i & . * '" '' ' " THE COMEDY OF HUMAN LIFE. BY H. DE BALZAC. SCENES FROM PARISIAN LIFE. PERE GORIOT. HONORE DE BALZAC. " Balzac is perhaps the greatest name in the post-Revolutionary literature of France. His writings display a profound knowledge of the human heart, with extraordinary range of knowledge. . . . Balzac holds a more distinct and supreme place in French fiction than perhaps any English author does in the same field of art." Encyclopedia Britannica. " Messrs. Roberts Brothers are soon to bring out a series of translations of Balzac's novels, whose acknowledged cJiefs tfceuvres are superior to every- thing of their kind in English letters. The initial volume, which is ' Pere Goriot,' is now in the hands of the printers, and may soon be expected. It will be followed by another after a short interval, and this by others, provided the novel readers of America can be made to perceive the surpassing excel- lence of this great French master, who is to the novelists of the nineteenth century what Shakspeare was to the dramatists of the sixteenth and seven- teenth centuries, the incomparable author of Le Come'die Humaine. This translation of Balzac ought to succeed, and will succeed." Richard Henry Stoddard " Balzac, though he paints human life perhaps too much in tints of fate that remind us of the Greek tragedians, is far deeper and more true to nature than George Sand or Rousseau. The teachings implied in his tales come home closer to the conscience and heart than do their essays and stories. There is in him more than Gallic blood. He is the greatest of novelists, unmatched in his guild or kind as a social philosopher, and unsurpassed in his literary style. As a romance-writer he has no peer as yet in the English tongue." Rev Dr. C. A. Bartol. HONORE DE BALZAC PERE GORIOT ROBERTS BROTHERS 3 SOMERSET STREET BOSTON 1885 Copyright, 1885, BY ROBERTS BROTHERS. JOHN WILSON AND SON, CAMBRIDGE. PREFACE. 1 IN giving to a work, begun nearly thirteen years ago, the title of " The Comedy of Human Life," it is necessary that I should state its purpose, relate its origin, and give some explanation of its plan; endeavoring to do so as if I had no personal interest in the matter. This is not as difficult as the public might imagine. The writing of a few books makes a man self-sufficient; but much labor and hard toil bring hu- mility. This reflection explains the survey which Corneille, Moliere, and other great authors made of their writings. If it is impossible to equal them in the grandeur of their con- ceptions, at least we may share the spirit with which they examined them. The leading idea of this human comedy came to me at first like a dream; like one of those impossible visions which we try to clasp as they elude us; a smiling fancy showing for a moment a woman's face, as it spreads its wings and rises to the ideal heavens. But soon this vision, this chimera, changed, after the fashion of chimeras, into a living shape with compelling will and tyrannous power, to which I yielded myself up. The idea came from the study of human life in comparison with the life of animals. 1 This preface, written forty-three years ago, is placed here to give Balzac's own interpretation of his books. Without it they will not be fully understood. His letters, published after his death, reveal in like manner the man himself, his wonderful method of work, and the sin- cerity of this preface. 2024327 vi Preface. It is a mistake to suppose that the controversy which in these latter days has arisen between Cuvier and Geoffroy Saint-Hilaire rests upon a scientific innovation. Synthetic unity filled, under various definitions, the greatest minds of the two preceding centuries. In reading the strange books of those mystical writers who drew science into their concep- tions of the infinite, such as Swedenborg, Saint-Martin, and others; also the writings of the great naturalists, Leib- nitz, Buffon, Charles Bonnet, etc., we find in the monads of Leibnitz, in the organic molecules of Buffon, in the vegetative force of Needham, in the encasement of germs of Charles Bonnet, who was bold enough to write in 1760, " animal life vegetates like plant life," we find, I say, the rudiments of that strong law of self-preservation upon which rests the the- ory of synthetic unity. There is but one animal. The Cre- ator used one and the same principle for all organized being. An animal is an essence which takes external form, or, to speak more correctly, takes the differences of its form from the centres or conditions in which it comes to its develop- ment. All zoological species grow out of these differences. The announcement and pursuit of this theory, keeping it as he did in harmony with preconceived ideas of the Divine power, will be the lasting glory of Geoffroy Saint-Hilaire, the conqueror of Cuvier in this particular branch of science, a fact recognized by the great Goethe in the last words which came from his pen. Filled with these ideas, I had perceived, long before this discussion arose, that Society in these respects is like Nature. Society makes the man; he develops according to the social centres in which he is placed: there are as many different men as there are species in zoology. The differences between a soldier, a workman, a governor, a lawyer, a man of leisure, a scholar, a statesman, a merchant, a sailor, a poet, a beggar, a priest, though more difficult to decipher, are at least as marked as those which separate the wolf, the lion, the ass, the crow, Preface. vii the shark, the seal, the lamb, etc. There have always been, and always will be, social species just as there are zoological species. If Bivffou achieved a great work when he put together in one book the whole scheme of zoology, is there not a work of the same kind to be done for Society,? Nature imposes upon the animal kingdom limitations which do not bind the social realm. When Buffon had described a lion, he could dis- miss the lioness with a word; but in the world of men, woman is far .from being the female of the male. Two species of man- kind may exist in one household: the wife of a shopkeeper is sometimes fit to be the wife of a prince; often the wife of a prince is unworthy to be the companion of the meanest laborer. ^ The Social kingdom has uncertainties and acci- dents which are not to be found in the natural world, for it is itself Nature plus Society.^ Any description of the social species, consequently, doubles all description of the animal species in the matter of the sexes alone. Moreover, among animals there is no drama, no current of events to excite and move them; the circumstances of their life are not confusing; they attack each other, and that is all. Men attack each other in like manner, but their greater or lesser intelligence renders the struggle far more complicated. If some scientific men do not yet admit that the animal world is transfused into the human world by the current of the original principle of life, it is at least certain that a grocer can become peer of France, and a noble may fall to the lowest social stratum. Further than this: Buffon found the life of animals extremely simple. They have no belongings, neither arts nor sciences; while man, by a law still unexplained, feels the need to set. the stamp of his habits, his thoughts, his be- ing, upon all that he collects to meet his wants. Though Leuwenhoec, Swammerdam, Spallanzani, Rdaumur, Charles Bonnet, Muller, Haller, and other patient zoologists proclaim the interest which attaches to the habits of animals, yet to our eyes at least they remain perpetually the same; whereas viii Preface. the habits clothing, methods of speech, the abodes of princes, bankers, artists, citizens, priests, and paupers, are all widely dissimilar, and change with the whims of civilization. For these reasons my ideal work took on a triple form, men, women, and things; that is to say, persons and the material representation which they gave to their being: in short, man and his life. In reading the dry and sapless dictionaries of facts which are called history, who does not feel that the writers .of all epochs Egyptian, Persian, Grecian, Roman have for- gotten to give us the vital history of manners and customs? That fragment of Petronius upon the private life of Rome provokes more curiosity than it satisfies. It was a sense of this enormous void in the history of the world that led the Abbe Barthelemy to spend his life in reproducing Grecian manners by his " Anacharsis." But how was it possible to bring within the compass of a reader's interest the three or four thousand personages who form Society? How could I satisfy at one and the same time the poets, the philosophers, and the multitude who must have their poetry and their philosophy presented to them under salient forms? However just my conception of the dignity and the poetry of this history of the human heart might be, I could see no way to put it into execution. Up to our own time all celebrated tellers of tales had spent their talent on creating two or three typical characters, or in painting some one limited aspect of human life. Thus thinking, I turned to the wurks of Walter Scott. Walter Scott, the troubadour of modern times, had then just placed the imprint of his wondrous method upon a species of composition hitherto unjustly rated as secondary. Is it not far more difficult to enter the lists against ordinary life with Daphne and Chloe, Roland, Amadis, Panurge, Don Quixote, Maiion Lescaut, Clarissa Harlowe, Lovelace, Robinson Crusoe, Gil Bias, Ossian, Julie d'Etanges, My Uncle Toby, Werther, Preface. ix Rene, Corinne, Paul and Virginia, Jeanie Deans, Claver- house, Ivanhoe, Manfred, Mignou, than to put in order his- torical facts which are much the same in all nations, or search out the meaning of laws long fallen into disuse; to revive for- gotten theories that once led nations astray, or explain, like certain metaphysicians, the secret of the things that be? In the first place, nearly all these characters, whose lives ar<" longer and far more vital than those of the generation in which they were born, live only so far as they are allied to the life of the present day. Conceived in the womb of their century, the human heart within them beats for all time, and holds in many instances the germ of a philosophy. Walter Scott raised to the philosophical value of history that form of literature which from age to age has starred with immortal gems the poetic crown of nations where letters and the arts are cultivated. He put into it the mind of the days of old; he brought together drama, dialogue, portraiture, description, scenery, the supernatural with the natural, two elements of hi.s epoch; and side by side with poesy and majesty he placed the familiarities of the humblest speech. Yet with all this he did not so much conceive a system, as find a method in the inspiration of his work, or in the logic of it; and thus he never dreamed of binding his compositions one to another as a complete history, of which each chapter should be a ro- mance, and each romance an epoch. In perceiving this lack of unity, which nevertheless does not render the great Scotchman less great, I came to see the system under which I ought to execute my idea, and also the possibility of executing it. Though dazzled, so to speak, by the amazing fecundity of Walter Scott, who is always in har- mony with himself and always original, I was not disheart- ened; for I knew that this faculty grew out of the infinite va- riety of human life. Chance is the great romance-maker of the ages : we have only to study it if we seek to be fertile in representation. x Preface. Society as it exists in France was therefore to be the his- torian ; I was to be its secretary. lii drawing up the inven- tory of its virtues and its vices, in collecting the facts of its manifold passions, in picturing its characters, in choosing its leading events, in constructing types by putting together traits of homogeneous natures, I might perhaps attain to the writing of that history forgotten by historians, the history of manners and the ways of life. By the exercise of much patience and much courage I might hope to accomplish for France of the nineteenth century what Rome, Athens, Tyre, Memphis, Persia, India, had unhappily failed to bestow upon their civilizations, a work such as the patient and cour- ageous Monteil, following the example of the Abbe Barthe- lemy, had endeavored, but with little attraction, to accomplish for the Middle Ages. This, however, was not all. A writer who placed before his mind the duty of exact reproduction might become a painter of human types more or less faithful, successful, courageous, and patient; he might be the annalist of the dramas of private life, the archaeologist of the social fabric, the sponsor of trades and professions, the registrar of good and evil. And yet, to merit the applause at which all artists should aim, ought he not also to study the reasons or the reason of the conditions of social life; ought he not to seize the hidden meaning of this vast accretion of beings, of pas- sions, of events ? Finally, having sought I will not say found this reason, this social mainspring, was he not bound to study natural law, and discover why and when Society ap- proached or swerved away from the eternal principles of truth and beauty? Notwithstanding the range of these premises, which in themselves would fill a volume, the work in its entirety should be shown to have a final meaning. Thus depicted, Society might be made to wear upon its brow the reasons of its being. N The law of the writer, that which makes him a teacher Preface. xi of men; that which, I presume to say, renders him the equal and even the superior of the statesman, is to pass judg- ment upon human affairs with a single eye to their originat- ing causes. \\JMachiavelli, Hobbes, Bossuet, Leibnitz, Kant, Montesquieu, divulge the science which statesmen apply. " A writer should have fixed opinions in ethics and in politics ; he should regard himself as an instructor : and mankind does not need to be instructed how to doubt," said Bonald. I took these noble words early to heart as the rule of my work : they are the law of all monarchical writers. Therefore when my critics quote me against myself, it will be found that they have misunderstood some irony, or distorted to my injury some saying of my personages, a trick not uncommon among calumniators. As for the inward meaning, the soul of my work, the following principles are the founda- tion on which it rests: Man is neither good nor bad ; he is born with instincts and capacities. Society, far from depraving him, as Rousseau asserts, perfects and lifts him higher; but self-interest in- terposes, and develops his evil tendencies. Christianity, and especially Catholicism, being, as I have said in " The Country Doctor," a complete system for the repression of the selfish instincts of mankind, is the strongest element of the social order. If we study carefully a representation of Society moulded as it were upon the living form, with all its good and all its evil, we shall find that while thought, or rather passion, which is thought and feeling combined, is the social ele- ment and bond, it is also an element of destruction. In this respect the social life is like the physical life : races and men attain longevity only by the non-exhaustion of the vital force. Consequently instruction or, to speak more correctly, reli- gious education is the great principle of the life of Society, the only means of diminishing the total of evil and augment- ing the total of good in human life. Thought, the fountain xii Preface. of all good and of all evil, cannot be trained, mastered, and directed except by religion ; and the only possible religion is Christianity, which created the modern world and will pre- serve it. 1 From it sprang the need of the monarchical prin- ciple; in fact, Christianity and monarchy are twin principles. As to the limits within which both should be held and regu- lated lest they develop to their inherent conclusions, my readers will agree with me that this brief preface is not the place for such discussion. Neither can I enter upon the religious and political dissensions of the present day. I write by the light of two eternal truths, religion and mon- archy : two necessities proclaimed by contemporaneous events, and towards which every writer of sound judgment will en- deavor to bring back this nation. Though I am not an enemy to election, which is a sound principle in the consti- tution of law, I reject it when taken as the sole expression of the social will, and especially when organized as it is at this moment. The suffrage, if granted to all, will give us govern- ment by the masses, the only government that is irrespon- sible, and whose tyranny will be without check because exercised under the name of law. For myself, I regard the family and not the individual as the true essence of social life. In this respect, and at the risk of being thought retro- grade, I stand by Bossuet and Bonald, instead of advancing with modem innovators. There are persons to whom these remarks will seem arro- gant and presumptuous; they will quarrel with a novelist who assumes to be an historian, and ask why he thus promulgates his theories. My sole reply is, that I obey a sense of duty. The work I have undertaken will spread to the proportions of history, and it is due to my readers that I should state its 1 See a letter written from Paris in " Louis Lambert," in which the mystical young philosopher shows, apropos of the doctrine of Swe- denborg, that there has been but one religion since the creation of the world. Preface. xiii purpose, hitherto unexplained, together with its principles and ethics. Having withdrawn various prefaces which were published in reply to criticisms essentially ephemeral, I shall here recall only one of the observations which I have heretofore made upon my books. Writers who have an end in view, be it even a return to the principles of the past for the reason that they contain truths which are eternal, should be careful to clear their way of all difficulties. Now, whoever attacks the realm of pre- conceived ideas, whoever points out an abuse, or sets a mark on evils that they may be checked and curtailed, is held, almost invariably, to be unprincipled.\ The reproach of immorality has never failed to pursue a courageous writer, and is often the only arrow in the quiver of those who can say nothing else against a poe" If a man is faithful in his portraiture; if, toiling night and day, he attains at last to a full expression of that life and language which of all others is the most difficult to render, the stigma of immorality is flung upon him. Thus Socrates was immoral; so was Christ : both were pursued in the name of that social order which they overthrew or reformed. When a man is to be destroyed, this charge is brought against him; but the trick, practised by partisans of all conditions, recoils with shame upon the heads of those who employ it. In copying the whole of Society, and in trying to seize its likeness from the midst of the seething struggle, it necessarily happens that more of evil than of good is shown. Thus gome portion of the fresco representing a guilty group excites the cry of immorality, while the critic fails to point out a corresponding part which was intended to show a moral con- trast. As such critics were ignorant of my general plan I readily pardon their mistake, for an author can no more hinder criticism than he can hinder the use of sight or hear- ing or language. Besides, the day of impartial judgment xiv Preface. has not yet dawned for me ; and I may add that the writer who cannot stand the fire of criticism is no more fit to start upon the career of authorship than a traveller is fit to under- take a journey if he is prepared only for fine weather. I shall merely remark, that although the most scrupulous mor- alists have doubted whether Society is able to show as much good as it shows evil, yet in the pictures which I have made of it virtuous characters outnumber the bad. Blameworthy conduct, faults, and crimes have invariably received their punishment, human or divine, startling or secret. In this I have done better than the historian, for I have been free to do so. Cromwell here below received no other chastisement than that inflicted by the thoughts of men ; and even those were vacillating, for Bossuet himself dealt charitably with the great regicide. William of Orange the usurper, and Hugh Capet that other usurper, died full of days, without more to suffer or to fear than Henry IV. or Charles I. The lives of Catherine of Russia and Frederick the Great were at war with every species of morality, even if judged from the double point of view of the virtue which regulates men at large, and of that other virtue reserved for crowned heads, which claims, with Napoleon, that for kings and statesmen there are two moralities, a greater and a lesser. My " Scenes from Political Life " are based on this reflection. History does not, like the novel, hold up the law of a higher ideal. History is, or should be, the world as it has been ; the novel to use a saying of Madame Necker, one of the remark- able minds of the last century should paint a possible better world. Yet even so, the novel would be worth little if it pictured only such august fiction, and failed in truth of detail. Here it is that Walter Scott, forced to conform to the ideas of a public essentially hypocritical, was false to humanity in his delineation of women : he drew them from the point of view of a schismatic. The woman of Protestant nations is Preface. xv without ideal. She is chaste, pure, virtuous; but her love, without flow of thought or emotion, remains calm, like a duty fulfilled. It would seem as if the loss of the Virgin Mary had chilled the hearts of the sophists who banished her from heaven, with all her treasures of mercy and of pity. Under the Protestant system there is nothing left for a wo- man who has once fallen ; but in the Catholic Church the hope of pardon still ennobles her life. Thus there is but one woman for the Protestant writer, while for the Catholic there is an ever new woman in all her varying situations. If Walter Scott had been a Catholic, and if he had placed before his mind the task of describing truthfully those phases of Society through which Scotland has passed, perhaps the painter of Effie and Alice (two characters which in his latter days he reproached himself for having drawn) would have admitted into his work the history of passions, with their faults, their punishments, and the virtues which repentance brings. Passion is humanity; without it religion, history, romance, art, would not exist.^ In seeing me collect this mass of facts and paint them as they are, in their element of passionate emotion, some per- sons have imagined, very erroneously, that I belong to the school of materialists and sensualists, two aspects of Pan- theism. They are mistaken. I put no faith in any indefi- nite advancement of Society; I believe in the progress and development of the individual man. Those who find in me a disposition to look on man as a completed being are strangely deceived. " Seraphita," which gives what I may call the doctrine of the Christian Buddha, is my answer to this accusation. In certain parts of my long work I have tried to popularize those amazing facts, those prodigies of electricity, which pro- duce within a man some unexplained magnetic power. But how, let me ask, can any such phenomena of the brain and nerves, even though they denote the existence of a new moral xvi Preface. world, affect or change the known and necessary relations between mankind and God? In what way can they shake Catholic dogma? If incontestable facts hereafter prove that thought must be classed among the fluids which are known only by their effects, and of which the substance escapes our human perceptions, aided though they be by all mechanical facilities, still this would be no more amazing than the cir- cumference of the globe perceived by Columbus, or its rota- tory motion revealed through Galileo. Our future will remain the same. Animal magnetism, with whose miracles I have been familiar since 1820; the phrenological researches of Gall, successor to Lavater; in fact the works of all those who for fifty years have studied thought as opticians have studied light, two things not dissimilar, give evidence both for the mystics and the disciples of St. John the Apostle, and also for those great thinkers who have endeavored to think out a spiritual world, a new sphere, in which shall be revealed the relations between man and God. If the meaning of my work is understood, my readers will see that I give to the recurring events of daily life, secret or manifest, and to the actions of individuals, with their hid- den springs and motives, as much importance as the historian bestows on the public life of a nation. The obscure battle fought in the valley of the Indre between Madame de Mort- sauf and her temptation ("The Lily in the Valley") was perhaps as great a struggle as the most illustrious combat ever related in history. In the latter, fame was the conquer- or's guerdon; in hers, the peace of heaven. The misfortunes of the Birotteaus, the priest and the perfumer, are to me the woes of humanity. La Fosseuse in " The Country Doctor," and Madame Graslin in " The Village Curate," reveal nearly the whole of woman's life. We suffer day by day all that these people suffered. I have had to do a hundred times what Richardson did once. Lovelace presents himself under a thousand shapes, for social corruption takes the color of Preface. xvii the centres in which it develops. On the other hand Clarissa, that lovely image of passionate virtue, has lines of purity that fill me with despair. To create many virgins one needs to be a Raphael, for literature in this respect falls below art. Nev- ertheless, I here call my readers' attention to the large num- ber of virtuous and irreproachable characters which may be found in my works, Pierrette Lorrain, Ursule Mirouet, Constance Birotteau, La Fosseuse, Eugenie Grandet, Mar- guerite Claes, Pauline de Villerioix, Madame Jules, Madame de la Chanterie, Eve Chardon, Mademoiselle d'Esgrignon, Madame Firmiani, Agathe Rouget, Reuee de Maucombe; together with many characters on the second plane, which, though less important to the story, keep before the reader's mind the simple practical virtues of domestic life, such for instance as Joseph Lebas, Genestas, Benassis, the curate Bonnet, the doctor Minoret, Pillerault, David Sechard, the two Birotteaus, the curate Chaperon, the judge Popinot, Bourgeat, Sanviat, the Tascherons, and many others; have they not solved the difficult literary problem of making virtue interesting? It has been no light task to paint the three or four thou- sand salient figures of an epoch, for that is about the num- ber of types presented by the generation of which this human comedy is the contemporary and the exponent. This number of figures, of characters, this multitude of portraits needed frames, permit me even to say galleries. Out of this neces- sity grew the classification of my work into Scenes, scenes from private, provincial, Parisian, political, military, and coun- try life. Under these heads I have classed all those studies of manners and morals which form the general history of Society and of its " conduct of life and noble deeds " (faits et gestes), to use the language of our ancestors. These six divisions follow a general idea ; each has its meaning and signification, and represents a distinct phase in human life. The " Scenes from private life " are those of childhood and of b xviii Preface. youth, just as the " Scenes from provincial life " represent the age of passions, calculations, self-interest, and ambition. The " Scenes from Parisian life " draw the picture of tastes, fashions, sentiments, vices, and all those unbridled extrava- gances excited by the life of great cities, where meet together the extremes of good and the extremes of evil. Each of these three divisions has its local color. Paris and the pro- vinces that social antithesis furnished the data. Not only men but events may be formulated by types ; and there are situations in the lives of all, typical phases, which I have sought out and studied carefully. I have also tried to give an idea of the different regions of our beautiful land. My work thus has its geography as it has its genealogy, its fami- lies, its centres, persons, actions; its armorial history, its nobles, artisans, citizens, peasants; its politics, its men of fashion, its army, in short, its world of men and things. After drawing these three sections of Society, I wished to show certain other phases of life which unite the interests of some or of all, and yet are partly aloof from the common order. Out of this desire came the " Scenes from political life," also the " Scenes from military life; " in the latter I have sought to show Society in convulsion, carried out of itself either for conquest or for defence. Finally, the " Scenes from country life" are, as it were, the evening of my long day's-work, if I may so call this social drama. In this division will be found my purest characters; also the appli- cation of the great principles of order, of patriotism, and of morality. Such is the structure, teeming with life, full of comedy and of tragedy, on which I base the " Philosophical Studies " which form the second part of my work. In these I have shown the keynote of that vast assemblage of all that strikes the eye, that captivates the mind or touches the heart; I have shown the havoc that has followed thought, step by Preface. xix step, from emotion to emotion. The first of these volumes, " The Shagreen Skin," unites the philosophical study to a picture of manners and morals by means of a fantasy, partly Oriental, which shows the principle of life itself in a struggle with the principle of all passion. Above these again will be found the " Analytical Studies," of which I shall say nothing, as only one of them has been published. Later, I hope to give other works of the same class, the "Pathology of Social life," the "Anatomy of Educating bodies," the " Monograph of Virtue," etc. Looking at the work still to be done, perhaps my readers will join my publishers in saying, " May your life be pro- longed! " My own prayer is that I may not be so tortured by men and events as I have been in the past, since the be- ginning of my great and terrible labor. Yet I have had one support, for which I return thanks to God. The highest talent of our day, the noblest characters, the truest friends, have clasped my hand and said to me, "Take courage!" Why should I not own that such proofs of affection, such testimonials given now and then by strangers, have upheld me in my career in spite of myself, in spite of unjust attacks, in spite of calumnies that have pursued me, upheld me against dishearten ment, and also against that too-vivid hope, the expression of which has been mistaken for excessive self-love. The extent of a plan which embraces both the history and the criticism of Society, which analyzes its evils and lays bare its hidden springs, justifies me, I think, in giving to my work the title under which it now appears, " The Comedy of Human Life." Is it ambitious ? Is it not just and legiti- mate ? The public, when my work is done, will decide. PARIS, July, 1842. SCENES FROM PARISIAN LIFE. PKE GOEIOT. I. MADAME VATJQUER, nee de Conflans, is an old lady who for forty years has kept a second-class boarding- house in Paris, a pension bouryeoise, in the Rue Neuve Sainte-Genevieve, between the Latin quarter and the faubourg Saint-Marceau. This pension, known as the Maison Vauquer, is for both sexes and all ages; and up to the time of which we write, scandal had found nothing to say against the manners or the morals of so respectable an establishment. It must be admit- ted, however, that for more than thirty years no young woman had ever lived in the house, and it is certain that any young man who may have done so received but a slender allowance from his family. Nevertheless, in 1819, the date of the opening of this drama, we shall find a poor young girl living there. Though the word drama has been recklessly ill-used and misapplied in our degenerate modern literature, it is necessary to employ it here ; not that this story is dramatic in the true sense of the word, but that when it ends some reader may perchance have dropped a 1 2 Pere Goriot. tear intra muros et extra. "Will it be comprehended beyond the walls of Paris ? I doubt it. Its minute points of personal observation and local color can be caught only by the inhabitants of that valley which lies between the hills of Montinartre and the higher ele- vations of Montrouge, a valley full of plastered archi- tecture crumbling to swift decay, its gutters black with foulest mud ; a valley teeming with sufferings cruelly real, and with joys often as cruelly false ; a place so full of terrible agitation that only some abnormal event occurring there can give rise to more than a passing sensation. And yet, here and there, even in Paris, we encounter griefs to which attendant circumstances of vice or virtue lend a solemn dignity. In their presence self and self-interest pause, checked by a momentary pity. But the impression made is like that of a tooth- some fruit, forgotten as soon as eaten. xN The car of civilization, like that of Juggernaut, is hardly stayed a moment by the resistance of some heart less easily ground to atoms than its fellows : the wheels roll on, the heart is crushed, the car advances on its glorious way.^ You will do the same, you my reader, now holding this book in your white hand, and saying to yourself in the depths of your easy-chair : " I wonder if it will amuse me ! " When you have read the sorrows of Pi-re Goriot you will lay the book aside and eat your dinner with an appetite, and excuse your own callous- ness by taxing the author with exaggeration and poetic license. Ah ! believe me, this drama is no fiction, no romance. All is true, so true that you may recog- nize its elements in your experience, and even find its seeds within your own soul. Pere G-oriot. 3 The house in which the pension is carried on belongs to Madame Vauquer. It is situated at the lower end of the Rue Neuve Sainte-Genevieve, where the ground slopes towai-d the Rue Arbalete so steeply and abruptly that horses rarely come up or down. This contributes to the silence Avhich reigns in the nest of little streets crowded together between the dome of the Val-de- Grace and that of the Pantheon, two buildings which change the very color of the atmosphere in their neigh- borhood, throwing into it a yellow tone, and darken- ing all by the shadows flung from their cupolas. The pavements of these streets are dry, unless it rains ; the guttei's are free from mud and water ; grass grows in tufts along the walls. The most light-hearted of men catches something as he passes of the common sadness of a place where the houses resemble prisons and the roll of a carriage is an event. A Parisian, w r andering into it by chance, will find there only these gray pen- sions and charitable institutions, sombre with the gloom of poverty and ennui, the gloom of old age slowly passing through the shadow of death ; of youth, whose youthfulness is crushed out of it by the necessities of toil. No part of Paris is so depressing, nor, we may add. so little known. The Rue Neuve Sainte-Genevieve, above all, may be likened to an iron frame, the only frame fit to hold the coming narrative, to which the reader's mind must be led by sombre colors and sol- emn thoughts; just as, step by step, when the traveller descends into the catacombs, the light fades and the song of the guide is hushed. An apt comparison ! Who shall say which is the more awful, to watch 4 Pere Goriot. the withering of a living heart, or to gaze upon the mouldering of skulls and bones? The front of Madame Vauquer's house looks out upon a tiny garden, so that the building runs at right angles from the Rue Xeuve Sainte-Genevieve at its steepest part. Along this front, between the house and garden, is a gutter-like piece of paved work six feet wide ; in front of this runs a gravel walk bordered by geraniums, lauristinus, and pomegranates growing in large vases of blue and white pottery. The street gate opens on this path^ and is surmounted by the inscription, " Maison Vauquer," in large letters : under- neath appears, " Pension Bourgeoise for both sexes, and others." During the day this gate, with an open iron lattice, fitted also with a shrill bell, permits those who pass the house to look into the garden. There, at the end of the pavement and opposite to the street, the wall has been painted by some artist of the neigh- borhood to resemble an alcove of green marble. Be- fore this fictitious depression of the wall is a statue of Cupid ; a half-effaced inscription on the pedestal indicating that the age of this ornament is coeval with the popular enthusiasm for Voltaire on his return to Paris in 1778 : Whoe'er thou art, thy master see ! He is, he was, or he will be. 1 At dusk this gate with its barred openings gives place to a stout wooden door. The garden, wide as the facade of the house, is inclosed by the street wall 1 Qui que tu sois, void ton maitre ! II Test, le f ut, ou le doit etre. Pere Groriot. 5 and by the wall which divides it from the garden of the next house. From these fall a drapery of ivy which conceals them, and which attracts attention by a picturesque effect not common in a city. On both walls fruit-trees have been trained and grape-vines, whose sickly, dusty products are every year the objects of Madame Vauquer's solicitude, and afford a topic of convei'sation between herself and her guests. Under each wall runs a narrow path leading to a spot shaded by lindens, tilleuls. The word tilleuls Madame Vau- quer, though presumably of good family, being nee de Conflans, persists in pronouncing tieuilles, although she has often been corrected for it by her more grammatical Parisians. Between these paths is a bed of artichokes, flanked by a row of fruit-trees trained as standards ; and the whole is bordered by pot- herbs, sorrel, lettuce, and parsley. Under the lindens stands a round table, painted green and surrounded by benches. Here, during the dog-days, those guests who can afford to take coffee come forth to enjoy it in heat sufficient to hatch out a brood of chickens. The house is of three storeys, with attic chambers. It is built of rough blocks of stone, plastered with the yellow wash that gives so contemptible a character to half the houses of Paris. The five windows of each storey of the facade have small panes and are pro- vided with green blinds, none of which correspond in height, giving to the outside of the house an aspect of uncomfortable irregularity. At the narrow or street end, the house has two windows on each storey; those on the ground-floor have no blinds, and are protected by iron gratings. Behind the house is a court-yard 6 Pere Groriot. twenty feet square, where dwells a " happy family " of pigs, rabbits, and fowls. At the far end is a wood-shed. Between this shed and the kitchen window the meat- safe is hung up directly over the spot where the greasy water from the sink runs into the ground. The court has a small door opening on the Rue Neuve Sainte- Genevieve, through which the cook sweeps the garbage of the house into the street gutters when she washes out the drain with great sluicings of water, a needful precaution against pestilence. The ground-floor, necessarily the part of the house where the affairs of such an establishment are carried on, consists, first, of a parlor lighted by two windows looking upon the street, which is entered through a glass door. This, the common sitting-room, leads into the dining-room, which is separated from the kitchen by the well of the staircase, the steps of which are of wood, laid in squares and polished. Nothing can be more dismal than this sitting-room, furnished with chairs and armchairs covered with a species of striped horsehair. In the centre stands a round table with a marble top, and upon it one of those white porcelain tea-sets with gilt edges half effaced, which now-a-days may be seen everywhere. The room has a shabby ceiling, and is wainscoted a third of the way up ; the rest of the wall being covered by varnished paper rep- resenting the ad\ entures of Telemachus, the princi- pal classic personages being clad in color. The space between the barred windows offers to the guests at Madame Vauquer's table a view of the feast prepared by Calypso for the son of Ulysses. For forty years this feast has served the younger members of the household Pcre G-oriot. 1 with a theme for jests, and enables them to feel supe- rior to their position by making fun of the wretched fare to which for lack of means they are condemned. The mantel is of marble, and the hearth, always clean, gives evidence that a fire is never kindled there except on great occasions. The mantel-shelf is adorned by two vases, filled with old and faded artificial flowers under glass cases, which flank a clock of blueish marble of the worst taste. This room is pervaded by a smell for which there is no name in any language. We must cull it an odsur de pension, I'odeur du renferme, the odor of the shut-in. It suggests used air, rancid grease, and mildew. It strikes a chill as of malaria to the bones ; it penetrates the clothes with fetid moisture ; it tastes in the mouth like the stale fumes of a dinner ; it fills the nostrils with the mingled odors of a scullery and a hospital. Possibly it might be described if we could invent a process for analyzing the nauseous ca- tarrh al elements thrown off by the physical conditions and idiosyncrasies of a long procession of inmates, young and old. And yet, in spite of these horrors, compare the salon with the dining-room, and you will end by thinking it as elegant and as fragrant as a lady's boudoir. The dining-room, with panelled walls, was once painted of a color no longer discernible, which now forms a background on which layers of dirt, more or less thick, have made a variety of curious patterns. The room is surrounded by shelves serving as side- boards, upon which stand chipped water-bottles, cloudy and dim, round mats of zinc metal, and piles of plates made of thick stone-ware with blue edges, from the 8 Pere G-oriot. manufactory at Tournai. In one corner is a box with pigeon-holes, in which are placed, according to number, the wine-stained and greasy napkins of the various guests. The whole room is a depository of worthless furniture, rejected elsewhere and gathered here, as the battered relics of humanity are gathered in hospitals for the incurable. Here may be seen a barometer with a hooded monk, who steps out when it rains; exe- crable engravings that turn the stomach, framed in varnished black wood with a thread of gilding; a clock-case of tortoise-shell inlaid with copper; a green porcelain stove; lamps with dust floating on the oil; a long table covered with oilcloth, so greasy that a face- tious guest has been seen to scratch his name upon it with his finger-nail ; wretched little mats made of broom-straw, slipping from the feet yet always in the way ; dilapidated foot-warmers, with their internal ar- rangements so worn out that the wood is beginning to be charred. To describe how old, how ragged, rotten, rusty, moth-eaten, maimed, shabby, and infirm these remnants are would delay too long the current of this story, and readers in haste to follow it might complain. The red-tiled floor is uneven, worn in places either by hard rubbing or by the crumbling action of the color. In a word, here is poverty without relieving sentiment; hard, bitter, rasping poverty. If filth is not yet seen, foul stains are there; rags and tatters may not appear, but rottenness has eaten into warp and woof with a sure decay. The room appears in full perfection when at seven o'clock in the morning Madame Vauquer's tom-cat walks in, preceding the arrival of his mistress. He Pere Goriot. 9 jumps upon the sideboard, sniffs at the bowls of milk, each covered by a plate, and purrs his matinal content- ment. The widow follows in a tulle cap and front of false hair set on awry, her slippers flapping as she walks slip-shod across the room. Her faded and flabby cheeks, from which projects a nose like the beak of a parrot, her fat hands and plump person, with its bust too plump and undulating visibly, are all in keeping with that room, where misfortune oozes from the very walls, and greed crouches in the corners, and whose fetid air its owner breathes without sickening. Her face, chilling as the first frosts of autumn, her eyes and wrinkled brows changing in expression from the hollow smile of an actress to the grasping frown of a money- lender, all express the character of her pension, just as the pension itself implies its mistress. The pasty plumpness of this woman is the unwholesome out-come of her life, as pysmia is the product of the exhalations of a hospital. Her knitted worsted skirt drops below a petticoat made out of an old gown, of which the wad- ding shows through gaps in the worn covering : it sums up to the eye the salon, the dining-room, and the tiny garden, and gives an inkling of the cookery and the character of the guests. About fifty years of age at the time of which we write, Madame Vauquer looked as women commonly look who tell you they have seen better days. Her eyes were light and glassy, and could take on the inno- cent expression of one who would serve an evil pur- pose and make her innocence raise the price of it ; a woman who, to better her own condition, would betray Georges or Pichegru, if Georges and Pichegru still had 10 Pere Goriot. a market value. And yet, "after all, she is a good creature" is the set phrase with which her lodgers speak of her ; for, as she goes moaning and coughing about the house, they take her to be as poor as they are themselves. But how about Monsieur Vauquer? Madame has never given any information concerning her late husband. How did he lose his fortune ? By reverses, she implies. He had not been a good hus- band; he had left her nothing but her eyes to weep with and this house to live in, and the privilege of hav- ing no pity to give to others, because, so she said, she had already suffered as much as it was possible for her to bear. When Sylvie, the fat cook, hears her mistress in the dining-room, she knows that it is time to serve up breakfast to those lodgers who are inmates of the house. The table guests usually come only for dinner, which costs them thirty francs a month. When this story opens, there are but seven lodgers. The first floor, that is, the floor up one flight of stairs, contained the two best suites of rooms. Madame Vauquer lived in the smaller of these; the other was occupied by Madame Couture, widow of a paymaster in the army under the French Republic. Living with her was a young girl named Victorine Taillefer, whom she treated as a daughter : the board of these ladies amounted to eighteen hundred francs a year. The two suites on the second floor were taken, one by an old gentleman named Poiret ; the other by a man of forty, who wore a black wig, dyed his whiskers, said he was in business, and called himself Monsieur Vautrin. The third storey was divided into four single rooms, of which one was Pere G-oriot. 11 occupied by an old maid named Mademoiselle Michon- neau; and anotlier by an aged manufacturer of vermi- celli and other Italian pastes, who allowed himself to be called Pere Goriot. 1 The two remaining chambers were kept for birds of passage, who, like Pere Goriot and Mademoiselle Michonnean, could only afford to pay forty-five francs a month for board and lodging. But Madame Vauquer was not desirous of such guests, and only took them when she could do no better ; for, to tell the truth, their appetites made them unprofit- able. At this time one of these rooms was occupied by a young man who had come to Paris to study law from the neighborhood of Angoulerne, where his family were practising the strictest economy to provide him with the twelve hundred francs a year which enabled him to live. Eugene de Rastignac such was his name was one of that targe class of young men taught to work by sheer necessity ; men who understand from infancy the hopes their parents place upon them, and who pre- pare for success in life by directing all their studies to fit them to take advantage of the future set of the cur- rent, and thus be among the first to profit by any on- ward movement of society. Unless we were aided by this young man's powers of observation, and by the address which enabled him to make his way in the great world, this story could not have been colored to the life, as we now hope it mav be, owing to his sagacity and his perseverance in penetrating the mysteries of a 1 Pere (pronounced like the fruit, pear ; Pear Gorio, the t not sounded), used in this manner, implies "Old Goriot," rather than its exact meaning, "father." 12 Pere Goriot. terrible situation, mysteries carefully concealed both by those who created them, and by him who was their victim. Above the third storey was a loft where clothes were dried, and two attic rooms, in one of which slept a man of all work named Christophe, and in the other Sylvie, the fat cook. Besides her regular house-lodgers, Madame Vauquer usually had, one year with another, about eight students of law and medicine, and two or three habitues of the neighborhood, all of whom came to dinner only. The dining-room could seat eighteen persons comfortably, and squeeze in twenty. In the mornings, however, there were but seven to breakfast, a circumstance which made that meal seem a family affair. Every one came down in slippers, confidential observations were exchanged concerning the dress and manners of the dinner guests, and comments were made on the events of the previous evening with all the free- dom of intimacy. The seven lodgers were supposed to be in especial favor with Madame Vauquer, who meted out to them with the precision of an astronomer their just dues of care and consideration, based on the arithmetic of their board-bills. The same standard governed the intercourse of the guests with each other, although mere chance, poor waifs, had thrown them here together. The two lodgers on the second floor paid seventy- two francs a month. This extremely cheap board, which could have been found only in the Faubourg Saint-Marcel, betAveen La Bourbe and the Salpetriere, and to which Madame Couture made the sole excep- tion, gave sufficient proof that every inhabitant of that Pere Goriot. 13 house was weighted with the cares of poverty. In fact, the wretchedness of the whole place was reflected in the shabby dress of its inmates. All the men wore frock-coats of an uncertain color, frayed linen, thread- bare trousers, and boots or shoes which would have been flung away in the more prosperous parts of the city. The gowns of the women were shabby, dyed, and faded, their lace darned, their gloves shiny from long service, their collars soiled, and t\\c\v fichus frayed at the edges. Such were the clothes they wore, and yet the wearers themselves looked sound ; their consti- tutions appeared to have resisted the storms of life ; their cold, hard, washed-out countenances resembled the effigy on a well-worn silver coin ; their withered lips covered teeth still keen. They gave the impres- sion of having had, or having still, a share in some life- drama; not a drama acted before the foot-lights amid painted scenery, but a drama of life itself, dumb, icy, yet living, and acted with throbbing hearts, a drama going on, and on, without conclusion. Mademoiselle Michonneau was in the habit of wear- ing a dingy green-silk shade over her weak eyes, a shade stiffened by a wire rim, which must have scared the very Angel of Pity. Her shawl, with its melan- choly mangy fringes, seemed wrapped about a skeleton. What drop of acid in her cup of life had deprived this forlorn creature of all feminine lines of grace? She must have had them once. Plad she lost them through her faults, her sorrows, her cupidity ? Had she once loved, not wisely ? Was she expiating the insolent triumphs of her youth by a despised old age? Her blank gaze chilled you ; her sapless features made you 14 Pere Croriot. shudder ; her voice was like that of a cricket in the bushes, lamenting shrilly the approach of winter. She said that she had once taken care of an old gentleman afflicted with' an incurable disease, who had been cast off by his children under the belief that he had no property. The old man, however, had saved money, and left her an annuity of a thousand francs, which his heirs-at-law disputed at every payment, reviving scandals of which she was the object. Though the play of passions had seared her face, she retained some slight traces of past beauty, and also a certain delicacy of complexion which allowed it to be supposed that her form still kept a fragment of its charm. Monsieur Poiret was a species of automaton. Had you seen him flitting like a gray ghost through the alleys of the Jardin des Plantes, a shapeless cap on his head, his cane with its discolored ivory knob dangling from his limp hand, his faded coat flying loose, disclosing to view breeches which seemed well- nigh empty, lank legs in blue stockings which quav- ered like those of a drunkard, a dirty white waistcoat, and a crumpled shirl-front of coarse cotton which barely met the old cravat twisted about a neck as long and wrinkled as a turkey's, you might indeed have asked if this spectral figure could belong to the gay race of those sons of Japhet who sunned themselves like butterflies on the Boulevard des Italiens. What occupation in life could have shrunk the makings of a man to this? What passions had blotched that bul- bous face which caricature itself could not exaggerate ? What had he been ? Well, possibly a clerk of the De- partment of Justice, in that office where they keep Pere Goriot. 15 the record of moneys spent on the black veils of par- ricides, or bran for the baskets of the guillotine, and count the cost of pack-thread to hold the blades in place. Could he have been the receiver of beasts at a slaughterhouse; or a sub-inspector of public health and sewers ? Whatever his occupation, he was surely one of the asses which are used to turn the mill of our sys- tem of civilization ; a pivot round which had once re- volved the misfortunes and impurities of society; a being of whom we say, in vulgar formula, "It takes all sorts to make a world." Gay Paris has no eye for faces pale through physical or moral wretchedness. But Paris is an ocean ; heave your lead, and you will never find the bottom. Fathom it, describe it, yet how- ever carefully you search, however minutely you de- scribe, however numerous may be your explorations, there will remain some virgin region, some unsuspected cavern in the depths, where flowers or pearls or hid- eous sea-monsters still lie safe, undiscovered by the divers of literature. The Maison Vauquer is one of these hidden monsters. Two figures stand out in striking contrast to the rest of the household. Though Mademoiselle Victor- ine Taillefer was of a sickly paleness like a girl in feeble health, and though this paleness, joined to an habitual expression of sadness and self-restraint, linked her with the general misery which formed the back- ground of the life about her, yet her face was not an old face, and her movements and her voice were young and sprightly. She seemed like a sickly shrub trans- planted into uncongenial soil. Her fair complexion, her auburn hair, her too-slender figure, gave her the 16 Pere Goriot. grace which modern critics find in the art of the Mid- dle Ages. Her eyes, which were gray with a radiation of dark streaks, expressed the sweetness and resigna- tion of a Christian. Her dress was simple and cheap, but it revealed a youthful shape. She was pretty by juxtaposition. Had she been happy she might have been lovely ; for happiness lends poetic charm to women, and dress adorns them like a delicate tinge of rouge. If the pleasures of a ball had called out the rose-tints on her pallid face; if the comforts and elegan- cies of life had filled out and remodelled her cheeks, already, alas ! too hollow ; if love had ever brightened her sad eyes, then Victorine might have held her own among the fairest of her sex and age. She needed two things, two things which are the second birth of women, the pretty trifles of her sex, and the shy delight of love-letters. The poor girl's story told at length would fill a volume. Her father believed that he had reasons for not acknowledging her ; he refused to let her live with him, and only gave her six hundred francs a year for her support ; moreover he had arranged to leave his fortune wholly to his son. Madame Couture was a distant relative of Victorine's mother, who had died of sorrow in her arms ; and she had brought up the little orphan as her own. Unfortunately, the widow of a paymaster in the army of the French Republic had nothing but her dower and her pension. The time might come when she would have to leave the poor girl, without money or experience, to the tender mercies of a cruel world. The good woman took Victorine to mass every Sunday, and to confession twice a month, hoping to prepare her for the chances Pere Goriot. 17 of her fate by making her a pious woman. She was right ; this cast-off daughter might come to find in her religion a refuge and a home. Meantime poor Victor- ine loved her lather, and once a year she went to his house to assure him of the dying forgiveness ^>f her mother. In vain she knocked at that closed door ; it was inexorably shut. Pier brother, who alone could have interceded in her behalf, neglected her, and gave her neither sympathy nor succor. She prayed to God to enlighten the eyes of her father and to soften the heart of her brother ; but her prayers conveyed no reproach. When Madame Couture and Madame Vauquer strove for words to characterize this barbar- ous conduct, and loaded the millionaire with abuse, Victorine interposed her gentle remonstrance like the cry of the wounded wood-pigeon, whose note of suffer- ing is still the note of love. Eugene de Rastignac had a face altogether of the sunny south, a pure skin, black hair, and blue eyes. His bearing, his manners, his habitual attitudes, marked him as belonging to a good family, where his earliest training must have been in accordance with the tradi- tions of high birth. If ordinarily he was careful of his clothes, wearing on working-days coats of a past fashion, he always dressed with care and elegance when he went into the world. At other times he appeared in an old frock-coat, an old waistcoat, a shabby black cravat tied in a wisp after the manner of students, trousers out of shape, and boots resoled. Between these two young people and the rest of the household Vautrin the man of forty, with dyed whis- kers formed a connecting link. He was one of those 2 18 Pere Goriot. whom people choose to call " a jolly fellow ! " He had broad shoulders, a deep chest, muscles well developed, and strong square hands, the knuckles marked by tufts of red hair. His face, prematurely furrowed, showed signs of a hard nature not in keeping with his com- pliant and cordial manners ; but his strong barytone voice, which harmonized with his boisterous gayety, was not unpleasing. He was obliging and always cheerful. If a lock were out of order he would unscrew it, mend it, oil it, file it, and put it on again, saying, " Oh, I know how ! " In fact he knew something about many things ; about ships, the sea, France, foreign countries, business, public events, men, laws, hotels, prisons. If any one complained of hard luck, Vautrin offered his services. Several times he had lent money to Madame Vauquer, and even to her guests ; and these creditors would have died sooner than not repay him, for in spite of his ap- parent good temper there was a keen and resolute ex- pression in his eye which inspired them with fear. His very method of spitting marked his imperturbable sang- froid, the sang-froid which shrinks from no crime to escape personal difficulty or danger. A stern judge, his keen eye pierced to the core of all questions, into all consciences, and even into the depths of all feelings. His custom was to go out after breakfast, to come home to dinner, to be off again for the whole evening, and to get in late at night with a latch-key which Madame Vauquer intrusted to him alone. He was on the best terms with his landlady, calling her " Mamma Vauquer," and catching her affectionately round the waist, a flattery not understood on its real merits, for the widow believed it an easy feat, whereas Vautrin Pere G-oriot. 19 was the only man in the house whose arms were long enough to encircle that solid circumference. One trait of his character was to pay lavishly fifteen francs a month for the gloria (coffee with brandy in it) which he took at dessert. People less superficial than those about him, who were chiefly young men carried away by the whirl of life in the great city, or old men indifferent to all that did not touch them personally, would have examined into the doubts with which Vautrin inspired them. He knew, or guessed, the private affairs of every one about him ; yet no one knew anything of his, nor of his thoughts and occupations. He set up his good humor, his obligingness, and his unfailing gayety as a barrier between himself and others ; but through it gleamed from time to time alarming flashes of his hid- den nature. Sometimes a saying worthy of Juvenal es- caped his lips, as if it gave him pleasure to scout at law, to lash society, or drag to light its inconsistencies; as if he cherished some grudge against the cause of order, or hid some mystery in the dark recesses of his life. Attracted, unconsciously, by the strength of one man and the beauty of the other, Mademoiselle Taillefer divided her shy glances and her secret thoughts between the man of forty and the law student. Neither of them appeared to take notice of her, although her posi- tion might at any time undergo a change which would make her a match worth looking after. None of Madame Vauquer's guests were at much pains to in- quire into the misfortunes which their co-inmates claimed to have suffered. Profound indifference, min- gled with distrust, was the upshot of their relations to each other. They knew they had no help to offer: 20 Pcre G-oriot. each had heard the tale of sorrows till their cup of con- solation held nothing but the dregs. Like old married couples, they had nothing more to say to one another; their daily intercourse was now mechanical ; the fric- tion of machinery unoiled. All could pass a blind man in the street without looking at him, or listen, un- touched, to a tale of woe ; death was for them the solu- tion of the problem of poverty, and they stood coldly beside its bitterest agony. The happiest among these hapless beings was Madame Vauquer herself, the ruler of this asylum for broken lives. To her the little garden, arid as a steppe, chill, silent, dusty, humid, was a smiling pleasure-ground. To her the dismal yellow house, which smelt of the corrosions of life, had its delights. Its dungeon cells belonged to her. She fed the prisoners who lived in them, prisoners sentenced to hard labor for life, and she knew how to make her au- thority respected. Indeed, as she said to herself, where could these people find elsewhere in Paris, at so low a price, food that was as wholesome and as plentiful as that which she gave them ? Each had his own room which he was free to keep sweet and clean, if he could not make it elegant or comfortable. They knew this well themselves, and had she been guilty of even cry- ing injustice her victims would have borne it without complaint. Such a household might be expected to offer, and did offer, in miniature, the elements of a complete so- ciety. Among the eighteen inmates, there was, as may be seen in schools or in the great world, one repulsed and rejected creature, a souffre-douleur, the butt of jests and ridicule. At the beginning of his second Pere. G-oriot. 21 year, this figure became to Eugene de Rastignac the must prominent of those among whom necessity com- pelled him to live. This pariah of the household was the old paste-maker, Pere Goriot, upon whose head a painter would have cast, as the historian casts, all the light of the picture. How came this scorn dashed with a tinge of hate, this persecution mixed with a passing pity, this insolence towards misfortune, to fall upon the oldest member of the pension ? Had he pro- voked such treatment by oddities and absurdities less easily forgiven by his fellows than actual vice ? These are questions which bear closely on many an instance of social injustice. Human nature is hard on those who suffer humbly from a consciousness that they are too feeble to resist, or wearily indifferent to their fate. Do we not all like to test our power by woi'king our will on something or on somebody ? The weakest of beings, the ragged street-boy, rings our door-bell and runs away, or climbs some monument to scratch his name upon the unsullied marble. 22 Pere Goriot. II. IN 1818, Pere Goriot, then about sixty-two years of age, came to live at Madame Vauquer's, having, as he said, given up business. He took the apart- ment afterwards occupied by Madame Couture, paying twelve hundred francs a year, like a man to whom five louis more or less was of little consequence. Madame Vauquer fitted up at his expense the three rooms of this suite for a sum which just repaid her, she said, for the outlay. They were miserably furnished with yel- low cotton curtains, chairs of painted pine covered with worsted velvet, and a few worthless colored prints upon the walls, which were hung with papers rejected, one might suppose, by the wineshops of the suburbs. Per- haps the careless liberality shown in this transaction by Pore Goriot, who at that period was respectfully called Monsieur Goriot, caused his landlady to consider him as a simpleton who knew little of business. Goriot brought with him a well-furnished wardrobe, suitable for a rich tradesman who on retiring from business could afford to make himself comfortable. Madame Vauquer especially admired eighteen linen shirts of the best quality, to which attention was at- tracted by two pins worn on his shirt-frill and united by a chain, in each of which shone a large diamond. The old man usually wore a light-blue coat, and he Pere Goriot. 23 put on a clean white waistcoat every day, beneath which rose and fell his portly stomach, upheaving as he breathed a thick gold chain adorned with seals and charms. His snuff-box was of gold, with a medallion on the cover containing hair, which created a suspicion of bonnes fortunes ; and when Madame Vauquer ac- cused him of gallantry, the complacent smile of a man whose vanity is tickled flickered on his lips. His closets, ses armoires (he pronounced the word ormoires after the manner of common people), were full of sil- ver plate, the relics of his housekeeping. The widow's eyes sparkled when she helped him to unpack and arrange these treasures, ladles, forks, and spoons; castors, sauce-boats, dishes, and a breakfast service in silver gilt, the various pieces weighing many ounces, all of which he had been unwilling to part with on breaking up his home, many of them recalling events which were sacred in his family history. " This," he said to Madame Vauquer as he put away a dish and porringer, on the cover of which were two turtle-doves fondling each other with their beaks, "was the first gift my wife made me. She gave it to me on the an- niversary of our wedding-day. Poor dear ! it cost her all the little money she had saved up before our mar- riage. Ah ! Madame, I would rather scratch a living with my nails out of the ground than part with that porringer ; but, thank God ! I can drink my coffee out of it as long as I live. I am not badly off: I have plenty of bread baked, as they say, for some time to come." In addition to this, Madame Vauquer's prying eyes had seen a certain entry in what is called the great 24 Pere G-oriot. book, le grand livre, that is, the list of those who have money in the state funds, from which, roughly calculated, it was evident that the worthy Goriot had an income of eight to ten thousand francs. From that moment Madame Vauquer, nee de Conflans, who was then forty-eight years old, and owned to thirty-nine, nourished a dream of ambition. Though Monsieur Goriot's eyelids were swollen, and an obstruction of the tear-passage caused him to wipe his eyes fre- quently, she thought his person agreeable and his manners comme-il-faut. Moreover, the stout calves of his legs, and even his long square nose, seemed to her to denote points of character which suited her inten- tions ; and this opinion was confirmed by the round- ness of his face and the naif silliness of its expression. She put him down for a sturdy fool, whose mind ran to sentiment, and who could be led by his feelings in any direction. His hair, which he wore in " pigeon- wings," ailes de pigeon, that is to say, drawn low over the ears and tied behind in a queue, was dressed and powdered daily by the hair-dresser of the Ecole Polytechnique, who arranged five points on his low forehead, which she thought very becoming. Thouo-h somewhat uncouth in manner, he was always spick and span in his dress, and took snuff with so opulent an air, scattering it liberally as if confident the box would be always full of the very best, that the night after his arrival Madame Vauquer went to bed turning over in her mind a project for shuffling off the shroud of Vau- quer and coming to life again as Madame Goriot. To be married ; to get rid of her pension; to have the arm of this high flower of bourgeoisie ; to become a nota- Pere Croriot. 25 bility in her own quarter; to queter ^collect money) for the poor; to make up little parties for Sunday jaunts to Choisy, Soissy, or Gentilly ; to go to the play when she liked, and sit in a box she should pay for, instead of waiting for free passes given to her occasionally and only in July, in short, all the Eldorado of Parisian lower-class middle-life seemed possible for her if she married Monsieur Goriot. She had never told any one that she had forty thousand francs laid by, scraped together sou by sou. Thus she was an equal match for the worthy man in point of fortune; and "as to everything else, I am quite as good as he," she reflected, turning over in her bed, where the fat Sylvie found every morning the impress of her fair form. From that day, and for about three months, Madame Vauquer employed the hair-dresser of Monsieur Goriot and made some improvements in her toilette, which she explained by the necessity of keeping the decorum of her house on a level with the distinguished people who frequented it. She did her best to make the pen- sion select, by giving out that henceforth she would admit no one who had not some special pretentious to gentility. If a stranger came to inspect the rooms, he was made aware of the preference which Monsieur Goriot " one of the most distinguished and respect- able men of business in Paris " had given to the es- tablishment. She sent out a prospectus headed MAISON VAUQUER. " It was," she stated, " one of the oldest and best patronized pensions bourgeoises in the Latin quarter. It commanded a fine view of the valley of the Gobelins " (seen from one window in the third 26 Pere Goriot. storey), and had a lovely garden, at the end of which stretched an Avenue of Lindens." She concluded by extolling its pure air and the quiet of its retired situa- tion. This prospectus brought her Madame la Com- tesse de 1'Ambermesnil, a woman thirty-six years of age, who was expecting the final settlement of the af- fairs of her late husband and the payments due to her as the widow of a general officer who had died, as she phrased it, upon felds of battle. Madame Vauquer now took pains with her table, made fires in the salon and the dining-room, and justified her prospectus so well that she was actually out of pocket by her liber- ality. The countess was so pleased that she promised Madame Vauquer, whom she called her " dearest friend," to bring to the house the Baronne de Vau- merland and the widow of Colonel Piqueoiseau, two of her acquaintances then living at a pension in the Marais, an establishment more expensive than the Maison Vauquer. All these ladies expected to be in easy circumstances when the War Office made up its accounts. " But," as they said, " government offices keep you waiting so long ! " Madame de 1'Ambermesnil used to join Madame Vauquer in her private room after dinner, where they gossipped over small glasses of ratifia and tit-bits from the table, set aside for the mistress of the house. The countess much approved the views of her hostess as to the alliance with Monsieur Goriot. The idea, she said, was excellent ; she had planned it from the moment of her arrival. " Ah ! my dear lady, he is all a man ought to be," said the widow ; " a man thoroughly well preserved. Pere Goriot. 27 He might make a woman very happy for several years to come." The countess was not chary of her criticisms on Madame Vauquer's dress, which harmonized ill with her intentions. "You must put yourself on a war- footing," she said. After much consultation the two widows repaired to the Palais Royal, where, in the Galeries de Bois, they bought a hat, and a bonnet with many feathers. Then the countess enticed her friend to the famous shop called La Petite Jeannette, where they chose a dress and mantle. When these preparations were made, and the widow was fairly under arms, she looked a good deal like the figure on a sign-board of the Boeuf a la Mode. However, she thought herself so changed for the better, and so much indebted to her friend, that, though naturally stingy, she begged her acceptance of a hat costing twenty francs. It is true she expected in return her good offices with Monsieur Goriot, and asked her to sound him as to his views. Madame de l'Ainbermesnil was quite ready to undertake the nego- tiation, and got round the old gentleman so far as to bring him to a conference ; from which, however, find- ing him shy not to say refractory when she made advances to him (on her own account), she came away disgusted, and pronounced him a mere boor. " My angel," she said to her dear friend, U you will never make anything of that man. He is a miser, a fool, a perfect wretch, who will give you nothing but annoyance." Whatever may have taken place between Madame de I'Ambermesnil and Monsieur Goriot, the result of 28 Pre Goriot. the interview was that the former declared she would not remain in the house with him. The next morning she went off, forgetting to pay her bill, and leaving nothing behind her but a parcel of old clothes to the value of five francs ; and although Madame Vauquer did her best to get upon her traces, she could never discover in all Paris the smallest sign of Madame la Comtesse de 1'Ambermesnil. She often alluded to this trying affair, and invariably blamed herself for her rash confidence in human nature, though she was in reality more distrustful than a cat in her dealings with her fellow-men. But like many other people, while suspecting those about her, she fell an easv prey to persons she did not know, a curious and contradictory fact ; but the root of its paradox will be found in the human heart. There are people who come at last to perceive that they have nothing more to gain from those who know them well. To such they have shown the hollowness of their natures ; they know themselves judged and severely judged ; yet so insatiable is their craving for flattery, so devouring their desire to assume in the eyes of others the virtues which they have not got, that they court the esteem and affection of strangers who do not know them and therefore cannot judge them, taking the risk of losing all such credit eventually. There is also another class of minds born selfish, who will not do good to friends or neighbors because it is their duty to do it, while by paying attentions to strangers they secure a return of thanks and praise which feeds their self-love. The nearer people stand to them the less they will do for them ; widen the circle, and they are more ready to Pere G-oriot. 29 lend a helping hand. Madame Vauquer's nature was allied to both classes ; it was essentially mean, false, and sordid. " If I had been here," Vautrin used to say to her, " this would never have happened. I 'd have unmasked the woman fast enough. I know their tricks." Like all narrow-minded people, Madame Vauquer never looked beyond the limits of the events around her, nor troubled herself about their hidden causes. She liked to blame others for her own mistakes. When this disaster happened, she chose to consider the old vermicelli maker as the author of her woe, and began from that time to get sober, as she phrased it to se degriser about him. No sooner did she recognize the inutility of her advances and of her outlay upon allurements, than she set up a theory to account for it. The old man must, she said, have liaisons elsewhere. She admitted that the hopes she had nursed were built upon imaginary foundations; that the countess, who appeared to know what she was talking about, was right in saying that nothing could be made of such a man. Of course she went further in hate than she had gone in friendship, her hatred not being the child of love, but of hopes disappointed. If the human heart pauses to rest by the wayside, as it mounts to the sum- mits of affection, it finds no stopping-place when it starts on the down-incline. Monsieur Goriot, however, was her lodger, and the widow was obliged to repress all outward expression of her wounded feelings, to smother the sighs caused by her self-deception, and to choke down her desires for vengeance, like a monk taunted by his superior. Little 30 P$re Goriot. minds vent their feelings, bad or good, in little ways. The widow used her woman's wit to invent subtle per- secutions for her victim. She began by cutting off the superfluities of her housekeeping. " No more pickles, no more anchovies," she said to Sylvie the morning she went back to the old programme ; " pickles and ancho- vies are delusions." Monsieur Goriot, however, was a frugal man, habitually parsimonious, as most men are who have saved up their fortunes : soup, bouilli, and one dish of vegetables was, and always had been, the dinner he liked best ; so that it was difficult for Madame Yauquer to annoy him by offending his tastes in this line. Disheartened by her failure, she now began to treat him with contempt, and to snub him before the other guests, who, chiefly for amusement, joined in the persecution, and thus assisted her revenge. At the end of a year she had pushed her ill opinion of him so far as to ask herself why a man with eight to ten thousand francs a year, and superb plate and jewelry, should live in her house and pay a price so small in proportion to his fortune ? During the greater part of his first year Goriot had dined out once or twice a week ; then by degrees, only once in two weeks. His absence had suited Madame Vauquer so well that she was displeased at the regu- larity with which he now came to his meals. This change she attributed to a falling off in his means ; also to a wish to disoblige her. One of the despicable traits in lilliputian natures is their habit of attributing their own meannesses to others. Unfortunately, at the end of his second year Monsieur Goriot confirmed some of the gossip in circulatiou by asking Madame Yauquer Pere Goriot. 31 if he could take rooms on the second storey and pay only nine hundred francs a year; and he became so economical that he went without a fire in his room all winter. The widow, under this new arrangement, demanded payment in advance, to which Monsieur Goriot consented; and from that day forth she called him Pere Goriot. It now became a question with the whole household, why was he going down in the world? Difficult to answer. As the false countess had said, Pere Goriot was reticent and sly. Accord- ing to the logic of empty heads who tattle because they have brains for nothing else, people who keep their own counsel must have something suspicious to conceal. The late distinguished man of business now sank into a cheat ; the elderly gallant became a dissi- pated rogue. Some, following Vautrin (who by this time was living at Madame Vauquer's), thought he dabbled at the Bourse, where, having ruined himself by speculations, he now picked up a few francs by fleecing others. Some said he was a petty gambler playing for ten francs a night; others that he was a spy of the police, though Vautrin declared him " not deep enough for that" Then he became a usurer, lending money by the week in small sums at extor- tionate interest ; finally a speculator in lotteries. In turn, they guessed him to be all that vice, impotence, and trickery made most shameful and mysterious. Yet, however low his conduct or his vices, the aver- sion he inspired never went so far as to propose that he should leave the house. He paid his board regu- larly. Besides, in a way they found him useful. On him they could vent their good and evil humors by 32 P3re jests or stinging sarcasms. The opinion generally adopted among them was Madame Vauquer's. Ac- cording to her, the man she had lately pronuunced " all that he ought to be ; a man who might make a woman happy for years to come," was a libertine with extraordinary tastes. Here are the facts on which the widow based her calumnies. Some months after the departure of the disastrous countess who had lived six months at her expense, she was awakened early one morning by the rustle of a silk dress and the light foot-fall of a young woman going up to Goriot's apartment, the outer door of which was left conveniently ajar. A few moments later, Sylvie came to tell her that a "creature much too pretty to be what she ought to be," dressed like a goddess, wearing prunella slippers " not even dusty," had glided like au eel from the street to the kitchen, and had asked her the way to Monsieur Gori- ot's apartment. Mistress and maid listened, and caught several words pronounced in tender tones. The visit lasted some time. When Monsieur Goriot conducted his lady downstairs, Sylvie picked up her basket and pretended to be going to market as an excuse for following them. " Madame," she said to her mistress when she re- turned, " Monsieur Goriot must be deucedly rich to carry matters in that way. Would you believe it ? at the corner of the Estrapade there was a splendid car- riage waiting, and he put her into it ! " That day at dinner Madame Vauquer drew down a curtain to shade the old man's eyes into which the sun was shining. Pre Goriot. 33 "I see that you know how to attract pretty women, Monsieur Goriot," she said as she did so ; " the sun follows you," alluding by means of the proverb to his visitor. " Well, you have good taste ; she is very pretty." " That was my daughter," lie said, with a gleam of pride, which those present mistook for the conceit of an old man pretending to save appearances. A month after this visit Monsieur Goriot received another. His daughter, who came the first time in morning dress, now came after dinner in full evening toilette. The company, who were all sitting in the salon, saw, as she passed, that she was a lovely blonde, slender, graceful, and far too distinguished looking to be the daughter of a Pere Goriot. " "Why, he's got two ! " cried Sylvie, who did not recognize her. A few days later another daughter came, tall, dark, with black hair and brilliant eyes ; she too asked for Monsieur Goriot. " Three ! " said Sylvie. This lady, who came early in the morning at her first visit, came again a few days later in a carriage and dressed for a ball. "That makes four! " exclaimed Madame Vauquer and Sylvie, who did not recognize in the fine lady of the evening the simply dressed young woman who paid her first visit on foot at an early hour. Goriot was still paying twelve hundred francs a year when this took place ; and Madame Vauquer was indulgent, nay, even amused at what she thought his adroitness in passing these ladies off as his daughters. 34 Pere G-oriot. Still, as the visits explained his indifference to her own attractions, she permitted herself to call him an old scamp ; and when, soon after, he suddenly fell to pay- ing nine hundred francs a year, she fiercely asked what business he had to receive people of that kind in her house. Pere Goriot answered that the lady she alluded to was his eldest daughter. " I suppose you will tell me next that you have thirty-six daughters," she said sharply. " I have only two," he replied, with the gentleness of a broken spirit beaten down to the docility of misery. Towards the end of the third year, Pere Goriot re- duced his expenses still further, by going up to the third storey and paying only forty-five francs a month. He gave up snuff, dismissed his barber, and ceased to wear powder. When he appeared for the first time without it, his landlady uttered an exclamation of sur- prise on seeing the color of his hair. It was 'a dirty, greenish gray. His face, which had grown sadder day by day under the influence of some secret sorrow, was now the most desolate of all those that met around that dismal dinner-table. The widow had no longer any doubt. Here was a miserable wretch who had worn himself out by his excesses. When his stock of linen was exhausted, he replaced it by cotton at fourteen sous a yard. His diamonds, his gold snuff-box, his chain, his jewels, disappeared one after the other. The light-blue coat was given up with the rest of his comfortable clothing, and he now wore, summer and winter, a frock-coat of coarse brown cloth, a waistcoat of cheap cotton and woollen stuff, and trousers of gray twill. He grew thinner and thin- Pere Goriot. 35 ner ; the calves of his legs shrank ; his face, which once had the beaming roundness of a well-to-do bour- geois, was now furrowed with wrinkles, the lines on his forehead deepened, and his jaws grew gaunt and sharp. At the end of his fourth year in the Rue Neuve Sainte-Genevieve he bore no likeness to his former self. The sound old paste-maker of sixty-two, who might have passed for forty ; the jolly, fat bourgeois, foolish and simple-minded, whose jaunty bearing amused even those who passed him on the street, and whose smile had something of the gayety of youth, seemed now a worn-out septuagenarian, stupid, vacillating, wan. His lively blue eyes had tarnished into a dull steel-gray. They never watered now ; but the red rims still en- circled them, and seemed to weep tears of blood. Some people regarded him with horror, others pitied him. The young medical students, who observed the drop of his under lip and took note of his facial angle, said to each other, after teasing and tormenting him and get- ting no reply, that he was falling into imbecility. One day, after dinner, Madame Vauquer said to him, " So your daughters don't come to see you any more ? " in a tone as though she doubted the relationship. He started as if she had pricked him with a dagger. " They do come sometimes," he said sadly. "Ah, ah! so you still see them sometimes some- times ? " cried the students. " Bravo, Pere Goriot ! " But the old man did not hear the jests that followed his simple answer. He had fallen back into that pas- sive state which those who observed him superficially took for senile indifference. If they had really known what was passing before their eyes, they might have 36 Pere Croriot. felt an interest in his state ns a moral and physical problem. But they did not know, nor would it have been easy to know, the old man's veal life. The elderly people of the pension, who alone felt any interest in it, never went out of the neighborhood, they lived like oysters in a bed ; and as for the young men, the excitements of their Parisian life put the poor old man at whom they gibed out of their heads as soon as they turned the corner of the Rue Neuve Sainte-Genevieve. To narrow minds, like those of these thoughtless stu- dents, the blank misery of Pere Goriot and his dull stupidity were incompatible with the possession of any means or indeed of any capacity whatever. As to the women whom he called his daughters, every one shared the opinion of Madame Vauquer, who argued with that severity of logic which the habit of attributing low motives cultivates in old women given over to gossip- ping that "if Pere Goriot had daughters as rich as these women seemed to be, he would not be living in my house, paying forty-five francs a month, and dress- ing like a beggar." These inductions could not be gainsaid ; so that by the end of the month of Novem- ber, 1819, the time of the opening of this drama, every one in the house had made up his or her mind concern- ing the unhappy old man. He had never had, they declared, either wife or daughter ; he was a snail, a mollusk, "to be classed with the shell-fish," said one of them, an employe at a neighboring museum. Poiret was an eagle, a gentleman of fashion, beside Goriot. Poiret could talk, argue, and answer. To be sure he said nothing, for his talking, arguing, and reasoning were only the repetition in his own words of the last Pere Goriot. 37 thing said by other people. But at least he took a share in the common talk, he was alive, he seemed to have his faculties ; while Pere Goriot, as another em- ploye at the museum remarked, was "always below zero." 38 Pere Groriot. III. DE RASTIGNAC had returned from his vaca- tion in a state of mind not uncommon in young men of talent, or in those to whom circumstances of difficulty impart for a time the qualities of picked men. During his first year in Paris the slight application required to pass through the first stages of his profession had left him free to enjoy the external charms of the capital. A student finds his time well filled up if lie wishes to study the windings of the Parisian labyrinth, to see all that is worth seeing at the theatres, to know the cus- toms, to learn the language, to get used to the special pleasures of the great capital, to ransack all its corners good and bad, to attend those lectures that may amuse him, and make a mental catalogue of the treasures collected in the museums. He begins by an enthusi- asm for some foolery that he thinks grandiose. He chooses a hero, possibly a professor who is paid to keep himself above the level of his audience ; or he pulls up his cravat and assumes an attitude at the Opera-Comique, glancing at some lady in the first tier of boxes. But after these initiations he usually peels off his husk, enlarges the horizon of his life, and ends by getting an idea of the various human strata which make society. If he begins by admiring the carnages on a fine day in the Champs-Elysees, he ends by envy- injr those who own them. Pere Goriot. 39 Eugene had unconsciously gone through much of all this before his vacation, when he went back to his father's house with his bachelor's degree in Law and Letters. The faith of his childhood, his idles de prov- ince, his country ideas, had left him. His enlarged intelligence, his excited ambition, made him now see the true condition of things in his old home. His father, mother, two brothers, two sisters, and an aunt who had only a life income, lived on the little estate of Rastig- nac. This property at no time brought in more than three thousand francs a year, which was subject to the uncertainties attendant upon grape culture; and yet out of that limited revenue twelve hundred francs were subtracted for Eugene's expenses. The sight of their perpetual pinching, which they tried generously to conceal from him ; the comparison he was forced to make between his sisters, whom he once thought pretty girls, and the Parisian women who realized the loveli- ness of his boyish dreams ; the uncertain prospects of the large family dependent on his success ; the frugality with which everything was cared for ; the wine squeezed for family use out of the last strainings of the press ; together with innumerable shifts that need not be told here, increased ten-fold his desires for success, and made him thirst for the distinctions of the world. At first he felt, as high-strung spirits do feel, that he would owe nothing except to his own merits. But his nature was eminently southern ; when the time for action came, he was liable to be assailed by hesita- tions such as seize men in mid-ocean when they have lost their reckoning and know not how to lay their course, nor at what angle to set their sails. At first 40 Pere Groriot. he had been eager to fling himself body and soul into the work of his profession ; then he was led away by the importance of forming social ties. He observed the influence which women exert upon society ; and he suddenly resolved to try for success in the great world, and to win the help and protection of women of social standing. Surely, they might be won by a young man, ardent and intelligent, whose mental gifts were aided by the personal charm of elegance, and who possessed the beauty which eminently attracts women, the beauty of strength. These ideas worked within him as he walked about the fields listening to the merry chatter of his sisters, who thought him greatly changed. His aunt, Madame de Marcillac, had been at court in the days before the French Revolution, and her associates were among the greatest people of that time. All at once it oc- curred to him, as he pondered his ambitious designs, that among the recollections of her past life, with which she had amused his boyhood, were the elements of a social success more brilliant than any he could hope to attain by the study of law. He questioned her as to family ties, which she might renew on his behalf. After shaking the branches of her genealogi- cal tree, the old lady came to the conclusion, that, of all the persons who might be useful to him among the careless multitude of her great relatives, Madame la Vicomtesse de Beause'ant was likely to prove the most available. She therefore wrote to this young woman an old-fashioned letter of introduction, and told Eugene that if he pleased Madame de Beauseant she would undoubtedly present him to the rest of his Pere G-oriot. 41 relatives. A few days after his return to Paris, Rastignac sent his aunt's letter to the viscountess, who replied by an invitation to a ball for the next evening. Such, then, was the general situation of affairs in the Maison Vauquer at the end of November, 1819. Two days later, Eugene, having been to Madame de Beauseant's ball, came home about two o'clock in the morning. That he might redeem the time lost in gayety, he had made a vow, in the middle of a dance, to sit up and read law till daylight. It was the first time he had stayed awake in that still and silent quarter of Paris, but he was prepared for it by the strong excite- ment of his introduction to the splendors of the great world. Eugene had not dined that day at the Maison Vauquer, and the household were left to suppose that he would not return before daylight, as had sometimes happened after a fete at the Prado, or a ball at the Odeon, to the detriment of his silk-stockings and the stretching of his dancing-shoes. Before slipping the bolts of the front door for the night, Christophe had opened it and stood looking down the street. At that moment Rastignac came in and went up to his room without making any noise, followed by Chris- tophe who made a great deal. Eugene took off his evening coat, put on his slippers, and an old dressing- gown, lit his fire of mottes, little blocks of refuse bark prepared as a cheap fuel, and sat down so quickly to his work that the noise of Christophe's heavy foot- steps drowned the lesser sound of his own movements. He sat thinking a few moments before he opened his books. 42 Pere Goriot. He had found Madame