^nii^ni 1^ ,_ s^sii iDnii '>i5Aav!ian# ^^•Aavaaii-^N"*^ ^rjij'jNvsui''^^" ■^/S!UAIN(l]\v 'VAavsaii-^^"^' "%^ l}M Mi >- ^WEUNIVERSy/v '^ l'=^| i vjvlOSANCElfJ> ^5^t■[IBRARY0c. ^j^tUBRARYOx. %a3AiN!i3i\v^ ^,lOSANCElfj> o ^OFCAllFOff^ ^.OFCAllFORi^ yo uivran ■'A'^- >'OAnv!!anAS'^ N'rtEUNIVEBi'/A o %a3MN(imv ^OFCAIIFOR^ ^.OFCAllFORf^ ^OAdvaaii-^'^'^ ^CAbvaaiii'^^ N'CEIfj-;> ^^^\E■u^JlVERS•/4 1^1 o <^oi <^OFCAllF0«fc ^ ^^lllBRARYQc^ ^AOJIIVDJO"^ ^OFCAllFOft^ ^tllBRARYOx ij 1 I/—' ^ %ojnv3jo'>^ ^OFCAllFOfti^ .^V\fUNIVERy/A ,^\\EUNIVER% cc ^OAavaaiii^ >&AavaaiH^^ ^rjijow-soi^^ "^AaaAiNn-^wv ^•lOSMElfj-^ %a3AiNnmv ^lOSANCElfj-^ o ^^lllBRARYQr ^lUBRARYQc^ ^0FCAIIF0% ^^OJUVD-JO"^ ■•CAllFORj^ ^OAavaan-1'^ >&Aavaall■^'^'^ . ^lrtE UNIVERJ/A ^' %13DN«01^ A\\EUNIVERS/A. 3-, — - ^lOSANCElfj> s iUL ?5 C *3 ^ ■^/Sa3AINn-3HV ^^^S■UBRARYO^, ^^tllBRARYQr^ ^WEUNIVERi'/^ ^^OJIIVDJO^ ^.!/0JnV3JO"^ 1^1 sj^lOSANCElf/^ , -< %a3AiNii]y\v^ ^JIIVDJO"^ .^WEUNIVERS/A .VlOSANCflfj> JCElfj-^ ''^/5a3AiNn-3Wv^ .-<;OFCAIIFO%, Crf^ ^^Aavaaiii^"^ ^illBRARYQr ^^tllBRARYO/T '^.I/OJIIVDJO'^ ^ O ^J'J13DNVS01'^ ^tUBRARYQ^^ -^^VllBRAfiYO/r %a3AINn-3l>^^ ^OJUVD-JO"^ ^OJIWDJO'^ ,5>WEUNIVER%. cc < J> > ^| iDii| I Jill i-c^i i^^i iiini 1^ ,^^^llBBARYGr <^MIBRARYQc. .^WEUNIVERJ/A o IIVDJO'^ '^^OJIIVDJO'*^ %a3Al^'fl■3^\^^ ,^1rtEUNIVERS■/A ^ ^OFCAllFOff^ ^OAavaaiii^ -^OAavaan^ ;3DNVS01^ ^^WfU^'lVER% ^^lOSANCElfj> ■^AaiAiN:] 3\^ 5>NtllBRARY(?/: ^ ^^tllBRARYOr^ %JI1V3J0"^ '%OJI1VJJO>^ .^«El)NIVERJ•/A >lOSWCElfj> %a3AINIlUV^ ^^HIBRARYftr ^vvur, Ml f^; ^5MEUNIVERj-/A >- ^•lOSANCElfj^ ■< ^OFfAllFOfti^ ^-,0.fCAllF0% ^OAavaaii^'i^ j'OA«vHanAV^ .^«E•UNIVEBS■//, ^lOSANCf"' jo'>^ ^evlUBRARY(?/ •^TJlJONVSOl^'" sOFCAllFOftfc, .^;OFCA1IFO% AWEUNIVERy/A ■^/sajAiNn-awv^ vjclOSANCElfJ-^ ^fiUGNVSOl^"^ -< ^/saiAiNnjWi^ ^ u2 ^OFCAi: ^OFCAllFORi^ "^iece at the .St)ane Museum (plates 7-S, The Practical Exemplar of Architecture. Chimney-pieces (coutinued). 1st reprint). Of white marble, its ilelicate flutinos and quiet desitrn oive it an cftect of the utmost reticence, not without a severe beautv. Sir John Soane, the architect of the Ikuik of England, was the desiL;ner, and it is a characteristic and fine example of his manner for internal work. The stone chimney-piece in the old Dinino- room of Argyll's Lodging, StirliuL;, built in 1632 (plates 9-1 i, ist reprint), is a good example of the form the early Renais- sance took in Scotland. Less refined than contemporary work in the south of England, it is still effective ; and if the profiles of the mouldings are coarse, they are vigorous and in scale with the whole. A Renaissance nioiit has given the idea for the carving of the frieze, which is beautifully executed and fills the space in a satisfactory way. One fe^Uure of the new movement, the terminal figure (received through Dutch agency), was, per- haps from its novelty, was much affected by the designers and carvers of the time, to their undoing. In the present instance it cannot be said to have succeetled. The Adam mantel (plate t,[, 2nd series) is typical of that desit^ner. Curious pillars form the jambs, and delicate enrichments are used throughout. Several elaborate chimney-pieces are Included In the account of Hatton Garden (under " Panelling "), and one of the early Renaissance In the room attributed to Inlgo Jones. A simple specimen in wood is shown (plate 90, 2nd series) from the workhouse, Meopham, Kent. Chimney Stacks. There Is, in our architecture, no feature more English than the chimneys. A natural growth of the re(|uirements of our climate, they are extremely logical and straightfor- ward, and always look what they are. One has but to recall Chambers's vases doing duty as chimneys to realize the value of traditional methods. The chimneys from Eton College (plates 16-19, 1st reprint) are typical of the end of the i6th century. This shape is to be found in endless variety of detail at Moyns Park, Blickling Hall, North Mymms, and generally all over the country. The skill of the bricklayer was never greater than at this time. The example from .Silchester (plates 11-12, ist reprint) .\.i). 1634, belongs to the new type which has lasted, with \ariations, to the present day. rhe slight recesses, only ijin. deep, the arched tops to the panels, the projecting bricks make it a fine example. Goddard's Green, near Cranbrook (plates 23-25, 1st reprint) shows an interesting stack. Proljably a development of the Tudor chimney, it leads the way to the ijuite common type in Kent-chimneys set angle- wise. Close at hand, Dog Kennel Cottage gives a dift'erent but scarcely less interesting type (plates 20-22, ist reprint). Very imposing are the chimneys (plates 13-15, 1st reprint) for Royal College Hospital, Chelsea, designee! by Wren between 1682- 1692. The stone cornice makes a good finish. Marlborough College, Wilts, (plates 26-27, 1st reprint) has chimneys somewhat similar in design. A bold and well-designed stack belongs to the Choir-house, .Salisbury (plates i and 4, 2ntl series). Another fine e.xample Is taken from a small cottage near Westerham (plates 105-106, 2nd series). The double chimneys, set angle-wise, are extremely simple, and make a good finish to the fine base with its numerous oftsets and diverse materials. Colonnades. The stone screen to the Admiralty Buildings (plates 98-104, ist reprint) Is one of Robert Adam's earliest works. It Is shown in his book on Architecture, but without the square openings at each side. Fhese openings were cut after Its erection, and two pillars were taken out of the colonnade to Its detriment. Perhaps the finest stone screen In P2ngland (plates 61-69, 2nd series) Is that from Hampton Court Palace. Wren was fond of coupleci pillars, and here, as in the great porticoes to St. Paul's Cathedral and The Practical Exemplar of Architecture, Colonnades (continued). the colonnade at (incnw ii li I lospilal, he has employed thciii. A line halustradinLf forms part of the desij^n. It is raised well above the cornice, as it oiit^lu in 1><\ and the centre is marked 1>\ hold rar\ cd jxde- stals carrying vases. 1 hr pedestals l>eai- trophies of war which are linel\ car\ cd. The capitals and details are all extrenielv beautiful. Another screen, Queen ;\nne's Walk, Barnstaple (plates 57-60, 2nd series) l)elonL;s to a later period. It was huilt in 1713, and is not a \'ery successful desiL;n. Fhe pillars are much too short, and the whole screen has the appearance of being sunk in the ground. Fhis is further increa.sed by the heavy balustrading. The details are coarse and not very interesting, but the desiofns for the cartouches and the carxinLi' are fairly good. Cornices. A nice judgment is recjuired to pro- portion a cornice to its position. It "reads" quite tlifferently in actualitw when its full girth is e.xposed, from what it does on ])aper, and great care has to l)e exercised in its desitrn. In the use of "the orders" a definite proportion ol)tains and lessens the chances of making mistakes. But there are few rules to guide one to the size of the ordinary crowning cornice to a building. The wooden example fi'oni the .Sti'and (plates 27-2S, 1st rejirint) is of an ordinar\ type, but is boldly designed and well fitted to its height from the ground. riit- two from Chelsea Hospital (Sir Christopher Wren, architect) (plates 29-30, isl re])rlnt) are less usual, Init ver\ interesting. llie great projection ot the coronas is note- worthy, as b)' this device added imjjortancc! is given to the cornices. A charming little stone (ornice is that from the Choir-house, .Salislmrv (plate o, 2nd series), antl various wooil ami ])laster cornices of yood design are shown aiiioii'' the drawinofs of Hatton (iarden and the Cupolas. room attributed to Inigo Jones Being usually raisege is that from Bromley College (plates S3-S5, 2nd series). In l)oth cases an arched opening is contained \^\ Doric pillars and a seg- mental pediment, Init the latter is heauti- fully proportioned, in every way superior to the first. Of somewhat the same period is the wooden doorway from Carey Street (plates 4S-51, 1st reprint). Too much jiraise cannot be given to this : its general pro- portions are excellent, and all the details are of extreme beauty, many of them being enriched in \arious ways. The console blocks, the capitals, and the carving of the festoons, are in the finest style. The raising of the architrave to make a base for the vase is good. A comparison between the doorways from a house in Botolph Lane (plates 54-56, 1st reprint) and from Marl- borough College (plates 52-53, ist reprint) gives a good idea of the differences in design between the 17th and iSth centuries. In the first, \irility is the marked characteristic ; the simple door panels, the strong break of the architrave, the vigorous mouldings, all mark it as belonging to the earlier period ; while in the latter the character is less robust. The door from the Close, Canterbury (plates 97, 99-100, 2nd scries), shows the Renaissance influence strongly in the design of its enrichments. If the carving is a trifle crude it is effective, and the arrangement of the panels, and the use of nail-heads as a decoration, are very good. Fhe winged cupids fill in the pointed top panels remark- ably well, ami all the details are well antl carefully executed. A very original piece of work is the doorway from Clare College, Cambridge (plates 95-96, 2nd series). The working out of the stone details is extremely interesting. Another clever design is the doorway from St. John's College, Cambridge (plates 97-98, 2nd series). It is placed so close to the corner that there is little room for the jamb, bur it has been so arranged as to look well without being in the least cramped. The doorways illustrated from Salisbury ([)lates 2 and 5 and 86-93, -''"^^ series) exemplify the variety to be found within a small area. With the exception of the bold example from the Choir House (late 17th century), these doorways all belong to the iSth century, and display much excellent detail and carving. A pleasant example (plate 63-64, 2nd series) from the Loggia at Hampton Court is also shown. The door from Stresa, Italy (plates 92 and 94, 2nd series), shows a curious arrangement of panels. Numerous examples of interior doors will be found among the Hatton Garden drawings. Exteriors. The Choir-house, Salisbury (plates 1-8, jnd series) is situated to the north-west of the cathedral, and was built at the end of the 17th century. Tradition ascribes it to Sir Christopher Wren, who in 1668 was called in to make a report on the condition of the cathedral ; and he may have been invited from this connection to make a draught for the building. W^hoever the architect was, he has displayed a playful fancy in the design, and a fine feeling for detail. While the com- position of the front is unusual, it is singu- larly well proportioned. The elliptical headed windows, with their delicate coigns and simple architraves round the heads, are delightful. The feature of the front is of course the doorwa)', which is bold and masculine in design ; the brackets and hood are good, and the elliptical window over gives point to it. Fhe iron railing to the steps is extremely simple and effective, and the whole com- position marks the entrance in a most decisive way. The main cornice of stone is designed with a small cove, a favourite profile in Salisbury, and looks very well. Although comparatively small, it is of a piece with the rest of the front, and is an adequate finish to the brick wall. Fhe tiled roof is hipped, and ornamented with dormers which have cornices similar in design to the one at the eaves. It should be noticed that the three sets of coigns, to the corners of the The Practical Exemplar of Architecture, Exteriors {continued') building', to the windows, lo the door, arc all of different sizes. The Imck clcxation has a l)old and simple chlinncx in the middle, with a window on each side similar to those ol the front. If the outside with its fancy and playfulness, is like Wren, the .same is no less true of the interior. The moulded stone jambs and lintel forming the lii-e-place, the simple oak panellini.;, the raised desks at the ends, are all reminiscent ot his work. The curved ramjis to the panellinL; ha\-e a line effect, and i^ive imj)ortance to the daVsed ends. .\ plaster cornice with a coved bed- mouUlinu finishes the room aj^ainst a ilat ceiling ; and the space over, in the roof, is utilized as a dormitorv. Garden Gates. The ironwork ot this S4ate (plates "j"]- 78, 2nd series) is extremely delicate in design, and is a sufficient bar without being so heavy as to interfere with the view of the garden. On the other hand, the details of the woodwork are not particularly good ; the brackets are poor. Probably it belongs to the 19th century, and is interesting on that it on no other account. Gates and Gate-piers. To Tijou we owe the impetus which has given us most of the ironwork left to us. A Frenchman, it is not known when he came to this country. When Wren commenced work at I iampton Court he already found Tijou working there, and it is to him we owe the magnificent series of gates and grilles to be found there. After- wards he worked at .St. Paul's, ilesigning the splendid screens antl other ironwork about the church, lie executed, besides, several gates for the hou.ses of noblemen. His book on designs for hammered iron- work was published in 1693, when he had finished his work at Ham])loii CoLirt. The gate at Aldermaslon (plates 68- 73, 1st re])rint) is a Inie example of i8th cenlur) ironwork, and doubtless inlluenced by the brench smith. The gate it.self is com- paratively simple, and is in strong contrast to the elaborate overthrow ornamented witii leaf and repousse work. A |ileasant feature is the binl jierched on the top torming a fmial. The construction of the side panels tor strength is extremely good, and their design is interesting. Prom the same county (Berkshire) another tine exam|)le is taken. A curious feature- ot the WoK'cilon gate (plates 73-75, 1st re|)rint) is the curvetl construction carrying the overthrow and the fine scrolls joining it to the gate. I'here are few points of similarity between these pfates — the ironwork of the latter is con- siderably stouter, and the details are (|uite ditlerent. .Salisbury is extremel) rich in Georgian ironwork of a simple character. With their piers these three gates from the Close (plates 70-76, 2nd series) form the most charming examples, and show how it is possible to gain a good effect from the- simjilest elements. Those marked Nos. i and 2 are very similar, although the latter is more simple in design, and is without the lit>ht and delicate lamp-carrier that is .so pleasant a feature of the tormer. Scroll panels on each side of the gate, a trilling ornamental cresting, and, for the rest, straight bans, make the design, and fine smithwork gives an added charm. Somewhat similar, though on a larger scale, is the gate No. 3. A fine rail extending for some distance on each side, compo.scd of plain bars, with scroll panels at intervals, gives the gate im|)ortance. It is witler than the others, and the tanciful cresting is not attached to it. Phis ironwork is extremely simple. There is no elaborate beaten leafwork, and all the effect is got by nice distribution ot straight bars and simple .scrollwork. In their finish there is some; tliversity. .Some- times the scrolls finish in a little ring, sometimes in a solid round, which occa- sionally is beaten llai like a coin, or, more rarely, is worked out like a ram's horn. Phe piers to these gates show some variety of design and detail. In Salisbury, The Practical Exemplar of Architecture. Gates and Gatc-picrs {cotiUnned). a common feature is the ornamentation of their faces Ijy sunk panels, and, for a heel mouKl to the cornice, a coved mouldino-. Coigns in l)rick and stone are another form of decoration, and the fniial may take the shape of l>a]l or pineapple or lamp. These various forms are all exemplified in the gates here shown. The steps to the gate with the long- wings are an extremely plea.sant piece of design, as is also the fine walling of brick and Hint with stone copings. Gate-piers. The gate-piers from Hampstead Mar- shall (plates 57-65, ist reprint) were built between 1662-1665 (see note below plate 62, 1st reprint). They are in brick and stone, and ornamented with a profusion of carving and capped with such varied forms of vases, balls, etc., as to make them extremely interesting. None of them pos.sess the quiet dignity, however, of the piers in Lincoln's Inn Fields (plates 66-67, ist re- print), which were ciesigned by Inigo Jones. These are noble in scale, and are the most beautiful in England. The vase and cor- nice is well proportioned, and is extremely interesting in design. Gateways. The garden gateway from Woolhamp- ton House (plates 77-7 V tfrmi ' J -, ■^v.> r~^ ,.^^^^jgg^^^" *. ^am ^" •*• V-: " " ^'.i.. > - m^-''^^ m ^ _ ■ .^ The Metropolitan Water Board's "New River" Offices, Rosebery Avenue, Clerkenwell, London, England. Chimney-piece in the Withdrawing Room. Plate 4. Chimney-pieces (wood). The Practical Exemplar of Architecture. A««HX.HMCm h H H H H H I — I : SOliXyrEET hH i I I I I t I I r I a The Metropolitan Water Board's " New River" Offices, Rosebery Avenue, Clerkenwell, London, England. Chimney-piece in the Withdrawing Room. Mcasun-il ttiul Draun bv T. Fi;inl; Gr Plate 5. Chimney-pieces ( wood ! 1 he Practical Exemplar of ArcKitecture. ^^^ Plate 6. Chimney-pieces (wood). The Practical Exemplar of Architecture. c OD C UJ c o c o -1 U 3 c QJ > -° 2 (U o , c > c ^.^ 1) a. c "SIS ^ > (U o 13 00 C (0 2 U 1^ o tt: i: ■•« Plate 7. Chimney-pieces (marble). The Practical Exemplar of Architecture. Chimney-piece at the Soane Museum, 13, Lmcoln's Inn Fields, London, England. Plate 8. Chimney-pieces (marble). The Practical Exemplar of Architecture. ^ J- ! mf SHUFIS SULID AND IN ...DEPTH tOUAL TO TH[ WIDTH OF THt PIlAi- TCR.IHE TRCAT MCNTATTHC 5IDC BEmC IX- ACFLY SIMILAH TO THE FRONT THE PILAS- TER 15 BUILT UP. SEE DE- TAIL I I I M I M I M ■SFFET DETAIL AT A. A. I I 1-1 T I I I I '/ IliCHES DETAIL AT B Chimney-piece at the Soane Museum, 13, Lincoln's Inn Fields, London, England. Mciisurci/ inul /)/•<(;(•» 'i.v f"cinR;,s- lUicoii. Plate 9. Chimney-pieces (stonej. The Practical Exemplar of Architecture. Enlarged detail of carving on Lintel. General View of Clumney-piece. Stone Chimney-piece in Old Dining-room, Argyle's Lodging, Stirling, Scotland. 1632. Plate 10. Chimney-pieces (stone). The Practical Exemplar of Architecture. (5^ -^ Plate 11. r^\_- • / , \ r^\ • c ^ The Practical Exemplar L.nimney-pieces (stone) — Chimney otacks. of Architecture. Chimney Stacks. Chimney at Manor Farm, Silchester, Berkshire, England. Plate 12. Chimney Stacks. The Practical Exemplar of Architecture. yy ^-'r'^ > * i ; Plate 13. Chimney Stacks. The Practical Exemplar of Architecture. Chimney, Royal Hospital, Chelsea, County of London, England. Plate 14. Chimney Stacks. The Practical Exemplar of Architecture. Chimneys, Royal Hospital, Chelsea, County of London, England. Plate 15. Chimney Stacks. The Practical Exemplar of Architecture. Chimney, Royal Hospital, Chelsea, County of London, England. Mctisiircil unci Didztii hv Fnnici'i liiicaii. Plate 16. Chimney Stacks. The Practical Exemplar of Architecture. Chimney, Eton College, Berkshire, England. ( Plate 17. Chimney Stacks. The Practical Exemplar of Architecture. Roll r/4 WIDE Flaunched UP V/ITH ^ Cementat TXE Angles -2 7- Lead l^UTTER Q < O uj Note. For joinhng of Brickwork see Photograph Plan of Cap Joint (LOOKING down) This Course dies out here but has ^4-' projection at angle . I Detai l OF Cap (looking UP) This Course is coved out To 'i MORE PROJECTION AT THE Angle than here Plan of Base Chimney, Eton College, Berkshire, England. Measured ciiul Drawn by Francis Bacon. Plate 18. Chimney Stacks. The Practical Exemplar of Architecture. Chimney, Eton College, Berkshire, England. Plate 19. Chimney Stacks. The Practical Exemplar of Architecture. o FlashikIg-, Gutte r-, ^ (looking upj Note. For jointing of Brickwork see Photograph IZ 12 24 36 I .iihiml I . I I JOINT Plan of Cap Plan of Base Detai L OF Base Detai l OF Cap AT A 1 2 3 4 5 6 1 1 1 1 Chimney, Eton College, Berkshire, England. Measured ami Drdifii hv Francis Bacon. Plate 20. Ch imney Stacks The Practical Exemplar of Architecture. General View, Dog Kennel Cottage, Cranbrook, Kent, England, showing Chimney-stack. Plate 21. Chimney Stacks. The Practical Exemplar of Architecture. Detail View, Chimney Stack, Dog Kennel Cottage, Cranbrook, Kent, England. Plate 22. Chimney Stacks. The Practical Exemplar of Architecture. HALr PLAN L90KING IIP note: FOK JOINTING or BRICKWORK j-EE PHOTO ■ Chimney Stack, Dog Kennel Cottage, Cranbrook, Kent, England. Mcasurcil and Drau-ii by HA McOiiecii. Plate 23. Chimney Stacks. The Practical Exemplar of Architecture. c JO 00 c UJ o o _Q C (0 u V c c V o (0 O o o c E IE U Plate 24. Chimney Stacks. The Practical Exemplar of Architecture. Detail View, Chimney Stack, Goddard's Green, near Cranbrook, Kent, England. Plate 25. Chimney Stacks. The Practical Exemplar of Architecture. J'CALr FOR CAN AND CLCYATlONr l""T"" l r-^ r 1 M , 1 , 1 •4 r 4 2 £_ ./CALC n=R DHTAIuy rrrr rcHT RAir FLAN AA WMT TLAN D-t) Chimney Stack, Goddard's Green, near Cranbrook, Kent, England. Mciisuix-il and Drawn by H. A. McQueen. Plate 26. Chimney Stacks. The Practical Exemplar of Architecture. Chimney at Marlborough College, Wiltshire, England. Mcasiircil and Drawn by Francis Bacon. Plate 27. Chimney Stacks — Cornices. The Practical Exemplar of Architecture. Chimney Stacks, Marlborough College, Wiltshire, England. i^OW GKOtfMD 35' o* Wooden Cornice, No. 164a, Strand, City of Westminster, England. McasKrcJ ami driiwii bv H . A . Ml On fen. Plate 28. Cornices (wood). The Practical Exemplar of Architecture. -a c C c o -o c 03 o Z o U c V o O Plate 29. Cornices (wood). The Practical Exemplar of Architecture. Two Wooden Cornices, Royal Hospital, Chelsea, London, England. Plate 30. Cornices (wood). The Practical Exemplar of Architecture. lO rvftUNCKiMC TQ UTTtK Two Wooden Cornices, Royal Hospital, Chelsea, London, England. Measured mul Drau-ii by Francis liiicon. Plate 31, Cupolas (wood). The Practical Exemplar of Architecture. Cupola, Clare College, Cambridge, England. Plate 32. Cupolas (wood). The Practical Exemplar of Architecture. Joile ^^ ^' i-^ '^-^ -^-h' ^' f^^ f ^^/ Cupola, Clare College, Cambridge, England. Elevation and Plan. Measured iiiui Dniicii by G. Herbert Parry. Plate 33. Cupolas (wood). The Practical Exemplar of Architecture. BA5ETD PIIASTIKS SCALE H-LH rl .1 .1 ^i -j T- 7 I '«' I Z^ WCHU Cupola, Clare College, Cambridge, England. Details -Uc.rwnv,/ ,,,„/ Dn,ic„ by Herbert Perry. Plate 34. Cupolas (wood). The Practical Exemplar of Architecture. LEADM^RK ATBA5E OFDOME LEAD DRESSED a/£l^ ciLL :/\: INCHES ODRNICE " H ■ Cupola, Clare College, Cambridge, England. Details. Mccisnrcil und Druu-n by U Herbert Parry. Plate 35. Cupolas (wood). The Practical Exemplar of Aicliitecture. XAi-E- H !H I l\ «| j| 4\ ,tl 1^1 /I f' )\/.VCHES Cupola, Clare College, Cambridge, England. Pilaster Capital. . View and Detail. Measured and Drawn by O. Herbert Parry. Plate 36. Cupolas (stone). 1 he Practical Exemplar of Architecture. Cupola, All Hallows Church, London Wall, City of London, England. Plate 37. Cupolas (stone). The Practical Exemplar of Architecture. Plate 38. Cupolas (stone). The Practical Exemplar of Architecture. Cupola, All Hallows Church, London Wall, City of London, England. Detail View of Upper and Lower Part. Plate 39. Cupolas ( stone \ The Practical Exemplar of Architecture. Cupola, All Hallows Church, London Wall, City of London, England. Plate 40. Doors and Doorways (wood). The Practical Exemplar of Architecture. Morden College, Blackheath, Kent, England. Doorway to South Wing. Plate 41 Doors and Doorways (wood). The Practical Exemplar of Architecture. SCALE OF FEET FOR GENERAL DRAWINGS. WS. TTTTl X X J I FEET. DOOR TO WING ^t113 DOOE BVILT VP -IMD'BJinT PREVEMTS jOinT5 BEIMG SHEWM. jTHI5 RETVCMS VMDEB ' TR>lM50Mt: TOP or TR/lhSOME 13 5QB«3t Of MODinc/lTION " rc/iMc roc MLICriT DEPTH 5T0N AT FIRST LEVEL, or- E STCiNG rL0C2 I Ui u-i U u-i U u-i ^ I u-i U t-j U u-i L-i -t=t-\ a fNCflCS SKETCH or BRACKET OF HOOD OVER WING DOORS. THIS RilRT CVRVED BETWEEM BMCKrfS SECTION OVER BR/ICKETS SECTION OVEIE KEYSTONE . MOVLDS OF MOOD. I I I I I I I I I I I I 5 6 7 I I ' I I ' ' i I |~r- zflNCr;:3 KT/STONE SC4LE FOR DET/1IL5 tf^oRlZONTAL LINE Morden College, Blackheath, Kent, England. Details of Doorway to South Wing. Measured and Drann hy T. Frank Green. Details of Door Measured by A.J. Ilcaley. and Drawn by A . Bough. Plate 42. Doors and Doorways (stone). The Practical Exemplar of Architecture. Morden College, Blackheath, Kent, England. Main Doorway. Plate 43. Doors and Doorways (stone). The Practical Exemplar of Architecture. Tl«IP0lilMPWl)-iJilO-WE- tudmot It REM •II)(JlDB^^3HirCMrH!la , "ll]FaP-W]0FI10^T: INI n I 1 1 I I I I i' I I I I 'f I I I I f .FT — ^^ I' \ p.^. ;r=^ POSTECh \ V MAIN nnnr> 1 W 1 LJUUk 5^^^ ^ :^ inrnru L ^ ' ' L ^ T=r-fcr /lPCniTC/5VE uj 1-1 ^ 'u i-i ill i-i 'flMrnf.*! Morden College, Blackheath, Kent, England. Details of Main Doorway. ilccisiircd ami driiii'ii by T Fiuiiik Green . Dctiiils of Door iiicusiircil by A.J. HcaUy, and draun by A . lioiijlh . Plate 44. Doors and Doorways (stone). The Practical Exemplar of Architecture. Morden College, Blackheath, Kent, England. Details of Main Doorway. McLisitrccl Hint circiifii by T. Frank Green. Plate 45. Doors and Doorways (wood). The Practical Exemplar of Architecture. a- o o Q c C -J c _C -id o n3 CQ ~o U c 1) -a Plate 46. Doors and Doorways (wood). The Practical Exemplar of Architecture. CVP? CHAPEL DGDE 1 « O I DGDCWATTOChl^PfL 10 11 12 13 t± 15 I I i H I 5c>^LC or rzzT Details of Doorway to Chapel. Measured and drawn hv T. Frank Green. Detail \'ie\v of Panels to Cliapel Dorir- Morden College, Blackheath, Kent, England. Plate 47. Doors and Doorways (wood). The Practical Exemplar of Architecture. J ■ PERSPECTIVE OKETCHCS or FLOWERS 43 AT O TME 4 V4PIETin:5 - MERE SMEWN BEINC.'./ V5ED INDISCEIMIMTEUy. &1BVED PIECCED, R4NEL 34MC MOLD TOR J>]MB /IND INTI2/3D05 OF.4PCIiW4Y LEFT HAND SPANDREL m OTNC W«t> 4Df IMiWl'OTKlt Mord en TO /"" ■••■'''■ College, Blackheath. Details of Doorway to Chapel. Measured itinl ili\i^i-ii hy T Frank Orceii Plate 48. Doors and Doorways (wood). The Practical Exemplar of Architecture. Doorway removed from a House in Carey Street, City of Westminster, England. A'ou' til the \'ictoriii ami Albert Mtisctiin, South Kcitsiiigtuii . Loiiilnn. Plate 49. Doors and Doorways (wood). The Practical Exemplar of Architecture. i PL/IN .^T B I 2 PLAH Ai C PLAINS LOOKING VP. ELEVATION . DOORW4Y FROM A H0V5E N C>^REY STwc. ■TOPCOVteiNG PBOBABUE FACE or WALl. wrTH HOOD (Tizcv/Nn SECTION OM CENTRE LINE Plate 50. Doors and Doorways. The Practical Exemplar of Architecture. uo 3 4 5 6 7 8 9 10 II 12 13 14 ,15 Doorway in the Victoria and Albert Museum, removed from a House m Carey Street, City of Westminster, England. Details. Maistin-il mill ilnm'ii by T. Frank (hccii. Plate 51. Doors and Doorways. The Practical Exemplar of Architecture. PROBABLE FACt OF BRICKWORK E FINISH /IT D SEt ELEVATION . SIDE OF ~\ ' PIL/ISTEf J Hi %r-\r^ PIL/3STER B>^SE or PIL>:1STEP. STEP. 10 ,11 12 ,13 ,14 ,15 16 17 15 ItiCflES Doorway in the Victoria and Albert Museum, removed from a House in Carey Street, City of Westminster, England. Details. Mciisiircil and ilyauii h\ T. Finiik Green. Plate 52. Doors and Doorways (wood). The Practical Exemplar of Architecture. -— — — = asjtjiisgssp;-- ^ umiiiiiii |^^H^^|Hffi!ll)>ir ^^^f^eSaSt RSyW''-^ COMMON ROOM] 1 85^!!^/:;' 1 Door to Common Room, Marlborough College, Wiltshire, England. Plate 53. Doors and Doorways (wood). The Practical Exemplar of Architecture. miiiii iiiiiiiin 1 L t t f a ^^Jir >• I L S 9 INCMLS. )( X XX :x ^^ )o Door to Common Room, Marlborough College, Wiltshire, England. Mc(isiii\-il and ilnrxtii bv Fnnicis liacun. Plate 54. Doors and Doorways (wood). The Practical Exemplar of Architecture. tfl c U V c <-■ i^ ■a S 4) Q. •£ 2 '/! H'C ?5 o.t: •S'-^ *- >i ri^ r- "" .:: 'a "-tg TJ 'O c S TS n3 ^ c ci DC a " C UJ ^ '5 o.^ c a C -a ^ — 2 U gg- dJ *^ iT o "■ c -J o J= "o -^ Q. './I a> o ^.H « o CQ ■j: "S M c H.= o. -TD rt ^ o X 5 c o ^ i: r. o *' tx o u c a= -C 'aJ , . H.a V3 1 *^ U. 1 o 1-C B C m _G C U o >. K3 ^ V- O O Plate 55. Doors and Doorways (wood). The Practical Exemplar of Architecture. PLflSrCRPflNEL iiNciER-LflNbrNGwirn UflTE OFCOMPLETION I I ■ ■ Door, 1st floor landing, of House (now demolished) Botolph Lane, City of London, England. Measured niul drawn by Norman Jexcson . Plate 56. Doors and Doorways (wood). The Practical Exemplar of Architecture. Plate 57. Gate and Wall Piers. The Practical Exemplar of Architecture. c 00 c CQ -o V rs X c nj 10 o Plate 58. Gate and Wall Piers. The Practical Exemplar of Architecture. 1260 I 25456789 FEET Gate Piers, No. 1 , Hampstead Marshal Berkshire, England. For general view, see plate 57. Measuini uiiJ drawn hx Fnnicis Bacon. Plate 59. Gate and Wall Piers. The Practical Exemplar of Architecture. 7 6 9 10 II 12 I I I I I r Details of Wall Pier, No. 3, and tinial on Gate Pier, No. 2, Hampstead Marshall, Berkshire, England. Fur general \ iew. see plate 57. Mcitsurctl tiiiii (Irti-ii'ii hy I'l-tiitcis liitcuii. Plate 60. Gate and Wall Piers. The Practical Exemplar of Architecture. Gate Pier No. 4, Hampstead Marshall, Berkshire, England. Plate 61. Gate and Wall Piers. The Practical Exemplar of Architecture. Gate Pier No. 4, Hampstead Marshall, Berkshire, England. Mci'siiikI mid draxcii h\ Frtiiicis Hiicoii. Plate 62. Gate and Wall Piers. The Practical Exemplar of Architecture. V" Gate Pier No. 5, Hampstead Marshall, Berkshire, England. Gate Piers, Hampstead Marshall. — Hampstead Marshall was a mansion built between the years 1662 and 1665 for the then Earl of Craven. The house was destroyed by fire in 1718, and never afterwards rebuilt. The gate and wall piers shown on these pages are all that remain of what must have been originally one of the most magnificent palaces in England. Sir Balthazar Gerbier, a contemporary and rival of Inigo Jones, is said to have been the architect, and this building his last work. He is reported to have stayed at the house after it was built and to have died there. In the church close by is his tomb on w hich is inscribed " Here lyeth the body of Sir Balthazar Gerbier, Kt., Arch., who built a stately pile of buildings in the year 1602—1665 for the Kt. Hon. William, Earl of Craven, the greater part of which was destroyed by fire in the year 1718, and never afterwards re-built." The attribution of these gate piers to Gerbier is disputed by Mr. Reginald Blomfield, who assigns them to Captain Wynne, Gerbiers pupil, as more in consonance with Wynnes than CSerbier's other work. Besides inferences based on the quality of the work, Mr. Hlomfield supports his conclusion on certain statements in Walpiile's ,\necdotes, and by animadverting on Gerbier's admittedly wild roving disposition, and his frequent straits for money. He further contends that Gerbier was disgraced and di.scredited at the time of the Restoration and that he died in 1662, before the work in question was commenced. Mr. Blomfield puts forward the view that there was a prior house at Hampstead Marshall built in 1620, of which Clerbier may have been architect. Upon the site of this the more famous house was built. Plate 63. Gate and Wall Piers. The Practical Exemplar of Architecture. Gate Pier No. 5, Hampstead Marshall, Berkshire, England. Mciisiirccl inul ilraziii by I'nnicis Hucuii. Plate 64. Gate and Wall Piers. The Practical Exemplar of Architecture. Wall Pier No. 6, Hampstead Marshall. Berkshire, England. Plate 65. Gate and Wall Piers. The Practical Exemplar of Architecture. Gate Pier No. 6, Hampstead Marshall, Berkshire, England. Mcirsin-L-ti tuul draw): by Frtiiuis lui, Plate 66. Gate and Wall Piers. The Practical Exemplar of Architecture. At No. 60, Lincoln's Inn Fields, City of Westminster, England. Plate 67. Gate and Wall Piers. The Practical Exemplar of Architecture. DETAIL AT D At No. 60, Lincoln's Inn Fields, City of Westminster, England. MciisniiJ •iii.i Jr.ian by I-niiicis Hacoii . Plate 68. Gates, Lodges, &c. The Practical Exemplar of Architecture. > -a c js 00 B OQ c nj B DO o -J -X) a (0 v *.« to o Plate 69. Gates, Lodges, &c. The Practical Exemplar of Architecture. D^TAIL5 E ^- GATE nCR f INCHCJ" Gate and Lodges at Aldermaston, Berkshire, England. Details. McLt.'itiifil am! iliuixc-ii by Hugh A. McOkccii. Plate 70. Gates, Lodges, &c. The Practical Elxemplar of Architecture. 00 o -J to 1) Q -o c c S UJ ^ 1) 'SO CQ = c ^ o ■= (rt -I E I V - < ^ «5 1) DC O -o a to to Plate 75. Gates (iron). The Practical Exemplar o( Architecture. A l■'^ ( f ^9^ w r J.-.: Entrance Gates, Wolverton, Berkshire, England. Mc.jxiircd •iini linjuit hy H A McQueen. Plate 76. Gateways (stone). The Practical Exemplar of Architecture. a u a li i* |£ I* IT IB [9 Ll£_ "^CME^ ^D^ Dt^fl'L^ Gateway to Argyle House, Stirling, Scotland. Measured ami druwn bx Francis Bacon. Plate 77. Gateways (stone). The Practical Exemplar of Architecture. QQ o e o Q. e *^ re a e v re o e re .^^ o o oc c en 3 O < re re o Plate 78. Gateways (stone). The Practical Exemplar of Architecture. c J2 60 = C o • - 5 oa = 3 ^ O i, X - c I 2 ^ a.~'. E -o 2 ■- O 3 <0 o c 10 o Plate 79. Panelling, Woodwork, etc. The Practical Exemplar of Architecture. Woodwork formerly at No. 26, Hatton Garden. City of London, England. Doorway m " Skmner s Ward. Plate 80. Panelling, Woodwork, etc. The Practical Exemplar of Architecture. ■^ ^ ■r , c c en c ca oc c UJ c o -o c o -J 0) - -o = (8 -, = ■;? 2 ■^' 13 3 _>> ^. E o o Plate 81 Panelling, Woodwork, etc. The Practical Exemplar of Architecture. c tq ec c UJ c o -a e o o 'C c nj o C o « c E O O U Plate 82. Panelling, Woodwork, etc. The Practical Exemplar of Architecture. ."t-i\77ji '»«■:/ J-- DETW. o/-- ) Y Y Y Y 3CAfJS. Panelling, Woodwork, etc.. formerly at No. 26, Hatton Garden, City of London, England. Details of "Skinner's Ward." Measured and dniii'u by J M. U'. Ihillcy. Plate 83. Panelling, Woodwork, etc. The Practical Exemplar of Architecture. Panelling, Woodwork, etc., formerly at No. 26, Hatton Garden, City of London, England. Archway on Second-floor Landing. Plate 84. Panelling, Woodwork, etc. The Practical Exemplar of Architecture. -a c ra Of. a UJ c o -o c o -J . o >, u c 1) "U . ^ y*— S (0 w o ^ ns c ^ ° o « c T fc -n • c o , c Z 5 u o •n (4 nj Lu E _>--T3 h- V o E <-> ft) o en rt . c ; n ^ S . o F ^ o o so: S s r -o •- ^ O 1/3 O V >s "^ "S- Id c *5) C 0, o -= c U £ c ■ — ro _C a- u Plate 85. Panelling, Woodwork, etc. 1 he Practical Exemplar of Architecture. r J V p J^ r I r_^^j^ Panelling, Woodwork, etc., formerly at No, 26, Hatton Garden, City of London, England. Details of Archway and Room on Second Floor. },\casurcil and tlrtru-u hy J. M \V IhilUy Plate 86. Panelling, Woodwork, etc. The Practical Exemplar of Architecture. ^rj-yrj\i; /./n/-. - 77(1 •^•^ -.1 Panelling. Woodwork, etc., formerly at No. 26, Hatton Garden, City of London, England. Details of Archway on Second Floor. Mcasurcil iVf^^H^^'- •3jnp9}ii|oaY P jBiduiaxig |B3ipBjj an I •(S9|qp§) spu-^ 3uy ■99 »'«Id Plate 89. Screens (wood). The Practical Exemplar of Architecture. *v *% . . -] (jeneral \'iew Irom the Nave. Detail of Front of Screen. View of Hack from tile Choir. Screen, Silchester Church, Berkshire, England. Plate 90. Screens (wood). The Practical Exemplar of Architecture. UJ -a c (8 00 • 3 3 y/ ..y^it ./ ! p CO c u CO Plate 91. Screens (wood). The Practical Exemplar of Architecture. ' inovepfrce r 6 8 . "P . ? Screen, Silchester Church, Berkshire, England. Measured aiul dnmii by C Ihihcrt Puny. Plate 92. Screens (wood). The Practical Exemplar of Architecture. 4: Oakjupporl^i-^ Offva/LvtK as-SS CORNICE /fxf^' fyoa.kpjJ23. J-TFAn ^=»^ Screen, Silchester Church, Berkshire, England. Details. A/i'» ■§ < _c H Plate 99. Screens (stone). The Practical Exemplar of Architecture. !'*.>£ _\a_ S- y*>J I O' ^^%~- I ' -' B DO c e "I St "(5 1 c ■: u = CO .i 'I < H Plate 100. Screens (stone). The Practical Exemplar of Architecture c — c s ■§ o U "(5 c en (d ■§ < H B U (8 4) Q Plate 101 Screens (stone). The Practical Exemplar of Architecture. o o 3 O CO Q -^3 C (g 00 c c o U to S V. 3 U S c/^ -c >% "S <0 '' I- •:: •g ^ -O "> < 1 p!*; V .JC V.k-1 o z . 1 , o nl jC 1- u O UJ lO c o •*-l ca > 1) UJ Plate 104. Screens (stone). The Practical Exemplar of Architecture. The Admiralty Screen, Whitehall, City of Westminster, England. Details. Mc(i>^iin;l iuul .Inixcii hy Alhcrt I'. Bullock. Plate 105. Staircases (wood). The Practical Exemplar of Architecture. mm \ ^^KMf illl It -^ " HB Hi C c U 00 _u U _2 10 o '(3 en Plate 106. Staircases (wood). The Practical Exemplar of Architecture. X <^. R ^ k, ^ ^ ti a b ^ ^ ^ 2 i ^ -^ <£ a Plate 107. Staircases (wood). The Practical Exemplar of Architecture. CLARE COLLEGE CA?fBmCfE o / z J ^ -r 6 / i mti f I I I I I 1 1 Jozfe Sia^onJfni J'h&b Measured ami ilniiiii hy C. Herheif Parry. The staircase at Clare College was probably designed as the staircase to the library. It now leads to the combination room, which opens into the library. It has similar details to the screen in the dining-hall. from the gallery of which it is cut oft by a modern panelled screen. The newel between the first and second floors is the finest example, but, unlike the one illustrated, is built up of two pieces : it was, however, impossible to obtain a good photograph of it. Plate 108. Staircases (wood). The Practical Exemplar of Architecture. ^m DET?JL5 0F51A]RCA5E at ClARE COLLEGE ' ' f //va/£s Ahtisiircil tiiul di-iiMH by C. lUrlicrt l\irry. Plate 109. Staircases (wood). The Practical Exemplar of Architecture. Staircase formerly at No. 26, Hatton Garden, City of London, England. Plate 110. Staircases (wood). The Practical Exemplar of Architecture. -o c as 00 s c o -o s o U ? . a; c -a " O 2 •= o Z B (8 CO Plate 111. Staircases (wood). The Practical Exemplar of Architecture. Staircase formerly at No. 26, Hatton Garden, City of London, England. Detail of Bracket, Ground Floor. Plate 112. Staircases (wood). The Practical Exemplar of Architecture. Staircase formerly at No. 26, Hatton Garden, City of London, England. Details Measured and draicii hy J. M. W llalU-\ :f,. Plate 113. Staircases (wood). The Practical Exemplar of Architecture. Staircase formerly at No. 26, Hatton Garden, City of London, England. Details. .l/.-,r.v;oV(/ and dran-n by J . .17. \V ll,illc_\\ Plate 114. Stalls, Choir (Canopy). The Practical Exemplar of Architecture. Plate 115. Stalls, Choir (Canopy). The Practical Exemplar of Architecture B (8 o u CO c V -H o I * to o ~ 00 ■= — >£, 00 p. U ? o ^ 13 — ex 5 _c ^ ^ I > o >^ a. o e « CO QU Plate 116. Reading Desks. The Practical Exemplar of Architecture. CIS (0 c .2 c 3 n3 -J Q 00 c (8 Plate 117. Reading Desks. The Practical Exemplar of Architecture. Measured itiul ilmu'ii hv Sviliwv Senile Plate 118. Windows (stone). The Practical Exemplar of Architecture. -o c ^ ^ (8 •__ :5 01) V -* c Ul 4) \L ^ :5 bo ^ I 3 3 = u o ^ 0) y. o Z c o ^• o i: c — Plate 119. Windows (stone). The Practical Exemplar of Architecture. Window on North side of Chancel, Amesbury Church, Wiltshire, England. MLdsiiiLil iiiui tlniifii hy Frmuis Biicoii. Plate 120. Windows (stone). The Practical Exemplar of Architecture. DETRIL OF CORBEL TO RRCH OF INTERIOR HOOI I I I I I M I f — Window on North side of Chancel, Amesbury Church, Wiltshire, England. Details. 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