WILLIAM WORDSWORTH THE GOLDEN TREASURY SELECTED FROM THE BEST SONGS AND LYRICAL POEMS IN THE ENGLISH LANGUAGE, AND ARRANGED WITH NOTES BY FRANCIS T. PALGRAVE LATE PROFESSOR OF POETRY IN THE UNIVERSIT'^ OF OXFORD REVISED AND ENLARGED NEW YORK THOMAS Y. CROWELL COMPANY PUBLISHERS PRINTED IN THE UNITED STATES OF AMERICA PR 1^ '3 ?n TO ALFRED TENNYSON POET LAUREATE This book in its progress has recalled often to my memory a man with whose friendship we were once honoured, to whom no region of English Literature was unfamiliar, and who, whilst rich in all the noble gifts of Nature, was most eminently distinguished by the noblest and the rarest, — just judgment and high-hearted patriotism. It would have been hence a peculiar pleasure and pride to dedicate what I have endeavoured to make a true national Anthology of three centuries to Henry Hallam. But he is beyond the reach of any human tokens of love and reverence ; and 1 desire therefore to place before it a name united with his by associations which, while Poetry retains her hold on the minds of Englishmen, are not likely to be forgotten. Your encouragement, given while traversing the wild scenery of Treryn Dinas, led me to begin the w^ork ; anc it has been completed under your advice and assistancCo For the favour now asked I have thus a second reason : and to this I may add, the homage which is your right as Poet, and the gratitude due to a Friend, whose regard I rate at no common value. Permit me then to inscribe to yourself a book which, 1 hope, may be found by many a lifelong fountain of innocent ill iv DEDICATION and exalted pleasure ; a source of animation to friends when they meet ; and able to sweeten solitude itself with best society, — with the companionship of the wise and the good, with the beauty which the eye cannot see, and the music only heard in silence. If this Collection \ oves a storehouse of delight to Labour and to Poverty, — if it teaches those indifferent to the Poets to love them, and those who love them to love them more, the aim and the desire entertained in framing it will be fully accomplished. F. T. P. May, i86i. PREFACE This little Collection differs, it is believed, from others in the attempt made to include in it all the best original Lyrical pieces and Songs in our language (save a very few regretfully omitted on account of length), by writers not living, — and none beside the best. Many familiar verses will hence be met with ; many also which should be familiar: — the Editor will regard as his fittest readers those who love Poetry so well, that he can offer them nothing not already known and valued. The Editor is acquainted with no strict and exhaustive definition of Lyrical Poetry; but he has found the task of practical decision increase in clearness and in facility as he advanced with the work, whilst keeping in view a few simple principles. Lyrical has been here held essen- tially to imply that each Poem shall turn on some single thought, feeling, or situation. In accordance with this, narrative, descriptive, and didactic poems — unless accom- panied by rapidity of movement, brevity, and the colour- ing of human passion — have been excluded. Humorous poetry, except in the very unfrequent instances where a truly poetical tone pervades the whole, with what is strictly personal, occasional, and religious, has been considered foreign to the idea of the book. Blank verse and the ten- syllable couplet, with all pieces markedly dramatic, have been rejected as alien from what is commonly understood by Song, and rarely conforming to Lyrical conditions in Vi PREFACE treatment. But it is not anticipated, nor is it possible, that all readers shall think the line accurately drawn. Some poems, as Gray's Elegy, the Allegro and Penseroso, Wordsworth's Ruth or CampbelPs Lord Ullin, might De claimed with perhaps equal justice for a narrative or descriptive selection: whilst with reference esp^'^ially to Ballads and Sonnets, the Editor can only state that he has taken his utmost pains to decide without caprice or partiality. This also is all he can plead in regard to a pe'nt even more liable to question ; — what degree of merif should give rank among the Best. That a poem shall be worthy of the writer's genius, — that it shall reach a perfection commensurate with its aim, — that we should requi''e finish in proportion to brevity, — that passion, colour, ani origi- nality cannot atone for serious imperfections in c^^arness, unity, or truth, — that a few good lines do not »nake a good poem, — that popular estimate is serviceaHr as a guidepost more than as a compass, — above all, *\'\\. ex- cellence should be looked for rather in the whole *.hin in the parts, — such and other such canons have been aJ"vays steadily regarded. He may, however, add that th^ p: eces chosen, and a far larger number rejected, have bee»i care- fully and repeatedly considered ; and that he ha« b ^eo aided throughout by two friends of independent anJ eJ'er- cised judgment, besides the distinguished person addressed "n the Dedication. It is hoped that by this procedure t'le volume has been freed from that one-sidedness whic^ must beset individual decisions : — but for the final choice tl**^ Editor is alone responsible. Chalmers' vast collection, with the whole works of all accessible poets not contained in it, and the best Ai:.thol(> PREFACE vii gies of different periods, have been twice syslematicall}' read through : and it is hence improbable that any omis- sions which may be regretted are due to oversight. The poems are printed entire, except in a very few instances where a stanza or passage has been omitted. These omis- sions have been risked only when the piece could be thus brought to a closer lyrical unity : and, as essentially op- posed to this unity, extracts, obviously such, are excluded. In regard to the text, the purpose of the book has appeared to justify the choice of the most poetical version, wherevc more than one exists ; and much labour has been given to present each poem, in disposition, spelling, and punctua- tion, to the greatest advantage. In the arrangement, the most poetically-effective order has been attempted. The English mind has passed through phases of thought and cultivation so various and so opposed during these three centuries of Poetry, that a rapid passage between old and new, like rapid alteration of the eye's focus in looking at the landscape, will always be wearisome and hurtful to the sense of Beauty The poems have been therefore distributed into Books corre- sponding, I to the ninety years closing about 1616, II thence to 1700, III to 1800, IV to the half century just ended. Or, looking at the Poets who more or less give each por- tion its distinctive character, they might be called the Books of Shakespeare, Milton, Gray, and Wordsworth. The volume, in this respect, so far as the limitations of its range allow, accurately reflects the natural growth and evolution cf our Poetry. A rigidly chronological sequence, however, rather fits a collection aiming at instruction than at pleasure, and the wisdom which comes through pleas- ure: — within each book the pieces have therefore been Vlll PREFACE arranged in gradations of feeling or subject. And it is hoped tliat the contents of this Anthology will thus be found to present a certain unity, ^as episodes,' in the noble language of Shelley, ' to that great Poem which all poets, like the co-operating thoughts of one great mind, have built up since the beginning of the world.' As he closes his long survey, the Editor trusts he may add without egotism, that he has found the vague general verdict of popular Fame more just than those have thought, who, with too severe a criticism, would confine judgments on Poetry to '■ the selected few of many generations/ Not many appear to have gained reputation without some gift or performance that, in due degree, deserved it : and if no verses by certain writers who show less strength than sweetness, or more thought than mastery of expression, are printed in this volume, it should not be imagined that they have been excluded without much hesitation and regret, — far less that they have been slighted. Through- out this vast and pathetic array of Singers now silent, few have been honoured with the name Poet, and have not possessed a skill in words, a sympathy with beauty, a tenderness of feeling, or seriousness in reflection, which render their works, although never perhaps attaining that loftier and finer excellence here required, — better worth reading than much of what fills the scanty hours that most men spare for self-improvement, or for pleasure in any of its more elevated and permanent forms. — And if this be true of even mediocre poetry, for how much more are we indebted to the best \ Like the fabled fountain of the Azores, but with a more various power, the magic of this Art can confer on each period of life its appropriate blessing: on early years Experience, on matuiity Calm, PREFACE ix on age Youthfulness. Poetry gives treasures 'more golden than gold,' leading us in higher and healthier ways than those of the world, and interpreting to us the lessons of Nature. But she speaks best for herself. Her true ac- cents, if the plan has been executed with success, may be heard throughout the following pages: — wherever the Poets of England are honoured, wherever the dominant language of the world is spoken, it is hoped that they will find fit audience. 1861 Some poems, especially in Book I, have been added : — either on better acquaintance ; — in deference to critical suggestions ; — or unknown to the Editor when first gath- ering his harvest. For aid in these after-gleanings he is specially indebted to the excellent reprints of rare earlv verse given us by Dr. Hannah, Dr. Grosart, Mr. Arber. Mr. Bullen, and others, — and (in regard to the additions of 1883) to the advice of that distinguished Friend, by whom the final choice has been so largely guided. The text has also been carefully revised from authoritative sources. It has still seemed best, for many reasons, to retain the original limit by which the selection was confined to those then no longer living. But the editor hopes that, so far as in him lies, a complete and definitive collection of our best Lyrics, to the central year of this fast-closing century, is now offered. 1883-1 890-1 891 CONTENTS PAGE Dedication iii Preface v Book I i Book II 56 Book III 132 Book IV 195 Notes 347 Index of Writers 367 Index of First Lines 377 E^J rbv "Kei/j-Qfa Kadivat. alp6fX€vos Aypevfx dvdiotp THE GOLDEN TREASURY BOOK FIRST I SPRING Sprino^, the sweet Spring, is the year's pleasant kinii Then blooms each thinoj, then maids dance in a ring Cold dotli not sting, the pretty birds do sing, Cuckoo, jug-jug, pu-\ve, to-\vitta-woo ! The palm and may make country houses gay. Lambs frisk and play, the shepherds pipe all day, And we hear aye birds tune this merry lay. Cuckoo, jug-jug, pu-we, to-witta-vvoo. The fields breathe sweet, the daisies ^iss our feet, Young lovers meet, old wives a-sunning sit, In every street these tunes our ears do greet, Cuckoo, jug-jug, pu-we, to-witta-woo! Spring ! the sweet Spring ! T. Nash II THE FAIRY LIFE I Where the bee sucks, there suck I; In a cowslip's bell I lie ; There I couch, when owls do cry: On the bat's back I do fly After summer merrily. Merrily, merrily, shall I live now, Under the blossom that hangs on the bough ! I THE GOLDEN TREASURY III Come unto these yellow sands, And then take hands : Courtsied when you have, and kiss'd The wild waves whist, Foot it featly here and there ; And, sweet Sprites, the burthen bear. Hark, hark ! Bow-bow. The watch-dogs bark : Bow-wow. Hark, hark ! I hear The strain of struttins^ chanticleer Cry, Cock-a-diddle-dow ! VV. Shakespeare IV SUMMONS TO LOVE Phoebus, arise ! And paint the sable skies With azure, white, and red : Rouse Memnon's mother from her Tithon's bed That she may thy career with roses spread : The nightingales thy coming each-where sing : Make an eternal Spring ! Give life to this dark world which lieth dead ; Spread forth thy golden hair In larger locks than thou wast wont before, And emperor-like decore With diadem of pearl thy temples fair : Chase hence the ugly night Which serves but to make dear thy glorious light — This is that happy morn, That day, long-wished day Of all my life so dark, (If cruel stars have not my ruin swom And fates my hopes betray),^ ihE oOLDEA /AEASURY 3 Which, purely white, deserves An everlasting diamond should it mark. This is the morn should brini^ unto this grove My Love, to hear and recompense my love. Fair King, who all preserves, But show thy blushing beams, And thou two sweeter eyes Shalt see than those which by Peneus' streams Did once thy heart surprize. Now, Flora, deck thyself in fairest guise: If that ye winds would hear A voice surpassing far Amphion's lyre, Your furious chiding stay; Let Zephyr oniy breathe, And with her tresses play. — The winds all silent are, And Phoel)us in his chair Ensatfroning sea and air Makes vanish every star : Night like a drunkard reels Beyond the hills, to shun his flaming wheels: The fields with flowers are deck'd in every hue, The clouds with orient gold spangle their blue ; Here is the pleasant place — And nothing wanting is, save She, alas ! IV. Drummond of HawtJiornden V TIME AND LOVE When I have seen by Time's fell hand defaced The rich proud cost of out-worn buried age ; When sometime lofty towers I see down-razed, And brass eternal slave to mortal rage ; When I have seen the hungry ocean gain Advantage on the kingdom of the shore, And the firm soil win of the watery main, Increav^ store with loss, and loss with store ; THE GOLDEN TREASURE When I have seen such interchange of state, Or state itself confounded to decay, Ruin hath taught me thus to ruminate — That Time will come and take my Love away : — This thought is as a death, which cannot choose But weep to have that which it fears to lose. W. Shakespear VI Since brass, nor stone, nor earth, nor boundless se But sad mortality o'ersways their power. How with this rage shall beauty hold a plea, Whose action is no stronger than a flower ? O how shall summer's honey breath hold out Against the wreckful siege of battering days, When rocks impregnable are not so stout Nor gates of steel so strong, but time decays ? O fearful meditation ! where, alack ! Shall Time's best jewel from Time's chest lie hid r Or what strong hand can hold his swift foot back, Or who his spoil of beauty can forbid ? O ! none, unless this miracle have might. That in black ink my love may still shine bright. VV, Shakespea VII THE PASSIONATE SHEPHERD TO HIS LC Come live with me and be my Love, And we will all the pleasures prove That hills and valleys, dale and field, And all the craggy mountains yield. There will we sit upon the rocks And see the shepherds feed their flocks. THE GOLDEN TREASURY By shallow rivers, to whose falls Melodious birds sing madrigals. There will I make thee beds of roses And a thousand fragrant posies, A cap of flowers, and a kirtle Embroidered all with leaves o^ myrtle. A gown made of the finest wool, Which from our pretty lambs we pull, F'air lined slippers for the cold. With buckles of the purest gold. A belt of straw and ivy buds With coral clasps and amber studs : And if these pleasures may thee move, Come live with me and be my Lovr, Thy silver dishes for thy meat As precious as the gods do eat, Shall on an ivory table be Prepared each day for thee and me. The shepherd swains shall dance and sing For thy delight each May-morning : If these delights thy mind may move, Then live with me and be my Love. C. Marlow^ VIII OMNIA VINCIT Fain would I change that note To which fond Love hath charm'd me Long long to sing by rote. Fancying that that harm'd me : Yet when this thought doth come * Lovi^is the perfect sum Of all delight,' IhE GOLDEN IREASUKY I have no other choice Either for pen or voice To sing or write. Love! they wrong thee much That say thy sweet is bitter, When thy rich fruit is such As nothing can be sweeter. Fair house of joy and bliss, Where truest pleasure is, I do adore thee : 1 know thee what thou art, I serve thee with my heart, And fall before thee ! Anon IX A MADRIGAL Crabbed Age and Youth Cannot live together : Youth is full of pleasance, Age is full of care ; Youth like summer morn, Age like winter weather, Youth like summer brave. Age like winter bare : Youth is full of sport. Age's breath is short. Youth is nimble, Age is lame: Youth is hot and bold, Age is weak and cold. Youth is wild, and Age is tame : — Age, I do abhor thee. Youth, I do adore thee ; O ! my Love, my Love is young ! Age, I do defy thee — O sweet shepherd, hie thee. For methinks thou stay'st too long. W. Shakespeare THE GOLDEN TREASURY Under the greenwood tree Who loves to He with me, And turn his merry note Unto the sweet bird's throat — Come hither, come hither, come hither ! Here shall he see No enemy But winter and rough weather. Who doth ambition shun And loves to live i' the sun, Seeking the food he eats And pleased with what he gets — Come hither, come hither, come hither ! Here shall he see No enemy But winter and rough weather. W. Shakespeare XI It was a lover and his lass With a hey and a ho, and a hey nonino ! That o'er the green corn-field did pass In the spring time, the only pretty ring time, When birds do sing hey ding a ding : Sweet lovers love the Spring. Between the acres of the rye These pretty country folks would lie : This carol they began that hour. How that life was but a flower : And therefore take the present time With a hey and a ho and a hey nonino! For love is crowned with the prime In spring time, the only pretty ring time. When birds do sing hey ding a ding : Sweet lovers love the Spring. IV. Shakespeare THE GOLDEN TREASURY XII PRESENT IN ABSENCE Absence, hear thou this protestation Against thy strength, Distance, and length ; Do what thou canst for alteration : For hearts of truest mettle Absence doth join, and Time doth settle. Who loves a mistress of such quality, His mind hath found Affection's ground Beyond time, place, and mortality. To hearts that cannot vary Absence is present, Time doth tarry. By absence this good means I gain, That 1 can catch her. Where none can match her. In some close corner of my brain : There I embrace and kiss her ; And so I both enjoy and miss her. J. Donne XIII VIA AMORIS High-way, since you my chief Parnassus be. And that my Muse, to some ears not unsweet, Tempers her words to trampling horses' ^eet More oft than to a chamber melody, — Now, blessed you bear onward blessdd me To her, where I my heart, safe-left, shall meet ; My Muse and I must you of duty greet With thanks and wishes, wishing thankfully ; THE GOLDEN TREASURY Be you still fair, honoured by public heed ; By no encroachment wrongM, nor time forgot ; Nor blamed for blood, nor shamed for sinful deed ; And that you know I envy you no lot Of highest wish, I wish you so much bliss, — Hundreds of years you Stella's feet may kiss ! Sir P. Sidney XIV ABSENCE Being your slave, what should I do but tend Upon the hours and times of your desire ? I have no precious time at all to spend Nor services to do, till you require : Nor dare I chide the world-without-end-hour Whilst I, my sovereign, watch the clock for you Nor think the bitterness ofabsence sour When you have bid your servant once adieu : Nor dare I question with my jealous thought Where you may be, or your affairs suppose, i3ut like a sad slave, stay and think of nought Save, where you are, how happy you make those ; — So true a fool is love, that in your will Though you do anything, he thinks no ill. W. Shakespeare XV How like a winter hath my absence been From Thee, the pleasure of the fleeting year ! What freezings have I felt, what dark days seen, What old December's bareness everywhere ! And yet this time removed was summer's time : The teeming autumn, big with rich increase. Bearing the wanton burden of the prime Like widow'd wombs after their lords' decease : lo ' THE GOLDEN TREASURY Yet this abundant issue seem'd to me But hope of orphans, and unfathered fruit ; For summer and his pleasures wait on thee, And, thou away, the very birds are mute ; Or if they sing, 'tis with so dull a cheer, That leaves look pale, dreading the winter's near. W, Shakespeart XVI A CONSOLATION When in disgrace with fortune and men's eyes I all alone bevveep my outcast state. And trouble deaf heaven with my bootless cries, And look upon myself, and curse my fate ; Wishing me like to one more rich in hope, Featured like him, like him with friends possest. Desiring this man's art, and that man's scope, With what 1 most enjoy contented least ; Yet in these thoughts myself almost despising, Haply I think on Thee — and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate ; For thy sweet love remember'd, such wealth brings That then I scorn to change my state with kings. W. Shakespeart XVII THE UNCHANGEABLE O never say that I was false of heart, Though absence seem'd my flame to qualify: As easy might I from myself depart As from my soul, which in thy breast doth lie f THE GOLDEN TREASURY II That is my home of love ; if I have ranged, Like him that travels, I return again, Just to the time, not with the time exchanged, So that myself bring water for my stain. Never believe, though in my nature reign'd All frailties that besiege all kinds of blood, That it could so preposterously be stain'd To leave for nothing all thy sum of good: For nothing this wide universe I call, Save thou, my rose : in it thou art my all. W. Shakespeati XVIII To me, fair Friend, you never can be old. For as you were when first your eye I eyed Such seems your beauty still. Three winters^ cold Have from the forests shook three summers' pride ; Three beauteous springs to yellow autumn turn'd In process of the seasons have I seen, Three April perfumes in three hot Junes burned, Since first I saw you fresh, which yet are green. Ah ! yet doth beauty, like a dial-hand, Steal frorh his figure, and no pace perceived ; So your sweet hue, which methinks still doth stand, Hath motion, and mine eye may be deceived : For fear of which, hear this, thou age unbred, — Ere you were born, was beauty's summer dead. W, Shakespeare XIX ROSALINE Like to the clear in the highest sphere Where all imperial glory shines. Of selfsame colour is her hair Whether unfolded, or in twines : Heigh ho, fair Rosaline 1 f2 THE GOLDEN- TKEASURy Her eyes are sapphires set in snow, Resembling heaven by every wink; The Gods do fear whenas they glow, And I do tremble when I think Heigh ho, would she were mine! Her cheeks are like the blushing cloud That beautifies Aurora's face, Or like the silver crimson shroud That Phoebus' smiling looks doth grace Heigh ho, fair Rosaline! Her lips are like two budded roses Whom ranks of lilies neighbour nigh, Within which bounds she balm encloses Apt to entice a deity : Heigh ho, would she were mine! Her neck is like a stately tower Where Love himself imprisoned lies, To watch for glances every hour From her divine and sacred eyes : Heigh ho. for Rosaline ! Her paps are centres of delight. Her breasts are orbs of heavenly frame. Where Nature moulds the dew of light To feed perfection with the same : Heigh ho, would she were mine ! With orient pearl, with ruby red. With marble white, with sapphire blue Her 'body every way is fed, Yet soft in touch and sweet in view : Heigh ho, fair Rosaline I Nature herself her shape admires ; The Gods are wounded in her sight ; And Love forsakes his heavenly fires And at her eyes his brand doth light: Heigh ho, would she were mine ! Then muse not, Nymphs, though T bemoan The absence of fair Rosaline, THE GOLDEN TREASURY I Since for a fair there's fairer none, Nor for her virtues so divine : Heigh ho, fair Rosahne ; Heigh ho, my heart 1 would God that she were mine ! T. Lodge XX COLIN Beauty sat bathing by a spring Where fairest shades did hide her ; The winds blew calm, the birds did sing, The cool streams ran beside her. My wanton thoughts enticed mine eye To see what was forbidden : But better memory said, fie ! So vain desire w^as chidden : — Hey nonny nonny O ! Hey nonny nonny ! Into a slumber then I fell, When fond imagination Seemed to see, but could not tell Her feature or her fashion. But ev'n as babes in dreams do smile, And sometimes fall a-weeping, So I awaked, as wise this while As when I fell a-sleeping : — Hey nonny nonny O ! Hey nonny nonny ! The Shepherd Tonit XXI A PICTURE Sweet Love, if thou wilt gain a monarch's glory, Subdue her heart, who makes me glad and sorry Out of thy golden quiver Take thou thy strongest arrow That will through bone and marrow, 14 THE GOLDEN TREASURY And me and thee of grief and fear deliver : — But come behind, for if she look upon thee, Alas ! poor Love ! then thou art woe-begone thee : Anon XXII A SONG FOR MUSIC Weep you no more, sad fountains : — What need yau flow so fast ? Look how the snowy mountains Heaven''s sun doth gently waste ! But my Sun^s heavenly eyes View not your weeping, That now lies sleeping Softly, now softly lies, Sleeping. Sleep is a reconciling, A rest that peace begets : — Doth not the sun rise smiling, When fair at even he sets ? — Rest you, then, rest, sad eyes \ Melt not in weeping ! While She lies sleeping Softly, now softly lies. Sleeping ! Anon XXIII TO HIS LOVE Shall I compare thee to a summer's day ? Thou art more lovely and more temperate : Rough winds do shake the darling buds of May, And summer's lease hath all too short a date : Sometime too hot the eye of heaven shines, And often is his gold complexion dimmM : And every fair from fair sometime declines, By chance, or nature's changing course, untrimm'd THE GOLDEN TREASURY 15 But thy eternal summer shall not fade Nor lose possession of that fair thou owest ; Nor shall Death brag thou wanderest in his shade, When in eternal lines to time thou growest . — So long as men can breathe, or eyes can see. So long lives this, and this gives life to thee. W. Shakesptan XXIV TO HIS LOVE When in the chronicle of wasted time * I see descriptions of the fairest wights, And beauty making beautiful old rhyme In praise of ladies dead, and lovely knights; Then in the blazon of sweet beauty's best Of hand, of foot, of lip, of eye, of brow, 1 see their antique pen would have exprest Ev'n such a beauty as you master now. So all their praises are but prophecies Of this our time, all, you prefiguring; And for they look'd but with divining eyes, They had not skill enough your worth to sing : For we, which now behold these present days, Have eyes to wonder, but lack tongues to praise. W, Shakespean XXV BASIA Turn back, you wanton flyer, And answer my desire With mutual greeting. Yet bend a little nearer, — True beauty still shines clearer In closer meeting ! 1 5 THE GOLDEN TREASURY Hearts with hearts delighted Should strive to be united, Each other's arms with arms ench«.:ning, — Hearts with a thought, Rosy lips with a kiss still entertaining. What harvest half so sweet is As still to reap the kisses Grown ripe in sowing ? And straight to be receiver Of that which thou art giver, Rich in bestowing ? There is no strict observing Of times' or seasons' swerving, There is ever one fresh spring abiding; Then what we sow with our lips Let us reap, love's gains dividing. T. Cainpiop XXVI ADVICE TO A GIRL Never love unless you can Bear with all the faults of man ! Men sometimes will jealous be Though but iittle cause they see, And hang the head as discontent. And speak what straight they will repent. Men, that but one Saint adore, Make a show of love to more ; Beauty must be scorn'd in none, Though but tmly served in one : For what is courtship but disguise ? True hearts may have dissembling eyes. Men, when their affairs require, Must awhile themselves retire; TifE GOLDEN TEEASl/KY i*i Sometimes hunt, and sometimes hawk, And not ever sit and talk : — If these and such-like you can bear, Then like, and love, and never fear ! T, Campion XXVII LOVERS PERJURIES On a day, alack the day ! Love, whose month is ever May, Spied a blossOm passing fair Playing in the wanton air : Through the velvet leaves the wind, All unseen, 'gan passage find : That the lover, sick to death, Wished himself the heaven's breath. Air, quoth he, thy cheeks may blow; Air, would I might triumph so ! But, alack, my hand is sworn Ne'er to pluck thee from thy thorn: Vow, alack, for youth unmeet : Youth so apt to pluck a sweet. Do not call it sin in me That I am forsworn for thee : Thou for whom Jove would swear Juno but an Ethiope were, And deny himself for Jove, Turning mortal for thy love. W, JThakespeare XXVIII A SUPPLICATION Forget not yet the tried intent Of such a truth as I have meant ; My great travail so gladly spent, Forget not yet ' 1 8 THE GOLDEN TREASURY Forget not yet when first began The weary life ye know, since whan The suit, the service none tell can ; Forget not yet ! Forget not yet the great assays, The cruel wrong, the scornful ways, The painful patience in delays, Forget not yet ! Forget not ! O, forget not this, How long ago hath been, and is The mind that never meant amiss — Forget not yet ! Forget not then thine own approved The which so long hath thee so loved. Whose steadfast faith yet never moved — Forget not this ! Sir T. Wyat XXIX TO AURORA O if thou knew'st how thou thyself dost harm, And dost prejudge thy bliss, and spoil my rest ; Then thou would'st melt the ice out of thy breast And thy relenting heart would kindly warm. O if thy pride did not our joys controul. What world of loving wonders should'st thou see ! For if I saw thee once transformed in me. Then in thy bosom I would pour my soul ; Then all my thoughts should in thy visage shine. And if that aught mischanced thou should'st not moan Nor bear the burthen of thy griefs alone ; No, I would have my share in what were thine : And whilst we thus should make our sorrows one, This happy harmony would make them none. W. Alexander^ Earl of Sterline THE GOLDEN TREASURY 19 XXX IN LACRIMAS I saw my Lady weep, And Sorrow proud to be advanced so In those fair eyes where all perfections keep. Her face was full of woe, But such a woe (believe me) as wins more hearts Than Mirth can do with her enticing parts. Sorrow was there made fair, And Passion, wise ; Tears, a delightful thing ; Silence, beyond all speech, a wisdom rare : She made her sighs to sing, And all things with so sweet a sadness move As made my heart at once both grieve and love. O fairer than aught else The world can show, leave off in time to grieve ! Enough, enough : your joyful look excels : Tears kill the heart, believe. O strive not to be excellent in woe. Which only breeds your beauty's overthrow, Anon XXXI TRUE LOVE \ Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds. Or bends with the remover to remove : — O no ! it is an ever-fixed mark That looks on tempest, and is never shaken ; It is the star to every wandering bark. Whose worth's unknown, although his height be taken, 20 THR GULDEN TREASURY Love\s not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come ; Love alters not with his brief hours and weeks, But bears it out ev'n to the edge of doom : — If this be error, and upon me proved, I never writ, nor no man ever loved. W, Shakespeart XXXII A DITTY My true-love hath my heart, and I have his, By just exchange one for another given : I hold his dear, and mine he cannot miss, There never was a better bargain driven : My true-love hath my heart, and I have his. His heart in me keeps him and me in one. My heart in him his thoughts and senses guides: He loves my heart, for once it was his own, ( cherish his because in me it bides : My true-love hath my heart, and I have his. Sir P. Sidney XXXIII LOVE'S INSIGHT Though others may Her brow adore Yet more must I, that therein see far more Than any other's eyes have power to see : She is to me More than to any others she can be! I can discern more secret notes That in the margin of her cheeks Love quotes, Than any else besides have art to read : No looks proceed From those fair eyes but to me wonder breed. Anon THE GOLDEI^ TREASURY 21 XXXIV LOVE'S OMNIPRESENCE Were I as base as is the lowly plain, And you, my Love, as high as heaven above. Yet should the thoughts of me your humble swain Ascend to heaven, in honour of my Love. Were I as high as heaven above the plain, And you, my Love, as humble and as low As are the deepest bottoms of the main, Whereso'er you were, with you my love should go Were you the earth, dear Love, and I the skies. My love should shine on you like to the sun. And look upon you with ten thousand eyes Till heaven wax'd blind, and till the world were done Whereso'er I am, below, or else above you, Whereso'er you are, my heart shall truly love you. /. Sylvester XXXV CARPE DIEM O Mistress mine, where are you roaming? O stay and hear! your true-love's coming That can sing both high and low ; Trip no further, pretty sweeting, Journeys end in lovers meeting — Every wise man's son doth know. What is love ? 'tis not hereafter ; Present mirth hath present laughter ; What's to come is still unsure : In delay there lies no plenty, — Then come kiss me, Sweet-and-twenty, Youth's a stuff will not endure. W. Shakespeare 22 THE GOLDEN TREASURE XXXVI AN HONEST AUTOLYCUS Fine knacks for ladies, cheap, choice, brave, and nevi Good penny-worths, — but money cannot move : I keep a fair but for the f^air to view ; A beggar may be liberal of love. I hough all my wares be trash, the heart is true — The heart is true. Great gifts are guiles and look for gifts again ; My trifles come as treasures from my mind ; It is a precious jewel to be plain ; Sometimes in shell the orient'st oearls we find : — Of others take a sheaf, of me a grain! Of me a grain! Anovc XXXVII WINTER When icicles hang by the wall And Dick the shepherd blows his nail, And Tom bears logs into the hall, And milk comes frozen home in pail; When blood is nipt, and ways be foul, Then nightly sings the staring owl Tu-whit ! To-vvho ! A merry note ! While greasy Joan doth keel the pot. When all about the w.».^ e^^oi uiuw, And coughing drowns the parson's saw, And birds sit brooding in the snow. And Marian's nose looks red and raw ; When roasted crabs hiss in the bowl — Then nightly sings the staring owl Tu-whit! To-who! A merry note! While greasy Joan do^h keel the pot. W. Shakesteark THE GOLDEN TREASURY 2^ XXXVIII That time of year thou may'st in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold. Bare ruin'd choirs, where late the sweet birds sang In me thou see'st the twilight of such day As after sunset fadeth in the west, Which by and by black night doth take away. Death's second self, that seals up all in rest : In me thou see'st the glowing of such fire, That on the ashes of his youth doth lie As the death-bed whereon it must expire, Consumed with that which it was nourish''d by : — This thou perceiv'st, which makes thy love mon strong, 'S' t>* To love that well which thou must leave ere Ion W. Shakespeare XXXIX MEMORY When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste , Then can I drown an eye, unused to flow, For precious friends hid in death's dateless night, And weep afresh love's long-since-cancell'd woe, And moan the expense of many a vanish'd sight, Then can I grieve at grievances foregone, And heavily from woe to woe tell o'er The sad account of fore-bemoaned moan, Which I new pay as if not paid before : 24 THE GOLDEN TREASURY — But if tne while I think on thee, dear Friend, All losses are restored, and sorrows end. W. Shakespeare XL SLEEP Come, Sleep: O Sleep! the certain knot of peace, The baiting-place of wit. the balm of woe, The poor man's wealth, the prisoner's release, Th' indifterent judge between the high and low ; With shield of proof shield me from out the prcase Of those fierce darts Despair at me doth throw: make in me those civil wars to cease ; 1 will good tribute pay, if thou do so. Take thou of me smooth pillows, sweetest bed. A chamber deaf of noise and blind of light, A rosy garland and a weary head : And if these things, as being thine in right. Move not thy heavy grace, thou shalt in mc, Livelier than elsew^here, Stella's image see. Sir P. Sidney XLI REVOLUTIONS Like as the waves make towards the pebbled shore So do our minutes hasten to their end ; Each changing place with that which goes before, In sequent toil all forwards do contend. Natinty, once in the main of light, Crawls' to maturity, wherewith being crown'd. Crooked eclipses 'gainst his glory fight, And Time that gave, doth now his gift confound. THE GOLDEN TREASURY 25 Time doth transfix the flourish set on youtia, And delves the parallels in beauty's brow ; Feeds on the rarities of nature's truth, And nothing stands but for his scythe to mow : — And yet, to times in hope, my verse shall stand Praising Thy worth, despite his cruel hand. W. Shakes peat ? XLII Farewell ! thou art too dear for my possessing. And like enough thou know'st thy estimate : The charter of thy worth gives thee releasing : My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving? The cause of this fair gift in me is wanting. And so my patent back again is swerving. Thyself thou gav'st, thy own worth then not knowing Or me, to whom thou gav'st it, else mistaking ; So thy great gift, upon misprision growing, Comes home again, on better judgment making. Thus have I had thee as a dream doth flatter ; In sleep, a king ; but waking, no such matter. VV. Shakespeare XLIII THE LIFE WITHOUT PASSION They that have power to hurt, and will do none, That do not do the thing they most do show. Who, moving others, are themselves as stone. Unmoved, cold, and to temptation slow, — id THE GOLDEN TREASURY They rightly do inherit heaven's graces, And husband nature's riches from expense ; They are the lords and owners of their faces, Others, but stewards of their excellence. The summer's flower is to the summer sweet, Though to itself it only live and die ; But if that flower with base infection meet, The basest weed outbraves his dignity : For sweetest things turn sourest by their deeds ; Lilies that fester smell far worse than weeds. W. Shakespean XLIV THE LOVER'S APPEAL And wilt thou leave me thus? Say nay ! say nay ! for shame, To save thee from the blame Of all my grief and grame. And wilt thou leave me thus? Say nay ! say nay ! And wilt thou leave me thus, That hath loved thee so long In wealth and woe among: And is thy heart so strong As for to leave me thus ? Say nay ! say nay ! And wilt thou leave me thus, That hath given thee my heart Never for to depart Neither for pain nor smart : And wilt thou leave me thus ? Say nay ! say nay ! THE GOLDEN TREASURY 27 And wilt thou leave me thus, And have no more pity Of him that loveth thee? Alas ! thy cruelty ! And wilt thou leave me thus? Say nay ! say nay ! Sir T IVyai XLV THE NIGHTINGALE As it fell upon a day In the merry month of May, Sitting in a pleasant shade Which a grove of myrtles made, Beasts did leap and birds did sing, Trees did grow and plants did spring; Every thing did banish moan Save the Nightingale alone. She, poor bird, as all forlorn, Lean'd her breast up-till a thorn, And there sung the dolefulPst ditty That to hear it was great pity. Fie, fie, fie, now would she cry ; Teru, teru, by and by : That to hear her so complain Scarce 1 could from tears refrain; For her griefs so lively shown Made me think upon mine own. — Ah, thought I, thou mourn^st in vain, None takes pity on thy pain : Senseless trees, they cannot heaf thee, Ruthless beasts, they will not cheer thee; King Pandion, he is dead. All thy friends are lapp'd in lead : All thy fellow birds do sing Careless of thy sorrowing ; Even so, poor bird, like thee None alive will pity me. E. Barnefield 28 THE GOLDEN TREASURY XLVI Care-charmer Sleep, son of the sable Night, Brother to Death, in silent darkness born, Relieve my languish, and restore the light ; With dark forgetting of my care return. And let the day be time enough to mourn The shipwreck of my ill-adventured youth : Let waking eyes suffice to wail their scorn, Without the torment of the nighf s untruth. Cease, dreams, the images of day-desires. To model forth the passions of the morrow ; Never let rising Sun approve you liars, To add more grief to aggravate my sorrow : Still let me sleep, embracing clouds in vain, And never wake to feel the day's disdain. S. Daniel XLVII The nightingale, as soon as April bringeth Unto her rested sense a perfect waking. While late-bare earth, proud of new clothing, springeth. Sings out her woes, a thorn her song-book making ; And mournfully bewailing, Her throat in tunes expresseth What grief her breast oppresseth For Tereus' force on her chaste will prevailing. O Philomela fair, O take some gladness, That here is juster cause of plaintful sadness : Thine earth now springs, mine fadeth ; Thy thorn without, my thorn my heart invadeth, Alas, she hath no other cause of anguish But Tereus' love, on her by strong hand wroken, THE GOLDEN ri^EASURY 29 Wherein she suffering, all her spirits languish, Full womanlike complains her will was broken. But I, who, daily craving. Cannot have to content me, Have more cause to lament me. Since wanting is more woe than too much having. O Philomela fair, O take some gladness That here is juster cause of plaintful sadness : Thine earth now springs, mine fadeth ; Thy thorn without, my thorn my heart invadeth. Sir P. Sidney XLVIII FRUSTRA Take, O take those lips away That so sweetly were forsworn, And those eyes, the break of day, Lights that do mislead the morn : But my kisses bring again, Bring again — Seals of love, but seaPd in vain, Seal'd in vain ! W, Shakespeare XLIX LOVE'S FAREWELL Since there's no help, come let us kiss and part> Nay I have done, you get no more of me ; And I am glad, yea, glad with all my heart, That thus so cleanly I myself can free ; Shake hands for ever, cancel all our vows, And when we meet at any time again. Be it not seen in either of our brows That we one jot of former love retain, 30 THE GOLDEN TREASURY Now at the last gasp of love's latest breath, When his pulse faiHng, passion speechless lies, When fiith is kneeling by his bed of death, And innocence is closing up his eyes, — Now if thou would'st, when all have given him over, From death to life thou might'st him yet recover ! M. Drayton m IMAGINE PERTRANSIT HOMO Follow thy fair sun, unhappy shadow ! Though thou be black as night And she made all of light, Yet follow thy fair sun, unhappy shadow ! Follow her, whose light thy light depriveth ! Though here thou liv'st disgraced. And she in heaven is placed. Yet follow her whose light the world reviveth ? Follow those pure beams, whose beauty burneth, That so have scorched thee As thou still black must be Till her kind beams thy black to brightness turneth Follow her, while yet her glory shineth ! There comes a luckless night That will dim all her light ; — And this the black unhappy shade divineth* Follow still, since so thy fates ordaindd ! The sun must have his shade, Till l)Oth at once do fade, — The sun still proved, the shadow still disdained. T- CarupioK THE GOLDEN TREASURY 31 LI BLIND LOVE O me! what eyes hath Love put in my head Which have no correspondence with true sight : Or if they have, where is my judgment fled That censures falsely what they see aright? If that be fair whereon my false eyes dote. What means the world to say it is not so? If it be not, then love doth well denote Love's eye is not so true as all men's : No, How can it ? O how can love's eye be true, That is so vex'd with watching and with tears? No marvel then though I mistake my view : The sun itself sees not till heaven clears, O cunning Love! with tears thou keep'st me blind, Lest eyes well-seeing thy foul faults should find! W, Shakespeare LII Sleep, angry beauty, sleep and fear not me i For who a sleeping lion dares provoke? It shall suffice me here to sit and see Those lips shut up that never kindly spoke : What sight can more content a lover's mind Than beauty seeming harmless, if not kind? My words have charm'd her, for secure she sleeps, Though guilty much of wrong done to my love ; And in her slumber, see ! she close-eyed weeps : Dreams often more than waking passions move. Plead, Sleep, my cause, and make her soft like thee . That she in peace may wake and pity me. 7". Cajiipion 12 THE GOLDEN TREASURY LIII THE UNFAITHFUL SHEPHERDESS While that the sun with his beams hot Scorched the fruits in vale and mountain^ Philon the shepherd, late forgot, Sitting beside a crystal fountain. In shadow of a green oak tree Upon his pipe this song play'd he : Adieu, Love, adieu, Love, untrue Love, Untrue Love, untrue Love, adieu. Love; Your mind is light, soon lost for new love. So long as I was in your sight 1 was your heart, your soul, and treasure ; And evermore you sobbed and sigh'd Burning in flames beyond all measure : — Three days endured your love to me, And it was lost in other three! Adieu, Love, adieu. Love, untrue Love, Untrue Love, untrue Love, adieu, Love ; Your mind is light, soon lost for new love. Another Shepherd you did see To whom your heart was soon enchained ; Full soon your love was leapt from me, Full soon my place he had obtained. Soon came a third, your love to win. And we were out and he was in. Adieu, Love, adieu, Love, untrue Love, Untrue Love, untrue Love, adieu. Love ; Your mind is light, soon lost for new love. Sure you have made me passing glad That you your mind so soon removed, Before that I the leisure had To choose you for my best beloved : For all your love was past and done Two days before it was begun : — TBE GOLDEN TREASURY 3J Adieu, Love, adieu, Love, untrue Love, Untrue Love, untrue Love, adieu, Love ; You mind is light, soon lost for new love. Ano%. LIV ADVICE TO A LOVER The sea hath many thousand sands, The sun hath motes as many ; The sky is full of stars, and Love As full of woes as any : Believe me, that do know the elf. And make no trial by thyself ! It is in truth a pretty toy For babes to play withal : — But O! the honeys of our youth Are oft our age's gall ! Self-proof in time will make thee know He was a prophet told thee so ; A prophet that, Cassandra-like, Tells truth without belief; For headstrong Youth will run his race. Although his goal be grief: — Love's Martyr, when his heat is past, Proves Care's Confessor at the last. Anon LV A RENUNCIATION Thou art not fair, for all thy red and white, For all those rosy ornaments in thee, — Thou art not sweet, though made of mere delight, — Nor fair, nor sweet — unless thou pity me! I will not soothe thy fancies ; thou shaft prove. That beauty is no beauty without love. 34 THE GOLDEN TREASURY — Yet love not me, nor seek not to allure My thoughts with beauty, were it more divine : Thy smiles and kisses I cannot endure, ril not be w-rapp'd up in those arms of thine : — Now show it, if thou be a woman right — Embrace and kiss and love me in despite ! J". Campion LVI Blow, blow, thou winter wind, Thou art not so unkind As man^s ingratitude ; Thy tooth is not so keen Because thou art not seen. Although thy breath be rude. Heigh ho! sing heigh ho! unto the green holly: Most friendship is feigning, most loving mere folly : Then, heigh ho! the holly! This life is most jolly. Freeze, freeze, thou bitter sky, Thou dost not bite so nigh As benefits forgot : Though thou the waters warp, Thy sting is not so sharp As friend remembered not. Heigh ho! sing heigh ho! unto the green holly: Most friendship is feigning, most loving mere folly : Then, heigh ho! the holly! This life is most jolly. W, Shakespeare LVII . A SWEET LULLABY Come little babe, come silly soul. Thy father's shame, thy mother's grief. THE GOLDEN TREASURY 35 Born as I doubt to all our dole. And to thy self unhappy chief: Sing Lullaby and lap it warm, Poor soul that thinks no creature harm. Thou little think'st and less dost know, The cause of this thy mother's moan, Thou want'st the wit to wail her woe, And I myself am all alone : Why dost thou weep? why dost thou wail? And knowest not yet what thou dost ail. Come little wretch, ah silly heart. Mine only joy, what can I more? If there be any wrong thy smart That may the destinies imolore : Twas I, I say, agamst my will, 1 wail the time, but be thou still. And dost thou smile, oh thy sweet face! Would God Himself He might thee see, No doubt thou would'st soon purchase grace, I know right well, for thee and me : But come to mother, babe, and play, For father false is fled away. Sweet boy, if it by fortune chance, Thy father home again to send, If death do strike me with his lance, Yet mayst thou me to him commend : If any ask thy mother's name, Tell how by love she purchased blamCt Then will his gentle heart soon yield, I know him of a noble mind. Although a Lion in the field. A Lamb in town thou shalt him find : Ask blessing, babe, be not afraid. His sugar'd words hath me betray'd. 56 THE GOLDEN TREASURY Then mayst thou joy and be right glad, Although in woe I seem to moan, Thy father is no rascal lad, A. noble youth of blood and bone : His glancing looks, if he once smile. Right honest women may beguile. Come, little boy, and rock asleep, Sing lullaby and be thou still, 1 that can do nought else but weep ; Will sit by thee and wail my fill : God bless my babe, and lullaby From this thy father's quality! LVIII Anon With how sad steps, O Moon, thou climb'st the skies How silently, and with how wan a face! What, may it be that e'en in heavenly place That busy archer his sharp arrows tries! Sure, if that long-with-love-acquainted eyes Can judge of love, thou feel'st a lover's case, I read it in thy looks ; thy languished grace, To me, that feel the like, thy state descries. Then, e'en of fellowship, O Moon, tell me, Is constant love deem'd there but want of wit? Are beauties there as proud as here they be? Do they above love to be loved, and yet Those lovers scorn whom that love doth possess ? Do they call virtue, there, ungratefulness? Sir P. Sidney LIX O CRUDELIS AMOR When thou must home to shades of underground, And there arrived, a new admired guest, THE GOLDEN TREASURY l-i The beauteous spirits do engirt thee round, White lopd, blithe Helen, and the rest, To hear the stories of thy finished love From that smooth tongue whose music hell can move ; Then wilt thou speak of banqueting delights, Of masques and revels which sweet youth did make, Of tourneys and great challenges of Knights, And all these triumphs for thy beauty's sake : When thou hast told these honours done to thee, Then tell, O tell, how thou didst murder me ! T. Campion LX SEPHESTIA'S SONG TO HER CHILD Weep not, my wanton, smile upon my knee ; When thou art old there's grief enough for thee. Mother's wag, pretty boy, Father's sorrow, father's joy ; When thy father first did see Such a boy by him and me. He was glad, I was woe, Fortune changed made him so, When he left his pretty boy Last his sorrow, first his joy. Weep not, my wanton, smile upon my knee, When thou art old there's grief enough for thee Streaming tears that never stint, Like pearl drops from a flint. Fell by course from his eyes, That one another's place supplies; Thus he grieved in every part, Tears of blood fell from his heart, When he left his pretty boy. Father's sorrow, father's joy. 38 THE GOLDEN TREASURY Weep not, my wanton, smile upon my knee. When thou art old, there's grief enough for thee The wanton smiled, father wept, Mother cried, baby leapt ; More he crow'd, more we cried, Nature could not sorrow hide : He must go, he must kiss Child and mother, baby bless, For he left his pretty boy, feather's sorrow, father's joy. Weep not, my wanton, smile upon my knee, When thou art old, there's grief enough for thee. R. Greeut LXI A LAMENT My thoughts hold mortal strife ; I do detest my life. And with lamenting cries Peace to my soul to bring Oft call that prince which here doth monarchize : — But he, grim grinning King, Who caitiffs scorns, and doth the blest surprize, Late having deck'd with beauty's rose his tomb. Disdains to crop a weed, and will not come. W. Drunwiona LXII DIRGE OF LOVE Come away, come away, Death, And in sad cypres let me be laid ; Fly away, fly away, breath ; I am slain by a fair cruel maid. My shroud of white, stuck all with yew, O prepare it ! My part of death, no one so true Did share it. THE GOLDEN TREASURY 39 Not a flower, not a flower sweet On my black coffin let there be strown ; Not a friend, not a friend greet My poor corpse, where my bones shall be thrown ; A thousand thousand sighs to save, Lay me, O where Sad true lover never find my grave, To weep there. W. Shakespeare LXIII TO HIS LUTE My lute, be as thou wert when thou didst grow With thy green mother in some shady grove, When immelodious winds but made thee move. And birds their ramage did on thee bestow. Since that dear Voice which did thy sounds approve, Which wont in such harmonious strains to flow, Is reft from Earth to tune those spheres above, What art thou but a harbinger of woe ? Thy pleasing notes be pleasing notes no more. But orphans^ wailings to the fainting ear; Each stroke a sigh, each sound draws forth a tear; For which be silent as in woods before : Or if that any hand to touch thee deign, Like widow'd turtle, still her loss complain. IV, Drummona LXIV FIDELE Fear no more the heat o' the sun Nor the furious winter's rages ; Thou thy worldly task hast done. Home art gone and ta'en thy wages? Golden lads and girls all must, As chimney-sweepers, come to dust. 40 THE GOLDEN TREASURY Fear no more the frown o' the great, Thou art past the tyrant's stroke; Care no more to clothe and eat ; To thee the reed is as the oak : The sceptre, learning, physic, must All follow this, and come to dust. Fear no more the lightning-flash Nor the all-dreaded thunder-stone; Fear not slander, censure rash ; Thou hast finished joy and moan: All lovers young, all lovers must Consign to thee, and come to dust. W. Shakespeari LXV A SEA DIRGE Full fathom five thy father lies : Of his bones are coral made ; Those are pearls that were his eyes : Nothing of him that doth fode, But doth suffer a sea-change Into something rich and strange. Sea-nymphs hourly ring his knell : Hark ! now I hear them, — Ding, dong, bell. W. Shakespeari LXVI A LAND DIRGE Call for the robin-redbreast and the wren, Since o'er shady groves they hover And with leaves and flowers to cover The friendless bodies of unburied men. Call unto his funeral dole The antj the field-mouse, and the mole THE GOLDEN TREASURY 41, To rear him hillocks that shall keep him warm And (when gay tombs are robb'd) sustain no harm; But keep the wolf far thence, thafs foe to men, For with his nails heUl dig them up again. /. Webster LXVII POST MORTEM If Thou survive my well-contented day When that churl Death my bones Wx.;i dust shall cover And shalt by fortune once more re-survey These poor rude lines of thy deceased lover ; Compare them with the bettering of the time, And though they be outstripped by every pen. Reserve them for my love, not for their rhyme Exceeded by the height of happier men. O then vouchsafe me but this loving thought — < Had my friend's Muse grown with this growing age, A dearer birth than this his love had brought, To march in ranks of better equipage : But since he died, and poets better prove, Theirs for their style Til read, his for his love.'' W. Shakespeart LXVIII THE TRIUMPH OF DEATH No longer mourn for me when I am dead Than you shall hear the surly sullen bell Give warning to the world, that I am fled From this vile world, with vilest worms to dwells Nay, if you read this line, remember not The hand that writ it ; for I love you so, That I in your sweet thoughts would be forgot If thinking on me then should make you woe- THE GOLDEN TREASURY O if, I say, you look upon this verse When I perhaps compounded am with clay, Do not so much as my poor name rehearse, But let your love even with my life decay ; Lest the wise world should look into your moan, And mock you with me after I am gone. W. Shakespeare LXIX YOUNG LOVE Tell me where is Fancy bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engendered in the eyes ; With gazing fed ; and Fancy dies In the cradle where it lies : Let us all ring Fancy's knell ; I'll begin it, — Ding, dong, bell. — Ding, dong, bell. W. Shakespeare LXX A DILEMMA Lady, when I behold the roses sprouting Which clad in damask mantles deck the arbours, And then behold your lips where sweet love har- bours. My eyes present me with a double doul)ting: For viewing both alike, hardly my mind supposes Whether the roses be your lips, or your lips the roses. Anon. THE GOLDEN TREASURY 43 LXXI ROSALYND'S MADRIGAL Love in my bosom, like a bee, Doth suck his sweet ; Now with his wings he plays with me. Now with his feet. Within mine eyes he makes his nest, His bed amidst my tender breast ; My kisses are his daily feast, And yet he robs me of my rest : Ah ! wanton, will ye ? And if I sleep, then percheth he With pretty flight, And makes his pillow of my knee The livelong night. Strike I my lute, he tunes the string; He music plays if so I sing ; He lends me every lovely thing. Yet cruel he my heart doth sting: Whist, wanton, will ye ? Else I with roses every day Will whip you hence, And bind you, when you long to play, For your offence ; I'll shut my eyes to keep you in ; ril make you fast it for your sin ; ril count your power not worth a pin^ — Alas ! what hereby shall I win, If he gainsay me ? What if I beat the wanton boy With many a rod ? He will repay me with annoy, Because a gv. d. 44 ^^^ GOLDEN TRi^a^uRY Then sit thou safely on my knee, And let thy bower my bosom be ; Lurk in mine eyes, I like of thee, O Cupid ! so thou pity me, Spare not, but play thee ! T. Lodge LXXII CUPID AND CAMPASPE Cupid and my Campaspd play'd At cards for kisses ; Cupid paid : He stakes his quiver, bow, and arrows. His mother's doves, and team of sparrows ; Loses them too ; then down he throws The coral of his lip, the rose Growing on's cheek (but none knows how) ; With these, the crystal of his brow, And then the dimple on his chin ; All these did my Campaspe win : And last he set her both his eyes — She won, and Cupid blind did rise. O Love ! has she done this to thee ? What shall, alas ! become of me ? /• Lylye LXXIII Pack, clouds, away, and welcome day, With night we banish sorrow ; Sweet air blow soft, mount larks aloft To give my Love good-morrow ! Wings from the wind to please her mind Notes from the lark Til borrow ; Bird, prune thy wing, nightingale sing, To give my Love good-morrow ; To give my Love good-morrow Notes from them both Til borrow. THE GOLDEN 'J REASURY 45 Wake from thy nest, Robin-red-breast, Sing, birds, in every furrow ; And from each hill, let music shrill Give my fair Love good-morrow ! Blackbird and thrush in every bush. Stare, linnet, and cock-sparrow ! You pretty elves, amongst yourselves Sing my fair Love good-morrow ; To give my Love good-morrow Sing, birds, in every furrow ! T. Heywood LXXIV PROTHALAMION Calm was the day, and through the trembling ai^ Sweet-breathing Zephyrus did softly play — A gentle spirit, that lightly did delay Hot Titan's beams, which then did glister fair ; When I (whom sullen care, Through discontent of my long fruitless stay In princes' court, and expectation vain Of idle hopes, which still do fly away Like empty shadows, did afflict my brain) Walk'd forth to ease my pain Along the shore of silver-streaming Thames ; Whose nitty bank, the which his river hems, Was painted all with variable flowers, And all the meads adorn'd with dainty gems Fit to deck maidens' bowers, And crown their paramours Against the bridal day, which is not long : Sweet Thames ! run softly, till I end m/ song There in a meadow by the river's side A flock of nymphs I chanced to espy. All lovely daughters of the flood thereby, With goodly greenish locks all loose untied As each had been a bride ; 46 THE GOLDEN TREASURE And each one had a little wicker basket Made of fine twigs, entraildd curiously. In which they gatherM flowers to fill their flasket. And with fine fingers cropt full feateously The tender stalks on high. Of every sort which in that meadow grew They gathered some ; the violet, pallid blue, The little daisy that at evening closes, The virgin lily and the primrose true, With store of vermeil roses, To deck their bridegrooms' posies Against the bridal day, which was not long : Sweet Thames! run softly, till I end my song With that I saw two Swans of goodly hue Come softly swimming down along the Lee: Two fairer birds I yet did never see ; The snow which doth the top of Pindus strow Did never whiter show, Nor Jove himself, when he a swan would be For love of Leda, whiter did appear; Yet Leda was (they say) as white as he, Yet not so white as these, nor nothing near ; So purely white they were That even the gentle stream, the which them bare, Seem'd foul to them, and bade his billows spare To wet their silken feathers, lest they might Soil their fair plumes with water not so fair, And mar their beauties bright That shone as Heaven's light Against their bridal day, which was not long : Sweet Thames ! run softly, till I end my song Eftsoons the nymphs, which now had flow^ers theii fiU Ran all- in haste to see that silver brood As they came floating on the crystal flood ; Whom when they saw, they stood amazed still Their wondering eyes to fill ; Them seem'd they never saw a sight so fair Of fowls, so lovely, that they sure did deem Them heavenly born, or to be that same pair THE GOLDEN TREASURY ' 47 Which through the sky draw Venus' silver team ; For sure they did not seem To be begot of any earthly seed, But rather Angels, or of Angels' breed ; Yet were they bred of summer's heat, they say, In sweetest season, when each flower and weed The earth did fresh array ; So fresh they seem'd as day, Ev'n as their bridal day, which was not long: Sweet Thames ! run softly, till I end my song. Then forth they all out of their baskets drew Great store of flowers, the honour of the field, That to the sense did fragrant odours yield. All which upon those goodly birds they threw And all the waves did strew, That like old Peneus' waters they did seem When down along by pleasant Tempers shore Scatter'd with flowers, through Thessaly they stream That they appear, through lilies' plenteous store. Like a bride's chamber-floor. Two of those nymphs meanwhile two garlands bound Of freshest flowers which in that mead they found. The which presenting all in trim array, Their snowy foreheads therewithal they crown'd ; Whilst one did sing this lay Prepared against that day, Against their bridal day, which was not long: Sweet Thames ! run softly, till I end my song. * Ye gentle birds ! the world's fair ornament, And Heaven's glory, whom this happy hour Doth lead unto your lovers' blissful bower, Joy may you have, and gentle heart's content Of your love's couplement ; And let fair Venus, that is queen of love. With her heart-quelhng son upon you smile, Whose smile, they say, hath virtue to remove All love's dislike, and' friendship's faulty guile For ever to assoil. Let endless peace your steadfast hearts accord, THE GOLDEN TREASURY And blessed plenty wait upon your board ; And let your bed with pleasures chaste abound, That fruitful issue may to you afford Which may your foes confound, And make your joys redound Upon your bridal day, which is not long : Sweet Thames ! run softly, till I end my song.' So ended she ; and all the rest around To her redoubled that her undersong. Which said their bridal day should not be long: And gentle Echo from the neighbour ground Their accents did resound. So forth those joyous birds did pass along Adown the Lee that to them murmur'd low, As he would speak but that he lackM a tongue , Yet did by signs his glad affection show, Making his stream nm slow. And all the fowl which in his flood did dwell 'Gan flock about these twain, that did excel The rest, so far as Cynthia doth shend The lesser stars. So they, enranged well, Did on those two attend, And their best service lend Against their wedding day, which was not long . Sweet Thames 1 run softly, till I end my song. At length they all to merry London came. To merry London, my most kindly nurse. That to me gave this lifer's first native source, Though from another place I take my name, An house of ancient fame : There when they came whereas those bricky towers The which on Thames' broad aged back do ride, Where now the studious lawyers have their bowers, There whilome wont the Templar-knights to bide, Till they decayed through pride ; Next whereunto there stands a stately place, Where oft I gaindd gifts and goodly grace Of that great lord, which therein wont to dwell. Whose want too well now feels my friendless case THE GOLDEN TREASURY 49 But an J here fits not well Old woes, but joys to tell Against the bridal day, which is not long : Sweet Thames ! run softly, till I end my song. Yet therein now doth lodge a noble peer, Great England's glory and the world's wide wonder, Whose dreadful name late through all Spain did thunder And Hercules' two pillars standing near Did make to quake and fear : Fair branch of honour, flower of chivalry! That fillest England with thy triumphs' fame, Joy have thou of thy noble victory, And endless happiness of thine own name That promiseth the same ; That through thy prowess and victorious arms Thy country may be freed from foreign harms, And great Elisa's glorious name may ring Through all the world, fill'd with thy wide alarms, Which some brave Muse may sing To ages following : Upon the bridal day, which is not long : Sweet Thames! run softly, till I end my song. From those high towers this noble lord issuing. Like radiant Hesper, when his golden hair In th' ocean billows he hath bathed fair, Descended to the river's open viewing With a great train ensuing. Above the rest were goodly to be seen Two gentle knights of lovely face and feature, Beseeming well the bower of any queen. With gifts of wit and ornaments of nature, Fit for so goodly stature, That like the twins of Jove they seem'd in sight Which deck the baldric of the Heavens bright; They two, forth pacing to the river's side, Received those two fair brides, their love's deligh* Which, at th' appointed tide, Each one did make his« bride go THE GOLDEN TREASURY Against their bridal day, which is not long : Sweet Thames ! run softly, till I end my song. E. Spenser LXXV THE HAPPY HEART Art thou poor, yet hast thou golden slumbers? O sweet content! Art thou rich, yet is thy mind perplexed ? O punishment ! Dost thou laugh to see how fools are vex'd To add to golden numbers, golden numbers? O sweet content! O sweet, O sweet content! Work apace, apace, apace, apace ; Honest labour bears a lovely face ; Then hey nonny nonny, hey nonny nonny! Canst drink the waters of the crisped spring ? O sweet content ! Swimm'st thou in wealth, yet sink'st in thine own tears? O punishment! Then he that patiently want's burden bears No burden bears, but is a king, a king! O sweet content! O sweet, O sweet content I Work apace, apace, apace, apace ; Honest labour bears a lovely face ; Then hey nonny nonny, hey nonny nonny! T. Del her LXXVI SIC TRANSIT Come, cheerful day, part of my life to me ; For while thou view'st me with thy fading light Part of my life doth still depart with thee, And I still onward haste to my last night: Time's fatal wings do ever forward fly — So every day we live, a day we die. But O ye nights, ordain'd for barren rest, How are my days deprived of life in you THE GOJlDEN treasury 51 When heavy sleep my soul hath dispossest, By feigned death life sweetly to renew! Part of my life, in that, you life deny : So every day we live, a day we die. T. Campion LXXVII This Life, which seems so fair. Is hke a bubble blown up in the air By sporting children's breath, Who chase it everywhere And strive who can most motion it bequeath. And though it sometimes seem of its own might Like to an eye of gold to be fix'd there, And firm to hover in that empty height, That only is because it is so light. — But in that pomp it doth not long appear; For when 'tis most admired, in a thought. Because it erst was nought, it turns to nought. IV. Dru7mnond LXXVIII SOUL AND BODY Poor Soul, the centre of my sinful earth, [FoiPd by] those rebel powers that thee array, Why doth thou pine within, and suffer dearth, Painting thy outward walls so costly gay ? Why so large cost, having so short a lease. Dost thou upon thy fading mansion spend? Shall worms, inheritors of this excess, Eat up thy charge? is this thy body's end? Then, Soul, live thou upon thy servant's loss^ And let that pine to aggravate thy store ; Buy terms divine in selling hours of dross ; Within be fed, without be rich no more : — So shalt thou feed on death, that feeds on men, And death once dead, there's no more dying then. l\'\ Shakespeare 52 THE GOLDEN '1 KfLASURlf LXXIX The man of life upright, Whose guiltless heart is freb From all dishonest deeds, Or thought of vanity ; The man whose silent days In harmless joys are spent, Whom hopes cannot delude Nor sorrow discontent : That man needs neither toweri Nor armour for defence, Nor secret vaults to fly From thunder's violence : He only can behold With unaffrighted eyes The horrors of the deep And terrors of the skies. Thus scorning all the cares That fate or fortune brings, He makes the heaven his book, His wisdom heavenly things ; Good thoughts his only friends, His wealth a well-spent age, The earth his sober inn And quiet pilgrimage. T. Campion LXXX THE LESSONS OF NATURE Of this fair volume which we World do name If we the sheets and leaves could turn with care. Of Him who it corrects, and did it frame, We clear might read the art and wisdom rare : THE GOLDEN TREASURY 53 Find out His power which wildest powers doth tame, His providence extending everywhere. His justice which proud rebels doth not spare, In every page, no period of the same. But silly we, like foolish children, rest Well pleased with coloured vellum, leaves of gold, Fair dangling ribbands, leaving what is best. On the great Writer's sense ne'er taking hold ; Or if by chance we stay our minds on aught, It is some picture on the margin wrought. W, Drummond LXXXI Doth then the world go thus, doth all thus move? Is this the justice which on earth we find? Is this that firm decree which all doth bind? Are these your influences, Powers above ? Those souls which vice's moody mists most blind, Blind Fortune, blindly, most their friend doth prove ; And they who thee, poor idol Virtue! love, Ply like a feather toss'd by storm and wind. Ah! if a Providence doth sway this all Why should best minds- groan under most distress? Or why should pride humility make thrall, And injuries the innocent oppress? Heavens! hinder, stop this fate; or grant a time When good may have, as well as bad, their prime! W. Drummond LXXXII THE WORLD'S WAY Tired with all these, for restful death I cry — As, to behold desert a beggar born. And needy nothing trimm'd in jollity, And purest faith unhappily forsworn, 54 THE GOLDEN TREASURY And gilded honour shamefully misplaced, And maiden virtue rudely strumpeted, And right perfection wrongfully disgraced. And strength by limping sway disabled, And art made tongue-tied by authority, And folly, doctor-like, controlling skill, And simple truth miscall'd simpHcity, And captive Good attending captain 111 : — — Tired with all these, from these would I be gon% Save that, to die, I leave my Love alone. W. Shakespean LXXXIII A WISH Happy were he could finish forth his fate In some unhaunted desert, where, obscure From all society, from love and hate Of worldly folk, there should he sleep secure ; Then wake again, and yield God ever praise ; Content with hip, with haws, and brambleberry ; In contemplation passing still his days. And change of holy thoughts to make him merry : Who, when he dies, his tomb might be the bush Where harmless robin resteth with the thrush : — Happy were he \ R. Devereiix, Earl of Essex LXXXIV SAINT JOHN BAPTIST The last and greatest Herald of Heaven's King Girt with rough skins, hies to the deserts wild. Among that savage brood the woods forth bring. Which he more harmless found than man, and mild. His food was locusts, and what there doth spring, With honey that from virgin hives distilled ; THE GOLDEN TREAJJRY 55 Parch'd body, hollow eyes, some unc».uth thing Made him appear, long since from earth exiled. There burst he forth : All ye whose hopes rely On God, with me amidst these deserts mourn, Repent, repent, and from old errors turn! --Who listened to his voice, obey'd his cry? Only the echoes, which he made relent, Rung from their flinty caves, Repent! Repent! W. Driimmona BOOK SECOND LXXXV ODE ON THE MORNING OF CHRISTS NATIVITY This is the month, and this the happy morn Wherein the Son of Heaven's Eternal King Of wedded maid and virgin mother born. Our great redemption from above did bring ; For so the holy sages once did sing That He our deadly forfeit should release, And with His Father work us a perpetual peace. That glorious Form, that Light unsufferable, And that far-beaming blaze of Majesty Wherewith He wont at Heaven's high council-table To sit the midst of Trinal Unity, He laid aside ; and, here with us to be, Forsook the courts of everlasting day. And chose with us a darksome house of mortal clay. Say, heavenly Muse, shall not thy sacred vein Afford a present to the Infant God? Hast thou no verse, no hymn, or solemn strain I'o welcome Him to this His new abode. x\ow while the heaven, by the sun's team untrod. Hath took no print of the approaching light, And all the spangled host keep watch m squadrons bright? See how from far, upon the eastern road, The star-led wizards haste with odours sweet : O run, prevent them with thy humble ode And lay it lowly at His blessed feet ; Have thou the honour first thy Lord to greet, And join thy voice unto the Angel quire From out His secret ^Itar touch'd ^vith hallow^^ fire- i6 THE GOLDEN TREASURY 57 THE HYMN It was the winter wild While the heaven-born Child All meanly wrapt in the rude manger lies ; Nature in awe to Him Had doff'd her gaudy trim, With her great Master so to sympathize : It was no season then for her To wanton with the sun, her lusty paramour. Only with speeches fair She woos the gentle air To hide her guilty front with innocent snow; And on her naked shame, Pollute with sinful blame, The saintly veil of maiden white to throw; Confounded, that her Makers eyes Should look so near upon her foul deformities. But He, her fears to cease, Sent down the meek-eyed Peace ; She, crown'd with olive green, came softly sliding Down through the turning sphere, His ready harbinger. With turtle wing the amorous clouds dividing ; And waving wide her myrtle wand. She strikes a universal peace through sea and land No war, or battle's sound Was heard the world around : The idle spear and shield were high uphung; The hooked chariot stood Unstain'd with hostile blood ; The trumpet spake not to the armed throng; And kings sat still with awful eye. As if they surely knew their sovran Lord was by But peaceful was the night Wherein the Prince of Light His reign of peace upon the earth began: The winds, with wonder whist. ^6 THE GOLDEN TREASURY Smoothly the waters kist Whispering new joys to the mild ocedn — Who now hath quite forgot to rave, While birds of calm sit brooding on the charmed wave. The stars, with deep amaze, Stand fix'd in steadfast gaze, Bending one way their precious influence; And will not take their flight For all the morning light, Or Lucifer that often warnM them thence ; But in their glimmering orbs did glow Until their Lord Himself bespake, and bid them go. And though the shady gloom Had given day her room, The sun himself withheld his wonted speed, And hid his head for shame, As his inferior flame The new-enlightenM world no more should need ; He saw a greater Sun appear Than his bright throne, or burning axletree could bear. The shepherds on the lawn Or ere the point of dawn Sate simply chatting in a rustic row ^ Full little thought they than That the mighty Pan Was kindly come to live with them below, Perhaps their loves, or else their sheep Was all that did their silly thoughts so busy keep : — When such music sweet Their hearts and ears did greet As never was by mortal finger strook — Divinely-warbled voice Answering the stringed noise. As all their souls in bHssful rapture took: The air, such pleasure loth to lose, With thousand echoes still prolongs each heavenly close THE GOLDEN TREASURY 59 Nature, that heard such sound Beneath the hollow round Of Cynthia's seat the airy region thrilling, Now was almost won To tliink her part was done, And that her reign had here its last fulfilling ; She knew such harmony alone Could hold all Heaven and Earth in happier union. At last surrounds their sight A globe of circular light That with long beams the ^nsmefaced night array'd; The helmed Cherubim And sworded Seraphim Are seen in glittering ranks with wings display"d, Harping in loud and solemn quire With unexpressive notes, to Heaven's new-born Heir Such music (as 'tis said) Before was never made But when of old the Sons of Morning sung, While the Creator great His constellations set And the w^ell-balanced world on hinges hung ; And cast the dark foundations deep. And bid the weltering waves their oozy channel keep Ring out, ye crystal spheres ! Once bless our human ears. If ye have power to touch our senses so ; And let your silver chime Move in melodious time ; And let the bass of heaven's deep organ blow; And with your ninefold harmony Make up full consort to the angelic symphony. For if such holy song Enwrap our fancy long, Time will run back, and fetch the age of gold ; And speckled Vanity Will sicken soon and die, And leprous Sin will melt from earthly mould ; 6o THE GOLDEN TREASURY And Hell itself will pass away. And leave her dolorous mansions to the peering day Yea, Truth and Justice then Will down return to men, Orb'd in a rainbow ; and, like glories wearing, Mercy will sit between Throned in celestial sheen, With radiant feet the tissued clouds down steering; And Heaven, as at some festival, Will open wide the gates of her high palace-hall. But wisest Fate says No ; This must not yet be so ; The Babe yet lies in smiling infancy That on the bitter cross Must redeem our loss ; So both Himself and us to glorify : Yet first, to those ychain'd in sleep The wakeful trump of doom must thunder through the deep; With such a horrid clang As on Mount Sinai rang While the red fire and smouldering clouds outbrake : The aged Earth aghast With terror of that blast vShall from the surface to the centre shake. When, at the world's last session. The dreadful Judge in middle air shall spread His throne And then at last our bliss Full and perfect is. But now begins ; for from this happy day The old Dragon under ground, In straiter limits bound. Not half so far casts his usurped sway ; And, wroth to see his kingdom fail. Swinges the scaly horror of his folded talL The Oracles are dumb ; No voice or hideous hum THE GOLDEN TREASURY 6l Runs through the arched roof in words deceiving. Apollo from his shrine Can no more divine, With hollow shriek the steep of Delphos leaving: No nightly trance or breathed spell Inspires the pale-eyed priest from the prophetic cell The lonely mountains o'er And the resounding shore A voice of weeping heard, and loud lament ; From haunted spring and dale Edged with poplar pale The parting Genius is with sighing sent ; vVith flower-inwoven tresses torn The Nymphs in twilight shade of tangled thickets mourn In consecrated earth And on the holy hearth The Lars and Lemures moan with midnight plaint ; In urns, and altars round A drear and dying sound Affrights the Flamens at their service quaint ; And the chill marble seems to sweat, While each peculiar Power foregoes his wonted seat. Peor and Baalim Forsake their temples dim, , With that twice-batter'd god of Palestine ; And mooned Ashtaroth Heaven's queen and mother both. Now sits not girt with tapers' holy shine ; The Lybic Hammon shrinks his horn : In vain the Tyrian maids their wounded Thammuz moutn And sullen Moloch, fled. Hath left in shadows dread His burning idol all of blackest hue; In vain with symbols' ring I'hey call the grisly king, In dismal dance about the furnace blue; The brutish gods of Nile as fast, Isis, and Orus, and the dog Anubis, haste. 62 THE GOLDEN TREASURY Nor is Osiris seen \w Memphian grove, or green. Trampling the unshowerd grass with lowings loud ; Nor can he be at rest Within his sacred chest ; Nought but profoundest Hell can l)e his shroud ; In vain with timbrelPd anthems dark The sable-stoled sorcerers bear his worshipt ark. He feels from Juda's land The dreaded Infant's hand ; r The rays of Bethlehem blind his dusky eyn ; Nor all the gods beside Longer dare abide, Not Typhon huge ending in snaky twine : Our Babe, to show His Godhead true. Can in His swaddling bands control die damned crew So, when the sun in bed CurtainM with cloudy red Pillows his chin upon an orient wave, The flocking shadows pale Troop to the infernal jail, Each fetter' d ghost slips to his several grave ; And the yellow-skirted fays Fly after the night-steeds, leaving their moon-loved maze But see ! the Virgin blest Hath laid her Babe to rest ; Time is, our tedious song should here have ending: Heaven's youngest-teemed star Hath fix'd her polishM car. Her sleeping Lord with hand-maid lamp attending: And all about the courtly stable Bright-harness'd Angels sit in order serviceable. /, Milton LXXXVI SONG FOR ST. CECILIA'S DAY, 1687 From Harmony, from heavenly Harmony Thi» universal frame began : THE GOLDEN TREASURY 63 When Nature underneath a heap Of jarring atoms lay And could not heave her head, The tuneful voice was heard from high. Arise, ye more than dead! Then cold and hot and moist and dry In order to their stations leap. And Music^s power obey. From harmony, from heavenly harmony This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man. What passion cannot Music raise and quell? When Jubal struck the chorded shell His listening brethren stood around. And, wondering, on their faces fell To worship that celestial sound. Less than a god they thought there could not dweli Within the hollow of that shell That spoke so sweetly and so well. What passion cannot Music raise and quell? The trumpet's loud clangor Excites us to arms, With shrill notes of anger And mortal alarms. The double double double beat Of the thundering drum Cries ' Hark ! the foes come ; Charge, charge, 'tis too late to retreat I* The soft complaining flute In dying notes discovers The woes of hopeless lovers, Whose dirge is whisper'd by the warbling lute Sharp violins proclaim Their jealous pangs and desoeration, Fury, frantic indignation, Depth of pains, and height of passion For the fair disdainful dame. fj4 TI/E GOLDEN TREASURE But oh ! what art can teach, What human voice can reach The sacred organ's praise? Notes inspiring holy love, Notes that wing their heavenly ways To mend the choirs above. Orpheus could lead the savage race, And trees unrooted left their place Sequacious of the lyre : But bright Cecilia raised the wonder higher t When to her Organ vocal breath was given An Angel heard, and straight appearM — Mistaking Earth for Heaven. Grand Chorus As from the power of sacred laj's The spheres began to move, And sung the great Creator's praise To all the blest above ; So when the last and dreadful hour This crumbling pageant shall devour. The trumpet shall be heard on high, The dead shall live, the living die, And Music shall untune the sky. y. Dry den LXXXVII ON THE LATE MASSACRE IN PIEDMONT Avenge, O Lord! Thy slaughtered saints, whose bones Lie scattered on the Alpine mountains cold ; Even them who kept Thy truth so pure of old When all our fathers worshipt stocks and stones, Forget not : In Thy book record their groans Who were Thy sheep, and in their ancient fold Slain by the bloody Piemontese, that rollM Mother with infant down the rocks. Their moans TTHE GOLDEN TREASURY 65 The vales redoubled to the hills, and they To Heaven. Their martyrd blood and ashes sow O'er all the Italian fields, where still doth sway The triple Tvrant : that from these may grow A hundred-fold, who, having learnt Thy way, Early may fly the Babylonian woe. /. Milton LXXXVIII HORATIAN ODE UPON CROMWELL'S RETURN FROM IRELAND The forward youth that would appear, Must now forsake his Muses dear, Nor in the shadows sing His numbers languishing. Tis time to leave the books in dust, And oil the unused armour's rust, Removing from the wall The corslet of the hall. So restless Cromwell could not cease In the inglorious arts of peace. But through adventurous war Urged his active star: And like the three-fork'd lightning, first Breaking the clouds where it was nurst. Did thorough his own Side His fiery way divide : For 'tis all one to courage high, The emulous, or enemy ; And with such, to enclose Is more than to oppose ; Then burning through the air he went And palaces and temples rent ; And Caesar's head at last JJid through his laiirels blast. 66 THE GOLDEX TREASURY 'Tis madness to resist or blame The face of angry heaven's flame ; And if we would speak true, Much to the Man is due Who, from his private gardens, where He lived reserved and austere, (As if his highest plot To plant the bergamot,) Could by industrious valour climb To ruin the great work of time, And cast the Kingdoms old Into another mould ; Though Justice against Fate complain. And plead the ancient Rights in vain « But those do hold or break As men are strong or weak ; Nature, that hateth emptiness, Allows of penetration less. And therefore must make room Where greater spirits come. What field of all the civil war Where his were not the deepest scar? And Hampton shows what part He had of wiser art, Where, twining subtle fears with hope He wove a net of such a scope That Charles himself might chase To Carisbrook's narrow case. That thence the Royal actor borne The tragic scaffold might adorn : While round the armed bands Did clap their bloody hands. He nothing common did or mean Upon that memorable scene, But with his keener eye The axe's edge did try ; THE GOLDEN TREASURY 6"^ Noi caii'd the Gods, with vulgar spite, To vindicate his helpless right ; But bow'd his comely head Down, as upon a bed. — This was that memorable hour Which first assured the forced power; So when they did design The Capitol's first line, A Bleeding Head, where they begun, Did fright the architects to run ; And yet in that the State Foresaw its happy fate ! And now the Irish are ashamed To see themselves in one year tamed: So much one man can do That does both act and know. They can affirm his praises best. And have, though overcome, confest How good he is, how just And fit for highest trust. Nor yet grown stifFer Arith command^ But still in the Republic's hand — How fit he is to sway That can so well obey ! He to the Commons" feet presents i\ Kingdom for his first year's rents, And (what he may) forbears His fame, to make it theirs : And has his sword and spoils ungirt To lay them at the PubHc's skirt. So when the falcon high Falls heavy from the sky, She, having kilPd. no more doth search But on the next green bough to perch. Where, when he first does lure, "^^^ falconer has her sure. 68 THE GOLDEN TREASURY — What may not then our Isle presume While victory his crest does plume ? What may not others fear If thus he crowns each year? As Caesar he, ere long, to Gaul, To Italy an Hannibal, And to all States not free Shall climacteric be. The Pict no shelter now shall find Within his parti-colour'd mind, But from this valour sad Shrink underneath the plaid — * Happy, if in the tufted brake The English hunter him mistake, Nor lay his hounds in near The Caledonian deer. But Thou, the War's and Fortune's so\% March indefatigably on ; And for the last effect Still keep the sword erect : Besides the force it has to fright The spirits of the shady night, The same arts that did gain A power, must it maintain. A. Mai veil LXXXIX LYCIDAS Elegy on a Friend drowned in the Irish Channel 1637 Yet once more, O ye laurels, and once more Ye myrtles brown, with ivy never sere, I come to pluck your berries harsh and crude, And with forced fingers rude THE GOLDEN TREASURY 69 Shatter your leaves before the mellowing year. Bitter constraint and sad occasion dear Compels me to disturb your season due : For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer. Who would not sing for Lycidas? he knew Himself to sing, and build the lofty rhyme. He must not float upon iiis watery bier Unwept, and welter to the parching wind, Without the meed of some melodious tear. Begin then, Sisters of the sacred well That from beneath the seat of Jove doth spring: Begin, and somewhat loudly sweep the string. Hence with denial vain and coy excuse : So may some gentle Muse With lucky words favour my destined urn ; And as he passes, turn And bid fair peace be to my sable shroud. For we were nursed upon the self-same hill, Fed the same flock by fountain, shade, and rill : Together both, ere the high lawns appeared Under the opening eyelids of the Morn, We drove a-field, and both together heard What time the gray-fly winds her sultry horn. Battening our flocks with the fresh dews of night, Oft till the star that rose at evening bright Toward heaven's descent had sloped his westering wheel Meanwhile the rural ditties were not mute, • Tempered to the oaten flute, Rough Satyrs danced, and Fauns with cloven heel From the glad sound would not be absent long ; And old Damoetas loved to hear our song. But, oh ! the heavy change, now thou art gone, Now thou art gone, and never must return ! Thee, Shepherd, thee the woods and desert caves With wild thyme and the gadding vine overgrown, And all their echoes, mourn : The willows and the hazel copses green 7b THE GOLDEN TREASURY Shall now no more be seen Fanning their joyous leaves to thy soft lays : — As killing as the canker to the rose, Or taint-worm to the weanling herds that graze, Or frost to flowers, that their gay \vardrobe wear When first the white-thorn blows ; Such, Lycidas, thy loss to shepherd's ear. Where were ye, Nymphs, when the remorseless deep Closed o'er the head of your loved Lycidas? For neither were ye playing on the steep Where your old bards, the famous Druids, lie, Nor on the shaggy top of Mona high. Nor yet where Deva spreads her wizard stream : Ay me ! I fondly dream — Had ye been there . . . For what could that have done What could the Muse herself that Orpheus bore, The Muse herself, for her enchanting son, Whom universal nature did lament. When by the rout that made the hideous roar His gory visage down the stream w-as sent, Down the swift Hebrus to the Lesbian shore? Alas ! what boots it with uncessant care To tend the homely, slighted, shepherd's trade And strictly meditate the thankless Muse? Were it not better done, as others use. To sport with Amaryllis in the shade. Or with the tangles of Neaera's hair? Fame is the spur that the clear spirit doth raise (That last infirmity of noble mind) To scorn delights, and live laborious days ; But the fair guerdon when we hope to find, And think to burst out into sudden blaze, Comes the blind Fury with the abhorred shears And slits the thin-spun life. ' But not the praise* Phoebus replied, and touched my trembling ears: * Fame is no plant that grows on mortal soil, Nor in the glistering foil THE GOLDEN TREASURY 7J oei off to the world, nor in broad rumour lies ; But lives and spreads aloft by those pure eyes And perfect witness of all-judging Jove ; As he pronounces lastly on each deed, Of so much fame in heaven expect thy meed»' O fountain Arethuse, and thou honoured flood Smooth-sliding Mincius, crown'd with vocal reeds. That strain I heard was of a higher mood. But now my oat proceeds. And listens to the herald of the sea That came in Neptune's plea ; He ask'd the waves, and ask'd the felon wi:ids, What hard mishap hath doom'd this gentle swain? And questioned every gust of rugged wings That blows from off each beaked promontory : They knew not of his story ; And sage Hippotadds their answer brings, That not a blast was from his dungeon stray'd; The air was calm, and on the level brine Sleek Panope with all her sisters play'd. It was that fatal and perfidious bark Built in the eclipse, and rigg'd with curses dark, That sunk so low that sacred head of thine. Next Camus, reverend sire, went footing slow, His mantle hairy, and his bonnet sedge Inwrought with figures dim, and on the edge Like to that sanguine flower inscribed with woe : ' Ah! who hath reft,' quoth he, ' my dearest pledge! ' Last came, and last did go The Pilot of the Galilean lake ; Two massy keys he bore of metals twain (The golden opes, the iron shuts amain) ; He shook his mitred locks, and stern bespake : ' How well could I have spared for thee, young swain Enow of such, as for their bellies' sake Creep and intrude and climb into the fold! Of other care they little reckoning make Than how to scramble at the shearers' feast, And shove away the worthy bidden guest 72 THE GOLDEN TREASURY Blind mouths! that scarce themselves know liow to hold a\ sheep-hook, or have learn'd aught else the least That to the faithful herdman's art belongs! What recks it them? What need they? They are sped: And when tliey list, their lean and Hashy songs Grate on their scrannel pipes of wretched straw ; The hungry sheep look up, and are not ioiiX, Ikit swoln with wind and the rank mist they draw Rot inwardly, and foul contagion spread : iJesides wliat the grim wolf with privy paw Daily devours apace, and nothing said: — But that two-handed engine at the door Stands ready to smite once, and smite no more.' Return, Alpheus ; the dread voice is past That shrunk thy streams ; return, Sicilian Muse, And call the vales, and bid them hither cast Their bells and flowerets of a thousand hues. Ye valleys low, where the mild whispers use Of shades, and wanton winds, and gushing brooks On whose fresh lap the swart star sparely looks ; Throw hither all your quaint enamell'd CyCS That on the green turf suck the honey'd showers And purple all the ground with \ernal flowers. Bring the rathe primrose that forsaken dies, The tufted crow-toe, and pale jessamine. The white pink, and the pansy freak'd with jet, The glowing violet. The musk-rose, and the well-attired woodbine. With cowslips wan that hang the pensive head, And every flower that sad embroidery wears : Bid amarantus all his beauty shed, x-Xnd daffadillies fill their cups with tears To strew the laureat hearse where Lycid lies. For so to interpose a little ease, Let our frail thoughts dally with false surmise : — Ay me! whilst thee the shores and pounding seas Wash far away, — where'er thy bones are hurl'd, Whether beyond the stormy Hebrides Where thou perhaps, under the whelming tide, Visitest the bottom of the monstrous world ; THE GOLDEN TREASURY 73 Oi whether thou, to our moist vows denied, Sleep'st by the fable of Bellerus old. Where the great Vision of the guarded mount Looks toward Nam.ancos and Bayona's hold, — Look homeward. Angel, now, and melt with ruth: — And, O ye dolphins, \*att the hapless youth! Weep no more, woeful shepherds, weep no more. For Lycidas, your sorrow, is not dead. Sunk though he be Ijeneath the watery floor : So sinks the day-star in the ocean-bed. And yet anon repairs his drooping head And tricks his beams, and with new-spangled ore Flames in the forehead of the morning sk\ ; So Lycidas sunk low, but mounted high Through the dear might of Him that walk'd the waves, Wliere, other groves and other streams along, With nectar pure his oozy locks he laves. And hears the unexpressive nuptial song in the blest kingdoms meek of joy and love. Tliere entertain him all the Saints above In solemn troops, and sweet societies. That sing, and singing, in their glory move, And wipe the tears for ever from his eyes. Now, Lycidas, the shepherds weep no more ; Henceforth thou art the Genius of the shore \\\ thy large recompense, and shalt be good To all that wander in that perilous flood. Thus sang the uncouth swain to the oaks and rills. While the still morn went out with sandals gray ; He touched the tender stops of various quills, With eager thought warbling his Doric lay : A.nd now the sun had stretch'd out all the hills, And now was dropt into the western bay: At last he rose, and twitched his mantle blue : To-morrow to fresh woods, and pastures new. J. Milton 74 THE GOLDEN TREASURY xc ON THE TOMBS IN WESTMINSTER ABBE\ Mortality, behold and fear What a change of flesh is here ! Think how many royal bones Sleep within these heaps of stones ; Here they lie, had realms and lands, Who now want strength to stir their hands, Where from their pulpits sealed with dust They preach, ' In greatness is no trust.' Here's an acre sown indeed With the richest royallest seed That the earth did e'er suck in Since the first man died for sin : Here the bones of birth have cried * Though gods they were, as men they died!" Here are sands, ignoble things, Dropt from the ruin'd sides of kings : Here's a world of pomp and state Buried in dust, once dead by fate. F. Beaumont XCI THE LAST CONQUEROR Victorious men of earth, no more Proclaim how wide your empires are ; Though you bind-in every shore And your triumphs reach as far As night or day, Yet you, proud monarchs, must obey And mingle with forgotten ashes, when Death calls ye to the crowd of common men. Devouring Famine, Plague, and War Each able to undo mankind, Death's servile emissaries are ; Nor to these alone confined, He hath at will More quaint and subtle ways to kill; THE GOLDEN TREASURY A smile or kiss, as he will use the art, Shall have the cunning skill to break a heart. J. Shirley XCII DEATH THE LEVELLER The glories of our blood and state Are shadows, not substantial things; There is no armour against fote : Death lavs his icy hand on kings: Sceptre and Crown Must tumble down. And in the dust be equal made With the poor crooked scythe and spade. Some men with swords may reap the field. And plant fresh laurels where they kill : But their strong nerves at last must yjeld ; They tame but one another still : Early or late They stoop to fate, And must give up their murmuring breath When they, pale captives, creep to death. The garlands wither on your brow ; Then boast no more your mighty deeds; Upon Death's purple altar now See where the victor-victim bleeds : Your heads must come To the cold tomb ; Only the actions of the just Smell sweet, and blossom in their dust. J. Shirley xcni WHEN THE ASSAULT WAS INTEiNDED TO THE CITY Captain, or Colonel, or Knight in Arms, Whose chance on thest^ defenceless doors may seize, 75 76 THE GOLDEN TREASURY If deed of honour did thee ever please, Guard them, and him within protect from harms, He can requite thee ; for he knows the charms That call fame on such gentle acts as these, And he can spread thy name o'er lands and seas. Whatever clime the sun's bright circle warms. Lift not thy spear against the Muses'' bower: The great Emathian conqueror bid spare The house of Pindarus, when temple and tower Went to the ground : and the repeated air Of sad Electra\s poet had the power To save the Athenian walls from ruin bare. J. Milton XCIV ON HIS BLINDNESS When I consider how my light is spent Ere half my days, in this darl^: world and wide, And that one talent which is death to hide Lodged with me useless, though my soul more bent To serve therewith my Maker, and present My true account, lest He returning chide, — Doth God exact day-labour, light denied? I fondly ask : — But Patience, to prevent That murmur, soon replies ; God doth not need Either man's work, or His own gifts : who best Bear His mild yoke, they serve Him best : His state Is kingly ; thousands at His bidding speed And post o'er land and ocean without rest : — They also serve who only stand and wait. J Milton xcv CHARACTER OF A HAPPY LIFE How happy is he born and taught That serveth not another's will ; FHE GOLDEN TREASURY 73 Whose armour is his honest thought And simple truth his utmost skill! Whose passions not his masters are, Whose soul is still prepared for death, Untied unto the world by care Of public fame, or private breath ; Who envies none that chance doth raise Nor vice; Who never understood How deepest wounds are given by praise ; Nor rules of state, but rules of good : Who hath his life from rumours freed, Whose conscience is his strong retreat ; Whose state can neither flatterers feed, Nor ruin make oppressors great ; Who God doth late and early pray More of His grace than gifts to lend ; And entertains the harmless day With a religious book or friend ; — This man is freed from servile bands Of hope to rise, or fear to fall ; Lord of himself, though not of lands ; And having nothing, yet hath all. Sir H. iVoitoH XCVI THE NOBLE NATURE It is not growing like a tree In bulk, doth make Man better be ; Or standing long an oak, three hundred year, To fall a log at last, dry, bald, and sere : A lily of a day Is fairer far in May, Although it fall and die that night — It was the plant and flower of Light. In small proportions we just beauties see ; And in short measures life may perfect be. B. Jonson jS THE GOLDEN TREASURY XCVII THE GIFTS OF GOD When God at first made Man, Having a glass of blessings standing by; Let us (said He) pour on him all we can : Let the world's riches, which dispersed lie, Contract into a span. So strength first made a way ; Then beauty flow'd, then wisdom, honour, pleasure When almost all was out, God made a stay, Perceiving that alone, of all His treasure, Rest in the bottom lay. For if I should (said He) Bestow this jewel also on My creature, He would adore My gifts instead of Me, And rest in Nature, not the God of Nature, So both should losers be. Yet let him keep the rest, But keep them with repining restlessness : Let him be rich and weary, that at least, If goodness lead him not, yet weariness May toss him to My breast. G. Herbert xcvni THE RETREAT Happy those early days, when I Shined in my Angel-infancy! Before I understood this place Appointed for my second race, Or taught my soul to fancy aught But a white, celestial thought ; When yet I had not walk'd above A mile or two from my first Love, THE GOLDEN TREASURY 79 And looking back, at that short space Could see a glimpse of His bright face : When on some gilded cloud or flower My gazing soul would dwell an hour, And in those weaker glories spy Some shadows of eternity ; Before I taught my tongue to wound My conscience with a sinful sound, Or had the black art to dispense A several sin to every sense, But felt through all this fleshly dress Bright shoots of everlastingness. O how I long to travel back, And tread again that ancient track ! That I might once more reach that plain Where first I left my glorious train; From whence th' enlightened spirit sees That shady City of palm trees! But ah! my soul with too much stay Is drunk, and staggers in the way : — Some men a forward motion love, But I by backward steps would move ; And when this dust falls to the urn, In that state I came, return. H. Vaughan XCIX TO MR. LAWRENCE Lawrence, of virtuous father virtuous son. Now that the fields are dank and ways are mire. Where shall we sometimes meet, and by the fire Help waste a sullen day, what may be won From the hard season gaining ? Time will run On smoother, till Favonius re-inspire The frozen earth, and clothe in fresh attire The lily and rose, that neither sow'd nor spun 8o THE GOLDEN TREASURY What neat repast shall feast us, light and choice, Ot Attic taste, with wine, whence we may rise To hear the lute well touched, or artful voice Warble immortal notes and Tuscan air? He who of those delights can judge, and spare To interpose them oft, is not unwise. J. Milton TO CYRIACK SKINNER Cyriack, whose grandsire, on the royal bench Of British Themis, with no mean applause Pronounced, and in his volumes taught, our laws, Which others at their bar so often wrench ; To-day deep thoughts resolve with me to drench In mirth, that after no repenting draws ; Let Euclid rest, and Archimedes pause. And what the Swede intend, and what the French. To measure life learn thou betimes, and know Toward solid good what leads the nearest way ; For other things mild Heaven a time ordains, And disapproves that care, though wise in show, That with superfluous burden loads the day, And, when God sends a cheerful hour, refrains. /. Milton CI A HYMN IN PRAISE OF NEPTUNE Of Neptune^'s empire let us sing. At whose command the waves obey; To whom the rivers tribute pay, Down the high mountains sliding; To whom the scaly nation yields Homage for the crystal fields W^herein they dwell; THE GOLDEN TREASURY %x And every sea -god pays a gem Yearly out of his watery cell, To deck great Neptune's diadem. The Tritons dancing in a ring, Before his palace gates do make The water with their echoes quake, Like the great thunder sounding : The sea-nymphs chaunt their accents shrilij And the Syrens taught to kill With their sweet voice, Make every echoing rock reply, Unto their gentle murmuring noise, The praise of Neptune's empery. T. Campion CII HYMN TO DIANA Queen and Huntress, chaste and fair, Now the sun is laid to sleep, Seated in thy silver chair State in wonted manner keep: Hesperus entreats tJiy light, Goddess excellently brig-ht. Earth, let not thy envious shaae Dare itself to interpose; Cynthias shining orb was made Heaven to clear when day did close: Bless us then with w'ishe'd sight, Goddess exxellently bright. Lay thy bow of pearl apart And thy crystal-shining quiver; Give unto the liying hart Space to breathe, how short soever: l^hou that mak'st a day of night. Goddess excellently bright ! B.JonsoH 82 THE GOLDEN JivEASURV cm WISHES FOR THE SUPPOSED MISTRESS Whoe'er she be, That not impossible She That shall command my heart and me ; Where'er she lie, Lock'd up from mortal eye In shady leaves of destiny : Till that ripe birth Of studied Fate stand forth, And teach her fair steps tread our earth ; Till that divine Idea take a shrine Of crystal flesh, through which to shine : — Meet you her, my Wishes, Bespeak her to my blisses, And be ye call'd, my absent kisses. I wish her beauty That owes not all its duty To gaudy tire, or glist'ring shoe-tie : Something more than Tafifata or tissue can, Or rampant feather, or rich fan. A face that's best By its own beauty drest. And can alone commend the rest : A face made up Out of no other shop Than what Nature's white hand sets ope. Sidneian showers Of sweet discourse, whose powers Can crown old Winter's head with flowers THE GOLDEN TREASURY 83 Whate'er delight Can make day's forehead bright Or give down to the wings of night. Soft silken hours, Open suns, shady bowers ; 'Bove all, nothing within that lowers. Days, that need borrow No part of their good morrow From a fore-spent night of sorrow: Days, that in spite Of darkness, by the light Of a clear mind are day all night. Life, that dares send A challenge to his end, And when it comes, say, 'Welcome, friend. I wish her store Of worth may leave her poor Of wishes ; and I wish no more. Now, if Time knows That Her, whose radiant brows Weave them a garland of my vows ; Her that dares be What these lines wish to see : I seek no further, it is She. 'Tis She, and here Lo! I unclothe and clear My wishes' cloudy character. Such worth as this is Shall fix my flying wishes, And determine them to kisses. Let her full glory. My fancies, fly before ye ; Be ye my fictions ; — but her story. R, Crashaw 84 THE GOLDEN TREASURY CIV THE GREAT ADVENTURER Over the mountains And over the waves, Under the fountains And under the graves ; Under floods that are deepest, Which Neptune obey ; Over rocks that are steepest Love will find out the way. Where there is no place For the glow-worm to lie ; Where there is no space For receipt of a fly ; Where the midge dares not venture Lest herself fast she lay ; If love come, he will enter And soon find out his way. You may esteem him A child for his might ; Or you may deem him A coward from his flight ; But if she whom love doth honour Be conceaPd from the day, Set a thousand guards upon her, Love will find out the way. Some think to lose him By having him confined ; And some do suppose him, Poor thing, to be blind ; But if ne'er so close ye wall hirn^ Do the best that you may. Blind love, if so ye call him, Will find out his way. You may train the eagle To stoop to your fist \ THE GOLDEN TREASURY 85 Or you may inveigle The phoenix of the east ; The lioness, ye may move her To give o'er her prey ; But you'll ne'er stop a lover: He will find out his way. Anon CV THE PICTURE OF LITTLE T. C. IN A PROS PECT OF FLOWERS See with what simplicity This nymph begins her golden days! In the green grass she loves to lie, And there with her fair aspect tames The wilder flowers, and gives them names ; But only with the roses plays. And them does tell What colours best become them, and what smeii Who can foretell for what high cause This darling of the Gods was born? Yet this is she whose chaster laws The wanton Love shall one day fear, And, under her command severe, See his bow broke, and ensigns torn. Happy who can Appease this virtuous enemy of man! O then let me in time compound And parley with those conquering eyes. Ere they have tried their force to wound ; Ere with their glancing wheels they drive In triumph over hearts that strive. And them that yield but more despise : Let me be laid, Where I may see the glories from some shade Mean time, whilst every verdant thing Itself does at thy beauty charm, Reform the errors of the Spring ; 86 THE GOLDEN TREASURY Make that the tulips may have share Of sweetness, seeing they are fair, And roses of their thorns disarm ; But most procure That violets may a longer age endure. But O young beauty of the woods, Whom Nature courts with fruits and flowerSj Gather the flowers, but spare the buds ; Lest Flora, angry at thy crime To kill her infants in their prime, Should quickly make th' example yours ; And ere we see — Nip in the blossom — all our hopes and thee. A. Marvel CVI CHILD AND MAIDEN Ah, Chloris ! could I now but sit As unconcerned as when Your infant beauty could beget No happiness or pain! When I the dawn used to admire, And praised the coming day, I little thought the rising fire Would take my rest away. Your charms in harmless childhood lay Like metals in a mine ; Age from no face takes more away Than youth conceaPd in thine. But as your charms insensibly To their perfection prest, So love as unperceived did fly, And centered in my breast. My passion with your beauty grew, While Cupid at my heart. Still as his mother favoured yoUc Threw a new flaminu' dart • THE GOLDEN TREASURY 87 Each gloried in their wanton part ; To make a lover, he Employ'd the utmost of his art — To make a beauty, she. Sir C. Sedley CVII CONSTANCY I cannot change, as others do, Though you unjustly scorn, Since that poor swain that sighs for you. For you alone was born ; No, Phyllis, no, your heart to move A surer way Til try, — And to revenge my slighted love, Will still love on, and die. When, kiird with grief, Amintas lies, And you to mind shall call The sighs that now unpitied rise, The tears that vainly fall, That welcome hour that ends his smart Will then begin your pain. For such a faithful tender heart Can never break in vain. /. Wilmol, Earl of Rochester CVIII COUNSEL TO GIRLS Gather ye rose-buds while ye may, Old Time is still a-flying : And this same flower that smiles to-day, To-morrow will be dying. The glorious Lamp of Heaven, the Sun, The higher he's a-getting The sooner will his race be run, And nearer he's to setting. 58 THE GOLDEN TREASURY That age is best which is the first. When youth and blood are warmer; But being spent, the worse, and worst Times, still succeed the former. Then be not coy, but use your time, And while ye may, go marry : For having lost but once your prime, You may for ever tarry. R. Her rick CIX rO LUCASTA, ON GOING TO THE WARS Tell me not, Sweet, I am unkind That from the nunnery Of thy chaste breast and quiet mind, To war and arms I fly. True, a new mistress now 1 chase, The first foe in the field ; And with a stronger faith embrace A sword, a horse, a shield. Yet this iconstancy is such As you too shall adore ; I could noi love thee. Dear, so much, Loved I not Honour more. Colonel Lovelace CX ELIZABETH OF BOHEMIA You meaner beauties of the wight, That poorly satisfy our eyes More by your number than your light. You common people of the skies. What are you, when the Moon shall rise? You curious chanters of the wood That warble forth dame Nature's lays, THE GOLDEN TREASURY 89 Thinking your passions understood By your weal< accents ; what's your praise When Philomel her voice doth raise? You violets that first appear, By your pure purple mantles known Like the proud virgins of the year, As if the spring were all your own, — What are you, when the Rose is blown? So when my Mistress shall be seen In form and beauty of her mind. By virtue first, then choice, a Queen, Tell me, if she were not designed Th' eclipse and glory of her kind? Sir H. Wotton CXI TO THE LADY MARGARET LEY Daughter to that good Earl, once President Of England's Council and her Treasury, Who lived in both, unstained with gold or fee. And left them both, more in himself content, Till the sad breaking of that Parliament Broke him, as that dishonest victory At Chaeroneia, fatal to liberty, Kiird with report that old man eloquent ; — Though later born than to have known the days Wherein your father flourish'd, yet by you, Madam, methinks I see him living yet ; So well your words his noble virtues praise, That all both judge you to relate them true, And to possess them, honoured Margaret. y. Milton f).* THE GOLDEN TREASURY CXII THE TRUE BEAUTY He that loves a rosy cheek Or a coral lip admires, Or from star-like eyes doth seek Fuel to maintain his fires ; As old Time makes these decay> So his flames must waste away. But a smooth and steadfast mind, Gentle thoughts, and calm desires, Hear'-s with equal love combined, Kindle never-dying fires : — Where these are not, I despise Lovely cheeks or lips or eyes. T. Careii CXIII TO DIANEME Sweet, be not proud of those two eyes Which starlike sparkle in their skies ; Nor be you proud, that you can see All hearts your captives ; yours yet free : Be you not proud of that rich hair Which wantons with the lovesick air ; Whenas that ruby which you wear. Sunk from the tip of your soft ear, Will last to be a precious stone When all your world of beauty's gone. R. Herrick CXIV Love in thy youth, fair Maid, be wise ; Old Time will make thee colder, And though each morning new arise Yet we each day grow older. Thou as Heaven art fair and young, Thine eyes like *win stars shining; THE GOLDEN TREASURY ( But ere another day be sprung All these will be declining^ Then winter comes with all his fears, And all thy sweets shall borrow ; Too late then wilt thou shower thy tears, — And I too late shall sorrow! Anon cxv Go, lovely Rose ! Tell her, that wastes her time and me, That now she knows, When I resemble her to thee, How sweet and fair she seems to be. Tell her that's young And shuns to have her graces spied, That hadst thou sprung In deserts, where no men abide, Thou must have uncommended died. Small is the worth Of beauty from the light retired: Bid her come forth, Suffer herself to be desired, And not blush so to be admired. Then die! that she The common fate of all things rare May read in thee : How small a part of time they share That are so wondrous sweet and fair! E, Walle? CXVI TO CELIA Drink to me only with thine eyes, - And I will pledge with mine ; Or leave a kiss but in the cup And ril not look for wine. 92 THE GOLDEN TREASURY The thirst that from the soul doth rise Doth ask a drink divine; But might I of Jove's nectar sup, I would not change for thine. I sent thee late a rosy wreath, Not so much honouring thee As giving it a hope that there It could not withered be ; But thou thereon didst only breathe And sent'st it back to me ; Since when it grows, and smells, I swear, Not of itself but thee! B. Jov^'on CXVII CHERRY-RIPE There is a garden in her face Where roses and white lilies blow; A heavenly paradise is that place, Wherein all pleasant fruits do grow ; There cherries grow that none may buy, Till Cherry-Ripe themselves do cry. Those cherries fairly do enclose Of orient pearl, a double row, Which when her lovely laughter shows, They look like rose-buds filPd with snow* Yet them no peer nor prince may buy, Till Cherry-Ripe themselves do cry. Her eyes like angels watch them still , Her brows like bended bows do stand. Threatening with piercing frowns to kill • All that approach with eye or hand These sacred cherries to come nigh. Till Cherry-Ripe themselves do cry! Anon. THE GOLDEN TREASURY 93 CXVIII CORINNA'S MAYING Get up, get up for shame! The blooming morn Upon her wings presents the god unshorn. See how Aurora throws her fair Fresh-quilted colours through the air : Get up, sweet Slug-a-bed, and see The dew bespangling herb and tree. Each flower has wept, and bow'd toward the east, Above an hour since ; yet you not drest, Nay ! not so much as out of bed ? When all the birds have matins said, And sung their thankful hymns : His sin, Nay, profanation, to keep in, — Whenas a thousand virgins on this day, Spring, sooner than the lark, to fetch-in May. Rise; and put on your foliage, and be seen To come forth, like the Spring-time, fresh and green And sweet as Flora. Take no care For jewels for your gown, or hair : Fear not ; the leaves will strew Gems in abundance upon you : Besides, the childhood of the day has kept, Against you come, some orient pearls unwept: Come, and receive them while the light Hangs on the dew-locks of the night : And Titan on the eastern hill Retires himself, or else stands still Till you come forth. Wash, dress, be brief in praying Few beads are best, when once we go a Maying. Come, my Corinna, come ; and coming, mark How each field turns a street ; each street a park Made green, and trimm'd with trees : see how Devotion gives each house a bough Or branch : Each porch, each door, ere this, An ark, a tabernacle is, 94 THE GOLDEN TREASURE Made up of white-thorn neatly interwove ; As if here were those cooler shades of love. Can such delights be in the street, And open fields, and we not see't? Come we'll abroad : and let's obey The proclamation made for May : And sin no more, as we have done, by staying; But, my Corinna, come, let's go a Maying. There's not a budding boy, or girl, this day, But is got up, and gone to bring in May. A deal of youth, ere this, is come Back, and with white-thorn laden home. Some have despatched their cakes and cream, Before that we have left to dream : And some have wept, and woo'd, and plighted troth, And chose their priest, ere we can cast off sloth : Many a green-gown has been given ; Many a kiss, both odd and even : Many a glance too has been sent From out the eye. Love's firmament : Many a jest told of the keys betraying This night, and locks pick'd: — Yet we're not a Maying — Come, let us go, while we are in our prime ; And take the harmless folly of the time! We shall grow old apace, and die Before we know our liberty. Our life is short ; and our days run As fast away as does the sun : — And as a vapour, or a drop of rain Once lost, can ne'er be found again: So when or you or I are made A fable, song, or fleeting shade ; All love, all liking, all delight Lies drown'd with us in endless night. Then while time serves, and we are but decaying, Come, my Corinna! come, let's go a Maying. R. Herrick THE GOLDEN TREASURY 95 CXIX THE POETRY OF DRESS A sweet disorder in the dress Kindles in clothes a wantonness : — A lawn about the shoulders thrown Into a fine distraction, — An erring lace, which here and there Enthrals the crimson stomacher, — A cuff neglectful, and thereby Ribbands to flow confusedly, — A winning wave, deserving note, In the tempestuous petticoat, — A careless shoe-string, in whose tie I see a wild civility, — Do more bewitch me, than when art Is too precise in every part. R. Herrick CXX Whenas in silks my Julia goes Then, then (methinks) how Sweetly flows That liquefaction of her clothes. Next, when I cast mine eyes and see That brave vibration each way free O how that glittering taketh me I R. Herrick CXXI 3 My Love in her attire doth shew her wil> It doth so well become her: r'or every season she hath dressings fit, For Winter, Spring, and Summer. 96 THE GOLDEN TREASURY No beauty she doth miss V/hen all her robes are on : But Beauty's self she is When all her robes are gone. Anon* CXXII ON A GIRDLE That which her slender waist confined Shall now my joyful temples bind : No monarch but would give his crown His arms might do what this has done. It was my Heaven's extremest sphere, The pale which held that lovely deer My joy, my grief, my hope, my love Did all within this circle move. A narrow compass! and yet there Dwelt all that's good, and all that's fair: Give me but what this ribband bound, Take all the rest the Sun goes round. E. Waller CXXII I A MYSTICAL ECSTASY E'en like .two little bank-dividing brooks. That wash the pebbles with their w'anton streams, And having ranged and search'd a thousand nooks, Meet both at length in silver-breasted Thames, Where in a greater current they conjoin : So I my Best-Beloved's am ; so He is mine- E'en so we met ; and after long pursuit. E'en so we join'd ; w^e both became entire ; No need for either to renew a suit, For I was flax and he was flames of fire : Our firm-united souls did more than twine ; So I my Best-Beloved's am : so He is mine. THE GOLDEN TREASURY 9^ If all those glittering Monarchs that command The servile quarters of this earthly ball, Should tender, in exchange, their shares of land, I would not change my fortunes for them all: Their wealth is but a counter to my coin : The world's but theirs ; but my Beloved's mine. /". Quartes CXXIV ro ANTHEA WHO MAY COMMAND HIM ANV THING Bid me to live, and I will live Thy Protestant to be : Or bid me love, and I will give A loving heart to thee. A heart as soft, a heart as kind, A heart as sound and free As in the whole world thou canst find, That heart Til give to thee. Bid that heart stay, and it will stay, To honour thy decree : Or bid it languish quite away, And 't shall do so for thee. Bid me to weep, and I will weep While I have eyes to see : And having none, yet I will keep A heart to weep for thee. Bid me despair, and Til despair, Under that cypress tree : Or bid me die, and I will dare E'en Death, to die for thee. Thou art my life, my love, my heart, The very eyes of me. And hast command of every part, To live and die for thee. R. Her rick 98 THE GOLDEN TREASURY cxxv Love not me for comely grace, For my pleasing eye or face, Nor for any outward part, No, nor for my constant heart, — For those may fail, or turn to ill, So thou and I shall sever : Keep therefore a true woman's eye, And love me still, but know not why — So hast thou the same reason still To doat upon me ever! Anon CXXVI Not, Celia, that I juster am Or better than the rest ; For I would change each hour, like them, Were not my heart at rest. But I am tied to very thee By every thought I have ; Thy face I only care to see, Thy heart I only crave. All that in woman is adored In thy dear self I find — For the whole sex can but aiford The handsome and the kind. Why then should I seek further store. And still make love anew? When change itself can give no more, 'Tis easy to be true. Sir C. Sedlef CXXVII TO ALTHEA FROM PRISON When Love with unconfined wings Hovers within my gates. THE GOLDEN TREASURY 9 And my divine Althea brings To whisper at the grates ; When I lie tangled in her hair And fetterd to her eye, The Gods that wanton in the air Know no such Hberty. When flowing cups run swiftly round With no allaying Thames, Our careless heads with roses bound, Our hearts with loyal flames ; When thirsty grief in wine we steep, When healths and draughts go free Fishes that tipple in the deep Know no such liberty. When, (like committed linnets), I With shriller throat shall sing The sweetness, mercy, majesty And glories of my King ; When 1 shall voice aloud how good He is, how great should be. Enlarged winds, that curl the flood, Know no such liberty. Stone walls do not a prison make. Nor iron bars a cage ; Minds innocent and quiet take That for an hermitage ; If I have freedom in my love And in my soul am free, Angels alone, that soar above, Enjoy such liberty. Colonel Lovelace CXXVIII rO LUCASTA, GOING BEYOND THE SEAS If to be absent were to be Away from thee ; Or that when I am gone You or I were alone ; too THE GOLDEX TREASURy Then, my Lucasta, might I crave Pity from hh^stering wind, or swallowing wave. But 111 not sigh one blast or gale To swell my sail. Or pay a ter.r to 'suage The foaming iiliie-god's rage; For whether he will let nv pass Or no, V\w still as happy as \ was. Though seas and land hetwixt us both, Our faith and troth. Like separated souls. All time and space controls : Above the highest sphere we meet Unseen, unknown, and greet as Angels greet. So then we do anticipate Our after-fate, And are alive i' the skies, If thus our lijjs and eyes Can speak like si)irits unconfined In Heaven, their earthy bodies left behind. Colonel Lovelaci CXXIX ENCOURAGEMENTS TO A LOVER Why so pale and wan, fond lover? Prvthee, why so pale? Will, it' looking well can't move her, Looking ill prevail ? Prythee, why so pale? Why so dull and mute, young sinner? Prythee, why so mute? Will, when speaking well can't win hti, Saying nothing do"t ? Prythee, why so mute ? THE GOLDEN TREASVRY to Quit, quit, for shame! this will not move, This cannot take her ; If of herself she will not love, Nothinj; cm make her: The D— 1 take her ! SirJ. Sucklnig cxxx A SUPPLICATION Awake, awake, my Lyre ! And tell thy silent master's humble tale In sounds that may prevail ; Sounds that gentle thoughts inspire: Though so exalted she Antl I so lowly be Tell her, such different notes make all thy harmon*' Hark, how the strings awake ! And, though the moving hand approach not near, Themselves with awful fear A kind of numerous trembling make. Now all thy forces try ; Now all thy charms apply ; Revenge upon her ear the conquests of her eye Weak Lyre! thy virtue sure Is useless here, since thou art only found To cure, but not to wound, And she to wound, but not to cure. Too weak too wilt thou prove My passion to remove ; Physic to other ills, thou'rt nourishment to Lovt. Sleep, sleep again, my Lyre ! For thou canst never tell my humble tale In sounds that will prevail. Nor gentle thoughts in her inspire; All thy vain mirth lay by. Bid thy strings silent lie, Sleep, sleep again, my Lyre, and let thy master die. A. Cow ley 102 THE GOLDEN TREASURY CXXXI THE MANLY HEART Shall I, wasting in despair, Die because a woman's fair? Or make pale my cheeks with care 'Cause another's rosy are? Be she fairer than the day Or the flowery meads in May — If she think not well of me. What care I how fair she be? Shall my silly heart be pined 'Cause I see a woman kind ; Or a well disposed nature Joinc^d with a lovely feature? Be she meeker, kinder than Turtle-dove or pelican. If she be not so to me. What care I how kind she be? Shall a woman's virtues move Me to jjerish for her love? Or her well-deservings known Make me quite forget mine own? Be she with that goodness blest Which may merit name of Best; If she be not such to me, What care I how good she be? ^Cause her fortune seems too high, Shall I play the fool and die? She that bears a noble mind If not outward helps she find. Thinks what with them he would do Who without them dares her woo; And unless that mind I see, What care I how great she be? Great or good, or kind or fair, 1 will ne'er the more despair ; THE GOLDEN" TREASURY 1 03 If she love me, this believe, I will die ere she shall grieve ; If she slight me when I woo, I can scorn and let her go ; For if she be not for me, What care I for whom she be? G, Wtthef CXXXII MELANCHOLY Hence, all you vain delights, As short as are the nights Wherein you spend your folly: There's nought in this life sweet If man were wise to see't, But only melancholy, O sweetest Melancholy! Welcome, folded arms, and fixed eyes, A sigh that piercing mortifies, A look that's fastened to the ground, A tongue chain'd up without a sound! Fountain-heads and pathless groves. Places which pale passion loves! Moonlight walks, when all the fowls Are warmlv housed save bats and owls! A midnight bell, a parting groan! These are the sounds we i(^t(.\ upon ; Then stretch our bones in a still gloomy valley ; Nothing's so dainty sweet as lovely melancholy. J. Fletche? CXXXIII FORSAKEN waly waly up the bank. And waly waly down the brae, And waly waly yon burn-side Where' I and my Love wont to gae! 1 leant my back unto an aik, 1 thought it was a trusty tree ; ^04 THE GOLDEN TREASURY But first it bow'd, and syne it brak, Sae my true Love did lichtly me. O waly waly, but love be bonny A little time while it is new ; But when 'tis auld, it waxeth cauld And fades awa' like morning dew. O wherefore should I busk my head? Or wherefore should I kame my hair? For my tme Love has me forsook, And says he'll never loe me mair. Now Arthur-seat sail be my bed ; The sheets shall ne'er be prest by me: Saint Anton's well sail be my drink. Since my true Love has forsaken me. Marti'mas wind, when wilt thou blaw And shake the green leaves aff the tree? O gentle Death, when wilt thou come? For of my life I am wearie. 'Tis not the frost, that freezes fell. Nor blawing snaw's inclemencie ; 'Tis not sic cauld that makes me cry. But my Love's heart grown cauld to me. When we came in by Glasgow town We were a comely sight to see : My Love was clad in the black velvet, And I mvsell in cramasie. But had I wist, before I kist. That love had been sae ill to win : I had lockt my heart in a case of gowd And pinn'd it with a siller pin. And, O! if my young babe were born, And set upon the nurse's knee. And I m\sell were dead and gane. And the green grass growing over me ! Atwn» THE GOLDEN TREASURY 105 CXXXIV Upon my lap my sovereign sits And sucks upon my breast ; Meantime his love maintains my life And gives my sense her rest. Sing lullaby, my little boy. Sing lullaby, mine only joy! When thou hast taken thy repast, Repose, my babe, on me ; So may thy mother and thy nurse Thy cradle also be. Sing lullaby, my little bt)y. Sing lullaby, mine only joy! I grieve that duty doth not work All that my wishing would. Because I would not be to thee But in the best I should. Sing lullaby, my little boy. Sing lullaby, mine only joy! Yet as I am, and as I may, I must and will be thine. Though all too little for thy self Vouchsafing to be mine. Sing lullaby, my little boy, Sing lullaby, mine only joy! Anon. cxxxv FAIR HELEN I wish I were where Helen lies ; Night and day on me she cries: O that I were where Helen lies On fair Kirconnell lea! Curst be the heart that thought the thought^ And curst the hand that fired the shot, When in my arms burd Helen drupt. And died to succour me! .o6 rnE GOLDEN- TREASURY think na but my heart was sair When my Love dropt down and spak nae mair' 1 laid her down wi' meikle care On fair Kirconnell lea. As 1 went down the water-side. None hut my foe to he my guide, None hut my foe to be my guide, On fair Kirconnell lea ; I lighted down my sword to draw, I hacked him in pieces sma\ I hacked him in pieces sma". For her sake that died for me. O Helen fair, beyond compare! ril make a garland of thy hair Shall bind my heart for evermair Until the day I die. O that I were where Helen lies! Night and day on me she cries; Out of my bed she bids me rise, Says, ' Haste and come to me ! ' Helen fair! O Helen chaste! If I were with thee, I were blest. Where thou lies low and takes thy rest On fair Kirconnell lea. 1 wish my grave were growing green, A winding-sheet drawn ower my een, And I in Helen's arms lying. On fair Kirconnell lea. I wish I were where Helen lies ; Night and day on me she cries ; And I am weary of the skies, Since my Love died for me. Anon THE GOLDEN TREASURY 107 CXXXVI THE TWA CORBIES As I was walking all alane I heard twa corbies making a mane; The tane unto the t'other say, 'Where sail we gang and dine today?' * — In behint yon auld fail dyke, I wot there lies a new-slain Knight; And naebody kens that he lies there, But his hawk, his hound, and lady fair. 'His hound is to the hunting gane. His hawk to fetch the wild-fowl hame, His lady's ta'en another mate. So we may mak our dinner sweet. * Ye'll sit on his white hause-bane, And ril pick out his bonnie blue een : Wi' ae lock o' his gowden hair We'll theek our nest when it grows bare. *Mony a one for him makes mane, But nane sail ken where he is gane ; O'er his white banes, when they are bare, The wind sail blaw for evermair.' Anon. CXXXVII ON THE DEATH OF MR. WILLIAM HERVE\ It was a dismal and a fearful night, — Scarce could the Morn drive on th" unwilling light, When sleep, death's image, left my troubled breast, By something liker death possest. My eyes with tears did uncommanded flow, And on my soul hung the dull weight Of some intolerable fate. What bell was that.-* Ah me! Too much I know I lo8 THE GOLDEN TREASURY My sweet companion, and my gentle peer, Why hast thou left me thus unkindly here, Thy end for ever, and my life, to moan? O thou hast left me all alone ! Thy soul and body, when death's agony Besieged around thy noble heart, Did not with more reluctance part Than I, my dearest friend, do part from thee. Ye fields of Cambridge, our dear Cambridge, say, Have ye not seen us, walking every day? Was there a tree about which did not know The love betwixt us two? Henceforth, ye gentle trees, for ever fade, Or your sad branches thicker join, And into darksome shades combine, Dark as the grave wherein my friend is laid. Large was his soul ; as large a soul as e'er Submitted to inform a body here: High as the place "twas shortly in Heaven to ha-'p, But low and humble as his grave; So high that all the virtues there did come As to the chiefest seat Conspicuous, and great ; So low that for me too it made a room. Knowledge he only sought, and so soon caught, As if for him knowledge had rather sought ; Nor did more learning ever crowded iie In such a short mortality. Whene'er the skilful youth discoursed oi writ, Still did the notions throng About his eloquent tongue; Nor could his ink flow faster than his wit. His mirth was the pure spirits of various wit, Yet never did his God or friends forget. And when deep talk and wisdom came in view, Retired, and gave to Ihern their due. THE GOLDEN TREASURY 1©^ For the rich help of books he always took. Though his own searching mind before Was so with notions written oVr. As if wise Nature had made that her book. With as much zeal, devotion, piety, He always lived, as other saints do die. Still with his soul severe account he kept, Weeping all debts out ere he slept. Then down in peace and innocence he lay, Like the sun's laborious light. Which still in water sets at night, Unsullied with his journey of the day. A. Gnuley CXXXVIII FRIENDS IN PARADISE They are all gone into the world of light! And I alone sit lingering here; Their very memory is fair and bright. And my sad thoughts doth clear: — it glows and glitters in my cloudy breast. Like stars upon some gloomy grove. Or those faint beams in which this hill is drest, After the sun's remove. I see them walking in an air of glory. Whose light doth tranijDle on my davs : My days, which are at best but dull and hoary, Mere glimmering and decays. holy Hope! and high Humility, High as the heavens above! These are your walks, and you have shew'd them me, To kindle my cold love. Dear, beauteous Death ! the jewel of the just, Shining no where, but in the dark ; What mysteries do lie beyond thy dust. Could man outlook that mark! [o THE GOLDEN TREASURY He that hath found some fledged bird's nest, may kntn At first sight, if the bird be flown ; But what fair well or grove he sings in now, That is to him unknown. And yet, as Angels in some brighter dreams Call to the soul, when man doth sleep; So some strange thoughts transcend our wonted theme And into glory peep. H. Vaughan CXXXIX TO BLOSSOMS Fair pledges of a fruitful tree, Why do ye fall so fast? Your date is not so past, But you may stay yet here awhile To blush and gently smile, And go at last. What, were ye born to be An hour or half's delight, And so to bid good-night? 'Twas pity Nature brought ye forth Merely to show your worth, And lose you quite. But you are lovely leaves, where we May read how soon things have Their end. though ne'er so brave : And after they have shown their pride Like you, awhile, they glide Into the grave. R. Herrick CXL TO DAFFODILS Fair Daff"odils, we weep to see You haste away so soon : As yet the early-rising Sun Has not attain'd hi'- "'^'^n THE GOLDEN TREASURY ill Stay, stay. Until the hasting day Has run But to the even-song; And, having pray'd together, we Will go with you along. We have short time to stay, as you, We have as short a Spring ; As quick a growth to meet decay As you, or any thing. We die, As your hours do, and dry Away Like to the Summer's rain ; Or as the pearls of morning's dew Ne'er to be found again. R. Ilcrrkk CXLI THE GIRL DESCRIBES HER FAWN With sweetest milk and sugar first I it at my own fingers nursed ; And as it grew, so every day It wax'd more white and sweet than they — It had so sweet a breath! and oft I blush'd to see its foot more soft And white, — shall I say, — than my hand? Nay, any lady's of the land ! It is a wondrous thing how fleet 'Twas on those little silver feet : With what a pretty skipping grace It oft would challenge me the race : — And when *t had left me far away 'Twould stay, and run again, and stay: For it was nimbler mucii than hinds, And trod as if on the four winds. I have a garden of my own, Dut so with roses overgrown THE GOLD EX TREASURY And lilies, that you would it guess To be a little wilderness : And all the spring-time of the year It only loved to be there. Among the beds of lilies I Have sought it oft, where it should lie ; Yet could not, till itself would rise, Find it, although before mine eyes: -^ For in the flaxen lilies' shade It like a bank of lilies laid. Upon the roses it would feed. Until its lips e'en seemM to bleed : And then to me 'twould boldly trip, And print those roses on my lip. But all its chief delight was still On roses thus itself to fill. And its pure virgin limbs to fold In whitest sheets of lilies cold : — Had it lived long, it would have been Lilies without — roses within. A. Marvell CXLII THOUGHTS IN A GARDEN How vainly men themselves amaze To win the palm, the oak, or bays. And their uncessant labours see Crown'd from some single herb or tree, Whose short and narrow-verged shade Does prudently their toils upbraid ; While all the flowers and trees do close To weave the garlands of Repose. Fair Quiet, have I found thee here, And Innocence thy sister dear! Mistaken long, I sought you then In busy companies of men : Your sacred plants, if here below, Only among the plants will grow: Society is all but rude To this delicious solitude. 7' HE GOLDEN TREASURY 113 No white nor red was eier seen So amorous as this loveiy green. Fond lovers, cruel as their flame, Cut in these trees their mistness'' name; Little, alas, they know or heed How far these beauties hers ex'ceed ! Fair trees! wheres'e'er your barks 1 wound, No name shall but your own be found. When we have run our passions' heat Love hither makes his best retreat : The gods, who mortal beauty chase, Still in a tree did end their race; Apollo hunted I)ai)hne so Only that she might laurel grow; And l*an did after Syrinx speed Not as a nymph, but for a rtn-d. What wondrous life is this 1 lead! Ripe apples drop about my head ; The luscious clusters of the vine L'pon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach ; Stumbling on melons, as I i)ass. Ensnared with flowers, 1 fall on grass. Meanwhile the mind froni pleasure less Withdraws into its happiness ; The mind, that ocean where each kind Does straight its own resemblance find; Yet it creates, transcending these. Far other worlds, and other seas ; Annihilating all that's made To a green thought in a green shade. Here at the fountain's sliding foot Or at some fruit-tree's mossy root. Casting the body's vest aside My soul into the boughs does glide; There, like a bird, it sits and sings, Then whets and claps its silver wings, 114 ^'^^^ GOLDEN TREASURY And, till prepared for longer flight, Waves in its plumes the various light. Such was that happy Garden-state While man there walk'd without a mate- After a place so pure and sweet, What other help could yet be meet! But 'twas beyond a mortal's share To wander solitary there : Two ]>aradises 'twere in one, To live in Paradise alone. How well the skilful L;;ardener drew Of flowers and herbs this dial new: Where, from above, the milder sun Does throueam& Or likest hovering dreams. The fickle pensioners of Morpheus' tniin. But hail, thou goddess sage and holy, Hail, divincst Melancholy! Whose saintly visage is too bright To hit the sense of human sight. And therefore to our weaker view O'erlaid with black, staid Wisdom's hue; Black, but such as in esteem Prince Memnon's sister might beseem. Or that starr'd Ethiop queen that strove To set her beauty's praise above The sea-nymphs, and their powers offended Yet thou art higher far descended : Thee bright-hair'd \'esta, long of yore, To solitary Saturn bore ; I20 THE G or. HEX TREASURY His flai]row of Night, While Cynthia checks her dragon yoke Gently o'er the accustom'd oak. — Sweet bird, that shunn'st the noise of follj Most musical, most melancholy! Thee, chauntress, oft, the woods among I woo, to hear thy even-song ; And missing thee, 1 walk unseen THE GOLDEX IREASUKY 121 On the dry smooth-shaven green, 'I'o behold the wanderinjj; Moon Riding near her highest noon. Like one that had been led astray Through the heaven's wide pathless way, And oft, as if her head she bow'd. Stooping through a fleecy cloud. Oft, on a plat of rising ground I hear the fai -otT Curfeu sound Over some widc-water'd shore. Swinging slow with sullen roar: Or, if the air will not permit. Some still removed place will fit. Where glowing embers through the roorr Teach light to counterfeit a gloom ; Far from all resort of mirth. Save the cricket on the hearth. Or the bellman's drowsy charm To bless the d(»ors from nightlv h;irm. Or let my lamp at midnight hour Be seen in some high lonely tower. Where I may oft out-watch the Hear With thrice-great Hermes, or unsphere The sjjirit of Plato, to unfold What w(^rlds or what vast regions hold The immortal mind, that hath forsook Her mansion in this Heshly nook • And of those demons that are f'-'^n*'! In fire, air, flood, or under ground. Whose power hath a tri.e consent With planet, or with elenn-nt. Sometime let gorgeo'js Tragedy In scepter'd pall come sweeping by, Presenting Thebes, or Pelops' line, Or the tale of Troy divine : Or what (though rare) of later age Ennobled hath the buskin'd stage- Put, O sad X'irgin, that thy jxjwer Might raise Musaeus from his bower, Or bid the soul of Orpheus sing Such notes as, warbled to the string, 122 THE GOLDEN TREASURY Drew iron tears clown Pluto's cheek And made Hell i^rant what Love did seek! Or call up him that left half-told The story of Cambuscan bold, Of Camball, and of Al<;arsife, And who had Canace to wife That own"d the virtuous rin^ and glass; And of the wondrous horse of brass On which the Tartar kim^ did ride: And if aught else great bards beside In sage and solemn tunes have sung Of turneys, and of trojjhies hung. Of forests, and enchantments drear. Where more is meant than meets the ear. Thus, Night, oft see me m thy pale caree: Till civil-suited Morn appear. Not trick'd and frounced as she was wont With the Attic Boy to hunt. But kercheft in a comely cloud While rocking winds are piping loud, Or usher'd with a shower still. When the gust hath blown his fill, Ending on the rustling leaves With minute drops fiom ofl' the eaves. And when the sun begins to fling His riaring beams, me, goddess, bring To arched walks of twilight groves. And shadows brown, that Sylvan loves, Of pine, or monumental oak. Where the rude axe, with heavdd stroke, Was never heard the nymphs to daunt Or fright them from their hallow'd haunt There in close covert by some brook Where no profaner eye may look, Hide me from day's garish eye. While the bee with honey'd thigh That at her flowery work doth sing, And the waters murmuring. With such consort as they keep Entice the dewy-feather'd Sleep ; A-iid let some strange mysterious dream THE GOLDEN TREASURY \i Wave at his wings in airy stream Of lively portraiture displayed, Softly on my eyelids laid : And, as I wake, sweet music breathe Above, about, or underneath, Sent by some Spirit to mortals good, Or the unseen Genius of the wood. But let my due feet never fail To walk the studious cloister's pale, And love the high-embowdd roof. With antique pillars massy proof, And storied windows richly dight Casting a dim religious light. There let the pealing organ blow To the full-voiced quire lx*low In service high and anthems clear, As may with sweetness, through mine ear, Dissolve me into ecstasies. And bring all Heaven before mine eyes. And may at last my weary age FMnd out the jx-aceful hermitage. The hairy gow n and mossy cell Where 1 may sit and rightly s|X'll Of every star that heaven doth shew. And every herb that sips the dew ; Till old experience do attain To something like prophetic strain. These pleasures. Melancholy, give, And I with thee will choose to live. J. Milton CXLVI SONG OF THE EMIGRANTS IN BERMUDA Where the remote Bermudas ride In the ocean's bosom unespied. From a small boat that row\l along The listening winds received this song. 'What should we do but sing His praise That led us through the watery maze 124 THE GOLDEN TREASURY Where He the huge sea-monsters wracks, That lift the deep upon their hacks, Unto an isle so long unknown. And yet far kinder than our own? He lands us on a GOLDEN TREASVRY For the bright firmament Shoots forth no flame So silent, but is eloquent In speaking the Creator's name. No unregarded star Contracts its li,s;ht Into so small a character, Removed far from our human sight. But if we steadfast look. We shall discern In it as in some holy book. How man may heavenly knowledge learn It tells the Conqueror, That far-stretch'd power Which his proud dangers traffic for. Is but the triumph of an hour. That from the farthest North Some nation may Yet undiscovered issue forth. And o'er his new-got conquest sway. Some nation yet shut in With hills of ice, May be let out to scourge his sin, IjH they shall equal him in vice. And then they likewise shall Their ruin have ; For as yourselves your Empires fall. And every Kingdom hath a grave. Thus those celestial fires, Though seeming mute. The fallacy of our desires And all the pride of life, confute. For they have watch' d since first The world had birth : And found sin in itself accursed. And nothing permanent on earth. W. Habington THE GO IDEA TKLASUKY 1 27 CXLIX HYMN TO DARKNESS Hail thou most sacred venerable thing! What Muse is worthy thee to sing? Thee, from whose pregn.mt universal womb All things, ev'n Light, thy rival, first did come. What dares he not attempt that sings ot thee, Thou first and greatest mystery? Who can the secrets of thy essence tell? Thou, like the light of God, art inaccessible. Before great Love this monument did raise This ample theatre of praise ; Before the folding circles of the sky Were tuned by Him, Who is all harmony; Before the morning .Stars their hymn began, Before the council held for man, Before the birth of either time or place. Thou reign'st unquestion'd monarch in the empty space Thy native lot thou didst to Light resign. But still half of the globe is thine. Here with a quiet, but yet awful hand, Like the best emjx^rors thou dost command. To thee the stars above their brightness ow And mortals their repose below : To thy protection fear and sorrow flee. And those that weary are of light, find rest in thee. y. Norris of Bemerton CL A VISION I saw Eternit) th^ other night, Like a great ring of pure and endless light, All calm, as it was bright : — And round beneath it. Time, in hours, days, years, Driven by the spheres, Like a vast shadow moved; in which the World And all her train were huri'd. li. Vanghan 128 THE GOLDEN TREASURY CLI ALEXANDER'S FEAST, OR, THE POWER OF MUSIC 'Twas at the royal feast for Persia won Hy Philip's warlike son — Aloft in awful state The fjodlike hero sate On his imperial throne; His valiant peers were placed around, Their brows with roses and with myrtles hound, (So should desert in arms he crown'd) ; The lovely Thais by his side- Sate like a blooming Eastern bride in flower of youth and beauty's pride : — Happy, happy. hai)py pair! None but the brave- None but the brave None but the brave deserves the fair! Timotheus pi. iced on hiride. He chose a mournful Muse Soft pity to infuse : He sung Darius great and good, By too severe a fate Fallen, fallen, fallen, fallen, Fallen from his high estate. And weltering in his blood ; Deserted at his utmost need By those his former bounty fed; On the bare earth exposed he lies With not a friend to close his eves. — With downcast looks the joyless victor sate, Revolving in his alter'd soul The various turns ol CI) a nee below ; 130 THi: GOLDEN TREASURY And nov/ and then a sigh he stole, And tears began to flow. The mighty master smiled to see That love was in the next degree ; 'Twas but a kindred-sound to move, Yox pity melts the mind to love. Sofdy sweet, in Lydian measures Soon he soothed his soul to pleasures. War. he sung, is toil and trouble, Honour but an empty bubble ; Never ending, still beginning, Fighting still, and still destroying; If the world be worth thy winning, Think, O think, it worth enjoying: Lovely Thais sits beside thee, Take the good the gods provide thee! — The many rend the skies with loud applause; So Love was crown'd, but Music won the cause. The pnnce, unable to conceal his pain.. Gazed on the fair Who caused his care, ' And sigh'd and looked, sigh'd and lookM, Sigh'd and look'd, and sigh'd again : At length with love and wine at once opprest The vanquished victor sunk upon her breast. Now strike the golden lyre again : A louder yet, and yet a louder strain ! Break his bands of sleep asunder And rouse him like a rattling peal of thunder. Hark, hark! the horrid sound Has raised up his head : As awaked from the dead And amazed he stares around. Revenge, revenge, Timotheus cries^ See the Furies arise! See the snakes that they rear How they hiss in their hair, And the sparkles that flash from their eyes! Behold a ghastly band, Each a corch in his hand! THE GOLDEN TREASURY 13 Those are Grecian ghosts, that in battle were slain And unburied remain Inglorious on the plain : Give the vengeance due To the valiant crew! Behold how they toss their torches on high. How they point to the Persian abodes And ghttering temples of their hostile gods. -- The princes applaud with a furious joy: And the King seized a flambeau witli zeal to destroy Thais led the way To light him to his prey, And like another Helen, fired another Troy? — Thus, long ago, Ere heaving bellows learn'd to blow. While organs yet were mute, Timotheus, to his breathing flute And sounding lyre Could swell the soul to rage, or kindle soft desire. At last divine Cecilia came. Inventress of the vocal Irame ; The sweet enthusiast from her sacred .^tore Enlarged the former narrow bounds. And added length to solemn sounds, Witli Nature's mother-wit, and arts uriknown before — Let old Timotheus yield the prize Or both divide the crown ; He raised a mortal to the skies ; She drew an angel down ! /. Dryden BOOK THIRD CLII ODE ON THE PLEASURE ARISING FROM VICISSITUDE Now the golden Morn aloft Waves her dew-bespangled wing, With vermeil cheek and whisper soft She woos the tardy Spring: Till April starts, and calls around The sleeping fragrance from the ground, And lightly o'er the living scene Scatters his freshest, tenderest greea. New-born flocks, in rustic dance, Frisking ply their feeble feet ; Forgetful of their wintry trance The birds his presence greet: But chief, the sky-lark warbles high His trembling thrilling ecstasy ; And lessening from the dazzled sight Melts into air and liquid light. Yesterday the sullen year Saw the snowy whirlwind fly; Mute was the music of the air, The herd stood drooping by : Their raptures now that wildly flow No yesterday nor morrow know ; 'Tis Man alone that joy descries With forward and reverted eyes. Smiles on past misfortune's brow Soft reflection's hand can trace, And o'er the cheek of sorrow throw A melancholy grace ; 132 THE GOLDEN TREASURY 133 While hope prolongs our happier hour, Or deepest shades, that dimly lour And blacken round our weary way, Gilds with a gleam of distant day. Still, where rosy pleasure leads. See a kindred grief pursue ; Behind the steps that misery treads Approaching comfort view : The hues of bliss more brightly glow Chastised by sabler tints of woe. And blended form, with artful strife. The strength and harmony of life. See the wretch that long has tost On the thorny bed of pain. At length repair his vigour lost And breathe and walk again : The meanest floweret of the vale, The simplest note that swells the gale. The common sun, the air, the skies, To him are opening Paradise. T. Gray CLIII ODE TO SIMPLICITY O Thou, by Nature taught To breathe her genuine thought In numbers warmly pure, and sweetly strong; Who first, on mountains wild, In Fancy, loveliest child. Thy babe, or Pleasure's, nursed the powers of song' Thou, who with hermit heart, Disdain'st the wealth of art. And gauds, and pageant weeds, and trailing pall. But com'st, a decent maid In Attic robe array'd, P chaste, unboastful Nymph, to thee I caiii 134 THE GOLDEN TREASURY By all the honey'd store On Hyi)la\s thy my shore, By all her blooms and mingled murmurs dear; By her whose love-lorn woe In evening musings, slow Soothed sweetly sad Electra's poet's ear : By old Cephisus deep, Who spread his wavy sweep In warbled wanderings round thy green retreat; On whose enamelTd side, When holy Freedom died, No equal haunt allured thy future feet : — O sister meek of Truth, To my admiring youth Thy sober aid and native charms infuse' The flowers that sweetest breathe, Though Beauty culTd the wreath, Still ask thy hand to range their ordered hues. While Rome could none esteem But Virtue's patriot theme, You loved her hills, and led her laureat band ; But stayed to sing alone To one distinguish'd throne ; And turn'd thy face, and fled her altered land. No more, in hall or bower. The Passions own thy power ; Love, only Love, her forceless numbers mean : For thou hast left her shrine ; Nor olive more, nor vine. Shall gain thy feet to bless the servile scene. Though taste, though genius, bless To some divine excess. Faints the cold work till thou inspire the whole ; What each, what all supply May court, may charm our eye ; Thou, only thou, canst raise the meeting soul! THE GOLDEN TREASURY 135 Of these let others ask To aid some mighty task ; I only seek to find thy temperate vale ; Where oft my reed might sound To maids and shepherds round, And all thy sons, O Nature! learn my tale. IV. Collins CLIV SOLITUDE Happy the man, whose wish and care A few paternal acres bound, Content to breathe his native air In his own ground. Whose herds with milk, whose fields with bread, Whose flocks supply him with attire; Whose trees in summer yield him shade, In winter fire. Blest, who can unconcernedly find Hours, days, and years, slide soft away In health of body, peace of mind, (^uiet by day, Sound sleep by night ; study and ease Together mixt, sweet recreation. And innocence, which most does please With meditation. Thus let me live, unseen, unknown ; Thus unlamented let me die ; Steal from the world, and not a stone Tell where I lie. A. Pope CLV THE BLIND BOY O say what is that thing calTd Light, Which I must ne'er enjoy ; What are the blessings of the sight, O tell your poor blind boy! 136 THE GOLDEN TREASURY You talk of wondrous things you seCy You say the sun shines bright ; I feel him warm, but how can he Or make it day or night ? My day or night myself I make Whene'er I sleep or play; And could I ever keep awake With me 'twere always day. With heavy sighs I often hear You mourn my hapless woe ; But sure with patience I can bear A loss I ne'er can know. Then let not what I cannot have My cheer of mind destroy : Whilst thus 1 sing, I am a king, Although a poor blind boy. C. GbbcY CLVI ON A FAVOURITE CAT, DROWNED Ln /y TUB OF GOLD FISHES 'Twas on a lofty vase's side. Where China's gayest art had dyed The azure flowers that blow, Demurest of the tabby kind The pensive Selima, reclined, Gazed on the lake below. Her conscious tail her joy declared : The fair round face, the snowy beard. The velvet of her paws, Her coat that with the tortoise vies, Her ears of jet, and emerald eyes — She saw, and purr'd applause. Still had she gazed, but "midst the tide Two angel forms were seen to glide, The Genii of the stream : THE GOLDEN TREASURY 137 Their scaly armour's Tyrian hue Through richest purple, to the view Betray 'd a golden gleam. The hapless Nymph with wonder saw : A whisker first, and then a claw With many an ardent wish She stretch'd. in vain, to reach the prize — What female heart can gold despise? What Cat's averse to fish? Presumptuous maid! with looks intent Again she stretch'd, again she bent, Nor knew the gulf between — Malignant F'ate sat by and smiled — The slippery verge her feet beguiled ; She tumbled headlong in! Eight times emerging from the fl(3od Siie mew'd to every watery (iod Some speedy aid to send : — No Dolphin came, no Nereid stirr'd, Nor cruel Tom nor Susan heard — A favourite has no friend ! From hence, ye Beauties! undeceived Know one false step is ne'er retrieved, And be with caution bold : Not all that tempts your wandering eyes And heedless hearts, is lawful prize, Nor all that glisters, gold! T. Gray CLVII TO CHARLOTTE PULTENEY Timely blossom. Infant fair. Fondling of a ha|)|;y pair. Every morn and every night Their solicitous delight, 138 THE GOLDEN TREASURY Sleeping, waking, still at ease. Pleasing, without skill to please; Little gossip, blithe and hale, Tattling many a broken tale, Singing many a tuneless song, Lavish of a heedless tongue ; Simple maiden, void of art, Babbling out the very heart, Yet abandon'd to thy will, Yet imagining no ill. Yet too innocent to blush ; Like the linnet in the bush To the mother-linnet's note Moduling her slender throat; Chirping forth thy petty joys, Wanton in the change of toys. Like the linnet green, in May Flitting to each bloomy spray; Wearied then and glad of rest, Like the linnet in the nest: — This thy present happy lot This, in time will be forgot : Other pleasures, other cares. Ever-busy Time prepares ; And thou shalt in thy daughter see. This picture, once, resembled thee. A. Philips CLVIII RULE BRITANNIA When Britain first at Heaven's command Arose from out the azure main. This was the charter of her land. And guardian angels sung the strain : Rule, Britannia ! Britannia rules the waves ! Britons never shall be slaves. Tne nations not so blest as thee Must in their turn to tyrants fall. Whilst thou shalt flourish great and free The dread and envy of them all. THE GOLDEN TREASURY 139 Still more majestic shalt thou rise. More dreadful from each foreign stroke ; As the loud blast that tears the skies Serves but to root thy native oak. Thee haughty tyrants ne'er shall tame ; All their attempts to bend thee down Will but arouse thy generous flame, And work their woe and thy renown. To thee belongs the rural reign ; Thy cities shall with commerce shine ; All thine shall be the subject main. And every shore it circles thine! The Muses, still with F'recdom found, Shall to thy hapj)y coast repair ; Blest Isle, with matchless beauty crown'd And manly hearts to guard the fair: — Rule. Hritannia! Britannia rules the waves! Britons never shall jje slaves! J. Thotnson CLIX THE HARD Pindaric Ode *Ruin seize thee, mthless King! Confusion on thy banners wait ; I ho' fann'd by Conquest's crimson wing They mock the air with idle state. Helm, nor hauberk's twisted mail. Nor e'en thy virtues. Tyrant, shall avail To save thy secret soul from nightly fears, From Cambria's curse, from Cambria's tears ! ' — Such were the sounds that o'er the crested pride Of the first Edward scatter'd wild dismay. As down the steep of Snowdon's shaggy side He wound with toilsome march his long array : — Stout Glo'ster stood aghast in speechless trance ; ' To arms! ' cried Mortimer, and couch'd his quivering iance I40 THE COLDKX TREASURY On a rock, whose haughty brow Frowns o'er old Conways foamin;^ flood, Robed in the .sal)le j^arb of woe With haii^ard eyes the Poet stood ; (Loose his bearil and hoary hair Stream'd like a meteor to the troubled air) And witli a master's hand and prophet's fire Struck the deep sorrows of his lyre : ' Hark, how each giant-oak and desert-cave Sighs to the torrent's awful voice beneath! O'er thee, oh King! their hundred arms they wave, Revenge on thee in hoarser murmurs breathe ; Vocal no more, since Cambria's fatal day. To high-born Hoel's harp, or soft Llewellyn's lay. 'Cold is Cadwallo's tongue. That hush'd the stormy main : Brave LIrien sleei)s ui)on his craggy bed: Mountains, ye mourn in vain Modred, whose magic song Made huge Plinlimmon bow liis cloud-topt head- On dreary Arvon's shore they lie Smear'd with gore and ghastly pale : Far, far aloof the atTrighted ravens sail ; The famish'd eagle screams, and passes by. Dear lost companions of my tuneful art. Dear as the light that visits these sad eyes. Dear as tiie ruddy drops that warm my heart, Ye died amidst your dying country's cries — No more I weep ; They do not sleep ; On yonder cliffs, a griesly band, I see them sit ; They linger yet. Avengers of their native lantl : With me in dreadful harmony they join, ^nd weave with bloodv hands the tissue of thv line ll'ecwe the ii>arp and wdue the ivoof The winding sheet of Edward's race : Give ample room and 7'erge enough The characters of hell to trace. THE GOLDEN TREASURY 141 Mark the ycur, and mark the uii^ht, II 'hen Se-i'ern shall re-echo with affrii^ht The shrieks of death thro' Berkley s roof that ring^ Shrieks of an ai^onizhn^ khti^l She-7L'olf of France^ with unrelenthti^ fani^s That tear st the hmvels of thy mant^led mate. From thee be born, who o'er thy country hant^s The scoiirj^e of hea7>en ! II 'hat terrors round him w*'i Amazement in his van, with flii^ht combined. And sorrow's faded for niy and solitude behind. '• Mii^hty Ti'ctor, mia^hty lord. Ijrw on his funeral couch he lies I No pityint^ heart, no eye, afford A tear to i^race his obsequies, /s the sable warrior fled / 7hy son is t^one. He rests amoni^ the dead. 'The suarm that in thy puwn-tide beam 7i'ere born f — Gone to salute the rismi^ morn . J air lauj^hs the .MorUy and soft the zephyr bUrws^ It 'hile proudly ridim; o'er the azure realm In i^alltint trim the i^ilded vessel i^oes : \'outh on the prim', and I 'lea sure at the helm : Ke^^ardless of the s^veepim; whirlwind's s^iuiy, 'That hush' d in grim repose expects his e7>ening prp^. ' Till high the sparkling bmvl^ The rich repast prepare ; Reft of a cnrwn, he yet may share the feast : Close by the regal chair Tell 7 hirst and Famine sctnul .1 baleful smile upon their baffled guest^ Heard ye the dm of battle bray, Laui e to lani e, and horse to horse / Long years of havoik urge their destined course.^ And thro' the kindred squadrons miKO their 7uay. ) 'e towers of Julius, London's lastim^ shame. If ith many a foul and midnight murder fed, Rei'ere his consort's faith, his father's fame^ And spare the meek usurper's holy head ! Above, below, the rose of snoiv, 142 THE GOLDEN TREASURY Twined with her blushing foe, we spread : The bristled boar in i7if ant-gore Wallows beneath the thorny shade. Now, brothers, benditig o'^er the accursed loom, Si amp we our vengeance deep, and ratify his doom * Edward, lol to sudden fate ( Weave we the woof; The thread is spun ;) Half of thy heart we consecrate. ( The web is wove ; The work is done.) — Stay, oh stay! nor thus forlorn Leave me unbless'd, unpitied, here to mourn : In yon bright track that fires the western skies They melt, they vanish from my eyes. But oh ! viYvaX solemn scenes on Snowdon^s height Descending slow their glittering skirts unroll? Visions of glory, spare my aching sight, Ye unborn ages, crowd not on my soul! No more our long-lost Arthur we bewail : — All hail, ye genuine kings! Britannia's issue, hail! ' Girt with many a baron bold Sublime their starry fronts they rear ; And gorgeous dames, and statesmen old In bearded majesty, appear. In the midst a form divine! Her eye proclaims her of the Briton-line : Her lion-port, her awe-commanding face Attempered sweet to virgin-grace. What strings symphonious tremble in the air, What strains of vocal transport round her play' Hear from the grave, great Taliessin, hear; They breathe a soul to animate thy clay. Bright Rapture calls, and soaring as she sings, Waves in the eye of heaven her many-colour'd wings * The verse adorn again Fierce war, and faithful love, And truth severe, by fairy fiction drest. In buskin'd measures move Pale grief, and pleasing pain. With horror, tyrant of the throbbing breast. THE GOLDEN TREASURY 1 43 A voice as of the cherub-choir Gales from blooming Eden bear, And distant warblings lessen on my ear That lost in long futurity expire. Fond impious man, think'st thou yon sanguine cloud Raised by thy breath, has quench'd the orb of day? To-morrow he repairs the golden flood And warms the nations with redoubled ray. Enough for me : with joy I see The different doom our fates assign : Be thine despair and sceptred care, To triumph and to die are mine.' - He spoke, and headlong from the mountain's height Deep in the roaring tide he plunged to endless night. T. Gray CLX ODE WRITTEN IN 1746 How sleep the brave, who sink to rest By all their country's wishes blest ! When Spring, with dewy fingers cold, Returns to deck their hallow'd mould, She there shall dress a sweeter sod Than Fancy's feet have ever trod. By fairy hands their knell is rung. By forms unseen their dirge is sung : There Honour comes, a pilgrim gray, To bless the turf that wraps their clay ; And Freedom shall awhile repair To dwell a weeping hermit there ! W. Collzm CLXI LAMENT FOR CULLODEN The lovely lass o' Inverness, Nae joy nor pleasure can she see ; For e'en and morn she cries, Alas! And aye the saut tear blins her ee : 144 ^//^ GOLDEN TREASURY Drumossie moor — Drumossie day — A waefu' day it was to me i For there I lost my father dear, My father dear, and brethren three. Their winding-sheet the bluidy clay, Their graves are growing green to see: And by them lies the dearest lad That ever blest a woman's ee ! Now wae to thee, thou cruel lord, A bluidy man I trow thou be; For mony a heart thou hast made sair That ne'er did wrang to thine or thee. ye. rums CLXII LAMENT FOR FLODDEN Tve heard them lilting at our ewe-milking. Lasses a' lilting before dawn o' day; B'.it now they are moaning on ilka green loaning — The Flowers of the Forest are a' wede away. At bughts, in the morning, nae blythe lads are scorning, Lasses are lonely and dowie and wae ; Nae daffin', nae gabbing but sighing and sabbing, Ilk ane lifts her leglin and hies her away. In har'st, at the shearing, nae youths now are jeering, Bandsters are lyart, and runkled, and gray ; At fair or at preaching, nae wooing, nae fleeching — The Flowers of the Forest are a' wede away. At e'en, in the gloaming, nae younkers are roaming 'Bout stacks wi' the lasses at bogle to play ; But ilk ane sits drearie, lamenting her dearie — The Flowers of the Forest are weded away. Dool and wae for the order, sent our lads to the Border' The English, for ance, by guile wan the day ; The Flowers of the Forest, that fought aye the foremost, The prime f our land, are cauld in the clay. THE GOLDEN TREASURY 145 We'll hear nae mair lilting at the ewe-milking; Women and bairns are heartless and wae ; Sighing and moaning onilka green loaning — The Flowers of the Forest are a' wede away. /. Elliott CLXIII THE BRAES OF YARROW Thy braes were^bonny, Yarrow stream, When first on them I met my lover; Thy braes how dreary. Yarrow stream, When now thy waves his body cover! For ever now, O Yarrow stream ! Thou art to me a stream of sorrow ; For never on thy banks shall I Behold my Love, the flower of Yarrow! He promised me a milk-white steed To bear me to his father's bowers ; He promised me a little page To squire me to his father s toweis ; He promised me a wedding-ring. — The wedding-day was fix'cl to-moir .w ; -- Now he is wedded to his grave, Alas, his watery grave, in Yarrow ! Sweet were his words when last we met; My passion I as freely told him ; Clasp'd in his arms, I little thought That I should never more behold him? Scarce was he gone, I saw his ghost ; It vanislVd with a shriek of sorrow ; Thrice did the water-wraith ascend. And gave a doleful groan thro' Yarrow. His mollier from the window looked With all the longing of a mother; His little sister weeping walk'd The green-wood path tu meet her brother j 146 THE GOLDEN TREASURY They sought him east, they sought him west They sought him all the forest thorough ; They only saw the cloud of night, rhey only heard the roar of Yarrow. No longer from thy window look — Thou hast no son, thou tender mother ! No longer walk, thou lovely maid ; Alas, thou hast no more a brother! No longer seek him east or west And search no more the forest thorough ; For, wandering in the night so dark, He fell a lifeless corpse in Yarrow. The tear shall never leave my cheek. No other youth shall be my marrow — ril seek thy body in the stream. And then with thee Til sleep in Yarrow. — The tear did never leave her cheek, No other youth became her marrow ; She found his body in the stream. And now with him she sleeps in Yarrow. J. Logai CLXIV WILLIE DROWNED IN YARROW Down in yon garden sweet and gay Where bonny grows the lily, I heard a fair maid sighing say, *My wish be wi' sweet Willie! * Willie's rare, and Willie's fair. And Willie's wondrous bonny ; And Willie hecht to marry me Gin e'er he married ony, *0 gentle wind, that bloweth south From where my Love repaireth, Convey a kiss frae his dear mouth And tell me how he fareth! THE GOLDEN TREASURY 147 *0 tell sweet Willie to come doun And hear the mavis singing, And see the birds on ilka bush And leaves around them hinging. *The lav'rock there, \vi' her white breast And gentle throat sae narrow ; There's sport eneuch for gentlemen On Leader haughs and Yarrow. * O Leader haughs are wide and braid And Yarrow haugh? ^re bonny ; There Willie hecht to rnarry me If e'er he married ony. * But Willie's gone, whorr T thought on» And does not hear me N-eeping ; Draws many a tear frae true love's e'e When other maids are sleeping. * Yestreen I made my bed fu' brai'\ The night Til mak' it narrow. For a' the live-lang winter night I lie twined o' my marrow. *0 came ye by yon water-side? Pou'd you the rose or lily? Or came you by yon meadow green, Or saw you my sweet Willi.^? ' She sought him up, she sought him down, She sought him braid and narrow ; Syne, in the cleaving of a craig, She found him drown'd in Y3rrow! Anon CLXV LOSS OF THE ROYAL GEORGE Toll for the Brave! The brave that are no morf f All sunk beneath the wav*> Fast by their native shore i48 THE GOLDEN TREASURY Eight hundred of the brave Whose courage well was tried, Had made the vessel heel And laid her on her side. A land-breeze shook the shrouds And she was overset ; Down went the Royal George, With all her crew complete. Toll for the brave! Brave Kempenfelt is gone ; His last sea-fight is fought, His work of glory done. It was not in the batde ; No tempest gave the shock ; She sprang no fatal leak, She ran upon no rock. His sword was in its sheath, His fingers held the pen, When Kempenfelt went down With twice four hundred men. — Weigh the vessel up Once dreaded by our foes! And mingle with our cup The tears that England owes. Her timbers yet are sound, And she may float again Full charged with England's thunder, And plough the distant main : But Kempenfelt is gone. His victories are o'er ; And he and his eight hundred Shall plough the wave no more. IV Cowjfer THE GOLDEN TREASURY 149 CLXVI BLACK-EYED SUSAN All in the Downs the fleet was moor'd, The streamers waving in the wind, When black-eyed Susan came aboard ; 'O! where shall I my true-love find? Tell me, ye jovial sailors, tell me true If my sweet William sails among the crew.' William, who high upon the yard Rock'd with the billow to and fro, Soon as her well-known voice he heard He sigh'd, and cast his eyes below: The cord slides swiftly through his glowing hands And quick as Hghtning on the deck he stands. So the sweet lark, high poised in air, Shuts close his pinions to his breast If chance his mate's shrill call he hear, And drops at once into her nest : — The noblest captain in the British fleet Might envy William's lip those kisses sweet. * O Susan, Susan, lovely dear, My vows shall ever true remain ; Let me kiss oft' that falling tear ; We only part to meet again. Change as ye list, ye winds ; my heart shall be The faithful compass that still points to thee. * Believe not what the landmen say Who tempt with doubts thy constant mind ; They'll tell thee, sailors, when away, In every port a mistress find : Yes, yes, believe them when they tell thee so, For Thou art present wheresoever I go. ' If to fair India's coast we sail. Thy eyes are seen in diamonds bright, Thy breath is Afric's spicy gale, Thy skin is ivory so white. 150 THE GOLDEN TREASURY Thus every beauteous object that I view Wakes in my soul some charm of lovely Sue. ^ Though battle call me from thy arms Let not my pretty Susan mourn ; Though cannons roar, yet safe from harms William shall to his Dear return. Love turns aside the balls that round me fly, Lest precious tears should drop from Susan's eye.' The boatswain gave the dreadful word, The sails their swelling bosom spread. No longer must she stay aboard ; They kiss'd, she sigh'd, he hung his head. Her lessening boat unwilling rows to land ; * Adieu !' she cries ; and waved her Hly hand. J. Gay CLXVII SALLY IN OUR ALLEY Of all the girls that are so smart There's none like pretty Sally ; She is the darling of my heart, And she lives in our alley. There is no lady in the land Is half so sweet as Sally ; She is the darling of my heart, And she lives in our alley. Her father he makes cabbage-nets And through the streets does cry 'em; Her mother she sells laces long To such as please to buy 'em : But sure such folks could ne'er beget So sweet a girl as Sally ! She is the darling of my heart, And she lives in our alley. When she is by, I leave my work, I love her so sincerely ; THE GOLDEN TREASURY 157 My master comes like any Turk, And bangs me most severely — • But let him bang his bellyful, ni bear it all for Sally ; She is the darling of my heart, And she lives in our alley. Of all the days that's in the week I dearly love but one day — And that's the day that comes betwixt A Saturday and Monday ; For then I'm drest all in my best To walk abroad with Sally ; She is the darling of my heart. And she lives in our alley. My master carries me to church, And often am I blamed Because I leave him in the lurch As soon as text is named ; I leave the church in sermon-time And slink away to Sally ; She is the darling of my heart, And she lives in our alley. When Christmas comes about again O then I shall have money ; I'll hoard it up, and box it all, I'll give it to my honey : I would it were ten thousand pound, I'd give it all to S' /j-'; She is the darling of .ny heart. And she lives in our alley. My master and the neighbours all Make game of me and Sally, And, but for her, I'd better be A slave and row a galley ; But when my seven long years are out O then I'll marry Sally, — O then we'll wed, and then we'll bed . . But not in our alley ! H, Carey 152 THE GOLDEN TREASURY CLXVIII A FAREWELL Go fetch to me a pint o' wine, An' fill it in a silver tassie ; That I may drink before I go A service to my bonnie lassie : The boat rocks at the pier o' Leith, Fu' loud the wind blaws frae the ferry. The ship rides by the Berwick-law, And 1 maun leave my bonnie Mary, The trumpets sound, the banners fly, The glittering spears are ranked ready; The shouts o' war are heard afar, The battle closes thick and bloody ; But it's not the roar o' sea or shore Wad make me langer wish to tarry ; Nor shout o' war that's heard afar — It's leaving thee, my bonnie Mary. R, Durm CLXIX If doughty deeds my lady please Right soon Til mount my steed ; And strong his arm. and fast his seat That bears frae me the meed, ril wear thy colours in my cap Thy picture at my heart; And he that bends not to thine eye Shall rue it to his smart ! Then tell me how to woo thee, Love ; O tell me how to woo thee! For thy dear sake, nae care I'll take Tho' ne'er another trow me. If gay attire delight thine e3'e I'll dight me in array ; ril tend thy chamber door all night, And squire thee all the day. THE GOLDEN TREASURY 1 53 If sweetest sounds can win thine ear, These sounds I'll strive to catch ; Thy voice Til steal to woo thysell, That voice that nane can match. But if fond love thy heart can gain, I never broke a vow ; Nae maiden lays her skaith to me, I never loved but you. For you alone I ride the ring, For you I wear the blue ; For you alone I strive to sing, O tell me how to woo! Then tell me how to woo thee, Love 5 O tell me how to woo thee! For thy dear sake, nae care Til take, Tho' ne'er another trow me. R. Graham of G art more CLXX TO A YOUNG LADY Sweet stream, that winds through yonder glade, Apt emblem of a virtuous maid — • Silent and chaste she steals along, Far from the world's gay busy throng : With gentle yet prevailing force, Intent upon her destined course; Graceful and useful all she does. Blessing and blest where'er she goes ; Pure-bosom 'd as that watery glass And Heaven reflected in her face. W. Cou'Per CLXXI THE SLEEPING BEAUTY Sleep on, and dream of Heaven awhile — Tho' shut so close thy laughing eyes. Thy rosy lips still wear a smile And move, and breathe delicious sighs! 154 THE GOLDEN TREASURY Ah, now soft blushes tinge her cheeks And mantle o'er her neck of snow : Ah, now she murmurs, now she speaks What most I wish — and fear to know! She starts, she trembles, and she weeps! Her fair hands folded on her breast : — And now, how like a saint she sleeps! A seraph in the realms of rest! Sleep on secure! Above controul Thy thoughts belong to Heaven and thee : And may the secret of thy soul Remain within its sanctuary! S, Rogers CLXXII For ever. Fortune, wilt thou prove An unrelenting foe to Love, And when we meet a mutual heart Come in between, and bid us part? Bid us sigh on from day to day. And wish and wish the soul away; Till youth and genial years are flown, And all the life of life is gone? But busy, busy, still art thou, To bind the loveless joyless vow, The heart from pleasure to delude, To join the gentle to the rude. For once, O Fortune, hear my prayer. And I absolve thy future care ; All other blessings I resign, Make but the dear Amanda mine. /. Tho7nson CLXXni The merchant, to secure his treasure, Conveys it in a borrowed name : Euphelia serves to grace my measure. But Cloe is my real flame. THE GOLDEN TREASURY 155 My softest verse, my darling lyre Upon Euphelia's toilet lay — When Cloe noted her desire That 1 should sing, that I should play. My lyre I tune, my voice I raise, But with my numbers mix my sighs ; And whilst I sing Euphelia's praise, I fix my soul on Cloe's eyes. Fair Cloe blush'd : Euphelia frown'd : I sung, and gazed ; I play'd, and trembled : And Venus to the Loves around Remark'd how ill we all dissembled. M, Prior CLXXIV LOVE'S SECRET Never seek to tell thy love, Love that never told can be ; For the gentle wind doth move Silently, invisibly. I told my love, I told my love, I told her all my heart, Trembling, cold, in ghastly fears : — Ah! she did depart. Soon after she was gone from me A traveller came by, Silently, invisibly : He took her with a sigh. W. Blakt CLXXV When lovely woman stoops to folly And finds too late that men betray, — What charm can soothe her melancholy, What art can wash her guilt away ? The only art her guilt to cover. To hide her shame from every eye, 156 THE GOLDEN TREASURY To give repentance to her lover And wring his bosom, is — to die. O. Goldsmiik CLXXVI Ye hanks and braes o'' bonnie Doon How can ye blume sae fair! How can ye chant, ye little birds, And I sae fu' o' care! Thou'll break my heart, thou bonnie bird That sings upon the bough ; Thou minds me o' the happy days When my fause Luve was true. Thou'll break my heart, thou bonnie bird That sings beside thy mate ; For sae I sat, and sae I sang. And wist na o' my fate. Aft hae I roved by bonnie Doon To see the woodbine twine, And ilka bird sang o' its love ; And sae did I o' mine. Wi' lightsome heart I puM a rose, Frae aff its thorny tree ; And my fause luver staw the rose, But left the thorn wi' me, R. Burn^ CLXXVII THE PROGRESS OF POESY A Pindaric Ode 'Vwake, Aeolian lyre, awake, A«d give to rapture all thy trembling strings. From Helicon's harmonious springs A thousand rills their mazy progress take \ The laughing flowers that round them blow Drink life and fragrance as they flow. THE GOLDEN TREASURY 157 Now the rich stream of music winds along Deep, majestic, smooth, and strong, Thro' verdant vales, and Ceres' golden reign ; Now rolling down the steep amain Headlong, impetuous, see it pour: The rocks and nodding groves re-bellow to the roar. Oh ! Sovereign of the willing soul, Parent of sweet and solemn-breathing airs, Enchanting shell ! the sullen Cares And frantic Passions hear thy soft controul, On Thracia's hills the Lord of War Has curb'd the fury of his car And dropt his thirsty lance at thy command. Perching on the sceptred hand Of Jove, thy magic lulls the feather'd king With ruffled plumes, and flagging wing : Quenclrd in dark clouds of slumber lie The terror of his beak, and lightnings of his eye. Thee the voice, the dance, obey Tempered to thy warbled lay. O'er Idalia's velvet-green The rosy-crowned Loves are seen On Cytherea's day ; W^ith antic Sport, and blue-eyed Pleasures, Frisking light in frolic measures ; Now pursuing, now retreating, Now in circling troops they meet : To brisk notes in cadence beating Glance their many-twinkling feet. Slow melting strains their Queen's approach declare : Where'er she turns, the Graces homage pay : With arms sublime that float upon the air In gliding state she wins her easy way : O'er her warm cheek and rising bosom move The bloom of young Desire and purple light of Love. Man's feeble race what ills await ! Labour, and Penury, the racks of Pain, Disease, and Sorrow's weeping train. And Death, sad refuge from the storms of fate! 158 THE GOLDEN TREASURY The fond complaint, my song, disprove, And justify the laws of Jove. Say, has he given in vain the heavenly Muse? Night, and all her sickly dews. Her spectres wan, and birds of boding cry He gives to range the dreary sky : Till down the eastern cliffs afar Hyperion's march they spy, and glittering shafts of wai In climes beyond the solar road Where shaggy forms o'er ice-built mountains roam, The Muse has broke the twilight gloom To cheer the shivering native's dull abode. And oft, beneath the odorous shade Of Chili's boundless forests laid, She deigns to hear the savage youth repeat In loose numbers wildly sweet Their feather-cinctured chiefs, and dusky loves. Her track, where'er the goddess roves. Glory pursue, and generous Shame, Th' unconquerable Mind, and Freedom's holy flame Woods, that wave o'er Delphi's steep, Isles, that crown th' Aegean deep, Fields that cool Ilissus laves. Or where Maeander's amber waves In lingering labyrinths creep, How do your tuneful echoes languish, Mute, but to the voice of anguish! Where each old poetic mountain Inspiration breathed around; Every shade and hallow'd fountaiu Murmur'd deep a solemn sound : rill the sad Nine, in Greece's evil hour Left their Parnassus for the Latian plains. Alike they scorn the pomp of tyrant Power, And coward Vice, that revels in her chains. When Latium had her lofty spirit lost. They sought, oh Albion! next, thy sea-encircled coast Far from the sun and summer-gale In thy green lap was Nature's Darling laid. THE GOLDEN TREASURY 159 What time, where lucid Avon stray'd, To him the mighty Mother did unveil Her awful face : the dauntless child Stretch'd forth his little arms, and smiled. ' This pencil take ' (she said), ' whose colours clear Richly paint the vernal year : Thine, too, these golden keys, immortal Boy! This can unlock the gates of joy ; Of horror that, and thrilling fears. Or ope the sacred source of sympathetic tears.* Nor second He, that rode sublime Upon the seraph-wings of Extasy The secrets of the abyss to spy : He pass'd the flaming bounds of place and time: The living Throne, the sapphire-blaze Where angels tremble while they gaze, He saw ; but blasted with excess of light, Closed his eyes in endless night. Behold where Dryden^s less presumptuous car Wide o'er the fields of glory bear Two coursers of ethereal race. With necks in thunder clothed, and long-resounding pace Hark, his hands the lyre explore ! Bright-eyed Fancy, hovering o'er, Scatters from her pictured urn Thoughts that breathe, and words that burn. , But ah ! 'tis heard no more — Oh ! lyre divine, what daring spirit Wakes thee now? Tho' he inherit Nor the pride, nor ample pinion, That the Theban eagle bear, Sailing with supreme dominion Thro' the azure deep of air : Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray With orient hues, unborrowed of the sun: Yet shall he mount, and keep his distant way Beyond the limits of a vulgar fate : Beaeath the Good how far — but far above the Great. T. Gray l6o THE GOLDEN TREASURY CLXXVIII THE PASSIONS An Ode for M 21 sic When Music, heavenly maid, was young, While yet in early Greece she sung, The Passions oft, to hear her shell, Throng'd around her magic cell Exulting, trembUng, raging, fainting, Possest beyond the Muse's painting ; By turns they felt the glowing mind Disturbed, delighted, raised, refined: 'Till once, His said, when all were fired, Fiird with fury, rapt, inspired. From the supporting myrtles round They snatch'd her instruments of sound, And, as they oft had heard apart Sweet lessons of her forceful art, Each (for Madness ruled the hour) Would prove his own expressive power. First Fear his hand, its skill to try. Amid the chords bewildered laid. And back recoiPd, he knew not why, E'en at the sound himself had made. * Next Anger rush'd, his eyes on fire, In lightnings, own'd his secret stings ; In one rude clash he struck the lyre And swept with hurried hand the strings. With v/oeful measures wan Despair, Low sullen sounds, his grief beguiled ; A solemn, strange, and mingled air, 'Twas sad by fits, by starts 'twas wild. But thou, O hope, with eyes so fair, What was thy delighted measure? Still it whispered promised pleasure And bade the lovely scenes at distance hailt THE GOLDEN TREASURY i6l Still would her touch the strain prolong ; And from the rocks, the woods, the vale She caird on Echo still through all the song ; And, where her sweetest theme she chose, A soft responsive voice was heard at every close ; And Hope enchanted smiled, and waved her golden hair ; — And longer had she sung: — but with a frown Revenge impatient rose : He threw Ills blood-stain'd sword in thunder down; And with a withering look The war-denouncing trumpet took And blew a blast so loud and dread, Were ne'er prophetic sounds so full of woe! And ever and anon he beat The doubling drum with furious heat; And. though sometimes, each dreary pause between, Dtjected Pity at his side Her soul-subduing voice applied, Yet still he kept his wild unalterM mien, While each strain'd ball of sight seem'd bursting from his head. Thy numbers, Jealousy, to nought were fix'd : Sad proof of thy distressful state! Of differing themes the veering song was mixM ; And now it courted Love, now raving calPd on Hate. With eyes up-raised, as one inspired, Pale Melancholy sat retired; And from her wild sequester^ seat. In notes by distance made more sweet, Pour'd through the mellow horn her pensive soul: And dashing soft from rocks around Bubbling runnels joined the sound ; Through glides and glooms the mingled measure stole. Or, o'er some haunted stream, with fond delay, Round an holy calm diffusing. Love of peace, and lonely musing, In hollow murmurs died away. 162 THE GOLDEN TREASURY But O! how alter'd was its sprightlier tone When Cheerfulness, a nymph of healthiest hue, Her bow across her shoulder flung, Her buskins gemm'd with morning dew, Blew an inspiring air, that dale and thicket rung, The hunter's call to Faun and Dryad known! The oak-crown'd Sisters and their chaste-eyed Qu-^en Satyrs and Sylvan Boys, were seen Peeping from forth their alleys green : Brown Exercise rejoiced to hear ; And Sport leapt up, and seized his beechen spear. Last came Joy's ecstatic trial : He, with viny crown advancing, First to the lively pipe his hand addrest : But soon he saw the brisk awakening viol Whose sweet entrancing voice he loved the best : They would have thought who heard the strain They saw, in Tempe's vale, her native maids Amidst the festal-sounding shades To some unwearied minstrel dancing ; While, as his flying fingers kiss'd the strings, Love framed with Mirth a gay fantastic round : Loose were her tresses seen, her zone unbound ; And he, amidst his frolic play, As if he would the charming air repay, Shook thousand odours from his dewy wings, O Music! sphere-descended maid, Friend of Pleasure, Wisdom's aid! Why, goddess! why, to us denied, Lay'st thou thy ancient lyre aside? As in that loved Athenian bower You learn'd an all-commanding power, Thy mimic soul, O Nymph endear'd, Can well recall what then it heard. Where is thy native simple heart Devote to Virtue, Fancy, Art? Arise, as in that elder time, Warm, energic, chaste, sublime! Thy wonders, in that god-like ag^ Fill thy recording Sister's page ; «■ THE GOLDEN TREASURY 163 'Tis said, and I believe the tale, Thy humblest reed could more prevail, Had more of strength, diviner rage, Than all which charms this laggard age: E'en all at once together found, Cecilia's mingled world of sound : — O bid our vain endeavours cease : Revive the just designs of Greece : Return in all thy simple state! Confirm the tales her sons relate ! W. Collim CLXXIX THE SONG OF DAVID He sang of God, the mighty source Of all things, the stupendous force On which all strength depends : From Whose right arm, beneath Whose eyes, All period, power, and enterprise Commences, reigns, and ends. The world, the clustering spheres He made, The glorious light, the soothing shade, Dale, champaign, grove and hill : The multitudinous abyss, Where secrecy remains in bliss. And wisdom hides her skill. Tell them, I AM, Jehovah said To Moses : while Earth heard in dread, And, smitten to the heart. At once, above, beneath, around, All Nature, without voice or sound, Replied, <0 Lord, THOU ART/ C. Smart CLXXX INFANT JOY * I have no name ; I am but two days old.' — What shall I call thee? I64 THE GOLDEN TREASURY ' I happy am ; Joy is my name.' — Sweet joy befall thee! Pretty joy! Sweet joy, but two days old; Sweet joy I call thee: Thou dost smile : I sing the while, Sweet joy befall thee! CLXXXI A CRADLE SONG W. Blake Sleep, sleep, beauty bright, Dreaming in the joys of night ; Sleep, sleep ; in thy sleep Little sorrows sit and weep. Sweet babe, in thy face Soft desires I can trace. Secret joys and secret smiles, Little pretty infant wiles. As thy softest limbs I feel, Smiles as of the morning steal O'er thy cheek, and o'er thy breast Where thy little heart doth rest. Oh the cunning wiles that creep In thy little heart asleep ! When thy little heart doth wake^ Then the dreadful light shall break. W. Blake CLXXXII ODE ON THE SPRING Lot where the rosy-bosom'd Hours, Fair Venus' train, appear. Disclose the long-expecting flowers And wake the purple >^earl THE GOLDEN TREASURY T65 The Attic warbler pours her throat Responsive to the cuckoo's note, The untaught harmony of Spring : While, whispering pleasure as they fly, Cool Zephyrs thro' the clear blue sky Their gathered fragrance fling. Where'er the oak's thick branches stretch A broader, browner shade, Where'er the rude and moss-grown beech O'er-canopies the glade, Beside some water's rushy brink With me the Muse shall sit, and think (At ease reclined in rustic state) How vain the ardour of the crowd, How low, how little are the proud, How indigent the great! Still is the toiling hand of Care; The panting herds repose: Yet hark, how thro' the peopled air The busy murmur glows ! The insect-youth are on the wing, Eager to taste the honied spring And float amid the liquid noon : Some hghtly o'er the current skim, * Some show their gaily-gilded trim Quick-glancing to the sun. To Contemplation's sober eye Such is the race of Man : And they that creep, and they that fly, Shall end where they began. Alike the Busy and the Gay But flutter thro' life's little day, In Fortune's varying colours drest : Brush'd by the hand of rough Mischance Or chill'd by Age, their airy dance They leave, in dust to rest. Methinks I hear in accents low The sportive kind reply : t66 THE GOLDEN TREASURY Poor moralist! and what art thou? A sohtary fly ! Thy joys no glittering female meets, No hive hast thou of hoarded sweets, No painted plumage to display : On hasty wings thy youth is flown ; Thy sun is set, thy spring is gone — • We frolic while 'tis May. r. Gray CLXXXIII THE POPLAR FIELD The poplars are felPd ; farewell to the shade And the whispering sound of the cool colonnade ; The winds play no longer and sing in the leaves, Nor Ouse on his bosom their image receives. Twelve years have elapsed since I first took a view Of my favourite field, and the bank where they grew : And now in the grass behold they are laid, And the tree is my seat that once lent me a shade! The blackbird has fled to another retreat Where the hazels afford him a screen from the heat; And the scene where his melody charmM me before Resounds with his sweet-flowing ditty no more. My fugitive years are all hasting away, And 1 must ere long lie as lowly as they, With a turf on my breast and a stone at my head, Ere another such grove shall arise in its stead. The change both my heart and my fancy employs ; I reflect on the frailty of man and his joys : Short-lived as we are, yet our pleasures, we see, Have a still shorter date, and die sooner than we. W. Cowpet THE GOLDEN TREASURY 167 CLXXXIV TO A MOUSE On turning her up in her nest, with the plough, November 1785 Wee, sleekit, covvVin', tim'rous beastie, what a panic's in thy breastie ! Thou need na start awa sae hasty, Wi' bickering brattle ! 1 wad be laith to rin an' chase thee Wi' murd'ring pattle! I'm truly sorry man's dominion Has broken Nature's social union, An' justifies that ill opinion Which makes thee startle At me, thy poor earth-born companion. An' fellow-mortal! I doubt na, whiles, but thou may thieve ; What then? poor beastie, thou maun live f A daimen-icker in a thrave 'S a sma' request : I'll get a blessin' wi' the lave, And never miss't ! Thy wee bit housie, too, in ruin! Its silly wa's the win's are strewin : And naething, now, to big a new ane, O' foggage green ! An' bleak December's winds ensuin' Baith snell an' keen! Thou saw the fields laid bare an' waste An' weary winter comin' fast. An' cozie here, beneath the blast, Thou thought to dwell. Till, crash ! the cruel coulter past Out thro' thy cell. x68 THE GOLDEN TREASURY That wee bit heap o^ leaves an' stibble Has cost thee mony a weary nibble ! Now thou's turn'd out, for a' thy trouble. But house or hald, To thole the winter's sleety dribble An' cranreuch cauld! But, Mousie, thou art no thy lane In proving foresight may be vain : The best laid schemes o' mice an' men Gang aft a-gley, An' lea'e us nought but grief an' pain, For promised joy. Still thou art blest, compared wi' me! The present only toucheth thee : But, Och ! I backward cast my e'e On prospects drear ! An' forward, tho' I canna see, I guess an' fear! CLXXXV A WISH Mine be a cot beside the hill ; A bee-hive's hum shall soothe my ear; A willowy brook that turns a mill, With many a fall shall linger near. The swallow, oft, beneath my thatch Shall twitter from her clay-built nest ; Oft shall the pilgrim lift the latch, And share my meal, a welcome guest. Around my ivied porch shall spring Each fragrant flower that drinks the dew; And Lucy, at her wheel, shall sing In russet-gown and apron blue. The village-church among the trees, Where first our marriage-vows were given. With merry peals shall swell the breeze And point with taper spire to Heaven. S. F^(;w THE GOLDEN TREASURY 1 69 CLXXXVI ODE TO EVENING If aught of oaten stop or pastoral song May hope, O pensive Eve, to soothe thine ear Like thy own solemn springs, Thy "springs, and dying gales ; O Nymph reserved, — while now the bright-hair'd sui Sits in yon western tent, whose cloudy skirts, With brede ethereal wove, O'erhang his wavy bed ; Now air is hush'd, save where the weak-eyed bat With short shrill shriek flits by on leathern wing, Or where the beetle winds His small but sullen horn, As oft he rises midst the twilight path, Against the pilgrim borne in heedless hum, — Now teach me, maid composed. To breathe some softened strain Whose numbers, stealing through thy darkening valej May not unseemly with its stillness suit ; As, musing slow, I hail Thy genial loved return. For when thy folding-star arising shows His paly circlet, at his warning lamp The fragrant Hours, and Elves Who slept in buds the day, And many a Nymph who wreathes her brows with sedge And sheds the freshening dew, and, loveHer still, The pensive Pleasures sweet. Prepare thy shadowy car. Then let me rove some wild and healthy scene; Or find some ruin midst its dreary dells. Whose walls more awful nod By thy religious gleams^ lyo THE GOLDEN TREASURY Or, if chill blustering winds or driving rain Prevent my willing feet, be mine the hut That, from the mountain's side. Views wilds, and swelling floods. And hamlets brown, and dim-discover'd spires; And hears their simple bell ; and marks o'er all Thy dewy fingers draw The gradual dusky veil. While Spring shall pour his showers, as oft he wojit And bathe thy breathing tresses, meekest Eve! While Summer loves to sport Beneath thy lingering light ; While sallow Autumn fills thy lap with leaves ; Or Winter, yelling through the troublous air, Affrights thy shrinking train And rudely rends thy robes ; So long, regardful of thy quiet rule. Shall Fancy, Friendship, Science, smiling Peace, Thy gentlest influence own. And love thy favourite name ! W. Collins CLXXXVII ELEGY WRITTEN IN A COUNTRY CHURCH- YARD The curfew tolls the knell of parting day, The lowing herd wind slowly o'er the lea, The ploughman homew^ard plods his weary way. And leaves the world to darkness and to me. Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds : Save that from yonder ivy-mantled tower The moping owl does to the moon complain Of such as, wandering near her secret bovver^ Molest her ancient solitary reign. THE GOLDEN TREASURY 171 Beneath those rugged elms, that yew-tree's shade Where heaves the turf in many a mouldering heap, Each in his narrow cell for ever laid, The rude forefathers of the hamlet sleep. The breezy call of incense-breathing morn. The swallow twittering from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed. For them no more the blazing hearth shall burn Or busy housewife ply her evening care : No children run to lisp their sire's return, Or climb his knees the envied kiss to share. Oft did the harv^est to their sickle yield. Their furrow oft the stubborn glebe has broke ; How jocund did they drive their team afield ! How bow'd the woods beneath their sturdy stroke! Let not ambition mock their useful toil, Their homely joys, and destiny obscure ; Nor grandeur hear with a disdainful smile The short and simple annals of the poor. The boast of heraldry, the pomp of power. And all that beauty, all that wealth e'er gave, Await alike th' inevitable hour: — The paths of glory lead but to the grave. Nor you, ye proud, impute to these the fault If memory o'er their tomb no trophies raise. Where through the long-drawn aisle and fret*^"?<^ vault The pealing anthem swells the note of praise. Can storied urn or animated bust Back to its mansion call the fleeting breath? Can honour's voice provoke the silent dust, Or flattery soothe the dull cold ear of death? Perhaps in this neglected spot is laid Some heart once pregnant with celestial fire ; Hands, that the rod of empire might have sway'd, Or waked to extasy the living lyre : 172 THE GOLDEN TREASURY But knowledge to their eyes her ample page Rich with the spoils of time, did ne'er unroll ; Chill penury repressed their noble rage, And froze the genial current of the soul. Full many a gem of purest ray serene The dark unfathom'd caves of ocean bear: Full many a flower is born to blush unseen. And waste its sweetness on the desert air. Some village-Hampdcn, that v^^ith dauntless breast The little tyrant of his fields withstood, Some mute inglorious Milton here may rest, Some Cromwell, guiltless of his country's blood. Th' applause of listening senates to command, The threats of pain and ruin to despise, To scatter plenty o'er a smiling land, And read their history in a nation's eyes Their lot forbad : nor circumscribed alone Their growing virtues, but their crimes confined; Forbad to wade thro' slaughter to a throne, And shut the gates of mercy on mankind ; The struggling pangs of conscious truth to hide, To quench the blushes of ingenuous shame, Or heap the shrine of luxury and pride With incense kindled at the Muse's flame. Far from the madding crowd's ignoble strife Their sober wishes never learn'd to stray ; Along the cool sequester'd vale of life They kept the noiseless tenour of their way. Yet e'en these bones from insult to protect Some frail memorial still erected nigh, With uncouth rhymes and shapeless sculpture deck't. Implores the passing tribute of a sigh. Their name, their years, spelt by th' unletter'd Muse, The place of fame and elegy supply : And many a holy text around she strewn That teach the rustic moralist to die. THE GOLDEN TREASURY 173 For who, to dumb forgetfulness a prey. This pleasing anxious being e'er resign'd. Left the warm precincts of the cheerful day, Nor cast one longing lingering lool< behind? On some fond breast the parting soul relies, Some pious drops the closing eye requires ; E'en from the tomb the voice of nature cries, E'en in our ashes live their wonted fires. For thee, who, mindful of th' unhonourM dead, Dost in these lines their artless tale relate ; If chance, by lonely contemplation led, Some kindred spirit shall enquire thy fate, — Haply some hoary-headed swain may say, ' Oft have we seen him at the peep of dawn Brushing with hasty steps the dews away. To meet the sun upon the upland lawn ; 'There at the foot of yonder nodding beech That wreathes its old fantastic roots so high, His listless length at noon-tide would he stretch, And pore upon the brook that babbles by. ' Hard by yon wood, now smiling as in scorn, Muttering his wayward fancies he would rove; Now drooping, woeful-wan, like one forlorn, Oi crazed with care, or cross'd in hopeless love ' One morn 1 miss'd him on the customed hill. Along the heath, and near his favourite tree; Another came ; nor yet beside the rill. Nor up the lawn, nor at the wood was he ; ' The next with dirges due in sad array Slow through the church-way path we saw him borne,— Approach and read (for thou canst read) the lay Graved on the stone beneath yon aged thorn. 174 THE GOLDEN TREASURY THE EPITAPH Here rests his head upon the lap of earth A youth, to fortune and to fame unknown ; Fair science frownM not on his humble birth And melancholy mark'd him for her own. Large was his bounty, and his soul sincere ; Heaven did a recompense as largely send : He gave to misery (all he had) a tear, He gain'd from Heaven ('twas all he w^ish'd) a frient No farther seek his merits to disclose. Or draw his frailties from their dread abode, (There they alike in trembling hope repose,) The bosom of his Father and his God. T. Gray CLXXXVIII MARY MORISON Mary, at thy window be. It is the wished, the trysted hour! Those smiles and glances let me see That make the miser's treasure poor : How blithely wad I bid the stoure, A weary slave frae sun to sun. Could I the rich reward secure, The lovely Mary Morison. Yestreen when to the trembling string The dance gaed thro' the lighted ha', To thee my fancy took its wing, — 1 sat, but neither heard nor saw : Tho' this was fair, and that was braw, And yon the toast of a' the town, I sigh'd, and said amang them a', * Ye are na Mary Morison.' O Mary, canst thou wreck his peace Wha for thy sake wad gladly dee? Or canst thou break that heart of his, Whase only faut is loving thee? THE GOLDEN TREASURY 175 If love for love thou wilt na gie, At least be pity to me shown ; A thought ungentle canna be The thought o' Mary Morison. /?. Burn. CLXXXIX BONNIE LESLEY O saw ye bonnie Lesley As she gaed o'er the border? She's gane, like Alexander, To spread her conquests farther. To see her is to love her, And love but her for ever ; For Nature made her what she is, And ne'er made sic anither ! Thou art a queen, Fair Lesley, Thy subjects we, before thee ; Thou art divine. Fair Lesley, The hearts o' men adore thee. The Deil he could na scaith thee, Or aught that wad belang thee ; He'd look into thy bonnie face, And say ' I canna wrang thee! * The Powers aboon will tent thee ; Misfortune sha' na steer thee ; Thou'rt like themselves sae lovely That ill they'll ne'er let near thee. Return again. Fair Lesley, Return to Caledonie! That we may brag we hae a lass There's nane again sae bonnie. CXC O my Luve's like a red, red rose That's newly sprung in June : R. Burn 176 THE GOLDEN TREASURY my Luve^s like the melodic That's sweetly play'd in tune. As fair art thou, my bonnie lass. So deep in luve am I : And I will luve thee still, my dear, Till a' the seas gang dry : Till a' the seas gang dry, my dear, And the rocks melt \vi' the sun ; 1 will luve thee still, my dear. While the sands o' life shall run. And fare thee weel, my only Luve! And fare thee weel awhile ; And I will come again, my Lave, Tho' it were ten thousand mile. R. Burns CXCI HIGHLAND MARY Ye banks and braes and streams around The castle o" Montgomery, Green be your woods, and fair your flowers. Your waters never drumlie ! There simmer first unfauld her robes, And there the langest tarry ; For there I took the last fireweel O' my sweet Highland Mary. How sweetly bloomed the gay gi-een birk, How rich the hawthorn's blossom. As underneath their fragrant shade I clasp'd her to my bosom! The golden hours on angel wings Flew o'er me and my dearie ; For dear to me as light and life Was my sweet Highland Mary. Wi' mony a vow and lock"d embrace Our parting was fu' tender ; THE GOLDEN TREASURY 177 And pledging aft to meet again, We tore oursels asunder ; But, Oh! fell Death's untimely frost, That nipt my flower sae early! Now green's the sod, and cauld's the clay, That wraps my Highland Mary! pale, pale now, those rosy lips, I aft hae kiss'd sae fondly ; And closed for aye the sparkling glance That dwelt on me sae kindly ; And mouldering now in silent dust That heart that lo'ed me dearly! But still within my bosom's core Shall live my Highland Mary. R. Burns cxcn AULD ROBIN GRAY When the sheep are in the fauld, and the kye at hame, And a' the world to rest are gane. The waes o' my heart fa' in showers frae my e'e, While my gudeman lies sound by me. Young Jamie lo'ed me weel, and sought me for his bride; But saving a croun he had naething else beside : To make the croun a pund, young Jamie gaed to sea ; And the croun and the pund were baith for me. He hadna been awa' a week but only twa, When my father brak his arm, and the cow was stown awa; My mother she fell sick, and my Jamie at the sea — And auld Robin Gray came a-courtin' me. My father couldna work, and my mother couldna spin ; I toil'd day and night, but their bread I couldna win; Auld Rob maintain'd them baith, and wi' tears in his e'e Said, Jennie, for their sakes, O, marry me ! My heart it said nay ; I look'd for Jamie back ; But the wind it blew high, and the ship it was a wrack ; His ship it was a wrack — why didna Jamie dee? Or why do I live to cry, Wae's me ? 178 THE GOLDEN TREASURY My father urgit sair : my mother didna speak ; But she look'd in my face till my heart was like to break They gi'ed him my hand, but my heart was at the sea; Sae auld Robin Gray he was gudeman to me. I hadna been a wife a week but only four. When mournfu' as I sat on the stane at the door, I saw my Jamie's wraith, for I couldna think it he Till he said, Fm come hame to marry thee. sair, sair did we greet, and miickle did we say; We took but ae kiss, and I bad him gani^ away; 1 wish that I were dead, but Tm no like to dee; And why was I born to say, Wae's me! 1 gang like a ghaist, and I carena to spin ; I claurna think on Jamie, for that wad be a sin ; But ril do my best a gude wife aye to be. For auld Robin Gray he is kind unto me. Lady A. Lindsay CXCIII DUNCAN GRAY Duncan Gray cam here to woo, Ha, ha, the wooing o't ; On blythe Yule night when we were fou. Ha, ha, the wooing o't : Maggie coost her head fu' high, Look'd asklent and unco skeigh, Gart poor Duncan stand abeigk ; Ha, ha, the wooing o't! Duncan fleech'd, and Duncan pray'd; Meg was deaf as Ailsa Craig ; Duncan sigh'd baith out and in, Grat his een baith bleer't and blin', Spak o' lowpin ower a linn! Time and chance are but a tide. Slighted love is sair to bide ; Shall I, like a fool, quoth he, For a haughty hizzie dee? She may gae to — France for mef THE GOLDEN TREASURY 1 79 How it comes let doctors tell, Meg grew sick — as he grew well; Something in her bosom wrings, For relief a sigh she brings! And O, her een, they spak sic things! Duncan was a lad o' grace ; Maggie's was a piteous case ; Duncan couldna be her death, Swelling pity smoor'd his wrath ; Now they're crouse and canty baith : Ha, ha, the wooing o't! R. Burm CXCIV THE SAILOR'S WIFE And are ye sure the news is true? And are ye sure he's weel? Is this the time to think o' vvark? Ye jades, lay by your wheel ; Is this the time to spin a thread, When Colin's at the door? Reach down my cloak. Til to the quay, And see him come ashore. For there's nae luck about the house, There's nae luck at a' ; There's little pleasure in the house When our gudeman's awa'. And gie to me my bigonet. My bishop's satin gown ; For I maun tell the bailUe's wife That Colin's in the town. My Turkey slippers maun gae on, My stockins pearly blue ; It's a' to pleasure our gudeman. For he's baith leal and true. Rise, lass, and mak a clean fireside^ Put on the muckle pot ; Gie little Kate her button gown And Jock his Sunday coat ; l8o THE GOLDEN TREASURY And mak their shoon as black as slaes, Their hose as white as snaw ; It's a' to please my ain gudeman, For he's been long awa'. There's twa fat hens upo' the coop Been fed this month and mair ; Mak haste and thravv their necks about That Colin weel may fare ; And spread the table neat and clean, Gar ilka thing look braw, For wha can tell how Colin fared When he was far awa' ? Sae true his heart, sae smooth his speeri* His breath like caller air ; His very foot has music in't As he comes up the stair — And will I see his face again? And will I hear him speak? I'm downright dizzy wi' the thought, In troth I'm like to greet! If Colin's weel, and weel content, I hae nae mair to crave : And gin I live to keep him sae, I'm blest aboon the lave : And will I see his face again, And will I hear him speak? I'm downright dizzy wi' the thought, In troth I'm like to greet. For there's nae luck about the house, There's nae luck at a' ; There's little pleasure in the house When our gudeman's awa\ W,J. Micku cxcv ABSENCE When I think on the happy days I spent wi' you, my dearie ; THE GOLDEN TREASURY l8f And now what lands between us lie How can I be but eerie! How slow ye move, ye heavy hours, As ye were wae and weary ! At was na sae ye glinted by When I was wi' my dearie. Anof CXCVI JEAN Of a"* the airts the wind can blaw I dearly like the West, For there the bonnie lassie lives, The lassie I lo'e best : There wild woods grow, and rivers rotij And mony a hill between ; But day and night my fancy's flight Is ever wi' my Jean. I see her in the dewy flowers, I see her sweet and fair : I hear her in the tunefu' birds, I hear her charm the air : There's not a bonnie flower that springs By fountain, shaw, or green. There's not a bonnie bird that sings But minds me o' my Jean. O blaw ye westlin winds, blaw saft Amang the leafy trees ; Wi' balmy gale, frae hill and dale Bring hame the laden bees ; And bring the lassie back to me That's aye sae neat and clean ; Ae smile o' her wad banish care, Sae charming is my Jean. What sighs and vows amang the knowCi Hae pass'd atween us twa ! How fond to meet, how wae to part That night she gaed awa' ! .82 THE GOLDEN TREASURY The Powers aboon can only ken To whom the heart is seen, That nane can be sae dear to me As my sweet lovely Jean ! y?. Burns CXCVII JOHN ANDERSON John Anderson my jo, John, When we were first acquent Your locks were like the raven, Your bonnie brow was brent ; But now your brow is bald, John, Your locks are like the snow ; But blessings on your frosty pow, John Anderson my jo. John Anderson my jo, John, We clamb the hill thegither. And mony a canty day, John, We've had wi' ane anither : Now we maun totter down, John, But hand in hand we'll go, And sleep thegither at the foot, John Anderson my jo. R. Bt*rn CXCVIII THE LAND O' THE LEAL I'm wearing awa', Jean, Like snaw when it's thaw, Jean, I'm wearing awa' To the land o' the leal. There's nae sorrow there, Jean, There's neither cauld nor care, Jean^ The day is aye fair In the land o' the leal. Ye were aye leal and true, Jean, v-"r task's ended noo, Jean- THE GOLDEN TREASURY 183 And ni welcome you To the land o' the leal. Our bonnie bairn's there, Jean, She was baith guid and fair, Jean ; O we grudged her right sair To the land o' the leal ! Then dry that tearfu' e'e, Jean, My soul langs to be free, Jean, And angels wait on me To the land o' the leal. Now fare ye weel, my ain Jean, This warld's care is vain, Jean ; We'll meet and aye be fain In the land o' the leal ! Lady Nairn CXCIX ODL ON A DISTANT PROSPECT OF ETON COLLEGE Ye distant spires, ye antique towers That crown the watery glade, Where grateful Science still adores Her Henry's holy shade ; And ye, that from the stately brow Of Windsor's heights th' expanse below Of grove, of lawn, of mead survey, Whose turf, whose shade, whose flowers among Wanders the hoary Thames along His silver-winding way : Ah happy hills ! ah pleasing shade ! Ah fields beloved in vain ! Where once my careless childhood stray'd, A stranger yet to pain ! I feel the gales that from ye blow A momentary bliss bestow. As waving fresh their gladsome wing My weary soul they seem to soothcj And, redolent of joy and youth, To breathe a second spring. 1 84 THE GOLDEN TREASURY Say, Father Thames, for thou hast seen Full many a sprightly race Disporting on thy margent green The paths of pleasure trace ; Who foremost now delight to cleave With pliant arm, thy glassy wave ? The captive linnet which enthral ? What idle progeny succeed To chase the rolling circle's speed Or urge the flying ball ? While some on earnest business bent Their murmuring labours ply 'Gainst graver hours that bring constrain' To sweeten liberty : Some bold adventurers disdain The limits of their little reign And unknown regions dare descry : Still as they run they look behind, They hear a voice in every wind, And snatch a fearful joy. Gay hope is theirs by fancy fed, Less pleasing when possest ; The tear forgot as soon as shed. The sunshine of the breast : Theirs buxom health, of rosy hue, Wild wit, invention ever new. And lively cheer, of vigour born ; The thoughtless day, the easy night, The spirits pure, the slumbers light That fly th' approach of morn. Alas ! regardless of their doom The little victims play ; No sense have they of ills to come Nor care beyond to-day : Yet see how all around 'em wait The ministers of human fate And black Misfortune's baleful train ! Ah show them where in ambush stand To seize their prey, the murderous band Ah, tell them they are men I THE GOLDEN TREASURY t8c These shall the fiiry Passions tear. The vultures of the mind, Disdainful Anger, pallid Fear, And Shame that sculks behind; Or pining Love shall waste their youth. Or Jealousy with rankling tooth That inly gnaws the secret heart. And Envy wan, and faded Care, Grim-visaged comfortless Despair, And Sorrow's piercing dart. Ambition this shall tempt to rise, Then whirl the wretch from high To bitter Scorn a sacrifice And grinning Infamy. The stings of Falsehood those shall try And hard Unkindness' alterM eye. That mocks the tear it forced to flow ; And keen Remorse with blood defiled, And moody Madness laughing wild Amid severest woe. Lo, in the vale of years beneath A grisly troop are seen. The painful family of Death, More hideous than their queen: This racks the joints, this fires the veins. That every labouring sinew strains, Those in the deeper vitals rage : Lo ! Poverty, to fill the band. That numbs the soul with icy hand, And slow-consuming Age. To each his sufferings : all are men, Condemned alike to groan ; The tender for another's pain, Th' unfeeling for his own. Vet, ah! why should they know their fate, Since sorrow never comes too late, And happiness too swiftly flies ? Thought would destroy their paradise. No more ; — where ignorance is bliss, 'Tis folly to be wise. 7'. Gray l86 THE GOLDEN TREASURY CC THE SHRUBBERY O happy shades! to me unblest! Friendly to peace, but not to me! How ill the scene that offers rest, And heart that cannot rest, agree! This glassy stream, that spreading pine, Those alders quivering to the breeze, Might soothe a soul less hurt than mine, And please, if anything could please. But fix'd unalterable Care Foregoes not what she feels within, Shows the same sadness everywhere. And slights the season and the scene. For all that pleased in wood or lawn While Peace possess^ these silent bowers. Her animating smile withdrawn, Has lost its beauties and its powers. The saint or moralist should tread This moss-grown alley, musing, slow, I'hey seek like me the secret shade. But not, like me, to nourish woe! Me, fruitful scenes and prospects waste Alike admonish not to roam ; These tell me of enjoyments past. And those of sorrows yet to come. W, Cowper CCI HYMN TO ADVERSITY Daughter of Jove, relentless power, Thou tamer of the human breast. Whose iron scourge and torturing hour The bad affright, afflict the best! THE GOLDEN TREASURY 187 Bound in thy adamantine chain The proud are taught to taste of pain, And purple tyrants vainly groan With pangs unfelt before, unpitied and alone. When first thy Sire .to send on earth Virtue, his darling child, designed, To thee he gave the heavenly birth And bade to form her infant mind. Stern, rugged nurse ; thy rigid lore With patience many a year she bore ; What sorrow was, thou bad'st her know. And from her own she learned to melt at others' woe Scared at thy frown terrific, fly Self-pleasing Folly's idle brood, Wild Laughter, Noise, and thoughtless Joy, And leave us leisure to be good. Light they disperse, and with them go The summer friend, the flattering foe; By vain Prosperity received. To her they vow their truth, and are again believed Wisdom in sable garb array'd Immersed in rapturous thought profound. And Melancholy, silent maid, With leaden eye, that loves the ground. Still on thy solemn steps attend : Warm Charity, the general friend. With Justice, to herself severe, .And Pity dropping soft the sadly-pleasing tear. Oh ! gently on thy suppliant's head Dread goddess, lay thy chastening hand! Not in thy Gorgon terrors clad. Nor circled with the vengeful band (As by the impious thou art seen) With thundering voice, and threatening mien, With screaming Horror's funeral cry. Despair, and fell Disease, and ghastly Poverty ; — - Thy form benign, oh goddess, wear, Thy milder influence impart, fSS THE GOLDEN TREASURY Thy philosophic train be there To soften, not to wound my heart. The generous spark extinct revive, Teach me to love and to forgive, Exact my own defects to scan, What others are to feel, and know myself a Man T, Gray ecu THE SOLITUDE OF ALEXANDER SELKIRK I am monarch of all I survey ; My right there is none to dispute ; From the centre all round to the sea I am lord of the fowl and the brute. Solitude ! where are the charms That sages have seen in thy face? Better dwell in the midst of alarms, Than reign in this horrible place. 1 am out of humanity's reach, I must finish my journey alone, Never hear the sweet music of speech ; I start at the sound of my own. The beasts that roam over the plain My form with indifference see ; They are so unacquainted with man. Their tameness is shocking to me. Society, Friendship, and Love, Divinely bestow'd upon man. Oh, had I the wings of a dove How soon would I taste you again! My sorrows I then might assuage In the ways of religion and truth, Might learn from the wisdom of age, And be cheered by the sallies of youth. Ye winds that have made me your sportr Convey to this desolate shore Some cordial endearing report Of a land I shall visit no more : THE GOLDEN TREASURY 189 My friends, do they now and then seno A wish or a thought after me? O tell me I yet have a friend, Though a friend I am never to see. How fleet is a glance of the mind! Compared with the speed of its flight, The tempest itself lags behind, And the swift-winged arrows of light. When I think of my own native land In a moment I seem to be there ; But alas! recollection at hand Soon hurries me back to despair. But the sea-fowl is gone to her nest, The beast is laid down in his lair; Even here is a season of rest, And I to my cabin repair. There's mercy in every place, And mercy, encouraging thought! Gives even affliction a grace And reconciles man to his lot. W. Cowper CCIII TO MARY UNWIN Mary' 1 want a lyre with other strings, Such aid from Heaven as some have feignM they drew, An eloquence scarce given to mortals, new And undebased by praise of meaner things. That ere through age or woe I shed my wings I may record thy worth with honour due, In verse as musical as thou art true. And that immortalizes whom it sings : — But thou hast little need. There is a Book By seraphs writ with beams of heavenly light, On which the eyes of God not rarely look. xgo T'HE GOLDEN TREASURY A cnronicie of actions just and bright — There all thy deeds, my faithful Mary, shine ; And since thou own^st that praise, I spare thee mine:. W. Cowpef CCIV TO THE SAME The twentieth year is well-nigh past Since first our sky was overcast ; Ah would that this might be the last ! My Mary! Thy spirits have a fainter flow, I see thee daily weaker grow — 'Twas my distress that brought thee low, My Mary! Thy needles, once a shining store, For my sake restless heretofore. Now rust disused, and shine no more ; My Mary! For though thou gladly wouldst fulfil The same kind office for me still, Thy sight now seconds not thy will, My Mary ! But well thou play'st the housewife's part, And all thy threads with magic art Have wound themselves about this heart. My Mary! Thy indistinct expressions seem Like language utter'd in a dream ; Yet me they charm, whatever the theme, My Mary! Thy silver locks, once auburn bright, Are still more lovely in my sight Than golden beams of orient light, My Mary! THE GOLDEN TREASURY I91 For could I view nor them nor thee, What sight worth seeing could I see ? The sun would rise in vain for me, My Mary! Partakers of thy sad decline Thy hands their little force resign ; Yet, gently prest, press gently mine, My Mary! Such feebleness of limbs thou prov'st That now at every step thou mov'st Upheld by two ; yet still thou lov'st, My Maryi And still to love, though prest with ill, in wintry age to feel no chill, With me is to be lovely still, My Mary! But ah ! by constant heed I know How oft the sadness that I show Transforms thy smiles to looks of woe, My Mary ! And should my future lot be cast With much resemblance of the past. Thy worn-out heart will break at last — My Mary 1 W CowpCf CCV THE CASTAWAY Obscurest night involved the sky, The Atlantic billows roar'd, When such a destined wretch as I, WashM headlong from on board. Of friends, of hope, of all bereft, His floating home for ever left. 192 THE GOLDEN TREASURE No braver chief could Albion boast Than he with whom he went, Nor ever ship left Albion's coast With warmer wishes sent. He loved them both, but both in vain, Nor him beheld, nor her again. Not long beneath the whelming brine, Expert to swim, he lay ; Nor soon he felt his strength decline, Or courage die away ; But waged with death a lasting strife. Supported by despair of life. He shouted : nor his friends had faiPd To check the vessel's course, But so the furious blast prevailed. That, pitiless perforce. They left their outcast mate behind. And scudded still before the wind. Some succour yet they could afford; And such as storms allow. The cask, the coop, the floated cord, Delay'd not to bestow. But he (they knew) nor ship nor shore^ Whatever they gave, should visit more. Nor, cruel as it seemM, could he Their haste himself condemn, Aware that flight, in such a sea, Alone could rescue them ; Yet bitter felt it still to die Deserted, and his friends so nigh. He long survives, who lives an hour In ocean, self-upheld; And so long he, with unspent power, His destiny repelPd ; And ever, as the minutes flew, Entreated help, or cried < Adieu!' THE GOLDEN TREASURY 1 93 At length, his transient respite past, His comrades, who before Had heard his voice in every blast, Could catch the sound no more ; For then, by toil subdued, he drank The stifling wave, and then he sank. No poet wept him ; but the page Of narrative sincere. That tells his name, his worth, his age, Is wet with Anson's tear : And tears by bards or heroes shed Alike immortalize the dead. I therefore purpose not, or dream, Descanting on his fate, To give the melancholy theme A more enduring date : But misery still delights to trace Its semblance in another's case. No voice divine the storm allay'd, No light propitious shone, When, snatch'd from all effectual aid, We perish'd, each alone : But I beneath a rougher sea, And whelm'd in deeper gulfs than he. W. Cowper CCVI TO-MORROW In the downhill of life, when I find Fm declining, May my fate no less fortunate be Than a snug elbow-chair will afford for reclining. And a cot that o'erlooks the wide sea ; With an ambling pad-pony to pace o'er the lawn. While I carol away idle sorrow. And blithe as the lark that each day hails the dawn Look fprwarcj with hope for To-morrow. 194 THE GOLDEN TREASURY With a porch at my door, both for shelter and shade too, As the sunshine or rain may prevail ; And a small spot of ground for the use of the spade too, With a barn for the use of the flail : A cow for my dairy, a dog for my game, And a purse when a friend wants to borrow ; ril envy no Nabob his riches or fame, Or what honours may wait him To-morrow. From the bleak northern blast may my cot be completely Secured by a neighbouring hill ; And at night may repose steal upon me more sweetly By the sound of a murmuring rill : And while peace and plenty I find at my board. With a heart free from sickness and sorrow, With my friends may I share what To-day may afford, And let them spread the table To-morrow. And when 1 at last must throw off this frail covering Which IVe worn for three-score years and ten. On the brink of the grave Til not seek to keep hov'ring. Nor my thread wish to spin o'er again : But my face in the glass I'll serenely survey. And with smiles count each wrinkle and furrow ; As this old worn-out stuff, which is threadbare To-day, May become Everlasting To-morrow. /. Collim CCVII Life! I know not what thou art, But know that thou and I must part ; And when, or how, or where we met I own to me^s a secret yet. Life! we've been long together Through pleasant and through cloudy weather; 'Tis hard to part when friends are dear — Perhaps Hwill cost a sigh, a tear ; — Then steal away, give little warning, Choose thine own time ; Say not Good Night, — but Iq some brighter clime Bid me Good Morning. A. L. Bariauld BOOK FOURTH CCVIII TO THE MUSES Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceased; Whether in Heaven ye wander fair. Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth ^ Whether on crystal rocks ye rove Beneath the bosom of the sea, .Wandering in many a coral grove, — Fair Nine, forsaking Poetry; How have you left the ancient love That bards of old enjoy 'd in you! The languid strings do scarcely move, The sound is forced, the notes are few. IV, Blake CCIX ODE ON THE POETS Bards of Passion and of Mirth Ye have left your souls on earth! Have ye souls in heaven too, Double-lived in regions new? .96 THE GOLDEN TREASURY — Yes, and those of heaven commune With the spheres of sun and moon ; With the noise of fountains wond'rous And the parle of voices thundVous ; With the whisper of heaven's trees And one another, in soft ease Seated on Elysian lawns Browsed by none but Dian's fawns ; Underneath large blue-bells tented, Where the daisies are rose-scented, And the rose herself has got Perfume which on earth is not ; Where the nightingale doth sing Not a senseless, tranced thing, But divine melodious truth ; Philosophic numbers smooth ; Tales and golden histories Of heaven and its mysteries. Thus ye live on high, and then On the earth ye live again ; And the souls ye left behind you Teach us, here, the way to find you. Where your other souls are joying, Never slumber'd, never cloying. Here, your earth-born souls still speak To mortals, of their little week ; Of their sorrows and delights ; Of their passions and their spites ; Of their glory and their shame ; What doth strengthen and what maim : — Thus ye teach us, every day. Wisdom, though fled far away. Bards of Passion and of Mirth Ye have left your souls on earth ! Ye have souls in heaven too, Double-lived in regions newf /. Keati THE GOLDEN TREASURY 197 CCX ON FIRST LOOKING INTO CHAPMAN'S HOMER Much have I travelPd in the realms of gold And many goodly states and kingdoms seen ; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-brow'd Homer ruled as his demesne : Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold : — Then felt I like some watcher of the skies When a new planet swims into his ken ; Or like stout Cortez, when with eagle eyes He stared at the Pacific — and all his men Look'd at each other with a wild surmise — Silent, upon a peak in Darien. y. Keats CCXI LOVE All thoughts, all passions, all delights, Whatever stirs this mortal frame, All are but ministers of Love, And feed his sacred flame. Oft in my waking dreams do I Live o'er again that happy hour, When mid-way on the mount I lay, Beside the ruin'd tower. The moonshine stealing o'er the scene Had blended with the lights of eve ; And she was there, my hope, my joy, My own dear Genevieve ! •98 THE GOLDEN TREASURY She lean'd against the armed man, The statue of the armed knight ; She stood and listened to my lay, Amid the lingering light. Few sorrows hath she of her own. My hope! my joy! my Genevieve! She loves me best, whene'er I sing The songs that make her grieve. I playM a soft and doleful air, I sang an old and moving story — An old rude song, that suited well That ruin wild and hoary. She listened with a flitting blush, With downcast eyes and modest grace; For well she knew, I could not choose But gaze upon her face. I told her of the Knight that wore Upon his shield a burning brand ; And that for ten long years he woo'd The Lady of the Land. I told her how he pined : and ah! The deep, the low, the pleading tone With which I sang another's love Interpreted my own. She listen'd with a flitting blush, With downcast eyes, and modest grace ; And she forgave me, that I gazed Too fondly on her face! But when I told the cruel scorn That crazed that bold and lovely Knight And that he crossed the mountain-woods, Nor rested day nor night ; That sometimes from the savage den, And sometimes from the darksome shade, And sometimes starting up at once In green and sunny glade, — THE GOLDEN TREASURY 199 There came and lookM him in the face An angel beautiful and bright ; And that he knew it was a Fiend. This miserable Knight! And that unknowing what he did, He leaped amid a murderous band, And saved from outrage worse than death The Lady of the Land ; — And how she wept, and clasp'd his knees ; And how she tended him in vain — And ever strove to expiate The scorn that crazed his brain ; — And that she nursed him in a cave, And how his madness went away, When on the yelljw forest-leaves A dying man he lay ; — His dying words — but when I reach'd That tenderest strain of all the ditty, My faltering voice and pausing harp Disturbed her soul with pity! All impulses of soul and sense Had thriird my guileless Genevieve; The music and the doleful tale, The rich and balmy eve ; And hopes, and fears that kindle hope, An undistinguishable throng. And gentle wishes long subdued, Subdued and cherished long! She wept with pity and delight. She blushed with love, and virgin shame; And like the murmur of a dream, I heard her breathe my name. Her bosom heaved — she stepped aside, As conscious of my look she stept — 200 THE GOLDEN TREASURY Then suddenly, with timorous eye She fled to me and wept. She half inclosed me with her arms, She pressM me with a meek embrace ; And bending back her head, look'd up, And gazed upon my face. 'Twas partly love, and partly fear, And partly 'twas a bashful art That I might rather feel, than see, The swelling of her heart. I calm'd her fears, and she was calm And told her love with virgin pride ; And so I won my Genevieve, My bright and beauteous Bride. S. T. Coleridge CCXII ALL FOR LOVE talk not to me of a name great in story ; The days of our youth are the days of our glory; And the myrtle and ivy of sweet two-and-twenty Are worth all your laurels, though ever so plenty. What are garlands and crowns to the brow that is wrinkled! 'Tis but as a dead flower with May-dew besprinkled : Then away with all such from the head that is hoary — What care I for the wreaths that can only give glory .^ Oh fame! — if I e'er took delight in thy praises, 'Twas less for the sake of thy high-sounding phrases, Than to see the bright eyes of the dear one discover She thought that I was not unworthy to love her. There chiefly I sought thee, there only I found thee ; Her glance was the best of the rays that surround thee ; When it sparkled o'er aught that was bright in my story, 1 knew it was love, and I felt it was glory. Lord Byron THE GOLDEN TREASURY 20I CCXIII THE OUTLAW Brignall banks are wild and fair, And Greta woods are green, And you may gather garlands there Would grace a summer-queen. And as I rode by Dalton-Hall Beneath the turrets high, A Maiden on the castle-wall Was singing merrily : < O Brignall banks are fresh and fair. And Greta woods are green ; rd rather rove with Edmund there Than reign our English queen.' * If, Maiden, thou wouldst wend with me. To leave both tower and town, Thou first must guess what life lead we That dwell by dale and down. And if thou canst that riddle read. As read full well you may, Then to the greenwood shalt thou speed As blithe as Queen of May.' Yet sung she, ' Brignall banks are fair, And Greta woods are green ; rd rather rove with Edmund there Than reign our English queen. * I read you, by your bugle-horn And by your palfrey good, 1 read you for a ranger sworn To keep the king's greenwood.' * A Ranger, lady, winds his horn, And 'tis at peep of light ; His blast is heard at merry morn, And mine at dead of night.' Yet sung she, ' Brignall banks are fair, And Greta woods are gay ; I would I were with Edmund there To reign his Queen of May ! ^02 THE GOLDEN TREASURY With burnish'd brand and musketoon So gallantly you come, I read you for a bold Dragoon That lists the tuck of drum.' < I list no more the tuck of drum, No more the trumpet hear ; But when the beetle sounds his hum My comrades take the spear. And O ! though Brignall banks be fair And Greta woods be gay. Yet mickle must the maiden dare Would reign my Queen of May ! * Maiden ! a nameless life I lead, A nameless death I'll die ; The fiend whose lantern lights the mead Were better mate than I ! And when I'm with my comrades met Beneath the greenwood bough, — What once we were we all forget, Nor think what we are now.' Chorus * Yet Brignall banks are fresh and fair, And Greta woods are green, And you may gather garlands there Would grace a summer-queen.' Sir W Scoti CCXIV There be none of Beauty's daughters With a magic like Thee ; And like music on the waters Is thy sweet voice to me : When, as if its sound were causing The charmed ocean's pausing, The waves lie still and gleaming. And the luU'd winds seem dreaming : And the midnight moon is weaving Her bright chain o'er the deep, THE GOLDEN TREASURY 203 Whose breast is gently heaving As an infant's asleep : So the spirit bows before thee To listen and adore thee ; With a full but soft emotion, Like the swell of Summer's ocean. Lord Byron CCXV THE INDIAN SERENADE I arise from dreams of Thee In the first sweet sleep of night. When the winds are breathing low And the stars are shining bright : I arise from dreams of thee, And a spirit in my feet Hath led me — who knows how ? To thy chamber-window. Sweet ! The wandering airs they faint On the dark, the silent stream — The champak odours fail Like sweet thoughts in a dream ; The nightingale's complaint It dies upon her heart, As I must die on thine beloved as thou art ! Oh lift me from the grass ! 1 die, I faint, I fail ! Let thy love in kisses rain On my lips and eyelids pale. My cheek is cold and white, alas ! My heart beats loud and fast ; Oh ! press it close to thine again Where it will break at last. P. B. Shelley 204 THE GOLDEN TREASURE CCXVI She walks in beauty, like the night Of cloudless climes and starry skies, And all that's best of dark and bright Meet in her aspect and her eyes ; Thus mellow'd to that tender light Which heaven to gaudy day denies. One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress Or softly lightens o'er her face, Where thoughts serenely sweet express How pure, how dear their dwelling-place. And on that cheek and o'er that brow So soft, so calm, yet eloquent. The smiles that win, the tints that glow But tell of days in goodness spent, — A mind at peace with all below, A heart whose love is innocent Lord Byron ccxvn She was a Phantom of delight When first she gleam'd upon my sight ; A lovely Apparition, sent To be a moment's ornament ; Her eyes as stars of twilight fair ; Like Twilight's, too, her dusky hair ; But all things else about her drawn From May-time and the cheerful dawn ; A dancing shape, an image gay, To haunt, to startle, and waylay. I saw her upon nearer view, A Spirit, yet a Woman too ! Her household motions light and free. And steps of virgin-liberty ; THE GOLDEN TREASURY 205 A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature's daily food, For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles. And now I see with eye serene The very pulse of the machine ; A being breathing thoughtful breath, A traveller between life and death : The reason firm, the temperate will, Endurance, foresight, strength, and skill ; A perfect Woman, nobly plannM To warn, to comfort, and command ; And yet a Spirit still, and bright With something of an angel-light. W. Wordsworth CCXVIII She is not fair to outward view As many maidens be ; Her loveliness I never knew Until she smiled on me. O then I saw her eye was bright, A well of love, a spring of light. But now her looks are coy and cold, To mine they ne'er reply, And yet I cease not to behold The love-light in her eye : Her very frowns are fairer far Than smiles of other maidens are. H. Coler i.ge CCXIX I fear thy kisses, gentle maiden ; Thou needest not fear mine ; My spirit is too deeply laden Ever to burthen thine. THE GOLDEN TREASURY I fear thy mien, thy tones, thy motion ; Thou needest not fear mine ; Innocent is the heart's devotion With which I worship thine. P, B. Shelley CCXX She dwelt among the untrodden ways Beside the springs of Dove ; A maid whom there were none to praise, And very few to love. A violet by a mossy stone Half-hidden from the eye ! — Fair as a star, when only one Is shining in the sky. She lived unknown, and few could know When Lucy ceased to be ; But she is in her grave, and, oh, The difference to me ! W. Wordsworth CCXXI I travell'd among unknown men In lands beyond the sea; Nor, England ! did I know till then What love I bore to thee. 'Tis past, that melancholy dream ! Nor will I quit thy shore A second time; for still I seem To love thee more and more. Among thy mountains did I feel The joy of my desire ; And she 1 cherished turn'd her wheel Beside an English fire. Thy mornings show'd, thy nights conceaPd The bowers where Lucy play'd ; And thine too is the last green field That Lucy's eyes survey 'd. W. Wordsworth THE GOLDEN TREASURY 207 CCXXII THE EDUCATION OF NATURE Three years she grew in sun and shower- Then Nature said, ' A lovelier flower On earth was never sown : This Child I to myself will take ; She shall be mine, and I will make A lady of my own. * Myself will to my darling be Both law and impulse : and with me The girl, in rock and plain, In earth and heaven, in glade and bower, Shall feel an overseeing power To kindle or restrain. * She shall be sportive as the fawn That wild with glee across the lawn Or up the mountain springs ; And hers shall be the breathing balm> And hers the silence and the calm Of mute insensate things. *The floating clouds their state shall lend To her ; for her the willow bend ; Nor shall she fail to see Ev'n in the motions of the storm Grace that shall mould the maiden's form By silent sympathy. * The stars of midnight shall be dear To her ; and she shall lean her ear In many a secret place Where rivulets dance their wayward round, And beauty born of murmuring sound Shall pass into her face. ' And vital feelings of delight Shall rear her form to stately height, Her virgin bosom swell ; 2o8 THE GOLDEN TREASURY Such thoughts to Lucy I will give While she and I together live Here in this happy dell.' Thus Nature spake — The work was done — How soon my Lucy's race was run ! She died, and left to me This heath, this calm and quiet scene ; The memory of what has been, And never more will be. W, Wordsworth ccxxin A slumber did my spirit seal ; I had no human fears : She seenVd a thing that could not feel The touch of earthly years. No motion has she now, no force ; She neither hears nor sees ; Roird round in earth's diurnal course With rocks, and stones, and trees. W, Wordsworth CCXXIV A LOST LOVE I meet thy pensive, moonlight face ; Thy thrilling voice I hear ; And former hours and scenes retrace, Too fleeting, an'^ loo dear! Then sighs and tears flow fast and free, Though none is nigh to share ; And life has nought beside for me So sweet as this despair. There are crushed hearts that will not break ; And mine, methinks, is one ; Or thus I should not weep and wake, And thou to slumber gone. THE GOLDEN TREASURY 209 I little thought it thus could be In days more sad and fair — That earth could have a place for me, And thou no longer there. Yet death cannot our hearts divide, Or make thee less my own : 'Twere sweeter sleeping at thy side Than watching here alone. Yet never, never can we part, While Memory holds her reign : Thine, thine is still this withered heart, Till we shall meet again. H. F, Lytt CCXXV LORD ULLIN^S DAUGHTER A Chieftain to the Highlands bound Cries ' Boatman, do not tarry ! And ril give thee a silver pound To row us o'er the ferry ! ' * Now who be ye, would cross Lochgyle, This dark and stormy water ? ' * O Tm the chief of Ulva's isle. And this, Lord Ullin's daughter. ■ And fast before her father's men Three days we've fled together. For should he find us in the glen. My blood would stain the heather. *His horsemen hard behind us ride — Should they our steps discover. Then who will cheer my bonny bride, When they have slain her lover? ' Out spoke the hardy Highland wight * ril go, my chief, I'm ready : It is not for your silver bright, But for your winsome lady : — 210 THE GOLDEN TREASURY * And by my word ! the bonny bird In danger shall not tarry ; So though the waves are raging white I'll row you o'er the ferry.' By this the storm grew loud apace, The water-wraith was shrieking ; And in the scowl of Heaven each face Grew dark as they were speaking. But still as wilder blew the wind, And as the night grew drearer, Adown the glen rode armed men. Their trampling sounded nearer. *0 haste thee, haste!' the lady cries, * Though tempests round us gather ; I'll meet the raging of the skies, But not an angry father.' The boat has left a stormy land, A stormy sea before her, — When, oh ! too strong for human hand The tempest gather'd o'er her. And still they row'd amidst the roar Of waters fast prevailing : Lord Ullin reach'd that fatal shore, — His wrath was changed to wailing. For, sore dismay'd, through storm and shade His child he did discover ; — One lovely hand she stretch'd for aid, And one was round her lover. *Come back! come back! ' he cried in grief 'Across the stormy water: And I'll forgive your Highland chief, My daughter! — Oh, my daughter ! ' 'Twas vain : the loud waves lash'd the shore, Return or aid preventing : The waters wild went o'er his child. And he was left lamenting. T. Campbell THE GOLDEN TREASURY 2 11 CCXXVI LUCY GRAY Oft I had heard of Lucy Gray : And when 1 crossed the wild, I chanced to see at break of day The soUtary child. No mate, no comrade Lucy knew ; She dwelt on a wide moor, The sweetest thing that ever grew Beside a human door ! You yet may spy the fawn at play, The hare upon the green ; But the sweet face of Lucy Gray Will never more be seen. * To-night will be a stormy night — You to the town must go ; And take a lantern, Child, to light Your mother through the snow. eing, as I am, opprest To think that now our life is only drest For show ; mean handy-work of craftsman, cook. Or groom! — We must run glittering like a brook In the open sunshine, or we arc unblest ; The wealthiest man among us is the best: No grandeur now in nature or in book Delights us. Rapine, avarice, expense, This is idolatry ; and these we adore : Plain living and high thinking are no more : The homely beauty of the good old cause Is gone ; our peace, our fearful innocence. And pure religion breathing household laws. W. Wordsworth CCLVII THE SAME Milton! thou shouldst be living at this hour: England hath need of thee : she is a fen Of stagnant waters : altar, sword, and pen, Fireside, the heroic wealth of hall and bower» THE GOLDEN TREASURY 239 ffave forfeited their ancient English dower Of inward happiness. We are selfish men: Oh ! raise us up, return to us again ; And give us manners, virtue, freedom, power. Thy soul was like a Star, and dwelt apart : Thou hadst a voice whose sound was like the sea, Pure as the naked heavens, majestic, free ; So didst thou travel on life's common way In cheerful godliness ; and yet thy heart The lowliest duties on herself did lay. VV. Wordsworth CCLVIII When I have borne in memory what has tamed Great nations ; how ennobling thoughts depart When men change swords for ledgers, r.nd desert The student's bower for gold, — some fears unnamed I had, my Country! — am I to be blamed? Now, when 1 think of thee, and what thou art, Verily, in the bottom of my heart Of those unfilial fears I am ashamed. For dearly must we prize thee ; we who find In thee a bulwark for the cause of men ; And I by my atfection was beguiled : What wonder if a Poet now and then, Among the many movements of his mind, FeJt for thee as a lover or a child ! W, WordswortiS CCLIX HOHENLINDEN On Linden, when the sun was low, All bloodless lay the untrodden snowj And dark as winter was the flow Of Iser, rolling rapidly. 240 THE GOLDEN TREASURY But Linden saw another sight, When the drum beat at dead of night Commanding fires of death to light The darkness of her scenery. By torch and trumpet fast array'd Each horseman drew his battle-blade, And furious every charger neigh'd To join the dreadful revelry. Then shook the hills with thunder riven; Then rush'd the steed, to battle driven; And louder than the bolts of Heaven Far flashed the red artillery. But redder yet that light shall glow On Linden's hills of stained snow ; And bloodier yet the torrent flow Of Iser, rolling rapidly. 'Tis morn ; but scarce yon level sun Can pierce the war-clouds rolling dun, Where furious Frank and fiery Hun Shout in their sulphurous canopy The combat deepens. On, ye Brave Who rush to glory, or the grave! Wave, Munich! all thy banners wave, And charge with all thy chivalry! Few, few shall part, where many meet! The snow shall be their winding-sheet, And every turf beneath their feet Shall be a soldier''s sepulchre. T. Campbeh CCLX AFTER BLENHEIM It was a summer evening. Old Kaspar's work was done, And he before his cottage door Was sitting in the sun ; THE GOLDEN TREASURY «4' And by him sported on the greet* His little grandchild Wilhelmine. She saw her brother Peterkin Roll something large and round Which he beside the rivulet In playing there had found; He came to ask what he had found That was so large and smooth and round Old Kaspar took it from the boy Who stood expectant by ; And then the old man shook his head. And with a natural sigh * 'Tis some poor fellow's skull,' 3aid he, * Who fell in the great victory. * I find them in the garden, For there's many hereabout ; And often when I go to plough The ploughshare turns them out. For many thousand men,' said he, ' Were slain in that great victory.' * Now tell us what 'twas all about,' Young Peterkin he cries ; And litde Wilhelmine looks up With wonder-waiting eyes ; * Now tell us all about the war, And what they fought each other for.' *It was the English,' Kaspar cried, * Who put the French to rout ; But what they fought each other for I could not well make out. But everybody said,' quoth he, *That 'twas a famous victory. *My father lived at Blenheim then, Yon little stream hard by ; They burnt his dwelling to the ground, And he was forced to fly : 242 THE GOLDEN TREASURY So with his wife and child he fled. Nor had he where to rest his head. < With fire and sword the country round Was wasted far and wide And many a childing mother then And newborn baby died : But things like that, you know, must be At every famous victory. *They say it was a shocking sight After the field was won ; For many thousand bodies here Lay rotting in the sun : But things like that, you know, must be After a famous victory. * Great praise the Duke of Marlbro' won And our good Prince Eugene ; ' * Why 'twas a very wicked thing ! ' Said little Wilhelmine; *Nay . . nay . . my little girl/ quoth he, *It was a famous victory. *And everybody praised the Duke Who this great fight did win.' * But what good came of it at last?' Quoth little Peterkin: — *Why that 1 cannot tell,' said he, ' But 'twas a famous victory.' R. Southey CCLXI PRO PATRIA MORI When he who adores thee has left but the name Of his fault and his sorrows behind. Oh ! say wilt thou weep, when they darken the fame Of a life that for thee was resign'd ! Yes, weep, and however my foes may condemn, Thy tears shall eiface their decree ; For, Heaven can witness, though guilty to them, I have been but too faithful to thee. THE GOLDEN TREASURY ^4j With thee were the dreams of my earliest love ; Every thought of my reason was thine : In my last humble prayer to the Spirit above Thy name shall be mingled with mine! Oh! blest are the lovers and friends who shall live The days of thy glory to see ; But the next dearest blessing that Heaven can give Is the pride of thus dying for thee. T. Moore CCLXII THE BURIAL OF SIR JOHN MOORE AT CORUNNA Not a drum was heard, not a funeral note, As his corpse to the rampart we hurried; Not a soldier discharged his farewell shot O'er the grave where our hero we buried. VVe buried him darkly at dead of night, The sods with our bayonets turning ; By the struggling moonbeam's misty light And the lantern dimly burning. No useless coffin enclosed his breast, Not in sheet or in shroud we wound him; But he lay like a warrior taking his rest, With his martial cloak around him. Few and short were the prayers we said. And we spoke not a word of sorrow ; But we steadfastly gazed on the face that was dead, And we bitterly thought of the morrow. And smoothed down his lonely pillow, That the foe and the stranger would tread o'er his head And we far away on the billow ! Lightly they'll talk of the spirit that's gone And o'er his cold ashes upbraid him, — But little he'll reck, if they let him sleep on In the grave where a Briton has laid him. 444 ^'^^ GOLDEN TREASURY But half of our heavy task was done When the clock struck the hour for retiring: And we heard the distant and random gun That the foe was sullenly firing. *^lowly and sadly we laid him down, From the field of his fame fresh and gory; We carved not a line, and we raised not a stone, But we left him alone with his glory. C. Wolft CCLXIII SIMON LEE THE OLD HUNTSMAN In the sweet shire of Cardigan, Not far from pleasant Ivor Hall, An old man dwells, a little man, — 'Tis said he once was tall. Full five-and-thirty years he lived A running huntsman merry; And still the centre of his cheek Is red as a ripe cherry. No man like him the horn could sound. And hill and valley rang with glee, When Echo bandied, round and round^ The halloo of Simon Lee. In those proud days he little cared For husbandry or tillage ; To blither tasks did Simon rouse The sleepers of the village. He all the country could outrun. Could leave both man and horse behind; And often, ere the chase was done He reePd and was stone-blind. And still there's something in the world At which his heart rejoices ; For when the chiming hounds are out, He dearly loves their voices. THE GOLDEN TREASURE 245 But oh the heavy change! — bereft Of health, strength, friends and kindred, see' Old Simon to the world is left In liveried poverty ; — His master's dead, and no one now Dwells in the Hall of Ivor; Men, dogs, and horses, all are dead; He is the sole survivor. And he is lean and he is sick. His body, dwindled and awry, Rests upon ankles swoln and thick; His legs are thin and dry. One prop he has. and only one, — His wife, an aged woman, Lives with him, near the waterfall, Upon the village common. Beside their moss-grown hut of clay, Not twenty paces from the door, A scrap of land they have, but they Are poorest of the poor. This scrap of land he from the heath Enclosed when he was stronger ; But what to them avails the land Which he can till no longer.? Oft, v/orking by her husband's side, Ruth does what Simon cannot do; For she, with scanty cause for pride, Is stouter of the two. And, though you with your utmost ski From labour could not wean them, 'Tis little, very little, all That they can do between them. Few months of life has he in store As he to you will tell, For still, the more he works, the more Do his weak ankles swell. My gentle Reader, I perceive How patiently youVe waited. :40 THE GOLDEN rktA^URl And now I fear that you expect Some tale will be related. O Reader! had you in your mind Such stores as silent thought can bring gentle Reader! you would find A tale in every thing. What more I have to say is short, And you must kindly take it : It is no tale ; but, should you think, Perhaps a tale you'll make it. One summer-day I chanced to see This old Man doing all he could To unearth the root of an old tree. A stump of rotten wood. The mattock totter'd in his hand ; So vain was his endeavour That at the root of the old tree He might have work'd for ever. 'YouVe overtasked, good Simon LeC; Give me your tool,' to him I said; And at the word right gladly he Received my proffer'd aid. 1 struck, and with a single blow The tangled root I scverM, At which the poor old man so long And vainly had endeavoured. The tears into his eyes were brought, And thanks and praises seem'd to run So fast out of his heart, I thought They never would have done. — Tve heard of hearts unkind, kind deed With coldness still returning; Alas! the gratitude of men Hath oftener left me mourning. W, Wordsworth THE GOLDEN TREASURY 247 CCLXIV THE OLD FAMILIAR FACES i have had playmates, I have had companions. In my days of childhood, in my joyful school-days ; All, all are gone, the old familiar faces. Drinking late, sitting late, with my bosom cronies . All, all are gone, the old familiar faces. I loved a Love once, fairest among women : Closed are her doors on me, I must not see her — All, all are gone, the old familiar faces. I have a friend, a kinder friend has no man : Like an ingrate, I left my friend abruptly ; Left him, to muse on the old familiar faces. Ghost-like I paced round the haunts of my childhood, Earth seem'd a desert I was bound to traverse. Seeking to find the old familiar faces. Friend of my bosom, thou more than a brother, Why wert not thou born in my father's dwelling.'* So might we talk of the old familiar faces. How some they have died, and some they have left me, And some are taken from me ; all are departed ; All, all are gone, the old familiar faces. C Lamb CCLXV THE JOURNEY ONWARDS As slow our ship her foamy track Against the wind was cleaving, Her trembling pennant still look'd back To that dear isle 'twas leaving. So loth we part from all we love, From all the links that bind us : <48 THE GOLDEN TREASURY So turn our hearts, as on we rove, To those we've left behind us! When, round the bowl, of vanish'd years We talk with joyous seeming — With smiles that might as well be tears, So faint, so sad their beaming ; While memory brings us back again Each early tie that twined us. Oh, sweet's the cup that circles then To those we've left behind us ! And when, in other climes, we meet Some isle or vale enchanting. Where all looks flowery, wild, and sweec, And nought but love is wanting ; We think how great had been our bliss If Heaven had but assigned us To live and die in scenes like this, With some we've left behind us! As travellers oft look back at eve When eastward darkly going. To gaze upon that light they leave Still faint behind them glowing, — So, when the close of pleasure's day To gloom hath near consign'd us. We turn to catch one fading ray Of joy that's left behind us. T. Moors CCLXVI YOUTH AND AGE There's not a joy the world can give like that it takes away When the glow of early thought declines in feeling's dull decay ; Tis not on youth's smooth cheek the blush alone, which fades so fast, But the tender bloom of heart is gone, ere youth itself be past. THE GOLDEN TREASURY 249 Then the few whose spirits float above the wreck of happi- ness Are driven o'er the shoals of guilt, or ocean of excess : The magnet of their course is gone, or only points in vain The shore to which their shiver'd sail shall never stretch again. Then the mortal coldness of the soul like death itself comes down ; It cannot feel for others' woes, it dare not dream its own ; That heavy chill has frozen o'er the fountain of our tears. And though the eye may sparkle still, Uis where the ice appears. Though wit may flash from fluent lips, and mirth distract the breast, Tlirough midnight hours that yield no more their former hope of rest ; 'Tis but as ivy-leaves around the ruin'd turret wreathe. All green and wildly fresh without, but worn and gray beneath. Oh could I feel as I have felt, or be what I have been. Or weep as I could once have wept o'er many a vanish'd scene, — As springs in deserts found seem sweet, all brackish though they be. So midst the witherM waste of life, those tears would flow to me! Lord Byron CCLXVIl A LESSON There is a Flower, the lesser Celandine, That shrinks like many more from cold and rain, And the first moment that the sun may shine, Bright as the sun himself, 'tis out again! When hailstones have been falling, swarm on swarm, Or blasts the green field and the trees distrest, Oft have I seen it muftied up from harm In close self-shelter, like a thing at rest. THE GOLDEN TREASURY But lately, one rough day, this Flower I past, And recognized it, though an altered form, Now standing forth an offering to the blast, And buffeted at will by rain and storm. I stopped and said, with inly-mutter'd voice, *It doth not love the shower, nor seek the cold; This nekher is its courage nor its choice, But its necessity in being old. * The sunshine may not cheer it, nor the dew ; It cannot help itself in its decay ; Stiff in its members, withered, changed of hue,' — And, in my spleen, 1 smiled that it was gray. To be a prodigal's favourite — then, worse truth, A miser's pensioner — behold our lot ! O Man! that from thy fair and shining youth Age might but take the things Youth needed not ! W. Wordsworth CCLXVIII PAST AND PRESENT I remember, I remember The house where I was born. The little window where the sun Came peeping in at morn ; He never came a wink too soon Nor brought too long a day ; But now, I often wish the night Had borne my breath away. I remember, I remember The roses, red and white, The violets, and the lily-cups — Those flowers made of light! The lilacs where the robin built, And where my brother set The laburnum on his birth-day, — The tree is living yet! THE GOLDEN TREASURY 25: I remember, I remember Where I was used to swing, And thought the air must rush as fresh To swallows on the wing ; My spirit flew in feathers then That is so heavy now, And summer pools could hardly cool The fever on my brow. I remember, I remember The fir trees dark and high ; I used to think their slender tops Were close against the sky : It was a childish ignorance. But now 'tis little joy To know I'm farther off from Heaven Than when I was a boy. 7 Hiwa CCLXIX THE LIGHT OF OTHER DAYS Oft in the stilly night Ere slumber's chain has bound me. Fond Memory brings the light Of other days around me : The smiles, the tears Of boyhood's years. The words of love then spoken ; The eyes that shone, Now dimm'd and gone. The cheerful hearts now broken! Thus in the stilly night Ere slumbers chain has bound me. Sad Memory brings the light Of other days around me. When I remember all The friends so link'd together I've seen around me fall Like leaves in wintry weather, I feel like one Who treads alone •52 THE GOLDEN TREASURY Some banquet-hall deserted, Whose lights are fled Whose garlands dead, And all but he departed! Thus in the stilly night Ere slumber's chain has bound me, Sad Memory brings the light Of other days around me. T. Moon CCLXX STANZAS WRITTEN IN DEJECTION NEAR NAPLES The sun is warm, the sky is clear, The waves are dancing fast and bright, Blue isles and snowy mountains wear The purple noon's transparent might: The breath of the moist earth is light Ground its unexpanded buds ; "Like many a voice of one delight — The winds', the birds', the ocean-floods' — The city's voice itself is soft like Solitude's. 1 see the deep's untrampled floor With green and purple sea-weeds strown ; I see the waves upon the shore Like light dissolved in star-showers thrown : I sit upon the sands alone ; The lightning of the noon-tide ocean Is flashing round me, and a tone Arises from its measured motion — How sweet! did any heart now share in my emotion Alas ! I have nor hope nor health, Nor peace within nor calm around, Nor that content, surpassing wealth, The sage in meditation found, And walk'd with inward glory crown'd — Nor fame, nor power, nor love, nor leisure ; Others I see whom these surround — THE GOLDEN TREASURY Smiling they live, and call life pleasure; To me that cup has been dealt in another measure. Yet now despair itself is mild Even as the winds and waters are; 1 could lie down like a tired child, And weep away the life of care Which I have borne, and yet must bear, — Till death like sleep might steal on me, And I might feel in the warm air My cheek grow cold, and hear the sea Breathe o'er my dying brain its last monotony. P, B. Shelley CCLXXI THE SCHOLAR My days among the Dead are past ; Around me I behold. Where'er these casual eyes are cast, The mighty minds of old : My never-failing friends are they, With whom I converse day by day. With them I take delight in weal And seek relief in woe; And while I understand and feel How much to them I owe, My cheeks have v^ften been bedew'd With tears of thoughtful gratitude. My thoughts are with the Dead ; with them I live in long-past years. Their virtues love, their faults condemn, Partake their hopes and fears. And from their lessons seek and find Instruction with an humble mind. My hopes are with the Dead ; anon My place with them will be, And I with them shall travel od Through all Futurity; 553 254 THE GOLDEN TREASURY Yet leaving here a name, I trust, That will not perish in the dust. R. Southey CCLXXII THE MERMAID TAVERN Souls of Poets dead and gone, What Elysium Lave ye known, Happy field or mossy cavern, Choicer than the Mermaid Tavern? Have ye tippled drink more fine Than mine host's Canary wine? Or are fruits of Paradi.ie Sweeter than those dainty pies Of venison ? O generous food ! Drest as though bold Robin Hood Would, with his Maid Marian, Sup and bowse from horn and can. I have heard that on a day Mine host's sign-board Hew away Nobody knew whither, till An astrologer's old quill To a sheepskin gave the story, Said he saw you in your glory Underneath a new-old sign Sipping beverage divine. And pledging with contented smack The Mermaid in the Zodiac. Souls of Poets dead and gone, What Elysium have v^ known, Happy field or moss> cavern. Choicer than the Mermaid Tavern. /. KeaU CCLXXIII THE PRIDE OF YOUTH Proud Maisie is in the wood, Walking so early ; THE GOLDEN TREASURY 255 Sweet Robin sits on the bush, Singing so rarely. * Tell me, thou bonny bird, When shall I marry me?' — 'When six braw gentlemen Kirkward shall carry ye.' * Who makes the bridal bed, Birdie say truly ? ' — < The gray-headed sexton That delves the grave duly. ^The glowworm o'er grave and stone Shall light thee steady ; The owl from the steeple sing Welcome, proud lady.' Sir W. Scoii CCLXXIV THE BRIDGE OF SIGHS One more Unfortunate Weary of breath, Rashly importunate, Gone to her death ! Take her up tenderly, Lift her with care; Fashioned so slenderly, Young, and so fair! Look at her garments Clinging like cerements ; Whilst the wave constantly Drips from her clothing ; Take her up instantly, Loving, not loathing. Touch her not scornfully, Think of her mournfully, Gently and humanly ; «56 THE GOLDEN TREASURE Not of the stains of her — All that remains of her Now is pure womanly. Make no deep scrutiny Into her mutiny Rash and undutiful : Past all dishonour, Death has left on her Only the beautiful Still, for all slips of hers, One of Eve's family — Wipe those poor lips of hers Oozing so clammily. Loop up her tresses Escaped from the comb. Her fair auburn tresses ; Whilst wonderment guessep, Where was her home? Who was her father? Who was her mother? Had she a sister? Had she a brother? Or was there a dearer one Still, and a nearer one Yet, than all other? Alas ! for the rarity Of Christian charity Under the sun! Oh ! it was pitiful ! Near a whole city full, Home she had none. Sisterly, brotherly, Fatherly, motherly Feelings had changed : Love, by harsh evidence, Thrown from its eminence? Even God's providence Seeming estranged. THE GOLDEN TREASURY Where the lamps quiver So far in the river, With many a light From window and casement, From garret to basement, She stood with amazement, Houseless by night. The bleak wind of March Made her tremble and shiver But not the dark arch, Or the black flowing river: Mad from life's history, Glad to death's mystery Swift to be hurPd — Any where, any where Out of the world! In she plunged boldly. No matter how coldly "The rough river ran, — Over the brink of it. Picture it — think of it, Dissolute Man! Lave in it, drink of it, Then, if you can! Take her up tenderly. Lift her with care ; Fashioned so slenderly, Young, and so fair! Ere her limbs frigidly Stiffen too rigidly, Decently, kindly. Smooth and compose thei% And her eyes, close them, Staring so blindly! Dreadfully staring Thro' muddy impurity. As when with the daring Last look of despairing Fix'd on futurity. 258 THE GOLDEN TREASURV Perishing gloomily, SpurrYl by contumely, Cold inhumanity, Burning insanity, Into her rest. — Cross her hands humbly As if praying dumbly, Over her breast! Owning her weakness, Her evil behaviour, And leaving, with meekness. Her sins to her Saviour. T. Hood CCLXXV ELEGY Oh snatch'd away in beauty's bloom- On thee shall press no ponderous tomb ; But on thy turf shall roses rear Their leaves, the earliest of the year, And the wild cypress wave in tender gloom : And oft by yon blue gushing stream Shall Sorrow lean her drooping head. And feed deep thought with many a dream. And lingering pause and lightly tread ; Fond wretch! as if her step disturbed the dead! Away! we know that tears are vain. That Death nor heeds nor hears distress : Will this unteach us to complain? Or make one mourner weep the less? And thou, who tell'st me to forget. Tfty looks are wan, thine eyes are wet. Lord Byron CCLXXVI HESTER When maidens such as Hester die Their place ye may not well supply. Though ye among a thousand try With vain endeavour. rtiE GOLDEN TREASURY 259 A month or more hath she been dead. Yet cannot I by force be led To think upon the wormy bed And her together. A springy motion in her gait, A rising step, did indicate Of pride and joy no common rate That flushed her spirit : I know not by what name beside 1 shall it call : if 'twas not pride, It was a joy to that allied She did inherit. Her parents held the Quaker rule, Which doth the human feeling cool. But she was train'd in Nature's schoolt Nature had blest her. A waking eye, a prying mind, A heart that stirs, is hard to bind ; A hawk's keen sight ye cannot blind, Ye could not Hester. My sprightly neighbour ! gone before To that unknown and silent shore, Shall we not meet, as he/etofore Some summer morning — When from thy cheerful eyes a ray Hath struck a bliss upon the day, Pi. bliss that would not go away, A sweet fore-warning ? C Lamh CCLXXVII TO MARY If I had thought thou couldst have died, I might not weep for thee ; But I forgot, when by thy side, That thou couldst mortal be : 26o THE GOLDEN TREASURY It never through my mind had past The time would e'er be o'er, And I on thee should look my last, And thou shouldst smile no more! And still upon that face I look, And think 'twill smile again ; And still the thought I will not brook That I must look in vain! But when I speak — thou dost not say What thou ne'er left'st unsaid; And now I feel, as well I may, Sweet Mary! thou art dead! If thou wouldst stay, e'en as thou art, All cold and all serene — 1 still might press thy silent heart, And where thy smiles have been. While e'en thy chill, bleak corse I have, Thou seemest still mine own ; But there I lay thee in thy grave — And I am now alone ! I do not think, where'er thou art, Thou hast forgotten me ; And I, perhaps, may soothe this heart, In thinking too of thee : Yet there was round thee such a dawn Of light ne'er seen before. As fancy never could have drawn, And never can restore ! C. Wolfi CCLXXVIII CORONACH He is gone on the mountain, He is lost to the forest. Like a summer-dried fountain, When our need was the sorest THE GOLDEN TREASURE 261 The font reappearing From the raindrops shall borrow, But to us comes no cheering, To Duncan no morrow! The hand of the reaper Takes the ears that are hoary, But the voice of the weeper Wails manhood in glory. The autumn winds rushing Waft the leaves that are searest, But our flower was in flushing When blighting was nearest. Fleet foot on the correi. Sage counsel in cumber, Red hand in the foray, How sound is thy slumber! Like the dew on the mountain, Like the foam on the river, Liice the bubble on the fountain, Thou art gone ; and for ever! Sir W. Scoii CCLXXIX THE DEATH BED We watchM her breathing thro' the night. Her breathing soft and low, As in her breast the wave of life Kept heaving to and fro. So silently we seem'd to speak, So slowly moved about, As we had lent her half our powers To eke her living out. Our very hopes belied our fears. Our fears our hopes belied — We thought her dying when she slept. And sleeping when she died. T, Hooa THE GOLDEN TREASURY For when the morn came dim and sad And chill with early showers. Her quiet eyelids closed — she had Another morn than ours. CCLXXX AGNES 1 saw her in childhood — A bright, gentle thing, Like the dawn of the morn, Or the dews of the spring: The daisies and hare-bells Her playmates all day ; Herself as light-hearted And artless as they. I saw her again — A fair girl of eighteen. Fresh glittering with graces Of mind and of mien. Her speech was all music; Like moonlight she shon** • The envy of many, The glory of one. Years, years fleeted over — I stood at her foot : The bud had grown blossom, The blossom was fruit. A dignified mother, Her infant she bore ; And look'd, I thought, fairer Than ever before. I saw her once more — 'Twas the day that she died ; Heaven's light was around her, And God at her side ; No wants to distress her, No fears to appal — O then, I felt, then She was fairest of all! H, F. LyU THE GOLDEN TREASURY 263 CCLXXXI ROSABELLE listen, listen, ladies gay ! No haughty feat of arms I tell ; Soft is the note, and sad the lay That mourns the lovely Rosabelle. * Moor, moor the barge, ye gallant cie«* And, gentle ladye, deign to stay ! Rest thee in Castle Ravensheuch, Nor tempt the stormy firth to-day. 'The blackening wave is edged with white; To inch and rock the sea-mews fly; The fishers have heard the Water-Sprite, Whose screams forebode that wieck is nigh. 'Last night the gifted Seer did view A wet shroud swathed round ladye gay ; Then stay thee. Fair, in Ravensheuch ; Why cross the gloomy firth to-day?' * 'Tis not because Lord Lindesay's heir To-night at Roslin leads the ball. But that my ladye-mother there Sits lonely in her castle-hall. * 'Tis not because the ring they ride, And Lindesay at the ring rides well, But that my sire the wine will chide If 'tis not fiird by Rosabelle.' — O'er Roslin all that dreary night A wondrous blaze was seen to gleam ; *Twas broader than the watch-fire's light And redder than the bright moonbeam, It glared on Roslin's castled rock. It ruddied all the copse-wood glen ; 'Twas seen from Dryden's groves of oak, And seen from cavern 'd Hawthorndeiii 564 THE GOLDEN TREASURY Seem'd all on fire that chapel proud Where Roslin's chiefs uncoffined lie, Each Baron, for a sable shroud. Sheathed in his iron panoply. Seemed all on fire within, around, Deep sacristy and altar's pale ; Shone every pillar foliage-bound, And glimmered all the dead men's mail. Blazed battlement and pinnet high, Blazed every rose-carved buttress fair — So still they blaze, when fate is nigh The lordly line of high Saint Clair. There are twenty of Roslin's barons bold — Lie buried within that proud chapelle ; Each one the holy vault doth hold — But the sea holds lovely Rosabelle. And each Saint Clair was buried there, With candle, with book, and with knell ; But the sea-caves rung, and the wild winds sung The dirge of lovely Rosabelle. Sir IV. Scott CCLXXXII ON AN INFANT DYING AS SOON AS BORN I saw where in the shroud did lurk A curious frame of Nature's work ; A flowVet crushed in the bud, A nameless piece of Babyhood, Was in her cradle-cofifin lying ; Extinct, with scarce the sense of dying : So soon to exchange the imprisoning womb For darker closets of the tomb ! She did but ope an eye, and put A clear beam forth, then straight up shut For the long dark : ne'er more to see Through glasses of mortality. THE GOLDEN TREASURY 265 Riddle of destiny, who can sliow What thy short visit meant, or know What thy errand here below? Shall we say, that Nature blind Checked her hand, and changed her mind Just when she had exactly wrought A finished pattern without fault? Could she flag, or could she tire, Or lack'd she the Promethean fire, (With her nine moons' long workings sickenM) That should thy litde limbs have quicken'd? Limbs so firm, they seem'd to assure Life of health, and days mature : Woman's self in miniature! Limbs so fair, they might supply (Themselves now but cold imagery) The sculptor to make Beauty by. Or did the stern-eyed Fate descry That babe or mother, one must die So in mercy left the stock And cut the branch ; to save the shock Of young years widow'd, and the pain When Single State comes back again To the lone man who, reft of wife. Thenceforward drags a maimed life ? The economy of Heaven is dark. And w^isest clerks have miss'd the mark Why human buds, like this, should fall. More brief than fly ephemeral That has his day ; while shrivell'd crone:- Stiffen with age to stocks and stones ; And crabbed use the conscience sears In sinners of an hundred years. — Mother's prattle, mother's kiss, Baby fond, thou ne'er wilt miss : Rites, which custom does impose, Silver bells, and baby clothes ; Coral redder than those lips Which pale death did late eclipse ; Music framed for infants' glee. Whistle never tuned io^ thee ; THE GOLDEN TREASURY Though thou want'st not, thou shalt have them, Loving hearts were they which gave them. Let not one be missing ; nurse, See them laid upon the hearse Of infant slain by doom perverse. Why should kings and nobles have Pictured troj^hies to their grave, And we, churls, to thee deny Thy pretty toys with thee to lie — A more harmless vanity ? L. Lamb CCLXXXIII IN MEMORIAM A child's a plaything for an hour; Its pretty tricks we try For that or for a longer space,— Then tire, and lay it by. But I knew one that to itself All seasons could control ; That would have mock'd the sense of pain Out of a grieved soul. Thou straggler into loving arms, Young climber up of knees, When I forget thy thousand ways Then life and all shall cease ! M. Land CCLXXXIV THE AFFLICTION OF MARGARET Where art thou, my beloved Son, Where art thou, worse to me than dead ? Oh find me, prosperous or undone ! Or if the grave be now thy bed. Why am 1 ignoran*: of the same That I may rest '*nd neither blame Nor sorrow ma) attend thy name ? THE GOLDEN TREASURY 267 Seven years, alas ! to have received No tidings of an only child — To have despaired, have hoped, believed, And been for evermore beguiled, — Sometimes with thoughts of very bliss ! I catch at them, and then I miss ; Was ever darkness like to this ? He was among the prime in worth, An object beauteous to behold ; Well born, well bred ; I sent him forth Ingenuous, innocent, and bold : If things ensued that wanted grace As hath been said, they were not base ; And never blush was on my face. Ah ! little doth the young-one dream When full of play and childish cares, What power is in his wildest scream Heard by his mother unawares! He knows it not, he cannot guess ; Years to a mother bring distress ; But do not make her love the less. Neglect me ! no, I sufferM long From that ill thought ; and being blind Said 'Pride shall help me in my wrong: Kind mother have I been, as kind As ever breathed : ' and that is true ; Tve wet my path with tears like dew, Weeping for him when no one knew. My Son, if thou be humbled, poor. Hopeless of honour and of gain, Oh ! do not dread thy mother's doorj Think not of me with grief and pain i I now can see with better eyes ; And worldly grandeur I despise, And fortune with her gifts and lies. Alas ! the fowls of heaven have wings. And blasts of heaven will aid their flight ; ?68 THE GCLDEN TREASURY They mount — how short a voyage brings The wanderers back to their delight ! Chains tie us down by land and sea ; And wishes, vain as mine, may be All that is left to comfort thee. Perhaps some dungeon hears thee groan Maim'd, mangled by inhuman men ; Or thou upon a desert thrown Inheritest the lion's den ; Or hast been summoned to the deep, Thou, thou, and all thy mates to keep An incommunicable sleep. I look for ghosts : but none will force Their way to me ; 'tis falsely said That there was ever intercourse Between the living and the dead ; For surely then 1 should have sight Of him 1 wait for day and night With love and longings infinite. My apprehensions come in crowds; I dread the rustling of the grass ; The very shadows of the clouds Have power to shake me as they pass : I question things, and do not find One that will answer to my mind ; And all the world appears unkind. Beyond participation lie My troubles, and beyond relief: If any chance to heave a sigh They pity me, and not my grief. Then come to me, my Son, or send Some tidings that my woes may end ! I have no other earthly friend. W, Wordsworth THE GOLDEN TREASURY 260 CCLXXXV HUNTING SONG Waken, lords and ladies gay, On the mountain dawns the day; All the jolly chase is here With hawk and horse and hunting-spear; Hounds are in their couples yelling. Hawks are whistling, horns are knelling. Merrily merrily mingle they, * Waken, lords and ladies gay.* Waken, lords and ladies gay, The mist has left the mountain gray, Springlets in the dawn are steaming. Diamonds on the brake are gleaming j And foresters have busy been To track the buck in thicket green; Now we come to chant our lay * Waken, lords and ladies gay.' Waken, lords and ladies gay. To the greenwood haste away; We can show you where he lies, Fleet of foot and tall of size ; VVe can show the marks he made When 'gainst the oak his antlers fray'd \ You shall see him brought to bay; * Waken, lords and ladies gay.' Louder, louder chant the lay Waken, lords and ladies gay! Tell them youth and mirth and glee Run a course as well as we ; Time, stern huntsman! who can baulk, Staunch as hound and fleet as hawk ; Think of this, and rise with day, Gentle lords and ladies gay I Sir W, Sroi. 2 70 THE GOLDEN TREASURE CCLXXXVI TO THE SKYLARK Ethereal minstrel! pilgrim of the sky! Dost thou despise the earth where cares abound^ Or while the wings aspire, are heart and eye Both with thy nest upon the dewy ground? Thy nest which thou canst drop into at will. Those quivering wings composed, that music slih : To the last point of vision, and beyond Mount, daring warbler! — that love-prompted strain — 'Twixt thee and thine a never-failing bond — Thrills not the less the bosom of the plain : Yet might'st thou seem, proud privilege! to sing All independent of the leafy Spring. Leave to the nightingale her shady wood ; A privacy of glorious light is thine, Whence thou dost pour upon the world a flood Of harmony, with instinct more divine ; Type of the wise, who soar, but never roam — True to the kindred points of Heaven and Home. W, Wordsworth CCLXXXVII TO A SKYLARK Hail to thee, blithe Spirit! Bird thou never wert. That from heaven, or near it Pourest thy full heart In. profuse strains of unpremeditated art. Higher still and higher From the earth thou springest, Like a cloud of fire, The blue deep thou wingest, And singing still dost soar, and soaring ever singest THE GOLDEN TREASURY 271 In the golden lightning Of the sunken sun O'er which clouds are brightening, Thou dost float and run, Like an unbodied joy whose race is just begur The pale purple even Melts around thy flight ; Like a star of heaven In the broad daylight Thou art unseen, but yet I hear thy shrill delight •, Keen as are the arrows Of that silver sphere. Whose intense lamp narrows In the white dawn clear Until we hardly see, we feel that it is there. All the earth and air With thy voice is loud, As, when night is bare, From one lonely cloud The moon rains out her beams, and heaven is overflow d What thou art we know not ; What is most like thee? From rainbow clouds there flow not Drops so bright to see As from thy present showers a rain of melody ; -- Like a poet hidden In the light of thought. Singing hymns unbidden, Till the world is wrought To sympathy with hopes and fears it heeded not; Like a high-born maiden In a palace tower. Soothing her love-laden Soul in secret hour With music sweet as love, which overflows her bower 2 72 THE GOLDEN TREASURE Like a glow-worm golden In a dell of dew, Scattering iinbeholden Its aerial hue Among the flowers and grass, which screen It from tn. view : Like a rose embowered In its own green leaves, By warm winds deflower'd, Till the scent it gives Makes faint with too much sweet these heavy-winger thieves. Sound of vernal showers On the twinkling grass, Rain-awaken'd flowers, All that ever was joyous, and clear, and fresh, thy music doth surpass- Teach us, sprite or bird. What sweet thoughts are thine : I have never heard Praise of love or wine That panted forth a flood of rapture so divine. Chorus hymeneal Or triumphal chaunt Matched with thine, would be all But an empty vaunt — k thing wherein we feel there is some hidden want. What objects are the fountains Of thy happy strain? What fields, or waves, or mountains? What shapes of sky or plain ? What love of thine own kind? what ignorance of pain? With thy clear keen joyance Languor cannot be : Shadow of annoyance ■■.= Never came near thee : Thou lovest ; but ne'er knew love's sad satiety. THE GOLDEN TREASURY ?.75 VVaking or asleep Thou of death must deem Things more true and deep Than we mortals dream, Or how could thy notes flow in such a crystal stream ■* And pine for what is not : Our sincerest laughter With some pain is fraught ; Our sweetest songs are those that tell of saddest thought Yet if we could scorn Hate, and pride, and fear ; If we were things born Not to shed a tear, t knew not how thy joy we ever should come near. Better than all measures Of delightful sound. Better than all treasures That in books are found, Thy skill to poet were, thou scorner of the ground 1 Teach me half the gladness That thy brain must know. Such harmonious madness From my lips would flow, The world should listen then, as I am listening now! P. B. Shelle- CCLXXXVIII THE GREEN LINNET Beneath these fruit-tree boughs that shed Their snow-white blossoms on my head. With brightest sunshine round me spread Of Spring's unclouded weather. In this sequesterd nook how sweet To sit upon my orchard-seat! And flowers and birds once more to greet. My last year's friends together 2 74 TfJE GOLDEN TREASURY One have I mark'd, the happiest guest In all this covert of the blest : Hail to Thee, far above the rest In joy of voice and pinion! Thou, Linnet ! in thy green array Presiding Spirit here to-day Dost lead the revels of the May ; And this is thy dominion. While birds, and butterflies, and flowerSj Make all one band of paramours, rhou, ranging up and down the bowerS;, Art sole in thy employment ; A Life, a Presence like the air, Scattering thy gladness without care, Too blest with any one to pair ; Thyself thy own enjoyment. Amid yon tuft of hazel trees That twinkle to the gusty breeze, Behold him perch'd in ecstasies Yet seeming still to hover ; There ! where the flutter of his wings Upon his back and body flings Shadows and sunny glimmerings, That cover him all over. My dazzled sight he oft deceives — A brother of the dancing leaves ; Then flits, and from the cottage-eaves Pours forth his song in gushes ; As if by that exulting strain He mockM and treated with disdain The voiceless Form he chose to feign, While fluttering in the bushes. W. Wordsworth CCLXXXIX TO THE CUCKOO blithe new-comer! I have heard, 1 hear thee and rejoice : O Cuckoo I shall I call thee Bird, Or but a wandering Voice? THE GOLDEN TREASURY 27.^ While I am lying on the grass Thy twofold shout I hear ; From hill to hill it seems to pass, At once far off and near. Though babbling only to the vale Of sunshine and of flowers, Thou bringest unto me a tale Of visionary hours. Thrice welcome, darling of the Spring S Even yet thou art to me No bird, but an invisible thing, A voice, a mystery ; The same whom in my school-boy days I listened to ; that Cry Which made me look a thousand ways In bush, and tree, and sky. To seek thee did I often rove Through woods and on the green ; And thou wert still a hope, a love ; Still long'd for, never seen! And I can listen to thee yet ; Can lie upon the plain And listen, till I do beget That golden time again. O blessed Bird ! the earth we pace Again appears to be An unsubstantial, faery place, That is fit home for Thee! W. Wordswcntn ccxc ODE TO A NIGHTINGALE My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk : 276 7 //A GOLDEN TREASURE 'Tis not tlirouij^h envy of thy happy lot, But being too happy in thine happiness, — That thou, hght-wingcd Dryad of the trees- In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a draught of vintage ! that hath been Coord a long age in the deep-delved earth, ' Tasting of Flora and the country green. Dance, and Provencal song, and sunburnt mirth O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen. And with thee fade away into the forest dim : Fade faraway, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan ; Wliere palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies Where but to think is to be full of sorrow And leaden-eyed despairs ; Where Beauty cannot keep her lustrous eyes. Or new Love pine at them beyond to-morrow. Away! away ! for I will fly to thee, Not charioted by Bacchus and his pards. But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee ! tender is the night. And haply the Queen-Moon is on her throne, Clusterd around by all her starry Fays ; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy way I cannot see what flowers are at my feet. Nor what soft incense hangs upon the boughs^ THE GOLDEN TREASURY 27) But, in embalmed darkness, guess each sweec Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild ; White hawthorn, and the pastoral eglantine; Fast fading violets covered up in leaves ; And mid-May's eldest child, The coming musk-rose, full of dewy wine. The murmurous haunt of flies on summer evei Darkling I listen ; and for many a time I have been half in love with easeful Death, Caird him soft names in many a mused rhyme, To take into the air my quiet breath ; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy ! Still wouldst thou sing, and I have ears in vain — To thy high requiem become a sod. Thou wast not born for death, immortal Bird! No hungry generations tread thee down ; The voice I hear this passing night was heard In ancient days by emperor and clown : Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for horn. She stood in tears amid the alien corn ; The same that oft-times hath CharmM magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self; Adieu! the fancy cannot cheat so well As she is famed to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side ; and now 'tis buried deep In the next valley-glades : Was it a vision, or a waking dream? Fled is that music : — Do I wake or sleep ? y. Keats I -J a TIJL GOLDEN TREASURy CCXCI UPON WESTMINSTER BRIDGE, SEPT. 3, 180: Earth has not anything to show more f.iir : Dull would he be of soul who could pass by A slight so touching in its majesty : This City now doth like a garment wear The beauty of the morning : silent, bare, Ships, towers, domes, theatres, and temples lie Open unto the fields, and to the sky. — All bright and glittering in the smokeless air. Never did sun more beautifully steep In his first splendour valley, rock, or hill; Ne'er saw I, never felt, a calm so deep! The river glideth at its own sweet will : Dear God! the very houses seem asleep; And ail that mighty heart is lying still! iV. Wordsworth CCXCII To one who has been long in city pent, 'Tis very sweet to look into the fair And open face of heaven, — to br(^athe a prayer Full in the smile of the blue firmament. Who is more happy, when, with heart's content, Fatigued he sinks into some pleasant lair Of wavy grass, and reads a debonair And gentle tale of love and languishment? Returning home at evening, with an ear Catching the notes of Philomel, — an eye Watching the sailing cloudlet's bright career, He mourns that day so soon has glided by : E'en like the passage of an angel's tear That falls through the clear ether silently. /. Keati THE GOLDEN TREASURY 279 CCXCIII OZYMANDIAS OF EGYPT I met a traveller from an antique land Who said : Two vast and trunkless legs of stcne Stand in the desert. Near them on the sand, Half sunk, a shatterM visage lies, whose frown And wrinkled lip and sneer of cold command Tell that its sculptor well those passions read Which yet survive, stampM on these lifeless things, The hand that mock'd them and the heart that fed; And on the pedestal these words appear: ' My name is Ozymandias. king of kings : Look on my works, ye Mighty, and despair!' Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare, The lone and level sands stretch far away. P. B. Shelley CCXCIV COMPOSED AT NEIDPATH CASTLE, THE PROP ERTY OF LORD QUEENSBERRY, 1803 Degenerate Douglas! oh, the unworthy lord! Whom mere despite of heart could so far please And love of havoc, (for with such disease Fame taxes him,) that he could send forth word To level with the dust a noble horde, A brotherhood of venerable trees, Leaving an ancient dome, and towers like these. Beggared and outraged! — Many hearts deplored The fate of those old trees ; and oft with pain The traveller at this day will stop and gaze On wrongs, which Nature scarcely seems to heed For sheltered places, bosoms, nooks, and bays, And the pure mountains, and the gentle Tweed, And the green silent pastures, yet remam. IV» Wordswortn 28o THE GOLDEN TREASURY ccxcv THE BEECH TREE'S PETITION O leave this barren spot to me! Spare, woodman, spare the beechen tree! Though bush or floweret never grow My dark unwarming shade below; Nor summer bud perfume tai; dew Of rosy blush, or yellow hue ; Nor fruits of autumn, blossom-born, My green and glossy leaves adorn ; Nor murmuring tribes from me derive Th' ambrosial amber of the hive ; Yet leave this barren '^■pot to me : Spare, woodman, spare the beechen tree! Thrice twenty summers I have seen The sky grow bright, the forest green ; And many a wintry wind have stood In bloomless, fruitless solitude. Since childhood in my pleasant bower First spent its sweet and sportive hour; Since youthful lovers in my shade Their vows of truth and rapture made, And on my trunk's surviving frame Carved many a long-forgotten name. Oh! by the sighs of gentle sound. First breathed upon this sacred ground; By all that Love has whisper'd here, Or Beauty heard with ravishM ear ; As Love's own altar honour me : Spare, woodman, spare the beechen tree! T. Campbell CCXCVI ADMONITION TO A TRAVELLER Yes, there is holy pleasure in thine eye! — The lovely Cottage in the guardian nook Hath stirrM thee deeply ; with its own dear brook, Its own small pasture, almost its own sky! THE GOLDEN TREASURY 28 1 But covet not the abode ; forbear to sigh As many do, repining while they look ; Intruders — who would tear from Nature^s book This precious leaf with harsh impiety. — Think what the home must be if it were thine, Even thine, though few thy wants! — Roof, window, door The very flowers are sacred to the Poor, The roses to the porch which they entwine : Yea, all that now enchants thee, from the day On which it should be touched, would melt away! W. Wordsworth CCXCVII rO THE HIGHLAND GIRL OF INVERSNEYDE Sweet Highland Girl, a very shower Of beauty is thy earthly dower! Twice seven consenting years have shed Their utmost bounty on thy head : And these gray rocks, that household lawn. Those trees — a veil just half withdrawn^ This fall of water that doth make A murmur near the silent lake, This little bay, a quiet road That holds in shelter thy abode ; In truth together ye do seem Like something fashion'd in a dream Such forms as from their covert peep When earthly cares are laid asleep! But O fair Creature ! in the light Of common day, so heavenly bright, I bless Thee, Vision as thou art, I bless thee with a human heart : God shield thee to thy latest years! Thee neither know I nor thy peers : And yet my eyes are filPd with tears With earnest feeling I shall pray For thee when 1 am far away ; 282 THE GOLDEN TREASURY For never saw I mic-n or face In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here scatter'd, like a random seed. Remote from men, Thou dost not neec The embarrass'd look of shy distress, And maidenly shamefacedness : Thou wear'st upon thy forehead clear The freedom of a Mountaineer: A face with gladness overspread ; ^(.\ smiles, by human kindness bred; Ana seemliness complete, that sways Thy courtesies, about thee plays ; With no restraint, but such as springs From quick and eager visitings Of thoughts that lie beyond the reach Of thy few words of English speech : A bondage sweetly lirook'd, a strife That gives thy gestures grace and life! So have I, not unmoved in mind. Seen birds of tempest-loving kind — Thus beating up against the wind. What hand but would a garland cul. For thee who art so beautiful? O happy pleasure! here to dwell L'eside thee in some heathy dell ; Adopt your homely ways, and dress, A shepherd, thou a shepherdess! But I could frame a wish for thee More like a grave reality : Thou art to me but as a w^ave Of the wild sea : and I would have Some claim upon thee, if I could, Though but of common neighbourhood What joy to hear thee, and to see! Thy elder brother I would be, Thy father — anything to thee. Now thanks to Heaven! that of its gract Hath led me to this lonely place ; THE GOLDEN TREASURY 283 Joy have I had ; and going hence I bear away my recompense. In spots like these it is we prize Our Memory, feel that she hath eyes: Then why should I be loth to stir? I feel this place was made for her; To give new pleasure like the past, Continued 'ong as life shall last. Nor am I loth, though pleased at heart, Sweet Highland Girl! from thee to part- For I, methinks, till I grow old As fair before me shall behold As I do now, the cabin small, The lake, the bay, the waterfall ; And Thee, the Spirit of them all! VV. Wordsivortk CCXCVIII THE REAPER Behold her, single in the field, Yon solitary Highland Lass! Reaping and singing by herself; Stop here, or gently pass! Alone she cuts and binds the grain, And sings a melancholy strain ; O listen! for the vale profound Is overflowing with the sound. No nightingale did ever chaunt More welcome notes to weary bands Of travellers in some shady haunt. Among Arabian sands : A voice so thrilling ne'er was heard In spring-time from the cuckoo-bird, Breaking the silence of the seas Among the farthest Hebrides. Will no one tell me what she sings? Perhaps the plaintive numbers flow For old, unhappy, far-off things, And battles long ago : %Z4 THE GOLDEN TREASURY Or is it some more humble lay, Familiar matter of to-day ? Some natural sorrow, loss, or pain. That has been, and may be again! Whatever the theme, the maiden sang As If her song could have no ending ; I saw her singing at her work. And o'er the sickle bending; — I listened, motionless and still ; And, as I mounted up the hill. The music in my heart I bore Long after it was heard no more. W, Wordsworth CCXCIX THE REVERIE OF POOR SUSAN ,A.L the corner of Wood Street, when daylight appears. Hangs a Thrush that sings loud, it has sung for three years : Poor Susan has passed by the spot, and has heard In the silence of morning the song of the bird. 'Tis a note of enchantment ; what ails her? She sees A mountain ascending, a vision of trees ; Bright volumes of vapour through Lothbury glide. And a river flows on through the vale of Cheapside. Green pastures she views in the midst of the dale Down which she so often has tripp'd with her pail; And a single small cottage, a nest like a dove's, The one only dwelling on earth that she loves. She looks, and her heart is in heaven : but they fade, The mist and the river, the hill and the shade ; The stream will not flow, and the hill will not rise. And the colours have all pass'd away from her eyes 1 W, Wordsworth THE GOLDEN TREASURE 285 ccc TO A LADY, WITH A GUITAR Ariel to Miranda : — Take This slave of music, for the sake Of him, who is the slave of thee ; And teach it all the harmony In which thou canst, and only thou, Make the delighted spirit glow, Till joy denies itself again And, too intense, is turn'd to pain. For by permission and command Of thine own Prince Ferdinand, Poor Ariel sends this silent token Of more than ever can be spoken ; Your guardian spirit, Ariel, who From life to life must still pursue Your happiness, for thus alone Can Ariel ever find his own. From Prospero's enchanted cell, As the mighty verses tell, To the throne of Naples he Lit you o'er the trackless sea, Flitting on, your prow before. Like a living meteor. When you die, the silent Moon In her interlunar swoon Is not sadder in her cell Than deserted Ariel : — When you live again on earth. Like an unseen Star of birth Ariel guides you o'er the sea Of life from your nativity : — Many changes have been run Since Ferdinand and you begun Your course of love, and Ariel still Has tracked your steps and served your will Now in humbler, happier lot, This is all rememberd not ; 286 THE GOLDEN TREASURE And now, alas! the poor Sprite is Imprison'd for some fault of his In a body like a grave — From you he only dares to crave, For his service and his sorrow A smile to-day, a song to-morrow. The artist who this idol wrought To echo all harmonious thought, FelPd a tree, while on the steep The woods were in their winter sleep, Rock'd in that repose divine On the wind-swept Apennine ; And dreaming, some of Autumn past, And some of Spring approaching fast. And some of April buds and showers. And some of songs in July bowers, And all of love : And so this tree, — Oh that such our death may be ! — Died in sleep, and felt no pain, To live in happier form again : • From which, beneath heaven's fairest star, The artist wrought this loved Guitar ; And taught it justly to reply To all who question skilfully In language gentle as thine own ; Whispering in enamoured tone Sweet oracles of woods and dells, And summer winds in sylvan cells: — For it had learnt all harmonies Of the plains and of the skies. Of the forests and the mountains. And the many- voiced fountains ; The clearest echoes of the hills, The softest notes of falling rills, The melodies of birds and bees, The murmuring of summer seas, And pattering rain, and breathing dew, And airs of evening ; and it knew That seldom-heard mysterious sound Which, driven on its diurnal round, THE GOLDEN TREASURY 287 As iw floats through boundless day, Our world enkindles on its way : — All this it knows, but will not tell To those who cannot question well The Spirit that inhabits it ; It talks according to the wit Of its companions ; and no more Is heard than has been felt before By those who tempt it to betray These secrets of an elder day. But, sweetly as its answer will Flatter hands of perfect skill, It keeps its highest holiest tone For our beloved Friend alone. P, B Shelley CCCI THE DAFFODILS I wandered lonely as a cloud That floats on high o^er vales and hills. When all at once I saw a crowd, A host of golden daffodils, Beside the lake, beneath the trees. Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the milky way. They stretch'd in never-ending lin* Along the margin of a bay : Ten thousand saw I at a glance Tossing their heads in sprightly dance. The waves beside them danced, but they Out-did the sparkling waves in glee : — A Poet could not but be gay In such a jocund company! I gazed — and gazed — but little thought What wealth the show to me had brought: For oft, when on my couch I lie In vacant or in pensive mood. 288 THE GOLDEN TREASURY They flash upon that inward eye Which is the bliss of soHtude ; And then my heart with pleasure fills, And dances with the daffodils. IV. Wordsworth CCCII TO THE DAISY With little here to do or see Of things that in the great world be, Sweet Daisy! oft I talk to thee For thou art worthy, Thou unassuming Common-place Of Nature, with that homely face. And yet with something of a grace Which Love makes for thee! Oft on the dappled turf at ease ^ 1 sit and play with similes. Loose types of things through all degrees, Thoughts of thy raising ; And many a fond and idle name I give to thee, for praise or blame As is the humour of the game, While I am gazing. A nun demure, of lowly port ; Or sprightly maiden, of Love's court, In thy simplicity the sport Of all temptations; A queen in crown of rubies drest ; A starveling in a scanty vest ; Are all, as seems to suit thee best, Thy appellations. A little Cyclops, with one eye Staring to threaten and defy. That thought comes next — and instantly The freak is over, The shape will vanish, and behold! A silver shield with boss of gold THE GOLDEN TREASURY ^-Sq That spreads itself, some faery bold In fight to cover. 1 see thee glittering from afar — And then thou art a prett)' star. Not quite so fair as many are In heaven above thee! Yet like a star, with glittering crest, Self-poised in air thou seem'st to rest;- - May peace come never to his nest Who shall reprove thee! Sweet Flower! for by that name at last When all my reveries are past I call thee, and to that cleave fast, Sweet silent Creature ! That breath'st with me in sun and air^ Do thou, as thou art wont, repair My heart with gladness, and a share Of thy meek nature! W, Worasworth CCCIII ODE TO AUTUMN Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun ; Conspiring with him how to load and bless With fruit the vines that round the thatch-eaves run \ To bend with apples the mossed cottage-trees, And fill all fruit with ripeness to the core ; To swell the gourd, and plump the hazel shells With a sweet kernel ; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease ; For Summer has overbrimmed their clammy cells, Who hath not seen thee oft amid thy store ? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor. Thy hair soft-lifted by the winnowing wind \ 290 THE GOLDEN TREASURY Or on a half-reap'd furrow sound asleep, Drowsed with the fume of poppies, while thy hook Spares the next swath and all its twined flowers ; And sometimes like a gleaner thou dost keep Steady thy laden head across a brook ; Or by a cyder-press, with patient look. Thou watchest the last oozings, hours by hours. Where are the songs of Spring ? Ay, where are they ? Think not of them, thou hast thy music too, — While barred clouds bloom the soft-dying day And touch the stubble-plains with rosy hue ; Then in a wailful choir the small gnats mourn Among the river-sallows, borne aloft Or sinking as the light wind lives or dies ; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft ; And gathering swallows twitter in the skies. /. Keats CCCIV ODE TO WINTER Germany^ Decembej'^ 1800 When first the fiery-mantled Sun His heavenly race began to run, Round the earth and ocean blue His children four the Seasons flew. First, in green apparel dancing. The young Spring smiled with angel-grace ; Rosy Summer next advancing, Rush'd into her sire's embrace — Her bright-hair' d sire, who bade her keep For ever nearest to his smiles, On Calpe's olive-shaded steep Or India's citron-cover'd isles : More remote, and buxom-brown, The Queen of vintage bow'd before his throne ; A rich pomegranate gemm'd her crown, A ripe sheaf bound her zone. THE GOLDEN TRt.AiiURY 29 J But howling Winter fled atar To hills that prop the polar star; And loves on deer-borne car to ride With barren darkness by his side, Round the shore where loud Lofoden Whirls to death the roaring whale. Round the hall where Runic Odin Howls his war-song to the gale ; Save when adown the ravaged globe He travels on his native storm, Deflowering Nature's grassy robe And trampling on her faded form : — Till lighfs returning Lord assume The shaft that drives him to his polar neid.. Of power to pierce his raven plume And crystal-cover"'d shield. Oh, sire of storms ! whose savage ear The Lapland drum delights to hear, When Frenzy with her blood-shot eye Implores thy dreadful deity — Archangel ! Power of desolation ! Fast descending as thou art, Say, hath mortal invocation Spells to touch thy stony heart ? Then, sullen Winter! hear my prayer, And gently rule the ruin'd year; Nor chill the wanderer's bosom bare Nor freeze the wretch's falling tear : To shuddering Want's unmantled bed Thy horror-breathing agues cease to le;^d, And gently on the orphan head Of Innocence descend. But chiefly spare, O king of clouds ! The sailor on his airy shrouds. When wrecks and beacons strew the steep, And spectres walk along the deep. Milder yet thy snowy breezes Pour on yonder tented shores, Where the Rhine's broad billow freezes, Or the dark-brown Danube roars. ^y2 THE GOLDEN- TREASURY Oh, winds of Winter ! list ye there To many a deep and dying groan ? Or start, ye demons of the midnight air. At shrielcs and thunders louder than your own? Alas ! ev^n your unhallowed breath Mcty spare the victim fallen low ; But Man will ask no truce to death, — No bounds to human woe. 7'. Carnphel CCCV YARROW UNVISITED 1803 From Stirling Castle we had seen The mazy Forth unravelPd, Had trod the banks of Clyde and Tay And with the Tweed had travelled ; And when we came to Clovenford, Then said my ' winsome Marrow,' ' Whatever betide, we'll turn aside, And see the Braes of Yarrow.' * Let Yarrow folk, frae Selkirk town, Who have been buying, selling. Go back to Yarrow, 'tis their own, Each maiden to her dwelling ! On Yarrow's banks let herons feed, Hares couch, and rabbits burrow ; But we ^^ill downward with the Tweed, Nor turn aside to Yarrow. * There's Gala Water, Leader Haughs, Both lying right before us ; And Dryburgh, where with chiming T wetd The lintwhites sing in chorus ; There's pleasant Tiviot-dale, a land Made blithe with plough and he.rrow : Why throw away a needful day To go in search of Yarrow ? THE GOLDEN TREASURY 293 * What's Yarrow but a river bare That glides the dark hills under ? There are a thousand such elsewhere As worthy of your wonder.' — Strange words they seem'd of slight and scorn : My True-love sigh'd for sorrow, And looked me in the face, to think I thus could speak of Yarrow ! * O green,' said I, ' are Yarrow's holms, And sweet is Yarrow flowing ! Fair hangs the apple frae the rock, But we will leave it growing. O'er hilly path and open strath We'll wander Scotland thorough; But, though so near, we will not turn Into the dale of Yarrow. * Let beeves and home-bred kine partake The sweets of Burn-mill meadow ; The swan on still Saint Mary's Lake Float double, swan and shadow ! We will not see them ; will not go To-day, nor yet to-morrow ; Enough if in our hearts we know There's such a place as Yarrow. * Be Yarrow stream unseen, unknown! It must, or we shall rue it : We have a vision of our own. Ah! why should we undo it? The treasured dreams of times long past, We'll keep them, winsome Marrow ! For when we're there, although 'tis fair, 'Twill be another Yarrow ! * If Care with freezing years should come And wandering seem but folly, — Should we be loth to stir from home, And yet be melancholy ; Should life be dull, and spirits low, 'Twill soothe us in our sorrow ;«y4 ^^^^ GOLDEN TREASURE That earth has something yet to show. The bonny hohns of Yarrow ! ' W. Wordsworth CCCVI YARROW VISITED September, 1814 And is this — Yarrow ? — This the stream Of which my fancy cherished So faithfully, a waking dream, An image that hath perish'd? O that some minstrel's harp were near To utter notes of gladness And chase this silence from the air, That fills my heart with sadness! Yet why? — a silvery current flows With uncontrolled meanderings ; Nor have these eyes by greener hills Been soothed, in all my wanderings. And, through her depths, Saint Mary's Lake Is visibly delighted; For not a feature of those hills Is in the mirror slighted. A blue sky bends o'er Yarrow Vale, Save where that pearly whiteness Is round the rising sun diffused, A tender hazy brightness ; Mild dawn of promise! that excludes All profitless dejection ; Though not unwilling here to admit A pensive recollection. Where was it that the famous Flower Of Yarrow Vale lay bleeding? His bed perchance was yon smooth mound On which the herd is feeding : And haply from this crystal pool. Now peaceful as the morning, The Water-wraith ascended thricCi And gave his doleful warning. THE GOLDEN TREASURY 295 Delicious is the lay that sings The haunts of happy lovers, The path that leads them to the grove, The leafy grove that covers : And pity sanctifies the verse That paints, by strength of sorrow, The unconquerable strength of love; Bear witness, rueful Yarrow! But thou that didst appear so fair To fond imagination, Dost rival in the light of day Her delicate creation : Meek loveliness is round thee spread, A softness still and holy : The grace of forest charms decayM, And pastoral melancholy. That region left, the vale unfolds Rich groves of lofty stature. With Yarrow winding through the pomp Of cultivated nature ; And rising from those lofty groves Behold a ruin hoary, The shattered front of Newark's towers, Renown'd in Border story. Fair scenes for childhood's opening bloom, For sportive youth to stray in, For manhood to enjoy his strength, And age to wear away in ! Yon cottage seems a bower of bliss, A covert for protection Of tender thoughts that nestle there — The brood of chaste affection. How sweet on this autumnal day The wild-wood fruits to gather. And on my True-love"s forehead plant A crest of blooming heather! And what if I enwreathed my own? 'Twere no offence to reason . «q6 the golden treasury The sober hilis thus deck their brows To meet the wintry season. I see — but not by sight alone, Loved Yarrow, have I won thee ; A ray of Fancy still survives — Her sunshine plays upon thee! Thy ever-youthful waters keep A course of lively pleasure ; And gladsome notes my lips can breathe Accordant to the measure. The vapours linger round the heights, They melt, and soon must vanish ; One hour is theirs, nor more is mine — Sad thought! which I would banish, But that I know, where'er I go, Thy genuine image, Yarrow! Will dwell with me, to heighten joy, And cheer my mind in sorrow. IV. Wordsworth CCVII THE INVITATION Best and brightest, come away, — Fairer far than this fair Day, Which, like thee, to those in sorrow Comes to bid a sweet good-morrow To the rough year just awake In its cradle on the brake. The brightest hour of unborn Spring Through the winter w^andering, Found, it seems, the halcyon morn To hoar February born ; Bending from heaven, in azure mirth, It kiss'd the forehead of the earth, And smiled upon the silent sea. And bade the frozen streams be free. And waked to music all their fountains, An^ breathed upon the frozen mountains, THE GOLDEN TREASURY »g7 And like a prophetess of May Strew'd flowers upon the barren way. Making the wintry world appear Like one on whom thou smilest, dear. Away, away, from men and towns, To the wild wood and the downs — To the silent wilderness Where the soul need not repress Its music, lest it should not find An echo in another's mind, While the touch of Nature's arf Harmonizes heart to heart. Radiant Sister of the Day Awake! arise! and come away! To the wild woods and the plains, To the pools where winter rains Image all their roof of leaves, Where the pine its garland weaves Of sapless green, and ivy dun, Round stems that never kiss the sun; Where the lawns and pastures be And the sandhills of the sea ; Where the melting hoar-frost wets The daisy-star that never sets, And wind-flowers and violets Which yet join not scent to hue Crown the pale year weak and new; When the night is left behind In the deep east, dim and blind, And the blue moon is over us, And the multitudinous Billows murmur at our feet. Where the earth and ocean meet, And all things seem only one In the universal Sun. P, B. Shelley 2q8 the golden treasure CCCVIII THE RECOLLECTION Now the last day of many days All beautiful and bright as thou, The loveliest and the last, is dead : Rise, Memory, and write its praise ! Up — to thy wonted work ! come, trace The epitaph of glory fled. For now the earth has changed its face, A frown is on the heaven's brow. We wander'd to the Pine Forest That skirts the Ocean's foam ; The lightest wind was in its nest. The tempest in its home. The whispering waves were half asleep. The clouds were gone to play. And on the bosom of the deep The smile of heaven lay; It seem'd as if the hour were one Sent from beyond the skies Which scattered from above the sun A light of Paradise! We paused amid the pines that stood The giants of the waste, Tortured by storms to shapes as rude As serpents interlaced, — And soothed by every azure breath That under heaven is blown, To harmonies and hues beneath^ As tender as its own : Now all the tree-tops lay asleep Like green waves on the sea, As still as in the silent deep The ocean-woods may be- How calm it was \ — The silence there By such a chain was bound, THE GOLDEN TREASURY 299 That even the busy woodpecker Made stiller with her sound The inviolable quietness ; The breath of peace we drew With its soft motion made not less The calm that round us grew. There seem'd, from the remotest seat Of the white mountain waste To the soft flower beneath our feet, A magic circle traced, — A spirit interfused around, A thrilling silent life ; To momentary peace it bound Our mortal nature's strife ; — And still I felt the centre of The magic circle there Was one fair form that fill'd with love The lifeless atmosphere. We paused beside the pools that lie Under the forest bough ; Each seem'd as 'twere a little sky Gulf 'd in a world below ; A firmament of purple light Which in the dark earth lay, More boundless than the depth of night And purer than the day — In which the lovely forests grew As in the upper air, More perfect both in shape and hue Than any spreading there. There lay the glade and neighbouring lawn And through the dark-green wood The white sun twinkling like the dawn Out of a speckled cloud. Sweet views which in our world above Can never well be seen Were imaged in the water's love Of that fair forest green : And all was interfused beneath With an Elysian glow, r^oo THE GOLDEN TREASURY An atmosphere without a breath, A softer day below. Like one beloved, the scene had lent To the dark water's breast Its every leaf and lineament With more than truth exprest ; Until an envious wind crept by, Like an unwelcome thought Which from the mind's too faithful eye Blots one dear image out. — Though thou art ever fair and kind, The forests ever green, Less oft is peace in Shelley's mind Than calm in waters seen! P. B. Shelley CCCIX BY THE SEA It is a beauteous evening, calm and free ; The holy time is quiet as a Nun Breathless with adoration ; the broad sun Is sinking down in its tranquillity ; The gentleness of heaven is on the Sea : Listen ! the mighty Being is awake, And doth with his eternal motion make A sound like thunder — everlastingly. Dear child ! dear girl ! that walkest with me here, If thou appear untouched by solemn thought Thy nature is not therefore less divine : Thou iiest :n Abraham's bosom all the year, And worshipp'st at the Temple's inner shrine, God being with thee when we know it not. \V. Wordsworth cccx SONG TO THE EVENING STAR Star that bringest home the bee, And sett'st the weary labourer free^ THE GOLDEN TREASURY 301 If any star shed peace, 'tis Thou That send'st it trom above, Appearing when Heaven's breath and bro^ Are sweet as hers we love. Come to the luxuriant skies, Whilst the landscape's odours rise, Whilst far-off lowing herds are heard And songs when toil is done, From cottages whose smoke unstirr'd Curls yellow in the sun. Star of love's soft interviews, Parted lovers on thee muse ; Their remembrancer in Heaven Of thrilling vows thou art, Too delicious to be riven By absence from the heart. T. Campbel CCCXI DATUR HORA QUIETI The sun upon the lake is low, The wild birds hush their song, The hills have evening's deepest glow, Yet Leonard tarries long. Now all whom varied toil and care From home and love divide, In the calm sunset may repair Each to the loved one's side. The noble dame, on turret high, Who waits her gallant knight. Looks to the western beam to spy The flash of armour bright. The village maid, with hand on brow The level ray to shade, Upon the footpath watches now Foi Colin's darkening plaid. J02 THE GOLDEN TREASURY Now to their mates the wild swans row, By day they swam apart, And to the thicket wanders slow The hind beside the hart. The woodlark at his partner's side Twitters his closing song — All meet whom day and care divide, But Leonard tarries long! Sir VV. Scott CCCXII TO THE MOON Art thou pale for weariness Of climbing heaven, and gazing on the earth, Wandering companionless Among the stars that have a different birth, — And ever-changing, like a joyless eye That finds no object worth its constancy? P, B. Shelley CCCXIII TO SLEEP A flock of sheep that leisurely pass by One after one ; the sound of rain, and bees Murmuring ; the fall of rivers, winds and seas, Smooth fields, white sheets of water, and pure sky ; I've thought of all by turns, and yet do lie Sleepless ; and soon the small birds' melodies Must hear, first utter'd from my orchard trees, And the first cuckoo's melancholy cry. Even thus last night, and two nights more I lay, And could not win thee. Sleep! by any stealth: So do not let me wear to-night away ; Without Thee what is all the morning's wealth? Come, blessed barrier between day and day, Dear mother of fresh thoughts and joyous health I W. Wordsworth THE GOLDEN TREASURY 303 CCCXIV THE SOLDIER'S DREAM Our bugles sang truce, for the night-cloud had lower'd, And the sentinel stars set their watch in the sky ; And thousands had sunk on the ground overpowered. The weary to sleep, and the wounded to die. When reposing that night on my pallet of straw By the wolf-scaring faggot that guarded the slain, At the dead of the night a sweet Vision I saw ; And thrice ere the morning I dreamt it again. Meth ought from the battle-field's dreadful array Far, far, I had roam'd on a desolate track : T^was Autumn, — and sunshine arose on the way To the home of my fathers, that welcomed me back. I flew to the pleasant fields traversed so oft In life's morning march, when my bosom was young ; I heard my own mountain-goats bleating aloft, And knew the sweet strain that the corn-reapers sung. Then pledged we the wine-cup, and fondly I swore From my home and my weeping friends never to part ; My little ones kiss'd me a thousand times o'er, And my wife sobb'd aloud in her fulness of heart. 'Stay — stay with us! — rest! — thou art weary and worn!' And fain was their war-broken soldier to stay ; — But sorrow return'd with the dawning of morn. And the voice in my dreaming ear melted away. T. Ca7npbell CCCXV A DREAM OF THE UNKNOWN dream'd that as I wander'd by the way Bare Winter suddenly was changed to Spring, rind gentle odours led my steps astray, Mix'd with a sound of waters murmuring 304 THE GOLDEN TREASURY Along a shelving bank of turf, which lay Under a copse, and hardly dared to fling Its green arms round the bosom of the stream, But kiss'd it and then fled, as Thou mightest in drearo There grew pied wind-flowers and violets, Daisies, those pearTd Arcturi of the earth, The constellated flower that never sets ; F'aint oxlips ; tender blue-bells, at whose birth The sod scarce heaved ; and that tall flower that wets Its mother''s face with heaven-collected tears, When the low wind, its playmate's voice, it hears. And in the warm hedge grew lush eglantine, Green cow-bind and the moonlight-colour'd May, And cherry-blossoms, and white cups, whose wine Was the bright dew yet drained not by the day ; And wild roses, and ivy serpentine With its dark buds and leaves, wandering astray ; And flowers azure, black, and streakM with gold, Fcx* 'er than any waken'd eyes behold. And nearer to the river's trembling edge There grew broad flag-flowers, purple prank'd with white And starry river-buds among the sedge, And floating water-lilies, broad and bright, Which lit the oak that overhung the hedge With moonhght beams of their own watery light; And bulrushes, and reeds of such deep green As soothed the dazzled eye with sober sheen. Methought that of these visionary flowers I made a nosegay, bound in such a way That the same hues, which in their natural bowers Were mingled or opposed, the like array Kept these imprisoned children of the Hours Within my hand, — and then, elate and gay, I hastened to the spot whence I had come That 1 might there present it — O! to Whom? P, B. Shelley THE GOLDEN TREASURY 305 CCCXVI KUBLA KHAN In Xanadu did Kubia Khan A stately pleasure-dome decree : Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea. So twice five miles of fertile ground With walls and towers were girdled round: And there were gardens bright with sinuous rills Where blossomed many an incense-bearing tree ; And here were forests ancient as the hills, Enfolding sunny spots of greenery. But oh! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover! A savage place! as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon-lover! And from this chasm, with ceaseless turmoil seething, As if this earth in fast thick pants were breathing, A mighty fountain momently was forced : Amid whose swift half-intermitted burst Huge fragments vaulted like rebounding hail, Or chaffy grain beneath the thresher's flail : And 'mid these dancing rocks at once and ever It flung up momently the sacred river. Five miles meandering with a mazy mol'on Through wood and dale the sacred river ran, Then reach'd the caverns measureless to man. And sank in tumult to a lifeless ocean : And 'mid this tumult Kubla heard from far Ancestral voices prophesying war ! The shadow of the dome of pleasure Floated midway on the waves ; Where was heard the mingled measure From the fountain and the caves. It was a miracle of rare device, A sunny pleasure-dome with caves of ice^ 3o6 THE GOLDEN TREASUKY A damsel with a dulcimer In a vision once I saw : It was an Abyssinian maid, And on her dulcimer she play'd, Singing of Mount Abora. Could I revive within me Her symphony and song, To such a deep delight 'twould win me That with music loud and long, I would build that dome in air, That sunny dome! those caves of ice! And all who heard should see tiiem there. And all should cry. Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice. And close your eyes with holy dread, For he on honey-dew hath fed. And drunk the milk of Paradise. S. T, Coleridgi CCCXVII THE INNER VISION Most sweet it is with unuplifted eyes To pace the ground, if path be there or none, While a fair region round the traveller lies Which he forbears again to look upon ; Pleased rather with some soft ideal scene. The work of Fancy, or some happy tone Of meditation, slipping in between The beauty coming and the beauty gone — If Thought and Love desert us, from that day Let us break off" all commerce with the Muse: With Thought and Love companions of our way — Whatever the senses take or may refuse, — The Mind's internal heaven shall shed her dews Of inspiration on the humblest lay. W. Wordsworth THE GOLDEN TREASURY 307 CCCXVIII THE REALM OF FANCY Ever let the Fancy roam ; Pleasure never is at home : At a touch sweet Pleasure melteth, Like to bubbles when rain pelteth ; Then let winged Fancy wander Through the thought still spread beyond her' Open wide the mind's cage-door, She'll dart forth, and cloudward soar. O sweet F'ancy ! let her loose ; Summer's joys are spoilt by use, And the enjoying of the Spring Fades as does its blossoming ; Autumn's red-lipped fruitage too, Blushing through the mist and dew, Cloys with tasting: What do then? Sit thee by the ingle, when The sear faggot blazes bright, Spirit of a winter's night ; When the soundless earth is muffled, And the caked snow is shuffled From the ploughboy's heavy shoon ; When the Night doth meet the Noon In a dark conspiracy To banish Even from her sky. Sit thee there, and send abroad. With a mind self-overaw'd. Fancy, high-commission'd : — send her! She has vassals to attend her : She will bring, in spite of frost. Beauties that the earth hath lost ; She will bring thee, all together, All delights of summer weather ; All the buds and bells of May, From dewy sward or tnorny spray ; All the heaped Autumn's wealth, With a still, mysterious stealth : ioS THE GOLDEN TREASURY She will mix these pleasures up Like three fit wines in a cup, And thou shalt quaff it : — thou shalt heat Distant harvest-carols clear ; Rustle of the reaped corn ; Sweet birds antheming the morn : And, in the same moment — hark ! 'Tis the early April lark, Or the rooks, with busy caw, Foraging for sticks and straw. Thou shalt, at one glance, behold The daisy and the marigold ; White-plumed lilies, and the first Hedge-grown primrose that hath burst Shaded hyacinth, alway Sapphire queen of the mid-May ; And every leaf, and every flower Pearled with the self-same shower. Thou shalt see the field-mouse peep Meagre from its celled sleep ; And the snake all winter-thin Cast on sunny bank its skin ; Freckled nest-eggs thou shalt see Hatching in the hawthorn-tree. When the hen-bird's wing doth rest Quiet on her mossy nest; Then the hurry and alarm When the bee-hive casts its swarm ; Acorns ripe down-pattering, While the autumn breezes sing. Oh, sweet Fancy ! let her loose ; Everything is spoilt by use : Where's the cheek that doth not fade, Too much gazed at ? Where's the maid Whose lip mature is ever new ? Where's the eye, however blue, Doth not weary ? Where's the face One would meet in every place ? Where's the voice, however soft, One wnuld hear so very oft ? THE GOLDEN TREASURY 309 At a touch sweet Pleasure melteth Like to bubbles when rain pelteth. Let then winged Fancy find Thee a mistress to thy mind : Dulcet-eyed as Ceres' daughter, Ere the God of Torment taught her How to frown and how to chide ; With a waist and with a side White as Hebe's, when her zone Slipt its golden clasp, and down Fell her kirtle to her feet. While she held the goblet sweet, And Jove grew languid. — Break the mesh Of the Fancy's silken leash ; Quickly break her prison-string, And such joys as these she'll bring. — Let the winged Fancy roam, Pleasure never is at home. J. Keat. CCCXIX , WRITTEN IN EARLY SPRING I heard a thousand blended notes While in a grove I sate reclined, In that sweet mood when pleasant thoughts Bring sad thoughts to the mind. To her fair works did Nature link The human soul that through me ran ; And much it grieved my heart to think What Man has made of Man. Through primrose tufts, in that sweet bowet The periwinkle trail'd its wreaths ; And 'tis my faith that every flower '^ Enjoys the air it breathes. The birds around me hopp'd and play'd, Their thoughts I cannot measure, — But the least motion which they made It seem'd a thrill of pleasure. 3IO THE GOLDEN- TREASURY The budding twigs spread out their fan To catch the breezy air: And I must think, do all 1 can, That there was pleasure there. If this belief from heaven be sent, If such be Nature's holy plan, Have I not reason to lament What Man has made of Man ? VV. IVordsivorth cccxx RUTH : OR THE INFLUENCES OF NATURE When Ruth was left half desolate Her father took another mate ; And Ruth, not seven years old, A slighted child, at her own will Went wandering over dale and hill, In thoughtless freedom, bold. And she had made a pipe of straw. And music from that pipe could draw Like sounds of winds and floods ; Had built a bower upon the green, As if she from her birth had been An infant of the woods. Beneath her father's roof, alone She seemed to live ; her thoughts her own? Herself her own delight : Pleased with herself, nor sad nor gay ; And passing thus the live-long day. She grew to woman's height. There came a youth from Georgia's shore - A military casque he wore With splendid feathers drest ; He brought them from the Cherokees ; The feathers nodded in the breeze And made a gallant crest. THE GOLDEN TREASURY 317 From Indian blood you deem him sprung But no! he spake the Enghsh tongue And bore a soldier's name ; And, when America was free From battle and from jeopardy, He 'cross the ocean came. With hues of genius on his cheek. In finest tones the youth could speak: — While he was yet a boy The moon, the glory of the sun, And streams that murmur as they rua Had been his dearest ioy. He was a lovely youth ! I guess The panther in the wilderness Was not so fair as he ; And when he chose to sport and play, No dolphin ever was so gay Upon the tropic sea. Among the Indians he had fought; And with him many tales he brought Of pleasure and of fear ; Such tales as, told to any maid By such a youth, in the green shade, Were perilous to hear. He told of girls, a happy rout ! Who quit their fold with dance and shout Their pleasant Indian town, To gather strawberries all day long; Returning with a choral song When daylight is gone down. He spake of plants that hourly change Their blossoms, through a boundless range Of intermingling hues ; With budding, fading, faded flowers, They stand the wonder of the bowers From morn to evening dews. 312 THE GOLDEN TREASURY He told of the magnolia, spread High as a cloud, high overhead ! The cypress and her spire ; — Of flowers that with one scarlet gleam Cover a hundred leagues, and seem To set the hills on fire. The youth of green savannahs spake, And many an endless, endless lake With all its fairy crowds Of islands, that together lie As quietly as spots of sky Among the evening clouds. * How pleasant,' then he said, ' it were A fisher or a hunter there, In sunshine or in shade To wander with an easy mind, And build a household fire, and find A home in every glade ! 4^rf is used to signify tomb. Page 4, no. 7. A fine example of the high-wrought and con- ventional Elizabethan Pastoralism, which it would be unreason- able to criticise on the ground of the unshepherdlike or unreal character of some images suggested. Stanza 6 was perhaps inserted by Izaak Walton. Page 5, no. 8. This beautiful lyric is one of several recovered from the very rare Elizabethan Song-books, for the publication of which our thanks are due to Mr. A. H. Bullen (1887, 1888). Page 8, no. 12. One stanza has been here omitted, in ac' cordance with the principle noticed in the Preface. Similar omis- sions occur in a few other poems. The more serious abbreviation by which it has been attempted to bring Crashaw's ' Wishes ' and Shelley's ' Euganean Hills,' with one or two more, within the scheme of this selection, is commended with much diffidence to the judg- ment of readers acquainted with the original pieces. Page 8, no. 13. Sidney's poetry is singularly unequal; his short life, his frequent absorption in public employment, hindered doubt- less the development of his genius. His great contemporary fame, second only, it appears, to Spenser's, has been hence ob- scured. At times he is heavy and even prosaic; his simplicity is rude and bare; his verse unmelodious. These, however, are the • defects of his merits.* In a certain depth and chivalry of feeling, — in the rare and noble quality of disinterestedness (to put it in one word), — he has no superior, hardly perhaps an equal, amongst our Poets ; and after or beside Shakespeare's Sonnets, his ' Astrophel and Stella,* in the Editor's judgment, offers the most intense and power- ful picture of the passion of love in the whole range of our poetry. — Hundreds 0/ years : 'The very rapture of love,' says Mr. Ruskin; * A lover like this does not believe his mistress can grow old or die.' Page 11, no. 19. Readers who have visited Italy will be reminded of more than one picture by this gorgeous Vision of Beauty, equally sublime and pure in its Paradisaical naturalness. Lodge wrote it on a voyage to ' the Islands of Terceras and the Canaries; ' and he seems to have caught, in those southern seas, no small portion of the qualities which marked the almost contemporary Art of Venice, ^ the glory and the glow of Veronese, Titian, or Tintoret, — From the NOTES 349 same romance is No. 71 : a charming picture in the purest style of the later Italian Renaissance. The clear is the crystalline or outermost heaven of the old cos- mography. For a fair there's fairer none : If you desire a Beauty, there is none more beautiful than Rosaline. Page 14, no. 22. Another gracious lyric from an Elizabethan Song book, first reprinted (it is believed) in Mr. W. J. Linton's ' Rare Poems,' in 1883. Page 14, no. 23. that fair thou owest : that beauty thou ownest. Page 15, no. 25. From one of the three Song-books of 'I", Cam- pion, who appears to have been author of the words which he set to music. His merit as a lyrical poet (recognized in his own'time. but since then forgotten) has been again brought to light by Mr. PmlKn's taste and research : swerving (st. 2) is his conjecture for changing in the text of 1601. Page 19, no. 31. the star Whose worth's unknown although his height be taken : apparently, Whose stellar influence is uncalculated.. although his angular altitude from the plane of the astrolabe or arti- ficial horizon used by astrologers has been determined. Page 20, no. 32. This lovely song appears, as here given, in Puttenham's 'Arte of English Poesie,' 1589. A longer and inferior form was published in the 'Arcadia' of 1590; but Puttenham's pref- atory words clearly assign his version to Sidney's own authorship. Page 22, no. ■^'j. keel : keep cooler by stirring round. Page 23, no. 39. expense : loss. Page 24, no. 40. prease : press. Page 24, no. 41. Nativity, once in the main of light : when a star has risen and entered on the full stream of Hght: — another of the astrological phrases no longer familiar. Crooked eclipses: as coming athwart the Sun's apparent course. Wordsworth, thinking probably of the ' Venus ' and the ' Lucrece,* said finely of Shakespeare : ' Shakespeare could not have written an Epic; he would have died of plethora of thought.* This prodigality of nature is exemplified equally in his Sonnets. The copious selec- tion here given (which from the wealth of the material, re quired greater consideration than any other portion of the Editor's task) contains many that will not be fully felt and understood without some earnestness of thought on the reader's part. But he is not likely to regret the labour. Page 25, no. 42. upon misprision growing: either, granted in error, or, on the growth of contempt. Page 25, no. 43. With the tone of this Sonnet compare Hamlet's * Give me that man That is not passion's slave,' etc. Shakespeare's writings show the deepest sensitiveness to passion : — hence the attraction he felt in the contrasting effects of apathy. Page 26, no. 44. grame : sorrow. Renaissance influences long impeded the return of English poets to the charming realism of this and a few other poems by Wyat. Page 27, no. 45. Pandion in the ancient fable was faJher to Philomela, 350 NOTES Page 28, no. 47. In the old legend it is now Philomela, now Procne (the swallow), who suffers violence from Tereus. This song has a fascination in its calm intensity of passion ; that ' sad earnest- ness and vivid exactness ' which Cardinal Newman ascribes to the masterpieces of ancient poetry. Page 30, no. 50. proved: approved. Page 31, no. 51. censures : ]ndgG^%. Page 31, no. 52. Exquisite in its equably balanced metrical flow. Page 32, no. 53. Judging by its style, this beautiful example of old simplicity and feeling may, perhaps, be referred to the earliei years of Elizabeth. Late forget: lately. Page 34, no. 57. Printed in a little Anthology by Nicholas Breton, 1597. It is, however, a stronger and finer piece of work than any known to be his. — St. i. silly : simple; dole: grief; chief: chiefly, St. 3. If there be ... : obscure : Perhaps, if there be any who speak harshly of thee, thy pain may plead for pity from Fate. This poem, with 60 and 143, are each graceful variations of a long- popular theme. Page 36, no. 58. That busy archer: Cupid. Descries: used actively ; points out. — ' The last line of this poem is a little obscured by transposition. He means, Do they call ungratefulness there a virtue?' (C. Lamb). Page 36, no. 59. White lope : suggested, Mr. Bullen notes, by a passage in Propertius (iii, 20) describing Spirits in the lower world; Vobiscum est lope, vobiscum Candida Tyro. Page 38, no. 62. cypres or Cyprus, — used by the old writers for crape : whether from the French crespe or from the Island wlience it was imported. Its accidental similarity in spelling to cypress has, here and in Milton's ' Penseroso,' probably confused readers. Page 39, no. 63. ramage : confused noise. Page 40, no. 66. ' I never saw anything like this funeral dirge,* says Charles Lamb, ' except the ditty which reminds Ferdinand of his drowned father in the " Tempest." As that is of the water, watery ; so this is of the earth, earthy. Both have that intenseness of feeling, which seems to resolve itself into the element which it contemplates." Page 42, no. 70. Paraphrased from an Italian madrigal. . . . Non so conoscer poi Se voi le rose, o sian le rose in vol. Page 44, no. 72. crystal : fairness. Page 44, no. 73. stare : starling. Page 45, no. 74. This ' Spousal Verse ' was written in honour of the Ladies Elizabeth and Katherine Somerset. Nowhere has Spen- ser more emphatically displayed himself as the very poet of Beauty : The Renaissance impulse in England is here seen at its highest and purest. The genius of Spenser, like Chaucer's, does itself justice only in NOTES 351 poems of some length. Hence it is impossible to represent it in this volume by other pieces of equal merit, but of impracticable dimen- sions. And the same applies to such poems as the 'Lover's La- ment ' or the 'Ancient Mariner.' Page 46, no. 74. entrailed : twisted. Feateously : elegantly. Page 48, no. 74. shend : shame. Page 49, no. 74. a noble peer : Robert Devereux, second Lord Essex, then at the height of his brief triumph after taking Cadiz: hence the allusion following to the Pillars of Hercules, placed near Gades by ancient legend. Page 49, no. 74. Elisa : Elizabeth. Page 49, no. 74. twins of Jove : the stars Castor and Pollux: baldric, belt ; the zodiac. Page 52, no. 79. This lyric may with very high probability be assigned to Campion, in whose first' Book of Airs'itappeared(i6oi). The evidence sometimes quoted ascribing it to Lord Bacon appears to be valueless. Summary of Book Second This division, embracing generally the latter eighty years of the seventeenth century, contains the close of our Early poetical style and the commencement of the Modern. In Uryden we see the first master of the new : in Milton, whose genius dominates here as Shakespeare's in the former book, the crown and consummation of the early period. Their splendid Odes are far in advance of any prior attempts, Spenser's excepted : they exhibit that wider and grander range which years and experience and the struggles of the time conferred on Poetry. Our Muses now give expression to po- litical, to religious thought, to a high philosopliic statesmanship in writers such as Marvell, Herbert, and Wotton : whilst in Marvell and Milton, again, we find noble attempts, hitherto rare in our literature, at pure description of nature, destined in our own age to be con- tinued and equalled. Meanwhile the poetry of simple passion, although before 1600 often deformed by verbal fancies and conceits of thought, and afterwards by levity 'and an artificial tone, pro- duced in Herrick and Waller some charming pieces of more finished art than the Elizabethan : until in the courtly compliments of Sedley it seems to exhaust itself, and lie almost dormant tor the hundred years between the days of Wither and Suckling and the days of Burns and Cowper. — That the change from our early style to the modern brought with it at first a loss of nature and simplicity is undeniable : yet the bolder and wider scope which Poetry took between 1620 and 1700, and the successful efforts then made to gain greater clearness in expression, in their results have been no slight compensation. Page 57, no. 85. whist : hushed. Page 58, no. 85. than: obsolete for then. Pan : used here foi the Lord of all. 352 NOTES Page 59, no. 85. consort : Milton's spelling of this word, here and elsewhere, has been followed, as it is uncertain whether he used it in the sense of accompanying, or simply for concert. Page 61, no. 85. Lars and Lemur es : household gods and spirits of relations dead. Flamens : Roman priests. That ttuice batter' a god: Dagon. Page 62, no. 85. Osiris, the Egyptian god of Agriculture (here, perhaps by confu'^ion with Apis, figured as a Bull), was torn to pieces by Typho and embalmed after death in a sacred chest. This myth, reproduced in Syria and Greece in the legends of Thammuz, Adonis, and perhaps Absyrtus, may have originally sig- nified the annual death of the Sun or the Year under the influences of the winter darkness. Horus, the son of Osiris, as the New Year, in his turn overcomes Typho, unshower'd grass : as watered by the Nile only, youngest-teemed: last-born. Bright harness' d: armoured. Page 64, no. 87. The Late Massacre : the Vaudois persecution, carried on in 1655 by the Duke of Savoy. No more mighty Sonnet than this ' collect in verse,' as it has been justly named, probably can be found in any language. Readers should observe that it is con- structed on the original Italian or Proven9al model. This form, in a language such as ours, not affluent in rhyme, presents great diffi- culties; the rhymes are apt to be forced, or the substance common- place. But, when successfully handled, it has a unity and a beauty of effect which place the strict Sonnet above the less compact and less lyrical systems adopted by Shakespeare, Sidney, Spenser, and other Elizabethan poets. Page 65, no. 88. Cromwell returned from Ireland in 1650, and Marvell probably wrote his lines soon after, whilst living at Nun- appleton in the Fairfax household. It is hence not surprising that (sts. 21-24) he should have been deceived by Cromwell's professed submissiveness to the Parliament which, when it declined to register his decrees, he expelled by armed violence : one despotism, by natural law, replacing another. The poet's insight has, however, truly prophesied that result in his last two lines. This Ode, beyond doubt one of the finest in our language, and more in Milton's style than has been reached by any other poet, is occasionally obscure from imitation of the condensed Latin syntax. The meaning of st. 5 is ' rivalry or hostility are the same to a lofty spirit, and limitation more hateful than opposition.' The allusion in St. II is to the old physical doctrines of the non-existence of a vacuum and the impenetrability of matter: in st. 17 to the omen traditionally connected with the foundation of the Capitol at Rome: forced, fated. The ancient belief that certain years in life com- plete natural periods and are hence peculiarly exposed to death, is introduced in st. 26 by the word climacteric. Page 68, no. 89. Lycidas : the person here lamented is Milton's college contemporary, Edward King, drowned in 1637 whilst cross* ing from Chester to Ireland. Strict Pastoral Poetry was first written or perfected by the Dorian NOTES 353 Greeks settled in Sicily: but the conventional use of it, exhibited more magnificently in ' Lycidas' than in any other pastoral, is ap- parently of Roman origin. Milton, employing the noble freedom o! a great artist, has here united ancient mythology with what may be called the modern mythology of Camus and Saint Peter, — to direct Christian images. Yet the poem, if it gains in historical interest, suffers in poetry by the harsh intrusion of the writer's narrow and violent theological politics. — The metrical structure of this glorious elegy is partly derived from Italian models. Page 69, no. 89. Sisters of the sacred well : the Muses, said to frequent the Pierian Spring at the foot of Mount Olympus. Page 70, no. 89. Mona : Anglesea, called by the Welsh poets, the Dark Island, from its dense forests. Deva, tlie Dee: a river which may have derived its magical character from Celtic tradi- tions: it was long the boundary of Briton and English. — These places are introduced, as being near the scene ot the shipwreck. Orpheus was torn to pieces by Thracian women. Amaryllis and Neaera, names used here for the love-idols of poets : as Damoefas previously for a shepherd, the blind Fury : Atropos, fabled to cut the thread of life. Page 71, no. 89. Arethuse and Mincius : Sicilian and Italian waters here alluded to as representing the pastoral poetry of Theocritus and Vergil, oat: pipe, used here like Collins' oaten stop, 1. I, no. 186, for So)7g. Hippotades: Aeolus, god of the Winds. Panope : a Nereid. Certain names of local deities in the Hellenic mythology render some feature in the natural landscape, which the Greeks studied and analyzed with their usual unequalled in- sight and feeling. Panope seems to express the boundlessness of the ocean-horizon when seen from a height, as compared with the limited sky-line of the land in hilly countries such as Greece or Asia Minor. Camus, the Cam : put for King's University. The sanguine flower, the Hyacinth of the ancients: probably our Iris. J he Pilot, Saint Peter, figuratively introduced as the head of the Church on earth, to foretell ' the ruin of our corrupted clergy,' as Milton regarded them, 'then in their heighth' under Laud's primacy. Page 72, no. 89. scrannel: screeching; apparendy Milton's coinage (Masson). the wolf: the Puritans of the time were excited to alarm and persecution by a few conversions to Roman Catholi- cism which had recently occurred. Alpheus : a stream in Southern Greece, supposed to flow underseas to join the Arethuse. Swart star: the Dog-star, called swarthy because its heliacal rising in ancient times occurred soon after midsummer: rathe : early. Page 73, no. 89. tjioist vows : either tearful prayers, or prayers for one sea. Bellerus : a giant, apparently created here by Milton to personify Belerium, the ancient title of the Land's End. the great Vision : the story was that the Archangel Michael had ap- peared on the rock by Marazion in Mount's Bay which bears his name. Milton calls on him to turn his eyes from the south home- ward, and to pity Lycidas, if his body has drifted into the troubled 354 NOTES waters off the Land's End. Finisterre being the land due south o* Marazion, two places in that district (then through our trade with Corunna probably less unfamiliar to English ears), are named, — A'amancos, now Mujio in Galicia, Dayona, north of the Minho, or perhaps a fortified rock (one of the Cies Islands) not unlike Sain* Michael's Mount, at the entrance of Vigo Bay. Page 73, no. 89, 1. 12. ore : rays ot golden light. Doric lay : Sicilian, pastoral. Page 75, no. 93. The assault was an attack on London expected in 1642, when the troops of Charles I reached Brentford. ' Written on his door" was in the original title of this sonnet. Milton was tiien living in Aldersgate Street. Pa(;e 76, no. 93. The E7nathian conqueror : when Thebes was destroyed (335 B.C.) and the citizens massacred by thousands, Alex- ander ordered the house of Pindar to be spared. PACiE 76, no. 93, the repeated air Of sad Electras poet: Plu- tarch has a tale that when the Spartan confederacy in 404 B.C. took Athens, a proposal to demolish it was rejected through the effect pro= duced on the commanders by hearing part of a chorus from the Electra of Euripides sung at a feast. There is however no apparent congruity between the lines quoted (167, 168 Ed. Dindorf ) and the result ascribed to them. Page 76, no. 95. A fine example of a peculiar class of Poetry: that written by thoughtful men who practised this Art but little, Jeremy Taylor, Bishop Berkeley, Dr. Johnson, Lord Macaulay, have left similar specimens. Page 78, no. 98. These beautiful verses should be compared with Wordsworth's great 'Ode on Immortality': and a copy of Vaughan's very rare little volume appears in the list of Words- worth's library. — In imaginative intensity, Vaughan stands beside his contemporary Marvell. Page 79, no. 99. Favonius : the spring wind. Page 80, no. 100. Thetnis : the goddess of justice. Skinner was grandson by his mother to Sir E. Coke : hence, as pointed on/ by Mr. Keightley, Milton's allusion to the bench. Sweden was then at war with Poland, and PYance with the Spanish Nether- lands. Page 82, no. 103. Sidneian showers : either in allusion to the conversations in the 'Arcadia,' or to Sidney himself as a model of • gentleness ' in spirit and demeanour. Page 85, no. 105. Delicate humour, delightfully united to thought, at once simple and subtle. It is full of conceit and paradox, but these are imaginative, not as with most of our seventeenth century poets, intellectual only. Page 88, no. no. Elizabeth of Bohemia: Daughter to James I, and ancestor of Sophia of Hanover. These lines are a fine specimen of gallant and courtly compliment. Page 89, no. in.' Lady M. Ley was daughter to Sir J. Ley, afterwards Earl of Marlborough, who died March, 1629, coincidently with the dissolution of the third Parliament of Charles' reign. Hence NOTES 355 Milton poetically compares his death to that of the Orator Isocrates of Athens, after Philip's victory in 328 B.C. Page 93, no. 118. A masterpiece of humour, grace, and gentle feeling, all, with Herrick's unfailing art, kept precisely within the peculiar key which he chose, — or Nature for him, — in his Pastorals. the god unshorn : Xvnh&xhx'i K'^oXxo. St. 2. ^^arfi' .• prayers. Page 96, no. 123, With better taste, and less diffuseness, Quarles might (one would think) have retained more of that high place which he held in popular estimate among his contemporaries. Page 98, no. 127, Frotn Prison : to which his active support of Charles I twice brought the high-spirited writer. Page 99, no. 127. Gods: thus in the original; Lovelace, in his fanciful way, making here a mythological allusion. Birds, commonly substituted, is without authority. St. 3. committed: to prison. Page 100, no. 128, st. 2. blue-god : Neptune. Page 103, no. 133. Waly waly : an exclamation of sorrow, the root and the pronunciation of which are preserved in the word cater, waul. Brae, hillside : burn, brook. Page 104, no. 133. busk: adorn. Saint Anton's Well : below Arthur's Seat by Edinburgh. Crnfuasie : crimson. Page 105, no. 134. This beautiful example of early simplicity is found in a Song-book of 1620. These stanzas are by Richard Vers- tegan ( — c. 1635), a poet and antiquarian, published in his rare •Odes (1601), under the title ' Our Blessed Ladies Lullaby.' and re- printed by Mr. Orby Shipley in his beautiful ' Carmina Mariana' (1893). The four stanzas here given form the opening of a hymn of twenty-four. Page 105, no. 135. burd, maiden. Page 107, no. 136. corbies, crows : fail, turf: hause, neck ; theek, thatch. — If not in their origin, in their present form this, with the preceding poem and 133, appear due to the seventeenth century, "and have therefore been placed in Book IL Page 108, no. 137. The poetical and the prosaic, after Cowley's fashion, blend curiously in this deeply-felt elegy. Page 111, no. 141. Perhaps no poem in this collection is more delicately fancied, more exquisitely finished. By placing his de- scription of the Fawn in a young girl's mouth, Marvell has, as it were, legitimated that abundance of ' imaginative hyperbole ' to which he is always partial : he makes us feel it natural that a maid- en's favourite should be whiter than milk, sweeter than sugar — 'lilies without, roses within.' The poet's imagination is justified in its seeming extravagance by the intensity and unity with which it invests his picture. Page 112, no. 142. The remark quoted in the note to No. 65 applies equally to these truly wonderful verses. Marvell here throws himself into the very soul of the ' Garden ' with the imaginative in- tensity of Shelley in his ' West Wind.' — This poem appears also as a translation in Marvell's works. The most striking verses in it, here quoted as the book is rare, answer more or less to sts. 2 and 6 : ;J56 NOTES Alma Quies, teneo te! et te, germana Quietis, Simplicitas ! vos ergo diu per templa, per urbes Quaesivi, regum perque alta palatia, frustra: Sed vos hortorum per opaca silentia, longe Celarunt plantae virides, et concolor umbra Page 115, no. 143, st. 3. tutties : nosegays. St. 4. silly : simple, 'L'AIIegro' and 'II Penseroso.' It is a striking proof of Milton's astonishing power, that these, the earliest great Lyrics of the Land- scape in our language, should still remain supreme in their style for range, variety, and melodious beauty. The Bright and the Thought- ful aspects of Nature and of Life are their subjects : but each is preceded by a mythological introduction in a mixed Classical and Italian manner. — With that of 'L'AIIegro' may be compared a similar myth in the first Section of the first Book of S. Marmion's graceful ' Cupid and Psyche,' 1637. Page 116, no, 144. The mountain-nymph: compare Words- worth's Sonnet, No. 254. L. 38 is in apposition to the preceding, by a syntactical license not uncommon with Milton. Page 117, no. 144. Cynosure: the Pole Star. Cory don, Thyrsis, etc.: shepherd names from the old Idylls. Rebeck: an elementary form of violin. Page 118, no. 144. Jonson's learned sock: his comedies are deeply coloured by classical study. Lydian airs : used here to express a light and festive style of ancient music. The ' Lydian Mode,' one of the seven original Greek Scales, is nearly identical with our ' Major,' Page 119, no. 145. bestead: avail, starr' d Ethiop queen : Cas- siopeia, the legendary Queen of Ethiopia, and thence translated amongst the constellations. Page 120, no. 145. Cynthia: the Moon: Milton seems here to have transferred to her chariot the dragons anciently assigned to Demeter and to Medea. Page 121, no. 145. Hermes, called Trismegistus, a mystical writer of the Neo-Platonist school. Thebes, etc.: subjects of Athenian Tragedy. Buskin' d : tragic, in opposition to sock above. Musaeus : a poet in Mythology. Page 122, no. 145. him that left half-told : Chaucer in his in- complete ' Squire's Tale.* PACiK 122, no. 145, great bards : Ariosto, Tasso, and Spenser are here piesumably intended, frounced: curled. The Attic Boy . Cephalus. Pa(;e 123, no. 146. Emigrants supposed to be driven towards America bv the government of Charles I, Page 124, no. 146, But apples, etc. A fine example of Marvell's imaginative hyperbole. Page 125, no, 147. concent : harmony. Pacje 127, no, 149. A lyric of a strange, fanciful, yet solemn beauty: Cowley's style intensified by the mysticism of Henrjf More. — St. 2. monument: the World, NOTES 357 Page 128, no. 151. Entitled 'A Song in Honour of St Cecilia's Day : 1697.' Summary of Book Third It is more difficult to characterize the English Poetry of the eighteenth century than that of any other. For it was an age not only of spontaneous transition, but of bold experiment: it includes not only such absolute contrasts as distinguish the ' Rape of the Lock ' from the ' Parish Register,' but such vast contemporaneous differences as lie between Pope and Collins, Burns and Cowper. Yet we may clearly trace three leading moods or tendencies: the aspects of courtly or educated life represented by Pope and carried to exhaustion by his followers; the poetry of Nature and of Man, viewed through a cultivated, and at the same time an impassioned frame of mind by Collins and Gray; lastly the study of vivid and simple narrative, including natural description, begun by Gay and Thomson, pursued by Burns and others in the north, and established in England by Goldsmith, Percy, Crabbe, and Cowper. Great varieties in style accompanied these diversities in aim : poets could not always distinguish the manner suitable for subjects so far apart : and the union of conventional and of common language, exhibited most conspicuously by Burns, has given a tone to the poetry of that century which is better explained by reference to its historical origin than by naming it artificial. There is, again, a nobleness of thought, a courageous aim at high and, in a strict sense manly, excellence in many of the writers: nor can that period be justly termed tame and wanting in originality, which produced poems such as Pope's Satires, Gray's Odes and Elegy, the ballads of Gay and Carey, the songs of Burns and Cowper. In truth Poetry at this, as at all times, was a more or less unconscious mirror of the genius of the age: and the many complex causes which made the eighteenth century the turning-time in modern European civilization are also more or less reflected in its verse. An intelligent reader will fina the influence of Newton as markedly in the poems of Pope, as of Elizabeth in the plays of Shakespeare. On this great subject, how- ever, these indications must here be sufficient. Page 133, no. 153. We have no poet more marked by rapture, by the ecstasy which Plato held the note of genuine inspiration, than Collins. Yet but twice or thrice do his lyrics reach that simplicity, that sinceram sermonis Attici gratiam to which this ode testifies his enthusiastic devotion. His style, as his friend Dr. Johnson truly remarks, was obscure; his diction often harsh and unskilfully laboured ; he struggles nobly against the narrow, artificial manner of his age, but his too scanty years did not allow him to reach perfect mastery. St. 3. Hybla : near Syracuse. Her whose . . . woe : the nightingale, • for which Sophocles seems to have entertained a peculiar fondness ' ; Collins here refers to the famous chorus in the Oedipus at Colonus. St. 4. Cephisus : the stream encircling Athens on the north and 358 NOTES west, passing Colonus, St. 6. stayed to sing : stayed her song wher Imperial tyranny was established at Rome. St, 7 refers to the Italian amourist poetry of the Renaissance: in Collins' day, Dante was almost unknown in England. St. 8. meeting soul : which moves sympathetically towards simplicity as she comes to inspire the poet. St. 9. Of these : Taste and Genius. The Bard. In 1757, when this splendid ode was completed, so very little had been printed, whether in Wales or in England, in regard to Welsh poetry, that it is hard to discover whence Gray drew his Cymric allusions. The fabled massacre of the Bards (shown to be wholly groundless in Stephens' 'Literature of the Kymry ') appears first in the family history of Sir John Wynn of Gwydir (cir. 1600), not published till 1773; but the story seems to have passed in MS. to Carte's History, whence it may have been taken by Gray. The references to high-born Hoe I a.nd soft Llewellyn ; to Cadwallo and Urien ; may, similarly, have been derived from the 'Specimens' of early Welsh poetry, by the Rev. E. Evans, — as, although not published till 1764, the MS., we learn from a letter to Dr. Wharton, was in Gray's hands by July, 1760, and m^iy have reached him by 1757. It is, however, doubtful whether Gray (of whose acquaintance with Welsh we have no evidence) must not have been also aided by some Welsh scholar. He is one of the poets least likely to scatter epithets at random: 'soft' or gentle is the epithet emphatically and specially given to Llewellyn in contem- porary Welsh poetry, and is hence here used with particular pro- priety. Yet, without such assistance as we have suggested. Gray could hardly have selected the epithet, although applied to the King (pp. 140-2) among a crowd of others, in Llygad Gvvr's Ode, printed by Evans. — After lamenting his comrades (sts. 2, 3) the Bard prophesies the fate of Edward II, and the conquests of Edward III (4) : his death and that of the Black Prince (5) : of Richard II, with the wars of York and Lancaster, the murder of Henry VI {the meek usurper), and of Edward V and his brother (6). He turns to the glory and prosperity following the accession of the Tudors (7), through Elizabeth's reign (8) : and concludes with a vision of the poetry of Shakespeare and Milton. Page 139, no. 159. Glo'ster: Gilbert de Clare, son-in-law to Edward. Mortirner : one of the Lords Marchers of Wales. Pagk 140, no. 159. Higk-l>orn Hoel, soft Llewellyn: the ' Dis- sertaiio de Bardis ' of Evans names the first as son to the King Owain Gwynedd : Llewellyn, last King of North Wales, was mur- dered 1282. Cadwallo: Cadwallon (died 631) and Urien Rheged (early kings of Gwynedd and Cumbria respectively) are mentioned by Evans (p. 78) as bards none of whose poetry is extant. Modred : Evans supplies no data for this name, which Gray (it has been supposed) uses for Merlin (Myrddin Wyllt), held prophet as well as poet. — The italicized lines mark where the Bard's song is joined by that of his predecessors departed. Arvon : the shores of Carnarvonshire opposite Anglesey. Whether inten* tionally or through ignorance ot the real dates. Gray here seems to NOTES 350 represent the Bard as speaking of these poets, all of earlier days, Llewellyn excepted, as his own contemporaries at the close of the thirteenth century. Gray, whose penetrating and powerful genius rendered him in many ways an initiator in advance of his age, is probably the first of our poets who made some acquaintance with the rich and admirable poetry in which Wales from the sixth century has been fertile, — before and since his time so barbarously neglected, not in England only. Hence it has been thought worth while here to enter into a little detail upon his Cymric allusions. Page 141, no. 159. She-wolf: Isabel of France, adulterous Queen of Edward II. — Towers 0/ Julius : the Tower of London^ built in part, according to tradition, by Julius Caesar. Page 142, no. 159. bristled boar: the badge of Richard III. Hal/of thy heart: Queen Eleanor died soon after the conquest of Wales. Arthur : Henry VII named his eldest son thus, in deference to native feeling and storv. Page 143, no. 161. The Highlanders called the battle of Cul- loden, Drumossie. Page 144, no. 162. UWmg, singing blithely ; loaning, broad lane ; bughts,\>&n%\ scorni7ig,\?i\\ymg\ ^<^w/>, dreary ; daffin' 2Si6. gabbin\ joking and chatting; /^^//«, milkpail ; j/^^a/vV;^, reaping; batidsters, sheaf-binders; lyart, grizzled; ruiikled, wrinkled; Jieeching, coax- ing ; gloaming, twilight ; bogle, ghost ; dool, sorrow. Page 146, no. 164. The Editor has found no authoritative text of this poem, to his mind superior to any other of its class in melody and pathos. Part is probably not later than the seventeenth century : in other stanzas a more modern hand, much resembling Scott's, is traceable. Logan's poem (163) exhibits a knowledge rather of the old legend than of the old verses. — Hecht, promised: the obsolete hight ; mavis, thrush; ilka, every; lav rock, lark; haughs, valley- meadows; twined, parted from; marroto, mate; syne, then. Page 147, no. 165. The Royal George, of 108 guns, whilst under- going a partial careening at Spithead, was overset about 10 A.M., August 29, 1782. The total loss was believed to be nearly 1000 souls. — This little poem might be called one of our trial pieces, in regard to taste. The reader who feels the vigour of description and the force of pathos underlying Cowper's bare and truly Greek sim- plicity of phrase, may assure himself j^ valde pro/ecisse in poetry. Page 150, no. 167. A little masterpiece in a very difficult style: Catullus himself could hardly have bettered it. In grace, tender- ness, simplicity, and humour it is worthy of the Ancients : and even more so, from the completeness and unity of the picture presented. Page 154, no. 172. Perhaps no writer who has given such strong proofs of the poetic nature has left less satisfactory poetry than Thomson. Yet this song, with ' Rule Britannia ' and a few others, must make us regret that he did not more seriously apply himself to lyrical writing. Page 155, no. 174. With what insight and tenderness, yet in ho^ few words, has this painter poet here hmiself told Love's Secret/ 360 NOTES Page 156, no. 177. Aeolian lyre : the Greeks ascribed theorigip of their Lyrical Poetry to the Colonies of Aeolis in Asia Minor. Page 157, no. 177. Jhracid s hills : supposed a favourite resort of Mars. Feather d king : the Eagle of Jupiter, admirably described by Pindar in a passage here imitated by Gray. Idalia: in Cyprus, where Cytherea (Venus) was especially worshipped. Page 158, no. 177. Hyper io7i : the Sun. Sts. 6-8 allude to the Poets of the Islands and Mainland of Greece, to those of Rome and of England. Page 159, no. 177. Theban eagle : Pindar. Page 162, no. 178. chaste-eyed Queen : Diana. Page 163, no. 179. From that wild rhapsody of mingled grandeur, tenderness, and obscurity, that ' medley between inspiration and pos- session,' which poor Smart is believed to have written whilst in con- finement for madness. Page 164, no. 181. the dreadful light: of life and experience. Page 165, no. 182. Attic warbler : the nightingale. Page 167, no. 184. sleekit, sleek; bickering brattle, flittering flight; laith, loth; pattle, ploughstaff; whiles, at times; a daimen- icker, a corn-ear now and then ; thrave, shock ; lave, rest ; figgage, after grass ; snell, biting. Page 168, no. 184. buthald, without dwelling-place; thole, bear; cranreuch, hoar frost ; thy lane, alone ; a-gley, off the right line, awry. Page 174, no. 188. stoure, dust storm; braiv, smart. Page 175, no. 189. scaith, hurt; tent, guard; steer, molest. Page 176, no. 191. drumlie, muddy; birk, birch. Page 178, no. 192. greet, cry; daurna, dare not. — There can hardly exist a poem more truly tragic in the highest sense than this: nor, perhaps, Sappho excepted, has any Poetess equalled it. Page 178, no. 193. /5«, merry with drink; rccf/, carried ; unco skeigh, very proud ; gart, forced ; abeigh, aside ; Ailsa Craig, a rock in the Firth of Clyde; grat his een bleert, cried till his eyes were bleared; /(?w//«, leaping; //««, waterfall ; sair,sox&. Page 179, no. 193. smoor'd, smothered; crouse and canty, blithe and gay. Page 179, no. 194. Burns justly named this 'one of the most beautiful songs in the Scots or any other language.' One stanza, interpolated by Beattie, is here omitted : — it contains two good lines, but is out of harmony with the original poem. Bigonet, little cap; probably altered from beguinette. Page 180, no. 195. thraiv,\.\s\%\\ caller, fresh. Page 180, no. 195. Burns himself, despite two attempts, failed to improve this little absolute masterpiece of music, tenderness, and simplicity; this ' Romance of a life ' in eight lines, Pac.E 181, no. 195. Eerie: strict.y, scared; uneasy. Page 181, no. 196. airts, quarters; row, roll; shaw, small wood in a hollow, spinney; knowes, knolls. The last two stanzas are not by Burns. Page 183, no. 197. /b, sweetheart ; brent, smooth; pow, head; i^Li aithfu' St. ' ''air ham" Page 183, no. 199. Henry VI founded Eton. Page 186, no. 200. Written in 1773, towards the beginning of Cowper's second attack of melancholy madness — a time when he altogether gave up prayer, saying, ' For him to implore mercy would only anger God the more.' Yet had he given it up when sane, it would have been ' maior insania.' Page 189, no. 203. The editor would venture to class in the very first rank this Sonnet, which, with 204, records Cowper's grati- tude to the Lady whose affectionate care for many years gave what sweetness he could enjoy to a life radically wretched. Petrarch's sonnets have a more ethereal grace and a more perfect finish ; Shake- speare's more passion; Milton's stand supreme in stateliness; Wordsworth's in depth and delicacy. But Cowper's unites with an exquisiteness in the turn of thought which the ancients would have called Irony, an intensity of pathetic tenderness peculiar to his loving and ingenuous nature. — There is much mannerism, much that is unimportant or of now exhausted interest in his poems; but where he is great, it is with that elementary greatness which rests on the most universal human feelings. Cowper is our highest master in simple pathos. Page 191, no. 205. Cowper's last original poem, founded upon a story told in Anson's ' Voyages.* It was written March, 1799; he died in next year's April. Page 193, no. 206. Very little except his name appears recover- able with regard to the author of this truly noble poem, which ap- peared in the ' Scripscrapologia, or Collins' Doggerel Dish of AH r'>VwS,' with three or four other pieces of merit, Birmingham, 1804. 'age 194, no. 206. Everlasting : used with side-allusion to a clova so named, at the time when Collins wrote. Summary of Book Fourth It proves suflficientlythe lavish wealth of our own age in Poetry, that the pieces which, without conscious departure from the Standard of Excellence, render this Book by far the longest, were with very few exceptions composed during the first thirty years of the nine- teenth century. Exhaustive reasons can hardly be given for the strangely sudden appearance of individual genius : that, however, which assigns the splendid national achievements of our recent poetry to an impulse from the France of the first Republic and Em- pire is inadequate. The first French Revolution was rather one result, — the most conspicuous, indeed, yet itself in great measure essendally retrogressive, — of that wider and more potent spirit which through enquiry and attempt, through strength and weakness, sweeps mankind round the circles (not, as some too confidently argue, of Advance, but) of gradual Transformation : and it is to this that we must trace the literature of Modern Europe. But, without attempting discussion on the motive causes of Scott, Wordsworth, Shelley, and others, we may observe that these Poets carried to <""rther Derfection the later tendsncief o* the century orecedin" ' 362 NOTES simplicity of narrative, reverence for human Passion and Charactei in every sphere, and love of Nature for herself: that, whilst main- taining on the whole the advances in art made since the Restoration, they renewed the half-forgotten melody and depth of tone which marked the best Elizabethan writers: that, lastly, to what was thus inherited they added a richness in language and a variety in metre, a force and fire in narrative, a tenderness and bloom in feel- ing, an insight into the finer passages of the Soul and the inner meanings of the landscape, a larger sense of Humanity, — hitherto scarcely attained, and perhaps unattainable even by predecessors of not inferior individual genius. In a word, the Nation which, after the Greeks in their glory, may fairly claim that during six centuries it has proved itself the most richly gifted of all nations for Poetry, expressed in these men the highest strength and prodigality of its nature. They interpreted the age to itself — hence the manypnases of thought and style they present : to sympathize with each, fer- vently and impartially, without fear and without fancifulness, is no doubtful step in the higher education of the soul. For purity in taste is absolutely proportionate to strength — and when once the mind has raised itself to grasp and to delight in excellence, those who love most will be found to love most wisely. But the gallery which this Book offers to the reader will aid h^m more than any preface. It is a royal Palace of Poetry which he ts invited to enter : Adparet domus intus, et atria longa patescunt^ though it is, indeed, to the sympathetic eye only that its treasures will be visible. Page 195, no. 208. This beautiful lyric, printed in 1783, seems to anticipate in its imaginative music that return to our great early age of song, which in Blake's own lifetime was to prove, — how gloriously ! that the English Muses had resumed their ' ancient melody ' : Keats, Shelley, Byron, — he overlived them all. Pa(;e 1§7, no. 210, stout Cortez : history would here suggest Balboa.: (A.T,). It may be noticed, that to find in Chapman's Homer the 'pure serene* of the original, the reader must bring with him the imagination of the youthful poet: he must be 'a Greek himself,' as Shelley finely said of Keats. Page 200, no. 212. 'I'he most tender and true of Byron's smaller poems. Page 201, no. 213. This poem exemplifies the peculiar skill with which Scott employs proper names : a rarely misleading sign of true poetical genius. Page 211, no. 226. Simple as ' Lucy Gray' seems, a mere narra- tive of what 'has been, and may be again,' yet every touch in the child's picture is marked by the deepest and purest ideal character. Hence, pathetic as the situation is, tliis is not strictly a pathetic poem, such as Wordsworth gives us in 221, Lamb in 264, and Scott in his 'Maid of Neidpath,' — 'almost more pathetic,' as Tennyson onc« NOTES 363 remarked, 'than a man has the right to be.' And Lyte's lovely stanzas (224) suggest, perhaps, the same remark. Page 219, no. 235. In this and in other instances the addition (or the change) of a Title has been risked, in hope that the aim of the piece following may be grasped more clearly and immediately. Page 225, no. 242. This beautiful Sonnet was the last word of a youth, in whom, if the fulfilment may ever safely be prophesied from the promise, England lost one of the most rarely gifted in the long roll of her poets. Shakespeare and Milton, had their lives been closed at twenty-five, would (so far as we know) have left poems of less excellence and hope than the youth who, from the petty school and the London surgery, passed at once to a place with them of •high collateral glory.' Page 227, no. 245. It is impossible not to regret that Moore has written so little in this sweet and genuinely national style. Page 227, no. 246. A masterly example of Byron's command of strong thought and close reasoning in verse : as the next is equally characteristic of Shelley's wayward intensity. Page 236, no. 253. Bonnivard, a Genevese, was imprisoned by the Duke of Savoy in Chillon on the lake of Geneva for his courageous defence of his country against the tyranny with which Piedmont threatened it during the first half of the seventeenth century. — This noble Sonnet is worthy to stand near Milton's on the Vaudois massacre. Page 237, no. 254. Switzerland was usurped by the French under Napoleon in 1800: Venice in 1797 (255). Page 239, no. 259. This battle was fought Dec. 2, 1800, between the Austrians under Archduke John and the French under Moreau, in a forest near Munich. Hohenlitideti means High Limetrees. Page 243, no. 262. After the capture of Madrid by Napoleon, Sir J. Moore retreated before Soult and Ney to Corunna, and was killed whilst covering the embarkation of his troops. Page 254, no. 272. The Mermaid was the club-house of Shake- speare, Ben jonson, and other choice spirits of that age. Page 254, no, 273. Afaisie : Mary. — Scott has given us nothing more complete and lovely than this little song, which unites sim- plicity and dramatic power to a wild-wood music of the rarest quality. No moral is drawn, far less any conscious analysis of feeling at- tempted : the pathetic meaning is left to be suggested by the mere presentment of the situation, A narrow criticism has often named this, which may be called the Homeric manner, superficial, from its apparent simple facility; but first-rate excellence in it is in truth one of the least common triumphs of Poetry. — This style should be compared with what is not less perfect in its way, the searching out of inner feeling, the expression of hidden meanings, the revelation of the heart of Nature and of the Soul within the Soul, — the analyti- cal method, in short, — most completely represented by Wordsworth and by Shelley, Page 259, no, 277. Wolfe resembled Keats, not only in his early death by consumption and the fluent freshness of his poetical style, 364 NOTES but in beauty of character: brave, tender, energetic, unselfish, modest. Is it fanciful to find some reflex of these qualities in the ' Burial ' and ' Mary ' ? Out of the abundance of the heart . . . Page 261, no. 278. correi : covert on a hillside. Cumber : trouble. Page 262, no. 280. This book has not a few poems of greater power and more perfect execution than ' Agnes and the extract which we have ventured to make from the deep-hearted author's 'Sad Thoughts' (No. 224). But none are more emphatically marked by the note of exquisiteness. Page 263, no. 281, st. 3. inch : island. Page 266, no. 283. From ' Poetry for Children ' (1809) , by Charles and Mary Lamb. This tender and original little piece seems clearly to reveal the work of that noble-minded and afflicted sister, who was at once fhe happiness, the misery, and the life-long blessing of her equally noble-minded brother. Page 274, no. 289. This poem has an exultation and a glory, joined with an exquisiteness of expression, which place it in the highest rank among the many masterpieces of its illustrious Author. Page 285, no. 300. interlunar sivoon : interval of the moon's in- visibility. Page 290, no. 304. Calpe : Gibraltar. Page 291, no. 304. Lofoden : the Maelstrom whirlpool off the N. W. coast of Norway. Page 292, no. 305. This lovely poem refers here and there to a ballad by Hamilton on the subject better treated in 163 and 164. Page 304, no. 315. Arcturi : seemingly used for northern stars. And xvild roses, etc. Our language has perhaps no line modulated with more subtle sweetness. Page 305, no. 316. Coleridge describes this poem as the frag- ment of a dream-vision, — perhaps, an opium dream ? — which oom- posed itself in his mind when fallen asleep after reading a few lines about ' the Khan Kubia ' in Purchas' ' Pilgrimage.' Page 309, no. 318. Ceres' daughter: Proserpine. God of Tor- ment : Pluto. Page 317, no. 321. The leading idea of this beautiful description of a day's landscape in Italy appears to be — On the voyage of life are many moments of pleasure, given by the sight of Nature, who has power to heal even the worldliness and the uncharity of man. Page 319, no. 321. Amphitrite was daughter to Ocean. Page 322, no. 322. Maenad : a frenzied Nymph, attendant on Dionysos in the Greek mythology. May we not call this the most vivid, sustained, and impassioned amongst all Shelley's magical per- sonifications of Nature ? Page 323, no. 322. Plants under water sympathize with the seasons of fhe land, and hence with the winds which affect them. Page 324, no. 323. Written soon after the death, by shipwreck, of Wordsworth's brother John. This poem may be profitably com- pared with Shelley's following it. Each is the most complete ex- oression of the innermost spirit of his art given by these great Poets : NOTES 365 of that Idea which, as in the case of the true Painter, (to quote the words of Reynolds,) ' subsists only in the mind : The sight never beheld it, nor has the hand expressed it : it is an idea residing in the breast of the artist, which he is always labouring to impart, and which he dies at last without imparting.* Page 325, no. 323. the Kind : the human race. Page 327, no. 327. the royal Saint : Henry VI. Page 329, no. 328, st. 4. this folk: its has been here plausibly but, perhaps, unnecessarily, conjectured. — Every one knows the general story of the Italian Renaissance, of the Revival of Letters. — From Petrarch's day to our own, that ancient world has renewed its youth : Poets and artists, students and thinkers, have yielded them- selves wholly to its fascination, and deeply penetrated its spirit. Yet perhaps no one more truly has vivified, whilst idealizing, the picture of Greek country life in the fancied Golden Age, than Keats in these lovely (if somewhat unequally executed) stanzas : his quick imagina- tion, by a kind of ' natural magic,' more than supplying the scholar- ship which his youth had no opportunity of gaining. INDEX OF WRITERS WITH DATES OF BIRTH AND DEATH Alexander, William (1580-1640). number To Aurora xxix Barbauld, Anna Laetitia (1743-1825) . To Life ccvii Barnefield, Richard (i6th century). The Nightingale xlv Beaumont, Francis (1586-1616). On the Tombs in Westminster Abbey xc Blake, William (1757-1827). Love's Secret o clxxiv Infant joy • clxxx A Cracfle Song » • clxxxi To the Muses c ccvui Burns, Robert (1759-1796). Lament for CuUoden , clxi A Farewell clxviii Ye banks and braes o' bonnie Doon. ..... . clxxvi To a Mouse c . clxxxiv MarvMorison clxxxviu Bonnie Lesley clxxxix O my Luve's like a red, red rose cxc Highland Mary cxci Duncan Gray cxcni Jean cxcvi John Anderson cxcvn Byron, George Gordon Noel (1788-1824). All for Love ccxii There be none of Beauty's daughters ccxiv She walks in beauty, like the night ccxvi When we two parted ccxxxiv Elegy on Thyrza ccxlvi On the Castle of Chillon cchn Youth and Age • cclxvi Elegy cclxxv Campbell, Thomas (1777-1844). Lord Ullin's Daughter ccxxv 367 368 INDEX OF WRITERS CampBELI,, Thomas {continued). number To the Evening Star ccxxxi Earl March look'd on his dying child ccxli Ye Mariners of England ccl Battle of the Baltic cell Hohenlinden » cclix The Beech Tree's Petition ccxcv Ode to Winter ccciv Song to the Evening Star cccx The Soldier's Dream ^ , . . . . . cccxiv The River of Life o . . . . . cccxxxii Campion, Thomas (c. 1567-1620). Basia xxv Advice to a Girl xxvi In Imagine Pertransit Homo . .... . . 1 Sleep, angry beauty, sleep . „ Hi A Renunciation Iv O Crudelis Amor ...» .... lix Sic Transit Ixxvi The man of life upright Ixxix A Hymn in Praise of Neptune ....... . ci Fortunati Nimium ... ... cxiiii Carew, Thomas (1589-1639). The True Beauty cxii Carey, Henry ( 1743). Sally in our Alley clxvii CiBBER, CoUey (1671-1757). The Blind Boy civ Coleridge, Hartley (1796-1849). She is not fair to outward view ccxviii Coleridge, Samuel Taylor (1772-1834). Love (Genevieve) ccxi Kubla Khan cccxvi Youth and Age cccxxix Collins, John (18th century). To-morrow ccvi Collins, William (1720-1756). Ode to Simplicity cliii Ode written in 1746 „ . . . . clx The Passions clxxviii Ode to Evening clxxxvi Cowley, Abraham (1618-1667). A Supplication . . , cxxx On the Death of Mr. William Hervey cxxxvii COWPER, William (1731-1800). Loss of the Royal-George clxv To a Young Lady clxx The Poplar Field clxxxiii The Shrubbery cc The Solitude of Alexander Selkirk ocii INDEX OF WRITERS 369 COWPER, William {continued). number To Mary Unwin . . = cciii To the Same cciv The Castaway ^ . . . ccv Crashaw, Richard (i6i5?-i652). Wishes for the Supposed Mistress . . . , , c . ciii Cunningham, Allan (1784-1842). A wet sheet and a flowing sea , . ccxlix Daniel, Samuel (1562-1619). Care-Charmer Sleep . . . , o = xlvi Dekker, Thomas ( 1638?). The Happy Heart . Ixxv Devereux, Robert (Earl of Essex) (1567-1601). A Wish c Ixxxiii Donne, John (1573-1631). Present in Absence xii Drayton, Michael (1563-1631). Love's Farewell , . . . xlix Drummond, William (1585-1649). Summons to Love „ iv A Lament . . . Ixi To his Lute » Ixiii This Life, which seems so fair ..„,.., . . Ixxvii The Lessons of Nature Ixxx Doth then the world go thus ? , Ixxxi Saint John Baptist . . . . . Ixxxiv Dryden, John (1631-1700). Song for St. Cecilia's Day, 1687 . ,,.... , Ixxxvi Alexander's Feast . . cli Elliott, Jane (i8th century). The Flowers of the Forest (Flodden) ...... clxii Fletcher, John (1576-1625). Melancholy ,00... cxxxii Gay, John (1685-1732). Black-eyed Susan ...00..,,,., . clxvi Goldsmith, Oliver (1728-1774). When lovely woman stoops to folly clxxv Graham, Robert (1735-1797). If doughty deeds my lady please . c . . . clxix Gray, Thomas (1716-1771). Ode on the Pleasure arising from Vicissitude . . clii On a Favourite Cat . . clvi The Bard ... clix The Progress of Poesy clxxvii Ode on the Spring , ... clxxxii 37© INDEX OF WRITERS Gray, Thomas {continued) . number Elegy written in a Country Churchyard clxxxvii Ode on a Distant Prospect of Eton College .... cxcix Hymn to Adversity cci Greene, Robert (is6i?-i592), Sephestia's Song to her Child ... - Ix Habington, William (1605-1645). Nox Nocti Indicat Scientiam .... o ... . cxlviii Herbert, George (1593-1632). The Gifts of God , xcvii Herrick, Robert (1591-1674?). Counsel to Girls cviii To Dianeme cxiii Corinna's Maying . cxviii The Poetry of Dress, I cxix The Poetry of Dress, n cxx To Anthea cxxiv To Blossoms cxxxix To Daffodils cxl Heywood, Thomas ( 1649?). Give my Love good-morrow Ixxiii Hood, Thomas (1798-1845). Past and Present cclxviii The Bridge of Sighs cclxxiv The Death Bed cclxxix JONSON, Ben (1574-1637). The Noble Nature xcvi Hymn to Diana cii To Celia cxvi Keats, John (1795-1821). Ode on the Poets ccix On first looking into Chapman's Homer ..... ccx Happy Insensibility ccxxxv La Belle Dame sans Merci ccxxxvi^ Bright Star! ccxiii The Terror of Death ccxliii The Mermaid Tavern cclxxii Ode to a Nightingale ccxc To one who has been long in city pent ccxcii Ode to Autumn ccciii The Realm of Fancy cccxviii Ode on a Grecian Urn cccxxviii The Human Seasons cccxxxiii Lamb, Mary (1764-1847). in Memoriam „ cclxxxlii INDEX OF WRITERS 37 1 Lamb. Charles (1775-1835). number The Old Familiar Faces cclxiv Hester cclxxvi On an Infant dying as soon as born . , .. . . cclxxxii Lindsay, Anne (1750-1825). Auld Robin Gray , . . . cxcii Lodge, Thomas (1556-1625). Rosaline xix Rosalynd's Madrigal Ixxi Logan, John (1748-1788). The Braes of Yarrow clxiii Lovelace, Richard (1618-1658). To Lucasta, on going to the Wars . „ . . , . . cix To Althea from Prison cxxvii To Lucasta, going beyond the Seas cxxviii Lylye, John (1554-1600). Cupid and Campaspe Ixxii Lyte, Henry Francis (1793-1847). A Lost Love ccxxiv Agnes cclxxx Marlowe, Christopher (1562-1593). The Passionate Shepherd to his Love vii Marvell, Andrew (1620-1678). Horation Ode, upon Cromwell's return from Ireland Ixxxviii The Picture of Little T. C . „ . . cv The Girl describes her Fawn cxli Thoughts in a Garden ........... cxlii Song of the Emigrants in Bermuda cxivi MiCKLE, William Julius (1734-1788). The Sailor's Wife cxciv Milton, John (1608-1674). Ode on the Morning of Christ's Nativity .... Ixxxv On the late Massacre in Piedmont Ixxxvii Lycidas Ixxxix When the Assault was intended to the City .... xciii On his Blindness ...» xciv To Mr. Lawrence xcix To Cyriack Skinner c To the Lady Margaret Ley . . cxi L'Allegro cxliv II Penseroso o cxlv At a Solemn Music cxlvii Moore, Thomas (1780-1852). Echoes ccxxix At the mid hour of night .0 ccxlv Pro Patria Mori cclxi The Journey Onwards cclxv The Light of other Days .... cclxix 372 INDEX OF WRITERS Nairn, Carolina (1766-1845). number The Land o' the Leal ....•• ^ ... . cxcviii Nash, Thomas (1567-1601 ?). Spring . , , i NORRIS, John (1657-1711). Hymn to Darkness ..u. ..••.... cxlix Philips, Ambrose (1671-1749). To Charlotte Pulteney clvii Pope, Alexander (1688-1744). Solitude cliv Prior, Matthew (1662-1721). The merchant, to secure his treasure clxxiii Qua RLES, Francis (1592-1644). A Mystical Ecstasy ...... ^ ^ ... . cxxiii Rogers. Samuel (1762-1855). The Sleeping Beauty clxxi A Wish clxxxv Scott, Walter (1771-1832). The Outlaw ^ ccxiii Jock o' Hazeldean ccxxvii A Serenade . ccxxx Where shall the Lover rest ? ccxxxvi The Rover „ ccxxxvih The Maid of Neidpath ccxl Gathering Song of Donald the Black ccxiviii The Pride of Youth . . . ^ cclxxiii Coronach . cclxxviii Rosabelle cclxxxi Hunting Song cclxxxv Datur Hora Quieti cccxi Sedley, Charles (1639-1701). Child and Maiden , cvi Not, Celia, that I juster am ....... . . cxxvi Shakespeare, William (1564-1616). The Fairy Life, I „ ii The Fairy Life, n. iii Sonnet-Time and Love, I v Sonnet-Time and Love, U vi A Madrigal ^ ix Under the greenwood tree x It was a lover and his lass xi Sonnet — Absence xiv Sonnet — Absence xv Sonnet — A Consolation xvi Sonnet — The Unchangeable xvii Sonnet . . , xviii INDEX OF WRITERS 373 Shakespeare, William {continued). number Sonnet — To his Love xxiii Sonnet — To his Love % . xxiv Love's Perjuries xxvii Sonnet — True Love ■ ... xxxi Carpe Diem xxxv Winter xxxvii Sonnet — That time of year. . . . i xxxviii .Sonnet — Memory xxxix Sonnet — Revolutions xli Sonnet — Farewell! xlii Sonnet — The Life without Passion xliii Frustra — Take, O take those lips away xlviii Sonnet — Blind Love li Blow, blow, thou winter wind Ivi Dirge of Love Ixii Fidele — Fear no more the heat Ixiv A Sea Dirge Ixv Sonnet— Post Mortem Ixvii Sonnet — The Triumph of Death Ixyiii Young Love Ixix Sonnet — Soul and Body Ixxviii Sonnet — The World's Way Ixxxii Shelley, Percy Bysshe (1792-1822). The Indian Serenade ccxy I fear thy kisses, gentle maiden ccxix Love's Philosophy ccxxviii To the Night ccxxxii The Flight of Love ccxxxix One word is too often profaned ccxlvii Stanzas written in Dejection near Naples cclxx To a Skylark cclxxxvii Ozymandias of Egypt ccxciii To a Lady, with a Guitar ccc The Invitation cccvii The Recollection cccviii To the Moon cccxii A Dream of the Unknown cccxv Written among the Euganean Hills c( ^xxi Ode to the West Wind ccl <\\ The Poefs Dream , .... cccxxiv A Dirge cccxxxiv Threnos cccxxxx Music, when soft voices die cccxxxix Shirley, James (1596-1666). The Last Conqueror xci^ Death the Leveller • cxii Sidney, Philip (1554-1586). Via Amoris ••••••••••• xiii A Ditty XMii 374 INDEX OF WRITERS Sidney, Philip (<:t7«//««^^). numbbb Sleep xl The Nightingale xlvii The Moon Iviii Smart, Christopher (1722-1770). The Song of David clxxix SOUTHEY, Robert (1774-1843). After Blenheim cclx The Scholar cclxxi Spenser, Edmund (1553-1598-9). Prothalamion Ixxiv Suckling, John (1608-9-1641). Encouragements to a Lover cxxix Sylvester, Joshua (1563-1618). Love's Omnipresence xxxiv Thomson, James (1700-1748). Rule Britannia clviii For ever, Fortune, wilt thou prove clxxii Vaughan, Henry (1621-1695) . The Retreat xcviii Friends in Paradise cxxxviii A Vision cl Verstegan, Richard (c. 1635). Upon my lap my sovereign sits . cxxxiv Waller, Edmund (1605-1687). Go, lovely Rose cxv On a Girdle cxxii Webster, John ( 1638?). A Land Dirge Ixvi WiLMOT, John (1647-1680). Constancy , cvii Wither, George (1588-1667). The Manly Heart cxxxi Wolfe, Charles (1791-1823). The Burial of Sir John Moore cclxii To Mary cclxxvu WOOTTON, Henry (1568-1639). Character of a Happy Life xcv Elizabeth of Bohemia , ... ex Wordsworth, William (1770-1850). She was a phantom of delight ccxvii She dwelt among the untrodden ways ccxx I travell'd among unknown men ........ ccxxi The Education of Nature ccxxii A slumber did my spirit seal ccxxiii Lucy Gray ccxxvi To a distant Friend. ,. .^t*. ccxxxiii INDEX OF WRITERS 375 Wordsworth, William {continued). number Desideria ccxliv Ode to Duty cclii England and Switzerland, 1802 ccliv On the extinction of the Venetian Republic .... cciv London, 1802 . cclvi London, 1802 cclvii When I have borne in memory cclviii Simon Lee ccixiii A Lesson cclxvn The Affliction of Margaret cclxxxiv To the Skylark cclxxxvi The Green Linnet cclxxxviit To the Cuckoo cclxxxix Upon Westminster Bridge ccxci Composed at Neidpath Castle ccxciv Admonition to a Traveller . . . . , ccxcvi To the Highland Girl of Inversneyde ccxcvii The Reaper ccxcviii The Reverie of poor Susan ccxcix The Daffodils ccci To the Daisy cccii Yarrow Unvisited, 1803 cccv Yarrow Visited, 1814 cccvi By the Sea .• cccix To Sleep cccxiii The Inner Vision cccxvii Written in Early Spring cccxix Ruth, or the Influences of Nature cccxx Nature and the Poet cccxxiii Glen-Almain, the Narrow Glen .,..,... cccxxv The World is too much with us cccxxvi Within King's College Chapel, Cambridge .... cccxxvii The Two April Mornings cccxxx The Fountain cccxxxi The Trossachs o . . cccxxxvi My heart leaps up cccxxxvii Ode on Intimations of Immortality cccxxxvii' iVYAT, Thomas (1503-1542). A Supplication xxviii The Lover's Appeal xliv Anonymous. Omnia Vincit viii Colin XX A Picture «••...••. xxi A Song for Music o xxii In Lacrimas !•••••• .. xxx Love's Insight •••o xxxiii An honest Autolycus •.•••••...•• xxxvi 376 INDEX OF WRITERS Anonymous {continued). .^.V"^^^* The Unfaithful Shepherdess h" Advice to a Lover j^X. A sweet Lullaby j^'i A Dilemma ''F^ The Great Adventurer . _ civ Love in thy youth, fair Maid cxiv Cherry Ripe cxvii My Love in her attire cxxi Love not me for comely grace ^^^^... Forsaken cxxxill Fair Helen • cxxxv The Twa Corbies cxxxv. Willie Drowned in Yarrow clxiv Absence ,,».... c^f-C^ INDEX OF FIRST LINES PAGfi A Chieftain to the Highlands bound . 209 A child's a plaything for an hour 266 A flock of sheep that leisurely pass by 302 A slumber did my spirit seal 208 A sweet disorder in the dress 95 A weary lot is thine, fair maid 222 A wet shee^t and a flowing sea 231 Absence, h'ear thou this protestation J Ah, Chloris! could I now but sit S8 Ah, County Guy, the hour is nigh 21; All in the Downs the fleet was moor'd i^^ All thoughts, all passions, all delights I97 And are ye sure the news is true I79 And is this — Yarrow? — This the Stream 294 And thou art dead, as young and fair 227 And wilt thou leave me thus 26 Ariel to Miranda:— Take 285 Art thou pale for weariness 3^2 Art thou poor, yet hast thou golden slumbers 50 As it fell upon a day 27 As I was walking all alane 107 As slow our ship her foamy track 247 At the comer of Wood Street, when daylight appears ... 284 At the mid hour of night, when stars are weeping, I fly . . . 227 Avenge, O Lord ! Thy slaughtered saints, whose bones ... 04 Awake, Aeolian lyre, awak* iS^ Awake, awake, my Lyre . « . c . loi Bards of Passion and of Mirth ... . - ^95 Beauty sat bathing by a spring , . . . 13 Behold her, single in the field .....■■»' 5>.8? Being your slave, what should I do but tend . w . •. . I Beneath these fruit-tree boughs that shed .....*. 273 Best and brightest, come away 29