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 GOETHE. 
 
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 48. COBBETT'S ADVICE TO YOUNG MEN. 
 
 GEORGE ROUTLEDGE AND SONS, 
 LONDON AND NEW YORK.
 
 POEMS AND BALLADS 
 
 BY 
 
 SCHILLEE.
 
 T.W Hid- 
 
 SCHILLER'S POEMS 
 AND BALLADS 
 
 TRANSLATED BY 
 
 EDWARD, LORD LYTTON 
 
 WITH AN INTRODUCTION BY 
 
 HENRY MORLEY 
 
 LL.D., PROFESSOR OF ENGLISH LITERATI 1 !'.B AT UNIVERSITY COLLEGF, LONDON 
 
 LONDON 
 
 GEORGE ROUTLEDGE AND SONS 
 
 BROADWAY, LUDGATE HILL 
 
 GLASGOW AND NEW YORK
 
 MORLEY'S UNIVERSAL LIBRARY. 
 
 i Sheridan's Plays. 
 a Plays from Moliere. By English ' 
 Dramatists. 
 
 3 Marlowe's Faustus and Goethe's 
 
 Faust. 
 
 4 Chronicle of the Cid. 
 
 5 Rabelais' Gargantua and the 
 
 Heroic Deeds of Pant* gruel. 
 
 6 The Prince. By MACHIAVELLI. 
 
 7 Bacon's Essays. 
 
 8 Defoe's Journal of the Plague 
 
 Year. 
 
 9 Locke on Civil Government and 
 
 Filmer's " Patriarcha." 
 
 10 Butler's Analogy of Religion. 
 
 11 Dry den' s Virgil. 
 
 12 Scott' sDemonology and Witchcraft. 
 
 13 Herrick's Hesperides. 
 
 14 Coleridge's Table-Talk. 
 
 15 Boccaccio's Decameron. 
 
 16 Sterne's Tristram Shandy. 
 
 17 Chapman's Homer's Iliad. 
 
 1 8 Mediaeval Tales. 
 
 19 Voltaire's Candida, and Johnson's 
 
 Rasselas. 
 
 20 Plays and Poems. By BEN JON- 
 
 SON. 
 
 21 Leviathan. By THOMAS HOBBES. 
 
 22 Hudibras. By SAMUEL BUTLER. 
 
 23 Ideal Commonwealths. 
 
 24 Cavendish's Life of Wolsey. 
 
 25 & 26 Don Quixote. In Two Vols. 
 
 27 Burlesque Plays and Poems. 
 
 28 Dants's Divine Comedy. LONG- 
 
 FELLOW'S Translation. 
 
 29 Goldsmith's Vicar of Wakefield, 
 
 Plays, and Poems. 
 
 30 Fables and Proverbs from the 
 
 Sanskrit. (Hitopadesa.) 
 
 31 Charles Lamb's Essays of Elia. 
 
 32 The History of Thomas Ellwood. 
 
 33 Emerson's Essays. &c. 
 
 34 Southey's Life of Kelson. 
 
 35 De Quincey's Confessions of an 
 
 Opium Eater, &c. 
 
 36 Stories of Ireland. By Miss 
 
 EDGEWORTH. 
 
 37 Aristophanes. 
 
 38 Speeches and Letters. By ED- 
 
 MUND BURKE. 
 
 39 Thomas A Kempis' Imitation of 
 
 Christ. 
 
 40 Popular Songs of Ireland, collect- 
 
 ed by THOMAS CROFTON CROKER. 
 
 41 The Plays of JEschylus, Translated 
 
 by R. POTTER. 
 
 42 Goethe's Faust, the Second Part. 
 
 43 Famous Pamphlets. 
 
 44 Sophocles, Translated by FRANCK- 
 
 LIN. 
 
 45 Tales of Terror and Wonder. 
 
 46 Vestiges of the Natural History of 
 
 Creation. 
 
 47 The Barons' Wars, Etc. By 
 
 MICHAEL DRAYTON. 
 
 48 Cobbett's Advice to Young Men. 
 
 49 The Banquet of Dante. Trans- 
 
 lated by ELIZABETH PRICE SAVER 
 
 50 Walker's Original. 
 
 51 Schiller's Poems and Ballads. 
 
 " Marvels of clear type and general neatness." Daily Telegraph.
 
 INTRODUCTION. 
 
 JOHANN CHRISTOPH FRIBDKICH SCHILLER was born of an 
 ancestry of village bakers, who transmitted their business 
 from father to son, at Bittenfeld, near Waiblingen, in Wiir- 
 temberg. But Schiller's father, Johann Kaspar, having 
 been left fatherless at ten years old, abandoned the family 
 trade, trained himself for medical practice, went to the wars 
 as surgeon to a regiment of hussars, and served also as non- 
 commissioned officer until the peace. He then practised 
 medicine, married an innkeeper's daughter, wrote verse, 
 went again to the wars, and in the autumn of 1759, the 
 year in which (on the 10th of November) the son Friedrich 
 was born, Johann Kaspar became lieutenant in a regiment 
 of infantry. 
 
 During the first four years of Schiller's life, his father was 
 at the wars, and his mother had sole charge of him. The 
 father was promoted to the rank of captain, and retired 
 upon the post of superintendent of shrubberies to the Duke 
 of Wurtemberg. He gave his mind to the new work, planted 
 60,000 trees, and wrote a book upon their culture. At six 
 years old young Schiller's home was in the village of Lorch, 
 under the influence of a Pastor Moser, whose name he after- 
 wards gave to a good priest [in his play of " The Robbers.' 
 His own first choice of a career in life was to be [such a 
 Pastor, He went to school, therefore, at Lncjwigsburg, be
 
 vi INTRODUCTION. 
 
 came skilful in Latin versification, studied Greek and Hebrew 
 and wrote also some German verse. 
 
 In 1770 the Duke of Wurtemberg built a Military Orphan 
 House, chiefly for the education of poor soldiers' children, 
 and in 1772 Friedrich Schiller, then thirteen years old, being 
 a clever boy, was drafted into the new school with some 
 others, and with the chief teacher from Ludwigsburg. 
 Education was offered to young Schiller at the Duke's ex- 
 pense in this school, which was called, after 1772, a Military 
 Academy. Father and mother hesitated to allow the trans- 
 fer ; as it meant abandonment of education for the ministry. 
 But the Duke urged ; refusal might affect the fortunes of the 
 family ; and the boy went to his free education under a con- 
 tract signed by his parents that he "should devote himself 
 unreservedly to the service of the Ducal House of Wilrtem- 
 berg," an unwelcome exchange for the service of the House 
 of God. 
 
 Law now became Schiller's study, but as he grew to man- 
 hood, his poet's mind was seized by the new enthusiasm of 
 the day for freedom to move away from dead traditions and 
 to lift the world. In 1775, the Academy was transferred to 
 Stuttgard, and Schiller transferred his own studies there 
 from law to medicine. Goethe, ten years older than Schiller, 
 had published "Goetz von Berlichingen "in 1773. Schiller 
 joined himself in friendship to the young poets of the Mili- 
 tary Academy, and, as he said, would gladly have given his 
 . last shirt to be free to soar. In 1777, at the age of eighteen, 
 Schiller began to write "The Bobbers," which was first 
 printed in 1781, and he had from time to time written poems 
 in the Swabiau Magazine, before he passed from his studies 
 at the Academy to the office of surgeon in a regiment of 
 grenadiers. But he disliked official life, and paid too little 
 attention to its formal duties. When no publisher would
 
 INTRODUCTION. Vll 
 
 venture on "The Robbers," Schiller printed his play at his 
 own expense. It was first acted at Mannheim on the 13th 
 of January, 1782, and in that year appeared the second 
 revised edition. Schiller's " Robbers " passed immediately 
 from theatre to theatre, and its fame spread throughout 
 Europe. Like Goethe's first successes, it expressed much of 
 the passionate feeling and impatience of established wrongs 
 that preceded the fall of the Bastille. 
 
 In the same year, 1782, Schiller printed some of his 
 earlier poems in an "Anthology for 1782," which he edited 
 in critical antagonism to a Swabian Anthology that had been 
 published in 1781, with too little regard to the new stir of 
 life, and too much regard to the formalities of the French 
 classicism against which the most vigorous writers of that 
 day were asserting their own claim to be true to themselves 
 and to the best hopes of man. 
 
 Schiller was now forbidden by his patron, the Duke, to 
 leave Wiirtemberg ; forbidden also to write more poetry. 
 He slipped away again to see his play acted at Mannheim. 
 He was put under arrest. He began another play. At last 
 he escaped by secret flight to Mannheim, where he wrote to 
 the Duke, who replied with a gracious order to him to 
 return at once, but did not remove the interdict from his 
 poetry. At the same time Schiller read his "Fiesko" to the 
 actors ; but he was so bad a reader of his own work that 
 they thought the play abominable until they had read it for 
 themselves. Schiller remained a deserter, and to avoid 
 chance of arrest, he and the friend who had shared his 
 flight, moved on to Frankfort. Money was not to be had. 
 " Fiesko " was declined by the actors ; and Schiller was in 
 serious straits when a home was offered to him at Bauer- 
 bach, in a house belonging to the Frau Henrietta von 
 Wolzogen, a widow of eight-and-thirty, with five children.
 
 viii INTRODUCTION. 
 
 In December, 1782, the Duke of Wiirtemberg filled up the 
 place that Schiller had vacated, and took no further thought 
 for his return. 
 
 At the beginning of 1783 Schiller published "Fiesko." 
 At ease in Bauerbach, he began his play of " Don Karlos." 
 In July, 1 783, he went to Mannheim. " Fiesko," revised 
 for the third time, wus acted ; its success was great. 
 " Cabal and Love " followed. 
 
 In 1784 the poet became journalist, and proposed to 
 publish every two months " The Rhenish Thalia." The 
 first number appeared in March, 1785. "Don Karlos" 
 was first tried on the stage at Hamburg on the 30th of 
 August, 1787. Then Schiller Avas for a time at Weimar. 
 He worked hard for his bread, and became in 1789 a Pro- 
 fessor Extraordinary at the University of Jena, reading 
 himself in with an Introductory Lecture upon Universal 
 History. In the summer of 1789 he was betrothed to 
 Charlotte von Lengefeld, and he was married to her in 
 February, 1790. He had debts to pay, and toiled in- 
 cessantly. He worked hard at his " History of the Thirty 
 Years' War ; " thought over " Wallenstein ; " and had a 
 severe illness that increased his difficulties. After recovery 
 for a short time, this illness returned upon him. The 
 personal charm of Schiller's character, and the reasonable 
 spirit of brotherhood that always overcomes the mere 
 instinct of rivalry between men of true genius who learn 
 to know each other, overcame Goethe's antipathy to 
 Schiller. The two chief poets of Germany came out of a 
 lecture-room at Jena side by side, talked of the lecture, 
 walked to Schiller's house, went in, talked on, and were 
 friends thenceforward. 
 
 Goethe readily agreed to contribute to a new poetical 
 journal, " Die Horen," that Schiller was then planning, and
 
 INTRODUCTION. IX 
 
 which came out at the end of 1794. Within four months 
 in 1795, while suffering severe illness, Schiller poured out 
 his poems on " The Poetry of Life ; " " The Power of Song;" 
 " Pegasus in the Yoke ; " " The Dance ; " " The Ideal and 
 Life ; " " Genius ; " The Ideal ; " " The Veiled Image at 
 Sais;" " Dignity of Women ;" "German Fidelity;" "The 
 Walk ; " " Columbus ; " " Evening ; " " The Partition of 
 the Earth ; " and others. Most critics attacked " Die 
 Horen." Schiller and Goethe gave the critics a return fire 
 with epigrams of the "Xenien." 
 
 Then Schiller bought a garden-hut at Jena which he built 
 into a cottage. There was beautiful scenery about it, and 
 there, in 1797, he wrote ballads "The Diver;" "The Glove;" 
 "Knight of Toggenburg;" "The Ring of Polycrates;" 
 " The Cranes of Ibycus; " and "Fridolin." Next year fol- 
 lowed " Rudolf of Hapsburg," and others. " The Song of 
 the Bell," conceived in 1788, was taken up again in 1797, 
 and finished in September, 1799. It appeared in the 
 "Musen Almanach " of 1800, the last that Schiller edited. 
 He had given up "Die Horen" in 1798. Then followed 
 the trilogy of " Wallenstein ; " the " Piccolomini," produced 
 in February, 1799; " Wallenstein's Death," in May, but 
 " Wallenstein's Camp " was not produced xmtil December, 
 1803. The play of " Mary Stuart " followed ; then an en- 
 gagement at the Court Theatre of Weimar. Then came "The 
 Maid of Orleans," " The Bride of Messina," " William Tell." 
 And Schiller obtained a Patent of Nobility before his death 
 in May, 1805. He entered the world Schiller, and went out 
 of it with a " von " before his name. 
 
 H. M. 
 
 June, 1887.
 
 CONTENTS. 
 
 POEMS AND BALLADS OF SCHILLEE. 
 
 PAQB 
 
 THE DIVER. A BALLAD 15 
 
 THE GLOVE. A TALE 21 
 
 THE KNIGHT OF TOGGENBURG 23 
 
 THE MEETING 26 
 
 THE ASSIGNATION 27 
 
 THE SECRET 29 
 
 To EMMA 30 
 
 THE POET TO HIS FRIENDS. (WRITTEN AT WEIMAR.) . . 31 
 
 -EVENING. (FROM A PICTURE.) 32 
 
 -THE LONGING 33 
 
 'THE PILGRIM 34 
 
 THE DANCE . . . 35 
 
 TH>, SHARING OF THE EARTH 37 
 
 THE INDIAN DEATH-DIRGE 3S 
 
 THE LAY OF THE MOUNTAIN 39 
 
 THE ALP HUNTER . . 41 
 
 RUDOLF OF HAI-SBURO. A BALLAD 42 
 
 THE FIGHT WITH THE DRAGON 46 
 
 DITHYRAMB ...5t 
 
 THE KNIGHTS OF ST. JOHN 55 
 
 THE MAIDEN FROM AFAR (OR FROM ABROAD) . . 55 
 
 THE Two GUIDES oy LIFE THE SUBLIME AND THE BEAUTIFUL 56 
 
 THE FOUR AGES OF THE WORLD 57 
 
 THE MAIDEN'S LAMENT 60 
 
 THE IMMUTABLE 60 
 
 THE VEILED IMAGE AT SAIS 61 
 
 THE CHILD IN THE CRADLE 63 
 
 THE RING OF FOLYCRATES. A BALLAD 64
 
 Xll CONTENTS. 
 
 HOPE ............ 67 
 
 THE SEXES .......... 67 
 
 HONOURS ........... 69 
 
 POMPEII AND HERCULANEUM ....... 69 
 
 LIGHT AND WARMTH ......... 71 
 
 BREADTH AND DEPTH ........ 72 
 
 THE PHILOSOPHICAL EGOIST ....... 72 
 
 FRIDOLIN ; OR, THE MESSAGE TO THE FORGE .... 73 
 
 THE YOUTH BY THE BROOK ....... 80 
 
 THE IDEAL .......... 81 
 
 PHILOSOPHERS .......... 84 
 
 PUNCH SONG .......... 85 
 
 PUNCH SONG. To BE SUNG IN THE NORTH . . . . 86 
 
 PEGASUS IN HARNESS . ....... 88 
 
 HERO AND LEANDER. A BALLAD ...... 90 
 
 THE PLAYING INFANT ........ 98 
 
 CASSANDRA . .......... 98 
 
 THE VICTORY FEAST ........ 102 
 
 THE CRANES OF IBYCUS ........ 107 
 
 THE HOSTAGE. A BALLAD ....... 113 
 
 THE COMPLAINT OF CERES ........ 117 
 
 THE ELEUSINIAN FESTIVAL ....... 122 
 
 PARABLES AND KIDDLES ........ 129 
 
 THE MIGHT OF SONG ........ 135 
 
 HONOUR TO WOMAN. (LITEBALLY "DIGNITY OF WOMEN.") . 137 
 
 THE WORDS OF BELIEF ........ 13s 
 
 THE WORDS OF ERROR ........ 139 
 
 THE MERCHANT ......... 140 
 
 THE GERMAN ART . . . , ...... 141 
 
 THE WALK .......... 141 
 
 -THE LAY OF THE BKLI, ........ 150 
 
 THE POETRY OF LIFE ........ 163 
 
 THE ANTIQUE AT PARIS. (FREE TRANSLATION.) . . . 164 
 
 THE MAID OF ORLEANS ........ 165 
 
 THEKLA. (A SPIRIT VOICE.) ....... 165 
 
 WILLIAM TELL ......... 166 
 
 ARCHIMEDES .......... 167 
 
 CARTHAGE .......... 167 
 
 COLUMBUS ........ . . . 168 
 
 "N^ENIA ........... 168 
 
 JOVE TO HERCULES ......... 169 
 
 THE IDEAL AND THE ACTUAL LIFE .... 169
 
 CONTENTS. xiii 
 
 PACK 
 
 THE FAVOUR OF THE MOMENT 175 
 
 THE FORTUNE-FAVOURED 176 
 
 THE SOWER 179 
 
 SENTENCES OF CONFUCIUS 179 
 
 THE ANTIQUE TO THE NORTHERN WANDERER . . . . 180 
 
 GENIUS. (FREE TRANSLATION.) 181 
 
 ULYSSES 183 
 
 VOTIVE TABLETS : 
 
 MOTTO TO THE VOTIVE TABLETS 1S3 
 
 THE GOOD AND THE BEAUTIFUL (ZWEIERLEI WIRKUNGS- 
 
 ARTEN) 133 
 
 VALUE AND WORTH 184 
 
 THE DIVISION OF RANKS 184 
 
 To THE MYSTIC 184 
 
 ^i THE KEY 184 
 
 .WISDOM AND PRUDENCE 184 
 
 THE UNANIMITY 185 
 
 THE SCIENCE OF POLITICS 185 
 
 To ASTRONOMERS 185 
 
 THE BEST GOVERNED STATE 186 
 
 MY BELIEF 186 
 
 FRIEND AND FOE 186 
 
 LIGHT AND COLOUR 186 
 
 FORUM OF WOMEN 186 
 
 GENIUS 186 
 
 THE IMITATOR 187 
 
 CORRECTNESS. (FREE TRANSLATION.) . . . . 187 
 
 THE MASTER 187 
 
 -EXPECTATION AND FULFILMENT 
 
 THE EPIC HEXAMETER. (TRANSLATED BY COLERIDGE.) . 
 THE ELEGIAC METRE. (TRANSLATED BY COLERIDGE.) 
 OTHER EPIGRAMS, &c. : 
 
 THE PROSELYTE MAKER 188 
 
 THE CONNECTING MEDIUM 188 
 
 THE MORAL POET 188 
 
 THE SUBLIME THEME 189 
 
 --- SCIENCB 189 
 
 KANT AND ins COMMENTATORS 189 
 
 To THE HEREDITARY PRINCE OF SAXE- WEIMAR, ON HIS 
 
 JOURNEY TO PJRIS. WRITTEN FEBRUARY, 1802 . . 189 
 
 To A YOUNG FRIEND DEVOTING HIMSELF TO PHILOSOPHY . 191 
 THE PUPPET-SHOW OF LIFE. (DAS SPIEL DBS LEBENS.) A 
 
 PARAPHRASE 191
 
 XIV CONTENTS. 
 
 FAd 
 
 THE MINSTRKLS OF OLD . - 192 
 
 THE COMMENCEMENT OF THE NEW CESTUUY .... 193 
 
 -HYMN TO JOY 196 
 
 THE INVINCIBLE ARMADA 199 
 
 THE CONFLICT 200 
 
 KESIGNATION 201 
 
 THE GODS OF GREECE 203 
 
 THE ARTISTS 207 
 
 THE CELEBRATED WOMAN. AN EPISTLE BY A MARRIED 
 
 MAN TO A FELLOW-SUFFERER 226 
 
 To A FEMALE FRIEND. (WRITTEN IN HER ALBUM.) . . . 232 
 
 FIEST PERIOD; OR, EARLY POEMS. 
 
 HECTOR AND ANDROMACHE 234 
 
 AMALIA 235 
 
 A FU-NERAL FANTASIE 236 
 
 FANTASIE TO LAURA 238 
 
 To LAURA PLAYIMJ 240 
 
 To LAURA.- (RAPTURE.) 242 
 
 To LAURA. (THE MYSTERY OF HEMIXISCENCE.) . . . 212 
 
 MELANCHOLY ; TO LAURA 244 
 
 THE INFANTICIEE 248 
 
 TlIE G ."FATNESS OF CREATION 253 
 
 ELEGY ON THE DEATH OF A YOUTH 254 
 
 -THE BATTLE 257 
 
 lioussEAU. (FREE TRANSLATION.) 259 
 
 FRIENDSHIP 259 
 
 A GROUP IN TARTARUS 2C1 
 
 ELYSIUM 262 
 
 THE REFUGEE 2G3 
 
 THE FLOWERS . . 204 
 
 To MINNA 205 
 
 To THE SPRINO 266 
 
 THE TRIUMPH OF LOVE. (A HYMN.) 267 
 
 To A MORALIST 271 
 
 FORTUNE AND WISDOM ' 272 
 
 COUNT ERERHARD, THE QUARRELLER (DER. GREINER) OF 
 
 WUIITKMBERG 272 
 
 FAREWELL TO THE EEADER. (TF.ANSFEUREO FROM THE THIRD 
 
 PERIOD.) 275
 
 THE POEMS AND BALLADS 
 
 OF 
 
 SCHILLER. 
 
 THE DIVER. 
 
 A BALLAD. 
 
 [The original of the story on which Schiller has founded this ballad, 
 matchless perhaps for the power and grandeur of its descriptions, is to be 
 found in Kircher. According to the true principles of imitative art, 
 Schiller has preserved all that is striking: in the legend, and ennobled all 
 that is commonplace. The name of the Diver was Nicholas, suvnamed the 
 Fish. The King appears, according to Hoffmeister's probable conjectures, 
 to huve been either Frederic I. or Frederic II., of Sicily. Date from 
 1295 to 1377.] 
 
 " OH, -where is the knight or the squire so bold, 
 As to dive to the howling charybdis below ? 
 
 I cast in the whirlpool a goblet or gold, 
 And o'er it already the dark waters flow ; 
 
 Whoever to me may the goblet bring, 
 
 Shall have for his guerdon that gift of his king." 
 
 He spoke, and the cup from the terrible steep, 
 That, rugged and hoary, hung over the verge 
 
 Of the endless and measureless world of the deep, 
 Swirl'd into the maelstrom that madden'd the surgo, 
 
 "And where is the diver so stout to go 
 
 I ask ye again to the deep below ? " 
 
 And the knights and the squires that gather'd around, 
 Stood silent and fix'd on the ocean their eyes ; 
 
 They look'd on the dismal and savage Profound, 
 
 And the peril chill'd back every thought of the prize. 
 
 And thrice spoke the monarch " The cup to win, 
 
 Is there never a wight who will ventui'e in ? "
 
 16 POEMS AND BALLADS OF SCHILLER. 
 
 And all as before heard in silence the king 
 
 Till a youth with an aspect unfearing but gentle, 
 
 'Mid the tremulous squires stept out from, the ring, 
 Unbuckling his girdle, and doffing his mantle ; 
 
 And the murmuring crowd as they parted asunder, 
 
 On the stately boy cast their looks of wonder. 
 
 As he strode to the marge of the summit, and gave 
 One glance on the gulf of that merciless main ; 
 
 Lo ! the wave that for ever devours the wave, 
 Casts roaringly up the charybdis again ; 
 
 And, as with the swell of the far thunder-boom, 
 
 Bushes foamingly forth from the heart of the gloom. 
 
 And it bubbles and seethes, and it hisses and roars,* 
 As when fire is with water commix' d and contending, 
 
 And the spray of its wrath to the welkin up-soars, 
 And flood upon flood hurries on, never-ending. 
 
 And it never will rest, nor from travail be free, 
 
 Like a sea that is labouring the birth of a sea. 
 
 Yet, at length, comes a lull o'er the mighty commotion, 
 As the whirlpool sucks into black smoothness the swell 
 
 Of the white-foaming breakers and cleaves thro' the ocean 
 A path that seems winding in darkness to hell. 
 
 Round and round whirl'd the waves deeper and deeper 
 still driven, 
 
 Like a gorge thro' the mountainous main thunder-riven ! 
 
 The youth gave his trust to his Maker ! Before 
 That path through the riven abyss closed again 
 
 Hark ! a shriek from the crowd rang aloft from the shore, 
 And, behold ! he is whirl'd in the grasp of the main ! 
 
 And o'er him the breakers mysteriously roll'd, 
 
 And the giant-mouth closed on the swimmer so bold. 
 
 * " Und cs -wallet, und siedet, und brausct, und zischt," &c. Goethe 
 was particularly struck with the truthfulness of these lines, of which his 
 personal observation at the Falls of the Rhine enabled him to judge. 
 Schiller modestly owns his obligations to Homer's descriptions of Charybdis, 
 Odyss. 1. 12. The property of the higher order of imagination to reflect 
 truth, though not familiar to experience, is singularly Uluatrated in thia 
 description. Schiller had never seen even a Waterfall.
 
 THE DIVER. 37 
 
 O'er the surface grim silence lay dark ; but the crowd 
 Heard the wail from the deep murmur hollow and fell ; 
 
 They harken and shudder, lamenting aloud 
 " Gallant youth noble heart fare-thee-well, fare-thee- 
 well ! " 
 
 More hollow and more wails the deep on the ear 
 
 More dread and more dread grows suspense in its fear. 
 
 If thou shouldst in those waters thy diadem fling, 
 And cry, " Who may find it shall win it and wear ; " 
 
 God wot, though the prize were the crown of a king 
 A crown at such hazard were valued too dear. 
 
 For never shall lips of the living reveal 
 
 What the deeps that howl yonder in terror conceal. 
 
 Oh, many a bark, to that breast grappled fast, 
 
 Has gone down to the fearful and fathomless grave ; 
 
 Again, crash'd together the keel and the mast, 
 To be seen, toss'd aloft in the glee of the wave. 
 
 Like the growth of a storm ever louder and clearer, 
 
 Grows the roar of the gulf rising nearer and nearer. 
 
 And it bubbles and seethes, and it hisses and roars, 
 As when fire is with water commix'd and contending ; 
 
 And the spray of its wrath to the welkin up- soars, 
 And flood upon flood hurries on, never ending ; 
 
 And as with the swell of the far thunder-boom, 
 
 Rushes roaringly forth from the heart of the gloom. 
 
 And, lo ! from the heart of that far-floating gloom,* 
 What gleams on the darkness so swanlike and white ? 
 
 Lo ! an arm and a neck, glancing iip from the tomb ! 
 They battle the Man's with the Element's might. 
 
 It is he it is he ! in his left hand behold, 
 
 As a sign as a joy ! shines the goblet of gold ! 
 
 And he breathed deep, and he breathed long, 
 And he greeted the heavenly delight of the day. 
 
 They gaze on each other they shout, as they throng 
 " He lives lo the ocean has render'd its prey ! 
 
 * The same rhyme as the preceding line in the original.
 
 18 POEMS AND BALLADS OF SCHILLER. 
 
 And safe from the whirlpool and free from the grave, 
 Comes back to the daylight the soul of the brave ! " 
 
 And he comes, with the crowd in their clamour and glee, 
 And the goblet his daring has won from the water, 
 
 He lifts to the king as he sinks on his knee ; 
 
 And the king from her maidens has beckon'd his 
 daughter 
 
 She pours to the boy the bright wine which they bring, 
 
 And thus spake the Diver " Long life to the king ! 
 
 " Happy they whom the rose-hues of daylight rejoice, 
 The air and the sky that to mortals are given ! 
 
 May the horror below never more find a voice 
 
 Nor Man stretch too far the wide mercy of Heaven ! 
 
 Never more never more may he lift from the sight 
 
 The veil which is woven with Terror and Night ! 
 
 " Quick-brightening like lightning it tore me along, 
 Down, down, till the gush of a torrent, at play 
 
 In the rocks of its wilderness, caught me and strong 
 As the wings of an eagle, it whirl'd me away. 
 
 Vain, vain was my struggle the circle had won me, 
 
 Round and round in its dance, the wild element spun me. 
 
 "And I call'd on my God, and my God heard my prayer 
 In the strength of my need, in the gasp of my breath 
 
 And show'd me a crag that rose up from the lair, 
 And I clung to it, nimbly and baffled the death ! 
 
 And, safe in the perils around me, behold 
 
 On the spikes of the coral the goblet of gold. 
 
 " Below, at the foot of the precipice drear, 
 
 Spread the gloomy, and purple, and pathless Obscure ! 
 
 A silence of Horror that slept on the ear, 
 
 That the eye more appall'd might the Horror endure ! 
 
 Salamander snake dragon vast reptiles that dwell 
 
 In the deep coil'd about the grim jaws of their hell. 
 
 " Dark-crawl'd glided dark the unspeakable swarms, 
 Clump'd together in masses, misshapen and vast 
 
 Here clung and here bristled the fashionless forms 
 Here the dark-moving bulk of the Hammer-fish pass'd
 
 THE DIVER. 19 
 
 And with teeth grinning white, and a menacing motion, 
 Went the terrible Shark the Hyasna of Ocean. 
 
 " There I hung, and the awe gather'd icilj o'er me, 
 
 So far from the earth, where man's help there was none ! 
 
 The One Human Thing, with the Goblins before me 
 Alone in a loneness so ghastly ALONE ! 
 
 Fathom-deep from man's eye in the speechless profound, 
 
 With the death of the Main and the Monsters around. 
 
 " Methought, as I gazed through the darkness, that now 
 IT * saw the dread hundred-limbed creature its prey ! 
 
 And darted God ! from the far flaming-bough 
 Of the coral, I swept on the horrible way ; 
 
 And it seized me, the wave with its wrath and its roar, 
 
 It seized me to save King, the danger is o'er ! " 
 
 On the youth gazed the monarch, and marvell'd ; quoth he, 
 " Bold Diver, the goblet I promised is thine, 
 
 And this ring will I give, a fresh guerdon to thee, 
 Never jewels more precious shone up from the mine ; 
 
 If thou'lt bring me fresh tidings, and venture again ; 
 
 To say what lies hid in the innermost main ? " 
 
 Then outspake the daughter in tender emotion : 
 
 " Ah ! father, my father, what more can there rest ? 
 
 Enough of this sport with the pitiless ocean 
 
 He has served thee as none would, thyself has confest. 
 
 If nothing can slake thy wild thirst of desire, 
 
 Let thy knights put to shame the exploit of the squire ! " 
 
 The king seized the goblet he swung it on high, 
 And whirling, it fell in the roar of the tide : 
 
 " But bring back that goblet again to my eye, 
 
 And I'll hold thee the dearest that rides by my side ; 
 
 And thine arms shall embrace, as thy bride, I decree, 
 
 The maiden whose pity now pleadeth for thee." 
 
 * " da kroch's heran," &c. 
 
 The It in the original has been greatly admired. The poet thus vngucl j 
 represents the fabulous misshapen monster, the Polypus of the ancients.
 
 20 POEMS AHD BALLADS OF SCHILLER. 
 
 In his heart, a* he Iwten'd, there leapt the wild JOT 
 And the hope and the love through his eye* spoke in fire, 
 
 On that bloom, on that blush, gazed delighted the hoy; 
 The maiden she faints at the feet of her sire ! 
 
 Here the guerdon-divine, there the danger beneath ; 
 
 He resolves! To the strife with the life and the death! 
 
 They hear the lond surges sweep back in their swell, 
 Their coming the thunder-sound heralds along ! 
 
 Fond eyes * yet are tracking the spot where he fell: 
 They come, the wild waters, in tumult and throng; 
 
 Bearing up to the cliff roaring back, as before, 
 
 But no wave ever brings the lost youth to the shore. 
 
 This ballad i* the first composed by Schiller, if we except his early aad 
 ruder lay of " Count Eberhard, the Qoarreller," whkh really, however, 
 
 tales elaborated by his riper genius and belonging to a school of poetry, to 
 which the ancient Ballad singer certainly merer pretended to aspire. . . 
 The old Ballad is but a simple narrative, without any symbolical or 
 interior meaning. . . But in most of the performances to which Schiller 
 has given the name of Ballad, a certain purpose, not to say philosophy, in 
 conception, elevates the Narrative into Dramatic dignity. .*. . Bightlvj for 
 instance, has " The Direr" been called a Lyrical Tragedy in two Act* 
 the first act ending with the disappearance of the hero amidst the whirl- 
 pool; and the conception of the contest of Man's will with physical 
 Nature, .... together with the darkly hinted moral, not to stretch too far 
 the mercy of Heaven, . . . belong in themselves to the design and the 
 ethics of Tragedy. 
 
 There is another peculiarity in the art which Schiller employs upon his 
 narrative poems. Though he usually enters at once on the interest of his 
 story, and adopts, for the most part, the simple and level style of recital, he 
 selects a subject admitting naturally of some striking picture, upon which 
 he lavishes those resources of description that are only at the command of a 
 great poet ; . . . thus elevating the ancient ballad not only into something 
 of the Drama, by conception, but into something of the Epic by execution. 
 The reader will recognise this peculiarity in the description of the 
 Charybdis and the Abyss in the Ballad he has just concluded in that of 
 the Storm in "Hero and Leonder" of the Forge and the Catholic Ritual in 
 " Fridolin " of the Furies in the " Cranes of Ibycus," &c. . . . We have 
 the more drawn the reader's notice to these distinctions between the simple 
 ballad of the ancient minstrels, and the artistical narratives of Schiller 
 because it seems to us, that our English critics are too much inclined to 
 consider that modern Ballad-writing succeeds or fails in proportion as it 
 seizes merely the spirit of the ancient. . . . But this would but lower genius 
 to an exercise of the same imitative ingenuity which a school-boy or a 
 college prizeman displays upon Latin Lyrics ... in which the merit con- 
 sists in the avoidance of originality. The Great Poet cannot be content with 
 only imitating what he studies : And he succeeds really in proportion not 
 
 * Viz. : the King's Daughter. Hoffmcister, Sup. ir. 301.
 
 THE GLOVE. 21 
 
 to his fidelity but his innovations . . . that is, in proportion as he improves 
 upon what serves him as a model. 
 
 In the ballad of "The Diver," Schiller not only sought the simple but 
 the sublime. According to hia own just theory " The Main Ingredient of 
 Terror is the Unknown." He here seeks to accomplish as a poet what he 
 before perceived as a critic. . . . And certainly the picture of his lonely 
 Diver amidst the horrors of the Abyss, dwells upon the memory amongst the 
 sublimest conceptions of modern Poetry. 
 
 THE GLOVE. 
 
 A TALE. 
 
 [The original of this well-known story is in St. Foil (Ettai tur Par it) 
 date the reign of Francis I.] 
 
 BEFORE his lion-court, 
 To see the griesly sport, 
 
 Sate the king ; 
 
 Beside him group'd his princely peers, 
 And dames aloft, in circling tiers, 
 
 Wreath'd round their blooming ring. 
 
 King Francis, where he sate, 
 
 Raised a finger yawn'd the gate, 
 
 And, slow from his repose, 
 
 A LION goes ! 
 
 Dumbly he gazed around 
 
 The foe-encircled ground ; 
 
 And, with a lazy gape, 
 
 He stretch'd his lordly shape, 
 
 And shook his careless mane, 
 
 And laid him down again ! 
 
 A finger raised the king 
 And nimbly have the guard 
 A second gate unbarr'd ; 
 
 Forth, with a rushing spring, 
 
 A TIGER sprung ! 
 Wildly the wild one yell'd 
 When the lion he beheld ; 
 And, bristling at the look, 
 With his tail his sides he strook, 
 And roll'd his rabid tongue ;
 
 POEMS AND BALLADS OF SCHILLER. 
 
 In many a wary ring 
 
 He swept round the forest king, 
 
 With a fell and rattling sound ; 
 
 And laid him on the ground, 
 
 Grornmelling ! 
 
 The king raised his finger ; then 
 Leap'd two LEOPARDS from the den 
 
 With a bound ; 
 And boldly bounded they 
 Where the crouching tiger lay 
 
 Terrible ! 
 
 And he griped the beasts in his deadly hold ; 
 In the grim embrace they grappled and roll'd ; 
 
 Rose the lion with a roar ! 
 
 And stood the strife before; 
 
 And the wild-cats on the spot, 
 
 From the blood-thirst, wroth and hot, 
 Halted still ! 
 
 Now from the balcony above, 
 A snowy hand let fall a glove : 
 Midway between the beasts of prey, 
 Lion and tiger ; there it lay, 
 The winsome lady's glove ! 
 
 Fair Cunigonde said, with a lip of scorn, 
 
 To the knight DELORGES " If the love you have sworn 
 
 Were as gallant and leal as you boast it to be, 
 
 I might ask you to bring back that glove to me ! " 
 
 The knight left the place where the lady sate ; 
 The knight he has pass'd thro' the fearful gate ; 
 The lion and tiger he stoop'd above, 
 And his fingers have closed on the lady's glove ! 
 
 All shuddering and stunn'd, they beheld him there 
 
 The noble knights and the ladies fair ; 
 
 But loud was the joy and the praise the while 
 
 He bore back the glove with his tranquil smile ! 
 
 With a tender look in her softening eyes, 
 That promised reward to his warmest sighs,
 
 THE KNIGHT OF TOGGEKBURG. 23 
 
 Fair Cnnigonde rose her kniglit to grace, 
 
 He toss'd the glove in the lady's face ! 
 
 "Nay, spare me the guerdon, at least," quoth he ; 
 
 And he left for ever that fair ladye ! 
 
 THE KNIGHT OF TOGGENBURG. 
 
 [In this beautiful ballad, Schiller is but little indebted to the true legend 
 of Toggenburg, which is nevertheless well adapted to Narrative Poetry. 
 Ida, wife of Henry Count of Toggenburg, was suspected by her husband of 
 a guilty attachment to one of bis vassals, and ordered to be thrown from a 
 high wall. Her life, however, was miraculously saved ; she lived for some 
 time as a female hermit in the neighbouring forest, till she was at length 
 discovered, and her innocence tecognised. She refused to live again with 
 the Lord whose jealousy had wronged her, retired to a convent, and was 
 acknowledged as a saint after her death. This Legend, if abandoned by 
 Schiller, has found a German Poet not unworthy of its simple beauty and 
 pathos. Schiller has rather founded his poem, which sufficiently tells its 
 own tale, upon a Tyrolese Legend, similar to the one that yet consecrates 
 Rolandseek and Nonnenworth on the Rhine. Hoffnieister implies that, 
 unlike "The Diver," and some other of Schiller's Ballads, "The Knight 
 of Toggenburg " dispenses with all intellectual and typical meaning, draws 
 its poetry from feeling, and has no other purpose than that of moving the 
 heart. Still upon Feeling itself are founded those ideal truths which make 
 up the true philosophy of a Poet. In these few stanzas are represented the 
 poetical chivalry of an age the contest between the earthly passion and 
 the religious devotion, which constantly agitated human life in the era of 
 the Crusades. How much of deep thought has been employed to arouse the 
 feelings what intimate conviction of the moral of the middle ages, in the 
 picture of the Knight looking up to the convent of the Nun bowing calmly 
 to the vale !] 
 
 " KNIGHT, a sister's quiet love 
 
 Gives my heart to thee ! 
 Ask me not for other love, 
 
 For it paineth me ! 
 Calmly could'st thou greet me now, 
 
 Calmly from me go ; 
 Calmly ever, why dost thou. 
 
 Weep in silence, so ? " 
 
 Sadly (not a word he said !) 
 
 To the heart she wrung, 
 Sadly clasp'd he once the maid, 
 
 On his steed he sprang ! 
 " Tip, my men of Swisserland ! " 
 
 Up awake the brave ! 
 Forth they go the Red-Cross band, 
 
 To the Saviour's grave !
 
 24 POEMS AND BALLADS OF SCHILLER. 
 
 High your deeds, and great your fame, 
 
 Heroes of the tomb ! 
 Glancing through the carnage came 
 
 Many a dauntless plume. 
 Terror of the Moorish foe, 
 
 Toggenburg, thou art ! 
 But thy heart is heavy ! Oh, 
 
 Heavy is thy heart ! 
 
 Heavy was the load his breast 
 
 For a twelvemonth bore : 
 Never can his trouble rest ! 
 
 And he left the shore. 
 Lo ! a ship on Joppa's strand, 
 
 Breeze and billow fair, 
 On to that beloved land, 
 
 Where she breathes the air ! 
 
 Knocking at her castle-gate 
 
 Was the pilgrim heard ; 
 Woe the answer from the grate ! 
 
 Woe the thunder-word ! 
 " She thon seekest lives a Nun ! 
 
 To the world she died ! 
 When, with yester-morning's sun, 
 
 Heaven received a Bride ! " 
 
 From that day, his father's hall 
 
 Ne'er his home may be ; 
 Helm, and hauberk, steed and all, 
 
 Evermore left he ! 
 Where his castle-crowned height 
 
 Frowns the valley down, 
 Dwells unknown the hermit-knight, 
 
 In a sackcloth gown. 
 
 Rude the hut he built him there, 
 
 Where his eyes may view 
 Wall and cloister glisten fair 
 
 Dusky lindens through.* 
 
 * In this description (though to the best of our recollection, it has 
 escaped the vigilance of his niuuy commentators) Schiller evidently has h\3
 
 THE KNIGHT OF TOGGENBURG. 25 
 
 There, when dawn was in the skies, 
 
 Till the eve-star shone, 
 Sate he with mute wistful eyes, 
 
 Sate he there alone ! 
 
 Looking to the cloister, still, 
 
 Looking forth afar, 
 Looking to her lattice till 
 
 Clink'd the lattice-bar. 
 Till a passing glimpse allow'd 
 
 Paused her image pale, 
 Calm and angel-mild, and bow'd 
 
 Meekly tow'rds the vale. 
 
 Then the watch, of day was o'er, 
 
 Then, consoled awhile, 
 Down he lay, to greet once more, 
 
 Morning's early smile. 
 Days and years are gone, and still 
 
 Looks he forth afar, 
 Uncomplaining, hoping till 
 
 Clinks the lattice-bar : 
 
 Till, a passing glimpse allow'd, 
 
 Paused her image pale, 
 Calm, and angel-mild, and bow'd 
 
 Meekly tow'rds the vale. 
 So, upon that lonely spot, 
 
 Sate he, dead at last, 
 With the look where life was not 
 
 Tow'rds the casement cast ! 
 
 eye and his mind upon the scene of his early childhood at Lorch, a scene to 
 which in later life he was fondly attached. 
 
 The village of Lorch lies at the foot of a hill crowned with a convent, 
 before the walls of which springs an old linden or lime tree. The ruined 
 cft;tle of Hohenstaufen is in the immediate neighbourhood.
 
 26 POEMS AND BALLADS OF SCHILLER. 
 
 THE MEETING. 
 
 [This poem and the two that immediately follow, appear to have been 
 inspired by Charlotte von Lengcfcld, whom Schiller afterwards manned.] 
 
 I. 
 I SEE her still, with many a fair one nigh, 
 
 Of every fair the stateliest shape appear : 
 Like a lone sun she shone upon my eye- 
 
 I stood afar, and durst not venture near. 
 Seized, as her presence brighten'd round me, by 
 
 The trembling passion of voluptuous fear, 
 Yet, swift, as borne upon some hurrying wing, 
 The impulse snatch'd me, and I struck the string ! 
 
 II. 
 
 What then I felt what sung my memory hence 
 From that wild moment would in vain invoke 
 
 It was the life of some discover'd sense 
 That in the heart's divine emotion spoke ; 
 
 Long years imprison'd, and escaping thence 
 From every chain, the SOUL enchanted broke, 
 
 And found a music in its own deep core, 
 
 Its holiest, deepest deep, unguess'd before. 
 
 in. 
 Like melody long hush'd, and lost in space, 
 
 Back to its home the breathing spirit came : 
 I look'd, and saw upon that angel face 
 
 The fair love circled with the modest shame ; 
 I heard (and heaven descended on the place) 
 
 Low-whisper'd words a charmed truth proclaim 
 Save in thy choral hymns, spirit-shore, 
 Ne'er may I hear >snc-h thrilling sweetness more ! 
 
 IV. 
 
 " I know the worth within the heart which sighs, 
 Yet shuns, the modest sorrow to declare ; 
 
 And what rude Fortune niggardly denies, 
 Love to the noble can with love repair. 
 
 The lowly have the birthright of the skies ; 
 
 Love only culls the flower that love should wear;
 
 THE ASSIGNATION. 27 
 
 And ne'er in vain for Jove's rich gifts shall yearn 
 The heart that feels their wealth and can return ! " * 
 
 THE ASSIGNATION. 
 
 NoTE. In Schiller the eight long lines that conclude each stanza of 
 this charming love-poem, instead of rhyming alternately, as in the trans- 
 lation, chime somewhat to the tune of Byron's Don Juan six lines rhyming 
 with eacli other, and the two last forming a separate couplet. In other 
 respects the translation, it is hoped, is sufficiently close and literal.] 
 
 HEAR I the creaking gate unclose ? 
 
 The gleaming latch uplifted ? 
 No 'twas the wind that, whirring, rose, 
 
 Amidst the poplars drifted ! 
 
 Adorn thyself, thou green leaf-boweriug roof, 
 
 Destined the Bright One's presence to receive, 
 For her, a shadowy palace-hall aloof 
 
 With holy Night, thy boughs familiar weave. 
 And ye sweet flatteries of the delicate air, 
 
 Awake and sport her rosy cheek around, 
 When their light weight the tender feet shall bear, 
 
 When Beauty comes to Passion's trysting-ground. 
 
 ii. 
 
 Hush ! what amidst the copses crept 
 
 So swiftly by me now ? 
 No 'twas the startled bird that swept 
 
 The light leaves of the bough ! 
 
 Day, quench thy torch ! come, ghost-like, from on high, 
 
 With thy loved Silence, come, thou haunting Eve, 
 Broaden below thy web of purple dye, 
 
 Which lulled boughs mysterious round us weave. 
 For love's delight, enduring listeners none, 
 
 The froward witness of the light will flee ; 
 Hesper alone, the rosy Silent One, 
 
 Down-glancing may our sweet Familiar be ! 
 
 * This is the only one of Schiller's poems that reminds us of the Italian 
 poets, It has in it something of the sweet mannerism of Petrarch.
 
 28 POEMS AND BALLADS OF SCHILLER. 
 
 ill. 
 
 What murmur in the distance spoke, 
 
 And like a whisper died ? 
 No ! 'twas the swan that gently broke 
 
 In rings the silver tide ! 
 
 Soft to my ear there comes a music-flow ; 
 
 In gleesome murmur glides the waterfall ; 
 To Zephyr's kiss the flowers are bending low ; 
 
 Through life goes joy, exchanging joy with all. 
 Tempt to the touch the grapes the blushing fruit,* 
 
 Voluptuous swelling from the leaves that hide ; 
 And, drinking fever from my cheek, the mute 
 
 Air sleeps all liquid in the Odour-Tide ! 
 
 IV. 
 
 Hark ! through the alley hear I now 
 
 A footfall ? Comes the maiden ? 
 No, 'twas the fruit slid from the bough, 
 
 With its own richness laden ! 
 
 Day's lustrous eyes grow heavy in sweet death, 
 
 And pale and paler wane his jocund hues, 
 The flowers too gentle for his glowing breath, 
 
 Ope their frank beauty to the twilight dews. 
 The bright face of the moon is still and lone, 
 
 Melts in vast masses the world silently ; 
 Slides from each charm the slowly-loosening zone ; 
 
 And round all beauty, veilless, roves the eye. 
 
 v. 
 
 What yonder seems to glimmer ? 
 
 Her white robe's glancing hues ? 
 No, 'twas the column's shimmer 
 
 Athwart the darksome yews ! 
 
 0, longing heart, no more delight-upbuoy'd 
 Let the sweet airy image thee befool ! 
 
 The arms that would embrace her clasp the void : 
 This feverish breast no phantom-bliss can cool, 
 The Peaclj,
 
 THE SECRET. 
 
 O, waft her here, the true, the living one ! 
 
 Let but my hand her hand, the tender, feel 
 The very shadow of her robe alone ! 
 
 So into life the idle dream shall steal I 
 
 As glide from heaven, when least we ween, 
 
 The rosy hours of bliss, 
 All gently came the maid, unseen : 
 
 He waked beneath her kiss ! 
 
 THE SECRET. 
 
 AND not a word by her was spoken ; 
 
 For many a listener's ear was by, 
 But sweetly was the silence broken, 
 
 For eye could well interpret eye. 
 Soft to thy hush'd pavilion stealing, 
 
 Thou fair, far-spreading Beech, I glide, 
 Thy favouring veil our forms concealing, 
 
 And all the garish world denied. 
 
 From far, with dull, unquiet clamour, 
 
 Labours the vex'd and busy day, 
 And, through the hum, the sullen hammer 
 
 Comes heaving down its heavy way. 
 Thus man pursues his weary calling, 
 
 And wrings the hard life from the sky. 
 While happiness unseen is falling 
 
 Down from God's bosom silently. 
 
 O, all unheard be still the lonely 
 
 Delights in our true love embrac'd. 
 The hearts that never loved can only 
 
 Disturb the well they shun to taste. 
 The world but searches to destroy her, 
 
 The Bliss conceal'd from vulgar eyes 
 In secret seize, in stealth enjoy her, 
 
 Ere watchful Envy can surprise.
 
 30 POEMS AND BALLADS OF SCHILLER. 
 
 Soft, upon tiptoe, comes she greeting, 
 
 Thro' silent night she loves to stray, 
 A nymph, that fades to air, if meeting 
 
 One gaze her mysteries to betray. 
 Roll round us, roll, thou softest river,* 
 
 Thy broad'ning stream, a barrier given, 
 And guard with threat'ning waves for ever 
 
 This one last Heritage of Heaven ! 
 
 TO EMMA. 
 
 AMIDST the cloud-grey deeps afar 
 
 The Bliss departed lies ; 
 How linger on one lonely star 
 
 The loving wistful eyes ! 
 Alas a star in truth the light 
 Shines but a signal of the night ! 
 
 ii. 
 
 If lock'd within the icy chill 
 
 Of the long sleep, thou wert 
 My faithful grief could find thec still 
 
 A life within my heart ; 
 But, oh, the worse despair to see 
 Thee live to earth, and die to me ! 
 
 in. 
 
 Can those sweet longing hopes, which make 
 
 Love's essence, thus decay ? 
 Can that be love which doth forsake ? 
 
 That love which fades away ? 
 That earthly gifts are brief, I knew 
 Is that all heaven-born mortal too ? 
 
 * Probably the river Saale, on the banks of which Schiller was accus- 
 tomed to meet his Charlotte.
 
 THE POET TO HIS FRIENDS. 31 
 
 THE POET TO HIS FRIENDS. 
 
 (WRITTEN AT WEIMAR.) 
 i. 
 
 FRIENDS, fairer times have been 
 (Who can deny ?) than we ourselves have seen ; 
 And an old race of more majestic worth. 
 Were History silent on the Past, in sooth, 
 A thousand stones would witness of the truth 
 
 Which men disbury from the womb of earth. 
 But yet that race, if more endowed than ours 
 
 Is past ! no joy to death can glory give ; 
 But we we are to us the breathing hours, 
 
 They have the best who live ! 
 
 II. 
 
 Suns are of happier ray 
 
 Than where, not ill, we while our life away, 
 
 If the far-wandering traveller speaks aright ; 
 
 But much which Nature hath to us denied 
 
 Hath not kind Art, the genial friend, supplied, 
 And our hearts warm'd beneath her mother-light ! 
 Tho' native not beneath our winters keen, 
 
 Or bays or myrtle for our mountain shrines 
 And hardy brows, their lusty garlands green 
 
 Weave the thick-clustering vines. 
 
 ill. 
 
 Well may proud hearts take pleasure 
 
 Where change four worlds their intermingled treasure, 
 
 And Trade's great pomp the wanderer may behold, 
 
 Where, on rich Thames, a thousand sails unfmi'cl 
 
 Or seek or leave the market of the world 
 And throned in splendour sits the Earth-god, GOLD. 
 But never, in the mire of troubled streams, 
 
 Swell'd by wild torrents from the mountain's breast, 
 But on the still wave's mirror, the soft beams 
 
 Of happy sunshine rest.* 
 
 * Those lines afford one of the many instances of the peculiar tena- 
 city with which Schiller retained certain favourite ideas. At the age cf
 
 2 POEMS AND BALLADS OP SCHILLER. 
 
 Prouder and more elate 
 
 Than we o' the North, beside the Angel's Gate * 
 
 The beggar basking views eternal Rome ! 
 
 Hound to his gaze bright-swarming beauties given, 
 And, holy in the heaven, a second heaven, 
 
 The world's large wonder, hangs St. Peter's Dome. 
 
 But Rome in all her glory is a grave, 
 
 The Past, that ghost of power, alone is hers, 
 
 Strew'd by the green Hours, where the young leaves wavo 
 Breathes all the life that stirs ! 
 
 Elsewhere are nobler things 
 
 Than to our souls our scant existence brings : 
 
 The New beneath the sun hath never been. 
 
 Yet still the greatness of each elder age 
 
 We see the conscious phantoms of the stage 
 As the world finds its symbol on the scene. t 
 Life but repeats itself, all stale and worn ; 
 
 Sweet Phantasy alone is young for ever ; 
 What ne'er and nowhere on the earth was born \ 
 
 Alone grows aged never. 
 
 EVENING. 
 
 (FROM A PICTURE.) 
 
 SINK, shining god tired Nature halts ; and parch'd 
 Earth needs the dews ; adown the welkin arch'd 
 
 Falter thy languid steeds ; 
 Sink in thy ocean halls ! 
 
 Who beckons from the crystal waves unto thee ? 
 Knows not thy heart the smiles of love that woo thee ? 
 
 Quicken the homeward steeds ! 
 The silver Thetis calls ! 
 
 seventeen he had said, "Not on the stormy sea, but on the calm and 
 glassy stream, does the sun reflect itself." See Hofl'meister, Part iv., 
 p. 39. 
 
 * St. Peter's Church. 
 
 f The signification of these lines in the original has been disputed -we 
 accept Hoft'meistcr's interpretation. Part vi., p. 40. 
 J " The light that never was on sea or laud, 
 
 The Consecration and the Poet's Dream." WoBPS'WOBTHi
 
 THE LONGING. S3 
 
 Swift to her arms he springs, and, with the bridlo 
 Young Eros toys the gladdening steeds (as idle 
 
 The guideless chariot rests) 
 The cool wave bend above ; 
 And Night, with gentle step and melancholy, 
 Breathes low through heaven; with her comes Love the 
 holy 
 
 Phcebus the lover rests, 
 Be all life, rest and love ! 
 
 THE LONGING. 
 
 FROM out this dim and gloomy hollow, 
 
 Where hang the cold clouds heavily, 
 Could I but gain the clue to follow, 
 
 How blessed would the journey be ! 
 Aloft I see a fair dominion, 
 
 Through time and change all vernal still ; 
 But where the power, and what the pinion, 
 
 To gain the ever- blooming hill ? 
 
 Afar I hear the music ringing 
 
 The lulling sounds of heaven's repose, 
 And the light gales are downward bringing 
 
 The sweets of flowers the mountain knows. 
 I see the fruits, all golden-glowing, 
 
 Beckon the glossy leaves between, 
 And o'er the blooms that there are blowing 
 
 Nor blight nor winter's wrath hath been. 
 
 To suns that shine for ever, yonder, 
 
 O'er fields that fade not, sweet to flee : 
 The very winds that there may wander, 
 
 How healing must their breathing be ! 
 But lo, between us rolls a river 
 
 O'er which the wrathful tempest raves ; 
 I feel the soul within me shiver 
 
 To gaze upon the gloomy waves.
 
 34- POEMS ANT) BALLADS OF SOHILLE1?. 
 
 A rocking boat mine eyes discover, 
 
 But, woe is me, the pilot fails ! 
 In, boldly in undaunted over ! 
 
 And trust the life that swells the sails ! 
 Thou must believe, and thou must venture, 
 
 In fearless faith thy safety dwells ; 
 * By miracles alone men enter 
 
 The glorious Land of Miracles ! 
 
 THE PILGRIM. 
 
 YOUTH'S gay spring-time scarcely knowing 
 
 Went I forth the world to roam 
 And the dance of youth, the glowing, 
 
 Left I in my Father's home. 
 Of my birthright, glad-believing, 
 
 Of my world-gear took I none, 
 Careless as an infant, cleaving 
 
 To my pilgrim staff alone. 
 For I placed my mighty hope in 
 
 Dim and holy words of Faith, 
 "Wander forth the way is open 
 
 Ever on the upward path 
 Till thou gain the Golden Portal, 
 
 Till its gates unclose to thee. 
 There the Earthly and the Mortal, 
 
 Deathless and Divine shall be ! " 
 Night on Morning stole, on stealeth, 
 
 Never, never stand I still, 
 And the Future yet concealeth, 
 
 What I seek, and what I will ! 
 Mount on mount arose before me, 
 
 Torrents hemm'd me every side, 
 But I built a bridge that bore me 
 
 O'er the roaring tempest-tide. 
 Towards the East I reach'd a river, 
 
 On its shores I did not rest ; 
 Faith from Danger can deliver, 
 
 And 1 trusted to its breast. 
 
 * " Wo kein Wonder geschicht, 1st kciu Begliickter zu sehn." 
 
 in frlikk.
 
 THE DANCE. 85 
 
 Drifted in the whirling motion, 
 
 Seas themselves around me roll 
 Wide and wider spreads the ocean, 
 
 Far and farther flies the goal. 
 While I live is never given 
 
 Bridge or wave the goal to near 
 Earth will never meet the Heaven, 
 
 Never can the THERE be HERE ! 
 
 The two poems of " The Longing " and " The Pilgrim " belong to a class 
 which may be said to allegorise Feeling, and the meaning, agreeably to the 
 genius of allegory or parable, has been left somewhat obscure. The com- 
 mentators agree in referring both poems to the illustration of the Ideal. 
 " The Longing " represents the desire to escape from the real world into the 
 higher realms of being. "The Pilgrim" represents the active labour of 
 the idealist to reach " the Golden Gate." The belief in what is beyond 
 locality is necessary to all who would escape from the Real; and in '"'flic 
 Longing " it is intimated that that belief may attain the end. But " The 
 Pilgrim," after all his travail, finds that the earth will never reach the 
 heaven, and the There never can be Here. The two poems are certainly 
 capable of an interpretation at once loftier and more familiar than that 
 which the commentators give to it. They are apparently intended tc 
 express the natural human feeling common not to poets alone, but to us all 
 the human feeling which approaches to an instinct, and in which so many 
 philosophers have recognised the inward assurance of a hereafter, viz., the 
 desire to escape from the coldness and confinement, " the valley and the 
 cloud" of actual life, into the happier world which smiles, in truth, ever- 
 more upon those who believe that it exists : the desire of the poet is identical 
 with the desire of the religious man. He who longs for another world 
 only to be attained by abstraction from the low desires of this longs for 
 what the Christian strives for. And if he finds, with Schiller's Pilgrim, 
 that in spite of all his longing and all his labour, the goal cannot be reached 
 below, still, as Schiller expresses it elsewhere, " He has had Hope Ms belief 
 has been Ms reward." That Heaven wMch "The Longing" yearns for, 
 which " The Pilgrim" seeks, may be called " The Ideal," or whatever else 
 refiners please ; but, in plain fact and in plain words, that Ideal is the Here- 
 after is Heaven ! 
 
 THE DANCE. 
 
 SEE how like lightest waves at play, the airy dancers 
 
 fleet ; 
 And scarcely feels the floor the wings of those harmonious 
 
 feet. 
 Oh, are they flying shadows from their native forms set 
 
 free? 
 Or phantoms iii the fairy ring that summer moonbeams 
 
 see? 
 
 c <i
 
 86 POEMS AND BALLADS OP SCHILLER. 
 
 As, by the gentle zephyr blown, some light mist flees in 
 air, 
 
 As skiffs that skim adown the tide, when silver waves are 
 fair, 
 
 So sports the docile footstep to the heave of that sweet 
 measure, 
 
 As music wafts the form aloft at its melodious pleasure, 
 
 Now breaking through the woven chain of the entangled 
 dance, 
 
 From where the ranks the thickest press, a bolder pair 
 advance, 
 
 The path they leave behind them lost wide opes the path 
 beyond, 
 
 The way unfolds or closes up as by a magic wand. 
 
 See now, they vanish from the gaze in wild confusion 
 blended ; 
 
 Ah, in sweet chaos whirl'd again, that gentle world is 
 ended ! 
 
 No ! disentangled glides the knot, the gay disorder 
 ranges 
 
 The only system ruling here, a grace that ever changes. 
 
 For aye destroy'd for aye renew'd, whirls on that fair 
 creation ; 
 
 And yet one peaceful law can still pervade in each mu- 
 tation. 
 
 And what can to the reeling maze breathe harmony and 
 vigour, 
 
 And give an order and repose to every gliding figure ? 
 
 That each a ruler to himself doth but himself obey, 
 
 Yet through the hurrying course still keeps his own ap- 
 pointed way. 
 4 What, would'st thou know ? It is in truth the mighty 
 
 power of Tune, 
 A power that every step obeys, as tides obey the moon ; 
 
 That threadeth with a golden clue the intricate employ- 
 ment, 
 
 Curbs bounding strength to tranquil grace, and tames the 
 
 wild enjoyment. 
 And comes THE WORLD'S wide harmony in vain upon thine 
 
 ears? 
 
 The stream of music borno aloft from yonder choral 
 spheres ?
 
 THE SHARING OP THE EARTH. 37 
 
 And feel'st thou not the measure which. Eternal Nature 
 
 keeps ? 
 
 The whirling Dance for ever held in yonder azure deeps ? 
 The suns that wheel in varying maze ? That music thou 
 
 discernest ? 
 No ! Thou canst honour that in sport which thou for- 
 
 gett'st in earnest. 
 
 NOTE. This poem is very characteristic of the noble ease with which 
 Schiller often loves to surprise the reader, by the sudden introduction of 
 matter for the loftiest reflection, in the midst o'f the most familiar subjects. 
 What can be more accurate and happy than the poet's description of the 
 national dance, as if such description were his only object the outpouring, 
 as it were, of a young gallant, intoxicated by the music, and dizzy with the 
 waltz ? SudderJv and imperceptibly the reader finds himself elevated from 
 a trivial scene, lie is borne upward to the harmony of the spheres, lie 
 bows before the great law of the universe the young gallant is transformed 
 into the mighty teacher ; and this without one hard conceit without one 
 touch of pedantry. It is but a flash of light ; and where glowed the playful 
 picture, shin pa the solemn moral. 
 
 THE SHARING OF THE EARTH. 
 
 " TAKE the world," cried the God from his heaveu 
 
 To men " I proclaim you its heirs ; 
 To divide it amongst you 'tis given, 
 
 You have only to settle the shares." 
 
 Each takes for himself as it pleases, 
 
 Old and young have alike their desire ; 
 
 The Harvest the Husbandman seizes, 
 
 Thror gh the wood and the chase sweeps the Squire. 
 
 The Merchant his warehouse is locking 
 
 The Abbot is choosing his wine 
 Cries the Monarch, the thoroughfares blocking. 
 
 " Every toll for the passage is mine ! " 
 
 All too late, when the sharing was over, 
 Comes the Poet He came from afar 
 
 Nothing left can the laggard discover, 
 Not an inch but its owners there are. 
 
 " Woe is me, is there nothing remaining, 
 For the son who best loves thee alone ! " 
 
 Thus to Jove went his voice in complaining, 
 As he fell at the Thunderer's throne.
 
 88 POEMS AND BALLADS OP SCHILLER. 
 
 " In the land of the dreams if abiding," 
 
 (,)noth the God " Canst thon murmur at ME ? 
 
 Where wert thou, when the Earth was dividing ? " 
 " I WAS," said the Poet, "BY THEE ! " 
 
 "Mine eve by thy glory was captur'd 
 
 Mine ear by thy music of bliss, 
 Pardon him whom thy world so enraptur'd 
 
 As to lose him his portion in this ! " 
 
 "Alas," said the God" Earth is given ! 
 
 Field, forest, and market, and all ! 
 What say you to quartet's in Heaven ? 
 
 We'll admit you whenever you call ! " 
 
 THE INDIAN DEATH-DIRGE. 
 
 [The idea of this Toem is taken from Carver's Travels through North 
 America. Goethe reckoned it amongst Schiller's best poems of the kind, 
 and wished he had made a dozen such. But, precisely because Goethe 
 admired it for its objectivity, William von Humboldt, found it wanting in 
 ideality. See Hoflmeieter, pp. 3, 311.] 
 
 SEE on his mat as if of yore, 
 
 All life-like, sits he here ! 
 With that same aspect which, he wore 
 
 When light to him was dear. 
 But where the right hand's strength ? and where 
 
 The breath, that loved to breathe, 
 To the Great Spirit aloft in air, 
 
 The peace-pipe's lusty wreath ? 
 And where the hawk-like eye, alas ! 
 
 That wont the deer pursue, 
 Along the waves of rippling grass, 
 
 Or fields that shone with dew ? 
 Are these the limber, bounding feet, 
 
 That swept the winter snows ? 
 What stateliest stag so fast and fleet ? 
 
 Their speed outstript the roe's ! 
 These arms that then the sturdy bow 
 
 Could supple from its pride, 
 How stark and helpless hang they now 
 
 Adown the stiffen'd side !
 
 THE LAY OF THE MOUNTAIN. 39 
 
 Yet weal to him at peace lie strays 
 
 Where never fall the snows ; 
 Where o'er the meadows springs the maize 
 
 That mortal never sows : 
 Where birds are blithe on every brake 
 
 Where forests teem with deer 
 Where glide the fish through every lake 
 
 One chase from year to year ! 
 With spirits now he feasts above ; 
 
 All left us to revere 
 The deeds we honour -with our love, 
 
 The dust we bury here. 
 Here bring the last gifts ! loud and shrill 
 
 Wail, death-dirge for the brave ! 
 What pleased him most in life may still 
 
 Give pleasure in the grave. 
 We lay the axe beneath his head 
 
 He swung, when strength was strong 
 The bear on which his banquets fed 
 
 The way from earth is long ! 
 And here, new-sharpen'd, place the knife 
 
 That sever'd from the clay, 
 From which the axe had spoil 'd the life, 
 
 The conquer'd scalp away ! 
 The paints that deck the Dead, bestow 
 
 Yes, place them in his hand 
 That red the Kingly Shade may glow 
 
 Amidst the Spirit-Land ! 
 
 THE LAY OF THE MOUNTAIN. 
 
 [The scenery of Gotthardt is here personified.] 
 
 The three following ballads, in which Swit/erlnnd is t!ie scene, betraj 
 their origin it Schiller's studies for the drama of William Tell. 
 
 To the solemn abyss leads the terrible path, 
 
 The life and the death winding dizzy between ; 
 
 In thy desolate way, grim with menace and wrath, 
 To daunt thee the spectres of giants are seen ; 
 
 That thou wake not the Wild One,* all silently tread 
 
 Let thy lip breathe no breath in the pathway of Dread ! 
 
 * The avalanche the equivoque of the origiual, turning on the S-,\is*
 
 -JO rOKMS AND BALLADS OF SCHILLER. 
 
 High over tho marge of the horrible deep 
 
 Hangs and hovers a Bridge with its phantom-like span,* 
 Not by man was it built, o'ei- the vast ness to sweep ; 
 
 Such thought never eame to the daring of Man ! 
 Tho stream roars beneath late and early it raves 
 But the bridge which it threatens, is safe from the 
 
 Black-yawning a Portal, thy sonl to affright, 
 
 Like the gate to the kingdom, the Fiend for the king 
 
 Yet beyond it there smiles but a land of delight, 
 
 Where the Autumn in marriage is met -with the 
 Spring. 
 
 From a lot which the care and the trouble assail, 
 
 Could I fly to the bliss of that balm-breathing vale ! 
 
 Through that field, from a fount ever hidden their birth, 
 Four Rivers iu tumult rush roaringly forth ; 
 
 They fly to the fourfold divisions of earth 
 
 The sunrise, the sunset, the south, and the north. 
 
 And, true to the mystical mother that bore, 
 
 Forth they rush to their goal, and are lost evermore. 
 
 High over the races of men in the blue 
 
 Of the ether, the Mount in twin summits is riven ; 
 
 There, veil'd in the gold- woven webs of the dew, 
 
 Moves the Dance of the Clouds the pale Daughters of 
 Heaven ! 
 
 There, in solitude circles their mystical maze, 
 
 Where no witness can hearken, no earthborn surveys. 
 
 August on a throne which no ages can move, 
 Sits a Queen, in her beauty serene and sublime,t 
 
 The diadem blazing with diamonds above 
 The glory of brows, never darkened by time, 
 
 word ZMTUM, it ia impossible to render intelligible to the English reader. 
 The giants in the preceding line are the rocks that overhang the pass which 
 minds now to the right, now to the left, of a roaring stream. 
 
 * The Devil's Bridge. The Land of Delight (called iu Tell "a serene 
 valley of joy ") to whiei the dreary portal (in Tell the black rook gate) leads, 
 is the Urse Vale. The four rivers, in the next stanza, are the Eeus. th* 
 Ithine, the Tessin, and the Kh6ne. 
 
 t The everlasting glacier. See William Tell, act r. scene 2.
 
 THE ALP HUNTER. ^ I 
 
 His arrows of light on that form shoots the sun 
 And ho gilds them with all, but he warms them with 
 none ! 
 
 THE ALP HUNTER. 
 
 [Founded on a legend of the Valley of Ormond, in the Pays de Vaurl. j 
 
 " WILT thoa not, thy lamblings heeding, 
 
 (Soft and innocent are they !) 
 Watch them on the herbage feeding, 
 
 Or beside the brooklet play ? " 
 " Mother, mother, let me go, 
 
 O'er the mount to chase the roe." 
 
 " Wilt thou not, around thee bringing, 
 Lure the herds with lively horn ? 
 
 Gaily go the clear bolls ringing, 
 
 Through the echoing forest borne ! " 
 
 " Mother, mother, let me go, 
 
 O'er the wilds to chase the roe." 
 
 " Wilt thou not (their blushes woo thee !) 
 In their sweet beds tend thy flowers ; 
 
 Smiles so fair a garden to thee, 
 
 Where the savage mountain lours ? " 
 
 " Leave the flowers in peace to blow ; 
 
 Mother, mother, let me go ! " 
 
 On and ever onwards bounding, 
 
 Scours the hunter to the chase, 
 On and ever onwards hounding 
 
 To the mountain's wildest space. 
 Swift, as footed by the wind, 
 Flies before the trembling hind. 
 
 Light and limber, upwards driven, 
 
 On the hoar crag quivering, 
 Or through gorges thunder-riven 
 
 Leaps she with her airy spring! 
 But behind her still the Foe 
 Near, and near the deadly bow !
 
 42 POEMS AND BALLADS OF SCHLLLEll. 
 
 Fast and faster on unslack'ning ; 
 
 Now she hangs above the brink, 
 Where the last rocks, grim and black'ning, 
 
 Down the gulf abruptly sink. 
 Never pathway there may wind, 
 Chasms below and death behind ! 
 
 To the hard man dumb-lamenting, 
 Turns she with her look of woe ; 
 
 Turns in vain the Unrelenting 
 
 Meets the look and bends the bow. 
 
 Sudden from the dai'k.some deep, 
 
 Rose the Spirit of the Steep ! 
 
 And his godlike hand extending, 
 From the hunter snatch'd the prey, 
 
 "Wherefore, woe and slaughter sending, 
 To my solitary sway ? 
 
 Why should my herds before thee fall ? 
 
 THERE'S ROOM UPON THK EARTH FOR ALL! " 
 
 RUDOLF OF HAPSBURG. 
 
 A BALLAD. 
 
 [Ilinrichs properly classes this striking ballad (together with the yet 
 "milder one of the " Fight with the Dragon") amongst those designed to 
 (iepict and exalt the virtue of Humility. The source of the ?tory is in 
 JKgidius TVcliudi, a Swiss chronicler; and Schiller appears to have adhered, 
 with r.iuch fidelity, to the original narrative.] 
 
 AT Aachen, in imperial state, 
 
 In that time-halloAv'd hall renown'd, 
 
 At solemn feast King Rudolf sate, 
 The day that saw the hero crown' d ! 
 
 Bohemia and thy Palgrave, Rhine, 
 
 Give this the feast, and that the wine ; * 
 
 * The office, at the coronation feast, of the Count Palatine of the Rhine 
 "Grand Sewer of the Empire and one of the Seven Electors) was to bear the 
 imperial Globe and set the dishes on the board; that of the King of Bohemia 
 was cup-bearer. The latter was not, however, present, as Schiller himself 
 observed in a note (omitted iu the editions of his collected works), at the 
 coronation of Rudolf.
 
 RUDOLPH OF HAPSBUEG. 43 
 
 The Arch Electoral Seven, 
 Like choral stars around the sun, 
 Gird him whose hand a world has won, 
 
 The anointed choice of Heaven. 
 
 In galleries raised above the pomp, 
 
 Press'd crowd on crowd their panting way , 
 And with the joy-resonnding tromp, 
 Rang out the million's loud hurra ! 
 For closed at last the age of slaughter, 
 When human blood was pour'd as water 
 
 LAW dawns upon the world ! * 
 Sharp force no more shall right th'e wrong, 
 And grind the weak to crown the strong - 
 War's carnage- flag is furl'd ! 
 
 In Rudolf's hand the goblet shines 
 And gaily round the board look'd he ; 
 
 " And proud the feast, and bright the wines 
 My kingly heart feels glad to me ! 
 
 Yet where the Gladness-Bringer blest 
 
 In the sweet art which moves the breast 
 With lyre and verse divine ? 
 
 Dear from my youth the craft of song, 
 
 And what as knight I loved so long, 
 As Kaisar, still be mine." 
 
 Lo, from the circle bending there, 
 
 With sweeping robe the Bard appears, 
 
 As silver white his gleaming hair, 
 
 Bleach'd by the many winds of years ; 
 
 " And music sleeps in golden strings 
 
 Love's rich reward the minstrel sings, 
 Well known to him the ALL 
 
 High thoughts and ardent souls desire ! 
 
 What would the Kaisar from the lyre 
 Amidst the banquet-hall ? " 
 
 * Literally, " A judge (em Eichtcr} was again upon the earth." The 
 word substituted in the translation is introduced in order to recall to the 
 reader the sublime name given, not without justice, to liudolf of llapsburg, 
 viz., "TuE LIVING LAW."
 
 44 POEMS AND BALLADS OP SCHILLER. 
 
 The Great One smiled " Not mine the sway 
 
 The minstrel owns a loftier power 
 A mightier king inspires the lay 
 
 Its hest THE IMPULSE OF THE HOUR ! " 
 As through wide air the tempests sweep, 
 As gnsh the springs from mystic deep, 
 
 Or lone untrodden glen ; 
 So from dark hidden fount within, 
 Comes SONG, its own wild world to win 
 Amidst the souls of men ! " 
 
 Swift with the fire the minstrel glow'd, 
 
 And loud the music swept the ear : 
 " Forth to the chase a Hero rode, 
 
 To hunt the bounding chamois-deer ; 
 With shaft and horn the squire behind ; 
 Through greensward meads the riders wind 
 
 A small sweet bell they hear. 
 Lo, with the HOST, a holy man, 
 Before him strides the sacristan, 
 
 And the bell sounds near and near. 
 
 " The noble hunter down-inclined 
 
 His reverent head and soften'd eye, 
 And honour'd with a Christian's mind 
 
 The Christ who loves humility ! 
 Loud through the pasture, brawls and raves 
 A brook the rains had fed the waves, 
 
 And torrents from the hill. 
 His sandal shoon the priest unbound, 
 And laid the Host upon the ground, 
 And near'd the swollen rill ! 
 
 ' ' What wouldst thon, priest? ' the Count boo-an. 
 
 As, marvelling much, he halted there. 
 ' Sir Count, I seek a dying man, 
 
 Sore-hungering for the heavenly fare. 
 The bridge that once its safety gave, 
 Rent by the anger of the wave, 
 
 Drifts down the tide below. 
 Yet barefoot now, I will not fear 
 (The soul that seeks its God, to cheer) 
 Through the wild wave to go 1 '
 
 RUDOLPH OF HAPSBUEG. 45 
 
 " He gave that priest the knightly steed, 
 He reach'd that priest the lordly reins, 
 
 That he might serve the sick man's need, 
 Nor slight the task that heaven ordains. 
 
 He took the horse the squire bestrode ; 
 
 On to the chase the hunter rode, 
 On to the sick the priest ! 
 
 And when the morrow's sun was red, 
 
 The servant of the Saviour led. 
 Back to its lord the beast. 
 
 " ' Now Heaven forfend ! ' the Hero cried, 
 ' That e'er to chase or battle more 
 
 These limbs the sacred steed bestride 
 That once my Maker's image bore ; 
 
 If not a boon allow'd to thee, 
 
 Thy Lord and mine its Master be, 
 My tribute to the King, 
 
 From whom I hold, as fiefs, since birth, 
 
 Honour, renown, the goods of earth, 
 Life and each living thing ! ' 
 
 " ' So may the God, who faileth never 
 To hear the weak and guide the dim, 
 
 To thee give honour here and ever, 
 As thou hast duly honour'd Him ! 
 
 Far-famed ev'n now through Swisserland, 
 
 Thy generous heart and dauntless hand ; 
 And fair from thine embrace, 
 
 Six daughters bloom,* six crowns to bring, 
 
 Blest as the daughters of a KING, 
 The mothers of a RACE ! " 
 
 The mighty Kaisar heard amazed ! 
 
 His heart was in the days of old ; 
 Into the minstrel's heart he gazed, 
 
 That tale the Kaisar's own had told. 
 
 * At the coronation of Eudolf was celebrated the marriage-feast of three 
 of his daughters to Ludwig of Bavaria, Otto of Brandenburg, and Albrecht
 
 46 POEMS AND BALLADS OP SCHILLER. 
 
 Yes, in tlie bard the priest he knew, 
 And in the purple veil'd from view 
 
 The gush of holy tears ! 
 A thrill through that vast audience ran, 
 And every heart the godlike man 
 
 Revering God reveres ! 
 
 THE FIGHT WITH THE DRAGON. 
 
 WHO comes ? why rushes fast and loud, 
 Through lane and street the hurtling crowd, 
 Is Rhodes on fire ? Hurrah ! along 
 Faster and fast storms the throng ! 
 High towers a shape in knightly garb 
 Behold the Rider and the Barb ! 
 Behind is dragg'd a wondrous load ; 
 Beneath what monster groans the road ? 
 The horrid jaws the Crocodile, 
 
 The shape the mightier Dragon, shows 
 From Man to Monster all the while 
 
 The alternate wonder glancing goes. 
 
 Shout thousands, with a single voice, 
 " Behold the Dragon, and rejoice, 
 Safe roves the herd, and safe the swain ! 
 Lo ! there the Slayer here the Slain ! 
 Full many a breast, a gallant life, 
 Has waged against the ghastly strife, 
 And ne'er return'd to mortal sight 
 Hurrah, then, for the Hero Knight ! " 
 So to the Cloister, where the vow'd 
 
 And peerless brethren of St. John 
 In conclave sit that sea-like crowd, 
 
 Wave upon wave, goes thundering on. 
 
 High o'er the rest, the chief is seen 
 There wends the Knight with modest mien ; 
 Pours through the galleries raised for all 
 Above that Hero-council Hall, 
 The crowd And thus the Victor One : 
 " Prince the knight's .duty I have done.
 
 THE FIGHT WITH THE DilAGON. 47 
 
 The Dragon that devour'd the land 
 Lies slain "beneath thy servant's hand ; 
 Free, o'er the pasture, rove the ilocks 
 
 And free the idler's steps may stray 
 And freely o'er the lonely rocks, 
 
 The holier pilgrim wends his way ! " 
 
 A lofty look the Master gave : 
 " Certes," he said, " thy deed is brave : 
 Dread was the danger, dread the fight 
 Bold deeds bring fame to vulgar knight; 
 But say, what sways with holier laws 
 The knight who sees in Christ his cause, 
 And wears his cross ? "-Then every cheek 
 Grew pale to hear the Master speak ; 
 Bat nobler was the blush that spread 
 
 His face the Victor's of the day 
 As bending lowly " Prince," he said; 
 
 " His noblest duty TO OBEY ! " 
 
 " And yet that duty, son," replied 
 The chief " me thinks thou hast denied 
 And dared thy sacred sword to wield 
 For fame in a forbidden field." 
 " Master, thy judgment, howso'er 
 It lean, till all is told, forbear 
 Thy law, in spirit and in will, 
 I had no thought but to fulfil, 
 Not rash, as some, did I depart 
 
 A Christian's blood in vain to shed : 
 But hoped by skill, and strove by art, 
 
 To make my life avenge the dead. 
 
 " Five of our Order, in renown 
 The war-gems of our saintly crown, 
 The martyr's glory bought with life ; 
 'Twas then thy law forbade the strife. 
 Yet in my hea^t there gnaw'd, like fire, 
 Proud sorrow, fed with stern desire : 
 In the still visions of the night, 
 Panting I fought the fancied fight ;
 
 18 POEMS AND BALLADS OF SCHILLEB. 
 
 And when the morrow glimmering came, 
 With tales of ravage freshly done, 
 
 The dream remember'd, turn'd to shame, 
 
 That night should dare what day should shun. 
 
 " And thus my fiery musings ran 
 ' What youth has learn'd should nerve the man ; 
 1 Low lived the great in days of old, 
 W hose fame to time by bards is told 
 Who, heathens though they were, became 
 As gods upborne to heaven by fame ? 
 How proved they best the hero's worth ? 
 They chased the monster from the earth - 
 They sought the lion in his den 
 
 They pierced the Cretan's deadly maze 
 Their noble blood gave humble men 
 
 Their happy birthright peaceful days. 
 
 " ' What ! sacred, but against the horde 
 Of Mahonnd, is the Christian's sword ? 
 All strife, save one, should he forbear ? 
 N"o ! earth itself the Christian's care. 
 From every ill and every harm, 
 Man's shield should be the Christian's arm. 
 Yet art o'er strength will oft prevail, 
 And mind must aid where heart may fail ! ' 
 Thus musing, oft I roam'd alone, 
 
 Where -wont the Hell-born Beast to lie ; 
 Till sudden light upon me shone, 
 
 And on my hope broke victory ! 
 
 " Then, Prince, I sought thee with the prayer 
 
 To breathe once more my native air ; 
 
 The license given the ocean past 
 
 I reach'd the shores of home at last. 
 
 Scarce hail'd the old beloved land, 
 
 Than huge, beneath the artist's hand, 
 
 To every hideous feature true, 
 
 The Dragon's monster-model grew, 
 
 The dwarf'd, deformed limbs upbore 
 
 The lengthen'd body's ponderous load ; 
 The scales the impervious surface wore, 
 
 Like links of burnish'd harness, glow'd.
 
 THE FIGHT WITH THE DRAGON. 49 
 
 " Life-like, the huge neck seem'd to swell, 
 And widely, as some porch to hell, 
 Yon might the horrent jaws survey, 
 Griesly, and greeding for their prey. 
 Grim fangs and added terror gave, 
 Like crags that whiten through a cave. 
 The very tongue a sword in seeming 
 The deep-sunk eyes in sparkles gleaming. 
 Where the vast body ends, succeed 
 
 The serpent spires around it roll'd 
 Woe woe to rider, woe to steed, 
 
 Whom coils as fearful e'er enfold ! 
 
 " All to the awful life was done 
 The very hue, so ghastly, won 
 The grey, dull tint: the labour ceased, 
 It stood half reptile and half beast ! 
 And now began the mimic chase ; 
 Two dogs I sought, of noblest race, 
 Fierce, nimble, fleet, and wont to scorn 
 The wild bull's wrath and levell'd horn ; 
 These, docile to my cheering cry, 
 
 I train'd to bound, and rend, and spring, 
 Now round the Monster-shape to fly, 
 
 Now to the Monster-shape to cling ! 
 
 " And where their gripe the best assails, 
 The belly left unsheath'd in scales, 
 I taught the dexterous hounds to hang 
 And find the spot to fix the fang ; 
 Whilst I, with lance and mailed garb, 
 Launch'd on the beast mine Arab barb. 
 From purest race that Arab came, 
 And steeds, like men, are fired by fame. 
 Beneath the spur he chafes to rage ; 
 
 Onwards we ride in full career 
 I seem, in truth, the war to wage 
 
 The monster reels beneath my spear ! 
 
 " Albeit, when first the destrier* eyed 
 The laidly thing, it swerved aside, 
 * "War-horse.
 
 50 POEMS AND BALLADS OF SCHILLER. 
 
 Snorted and rear'd and even they, 
 
 The fierce hounds, shrank with startled bay ; 
 
 I ceased not, till by custom, bold, 
 
 After three tedious moons were told, 
 
 Both barb and hounds were train'd nay, more, 
 
 Fierce for the fight then left the shore ! 
 
 Three days have fleeted since I prest 
 
 (Retnrn'd at length) this welcome soil, 
 Nor once would" lay my limbs to rest, 
 
 Till wrought the glorious crowning toil. 
 
 " For much it moved niy soul to know 
 The unslack'ning curse of that grim foe. 
 Fresh rent, men's bones lay bleach'd and bare 
 Around the hell-worm's swampy lair; 
 And pity nerved me into steel : 
 Advice ? I had a heart to feel, 
 And strength to dare ! So, to the deed. 
 I call'd my squires bestrode my steed, 
 And with my stalwart hounds, and by 
 
 Lone secret paths, we gaily go 
 Unseen at least by human eye 
 
 Against a worse than human foe ! 
 
 "Thou know'stthe sharp rock steep and hoar? 
 
 The abyss ? the chapel glimmering o'er ? 
 
 Built by the Fearless Master's hand, 
 
 The fane looks down on all the land. 
 
 Humble and mean that house of prayer 
 
 Yet God hath shrined a wonder there : 
 
 Mother and Child, to whom of old 
 
 The Three Kings knelt with gifts, behold ! 
 
 By three times thirty steps, the sbrine 
 
 The pilgrim gains and faint, and dim, 
 And dizzy with the height, divine 
 
 Strength on the sudden springs to him ! 
 
 "Yawns wide within that holy steep 
 A mghty cavern dark and deep 
 By blessed sunbeam never lit 
 Rank foetid swamps engirdle it ;
 
 THE FIGHT WITH THE DRAGON. 51 
 
 And there by night, and there by day, 
 Ever at watch, the fiend-worm lay, 
 Holding the Hell of its abode 
 Fast by the hallow'd House of God. 
 And when the pilgrim gladly ween'd 
 
 His feet had found the healing way, 
 Forth from its ambnsh rush'd the fiend, 
 
 And down to darkness dragged the prey. 
 
 " With solemn soul, that solemn height 
 I clomb, ere yet I sought the fight 
 Kneeling before the cross within, 
 My heart, confessing, cleai*'d its sin. 
 Then, as befits the Christian knight, 
 I donn'd the spotless surplice white. 
 And, by the altar, grasp' d the spear : 
 So down I strode with conscience clear 
 Bade my leal squires afar the deed, 
 
 By death or conquest crown'd, await 
 Leapt lightly on my lithesome steed, 
 
 And gave to God his soldier's fate ! 
 
 " Before me wide the marshes lay 
 Started the hounds with sudden bay 
 Aghast the swerving charger slanting 
 Snorted then stood abrupt and panting 
 For curling there, in coiled fold, 
 The Unutterable Beast behold ! 
 Lazily basking in the sun. 
 Forth sprang the dogs. The fight's begun ! 
 But lo ! the hounds, in cowering, fly 
 
 Before the mighty poison-breath 
 A fierce yell, like the jackal's cry, 
 
 Howl'd, mingling with that wind of death. 
 
 " No halt I gave one cheering sound, 
 Lustily springs each dauntless hound 
 Swift as the dauntless hounds advance, 
 Whirringly ski ITS my stalwart lance 
 Whirringly skirrs ; and from the scale 
 Bounds, as a reed aslant the mail. 
 Onward but no ! the craven steed
 
 52 POEMS AND BALLADS OF SCHILLER. 
 
 Shrinks from his lord in that dread need 
 Smitten and scar'd before that eye 
 
 Of basilisk horror, and that blast 
 Of death, it only seeks to fly 
 
 And half the mighty hope is past ! 
 
 " A moment, and to earth I leapt ; 
 Swift from its sheath the falchion swept ; 
 Swift on that rock-like mail it plied 
 The rock-like mail the sword defied : 
 The monster lash'd its mighty coil 
 Down hurl'd behold me on the soil ! 
 Behold the hell-jaws gaping wide 
 When lo ! they bound the flesh is found ; 
 
 Upon the scaleless parts they spring ! 
 Springs either honnd ; the flesh is found 
 
 It roars ; the blood-dogs cleave and cling ! 
 
 " No time to foil its fast'ning foes 
 Light, as it writhed, I sprang, and rose ; 
 The all-unguarded place explored, 
 Up to the hilt I plunged the sword 
 Buried one instant in the blood 
 The next, upsprang the bubbling flood ! 
 The next, one Yastness spread the plain 
 Crush'd down the victor with the slain ; 
 And all was dark and on the ground 
 
 My life, suspended, lost the sun, 
 Till waking lo my squires around 
 
 And the dead foe ! my tale is done." 
 
 Then burst, as from a common breast, 
 
 The eager laud so long supprest 
 
 A thousand voices, choral-blending, 
 
 Up to the vaulted dome ascending 
 
 From groined roof and banner'd wall' 
 
 Invisible echoes answering all 
 
 The very Brethren, grave and high, 
 
 Forget their state, and join the cry. 
 
 " With laurel wreaths his brows be crown'd, 
 
 Let throng to throng his triumph tell ; 
 Hail him all Rhodes !" the Master fro wn'd, 
 
 And raised his hand and silence fell.
 
 THE FIGHT WITH THE DRAGON. 53 
 
 " "Well," said that solemn voice, " thy hand 
 
 From the wild-beast hath freed the land. 
 
 An idol to the People be ! 
 
 A foe onr Order frowns on thee ! 
 
 For in thy heart, superb and vain, 
 
 A hell-worm laidlier than the slain, 
 
 To discord which engenders death, 
 
 Poisons each thought with baleful breath ! 
 
 That hell- worm is the stubborn "Will 
 
 Oh ! What were man and nations worth 
 If each his own desire fulfil, 
 
 And law be banish'd from the earth ? 
 
 " Valour the Heathen gives to story 
 Obedience is the Christian's glory ; 
 And on that soil our Saviour- God 
 As the meek low-born mortal trod. 
 We the Apostle-knights were sworn 
 To laws thy daring laughs to scorn- 
 Not fame, but duty to fulfil 
 Our noblest offering man's wild will. 
 Vain-glory doth thy soul betray 
 
 Begone thy conquest is thy loss : 
 No breast too hanghty to obey, 
 
 Is worthy of the Christian's cross ! " 
 
 From their cold awe the crowds awaken, 
 As with some storm the halls aro shaken ; 
 The noble Brethren plead for grace 
 Mute stands the doom'd, with downward face ; 
 And mutely loosen'd from its band 
 The badge, and kiss'd the Master's hand, 
 And meekly turn'd him to depart : 
 A moist eye follow'd, " To my heart 
 Come back, my son! " the Master cries : 
 
 " Thy grace a harder fight obtains ; 
 When Valour risks the Christian's prize, 
 
 Lo, how Humility regains ! " 
 
 In the poem just presented to the reader, Schiller designed, as he -wrote to 
 Goethe, to depict the old Christian chivalry half knightly, half monastic. 
 The attempt is strikingly successful. Indeed. " The Fight of the Dragon " 
 uppenre to uo the moat spirited and nervous or all Schillei-'s uarratire pot-ma,
 
 54 POEMS AND BALLADS OP SCHILLER. 
 
 with the single exception of "The Diver;" and if its interest is lc?f 
 intense than that of the matchless " Diver," and its descriptions lesf 
 poetically striking and effective, its interior meaning or philosophical con. 
 ception is at once more profound and more elevated. In " The 1'ight of tin 
 Dragon," is expressed the moral of that humility which consists in self- 
 conquest even merit may lead to v;iin-glory mid, alter vanquishing the 
 fiercest enemies without, Man ha< still to contend with his w<>rst foe, the 
 pride or disobedience of his o\vn he-art. " 1-1 very one." as a recent and 
 acute, but somewhat over-refining critic has remarked, " has more or less 
 his own 'fight with the Dragon' his own double victory (without and 
 within) to achieve." The origin of this poem is to b* found in the Annul;-- 
 of the Order of Malta and the dc-t.iiU in;i\ In- HI-, 71 in Vci tot's History. 
 The date assigned to the <niuju<>i i ih< Dragon is Ioi2. Helion de 
 Villeneuve was the name of the Grand Ma!iT that of the Knight, Dieu- 
 Donne de Gozon. Thevenot declares that the head of the monster (to 
 whatever species it really belonged), or its effigies, was still placed over 
 one of the gates of the city in his time. Dieu-Donne succeeded De 
 Villeneuve as Grand Master, and on his gravestone were inscribed the words 
 "Draconis Exstinctor." 
 
 DITHYRAMB.* 
 
 BELIEVE me, together 
 The bright gods come ever, 
 
 Still as of old ; 
 
 Scarce see I Bacchns, the giver of joy, 
 Than comes up fair Eros, the laugh-loving boy ; 
 
 And Phcebus, the stately, behold ! 
 
 They come near and nearer, 
 
 The Heavenly Ones all 
 The Gods with their presence 
 
 Fill earth as their hall ! 
 
 Say, how shall I welcome, 
 Human and earthborn, 
 
 Sons of the Sky ? 
 
 Pour out to me pour the full life that yo live ! 
 What to you, ye gods ! can the mortal-one give ? 
 
 The Joys can dwell only 
 
 In Jupiter's palace 
 Brimm'd bright with your nectar, 
 
 Oh, reach me the chalice ! 
 
 * This has been paraphrased by Coleridge.
 
 THE MAIDEN FROM AFAR. 55 
 
 '' Hebe, the chalice 
 
 Fill full to the brim ! 
 
 Steep his eyes steep hi.s eyes in the bath of the dew, 
 Let him dream, while the Styx is concealed from his view, 
 
 That the life of the (rods is for him '. " 
 
 It murmurs, it sparkles, 
 
 The Fount of Delight ; 
 The bosom grows tranquil 
 
 The eye becomes bright. 
 
 THE KNIGHTS OF ST. JOHN. 
 
 OH, nobly shone the fearful Cross upon your mail afar, 
 When Rhodes and Acre hail'd your might, lions of the 
 
 war ! 
 "When leading many a pilgrim horde, through wastes of 
 
 Syrian gloom ; 
 Or standing with the Cherub's sword before the Holy 
 
 Tomb. 
 
 Yet on your forms the Apron seem'd a nobler armour far, 
 When by the sick man's bed ye stood, lions of the 
 
 war ! 
 When ye, the high-born, bow'd your pride to tend tho 
 
 lowly weakness, 
 The duty, though it brought no fame,* fulfilled by Christian 
 
 meekness 
 
 Religion of the Cross, thou blend'st, as in a single flower, 
 The twofold branches of the palm HUMILITY AND TOWER. 
 
 THE MAIDEN FROM AFAR. 
 
 (OR FROM ABROAD.) 
 
 WITHIN a vale, each infant year, 
 When earliest larks first carol free, 
 
 To humble shepherds doth appear 
 A wondrous maiden, fair to see. 
 
 * The epithet iu the first edition is ruhmlose.
 
 56 POEMS AKD BALLADS OF SCHILLEK. 
 
 N"ot born within that lowly place 
 
 From whence she wander'd, none could tell t 
 
 Her parting footsteps left no trace, 
 
 When once the maiden sigh'd farewell. 
 
 And blessed was her presence there 
 
 Each heart, expanding, grew more gay ; 
 Yet something loftier still than fair 
 
 Kept man's familiar looks away. 
 From fairy gardens, known to none, 
 
 She brought mysterious fruits and flowers 
 The things of some serener snn 
 
 Some Nature more benign than ours. 
 
 With each, her gifts the maiden shared 
 
 To some the fruits, the flowers to some ; 
 Alike the young, the aged fared ; 
 
 Each bore a blessing back to home. 
 Though every guest was welcome there, 
 
 Yet some the maiden held more dear, 
 And cull'd her rarest sweets whene'er 
 
 She saw two hearts that loved draw near. 
 
 NOTE. It seems generally agreed that POETRY is allegorised in thrso 
 stanzas; though, with this interpretation, it is difficult to reconcile the 
 sense of some of the lines for instance, the last in the first stanza. How 
 can Poetry be said to leave no trace when she takes farewell ? 
 
 THE TWO GUIDES OF LIFE 
 
 THE SUBLIME AND THE BEAUTIFUL. 
 
 Two genii are there, from thy birth through weary life, to 
 
 guide thee ; 
 Ah, happy when, united both, they stand to aid, beside 
 
 thee! 
 With gleesome play, to cheer the path, the One comes 
 
 blithe with beauty 
 And lighter, leaning on her arm, the destiny and duty.
 
 THE FOUR AGES OF THE WORLD. 
 
 With jest and sweet discourse, she goes unto the rock 
 
 sublime, 
 Where halts above the Eternal Sea,* the shuddering 
 
 Child of Time. 
 The Other here, resolved and mute, and solemn claspeth 
 
 thee, 
 
 And bears thee in her giant arms across the fearful sea, 
 Sever admit the one alone ! Give net the gentle guide 
 Thy hcnoir nor unto the stem thy happiness confide ' 
 
 THE FOUK AGES OF THE WORLD. 
 
 [This Poem, is one of those m -wMcii SehiLer la* travel th# 
 of Civilization, and to whiijii the Germans La.ye JJ T ;C. th* E.'irrg of 
 Historic.] 
 
 BRIGHT-PCKFLIXO the glass glows the blush of the 
 
 Bright sparkle the eyes of each guest ; 
 
 The POST has enter'd the circle to j<jin 
 
 To the good brings the Poet the best. 
 Ev'n Olympus were mean, with its nectar and all, 
 If the lute's happy magic were mute in the hall. 
 
 Bestow 'd by the gods on the poet has been 
 A soul that can mirror the world I 
 
 Whate'er has been done on this earth he has seen, 
 
 And the future to him is unfurFd. 
 He sits with the gods in their council sublime. 
 And views the dark seeds in the bosom ci Time, 
 
 The folds of this life, in the pomp of its hues, 
 He broadens all Jnsifly forth T 
 
 And to him is the magic he takes from the ilnso. 
 
 To deck, like a temple, the earth. 
 A hut though the humblest that man ever trod, 
 
 He can charm to a heaven, and zQnme with a goc ! 
 
 * By this, ScMEr inftcms us elsewhere dat be &e BIS 
 alone ; but that tihe thought spfJSes equally to evnr pert':c L- L::'T, -v i ;r. -v - 
 uan ifiTest '7ur sooli of the body, ami pereeiTe or aec as pore sgiras : w cr* 
 truly thtn. tmcur tie iaMaeae* CE Ae Scbiici*-
 
 58 POEMS AND BALLADS OF SCHILLER. 
 
 As the god and the genius, whose birth was of Jove,* 
 
 In one type all creation reveal'd, 
 When the ocean, the earth, and the star-realm above. 
 
 Lay compress'd in the orb of a shield ; 
 So the poet, a shape and a type of the All, 
 From a sound, that is mute in a moment, can call.f 
 
 Blithe pilgrim! his footsteps have pass'd in their way, 
 
 Every time, every far generation ; 
 He comes from the age when the Earth was at play 
 
 In the childhood and bloom of Creation. 
 Four Ages of men have decay'd to his eye, 
 And fresh to the Fifth he glides youthfully by. 
 
 King Saturn first ruled us, the simple and true 
 
 Each day as each yesterday fair : 
 No grief and no guile the calm shepherd-race knew 
 
 Their life was the absence of care ; 
 They loved, and to love was the whole of their task 
 Kind earth upon all lavish'd all they could ask. 
 
 Then the LABOUB arose, and the demi-god man 
 
 "Went the monster and dragon to seek ; 
 And the age of the hero, the ruler, began, 
 
 And the strong were the stay of the weak. 
 By Scamander the strife and the glory had birth ; 
 But the Beautiful still was the god of the earth. 
 
 From the strife came the conquest; and Strength, like a 
 
 wind, 
 
 Swept its way through the meek and the mild : 
 Still vocal the Muse, and in marble enshrined, 
 
 The gods upon Helicon smiled. 
 Alas, for the age which fair Phantasie bore ! 
 It is fled from the earth, to return nevermore. 
 
 * Vulcan the allusion, which is exquisitely beautiful, is to the Shield of 
 Achilles. HOMER, II. i. 18. 
 
 "There Earth, there Heaven, there Ocean, he design' d." POPE. 
 
 t This line is obscure, not only in the translation, but so in the original. 
 Schiller means to say that the Poet is the true generaliser of the infinite 
 a position which he himself practically illustrates, by condensing, in the 
 few verses that follow, the whole history of the world. Thus, too. Homer is 
 the condenser of the whole heroic age of Greece. In the Prologue to 
 " Wallenstein," the same expressions, with little alteration, are emploved to 
 convey the perishable nuimre of the Actor's art.
 
 THE POUR AGES OF THE WORLD. 59 
 
 The gods from their thrones in Olympus were hurl'd, 
 
 Fane and column lay rent and forlorn ; 
 And holy, to heal all the wounds of the world 
 
 The Son of the Virgin was born. 
 The lusts of the senses subdued or suppress'd, 
 Man mused on life's ends, and took THOUGHT to hig 
 breast.* 
 
 Ever gone were those charms, the voluptuous and vain, 
 Which had deck'd the young world with delight; 
 
 For the monk and the nun were the penance and pain, 
 And the tilt for the iron-clad knight. 
 
 Yet, however that life might be darksome and wild, 
 
 Love linger'd with looks still as lovely and mild : 
 
 By the shrine of an altar yet chaste and divine, 
 
 Stood the Muses in stillness and shade; 
 And honour'd, and household, and holy that shrine 
 
 In the blush in the heart of the maid : 
 And the sweet light of song burn'd the fresher and truer, 
 In the lay and the love of the wild Troubadour. 
 
 As ever, so aye, in their beautiful band, 
 
 May the Maid and the Poet unite : 
 Their task be to work, and to weave, hand in hand, 
 
 The zone of the Fair and the Right ! 
 Love and Song, Song and Love, intertwined evermore, 
 Weary Earth to the suns of its youth can restore. 
 
 * "DerMensch griff denkendin seine Brust," 
 
 i. e. Man strove by reflection to apprehend the phenomena of his own being 
 the principles of his own nature. The development of the philosophical, 
 as distinguished from the natural consciousness, forms a very important zera 
 in the history of civilization. It is in fact the great turning-point of 
 humanity, both individually and historically. Griff, Begriff has a peculiar 
 logical significance in German.
 
 60 POEMS AND BALLADS OF SCHILLER 
 
 THE MAIDEN'S LAMENT. 
 
 [The two first Stanzas of this Poem are sun^ by Thekla, in the third Act of 
 the " Piccolomini." J 
 
 THE wind rocks the forest, 
 
 The clouds gather o'er; 
 The girl sitteth lonely 
 
 Beside the green shore ; 
 
 The breakers are dashing with might, with might : 
 And she mingles her sighs with the gloomy night, 
 And her eyes are hot with tears. 
 
 " The earth is a desert, 
 
 And broken my heart, 
 Nor aught to my wishes 
 
 The world can impart. 
 
 To her Father in Heaven may the Daughter now go ; 
 I have known all the joys that the world can bestow 
 I have lived I have loved " 
 
 " In vain, oh ! how vainly, 
 
 Flows tear upon tear ! 
 Human woe never waketh 
 
 Dull Death's heavy ear ! 
 
 Yet say what can soothe for the sweet vanish'd love, 
 And I, the Celestial, will shed from above 
 The balm for thy breast." 
 
 " Let ever, though vainly, 
 
 Flow tear upon tear; 
 Human woe never waketh 
 
 Dull Death's heavy ear ; 
 
 Yet still when the heart mourns the sweet vanish'd iove, 
 No bairn for its wound can descend from above 
 Like Love's own faithful tears ! " 
 
 THE IMMUTABLE. 
 
 TIME flies on restless pinions constant never. 
 Be constant and thou chainest time for ever.
 
 THE VEILED IMAGE AT SAIS. 61 
 
 THE VEILED IMAGE AT SAIS. 
 
 A YOUTH, whom wisdom's warm desire had lured 
 
 To learn the secret lore of Egypt's priests, 
 
 To Sais came. And soon, from step to step 
 
 Of upward mystery, swept his rapid soul ! 
 
 Still ever sped the glorious Hope along, 
 
 Nor could the parch'd Impatience halt, appeased 
 
 By the calm answer of the Hierophant 
 
 " What have I, if I have not all," he sigh'd ; 
 
 " And givest thou but the little and the more ? 
 
 Does thy truth dwindle to the gauge of gold, 
 
 A sum that man may smaller or less small 
 
 Possess and count subtract or add to still ? 
 
 Is not TEUTH one and indivisible ? 
 
 Take from the Harmony a single tone 
 
 A single tint take from the Iris bow, 
 
 And lo ! what once was all, is nothing while 
 
 Fails to the lovely whole one tint or tone ! " 
 
 They stood within the temple's silent dome, 
 And, as the young man paused abrupt, his gaze 
 Upon a veil'd and giant IMAGE fell : 
 Amazed he turn'd unto his guide " And what 
 Towers, yonder, vast beneath the veil ? " 
 
 "THE TEUTH," 
 Answered the Priest. 
 
 " And have I for the truth 
 Panted and struggled with a lonely soul, 
 And yon the thin and ceremonial robe 
 That wraps her from mine eyes ? " 
 
 Replied the priest, 
 
 " There shrouds herself the still Divinity. 
 Hear, and revere her hest : ' Till I this veil 
 Lift may no mortal-born presume to raise ; 
 And who with guilty and unhallow'd hand 
 Too soon profanes the Holy and Forbidden 
 He,' says the goddess " 
 
 " Well ? " 
 
 " ' SHALL SEE THE TEUTH ! ' "
 
 62 POEMS AND BALLADS OF SCHILLER. 
 
 " A wond TOUS oracle ; and hast thou never 
 Lifted the veil ? " 
 
 " No ! nor desired to raise ! " 
 
 " What ! nor desired ? O strange incurious heart, 
 Here the thin barrier there reveal'd the truth! " 
 Mildly return'd the priestly master, " Son, 
 More mighty than thou dream'st of, Holy Law 
 Spreads interwoven in yon slender web, 
 Air-light to touch lead-heavy to the soul ! " 
 
 The young man, thoughtful, turn'd him to his home, 
 And the sharp fever of the Wish to Know 
 Robb'd night of sleep. Around his couch he roll'd, 
 Till midnight hatch'd resolve 
 
 "Unto the shrine!" 
 
 Stealthily on, the involuntary tread 
 Bears him he gains the boundary, scales the wall, 
 And midway in the inmost, holiesb dome, 
 Strides with adventurous step the daring man. 
 
 Now halts he where the lifeless Silence sleeps 
 In the embrace of mournful Solitude ; 
 Silence unstirr'd, save where the guilty tread 
 Call'd the dull echo from mysterious vaults ! 
 
 High from the opening of the dome above, 
 Came with wan smile the silver-shining moon. 
 And, awful as some pale presiding god, 
 Dim-gleaining through the hush of that large gloom, 
 In its wan veil the Giant Image stood. 
 
 With an unsteady step he onwards past, 
 Already touch'd the violating hand 
 The Holy and recoil'd ! a shudder thrili'd 
 His limbs, fire-hot and icy-cold in turns, 
 As if invisible arms would pluck the soul 
 Back from the deed. 
 
 " miserable man ! 
 
 What would'st thou ? " (Thus within the inmost heart 
 Murmur'd the warning whisper.) " Wilt thou dare 
 The All-hallow'd to profane ? ' No mortal-born
 
 THE CHILD IN THE CRADLE. 63 
 
 (So spake the oracular word) may lift the veil 
 
 Till I myself shall raise ! ' Yet said it not, 
 
 The same oracular word ' who lifts the veil 
 
 Shall see the truth ? ' Behind, be what there may, 
 
 I dare the hazard I will lift the veil " 
 
 Loud rang his shouting voice " and I will see ! " 
 
 "SEE!" 
 
 A lengthen' d echo, mocking, shrill'd again ! 
 He spoke and rais'd the veil ! And ask'st thou what 
 Unto the sacrilegious gaze lay bare ? 
 I know not pale and senseless, stretch'd before 
 The statue of the great Egyptian, queen, 
 The priests beheld him at the dawn of day ; 
 But what he saw, or what did there befall, 
 His lips reveal'd not. Ever from his heart 
 Was fled the sweet serenity of life, 
 And the deep anguish dug the early grave : 
 " Woe woe to him. " such were his warning words, 
 Answering some curious and impetuous brain, 
 " Woe for her face shall charm him never more ! 
 Woe woe to him who treads through Guilt to TRUTH ! " 
 
 THE CHILD IN THE CRADLE. 
 
 WITHIN that narrow bed, glad babe, to thee 
 
 A boundless world is spread ! 
 Unto thy soul, the boundless world shall be 
 
 When man, a narrow bed ! " * 
 
 * This epigram has a considerable resemblance to the epitaph on 
 Alexander the Groat : 
 
 Sufficit buic Tumulus, i-ui 11011 sufi'ccerat urbis : 
 lies brevis huic anipla fit, cui fuit ampla brevis. 
 
 A little tomb sufficeth him whom not sufficed all : 
 
 The small is now as great to him as once the great was small. 
 
 Vide BLACXWOOD'S MAGAZINE, ^ril, 1838, p. 556,
 
 64 POEMS AND BALLADS OF SCHILLER. 
 
 THE RING OF POLYCRATES. 
 
 A BALLAD. 
 
 UPON his battlements he stands 
 And proudly looks along the lands 
 
 His Samos and the Sea ! 
 " And all," he said, " that we survey, 
 Egyptian king, my power obey 
 
 Own, Fortune favours me ! " 
 
 " With thee the Gods their favour share, 
 And they who once thine equals were, 
 
 In thee a monarch know ! 
 Yet one there lives to avenge the rest, 
 Nor can my lips pronounce thee blest, 
 
 While on thee frowns the Foe ! " 
 
 He spoke, and from Miletus sent, 
 There came a breathless man, and bent 
 
 Before the tyrant there. 
 " Let incense smoke upon the shrine, 
 And with the lively laurel twine, 
 
 Victor, thy godlike hair ! 
 
 " The foe sunk, smitten by the spear ; 
 With the glad tidings sends me here, 
 
 Thy faithful Polydore." 
 And from the griesly bowl he drew 
 (Grim sight they well might start to view !) 
 
 A head that dripp'd with gore. 
 
 The Egyptian king recoil'd in fear, 
 " Hold not thy fortune yet too dear 
 
 Bethink thee yet," he cried, 
 " Thy Fleets are on the faithless seas ; 
 Thy Fortune trembles in the breeze, 
 
 And floats upon the tide,"
 
 THE .RING OF POLYCEATES. 65 
 
 Ere yet the warning word was spoken 
 Below, the choral joy was broken 
 
 Shouts ring from street to street ! 
 Home- veering to the crowded shore 
 Their freight of richest booty bore 
 
 The Forests of the Fleet. 
 
 Astounded stood that kingly guest, 
 " Thy luck this day must be confest, 
 
 Yet trust not the Unsteady ! 
 The banners of the Cretan foe 
 Wave war, and bode thine overthrow 
 
 They near thy sands already ! " 
 
 Scarce spoke the Egyptian King before 
 Hark, "Victory Victory! " from the shore, 
 
 And from the seas ascended ; 
 " Escaped the doom that round us lower'd, 
 Swift storm the Cretan has devoured, 
 
 And war itself is ended ! " 
 
 Shudder'd the guest "In sooth," he falter'd, 
 " To-day thy fortune smiles unalter'd, 
 
 Yet more thy fate I dread 
 The Gods oft grudge what they have given, 
 And ne'er unmix'd with grief has Heaven 
 
 Its joys on Mortals shed ! 
 
 " No less than thine my rule has thriven, 
 And o'er each deed the gracious heaven 
 
 Has, favouring, smiled as yet. 
 But one beloved heir had I 
 God took him ! I beheld him die, 
 
 His life paid fortune's debt. 
 
 " So, would'st theu 'scape the coming ill 
 Implore the dread Invisible 
 
 Thy sweets themselves to sour ! 
 Well ends his life, believe me, never, 
 On whom, with hands thus full for ever, 
 
 The Gods their bounty shower.
 
 66 POEMS AND BALLADS OF SCHILLER. 
 
 " And if thy prayer the Gods can gain not 
 This counsel of thy friend disdain not 
 
 Thine own afflictor be ! 
 And what of all thy worldly gear 
 Thy deepest heart esteems most dear, 
 
 Cast into yonder sea! " 
 
 The Samian thrill'd to hear the king 
 "No gems so rich as deck this ring, 
 
 The wealth of Samos gave : 
 By this may the Fatal Three 
 My glut of fortune pardon me ! " 
 
 He cast it on the wave 
 
 And when the morrow's dawn began, 
 All joyous came a fisherman 
 
 Before the prince. Quoth he, 
 " Behold this fish so fair a spoil 
 Ne'er yet repaid the snarer's toil, 
 
 I bring my best to thee ! " 
 
 The cook to dress the fish begun 
 The cook ran fast as cook could run 
 
 " Look, look ! master mine 
 The ring -the ring the sea did win, 
 I found the fish's maw within 
 
 Was ever luck like thine ! " 
 
 In horror turns the kingly guest 
 " Then longer here I may not rest, 
 
 I'll have no friend in thee ! 
 The Gods have marked thee for their prey, 
 To share thy doom I dare not stay ! " 
 
 He spoke and put to sea. 
 
 NOTE. This story is taken from the well-known correspondence between 
 Amasis and Polycrates, in the third book of Herodotus, Polycrates one of 
 the ablest of that most able race, the Greek tyrants, was afterwards 
 decoyed into the power of Orxtes, Governor of Sardis, and died on the cross. 
 Herodotus informs us, that the ring Federates so prized, was an emerald set 
 in gold, the workmanship of Theodoras the Samian. Pliny, on the contrary, 
 affirms it to have been a sardonyx, and in his time it was supposed still to 
 <>xiet among the treasures in the Temple of Covcord. It is worth while to 
 turn to Herodotus (c. 40= 43, book 3) s to notice the admirable nit with nvl>i<-)> 
 Schiller 1ms tidupU'l the narrative, ana heightened its effect.
 
 THE SEXES. 
 
 HOPE. 
 
 WE speak with the lip, and we dream in the soul, 
 
 Of some better and fairer day ; 
 And our days, the meanwhile, to that golden goal 
 
 Are gliding and sliding away. 
 
 Now the world becomes old, now again it is young, 
 But " The Better " 'sfor ever the word on the tongue 
 
 At the threshold of life Hope leads us in 
 
 Hope plays round the mirthful boy ; 
 Though the best of its charms may with youth begin, 
 
 Yet for age it reserves its toy. 
 
 When we sink at the grave, why the grave has scope, 
 And over the coffin Man planteth HOPE ! 
 
 And it is not a dream of a fancy proud, 
 
 With a fool for its dull begetter ; 
 There's a voice at the heart that proclaims aloud 
 
 We are born for a something Better ! " 
 And that Voice of the Heart, oh, ye may believe, 
 Will never the Hope of the Soul deceive ! 
 
 THE SEXES. 
 
 SEE in the babe two loveliest flowers united yet in truth, 
 While in the bud they seem the same the virgin and the 
 
 youth ! 
 
 But loosen'd is the gentle bond, no longer side by side 
 From holy Shame the fiery Strength will soon itself 
 
 divide. 
 Permit the youth to sport, and still the wild desire to 
 
 chase, 
 For, but when sated, weary strength returns to seek the 
 
 grace. 
 Yet in the bud, the double flowers the future strife 
 
 begin, 
 How precious all yet nought can still the longing heart 
 
 within. 
 
 2
 
 68 POEMS AND BALLADS OF SCHILLER. 
 
 In ripening charms the virgin bloom to woman shape hath 
 
 grown, 
 But round the ripening charms the pride hath clasp'd ita 
 
 guardian zone ; 
 Shy, as before the hunter's horn the doe all trembling 
 
 moves, 
 She flies from man as from a foe, and hates before she 
 
 loves ! 
 From lowering brows this struggling world the fearless 
 
 youth observes, 
 And, harden'd for the strife betimes, he strains the willing 
 
 nerves ; 
 Far to the armed throng and to the race prepared to 
 
 start, 
 Inviting glory calls him forth, and grasps the troubled 
 
 heart : 
 Protect thy work, O Nature now ! one from the other 
 
 flies, 
 
 Till thou unitest each at last that for the other sighs. 
 There art thou, mighty one ! where'er the discord darkest 
 
 frown, 
 Thou call'st the meek harmonious Peace, the godlike 
 
 soother down. 
 
 The noisy chase is lull'd asleep, day's clamour dies afar, 
 And through the sweet and veiled air in beauty comes the 
 
 star. 
 Soft-sighing through the crisped reeds, the brooklet glides 
 
 along, 
 And every wood the nightingale melodious fills with 
 
 song. 
 O virgin ! now what instinct heaves thy bosom with the 
 
 sigh? 
 youth ! and wherefore steals the tear into thy dreaming 
 
 eye? 
 Alas ! they seek in vain within the charm around be- 
 
 stow'd, 
 The tender fruit is ripen'd now, and bows to earth its 
 
 load. 
 And restless goes the youth to feed his heart upon ita 
 
 fire, 
 Ah, where tlie gentle breath to cool the flame of young 
 
 desire !
 
 POMPEII AND HEBCULANEUM. 69 
 
 And now they meet the holy love that leads them lights 
 
 their eyes, 
 
 A_ud still behind the winged god the winged victory flies. 
 heavenly Love ! 'tis thy sweet task the human flowers 
 
 to bind, 
 For aye apart, and yet by thee for ever intertwined ! 
 
 HONOURS. 
 
 [DIGNITIES would be the better title, if the word were not so essentially 
 unpoetical.] 
 
 WHEN the column of light on the waters is glass'd, 
 As blent in one glow seem the shine and the stream ; 
 
 But wave after wave through the glory has pass'd, 
 Just catches, and flies as it catches, the beam : 
 
 So Honours but mirror on mortals their light ; 
 
 Not the MAN but the PLACE that he passes is bright. 
 
 POMPEII AND HERCULANEUM. 
 
 WHAT wonder this ? we ask the lyrnphid well, 
 
 O Earth ! of thee and from thy solemn womb 
 
 What yield'st thou ? Is there life in the abyss 
 
 Doth a new race beneath the lava dwell ? 
 
 Returns the Past, awakening from the tomb ? 
 
 Rome Greece ! 0, come ! Behold behold ! For this 
 
 Our living world the old Pompeii sees ; 
 
 And built anew the town of Dorian Hercules ! 
 
 House upon house its silent halls once more 
 
 Opes the broad Portico ! 0, haste and fill 
 
 Again those halls with life ! O, pour along 
 
 Through the seven-vista'd theatre the throng ! 
 
 Where are ye, mimes ? Come forth, the steel prepare 
 
 For crown' d Atrides, or Orestes haunt, 
 
 Te choral Furies with your dismal chaunt ! 
 
 The Arch of Triumph ! whither leads it ? still 
 
 Behold the Forum ! On the curule chair 
 
 Where the majestic image ? Lictors, where 
 
 Your solemn fasces ? Place upon his throne
 
 70 POEMS AND BALLADS OF SCHILLER. 
 
 The Praetor here the Witness lead, and there 
 Bid the Accuser stand ! 
 
 God ! how lone 
 
 The clear streets glitter in the quiet day 
 The footpath by the doors winding its lifeless way ! 
 The roofs arise in shelter, and around 
 The desolate Atrium every gentle room 
 Wears still the dear familiar smile of Home ! 
 Open the doors the shops on dreary night 
 Let lusty day laugh down in jocund light ! 
 See the trim benches ranged in order ! See 
 The marble-tesselated floor and there 
 The very walls are glittering livingly 
 With their clear colours. But the artist where? 
 Sure but this instant he hath laid aside 
 Pencil and colours ! Glittering on the eye 
 Swell the rich frnits, and bloom the flowers ! See all 
 Art's gentle wreaths sfill fresh upon the wall! 
 Here the arch Cupid slyly seems to glide 
 By with bloom-laden basket. There the shapes 
 Of Genii press with purpling feet the grapes. 
 Here springs the wild Bacchante to the dance, 
 And there she sleeps [while that voluptuous trance 
 Eyes the sly faun with never-sated glance] 
 Now on one knee upon the centaur-steeds 
 Hovering the Thyrsus plies. Hurrah ! away she 
 
 speeds ! 
 
 Come come, why loiter ye? Here, here, how fair 
 The goodly vessels still ! Girls, hither turn, 
 Fill from the fountain the Etruscan urn ! 
 On the wing'd sphinxes see the tripod. 
 
 Ho! 
 
 Quick quick, ye slaves, come fire ! the hearth prepare ! 
 Ha ! wilt thou sell ? this coin shall pay thee this, 
 Fresh from the mint of mighty Titus ! Lo ! 
 Here lie the scales, and not a weight we miss ! 
 So bring the light ! The delicate lamp ! what toil 
 Shaped thy minutest grace ! quick, pour the oil ! 
 Yonder the fairy chest ! come, maid, behold 
 The bridegroom's gifts the armlets they are gold, 
 And paste out-feigning jewels ! lead the bride 
 Into the odorous bath lo, unguents still
 
 LIGHT AND WARMTH. 71 
 
 And still the crystal vase the arts for beauty fill ! 
 But where the men of old perchance a pri/e 
 More precious yet in yon papyms lies, 
 And see ev'n still the tokens of their toil 
 The waxen tablets the recording style. 
 
 The earth, with faithful watch, has hoarded all ! 
 Still stand the mute Penates in the hall ; 
 Back to his haunts returns each ancient God. 
 Why abseut only from their ancient stand 
 The Priests ? waves Hermes his Caducean rod, 
 A.nd the wing'd victory struggles from the hand. 
 Kindle the flame behold the Altar there ! 
 Long hath the God been worshipless -To prayer ! 
 
 LIGHT AND WARMTH. 
 
 IN cheerful faith that fears no ill 
 
 The good man doth the world begin ; 
 
 And dreams that all without shall still 
 Reflect the trusting soul within. 
 
 Warm with the noble vows of youth, 
 
 Hallowing his true arm to the truth ; 
 
 Yet is the littleness of all 
 
 So soon to sad experience shown, 
 
 That crowds but teach him to recall 
 And centre thought on self alone ; 
 
 Till love, no more, emotion knows, 
 
 And the heart freezes to repose. 
 
 Alas ! though truth may light bestow, 
 Not always warmth the beams impart, 
 
 Blest he who gains the BOON TO KNOW, 
 ISTor buys the knowledge with the heart. 
 
 For warmth and light a blessing both to b: 
 
 Feel as the Enthusiast as the Wo rid- wise
 
 72 POEMS AND BALLADS OF SCHILLER, 
 
 BREADTH AND DEPTH. 
 
 FULL many a shining wit one sees, 
 
 With tongue on all things well- conversing; 
 
 The what can charm, the what can please, 
 In every nice detail rehearsing. 
 
 Their raptures so transport the college, 
 
 It seems one honeymoon of knowledge. 
 
 Yet out they go in silence where 
 
 They whilome held their learned prate ; 
 
 Ah ! he who would achieve the fair, 
 Or sow the embryo of the great, 
 
 Must hoard to wait the ripening hour 
 
 In the least point the loftiest power. 
 
 With wanton boughs and pranksome hues, 
 
 Aloft in air aspires the stem ; 
 The glittering leaves inhale the dews 
 
 But fruits are not conceal'd in them. 
 From the small kernel's undiscerned repose 
 The oak that lords it o'er the Forest grows. 
 
 THE PHILOSOPHICAL EGOIST. 
 
 HAST thou the infant seen that yet, unknowing of the 
 
 love 
 Which warms and cradles, calmly sleeps the mother's heart 
 
 above 
 Wandering from arm to arm, until the call of passion 
 
 wakes, 
 And glimmering on the conscious eye the world in glory 
 
 breaks ? 
 And hast thou seen the mother there her anxious vigil 
 
 keep, 
 Buying with love that never sleeps the darling's happy 
 
 sleep ? 
 With her own life she fans and feeds that weak life's 
 
 trembling rays, 
 And with the sweetness of the care, the care itself repays.
 
 FRIDOLIN. 7'J 
 
 And dost thou Nature then blaspheme that, both the child 
 
 and mother 
 Each unto each unites, the while the one doth need the 
 
 other ? 
 
 All self-sufficing wilt thou from that lovely circle stand 
 That creature still to creature links in faith's familiar 
 
 band ? 
 Ah ! dar'st thou, poor one, from, the rest thy lonely self 
 
 estrange ? 
 Eternal Power itself is but all powers in interchange ! 
 
 FRIDOLIN ; 
 
 OR, THE MESSAGE TO THE FORGE. 
 
 [Schiller speaking of this Ballad, which he had then nearly concluded, 
 says that '' accident had suggested to him a very pretty theme for a liallad ; " 
 and that " after having travelled through air and water," alluding to " The 
 Cranes of Ibycus " and " The Diver," ' he should now claim to himself the 
 Element of Fire." Hottmeister supposes Iron, the name of Savern, the 
 French orthography for Zabcrn, a town in Alsatia, that Schiller took the 
 material for his tale from a French source ; though there are German 
 Legends analogous to it. The general st\le of the liallad is simple almost 
 to homeliness, though not to the puerility affected by some of our own Ballad 
 writers. But the pictures of the Forge and the Catholic Ititual are worked 
 out with singular farce and trutlifulness.] 
 
 A HARMLESS lad was Fridolin, 
 
 A pions youth was he ; 
 He served and sought her grace to win, 
 
 Count Savern's fair ladye ; 
 And gentle was the Dame as fair, 
 And light the toils of service there ; 
 And yet the woman's wildest whim 
 In her had been but joy to him. 
 
 Soon as the early morning shone, 
 
 Until the vesper bell, 
 For her sweet hest he lived alone 
 
 Nor e'er could serve too well. 
 She bade him oft not labour so : 
 But then his eyes would overflow. . . 
 It seemed a sin if strength could swerve, 
 From that one thought her will to serve !
 
 7 ! POEMS AND BALLADS OF SCHILLER. 
 
 And so of all her House, the Dame 
 
 Most favour'd him always ; 
 .And from her lip for ever came 
 
 liis unexhausted praise. 
 On him, more like some gentle child, 
 Than serving-youth, the lady smilud, 
 And took a harmless pleasure in 
 The comely looks of Fridolin. 
 
 For this, the Huntsman Robert's heart 
 
 The favour'd Henchman cursed ; 
 And long, till ripen'd into art, 
 
 The hateful envy nursed. 
 His Lord was rash of thought and deed : 
 And thus the knave the deadly seed, 
 (As from the chase they homeward rode,) 
 That poisons thought to fury, sow'd 
 
 " Your lot, great Count, in truth is fair, 
 (Thus spoke the craft suppress'd ;) 
 
 The gnawing tooth of doubt can ne'er 
 Consume your golden rest. 
 
 He who a noble spouse can claim, 
 
 Sees love begirt with holy shame ; 
 
 Her truth no villain arts ensnare 
 
 The smooth seducer comes not there. 
 
 " How now ! bold man, what sayest thou ? " 
 
 The frowning Count replied 
 " Think'st thou I build on woman's vow, 
 
 Unstable as the tide ? 
 Too well the flatterer's lip allureth 
 On firmer ground my faith endureth; 
 The Count Von Savern's wife unto 
 No smooth seducer comes to woo ! " 
 
 "Right! " quoth the other "and your scorn 
 The fool enow the fool chastises, 
 
 Who though a simple vassal born, 
 Himself so highly prizes ; 
 
 Who buoys his heart with rash desires, 
 
 And to the Dame he serves aspires."
 
 FEIDOLIN. 75 
 
 " How ! " cried the Coant, and trembled !: How ! 
 Of One who lives, then, speakest thoa ? " 
 
 " Surely ; can, that to all reveal'd 
 
 Be all unknown to you ? 
 Yet, from yoar ear if thus conceal'd, 
 
 Let me be silent too." 
 
 (Jut burst the Count, with gasping breath, 
 ui Fool fool ! thoa speak'st the word:; of d'.utL ' 
 What brain has dared so bold a .sin ? " 
 " My Lord, I spoke of Frldolin ! 
 
 " His face is comely to behold " 
 
 He adds then paused with art. 
 The Count grew hot the Count grew cold 
 
 The words had pierced his heart. 
 " My gracious master sure most see 
 That only in her eyes lives he ; 
 Behind your board he stands unheeding, 
 Close by her chair his passion feeding. 
 
 " And then the rhymeg . . ." " The rhymes ! " " The 
 same 
 
 Confess'd the frantic thought." 
 " Confess'd ! " "Ay, and a mutual flame 
 
 The foolish boy besought ! 
 No doubt the Countess, soft and tender, 
 Forbore the lines to you to render, . . . 
 And I reperit the babbling word 
 That 'scaped my lips What ails my lord ? " 
 
 Straight to a wood, in scorn and shame, 
 
 Away Count Savern rode 
 Where, in the soaring furnace-flame, 
 
 The molten iron glow'd. 
 Here, late and early, still the brand 
 Kindled the smiths, with crafty hand ; 
 The bellows heave and the sparkles fly. 
 As if they would melt down the mountains high.
 
 76 POEMS AND BALLADS OP SCH1LLEE. 
 
 Their strength the Fire, the Water gave, 
 
 In interleagued endeavour ; 
 The mill-wheel, whirl'd amidst the wave, 
 
 Rolls on for aye and ever 
 Here, day and night, resounds the clamour, 
 While measured beats the heaving hammer ; 
 And, suppled in that ceaseless storm, 
 Iron to iron stamps a form. 
 
 Two smiths before Count Savern bend, 
 
 Forth-beckon'd from their task. 
 " The first whom I to you may send, 
 
 And who of you may ask 
 ' Save you my lord's command obey'd ? ' 
 Thrust in the hell-fire yonder made ; 
 Shrunk to the cinders of your ore, 
 Let him offend mine eyes no more ! " 
 
 Then gloated they the griesly pair 
 
 They felt the hangman's zest ; 
 For senseless as the iron there, 
 The heart lay in the breast. 
 And hied they, with the bellows' breath, 
 To strengthen still the furnace-death ; 
 The murder- priests nor flag nor falter 
 Wait the victim trim the altar ! 
 
 The huntsman seeks the page Gk>d wot, 
 
 How smooth a face hath he ! 
 " Off, comrade, off ! and tarry not; 
 
 Thy lord hath need of thee ! " 
 Thus spoke his lord to Fridolin, 
 " Haste to the forge the wood within, 
 And ask the serfs who ply the trade 
 ' Have you my lord's command obey'd 1 ' ' 
 
 " It shall be done " and to the task 
 
 He hies without delay. 
 Had she not hest ? 'twere well to ask, 
 
 To make less long the way. 
 So, wending backward at the thought, 
 The youth the gracious lady sought.
 
 FRIDOLIN. 7 7 
 
 " Ere I go to the forge, I have come to thee : 
 Hast thou any commands, by the road for me ? " 
 
 " I fain," thus spake that lady fair, 
 
 In winsome tone and low, 
 " But for mine infant ailing there, 
 
 To hear the mass would go. 
 Go thou, my child and on the way, 
 For me and mine thy heart shall pray ; 
 Repent each sinful thought of thitie 
 So shall thy soul find grace for mine ! " 
 
 Forth on the welcome task he wends, 
 
 Her wish the task endears, 
 Till, where the quiet hamlet end 
 
 A sudden sound he hears. 
 To and fro the church-bell, swinging, 
 Cheerily, clearly forth is ringing ; 
 Knolling souls that would repent 
 To the Holy Sacrament. 
 
 He thought, " Seek God upon thy way, 
 
 And he will come to thee ! " 
 He gains the House of Prayer to pray, 
 
 But all stood silently. 
 It was the Harvest's merry reign, 
 The scythe was busy in the grain, 
 One clerkly hand the rites require 
 To serve the mass and aid the choir. 
 
 At once the good resolve he takes, 
 
 As sacristan to serve : 
 " No halt," quoth he, " the footstep makes, 
 
 That doth but heavenward swerve ! " 
 So, on the priest, with humble soul, 
 He hung the cingulum and stole, 
 And eke prepares each holy thing 
 To the high mass administ'ring. 
 
 Now, as the ministrant, before 
 
 The priest he took his stand ; 
 Now towards the altar moved, and bore 
 
 The mass-book in his hand.
 
 78 POEMS AND BALLADS OP SCHILLER. 
 
 Rightward, leftward kneeleth he, 
 Watchful every sign to see ; 
 Tinkling, as the sanctus fell, 
 Thrice at each holy name, the bell. 
 
 Now the meek priest, bending lowly, 
 
 Turns unto the solemn shrine, 
 And with lifted hand and holy, 
 
 Rears the cross divine. 
 While the clear bell, lightly swinging, 
 That boy- sacristan is ringing ; 
 Strike their breasts, and doAvn inclining, 
 Kneel the crowd, the symbol signing. 
 
 Still in every point excelling, 
 With a quick and nimble art 
 
 Every custom in that dwelling 
 Knew the boy by heart ! 
 
 To the close he tarried thus, 
 
 Till Vobiscum Dominus; 
 
 To the crowd inclines the priest, 
 
 And the crowd have sign'd and ceased ! 
 
 Now back in its appointed place, 
 
 His footsteps but delay 
 To range each symbol-sign of grace 
 
 Then forward on his way. 
 So, conscience calm, he lightly goes ; 
 Before his steps the furnace glows ; 
 His lips, the while, (the count completing,) 
 Twelve paternosters slow-repeating. 
 
 Ho gain'd the forge the smiths survey'd, 
 
 As there they grimly stand : 
 " How fares it, friends ? have ye oley'd," 
 
 He cried, " my lord's command ? " 
 " Ho ! ho ! " they shout and ghastly grin, 
 And point the furnace-throat within : 
 " With zeal and heed, we did the deed 
 The master's praise, the servants' meed."
 
 FKIDCLIN. 79 
 
 Oil, with this answer, onward home, 
 
 With fleeter step he flies ; 
 Afar, the Count beheld him corne 
 
 He scarce could trust his eyes. 
 
 " "Whence corn'st thon ? " " From the furnace." ' So ! 
 Xot elsewhere ? troth, thy steps are slov.- ; 
 Thou hast loiter'd long ! " " Yet only till 
 I might the trust consign'd fulfil. 
 
 " My noble lord, 'tis true, to-day, 
 
 I'd chanced, on quitting thee, 
 To ask my duties, on the way, 
 
 Of her who guideth me. 
 She bade me, (and how sweet and dear 
 It was !) the holy mass to hear ; 
 Rosaries four I told, delaying, 
 Grace for thee and thine heart-praying." 
 
 All stunn'd, Count Savern heard the speech 
 
 A wondering man was he ; 
 "And when thou didst the furnace reach, 
 
 "What answer gave they thee ? " 
 ' ; An answer hard the sense to win ; 
 Thus spake the men with ghastly grin, 
 ' "With zeal and heed, we did the deed 
 The master's praise, the servants' meed.' " 
 
 " And Robert ? " gasp'd the Count, as lost 
 
 In awe, he shuddering stood 
 ''Thou must, be sure, his path have cross'd ? 
 
 I sent him to the wood" 
 " In wood nor field where I have been, 
 I\Q single trace of him was seen." 
 All deathlike stood the Count : " Thy might, 
 O God of heaven, hath judged the right ! '' 
 
 Then meekly, humbled from his pride, 
 
 He took the servant's hand ; 
 He led him. to his lady's side, 
 
 She nought mote understand. 
 This child no angel is more pure 
 Long may thy grace for him endure ;
 
 80 POEMS AND BALLADS OP SCHILLER. 
 
 Our strength how weak, our sense how dim 
 
 GOD AND HIS HOSTS ARE OVER HIM ! " 
 
 THE YOUTH BY THE BROOK. 
 
 [Sung in " The Parasite," a comedy which Schiller translated from Picard 
 much the best comedy, by the way, that Picard ever wrote.] 
 
 BESIDE the brook the Boy reclin'd 
 
 And wove his flowery wreath, 
 And to the waves the wreath consign' d 
 
 The waves that danced beneath. 
 " So fleet mine hours," he sighed, " away 
 
 Like waves that restless flow : 
 And, so my flowers of youth decay 
 
 Like those that float below. 
 
 " Ask not why I, alone on earth, 
 
 Am sad in life's young time ; 
 To all the rest are hope and mirth 
 
 When spring renews its prime. 
 Alas ! the music Nature makes, 
 
 In thousand songs of gladness 
 While charming all around me, wakes 
 
 My heavy heart to sadness. 
 
 " Ah ! vain to me the joys that break 
 
 From Spring, voluptuous are; 
 Fv-. only ONE 'tis mine to seek 
 
 The Near, yet ever Far ! 
 I stretch my arms, that shadow-shape 
 
 In fond embrace to hold ; 
 Still doth the shade the clasp escape 
 
 The heart is unconsoled ! 
 
 " Come forth, fair Friend, come forth below, 
 
 And leave thy lofty hall, 
 The fairest flowers the spring can know 
 
 In thy dear lap shall fall ! 
 Clear glides the brook in silver roll'd, 
 
 Sweet carols fill the air ; 
 The meanest hut hath space to hold 
 
 A happy loving Pair ! "
 
 TO THE IDEAL. &l 
 
 TO THE IDEAL. 
 
 [To appreciate the beauty of this Poem, the reader must remember that 
 it preceded our own School we will not say of Kgotism, but of Self- 
 expression ; a school of which the great Byron is the everlasting master 
 and in which the Poet reveals the hearts of others, by confessing the 
 emotions of his own. Of late years we have been overwhelmed with 
 attempts at the kind of pathos which the following stanzas embody with 
 melanrholy tenderness yet with manly resignation. But at the time 
 Schiller wrote this elegy on departed youth, he had the merit of originality 
 a merit the greater, because the Poem expres-es feelings which almost all 
 of us have felt in the progress of life. The only ? em written before it, 
 which it resembles, is the ''"Ode on a Distant Prospect of Eton College, 1 ' by 
 our own illustrious Gray, whom the little critics of our day seek to de- 
 preciate. Beautiful as the German's poem is (in his own language), the 
 Englishman's excels it.] 
 
 THEN wilt thou, with thy fancies holy 
 
 Wilt thou, faithless, fiy from me ? 
 With thy joy, thy melancholy, 
 
 Wilt thou thus relentless flee ? 
 Golden Time, Human May, 
 
 Can nothing, Fleet One, thee restrain ? 
 Must thy sweet river glide away 
 
 Into the eternal Ocean-Main ? 
 
 The suns serene are lost and vanish'd 
 
 That wont the path of youth to gild, 
 And all the fair Ideals banish'd 
 
 From that wild heart they whilome fill'd. 
 Gone the divine and sweet believing 
 
 In dreams which Heaven itself unfurl'd ! 
 What godlike shapes have years bereaving 
 
 Swept from this real work-day world ! 
 
 As once, with tearful passion fired, 
 
 The Cyprian Sculptor clasp'd the stone, 
 Till the cold cheeks, delight inspired, 
 
 Blush'd to sweet life the marble grown : 
 So youth's desire for Nature ! round 
 
 The Statue, so my arms I wreathed, 
 Till warmth and life in mine it found, 
 
 And breath that poets breathe it breathed ;
 
 POEMS AND BALLADS OF SCHILLER. 
 
 With my own burning thoughts it burn'd ; 
 
 Its silence stirr'd to speech divine ; 
 Its lips my glowing kiss return' d 
 
 Its heart in beating answer'd mine ! 
 How fair was then the flower the tree ! 
 
 How silver-sweet the fountain's fall ! 
 The soulless had a soul to me ! 
 
 My life its own life lent to all ! 
 
 The Universe of things seem'd swelling 
 
 The panting heart to burst its bound, 
 And wandering Fancy found a dwelling 
 
 In every shape thought deed, and sound. 
 Gerai'd in the mystic buds, reposing, 
 
 A whole creation slumbered mute, 
 Alas, when from the buds -unclosing, 
 
 How scant and blighted sprung the fruit ! 
 
 How happy in his dreaming error 
 
 His own gay valour for his wing, 
 Of not one care as yet in terror, 
 
 Did Youth upon his journey spring ; 
 Till floods of balm, through air's dominion, 
 
 Bore upward to the faintest star 
 For never aught to that bright pinion 
 
 Could dwell too high, or spread too far. 
 
 Though laden with delight, how lightly 
 
 The wanderer heavenward still could soar, 
 And aye the ways of life how brightly 
 
 The airy Pageant danced before ! 
 Love, showering gifts (life's sweetest) down, 
 
 Fortune, with golden garlands gay, 
 And Fame, with starbeams for a crown, 
 
 And Truth, whose dwelling is the Day. 
 
 Ah ! midway soon lost evermore, 
 Ai'ar the blithe companions stray ; 
 
 In v&in their faithless steps explore, 
 As one by one, they glide away.
 
 TO THE IDEAi. 83 
 
 Fleet Fortune was the first escaper 
 The thirst for wisdom linger'd yet ; 
 
 But doubts with many a gloomy vapour 
 The sun-shape of the Truth beset ! 
 
 The holy crown which Fame was wreathing, 
 
 Behold ! the mean man's temples wore, 
 And but for one short spring-day breathing, 
 
 Bloom'd Love the Beautiful no mure ! 
 And ever stiller yet, and ever 
 
 The barren path more lonely lay, 
 Till scarce from waning Hope could quiver 
 
 A glance along the gloomy way. 
 
 Who, loving, lingered yet to guide me, 
 
 When all her boon companions fled, 
 Who stands consoling yet beside me. 
 
 And follows to the House of Dread ? 
 Thine FRIENDSHIP thine the hand so tender, 
 
 Thine the balm dropping on the wound, 
 Thy task, the load more light to render, 
 
 ! earliest sought and soonest found ! 
 
 And Thou, so pleased, with her uniting, 
 
 To charm the soul-storm into peace, 
 Sweet TOIL, in toil itself delighting, 
 
 That more it laboured, less could cease, 
 Tho' but by grains thou aid'st the pile 
 
 The vast Eternity uprears, 
 At least thou strik'st from Time the while 
 
 Life's debt the minutes, days and years.* 
 
 * Though the Ideal images of youth forsake us, the Ideal itself still 
 remains to the Poet. It is his task and his companion unlike the Phan- 
 tasies of Fortune, Fame, and Love, the Phantasies of the Ideal are im- 
 perishable. AVhile, as the occupation of life, it pays off the debt of Time 
 as the exalter cf life it contributes to the Building o"f Eternity.
 
 84 POEMS AND BALLADS OF SCHILLER. 
 
 PHILOSOPHERS. 
 
 To learn what gives to every thing 
 
 The form and life which we survey, 
 The law by which the Eternal King 
 Moves all Creation's order'd ring, 
 And keeps it from decay 
 Wnen to great Doctor Wiseman we go 
 If help'd not out by Fichte's Ego 
 All from his brain that we can delve, 
 Is this sage answer " Ten's not Twelve." * 
 
 The snow can chill, the fire can burn, 
 
 Men when they walk on two feet go ; 
 A sun in Heaven all eyes discern 
 This through the senses we may learn, 
 
 Nor go to school to know ! 
 But the profounder student sees, 
 That that which burns will seldom freeze ; 
 And can instruct the astonish'd hearer, 
 How moisture moistens light makes clearer. 
 
 Homer composed his mighty song, 
 
 The hero danger dared to scorn, 
 The brave man did his duty, long 
 Before (and who shall say I'm wrong) 
 Philosophers were born ! 
 
 * " Wenn Ich nicht drauf ihm helfe 
 
 Er heisst : zehn 1st nicht zwolfe." 
 
 If the Ich in the text is correctly printed with a capital initial, the 
 intention of Schiller must apparently DC to ridicule the absolute Ego of 
 Fichte a philosopher whom he elsewhere treats with very little ceremony 
 and thus Hoffmeister seems to interpret the meaning. Hinrichs, on the 
 other hand, quoting the passage without the capital initial, assumes the 
 satire to be directed against the first great law of logic, which logicians call 
 the Principle of Contradiction, viz., that it is impossible for a thing to be 
 and not to he at the same time ; or, as Schiller expresses it, that it is 
 impossible for ten to be both ten and twelve ; a truth which is obvious to all 
 men, and which, precisely because it is obvious to all men, Philosophers can 
 state and explain. According to this interpretation, the sense of the 
 translation is not correctly given, and Schiller seems rather to say, "I 
 should call that man exceedingly clever who could explain to me the great 
 law of the Universe, if I did not first explain it to him by saying it is this, 
 Ten is not Twelve i. e., No philosopher can tell a plain man anything 
 about a profound principle, which any plain man could not just as well have 
 told to th Philosopher/'
 
 PUNCH SOXG. 85 
 
 Without Descartes and Locke the Sun 
 Saw things by Heart and Genius done, 
 Which those great men have proved, on viewing, 
 The possibility of doing ! 
 
 Strength in this life prevails and sways 
 
 Bold Power oppresses humble Worth 
 He who can not command obeys 
 In short there's not too much to praise 
 
 In this poor orb of earth. 
 But how things better might be done, 
 If sages had this world begun, 
 By moral systems of their own, 
 Most incontestably is shown ! 
 
 " Man needs mankind, must be confest 
 
 In all he labours to fulfil, 
 Must work, or with, or for, the rest ; 
 'Tis drops that swell the ocean's breast 
 
 'Tis waves that turn the mill. 
 The savage life for man unfit is, 
 So take a wife and live in cities." 
 Thus ex cathedrd teach, we know, 
 Wise Messieurs Puffendorf and Co. 
 
 Yet since, what grave professors preach, 
 
 The crowd may be excused from knowing ; 
 Meanwhile, old Nature looks to each, 
 Tinkers the chain, and mends the breach, 
 
 And keeps the clockwork going. 
 Some day, Philosophy, no doubt, 
 A better World will bring about : 
 Till then the Old a little longer, 
 Must blunder on through Love and Hunger ! 
 
 PUNCH SONG. 
 
 FOUR Elements, join'd in 
 
 An emulous strife, 
 Fashion the world, and 
 Constitute life.
 
 86 POEMS AND BALLADS OF SCHILLER. 
 
 From, the sharp citron 
 
 The starry juice pour ; 
 Acid to Life is 
 
 The innermost core. 
 
 Now, let the sugar 
 
 The bitter one meet ; 
 Still be life's bitter 
 
 Tamed down with the sweet ! 
 
 Let the bright water 
 
 Flow into the bowl ; 
 Water, the calm one, 
 
 Embraces the Whole. 
 
 Drops from the spirit 
 
 Pour quick'ning within ; 
 
 Life but its life from 
 The spirit can win. 
 
 Haste, while it gloweth, 
 
 Your vessels to bring ; 
 The wave has but virtue 
 
 Drunk hot from the spring ! 
 
 PUNCH SONG. 
 
 TO BE SUNG IN THE NOKTH. 
 
 ON the free southern hills 
 
 Where the full summers shine, 
 
 Nature quicken'd by sunlight, 
 Gives birth to the vine ! 
 
 Her work the Great Mother 
 Conceals from the sight, 
 
 Untrack'd is the labour, 
 Unfathom'd the might. 
 
 Is the child of the sunbeam, 
 
 The wine leaps to-day, 
 From the tun springs the crystal, 
 
 A. fountain at play.
 
 PUNCH SONG. 87 
 
 All the senses it gladdens, 
 
 Gives Hope to the breast ; 
 To grief a soft balsam, 
 
 To life a new zest. 
 
 But, our zone palely gilding, 
 
 The San of the North, 
 From the leaves it scarce tinteth 
 
 No fruit ripens forth. 
 
 Yet life will ne'er freely 
 Life's gladness resign : 
 
 Our vales know no vineyard- 
 Invent we a wine ! 
 
 But wan the libation, 
 
 In truth must appear ; 
 Living Nature alone gives 
 
 The bright and the clear ! 
 
 Yet draw from the dim fount, 
 
 The Waters of Mirth ! 
 For Heaven gave us Art, 
 
 The Prometheus of Earth. 
 
 Wherever strength reacheth, 
 
 What kingdoms await her ! 
 From the Old, the New shaping, 
 
 Art, ay a Creator ! 
 
 The Elements' union 
 
 Divides at her rod, 
 With the hearth-flame she mimics 
 
 The glow of a god. 
 
 To Hesperidan Islands 
 
 She sends the ship forth ; 
 Lo, the southern fruits lending 
 
 Their gold to the North ! 
 
 So, this sap wrung from flame be 
 
 A symbol- sign still, - 
 Of the wonders man works with 
 
 The Force and the Will !
 
 SH POEMS AND BALLADS OP SCHILLER. 
 
 PEGASUS IN HARNESS. 
 
 AT Smithfield * once, as I've been told, 
 Or some such place where beasts are sold, 
 A bard, whose bones from flesh were all free, 
 Put up for sale the Muses' palfrey. 
 His ears how cock'd, his tail how stiff! 
 Loud neigh'd the prancing Hippogriff. 
 The crowd grew large, the crowd grew larger : 
 " By Jove, indeed a splendid charger ! 
 'T would suit some coach of state ! the king's ! 
 But, bless my soul, what frightful wings ! 
 No doubt the breed is mighty rare 
 But who would coach it through the air? 
 Who'd trust his neck to such a flyer ? " 
 In short, the bard could find no buyer. 
 At last a farmer pluck'd up mettle : 
 " Let's see if we the thing can settle. 
 These useless wings my man may lop, 
 Or tie down tight I likes a crop ! 
 'T might draw my cart , it seems to frisk it ; 
 Come, twenty pounds ! ecod, I'll risk it." 
 I blush to say the bard consented, 
 And Hodge bears off his prize, contented. 
 The noble beast is in the cart ; 
 Hodge cries, " Gree hup ! " and off they start. 
 He scarcely feels the load behind, 
 Skirrs, scours, and scampers like the wind. 
 The wings begin for heaven to itch, 
 The wheels go devilish near the ditch ! 
 " So ho ! " grunts Hodge, " 'tis more than funny ; 
 I've got a penn'orth for my money. 
 To-morrow, if I still survive, 
 I have some score of folks to drive ; 
 The load of five the beast could drag on ; 
 I'll make him leader to the wagon. 
 Choler and collar wear with time ; 
 The lively rogue is in his prime." 
 
 * Literally " Haymarket."
 
 PEGASUS IN HARNESS. 89 
 
 All's well at first ; a famous start 
 
 Wagon and team go like a dart. 
 
 The wheelers' heavy plod behind him, 
 
 But doubly speeds the task assign'd him ; 
 
 Till, with tall crest, he snuffs the heaven, 
 
 Spurns the dull road so smooth and even. 
 
 True the impetuous instinct to, 
 
 Field, fen, and bog, he scampers through. 
 
 The frenzy seems to catch the team ; 
 
 The driver tugs, the travellers scream. 
 
 O'er ditch, o'er hedge, splash, dash, and crash on, 
 
 Ne'er farmer flew in such a fashion. 
 
 At last, all batter'd, bruised, and broken, 
 
 (Poor Hodge's state may not be spoken,) 
 
 Wagon, and team, and travellers stop, 
 
 Perch'd on a mountain's steepest top ! 
 
 Exceeding sore, and much perplext, 
 
 " I fegs," the farmer cries, " what next ? 
 
 This helter-skelter sport will never do, 
 
 But break him in I'll yet endeavour to ; 
 
 Let's see if work and starving diet 
 
 Can't tame the monster into quiet ! " 
 
 The proof was made, and save ns ! if in 
 
 Three days you'd seen the hippogriffin, 
 
 You'd scarce the noble beast have known, 
 
 Starved duly down to skin and bone. 
 
 Cries Hodge, rejoiced, " I have it now, 
 
 Bring out my ox, he goes to plough." 
 
 So said, so done, and droll the tether, 
 
 Wing'd horse, slow ox, at plough together ! 
 
 The unwilling griffin strains his might, 
 
 One last strong struggle yet for flight ; 
 
 In vain, for well inured to labour. 
 
 Plods sober on his heavy neighbour, 
 
 And forces, inch by inch, to creep, 
 
 The hoofs that love the air to sweep ; 
 
 Until, worn out, the eye grows dim, 
 
 The sinews fail the founder'd liinb, 
 
 The god-steed droops, the strife is past, 
 
 He writhes amidst the mire at last ! 
 
 " Accursed brute ! " the farmer cries ; 
 
 And, while he bawls, the cart- whip plies,
 
 90 POEMS AND BALLADS OF SCHILLER. 
 
 " All use it seems you think to shirk 
 
 So fierce to run so dull to work ! 
 
 My twenty pounds ! Not worth a pin ! 
 
 Confound the rogue who took me in ! " 
 
 He vents his wrath, he plies his thong, 
 
 When, lo ! there gaily comes along, 
 
 With looks of light and locks of yellow, 
 
 And lute in hand, a buxom fellow ; 
 
 Through the bright clusters of his hair 
 
 A golden circlet glistens fair. 
 
 " VVhat's this a wondrous yoke and pleasant ? " 
 
 Cries out the stranger to the peasant. 
 
 " The bird and ox thus leash'd together 
 
 Come, prithee, just unbrace the tether: 
 
 But let me mount him for a minute 
 
 That beast ! you'll see how much is in it." 
 
 The steed released the easy stranger 
 
 Leaps on his back, and smiles at danger ; 
 
 Scarce felt that steed the master's rein, 
 
 When all his fire returns again : 
 
 He champs the bit he rears on high, 
 
 Light, like a soul, looks from his eye ; 
 
 Changed from a creature of the sod, 
 
 Behold the spirit and the god : 
 
 As sweeps the whirlwind, heavenward springs 
 
 The unf url'd glory of his wings. 
 
 Before the eye can track the flight, 
 
 Lost in the azure fields of light. 
 
 HERO AND LEANDER, 
 
 A BALLAD. 
 
 [We have already seen, in "The Ring of Polycrates," Schiller's mode of 
 dealing with classical subjects. In the poems that follow, derived from 
 similar sources, the same spirit is maintained. In spite of Humboldt, we 
 venture to think that Schiller certainly does not narrate Greek legends in 
 the spirit of an ancient Greek. The Gothic sentiment, in its ethical depth 
 and mournful tenderness, more or less pervades all that he translates from 
 classic fable into modern pathos. The grief of Hero, in the ballad sub- 
 joined, touches closely on the lamentations of T/iekla, in " Wallenstein." 
 The Complaint of Ceres, embodies Christian Grief and Christian llope. 
 The Trojan Cassandra expresses the moral of the Northern Faust. Even 
 the "Victory Feast" changes the whole spirit of Homer, on whom it U
 
 HERO AND LEANDER. 91 
 
 founded, by the introduction of the Ethical Sentiment at the close, borrowed, 
 as a modern would apply what he so borrows, from the moralising Horace. 
 Nothing can be more foreign to the Hellenic Genius (if we except the very 
 disputable intention of the " Prometheus"), than the interior and typical 
 design which usually exalts every conception in Schiller. But it is per- 
 fectly open to the Modern Poet to treat of ancient legends in the modem 
 spirit. Though he selects a Greek story, he is still a modern who narrates 
 he can never make himself a Greek, any more than JEschylus in the 
 " Persae " could make himself a Persian. But this is still more the privilege 
 of the Poet in Narrative, or lyrical composition, than in the Drama, for in 
 the former he does not abandon his identity, as in the latter he must yet 
 even this must has its limits. Shakespeare's wonderful power of solf- 
 transfusion has no doubt enabled him, in his Plays from lioman History, to 
 animate his charactera with much of Roman life. But no one can maintain 
 that a Roman would ever have written plays, in the least resembling " Julius 
 Caesar," or " Coriolauus," or "Antony and Cleopatra." The Portraits 
 may be Roman, but they are painted in the manner of the Gothic school. 
 The Spirit of antiquity is only in them, inasmuch as the representation 
 cf Human Nature, under certain circumstances, is accurately, though 
 loosely outlined. When the Poet raises the dead, it is not to restore, but 
 ( jO remodel.] 
 
 SEE you the towers, that, gray and old, 
 Frown through the sunlight's liquid gold, 
 
 Steep sternly fronting steep ? 
 The Hellespont beneath them swells, 
 And roaring cleaves the Dardanelles, 
 
 The Rock- Gates of the Deep ! 
 Hear you the Sea, whose stormy wave, 
 
 From Asia, Europe clove in thunder ? 
 That sea which rent a world can not 
 
 Rend Love from Love asunder ! 
 
 In Hero's, in Leander's heart, 
 Thrills the sweet anguish of the dart 
 
 Whose feather flies from Love. 
 All Hebe's bloom in Hero's cheek 
 And his the hunters's steps that seek 
 
 Delight, the hills above ! 
 Between their sires the rival feud 
 
 Forbids their plighted hearts to meet ; 
 Love's fruits hang over Danger's gulf, 
 
 By danger made more sweet. 
 
 Alone on Sestos' rocky tower, 
 Where upward sent in stormy shower, 
 The whirling waters foam,
 
 92 POEMS AND BALLADS OF SCHILLER. 
 
 Alone the maiden sits, and eyes 
 The cliffs of fair Abydos rise 
 
 Afar her lover's home. 
 Oh, safely thrown from strand to strand, 
 
 No bridge can love to love convey ; 
 No boatman shoots from yonder shore, 
 
 Yet LOVE has found the way. 
 
 That Love, which could the Labyrinth pierce- 
 Which nerves the weak, and curbs the fierce, 
 
 And wings with wit the dull ; 
 That Love which o'er the furrow'd land 
 Bow'd tame beneath young Jason's hand 
 
 The fiery-snorting Bull ! 
 Yes, Styx itself, that nine-fold flows, 
 
 Has Love, the fearless, ventured o'er, 
 And back to daylight borne the bride, 
 
 From Pluto's dreary shore ! 
 
 What marvel then that wind and wave, 
 Leander doth but burn to brave, 
 
 When Love, that goads him, guides ! 
 Still when the day, with fainter glimmer, 
 Wanes pale he leaps, the daring swimmer, 
 
 Amid the darkening tides ; 
 With lusty arms he cleaves the waves, 
 
 And strives for that dear strand afar ; 
 Where high from Hero's lonely tower 
 
 Lone streams the Beacon-star. 
 
 In vain his blood the wave may chill, 
 These tender arms can warm it still 
 
 And, weary if the way, 
 By many a sweet embrace, above 
 All earthly boons can liberal Love 
 
 The Lover's toil repay, 
 Until Aurora breaks the dream, 
 
 And warns the Loiterer to depart 
 Back to the ocean's icy bed, 
 
 Scared from that loving heart.
 
 HERO AND LEANDER. 93 
 
 So thirty suns have sped their flight 
 Still in that theft of sweet delight 
 
 Exult the happy pair ; 
 Caress will never pall caress, 
 And joys that gods might envy, bless 
 
 The single bride-night there. 
 Ah ! never he has rapture known, 
 
 Who has not, where the waves are driven 
 Upon the fearful shores of Hell, 
 
 Pluck'd fruits that taste of Heaven ! 
 
 Now changing in their Season are, 
 The Morning and the Hesper Star ; 
 
 Nor see those happy eyes 
 The leaves that withering droop and fall, 
 Nor hear, when, from its northern hall, 
 
 The neighbouring Winter sighs ; 
 Or, if they see, the shortening days 
 
 But seem to them to close in kindness ; 
 For longer joys, in lengthening nights, 
 
 They thank the heaven in blindness. 
 
 It is the time, when Night and Day, 
 In equal scales contend for sway * 
 
 Lone, on her rocky steep, 
 Lingers the girl with wistful eyes 
 That watch the sun-steeds down the skies, 
 
 Careering towards the deep. 
 Lull'd lay the smooth and silent sea, 
 
 A mirror in translucent calm, 
 The breeze, along that crystal realm, 
 
 Unmurmuring, died in balm. 
 
 In wanton swarms and blithe array, 
 The merry dolphins glide and play 
 
 Amid the silver waves. 
 In gray and dusky troops are seen, 
 The hosts that serve the Ocean- Queen, 
 
 Upborne from coral caves : 
 
 * This notes the time of year not the time of day viz., about the. 23rd 
 of September. HOFFMEISTHR.
 
 94 POEMS AND BALLADS OF SCHILLER. 
 
 They only they have witness'd love 
 To rapture steal its secret way : 
 
 And Hecate * seals the only lips 
 That could the tale betray ! 
 
 She marks in joy the lulled water, 
 And Sestos, thus thy tender daughter, 
 
 Soft- flattering, woos the sea ! 
 " Fair god and canst thou then betray ? 
 No ! falsehood dwells with them that say 
 
 That falsehood dwells witli thee ! 
 Ah ! faithless is the race of man, 
 
 And harsh a father's heart can prove ; 
 But thee, the gentle and the mild, 
 
 The grief of love can move ! 
 
 " Within these hated walls of stone, 
 Should I, repining, mourn alone, 
 
 And fade in ceaseless care, 
 But thou, though o'er thy giant tide, 
 Nor bridge may span, nor boat may glide, 
 
 Dost safe my lover bear. 
 And darksome is thy solemn deep, 
 
 And fearful is thy roaring wave ; 
 But wave and deep are won by love 
 
 Thou smilest on the brave ! 
 
 " Nor vainly, Sovereign of the 
 Did Eros send his shafts to thee : 
 
 What time the Ram of Cold, 
 Bright Helle, with her brother bore, 
 How stirr'd the waves she wander'd o'er, 
 
 How stirr'd thy deeps of old ! 
 Swift, by the maiden's charms subdued, 
 
 Thou cam'st from out the gloomy waves, 
 And, in thy mighty arms, she sank 
 
 Into thy bridal caves. 
 
 " A goddess with a god, to keep 
 In endless youth, beneath the deep, 
 Her solemn ocean-court ! 
 
 Hecate, as the mysterious Goddess of Nature. HOFPMEISTEB.
 
 HERO AND LEAK DEB. 95 
 
 And fctill slie smoothes thine angry tides, 
 Tames thy wild heart, and favouring guides 
 
 The sailor to the port ! 
 Beautiful Helle, bright one, hear 
 
 Thy lone adoring suppliant pray ! 
 And guide, goddess guide my love 
 
 Along the wonted way ! " 
 
 Now twilight dims the water's flow, 
 And from the tower the beacon's glow 
 
 Waves nickering o'er the main. 
 Ah, where athwart the dismal stream, 
 Shall shine the Beacon's faithful beam 
 
 The lover's eye shall strain ! 
 Hark ! sounds moan threat'ning from afar 
 
 From heaven the blessed stars are gone 
 More darkly swells the rising sea 
 
 The tempest labours on ! 
 
 Along the ocean's boundless plains 
 Lies Night in torrents rush the rains 
 
 From the dark-bosom'd cloud 
 Red lightning skirs the panting air, 
 And, loosed from out their rocky lair, 
 
 Sweep all the storms abroad. 
 Huge wave on huge wave tumbling o'er, 
 
 The yawning gulf is rent asunder, 
 And shows, as through an opening pall, 
 
 Grim earth the ocean under ! 
 
 Poor maiden ! bootless wail or vow 
 " Have mercy, Jove be gracious, Thou ! 
 
 Dread prayer was mine before ! 
 What if the gods have heard and he, 
 Lone victim of the stormy sea, 
 
 Now struggles to the shore ! 
 There's not a sea-bird on the wave 
 
 Their hurrying wings the shelter seek ; 
 The stouteat ship the storms have proved, 
 
 Taken refuge in the creek.
 
 96 POEMS AND BALLADS OF SCHILLER. 
 
 " Ah, still that heart, which oft has braved 
 The danger where the daring saved, 
 
 Love Inreth o'er the sea ; 
 For many a vow at parting morn, 
 That nought but death should bar return, 
 
 Breathed those dear lips to me ; 
 And whirl'd around, the while I weep, 
 
 Amid the storm that rides the wave, 
 The giant gulf is grasping down 
 
 The rash one to the grave ! 
 
 " False Pontns! and the calm I hail'd, 
 The awaiting murder darkly veil'd 
 
 The lull'd pellucid flow, 
 The smiles in which thou wert array'd, 
 Were but the snares that Love betray'd 
 
 To thy false realm below ! 
 Now in the midway of the main, 
 
 Return relentlessly forbidden, 
 Thou loosenest on the path beyond 
 
 The horrors thou hadst hidden." 
 
 Loud and more loud the tempest raves, 
 In thunder break the mountain waves, 
 
 White foaming on the rock 
 No ship that ever swept the deep 
 Its ribs of gnarled oak could keep 
 
 TJnshatter'd by the shock. 
 Dies in the blast the guiding torch 
 
 To light the struggler to the strand ; 
 'Tis death to battle with the wave, 
 
 And death no less to land ! 
 
 On Venus, daughter of the seas, 
 She calls the tempest to appease 
 
 To each wild-shrieking wind 
 Along the ocean-desert borne, 
 She vows a steer with golden horn 
 
 Vain vow relentless wind ! 
 On every goddess of the deep, 
 
 On all the gods in heaven that be, 
 She calls to soothe in calm, awhile, 
 
 The tempest-laden sea !
 
 HERO AND LEANDER. 97 
 
 " Hearken the anguish of my cries ! 
 From thy green halls, arise arise, 
 Leucothoe the divine ? 
 
 Who, in the barren main afar, 
 Oft on the storm-beat mariner 
 
 Dost gently-saving shine. 
 Oh, reach to him thy mystic veil, 
 
 To which the drowning clasp may cling, 
 And safely from that roaring grave, 
 
 To shore my lover bring ! " 
 
 And now the savage winds are hushing, 
 And o'er the arch'd horizon, blushing, 
 
 Day's chariot gleams on high ! 
 Back to their wonted channels roll'd, 
 In crystal calm the waves behold 
 
 One smile on sea and sky ! 
 All softly breaks the rippling tide, 
 
 Low-murmuring on the rocky land, 
 And playful wavelets gently float 
 
 A Corpse upon the strand ! 
 
 'T is he ! who ev'n in death would still 
 Not fail the sweet vow to fulfil ; 
 
 She looks sees knows him there ! 
 From her pale lips no sorrow speaks, 
 No tears glide down the hueless cheeks, 
 
 Cold numb'd in her despair 
 She look'd along the silent deep, 
 
 She look'd upon the bright'ning heaven, 
 Till to the marble face the soul 
 
 Its light sublime had given ! 
 
 " Ye solemn Powers men shrink to name, 
 
 Tour might is here, your rights ye claim- 
 Yet think not I repine : 
 
 Soon closed my course ; yet I can bless 
 
 The life that brought me happiness 
 The fairest lot was mine ! 
 
 Living have I thy temple served, 
 Thy consecrated priestess been 
 
 My last glad offering now receive 
 Venus, thou mightiest queen ! "
 
 98 POEMS AND BALLADS OF SCHILLER. 
 
 Flash'd the white robe along the air, 
 And from the tower that beetled there 
 
 She sprang into the wave ; 
 Roused from, his throne beneath the waste, 
 Those holy forms the god embraced 
 
 A god himself their grave ! 
 Pleased with his prey, he glides along 
 
 Moi'e blithe the murmur'd music seems, 
 A gush from unexhausted urns 
 
 His Everlasting Streams ! 
 
 THE PLAYING INFANT. 
 
 PLA.T on thy mother's bosom, Babe, for in that holy isle 
 The error cannot find thee yet, the grieving, nor the guile ; 
 Held in thy mother's arms above Life's dark and troubled 
 
 wave, 
 Thou lookest with thy fearless smile upon the floating 
 
 grave. 
 Play, loveliest Innocence ! Thee, yet Arcadia circles 
 
 round, 
 
 A charmed power for thee has set the lists of fairy ground ; 
 Each gleesome impulse Nature now can sanction and 
 
 befriend, 
 
 Nor to that willing heart as yet the Duty and the End. 
 Play, for the haggard Labour soon will come to seize its 
 
 prey, 
 Alas ! when Duty grows thy law Enjoyment fades away ! 
 
 CASSANDEA. 
 
 [There is peace between the Greeks and Trojans Achilles is to wed 
 Polyxena, Priam's daughter. On entering the Temple, he is shot through 
 his only vulnerable part by Paris. The time of the following Poem is 
 during the joyous preparations for the marriage.] 
 
 AND mirth was in the halls of Troy, 
 Before her towers and temples fell ; 
 
 High peal'd the choral hymns of joy, 
 Melodious to the golden shell.
 
 CASSANDRA. 99 
 
 The weary had reposed from slaughter 
 
 The eye forgot the tear it shed ; 
 This day King Priam's lovely daughter 
 
 Shall great Pelides wed ! 
 
 Adorn'd with laurel boughs, they come, 
 
 Crowd after crowd the way divine, 
 Where fanes are deck'd for gods the home 
 
 And to the Thymbrian's * solemn shrine. 
 The wild Bacchantic joy is madd'ning 
 
 The thoughtless host, the fearless gnest ; 
 And there, the unheeded heart is sadd'ning 
 
 One solitary breast ! 
 
 Unjoyous in the joyful throng, 
 
 Alone, and linking life with none, 
 Apollo's laurel groves among, 
 
 The still Cassandra wander'd on ! 
 Into the forest's deep recesses 
 
 The solemn Prophet-Maiden pass'd, 
 And, scornful, from her loosen'd tresses, 
 
 The sacred fillet cast ! 
 
 " To all, its arms doth Mirth nnfold, 
 
 And every heart forgoes its cares 
 And Hope is busy in the old 
 
 The bridal-robe my sister wears 
 And I alone, alone am weeping ; 
 
 The sweet delusion mocks not me 
 Around these walls destruction sweeping, 
 
 More near and near I see ! 
 
 " A torch before my vision glows, 
 
 Bat not in Hymen's hand it shines, 
 A flame that to the welkin goes, 
 
 But not from holy offering-shrines ; 
 Grlad hands the banquet are preparing, 
 
 And near, and near the halls of state 
 I hear the God that comes unsparing, 
 
 I hear the steps of Fate. 
 
 * Apollo. 
 
 a
 
 100 POEMS AND BALLADS OF SCHILLER. 
 
 " And men my prophet- wail deride ! 
 
 The solemn sorrow dies in scorn ; 
 And lonely in the waste, I hide 
 
 The tortured heart that would forewarn. 
 Amidst the happy, unregarded, 
 
 Mock'd by their fearful joy, I trod ; 
 Oh, dark to me the lot awarded, 
 
 Thou evil Pythian god ! 
 
 " Thine oracle, in vain to be, 
 
 Oh, wherefore am I thus consign'd 
 With eyes that every truth must see, 
 
 Lone in the City of the Blind ? 
 Cursed with the anguish of a power 
 
 To view the fates I may not thrall, 
 The hovering tempest still must lower 
 
 The horror must befall ! 
 
 " Boots it the veil to lift, and give 
 
 To sight the frowning fates beneath ? 
 For error is the life we live, 
 
 And, oh, our knowledge is but death. ! 
 Take back the clear and awful mirror, 
 
 Shut from mine eyes the blood-red glare ' 
 Thy truth is but a gift of terror 
 
 When mortal lips declare. 
 
 " My blindness give to me once more* 
 
 The gay dim senses that rejoice ; 
 The Past's delighted songs are o'er 
 
 For lips that speak a Prophet's voice. 
 To me the future thou hast granted ; 
 
 I miss the moment from the chain 
 The happy Present- Hour enchanted I 
 
 Take back thy gift again ! 
 
 " Never for me the nuptial wreath 
 
 The odour-breathing hair shall twine ; 
 
 My heavy heart is bow'd beneath 
 The service of thy dreary shrine. 
 
 "Everywhere," says Hoffmeister truly, "Schiller exalts Ideal Belief 
 over ival wisdom; everywhere this modern Apostle of Christianity advo- 
 cates that Ideal, which exists in Faith and emotion, against the wisdom of 
 worluly intellect, the barren, experience of life," &c.
 
 CASSANDRA. 101 
 
 My youth was but by tears corroded, 
 
 My sole familiar is my pain, 
 Each coming ill my heart foreboded, 
 
 And felt it first in vain ! 
 
 " How cheerly sports the careles mirth, 
 
 The life that loves, around I see; 
 Pair youth to pleasant thoughts give birth 
 
 The heart is only sad to me. 
 Not for mine eyes the young spring gloweth, 
 
 When earth her happy feast-day keeps ; 
 The charm of life who ever knoweth 
 
 That looks into the deeps ? 
 
 " Wrapt in thy bliss, my sister, thine 
 
 The heart's inebriate rapture-springs ; 
 Longing with bridal arms to twine 
 
 The bravest of the Grecian kings. 
 High swells the joyous bosom, seeming 
 
 Too narrow for its world of love, 
 Nor envies, in its heaven of dreaming, 
 
 The heaven of gods above ! 
 
 " I too might know the soft controul 
 
 Of one the longing heart could choose, 
 With look which love illumes with soul 
 
 The look that supplicates and woos. 
 And sweet with him, where love presiding 
 
 Prepares our hearth, to go but, dim, 
 A Stygian shadow, nightly gliding, 
 
 Stalks between me and him ! 
 
 " Forth from the grim funereal shore, 
 
 The Hell- Queen sends her ghastly bands ; 
 Where'er I turn behind before 
 
 Dumb in my path a Spectre stands ! 
 Wherever gayliest, youth assembles 
 
 I see the shades in horror clad, 
 Amidst Hell's ghastly People trembles 
 
 One soul for ever sad !
 
 102 POEMS AND BALLADS OF SCHILLER. 
 
 " I see the steel of Murder gleam 
 
 I see the Murderer's glowing eyes 
 To right to left, one gory stream 
 
 One circling fate my flight defies ! 
 I may not turn my gaze all seeing, 
 
 Foreknowing all, I dumbly stand 
 To close in blood my ghastly being 
 
 In the far strangers' land ! " 
 
 Hark ! while the sad sounds murmur round, 
 
 Hark, from the Temple-porch, the cries ! 
 A wild, confused, tumultuous sound ! 
 
 Dead the divine Pelides lies ! 
 Grim Discord rears her snakes devouring 
 
 The last departing god hath gone ! 
 And, womb'd in cloud, the thunder, lowering, 
 
 Hangs black on Ilion. 
 
 NOTE. Upon this poem, Madame de Stae'l makes the following just and 
 striking criticism. EAllemagne, Part II. c. 13. " One sees in tnis ode, 
 the curse inflicted on a mortal by the prescience of a god. Is not the grief 
 of the prophetess that of all who possess a superior intellect with an im- 
 passioned heart ? Under a shape wholly poetic, Schiller has embodied an 
 idea grandly moral viz., that the true genius (that of the sentiment) is a 
 victim to itself, even when spared by others. There are no nuptials for 
 Cassandra : not that she is insensible not that she is disdained, but the 
 clear penetration of her soul passes in an instant both life and death, and 
 can only repose in Heaven." 
 
 THE VICTORY FEAST. 
 
 [In this Lyric, Schiller had a notion of raising the popular social song 
 from the prosaic vulgarity common to it into a higher and more epic 
 dignity.] 
 
 THE stately walls of Troy had sunken, 
 
 Her towers and temples strew'd the soil ; 
 The sons of Hellas, victory-drunken, 
 
 Richly laden with the spoil, 
 Are on their lofty barks reclin'd 
 
 Along the Hellespontine strand ; 
 A gleesome freight the favouring wind 
 
 Shall bear to Greece's glorious land ;
 
 THE VICTORY FEAST. 103 
 
 And gleesome chaunt the choral strain, 
 As towards the household altars, now, 
 Each bark inclines the painted prow 
 
 For Home shall smile again ! 
 
 And there the Trojan women, weeping, 
 
 Sit ranged in many a length'ning row ; 
 Their heedless locks, dishevell'd, sweeping 
 
 Adown the wan cheeks worn with woe. 
 
 No festive sounds that peal along, 
 Their mournful dirge can overwhelm ; 
 
 Through hymns of joy one sorrowing song 
 Commingled, wails the ruin'd realm. 
 
 " Farewell, beloved shores ! " it said, 
 " From home afar behold us torn, 
 By foreign lords as captives borne 
 
 Ah, happy are the dead !" 
 
 And Calchas, while the altars blaze, 
 
 Invokes the high gods to their feast ! 
 On Pallas, mighty or to raise 
 
 Or shatter cities, call'd the Priest 
 And Him, who wreathes around the land 
 
 The girdle of his watery world, 
 And Zeus, from whose almighty hand 
 
 The terror and the bolt are hurl'd. 
 
 Success at last awards the crown 
 The long and weary war is past ; 
 Time's destined circle ends at last 
 
 And fall'n the Mighty Town ! 
 
 The Son of Atreus, king of men, 
 
 The muster of the hosts survey'd, 
 How dwindled from the thousands, when 
 
 Along Scamaiider first array'd ! 
 With sorrow and the cloudy thought, 
 
 The Great King's stately look grew dim 
 Of all the hosts to Ilion brought, 
 
 How few to Greece return with him ! 
 
 Still let the song to gladness call, 
 
 For those who yet their homes shall greet ! 
 For them the blooming life is sweet : 
 
 Return is not for all !
 
 104 POEMS AND BALLADS OF SCHILLER. 
 
 Nor all who reach, their native land 
 May long the joy of welcome feel 
 
 Beside the household gods may stand 
 Grim Mnrther with awaiting steel ; 
 
 And thev who 'scape the foe, inay die 
 Beneath the foul familiar glaive. 
 
 Thus He* to whose prophetic eye 
 Her light the wise Minerva gave : 
 "Ah! blest whose hearth, to memory true, 
 The goddess keeps unstain'd and pure 
 For woman's guile is deep and sure, 
 And Falsehood loves the New ! " 
 
 The Spartan eyes his Helen's charms, 
 
 By the best blood of Greece recaptured ; 
 Bound that fair form his glowing arms 
 
 (A second bridal) wreathe enraptured. 
 " Woe waits the work of evil birth 
 
 Revenge to deeds unblest is given ! 
 For watchful o'er the things of earth, 
 
 The eternal Council-Halls of Heaven. 
 
 Yes, ill shall ever ill repay 
 
 Jove to the impious hands that stain 
 The Altar of Man's Hearth, again 
 
 The doomer's doom shall weigh ! " 
 
 " Well they, reserved for joy to-day," 
 Cried out Oi'leus' valiant son, 
 
 " May laud the favouring gods who sway 
 Our earth, their easy thrones upon ; 
 
 With careless hands they mete our doom, 
 Our woe or welfare Hazard gives 
 
 Patroclus slumbers in the tomb, 
 And all unharm'd Thersites lives. 
 
 If Fate, then, showers without a choice 
 The lots of luck and life on all, 
 Let him on whom the prize may fall, 
 
 Let him who lives rejoice ! 
 
 Ulyssei.
 
 THE VICTORY FEAST. 105 
 
 "Yes, war will still devour the best ! 
 
 Brother, remember'd in this hour ! 
 His shade should be in feasts a guest, 
 
 Whose form was in the strife a tower ! 
 What time oar ships the Trojan fired, 
 
 Thine arm to Greece the safety gave 
 The prize to which thy soul aspired, 
 
 The crafty wrested from the brave.* 
 
 Peace to thine ever-holy rest 
 Not thine to fall before the foe ! 
 Ajax alone laid Ajax low : 
 
 Ah wrath destroys the best ! " 
 
 To his dead sire (the Dorian king) 
 
 The bright-hair'd Pyrrhus f pours the wine : 
 "O'er every lot that life can bring, 
 
 My soul, great Father, prizes thine. 
 Whate'er the goods of earth, of all, 
 
 The highest and the holiest FAME ! 
 For when the Form in dust shall fall, 
 
 O'er dust triumphant lives the Name ! 
 
 Brave Man, thy light of glory never 
 
 Shall fade, while song to man shall last ; 
 The Living soon from earth are pass'd, 
 
 ' THE DEAD ENDUES FOE EVEE ! ' ' 
 
 " Since all are mute to mourn and praise 
 
 In Victory's hour, the vanquish'd Man 
 Be mine at least one voice to raise 
 
 For HECTOR," Tydeus' son began : 
 " A Tower before his native town ; 
 
 He stood and fell as fall the brave. 
 The conqueror wins the brighter crown, 
 
 The conquer'd has the nobler grave ! 
 
 * Need we say to the general reader, that allusion is here made to tho 
 strife between Ajax and Ulysse.~, which has furnished a subject to the Greek 
 tragic poet, who has depicted, more strikingly than any historian, that 
 intense emulation for glory, and that mortal agony in defeat, which con- 
 stituted the main secret of the prodigious energy of the Greek character? 
 The Tragic poet, in taking his hero from the Homeric age, endowed him 
 with the feeling-s of the Athenian republicans he addressed. 
 
 t Neoptolemua, the son of Achille*.
 
 106 POEMS AND BALLADS OF SCHILLER. 
 
 He who brave life shall bravely close, 
 For Home and Hearth, and Altar slain, 
 If monrn'd by Friends, shall glory gain 
 
 Out of the lips of Foes ! " 
 
 Lo, Nestor now, whose stately age 
 
 Through threefold lives of mortals lives ! 
 The laurel'd bowl, the kingly sage 
 
 To Hector's tearful mother gives. 
 "Drink in the draught new strength is glowing, 
 
 The grief it bathes forgets the smart ! 
 Bacchus ! wond'rous boons bestowing, 
 
 Oh how thy balsam heals the heart ! 
 
 Drink in the draught new vigour gloweth, 
 The grief it bathes forgets the smart 
 And balsam to the breaking heart, 
 
 The healing god bestoweth. 
 
 " As Niobe, when weeping mute, 
 
 To angry gods the scorn and prey, 
 But tasted of the charmed fruit, 
 
 And cast despair itself away ; 
 So, while unto thy lips, its shore, 
 
 This stream of life enchanted flows, 
 Remember'd grief, that stung before, 
 
 Sinks down to Lethe's calm repose. 
 
 So, while unto thy lips, its shore, 
 
 The stream of life enchanted flows 
 Drown'd deep in Lethe's calm repose, 
 
 The grief that stung before ! " 
 
 Seized by the god, behold the dark 
 
 And dreaming prophetess arise, 
 She gazes from the lofty Bark 
 
 Where Home's dim vapours wrap the skies 
 " A vapour all of human birth 
 
 Like mists ascending, seen and gone, 
 So fade Earth's great ones from the Earth 
 
 And leave the changeless gods alone. 
 
 Behind the steed that skirs away ; 
 And on the galley's deck sits Care, 
 To-morrow comes, and we are where ? 
 
 At least we'll live to-day ! "
 
 THE CRANES OF IBYCUS. 107 
 
 THE CRANES OF IBYCUS. 
 
 FROM Rhegium to the Isthmus, long 
 Hallov'd to steeds and glorious song, 
 "Whore, link'd awhile in holy peace, 
 Meet all the sons of martial Greece 
 Wends Ibycus whose lips the sweet 
 
 And ever-young Apollo fires ; 
 The staff supports the wanderer's feet 
 
 The Grod the Poet's soul inspires ! 
 
 Soon from the mountain-ridges high, 
 The tower-crown'd Corinth greets his eye; 
 In Neptune's groves of darksome pine, 
 He treads with shuddering awe divine ; 
 Nought lives around him, save a swarm 
 
 Of CRANES, that still pursued his way 
 Lured by the South, they wheel and form 
 
 In ominous groups their wild array. 
 
 And <: Hail ! beloved Birds ! " he cried ; 
 "My comrades on the ocean tide, 
 Sure signs of good ye bode to me ; 
 Our lots alike would seem to be ; 
 From far, together borne, we greet 
 
 A shelter now from toil and danger ; 
 And may the friendly hearts we meet 
 
 Preserve from every ill the Stranger ! " 
 
 His step more light, his heart more gay, 
 Along the mid-wood winds his way, 
 When, where the path the thickets close, 
 Burst sudden forth two ruffian foes ; 
 Now strife to strife, and foot to foot ! 
 
 Ah ! weary sinks the gentle hand ; 
 The gentle hand that wakes the lute 
 
 Has learn'd no lore that guides the brand. 
 
 He calls on men and Gods in vain ! 
 His cries no blest deliverer gain ; 
 Feebler and fainter grows the sound, 
 And still the deaf life slumbers round
 
 108 POEMS AND BALLADS OF SCHILLER. 
 
 " In the far land I fall forsaken, 
 
 Unwept and unregarded, here ; 
 By death from caitiff hands o'ertaken, 
 
 Nor ev'n one late avenger near ! " 
 
 Down to the earth the death-stroke bore him 
 Hark, where the Cranes wheel dismal o'er him ! 
 He hears, as darkness veils his eyes, 
 Near, in hoarse croak, their dirgelike cries. 
 " Ye whose wild wings above me hover, 
 
 (Since never voice, save yours alone, 
 The deed can tell) the hand discover 
 
 Avenge ! " He spoke, and life was gone. 
 
 Naked and maim'd the corpse was found 
 And, still through many a mangling wound, 
 The sad Corinthian Host could trace 
 The loved too well-remember'd face. 
 "And must I meet thee thus once more? 
 
 Who hoped with wreaths of holy pine, 
 Bright with new fame the victory o'er 
 
 The Singer's temples to entwine ! " 
 
 And loud lamented every guest 
 Who held the Sea-God's solemn feast 
 As in a single heart prevailing, 
 Throughout all Hellas went the wailing. 
 Wild to the Council Hall they ran 
 
 In thunder rush'd the threat'ning Flood 
 " Revenge shall right the murder'd man, 
 
 The last atonement blood for blood ! " 
 
 Yet 'mid the throng the Isthmus claims, 
 Lured by the Sea- God's glorious games 
 The mighty many-nation'd throng 
 How track the hand that wrought the wrong ? 
 How guess if that dread deed were done, 
 
 By ruffian hands, or secret foes ? 
 He who sees all on earth the SUN 
 
 Alone the gloomy secret knows.
 
 THE CRANES OP IBYCUS. 109 
 
 Perchance lie treads in careless peace, 
 Amidst your Sons, assembled Greece 
 Hears with a smile revenge decreed 
 Gloats with fell joy upon the deed 
 His steps the avenging gods may mock 
 
 Within the very Temple's wall, 
 Or mingle with the crowds that flock 
 
 To yonder solemn scenic * hall. 
 
 Wedg'd close, and serried, swarms the crowd 
 Beneath the weight the walls are bow'd 
 Thitherwards streaming far, and wide, 
 Broad Hellas flows in mingled tide 
 A tide like that which heaves the deep 
 
 When hollow-sounding, shoreward driven ; 
 On, wave on wave, the thousands sweep 
 
 Till arching, row on row, to heaven ! 
 
 The tribes, the nations, who shall name, 
 That guest-like, there assembled came ? 
 From Theseus' town, from Anlis' strand 
 From Phocis, from the Spartans' land 
 From Asia's wave-divided clime, 
 
 The Isles that gem the J3gaean Sea, 
 To hearken on that Stage Sublime, 
 
 The Dark Choir's mournful melody ! 
 
 True to the awful rites of old, 
 In long and measured strides, behold 
 The Chorus from the hinder ground, 
 Pace the vast circle's solemn round. 
 So this World's women never strode, 
 
 Their race from Mortals ne'er began, 
 Gigantic, from their grim abode, 
 
 They tower above the Sons of Man ! 
 
 Across their loins the dark robe clinging, 
 In fleshless hands the torches swinging, 
 Now to and fro, with dark red glow 
 No blood that lives the dead cheeks know ! 
 
 * The theatre.
 
 110 POEMS AND BALLADS OF SCHILLER. 
 
 Where floiv the locks that woo to love 
 On human temples ghastly dwell 
 
 The serpents, coil'd the brow above, 
 And the green asps with poison swell. 
 
 Tims circling, horrible, with i a 
 That space doth their dark hymn begin, 
 And round the sinner as they go, 
 Cleave to the heart their words of woe. 
 Dismally wails, the senses chilling, 
 
 The hymn the FURIES' solemn song ; 
 And froze the very marrow thrilling 
 
 As roll'd the gloomy sounds along. 
 
 " And weal to him from crime secure 
 Who keeps his soul as childhood's pure ; 
 Life's path he roves, a wanderer free 
 We near him not THE AVENGERS, WE ! 
 But woe to him for whom we weave 
 
 The doom for deeds that shun the light : 
 Fast to the murderer's feet we cleave, 
 
 The fearful Daughters of the Night. 
 
 " And deems he flight from us can hide him ? 
 Still on dark wings We sail beside him ! 
 The murderer's feet the snare enthralls 
 Or soon or late, to earth he falls ! 
 Untiring, hounding on, we go ; 
 
 For blood can no remorse atone ! 
 On, ever to the Shades below, 
 
 And there we grasp him, still our own ! " 
 
 So singing, their slow dance they wreathe, 
 And stillness, like a silent death, 
 Heavily there lay cold and drear, 
 As if the Godhead's self were near. 
 Then, true to those strange rites of old, 
 
 Pacing the circle's solemn round, 
 In long and measured strides behold, 
 
 They vanish in the hinder ground !
 
 THE CRANES OP IBYCUS. Ill 
 
 Confused and doubtful half between 
 The solemn truth and phantom scene, 
 The crowd revere the Power, presiding 
 O'er secret deeps, to justice guiding 
 The Unfathom'd and Inscrutable 
 
 By whom the web of doom is spun ; 
 Whose shadows in the deep heart dwell, 
 
 Whose form is seen not in the sun ! 
 
 Just then, amidst the highest tier, 
 Breaks forth a voice that starts the ear ; 
 " See there see there, Timotheus ; 
 Behold the Cranes of Ibycns ! " 
 A sudden darkness wraps the sky ; 
 
 Above the roofless building hover 
 Dusk, swarming wings ; and heavily 
 
 Sweep the slow Cranes hoarse-murmuring, over! 
 
 " Of Ibycus ? " that name so dear 
 
 Thrills through the hearts of those who hear ! 
 
 Like wave on wave in eager seas, 
 
 From mouth to mouth the murmur flees 
 
 " Of Ibycus, whom we bewail ? 
 
 The murder'd one ! What mean those words ? 
 Who is the man knows lie the tale ? 
 
 Why link that name with those wild birds ? " 
 
 Questions on questions louder press 
 Like lightning flies the inspiring guess 
 Leaps every heart " The truth we seize ; 
 Tour might is here, EUMENIDES ! 
 The murderer yields himself confest 
 
 Vengeance is near that voice the token 
 Ho ! him who yonder spoke, arrest ! 
 
 And him to whom the words were spoken ! " 
 
 Scarce had the wretch the words let fall, 
 Than fain their sense he would recall. 
 In vain ; those whitening lips, behold ! 
 The secret have already told.
 
 112 POEMS AND BALLADS OF SCHILLER. 
 
 Into their Judgment Court sublime 
 
 The Scene is changed ; their doom is seal'd! 
 
 Behold the dark unwitness'd Crime, 
 Struck by the light'ning that reveal'd ! 
 
 The principal sources whence Schiller has taken the story of Ibycug 
 (which was well known to the ancients, and indeed gave rise to a proverb) 
 tire Suidas and Plutarch. Ibycus is said by some to have been the Inventor 
 of the Sumbura or triangular Cithera. We must observe, however (though 
 erudite investigation on such a subject were misplaced here), that Athenaeus 
 and Strabo consider the Sambucti to have originated with the Syrians, and 
 this supposition is rendered the more probable by the similarity of the 
 Greek word with the Hebrew, which in our received translation of the Bible 
 is rendered by the word Sackbut. The tale, in its leading incidents, is told 
 very faithfully by Schiller: it is the moral, or interior meaning, which he 
 has heightened and idealised. Plutarch is contented to draw from the story 
 a moral against loquacity. " It was not," says he, "the Cranes that be- 
 trayed the murderers, but their own garrulity." With Schiller the garrulity 
 is produced by the surprise of the Conscience, which has been awakened by 
 the Apparition and Song of the Furies. His own conceptions as to the 
 effect he desired to create are admirable. " It is not precisely that the 
 H\mnof tho Furies" (remarks the poet) " has roused the remorse of the 
 murderer, whose exclamation betrays himself and his accomplice ; that was 
 not my meaning but it has reminded him of his deed : his sense is struck 
 with it. In this moment the appearance of the Cranes must take him by 
 surprise ; he is a rude, dull churl, over whom the impulse of the moment has 
 all power. His loud exclamation is natural in such circumstances." " That 
 he feels no great remorse, in this thoughtless exclamation, is evident by the 
 quick, snappish nature of it : ' See there, see there ! ' &c." " In any other 
 ptate of mind," observes Hofrrneister, " perhaps the Audience might not have 
 attended to this ejaculation but at that moment of deep inward emotion, 
 produced by the representation of the fearful Goddesses, and an excited 
 belief in their might, the name of the newly-murdered man must have 
 struck them as the very voice of Fate, in which the speaker betrayed him- 
 self." In fact the poem is an illustration of Schiller's own lines in " The 
 Artists," written eight years before : 
 
 " Here secret Murder, pale and shuddering, sees 
 Sweep o'er the stage the stern Eumenides ; 
 Owns, where law fails, what powers to art belong, 
 And, screened from justice, finds its doom in song ! " 
 
 In the foregoing ballad POETRY (that is, the Dirge and dramatic repre- 
 sentation of the Furies) acts doubly first on the Murderer, next on the 
 Audience ; it surprises the one into self-betrayal, it prepares in the other 
 that state of mind in which, as by a divine instinct, the quick perception 
 seizes upon the truth. In this double effect is nobly typified the power of 
 Poetry on the individual and on the multitude. Itightly did Schiller 
 resolve to discard from his design whatever might seem to partake of mar- 
 vellous or supernatural interposition. The appearance of the Cranes is 
 purely accidental. . . . Whatever is of diviner agency in the punish- 
 ment of crime is found not in the outer circumstances, but in the heart 
 within the true realm in which the gods work their miracles. As it has 
 been finely said " The bad conscience (in the Criminal) is its own Nemesis, 
 the good conscience in the Many the audience drags at once the bad 
 before its forum and adjudges it." The history of the composition of thii
 
 THE HOSTAGE. 113 
 
 Poem affords an instance of the exquisite art of Goethe, to which it is 
 largely indebted. In the first sketch of the ballad, it was only one Cran- 
 that flew over Ibycus at the time he was murdered, and moreover this wa 
 only mentioned at the end of the piece. But Goethe suggested the en 
 lurgement of this leading incident into " the long and broad pheno- 
 menon" of the swarm of Cranes, corresponding in some degree with the 
 Ion? and ample pageant of the Furies. Schiller at once perceived how not 
 only the truthfulness, but the grandeur, of his picture was heightened by 
 this simple alteration. . . . According to Goethe's suggestions, the 
 swarm of Cranes were now introduced as the companions of Ibycus in his 
 voyage. . . . The fine analogy between the human wanderer and his 
 winged companions, each seeking a foreign land, was dimly outlined. . . . 
 And the generous criticism of the one Poet finally gave its present fulness 
 and beauty to the masterpiece of the other. See Goethe's Correspondence 
 with Schiller. Hoffmeister. Heinrichs, 
 
 THE HOSTAGE. 
 
 A BALLAD. 
 
 THE tyrant Dionys to seek, 
 
 Stern Mcerus with his poniard crept ; 
 The watchful guards upon him swept ; 
 The grim king mark'd his changeless cheek : 
 " What wouldst thou with thy poniard ? Speak ! " 
 " The city from the tyrant free ! " 
 " The death-cross shall thy guerdon be." 
 
 " I am prepared for death, nor pray," 
 Replied that haughty man, " to live ; 
 Enough, if thou one grace will give : 
 
 For three brief suns the death delay 
 
 To wed my sister leagues away ; 
 
 I boast one friend whose life for mine, 
 
 If I should fail the cross, is thine." 
 
 The tyrant mused, and smil'd, and said 
 
 With gloomy craft, " So let it be ; 
 
 Three days I will vouchsafe to thee. 
 But mark if, when the time be sped, 
 Thou fail'st thy surety dies instead. 
 His life shall buy thine own release ; 
 Thy guilt atoned, my wrath shall cease."
 
 POEMS AND BALLADS OF SCHILLER. 
 
 He sought his friend " The king's decree 
 Ordains my life the cross upon 
 Shall pay the deed I would have done ; 
 
 Yet grants three days' delay to me, 
 
 My sister's marriage-rites to see ; 
 
 If thou, the hostage, wilt remain 
 
 Till I set free return again ! " 
 
 His friend embraced No word he said, 
 But silent to the tyrant strode 
 The other went upon his road. 
 
 Ere the third sun in heaven was red, 
 
 The rite was o'er, the sister wed ; 
 
 And back, with anxious heart unquailing, 
 
 He hastes to hold the pledge unfailing. 
 
 Down the great rains unending bore, 
 
 Down from the hills the torrents rush'd, 
 In one broad stream the brooklets gush'd. 
 The wanderer halts beside the shore, 
 The bridge was swept the tides before 
 The shatter'd arches o'er and under 
 Went the tumultuous waves in thunder. 
 
 Dismay'd, he takes his idle stand 
 
 Dismay'd, he strays and shouts around ; 
 His voice awakes no answering sound. 
 
 No boat will leave the sheltering strand, 
 
 To bear him to the wish'd-for land ; 
 
 No boatman will Death's pilot be ; 
 
 The wild stream gathers to a sea ! 
 
 Sunk by the banks, awhile he weeps, 
 Then rais'd his arms to Jove, and cried, 
 " Stay thou, oh stay the madd'ning tide ! 
 Midway behold the swift smi sweeps, 
 And, ere he sinks adown the deeps, 
 It' I should fail, his beams will see 
 My friend's last anguish slain for me ! "
 
 THE HOSTAGE. 115 
 
 More fierce it runs, moro broad it flows, 
 And wave on wave succeeds and dies 
 And hour on hour remorseless flies ; 
 
 Despair at last to daring grows 
 
 Amidst the flood his form he throws ; 
 
 With vigorous arms the roaring waves 
 
 Cleaves and a God that pities, saves. 
 
 He wins the "bank he scours the strand, 
 He thanks the God in breathless prayer ; 
 When from the forest's gloomy lair, 
 
 With ragged club in ruthless hand, 
 
 And breathing murder rush'd the band 
 
 That find, in woods, their savage den, 
 
 And savage prey in -wandering men. 
 
 " What," cried he, pale with generous fear ; 
 
 "What think to gain ye by the strife? 
 
 All I bear with me is my life 
 I take it to the King ! " and here 
 He snatch'd the club from him most near : 
 And thrice he smote, and thrice his blows 
 Dealt death before him fly the foes ! 
 
 The sun is glowing as a brand ; 
 
 And faint before the parching heat, 
 
 The strength forsakes the feeble feet : 
 " Them, has saved me from the robbers' hand, 
 Through wild floods given the blessed laud ; 
 And shall the weak limbs fail me now ? 
 And he Divine one, nerve me, thou ! 
 
 Hark ! like some gracious murmur by, 
 Babbles low music, silver-clear 
 The wanderer holds his breath to hear; 
 And from the rock, before his eye, 
 Laughs forth the spring delightedly ; 
 Now the swet waves he bends him o'er, 
 And the sweet waves his strength restore.
 
 116 POEMS AND BALLADS OF SCHILLER. 
 
 Through the green boughs the sun gleams dying, 
 O'er fields that drink the rosy beam, 
 The trees' huge shadows giant seem. 
 Two strangers on the road are hieing ; 
 And as they fleet beside him flying, 
 These mutter'd words his ear dismay : 
 "Now now the cross has claim'd its prey ! " 
 
 Despair his winged path pursues, 
 The anxious terrors hound him on 
 There, redd'ning in the evening sun, 
 From far, the domes of Syracuse ! 
 When towards him comes Philostratus, 
 (His leal and trusty herdsman he,) 
 And to the master bends his knee. 
 
 " Back thou canst aid thy friend no more, 
 The niggard time already flown 
 His life is forfeit save thine own ! 
 Hour after hour in hope he bore, 
 Nor might his soul its faith give o'er ; 
 Nor could the tyrant's scorn deriding, 
 Steal from that faith one thought confiding ! " 
 
 " Too late ! what horror hast thou spoken ! 
 
 Vain life, since it can not requite him ! 
 
 But death with me can yet unite him ; 
 No boast the tyrant's scorn shall make 
 How friend to friend can faith forsake. 
 But from the double-death shall know, 
 That Truth and Love yet live below ! " 
 
 The sun sinks down the gate's in view, 
 The cross lorn ismal on the ground 
 The eager crowd gape murmuring round. 
 
 His friend is bound the cross unto . . . 
 
 Crowd guards all-bursts he breathless through 
 
 " Me ! Doomsman, me ! " he shouts, " alone ! 
 
 His life is rescued lo, mine own ! "
 
 THE COMPLAINT Or CERES. 117 
 
 Amazement seized the circling ring ! 
 
 Link'd in each other's arms the pair 
 
 Weeping for joy yet anguish there ! 
 Moist every eye that gazed : they bring 
 The wond'rous tidings to the king 
 His breast Man's heart at last hath known, 
 And the Friends stand before his throne. 
 
 Long silent, he, and wondering long, 
 Gaz'd on the Pair " In peace depart, 
 Victors, ye have subdued my heart ! 
 
 Truth is no dream ! its power is strong. 
 
 Give grace to Him who owns his wrong ! 
 
 'Tis mine your suppliant now to be, 
 
 Ah, let the band of Love be THREE ! " 
 
 This story, the heroes of which are more popularly known to us under 
 the names 01 Damon and Pythias (or Phintias), Schiller took from Hyginus, 
 in whom the friends are called Mcerus and Selinuntius. Schiller has some- 
 what amplified the incidents in the original, in which the delay of Moerus is 
 occasioned only by the swollen stream the other hindrances are of 
 Schiller's invention. The subject, like "Tin- Ring of Polycrates," does not 
 admit of that rich poetry of description with which our author usually 
 adorns some sing'.e passage in his narratives. The poetic spirit is rathe'r 
 shown in the terse brevity with which picture after picture is not only 
 sketched, but finished and in the great thought at the close. Still it is no't 
 one of Schiller's best ballads. His additions to the original storv are not 
 happy. The incident of the Robbers is commonplace and poor. The delav 
 occasioned by the thirst of .Mcerus is clearly open to Goethe's objection, (an 
 objection showing very nice perception of nature) that extreme thirst was 
 not likely to happen to a man who had lately passed through a stream, on a 
 rainy day, and whose clothes must have been saturated with moisture 
 nor in the traveller's preoccupied state of mind, is it probable that he 
 would have so much felt the mere physical want. With Ic-c^ reason has 
 it been urged by other Critics, that the sudden relenting of the Tyrant is 
 contrary to his character. The Tyrant here has no individual character at 
 all. He is the mere personation of Disbelief in Truth and Love which 
 the spectacle of sublime self-abnegation at once converts. In this idea 
 lies the deep Philosophical Truth, which redeems all the defects of the 
 piece for Poetry, in its highest form, is merely this "Truth made 
 beautiful." 
 
 THE COMPLAINT OF CERES. 
 
 It may be scarcely necessary to treat, however briefly, of the mythological 
 legend on which this exquisite elegy is founded ; yet we venture to do so 
 rather than that the forgetfulness of the reader should militate against 
 his enjoyment of the poem. Proserpine, according to the Homeride (for 
 the story is not without variations), when gathering flowers with the
 
 118 POEMS AND BALLADS OF SCHILLER, 
 
 Ocean Njinphs, is carried off by- Aidoneus, or Pluto. Her mother, Ceres, 
 wanders over the earth for her in vaiu, aud refuses to return to Heaven 
 till her daughter is restored to her. Filially, Jupiter commissions 
 Hermes to persuade Pluto to render up his bride, who rejoins Ceres at 
 Klcusis. Unfortunately she has swallowed a pomegranate seed in the 
 Shades below, and is thus mysteriously doomed to spend one-third of the 
 year with her husband in ILidcs, though for the remainder of the year sin- 
 is permitted to dwell with Ceres ami tie Gods. This is one of the very few 
 mythological fables of Greece which can be safely interpreted into an 
 Allegory. Proserpine denotes the seed corn one-third of the year below thu 
 earth ; two-thirds (that is, dating from the appearance of the ear) above it. 
 Schiller has treated this story with admirable and artistic beauty ; and, by 
 an alteration in its symbolical character, has preserved the pathos of the 
 external narrative, and heightened the beauty of the interior meaning 
 associating the productive principle of the earth with the immortality of the 
 sjul. Proserpine here is not the symbol of the buried seed, hut the buried 
 seed is the symbol of her that is, of the Dead. The exquisite feeling of 
 this p''em consoled Schiller's friend, Sophia La Roche, in her grief for her 
 son's death. 
 
 I. 
 
 DOES pleasant Spring return once more ? 
 
 Does Earth her happy youth regain ? 
 Sweet suns green hills are shining o'er ; 
 
 Soft brooklets burst their icy chain : 
 Upon the blue translucent river 
 
 Laughs down an all-unclouded day, 
 The winged west winds gently quiver, 
 
 The buds are bursting from the spray ; 
 While birds are blithe on every tree ; 
 
 The Oread from the mountain- shore 
 Sighs ' Lo thy flowers come back to thce 
 
 Thy Child, sad Mother, comes no more ! ' 
 
 II. 
 
 Alas ! how long an age it seems 
 
 Since all the Earth I wander'd over, 
 And vainly, Titan, task'd thy beams 
 
 The lov'd the lost one to discover ! 
 Though all may seek yet none can call 
 
 Her tender presence back to me ! 
 The Sun, with eyes detecting all, 
 
 Is blind one vanish'd form to see. 
 Hast thou, Zeus, hast thou away 
 
 From these sad arms my Daughter torn ? 
 Has Pluto, from the realms of Day, 
 
 Enamour'd to dark rivers borne ?
 
 THE COMPLAINT OF CERES. 119 
 
 nr. 
 
 Who to the dismal Phantom- Strand 
 
 The Herald of my Grief will venture ? 
 The Boat for ever leaves the Land, 
 
 But only Shadows there may enter. 
 Veil'd from each holier eye repose 
 
 The realms were Midnight wraps the Dead, 
 And, while the Stygian River flows, 
 
 No living footstep there may tread ! 
 A thousand pathways wind the drear 
 
 Descent ; none upward lead to-day ; 
 No witness to the Mother's ear 
 
 The Daughter's sorrows can betray. 
 
 IV. 
 
 Mothers of happy Human clay 
 
 Can share at least their children's doom ; 
 And when the loved ones pass away, 
 
 Can track can join them in the tomb ! 
 The race alone of Heavenly birth 
 
 Are banish'd from the darksome portals ; 
 The Pates have mercy on the Earth, 
 
 And death is only kind to mortals ! * 
 Oh, plunge me in the Night of Nights, 
 
 From Heaven's ambrosial halls exil'd ! 
 Oh, let the Goddess lose the rights 
 
 That shut the Mother from the Child ! 
 
 v. 
 Where sits the Dark King's joyless bride, 
 
 W'liere midst the Dead her home is made : 
 Oh that my noiseless steps might glide, 
 
 Amidst the shades myself a shade ! 
 I see her eyes, that search thro' tears, 
 
 In vain the golden light to greet ; 
 That yearn for yonder distant spheres, 
 
 That pine the Mother's face to meet ! 
 Till some bright moment shall renew 
 
 The severed Hearts' familiar ties ; 
 And softened pity still in dew, 
 
 Prom Pluto's slow-relenting eyes ! 
 * What a beautiful vindication of the .shortness of human life !
 
 120 POEMS AND BALLADS OF SCHILLER. 
 
 VI. 
 
 Ah, vain the wish, the sorrow are ! 
 
 Calm in the changeless paths above 
 Bolls on the Day- God's golden Car 
 
 Fast are the fix'd decrees of Jove ! 
 Far from the ever gloomy Plain, 
 
 He turns his blissful looks away. 
 Alas ! Night never gives again 
 
 What once it seizes as its prey ! 
 Till over Lethe's sullen swell, 
 
 Aurora's rosy hues shall glow ; 
 And arching thro' the midmost Hell 
 
 Shine forth the lovely Iris-Bow ! 
 
 VII. 
 
 And is there nought of Her; no token 
 
 No pledge from that beloved hand ? 
 To tell how Love remains unbroken, 
 
 How far soever be the land ? 
 Has love no link, no lightest thread, 
 
 The Mother to the Child to bind? 
 Between the Living and the Dead, 
 
 Can Hope no holy compact find ? 
 No ! every bond is not yet riven ; 
 
 We are not yet divided wholly ; 
 To us the eternal Powers have given 
 
 A symbol language, sweet and holy. 
 
 VIII. 
 
 When Spring's fair children pass away, 
 
 When, in the Northwind's icy air, 
 The leaf and flower alike decay, 
 
 And leave the rivell'd branches bare, 
 Then from Vertumnus' lavish horn 
 
 I take Life's seeds to strew below 
 And bid the gold that germs the corn 
 
 An offering to the Styx to go ! 
 Sad in the earth the seeds I lay 
 
 Laid at thy heart, my Child to be 
 The mournful tokens which convey 
 
 My sorrow and my love to Thee !
 
 THE COMPLAINT OF CERES. 121 
 
 IX. 
 
 But, when the Hours, in measured dance, 
 
 The happy smile of Spring restore, 
 Rife in the Sun-god's golden glance 
 
 The buried Dead revive once more ! 
 The germs that perish'd to thine eves, 
 
 Within the cold breast of the earth, 
 Spring up to bloom in gentler skies, 
 
 The brighter for the second birth ! 
 The stem its blossom rears above 
 
 Its roots in Night's dark womb repose 
 The plant but by the equal love 
 
 Of light and darkness fostered grows ! 
 
 x. 
 
 If half with Death the germs may sleep, 
 
 Yet half with Life they share the beams ; 
 My heralds from the dreary deep, 
 
 Soft voices from the solemn streams, 
 Like her, so them, awhile entombs, 
 
 Stern Orcus, in his dismal reign, 
 Yet Spring sends forth their tender blooms 
 
 With such sweet messages again, 
 To tell, how far from light above, 
 
 Where only mournful shadows meet, 
 Memory is still alive to love, 
 
 And still the faithful Heart can beat ! 
 
 XI. 
 
 Joy to ye children of the Field ! 
 
 Whose life each coming year renews, 
 To your sweet caps the Heaven shall yield 
 
 The purest of its nec f ar-dews ! 
 Steep'd in the light's resplendent streams, 
 
 The hues that streak the Iris-Bow 
 Shall trim your blooms as with the beams 
 
 The looks of young Aurora know. 
 The budding life of happy Spring, 
 
 The yellow Autumn's faded leaf, 
 Alike to gentle Hearts shall bring 
 
 The symbols of my joy and grief.
 
 122 POEMS AND BALLADS OP SCHILLER. 
 
 THE ELEUSINIAN FESTIVAL. 
 
 This, originally called the " Burner-Lay," is one of the poem.3 which 
 Schiller has devoted to his favourite subject the Progress of (Society. 
 
 WIND in a garland the ears of gold, 
 
 Azure Cyanes * inwoven be ! 
 Oh how gladly shall eye behold 
 
 The Queen who comes in her majesty. 
 Man with man in communion mixing, 
 
 Taming the wild ones where she went ; 
 Into the peace of the homestead fixing - 
 
 Lawless bosom and shifting tent.f 
 
 II. 
 Darkly hid in cave and cleft 
 
 Shy, the Troglodyte abode; 
 Earth, a waste, was found and left 
 
 Where the wandering Nomad strode: 
 Deadly with the spear and shaft, 
 
 Prowl'd the Hunter through the land ; 
 Woe the Stranger, waves may waft 
 
 On an ever-fatal strand ! 
 
 in. 
 
 Thus was all to Ceres, when 
 
 Searching for her ravish'd child, 
 (No green culture smiling then,) 
 
 O'er the drear coasts bleak and wild, 
 Never shelter did she gain, 
 
 Never friendly threshold trod ; 
 All unbuilded then the Fane, 
 
 All unheeded then the God ! 
 
 * The corn-flowers. 
 
 t "This first strophe," observes Hoffineister, "is opened by the chorus of 
 the whole festive assembly. A smaller chorus, or a single narrator passes 
 then to the recitative, and traces the progress of mankind through 
 Agriculture."
 
 THE ELEUSIXIAX FJ'STIVAI. 
 
 IV. 
 
 Not with golden corn-cars strewed 
 
 Were the ghastly altar-stones ; 
 Bleaching there, and gore-embrucd, 
 
 Lay the unhallow'd Human bor.cs ! , 
 Wide and far, -where'er she roved, 
 
 Still reigned Misery over all ; 
 And her mighty soul was moved 
 
 At Man's universal fall. 
 
 v. 
 
 " What ! can this be Man to whom 
 
 Our own godlike form was given 
 Likeness of the shapes that bloom 
 
 In the Garden-Mount of Heaven ? 
 Was not Earth on Man bestow'd ? 
 
 Earth itself his kingly home ! 
 Roams he thro' his bright abode, 
 
 Homeless wheresoe'er he roam ? 
 
 vr. 
 
 " Will no God vouchsafe to aid ? 
 
 None of the Celestial choir 
 Lift the Demigod we made 
 
 From the slough and from the mire ? 
 No, the grief they ne'er have known, 
 
 Calmly the Celestials scan ! 
 I The Mother I, alone 
 
 Have a heart that feels for Man ! 
 
 yn. 
 
 " Let that Men to Man may soar 
 
 Man and Earth with one another 
 Make a compact evermore 
 
 Man the Son, and Earth the Mother. 
 Let their laws the Seasons show, 
 
 Time itself Man's teacher be ; 
 And the sweet Moon moving slow 
 
 To the starry Melody ! "
 
 124 POEMS AND BALLADS OF SCHILLER. 
 
 vni. 
 Gently brightening from the cloud, 
 
 Round her image, veil-like, thrown ; 
 On the startled savage crowd 
 
 Lo ! the Goddess-glory shone ! 
 Soft, the Goddess- glory stole 
 
 On their War-feast o'er the Dead ; 
 Fierce hands offered her the bowl 
 
 With the blood of foemen red. 
 
 IX. 
 
 Loathing, turned the gentle Queen, 
 
 Loathing, shuddering, turned and said, 
 " Ne'er a Godhead's lips have been 
 
 With the food of tigers fed. 
 Offering pure that ne'er pollutes, 
 
 Be to purer Beings given, 
 Summer flowers and autumn fruits 
 
 Please the Family of Heaven." 
 
 And the wrathful spear she takes 
 
 From the Hunter's savage hand, 
 With the shaft of Murder, breaks 
 
 Into furrows the light sand ; 
 From her spiked wreath she singles 
 
 Out a golden seed of corn, 
 With the earth the germ she mingles, 
 
 And the mighty birth is born ! 
 
 XI. 
 
 Robing now the rugged ground 
 
 Glints the budding lively green, 
 Now a Golden Forest round 
 
 Waves the Mellow Harvest's Sheen ! 
 And the Goddess bless'd the Earth, 
 
 Bade the earliest sheaf be bound 
 Chose the landmark for a hearth, 
 
 And serenely smiling round,
 
 THE ELEUSINIAN FESTIVAL. 125 
 
 XII. 
 
 Spoke in prayer " Father King, 
 
 On thine Ether-Hill divine 
 Take, Zeus, this offering, 
 
 Let it soften Thee to thine ! 
 From thy People's eyes away, 
 
 Roll the vapour coil'd below ; 
 Let the hearts untaught to pray 
 
 Learn the Father-God to know ! " 
 
 xm. 
 
 And his gentle Sister's prayer, 
 
 To the High Olympian came 
 Thundering thro' a cloudless air 
 
 Flashed the consecrating flame ; 
 On the holy sacrifice, 
 
 Bright the wreathed lightning leaps ; 
 And in circles thro' the skies, 
 
 Jove's good-omened Eagle sweeps. 
 
 XIV. 
 
 Low at the feet of the great Queen, low * 
 
 Fall the crowd in a glad devotion ; 
 First then, first the rude souls know 
 
 Human channels of sweet emotion 
 Cast to the Earth is the gory spear, 
 
 Wakened a soft sense blind before ; 
 Hush'd in delight, from her lips they hear 
 
 Mildest accents and wisest lore ! 
 
 xv. 
 
 Thither from their thrones descending, 
 All the Blest ones brightly draw ; 
 
 Sceptred Themis, order- blending, 
 Metes the right and gives the law : t 
 
 * Here the Full chorus chime in again. . . The Art of Husbandry once 
 commenced, the chorus proceed to deduce from it the improvements of all 
 social life. HOFF.MEI.STER. 
 
 f Property begins with the culture of the Earth, Law with Property.
 
 126 POEMS AND BALLADS OF SCHILLER. 
 
 Teaches each one to respect 
 
 What his Neighbour's .landmarks girth , 
 Bids attesting Styx protect 
 
 What tho mortal owns on earth. 
 
 XVI. 
 
 Hither limps the God, whom all* 
 
 Life's inventive Arts obey, 
 Highly skill'd is he to call 
 
 Shape from metal, nse from clay ! 
 Heave the bellows, rings the clamour 
 
 Of the heavy Anvil, now ; 
 Fashion 'd from the Forge- God's hammer 
 
 O'er the Furrow speeds the Plough ! 
 
 XVII. 
 
 And Minerva, towering proudly 
 
 Over all, with lifted spear, 
 Calls in accents ringing loudly 
 
 O'er the millions far and near f 
 Calls the scattered tribes around ; 
 
 Soars the rampart spreads the wall, 
 And the scattered tribes have found 
 
 Bulwark each, and union all ! 
 
 XVIII. 
 
 Forth she leads her lordly train, 
 
 O'er the wide earth ; and where'er 
 Prints her conquering step the plain, 
 
 Springs another Landmark there ! 
 O'er the Hills her empire sweeps ; 
 
 O'er their heights her chain she throws, 
 Stream that thundered to the deeps 
 
 Curb'd in green banks, gently flows. 
 
 XIX. 
 
 Nymph and Oread, all who follow 
 The fleet-footed Forest-Queer, 
 
 O'er the hill, or through tho hollow ; 
 Swinging light their spears are seen. 
 
 * Vulcan. Then follow the technical Art*, 
 f No>v come the Arts of Polity.
 
 THE ELEUSINIAN FESTIVAL. 127 
 
 With a merry clamour trooping, 
 
 With bright axes one and all 
 Round the doomed forest grouping, 
 
 Down the huge pines crackling fall ! 
 
 At the hest of Jove's high daughter, 
 
 Heavy load and groaning raft 
 O'er his green reed-margined Water 
 
 Doth the River Genius waft. 
 In the work, glad hands have found, 
 
 Hour on hour, light-footed, flies, 
 From the rude trunk, smooth and round, 
 
 Till the polish'd mast arise ! 
 
 XXI. 
 
 Up leaps now the Ocean God, 
 
 Riving ribbed Earth asunder ; 
 With his wondrous Trident-rod ; 
 
 And the granite falls in thunder. 
 High he swings the mighty blocks, 
 
 As an Infant swings a ball 
 Help'd by active Hermes, rocks 
 
 Heap'd on rocks construct the wall.* 
 
 XXII. 
 
 Then from golden strings set free 
 
 (Young Apollo's charmed boon) 
 Triple flows the Harmony, 
 
 And the Measure, and the Tune ! 
 With their ninefold symphonies 
 
 There the chiming Muses throng, 
 Stone on stone the walls arise 
 
 To the Choral Music-song, f 
 
 * This refers to the building of Troy. 
 
 t A felicitous allusion to the Walla of Thebes, built according to the 
 fable to the sound of the Muses.
 
 128 POEMS AND BALLADS OF SCHILLER. 
 XXIII. 
 
 By Cybele's cunning hand 
 
 Set the mighty Portals are ; 
 And the huge Lock's safety- band, 
 
 And the force-defying Bar. 
 Swift from those divinest hands 
 
 Does the Wondrous City rise 
 Bright, amidst, the Temple stands 
 
 In the pomp of sacrifice. 
 
 XXIV. 
 
 With a myrtle garland there 
 
 Comes the Queen,* by Gods obey'd, 
 And she leads the Swain most fair 
 
 To the fairest Shepherd-maid ! 
 Venus and her laughing Boy 
 
 Did that earliest pair array ; 
 All the Gods, with gifts of joy 
 
 Bless'd the earliest Marriage Day I 
 
 xxv. 
 
 Thro' the Hospitable Gate 
 
 Flock the City's newborn sons, 
 Marshall' d in harmonious state 
 
 By that choir of Holy ones. 
 At the Altar-shrine of Jove 
 
 High the Priestess Ceres stands 
 Folding, the mute Crowd above, 
 
 Blessed and all-blessing hands ! 
 
 XXVI. 
 
 In the waste the Beast is free, 
 
 And the God rvpon his throne ! 
 Unto each the curb must be 
 
 But the nature each doth own. 
 Tet the Man (betwixt the two) 
 
 Must to man allied, belong ; 
 Only Law and Custom thro' 
 
 Is the Mortal free and strong ! " 
 
 * Juno, the Goddess presiding over marriage.
 
 PARABLES AND RIDDLES. 129 
 
 XXVII. 
 
 Wind in a garland the ears of gold, 
 
 Azure Cjanes inwoven be ; 
 Oh how gladly shall eye behold 
 
 The Queen, who comes in her majesty ! 
 Man to man in communion bringing, 
 
 Hers are the sweets of Home and Hearth, 
 Honour and praise, and hail her, singing, 
 
 " Hail to the Mother and Queen of Earth ! ' : 
 
 PARABLES AKD RIDDLES. 
 
 FKOM Pearls her lofty bridge she weaves, 
 
 A grey sea arching proudly over ; 
 A moment's toil the work achieves, 
 
 And on the height behold her hover ! 
 Beneath that arch securely go 
 
 The tallest barks that ride the seas, 
 No burthen e'er the bridge may know, 
 
 And as thou seek'st to near it flees ! 
 First with the floods it came, to fade 
 
 As roll'd the waters from the land ; 
 Say where that wondrous arch is made, 
 
 And whose the Artist's mighty hand ? * 
 
 II. 
 
 League after league it Imrrieth thee, 
 
 Yet never quits its place ; 
 It hath no wings wherewith to flee, 
 
 Yet wafts thee over space !" 
 It is the fleetest boat that e'er 
 
 The wildest wanderer bore : 
 As swift as thought itself to bear 
 
 From shore to farthest shore ; 
 'Tis here and there, and everywhere, 
 
 Ere yet a moment's o'er ! f 
 
 * The Rainbow. 
 
 t The Sight, or perhnps Li^lit.
 
 130 POEMS AND BALLADS OF SUHILLER. 
 
 III. 
 
 O'er a mighty pasture go, 
 
 Sheep in thousands, silver-white ; 
 As to-day we see them, so 
 
 ID the oldest grandsire's sight. 
 They drink (never waxing old) 
 
 Life from an unfailing brook ; 
 There's a Shepherd to their fold, 
 
 With a silver-horned crook. 
 From a gate of gold let out, 
 
 Night by night he counts them over ; 
 Wide the field they rove about, 
 
 Never hath he lost a rover ! 
 True the DOG, that helps to lead them, 
 
 One gay RAM in front we see ; 
 What the Flock and who doth heed them, 
 
 Sheep and Shepherd tell to me ! * 
 
 IV. 
 
 There is a Mansion vast and fair, 
 
 That doth on unseen pillars rest ; 
 No Wanderer leaves the portals there, 
 
 Yet each how brief a guest ! 
 The craft by which that mansion rose 
 
 No thought can picture to the soul ; 
 'Tis lighted by a Lamp which throws 
 
 Its stately shimmer through the whole. 
 As crystal clear, it rears aloof 
 The single gem which forms its roof, 
 And never hath the eye survey'd 
 The Master who that Mausionf made. 
 
 v. 
 
 Up and down two buckets ply, 
 
 A single well within ; 
 While the one comes full on high, 
 
 One the deeps must win ; 
 Full or empty, never ending, 
 Rising novr nnd now descending, 
 
 * The Moon and Sturs. 
 
 f The Earth and the Firmament.
 
 PARABLES AND RIDDLES. 131 
 
 Always while you quaff from this, 
 That one lost in the abyss, 
 From that well the waters living 
 Never both together giving.* 
 
 That gentle picture dost thou know, 
 
 Itself its hues and splendour gaining ? 
 Some change each moment can bestow, 
 
 Itself as perfect still remaining ; 
 It lies within the smallest space, 
 
 The smallest framework forms its girth, 
 And yet that picture can embrace 
 
 The mightiest objects known on Earth : 
 Canst thou to me that crystal name 
 
 (No gem can with its worth compare) 
 Which gives all light, and knows no flame ; 
 
 Absorbed is all creation there ! 
 That ring can in itself enclose 
 
 The loveliest hues that light the Heaven, 
 Tet from it light more lovely goes 
 
 Than all which to it can be given ! f 
 
 VII. 
 
 There stands a Building vast and wide, 
 
 Bnilt in eldest times of yore ; 
 Bound it may the Rider ride 
 
 For a hundred days or more ; 
 And however fast he speed, 
 Shall the pile outstrip the steed. 
 Many a hundred years have fled, 
 
 'Gainst it Time and Storm have stiivcn. 
 Stark and strong it rears its head 
 
 Underneath the Vault of Heaven ; 
 Soaring here the clouds to meet, 
 There the ocean laves its feet. 
 
 * Day and Night. It has also been interpreted as Youth ami Age. or 
 Past and Present, 
 t The Eye. 
 
 F 2
 
 13:2 POEMS AND BALLADS OF SCHILLER. 
 
 Not some pageant-pomp to lend 
 
 Vaunting Pride, or flaunting Power, 
 
 But to shield and to defend 
 
 Doth that Mighty Fabric tower. 
 
 Ne'er its like hath Earth survey 'd, 
 
 Tho' a mortal hand hath made !* 
 
 VIII. 
 
 Amidst the Serpent Race is ono 
 
 That Earth did never bear ; 
 In speed and fury there be none 
 
 That can with it compare, 
 "With fearful hiss its prey to grasp 
 
 It darts its dazzling course ; 
 And locks in or.e destroying clasp 
 
 The Horseman and the Horse. 
 It loves the loftiest heights to haunt 
 
 No bolt its prey secures, 
 In vain its mail may Valour vaunt, 
 
 For steel its fury lures ! 
 As slightest straw whirl'd by the wind, 
 
 It snaps the starkest tree ', 
 It can the might of metal grind, 
 
 How hard soe'er it be ! 
 Yet ne'er but once the Monster tries 
 
 The prey it threats to gain,t 
 In its own wrath consumed it dies, 
 
 And while it slays is slain .J 
 
 IX. 
 
 Six Sisters, from a wondrous pair, 
 
 We take our common birth ; 
 Our solemn Mother dark as Care, 
 
 Our Father bright as Mirth, 
 
 * The Wall of China. 
 
 t " Hat x\vei nial nur godroht." For r.ur should be read nit. 
 % Lightning. 
 
 v^ Elack and White. Here Schiller adopts Goethe's theory of colours, and 
 supposes that they are formed from the mixture of Light and Dnrknoss,--
 
 Its several virtue each bcqueatlics : 
 
 'i'ho soften'd shade the merry giar 
 hi endless youth, around you wrcatln 
 
 Our undulating dance ! 
 We slum the darksome hollow cave. 
 
 And bask where tlnyliirlit glow.- ; 
 ' >..; ma_:e life to Xatnre gave 
 
 The soul l;er beauty knows. 
 .!!'.; he messengers of Spring, we lead 
 
 Ker jocund train, we tlee 
 'i lie drear'.* chambers of the 'Ka 1, 
 
 \Viiere life is there are we ! 
 To i lappir.es.s essential tiling-?, 
 
 Where Man enjoys we live 
 Vt'hate'er the Pom;) that blazons kino' 
 
 "i'is ours the pomp to give ! 
 
 What's that, the Poor's most preeiou ^ Friend 
 
 Xor less by kings respected 
 Contrived to pierce, contrived to rend, 
 
 And to the sword connected. 
 It draws no blood, and yet doth wound ; 
 
 Makes rich, but ne'er with, spoil ; 
 It prints, as Earth it wanders round, 
 
 A blessins 1 on the soil. 
 Tho' eldest cities it hath built 
 
 .Hade mightiest kingdoms rise, it 
 Xe'er tired to War, nor roused to guilt : 
 
 Weal to the states that prize it ! f 
 
 XI. 
 
 Tn a Dwelling of stone I conceal, 
 My existence obscure and asleep; 
 
 !>nt forth at the clash of the steel, 
 From my slumber exulting I leap ! 
 
 i.e. .the Children of Niirhl and i) iv. In hi- earlier poem of ''The Artist* 
 tin' ii'jlile iiiKue \vhii-h coiu'ludi-s the Poem i-- taken from the diiierent the 
 lit' Newton. AiToivan^ tj th' 1 funner theory, the C"Kiiirs are six in irinii 
 
 ai-i'ording to the latter, seven. HoFFMEiSTEii. 
 
 The Colours. 
 
 t Tl-.e Plougl#bare.
 
 131. POEMS AND BALLADS OF SCHILLEK. 
 
 At first, all too feeble for strife, 
 
 As a dwarf I appear to thine eye ; 
 A drop could extinguish my life 
 
 But my wings soon expand to the sky ! 
 Let the might of my Sister * afford 
 
 Its aid to those wings when unfurl'd, 
 And I grow to a terrible Lord, 
 
 Whose anger can ravage the world.f 
 
 xn. 
 
 Revolving round a Disk I go, 
 
 One restless journey o'er and over ; 
 The smallest field my wanderings know, 
 
 Thy hands the space could cover : 
 Yet many a thousand miles are past, 
 
 In circling round that field so narrow ; 
 My speed outstrips the swiftest blast 
 
 The strongest bowman's arrow ! J 
 
 XIII. 
 
 It is a Bird whose swiftness flees, 
 
 Fast as an Eagle thro' the Air ; 
 It is a Fish and cleaves the seas, 
 
 Which ne'er a mightier monster bear : 
 It is an Elephant, whose form 
 
 Is crowned with a castle-keep ; 
 And now, all like the spider- worm, 
 
 Spinning its white webs see it creep ! 
 It hath an iron fang ; and where 
 
 That fang is grappled hold doth gain, 
 It roots its rock-like footing there, 
 
 And braves the baffled Hurricane. 
 
 * Viz. : The Air. 1 The Shade en the Dial. 
 
 t Fire. f The Ship.
 
 MIGHT OF cSONG, 135 
 
 THE MIGHT OF SONG. 
 
 In the two Poems "The Might oi Song" and that to which, in the 
 translation, we have given the paraphrastic title "Honour to Woman" 
 (Wiirde der Frauen), are to be found those ideas which are the well-streams 
 of so much of Schiller's noblest inspiration : 1st, An intense and religious 
 conviction of the lofty character and sublime ends of the true poet. 2nd, 
 A clear sense of what is most lovely in woman, and a chivalrous devotion to 
 the virtues of which he regards her as the Personation and Prototype. 
 It is these two articles in his poetical creed, which constitute Schiller so 
 peculiarly the Poet of Gentlemen not the gentlemen of convention, but the 
 gentlemen of nature that Aristocracy of feeling and sentiment which are 
 the flower of the social world ; chivalrously inclined to whatever is most 
 elevated in Art chivalrously inclined to whatever is most tender in emotion. 
 The Nobility of the North, which Tacitus saw in its rude infancy, has 
 found in Schiller not only the voice of its mature greatness, but the Ideal 
 of its great essentials. 
 
 A UA.IX-FLOOD from the Mountain riven, 
 
 It leaps in thunder forth to-day ; 
 Before its rush the crags are driven, 
 
 The oaks uprooted whirl 'd away ! 
 Awed yet in awe all wildly gladd'ning, 
 
 The startled wanderer halts below ; 
 He hears the rock-born waters niadd'ning, 
 
 Nor wits the source from whence they go, 
 So, from their high, mysterious Founts, along, 
 Stream on the silenced world the Waves of Song ! 
 
 Knit with the threads of life, for ever, 
 
 By those dread Powers that weave the woof, 
 Whose art the singer's spell can sever ? 
 
 Whose breast has mail to music proof ? 
 Lo, to the Bard, a wand of wonder 
 
 The Herald * of the Gods has given : 
 He sinks the soul the death-realm under, 
 
 Or lifts it breathless up to heaven 
 Half sport, half earnest, rocking its devotion 
 Upon the tremulous ladder of emotion. 
 
 * Ilermes.
 
 136 POEMS AN1) BALLADS OF SCHILLER. 
 
 As, when in hours the least unclouded 
 
 Portentous, strides upon the scene 
 Some Fate, before from wisdom shrouded, 
 
 And awes the startled souls of Men 
 Before that Stranger from ANOTHER, 
 
 Behold how THIS world's great ones bow 
 Mean joys their idle clamour smother, 
 
 The mask is vanish'd from the brow 
 And from Truth's sudden, solemn flag unfurl'd, 
 Fly all the craven Falsehoods of the World ! 
 
 So, Song like Fate itself is given, 
 
 To scare the idler thoughts away, 
 To raise the Human to the Holy, 
 
 To wake the Spirit from the Clay ! * 
 One with the Gods the Bard : before him 
 
 All things unclean and earthly fly 
 Hush'd are all meaner powers, and o'er him 
 
 The dark fate swoops unharming by ; 
 And while the Soother's magic measures flow, 
 Smooth'd every wrinkle on the brows of AVoe ! 
 
 Even as a child, that, after pining 
 
 For the sweet absent mother hears 
 Her voice and, round her neck entwining 
 
 Young arms, vents all his soul in tears ; 
 So, by harsh Custom far estranged, 
 
 Along the glad and guileless track, 
 To childhood's happy home unchanged, 
 
 The swift song wafts the wanderer back 
 Snatch'd from the cold and formal world, and prcst 
 By the Great Mother to her glowing breast ! 
 
 * This somewhat obscure, but lofty comparison, by which Poctrv is 
 likened to some fate that rouses men from the vulgar littleness of sensual 
 joy, levels all ranks for the moment, and appals conventional falsehoods with 
 unlooked-for truth, Schiller had made, though in rugged and somewhat 
 bombastic prose, many years before, as far back as the first appearance of 
 " The liobbere."
 
 HO:;OU:: TO YTOMAX. 1 
 
 HONOUR TO WOMAN. 
 
 [Literally " Dignity of Women."] 
 
 IToxoUR to "Woman ! To her it is given 
 
 To garden the earth with the roses of HeL.en ! 
 
 All blessed, she linketh the Loves in their choir 
 T:i the veil of the Graces her beauty concealing-. 
 She tends on each altar that's hallow'd to Feeling, 
 
 And keeps ever-living the fire ! 
 
 From the bounds of Truth careering-, 
 
 Man's strong spirit wildly sweeps, 
 With each hasty impulse veering, 
 
 Down to Passion's troubled deeps. 
 And his heart, contentsd never, 
 
 Greeds to grapple with the Far, 
 Chasing his own dream for ever, 
 
 On through many a distant Star ! 
 
 But Woman with looks that can charm and enchain, 
 Lureth back at her beck the wild truant again, 
 
 By the spell of her presence beguiled 
 In the home of the Mother her modest abode, 
 And modest the manners by Nature bestow'd 
 
 On Nature's most exquisite child ! 
 
 Bruised and worn, but fiercely breasting, 
 
 Foe to foe, the angry strife ; 
 Man the Wild One, never resting, 
 
 Roams along the troubled life ; 
 What he planneth, still pursuing ; 
 
 Vainly as the Hydra bleeds, 
 Crest the sever 'd crest renewing 
 
 Wish to wither'd wish succeeds. 
 
 But Woman at peace with all being, reposes, 
 And seeks from the Moment to gather the roses 
 
 Whose sweets to her culture belong. 
 Ah ! richer than he, though his soul reigneth o'er 
 The mighty dominion of Genius and Lore, 
 
 And the infinite Circle of Song.
 
 138 POEMS AND BALLADS OF SCHILLEii 
 
 Strong, and proud, and self-depending. 
 
 Man's cold bosom beats alone ; 
 Heart with heart divinely blending, 
 
 In the love that Gods have known, 
 Souls' sweet interchange of feeling, 
 
 Melting tears he never knows, 
 Each hard sense the hard one steeling, 
 
 Arms against a world of foes. 
 
 Alive, as the wind-harp, how lightly soever 
 If woo'd by the Zephyr, to music will quiver, 
 
 Is Woman to Hope and to Fear ; 
 Ah, tender one ! still at the shadow of grieving, 
 How quiver the chords how thy bosom is heaving 
 
 How trembles thy glance through the tear ! 
 
 Man's dominion, war and labour ; 
 
 Might to right the Statute gave ; 
 Laws are in the Scythian's sabre ; 
 
 Where the Mede reign'd see the Slave ! 
 Peace and Meekness grimly routing, 
 
 Prowls the War-lust, rude and wild ; 
 Eris rages, hoarsely shouting, 
 
 Where the vanish'd Graces smiled. 
 
 But Woman, the Soft One, persuasively prayeth 
 Of the life * that she channeth, the sceptre she swayeth ; 
 
 She lulls, as she looks from above, 
 The Discord whose Hell for its victims is gaping, 
 And blending awhile the for-ever escaping, 
 
 Whispers Hate to the Image of Love ! 
 
 THE WORDS OF BELIEF. 
 
 THREE Words will I name thee around and about, 
 From the lip to the lip, full of meaning, they flee ; 
 
 But they had not their birth in the being without, 
 And the heart, not the lip, must their oracle be ! 
 
 And all worth in the man shall for ever be o'er 
 
 When in those Three Words he believes no more. 
 
 * Literally, " the Manners." The French word mceurs corresponds best 
 with the German.
 
 0?HE WOEDS OF ERROR. 139 
 
 Man is made FKEE ! Man, by birthright is free, 
 
 Though the tyrant may deem him but born lor his 
 tool. 
 
 Whatever the shout of the rabble may be 
 Whatever the ranting misuse of the fool 
 
 Still fear not the Slave, when he breaks from his chain, 
 
 For the Man made a Freeman grows safe in his gain. 
 
 And VIRTUE is more than a shade or a sound, 
 And Man may her voice, in this being, obey ; 
 
 And though ever he slip on the stony ground, 
 Yet ever again to the godlike way, 
 
 To the science of Good though the Wise may be blind, 
 
 Yet the practice is plain to the childlike mind. 
 
 And a GOD there is ! over Space, over Time, 
 
 While the Human Will rocks, like a reed, to and fro, 
 
 Lives the Will of the Holy A Purpose Sublime, 
 A Thought woven over creation below ; 
 
 Changing and shifting the All we inherit, 
 
 But changeless through all One Immutable Spirit ! 
 
 Hold fast the Three Words of Belief though about 
 From the lip to the lip, full of meaning, they flee ; 
 
 Yet they take not their birth from the being without 
 But a voice from within must their oracle be ; 
 
 And never all worth in the Man can be o'er, 
 
 Till in those Three Words he believes no more. 
 
 THE WORDS OF ERROR. 
 
 THREE Errors there are, that for ever are found 
 On the lips of the good, on the lips of the best ; 
 
 But empty their meaning and hollow their sound 
 And slight is the comfort they bring to the breast. 
 
 The fruits of existence escape from the clasp 
 
 Of the seeker who strives but those shadows to grasp 
 
 So long as Man dreams of some Age in this life 
 
 When the Right and the Good will all evil subdue ; 
 
 For the Right and the Good lead us ever to strife, 
 And wherever they lead us, the Fiend will pursue.
 
 110 POEMS AND BALLADS OF SCHILLER. 
 
 And (till from the earth borne, and stifled at lengtli) 
 The earth that he touches still gifts him with strength ' 
 
 So long as Man fancies that Fortune will live, 
 Like a bride Avith her lover, united with Worth ; 
 
 For her favours, alas ! to the mean, she will give 
 And Virtue possesses no title to earth ! 
 
 That Foreigner wanders to regions afar, 
 
 Where the lands of her birthright immortally are ! 
 
 So long as Man dreams that, to mortals a gift, 
 The Truth in her fulness of splendour -will shine ; 
 
 The veil of the goddess no earth-born may lift, 
 And all we can learn, is to guess and divine ! 
 
 Dost thou seek, in a dogma, to prison her form ? 
 
 The spirit flies forth on the wings of the storm ! 
 
 0, Noble Soul ! fly from delusions like these, 
 More heavenly belief be it thine to adore ; 
 
 Where the Ear never hearkens, the Eye never sees, 
 Meet the rivers of Beauty and Truth evermore ! 
 
 Not without thee the streams there the Dull seek them ; 
 No! 
 
 Look within thee behold both the fount and the flow ! 
 
 THE MERCHANT. 
 
 WHERE sails the ship ? It leads the Tyriau forth 
 
 For the rich amber of the liberal North. 
 
 Be kind ye seas winds lend your gentlest wing, 
 
 May in each creek, sweet wells restoring spring ! 
 
 To you, ye gods, belong the Merchant ! o'er 
 
 The waves, his sails the wide world's goods explore ; 
 
 And, all the while, wherever waft the gales, 
 
 The wide world's good sails with him as he sails ! 
 
 * This simile is nobly conceived, but expressed somewhat obscurely. As 
 Hercules contended in vain against Antous, the Sou of Earth, so long as 
 the Earth gave her giant offspring new strength in every fall, so the soul 
 contends in vain with evil the natural earth-born enemy, while the very 
 contact of the earth invigorates the enemy for the struggle. And as Antu m 
 ':is slain at last, when Hercules lifted him from, the earth, and strangled 
 him wliile raised aloft, s-o can the soul slay the enemy (the desire, the pas- 
 sion, the evil, the earth' < o'lipring), when bearing it from earth itself, and 
 stilling it in the higher uir.
 
 THE WALK. 141 
 
 BY no kind Augustus reared, 
 To no Medici endeared, 
 
 German Art arose ; 
 Fostering glory smil'd not on her, 
 Ne'er with kingly smiles to sun her, 
 
 Did her blooms unclose. 
 
 No, she went by Monarchs slighted 
 Went unhonoured, unrequited, 
 
 From high Frederick's throne ; 
 Praise and Pride be all the greater, 
 That Man's genius did create her, 
 
 From Man's worth alone. 
 
 Therefore, all from loftier mountains, 
 Purer wells and richer Fountains, 
 
 Streams our Poet- Art ; 
 So no rule to curb its rushing 
 All the fuller flows it gushing 
 
 From its deep The Heart ! 
 
 THE WALK. 
 
 This (excepting only "The Artists," written some years before) is tha 
 most elaborate of those Poems which, classed under the name of Culture- 
 Historic, Schiller has devoted to the Progress of Civilisation. Schiller him- 
 self esteemed it amongst the greatest of the Poems he had thitherto pro- 
 duced and his friends, from Goethe to Humboldt, however divided in 
 opinion as to the relative merit of his other pieces, agreed in extolling thi-s 
 one. It must lie observed, however, that Schiller had not then composed 
 the narrative poems, which bear the name of Ballads, and which are con- 
 fessedly of a yet higher order inasmuch as the Narrative, in itself, 
 demands much higher merits than the Didactic.* It is also reasonably to 
 be objected to all Schiller's Poems of this Culture-Historic School (may wo 
 be pardoned the use of the German Barbarism), that the leading idea of 
 the Progress of Civilisation, however varied as to form in each, is essentially 
 repeated in all. Nor can we omit this occasion of inculcating one critical 
 Doctrine, which seems to us highly important, and to which the theories of 
 Schiller's intimate and over-refining friend, William Von ifumboldt, were 
 strongly opposed. The object of Poetry, differing essentially from that of 
 abstract wisdom, is not directly to address the lleasoning faculty but 
 
 * Schiller perhaps disclaimed the title of Didactic for this Poem, as for 
 The Artists" yet Didactic both Poems unquestionably are.
 
 142 POEMS AND BALLADS OF SCHILLER. 
 
 insensibly to rouse it through the popular medium of the emotions. Science 
 aims at Truth, and through Truth may arrive at Beauty. Poetry or Art 
 aims at Beauty, and through Beauty it cannot fail to arrive at Truth. The 
 fault of "The Walk," of "The Artists," more than all of "The Idea] 
 and tho Actual Life," not to specify some other Poems, less elaborately 
 scholastic is, that they strain too much the faculty with which Poetry has 
 least to do, viz., the mere Reason. Poetry ought, it is true, to bear aloft 
 and to sustain the mind in a state of elevation but through the sentiment 
 or the passion. It fails in something when it demands a high degree of 
 philosophy or knowledge in the reader to admire nay to comprehend it. It 
 ought not to ask a prepared Audience, but to raise any audience it may 
 address. Milton takes the sublimest theme he can find he adorns it with 
 all his stately genius, and his multiform learning ; but, except in two or 
 three passages (which are really defects in his great whole), he contrives to 
 keep within reach of very ordinary understandings. Because the Poet is 
 wise, he is not for that reason to demand wisdom from his readers. In the 
 Poem of "The Walk," it is only after repeated readings that we can arrive 
 at what seems to us its great and distinctive purpose apart from the mere 
 recital of the changes of the Social State. According to our notion, the 
 purpose is this the intimate and necessary connexion between Man and 
 .Nature the Social State and the Natural. The Poet commences with the 
 actual Landscape, he describes the scenery of his walk: Rural Life, viz. 
 Nature in the Fields suggests to him the picture of the Early Pelasgian or 
 Agricultural life Nature is then the Companion of Man. A sudden turn 
 in the Landscape shows him the popular avenues which in Germany conduct 
 to cities. He beholds the domes and towers of the distant Town and this 
 suggests to him the alteration from the rural life to the civic still Nature 
 is his guide. But in cities Man has ceased to be the companion of Nature 
 he has become her JRuler (der Herrscher). In this altered condition the 
 Poet depicts the growth of Civilisation, till he arrives at the Invention of 
 Printing. Light then breaks upon the Blind Man desires not only to be 
 Lord of Nature, but to dispense with her. " Instead of Necessity and 
 Nature he would appoint Liberty and lleason." Reason shouts for Liberty 
 so do the Passions, and both burst from the wholesome control of Nature. 
 He then reviews the corruption of Civilisation under the old French 
 Regime ; he likens Man, breaking from this denaturalised state, to the tiger 
 escaping from its den into the wilderness ; and suggests the great truth, that 
 it is only by a return to Nature, that he can regain his true liberty and re- 
 demption. Not, indeed (as Hoffmeister truly observes), the savage Nature 
 to which Rousseau would reduce Man that, Schiller was too wise to dream 
 of and too virtuous to desire; but that Nature which has not more its 
 generous liberty than its holy laws that Nature which is but the word for 
 Law God's Law. He would not lead Man back to Nature in its infancy, 
 but advance him to Nature in its perfection. The moral Liberty of a well- 
 ordered condition of society is as different from the physical liberty lusted 
 
 us gencr 
 
 from a dream, to find himself individually alone with Nature, and concludes, 
 in some of the happiest lines he ever wrote, by insisting on that eternal 
 youthfulncss of Nature, which links itself with its companion Poetry. 
 " The Sun of Homer smiles upon us still." In the original German, the 
 Poem is composed in the long rhyrneless metre, which no one has succeeded, 
 or can succeed, in rendering into English melody. But happily, the true 
 beauty of the composition, like most of Schiller's (unlike most of Goethe's), 
 is independent of form : consisting of ideas, not easily deprived of their 
 effect, into what mould soever they may be thrown. ... In the above
 
 THE WALK. Ho 
 
 remarks we have sought to remove the only drawback the general redder 
 may find, to the pleasure to be derived from the Poem in the original 
 to lighten the weight upon his intellect, and define the purpose of the 
 design. As to execution, even in translation, the sense of beauty must 
 be dull in those who cannot perceive the exquisite merits of the prelimin- 
 ary description the rapid vigour with which what Herder called "the 
 World of Scenes," sliifts and shimmers, and the grand divisions of Human 
 History are seized and outlined and the noble reflections which, after 
 losing himself in the large interests of the multitude, Solitude forces upon 
 the Poet at the close. 
 
 HAIL, mine own hill ye brighfc'ning hill- tops, hail ! 
 
 Hail, sun, that gild'st them with thy looks of love ! 
 
 Sweet fields ! ye lindens, murmuring to the gale ! 
 
 And ye gay choristers the boughs above ! 
 
 And thou, the Blue Immeasurable CALM, 
 
 O'er mount and forest, motionless and bright. 
 
 Thine airs breathe through me their reviving balm, 
 
 And the heart strengthens as it drinks thy light ! 
 
 Thou gracious Heaven ! man's prison-home I flee 
 
 Loosed from the babbling world, my soul leaps up to thee ! 
 
 Flowers of all hue are struggling into glow, 
 Along the blooming fields ; yet their sweet strife 
 Melts into one harmonious concord. Lo, 
 The path allures me through the pastoral green, 
 And the wide world of fields ! The labouring bee 
 Hums round me ; and on hesitating wing 
 O'er beds of purple clover quiveringly 
 Hovers the butterfly. Save these, all life 
 Sleeps in the glowing sunlight's steady sheen 
 Ev'n from the west, no breeze the lull'd airs bring. 
 Hark in the calm aloft, I hear the skylark sing ! 
 
 The thicket rustles near the aiders bow 
 Down their green coronals and as I pass, 
 Waves, in the rising wind, the silvering grass. 
 Come, day's ambrosial night ! receive me now 
 Beneath the roof by shadowy beeches made, 
 Cool-breathing ! Lost the gentler landscape's bloom ! 
 And as the path mounts, snake-like, through the shade 
 Deep woods close round me with mysterious gloom ; 
 Still, through the trellice-leaves, at stolen whiles, 
 Glints the stray beam, or the meek azure smiles. 
 Again, and yet again, the veil is riven
 
 344 PO;:MS AND BALTADS OF SCHILLER. 
 
 And the glado opening, with a sudden glare, 
 Lets in the blinding day ! Before me, heaven 
 With aK its Far- Unbounded ! one bine hill 
 Ending tho gradual world in vapour ! 
 
 Where 
 
 I stand upon the monntiin-snmmit, lo, 
 As sink its sides precipitous before me, 
 The stream's smooth waves in flying crystal flow 
 Through the calm vale beneath. Wide Ether o'er me 
 Beneath, alike, wide Ether endless still ! 
 Dizzy, I gaze alofb shuddering, I look below ' 
 A railed path betwixt the eternal height 
 And the eternal deep allures me on. 
 Still, as I pass all laughing in delight, 
 The rich shores glide along ; and in glad toil, 
 Glories the pranksomc vale with variegated soil. 
 Each feature that divides what labour's son 
 Claims for his portion from his labouring brother ; 
 Broidering the veil wrought by the Mighty Mother.* 
 Hedge-row and bound those friendly scrolls of law, 
 LAW, Man's sole guardian ever since the time 
 When the old Brazen A.ge, in sadness saw 
 Love fly the world ! 
 
 Now, through the harmonious meads, 
 One glimmering path, or lost in forests, leads, 
 Or up the winding hill doth labouring climb 
 The highway link of lands dissever'd glide 
 The quiet rafts adown the placid tide ; 
 And through the lively fields, heard faintly, goes 
 The many sheep-bells' music arid the song 
 Of the lone herdsman, from its vex'd repose, 
 Rouses the gentle echo ! Calm, along 
 The stream, gay hamlets crown the pastoral scone, 
 Or peep through distant glades, or from the hill 
 Hang dizzy down ! Man and the soil serene 
 Dwell neighbour-like together and the still 
 Meadow sleeps peaceful round the rural door 
 And, all-familiar, wreathes and clusters o'er 
 The lowly casement, the green bough's embrace, 
 As with a loving arm, clasping the gentle place ! 
 
 * Demeter.
 
 THE WALK. 145 
 
 happy People of the Fields, not yet 
 NVaken'd to freedom from the gentle will 
 Or the wild Nature, still content to share 
 \Vith your own fields earth's elementary law ! 
 Calm harvests to calm hopes the boundary set, 
 And peaceful as your daily labour, there, 
 Creep on your careless lives ! * 
 
 But ah ! what steals 
 
 Between me and the scenes I lately saw 
 A stranger spirit a strange world reveals, 
 A world with method, ranks, and orders rife 
 And rends the simple unity of life. 
 The vista'd Poplars in their long array 
 The measured pomp of social forms betray. 
 That stately train proclaims the Ruler nigh ; 
 And now the bright domes glitter to the sky, 
 And now from out the rocky kernel flowers 
 The haughty CITY, with its thousand towers ! 
 Yet though the Fauns f back to their wilds have flown, 
 Devotion lends them loftier life in stone. 
 Man with his fellow-man more closely bound 
 The world without begirts and cramps him round ; 
 But in that world within the widening soul, 
 The unpausing wheels in swifter orbits roll. 
 See how the iron powers of thoughtful skill 
 Are shaped and quicken'd by the fire of strife ; 
 Through contest great through union greater still. 
 To thousand hands a single soul gives life 
 Tn thousand breasts a single heart is beating 
 Beats for the country of the common cause 
 Heats for the old hereditary laws 
 The earth itself made dearer by the dead 
 And by the gods (whom mortal steps are meeting), 
 ( 'ome from their heaven, large gifts on men to shed. 
 Ceres, the plough the anchor, Mercury 
 Bncehns, the grape the Sovereign of the sea, 
 
 * Here tlic Poet (after a slight and passing association of Man's more pri- 
 mitive state with the rural landscape before him) catches sight of the dis- 
 tant city; and, proceeding to idealise what he thus surveys, brings before 
 the reader, in a series of striking and rapid images, the progressive changes 
 of Civilisation. See PUKLIMIXAHY REMARKS. 
 
 t The Fauns here are meant generally to denote all the early rural gods 
 th primitive Deities of Italy.
 
 146 POEMS AND BALLADS 0* SCHILLEll. 
 
 The horse ; the olive brings the Blue-eyed Maid 
 While towcr'd Cybele yokes her lion- car, 
 Entering in peace the hospitable gate 
 A Goddess-Citizen ! 
 
 All-blest ye are, 
 
 Ye Solemn. Monuments ! ye men and times 
 That did from shore to shore, and state to state, 
 Transplant the beauty of humanity ! 
 Forth send far islands, from the gentler climes, 
 Their goodly freight the manners and the arts. 
 In simple courts the Patriarchal Wise 
 By social Gates adjudge the unpurchased right.* 
 To deathless fields the ardent hero flies, 
 To guard the hearths that sanctify the fight ; 
 And women from the walls, with anxious hearts 
 Beating beneath the infants nestled there, 
 Watch the devoted band, till from their eyes, 
 In the far space, the steel-clad pageant dies 
 Then, falling by the altars, pour the prayer, 
 Fit for the gods to hear that worth may earn 
 The fame which crowns brave souls that conqiier, and 
 
 return ! 
 
 And fame was yours and conquest ! yet alone 
 Fame and not life return'd : your deeds are known 
 In words that kindle glory from the stone. 
 " Tell Sparta, we, whose record meets thine eye, 
 Obey'd the Spartan laws and here we lie ! " f 
 Sleep soft ! your blood bedews the Olive's bloom, 
 Peace sows its harvests in the Patriot's tomb, 
 And Trade's great intercourse at once is known 
 Where Freedom, guards what Labour makes its own. 
 The azure River- God his watery fields 
 Lends to the raft ; her home the Dryad yields. 
 Down falls the huge oak with a thunder-groan ; 
 Wing'd by the lever soars the quickening stone ; 
 Up from the shaft the diving Miner brings 
 The metal-mass with which the anvil rings, 
 
 * Alluding to the ancient custom of administering Law in the open places 
 near the town gates. 
 
 f Herodotus. The celebrated epitaph on the Spartan tumulus at 
 Thermopylae.
 
 THE WALK. 147 
 
 Anvil and hammer keeping measured time 
 
 As the steel sparkles with each heavy chime : 
 
 The bright web round the dancing spindle gleams ; 
 
 Safe guides the Pilot, through the world of streams, 
 
 The ships that interchange, where'er they roam, 
 
 The wealth of earth the industiy of home ; 
 
 High from, the mast the garland- banner waves, 
 
 The Sail bears life upon the wind it braves ; 
 
 Life grows and multiplies where life resorts, 
 
 Life crowds the Masts life bustles through the Ports, 
 
 And many a language the broad streets within 
 
 Blends on the wondering Ear the Babel and the din. 
 
 And all the harvests of all earth, whate'er 
 
 Hot Afric nurtures in its lurid air, 
 
 Or Araby, the blest one of the Wild, 
 
 Or the Sea's lonely and abandoned child 
 
 Uttermost Thnle, to one mart are borne, 
 
 And the rich plenty brims starr'd Amalthfea's horn. 
 
 The nobler Genius prospers with the rest : 
 Art draws its aliment from Freedom's breast ; 
 Flush'd into life, the pictured Image breaks, 
 Waked by the chisel, Stone takes soul and speaks ! 
 On slender Shafts a Heaven of Art reposes, 
 And all Olympns one bright Dome encloses. 
 Light as aloft we see the Iris spring, 
 Light as the arrow flying from the string, 
 O'er the wide river, rushing to the Deep, 
 The lithe bridge boundeth with its airy leap. 
 
 But all the while, best pleased apart to dwell, 
 Sits musing Science in its noiseless cell ; 
 DraAvs meaning circles, and with patient mind 
 Steals to the Spirit that the whole design'd, 
 Gropes through the Realm of Matter for its Lawa, 
 Leams where the Magnet or repels or draws, 
 Follows the sound along the air, and flies 
 After the lightning through the pathless skies, 
 Seeks through dark Chance's wonder-teeming maze 
 The Guiding Law which regulates and sways, 
 Seeks through the shifting evanescent shows 
 The Central Principle's serene repose.
 
 148 POEMS AND BALLADS OF SCHILLER. 
 
 Now shape and voice the immaterial Thought 
 Takes from th' Invented speaking page sublime ; 
 The Ark which Mind has for its refuge wrought, 
 Its floating Archive down the floods of Time ! 
 Kent from the startled gaze tho veil of Night, 
 O'er old delusions streams the dawning light : 
 Man breaks his bonds ah, blest could he refrain, 
 Free from the curb, to scorn alike the rein ! 
 " Freedom ! " shouts Reason, " Freedom ! " wild Desire 
 And light to Wisdom is to Passion fire. 
 From. Nature's check bui-sts forth one hurtling swarm 
 Ah, snaps the anchor, as descends the storm ! 
 The sea runs mountains vanishes the shore, 
 The mastless wreck drifts endless ocean o'er ; 
 Lost, Faith man's polar Star ! nought seems to rest, 
 The Heart's God, Conscience, darkens from the breast 
 
 Yet first the foulness of the slough discern. 
 From which to Freedom Nature seeks return * 
 Gone Truth from language, and from life, belief; 
 The oath itself rots blighted to a lie, 
 On love's most solemn secrets, on the grief 
 Or joy that knits the Heart's familiar tie 
 Intrudes the Sycophant, and glares the spy. 
 Suspected friendship from the soul is rent, 
 The hungry treason snares the Innocent 
 With rabid slaver, and devouring fangs, 
 Fast on his prey the foul blasphemer hangs 
 Shame from the reason and the heart effac'd, 
 The thought is abject, and the love debas'd : 
 Deceit O Truth, thy holy features steals 
 Watches emotion in its candid course- 
 Betrays what Mirth unconsciously reveals, 
 And desecrates Man's nature at its source ; 
 And yet the Tribune justice can debate 
 And yet the Cot of tranquil Union prate > 
 
 * The two lines in brackets are, after much hesitation, interpolated by the 
 Translator, in order to maintain the sense, otherwise obsciucd, if not" lost, 
 by tho abruptness of the transition. Schiller has already glanced at the 
 French Revolution, but he now goes back to the time preceding- it, nuJ tl.p 
 following lines portray the corruption of the old regime.
 
 THE WALK. 149 
 
 And yet a spectre which, they call the Law, 
 Stands by the Kingly throne, the crowd to awe ! 
 For years for centuries, may the Mummies there, 
 Mock the warm life whose lying shape they wear, 
 Till Nature once more from her sleep awakes 
 Till to the dust the hollow fabric shakes 
 Beneath your hands Avenging Powers sublime, 
 Your heavy iron hands, NECESSITY and TIME ! 
 
 Then, as some Tigress from the grated bar, 
 Bursts sudden, mindful of her Avastes afar, 
 Deep in Numidian glooms Humanity, 
 Fierce in the wrath of wretchedness and crime, 
 Forth from the City's blazing ashes breaks, 
 And the lost Nature it has pined for seeks. 
 Open ye walls and let the prisoner free ! 
 Safe to forsaken fields, back let the wild one flee ! 
 
 But where am I and whither would I stray ? 
 The path is lost the cloud-capt mountain-dome, 
 The rent abysses, to the dizzy sense, 
 Behind, before me ! Far and far away, 
 Garden and hedgerow, the sweet Company 
 Of Fields, familiar speaking of man's home 
 Yea, every trace of man lie hidden from the eye. 
 Only the raw eternal MATTER, whence 
 Life buds, towers round me the grey basalt-stone, 
 Virgin of human art. stands motionless and lone, 
 lloaringly, through the rocky cleft, and under 
 (iiiaii'd roots of trees, the torrent sweeps in thunder 
 Savage the scene, and desolate and bare 
 Lo ' where the eagle, his calm wings unfurl'd, 
 Lone-halting in the solitary air, 
 
 Knits * to the vault of heaven this ball the world ! 
 No plumed wind bears o'er the Da)dal soil 
 One breath of man's desire, and care, and toil. 
 Am I indeed alone, amidst thy charms, 
 Nature clasped once more within thine ai\ns ? 
 
 * Knits KitUpjt. What a sublime image is conveyed in t!...v single 
 word !
 
 130 POEMS AND BALLADS OF SCHILLER. 
 
 I dreamed and wake upon thy heart ! escaped 
 From the dark phantoms which my Fancy shaped ; 
 And sinks each shape of human strife and woe 
 Down with the vapours to the vale below ! 
 
 Purer I take my life from thy pure shrine, 
 Sweet Nature ! gladlier comes again to me 
 The heart and hope of my lost youth divine! 
 Both end and means, eternally our will 
 Varies and changes, and our acts are still 
 The repetitions, multiplied and stale, 
 Of what have been before us. But with THEE 
 One ancient law, that will not wane or fail, 
 Keeps beauty vernal in the bloom of truth ! 
 Ever the same, thou hoardest for the man 
 What to thy hands the infant or the youth 
 Trusted familiar ; and since Time began, 
 Thy breasts have nurtured, with impartial love, 
 The many-changing ages ! 
 
 Look above, 
 
 Around, below ; beneath the self-same blue, 
 Over the self-same green, eternally, 
 (Let man's slight changes wither as they will.) 
 All races which the wide world ever knew, 
 United, wander brother-like ! Ah ! see, 
 THE SUN OF HOMER SMILES UPON us STILL ! 
 
 THE LAY OF THE BELL. 
 
 " Vivos voco Mortuos plango Fulgura frango." * 
 
 FAST, in its prison- walls of earth, 
 
 Awaits the mould of baked clay. 
 Up, comrades, up, and aid the birth 
 
 THE BELL that shall be born to-day ! 
 
 * "I call the living I mourn the Doad I break the Lightning." These 
 words are inscribed on the Great Bell of the Minster of Schaii'hauscn also 
 on that of the Church of Art near Lucerne. There was ail old belief in 
 Switzerland, that the undulation of air, caused by the sound of a Bell, broke 
 the electric fluid of a thunder-cloud.
 
 THE LAY OF THE BELL. 151 
 
 Who would honour obtain, 
 
 With the sweat and the pain, 
 
 The praise that Man gives to the Master must buy ! 
 But the blessing withal must descend from on high ! 
 
 And well an earnest word beseems 
 
 The work the earnest hand prepares ; 
 Its load more light the labonr deems, 
 
 When sweet discourse the labour shares. 
 So let us ponder nor in. vain 
 
 What strength can work when labour wills ; 
 For who would not the fool disdain 
 
 Who ne'er designs what he fulfils ? 
 And well it stamps our Human Race, 
 
 And hence the gift To UNDERSTAND, 
 That Man, within the heart should trace 
 
 Whate'er he fashions with the hand. 
 
 II. 
 
 From the fir the fagot take, 
 
 Keep it, heap it hard and dry, 
 That the gather'd flame may break 
 Through the furnace, wroth and high. 
 When the copper within 
 Seethes and simmers the tin, 
 Pour quick, that the fluid that feeds the Bell 
 May flow in the right course glib and well. 
 
 Deep hid within this nether cell, 
 
 What force with Fire is moulding thus, 
 In yonder airy tower shall dwell, 
 
 And witness wide and far of us ! 
 It shall, iu later days, unfailing, 
 
 Rouse many an ear to rapt emotion ; 
 Its solemn voice with Sorrow wailing, 
 
 Or choral chiming to Devotion. 
 Whatever Fate to Man may bring, 
 
 Whatever weal or woe befall, 
 That metal tongue shall backward ring 
 
 The warning moral drawn from all.
 
 152 POEMS AND BALLADE OF SCHILLER. 
 
 in. 
 
 Sec the silvery bubbles spring ! 
 
 Good ! the mass is melting' now ! 
 Let the salts we duly bring 
 
 Purge the flood, and speed the flow. 
 From the dross and the scum, 
 Pnre, the fusion must come ; 
 For perfect and pure we the metal must keep, 
 That its voice may be perfect, and pui^e, and deep. 
 
 That voice, with merry music rife, 
 
 The cherish'd child shall welcome in ; 
 What time the rosy dreams of life, 
 
 In the first slumber's arms begin. 
 As yet in Time's dark womb nnwarning, 
 
 Repose the days, or foul or fair ; 
 And watchful o'er that golden morning, 
 
 The Mother-Love's untiring care ! 
 And swift the years like arrows fly 
 No more with girls content to play, 
 Bounds the proud Boy upon his way, 
 Storms through loud life's tumultuous pleasures, 
 With pilgrim staff the wide world measures ; 
 And, wearied with the wish to roam, 
 Again seeks, stranger-like, the Father- Home. 
 And, lo, as some sweet vision breaks 
 
 Out from its native morning skies, 
 With rosy shame on downcast cheeks, 
 
 The Virgin stands before his eyes. 
 A nameless longing seizes him ! 
 
 From all his wild companions flown ; 
 Tears, strange till then, his eyes bedim ; 
 
 He wanders all alone. 
 Blushing, he glides where'er she move; 
 
 Her greeting can transport him ; 
 To every mead to deck his love, 
 
 The happy wild flowers court him ! 
 Sweet Hope and tender Longing ye 
 
 The growth of Life's first Age of Gold 
 When the heart, swelling, seems to see 
 
 The gates of heaven unfold !
 
 THE LA\ OF THE BELL. 153 
 
 O Love, the beautiful and brief ! prime, 
 Glory, and verdure, of life's summer time ! 
 
 IV. 
 
 Browning o'er, the pipes are simmering, 
 
 Dip this wand of clay * within ; 
 If like glass the wand be glimmering, 
 Then the casting 1 may begin. 
 Brisk, brisk now, and see 
 If the fusion flow free; 
 
 If (happy and welcome indeed were the sign !) 
 If the hard and the ductile united combine. 
 For still where the strong is betrothed to the weak, 
 And the stern in sweet marriage is blent with the 
 
 meek, 
 
 Kings the concord harmonious, both tender and strong : 
 So be it with tliee, if for ever united, 
 The heart to the heart flows in one, love- delighted ; 
 Illusion is brief, but Repentance is long. 
 
 Lovely, thither are they bringing, 
 
 With her virgin wreath, the Bride ! 
 To the love-feast clearly ringing, 
 
 Tolls the church-bell far and wide ! 
 With that sweetest holyday, 
 
 Must the May of Life depart ; 
 With the cestus loosed away 
 Flies ILLUSION from the heart ! 
 Yet love lingers lonely, 
 
 When Passion is mute, 
 And the blossoms may only 
 
 Give way to the fruit. 
 The Husband must enter 
 ThQ hostile life, 
 With struggle and strife, 
 To plant or to watch, 
 To snare or to snatch, 
 To pray and importune, 
 Must wager and venture 
 
 And hunt down his fortune ! 
 
 * A piece of clay pipe, which becomes vitrified if the metal is suflkieutly 
 heated.
 
 154 POEMS AND BALLADS OF SCHILLER. 
 
 Then flows in a current the gear and the gain, 
 And the garners are fill'd with the gold of the grain. 
 Now a yard to the court, now a wing to the centre ' 
 Within sits Another, 
 
 The thrifty Housewife ; 
 The mild one, the mother 
 
 Her home is her life. 
 In its circle she rules, 
 And the daughters she schools, 
 
 And she cautions the boys, 
 With a bustling command, 
 And a diligent hand 
 
 Employ'd she employs ; 
 Gives order to store, 
 And the much makes the more ; 
 
 Locks the chest and the wardrobe, with lavender smelling, 
 And the hum of the spindle goes quick through tho 
 
 dwelling ; 
 
 And she hoards in the presses, well polish'd and full, 
 The snow of the linen, the shine of the wool ; 
 Blends the sweet with the good, and from care and en- 
 deavour 
 Rests never ! 
 
 Blithe the Master (where the while 
 From his roof he sees them smile) 
 
 Eyes the lands, and counts the gain ; 
 There, the beams projecting far, 
 And the laden store-house are, 
 And the granaries bow'd beneath 
 
 The blessed golden grain ; 
 There, in undulating motion, 
 Wave the corn-fields like an ocean. 
 Proud the boast the proud lips breathe : 
 " My house is built upon a rock,- 
 And sees unmoved the stormy shock 
 
 Of waves that fret below ! " 
 What chain so strong, what girth so great. 
 To bind the giant form of Fate ? 
 Swift are the steps of Woe.
 
 THE LAY OF THE BELL. 155 
 
 V. 
 
 Now the casting may begin ; 
 
 See the breach indented there : 
 Ere we run the fusion in, 
 
 Halt and speed the pious prayer ! 
 Pull the bung out 
 See around and about 
 
 What vapour, what vapour God help us ! has risen ? 
 Ha ! the flame like a torrent leaps forth from its prison \ 
 What friend is like the might of fire 
 When man can watch and wield the ire ? 
 Whate'er we shape or work, we owe 
 Still to that heaven-descended glow. 
 But dread the heaven-descended glow, 
 When from their chain its wild wings go, 
 When, where it listeth, wide and wild 
 Sweeps the free Nature's free-born Child 1 
 When the Frantic One fleets, 
 
 While no force can withstand, 
 Through the populous streets 
 
 Whirling ghastly the brand ; 
 For the Element hates 
 What Man's labour creates, 
 
 And the work of his hand ! 
 Impartially out from the cloud, 
 
 Or the curse or the blessing may fall ! 
 Benignautly out from the cloud, 
 
 Come the dews, the revivers of all ! 
 Avengingly out from the cloud 
 
 Come the levin, the bolt, and the ball ! 
 Hark a wail from the steeple ! aloud 
 The bell shrills its voice to the crowd ! 
 Look look red as blood 
 
 All on high ! 
 It is not the daylight that fills with its flood 
 
 The sky ! 
 What a clamour awaking 
 
 Roars up through the street, 
 What a hell- vapour breaking 
 
 Bolls on through the street,
 
 15G POEMS AND BALLADS OF SCHTLLEK. 
 
 And higher and higher 
 Aloft moves the Column of Fire ! 
 Through the vistas and rows 
 Like a whirlwind it goes, 
 
 And the air like the steam from a furnace glows. 
 Beams are crackling posts are shrinking 
 Walls are sinking windows clinking 
 Children ci'ying 
 Mothers flying 
 
 And the beast (the black ruin yet smouldering under) 
 Yells the howl of its pain and its ghastly wonder ! 
 Hurry and skurry away away, 
 The face of the night is as clear as day ! 
 As the links in a chain, 
 Again and again 
 
 Flies the bucket from hand to hand ; 
 High in arches up-rushing 
 The engines are gushing, 
 
 And the flood, as a beast on the prey that it hounds, 
 With a roar on the breast of the element bounds. 
 To the grain and the fruits, 
 Through the rafters and beams, 
 Through the barns and the garners it crackles and 
 
 streams ! 
 
 As if they would rend up the earth from its roots, 
 Rush the flames to the sky 
 Giant- high ; 
 And at length, 
 
 Wearied out and despairing, man bows to their strength ! 
 With an idle gaze sees their wrath consume, 
 And submits to his doom ! 
 
 Desolate 
 
 The place, and dread 
 For storms the barren bed. 
 
 In the blank voids that cheerful casements were, 
 Comes to and fro the melancholy air, 
 
 And sits despair; 
 
 And through the ruin, blackening in its shroud 
 Peers, as it flits, the melancholy cloud. 
 
 One human glance of grief upon the grave 
 Of all that Fortune srnve
 
 THE LAY OF THE BELL. 157 
 
 The loiterer takes Then turns him to depart, 
 And grasps the wanderer's staff and mans his heart: 
 Whatever else the element bereaves 
 One blessing more than all it reft it leaves, 
 The faces that he loves ! He counts them o'er, 
 See not one look is missing from that btore ! 
 
 VI. 
 
 Now clasp'd the bell within the clay 
 The mould the mingled metals fill 
 Oh, may it, sparkling into day, 
 Reward the labour and the skill ! 
 Alas ! should it fail, 
 For the mould may be frail 
 
 And still with our hope must be mingled the fear 
 And, ev'n now, while we speak, the mishap may be near ! 
 To the dark womb of sacred earth 
 
 This labour of our hands is given, 
 As seeds that wait the second birth, 
 
 And turn to blessings watch'd by heaven ! 
 Ah seeds, how dearer far than they 
 
 We bury in the dismal tomb, 
 Where Hope and Sorrow bend to pray 
 That suns beyond the realm of day 
 May warm them into bloom ! 
 
 From the steeple 
 
 Tolls the bell, 
 
 Deep aud heavy, 
 
 The death-knell ! 
 
 Guiding with dirge-note solemn, sad, and slow, 
 To the last home earth's weary wanderers know. 
 It is that worship'd wife 
 It is that faithful mother ! * 
 
 Whom the dark Prince of Shadows leads benighted, 
 From that dear arm where oft she hung delighted. 
 Far from those blithe companions, born 
 Of her, and blooming in their morn; 
 
 * The translator adheres to the original, in forsaking the rhyme in these 
 lines and some others.
 
 158 POEMS AND BALLADS OF SCHILLER. 
 
 On whom, when couch'd her heart above, 
 So often look'd the Mother- Love ! 
 
 Ah ! rent the sweet Home's union- band, 
 
 And never, never more to come 
 She dwells within the shadowy land, 
 
 Who was the Mother of that Home ! 
 How oft they miss that tender guide, 
 
 The care the watch the face the MOTHER- 
 And where she sate the babes beside, 
 
 Sits with unloving looks AXOTHEB ! 
 
 VII. 
 
 While the mass is cooling now, 
 
 Let the labour yield to leisure, 
 As the bird upon the bough, 
 
 Loose the travail to the pleasure. 
 When the soft stars awaken, 
 Each task be forsaken ! 
 
 And the vesper-bell lulling the earth into peace, 
 If the master still toil, chimes the workman's release ! 
 
 Homeward from the tasks of day, 
 Thro' the greenwood's welcome way 
 Wends the wanderer, blithe and cheerly, 
 To the cottage loved so dearly ! 
 And the eye and ear are meeting, 
 Now, the slow sheep homeward bleating 
 Now, the wonted shelter near, 
 Lowing the lusty-fronted steer ; 
 Creaking now the heavy wain, 
 Reels with the happy harvest grain. 
 While, with many-coloured leaves, 
 Glitters the garland on the sheaves ; 
 For the mower's work is done, 
 And the young folks' dance begun ! 
 Desert street, and quiet mart ; 
 Silence is in the city's heart ; 
 And the social taper lighteth 
 Each dear face that HOME uniteth ; 
 While the gate the town before 
 Heavily swings with sullen roar !
 
 THE LAY OF THE BELL. 159 
 
 Though darkness is spreading 
 
 O'er earth the Upright 
 And the Honest, undreading, 
 
 Look safe on the night 
 Which the evil man watches in awe, 
 For the eye of the Night is the Law ! 
 
 Bliss-dower'd ! daughter of the skies. 
 Hail, holy ORDER, whose employ 
 Blends like to like in light and joy 
 Builder of cities, who of old 
 Call'd the wild man from waste and wold. 
 And, in bis hut thy presence stealing, 
 Housed each familiar household feeling ; 
 
 And, best of all the happy ties, 
 The centre of the social band, 
 The Instinct of the Fatherland I 
 
 United thus each helping each, 
 
 Brisk work the countless hands for ever ; 
 For nought its power to Strength can teach, 
 
 Like Emulation and Endeavour ! 
 Thus link'd the master with the man, 
 Each in his rights can each revere, 
 And while they inarch in freedom's van, 
 
 Scorn the lewd rout that dogs the rear ! 
 To freemen labour is renown ! 
 
 Who works gives blessings and commands; 
 Kings glory in the orb and crown 
 
 Be ours the glory of our hands. 
 Long in these walls long may we greet 
 Your footfalls, Peace and Concord sweet ! 
 Distant the day. Oh ! distant far, 
 When the rude hordes of trampling War 
 Shall scare the silent vale ; 
 
 And where, 
 Now the sweet heaven, when day doth leave 
 
 The air, 
 
 Limns its soft rose-hues on the veil of Eve; 
 Shall the fierce war-brand tossing in the gale, 
 From town and hamlet shake the horrent glare !
 
 1GU POEMS AND BALLADS OP SCHILLER. 
 
 VIII. 
 
 Now, its destin'd task fuliill'd, 
 
 Asunder break the prison- mould ; 
 Let the goodly Bell we builil, 
 Eye and heart alike behold. 
 The hammer down heave, 
 Till the cover it cleave : 
 For not till we shatter the wall of its coll 
 Can we lift from its darkness and bondage the. Bell. 
 
 To break the mould, the master may, 
 
 If skill'd the hand and ripe the hour ; 
 But woe, when on its fiery way 
 
 The metal seeks itself to pour. 
 Frantic and blind, with thunder-knell, 
 
 Exploding from its shattered home, 
 And glaring forth, as from a hell, 
 
 Behold the red Destruction come ! 
 When rages strength that has no reason, 
 There breaks the mould before the season ; 
 When numbers burst what bound before, 
 Woe to the State that thrives no more ! 
 Yea, woe, when in the City's heart, 
 
 The latent spark to flame is blown ; 
 And Millions from their silence start, 
 
 To claim, without a guide, their own ! 
 Discordant howls the warning Bell, 
 
 Proclaiming discord wide and far, 
 And, born bat things of peace to tell, 
 
 Becomes the ghastliest voice of war : 
 " Freedom ! Equality ! " to blood, 
 
 Bush the roused people at the sound ! 
 Through street, hall, palace, roars the lluod, 
 
 And banded murder closes round ! 
 The hynsna-shape.s, (that women wore !) 
 
 Jest with the horrors they survey : 
 They hound they rend they mangle there 
 
 As panthers with their prey ! 
 Nought rests to hallow burst the ties 
 
 Of life's sublime and reverent awe ; 
 Before the Vice the Virtue flies, 
 
 And Universal Crime is Law !
 
 THE LAY OF THE BELL. 161 
 
 Man fears the lion's kingly tread ; 
 
 Man fears the tiger's fangs of terror ; 
 And still the dreadliest of the dread, 
 
 Is Man himself in error ! 
 Xo torch, though lit from Heaven, illumes 
 
 The Blind ! Why place it in bis hand ? 
 It lights not him it but consumes 
 
 The City and the Land ! 
 
 n. 
 
 Rejoice and laud the prospering skies ! 
 
 The kernel bursts its husk behold 
 From the dull clay the metal rise, 
 Pure-shining, as a star of gold ! 
 Neck and lip, but as one beam, 
 It laughs like a sun-beam. 
 
 And even the scutcheon, clear-graven, shall tell 
 That the art of a master has fashion'd the Bell ! 
 
 Come in come in 
 
 My merry men we'll form a ring 
 
 The new-born labour christening \ 
 
 And " COXCOED " we will name her ! 
 To union may her heart-felt call 
 
 In brother-love attune us all ! 
 May she the destined glory win 
 
 For which the master sought to frame her- 
 Aloft (all earth's existence under,) 
 
 In blue-pavilion'd heaven afar 
 To dwell the Neighbour of the Thunder, 
 
 The Borderer of the Star ! 
 Be hers above a voice to raise 
 
 Like those bright hosts in yonder sphere, 
 "Who, while they move, their Maker praise, 
 
 And lead around the wreathed year ! 
 To solemn and eternal things 
 
 We dedicate her lips sublime ! 
 As hourly, calmly, on she swings 
 
 Fann'd by the fleeting wings of Timo !
 
 162 POEMS AND BALLADS OF SCHILI-IIE. 
 
 "No pulse no heart BO feeling hers ! 
 
 She lends the warning voice to Fate-; 
 And still companions, while she stirs, 
 
 The changes of the Human State ! 
 So may she teach us, as her tone 
 
 But now so mighty, melts away 
 That earth no life which earth has known 
 
 From the last silence can delay ! 
 * * * * * 
 
 Slowly now the cords upheave her ! 
 
 From her earth-grave soars the Bell ; 
 Mid the airs of Heaven we leave her ! 
 In the Music-Realm to dwell ! 
 Up upwards yet raise 
 She has risen she sways. 
 Fair Bell to our city bode joy and increase, 
 And oh, may thy first sound be hallow'd to PEACE ! * 
 
 IN "The "Walk" we have seen the progress of Society in " The Bell' 
 we have the Lay of the Life of Man. This is the crowning Flower of that 
 garland of Humanity, which, in his Culture-Historic poems, the hand of 
 Schiller has entwined. In England, "The Lay of the Bell" has been the 
 best known of the Poet's compositions out of the Drama. It has been the 
 favourite subject selected by his translators ; to say nothing of others (more 
 recent, but with which, we own we are unacquainted), the elegant version 
 of Lord Francis Egerton has long since familiarised its beauties to the 
 English public ; and had it been possible to omit from our collection a poem 
 of such importance, we would willingly have declined the task which 
 suggests comparisons disadvantageous to ourselves. The idea of this poem 
 had long been revolved by Schiller-t He went often to a bell-foundry, to 
 make himself thoroughly master of the mechanical process, which he has 
 applied to purposes so ideal. Even from the time in which he began the 
 actual composition of the poem, two years elapsed before it was completed. 
 The work profited by the delay, and as the Poet is generally clear in propor- 
 tion to his entire familiarity with his own design, so of all Schiller's moral 
 poems this is the most intelligible to the ordinary understanding ; perhapc 
 the more so, because, as one of his Commentators has remarked, the prin- 
 cipal ideas and images he has already expressed in his previous writings, 
 and his mind was thus free to give itself up more to the form than to th 
 thought. Still we think that the symmetry and oneness of the composition 
 have been indiscriminately panegyrised. As the Lay of Life, it begins 
 with Birth, and when it arrives at Death, it has reached its legitimate con- 
 clusion. The reader will observe, at the seventh strophe, that there is an 
 abrupt and final break in the individual interest which has hitherto con- 
 nected the several portions. Till then, he has had before him the pro- 
 minent figure of a single man the one representative of human life whose 
 baptism the Bell has celebrated, whose youth, wanderings, return to hia 
 
 * Written in the time of the French war. 
 
 t See Life of Schiller, by Madame von Wolzogen.
 
 THE POETRY OP LIFE. 163 
 
 father's house, love, marriage, prosperity, misfortunes, to the death of the 
 wife, have carried on the progress of the Poem ; and this leading figure then 
 recedes altogether from the scene, and the remainder of the Poem, till the 
 ninth stanza, losing sight altogether of individual life, merely repeats the 
 purpose of "The "Walk," and confounds itself in illustrations of social life 
 in general. The picture of the French Revolution, though admirably done, 
 is really not only an episode in the main design, but is merely a copy of 
 that already painted, and set in its proper place, in the Historical Poem of 
 "The Walk." 
 
 But whatever weight may he attached, whether to this objection or to 
 others which we have seen elsewhere urged, the " non Ego paucis offendar 
 maculis " may, indeed, be well applied to a Poem so replete with the highest 
 excellences, so original in conception so full of pathos, spirit, and variety 
 in its plan and so complete in its mastery over form and language. . . . 
 Much of its beauty must escape in translation, even if an English Schiller 
 were himself the translator. For that beauty which belongs to form the 
 "curiosa felicitas vcrborum " is always untranslatable. "Witness the 
 Odes of Horace, the greater part of Goethe's Lyrics, and the Choruses of 
 Sophocles. Though the life of Man is pourtrayed, it is the life of a German 
 man. The wanderings, or apprenticeship, of the youth, are not a familiar 
 feature in our own civilisation; the bustling housewife is peculiarly 
 German; so is the incident of the fire a misfortune very common in parts 
 of Germany, and which the sound of the church-bell proclaims. Thus that 
 peculiar charm which belongs to the recognition of familiar and household 
 images, in an ideal and poetic form, must be in a great measure lost to a 
 foreigner. The thought, too, at the end the prayer for Peace is of a local 
 and temporary nature. It breathed the wish of all Germany, during the 
 four years' war with France, and was, at the date of publication like all 
 temporary allusions a strong and effective close, to become, after the 
 interest of the allusion ceased, comparatively feeble and non-universal. 
 These latter observations are made, not in depreciation of the Poem, but 
 on behalf of it ; to show that it has beauties peculiar to the language it 
 was written in, and the people it addressed, of which it must be despoiled 
 in translation. 
 
 THE POETEY OF LIFE. 
 
 " WHO would himself with shadows entertain, 
 Or gild his life with lights that shine in vain, 
 Or nurse false hopes that do but cheat the true ? 
 Though with my dream my heaven should be resign'd- 
 Though the free-pinion'd soul that once could dwell 
 In the large empire of the Possible, 
 This work-day life with iron chains may bind, 
 Yet thus the mastery o'er ourselves we find, 
 And solemn duty to our acts decreed, 
 Meets us thus tutor'd in the hour of need, 
 With a more sober and submissive mind ! 
 How front Necessity yet bid thy youth 
 Shun the mild rule of life's calm sovereign, Truth." 
 
 o 2
 
 164 POEMS AND BALLADS OF SCHILLER. 
 
 So speak'st thou, friend, how stronger far than I ; 
 
 As from Experience that sure port serene 
 
 Thou look'st ; and straight, a coldness wraps the sky, 
 
 The summer glory withers from the scene, 
 
 Scared by the solemn spell ; behold them fly, 
 
 The godlike images that seem'd so fair ! 
 
 Silent the playful Muse the rosy Hours 
 
 Halt in their dance; and the May- breathing flowers 
 
 Fall from the sister- Graces' -waving hair. 
 
 Sweet-mouth'd Apollo breaks his golden lyre, 
 
 Hermes, the wand with many a marvel rife ; 
 
 The veil, rose-woven, by the young Desire 
 
 With dreams, drops from the hueless cheeks of Life. 
 
 The world seems what it is A Grave ! and Love 
 
 Casts down the bondage wound his eyes above, 
 
 And sees ! He sees but images of clay 
 
 Where he dream'd gods ; and sighs and glides away. 
 
 The yonngness of the Beautiful grows old, 
 
 And on thy lips the bride's sweet kiss seems cold ; 
 
 And in the crowd of joys upon thy throne 
 
 Thou sitt'st in state, and hardenest into stone. 
 
 THE ANTIQUE AT PARIS. 
 
 (FREE TRANSLATION.) 
 
 WHAT the Greek wrought, the vaunting Frank may gain, 
 
 And waft the pomp of Hellas to the Seine ; 
 
 His proud museums may with marble groan, 
 
 And Gallia gape on Glories not her own ; 
 
 But ever silent in the ungenial Halls 
 
 Shall stand the Statues on their pedestals. 
 
 By him alone the Muses are possest, 
 
 Who warms them from the marble at his breast ; 
 
 Bright, to the Greek, from stone each goddess gr^* -~ 
 
 Vandals, each goddess is bat stone to you ]
 
 THEKLA. 165 
 
 THE MAID OF ORLEANS. 
 
 To flnnnt the fair shape of Humanity, 
 
 Lewd Mockery dragg'd tliee through the mire it trod.* 
 Wit wars with Beauty everlastingly 
 
 Yearns for no Angel worships to no God 
 Views the heart's wealth, to steal it as the thief- 
 Assails Delusion, but to kill Belief. 
 
 Yet the true Poetry herself, like thee, 
 
 Sprung from the younger race, a shepherd maid, 
 
 Gives thee her birthright of Divinity, 
 
 Thy wrongs in life in her star- worlds repaid. 
 
 Sweet Virgin-Type of Thought, pure, brave, and high 
 
 The Heart created thee thou canst not die. 
 
 The mean world loves to darken what is bright, 
 To see to dust each loftier image brought ; 
 
 But fear not souls there are that can delight 
 In the high Memory and the stately Thought ; 
 
 To ribald mirth let Momus rouse the mart, 
 
 But forms more noble glad the noble heart. 
 
 THEKLA. 
 (A SPIRIT VOICE.) 
 
 [It was objected to Schiller's " Wallenstein/' that he had suffered Thekla 
 to disappear from the Play without any clear intimation of her fate. Thesa 
 stanzas are his answer to the objection.] 
 
 WHEEE am I ? whither borne ? From thee 
 
 As soars my fleeting shade above ? 
 Is not all being closed for me, 
 
 And over life and love ? 
 Wouldst ask, where wing their flight away 
 
 The Nightbirds that enraptured air 
 With Music's soul in happy May ? 
 
 But while they loved they were I 
 
 * Voltaire, in " The Pucelle."
 
 166 POEMS AND BALLADS OF SCHILLER. 
 
 And have I found the Lost again ? 
 
 Yes, I with him at last am wed ; 
 Where hearts are never rent in twain, 
 
 And tears are never shed. 
 
 There, wilt thou find us welcome tbee, 
 When thy life to our life shall glide : 
 
 My father,* too, from sin set free, 
 ]S"or Murther at his side 
 
 Feels there, that no delusion won 
 
 His bright faith to the starry spheres ; 
 
 Each faith (uor least the boldest one) 
 Still towards the Holy nears. 
 
 There word is kept with Hope ; to wild 
 Belief a lovely truth is given ! 
 
 dare to err and dream ! the child 
 lias instincts of the Heaven ! 
 
 WILLIAM TELL. 
 
 [Liues accompanying the copy of Schiller's Drama of William Tell, pre- 
 sented to the Arch-Chancellor von Ualberg.] 
 
 I\ that fell strife, when force with force engages, 
 
 And Wrath stirs bloodshed Wrath with blindfold 
 
 eyes 
 When, midst the war which raving Faction wages, 
 
 Lost in the roar the voice of Justice dies, 
 When but for license, Sin the shameless, rages, 
 
 Against the Holy, when the Wilful rise, 
 lYhen lost the Anchor which makes Nations strong 
 
 Amidst the storm, there is no theme for song. 
 
 * Wallcnstcin : the noxt stanza alludes to his belief in Astrology; 
 of which such beautiful uses have been made by Schiller in his solemn 
 tragedy.
 
 CARTHAGE. 187 
 
 II. 
 
 But when a Race, tending by vale and hill 
 Free flocks, contented with its rude domain 
 
 Bursts the hard bondage with its own great will, 
 Lets fall the sword when once it rends the chain, 
 
 And, flush'd with Victory, can be human still 
 There blest the strife, and then inspired the strain. 
 
 Snch is my theme to thee not strange, 'tis true, 
 
 Then in the Great canst never find the New ! * 
 
 ARCHIMEDES. 
 
 To Archimedes once a scholar came, 
 " Teach me," he said, " the Art that won thy fame ;- 
 The godlike Art which gives such boons to toil, 
 And showers such fruit upon thy native soil ; 
 The godlike Art that girt the town when all 
 Rome's vengeance burst in thunder on the wall ! " 
 " Thou call'st Art godlike it is so, in truth, 
 And was," replied the Master to the youth, 
 " Ere yet its secrets were applied to use 
 Ere yet it served beleaguered Syracuse : 
 Ask'st thou from Art, but what the Art is worth ? 
 The fruit ? for fruit go cultivate the Earth. 
 He who the goddess would aspire unto, 
 Must not the goddess as the woman woo ! " 
 
 CARTHAGE. 
 
 Tnou, of the nobler Mother Child degenerate; all the 
 
 while 
 That with the Roman's Might didst match the Tyrian's 
 
 crafty guile ; 
 The one thro' strength subdued the earth that by its 
 
 strength it ruled 
 Thro' cunning earth the other stole, and by the cunning 
 
 school'd 
 
 * The concluding point in the original requires some paraphrase in trarjg 
 lation. Schiller's lines are 
 
 Und solch ein Bild darf ich dir freudig zeigen 
 Du kennst's denn alles Grosse ist deiu eigon.
 
 168 POEMS AXD BALLADS OF SCHILLER. 
 
 With iron as the Roman, thou (let History speak) didst 
 
 gain 
 The empire -which with gold thou as the Tyrian didst 
 
 maintain. 
 
 COLUMBUS. 
 
 STEER on, bold Sailor Wit may mock thy soul that sees 
 
 the land, 
 And hopeless at the helm may droop the weak and weary 
 
 hand, 
 
 YET EVER EVER TO THE WEST, for there the coast must lie, 
 And dim it dawns and glimmering dawns before thy reason's 
 
 eye; 
 Yea, trust the guiding God and go along the floating 
 
 grave, 
 Though hid till now yet now, behold the New World o'er 
 
 the wave ! 
 
 With Genius Nature ever stands in solemn union still, 
 And ever what the One foretels the Other shall fulfil. 
 
 K2EKI/L* 
 
 THE Beautiful, that men and gods alike subdues, must 
 
 perish ; 
 For pity ne'er the iron breast of Stygian Jove f shall 
 
 cherish ! 
 Once only Love, by aid of Song, the Shadow- Sovereign 
 
 thrall'd, 
 
 And at the dreary threshold he again the boon recall'd. 
 Not Aphrodite's heavenly tears to love and life restored 
 Her own adored Adonis, by the grisly monster gored ! 
 Not all the art of Thetis saved her god-like hero son, 
 When, falling by the Scaean gate, his race of glory run ! 
 But forth she came, with all the nymphs of Nereus, from 
 
 the deep, 
 Around the silence of the Dead to sorrow and to weep. 
 
 * Nsenia was the goddess of funerals and funeral songs were called 
 Naenise. 
 -f Pluto.
 
 THE IDEAL AND THE ACTUAL LIFE. 1G9 
 
 See tears are shed by every god and goddess, to survey 
 How soon the Beautiful is past, the Perfect dies away ! 
 Yet noble sounds the voice of wail and woe the Dead can 
 
 grace ; 
 For never wail and woe are heard to mourn above the 
 
 Base ! 
 
 JOVE TO HERCULES. 
 
 'TWAS not my nectar made thy strength divine, 
 
 But 'twas thy strength which made my nectar thine ! 
 
 THE IDEAL AND THE ACTUAL LIFE. 
 
 IN Schiller's Poem of "The Ideal," a translation of which has already 
 been presented to the reader, but which was composed subsequently to "The 
 Ideal and the Actual," the prevailing sentiment is of that simple pathos 
 which can come home to every man who has mourned for Youth, and the 
 illusions which belong to it- 
 for the hour 
 Of glory in the grass, and splendour in the nower. 
 
 But "The Ideal and the Actual" is purely philosophical; a poem "in 
 which," says Hofl'meister, '' every object aii'd epithet has a metaphysical 
 back-ground." Schiller himself was aware of its obscurity to the general 
 reader; he desires that even the refining Humboldt "should read it in a 
 kind of holy stillness and banish, during the meditation it required, all 
 that was profane." Humboldt proved himself worthy of these instructions, 
 by the enthusiastic admiration with which the poem inepired him. Pre- 
 vious to its composition, Schiller had been employed upon philosophical 
 inquiries, especially his " Letters on the ./Esthetic Education of Man ; " and 
 of these Letters it is truly observed, that the Poem is the crowning Flower. 
 To those acquainted with Schiller's philosophical works and views, the poem 
 is therefore less obscure ; in its severe compression such readers behold but 
 the poetical epitome of thoughts the depth of which they have already 
 sounded, and the coherence of which they have already ascertained they 
 recognise a familiar symbol, where the general reader only perplexes himself 
 in a riddle. 
 
 Without entering into disquisitions, out of place in this translation, and 
 fatiguing to those who desire in a collection of poems to enjoy the poetical 
 not to be bewildered by the abstract we shall merely preface the poem, 
 with the help of Schiller's commentators, by a short analysis of the general 
 design and meaning, so at least as to facilitate the reader's study of this re- 
 markable poem study it will require, and well repay. 
 
 The Poem begins, Stanza 1st, with the doctrine which Schiller has often 
 inculcated, that to Man there rests but the choice between the pleasures of 
 sense, and the peace of the soul ; but both are united in the life of the Im- 
 mortals, viz., the higher orders of being. Staiiza 2nd. Still it may be ours
 
 170 POEMS AND BALLADS OF SCHILLER. 
 
 to attain, even on earth, to this loftier and holier life provided we can 
 raise ourselves beyond material objects. Stanza 3rd. The Fates can only 
 influence the body, and the things of time and matter. But, safe from the 
 changes of matter and of life, the Platonic Archetype, Form, hovers in the 
 realm of the Ideal. If we can ascend to this realm in other words, to the 
 domain of Beauty we attain (Stanza 4th) to the perfection of Humanity 
 a perfection only found in the immaterial forms and shadows of that realm 
 yet in which, as in the Gods, the sensual and the intellectual powers are 
 united. In the Actual Life we strive for a goal we cannot reach ; in the 
 Ideal, the goal is attainable, and there effort is victory. With Stanza 5th 
 begins the antithesis, which is a key to the remainder an antithesis con- 
 stantly ballancing before us the conditions of the Actual and the privilege! 
 of the Ideal. The Ideal is not meant, to relax, but to brace us for the Actual 
 Life. From the latter we cannot escape j but when we begin to Hag 
 beneath the sense of our narrow limits, and the difficulties of the path, the 
 eye, steadfastly fixed upon the Ideal Beauty aloft, beholds theiv the goal. 
 Stanza 6th. In Actual Life, Strength and Courage are the requisities for 
 success, and are doomed to eternal struggle; but (Stanza 7th) in the 
 Ideal Life, struggle exists not; the stream, gliding far from its rocky 
 sources, is smoothed to repose. Stanza 8th. In the Actual Life, as long as 
 the Artist still has to contend with matter, he must strive and labour. 
 Truth is only elicited by toil the statue only wakens from the block by the 
 stroke of the chisel; but when (Stanza 9th) he has once achieved the idea 
 of Beauty when once he has elevated the material marble into form all 
 trace of his human neediness and frailty is lost, and his work seems the child 
 of the soul. Stanza 9th. Again, in the Actual world, the man who strives 
 for Virtue, finds every sentiment and every action poor compared to the 
 rigid standard of the abstract moral law. But if (Stanza 9th), instead of 
 striving for Virtue, merely from the cold sense of duty, we live that life 
 beyond the senses, in which Virtu-, becomes as it were natural to us 
 in which its behests are served, not throush duty but inclination then 
 the gulf between man and the moral law is tilled up ; we take the Godhead, 
 BO to speak, into our will ; and Heaven ceases its terrors, when man ceases 
 to resist it. Stanza 10th. Finally, in Actual Life, sorrows, whether our 
 own, or those with which we sympathise, are terrible and powerful; but 
 (Stanza llth) in the Ideal World even Sorrow has its pleasures. "We con- 
 template the writhings of the Laocoon in marble, with delight in the 
 greatness of Art, nor with anguish for the suffering, but with veneration 
 for the grandeur with which the suffering is idealised by the Artist, or 
 expressed by the subject. Over the pain of Art smiles the Heaven of the 
 Moral world. Stanzas llth and 12th. Man thus aspiring to the Ideal, is 
 compared to the Mythical Hercules. In the Actual world he must suffer 
 and must toil ; but when once he can cast aside the garb of clay, and 
 through the Ethereal flame separate the Mortal from the Immortal, the 
 material dross sinks downward, the spirit soars aloft, and Hebe (or Eternal 
 Youth) pours out nectar as to the Gods. If the reader will have the 
 patience to compare the above analysis with the subjoined version (in which 
 the Translator has also sought to render the general sense as intelligible as 
 possible), he will probably find little difficulty in dealing up the Author's 
 mearing. 
 
 I. 
 
 FOR ever fair, for ever calm and bright, 
 Life flies on plumage, zephyr-light, 
 
 For those who on the Olympian hill rejoice
 
 THE IDEAL AND THE ACTUAL LIFE. 171 
 
 Moons wane, and races wither to the tomb, 
 And 'mid the universal ruin, bloom 
 
 The rosy days of Gods 
 
 With Man, the choice, 
 Timid and anxious, hesitates between 
 
 The sense's pleasure and the soul's content ; 
 While on celestial brows, aloft and sheen, 
 
 The beams of both are blent. 
 
 II. 
 
 Seek'st thou on earth the life of Gods to share, 
 Safe in the Realm of Death ? beware 
 
 To pluck the fruits that glitter to thine eye ; 
 Content thyself with gazing on their glow 
 Short are the joys Possession can bestow, 
 
 And in Possession sweet Desire will die. 
 'Twas not the ninefold chain of waves that bound 
 
 Thy daughter, Ceres, to the Stygian river 
 She pluck'd the fruit of the unholy ground, 
 
 And so was Hell's for ever ! 
 
 in 
 
 The Weavers of the Web the Fates but sway 
 The matter and the things of clay ; 
 
 Safe from each change that Time to Matter gives, 
 Nature's blest playmate, free at will to stray 
 
 With Gods a god, amidst the fields of Day, 
 
 The FORM, the ARCHETYPE,* serenely lives. 
 Would'st thou soar heavenward on its joyous wing ? 
 
 Cast from thee, Earth, the bitter and the real, 
 High from this cramp'd and dungeon being, spring 
 
 Into the Realm of the Ideal ! 
 
 IV. 
 
 Here, bathed, Perfection, in thy purest ray, 
 Free from the clogs and taints of clay, 
 
 Hovers divine the Archetypal Man ! 
 Dim as those phantom ghosts of life that gleam 
 And wander voiceless by the Stygian stream, 
 
 Fair as it stands in fields Elysian, 
 
 * "Die Gestalt" Form, the Pbtonic Archetype.
 
 172 POEMS AND BALLADS OF SCHILLER. 
 
 Ere down to Flesh the Immortal doth descend : 
 If doubtful ever in the Actual life 
 
 contest here a victory crowns the end 
 Of every nobler strife. 
 
 V. 
 
 Not from the strife itself to set thee free, 
 But more to nerve doth Victory 
 
 Wave her rich garland from the Ideal clime. 
 Whate'er thy wish, the Earth has no repose 
 Life still must drag thee onward as it flows, 
 
 Whirling thee down the dancing surge of Time. 
 But when the courage sinks beneath the dull 
 
 Sense of its narrow limits on the soul, 
 Bright from the hill-tops of the Beautiful, 
 
 Bursts the attained goal ! 
 
 If worth thy while the glory and the strife 
 Which fire the lists of Actual Life 
 
 The ardent rush to fortune or to fame, 
 In the hot field where Strength and Valour are, 
 And rolls the whirling thunder of the car, 
 
 And the world, breathless, eyes the glorious game- 
 Then dare and strive the prize can but belong 
 To him whose valour o'er his tribe prevails ; 
 In life the victory only crowns the strong 
 
 He who is feeble fails. 
 
 VII. 
 
 Bat Life, whose source, by crags ai'ound it pil'd, 
 Chafed while confin'd, foams fierce and wild, 
 
 Glides soft and smooth when once its streams expand, 
 When its waves, glassing in their silver play, 
 Aurora blent with Hesper's milder ray, 
 
 Grain the still BEAUTIFUL that Shadow-Land ! 
 Here, contest grows but interchange of Love, 
 
 All curb is but the bondage of the Grace ; 
 Gone is each foe, Peace folds her wings above 
 
 Her native dwelling-place.
 
 THE IDEAL AND THE ACTUAL LIFE. 1/3 
 
 VIII. 
 
 "When, through dead stone to breathe a soul of light, 
 With the dull matter to unite 
 
 The kindling genius, some great sculptor glows ; 
 Behold him straining every nerve intent 
 Behold Low, o'er the subject element, 
 
 The stately THOUGH!' its march laborious goes ! 
 For never, save to Toil untiring, spoke 
 
 The unwilling Truth from her mysterious well 
 The statue only to the chisel's stroke 
 
 Wakes from its marble cell. 
 
 But onward to the Sphere of Beauty go 
 Onward, Child of Art ! and, lo, 
 
 Out of the matter which thy pains control 
 The Statue springs ! not as with labour wrung 
 From the hard block, but as from Nothing sprung 
 
 Airy and light the offspring of the soul ! 
 The pangs, the cares, the weary toils it cost 
 
 Leave not a trace when once the work is done 
 The Artist's human frailty merged and lost 
 
 In Art's great victory won ! * 
 
 If human Sin confronts the rigid law 
 Of perfect Truth and Virtue,f awe 
 
 Seizes and saddens thee to see how far 
 Beyond thy reach, Perfection ; if we test 
 />y the Ideal of the Good, the best, 
 
 How mean our efforts and our actions are ! 
 This space between the Ideal of man's soul 
 
 And man's achievement, who hath ever past ? 
 An ocean spreads between us and that goal, 
 
 Where anchor ne'er was cast ! 
 
 * More literally translated thus by the Author of the Article on Schillei 
 in the l''orciyn end Colonial Itvview, July, 1843 
 
 " Thence all witnesses for ever banished 
 
 Of poor Human Nakedness." 
 
 f The Law, i. e., the Kantian Ideal of Truth and Virtue. This stanza 
 niul the next embody, perhaps with some exaggeration, the Kantian doctrine 
 oi' morality.
 
 174 POEMS AND BALLADS OF SCHILLER. 
 
 XT. 
 
 But fly the boundary of the Senses live 
 The Ideal life free Thought can give ; 
 
 And, lo, the gulf shall vanish, and the chill 
 Of the soul's impotent despair be gone ! 
 And with divinity thou sharest the throne, 
 
 Let but divinity become thy will ! 
 Scorn not the Law permit its iron band 
 
 The sense (it cannot chain the sonl) to thrall. 
 Let man no more the will of Jove withstand,* 
 
 And Jove the bolt lets fall ! 
 
 XII. 
 
 If, in the woes of Actual Human Life 
 If thou could'st see the serpent strife 
 
 Which the Greek Art has made divine in stone 
 Could'st see the writhing limbs, the livid cheek, 
 Note- every pang, and hearken every shriek 
 
 Of some despairing lost Laocoon, 
 The human nature would thyself subdue 
 
 To share the human woe before thine eye 
 Thy cheek would pale, and all thy soul be true 
 
 To Man's great Sympathy. 
 
 XIII. 
 
 But in the Ideal Realm, aloof and far, 
 Where the calm Art's pure dwellers are, 
 
 Lo, the Laocoon writhes, but does not groan. 
 Here, no sharp grief the high emotion knows 
 Here, suffering's self is made divine, and shows 
 
 The brave resolve of the firm soul alone : 
 Here, lovely as the rainbow on the dew 
 
 Of the spent thunder- cloud, to Art is given, 
 Gleaming through Grief's dark veil, the peaceful bia 
 
 Of the sweet Moral Heaven. 
 
 * " But in God's sight submission is command." 
 
 " Jonah," by the Eev. F. Hodgson. Quoted in Foreign and Colon i- 
 Eevieiv, July, 1843 : Art. Schiller, p. 21.
 
 THE FAVOUR OF THE MOMENT. 
 
 XIV. 
 
 So, iu the glorious parable, behold 
 How, bow'd to mortal bonds, of old 
 
 Life's dreary path divine Alcides trod : 
 The hydra and the lion were his prey, 
 And to restore the friend he loved to-day, 
 
 He went undaunted to the black-brow'd God 
 And all the torments and the labours sore 
 
 Wroth Juno sent the meek majestic One, 
 With patient spirit and unquailing, bore, 
 
 Until the course was run 
 
 XV. 
 
 Until the God cast down his garb of clay, 
 And rent in hallowing flame away 
 
 The mortal part from the divine to soar 
 To the empyreal air ! Behold him spring 
 Blithe in the pride of the unwonted wing, 
 
 And the dull matter that confined before 
 Sinks downward, downward, downward as a dream ! 
 
 Olympian hymns receive the escaping soul, 
 And smiling Hebe, from the ambrosial stream, 
 
 Fills for a God the bowl ! 
 
 THE FAVOUR OF THE MOMENT. 
 
 ONCE more, then, we meet 
 
 In the circles of yore ; 
 Let our song be as sweet 
 
 In its wreaths as before. 
 Who claims the first place 
 
 In the tribute of song ? 
 The Grod to whose grace 
 
 All our pleasures belong. 
 Though Ceres may spread 
 
 All her gifts on the shrine, 
 Though the glass may be red 
 
 With the blush of the vine,
 
 POEMS AND BALLAD? OF SCHILLER. 
 
 What boots if the while 
 
 Fall no spark on the hearth ? 
 If the heart do not smile 
 
 With the instinct of mirth ? 
 From the clouds, from God's breast 
 
 M"ust our happiness fall, 
 'Mid the blessed, most blest 
 
 Is the MOMKXT of all ! 
 Since Creation began 
 
 All that mortals have wrought, 
 All that's godlike in MAX 
 
 Comes the flash of a Thought ! 
 For ages the stone 
 
 In the quarry may lurk, 
 An instant alone 
 
 Can suffice to the work ; 
 An impulse give birth 
 
 To the child of the soul, 
 A glance stamp the worth 
 
 And the fame of the whole.* 
 On the arch that she buildeth 
 
 From sunbeams on high, 
 As Iris just gildeth, 
 
 And fleets from the sky, 
 So shinetb, so gloometh 
 
 Each gift that is ours ; 
 The lightning illumeth 
 
 The darkness devours ! f 
 
 THE FORTUNE FAVOURED. 
 
 [TiiE first five verses in the original of this Poem are placed as a mott-> 
 oa Goethe's statue in the Library at "Weimar. The Poet does not here 
 mean to extol what is vulgarly meant by the Gifts of Fortune; he but 
 develops a favourite idea of his, that, whatever is really sublime ainl 
 beautiful, comes freely down from Heaven ; and vindicates the seeming 
 
 * The idea diffused by the translator through this and the preceuiD| 
 itar.za, is more forcibly condensed by Schiller in four lines. 
 
 j- " And ere a man hath power to say, ' behold,' 
 The jaws of Darkness do devour it up, 
 So quick bright things come to confusion." SHAKE>PEARE.
 
 THE FORTUNE FAVOURED. 177 
 
 partiality of the Gods, by implying that the Beauty and the Genius given, 
 without labour, to some, but serve to the delight of those to whom they ;uv 
 denied.] 
 
 AH ! happy He, upon whose birth each G od 
 
 Looks down in love, whose earliest sleep the bright 
 
 Idalia cradles, whose young lips the rod 
 
 Of eloquent Hermes kindles to whose eyes, 
 
 Scarce waken'd yet, Apollo steal in light, 
 
 While on imperial brows Jove sets the seal of might ! 
 
 Godlike the lot ordain'd for him to share, 
 
 fie wins the garland ere he runs the race ; 
 
 He learns life's wisdom ere he knows life's care, 
 
 And, without labour vanquish'd, smiles the Grace. 
 
 Great is the man, I grant, whose strength of mind, 
 Self-shapes its objects and subdues the Fates 
 Virtue subdues the Fates, but cannot bind 
 The fickle Happiness, whose smile awaits 
 Those who scarce seek it ; nor can courage earn 
 What the Grace showers not from her own free urn ! 
 
 From aught unworthy, the determined will 
 Can guard the watchful spirit there it ends ; 
 The all that's glorious from the heaven descends ; 
 As some sweet mistress loves us, freely still 
 Come the spontaneous gifts of Heaven ! Above 
 Favour rules Jove, as it below rules Love ! 
 The Immortals have their bias ! Kindly they 
 See the bright locks of youth enamour'd play, 
 And where the glad one goes, shed gladness round the way. 
 It is not they who boast the best to see, 
 Whose eyes the holy Apparitions bless ; 
 The stately light of their divinity 
 Hath oft but shone the brightest on the blind ; 
 And their choice spirit found its calm recess 
 In the pure childhood of a simple mind. 
 Unask'd they come delighted to delude 
 The expectation of our baffled Pride ; 
 Xo law can call their free steps to our side. 
 Him whom He loves, the Sire of men and gods, 
 (Selected from the marvelling multitude,) 
 Bears on his eagle to his bright abodes ; 
 And showers, with partial hand and lavish, clo-vn, 
 The minstrel's laurel or the monarch's crown I
 
 178 POEMS AND BALLADS OF SCHILLER. 
 
 Before the fortune-favonr'd son of earth, 
 Apollo walks and, -with, his jocund mirth, 
 The heart-enthralling Smiler of the skies : 
 For him grey Neptune smooths the pliant wave 
 Harmless the waters for the ship that bore 
 The Caesar and his fortunes to the shore ! 
 Charm'd at his feet the crouching lion lies, 
 To him his back the murmuring dolphin gave ; 
 His soul is born a sovereign o'er the strife 
 The lord of all the Beautiful of Life ; 
 Where'er his presence in its calm has trod, 
 It charms it sways as some diviner God. 
 
 Scorn not the Fortune-favour'd, that to him 
 The light-won victory by the gods is given, 
 Or that, as Paris, from the strife severe, 
 The Venus draws her darling. Whom the heaven 
 So prospers, love so watches, I revere ! 
 And not the man npori whose eyes, with dim 
 And baleful night, sits Fate. Achaia boasts, 
 No less the glory of the Dorian Lord * 
 That Vulcan wrought for him the shield and sword- 
 That round the mortal hover'd all the hosts 
 Of all Olympus that his wrath to grace, 
 The best and. bravest of the Grecian race 
 Untimely slaughtered, with resentful ghosts 
 Awed the pale people of the Stygian coasts ! 
 
 Scorn not the Darlings of the Beautiful, 
 If without labour they Life's blossoms cull ; 
 If, like the stately lilies, they have won 
 A crown for which they neither toil'd nor spun ; 
 If without merit, theirs be Beauty, still 
 Thy sense, unenvying, with the Beauty fill. 
 Alike for thee no merit wins the right, 
 To share, by simply seeing, their delight. 
 Heaven breathes the soul into the Minstrel's breast, 
 But with that soul he animates the rest ; 
 The God inspires the Mortal but to God, 
 In turn, the Mortal lifts thee from the sod. 
 Oh, not in vain to Heaven the Bard is dear ; 
 Holy himself he hallows those who 
 
 * Achilles.
 
 SENTENCES OF CONFUCIUS. 179 
 
 The busy mart let Justice still control, 
 Weighing the guerdon to the toil ! What then ? 
 A God alone claims joy all joy is his, 
 Flushing with unsought light the cheeks of men. 
 *Where is no miracle, -why there no bliss ! 
 Grow, change, and ripen all that mortal be, 
 Shapen'd from form to form, by toiling time ; 
 The Blissful and the Beautiful are born 
 Full grown, and ripen'd from Eternity 
 No gradual changes to their glorious prime, 
 No childhood dwarfs them, and no age has worn. 
 Like Heaven's, each earthly Venus on the sight 
 Comes, a dark birth, from out an endless sea; 
 Like the first Pallas, in maturest might, 
 Arm'd, from the Thunderer's brow, leaps forth each Thought 
 of Light. 
 
 THE SOWER. 
 
 SURE of the Spring that warms them into birth, 
 The golden seeds thou trustest to the Earth ; 
 And dost thou doubt the Eternal Spring sublime, 
 For deeds the seeds which Wisdom sows in Tiuie ? 
 
 SENTENCES OF CONFUCIUS. 
 TIME. 
 
 THREEFOLD the stride of Time, from first to last ! 
 Loitering slow, the FUTURE creepeth 
 Arrow-swift, the PRESENT s\veepeth 
 
 And motionless for ever stands the PAST. 
 
 [mpatience, fret howe'er she may, 
 
 Cannot speed the tardy goer ; 
 Fear and Doubt that crave delay 
 
 Ne'er can make the Fleet One slower : 
 
 * Paraphrased from 
 
 AluT die Freude ruft nur eiu Goth auf sterbliche Waiigefc. 
 The* lines furnish the key to 
 
 Kur ein Wunderkum dich tragen 
 
 In das schone Wunderland. SCHILLER, Sfhnsn,-Iit. 
 
 And the same lines, with what follow, explain also the general intention 
 of the poem on the favour of the moment.
 
 180 POEMS AND BALLADS OF SCHILLER. 
 
 Nor one spell Repentance knows, 
 To stir the Still One from repose. 
 If thou would'st, wise and happy, see 
 Life's solemn journey close for thee, 
 The Loiterer's counsel thou wilt heed, 
 Though readier tools must shape the deed ; 
 ISTot for thy friend the Fleet One know, 
 Nor make the Motionless thy foe ! 
 
 SPACE. 
 
 A threefold measure dwells in Space 
 Restless, with never-pausing pace, 
 LENGTH, ever stretching ever forth, is found, 
 And, ever widening, BREADTH extends around, 
 
 And ever DEPTH sinks bottomless below ! 
 In this, a type thou dost possess 
 On, ever restless, must thou press, 
 
 No halt allc\v, no languor know, 
 
 If to the Perfect thou wouldst go ; 
 Must broaden from thyself, until 
 Creation thy embrace can fill ! 
 Must down the Depth for ever fleeing, 
 Dive to the spirit and the being. 
 The distant goal at last to near, 
 
 Still lengthening labour sweeps ; 
 The full mind is alone the clear, 
 
 And Truth dwells in the deeps. 
 
 THE ANTIQUE TO THE NORTHERN 
 WANDERER. 
 
 AND o'er the river hast thou past, and o'er the mighty sea, 
 And o'er the Alps, the dizzy bridge hath borne thy steps to 
 
 me ; 
 
 To look all near upon the bloom my deathless beauty know?, 
 And, face to face, to front the pomp whose fame through 
 
 ages goes 
 Haze on, and touch my relics now ! At last thou standesl 
 
 here, 
 But art thou nearer now to me or I to thee more near?
 
 GENIUS. 1S1 
 
 GENIUS. 
 
 (FREE TRANSLATION.) 
 
 The original and it seems to us the more appropriate, title of this Poem, 
 was "Nature and the School."] 
 
 Do I believe, thou ask'st, the Master's word, 
 
 The Schoolman's shibboleth that binds the herd ? 
 
 To the soul's haven is there but one chart ? 
 
 Its peace a problem to be learned by art ? 
 
 On system rest the happy and the good ? 
 
 To base the temple must the props be wood ? 
 
 -Must I distrust the gentle law, imprest, 
 
 To guide and warn, by Nature on the breast, 
 
 Till, squared to rule the instinct of the soul. 
 
 Till the School's signet stamp the eternal scroll, 
 
 Till in one mould, some dogma hath confined 
 
 The ebb and flow the light waves of the mind ? 
 
 Say thou, familiar to these depths of gloom, 
 
 Thou, safe ascended from the dusty tomb, 
 
 Thou, who hast trod these weird Egyptian cells 
 
 Say if Life's comfort with yon mummies dwells ! 
 
 Say and I grope with saddened steps indeed 
 
 But on, thro' darkness, if to Truth it lead ! 
 
 Nay, Friend, thou know'st the golden time the nge 
 Whose legends live in many a poet's page ? 
 AVhen heavenlier shapes with Man walked side by side, 
 And the chaste Feeling was itself a guide ; 
 Then the great law, alike divine amid 
 Suns bright in Heaven, or germs in darkness hid, 
 That silent law (call'd whether by the name 
 Of Nature or Necessity the same), 
 To that deep sea, the heart, its movement gave 
 Sway'd the full tide, and freshened the free wave. 
 Then sense unerring because unreproved 
 True as the finger on the dial moved, 
 Half-guide, half -play mate, of Earth's age of youth, 
 The sportive instinct of Eternal Truth. 
 
 Then, nor Initiate nor Profane were known ; 
 
 Where fche Heart felt there Reason found a tin-one :
 
 182 POEMS AND BALLADS OF SCHILLER. 
 
 Not from the dust below, but life around 
 Warm Genius shaped what quick Emotion found. 
 One rule, like light, for every bosom glowed, 
 Yet hid from all the fountain whence it flowed. 
 
 But, gone that blessed Age ! our wilful pride 
 Has lost, with Nature, the old peaceful Guide. 
 FEELING, no more to raise us and rejoice, 
 Is heard and honoured as a (redhead's voice ; 
 And, disenhallowed in its eldest cell 
 The Human Heart, lies mute the Oracle ; * 
 Save where the low and mystic whispers thrill 
 Some listening spirit more divinely still. 
 There, in the chambers of the inmost heart, 
 There, must the Sage explore the Magian's art ; 
 There, seek the long-lost Nature's steps to track, 
 Till, found once more, she gives him Wisdom back ! 
 Hast thou, (0 Blest, if so, whate'er betide !) 
 Still kept the Guardian Angel by thy side ? 
 Can thy Heart's guileless childhood yet rejoice 
 In the sweet instinct with its warning voice ? 
 Does Truth yet limn upon untroubled eyes, 
 Pure and serene, her world of Iris-dies ? 
 Rings clear the echo which her accent calls 
 Back from the breast, on which the music falls ? 
 In the calm mind is doubt yet hush'd, and will 
 That doubt to-morrow as to-day be still ? 
 tWill all these fine sensations in their play, 
 No censor need to regulate and sway ? 
 Fear'st thou not in the insidious Heart to find 
 The source of Trouble to the limpid mind ? 
 
 No ! then thine Innocence thy Mentor be ! 
 Science can teach thee nought she learns from thee ! 
 
 * Schiller seems to allude to the philosophy of Fichte and Schelling then 
 on the ascendant, which sought to explain the enigma of the universe, and 
 to reconcile the antithesis between man and nature, by carrying both up 
 into the unity of an absolute consciousness, i. e., a consciousness anterior to 
 everything which is now known under the name of consciousness sed de 
 hue re satius est silere quam parvum dicere. 
 
 t Will this play of fine sensations (or sensibilities) require no censor to 
 control it i. e., will it always work spontaneously for good, and run into no 
 passionate excess ?
 
 VOTIVE TABLETS. 183 
 
 Each law that lends lame succour to the Weak 
 
 The cripple's crutch the vigorous need not seek ! 
 
 From thine own self thy rule of action draw ; 
 
 That which thou dost what charms thee is thy Law, 
 
 And founds to every race a code sublime 
 
 What pleases Genius gives a Law to Time ! 
 
 The AVord the Deed all Ages shall command, 
 
 Pare if thy lip and holy if thy hand ! 
 
 Thon, thou alone inark'st not within thy heart 
 
 The inspiring Clod whose Minister thou art, 
 
 Know'st not the magic of the mighty ring 
 
 Which bows the realm of Spirits to their King : 
 
 But meek, nor conscious of diviner birth, 
 
 Glide thy still footsteps thro' the conquered Earth ! 
 
 ULYSSES. 
 
 To gain his home all oceans he explored 
 
 Here Scylla frown' d and there Charybdis roar'd; 
 
 Horror on sea and horror on the land 
 
 In hell's dark boat he sought the spectre land, 
 
 Till borne a slumberer to his native spot 
 
 He woke and sorrowing, knew his country not ! 
 
 VOTIVE TABLETS. 
 
 [Under this title Schiller arranged that more dignified and philoso- 
 phical portion of the small Poems published as Epigrams in the " Musen 
 Almanach ; " which rather sought to point a general thought, than a per- 
 sonal satire. Many of these, however, are either wholly without interest 
 lor the English reader, or express in almost untranslateable laconism 
 what, in far more poetical shapes Schiller has elsewhere repeated and de- 
 veloped. We, therefore, content ourselves with such a selection as appears 
 to us best suited to convey a fair notion of the object and spirit if the 
 rluss.] 
 
 MOTTO TO THE VOTIVE TABLETS. 
 
 What the God taught what has befriended all 
 Life's ways, I place upon the Votive Wall. 
 
 THE GOOD AND THE BEAUTIFUL. 
 
 (ZWEIERLEI WIRKU^GSARTEN.) 
 
 THE Good's the Flower to Earth already given- 
 The Beautiful on Enrfch sows flowers from Heaven !
 
 184 POEMS AND BALLADS OF SCHILLEK. 
 
 VALUE AND WORTH. 
 
 IF them hast something, bring thy goods a fair return be 
 
 thine; 
 If thou art something, bring thy soul and interchange -with 
 
 mine. 
 
 THE DIVISION OF EANKS. 
 
 YES, in the moral world, as ours, we see 
 Divided grades a Soul's Nobility ; 
 By deeds their titles Commoners create 
 The loftier order are by birthright great.* 
 
 TO THE MYSTIC. 
 
 SPREADS Life's true mystery round us evermore, 
 Seen by no eye, it lies all eyes before.f 
 
 THE KEY. 
 
 To know thyself in others self discern : 
 
 Wouldst thou know others ? read thyself and learn ! 
 
 WISDOM AND PRUDENCE. 
 
 WOULDSI thou the loftiest height of Wisdom gain ? 
 On to the rashness, Prudence would disdain ; 
 The purblind see but the receding shore, 
 ISTot that to which the bold wave wafts thee o'er ! 
 
 * This idea is often repeated, somewhat more clearly, in the haughty 
 philosophy of Schiller. lie himself says, elsewhere " In a fair soul each 
 single action is not properly moral, hut the whole character is moral. 
 The fair soul has no other service than the instincts of its own beauty." 
 " Common Natures," observes Hoft'meister, " can only act as it were by 
 rule and law; the Noble are of themselves morally good, and humanly 
 beautiful." 
 
 t Query P the Law of Creation, both physical and moral.
 
 VOTIVE TABLETS. 1S5 
 
 THE UNANIMITY. 
 
 TKUTH seek we both Thou, in the life without thee and 
 
 around ; 
 
 I in the Heart within by both can Truth alike be found ; 
 The healthy eye can through the world the great Creator 
 
 track 
 The healthy heart is but the glass which gives creation 
 
 back. 
 
 THE SCIENCE OF POLITICS. 
 
 ALL that thou dost be right to that alone confine thy 
 
 view, 
 And halt within the certain rule the All that's right 
 
 to do! 
 True zeal the wliat already is would sound and perfect 
 
 see, 
 False zeal would sound and perfect make the something 
 
 that's to be ! 
 
 TO ASTRONOMERS. 
 
 OF the Nebuloe * and planets do not babble so to me ; 
 What ! is Nature only mighty inasmuch as you can 
 
 see ? 
 
 Inasmuch as you can measure her immeasurable ways ? 
 As she renders world on world, sun and system to your 
 
 gaze ? 
 Though thro' space your object be the Sublimest to 
 
 embrace, 
 Never the Sublime abideth where you vainly search in 
 
 space ! 
 
 * Xebelilecke ; t. e., the nebulous matter which puzzles astronomers. Is 
 Nature, then, only great inasmuch as you can compute her almost incal- 
 culable dimensions, or inasmuch as she furnishes almost incalculable subjects 
 for your computations ? Your object is, indeed, the sublimest in space ; but 
 the Sublime does not dwell in space i. e., the Moral Law is the only Sub- 
 lime, and its Kingdom is where Time and Space are not.
 
 186 POEMS AND BALLADS OF SCHILLER, 
 
 THE BEST GOVERNED STATE. 
 
 How the best state to know ? it is found out : 
 Like the best woman that least talked about. 
 
 MY BELIEF. 
 
 WHAT thy religion ? those thou namest none ? 
 None why because I have religion ! 
 
 FRIEND AND FOE. 
 
 DEAR is my friend yet from my foe, as from my friend, 
 
 comes good ; 
 My friend shows what I can do, and my foe shows what 
 
 I shou'd. 
 
 LIGHT AND COLOUR. 
 
 DWELL, Light, beside the changeless God God spoke ar:J 
 
 Light began ; 
 Come, thou, the ever-changing one come, Colour, down 
 
 to Man ! 
 
 FORUM OF WOMEN. 
 
 WOMAN to judge man rightly do not scan 
 Each separate act ; pass judgment on the Mar: 
 
 GENIUS. 
 
 INTELLECT can repeat what's been fulfill'd, 
 And, aping Nature, as she buildeth build ; 
 O'er Nature's base can haughty Reason da.-< 
 To pile its lofty castle in the air. 
 But only thine, Genius, is the charge, 
 In Nature's kingdom Nature to enlarge !
 
 VOTIVE TABLETS. 187 
 
 THE IMITATOR. 
 
 GOOD out of good that art is known to all 
 But Genius from the bad the good can call : 
 Then, Mimic, not from leading-strings escaped, 
 Work st but the matter that's already shaped : 
 The already shaped a nobler hand awaits, 
 All matter asks a Spirit that creates ! 
 
 CORRECTNESS. 
 
 (FREE TKANSLATION). 
 
 THE calm correctness, where no fault we see, 
 Attests Art's loftiest or its least degree ; 
 Alike the smoothness of the surface shows 
 The Pool's dull stagner the great Sea's repose. 
 
 THE MASTER. 
 
 THE herd of scribes, by what they tell us, 
 Sho\v all in which their wits excel us ; 
 But the True Master we behold, 
 In what his art leaves just untold. 
 
 EXPECTATION AND FULFILMENT. 
 
 O'ER Ocean, with a thousand masts, sails forth the stripling 
 
 bold- 
 One boat, hard rescued from the deep, draws into port the 
 ' old ! 
 
 THE EPIC HEXAMETER. 
 (TRANSLATED BY COLEHIDOB.) 
 
 STRONGLY it bears us along in swelling and . limitless 
 
 billows, 
 Nothing before and nothing behind but the sky and the 
 
 ocean.
 
 188 POEMS AND BALLADS OF SCHILLER. 
 
 THE ELEGIAC METRE. 
 (TRANSLATED BY COLEKIDOE). 
 
 IN t.hc hexameter rises the fountain's silvery column, 
 In the pentameter aye falling in melody back.* 
 
 OTHER EPIGRAMS, &c. 
 
 GIVE me that which thou knovv'st I'll receive and 
 
 attend ; 
 Bat thou givest me thyself prithee, spare me, my 
 
 friend ! 
 
 THE PROSELYTE MAKER. 
 
 " A LITTLE earth from out the Earth and I 
 The Earth will move : " so spake the Sage divine. 
 Out of myself one little moment try 
 Myself to take : succeed, and I am thine ! 
 
 THE CONNECTING MEDIUM. 
 
 WHAT to cement the lofty and the mean 
 
 Does Nature ? what ? place vanity bet\vo< c ! 
 
 THE MORAL POET. 
 
 [Tliis is an Epigram on Lavatcr's work, called " Pontius Pilatus, oder der 
 Mensch iu Allen Gestalten," &c. HOFF.MEISTEK.] 
 
 " How poor a thing is man ! " alas, 'tis true 
 I'd half forgot it when I chanced on you ! 
 
 * We have ventured to borrow these two translations from Cole-ridge's 
 poems, not only because what Coleridge did well, no living man could have 
 the presumptuous hope to improve, but because they adhere to the original 
 metre, which Germany has received from Greece, and show, we venture to 
 think, that not even Coleridge could have made that more agreeable to the 
 English ear and taste in poems of any length, nor even in small poems if 
 often repeated. It is, however, in their own language the grandest which the 
 Germans possess, and has been used by Schiller with signal success in his 
 " Walk," and other poems.
 
 TO THE PPJXCE OF SAXE WEIMAR. 189 
 
 THE SUBLIME THEME. 
 
 [Also on Larater, and alluding to the "Jesus Messias, oder die Evangelien 
 und Apostelgeschichte in Gej'dngeu," &c.] 
 
 How God compassionates Mankind, thy muse, my friend, 
 
 rehearses 
 Compassion for the sins of Man ! What comfort for thy 
 
 verses ! 
 
 SCIENCE. 
 
 To some she is the Goddess great, to some the milch-cow 
 
 of the field ; 
 Their care is but to calculate what batter she will 
 
 yield. 
 
 KANT AND HIS COMMENTATOES. 
 
 How many starvelings one rich man can nourish ! 
 When monarchs build, the rubbish-carriers flourish. 
 
 TO 
 THE HEREDITAEY PRINCE OF SAXE WEIMAR, 
 
 ON HIS JOURNEY TO PAEIS, WRITTEN FEBRUARY, 1802. 
 [Sung in a friendly circle.] 
 
 To the Wanderer a bowl to the brim ! 
 
 This Vale on his infancy smil'd ; 
 Let the Vale send a blessing to him, 
 
 Whom it cradled to sleep as a child ! 
 
 He goes from his Forefathers' halls 
 
 From the arms that embraced him at birth 
 
 To the City that trophies its walls 
 
 With the spoils it has ravish'd from earth ! 
 
 The thunder is silent, and now 
 
 The War and the Discord are ended ; 
 
 And Man o'er the crater may bow, 
 
 Whence the stream of the lava descended.
 
 190 POEMS AND BALLADS OF SCH1LLEH, 
 
 O fair be the fate to secure 
 
 Thy way through, the perilous track ; 
 
 The heart Nature gave thee is pure, 
 Bring it pure, as it goes from us, back. 
 
 Those lands the wild hoofs of the steeds, 
 War yoked for the carnage, have torn ; 
 
 But Peace, laughing over the meads, 
 Come, strewing the gold of the corn. 
 
 Thou the old Father Rhine wilt be greeting, 
 By whom thy great Father * shall be 
 
 Remembered so long as is fleeting 
 
 His stream to the beds of the Sea ; 
 
 There, honour the Heroes of old, 
 
 And pour to our Warden, the Rhine, 
 
 Who keeps on our borders his hold, 
 A cup from his own merry wine ; 
 
 That thou may'st, as a guide to thy youth, 
 The soul of the Fatherland find, 
 
 When thou passest the bridge where the Truth 
 O the German, thou lea vest behiud. 
 
 TO 
 
 A YOUNG FRIEND DEVOTING HIMSELF TO 
 PHILOSOPHY. 
 
 SEVERE the proof the Grecian youth was doomed to 
 
 undergo, 
 Before he might what lurks beneath the Eleusinia 
 
 know 
 Art thou prepared and ripe, the shrine that inner shrine 
 
 to win, 
 Where Pallas guards from vulgar eyes the mystic prize 
 
 within ? 
 Know'st thou what bars thy way ? how dear the bargain 
 
 thou dost make, 
 When but to buy uncertain good, sure good thou dost 
 
 forsake ? 
 
 * Duke Bernard of Weimar, one of the great Generals of <the Thirty 
 Years' War.
 
 THE PUPPET-SHOW OF LIFE. 191 
 
 Feel'st tbou sufficient strength to brave the deadliest human 
 
 fray 
 When Heart from Reason Sense from Thought, shall rend 
 
 themselves away ? 
 Sufficient valour, war with Doubt, the Hydra-shape, to 
 
 wage ; 
 And that worst Foe within thyself with manly soul 
 
 engage ? 
 With eyes that keep their heavenly health the innocence 
 
 of youth 
 To guard from every falsehood, fair beneath the mask of 
 
 Truth ? 
 Fly, if thou canst not trust thy heart to guide thee on 
 
 the way - 
 
 Oh, fly the charmed margin ere th' abyss engulf its prey. 
 Round many a step that seeks the light, the shades of 
 
 midnight close ; 
 
 But in the glimmering twilight, see how safely Child- 
 hood goes ! 
 
 THE PUPPET-SHOW OF LIFE. 
 
 (DAS SPIEL DES LEBENS.) 
 A PARAPHRASE. 
 
 [A literal version of this Poem, which, possibly may have been suggested 
 by some charming passages in Wilhelm Meister, would be incompatible with 
 the spirit which constitutes its chief merit. And perhaps, therefore, the 
 original may be more faithfully rendered (like many of the Odes of Hoi-ace) 
 by paraphrase than translation. In the general idea, as in all Schiller's 
 1'oems of this kind, something more is implied than expressed. He has 
 treated, elsewhere, the Ideal or Shadowy life in earnest. He here represents 
 the Actual as a game; the chief images it brings to view are those of strife 
 and contest; to see it rightly you must not approach too near; and regard 
 the Actual Stage only by the lights of Love. True to his chivalry to the 
 sex, even in sport, as in earnest, Schiller places the prize of life in the hand 
 of Woman.] 
 
 Ho ho my puppet-show ! 
 Ladies and gentlemen see my show ! 
 Life and the world look here, in troth, 
 Though but in parvo, I promise ye both ! 
 The world and life they shall both appear ; 
 But both are best seen when you're not too near ;
 
 192 POEMS AND BALLADS OF SCHILLER. 
 
 And every lamp from the stage to the porch, 
 Must be lighted by Venus, from Cupid's torch : 
 Xever a moment, if rnles can tempt ye, 
 Xever a moment my scene is empty ! 
 Here is the babe in his leading-strings 
 
 Here is .the boy at play ; 
 Hei'e is the passionate youth with wings, 
 
 Like a bird's on a stormy day, 
 To and fro, waving here and there, 
 Down to the earth and aloft through the ait : 
 Now see the man, as for combat enter 
 Where is the peril he fears to adventure ? 
 
 See how the puppets speed on to the race, 
 Each his own fortune pursues in the chase ; 
 How many the rivals, how narrow the space ! 
 But, hurry and scurry, O mettlesome game ! 
 The cars roll in thunder, the wheels rush in flame. 
 How the brave dart onward, and pant and glow ! 
 How the craven behind them come creeping slow 
 Ha ! ha ! see how Pride gets a terrible fall ! 
 See how Prudence, or Cunning, out-races them all ! 
 See how at the goal, with her smiling eyes, 
 Ever waits Woman to give the prize ! 
 
 THE MINSTRELS OF OLD. 
 
 WHERE now the minstrel of the large renown, 
 
 Rapturing with living words the heark'ning throng ? 
 Charming the Man to Heaven, and earthward down 
 
 Charming the God ! who wing'd the soul with 
 
 song ? 
 Yet lives the minstrel, not the deeds the lyre 
 
 Of old demands ears that of old believed it 
 Bards of bless'd time how flew your living fire 
 
 From lip to lip ! how race from race received it ! 
 As if a God, men hallow'd with devotion 
 
 What GENIUS, speaking, shaping, wrought below, 
 The glow of song inflamed the ear's emotion, 
 
 The ear's emotion gave the song the glow ;
 
 COMMENCEMENT OF THE" NEW CENTUHY. 193 
 
 Each nurturing each back on his soul its tone 
 Whole nations echoed -with a rapture-peal ; 
 
 Then all around the heavenly splendour shone 
 
 Which now the heart, and scarce the heart can feel. 
 
 THE 
 
 COMMENCEMENT OF THE NEW CENTURY. 
 
 WHERE can Peace find a refuge ? whither, say, 
 
 Can Freedom turn ? lo, friend, before our view 
 The CENTURY rends itself in storm away, 
 
 And, red with slaughter, dawns on earth the New. 
 The girdle of the lands is loosen'd ; * hurl'd 
 
 To dust the forms old Custom deem'd divine, 
 Safe from War's fury not the watery world ; 
 
 Safe not the Nile-God nor the antique Rhine. 
 Two mighty nations make the world their field, 
 
 Deeming the world is for their heirloom given 
 Against the freedom of all lands they wield 
 
 This Neptune's trident ; that the Thund'rer's levin 
 Gold to their scales each region must afford ; 
 
 And, as fierce Brennus in Gaul's early tale, 
 The Frank casts in the iron of his sword, 
 
 To poise the balance, where the right may fail 
 Like some huge Polypus, with arms that roam 
 
 Outstretch 'd for prey the Briton spreads his reign ; 
 And, as the Ocean were his household home, 
 
 Locks up the chambers of the liberal main. 
 On to the Pole where shines, unseen, the Star, 
 
 Onward his restless course unbounded flies; 
 Tracks every isle and every coast afar, 
 
 And undiscover'd leaves but Paradise ! 
 Alas, in vain on earth's wide chart, I ween, 
 
 Thou seek'st that holy realm beneath the >ky 
 Where Freedom dwells in gardens ever greea 
 
 And blooms the Youth of fair Humanity ! 
 O'er shores where sail ne'er rustled to the wind, 
 
 O'er the vast universe, may rove thy ken ; 
 But in the universe thon canst not find 
 
 A space sufficing for ten happy men ! 
 
 That is the Mttled political question the balance of row*r.
 
 191 POEMS AND BALLADS OF SCHILLER 
 
 In the heart's holy stillness only beams 
 
 The shrine of refuge from life's stormy throng ; 
 
 Freedom is only in the land of Dreams ; 
 And only blooms the Beautiful in Song ! 
 
 "We have now concluded the Poems composed in the third or maturest period 
 of Schiller's life . . . From this portion, only have been omitted in the 
 Translation, (besides some of the moral or epigrammatic sentences to which 
 we have before alluded) a very few pieces, which, whatever their merit in 
 the original, would be wholly without interest for the general English 
 reader, viz., the satirical lines on Shakespeare's Translators, "the Philo- 
 sopher," " the Rivers," "the Jeremiad," the Remonstrance, addressed to 
 Goethe on producing Voltaire's " Mahomet " on the Stage, in which the 
 same ideas nave been already expressed by Schiller in poems of more liberal 
 and general application; and three or four occasional pieces in albums, &c. 
 
 The " Farewell to the Reader," which properly belongs to this division of 
 the Poems, has been transferred, as the fitting conclusion, to the last place 
 in the entire translation. 
 
 SECOND PERIOD. 
 
 TH* Poems included in the Second Period of Schiller's literary career are 
 few, but remarkable for their beauty, and deeply interesting from thp 
 struggling and anxious state of mind which some of them depict. It was. 
 both to his taste and to his thought, a period of visible transition. He had 
 survived the wild and irregular power which stamps, with fierce and some- 
 what sensual characters, the productions of his youth ; but he had not 
 attained that serene repose of strength that calm, bespeaking depth and 
 fulness, which is found in the best writings of his maturer years. In point 
 of style, the Poems in this division have more facility and sweetness than 
 those of his youth, and perhaps more evident vigour, more popular verve 
 and gusto than many composed in his riper manhood : in point of thought, 
 they mark that era through, which few men of inquisitive and adventurous 
 genius of sanguine and impassioned temperament and of education chiefly 
 self-formed, undisciplined, and imperfect, have failed to pass the era o'f 
 doubt and gloom, of self- conflict, and of self-torture. In the "Robbers" 
 and much of the poetry written in the same period of Schiller's life, there is 
 a bold and wild imagination, which attacks rather than questions innovates 
 rather than examines seizes upon subjects of vast social import, that float 
 on the surface of opinion, and assails them with a blind and half-savage 
 rudeness, according as they offend the enthusiasm of unreasoning youth. 
 But now this eager and ardent mind had paused to contemplate ; its studies 
 were turned to philosophy and history a more practical knowledge of life 
 (though in this last, Schiller, like most German authors, was ever more or 
 less deficient in variety and range) had begun to soften the stern and fiery 
 spirit which had hitherto sported with the dangerous elements of social 
 revolution. And while this change was working, before its feverish agita- 
 tion subsided into that Kantism which is the antipodes of scepticism, it was 
 natural that, to the energy which had asserted, denounced, and dogmatised, 
 should succeed the reaction of despondency and distrust. Vehement indig- 
 nation at " the solemn plausibilities " of the world pervades the " Robbers." 
 In "J)on Carlos," the passion is no longer vehement indignation, but 
 mournful sorrow not indignation that hypocrisy reigns, but sorrow that 
 honesty cannot triumph not indignation that formal Vice usurps the high 
 places of the world, but sorrow that, in the world, warm and generous 
 Virtue glows, and feels, and suffers without reward. So, in the poems of
 
 SECOND PERIOD. 105 
 
 tlrfs pcrtod, are two that made a considerable sensation at their first appear- 
 ance" The Conflict" published originally under the title of " The J''ne- 
 thinking of Passion," and " Resignation." They presented a melancholy 
 view of the moral struggles in the heart of a noble and virtuous man. From 
 the first of these poems, Schiller, happily and wisely, at a Inter period of hi* 
 life, struck out the passages most calculated to offend. What hand would 
 dare to restore them ? The few stanzas that remain still suggest the outline 
 of dark and painful thoughts, which is filled up in the more elaborate, and, 
 in many respects, most exquisite, poem of " Resignation." Virtue exacting 
 all sacrifices, and giving no reward Belief which denies enjoyment, and has 
 no bliss save its own faith; such is the sombre lesson of the melancholy 
 poet the more impressive because so far it is truth deep and everlasting 
 truth but only, to a Christian, a part of truth. Resignation, so sad if not 
 looking beyond the earth, becomes joy, when assured and confident of 
 heaven. Another poem in this intermediate collection was no less subjected 
 to severe animadversion. We mean " The Gods of Greece." As the Poem 
 however now stands, though one or two expressions are not free from objec- 
 tion, it can only be regarded as a Poet's lament for the Mythology which 
 was the Fount of poetry, and certainly not as a Reasoner's defence of 
 Paganism in disparagement of Christianity. But the fact is, that Schiller's 
 mind was so essentially religious, that we feel more angry, when he whom 
 we would gladly hail as our light and guide, only darkens us or mislfads, 
 than we should with the absolute infidelity of a less grave and reverent 
 genius. Yet a period a transition state of doubt and despondency is per- 
 haps common to men in proportion to their natural dispositions to faith and 
 veneration. With them, it conies from keen sympathy with undeserved 
 sufferings from grief at wickedness triumphant from too intense a brood- 
 ing over the mysteries involved in the government of the world. Scepticism 
 of this nature can but little injure the frivolous, and will be charitably 
 regarded by the wise. Schiller's mind soon outgrew the state which, to the 
 mind of a poet, above all men, is most ungenial, but the sadness which the 
 struggle bequeathed seems to have wrought a complete revolution in all Iu3 
 preconceived opinions. The wild creator of the " Robbers" drunk with 
 liberty, and audacious against all restraint, becomes the champion of " Holy 
 Order," the denouncer of the French Republic the extoller of an Ideal 
 Life, which should entirely separate Genius the Restless from Society the 
 Settled. And as his impetuous and stormy vigour matured into the lucent 
 and tranquil art of " l)er Spaziergang" " Wallemte'm" and " Die Braut 
 eon Messina," so his philosophy threw itself into calm respect for all that 
 custom sanctioned, and convention halved. 
 
 But even during the painful transition, of which, in his minor poems, 
 glimpses alone are visible, Scepticism, with Schiller, never insults thu 
 devoted, or mocks the earnest mind. It may have sadness but never 
 scorn. It is the question of a traveller who has lost his way in the great 
 wilderness, but who mourns with his fellow-seekers, and has no bitter 
 laughter for their wanderings from the goal. This Division begins, indeed, 
 with a Hymn which atones for whatever pains us in the two Poems whoso 
 strain and spirit so gloomily contrast it, viz., the matchless and imniurtal 
 "Hymn to Joy" a poem steeped in the very essence of all-loving and all- 
 aiding Christianity breathing the enthusiasm of devout yet gladsomo 
 adoration, and ranking amongst the most glorious bursts of worship which 
 grateful Genius ever rendered to the benign Creator. 
 
 And it is peculiarly noticeable, that, whatever Schiller's state of mind 
 upon theological subjects at the time that this Hymn was composed, and 
 though all doctrinal stamp and mark be carefully ab'sent frotti it, it is lyet tl 
 poem that Merer could hare been written but in a Christkii Biffo ill a CVi 
 tinn I:-M,I \s\\\ by ttttta whw *imig giral ttit4 hwtt bad *"* iu *! uw* 
 
 ** '*
 
 196 POEMS AND BALLADS OF SCHILLER. 
 
 (nay, was, at the very moment of composition) inspired and suffused with 
 that firm belief in God's goodness and His justice that full assurance of 
 rewards beyond the grave that exulting and seraphic cheerfulness whiclj 
 associates Joy with the Creator and that animated affection tor the Brother- 
 hood of Mankind, which, Christianity and Christianity alone, in its pure, 
 orthodox, gospel form, needing no aid from schoolman or philosopher 
 taught and teaches. 
 
 HYMN" TO JOY. 
 
 [The origin of the following Hymn is said to be this: Schiller, when at 
 Lt-ipsic, or its vicinity, saved a poor student of theology, impelled bv desti- 
 tution and the fear of starvation, from drowning himself in the river Pleisse. 
 Schiller gave him what money he had ; obtained his promise to relinquish 
 the thought of suicide, at least while the money lasted ; and a few days 
 afterwards, amidst the convivialities of a marriage feast, related the circum- 
 stance so as to att'ect all present. A subscription was made, which enabled 
 the student to complete his studies, and ultimately to enter into an official 
 situation. F.lated with the success of his humanity, it is to Humanity that 
 Schiller consecrated this Ode.] 
 
 SPARK from the fire that Gods have fled 
 
 Joy thou Elysian Child divine, 
 Fire-drunk, our airy footsteps tread, 
 
 O Holy One ! thy holy shrine. 
 Strong custom, rends us from each other 
 
 Thy magic all together brings ; 
 And man in man but hails a brother, 
 
 Wherever rest thy gentle wings. 
 
 Chorus Embrace ye millions let this kiss, 
 
 Brothers, embrace the earth below 1 
 Yon starry worlds that shine on this, 
 One common Father know ! 
 
 He who this lot from fate can grasp 
 
 Of one true friend the friend to be 
 He who one faithful maid can clasp, 
 
 Shall hold with us his jubilee ; 
 Yes, each who but one single heart 
 
 In all the earth can claim his own ! 
 Let him who cannot, stand apart, 
 
 And weep beyond the pale, alone ! 
 
 (7Aor?is Homage to holy Sympathy, 
 
 Ye dwellers in our mighty ring ; 
 Up to yon star-pavilions she 
 Leads to the Unknown King J
 
 HYMN TO JOY. 197 
 
 All being drinks the mother-dew 
 
 Of joy from Nature's holy bosom ; 
 And Vice and Worth alike pursue 
 
 Her steps that strew the blossom. 
 Joy in each link to us * the treasure 
 
 Of Wine and Love ; beneath the sod, 
 The Worm has instincts fraught with pleasure ; 
 
 In Heaven the Cherub looks on God ! 
 
 Chorus f Why bow ye down why down ye millions ? 
 
 World, thy Maker's throne to see, 
 Look upward search the Star-pavilions : 
 There must His mansion be ! 
 
 Joy is the mainspring in the whole 
 
 Of endless Nature's calm rotation ; 
 Joy moves the dazzling wheels that roll 
 
 In the great Timepiece of Creation ; 
 Joy breathes on buds, and flowers they are; 
 
 Joy beckons suns come forth from heaven ; 
 Joy rolls the spheres in realms afar, 
 
 Ne'er to thy glass, dim Wisdom, given ! 
 
 Chorus Joyous as suns careering gay 
 
 Along their royal paths on high, 
 March, Brothers, march your dauntless way, 
 As Chiefs to Victory ! 
 
 Joy, from Truth's pure and lambent fires, 
 
 Smiles out upon the ardent seeker ; 
 Joy leads to Virtue Man's desires, 
 
 And cheers as Suffering's step grows weaker. 
 High from the sunny slopes of Faith, 
 
 The gales her waving banners buoy ; 
 And through the shatter'd vaults of Death, 
 
 Lo, mid the choral Angels Joy ! 
 
 Chorus Bear this life, millions, bravely bear 
 
 Bear this life for the Better One ! 
 See ye the Stars ? a life is there, 
 Where the reward is won. 
 
 * To us, emphatically. Schiller means to discriminate the measure of 
 bliss assigned to us, to the worm, and to the cherub. 
 
 f- The original is obscure here ; and the translator is doubtful whether he 
 has seized the meaning, which may simply be " Have you an innate feeling 
 of Deity then look for Him above the starry rault 1 "
 
 198 POEMS AND BALLADS OF SCHILLER. 
 
 Men like the Gods themselves may be, 
 
 Tho' Men may not the Gods requite ; 
 Go soothe the pangs of Misery 
 
 Go share the gladness with delight. 
 Revenge and hatred both forgot, 
 
 Have nought but pardon for thy foe ; 
 May sharp repentance grieve him nof, 
 
 No curse one tear of ours bestow ! 
 
 Chcmis Let all the world be peace and love 
 
 Cancel thy debt-book with thy bri;t'ior 
 For God shall judge of us above, 
 As we shall judge each other ! 
 
 Joy sparkles to us from the bowl 
 
 Behold the juice whose golden colour 
 To meekness melts the savage soul, 
 
 And gives Despair a Hero's valour. 
 Up, brothers ! Lo, we crown the cup ! 
 
 Lo, the wine flashes to the brim ! 
 Let the bright Fount spring heavenward ! Up ! 
 
 To THE GOOD SPIRIT this glass ! To HIM ! 
 
 Chorus Praised by the ever- whirling ring 
 
 Of Stars, and tuneful Seraphim 
 
 To THE GOOD SPIRIT the Father-King 
 
 In Heaven ! This glass to Him ! 
 
 Firm mind to bear what Fate bestows ; 
 
 Comfort to tears in sinless eyes ; 
 Faith kept alike with Friends and Foes ; 
 
 Man's Oath eternal as the skies ; 
 Manhood the thrones of Kings to girth, 
 
 Tho' bought by limb or life, the prize ; 
 Success to Merit's honest worth ; 
 
 Perdition to the Brood of Lies ! 
 
 Chorus Draw closer in the holy ring, 
 
 Swear by the wine-cup's golden river- 
 Swear by the Stars, and by their King, 
 To keep our vow for ever 1
 
 THE INVINCIBLE ARMADA. 
 
 THE INVINCIBLE ARMADA. 
 
 SHE comes, she comes the Burthen of the Deeps ! 
 
 Beneath her wails the Universal Sea ! 
 With clanking chains and a new God, she sweeps. 
 
 And with a thousand thunders, unto thee ! 
 The ocean-castles and the floating hosts 
 
 Ne'er on their like, look'd the wild waters ! Well 
 May man the monster name " Invincible." 
 O'er shudd'ring waves she gathers to thy coasts ! 
 
 The horror that she spreads can claim 
 
 Just title to her haughty name. 
 The trembling Neptune quails 
 Under the silent and majestic forms ; 
 The Doom of Worlds in those dark sails ; 
 
 Near and more near they sweep ! and slumber all the 
 Storms ! 
 
 Before thee, the array, 
 Blest island, Empress of the Sea ! 
 The sea-born squadrons threaten thee, 
 
 And thy great heart, BRITANNIA ! 
 Woe to thy people, of their freedom proud 
 She rests, a thunder heavy in its cloud ! 
 Who, to thy hand the orb and sceptre gave, 
 
 That thou should 'st be the sovereign of the nations ? 
 To tyrant kings thou wert thyself the slave, 
 
 Till Freedom dug from Law its deep foundations ; 
 The mighty CHART thy citizens made kings 
 
 And kings to citizens sublimely bovv'd ! 
 And thou thyself, upon thy realm of water, 
 Hast thou not render'd millions up to slaughter, 
 
 When thy ships brought upon their sailing wings 
 
 The sceptre and the shroud ? 
 What should'st thou thank ? Blush, Earth, to hear and 
 
 feel: 
 What should'st thou thank? Thy genius and thy 
 
 steel ! 
 Behold the hidden and the giant fires ! 
 
 Behold thy glory trembling to its fall ! 
 Thy coming doom the round earth shall appal,
 
 POEMS AND BALLADS OF SCHILLER. 
 
 And all the hearts of freemen beat for thee, 
 And all free souls their fate in thine foresee 
 
 Theirs is thy glory's fall ! 
 One look below the Almighty gave, 
 Where stream'd the lion-flags of thy proud foe ; 
 And near and wider yawn'd the horrent grave. 
 " And who," saith HE, " shall lay mine England low- 
 The stem that blooms with hero-deeds 
 The rock when man from wrong a refuge needs 
 The stronghold where the tyrant comes in vain ? 
 "Who shall bid England vanish from the main ? 
 Ne'er be this only Eden Freedom knew, 
 Man's stout defence from Power, to Fate consign'd." 
 God the Almighty blew, 
 And the Armada went to every wind ! 
 
 THE CONFLICT. 
 
 No ! I this conflict longer will not wage, 
 
 The conflict Duty claims the giant task ; 
 
 Thy spells, Virtue, never can assuage 
 
 The heart's wild fire this offering do not ask ! 
 
 True, I have sworn a solemn vow have sworn, 
 That I myself will curb the self within ; 
 
 Yet take thy wreath, no more it shall be worn 
 Take back thy wreath, and leave me free to sin. 
 
 Bent be the contract I with thee once made ; 
 She loves me, loves me forfeit be thy crown ! 
 
 Blest he who, lull'd in rapture's dreamy shade, 
 Glides, as I glide, the deep fall gladly down. 
 
 Slie sees the worm that my youth's bloom decays, 
 She sees my springtime wasted as it flees ; 
 
 Ar.d, marv'ling at the rigour that gainsays 
 
 The heart's sweet impulse, my reward decrees. 
 
 Distrust this angel purity, fair soul ! 
 
 It is to guilt thy pity armeth me ; 
 Could Being lavish its unmeasured whole, 
 
 It ne'er could give a gift to rival Thee I
 
 RESIGNATION. 201 
 
 Thee the dear guilt I ever seek to shun, 
 
 tyranny of fate, wild desires ! 
 My virtue's only crown can but be won 
 
 In that last breath when virtue's self expires ! 
 
 RESIGNATION. 
 
 AND I, too, was amidst Arcadia born, 
 
 And Nature seem'd to woo me ; 
 And to my cradle snch sweet joys were sworn : 
 ^.nd I, too, was amidst Arcadia born, 
 
 Yet the short spring gave only tears unto me ! 
 Life but one blooming holiday can keep 
 
 For me the bloom is fled ; 
 The silent Genius of the Darker Sleep 
 Turns down my torch and weep, my brethren, weep- 
 
 Weep, for the light is dead ! 
 Upon thy bridge the shadows round me press, 
 
 O dread Eternity ! 
 
 And I have known no moment that can bless ; 
 Take back this letter meant for Happiness 
 
 The seal's unbroken see ! 
 Before thee, Judge, whose eyes the dark-spun veil 
 
 Conceals, my murmur came ; 
 On this our orb a glad belief prevails, 
 That, thine the earthly sceptre and the scales, 
 
 EEQUITER is thy name. 
 
 Terrors, they say, thou dost for Vice prepare, 
 
 And joys the good shall know ; 
 Thou canst the crooked heart unmask and bare ; 
 Thou canst the riddle of our fate declare, 
 
 And keep account with Woe. 
 With thee a home smiles for the exiled one 
 
 There ends the thorny strife. 
 Unto my side a godlike vision won, 
 Called TRUTH, (few know her, and the many shun,) 
 
 And check'd the reins of life. 
 " 1 will repay thee in a holier land
 
 202 POEMS AND BALLADS OF SCHILLER. 
 
 Give thou to me thy youth ; 
 All I can grant thee lies in this command." 
 I heard, and, trusting in a holier land, 
 
 Gave my young joys to Truth. 
 
 u Give me thy Laura give me her whom Love 
 
 To thy heart's core endears ; 
 The usurer, Bliss, pays every grief o&ot/W 
 I tore the fond >'iM>f Fnnn the bleeding IJVG, 
 
 And gave albeit with teurs ! 
 " What bond can bind the Dead to life once more ? 
 
 Poor fool," (the scoffer cries ;) 
 " Gull'd by the despot's hireling lie, with lore 
 That gives for Truth a shadow ; life is o'er 
 
 When the delusion dies ! " 
 " Tremblest thou," hiss'd the serpent-herd in scorn, 
 
 " Before the vain deceit ? 
 Made holy but by custom, stale and worn, 
 The phantom Gods, of craft and folly born 
 
 The sick world's solemn cheat ? 
 What is this Future underneath the stone ? 
 
 But for the veil that hides, revered alone; 
 The giant shadow of our Terror, thrown 
 
 On Conscience' troubled glass 
 Life's lying likeness in the dreary shroud 
 
 Of the cold sepulchre 
 
 Embalm'd by Hope Time's mummy, which the proud 
 Delirium, driv'ling through thy reason's cloud, 
 
 Calls ' Immortality ! ' 
 Giv'st thou for hope (corruption proves its lie) 
 
 Sure joy that most delights us ? 
 Six thousand years has Death reign'd tranquilly ! 
 Nor one corpse come to whisper those who die 
 
 What after death requites us ! " 
 Along Time's shores I saw the Season fly ; 
 
 Nature herself, interr'd 
 
 Among her blooms, lay dead ; to those who die 
 There came no corpse to whisper Hope ! Still I 
 
 Clung to the Godlike Word. 
 Judge ! All my joys to theo did I resign, 
 
 All that did most delight me ;
 
 THE GODS OF GllEECE. 203 
 
 And now I kneel man's scorn I scorn'd thy shrine 
 Have I adored Thee only held divine 
 
 Requiter, now requite me ! 
 " For all my sons an equal love I know 
 
 And equal each condition," 
 Answer'd an unseen Genius " See below, 
 T\vn flo\v?rs for all who r:ghtly seek them, blow 
 'IOPK and the Frurnox. 
 
 is pluck'd tlu- 01 e, resign'd must see 
 
 The sister's forfeit bloom : 
 Let Unix Kef enjoy Belief must be 
 A.11 to the chooser ; the world's history 
 
 Is the world's judgment doom. 
 Thou hast had HOPE in thy belief thy prize 
 
 Thy bli-'s was centred in it: 
 Eternity itself (Go ask the Wise !) 
 Never to him who forfeits, resupplies 
 
 The sum struck from the Minute ! " 
 
 THE GODS OF GREECE. 
 
 i. 
 
 YE in the age gone by, 
 
 Who ruled the world a world how lovely then ! 
 And guided still the steps of happy men 
 
 In the light leading-strings of careless joy ! 
 Ah, flourish'd then your service of delight ! 
 
 How different, oh, how different, in the day 
 When thy sweet fanes with many a wreath were bright, 
 
 Venus Amathusia ! 
 
 II. 
 
 Then, through a veil of dreams 
 
 Woven by Song, Truth's youthful beauty glow'd, 
 And life's redundant and rejoicing streams 
 
 Gave to the soulless, soul where'er they flow'd 
 Man gifted Nature with divinity 
 
 To lift and link her to the breast of Love ; 
 All things betray'd to the initiate eye 
 
 The track of gods above !
 
 204 POEMS AND BALLADS OF SCHILLER. 
 
 III. 
 
 Where lifeless fix'd afar, 
 
 A flaming ball to our dull sense is given, 
 Phoebae Apollo, in his golden car, 
 
 In silent glory swept the fields of heaven ! 
 On yonder hill the Oread was adored, 
 
 In yonder tree the Dryad held her homo ; 
 And from her Urn the gentle Naiad poar'd 
 
 The wavelet's silver foarn. 
 
 rv. 
 
 Yon bay, chaste Daphne wreathed, 
 
 Yon stone was mournful Niobe's mute cell, 
 Low through yon sedges pastoral Syrinx breath i-d. 
 
 And through those groves wail'd the sweet Philomel, 
 The tears of Geres swell'd in yonder rill 
 
 Tears shed for Proserpine to Hades borne ; 
 And, for her lost Adonis, yonder hill 
 
 Heard Cytherea mourn. ! 
 
 f 
 
 I T. 
 
 Heaven's shapes were charm'd unto 
 
 The mortal race of old Deucalion ; 
 Pyrrha's fair daughter, humanly to woo, 
 
 Came down, in shepherd-guise, Latona's son. 
 Between Men, Heroes, Gods, harmonious then 
 
 Love wove sweet links and sympathies divine ; 
 Blest Amathusia, Heroes, Gods, and Men, 
 
 Equals before thy shrine ! 
 
 VI. 
 
 ,N"ot to that culture gay, 
 
 Stern self-denial, or sharp penance wan ! 
 Well might each heart be happy in that day 
 
 For Gods, the Happy Ones, were kin to Man ! 
 The Beautiful alone the Holy there ! 
 
 No pleasure shamed the Gods of that young race ; 
 So that the chaste Camcense favouring were, 
 
 And the subduing Grace 1
 
 THE GODS OF GREECE. 205 
 
 A palace every shrine : 
 
 Yonr very sports heroic ; Yours the crown 
 Of contests hallow'd to a power divine, 
 
 As rush'd the chariots thund'ring to renown. 
 Fair round the altar where the incense breathed, 
 
 Moved your melodious dance inspired ; and fair 
 Above victorious brows, the garland wreathed 
 
 Sweet leaves round odorous hair ! 
 
 VIII. 
 
 The lively Thyrsus-swinger, 
 
 And the wild car the exnlting Panthers bore, 
 Announced the Presence of the Rap ture-B ringer 
 
 Bounded the Satyr and blithe Faun before ; 
 And Maenads, as the frenzy stung the soul, 
 
 Hymn'd in the madding dance, the glorious wine- 
 As ever beckon'd to the lusty bowl 
 
 The ruddy Host divine ! 
 
 DC. 
 
 Before the bed of death 
 
 No ghastly spectre stood but from the porch 
 Of life, the lip one kiss inhaled the breath, 
 
 And the mute graceful Genius lower'd a torch. 
 The judgment-balance of the Realms below, 
 
 A judge, himself of mortal lineage, held ; 
 The very Furies at the Thracian's woe, 
 
 Were moved and music-spelTd. 
 
 X. 
 In the Elysian grove 
 
 The shades renew'd the pleasures life held dear : 
 The faithful spouse rejoin'd remember'd love, 
 
 And rush'd along the meads the charioteer ; 
 There Linus pour'd the old accnstom'd strain ; 
 
 Admetus there Alcestis still could greet ; his 
 Friend there once more Orestes could regain, 
 
 His arrows Philoctetes !
 
 2U6 POEMS AND BALLADS OF SCHILLKE. 
 
 XL 
 
 More glorious then the meeds 
 
 That in tlieir strife with labour nerved the brave, 
 To the great doer of renowned deeds, 
 
 The Hebe and the Heaven the Thunderer gave. 
 Before the rescued Rescuer * of the dead, 
 
 Bow'd down the silent and Immortal Host ; 
 And the Twin Stars f their guiding lustre shed, 
 
 On the bark tempest-tost ! 
 
 XII. 
 
 Art thou, fair world, no more ? 
 
 Return, thou virgin- bloom on Nature's face ; 
 Ah. only on the Minstrel's magic shore, 
 
 Can we the footstep of sweet Fable trace ! 
 The meadows mourn for the old hallowing life ; 
 
 Vainly we search the earth of gods bereft ; 
 Where once the warm and living shapes were rife, 
 
 Shadows alone are left ! 
 
 XIII. 
 
 Cold, from the North, has gone 
 
 Over the Flowers the Blast that kill'd their May ; 
 And, to enrich the worship of the ONE, 
 
 A Universe of Gods must pass away ! 
 Mourning, I search on yonder starry steeps, 
 
 But thee no more, Selene, there I see ! 
 And through the woods I call, and o'er the deeps, 
 
 And Echo answers me ! 
 
 XIY. 
 
 Deaf to the joys she gives 
 
 Blind to the pomp of which she is possest 
 Unconscious of the spiritual Power that lives 
 
 Around, and rules her by our bliss unblest 
 
 * Hercules, who recovered from the Shades Alcestis, after she had given 
 her own life to save her husband Admetus. Alcestis in the hands of 
 Euripides (that woman-hater as he is called !) becomes the loveliest female 
 creation in the Greek Drama. 
 
 f *'. e. Castor and Pollux are transferred to the Stars, Hercules to Olympus, 
 for their deeds on earth.
 
 THE ARTISTS. 207 
 
 Dull to the Art that colours or creates, 
 
 Like the dead timepiece, Godless NATURE creeps 
 
 Her plodding round, and, by the leaden weights, 
 The slavish motion keeps. 
 
 xv. 
 
 To-morrow to receive 
 
 New life, she digs her proper grave to-day ; 
 And icy moons with weary sameness weave 
 
 From their own light their fulness and decay. 
 Home to the Poet's Land the Gods are flown, 
 
 Light use in them that later world discerns, 
 Which, the diviner leading-strings outgrown, 
 
 On its own axle turns. 
 
 XVL 
 
 Home ! and with them are gone 
 
 The hues they gaz'd on and the tones they heard ; 
 Life's Beauty and life's Melody: alone 
 
 Broods o'er the desolate void the lifeless "Word ; 
 Yet rescued from Time's deluge, still they throng 
 
 Unseen the Pindus they were wont to cherish : 
 Ah, that which gains immortal life in Song, 
 
 To mortal life must perish ! 
 
 THE ARTISTS. 
 
 THIS justly ranks amongst Schiller's noblest Poems. He confessed "tha^ 
 he had hitherto written nothing that so much pleased him nothing to 
 which he had given so much time." * It forms one of the many Pieces he 
 has devoted to the progress of Man. "The Eleusinian Festival" records 
 the social benefits of Agriculture ; " The Four Ages " panegyrises the influ- 
 ence of Poetry in all times; "The "Walk" traces, in a series of glowing 
 pictures, the development of general civilisation; the "Lay of the Bell" 
 commemorates the stages of Life; and "The Artiste," by some years the 
 earliest of the Series, is an elaborate exposition of the effect of Art upon the 
 Happiness and Dignity of the Human Species a lofty Hymn in honour of 
 Intellectual Beauty. Herein are collected into a symmetrical and somewhat 
 argumentative whole, many favourite ideas of Schiller, which the reader 
 kill recognise as scattered throughout his other effusions. About the time 
 f.-hen this Poem was composed, the narrow notions of a certain School of 
 miscalled Utilitarians were more prevalent than they deserved ; and this 
 fine composition is perhaps the most eloquent answer ever given to those 
 
 * Hinricha*
 
 208 POEMS AND BALLADS OF SCHILLER. 
 
 thinkers, svho have denied the Morality of Fiction, and considered Poets 
 rather the Perverters than the Teachers of the World. Perhaps in his just 
 Defence of Art, Schiller has somewhat underrated the dignity of Science 
 but so many small Philosophers have assailed the divine uses of Poetn; 
 that it may be pardoned to the Poet to vindicate his Art in somewhat to* 
 arrogant a tone of retaliation. And it may be fairly contended that Fiction 
 (the several forms of which are comprehended under the name of Art) ha& 
 exercised an earlier, a more comprehensive, and a more genial influence over 
 the Civilisation and the Happiness of Man, than nine tenths of that in- 
 vestigation of Facts which is the pursuit of Science. 
 
 The Poem, in the original, is written in lines of irregular length, the 
 imitation of which considering the nature and the length of the piece 
 would probably displease in an English version. Occasionally too (for 
 Schiller in all his philosophical Poems is apt to incur the fault of obscurity, 
 from which his poems of sentiment and narrative are generally free,) it has 
 been judged necessary somewhat to expand and paraphrase the sense to 
 translate the idea as well as the words. But though, verbally, the Trans- 
 lation mav be more free than most others in this collection, yet no less pains 
 have been taken to render the version true to the spirit and intention of the 
 Author. For the clearer exposition of the train of thought which Schiller 
 pursues, the Poein has been divided into sections, and the Argument of the 
 whole prefixed. If any passages in the version should appear obscure to 
 those readers who find the mind of Schiller worth attentive Study, even 
 when deprived of the melodious language which clothed its thoughts, by 
 referring to the Argument the sense will perhaps become sufficiently clear. 
 
 ARGUMENT. 
 
 SECT. 1 . Man regarded in his present palmy state of civilisation free 
 through Reason, strong through Law the Lord of Nature. (2) But let Mm 
 not forget his gratitude to ART, which found him the Savage, and by which 
 his powers have been developed his soul refined. Let him not degenerate 
 from serving AKT, the Queen to a preference for her handmaids (the 
 Sciences). The Bee and the Worm excel him in diligence and mechanical 
 craft the Seraph in knowledge but Art is Man's alone. (3) It is through 
 the Beautiful that Man gains the Intuition of Law and Knowledge. (4) The 
 supposed discoveries of Philosophy were long before revealed as symbols to 
 Feeling. Virtue charmed and Vice revolted, before the Laws of Solon. 
 (5) That Goddess which in Heaven is Urania the great Deity whom only 
 pure Spirits can behold, descends to earth ns the earthly Venus viz. the 
 Beautiful. She adapts herself to the childlike understanding. But what 
 we now only adore as Beauty we shall, one day, recognise as Truth. (6) After 
 the Fall of Man, this Goddess viz. the Beautiful (comprehending Poetry 
 and Art) alone deigned to console him, and painted on the walls of his 
 Dungeon the Shnpes of Elysium. (7) While Men only worshipped the 
 Beautiful, no Fanaticism hallowed Persecution and Homicide without 
 formal Law, without compulsion, they obeyed Virtue rather as an instinct 
 tlrm a Duty. (S) Those dedicated to her service (viz. the Poet and the 
 Artist) hold the highest intellectual rank Man can obtain. (9) Before Art 
 introduced its own symmetry and method into the world, all was chaos. 
 (10) You, the Artists, contemplated Nature, and learned to imitate; you 
 observed the light shaft of the cedar, the shadow on the wave. (11) Thus 
 rose the first Column of the Sculptor the first Design of the Painter and 
 the wind sighing through the reed suggested the first Music. (12) Art's 
 *irst attempt was in the first choice of flowers for a posy ; its second, the 
 weaving of those flowers into a garland i. e. Art first observes and selects 
 next blends and unites the column is ranged with other columns the indi-
 
 THE ARTISTS. 209 
 
 vidual Hero becomes one of an heroic army the rude Song- becomes an Iliad. 
 (13) The effect produced by Homeric Song, in noble emulation, nor in this 
 alone; Man learns to live in other woes than his own to feel pleasure* 
 beyond animal enjoyments. (14) And as this diviner intellectual feeling i< 
 developed, arc developed'also Thought and Civilisation. (15) In the rudest 
 state of Alan, you, the Artists, recognise in his breast the spiritual germ, and 
 warm it into life true and holy Love awoke with the first Shepherd's love 
 song. (16) It is you, the Artists, who generalising, and abstracting, gather 
 all several excellences into one ideal. You thus familiarise Man to the 
 notion of the Unknown Powers, whom you invest with the attributes Man 
 admires and adores. He fears the Unknown, but he loves its shadow. You 
 suffered the Nature around him to suggest the Prototype of all Beauty. 
 (17) You make subject to your ends the passion, the duty, and tbe instinct 
 All that is scattered through creation you gather and concentrate, and 
 resolve to the Song or to the Stage Even the murderer who has escaped 
 justice, conscience-stricken by the Eumcnides on the scene, reveals himself 
 Long before Philosophy hazarded its dogmas an Iliad solved the riddles of 
 Pate And with the wain of Thespis wandered a Providence. (18) Where 
 your symmetry, your design fail in this world, they extend into the world 
 beyond the grave If life be over too soon for the brave and good, Poetry 
 imagined the Shades below, and placed the hero Castor amongst the Stars.* 
 (19) Not contented with bes'owing immortality on Man you furnish forth 
 from Man, the ideal of the Immortals Virgin Beauty grows into a I'allas 
 manly Strength into a Jove. (20) As the world without you is thus enlarged 
 and the world within you agitated and enriched, your Art extends to Philo- 
 sophy : For as the essentials of Art are symmetry and design, so the Artist 
 extends that symmetry and that design into the system of Creation, the 
 Laws of Nature, the Government of the "World ; Lends to the spheres its 
 own harmony to the Universe its own symmetric method. (21) The Artist 
 thus recognising Contrivance everywhere, feels his life surrounded with 
 Beauty He has before him in Nature itself an eternal model of the Perfect 
 and Consummate Through joy grief terror wherever goes his course 
 one stream of harmony murmurs by his side The Graces are his companions 
 his life glides away amidst airy shapes of Beauty His soul is merged in 
 tho divine ocean that flows around him. Fate itself which is reduced from 
 Cliftn n e and Providence, and which furnishes him with themes of pleasurable 
 av:e, does not daunt him. (22) You, Artists, are the sweet and trusty com- 
 panions of life Yo\' gave us what life has best Your reward is your own 
 immortality and thb gratitude of Men's hearts. (23) You are the imitators 
 of the Divine Artist, who accompanies power with sweetness, terror with 
 splendour, who adorns himself even in destroying As a brook that reflects 
 t'ie evening landscape, so on the niggard stream of life shimmers Poetry. 
 You lead us on, in marriage garments, to the Unknown Bourne As your 
 Urns deck our bones your fair semblances deck our cares. Through the 
 history of the world, we find that Humanity smiles in your presence and 
 mourns in your absence. (24) Humanity came young from your hands, and 
 when it grew old and decayed, you gave it a second youth Time has 
 bloomed twice' from seeds sown by Art. (25) AVhen the Barbarians chased 
 Civilisation from Greece, you transplanted it to Italy and, with Civilisation, 
 freedom and gentle manners Yet you sought not public rewards for your 
 public benefits In obscurity you contemplated the blessings you had dift'u-ed. 
 (26) If the Philosopher now pursues his course without obstacles if he now 
 
 * To the Poet we are indebted for the promise of another life (foreshadow- 
 ing Divine Revelation) long before the Philosopher bewildered us by arguing 
 for it.
 
 10 POEMS AND BALLADS OF SCHILLER. 
 
 would arrogate the crown, and hold Art but as the first Slave to Science- 
 pardon his vain boast. Completion and Perfection in reality rest with you. 
 With you dawned the Spring, in you is matured the Harvest, of the Moral 
 "World. (27) For although Art sprung first from physical materials, the 
 clay and the stone it soon also embraced in its scope the spiritual and 
 intellectual JEven what Science discovers only ministers to Art. The 
 Philosopher obtains his first hints from the Poet or Artist and when his 
 wisdom flowers, as it were, into beauty it but returns to the service, and is 
 applied to the uses of its instructor. When the Philosopher contemplates 
 the Natural World, side by side with the Artist the more the Latter 
 accumulates images of beauty, and unites the details of the great design, the 
 more the Former enriches the sphere of his observation the more profound 
 his research the more bold his speculations The Imagination always 
 assists the Reason And Art which teaches Philosophy to see Art (i. e. Sym- 
 metry and Design) everywhere, may humble the Philosopher 1 a pride, but 
 augments his love. Thus scattering flowers, Poetry leads on through tones 
 and forms, ever high and higher, pure and purer, till it shall at last attain 
 that point when Poetry becomes but sudden inspiration and the instantaneous 
 intuition of Truth ; when in fact the Art sought by the Poet, the Truth 
 sought by the Philosopher, become one. (28) Then this great Goddess, 
 whom we have hitherto served as the earthly Venus, the Beautiful shall 
 re-assume her blazing crown and Man, to whose earlier and initiatory pro- 
 bation she has gently familiarised her splendour, shall behold her without a 
 veil not as the Venus of Karth, but as the Urania of Heaven Her beauty 
 comprehended by him in proportion to the beauty his soul took from her 
 So from the Mentor of his youth shone forth Minerva to Teleu;achus. (29) To 
 you, Artists, is committed the dignity of Man It sinks with you, it 
 revives with you. (30) In those Ages when Truth is persecuted by the 
 Bigotry of her own time, she seeks refuge in Song. The charm she takes 
 from the Muse but renders her more fearful to her Foes. (31) Aspire then 
 constantly, Artists, to the Beautiful covet no meaner rewards. If Art 
 escape you, search for her in Nature. Remember that the excellent and the 
 perfect ever must be found in whatsoever fair souls esteem fair. Do not 
 bound yourselves to your own time Let your works reflect the shadow of 
 the coming Age It matters not what paths you select You have before 
 you the whole labyrinth of being but all its paths for you unite at one 
 throne As the wnite breaks into seven tints, as the seven tints re-dissolve 
 into white so Truth is the same, whether she dazzles us with the splendour 
 of variegated colours, or pervades the Universe in one Stream of Light. 
 
 UPON the century's verge, Man, bow fair 
 Thou standest, stately as a silent palm 
 With boughs far-spreading through the solemn air, 
 In the full growth of mellowest years sublime ; 
 Thro' mildness earnest, thro' achievement calm, 
 Each sense unfolded, all the soul matured 
 The crowning work and ripest born of Time ! 
 Free in the freedom reason has secured, 
 Strong in the strength that Law bestows, thou arb, 
 Great in thy meekness rich with countless stores, 
 Which slept for ages silent in thy heart ; 
 The Lord of Nature, who thv chains adores,
 
 THE ARTISTS. 211 
 
 "Who in each strife but disciplines thy skill, 
 And shines from out the desert at thy will ! 
 
 II. 
 
 not, inebriate with thy victory, scorn 
 
 Scorn not to prize and praise the fostering hand 
 
 That found thee weeping orphan'd and forlorn, 
 
 Lone on the verge of Life's most barren strand 
 
 That seized from lawless CHANCE its helpless prey, 
 
 And early taught thy young heart the control 
 
 Of ART thy guide npon the npward way 
 
 The softener and the raiser of the soul, 
 
 Cleansing the breast it tutored to aspire, 
 
 From the rude passion and the low desire : 
 
 The good, the blessed One, who, through sweet play, 
 
 To lofty duties lured thy toilless youth ; 
 
 Who by light parables revealed the ray 
 
 That gilds the mystery of each holier Truth ; 
 
 And but to stranger arms consigned once more 
 
 To clasp her darling, riper for her lore. 
 
 O fall not back from that high faith serene, 
 
 To serve the Handmaids and forsake the Queen. 
 
 In diligent toil thy master is the bee ; 
 
 In craft mechanical, the worm that creeps 
 
 Through earth its dexterous way, may tutor thee ; 
 
 In knowledge (couldst thou fathom all its deeps), 
 
 All to the seraph are already known. 
 
 But thine, MAN, is AKT thine wholly and alone ! 
 
 in. 
 
 But through the Morning-Gate of Beauty goes 
 
 Thy pathway to the Land of Knowledge ! By 
 
 The twilight Charm, Truth's gradual daylight grows 
 
 Familiar to the Mind's unconscious eye ; 
 
 And what was first with a sweet tremulous thrill 
 
 Wakened within thee by melodious strings, 
 
 Grows to a Power that swells and soars until 
 
 Up to the all-pervading God it springs.* 
 
 * . . Poetry prepared the mind for the knowledge of God.
 
 212 POEMS AND BALLADS OF SCHILLER. 
 
 IV. 
 
 What first the reason of the Antique Time 
 
 Dimly discovered (many a century flown 
 
 Lay in the symbol types of the Sublime 
 
 And Beautiful intuitively known : 
 
 True, from the seeker as a lore concealed,) 
 
 But as an instinct all to childish sense revealed. 
 
 Virtue's fair shape to Virtue love could draw, 
 
 From Vice a gentler impulse warned away, 
 
 Ere yet a Solon sowed the formal Law, 
 
 Whose fruits warmed slowly to th.e gradual ray ; 
 
 Ere the Idea of Space, the Infinite, 
 
 Before Philosophy, the Seeker, stole 
 
 Who ever gazed upon the Starry Light, 
 
 Nor guess'd the large truth in the silent soul ? 
 
 v. 
 
 She the UBA.NIA, with her wreath of rays, 
 The glory of Orion round her brow ; 
 Ou whom pure Spirits only dare to gaze, 
 As Heaven's bright Habitants before her bow ; 
 And round her splendour the stars wink and fade 
 So awful, reigning on her sunlit throne 
 When she diswreathes her of her fiery crown, 
 Gliding to Earth (Earth's gentle Venus) down, 
 Smiles on us but as BEAUTY : * with the zone 
 Of the sweet Graces girded, the meek youth 
 Of Infancy she wears, that she may be 
 By Infants comprehended, and what we 
 Here, but as BEAUTY gazed on and obey'd, 
 Will, one day, meet us in her name of TRUTH ! 
 
 vi. 
 
 When the Creator from his presence cast 
 Man to thy dark abyss Mortality, 
 Condemn'd the late return to glory past, 
 To seek and strive for with a weary sigh, 
 
 * i. e. She who, in Heaven, is Urania the Daughter of Urnmp bt 
 Liijht, is, on Earth, Venus the Divinity of Love and Beauty. The Beau- 
 tiful is to Mortals the revelation of Truth. Truth, in its abstract splendour 
 too bright for the eyes of Man in his present state, familiarises itself to him 
 in the shape of the Beautiful.
 
 THE ARTISTS. 213 
 
 Amidst the dim paths of the sensual clay, 
 
 When every heavenlier Nature from his eye 
 
 Veil'd its bright face, and swept in scorn away ; 
 
 She only she, in the low Human cell, 
 
 Herself made human, deign'd with him to dwell 
 
 Stoop'd round her darling, wings soft-brooding ; faun'd 
 
 With freshening airs, the Sense's barren land ; 
 
 And, kind in bright delusions, limn'd with all 
 
 The lost Elysium life's sad dungeon-wall. 
 
 VII. 
 
 Ah, in that tender Nurse's cradling arms- 
 While yet reposed the mild Humanity 
 War deck'd not Murder with Fame's holy charms, 
 Reek'd not the innocent blood ; but guided by 
 Those gentle leading-strings, the guileless soul 
 Shunn'd the cold duties, by compulsion taught ; 
 Virtue was instinct and without control, 
 Through ways the lovelier for their winding, sought 
 The Moral in the Beautiful, and won ; 
 Each path a ray that guided to the Sun ! 
 Ne'er they who tended her chaste service knew 
 One meaner impulse and the frown of Fate 
 Paled not their courage from its healthy hue, 
 As in some holier realm, their happy state 
 Kegain'd the freedom while it shunn'd the strife, 
 And won to Earth once more the spiritual, heavenly life. 
 
 vm. 
 
 Oh, happy ! and of many millions, they 
 
 The purest chosen, whom her service pure 
 
 Hallows and claims whose hearts are made her throne, 
 
 Whose lips her oracle ordain'd secure, 
 
 To lead a Priestly life, and feed the ray 
 
 Of her eternal shrine, to them alone 
 
 Her glorious Countenance unveil'd is shown : 
 
 Ye, the high Brotherhood she links rejoice 
 
 In the great rank allotted by her choice ! 
 
 The loftiest rank the spiritual world sublime, 
 
 Rich with its starry thrones, gives to the Sons of Time !
 
 214 POEMS AKD BALLADS OF SCHILLER. 
 
 IX. 
 
 Ere yet unto the early world the Law 
 
 Of the harmonious Symmetry, which all 
 
 Essence and life now joyously obey, 
 
 Your Art divinely gave wall'd round with Night 
 
 And Chaos, gloomier for one sickly ray, 
 
 Man straggled with the uncouth shapes of awe, 
 
 That through the Dark came giant on the sight, 
 
 And chained the senses in a slavish thrall : 
 
 Rude as himself press'd round the shadowy throng, 
 
 Vast without outline, without substance, strong ; 
 
 So gloom'd Creation on the Savage Breast, 
 
 While brutal lusts alone allured the eye, 
 
 And unenjoy'd, unheeded, and unguest, 
 
 The lovely soul of Nature pass'd him by, 
 
 x. 
 
 Lo, as it pass'd him, with a noiseless hand, 
 And with a gentle instinct, the fair shade 
 Ye seiz'd ; and. linked in one harmonious band 
 The airy images your eyes survey'd ; 
 Ye felt, surveying, how the cedar gave 
 Its light shaft to the air ; how sportive, play'd 
 The form reflected on the crystal wave ! 
 How could ye fail the gentle hints to read 
 With which free Nature met ye on the way ? 
 By easy steps did eye observant lead 
 The hand to mimick the fair forms at play, 
 Till from the image on the water glass'd 
 The likeness rose and Painting grew at last ! 
 Yea, from the substance sever'd, Nature's fair 
 And phantom shadow follow 'd by the soul, 
 Cast itself on the silver stream, and there 
 Rendered its coyness to the hand that stole! 
 *So born the craft that imitates and takes 
 Shape from the shadow ; so young Art awakes 
 The earliest genius ; so in clay and sand 
 The shade is snatch'd at by the eager hand ; 
 The sweet enjoyment in the labour grows, 
 And from your breast the first creation flows.
 
 THE ARTISTS. 215 
 
 Seized by the power of thoughtful Contemplation, 
 
 Snared by the eye that steals whac it surveys, 
 
 Kature, the talisman of each creation 
 
 With which her spells enamour yju, betrays : 
 
 Your quicken'd sense, the wondei -working laws, 
 
 The stores in Beauty's treasure-house, conceives 
 
 Yonr hand from N.-iture the light outline draws, 
 
 And scattered hints in gentle union weaves. 
 
 Thus rise tall Obelisk, and vast Pyramid 
 
 Tne half-formed Hermes grows the Column springs; 
 
 Music comes lisping from the Shepherd's reed, 
 
 And Song the valour and the victory sings. 
 
 XII. 
 
 The happier choice of flowers most sweet or fair, 
 To weave the posy for some Shepherd Maid, 
 Lo the first Art, from nature born, is there ! 
 The next the flowers the careless tresses braid 
 In garlands wreath'd : Thus step by step ascends 
 The Art that notes, and gathers, shapes and blends ! 
 
 But, each once blent with each, its single grace 
 Each offspring of the Beautiful must lose ; 
 The artful hand according each its place, 
 Confounds the separate with the common hues. 
 Charm'd into method by the harmonious word, 
 Column with column ranged proud Fanes aspire, 
 The Hero melts amidst the Hero herd, 
 And peals the many-stringed Mreonian. Lyre. 
 
 XIII. 
 
 Soon round this new Creation in great Song 
 
 Barbarian wonder gather'd and believed ; 
 
 " See," cried the emulous and kindled throng, 
 
 " The deeds a Mortal like ourselves achieved ! " 
 
 Grouped into social circles near and far, 
 
 Listing the wild tales of the Titan war, 
 
 Of giants piled beneath the rocks, and caves 
 
 Grim with the lion some stout hero braves, 
 
 Still while the Minstrel sung, the listeners grew 
 
 Themselves the Heroes his high fancy drew.
 
 216 POEMS AND BALLADS OF SCHILLER. 
 
 Then first did Men the sonl's enjoyment find, 
 
 First knew the calmer raptures of the mind 
 
 Not proved by sense but from the distance brought; 
 
 The joy at deeds themselves had never wrought, 
 
 The thirst for what possession cannot give, 
 
 The power in nobler lives than life to live ! 
 
 xrv. 
 
 Now from the Sensual Slumber's heavy chain, 
 Breaks the fair soul, which new-born pinions buoy, 
 And, freed by J T OU, the ancient Slave of Pain 
 Springs from his travail to the breast of Joy ; 
 Fall the dull Animal-Barriers round him wrought, 
 On his clear front the HUMAN halo glows, 
 And forth the high Majestic Stranger THOUGHT, 
 Bright from the startled brain, a Pallas, goes ! 
 Now stands sublime THE MAN, and to the star 
 Lifts his unclouded brow The Kingly One ; 
 And Contemplation, sweeping to the Far, 
 Speaks in the eyes commercing with the Sun. 
 Fair from his cheeks bloom happy smiles, and all 
 The rich varieties of soulful sound 
 Unfold in Song divine emotions call 
 Sweet tears to feeling eyes ; and, sister-bound, 
 Kindness and Mirth upon his accents dwell, 
 Soul, like some happy Nymph, haunting the lips' purp 
 well! 
 
 XV. 
 
 Yea, what though buried in the mire and clay 
 
 Grovels the fleshly instinct of the worm ; 
 
 What though the lusts and ruder passions sway 
 
 And clasp him round the intellectual germ 
 
 You, Sons of Art, in that dark breast behold, 
 
 Warm from its sleep and into bloom unfold : 
 
 Love's spiritual blossom opened to the day, 
 
 First when Man heard the first young Shepherd's lay. 
 
 Ennobled by the dignity of Thought, 
 
 Passion that blush'd the soft desire to own, 
 
 Caught chaster language from the Minstrel's tone ;
 
 THE ARTISTS. 217 
 
 And Song, the delicate Preacher, while it taught 
 A love outlasting what the senses sought, 
 Beyond Possession placed the ethereal goal, 
 And to the Heart proclaimed and link'd the Soul ! 
 
 XVI. 
 
 The wisdom of the wise, the gentleness 
 
 The gentle know the strength that nerves the strong 
 
 The grace that gathers round the noble- yes 
 
 Ye blend them all to limn the Beautiful, 
 
 Each ray on Nature's brows commixed and grown 
 
 Into one pomp a halo for your own ! 
 
 Though from the Unknown Divinity, the awe 
 
 Of Man shrinks back to what he knows no dull, 
 
 Yet with what love his young religion saw 
 
 The shadow of the Godhead downward thrown ; * 
 
 Gentle the type though fearful the Unknown. 
 
 The breasts of heroes nobly burn'd to vie 
 
 With the bright Gods that rul'd in Homer's skv ; 
 
 Te did the Ideal from the Natural call 
 
 Ye bade Man learn how on the Earth is given 
 
 The immemorial prototype of all 
 
 Glory and Beauty, dream'd of for the Heaven ! 
 
 XVII. 
 
 The wild tumultuous passions of the soul, 
 The playful gladness of unfetter'd joy, 
 The duty and the instinct your control 
 Grasps at its will can as its slaves employ 
 To guide the courses, and appoint the goal ; 
 All that in restless Nature's mighty space 
 Wander divided world on world afar 
 Yc seize ye gather, fix them into place, 
 And show them bright and living as they are, 
 Link'd into order stately and serene, 
 Limn'd in the song, or mirror'd on the scene ! 
 
 * i. c. Man shrinks in awe from the notion of a Diviner Power, thoroughly 
 unknown ; but the Greek Mythology familiarised Man to the providence of 
 the Gods, and elevated him by the contemplation of attributes in which he 
 recognised whatever he most admired. Art taught M;iu to see in the Nature 
 round him the prototype th ideal of Diviner JJeauty.
 
 218 POEMS AND BALLADS OF SCHILLER. 
 
 Here, secret Murder, pale and shuddering, sees 
 Sweep o'er the stage the stern Eumenides ; * 
 Owns, where Law fails, what powers to Art belong, 
 And, screen'd from Justice, finds its doom in Song ! 
 Long ere the wise their slow decrees revolved, 
 A fiery Iliad Fate's dark riddles solved ; 
 And Art, the Prophetess, Heaven's mystic plan 
 Of doom and destiny reveal'd to Man, 
 When the rude goat-song spell'd the early Age, 
 And Providence,t spoke low from Thespis' wandering 
 stage. 
 
 xvm. 
 
 Nay, where in this world, Reason paus'd perplext, 
 Ye track'd God onward, and divined the next 
 J Full early wont to comprehend and meet 
 Harmonious systems never incomplete, 
 What though the vain impatient eye might fail 
 To pierce the dark Fate through the solemn veil 
 Though the brave heart seem'd prematurely still'd, 
 And life's fair circle halted unfulfilled, 
 Yet here, cv'n here, your own unaided might 
 Flung its light Arch across the waves of Night ; 
 Led the untrembling Spirit on to go 
 Where dark Avernus, wailing, winds below ; 
 Bade Hope survive the Urn and Charnel, brave 
 In the great faith of Life beyond the grave ; 
 
 * The Poet here seems to allude to the Story of Ibycus, which at a sub 
 sequent period furnished the theme of one of his happiest narratives, 
 f In the Drama the essentials are Providence and Design. 
 
 J " Doch in den grossen "Weltenlauf 
 
 Ward euer Lbenmaass zu friih getragen." 
 
 These lines are extremely obscure. Unless we may construe "zu fruh," 
 ''very early," or "with bold prematurity." In which case, referring ta 
 the conclusion of the preceding stanza, the sense would be That the Poet 
 did not confine the operations of a recompensing Providence to the limited 
 exhibitions of the Thespian wain; but, even in the infancy of society, and 
 with a boldness which might be considered premature, ventured to transfer 
 them to the greater stage of the actual world, and to claim compensation 
 beyond the grave for heroic lives inevitably cut short before they had ful- 
 filled their career. The Poet's necessary love of symmetry and system 
 (of which justice is a part) compels him to carry on the lii'e which fails of 
 result and comoletion nere, to fulfilment in a life hereafter.
 
 THE ARTISTS. 2! 9 
 
 Show'd there how Love the lov'd once more could win - 
 
 How Dorian Castor pained his starry Twin 
 
 The Shadow in the Moon's pale glimmer seen, 
 
 Ere yet she fills her horns, and rounds her orb serene ! 
 
 High, and more high, the aspiring Genius goes, 
 And still creation from creation flows ; 
 What in the natural world but charms the eyes, 
 In Art's to forms which awe the soul must rise ; 
 The Maiden's majesty, at Art's commands, 
 Inspires the marble, and Athene stands ! 
 The strength that nerves the Wrestler on the sod 
 Swells the vast beauty which invests a God, 
 And throned in Elis wonder of his time 
 With brows that sentence worlds sits Phidian Jove sub- 
 lime ! 
 
 xx. 
 
 Without the World by diligent toil transformed, 
 
 Within by new-born passions roused the heart, 
 
 (Strengthened by each successive strife that stormed) 
 
 Wider and wider grows your realm of Art. 
 
 Still in each step that Man ascends to light 
 
 He bears the Art that first inspired the flight ; 
 
 And still the teeming Nature to his gaze, 
 
 The wealth he gives her with new worlds repays. 
 
 Thus the light Victories exercise the mind, 
 
 By guess to reach what knowledge fails to find, 
 
 Practised throughout the Universe to trace 
 
 An Artist- whole of beauty and of grace, 
 
 He sets the Columns Nature's boundary knows, 
 
 Tracks her dark course, speeds with her where she goes ; 
 
 Weighs with the balance her own hands extend ; 
 
 Meets with the gauge her own perfections lend, 
 
 Till all her beauty renders to his gaze 
 
 The charm that robes it and the law that sways. 
 
 In self-delighted Joy the Artist hears 
 
 His own rich harmony enchant the spheres^ 
 
 And in the Universal Scheme beholds 
 
 The symmetry that reigns in all he moulds,
 
 220 POEMS AJND BALLADS OF SCHILLER. 
 
 XXI. 
 
 Yes, in all round him can his ear divine 
 
 The voice that tells of method and design ; 
 
 He sees the life mid which his lot is thrown, 
 
 Clasp'd round with beauty as a golden zone ; 
 
 In all his works, before his emulous eyes, 
 
 To lead to victory, fair Perfection flies : 
 
 Where'er he hears, or gay Delight rejoice, 
 
 Or Care to stillness breathe its whispered voice, 
 
 Where starry Contemplation lingers slow, 
 
 Or stream, from heavy eyes the tears of Woe, 
 
 Or Terror in her thousand shapes appal ; 
 
 Still one harmonious Sweetness glides through all, 
 
 Soft to his ear, and freshening to his look, 
 
 And winding on through earth one haunting music brook 1 
 
 In the refined and still emotion, glide 
 
 With chastened mirth the Graces to his side; 
 
 Round him the bright Companions weave their dance; 
 
 And as the curving lines of Beauty flow, 
 
 Each winding into each, as o'er his glance 
 
 The lovely apparitions gleam and go 
 
 In delicate outline so the dreaming day 
 
 Of Life, enchanted, breathes itself away. 
 
 His soul is mingled with the Harmonious Sea 
 That flows around his sense delightedly ; 
 And Thought, where'er with those sweet waves it glide, 
 Bears the all-present Venus on the tide ! 
 At peace with Fate serenely goes his race 
 Here guides the Muse, and there supports the Grace ; 
 The stern Necessity, to others dim 
 With Night and Terror, wears no frown for him : 
 Calm and serene, he fronts the threatened dart, 
 Invites the gentle bow, and bares the fearless heart. 
 
 XXII. 
 
 Darlings of Harmony divine, all blest 
 Companions of our Beings ! whatsoe'er 
 Is of this life, the dearest, noblest, best, 
 Took life from you ! If Man his fetters bea*
 
 THE ARTISTS. 221 
 
 With a glad heart that chafes not at the chain, 
 
 But clings to duty with the thoughts of love ; 
 
 If now no more he wander in the reign 
 
 Of iron Chance, but with the Power above 
 
 Link his harmonious being what can be 
 
 Your bright reward ? your Immortality, 
 
 And your own heart's high recompense ! If round 
 
 The chalice-fountain, whence, to Mortals, streams 
 
 The Ideal Freedom, evermore are found 
 
 The godlike Joys and pleasure-weaving Dreams ; 
 
 For this for these be yours the grateful shrine, 
 
 Deep in the Human Heart ye hallow and refine. 
 
 XXIII. 
 
 Ye are the Imitators, ye the great 
 
 Disciples of the Mighty Artist who 
 
 Zoned with sweet grace the iron form of Fate 
 
 Grave Heaven its starry lights and tender blue 
 
 Whose terror more ennobles than alarms 
 
 (Its awe exalts us, and its grandeur charms) 
 
 Who, ev'n destroying, while he scathes, illumes, 
 
 And clothes with pomp the anger that consumes. 
 
 As o'er some brook that glides its lucid way 
 The dancing shores in various shadow play ; 
 As the smooth wave a faithful mirror yields 
 To Bve's soft blush, and flower-enamell'd fields ; 
 So, on life's stream, that niggard steals along, 
 Shimmers the lively Shadow- World of Song. 
 
 Ye, to the Dread Unknown the dismal goal 
 Where the stern Fates await the trembling soul 
 Ye lead us on, by paths for ever gay, 
 And robed with joy as for a marriage-day ; 
 And as in graceful urns your genius decks 
 Our very bones, and beautifies the wrecks : 
 So with appearances divinely fair, 
 Ye veil the trouble and adorn the care. 
 Search where I will the ages that have roll'd, 
 The unmeasured Past, Earth's immemorial lore, 
 How smil'd Humanity, where ye consoled, 
 How smileless mourned Humanity before 1
 
 POEMS AND BALLADS OF SCHILLER. 
 
 XXIV. 
 
 All strong and mighty on the wing, and young 
 And fresh from your creative hands, It * sprung ; 
 And when the Time, that conquers all, prevail'd ; 
 When on its wrinkled cheek the roses fail'd ; 
 When from its limbs the vigour pass'd away, 
 And its sad age crept on in dull decay, 
 And tottered on its crutch ; within your arms 
 It sought its shelter and regained its charms : 
 Out from your fresh and sparkling well, ye pour'd 
 The living stream that dying strength restored ; 
 Twice into spring has Time's stem winter glow'd, 
 Twice Nature blossom'd from the seeds Art sow'd. 
 
 XXV. 
 
 Ye snatch'd when chased Barbarian Hosts before 
 From sacred hearths the last yet living brand ; 
 From the dishallow'd Orient Altar bore, 
 And brought it glimmering to the Western Land. 
 As from the East the lovely Exile goes, 
 Fair on the West a young Aurora glows ; 
 And all the flowers Ionian shores conld yield 
 Blush forth, re-blooming in the Hesperian Field. 
 Fair Nature glass'd its image on the Soul, 
 From the long Night the mists began to roll ; 
 And o'er the world of Mind, adorn'd again, 
 Light's holy Goddess re-assumed her reign. 
 Loos'd from the Millions fell the fetters then 
 Slaves heard the Voice that told their rights as Men, 
 And the Young Race in peace to vigour grew, 
 In that mild brotherhood they learn'd from you ! 
 
 And yon, averse the loud applause to win, 
 Still in the joy that overflow'd within, 
 Sought the mild shade, contented to survey 
 The World ye brighten'd, basking in the ray, 
 
 XXVI. 
 
 If on the course of Thought, now barrier-free,, 
 Sweeps the glad search of bold Philosophy ; 
 
 *
 
 THE ARTISTS. 223 
 
 And with self-pseans, and a vain renown, 
 Would claim the praise and arrogate the crown, 
 Holding, but as a Soldier in her band, 
 The nobler Art that did in truth command; 
 And grants, beneath her visionary throne, 
 To Art, her Queen the slave's first rank alone ; 
 Pardon the vaunt ! For YOU Perfection all 
 Her star-gems weaves in one bright coronal ! 
 With you, the first blooms of the Spring, began 
 Awakening Nature in the Soul of Man ! 
 With you f ulfill'd, when Nature seeks repose, 
 Autumn's exulting harvests ripely close. 
 
 XXVII. 
 
 If Art rose plastic from the stone and clay, 
 To Mind from Matter ever sweeps its sway ; 
 Silent, but conquering in its silence, lo, 
 How o'er the Spiritual World its triumphs go ! 
 What in the Land of Knowledge, wide and far, 
 Keen Science teaches for you discovered are : 
 First in your arms the wise their wisdom learn 
 They dig the mine you teach them to discern ; 
 And when that wisdom ripens to the flower 
 And crowning time of Beauty to the Power 
 From whence it rose, new stores it must impart, 
 The toils of Science swell the Wealth of Art. 
 
 When to one height the Sage ascends with you, 
 And spreads the Vale of Matter round his view 
 In the mild twilight of serene repose ; 
 The more the Artist charms, the more the Thinker 
 
 knows. 
 
 The more the shapes in intellectual joy, 
 Liuk'd by the Genii which your spells employ, 
 The more the thought with the emotion blends 
 The more up-buoy'd by both the Soul ascends 
 To loftier Harmonies, and heavenlier things ; 
 And tracks the stream of Beauty to its springs. 
 The lovely members of the mighty whole, 
 Till then confused and shapeless to his soul- 
 Distinct and glorious grow upon his sight, 
 The fair enigmas brighten from the Night ;
 
 POEMS AND BALLADS OF SCHILLER. 
 
 More rich the Universe his thoughts enclose 
 More wide the Ocean with whose wave he flows ; 
 The wrath of Fate grows feebler to his fears, 
 As from God's Scheme Chance wanes and disappears ; 
 And as each straining impulse soars above 
 How his pride lessens how augments his love ! 
 So scattering blooms the still Guide Poetry- 
 Leads him thro' paths, tho' hid, that mount on high 
 Thro' forms and tones more pure and more sublime 
 Alp upon Alp of Beauty till the time 
 YVhen what we long as Poetry have nurst, 
 Shall as a God's swift inspiration burst, 
 And flash in glory, on that youngest day 
 One with the Truth to which it wings the way ! 
 
 XXVIII. 
 
 She, the soft Venus of the Earth, by Men 
 
 Worshipp'd but as the Beautiful till then, 
 
 Shall re-assume her blazing coronal, 
 
 Let the meek veil that shrouds her splendour fall, 
 
 And to her ripen'd Son * divinely rise 
 
 In her true shape the Urania of the skies ! 
 
 Proportion'd to the Beauty which Man's soul 
 
 Took from her culture while in her control, 
 
 Shall he, with toilless, lightly- wooing ease, 
 
 Truth in the Beautiful embrace and seize. 
 
 Thus sweet, thus heavenly, was thy glad surprise, 
 
 Son of Ulysses, when before thine eyes, 
 
 Bright from the Mentor whom thy youth had known, 
 
 Jove's radiant child Imperial Pallas shone ! 
 
 XXIX. 
 
 Sons of Art ! into your hands consign'd 
 (0 heed the trust, O heed it and revere !) 
 The liberal dignity of human kind ! 
 With you to sink, with you to re-appear. 
 The hallow'd melody of Magian Song 
 Does to Creation as a link belong, 
 Blending its music with God's harmony, 
 As rivers melt into the mighty sea. 
 
 Mtodigen, her Son, who has attained his majority.
 
 THE AKTISTS. 225 
 
 XXX. 
 
 Truth, when the Age she would reform, expele : 
 Flies for safe refuge to the Muse's cells. 
 More fearful for the veil of charms she takes, 
 From Song the fulness of her splendour breaks, 
 And o'er the Foe that persecutes and quails 
 Her vengeance thunders, as ths Bard prevails! 
 
 .Rise, ye free Sons of the Free Mother, rise, 
 Still on the Light of Beauty, sun your eyes, 
 Still to the heights that shine afar, aspire, 
 Nor meaner meeds than those she gives, desire. 
 If here the Sister Art forsake awhile, 
 Elude the clasp, and vanish from, the toil, 
 Go seek and find her at the Mother's heart 
 (ro search for Nature and arrive at Art ! 
 .Ever the Perfect dwells in whatsoe'er 
 Fair souls conceive and recognise as fair ! 
 Borne on your daring pinions soar sublime 
 Above the shoal and eddy of the Time. 
 Far-glimmering on your wizard mirror, see 
 The silent shadow of the Age to be. 
 Thro' all Life's thousand- fold entangled maze, 
 One godlike bourne your gifted sight surveys 
 Thro' countless means one solemn end, foreshown, 
 The labyrinth closes at a single Throne. 
 
 As in seven tints of variegated light 
 Breaks the lone shimmer of the lucid white ; 
 As the seven tints that paint the Iris bow 
 Into the lucid white dissolving flo\v 
 So Truth in many-coloured splendour plays, 
 Now on the eye enchanted with the rays 
 Now in one lustre gathers every bear.!, 
 And floods the World with light a single Stream ! ' 
 
 * There is exquisite skill in concluding the Poem (after insisting so 
 eloquently upon the maxim, that whatever Science discovers, only adds 
 to the stores, or serves the pin-pose of Art) with an image borrowed from 
 Science.
 
 226 POEMS AND BALLADS OF SCHiLLEK. 
 THE CELEBRATED WOMAN. 
 
 AN EPISTLE BY A MAEEIED MAN TO A FELLOW-SUFFERER. 
 
 [In spite of Mr. Carlyle's assertion of Schiller's " total deficiency in 
 Humour,"* we think that the following Poem suffices to show that lie 
 possessed the gift in no ordinary degree, and that if the aims of a genius 
 BO essentially earnest had allowed him to indulge it, he would have justi- 
 fied the opinion of the experienced Iffland as to his capacities for original 
 comedy.] 
 
 CAN I, my friend, with thee condole ? 
 Can I conceive the woes that try men, 
 When late Repentance racks the soul 
 Ensnared into the toils of Hymen ? 
 Can I take part in such distress ? 
 Poor Martyr, most devoutly, " Yes ! " 
 Thou weep'st because thy Spouse has flown 
 To arms preferred before thine own ; 
 A faithless wife, I grant the curse, 
 And yet, my friend, it might be worse ! 
 Just hear Another's tale of sorrow, 
 And, iii comparing, comfort borrow ! 
 
 What ! dost thou think thyself undone, 
 Because thy rights are shared with One ! 
 O, Happy Man be more resign'd, 
 My wife belongs to all Mankind ! 
 My wife she's found abroad at home ; 
 But cross the Alps and she's at Rome ; 
 Sail to the Baltic there you'll find her ; 
 Lounge on the Boulevards kind and kinder : 
 In short, you've only just to drop 
 
 Where'er they sell the last new tale, 
 And, bound and lettered in the shop, 
 
 You'll find my Lady up for sale ! 
 
 She must her fair proportions render 
 To all whose praise can glory lend her ; 
 Within the coach, on board the boat, 
 Let every pedant "take a note ; " 
 Endure, for public approbation, 
 Each critic's " close investigation," 
 
 * Carlyle's Miscellanies, vol. iii. p. 47.
 
 THE CELEBRATED WOMAN. 227 
 
 And brave nay court it as a flattery 
 Each spectacled Philistine's battery. 
 Just as it suits some scurvy carcase 
 In which she hails an Aristarchns, 
 Ready to fly with kindred souls, 
 O'er blooming flowers or burning coals, 
 To fame or shame, to shrine or gallows, 
 Let him but lead sublimely callous ! 
 A Leipsic man (confound the wretch !) 
 Has made her Topographic sketch, 
 A kind of Map, as of a Town, 
 Each point minutely dotted down ; 
 Scarce to myself I dare to hint 
 What this d d fellow wants to print ! 
 Thy wife howe'er she slight the vows 
 Respects, at least, the name of spouse ; 
 But mine to regions far too high 
 
 For that terrestrial Name is carried ; 
 My wife's " THE FAMOUS NINON ! " I 
 
 " The Gentleman that Ninon married ! " 
 
 It galls you that you scarce are able 
 To stake a florin at the table 
 Confront the Pit, or join the Walk, 
 But straight all tongues begin to talk ! 
 that such luck could me befal, 
 Just to be talked about at all ! 
 Behold me dwindling in my nook, 
 Edg'd at her left, and not a look ! 
 A sort of rushlight of a life, 
 Put out by that great Orb my Wife ! 
 
 Scarce is the Morning grey before 
 Postman and Porter crowd the door; 
 No Premier has so dear a levee 
 
 She finds the Mail-bag half its trade; 
 My God the parcels are so heavy ! 
 
 And not a parcel carriage-paid ! 
 But then the truth must be confessed- 
 They're all so charmingly addressed : 
 Whate'er they cost, they well requite her 
 
 i 2
 
 228 POEMS AND BALLADS OF SCHILLER. 
 
 " To Madame Blank, The Famous Writer ! " 
 Poor thing, she sleeps so soft ! and yet 
 
 'Twere worth my life to spare her slumber ; 
 " Madame from Jena the Gazette 
 
 The Berlin Journal the last number! " 
 Sudden she wakes ; those eyes of blue 
 (Sweet eyes !) fall straight on the Review ! 
 I by her side all undetected, 
 While those curs'd columns are inspected ; 
 Loud squall the children overhead, 
 Still she reads on, till all is read : 
 At last she lays that darling by, 
 And asks " What makes the Baby cry ? " 
 
 Already now the Toilet's care 
 Claims from her couch the restless fair ; 
 The Toilet's care ! the glass has won 
 Just half a glance, and all is done ! 
 A snappish pettish word or so 
 Warns the poor Maid 'tis time to go : 
 Not at lier toilet wait the Graces, 
 Uncombed Erynnys takes their places ; 
 So great a mind expands its scope 
 Far from the mean details of soap ! 
 
 Now roll the coach- wheels to the muster 
 Now round my Muse her votaries cluster ; 
 Spruce Abb6 Millefleurs Baron Herman 
 The English Lord, who don't know German, 
 But all uncommonly well read 
 From matchless A to deathless Z ! 
 Sneaks in the corner, shy and small, 
 A thing which Men the Husband call ! 
 While every fop with flattery fires her, 
 Swears with what passion he admires her. 
 " ' Passion ! ' ' admire ! ' and still you're dumb ? ' 
 Lord bless your soul, the worst's to come : 
 I'm forced to bow, as I'm a sinner, 
 And hope the rogue will stay to dinner ! 
 But, oh, at dinner ! there's the sting ; 
 I see my cellar on the wing !
 
 THE CELEBRATED WOMAN. 229 
 
 You know if Burgundy is dear ? 
 
 Mine once emerg'd three times a year ; 
 
 And now, to wash these learned throttles, 
 
 In dozens disappear the bottles ; 
 
 They well must drink who well do eat, 
 
 (I've sunk a capital on meat). 
 
 Her immortality, I fear, a 
 
 Death-blow will prove to my Madeira ; 
 
 'T has given, alas ! a mortal shock 
 
 To that old friend my Steinberg Hock ! * 
 
 If Faust had really any hand 
 
 In printing, I can understand 
 
 The fate which legends more than hint ; 
 
 The devil take all hands that print ! 
 
 And what my thanks for all ? a pout - 
 
 Sour looks deep sighs ; but what about ? 
 
 About ! 0, that I well divine 
 
 That such a pearl should fall to swine 
 
 That such a literary ruby 
 
 Should grace the finger of a booby ! 
 
 Spring comes ; behold, sweet mead and lea 
 
 Nature's green splendour tapestries o'er ; 
 Fresh blooms the flower, and buds the tree ; 
 
 Larks sing the Woodland wakes once more. 
 The Woodland wakes but not for her ! 
 
 From Nature's self the charm has flown ; 
 No more the Spring of Earth can stir 
 
 The fond remembrance of our own ! 
 The sweetest bird upon the bough 
 Has not one note of music now ; 
 And, oh ! how dull the Grove's soft shade, 
 Where once (as lovers then) we stray'd ! 
 The Nightingales have got no learning 
 
 Dull creatures how can they inspire her? 
 The Lilies are so undiscerning, 
 
 They never say " how they admire her ! " 
 
 * Literally " Nierensteiner," a wine not much known in England, and 
 scarcely according to our experience worth the regrets of its respectable 
 owner.
 
 230 POEMS AND BALLADS OF SCHILLER. 
 
 In all this Jubilee of being, 
 
 Some subject for a point she's seeing 
 
 Some epigram (to be impartial, 
 
 Well turn'd) there may be worse in Martial ! 
 
 But, hark ! the Goddess stoops to reason : 
 " The country now is quite in season, 
 I'll go ! " " What ! to our Country Seat ? " 
 "No ! Travelling will be such a treat ; 
 Pyrmont's extremely full, I hear ; 
 But Carlsbad's quite the rage this year ! " 
 Oh yes, she loves the rural Graces ; 
 Nature is gay in Watering-places ! 
 Those pleasant Spas our reigning passion- 
 Where learned Dons meet folks of fashion ; 
 Where each with each illustrious soul 
 
 Familiar as in Charon's boat, 
 All sorts of Fame sit cheek-by-jowl, 
 
 Pearls in that string the Table d'Hote ! 
 Where dames whom Man has injured fly, 
 
 To heal their wounds or to efface them ; 
 While others, with the waters, try 
 
 A course of flirting, just to brace them ! 
 
 Well, there (0 Man, how light fchy woes 
 
 Compared with mine thon need'st must see !) 
 
 My wife, undaunted, greatly goes 
 
 And leaves the orphans (seven ! ! !) to me ! 
 
 0, wherefore art thou flown so soon, 
 Thou first fair year Love's Honeymoon ! 
 Ah, Dream too exquisite for life ! 
 Home's Goddess in the name of Wife ! 
 Beared by each Grace yet but to be 
 Man's Household Anadyomene ! 
 With mind from which the sunbeams fall, 
 Rejoicing while pervading all ; 
 Frank in the temper pleased to pleaso 
 Soft in the feeling waked with ease. 
 So broke, as Native of the skies, 
 The Heart-enthraller on my eyes ;
 
 THE CELEBRATED WOMAN. 231 
 
 So saw I, like a Morn of May, 
 
 The Playmate given to glad my way ; 
 
 With eyes that more than lips bespoke, 
 
 Eyes whence sweet words " Hove thee ! " broke ! 
 
 So Ah, what transports then were mine ! 
 
 I led the Bride before the shrine ! 
 
 And saw the future years reveal'd, 
 
 Glass'd on my Hope one blooming field ! 
 
 More wide, and widening more, were given 
 
 The Angel-gates disclosing Heaven ; 
 
 Round ns the lovely, mirthful troop 
 
 Of children came yet still to me 
 The loveliest merriest of the group 
 
 The happy Mother seemed to be ! 
 Mine, by the bonds that bind ns more 
 Than all the oaths the Priest before ; 
 Mine, by the concord of content, 
 When Heart with Heart is music-blent ; 
 W r hen, as sweet sounds in unison, 
 Two lives harmonious melt in one ! 
 When sudden (0 the villain !) came 
 
 Upon the scene a Mind Profound ! 
 A Bel Esprit, who whisper'd " Fame," 
 
 And shook my card-house to the ground. 
 
 What have I now instead of all 
 The Eden lost of hearth and hall ? 
 What comforts for the Heaven bereft ? 
 What of the younger Angel's left ? 
 A sort of intellectual Mule, 
 
 Man's stubborn mind in Woman's shape, 
 Too hard to love, too frail to rule 
 
 A sage engrafted on an ape ! 
 To what she calls the Realm of Mind, 
 
 She leaves that throne, her sex, to crawl, 
 The cestus and the charm resigii'd 
 
 A public gaping-show to all ! 
 She blots from Beauty's Golden Book * 
 
 A Name 'mid Nature's choicest Few, 
 To gain the glory of a nook 
 
 In Doctor Dunderhead's Review. 
 
 * The Golden Book. So was entitled in some Italian States (Venice 
 especially) the Catalogue in which the Xoble Families were enrolled.
 
 232 POEMS AND BALLADS OF SCHILLER. 
 
 TO A FEMALE FRIEND. 
 (WRITTEN IN HER ALBUM.) 
 
 [Those veises were addressed to Charlotte Von Lengefeld, whom Sehillet 
 afterwards married, and were intended to dissuade her from a Court life.] 
 
 I. 
 
 As some gay child, around whose steps play all 
 
 The laughing Gi-aces, plays the World round thee ! 
 Yet not as on thy soul's clear mirror fall 
 
 The nattered shadows, deem this world to be ! 
 The silent homages thy heart compels 
 By its own inborn dignity, the spells 
 
 That thou thyself around thyself art weaving, 
 The charms Avith which thy being is so rife, 
 "Pis these thou countest as the charms of life, 
 
 In Human Nature, as thine own believing ! 
 Alas ! this Beauty but exists, in sooth, 
 In thine own talisman of holy youth, 
 
 [Who can resist it ?] mightiest while deceiving ? * 
 
 11. 
 
 Enjoy the lavish flowers that glad thy way, 
 
 The happy ones whose happiness thou art ; 
 The souls thou winnest in these bounds survey 
 
 Thy world ! to this world why shouldst thou depart ? 
 Nay, let yon flowers admonish thee and save ! 
 
 Lo, how they bloom, while guarded by the fence ! 
 
 So plant Earth's pleasures not too near the sense ! 
 
 * The sense of the original is very shadowy and impalpable, and tho 
 difficulty of embodying it in an intelligible translation is grc;it. It 111:13- bu 
 rendered thus : " The silent homage which thy nobility of heart compels, 
 the miracles which thou thyself hast wrought, the churms with which thy 
 existence has invested life, these thou lookest on as the substantial attrac- 
 tions of life itself, and as constituting the very staple of human nature. 
 But in this thou art mistaken. What appears to thee to be the grace and 
 beauty of life, is but the reflection of the witchery of thine own undese- 
 crated youth, and the talisman of thine own innocence and virtue, though 
 these certainly are powers which no man can resist. Enjoy the flowers of 
 life, then ; but do not take them for more than they are worth. Theirs is 
 but a surface-beauty; let the glance, therefore, which thou bestowest on 
 them be superficial too. Gaze on them from a distance, and never expect 
 that the core of life will wear the same attractive hues as those which 
 ornament its " exterior." Schiller has repeated this thought in the Poem 
 of the "Actual and Ideal."
 
 TO A FEMALE FRIEND. 233 
 
 Nature to see, but not to pluck them, gave : 
 
 Afar they charm thee leave them on the stem ; 
 Approached by thee, the glory fades from them 
 
 And, in thy touch, their sweetness has a grave ! 
 
 Here conclude the Poems classed tinder the Second Perio-1 of Schiller's 
 career; we have excepted only his translations from Virgil,
 
 FIRST PERIOD; 
 
 OR, 
 
 EARLY POEMS. 
 
 WE now trace back the stream to its source. We commenced with 
 Schiller's maturest Poems we close with his earliest. The contrast between 
 the compositions in the first and third period is sufficiently striking. In the 
 former there is more fire and action more of that lavish and exuberant 
 energy which characterised the earlier tales of Lord Byron, and redeemed, 
 in that wonderful master of animated and nervous style, a certain poverty of 
 conception by a vigour and gusto of execution, which no English poet, per- 
 luips, has ever surpassed. In his poems lies the life, and beats the heart, of 
 Schiller. They conduct us through the various stages of his spiritual educa- 
 tion, and indicate each step in the progress. In this division, effort is no 
 less discernible than power both in language and thought there is a struggle 
 at something not yet achieved, and not, perhaps, even yet definite and 
 distinct to the poet himself. Here may be traced, though softened by the 
 charm of genius (which softens all things), the splendid errors that belong 
 to a passionate youth, and that give such distorted grandeur to the giant 
 melodrame of " The Bobbers." But here are to be traced also, and in far 
 clearer characters, the man's strong heart, essentially human in its sym- 
 pathies the thoughtful and earnest intellect giving ample promise of all it 
 was destined to receive. In tbese earlier poems, extravagance is sufficiently 
 noticeable yet never the sickly eccentricities of diseased weakness, but the 
 exuberant overflowings of a young Titan's strength. There is a distinction, 
 which our critics do not always notice, between the extravagance of a great 
 genius, and the affectation of a pretty poet, 
 
 HECTOR AND ANDROMACHE. 
 
 [This and the following poem are, with some alteration*, introduced in the 
 Play of " The Robbers."] 
 
 ANDROMACHE. 
 
 WILL Hector leave me for the fatal plain, 
 Where, fierce with vengeance for Patroclus slain, 
 
 Stalks Peleus' ruthless son ? 
 Who, when thoo. glid'st amid the dark abodes, 
 To hurl the spear and to revere the Gods, 
 
 Shall teach thine Orphan One ? 
 
 HECTOR. 
 
 Woman and wife beloved cease thy tears ; 
 My soul is nerved the war-clang in my ears ! 
 
 Be mine in life to stand 
 
 Troy's bulwark ! fighting for our hearths, to go 
 In death, exulting to the streams below, 
 
 Slain for my father-land !
 
 AJ1ALIA. 285 
 
 ANDROMACHE. 
 
 No more I hear thy martial footsteps fall 
 Tliinc arms shall hang, dull trophies, on the wall 
 
 Fallen the stem of Troy ! 
 
 Thou go'st where slow Cocytus wanders where 
 Love sinks in Lethe, and the sunless air 
 
 Is dark to light and joy ! 
 
 HECTOR. 
 
 Longing and thought yea, all I feel and think 
 May in the silent sloth of Lethe sink, 
 
 But my love not ! 
 
 Hark, the wild swarm is at the walls ! I hear ! 
 Gird on my sword Belov'd one, dry the tear 
 
 Lethe for love is not ! 
 
 AMALIA. 
 
 FAIR as an angel from his blessed hall* 
 
 Of every fairest youth the fairest he ! 
 Heaven-mild his look, as maybeams when they fall, 
 
 Or shine reflected from a clear blue sea ! 
 His kisses feelings rife with paradise ! 
 
 Ev'n as two flames, one on the other driven 
 Ev'n as two harp-tones their melodious sighs 
 
 Blend in some music that seems born of heaven 
 
 So rush'd, mix'd, melted life with life united ! 
 
 Lips, cheeks burn'd, trembled soul to soul was won ! 
 And earth and heaven seem'd chaos, as, delighted, 
 
 Earth heaven were blent round the beloved one ! 
 Now, he is gone ! vainly and wearily 
 
 Groans the full heart, the yearning sorrow flows 
 Grone ! and all zest of life, in one long sigh, 
 
 Goes with him where he goes. 
 
 Literally, ^Valhalla.
 
 1'OEMS AND BALLADS OF SCHILLER. 
 
 A FUNERAL FANTASIE. 
 
 PALE, at its ghastly noon, 
 
 Pauses above the death-still wood the moon ; 
 The niglit-sprite, sighing, through the dim air stirs ; 
 
 The clouds descend in rain ; 
 
 Mourning, the wan stars wane, 
 Flickering like dying lamps in sepulchres ! 
 Haggard as spectres vision-like and dumb, 
 
 Dark with the pomp of Death, and moving slow, 
 Towards that sad lair the pale Procession come 
 
 Where the Grave closes on the Night below. 
 
 II. 
 
 With dim, deep-sunken eye, 
 
 Crntch'd on his staff, who trembles tottering by ? 
 As wrung from out the shatter'd heart, one groan 
 
 Breaks the deep hush alone ! 
 Crush'd by the iron Fate, he seems to gather 
 
 All life's last strength to stagger to the bier, 
 And hearken Do those cold lips murmur " Father ? " 
 
 The sharp rain, drizzling through that place of fear, 
 Pierces the bones gnaw'd tieshless by despair, 
 And the heart's horror stirs the silver hair. 
 
 III. 
 
 Fresh Weed the fiery wounds 
 
 Through all thab agonizing heart undone 
 Still on the voiceless lips " my Father " sounds, 
 
 And still the childless Father murmurs " Son ! " 
 Ice-cold ice-cold, in that white shroud he lies 
 
 Thy sweet and golden dreams all vanish'd there 
 The sweet and golden name of " Father " dies 
 
 Into thy curse, ice-cold ice-cold he lies ! 
 Dead, what thy life's delight and Eden were !
 
 A FUNERAL FANTASIE. 237 
 
 IV. 
 Mild, as when, fresh from the arms of Aurora, 
 
 While the air like Elysium is smiling abovo, 
 Steep'd in rose-breathing odours, the darling of Flo.ru 
 
 "Wantons over the blooms on his winglets of love. - 
 So gay, o'er the meads, went his footsteps in blisn, 
 
 The silver wave mirror'd the smile of his face ; 
 Delight, like a flame, kindled up at his kiss, 
 
 And the heart of the maid was the prey of his chase. 
 
 v. 
 
 Boldly he sprang to the strife of the world, 
 
 As a deer to the mountain-top carelessly springs ; 
 As an eagle whose plumes to the sun are unfuii'd, 
 
 Sweet his Hope round the Heaven on its limitless wings. 
 Proud as a war-horse that chafes at the rein, 
 
 That, kingly, exults in the storm of the brave ; 
 That throws to the wind the wild stream of its mane, 
 
 Strode he forth by the prince and the slave ! 
 
 VI. 
 
 Life, like a spring-day, serene and divine, 
 
 In the star of the morning went by as a trance ; 
 His murmurs he drown'd in the gold of the wine, 
 
 And his sorrows were borne on the wave of the dance. 
 Vorlds lay conceal'd in the hopes of his youth ! 
 
 When once he shall ripen to Manhood and Fame ! 
 Fond Father exult ! In the germs of his youth 
 
 What harvests are destined for Manhood and Fame ! 
 
 VII. 
 
 Not to bo was that Manhood ! The death-bell is knelling, 
 
 The hinge of the death- vault creaks harsh on the cars- 
 flow dismal, O Death, is the place of thy dwelling ! 
 
 Not to be was that Manhood ! Flow on bitter tears ! 
 Go, beloved, thy path to the sun, 
 
 Rise, world upon world, with the perfect to rest ; 
 Go quaff the delight which thy spirit has won, 
 
 And escape from grief in the Halls of the Blest.
 
 238 POEMS AND BALLADS OF SCHILLEK. 
 
 Yin. 
 
 Again (in that thought what a healing is found !) 
 
 To meet in the Eden to which thou art fled ! 
 Hark, the coffin sinks down with a dull, sullen sound, 
 
 And the ropes rattle over the sleep of the dead. 
 And we cling to each other ! Grave, he is thine ! 
 
 The eye tells the woe that is mute to the ears 
 And we dare to resent what we grudge to resign, 
 
 Till the heart's sinful murmur is choked in its tears. 
 
 Pale at its ghastly noon, 
 
 Pauses above the death-still wood the moon ! 
 The night-sprite, sighing, through the dim air stirs : 
 
 The clouds descend in rain ; 
 
 Mourning, the wan stars wane, 
 Flickering like dying lamps in sepulchres. 
 The dull clods swell into the sullen mound ! 
 
 Earth, one look yet upon the prey we gave ! 
 The Grave locks up the treasure it has found ; 
 Higher and higher swells the sullen mound 
 
 Never gives back the Grave ! 
 
 FANTASIE TO LAURA. 
 
 WHAT, Laura, say, the vortex that can draw 
 
 Body to body in its strong control ; 
 Beloved Laura, what the charmed law 
 
 That to the soul attracting plucks the soul ? 
 It is the charm that rolls the stars on high, 
 
 For ever round the sun's majestic blaze 
 When, gay as children round their parent, fly 
 
 Their circling dances in delighted maze. 
 Sfcill, every star that glides its gladsome course, 
 
 Thirstily drinks the luminous golden rain ; 
 Drinks the fresh vigour from the fiery source, 
 
 As limbs imbibe life's motion from the brain ; 
 With sunny motes, the sunny motes united 
 
 Harmonious lustre both receive and give, 
 Love spheres with spheres still interchange delighted, 
 
 Only through love the starry systems live.
 
 FANTASIE TO LAURA. 239 
 
 Take love from Nature's universe of wonder, 
 
 Each jarring each, rushes the mighty All. 
 See, back to Chaos shock'd, Creation thunder ; 
 
 Weep, starry Newton weep the giant fall ! 
 Take from the spiritual scheme that Power away, 
 
 And the still'd body shrinks to Death's abode. 
 Never love not would blooms revive for May, 
 
 And, love extinct, all life were dead to God. 
 And what the charm that at my Laura's kiss, 
 
 Pours the diviner brightness to the cheek ; 
 Makes the heart bound more swiftly to its bliss, 
 
 And bids the rushing blood the magnet seek ? 
 Out from their bounds swell nerve, and pulse, and sense, 
 
 The veins in tumult would their shores o'erflow ; 
 Body to body rapt and, charmed thence, 
 
 Soul drawn to soul with intermingled gloAV. 
 
 Mighty alike to sway the flow and ebb 
 
 Of the inanimate Matter, or to move 
 The nerves that weave the Arachnean web 
 
 Of Sentient Life rules all-pervading Love ! 
 Ev'n in the Moral World, embrace and meet 
 
 Emotions Gladness clasps the extreme of Care; 
 And Sorrow, at the worst, upon the sweet 
 
 Breast of young Hope, is thaw'd from its despair. 
 Of sister-kin to melancholy Woe, 
 
 Voluptuous Pleasnre comes, and happy eyes 
 Delivered of the tears, their children, glow 
 
 Lustrous as sunbeams and the Darkness flies ! * 
 
 * Und entbunden von den gold'nen Kindern 
 Strahlt das Auge Sonnenpracht. 
 
 Schiller, in his earlier poems, strives after poetry in expression, as our young 
 imitators of Shelley and Keates do, sanctioned generally by our critics, who 
 quote such expressions in italics with three notes of admiration ! He here, 
 for instance, calls tears " the Golden Children of the Eye." In his later 
 poems Schiller had a much better notion of true beauty of diction. The 
 general meaning of this poem is very obscure, but it seems to imply that 
 Love rules all things in the inanimate or animate creation ; that, even in 
 the moral \vorld, opposite emotions or principles meet and embrace each 
 other. The idea is pushed into an extravagance natural to the youth, and 
 redeemed by the passion, of the Author. Hut the connecting links are so 
 slender, nay, so frequently omitted, in the original, that a certain degree 
 of paraphrase in many of the stanzas is absolutely necessary to supply them, 
 and render the general sense and spirit of the poem intelligible to the 
 English reader.
 
 2.1-0 POEMS AND BALLADS OF SCHILLER. 
 
 The same great Law of Sympathy is given 
 
 To Evil as to Good, and if we swell 
 The dark account that life incurs with Heaven, 
 
 'Tis tlmt onr Vices are thy Wooers, Hell ! 
 In turn those Vices are embraced by Shame 
 
 And fell Remorse, the twin Eumenides. 
 Danger stilt clings in fond embrace to Fame, 
 
 Mounts on her wing, and flies where'er she flees. 
 Destruction marries its dark self to Pride, 
 
 Envy to Fortune : when Desire most charms, 
 'Tis that her brother Death is by her side, 
 
 For him she opens those voluptuous arms. 
 The very Future to the Past but flies 
 
 Upon the wings of Love as I to thee ; 
 O, long swift Saturn, with unceasing sighs. 
 
 Hath sought his distant bride, Eternity ! 
 When so 1 heard the oracle declare 
 
 When Saturn once shall clasp that bride sublime, 
 Wide-blazing worlds shall light his nuptials there 
 
 'Tis thus Eternity shall wed with Time. 
 In those shall be our nuptials ! ours to share 
 
 That bridenight, waken'd by no jealous sun ; 
 Since Time, Creation, Nature, but declare 
 
 Love, in our love rejoice, Beloved One ! 
 
 TO LAURA PLAYING. 
 
 WHEN o'er the chords thy fingers steal, 
 A soulless statue now I feel, 
 
 And now a soul set free ! 
 
 Sweet Sovereign ! ruling over death and lifo 
 Seizes the heart, in a voluptuous strife 
 
 As with a thousand strings the SoRGKk \ ! * 
 
 Then the vassal airs that woo thee, 
 
 Hush their low breath hearkening to thee. 
 
 * '-The Sorcery." In the original, Schiller, with very questionable 
 taste, compares Laura to a conjuror of the name of Philadelphia, who 
 exhibited before Frederick the Great.
 
 TO LAURA PLAYING. 24-1 
 
 Jn delight and in devotion, 
 Pausing from her whirling motion, 
 Mature, in enchanted calm, 
 Silently drinks the floating balm. 
 Sorceress, her heart with thy tone 
 Chaining as thine eyes my own ! 
 
 O'er the transport-tumult driven, 
 
 Doth the music gliding swim ; 
 From the strings, as from their heaven, 
 
 Burst the new-born Seraphim. 
 As when from Chaos' giant arms set free, 
 'Mid the Creation-storm, exnltingly 
 Sprang sparkling thro' the dark the Orbs of Light 
 So streams the rich tone in melodious might. 
 
 Soft gliding now, as when o'er pebbles glancing, 
 
 The silver wave goes dancing ; 
 Now with majestic swell, and strong, 
 As thunder peals in organ-tones along ; 
 
 And now with stormy gush, 
 
 As down the rock, in foam, the whirling torrents ru-.h ; 
 To a whisper now 
 
 Melts it amorously, 
 Like the breeze through the bough 
 
 Of the aspen tree ; 
 
 Heavily now, and with a mournful breath, 
 Like midnight's wind along those wastes of death. 
 Where Awe the wail of ghosts lamenting hears, 
 And slow Cocytus trails the stream whose waves are tears. 
 
 Speak, maiden, speak ! Oh, ai't thou one of those 
 Spirits more lofty than our region knows ? 
 Should we in thine the mother-language seek 
 Souls in Elysium speak ?
 
 POEMS AND BALLADS OF SCHILLER. 
 
 TO LAURA. 
 
 (RAPTURE.) 
 
 LAURA above this world methinks I fly, 
 And feel the glow of some May-lighted sky, 
 
 "When thy looks beam on mine ! 
 And my soul drinks a more ethereal air, 
 When mine own shape I see reflected, there, 
 
 In those blue eyes of thine ! 
 A lyre-sound from the Paradise afar, 
 A harp-note trembling from some gracious star, 
 
 Seems the wild ear to fill ; 
 
 And my muse feels the Golden Shepherd-hours, 
 When from thy lips the silver music pours 
 
 Slow, as against its will 
 I see the young Loves flutter on the wing 
 Move the charm'd trees, as when the Thracian's string 
 
 Wild life to forests gave ; 
 Swifter the globe's swift circle seems to fly, 
 When in the whirling dance thou glidest by, 
 
 Light as a happy wave. 
 
 Thy looks, when there Love's smiles their gladness wreathe, 
 Could life itself to lips of marble breathe, 
 
 Lend rocks a pulse divine ; 
 Reading thine eyes my veriest life but seems 
 Made up and fashioned from my wildest dreams, 
 
 Laura, sweet Laura, mine ! 
 
 TO LAURA. 
 (THE MYSTERY OF REMINISCENCE.)* 
 
 WHO, and what gave to me the wish to woo thee 
 Still, lip to lip, to cling for aye unto thee ? 
 Who made thy glances to my soul the link 
 Who bade me burn thy very breath to drink 
 My life in thine to sink ? 
 
 * This most exquisite love-poem is founded on the Platonic notion, that 
 souls were united in a pre-existent state, that love is the yearning of the 
 spirit to reunite with the spirit with which it formerly made one and which 
 it discovers on earth. The idea has often been made subservient to poetry 
 Out never with so earnest and elaborate a beauty.
 
 TO LAURA. 243 
 
 As from the conqueror's unresisted glaive, 
 Flies, without strife subdued, the ready slave 
 So, when to life's unguarded fort, I see 
 Thy gaze draw near and near triumphantly 
 
 Yields not my soul to thee ? 
 
 Why from its lord doth thus my soul depart ? 
 Is it because its native home thou art ? 
 Or were they brothers in the days of yore, 
 Twin-bound, both souls, and in the links they bore 
 
 Sigh to be bound once more ? 
 Were once our beings blent and intertwining, 
 And therefore still my heart for thine is pining ? 
 Knew we the light of some extinguished sun 
 The joys remote of some bright realm undone, 
 
 Where once our souls were ONE ? 
 Yes, it is so ! And thon wert bound to me 
 In the long-vanish'd Eld eternally ! 
 In the dark troubled tablets which enroll 
 The Past my Muse beheld this blessed scroll 
 
 " One with thy love my soul ! " 
 Oh yes, I learn'd in awe, when gazing there, 
 How once one bright inseparate life we were, 
 How once, one glorious essence as a God, 
 Unmeasured space our chainless footsteps trod 
 
 All Nature our abode ! 
 Round us, in waters of delight, for ever 
 Voluptuous flow'd the heavenly Nectar river ; 
 We were the master of the seal of things, 
 And where the sunshine bathed Truth's mountain-springs 
 
 Quiver'd our glancing wings. 
 Weep for the godlike life we lost afar 
 Weep ! thou and I its scatter'd fragments are ; 
 And still the unconquer'd yearning we retain 
 Sigh to restore the rapture and the reign, 
 
 And grow divine again. 
 
 And therefore came to me the wish to woo thee 
 Still, lip to lip, to cling for aye unto thee ; 
 This made thy glances to my soul the link 
 This made me burn thy very breath to drink 
 
 My life in thine to sink : 
 
 And therefore, as before the conqueror's glaive, 
 Flies, without strife subdued, the ready slave,
 
 ?44 POEMS AND BALLADS OF SCHILLER 
 
 So, wlien to life's unguarded fort, I see 
 
 Thy gaze draw near and near triumphantly 
 
 Yieldeth my soul to thee ! 
 Therefore nay soul doth from its lord depart, 
 Because, beloved, its native home thou art ; 
 Because the twins recall the links they bore, 
 And soul with soul, in the sweet kiss of yore, 
 
 Meets and unites once more ! 
 Thou too Ah, there thy gaze upon me dwells, 
 And thy young blush, the tender answer tells ; 
 Yes ! with the dear relation still we thrill, 
 Both lives tho* exiles from the homeward hill 
 
 One life all glowing still ! 
 
 MELANCHOLY; TO LAURA. 
 
 LAURA ! a sunrise seems to break 
 
 Where'er thy happy looks may glow, 
 Joy sheds its roses o'er thy cheek, 
 Thy tears themselves do but bespeak 
 
 The rapture whence they flow : 
 Blest youth to whom those tears are given- 
 The tears that change his earth to heaven ; 
 His best reward those melting eyes 
 For him new suns are in the skies ! 
 
 II. 
 
 Thy soul a crystal river passing, 
 Silver- clear, and sunbeam-glassing, 
 Mays into bloom sad Autumn by thee ; 
 Night and desert, if they spy thee, 
 To gardens laugh with daylight shine, 
 Lit by those happy smiles of thine ! 
 Dark with cloud the Future far 
 Goldens itself beneath thy star.
 
 MELANCHOLY ; TO LAURA. 245 
 
 Smil'st thou to see the Harmony 
 
 Of charm the laws of Nature keep ? 
 Alas ! to me the Harmony 
 
 5riags only cause to weep! 
 
 in. 
 
 Holds not Hades its domain 
 
 Underneath this earth of ours ? 
 Under Palace, under Fane, 
 
 Underneath the cloud-capt Towers ? 
 Stately cities soar and spread 
 O'er your mouldering bones, ye Dead ! 
 From corruption, from decay, 
 
 Springs yon clove pink's fragrant bloom ; 
 Yon gay waters wind their way 
 
 From the hollows of a tomb. 
 
 IV. 
 
 From the Planets thou may'st know 
 All the change that shifts below, 
 Fled beneath that zone of rays, 
 Fled to Night a thousand Mays ; 
 Thrones a thousand rising sinking, 
 Earth from thousand slaughters drinking 
 Blood profusely pour'd as water ; 
 Of the sceptre of the slaughter 
 Wouldst thou know what trace remaineth ? 
 Seek them where the dark king reigneth ! 
 
 V. 
 
 Scarce thine eye can ope and close 
 
 Ere Life's dying sunset glows ; 
 
 Sinking sudden from its pride 
 
 Into Death the Lethe tide. 
 
 Ask'st thou whence thy beauties rise ? 
 
 Boastest thou those radiant eyes ? 
 
 Or that cheek in roses dy'd ? 
 
 All their beauty (thought of sorrow !) 
 
 From the brittle mould they borrow. 
 
 Heavy interest in the tomb 
 
 For the brief loan of the bloom,
 
 S24-6 POEMS AND BALLADS OF SCHlLLEK. 
 
 For the beauty of the Day, 
 D;ath, the Usurer, thou must pay, 
 In the long to-morrow ! 
 
 VI. 
 
 Maiden ! Death's too strong for scorn ; 
 
 In the cheek the fairest, He 
 
 But the fairest throne doth see ; 
 Though the roses of the morn 
 Weave the veil by Beauty worn 
 Aye, beneath that broidered curtain, 
 Stands the Archer stern and certain ! 
 Maid thy Visionary hear 
 Trust the wild one as the seer, 
 When he tells thee that thine eye, 
 
 While it beckons to the wooer, 
 Only lureth yet more nigh 
 
 Death, the dark undoer ! 
 
 VII. 
 
 Every ray shed from thy beauty 
 
 Wastes the life-lamp while it beams, 
 
 And the pulse's playful duty, 
 
 And the blue veins' merry streams, 
 
 Sport and run unto the pall 
 
 Creatures of the Tyrant, all ! 
 
 As the wind the rainbow shatters, 
 
 Death thy bright smiles rends and scatters, 
 
 Smile and rainbow leave no traces ; 
 
 From the spring-time's laughing graces, 
 
 From all life, as from its germ, 
 
 Grows the revel of the worm ! 
 
 VIII. 
 
 Woe, I see the wild wind wreak 
 Its wrath upon thy rosy bloom, 
 
 Winter plough thy rounded check, 
 Cloud and darkness close in gloom ; 
 
 Blackening over, and for ever, 
 
 Youth's serene and silver river ! 
 
 Love alike and Beauty o'er, 
 
 Lovely and belov'd no more 1
 
 MELANCHOLY J TO LAURA. 247 
 
 Maiden, an oak that soars on high, 
 
 And scorns the whirlwind's breath, 
 Behold thy Poet's youth defy 
 The blunted dart of Death ! 
 His gaze as ardent as the light 
 
 That shoots athwart the Heaven, 
 His soul yet fiercer than the light 
 
 In the Eternal Heaven 
 Of Him, in whom as in an ocean-surge 
 Creation ebbs and flows and worlds arise and merge ! 
 Thro' Nature steers the Poet's thought to find 
 No fear but this one barrier to the JWin - ? 
 
 x. 
 
 And dost thou glory so to think f* 
 
 And heaves thy bosom ? Woe ! 
 This Cup, which lures him to the brink, 
 As if Divinity to drink 
 
 Has poison in its flow ! 
 Wretched, oh, wretched, they who trust 
 To strike the God-spark from the dust ! 
 The mightiest tone the Music knows. 
 
 But breaks the harp-string with the sound ; 
 And Genius, still the more it glows, 
 But wastes the lamp whose life bestows 
 
 The light it sheds around. 
 Soon from existence dragg'd away, 
 The watchful gaoler grasps his prey ; 
 Vowed on the altar of the abused fire, 
 The spirits I raised against myself conspire ! 
 Let yes, I feel it two short springs away 
 
 Pass on their rapid flight ; 
 And life's faint spark shall, fleeting from the clay, 
 
 Merge in the Fount of Light ! 
 
 XI. 
 
 And weep'st thon, Laura ? be thy tears forbid ; 
 Wouldst thou my lot, life's dreariest years amid, 
 Protract and doom ? No ; sinner, dry thy teara
 
 2<JS POEMS AND BALLADS OF SCHILLER. 
 
 Wouldst thou, whose eyes beheld the eagle wing 
 Of my bold youth through air's dominion spring, 
 Mark my sad age (life's tale of glory done) 
 Crawl on the sod and tremble in the sun ? 
 Hear the dull frozen heart condemn the flame 
 That as from Heaven to youth's blithe bosom came ; 
 And see the blind eyes loathing turn from all 
 The lovely sins Age curses to recall ? 
 
 Let me die young ! sweet sinner, dry thy tears ! 
 Yes, let the flower be gathered in its bloom ! 
 And thou, young Genius, with the brows of gloom, 
 
 Quench thou Life's torch, while yet the flame 
 
 strong ! 
 
 Ev'n as the curtain falls ; while still the scene 
 Most thrills the hearts which, have its audience been ; 
 As fleet the shadows from the stage and long 
 When all is o'er, lingers the breathless throng ! 
 
 THE INFANTICIDE. 
 
 HARK where the bells toll, chiming, dull and steady, 
 
 The clock's slow hand hath reach'd the appointed 
 
 time. 
 Well, be it so prepare, my soul is ready, 
 
 Companions of the Grave the rest for crime ! 
 Xow take, O world! my last farewell receiving 
 
 My parting kisses in these tears they dwell ! 
 Sweet are thy poisons while we taste believing, 
 
 Now we are quits heart-poisoner, fare-thee-well ! 
 
 II. 
 
 Farewell, ye suns that once to joy invited, 
 
 Changed for the mould beneath the funeral shade ; 
 Farewell, farewell, thou rosy Time delighted, 
 
 Luring to soft desire the careless maid. 
 Fale gossamers of gold, farewell, sweet-dreaming 
 
 Fancies the children that an Eden bore ! 
 jjlossoms that died while Dawn itself was gleaming, 
 
 Opening in happy sunlight never more.
 
 THE INFANTICIDE. 240 
 
 in. 
 
 Swanlike the robe which Innocence bestowing, 
 
 Deck'tl with the virgin favours, rosy fair, 
 In the gay time when many a young rose glowing. 
 
 Blush'd through the loose train of the amber hair. 
 Woe, woe ! as white the robe that decks me now 
 
 The shroud-like robe Hell's destin'd victim wears ; 
 Still shall the fillet bind this burning brow 
 
 That sable braid the Doomsman's hand prepares ! 
 
 IV. 
 
 Weep ye, who never fell for whom, v.nerring, 
 
 The soul's white lilies keep their virgin hue, 
 Ye who when thoughts so danger-sweet are stirring, 
 
 Take the stern strength that Nature gives the few ' 
 Woe, for too human was this fond heart's feeling 
 
 Feeling ! my sin's avenger * doom'd to be ; 
 Woe for the false man's arm around me stealing, 
 
 Stole the lull'd Virtue, charm'd to sleep, from me. 
 
 V. 
 
 Ah, he perhaps shall, round another sighing, 
 
 (Forgot the serpents stinging at my breast,) 
 Gaily, when I in the dumb grave am lying, 
 
 Pour the warm wish or speed the wanton jest, 
 Or play, perchance with his new maiden's tresses, 
 
 Answer the kiss her lip enamour'd brings, 
 When the dread block the head he cradled presses, 
 
 And high the blood his kiss once fever'd springs. 
 
 VI. 
 
 Tiice, Francis, Francis, f league on league, shall follow 
 The death-dirge of the Lucy once so dear ; 
 
 From yonder steeple, dismal, dull, and hollow, 
 Shall knell the warning horror on thy ear. 
 
 * "Und Emptindung soil mein llichtschvert acyn." 
 
 A line of great vigour in the original, but which, if literally translated, 
 would seem extravagant in English, 
 t Joseph, iu the original.
 
 &5U POEMS AND BALLADS OP SCHILLE&. 
 
 On thy fresh Ionian's lips when Love is dawning, 
 And the lisp'd music glides from that sweet well 
 
 Lo, in that breast a red wound shall be yawning, 
 And, in the midst of rapture, warn of hell ! 
 
 VII. 
 
 Betrayer, what ! thy soul relentless closing 
 
 To grief the woman-shame no art can heal 
 To that small life beneath my heart reposing ! 
 
 Man, man, the wild beast for its young can feel ! 
 Proud flew the sails receding from the land, 
 
 I watch'd them wanning from the wistful eye, 
 Round the gay maids on Seine's voluptuous strand, 
 
 Breathes the false incense of his fatal sigh. 
 
 VIII. 
 
 And there the Babe ! there, on the mother's bosom, 
 
 Lull'd in its sweet and golden rest it lay, 
 Fresh in life's morning as a rosy blossom, 
 
 It smiled, poor harmless one, my tears away. 
 Deathlike yet lovely, every feature speaking 
 
 In such dear calm and beauty to my sadness, 
 And cradled still the mother's heart, in breaking, 
 
 The soft'ning love and the despairing madness. 
 
 IX. 
 
 "Woman, where is my father? " freezing through me, 
 
 Lisp'd the mute Innocence with thunder-sound ; 
 " Woman, where is thy husband ? " call'd unto me, 
 
 In every look, word, whisper, busying round ! 
 Alas, for thee, there is no father's kiss ; 
 
 He fondleth other children on his knee. 
 How thou wilt curse our momentary bliss, 
 
 When Bastard on thy name shall branded be ! 
 
 x. 
 
 Thy mother oh, a hell her heart concealeth, 
 Lone-sitting, lone in social Nature's All ! 
 
 Thirsting for that glad fount thy love revealeth, 
 While still thy look the glad fount turns to gall.
 
 THE INFANTICIDE. 251 
 
 In every infant cry my soul is heark'ning, 
 
 The haunting happiness for ever o'er, 
 And all the bitterness of death is dark'ning 
 
 The heavenly looks that smiled mine eyes before. 
 
 XI. 
 
 Hell, if my sight those looks a moment misses 
 
 Hell, when my sight upon those looks is turn'd - 
 The avenging furies madden in thy kisses, 
 
 That slept in Ms what time my lips they burn'cl. 
 Out from their graves his oaths spoke back in thuiuloj 1 
 
 The perjury stalk'd like murder in the sun 
 For ever God ! sense, reason, soul, sunk under 
 
 The deed was done ! 
 
 xn. 
 
 Francis, Francis ! league on league, shall chase thee 
 
 The shadows hurrying grimly on thy flight 
 Still with their icy arms they shall embrace thee, 
 
 And mutter thunder in thy dream's delight ! 
 Down from the soft stars, in their tranquil glory, 
 
 Shall look thy dead child with a ghastly stare ; 
 That shape shall haunt thee in its cerements gory, 
 
 And scourge thee back from heaven its home is 
 there ! 
 
 XIII. 
 
 Lifeless how lifeless! see, oh see, before me 
 
 It lies cold stiff ! O God ! and with that blood 
 I feel, as swoops the dizzy darkness o'er me, 
 
 Mine own life mingled ebbing in the flood 
 /[ark, at the door they knock more loud within mo- 
 
 More awful still its sound the dread heart gave ! 
 Gladly I welcome the cold arms that win me 
 
 Fire, quench thy tortures in the icy grave ! 
 
 XIV. 
 
 Francis a God that pardons dwells in heaves 
 Francis, the sinner yes she pardons thee 
 
 So lot my wrongs unto the earth be given : 
 
 Flame seize the wood ! it burns it kindles see *
 
 252 POEMS AND BALLADS OF SCHILLEE. 
 
 There there his letters cast behold are ashes 
 His vows the conquering fire consumes them here : 
 
 His kisses see see all all are only ashes 
 All, all the all that once on earth were dear ! 
 
 xv. 
 
 Trust not the roses which your youth enjoyeth, 
 
 Sisters, to man's faith, changeful as the moon ! 
 Beauty to me brought guilt its bloom destroyeth : 
 
 Lo, in the judgment court I curse the boon : 
 Tears in the headsman's gaze what tears ? 'tis spoken ! 
 
 Quick, bind mine eyes all soon shall be forgot 
 Doomsman the lily hast thou never broken ? 
 
 Pale Doomsman tremble not ! 
 
 The poem we have just concluded was greatly admired at the time of its 
 first publication, and it so far excels in art most of the earlier efforts bv the 
 author, that it attains one of the highest secrets in true pathos ; it produces 
 interest for the criminal while creating terror for the crime. This, indeed, 
 is a triumph in art never achieved but by the highest genius. The inferior 
 writer, when venturing upon the grandest stage of passion (which unques- 
 tionably exists in the delineation of great guilt as of heroic virtue), falls 
 into the error either of gilding the crime, in order to produce sympathy for 
 the criminal, or, in the spirit of a spurious morality, of involving both crime 
 and criminal in a common odium. It is to discrimination between the doer 
 and the deed, that we ov r e the sublimest revelations of the human heart : 
 in this discrimination lies the key to the emotions produced by the CEdipus 
 and Macbeth. In the brief poem before us a whole drama is comprehended. 
 Marvellous is the completeness of the pictures it presents its mastery over 
 emotions the most opposite its fidelity to nature in its exposition of the 
 disordered and despairing mind in which tenderness becomes cruelty, and 
 remorse for error tortures itself into scarce conscious crime. 
 
 But the art employed, though admirable of its kind, still falls short of the 
 perfection which, in his later works, Schiller aspired to achieve, viz. the 
 point at which Pain ceases. The tears which Tragic Pathos, when purest 
 and most elevated, calls forth, ought not to be tears of pain. In the ideal 
 world, as Schiller has inculcated, even sorrow should have its charm all 
 that harrows, all that revolts, belongs but to that inferior school in which 
 Schiller's fiery youth formed itself for nobler grades the school of " Storm 
 and Pressure" (Sturm und Drang, as the Germans have expressively 
 described it). If the reader will compare Schiller's poem of the "In- 
 fanticide," with the passages which represent a similar crime in the Medea 
 (and the author of " Wallenstein " deserves comparison even with the 
 Euripides), he will see the distinction between the art that seeks an elevated 
 emotion, and the art which is satisfied with creating an intense one. In 
 Euripides, the detail the reality all that can degrade terror into pain 
 are loftily dismissed. The Titan grandeur of the Sorceress removes us from 
 too close an approach to the criroe of the unnatural Mother the emotion of 
 pity changes into awe just at the pitch before the coarse sympathy of 
 actual pain can be effected. And it is the avoidance of reality it is the 
 all-purifying Presence of the Ideal, which make the vast distinction in our
 
 THE GREATNESS OF CREATION. 253 
 
 emotions between following:, with shocked and displeasing pity, the crushed, 
 broken-hearted, mortal criminal to the scaffold, and gazing with an awe 
 which has pleasure of its own upon the mighty Murderess soaring out of 
 the reach of humanity, upon her Dragon-Car ! 
 
 THE GREATNESS OF CREATION. 
 
 UPON the winged winds, among the rolling worlds I 
 
 flew, 
 
 Which, by the breathing spirit, erst from ancient Chaos 
 grew ; 
 
 Seeking to land 
 On the farthest strand, 
 Where life lives no longer to anchor alone, 
 And gaze on Creation's last boundary-stone. 
 
 Star after star around me now its shining youth uproars, 
 To wander through the Firmament its day of thousand 
 years 
 
 Sportive they roll 
 
 Round the charmed goal : 
 Till, as I look'd on the deeps afar, 
 The space waned void of a single star. 
 
 On to the Realm of Nothingness on still in dauntless 
 
 flight, 
 
 Along the splendours swiftly steer my sailing wings of 
 light ; 
 
 Heaven at the rear, 
 Paleth, mist-like and drear ; 
 Yet still as I wander, the worlds in their glee 
 Sparkle up like the bubbles that glance on a Sea ! 
 
 And towards me now, the selfsame path I see a Pilgrim 
 
 steer ! 
 
 " Halt, Wanderer, halt and answer me What, Pilgrim, 
 seek'st thou here ? " 
 
 " To the World's last shore 
 I am sailing o'er, 
 
 Where life lives no longer to anchor alone, 
 And gaze on Creation's last boundary-stone."
 
 254 POEMS AND BALLADS OF SCHILLER. 
 
 "Thou sail'sfc in vain Return! Before thy path, Js r . 
 
 f INITY ! " 
 
 "And thou in vain! Behind me spreads INFINITY lo 
 thee! 
 
 Fold thy wings drooping, 
 O Thought, eagle-swooping ! 
 O Fantasie, anchor ! The Voyage is o'er : 
 Creation, wild sailor, flows on to no shore ! " 
 
 ELEGY ON THE DEATH OF A YOUTH. 
 
 [Said to be the Poet Eudolf "Weckherlin.] 
 
 HEAVY moans, as when Nature the storm is foretelling, 
 
 From the Dark House of Mourning come sad on the ear ; 
 The Death-note on high from the steeple is knelling, 
 
 And slowly comes hither a youth on the Bier ; 
 A youth not yet ripe for that garner the tomb, 
 
 A blossom pluck'd off from the sweet stem of May, 
 Each leaf in its verdure, each bud in its bloom : 
 
 A youth with the eyes yet enchanted by day : 
 A Son to the Mother, word of delight ! 
 
 A Son to the Mother, O thought of despair ! 
 My Brother, my friend ! To the grave and the night 
 
 Follow, ye that are human, the treasure we bear. 
 
 Ye Pines, do ye boast that unshattered your boughs 
 
 Brave the storm when it rushes, the bolt when it falls ? 
 Ye Hills, that the Heavens rest their pomp on your brows ? 
 
 Ye Heavens, that the Suns have their home in your 
 
 halls ? 
 Does the Aged exult in the works he has done 
 
 The Ladders by which he has climb'd to Renown ? 
 Or the Hero, in deeds by which valour has won 
 
 To the heights where the Temple of Grlory looks down ? 
 
 * Of this Poem, as of Gray's divine and unequalled Elegy, it may be truly 
 said that it abounds in thoughts so natural, that the reader at first believes 
 they have been often expressed before, but his memory will not enable him 
 to trace a previous owner. The whole Poem has the rare beauty of being 
 at once familiar and original.
 
 ELEGY ON THE DEATH OF A YOUTH, 255 
 
 When the canker the bud doth already decay, 
 
 "Who can deem that his ripeness is free from the worm ; 
 
 Who can hope to endure, when the young fade away, 
 Who can count on life's harvest the blight at the germ ? 
 
 How lovely with youth, and with youth how delighted, 
 
 His days, in the hues of the Rose glided by ! 
 How sweet was the world and how fondly invited 
 
 The Future, that Fair)- enchanting his eye ! 
 All life like a Paradise smil'd on his way, 
 
 And, lo ! see the Mother weep over his bed, 
 See the gulf of the Hades yawn wide for its prey, 
 
 See the shears of the Parcse gleam over the thread ! 
 Earth and Heaven which such joy to the living one gave, 
 
 From his gaze darkened dimly ! and sadly and sighing 
 The dying one shrunk from the Thought of the grave, 
 
 The World, oh ! the World is so sweet to the Dying ! 
 
 Dumb and deaf is all sense in the Narrow House ! deep 
 
 Is the slumber the Grave's heavy curtains unfold ! 
 How silent a Sabbath eternally keep, 
 
 Brother the Hopes ever Busy of old ! 
 Oft the Sun shall shine down on thy green native hill, 
 
 But the glow of his smile thou shalt feel never more ! 
 Oft the west wind shall rock the young blossoms, but still 
 
 Is the breeze for the heart that can hear never more ! 
 Love gilds not for thee all the world with its glow, 
 
 Never Bride in the clasp of thine arms shall repose ; 
 Thou canst see not our tears, though in torrents they flow, 
 
 Those eyes in the calm of eternity close ! 
 Yet happy oh, happy, at least in thy slumber 
 
 Serene is the rest, where all trouble must cease ; 
 For the sorrows must die with the joys they outnumber, 
 
 And the pains of the flesh with its dust are at peace ! 
 The tooth of sharp slander thou never canst feel, 
 
 The poison of Vice cannot pierce to thy cell ; 
 Over thee may the Pharisee thunder his zeal, 
 
 And the rage of the Bigot devote thee to Hell ! 
 Though the mask of the saint may the swindler disguise ; 
 
 Though Earth's Justice, that Bastard of Bight, we may see 
 At play with mankind as the cheat with his dies, 
 
 As now so for ever what matters to thee ?
 
 250 POEMS AND BALLADS OF SCHILLER. 
 
 Over thee too may Fortune (her changes unknown) 
 
 Blindly give to her minions the goods they desire ; 
 Now raising her darling aloft to the throne, 
 
 Now hurling the wretch whom she raised to the mire ! 
 Hsvppy thou, happy thou in the still narrow cell ! 
 
 To this strange tragi-comedy acted on earth, 
 To these waters where Bliss is defil'd at the well, 
 
 To this lottery of chances in sorrow and mirth, 
 To this rot and this ferment this sloth and this strife, 
 
 To the day and the night of this toilsome repose, 
 To this Heaven full of Devils O, Brother! TO LIFE 
 
 Thine eyes in the calm of Eternity close ! 
 
 Fare-thee-well, fare-thee-well, Belov'd of the soul ! 
 
 Our yearnings shall hallow the loss we deplore ; 
 Slumber soft in the Grave till we win to thy goal 
 
 Slumber soft, slumber soft, till we see thee once more ! 
 Till the Trumpet that heralds God's coming in thunder, 
 
 From the hill-tops of light shall ring over thy bed 
 Till the portals of Death shall be riven asunder, 
 
 And the storm- wind of God whirl the dust of the Dead ; 
 Till the breath of Jehovah shall pass o'er the Tombs, 
 
 Till their seeds spring to bloom at the life of the Breath, 
 Till the pomp of the Stars into vapour consumes, 
 
 And the spoils he hath captured are ravished from Death. 
 Jf not in the worlds dream'd by sages, nor given 
 
 In the Eden the Multitude hope to attain, 
 If not where the Poet hath painted his Heaven, 
 
 Still, Brother, we know we shall meet thee again ! 
 Is there truth in the hopes which the Pilgrim beguile ? 
 
 Does the thought still exist when Life's journey is o'er ? 
 Does Virtue conduct o'er the dreary defile ? 
 
 Is the faith we have cherish'd a dream and no more ? 
 Already the riddle is bared to thy sight, 
 
 Already thy soul quaffs the Truth it has won, 
 The Truth that streams forth in its waters of light 
 
 From the chalice the Father vouchsafes to the Son ' 
 Draw near, then, silent and dark gliding Train, 
 
 Let the feast for the Mighty Destroyer be spread ; 
 ("case the groans which so loudly, so idly complain, 
 
 Heap the mould o'er the mould heap the dust o'er ihc 
 Dead !
 
 THE BATTLE. 257 
 
 Who can solve the decrees of God's Senate ? the heart 
 
 Of the groundless abyss, what the eye that explores ? 
 Holy ! holy ! all holy in darkness thou art, 
 
 God of the Grave, whom our shudder adores ! 
 Earth to Earth may return, the material to matter. 
 
 But high from the cell soars the spirit above; 
 His ashes the winds of the tempest may scatter 
 
 The life of Eternity lives in his love ! 
 
 THE BATTLE, 
 
 HEAVY and solemn, 
 
 A cloudy column, 
 
 Thro' the green plain they marching came ! 
 Measureless spread, like a table dread, 
 For the wild grim dice of the iron game. 
 The looks are bent on the shaking ground, 
 And the heart beats loud with a knelling sound ; 
 Swift by the breasts that must bear the brunt, 
 Gallops the Major along the front 
 
 " Halt ! " 
 
 And fetter'd they stand at the stark command, 
 And the warriors, silent, halt ! 
 
 Proud in the blush of morning glowing, 
 What on the hill-top shines in flowing ! 
 " See you the Foeman's banners waving ? " 
 " We see the Foeman's banners waving ! " 
 " God be with ye children and wife ! " 
 Hark to the Music the trump and the fife, 
 How they ring thro' the ranks which they rouse to the 
 
 strife ! 
 
 Thrilling they sound with their glorious tone, 
 Thrilling they go through the marrow and bone ! 
 Brothers, God grant when this life is o'er, 
 In the life to come that we meet once more ! 
 
 See the smoke how the lightning is cleaving asunder ! 
 Hark the guns, peal on peal, how they boom in their 
 
 thunder ! 
 
 From host to host, with kindling sound, 
 The shouting signal circles round,
 
 258 POEMS AND BALLADS OF SCHILLER. 
 
 Ay, shout it forth to life, or death 
 Freer already breathes the breath ! 
 The war is waging, slaughter raging, 
 A.nd heavy through the reeking pall, 
 
 The iron Death-dice fall ! 
 Nearer they close foes upon foes 
 " Beady ! " From square to square it goes, 
 
 Down on the knee they sank, 
 And the fire comes sharp from the foremost rank. 
 Many a man to the earth it sent, 
 Many a gap by the balls is rent 
 O'er the corpse before springs the hinder-man, 
 That the line may not fail to the fearless van. 
 To the right, to the left, and around and around, 
 Death whirls in its dance on the bloody ground. 
 God's sunlight is qnench'd in the fiery fight, 
 Over the host falls a brooding Night ! 
 Brothers, God grant when this life is o'er, 
 In the life to come that we meet once more ! 
 
 The dead men lie bathed in the weltering blood, 
 And the living are blent in the slippery flood, 
 And the feet, as they reeling and sliding go, 
 Stumble still on the corpses that sleep below. 
 " What, Francis ! " " Give Charlotte my last farewell." 
 As the dying man murmurs, the thunders swell 
 " I'll give Oh God ! are their guns so near ? 
 Ho ! comrades ! yon volley ! look sharp to the rear ! 
 I'll give thy Charlotte thy last farewell, 
 Sleep soft ! where Death thickest descendeth in rain, 
 The friend thou forsakest thy side shall regain ! " 
 Hitherward thitherward reels the fight, 
 Dark and more darkly Day glooms into night 
 Brothers, God grant when this life is o'er, 
 In the life to come that we meet once more I 
 Hark to the hoofs that galloping go ! 
 
 The Adjutants flying, 
 The horsemen press hard on the panting foe^ 
 
 Their thunder booms in dying 
 
 Victory ! 
 The terror has seized on the dastards all, 
 
 And their colours fall ! 
 Victory !
 
 FRIENDSHIP. 259 
 
 Closed is the brunt of the glorious fight : 
 
 And the day, like a conqueror, bursts on the night. 
 
 Trumpet and fife swelling choral along, 
 
 The triumph already sweeps marching in song. 
 
 Fareivell, fallen brothers, tho' this life be o'er, 
 
 There's another, in which we shall meet you once more ! 
 
 ROUSSEAU. 
 
 (FREE TRANSLATION.) 
 
 MONUMENT of Shame to this our time ! 
 
 Dishonouring record to thy mother clime ; 
 
 Hail Grave of Rousseau ! here thy troubles cease ! 
 
 Thy life one search for Freedom and for Peace : 
 
 Thee, Peace and Freedom life did ne'er allow, 
 
 Thy search is ended, and thou find'st them now ! 
 
 When will the old wounds scar ! In the dark age 
 
 Perish'd the wise ; Light comes How fares the sage ? 
 
 The same in darkness or in light his fate, 
 
 Time brings no mercy to the Bigot's hate ! 
 
 Socrates charmed Philosophy to dwell 
 
 On Earth by false philosophers he fell ; 
 
 In Rousseau, Christians niark'd their victim when 
 
 Rousseau enlisted Christians into Men ! 
 
 FRIENDSHIP. 
 
 [From " Letters of Julius to Raphael," an unpublished Norel. 
 
 FJBIEND ! the Great Rnler, easily content, 
 Needs not the laws it has laborious been 
 
 The task of small Professors to invent ; 
 A single wheel impels the whole machine 
 
 Matter and spirit ; yea that simple law, 
 
 Pervading Nature, which our Newton saw.
 
 260 POEMS AND BALLADS OF SCHILLER. 
 
 This taught the spheres, slaves to one golden rein, 
 Their radianb labyrinths to weave around 
 
 Creation's mighty heart ; this made the chain, 
 Which into interwoven systems bound 
 
 All spirits streaming to the spiritual Sun, 
 
 As brooks that ever into ocean run ! 
 
 Did not the same strong mainspring urge and guidw 
 Our Hearts to meet in Love's eternal bond ? 
 
 Link'd to thine arm, O Raphael, by thy side 
 Might I aspire to reach to souls beyond 
 
 Our earth, and bid the bright Ambition go 
 
 To that Perfection which the Angels know ! 
 
 Happy, happy I have found thee I 
 
 Have oat of millions found thee, and embraced ; 
 
 Thou, out of millions, mine ! Let earth and sky 
 Return to darkness, and the antique waste 
 
 To chaos shock'd, leb warring atoms be, 
 
 Still shall each heart unto the other flee ! 
 
 Do I not find within thy radiant eyes 
 Fairer reflections of all joys most fair ? 
 
 In thee I marvel at myself the dyes 
 
 Of lovely earth seem lovelier painted there, 
 
 And in the bright looks of the Friend is given 
 
 A heavenlier mirror even of the Heaven ! 
 
 Sadness casts off its load, and gaily goes 
 From the intolerant storm to rest awhile, 
 
 In Love's true heart, sure haven of repose ; 
 
 Does not Pain's veriest transports learn to smilo 
 
 From that bright eloquence Affection gave 
 
 To friendly looks ? there, finds not Pain a grave ? 
 
 In all Creation did I stand alone, 
 
 Still to the rocks my dreams a soul should find, 
 Mine arms should wreathe themselves around the stone, 
 
 My grief should feel a listener in the wind ; 
 My joy its echo in the caves should be ! 
 -Fool, if ye will Foslj for sweet Sympathy !
 
 A GROUP IN TARTARUS. 261 
 
 We are dead groups of matter when we hate ; 
 
 But when we love we are as Gods ! Unto 
 The gentle fetters yearning, through each state 
 
 And shade of being multiform, and thro' 
 All countless spirits (save of all the sire) 
 Moves, breathes, and blends the one divine Desire. 
 
 Lo ! arm in arm, thro' every upward grade, 
 From the rude Mongol to the starry Greek, 
 
 Who the fine link between the Mortal made, 
 And Heaven's last Seraph everywhere we seek 
 
 Union and bond till in one sea sublime 
 
 Of Love be merg'd all measure and all time ! 
 
 Friendless ruled God His solitary sky ; 
 
 He felt the want, and therefore Souls were made, 
 The blessed mirrors of His bliss ! His Eye 
 
 No equal in His loftiest works surveyed ; 
 And from the source whence souls are quickened He 
 Called His Companion forth ETERNITY ! 
 
 A GROUP IN TARTARUS. 
 
 HARK, as hoarse murmurs of a gathering sea 
 
 As brooks that howling through black gorges go, 
 Groans sullen, hollow, and eternally, 
 
 One wailing Woe ! 
 
 Sharp Anguish shrinks the shadows there; 
 And blasphemous Despair 
 Yells its wild curse from jaws that never close ; 
 
 And ghastly eyes for ever 
 
 Stare on the bridge of the relentless River, 
 Or watch the mournf ul wave as year on year it flows, 
 
 And ask each other, with parch'd lips that writhe 
 Into a whisper, " When the end shall be ? " 
 
 The end ? Lo, broken in Time's hand the scythe, 
 And round and round revolves Eternity !
 
 262 POEMS AND BALLADS OF SCHILLER. 
 
 ELYSIUM. 
 
 I J AST the despairing wail 
 
 And the bright banquets of the Elysian Vale 
 
 Melt every care away ! 
 Delight, that breathes and moves for ever, 
 Glides through sweet fields like some sweet river ! 
 
 Elysian life survey ! 
 
 There, fresh with youth, o'er jocund meads, 
 His merry west- winds blithely leads 
 
 The ever-blooming May ! 
 
 Through, gold-woven dreams goes the dance of the Hours, 
 In space without bounds swell the soul and its powers, 
 
 And Truth, with no veil, gives her face to the day. 
 And joy to-day and joy to-morrow, 
 
 But wafts the airy soul aloft ; 
 The very name is lost to Sorrow, 
 
 And Pain is Rapture tuned more exquisitely soft. 
 Here the Pilgrim reposes the world-weary limb, 
 And forgets in the shadow, cool- breathing and dim, 
 
 The load he shall bear never more ; 
 Here the Mower, his sickle at rest, by the streams, 
 Lull'd with harp-strings, reviews, in the calm of his dreams, 
 
 The fields, when the harvest is o'er. 
 Here, He, whose ears drank in the battle roar, 
 Whose banners stream'd upon the startled wind 
 
 A thunder-storm, before whose thunder tread 
 The mountains trembled, in soft sleep reclined, 
 
 By the sweet brook that o'er its pebbly bed 
 In silver plays, and murmurs to the shore, 
 Hears the stern clangour of wild spears no more 1 
 Here the true Spouse the lost-beloved regains, 
 And on the enamell'd couch of summer-plains 
 
 Mingles sweet kisses with the zephyr's breath. 
 Here, crown'd at last, Love never knows decay, 
 Living through ages its one BRIDAL DAT, 
 
 Safe from the stroke of Death i
 
 THE REFUGEE. 263 
 
 THE REFUGEE. 
 
 FRESH breathes the living air of dawning Day, 
 
 The young Light reddens thro' the dusky pines, 
 Ogling the tremulous leaves with wanton ray : 
 The cloud-capt hill-tops shine, 
 With golden- flame divine ; 
 And all melodious thrills the lusty song 
 
 Of sky-larks, greeting the delighted Sun; 
 As to Aurora's arms he steals along 
 
 And now in bright embrace she clasps the glowing one i 
 Light, hail to thee ! 
 How the mead and the lea 
 
 The warmth and the wave of thy splendour suffuse ! 
 How silver-clear, shimmer 
 The fields, and how glimmer 
 
 The thousand suns glass'd in the pearl of the dews ! 
 How frolic and gay 
 Is young Nature at play, 
 
 Where the cool-breathing shade with low whispers is sweet ; 
 Sighing soft round the rose, 
 The Zephyr, its lover, caressingly goes, 
 And over the Meadow the light vapours fleet ! 
 How, high o'er the city the smoke-cloud is reeking, 
 What snorting, and rattling, and trampling, and creaking ; 
 Neighs the horse the bull lows, 
 And the heavy wain goes 
 
 To the valley that groans with the tumult of Day ; 
 The life of the Woodlands leaps up to the eye 
 The Eagle, the Falcon, the Hawk, wheel on high, 
 On the wings that exult in the ray ! 
 Where shall I roam, 
 Peace, for thy home ? 
 
 With the staff of the Pilgrim, where wander to Thee ? 
 The face of the Earth 
 With the smile of its mirth 
 Has only a grave for me ! 
 Rise up, O rosy Morn, whose lips of love 
 
 Kiss into blushing splendour grove and field ; 
 Sink down, rosy Eve, that float' st above 
 The weary world, in happy slumbers seal'd,
 
 20 1 POEMS AND BALLADS OF SCHILLER. 
 
 Morn, in the joyous world thou reddencst over 
 But one dark Burial-place the Pilgrim, knows ! 
 
 Eve, the sleep thy rosy veil shall cover 
 Is but my long repose ! 
 
 THE FLOWERS. 
 
 CHILDREN of Suns restored to youth, 
 
 In pnrfled Fields ye dwell, 
 Ileared to delight and joy in sooth, 
 
 Kind Nature loves ye well ; 
 Broidered with light the robes ye wear, 
 And liberal Flora decks ye fair, 
 In gorgeous-coloured pride : 
 Yet woe Spring's harmless Infants Woe, 
 Mourn, for ye wither while ye glow 
 Mourn for the soul denied ! 
 
 The Skylark and the Nightbird sing 
 
 To you their Hymns of Love, 
 And Sylphs that wanton on the wing 
 
 Embrace your blooms above ; 
 Woven for Love's soft pillow, were 
 The Chalice crowns ye blushing bear, 
 
 By the Idalian Queen : 
 Yet weep, soft Children of the Spring, 
 The feelings Love alone can bring 
 To you denied have been ! 
 
 But me in vain my Laura's * eyes, 
 
 Her Mother hath forbidden ; 
 For in the buds I gather, lies 
 
 Love's symbol-language hidden- 
 Mute Heralds of voluptuous pain 
 I touch ye life, speech, heart, ye gain, 
 
 And soul, denied before : 
 And silently your leaves enclose 
 The mightiest God in arch repose, 
 Soft cradled in the core ! 
 
 * Nanny, in the Editions of Schiller's collected Works ; but Laura, when 
 the Poem was first printed in the Anthology. In the earlier form of the 
 poem, it was not, however, the Poet who sent the flowers to Laura, but 
 Laur^ who scut the flowers to him.
 
 TO .MINNA. 20!. 
 
 TO MINNA. 
 
 i. 
 
 Do I dream. ? can I trust to my eye ? 
 
 My sight sure some vapour must cover ? 
 Or, there, did my Minna pass by 
 
 My Minna and knew not her lover ? 
 On the arm of the coxcomb she crost, 
 
 Well the fan might its zephyr besto\v ; 
 Herself in her vanity lost, 
 
 That wanton my Minna ? Ah, no ! 
 
 ir. 
 
 In the gifts of my love she was dresfc, 
 
 My plumes o'er her summer-hat quiver ; 
 The ribbons that flaunt in her breast 
 
 Might bid her remember the giver ! 
 And still do they bloom on thy bosom, 
 
 The flowerets I gathered for thee ! 
 Still as fresh is the leaf of each blossom, 
 
 'Tis the Heart that has faded from me ! 
 
 in. 
 
 Go and take, then, the incense they tender ; 
 
 Go, the one that adored thee forget ! 
 Go, thy charms to the Feigner surrender, 
 
 In my scorn is my comforter yet ! 
 Go, for thee with what trust and belief 
 
 There beat not ignobly a heart, 
 That has strength yet to strive with the grief 
 
 To have worshipp'd the triflcr thou art ! 
 
 IV. 
 
 Thy beauty thy heart hath bctray'd 
 
 Thy beauty shame, Minna, to thee ! 
 To-morrow its glory will fade, 
 
 And its roses all withered will be ! 
 The swallows that swarm in the sun 
 
 Will fly when the north winds awaken, 
 The false ones thine Autumn will shun, 
 
 For whom thou the true hast forsaken !
 
 266 POEMS AND BALLADS OF SCHILLER. 
 
 V. 
 
 'Mid the wrecks of thy charms in December, 
 
 I see thee alone in decay, 
 And each Spring shall but bid thee remember 
 
 How brief for thyself was the May ! 
 Then they who so wantonly flock 
 
 To the rapture thy kiss can impart, 
 Shall scoff at thy winter, and mock 
 
 Thy beauty as wreck'd as thy heart ; 
 
 vr. 
 
 T/>y beauty thy heart hath betray'd 
 
 Thy beauty shame, Minna, to thee ! 
 To-morrow its glory will fade 
 
 And its roses all withered will be ! 
 O, what scorn for thy desolate years 
 
 Shall I feel ! God forbid it in me ! 
 How bitter will then be the tears 
 
 Shed, Minua, O, Minna, for thee ! 
 
 TO THE SPRING. 
 
 WELCOME, gentle Stripling 
 
 Nature's darling, thou ! 
 With thy basket full of blossoms, 
 
 A happy welcome now ! 
 Aha ! and thou returnest, 
 
 Heartily we greet thee 
 The loving and the fair one, 
 
 Merrily we meet thee ! 
 Think'st thou of my Maiden 
 
 In thy heart of glee ? 
 
 I love her yet, the Maiden 
 And the Maiden yet loves me ! 
 
 Fur the Maiden, many a blossom 
 I begg'd and not in vain ! 
 
 [ came again, a-begging, 
 And thou thou giv'st again :
 
 THi: TKIU-Ml.']] OF LOVE. 267 
 
 With th basket, full of bi 
 
 THE TRIUMPH OF LOVE. 
 
 A HYMN'. 
 
 ]>r.i:ssEi> through love are the Gmls above 
 
 Through love like the (!od.s may man lie ; 
 I lea venlier through love is the heaven above 1 
 
 Through love like a heaven e:nlh eau bo! 
 Once, as the poet snn<_r. 
 
 .lu 1'yrrha's time 'tis known, 
 From rocks Creation sprung. 
 
 And Men leapt up fr. >m stone : 
 Rock and stone, in night 
 
 Tli o sonls of ]nen were seal'd, 
 Heaven's diviner li^ht 
 
 Xot as yet reveal'd ; 
 As yet the Jjoves around them 
 Had never shone nor bound them 
 
 A\ ith their rosy rings ; 
 As yet their bosoms know n- : 
 Soft song 1 and music grew not- 
 
 Out ol' the silver strings : 
 No gladsome garlands cheerily 
 
 Were love-y-woven then ; 
 And o'er Elvsium drcarilv 
 
 Tlie MaA'-timc Hew for men.'' 
 The morning rose nngreetcu 
 
 1'rorn ocean's joyless breast 
 Unhail'd the evening fleeted 
 
 To ocean's joyless breast 
 "Wild through the tangled shade, 
 !!\- clouded moons they .stray 'd,
 
 268 POEMS AND BALLADS OF SCHILLER. 
 
 The iron race of Men ! 
 Sources of mystic tears, 
 Yearnings for starry spheres, 
 
 No God awaken'd then ! 
 * * * * * 
 
 Lo, mildly from the dark-blue water, 
 Comes forth the Heaven's divinest Daughter, 
 
 Borne by the Nymphs fair-floating o'er 
 
 To the intoxicated shore ! 
 Like the light-scattering wings of morning 
 . Soars universal May, adorning 
 As from the glory of that birth 
 Air and the ocean, heaven and earth ! 
 Day's eye looks laughing, where the grim 
 Midnight lay coil'd in forests dim ; 
 And gay narcissuses are sweet 
 AVherever glide those holy feet 
 
 Now, pours the bird that haunts the eve 
 The earliest song of love, 
 
 Now in the heart their fountain heave 
 The waves that murmur love ! 
 O blest Pygmalion blest art thou 
 It melts, it glows, thy marble now ! 
 
 Love, the God, thy world is Avon ! 
 
 Embrace thy children, Mighty One. 
 ***** 
 Blessed through love are the Gods above 
 
 Through love like the Gods may man be ; 
 Heavenlier through love is the heaven above, 
 
 Through love like a heaven earth can be. 
 ***** 
 Where the nectar bright-streams, 
 Like the dawn's happy dreams, 
 Eternally one holiday, 
 The life of the Gods glides away. 
 Throned on his seat sublime, 
 Looks He whose years know not time ; 
 At his nod, if his anger awaken, 
 At the wave of his hair all Olympus is shaken 
 Yet He from the throne of his birth, 
 Bow'd down to the sons of the earth,
 
 THE TRIUMPH OF LOVE. 269 
 
 Through dim Arcadian glades to wander sighing, 
 
 Lull'd into dreams of bliss 
 
 Lull'd by his Leda's kiss 
 Lo, at his feet the harmless thunders lying ! 
 
 'Phe Sun's majestic coursers go 
 
 Along the Light's transparent plain, 
 Curb'd by the Day-god's golden rein ; 
 
 The nations perish at his bended bow ; 
 Steeds that majestic go, 
 Shafts from the bended bow, 
 Gladly he leaves above 
 For Melody and Love ! 
 
 Low bend the dwellers of the sky, 
 
 When sweeps the stately Juno by ; 
 
 Proud in her car, the Uncontroll'd 
 
 Curbs the bright birds that breast the air, 
 
 As flames the sovereign crown of gold 
 Amidst the ambrosial waves of hair 
 
 Ev'n thou, fair Queen of Heaven's high throne, 
 
 Hast Love's subduing sweetness known ; 
 
 From all her state, the Great One bends 
 To charm the Olympian's bright embraces, 
 
 The Heart-Enthraller only lends 
 The rapture-cestus of the Graces ! 
 
 <J O O O O 
 
 Blessed through love are the Gods above 
 Through love like a God may man be ; 
 
 Heavenlier through love is the heaven above, 
 Through love like a heaven earth can be ! 
 
 O O 5? O 
 
 Love can sun the Realms of Night 
 Orcus owns the niasric mig'ht 
 
 O O 
 
 Peaceful where She sits beside, 
 Smiles the swart King on his Bride ; 
 Hell feels the smile in sudden light 
 Love can sun the Realms of Night ! 
 Heavenly o'er the startled Hell, 
 Holy, where the Accursed dwell, 
 
 O Thracian, went thy silver song ! 
 Grim Minos, with unconscious tears, 
 Melts into Mercy as he hears
 
 270 POEMS AND BALLADS OF SCHILLER. 
 
 The serpents in Megara's hair, 
 
 Kiss, as they wreathe enamour'd there ; 
 
 All harmless rests the madding thong; 
 From the torn breast the Vulture mute 
 Flies, scared before the charmM lute 
 Lull'd into sighing from their roar 
 The dark waves woo the listening shore 
 Listening the Thracian's silver song ! 
 
 Love was the Thracian's silver song ! 
 a o o o 
 
 Blessed through love are the Gods above 
 
 Through love like a God may man be ; 
 Heavenlier through love is the heaven above, 
 
 Through love like a heaven earth can be ! 
 0*000 
 
 Through Nature, blossom-strewing, 
 One footstep we are viewing, 
 
 One flash from golden pinions 1 
 If from Heaven's starry sea, 
 
 If from the moonlit sky ; 
 If from the Sun's dominions, 
 
 Look'd not Love's laughing eye ; 
 Then Sun and Moon and Stars would be 
 Alike, without one smile for me ! 
 But, oh, wherever Nature lives 
 
 Below, around, above 
 Her happy eye the mirror gives 
 
 To thy glad beauty, Love ! 
 Love sighs through brooklets silver-clear, 
 
 Love bids their murmur woo the vale ; 
 Listen, list ! Love's soul ye hear 
 
 In his own earnest nightingale. 
 No sound from Nature ever stirs, 
 But Love's sweet voice is heard with hers ! 
 Bold Wisdom, with her sunlit eye, 
 Retreats when Love comes whispering by 
 
 For Wisdom's weak to Love ! 
 To victor stern or monarch proud, 
 Imperial Wisdom never bow'd 
 
 The knee she bows to Love ! 
 Who through the steep and starry sky, 
 Goes onward to the Gods on high,
 
 TO A MOEALIST. 271 
 
 Before thee, hero-brave ? 
 Who halves for thee the land of Heaven ; 
 Who shows thy heart, Elysium, given 
 
 Through the flame-rended Grave ? 
 Below, if we were blind to Love, 
 Say, should we soar o'er Death, above ? 
 Would the weak soul, did Love forsake her, 
 E'er gain the wing to seek the Maker ? 
 Love, only Love, can guide the creature 
 Up to the Father-fount of Nature ; 
 What were the soul did Love forsake her ? 
 Love guides the Mortal to the Maker ! 
 
 O O O O 
 
 Blessed through love are the Gods above 
 Through love like a God may man be ; 
 
 Heavenlier through love is the heaven above, 
 Through love like a heaven earth can be ! 
 
 TO A MORALIST. 
 
 ARE the sports of our youth so displeasing ? 
 
 Is love but the folly you say ? 
 Benuinb'd with the Winter, and freezing, 
 
 You scold at the revels of May. 
 
 For you once a nymph had her charms, 
 
 And oh ! when the waltz you were wreathing, 
 
 All Olympus embraced in your arms 
 All its nectar in Julia's breathing. 
 
 If Jove at that moment had hurl'd 
 
 The earth in some other rotation, 
 Along with your Julia whirl'd, 
 
 You had felt not the shock of creation. 
 
 Learn this that Philosophy beats 
 
 Sure time with the pulse, quick or slow 
 
 As the blood from the heyday retreats, 
 But it cannot make gods of us No !
 
 272 POEMS AND BALLADS OF SCHILLER. 
 
 It is well, icy Reason should thaw 
 
 In the warm blood of Mirth now and then, 
 
 The Gods for themselves have a law 
 Which they never intended for men. 
 
 The Spirit is bound by the ties 
 Of its Gaoler the Flesh ; if I caii 
 
 Not reach as an Angel the skies, 
 Let me feel on the earth as a Man ! 
 
 FORTUNE AND WISDOM. 
 
 IN a quarrel with her lover 
 
 To Wisdom Fortune flew ; 
 " I'll all my hoards discover 
 
 Be but my friend to you. 
 Like a mother I presented 
 
 To one each fairest gift, 
 Who still is discontented, 
 
 And murmurs at my thrift. 
 Come, let's be friends. What say you ? 
 
 Give up that weary plough, 
 My treasures shall repay you, 
 
 For both I have enow ! " 
 " Nay, see thy Friend betake him 
 
 To death from grief for thee 
 He dies if thou forsake him 
 
 Thy gifts are nought to me I " 
 
 COUNT EBERHARD, THE QUARRELLER (DER 
 GREINER) OF WURTEMBERG. 
 
 [Count Eberhard reigned from 1344-92. His son Ulrick was defeated 
 before Iteutling in 1377, and fell the next rear in battle, at Doffingcn, near 
 Stuttgard, in a battle in which Eberhard was victorious. There is sonic- 
 thing of national feeling in this fine war-song, composed in honour of the 
 old Suabian hero, by a poet himself a Suabian.]
 
 COUNT EBERHARD, THE QUARRELLER 273 
 
 HA, ha ! take heed, ha, ha ! take heed * 
 
 Ye knaves both South and North ! 
 For many a man both bold in deed, 
 And wise in peace the land to lead, 
 
 Old Snabia has brought forth. 
 
 Proud boasts your Edward and your Charles, 
 
 Your Lndwig, Frederick are ! 
 Yet Eberhard's worth, ye bragging carles ! 
 Your Ludwig, Frederick, Edward, Charles 
 
 A thunder-storm in war ! 
 
 And Ulrick, too, his noble son, 
 
 Ha, ha ! his might ye know ; 
 Old Eberhard's boast, his noble son, 
 Not he the boy, ye rogues, to run, 
 
 How stout soe'er the foe ! 
 
 The Reutling lads with envy saw 
 
 Our glories, day by day ; 
 The Reutling lads shall give the law 
 The Reutling lads the sword shall draw 
 
 Lord how hot were they ! 
 
 Out Ulrick went, and beat them not 
 
 To Eberhard back he came 
 A lowering look young Ulrick got 
 Poor lad, his eyes with tears were hot 
 
 He hung his head for shame. 
 
 " Ho ho " thought he " ye rogues beware ; 
 
 Nor you nor I forget 
 For by my father's beard f I swear 
 Your blood shall wash the blot I bear, 
 
 And Ulrick pay you yet ! " 
 
 * " Don't bear the head too high." 
 Ihr, ihr dort aussen in der Welt, 
 Die Nasen eingespannt ! 
 
 t Count Eberhard had the nickname of Rush-Beard, from the rustling of 
 that appendage, with which he was favoured to no ordinary extent.
 
 274 POEMS AND BALLADS OP SCHILLER. 
 
 Soon came the hour ! with steeds and men 
 
 The battle-field was gay ; 
 Steel closed on steel at Doffingen 
 And joyous was our stripling then, 
 
 And joyous the hurra ! 
 
 " The battle lost " our battle-cry ; 
 
 The foe once more advances : 
 As some fierce whirlwind cleaves the sky, 
 We skirr, through blood and slaughter, by, 
 
 Amidst a night of lances ! 
 
 On, lion-like, grim Ulrick sweeps 
 
 Bright shines his hero-glaive 
 Her chase before him Fury keeps, 
 Far-heard behind him, Anguish weeps, 
 And round him is the Grave ! 
 
 Woe woe ! it gleams the sabre-blow 
 
 Swift-sheering down it sped 
 Around, brave hearts the buckler throw 
 Alas ! our boast in dust is low ! 
 Count Eberhard's boy is dead ! 
 
 Grief checks the rushing Victor- van 
 Fierce eyes strange moisture know 
 On rides old Eberhard, stern and wan, 
 " My son is like another man 
 March, children, on the Foe ! " 
 
 And fiery lances whirr'd around, 
 
 Revenge, at least, undying 
 Above the blood-red clay we bound- 
 Hurra! the burghers break their ground, 
 Through vale and woodland flying ! 
 
 Back to the camp, behold us throng, 
 
 Flags stream, and bugles play 
 Woman and child with choral song, 
 And men, with dance and wine, prolong 
 The warrior's holyday.
 
 FAREWELL TO THE READER. 275 
 
 And our old Count and what doth lie ? 
 
 Before him lies his son, 
 Within his lone tent, lonelily, 
 The old man sits with eyes that see 
 
 Through one dim tear his son ! 
 
 So heart and soul, a loyal band, 
 
 Count Eberhard's band, we are ! 
 His front the tower that guards the land, 
 A thunderbolt his red right hand 
 
 His eye a guiding star ! 
 
 Then take ye heed Aha ! take heed, 
 
 Ye knaves both South and North ! 
 For many a man, both bold in deed 
 And wise in peace, the land to lead, 
 
 Old Suabia has brought forth ! 
 
 "With, this ballad conclude all in the First Period, or early Poems which 
 Schiller himself thought worth preserving, and which are retained in the 
 editions of his collected works; except the sketch of "Semele," which 
 ought to be classed amongst his dramatic compositions. 
 
 FAREWELL TO THE READER. 
 (TRANSFERRED FROM THE THIRD PERIOD.) 
 
 THE Muse is silent ; with a virgin cheek, 
 
 Bow'd with the blush of shame, she ventures near- 
 
 She waits the judgment that thy lips may speak, 
 And feels the deference, but disowns the fear. 
 
 Such praise as Virtue gives, 'tis hers to seek 
 Bright Truth, not tinsel Folly to revere ; 
 
 He only for her wreath the flowers should cull 
 
 Whose heart, with hers, beats for the Beautiful. 
 
 Nor longer yet these lays of mine would live, 
 Than to one genial heart, not idly stealing, 
 
 There some sweet dreams and fancies fair to give, 
 Some hallowing whispers of a loftier feeling.
 
 276 POEMS AND BALLADS OF SCHILLER. 
 
 Not for the far posterity they strive, 
 
 Doom'd with the time, its impulse but revealing, 
 Born to record the Moment's smile or sigh, 
 And with the light dance of the Hours to fly. 
 
 Spring wakes and life, in all its youngest hues, 
 Shoots through the mellowing meads delightedly ; 
 
 Air the fresh herbage scents with nectar-dews ; 
 Livelier the choral music fills the sky ; 
 
 Youth grows more young, and age its youth renews 
 In that field-banquet of the ear and eye ; 
 
 Spring flies and with it all the train it leads, 
 
 And flowers in fading leave us but their seeds. 
 
 THE END. 
 
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 44 Cruden's Concordance to the Old and New Testament, edited by Rev. 
 
 C. S. Carey, 572 pp., 3 cols, on a page. 
 
 45 Tales of a Wayside Inn, by H. W. Longfellow, complete edition. 
 
 46 Panic's Inferno, translated by H. W. Longfellow, with extensive 
 ' e < Notes. 
 
 49 Household Stories, collected by the Brothers Grimm, newly translated, 
 
 comprises nearly 200 Tales in 564 pp. 
 
 50 Fairy Tales and Stories, by Hans Christian Andersen, translated by 
 
 Dr. H. W. Dulcken, 85 Tales in 575 pages. 
 
 51 Foxe's Book of Martyrs, abridged from Milner's Large Edition, by 
 
 Theodore Alois Buckley. 
 
 52 Sir Walter Scott's Tales of a Grandfather, being Stories taken from 
 
 Scottish History, unabridged, 640 pages. 
 
 53 The Boy's Own Book of Natural History, by the Rev. J. G. Wood, 
 
 M.A., 400 illustrations. 
 
 54 Robinson Crusoe, with 52 plates by J. D. Watson. 
 
 55 George Herbert's Works, in Prose and Verse, edited by the Rev. R. A. 
 
 Willmott. 
 
 56 Gulliver's Travels into several Remote Regions of the World, by 
 
 Jonathan Swift. 
 
 57 Captain Cook's Three Voyages Round the World, with a Sketch of his 
 
 Life, by Lieut. C. R. Low, 512 pages. 
 
 59 Walton and Cotton's Complete Angler, with additions and notes by 
 
 the Angling Correspondent of the Illustrated London Ncws^ many 
 illustrations. 
 
 60 Campbell's Poetical Works. 
 
 61 Lamb's Tales from Shakspeare. 
 
 62 Comic Poets of the Nineteenth Century, 
 
 63 The Arabian Night's Entertainments. 
 
 64 The Adventures of Don Quixote. 
 
 65 The Adventures of Gil Bias, translated by Smollett. 
 
 66 Pope's Homer's Iliad and Odyssey, complete in one vol. 
 
 67 Defoe's Journal of the Plagtse Year and Some Account of the Great 
 
 Fire in London. 
 
 68 Wordsworth's Poetical Works. 
 
 69 Goldsmith, Smollett, Johnson, and Shenstone, in I voL 
 
 70 Edgeworth's Moral Tales and Popular Tales, in i voL 
 
 71 The Seven Champions of Christendom. 
 
 72 The Pillar of Fire, by Rev. J, H. Ingraham. 
 
 73 The Throne of David, by Rev. J. H. Ingraham. 
 
 74 Barriers Burned Away, by the Rev. E. P. Roe, 
 
 75 Southey's Poetical Works. 
 
 76 Chaucer's Poems. 
 
 77 The Book of British Ballads, edited by S. C. Hatt, 
 
 78 Sandford and Merton, with 60 illustrations. 
 
 79 The Swiss Family Robinson, with 60 illustrations. 
 
 80 Todd's Student's Manual. 
 8 r Hawker's Morning Portion. 
 
 82 Hawker's Evening Portion. 
 
 83 Holmes' (O. W.) Poetical Works. 
 
 84 Evenings at Home, with 60 illustrations. 
 
 85 Opening a Chestnut Burr, by the Rev. E. P. Roe. 
 8ff What can She do ? by the Rev. E. P. Roe. 
 
 87 Lowell's Poetical Works. 
 
 88 Sir Edward Seaward's Narrative of his Shipwreck. 
 
 89 Robin Hood Ballads, edited by Ritson.
 
 ROUTLEDGE'S STANDAnu 
 
 Crown 8vo, cloth, 33. 6d. each. 
 
 I The Arabian Nights, Unabridged, 
 
 8 plates, 
 a Don Quixote, Unabridged. 
 
 3 Gil Bias, Adventures of, Un- 
 
 abridged. 
 
 4 Curiosities of Literature, by Isaac 
 
 D' Israeli, Complete Edition. 
 
 5 A Thousand and One Gems of 
 
 British Poetry. 
 
 6 The Blackfriars Shakspere, edited 
 
 by Charles Knight 
 
 7 Cruden's Concordance, by Carey. 
 
 8 Boswell's Life of Dr. Johnson. 
 
 9 The Works of Oliver Goldsmith, 
 ii The Family Doctor, 500 woodcuts. 
 la Sterne's Works, Complete. 
 
 13 Ten Thousand Wonderful Things. 
 
 14 Extraordinary Popular Delusions, 
 
 by Dr. Mackay. 
 
 16 Bartlett's Familiar Quotations. 
 
 17 The Spectator, by Addison, Ac. 
 
 Unabridged. 
 
 18 Routledge's Modern Speaker 
 
 Comic Serious Dramatic. 
 
 19 One Thousand and One Gems of 
 ff Prose, edited by C. Mackay. 
 
 so Pope's Homer's Iliad and Odyssey. 
 23 Josephus, translated by Whiston. 
 
 34 Book of Proverbs, Phrases, Quota- 
 
 tions, and Mottoes. 
 
 35 The Book of Modern Anecdotes 
 
 Theatrical, Legal, and American. 
 
 36 Book of Table Talk, W. C. Russell. 
 
 37 Junius, Woodfall's edition. 
 
 38 Charles Lamb's Works. 
 
 39 Froissart's Chronicles. [mation. 
 
 30 D'Aubigne's Story of the Refer- 
 
 31 A History of England, by the Rev. 
 
 James White. 
 
 32 Macaulay Selected Essays, Mis- 
 
 cellaneous Writings. 
 
 33 Carleton's Traits, ist series. 
 
 34 and series. 
 
 35 Essays by Sydney Smith. 
 
 36 Dante. Longfellow's translation. 
 51 Prescott's Biographical and Critical 
 
 Essays. 
 
 53 Napier's History of the Peninsular 
 
 War, 1807-10. 53 1810-13. 
 
 54 White's Natural History of Sel- 
 
 borne, with many illustrations. 
 
 55 Dean Milman's History of the Jews. 
 
 56 Percy's Reliques of Ancient Poetry. 
 
 57 Chaucer's Poetical Works. 
 
 58 Longfellow's Prose Works. 
 
 59 Spenser's Poetical Works. 
 
 60 Asmodeus, by Le Sage. 
 
 61 Book of British Ballads, S. C. Hall. 
 6a Plutarch's Lives (Langhorne'sed.) 
 
 64 Book of Epigrams, W. D. Adam*. 
 
 65 Longfellow's Poems (Comp. ed.) 
 
 66 Lempriere's Classical Dictionary. 
 
 67 Adam Smith's Wealth of Nations. 
 
 68 Father P rout's Works, edited by 
 
 C. Kent. 
 
 69 Carleton's Traits and Stories. 
 
 Complete in one volume. 
 
 70 Walker's Rhyming Dictionary. 
 
 71 Macfarlane's Hist, of British India. 
 73 Defoe's Journal of the Plague and 
 
 the Great Fire of London, with 
 illustrations on steel by George 
 Cruikshank. 
 
 73 Glimpses of the Past, by C. Knight. 
 
 74 Michaud's History of the Crusades, 
 
 vol. i. 
 
 75 voL a. 76 vol. 3. 
 
 77 A Thousand and One Gems of 
 
 Song, edited by C. Mackay. 
 
 78 Motley's Rise of the Dutch Re- 
 
 public. [Complete. 
 
 79 Prescott's Ferdinand and Isabella, 
 
 80 Conquest of Mexico. Comp. 
 
 8 1 Conquest of Peru. Comp. 
 8a Charles the Fifth. 
 
 83 Philip the Second. Vols. 
 
 i and 3 in i voL 
 
 84 VoL 3 and Essays in i voL 
 
 85 Jeremy Taylor's Life of Christ 
 
 86 Traditions of Lancashire, by John 
 
 Roby, vol. i. 87 voL 8. 
 
 88 "The Breakfast Table Series" 
 
 The Autocrat The Professor 
 The Poet by Oliver Wendell 
 Holmes, with steel portrait. 
 
 89 Romaine's Life, Walk, and Tri- 
 
 umph of Faith. 
 
 90 Napier's History of the Peninsular 
 
 War, 1812-14. [don. 
 
 91 Hawker's Poor Man's Daily Por- 
 93 Chevreul on Colour, with 8 co- 
 loured plates. 
 
 93 Shakspere, edited by C. Knight, 
 large type edition, with full-page 
 illustrations, vol. i. 
 
 94 voL a. 95 voL 3. 
 
 96 The Spectator , large type ed. , vol. i. 
 
 97 voL a. 98 voL 3. 
 
 99 R.W. Emerson's Complete Works. 
 100 Boswell's Life of Johnson and 
 Tour to the Hebrides, vol. i. 
 
 101 
 
 voL a. 103 
 
 vol. 3. 
 
 103 S. Knowles' Dramatic Works. 
 
 104 Rosc0e's (W.) Lorenzo de Medld. 
 
 105 (W.) Life of Leo X., voL i. 
 
 xo6 vol. a. 
 
 107 Berington's Literary History of 
 
 the Middle Ages.