r^ ISAAC FOOT LIBRARY CHARACTERISTICS: IN THE MANNER OF ROCHEFOUCAULT'S MAXIMS. By WILLIAM HAZLITT. SECOND EDITION. WITH INTRODUCTORY REMARKS BY THE EDITOR OF THE "MONTHLY REPOSITORY. LONDON: J. TEMPLEMAN, 248 REGENT STREET AND SOLD ALSO BY J. MILLER, 404 OXFORD STREET. 1837. LONDON: PRINTED BYC. ANDW. RKV.NELL, LITTLE PULTENEY STREET. ijiun/\« A P/? UNIVERSITY OF CALTFORMA U~/'7i;s. self-love. They make the exception the rule. It would be easy to reverse the argument, and CHARACTERISTICS. 45 prove that our most selfish actions are disinte- rested. There is honour among thieves. Rob- bers, murderers, &c. do not commit those ac- tions, from a pleasure in pure villainy or for their own benefit only, but from a mistaken re- gard to the welfare or good opinion of those with whom they are immediately connected. cvi. It is ridiculous to say, that compassion, friend- ship, &c. are at bottom only selfishness in dis- guise, because it is we who feel pleasure or pain in the good or evil of others ; for the meaning of self-love is not that it is I who love, but that I love myself. The motive is no more selfish because it is I who feel it, than the action is selfish, because it is I who perform it. To prove a man selfish, it is not surely enough to say, that it is he who feels (this is a mere quibble) but to shew that he does not feel for another ; that is, that the idea of the suffering or welfare of others does not excite any feeling whatever of pleasure or pain in his mind, except from some reference to or reflection on himself. Self-love or the love of self means, that I have an immediate interest m the contemplation of. 46 CHARACTERISTICS. my own good, and that this is a motive to ac- tion; and benesTolence or the love of others means in hke manner, that I have an immediate interest in the idea of the good or evil that may befal them, and a disposition to assist them, in consequence. Self-love, in a word, is sympathy with myself, that is, it is I who feel it, and I who am the object of it: in benevolence or compassion, it is I who still feel sympathy, but another (not myself) is the object of it. If I feel sympathy with others at all, it must be dis- interested. The pleasure it may give me is the consequence, not the cause, of my feeling it. To insist tliat sympathy is self-love because we can- not feel for others, without being ourselves af- fected pleasurably or painfully, is to make non- sense of the question ; for it is to insist that in order to feel for others properly and truly, we must in the first place feel nothing. Cest une mulwaise plaisanterie. That the feeling exists in the individual must be granted, and never ad- mitted of a question : the only question is, how that feeling is caused, and what is its object — and it is to express the two opinions that may be en- tertained on this subject, that the terms, self- love and benevolence, have been appropriated. CHARACTERISTICS. 47 Any other interpretation of them is an evident abuse of language, and a subterfuge in argu- ment, which, driven from the fair field of fact and observation, takes shelter in verbal sophis- try. CVII. Humility and pride are not easily distinguished from each other. A proud man, who fortifies him- self in his own good opinion, may be supposed not to put forward his pretensions through shy- ness or deference to others : a modest man, who is really reserved and afraid of committing himself, is thought distant and haughty : and the vainest coxcomb who makes a display of himself and his most plausible qualifications, often does so to hide his deficiencies and to prop up his tot- tering opinion of himself by the applause of others. Vanity does not refer to the opinion a man entertains of himself, but to that which he wishes others to entertain of him. Pride is in- different to the approbation of others ; as mo- desty shrinks from it, either through bashful- ness, or from an unwillingness to take any undue advantage of it. I have known several very forward, loquacious, and even overbearing per- sons, whose confidential communications were oppressive from the sense they entertained of 48 CHARACTERISTICS. their own demerits. In company they taUcetl on in mere bravado, and for fear of betraying their weak side, as children make a noise in the dark. CVIII. True modesty and true pride are much the same thing. Both consist in setting a just value on ourselves — neither more nor less. It is a want of proper spirit to fancy ourselves inferior to others in those things in which we really ex- cel them. It is conceit and want of common sense to arrogate a superiority over others, without the most well-founded pretensions. cix. A man may be justly accused of vanity and presumption, who either thinks he possesses qualifications which he has not, or greatly over- rates those which he has. An egotist does not think well of himself because he possesses cer- tain qualities, but fancies he possesses a number of excellences, because he thinks well of himself through mere idle self-complacency. True mo- deration is the bounding our self-esteem within the extent of our acquirements. CHARACTERISTICS. 49 ex. Conceit is the most contemptible and one of the most odious quahties in the world. It is vanity driven from all other shifts, and forced to appeal to itself for admiration. An author, whose play has been damned over-night, feels a paroxysm of conceit the next morning. Conceit may be defined a restless, overweening, petty, obtrusive, mechanical delight in our own quali- fications, without any reference to their real value, or to the approbation of others, merely because they are ours, and for no other reason whatever. It is the extreme of selfishness and folly. CXI. Confidence or courage is conscious ability — the sense of power. No man is ever afraid of attempting what he knows he can do better than any one else. Charles Fox felt no diffi- dence in addressing the House of Commons: he was reserved and silent in company, and had no opinion of his talent for writing ; that is, he knew his powers and their limits. The torrent of his eloquence rushed upon him from his knowledge of the subject and his interest in it, unchecked and unbidden, without his once F 50 CHARACTERISTICS. thinking of himself or his hearers. As a man is strong, so is he bold. The thing is, that wherever we feel at home, there we are at our ease. The late Sir John Moore once had to review the troops at Plymouth before the King ; and while he v/as on the ground and had to converse with the different persons of the court, with the ladies, and with Mr. Pitt whom he thought a great man, he found himself a good deal embarrassed ; but the instant he mounted his horse and the troops were put in motion, he felt quite relieved, and had leisure to observe what an awkward figure Mr. Pitt made on horse- back. CXII. The truly proud man knows neither superiors nor inferiors. The first he does not admit of: the last he does not concern himself about. People who are insolent to those beneath them crouch to those above them. Both shew equal meanness of spirit and want of conscious dignity. CXIII. No elevation or success raises the humble man in his own opinion. To the proud the slightest repulse or disappointment is the last CHARACTERISTICS. 51 indignity. The vain man makes a merit of mis- fortune, and triumphs in his disgrace. cxiv. We reserve our gratitude for the manner of conferring benefits ; and we revolt against this, except when it seems to say we owe no obliga- tion at all, and thus cancels the debt of grati- tude as soon as it is incurred. cxv. "We do not hate those who injure us, if they do not at the same time woimd our self-love. We can forgive any one sooner than those who Iow,er us in our own opinion. It is no wonder, therefore, that we as often dislike others for their virtues as their vices. We naturally hate whatever makes us despise ourselves. cxvi. When you find out a man's ruhng passion, beware of crossing him in it. CXVII. We sometimes hate those who differ from us in opinion worse than we should for an attempt 52 CHARACTERISTICS. to injure us in the most serious point. A fa- vourite theory is a possession for life ; and we resent any attack upon it proportionably. CXVIII. Men will die for an opinion as soon as for any thing else. Whatever excites the spirit of contradiction, is capable of producing the last effects of heroism, which is only the highest pitch of obstinacy in a good or a bad cause, in wisdom or folly. CXIX. We are ready to sacrifice life, not only for our own opinion, but in deference to that of others. Conscience, or its shadow, honour, prevails over the fear of death. The man of fortune and fashion will throw away his life, like a bauble, to prevent the slightest breath of dis- honour. So little are we governed by self-in- terest, and so much by imagination and sym- pathy. cxx. The most impertinent people are less so from design than from inadvertence. I have known a person who could scarcely open his lips with- out offending some one, merely because he CHARACTERISTICS. 53 harboured no malice in his heart. A certain excess of animal spirits with thoughtless good- humour will often make more enemies than the most deUberate spite and ill-nature, which is on its guard, and strikes with caution and safety. cxxi. It is great weakness to lay ourselves open to others, who are reserved towards us. There is not only no equality in it, but we may be pretty sure they will turn a confidence, which they are so little disposed to imitate, against us. CXXII. A man has no excuse for betraying the se- crets of his friends, unless he also divulges his own. He may then seem to be actuated not by treachery, but indiscretion. CXXIII. As we scorn them who scorn us, so the con- tempt of the world (not seldom) makes men proud. cxxiv. Even infamy may be oftentimes a source of secret self-complacency. We smile at the im- F 3 54 CHARACTERISTICS. potence of public opinion, when we can survive its worst censures. cxxv. Simplicity of character is the natural result of profound thought. CXXVI. The affected modesty of most women is a de- coy for the generous, the delicate, and unsus- pecting; while the artful, the bold, and unfeeling either see or break through its slender disguises. CXXVII. We as often repent the good we have done as the ill. CXXVIII. The measure of any man's virtue is what he would do, if he had neither the laws nor public opinion, nor even his own prejudices, to control him. cxxix. We like the expression of Raphael's faces without an edict to enforce it. I do not see why there should not be a taste in morals formed on the same principle. CHARACTERISTICS. 55 cxxx. Where a greater latitude is allowed in mo- rals, the number of examples of vice may in- crease, but so do those of virtue : at least, we are surer of the sincerity of the latter. It is only the exceptions to vice, that arise neither from ignorance nor hypocrisy, that are worth counting. cxxxi. The fear of punishment may be necessary to the suppi'ession of vice; but it also suspends the finer motives to virtue. cxxxir. No wise man can have a contempt for the prejudices of others ; and he should even stand in a certain awe of his own, as if they were aged parents and monitors. They may in the end prove wiser than he. cxxxiii. We are only justified in rejecting prejudices, when we can explain the grounds of them; or when they are at war with nature, which is the strongest prejudice of all. . . .. , 66 CHARACTERISTICS. CXXXIV. Vulgar prejudices are those which arise out of accident, ignorance, or authority. Natural prejudices are those which arise out of the con- stitution of the human mind itself. cxxxv. Nature is stronger than reason : for nature is, after all, the text, reason but the comment. He is indeed a poor creature, who does not feel the truth of more than he knows or can explain satis- factorily to others. cxxxvi. The mind revolts against certain opinions, as the stomach rejects certain foods, cxxxvii. The drawing a certain positive hne in morals, beyond which a single false step is irretrievable, makes virtue formal, and vice desperate. CXXXVIII. Most codes of morality proceed on a suppo- sition of Original Sin ; as if the only object was to coerce the headstrong propensities to vice. CHARACTERISTICS. 57 and there were no natural disposition to good in the mind, which it was possible to improve, refine, and cultivate. cxxxix. This negative system of virtue leads to a very low style of moral sentiment. It is as if the highest excellence in a picture was to avoid gross defects in drawing ; or in writing, in- stances of bad grammar. It ought surely to be our aim in virtue, as well as in other things, " to snatch a grace beyond the reach of art." CXL. We find many things, to which the prohibi- tion of them constitutes the only temptation. CXLI. There is neither so much vice nor so much virtue in the world, as it might appear at first sight that there is. Many people commit ac- tions that they hate, as they affect virtues that they laugh al, merely because others do so. CXLII. When the imagination is continually led to the brink of vice by a system of terror and de- 5« CHARACTERISTICS. nunciations, people fling themselves over the precipice from the mere dread of falling. CXLIII. The maxim — Video meliora proboque, dete^ riora sequor — has not been fully explained. In general, it is taken for granted, that those things that our reason disapproves, we give way to from passion. Nothing like it. The course that per- sons in the situation of Medea pursue has often as little to do with inclination as with judgment : hut they are led astray by some object of a dis- turbed imagination, that shocks their feelings and staggers their beUef ; and they grasp the phantom to put an end to this state of torment- ing suspense, and to see whether it is human or not. CXLIV. Vice, like disease, floats in the atmosphere. CXLV. Honesty is one part of eloquence. We per- suade others by being in earnest ourselves. CXLVI. A mere sanguine temperament often passes for genius and patriotism. CHARACTERISTICS. 59 CXLVll. Animal spirits are continually taken for wit and fancy; and the want of them, for sense and judgment. CXLVIII. In ptiblic speaking, we must appeal either to the prejudices of others, or to the love of truth and justice. If we think merely of displaying our own ability, we shall ruin every cause we under- take. CXLIX. Those who cannot miss an opportunity of saying a good thing or of bringing in some fan- tastical opinion of their own, are not to be trusted with the management of any great ques- tion. CL. There are some public speakers who commit themselves and their party by extravagances uttered in heat and through vanity, which they retract in cold blood through cowardice and caution. They outrage propriety, and trim to self-interest. CLI. An honest man is respected by all parties. 60 CHARACTERISTICS. We forgive a hundred rude or offensive things that are uttered from conviction or in the con- scientious discharge of a duty — never one, that proceeds from design or a view to raise the per- son wlio says it above us. cur. Truth from the mouth of an honest man, or severity from a good-natured one, has a double effect. CLIII. A person who does not endeavour to seem more than he is, will generally be thought no- thing of. We habitually make such large de- ductions for pretence and imposture, that no real merit will stand against them. It is ne- cessary to set off our good qualities with a cer- tain air of plausibility and self-importance, as some attention to fashion is necessary to de- cency. CLIV. If we do not aspire to admiration, we shall fall into contempt. To expect sheer, even- handed justice from mankind, is folly. They take the gross inventory of our pretensions ; and not to have them overlooked entirely, we must CHAEACTERISTICS. 61 place them in a conspicuous point of view, as men write their trades or fix a sign over the doors of their houses. Not to conform to the esta- blished practice in either respect, is false deli- cacy in the commerce of the world. CLV. There has been a considerable change in dress and manners in the course of a century or two, as well as in the signs and badges of different professions. The streets are no lon- ger encumbered with numberless emblems of mechanical or other occupations, nor crowded with the pomp and pageantry of dress, nor embroiled by the insolent airs assumed by the different candidates for rank and prece- dence. Our pretensions become less gross and obtrusive with the progress of society, and as the means of communication become more re- fined and general. The simplicity and even slovenliness of the modern beau form a striking contrast to the dazzling finery and ostentatious formality of the old-fashioned courtier ; yet both are studied devices and symbols of distinction. It would be a curious speculation to trace the va- rious modes of affectation in dress from the age G 6-2 CHARACTERISTICS. of Elizabeth to the present time, in connection with the caprices of fashion, and the march of opinion ; and to shew in what manner Sir Isaac Newton's Princijna or Rousseau's Emihus have contributed to influence the ghding movements and curtail the costume of a modern dandy ! CLVI. UnUmited power is helpless, as arbitrary power is capricious. Our energy is in propor- tion to the resistance it meets. We can at- tempt nothing great, but from a sense of the dif- ficidties we have to encounter : we can perse- vere in nothing great, but from a pride in over- coming them. Where our will is our law, we ea- gerly set about the first trifle we think of, and lay it aside for the next trifle that presents itself, or that is suggested to us. The character of des- potism is apathy or levity — or the love of mis- chief, because the latter is easy and suits its pride and wantonness. CLVII. AflPectation is as necessary to the mind, as dress is to the body. CHARACTERISTICS. 63 CLVIII. Man is an intellectual animal, and therefore an everlasting contradiction to himself. His senses centre in himself, his ideas reach to the ends of the universe; so that he is torn in pieces between the two, without a possibility of its ever being otherwise. A mere physical being, or a pure spirit, can alone be satisfied with itself. CLIX. Our approbation of others has a good deal of selfishness in it. We hke those who give us pleasvu'e, however little they may wish for or deserve our esteem in return. We prefer a person with vivacity and high spirits, though bordering upon insolence, to the timid and pu- sillanimous ; we are fonder of wit joined to ma- lice, than of dulness without it. We have no great objection to receive a man who is a villain as our friend, if he has plausible exterior quali- ties ; nay, we often take a pride in our harmless familiarity with him, as we might in keeping a tame panther : but we soon grow weary of the society of a good-natured fool who puts our patience to the test, or of an awkward clown, who puts our pride to the blush. 64 CHARACTERISTICS. CLX. We are fonder of visiting our friends in health than in sickness. We judge less favour- ably of their characters, when any misfortune happens to them ; and a lucky hit, either in bu- siness or reputation, improves even their per- sonal appearance in our eyes. CLXI. An heiress, with a large fortune and a mode- rate share of beauty, easily rises into a reignmg toast. \ CLXII. One shining quality lends a lustre to another, or hides some glaring defect. CLXIII. We are never so much disposed to quarrel with others as when we are dissatisfied with ourselves. CLXIV. We are never so thoroughly tired of the company of any one else as we sometimes are of our own. CLXV. People outlive the interest, which, at different CHARACTERISTICS. 65 periods of their lives, they take in themselves. When we forget old friends, it is a sign we have forgotten ourselves ; or despise our former ways and notions, as much as we do their present ones. CLXVI. We fancy ourselves superior to others, be- cause we find that we have improved ; and at no time did we think ourselves inferior to them. CLXVII. The notice of others is as necessary to us as the air we breathe. If we cannot gain their good opinion, we change our battery, and strive to provoke their hatred and contempt. CLXYIII. Some malefactors, at the point of death, con- fess crimes, of which they have never been guilty, thus to raise our wonder and indignation in the same proportion ; or to shew their supe- riority to vulgar prejudice, and brave that pub- lic opinion, of which they are the victims. CLXIX. Others make an ostentatious display of their G 3 66 CHARACTERISTICS. penitence and remorse, only to invite sympathy, and create a diversion in their own minds from the subject of their impending punishment. So that we excite a strong emotion in the breasts of others, we care httle of what kind it is, or by what means we produce it. We have equally the feeling of power. The sense of insignifi- cance or of being an object of perfect indiffe- rence to others, is the only one that the mind never covets nor willingly submits to. CLXX. There are not wanting instances of those, who pass their whole lives in endeavouring to make themselves ridiculous. They only tire of their absurdities when others are tired of talk- ing about and laughing at them, so that they have become a stale jest. CLXXI. People in the grasp of death wash all the evil they have done (as well as all the good) to be known, not to make atonement by confession, but to excite one more strong sensation before they die, and to leave their interests and passions CHARACTERISTICS. 67 a legacy to posterity, when they themselves are exempt from the consequences. CLXXII. We talk little, if we do not talk about our- selves. CLXXIII. We may give more offence by our silence than even by impertinence. CLXXIV. Obstinate silence implies either a mean opi- nion of ourselves or a contempt of our company : and it is the more provoking, as others do not know to which of these causes to attribute it, whether to humility or pride. CLXXV. Silence proceeds either from want of some- thing to say, or from a phlegmatic indifference which closes up our lips. The sea, or any other striking object, suddenly bursting on a party of mutes in a stage-coach, will occasion a general exclamation of surprise; and the ice being once broken, they may probably be good company for the rest of the journey. i 68 CHARACTERISTICS. CLXXVI. We compliment ourselves on our national re- serve and taciturnity by abusing the loquacity and frivolity of the French. CLXXVII. Nations, not being willing or able to correct their own errors, justify them by the opposite errors of other nations. CLXXVIII. We easily convert our own vices into virtues, the virtues of others into vices. CLXXIX. A person who talks with equal vivacity on every subject, excites no interest in any. Re- pose is as necessary in conversation as in a pic- ture. CLXXX. The best kind of conversation is that which may be called thinking aloud. I like very well to speak my mind on any subject (or to hear another do so) and to go into the question ac- cording to the degree of interest it naturally in- spires, but not to have to get up a thesis upon CHARACTERISTICS. 69 every topic. There are those, on the other hand, who seem always to be practising on their audience, as if they mistook them for a De- BATiNG-SociETY, or to hold a general retainer, by which they are bound to explain every diffi- culty, and answer every objection that can be started. This, in private society and among friends, is not desirable. You thus lose the two great ends of conversation, which are to learn the sentiments of others, and see what they think of yours. One of the best talkers I ever knew had this defect — that he evidently seemed to be considering less what he felt on any point than what might be said upon it, and that he listened to you, not to weigh what you said, but to reply to it, like counsel on the other side. This habit gave a brilliant smooth- ness and polish to his general discourse, but, at the same time, took from its solidity and pro- minence : it reduced it to a tissue of lively, fluent, ingenious common-places, (for original, genuine observations are like "minute drops from oiFthe eaves," and not an incessant shower) «nd, though his talent in this way was carried to the very extreme of cleverness, yet I think it seldom, if ever, went beyond it. 70 CHARACTERISTICS. CLXXXI. Intellectual excellence can seldom be a source^ of much satisfaction to the possessor. In a gross period, or in vulgar society, it is not un- derstood ; and among those who are refined enough to appreciate its value, it ceases to be a distinction. CLXXXII. There is, I think, an essential difference of character in mankind, between those who wish to do, and those who wish to have certain things. I observe persons expressing a great desire to possess fine horses, hounds, dress, equipage, &c. and an envy of those who have them. I myself have no such feeling, nor the least am- bition to shine, except by doing something better than others. I have the love of power, but not of property. I should like to be able to outstrip a greyhound in speed ; but I should be ashamed to take any merit to myself from possessing the fleetest greyhound in the world. 1 cannot transfer my personal identity from my- self to what I merely call mine. The gene- rality of mankind are contented to be estimated by what they possess, instead of what they are. CHARACTERISTICS. 71 CLXXXIII. Buonaparte observes, that the diplomatists of the new school were no match for those brought up under the ancient regime. The reason probably is, that the modern style of intellect inclines to abstract reasoning and ge- neral propositions, and pays less attention to individual character, interests, and circum- stances. The moderns have, therefore, less tact in watching the designs of others, and less closeness in hiding their own. They perhaps have a greater knowledge of things, but less of the world. They calculate the force of an ar- gument, and rely on its success, moving in va- cuo, without sufficiently allowing for the resis- tance of opinion and prejudice. CLXXXIV. The most comprehensive reasoners are not always the deepest or nicest observers. They are apt to take things for granted too much, as parts of a system. Lord Egmont, in a speech in ParUament, in the year 1750, has the following remarkable observations on this subject. " It is not common sense, but downright madness, to follow general principles in this wild manner 72 CHARACTERISTICS. without limitation or reserve ; and give me leave to say one thing, which I hope will be long re- membered, and well thought upon by all those who hear me — that those gentlemen who plume themselves thus upon their open and extensive understandings, are in fact, the men of the nar- rowest principles in the kingdom. For what is a narrow mind ? It is a mind that sees any proposi- tion in one single contracted point of view, unable to complicate any subject with the circumstances, or considerations, that are or may or ought to be combined with it. And pray, what is that understanding which looks upon the question of naturalization only in this general view, that naturalization is an increase of the people, and the increase of the people is the riches of the nation ? Never admitting the least reflection, what the people are whom you let in upon us ; how, in the present bad regulation of the police, they are to be employed or maintained; how their principles, opinions, or practice may m- lluence the reHgion or politics of the state, or what operation their admission may have upon the peace and tranquilUty of the country. Is not such a genius equally contemptible and narrow with that of the poorest mortal upon earth, who CHARACTERISTICS. 73 grovels for his wliole life within the verge of the opposite extreme ?" CLXXXV. In an Englishman, a diversity of profession and pursuit (as the having been a soldier, a valet, a player, &c.) implies a dissipation and dissoluteness of character, and a fitness for nothing. In a Frenchman, it only shews a na- tural vivacity of disposition, and a fitness for every thing. CLXXXVI. Impudence, like every thing else, has its Hmits. Let a man be ever so hardened and unblushing, there is a point at which his cou- rage is sure to fail him ; and not being able to carry off the matter with his usual air of confi- dence, he becomes more completely confused and awkward than any one else would in the same circumstances. CLXXXVII. Half the miseries of human life proceed from our not perceiving the incompatibility of diffe- rent attainments, and consequently aiming at too much. We make ourselves wretched in vainly, aspiring after advantages we are deprived 74 CHARACTERISTICS. of; and do not consider that if we had these advantages, it would be quite impossible for us to retain those which we actually do possess, and which, after all, if it were put to the ques- tion, we would not consent to part with for the sake of any others. CLXXXVIII. If we use no ceremony towards others, we shall be treated without any. People are soon tired of paying trifling attentions to those who receive them with coldness, and return them with neglect. CLXXXIX. Surly natures have more pleasure in dis- obhging others than in serving themselves. cxc. People in general consult their prevailing hu- mour or ruHng passion (whatever it may be) much more than their interest. cxci. One of the painters (Teniers,) has represented monkeys with a monk's cloak and cowl. This has a ludicrous effect enough. To a superior race of beings the pretensions of mankind to CHARACTERISTICS. 75 extraordinary sanctity and virtue must seem equally ridiculous. CXCII. When we speak ill of people behind their backs, and are civil to them to their faces, we may be accused of insincerity. But the con- tradiction is less owing to insincerity than to the change of circumstances. We think well of them while we are with them ; and in their ab- sence recollect the ill we durst not hint at or acknowledge to ourselves in their presence. CXCIII. Our opinions are not our own, but in the power of sympathy. If a person tells us a palpable falsehood, we not only dare not con- tradict him, but we dare hardly disbelieve him to his face. A lie boldly uttered has the effect of truth for the instant. cxciv. A man's reputation is not in his own keeping, but Ues at the mercy of the profligacy of others. Calumny requires no proof. The throwing out mahcious imputations against any character 7G CHARACTERISTICS, leaves a stain, which no after-refutation can wipe out. To create an unfavourable impres- sion, it is not necessary that certain things should be true, but that they have been said. The imagination is of so delicate a texture, that even words wound it. cxcv. A nickname is a mode of insinuating a preju- dice against another under some general de- signation, which, as it offers no proof, admits of no reply. cxcvi. It does not render the person less contempti- ble or ridiculous in vulgar opinion, because it may be harmless in itself, or even downright nonsense. By repeating it incessantly, and leav- ing out every other characteristic of the indivi- dual, whom we wish to make a bye-word of, it seems as if he were an abstraction of insignifi- cance. cxcvii. Want of principle is power. Truth and ho- nesty set a limit to our efforts, which impudence and hypocrisy easily overleap. CHARACTERISTICS. T7 cxcviir. There are many who talk on from ignorance, rather than from knowledge ; and who find the former an inexhaustible fund of conversation. CXCIX. Nothing gives such a blow to friendship as the detecting another in an untruth. It strikes at the root of our confidence ever after. cc. In estimating the value of an acquaintance or even friend, we give a preference to intellectual or convivial over moral qualities. The truth is, that in our habitual intercourse with others, we much oftener require to be amused than assisted. We consider less, therefore, what a person with whom we are intimate is ready to do for us in critical emergencies, than what he has to say on ordinary occasions. We dispense with his services, if he only saves w&ixova. ennui. In civilized society, words are of as much im- portance as things. cci. We cultivate the society of those who are above us in station, and beneath us in capacity, H 3 78 CHARACTERISTICS. The one we do from choice, the other from ne- cessity. Our interest dictates our submission to the first ; our vanity is flattered by the ho- mage of the last. ecu. A man of talents, who shrinks from a coUi- sion with his equals or superiors, will soon sink below himself. We improve by trying our strength with others, not by shewing it off. A person who shuts himself up in a little circle of dependants and admirers for fear of losing ground in his own opinion by jostHng with the world at large, may continue to be gaped at by fools, but will forfeit the respect of sober and sensible men. CCIII. There are others, who entertaining a high opinion of themselves, and not being able (for want of plausible qualities) to gather a circle of butterflies round them, retire into solitude, and there worship the Echoes and themselves. They gain this advantage by it — the Echoes do not contradict them. But it is a question, whether by dwelling always on their own vir- tues and merits, unmolested, they increase the stock. They, indeed, pamper their ruling vices. CHARACTERISTICS. 79 and pile them mountain-high ; and looking down on the world from the elevation of their retreat, idly fancy that the world has nothing to do but to look up to them with wondering eyes. cciv. It is a false principle, that because we are entirely occupied with ourselves, we must equally occupy the thoughts of others. The contrary inference is the fair one. ccv. It is better to desire than to enjoy — to love than to be loved. ccvi. Every one would rather be Raphael than Hogarth. Without entering into the question of the talent required for their different works, or the pleasure derived from them, we prefer that which confers dignity on hiunan nature to that which degrades it. We would wish to do what we would wish to be. And, moreover, it is most difficult to do what it is most difficult to be. CCVII. A selfish feeHng requires less moral capacity than a benevolent one : a selfish expression re- 80 CHARACTERISTICS. quires less intellectual capacity to execute it than a benevolent one ; for in expression, and all that relates to it, the intellectual is the re- flection of the moral. Raphael's figures are sustained by ideas : Hogarth's are distorted by mechanical habits and instincts. It is elevation of thought that gives grandeur and delicacy of expression to passion. The expansion and re- finement of the soul are seen in the face, as in a mirror. An enlargement of purpose gives a corresponding enlargement of form. The mind, as it were, acts over the whole body, and ani- mates it equally, while petty and local interests seize on particular parts, and distract it by con- trary and mean expressions. Now, if mental expression has this superior grandeur and grace, we can account at once for the superiority of Raphael. For there is no doubt, that it is more diflicult to give a whole continuously and proportionably than to give the parts separate and disjointed, or to diffuse the same subtle but powerful expression over a large mass than to caricature it in a single part or feature. The actions in Raphael are like a branch of a tree swept by the surging blast; those in Hogarth like straws whirled and twitched about in the gusts and eddies of passion. I do not meajj to say CHARACTERISTICS. 81 that goodness alone constitutes greatness, but mental power does. Hogarth's Good Appren- tice is insipid : Raphael has clothed Elymas the Sorcerer with all the dignity and grandeur of vice. Selfish characters and passions borrow greatness from the range of imagination, and strength of purpose ; and besides, have an ad- vantage in natural force and interest. CCVIII. We find persons who are actuated in all their tastes and feelings by a spirit of contradiction. They like nothing that other people do, and have a natural aversion to whatever is agreeable in itself. They read books that no one else reads ; and are delighted with passages that no one understands but themselves. They only arrive at beauties through faults and difficulties ; and all their conceptions are brought to light by a sort of Caesarean process. This is either an affectation of singularity ; or a morbid taste, that can relish nothing that is obvious and sim- ple. ccix. An unaccomitable spirit of contradiction is sometimes carried into men's behaviour and ac- tions. They never do any thing from a direct mo- 82 CHARACTERISTICS. tive, or in a straight-forward manner. They get rid of all sorts of obligations, and rush on destruc- tion without the shadow of an excuse. They take a perverse delight in acting not only contrary to reason, but in opposition to their own inclina- tions and passions, and are forever in a state of cross-purposes with themselves. ccx. There are some persons who never decide from deUberate motives at all, but are the mere creatures of impulse. ccxi. Insignificant people are a necessary relief in society. Such characters are extremely agree- able, and even favourites, if they appear satis- fied with the part they have to perform. CCXII. Little men seldom seem conscious of their diminutive size ; or make up for it by the erect- ness of their persons, or a peculiarly dapper air and manner. CCXIII. Any one is to be pitied, who has just sense enough to perceive his deficiencies. CHARACTERISTICS. 83 CCXIV. I had rather be deformed, than a dwarf and well-made. The one may be attributed to ac- cident ; the other looks like a deliberate insult on the part of nature. ccxv. Personal deformity, in the well-disposed, pro- duces a fine, placid expression of countenance ; in the ill-tempered and peevish, a keen, sarcas- tic one. ccxvi. People say ill-natured things without design, but not without having a pleasure in them. CCXVII. A person who blunders upon system, has a secret motive for what he does, unknown to himself. CCXVIII. If any one by his general conduct contrives to part friends, he may not be aware that such is the tendency of his actions, but assuredly it is their motive. He has more pleasure in see- ing others cold and distant, than cordial and intimate. 84 CHARACTERISTICS. CCXIX. A person who constantly meddles to no pur- pose, means to do harm, and is not sorry to find he has succeeded. ccxx. Cunning is natural to mankind. It is the sense of our weakness, and an attempt to effect by concealment what we cannot do openly and by force. ccxxi. In love we never think of moral qualities, and scarcely of intellectual ones. Temperament and manner alone (with beauty) excite love. CCXXII. There is no one thoroughly despicable. We cannot descend much lower than an ideot ; and an ideot has some advantages over a wise man. CCXXIII. Comparisons are odious, because they reduce every one to a standard he ought not to be tried by, or leave us in possession only of those claims which we can set up, to the entire exclusion of CHARACTERISTICS. 85 others. By striking off the common quahties, the remainder of excellence is brought down to a contemptible fraction. A man may be six feet high, and only an inch taller than another. In comparisons, this difference of an inch is the only thing thought of or ever brought into question. The greatest genius or virtue soon dwindles into nothing by such a mode of computation. ccxxiv. It is a fine remark of Rousseau's, that the best of us differ from others in fewer particu- lars than we agree with them in. The diffe- rence between a tall and a short man is only a few inches, whereas they are both several feet high. So a wise or learned man knows many things, of which the vulgar are ignorant ; but there is a still greater number of things, the knowledge of which they share in common with him. ccxxv. I am always afraid of a fool. One cannot be sure that he is not a knave as well. ccxxvi. Weakness has its hidden resources, as well as 86 CHARACTERISTICS. strength. There is a degree of folly and mean- ness which we cannot calculate upon, and by which we are as much liable to be foiled, as by the greatest ability or courage. CCXXVII. We can only be degraded in a contest with low natures. The advantages that others ob- tain over us are fair and honourable to both parties. ccxxviir. Reflection makes men cowards. There is no object that can be put in competition with life, unless it is viewed through the medium of pas- sion, and we are hurried away by the impulse of the moment. ccxxix. The youth is better than the old age of friend- ship. ccxxx. In the course of a long acquaintance we have repeated all our good things and discussed all our favourite topics several times over, so that our conversation becomes a mockery of social inter- course. We might as well talk to ourselves. The soil of friendship is worn out mth constant CHARACTERISTICS. 87 use. Habit may still attach us to each other, but we feel ourselves fettered by it. Old friends might be compared to old married people with- out the tie of children. ccxxxr. We grow tired of ourselves, much more of other people. Use may in part reconcile us to our own tediousness, but we do not adopt that of others on the same paternal principle. We may be willing to tell a story twice, never to hear one more than once. CCXXXII. If we are long absent from our friends, we forget them : if we are constantly with them, we despise them. CCXXXIII. There are no rules for friendship. It must be left to itself: we cannot force it any more than love. ccxxxiv. The most violent friendships soonest wear themselves out. ccxxxv. To be capable of steady friendship or lasting B8 CHARACTERISTICS. love, are the two greatest proofs, not only of goodness of heart, but of strength of mind. CC XXXVI. It makes us proud when our love of a mis- tress is returned : it ought to make us prouder that we can love her for herself alone, without the aid of any such selfish reflection. This is the religion of love. CCXXXVII. An EngUsh officer who had been engaged in an intrigue in Italy going home one night, stumbled over a man fast asleep on the stairs. It was a bravo who had been hired to assassi- nate him. Such, in this man, was the force of conscience ! ccxxxviir. An eminent artist having succeeded in a pic- ture which drew crowds to admire it, received a letter from a shuffling old relation in these terms, " Dear Cousin, now you may draw good bills with a vengeance." Such is the force of habit ! This man only wished to be Raphael that he might carry on his old trade of drawing bills. CHARACTERISTICS. 09 CCXXXIX. Mankind are a herd of knaves and fools. It is necessary to join the crowd, or get out of their way, in order not to be trampled to death by them. CCXL. To think the worst of others, and do the best we can ourselves, is a safe rule, but a hard one to practise. CCXLI. To think ill of mankind and not wish ill to them, is perhaps the highest wisdom and virtue, CCXLII. We may hate and love the same person, nay even at the same moment. CCXLIII. We never hate those whom we have once loved, merely because they have injured us. " We may kill those of whom we are jealous," says Fielding, " but we do not hate them." We are enraged at their conduct and at ourselves as the objects of it, but tliis does not alter our passion for them. The reason is, we loved them without their loving us ; we do not hate them i3 90 CHARACTERISTICS. because they hate us. Love may turn to in- tlifFerence with possession, but is irritated by disappointment. CCXLIV. Revenge against the object of our love is mad- ness. No one would kill the woman he loves, but that he thinks he can bring her to life afterwards. Her death seems to him as mo- mentary as his own rash act. See Othello. — *' My wife! I have no wife," &c. He stabbed not at her life, but at her falsehood ; he thought to kill the wanton, and preserve the wife. CCXLV. We revenge in haste and passion : we repent at leisure and from reflection. CCXLVI. By retaliating our sufferings on the heads of those we love, we get rid of a present uneasi- ness, and incur lasting remorse. With the ac- complishment of our revenge our fondness re- turns ; so that we feel the injury we have done them, even more than they do. ccxLvir. I think men formerly were more jealous of CHARACTERISTICS. 91 their rivals in love — they are now more jealous of their mistresses, and lay the blame on them. That is, we formerly thought more of the mere possession of the person, which the removal of a favoured lover prevented, and we now think more of a woman's affections, which may still follow him to the tomb. To kill a rival is to kill a fool ; but the Goddess of our idolatry may be a sacrifice worthy of the Gods. Hackman did not think of shooting Lord Sandwich but Miss Ray. ccxLvm. Many people in reasoning on the passions make a continual appeal to common sense. But passion is without common sense, and we must frequently discard the one in speaking of the other. CCXLIX. It is provoking to hear people at their case talking reason to others in a state of violent suf- fering. If you can remove their suffering by a word speaking, do so ; and then they ^vill be in a state to hear calm reason. CCL. There is nothing that I hate as I do to hear 92 CHARACTERISTICS. a common-place set up against a feeling of truth and nature. CCLI. People try to reconcile you to a disappoint- ment in love, by asking why you should cherish a passion for an object that has proved itself M'orthless. Had you known this before, you would not have encouraged the passion; but that having been once formed, knowledge does not destroy it. If we have drank poison, finding it out does not prevent its being in our veins : so passion leaves its poison in the mind ! It is the nature of all passion and of all habitual affection; we throw ourselves upon it at a venture, but we cannot return by choice. If it is a wife that has proved unworthy, men compassionate the loss, because there is a tie, they say, which we cannot get rid of. But has the heart no ties ? Or if it is a child, they understand it. But is not true love a child? Or when another has become a part of ourselves, " where we must live or have no life at all," can we tear them from us in an instant ? — No : these bargains are for life ; and that for which our souls have sighed for years, cannot be forgotten with a breath, and without a pang. CHARACTERISTICS. 93 CCLII. Besides, it is uncertainty and suspense that chiefly irritate jealousy to madness. When we know our fate, we become gradually reconciled to it, and try to forget a useless sorrow. ccLiir. It is wonderful how often we see and hear of Shakespear's plays without being annoyed with it. Were it any other writer, we should be sick to death of the very name. But his volumes are like that of nature, we can turn to them again and again : — " Age cannot wither, nor custom stale His infinite variety." CCLIV. The contempt of a wanton for a man who is determined to think her virtuous, is perhaps the strongest of all others. He officiously re- minds her of what she ought to be ; and she avenges the galling sense of lost character on the fool who still believes in it. CCLV. To find that a woman whom we loved has for- 94 CHARACTERISTICS. feited her character, is the same thing as to learn that she is dead. CCLVI. The only vice that cannot be forgiven is hy- pocrisy. The repentance of a hypocrite is itself hypocrisy. CCLVII. Once a renegado, and always a renegado. CCLVIII. By speaking truth to the really beautiful, we learn to flatter other women. CCLIX. There is a kind of ugliness which is not dis- agreeable to women. It is that which is con- nected with the expression of strong but bad passions, and implies spirit and power. CCLX. People do not persist in their vices because they are not weary of them, but because they cannot leave them off. It is the nature of vice to leave us no resource but in itself. CHARACTERISTICS. % CCLXI. Our consciousness of injustice makes us add to the injury. By aggravating a wrong, we seem to ourselves to justify it. The repetition of the blow inflames our passion and deadens reflection. CCLXII. In confessing the greatest oflPences, a criminal gives himself credit for his candour. You and he seem to have come to an amicable under- standing on his character at last. ccLxiir. A barefaced profligacy often succeeds to an overstrained preciseness in morals. People in a less licentious age carefully conceal the vices they have ; as they afterwards, with an air of phi- losophic freedom, set up for those they have not. CCLXIV. It is a sign that real religion is in a state of de- cay, when passages in compliment to it are ap- plauded at the theatre. Morals and sentiment fall within the province of the stage ; but reli- gion, except where it is considered as a beautiful 9G CHARACTERISTICS. fiction which ought to be treated with lenity, does not depend upon our suffrages. CCLXV. There are persons to whom success gives no satisfaction, unless it is accompanied with dis- honesty. Such people willingly ruin themselves, in order to ruin others. CCLXVI. Habitual liars invent falsehoods not to gain any end or even to deceive their hearers, but to amuse themselves. It is partly practice and partly habit. It requires an effort in them to speak truth. CCLXVII. A knave thinks himself a fool, all the time he is not making a fool of some other person. CCLXVIII. Fontenelle said, " If his hand were fuU of truths, he would not open his fingers to let them out." Was this a satire on truth or on mankind ? CCLXIX. The best kind of conversation is that which CHARACTERISTICS. 97 is made up of observations, reflections, and anec- dotes. A string of stories without application is as tiresome as a long-winded argument. CCLXX. The most insignificant people are the most apt to sneer at others. They are safe from re- prisals, and have no hope of rising in their own esteem, but by lowering their neighbours. The severest critics are always those, who have either never attempted, or who have failed in original composition. CCLXXI. More remarks are made upon any one's dress, looks, &c. in walking twenty yards along the streets of Edinburgh, or other provincial towns, than in passing from one end of London to the other. CCLXXII. There is less impertinence and more indepen- dence in London than in any other place in the kingdom. CCLXXIII. A man who meets thousands of people in a day who never saw or heard of him before, if he thinks at all, soon learns to think Uttle of himself. Lon- K 98 CHARACTERISTICS. don is the place where a man of sense is soonest cured of his coxcombry, or where a fool may indulge his a anity with impunity, by giving him- self what airs he pleases. A valet and a lord are there nearly on a level. Among a million of men, we do not count the units ; for we have not time. CCLXXIV. There is some virtue in almost every vice, ex- cept hypocrisy; and even that, while it is a mockery of virtue, is at the same time a compli- ment to it. CCLXXV. It does not follow that a man is a hypocrite, because his actions give the lie to his words. If he at one time seems a saint, and at other times a sinner, he possibly is both in reality, as well as in appearance. A person may be fond of vice and of virtue too ; and practise one or the other, according to the temptation of the moment. A priest may be pious, and a sot or bigot. A woman may be modest, and a rake at heart. A poet may admire the beauties of na- ture, and be envious of those of other writers. A moralist may act contrary to his own precepts, and yet be sincere in recommending them to CHARACTERISTICS. 99 others. These are indeed contradictions, but they arise out of the contradictory quahties in our nature. A man is a hypocrite only when he affects to take a delight in what he does not feel, not because he takes a perverse delight in opposite things. CCLXXVI. The greatest offence against virtue is to speak ill of it. To recommend certain things is worse than to practise them. There may be an excuse for the last in the frailty of passion ; but the for- mer can arise from nothing but an utter depra- vity of disposition. Any one may yield to tempta- tion, and yet feel a sincere love and aspiration after virtue ; but he who maintains vice in theory, has not even the idea or capacity for virtue in his mirtd. Men err : fiends only make a mock at goodness. CCLXXVII. The passions make antitheses and subtle dis- tinctions, finer than any pen. CCLXXVIII. I used to think that men were governed by their passions more than by their interest or reason, till I heard the contrary maintained in 100 CHARACTERISTICS. .Scotland, viz. that the main-chance is the great object in hfe, and the proof given of it was, that every man in the street where we were talking, however he might have a particular Jiohhy, minded his business as the principal thing, and endeavoured to make both ends meet at the end of the year. This was a shrewd argument, and it was Scotch. I could only answer it in my own mind by turning to different persons among my acquaintance who have been ruined with their eyes open by some whim or fancy. One, for instance, married a girl of the town : a second divorced his wife to marry a wench at a lodging- house, who refused him, and whose cruelty and charms are the torment of his own life, and that of all his friends : a third drank ^himself to death ; a fourth is the dupe and victim of quack advertisements : a fifth is the slave of his wife's ill-humour : a sixth quarrels with all his friends without any motive : a seventh lies on to the end of the chapter, and to his own ruin, &c. It is true, none of these are Scotchmen ; and yet they live in houses, rather than in the open air, and follow some trade or vocation to avoid starving outright. If this is what is meant by a calculation of consequences, the doctrine may CHARACTERISTICS. 101 hold true ; but it does not infringe upon the main point. It affects the husk, the shell, but not the kernel of our dispositions. The pleasure or torment of our lives is in the pursuit of some favourite passion or perverse humour. " Within our bosoms reigns another lord. Passion, sole judge and umpire of itself." CCLXXIX. There are few things more contemptible than the conversation of men of the town. It is made up of the technicalities and cant of all professions, without the spirit or knowledge of any. It is flashy and vapid, and is like the rinsiBgs of diffe- rent liquors at a night-cellar instead of a bottle of fine old port. It is without clearness or body, and a heap of affectation. CCLXXX. The conversation of players is either dull or bad. They are tempted to say gay or fine things from the habit of uttering them with applause on the stage, and unable to do it from the habit of repeatmg what is set down for them by rote. A good comic actor, if he is a sensible man, will generally be silent in company. It is K 3 102 CHARACTERISTICS. not liis profession to invent bon mots, but to de- liver them ; and he will scorn to produce a the- atrical effect by grimace and mere vivacity. A great tragic actress should be a mute, except on the stage. She cannot raise the tone of common conversation to that of tragedy, and any other must be quite insipid to her. Repose is neces- sary to her. She who died the night before in Cleopatra, ought not to revive till she appears again as Cassandra or Aspasia. In the inter- vals of her great characters, her own should be a blank, or an unforced, unstudied part. CCLXXXI. To marry an actress for the admiration she excites on the stage, is to imitate the man who bought Punch. CCLXXXII. To expect an author to talk as he writes is ridiculous ; or even if he did, you would find fault with him as a pedant. We should read authors, and not converse with them. CCLXXXIII. Extremes meet. Excessive refinemenl is of- CHARACTERISTICS. 103 ten combined with equal grossness. They act as a relief to each other, and please bj^ contrast, CCLXXXIV. The seeds of many of our vices are sewn in our blood: others we owe to the bile, or a fit of indigestion. A sane mind is generally the effecfe of a sane body. CCLXXXV. Health and good temper are the two greatest blessings in life. In all the rest, men ai'e equal, or find an equivalent. ccLXXXvr. Poverty, labour, and calamity, are not without their luxuries ; which the rich, the indolent, and the fortunate, in vain seek for. CCLXXXVII. Good and ill seem as necessary to human life as light and shade are to a picture. We grow weary of uniform success, and pleasure soon suir- feits. Pain makes ease delightful ; hunger re- lishes the homeliest food, fatigue turns tlie hardest bed to down; and the difficulty and un- certainty of pursuit in all cases enhance the va- 104 CHARACTERISTICS. lue of possession. The wretched are in this respect fortunate, that they have the strongest yearnings after happiness ; and to desire is in some sense to enjoy. If the schemes of Uto- pians could be reahzed, the tone of society would be changed from what it is, into a sort of insipid high life. There could be no fine tragedies written; nor would there be any pleasure in seeing them. We tend to this conclusion already with the progress of civilization. CCLXXXVIII. The pleasure derived from tragedy is to be accounted for in this way, that, by painting the extremes of human calamity, it by contrast kin- dles the affections, and raises the most intense imagination and desire of the contrary good. CCLXXXIX. The question respecting dramatic illusion has not been fairly stated. There are different de- grees and kinds of belief. The point is not whether we do or do not believe what we see to be a positive reality, but how far and in what manner we beheve in it. We do not say every moment to ourselves, " This is real:" but neither CHARACTER1ST1C8. 105 do wc say every moment, " This is not real." The invohmtary impression steals upon us, till we recollect ourselves. The appearance of reality, in fact, is the reality, so long and in as far as we are not conscious of the contradictory circumstances that disprove it. The belief in a well-acted tragedy never amounts to what the witnessing the actual scene would prove, and never smks into a mere phantasmagoria. — Its power of affecting us is not, however, taken away, , even if we abstract the feeling of identity ; for it still suggests a stronger idea of what the reality would be, just as a picture reminds us more pow- erfully of the person for whom it is intended, though we are conscious it is not the same. ccxc. We have more faith in a well-written romance, while we are reading it, than in common liis- tory. The vividness of the representations in the one case, more than counterbalances the mere knowledge of the truth of the facts in the other. ccxci. It is remarkable how virtuous and generously disposed every one is at a play. We uniformly applaud what is right and condemn what is lOG CHARACTERISTICS. wrong, when it costs us nothing but the senti- ment. CCXCII. Great natural advantages are seldom com- bined with great acquired ones, because they render the labour required to attain the last su- perfluous and irksome. It is only necessary to be admired ; and if we are admired for the graces of our persons, we shall not be at much pains to adorn our minds. If Pope had been a beau- tiful youth, he would not have written the Rape of the Lock.* A beautiful woman, who has only to shew herself to be admired, and is fa- mous by nature, will be in no danger of becom- ing a bluestocking, to attract notice by her learn- ing, or to hide her defects. ccxciir. Those people who are always iniprovi7ig, never become great. Greatness is an eminence, the ascent to which is steep and lofty, and which a man must seize on at once by natural boldness and vigour, and not by patient, wary steps. CGXCIV. The late Mr. Opie remarked, that an artist * Milton was a beautiful youth, and yet he wrote Paradise Lost. CHARACTERISTICS. 107 often put his best thoughts into his first works. His earliest efforts were the result of the study of all his former life, whereas his later and more mature performances (though perhaps more skil- ful and finished) contained only the gleanings of his after-observation and experience. ccxcv. The effort necessary to overcome difficulty urges the student on to excellence. When he can once do well with ease, he grows compara- tively careless and indifferent, and makes no far- ther advances to perfection. ccxcvr. When a man can do better than every one else in the same walk, he does not make any very painful exertions to outdo himself. The pro- gress of improvement ceases nearly at the point where competition ends. ccxcvir. We are rarely taught by our own experi- ence ; and much less do we put faith in that of others. CCXCVIII. We do not attend to the advice of the sage 103 CHARACTERISTICS. and experienced, because we think they are old, forgetting that they once were young and placed m the same situations as ourselves. ccxci. We are egotists in morals as well as in other things. Every man is determined to judge for himself as to his conduct in Hfe, and finds out what he ought to have done, when it is too late to do it. For this reason, the world has to be- gin again with each successive generation. ccc. We should be inclined to pay more attention to the wisdom of the old, if they shewed greater indulgence to the follies of the young. ccci. The best lesson we can learn from witnessing the folly of mankind is not to irritate ourselves against it. cccir. If the world were good for nothing else, it io a fine subject for speculation. CCCIII. In judging of individuals, we always allow CHARACTERISTICS. 100 something to character ; for even when this is not agreeable or praise-worthy, it affords ex- ercise for our sagacity, and baffles the harshness of our censure. ccciv. There are persons to whom we never think of applying the ordinary rules of judging. They form a class by themselves and are curiosities in morals, like non-descripts in natural history. We forgive whatever they do or say, for the sin- gularity of the thing, and because it excites at- tention. A man who has been hanged, is not the worse subject for dissection ; and a man who deserves to be hanged, may be a very amusing companion or topic of discourse. cccv. Every man, in his own opinion, forms an ex- ception to the ordinary rules of morality. cccvi. No man ever owned to the title of a murderer, a tyrant, &c. because, however notorious the facts might be, the epithet is accompanied with a reference to motives and marks of opprobrium L 110 CHARACTERISTICS, in common language and in the feelings of others, which he does not acknowledge in his own mind. CCCVII. There are some things, the idea of which alone is a clear gain to the human mind. Let people rail at virtue, at genius and friendship as long as they will — the very names of these disputed qualities are better than any thing else that could be substituted for them, and embalm even the most angry abuse of them. CCCVIII. If goodness were only a theory, it were a pity it should be lost to the world. CCCIX. Were good and evil ever so nearly balanced in reality, yet imagination would add a casting- weight to the favourable scale, by anticipating the bright side of what is to come, and throwing a pleasing melancholy on the past. cccx. Women, when left to themselves, talk chiefly CHARACTERISTICS. Ill about their dress : they think more about their lovers than they talk about them. CCCXI. With women, the great business of life is love ; and they generally make a mistake in it. They consult neither the heart nor the head, but are led away by mere humour and fancy. If instead of a companion for life, they had to choose a partner in a country-dance or to trifle away an hour with, their mode of calculation would be right. They tie their true-lover's knot with idle, thoughtless haste, while the institutions of society render it indissoluble. CCCXII. When we hear complaints of the wretched- ness or vanity of human life, the proper answer to them would be that there is hardly any one who at some time or other has not been in love^ If we consider the high abstraction of this feel- ing, its depth, its purity, its voluptuous refine- ment, even in the meanest breast, how sacred and how sweet it is, this alone may reconcile us to the lot of humanity. That drop of balm turns the bitter cup to a dehcious nectar — " And vindicates the ways of God to man." 112 CHARACTERISTICS. CCCXIII. It is impossible to love entirely, without being loved again. Otherwise, the fable of Pygmalion would have no meaning. Let any one be ever so much enamoured of a woman who does not requite his passion, and let him consider what he feels when he finds her scorn or indifference turning to mutual regard, the thrill, the glow of rapture, the melting of two hearts into one, the creation of another self in her — and he will own that he was before only half in love ! cccxiv. Women never reason, and therefore they are (comparatively) seldom wrong. They judge in- stinctively of what falls under their immediate ob- servation or experience, and do not trouble them- selves about remote or doubtful consequences. If they make no profound discoveries, they do not involve themselves in gross absurdities. It is only by the help of reason and logical inference, according to Hobbes, that " man becomes ex- cellently wise, or excellently foolish."* cccxv. Women are less cramped by circumstances or • Leviathan. CHARACTERISTICS. 113 education than men. They are more the crea- tures of nature and mipulse, and less cast in the mould of habit or prejudice. If a young man and woman in common Hfe are seen walking out together on a holiday, the girl has the advan- tage in point of air and dress. She has a greater aptitude in catching external accomplishments and the manners of her superiors, and is less de- pressed by a painful consciousness of her situa- tion in life. A Quaker girl is often as sensible and conversable as any other woman : while a Quaker man is a bundle of quaint opinions and conceit. Women are not spoiled by educa- tion and an affectation of superior wisdom. They take their chance for wit and shrewdness, and pick up their advantages, according to their opportunities and turn of mind. Their faculties (such as they are) shoot out freely and grace- fully, like the slender trees in a forest ; and are not clipped and cut down, as the understandings of men are, into uncouth shapes and distorted fancies, like yew-trees in an old-fashioned gar- den. Women in short resemble self-taught men, with more pliancy and delicacy of feeling. L 3 114 CHARACTERISTICS. CCCXVI. Women have as little imagination as they have reason. They are pure egotists. They cannot go out of themselves. There is no instance of a woman having done any thing great in poetry or philosophy. They can act tragedy, because this depends very much on the physical expres- sion of the passions — they can sing, for they have flexible throats and nice ears — they can write romances about love — and talk forever about nothing. CCCXVII. Women are not philosophers or poets, pa- triots, morahsts, or politicians — they are simply women. CCCXCVIII. Women have a quicker sense of the ridiculous than men, because they judge from immediate impressions, and do not wait for the explanation that may be given of them. CCCXIX. English Women have nothing to say on ge- neral subjects : French women talk equally well on them or any other. This may be obviously accounted for from the circumstance that the two CHARACTERISTICS. 115 sexes associate much more together in France than they do with us, so that the tone of con- versation in the women has become mascuhne, and that of the men effeminate. The tone of apathy and indifference in France to the weigh- tier interests of reason and humanity is ascri- bable to the same cause. Women have no spe- culative facuhy or fortitude of mind, and wher- ever they exercise a continual and paramount sway, all must be soon lauglied out of counte- nance, but the immediately intelligible and agree- able — but the shewy in religion, the lax in mo- rals, and the superficial in philosophy. cccxx. The texture of women's minds, as well as of their bodies, is softer than that of men's : but they have not the same strength of nerve, of un- derstanding, or of moral purpose. CCCXXI. In France knowledge circulates quickly, from the mere communicativeness of the national dis- position. Whatever is once discovered, be it good or bad, is made no secret of; but is spread quickly through all ranks and classes of society. Thousfht then runs alonsf the surface of the mind 116 CHARACTERISTICS. like an electrical fluid ; while the English un- derstanding is a non-conductor to it, and damps it with its torpedo touch. cccxxii. The French are fond of reading as well as of talking. You may constantly see girls tending an apple-stall in the coldest day in winter, and reading Voltaire or Racine. Such a thing was never known in London as a barrow-woman reading Shakespear. Yet we talk of our wide- spread civilization, and ample provisions for the education of the poor. CCCXXIII. In comparing notes with the French, we can- not boast even of our superior conceit ; for in that too they have the advantage of us. CCCXXIV. It is curious that the French, with all their vi- vacity and love of external splendour, should to- lerate nothing but their prosing, didactic style of tragedy on the stage ; and that with all their flutter and levity they should combine the most laborious patience and minute finishing in works of art. A French student will take several weeks CHARACTERISTICS. 117 to complete a chalk-drawing from a head of Leo- nardo da Vinci, which a dull, plodding English- man would strike off in as many hours. cccxxv. The Dutch perhaps finished their landscapes so carefully, because there was a want of romantic and striking objects in them, so that they could only be made interesting by the accuracy of the details. cccxxvi. An awkward Englishman has an advantage in going abroad. Instead of having his defi- ciency more remarked, it is less so ; for all En- glishmen are thought awkward alike. Any slip in politeness or abruptness of address is attri- buted to an ignorance of foreign manners, and you escape under the cover of the national cha- racter. Your behaviour is no more criticised than your accent. They consider the barbarism of either as a compliment to their own superior refinement. CCCXXVII. The difference between minuteness and sub- tlety or refinement seems to be this — that the one relates to the parts, and the other to the whole. Thus, the accumulation of a number 118 CHARACTERISTICS, of distinct particulars in a work, as the threads of a gold-laced button-hole, or the hairs on the chin in a portrait of Denner's, is minute or high finishing : the giving the gradations of tone in a sky of Claude's from azure to gold, where the distinction at each step is imperceptible, but the whole effect is striking and grand, and can only be seized upon by the eye of taste, is true refinement and delicacy. CCCXXVIII. The forte of the French is a certain facility and grace of execution. The Germans, who are the opposite to them, are full of throes and labour, and do every thing by an overstrained and violent effort. cccxxix. The conversation of a pedantic Scotchman is like a canal with a great number of locks in it. cccxxx. The most learned are often the most narrow- minded men. cccxxxi. The insolence of the vulgar is in proportion to their ignorance. They treat every thing with contempt, which they do not understand. CHARACTERISTICS. 119 CCCXXXIl. Our contempt for others proves nothing but the ilUberahty and narrowness of our own views. The Enghsh laugh at foreigners, because, from their insular situation, they are unacquainted with the manners and customs of the rest of the world. CCCXXXIII. The true barbarian is he who thinks every thing barbarous but his own tastes and preju- dices. CCCXXXIV. The difference between the vanity of a French- man and an Englishman seems to be this — the one thinks every thing right that is French, the other thinks every thing wrong that is not Eng- lish. The Frenchman is satisfied with his own country; the Englishman is determined to pick a quarrel with every other. CCCXXXV. The national precedence between the English and Scotch maybe settled by this, that the Scotch are always asserting their superiority over the English, while the English never say a word about their superiority over the Scotch. The 120 CHARACTERISTICS. first have got together a great number of facts and arguments in their own favour; the last never trouble their heads about the matter, but have taken the point for granted as self-evi- dent. cccxxxvi. The great characteristic of the Scotch is that of all semi-barbarous people, namely, a hard de- fiance of other nations. cccxxxvii. Those who are tenacious on the score of their faults shew that they have no virtues to bring as a set-ofF against them. CCCXXXVIII. An Englishman in Scotland seems to be tra- velling in a conquered country, from the suspi- cion and precautions which he has to encounter ; and this is really the history of the case. CCCXXXIX. We learn a great deal from coming into con- tact and collision with individuals of other na- tions. The contrast of character and feeUng — the different point of view from which they see CHARACTERISTICS. 121 things — is an admirable test of the truth or rea- sonableness of our opinions. Among ourselves we take a number of things for granted, which, as soon as we find ourselves with strangers, we are called upon to account for. With those who think and feel differently from our habitual tone, we must have a reason for the faith that is in us, or we shall not come off very triumphantly. By this comparing of notes, by being questioned and cross-examined, we discover how far we have taken up certain notions on good grounds, or barely on trust. We also learn how much of our best knowledge is built on a sort of ac- quired instinct, and how little we can analyze those things that seem to us most self-evident, He is no mean philosopher who can give a rea- son for one half of what he thinks. It by no means follows that our tastes or judgments are wrong, because we may be at fault in an argument. A Scotchman and a Frenchman would differ equally from an Englishman, but would run into contrary extremes. He might not be able to make good his ground against the levity of the one or the pertinacity of the other, and yet he might be right, for they cannot both be so. By visiting different countries and conversing M 122 CHARACTERISTICS. with their inhabitants, we strike a balance be- tween opposite prejudices, and have an average of truth and nature left. CCCXL. Strength of character as well as strength of understanding is one of the guides that point the way to truth. By seeing the bias and pre- judices of others marked in a strong and decided manner, we are led to detect our own — from laughing at their absurdities, we begin to sus- pect the soundness of our own conclusions, which we find to be just the reverse of them. When I was in Scotland some time ago, I learnt most from the person, whose opinions were not most right (as I conceive) but most Scotch. In this case, as in playing a game at bowls, you have only to allow for a certain bias in order to hit the Jack : or, as in an algebraic equation, you deduct so much for national character and prejudice, which is a known or given quantity, and what remains is the truth. CCCXLI. We learn Uttle from mere captious contro- versy, or the collision of opinions, unless where there is this collision of character to account for CHARACTERISTICS. 123 the difference, and remind one, by implication, where one's own weakness lies. In the latter case, it is a shrewd presumption that inasmuch as others are wrong, so are we : for the widest breach in argument is made by mutual prejudice. CCCXLII. There are certain moulds of national charac- ter, in which all our opinions and feelings must be cast, or they are spurious and vitiated. A Frenchman and an Englishman, a Scotchman and an Irishman, seldom reason alike on any two points consecutively. It is in vain to think of reconciling these antipathies : they are some- thing in the juices and the blood. It is not possible for a Frenchman to admire Shake- spear, except out of mere affectation : nor is it at all necessary that he should, while he has au- thors of his own to admire. But then his not admiring Shakespear is no reason why we should not. The harm is not in the natural variety of tastes and dispositions, but in setting up an arti- ficial standard of uniformity, which makes us dissatisfied with our own opinions, unless we can make them universal, or impose them as a law upon the world at large. 124 CHARACTERISTICS. CCCXLIII. I had rather be a lord than a king. A lord is a private gentleman of the first class, amenable only to himself. A king is a servant of the pub- lic, dependent on opinion, a subject for history, and hable to be " baited with the rabble's curse." Such a situation is no sinecure. Kings indeed w^ere gentlemen, when their subjects were vas- sals, and the world (instead of a stage on which they have to perform a difficult and stubborn part) was a deer-park, through which they ranged at pleasure. But the case is altered of late, and it is better and has more of the sense of personal dignity in it to come into possession of a large old family-estate and " ancestral" groves, than to have a kingdom to govern — ^or to lose. CCCXLIV. The affectation of gentility by people without birth or fortune is a very idle species of vanity. For those who are in middle or humble life to aspire to be always seen in the company of the great is like the ambition of a dwarf who should hire himself as an attendant to wait upon a giant. But we find great numbers of this class — whose pride or vanity seems to be sufficiently CHARACTERISTICS. 125 gratified by the admiration of the finery or su- periority of others, without any farther object. There are sycophants who take a pride in being seen in the train of a great man, as there are fops who dehght to follow in the train of a beautiful woman (from a mere impulse of admi- ration and excitement of the imagination) with- out the smallest personal pretensions of their own. CCCXLV. There is a double aristocracy of rank and let- ters, which is hardly to be endured — monstrum ingens, biforme. A lord, who is a poet as well, regards the House of Peers with contempt as a set of dull fellows; and he considers his brother authors as a Grub-street crew. A king is hardly good enough for him to touch : a mere man of genius is no better than a worm. He alone is all-accomplished. Such people should be sent to Coventry ; and they generally are so, through their insufferable pride and self-sufficiency. CCCXLVI. The great are fond of patronising men of ge- nius, when they are remarkable for personal in- significance, so that they can dandle them like M 3 126 CHARACTERISTICS. parroquets or lap-dogs, or when they are dis- tinguished by some awkwardness which they can laugh at, or some meanness which they can despise. They do not wish to encourage or shew their respect for wisdom or virtue, but to witness the defects or ridiculous circumstances accompanying these, that they may have an ex- cuse for treating all sterling pretensions with su- percilious indifference. They seek at best to be amused, not to be instructed. Truth is the greatest impertinence a man can be guilty of in polite company ; and players and buffoons are the beau ideal of men of wit and talents. CCCXLVII. We do not see nature, merely from looking at it. We fancy that we see the whole of any object that is before us, because we know no more of it than what we see. The rest escapes us, as a matter of course ; and we easily conclude that the idea in our minds and the image in na- ture are one and the same. But in fact we only see a very small part of nature, and make an imperfect abstraction of the infinite number of particulars, which are always to be found in it, as well as we can. Some do this with more or less accuracy than others, according to habit or natu- CHARACTERISTICS. 127 ral genius. A painter, for instance, who has been working on a face for several days, still finds out something new in it which he did not notice be- fore, and which he endeavours to give in order to make his copy more perfect, which shews how little an ordinary and unpractised eye can be supposed to comprehend the whole at a single glance. A young artist, when he first begins to study from nature, soon makes an end of his sketch, because he sees only a general outline and certain gross distinctions and masses. As he proceeds, a new field opens to him ; differences crowd upon differences ; and as his perceptions grow more refined, he could employ whole days in working upon a single part, without satisfy- ing himself at last. No painter, after a life de- voted to the art and the greatest care and length of time given to a single study of a head or other object, ever succeeded in it to his wish or did not leave something still to be done. The greatest artists that have ever appeared are those who have been able to embody some one view or aspect of nature, and no more. Thus Titian was famous for colouring ; Raphael for drawing; Correggio for the gradations, Rem- brandt for the extremes of light and shade. 128 CHARACTERISTICS. The combined genius and powers of observa- tion of all the great artists in the world would not be sufficient to convey the whole of what is contained in any one object in nature ; and yet the most vulgar spectator thinks he sees the whole of what is before him, at once and without any trouble at all. CCCXLVIII. A copy is never so good as an original. This would not be the case indeed, if great painters were in the habit of copying bad pictures ; but as the contrary practice holds, it follows that the excellent parts of a fine picture must lose in the imitation, and the indifferent pares will not be proportionably improved by any thing sub- stituted at a venture for them. CCCXLIX. The greatest painters are those who have combined the finest general effect with the highest degree of delicacy and correctness of detail. It is a mistake that the introduction of the parts interferes or is incompatible with the effect of the whole. Both are to be found in nature. The most finished works of the most renowned artists are also the best. CHARACTERISTICS. 129 CCCL. We are not weaned from a misplaced attach- ment, by (at last) discovering the unworthiness of the object. The character of a woman is one thing ; her graces and attractions another ; and these last acquire even an additional charm and piquancy from the disappointment we feel in other respects. The truth is, a man in love prefers his passion to every other consideration, and is fonder of his mistress than he is of virtue. Should she prove vicious, she makes vice lovely in his eyes. CCCLI. An accomplished coquet excites the passions of others, in proportion as she feels none her- self. Her forwardness allures, her indifference irritates desire. She fans the flame that does not scorch her own bosom ; plays with men's feelings, and studies the effect of her several arts, at leisure and unmoved. CCCLII. Grace in women is the secret charm, that draws the soul into its circle, and binds a spell round it forever. The reason of which is, that habitual grace miplies a continual sense of de- 130 CHARACTERISTICS, light, of ease and propriety, which nothing can interrupt, ever varying, and adapting itself to all circumstances alike. CCCLIII. Even among the most abandoned of the sex, there is generally found to exist one strong and individual attachment, which remains unshaken through all circumstances. Virtue steals, like a guilty thing, into the secret haunts of vice and infamy, clings to their devoted victim, and will not be driven quite away. Nothing can destroy the human heart CCCLIV. There is a heroism in crime as well as in vir- tue. Vice and infamy have their altars and their religion. This makes nothing in their fa- vour, but is a proud compliment to man's na- ture. Wliatever he is or does, he cannot en- tirely efface the stamp of the Divinity on him. Let him strive ever so, he cannot divest himself of his natural sublimity of thought and affection, however he may pervert or deprave it to ill. CCCLV. We judge of character too much from names CHARACTERISTICS. 131 and ^classes, and modes of life. It alters very little with circumstances. The theological doc- trines of Original Sin, of Grace, and Election, admit of a moral and natural solution. Out- ward acts or events hardly reach the inward dis- position or fitness for good or evil. Humanity is to be met with in a den of robbers, nay, mo- desty in a brothel. Nature prevails, and vindi- cates its rights to the last. CCCLVI. Women do not become abandoned v,'ith the mere loss of character. They only discover the vicious propensities, which they before were bound to conceal. They do not (all at once) part with their virtue, but throw aside the veil of affectation and prudery. CCCLVII. It is enough to satisfy ambition to excel in some one thing. In every thing else, one would wish to be a common man. Those who aim at every kind of distinction turn out mere preten- ders and coxcombs. One of the ancients has said that "the wisest and most accompUshed man is like the statues of the Gods placed against a 132 CHARACTERISTICS. wall — in front an Apollo or a Mercury, behind a plain piece of marble." CCCLVIII. The want of money, according to the poet, has the effect of making men ridiculous. It not only has this disadvantage with respect to our- selves, but it often shews us others in a very con- temptible point of view. If we sink in the opi- nion of the world from adverse circumstances, the world is apt to sink equally in ours. Po- verty is the test of civiUty and the touchstone of friendship. CCCLIX. There are those who borrow money, in or- der to lend it again. This is raising a charac- ter for generosity at an easy rate. CCCLX. The secret of the difficulties of those people, who make a great deal of money, and yet are always in want of it, is this — they throw it away as soon as they get it on the first whim or ex- travagance that strikes them, and have nothing left to meet ordinary expenses or discharge old debts. CHARACTERISTICS. 133 CCCLXI. Those who have the habit of being generous before they are just, fancy they are getting out of difRcuUies all their lives, because it is in their power to do so, whenever they will ; and for this reason they go on in the same way to the last, because the time never comes for baulking their inclinations or breaking off a bad habit. CCCLXII. It is a mistake that we court the society of the rich and great, merely with a view to what we can obtain from them. We do so, because there is something in external rank and splen- dour that gratifies and imposes on the imagi- nation, just as we prefer the company of those who are in good health and spirits to that of the sickly and hypochondriacal, or as we would rather converse with a beautiful woman than with an ugly one. CCCLXIII. Shakespeare says, " Men's judgments are a parcel of their fortunes." A person in de- pressed circumstances is not only not listened to— he has not the spirit to say a good thing. N 134 CHARACTERISTICS. CCCLXIV. We are very much what others think of tis. The reception our observations meet with, gives us courage to proceed or damps our efforts. A man is a wit and a philosopher in one place, who dares not open his mouth and is considered as a blockhead in another. In some companies nothing vvill go down but coarse practical jests, while the finest remark or sarcasm would be disregarded. CCCLXV. Men of talent rise with their company, and are brought out by the occasion. Coxcombs and pedants have no advantage but over the dull and ignorant, with whom they talk on by rote. CCCLXVI. In France or abroad one feels one's-self at a loss ; but then one has an excuse ready in an ig- norance of the language. In Scotland they speak the same language, but do not understand a word that you say. One cannot get on in so- ciety, without ideas in common. To attempt to convert strangers to your notions, or to alter their whole way of thinking in a short stay among them, is indeed making a toil of a pleasure, and CHARACTERISTICS. 135 enemies of those who may be inchned to be friends. CCCLXVII. In some situations, if you say nothing, you are called dull ; if you talk, you are thought im- pertinent or arrogant. It is hard to know what to do in this case. The question seems to be, whether your vanity or your prudence predo- minates. CCCLXVIII. One has sometimes no other way of escaping from a sense of insignificance, but by offending the self-love of others. We should recollect, however, that good manners are indispensable at all times and places, whereas no one is bound to make a figure, at the expense of propriety. CCCLXIX. People sometimes complain that you do not talk, when they have not given you an opportu- nity to utter a word for a whole evening. The real ground of disappointment has been, that you have not^shewn a sufficient degree of atten- tion to what they have said. CCCLXX. I can listen with patience to the dullest or 136 CHARACTERISTICS. or emptiest companion in the world, if he does not require me to do any thing more than Usten. CCCLXXI. Wit is the rarest quahty to be met with among people of education, and the most common among the uneducated. CCCLXXII. Are we to infer from this, that wit is a vulgar faculty, or that people of education are propor- tionably deficient in livehness and spirit ? CCCLXXIII. We seldom hear and seldomer make a witty remark. Yet we read nothing else in Con- greve's plays. CCCLXXIV. Those who object to wit, are envious of it. CCCLXXV. The persons who make the greatest outcry against bad puns, are the very same who also find fault with good ones. A bad pun at least generally leads to a wise remark — that it is a bad one. CHARACTERISTICS. 137 CCCLXXVI. A grave blockhead should always go about \rith a lively one — they shew one another off to the best advantage. CCCLXXVII. A Uvely blockhead in company is a public be- nefit. Silence or dulness by the side of folly looks like wisdom. cccLxxviir. It is not easy to write Essays Uke Montaigne, nor Maxims in the manner of the Duke de la Rochefoucault. CCCLXXIX. The most perfect style of writing may be that, which treats strictly and methodically of a given subject ; the most amusing (if not the most in- structive) is that, which mixes up the personal character of the author with general reflection. CCCLXXX. The seat of knowledge is in the head ; of wis- dom, in the heart. We are sure to judge wrong, if we do not feel right. n3 138 CHARACTERISTICS. CCCLXXXI. He who exercises a constant independence of spirit, and yet seldom gives offence by the free- dom of his opinions, may be presumed to have a well-regulated mind. CCCLXXXIl. There are those who never offend by never speaking their minds ; as there are others who blurt out a thousand exceptionable things with- out intending it, and because they are actuated by no feelings of personal enmity towards any one. CCCLXXXIII. Cowardice is not synonymous with prudence. It often happens that the better part of discre- tion is valour. CCCLXXXIV. Mental cowards are afraid of expressing a strong opinion, or of striking hard, lest the blow should be retaliated. They throw themselves on the forbearance of their antagonists, and hope for impunity in their insignificance. CCCLXXXV. No one ever gained a good word from friend CHARACTERISTICS. ino or foe, from man or woman, by want of spirit. The public know how to distinguish between a contempt for tliemselves and the fear of an adversary. CCCLXXXVI. Never be afraid of attacking a bully. CCCLXXXVII. An honest man speaks truth, though it may give offence ; a vain man, in order that it may. CCCLXXXVIII. Those only deserve a monument who do not need one; that is, who have raised themselves a monument in the minds and memories of men. CCCLXXXIX. Fame is the inheritance not of the dead, but of the living. It is we who look back with lofty pride to the great names of antiquity, who drink of that flood of glory as of a river, and refresh our wings in it for future flight. cccxc. The inhabitant of a metropolis is apt to think this circumstance alone gives liim a decided su- 140 CHARACTERISTICS. periority over every one else, and does not im- prove that natural advantage so much as he ought. CCCXCI. A true-bred cockney fancies his having been born in London is a receipt in full for every other species of merit. He belongs, in his own opinion, to a privileged class. CCCXCIT. The number of objects we see from living in a large city amuses the mind Uke a perpetual raree-show, without supplying it with any ideas. The understanding thus becomes habitually me- chanical and superficial. cccxciii. In proportion to the number of persons we see, we forget that we know less of mankind. cccxciv. Pertness and conceit are the characteristics of a true cockney. He feels little respect for the greatest things from the opportunity of see- ing them often and without trouble ; and at the same time entertains a high opinion of himself CHARACTERISTICS. 141 from his familiarity with them. He who has seen all the great actors, the great public cha- racters, the chief public buildings, and the other wonders of the metropolis, thinks less of them from this circumstance ; but conceives a prodi- gious contempt for all those who have not seen what he has. cccxcv. The confined air of a metropolis is hurtful to the minds and bodies of those who have never lived out of it. It is impure, stagnant — without breathing-space to allow a larger view of our- selves or others — and gives birth to a puny, sickly, unwholesome, and degenerate race of beings. cccxcvi. Those who from a constant change and dissi- pation of outward objects have not a moment's leisure left for their own thoughts, can feel no respect for themselves, and learn little consi- deration for humanity. CCCXCVII. Profound hypocrisy is inconsistent with va- nity : for the last would betray our designs by some premature triumph. Indeed, vanity im- 142 CHARACTERISTICS. plies a sympathy with others, and consummate hypocrisy is built on a total want of it. CCCXCVIII. A hypocrite despises those whom he deceives, but has no respect for himself. He would make a dupe of himself too, if he could. cccxcix. There is a degree of selfishness so complete, that it does not feel the natural emotions of re- sentment, contempt, &c. against those who have done all they could to provoke them. Every thing but itself is a matter of perfect indifference to it. It feels towards others no more than if they were of a different species ; and inflicts torture or imparts delight, itself unmoved and immoveable. cccc. Egotism is an infirmity that perpetually grows upon a man, till at last he cannot bear to think of any thing but himself, or even to suppose that others do. COCCI. He will never have true friends who is afraid of making enemies. CHARACTERISTICS. 143 ccccir. The way to procure insults is to submit to them. A man meets with no more respect than he exacts. CCCCIII. Wliat puts the baseness of mankind in the strongest point of view is, that the}' avoid those who are in misfortune, instead of countenancing or assisting them. They anticipate the increased demand on their sympathy or bounty, and escape from it as from a falling house. cccciv. Death puts an end to rivalship and competi- tion. The dead can boast no advantage over us ; nor can we triumph over them, ccccv. We judge of an author by the quahty, not the quantity of his productions. Unless we add as much to our reputation by a second attempt as we did by our first, we disappoint expectation, and lose ground with the public. Those there- fore who have done the least have often the greatest reputation. The Author of Waverley 144 CHARACTERISTICS. has not risen in public estimation by the extreme voluminousness of his writings ; for it seems as if that which is done so continually could not be very difficult to do, and that there is some trick or knack in it. The miracle ceases with the re- petition! The Pleasures of Hope and the Plea- sures of Memory, on the contrary, stand alone and increase in value, because they seem unri- valled and inimitable even by the authors them- selves. An economy of expenditure is the way to grow rich in fame, as well as in other pur- suits. ccccvi. It is better to drink of deep griefs than to taste shallow pleasures. CCCCVII. Those who can command themselves, com- mand others. CCCCVIIl. A surfeit of admiration or friendship often ends in an indifference v.orse than hatred or contempt. It is not a lively perception of faults, but a sickly distaste to the very idea of the per- son formerly esteemed, a palling of the imagi- nation, or a conscious inertness and inability to CHARACTERISTICS. 145 revive certain feelings — a state from which the mind shrinks with greater repugnance than from any other. ccccix. The last pleasure in life is the sense of dis- charging our duty. ccccx. Those people who are fond of giving trou- ble, like to take it ; just as those who pay no attention to the comforts of others, are gene- rally indifferent to their own. We are governed by sympathy ; and the extent of our sympathy .is determined by that of our sensibiHty. ccccxi. No one is idle, who can do any thing. CCCCXII. Friendship is cemented by interest, vanity, or the want of amusement : it seldom implies es- teem, or even mutual regard. CCCCXIII. Some persons make promises for tlie plea- sure of breaking them. 14G CHARACTERISTICS. CCCCXIV. Praise is no match for blame and obloqviy. For, were the scales even, the malice of man- kind would throw in the casting-weight. ccccxv. The safest kind of praise is to foretel that another will become great in some particular way. It has the greatest shew of magnanimity, and the least of it in reality. We are not jea- lous of dormant merit, which nobody recog- nizes but ourselves, and which in proportion as it developes itself, demonstrates our sagacity. If our prediction fails, it is forgotten ; and if it proves true, we may then set up for pro- phets. ccccxvi. Men of genius do not excel in any profession because they labour in it, but they labour in it, because they excel. CCCCXVII. Vice is man's nature : virtue is a habit — or a mask. CCCCXVIII. The foregoing maxim shews the difference between truth and sarcasm. CHARACTER TSTICS. 117 ExaltCil station pvoi'liulos ovimj tho t^xorciso of natural affection, ninoh uumo of I'onimon hu- m-Muiy. ccccw. \\c ioY tho t\u>s( part strivi^ to iv<;nlM(o ouv actions, not so much by ('onsfiiMu-t^ or reason, as by (be opinion of ibo world. Hiil h// t/ir world wo moan (boso wbt^ ontcMtainan »)pinion abi>nt us. Now, tbis cirilt> >arios i>\coo(Hnoly. but never expresses move tban a ]>art. In senates, in camps, in town, in coinitry, in courts, in a pri- son, a man's vices and virtm^s are wei-ibeil in a separate scale by (bt>s»Mvbi> know bim, and \\\\o have similar leelinus and ]Mnsuits. ^^ e care about no otluM- opinion. TbiMO is a moral Im- rizonwbicb bounds onrvio\\, ami lu-yond wbicb the rest is air. Tbe public is dividi'd into a number of distinct jurisdictions \'ov diiVcrcnt claims ; and posterity is but a name, even to those who sometimes drean\ ol' it. ccccxxi. We can bear lo lu> ilepri\t'd of every tinni;; but our self-conciit. 148 CHARACTERISTICS. CCCCXXIl. Those who are fond of setting things to rights, have no great objection to seeing them wrong. There is often a good deal of spleen at the bot- tom of benevolence. ccccxxiir. The reputation of science which ought to be the most lasting, as synonymous with truth, is often the least so. One discovery supersedes another ; and the progress of light throws the past into obscurity. What is become of the Blacks, the Lavoisiers, the Priestleys, in che- mistry ? In political economy, Adam Smith is laid on the shelf, and Davenant and De Witt have given place to the Says, the Ricardos, the Malthuses, and the Macullochs. These per- sons are happy in one respect — they have a sovereign contempt for all who have gone before them, and never dream of those who are to come after them and usurp their place. When any set of men think theirs the only science worth studying, and themselves the only infal- lible persons in it, it is a sign how frail the traces are of past excellence in it, and how little connection it has with the general affairs of hu~ CHARACTERISTICS. 149 man life. In proportion to the profundity of any inquiry, is its futility. The most important and lasting truths are the most obvious ones. Nature cheats us with her mysteries, one after another, like a juggler with his tricks ; but shews us her plain honest face, without our paying for it. The understanding only blunders more or less in trying to find out what things are in themselves : the heart judges at once of its own feelings and impressions; and these are true and the same. ccccxxiv. Scholastic divinity was of use in its day, by af- fording exercise to the mind of man. Astro- logy, and the finding out the philosopher's stone, answered the same purpose. If we had not something to doubt, to dispute and quarrel about, we should be at a loss what to do with our time. ccccxxv. The multitude who require to be led, still hate their leaders. CCCCXXVI. It has been said that any man may have any woman. 150 CHARACTERISTICS. CCCCXXVII. Many people are infatuated with ill-success, and reduced to despair by a lucky turn in their favour. While all goes well, they are likejish out of water. They have no confidence or sympathy with their good fortune, and look upon it as a momentary delusion. Let a doubt be thrown on the question, and they begin to be full of lively apprehensions again; let all their hopes vanish, and they feel themselves on firm ground once more. From want of spirit or of habit, their imaginations cannot rise from the low ground of humility, cannot reflect the gay, flaunting colours of the rainbow, flag and droop into despondency, and can neither in- dulge the expectation, nor employ the means of success. Even when it is within their reach, they dare not lay hands upon it, and shrink from unlooked-for prosperity, as something of which they are ashamed and unworthy. The class of croakers here spoken of are less deUghted at other people's misfortunes than at their own. Querulous complaints and anticipations of fai- lure are the food on which they live, and they at last acquire a passion for that which is the favou- rite subject of their thoughts and conversation. CHARACTERISTICS. 151 CCCCXXVIII. There are some persons who never succeed, from being too indolent to undertake any thing ; and others who regularly fail, because the in- stant they find success in their power, they grow indifferent, and give over the attempt. ccccxxix. To be remembered after we are dead, is but a poor recompense for being treated with contempt while we are living. ccccxxx. Mankind are so ready to bestow their admira- tion on the dead, because the latter do not hear it, or because it gives no pleasure to the objects of it. Even fame is the offspring of envy. ccccxxxi. Truth is not one, but many ; and an obser- vation may be true in itself, that contradicts another equally true, according to the point of view from which we contemplate the subject. ccccxxxii. Much intellect is not an advantage in court- 153 CHARACTERISTICS. ship. General topics interfere with particular attentions. A man to be successful in love, should think only of himself and his mistress. Rochefoucault observes, that lovers are never tired of each other's company, because they are always talking of themselves. CCCCXXXIII. The best kind of oratory or argument is not that which is most Hkely to succeed with any particular person. In the latter case, we must avail ourselves of our knowledge of individual circumstances and character : in the former, we must be guided by general rules and calcula- tions. ccccxxxiv. The picture of the Misers, by Quintin Matsys, seems to proceed upon a wrong idea. It repre- sents two persons of this description engaged and delighted with the mutual contemplation of their wealth. But avarice is not a social pas- sion ; and the true miser should retire into his cell to gloat over his treasures alone, without sympathy or observation. THE END. J. M'Cteery, Tooks-Ck)urt> Cbaacery-Lwej London. z THE LIBRARY UNIVERSITY OF CALIFORNIA Santa Barbara STACK COLLECTION THIS BOOK IS DUE ON THE LAST DATE STAMPED BELOW. t i 6,'62(C9724s4)476D II Niili mill 3 1205 02043 2504 Uj SOUTHERN REGIONAL LIBRARY FACILITY A A 001 424 062 6 U UJ ^^^55 V CT =^ X ^!^=m V (/)^^^= V