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 OF 

 
 [HE UNIVERSITY LIBRARY 
 UNIVERSITY OF CALIFORNIA, SAN WE60 
 
 LA IOI.LA. CALIFORNIA
 
 A BIBLIOGRAPHY 
 
 OK THE 
 
 SANSKRIT DRAMA
 
 COLUMBIA UNIVERSITY 
 
 INDO-IRANIAN SERIES 
 
 EDITED BY 
 
 A. V. WILLIAMS JACKSON 
 
 PROFESSOR OF INDO-IRANIAN LANGUAGES 
 IN COLUMBIA UNIVERSITY 
 
 Volume III
 
 A BIBLIOGRAPHY 
 
 OF THE 
 
 SANSKRIT DRAMA 
 
 WITH AN 
 
 INTRODUCTORY SKETCH OF 
 THE DRAMATIC LITERATURE OF INDIA 
 
 liY 
 
 MONTGOMERY SCHUYLER, Jr., A.M. 
 
 SECRETARY OF LEGATION AND CONSUL-GENERAL OF THE UNITHD STATES TO SIAM 
 
 SOMETIME FELLOW IN INDO-IRANIAN LANGUAGES 
 
 IN COLUMBIA UNIVERSITY 
 
 AMS PRESS INC. 
 
 NEW YORK 
 
 1965
 
 Copyright 1906, Columbia University Press, New York 
 
 Reprinted with Permission of the 
 Original Publisher, 1965 
 
 AMS PRESS INC. 
 
 New York, N. Y. 10003 
 
 Manufactured in the United States of America
 
 TO 
 PROFESSOR A. V. WILLIAMS JACKSON 
 
 MY FRIEND AND TEACHER
 
 To make future editions of the bibliograpny more 
 nearly complete and accurate, all persons observing 
 errors or omissions are requested to communicate them 
 to the editor of this series, A. V. Williams Jackson, 
 Columbia University, New York, who will gratefully 
 acknowledge all such assistance.
 
 PREFACE 
 
 It has long been desirable that students of Sanskrit literature 
 should have as complete a catalogue as possible of all Hindu 
 authors and their writings, in order that they might be able to tell 
 at a glance how many manuscripts of each work are known, how 
 many editions and translations have been made, and what has been 
 written concerning them. It is the purpose of the present volume 
 to fill this need for the Sanskrit drama. The material here pre- 
 sented has been collected for several years, but unforeseen circum- 
 stances have delayed the publication long beyond the time origi- 
 nally proposed, although some portions of the work have already 
 appeared in print. 1 
 
 In a book of this character it is practically impossible to secure 
 absolute completeness, and this is especially true of lists of manu- 
 scripts, since new catalogues of collections both in India and in 
 Europe are constantly being published. 2 Many titles of earlier 
 editions and of the older ancillary literature, moreover, were acces- 
 sible to me only in catalogues of various descriptions, frequently 
 compiled with scant regard to bibliographical accuracy and by no 
 means complete. The conditions under which I labored precluded 
 the possibility of access to all the actual manuscripts and editions, 
 and I was therefore obliged to cite a large number of entries at 
 second or even at third hand. Absolute fidelity to the original 
 titles has consequently been denied me, and — a far more serious 
 matter — it has only too often proved impossible for me to secure 
 the pagination and other details of very practical import for Sans- 
 kritists. Even when the volumes were at hand, however, I did 
 
 1 In JAOS. 22 (1901), pp. 237-248; 23 (1902), pp. 93-103 ; 25 (1904), pp. 
 189-196 ; Yerhandlungen des 13. internationalen Orientalisten-Kongresses (1902), 
 Leiden, 1904, pp. 33-37. 
 
 2 In fact, Hz. 3 and IO. 7 were received while the volume was passing through 
 the press, and the references to these were added in the proofs by Mr. Haas. 
 
 vii
 
 V1U PREFACE 
 
 not think it necessary to reproduce all the padding with which 
 native scholars adorn their title-pages, so that a long entry has 
 frequently been abridged in the following pages to the simple 
 phrase ' edited with notes by . . .' 
 
 The arrangement of names and titles follows the order of the 
 English alphabet, and no separate positions have been assigned to 
 the vowels and consonants distinguished by diacritical marks. 
 Heavy-faced type is used for the names of playwrights, ordinary 
 Roman type for the names of plays. Plays are inserted under the 
 author's name, when it is known, and cross-references are given 
 under the titles of his various works. Anonymous plays are listed 
 under the names by which they are known. Some titles, although 
 identical with those of works by known authors, have had to be 
 recorded in like manner as anonymous, merely because the neces- 
 sary data for a determination of their authorship were not avail- 
 able. For the same reason no exact statement as to the number 
 of extant dramas can be made at the present time. 
 
 Such honorific designations as ' Sri,' ' Kavi,' ' Bhatta,' ' Pandita,' 
 and ' Raja ' have usually been omitted, unless they form a 
 part of the name as commonly known or are necessary to avoid 
 confusion with some other playwright of the same appellative. 
 Editions and translations are arranged as far as possible in chrono- 
 logical order, critical works are classified alphabetically by authors. 
 Volumes containing both text and translation are listed under 
 text editions, and critical essays and notes are not separately 
 recorded under critical works when included in editions of the 
 text or in translations. Criticism relating entirely to a single 
 author or play is catalogued under that author or play, but 
 general books and papers are separately listed before the main 
 body of the bibliography. A reference such as ' Amrtodaya, A I. 
 p. 29 ' indicates that Aufrecht in his Catalogus Catalogorum 
 has listed on that page one manuscript of a play called Amrto- 
 daya. When more than one manuscript is referred to, the num- 
 ber is given. In the case of commentaries the number of manu- 
 scripts is also stated. Thus 'Com. 5, by Jagaddhara 2' indi- 
 cates that there are five manuscripts of unspecified or anonymous
 
 PREFACE IX 
 
 commentaries and two manuscripts of a commentary by Jagad- 
 dhara. In this way each entry shows the number of extant manu- 
 scripts of the work and of the various commentaries on it, if 
 such exist. Some entries from Part 7 of the India Office Cata- 
 logue, however, duplicate those already given by Aufrecht from 
 the Catalogue of the Mackenzie Collection ; these were added 
 because the early catalogue of Wilson gives no adequate descrip- 
 tion of the manuscripts, and because it seemed desirable to include 
 all material not given by Aufrecht. The same is true of the 
 Catalogue of Two Collections in the India Office Library, by 
 Tawney and Thomas, which includes manuscripts recorded by 
 Aufrecht from an old list by Sir William Jones. An introduc- 
 tory sketch of the Sanskrit drama has been incorporated in the 
 volume, in order that students may have a convenient epitome of 
 the whole subject readily accessible to them. 
 
 For the manuscripts listed in this bibliography I have relied in 
 the main on the marvelously accurate and learned Cataiogus 
 Catalogorum of Aufrecht, although I have supplemented it by 
 such catalogues as have appeared subsequently. For many titles 
 of editions of plays and records of literature on the drama of India 
 I am indebted to the bibliographies of Gildemeister and Zenker 
 and to the Catalogue of Sanskrit books in the British Museum, 
 although my richest source has naturally been the Orientalische 
 Bibliographic Antiquarian catalogues, especially those of Har- 
 rassowitz (Leipzig) and Luzac (London), have also been consulted 
 with advantage. 
 
 My thanks are due to the librarians of the Royal Libraries of 
 Copenhagen and Stockholm for information in regard to certain 
 publications, while through the kindness of Professor Serge 
 Oldenburg of St. Petersburg I had access to the large collections 
 of the Russian Academy of Sciences and the Oriental Seminar of 
 the University of St. Petersburg, and certain queries were answered 
 for me by Professor Carl Cappeller of Jena. My friend and 
 former fellow-student, Dr. Louis H. Gray, placed his library at 
 my disposal and gave me several additions and suggestions, while 
 both he and Mrs. Gray most generously aided in the correction of
 
 X PREFACE 
 
 the proofs. The main part of this toilsome revision, however, 
 which my absence from America compelled me to forego, has 
 been most kindly undertaken for me by Mr. George C. O. Haas, 
 Fellow in Indo-Iranian in Columbia University, who has also 
 added the new material from Hultzsch's Reports and the India 
 Office Catalogue, and made many corrections and improvements. 
 To my friend and teacher, Professor A. V. Williams Jackson, 
 who, from the inception of the book to its completion, has grudged 
 neither time nor pains to aid me, my deepest gratitude is due for 
 his inspiration and assistance. 
 
 Montgomery Schuyler, Jr. 
 United States Legation, 
 Bangkok, Siam, 
 November I, 1905.
 
 CONTENTS 
 
 PAGE 
 
 Introductory Sketch of the Sanskrit Drama i 
 
 General Works on the Sanskrit Drama : 
 
 i. Hindu Works on Dramatics 16 
 
 2 . Works of General Criticism 1 8 
 
 3. Chapters in Histories of Sanskrit Literature 22 
 
 4. Collected Translations of Sanskrit Dramas 22 
 
 Names of Authors and Titles of their Works 24 
 
 Appendix I. Some Dramas in the Modern Vernaculars 98 
 
 Appendix II. Classification of the Dramas 10 1 
 
 XI
 
 INTRODUCTORY SKETCH OF THE SANSKRIT 
 
 DRAMA 
 
 It is now more than a hundred years since Sir William Jones 
 gave the Western world its first knowledge of the dramatic liter- 
 ature of the Hindus by the publication, in 1789, of a translation 
 of the Sakuntala of Kalidasa. From that time on, the labors of 
 Sanskritists have gradually made accessible most of the chief 
 works of the Sanskrit drama, and a large number of editions, 
 translations, and commentaries are now available for the general 
 student of literature. 
 
 The earliest manifestations of a dramatic idea in India are to be 
 found in the hymns of the Rig Veda. Certain of these hymns 
 are in the form of dialogues between various per- 
 sonages of the Vedic pantheon, such as Yama 
 and Yarn!, Sarama and the Panis, while the myth of King Puru- 
 ravas and the nymph UrvasI is the foundation for one of the 
 plays of India's greatest dramatist. The lack of accurate data 
 precludes our knowing much about the origin of the drama in 
 India, but it is probable that it had its beginning in a combination 
 of these hymns in dramatic form and in the religious dances, in 
 which certain pantomimic features came to be conventionalized 
 and stereotyped in later times until we get the classical Sanskrit 
 drama. This theory is borne out by the fact that in Sanskrit the 
 words for play (iiataka) and actor {iiata) are from the root nat 
 which is the Prakrit form of the Sanskrit nrt 'to dance.' The 
 native Hindu account of the origin of the drama was that it came 
 down from heaven as a fully developed art invented by the divine 
 sage Bharata. This theory, however satisfying to the Hindu 
 mind, cannot be accepted by modern scholarship, and we are 
 forced to presuppose a development from the religious to the 
 dramatic, as outlined above, which is not essentially different 
 from that found in Greece. The earlier stages, which were con- 
 
 1
 
 2 INTRODUCTION 
 
 nected with religious festivals, and especially with the worship of 
 Krsna-Visnu, were not unlike the early primitive Christian mys- 
 tery-plays of the Middle Ages in Europe. 
 
 Whatever may have been its beginnings, it is certain that the 
 
 drama flourished in India, and had a high development. The 
 
 earlier plays as we know them had considerable 
 
 ChEr3ct6t 
 
 freedom of choice of subject and treatment and 
 they can be described, for the most part, as melodramas or tragi- 
 comedies. Primarily their elements are mixed : gravity and 
 gaiety, despair and joy, terror and love — all are combined in the 
 same play. Tragedy, in our sense of the term, there is none, 
 for every drama must have a happy ending. As, according to 
 the rules, death cannot be represented on the stage, it follows that 
 one great source of inspiration for European tragedy is entirely 
 eliminated. The usual subject for dramatic treatment is love, and 
 according to the rank or social position of the hero and heroine 
 the play is placed in one or another of the ten chief {rupakd) or 
 eighteen minor {liparupakd) divisions of the drama recognized 
 by the Hindu text-books. 1 The trials and tribulations of the 
 lovers, relieved by the rather clumsy attempts at wit of the vidii- 
 saka, or court jester, the plotting of the vita, or parasite, and the 
 efforts of the rival wives to establish themselves in the favor of 
 their lords and masters, with the incidents of every day life in the 
 harem and court, constitute the plot of the play. The laments 
 of the hero to his confidant, the jester, serve to introduce lyrical 
 stanzas descriptive of the beauties of nature, the wiles and graces 
 of woman, and the tender passion which fills the hero's heart for 
 some fair maiden or celestial nymph. According to the Sanskrit 
 treatises on dramatic art the subject of a ?iataka is to be taken 
 from some famous legend, and its hero must be high-minded and 
 
 1 Although the drama is so carefully subdivided by the rhetorical textbooks, not 
 all of these divisions are represented in the extant literature (see Appendix II). The 
 precise character of many of the plays here recorded, however, could not be deter- 
 mined, as most manuscript cataloguers fail to distinguish the various varieties and 
 use the word ' nataka ' in the general sense of ' drama.' It is to be hoped that future 
 cataloguers will examine the plays with more care and so record them that we may 
 get a better idea of the comparative popularity of the different forms of drama.
 
 INTRODUCTION 3 
 
 of noble birth, sprung from a race of gods or kings. 1 The expres- 
 sion of all feelings is allowed, but preponderance is to be given to 
 love and heroism. There must be not less than five, nor more 
 than ten, acts of mingled prose and verse. The Sanskrit tongue 
 itself, as the learned or court language, is spoken by gods, 
 Brahmans, heroes, kings, and men of good birth and position in 
 general. Women and the lower classes of men speak various 
 dialects of the Prakrit language, the old vernacular tongue of 
 India. Among the Prakrits the most important is the Saura- 
 seni, the form usually found in the dramas, the Maharastrl 
 being confined to the poetical stanzas. 2 The rules for distinguish- 
 ing the various individual kinds of characters are all care- 
 fully classified and divided ; so far does this subdividing go that 
 no less than three hundred and eighty-four types of heroine are 
 given. In practice, of course, this is never carried out, but it 
 must be acknowledged that the great defect of the Sanskrit drama 
 is that in general it is too conventional, with the result that origi- 
 nality and life are sacrificed for a hackneyed arrangement and a 
 stereotyped manipulation of threadbare sentiments and action. 
 
 In the invention of plots the dramatists show little fertility of 
 
 imagination ; on the other hand cleverness is certainly clearly 
 
 shown in the way in which the details of the 
 
 Plots and Dramatis p i ot are wor k e d out and the development of the 
 Peisonae. 7 . . 
 
 intrigue is presented. In the majority of cases 
 
 the plot is somewhat as follows : the hero, who is usually a king 
 
 or a prince and already has one or more wives, at the opening of 
 
 the play suddenly becomes enamored of the charms of some girl 
 
 or nymph. Although she is equally in love with him she is too 
 
 bashful and modest to let her passion be observed. Hope and 
 
 fear alternately cheer and dismay both hero and heroine. She 
 
 confides in some girl friend, he in the jester, who is always a 
 
 brahman, but a person of slow intelligence whose uncouth attempts 
 
 at wit seem often lacking in every element of humor. The jester, 
 
 iNS. 19. 1 17; SD. 277; DR. 3 i, 34. 
 
 2 See Pischel, Grammatik der Prakrit-Sprachen, §30; NS. 17.31-44; SD. 432; 
 DR. 2.59, 60.
 
 4 INTRODUCTION 
 
 moreover, is a glutton, greedy for money, and, as is to be expected, 
 an inveterate gossip, always on the watch for some fresh bit 
 of news. One of the most curious features of the Sanskrit 
 drama, fostered as it was by the court society of India, which was 
 almost always under the control of brahman priests, is that this 
 figure of a degraded and besotted brahman should be allowed to 
 appear as a typical stage-figure. In an article written some years 
 ago J I advanced the theory that such a seeming inconsistency 
 might be due to the fact that the drama had its origin in the re- 
 ligious dances and ceremonies of the common people, who were 
 of course largely non-brahmanic, and was therefore an outgrowth 
 of the many popular religions of India rather than a development 
 of pure brahmanism. In this way the conventional figures, hav- 
 ing become in the course of time crystallized into permanent 
 types, were retained when the folk-drama became popular at court, 
 and thus even brahman authors did not hesitate to perpetuate the 
 type, though really derogatory to their class. Other stock char- 
 acters in the plays are the parasite [vita), ministers, Buddhist 
 monks and nuns, servants of the harem, dwarfs, mutes, and the 
 female attendants of the king. 
 
 For the technical divisions of a drama and the development of 
 the plot there are carefully elaborated rules, but of the actual 
 scenic arrangement of a play, the manner of producing it, and the 
 Technical Divisions assignment of the roles we know comparatively 
 and Arrangement little. Plays seem to have been usually pre- 
 of a Play. sented at the spring festival. A drama always 
 opens with a ndndl, or benediction, usually addressed to Siva, for 
 the prosperity of the audience, by the sutradhara, or director. 
 This director must have been very accomplished and versatile, for 
 the rules say that among other things he must know music, 
 technical treatises, dialects, the art of managing, works on 
 poetry, rhetoric, acting, industrial arts, metre, astronomy, geog- 
 raphy, history, and the genealogies of royal families. He was to 
 have a good memory, and to be honest, intelligent, dignified, and 
 
 1 The origin of the Vidusaka and the employment of this character in the plays of 
 Harsadeva, in JAOS. 20 (1899), pp. 338-340.
 
 INTRODUCTION 5 
 
 noble. According to the text-books he had two associates: the 
 sthapaka and the paripdrSvika} It is probable that in the actual 
 practice of the theatre the duties assigned by the treatises to the 
 sthapaka were all performed by the sutradJiara? At the end of 
 the nandl there is a dialogue between the manager and some 
 actor complimenting the audience on their critical ability and 
 ending by introducing one of the characters of the play, after 
 which the action goes on with regular divisions into acts and 
 scenes. Scenes are marked by the exit of one person and the 
 entrance of another, as on the Classical and the French stage, 
 and the stage is never left empty until the end of the act. Be- 
 tween the acts a connecting scene called viskambJiaka is often 
 introduced, in which occurrences that have taken place since the 
 preceding act are explained. The theory of the unity of time, 
 place, and action, which played so important a part in the Greek 
 drama, appears in rather a modified form in India. The time of 
 the action is supposed to be the same as that occupied in the 
 performance, or else to fall within twenty-four hours. But this 
 rule is not always observed, and we find in the Uttararamacarita 
 of Bhavabhuti a lapse of twelve years between the first and second 
 acts. Unity of place is not strictly observed, and journeys are 
 often made, sometimes even through the air in celestial cars. 
 
 As to the stage-setting and decoration very little is yet known. 
 Special buildings for the presentation of plays are described in the 
 
 Ndtyasdstra, 3 but it is probable that dramas were 
 Theatre and Scenery. " 
 
 usually given in a hall (samglta-sala ' concert- 
 room ') of the palace. Behind the stage, which occupied a quarter 
 of the whole hall, 4 was a curtain divided in the middle, and behind 
 that again was the greenroom {nepathyd) whence the actors came 
 on the stage. The greenroom had an entrance from the outside 
 ' separate from the entrance for the audience.' 5 Scenery and 
 ' DR. 3. 3 ; SD. 283. 
 
 2 But Lanman believes with Konow that the KarpUramafljari o r Rajasekhara 
 shows the sthapaka in action. See the edition and translation of the play by Konow 
 and Lanman, pp. 196, 223, note 8. 
 
 3 NS. 2. 1 seq. See also Bloch, ZDMG. 58 (1904), pp. 455-457. 
 
 *NS. 2. 37. 
 
 6 NS. 2. 85.
 
 O INTRODUCTION 
 
 decoration were apparently very simple and much was left to the 
 imagination. Elaborate directions for gestures, pantomime, and 
 clothing are given. Thrones, seats, chariots, weapons, and armor 
 were employed, and some sort of mechanical contrivances were 
 perhaps not unknown. We must infer, however, from the fre- 
 quent use of the word natayitvd, ' having gesticulated,' natayati, 
 ' mimics, acts as if doing,' as a stage direction, that pantomime 
 and gesticulation were largely resorted to for filling out the de- 
 ficiencies of the staging. 
 
 The age of the Sanskrit drama may roughly be given as 
 
 extending from 400 to 1 100 a.d. This period does not, of 
 
 course, include the earliest efforts at dramatic 
 
 Age of the Drama ... , , . , , - , , 
 
 of India composition, nor take in a large number of late 
 
 and inferior plays. Very little is known of the 
 earliest dramatists before Kalidasa, and none of their compositions 
 excepting scattered verses are extant. For example, the poets 
 Bhasa, Ramila, Somila (or Saumillaka), and the Kaviputras were 
 well known and popular playwrights among the Hindus of Kali- 
 dasa's time, but our knowledge of them is practically confined to 
 their names. 1 
 
 Most students of the Sanskrit drama are of the opinion that 
 
 the Mrcchakatika, or ' Clay Cart,' of Sudraka is the oldest extant 
 
 Sanskrit play. The arguments in favor of this 
 
 Ci 1 A j* a \r o * q 
 
 Mrcchakatika y i ew are based upon the state of civilization 
 shown in the play, the general style of the drama 
 and the richness and diversity of the Prakrit dialects employed in 
 its composition. Some scholars, however, whose researches in 
 the Hindu drama entitle them to speak with great authority upon 
 this subject, believe that the play is not earlier than the sixth cen- 
 tury of our era, or approximately of the same period as Kalidasa's 
 dramas. I must confess, nevertheless, that I find myself among 
 the number of those that are inclined to consider it of much 
 earlier date. The question of the authorship of the Mrcchakatika 
 is also still under discussion. In the prologue the play is stated 
 
 1 See the prologue to Kalidasa's Malavikagnimitra, and F. Hall in JASBe. 28 
 (1859), p. 28 seq., and in the introduction to his Vasavadatta, pp. 14-15.
 
 INTRODUCTION J 
 
 to be the production of King Sudraka, but not all kings are 
 authors, and it is thought that in this case, ,as probably in 
 others, the real author, like a wise courtier, may have attributed 
 his work to his royal master in order to gain favor. Many of 
 the rulers of ancient India delighted in playing the part of 
 patrons of art and literature ; Sudraka may well have been one 
 of these. Professor Pischel, after a careful study of the ma- 
 terial, thinks that the real author was a poet named Dandin. 
 However that may be, there is no question that the Mrccliakatika 
 is in many respects the most human of all the Sanskrit plays. 
 There is something strikingly Shaksperian in the skilful drawing 
 of the characters, the energy and life of the large number of per- 
 sonages in the play, and in the directness and clearness of the 
 plot itself. It is a ten-act prakarana, or comedy of middle-class 
 life, and the scene is laid in the city of Ujjain. The subject of 
 the plot is the love and marriage of Carudatta, a brahman merchant 
 reduced to poverty by his generosity, and Vasantasena, a rich 
 courtesan. In the third act there is a long and humorous ac- 
 count of a burglary in which stealing is treated as an art or science 
 provided with rules and conventional procedure. The chief value 
 of the Mrcchakatika, aside from its interest as a drama, lies in the 
 graphic picture it presents of a very interesting phase of everyday 
 life in ancient India. The elaborate description of the heroine's 
 palace in the fourth act gives us a glimpse of what was considered 
 luxury in those days. The name ' Clay Cart ' is taken from an 
 episode in the sixth act, which leads to the finding of the heroine's 
 jewels in the terra cotta cart of the hero's little son and to their use 
 as circumstantial evidence in a trial. This complicates the plot 
 until all is resolved in the denouement. 
 
 The greatest name in Sanskrit literature is that of Kalidasa 
 who lived at the court of Ujjain, probably about the first half of 
 
 the sixth century of our era, although his date ?•_. 
 Kalidasa. 1111 . . ... 
 
 not settled and the question is still a mooted 
 
 one. He is the author of three plays, Sakuntala, Vikramor- 
 
 vasl, and Mdlavikagnimitra . The first two of these compositions 
 
 reach the highest level attained by the Hindu dramatists and
 
 8 INTRODUCTION 
 
 win for their author a place among the greater poets of the 
 world. Their richness of fancy and appreciation of nature, added 
 to the beauty of poetic technique and choice of language, have 
 never been equaled in India, and bear favorable comparison with 
 the dramas of any nation. 
 
 The play of Sakuntala has been known in Europe since its 
 translation by Sir William Jones in 17S9, by which work that 
 great Orientalist really introduced Sanskrit poetry to the West 
 and started the study of Hindu literature. The play is a nataka, 
 or heroic comedy, of seven acts, and its plot is drawn from the 
 first book of the Mahabharata. The subject of the drama is the 
 love of King Dusyanta for Sakuntala, their separation by acci- 
 dent, and their ultimate reunion in the presence of their son after 
 the lapse of some years. The importance of this play lies not 
 only in the fact that it is the most perfect Sanskrit drama extant, 
 but also in the fact that its great literary merit, as was evident 
 from Sir William's translation, aroused a widespread interest in the 
 literature of India throughout Europe. It was enthusiastically 
 received by the followers of the Romantic School and exercised 
 a genuine influence upon them. Jones's English version was 
 soon rendered into other languages, and independent translations 
 from the original Sanskrit have since been made into almost all 
 the tongues of Europe, so that I am able to record versions 
 and adaptations of the play in English, German, French, Italian, 
 Spanish, Dutch, Danish, Swedish, Icelandic, Russian, Polish, 
 Hungarian, and Bohemian. 
 
 Kalidasa's other important play is the Vikramorvasl. It was 
 first translated into English into 1827 by Horace Hayman Wil- 
 son, a scholar who devoted a great part of his life to the study 
 of the Sanskrit drama, and whose ' Select Specimens of the 
 Theatre of the Hindus ' is a standard work even to-day. Later 
 investigations have rendered some of his views antiquated, but 
 his book remained for years the only work upon the Sanskrit 
 drama as a whole, until the appearance, in 1890, of Sylvain Levi's 
 admirable and scholarly treatise, Le Theatre indien, a work indis- 
 pensable to students. The plot of the Vikramorvasl is briefly as
 
 INTRODUCTION 9 
 
 follows : King Pururavas rescues the nymph UrvasI, who has been 
 carried away by the demons, and his heroism wins her love. The 
 lovers become separated by accident, but after various vicissitudes 
 are reunited in the presence of their son when the latter is about 
 twelve years old. 
 
 The third play of Kalidasa, entitled Mdlavikdgnimitra, or ' King 
 Agnimitra's Love for Malavika,'is a conventional drama of harem 
 intrigue at the court, and is decidedly inferior to the author's other 
 two plays. So marked is this inferiority that some scholars have 
 even gone so far as to question its right to bear Kalidasa's name. 
 
 We now come to an interesting group of three plays ascribed 
 to Harsadeva, king of northern India, which have been the object 
 of much discussion. As in the case of the 
 Mrcchakatikd, it is probable that they were the 
 work of some poet who, to curry favor, ascribed their authorship 
 to that famous patron of art and literature, Harsadeva. These 
 three plays are Ratnavall, Priyadarsikd, and Ndgdnanda. The 
 first two are dramas of harem intrigue and court life, composed, it 
 is true, upon conventional lines, but showing some ingenuity in 
 the manipulation of plot and the invention of incident. In the 
 Ratnavall, or ' Jewel Necklace,' the subject is the story of the 
 loves of Vatsa, or Udayana, king of Kausambl, and Sagarika, an 
 attendant of his wife, queen Vasavadatta, who ultimately is discov- 
 ered, by a necklace she wears, to be Ratnavall, princess of Ceylon, 
 who had been shipwrecked and had found her way to Vatsa's 
 court. The characters are clearly defined and not mere puppets, 
 as in the case of some dramas. The poetical part is rather con- 
 ventional, but there are several pretty lines descriptive of natural 
 scenery, moonrise, and the like. The drama Priyadarsikd, named 
 after its heroine, is much the same sort of play, but not so good. 
 The lack of a good critical edition and English translation of this 
 play has made it difficult for students, but this lack is soon to be 
 overcome, and a translation by G. K. S. Nariman, with an intro- 
 ductory memoir from the pen of Professor Jackson, will soon be 
 ready. The third play, Nagdnanda, 'Joy of the Serpents,' is in some 
 respects quite unique. It is a highly-colored melodrama with a
 
 IO INTRODUCTION 
 
 pronounced Buddhistic tendency, as Buddha is invoked in the 
 ndndl, and the hero himself is a Buddhist. In this respect the Ndgd- 
 nanda stands alone among the extant Sanskrit plays, although 
 we know that there were other Buddhist dramas which have not 
 been preserved. Such was the Lokdnanda of Candragomin, of 
 which there is a Tibetan translation. The Nagaraja and Santi- 
 carita are, perhaps, imitations of the Nagananda or even identical 
 with it. In the Avadanasataka (75) there is a record of the 
 representation of a Buddhist drama, according to Oldenburg. 1 
 Several Jain plays are also known. 2 
 
 The dramatist Bhavabhuti, who lived during the first half of 
 the eighth century, was a native of Vidarbha, the Province of 
 Berar, in south-central India, and he wrote under 
 the protection of king Yasovarman of Kanauj. 
 He is the author of three plays, the Malat'imadhava, Mahavlra- 
 carita, and Uttarardmacarita, which are distinguished by great 
 poetic beauty and feeling, exquisite verse, polished style, but 
 little humor or wit (the jester being absent from all), and only 
 moderate dramatic power. They are, perhaps, dramatic poems 
 rather than dramas. Bhavabhuti's home in the mountain re- 
 gions of south-central India doubtless gave him a love of the 
 grand and titanic aspects of nature instead of the mild and gentle 
 phases described by the other Hindu authors. His characters 
 have much grace and tenderness and also possess energy and 
 life. His most popular play is the ten act prakarana, or melo- 
 drama, Mdlati-mddhava, the scene of which is laid in Ujjain. It 
 is the story of the love of MalatI, daughter of a cabinet minister, 
 and Madhava, a young student. This charming play is often 
 called the Romeo and Juliet of India, but it has a happy ending, 
 as all Sanskrit plays must have. The whole drama is a succes- 
 sion of contrasted situations, first of love and then of the weird 
 incantations of the terrible priestess of Durga, scenes which are 
 used to heighten the dramatic effect as well as to contribute to 
 
 1 In Zapiski Vostoenago Otdeleniya Imp. Russkago Arkheologiceskago Obscestva, 
 4 (1890), pp. 393-394- 
 
 2 See Levi p. 324.
 
 INTRODUCTION II 
 
 the plot. In the fifth act the scene is laid in the field where the 
 bodies of the dead are burned. The two other plays of Bhavabhuti 
 form a history of the deeds of the hero Rama, and are based on 
 the epic poem Ramayana. I shall omit a detailed description of 
 these. 
 
 The next dramatist, Rajasekhara, who lived about the year 
 900 a. d., is the author of four plays which have come down to 
 us. Two of them are much like the comedies of 
 Harsadeva in construction and subject. These 
 two are the ViddhasdlablLanjikd, or ' The Lady of the Statue ' and 
 the Karpuramanjarl, or ' Camphor Cluster. ' They are both dramas 
 of harem and court life. The chief interest of the Karpttraman- 
 jarl, which has been admirably edited in the Harvard Oriental 
 Series by Dr. Sten Konow with a translation by Professor Lan- 
 man, consists in the fact that it renders accessible the only extant 
 example of the kind of drama called sattaka. The sattaka is 
 nearly the same as the natika, or minor heroic comedy, except 
 that it is composed entirely in Prakrit. Of the Viddhasalabhan- 
 jika I had hoped to publish a translation, upon which I was en- 
 gaged, but the pressure of other duties has prevented me, and 
 the work has now been done by my friend and fellow-student, 
 Dr. Louis H. Gray. 
 
 One of the few historic plays of India is the Mudraraksasa by 
 Visakhadatta. The scene of this elaborate drama is laid in the 
 city of Pataliputra during the reign of Candra- 
 gupta, or shortly after the invasion of India by 
 Alexander. The time of composition of the play, however, is 
 probably to be placed about the year 1000 a. d. The plot 
 deals with the story of the founding of a new dynasty by Can- 
 dragupta who had deposed the former ruler. The latter's 
 minister Raksasa refuses to recognize the new monarch. Can- 
 dragupta's minister tries to win Raksasa over to his own political 
 plans, which are well conceived, and he at last succeeds. The 
 drama gives us a remarkable picture of the political conditions 
 of the time in which the author has placed its action, centuries 
 before his own.
 
 12 INTRODUCTION 
 
 The Venisamhara, or ' Binding of the Braid,' by the playwright 
 Narayana Bhatta, is a six-act drama based on the incident of the 
 
 Mahdblidrata in which the Pandu wife Draupadl is 
 Narayana Bhatta. , , , , . . , . . , 
 
 " dragged by the hair into the assembly and out- 
 rageously exposed before the Kurus. The play is written in 
 exact accordance with the rules of text-books and largely for that 
 reason it has always been a favorite in India. 
 
 An admirable but less known drama is the Candakausika 
 by Ksemlsvara, whose date is uncertain. This play presents a 
 vivid picture of the workings of a curse uttered 
 by the angry priest Kausika against an upright 
 king who had innocently offended him. The king forfeits his 
 realm and loses his wife and child, the latter by death and his con- 
 sort by her being sold into slavery. Though tried to the utmost, 
 the Job-like patience of the righteous monarch never fails, and in 
 the end he has his wife, his son, and his kingdom restored to him 
 by divine intervention, so that all ends in happiness. 
 
 In the eleventh century was composed a dramatic monstrosity, 
 the huge Malianataka, ascribed to Hanuman, the monkey-king. 
 It has fourteen acts in one recension and ten in 
 the other, and thus violates the rule which re- 
 quires that no drama shall exceed ten acts in length. It is quite 
 without interest to students of literature except as a curiosity. 
 
 The tenth and eleventh centuries in India witnessed a renewed 
 
 interest in the dramatic art, and to that time belong many other 
 
 plays which must be omitted here on account of 
 
 Krsnamisra. 
 
 lack of space. One, however, which must be 
 mentioned is the PrabodJiacaiidrodaya, or ' Rise of the Moon of 
 Intellect,' an allegorical drama by the poet Krsnamisra. The 
 characters in this play, as in the old English Moralities, are sym- 
 bolical figures and personified abstract ideas, and it is indeed re- 
 markable that with such subject matter the author should have 
 succeeded in producing a drama of so much real merit. The plot 
 is as follows : The wicked King Error is the ruler of the city of 
 Benares. He is surrounded by his followers, the Follies and 
 Vices, while the good King Reason and his followers, Religion
 
 INTRODUCTION I 3 
 
 and the Virtues, have been sent into exile. In accordance with a 
 prophecy, Reason will at some time marry Revelation, and the 
 fruit of that union will be True Knowledge, who will overthrow 
 the power of King Error. The plot recounts the vicissitudes of 
 the struggle and the final triumph of good. 
 
 The Samkalpasuryodaya of Venkatanatha and the Caitanya- 
 candrodaya of Kavikarnapura who wrote about the middle of the 
 sixteenth century are obvious imitations of the PrabodJiacandro- 
 daya and have as dramatis personae almost the same characters. 
 
 Of the later history of the Sanskrit drama it is not necessary 
 
 to write at length. It has had a continuous existence from the 
 
 period of the greatest works down to the present 
 Later Plays. , „, , , , , , . 
 
 time. I he later plays, although written in exact 
 
 accordance with the rules of Hindu dramaturgy, are for the most 
 
 part lacking in interest and action. 
 
 1 Wilson in 1827 gave the names of 60 Sanskrit plays, Levi in 1 890 was able to 
 increase the number of titles known to 372, and the present bibliography lists over 
 500 separate productions.
 
 ABBREVIATIONS 
 
 Ai, A2, A3. 
 
 Cat. Mack. Coll. 
 
 CBMMS. 
 CS. 
 
 DR. 
 Ep. Ind. 
 Garbe 
 
 Hz. 3 . 
 
 IA. 
 
 JA. 
 
 JAOS. 
 
 JASBe. 
 
 JRAS. 
 
 JRASBo. 
 
 L. 
 
 NS. 
 
 RS. 
 
 Aufrecht, T., Catalogus Catalogorum. Pts. 
 1, 2, 3. Leipzig, 1 896- 1 903. 
 
 The Mackenzie Collection. A descriptive 
 catalogue of the Oriental Manuscripts, by 
 H. H. Wilson, 2° ed., Madras, 1882. 
 Catalogue of the Sanskrit Manuscripts in the 
 British Museum, Cecil Bendall. London, 
 1902. 
 
 s Sanskrit Manuscripts in the Calcutta Sanskrit 
 College, by Sastrl and Gui, no. 18, Cal- 
 cutta, 1903. 
 
 = Dasarupa, edited by F. Hall, Calcutta, 1865. 
 
 : Epigraphia Indica. 
 
 : Verzeichniss der indischen Handschriften der 
 koniglichen Universitat zu Tubingen, von 
 Richard Garbe, Tubingen, 1899. 
 
 : Reports on Sanskrit Manuscripts in Southern 
 India, by E. Hultzsch, no. 3, Madras, 1905. 
 Indian Antiquary. 
 
 Journal Asiatique. 
 
 Journal of the American Oriental Society. 
 
 Journal of the Asiatic Society of Bengal. 
 
 Journal of the Royal Asiatic Society. 
 
 Journal of the Royal Asiatic Society, Bom- 
 bay Branch. 
 
 : Levi, Sylvain, Le Theatre indien, Paris, 1 890. 
 
 = Natyasastra, edited by Sivadatta and Parab, 
 Bombay, 1894. Cf. also the edition of 
 Grosset, Paris, 1898. 
 
 : Rasarnavasudhakara by Sifigabhupala. [A 
 list of works mentioned in this is given in 
 SRep. p. 10] 
 14
 
 ABBREVIATIONS 
 
 15 
 
 SCBen. 
 SD. 
 
 SRep. 
 
 TT. 
 
 Weber 
 
 Wilson 
 
 WZKM. 
 
 ZDMG. 
 
 Sanskrit, Jain, and Hindi Manuscripts in the 
 Sanskrit College, Benares. Allahabad, 1902. 
 
 Sahityadarpana, edited and translated by Ballan- 
 tyne and Mitra. Calcutta, 1875, 2 vols. 
 [The references are to sections.] 
 
 Report on a Search for Sanskrit and Tamil Manu- 
 scripts for 1896-7, by M. S. Sastri. Madras, 
 1898. 
 : Catalogue of two collections of Sanskrit Manu- 
 scripts preserved in the India Office Library. 
 Compiled by C. H. Tawney and F. W. Thomas. 
 London, 1903. 
 
 Handschriften-Verzeichnisse der koniglichen Bib- 
 liothek, Bd. I. Verzeichniss der Sansknt- 
 Handschriften, von A. Weber. Berlin, 1853. 
 
 Select Specimens of the Theatre of the Hindus. 
 London, 1871, 2 vols. 
 
 Wiener Zeitschrift fur die Kunde des Morgen- 
 landes. 
 
 Zeitschrift der Deutschen Morgenlandischen Ge- 
 sellschaft.
 
 GENERAL WORKS ON THE SANSKRIT DRAMA 
 i. Hindu Works on Dramatics. 
 Abhinayadarpana A i . p. 24 = 4 Mss. 
 
 Bharata. 
 
 Natyasastra. Manuscripts. A 1. p. 284=3 Mss. ; A 2. p. 6 1 
 = 1 Ms. and 1 Com. ; A 3. p. 61. 
 
 Text Editions. Natyasastra. Edited by Sivadatta and Parab. 
 Bombay, 1894, pp. 3 + 447. Kavyamala, no. 42. 
 
 Natyasastra. Traite de Bharata sur le theatre. Texte Sanskrit. 
 Edition critique. Avec une introduction, les variantes tirees 
 de quatre manuscripts, une table analytique et des notes par 
 Joanny Grosset. Precedee d'une preface de Paul Regnaud. 
 Tome I. Premiere partie = Annales de l'Universite de Lyon, 
 fasc. 40, Paris, 1898, pp. 12 + 27 + 296. 
 
 Natyasastra, adhyayas 18, 19, 20, 34. Published by F. Hall in 
 his edition of the Dasarupa, Calcutta, 1865, pp. 199-241. 
 
 Contribution a l'etude de la musique hindoue par J. Grosset. 
 Paris, 1888, pp. 91. In Bibliotheque de la Faculte des Let- 
 tres de Lyon, vol. 6. [Text of bk. 28 of the Natyasastra 
 with translation and notes.] 
 
 Le I7me chapitre du Bharatiya Natyasastra intitule Vag-Abhi- 
 naya, publie pour la premiere fois par P. Regnaud. In An- 
 nales du Musee Guimet, 1 (1880), pp. 85-99. 
 
 La Metrique de Bharata. Text Sanscrit de deux chapitres du 
 Natya-sastra, publie pour la premiere fois et suivi d'une 
 interpretation franchise par Paul Regnaud. In Annales du 
 Musee Guimet, 2 (188 1), pp. 63-130. [End of chapter 15 
 and chapter 16.] 
 
 Natyasastra. Sixth and seventh chapters, edited with notes and 
 variants by Paul Regnaud, in his Rhetorique Sanskrite, Paris, 
 1884, part 2, pp. 1-42. 
 
 Criticism. Natyasastra. Traite sur le theatre publie par J. 
 
 16
 
 HINDU WORKS ON DRAMATICS \J 
 
 Grosset. Preface (par P. Regnaud) et introduction. Lyon, 
 1897, pp. 40. 
 Dhruva, H. H., Natyasastra, or the Indian dramatics. In As. 
 Quart. Rev. 2 (1896), pp. 349"359- 
 
 Dhanamjaya. 
 
 Dasarupa. Manuscripts. A 1. pp. 247-248= 16 Mss. and 
 
 1 Com. ; by Dhanika 9, by Nrsimha Bhatta 1, by Pani 1 ; 
 
 A 2. p. 53 = 7 Mss. and Com. by Kuravirama 1, by Dhanika 
 
 7, by Devapani 1. 
 Text Editions. Dasarupa or Hindu canons of dramaturgy, with 
 
 the exposition of Dhanika, the Avaloka. Edited by F. 
 
 Hall. Calcutta, 1865, pp. 39 + 241. In Bibl. Indica. 
 Dasarupa with the commentary of Dhanika. Edited by J. 
 
 Vidyasagara. Calcutta, 1878, pp. 230. 
 Dasarupa. With the commentary of Dhanika. Edited by K. 
 
 P. Parab. Bombay, 1897, pp. 153. 
 
 Hastamuktavall A 1. p. 764. 
 
 Nandin Abhinayadarpana A 1. p. 24=7 Mss.; A 3. p. 
 
 6=3 Mss. 
 Idem Abhinayadarpana. Poona, 1874. 
 Natakacandrika A 2. p. 61. 
 Natakalaksana A 2. p. 61. 
 Natakaratnakosa cf. A 1. p. 284. 
 Natakavatara cf. A 1. p. 284. 
 NatasQtra (?) cf. A 1. p. 284. 
 Natyadarpana cf. A 1. p. 284. 
 Natyalaksana A 1. p. 284. 
 Natyalocana A3, p. 61. 
 Natyasastra A I. p. 284. 
 Pundarika Natakalaksana A 1. p. 284. 
 Rupa Gosvamin Natakacandrika alamkara A 1. p. 284= 2 
 
 Mss. ; A 2. p. 207. 
 Ramacandra Natyadarpana A3, p. 61. 
 SingadharanlSa Natakaparibhasa A 1. p. 284; A 2. p. 61. 
 Srlkanthaka Rasakaumudi Natyasastre A 1. p. 494.
 
 1 8 HINDU WORKS ON DRAMATICS 
 
 SundaramiSra (1613) Natyapradlpa mentioned in DR. intr. 
 
 P I- 
 Trilocanaditya Natyalocana A 1. p. 284=2 Mss. and 
 
 1 Com. 
 Tryambaka Natakadlpa A 1. p. 284 = 1 Ms. and 3 Com. ; 
 
 by Ramakrsna 1. 
 Vasantaraja Natyasastra mentioned by Mallinatha on Sisu- 
 
 palavadha 2. 8 ; cf. A 1. pp. 284, 556. 
 
 ViSvanatha Kaviraja. 
 
 Sahityadarpana. Manuscripts. A 1. p. 715 = 21 Mss. and 
 4 Com. ; by Mathuranatha Sukla 1 , by Ramacarana 7 ; A 2. 
 pp. 171, 233 = 3 Mss. and Com. by Anantadasa 1, by Rama- 
 carana 2 ; A 3. p. 148 = 5 Mss. and Com. by Ramacarana 
 2; Hz. 3. 1750. 
 
 Text Editions. Sahityadarpana. Edited by Natha Rama. Cal- 
 cutta, 1828. 
 
 Sahityadarpana. The text revised by E. Roer, Calcutta, 185 1. 
 
 Sahityadarpana. The Mirror of Composition. Edited and trans- 
 lated by Ballantyne and Mitra. Calcutta, 1875, 2 vols. 
 
 Sahityadarpana. Edited by J. Vidyasagara. i° ed., Calcutta, 
 1874; 3 ed., 1890, pp. 702 ; 5 ed., 1900, pp. 630. 
 
 Sahityadarpana. With a commentary. Annotated and edited by 
 D. Dviveda and K. P. Parab. Bombay, 1902, pp. 644. 
 
 Criticism. Alamkaravadartha, a discussion on the Sahityadarpana. 
 A3, p. 7. 
 
 2. Works of General Criticism. 
 
 Analyse d'un monologue dramatique indien. Paris, 1850. 
 Das indische Theater. In Globus, 49 (1886), pp. 380-381. 
 Baumgartner, Alexander. Geschichte der Weltliteratur, vol. 2., 
 
 3 ed., Freiburg im Breisgau, 1902, pp. 134-203. 
 Bloch, Th. Ein griechisches Theater in Indien. In ZDMG. 58 
 
 (1904), pp. 455-457- 
 Bohme, R. Indische Dramatik. In Vossische Zeitung, 1903, 
 Sonntagsbeilage, no. 37.
 
 GENERAL CRITICISM 1 9 
 
 Cappeller, Carl. Zwei Prahasanas. In Gurupujakaumudl, Fest- 
 
 gabe fur Weber, Leipzig, 1896, pp. 59-63. 
 Cimmino, Francesco. II tipo comico del " vidushaka " nell' 
 
 antico dramma indiano. In Atti della Reale Accademia di 
 
 Archeologia, Lettere e Belle Arti (di Napoli), 15 (1893), 
 
 pp. 97-142. 
 Cimmino, Francesco. II teatro indiano in Europa. Communica- 
 
 zione letta al Congresso di Parigi nel 1897. Naples, 1897. 
 Cimmino, Francesco. Studii sul teatro indiano. I. Sul dramma 
 
 Karpuramafijarl. 2. Sul dramma Candakausika. In Ren- 
 
 diconto della Reale Accademia di Archeologia, Lettere e 
 
 Belle Arti (di Napoli), 19 (1905), pp. 1-76. 
 Colizza, Giovanni. Del riconoscimento nel dramma indiano e nel 
 
 dramma greco. Rome, 1897, pp. 105. [Treats only 
 
 Sakuntala and Oedipus Rex.] 
 Druskowitz, A. Shakespeare's Vorlaufer in Indien und andere 
 
 indische Dramatiker. In Dramaturgische Blatter und 
 
 Biihnenrundschau, 17 (1888), pp. 638-639. 
 Gubernatis, Angelo de. Storia universale della letteratura, vol. 
 
 1, pp. 19-110; vol. 2, pp. 11-108. Milan, 1882-1883. 
 Gray, Louis H. Literary Studies on the Sanskrit Novel, 2. The 
 
 Sanskrit Novel and the Sanskrit Drama. In WZKM. 18 
 
 (1904), pp. 48-58. 
 Hall, F. Fragments of three early Hindu dramatists, Bhasa, 
 
 Ramila, and Somila. In JASBe. 28 (1859), pp. 28-30. 
 Herder, J. G. von. Uber das Morgenlandische Drama. In 
 
 Werke zur Schonen Literatur und Kunst, Stuttgart, 1828. 
 Hertel, Johannes. Der Ursprung des indischen Dramas und 
 
 Epos. In WZKM. 18 (1904), pp. 59-83, 139-168. 
 Hillebrandt, Alfred. Zur Charakteristik des indischen Drama's 
 
 (1888). In his Alt-Indien, Breslau, 1899, pp. 147-167. 
 Huizinga, J. De Vidusaka in het indisch Tooneel. Groningen, 
 
 1897, pp. 155. 
 Jackson, A. V. Williams. Children on the Stage in the Sanskrit 
 
 Drama. In Proc. Am. Philol. Assoc, 27 (1896), pp. v, vi. 
 
 [Abstract of the following article.]
 
 20 GENERAL CRITICISM 
 
 Jackson, A. V. Williams. Children on the Stage in the Ancient 
 
 Hindu Drama. In the Looker-On, New York, June 1897, 
 
 vol. 5, no. 6, pp. 509-516. 
 Jackson, A. V. Williams. Certain Dramatic Elements in Sanskrit 
 
 Plays with Parallels in the English Drama. First series. 
 
 In Am. Journ. Philol., 19 (1898), pp. 241-254. 
 Jackson, A. V. Williams. Disguising on the stage as a dramatic 
 
 device in Sanskrit plays. In Proc. Am. Philol. Assoc, 29 
 
 (1898), pp. 18-19. 
 Jackson, A. V. Williams. Time Analysis of Sanskrit Plays. 1. 
 
 The Dramas of Kalidasa ; 2. The Dramas of Harsha. In 
 
 JAOS. 20(1899), pp. 341-359, and 21 (1900), pp. 88-108. 
 Ke<paMrjvo(;, M. At hXXrjv'tdei; hcupae ev zw cuocxw 8p6.fia.Tc. 
 
 Athens, 1886. [Considers only the Mrcchakatika.] 
 Kern, H. Een blik op het indisch Tooneel. In De Gids, 1898, 
 
 pp. 466-496. 
 Kielhorn, F. Sanskrit plays preserved as inscriptions. In Acad- 
 emy, 1891, p. 67; JRAS. 1891, pp. 165-166. See also 
 
 app. to Ep. Ind. 5 (1899), p. 20. 
 Kielhorn, F. Sanskrit plays partly preserved as inscriptions at 
 
 Ajmere. In I A. 20 (189 1), pp. 201-212. 
 Kielhorn, F. Bruchstucke indischer Schauspiele in Inschriften 
 
 zu Ajmere. In Festschrift z. Feier d. i5ojahr. Bestehens d. 
 
 Kgl. Gesellschaft d. Wiss. zu Gottingen, Berlin, 1901, pp. 30. 
 Klein, J. L. Das indische Drama, in his Geschichte des Dramas, 
 
 vol. 3, Leipzig, 1866, pp. 1-373. 
 Levi, Sylvain. Le Theatre indien. Paris, 1890, pp. 15 4- 43 2 + 
 
 125. [The standard work on the Sanskrit drama.] 
 Levi, Sylvain. Sur quelques termes employes dans les inscrip- 
 tions des Ksatrapas. In J A. 9 series, 19 (1902), pp. 
 
 95-125. 
 Leumann, Ernst. Eine Bitte an die kunftigen Herausgeber von 
 
 Drarhen und nichtvedischen Prosa-Texten der indischen 
 
 Literatur. In ZDMG. 42 (1888), pp. 161-198. 
 Oldenburg, S. F. Ukazaniye na predstavleniye buddiskoi dramy. 
 
 In Zapiski Vostocnago Otdeleniya Imp. Russkago Arkheo-
 
 GENERAL CRITICISM 21 
 
 logiceskago Obscestva, 4 (1890), pp. 393-394. [Mention 
 
 of a representation of a Buddhist Drama. Text from the 
 
 Avadanasataka (75)-] 
 Ongaro, Prof. Dall'. Studii critici sul teatro indiano. In Rivista 
 
 Europea, Florence, Jan. 1873. 
 Hariscandra. Nataka: on drama in Sanskrit and Hindi with sketch 
 
 of European drama. Benares, 1883, pp. 54. [In Hindi.] 
 Neve, F. Les drames heroiques et mythologiques de ITnde. In 
 
 Museon, 1 (1882), pp. 523-540. 
 Nevill, Hugh. The Ramayana as a Play. In Taprobanian, 2 
 
 (1887), pp. 150-160, 170-172. 
 P [avolini] , P. E. Sul personaggio del Vidusaka. In Studi italiani 
 
 di filologia indo-iranica, edited by Pulle, 2(1899), PP- 86-87. 
 
 [A review of Huizinga's work, De Vidusaka in het indisch 
 
 Tooneel.] 
 Pischel, Richard. Die Heimat des Puppenspiels. Hallesche 
 
 Rektorreden, 2, Halle, 1900, pp. 28. 
 [Pischel, Richard.] The Home of the Puppet Play. Translated 
 
 by Mildred C. Tawney. London, 1902, pp. 32. 
 Saradananda (Swami). Poetry and Drama of Ancient Times. In 
 
 Brahmavadin, 3 (1897), pp. 346-355. 
 Schuyler, Montgomery, Jr. The Origin of the Vidusaka, and 
 
 the employment of this character in the plays of Harsadeva. 
 
 In JAOS. 20 (1899), pp. 338-340. 
 Sladomel, Ig. Dramaticke umeni indu. In Vlast, 13 (1897), pp. 
 
 835-845. 
 Smith, Vincent A. The Reign of Harsha from 606 to 648 A. D. 
 
 In his Early History of India, Oxford, 1904, pp. 282-302. 
 Tagore, S. M. Bharatiya Natya Rahasya, or a Treatise on Hindu 
 
 Drama. Calcutta, 1878, pp. 268. [In Bengali.] 
 Tagore, S. M. The Hindu Drama, 1. Calcutta, 1888, pp. 56. 
 Windisch, E. Der griechische Einfluss im indischen Drama. In 
 
 Verh. d. 5. intern. Orientalisten-Kongresses (1881), sect. 2, 
 
 Berlin, 1882, pp. 3-106. 
 Winternitz, Moritz. The Mahabharata and the drama. In JRAS. 
 
 1903, pp. 571-572.
 
 22 GENERAL CRITICISM 
 
 Zubaty, Josef. On the development of the Indian drama and its 
 relation to the Greek drama [in Bohemian]. In Listy filo- 
 logike of Prague, 14 (1887), pp. 1-7; 98-108; 193-205. 
 [Chiefly on the hetairai of the Hindu and the Greek drama.] 
 
 3. Chapters in Histories of Sanskrit Literature. 
 
 Frazer, R. W. A Literary History of India. London and New 
 
 York, 1898, pp. 263-299. 
 Henry, Victor. Les Litteratures de l'lnde. Paris, 1904, pp. 
 
 274-320. 
 Macdonell, Arthur A. A History of Sanskrit Literature. Lon- 
 don and New York, 1900, pp. 346-367. 
 Lassen, Christian. Indische Alterthumskunde, vol. 2, 2° ed. 
 
 Leipzig, 1874, pp. 506-514, 1 1 70- 1 174; vol. 4, 1861, pp. 
 
 817-821. 
 Manning, Mrs. C. S. Ancient and Mediaeval India, vol. 2, 
 
 London, 1869, pp. 141-288. 
 Oldenberg, H. Die Literatur des alten Indien. Stuttgart and 
 
 Berlin, 1903, pp. 236-281. 
 Schroeder, Leopold von. Indiens Literatur und Cultur. Leipzig, 
 
 1887, pp. 591-666. 
 Weber, Albrecht. Vorlesungen.iiber indische Literaturgeschichte. 
 
 2° ed., Berlin, 1876-78, pp. 213-225. 
 Weber, Albrecht. History of Indian Literature. Translated from 
 
 the Second German edition by J. Mann and Th. Zachariae. 
 
 2° ed., London, 1882, pp. 196-208 
 Williams, Monier. Indian Wisdom. 3 ed., London, 1876, pp. 
 
 462-489. 
 
 4. Collected Translations of Sanskrit Dramas. 
 
 Fritze, Ludwig. Indisches Theater, Sammlung indischer Dramen 
 
 in metrischer IJbersetzung. Schloss-Chemnitz, 1877-79, 3 
 
 vols. 
 Marazzi, Antonio. Teatro scelto indiano, tradotto dal sanscrito. 
 
 Milan, 1871-74, 2 vols. (vol. 1, Teatro di Calidasa; vol. 2, 
 
 Mudraraxasa e Dhurtasamagama).
 
 COLLECTED TRANSLATIONS 23 
 
 Wilson, Horace Hayman. Select Specimens of the Theatre of the 
 Hindus, translated from the original Sanskrit Appendix con- 
 taining short accounts of different dramas, i ° ed., Calcutta, 
 1826-27, 3 vols.; 2° ed., London, 1835, 2 vols.; 3 ed., 
 London, 1871, 2 vols, (in Works of H. H. Wilson, vols. 
 II, 12); reprinted, Calcutta, 1902, 2 vols. 
 
 Langlois, A. Chefs-d'oeuvres du theatre indien, traduits de 
 1'original Sanscrit en anglais, par H. H. Wilson, et de 
 l'anglais en francais ; accompagnes de notes et d'eclaircisse- 
 mens, et suivi d'une table alphabetique des noms propres. 
 Paris, 1828, 2 vols. 
 
 [Wolff, O. L. B.] Theater der Hindus. Aus der Englischen 
 Ubersetzung des Sanskrit-Originals metrisch iabersetzt 
 Weimar, 1828-31, 2 vols.
 
 NAMES OF AUTHORS AND TITLES OF THEIR 
 
 WORKS. 
 
 A 
 
 Abhijnanasakuntala see Kalidasa. 
 
 Abhinavagupta, a dramatic critic, mentioned in SD. 506. 
 
 Abhinavaraghavananda see Manika. 
 
 Abhiramamani see Sundara Mi£ra. 
 
 Adbhutadarpana see Mahadeva. 
 
 Adbhutaraghava see Vanamali. 
 
 Adbhutaranga prahasana A 1. p. 8. 
 
 Adbhutarnava see Kavibhusana. 
 
 Aditikundalaharana see Kadamba. 
 
   • • 
 
 Ahalyasamkrandana A 1. p. 37. 
 
 Aindavananda see Ramacandra Kavi. 
 
 Ambala see Varadacarya. 
 
 Ambikadatta Vyasa Samavata, an original drama in six 
 acts on the Pauranik legend of Samavan. Preceded by 
 an essay on the dramatic art and accompanied by short 
 notes by Babunandana and followed by a Prakrit-Sanskrit 
 glossary. Bankipur, 1888, pp. 19+ 139 + l 4- 
 
 Ammal Vedantavilasa A 1. p. 29. 
 
 Amogharaghava mentioned in RS. 
 
 Amrtacandra Suri Samayasara L. app. p. 8 1 . 
 
 Amrtodaya A 1 . p. 29. 
 
 Amrtodaya see Gokulanatha. 
 
 Anandadhara Madhavanala A 1. p. 450 = 2 Mss.; A3, p. 97. 
 
 Anandakosa prahasana mentioned in RS. 
 
 Anandalatika see Kjsnanatha. 
 
 Anandaraghava see Cudamani. 
 
 Anandaraya see Vedakavisvamin. 
 
 Anandaraya Makhin, son of Narayana or Nrsimharaya (A 2. 
 p. 9), wrote about 1780, Jivanandana A 2. p. 201. 
 
 Idem Jivanandana. Edited by Durgaprasada and Parab. 
 Bombay, 1891, pp. 3 + 108. Kavyamala, no. 27. 
 
 24
 
 Atiratrayajin 2 5 
 
 Idem Vidyaparinaya A 1. p. 574 ; A 2. p. 225 ; A 3. p. 121. 
 Idem Vidyaparinayana. Edited by Sivadatta and Parab. 
 
 Bombay, 1893, pp. 3 + 88. Kavyamala, no. 39. 
 Anandasundarl sattaka A 1. p. 49. 
 Anandasundari see GhanaSyama. 
 Anandatilaka bhana A 1. p. 46. 
 Anangabrahmavidyavilasa see Varadacarya. 
 Anangajlvana see Varada. 
 Anangalatika L. app. p. 73. 
 Anaiigalekha mentioned in Alamkaravimarsinl. 
 Anangamangala see Sundara Kavi. 
 Anangasamjlvana see Varada. 
 Anangasarvasva see Laksminrsimha. 
 Anaiigavijaya see Jagannatha Pandita. 
 Anantadeva, son of Apadeva, Krsnabhakticandrika A 1. p. 
 
 121 = 9 Mss. ; A 2. p. 28 = 3 Mss. ; A 3. p. 27 = 4 
 
 Mss. 
 Idem Krsnabhakticandrika, a short drama in 177 verses with 
 
 prose interspersed. Poona, 1878-88. In Kavyetihasa- 
 
 samgraha, 4, nos. 10-12. 
 Anantarama Svanubhutyabhidha A 1. p. 752. 
 Anargharaghava see Murari. 
 Angada see Bhubhatta. 
 Anjanapavanamjaya see Hastimalla. 
 Antaravyakarana see Krsnananda. 
 Anutapanka quoted in SD. 481. 
 AppaSastrin Lavaliparinaya A 1. p. 543. 
 Idem Saras vatadarsa A 1. p. 714. 
 Appayya Diksita Vasumaticitrasenavilasa A 1. p. 557. 
 Arjunaraja see Hastimallasena. 
 Arunagirinatha Yogananda prahasana A 1. p. 481 ; A 2. p. 
 
 177 = 2 Mss. ; A 3. p. 151. This play is called in A 2. 
 
 Somavall iyogananda. 
 Asvamedha see Sumatijitamitramalladeva. 
 Atandracandrika see Jagannatha and Vidyanidhi. 
 Atiratrayajin ( 1 6th century) Kusakumudvatlya A 1. p. 113.
 
 26 Badhyasila 
 
 B 
 
 Badhyasila sec Vadhyasila. 
 
 Balabharata see Rajasekhara. 
 
 Balacarita quoted in SD. 346. 
 
 Bala Kavi Gairvanivijaya. The triumph of Sanskrit. A 
 short allegorical play, referring to the foundation of Sans- 
 krit schools in Travancore. Palghat, 1 890, pp. 1 2. 
 
 Balakrsna Muditaraghava A 2. p. 106. 
 
 Balaramayana see Rajasekhara. 
 
 Balivadha prenkhana mentioned in SD. 547. 
 
 Bana Bhatta (7th century), son of Citrabhanu. 
 
 Mukutataditaka mentioned by Candapala on Damayantlkavya 
 (p. 227). Cf. L. app. p. 78. 
 
 Parvatiparinaya. Manuscripts. A 1. p. 336= 13 Mss.; A 3. p. 
 72; Hz. 3. 1849. 
 
 Text Editions. Parvatiparinaya. Herausgegeben von Prof. K. 
 Glaser. In Sitzungsb. der kais. Akad. der Wiss. (zu Wien), 
 104 (1883), pp. 578-612. 
 
 Parvatiparinaya. Edited by M. R. Telang. Bombay, 1892, 
 pp. 48. 
 
 Parvatiparinaya. Edited with commentary, notes, and transla- 
 tion by T. R. Ratnam Aiyar. Kumbhakonam, 1898, pp. 
 214. 
 
 Translations. Parvati's Hochzeit. Ein indisches Schauspiel iiber- 
 setzt von Dr. K. Glaser. (Separatabdruck aus dem Jahres- 
 bericht des K. K. Staats-Gymnasiums in Trieste, 1886, pp. 
 
 9+38.) 
 
 ParvatI Parinaya, translated from Sanskrit into Marathi by P. B. 
 Godbole. Poona, 1869 ; new ed., revised by V. P. Shastri, 
 Bombay, 1872, pp. 160. 
 
 Criticism. Glaser, K. Uber Bana's Parvatiparinaya. In Sitz- 
 ungsb. der kais. Akad. der Wiss. (zu Wien), 104 (1883^ 
 pp. 575-664. [Cf. also the review by Fritze, in Literatur- 
 Blatt fur Orientalische Philologie, I (1884), pp. 184-185.]
 
 Bhavabhuti 27 
 
 Telang, K. T. The Parvatlparinaya of Bana. In I A. 3 (1874), 
 pp. 219-221. 
 
 Bana Bhatta Sarvacarita A 1. p. 701. 
 
 Bhagavadabjaka quoted in Rucipati's commentary on the 
 
 Anargharaghava of Murari (ed. of Durgaprasada and 
 
 Parab, p. 7). 
 Bhagavadajjuka prahasana mentioned in RS. 
 Bhagavantaraya Raghavabhyudaya A 2. p. 117. 
 Bhagavata Krsnakavi Sarmisthayayati A 1. p. 638. 
 Bhaimlparinaya A 1. p. 416 = 9 Mss. and 1 Com. 
 Bhaimiparinaya see Ratnakheta, Sathakopacarya, and Ven- 
 
 katacarya. 
 Bhairavapradurbhava L. app. p. 78. 
 
 Bhanumatlparinaya (?) L. app. p. 78 (but cf. A 1. p. 405). 
 Bhanuprabandha see VenkateSa. 
 Bharadvaja Kaleyakutuhala prahasana A 1. p. 396. 
 Idem Kaleyakutuhala. Poona, 1882, pp. 32. In Kavyeti- 
 
 hasasamgraha, 5, nos. 2-5. 
 Bharataraja see Hastimallasena. 
 Bhartrharinirveda see Harihara. 
 Bhartrmentha, a Kashmirian playwright of the sixth century 
 
 (cf. A 1. p. 397). 
 Bhasa Svapnavasavadatta, mentioned in prologue to Mala- 
 
 vikagnimitra of Kalidasa. Cf. F. Hall, Fragments of 
 
 three early Hindu dramatists, in JASBe. 28 (1859), pp. 
 
 28-30. 
 Bhaskara Unmattaraghava A 1. p. 66. 
 Idem Unmattaraghava. A drama in prose and verse in one 
 
 act, on the story of Rama. Bombay, 1889, pp. 3+16. 
 
 Kavyamala, no. 1 7. [Reprinted from an edition published 
 
 in Palamanair by S. S. Sastri.] 
 Bhatta Narayana see Narayana. 
 
 Bhavabhuti (end of seventh century). 
 Mahavlracarita. Manuscripts. A 1. p. 443 = 29 Mss. and 3
 
 28 Bhavabhuti 
 
 Com. ; by Atmarama i, by Viraraghava I ; A 2. pp. 102, 
 217 = 7 Mss. and Com. by Viraraghava 2 ; CS. 242 ; Hz. 
 3. 1575; 10. 7. 4135, 4136. Analyzed by Wilson, 2, 
 
 PP- 323-334- 
 
 Text Editions. Mahaviracarita, or the history of Rama, edited 
 by F. H. Trithen. London, 1848, pp. 4 + 147. 
 
 Mahaviracarita. Edited by T. Tarkavacaspati with occasional 
 glosses. Calcutta, 1857, pp. 2 + 120. 
 
 Mahaviracarita. Edited with notes by J. Vidyasagara. Cal- 
 cutta, 1873, PP- 142. 
 
 Mahaviracarita. Edited by Anundoram Borooah, with a Sanskrit 
 commentary and a Sanskrit-English glossary. Calcutta and 
 London, 1877, pp. 13 + 310. 
 
 Mahaviracarita, edited with various readings and notes in San- 
 skrit by S. G. Jyotishi. Poona, 1887, pp. 1 3 5 -f- 29. 
 
 Mahaviracarita, with the commentary of Viraraghava, edited by 
 T. R. Ratnam Aiyar, S. Rangachariar, and K. P. Parab. 
 i° ed., Bombay, 1892, pp. 260; 2° ed., 1901, pp. 260. 
 
 Mahaviracarita, a Sanskrit drama, with the commentaries of 
 Laksmana Suri. New ed., Madras, 1904, pp. 270. 
 
 Translations. Mahaviracarita. The Adventures of the Great 
 Hero Rama. An Indian Drama in seven acts. Translated 
 into English prose from the Sanskrit by John Pickford. 
 London, 1871, pp. 16 -f 172. Reprinted 1892, pp. 20 + 
 172. 
 
 Malatlmadhava prakarana. Manuscripts. A 1. p. 453 = 62 Mss, 
 and Com. by Jagaddhara n, by Tripurari Suri 10, by 
 Manaiika 3, by Raghava Bhatta 1, a condensed version by 
 Maithila Sarman 1 ; A 2. p. 104 = 7 M ss - and Com. by 
 Jagaddhara 1, by Tripurari 1, by Narayana I, Prakrtachaya 
 1; CS. 243, 244; IO. 7-4125, 4126, 4127, 4128,4129, 
 4130; TT. 61 ; Com. by Jagaddhara, SCBen. 430, 10. 7. 
 4130, 4131, 4132 ; Com. by Mananka, 10. 7. 4130, 4133 ; 
 condensed version by Maithila Sarman, IO. 7. 4134. 
 
 Text Editions. Malatlmadhava, with a commentary of the. 
 Prakrit passages. Calcutta, 1830, pp. 175.
 
 Bhavabhuti 29 
 
 Malatimadhavae fabulae actus primus cum variis lectionibus 
 edidit C. Lassen. Bonn, 1832, pp. 48. 
 
 Malatimadhava, with a translation of the Prakrit passages, edited 
 by K. C. Dutt. Calcutta, 1866, pp. 148. 
 
 Malatimadhava, with the commentary of Jagaddhara, edited with 
 notes, critical and explanatory, by R. G. Bhandarkar. Bom- 
 bay, 1876, pp. 399 -f j6. Bombay Sanskrit Series, no. 15. 
 
 Malatimadhava, edited with a commentary by J. Vidyasagara. 
 Calcutta, 1876, pp. 185. 
 
 Malatimadhava, with the commentary of Tripurarisuri called 
 Bhavapradlpika, in Telugu. Madras, 1883, pp. 176 + 128. 
 
 Malatimadhava. Satlka. Part 1. Calcutta, 1886, pp. 60. 
 
 Malatimadhava, with the commentary of Jagaddhara, edited with 
 an interpretation of the Prakrit passages by Bhuvanacandra 
 Vasaka. Calcutta, 1886, pp. 31-7. 
 
 Malatimadhava, with the commentaries of Tripurari and Jagad- 
 dhara, edited by M. R. Telang. i° ed., Bombay, 1892, pp. 
 402; 2° ed., 1900, pp. 402. 
 
 Translations. A. E n g 1 i s h. Malati and Madhava, or the Stolen 
 Marriage, translated by Wilson, 2, pp. 1 — 123. 
 
 B. French. Madhava et Malati. Drame traduit du Sanscrit et 
 
 du pracrit par G. Strehly, precede d'une preface par A. Ber- 
 gaigne. Paris, 1885, pp. 12 + 274. Bibl. Orient. Elzevir., 
 no. 42. 
 
 C. German. Malatimadhava, ein indisches drama von Bha- 
 
 vabhuti. Zum ersten Male aus dem Original ins Deutsche 
 iibersetzt von Ludwig Fritze. Leipzig, 1883, pp. 125. 
 
 D. Dutch. Malati en Madhava. Een indisch drama vertaald 
 
 en verkort door P. A. S. van Limburg Brouwer. In 
 Tijdspiegel, 1871, i, 418. 
 
 E. Bengali. Malatee Mudhaba, a comedy of Bhubabhootee. 
 
 Translated into Bengalee from the original Sanskrit, by K. 
 P. Sing. Calcutta, 1859. 
 
 F. M a r a t h i. Malatimadhava. Translated into Marathi by K. 
 
 S. Rajvade and revised by Chiplonkar. Bombay, 1861, 
 pp. 152.
 
 30 Bhavabhuti 
 
 Uttararamacarita. Manuscripts. A I. p. 63 = 67 Mss. and 3 Com.; 
 Bhavarthadlpika 1, by Narayana 7, by Raghavacarya 3, by 
 Viraraghava 1 ; A 2. p. 190= 2 Mss. and Com. by Narayana 
 1 ; A 3. p. 14=5 Mss. and Com. by Abhirama 1 ; CS. 
 219; Hz. 3. 1607; Com. by Ghanasyama, Hz. 3. 1600; 
 Com. by Narayana, CS. 220, SCBen. 81, 10. 7. 4137. 
 
 Text Editions. Uttararamacarita, with a commentary explanatory 
 of the Prakrit passages. Calcutta, 1831, pp. 132. 
 
 Uttararamacarita. Edited, at the request of [and with a pref- 
 ace by] E. B. Cowell, by Premacandra Tarkabagisa. 
 With a short commentary. Calcutta, 1862, pp. 181. 
 
 Uttararamacarita, edited with commentary by Tarakumara Ca- 
 kravarti. With a preface by B. P. Majumdar. Calcutta. 
 1870, pp. 208. 
 
 Uttararamacarita. Edited with Sanskrit notes by Isvaracandra 
 Vidyasagara. 3 ed. (?), Calcutta, 1876, pp. 15 + 246. 
 
 Uttararamacarita, with a commentary called Bhavabodhi by 
 Ramacandra Budhendra. Madras, 1881. [In Grantha 
 characters.] 
 
 Uttararamacarita, with extracts from two Sanskrit commen- 
 taries and notes in English by K. B. Mande. Poona, 1 88 1 , 
 
 PP- 75 + 17. 
 Uttararamacarita. Edited by J. Vidyasagara. 1° ed., Calcutta, 
 
 1881 ; 2° ed., 1889, pp. 268. 
 Uttararamacarita, edited with copious Sanskrit and English notes 
 
 by S. G. Bhanap. i°ed., Bombay, 1888, pp. 212 ; 2° ed., 
 
 1893, pp. 218. 
 Uttararamacarita, with Sanskrit commentary by Pandit B. S. 
 
 Ghate, together with a close English translation and notes 
 
 by V. S. Patvardhan. Nagpur, 1895, 12 -f 192 + 47. 
 Uttararamacarita. With the commentary of Viraraghava. Edited 
 
 by T. R. Ratnam Aiyar and K. P. Parab. i° ed., Bombay, 
 
 1899, pp. 174; 2°ed., 1903, pp. 174. 
 Uttararamacarita. Sanskrit text with a commentary by Laksmana 
 
 Suri. Kumbhakonam, 1900, pp. 209. 
 Translations. A. English. Uttararamacarita. Translated by 
 
 Wilson, i, pp. 275-384.
 
 Bilhana 3 1 
 
 Uttararamacarita, a literal translation from the original Sans- 
 krit by H. Mukhopadhyaya. Calcutta, 187 1, pp. 84. 
 
 Uttararamacarita. Translated into English by C. H. Tawney. 
 i° ed., Calcutta, 1 871, pp. 81 ; 2° ed., 1874, pp. 101. 
 
 Uttararamacarita. An English Translation by K. K. Bhatta- 
 charya. Calcutta, 1891, pp. 142. 
 
 B. French Le Denouement de l'histoire de Rama, Outtara 
 
 Rama Charita, drame de Bhavabhouti, traduit avec une intro- 
 duction sur la vie et les oeuvres de ce poete par F. Neve. 
 Brussels and Paris, 1880. 
 
 C. Hindi. Uttar Ram Carita, by L. Sita Rama. Allahabad, 
 
 1899, pp. 96. Our Ancient Theatre, no. 2. 
 
 D. Tamil. Kusulava nataka by Binadhitten, a translation of the 
 
 Uttararamacarita, Cat. Mack. Coll. p. 218. 
 
 General Criticism of Bhavabhuti. Borooah, Anundoram. Bha- 
 vabhuti and his Place in Sanskrit Literature. Calcutta, 
 1878, pp. 64. 
 
 Banerjea, K. M. Bhavabhuti in English Garb. In I A. 1 (1872), 
 
 pp. I43-H7- 
 Bhandarkar, R. G. Bhavabhuti' s Quotation from the Ramayana. 
 
 In IA. 1 (1873), pp. 123. 
 Schuyler, Montgomery, Jr. A Bibliography of the Plays of 
 
 Bhavabhuti and of Krsnamisra. In JAOS. 25 (1904), pp. 
 
 189-196. 
 
 Bhavanapurusottama see Srinivasatiratrayajin. 
 
 Bhiksatana (?) A 1. p. 412. 
 
 Bhimata Kalinjarapati wrote five plays (A 1. p. 413), one 
 of which was Svapnadasanana. 
 
 Bhimavikrama see Moksaditya. 
 
 Bhojarajasaccarita or Bhojasaccarita see Vedantavagisa. 
 
 Bhubhatta Angada A 1 . p. 4. 
 
 Bilhana, son of Jyesthakalasa, (middle of the eleventh cen- 
 tury ; mentioned in the Rajatarangini, 7. 938) Karna- 
 sundarl natika A 1. p. 82 = 3 Mss. 
 
 Idem Karnasundarl, a drama in four acts. Edited by Durga-
 
 3 2 Bilhana 
 
 prasada and Parab. Bombay, 1888, pp. 6 + 56. Kavya- 
 
 mala, no. 7. 
 Idem Karnasundarl, translated into Marathi by V. Sastri. 
 
 Bombay, 1891. 
 Bindumadhava Kampanipratapamandana, a short drama. 
 
 Poona, 1881-82, pp. 26. In Kavyetihasasamgraha, 4, 
 
 no. 12 ; 5, no. 1. 
 Bindumati durmallika mentioned in SD. 553. 
 Brhannataka, probably the Mahanataka, A 1. p. 376. 
 Brhatsabhadraka prahasana mentioned in RS. 
 
 Caitanyacandrodaya see Kavikarnapura. 
 
 Candakausika see Ksemi^vara. 
 
 Candlvilasa see Rudra^arman. 
 
 Candrabhiseka A 1. p. 182 = TT. 64. 
 
 Candragomin (7th century) Lokananda L. app. p. 80. There 
 
 is a Tibetan translation, according to Levi, app. p. 56. 
 Candraka, a playwright mentioned in Rajatarangini 2. 16. 
 Candrakala see Narayana Kavi and ViSvanatha Kaviraja. 
 Candrakalaparinaya see Nrsimha Kavi. 
 Candraprabha natika A 1. p. 181 = 3 Mss.; A 2. p. 199. 
 Candrarekhavidyadhara A I . p. 181. 
 CandraSekhara, father of Visvanatha, author of the Sahitya- 
 
 darpana, Puspamala quoted in SD. 282. 
 CandraSekhara Rayaguru, son of Gopinatha, Madhurani- 
 
 ruddha, a drama in eight acts, A 1. p. 426; CS. 241. 
 
 Analyzed by Wilson, 2, pp. 396-399. 
 Idem Mathuranataka A 1. p. 422, probably the same. 
 Candrasekharavilasa see Shahji. 
 Candravilasa see Gangadhara. 
 Chalitarama A 1. p. 192. 
 
 Chata Yati (16th century) Vasantikaparinaya A 1. p. 566. 
 Chayanataka see Vitthala. 
 Citrabharata see Ksemendra. 
 Citrayajna see Vaidyanatha Vacaspati.
 
 Dharma Pandita 33 
 
 Cittavrttikalyana see Nalladiksita. 
 
 Cokkanatha, son of Tippa (beginning of 1 8th century), Kan- 
 
 timatiparinaya A 1. p. 92. 
 Idem Rasavilasa bhana A 2. p. 116. 
 Cola see Varadacarya. 
 Cudamaninataka A 1. p. 189. 
 Cudamani Srngarasarvasva bhana quoted in his Kavya- 
 
 darpana (cf. A 2. p. 158). 
 Cudamani DIksita Anandaraghava (a drama, A 2. p. 1 89) 
 
 A 1. p. 48 = 6 Mss. 
 Idem Kamalinikalahamsa A 1. p. 81 = 12 Mss.; A 2. pp. 
 
 15, 191 ; A3, p. 18; Hz. 3. 1580. 
 Idem Rukminikalyana A 1. p. 527 = 4 Mss. and 2 Com.; 
 
 A 2. p. 123. 
 
 Dadima Bhatta Lingadurbheda A 1. p. 544 (cf. L. app. 
 
 p. 80). 
 Damacarita or Sridamacarita see Samaraja DIksita. 
 Damaruka see Ghanasyama. 
 Damodara Kamsavadha A 1. p. 77. 
 Damodara Mi^ra (redactor of the older recension of the 
 
 Mahanataka of Hanuman) Vanlbhusana. Edited by 
 
 Sivadatta and Parab. Bombay, 1895, pp. 7 + 53. Kav- 
 
 yamala, no. 53. 
 Danakeli see Rupa Gosvamin. 
 
 Danakelikaumudl see Mahadeva and Rupa Gosvamin. 
 Dandin see Uddandin. 
 DevadurgatI see Rammoy. 
 Devimahadeva ullapya mentioned in SD. 545. 
 Dhanamjayavijaya (?) SCBen. 266. 
 Dhanamjayavijaya see Kancanacarya and Ya^odhana. 
 Dharmagupta, son of Ramadasa, wrote in 1360, Ramanka 
 
 natika A 1. p. 268. 
 Dharma Pandita or Dharmasuri, son of Parvatesvara, Na-
 
 34 Dharma Pandita 
 
 rakasuravijaya vyayoga (also called Narakasuravadha, 
 
 Narakasuradhvamsa, or Narakadhvamsa) A i. p. 277 = 8 
 
 Mss.; A 2. p. 60 = 5 Mss ; 10. 7. 4185. 
 Idem Narakasuravijaya vyayoga. 2° ed., Madras, 1884, 
 
 pp. 166. 
 Dharmaraja Sabhapativilasa A 1. p. 696. 
 Dharmavijaya see Sukla Bhudeva. 
 Dhurta( = Dhurtasamagama) see Jyotirisvara. 
 Dhurtacarita prahasana mentioned in SD. 536. 
 Dhurtanartaka see Samara ja. 
 Dhurtasamagama see Jyotirlsvara. 
 Dhurtavidambana see Mahe^vara. 
 Dindima Kavi Somavalllyogananda prahasana A 1. p. 736 
 
 = 2 Mss. 
 Idem Somavalllyogananda. Edited by S. P. V. Ran- 
 
 ganadhasvami Ayyavaralugaru. Vizagapatam, 1895. 
 
 Grandha Pradarsani, fasc. 1-2. 
 Draupadlparinaya see Krsna Suri. 
 
 Drgbhavat Nllaparinaya A 1. p. 302 (cf. L. app. p. 76). 
 Dutangada see Subhata. 
 
 Gairvanivijaya see Bala Kavi. 
 
 Gangadhara (14th century) Candravilasa A 2. p. 36. 
 
 Idem Gangadasapratapavilasa or Pratapavilasa IO. 7. 4194 
 
 (Analyzed). 
 Idem Raghavabhyudaya A 1. p. 500= 2 Mss. 
 Gangavatarana A 3. p. 30. 
 Gaurldigambara see Sankara Mi^ra. 
 Ghana^yama, son of Mahadeva, (cf. E. Hultzsch, in Hz. 3. 
 
 pp. ix-xi) Anandasundaii sattaka Hz. 3. 2142. 
 Idem Damaruka. Com. by Candrasekhara, son of Ghana- 
 
 syama, Hz. 3. 1674. 
 Idem Kumaravijaya A 3. p 38 ; Hz. 3. 1682. 
 Idem Madanasamjivana Hz. 3. 1679. 
 Idem Navagrahacarita Hz. 3. 1571.
 
 Hanuman 3 5 
 
 Idem Pracandarahudaya. Com., Hz. 3. 1675. 
 Girvanendra, son of Nilakantha Diksita, Srngarakosa bhana, 
 
 mentioned in preface to Patanjalicarita in Kavyamala, no. 
 
 51, p. 22. 
 Gitadigambara see VamSamani. 
 Godaparinaya see KeSavanatha. 
 Godavarlparinaya A 1. p. 159. Probably the same as the 
 
 Godaparinaya. 
 Gokulanatha Amrtodaya A 1. p. 29 ; A 3. p. 7. 
 Idem Amrtodaya nataka, edited by Sivadatta and Parab. 
 
 Bombay, 1897, pp. 5 + 72>. Kavyamala, no. 59. 
 Idem Madalasa A 2. p. 97 = 1 Ms. and 1 Com. 
 Gopala Bhatta Sanandagovinda A 1. p. 707 (cf. L. app. p. 81). 
 Gopaladasa Parijataharana A 1. p. 335 = 2 Mss. 
 Gopalalllarnava see Govinda. 
 
 Gopalaraya Srirangaraja bhana A 2. p. 160 = 2 Mss. 
 Idem Srngaramanjari bhana A 2. p. 158. 
 Gopicandana A 1. p. 163. 
 Gopinatha Pandita Kautukasarvasva prahasana A 1 . p. 1 3 1 = 
 
 TT. 65 ; A3, p. 28. Analyzed by Wilson, 2, pp. 410- 
 
 412, and by Cappeller in Gurupujakaumudl, Festgabe fur 
 
 Weber, Leipzig, 1896, pp. 59-62. 
 Gosayatra see Sitalacandra. 
 Govardhana, a playwright, DR. intr. p. 30 n. 
 Govinda Gopalalllarnava bhana A 1. p. 163. 
 Idem Vinatananda vyayoga A 1. p. 576. 
 Govinda Kavibhusana Samrddhamadhava A 3. p. 36. 
 Govinda vallabha A 1. p. 169. 
 Gundarama Misrabhana L. app. p. 78. 
 Gururamakavi Subhadradhanamjaya A 1. p. 728 = 9 Mss. 
 
 H 
 
 Hanuman. 
 
 Mahanataka. This play exists in two recensions, an older one 
 by Damodara, explained by Mohanadasa, and a more recent 
 one by Madhusudana.
 
 $6 Hanuman 
 
 Manuscripts. A i. p. 438 = 54 Mss. and 2 Com. ; by Can- 
 drasekhara I, by Narayana I, by Balabhadra 4, by Mohana- 
 dasa 11; A 2. pp. 100, 216 = 7 Mss. and Com. by 
 Balabhadra 1, by Mohanadasa 4; CBMMS. 264, 265; 
 10. 7. 4145, 4146, 4147, 4148, 4149, 4150; TT. 59; 
 Com. by Mohanadasa, IO. 7. 4149; Com. by Candra- 
 sekhara, 10. 7. 4150. There was a Ms. in the posses- 
 sion of Sir Monier Williams. Analyzed by Wilson, 2, pp. 
 
 363-373- 
 Sitasvayamvara from the Mahanataka A 1. p. 723. 
 
 Text Editions. Mahanataka. [An edition in Bengali characters, 
 published before 1840. For the editor cf. J A. 3 series, 
 13 (1842), p. 510, and Gildemeister, Bibl. Sans., p. 95.] 
 
 Mahanataka. A dramatic history of King Rama. Translated 
 into English and edited by K. K. Bahadur. Calcutta, 1840, 
 2 pts., pp. 108 + 117. 
 
 Mahanataka. Drama on th» deeds of Rama ascribed to Hanu- 
 man. Edited in the Bengali version by Isvaracandra and 
 Kallnatha. Calcutta, 1844, pp. 229. 
 
 Hanuman-Nataka in Damodara's recension. With Mohanadasa's 
 commentary. i° ed., Bombay, i860, pp. 107 ; 2° ed., 1886, 
 pp. 241. 
 
 Hanuman Nataka. The story of the Ramayana dramatized in 
 Damodara's version and divided into 14 acts. With Mo- 
 hanadasa's commentary. i° ed., Bombay, 1863, pp. 122 ; 
 2° ed., 1864, pp. 93. 
 
 
 
 Mahanataka by Hanuman, edited by R. Siromani with a short 
 commentary of his own. Calcutta, 1870, pp. 2 -f 176. 
 
 Mahanataka in 9 acts. Compiled by Madhusudana. Edited by 
 J. Vidyasagara. i° ed., Calcutta, 1878, pp. 127; 2° ed., 
 1890, pp. 450. 
 
 Mahanataka, with a commentary by Misra Mohana. Bombay, 
 1886, pp. 241. 
 
 Translations. Mahanatak. In Sanskrit and Bengali, drama- 
 tized (?) by Ramgati Kabiratna. i° ed., Calcutta, 1849; 
 2° ed., 185 1, pp. 229.
 
 Harsadeva 37 
 
 Mahanataka. Translated into English by Raja Kali Krishna. 
 
 Calcutta, no date. 
 Hanuman nataka, translated into Hindustani. Lahore, 1877, pp. 
 192. 
 
 Haracaparopana A 1. p. 754. 
 
 Haragaurlvivaha see Jagajjyotirmalla. 
 
 Harakeli see Vigraharajadeva. 
 
 Hari (Acarya) Janaklglta A 3. p. 44. 
 
 Haridasa Harivilasa bhana A 2. p. 183. 
 
 Idem Puranjana A 1. p. 339. 
 
 Hariduta chayanataka A 1. p. 757. Analyzed by Levi, p. 
 
 242. 
 Harihara, a Maithila, Bhartrharinirveda A 1. p. 397. 
 Idem Bhartrharinirveda. Edited by Durgaprasada and Parab. 
 
 i° ed., Bombay, 1892, pp. 3 -f 28 ; 2° ed., 1900. Kavya- 
 
 mala, no. 29. 
 Idem The Bhartrharinirveda of Harihara, now first trans- 
 lated from the Sanskrit and Prakrit by Louis H. Gray. 
 
 In JAOS. 25 (1904), pp. 197-230. 
 Idem Bhartrharinirveda. Analyzed in The Niti and Vairagya 
 
 Satakas of Bhartrhari, by Gopi Nath, Bombay, 1896, 
 
 pp. 19-24. 
 Idem Prabhavatiparinaya A 1. p. 354. 
 Hariharanusaranayatra see Nrsimha Bhatta. 
 Harijivana Mi§ra Vijayaparijata A 1. p. 570. 
 Hariscandrayasascandracandrika A 1. p. 761. 
 Harivilasa see Haridasa. 
 
 Harsadeva. 
 
 Nagananda nataka. Manuscripts. A 1. p. 283 = 16 Mss. and I 
 Com. ; by Atmarama 1 ; A 2. p. 61 = 3 Mss ; A 3. p. 61 = 
 3 Mss.; Hz. 3. 1610; 10. 7. 4161. Cf. also the preface 
 to Boyd's edition of the Nagananda. 
 
 Text Editions. Nagananda. A Sanskrit Drama by Dhavaka. 
 Calcutta, 1864.
 
 38 Harsadeva 
 
 Nagananda, a Sanskrit drama in five acts. Edited by M. Ghosha 
 and K. Bhattacarya. Calcutta, 1864, pp. 74+ 19. 
 
 Nagananda, with a Marathi translation. Edited with a preface 
 in Marathi by K. S. Chipalunakar. Bombay, 1865, pp. 
 2 -f 206. 
 
 Nagananda. Edited by J. Vidyasagara. i° ed., Calcutta, 1873 ; 
 2° ed., 1886, pp. 138. 
 
 Nagananda. Edited with a commentary by N. C. Kaviratna 
 and N. C. Siromani. Calcutta, 1886. 
 
 Nagananda. Text with notes by Pandit N. C. Vidyaratna and 
 with translations into English and Bengali by a Professor of 
 the Presidency College. Calcutta, 1887, pp. 324. 
 
 Nagananda, a Sanskrit Drama by King Sri-Harsha. Edited with 
 copious Sanskrit and English notes by S. G. Bhanap. Bom- 
 bay, 1892, pp. 18 -f 91 4- 40. 
 
 Nagananda, edited with an introduction and notes by G. B. 
 Brahme and S. M. Paranjape. Poona, 1893, pp. 27 4- 105 
 4- 80. 
 
 Translations. A. English. Nagananda, or the Joy of the 
 Snake World, a Buddhist Drama in Five Acts. Translated 
 into English Prose, with explanatory notes, from the San- 
 skrit of SrI-Harsha-Deva by Palmer Boyd. With an Intro- 
 duction by Professor Cowell. London, 1872, pp. 14 -f 99- 
 
 B. French. Nagananda. La Joie des Serpents, drame boud- 
 
 dhique traduit du Sanskrit et du Prakrit par Abel Bergaigne. 
 Paris, 1879, pp. 16 4- 44. Bibl. Orient. Elzevir., no. 27. 
 
 C. Italian. Amori di Indiani. L'atto secondo del drama di 
 
 Dhavaka che e detto Nagananda o la Allegria de' serpenti. 
 
 Da Emilio Teza. Pisa, pp. 16. 
 Nagananda, o il Giubilo dei Serpenti. Traduzione di Francesco 
 
 Cimmino. Palermo, 1903, pp. 63 -f 167. 
 Criticism. Beal, S. The Nagananda, a Buddhist drama. In The 
 
 Academy, Sept. 29, 1883, vol. 24, pp. 217-218. 
 Cimmino, Francesco. Sul Dramma Nagananda, o il Giubilo dei 
 
 Serpenti. In Atti della Reale Accademia di Archeologia, 
 
 Lettere e Belle Arti (di Napoli), 22 (1902), pp. 155-182.
 
 Harsadeva 39 
 
 Cimmino, Francesco. Une communication sur le drame Naga- 
 nanda. In Verh. des 1 3. intern. Orientalisten-Kongr. (1902), 
 Leiden, 1904, pp. 31-32. 
 
 Priyadarsika natika. Manuscripts. A 1. p. 364 = 1 1 Mss. ; A 3. 
 
 p. 78 ; Hz. 3. 1609. 
 Text Editions. Priyadarsika. Without place or date (about 
 
 1870), pp. 56. 
 Priyadarsika. A drama in four acts by Sri Harsha. Edited 
 
 with notes by J. Vidyasagara. Calcutta, 1874, pp. 61. 
 Priyadarsika. Edited by V. D. Gadre with English notes and 
 
 Prakrita Chaya. Bombay, 1884, pp. 94. 
 Translation. Priyadarsika, piece en quatre actes, traduite par G. 
 
 Strehly. Precedee d'un prologue et d'une introduction. 
 
 Paris, 1888, pp. 88. Bibl. Orient. Elzevir., no. 58. 
 Criticism. Cimmino, Francesco. II terzo atto del dramma 
 
 indiano Priyadarcika. In Atti dell' Accademia Pontaniana, 
 
 31 (1902), pp. 1 -1 8. 
 
 Rat: avail natika. Manuscripts. A 1. p. 492 = 37 Mss. and I 
 Com. ; by Bhlmasena 2, translation of the Prakrit passages 
 by Mudgaladeva 1 ; A 2. p. 115 = 8 Mss. and Com. by 
 Govinda 2, Prakrtachaya 2 ; CBMMS. 275 ; CS. 257 ; 
 Hz. 3. 1608; 10. 7. 4159, 4160; TT. 65; Com., SCBen. 
 290. 
 
 Text Editions. Ratnavall. With a commentary explanatory of 
 the Prakrit passages. Calcutta, 1832, pp. 106. 
 
 Ratnavall. Edited with a translation of the Prakrit passages into 
 Sanskrit by Taranatha Sarman. Calcutta, 1864, pp. 66. 
 
 Ratnavall. By Sriharsadeva. Text. Bombay, 1868, pp. 74. 
 
 Ratnavall. Edited by N. C. M. Vidyaratna. With notes ex- 
 planatory of the difficult passages. Calcutta, 1871, pp. 
 4+ 122. 
 
 Ratnavall, edited with a commentary by J. Vidyasagara. Cal- 
 cutta, 1876, pp. 124. 
 
 Ratnavall, herausgegeben von C. Cappeller, in O. von Bohtlingk, 
 Sanskrit Chrestomathie, St. Petersburg, 1877, pp. 290-329.
 
 40 Harsadeva 
 
 Ratnavali, edited with notes by N. B. Godabole and K. P. 
 
 Parab. i° ed., Bombay, 1882, pp. 102; 2° ed., 1890, 
 
 pp. 112. 
 Ratnavali, edited by K. P. Parab and V. S. Josl. Bombay, 1888, 
 
 pp. 81. 
 Ratnavali, published with Siddhanta Bindu by V. S. Aiyar. Kum- 
 
 bhakonam, 1893, pp. 212. Advaitamanjarl Series, no. 3. 
 Ratnavali, with the commentary of Govinda, edited by K. P. 
 
 Parab. Bombay, 1895. 
 Ratnavali. Text with a commentary by K. N. Nyayapancanana. 
 
 Calcutta, 1900, pp. 198. 
 Ratnavoli, edited by Sris Chandra Chakravarti. Containing the 
 
 text, a Sanskrit commentary, English and Bengali transla- 
 tions, etc. Dacca (Bengal), 1902, pp. 387. 
 Translations. A. English. Ratnavali, or the Necklace. 
 
 Translated by Wilson, 2, pp. 255-319. 
 
 B. German. Ratnavali, oder die Perlenschnur, zum ersten 
 
 Male ins Deutsche ubersetzt von Ludwig Fritze. Chemnitz, 
 1878. In his Indisches Theater, vol. 2. 
 
 C. Swedish. Ratnavali, eller Parlbandet. Fran Sanskrit 6f- 
 
 versatt af H. Andersson. Wexio, 1892, pp. 76. 
 
 D. Italian. Ratnavali, o la Collana di Perle, dramma indiano, 
 
 tradotto per la prima volta in italiano da Francesco Cim- 
 mino. Naples, 1894, pp. 199. 
 
 E. Bengali. Ratnabali. Translated from the Sanskrit into 
 
 Bengali by Nilmani Pal. Calcutta, no date. 
 
 F. Ma rat hi. Lalitawatsaraj, a Marathi translation of the 
 
 Ratnavali of £riharsadeva, by V. S. Islampurkar. Bom- 
 bay, 1889, pp. 115+ 109. 
 
 G. Canarese. Rathnavali, a tale in Canarese founded on 
 
 Sriharsa Dava's [sic] Sanskrit drama. Bangalore, 1884, pp. 
 
 44. 
 Criticism. Buhler, Georg. On the Authorship of the Ratnavali. 
 
 In IA. 2 (1873), pp. 127-128. 
 Hall, F. [References to the Ratnavali.] In the preface to his 
 
 Vasavadatta, Calcutta, 1859, pp. 15-18.
 
 Hrdayavinoda 41 
 
 Meyer, J. J. Damodaragupta's Kuttanlmatam (Lehren einer Kup- 
 plerin). Leipzig, 1903, pp. 143-144. [Description of the 
 performance of part of the first act of the Ratnavali. The 
 text was printed in Kavyamala, part 3 (1887), pp. 3 2— III]. 
 
 Vidyabhusan, S. C. Date of the Ratnavali. In Maha-Bodhi, 
 12. 
 
 General Criticism of Harsadeva. Beames, John. Chand's men- 
 tion of Sri Harsha. In IA. 2 (1873), p. 240. 
 
 Jackson, A. V. Williams. Time Analysis of Sanskrit Plays. Sec- 
 ond Series. The Dramas of Harsha. In JAOS. 21 (1900), 
 pp. 88-108. 
 
 Pischel, R. Adhyaraja. In Nachr. der Konig. Ges. der Wiss. 
 zu Gottingen, Philol.-Hist. Klasse, 1901, pp. 485-487. 
 
 Ram Das Sen. Chand's mention of Sri Harsha. In IA. 2 
 (1873), p. 240, and 3 (1874), p. 31. 
 
 Schuyler, Montgomery, Jr. The Origin of the Vidusaka, and the 
 employment of this character in the plays of Harsadeva. 
 In JAOS. 20 (1899), pp. 338-340. 
 
 Schuyler, Montgomery, Jr. A Bibliography of the Plays attrib- 
 uted to Harsadeva. In Verh. des 13. intern. Orientalisten- 
 Kongr. (1902), Leiden, 1904, pp. 33-37. 
 
 Telang, K. T. Kalidasa, Sri Harsha, and Chand. In IA. 3 
 (1 874), pp. 81-83. 
 
 * 
 
 Telang, K. T. Kalidasa and Sri Harsha. In I A. 4 (1875), pp. 
 84-85. 
 
 Harsanatha Sarman Usaharana. A modern copy in the 
 
 hands of Mr. Grierson. 
 Hastimalla, a Jain, Anjanapavanamjaya L. app. p. y^. 
 Hastimallasena, a Jain, Arjunaraja A 1. p. 30. 
 Idem Bharataraja A 1. p. 396. 
 Idem Maithillparinaya A 1. p. 468. 
 Idem Meghesvara A 1. p. 466. 
 Hasyacudamani sec Vatsaraja. 
 Hasyaratnakara mentioned in DR. intr. p. 3c. 
 Hasyarnava see Jagadisvara. 
 Hrdayavinoda sec Kavi Pandita.
 
 42 Indiraparinaya 
 
 Indiraparinaya A i. p. 58. 
 Indiraparinaya see Viraraghava. 
 Indumatiparinaya A 1. p. 59. 
 
 J 
 
 JagadlSvara Hasyarnava prahasana A 1 . p. 766 = 9 Mss. and 
 
 Com. by Mahendranatha 1 ; A 2. p. 237 ; A 3. p. 1 5 8 ; 
 
 10. 7. 4191, 4192, 4193 (with an English translation); 
 
 TT. 62. Analyzed by Wilson, 2, pp. 408-409. 
 Idem Hasyarnava. [An edition published in 1835; cf. 
 
 Aufrecht, Cat. Codd. Sanscr. Bibl. Bodl., Oxford, 1864.] 
 Idem Hasyarnava. The verse of the original Sanskrit 
 
 comedy with a Bengali translation of the whole work. 
 
 Calcutta, 1840, pp. 116. 
 Idem Hasyarnava, ed. C. Cappeller. [Jena, 1883], pp. 28. 
 
 [Autographed.] 
 Jagajjyotirmalla (wrote in 1629) Haragaurlvivaha L. app. 
 
 p. 82. 
 Jaganmohana L. app. p. 75. 
 Jagannatha, son of Pltambara, Atandracandrika A 1 . p. 6 = 
 
 2 Mss. ; A 2. pp. 2, 186. 
 Jagannatha Pandita Anangavijaya bhana A 1. p. 12 ; Hz. 3. 
 
 1776. 
 Idem Ratimanmatha Hz. 3. 1604. 
 Idem Vasumatlparinaya A 1. p. 557. 
 Jagannathavallabha see Ramananda. 
 Jaitrajaivatrka see Narayana Sastrin. 
 
 Jamadagnyajaya, a vyayoga or subject of a vyayoga men- 
 tioned in DR. 3. 55. 
 Jambavatlkalyana see Krsnaraya. 
 Janaklglta see Hari. 
 Janaklparinaya A 1. p. 206 = 2 Mss. 
 Janaklparinaya see Narayana Bhatta, Ramabhadra Diksita, 
 
 and Sitarama.
 
 Jyotirlsvara 43 
 
 Janakiraghava quoted in SD. 371, and by Ramanatha in 
 
 his Trikandaviveka. 
 Jatavedas Purnapurusarthacandra A 1. p. 343 ; A 2. p. 76. 
 
 Jayadeva, son of Mahadeva. 
 
 Prasannaraghava. Manuscripts. A 1. p. 359= 46 Mss. and 1 
 Com. ; A 2. pp. 81, 211 = 7 Mss. and Com. by Raghunan- 
 dana 1; CS. 237, 238; Hz. 3. 1576; IO. 7.4158. 
 
 Text Editions. The Prasannaraghava. Edited by G. D. Sastri. 
 Benares, 1868, pp. 165. 
 
 Prasannaraghava. Edited by J. Vidyasagara. Calcutta, 1872, 
 pp. 168. 
 
 Prasannaraghava. Edited by R. S. Va villa. i° ed., Madras, 
 1874, pp. 126 ; 2° ed., 1882, pp. 82 ; 3 ed., 1890, pp. 82. 
 
 Prasannaraghava. Edited by K. P. Parab. Bombay, 1893, 
 pp. 146. 
 
 Prasannaraghava. Edited with introduction and notes by S. R. 
 Khopakar, with the commentary of Vyankatacarya. Bom- 
 bay, 1894, pp. 412. 
 
 Prasannaraghava. Edited with introduction and notes by S. M. 
 Paranjape and N. S. Panse. Poona, 1894, 2 pts., pp. 209 + 
 106. 
 
 Jayanta Bhatta Sanmata A3, p. 43. 
 
 Jivananda A 1. p. 208. 
 
 Jivananda Jyotirvid Mangalanataka, an original mytho- 
 logical play in nine acts, on the greatness of Devi, in 
 Sanskrit and Hindi. Benares, 1887, pp. 137. 
 
 Jlvanandana see Anandaraya. 
 
 Jivanmuktikalyana sec Mallasomayajin and Nalladiksita. 
 
 Jivarama Yajnika Murarivijaya CS. 250. 
 
 JIvavibudha (before the second half of the seventeenth cen- 
 tury) Nalananda A 1. p. 280. 
 
 Jnanasuryodaya see Vadicandra. 
 
 Jyotirlsvara KaviSekhara, 
 son of Dhlresvara, (second half of fifteenth century). 
 
 Dhurtasamagama prahasana A 1. p. 272 = 8 Mss.; A 2. pp.
 
 44 JyotirlSvara 
 
 59=2 Mss. ; SCBen. 288; IO. 7. 4201. Analyzed by 
 
 Wilson, 2, p. 408. 
 Text Editions. Dhurtasamagama, herausgegeben von Carl Cap- 
 
 peller. [Jena, 1883], pp. 16. [Autographed.] 
 Dhurtasamagama, comoedia e cod. Parisiensi Sanskrite cum 
 
 annotationibus edidit Chr. Lassen. In Anthologia Sanscri- 
 
 tica, Bonn, 1838, pp. 68-96, 1 16-130. 
 Translations. A. French. Dhurtasamagama, piece de theatre 
 
 hindou, traduite du Sanscrit par Ch. Schoebel. Without 
 
 place or date, pp. 24. 
 B. Italian. Dhurtasamagama, ossia il congresso de' bricconi. 
 
 Farsa di Giotirisvaro. In Teatro scelto indiano tradotto dal 
 
 Sanscrito da Antonio Marazzi, vol. 2, Milan, 1874, pp. 
 
 189-231. [Published originally in the Giornale Napolitano 
 
 di Filosofia e Lettere, Aug.-Sept, 1872.] 
 
 Kadamba Ramakrsna Aditikundalaharana A 2. p. 2 = 2 
 
 • • • • • • 1 
 
 Mss. 
 Kadambarirama, a playwright, A 1. p. 92. 
 Kalananda see Ramacandra Kavi. 
 Kalavatlkamarupa A 1 . p. 84. 
 Kaleyakutuhala see Bharadvaja. 
 
 Kalidasa. 
 
 Malavikagnimitra. Manuscripts. A 1. pp. 453-454 = 40 Mss. 
 and 3 Com. ; by Katayavema 2, by Viraraghava I ; A 2. pp. 
 104, 217 = 4 Mss. and Com. by Katayavema 2, by 
 Nilakantha 2 ; A 3. p. 98 = 3 Mss. ; CS. 245, 246 ; Hz. 3. 
 1574; IO. 7. 4122; TT. 67. Analyzed by Wilson, 2, p. 
 
 345- 
 Text Editions. Malavikagnimitra. Textum primus edidit et vari- 
 
 etatem scripturae adjecit O. F. Tullberg. Vol. 1, Bonn, 
 
 1840, pp. 9 + 108. 
 Malavikagnimitra. Bombay, 1868, pp. 4 + 89. 
 Malavikagnimitra. Edited with notes by S. P. Pandit. i° ed.,
 
 Kalidasa 45 
 
 Bombay, 1869, pp. 39 4- 164 ; 2° ed., with the commentary 
 
 of Katayavema, 1889, pp. 35 + 230. Bombay Sanskrit 
 
 Series, no. 6. 
 Malavikagnimitra. Edited with Notes by T. Tarkavacaspati. 1 ° 
 
 ed., Calcutta, 1870, pp. 165. 2° ed., 1887, pp. 148. 
 Malavikagnimitra. Mit kritischen und erklarenden Anmerkungen 
 
 herausgegeben von F. Bollensen. Leipzig, 1879. 
 Malavikagnimitra, with the commentary named Kumaragirirajiya 
 
 of Katayavema. Vizagapatam, 1884, pp. 133. 
 Malavikagnimitra. Edited with an original commentary by 
 
 Mrityunjaya Nissanka. Madras, 1885, pp. 262. 
 Malavikagnimitra. Little Conjevaram, 1886, pp. 64. 
 Malavikagnimitra. Sanskrit text with full notes in English by 
 
 M. C. Sadagopachariar. Bombay, 1889. 
 Malavikagnimitra, edited with the commentary of Katayavema 
 
 and with explanatory English notes by K. P. Parab. Bom- 
 bay, 1890, pp. 153. 
 Malavikagnimitra. Edited with the commentary of Katayavema. 
 
 Bombay, 1891, pp. 112. 
 Malavikagnimitra. With the commentary of Katayavema. 
 
 Edited with explanatory English notes. Bombay, 1891, 
 
 pp. 158. 
 Malavikagnimitra, with the commentary of Katayavema and 
 
 several others embodied therein, edited with critical notes 
 
 and translation by S. S. Ayyar. Poona, 1896, pp. 303. 
 Malavikagnimitra, edited with a close English translation by S. 
 
 B. Bhagvat. Poona, 1897, pp. 126. 
 Malavikagnimitra. Edited with a commentary, notes, and trans- 
 lation by M. C. Satakopacari. Kumbhakonam, 1900, pp. 
 
 152. 
 Translations. A.English. Malavikagnimitra, translated into 
 
 English prose by C. H. Tawney. i° ed., Calcutta, 1875, 
 
 pp. 93; 2° ed., 1891, pp. 121. 
 Malavikagnimitra, translated into English prose by G. R. Nan- 
 
 dargikar. Poona, 1879, pp. 53. 
 B. French. Malavika et Agnimitra. Traduit pour la premiere
 
 46 Kalidasa 
 
 fois en francais par P. E. Foucaux. Paris, 1877, pp. 1 1 4- 
 118. Bibl. Orient. Elzevir., no. 14. 
 Malavikagnimitra. Agnimitra et Malavika, comedie en cinq actes 
 et un prologue, melee de prose et de vers, traduite du San- 
 scrit et du pracrit par Victor Henry. Paris, 1889, pp. 12 + 
 1 10. (Extr. des Mem. de la Soc. des Sciences de Lille.) 
 
 C. German. Malavika und Agnimitra, ein Drama des Kali- 
 
 dasa in funf Akten, zum ersten Male iibersetzt von Albrecht 
 
 Weber. Berlin, 1856, pp. 48 4- 107. 
 Malavika und Agnimitra, metrisch iibersetzt von Ludwig Fritze. 
 
 Leipzig, 1 88 1, pp. 74. 
 Malavikagnimitra. Prinzessin Zofe. Ein indisches Lustspiel in 
 
 vier Aufziigen nebst einem Vorspiel, frei fur die deutsche 
 
 Biihne bearbeitet von Leopold von Schroeder. Munich, 
 
 1902, pp. 8 + 70. 
 
 D. Dutch. Danseres en Koning. Malavika en Agnimitra. 
 
 Tooneelstuk uit het Sanskret vertaald door J. van der Vliet. 
 Haarlem, 1882, pp. 132. 
 
 E. Swedish. Malavika. Ett indiskt skadespel. Fran Sanskrit 
 
 ofversatt af H. Edgren. Malmo, 1877. 
 
 F. Danish. Kongen og Danserinden. Lystspil i fern Akter. 
 
 Oversat af E. Brandes. Med tegninger af C. Thomsen. 
 Copenhagen, 1874. 
 
 G. Italian. Malavica ed Agnimitro. Dramma in cinque atti. 
 
 In Teatro scelto indiano, tradotto dal Sanscrito da Antonio 
 
 Marazzi, vol. 1, Milan, 1871, pp. 301-417. 
 Malavikagnimitra. Dramma indiano tradotto in italiano da Fran- 
 cesco Cimmino. Naples, 1897, pp. 11 4- 126. 
 H. Bohemian. Malavika a Agnimitra. Prelozil Zubaty. 
 
 Prague, 1893, pp. 102. Sbornik svetove poesie, no. 16. 
 I. Bengali. Malavikagnimitra, translated in Bengali by S. M. 
 
 Tagore. Calcutta, 1877. 
 J. Marat hi. Raja Agnimitra, a Marathi translation of the 
 
 Malavikagnimitra by V. S. Islampurkar. Bombay, 1889, 
 
 pp. 204. 
 Malavikagnimitra. Translated into Marathi by Rao S. N. G. 
 
 Raje. Bombay, 1895, pp. 156.
 
 Kalidasa 47 
 
 Sanglta Malavikagnimitra Natak, or the drama of Malavika and 
 Agnimitra in musical verse. Translated into Marathi by 
 B. G. Varde. Bombay, 1895, pp. 136. 
 
 K. Hindi. Malavikagnimitra. Translated from Sanskrit into 
 Hindi by Slta Rama. Cawnpore, 1899, pp. 70. 
 
 L. Gujarat i. Malavikagnimitra. Translated into Gujarati by 
 R. Udayarama. Bombay, 1870, pp. 109. 
 
 Criticism. Annotations on Sanskrit Classics. The Malavikag- 
 nimitra. In The Sanskrit Reader (Samskrtapathavali), Bom- 
 bay, 1884, vol. 2, pt. 4, pp. 48. 
 
 Bollensen, Friedrich. Beitrage zur Erklarung der Malavika. In 
 ZDMG. 13 (1859), pp. 480-490. 
 
 Cappeller, Carl. Observationes ad Kalidasae Malavikagnimitram. 
 Konigsberg, no date, pp. 33. 
 
 Cimmino, Francesco. Alcune osservazioni sul dramma Malavi- 
 kagnimitra. In Atti dell' Accademia Pontaniana, 33 (1904), 
 pp. 1-16. 
 
 Haag, Friedrich. Zur Texjeskritik und Erklarung von Kali- 
 dasa's Malavikagnimitra. Erster Teil. Auszug aus dem 
 Progr. der Kantonsschule pro 1871-72. Frauenfeld, 1872. 
 
 Schuyler, Montgomery, Jr. Bibliography of Kalidasa's Malavikag- 
 nimitra and Vikramorvasi. In J AOS. 23 ( 1 902), pp. 93-101. 
 
 Vliet, J. van der. Malavika-Manjulika. In Bijdrage voor de 
 taal- land- en volkenkunde van Nederlandsch Indie, 6. vol- 
 greeks, 5 (= 49), p. 169-170.) [On resemblances between 
 the Malavikagnimitra and the Kathasaritsagara.] 
 
 Weber, Albrecht. Zur Erklarung der Malavika. In ZDMG. 
 14 (i860), p. 261. 
 
 Sakuntala. Manuscripts. A 1. p. 23 = 88 Mss. and 4 Com. ; 
 by Abhirama 2, by Katayavema 6, by Krsnanatha Pan- 
 canana I, by Candrasekhara 2, by Damaruvallabha 1, by 
 Narayana 3, by Raghava 4, by Ramabhadra 1, by Sankara 1 , 
 by Srlnivasa 2 ; A 2. p. 5 = 6 Mss. and 3 Com. ; by Can- 
 drasekhara 1, by Raghava 2; A 2. p. 187 = 4 Mss. and 
 4 Com. ; by Raghava 1, by Vemabhupala ; A 3. p. 6 = 16
 
 48 Kalidasa 
 
 Mss. and i Com. ; by Abhirama 2, by Katayavema 2, by 
 Raghava 2, by Srinivasa 4, Prakrtachaya 2; CBMMS. 263 ; 
 Hz. 3. 1756; IO. 7. 4110, 4111, 4112, 4113, 4114, 4115, 
 41 16 ; TT. 60; Com. by Narayana, SCBen. 295 ; Com. by 
 Candrasekhara, 10. 7. 41 17, 41 18; Com. by Ghanasyama, 
 Hz. 3. 1656; Com., SCBen. 981, IO. 7. 41 19. 
 
 Text Editions. Sakuntala. Calcutta, 1761. [First printed 
 edition.] 
 
 La Reconoissance de Sacountala, drame Sanscrit et prakrit de 
 Calidasa, publie sur un manuscript unique de la Biblio- 
 theque du Roi, accompagne d'une traduction franchise, de 
 notes philologiques, critiques et litteraires, par A. L. Chezy. 
 i° ed., Paris, 1830. 2° ed., 1832. 
 
 Abhijnanasakuntala. With the commentary of Premacandra. 
 Calcutta, 1839, pp. 159. [In Bengali characters.] 
 
 Sakuntala. Neue Ausgabe in lateinischen Typen. (?) 
 
 Abhijnanasakuntala. Gauriya recension. Edited by P. C. Tar- 
 kavaglsa. i° ed., Calcutta, 1839, pp. 159; 2° ed., i860, 
 pp. 170. Reprinted with additional notes by R. S. Tarka- 
 ratna, Calcutta, 1864, pp. 190. 
 
 Kalidasa's Ring-Cakuntala. Herausgegeben, iibersetzt und mit 
 Anmerkungen versehen von O. Bohtlingk. Bonn, 1842, 
 large ed.; 1846, small ed. [Devanagarl recension.] 
 
 Sakuntala Recognized by the Ring, a Sanskrit drama in seven 
 acts. The Devanagarl recension of the text, with literal 
 English translations of all the metrical passages and notes 
 by M. Williams. i° ed., Hertford, 1853 ; 2° ed., Oxford, 
 1876. 
 
 Abhijnanasakuntala. Bombay, 1861. 
 
 Abhijnana Sakuntalam. Edited with notes by J. Tarkalamkara 
 and K. Tarkaratna and with a preface in Bengali by V. Ma- 
 jumdar. Calcutta, 1869, pp. 232. In Majumdar's Series. 
 
 Sakuntala. Edited by Jaganmohana Sarman and Kedaranatha. 
 Calcutta, 1869. 
 
 Abhijnana Sakuntala. Edited with a commentary by D . V. 
 Panta. Calcutta, 1871, pp. 2 -f 236.
 
 Kalidasa 49 
 
 Sacuntala annulo recognita, fabula scenica Calidasi. Textum 
 recensionis devanagaricae recognovit atque glossario sans- 
 critico et pracritico instruxit Carolus Burkhard. Breslau, 
 1872, pp. 12 + 112 + 227. 
 
 Abhijnanasakuntala, with Snnivasacarya's commentary, called 
 Sakuntalavayakhya. Edited by S. Tiruvenkatacarya and 
 V. Ramakrsnamacarya. Madras, 1874, pp. 6 -f 320. 
 
 Sakuntala. The Bengali Recension. With critical notes. Ed- 
 ited by R. Pischel. i° ed., Kiel, 1877, pp. 11 +210; 2° 
 ed., 1886, pp. 11 + 210. 
 
 Abhijnanasakuntala. Edited with notes and explanations by 
 Isvaracandra Vidyasagara. i° ed., Calcutta, 1880, pp. 
 262 ; 2° ed., 1887, pp. 293 ; 3 ed., 1889, pp. 256. 
 
 Sakuntala, with a commentary by Snnivasacarya. Madras, 1 88o, 
 pp. 6+326. 
 
 Sakuntala. With the commentary of Srinivasa Charlu. Mad- 
 ras, 1882, pp. 320. 
 
 Abhijnanasakuntala, with the commentary of Raghavabhatta. 
 Edited with English notes by N. B. Godabole and K. P. 
 Parab. i° ed., Bombay, 1883, pp. 331 ; 2° ed., 1889 (?) ; 
 3°ed.,i89i, pp. 374. 
 
 Abhijnana-Sakuntala, with the commentary of Raghavabhatta. 
 Edited by N. B. Godabole and K. P. Parab. i° ed., Bom- 
 bay, 1883, pp. 167; 2° ed., 1886, pp. 267; 3 ed., 1895, 
 pp. 267. 
 
 Sakuntala, with a commentary by P. Venkatacharia. Madras, 
 1883, pp. 345. 
 
 Sakuntala. Edited with notes and full explanations by K. N. 
 Nyayapancanana. i°ed., Calcutta, no date, pp. 335 ; 2° 
 ed., 1888, pp. 2 + SS7- 
 
 Abhijnanasakuntala. Bombay, no date, pp. 50. 
 
 Sakuntalanataka. Bombay, no date, pp. 98. 
 
 Abhijnanasakuntala. Edited with a close English translation and 
 various readings by P. N. Patankar. i° ed., Poona, 1889, 
 pp.473 ; 2° ed., 1902, pp. 358. 
 
 Abhijnanasakuntalam. In Bengali, English, and Sanskrit.
 
 50 Kalidasa 
 
 Edited by B. B. Gosvami. With notes and English and 
 Bengali translations. Calcutta, 1895, pp. 464. 
 
 Abhijnanasakuntala. With the commentary of Raghavabhatta. 
 Edited with an English translation, notes, and various read- 
 ings by M. R. Kale. i° ed., Bombay, 1898, pp. 397; 2 
 ed., 1902, pp. 397. 
 
 Abhijnanasakuntala, with an introduction, glossary, English and 
 Bengali translations and various readings. Edited by N. C. 
 Vidyaratna. Calcutta, 190 1, pp. 770. 
 
 Abhijnanasakuntala. Acts 1-5. Text, commentary, introduc- 
 tion, notes, and translation by T. E. Srinivasacariar and B. 
 S. K. Aiyar. Kumbhakonam, 1901, pp. 178 + 135. 
 
 Sakuntala, or the Fatal Ring ; a drama by Kalidasa, to which is 
 added Meghaduta, and Bhagavadglta. Edited with an in- 
 troduction by T. Holme. London, 1902, pp. 240. 
 
 Translations. A. English. Sacountala, or the Fatal Ring, 
 translated from the original Sanskrit and Prakrit [by Sir 
 William Jones]. i° ed., Calcutta, 1789, pp. 184; 2° ed., 
 London, 1790 ; 3 ed., London, 1792 ; 4 ed., Edinburgh, 
 1796, pp. 161. Reprinted at Calcutta, 1855; London, 1870; 
 Calcutta, 1887, 1899, pp. 74. 
 
 Sakuntala, or the Lost Ring. Translated by M. Williams. 1 ° 
 ed., Hertford, 1853 ; 2° ed., 1855 ; 3 ed., 1856; 4 ed., 
 London, 1872 ; 5 ed., 1887 ; 6° ed., 1890. 
 
 Sakuntala, translated by Monier Williams, edited by B. V. N. 
 Klrtikar. Bombay, 1885, pp. 98. [An abridgment of Wil- 
 liams's version.] 
 
 Sakoontala, or the Lost Ring. Translated by Monier Wil- 
 liams. New York, 1885. 
 
 Sakuntala. An English translation by Krsna Kamal Bhattacarya. 
 Calcutta, 1 89 1, pp. 134. 
 
 Shakuntala, or the Recovered Ring. Translated by A. H. 
 Edgren. New York, 1894, pp. 198. 
 
 Sakuntala. Translation by Kalipada Mukerjee. In his Notes 
 on Sakuntala, Calcutta, 1895.
 
 Kalidasa 5 1 
 
 A literal English translation of Abhijfiana Sakuntala with an intro- 
 duction by T. R. Ratnam Aiyar. Madras, 1896, pp. 84. 
 
 Sakuntala. Translated by Kalikes Banerji. Nadia (Bengal), 
 1901, pp. 166. 
 
 Sakuntala. Translated by J. G. Jennings. Allahabad, 1902, pp. 
 217. 
 
 Sakuntala : Idylls of Ancient Ind. By R. Vasudeva Row. 
 Madras, 1903, pp. 6 + 94- [An attempt to render into 
 idyllic poetry the subject of Kalidasa' s drama.] 
 
 Sakuntala. Translated by A. M. Wright. Springfield, Mass., 
 U. S. A., 1904, pp. 84. 
 
 B. French. Sacontala, ou l'anneau fatal, drame traduit de la 
 
 langue Sanscrit en Anglais, par Sir W. Jones, et de 1' Anglais 
 en Francais par le citoyen A. Bruguiere ; avec des notes des 
 traducteurs. Paris, 1803. 
 
 Gautier, Theophile. Sacountala, Ballet-Pantomime en deux actes 
 tire du drame de Calidasa. Musique de Reyer. Paris, 1859. 
 
 Fauche, Hippolyte. Oeuvres choisies de Kalidasa. Sakuntala. 
 Paris, 1865. 
 
 La Reconnaissance de Sakountala, drame en sept actes de Kali- 
 dasa, traduit du Sanskrit par P. E. Foucaux. i° ed., Paris, 
 1867, pp. 24 + 188 ; 2° ed., 1874. 
 
 Sacountala. Traduite par Abel Bergaigne et P. Lehugeur. 
 Paris, 1884, pp. 1 1 4- 195. 
 
 L'anneau de £akuntala, comedie heroique. Traduite par A. Fer- 
 dinand Herold. Paris, 1896, pp. 161. 
 
 C. German. Sakontala, oder der Entscheidende Ring. Aus 
 
 den Ursprachen Sanskrit und Prakrit ins Englische und aus 
 diesem ins Deutsche iibersetzt mit Erlauterungen von G. 
 Forster. i° ed., Mainz and Leipzig, 1791, pp. 40 -(- 366; 
 2° ed., Frankfurt-am-Main, 1803, pp. 44 + 267. Reprinted 
 at Heidelberg, 1820, pp. 44 + 268, and at Leipzig, 1879, 
 pp. 136. 
 Sakontala, oder der verhangnissvolle Ring ; indisches Drama des 
 Kalidas in sechs Aufziigen. Metrisch fur die Biihne bear- 
 beitet von Wilhelm Gerhard. Leipzig, 1820, pp. 16 -f- 190.
 
 5 2 Kalidasa 
 
 Sakuntala, oder der Erkennungsring, ubersetzt von B. Hirzel. 
 i° ed., Zurich, 1833, pp. 29 + 155 ; 2° ed., 1849. 
 
 Sakuntala von Hoppl. 1854. [Free translation of the text.] 
 
 Sakuntala, ein indisches Schauspiel von Kalidasa, aus dem Sans- 
 krit und Prakrit ubersetzt und erlautert von Ernest Meier. 
 In Die klassischen Dichtungen der Inder, 2. Theil, Stutt- 
 gart, 1847-54. Reprinted in Bibliothek auslandischer Klas- 
 siker, no. 58 : i° ed., Hildburgshausen, 1867; 2° ed., Leip- 
 zig, 1874. 
 
 Sakuntala, indisches Schauspiel von Kalidasa, metrisch ubersetzt 
 von Edmund Lobedanz. i° ed., Leipzig, 1854, pp. 8 4- 
 164; 2° ed., 1867; 3 ed., 1867, pp. 6+ 164; 4 ed., 
 1871 ; 6° ed., 1878; 7 ed., 1884. 
 
 Aus F. Riickert's Nachlass. Leipzig, 1867 and 1876. [Con- 
 tains a translation of the Sakuntala.] 
 
 Sakuntala, frei nach Kalidasa's altindischem Drama von A. Frei- 
 herm von Wolzogen. Schwerin, 1869; Biihnenausgabe, 
 Leipzig, 1879 (?), pp. 76. 
 
 Sakuntala. Metrisch frei bearbeitet von Arthur. Dresden, 
 1871. 
 
 Sakuntala. Fur die deutschen Buhnen bearbeitet von A. 
 Donsdorf. Wien, 1876, pp. J2. 
 
 Cakuntala, von Fr. Bodenstedt. Leipzig, 1887. [A romantic 
 epic based on Kalidasa's drama ; cf. A. F. J. Remy, The 
 Influence of India and Persia on the Poetry of Germany, 
 New York, 1901, pp. 69-71.] 
 
 Sakuntala. Metrisch ubersetzt von Ludwig Fritze. In his In- 
 disches Theater, vol. 2, Chemnitz, 1877-79. 
 
 Sakuntala. Dichtung von Carl Wittkowsky. Musik von Ph. 
 Scharwenka. Berlin, 1883, pp. 44. 
 
 Ballet in zwei Akten und fiinf Bildern. Nach Kalidasa's 
 Dichtung. Musik von S. Bachrich, in Scene gesetzt von 
 Carl Telle. Vienna, 1884, pp. 16. 
 
 Sakuntala. Deutsch von Hermann Camillo Kellner. Leipzig, 
 1890, pp. in. 
 
 Sakuntala. Indisches Schauspiel. Frei bearbeitet von G. 
 Schmilinsky. Dresden, 1900, pp. 106.
 
 Kalidasa 5 3 
 
 Sakuntala. Ein indisches Spiel. In deutscher Biihnenfassung 
 von Max Moller. Berlin, 1902, pp. 7 + 117. 
 
 Sakuntala. Romantisches Marchendrama in funf Akten und 
 einem Vorspiel, frei nach Kalidasa fur die deutschen Biihnen 
 bearbeitet von Leopold von Schroeder. Munich, 1903, pp. 
 
 14+ 73- 
 
 D. Dutch. Sakontala, of de beslissende ring. Indisch schou- 
 
 spel. Mit opheld van G. Forster. Vertaald van E. M. 
 Post. Haarlem, 1792. 
 Sakuntala, of het Herkenningsteeken : Indisch tooneelspel in 7 
 bedrijven van Kalidasa. Uit het Sanskrit vertaald door H. 
 Kern. Haarlem, 1862. 
 
 E. Swedish. Sakuntala; ett Indiskt dramatiskt Poem af 
 
 Kalidas, ofversatt fran Sanskrit pa Engelska af W. Jones, 
 och efter denne samt G. Forsters tyska tolkning pa svenska 
 af J. Ekelund. Stockholm, 182 1, pp. 222. 
 Schakuntala, eller den Forlorade Ringen. Ett indiskt skadespel 
 af Kalidasa fran Sanskrit ofversatt och forklaradt af H. 
 Edgren. Stockholm, 1875, pp. 184. 
 
 F. Danish. Sacontala eller den uheldige Ring, et indiansk 
 
 Drama af Calidas ; oversat af Original-Sprogene Sanscrit og 
 Pracrit i Engelsk ; og heraf i Dansk med en Inleidning tel 
 den danske Oversattelse. Copenhagen, 1793, pp. 71 + 230. 
 [The translator was Hans West.] 
 Sakuntala, Skuespel i syv Optrin oversat og forklaret af Martin 
 Hammerich. i° ed., Copenhagen, 1845, pp. 16 -f 139; 2° 
 ed., 1858, pp. 170; 3 ed., 1879. 
 
 G. Icelandic. Sakuntala. Translated by Dr. Steingrin 
 
 Thoratainsohn. 
 H. Italian. 1 Sacontala, ossia L'Anello Fatale. Dramma tra- 
 dotto dalla lingua orientale Sanskrit nell' idioma inglese dal 
 Sig. W. Jones, indi dall' inglese in francese dal Sig. A. 
 Bruguiere, ultimamente dal francese in italiano da L. Doria. 
 Con note. Darmstadt, 18 15, pp. 15 + 214. 
 
 1 There is also an unpublished Italian version of the Sakuntala by Michele Ker- 
 baker. See F. Cimmino, II Tipo comico del " Vidushaka " nell' antico dramma 
 indiano, Naples, 1893, p. 2. n. 1.
 
 54 Kalidasa 
 
 Sacuntala riconosciuta per mezzo dell' anello. Dramma in sette 
 atti. In Teatro scelto indiano, tradotto dal Sanscrito da 
 Antonio Marazzi, vol. I, Milan, 1871, pp. 9-176. 
 
 La Sacuntala di Calidasa, tradotta dal Sanscrito da O. Perini. 
 Verona, 1873. In Versioni Indiane. 
 
 Sakuntala, dramma lirico da Alfredo Baccelli. Rome, 1888. 
 
 I. Spanish. Sakuntala, drama del poeta indio Kalidasa. Ver- 
 sion directa del Sanskrit por F. Garcia Ayuso. Madrid, 
 187$. In Biblioteca Sanskrita. 
 
 J. Russian. Sakuntala, indeiskaya drama. Perevod s Sans- 
 kritskago Alex. Putyata. Moscow, 1879. 
 
 Sakuntala, Sanskritskaya drama v 7 deistviyakh. St. Petersburg. 
 Desevaya Biblioteka, A. S. Suvorina, no. 252. 
 
 Sakuntala. Drama v 7 deistviyakh. Perevod N. Volostskago. 
 Vologda, 1890, pp. 179. 
 
 K. Polish. Sakontala czyli pierscieri przeznaczenia : dramat 
 indyjski w vii aktach z prologiem ze Sanskryckiego z 
 rekopismu, wydal Hrabia J. Grabowski. (Objasnienia przez 
 J. Forstera.) Warsaw, 1861. 
 
 L. Hungarian. Sakuntala. Translated by F. Karoly. Buda- 
 pest, 1887. 
 
 M. Bohemian. Sakontalo : drama Indicke od Kalidasy. 
 Prelozil C. Vyprpio. In Poesie Svetova, pt. 6, 1873, pp. 
 200. 
 
 N. Bengali. Sakuntala, adapted from the Sanskrit drama of 
 Kalidasa by I. C. Vidyasagar. Calcutta, 1885. 
 
 Abhijnana Sakuntala. Translated into Bengali by J. N. Tagore. 
 Calcutta, 1899, pp. 146. 
 
 O. Marathi. Shakuntala recognized by the ring. With a 
 translation into Marathi by K. S. Rajvade. Bombay, 
 1869, pp. 11 + 267. 
 
 Sakuntala with paraphrases in Sanskrit and in Marathi. Dhar- 
 war, 1882. In the Kavyanatakadarsa. 
 
 Sangita Shakuntala Natak. Poona, 1887, pp. 176. 
 
 P. Hindi. Sakuntala. Translated into Hindi. Critically edited 
 with notes by Frederic Pincott. Text of K. L. Sinh. 1 
 ed., London, 1876, pp. 12 + 139. 2° ed., 1890. 
 
 o
 
 Kalidasa 5 5 
 
 Q. Hindustani. Sakuntala translated into Hindustani from 
 a Hindi version by Kazlm 'All Jawan. Lucknow, 1875, 
 
 PP- 31. 
 R. Tamil. Sakuntala. Traduction de la Version tamoule [by 
 
 Ramacandra or Rajanallur] par Gerard Deveze. In Revue 
 
 de Linguistique, 19 (1886), pp. 269-292, 361-380; 20 
 
 (1887), pp. 68-78, 1 14-129, 257-272, 352-37 6 ; 21 (1888), 
 
 pp. 43-53- 
 S. T e 1 u g u . Sakuntala. A new version in Telugu prose and 
 
 verse by D. S. Pantulu. Madras, 1898, pp. 122. 
 Criticism. Notes on Sakuntala. In Bengali, English, and 
 
 Sanskrit. Calcutta, 1895, pp. 323. 
 Berchet, Giovanni. Saggio sul dramma indiano la Sacontala, 
 
 ossia 1' Anello Fatale, di Calidasa. Milan (?), 1 8 1 8. [In the 
 
 Conciliatore under pseudonym of Grisostomo.] 
 Bohtlingk, Otto von. Einige Nachtrage zu meiner Ausgabe der 
 
 Ring-Cakuntala. In Bulletin de la classe des sciences his- 
 
 toriques, philosophiques et politiques de l'Academie de St. 
 
 Petersbourg, 2, p. 119. 
 Bollensen, Fr. Die Recensionen der Sakuntala. In Nachrichten 
 
 der Gesellschaft der Wissenschaften zu Gottingen, June 23, 
 
 1880. 
 Borooah, Anundoram. A Companion to the Sanskrit-reading 
 
 Undergraduates of Calcutta University. Part 4, on the 
 
 Abhijfiana Sakuntala of Kalidasa. Calcutta, 1878, pp. 6 -+- 58. 
 Burkhard, C. Die Kacmlrer Cakuntala-Handschrift. Vienna, 
 
 1884, pp. 163. 
 Burkhard, C. Lectiones codicis Cakuntali Bikanlrensis. Vienna, 
 
 1882, pp. 16. Progr. d. Franz-Josephs Gymn. 
 Burkhard, C. Flexiones Pracriticae quas editioni suae Sacuntali 
 
 pro supplemento adjecit. Breslau, 1874, pp. 9 + 41. 
 Chezy, A. L. Notes et corrections supplementaires pour l'edition 
 
 in 4 du drame indien de Calidasa intitule La Reconaissance 
 
 de Sacountala donnee en 1830. Paris, 1831, pp. 49. 
 Cappeller, C. [Review of the editions of the Sakuntala by Pischel 
 
 and Williams, and of the translations by Ruckert and 
 
 Fritze] in Jenaer Literaturzeitung, 1877, Art. 117.
 
 56 Kalidasa 
 
 Gilchrist, J. B. Sukoontala Natuk ; being an Appendix to the 
 English and Hindoostanee Dialogues in the Universal Char- 
 acter. London, 1826, pp. 20+ 104. 
 
 Gubernatis, A. de. Sacountala et Griselda. In Verh. des 13. in- 
 tern. Orientalisten-Kongr. (1902), Leiden, 1904, pp. 21-24. 
 
 Hamaker, H. A. Over de Sakontala van Calidas. In Mnemosyne, 
 2 (1823), p. 213. 
 
 Hedrstrom, O. F. Om Sakuntala. Upsala, 1S75. 
 
 Kallpada Mukerjee. Notes on Sakuntala. 1. Notes ; 2. Trans- 
 lation ; 3. Appendices. Calcutta, 1895, pp. 325. 
 
 Muller, B. Kalidasa's Cakuntala und ihre Quelle. Breslau, 
 1874, pp. 20. [Programm.] 
 
 Pischel, R. De Kalidasae Cakuntali recensionibus (Particula 
 prima). Breslau, 1870, pp. 67. 
 
 Pischel, R. Die Recensionen der Cakuntala. Eine Antwort 
 an Herrn Prof. A. Weber. Breslau, 1875, pp. 27. 
 
 Rabe, C. De Calidasae Sacuntala. Breslau, 1845, pp. 35. 
 
 Ryder, Arthur W. Krsnanatha's Commentary on the Bengal Re- 
 cension of the Cakuntala. In JAOS. 23 (1902), pp. 79-83. 
 
 Sarkar, Vihari Lai. Sakuntala-Rahasya. The true import of the 
 Sakuntala. Calcutta, 1896, pp. 144. [In Bengali.] 
 
 Schuyler, Montgomery, Jr. The Editions and Translations of 
 Sakuntala. In JAOS. 22 (1901), pp. 237-248. 
 
 Weber, A. Die Recensionen der Cakuntala. In Indische 
 Studien, 14 (1876), pp. 35-69, 161—31 1. 
 
 Wilson, H. H. Sur un drame indien ; extrait du Calcutta 
 Annual Register, et traduit par M. Dondey-Dupre fils. 
 In J A. i° series, vol. 10 (1827), pp. 174-179. 
 
 VikramorvasI trotaka. Manuscripts. A 1. p. 569 = 50 Mss. and 
 2 Com. ; by Abbayacarana 1, by Katayavema 2, by Ran- 
 ganatha 3, by Ramamaya I ; A 2. p. 134 = 7 Mss. and 
 Com. by Katayavema 1, by Ranganatha 3 ; A 3. p. 120 = 
 2 Mss. and Com. by Katayavema 1 ; Hz. 3. 1774 ; 10. 7. 
 4120; TT. 66; Com. by Katayavema, Hz. 3. 1755 ; Com. 
 by Ranganatha, 10. 7. 41 21.
 
 Kalidasa 57 
 
 Text Editions. Vikramorvasl. With a commentary explanatory 
 
 of the Prakrit passages. Calcutta, 1830, pp. 122. 
 Urvasia, Fabula Calidasi. Textum sancritum edidit, interpre- 
 
 tationem latinam et notas illustrantes adjecit Robertus Lenz. 
 
 Berlin, 1833, pp. 25 + 238. 
 Vikramorvasl, das ist, Urvvasi, der Preis der Tapferkeit, ein 
 
 Drama Kalidasa's, in funf Akten. Herausgegeben, iiber- 
 
 setzt und erlautert von F. Bollensen. St. Petersburg, 
 
 1846, pp 17 + 608 + 88. 
 Vikramorvasl. Edited by M. Monier Williams. Hertford, 1 849. 
 
 [Prakrit passages in Sanskrit only.] 
 Vikramorvasl. Edited with a commentary of the Prakrit pas- 
 sages. Bombay, 1859, pp. 119. 
 Vikramorvasl. Edited by R. Tarkaratna. Calcutta, 1868. 
 Vikramorvasl. Edited with notes by R. Sarman. Calcutta, 
 
 1869, pp. 2 + 155. 
 Vikramorvasl. Calcutta, 1870, pp. 67. [Prakrit passages in 
 
 Sanskrit only.] 
 Vikramorvasl. Edited with the commentary of Taranatha Sar- 
 man by J. Vidyasagara. Calcutta, 1873, pp. 184. 
 Vikramorvasiyam, herausgegeben nach dravidischen Handschriften 
 
 von R. Pischel. In Monatsb. der Konigl. Akad. der Wiss. 
 
 zu Berlin, 1875 (1876), pp. 609-670. 
 Vikramorvasiyam. Edited with English notes by S. P. Pandit. 
 
 i° ed., Bombay, 1879, pp. 12+ 162; 2° ed., 1889, pp. 
 
 310; 3 ed., 1901. Bombay Sanskrit Series, no. 16. 
 Vikramorvasl. Little Conjevaram, 1883, pp. 60. 
 Vikramorvasl, with interpretation of the Prakrit passages. Viza- 
 
 gapatam, 1883, pp. 118. 
 Vikramorvasl, with a commentary. Edited by P. C. N. Charya. 
 
 Vizagapatam, 1883, pp. 180. 
 Vikramorvasl, with commentary. Madras, 1884, pp. 24. 
 Vikramorvaslya, with the commentary of Ranganatha. Edited by 
 
 K. P. Parab and M. R. Telang. i° ed., Bombay, 1888, 
 
 pp. 148; 2° ed., 1889, pp. 310. 
 Vikramorvasiyam. The Student's Practical Edition with Sanskrit
 
 58 Kalidasa 
 
 Text, English Translation, and Notes by G. B. Vaidya. 
 
 Bombay, 1894, pp. 12 + 96 + 216. 
 Vikramorvasl. Edited with an el ucidary commentary in Sanskrit 
 
 by M. R. Kale. Bombay, 1895, pp. 173. 
 Vikramorvaslya with the commentary Arthaprakasika. Edited 
 
 with an English translation, critical and explanatory notes, 
 
 and various readings by M. R. Kale. 1 ° ed., Bombay, 1 898, 
 
 pp. 374 ; 2°ed., 1903, pp. 374. 
 Vikramorvaslyam. With Sanskrit text, English translations, 
 
 copious notes, and an elaborate introduction, by K. B. 
 
 Paranjpe. Bombay, 1898, pp. 264. 
 Translations. A. English. Vikrama and Urvasi, or the Hero 
 
 and the Nymph. Translated by Wilson, 1, pp. 183-274. 
 Vikramorvasl. Translated into English prose by E. B. Cowell. 
 
 Hertford, 185 1. 
 Vikramorvasl. Translated into English lyrical verse by Brajen- 
 
 dranath De. Canto 1. In Calcutta Review, Oct. 1884, pp. 
 
 440-442. 
 Urvasie. In English poetry by Aurobind Ghose. Bombay, 
 
 1899, pp. 39. 
 
 B. French. Vikramorvacj. Ourvacj donnee pour prix de 
 
 l'heroisme. Drame traduit du Sanscrit par P. E. Foucaux. 
 i° ed., Paris, 1861, pp. 96; 2° ed., 1879, pp. 137. Bibl. 
 Orient. Elzevir., no. 26. 
 
 C. German. Urwasi, der Preis der Tapferkeit. Ein indisches 
 
 Schauspiel. Aus dem Sanskrit und Prakrit iibersetzt von 
 K. G. A. Hoefer. Berlin, 1837, pp. 8 + 100. 
 Urwasi und der Held. Indisches Melodram von Kalidasa, dem 
 Dichter der Sakuntala. Aus dem Sanskrit und Prakrit 
 metrisch iibersetzt von B. Hirzel. Frauenfeld, 1838, pp. 30 
 
 + 164. 
 Urvasi. Deutsch metrisch bearbeitet von E. Lobedanz. i° ed., 
 
 Leipzig, 1861, pp. 14+ 115; 3 ed., 1884. 
 Urvasi, ein indisches Schauspiel von Kalidasa, metrisch iibersetzt 
 von Ludwig Fritze. Leipzig, 1880, pp. 80. 
 
 D. Swedish. Vikramorvaqi. Ofversatt och forklaradt af C. J. 
 
 Bergstedt. Stockholm, 1846.
 
 Kalidasa 59 
 
 Vikramorvaci. Ofversatt af A. J. Callin. Helsingborg, 1866. 
 
 E. Italian. Vikramorvasi, dramma tradotto di Francesco Cim- 
 
 mino. Turin, 1890, pp. 79. 
 
 F. Spanish. Vikramorvasi, drama del poeta indio Kalidasa. 
 
 Version directa del Sanskrit por F. Garcia Ayuso. Madrid, 
 1874, pp. 136. In Biblioteca Sanskrita. 
 
 G. Bohemian. Urvasi. Drama v peti jednanich od Kalidasy. 
 
 Emanuel Fait. Prague, 1890, pp. 10. [Program of the 
 
 Czech Realgymnasium.] 
 H. Bengali. Vikramorvasi, translated into Bengali by K. Singh. 
 
 Calcutta, 1857. 
 I. Gujarati. Vikramorvasi. Translated into Gujarati by R. 
 
 Udayarama. Bombay, 1868. 
 Vikramorvashiya. A Sanskrit drama in 5 acts translated into 
 
 Gujarati prose and verse with critical, explanatory, and 
 
 mythological notes, and a complete life of the poet, by K. 
 
 G. Bhatt. Bombay, 1898, pp. 258. 
 Criticism. Lenz, Robert. Apparatus criticus ad Urvasiam fab- 
 
 ulam Calidasi, quern tamquam suae eius libri editionis ap- 
 
 pendicem Londinii conscripsit. Berlin, 1834, pp. 36. 
 
 Collected Works of Kalidasa. Oeuvres completes de Kalidasa 
 traduites du Sanscrit en francais pour la premiere fois par 
 Hippolyte Fauche. Paris, 1859-60, 2 vols. 
 
 Teatro scelto indiano, tradotto dal Sanscrito da Antonio Marazzi. 
 Vol. 1. Teatro di Calidasa. Milan, 1871, pp. 429. 
 
 Mahakavi Kalidaser Granthavali. Edited by N. K. Basu. Cal- 
 cutta, 1892. 
 
 Mahakavi Kalidaser Granthavali. The works of the great poet 
 Kalidasa. Edited by U. N. Mukherji. 2° ed., Calcutta, 
 1896, pp. 1356. 
 
 Works of Kalidasa. Translated into English. Calcutta, 1901, 
 2 vols. 
 
 General Criticism of Kalidasa. Bendall, Cecil. Kalidasa in 
 
 Ceylon. In JRAS. n.s. 20 (1888), p. 440. 
 Bhau Dajl. On the Sanscrit Poet Kalidasa. In JRASBo. 6 
 
 (1861), pp. 19-30, 207-230.
 
 60 Kalidasa 
 
 Grierson, G. A. Are Kalidasa's Heroes monogamists ? In 
 
 JASBe. 46 (1877), pp. 39-40. 
 Grierson, G. A. Some Further Notes on Kalidasa. Calcutta, 
 
 1879, pp. 46. 
 Grierson, G. A. Some Further Notes on Kalidasa. In JASBe. 
 
 48 (1879), pp. 32-48. 
 Harris, Ch. An Investigation of some of Kalidasa's Views. 
 
 Evansville, Ohio, 1884, pp. 58. 
 Huth, G. Die Zeit des Kalidasa. Mit einem Anhang : Zur 
 
 Chronologie der Werke des Kalidasa. Berlin, 1890, pp. 68. 
 Jackson, A. V. Williams. Kalidasa. In Warner's Library of 
 
 the World's Best Literature, vol. 15. New York, 1897. 
 Jackson, A. V. Williams. Time Analysis of Sanskrit Plays, 1. 
 
 The Dramas of Kalidasa. In JAOS. 20 (1899), pp. 341- 
 
 359- 
 Jackson, A. V. Williams. Notes from India, 1. A legend of 
 
 Kalidasa preserved at Ujjain. In JAOS. 22 (1901), pp. 331- 
 
 332. 
 
 Jacobi, H. The Date of Kalidasa. In IA. 19 (1890), p. 285. 
 
 Leonard, G. S. Further Proofs of the Polygamy of Kalidasa's 
 Heroes. In JASBe. 46 (1877), pp. 160-163. 
 
 Liebich, B. Das Datum Candragomin's und Kalidasa's. In 
 Jahresbericht der Schlesischen Gesellschaft fur vaterlandische 
 Kultur, Orient-sprachwiss. Sektion. Breslau, 1903, pp. II. 
 
 Neve, F. Calidasa dans les raffinements de sa culture. Paris, 
 1864. 
 
 Pischel, R. Neue Bruchstucke des Sanskritkanons der Buddhisten 
 aus Idykutsari, Chinesisch-Turkestan, mit drei Tafeln. In 
 Sitzungsb. der kgl. Preuss. Akad. der Wiss. 39 (1904), pp. 
 1 1 38—1 145. [A fragment quoted p. 1 144 connects Kalidasa 
 with the court of King Bhoja. Cf. Kielhorn in The Acad- 
 emy, June 16, 1894, vol. 45, pp. 498-499.] 
 
 Pathak, K. B. On the date of Kalidasa. In JRASBo. 19 
 
 (1895), pp. 35-43- 
 Prannath Pandit. Morals of Kalidasa. In JASBe. 45 (1876), 
 
 pp. 3S2-367-
 
 Kantimatlparinaya 61 
 
 Summer, Mary. Les heroines de Kalidasa et celles de Shake- 
 speare. Paris, 1879. Bibl. Orient. Elzevir., no. 24. 
 J. E. Seneviratne. The life of Kalidas. Colombo, 1901, pp. 
 
 5 + 35- 
 R. V. Tullu. Traditionary Account of Kalidasa. In IA. 7 
 
 (1878), pp. 115-117- 
 
 Kalidasa Prahasananataka. Madras, 1883, pp. 30. 
 Kalidasaprahasana A I. p. 99. See also Kasidasaprahasana. 
 Kalikeliprahasana (vaikrta) mentioned in RS. 
 Kalyanlparinaya A 1. p. 86 = 2 Mss. 
 Kamadatta bhanika mentioned in SD. 556. 
 Kamadatta dhurtaprakarana mentioned in RS. 
 Kamakslparinaya A 1. p. 94. 
 Kamalakanthlrava see Narayana. 
 Kamalavilasa see Sivanarayanadasa. 
 Kamalinikalahamsa see Cudamani Diksita. 
 Kamavilasa see Venkappa. 
 Kampanlpratapamandana see Bindumadhava. 
 Kamsavadha see Damodara and Sesakrsna. 
 Kanakavalllparinaya A 1. p. 78. 
 Kanakavatlmadhava silpaka mentioned in SD. 551. 
 Kancanacarya Dhanamjayavijaya vyayoga A 1. p. 266 
 
 = 14 Mss.; A 2. p. 57; A 3. p. 58 = 1 Ms. and Com. 
 
 by Ramakrsna 1 ; CS. 226. Analyzed by Wilson, 2, p. 
 
 374- 
 Idem Dhanamjayavijaya, a comedy in one act by Kan- 
 
 cana Acarya. Bombay, 1856, pp. 10. 
 Idem Dhanamjayavijaya. Edited by T. Tarkavacaspati. 
 
 i° ed., Calcutta, 1857, pp. 26; 2° ed., 1871, pp. 36. 
 Idem Dhanamjayavijaya. Mysore, 1880, pp. 26. 
 Idem Dhanamjayavijaya. Edited by Sivadatta and Parab. 
 
 Bombay, 1895, pp. 3 + 20. Kavyamala, no. 54. 
 Kandarpadarpana see Srikantha and Venkata Kavi. 
 Kandarpakeli prahasana mentioned in SD. 534-535. 
 Kantimatlparinaya see Cokkanatha.
 
 62 Kanyamadhava 
 
 Kanyamadhava A I. p. 79. 
 
 Karnasundaii see Bilhana. 
 
 Karpuramanjarl see Rajasekhara. 
 
 Karunakandala mentioned in RS. 
 
 Kasidasaprahasana A 1 . p. 1 04. See also Kalidasaprahasana. 
 
 Kaslpati Mukundananda bhana A 1. p. 459= 15 Mss.; 
 A 2. pp. 106, 217 = 3 Mss.; A 3. p. 99; IO. 7. 4195. 
 
 Idem Mukundananda. Edited by Modaka and Sane. 
 Poona, 1878. In Kavyetihasasamgraha, I, pts. 1-5. 
 
 Idem Mukundananda. A monologue drama on the adven- 
 tures of a loose character. Madras, 1882, pp. 78. 
 
 Idem Mukundananda. Edited by Durgaprasada and Parab. 
 Bombay, 1889, pp. 3 + 74. Kavyamala, no. 16. 
 
 Kasyapa Abhinavakalidasa Srngarakosa bhana A 1 . p. 660. 
 
 Kaumudisudhakara see Tarkalamkara. 
 
 Kausika Nallabudha Srngarasarvasva bhana A 1. p. 661. 
 
 Idem Srngarasarvasva. Edited by Durgaprasada and Parab. 
 Bombay, 1902, pp. 5 + 38. Kavyamala, no. 78. 
 
 Kautukaratnakara prahasana A 1. p. 131 ; A 2. p. 25 = IO. 
 7. 4197. Analyzed by Cappeller in Gurupujakaumudl ( 
 Festgabe fur Weber, Leipzig, 1896, pp. 62-63. 
 
 Kautukasarvasva see Gopinatha. 
 
 Kavibhusana Adbhutarnava A3, p. 2. 
 
 Kavikarnapura (born in 1525) Caitanyacandrodaya A 1. p. 
 190 = 3 Mss. ; A 2. p. 200 ; A 3. p. 41 ; CS. 225 ; SCBen. 
 796. 
 
 Idem Chaitanya Chandroday Natak. In Sanskrit and Ben- 
 gali. Calcutta, 1853, pp. 490. 
 
 Idem Caitanyacandrodaya, or the incarnation of Caitanya, a 
 drama in ten acts. With a comment explanatory of the 
 Prakrita passages by Visvanatha Sastri. Edited by R. 
 Mitra. Calcutta, 1854. In Bibl. Indica. 
 
 Idem Caitanyacandrodaya. Edited with a commentary by 
 J. Vidyasagara. Calcutta, 1885, pp. 452. 
 
 Kavi Pandita Hrdayavinoda prahasana A 2. p. 237. 
 
 Kaviputra, a dramatist, mentioned in the prologue of the Mala-
 
 KrsnamiSra 63 
 
 vikagnimitra of Kalidasa. 
 
 KaviSekhara see Jyotirisvara. 
 
 Kavlsvara Madhavanala A 1. p. 450. 
 
 Kavitarkikasimha Rukminlparinaya A 2. p. 123. 
 
 Keliraivataka halllsa mentioned in SD. 555. 
 
 Keralabharana see Ramacandra Diksita. 
 
 Kesavacarita mentioned in the Natakacandrika. 
 
 Kesavanatha Godaparinaya A 1. p. 159 = 5 Mss. 
 
 Kimpaca A 1. p. 106. 
 
 Krldarasatala srlgadita mentioned in SD. 550. 
 
 Krsna or Krsnakavi see Sesakrsna. 
 
 Krsnabhakticandrika see Anantadeva. 
 
 Krsnabhyudaya see Lokanatha. 
 
 Krsnadatta Maithila (first part of 17th century) Kuvalayas- 
 viya A 1. p. 113. 
 
 Idem Puranjanacarita A 1. p. 339. 
 
 Idem Sandrakutuhala prahasana A 1. p. 707. 
 
 Krsnakavindra (perhaps the same as Sesakrsna, cf. A 1. p. 
 1 1 7) Satyabhamavilasa or Satyabhamaparinaya A 1 . p. 
 689. 
 
 KrsnakaviSekhara (wrote before 1643) KuvalayavatI natika 
 A3, p. 25 = 10. 7. 4184. 
 
 Krsnakutuhala see Madhusudana Sarasvati. 
 
 Krsnallla see Vaidyanatha. 
 
 Krsnalilataranginl see Narayanatirtha. 
 
 Krsnamacari R. Vasantikasvapna. An adaptation of Shake- 
 speare's Midsummer Night's Dream. A Sanskrit drama 
 in five acts. Kumbhakonam, 1892, pp. 15 +71. 
 
 Krsnami§ra (2d half of 11th century), son of 
 Visnu, wrote for King Kirtivarmadeva. 
 
 Prabodhacandrodaya. Manuscripts. A 1. p. 352 = 75 Mss. 
 and 9 Com. ; by Appayya Diksita 3, by Ganesa 1, by 
 Mathuranatha I, by Mahesvara 1, by Ramadasa 14, by 
 Rudradeva 2, by Sadatman I ; A 2. pp. 78, 211 = 15 Mss. 
 and 2 Com. ; by Ganesa 2, by Ramadasa 4, by Subrah- 
 manya 2, by Govinda 1; A 3. p. 75 = 20 Mss. and Com.
 
 6a. KrsnamiSra 
 
 • • • • 
 
 by Ganesa 2, by Devaraja I, by Ramadasa 8 ; SCBen. 693 ; 
 
 Weber 1357 (in Bhasa); Hz. 3. 1578; 10. 7. 4138,4139, 
 
 4140, 4 14 1, 4143 ; TT. 68 ; Com. by Ghanasyama, Hz. 
 
 3. 1583 ; Com. by Ganesa, 10. 7. 4143 ; Com. by Govinda, 
 
 10. 7. 4144; Com. by Ramadasa, 10. 7. 4139, 4140, 4141, 
 
 4142, 4143 ; Com., SCBen. 693. 
 Text Editions. Prabodhacandrodaya, with a commentary 
 
 by Mahesvara Nyayalamkara. Edited by Bhavanlcarana 
 
 Sarman. Calcutta, 1832, pp. 54. [In Bengali characters.] 
 Prabodhacandrodaya. Sanscrite cum scholiis et variis lectionibus 
 
 edidit H. Brockhaus. Leipzig, 1835-1845, pp. 8 -f 254. 
 
 [Contains the commentaries of Ramadasa and Mahesvara 
 
 Nyayalamkara.] 
 Prabodhacandrodaya, with the commentary of Nyayalamkara. 
 
 Calcutta, 1838. 
 Prabodhacandrodaya. Poona, 185 1. 
 Prabodhacandrodaya, with the commentary of Nyayalamkara. 
 
 Edited by J. Vidyasagara. Calcutta, 1874, pp. 135. 
 Prabodhacandrodaya. With Ramadasa's commentary called 
 
 Prakasa. Edited by S. Tiruvenkatacarya. Madras, 1876, 
 
 pp. 3 + 166. 
 Prabodhacandrodaya, with Ramadasa's Prakasa, revised by 
 
 Tryambaka Gondhalekhara. 2° ed., Poona, 1881, pp. 136. 
 Prabodhacandrodaya, with the commentary Prakasa. Madras, 
 
 1884, pp. 166. 
 Prabodhacandrodaya, edited with a commentary by R. V. 
 
 Dlksit. Poona, 1886, pp. 178. 
 Prabodhacandrodaya. Edited by Adyanath Vidyabhusan. 
 
 Shibpur, 1894, pp. 168. 
 Prabodhacandrodaya. With a commentary by Mahesvara Nya- 
 yalamkara, edited by Pandit H. Sastri. Calcutta, 1895, 
 
 pp. 161. 
 Prabodhacandrodaya with the commentary Candrika. Bombay, 
 
 1898, pp. 251. 
 Translations. A. English. Prabodha Candrodaya, or Rise of 
 
 the Moon of Intellect, a spiritual drama, and Atma Bodha,
 
 Krsnami§ra 65 
 
 or the Knowledge of the Spirit. Translated from the Sans- 
 krit by J. Taylor, M.D. i°ed., Bombay, 1812; 2° ed., 
 Calcutta, 1854, pp. 13+125; 3 ed., Bombay, 1893, pp. 
 18 + 74. 
 Prabodhacandrodaya. Translated by Garigadhar Nyayaratna. 
 Calcutta, 1852. [English translation ?] 
 
 B. French. Le Lever de la lune de la connaissance. Tra- 
 
 duction de la Prabodhacandrodaya sanscrite par S. Deveze. 
 In Revue de Ling. 32 (1899), pp. 230-246; 33 (1900), 
 pp. 67-86, 223-239; 34 (1901), pp. 240-254; 35 O902), 
 pp. 27-40, 195-21 1 ; 36 (1903), pp. ^gj-^, 226-245. 
 
 C. German. Prabod'h Chandro'daya, das ist, der Aufgang 
 
 des Mondes der Erkenntniss, ein allegorisches Drama. Nach 
 der englischen Ubersetzung des Dr. J. Taylor von J. G. 
 Rhode. In Beitrage zur Alterthumskunde mit besonderer 
 Rucksichtauf das Morgenland, Berlin, 1820, 2, pp. 41-99. 
 [First three acts.] 
 
 Prabodhacandrodaya. Die Geburt des Begriffs. Ein theo- 
 logisch-philosophiches Drama, zum ersten Male ins Deutsch 
 iibersetzt ; mit einem Vorwort eingefuhrt von K. Rosen- 
 kranz. Konigsberg, 1842, pp. 25 + 183. [Translated by 
 Th. Goldstiicker ; published without his name.] 
 
 Prabodhacandrodaya, oder der Erkenntnissmondaufgang. Phi- 
 losophisches Drama. Nebst Kalidasa, Meghaduta. Metrisch 
 iibersetzt von B. Hirzel. Zurich, 1846. 
 
 D. Dutch. De Maan der Kennis. Theologisch-metaphysisch 
 
 Drama. Vertaald door P. A. S. van Limburg Brouwer. 
 Amsterdam, 1869. 
 
 E. Russian. Toryestvo svetloi mysli. Drama v sest' aktakh. 
 
 Perevod s Sanskritskago. Moscow, 1847, PP- 20 -f 194. 
 Moskovski naucny i literaturny sbornik, vol. 18. 
 
 F. Bengali. Atmatattvakaumudi, being a paraphrase of the 
 
 Prabodhacandrodaya in Bengali, by K. Tarkapaficanana, G. 
 Gangadhar and R. Siromani. Calcutta, 1822, pp. 194, with 
 the verses of the original in Sanskrit; 2° ed., 1855, pp. 
 190 ; 3 ed., 186 1, pp. 168.
 
 66 KrsnamiSra 
 
 Prabodh Chandroday. Translated from Sanskrit by Gangadhar 
 
 Nyayaratna. Calcutta, 1852. [Bengali translation ?] 
 G. Hindustani. Taholl-i makal, also called Ta'wlo-i Iman. 
 
 Translated by Aka Hasan. Gujranwala, 1871, pp. 60. 
 Criticism. Schuyler, Montgomery, Jr. A Bibliography of the 
 
 Plays of Bhavabhuti and of Krsnamisra. In JAOS. 25 
 
 (1904), pp. 189-196. 
 
 Krsnamisra Viravijaya lhamrga A 1. p. 595. 
 Krsnananda Vacaspati Antar Vyakarana Natyaparisista. A 
 drama embodying grammar. Calcutta, 1894- 1896, 2 pts., 
 
 pp. 131 + 303- 
 
 Krsnananda Bhattacarya Natyaparisista, i. e., an appendix to 
 dramatic literature. Lessons in Sanskrit grammar dis- 
 guised in the form of a dramatic entertainment. With 
 two commentaries. Calcutta, 1840, pp. 152. 
 
 Idem Natyaparisista. A grammatical commentary containing 
 discussions on the subject of Sanskrit inflexion. Cal- 
 cutta, 1855, pp. 125. 
 
 Krsnanatha Sarvabhaumabhattacarya Anandalatika IO. 7. 
 4203. 
 
 Krsnaraya (16th century) Jambavatlkalyana A 1. p. 206. 
 
 Krsna Suri Draupadlparinaya A 2. p. 57. 
 
 Krtarthamadhava see Ramamanika. 
 
 Krtyaravana quoted in SD. 423. 
 
 Ksemacandrabodha A 1. p. 134. 
 
 Ksemendra Vyasadasa (1 ith century) Citrabharata mentioned 
 in his Aucityavicaracarca 31 and Kavikanthabharana 5. 1. 
 
 Idem Lalitaratnamala mentioned in his Aucityavicaracarca 
 21. 
 
 Ksemlsvara. 
 
 Candakausika. Manuscripts. A 1. p. 175 = 16 Mss.; A 2. p. 
 
 35 = 4 Mss.; A 3. p. 38 ; CS. 222, 223 ; Hz. 3. 2020. 
 Text Editions. Candakausika, i. e., the Fierceness of Kausika. 
 
 A drama in five acts. Bombay, i860, pp. 23.
 
 Laksmanamanikyadeva 67 
 
 Candakausika. Edited with a commentary and translation of 
 the Prakrit passages by J. Tarkalamkara. Calcutta, 1867, 
 
 PP- 5 + 113- 
 Chanda Kousika. A Drama by Arya Kshemishwara, edited with a 
 
 commentary by J. Vidyasagara. Calcutta, 1884, pp. 138. 
 Translation. Kausika's Zorn. Ein indisches Drama von Ksche- 
 
 misvara. Zum ersten Mai und metrisch iibersetzt von Lud- 
 
 wig Fritze. Leipzig, 1882, pp. 85. 
 Criticism. Cimmino, Francesco. Studii sul teatro indiano. 2. 
 
 Sul dramma Candakausika. In Rendiconto dell' Accademia 
 
 di Archeologia, Lettere e Belle Arti (di Napoli), 19 (1905), 
 
 pp. 3 1-76. 
 
 Naisadhananda A 1. p. 306 = 2 Mss., but cf. A 1. p. 134. 
 
 Kulapatyahka quoted in SD. 473. This may be only an 
 
 act of a play. 
 Kumaranarendrasaha Muditamadalasa A 1. p. 461. 
 Kumaratataya Parijata A 1. p. 335. 
 Kumaravijaya see Ghanasyama. 
 Kumbha quoted in SD. 476. 
 Kumudacandra see YasaScandra. 
 Kundamala quoted in SD. 291. 
 Kundamala see Nagayya. 
 Kusakumudvatiya see Atiratrayajin. 
 Kusalavavijaya see Venkata Krsna Diksita. 
 Kusumabanavilasa bhana A 1. p. 113. 
 Kusumasekharavijaya lhamrga mentioned in SD. 518. 
 Kuvalayasvacarita see Laksmanamanikya. 
 Kuvalayasvamadalasa see Vam^amani. 
 Kuvalayasviya see Krsnadatta. 
 Kuvalayavati see KrsnakaviSekhara. 
 
 L 
 
 Laghuvyasa Vrttivallabha A 1. p. 541. 
 Laksmanamanikya Kuvalayasvacarita A 3. p. 25. 
 Laksmanamanikyadeva Vikhyatavijaya A 3. p. 120.
 
 68 Laksminrsimhakavi 
 
 •   • 
 
 Laksminrsimha Kavi Anarigasarvasva bhana A i. p. 12. 
 
 Laksmlsvayamvara see Srlnivasa Catuskavindradasa. 
 
 Lalitamadhava SCBen. 799 (with Com.) 
 
 Lalitamadhava see Rupa Gosvamin. 
 
 Lalitaratnamala see Ksemendra. 
 
 Lalitavigraharaja see Somadeva. 
 
 Lambodara prahasana A 1. p. 542. 
 
 Latakamelaka see Sankhadhara. 
 
 Lavallparinaya see Appasastrin. 
 
 Lilamadhukara bhana mentioned in SD. 513. 
 
 Lirigadurbheda see Dadima. 
 
 Lingaguntamarama Srngararasodaya misrabhana A 1 . p. 66 1 . 
 
 Lokananda see Candragomin. 
 
 Lokanatha Bhatta Krsnabhyudaya preksanaka A 1. p. 124. 
 
 M 
 
 Madalasa see Rama Bhatta. 
 
 Madalasa see Gokulanatha. 
 
 Madalasaparinaya A 1. p. 426. 
 
 Madanabhusana bhana A 1. p. 425. 
 
 Madanagopalavilasa see Rama Kavi. 
 
 Madanamanjarl see Vilinatha. 
 
 Madanasamjivana see Ghana§yama. 
 
 Madhava Bhatta Subhadraharana. A Srigadita, or short 
 
 drama in one act, on the story of Subhadra, wife of Arjuna. 
 
 Edited by Durgaprasada and Parab. Bombay, 1888, pp. 
 
 3 + 20. Kavyamala, no. 9. 
 Madhavanala A 1. p. 450 = 2 Mss. 
 Madhavanala see Anandadhara and KavISvara. 
 Madhavl vithika mentioned in RS. 
 MadhumalatI A 1. p. 426. 
 Madhumathanavijaya quoted in Kavyaloka, p. 152 (A 2. 
 
 P- 97)- 
 Madhuraniruddha see Candra^ekhara Rayaguru. 
 
 Madhusudana redactor of the more recent version of the 
 
 Mahanataka of Hanuman.
 
 Malamangalabhana 69 
 
 Madhusudana Sarasvati Krsnakutuhala A 1. p. 1 19 = 3 Mss 
 
 Idem Visnukutuhala mentioned in DR. intr. p. 30. [Per- 
 haps a mistake for the preceding.] 
 
 Mahadeva, son of Krsnasuri, Adbhutadarpana A 1. p. 8 = 
 3 Mss. 
 
 Idem Adbhutadarpana. Edited by Durgaprasada and 
 Parab. Bombay, 1 896, pp. 3 + 1 24 + 4. Kavyamala, 
 no. 55. 
 
 Mahadeva Kavlsacarya Sarasvati Danakelikaumudi bhanika 
 A 1. p. 249. 
 
 Mahadeva Sastrin Unmattaraghava A 1. p. 66. 
 
 Mahadeva see also Mahesvara. 
 
 Mahanataka see Hanuman. 
 
 Mahaviracarita see Bhavabhuti. 
 
 Mahavlrananda or Vlrananda mentioned in RS. and in DR. 
 intr. p. 30. 
 
 Mahesa Pandita Svarnamuktavivada 10. 7. 4202. 
 
 Idem Svarnamuktavivada. Bombay. In Kavyetihasasam- 
 graha, vol. 10. 
 
 Mahesvara or Mahadeva Dhurtavidambana prahasana A 1. 
 p. 272. 
 
 Mahesvara Sabha A 1. p. 696. 
 
 Mahesvarananda mentioned in RS. 
 
 Mahesvaratmaja Sankaralala Savitrlcarita chayanataka. 
 An original play in seven acts, on the myth of Savitrl, 
 daughter of Asvapati. Bombay, 1882, pp. 144-324. 
 
 Mahisamangala bhana. A short drama on an incident 
 occurring in a village called Mahisamangala, apparently- 
 written by an inhabitant of the place. With a commen- 
 tary. Palghat, 1890, pp. 84. 
 
 Maikela Madhresudanadatta Sarministha. 2° ed., Calcutta, 
 
 1854 (I270 A. H.), pp. 84. 
 
 Maithillparinaya see Hastimallasena. 
 Maithillya see Narayana Sastrin. 
 Makhin see Anandaraya Makhin. 
 Malamangalabhana (by Malamangala ?) A 1. p. 453.
 
 yo Malamangalabhana 
 
 Malamangalabhana. A short dramatic monologue in verse. 
 
 Olavakod, 1887, pp. 40. 
 Malatimadhava see Bhavabhuti. 
 Malavikagnimitra see Kalidasa. 
 Mallasena see Hastimallasena. 
 
 Mallasomayajin or Somayajin Jlvanmuktikalyana A 1 . p. 207. 
 Mallikamaruta see Uddandin. 
 Mangala see Jivananda Jyotirvid. 
 Manika (end of 14th century) Abhinavaraghavananda L. 
 
 app. p. 73. 
 Manjulanaisadha see Paravastu. 
 Manmathonmathana see Rama. 
 Mantranga A 1. p. 431 = 2 Mss. 
 Mantrin Ya^ahpala see Yasahpala. 
 Maratakavalllparinaya see Srinivasadasa. 
 Mathuradasa Vrsabhanuja natika A 1. p. 599 = 4 Mss.; 
 
 A 2. p. 143. 
 Idem Vrsabhanuja. A drama in four acts. Edited by 
 
 B. Tripathi. Benares, 1867- 1869. In The Pandit, old 
 
 series, vols. 2, 4. 
 Idem Vrsabhanuja. Edited by Sivadatta and Parab. Bom- 
 bay, 1895, pp. 3 4- 60. Kavyamala, no. 46. 
 Mathuranataka see Candrasekhara Rayaguru. 
 Matraraja Anangaharsa (9th century?) Tapasavatsaraja A 1. 
 
 p. 228 ; A 2. p. 48. 
 Mayakapalika samlapaka mentioned in SD. 549. 
 Mayakurangika lhamrga mentioned in RS. 
 MayurajaUdattaraghava mentioned by Dhanika on DR. 2.54 ; 
 
 3-3, 22 - 
 Meghesvara see Hastimallasena. 
 
 Menakahita rasaka mentioned in SD. 548. 
 
 Mentha see Bhartrmentha. 
 
 Misrabhana see Gundarama. 
 
 Mithyacara see Vaidyanatha. 
 
 Mithyajnanakhandana or Mithyajnanavidambana sec Ra- 
 
 vidasa. 
 
 Moharajaparajaya see Yasahpala.
 
 Murari 7 1 
 
 Moksaditya Bhimavikrama vyayoga (composed in 1328) 
 
 CBMMS. 273. 
 Mrcchakatika see Sudraka. 
 Mrgarikalekha see ViSvanatha.. 
 Mrksa L. app. p. 79. 
 Muditamadalasa see Kumaranarendrasaha. 
 Muditaraghava see Balakrsna. 
 Mudraraksasa see ViSakhadatta. 
 Muktacarita A 2. p. 217 == 2 Mss. 
 Muktiparinaya see Sundaradeva. 
 Mukundananda see KaSIpati. 
 Mukutataditaka see Bana Bhatta. 
 Mundita see Sivajyotirvid. 
 
 Murari. 
 
 Anargharaghava. Manuscripts. A 1 . p. 1 5 = 68 Mss. and 1 1 
 Com. ; by Tripurari 1, by Dhanesvara 2, by Naracandra 3, 
 by Rucipati 4, by Visnu 3, by Haradatta 1, by Harihara 6 ; 
 verses from it 2 ; A 2. p. 186 = I Ms. and Com. by Ruci- 
 pati 1 , by Visnu 1 ; A 3. p. 4 = 14 Mss. and Com. by Rucipati 
 7, by Laksmldhara 1, by Visnu 2, by Harihara 1 ; CS. 214, 
 215, 216; CBMMS. 256; SCBen. 436; Hz. 3. 1601 ; 
 IO. 7. 4151, 4152, 4153, 4154, 4155 ; Com. by Ramanan- 
 dasrama, Hz. 3. 1602 ; by Harihara, Hz. 3. 1603 ; by Ruci- 
 pati, CS. 217, 218, Hz. 3. 2019, IO. 7. 4156, 4157. 
 Analyzed by Wilson, 2, pp. 375-383. 
 
 Text Editions. Anargharaghava. Edited with occasional notes 
 by P. Tarkavagisa. Calcutta, i860, pp. 242. 
 
 Anargharaghava. Madras, 1870, pp. 114. 
 
 Anargharaghava. Edited by J. Vidyasagara. Calcutta, 1875, 
 pp. 178. 
 
 Anargharaghava. With the commentary of Rucipati. Edited 
 by Durgaprasada and Parab. i° ed., Bombay, 1887, pp. 
 3 4- 321 ; 2° ed., 1894, pp. 3 4- 321. Kavyamala, no. 5. 
 
 Anargharaghava. Sanskrit text, edited with a commentary by 
 Laksmana Suri. Tanjanagara, 1900, pp. 345.
 
 7 '2 Murarivijaya 
 
 Murarivijaya sec Jivarama and Sesakrsna. 
 
 N 
 
 Nagananda see Harsadeva. 
 
 Nagaraja A I. p. 283. 
 
 Nagayya Kundamala A 1. p. 109. 
 
 Nagnabhupatigraha A 1. p. 274. 
 
 Naisadhananda see KsemiSvara. 
 
 Nalabhumipalarupaka A 1. p. 280. 
 
 Nalacaritra see Nilakantha Diksita. 
 
 Nalananda see Jivavibudha. 
 
 Nalavilasa see Ramacandra. 
 
 Nalladlksita Cittavrttikalyana A 1. p. 186. 
 
 Idem Jlvanmuktikalyana A 1. p. 207. 
 
 Nandighosavijaya see Sivanarayanadasa. 
 
 Narakasuravijaya, Narakasuravadha, Narakasuradhvamsa, or 
 
 Narakadhvamsa see Dharma Pandita. 
 Narasimha Mi^ra Sivanarayanabhanjamahodaya A 3. p. 134. 
 Narayana Kamalakanthlrava A 1. p. 79. 
 Narayana Bhatta Janaklparinaya A 1 . p. 206. 
 
 Narayana Bhatta. 
 
 Venisarnhara or Venlsamvarana. Manuscripts. A 1. p. 603 = 40 
 Mss. and 2 Com. ; by Jagaddhara 4 ; A 2. pp. 144, 227 = 3 
 Mss. and Com. by Jagaddhara 3 ; A 3. p. 126= 7 Mss. ; 
 CBMMS. 276; SCBen. 995; Hz. 3. 2017; IO. 7. 4171, 
 4172; TT. 58; Com. by Jagaddhara, IO. 7. 4173. An- 
 alyzed by Wilson, 2, pp. 335-344. 
 
 Text Editions. Venisarnhara. Edited with a preface in English 
 by Muktaram Vidyabagish. Calcutta, 1855, pp. 21 -f 124. 
 
 Venisarnhara. Poona, 1856, pp. 69. 
 
 Venisarnhara. Edited with J. Tarkalamkara's commentary. 
 Calcutta, 1867, pp. 252. 
 
 Venisarnhara. Edited with a commentary by T. Tarkavacaspati. 
 Calcutta, 1868, pp. 10 + 262. Another ed., 1893, pp. 192.
 
 Narayanlvilasa 7i 
 
 Venlsamhara. With the commentary of C. R. Tivari. Benares, 
 
 1868. 
 Venlsamhara. Edited with notes and explanations by K. N. 
 
 Tarkaratna. Calcutta, 1870, pp. 272. In Majumdar's Series. 
 Venlsamhara. Die Ehrenrettung der Konigin. Kritisch mit 
 
 Einleitung und Noten herausgegeben von J. Grill. Leipzig, 
 
 1871. 
 Venlsamhara with the commentary of Tarkavacaspati. Edited 
 
 by J. Vidyasagara. Rev. ed., Calcutta, 1875, pp. 205 ; 
 
 another ed., 1886. 
 Venlsamhara. Edited by Tirumalatatacarya. Mysore, 1889, pp. 
 
 209. 
 Venlsamhara. Edited with the commentary of Jagaddhara, two 
 
 prefatory notes by L. R. Vaidya, and English notes by N. 
 
 B. Godabole. Poona, 1895, pp. 324. 
 Venlsamhara. Edited by B. T. and S. T. Dravid. Poona, 1 896, 
 
 pp. 272. 
 Venlsamhara. Edited by K. P. Parab and K. R. Madgavkar. 
 
 Bombay, 1898, pp. 218. 
 Venlsamhara. Sanskrit text with a commentary by Laksmana- 
 
 suri. Cennanagar, no date, pp. 195. 
 Translation. Venlsamhara, a Sanskrit drama, done into English 
 
 by S. M. Tagore. Calcutta, 1880. 
 
 Narayana Kavi Candrakala A 1. p. 179. 
 
 Narayana Sastrin Jaitrajaivatrka. The Victorious Moon. An 
 
 original play in seven acts. Chilambaram, 1888, pp. 68. 
 Idem Maithiliya, a drama on the life of Sita at Maithila ; in 
 
 ten acts. Madras, 1884, pp. 118. 
 Idem Sarmisthavijaya. A drama in four acts on the legend 
 
 of Sarmistha and Yayati. Madras, 1884, pp. 72. 
 Idem Suramayura. An original drama in seven acts. 
 
 Chilambaram, 1888, pp. 57. 
 Narayanatirtha KrsnalilataranginI A 1. p. 123. 
 Narayanavilasa A 2. p. 63. 
 Narayanlvilasa A I. p. 294.
 
 74 Narayanivilasa 
 
 Narayanivilasa see Virupaksa. 
 
 Narmavati natyarasaka mentioned in SD. 543. 
 
 Natakamelaka prahasana mentioned in SD. in, 207, 537 
 
 See also Latakamelaka. 
 Natavata see Yadunandana. 
 Natyaparisista see Krsnananda. 
 Navagrahacarita see GhanaSyama. 
 Navamalika A 2. p. 61. 
 Navamalika see Vi^ve^vara. 
 Nayacandra Rambhamanjarl natika A 1. p. 493 = 2 Mss. 
 
 and 1 Com. 
 Idem Rambhamanjarl. Edited by R. D. Sastri. Bombay, 
 
 1890, pp. 86. 
 Nilakantha Diksita Nalacaritra Ai.p, 280; A 2. p. 60. 
 Nilaparinaya see Drgbhavat. 
 Nirbhayabhima see Ramacandra Mahakavi. 
 Nirdosadasaratha cf. L. app. p. 76. 
 Nrsimha Srngarastabaka bhana A 1. p. 661. 
 Nrsimha Bhatta Hariharanusaranayatra A 1. p. 763. 
 Nrsimha Kavi Candrakalaparinaya or Candrakalakalyana 
 
 A 3. p. 38. 
 
 Palandumandana prahasana A 1. p. 330. 
 
 Pancabanavijaya see Rangacarya. 
 
 Pancabanavilasa bhana A 1. p. 315. 
 
 Pancayudhaprapanca see Trivikrama. 
 
 Pandavabhyudaya see Ramadeva. 
 
 Pandavananda quoted by Dhanika on DR. 3. 12. 
 
 Paravastu Venkataranga (beginning of nineteenth century) 
 
 Manjulanaisadha nataka. Printed in Granthapradarsinl 
 
 (A 3. p. 90). 
 Parijata see Kumaratataya. 
 
 Parijataharana see Gopaladasa and Umapatidhara. 
 Parthaparakrama see Yuvaraja. 
 Parvatiparinaya see Bana Bhatta.
 
 Raghavabhyudaya 75 
 
 Parvatisvayamvara A i. p. 336. 
 
 Pasandavidambana prahasana cf. A 1. p. 336. 
 
 Payodhimathana prahasana mentioned in RS. 
 
 Periyappa Srngaramanjarlsaharajlya A 2. p. 158. 
 
 Peru Suri Vasumangala A 2. p. 131. 
 
 Prabhavatiparinaya see Harihara and Visvanatha Kaviraja. 
 
 Prabhavatlpradyumna see Ramakrsna. 
 
 Prabodhacandrodaya see KrsnamiSra. 
 
 Pracandabhairava see SadaSiva. 
 
 Pracandagaruda vyayoga A 2. p. Jj. 
 
 Pracandapandava see Raja^ekhara. 
 
 Pracandarahudaya see GhanaSyama. 
 
 Pradyumna, a poet and playwright, A 1. p. 352. 
 
 Pradyumnabhyudaya A 1. p. 352. 
 
 Pradyumnananda see Venkatacarya. 
 
 Pradyumnavijaya see Sankara Diksita. 
 
 Prahasana A 1. p. 360 = 4 Mss.; A 3. p. "jj. 
 
 Prahasana see Kalidasa. 
 
 Prahladacarita mentioned in DR. intr. p. 30. 
 
 Pramanadarsa see Sukle^vara. 
 
 Prasannacandika A 1. p. 359. 
 
 Prasannaraghava see Jayadeva. 
 
 Prataparudrakalyana see Vidyanatha. 
 
 Pratapavilasa see Gangadhara. 
 
 Priyadarsika see Harsadeva. 
 
 Purafijana see Haridasa. 
 
 Puranjanacarita see Krsnadatta. 
 
 Purnapurusarthacandra see Jatavedas. 
 
 Purusottama Diksita Revatihalanta A 1. p. 534. 
 
 Puspabhusita prakarana mentioned in SD. 511. 
 
 Puspadusitaka prakarana mentioned by Dhanika on DR. 
 
 3- 38. 
 Puspamala see Candra§ekhara. 
 
 R 
 
 Radhamadhava A 2. p. 220 = 2 Mss. 
 Raghavabhyudaya quoted in SD. 498.
 
 j6 Raghavabhyudaya 
 
 Raghavabhyudaya see Bhagavantaraya, Gangadhara, Rama- 
 
 candra, and VenkateSvara. 
 Raghavananda, a dramatist, quoted in SD. 120. 
 Raghunathacarya Subhadraparinaya A 1. p. 728 = 2 Mss. 
 Raghunathavilasa see Yajnanarayana. 
 Raghuvilasa (Raghuvilapa) see Ramacandra. 
 Raivatamadanika gosthl mentioned in SD. 541. 
 Rajacudamani see Cudamani. 
 
 RajaSekhara, son of Durduka, 
 also called Rajanlvallabha (A 1. p. 777). 
 
 Balabharata see Pracaridapandava. 
 
 Balaramayana mahanataka. Mamiscripts. A 1. p. 372= 13 
 
 Mss. and 1 Com. ; Hz. 3. 1572. 
 Text Editions. Balaramayana. Edited by G. D. Sastri. Benares, 
 
 1869, pp. 324. In The Pandit, old series, 3, nos. 25-35. 
 Balaramayana, edited with a commentary by J. Vidyasagara. 
 
 Calcutta, 1884, pp. 103. 
 Balaramayana. Sanskrit text with a commentary by Laksmana 
 
 Suri. Tanjanagara, 1899, pp. 198. 
 
 Karpuramanjarl sattaka. Manuscripts. A 1. p. 82 = 22 Mss. 
 
 and 5 Com. ; by Kamaraja I, by Krsnasunu 1, by Dharma- 
 
 dasa I, by Pltambara 2 (cf. A 1. p. 491), by Vasudeva 2 ; 
 
 A 2. pp. 15, 191 = 5 Mss. and Com. by Dharmacandra 1, 
 
 by Vasudeva 3 ; A 3. p. 18=7 Mss. and 1 Com.; 10. 7. 
 
 4162, 4163. See also Konow and Lanman's edition, pp. 
 
 xxiii-xxvi. 
 Text Editions. KarpQramanjarl. Edited by Vamanacarya. 
 
 Benares, 1 872-1 873. In The Pandit, old series, 7, nos. 
 
 73-76. 
 
 Karpuramanjarl. Benares, 1883. 
 
 Karpuramanjarl, with the commentary of Vasudeva. Edited by 
 Durgaprasada and Parab. Bombay, 1887, pp. 121. In 
 Kavyamala, no. 4. 
 
 Karpuramanjarl. Edited with a full commentary by J. Vidyasa- 
 gara. Calcutta, 1889, pp. 160.
 
 RajaSekhara jj 
 
 Karpuramanjan. A Lucky Wife. Composed from Prakrita or 
 Maharashtri dialect. By V. S. Islampurkar. Bombay, 1890. 
 
 Karpuramanjan. A drama by the Indian poet Rajasekhara 
 (about 900 A. d.), critically edited in the original Prakrit 
 with a glossarial index and an essay on the life and writings 
 of the poet by Sten Konow and translated into English by 
 C. R. Lanman. Cambridge, Mass., 1901, pp. 26 + 289. 
 Harvard Oriental Series, vol. 4. 
 
 Criticism. Cimmino, Francesco. Studii sul teatro indiano. 1. 
 Sul dramma Karpuramanjan. In Rendiconto dell' Acca- 
 demia di Archeologia, Lettere e Belle Arti (di Napoli), 19 
 (1905), pp. 1-30. 
 
 Pracandapandava or Balabharata. Manuscripts. A I . p. 348 = 
 4 Mss. Analyzed by Wilson, 2, pp. 361-362. 
 
 Text Editions. Pracandapandava, zum ersten Male herausgegeben 
 von Carl Cappeller. Strassburg, 1885, pp. 9 -f 50. 
 
 Balabharata. Edited by Durgaprasada and Parab. Bombay, 
 1887, pp. 36. In Kavyamala, no. 4. 
 
 Viddhasalabhanjika natika. Manuscripts. A 1. p. 573 = 9 Mss. 
 and Com. by Narayana 1 ; A 2. p. 135 = 4 Mss. and Com. 
 by Narayana 2; A 3. p. 121 = 3 Mss. and Com. by Ghana- 
 syama I ; Com. by Ghanasyama, Hz. 3. 1677 ; Com. by 
 Sundari and Kamala (wives of Ghanasyama), Hz. 3. 1676. 
 Analyzed by Wilson, 2, pp. 354-360. 
 
 Text Editions. Viddhasalabhanjika. Edited by Vamanacarya. 
 Benares, 1 872-1 873. In The Pandit, old series, 6-y, nos. 
 
 65-73- 
 Biddhashala Bhanjika, with a commentary by Satyabrata Samas- 
 
 rami. Edited by J. Vidyasagara. Calcutta, 1873, pp. 99. 
 
 Biddhashalabhanjika. Edited with a commentary by J. Vidya- 
 sagara. Calcutta, 1883, pp. 150. 
 
 Viddhasalabhanjika, with the commentary of Narayana, edited 
 with explanatory and critical notes, various readings, and a 
 glossary by B. R. Arte. To which is added the Rtusam- 
 hara of Kalidasa. Poona, 1886, pp. 156 4- 48.
 
 78 RajaSekhara 
 
 Translation. The Viddhasalabhanjika of Rajasekhara, now first 
 translated from the Sanskrit and Prakrit by Louis H. Gray. 
 In JAOS. 27 (1906). [In press.] 
 
 Genera/ Criticism of Rajasekhara. Apte, V. S. Rajasekhara, his 
 
 Life and Writings. Poona, 1886, pp. 54. 
 Fleet, J. F. The Date of the Poet Rajasekhara. In I A. 16 
 
 (1887), pp. 175-178. 
 Kielhorn, F. On the Date of Rajasekhara. In Ep. Ind. 1 (1889), 
 
 pp. 162-179. 
 
 Rajimatiprabodha see YaSaScandra. 
 Rama Manmathonmathana dima A 2. p. 99. 
 Ramabhadra Srrigaratararigim bhana A 1. p. 660. 
 Ramabhadra Diksita, called Cokkanatha, (17th century) 
 
 Janaklparinaya A 1. p. 206 = 51 Mss ; A 2. p. 42 = 2 
 
 Mss. 
 Idem Janaklparinaya, a drama in seven acts on the Slta 
 
 legend. With a Marathi translation by G. S. L. Tryam- 
 
 bakar, and with an appendix containing a Sanskrit 
 
 version of the Prakrit passages. Bombay, 1 866, pp. 
 
 479 + 20. 
 Idem Janaklparinaya. Madras, 1883, pp. 155. 
 Idem Srngaratilaka bhana A 1. p. 660 = 6 Mss. and Com. 
 
 by Ramacandra I. 
 Idem Srngaratilaka bhana. Edited by Sivadatta and Parab. 
 
 Bombay, 1894, pp. 5 + 58. Kavyamala, no. 44. 
 Rama Bhatta Madalasa A 1. p. 426. Called Ujjlvitamadalasa 
 
 in DR. intr. p. 30. 
 Ramabhinanda mentioned in SD. 308. See also Rama- 
 
 nanda. 
 Ramabhyudaya see Ramadeva and YaSovarman. 
 Ramacandra Nalavilasa A 3. p. 60. 
 Idem Raghavabhyudaya A 3. p. 107. 
 
 Idem Raghuvilasa A 3. p. 104 ; (Raghuvilapa) A 1. p. 487. 
 Idem Yadavabhyudaya A 3. p. 102.
 
 Ramanka 79 
 
 Ramacandra Sarasakavikulananda bhana A 1. p. 699. 
 Ramacandra Satya Hariscandra Nataka. Edited in Sanskrit 
 
 by B. R. Arte and S. V. Puranik. Bombay, 1898, pp. 61. 
 Ramacandra (wrote before 1588) Vasantika natika A 1. p. 
 
 556 (Vasantika) ; A 3. p. 120 = 10. 7. 4186 (not 4136). 
 Ramacandra DIksita Keralabharana bhana A 1. p. 125 = 2 
 
 Mss. 
 Ramacandra Kavi (end of 1 8th century) Aindavananda A 1. 
 
 p. 76. 
 Idem Kalananda A 1. p. 84. 
 
 Ramacandra Mahakavi Nirbhayabhlma vyayoga A 1. p. 298. 
 Ramacandra see also Ramavarman. 
 Ramacandranataka A I. p. 513. 
 Ramacarita A 1. p. 514. 
 Ramadeva or Vyasa Sri Ramadeva (15th century) Panda- 
 
 vabhyudaya chayanataka A 3. p. 161 = IO. 7. 4187 
 
 (copied in 147 1) ; L. app. p. yy. 
 Idem Ramabhyudaya chayanataka A 2. pp. 122, 221 ; 
 
 CBMMS. 272. a. Bendall in JRAS. 1898, p. 231. 
 Idem Subhadraparinaya chayanataka A 1. p. 728 ; CBMMS. 
 
 271. 
 Rama Kavi Madanagopalavilasa bhana A 1. p. 425 ; A 2. 
 
 p. 97. 
 Ramakrsna Suri, son of Ahlada, Prabhavatlpradyumna A 2. 
 
 p. 79 = 2 Mss. 
 Ramamanika Kaviraja Krtarthamadhava A 3. p. 25. 
 Ramananda mentioned in Rucipati's commentary on the 
 
 Anargaraghava of Murari (ed. of Durgaprasada and 
 
 Parab, p. 70). Same as Ramabhinanda. 
 Ramananda Raya (end of 1 5th century) Jagannathavallabha 
 
 A 1. p. 196 = 2 Mss.; A 2. p. 200 ; A 3. p. 43. 
 Idem Jagannathavallabha. A dramatic poem on the adven- 
 tures of Krsna at Vrndavan, with a Bengali translation 
 
 by R. Vidyaratna. 2 ed. Murshidabad, 1882, pp. 1 16. 
 Ramanataka A I. p. 515 = 3 Mss.; A 2. p. 121. 
 Ramanka see Dharmagupta.
 
 8o Ramanuja 
 
 Ramanuja Kavi Vivekavijaya A 2. p. 137. 
 Ramasukavisekhara Srrigararasodaya misrabhana A 2. p. 
 
 158. 
 Ramavarman Yuvaraja or Ramacandra (175 5- 1787) Ruk- 
 
 minlparinaya A 1. p. 527 = 2 Mss. 
 Idem Rukminiparinaya. Edited by Sivadatta and Parab. 
 
 Bombay, 1894, pp. 3 + 52. Kavyamala, no. 40. 
 Idem Srrigarasudhakara bhana mentioned in Kavyamala, no. 
 
 40, p. 1 (A 2. p. 158). 
 Ramayananataka see Somesvaradeva. 
 Rambhamanjarl see Nayacandra. 
 Ramila, a playwright. Cf. F. Hall, Fragments of three early 
 
 Hindu dramatists, in JASBe. 28 (1859), pp. 28-30. 
 Rammoy Vidyabhusana Devadurgatl prahasana. Calcutta, 
 
 1884, pp. 14. 
 Ramodaya see Srivatsalanchana. 
 
 Rangacarya Pancabanavijaya bhana A 1. p. 315 = 7 Mss. 
 Idem Pancabanavijaya, or the conquest of the love-god, a 
 
 bhana or dramatic monologue. Edited by V. R. Carlu. 
 
 i° ed., Madras, 1882, pp. 48 ; 2° ed., 1886, pp. 46. 
 Raiigadatta mentioned in SD. 5 1 2. See also Tarangadatta. 
 Ranganatha Srngarasrngataka bhana A 2. p. 158. 
 Raiiganatha (?) A 1. p. 488. 
 Rasasadana see Yuvaraja. 
 Rasavilasa see Cokkanatha. 
 Rasikajanarasoilasa see Venkata. 
 Rasikamrta see Sankara Narayana. 
 Rasikaranjana see Srinivasacarya, 
 Rasollasa see Srinivasa Vedantacarya. 
 Ratimanmatha see Jagannatha Pandita. 
 Ratnaketudaya A 1. p. 489 = 2 Mss. 
 Ratnakheta DIksita Bhaimlparinaya A 1. p. 416 = 2 Mss. 
 Ratnavall see Harsadeva. 
 Ravidasa Mithyajnanavidambana or Mithyajnanakhandana 
 
 A 1. p. 455 = 3 Mss. ; A 2. p. 105 = 2 Mss. ; A 3. p. 
 
 98 = 2 Mss. ; 10. 7. 4200 (Analyzed).
 
 Rupa Gosvamin 8 1 
 
 Idem Mithyajnanavidambana. Calcutta, 1885, pp. 25. 
 
 Revatlhalanta see Purusottama. 
 
 Rudracandradeva or Rudradeva Usaragodaya natika A 1 . p. 
 71 =6 Mss. and I Com.; IO. 7. 4174. Analyzed by 
 R. Mitra, Notices of Sanskrit Manuscripts, 3, p. 192. 
 
 Idem Yayaticarita A 1. p. 473 = 2 Mss. Analyzed by 
 Wilson, 2, pp. 388-389. 
 
 Rudrasarman Tripathin Candivilasa or Candicarita Ai. pi 
 177 = 5 Mss. (with Com. by the author). 
 
 Rukmirfi see Sarasvatinivasa. 
 
 Rukminiharana see Sesacintamani. 
 
 Rukminlkalyana see Cudamani Diksita. 
 
 Rukminiparinaya see Kavitarkikasimha, Ramavarman, and 
 Varada Kavi. 
 
 Rupa Gosvamin (end of 15th century) Danakeli or Danakeli- 
 kaumudi bhanika A 1. p. 249 = 2 Mss. and 1 Com.; 
 A 2. pp. 53, 205 = 2 Mss. and Com. by Jivagosvamin 1 . 
 A 3. p. 54 = 3 Mss. and Com. by Raghunathadasa 1. 
 
 Idem Danakelikaumudi, a play founded on Vaisnava legends, 
 with a commentary by Jlva Gosvamin, and a Bengali trans- 
 lation by R. Vidyaratna. In Vaisnavadharmaprakasika, 
 parts 1-6, Murshidabad (Berhampur), 1881. 
 
 Idem Lalitamadhava A 1. p. 542 = 4 Mss. ; A 2. p. 128 ; 
 A 3. p. 115=2 Mss. and Com. by Narayana 1 ; IO. 7. 
 4179. 
 
 Idem Vidagdhamadhava (composed in 1533) A 1. p. 572 = 
 9 Mss. and 1 Com.; A 2. pp. 135, 225= 3 Mss. and 
 1 Com.; A 3. p. 121=4 M ss - and 1 Com.; IO. 7. 
 4177, 4178. Analyzed by Wilson, 2, pp. 393-394. 
 
 Idem Vidagdhamadhava, a Vaisnava play, with a commen- 
 tary by V. Cakravarti and a Bengali prose translation by 
 R. Vidyaratna. In Vaisnavadharmaprakasika, parts 7-17, 
 Murshidabad (Berhampur), 1882. 
 
 Idem Vidagdhamadhava. Edited by Sastii and Parab. 
 Bombay, 1903, pp. 3 + 219 + 6. Kavyamala, no. 81.
 
 82 Sabha 
 
 S 
 
 Sabha see Mahesvara. 
 
 Sabhapativilasa see Dharmaraja. 
 
 SadaSiva Pracandabhairava vyayoga A I. p. 348. 
 
 Sakuntala see Kalidasa. 
 
 Samaraja DIksita, son of Narahari Diksita, Dhurtanartaka 
 
 A 1. p. 272 = 2 Mss. Analyzed by Wilson, 2, p. 407. 
 Idem Srldamacarita or Damacarita (written in 1681) A 1. p. 
 
 250; A 2. p. 160; A3, p. 54. Analyzed by Wilson, 2, 
 
 pp. 404-406. 
 Samavata see Ambikadatta. 
 Samayasara see Amrtacandra. 
 Samkalpasuryodaya A 1. p. 683 = 33 Mss. and I Com. ; 
 
 A 2. p. 163 = 1 Ms. and 1 Com. ; A 3. p. 142 = 4 Mss. 
 
 and 1 Com. 
 Samkalpasuryodaya see Venkatanatha. 
 Samrddhamadhava see Govinda Kavibhusana. 
 Samudrama(n)thana samavakara or subject of a samavakara 
 
 mentioned in SD. 516 and by Dhanika on DR. 3. 61. 
 Samvarana A 1. p. 681. 
 Sanandagovinda A 1. p. 707. 
 Sanandagovinda see Gopala Bhatta. 
 Sandrakutuhala sec Krsnadatta. 
 Sankara Saradatilaka bhana A 1. p. 642 = 3 Mss. ; A3. 
 
 p. 133. Analyzed by Wilson, 2, pp. 384-387. 
 
 
 
 Sankaradeva Vidagdhamadhava A 2. p. 135. 
 
 Sankara DIksita (latter half of eighteenth century), son of 
 
 Balakrsna, Pradyumnavijaya A 1. p. 352 = 3 Mss. 
 
 Analyzed by Wilson, 2, pp. 402-403. 
 Sankara Mi§ra Gaurldigambara A3, p. 37. 
 Sankara Narayana Rasikamrta A 3. p. 106. 
 Sankhadhara Latakamelaka prahasana A 1. p. 542 = 3 
 
 Mss. ; A 2. pp. 128, 223 = 5 Mss. ; A 3. p. 115. 
 Idem Latakamelaka. Edited by Durgaprasada and Parab. 
 
 Bombay, 1889, pp. 3 -f 30. Kavyamala, no. 20. 
 Sanmata see Jayanta.
 
 Sesakrsna 83 
 
 Santicaritra, a Buddhist play, cf. L. app. p. 81. 
 
 Santirasa see Vaikunthapuri. 
 
 Saradananda bhana A 2. p. 152. 
 
 Saradatilaka see Sankara. 
 
 Sarasakavikulananda see Ramacandra. 
 
 Saras vatadarsa see Appasastrin. 
 
 Sarasvatinivasa Rukminlnataka A 1. p. 527. 
 
 Sarministha see Maikela. 
 
 Sarmisthavijaya see Narayana Sastrin. 
 
 Sarmisthayayati utsrstikanka mentioned in SD. 519. 
 
 Sarmisthayayati see Bhagavata. 
 
 Sarngadhara Sarngadharlya A 1. p. 643 = 2 Mss. 
 
 Sarvacarita see Bana Bhatta. 
 
 Sathakopacarya Bhaimlparinaya A 2. p. 95. 
 
 Satsangavijaya see Vaidyanatha. 
 
 Satyabhamavilasa see Krsnakavlndra. 
 
 Satyahariscandra see Ramacandra. 
 
 Saugandhikaharana vyayoga A 1. p. 737; mentioned in 
 
 SD. 514. 
 Saugandhikaharana see ViSvanatha. 
 Saugandhikaparinaya A 1. p. JiJ. 
 Saumillaka see Somila. 
 Saumyasomabhidha see Srinivasa. 
 Savitrlcarita see Mahe^varatmaja. 
 Sesacintamani (wrote before 1675), son of Nrsimha, 
 
 Rukmimharana A 1. p. 527 = 2 Mss. ; CBMMS. 274. 
 Idem Strijnan Dipak. A metrical translation into Gujarati 
 
 of the Rukmimharana. Bombay, 1873, pp. 296. 
 Sesakrsna, also called Krsna or Krsnakavi (end of the 16th 
 
 century), son of Nrsimha or Narasimha, Kamsavadha A 1. 
 
 p. 77= 14 Mss. and 4 Com.; A 2. p. 15; A 3. p. 
 
 17= 2 Mss.; SCBen. 299; Hz. 3. 2080; 10. 7. 4175. 
 
 4176. Analyzed by Wilson, 2, pp. 400-402. 
 Idem Kamsavadha. Edited by Durgaprasada and Parab. 
 
 Bombay, 1888, pp. 3 -f 80. Kavyamala, no. 6. 
 Idem Murarivijaya A 1. p. 462 = 3 Mss.; A 2. p. 106.
 
 84 Sevantikaparinaya 
 
 Sevantikaparinaya A 1. p. 734 = 3 Mss. 
 
 Shahji, king of Tanjore (1684-171 1), Candrasekharavilasa 
 
 A 1. p. 182. 
 Sitalacandra Vidyabhusana Gosayatra. A play in ten acts on 
 
 the story of Duryodhana. Calcutta, 1885, pp. 4 + 41. 
 Sltananda see Tatarya. 
 Sltaraghava A 1. p. 723. 
 SItarama Janaklparinaya A 1 . p. 206. 
 Sitasvayamvara see Hanuman. 
 Sitavivaha A I. p. 723. 
 Sivabhaktananda A 1. p. 650. 
 
 Sivajyotirvid Mundita prahasana A 1. p. 461 =2 Mss. 
 Sivanarayanabhanjamahodaya see Narasimha. 
 Sivanarayanadasa Nandighosavijaya or Kamalavilasa A 1. 
 
 p. 276 ; A 3. p. 161 = IO. 7. 4190. 
 Sivanatha Sarman, a playwright. Cf. A. W. Ryder in 
 
 JAOS. 23 (1902), p. 79. 
 Sivasvamin (second half of the 9th century) a playright of 
 
 Kashmir (L. app. p. 87). 
 Somadeva Lalitavigraharajanataka. A portion was edited by 
 
 Kielhorn in IA. 20 (1891), pp. 201-212. 
 Somavalliyogananda see Arunagirinatha and Dindima. 
 Somayajin see Mallasomayajin. 
 
 SomeSvaradeva Ramayananataka A 1 . p. 524=2 Mss. 
 Somila, a playwright. Cf. F. Hall, Fragments of three early 
 
 Hindu dramatists, in JASBe. 28 (1859), pp. 28-30. 
 Srldamacarita see Samaraja. 
 Srikantha Kandarpadarpana Hz. 3. 1683. 
 Srinivasa Saumyasomabhidha, a modern drama in four acts. 
 
 Chilambaram, 1887, pp. 80. 
 Srlnivasacarya Sudarsanavijaya A 1. p. 724. 
 Srlnivasacarya Usaparinaya A 1 . p. 71. 
 Srlnivasacarya Rasikaranjana bhana. Mysore, 1885, pp.60. 
 Srinivasa Catuskavlndradasa, son of Ramanujasarvakratu, 
 
 Laksmlsvayamvara A 1. p. 540; A 3. p. 114. 
 Srinivasadasa Maratakavalllparinaya A 1. p. 433 = 2 Mss.
 
 Subhata 8 5 
 
 Srinivasatiratrayajin Bhavanapurusottama A 1. p. 407 = 2 
 
 Mss. 
 Srlnivasa Vedantacarya Rasollasa bhana A 1. p. 498. 
 
 § 
 
 Srlrangaraja see Gopalaraya. 
 
 Srlvatsalanchana Ramodaya A 1. p. 526. 
 
 Snigarabhusana sec Vamana. 
 
 Srngaracandrika bhana A 2. p. 157. 
 
 Srngaradipaka see Venkatadhvarin. 
 
 Srngarajlvana bhana A 1. p. 660. 
 
 Srngarakosa see Girvanendra and KaSyapa. 
 
 Srngaramaiijarl see Gopalaraya and ViSvesvara. 
 
 Srngaramanjansaharajiya see Periyappa. 
 
 Srngararasodaya see Lingaguntamarama and Ramasukavi- 
 
 ^ekhara. 
 Srngarasarvasva see Cudamani, Kau^ika, and Svamimisra. 
 
 
 
 Srngarasrngataka see Ranganatha. 
 
 Srng-arastabaka see Nrsimha. 
 
 Srngarasudhakara see Ramavarman. 
 
 Srngaratarangini see Ramabhadra and Verikatacarya. 
 
 Srngaratilaka prasthana mentioned in SD. 544. 
 
 Srngaratilaka see Ramabhadra Diksita. 
 
 Srngaravapika see ViSvanatha Bhatta. 
 
 Stambhitarambha trotaka mentioned in SD. 540. 
 
 Subhadradhanamjaya see Gururamakavi. 
 
 Subhadraharana A 1. p. 728 = 2 Mss. and 1 Com. 
 
 Subhadraharana see Madhava Bhatta. 
 
 Subhadraparinaya A 1. p. 728. 
 
 Subhadraparinaya see Raghunathacarya and Ramadeva. 
 
 Subhadravijaya A 1. p. 728. 
 
 Subhagananda prahasana A 1. p. 727. 
 
 Subhata Dutaiigada chayanataka A 1. p. 257 = 6 Mss.; A 
 2. pp. 55, 205 = 5 Mss.; A 3. p. 55 ; CBMMS. 269; 
 10. 7. 4188. Another recension, also attributed to 
 Subhata, 10. 7. 4189. Analyzed by Wilson, 2, p. 390, 
 and by Aufrecht, Cat. Codd. Sanscr. Bibl. Bodl., Oxford, 
 1864, p. 139.
 
 86 Subhata 
 
 Idem Dutangada. Edited by Durgaprasada and Parab. 
 
 i° ed., Bombay, 1891, pp. 3 + 15; 2° ed., 1900, pp. 
 
 3+15- Kavyamala, no. 28. 
 Subrahmanya Kavi Vijayendiraparinaya A 2. p. 135. 
 Sudarsanavijaya see Srinivasacarya. 
 
 Sudraka. 
 
 Mrcchakatika prakarana. Manuscripts. A 1. p. 465 = 12 Mss. 
 and 2 Com.; by Ganapati I, by Prthvldhara 5, by Rama- 
 mayasarman 1, by Lalladlksita 1 (made for Wilson) ; A 2. p. 
 107 = 2 Mss. and Com. by Prthvldhara 1, by Lalladlksita 1 ; 
 CS. 252, 253, 254; 10. 7. 4123, 4124; Com. by Lal- 
 ladlksita, CS. 251 ; Com. by Prthvldhara, CS. 255. 
 
 Text Editions. Mrcchakatika, with a commentary explanatory 
 of the Prakrit passages. Calcutta, 1829, pp. 2 -f 343. 
 
 Mrcchakatika, id est, Curriculum Figlinum Sudrakae regis. 
 Fabula sanskrite edidit A. F. Stenzler. Bonn, 1847, PP- 
 
 8 + 332. 
 
 Mrcchakatika, edited with a commentary by Ramamayasarman 
 and a preface in Bengali by V. Majumdar. Calcutta, 1870, 
 pp. 386. In Majumdar' s Series. 
 
 Mrcchakatika, edited with a commentary by J. Vidyasagara. 1 ° 
 ed., Calcutta, 1 88 1, pp. 425 ; 2 ed., 1891, pp. 35 1 ; 3 ed., 
 1898, pp. 355. 
 
 Mrcchakatika, with the commentaries of Lalladlksita and Prthvl- 
 dhara and various readings. Edited by N. B. Godabole. 
 Bombay, 1896, pp. 594. 
 
 Mrcchakatika, with the commentary of Prthvldhara. Edited by 
 JK. P. Parab. Bombay, 1900, pp. 294. 
 
 Translations. A. English. The MrcchakatI, or the Toy- 
 Cart. Translated by Wilson, 1, pp. 1-182. 
 
 The Little Clay Cart [Mrcchakatika], a Hindu drama attributed 
 to King* Shudraka, translated from the original Sanskrit and 
 Prakrits into English prose and verse by Arthur W. Ryder. 
 Cambridge, Mass., 1905, pp. 30+ 177. Harvard Oriental 
 Series, vol. 9.
 
 Sudraka 87 
 
 B. French. Le Chariot d' Enfant. Drame en vers, en cinq 
 
 actes et sept tableaux. Traduction par MM. Mery et G. de 
 
 Nerval. Paris, 1850. 
 Mrcchakatika. Le petit chariot d'argile, drame en dix actes, par 
 
 H. Fauche. In Une tetrade, ou drame, hymne, roman et 
 
 poeme, traduite pour la premiere fois du Sanscrit en franqais, 
 
 vol. 1, Paris, 1861. 
 Le Chariot de Terre Cuite. Drame Sanscrit attribue au roi 
 
 Cudraka, traduit et annote des scolies de Lalla Dlkshita, 
 
 par Paul Regnaud. Paris, 1876-1877, 4 vols. Bibl. Orient. 
 
 Elzevir., nos. 6-9. 
 
 C. German. Mrkkhakatika, das ist, das irdene Wagelchen, ein 
 
 dem Konig Cudraka zugeschriebenes Schauspiel. t)ber- 
 setzt von Otto Bohtlingk. St. Petersburg, 1 8yy, pp. 4 + 2 1 3. 
 
 Mrcchakatika, metrisch ubersetzt von Ludvvig Fritze. In his 
 Indisches Theater, vol. 3, Schloss-Chemnitz, 1879. 
 
 Vasantasena ; Drama, mit freier Benutzung der Dichtung des 
 altindischen Konigs Sudraka, von Emil Pohl. Stuttgart, 
 1893, pp. 128. 
 
 Vasantasena, oder das irdene Wagelchen. Freie Obersetzung von 
 Michael Haberlandt. Leipzig, 1893, pp. 20 + 214. 
 
 Vasantasena, oder das irdene Wagelchen. Ein indisches Schau- 
 spiel in zehn Aufziigen von Konig Cudraka. Deutsch von 
 Hermann Camillo Kellner. i° ed., Leipzig, 1893, pp. 200; 
 2° ed., 1894, pp. 199. 
 
 D. Dutch. Het Leemen Wagentje, Indisch Tooneelspel, uit 
 
 Sanskrt en Prakrt in het Nederlandsch vertaald door J. Ph. 
 Vogel. Amsterdam, 1897, pp. 15 -f 216. 
 
 E. Swedish. Vasantasena. Indiskt drama i 5 akter. Fritt 
 
 after Emil Pohls tyska bearbetning. Stockholm, 1 894, pp. 
 119. 
 Mrcchakatika. Den lilla lervagnen. Ett indiskt skadespel 
 ofversatt av Hilding Andersson. Lund, 1899, pp. 133. 
 
 F. Danish. Mrcchakatika. Lervognen. Et indisk Skuespil. 
 
 Oversat af E. Brandes. Copenhagen, 1870. 
 
 G. Italian. Introduzione alia versione del Mrcchakatika
 
 88 Sudraka 
 
 (opera di £udraka) da Michele Kerbaker. Florence, 1872. 
 [With translation of first act.] 
 
 Mrcchakatika, versione italiana di Michele Kerbaker. Published 
 in part in the Rivista Europea, Florence, Dec. 1 869, and in 
 the Giornale Napolitano, new series, 9 (1884), pp. 1-83. 
 
 H. Russian. Vasantasena, drevnaya indeiskaya drama. Pere- 
 vod s sanskritskago C. Kossovica. In Moskvityanin, Mos- 
 cow, 1849. 
 
 Criticism. Boltz, A. Vasantasena und die Hetaren im indischen 
 Drama ; Das Vedavolk in seinen Gesamtverhaltnissen : Zwei 
 Vortrage. Darmstadt, 1894, pp. 56 [= l EAXd<;, 5 (Leiden, 
 1894), pp. 279-305]. 
 
 Cappeller, C. Zur Mrcchakatika. In Festgruss an O. von 
 Bohtlingk, Stuttgart, 1888, pp. 20-22. 
 
 Chattopadhyaya, N. Three Lectures : The Reminiscences of the 
 German University Life, The True Theosophist, and The 
 Mricchakatikam, or the Toy Cart. Bombay, 1895, pp. 89. 
 
 Chattopadhyaya, N. Mrcchakatika, or the Toy-Cart of King 
 Sudraka. A study. Mysore, 1902, pp. 10 -f 82. 
 
 Kellner, H. C. Einleitende Bemerkungen zu dem indischen 
 Drama Mrcchakatika. Zwickau, 1872, pp. 28. In Jahresb. 
 d. Gymnasiums zu Zwickau. 
 
 Levi, Sylvain. Le theatre indien a Paris. In Revue de Paris, 
 1895, pp. 818-829. [On the production of Barrucand's 
 French version at Paris.] 
 
 Nyayaratna, M. On the Authorship of the Mrcchakatika. In 
 Proc. of the Asiatic Soc. of Bengal, 1887, pp. 193-200. 
 
 Pavolini, P. E. II Carretto d'Argilla. Conferenza. In Rassegna 
 Nazionale, 24 (Florence, 1902), pp. 586-610. 
 
 Ryder, A. W. The Clay Cart. In Boston Transcript, Nov. 2 1 , 
 1903. [Includes selected passages in translation.] 
 
 Wilson, H. H. Sur un drame indien ; extrait du Ca cutta An- 
 nual Register, et traduit par M. Dondey-Dupre fils. In JA. 
 i° series, 10 (1827), pp. 174-188, 193-209. 
 
 Windisch, E. Uber das Drama Mrcchakatika und die Krsna- 
 legende. In Bericht der phil.-hist. CI. der Kon. Sachs. 
 Gesells. der Wiss., 4 (1885), pp. 439-479.
 
 Tripuradaha 89 
 
 Sukla Bhudeva (16th century) Dharmavijaya A 1. p. 269 
 = 9 Mss. and Com. by Bhavanlsankara 7 ; A 2. pp. 58, 
 206=2 Mss. and 1 Com.; A 3. p. 58; IO. 7. 4182, 
 4183 ; Com. by Bhavanlsankara, 10. 7. 4183. 
 
 Idem Dharmavijaya. Bombay, 1889. In Grantharatna- 
 mala 3. 
 
 SukleSvara Pramanadarsa mentioned in DR. intr. p. 30. 
 
 Sulocanavivaha (?) L. app. p. 82. 
 
 Sumatijitamitramalladeva, king of Bhatgaon, Asvamedha 
 
 A 3. P- 8. 
 Sundaradeva, son of Govinda, Muktiparinaya A 1. p. 459 
 
 = 2 Mss. 
 Sundaradeva Vinodaranga prahasana A 1. p. 577. 
 Sundara Kavi Anarigamahgala bhana cf. A 1 . p. 1 2. 
 Sundara MiSra Abhiramamani (composed in 1599) A 1. p. 26 
 
 = 2 Mss. Analyzed by Wilson, 2, p. 395. 
 Sundara Raja Vaidarbhivasudeva, a drama in five acts, on 
 
 the legend of RukminI and Krsna. Kailasapura (Tinne- 
 
 velli), 1888, pp. 6+ 112. 
 Suramayura see Narayana Sastrin. 
 SvamimiSra or Svami^astrin Sriigarasarvasva A 1. p. 661 ; 
 
 A 2. p. 158. 
 Svanubhutyabhidha see Anantarama. 
 Svapnadasanana see Bhlmata. 
 Svapnavasavadatta see Bhasa. 
 Svarnamuktavivada see MaheSa. 
 
 T 
 
 Tapasavatsaraja see Matraraja. 
 
 Tarangadatta prakarana mentioned by Dhanika on DR. 3. 
 38. See also Rangadatta. 
 
 Tarkalamkara Mahamahopadhyaya Kaumudisudhakara pra- 
 karana. Calcutta, 1888, pp. 6 + 217. 
 
 Tatarya Sltananda A 1. p. 723. 
 
 Tripuradaha dima or subject of a dima mentioned in Bharata, 
 4. 9, and on Bharata's authority in SD. 517 and by 
 Dhanika on DR. 3. 53.
 
 90 Tripurari 
 
 Tripurari A I. p. 237. 
 
 Trivikrama Pandita Pancayudhaprapanca bhana A 1. p. 317 
 
 = 5 Mss. ; A 2. p. 209. 
 Tumburunataka mentioned in the Samgitadamodara (L. app. 
 
 p. 76). 
 
 U 
 
 Udattaraghava mentioned in SD. 283, 420, and by Hema- 
 
 candra (A 1. p. 65). Probably the same work as the 
 
 Udattaraghava of Mayuraja. 
 Udattaraghava see Mayuraja. 
 
 Udayanacarita mentioned in DR. 2. 53 and SD. 422. 
 Uddandin (not earlier than the 1 5th century) Mallikamaruta 
 
 prakarana A 1. p. 434 = 5 Mss. 
 Idem Mallikamaruta. With the commentary of Rariganatha- 
 
 carya. Edited by J. Vidyasagara. Calcutta, 1878, pp. 
 
 4+338. 
 Ujjivitamadalasa see Rama Bhatta. 
 
 Umapatidhara (12th century) Parijataharana A 1. p. 335. 
 Unmatta see Venkatesa Kavi. 
 
 Unmattaraghava see Bhaskara and Mahadeva Sastrin. 
 Usaharana see Harsanatha. 
 Usaparinaya see Srinivasacarya. 
 Usaragodaya see Rudracandradeva. 
 Uttararamacarita see Bhavabhuti. 
 
 V 
 
 Vadicandra Suri, a Jain, Jnanasuryodaya A 1. p. 210. 
 
 Vadhyasila quoted in SD. 482. 
 
 Vaidarbhivasudeva see Sundara Raja. 
 
 Vaidyanatha Krsnalila natika A 1. p. 123 ; A 2. pp. 24, 195 ; 
 
 CS. 221. 
 Vaidyanatha Mithyacara prahasana cf. A 1. p. 455. 
 Vaidyanatha Satsaiigavijaya A 1. p. 690 == 2 Mss. 
 Vaidyanatha Vacaspati Citrayajna A 1. p. 187; CS. 224. 
 
 Analyzed by Wilson, 2, pp. 412-415. 
 Vaikunthapuri Santirasa A 2. p. 152.
 
 Vasantikaparinaya 91 
 
 Vajramukutivilasa A 1. p. 548 = 3 Mss. 
 
 Vakratundagananayaka prakarana A 1. p. 547. 
 
 Vakulamalimparinaya (?) L. app. p. 80. 
 
 Valliparinaya see Viraraghava. 
 
 Vamana Bhatta Bana Srngarabhusana bhana A 1. p. 661 
 
 = 6 Mss. ; A 2. p. 158 = 3 Mss. ; A 3. p. 137. 
 Idem Srngarabhusana. Published in Granthapradarsanl 
 
 (A3, p. 137). 
 Idem Srngarabhusana, a dramatic entertainment in one act. 
 
 Edited by Ramakrsna Acarya. Madras, 1873, pp. 30. 
 Idem Srngarabhusana. Edited by Sivadatta and Parab. 
 
 Bombay, 1896, pp. 3 + 19. Kavyamala, no. 58. 
 Vamsamani, a Maithila, son of Ramacandra, Gitadigambara 
 
 A 3- P- 33- 
 Vanamali MiSra Adbhutaraghava A 3. p. 2. 
 
 Vanlbhusana see Damodara Mi^ra. 
 
 • • • 
 
 Varada Anangajlvana or Anangasamjivana bhana A 1. p. 
 
 12 = 4 Mss. 
 Varadacarya Ambala bhana A 1 . p. 29. 
 Varadacarya Anangabrahmavidyavilasa bhana cf. A 1. p. 
 
 549- 
 Varadacarya Cola bhana A 2. p. 200. 
 
 Varadacarya Vasantatilaka bhana A 1. p. 556 = 34 Mss.; 
 
 A 2. pp. 131, 224 = 4 Mss.; A 3. p. 118; Hz. 3. 1577 ; 
 
 10. 7. 4198, 4199. 
 Idem Vasantatilaka. Edited by D. V. Sarman. Calcutta, 
 
 1868, pp. 63. 
 Idem Vasantatilaka. Edited by J. Vidyasagara. Calcutta, 
 
 1872, pp. 47. 
 Varadacarya Yatirajavijaya or Vedantavilasa A 1. p. 471 =5 
 
 Mss. and 1 Com. 
 Varada Kavi Rukminiparinaya A 1. p. 527. 
 Vasantabhusana bhana (?) L. app. p. 80 ; but cf. A 1. p. 556. 
 Vasantatilaka see Varadacarya. 
 Vasantika (Vasantika) see Ramacandra. 
 Vasantikaparinaya A 1. p. 566 = 3 Mss.; A 2. p. 133.
 
 92 Vasantikaparinaya 
 
 Vasantikaparinaya see Chata Yati. 
 Vasantikasvapna see Krsnamacari. 
 Vasumarigala see Peru Suri. 
 Vasumaticitrasenavilasa A I. p. 557 = 2 Mss. 
 Vasumaticitrasenavilasa see Appayya. 
 Vasumatlparinaya see Jagannatha Pandita. 
 Vatsaraja Hasyacudamani prahasana A 1. p. 766. 
 Vatucaritra (?) L. app. p. 80. 
 
 Vedakavisvamin Vidyaparinaya A 1. p. 574 = 4 Mss. 
 [This author is said to be the same as Anandaraya (A 2. 
 
 p. 136).] 
 Vedantavaglsa Bhattacarya Bhojarajasaccarita or Bhojasac- 
 
 carita A 1. p. 418 ; A 3. p. 90. 
 Vedantavilasa sec Ammal and Varadacarya. 
 Venlsamhara or Venisamvarana see Narayana Bhatta. 
 Venkappa Kamavilasa bhana A 1. p. 93. 
 Venkata, son of Vedantadesika, Rasikajanarasollasa bhana 
 
 A 3. p. 106. 
 Venkatacarya Bhaimiparinaya A 1. p. 416. 
 Venkatacarya, of Surapura, SrrigarataranginI A 1. p. 660 
 
 = 2 Mss. 
 Venkatacarya or Venkatadhvarin (also called Arasanipala) 
 
 Pradyumnananda bhana A 1. p. 352 = 3 Mss. ; A 2. 
 
 p. 78. 
 Venkatadhvarin Srngaradipaka bhana A 1. p. 661. 
 Venkata Kavi, of Kaficlpura, Kandarpadarpa(na) bhana A 1. 
 
 p. 79. 
 Venkata Krsna Dlksita, son of Venkatadri, Kusalavavijaya 
 
 A 2. p. 23. 
 Venkatanatha Samkalpasuryodaya A 1. p. 683 = 3 Mss. 
 
 and 1 Com. ; by Ahobala 2, by Kausikakulatilaka I, by 
 
 Narayana i,by Ramanuja I ; A 2. pp. 163, 232 = 3 Mss. 
 
 and Com. by Ahobala 1. 
 Idem Samkalpasuryodaya, with notes by V. Desikar. Con- 
 
 jevaram, 18S3, pp. 372. 
 Idem Samkalpasuryodaya. With a commentary by Srlnivasa
 
 Vinatananda 93 
 
 Tatayarya and Saila Tatayarya. The text edited by 
 Krsna Tatayacarya. Conjevaram, 1883, pp. 17+371. 
 
 VenkateSa Bhanuprabandha prahasana A 1. p. 405. 
 
 Venkatesa see Ven kate§ vara. 
 
 VenkateSa Kavi Unmatta prahasana A 1. p. 66 = 2 Mss. 
 
 VenkateSvara Raghavabhyudaya A 1. p. 500. 
 
 VenkateSvara Venkatesa prahasana A 1. p. 602. 
 
 Vibhlsananirbhartsananka quoted in SD. 477. 
 
 Vidagdhamadhava SCBen. 795, 978 (both with Com.). 
 
 Vidagdhamadhava see Rupa Gosvamin and Sankaradeva. 
 
 Viddhasalabhanjika see Raja§ekhara. 
 
 Vidyanatha Upadhyaya Prataparudrakalyana cf. A 1. p. 349, 
 L. p. 19. 
 
 Vidyanidhi Atandracandrika A 1. p. 6. 
 
 Vidyaparinaya A 1. p. 574. 
 
 Vidyaparinaya sec Anandaraya and Vedakavisvamin. 
 
 Vigraharajadeva, king of Sakambhan, Harakeli (composed 
 in 1 1 53) cf. F. Kielhorn in I A. 19 (1890), p. 215; 20 
 (1891), pp. 201-212. 
 
 Idem, cf. Kielhorn, F., Sanskrit plays of the King Vigrahara- 
 jadeva of SakamDhari, partly preserved as inscriptions at 
 Ajmere. In Trubner's Record, 2 (1891), pp. 65-66. 
 
 Idem, cf. Kielhorn, F., Bruchstucke des Lalita-Vigraharaja 
 Nataka. In Gott. Nachr. 13 (1893), pp. 552-57°- 
 
 Vijayaparijata see Harijivana. 
 
 Vijayendiraparinaya see Subrahmanya. 
 
 Vikhyatavijaya see Laksmanamanikyadeva. 
 
 Vikramacandrika A 1. p. 569. 
 
 VikramorvasI see Kalidasa. 
 
 Vikrantabhlma mentioned by Hemacandra (A 1. p. 569). 
 
 Vikrantasudraka mentioned in the Sarasvatikanthabharana, 
 
 P- 37&- 
 Vilaksakurupati cf. L. app. p. 80. 
 
 VilasavatI natyarasaka mentioned in SD. 543. 
 
 Vilinatha Kavi Madanamanjari A 1. p. 425. 
 
 Vinatananda see Govinda.
 
 94 Vindumati 
 
 Vindumati see Bindumati. 
 
 Vinodaranga see Sundaradeva. 
 
 Virabhadravijrmbhana dima mentioned in RS. and in DR. 
 
 intr. p. 30. 
 Vlrananda see Mahavlrananda. 
 
 Vlraraghava, son of Srlsailasuri, Indiraparinaya Hz. 3. 1749. 
 Vlraraghava, son of Isvara, Valliparinaya A 3. p. 118. 
 Viravijaya see KrsnamiSra. 
 Virupaksa (circa 1350), son of Bukta, Narayanlvilasa A 3. 
 
 p. 63. 
 
 Visakhadatta. 
 
 Mudraraksasa nataka. Manuscripts, A 1. p. 461 =43 Mss. and 6 
 Com.; by Dhundhiraja (composed in 1714) 8, by Mahesvara 
 I, by Vatesvara 4 ; A 2. pp. 106, 218 = 9 Mss. and Com. by 
 Grahesvara I, by Dhundhiraja 2, Prakrrachaya by Kesavopa- 
 dhyaya I ; A 3. p. 99 = 15 Mss. and Com. by Abhirama I, 
 by Grahesvara 1, by Dhundhiraja 4; CS. 247, 248, 249; 
 Garbe 188; SCBen. 980; 10. 7. 4165, 4166, 4167, 4168, 
 4169; Com. by Dhundhiraja, SCBen. 980, Hz. 3. 1666; 
 Com. by Grahesvara, IO. 7. 4170. There is also a prose 
 version by Ananta Pandita, according to A 1 . p. 46 1 . 
 
 Text Editions. Mudraraksasa, a drama in seven acts. With a 
 commentary explanatory of the Prakrit passages. Calcutta, 
 
 1831, PP- 157- 
 
 Mudraraksasa. Edited with notes by T. Tarkavacaspati. Cal- 
 cutta, 1870, pp. 2 + 231. In Majumdar's Series. 
 
 Mudraraksasa. With the commentary of Dhundhiraja, part I. 
 Edited by D. V. Panta. Calcutta, 1873. 
 
 Mudraraksasa. Edited with a commentary by J. Vidyasagara. 
 Calcutta, 1 88 1, pp. 218. 
 
 Mudararksasa. With a commentary by Dhundhiraja. Mysore, 
 1883, pp. 183. 
 
 Mudraraksasa. With the commentary of Dhundhiraja, edited by 
 K. T. Telang. i° ed., Bombay, 18S4, pp. 54 + 283 + 63 ; 
 2° ed., 1893, pp. 375; 3 ed., 1900, pp. 378. Bombay
 
 Visakhadatta 
 
 95 
 
 Sanskrit Series, no. 27. [Cf. also the review by A. Hille- 
 brandt, in ZDMG. 39 (1885), pp. 107-132.] 
 
 Mudraraksasa. Edited by K. H. Dhruva. Ahmedabad, 1900, 
 pp. 340. 
 
 Mudraraksasa. Edited with the commentary of Dhundhiraja and 
 an English translation, critical notes, and various readings, 
 by M. R. Kale. Bombay, 1900, pp. 8 -j- 347. 
 
 Translations. A. English. Mudraraksasa, or the Signet of 
 the Minister. Translated by Wilson, 2, pp. 125-254. 
 
 B. French. Le Sceau de Rakchasa. Drame traduit sur la 
 
 derniere edition par V. Henry. Paris, 1888, pp. 16 + 237. 
 Collection Orientale, no. 2. 
 
 C. German. Mudrarakschasa, oder des Kanzlers Siegelring. 
 
 Aus dem Sanskrit zum ersten Male und metrisch ins 
 Deutsche (ibersetzt von Ludwig Fritze. Leipzig, 1886, 
 
 PP- 133- 
 
 D. Italian. Mudraraxasa, ossia II Ministro Rassaso vittima 
 
 del suo sigillo. In Teatro Scelto indiano, tradotto da An- 
 tonio Marazzi, vol. 2, Milan, 1874, pp. 1-187. 
 
 E. Ma rat hi. Mudraraksasa. Translated into Marathi by K. 
 
 S. Rajvade, revised by K. S. Chiplonkar, edited by S. P. 
 Pandit. Bombay, 1867, pp. 144. 
 
 F. Gujarati. Mudraraksasa. Translated into Gujarati by K. 
 
 H. Dhruva. Bombay, 1889, pp. 240. 
 
 Criticism. Mudraraksasakathasara, a poem in 354 stanzas, com- 
 posed by Ravikartana Suri to assist readers of the Mudra- 
 raksasa. With a brief commentary by Rajagopala of 
 Madura. Madras, 1882, pp. 22. 
 
 Mudraraksasakathasara A 1. p. 461 = 2 Mss. ; A 2. p. 106. 
 
 Dhruva, K. H. The Age of Visakhadatta. In WZKM. 5 
 (1891), pp. 25-35. 
 
 Haag, Friedrich. Beitrage zum Verstandniss von Visakhadatta's 
 Mudraraxasa, mit besonderer Beriicksichtigung des Codex 
 Parisinus, part 1. Burgdorf, 1886, pp. 12 -f 19. 
 
 Jacobi, Hermann. On Visakhadatta. In WZKM. 2 (1888), pp. 
 212-216.
 
 96 Visnukutuhala 
 
 Visnukutuhala see Madhusudana Sarasvati. 
 
 Visvanatha, son of Trimaladeva, Mrgankalekha natika A 1. 
 
 p. 465 ; CS. 256. Analyzed by Wilson, 2, pp. 391-392. 
 ViSvanatha Saugandhikaharana. Edited by Durgaprasada 
 
 and Parab. Bombay, 1902, pp. 3 + 37. Kavyamala, 
 
 no. 74. 
 Visvanatha Bhatta, son of Mahadeva, Srfigaravapika natika 
 
 A 1. p. 661 ; A 2. p. 158 ; 10. 7. 4196 (Analyzed). 
 Visvanatha Kaviraja, author of the Sahityadarpana, Candra- 
 
 kala natika quoted in SD. 447, 465. 
 Idem Prabhavatlparinaya quoted in SD. 99, 346, 446, 484, 
 
 526, 530. 
 ViSveSvara, son of Laksmidhara, Navamalika mentioned in 
 
 Kavyamala, part 8 (1891), p. 52. 
 Idem Srngaramanjarl sattaka A 2. p. 158. 
 Vitthala Chayanataka A 1. p. 193. 
 Vivekavijaya see Ramanuja. 
 Visabhanuja see Mathuradasa. 
 Vrttivallabha see Laghuvyasa. 
 Vyasa Moksaditya see Moksaditya. 
 Vyasa Sri Ramadeva sec Ramadeva. 
 
 Yadavabhyudaya see Ramacandra. 
 
 Yadavodaya kavya mentioned in SD. 546. 
 
 Yadunandana, son of Vasudeva Cayani, Natavata prahasana. 
 
 Edited in Sanskrit and Prakrit. Bombay, 1887. In Gran- 
 
 tharatnamala, vol. 2, nos. 10-11. 
 Yajiianarayana Raghunathavilasa A 1. p. 486. 
 Yasa£candra, a Jain, Kumudacandra A 1. p. III. 
 Idem Rajimatiprabodha cf. L. app. p. 79. 
 YaSahpala Moharajaparajaya A 1. p. 468 = 4 Mss. ; A 3. 
 
 p. 101. 
 Yasodhana Dhanamjayavijaya vyayoga A 1. p. 266 = 2 Mss. 
 YaSovarman (end of seventh century) Ramabhyudaya nataka
 
 Yuvaraja 97 
 
 mentioned in SD. 427 and DR. 1. 42. Cf. ZDMG. 36 
 
 (1882), p. 521. 
 Yatirajavijaya see Varadacarya. 
 Yayaticarita see Rudracandradeva. 
 Yayativijaya quoted in SD. 440. 
 Yogananda see Arunagirinatha and Dindima. 
 Yuvaraja Prahladana Parthaparakrama A 1. p. 335 = 3 Mss. 
 Idem Rasasadana bhana, edited by Sivadatta and Parab. 
 
 Bombay, 1893, pp. 3 -f 65. Kavyamala, no. 37.
 
 APPENDIX I 
 Some Dramas in the Modern Vernaculars. 
 
 Amanat. Indarsabha, Neuindisches Singspiel in lithograph- 
 ischem Originaltext, mit L T bersetzung und Erklarungen, 
 sovvie einer Einleitung iiber das hindustanische Drama, von 
 F. Rosen. Leipzig, 1892, pp. 102 +64. 
 
 Kegl, A. Amanat es a hindusztani drama. In Egyetemes 
 philologiai kozlony, 1894, pp. 38-51. [On the Indarsabha 
 of Amanat.] 
 
 Aryotkarsaka vyayoga. The regenerator of the Aryas. 1 ° ed., 
 Surat, 1873, pp. 6S; 2° ed., 1888, pp. 68. [In Gujarati.] 
 
 Baldeo, K. Bhartrhari Raj Tyaj Natak. The drama of Bhartri- 
 hari's abdication of the throne. In English (?). Lucknow, 
 1898. 
 
 Bhadranjan. A Hindu drama by a native. No place or date. 
 
 Candrahasa, or, the Lord of the Fair Forger. A Hindu Drama. 
 Mangalore, 1882, pp. 6 + 80. 
 
 Dalpatram Dahyabhai. Kavitavilasa. Ahmedabad, 1870. [In 
 Gujarati.] 
 
 Gupta, G. C. Kirti Bilasa. Bengali drama in five acts. Cal- 
 cutta, no date, pp. 70. 
 
 Hariscandra natakaya, edited by W. G. M. J. de Silva, Colombo, 
 1 90 1, pp. 104. 
 
 Manamohana. Sat! nataka. Benares, 1886, pp. 182. 
 
 Ramabhadra. Lalitakuvalayasva nataka (composed in 1665). 
 Kat. d. Bibl. d. Deutschen Morg. Gesell. 2. p. 6. 
 
 Ramabhadrasarman. Hariscandranrtya. Kat. d. Bibl. d. Deut- 
 schen Morg. Gesell. 2. p. 5. 
 
 Ramabhadrasarman. Das Hariccandranrityam. Ein altnepale- 
 sisches Tanzspiel. Mit einer grammatischen Einleitung 
 herausgegeben von August Conrady. Leipzig, 1891, pp. 
 
 12 +45 
 
 98
 
 MODERN VERNACULAR DRAMAS 99 
 
 Ramacandra. The Satya Harischandra Nataka. Edited by B. 
 
 R. Arte and S. V. Puranik. Bombay, 1898, pp. 61. 
 Ramakrsna Varman. PadmavatI nataka. Benares, 1886, pp. 
 
 107. 
 Ramakrsna Varman. Krsnakumarl nataka. Benares, 1S99, pp. 
 
 156.' 
 Srlmadgltadarsana, or, a Dramatized Version of the Bhagvatgita 
 
 (sic). Edited by A. V. Barve. Bombay, 1903, pp. 48. 
 
 [In Marathi. ] 
 Tarkalamkar, R. C. Kantuk Garbasva Natak. Bengali drama. 
 
 Calcutta, 1830. 
 Udayran, R. Premrayane Carumati. Bombay, 1876. [In 
 
 Gujarati.] 
 Umedcand, C. Okha Haran Natak, or, the drama of the elope- 
 ment of Okha or Usha. Ahmedabad, 1883, pp. 66. [In 
 
 Gujarati.] 
 Vamsamani (wrote in Nepal in 1628). Kuvalayasvamadalasa. 
 
 Kat. d. Bibl. d Deutschen Morg. Gesell. 2. p. 7. 
 
 Criticism. 
 
 Chattopadhyaya, N. The Yatras, or the popular dramas of Ben- 
 gal. London, 1882. 
 Chattopadhyaya, N. Die Yatras, oder die Volksschauspiele 
 
 Bengalens. In his Indische Essays, Zurich, 1883, pp. 1-56. 
 Dennath, G. Bengali Language. In Calcutta Review, 98 
 
 (1893), pp. 104-131. [Contains an account of dramas in 
 
 Bengali.] 
 Dhruva, H. H. The Rise of the Drama in Modern India. With 
 
 an Appendix. In Transactions of the 9. Intern. Congr. 
 
 of Orientalists, London, 1893, vol. 1, pp. 297-314. 
 Estrey, Count Meyners de. L'Art dramatique dans lTnde. In 
 
 Annales de l'extreme Orient, 8 (1 885-1 886), pp. 289-293. 
 Haberlandt, M. Das moderne indische Drama. In Om, 18, 
 
 pp. 1 18-12 1. 
 Minayev, I. Narodnyya dramaticeskiya predstavleniya v praz- 
 
 dnik Kholi v Almore. In Zapiski Vostocnago Otdeleniya
 
 IOO MODERN VERNACULAR DRAMAS 
 
 Imp. Russkago Arkheologiceskago Obscestva, 5 (1891), pp. 
 290-291. 
 
 Oman, J. C. At the Play : The New Indian Theatre. In his In- 
 dian Life, London, 1889, pp. 183-199. 
 
 Roberts, Sydney. The Kama mystery ; a study in comparative 
 dramatics. In Contemporary Review, 115 (1902), pp. 1-9. 
 
 Vallet de Viriville, A. Etudes sur le theatre indien : Stekiare 
 Vassapou. 1845.
 
 APPENDIX II 
 
 Classification of the Dramas 
 
 A complete classification of the extant dramas according to the 
 divisions (rfipakas) and subdivisions {iiparupakas) recognized in 
 Indian dramaturgical treatises cannot be made at the present time, 
 because, as pointed out above (p. 3, n. 1), the meagre details of 
 the manuscript catalogues and the ambiguous use of the term 
 ndtaka leave the precise character of many plays still in doubt. 
 Those dramas whose character is definitely known, however, are 
 here grouped under their respective classes, and plays known 
 only by name have also been included, but distinguished from 
 those actually in existence by a prefixed asterisk (*). The 
 authorship of the plays has not been indicated, even in cases 
 where there is more than one work of the same name, as this and 
 other details can easily be ascertained from the corresponding 
 entries in the main body of the work. 
 
 Owing to the difficulties of classification pointed out above, 
 very few dramas could with certainty be defined as natakas in the 
 narrower sense. In the list there have been included certain others 
 (distinguished by interrogation-points) that seem, for one reason or 
 another, to belong to this group, but cannot be definitely assigned 
 to it at the present time.. In spite of these additions, the pro- 
 portion of plays of this class is much larger than would seem to be 
 indicated by the meagre list here given, and an examination of the 
 large number of dramas vaguely designated as natakas would 
 unquestionably disclose many additional productions of this 
 variety. 
 
 bhana 
 
 Ambala Anangamangala 
 
 Anandatilaka Anangasarvasva 
 
 Anangabrahmavidyavilasa Anangavijaya 
 
 Anangajlvana Cola 
 
 101
 
 102 
 
 CLASSIFICATION OF THE DRAMAS 
 
 Gopalalilarnava 
 Harivilasa 
 Kamavilasa 
 Kandarpadarpana 
 Keralabharana 
 Kusumabanavilasa 
 * Lilamadhukara 
 Madanabhusana 
 Madanagopalavilasa 
 Mahisamarigala 
 Malamangalabhana 
 Misrabhana 
 Mukundananda 
 Pancabanavijaya 
 Pancabanavilasa 
 Pancayudhaprapanca 
 Pradyumnananda 
 Rasasadana 
 Rasavilasa 
 Rasikajanarasollasa 
 Rasikaranjana 
 
 Danakelikaumudi 
 
 Rasollasa 
 
 Saradananda 
 
 Saradatilaka 
 
 Sarasakavikulananda 
 
 Srirangaraja 
 
 Sr-rigarabhusana 
 
 Srngaracandrika 
 
 Srngaradlpaka 
 
 Srngarajivana 
 
 Srngarakosa 
 
 Srngaramanjarl 
 
 Srngarasarvasva 
 
 Srngarasrngataka 
 
 Srngarastabaka 
 
 Snigarasudhakara 
 
 SrngarataranginI 
 
 Snigaratilaka 
 
 Srngararasodaya {ini'srabliana) 
 
 Vasantabhusana (?) 
 
 Vasantatilaka 
 
 bhanika 
 
 * Kamadatta 
 
 Chayanataka 
 Dutangada 
 Hariduta 
 Pandavabhyudaya 
 
 Manmathonmathana 
 
 * Tripuradaha 
 
 * Bindumatl 
 
 * Raivatamadanika 
 
 chayanataka 
 
 Ramabhyudaya 
 
 Savitricarita 
 
 Subhadraparinaya 
 
 dima 
 
 * Vlrabhadravijrmbhana 
 
 durmallika 
 gosthi
 
 CLASSIFICATION OF THE DRAMAS 
 
 I03 
 
 * Keliraivataka 
 
 * Kusumasekharavijaya 
 "* Mayakurarigika 
 
 * Yadavodaya 
 
 hallisa 
 
 Ihamrga 
 
 Viravijaya 
 
 kavya 
 
 nataka 
 
 Abhijnanasakuntala 
 
 Amrtodaya 
 
 Balaramayana (mahandtakd) 
 
 Caitanyacandrodaya 
 
 Candakausika 
 
 Jnanasuryodaya (?) 
 
 Lalitavigraharajanataka (?) 
 
 Mahanataka {inahanatakci) 
 
 Mahavlracarita 
 
 Mangala 
 
 Manjulanaisadha (?) 
 
 Mathuranataka (?) 
 
 Mudraraksasa 
 Nagananda 
 Parvatlparinaya 
 Prasannaraghava 
 Ramabhyudaya (?) 
 Ramacandranataka (?) 
 Ramanataka (?) 
 Ramayananataka (?) 
 Rukminlnataka (?) 
 Satyahariscandra 
 * Tumburunataka (?) 
 Uttararamacarita 
 
 See the introductory remarks on p. 10 1. 
 
 natika 
 
 * Candrakala 
 Candraprabha 
 Karnasundarl 
 Krsnallla 
 KuvalayavatI 
 Mrgankalekha 
 Priyadarsika 
 Ramanka 
 
 * Narmavati 
 
 Rambhamanjarl 
 
 Ratnavali 
 
 Sragaravapika 
 
 Usaragodaya 
 
 Vasantika 
 
 Viddhasalabhafijika 
 
 Vrsabhanuja 
 
 natyarasaka 
 
 * Vilasavatl
 
 104 
 
 CLASSIFICATION OF THE DRAMAS 
 
 Adbhutaranga 
 
 * Anandakosa 
 
 * Bhagavadajjuka 
 Bhan uprabandha 
 
 * Brhatsabhadraka 
 Devadurgati 
 
 * Dhurtacarita 
 
 D h u rtasamagama 
 
 Dhurtavidambana 
 
 Hasyacudamani 
 
 Hasyarnava 
 
 Hrdayavinoda 
 
 Kaleyakutuhala 
 
 Kalidasaprahasana 
 
 * Kalikeliprahasana 
 
 * Kandarpakeli 
 Kasidasaprahasana 
 Kautukaratnakara 
 
 prahasana 
 
 Kautukasarvasva 
 
 Lambodara 
 
 Latakamelaka 
 
 Mithyacara 
 
 Mundita 
 
 * Natakamelaka 
 Natavata 
 Palandumandana 
 Pasandavidambana 
 
 * Payodhimathana 
 Prahasana 
 Sandrakutuhala 
 Somavalllyogananda 
 Subhagananda 
 Unmatta 
 Venkatesa 
 Vinodaranga 
 Yogananda 
 
 prakarana 
 * K&mzda.\Xa.{dhfirtaprakarana) * Puspabhusita 
 
 Kaumudisudhakara 
 Malatlmadhava 
 Mallikamaruta 
 Mrcchakatika 
 
 * Smgaratilaka 
 Krsnabhyudaya 
 
 * Balivadha 
 
 * Menakahita 
 
 * Puspadusitaka 
 
 * Tarangadatta 
 Vakratundagananayaka 
 
 prasthana 
 
 preksanaka 
 
 prehkhana 
 
 rasaka
 
 CLASSIFICATION OF THE DRAMAS 
 
 I05 
 
 * Samudrama(n)thana 
 
 * Mayakapalika 
 
 Anandasundarl 
 KarpOramanjaii 
 
 * Kanakavatlmadhava 
 
 * Krldarasatala 
 
 samavakara 
 samlapaka 
 
 sattaka 
 
 Sriigaramanjarl 
 
 Silpaka 
 
 6rlgadita 
 
 Subhadraharana 
 
 * Stambhitarambha 
 
 trotaka 
 
 VikramorvasI 
 
 * Devlmahadeva 
 
 * Sarmisthayayati 
 
 * Madhavi 
 
 Bhlmavikrama 
 Dhanamjayavijaya 
 
 * Jamadagnyajaya 
 Narakasuravijaya 
 Nirbhayabhima 
 
 ullapya 
 
 utsrstikanka 
 
 vithika 
 
 vyayoga 
 
 Pracandabhairava 
 Pracandagaruda 
 Saugandhikaharana 
 Vinatananda
 
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