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LIBRARY 
 
 OF THE 
 
 UNIVERSITY OF CALIFORNIA. 
 
 Received C7^-^ f8g^ 
 
 <iAccession No. Vt^"/^ ^ . Class No. 
 
 
Digitized by the Internet Archive 
 
 in 2007 with funding from 
 
 IVIicrosoft Corporation 
 
 http://www.archive.org/details/artisticworkgymnOOanderich 
 
S\5 
 
 RXISTIC 
 
 ^RK 
 
 # 
 
 BY 
 
 Henry S. Anderson 
 
 of 
 Yale University Gymnasium 
 
 Anderson Normal School 
 and 
 Chautauqua School of Physical Education 
 
 <^^:M^r^ 
 
 mri 
 
 EDGAR S. AVER- 
 NER, io8 EAST 
 SIXTEENTH ST. 
 NEW YORK, N. Y. 
 
G? 
 
 V 
 
 
 76-/37 
 
 Copyright, 1895 
 
 By EDGAR S. WERNER 
 
 All rights reserved 
 
 PRESS OF EDGAR S. WERNER, 108 EAST 16TH STREET, NEW YORK. 
 
Contents. 
 
 PAGE. 
 
 Silver Wand Drill 7 
 
 Rings • • 13 
 
 Single 13 
 
 Double 20 
 
 Barbells ''. 26 
 
 First Series 26 
 
 Second Series 35 
 
 Rataplan Chorus 44 
 
 Hoop Drill 53 
 
 Bells and Wands '76 
 
 Poles 86 
 
 Single 86 
 
 • Double 91 
 
 Salutes 92 
 
 Short Salute 92 
 
 Long Salute 93 
 
 Fancy Steps 95 
 
 Fancy Marches 98 
 
 List of Music 107 
 
 Artistic Work for Chautauqua Summer School 109 
 
BRAf? 
 
 OF THB 
 
 UNIVERSITY 
 
 CAUFORH)^ 
 
 Silver Wand Drill, 
 
 TWISTING. 
 
 Fig. I. (1). 
 
 1. Step back four times, right and left. 
 Twist wand down on the stepping side. 
 
Artistic Work. 
 
 Fig. II. (2). 
 
 2. Step side four times, right and left. 
 Twist wand out shoulder high on stepping side. 
 
Silver Wand Drill — Twisting. 
 
 Fig. III. (3). 
 
 3. Step forward diagonally right, 
 wand up over head diagonally on right. 
 
 Twist 
 
10 Artistic Work. 
 
 4. Step forward diagonally left. Twist wand 
 up over head diagonally on left. Same as No. 3. 
 
 5. Step side right and left combine, 8 counts. 
 Alternate, twist same as No. 2. 
 
 6. Step side left and right combine, 8 counts. 
 Alternate, twist same as No. 2. 
 
Silver Wand Drill — Twisting. 
 
 11 
 
 Fig. IV. (7). 
 
 7. Combine front walk, right foot first, 2 
 times. Twist wand down, walk side. 
 
12 Artistic Work. 
 
 8. Combine front walk, left foot first, 2 
 times. Twist wand down, walk side. Same as 
 No. 7. 
 
 9. Short combine No. 1 and No. 2, 2 times 
 right, twisting each side without the step. 
 
 10. Short combine No. 2 and No. 3, 2 times 
 right, twisting each side without the step. 
 
 11. Long combine, Nos. 1, 2 and 3, once on 
 right and then on left, without step. 
 
Rings. 
 
 SIN^GLE. 
 
 Fig. v. (1). 
 
 1. Eight hand np and step obliquely to front, 
 touching right toe. Same left. Four counts. 
 
14 
 
 Artistic Work. 
 
 Fig. VI. (2). 
 
 2. Eight hand np and step obliquely to rear, 
 touching right toe. Same left. Four counts. 
 
Rings— single. 
 
 15 
 
 3. Right toe across, right arm across np, and 
 step. Same left. Four counts each. 
 
16 
 
 Artistic Worh. 
 
 Fig. VIII 
 
 4. Charge straight to right side, and right arm 
 circle over head. Same left. Four counts each. 
 
Rings — Single. 1 7 
 
 Fig. IX. (5). 
 
 5. Charge right, both arms up, and alternate. 
 Change ring to left hand as feet close. 
 
18 Artistic Work. 
 
 6. Ring to chest on 1, arms out front on 2, 
 chest on 3 same as 1, down on 4. 
 
 7. Ring out front on 1, arms rigid, twist body 
 to right on 2, back on 3, down on 4, 
 
Ringa — Single. 19 
 
 Fig. X. (8). 
 
 8. Charge diagonally forward, ring to chest on 
 1, kneel on 2, ring over head on 3, back on 4, heels 
 together. 
 
DOUBLE. 
 
 Fig. XL (1). 
 
 1. Mark time, four counts. Take inside step 
 to distance. Touch outside toes and bring hand to 
 shoulder, four counts. Touch inside toe and bring 
 hand to shoulder, four counts. 
 
Rings— Double. 
 
 21 
 
 Fig. XII. (2). 
 
 2. Face partners, rings to shoulder on 1, out 
 on 2, back to shoulder on 3, down on 4. Change 
 ring to other hand and repeat, four counts. 
 
Artistic Work. 
 
 Fig. XIII. (3). 
 
 3. Ring in right hand, partners grasp rings, 
 bring arm up and touch toe toward platform side. 
 Same other side. Both arms over head, eight 
 counts. 
 
Rings — Double. 
 
 Fig. XIV. (4). 
 
 4. Step straight back, right foot, take twist, 
 eight counts, arms straight. Re peat with left foot 
 back, eight counts. 
 
24 
 
 Artistic Work. 
 
 Fig. XV. (5). 
 
 5. Backs together and hands to shoulders on 1 , 
 out on 2, back to shoulder on 3, down on 4. 
 
Rings — Double. 
 
 25 
 
 Fig. XVI. (6). 
 
 6. Step front with right foot, take twist, eight 
 counts, with arm rigid. Same left foot. Front face ; 
 Nos. 1 and 3 will retain rings. 
 
Barbells. 
 
 FIRST SERIES. 
 
 Fig. XVII. 
 
 1. Hands to chest on 1 (elbows shoulder high 
 and palms in). 
 
Barbells— First Series. 
 
 27 
 
 Fig. XVIII. 
 
 Charge to right on 2 ; back on 3 ; down on 4. 
 Same left side. Four counts each side. 
 
28 
 
 Artistic Work. 
 
 r ^ 
 
 Fig. XIX. (2). 
 
 2. Hands to chest on 1 (elbows at side and 
 palms out). 
 
Barbells— First Series. 
 
 29 
 
 Fig. XX. 
 
 Charge straight back on 2 ; feet together on 3 ; 
 hands down on 4. Four counts on each side. 
 
30 Artistic Work. 
 
 FiCr. XXI. (3). 
 3. Bar back of head on shoulders on 1. 
 
Barbells— First Series. 
 
 31 
 
 Fig. XXII, 
 
 Bend over front on 2 ; back on 3 j down on 4. 
 Four counts, 
 
Artistic Work. 
 
 XXIII. 
 
 4. Charge diagonally to the right, with left 
 hand reversed, up on 1 ; back on 2. Same left side. 
 Four counts each side. 
 
Barbells— first Series. 33 
 
 Fig. XXIV. (5). 
 
 5. Charge diagonally to the right, bar down 
 back of body, oblique on 1 ; back on 2. Right 
 hand low, left high. Same left. Four counts each 
 side. 
 
34 
 
 Artistic Work. 
 
 Fig. XXV. (6). 
 
 6. Step straight back with the right foot, left 
 hand across body low, right hand high. Same left. 
 Four counts each side. 
 
UNIVERSITY 
 
 miFOJJJ^ 
 Barbells— Second Series. 35 
 
 SECOKD SERIES. 
 
 Fig. XXVI. (1). 
 
 1. Charge diagonally to the right with bar up 
 oblique, right hand high, left hand low. Same left. 
 Four counts each side. 
 
36 Artistic Work. 
 
 Fig. XXVII. (2). 
 
 2. Charge to right side with right hand straight 
 to side, left flexed across body, elbow shoulder high, 
 on 1 ; back on 2. Same left. Four counts each 
 side. 
 
Barbells— Second Series. 37 
 
 ( 
 
 4 
 
 4 
 
 m 
 
 
 Fig. XXVIII. (3). 
 
 3. Bar on floor front, arm flexed, on 1 ; bar 
 outside diagonally to right, arm rigid, on 2. 
 
Artistic Work. 
 
 Fig. XXIX. 
 
 Charge out to bar on 3 and 4. Same diagonally 
 to left side, by changing bar to left hand, right 
 hand on hip. Charge twice each side. 
 
Barbells — Second Series. 39 
 
 Fig. XXX. (4). 
 4. Bar up over head horizontal (arms rigid). 
 
40 
 
 Artistic Work. 
 
 Fig. XXXI. 
 
 Charge diagonally to right, right hand up, left 
 back of head and flexed on 1 ; back on 2. Same 
 to left. Eeturn with bar on shoulders. Four 
 counts'each side. 
 
Barbells — Second Series. 41 
 
 Fig. XXXII. (5). 
 
 5. Bar back of head on shoulders. Bring bar 
 to chest on 1. 
 
42 
 
 Artistic Work. 
 
 Fig. XXXIII. 
 
 Charge diagonally to right, with left end under 
 arm, on 2 ; back to chest on 3 ; bar on shoulder on 
 4. Same charge to left. Four counts each side. 
 
Barbells— Second Series. 
 
 43 
 
 Fig. XXXIV. (6). 
 
 6. Charge straight to right, right hand low, 
 left high, on 1, bar perpendicular in front. Same 
 left, all from shoulder. Return with bar down 
 from front. Four counts each side. 
 
Rataplan Cinorui®. 
 
 MUSIC, "LA FILLE DU EEGIME2^T." 
 
 Fig. XXXV. (1). 
 
 1. Prelude: Rataplan Strike. On 1, strike 
 the bells in front below the waist; 2, strike bells in 
 front shoulder high; 3, strike bells over head; 
 4, bells at the side. Repeat this and follow with 
 the Rataplan, strike seven counts; on the eighth 
 count bells at the side. 
 
Rataplan Chorus. 
 
 46 
 
 Fig. XXXVI. (2). 
 
 2. Charge diagonally to the right and strike 
 both ends of the bell on 1 ; 2, strike ends, palms 
 down; 3, both ends same as first count; on 4, bells 
 at side. Repeat this charge and strike on left side. 
 Rataplan seven counts, with arms flexed in front. 
 
46 
 
 Artistic Work. 
 
 Fig. XXXVII. (3). 
 
 3. On 1, down on right knee and strike bells 
 three times, hands down; on 4, up; on 5, rise on 
 toes and strike bells over head three times ; bells at 
 side on 8. Same movement, down on left knee, 
 strike bells three times, hands down ; rise on toes, 
 strike bells over head three times; omit Rataplan. 
 
Rataplan Chorus. 
 
 47 
 
 Fig. XXXVIII. (4). 
 
 4. Eight foot diagonally across forward to the 
 left and strike bells over the head on 1; on 2, 
 shoulder high; on 3, down in front; on 4, heels 
 together, bells at side. Repeat, stepping with left 
 foot across. Rataplan seven counts, bells at side 
 on 8. 
 
48 Artistic Work. 
 
 5. On 1, charge directly to the right, raise the 
 right arm shoulder high, thumb end of bell up, at 
 the same time swing the left bell across the front of 
 the body and strike the lower end of bell in right 
 hand; on 2, hold the left arm rigid, thumb end of 
 bell up, and flex the right arm, bringing the bell to 
 the shoulder, thumb end down; on 3, strike with 
 the right bell ; on 4, heels together, bells at side. 
 Repeat on left side, charging with left foot and 
 raising left arm. Rataplan seven counts, bells at 
 side on 8. 
 
Rataplan Chorus. 
 
 49 
 
 Fig. XXXIX. (5), 
 
50 
 
 Artistic Work. 
 
 Fig. XL. ((i). 
 
 6. On 1, take a right face and strike bells 
 three times, shoulder high; on 4, bells at side; 
 on 5, right face and strike bells over head three 
 times; on 8, bells in position for Rataplan. 
 Rataplan seven counts, bells at side on 8. Repeat 
 to face front. 
 
Rataplan Chorus. 
 
 51 
 
 Fig. XLI. (7). 
 
 7. On 1, charge directly to the right, raise 
 right arm shoulder high, take a full-arm sweep 
 over the head with left bell and strike thumb ends 
 of bells; on 2, take the left bell back to left side 
 and throw the weight of the body on left knee; 
 on 3, throw the weight of the body on right knee 
 and strike bells same as 1. Repeat. On the eighth 
 count, heels together, bells in position for Rataplan. 
 Rataplan seven counts, bells at side on 8. Repeat, 
 charging to the left, and strike. S ame as N o. 1. 
 
 ^ OF TH» ^ 
 
 I UNIVERSITY 1 
 
52 
 
 Artistic Work. 
 
 Fig. XLIL (8). 
 8. On 1, strike bells once in front; 2, at side; 
 3, charge diagonally to the right,right bell raised even 
 with the head, left bell down in line with right, 
 looking at bell raised; on 4, bells at side. On 1, 
 strike bells once in front; on 2, bells at side; 
 on 3, left hand raised, right bell down; on 4, posi- 
 tion for Rataplan. Eataplan seven counts, bells at 
 side on 8. 
 
Hoop Drill. 
 
 Position : Hoop on right shoulder, hand on hoop 
 shoulder high. 
 
 Fig. XLIII. (1, 2). 
 FIGURE 1. 
 
 1. Hoop down in front, resting on floor, 
 grasped with both hands. 
 
 2. Hoop up to divide, hoop resting against 
 knees. 
 
64 
 
 Artistic Work. 
 
 Fm. XLIV. (3, 4). 
 
 3. Hoop up to frame, head in centre of hoop 
 until you can look through. 
 
 4. Hoop over head horizontal, and look up 
 
Hoop Drill. 
 
 55 
 
 Fig. XLV. (5, 9). 
 
 0. Hoop circling the body. 
 9. Archer on right, right arm straight back, 
 left arm across body, look front. '' 
 
56 Artistic Work. 
 
 6. Hoop over head horizontal. 
 
 7. Hoop back to frame. 
 
 8. Hoop back to divide. 
 
Hoop Drill. 67 
 
 10. Archer on left, left arm straight back, right 
 across body, heels together, look front. 
 
 11. Hoop back to divide. 
 
 12. Hoop down on floor. 
 
 13. Hoop back to frame. 
 
 14. Hoop back to shoulder. 
 
 FIGURE 2. 
 
 1 . Hoop down to front, resting on floor, grasped 
 with both hands, thumbs up and touching. 
 
58 
 
 Artistic Work. 
 
 Fig. XLVI. (2, 3). 
 
 2. Hoop out to right, arm extending and in 
 centre of hoop. 
 
 3. Hoop at right shoulder, out, arm flexed, 
 left arm at side. 
 
Hoop Drill. 
 
 sr 
 
 4. 
 
 Fig. XLVII. (4,15). 
 Hoop up, grasped with both hands, arms 
 
 extended over head. 
 
60 Artistic Worh. 
 
 15. Posture on right; i. e., charge diagonally 
 forward to right, left hand on hip, hoop diagonally 
 up, grasp with extended arm, look up and hold. 
 
 5. Flex left arm, bring hoop to position on 
 third count on left side, same as No. 3. 
 
 6. Out to left, same as No. 2. 
 
 7. Diagonally down to left, arm rigid, hoop 
 six inches from floor. 
 
 8. Out to left, same as No. 6. 
 
 9. Flex right arm, same as No. 5. 
 
 10. Up, same as No. 4. 
 
 11. Flex right arm, same as No. 3. 
 
 12. Out to right, shoulder high. 
 
 13. Diagonally down to right, same as No. 7. 
 
 14. Position, same as No. 1. 
 
Hoop Drill. 61 
 
 16. llecover, with hoop oat, shoulder high to 
 right. 
 
Artistic M^ork. 
 
 Fig. XLVIII. (1, 8). 
 
 FIGURE 3. 
 
 1. Bend the body to left, swing hoop over by 
 flexing right arm until you can look through hoop. 
 8. Position, down in front. 
 
Hoop Drill. 63 
 
 2. Recover, hoop out to right, same as position 
 No. 16 in Fig. 2. 
 
 3. Position, down, hoop in front. 
 
 4. Hoop out to left, same as No. 16. 
 
 0. Same as No. 1, but on opposite side. 
 
 6. Hoop out to left, same as No. 16. 
 
 7. Hoop out to right, same as No. 16. 
 
64 Artistic Work. 
 
 Repeat through seven counts, and on the eighth 
 take same posture as before, on left side. On sig- 
 nal recover to hoop divide. The hoop is held per- 
 pendicularly from the body; hands in centre of 
 lower edge of hoop, which rests against the knees. 
 
Hoop Drill 
 
 65 
 
 Fig. XLIX. (1, 13). 
 
 FIGURE 4. 
 
 1. Turn body to right, hoop over and hor- 
 izontal, look up. 
 
 13. Archer on right, charge forward on left 
 foot; look back. 
 
66 Artistic Work. 
 
 2. Picture frame front, similar to divide, but 
 head in centre of hoop. 
 
 3. Same as No. 1, but on left side; look up. 
 
 4. Frame, same as No. 2. 
 
 5. Archer, on right, right arm straight back, 
 left arm across body ; look front. 
 
 6. Frame, same as No. 2. 
 
 7. Archer on left; look front. 
 
 8. Frame, same as No. 2. 
 
 9. Same as No. 1, on left. 
 10., Frame, same as No. 2. 
 
 11. Same as No. 3, on opposite side. 
 
 12. Frame, same as No. 2. 
 
Hoop Dritt. 67 
 
 14. Frame, same as No. 2. 
 
 15. Archer on left, charge forward with right 
 foot; look hack with charging archers. 
 
 16. Eecover, with hoop on floor in front of the 
 body. 
 
 FIGURE 5. 
 
 1. Charge diagonally to the right, hoop up in 
 line with arms, rigid. 
 
 2. Hoop back to floor, same as in No. 16 in 
 Fig. 4. 
 
 3. Hoop over head horizontal, same as No. 4 
 in Fig. 1. 
 
Artistic Work. 
 
 Fig. L. (4, 5). 
 
 4. Bend body to right. 
 
 5. Hoop over head horizontal, same as No. 3 
 
Hoop Drill. 
 
 6. Bend body to left, same as No. 4. 
 
 7. Body straight up to position, hoop hor- 
 izontal over head. 
 
 8. Hoop on floor in front of body, same as 
 No. 16 in Fig. 4. 
 
 Repeat this on left side, but on seventh count 
 kneel on left knee, hoop on right knee. Recover 
 with hoop to circle body and take stationary steps, 
 same as Nos. 30 and 31 in fancy steps; recover 
 with hoop down on floor in front. 
 
70 Artistic Work. 
 
 FIGURE 6. 
 
 1. Charge left foot to left, bend left knee, 
 turn hip and shoulder to right; hoop turned to 
 right with arm extended, left hand on hip, hoop 
 six inches from floor at side. 
 
 2. Swing left foot around back of right, left 
 knee still bent; left face and at the same time swing 
 hoop up, both arms extended and inclined slightly 
 back; look up. 
 
 3. Same as No. 1. 
 
 4. Position same as No. 8- in Fig. 5. 
 
 5. 6, 7, and 8. Same on left. 
 
Hoop Drill. 
 
 71 
 
 Fig. LI. (1, 2). 
 
72 
 
 Artistic Work. 
 
 Fig. LII. (9). 
 
 9. Repeat. On second eighth count, kneel on 
 right knee and point and look toward left ; hold ; re- 
 cover to divide. 
 
Hoop Drill. 
 
 73 
 
 Fig. LIII. (1, 2). 
 FIGURE 7. 
 
 1. Archer with charge diagonally right; look 
 back. 
 
 2. Turn on ankles to face diagonally back 
 left; hoop swings in same direction, arms extended, 
 look through centre of hoop. 
 
74 Artistic Work. 
 
 3. Face same as in No. 1, hoop on bent knee. 
 
 4. Recover to divide, heels together. 
 
 5. 6, 7, and 8. Same on left. 
 
 9. Repeat, but charge diagonally back, then 
 turn as in No. 2. This brings you diagonally from 
 left. 
 
 10. On second eighth count, kneel on right 
 knee, resting hoop vertically on back of neck ; hold ; 
 recover with hoop still back of head, and take 
 fancy step, "Cross-run, cross-throw," to right. 
 Same to left, bringing heels together. Recover to 
 position with hoop somersault. Take step No. 18, 
 "Cross-run, cross-throw," infancy steps. 
 
Hoop Drill. 
 
 75 
 
 
 ^p9 
 
 Fig. LIV. (9, 10). 
 
Bells and ^Wands. 
 
 COMBINATION WORK. 
 
 {See note at the end.) 
 
 GROUP 1. 
 
 BELLS. 
 
 1. Bells out shoulder high, palms up, jump to 
 side ; spli^ 
 
 2. Bells to shoulders, palms down. 
 
 3. Bells out, same as No. 1. 
 
 4. Position by jump, heels close, hands at side. 
 
 WANDS. 
 
 1. Wand out to right, step right foot to right. 
 
 2. Wand up over head, heels together. 
 
 3. Wand out to left, step left foot to left. 
 
 4. Position, hands down, heels together. 
 
Bells and Wands. 
 
 Fig. LV. (1). 
 
7B Artistic Work. 
 
 GROUP £, 
 BELLS. 
 
 1. Bells out shoulder high, palms up, and 
 jump to side; split. 
 
 2. Strike bells over head, arms rigid, palms in. 
 
 3. Bells out, same as No. 1. 
 
 4. Position by jump, hands at side. 
 
 WAKDS. 
 
 1. Wand front, shoulder high. 
 
 2. Wand to shoulders. 
 
 3. Wand front, same as No. 1. 
 
 4. Position, hands down, feet together. 
 Stepping motion forward can be given, if desired. 
 
Beth and Wands. 
 
 79 
 
80 Artistic Work. 
 
 GROUP 3. 
 BELLS. 
 
 1. Bells up overhead, palms in and jump. 
 
 2. Swing bells forward and down. 
 
 3. Bells up, same as No. 1. 
 
 4. Position, hands at side, feet together. 
 
 WANDS. 
 
 1. Wand on chest and right face. 
 
 2. Thrust wand to front shoulder high. 
 
 3. Wand to chest, same as No. 1. 
 
 4. Wand down and front face. 
 
Bells and Wands. 
 
 81 
 
 Fig. LVII. (3). 
 
83 Artistic Work. 
 
 GROUP 4- 
 
 BELLS. 
 
 1. Arms flexed, bells on chest. 
 
 2. Strike bells on floor, bending knees. 
 
 3. Straighten knees, arms flexed. 
 
 4. Position, hands at side. 
 
 WANDS. 
 
 1. Eight face and hands to chest. 
 
 2. Thrust wands straight back, charge right 
 foot back, same direction. 
 
 3. Heels together, wand to chest. 
 
 4. Front face, wand down, heels together. 
 
Bells and Wands. 83 
 
 Fig. LVIII. (4). 
 
84 Artistic Work. 
 
 GROUP 5. 
 
 BELLS. 
 
 1. Bend knees and place hands on floor. 
 
 2. Throw feet back, body extended back. 
 
 3. Same position as No. 1. 
 
 4. Position, hands at side, and stand. 
 
 WANDS. 
 
 1. Flex arms, back of hands to chest. 
 
 2. Wand down in front. 
 
 3. Charge right foot obliquely forward and 
 wand up over head. 
 
 4. Position same as No. 2. 
 
 Note. — Have the class count twos, have odd 
 numbers take bells and even numbers take wands, 
 or boys take bells and girls wands. 
 
Bells and Wands. ^5 
 
 Fig. LIX. (5). 
 
PoleB. 
 
 SINGLE. 
 
 1. Pole in right hand. Bring right arm to side 
 shoulder high, left hand to hip and return. 
 
 2. Bring right arm over head from side, left 
 hand to hip and return. 
 
Poles. 
 
 87 
 
 Fig. LX. (3). 
 
 3. Swing right arm front shoulder high, place 
 left hand on hip and return. 
 
Artistic Work. 
 
 Fig. LXI. (4). 
 
 4. Flex right arm to shoulder, left hand on hip 
 on 1; push right arm up and lower body on 2; 
 straighten body and bring hand back to shoulder 
 and feet together on 3 ; both hands down on 4. 
 
Poles. 
 
 Fig. LXII. (5). 
 
 5. Swing arm front on 1 ; swing arm to side 
 and lower body on 2; swing back to front and 
 straighten body and bring feet together on 3 ; both 
 hands down on 4. 
 
90 
 
 Artistic Work. 
 
 Fig. LXIII. (G). 
 
 6. Bring right arm to side shoulder high and 
 left on hip on 1 ; swing to rear on 2 and charge 
 diagonally rear ; return to side on 3 ; both hands 
 down on 4. 
 
 These six figures are also taken on the left side. 
 
Poles. 
 
 DOUBLE. 
 
 1. Eight arm shoulder high to side; at the 
 same time touch right toe to side. 
 
 2. Same on left side. 
 
 3. Rise on toes on 1, back on 2; arms rigid 
 over head on 3, down on 4. 
 
 4. Right arm shoulder high on 1, forward on 
 2, back shoulder high to side on 3, down on 4 ; 
 at the same time touch toe in direction of hand. 
 
 5. Same on left side and touch toe. 
 
 6. With heels together, arm-movements in 
 Nos. 4 and 5 on both sides together. 
 
 7. With left hand on hip, charge diagonally 
 to the right, right hand raised over head, four 
 counts. 
 
 8. Same on other side. 
 
 9. Take position as in No. 7, and take swaying 
 movements, heels together on 8. 
 
 10. Same on left side ; bring hands to shoulders. 
 
 11. Charge straight to right, with right arm 
 out to side, left arm up over head, four counts. 
 
 12. Same on other side. 
 
 13. Take kneeling posture facing right. 
 
 14. Take kneeling posture, facing left. 
 Note. — See Anderson's " Light Gymnastics " for 
 
 illustrations for double-poles. 
 
Salutes. 
 
 Pass to guard iu seven counts. 
 
 1. Half face to left and lower sword. (See 
 Page 177, Anderson's "Light Gymnastics.") 
 
 2. Elevate sword. 
 
 3. Sword down in front of body, with back of 
 fingers of left hand on top of sword, arms slightly 
 curved. 
 
 4. Swing sword up above the head, arms 
 curved. 
 
 5. Bring arms to position of "on guard." 
 (See arms in cut, page 172, " Light Gymnastics.") 
 
 6. Bend the knees, lowering body about six 
 inches. (See legs in cut, " Light Gymnastics.") 
 
 7. Advance right foot front twice its own 
 length, with a stamp, but keep the weight of the 
 body more on the left than on the right leg. 
 
 Each of the above positions is to be held four 
 counts. 
 
 Form twos by chord or command, swords at 
 carry arms, take distance. (See Page 17G " Light 
 Gymnastics.") 
 
 THE SHORT SALUTE. 
 
 1. Half face to the left, and " sword down ; " 
 sword across the body and grasped with the left 
 hand, arms straight. (See cut, page 179, " Light 
 Gymnastics.") 
 
Salutes. 93 
 
 2. Swing sword above the head, or " sword 
 up," still grasped with both hands. (See cut, 
 page 179, " Light Gymnastics.") 
 
 3. Left hand on hip, right hand just below 
 chin, sword perpendicular, or " face salute." 
 
 4. Right hand across the body, rest point of 
 sword on floor between feet, left hand on hip. 
 
 5. Step back with left foot (heels on same 
 line), cross swords below in front and on the left 
 hand side, palms of hands toward each other. 
 
 6. Cross swords below on right hand side, 
 palms toward each other. (The change from 5 to 6 
 is made from left to right, entirely with the wrist.) 
 
 7. Cross swords above, or come to '' on guard " 
 point of swords the height of the eye, palms toward 
 each other. (The change from G to 7 is made on 
 right hand side.) 
 
 8. " Face salute ; " bring the right hand to 
 chill, swing it down to the right, back to the chin, 
 "on guard" in centre. (See Page 179, "Light 
 Gymnastics.") 
 
 Each of the above positions is to be held four 
 counts. 
 
 THE LONG SALUTE. 
 
 1. Heels together (preserving the right angle 
 position of feet), and "half salute" to right, arm 
 rigid and in a line with shoulders and sword, back 
 of hand front. 
 
94 Artistic Work. 
 
 2. Half salute to left, right hand the height of 
 left shoulder, sword and shoulder in parallel lines. 
 
 3. Half salute to the right again. 
 
 4. Face salute in four counts. (Same as No. 
 8 in Short Salute, except that here on the 4th 
 count the sword is held in front of the face.) 
 
 5. Take distance, with lunge, by advancing the 
 right foot three times its own length, body erect, 
 dropping sword across the body to the left and 
 pointing toward the floor, then extending rigid arm 
 and sword directly to the front. (Same direction 
 as right foot. Do not allow left foot to turn over 
 in a lunge.) 
 
 6. Sword back to " face salute," by dropping 
 point to floor and crossing body from right to left; 
 at the same time bring the heels together. 
 
 7. Eepeat No. 5. 
 
 8. Repeat No. 6. 
 
 9. Half salute to right. 
 
 10. Mollinet to left over head. 
 
 11. Mollinet to right over head. 
 
 12. Face salute in four counts. (On 4th count 
 front face and carry sword.) 
 
 Hold each position four counts. 
 Note. — See Anderson's "Light Gymnastics" 
 for illustrations for salutes. 
 
Fancy StepQ. 
 
 1. Touch left toe diagonally to left and step 
 forward. Same right. Mandolin Polka. (40 cts.) 
 
 2. Touch left toe across right and step for- 
 ward. Same right. Mandolin Polka. 
 
 3. Touch left toe diagonally to left, then cross 
 and step, heels together on four. Mandolin Polka. 
 
 4. Touch left toe diagonally to left, across 
 right, back again and step. Mandolin Polka. 
 
 5. Touch left toe across right, back to left, 
 across again and step. Mandolin Polka 
 
 6. Touch left toe to left, across right, then to 
 heel and hop. Mandolin Polka. 
 
 7. Touch right toe straight to the front a 
 short step, then back, then run three short steps, 
 starting with right foot. Eda Polka. (50 cts.) 
 
 8. Touch right toe directly to front as far as 
 possible, bend forward slightly and touch same toe 
 back without bending the knee. Same left toe. 
 Eda Polka. 
 
 9. Cross-walk on toes. Chloris Schottische. 
 (40 cts.) 
 
 10. Greyhound step, waltz time. Modjeska 
 Waltz. (60 cts.) 
 
 11. Touch right toe to side, then in front, then 
 greyhound step. Wang Waltz. (75 cts.) 
 
 12. To the rear on fourth and eighth counts. 
 Chloris Schottische. 
 
96 Artistic Work. 
 
 13. Change step. Mandolin Polka. 
 
 14. Touch toe forward and back, change step. 
 Mandolin Polka. 
 
 15. Follow step. S. 0. V. March. (50 cts.) 
 
 16. Slide and balance, waltz time. Breeze of 
 the Night Waltz. (75 cts.) 
 
 17. Slide and balance, crossing with arm cir- 
 cling. Dove's Return Waltz. (75 cts.) 
 
 18. Cross-run, cross-throw. Dancing in the 
 Barn. (40 cts.) 
 
 19. Grand right and left. Nineteenth Century 
 March. (50 cts.) 
 
 20. Advance eight steps, circle partner, join- 
 ing inside hands. Take this step by twos. Evan- 
 geline March. (50 cts.) 
 
 21. Advance eight steps, circle partner, partner 
 kneeling. Take this step by twos. Evangeline 
 March. 
 
 22. Company in single file, advance four steps. 
 On fourth count No. 1 marks time, places the right 
 hand over the right shoulder, takes left hand of 
 No. 2, raises it head high, leads No. 2 forward ; 
 No. 2 makes a complete circle, passing under the 
 hands and remains in front of No. 1. S. 0. V. 
 March. 
 
 23. Take change step, starting with left, then 
 swing right foot across front and back. Repeat, 
 starting with right foot. Wilhemina Schottische. 
 (40 cts.) 
 
 24. Touch left toe diagonally to left, bring 
 
Fancy St 
 
 foot back, heel close to right ankle, foot extended, 
 then change step. Wilhemina Schottische. 
 
 25. Hop on left foot, flex, straighten, flex and 
 step forward. Same right side. S. 0. V. March. 
 
 26. Evangeline; marking time, heel and toe. 
 Evangeline March. 
 
 27. Step diagonally to left with left foot, bring 
 right foot back of left; repeat, stamp three 
 times. Same right; Ostrich Song (Merry Monarch). 
 (50cts.) 
 
 28. Step diagonally to the left with left foot, 
 bring right foot back to left ; repeat, hop diagonally 
 in same direction three times . High School Cadets' 
 March. (40 cts.) 
 
 29. Touch left toe diagonally to left, bring right 
 across right diagonally, and take change step. 
 Same on right side . High School Cadets' March. 
 
 30. Front stationary, single. Skirt Dance. 
 (40 cts.) 
 
 31. Front stationary, double . Skirt Dance. 
 
 32. Back stationary, single . Skirt Dance . 
 
 33. Back stationary, double . Skirt Dance . 
 
 34. Jig steps (eight). Danse Eccosais. (60 
 cts.) 
 
 35. Clog steps (eight) . Danse Eccosais. 
 Any of the above pieces of music will be sent 
 
 postpaid on receipt of the price. Address Edgar 
 S. Werner, 108 East 16th St., New York. 
 
Kancy Marclies. 
 
 NO. 1. TWELVE FIGURES. 
 
 X.— Odd numbers. 
 Y. — Even numbers. 
 
 \ 
 \ 
 
 jn 
 
 \ y 
 
 V^ig-a. 
 
 Cross centre from opposite corners. 
 
Fancy Marches. 99 
 
 C^, /9 
 
 / 
 
 /s,Fig.3 
 
 / 
 
 / \ 
 
 / 
 
 \ 
 
 \ 
 
 Return to corners by crossing centre again. 
 
 
 iO 
 
 \ 
 
 / 
 
 N 
 
 / 
 
 \ 
 
 / 
 
 \ 
 
 / 
 
 \ 
 
 / 
 
 > 
 
 <'FigA 
 
 / 
 
 \ ^ 
 
 / 
 / 
 / 
 
 \ 
 \ 
 
 / 
 / 
 
 \ 
 \ 
 
 Cross to centre, touch elbows and go to corners. 
 
100 
 
 Artistic Work. 
 
 / 
 
 / \ 
 
 / \ 
 
 ' / \ . 
 
 ' / \ « 
 
 ^-./ 
 
 \J 
 
 Return to centre, touch elbows and back to start- 
 ing-point. 
 
 Kg.6. 
 
 i ^^-i-^ \ 
 
 Come down centre by twos, first couple to right, 
 second to left. 
 
Fancy Marches. 101 
 
 - A 
 
 .V 
 
 / 
 
 S N/ /- 
 
 
 
 \ \ 
 
 
 Cross centre by twos from opposite corners. 
 See Fig. 2. 
 
 \ ^ ' / 
 
 / K \ 
 
 ^ \ 
 
 
 e "J 
 
 Return to corners by twos by crossing centre. 
 See Fig. 3. 
 
102 
 
 Artistic Work. 
 
 \ 
 
 / / 
 
 / / 
 
 / / 
 
 )) {(m 
 
 / / 
 / / 
 
 \ \ 
 
 Cross to centre by twos, touch elbows and go to 
 corners. See Fig. 4. 
 
 ->- 
 
 ■^ r 
 
 Rgl" 
 
 Return down centre by fours to opposite end of 
 room. 
 
Fancy Marches. 
 
 103 
 
 O 
 
 Ti&. It. 
 
 Take flank movement, which brings company to 
 single file. 
 
 Fig. 1%. 
 
 Back to original starting-position. 
 
104 
 
 Artistic Work. 
 
 KO. 2. ( WITH STEPS ) SIX PIGUEES. 
 
 ,/ 
 
 A' 
 
 ^••% 
 ^^^f 
 
 Fig. 13. mikuet step. 
 
 Lines cross centre and halt. 1st and 2nd section 
 left face ; 3rd and 4th section right face, and take 
 left wheel around to starting-point. 
 
 ^i^^no-b- >4o«t5idc. 
 
 Fig. 14. step no. 14. 
 
 Keep same facing position as in Fig. 1, but the 
 four outside take right wheel, while inside section 
 is still making a left wheel, coming back to start- 
 ing-point. 
 
Fancy Marches. 
 
 105 
 
 r^ r*- 
 
 A A 
 
 :& 
 
 -s' 
 
 /^ 
 
 o 
 o 
 o 
 o 
 e 
 > 
 «-> » 
 
 Fig. 15. step ko. 18. 
 Two lines march to opposite sides of room, about 
 face and fancy step to centre of room, taking fancy- 
 step until facing, bringing shoulders together to 
 march to next figure. 
 
 Oi 
 
 r'^^r^^^^ 
 
 
 Fig. 16. step no. 26. 
 March by twos and come to single file by right 
 flank, which brings the pupils in correct marching 
 order. March once around room, taking fancy 
 step. 
 
106 
 
 Artistic Work. 
 
 Fig. 17. step no. 14. 
 Take spiral march single file to centre of room 
 and return to starting-point, keeping up fancy- 
 step until you have reached starting-point. 
 
 6 
 
 I V 
 Fig. 18. step no. 20. 
 Form twos by right flank and march down cen- 
 tre of room to dressing-room ; take fancy step soon 
 as the line has formed, twos from the rear of the 
 room. 
 
Ivi®t of Music, 
 
 Military 
 Marching 
 
 Fancy 
 Marches 
 
 Rings and 
 Wands . . 
 
 Veteran Battalion March. (40cts.) 
 Evangeline March. 
 Grand Festal March. (50 cts. ) 
 ^ Clayton's Grand March. (70 cts.) 
 Fresh Life March. (60 cts.) 
 Northern Route March. (60 cts.) 
 Flower of the Flock March. (50 cts.) 
 
 Ohloris Schottische. 
 
 Travesty March. (50 cts.) 
 
 S. 0. V. March. 
 
 19th Century March. 
 
 High School Cadets' March. 
 
 Wilhemina Schottische. 
 
 Saratoga March. (40 cts.) 
 
 Tobasco March. (40 cts.) 
 
 The Belle of Chicago March. (40 cts.) 
 
 Manhattan Beach March. (50 cts.) 
 
 2nd Co. Gov. Foot Guard. (40 cts.) 
 
 The Liberty Bell March. (50 cts.) 
 
 The Lion Tamer March. (40 cts.) 
 
 The Corcoran Cadets. (40 cts.) 
 
 The Honeymoon March. (50 cts.) 
 
 Illusioni Waltz. (60 cts.) 
 Dove's Return Waltz. 
 Auf Wiedersehen Waltz. (75 cts.) 
 Breeze of the Night Waltz. 
 Gondolier Waltz. (50 cts.) 
 Sweet Dream Waltz. (50 cts). 
 Robin Hood Waltz. (75 cts.) 
 Senator Waltz. (75 cts.) 
 
108 
 
 Artistic 1^0?'^. 
 
 Stepping 
 and Sway 
 ingMove 
 ments . 
 
 Barbells 
 
 Merry Monarch Waltz. (75cts.) 
 
 Les Sir6nes' Waltz. (75cts.) 
 
 Love's Dreamland Waltz, (75cts.) 
 
 Mia Bella Waltz. (50cts.) 
 
 Modjeska Waltz. 
 
 Flower Song. (oOcts.) 
 Fencing Series, 19th Century March. 
 
 Dove's Return Waltz. 
 
 Life in Paris Waltz. (75 cts.) 
 
 Robin Hood Waltz. 
 
 Majetta Waltz. (60 cts.) 
 
 Hoop Drill Shepherd Boy. (40 cts.) 
 
 This chorus has music 
 specially arranged for it, 
 which can be procured of 
 Mrs. H. S. Anderson, New 
 Haven, Conn., on receipt of 
 price. Price of music for 
 Rataplan, $1.50; for Anvil 
 Chorus, 50c. ; Pizzicati 
 Chorus, 50c. 
 
 Any of the above sent postpaid on receipt of the 
 price. Address Edgar S. Werner, 108 East 16th 
 St., New York. 
 
 Anvil Chorus. 
 Pizzicati Chorus. 
 Rataplan Chorus. 
 
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DNIVEBSITY OF CALIFORNIA LIBRARY 
 
 THIS BOOK IS DUE ON THE LAST DATE 
 STAMPED BELOW 
 
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 « 10ct'561''i 
 REC'D LD 
 
 OCT 2 1956 
 
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