJjed by fire in proportion to the de- gree of heat they are made to undergo; — and that, confe- quently, the contradion of this fpecies of matter affords as true a meafure for flrong fire, as the expanjion of mercury or fpirit of wine does for the lower degrees of heat; but with this difference, that the contradlion of the argilla- ceous mafs is 2i permanent effedl; fo that the degree of heat is not here determined by a fingle tranfient obfervation made in the fire itfelf, but its meafure is preferved, and is to be examined when grown cold, or at any future time. The argillaceous matter is formed into equal fmall pieces, called thermometer-pieces; and one of thefe, which may be conceived as the detached bulb of a thermometer, is put into the fire that is to be meafured, either in a little cafe made for that purpofe, or in the fame veffel with the fub- jefl-matter of the operation. A gage, confifi;ing of two rulers fixed on a flat plate, a little nearer together at one end than the other, fo as to in- clude between them a long converging canal divided on the fide, ferves for difcovering minute variations in the bulk of the pieces. A raw piece will juft enter to o at the wider end of the canal: after it has been in the fire, if it ^ Phil. Tranfaa. vol. LXXII, LXXIV, LXXVII. be C L A S S XX. 71 be gently Aid along till it is flopped by the convergency of the fides, the degree at which it flops will be the meafure of its diminution, and confequently of the heat which it has undergone. As the accuracy of the fcale of the common thermometer depends upon the perfe6l equality of the bore of the tube from one end to the other, fo the accuracy of this gage depends upon the perfedl flreightnefs of its fides; and the difficulty of obtaining this efTential condition necefTarily occafions a confiderable enhancement of the price. I have now happily fucceeded in making gagps of the hard fpecies of porcelain, more perfedl than thofe I can generally pro- cure in brafs: the porcelain ones have the advantage of not bping fufceptible of any bruife or derangement; they may be broken, but they cannot, in this refpe6l, deceiye. IF it fhall appear to thofe, who may have been pleafed to attend to the flate of this manufa6lory from its commence- ment, that it has been in a progrej/ive courfe of improvement^ with refpedl to the tafte and variety of its produ6tions, as well as the quality of the bodies or compofitions of which they are formed, the proprietor will be highly gratified by their approbation. He begs leave to obferve, that a competition for cheap- nefs rather than for excellence, a defire of felling much in a little time, without a due regard to the tafleand quahty of the produ6lions, is a mofl frequent and certain caufe of rapid decay both to the fine arts and to manufactures; but that if purchafers fhould at any time, under the fallacious appearance of faving, prefer mediocrity y it would then be impollible for artills or manufadlufers to pay the necefTary attention [ V- ] ;ittention to excellence, and conTequently to keep up, much lefs to improve, the quality of their works. It is obvious, that all works mull bear a price in propor- tion to tliefkill, the time, the expence and the rilk, attend- ing the invention and execution of them. Pieces which, for thefe reafons, bear a high price, and are therefore by many called dear, are in general, when juftlyefti mated, the cheapeji, and attended with lefs profit to the maker than thofe which are called cheap. Perfons not pra6):ically converfant in the arts, have fome- times imagined, that when a model or drawing of a fine form is given, it is as eafy to make a handfome copy from that model, as to make an ugly copy from an ugly origi- nal ; not reflecting at the moment, that in the moll beau- tiful forms, the fmalleft deviation from the outline is more ftrikingly vifible, and far more difgufting, than the fame deviation would be in an ordinary piece. In ornamental vafes, encauflic paintings after gems, Etrufcan and Greek vafes, &:c. where every fmgle piece is formed and painted folely by the hand of the artifl, how difficult muft it be to preferve, in every piece, the precife beauty of the firft mo- del ! and even in cafes where a mould is made ufe of, that performs but a fmall part of the work : fo much time and attention, in undercutting the draperies, &c. fuch delicate retouchings with the modelling tools, are fubfequently ne- cefTary for producing a finiflied piece, that a common workman will turn a dozen of pieces out of his hands, finiflied in an ordinary way, before a fuperior artift, whofe time is of courfemore valuable, can give thelafl finiflito «^ fingle one, though the mould be the fame for both. That beautiful forms and compofitions never were, nor can be, made in a little time or at a fmall expence, in any 3«r« [ n ] age or country, is fo fully known to thofe whom the pro- prietor of this manufa6lory has the honour of ferving, that it is unneceffary to dw^ell upon the fuhjedt. He will only add, that fo long as he enjoys the encouragement and fup- port from his illuflrious patrons and cullomers, which he has hitherto done, and for which he now hegs leave to re- turn liis humble and moft grateful acknowledgements, he will continue his heft endeavours to render his works in fome meafure worthy of that notice and patronage; and will much rather give up the making of any particular ar- ticle altogether, than fuiFer it to be degraded. FINIS. L The QUEEN'S WARE of Mr. Wedgwood's manu- faif^iire, with various improvements in the table and defert fervices, tea equipages, &c. continues to be fold as ufual at his warehoufe in Greek Street, Soho ; and at no other place in London. UNIVERSITY OF CALIFORNIA AT LOS ANGELES THE UNIVERSITY LIBRARY This T?opk is DUE on the last date stamped below MAY 1 S nh^ MAR 23 1955 MAY S 195e MAYS 1957 «tC'D LD-'>«!- REPOU 1990 20n*-l,' 41(1122) ■jTlgbl097 4714 (S> ■^ ^ r 'i\ ^ ft ^:. %:-^ ^^--"5. \