Digitized by the Internet Archive in 2008 with funding from Microsoft Corporation http://www.archive.org/details/folkdancemusiccoOOburcrich / FOLK-DANCE MUSIC A COLLECTION OF SEVENTY-SIX CHARACTERISTIC DANCES OF THE PEOPLE OF VARIOUS NATIONS ADAPTED FOR USE IN SCHOOLS AND PLAYGROUNDS FOR PHYSICAL EDUCATION AND PLAY SELECTED AND COMPILED BY ELIZABETH BURCHENAL Inspector of Athletics of the Girls' Branch of the Public Schools Athletic League, New York City AND C. WARD CRAMPTON Assistant Director of Physical Training: Board of Education, New York City Paper, $1 .00 net Cloth, $2.00 net NEW YORK: G. SCHIRMER BOSTON : BOSTON MUSIC CO. Copyright, 1 908, by G. Schirmer w GV |7*3 • • •• * • PREFACE T^OLK-DANCE music has hitherto been scattered and difficult of access. It is the purpose of this volume to bring together the available material. It is primarily intended to provide music for the dances that are now being taught to the teachers and scholars of the New York City public schools, and only such music has been selected as has survived the test of actual use. Folk-dances have been an integral part of the play and education of every nation and time save our own. They contain so much that is basal to race development, funda- mental rhythms and melodies, imitations and descriptions of daily life, etc., that it is essentially fitting and proper that they be expected to subserve a large class of functions in our advancing educational endeavor. They are, in short, a universal physical language which is understood and loved by the polyglot soul of our heterogeneous city population. For physical training purposes they supply large quantities of rhythmical and joyful phylonic movement, and form a natural means of development of the play spirit which is too often forced into dreary singing games. Their circulatory stimulation is so marked and the movements used are so much more directly utilitarian and cultural than the stilted forms of the so-called educational movements, that they are especially valuable as hygienic and educational gymnastics. They develop grace by giving significance to many natural move- ments, and prevent bad posture by the proper functioning of bodily parts instead of by the mechanical strain of our usual corrective exercises. For actual correlation with other school work, folk-dances illuminate history and geography with an immediate interest, while occupations become live and real when enacted in such play-dances as the Danish Shoemakers' and Swedish Weaving Dances. For the play- ground, and as a substitute for some of the athletic events which are not desirable for girls, nothing more enjoyable or better fitted to the purpose has been found. The fact that it has been possible for large numbers to take part in these dances in a comparatively small space, has made them particularly useful and appropriate. This work is not only for the girls, for several vigorous dances, such as the Hailing and the Ox Dance, are particularly adapted for boys and young men, while the Irish Lilt, Horn- pipe, Highland Fling, and many others, are suitable for both sexes. These dances have been taken mainly from several Norwegian, Swedish, and Danish collections. Some are old Anglo-Saxon dance-melodies, others are interpretations of characteristic national forms, and others are folk-songs with which a folk-dance has been gradually associated. Acknowledgment is made to the many who have helped in forming this collection, especially to Emma Howells Burchenal, who has arranged several of these melodies in dance form ; to Ellen Hope Wilson, and the physical training and class teachers of New York City, to whose earnest and efficient work the great success of folk-dancing in the public schools is due. Elizabeth Burchenal. C. Ward Crampton. 305221 INDEX Page Pag* Ace or Diamonds 10 Jig (Irish) 33 •^leking 48 Kinderpolka 20 Bohemian 2 -Klappdans 4« Komarno 3 Cerdetschni 28 Kull-Dansen 53 Chimes of Dunkirk (The) 3' Chorus Jig M >/ Lilt (Irish) 22 Comarinskaia 26 Little Hamburger (The) 7 Cornish Maypole Dance 14 Little Jutlander (The) 4 Cossack 27 Little Man in a Fix (The) 13 Country Dance (English) 16 Lott' ist todt 47 Country Dance (Sir Roger de C.) 15 May Dance 15 Country Dance No. I (German) 20 Maypole Dance (Cornish) Mountain March (Norwegian) M Country Dance No. 2 (German) 21 »5 Crested Hen (The) 11 Csardas 22 Nigarepolskan 5a Norwegian 35 Daldans 44 Norwegian Mountain March as Dance of Greeting (Danish) Danish 4 4 30 Ostgotapolska 43 Danse de Strasbourg O Strassburg Oxdansp n 21 50 Duke of Marlborough 6 V*UHU9bU Perushka 27 Ecossaise 30 Polkett No. 1 37 English 13 Polkett No. 2 38 English Harvesters' Dance 13 Polonaise 6 Feder Mikkel 8 Quadrille (Gotlands) 34 Finnish 17 Quadrille (Swedish) 32 Finnish Harvest Dance 17 Reel (Danish) 5 Finnish Reel 17 Reel (Finnish) 17 Fisher's Hornpipe 16 Rheinlander 39 Fjallnaspolska 43 Russian 26 Fling No. 1 (Highland) 29 St. Patrick's Day. 23 Fling No. 2 (Highland) Forward Four Dance (The) French French Vineyard Dance 30 Schottische (Highland) 31 9 12 19 19 Schottische (Rheinlander) Schottische (Swedish) Scotch Shean Trews 39 Si *9 29 German 20 Shoemakers' Dance 10 German Hopping Dance 21 Sir Roger de Coverley »S Got lands-Quadrille 34 7 Skralat 45 Great Hamburger (The) Snurrbocken 54 Gustafs Skal v - 46 Str^sak 2 Swedish 3* Hallingen 49 Swedish Quadrille 32 Harvest Dance (Finnish) *7 Swedish Schottische Si Harvesters' Dance (English) 13 » I ^J -^JJ f -y-v D.C.al Fine. gag r . ^ * S ^ 4. Reel Pn * 5 P a c _ c £ mp s Fine. g I 11 ft i * < ^E i #-^ p p a i ^gp p ^ — 1 i — S I 1= £ fcfe 0^0 fr r rr E £ Z* C.alFine pfefe ■=- — in — £ i :^3 20192 6 5. Duke of Marlborough nn itiiiifpspp I fi "T ffL ! 3. I *« I ^=3 r^TT gsg: tip g^ B=a 6.Polonaise g s^ f as «=« * — * a =11: as 3i=fp ft- Ebdp SJ »-*■ £=^3 f£*, £ I =£■ II eq« 3 ii=ii i ^a ^j ^^ w 20192 1 7. The Great Hamburger #piP J IP $ m f rr r r * rn w $ r r m * a J13 1 I f £ i73r^ l* 1 r if M fe : £ *e I * f#3 ^ ^^ p ^ r r s^v £ i &£ p £SP^ E ^ 8. The Little Hamburger &*i OT ^5 P ^# ^ m m j • S^ ♦ * ♦ # ^ * a g^ ^ si £ t ^^ 3=E ^ r^ ss * p § i^# ^ S l frjSf ipip # • T B E aoia-; 8 9. Feder Mikkel * H§ mm m a ^ F ^y » 3^ S £ teJe Si dfe n m m % i i ' 9 sjhi; fe S e 'fito • « ■ "P P 1* ' ,n 1 ~m ■— ■ _• # » L^_ |-^5 — ffc±=j -• — • » 1 — •> — «i — ■ ■ ■ i p p p -» -9 9 m P P p p p HH j. r -1 >* y — t-9 -P 9— -■ p p — t — -* J d ; f— *— i » P * * 1 m 3 I I 2=i 5« £ S b4 zzzi m I It I I . Eg f=3 i r 10. To Ting =33 «za ==§ £^ S=* SB «-i^- # # W Ud; fe^ z: z: 5 H*i ^ 20193 ^ s r r -#■ ft 1== m 11. The Triangle 9 <=} m B pirn ^=m ^•4 ta ^^ ^^ r gi Fine. 4= * ^ ^4-^ ^Sife ±E± S ij^£ *— * r=T r f r— r r p* P ■i PET P ^ D.C.alFtne. fcfc 12. Forward B p J £ ^^ £ gg g t ^ ^ I 1 51h!=P= ? t t 80192 10 13. Shoemakers' Dance i* ^ f p £ »S CJ L^ g r rr>r m ■ — r @ i * s i e^^e P £ s f 4 r r - 14. The Ace of Diamonds ^^ ^ *=*=* « # 'L- § a 1 | I xLi _ — m — _ m J— \ \ \I=\\ v- =f= =^fo *= — % — m |^ 1 '■^T 1 1 ■ J — < - i t I ' J 1 F ■ ^ mU J— 1— • -p— p^ 1 r — 1 • -p t-A t — I P f k -^ > • ■ ■ J P 7 ■ 7 * 1 EE * i Mr 3 39 E * E-/ 5 j 1 m szfc . fl r r ' r • m f m If rT r ■" ■ ■"■ ■ •<■"■ ■ -•—i-i IT^ — L l-Uh • 1 — i — j— f4r- 4=f= » J I . - t =f^ 20192 ■ I] ' -» J ■ , .. r • 15. Hornpipe 11 t r i § WS •> m ^J i=i t s £ifi= m ^^ * g Si ^P P ££ ^ ur u *F ££ P j f ss ^ ^ £ P 16. The Crested Hen * as -m — m- ^ X i £ i ^s =*3 * P * ^ IS ^ ^ EC P ^ J \ 1 £ i eoi98 12 17. The Little Man in a Fix ,^^^S f^^^ *— % ^^ . * * PS 1 g=^=£ HlnHi ^^^ )^mmm 18. The Four Dance D.C.al Fine 20192 4. May Dance 15 fa m m i^ m * I bb £!L I B ^ 51 ^ ^ ^ £ I * Ct m ^ ^ =g s * cs f g t-g- M r\ 9 C\ m m ^ *= Allegro. 5. English Country Dance "Sir Roger de Coverley" Traditional *£p ^ ^ m s n y-^ S w E l » iK h»K"^ — F — h J J J — r**ii-l-r»frprfi» — i ■ — Jb~s « "^*" -nri. f £ II— ■ ■ 1 /• ♦' m «f ^ *• ■ *r * II* *r *r "r m m> m w m * •■ J >*Tr«7» 7 » 7 • B. 7 7 7 .1 4 1 1 B_^| 1 1 1 • 7 J* 7 " 7 • i t £=i ^^ *-* p SK! % ± ±=t ±1 ' J i'^nrrj s^^^^ : » > J) J J J JT - y p » =« 7 : JI0193 16 6. Country Dance pi g^ S @ s pp 1 ■eg m- m Wi B r^i f u i • — • y^y si W mm m i ^ i §g£ ^^ p *>% r : j fi_t s *i* Hi s fa 7. Fisher's Hornpipe f-/ » f* 3 ■ ■ « p p « ] ■ ^— — 1 1 p f y-r— f-f [*£-t V ±*— i r r p r=i y y f f " a ■ a 1 y y f f ansa f f r r z — — i i • * * F 1 • i ^ fe mm 3 P ^ P li l t ppp f • ■ p * *=i lllr 0~H r .=F=ri — ^ P 1 m J '■ " p r r p si n 1 1 r r .j Vm * m m ... )• 1 • • • • % % II * ■ j -J-f-V\ 1 I 1 20192 h * j Finnish 17 iim • r r f=p= l.Reel i r r^ i — r — r — r — f^ 1 p rJ-T^i eLlJ 3 * J f f f tP^f — § #>-#> m p. £ S m ti** *** * -► , t i lii, F F g s r—0 0—0 ■ • f f r i f "T" — ♦> — » — i ■ ■ I f F i f r l — P — P — P 1 H^ — fc - t , r fff V^-t — - — i ^ — \U f P r g qrf : : : "-t-I S r «| J -^-9 — =^ LLJ-J P " 1 C-J ^ p J 2. Harvest Dance f^m t m^ EI »• m m ' m-i 1 — I J"]J"3j'-j ra i . Ill p^ ^=f=> J P ffl ^g^ s f i^ P ^ ^ t tt « « £ y t t *=ifc $3 20192 18 m si ^ 5 ^ ^ p ^@= ^ ¥ *=t j p I i fri" ^ P a^i ■ i :■ — ■: £t 1. *■ « ^ 3 i I I - ■ ■: * :J nJT3 | ip S ^^ P a !fe s*nl -=!* I ^! i# £ m rr ^ ir«r ¥ mm U J - J s.z m r. m t t=* j p p * i a n m m m n i a i PP ^^ J — !n £^p^ 3P 20192 3. Country Dance II „0 Strassburg*" I A \ m A A 21 Arr. by E. H. Burchenal J J u ^ ■ ■ *=2 S W¥^ m m E^ % a e p^p # @ 3 ^ I £e^e tj LjN s a V to EE^S £ t & in g#=ii§ £eM r r r j 4 j^ wm 4 A ^ t^-t S £ 4. German Hopping Dance il fe ^^ » "2 a- A ^S ^^ * * F=^ ^ *=t 7 U CJ I * * J> 2 e^ Se3 Mi m & j$ j y * * p s ±= £ * 2 jL£J ft ^B » A ^^S &e± 3 * * ^^ * * S 6 * 20192 32 Andantino w £3 Hungarian Csardas i ! te CJ C^ w IP §© s lisa cresc. E& *m m J 2 Jii< t— ? t -p ^LO^Lfl E a§ cresc. P * *£— £ l=* ^ Irish l.Lilt:"The Irish Washerwoman & m m ggj ifi ^^ I : I £^E ^III^P^^ I : I £ =^ & p? s *=? ^ s^i I : I ff Nil ^ 9 It f it lnx-ouW- s^^ 1=5= l=¥ ¥**?" ^^ ^ ^ ±= 2- 20192 23 Hissi SI I r E* S r 1 J a ^ E fefe Nft e £?^-^ f==Ff cresc. r s r " t ■ . mj I r=^ ^P nnj /g r Ff / & pfeig, 1 h lf m ,^ mJ ^ i m ^a 20192 24 Italian Tarantella Meridionale inH s Arr. by E. H. Burchenal £ * . m ^ ^m fflp p ^F^r ^1 Ib^ I s^t i^s .53 i 1 1. * * rr p 1 £ ^tf#p ^§^f ^^ ei f*y=g=^fr ill; ^ P ^ ^^^F E=i^ 1=3= »=3 ^^^ ^ S=£ ^=5= ^P g? ill ti t J i 5 j "/ P ^ ^==*=s f» Pii * £=ftf4 £g r )^ l £ V^f wm ^$kfz£ m W - m ~t m % 1> V t — r ^=t i #f£* H£=! S ■ #— # g P^P ^ P PS j^==f »==t 'l irpr^r itrr frf &m ^ §pp p^ p s =* p if =^t* :r=a=i==t P eS 20192 t Norwegian Mountain March 25 pa mm p m m m 4—^ P i *=*= i * e p i ^ *=* p « * P P I i rf *■ c d J y h r p s s m m i=i^ p §^§ d tf « r r r i P • - 5^1 S P *=* P 3^^ 20192 a<5 ^m %m m E^SeS Russian 1. Comarinskaia m ^^0 m^n Arr. by E. H. Burchenal S m m^ mmm %i=mm mm zm • — # Sfe m m^ # — m- m ^m=g m =S^ W- * * i ^rr^—n pip g^£§ m m^m $^m fe=§ m %E Wm mm 3030 m m^ mm g^m s# m i « i w££ S^ 20198 ■ > w& ■ p £^£3 =9^ .t ^ » # 27 2. Cossack yl^^rrrfr p » • if lH ^ M A — # <•— —m — f — m — * *" v \ ^— — •J — « — • — • — ■* — LJ.-L-y-J -^— ? — 4— « — •— « — w ¥ i J~ J J jjJ J j. J b|J ' — • 0— — g — «— •— *5 ^^ A A ^ » — f» ^S g^S ^ g ^ feS BM m^ W~0 i S3 m H m U Uj »" u* r » feS QM &M i — i jKZZ # # E£ Allegretto 3. Perushka I #■ — » I »>« l l¥ if g_J S P ferns s £=J tfi ? Pip ; %>. « few s Is ife f f 80192 #' i m & m s £=* =* f / S ii § *■= * ££ S «&. * e 5* fct iifci si I i i Vivace 4. Cerdetschni q8 5 % s » ic y # i; ^ ^ / ir ftt it £ lit B cJ CJ l ; & ^ ; jj rrrf i «» s CJ IfcJ i cJ' S s ft* «£U ^r>- jr>- H^ ^E^ / ^M< it* I Fi " i t*r £r ,ii i &r it , §£r ■**-^=? r-; «4M £ ^ ^^ s ^^ ^ is tf'jQ it P tf' 3*i 3i* ' It* ^? 5 lii 20192 * Scotch She an Trews 1. "Whistle o'er the lave o't" ■ J"! fe 39 £=^5 S / yinr - * i ^ ^ * a ■" j r g f f f f Wi* 4=^ J" J- I 1 J | s S ^^ PP^ iis Allegretto 2. Highland Fling I A Arr. by E. H. Burehenal A #-£■ s i i M£ ^ f^ f ^^ i s i fc ¥ #1 •* * — f~T' ' 1 P 0—r m * _ -#-*—-—■ 1 >• -■J — m ' -,^-t «* — mf4 M— - ■ • 4f * _ r _ — _. A ff 1 ' > >- * ' — _■ 1= 20192 9 » 1 1 » -» = 1 \-m— ^ -J l j r -=aE 30 3. Highland Fling II * m i m ^m ? *^m 1 S I v I I I I ; p 1 1 tt I* 4. Danse de Strasbourg (Ecossaise) &¥& Pff f f g te^# * # / '/^iS v £** — » te EI « EE i* • g ■ s a s rV 5 Fine S^ • — » P l=f=^ iz4: i 4 1 I s n 1^ s ggjij f • — — • -i— rgj i 20192 D. C. al Fine poi Trio pi Trio - 31 S S t t m 5 v Eg v i * ^ M£=3e « « « « « ^3 i ^ />. « *> H i " r I M m 5. Highland Schottische "Weel may the keel row" i s^^ wm & ffpp # p^ l B * St^£ 9 ^^ i=i 3 3 '' * " i "» — » — ? • — z: W CJ 8 g ij-v^ir c ri ^ ^^ 3 _• *_ m m. -€ •- ■ ' ■' -» »- ■» »- * w ~: w i ^j j.3j n fj% j jj i ^^ ? g a * "■ * V 4- 6. The Chimes of Dunkirk to ^ ib M-m-M ¥+ m M~^M -0 # ; Si ^ PP # — # £ i £ £ 20192 Swedish 1. Quadrille I^P L r mm i ~9 f rs; gz * ^m *=* j=t ^ * m m m * 4 :s; rs: =9Ht=S 1=1 ri 4=t P^ ^^ ! BSSSSB -, it" ^ ^ s 4 y=t tJ—u & VP* Li 3=f=t m I ^ 1 JT rs: fH : *=t 4=4 ^ m r =S f P# i^i * 20192 33 Pm m m S m^ f f t r 7^ j« h. £ j i I ■ A- +. * » 1=4 f £ / s f g f izzn *£ * # Lf urn l. / ^ tl!« ■ = fft ^ 2. iH gs£ m mf r J: H f= X P £# ^ 7 r bJ r fti ■A ^ 20192 34 2. Gotlands- Quadrille * * f P g g » i ^# i ^s * 77 J 1 ac % i <2_L 2. m * f • — m * 1 1 1 F f f ■ ■ ^ 3 5¥h!! ff=6- i lb * 1333? 1=1=1 # PR i m — —0- rr m p* /%►♦ r* tt £ m £ £ £ £ — ^jj?jQ * m £ 13133 1=1=1 m f rr 1 1 * rr 3nr» m —^ * * E£ S * J5 # — # # i i a i a 1 fe 3; f§ P r» 4 » 4 *& ^» £ M o — * 1 1 ^ * — i * IZ_ (7\ ^i e §= * -«= si El 4: « ^ * * « — • — # T* wet g * Vi/ I * «3?=!r a d c J=^ -o- "» 0- $ t * £ i *=# id: -o- 1 f^f* TT W £ 3ZSI -»- • — • t /TS $ 1 ^5~T P^ JEEfc * * 20192 35 mp -^- * j r i i W ^F£ H; ex j r j n fe^ P # j. j 3 * f I* ^f 3 ! 3S .A > -P * £ r~p *e ra 12 L-S" 6 n m F ff fc i 1 1 1 1 i e ? j=j ff T ^ ^ s= £ .A /W *j- ip ¥ im t n g * * Hiife S3 ^^ £*£ P J=J=J= w — ~= — V ~m — w f f r *>> s e » — y ^ fi * ± w « s it .. . i n ¥ 5ht ^ 5 5 =±i f=f c^ • — * p=F ^ £p F r r *y * -n'-J * -< % i lit* J J! > := — • — •- ^^ 5 - a h — • —m — . »» n l f-^ — 9 ' s « jii j a P f =H ts • * 0m — • • • - * — > > piU MO. ■0- - ■ ■J i ■_. V S n — _£ — 1 1 4 1 :=► ; *- m — «& — j r i ^ i * SI p £ s :*==£ IP ?=£ s ^=fe £ii s . * £ * ^r 3: -s s- 2019a 36 * 3. Vapperstavals i fe^ i S i ^ # ^ m -i— i -i- U k^i i=l=J: i=J: £ ? -# 0- ¥ f* r r l * £ IS * €E ^ £ S i 4 4 =*=j= I i_j i i__± *. ^ ^ ^ r * * ^ i ^5^2 IT ir - ?: S * * f S M=i i i i 4=3^=3; * -• — •»- « — *- £ P f r 4. Vingakersdans ttH fes ? s E£ ^ ^Ef* £ :►=► f :»=*: I* _E I P 1 jJ§gJ *= ? pg£ ^^ ftm »=»: £ £ £ *=r s #^ipp & E^ ^ * f ?E# =*=£ E^^ 20192 37 IhT Pf I 5 ■■t=t ? i ^ ^ ip :r=t 1_ ^ *=* s ^ * & I: ^1 £ ^ £ -# •- f : ftr P 4=£ #« te ^ <■* Hi- P r=f= -» — #- *=f= £ t=t 3 # :ce pf * :»=t its: Pf 5. Polkett I P P J > ■ ^ 7 P P £3 >J y - : J - J > J ^ — S~S f— 1 -J — J— J — s |-f— Tffe f f 1 f~ 1 ^±^ cJ" r u C^ r ■ — a 1 &J ilia 20198 f t m W si e= *=* jffi^ U f 38 6. Polkett H * TE ^55 — wr mf sm m m m £=« ^ P^S^ u uj ##j^i 3E »=» m m M j » U L-i * *=?=3 S f=f a * a p / ^ -* -* j? ^ — i t^ ts ^ mm ^ / ^ § ^ i^^ ^ f « l> : / 20192 7. Rheinlander (Schottische) 39 i N9 1 fcs wm — # m m f t >:H B 3 ^ S^ i=p ^ S3 £&^ g = =P / ^ b rJ i p ^ * E M^j -f ^^ » i B « /// i-u £i £=, i t ): " 2=1 ^a ? i r^ b i ? r » » e pp Uu 4 e ■ = i i £ Fine kmi 20192 40 #1 F~0 ^ == ? a -^- irw r73i ■ ■ ■ m »- ■ i r & r r~r — i • •< J J J J Ssgd * * ■ ■ « ,, — 1— * ■ ■ p jf tyj 4*—- — . — ■ — -/ . ■ 7 LftJ— f L^-C 1 i s s i • — — • «¥= * % ^e H ^V?^ /?. £ «/ /Yrc- P P 1 1 j [ J^ *^ : 1 P B§ A* *=* #~ — # *« "* * •"TT ag I tt? * 1 m * f j.f.- f i e E l , Elim* Efffrf 3= f^? < s 1=1 zfe 3— t mm i t§ <#• S sj £ ^=pt ^^ 4 p i ^=t r>- — * A * JOTJifJ ^ -TO rr * 00 0-0-0 f §^ * * £ * * rf§ * m. w — ■ : & £ £ *M> 1 F^F MJLM-m ^ ^ » • ^ 1 i i •> y j K i-ja *=* Ui Ud m ^ ^ f ¥ S0192 46 14. Gustafs Skal (Gu stave's Toast) i £ i=* £=£ p fca t *-# p p p ff i t n~~ i it 3 i LtfLL f F* lutj/ 3 #^ IN 1 * * m^ i tf £ ■ ■ ^P >" ■d « & m m. m ■ , ■ efcel r f f 15. Klappdans t a i=fc ii=g m *=* /^^ (L^yic^ *— *- ^ § t=t : EJS:EEE s 4=t -« M /: ^P #«& & -0 0- M. M M. m iil »?, ^ _* «_ =C^!r 1 , * m pi 20193 16.Tantoli 47 * s^S as P¥ * i i | J?^l™fl B 5 r Ti * '» m^m +=*z m ^^ 19.Vafva vadmal Weaving Dance pa S 1 1 y ;, n r pn ■ • ^ ■• P ■ • s i n J a i-^j —0 — 0' f ## b yi 1 1 j F f ■ « ■ — -1 1- % ■ ■ r f 6 r g -t-M- :?*— «;* 7 • 1 ■ ■ p w 1 * J E -. - -. as i Si i s ^ £ -1 gEtf P £l Fine P fi J E ■4* i^ 5 ■ < m£ i t i EC i * s D.C.al Fine. ao-i»» 49 20.Hallingen i p f E * I I i® r i # F ^E p \ a ■ : tf 3 3 ,i ;z I 5 a • '* • c p f f f B UJ ;z: 8 p^ I & m zoiaa 50 21.0xdansen Pi JT ^^ ^§ i f e i a — a: « — • * t M f i f #* A f a. S 5 ss=iE ■ ■ 9 $ k -#- fe£ ■ — r 5 5JPP S m u u * f fffr r $ ~^u m % U 7 tf m m • • 7 ^ ^ 20192 W^^P^^ 51 £ V , i ' 8 > 22. Swedish Schottische a *==* * — * ms f m .0 ' — * mF m m% er=B ^ E=B i fe^e £ ^g 0=R g^ §g^ PS a ?=& m Fine m ¥■ m\ ^ *=E S^S CJ CJ ' ^ /?. C «/ Finepoi Trio ffift Tn 1 ■ gp^ F i" (■ B E 1 f'lipf p *»» 1 — » — • 7 • •< r rrr r r p — s — t- r rrr r — — 1 — s~ — i — §- r rrr[j j^ — ^_ i ^ . Tf 9 ■-■ ■ [ J a C-T I ci lJ c-J cJ #^^ &qJ^ ^ gp rrrr r P ^ e^S ss^gf gN^ cr-p a I is mrcJ 5^=f Sg 5 s s •y »^~* rr g^3 § CJ Li 1 ^^ a 20192 52 23. Kull-Dansen Lassie AllegTO kji lira ^ i St 3F3^ fe2g f rTr p^ff S* #-< — -# T * » * f 1^3 fc-^3- i ? r j s s • — ■*—=-» — ■■" • — ™- ^ rTr r i 6 g ^ S # » I £ f 9 WZZZZZW. 24. Nigarepolskan (The Water-Sprite) ^m & ^ ~^i b m l» I2Z S r r i g 1 1 i I P 5 £ I £ s 20192 53 25. Hopp, Mor Annika •» . •*.• »* • i • » Introduction r=2 ■ * « — 0- sm f=f=fc ■r=« *=* f-f-f Iff !>, j— n £^3=\ ^^*^*^^^wt i — c — = — = = Hi"^"-^ y-i=i==i- — * L - 4 • J — 9 9 • — ■ — • _ m -■ — 4 — i-J-i — r f f f L ^L^ LJ ^ 1 1 1 b-J ' rrr tt. m 0j0 m •=t=i t-f-i * * * ^^ i s r=i 9 3 ^=£3 ^§3 ^^ i s s £ mm. 5 * pa 9 ¥^ i * 4 f=f ^^ ^^ 20192 54 26. Snurrbocken m m mm mf ^^m * — * i — f- m F^^ m % i m t Hmm &m Mm m^. ZZ- f %& m m m I -*■ % t: t ^^ mzm ^^ 5 [5 **9 ' *W ritard. -m •- *zjt m ^^ m 20192 Gilbert Dances By MELVIN BALLOU GILBERT Edited by Susan Hoffman Gilman In Two Volumes Price, each volume, paper, net 31.50; cloth, net 32.50 |]HE Gilbert Dances, which have been issued in this present edition as a fitting memorial to Mr. Gilbert, will be welcomed by all teachers of physical education and by all students of the dance, and especially by those who have enjoyed the ad- vantage of study with Mr. Gilbert at the Harvard Summer School of Physical Education and at his own school in Boston. f Mr. Gilbert created a new form for an old art, through pure individual genius and the force of his own convictions developing a system which, demanding lightness and rapidity of muscular movement, has become an effective, attractive and popular method of physical training. He was one of the few Americans to contribute anything new in the realm of dancing; and his ideas have found general favor, and the popularity of his method is unquestioned. Dancing is now recognized in every course of physical education.