PA 
 
 3948 
 
 C2 
 
 1904
 
 KEBHTOS DINAH. 
 
 Ce.be s 
 
 CEBE8' TABLET, 
 
 INTRODUCTION, NOTES, VOCABULARY, AND 
 GRAMMATICAL QUESTIONS. 
 
 BY 
 
 RICHARD PARSONS, 
 
 PROFESSOR OF GREEK, OHIO WESLBYAN UNIVERSITY. 
 
 Si), ipa.fj.fv d0d.va.T6s tffTiv y roia^rrj . . . 
 
 re a.fj.a. Kal Saifiovet. PLATO, Laws. 
 
 BOSTON, U.S.A.: 
 
 GINN & COMPANY, PUBLISHERS. 
 1904.
 
 P/9 
 
 
 ;H 
 
 Entered, according to Act of Congress, In the year 1887, by 
 
 RICHARD PARSONS, 
 In the Office of the Librarian of Congress, at Washington. 
 
 TYPOGRAPHY BY J. S. GUSHING & Co., BOSTON, U.S.A. 
 PRESSWORK BY GINN & Co., BOSTON, U.S.A.
 
 PREFACE. 
 
 THIS little volume has arisen from a belief that Cebes' 
 Tablet deserves a higher recognition than it has received 
 from educators. In confirmation of this claim, texts edited 
 from more modern data and research have recently appeared 
 in Germany and England. 
 
 In its preparation the works of Schweighatiser, Simpson, 
 Drosihn, Btichling, and Jerram have been consulted, besides 
 some minor editions prepared for school and gymnasium use. 
 The monographs of Drosihn (!>ie tyit bt$ $mar.) and of Dr. 
 Carl Mtiller on the manuscript authorities (De arte critica 
 ad Cebetis Tabulam adhibenda) have been of service. 
 
 The editor is also under great obligations to Professor 
 John Williams White of Harvard University for favors kindly 
 extended and gratefully received. 
 
 December, 1886.
 
 INTRODUCTION. 
 
 I. THE STORY OF THE MANUSCRIPTS. 
 
 IN both ancient and modern times this little work has 
 inspired its readers with more than ordinary admiration. 
 Described by Lucian, translated into Latin verse by a rela- 
 tive of Tertullian, praised by Gronovius as the book which 
 he ever kept before his eyes or upon his person, commended 
 by Milton, and utilized by Bunyan, the Tabula needs no 
 other testimony to its worth than that already furnished by 
 its numerous friends, its multiplied editions and translations, 
 and the beauty and purity of its philosophy. 
 
 Unfortunately, however, the worth and popularity of the 
 work have not availed to insure its preservation in complete 
 form in any Greek manuscript known still to exist. The 
 concluding sentences have been preserved only by means of 
 an Arabic paraphrase, made in the ninth century, which, 
 translated by Elichmann into Latin, was published in 1640. 
 
 This Latin version, however, is of no great value for criti- 
 cal purposes, as the Arabic translator had in some places 
 misapprehended the meaning of the original. 
 
 Another Latin version is that of Odaxius, first published 
 at Bologna in 1497. 
 
 While neither of these versions is of any independent 
 authority, that of Elichmann has been of some service in 
 suggesting the correct reading in places where the Greek 
 manuscripts were plainly wrong.
 
 6 INTRODUCTION. 
 
 Of these latter, twelve in all, but two are of great author- 
 ity. These are the Paris manuscript marked A, and dating 
 from the eleventh (from the twelfth, Schweig.), and the 
 Codex Vaticanus, of the fourteenth century. 
 
 Three other Paris manuscripts, designated B, C, and D, re- 
 spectively, and all other extant manuscripts, are judged by 
 Dr. C. Mtiller to be mere copies of the Vatican manuscript. 
 This latter manuscript is therefore the best authority from -n-po- 
 repov, 1. 431 (where Paris manuscript A unfortunately ends, 
 in consequence of a mutilation) to the close of the Greek text. 
 
 Some editions of Cebes contain references also to a supposed 
 manuscript from which Meibomius may have derived read- 
 ings given in his edition of 1711. 
 
 The labors of Dr. Miiller have proved that the readings of 
 the Meibomian manuscript (?) were derived from various 
 sources, especially from Paris manuscript C, and therefore not 
 of any higher authority than that very corrupt apograph of 
 the Vatican manuscript. 
 
 II. EDITIONS. 
 
 The Latin translation by Odaxius, already mentioned, prob- 
 ably preceded the first impression of the Greek text. The 
 earliest edition in the original (editio princeps) according to 
 Schweighaiiser is one without designation of place or year, 
 but probably printed at either Venice or Rome near the 
 beginning of the sixteenth century. This and all the early 
 editions were published in connection with other works, fre- 
 quently forming one volume with the Enchiridion of Epicte- 
 tus. An Aldine edition of 1512 contained the Tabula in 
 Greek and Latin, a treatise on Greek grammar, the Sermon 
 on the Mount, a list of abbreviations used in Greek, the Gos- 
 pel of John, the Golden Verses of Pythagoras, the Salutation 
 to the Most Blessed Virgin, the Symbols of the Apostles, the 
 Poems of Phocylis, an Introduction to the study of Hebrew,
 
 INTRODUCTION. 7 
 
 etc., all designed, evidently, as a panoply of moral and gram- 
 matical purity. 
 
 The most scholarly of early editions was that published at 
 Basle by Wolf (1560), in which the question of authorship was 
 first raised. In this work the Tabula and Manual of Epicte- 
 tus formed a part of the first of three volumes. Many of the 
 ingenious emendations suggested by this editor have been 
 confirmed by manuscripts not known to him. 
 
 Successive editions were issued in Germany by Caselius from 
 1594 on, showing no improvement upon Wolfs works. In 
 Leyden, however, there appeared, in 1640, a posthumous work 
 of Elichmann's, supplied with a preface by Salmasius. 
 
 This edition contained, besides the Greek text, an Arabic 
 paraphrase, probably of the ninth century, accompanied with 
 a Latin translation. The paraphrase carried the dialogue of 
 the Tabula farther than any Greek manuscript then read ; 
 and this fact gave occasion for suspecting this concluding por- 
 tion not to be genuine. There is, nevertheless, no sufficient 
 ground for such suspicion, and the concordant and logical 
 nature of this sequel has disarmed objection. The greater 
 portion of the additional matter has since been found in other 
 Greek manuscripts. The Amsterdam edition of Gronovius 
 (1689) contained corrections from three Paris manuscripts 
 consulted first by him. This work, although defective in its 
 references, placed criticism of the Tabula on a higher plane. 
 Toward the close of the following century (1798) appeared 
 the large work of Jno. Schweighauser, published from Leipsic, 
 including the Manual of Epictetus. 
 
 This is far the best of all German editions, evidencing 
 patience and consummate scholarship. This was edited later 
 by G. Schweighauser, without notes but with the same impor- 
 tance attached to the Meibomian readings as in the larger 
 edition. This work of Schweighaiiser's has formed the text 
 of numerous German editions intended for the gymnasia. 
 
 The principal French editions have been those of Coraes,
 
 8 INTRODUCTION. 
 
 highly reputed, and Diibner, mainly a reprint of Schweig- 
 haiiser. 
 
 Of English editions that of Jerram (Clarendon Press, Ox- 
 ford) is much the best. 
 
 III. THE PLAN OF THE WORK. 
 
 The Tabula is cast in the form of a dialogue describing and 
 explaining an allegorical picture represented as deposited in a 
 temple as a votive offering. From the thirty-third chapter to 
 the close a discussion and enlargement of the teachings given 
 is carried on by the same two persons who began the conver- 
 sation. 
 
 Briefly told, the story is as follows : 
 
 ' As certain young strangers stand perplexed by the quaint 
 design and strange figures of the picture, an aged man stand- 
 ing near volunteers the information that the offering was pre- 
 sented by a stranger of understanding and great wisdom who 
 had dedicated both temple and picture to Kronos. A request 
 for an explanation is complied with, after he has warned them 
 that there is a danger attending the understanding. 
 
 ' The three concentric circles, separated by walls and com- 
 municating through gates, represent Life. A great throng at 
 the outer gate seeks to enter, while an old man, Genius, ges- 
 ticulates and holds out a chart of directions. These, passing 
 him by, come to a woman, who, from her throne beside the 
 gate, gives drink to all who enter. Her name is Deceit, her 
 drink Ignorance and Error. 
 
 ' THE OUTER CIRCLE. Having passed the gate, the mul- 
 titude is attracted by women, who are Opinions, Desires, and 
 Enjoyments. These flatter and mislead the unreflecting crowd 
 by promising happiness to each. 
 
 1 Yonder blind woman, standing upon a round stone roll- 
 ing in every direction, is Fortune. She is deaf and raving 
 mad. She tosses her gifts promiscuously amid the crowd, and
 
 INTRODUCTION. 9 
 
 some are gratified, while others fail and groan in anguish. 
 Again, she takes away from those who win and tosses to 
 others, who rejoice, calling her Good Fortune, while those 
 who lose stretch forth their hands and revile her as Evil For- 
 tune. Beyond her stand four other women, Incontinence, 
 Profligacy, Greed, and Flattery. 
 
 'These watch to see who obtain Fortune's gifts, and such 
 they embrace and flatter and prevail upon to live with them- 
 selves lives full of delight, as they say, and free from toil and 
 suffering. 
 
 'But though for a while their victim is pleased, yet his 
 enjoyment is gradually diminished, his means at last spent, 
 and then he is forced to commit most violent crimes by these 
 wantons who have enslaved him. They at last deliver him to 
 Retribution and her gaunt and ragged crew, Sorrow, Anguish, 
 Lament, Despair. These torture him and cast him into the 
 House of Woe ! 
 
 ' From this there is no escape, unless haply Repentance 
 may meet him. She will give him other opinions, of which 
 one will conduct him to True Learning, but the other, to 
 False Learning. 
 
 'THE SECOND CIRCLE. There, just at the entrance to the 
 second enclosure, stands False Learning. Neat and trim she 
 appears, so that men admire her and think her the true 
 Learning. But she does not save them, for within this en- 
 closure, too, you see the same forms of evil and error, though 
 these tempters are not so common in this stage. But they 
 will not depart till the man sets forth on that rough and steep 
 path leading upward to True Learning. Few tread that nar- 
 row way and reach that great high rock. 
 
 'The sisters who from the summit hail the approaching 
 traveller are Temperance and Fortitude. They encourage 
 him to be brave and patient, as he will soon find the path 
 easy. Then descending to his aid, they draw the pilgrim up, 
 as there is no other way to reach the top. They bid him rest.
 
 10 INTRODUCTION. 
 
 and impart strength and courage, assuring him that he is in 
 the right course. 
 
 ' From them the road now passes through a flowery and 
 sun-lit plain, and everywhere is smooth and delightful. 
 
 'THE THIRD CIRCLE. Finally the path terminates at the 
 gate of the third wall, where True Learning stands in dignity 
 on a firm, square stone. 
 
 ' She gives those who enter her purifying potion. Purged 
 by this from all deluding fancies and desires, the traveller 
 passes within the gate. He is welcomed by a band of fair 
 women, Knowledge, and her sisters Courage, Righteousness, 
 Honor, Temperance, Order, Liberty, Self-Control, Gentleness. 
 They conduct him to their mother, Happiness, enthroned on 
 the propylaeum of the acropolis. To each who reaches 
 this goal she gives a crown of victory, for he has overcome his 
 greatest foes. Under the care of the Virtues he is afterward 
 conducted to the place whence he came, and beholds there 
 men sunk in that low and wretched estate from which he has 
 been rescued. Henceforth nothing can harm him, but he 
 becomes a welcome help to all. 
 
 ' On the contrary, these whom you see descending the diffi- 
 cult path have been rejected by Learning, and, wretched in 
 heart, wander aimlessly. The women who pursue them are 
 Grief, Despair, and Ignorance. Returning, they revile the 
 seekers of True Learning as mean and wretched creatures 
 who do not enjoy life and its goods. But you see others to 
 return with great joy, having crowns on their heads, and 
 these are they who have sought and found the only True 
 Learning. The women you see serving as guides are the 
 Opinions who conduct travellers to the gate of Knowledge, 
 but may not themselves enter her presence. 
 
 ' Do you ask again what directions the Old Man without 
 the gate of Life gives ? These : That they should put no 
 trust in Fortune, nor ever believe her gifts to be permanently 
 their own. But, as she blindly gives and takes away, neither
 
 INTRODUCTION. 11 
 
 to rejoice when she gives, nor to despair though she take 
 away. But he bids to take from False Learning her science 
 and letters as conveniences, not at all as necessities, and 
 then with all speed to urge toward True Learning, whose gift 
 is Knowledge, sure, permanent, unchanging Knowledge. 1 
 
 The remainder of the dialogue discusses the value of the 
 pursuits included under False Discipline. These, it is argued, 
 have no real worth, since they make men no better. Those 
 who avoid the arts and sciences altogether may arrive unto 
 Knowledge as well as those who become proficient in such 
 branches. Yet they yield some advantage to those who pur- 
 sue them, though all such are in great danger of bestowing 
 too much time on such occupations. 
 
 In response to the question, " Why are not the gifts of 
 Fortune good?" the reply is that Life is not of itself good 
 or evil, but good or evil only as it is spent nobly or basely. 
 As the gifts of Fortune do not of themselves conduce to right 
 living, they may prove to be a positive injury, being obtained 
 by wrong-doing, from which nothing good can ever come. 
 
 The Tabula, then, unfolds the philosophy of a true life. 
 With the question of a future state it is in nowise con- 
 cerned. It is strange, therefore, that Suidas, the lexicog- 
 rapher, could describe the work as "an account of things 
 in Hades, and other matters." Faulty also is the statement 
 of Eschenburg, " It treats of the state of souls before their 
 union with bodies; of the character and destiny of men 
 during life ; of their exit from the world." 
 
 IV. THE AUTHORSHIP. 
 
 Since even the subject-matter of the Tabula has been mis- 
 represented by careless writers, it is not strange that the more 
 difficult question of authorship has been handled with some 
 vagueness. The Tabula bears the name of Cebes. As there 
 is no ground whatever to attribute its authorship to the 
 Cyzicene Cebes, and since there is but one other philosopher
 
 12 INTRODUCTION. 
 
 of any great fame bearing that name, the assumption has 
 been that he that is, the Theban friend and disciple of 
 Socrates should be regarded as the author of the work in 
 question. One of the twelve Greek manuscripts extant bears 
 "r)(3du)v" as part of the title. To this manuscript (C) no 
 weight can be given, as we possess another manuscript, earlier 
 by two centuries, the Vatican, of which C is an apograph. 
 This Vatican manuscript, and nearly all the others, has the 
 title "IIiva KC/^TOS." As the name of the writer is not in 
 dispute, the sole question is whether the Cebes of Thebes was 
 the Cebes of the Tabula. 
 
 The Theban Cebes is at best an indistinct historical figure. 
 He is mentioned by Xenophon twice in his Memorabilia 
 (I. 2. 48, III. 11. 17), but so casually that nothing character- 
 istic can be ascertained beyond his irreproachable probity. 
 In Orito, however, Plato shows him as ready to offer his 
 property for the rescue of his loved master. In the Phaedo 
 he bears a prominent part in the conversation upon immor- 
 tality. Socrates speaks to him as a disciple of the philoso- 
 pher Philolaus (of Crotona), and speaks of him as one not 
 easily convinced by the arguments of others. In this dia- 
 logue Cebes strenuously opposes the doctrine of the immor- 
 tality of the soul, but at last yields to the arguments of 
 Socrates. Perhaps, if we regard him as the author of the 
 Tabula, we shall better understand his work, not as ques- 
 tioning the soul's immortality, but rather as ignoring the 
 subject of death as an accident unworthy of mention. Cebes 
 is mentioned also in the epistles of Plato as living in Athens. 
 From the time of Plato there is no mention of Cebes for a 
 period of about five centuries; that is, until the time of 
 Lucian, who mentions him twice as " that fam.ous Cebes " (6 
 K/3/;s exetvos). 1 The reference to the Tabula is so clear that 
 its author cannot be placed later than this period; i.e., 160 
 A.D. This is also confirmed by Tertullian, a contemporary 
 
 1 Lucian, De mere. cond. c. 42; rhaet. praec. 6.
 
 INTRODUCTION. 13 
 
 of Lucian, who speaks of a kinsman of his who translated 
 the Tabula into Latin hexameters. 1 
 
 Incidentally Cebes is mentioned by Plutarch, Pollux, and 
 Diogenes Laertius, the latter of whom says that he was a 
 Theban, and author of three dialogues, n/a, 'E/JSo/u,^, 
 $pwt;(os, which also were ascribed to him by the lexicog- 
 rapher Suidas. 
 
 The external evidence, then, of the Socratic inspiration of 
 the Tabula is extremely remote, and we wonder how a period 
 equal to that from the time of Chaucer to our own day could 
 elapse with no mention of the Theban Cebes or his works. 
 On the other hand, we must remember that omissions of this 
 kind are not so uncommon in classic writers; Plato, for in- 
 stance, making no reference to the Memorabilia of Xenophon. 
 The question of authorship must, therefore, be decided mainly 
 on the internal evidence. 
 
 If the writer of the Tabula was a pupil of Socrates, we 
 should expect to find its sentiments to accord with those 
 ascribed to that philosopher by Plato and by Xenophon. 
 On this point the Tabula leaves nothing further to be de- 
 sired. Compared in thought and expression with the works 
 of the apologists of Socrates, the correspondences are many 
 and marked. The doctrines of the pre-existence of souls, 
 the loss of knowledge at birth, the insufficiency of mental 
 acquirements to produce virtue, the identification of virtue 
 with knowledge, are all familiar to the readers of Plato 
 and Xenophon. When, in the closing chapters of the Tabula, 
 we pass from the descriptive to the argumentative part of 
 the work, the method of confutation is a fine example of 
 Socratic dialectics. As a whole, indeed, the production is 
 such as we should expect from a friend and disciple of 
 Socrates. 
 
 . To be more particular : Plato argues in the Phaedo and in 
 the Meno that knowledge is a reminiscence, the soul retain- 
 
 1 Tertullian, De praescrip. haer. c. 39.
 
 14 INTRODUCTION. 
 
 ing its ideas of the abstract from a state preceding its pres- 
 ent bodily existence; in the Tabula the "Daemon" imparts 
 knowledge to the soul before it enters the gate of this life. 
 The daemon of Socrates coincides with the daemon of Cebes 
 in being a restraining influence making for virtue and self 
 control. In the Meno, man is ignorant of virtue ; in the 
 Tabula, all partake of the cup of Ignorance and Error. 
 That passion is inherent in human nature, and man the most 
 savage of animals, are truths found in the Laws; the ten- 
 dency of man to become the slave of passion is set forth by 
 a lively picture in the Tabula. In the Protagoras and in 
 the Lysis the duty of education is fully presented, and in the 
 Laws, Ignorance is the cause of crime ; in the Tabula, True 
 Culture is the goal towards which he must press who will 
 receive the crown of deliverance from Ignorance and Pas- 
 sion. In the Memorabilia, Xenophon represents Socrates as 
 disapproving speculation in geometry and astronomy. In 
 the Tabula the sciences are held to be mere conveniences 
 in the journey of life. In the Orito, man should not be 
 concerned about living, but should be anxious only to live 
 well; in the Tabula, ill living is shown to be an evil, and 
 right living the only good. In the philosophy of Socrates, 
 definition and induction played a most important part; the 
 Tabula closes with an argument for lofty living based on 
 distinction and analogy. 
 
 Socrates drew his belief in the dignity of life from Pytha- 
 goras, and was indebted to Parmenides for the doctrine of 
 the fallaciousness of opinion. These beliefs are intertwined 
 in the Tabula by Cebes, the pupil of Philolaus, the Pytha- 
 gorean, who would have delighted in the teachings of his 
 great Italian countrymen. 
 
 It might not be inapt to add that the terms denoting 
 abstract quality seem to be used in the same sense in the 
 Tabula as in Plato, and that correspondences in expression 
 are not infrequent.
 
 INTRODUCTION. 15 
 
 The arguments urged against the authenticity of the 
 Tabula rest partly on alleged anachronisms, partly on the 
 allegorical form of the work, and in part on the occurrence 
 of words and constructions not known as Attic Greek. 
 
 In support of the first objection it has been claimed by 
 Drosihn and others that since Plato is quoted as an authority 
 (chap. 33), and as the work (the Laws) from which the 
 quotation is made was the last composed of Plato's works, 
 Cebes must have lived almost to the age of one hundred 
 years in order to have been the author of the Tabula. This 
 argument is based by Drosihn partly on the application of 
 the term -jrpea-/3vrfpo<; to Cebes and others in the Memorabilia 
 (I. 2. 48). Xenophon, however, uses the terms vewrepos and 
 irpeo-fivTepos to designate the entire period of life, and it 
 would be unfair to found an argument on terms so general. 
 
 On the other hand, Cebes is spoken of in the Phaedo as 
 one of the vtavLa-Kw, a term which would hardly be applied 
 to a man much older than thirty years. At the death of 
 Plato, then, which occurred about fifty years after that of 
 his great master, Cebes would not have passed much beyond 
 his eightieth year. Moreover, the reference to the Laws 
 lacks the definiteness of an exact quotation, and may be a 
 mere allusion to some current saying attributed to Plato. It 
 seems improbable that any writer with the philosophical skill 
 to construct such a work as the Tablet should have laid his 
 work open to suspicion by an apparent blunder. If his de- 
 sign were to obtain the sanction of a great name for his 
 production and views, would he not be careful to avoid a 
 possible anachronism in the only citation introduced ? 
 
 The same pleading cannot, however, be employed for the 
 defence of the terms 'HSovt/col, Kpmrot, and HepiTrarrjTtKol in 
 chapter thirteenth. If these words are genuine, it is impos- 
 sible to account for their appearance in a work reputed to 
 belong to the period of Plato. Kpmxoi is not so open, in- 
 deed, to question, as revisers and compilers of works are
 
 16 INTRODUCTION. 
 
 found in every historical era. Nor is 'HSovi/cot to be neces- 
 sarily challenged, since by the epithet the school of Aristippus 
 may be designated, whose teachings were, as is well known, 
 repugnant to the followers of Socrates. But in UfpnrarrjTiKol 
 we have an undeniable anachronism, although Schweighatiser 
 thought it might be read HepnraTiKol, which he further as- 
 sumed might have been applied to walking philosophers in 
 the time of Socrates (Mem. I. 2. 10). Both emendation and 
 assumption are untenable. The word must be admitted to 
 be an interpolation, or a later period conceded to the Tabula. 
 For a very different reason we are surprised to find in the 
 context the mention of AioAexTt/coi among the devotees of 
 False Learning. That a pupil of Socrates should throw any 
 discredit upon the dialectic art, wherein that philosopher 
 attained supreme skill, ^is strange. We cannot suppose that 
 any condemnation of so important an instrument of investi- 
 gation was intended. We may also remember that "poets" 
 and " rhetoricians " are not condemned as suck, but only as 
 classes, whose pursuits tend to lead them to overestimate the 
 value of intellectual culture. It may be that the followers 
 of Socrates were vexed by charlatans who professed his 
 methods and claimed this title. If this supposition be con- 
 sidered improbable, we may still remember that the occur- 
 rence of a few later or doubtful terms is by no means 
 uncommon in either scriptural or secular manuscripts, and 
 sometimes is only an evidence of the wide diffusion and pop- 
 ularity of the production. 
 
 Drosihn found the allegorical form of the work ground 
 to suspect its late origin, arguing that it must be the product 
 of an age in which a passion for allegorical description and 
 instruction bore sway ; such, for instance, as that of Ovid 
 among the Latins, or Lucian among the Greeks. While the 
 great number and variety of the allegorical characters in 
 the Tabula naturally suggest such comparisons, they by no 
 means necessarily ally the Tabula to the time of such pro-
 
 INTRODUCTION. 17 
 
 ductions. If we consider it an outgrowth of the Choice of 
 Hercules, surely a period of four centuries was not required 
 to expand the apologue of Prodicus into the allegory of 
 Gebes. 
 
 From the materials furnished by the English translation 
 of the Scriptures far less time sufficed to produce the match- 
 less allegory of John Bunyan and the noble epic of Milton. 
 
 But Drosihn also observes resemblances between the char- 
 acters of Cebes and those mentioned in a discourse of Dio 
 Chrysostom (De reg. iv. p. 85), and argues that therefore 
 the Tabula must be referred to a period subsequent to the 
 works of Chrysostom, and antecedent to those of Lucian ; 
 i.e., to the latter half of the first or the earlier half of the 
 second century after Christ. Gronovius, on the other hand, 
 had deemed that Chrysostom imitated Cebes, and from casual 
 resemblances no argument can be held conclusive for either 
 side. 
 
 Lastly, the existence in the Tabula of late words is claimed 
 to be a strong reason for assigning its origin to a period ap- 
 proximating the Christian era. The industry of Drosihn has 
 prepared a list of sixty-six words, phrases, and exceptional 
 meanings which were designed to form the concluding evi- 
 dence in the work unfortunately left uncompleted at his 
 death. In regard to many of these, the earliest authority 
 (as Jerram has shown) is wrongly given in the list. Nearly 
 one-half of the whole number are quoted from writers not 
 later than Demosthenes. Deducting these classes, and such 
 forms as d/Je/foicos, euTTopevros and others, which are either 
 formed correctly or only slightly differ from those found in 
 good writers, there still remain some eight or ten words for 
 which we can find no classical authority; i.e., avavrifaw, 
 avTi<f>dpiJ.oiKOV t eyyi'&iv, Oefia, Kcvoota, i/'euSoTraiSeia, with </>iAo- 
 n/AU)s in the sense of " extremely," and the use of lira. in 
 the sense of " superior to," and the construction of oTmrw with 
 a following genitive.
 
 18 INTRODUCTION. 
 
 From these words and constructions we are forced to sus- 
 pect that the present form of the book is more recent than 
 that in which it originally appeared. Nevertheless, we shall 
 do well to keep in mind two facts. One of these is, that 
 peculiar compounds are to be expected in works of an alle- 
 gorical form. If the genuineness of the Pilgrim's Progress 
 should be hereafter disputed, many compound words might 
 be adduced in evidence, such as By-Ends, Money-Love, Live- 
 Loose, Facing-Both-Ways, etc. It is quite clear that if these 
 names should not be used again for centuries, that an argu- 
 ment for a later date might be plausible. So, too, with 
 respect to such compounds as KevoSofta, i/^evSoTraiSeia, etc., it 
 may be said that they are expressions sanctioned by allegori- 
 cal requirements. 
 
 The second fact to be remembered is, that the reputed 
 author was a Theban. Reference is made in the Phaedo to 
 the Boeotian pronunciation of Cebes. If his pronunciation 
 was provincial, doubtless his diction was not altogether Attic. 
 Unfortunately we cannot determine how far the Boeotian 
 speech of his day was removed from the Aeolic dialect. 
 Thebans like Simmias and Cebes might write purely Attic 
 forms and idioms, while unconsciously retaining words yet in 
 local use only. If these words, during or after the supremacy 
 of Thebes, should be carried into the common speech, or, like 
 dravT^eiv and Qipja, should first occur in Plutarch, also a 
 Boeotian writer, an argument based on their occurrence might 
 be fallacious. At least we may observe that the only myth 
 in the Tabula, the story of the Sphinx, is a Theban one. 
 While not attaching any great importance to what might 
 easily be a mere coincidence, on the other hand we can hardly 
 overestimate the evidence that the work in spirit and essence 
 (and possibly in form) is thoroughly and genuinely Socratic.
 
 CEBES' TABLET.
 
 niNAB. 
 
 I. 'ErvyxdVojuez/ TreptTrarovVres eV r<5 rov Kpovov 
 lepat, lv <5 TToXXa pev /cat aXXa aVa^rj/Aara e#e<o- 
 
 aW/cetro Se /cat TT'IVO.% TIS efJiTrpoa'Oei/ Yov 
 >, eV w ^v ypa<f)-ij rts ^eVry, /cat pvOovs e^ovcra 
 tSt'ovs ov? ou/c i?8wa/Ae#a au/AySaXet^, rtves /cat 6 
 ovre yap TroXts eSo/cet i^/utti' eu/at TO 
 cure or/oaroVeSoi' dXXa 7re/ot)8oXos 
 aura) c)(wv erepov? 7re/n/8oXovs 3vo, rov /xev 
 
 * * \ ' T^> N '\ >> * / 
 
 , rov oe eAarreo. i)v oe /cat TTUAT^ CTTI rov 7T/3(u- 
 rou 7repi/36\ov irpos Se r^ TrvX^ 0^X05 eSo/cet T7/xtv 10 
 e'<ecrrdVai. /cat eVSov 8e eV TO) ire/3t^8oXa> 
 rt ywaiKcav ea>/>aYo. eTrt 8e r^5 eto"d8ov 
 row 77y>a>rou 7ruXwi/o? /cat irepL/SoXov yepuv rts e<^e- 
 o~r&>s fJL<f>a(nv eVotei, tu? Trpoa-T&TTtov rt raJ eto~tovrt 
 o^Xo>. 15 
 
 II. 'ATropowrtuv ow ^jLtaii/ irept r^ 
 
 77/309 dXX^XoU? TToXw ^/3OI/OV, ITpeO-ftvTTjS Tt$ 
 
 o*r&>s, OuSev Setvov 7rao"^ere, a) feVot, 6(^17, airopovv- 
 res 7rc/)l r^s y/oa^s ravrr^s ovSe ya/> rwi/ 7rt- 
 
 -^oXXot ot8ao-t, rt Trore avnj 17 /itv^oXoyta 20
 
 22 KEBHTO2 HINAE. 
 
 Svvarai ovSe yap eort TroXtrt/cw dvdOrjfjia dXXa 
 
 eVo? rts TraXat Trore d<t/cero Sevpo, di>T)p fj,<j>pa)V 
 
 /cat Sewo? Trept o~o(tai>, Xdy<w re /cat epy<w IIu$ayd- 
 
 petoV rt^a /cat IIap/x,ei>tSetoi> e^Xcej/cw? )8tov, 65 rd 
 
 25 re te/aw rovro /cat r^v ypa<f>r)v aveQ'YjKe raJ K/DOI^OJ. 
 
 S. Iloreyoov ovt', (f>r)v eyw, /cat OVTOV rov aVSpa 
 
 II. /cat edavfjiacrd ye, e^r;, avrov tro\vv -\povov, 
 
 i/e(ure/)o? a>i/. TroXXa yap /cat (TTrouSata SteXe'yero 
 
 30 /cat ?re/3t ravr^? 8e rij? /Ltv^oXoyta? TroXXa/ct? aurov 
 
 III. H. TT/JOS Atos Toivvv, (f>r)v eya>, et /xiy rts (rot 
 /AeyctXr^ dcr^oXta Tvy^dveL ovcra, 8LTjyr)(rcu, r^Liv 
 irdvv yap eTTt^u/xovfiev d/coverat rt Tror' eaTu> 6 
 
 35 fjiv0o<s> 
 
 n>^\ / /) / ft"* *i \ \ ^ * 
 
 . ovoet? (pttovos, (o qevoi, e<pf)- a\\a rovrt 
 
 Set v/xa? d/covtrat, ort tiriKiv&wov rt e^et 17 
 
 ST / I > / 
 
 . otoi/ rt ; 917 v ey<u. 
 
 40 II. ort, et /ACV Trpocre'^ere, e^, /cat trwifcrere ret 
 Xeyd/xeva, <p6Vt/xot /cat eu8at)u,ove5 ecreaOe et 8e 
 /LIT), atf>pove$ /cat /ca/coSat/aove? /cat Trt/cpot /cat d/Lta- 
 0ets yet'd/xevot, /ca/cai? /8t<wcre(7^e. eo~rt yap 17 e^ry- 
 yrycrt? eot/cvta r<u r^? S^>tyyos att'ty/nart, o e/cetVrj 
 
 45 7rpoe/3dXXero rots dv^pa>7rot?. et /xe^ oui' avro on- 
 vtT7 rt?, eo-w^ero et Se /AT) <rovif), aTraJXero UTTO -nys 
 S<^)tyyds. a)o-aurws Se /cat eVt rTy? e^yTyo-ew? e^et 
 ravrT;?. 17 yap *A(^poo-w>7 rot? dv^pcuTrot? 2</>ty 
 (TTLV. atvtrrerat Se rctSe, rt ayaOov, rt KaKov, rt
 
 DECEIT ENTHRONED. 23 
 
 ovre aya-Oov cure KO.KQV i&Tiv iv T<U /8uw. raur' ovv 60 
 e'ap jueV TIS /u.r) crwtTj, diroXXvTcu VTT' avT7?s OVK 
 atcnrep 6 VTTO TTJS 2<tyyo? /caTay8/9aj#et9 
 dXXa /cara p,LKpbv lv oXa> rw ;8tw 
 eav Se rt? y^w, avd-rraXiv r) p.v 
 ' A<j)pocrvi>r) ci7roXXi>T<u, avro? 8e crtu^erat, /cat jua/ca- 56 
 /otos /cat eu8at//,ct>v yvyverai or iravri TW /8tw. ujaet? 
 
 Tr/aocre^ere, /cat /xr) Tra/aa/couere. 
 IV. 3. a) 'Hpa/cXet?, a>? ets ^eyaX-^v nva e-mffv- 
 e/>t8e)8XT7/ca9 i^/xa?, et rau^' ourw? ex t " 
 
 II. dXX' CCTTtt', ^17, OUTW5 )(OVTa. 60 
 
 H. ov/c a^ <>0dvoi<s roivvv StTTovevo? a>s 
 
 ov Trapepyw?, eetTrep /cat ro evrtTt/Atoi/ 
 rotourov ecrrtv. 
 
 II. ' AvaXafBtov ovv pdj3$ov riva, /cat e/cretvas 
 
 T]v 'Opcire, <?;, TW irep@o\ov 66 
 
 S. 
 
 II. rovro irpwrov Set etSeyat v/ota?, ort /caXetrat 
 
 OVTO? 6 T07TO? BtOS. /Cttt 6 O^Xo? 6 TToXv? 6 TTOLpa 
 
 rr)v TrvXrjv e^ecrrws ot /xe'XXoyre? eicnropeveaOai cts 70 
 
 TOP ^8top ovrot ettrtv. 6 Se yepcav 6 ap&> 
 
 e^ow ^dpr-^v rivd ev rf) X et /^ /ca ^ T ^ eTepa 
 
 $ci,Kvv(oi> Tt, ovTO? Aat/Lta>f /caXetTat 
 
 8e Tot? etcr7ro/9evo/xeVot9 Tt Set avTov? Trotetv, a? ap 
 
 i<reWa)criv et? TOP yStov /cat Set/cpvet, troiav oSop av- 75 
 
 TOU? Set /3aSt^etP, et o-<wecr#ai />te'XXovcrtp eV TW /Stw. 
 
 V. H. Ilotap OVP 6Sop /ceXevet /Sa8t^etp, T) 
 
 I > / 
 e^v e-yw.
 
 24 KEBHT02 HINAB. 
 
 n. *O/>as ovv irapa rrjv TrvXrjv dpovov TWO. /cct- 
 
 80 fievov Kara rov TOTTOV, KaO* ov elcnropeveraL 6 o^Xos, 
 
 (j)' ov KaOrjTcti yvvT) TreTrXacTjueVi'j TW rfdei, KOI 
 
 TTiQavT) (ftaivofjiei'r], f) ev Trj X a /^ ^X a wrnpwv 
 
 TI ; 
 
 B. 6/30). dXXa rts ecrrtv avrr) ; <f>r)v. 
 85 II. 'ATraTTy /caXetrat, (f>^(nv, 17 irdvras rovs at'- 
 Opcoirovs TrXavaicra. 
 
 S. etra rt Trparret aur^ ; 
 
 II. rows et(T7ropevo/xeVous et? roi/ /Sto^ TTOTI^CI -n7 
 
 90 S. rovro 8e rt ecrrt ro TTOTOV ; 
 II. IlXai'os, e^iy, /cat v Ay^ota. 
 
 ST / 
 
 . etra rt ; 
 
 II. 7TIOVTJS TOVTO TTO/OeuOVTat t? TOP ^8lOI>. 
 
 S. iroTepov ovv TraVres Trtvovcrt rw 7r\dvov, f) ov ; 
 95 VI. II. Travre? TTLVOVCTIV, (j>7) dXX* ot jae 
 
 c ^ \ T V-.-, O\> e^v^ 
 
 01 oe fjTTOv. En oe ov% opa<s evoov rrjs 
 
 os TI yvvaiKtov ercpcov, Tra^roSaTra? fj,op<j>a$ 
 
 H. oyoai. 
 
 100 IT. avrat roivvv Ao^at /cal 'ETTt^u/atat /cat *HSo- 
 vat /caXoiWai. orai^ ov^ eicnropevyTai 6 o^Xos, 
 av(nrr)$(t>crLV aurat, /cat TrXe/coprat TT/ao? e/cacrrov, 
 etra aTrayoucrt. 
 
 S. Trot Se aTrayovo'tv avrov? ; 
 
 105 II. at /ze^ ets TO o-w^eo'^at, 6^)17 at Se t? TO 
 Sta T?)V aTraTyv. 
 
 , to? ^aXeTrot' TO 7ro/ia Xeyct?.
 
 BLIND FORTUNE. 25 
 
 II. /cat mio-at ye, $17, eTrayye'XXozrat a>s eVt ra 
 dovo*at, /cat et? /Stov evSat/xoi'a /cat Xu- 
 ot Se Sta rr)^ ayvoiav /cat rov TrXaVov, ov 110 
 irapa Trjs 'ATrariy?, ov^ evptcr/coucrt irota 
 17 aXrjdwr) 686? 17 ei' rw ^8t&>, dXXa TrXavaii'- 
 rat et/c^ utcnrep opa<s /cat row? irporepov el(nropev- 
 o/ieVov?, ws Treptayovrat [ovrot av TV^]?]- 
 
 VII. H. 6/oa> rovrovs, 6(^17^. *H 8e yvv^ e/cet^r; 116 
 Tts ecrrtv, 17 axrirep TV<()\TJ rt? etvat So/covcra, /cat 
 ear^/cuta eVt Xt^ov rtvog arpoyyvXou ; 
 
 II. /caXetrat jaei^, 6^17, Tu^ ecrrt 8e ov [LQVOV 
 ru<f>\r), dXXa /cat jotawo/xeVyj /cat Kaxfrij. 
 
 H. avri7 ouv rt epyov ej(et ; 120 
 
 II. TrepiTTOptveTou TravTa^pv, e<f>TT) /cat Trap* &)i/ 
 /Lte^ d/37rat ra virdpxovTa, KOL ere/oot? StScocrt 
 Trapa Se TWI^ avratv TraXtv dc^atpetTat Trapa^prjfJia 
 a Se8<o/ce, /cat dXXot? 8t8a)crtv et/c 1 ^ /cat d/8ey8atais. 
 Sto /cat TO crr)[JLlov /caXw? /x^i/vet r^ <f>va"LV avTrjs. 12fi 
 
 S. TTOLOV TOVTO ; 6(^17 v eyw. 
 
 II. 6'rt eTrt \iOov crrpoyyvkov earrjKev. 
 
 H. etra rt TOVTO o-Ty/LtatVet ; 
 
 II. ou/c a<T(j)a\r)<s ov8e ^8e/8ata CO-TO/ 17 rra/a* au- 
 TT)? SoVts. K7TT(iJO"t5 ya/3 /xeyctXat /cat crK\r)pal 130 
 ytyi/ot'Tat, 6 > Tav Tts O-VT^ TTtcTTevr;. 
 
 VIII. 3. 'O S TToXv? 6*^X0? OUT05, 6 7TC/H (LVTrjV 
 
 <TTr)Ka)<5, Tt /SovXeTat; /cat Ttves /caXovi^Tat ; 
 
 II. /caXovvTat /xev ouTot ' Airpo/SovXevTot atTOv- 
 <rt Se e/cao~To? avrwv a piirTti, 136 
 
 OfJLOiCLV
 
 KEBHTO2 HINAH. 
 
 dXX' ot ptv avTtov So/co9o~i \aip^iv, ot 8e a 
 e/crTa/coVe? ras ^el/sag ; 
 
 II. ot /*> So/coiWe?, <f>v), j'Q-ipew /cat yeXav 
 
 140 O.VTWV, ot etXi7<^ors rt Trap* avrrjs to~tV ovrot Se 
 
 /cat 'AyaOrjv Tvfflv avTrjv KaXovcnv. ot 8e So- 
 
 tCTt TTtt' WV aeierO a 
 
 irpoTepov avrots. ovrot Se TraXtv 
 
 145 S. rtva out' ecrrtv a StSa>o~w' avrots, on OVTCD? 
 ot fJiev XafJifSaivovTes xaCpovo'Lv, ot Se a 
 K\aiovarL ; 
 
 IT. raura, li^iy, a Trapa rot? TroXXots a 
 8o/cet ea'at ayada. 
 160 B. ravr* ov^ rtva ecrrt; 
 
 II. TrXovro? 817X0^0x1, /cat 8oa, /cal cvyei/eta, 
 /cat re/cva, /cat TvpavviSes, KO! ^SacrtXetat feat raXXa 
 ocra rovrots TrapaTrXiycrta. 
 
 H. raura ov^ TT&>? ou/c eo~rt^ dyadd; 
 165 II. 7re/)t /xet' TouYa)i>, ei^r;, /cat au^t9 c/CTroti/o-et 
 StaXeyecr&u. wt' Se Trept r^y fj.vdo\oyiav 
 
 B. ecrra) 
 
 IX. II. 'O/oas ovV, a>? av TrapeXOys TY)V 
 WOravTr)v, dvoiTepo) aXXoi/ TreptfioXov, /cat ywat/ca? 
 e^a> rot) 7T/Dt/8o'Xou eo'Tiy/cvta?, /ce/cooyr7/u,ei>as wcrTrep 
 crat/oat eiuOacn,; 
 B. /cat /j.d\a. 
 
 II. avrat TOLVVV, f) pev 'A/cpacrfa /caXctTat, 17 81 
 166 *Ao*ft)Tta, 17 8e 'ATrX^o'Tta, 17 8e KoXa/ccta.
 
 THE HOUSE OF WOE. 27 
 
 B. ri ovv &>Se e0T7/cacru' avrat ; 
 
 II. irapaTrjpovo'LV, e^, rovs etX^dras rt 7ra/>a 
 
 B. etra n; 
 
 II. di/avr^Saicrt, /cat crv^nr\Kovrai avrots, /cat 170 
 /coAa/ceuovcri, /cat d^toOcrt Trap* aurats /xeVeti', Xe'- 
 yovcrat OTI yStov eovcriv rjSvv re /cat airovov /cat 
 
 rt9 
 
 TT* avToiv et(reX$u> ets r>)^ 'HSuTra^etav, 
 V rtvo? T^Seta So/cet eu/at 17 Star/atyS^, ews ai/175 
 
 rov avOpanrov etr' ov/cert. orav 
 Jtyr), al<jdav.rai ort ov/c r)<r0Lv, dXX* UTT* 
 avrfjs KaT7)(T0iTO /cat vy8/nero. 8to /cat, orai/ 
 di/aXwcr^ TTOVTCL ocra eXaySe Trapa rr)<s Tu^r/5, 
 dvay/ca^erat ravrat? rat? ywai^t SouXeuetf, /cat 180 
 TTo/xeVew, /cat dcr^^o^etf , /cat irotett' l^e/cei/ 
 TrdvB' ocra ecrrt fiXaftepd' oiov dTro(TTpeLV, 
 tepocrvXetv, eirLOpKelv, 7r/>oStSoVai, X^t^ecr^at, /cat 
 irdvO* ocra rovrots Tra/DaTrX^crta. draj/ o5i^ Trdvra. 
 aurou? eVtXtVy, TrapaStSo^rat r^ Tt/xa>/3ta. 185 
 
 X / O / 3 V 
 
 . B. Trota oe CCTTLV avTfj ; 
 
 II. 'Qpa<; OTrtVfu rt avTuv, <j)7), dva) axnrtp dvpiov 
 
 plKpOV, /Cat TOTTOI^ <TT.VOV TWO. /Cat (TKOTCLVOV ; 
 
 3. /cat /xdXa. 
 
 II. ov/couy /cat ywat/ce? atcr^pat /cat pvTrapal 190 
 /cat /oa/oj ^/Ltc/>tecr^teVat So/covert (rvvtivai ; 
 
 3. /cat /xdXa. 
 
 II. aurat roivvv, ec/r;, 17 /xev r^i' /udortya e^ovcra 
 KaXctrat Tt/xw/ota' 17 Sc TT)V K<f>a\r)v ev rot? yoVa-
 
 28 KEBHTO2 HINAH. 
 
 \Qvcra, AVTTT)' 17 Se ras r/3t^as TtXXovo-a 
 
 E. 'O Se aXXos euros, 6 TrapecrTTi/cws avrats, 
 SvcretSi^? rt9, /cat XeTrros, /cat yujuvds' /cat 
 aurou TIS aXXT? 6/xota avrw, ala-^pa /cat 
 
 200 rt ICTTLV ; 
 
 II. 6 /xet' 'OSu/3/xo9 /caXetrat, e^ 17 Se * 
 d8eX<^)^ 8' eortv avrou. rovrotg ow TrapaStSorat, 
 /cat /xera TOVTOJV crvfJiftiOL TLnupovfJLevos. etra 
 eVrav^a iraXw et? TOV erepov OIKOV pirrreTai, ets 
 205 r^v Ka/co8at/>tovtav, /cat aiSe TOV XOITTOV /8to^ /cara- 
 (7Tpe<f)L ev Trdcrr) /ca/coSatjaoi'ta, eav ^77 7) Merat'ota 
 
 TTLTV^T) cruvavTtjo'ao'a. 
 XI. E. etra rt yvyvercu, eav rj Meravota avra> 
 
 210 II. a[pL CLVTOV K TWV KOLKUV, /Cat (TVVL(TTr)(TLV 
 
 avra> erepav Ad^av /cat l-mBv^iav rr)v ets TT)^ 
 
 8e /cat rr*> ets 
 
 E. etra rt yty^erat; 
 
 215 II. eai/ jitei/, <f>-r)al, rrjv Aoav ravTyv 
 
 rat, TT)^ a^ovcrav O.VTOV ets TT)Z/ ' A\T]6u/r)v IlatSetW, 
 Ka0ap0el<; vir* auriys <ra>erai, /cat /ota/ca/3tos /cat 
 evSat/Atuy yiyveraii ev TW y8ta> et 8e /XT), iraXw 
 TrXavarat VTTO rr^s "^euSoSo^tas. 
 
 220 XII. E. to 'Hpa/cXets, &>s /xeyas 6 /ciVSwos aXXos 
 OVTOS. *H Se ^FeuSoTratSeta, Trota e'crru/; 6^171' 
 
 II. OV^ 6/os TOV CTtpOV TTfptftoXoV KtlVOV ;
 
 FALSE CULTURE. 29 
 
 H. /cat /zctXa, (f)r)v cycfJ. 
 
 II. OVKOVV ea> row TrepiftoXov iraparrjv ero8oz>225 
 TI? ecrrrjKev, rj So/cet TTOLVV Ka.0a.pios /cat 
 
 evra/cros elvat; 
 
 E. KC 
 
 II. ravnjv Towvv ol TToXXot /cat et/catot raii> 
 avSpuv HatSeta^ /caXovtrw ou/c eari 8e, dXXa230 
 S^evSoTratSeta, e^ry. ot piv rot o-w^o/terot, OTrora^ 
 j3ov\(t)VTOLL ets r^i' 'AXrjOivrjv IlatSetai/ eXOew, a)8e 
 
 irpatTov Trapayiyvovrai. 
 
 S/ * *\ \ <^ v * >\\ 
 
 . iTOTepov ovv a\\r) 0009 ov/c ^i/, eTTt n7^ 
 
 'AXyOusriv UatSetav ayovcra; 236 
 
 II. ov/c eoTw, (^17. 
 XIII. S. ovrot Se ot av9 pamoi, ot eitrcu rov 
 
 ov dva/cajUTrrovTes, rtve? etcrt^; 
 IT. ot r^5 ^evSoTratSetag, cx^r;, epacrrat, ^TraTTy- 
 /cat olopevoi ftera r^5 'AX^^tv^s IlatSetas 240 
 
 H. ra/s ou^ /caXowrat ot)rot ; 
 
 IT. ot /Ltev, Tloi^rat' e^ ot Se, 'Pr^Topes* ot 
 8e, AtaXe/crt/cot' ot 8e, Movcrt/cot- ot Se, y ApL0fjir)- 
 rt/cot. ot Se, Few/xeryoat ot 8e, *Ao~r^oXoyot 245 
 [ot 8e, 'H8o^t/cot ot Se, Ile/DtTrar^Tt/cot ot 8e, K/3i- 
 Tt/cot ] /cat oaot dXXot rovrot? etcrt Tra/aaTrX^crtot. 
 
 XIV. S. At 8e ywat/ces e/cetvat, at So/covcrat 
 e^(LV o/Aotat rat? Trpwrat?, eV af? 6^)17? 
 ^t' J A/c/aao-tai> /cat at dXXat at /xer* avTWf, 260 
 TW/e? eurtv ; 
 
 II. avrat e/cetvat ei
 
 30 KEBHTO2 HINAS. 
 
 $ ei 
 
 . TTOTtpOV OVV /Cat 
 
 II. vf) Ata, /cat ouSf (TTrai/uus Se, /cat ov^t 
 256 <yo~7re/> ei> raJ irptoTu irepifioXa). 
 
 5. Trorepov ovv /cat at Aofat; e^p. 
 
 II. jacket yd/> /cat er rovrot? TO 7ro/xa, o emo> 
 
 napa Tr}<s 'ATrar^?, /cat 17 ayvoia /otevet ez/ rourots, 
 
 >)) Ata, /cat jaer* avr^s ye 17 a^poa-vvrj /cat ov /i^ 
 
 260 aire\.0rj air* avrwv ovO* rj Sofa ou^' 17 XotTrr) /ca/cta, 
 
 crtv et? r^v a\7)0Lvrjv o$ov, /cat 7rta>o"t T^ TOVTMV 
 wcLfjiiv. etra, orav KaOapOaxn, /cat 
 ra /ca/ca irdvB' oo~a C^OVOTL, /cat ra? 
 265 Sofa? /cat TT)V ayvoiav /cat T^V XotTT^v /ca/ctai> 
 iracrav, Tore S^ ovra> o^w^crovrat. wSe" Se pivov- 
 T? 7ra/>a T^ ^euSoTratSeta, ovSeVore airo\v 
 rai, ovSe eXXew/;et aurovs KO.KOV ovSeV eVe/ca 
 
 270 XV. H. Ilota ow avrty 17 6S6? (TTLV, rj (fte 
 
 e?rt 
 
 II. oyaas di^a), ei^ry, TOTTOV ru/a CKCLVOV, OTTOV 
 ovSet? 7rt/carotKt, dXX* epiy/xos So/cet et^at ; 
 
 SC A 
 . 0/)0). 
 
 275 IT. ou/couv /cat Ovpav nva fJiiKpav, /cat oSw 
 
 rtva Trpo TiJ? Ovpas, 17x15 ov TroXv o^Xetrat, 
 
 dXX* oXtyot Trai^v iropevovTai, c3cr7re/3 St* d^oSta 
 
 Ttvos /cat r/saxeta? /cat -Trer/acuSov? et^at So/cov- 
 en;?; 
 
 280 S. /cat /xctXa, e^v. 
 
 IT. ov/cow /cat ySovt'o? rt? ^1/07X65 8o/cet etvat,
 
 THE INACCESSIBLE CLIFF. 31 
 
 /cat avaftacris <rTewr) TTO.VV, /cat 
 
 Ka 
 
 H. 6/3<5. 
 
 II. avnrj TOIVW eorii> 17 6869, ^17, -f) dyovcra286 
 rrjv 
 
 H. /cat /xaXa ye ^a 
 
 II. ou/cow /cat aV&) eVt TOV fiovvov 6pa 
 Tiva fjLeyaXrjv /cat inl)7)\r)v /cat /cv/cXa> aTTO 
 
 S. 6/3(S, e^v. 290 
 
 XVI. II. 'Opa? ow /cat yvi^at/ca? Suo ecrr^/cvi'as 
 cm T^ TreVpa, XtTrapas /cat eve/crovcra? rw crw/xart, 
 /cat a)? cKTeTaKacrt ra9 ^etpa9 7r/Do^v/x&)9 ; 
 
 S. opoi' dXXa rt^9 /caXoiWai, <f>r)v, avrai; 
 
 II. 17 /xa>, 'Ey/cpdreta /caXetrat e^Ty 17 Se, 296 
 Kaprepta etcrt 8e a-SeX^at. 
 
 H. rt ow rag e ^ a 5 e/crcrd/cao'iv ourcu 
 
 IE. Trapa/caXoucrtv, 6(^17, rou9 
 7rt TOP TOTTOV Qappelv Kal fir) aTroSeiXtai/, Xeyovcrat 300 
 ort fipaxy en Set KapTepTJaai avrovs, etra 
 et9 
 
 H. ora*> ovi/ Tra/DayeVwvrat eVt T^V TreV/oav, 710)9 
 
 avafiaivovcriv ; 6pS) 'yap oBov tfrepovcrcu' 
 
 CTT* aimjv. 305 
 
 II. avrat a,7r6 TOV Kprjpvov 7r/)ocr/caTa/8at^ovcrt, 
 /cat e\Kov(TLV avrovs ava) 77/369 avrct9. eTra /cc- 
 Xevovcrtv aurou9 8tava7rav(ra(r^at /cat /ierd yuKpov 
 8tSoa(rtv *Io^(w /cat d/)cro9, /cat eTrayyeXXovrat 
 avrov9 KaTaonfcretv 7T/309 TTyi' t A\r)0Lvr)v UatSetav 310
 
 82 KEBHTO2 IIINAE. 
 
 Kal SeiKvvovcriv aurots rrjv oobv, &>s ecrrt KO\TJ re, 
 Kal ojaaX-J), /cat CUTTO/JCVTOS /cat Ka.0a.pa travTos 
 KO.KOV, axrirep opas. 
 
 H. e/A<a>erai, 1/77 At'a. 
 
 315 XVII. II. 'Opa<s ovv, <j>rj, Kal efJLirpocrdev TOV 
 aXcrovs eKeu/ov TOTTOI' rt^a, 05 So/ce? KaXo? re eo^at, 
 /cat Xet/xcut'oetS^?, Kal ^>a>rl TroXXw KaraXa/u,7rd- 
 
 H. Kal /xaXa. 
 320 II. Kara^oets oui^ ev /u,eV6> raJ Xet/xaii't 
 
 erepov, Ka TrvXiyj/ erepav ; 
 
 S. eVrw ovra)?. dXXa rts KaXeirat 6 roVos 
 
 ovro? ; 
 
 II. v$cu,[Ji6va)v oiKrjTTjpLOv, <f)r) aiSe yap Sta- 
 325 rpLfiovcnv at 'Aperat Traaat, Kal 17 EvSat/Aot'ta. 
 
 S. et>, e^i' eyw, a>5 KaX6i> Xeyets roi/ roTroi/ 
 elvat. 
 
 XVIII. II. OVKOVV Trapa rty irv\7jv 6pa<s, <fyr), 
 OTL yvvrj rts eo~rt, KaX^ Kal KaOecrTrjKvla TO 77/30- 
 330erw7ro^, /aecrTy Se Kal KCKpLpevy ^817 r^ ^XtKta, 
 aTrX^z/ 8* e^ovcra crroX^ re Kal KaXXajmcr/AoV ; 
 ecrTrjKe 8e OVK e?rl crrpoyyuXov \C0ov, dXX* eVl 
 rer/oaywvov, dtr^aXoig KetjoteVov. Kal /Mera TavTrjs 
 aXXat 8vo ct<rl, tfyyare'/oes rti^e? SoKoucrat et^at. 
 335 H. e/x^ati'erat ovrtu? exet*'- 
 
 II. TOVTCOV roiwv 17 /xev ev r<u /ae'crw HatSeta 
 ecrrtv 17 8e, 'AXiy^eta 17 8e, Ilet^cy. 
 
 H. rt 8e (rrirjKv em \i9ov rerpayuvov avrr) ; 
 
 II. crr)fjiLov, tyr), OTL dcr^aXif? re Kal ^e/8ata 17
 
 THE PERFECT CUBE. 33 
 
 TT/oos avTrjv 6Sds eVrt rots d^t/cvov/aevots, /cat rtav 340 
 StSojLteVatf' dcr<f>a\r)<$ 17 8do~ts rots Xaju/Sdvovcri. 
 
 S\ / \ A OS$ 
 
 . /cat rtva (TTLV, a OLOUCTLV avrr) ; 
 
 H. ravra 8e riva. ecrrtv ; 
 
 II. IwiO'TTijfJLr), e<f)rj, TOV /u^SeV dv 77ore 8tvot'346 
 
 XIX. 3. a) e H/)d/cXets, <u? /caXd, e<f>r)i>, rd 
 
 A \ \ x ' * * * ^ 
 
 AAAa Tt^O? VKV OUTCOS CCO) TOU 
 
 II. OTTfu? TOVS Tra/oaytyi/o/xet'ov?, 6^)17, OepaTrevy 350 
 
 /cat TTOTtrj TT^ Ka.apTLKrjv vvafjuv. e OTO.V 
 aurov? etcrayet TT/OO? ra,5 
 
 5. irais TOUTO ; 6(^17^ eyeu. ou ya/3 crvi/tr^/xt. 
 
 II. dXXa crut'lfcret?, c^. a>? ai', et rts ^>tXort- 365 
 afAvuv ervyxave, 77/305 larpov ST^TTOU yevo- 
 Trporepov /ca^aprt/cots ai^ ee/8aXe TO, vocro- 
 
 Trotowra etra ourw? ai/ O.VTOV 6 tarpo? et? dva- 
 
 /cat vytetav Kar4(rrr^(Tv et Se JU,T 
 of? en-eVarrei/, evXoy w<? cu/ 817770^ aTroxr^et? e^aiXero 360 
 
 U7TO T5 I/OCTOV. 
 
 S. ravra /xei> ay^try/At, e^ry^ ey<y. 
 
 II. rov avrbv TOIVW rpoirov, (f>r), /cat Trpos nyi' 
 OatSetav orav rt? Trapaye'^rat, Bepcnrevei avrov 
 Kal 7roTtet TT)V eavriy? Svvapiv, OTTO)? eKKa.Oa.p-Q 366 
 irpatTov /cat K/3d\rj ra /ca/ca Trdvra, ocra e^wv TyX^e. 
 
 H. TTO ta ravra ; 
 
 II. r^v ayvoidv /cat TW Tr\dvov, bv e7777(u/cet
 
 84 KEBHT02 111NAE. 
 
 irapa rrJ9 'Avrar^?, /cat rr)v dXa^oveiav /cat 
 370 imOvpiav /cat rr)v d/cpacriW /cat rov 0Vfjibi> /cat TTJV 
 faXapyvpiav, /cat ra XOITTCI TrdVra, <Sf dv7r\.r)<T0r) 
 
 V TO) TTpd>TO> 7T/3tySdXw. 
 
 XX. H. orai/ ow Ka8ap0fj, Trot avroz/ aTro- 
 o*reX\et ; 
 
 376 II. VOV, (f>1), 7T/3O9 T^I/ ^TTtCrTlf/A^ /Cttt 77/305 
 
 ra? aXXa? *A/3eras. 
 
 S- Trota? ravras ; 
 
 IT. ov^ 6/aas, 6^17, eo~a) r^5 TrvX^? -^opov ywan.- 
 
 K&V, a>9 evetSets So/coverts etsat /cat evra/crot, /cat 
 
 380 crroX^v arpvfyepov /cat aTrX^ eyovcriv ert re as 
 
 aVXao-rot etcrt, /cat ouSa/Aoi? /ce/caXX<u7rtcr/xe^ai 
 
 Ka.Oa.Trep at aXXat; 
 
 S- opw, <>?*> dXXa rtVeg avrat /caXowrat ; 
 
 II. 17 /iei/ TrptoTT) 'Em&TTJfjL'r}, e<f>r), /caXetrat. at 
 385 Se aXXat ravrry? d8eX^>at, 'AvS/aeta, At/catocrv^, 
 KaXo/cd-ya^ta, "SctHfrpocruvr), Evra^ta, 'EXevOepia, 
 'Ey/cpdreta, IIpaorTy?. 
 
 S. w /cdXXtcrre, e^z/ eyarye, &<; ev fieyaXri IX- 
 
 t& > / 
 TTtot ecr/u,ei>. 
 
 390 II. eai/ cri^ijre, 6(^7, /cat ei^tv TreptTrot^cnycr^' aiy 
 d/couere. 
 
 H. dXXa TrpcKre^opev, e<f>r)v eyw, a>? /xdXtcrra. 
 II. roiyapovv, e<j>r), (ruQijcreo'Oe. 
 
 XXI. S. v Orav ow Trapa.\a.fi<j)(Tiv avrov avrat, 
 895 Trot dyovcri ; 
 
 II. TT/DO9 rTp fJirjTepa, e<j>7). 
 
 Sv & \ / > 
 . auTTy oe rt9 ecrrtv ;
 
 VICTORY WON. 35 
 
 II. EuSat/xopta, e<f>r). 
 
 S/ \ > \ 
 . irota oe ecrrtv avrr) ; 
 
 II. 6/>as Tir)i> 68w KeLV7jv, rr)v <f>epov(rav CTTI TO 400 
 6i> e/ceu>o, o ecrni/ d/c/ooVoXt? T<I> 
 
 II. OVKOVV C7TI TOV 7T/3O7TvXatOV Ka0O"nj KViO. 
 
 rts KdOrjTai eVt Opovov 1/07X01), 405 
 fXeweyows /cat direpiepya)?, /cat eorc- 
 ff)avojfJLCi^r) <TT<f)dva) evavOel irdvv /caXaJ ; 
 
 II. avr/7 TOWW eariv 17 EuSatjao^ta, 6^)17. 
 
 XXII. S. orav ovv a>8e rt? TrapayeV^rat, Tt410 
 
 7TOt6t / 
 
 II. crT(f)avol avrbv, <f>r), rf) eavrrj? Swd/x,et 17 
 re EvSat/Ao^ta /cat at dXXat 'A/aerat vrdcrat, a>o~7rep 
 veviKrjKOTa rovs //,eyto~TOV5 dywva?. 
 
 H. /cat TTOtov? dywi^a? vev'iK^KQr auro? ; e^i/ 416 
 cyw. 
 
 II. TOW? /xeytcrrov?, 6^17, /cat rd joteytcrra 
 a Trporepov avrbv KOLT^crOie, /cat e/coXa^e, /cat 
 SovXo^. ravra Trdvra veviKr]K, /cat aTreppL^ev d<fi 
 eavrov, /cat /ce/cpdrry/ce^ eaurov, tuo^re cKetz/a i^w 420 
 rovrw SovXcuouat, Kaddnep ouro? e/ctVot9 TT/OO- 
 
 XXIII. H. TroTa ravra Xeyet? rd BrfpCa ; irdvv 
 yap eTTLTToOto d/covo-at. 
 
 II. TrpwTov pel/, <f>r), rr)v "Kyvoiav, /cat roi>426 
 ^ ov So/cet crot Brfpia raura eu/at ;
 
 36 KEBHT02 HINAH. 
 
 3. /cat TTomrjpd ye, e<fyrjv ey&>. 
 
 II. etra rrjv A.vTrr)v, /cat TO^ 'OSv/o/uoi/, /cat Tr)i> 
 QiXapyvpiav, Kal rty 'AKpacrLav, /cat TT)I> Xot7n)i> 
 430 aVacrav Ka/ctai>. Trdvrajv TOVTCJV /cparet, /cat ov 
 /cparetrat, (ocrirep irporepov. 
 
 3- w /caXwv rwv Ijoywv, 6^)17 ^ eya), /cat /caX-^5 
 rrjg VLKT)?. 'AXV e/cetvo ert ftot etTre. rt? 17 Swa- 
 /ut? TOV (TTe^dvov, w e^? crre^az/ovcr^at CLVTOV ; 
 435 II. evSat/xoi>t/cr}, cu veavio-Ke. 6 ya/3 crre^avaj- 
 ^ets TavTr) rff Swa//,t evSat/xwv yty^erat /cat 
 /aa/capto?, /cat e^et ov/c et' erepot? ra? eXTrtSa? 
 evSatjotofta?, dXX' ez/ avrw. 
 
 XXIV. H. w? /caXw TO vLKrjfjLa Xeyet?. 
 
 440 Se (TT<f)aV(t)Ofl , Tt TTOtet, ^ TTOt ^8aSt^t / 
 
 II. ayovcriv avrov V7ro\a(3ovorai at *Ay3erat 77/309 
 
 TOl' TOTTOV KIVOV, 60V y\0 TTpWTOV, /Cat 8et/CW- 
 
 ovcrw ayrw rov? e/cet Star/3ty8ovra5, a>5 /ca/cok Sta- 
 rpifiovcn /cat d^Xtw? <wcrt, /cat a>5 vavayovcrtv ev 
 
 445 TO> ^8toj, /cat TrXavwvTOLL, /cat ayo^rat 
 p.evoi, uxj-rrep virb iroXe/xteov, ot /otev VTT' ' 
 ot 8e UTT' 'AXa^ovetag, ot 8e VTTO 4>tXa/>yupta5, ere- 
 pot 8e VTTO Kct'oSo^tag, ere^oot Se v^' tTepcav /ca/caiv. 
 e^ a>& ov Swai'rat e/cXvo~at eavrov? TWP Sett'w^, of? 
 
 450 Se'Set'Tat, cutrre cr<i)0fjvai /cat d^t/ceo'^at a)Se dXXa 
 TapdrrovTOLi Sta Trai^ro? TOV /3tov. TOVTO 8e Trd- 
 o^ovcrt Sta TO /U,T) Swacr^at T?)I> IvOdSe o$bv 
 evpelv eireXdOovTO yap TO Trapa TOV Aat/ao^tov 
 
 466 XXV. S. 6p0a><; (JLOL So/cet? Xeyetv. dXXa
 
 CONQUEST AND LIBERTY. 37 
 
 TOVTO TTaXiv diropa), Std T( SeiKvvovo-Lv avT<5 TOV 
 
 TOTTOV ZKtLVOV at 'A/3CTCU, O0.V ^f/Ct TO TTpOTCpOV. 
 
 II. ov/c d/c/ot/8aj9 ffieL ovSe lyTucrraro ovSei' TO>I> 
 /cet, dXX* eVeSotae /cat Sta r^ ayvoiav, /cat TOV 
 TrXdvov, ov Sr) CTreTrw/cet, ra /x^ orra aya#a e^o/xt- 460 
 ^f ayaOa eu>at, feat TO. /a>) wra /ca/cd, KOLKOL. Sto 
 /cat e^ /ca/cws, axnrep ot aXXot ot e/cet Starpt- 
 ftovTes. vvv Se di/etX^^xw? r^ eVtcrTif/i^v TWV 
 
 O-VfJL<f)p6vT(OV, aVTOS T /CttXo)9 ^77, /Cat TOVTOU5 
 
 ^a)/oet a>5 /ca/ca)? Tr/adrroucrtt/. 465 
 
 XXVI. B. 'ETretSdv ov^ Oecoptjcrr) Travra, rt 
 
 ** * r> O /y 
 
 TTOtCt, ^ TTOt Tt pOLOlLf.1 ; 
 
 II. oVot av ySovX^rat, e<^ry Trai/ra^oO yd/3 ecrrtv 
 avra) dcr^ctXeta, axnrep ro> TO KapvKLOv avrpov 
 expvn. /cat Travra^ov, ot av dc^t'/oJTat, 7rdvra470 
 /caXa)? ^8tcoo~Tat /xeTa Trdo"r)<s da^aXeta?. V7ro8e- 
 ovrai yap avrbv do~/Ai/a>9 Trdi/Te?, KaOaTrep TOV 
 ot KajjivovTes. 
 
 B. TroTepov ovv /cd/cetVas Ta? ywai/ca?, a? e^s 
 
 elvcu, ov/ceri ^oySetrat, /u,r; Tt TTCI^ v?r*475 
 avratv ; 
 
 II. /id Ata, ovSeV. ou /x^ Sto^X^^o-eTat, cure 
 
 VTTO 'OSvfrjs, OVTC V7TO AuTTT;?, ovT V7T* 
 
 VTTO 4>tXapyvpta?, ovTe VTTO Ilevta?, OVTC VTT' 
 d*XXov /ca/cov ouSei'o?. a.TrdvTa>v yap Kv/ateuet, /cat 480 
 
 TTO.VTWV O~Tt T<W TTpOTtpOV aVTOV \VTTOVVT(DV, 
 
 ot e^tdS^/CTOt. Ta yd/3 Orjpia STJTTOV, TO. 
 TOV? d'XXou? /ca/coTrotovVra /-te^pt davaTov, 
 ov XvTreT, Std TO eyeu/ avTi(f>dpfjiaKov av-
 
 38 KEBHTO2 HINAH. 
 
 485 TOVS. OVTO) /Cat TOVTOV OV/CTt OuSo/ XuTTCt, Sttt TO 
 
 XXVII. H- /caXois c/xot So/ceis \eyeiv. 'AXX' 
 ert TOVTO ftot etTre nVe? etcrti> ovrot ot So/couvre? 
 v O.TTO TOV ySowov Trapaytyvecr^at ; /cat 01 
 vTtov, ecrre^avw/xeVot, efjifyacriv TTOLOVCTLV ev- 
 <f)pocrvinr)<s rtvo? ot Se, dcrre^xxj/wrot, XVTH;? /cai 
 Tapa^rj<; /cat ra? /c^/tas /cat ras /ce^aXag So/cov- 
 o~t TTpl(j>0ai, /care^o^rat Se VTTO yvvaiKuv TLV<DV. 
 
 II. ot /tev eo~T<^>a^a)/Aevot ot creo~<yo~^teVot eto~i 
 
 495 TTyoo? rr)f IlaiSetav, /cat ev<f>pa,LvovTGLL 
 
 avr^?. ot 8e do-Te<^a^<wrot, ot /aei/, a 
 
 UTTo r^5 IlatSeta?, di/a/cd/x,7rTovo~t, /ca/cws /cat d^Xt'cu? 
 
 Stafcet/xevot ot Se, aTroSeSetXta/cdre? /cat ov/c dVa- 
 
 /8ey8^ /cores TT/JOS r^f KaprepLav, iraXiv dt'a/cd/a- 
 
 500 Trrovcrt, /cat 7rXai>ft)fTat dvoSta. 
 
 H. at Se ywat/ce9, at /xer* avrwv d/coXou^oucrat, 
 
 Tti'e? etcrtt* avrat ; 
 
 II. AvTrat, 6^17, /cat 'OSwat, /cat 'A#v/uai, /cat 
 'ASo^tat, /cat "Ayt'otat. 
 505 XXVIII. 3. TrdVra /ca/cd Xeyet? avrots d/co- 
 
 II. 1^7 At'a, Trdvra, 6(^17, /cat 
 Ourot 8e, orav Tra^ayeVcofrat et? TW trpwTov rrept- 
 jSoXov Trpos r^ 'HSvTrd^etd^ /cat r^ 'A-Kpacriav, 
 510 ov^( eavrov9 atrtw^rat, dXX* eu^u? /cafcw? Xeyovcrt 
 /cat TT)I> IlatSetav, /cat row? e/ceta'e /SaSt^ovra?, a>? 
 /cat a.0\ioi etcri /cat /ca/coSat/xoi/e?, ot
 
 THE CROWNED AND THE CROWNLESS. 39 
 
 rov ftiov rov irap avTOts aTroXtrrcWes /ca/c<us 
 /cat OVK aTToXavovcrt rwv trap avTots dya0a>v. 
 
 H. vrota Se Xeyouo~tv dyaBd eu>at ; 616 
 
 II. T^ dcra)TLa,v t /cat T^ dxpacrioiv, a>s t7rot ai/ 
 Tts evrt /ce^aXatov. TO yd/3 eva)^el(T0aL y8oo"/oy/w,d- 
 TWV rponov /cat aTroXaveti/ /aeytcrTa dyadd riyovv- 
 rai eivai. 
 
 XXIX. H. at Se ere/sat yvz>at/ces at c/cet^ez/620 
 tXa/aat T /cat yeXaicrat, 
 
 II. Ao^at, e^, at dyayovcrat Trpo? rr)v IlatSeta// 
 TOU? etcreX^wra? 7T/3O9 ras 'Aperas (U'a/cd/xTrTouo'tv, 
 O7TOJ5 ere/3ou5 dydywcrt, /cat d^ayyetXwcrti' ort ev- 626 
 Sat/xo^e? 17817 yeyovaviv ous rdre drnfyayov. 
 
 S. TTorepov ovv, (j>rjv eya>, avrat etcra) TT/)OS ra? 
 'Ayoera? eicrTroptvovTai ; 
 
 II. ou ya/3 ^e/At? Ao|av el&TroptvecrOai, 77/005 T^V 
 'ETTtcrr 17/^17 1^ dXXct rrj IlatSeta Tra^aStSdacrti' au- 630 
 row?, etra, orav 17 IlatSeta TrapaXdfir), dva/cd/x- 
 TTTOWIV aurat irdXw, dXXovs d^oucrat ucnrep at 
 i^ss, rd (^>o/)Tta e^eXd/Aei/at, ird\iv di/a/cd/x,7rroucrtv, 
 /cal d\Xa>^ TLVWV ye/xt^otrat. 
 
 XXX. H. raura /xei/ S>) /caXais /xot So/cct?, e^v, 636 
 ^rjyrj(r6aL. 'AXX* e/ceti/o ovSeVw 
 rt Trpocrrdrret TO Aat/id^toi/ rot? 
 
 t TOV jStOV TTOLtLV. 
 
 II. Oappetv, e<j)r). Sto /cat v/net? Oappeirc 
 irdvra yap vfjuv e^yiyo-o/xat, /cat ovSa/ irapa- 640
 
 40 KEBHT02 HINAH. 
 
 E. /coXws Xeyets, c<j>r)v ey<y. 
 
 II. 'E/cTet^as ovv rrjv X ^P a n^w, 'Opdre, e(frr), 
 rrjv yvvo.lK.ai eKtivyv, r} So/cet TU<Xry rts et^at, /cat 
 545 eVt XiOov crrpoyyvXov eordi'at, rfv /cat apn VJJLLV 
 LTTOV on Tvry /caXetrat ; 
 
 XXXI. II. ravry /ceXevet, <f>if), 
 /cat fiejBauov /ai^Sei/ vojJiL&Lv /x>;Se dcr^aXe? 
 
 550 o rt ai/ Trap' avr^s Xa^ rt?, /u,7y8e 015 tSta 
 o"^at. ovSei^ yap KooXvei iraXiv ravra d 
 Kal erepw Sowat TroXXaKt? yap rovro etw^e TTOI- 
 etv. /cat 8 id TavTyv ovv rrjv air Lav /ceXeuei Trpo? 
 Tas Trap* avTrjs Secret? d^rnfrov? yiyvevOai, KOL 
 
 555/xTyTe -^aipeiv orav 8tSw /aifre aOvpeiv orav d 
 rat, /cat /xT^re i/;eyeu> avTrjv pyre eTraweiv. 
 yap Trotet /xerd Xoytcr/xov, dXX' et/CTj, /cat a>5 
 Trolvra, axTTrep irporepov vplv eXe^a. Std rovro 
 ovz^ TO Aaifjioviov /ceXevet /a?) Oav^dtfiv o rt di/ 
 
 560 irpaTTr) avrr), ju,7^8e yiyvecrOai 6/u,otovs rot? /ca/cot? 
 T/aaTre^trat?. /cat yd/3 e/ceu/oi, ora^ /aet' Xd^8a)crt 
 TO apyvpiov Trapa T0)v dvOpuiruv, ^atpovcrt, /cat 
 tStoi' vofj.L^ovarLV etfat. orai/ 8e aTratTOtJvrat, dya- 
 vaKTOvcrL, /cat Set^d olovrai TrtirovOevai ov fjLvrjjj,o- 
 
 565 vevovres, oTt eVt TOVTCO eXa/8o^ Ta 
 K(o\vav rov Oepevov iroXiv 
 
 roivvv /ceXevet %iv TO Aatju.ot'tov /cat 
 7T/3O5 T^V Trap* avTTy? Socrtv /cat fjivy/JLOveveiv, on 
 ToiavTyv e)(L ffrvo-iv 17 Tv^, wcrTe a Se'Sw/ca> d^>- 
 
 570 Xe'cr^at, /cat Taew? TrdXtv Sowat TToXXaTrXdcrta,
 
 THE NEVER-FAILING GIFT. 41 
 
 av$t9 Se d<eXecr0at a Se'Sw/cei' ov povov Se, dXXa 
 /cat TO, TTpovTrdp-^ovra. a yovv 8tSa>o-t /ceXevet 
 XaySeu' Trap* avrfjs, /cat <rwro/x<u9 (WeX^etz' e^oi'Tas 
 77/369 TT)Z/ fieftcLLav /cat dcr^aXrj Bocriv. 
 
 XXXII. H. iroiav Tavrrjv ; e<j>r)i> eyw. 675 
 
 II. ^ \y\frovTcu irapa rrj? HatSeta?, 17^ 8ta<Tft>- 
 6 Sid iv e/cet. 
 
 . auri^ ou^ rt? 
 II. 17 d\r)0r)s 'ETrtcrr^/ai;, 
 
 , /cat a<T(^)aX^9 Socrt? /cat /3e/8ata /cat aperd- 580 
 ^8X17705. <f)tvyew ovv /ceXevet CTU^TO/AW? 77/309 rav- 
 nyt' /cat orai^ IX^wcrt 77/309 ra,9 yui'at/ca9 e/ceu/a9, 
 <X9 /cat Trporepov elTrov ort 'A/c/oao"ta /cat 'H8i'77a^eta 
 /caXowrat, /cat VTev0ev /ceXevet cru^roju,(y9 a77aX- 
 Xarreo-^at /cat /XT) 77tcrTevti/ /i-^Se raurat9 /n-^Se^ 685 
 
 - <U9 at' 77/309 TT)I> ^ r u8o77atStai' d<f)LK(t)VTCLl. 
 
 /ceXeuet ow avrov9 \povov riva ev^iarpl^ai, /cat 
 Xa/Seu' o rt at' /SovXw^rat 77a/3* avr^9, axnrep e^>o- 
 Sioi> elra evTevffev a.TTievai 77/369 T7?i> 'A\r)0ivr)v 
 IlatSetai/ cru^ro/x&)9. ravr' ecrrti', a 77/3ocrraTTt 590 
 TO Aat/xwto^. oo~Tt9 rolvvv trap* avra rt 77Oter, 17 
 TrapaKovei, a/n-oXXurat /ca/co9 /ca/ca>9. 
 
 XXXIII. *O /xei> 817 [JLvOos, a> 4voi, 6 eV T&J 
 7rtva/ct rotouro9 i7/xu> icnlv. et Se Set rt Trpoarirv- 
 
 ya/3 v/xu/ (f)pd<T(o. 
 
 3. /caXa>9 Xeyet9, 6(^17^ eyw. 'AXXa rt 
 avrov9 ro Aat/xdt'toy \aftelv Trapd rrjs
 
 42 KEBHTO2 HINAH. 
 
 600 II. raJvO* a. So/cet ev^p^crra eifat. 
 B. ravr* ow TtVa eVrt ; 
 II. ypdfjLjjLara, e^, /cat rail' dXX&w 
 a /cat nXarajv <j>r)(rlv aicravtl \a\Lvov TWOS 
 e)(etv TOIS veois, wa /XT) ets erepa 
 605 H. TTorepov Be avdyKT) ravra XaySet^, et /xeXXei 
 rts 17^1^ 7T/3O? r^ *AXr)6ivr)v IlatSeta^, ^ ou ; 
 
 II. dvdyKr) fjiev ouSeyiua, e^ry ^/D^crt/xa jaeVrot 
 eort. Tr/ao? 8e TO ^SeXrtov? yev4dda.i ouSet' crv/a- 
 /SaXXerat ravra. 
 610 B. ouSei> apa, e^i^, Xeyets ravra xpyjaifJia etvat 
 
 TO ySeXriov? yevecrOai avftpas ; 
 II. ecrTt yap /cat avev TOUT&H/ ySeXTtou? yevea-Oai. 
 Se ou/c a^p^crTa /cd/cet^a ecrnv. a>g yap Si* 
 
 o~v/a^8ciXXojLtv TO, Xeyo^evd irore, 
 615 /iei/rot ye ov/c axprjcrTOV r\v rjfjias /cat avrov? 
 (j)0)vr)v etSeVat (d/cpiySe'crTepoi' yap di^ Tt O-VVTJKCL- 
 /xev) ovT6> /cat dz/ev TOUTOJI' TWI/ fjLaOrjfJidTtov ovSev 
 ,/c<wXvet yevecr^at. 
 
 XXXIV. B. irorepov ov8e 7rpoe)^ovo-tv ouTot ot 
 620 jaa^/u-aTt/cot Trpo? TO /SeXTtou? yei/eo-^at TOJ^ dXXtyz/ 
 
 II. TraJs /xeXXovcrt Trpoe^etv, CTretSdi' 
 r)ir<xrr)p,evoL Trepl dya0a>v /cat /ca/cwv, e5o~7rep /cat ot 
 dXXot, /cat ert /caTe^o/te^ot VTTO ird(rrj<s /ca/cta? ; 
 625 ovSeV yap /co)Xvet etSeVat /ta> ypdfjLf^ara /cat /caTe- 
 ^ett' TO. fjLaQtjfJLCLTa, irdvTa, 6/xot&)5 Se pAOwov /cat 
 elfat, /cat <f>i\dpyvpov /cat dSt/co^ /cat Trpo- 
 p, /cat TO Trepa? d<j>pova,
 
 SCIENCE DOES NOT SAVE. 43 
 
 E. d/xe'Xct TToXXovs rotovrovs ecrru/ t 
 II. 7T<ws ovV ourot irpoe^ovcriv, e<f>r), et? TO /SeXrt- 630 
 ovs dvSpas yt.vecrda.1 eVe/ca TOVTCW r&v /xa#r?/xa- 
 
 XXXV. H. ovSa/u,<s (^atVerat e/c rovrov row 
 Xoyou. 'AXXa rt eor>, e^yi' ey&>, ro atrto^, on 
 o/ T<W Sevrepo) TrepijSoXu Scarp r/3oucru>, 
 cyyt^ovre? Trpos T^V a\-r)6ivriv IlatSeta^ ; 
 
 II. /cat TI TOVTO ax^eXet avrou?, e^r/, ore TroXXa- 
 Kt? eo'rtt' tSeti/ Trapaytyvo/xeVov? e/c rov Trpwrov 
 irepi/36Xov GLTTO rrjs 'A/cpao-tas Kat r^9 aXXiy? Ka- 
 /ctas et? ro^ rpiTOv trepifiokov 77/309 r^ IlatSeiat' 640 
 r^ 'AXry^tf^, ot rourovs rov? /xa^/xart/cous 
 7TapOL\\a.TTov<Tiv ; a>CTT, TT&i? ert Trpoe^ovcrLV ; apa 
 77 aKLvrjTOTepOL rf Svcr/xa^eVrepot eto~t. 
 
 H. 7ra>9 rovro, e^v eyw ; 
 
 II. on ot /aei/ ez> rw Trpcora) 7repLJ36\a> ov irpo- 645 
 O"7rotov^rat eVtVracr^at a OVK otSao'U', ot 8' ei' ra> 
 oturepw TreptySdXaj, et /xi^Sef aXXo, TrpocrTToiowrat 
 ye CTrtVrao-^at a ov/c otSacru'. ea)5 8' a 
 
 Tj]v Sd^a^, OLKLVTJTOVS aurou? dfayfoj 
 ro 6pfj.au> Trpos r^ 'AXyQivyv IlatSeta^. etra 650 
 TO ere/aol/ ov^ 6/3as, ort /cat at Ad^at e'/c rou TT/OWTOU 
 Trept^SdXou elcnroptvovTai TT/SO? avrovs 6/xota>s ; 
 e5a"re ouSey ourot eKciwv /SeXrt'ou? eto-ti/, e'ai/ /xr) 
 /cat rovrot? oa>^ 17 Mera/xe'Xeta, /cat TTeLvOaxTLv ort 
 ov ITatSeiW e\ov(Tiv, dXXa ^evSoTratSetav, St* 77? 655 
 . ourw 8e Sta/cet/xei'ot ov/c ai/ TTOTC 
 /cat v/xet9 rotVvf, a) Iwot, 0^17, ovrw
 
 44 KEBHTO2 HINAE. 
 
 TTOtetre, KOI eVStaTpt^Sere rot? Xeyo/AeVot?, 
 
 ai> c^w Xd/S^Te. dXXd Trept TGJV avrwv TroXXd/as 
 
 660 Set eVtcr/coTreu', /cat /AT) StaXetVew ra Se dXXa 
 
 Trdpepya TjyTfcracrflat. et Se /on), ovSeV o^eXos v/ 
 
 V f > / 
 
 eorat oiv vvv a/coueTC. 
 
 XXXVI. B. irorf<ropa>. TOVTO Se & 
 mSs ou/c ecrTtv dyaOd, ocra \anfidvovcrw ot 
 
 665 Trot Trapd TT^S Tv^? ; otoi' TO Efiv, TO vyiaivew, TO 
 TrXouTeti', TO euSo^eti/, TO reKva e^etv, TO VLKO.V, /cat 
 ocra TOVTot? TrapaTrXi^crta ; i) irdXti', TO, evavria 
 
 s* y V / / \ / /* c *^ 
 
 /cat a7rtcrTov So/cet TO Xeyd/xevov. 
 
 670 II. v Aye roivw, 6^)77, Tretpw aTro/cptVacr^at TO 
 ^>aiv6^.voi> vrept cbv av o~e epwTto. 
 B. dXXd Troit]o-(o TOVTO, (f)r)v eyto. 
 II. irorepov ovv, edv /ca/cw? Tt? 77, dya^of e/cet- 
 vo) TO 77^ ; 
 676 B. ou /aot So/cet, dXXa /ca/cw 6^)77^ eyo5. 
 
 II. 7TW9 ow dya66v eoTt TO 77^, (^77, etirep 
 
 TOVTW eCTTt KO.KOV / 
 
 3. OTt Tot? //,e^ /ca/cai ^aicrt /cat /ca/coV /u,ot So/cet 
 ea/at Tots Se /caXai?, dya06v. 
 
 (>80 II. /cat KaKov dpa Xeyet? TO 77^, /cat ayaOov 
 etvat ; 
 
 B. eycoye. 
 
 XXXVII. II. /AT) ow a.Tn6dva)<s Xeye. dSvparop 
 yap TO auTo Trpdy/aa d/aa Kat Kanov /cat dyadbv 
 
 685 eu>ai. OVTW /net' yap /cat oK^eXt/Aoi' /cat /3\aj3epbv 
 av 177, /cat atpeTW /cat fyevKrov apa act.
 
 IS DEATH AN EVIL? 
 
 46 
 
 5. airLBavov 
 
 <5 ay 
 
 . dXXa TTW? ou/c, et TO Ka/ca>? 
 KOLKOV rt virdp^ei avro), KO.KOV 
 
 avro TO ,fjv <TTLV ; 
 
 II. aXX ov TO avro, (77, VTrap^ct TO 77^ T<U 690 
 
 y~ * * . , 
 
 KOLK(O$ ^TfV ' 77 OV O~Ot <pGLiV.TGLL ,' 
 
 3 dfteXet ovS' e/aot So/cet TO avro etvat. 
 
 II. TO /ca/ca>9 TOLWV tfiv KO.KOV eo~Tt TO 8e ^i/ 
 ov /ca/cdv. eVet, et 17^ KOLKOV, Tot? wcrt /caXais 
 KCLKOV av VTTYJp^ev, eTrel TO ^i/ avrot? VTrfjpy(v, 695 
 OTTC/> eo~Tt KOLKOV. 
 
 H. a\r)0yj /xot So/cet? Xe'yet^. 
 
 XXXVIII. II. eVet roivvv d/x(^oTe^ots o~v/i/8at- 
 ^t TO 17^, /cat Tots /caXai? a>o~t /cat Tot? /ca/cws, 
 
 > * v y /)\ \ j y / v 
 
 'WK ay 177 OVTC ayauov TO ^y ovTe KOLKOV axnrep 700 
 ovSe TO TCfiveiv /cat /catety e^ Tots appcoa'Tovcriv 
 4o~n vo<repov /cat vytetyoy, [aXXa TO TTW? refjiveiv ] 
 ov<ovz> OVTO) /cat eTrt TOV ^y, ov/c eo~Tt KOLKOV avro 
 TO 17^, dXXd TO /ca/cai? 77^. 
 
 3. ecrTt TavTa. 706 
 
 II. o~v roivvv ovrot) 
 Xoto 77^ /ca/cwg, ' 
 
 3. OLTToOavelv eya>ye /caXa)?. 
 
 II. OVKOVV ovSe TO aTToOavetv KO.KOV CCTTLV, 
 
 aiperdtTepov eo~Tt TToXXd/cts TO airouavtlv TOV 77^. 710 
 
 B 
 
 . ea*Tt TavTa. 
 
 II. ov/cow 6 avro? Xoyo? /cat 7re/3t TOV vytatVety 
 TToXXd/ct? -yd/3 ov o~v/i^>e/)et vytaa/eu', 
 
 Trorepov av y8ov- 
 /caXa>9 /cat 
 
 aXXa rovvavTLov, orav 
 S. aXr)6rj Xeyets. 
 
 17 ire/jtorao-ts 
 
 715
 
 46 KEBHTO2 HINAH. 
 
 XXXIX. II. aye ST), o~Ke\//<yjote0a /cat irepl rov 
 TrXovretv ovrcog etye 0ewpeti> icrnv, a? 7roXXa/as 
 eVrti> tSeu', virdp^ovrd nvi irXovrov, Ka/c<Ss 8e 
 ^a)vra_TovTov /cat aO\L(o<s. 
 720 H. v^ Ata, TroXXov? ye. 
 
 II. OVKOVV ovSev Tovrot? 6 TrXovros ySo^et ets TO 
 
 S. ou ^ai^erat aurol yayo <f>av\oC etcrtv. 
 
 II. OVKOVV ro (TTTOvSatov? etvai ov^ 6 TrXovros 
 725 iroiet, dXXa 17 IlatSeta. 
 
 S. et/cd? ye, CK TOVTOV apa rov Xoyov. 
 
 II. ovSe 6 TrXovros aya#dV ZCTTLV, tLTrep ov 
 0el rot? exovcnv avrov els ro ySeXrtov? etvat. 
 
 S. <^atverat ovrcus. 
 
 730 IT. ovSe (TVfjufrepet, apa eVtbts TrXoi^rea', orav 
 eVtoTCDzrai rw TrXovrw ^prjcrdai. 
 
 H. 8oKet /xot. 
 
 II. TTWS oui/ rovro av rt? KyotVetev ayaOov 
 o TToXXa/cts ov crvfJi<f>epeL vTrdp-^eiv ; 
 735 S. ovSa/xoi?. 
 
 II. OUKOW et /x,eV rt? eVurrarai r&> 7rXoi/ra> 
 XpfjcrOai KaXai? /cat e/xTret/xys, eu /8ta5o"erat et 8e 
 /x,^, /ca/co>9. 
 
 H. aX^eVrara /xot So/cets rovro Xeyeti'. 
 740 XL. II. /cat ro o~uVoXoi> Se' ecrrt ro rt/xaV 
 ravra a>s ayaOa ovra, y drt/ia^etv a>? /ca/ca, rovro 
 8' eort ro rapdrrov rov? di>0pa>7rov<s /cat fBXaTTTOv 
 ort, e'ai/ rtjawcrt /cat olojvrai 8ta TOVTMV ^ovotv eTvat 
 ro evSat/Ltovetv, /cat irdv0' v7ro/xeVovo-t irpdrreiv
 
 THE ONE GOOD. 47 
 
 eW/ca TOVTCDV, /cat ra dcreySecrraTa /cat ra ala~)(p6- 745 
 rara OOKQVVTCL eu>at ov TrapatToiWat. ravra oe 
 ira<J^ov(rt 8ta Tr)i> rou dya#oi> ayvoiav. dyvoovcn 
 yap on ov yiyverai e'/c KOLKWV dyadov. TT\OVTOV 
 oe ecrrt TroXXov? /cr^trajueVous i8e?v e/c /ca/cwz/ /cat 
 
 epyojv olov \4yoi e/c rou TrpoStSwat, /cat 750 
 /cat dvftpo^oveLv, /cat (rvKo^avreiv, /cat 
 /cat e' aXXwi/ TroXXwv /cat fjLo^irjpc^v. 
 
 B. ecrrt raura. 
 
 XLI. II. et Toivvv yiyvercuL e/c /cd/cov ayaObv 
 
 v, ato-Trep et/cos, TrXovros 8e ytyverat e/c KCLKUV 756 
 epyojv, dvdyKr) ^ eivai dya0bv rbv irXovrov. 
 
 B. crvfji/SaiveL OVTCDS K TOVTOV TOV Xoyov. 
 
 II. dXX* ou8e TO <j>povelv ye ovSe oiKaLOirpayeiv 
 OVK eort /crifcracr^at e/c KCLKMV epyatv axravrw? 
 8e ovSe TO d8t/cet^ /cat d<f>poi>li> e'/c /caXaiv epyotv 760 
 ovSe vndpxeiv a/xa TO) avTw StVaTat. TrXovTOi' 8e 
 /cat oai/ /cat TO VLKOLV, /cat T<X XotTra ocra Tovrot? 
 Trap(nr\T]cria, ovoev /ccuXvet virdp^eiv Ttvt d//,a /XCTCI 
 Ka/cta? TToXX^?. (5o"T ov/c av etiy TavTa dyadd, 
 ovoe /ca/cct ctXXa TO <f>povelv fjiovov dyaOov, TO 8e 766 
 d<j>povelv KO.KOV. 
 
 B. 'l/cai'&ig /xot 8o/cets \4yew, e<f>ijv. 
 
 Sequel, found in the Latin version of the Arabic 
 paraphrase. See Introduction, p. 6. 
 
 Et profligavimus earn opinionem, qua ilia a pravis 
 actionibus esse creduntur. 
 
 XLTI. Senex. Utique multum hoc est et idem atque 
 illud, quod diximus, talia neque bona neque mala esse,
 
 48 KEBHTO2 HINAE. 
 
 idque eo niagis, quod, si ea ex soils actionibus pravis 
 provenirent, essent mala tantummodo. !Sed ab utroque 
 genere omnia proficiscuntur, ideoque diximus ea nee 
 bona esse nee mala, sicuti somnus et vigilia nee bona 
 sunt nee mala. Et similiter, mea quidem sententia, 
 ambulare et sedere et reliqua, quae accidont unicuique 
 eorum, qui aut intelligentes sunt aut ignorantes. Quae 
 autem propria sunt alterutri, eorum alterum bonum 
 alterum malum est ; sicuti tyrannis et justitia, quae duae 
 res accidunt uni aut alteri ; idque quia justitia perpetuo 
 adhaeret intelligentia praeditis, et tyrannis nullos nisi 
 ignorantes comitatur. Nee enim fieri potest, id quod 
 supra diximus, ut uni eidemque uno eodemque temporis 
 moniento res duae ad istum modum se habentes acci- 
 dant, ita ut homo unus, idemque eodem temporis mo- 
 mento, sit dormiens et vigilans, utque sit sapiens et 
 ignarus simul, aut aliud quidlibet eorum, quae parem 
 rationem habent. 
 
 Hospes. Ad haec ego : Toto hoc, inquam, sermone 
 rem omnem te jam absolvisse autuino. 
 
 XLIII. Senex. Haec autem omnia, inquit, ego dico 
 procedere ab illo principio vere divino. 
 
 Hospes. At quodnam illud est, inquam, quod tu in- 
 nuis? 
 
 Senex. Vita et mors, inquit, sanitas et aegritudo, divi- 
 tiae et paupertas, ac cetera, quae nee bona nee mala 
 esse diximus, accidunt plerisque hominibus a non malo. 
 
 Hospes. Plane conjicimus, inquam, id necessario ex 
 hoc sermone sequi, talia nee bona nee mala esse, ita 
 tamen ut haud firmus sun in judicio de istis. 
 
 Senex. Hoc fit, inquit, ideo, quod longe abs te abest 
 habitus ille, quo earn sententiam animo concipias. Ita- 
 que rerum usum, quern paulo ante vobis indicavi, tote
 
 A KIND MENTOR. 49 
 
 vitae vestrae curriculo persequimini, ut ea quae vobis 
 dixinms infigantur animis vestris eaque re vobis accedat 
 habitus. Quodsi de aliquo istorum adhuc dubitaveritis, 
 revertimini ad me, ut ea de re id ex me cognoscatis, 
 cujus auxilio dubitatio a vobis discedat.
 
 QUESTIONS. 
 
 What is the simple stem of fTvyxd.vop.ev ? G.* 108. v. 2 ; 
 H.f 523. 9. Explain the form of its fut. ind. G. 109. 8, 
 b (2) ; H. 421. a, c. In forming the present stem what letter 
 is inserted in the simple stem? What letters are added? 
 Which is the more important word, this verb or the following 
 participle ? G. 279. 4 ; H. 984. 
 
 What kind of a word is ev as regards accent ? G. 29 ; H. 
 111. Which three prepositions are proclitics, and what case 
 does each govern ? 
 
 Antecedent of w? 
 
 Can you give a dual for TroXvs ? G. 70 ; H. 247. 
 
 How does oAAa differ from the adversative conjunction 
 similar in form? 
 
 What kind of action is expressed by fOe^pov^ev ? G. 200 ; 
 H. 829. Is haste or leisure implied ? Which particles mark 
 these sentences as slightly opposed? Which particles com- 
 bine them ? (KOI . . . icol). 
 
 Rule for the case of vcw? G. 182. 2; H. 757. What 
 word takes its number and gender from7riva? G. 151; H. 
 627. 
 
 What peculiarity in the augment of ^8wa/u.e0a ? G. 100. 2. 
 N. 2 ; H. 355. b. May we translate this word as an auxiliary 
 verb? 
 
 Tense of <n^/?aAe?v? State two differences between this 
 
 * G. = Goodwin's Gr. Grammar (Rev. ed.). f Allen'8 Hadley.
 
 52 CEBES' TABLET. 
 
 form and that of the pres. inf. act. Name its object. What 
 clause exegetical of that object? Is the interrogative or the 
 compound relative more common in indirect questions ? G. 
 149. 2 ; H. 700. 
 
 Tense of rjo-av? Is any other permissible here? G. 243; 
 H. 932. 2. Might any other mode have been used ? Is the 
 use of this tense for such constructions common? G. 243. 
 N. 2; H. 936. 
 
 Syntax of TTO'AIS ? G. 136. N. 3 (a) ; H. 614. Why does it 
 precede the subject? What peculiarity of accent has TroAts? 
 G. 53. i. N. 2 ; H. 201. What rule of accent is thus violated ? 
 G. 22 ; H. 100. b. 
 
 What euphonic change is observed in yeypa/A/AeVov ? G. 16. 
 3 ; H. 53. How may this participle and the preceding article 
 be translated ? G. 276. 2 ; H. 966. 
 
 Is it better to translate ev by in or by within f 
 
 Distinguish between crepes and oAXos. 
 
 What rule requires the accent of eVepovs and 7re/H/3dA.ovs to 
 be on the penult? G. 22; H. 100. I. 
 
 la 8uo declinable? G. 77 ; H. 290. 
 
 Compare /m'a>. G. 73. 4 ; H. 253. What is a fuller form 
 than /ui'&o? G. 72. 2. N. 1 ; H. 236. 
 
 Of which class is eSoVa ? G. 108. vn. ; H. 509. 3. Which 
 tenses of contract verbs undergo contraction ? G. 98; H. 409. 
 What letter in this verb is added to form the pres. stem? 
 If this were a pure verb, what would the future tense be ? 
 
 Tense of e^eo-ravai? G. 124. 2; H. 351. Any rule of accent 
 for infinitives of that ending? G. 26. N. 3 (1) ; H. 389. d. 
 
 Account for < in e^eoTws. G. 17. 1 ; H. 82. 
 
 II. 
 
 Construction of i/fuiv? G. 183; H. 970. 
 
 Could ovv stand first in the sentence ? H. 1048. 2. 
 
 What construction has xpovov? G. 161 ; H. 720.
 
 QUESTIONS. 53 
 
 What form is more common than oiSao-i ? G. 127. 7 and N. ; 
 H. 491. 6. a. 
 
 Could the optative be used in place of Swaroi ? G. 243 ; 
 H. 932. 
 
 Case of TI'? G. 158 ; H. 711. 
 
 Why has e^AwKws no reduplication? G. 101. 2; H. 365. 
 
 What peculiarity in the tense-stem of avtOijKt? G. 110. 3. 
 N. 1 ; H. 432. 
 
 Const, of KpoVo)? G. 184. 3; H. 767. 
 
 Office of Ti-oTepov? G. 282. 5; H. 1017. Is the sentence 
 complete? (Comp. line 94.) 
 
 Tense of $77^ ? Can ^/w in any form begin a sentence ? 
 What Latin verb resembles it in position and meaning ? 
 
 What circumstance is expressed by opa/<a>s? G. 277. 2; 
 H. 969. a. How then should it be translated ? 
 
 Give the difference of meaning between avrbv before TOV 
 av8pa and avrov before xpoW. G. 145 ; H. 680. 1 and 682. 
 
 III. 
 
 Why is eyo> expressed ? 
 
 Is Tt's the interrogative or the indefinite pronoun ? Why 
 has it the acute accent? G. 28. 3. N. 2 ; H. 117. 
 
 Does TI have accent for the same reason ? 
 
 Why has TI (before l x ) no accent? G. 28. 2 ; H. 114. 
 
 Explain the form of rovrl. G. 83. N. 2 ; H. 274. 
 
 How is <rwT/o-T compounded ? G. 127. in. ; H. 476. Name 
 two pairs of opposites in the predicate adjectives which 
 follow. 
 
 What kind of sentences are the ones beginning ei /xv and 
 c l B rf ? G. 221 ; H. 893. 
 
 \Vliy is IOTI so accented ? G. 28. 3. N. 1 ; H. 480. 2. 
 
 What do the suffixes of 777770-1? and cuViy/wm each denote? 
 G. 129. 3,4; H. 551. 1 and 553. 1. 
 
 Has o the same accent as the article f
 
 54 CEBES' TABLET. 
 
 Does the article in the forms 6, rj, oi, ai ever take an accent 
 save when followed by an enclitic ? G. 29. N. 2 ; H. 272. b. 
 
 Which prepositions do not suffer elision before c in a com- 
 pound verb? G. 105; H. 360. a. 
 
 Why is the diaeresis not written over e in Trpoe/JaAAcro ? If 
 contraction took place, what diphthong would oe produce ? 
 
 Classify the sentences beginning t ftev ovv and ct Se ^17. G. 
 221 ; H. 893. Why should one apodosis have the imperfect, 
 but the other the aorist tense ? 
 
 What relation is expressed by virb? G. 197. 1 ; H. 818. a. 
 
 What position has oAo> ? G. 142. 4. N. 5 ; H. 672. c. 
 
 Classify the sentences which begin with eav. G. 225 ; H. 
 894. B. 1. 
 
 What position has iravrl ? 
 
 Can we decide the mode of Trpoo-e^Te from the form ? What 
 word in the sentence determines the mode of both verbs ? 
 G. 254 ; H. 1019. Does /? then belong to both verbs? 
 
 IV. 
 
 In which case is 'Hpa^Xcts? G. 52. 2. N. 3 ; H. 194. 
 
 What change appears in the stem of e^eySA^xas? G. 110. 
 iv. b. 5; H. 448. c. 
 
 What two changes in ravff ? 
 
 Is 2x in agreement with its subject? G. 135. 2; H. 604. 
 
 Does IO-TIV agree ? Why so accented ? G. 28. 3. N. 1, end ; 
 H. 480. 2. 
 
 Explain the forms ovrus and OVK. G. 13. 2, 3 ; H. 88. a, c. 
 
 What is such a form as av <#ai/ois called ? G. 226. 2. b ; 
 H. 872. 
 
 What rule of accent for 'AvaXafiw ? G. 26. N. 3, 2; H. 
 389. a. Give the simple stem of the simple verb. What is 
 the pres. act. part.? 
 
 Gender of TIV& ? 
 
 Give the subject of 8r. G. 259 ; H. 602. d. a.
 
 QUESTIONS. 55 
 
 Is eiSeVcu the infinitive of otSa or of e?8ov ? What is its sub- 
 ject? Its object? 
 
 What peculiarity in the inflection of KoXew ? G. 109. 1. N. 
 2. b, 504. 5. What construction has it? G. 136. R., 166; 
 H. 726 and b. 
 
 How many articles has o^Xos ? Their functions ? Does its 
 verb agree with it in number ? G. 135. 3 ; H. 609. 
 
 How may ot /xe'AAovres be translated ? G. 148. N. 3, 118. 6 ; 
 H. 846-966. 
 
 Is it proper to render Set aurous personally ? G. 134. N. 2 ; 
 H. 949. 
 
 Is us av a common phrase? G. 216. i. N. 2; H. 882. 
 
 What letters in 8et,Kvvet belong only to the present system ? 
 G. 108. v. 4 ; H. 528. 
 
 V. 
 
 Kulefor6S6v? G. 159; H. 715. 
 
 Stem of 7T7rXao-/ii^ ? G. 108. iv. 1. N. ; H. 516. 6. Why 
 does it reduplicate, since the stem begins with two consonants? 
 
 What case might ^0os have had instead of the dative ? G-. 
 160. 1 ; H. 718. 
 
 Rule of accent for x pt? G. 25. 3 ; H. 172. 
 
 What does the suffix of iror^piov mean ? G. 129. 8 ; H. 558. 
 
 Give the subject of eVnv. 
 
 Does the participle TrioWes express time, cause, or condition ? 
 G. 277. 1; H. 856. Is this the present participle? G. 108. 
 vm. ; H. 521. 3. 
 
 Why does ov receive an accent ? G. 29 ; H. 112. 
 
 VI. 
 
 What significance has the tense of mvova-tv ? G. 205. 1 ; 
 H. 824. a. What is the last letter of this word called? G. 
 13. 1 ; H. 87. Which vowels add v movable ? How is an 
 affirmative reply given in this sentence ? 
 
 What positive has TrXtwv 9 G. 73. 8 : H. 254. 5.
 
 56 CEBES' TABLET. 
 
 Why does expvo-Stv have the perispomenon accent? G. 68. 
 N., 16. 6. N. ; H. 105, 242. 
 
 Does the form alone of draTr^Suio-iv determine its mode? 
 What does? G. 225 ; H. 894. 3. 1. 
 
 Is 8cu/Ao'vie the adjective or the noun? 
 
 What circumstance or relation does ws agova-at. express? G. 
 277. 6. N. 2. (a) ; H. 978. 
 
 Explain the gender of ov. 
 
 Whence the long stem vowel in ircirtaKao-i? G. 108. VIII., 
 109. 1, 110. iv. b. 1 ; H. 447. b, 521. 3. 
 
 If is were placed before /OH, what words would change 
 case? 
 
 VII. 
 
 Construction of n's? G. 136; H. 614. 
 
 In what sense is <5v used? G. 151. N. 3 ; H. 654. d. 
 
 Signification of TWV avrw ? G. 79. 2 ; H. 679. 
 
 How is Sio compounded ? 
 
 Is auriys the same word as avrq in line 120 ? What are the 
 differences ? 
 
 On what verb is the noun eKTrraxms built? G. 129. 3, 108. 
 viii. ; H. 506. 4. 
 
 Of what class is the final sentence of the chapter? G. 
 233; H. 914. b. 
 
 VIII. 
 
 Arrange the words of the first sentence in a more regular 
 order. What effect have they as they stand ? 
 
 What construction has IKCUTTOS ? G. 137. N. 2 ; H. 624. d. 
 
 Syntax of avrdv? G. 167. 6 ; H. 729. e. 
 
 What strengthening letter in the present of pwrrei? G. 
 108. in. ; H. 513. 13. In which two tenses alone does that 
 letter occur? 
 
 What form is cKTcraKores ? What letter existing in the 
 other active participles is lacking in this tense? G. 117. 2; 
 H. 382.
 
 QUESTIONS. 57 
 
 Have any other verbs a perfect augment like that of 
 cs ? G. 101. N. ; H. 366. 
 
 What is the direct object of /coAowriv? What the predi- 
 cate accusative ? 
 
 Give the full form of r5XAa. G. 11 ; H. 76. What is the 
 contraction called? What is the mark beneath the accent? 
 
 How should we translate yevtafieOa to show its use here ? 
 G. 253 ; H. 866. 1. 
 
 IX. 
 
 Is the augment of e'ua6a<ri. temporal? G. 104; H. 359. 
 
 'Eo-TTfKao-ii/ has the meaning of what tense? G. 200. N. 6; 
 H. 849. 
 
 What time is expressed by TruaOrj? G. 225 ; H. 894. 1. 
 
 Does the clause beginning <fo>s av differ from a conditional 
 relative in construction ? G. 239. 2 ; H. 923. How does it 
 compare with the clause beginning with orav? 
 
 What kind of a verb by derivation is SouAevav? G. 130: 
 H. 571. How many such verbs in this chapter ? 
 
 What is the difference between avrbv SovXova-i and aural 
 SovXevowiv? G. 130. N. 3 ; H. 571. 1 and 4. 
 
 Antecedent of aurovs ? 
 
 With what subject does cTriA-iVr; agree f Does the aorist 
 tense in the dependent modes express time ? G. 202. 1 ; 
 H. 851. 
 
 X. 
 
 What adjectives have a in the nom. fern, sing., as Trota ? G. 
 62. 2 ; H. 138. 
 
 Why has e'oriv no accent? G. 28; H. 115. a. In the sen- 
 tence following, which is the interrogative word? H. 1015. a. 
 
 Is ywaiKes regular in inflection ? G. 60. 5, 7 ; H. 216. 4. 
 
 What peculiarity of augment has ^/x^tctr/xei/at ? G. 105. N. 
 3; H. 361. What letters of its present stem are euphoni- 
 cally added? G. 125. 5; H. 526. 1.
 
 58 CEBES' TABLET. 
 
 How are verbs accented? G. 26; H. 386. Is at final 
 short or long? G. 22. N. 1 ; H. 102. a. Why, then, does 
 not a-vvflvoL throw the accent back to the antepenult ? G. 26. 
 N. 3 ; H. 389. d. 
 
 Syntax of aSrcu? G. 134. 1, 137. N. 2 ; H. 601, 624. d. 
 
 What euphonic change in the nom. sing, of i-pi^as? G. 17. 
 2. N., 60. 12 ; H. 74. a. Is eavrfc the limit of rpi'xas ? G. 
 142. 4. N. 3 ; H. 692. 3. What kind of a genitive is it, if not 
 adnominal ? G. 174 ; H. 748. 
 
 What construction have verbs like KaXelrai in the active 
 voice ? G. 166 ; H. 726. What construction in the passive ? 
 G. 136 ; H. 726. b. 
 
 What verbs have the termination 01 in the pres. ind. act. 
 3d sing. ? G. 98 ; H. 325. 
 
 From what preposition and noun is o-u/t/Stoi formed ? With 
 what euphonic change ? 
 
 XL 
 
 What kind of a sentence is the first question here? G. 
 225 ; H'.' 894. 1. 
 
 Does K mean out of, or only from the side of? 
 
 What difference between ayoucrav and aowai/ ? 
 
 Why the present tense in o-o>cTai? 
 
 What is the negative accompanying ei or idv ? G. 219. 3 ; 
 H. 906. 
 
 XII. 
 
 Has /neyas the predicate or the attributive position ? 
 
 Which has oXAos? oSros? Irepov? e*ceu/ov? G. 142. 3, 4; 
 H. 670, 673. Which one of these words is the predicate of a 
 neuter verb ? 
 
 Is ftov\ofiai a middle or a passive deponent ? G. 88. 2. N. ; 
 H. 497? 
 
 What accent has the imperative act. of iXBuv ? G. 26. N. 3. 2 ;
 
 QUESTIONS. 59 
 
 H. 539. 2. Is the future of this verb much used in Attic 
 prose? G. 200. N. 3 (); H. 539. 2. a. What words are 
 understood in the last question ? See line 94. 
 
 XIII., XIV. 
 
 What two forms has the pres. ind. of oto/xcvoc in the 1st pers. 
 sing. ? What is its only form in the 2d pers. sing.? G. 113. 2. 
 N. 2 ; H. 384. 
 
 From what verb is HOOTCH' formed ? 'Pifro/oes? AioAexTtKoi? 
 
 From what noun does MOUO-IKOI come? 'A/st^/xi/rt/cot? Kpi- 
 TMCOI ? What word governs the case of rovrois ? G. 186 ; H. 773. 
 
 What degree does Treats lack ? G. 73. 2 ; H. 255. 
 
 What meaning have the suffixes in ird/na, ayi/oia, d^poo-un; ? 
 G. 129. 4, 7 ; H. 553, 556. Give the signification of the prefix 
 of the last substantives. 
 
 Explain the double negative ou /). G. 257 ; H. 1032. 
 
 Construction of roiW? G. 180. 1 ; H. 753. g. 
 
 Which verbs have their modes determined by orav ? Do 
 these verbs stand in ordinary conditional or in relative 
 clauses ? What is a relative clause ? Explain the forms of 
 protasis and apodosis. G. 232. 3 ; H. 916. 
 
 How are xaxa and vavra each governed ? Did the Greeks 
 use the relative pronoun after irdvra? 
 
 In what construction are 8o'as, ayvotav, and /ca/a'av ? Which 
 of the adjectives belonging to KaKiav is in the attributive and 
 which in the predicate position ? 
 
 Does /U-C'VOVTCS mean becaicse they remain, or as long as they 
 remain f 
 
 Does ovSev destroy the previous negative o8 ? 
 
 XV. 
 
 Has TTOUX a correlative ? G. 87. 1 ; H. 282. 
 
 Of which five words does 6Sos determine the gender? 
 
 Give the future stem of <epov<ra : the aorist. G. 100. 2.
 
 60 CEBES' TABLET. 
 
 N. 4 ; H. 539. 6. Are the various roots of this verb modifi- 
 cations of one form, or of different origin, supplying the de- 
 ficiencies of one another ? 
 
 What adverb relates to TOTTOV ? 
 
 Does a relative adverb like oirov usually have the indica- 
 tive if a definite antecedent is expressed ? G. 230 ; H. 909. 
 
 What correlative adverb might have replaced TOTTOV and its 
 modifiers? G. 87. 2; H. 283. 
 
 Give the subject of SOKCI. 
 
 Government of Ovpav? How many nouns in this chapter 
 add some form of the indefinite pronoun? Do these pro- 
 nouns imply that the picture is imperfect, or do they call 
 attention to some new object? Quantity of a in Ovpav and 
 /Luicpiv ? G. 37. 2. N. 2 ; H. 138. 
 
 What is the antecedent of 77x15? Does this relative always 
 agree with its antecedent? G. 151. N. 2 (b) ; H. 630. 
 
 What principle applies to the case of Tpaxeias and TrerpwSovs? 
 G. 136. N. 3; H. 614. 
 
 On what word does Trpoo-iSeiv depend ? G. 261. 2 ; H. 952. 
 
 XVI. 
 
 What part of speech is the first KCH? the second? When 
 a conjunction, what place in the sentence does it generally 
 occupy ? 
 
 Explain the euphonic changes in eVi-eTaKao-i. G. 109. 4, 
 6 ; H. 448. a, b. 
 
 What early use of the article is retained in r) /*cv . . . 17 8e ? 
 G. 143 ; H. 653. 
 
 Why is pi), rather than ov, used before dTroSeiAiSv? 
 
 Does Xe'yo) always take the construction with on or o>s ? G. 
 260. 2. N. 1 ; H. 946. b. 
 
 What does the apodosis of such a sentence as oVav . . , 
 eiva/ScuWnv denote? G. 233; H. 914. b. 
 
 Are avTT/v and avrai pronouns of the same class?
 
 QUESTIONS. 61 
 
 Give the antecedents of avrovs and auras. 
 
 Is a in StSoWtv a part of the root? G. 121. 2. d\ H. 
 385. 7. 
 
 By what figure is 68ov made the object of the principal 
 verb rather than' the subject of the subordinate ? [Prolepsis.] 
 
 Does woTre/3 conform to the general rule of accent ? 
 
 XVII. 
 
 Gender of e&o-os? G. 58. 3 ; H. 164. b. 
 Derive olK^piov. G. 129. 6 ; H. 561. 1. 
 Of what number is etev ? See note. 
 
 XVIII. 
 
 Why is TTvXyv not rather in the dative case ? 
 
 What letter is dropped from the stem in the form KCKpipevr) '' 
 G. 109. 6 ; H. 448. b. 
 
 Rule for ^Wa? G. 189; H. 782. 
 
 What is ace. sing, of Iletlu ? G. 55 ; H. 197. 
 
 What is the position of TT^OS avrrjv with reference to 68os ? 
 G. 142. 1. N. ; H. 666. c. 
 
 What construction has irofleiv? G. 258, 167; H. 959, 728. 
 Why does it have oV? G. 211 ; H. 964. 
 
 XIX. 
 
 Does riVos 2j/e/cev differ in meaning from simple '? 
 
 What force has the clause beginning with OTTWS? G. 215. A; 
 H. 881. 
 
 Does the sentence beginning ei Tts denote a real case, or 
 only an imaginary one? What meaning has the imperfect 
 here in the protasis ? G. 222 ; H. 895. 
 
 What office has tnW ? G. 226 ; H. 902. 
 
 In which part of a conditional sentence may py stand? 
 Why? 
 
 Office of eiSeti? H. 906.
 
 62 CEBES' TABLET. 
 
 Syntax of ots ? G. 153 and N. 1 ; H. 994, 996. 
 Translation of TOV airrov? G. 79. 2 ; H. 679. 
 Syntax of rpmovl G. 160. 2; H. 719. 
 What tense is tfepaTrevei in ? Why ? G-. 225, 233 ; H. 894. 
 1, 914. b. 
 
 How is x<av often to be translated? H. 968. b. 
 
 XX 
 
 What is the masculine noun corresponding to dSeA</>al? 
 Explain the suffixes of these proper names. G. 129 ; H. 551, 
 552, 556. Give the comparative of KoAAwrre. How formed? 
 G. 16. 7. c; H. 66. 
 
 XXI. 
 
 Tense of TrapoAa/Saxriv ? How many letters in the present 
 stem of the simple verb ? In the simple stem ? Is there any 
 difference of time between the present and the aorist in 
 subordinate modes ? What is the difference ? G. 202. 1 ; 
 H. 851. 
 
 Case of p.r)Tpa ? Which cases are syncopated in this noun ? 
 Is its nominative accented like the nom. case of the common 
 Greek word for father ? Are they different in accent in the 
 gen. sing. ? 
 
 Name the component parts of KaiOrjTai.. What stem letter 
 is omitted in some forms ? G. 127. v. ; H. 483. 
 
 Tense of KeKocr/t^/xei^ ? Of e<TT^>avo)ften; ? Explain differ- 
 ence of augment. Do these forms throw the accent forward 
 to the penult because the final syllable is long ? 
 
 XXII. 
 
 Construction of dywvas? G. 159. R.; H. 716. a. 
 Rule for lavrov? G. 175. 2 ; H. 749. 
 
 What kind of action is expressed by KaTrjo-Oie ? By eKoXae ? 
 Tense of vevfiajKe? Is this tense ever indefinite, as in 
 Latin ? [Rarely.]
 
 QUESTIONS. 63 
 
 What tense is used for the perfect in dWppu/rev ? What 
 augment have verbs of this kind ? G. 15. 2 ; H. 355. a. 
 Government of CKCI'VOIS? 
 
 XXIII., XXIV. 
 
 Syntax of fcyo>v? G. 173. 3; H. 761. Has the interjec- 
 tion the same form in this exclamation as before the vocative ? 
 
 How does elire differ from the same tense of the ind. in the 
 3d sing. ? 
 
 Give the stem and suffix of o0cv, and the meaning of the 
 latter. G. 61 ; H. 217. 
 
 What does oxrre with the infinitive denote ? G. 266 ; H. 
 953. 
 
 What two changes were made to form the present stem of 
 i ? G. 108. vin. ; H. 953. 11. 
 
 XXV., XXVI. 
 
 What synonymes of 8ta TI have we met? Lines 338, 
 348. 
 
 What meaning has the present of ^KW? G. 200. N. 3 (a) ; 
 H. 827. The pluperfect of oTSa? G. 200. N. 6 ; H. 849. c. 
 
 Classify the conditional sentences near the beginning of 
 Chap. XXVI. 
 
 How are TTOI and oirot related ? 
 
 What part of speech is oT? G. 87. 2 ; H. 283. 
 
 Which modes and conjunctions are used with verbs like 
 ^ojSemu? G. 218; H. 887. Which is the true object of 
 00/Setrai ? 
 
 May VTT* avriav be translated by them, although the verb 
 is in the active voice ? Does this come from a passive mean- 
 ing in the verb? Would "suffered under Pontius Pilate" 
 imply agency ? 
 
 Government of Am ? G. 163 ; H. 723.
 
 64 CEBES 1 TABLET. 
 
 XXVII., XXVIII. 
 
 Why is OVTOI expressed ? 
 
 What letter has been dropped to make the form 
 G. 16.4; H. 61. 
 
 Rule for air^? G. 171 ; H. 739. 
 
 May KaKws Xeyova-t be translated as one word ? Give its 
 construction. G. 165. N. 1 ; H. 712. 
 
 What relation does o>s express? G. 277. N. 2 (a) ; H. 978. 
 
 What conjunction might replace the relative of? G. 238; 
 H. 910. 
 
 What kind of an optative is cwrot S.v ? G. 226. 2. b ; H. 872. 
 
 Of what verb is elvai the object? May such an infinitive 
 have a subject and a predicate of its own ? Is it modified by 
 adverbs or by adjectives? G. 258; H. 938. c. 
 
 XXIX., XXX. 
 
 What is the reduplication of ayayovo-ai called ? G. 100. 2. 
 N. 4, 102 ; H. 368-436. Where does its temporal augment 
 fall? 
 
 What circumstance is added by afovo-cu ? G. 277. 3 ; H. 
 969. c. 
 
 How is the article ai used here ? H. 659. 
 
 Construction of cSXXwv? G. 172 ; H. 743. 
 
 What meaning has the article before x^P -? & 141. N. 2; 
 H. 658. 
 
 Use of the article before yvwuKo? G. 141. c; H. 673. 
 
 Does eiirov retain the diphthong in the subordinate modes ? 
 G. 104. N. 2 ; H. 436. a. 
 
 XXXI. 
 
 Syntax of ravrg ? 
 Give the object of xeXevct. 
 
 Why are the forms of /; used in the sentence ? G. 283. 3 : 
 H. 1023.
 
 QUESTIONS. 65 
 
 What constructions may /cwXuet take ? G. 263 ; H. 963. 
 
 How is yiyviadcu. governed ? What two changes are made 
 in deriving the present stem from the simple? 
 
 Tense of ITUX*? I n what sense is that tense used here? 
 G. 205. 2 ; H. 840. 
 
 Government of rpav^raus ? G. 186; H. 773. 
 
 What meaning has the phrase e<' <S? G. 267; H. 999. a. 
 
 Why the middle voice in Oep-cvov and Ko/u'o-ao-0tu ? 
 
 Government of /xi^oi/eveiv ? 
 
 Why are different voices used for Se'Sw/ccv and d<eAr0ai ? 
 
 XXXIL, XXXIII. 
 
 Distinguish between fjv and ty. Of what words is the latter 
 compounded ? G. 219. 2 ; H. 860. 
 
 What principle is illustrated by the mode of enraAXaTTeo-flai? 
 G. 226. 3. How do the derivatives of fjaj following it affect 
 the negation ? G. 283. 9 ; H. 1030. 
 
 How does Aa/?eu/ differ from Aa/x/Javeiv in meaning when not 
 in indirect discourse? G. 202. 1 ; H. 851. 
 
 Syntax of e<o'Stov? Of amevat? How does this infinitive 
 differ from that of d^/u ? 
 
 Rule for number of eoriv ? . 
 
 What meaning has irapa generally with the accusative? 
 What meaning might be involved in going to one side of an 
 object, but not reaching the goal? 
 
 Define the use of ly/uv. G. 184. 3. N. 6 ; H. 770. 
 
 Construction of <0oVos ? What pronoun is supplied for the 
 possessor? In what case? 
 
 What word is omitted as copula for the predicate avdyK-r) ? 
 
 What may fu'AAei ^v be called ? G. 118. 6 ; H. 846. 
 
 By what principle is /3e\rtbvs in the accusative ? 
 
 Explain the marks upon KO.KUVO.. 
 
 Has OVK S-xp-qovov an affirmative force ? What figure is this? 
 [Litotes.]
 
 66 CEBES' TABLET. 
 
 XXXIV. 
 
 Why does Trpoexouow precede its subject? 
 Government of av6p<air<ov ? G. 175. 2; H. 749. 
 Construction of TO ire/oas? G. 160. 2 ; H. 719. 
 What part of speech was d/xe'A originally ? How is it used 
 here? 
 
 XXXV. 
 
 What is the appositive of TO alnov ? 
 
 What difference between w^eXei and oi<e\ei ? 
 
 What kind of a clause is ore . . . irpocnroiovvTai ? What 
 mode is generally used in such clauses? G. 250; H. 925. 
 Mention the object of TTPOO-TTOIOUVTCU. Of rioTao-0ai. Of 
 
 Case rule for fecuw? G. 175; H. 755. 
 
 Case of /JeATiovs ? What word is used as its positive ? G. 
 73; H. 254. Government of TOIS Aeyo/Aows ? G. 187; H. 
 775. 
 
 Does the form alone of TTOICITC determine its mode ? If we 
 had a prohibition instead of this command, what would show 
 the mode ? G. 283. 2 ; H. 1019. 
 
 What is the idiomatic translation of vp.lv lorat ? 
 
 Has a>v been assimilated to the case of the missing antece- 
 dent, or does aKovert govern this case ? 
 
 XXXVI. 
 
 Whence the long vowel in 
 Object of e&fyrjo-ai? What sentence is exegetical to the 
 object of ffiyrjcrai. ? 
 
 Are aye and -n-eiput in the same mode ? In the same voice ? 
 Does av permit epwrSt to be an indicative ? 
 Is Zfiv a regular contraction? G. 98. N. 2 ; H. 412. 
 How are /ca^ws and KoAws compared ?
 
 QUESTIONS. 67 
 
 XXXVII. 
 
 Meaning of TO auro? G. 79. 2; H. 679. 
 What kind of clauses are the two beginning with eVei? 
 What kind of condition is denoted by the words cf r/v KO.KOV ? 
 G. 222; H. 895. 
 
 XXXVIIL, XXXIX. 
 
 Is the first sentence &pure conditional? G. 227 ; H. 901. 
 
 Syntax of lyuye ? What change of accent ? 
 
 Why is TOV gqv in the genitive ? 
 
 What office here has o-Kei/w/Aefla ? G. 253 ; H. 866. a. 
 
 What two objects has tSetV? Is the first one the name of 
 a person or a thing? In the English translation which will 
 it be? G. 184.4; H. 768. 
 
 Is Kpivaev the commoner form? G. 119. 13; H. 434. 
 
 In which two tenses are liquid verbs peculiar in inflection ? 
 What common characteristic have those tenses in pure and 
 in mute verbs ? 
 
 XL., XLI. 
 
 What construction has TO <rvvo\ov? G. 160. 2; H. 719. 
 Meaning of o>s? G. 277. 6. N. 2. a; H. 978. 
 Since the accent of the verb is recessive, why does rapdrrov 
 have the accent on the penult ? G. 26. N. 2.
 
 NOTES. 
 
 1. lv T<5 TOU Kpovov up<3. It accords with the allegorical 
 character of the Tabula, to lay the scene in no special place. 
 Compare the opening sentence of Bunyan's Pilgrim's Prog- 
 ress. As Kronos was identified by the Greeks themselves 
 with Saturn, the Time Deity, we may suppose the name 
 to be chosen as being appropriate to a description of Human 
 Life. The writer makes no attempt to peer beyond the limit 
 of Time. 
 
 2. ava6rjp.a.Ta : offerings " set up " in a temple, in grate- 
 ful recognition of deliverance or victory. Votive gifts are 
 very commonly mentioned, as in Horace, Od. 5 : 
 
 Me tabula sacer 
 Votiva paries indicat uvida 
 
 Suspendisse potent! 
 Vestimenta maris deo. 
 
 3. aveKfiTo. Ancient temples were generally built on high 
 ground. They are often referred to as being visible far out 
 at sea. Perhaps their height led to the use of the preposition 
 avd in such words as fodiaufuu and avaTiOruu. 
 
 5. rtVes KOI Trore T)<rav : notice that K<U throws emphasis 
 upon TTOTC. "What they ever were " is better expressed by 
 " What they might possibly be." The Greek idiom here 
 resembles our own in changing the tense, not the mode, after 
 a verb of asking or saying in a past tense. 
 
 14. fi.<f>a<riv eTrotet : "was emphasizing," i.e., was gesticu- 
 lating. An emphasis of action is meant by this unclassical 
 idiom. 
 
 18. ouSev Sewov irdarxtrf. While the word Sfivos originally
 
 NOTES. 69 
 
 meant terrible, or dire, it subsequently, from the idea of 
 power it implied, came to mean mighty, able. Other words, 
 as I<rxyp6<; in Greek, and " awful " in English, show a similar 
 tendency. Here, however, it has rather the sense of astonish- 
 ing, or strange. " Yours is no strange experience." 
 
 21. If it had been a production of their own city (TTO\LTIKOV), 
 local pride might have aroused curiosity. 
 
 22. e/A<pwv KOI Sewbs Trepl <ro<iav. By the first epithet 
 .speculative power, and by the second skill in application, is 
 meant. Socrates, in the Phaedo, furnishes a notable example 
 of the correctness of this description. 8v6s Aeyetv resembles 
 our " terrible to talk." 
 
 23. TlvOayopeiov TWO. KCU IIap//,evt8etov . . . fftov. Socrates 
 did great service in presenting to his countrymen the views 
 of these great philosophers, corrected and enlarged by his 
 own reasoning. In Plato's Parmenides we have an account 
 of a discussion between that philosopher and Socrates. 
 
 32. el p.r) . . . ova-a : " if you do not happen to have some 
 important business." Notice the derivation of d.crxp\ia, and 
 its relation to our word " school." 
 
 36. ovSeis <0oVos: "no envy" (i.e., of the time); so, cheer- 
 fully, without reluctance. A conventional expression. 
 
 46. UTTO T?S 2<iyyos. The Sphinx, according to the poets, 
 was a monster who occupied a hill overlooking Thebes. She 
 proposed to every Theban, who passed by her abode, this 
 riddle : " What being with four feet has two feet and three 
 feet and only one voice ; but its feet vary, and when it has 
 most it is weakest?" When at last Oedipus gave the cor- 
 rect answer, Man, she threw herself from the rock. The 
 consequences to Oedipus, however, were much more fright- 
 ful, and form the basis of Sophocles' great tragedies, Oedipus 
 Tyrannus and Oedipus Coloneus. 
 
 61. OVK av . . . 8ir)yovp.(vo<; : " Really, you could not be too 
 quick in explaining, as we shall attend heartily (not slight- 
 ingly), especially since the recompense is of that kind."
 
 70 CEBES 1 TABLET. 
 
 73. Aotfuov. This word generally refers, not to the person 
 of a particular god, but to the Divine Power, or a disem- 
 bodied spirit. In the former sense it was used as early as 
 Homer's time. 
 
 80. The first Kara means opposite; the second, through. 
 
 81. TreTrAaoyteVj; TO> r)0u : " affected in manner." 
 
 107. o> 8a.ifi.6vie, etc. The adjective is used here to express 
 admiration, though in Homer the word oftener expresses 
 reproach. "Ah. marvellous! How dire the potion thou 
 describest ! " 
 
 113. TOVS Trporepov eio-Tropeuo/x.o'ovs : " those who have pre- 
 viously entered." The present is here thrown backward, 
 making a perfect tense, by the force of the adverb. dAAa 
 /xot 7ra\ai Trpa.yp.aTa Trape^ei : " he has been pestering me long." 
 Plat. Phaed. 63. 3. 
 
 148. Trapa TOIS TroAAois avOpwiroi<; : " in the estimation of the 
 many." So Trapa /fao-tAei: "in the estimation of a king," at 
 court. Xen. Anab. I. 2. 27. 
 
 154. This question is left unanswered lest the orderly de- 
 scription of the picture be marred. It is resumed in line 537. 
 
 155. eK7ro7o-ei : "it will suffice." An old word in a new 
 sense, resembling our " I will make out," or " it will do." 
 
 174. p-*xP l P-* v Tlvos : " U P to a certain time." 
 
 185. avrcws emXiTrrj. The plural replaces the singular here 
 not by any design, but suggested, perhaps, by the preceding 
 infinitives. 
 
 205. o>Se . . . KaTao-T/3</> : nowhere in this work does 
 &Se mean thus. Translate : " Here he ruins his life." 
 
 213. *w8o7rai8av. We have in this compound a new 
 word, of which this is the earliest known use. See Intro- 
 duction. 
 
 232. wSe, hither. 
 
 234. fy. " The imperfect refers to the moment the mis- 
 take was made when the thing was really of the nature it 
 has turned out to be, though it seemed to be of a contrary
 
 NOTES. 71 
 
 nature." Jelf's Grammar, 398. " Is there then no other 
 way " (as I thought there was). 
 
 245. 'AorpoXdyoi : not astrologers, but those who discourse 
 on the laws of the stars, i.e., speculative astronomers. 
 
 255. fv T<3 Trpwro) TrepiftoXta : while we might have had 
 cis in place of cv, the idea of remaining determined the 
 preposition and the case. 
 
 266. Tore 8r] OVTIO a-wOija-ovTai.. The common reading has dv 
 after TOTC in place of &/. Either reading makes a clear sen- 
 tence, but tLv is so rarely employed with the future indicative, 
 that the text as given here is to be preferred. With oV the 
 sentence means they can on no other condition be saved ; with 
 817 the idea is they will be saved not until that very time. 
 
 281. /3owos TIS: the usual Attic word is Ao<os. Herodo- 
 tus introduced the word /Jowos in describing the hilly country 
 of Gyrene (4. 199). Perhaps the resemblance of the word 
 to /Jovs, and a mistaken etymology, might account for its 
 currency. 
 
 315. Our attention is now directed to the most distant 
 part of the background, where the path which lies above and 
 beyond the cliff of Temperance and Fortitude leads on 
 through a radiant meadow. 
 
 326. (lev. This particle is used in Attic conversation to 
 waive a matter, sometimes with impatience. "Be it so, that 
 you declare the place to be beautiful." 
 
 329. KaXr] /cat Ka6t<rTr)Kvla TO TrpocrwTrov : "noble and digni- 
 fied in countenance." 
 
 330. /Lit'cn/ 8e /cat Kf.KpLfj.ivri r^Sr] rfj 1/A.i/aa : " and now, hav- 
 ing come to an age of maturity and discretion." rftrj gives a 
 force like " having attained." 
 
 351. Swa/xtv : " efficacy." This word is here used in a 
 new sense. 
 
 355. <iAoTifia>s : "exceedingly." This word seems to have 
 a strained sense, coming from the extreme to which ambition 
 runs.
 
 72 CEBES' TABLET. 
 
 357. av ee/?a\e : " he would have cast out " (by the physi- 
 cian's aid). Observe that av is expressed prematurely with ws, 
 and must not be mistaken for the av, which belongs to a final 
 particle. This repetition of the word is not very rare, as : 
 WOT' av, ei aflevos Aa/3oi)U,t Srj\u>cra.ifjC av. Soph. Elect. 333. See 
 also Xen. Anab. II. 5. 18. 
 
 359. ei 8e /AT; . . . wo TT/S voo-ou : " but if he would not 
 submit to what he (the doctor) enjoined, rightly rejected, 
 I deem (ST/TTOV), he would perish by the disease." 
 
 390. !/ Trepuroirio-rjo-O' <5v dxoveTe. As moral and religious 
 feeling is prone to satisfy itself with mere talk, Socrates, 
 recognizing this danger, said, just before drinking the fatal 
 hemlock : ' Eav 8e i>fj.(av /lev avraiv d/xe\^TC, /cat p.rj OfXrjre Sicrirtp 
 KO.T "x^ /cara T wv TC uptjfjiiva. /cat TO ev TW ip-TrpocrQiv XP vt ? Vl v > 
 ovS* av TroAAa ofJLoXoyTj&rjTt ev r<S irapovri KOI <r<j>68pa, oiSev TrAt'ov 
 
 406. eAev^epws KOI aTrcpic/jytos : " freely (like a free-born 
 woman, i.e., a lady) and artlessly." 
 
 414. veviKfjKOTa TOVS /xeyi'oTov? dywvas : having won the 
 greatest contests, dywvas ouroi evi/cwv. Xen. Mem. II. 2. 26. 
 
 417. ra /Aeyto-ra Oqpia.. " In the ninth book of the Re- 
 public the human soul is represented as a compound of a 
 many-headed monster, a lion, and a man. He who indulges 
 his passions is said to nourish the monster and the lion at the 
 expense of the man ; while he who lives a righteous and 
 sober life takes the lion (or spirited part of his nature) for 
 his ally, and brings the ' multiform beast ' under subjection." 
 Jerram. 
 
 449. c <Sv : " wherefore." 
 
 460. 8v 8*7 : "which, forsooth." The use of 817 is to give 
 an intensive and ironical force to the relative. 
 
 469. TO Kwpwiov avrpov. Strabo describes both the Cory- 
 cian cave of Cilicia and the one on Mt. Parnassus referred to 
 here. The mountain contained caverns and other places 
 which were reverenced, lori yvajpt/xwrarov TC *cai KaAAtorov TO
 
 NOTES. 73 
 
 Ktopv/aov J/V/A^WV avrpov. It was named from the nymph 
 Corycia, and was deemed an inviolable retreat in war. 
 
 482. 01 exioSrjKToi. The allusion seems very plainly to be to 
 those serpent-trainers, who permit themselves to be bitten 
 because having in their possession an adequate remedy for 
 the venom. It is, however, a mooted passage, for the various 
 suggestions on which the Appendix may be consulted. Dro- 
 sihn even regards IxioSrjKTot, as the interpolation of some 
 Christian reader, and suggested by Numbers, 21st chapter. 
 As there is no manuscript authority whatever for the word 
 he prefers (o^toyeveis), and as the connection of the passage 
 with the bitten Israelites seems strained, his theory must be 
 judged a very remarkable one. 
 
 485. OUTW Kai TOVTOV, etc. In his cell surrounded by his 
 friends, as described in the Phaedo, Socrates drank the fatal 
 draught (TO <ap/za/cov). But having attained to True Knowl- 
 edge, he possessed an antidote (TO avTi<ap/*aKov), so that the 
 poison injured him not. So, too, he replied to the solicitation 
 of Theodota, when Cebes was present, ecu/ /AT? TIS <f>L\wrepa 
 
 (TOV 1/SoV Tf. 
 
 517. TO vwxo-0at : "to be entertained." This word was 
 thought by Socrates to be properly applied only to such food 
 as was easily digestible and readily procured. Mem. III. 14. 7. 
 
 537. TI Tr/Doo-TaTTel, etc. We now resume the question of 
 line 154, and enter upon the practical application of the dia- 
 logue, which forms the second part of the work. 
 
 539. Oappiiv. dAAo. Oappelv xpr)- Phaedo, chap. 64, e. 
 
 545. rjv would take the infinitive, but as CITTOV requires 6Vi 
 or d>s, an anacoluthon ensues by its use. If the infinitive 
 were retained, CITTOV would mean, " I commanded." 
 
 573. l^ovTas Trpos rrjv fteftaiav Kal a(r<f>a\fj 86<nv : " having 
 regard to her stedfast and unfailing gift." 
 
 591. Trap' avrd: "in violation of them." 
 
 592. Odaxius* Latin version has miser miserrime moritur. 
 603. Plato in the seventh book of the Laws says that a
 
 74 CEBES 1 TABLET. 
 
 boy is the most unmanageable of wild animals, needing many 
 an application of the bit. 
 
 604. s trepa : that is, to other pursuits, which are of them- 
 selves evil. 
 
 618. Supply from line 611. 
 
 625. flSevai, etc. : "to know all literature, and to master 
 all the sciences." 
 
 642. apa seems ironical, and sharpens the exposure of the 
 error ; as if he said, " They are superior only in stolidity or 
 obtuseness." 
 
 649. aKivriTovs Trpos TO Qpnav : " unmoved to set out." 
 
 651. " Besides, do you not observe the additional fact 
 that? "etc. 
 
 653. OVTOL refers to those in the second enclosure in love 
 with False Learning; exeiWv, to the victims of Fortune in 
 the first enclosure. 
 
 654. Mera/Ae'Aeia : " After-purpose " is the same as Meravoia, 
 " After-thought," Repentance. 
 
 672. dAXa: " why," indicates the transition. 
 
 687. dAXa TTWS OVK, KT\. : " but how, if evil living is an evil 
 possession to him who possesses it, is not life itself an evil?" 
 
 694. CTTCI, ei rjv KCUCOV, KT\. : " since if it were evil, to those 
 living well, evil would have belonged, since life did belong 
 to them, which (by hypothesis) is evil." 
 
 709. OVKOW is strictly an interrogative particle, but a ques- 
 tion is so often one in form only that the word acquired a 
 strong affirmative force. 
 
 726. Notice the very emphatic position of apa. 
 
 740. ICTTI TO Ti/Aav : " it is possible to prize." 
 
 741. TOVTO 8' rn TO rapaTTov, etc. : " and this is what har- 
 asses and harms men." 
 
 758. " But by no means is it possible to acquire (for one's 
 self) understanding or righteousness from evil practices." 
 763. vn-dpxeiv rtvl : " any one to possess."
 
 VOCABULARY. 
 
 NOTE. The "principal parts" of Greek verbs should be sought in the 
 Catalogue of Verbs given in the Grammar in use. 
 
 A. 
 
 s, adv., inconstantly, 
 s, 4i, 6v, good. 
 
 ayavaxTtu, f. -fiffta, to be incensed, 
 to feel grieved. 
 
 liye, imp. of &yw used adv., come, 
 well. 
 
 ayvotu, f. fiffu, to be ignorant of. 
 
 ayvoia, as, (r)~), ignorance. 
 
 ayu, f. &w, to lead, to strive. 
 
 aydv, iavos, (6), a striving, a con- 
 test. 
 
 (i,~), a sister. 
 
 tw, f. -fiffu, to act unjustly, to 
 wrong. 
 
 &SIKOS, ov, unjust. 
 
 a$oia, as, (^), ill repute. 
 
 aMvaros, ov, impossible. 
 
 ad, adv., always. 
 
 O^TTTJTOJ, invincible. 
 
 &6\ios, la, iov, wretched. 
 
 d#Xi'wj, adv., wretchedly. 
 
 aBvfiew, f. -flaw, to be discouraged. 
 
 &0ufi(a (^), discouragement, dejec- 
 tion. 
 
 alviyfj.a, ros, (r6~), a riddle. 
 
 alvlrrofjiai, f. i'|o ; ua/, to put forth a 
 riddle. 
 
 aiptr6s, i] t 6v, to be chosen, desirable. 
 
 a!a9dvofj.ai, f. ^<rojuai, to perceive. 
 
 aiaxpts, a, 6v, shameful. 
 
 aiTtca, f. -f)ffw, to demand. 
 
 alrido/j.ai, f. 7iffo/j.ai, to blame. 
 
 alrla, as, (^), a cause. 
 
 afoios, la, iov, causing. 
 
 aKtvijTos, ov, unmoved, uninflu- 
 enced. 
 
 aKO\ovOe<i>, f. -fiffu, to follow. 
 
 O.KOVW, f. (Tofj.a.1, to hear. 
 
 aKpaala, as, (^), intemperance, 
 s, ts, strengthless, weak, 
 s, e's, precise, perfect, 
 s, adv., clearly, precisely. 
 
 aKp6iro\is, (us, (^), a citadel. 
 
 a\aCovfla, as, (^), vainglory, boast- 
 fulness. 
 
 a.\i'i9eia, as, (^), truth. 
 
 a\rj0Tis, 4s, true. 
 
 a\T\6iv6s, 6v, true, real, right. 
 
 a\\d, but, yet. 
 
 a\\-()\uv, pro. rec., one another. 
 
 &\\os, TJ, o, other, any other. 
 
 &\(ros, ovs, (T<{), a grm>e. 
 
 a/jia, adv., together. 
 
 s, fs, unlearned. 
 jit\fw, f. -fiffu, to be indifferent; 
 imp. used as adv., &/uc'Af(, doubt- 
 less.
 
 76 
 
 CEBES' TABLET. 
 
 s, ov, unalterable. 
 aiiupievi'v/j.i, tffu, to clothe ones self. 
 a/j.(p6Ttpos, (pa, epov, both, 
 av, cond. adv. [See Grammar.] 
 &v, coat, for el &v. 
 
 vw, f. -fM)ffo/jiai, to go up. 
 ts, oy, (^), an ascent. 
 avayyf\\(i>, f. -ayye\w, to inform, to 
 
 proclaim. 
 
 avayitdfa, f. dffw, to constrain, 
 i, rjr, (^), necessity, 
 a, aroj, (rJ), an object set up 
 (avaTjfljj/u) in a temple, a votive 
 offering. 
 
 avaitd/j.irT(a, f. tyu, to return, to wan- 
 der. 
 
 avdicft/jiai, to lie up, to be dedicated. 
 ava\afj.0dvca, f. -X^i|/o^at, to take up. 
 avdXrityis, ecus, (^), a raising up, a 
 
 recovery. 
 
 ava\iffKw, i. -\6au, to squander. 
 wavi\(f>(i>, f. -vf$(a, to recover sobriety. 
 a.vdTia\iv, adv., on the contrary. 
 ava.irr)$da>, f. -(jffw, to leap up. 
 
 OJ/OTTiyUTrXTJ/XI, f. -V^ffW, to fill Up. 
 
 avariOr)/j.t, f. -6-f)ff(a, to set up. 
 arfpeia, as, (^), courage. 
 avBpeltas, adv., manfully. 
 avSpoipovew, f. -fjffw, to murder. 
 &vev, prep., without, 
 avfip, avSpds, (o), a man. Lat. vir. 
 avOptairos, ov, (o), a human being. 
 
 Lat. homo. 
 
 avoSia, as, (^), a trackless waste. 
 avTKpdpfjia.Koi', ov, (T<{), an antidote, 
 avrpov, ov, (T({), a cave, 
 avw, adv., upward. 
 ai6a>, f. dxrw, to deem worthy, to 
 
 claim, to urge, 
 airdyw, f. -aw, to lead away. 
 AiraiTf'w, f. fow, to demand back. 
 
 aira\\drr<a, f. o|w, to escape. 
 airas, awaaa, atrav, all together, 
 airardu, f. ^(7a>, to deceive, to beguile, 
 airdrij, TJS, (^), deceit, 
 aireifjii, to go away, 
 aireptepytas, artlessly, simply. 
 
 - -f^fvffofiai, to depart, 
 s, ov, incredible. 
 s, adv., incredibly. [ble. 
 s, ov, untrustworthy, incredi 
 s, ov, unfashioned, natural, 
 genuine. [greed. 
 
 air\r}<TTta, as, (^), covetousness, 
 air\ovs, rj, ovv, simple. 
 curd, prep., from, out of. 
 airoftd\\{a, f. -&a\u, to throw away, 
 
 to lose. 
 airoyiyvtaffKta, f. -yvwffopat, to reject, 
 
 to repudiate. 
 
 airo5ei\idca, f. data, to shrink back, 
 to flinch. 
 
 ta, f. -Oa.vovp.ai, to die. 
 s, ov, steep. 
 
 u, f. vu, to choose; mid., to 
 answer. 
 
 airo\avca, f. -\avaia, to enjoy. 
 airo\flir(a, f. ^a>, to leave, to abandon. 
 a.it6\\vfj.i, f. -\tffu, to destroy. 
 airo\v(a, -\vff<o, to free. 
 &TTOVOS, ov, free from toil, 
 avoptw, f. fio-u, to be perplexed, to 
 
 dispute. 
 
 airopptirru, f. ^w, to throw away. 
 'AAa), f. Aw, to send away, 
 pfia, f. fiffu, to plunder. 
 uAeuToj, ov, heedless, 
 airuffew, f. -fiffat, to push off, to reject. 
 apa, conj., then, consequently, 
 apyvptov, ov, (T($), silver, money. 
 apfT'fi, rjs, (^), courage, virtue, man- 
 liness.
 
 VOCABULARY. 
 
 77 
 
 s, 4\, 6v, skilful in num- 
 bers; as sub., an arithmetician. 
 
 aprdfa, f. dffa>, to rob. 
 
 appuo-Ttto, f. fata, to be weak. 
 
 Upri, directly, just now. 
 
 impious, 
 vws, willingly, gladly. 
 
 offTftydvcuTos, ov, uncrowned. 
 
 ao-Tpo\6yos, ov (6), an astronomer. 
 
 a<r<(>d\eia, as, (^), safety. 
 
 d<7<paA^s, es, safe, secure. 
 
 aff<t>a\>s, adv., safely. 
 
 curxw-ovtw, f. -fiffw, to behave inde- 
 cently. 
 
 air\o\!a, as, (^), business. 
 
 aaearia, as, (fi), profligacy. 
 
 &.ripdfa, f. data, to dishonor. 
 
 aTpv<f>fpos, ov, inexpensive. 
 
 a0is, adv., again. 
 
 avros, ty 6> pron., he, she, it, him- 
 self, etc. ; 6 aiirds, the same. 
 
 aQaipfu, f. -fiffu, to take away, to rob. 
 
 aupMVfoft.a.1, f. t|oyuat, to arrive. 
 
 cupo&ia, as, (^), fearlessness. 
 
 iuppovtu, f. -fiffw, to be foolish. 
 
 ), rjs, (fy, folly. [foolish. 
 v, ov, devoid of intelligence, 
 
 &XP'n ffros > ov > useless. 
 
 B. 
 
 3a5i^a>, f. ov/j.a.1, to walk. 
 
 Badvs, da, !>, deep. 
 
 3a<rt\e/a, as, (^), a kingdom. 
 
 0e0aios, afa, o, stedfast, firm. 
 
 Qlos, ov, (6), life. 
 
 Pidw, f. &iwffOfj.a.i, to live. 
 
 0\afl(p6s, d, 6v, injurious. 
 
 /3\dVr, f. |/w, to injure. 
 
 ftoridfu, f. ffffu, to aid. 
 
 B6fficr)fi.a, TOS, (r&), a herd of cattle. 
 
 jSoi'iXouai, f. 7?fT(i,uai, /O wigA. 
 
 0ovv6s, ov, (6), a Ai 
 v, adv., shortly. 
 
 r. 
 
 7dp, conj.,/or, since. 
 
 7, adv., at least, certainly. 
 ye\dca, f. ff<D, to laugh. 
 yf/jilfa, f. aa>, to load, to fill. 
 ytpwv, OVTOS, (6), an old man. 
 yee/j.fTpi]s, ov, 6, a measurer of land, 
 
 a geometer. 
 
 ylyvofjiai, f. ycvfio-o/Mt, to become. 
 ytyv<&o~K(a, yvwffo/j.ai, to know. 
 y6vv, ydvaTos, (TO), a knee. 
 yovv (-ye o5c), at least then, also. 
 ypd/jifj.a, TOS (T^), a letter ; in plur., 
 
 learning, literature. 
 ypaty-fi, ris, (^), a writing, a draw- 
 
 ing, an inscription. 
 ypd<t>a>, f. ^w, to write, to portray. 
 yvfjivfo, 4\, 6v, naked, without an 
 
 outer garment. 
 yvrfi, ywatKJs, (^), a woman. 
 
 A. 
 
 8atfj.dvi.os, ov, pertaining to a demon 
 
 or genius, strange. 
 Balfjuav, ovos, (i), a god, a genius, a 
 
 demon. 
 
 Sf, conj., but, yet, and. 
 Se?, f. Seiijo-ei, imp. verb, it behoove! 
 
 (one should). 
 SftKvvw, f. 5e/{w, to show. 
 Sttvds, <?, 6v, fearful, strange, won- 
 
 derful. 
 
 Stvpo, adv., hither. 
 ScvTcpos, (pa, tpov, second. 
 8(<a, f. STJCTUI, to bind.
 
 CEBES 1 TABLET. 
 
 or], now, quite, particularly, cer- 
 
 tainly. 
 
 di)\ov6Ti, forsooth, certainly. 
 oi)\6w, f. 87)Ac60-o>, to make plain, to 
 
 manifest, to assure. 
 dfaov, adv., doubtless, surely. 
 Sid, prep., with gen., through ; with 
 
 ace., on account of. 
 5ia.Kti/j.at, f. -KtlffOfj.au, to be disposed. 
 oiaXtyu, f. {, to select, to converse, 
 
 to argue. 
 dia\e'nr<a, f. <Jw, to leave an interval 
 
 of space or time, to wait, to omit. 
 5ia\e/cTJKos, ri, ov, skilled in contro- 
 
 versy. 
 
 Siavairatxa, f. ffia, to rest a while. 
 Siaffdify, f. aw, to bring safely 
 
 through; pass., to arrive safely. 
 Siarpipii, W> (*j) pastime, dalli- 
 
 ance. 
 
 Siarpiftw, f. tjw, to pass time. 
 SiSoifj.1, f. Scacria, to give. 
 8ie'{ej/xi, to go through, to explain. 
 Siriytofuu, f. -rjyftffonai, to narrate. 
 SuceuoTrpayew, f. TJCTCO, to do right. 
 dtKaioffvvi], i)s, (^), uprightness, 
 
 righteousness. 
 Si6, conj., wherefore. 
 AIO'J, see Zeus. 
 
 SioxXew, f. -fiffoi, to disturb, molest. 
 5o/c6o>, f. (w, to seem, to think. 
 86a, ijs, (^), a notion, an opinion, 
 
 good reputation, honor. 
 
 , toss, (^), a gift. 
 8ov\fv(a, o-fti, to be a slave, to serve. 
 Sov\os, ij, ov, servile. [nify- 
 
 Svva/j.a.1, f. fjiro/j.ai, to be able, to sig- 
 dvvafus, (tas, (^), power, might, 
 
 efficacy. 
 5i5o, adj. num., two. 
 
 s, fs, misshapen, deformed. 
 
 (s, slow to learn. 
 Swpov, ov, (rf), a gift. 
 
 E. 
 
 idv, conj., if (l &v). 
 
 fawrov, TJS, ov, pro. ref., himself, etc. 
 
 iyyifa, to approach. 
 
 tytcpdreia, as, (^), self-control. 
 
 tyd, pro. pers., /,- %ywye, I, for my 
 
 part. 
 
 0w, perf., etu6a, as pres., to be wont. 
 el, conj., if. 
 
 efye, conj., if indeed. [granted, 
 elcv, opt. pres. 3d sing, of tlpl, be it so, 
 fltcaios, ata, atov, heedless. 
 eiKTj, adv., recklessly, rashly. 
 tfaco, f. ?(, perf. foiKa, perf. part. 
 
 (iKws, (tKv'ta, diets, similar, prob- 
 able, natural, 
 ei/jii, f. fffOfjLai, to be. 
 ttirep, conj., if at all events. 
 elirov, 2 aor., I said, I spoke, 
 fls, prep., into, 
 dffdyw, f. (, to lead in. 
 tiffdira.%, adv., at once. 
 , to enter in. 
 
 , f. -e\fv<ro/jLou, to go into. 
 ffooSos, ov, (^), an entrance. 
 flcriroptvco, f. ffta, to bear into, to enter. 
 fto<a, adv., within. 
 etra, adv., thereupon. 
 clwOa, see fOu. 
 
 tic (e'(), out of. [every. 
 
 dffTri, tKaarov, each. 
 u, f. -0a\a, to cast forth. 
 
 t"i, adv., there, thither. 
 , adv., thence. 
 
 fivos, iKflvrj, ticfivo, pro. dem., 
 
 that, he, she, it. 
 
 ftirt, adv., thither. 
 
 , f. apw, to cleanse, to purify.
 
 VOCABULARY. 
 
 79 
 
 , f. ffu, to loose, to free. 
 
 , f. ^(rw, to make out of, to 
 bring out. 
 Jf/cTTTwens, fus, (^), a falling, a fail- 
 
 ure. 
 
 tKTflvw, f. vu, to stretch out. 
 iXdrruv, ov, used as comp. of o\lyos, 
 
 smaller. 
 
 t\eu6epia, as, (^), liberty. 
 t\evOep<as, adv., freely. 
 f\K<a, f. {w, to draw. 
 
 rw, f. \J/o>, <o omti, to leave. 
 s, Sos, (^), hope. 
 
 w, f. -jSaAcD, to put in, to incite, 
 to inspire. 
 
 tfMTftpws, adv., skilfully, wisely. 
 <t(j.TTpo(T0ev, adv., before. 
 tn<paivu, f. -<pavu, to show, to make 
 
 evident. 
 ^H<paffis, ews, (T;), a demonstration, 
 
 a gesture. 
 
 fyippwv, ov, sagacious, wise. 
 iv, prep., in. 
 tvavrlos, la, lov, opposite. 
 
 ta, f. //o, <o spend time with. 
 adv., within. 
 ^w, f. trco, <0 doubt. 
 
 a, prep., on account of. 
 f, adv., thither. 
 adv., Aence. 
 at, a, some. 
 , adv., tAere, in <A<z< ^>iace 
 
 ', adv., thence. 
 fa>, f. ^j<rw, 2d aor. -e 
 ou<, to choose. 
 , f. pw, to raise, to rescue. 
 
 i, f. -(iffofiat, to bring out, to 
 explain. 
 
 i%t)yT)<ns t tus, (^), an explanation. 
 {is, ews, (^), a habit. 
 
 , L o\u, to destroy. The 
 2d aor. mid. is passive in force. 
 {), adv., out, outside. 
 tirayyf\\<e, f. Aw, io announce to, 
 [middle] to promise. 
 fu, f. tffu, to praise. 
 
 4iraKo\ov6fu, f. ^ITW, to pursue. 
 
 tirdvci, above, superior to. 
 
 twel, conj., when, since. 
 
 (iretddv (tirei 8^ &v}, whenever, as 
 
 soon as, since. 
 
 tireiirtp, adv., especially since. 
 tiri, conj., on, upon, against, toward.. 
 ^TTjfluyuecj, to set the h <rt upon, to 
 
 long for. 
 
 fTrt6u/j.ia, as, (^), desire, longing. 
 fta, to dwell upon. 
 os, ov, dangerous. 
 tiri\avOdvo/j.ai, f. -\-fiffOfiai, to forget. 
 
 rw, f. (Jwj to fail. 
 Kfw, f. -fiffw, to commit perjury. 
 tiruroOeia, r,ffu>, to long for. 
 
 lltlffKOTTfW, {. -ffKf^OfJ.01, tO Watch 
 
 over, to care for. 
 iviffrafwu, f. -arrfiffOfjiai, to know. 
 &riffT^uij, ris, (^), knowledge, under- 
 
 standing. 
 ^Trirdrru, f. |w, to enjoin upon, to 
 
 command. 
 
 4iri.rifi.iov, ov, (j6*), a recompense. 
 (iriTvyxdvu, f. -rfv^o^ai, to happen 
 
 on, to meet. 
 
 jrtx>pios, t&, LOV, native. 
 tyaffrris, ov, (6), o lover, a devotee. 
 tpyov, ov, (T<$), work, office. 
 s, y, ov, desert, solitary. 
 vs, (us, (d), an interpreter. 
 i, f. iKfvvoiJMi, to go, to come. 
 tp<ard.<t>, f. f\ff<a, to ask. 
 iffOlw, f. toofutt, to eat, to feast. 
 6rw, adv., inside.
 
 80 
 
 CEBES' TABLET. 
 
 ^ o companon, a 
 courtesan. 
 
 trepos, /pa, fpov, other; rb frepov, 
 further. 
 
 (TI, z&v., still, further. 
 
 el, adv., well. 
 
 ev .vQj]s, 4s, well-flowered, flowery. 
 
 evyfveia, as, (^), high birth, no- 
 bility. 
 
 fvSaifJ.ovf<a, f. "fjffdi, to be fortunate. 
 
 tvda.tfj.ovia, as, (f)), good fortune. 
 
 evdaifj.oviK6s, 4 6v, making happy, 
 blessing. 
 
 evT>alu.<av, ov, fortunate, happy. 
 
 tu5o|w, f. fi'Tia, to be held in esteem. 
 
 eueiSrjs, es, well-formed, graceful. 
 
 evexTfco, f. 4,ffo>, to be in good health. 
 
 fvOvs, fia, i', straight. 
 
 tv\6yeas, adv., reasonably, rightly. 
 
 tviropevTos, ov, easy to travel. 
 
 fvpiffKdi, f. pi]<ru>, to find. 
 
 tvraKTos, well-arranged, neat. 
 
 fitratfa, as, (^), good order, pro- 
 priety. 
 
 , f. avv, to rejoice, 
 vvn, TJS, (ji),joy. 
 
 s, ov, serviceable, useful. 
 
 tvooxfo, f. foto, to feast. 
 
 t<t>lffTr)/j.i, f. iriffTTi(T(a, to stand at or 
 near. 
 
 t<f>6dios, ov, requisite for travelling ; 
 as sub., rb i., travelling con- 
 venience. 
 
 ^XirfSijKTos, ov, serpent-bitten. 
 
 ?X*> f- |w or <rx^ aa> i to have, to pos- 
 sess; ovrtas %x flv i t ^ e 80 - 
 
 tus, conj., until, as long as. 
 
 (dw, f. C^ffw to live. 
 ZejJj, Airfy, (6), Zeus. 
 
 &\6a>, f. d>ffu>, to covet, to emulate, 
 to pursue eagerly. 
 
 H. 
 
 ij, conj., or; tj . . . fj, either ... or. 
 riyeoficu, f. ^ffo/xai, to lead, to hold, 
 ijtiri, adv., already, now. 
 f)5orfi, rjs, (fy, pleasure, sense-grati- 
 fication. 
 
 flSjviKJs, -ft, 6v, pleasing, voluptuous. 
 }]Svird8fia, as, (^), luxury. 
 fiSvs, eia, v, pleasing, gratifying. 
 ?lOos, ovs, (jf), custom, character. 
 ?IKW, f. ??a>, to come. 
 i)\u<ia, as, (^), age, time of life. 
 tjv (tdv~), conj., if. [cules). 
 
 T/s, fous, (6), Heracles (Her- 
 , adv. (^TTay), worse, less. 
 
 e. 
 
 Oivaros, ov, (d), death. 
 
 Oapptw, f. i<ru>, to dare, to be of good 
 
 cheer. 
 
 , ovs, r6, daring, courage, 
 fy, f. ffu, to admire, to wonder 
 
 at. 
 
 Otfia, ros, (T({), a deposit. 
 Oefus, iSos, (^), right, justice, 
 eepcnrevai, f. evffw, to serve, to heal. 
 Bfcapeta, f. ^ffw, to see, to observe. 
 Oripiov, ov, (T<{), a wild animal. 
 fy'l. rptxds, (^), hair. 
 Bpivos, ov, (6), a throne. 
 6aydri)p, rp6s, (rf), a daughter. 
 Buffos, ov, (6), the soul, passion, 
 
 wrath. 
 
 di'pa, as, (^), a door. 
 Bvpiov, ov, (T<$), a small door. 
 
 Iarp6s, ov, (i), a physician. 
 I ISttv, 2 aor., to se.
 
 VOCABULARY. 
 
 81 
 
 ftjoj, la, ov, private, peculiar, one's 
 own. [pie. 
 
 Iep6s, d, ov, holy ; rb Iep6v, the tern- 
 
 Lpo<rv\(a>, f. -fiffw, to rob a temple. 
 
 iKavus, adv., conveniently, suffi- 
 ciently, fittingly. 
 
 I\ap6s, d, 6v, joyous. 
 
 Iva, conj., in order that, that. 
 i, f. ffTr,ff(a, to stand. 
 s, vos, ($), strength, might. 
 
 K. 
 
 Ka.6a.ipa>, f. apw, to purge, to purify. 
 Kaddtrtp, coT\j.,just as. 
 Ka.6a.pios, ov, neat. 
 Ko.6o.p6s, d, ov, clean, pure. 
 KaOapriKos, $, ov, purifying. 
 t, -f8ov/j.ai, to sit. 
 
 , f. Ka.raarr\au>, to establish. 
 Ka6fo-ri)K<os, v?a, os, dignified, com- 
 
 posed. 
 
 Kal, conj., and; adv., also. 
 Kaloi, f. Kavffai, to burn. 
 Kaicta, as, (^), evil. 
 KaKodaifJtovla, as, (^), evil fortune, 
 
 unhappiness. 
 
 KaKooal/ L uav,ov,unfortunate,wretched. 
 KaKovd6fia, as, (77), distress, misery, 
 
 hardship. [harm. 
 
 Koxoiroi.(<a, f. Tjtroi, to distress, to 
 Koac6s, 4), ov, bad, evil. 
 KUKWS, adv., badly. 
 Ka\(w, f. is w, to call, to name. 
 Ka.\\(airloi, f. iau, to paint the face. 
 Ka\\uirt.o-fj.6s, ov, (6}, personal deco- 
 
 ration, especially artificial com- 
 
 plexion. 
 
 Ka\oKayaOia, as, (^) , rectitude, honor. 
 KoArfy, ^, 6v, beautiful, fair, noble. 
 adv.. beautifully, nobly. 
 
 Kd/n.v<a, f. KainSi, to be sick or weary. 
 
 Kaprtpeu, f. -fxrfa, to be strong, to en- 
 dure. 
 
 Kaprtpia, as, (^), endurance, pa- 
 tience. 
 
 Kara, prep, with gen., down from; 
 with accus., against, after, oppo- 
 site. 
 
 KaTa&i&pdiffKta, f. -Ppdffca, to devour. 
 
 Ka.raKpa.Tfd>, f. ^<ro, to overpower. 
 
 Kara\d/ATrw, f. tyu, to illumine. 
 
 Karavofw, f. ^au>, to observe, to 
 mark. 
 
 KaraffTpfQu, f. if<, to destroy, to 
 bring to ruin. 
 
 KaratpQetpw, f. -<pOcp<a, to corrupt, to 
 destroy. 
 
 KarfffOiw, f. -e'So/uot, to devour. 
 
 Karexu, f- Kaf)e<a, to possess, to con- 
 trol. 
 
 KfTpai, f. KfiaofMi, to lie, to recline. 
 voi, f. ffw, to command. 
 
 , as, (^), idle fancy, vain 
 glory. 
 
 Ke<pd\aiov, ov, (r), the substance; 
 tir\ Kt<f>a\aiov, in a word. 
 
 K6</>oA^, ys, (^), the head. 
 
 Kiv'owos, ov, (d), danger. 
 
 tfXai'a', f. K\avo~ofjLat, to wail. 
 
 KvrnjLi\, r>s, (r)~), the leg. 
 
 Ko\dfa, f. ffo>, to check, to punish. 
 
 Ko\aKfla, as, (if), flattery. 
 
 Ko\aKevu, f. era), to flatter. 
 
 KOfiifa, f. <reo, to carry ; in mid., to 
 receive again, to recover. 
 
 KOfffjitw, f. foco, to adorn, to paint 
 the face. 
 
 ta, f. 4j<r, to overpower, to 
 conquer. 
 
 , ov, (4), a precipice. 
 , f. Kptvu, to judge.
 
 82 
 
 CEBES 1 TABLET. 
 
 6v t qualified to judge, 
 critical; as sub., a critic. 
 Kp6vos, ov, (6), Cronus, Saturn. 
 KTaoyttai, f. foo/jiai, to acquire. 
 KVK\OS, ov, (6), a circle. 
 Kvptevu, f. evo-o), to be lord, to rule. 
 KW\VW, f. ffw, to hinder. 
 KwpvKios, a, ov, Corycian. 
 Kw<p6s, ii, 6v, blunt, deaf. 
 
 A. 
 
 \afi0dviD, f. \r]\l/o/j.ai, to take. 
 
 Xiyu, Aea>, to choose, to speak, to 
 mention. 
 
 Xet/iwc, Sivos, (6), a meadow. 
 
 \fifjuavoei8-fis, es, meadow-like. 
 
 \cvr6s, -ft, 6v, gaunt. 
 
 \ift fa, f. ffw, to plunder. 
 
 \tOos, ov, (6), a stone. 
 
 \ntap6s, d, 6v, shining, radiant. 
 
 \oyifffj.6s, ov, (<5), reflection, consid- 
 eration. 
 
 \6yos, ov, (d), reason, speech, word. 
 
 \our6s, -ft, 6v, remaining. 
 
 \virfw, f. -ftffu, to pain, to grieve. 
 
 \vm), ris, (ft), pain, grief. 
 
 \vffnc\4\s t 4s, profitable. 
 
 M. 
 
 jua, adv. of swearing, by. 
 fj.ddri/j.a., OTOS, (T<J), learning, a 
 
 branch of learning. 
 /ua07j/xaTiK(Js, i\, oi>, skilled in learn- 
 ing; as sub., a scholar. 
 /j.aivu>, f. /j.avu, to rave. 
 fj.aKa.pios, la, ov, blessed. 
 fi.d\a, adv., very, extremely; Kal 
 
 /td\o, in very truth. 
 ^t((7Tt{, -yos, (^), a lash. 
 Heyas, jifydhi], /xe'^o, great. 
 
 s, ov, drunken. , 
 
 v, f. -fiffta. to intend, to be about. 
 
 /tteV, conj. (followed by S)> indeed, 
 
 on the one hand. 
 (ifvToi, adv. conj., moreover. 
 fjifvce, f. /j.fvu>, to remain. 
 IJLfcros, 77, ov, middle. 
 perd, prep, with gen., with; with 
 ace., after. 
 
 , (^), repentance. 
 as, (^), repentance. 
 i, adv., until; before a vowel, 
 
 .i], adv., not; as conj., that not; 
 after verbs of fearing, lest, that, 
 e', conj., andnot, nor yet, neither; 
 
 ' . . . /trjSe, neither . . . nor. 
 Hi)8eis, /njSeyu/o, pySfv, no one, noth- 
 
 ing. 
 
 /j.rivv<i>, f. ffw, to reveal. 
 \ni\Ti\o, fj.rjTp6s, (^), a mother. 
 HiKpos, d, 6v, small; /caroi fj.iKp6v, 
 little by little. [member. 
 
 ji.vri/jiov(v(a, f. fvcrcc, to recall, to re- 
 p.6vos, y, ov, alone. 
 ), ijs, (ri),form. 
 
 s, it, ov, musical; as sub., a 
 musician. 
 
 poxOripts, d, 6v, wretched, vile. 
 jj.v6o\oyia, as, (^), a narration of a 
 fable, the significance of a story 
 or picture. 
 
 fivffos, ov, (5), a legend, a poetical 
 story, an allegory. 
 
 N. 
 
 val, adv., truly, really. 
 
 vavaytw, f. ^ffca, to suffer shipwreck. 
 
 vavs, vt>s, (^), a ship. 
 
 vfavlffKos, ov, (d), a young man. 
 
 vtos, a, ov, young. 
 
 vcds, tti, (6~), a temple. 
 
 irfj, adv. of swearing, yes. by -
 
 VOCABULARY. 
 
 88 
 
 vindo>, f. viK'fiffia, to conquer. 
 
 vlKti, rts, (T)), victory. 
 
 viK-n^a, O.TOS, (rd), victory, the price 
 
 of victory. 
 vo/j.ifa, f. lffu> (<), to believe, to hold 
 
 as an opinion. 
 
 vofffpos, d, ov, hurtful, sickening. 
 vofftw, f. i]a<a, to be sick. 
 voo-oirotfu, f. fiffu, to cause sickness. 
 v6ffos, ov, (^), sickness, disease, 
 vvv, adv., now. 
 
 E. 
 
 (eVoj, i), ov, strange, foreign; as 
 sub., a stranger. 
 
 O. 
 
 6, fi, TO, art., Me. [that one. 
 
 oat, IfSe, T($3e, dem. pron., Ae, s^e, 
 
 68 6s, ov, (^), a way, a path. 
 
 oSvvrj, rjs, (^), J^ne/, pain. 
 
 6Svp/j.6s, ov, (d), lamentation, com- 
 plaining. 
 
 SOtr, adv., whence. 
 
 oTSa, 2 perf., (o ^now. 
 
 oiKijr-fipiov, ov, (T), a dwelling. 
 
 ohos, ov, (6), a house. 
 
 ofyuai, f. ol^ffof^ai, to think. 
 
 olos, ota, olov, of which kind. 
 
 6\tyos, rj, ov, little. 
 
 8\os, 77, ov, entire, whole. 
 
 6/j.a\6s, TJ, 6v t even, smooth. 
 
 '6/j.otos, oia, otov, like. 
 
 6/j.olws, adv., in like manner. 
 
 Sfitas, conj., yet, nevertheless. 
 
 owlacD, adv., backward, behind. 
 
 Swot, adv., whither. 
 
 ov6ra.v, adv. conj., whenever. 
 
 oirov, adv., where. 
 
 OTWI, adv., whereby, in order that, 
 that. 
 
 Apdte, f. ityo/ucu, ^0 .?<. 
 
 6p8ws, adv., rightly. 
 
 6p/j.d<a, f. tjerw, <o move toward, to 
 strive for, to set out for. 
 
 os, %, '6, rel. pron., who, which, what. 
 
 offos, TJ, ov, as great as, as much as. 
 
 oo-irtp, tfirep, Sirtp, which, which 
 same. 
 
 SffTis, ?ins, on, whoever, who. 
 
 OTCLV, conj. adv., whenever. 
 
 ore, conj., when, since (637). 
 
 on, conj., that, because. 
 
 ov (ou/c, ovx), adv., not. 
 
 ov, adv., vjhere. 
 
 ov$af4.<os, adv., in no manner. 
 
 ovSf, conj., and not, nor yet; oiiSf 
 . . . oitde, neither . . . nor. 
 
 ovSeis, ov8efj.la, oiiSev, no one, noth- 
 ing. 
 
 oiiSfTTOTf, adv., never. 
 
 ovSfTrw, adv., not yet. 
 
 ovKtrt, adv., no longer. 
 
 OVKOVV, conj., not then* therefore. 
 
 ovv, conj., so, therefore. 
 
 ovre, conj., and not; ofoe . . . ovrt, 
 neither . . . nor. 
 
 ovros, avrti, rovro, pron. dem., this, 
 he, she, it. 
 
 oSru(s'), adv., thus. 
 
 oux(0 a( iv., not, (same as ou). 
 
 o<f>f\os, ovs, (T({), use, profit. 
 
 oxXf'w, f. fiffw, to crowd, to tread. 
 
 ox^os, ov, (<5), a crowd. 
 
 n. 
 
 Ttatdela, as, (T^), education, disci- 
 pline. 
 
 ird\ai, &dv., formerly. 
 ird\tv, adv., back, again, 
 vavraxov, adv., everywhere. 
 iravToSavos, 4\, ov, of all kinds, 
 irdw, adv., very, altogether.
 
 84 
 
 CEBES TABLET. 
 
 wapd, prep, with gen., from the side 
 
 of; with dat., beside; with ace., 
 
 unto, opposite. 
 
 irapayiyvo/jiat, f. -ytvfiffOfjLai, to arrive. 
 wapa.8i5cu/jLi, f. -Suxru, to deliver. 
 irapddoos, ov, unexpected, strange. 
 irapa.ntofj.a.1, f. -fiffofiat, to be entreated 
 
 from, to avoid. [exhort. 
 
 irapa.Ka\t<o, f. fffca, to encourage, to 
 wapaKovw, f. -aKovyo/jLai, to hear in 
 
 vain. 
 
 Trapa\apl3dvu, f. -X^o/uu, to receive. 
 irapa\eiirw, f. fyw, to omit. 
 irapa\\drru, f. , to change, to 
 
 avoid, to pass by. 
 irapair^ffios, ot>, near, like, 
 iraparriptta, f. -fiffta, to watch eagerly. 
 irapaxpy/J-a, adv., straightway, 
 irdpepyos, ov, secondary, subordi- 
 nate, [lessly. 
 irapfpyus, adv., slightingly, care- 
 Trapfpxofiat, f. -f\ev<rofj.at, to pass by. 
 iraplffTiifj.1, f. -yrl\ffw, to stand by. 
 Uap/jieviSeios, a, ov, Parmenidean. 
 iras, travel, irav, every, all. 
 irdffxw, f- iT(iffo/j.ai, to experience, to 
 
 suffer. 
 velOto, f. itflffca, to persuade; raid., 
 
 to obey. 
 
 ireiQA, ovs, (^), persuasion. 
 jTtipdv, f. dffu, to attempt, 
 irevla, as, (^), poverty. 
 IT f pas, ros, (r6), end; rb irtpas, at 
 
 last. 
 
 irepl, around, about, 
 irtpidyw, f. {, to lead about. 
 wtplfto\os, ov, (4), an enclosure, a 
 
 circuit. 
 
 vtpiirarew, f. fata, to walk about. 
 npMrarjTjK(k, ov, (&"), a Peripatetic 
 
 philosopher. 
 
 w, f. fitrv, to make about, i* 
 
 form. 
 jr(puropevo/j.ai, f. fvffo/j,ai, to go 
 
 around, 
 irtpurirdw, f. d<ru, to draw away. 
 
 affts, evs, (^), a circumstance, 
 exto, f. 5pa/uoC^a<, to run 
 
 around. 
 
 irtrpa, as, (ji), a rock, a cliff. 
 TTsrpeiSrjs, ts, rocky. 
 iri&av6s, -fi, 6v, persuasive, alluring. 
 triKpSs, d, 6v, bitter, hateful. 
 irlva%, aKos, (6), a board, a tablet, 
 
 a picture. 
 
 trivia, f. wio/jiai, to drink. 
 iriffTcvw, f. tru, to trust. 
 ir\ava<a, f. T\au>, to wander, to de- 
 ceive. 
 
 ir\dvos, ov, (<5), error, deceit. 
 irXdrrw, f. ffw, to form, to mould. 
 TlXdruv, ovos, (6), Plato. 
 irKtKta, f. |CD, to entwine, to embrace. 
 ir\ij0os, ovs, (T 6), fulness, multitude. . 
 irXoi/Tea), f. i]ffta, to be rich. 
 wKovros, ov, (6), wealth, riches. 
 Tror, adv., whither f 
 iroifu, f. -fiffta, to make, to do. 
 irotTjT^s, ov, (6), a poet. 
 TroFos, oia, o'tov, what kind off 
 TToXe/xios, la, lov, hostile; as sub., an 
 
 enemy. 
 
 *6\is, tots, (T>), a city, a state. 
 *o\i.rtK6s, -ft, 6v, pertaining to a city. 
 TroXXa/ftj, adv., often, many times. 
 iro\\air\dffios, ov, manifold. 
 iro\vs, iroXX^, iro\v, many, much. 
 V&IJM, ros, (TO), a drink. 
 voviipSs, d, 6v, evil, wicked, 
 iroptvo!, f. fvffu, to carry; in pass.. 
 
 to proceed. 
 , ever, once.
 
 VOCABULARY. 
 
 86 
 
 wfoepos, epa, fpov, which of the two f 
 irorepov, -TJ, whether ...or; v6rt- 
 pov ovv, pray, then. 
 
 xorfipiov, ov, (TO*), a cup. 
 
 irorlfa, f. (<rw, to give drink. 
 
 iroT&v, ov, (TO*), drink. 
 
 irpay/Aa, TO*, (TO*), a deed. [esty. 
 
 irpaoVTjs, TITOS, (^), mifoJness, moa 1 - 
 
 trpdrru, f. , to (to ; KO.KUS irpdrrw, 
 to fare badly. 
 
 xpeo-frvTris, ov, (d), an a^ec? man. 
 
 Tpo", prep., before. 
 
 w/>oj3aXXa>, f. -aAa>, to t/irow; out, to 
 propound. 
 
 wpoSltiw/jLt, f. -Stacru, to give up, to 
 betray. 
 
 w/wS^TTjs, ov, (6), a betrayer, a 
 traitor. 
 
 *7>o^x *' to prefer, to excel. 
 
 n-poOv/jiws, adv., eagerly, zealously. 
 
 vp9irv\atov, ov, (rJ), a vestibule. 
 
 irp6s, prep., near, at, toward, unto. 
 
 Tpo<r5t'xo,ucu, f. -S{o/iat, <o accept. 
 
 ir/>oo-/x w f- ''. ^ direct, to apply, 
 to attend. 
 
 irpoffKaTaffatvoi, f. -jS^trojuai, <0 aV- 
 scenc?/or. 
 
 irpoffopdw, f. -ttyojttai, ^0 /'"/. upon. 
 
 wpoffiroifQ), f. ^o-w, to claim, to pro- 
 fess. 
 
 irpoffirwOoLvofjiat, f. -irt&rojuai, to in- 
 quire further. 
 
 Ttp6ffra.yp.a, ros, (r6} t an injunction, 
 a command. 
 
 irpmrdTTta, f. {w, to enjoin upon. 
 
 itp6<r<airov ) ov, (rd), countenance. 
 
 wpA-rtpos, (pa., epov, former. 
 
 vpovirdpxu,f. (w, topossesspreviously. 
 
 irptoros, TI, ov, first. 
 
 UvQayopetos, a, or, Pythagorean. 
 TJS, (n), a jrate. 
 
 y, wvoi, (d), <Ae tower o/ <A 
 ^rate, tAe gateway. 
 TTWJ, adv., Aow / ;Ay .' 
 
 P. 
 
 pdfidos, ov, (if), a staff, 
 pdnos, owj, (T<$), a rag. 
 p'fjTtap, opos, (o), a speaker, a pro 
 
 fessional teacher of oratory, 
 pivrw, f. (J/a>, to throw, to hurl. 
 pvTrap6s, d, 6v, filthy. 
 
 S. 
 
 ai\p.alvo!, f. aj/w, to point out, to st<j>- 
 ni/y. 
 
 v, ov, (re 1 ), a sigrn, an emblem, 
 i, f. ^oyua, to ezawiine. 
 
 ffK\rip6s, d, 6v, hard, rough. 
 
 ffKoretvds, (], ov, dark. 
 
 o~o(pta, as, (^), wisdom. 
 
 aifa.v(a>s, adv., seldom, sparingly. 
 
 ffirovtiatos, aia, euov, earnest, excel- 
 lent. 
 
 <TT(v6s, i^, ov, narrow. 
 
 ffTtcpavos, ov, (6), a crown. 
 
 ffrf<pavow, f. <affa>, to crown. 
 
 ffro^-f), ijs, (^), a robe. 
 
 ffrpaToireSov, ov, (T($), a camp. 
 
 ffrpoyyv\os, r], ov, round. 
 
 (TV, pro. pers., thou. 
 
 o-vKo<pavT({ii, f. f)ff<a, to accuse falsely 
 
 o-vp&aivca, f. -0-fiffOfj.at, to accompany, 
 to follow, to befall, to belong to. 
 
 o-vfj.0d\\w, f. Pa\u, to gather to- 
 gether, to apprehend, to conduce 
 to contribute. 
 
 ff\ifj.&i6<a, f. uaofj.a.1, to live with. 
 
 ffvu.x\tK<a, f. {, to tunne together ; 
 ia mid., to embrace. 
 
 (Tvfja^epta, f. ffwotffta, to serve; as imp., 
 it profits ; rek <r , the useful.
 
 86 
 
 CEBES 1 TABLET. 
 
 ffvvavrdu, f. V<" to encounter. 
 
 rrvvfifu, f. -eVo/xat, to be with, to asso- 
 ciate with, to congregate. 
 
 ffvvlri/Mi, f. -fiffw, to put together, to 
 comprehend. 
 
 trvviffTrifj.i, f. -0Trj<rctf, to introduce. 
 
 o~vvo\os, rj, ov, all together. 
 
 ffvvofniKfw, f. fiffia, to associate. 
 
 S, adv., briefly, speedily. 
 |, 2<t>iyy6s, the Sphinx, a fabled 
 monster. 
 
 fftify, f. ff<!>ffu>, to save, to rescue ; in 
 pass., to arrive safely. 
 
 0-wfj.a, TOS, (T), the body. 
 
 o-uQpoo-vvy, TJS, (ft, temperance, 
 courtesy. 
 
 T. 
 
 ra\alirtt>pos, ov, wretched, miserable, 
 rapd-rru, f. {o>, to trouble, to disturb, 
 rapax'fli ys> (ft, trouble, confusion. 
 raxfus, adv., swiftly, quickly. 
 Tf, conj., and; re ... Kai, both . . . 
 
 and. 
 
 TtKvov, ov, (T<{), a child. 
 rep.v(a, f. Tf/J.w, to cut. 
 
 uvos, ov, four-angled, square. 
 , f. 0-fio~o>> to set, to deposit. 
 co, f. TiXw, to pluck out. 
 
 utta, f. Ttyu^o-co, to honor, to prize. 
 
 jiwpeu, f. 'fiffoi, to punish. 
 
 fo, as, (^), retribution. 
 rls, T(, pron. interr., whof which f 
 
 what f [tain one. 
 
 rls, r\, pron. indef., any one, a cer- 
 roi, verily. 
 roiyapovv, conj., so then, for then, 
 
 surely. 
 
 rolvvv, then, further. 
 TOIOVTOS, atJrrj, ovro, of that kind, 
 
 of such character. 
 
 TOTTOS, ov, (i), a place. 
 r6rt, adv., then, at that time. 
 i, ov, (5), a banker. 
 s> ex> v, rough, harsh. 
 Tpi/3a>, f. ^w, to rub, to wear away, 
 
 to beat. 
 
 rpiros, -n, ov, third. [manner, 
 
 rpoiros, ov, (6), a turn, disposition, 
 TVYx&vte, f. Tfv^ofj.a.1, to chance, to 
 
 happen, to obtain, 
 rvpavvis, loos, sovereignty, despotism. 
 rvtf>\6s, -f], oV) blind. 
 T5xJ, W, (ft, fortune. 
 
 T. 
 
 vftpifa, f. lo-u, to insult. 
 
 vyialvu, avS>, to be in health. 
 
 vyleia, as, (?)), health. 
 
 vyifivos, ii, ov, healing. 
 
 virdpxw, f. {> to begin, to belong; 
 TO virdpxovra, goods. 
 
 inrtpij<t>dveta, as, (ft, pride. 
 
 inr6, prep, with gen., under, by; 
 with dat., under; with ace., 
 toward, beneath. 
 
 irrrodfx<>nai, f. |o/*(u, to receive, to 
 welcome. 
 
 inro\afj.0dv<e, f. -\^if o/ua, to take un- 
 der protection. 
 
 inrofj.fv<a, f. -fievw, to abide, to endure, 
 to submit. 
 
 fyri\6s, "ft, ov, high. 
 
 #. 
 
 <palva>, f. <t>av&, to seem, to appear. 
 <pav\os, bad, wicked, 
 fytpw, f. offfoa, to bear, to carry. 
 <t>fvyw, f. (f>fvo/ui.ai, to flee. 
 
 <t>fvKr6s, fa 4v> verb, adj., to be 
 shunned. 
 (, f. <pt)o-u>, to say, to affirm.
 
 VOCABULARY. 
 
 87 
 
 (pddvw, f. <p(M}ffo/j.ai, to get before, to 
 anticipate. [tance. 
 
 <t>06vos, ov, (6), envy, grudge, reluc- 
 
 <pt\apyvpla, as, (?j), avarice. 
 
 <f>i\dpyvpos, ov, avaricious. 
 
 <tn\oTl/*.a>s, &dv., jealously, extremely. 
 
 <f>of3to(j.ai, f. iiffofjun, to fear. 
 
 ipoprlov, ov, (r^), a burden, mer- 
 chandise. 
 
 a, f. <ru>, to say, to explain. 
 f<a, f. 'fiffw, to think, to reflect. 
 
 <pp6vt.fj.os, ov, wise, prudent. 
 
 <pv(ris, ecus, (^), nature, natural dis- 
 position. 
 
 (peavfi, ijs, (^), a sound, a language. 
 
 <t>ws, <p<ar6s,.(r6), light. 
 
 X. 
 
 X^po>> f- foca, to rejoice. 
 vnXt-n-os, i], ov, hard, grievous. 
 
 vos, ov, (6), a bridle. 
 
 ns, ov, (<J), paper, a roll. 
 
 X 'P> x fl P& s > (^)> th hand. 
 X<>pAs, ov, (6), a chorus. 
 Xpao/xai, f. fiffo/j.ai, to use. 
 Xpfotnos, ov, useful. 
 Xpovos, ov, (6), time. 
 
 V. 
 
 tytyu, f. {&>, io blame, to reproach. 
 'VevSoSo^ia, as, (^), False Opinion. 
 VevSoiraiSfia, a.s,(ji),false discipline. 
 
 n 
 "n, &, oh! 0! 
 
 3>Se, adv., thus, here. 
 
 us, adv. and conj., so, thus, as; that, 
 
 so that, because, 
 wffavel, adv., as if. 
 waavrus, adv., similarly. 
 &a"!Tp, adv., just as. 
 Sio-re, conj., so that, consequently, 
 wtpfhfw, f. fi<To>, to aid, to serve. 
 a<j>f\tfjios, ov, serviceable, useful.
 
 APPENDIX 
 
 OF IMPORTANT VARIANTS AND EMENDATIONS. 
 
 A represents the best Paris manuscript ; B, C, and D rep- 
 resent inferior Paris manuscripts ; M represents a reading of 
 Meibomius ; V, the Vatican manuscript. 
 
 The title stands Ke/fyros Uivat; in all manuscripts save 0, 
 which adds rjft<uov, the reading, also, of Odazius' version. 
 A has no inscription. 
 
 1. For Kpovov C has ^Xibv. 
 3. C has ei/e/ceiTO for dve/cciro. 
 
 28. A has TroAvxpoviWos, which Schweighauser judged to 
 be shortened from TroAvxpiwrepov. 
 
 42. Drosihn suspects -mKpol KO.L ap.a.0ei<; to be a gloss coming 
 into the text from a marginal note explaining amoves. The 
 words are superfluous, but all manuscripts contain them. 
 
 54. The manuscripts have KaOdircp ol Im. Ti/iwpia StSo/xevot, 
 which seems to anticipate the introduction of rt/Awpta in a 
 similar expression in 185. As the guest only then (186) asks 
 who she is, the words mentioned are properly rejected by 
 Drosihn. 
 
 97. The manuscript evidence favors eratpuiv, but the version 
 of Elichmann has "diversarum mulierum." 
 
 114. OTTOI av rvxn is the reading approved by Schweighauser, 
 but omitted by Drosihn as a mere gloss. A has orroi av rv^ot, 
 though TVXH is the correct form. While Drosihn's objection
 
 APPENDIX. 89 
 
 that the words are a repetition of ewd/ is well urged, there 
 seems on the other hand to be no warrant for rejecting them. 
 
 116. After rts the words ai /xa^ofiei/^ are added by the 
 manuscripts. These words clearly belong in 119. If they 
 are placed here, dAAa in 119 should come after fi.aivofj.evr). 
 
 132. 6 Se o^Xos TWV ai0p<a7T<av, 6 TroAus OUTOS (M), 6 Se rS>v 
 ai'OpwTTLov a^Aos, 6 TroAus ouros (A), 6 8e o^Aos 6 TroAus OUTOS 
 (B, D), 6 Se ran/ avOpwrrw TroAvs o^Aos ovros (C). As in lines 
 10, 15, 69, etc., o^Aos is used without TCDV avdpuirw, and, as it 
 means " a crowd of men," the unnecessary words are omitted 
 as in Drosihn. 
 
 187. Odaxius' version has " quandam veluti bestiolam," 
 mistaking QupLov for Oqpiov. 
 
 206. 'Eai/ fjirj ri Merai/oia avrw airo rv)(r} IK 7rpoaipe<rea>s (ruv- 
 avTy<ra.<ra. (A). Drosihn thinks CK TrpoatpeVews to be a gloss 
 inserted by some Christian. The reading given in the text 
 is one proposed by Johnson (Jerram). It is not altogether 
 satisfactory, but the passage seems hopelessly corrupt. Other 
 manuscripts have euro 1-775 TV^S or OLTTO ru;c;s. 
 
 211. All editions and manuscripts have the words *ai 
 emdvfuav after Ao'av. On the ground that 'E7n0ufu'a cannot 
 lead men to True Learning, Drosihn brackets the words as 
 out of place here, and Jerram rejects them from the text. As 
 lin&vp.ia has not a bad meaning necessarily, I have not thought 
 it necessary to remove the words. 
 
 236. Jerram, following Miiller, gives owe, a very happy 
 emendation, though no Greek manuscript has the word. 
 Elichmann, however, has " Minime, inquit, non habent," etc. 
 
 246. I have thought best to bracket the text, as I have 
 serious doubts respecting the genuineness of these words. 
 They are found in all existing manuscripts and versions. 
 A, D and Meibomius' edition have TrepwrariKoi', which reading 
 Schweighatiser saw fit to adopt and dofend, on the ground 
 that TrepiVaTos, in Socrates' time, not only designated the 
 place of philosophical discussions, but also the discussion
 
 90 CEBES' TABLET. 
 
 itself (Aristophanes' Frogs, 942). I think, however, that we 
 are forced either to a rejection of the word or to a denial of 
 the Socratic inspiration of the Tabula. See Introduction. 
 
 289. A, only, has TWO.. 
 
 314. e/t<otV is the reading of all manuscripts, and prob- 
 ably a contraction. (Drosihn.) 
 
 330. Odaxius' version has " indiscretam aetatem," another 
 curious mistake. 
 
 331. The manuscripts have this reading with <rro\r)v and 
 oiTrXrjv interchanged, and some have re before icot. This 
 awkward linking of a noun and an adjective is avoided by 
 Jerram's suggestion adopted in the text. Drosihn has Wolf's 
 emendation of d/caAAwTrMr/AoV. " Simplex munditiis " is suffi- 
 ciently plain. 
 
 407. Drosihn retains the beautiful reading of Meibomius, 
 TroiKiXu) for KoXw (A), or KoAGs, which is contained in the 
 other manuscripts. Odaxius has " corona florentissima 
 eleganter." 
 
 431. With -n-porepov A ends, and dependence must be 
 placed on inferior manuscripts for the remaining chapters. 
 
 434. B, C, and D have <rre</>avow, which Jerram receives. 
 Simpson, Schweighaiiser, and Drosihn have ore^avovo^cu from 
 the Vulgate. 
 
 447. ol Sk, B, C, D ; Irepoi &, M. 
 
 482. All manuscripts have (xi68r)KToi. Odaxius has " a 
 vipera morsi aliquando fuerint," which must mean that a 
 person so bitten was held to be unharmed by future attacks. 
 Salmasius approved Ixt-oOrjpoi, " serpent-hunters." Caselius 
 suggested o^toyevet?, adopted by Drosihn. Casaubon, exio- 
 SfiKTai, serpent-exhibitors. Coraes, cxt-oXtKrai, serpent-collec- 
 tors; Schneider, extoS^rot, serpent-charmers. Drosihn thinks 
 thu reference is to a tribe in the Hellespont, who were com- 
 monly believed to be impregnable to danger from serpents. 
 This people is described by Pliny in his natural history 
 C7. 2). See also Strabo.
 
 APPENDIX. 91 
 
 485. Manuscripts have TOVTO. This is Schweighaiiser's 
 emendation. 
 
 498. Manuscripts omit OVK, which is supplied from " neque " 
 in Elichmann. 
 
 518. V, B, 0, D, and four other manuscripts, have airo- 
 Aauo-tv pzyivTwv ayaOuv. The text is a reading of Meibomius, 
 generally adopted, changing his T/aoTru to T/JOTTOV, the reading 
 of all manuscripts. 
 
 554. B, D, and V have lo-ous before yiymr&u, in place of 
 ctyTTj/rous, which is Wolf's conjecture only, and generally 
 adopted. has ^TTOUS, which is worse. 
 
 585. Drosihn brackets Kal . . . /^Se'v as an interpolation from 
 548, and a disturbing element in the sentence, adding that 
 if regarded as a parenthesis, " nullum certe in pinace exem- 
 plum invenitur talis parenthesis," which seems to be no valid 
 objection. 
 
 616. V, B, and D have the same reading as the text. C, 
 with Meibomius, reads rrjv <f><avr)v aKpt/Jeore/oav x ll/ > "" Tt 
 <rw>;/caju,ev, an unclassical use of av. 
 
 618. Manuscripts all lack /StArt'ovs. Odaxius gives "melio- 
 res." has KoAu<r. 
 
 645. All manuscripts have a lacuna here arising from 
 the fact that the eyes of the scribe wandered from the first 
 ircpiftoXu to the second, so that the sentence reads : ort ev r<S 
 
 7T/3CUTO) TTpl(36\.W, fl /AT/So/ aXXo 8' TTpOCTTrOLOVVTai y fTTiCTTa(r0aL 
 
 OVK oiSao-iv. The correction was made from the text of Odax- 
 ius, Schweighauser not placing the corrected form in his text, 
 but satisfying himself by indicating it in his notes. The 
 supplied words in this text are Drosihn's. 
 
 666. fvSoetv, C ; evSoia/mv, B, D. 
 
 689. aurw TO TTV, D ; avro TO >/v, C. V is repetitious and 
 corrupt. 
 
 744. eTrop.evw<s, manuscripts ; vrro/xevowi, Miiller, from Elich- 
 mann 's version. 
 
 745. Jerram drops Ta ato-xpoVaTa as an unusual form. It
 
 92 CEBES' TABLET. 
 
 seems better to retain it to supplement TO. do-e/Se'oraTa. Xen. 
 Anab. II. 5, 20. 
 
 747. ayvoiav is the last word in manuscript C. 
 
 761. TW auT<3 is Schweighaiiser's conjecture. TO. avra, B, D. 
 
 763. a/xa is another conjecture of Schweighatiser's for 
 <iAAa (B, D).
 
 INDEX". 
 
 t, 17. 
 
 tt^TTTJTOJ, 91. 
 
 euVxp^rara, an unusual superla- 
 
 tive, 91. 
 iAArf, 74. 
 &v, double, 72 ; with infinitive, 61. 
 
 avavytptiv, 18. 
 
 6Li>a.Qr\u.a.Ta, 68. 
 
 a.vd.KfifM.1, 68. 
 
 avTupdppaKov, a non-Attic word, 17; 
 
 significance of, 73. 
 Arabic paraphrase of Toilet, 5. 
 Aristippus, a Greek philosopher, 16. 
 'AffTpo\6yot, 71. 
 Authorship of Jto&Zei discussed, 
 
 11-18. 
 
 Boeotian sub-dialect, 18. 
 
 /3ow(J.>, introduced by Herodotus, 
 
 71. 
 Bunyan utilized Tablet, 5, 17, 68 
 
 Cebes, author of Tablet, 12, 13. 
 Choice "f Hercules, 17. 
 Coraes, editor of Tablet, 7. 
 Corycian cave., 73. 
 Cronos, god of time, 68. 
 
 s, 70. 
 &a(uuv, 70. 
 
 y, corrupted meaning of, 68. 
 
 Daemon, of Socrates, 14. 
 
 Wl, 72. 
 
 Dialectics, 16. 
 
 Dio Chrysostom, resemblances in 
 
 Tablet to characters in a dis- 
 
 course cf, 17. 
 Drosihn, editor of Tablet, 15, 16, 17, 
 
 Preface. 
 Svvafj.is, as medical term, 71. 
 
 , 17. 
 
 Editions of Tablet, 6. 
 el*", 71. 
 
 flvov, 73. 
 
 tKirorfiffzt, 70. 
 
 Elichmann, translator of Tablet, 
 5,7. 
 
 ts, meaning of, 68. 
 , allegorical use, 17. 
 evTuS, 17. 
 j, 73. 
 w, 62. 
 
 viKol, 13. 
 , 17. 
 
 False Learning, 9. 
 Forttuv, a bliiid woman, 8. 
 
 Horace, quotation from, 68.
 
 94 
 
 CEBES' TABLET. 
 
 Imperfect tense, with meaning of 
 pr sent, 70. 
 
 Jerram, edition of Tablet by, 8. 
 Kfvo8oia, allegorical term, 17. 
 
 KtKpifJL/JLfVOS, 71. 
 
 KptriKot, 15. 
 
 Lacuna, in Tablet, 91. 
 Late words in Tablet, 17. 
 Latin versions, 5. 
 Learning, False, 9. 
 True, 1 '. 
 Litotes, 65. 
 Lucian, mention of Ccbes by, 12. 
 
 Manuscripts of Tablet, 6. 
 Memorabilia, Xonophon's, 12, 13, 
 
 72, 73. 
 
 MerajueAeta, 74. 
 Meidvoia, 74. 
 
 VIKO.W, construction of, 72. 
 
 aitiau), construction of, 17 
 ovtcovv, 74. 
 
 0V yUTJ, 59. 
 
 Parmenides, a philosopher, 14, 69. 
 Perfoct tense, meaning o.', 62. 
 
 irepnra.TT}TiKi,i, 15, 1C. 
 itiplaTa.Gis, 74. 
 
 Philolaus, teacher of Cebes, 17. 
 </>:Aorf/is, derived meaning of, 71. 
 Plato, the philosopher, 12. 
 Plato's Orito, 12. 
 
 " Epistles (pseudo), 12. 
 
 " Laws, 14, 15. 
 
 " Lysis, 14. 
 
 " Meno, 14. 
 
 " Parmenides, 69. 
 
 " Phaedo, 12, 15, 73. 
 
 " Protagoras, 14. 
 Prodicus, apologue of, 17. 
 Pythagoras, the philosopher, 14, 69. 
 
 Riddle of the Sphinx, 69. 
 
 Schweighauser, edition of, 7. 
 
 Socrates, 16, 73. 
 
 Sc^ratic principles of Tablet, 13, 
 
 14, 18. 
 Suidas, a description of Tablet by, 
 
 11. 
 Xenophon, Anabasis of, 70, 72. 
 
 Memorabilia of, 12, IS, 
 
 72, 73. 
 
 PRESSWORK BY GINN & Co., BOSTON.
 
 DATE DUE 
 
 PBINTEDINU.S.A. 
 
 GAYLORD
 
 A 000714180 7 
 
 186