NIGHTS WITH THE GODS NIGHTS WITH THE GODS t BY EMIL REICH DOCTOR JURIS Author of 1 ' Foundations of Modern Europe ' " Success among Nations" etc. LONDON T. WERNER LAURIE CLIFFORDS INN, FLEET STREET THE RIVERSIDE PRESS LIMITED, EDINBURGH. CONTENTS PAGE THE FIRST NIGHT ARISTOTLE ON SPECIALISM IN ENGLAND . 1 THE SECOND NIGHT DIOGENES AND PLATO ON TOLSTOY, IBSEN, SHAW, ETC. ...... 32 THE THIRD NIGHT ALCIBIADES ON WOMEN IN ENGLAND . . 65 THE FOURTH NIGHT ALCIBIADES CONTINUED .... IOI THE FIFTH NIGHT CAESAR ON THE HOUSE OF COMMONS . T 34 THE SIXTH NIGHT APOLLO AND DIONYSUS IN ENGLAND . . l6o THE SEVENTH NIGHT SOCRATES, DIOGENES, AND PLATO ON RE- LIGION ....... l82 270640 FOREWORD THE great spirits of the past, chiefly Hellenes, recently revisited England. With a view to an ex- change of ideas on English contemporary life, they met at night in various towns of Italy, where, by the favour of Dionysus, the author was allowed to be present, and to take notes at the proceedings. The following pages contain some of the speeches de- livered in the Assembly of the Gods and Heroes. THE AUTHOR. 33 ST LUKE'S ROAD, NOTTING HILL, LONDON, W. vn NIGHTS WITH THE GODS THE FIRST NIGHT ARISTOTLE ON SPECIALISM IN ENGLAND THE first night the gods and heroes assembled on the heights around Florence. From the magnificent town there came only a faint glimmer of artificial light, and the Arno rolled its waves melodiously towards the sea. On a height full of convenient terraces, offering a view on the Lily of the Arno, on Fiesole, and on the finely undulating outlines of the Apennine Mountains, the Assembly sat down. From afar one could see the bold lines of the copy of Michelangelo's David on the hill. The evening was lovely and balmy. Zeus opened the meeting with a request directed to Alexander, King of Macedon, to ask his teacher Aristotle to entertain them with his experiences at the seats of modern learning and study. Alexander did so, and the grave Stagirite, mellowed by the years, addressed the Assembly as follows : " All my mortal life I have tried, by reading, by making vast collections of natural objects and animals, and by the closest thinking on the facts furnished to me by men of all sorts of professions and crafts, to get at some unity of knowledge. I held, and still hold, that just as Nature is one, so ought Know- WITH THE GODS ledge'. -too ."to be. \ have written a very large number of treatises, many of which, thanks to Thy Providence, O Zeus, have escaped the small- pox called commentaries, in that the little ones never got possession of those works. But while always loving detail and single facts, I never lost sight of the connection of facts. As a coin, whether a penny or a sovereign, has no currency unless the image of the prince is cut out on it, even so has no fact scientific value unless the image of an underlying general principle is grafted thereon. This great truth I taught all my pupils, and I hoped that men would carefully observe it in all their studies. When then I went amongst the little ones, I expected them to do as I had taught their teachers to do. However, what I found was, O Zeus, the funniest of all things. " On my visit to what they call Universities I happened to call, in the first place, on a professor who said he studied history. In my time I believed that history was not as suggestive of philosophical truths as is poetry. Since then I have somewhat altered my view. Naturally enough I was curious to know what my Professor of History thought of that, and I asked him to that effect. He looked at me with a singular smile and said : ' My young friend ( I had assumed the appearance of a student ), my young friend, history is neither more nor less than a science. As such it consists of a long array of specialities.' f And which,' I asked timidly, c is your special period?' Whereupon the professor gravely said : c The after- noons of the year 1234 A.D." While everybody present in the Assembly, including even St Francis of Assisi, laughed at this point of Aristotle's narrative, ARISTOTLE ON SPECIALISM 3 Diogenes exclaimed : " Why has the good man not selected the nights of that year ? It would greatly reduce his labours." A peal of laughter rewarded the lively remark. Aristotle resumed his tale, and said : " When the professor saw that I was a little amused at his state- ment, he frowned on me and exclaimed in a deep voice, if with frequent stammerings, which as I subse- quently learnt is the chief attraction of their diction, 4 My young friend, you must learn to understand that we modern historians have discovered a method so subtle, and so effective, that, with all deference be it said, we are in some respects stronger even , than the gods. For the gods cannot change the past ; but we modern historians can. We do it every day of our lives, and some of us have obtained a very remarkable skill at it. 5 " At this point of Aristotle's narrative Homeric laughter seized all present, and Aristophanes patted the Stagirite on the back, saying : " Pray, consider yourself engaged. At the next performance of my best comedy you will be my protagonist." Aristotle thanked him with much grace, and continued : "I was naturally very curious to learn what my Professor of History thought of the great Greeks of my own time and of that of my ancestors. I mentioned Homer. I had barely done so but what my professor burst into a coarse and disdainful guffaw. " ' Homer ? ' he exclaimed ; c Homer ? but of whom do you speak ? Homer is nothing more nor less than a multiple syndicate of street-ballad-singers who, by a belated process of throwing back the "reflex "of present and modern events to remote ages, 4 NIGHTS WITH THE GODS and by the well-known means of literary contamina- tion, epical syncretism, and religious, mythopceic, and subconscious impersonation have been hashed into the appearance of one great poet. " c Our critical methods, my young friend, are so keen that, to speak by way of simile, we are able to spot, from looking at the footprints of a man walking in the sand, what sort of buttons he wore on his cuffs. " c Poor Cuvier otherwise one of my revered colleagues used to say : " Give me a tooth of an animal and I will reconstruct the rest of the animal's body." What is Cuvier's feat as compared with ours ? He still wanted a tooth ; he still was in need of so clumsy and palpable a thing as a tooth ; perhaps a molar. We, the super-Cuviers of history, we do not want a tooth any more than toothache ; we want nothing. No tooth, no footprint even, simply nothing. Is it not divine ? We form, as it were, an Ex Nihilo Club. We have nothing, we want nothing, and yet give everything. Although we have neither leg to stand on, nor tooth to bite with, we staunchly prove that Homer was not Homer, but a lot of Homers. Is that not marvellous? But even this, my young friend, is only a trifle. We have done far greater things. " c These ancient Greeks (quite clever fellows, I must tell you, and some of them could write gram- matical Greek), these ancient Greeks had, amongst other remarkable men, one called Aristotle. He wrote quite a number of works ; of course, not quite as many as he thought he did. For we have proved by our Ex Nihilo methods that much of what he thought he had written was not written by him, but ARISTOTLE ON SPECIALISM 5 dictated. We have gone even so far (I myself, although used to our exploits, stand sometimes agape at our sagacity), we have gone so far as to prove that in the dictation of some of his writings Aristotle was repeatedly interrupted by letters or telephonic messages, which accounts for gaps and other shortcomings. " ' Well, this man Aristotle (for, we have not yet pluralised him, although I but this would pass your horizon, my young friend) this clever man has left us, amongst other works, one called " Politics." It is not wanting in quality, and it is said, if with certain doubts, that there are a few things to be learnt from it. It is, of course, also said that no professor has ever learnt them. But this is mere calumny. Look at their vast commentaries. Of course, how can one accept some of the glaring fallacies of Aristotle ? Imagine, that man Aristotle wants us to believe that nearly all Greek states were founded, equipped with a constitution, and in a word, completely fitted out by one man in each case. Thus, that Sparta was founded, washed, dressed, fed, and educated by one Lycurgus. How ridiculous ! " ' Having proved, as we have, that Homer's poetry, a mere book, was made by a Joint Stock Company, Unlimited, how can we admit that a big and famous state like Sparta was ordered, cut out, tailored, stuffed and set on foot by one man ? Where would be Evolution ? If a state like Sparta was made in the course of a few months by one man, what would Evolution do with all the many, many years and ages she has to drag along ? Why, she would die with ennui, bored to death. Can we admit that ? Can one let Evolution die ? Is she not 6 NIGHTS WITH THE GODS a nice, handy, comely Evolution, and so useful in the household that we cannot be happy until we get her? To believe in a big, important state like Sparta having been completely established by one man is like saying that my colleague, the Professor of Zoology, taking a shilling bottle of Bovril, has reconstituted out of its contents a live ox walking stately into his lecture-room. Hah-hah-hah ! Very good joke. (Secretary! Put it into my table-talk! Voltairian joke ! serious, but not grave.) cc < Now, you see, my young friend, in that capital point Aristotle was most childishly mistaken; and even so in many another point. We have definitely done away with all state-founders of the ancients. Romulus is a myth ; so is Theseus ; so is Moses ; so is Samson (not to speak of Delilah) ; so is every- body who pretended to have founded a city-state. Since he never existed, how could he have founded anything? Could I found a city-state? Or any state, except a certain state of mind, in which I say that no single man can found a city-state ? Could I ? Of course, I could not. Well then, how could Lycurgus ? Was he a LL.D. ? Was he a member of the British Academy? Was he a professor at Oxford ? Had he written numerous letters to The Times'! Was he subscriber to so respectable a paper as The Spectator! It is ridiculous to speak of such a thing. Lycurgus founding Sparta ! It is too amusing for words. These are all myths. Whatever we cannot understand, we call a myth ; and since we do not understand many things, we get every day a richer harvest of myths. We are full of them. We are the real living mythology.' " To this long oration," Aristotle continued, " I ARISTOTLE ON SPECIALISM 7 retorted as calmly as I could, that we Greeks had states totally different from those of the moderns, just as the latter had a Church system absolutely differ- ent from our religious institutions ; so that if anyone had tried to persuade an Athenian of my time that a few hundred years later there would be Popes, or single men claiming and obtaining the implicit obedience of all believers in all countries, the Athenian would sooner have gone mad than believe such stuff. For, to him, as a Greek, it must have seemed hopelessly incredible that an office such as that of the universal Pope should ever be toler- ated ; or, in other words, that a single man should ever be given such boundless spiritual power. I said all that with much apparent deference ; but my pro- fessor got more and more out of control. " c What,' said he, < what do you drag in Popes for? We talk of Lycurgus, not of Popes. Was Lycurgus a Christian? Let us stick to the point. The point is that Lycurgus never existed, since so many professors, who do exist beyond doubt, deny his historical existence. Now, either you deny the existence of these professors, which you can't; or you deny that of Lycurgus, which you must. Exist- ence cannot include non-existence. For, non-existence is, is it not ? the negation of existence. And since the professors exist, their non-existence would in- volve us in the most exasperating contradictions with them, with ourselves, and with the daily Press. This, however, would be a disaster too awful to be seriously thought of. Consequently, Lycurgus did not exist ; nor did any other state-founding person- ality in Greek or Roman times. " c In fact when you come to think of it, nobody 8 NIGHTS WITH THE GODS ever existed except ourselves. Adam was not; he will be at the end of ends. The whole concept of the world is wrong as understood by the vulgar. Those old Greek and Roman heroes, like Aristomenes, Coriolanus, Cincinnatus, never existed for a day. Nor did the Doric Migration, the Twelve Tables, and lots of other so-called events. They have been invented by schoolmasters for purposes of exams. Did Draco's laws ever exist ? Ridiculous. That man Aristotle speaks of them, but it is as evident as soap that he invented them for mods, or other exams, of his. " c The vulgar constantly ask me whether or no history repeats itself. What, for goodness' sake, does that matter to me ? It is sufficient for all purposes that historians repeat each other, for it is in that way that historical truth is established. Or do not the great business-princes thus establish their reputation ? They go on repeating " Best furniture at Staple's," "Best furniture at Staple's," three hundred and sixty-five times a year, in three hundred and sixty-five papers a day. By repetition of the same thing they establish truth. So do we historians. That's business. What, under the circumstances, does it matter, whether history itself does or does not repeat itself? " c One arrogant fellow who published a wretched book on " General History," thought wonders what he did not do by saying, that " History does repeat Itself in institutions, but never in events or persons" Can such drivel be tolerated ! Why, the repetition by and through persons (read: historians) is the very soul of history. We in this country have said and written in and out of time and on every sort of ARISTOTLE ON SPECIALISM 9 paper, that the "Decline and Fall of the Burmese Empire" is the greatest historical work ever written by a Byzantine, or a post-Byzantine. We have said it so frequently, so incessantly, that at present it is an established truth. Who would dare to say that it is not? Why, the very Daily Nail would consider such a person as being beneath it. " ' We real historians go for facts only. Ideas are sheer dilettantism. Give us facts, nothing but single, limited, middle-class facts. In the Republic of Letters we do not suffer any lordly ideas, no more than the idea of lords. One fact is as good as another, and far worse. Has not our greatest authority taught that the British Empire was estab- lished in and by absent-mindedness, that is, without a trace of reasoned ideas? As the British Empire, even so the British historians, and, cela vo sang dir, all the other historians. Mind is absent. " Mind " is a periodical ; not a necessity. We solid researchers crawl from one fact to another for crawling 5 s sake.' " The gods and heroes were highly amused with the tale of Aristotle, and it was with genuine delight that they saw him resume the story of his ex- periences at the seats of learning. "When I left the Professor of History," continued Aristotle, "I felt somewhat heavy and dull. I could not easily persuade myself that such utter confusion should reign in the study of history after so many centuries of endless research. I hoped that the little ones io NIGHTS WITH THE GODS might have made more real advance in philosophy; and with a view to ascertain the fact, I entered a lectur- ing hall where a professor was even then holding forth on my treatise c De Anima.' He had just published a thick book on my little treatise, although (or perhaps because? . . .) another professor, a Frenchman, had recently published a much thicker book on it. " I listened very attentively, but could not under- stand a word of what he said. He treated me text- critically, philologically, hermeneutically, everything, except understandingly. I felt that my treatise was not mine at all. It was his. At a given moment I could not help uttering aloud a sarcastic remark about the professor's explanations. Down he came on me like thunder, and with a triumphant sneer he proved to me that what I had said I had not said at all. In that I differed entirely from a great states- man of theirs, who had said what he had said. The professor put me under a regular examination, and after twenty minutes formally ploughed me in *De Anima. ' "This was a novel experience for me. In the Middle Ages, it is true, I had repeatedly had the same experience, and Albertus Magnus and St Thomas Aquinas had done me the same honour. But in modern times I had not yet experienced it. The next day I called upon the professor, who lived in a beautiful house, filled with books, amongst which I saw a great number of editions of my own works. " I asked him whether he had ever cared* to study the anima, or what they call the psychology of animals. I added that Aristotle had evidently done ARISTOTLE ON SPECIALISM n so, as his works explicitly prove, and that after he had surveyed all sorts of souls in the vegetable, animal and human kingdom, both normal and patho- logical, he wrote his treatise * De Anima,' the real sense of which must escape him who has not taken such a wide range of the question. Ah you ought to have seen the professor! He jumped from his seat, took another whisky and soda and said : c My young friend, the first thing in science is to dis- tinguish well. Bene docet qui bene distinguit. You speak of animals. What have they to do with human psychology ? Their souls are studied by my colleague who goes in for comparative psychology; or rather by several of my colleagues, one of whom studies the comparative psychology of the senses ; the other that of the emotions; the third that of memory; the fourth the fifth the sixth, etc., etc., etc. " < I, I stick to my point. I have my speciality. You might think that my speciality is psychology, or Aristotle's psychology. Not at all. This is all too vague, too general. My speciality is quite special; a particularly singular speciality: the text of Aristotle's psychology. And even that goes too far; for what I really call my speciality is my version of the text which is said to have been written by Aristotle. "'Now at last we are on firm ground. What under those conditions need I trouble about cats and rats ? The latter, the rats, have* I admit, some little importance for me. They -have* in their time de- voured parts of Aristotle's manuscripts, and I have now to reconstitute what they have swallowed. I am to them a kind of literary Beecham's Pill. But 12 NIGHTS WITH THE GODS as to cats, mules or donkeys? What have they to do with me ? Can they influence my version of the text ? Hardly. " ' My young friend, if Aristotle himself came to me, I should tell him : " My good man, unless you accept my version of your text, you are out of court. I am a professor, and you are only an author. Worse than that a Greek author. As theologians fix the value and meaning of gospel- words ; as the State makes a piece of worthless paper worth five pounds sterling by a mere declaration; even so we say what you Aristotle did say. What you said or meant is indifferent; what we say you said or meant is alone of consequence." How then could even Aristotle refute me regarding my view of his views ? It is logically impossible. " 4 Don't you see, this is why we have invented our beautiful system of excessive specialisation. Where each of us studies only one very small thing, there he need not fear much competition, but may hope for exclusive authority. We shall soon establish chairs for professors of philosophy, who will study, each of them, just a mere splinter of a twig of one branch of the tree of philosophy; or better still, just one leaf of such a twig of such a branch; and finally, just a dewdrop on such a leaf of such a twig of such a branch. Then we shall have completed our net- work of authority. " ' Our contemptible enemies say that our talk about Aristotle and Plato is like the gossip of lackeys in the pot-house about their noble masters. We know better. You are a young man* I will give you a bit of profound advice. If you want to make your way in the literary world rapidly and ARISTOTLE ON SPECIALISM 13 with ease, hitch on your name to some universally acknowledged celebrity. Do not write on obscure, if great authors or heroes ; but pick out Homer, Plato, Dante, Shakespeare, Goethe, or Napoleon. Write constantly on some speciality of these men; thus, on the adjectives in Homer; on the neutral article in Plato; on the conjunctions in Dante; on the plant-lore in Shakespeare; on the names of women in Goethe; or on the hats of Napoleon. "'Your name will then incessantly be before the public together with that of Homer or Shakespeare or Napoleon. After a time, by a natural association of ideas, something of the lustre of the immortal will fall on you. Note how the most elaborate writers on, say Shakespeare, are almost invariably men of the most sincere mediocrity. They are, neverthe- less, exceedingly clever tacticians. They become "authorities." We are not authorities because we are specialists ; we have, on the contrary, introduced the system of specialities in order to pass for authori- ties. To use Plato's terms: our whole business spells effectology, and nothing else. Take this to heart and be successful.' " On leaving the professor," Aristotle said, " I felt that I had made several steps forward in the compre- hension of that system of specialisation which I heard praised and admired in all the Universities. I need not tell you, my friends, how utterly wrong that system is. As humans do not think in words, but in whole i 4 NIGHTS WITH THE GODS sentences, so Nature does not act in particulars, but in wholes. The particulars are ours, not Nature's. In making them we act arbitrarily. Why should dentistry be one speciality ? Why should there not be thirty- two different specialist dentists for our thirty- two teeth ? All specialisation in the realm of know- ledge is rank arbitrariness. Without exception, the great leading ideas in all organised thought have invariably been made by wholesale thinkers like Pythagoras, Plato, I venture to add : myself, Lionardo da Vinci, Kepler, Newton, Pascal, Leibniz, Darwin. . That is precisely where humans differ from animals. All animals are the most conceited specialists." Here Diogenes interrupted : " Does the converse hold good, O Aristotle ? " "I will leave," Aristotle replied with a smile, " the consideration of this case to your own discre- tion. I do repeat it, that each animal is an out- and-out specialist. It troubles about nothing else than the two or three things it takes a professional interest in. It eats, sleeps, and propagates ; occasion- ally it adds a tightly circumscribed activity of some kind. That's why animals do not talk. It is not part of their speciality. They do not talk for the same reason that the English do not produce fine music, nor the Prussians tactful behaviour. In all these cases the interest of the specialist lies else- where. " Does a modern specialist in heart-diseases study the kidneys? Does a specialist in surgery care to study the nerves? Even so an animal does not care to speak. It is a specialist; it restricts itself to its 'business,' to 'the point.' The h'ttle ones say that animals have no general ideas, and that ARISTOTLE ON SPECIALISM 15 is why they cannot speak. But have human specialists any general ideas of anything, and yet do they not speak? The argument is too foolish for words. " Why, Nature created men in order to have a few genera/ists, if I may say so, amongst all the specialists called animals or plants; just as amongst men she created Homers and Platos and Galileos and Leibnizes, in order to save the rest of humans from their evil tendency to over-specialisation. It is a plan as plain as transparent glass. "Thousands of years ago Nature found out that, with all these endless vegetal and animal specialists on hand, she would soon have to declare herself bankrupt. One specialist ignored the other; or hampered, hurt, and paralysed the other ; they could N not understand one another, because they had no common interest. In her predicament, Nature created human beings for the same reason that men invented the locomotive or the telegraph. She could no longer be without him. Man was, by his very needs, obliged to drop over-specialisation. He interested himself, for a variety of ends and reasons, in stones as much as in plants and animals. By exterminating some of the most damaging species of animals, he saved the life of millions of specimens of other animals that would otherwise have been killed out by ferocious specialists, such as the tiger, the leopard, and the wolf. The same he did to plants, and partly to rivers and lakes. He brought a little order into this pandemonium of specialists in Nature. "Look at the sea. There man was unable to exert his power for order by general ideas. Look at the indescribable disorder and chaos and mon- 16 NIGHTS WITH THE GODS strosity of life and living beings in the sea. They are hideous, like an octopus ; short-lived, nay, of a few minutes' duration, like the jelly-fish; fearful and yet cowardly like a shark ; abominably under- sized or over-sized; incapable of any real passion, except that of eating and drinking. This liquid mass of fanatic and unsystematised specialists render the sea as inferior to the land as is Thibet to Holy Athens. People travelling in that ocean of specialists are exasperated by foul sea-sickness ; and empires built on it have repeatedly been destroyed in a single week ; ay, in one day. " The dread of being swamped by specialists has driven Nature into creating the most grotesque compositions of beings half plant and half animal, or half stone and half plant ; or again half male and half female ; or half land-animal, half fish. Another way adopted by Nature in her attempt to obviate the ravages of specialists was by giving them ex- ceedingly short shrift, and just a mere speck of existence ; or again by forcing them to form big corporations and societies, such as forests, prairies, meadows, swarms, troupes. " In fact Nature is a free lance fighting incessantly the evil done by the specialists. Ask Poseidon what trouble the sea gives him; ask .ZEolus how his life is made a misery through the mad freaks of the various specialists in winds. And what is the deep, underlying reason of all this insane race for specialism? I will tell you that in one word. It is Envy and Jealousy. In certain countries Envy and Jealousy are the inextinguishable and ubiquitous hydra of life. " Take England. She is a democracy, if a masked ARISTOTLE ON SPECIALISM 17 one. Hence Jealousy is the dominating trait of her citizens. Jealousy has, thousands of years ago, invented railways, telegraphs, wired and wireless ones, telephones and Rontgen-rays, and all the rest of the infernal machines whereby Space, Time, and Work is shortened, curtailed, annihilated. Jealousy has at all times sent wireless messages over and through all the houses of a town or an entire country. It has Rontgenised the most hidden interiors; and its poison runs more quickly through all the veins and nerves of men than does the electric spark. "Look at the customs, social prejudices, or views of that nation. Over one half of them was introduced to disarm the ever-present demon of Jealousy. Why is a man a specialist? Because in that way he disarms Jealousy more quickly and more surely than by any other expedient. It gives him an air both of modesty and of strength by concentration. In reality it does neither. It is only an air. The so- called Reality consists of nothing but unrealities, of shams, and masks. A specialist is not a master of his subject ; he is a master of the art than which there is no greater, the art of making other people believe that you are not what you are, but what they want you to be. "Nature has a horror of specialists; and she will reveal her secrets to an insane poet rather than to a specialist. Most great inventions were made either by 'outsiders,' or by young men who had not yet had the time to harden into specialists. In specialisation there is nothing but a total misunder- standing of Nature. "Nature acts by instantaneous correlation and co-operation of different parts to one end ; and to 1 8 NIGHTS WITH THE GODS specialise is tantamount to taking a clock to pieces, putting them separately in a row on the table, and then expecting them to give you the exact time. "In Nature there is no evolution, but only co- evolution ; there is no differentiation but only co- differentiation. The little ones have quite overlooked all that ; and that is why so many of the statements of co-differentiation in my zoology can be neither confirmed nor refuted by them. Who dare say which is a ' part ' in Nature ? Is the hand a ( part,' that is, something that might legitimately be told off as a speciality ? Or must it be studied in connection with the arm, or with its homologies in the nether part of the body ? " In the same way : what constitutes a * period ' in history ? Any division of a hundred or a thousand years by two, three, or four ? Or by a division of twenty-five or thirty only ? Who can tell ? A man who says he is a specialist in the thirteenth century, is he not like a man who pretends that he is a specialist in respiration in the evening ? " Nature does specialise ; witness her innumerable specialists. But do we know, do we possess the slightest idea as to how she does it ? Can we prove why a goose has its peculiar head and not that of a stork? Evidently not, because we do not know what Nature calls a part, a speciality. She abhors specialists, just because they know so little of her way of specialising." ARISTOTLE ON SPECIALISM 19 At this point of Aristotle's speech, Aristophanes asked for leave to protest. Having obtained it from Zeus, he commenced forthwith : " O Father of Nature and Man, I can no longer stand the invective of the Stagirite. In his time he was prudent enough to postpone his birth till after my mortal days ; other- wise I should have treated him as I did Meton and Socrates, and other philosophers. But here he shall not escape me. Just imagine, this man wants to deprive creation of the best fun that is offered to the thinking beings amongst animals and humans. "I wish he had overheard, as I have, when the other night I passed through an old forest near Darlington, a conversation between an old owl, a black woodpecker, and a badger. The owl sat, somewhat lower than usual on a birch-tree, while the woodpecker stopped his work at the bark of the groaning tree, and the badger had left his hole in order to enjoy the cool breath of the night. The owl said : < Good-evening, Mr Woodpecker, how is business? Many worms beneath the bark? 5 The woodpecker replied : * Thanks, madam, there is a slump, but one must put up with what one can get.' "The badger then complained that he passed tedious hours in the ground, and he wished he could again see the exciting times of a few hundred thousand years ago when earthquakes and other catastrophes made existence more entertaining. * Quite so,' said the owl, < the forest is getting too civilised, and too calm. But you see, my friends, I have provided for much solid amusement for my old days. I used to visit a human's room, who read a great number of books. I asked him to teach me that art. I found it easy enough, only that 20 NIGHTS WITH THE GODS these humans will read in a straight line from left to right, and I am accustomed to circular looks all round. " c When I had quite acquired the art, I read some of his books. They were all about us folk in the forest. Once I chanced upon a chapter on owls. You may easily imagine how interested I was. I had not yet read a few pages, when I was seized with such a laughter that the professor became very indignant and told me to leave him. This I did ; but whenever he read his books, I read them too, perched on a tree not far from his study. I cannot tell you how amusing it was. " c These humans tell stories about us owls, and about you, Mr Woodpecker, and Mr Badger, that would cause a sloth to dance with joy. They imagine they know how we see, how we fly, how we get our food, and how we make our abodes. As a matter of fact they have hopelessly wrong notions about all these things. They want, as my venerated father used to say, to tap the lightning off into nice little flasks, in order to study it conveniently. This they call Evolution. " c The idea was mostly developed in England, in a country where they are proud of thinking that they always "muddle through somehow." These > three words they apply to Nature, and call it Evolution. Once upon a time, they say it does not matter whether 200,000 or 300,000 years, or per- chance 645,789 years ago there was my ancestor who, by mere accident, had an eye that enabled him to see more clearly at night than other , birds did. This eye enabled him to catch more prey, thus to live longer, and to transmit his nocturne of an eye ARISTOTLE ON SPECIALISM 21 to his progeny. And so by degrees we muddled into owlship. " c Is that not charming ? My father used to laugh at that idea until all the cuckoos came to inquire what illness had befallen him. He told me, that an owl's eye was in strict correlation with definite and strongly individual formations of the ears, of the neck, of the feet, and of the intestines, and that accordingly a mere accidental change in the supposed ancestor's eye was totally insufficient to account for the corresponding and correlative formations just mentioned. " c Such correlative and simultaneous changes in various organs can be the consequences only of a violent and, as it were, fulgurous shock to the whole system of a bird. Such shocks are not a matter of slow growth. As all individual animal life at present is called into existence by one shock of fulgurant forces, even so it arose originally. " ' But the English think that Nature is by birth an Englishman who adopts new organisms as English- men adopt new systems of measures, calendars, inventions, or laws, i.e. hundreds of years after someone else has fulgurated them out. " c They imagine Nature to be, by rank and profes- sion, a middle-class man and muddler; by religion, a Nonconformist ; and by politics, a Liberal. How- ever, we know better. Nature is, by rank and profession, a free lance and a genius ; by religion, a Roman Catholic; and by politics, a Tory of the Tories. Now this being so, you may imagine, Mr Woodpecker and Mr Badger, what capital fun it is to read these learned lucubrations about birds and other animals as written by humans. 22 NIGHTS WITH THE GODS " c The other day I called on Master Fox in the neighbourhood. He was ill and, in order to amuse him, I told him what they say of him in human books. He fairly burst with laughter. He told me later on, that by narrating all the Don Quixote stories told of him by man, to a big brown bear, he became the court-favourite of that dreaded king of the place, " ' I have sent the swiftest bat, to whom I gave a safe conduct, to all the birds and animals of this country, to meet at a given time on one of the peaks of the Hartz Mountains, where I mean to entertain them with the stories told by specialists on each of them, on their structure, functions, and mode of life. It will be the greatest fun we have had these two thousand years. I charged the nightingales, the larks, and the mocking birds of America to open the meeting with the most wonderful chorus that they have ever sung, and I am sure that 1 will deserve well of the whole community of birds and other animals by offering them this the most exhilarating amusement imaginable.' " So spake the owl. And now, O Zeus, can you really brook Aristotle's attempt to demolish and to remove men who furnish pleasure and intense amuse- ment to so many animals holy to men and even to the gods ? I cannot believe it. You know how necessary it is to provide carefully for the amuse- ment of people. To neglect Dionysus is to court hideous punishment. If the specialists in Nature should disappear, you will, O Zeus, have endless anarchy on all sides. Birds, insects, v sn$kes, and reptiles, lions, felines, and bears they will all rise in bored discontent, in the waters, on land, in the ARISTOTLE ON SPECIALISM 23 air. You will never have a free moment for calm repose. " They will worry all the gods incessantly. They will make the most annoying conspiracies and plots and intrigues against all of us. Let us not take Aristotle seriously. He means well, and is no doubt quite right, as far as reason goes. But does reason go very far ? Can he now deny the eternal rights of unreason ? To remove the specialists in biology and natural history is to remove the comedy from Athens. The Athenians, in order to be ruled, must be entertained. But for me and the like of me, the Athenians could never have held out as long as they did hold out. It is even so with animals. They want their Aristophanes. They must have their specialists. Pray, Artemis, you who in your hunts over dales and mountains have heard and observed everything that concerns animals, join me in protest- ing against the onslaught of Aristotle on men so necessary for the well-being of animated Nature." Artemis Diana laughed melodiously and nodded consent. The other gods, amidst great hilarity, passed a vote against Aristotle, and the sage smilingly bowed acceptance of the censure. " I will abide," he exclaimed, " by your decision. But, pray, let me make just one more remark which, I have ncy doubt, the master-minds of the unique city, over which we are hovering at present, will gladly approve. I call upon you Lionardo, Michel- 24 NIGHTS WITH THE GODS angelo, Machiavelli, and you magnificent Lorenzo, whether I am exceeding the limits of truth. I do maintain that while the little ones have, in religion, gone from Polytheism to Monotheism, they pretend that in matters of knowledge time is constantly increasing the number of gods to be worshipped. "At present they affect to believe no longer in the numerous gods and goddesses of the Olympus, but only in one God. In point of knowledge, on the other hand, they declare that each little department thereof is endless, requiring the study and devotion of a whole lifetime, and controlled, each of them, by a god whom they call an authority. Now, nothing can be more evident than the fact that knowledge, real knowledge, becomes increasingly more steno- graphic in expression, and sensibly easier of acquisi- tion. The Chinese write encyclopaedias in 6000 volumes ; the modern Europeans do so in twenty-four or thirty-six volumes." Here Diogenes interrupted the Stagirite and said : "I am afraid, O Aristotle, that your argument has little real force to boast of. It does not prove at all that the Chinese have only crude, empirical, and un- organised knowledge, while the little ones in Europe have a reasoned and systematised, and hence a less cumbrous one. This is owing to quite a different cause. "The little ones have of late invented a method of publishing encyclopaedias in a manner so well adapted to tempt, threaten, bully, or wire each member of the general public into the purchase of an entire copy, that if their encyclopaedias consisted of 6000 or 10,000 volumes each, the people of England, for instance, would have to conquer Norway, Sweden, ARISTOTLE ON SPECIALISM 25 and Iceland first. Norway they would be obliged to conquer, in order to possess themselves of sufficient wood for the cases ; Sweden, in order to appoint all Swedish gymnasts for the acrobatic feat of fetching a volume from the fiftieth row of a bookcase ; and Iceland, in order to place excited readers of the en- cyclopaedia in a cool place. But for this circumstance, I am sure the little ones in Europe would fain publish an encyclopaedia in 1 5,000 volumes." When the laughter of the Assembly had subsided, Aristotle continued : cc Nothing has struck me more forcibly in my visit to their seats of learning than this universal belief in the infinitude of each tiny department or speciality. They do most gravely assert that c nowadays ' it is impossible to embrace more than one speciality ; and they look upon me or Leibniz with a certain knowing smile as if in our times all knowledge would have consisted of a few jugs full of water, whereas now it is no less than an ocean. But when you ask them the simplest questions, they are at a loss how to answer them. " I asked one of their most famous specialists why the eyebrows of men are shorter than the moustaches. He did not know it. How could he ? It takes the knowledge of at least five so-called specialities to answer such a question. I asked their most learned specialist in their language, why the English have dropped the use of c thou,' although no other European nation has done so. He did not know it. 26 NIGHTS WITH THE GODS "They study a given subject when death has driven out all life from it. They do not trouble about language as a living organism, full of fight, of movement, of ruses, of intrigues, of sins and graces ; but only of language when it lies motionless, a veritable corpse, on the table of the anatomical dis- sector and dictionary-fiend. They do not study a butterfly when it is in full life, flirting, pilfering, gossiping, merrymaking ; but only when it is motion- less, lifeless, pierced by a pin. This is how they get their specialities. " Death indeed is the greatest of all specialisers. As soon as a man is dead, each hair or bone on or in his body takes up a separate line of decay, caring nothing for the other, full of scorn for its immediate neighbour, sulking by itself, wandering to the Styx alone and sullen. " In England they have pushed that belief in specialities to a funereal degree. I wonder they allow a man to play one of their instruments, called the piano, with both his hands at a time. I wonder they do not insist that a given piece by Chopin be played by two men, one of whom should first play the part for the right hand, and afterwards the other man the part for the left hand. To play both parts at a time, and to have that done by one single man too, what presumption ! How superficial ! "In law they have long acted in this sense. There is one man, called the solicitor ( a very good name ), who plays the bass, or left-hand part with a vengeance, for several weeks. When that is done; when the c hearer ' or client lies prostrate on the ground from the infernal noise made by the solicitor's ARISTOTLE ON SPECIALISM 27 music, the solicitor hands over the whole case to the other man, the barrister, who plays the most tortuous treble, in a manner likely to madden Pan himself. "The idea, accepted by all the other nations of Europe, that the whole prejudicial business of a legal contention might very well be left to one man, to a lawyer proper, what presumption ! How super- ficial ! " But when you tell them that they browbeat their own principle of specialisation by taking their judges from amongst late barristers, then they wax into an august anger. Yet no other nation does that. The function of a judge is radically different from that of a barrister. After a man has been a barrister for twenty years ; after all his mind has taken the creases and folds of barristerdom ; after he has quite special- ised himself in that particular line, he is unlikely to have the best qualities of a judge. If a barrister cannot be a solicitor ; why should he be at once, and suddenly able to become judge? " Their arguments to that effect are most amusing. They dance a real war-dance round the truth that they mean to scalp. "The truth of course is that all the three have one and the same speciality : that of running England. That country is lawyer-ridden, as Egypt was priest- ridden, or Babylonia scribe-ridden. The English being too proud to be stingy or petty in money matters, do not mind their rulers, the solicitors- barristers-judges, because these deprive them eventu- ally only of what the English do not hold in great esteem, small sums of money. In France, where people cling fanatically to a penny, the bar- risters have not been allowed to become judges. 28 NIGHTS WITH THE GODS In France specialisation in law has triumphed, where in England it has failed. " Does that not show that specialisation is done, not in obedience to the behests of truth, but to those of interests ? " We Hellenes specialised on small city-states ; we did not want to widen out indefinitely into huge states; just because we wanted to give each citizen a chance of coining out all his human capital, and not to become, like our slaves, a limited specialist. In a huge state specialisation becomes inevitable. In such states they must, more or less, sterilise the human capital of millions of citizens, just as we Hellenes sterilised the political capital of thousands of slaves. "Specialisation is enslaving, if not downright slavery. It furthers truth very little; it cripples man. " Just as a man who talks several languages well, will write his own idiom better than do his less accomplished compatriots; even so the man who keeps his mind open to more than one aspect of things, to more than one c speciality ' will be by far more efficient than his less broad-minded colleagues. Man may and shall invent, as I have long predicted it, highly specialised machines doing the work of the weaver, or the baker. But he himself must not become a machine. This is what happens c now,' as the little ones say all over Europe and America. " Not only have they formed states with many, many millions of people each. Worse than that, they have agglomerated the majority of these millions into a few towns of unwieldy size. In those towns specialisation is carried into every fibre of men and women. This desiccates them, disemotions them, ARISTOTLE ON SPECIALISM 29 sterilises them. We Hellenes gladly admit that the Europeans of the last four centuries have excelled us in one art : in music. But their period for this ex- ceeding excellence is now gone. "By over-specialisation of thought and heart, caused chiefly by over-urbanisation, the very wells of music begin to dry up. The music of the day is hysterical, neurasthenic, and false. It is the cry, not of an aching heart, but of an aching tooth, of a gouty toe, or a rheumatic nerve. It does not weep ; it coughs phthisically. It does not sigh ; it sneezes. It is a blend of what we used to call Phrygian and Corybantic rhapsodies. "And as in music, even so in character. Where each individual distorts himself or herself into a narrow speciality, there people must needs become as angular, lop-sided, and grotesque as possible. They are, when together in a room, like the words on a page of a dictionary: they have nothing to com- municate to one another. There they stand, each in his cage, uncommunicative, sulky, and forbidding. One thinks in F major ; the other in F sharp minor. Harmony amongst them is impossible. Every one of them is hopelessly right in every one of his ideas ; and of all mental processes, that of doubt or hesitation in judgment is the last they practise. " A specialist, does not doubt. Why should he ? To him the most complicated things human appear as mere specialities, that is, as mere fragments. A woman is only a specialist in parturition. A physician is only a specialist in writing Latin words on small slips of paper. A barrister is only a man who wears neither moustache nor beard. A clergyman is prac- tically a collar buttoning behind, and supported by 30 NIGHTS WITH THE GODS a sort of man inside it. In that way everything is so simplified that no difficulty of comprehending it remains. " All this clearly proves, O Empedocles, how right and, at the same time, how wrong you were in your view of the origin of things. Perhaps you were right in saying that the parts or organs of our bodies arose singly, or, as it were, as specialists. In times long before us there arose, as you taught, heads without necks ; arms wandering alone in space ; eyes, without foreheads, roaming about by themselves. But when you say that all this happened only at the beginning of things, you are, I take it, sorely mis- taken. Indeed it is still going on in countries where specialism reigns supreme; at anyrate it is going on in the moral world. In such countries you still see arms wandering alone in space, or eyes roaming about without foreheads, as well as heads without brains flying about in space. Not literally, of course. But what else is a character-specialist cultivating exclusively one quality of the human soul than an arm wandering about alone? The little ones must come back to the Hellenic idea of seeing things as a whole, and not, as do wretched flies, as mere chips of things." The divine Assembly had listened deferentially to the great sage. Zeus now charged Hermes^ to fetch some of the masterpieces from the room called the Tribuna at the Uffizi in Florence. Hermes, aided by ARISTOTLE ON SPECIALISM 31 a number of nymphs, fetched them and, placing them in the midst of the Assembly, exhibited their perfect beauty to the gods and heroes. This refreshed their souls sickened with the story of the serfdom of modern over-specialism. THE SECOND NIGHT DIOGENES AND PLATO ON TOLSTOY, IBSEN, SHAW, ETC. ON the second night the Olympians assembled at Pompeii. It was a balmy, starry night. The ruins of the old town, white in their marble dresses, shone with a spectral brightness against the mountains, bays, and meadows surrounding them. From Stabise and Gragnano opposite one could hear the pipe of Pan and the laughter of his nymphs, and on the dark water there were magic boats carrying Circe and her maids to their blue grotto in Capri. Selene sent her mildest rays over the scene, and grass and stone were as if steeped in silvery dreams. The place selected for the meeting was the amphitheatre. At a move of Zeus' right hand the seats and alleys, which had long since disappeared under the pressure of the ugly lava, rose from the ground. The orchestra and stage took up their old shape, and the whole graceful space with its incomparable view was again full of beauty, comfort, and pleasurableness. Zeus, and his wife Juno, sat down on the central seat, and around them the other gods and heroes. When everyone had found his or her seat, Zeus spake : " We have heard with much contentment the experiences of Aristotle in the country which the little ones below call England. We should now like to hear something about the theatres in that strange 3 2 DIOGENES AND PLATO 33 land. If life itself is so uncommon and funny in that part of the non-Grecian world, their theatre, reflecting life, must be unusually entertaining. Per- haps you Aristotle, as the most renowned critic of poetry and the drama, will be good enough to give us an idea of the thing they call drama in England." Whereupon Aristotle rose from his seat, and treated the immortals to a sight which no one had as yet enjoyed : he smiled. And smilingly he said to the almighty son of Kronos, ruler of the world : " O Zeus, your wish is a behest, and if you insist I will of course obey. But pray, kindly consider that I have, with your consent, withheld from these people, who call themselves moderns, and who might better be called after lings, the second book of my c Poetics,' in which I treat of the comedy, the farce, the burlesque, and similar phlyakes, as we term them. If now I should reveal my thoughts on the phlyakes of the English, several of their sophists, whom they call University professors, might still add to the lava which my commentators have spurted out upon my works, just as we see here the lava of angry Vesuvius cover the beauteous fields in and around Pompeii. "May I propose the proper person to entertain us about that sort of comedy of the English which, at present, is more or less generally considered to be their most valuable dramatic output ? If so," Aristotle continued at a sign from Zeus, " I propose him who over there at the right entrance of the stage lies carelessly on the ground and seems to heed us as little as in his time he heeded the Athenians and the Corinthians." Aristotle, raising his hand, pointed 34 NIGHTS WITH THE GODS to the shabby, untidy figure of Diogenes. When the gods and heroes heard the name and looked at the person of the Cynic, they all burst out in im- mortal laughter, and the sea, catching the gay ripple, laughed as far as Sorrento. Diogenes, without moving from his position, and putting one of his legs comfortably on one of the low statues of a satyr, turned his head towards Zeus and exclaimed : " Verily, I tell you, you only confirm me in my old belief, that there is nothing sadder than laughter. Why should you laugh? Are we not here to enjoy ourselves? Is not this lovely spot one where even we might and ought to feel perfectly happy? Why, then, laugh? I mean, of course, laugh at me. "I do pooh-pooh all your glories. Olympus to me is not a whit more agreeble than my tub at Corinth. This is, you understand, the reason of my predilection for the English. They, alone of all these Europeans, live at least for five seconds each day in a tub. " I also pooh-pooh your feasts, your ambrosia and nectar. For having passed a few months in a large village they call London, I have so completely lost my palate and taste, that for the next two thousand years, at any rate, I shall not be able to distinguish nectar from stale ale, nor ambrosia from cabbage. , " Yes, I still pooh-pooh, disdain and neglect most of the things that you and your worshippers hold in DIOGENES AND PLATO 35 great esteem. Alcibiades raved about the beauty of women now limping about in the various cities of the barbarians, and more particularly in the towns of the English. A woman ! A mere woman ! What is the good of a woman unless one is rid of her? I still think what I used to teach, that between a man and a woman there is only a slight difference, one that is scarcely worth considering. " You may laugh until Vesuvius again vomits scorn upon you, but I tell you here, at Pompeii, what I used to tell everybody at Corinth : your glories are all gone, or ought to go. Just look at Venus. There she sits displaying to eager-looking Pans and Sileni the loveliness of her head and neck and figure. But what does it mean after all ? Repentance and worm- wood. Look at Ares (Mars). Does he not look as if he ruled the world ? Does he not behave as if all great things were achieved through and by him ? And what is it in reality ? Mere butchery cowardly butchery. You laugh; of course, you do. But I mean to show you that all that I have ever taught is nothing less than strictly true ; the only truth ; truth the one. "Aristotle, in pointing me out as the person who can best tell you what this new Shavian drama of England really is ; Aristotle, I say, may have acted with malice. He has, nevertheless, acted with great wisdom. I am indeed the only man out of the world (there is none in it), who does clearly and fully understand my little disciple who calls himself Bernard Shaw. Of the other friends and admirers of his, he might very well say what that great German philosopher Hegel said in his last moments : c One man alone has understood me well, and even 36 NIGHTS WITH THE GODS he misunderstood me entirely.' He might with reference to my Cynic lady friend Hipparchia also say : ' One man alone understood me well, and she was a woman.' "The fact is, Shaw, the son of Pooh-Pooh, is simply a goody disciple of my school, of the Cynics. When I was still within that mortal coil which men call skin and flesh, I did take all my sputterings and utterings very seriously, or as they say in cultured Mayfair : c Oh grant serio? I really thought, as undoubtedly thinks my brave disciple in London, that my criticism of social, political, or religious things went deep into the essence of all that maintains Society, the State, and the Temples. Good old Plato, it is true, hinted at my vanity and conceit . more than once, and I still feel the sting of his remark when once, soaked all through by the rain, I was surrounded by pitying folk : c If you want to feel pity for Diogenes,' Plato said, c then leave him alone.' "But I then did not heed any satire directed against me, being fully occupied with satirising others all day long. However, since that time, and since I have been given a corner in the palace of the immortals, lying on one of the steps like a dog, as that Italian dauber, whom they call Raphael, painted me in his * School of Athens' ( a fresco which might be much better had Raphael wisely chosen his age and appeared as a Pros-Raphael ite ) ; ever since I have learnt a great deal, not only about others, but also about myself. "While you superior people \drink nectar, and par- take of ambrosia, I enjoy with infinite zest the mali- cious pleasure of studying the capers, antics, and poses DIOGENES AND PLATO 37 of my posthumous selfs, the Diogeneses of that speck on the mirror of eternity which the little ones below call c our time.' Could anything be more amusing to a Cynic of about twenty-two centuries' standing like myself, who has heard and taught all the most nerve-rasping eccentricities imaginable, than to hear Tolstoy, Shaw, Ibsen, and tutti quanti, teach with thunderous ponderosity, and with penurious fulguration their doctrines as the latest and hitherto unheard-of delivery of the human or inhuman mind? I beg to assure you it is excruciatingly funny. But I feel I must tell you the whole story in due order. It happened thus. "I learnt from Momus that another posthumous self of mine had arisen and, accordingly, I forthwith repaired to the place called London. (By the way, it is a queer place. It is neither a village, nor a town; neither a country, nor a desert; it is some- thing of all, and much of neither.) In one of the streets I saw an inscription over a door 'Agency for amusements, theatres, blue bands, green bands, etc.' I did not quite understand what blue bands had to do with amusement, but I entered. " Behind the counter was a middle-aged man work- ing busily at papers. I addressed him: 'Be cheerful!' "He looked at me in a curious fashion, evidently doubting the sanity of my mind. As a matter of fact, after a little while I could not help seeing that he was right. How could I imagine him to be cheerful ? " I asked him for the means of seeing a theatrical piece by Shaw. He offered a ticket, and wanted to know my name. I said c Diogenes.' 38 NIGHTS WITH THE GODS " He became impatient, and said : ' Diogenes which ? I mean, your family name ? ' UC I have no other name,' I said; 'don't you know, I am Diogenes who cut Alexander the Great?' " c Alexander the Great?' he said c Why, I only know of a tailor, called Alexander the Great. Do you mean to tell me you cut him?' " c No,' I said ; c I do not. I mean Alexander, King of Macedon.' " Whereupon he contemptuously said : ' I never heard of the gentleman, and if he was a king of Macedon he has made a jolly fine mess of his country just read about the Macedonian question in to-day's Daily Telegraph? I wanted to ask him whether he was perchance Professor of History, but other people came in, and so I left. " On the same evening I was shown the way to a theatre, and I understood that the piece given was Arms and the Man. I enjoyed myself immensely. "It is all very well to share the pleasures of Olympus with the gods. Yet, by all the Graces, whenever I hear or read reminiscences of my early youth, those unforgettable events and ideas of the time when I walked in the streets of Athens in the wake of my revered master Antisthenes, it gives me a thrill of pleasure, I might almost saj, a new shiver. " Just fancy, here I was sitting in far-off Britannia, DIOGENES AND PLATO 39 over two thousand years after my mortal existence, listening to an oration of Antisthenes, my master, which we used to call 'Kyros.' I see very well, O Ares, you remember the famous oration directed against you, against all the glories of War, because even now you frown on me, and I must ask Venus to keep you in check. I have received too many a whipping while I was at Athens and Corinth pray let me in peace here in our temporary Olympus. "At present, as you well know, I have quite changed my ideas about war, and much as I may have disliked you before, at present I know that Apollo, Venus, you Ares, and Dionysus keep all mortal things agoing. But let us amuse ourselves with the contemplation of an oration of Antisthenes in modern Britannic. "Antisthenes hated war so much that he attacked the greatest and least doubted military glory of the Athenians, their victories over the Persians. He attacked it with serious arguments, he sneered at it, he tried to reduce it to a mere sham. Did Antis- thenes not say, that the victory of the Athenians over the Persians at Salamis would have been something admirable, had the Persians excelled the Athenians in point of virtue and capability ? For in that case the Athenians would have proved even more virtuous and more capable. However, the Persians, Antisthenes elaborately proves, were alto- gether inferior. Nor did they have a true king, Xerxes being a mere sham king with a high and richly jewelled cap on his head, sittting on a golden throne, like a doll. Had Xerxes not to whip his soldiers into battle? What, then, is the glory of the Athenians ? None ! Salamis, like all battles, 40 NIGHTS WITH THE GODS was a mere butchery, and soldiers are mere cowards, beating inferiors and running away from superiors. So far Antisthenes. "The Britannic version of Antisthenes' sally against war, soldiers, and the whole of the military spirit, I found comical in the extreme. ' Well done ' I repeatedly exclaimed within myself, when I saw the old capers of the Cynics of my mortal time brought up again for the consumption of people who had never heard of Cynics. That man Shaw out-Cynics many a Cynic. He brings upon the stage a number of persons, each of whom is, in turn, a good soul first, and then a viper; an enthusiast, and then a liar ; a virtue, and then vice itself. "Take the girl Raina. She begins by being ideal and enthusiastic; ideal, because she is pure, young, and in love with her own fiancd; enthusiastic, be- cause she is in raptures over the military glory of her fianc^ as would be in all truth and reality a hundred out of each hundred girls in most countries of the sub-Shavian world. Not the slightest inkling or fact is indicated that she is not pure, ideal, or genuinely enthusiastic. In the next scene she is suddenly made out to be a vicious girl, a coldly calculating minx, and we are given to understand that she has had no end of general and particular adventures behind her, as she hopes to have a good many in front of her. " Why ? Why are we now to assume or believe that Raina of yesterday is not Raina of to-day? Where is the motive, I asked myself with grim satisfaction with the brave Cynicism of the author. Why ? Simply, for nothing. The comedy as such does not require it ; no fact alleged to have happened, DIOGENES AND PLATO 41 substantiates it; no situation growing out of the piece makes it a dramatic necessity. It is done simply and exclusively, in true Cynic fashion, for the sake of ridiculing a person that began by being enthusiastic for War. "It is the old story of the ugly sorceress in the child's book of fables. ' If you praise the beauty of yonder little girl in the garden, I will transform you into a guinea-pig ; and if you still continue doing so, I will make an old cock of you.' Even so Raina is changed into a viper, a liar, a dissimulator, a sense- less changer of lovers, an anything, without the slightest inner coherence, or what the philosophers call, psychological connection. "The same old witch's wand is used, with the freedom of a clown, with regard to the fiancg of Raina, the young military hero. He had by a bold cavalry charge captured a battery or two of the enemy's artillery. How can he be forgiven such an execrable deed ? How dare he succeed ? Out with the old sauce of Antisthenes ! It is, of course, exceedingly stale by this time. But the English, it appears, are so thoroughly used to stale sauces. They will not notice it at all. And thus all the threadbare arguments of Antisthenes are dished up again. I jubilated in my pride. " Thejianc^, Sergius, took the batteries of cannon because, we are told, by a mistake of their com- mander, they were not charged. How witty ! How clever ! Antisthenes merely said that the Persians were much inferior to the Athenians, so the latter easily got the better of the former. But this twentieth-century dapper little Cynic goes one better. He says, as it were, the Persians had no 42 NIGHTS WITH THE GODS weapons to strike with. Who would have thought of such an ingenious satire ? " Please, Hermes (Mercury), do not interrupt me ! I know very well what you mean to say. In all actions of men, victory depends more on the short- comings of their rivals and competitors than on their own genius. It is no special feature of military victories. Of two grocers in the same street, one succeeds mainly because the other is neglect- ful and unbusinesslike. Of two dramatists in the same country, one succeeds because he gives the people what they want, and not, as does the other, what dramatic Art wants. And so forth ad in- Jinitum. "But my Cynical Shavian does not heed these inconsistencies ; he knows the public will not notice them. He wants simply to ridicule War, and the whole military spirit. Accordingly out with the witch's wand, and let us change the hero first into a whimpering calf, and then suddenly into a lewd he- goat, and then, for no reason whatever, into the most mendacious magpie flying about, and finally into a little mouse caught in a trap laid by a kitchen- maid. For this is precisely what happens to the hero Sergius. "Returning from war, he is sick of it with a nauseating sea-sickness. Why? Unknown; or, as Herbert Spencer, the next best replica of Antisthenes in Britannia, would have said, unknowable. " Sergius is sentimentally idiotic about the nullity of his military glory. A few moments later he can- not resist the rustic beauties of a kitchen-maid, one minute after he had disentangled himself out of the embraces of his beautiful, young, and worshipped DIOGENES AND PLATO 43 Jiancde. The he-goat is upon him. Why? Un- known, unknowable. "Here in our fourth dimension we know very well (do we not. Ares ?) that soldiers have done similar escapades ? But have barristers done less ? Have all solicitors proved bosom-proof? Has no dramatist ever been sorely tempted by buxomness and vigorous development of youthful flesh? One wonders. "Why then bring up such stuff, without the slightest reason, without the slightest need, internal or external ? But the soldier, do you not see, must be run down. He must be ridiculed. It must be shown that he is only a cowardly mouse caught in the trap laid for him by that very kitchen-maid whom at first he treats merely as a well-ordered mass of tempting flesh, and whom in the end he marries. "This trait is delicious. I have frequently been in Mysia, or what these people now call Bulgaria, where Shaw's scene is laid. The idea of a Bulgarian gentleman of the highest standing marrying a kitchen- maid gave me a fit of laughter. In eccentric England a high-born gentleman may very well marry a bar- maid. In Bulgaria a nobleman will no more marry a servant-girl than his own mother. He has known too many of them; he can study her carefully, encyclopaedically, without marrying her in the least. For, she will never love him. " Of course, my acolyte full well knows that the English are not at all conversant with any nation south of Dover Straits, and that one may tell them anything one pleases about nations other than them- selves. They will believe it. And so Sergius 44 NIGHTS WITH THE GODS marries the girl by the same necessity that a mouse may be said to have married the trap into which it drops. " Is not this fun indeed ? To call marrying what simple people call getting morally insane ? How clever ! How bright ! "This is precisely what we Cynics used to do in ancient Greece. We turned humanity inside out, and then I walked in day-time in the streets with a lamp in my hand in search of a normal man, of a human being. If you vitriole a person's face or character first, how can you expect him to have unscathed features ? But that is precisely the point with us Cynics. We take human nature ; we then vitriole it out of all shape, and afterwards cry out in sheer indignation, * How awful ! ' ' How absurd ! ' This reminds me of my lawyer pupil who once, in the defence of a fellow who had murdered his parents, pathetically exclaimed to the jury: c And - finally, gentlemen, have pity on this poor, orphaned V boy! 5 " Not content with Sergius, another c type ' of soldier is dragged up to the stage ; a Swiss. Now I do not here mean to repeat our old Greek jokes about people similar to the Swiss, such as the Paphlagonians or Cilicians. I will only remark that the French, who have for over four hundred years had intimate knowledge of the Swiss, put the whole of Swiss character into the famous mot: ' Which animal resembles a human being most?' Answer: 'A Swiss.' "From a Swiss you may expect anything. He talks three languages ; all in vile German. He is to his beautiful country like a wart on a perfect face. DIOGENES AND PLATO 45 In the midst of paradise he is worse than a Prussian yokel born in the dreary heaths of North Germany. He is a Swiss. He has been a mercenary soldier to Popes and Lutheran princes alike. His aim was money ; is money ; will always be nothing but money. He sells his blood as he does the milk of his cows, by the litre or the decilitre; preferably by the latter. He likes war well enough ; but he prefers truces and cessation of arms. He thinks the best part of death is the avoidance thereof. He is, when a mercenary, a military Cynic. " I like him dearly ; he does me honour. When- ever I see him on the grand staircase in the Vatican, I grin 'way down in my heart. Here is a Cynic dressed up like a parrot in gorgeous plumage. Diogenes in Rococo-dress ! It is intensely amusing. " Now this Swiss is made by Shaw a c type ' of a soldier. This is quite in accordance with the pro- cedure of the Cynical School. First, all real soldierly qualities are vitrioled out of the man by making him a Swiss mercenary; and then he is shown up in all his callous indifference to Right, Love, or Justice; which is tantamount to saying 'a distinguished Belgian lady patrolling Piccadilly after midnight.' That Swiss mercenary proves no more against the worth of soldiers, than that Belgian woman proves anything in disgrace of the women of Belgium. If Shaw's figure proves anything, it proves the worth- lessness of mercenaries in general, and of Swiss mercenaries in particular. That is, it proves some- thing quite different from what it means to prove. This too is arch-Cynical. Why, who knows it better than I, that we Cynics were not infrequently instru- mental in bringing about the very reverse of what 46 NIGHTS WITH THE GODS we were aiming at? But the more perverse, the better the fun. "And the fun is excellent beyond words. It is, in fact, as grim as the grimmest Welshman. On my way home from the theatre I thought of it, and started laughing in the street with such violence that a policeman wanted to take me to the station. The grimness of the fun was this : inquiring about the author, I learnt that he was an Irishman. I had no sooner made sure of the truth of this statement than I could not control myself for laughter. " An Irishman reviling war, and soldiers, and the military spirit! How unutterably grim, how un- speakably grimy! The Irish, endowed by nature with gifts of the body as well as the mind incom- parably superior to those of the English, have made the most atrocious failure of their history, of their possibilities, of their chances, for that one and only reason, that they never found means of character and endurance to fight for their rights and hopes in bitter and unrelenting wars. Not having made a single effort in any way comparable to the sustained armed resistance of the Scotch, the Dutch, the Hungarians, or the Boers, in the course of over three hundred years, they have fallen under the yoke of a nation whom they detest. This naturally demoralised them, as it demoralises a mere husband when he is yoked to a hated wife. Being demoralised, they have never, oh never, reached that balance of internal powers without which nothing great can be achieved. The English with lesser powers, being undemoralised, got their powers into far greater balance. So did the Scot through sustained, reckless fighting for their ideals. Hence the misery of the Irish, who are DIOGENES AND PLATO 47 like their fairies, enchanting, but fatal to themselves and to others ; unbalanced, unsteady in mind and resolution to a sickening degree ; fickle, and re- sembling altogether sweet kisses from one's lady- love intermingled with knocks in the face from one's vilest creditors. " Their recoiling from making resolute war on the enemy being the great cause of the failure of the Irish, what can be more grimly Cynical than an Irishman's indignation at all that appertains to war? We Cynics always do that. Moderation having been the soul of all things Hellenic, we Cynics told the Greeks that the one fatal excess that man can commit is moderation. Of music we taught that its only beauties are in the pauses ; and of man we held that he is perfect only by making himself into a beast. " We taught people to contemplate everything in a convex mirror and then to fall foul of the image so distorted. This the idlers and the mob greatly admire. They deem it marvellous originality. And what can be nearer to the origin of new things than to take man and nature always in the last agonising stage of final decomposition ? " In my own dramas I did all that with a vengeance ; so did Crates, my revered colleague. What was a plot to us ? What does a plot matter ? The other day when I sauntered through the Champs Elysees of Paris, I overheard a conversation between little girls playing at ladies. By Antisthenes, that was the real model of the plot and dialogue of all Cynic dramas ! " Said one little girl to the other : < How are you, madame ? ' "'Thanks,' said the other, 'very well. I am watching my children.' CC C 48 NIGHTS WITH THE GODS * How many have you ? ' Seventy-five, please.' " c And how old are you ? ' " ' Twenty years, madame.' " c And how is your husband ? ' " ( T pensez-vous ? My husband ? Fancy that ! Why, I have none ! ' " This is precisely the plot and dialogue in Shaw's Candida. "I enjoyed Candida so intensely; I could have kissed the author. How entirely like my own dramas ! How closely modelled on the dialogue of the little girls ! "A husband of forty, vigorous, brave, honest, hard-working in a noble cause, loving and loved, father of two children, befriends a boy of eighteen, who is as wayward and conceited and inconsistent as only boys of eighteen can be. That boy suddenly tells the husband that he, the boy, loved Candida, the wife of the said husband. The boy, not satisfied with this amenity, becomes intolerably impudent, and the husband, acting on his immediate and just senti- ment, wants to throw him out of the house. " But this is too much of what ninety-nine out of a hundred husbands would do. So instead of kicking the impertinent lad into the street, the husband- invites him to lunch. , "I was so afraid the .husband would in the end bundle the youth out of the room. To my intense DIOGENES AND PLATO 49 delight the author did not forget the rules of the Cynic drama, aud the boy remained for lunch. " Bravo ! Bravo ! I secretly hoped the husband would solemnly charge the interesting youth to fit Candida with the latest corset. To my amazement that did not take place. But yet there was some relief for me in store : the husband invites the boy to pass the evening with his wife alone. "This is, of course, precisely what most husbands would do. "This is what another disciple of mine in Paris (a man called Anatole, and misnamed France), did do in an even worse case. In Anatole's story, the husband arrives in the most inopportune moment that a forgetful wife can dread. He looks at the scene with much self-control, takes up the Petit Parisien lying on the floor, and withdraws gracefully into another room, there to make sundry reflections on the Petit Parisien and on the 'Petite Parisienne.' "How classically Cynical! How Bion, Metrocles, Menippus, and all the rest of our sect would have enjoyed that ! Here is a true comedy ! Here is some- thing truly realistic, and realistically true. That's why Anatole is so much admired by Englishmen. He too is, as we Cynics have been called, a philo- sopher, of the proletariate. "Much, O Zeus, as I enjoy the honour and pleasure of being allowed to crouch on one of the steps of your divine halls, I do also keenly appreciate the pleasure of meeting my disciples of the hour. One of these next days I will ask Momus to invite Tolstoy, Ibsen, Shaw, Anatole, and a few others to a lunch, to meet me in a Swiss hotel. Plato, you better come and listen behind a screen. You might 50 NIGHTS WITH THE GODS perhaps improve upon your Gorgias in which dialogue you attempt to sketch the superman and super- cynic. Ibsen will stammer and jerk his best in deathly hatred of all Authority. Shaw will pinprick to death the foundations of Marriage and Family. Anatole will try to upset, by throwing little mud- pellets at them, ideal figures such as Joan of Arc " ( Diogenes had barely uttered this name, when Zeus and all the other gods rose from their seats, and bowed towards Pallas Athene, who held Joan in her holy arms ). " Tolstoy, with a penny trumpet in his toothless mouth, will bray against war; Oh, it will be glorious. " Of course, by this time I know very well that the controlling principle of all mundane and supra- mundane things is Authority. As we here all bow to Zeus, so mortals must always bow to some authority. Nothing more evident can be imagined nor shown. It is the broadest result of all history, of all experience. Just because this is so, and unmistakably so, my disciples must naturally say the reverse. They do not look at facts by a micro- scope or a telescope; they telescope train-loads of facts into a mass of pulverised debris. " Instead of saying that in England, through her social caste system, there are many, too many, parvenus or tactless upstarts, my disciples must say : 'The greatness of England is owing to her tactless- ness.' This is the real merchandise which I sold at Corinth over two thousand years ago. "Tolstoy thunders against War. I wonder he does not thunder against mothers' breasts feeding their babies. Why, War made everything that is worth having. First of all, it made Peace. With- DIOGENES AND PLATO 51 out war there is no peace ; there is only stagnation. The greater the ideal, the greater the price we have to pay for it. And since we always crave for the sublime ideals of Liberty, Honour, Wealth, Power, Beauty, and Knowledge, we must necessarily pay the highest price for it ourselves, our lives in war. There is no Dante without the terrible wars of the Guelfs and the Ghibellines. There could have been no ideal superman like Raphael without the counter- superman called Cesare Borgia. It is only your abominable Philistine who squeaks : c Oh, we might have many a nice slice from the ham of Ideals with- out paying too dearly for it.' What do you think of that, Hercules? Did you win Hebe by avoiding conflicts and disasters ? " Hercules groaned deeply and looked first at his battered club and then at charming Hebe. The gods laughed aloud and Apollo, taking up his lyre, intoned a grand old Doric song in praise of the heroes of war who, by their valour, had prepared the palastra for the heroes of thought and beauty. He was soon joined by a thousand harmonious voices from the temple of Isis, and from his own majestic sanctuary at Pompeii. Vesuvius counterpointed the lithe song with his deep bass ; and, with Dionysus at the head of them, Pan and the nymphs came waft- ing through the air, strewing buds of melodies on to the Olympian wreaths of tones sung by Phoebus Apollo in praise of War. 52 NIGHTS WITH THE GODS When the song had subsided, Zeus, in a voice full of serenity and benign music, addressed the gods and heroes as follows : " We are very much beholden to Diogenes for his bright and amusing story of the Cynical ants that at present run about the woods and cottages of men, biting each other and their friends. Their epigrams and other eccentric utter- ances can affect none of us here assembled. You very well know that I have not allowed Apollo, or Reason to reign alone and unaided by Unreason, or Dionysus. The Cynical critics of men want to bring about the Age of Reason, or as these pre- sumptuous half-knowers call it, the Age of Science. This, I have long since laid down, shall never be. "At the gate of the Future, at Delphi, Apollo is associated with Dionysus, and so it has been ever since I came to rule this Universe. Just as good music consists of tones and rhythms, and again of the cessation of all sound, or of measured pauses ; even so my Realm consists of Reason, and of the cessation of all Reason, or of Unreason. The Cynics who ignore the latter, misjudge the former. This, I take it, is perfectly clear to all of us. " But while we here may laugh at the bites of the Cynical ants below, we do not mean to state that in their occupation there is no point, no utility at all. These little ants may be, and undoubtedly are largely sterile mockers. Yet even I have experienced it on myself that the effects of their doings are not always sterile." And leaning back on his chryselephantine chair, Zeus lowered his voice and said almost in a^ whisper: " See, friends, why do we meet here in lonely places, in a dead town, during the mysterious hours of DIOGENES AND PLATO 53 night ? You know very well who and what has prevailed upon me to choose this temporary darkening of our blissful life." At this moment there came from the rushes near the sea a plaintive song accompanied by a flute, and a voice of a human sobbed out the cry : " Pan, the Great Pan is dead ! " A sudden silence fell over the divine Assembly. A cloud of deep sadness seemed to hover over all. The three Graces then betook themselves to danc- ing, and their beauteous movements and poses so exhilarated the Assembly, that the former serenity was soon re-established. Zeus now turned to Plato, calling upon him to give his opinion on the Cynics. Zeus reminded Plato that hitherto the Cynics had been treated by him merely incidentally, mostly by hidden allusions to Antisthenes, or by witty remarks on Diogenes. At present Plato might help the gods to pass agree- ably the rest of the beautiful night by telling them in connection and fulness what really the ultimate purport of these modern Cynics, Shavian or other is going to be. Everybody turned his or her face towards Plato, who rose from his seat, and bowing, with a smile, towards Diogenes, thus addressed Zeus and the Assembly of gods and heroes at Pompeii : "It is quite true that in my writings I have not devoted any explicit discussion to the views and tenets of the Cynics. They appeared to me at that 54 NIGHTS WITH THE GODS time far too grotesque to be worth more than a passing consideration. Of their dramas I had, and still have a very poor opinion. From what I hear from Diogenes, the modern imitators of Cynic dramatists are not a whit better. In addition to all their weary- ing eccentricities, they add the most unbearable eccentricity of all, to wit, that their dramas and comedies represent a new departure within dramatic literature. "Shaw's dramas are no more dramas than his Swiss, in Arms and the Man^ is a soldier ; or his clergyman in Candida a husband, or a man. His pieces are not dramatic in the least; they do not exhibit the most elementary qualities of a comedy. For, whatever the definition of a comedy may be, one central quality can never be missing in it : the persons presented must be types of human beings. " Shaw's persons are no humans whatever. They are homunculi concocted in a chemical laboratory of pseudo-science and false psychology. They crack, from time to time, brave jokes ; so do clowns in a circus. That alone does not make a wax figure into a human. "There may be very interesting comic scenes amongst bees, wasps, or beavers ; but we cannot appreciate them. We can only appreciate human comicality, even when it is presented to us in the shape of dialogues between animals, as Aristophanes, the fabulists, and so many other writers have done. "Who would care to sit through a comedy show- ing the comic aspects of life in a Bedlam ? If madmen have humour, as undoubtedly they have, we do not want to see it on a public stage. The fact, that it is a madman's humour deprives it of all humour. "Hedda Gabler can appeal to no sound taste. DIOGENES AND PLATO 55 One never sees why she is so fearfully unhappy. If she is not in love with her husband, let her work in the house, in the kitchen, in the garden ; let her try to be a mother ; let her adopt a child if the gods deny her one of her own. Let her do something. Of course, idling all day long as she does, will in the end demoralise a poker; and far from wondering that she ends badly at the end of the last act, one only wonders that she did not do away with herself before the first scene of the first act. By doing so she would have done a great service to herself, her people, and to dramatic literature. " Of the same kind is Raina, in Arms and the Man. She is a doll, but not a young girl. She has neither senses, nor sense. She is made of cardboard, and fit only to appear in a Punch and Judy show. She is, in common with most of the figures in the comedies of the modern Cynics, a mere outline drawing of a human being from whose mouth hang various slips of paper on which the author con- veniently writes his variorum jokes and bright sayings. All these so-called dramatic pieces will be brushed away by the broom of Time, as happened to the dramas and travesties of our Greek Cynics. Life eternal is given to things only through Art, and in these writings of the Cynics, old or modern ones, there is not the faintest trace either of one of the Graces, or of one of the Muses. " Having said this much about Shaw's and the other modern Cynics' alleged dramatic writings, I 56 NIGHTS WITH THE GODS hasten to add, that when we come to consider the effect these so-called dramas have, and pos- sibly will continue to have on the mind of the public, we are bound to speak in quite a different manner. "I have had plenty of time, since the days of my Academy at Athens, to think out the vast differ- ence between such works of the intellect as aim at nothing but truth and beauty, or what we might call a/ethology, on the one hand ; and such works as aim at effect, or what may be generally termed as effectology. " It is from this all-important point of view that I say that Tolstoy, Ibsen, Shaw and the others are, effectologically, ] ust as remarkable as they are aletho- logically without much significance. " As to the latter ; as to their hitting off great or new truths; as to their being philosophers; or to put it in my terms, as to their having any alethological value, Diogenes has already spoken with sufficient clearness. Just consider this one point. "Tolstoy, as well as Shaw, wants to reform the abuses of civilisation. In order to do so they combat with all their might the most powerful purifier and reformer of men, War. Can anything be more ludicrous, and unscientific ? "Who gave the modern Germans that incompar- able dash and 4lan, thanks to which they have in one generation quadrupled their commerce, doubled their population, quintupled their wealth, and ensured their supremacy on the Continent? " Was it done by their thinkers and scholars ? The greatest of these died before 1870. "Was it done by getting into possession of the DIOGENES AND PLATO 57 mouth of the Rhine, or of the access to the Danish Sounds, which formerly debarred them from the sea ? They do not possess the mouth of the Rhine, nor Denmark to the present day. "Nothing has changed in the material or intel- lectual world making the Germany of to-day more advantageous for commerce or power than it had been formerly. "Except the victorious wars of 1866 and of 1870. " Can such an evident connection of fact be over- looked ? And would Russia have introduced the Duma without the battle of Mukden ? It is waste of time even for the immortals to press this point much longer. " As in this case, so in nearly all the other cases, Cynics revile abuses the sole remedies for which they violently combat. In their negative attacks they brandish the keenest edges of the swords, daggers and pins of Logic; in their positive advices they browbeat every person in the household of logical thought. "Yet, worthless, or very nearly so, as they may be as teachers of truth, they are powerful as writers of pamphlets. For this is what their literature comes to. They do not write dramas, nor novels. They can do neither the one, nor the other. But they write effective pamphlets in the apparent form of dramas and novels. " They are pamphleteers, and not men of letters. cc In that lies their undeniably great force. They instinctively choose as eccentric, as loud, and as striking forms and draperies of ideas as possible, so 5 8 NIGHTS WITH THE GODS as to rouse the apathetic Philistine to an interest in what they say. They are full of absurdities; but which of us here can now after centuries of ex- perience venture to make light of the power of the absurd ? " Error and Absurdity are so powerful, so neces- sary, so inevitable, that Protagoras was perhaps not quite wrong in saying that Truth herself is only a particular species of Error. " Once, many years ago, I despised the Cynics, and my own master Socrates made light of them. But at present I think differently. When Socrates said, with subtle sarcasm, to Antisthenes: 'I see your vanity peeping out through the holes of your shabby garment,' Antisthenes might have retorted to him : c And I, O Socrates, see through these very holes how short-sighted you are. 5 "For have we not lived to see that while all revere Socrates in words, they follow the pupils of Antisthenes in deeds? The Cynics, fathered by Antisthenes, begot the Stoics ; and the Stoics were the main ferment in the rise and spread of Chris- tianity. Many of the sayings and teachings and doings of the Cynics, which we at Athens made most fun of, have long since become the sinews and fibres of Christian ideas and institutions. There is greater similarity and mental propinquity between Antisthenes or Diogenes and St Paul, than between Socrates and St Augustine of Hippo. " I pray thee, O Zeus, to let us for a moment see this town of Pompeii as it was a day before its destruction, with all its life in the streets and the Forum, so as to give us an ocular proof of the truth of what I just now said about the Cynics and Eccen- DIOGENES AND PLATO 59 tries of Antiquity, and what I am going to apply to the modern Cynics, literary or other." Thereupon Zeus, by a wave of his hand, placed the whole Assembly in the shadow as if encircled by a vast mantle of darkness, and shed a strange and supramundane light on the town of Pompeii, which grew up at sight from the ground, putting on life and movement and beauty on all its houses, narrow streets, gardens, and squares. The ancient population filled, in ceaseless movement, every part of the charm- ing city. Richly dressed ladies, carried in sedan- chairs by black slaves; patricians in spotless togas, followed by crowds of clients; magistrates preceded by lictors ; soldiers recruited from all nations ; trades- men from every part of the Roman Empire ; all these and innumerable others, visitors from the neighbour- ing cities, thronged the streets, and the whole popu- lation seemed to breathe nothing but joy and a sense of exuberant life. In one of the squares there was a hilarious crowd listening, with loud derision and ironical applause, to a haggard, miserably clad, old man who, addressing them in Ionian Greek, with the strong guttural accent of the Asiatics, stood on one of the high jumping-stones of the pavement, and spoke with fanatic fervour of the nameless sinfulness of the people of Pompeii. With him were two or three other persons of the same description, joining him from time to time in his imprecations against the "doomed town." 60 NIGHTS WITH THE GODS The old man told them that their whole life was rotten through and through, a permanent lie, a contradiction to itself, a sure way to damnation. He thundered against the soldiers jeering at him in the crowd, calling them cowards, butchers, wretches, and the sinners of all sinners. He sneered at one of the priests of Isis present in the crowd, telling the people that there was only one true belief, and no other. The more the old man talked, the more the crowd laughed at him; and when a Greek philosopher, who happened to be there, interpellated and ele- gantly refuted the old man in a manner approved by the rules of the prevalent school of rhetoric and dialectics, the crowd cheered the philosopher, and the more accomplished amongst the bystanders said to one another: "This old man is a mere charlatan, or an impostor ; it's waste of time to take him seriously." One man alone, in the whole crowd, a shy and retiring disciple of Apollonius of Tyana, waited until the crowd had dispersed, and then walking up to the old man, asked him what sect of Cynics he belonged to. The old man said : " I am no Cynic ; I am a Christian." Thereupon the disciple of Apollonius took the old man's hand, pressed it with emotion, kissed him, and turning away from him, walked off, plunged in deep thought. A minute later the supramundane light over Pompeii disappeared, and the Assembly of the gods and heroes was again in the mild rays of Selene. DIOGENES AND PLATO 61 " Can anyone here," continued Plato, " deny that that crowd together with the philosopher was quite mistaken in their appreciation of the eccentric old man, and that the silent pupil of Apollonius alone was right ? " Cynics and Eccentrics have at all times been the forerunners of vast popular movements. The flagel- lants, the Beguins and Lollards, and countless other Cynics in the latter half of the Middle Ages preceded the Reformation. "And was not the French Revolution, or the vastest effort at realising Ideals ever made by the little ones down here, preceded by a Cynic and his pamphlets, by Jean Jacques Rousseau ? " No Greek town would have endured within its walls a youth so completely shattered in all his moral build, as was Rousseau. He was thoroughly and hopelessly demoralised in character, ddcousu and eccentric in thought, and badly tutored in point of knowledge. The clever woman that was his pro- tectress, mistress, and guide, and who displayed a marvellous capacity for devising jobs and an in- exhaustible resourcefulness in turning things and persons to practical use, could yet never discover any usefulness in Jean Jacques. "He wrote, later on, novels, political treatises, botanical ones, musical ones. In truth he never wrote a novel; he wrote nothing but pamphlets; stirring, wild, eccentric, enchanting pamphlets. He was not, like Beaumarchais, a pamphleteer and yet a writer of a real, and immortal comedy, itself a politi- cal pamphlet. Rousseau was a writing stump-orator doing anticipative yeoman's work for the Revolution. " So are all the Cynics. So are Ibsen, Tolstoy ; so 62 NIGHTS WITH THE GODS is Shaw. Their dramas may be, say are no dramas at all; their novels may be, say are no novels at all; their serious treatises are neither serious nor treatises ; and yet they are, and always will be great effectological centres. They attack the whole fabric of the extant civilisation ; by this one move they rally round them both the silent and the loud enemies of WHAT Is, and the eager friends of what OUGHT To BE. Of these malcontents there always is a great number; especially in times of prolonged peace. "A war, a real, good national war would immedi- ately sweep away all these social malcontents. " That's why the leaders of the Cynics, and more especially Tolstoy and Shaw, hate war. It is their mar-feast, their kill-joy; their microbes do not prosper in times of war. " Without the fatal and all but universal peace of the period from 50 A.D. to 1 90 A.D., Christianity could never have made any headway in the Roman Empire; just as we got rid of our Cynics by the second Athenian Empire and its great wars. "This, then, is in my opinion the true perspective of our modern Cynics. As literature or truth, they exhibit little of value, except that Shaw appears to me ( if a Greek may be allowed to pass judgment on such a matter ) to be the only one amongst living writers in England who has real literary splen- dour in his style. As men, however, exercising an effect on a possible social Revolution, these writers are of the utmost importance. " Or to repeat it in my terms : alethologically nil or nearly so, effectologically very important or , interest- ing ; this is the true perspective of writers like Tolstoy, Shaw, and other modern Cynics. DIOGENES AND PLATO 63 " Their influence is not on Thought, nor on Art, but on Action. "They may eventually, if Mars will continue trifling with wood-nymphs and other well-intended cordials, become a great power. They may beget Neo-Stoics, who may beget Neo-Christians. They themselves may then appear only as the tiny drum- pages running in front or beside the real fighters in battle. Yet their importance will be little impaired thereby. "The Church Fathers have frequently endeavoured to honour me with the name of one of the lay protagonists of Christianity. But I know much better than that. The true protagonists were Antisthenes or Diogenes ; and that is why the Roman Catholic Church has at no time countenanced me. And just as we now do not mind the jokes, burlesques and boutades of Diogenes any more, ad- mitting freely, as we do, that behind them was the aurora borealls of a new creed, a new movement, a new world ; even so we must not mind the grotesque boutades of Tolstoy, Ibsen, Shaw, Anatole, and other modern Cynics, for behind them is the magnetic fulguration of new electric currents in the social world. "This, the public indistinctly feel; that's why they continue to read and criticise or revile these men. The public feels that while there may not be much in what these men yield for the present, the future, possibly, is theirs. "The little ones below do not as yet know, that there is no future; nor that all that is or can be, has long been. Therefore they do not turn to us who might point out to them what things are 64 NIGHTS WITH THE GODS driving at ; but they want the oldest things in ever new forms. " We, however, know that plus cela change, plus test la meme chose, as one of the modern Athenians in Paris has put it. " Do not frown on me, Heraclitus ; I well know that you hold the very reverse, and that you would say : 'plus fest la mme chose, plus cela change? " I have gladly accepted that in my earthly time when I made a sharp distinction between phenomena and super-phenomena, or noumena. But I do no longer make such a distinction. " We are above time. We Hellenes are alive to-day as we were over two thousand years ago. We still think aloud or on papyrus the most beautiful and the truest thoughts of men. Have we not but quite lately sent down for one of us to while amongst us for ever ? He too began as a Cynic. But having learnt the inanity of the so-called c future,' he rose above time and space, and soared on the wings of eagle concepts to the heights where we welcome him. He has just entered the near port in a boat rowed by the nymphs of Circe. We cannot close our meeting in a more condign fashion than by ask- ing Hebe to offer him the goblet of welcome." The eyes of all present turned to the shore, where a man of middle age, who had evidently regained his former vigour, walked up to the steps of the amphitheatre. When he came quite near to the Assembly, Diogenes exclaimed : " Hail to thee, Frederick Nietzsche ! " THE THIRD NIGHT ALCIBIADES ON WOMEN IN ENGLAND IN the third night the gods and heroes assembled at Venice. Where the Canal Grande almost dis- appears in the sea, there on mystic gondolas the divine Assembly met in the town of Love and Passion, at the whilom centre of Power wedded to Beauty. It was a starlit night of incomparable charm. The Canal Grande, with its majestic silence; the dark yet clearly outlined Palaces surrounding the Canal like beautiful women forming a procession in honour of a triumphant hero ; the grave spires of hundreds of churches standing like huge sentinels of the town of millions of secrets never revealed, and vainly searched for in her vast archives ; and last not least the invisible Past hovering sensibly over every stone of the unique city; all this con- tributed ever new charms to the meeting of the gods and heroes at Venice. Zeus, not unforgetful of the Eternal Feminine, asked Alcibiades to entertain the Assembly with his adventures amongst the women of England. Alcibiades thereupon rose and spake as follows : " O Zeus and the other gods and heroes, I am still too much under the fascination of the women with whom I have spent the last twelve months, to be in a position to tell you with becoming calmness what kind of beings 'hey are. In my time I knew E 65 66 NIGHTS WITH THE GODS the women of over a dozen Greek states, and many a woman of the Barbarians. Yet not one of them was remotely similar to the women of England. I will presently relate what I observed of the beauty of these northern women. "But first of all, it seems to me, 1 had better dwell upon one particular type of womanhood which I have never met before except when once, eight hundred years ago, I travelled in company with Abelard through a few towns of Mediaeval France. That type is what in England they call the middle- class woman. She is not always beautiful, and yet might be so frequently, were her features not spoilt by her soul. She is the most bigoted, the most prejudiced, and most intolerant piece of perverted humanity that can be imagined. "The first time I met her I asked her how she felt that day. To this she replied, c Sir-r-r ! ' with flashing eyes and sinking cheeks. When I then added : c I hope, madame, you are well ? ' she looked at me even more fiercely and uttered : ' Sir-r-r ! ' Being quite unaware of the reason of her indignation, I begged to assure her that it gave me great pleasure to meet her. Thereupon she got up from her seat and exclaimed in a most tragic manner : ' Si-r-r-r, you are no gentleman ! ! ' " Now, I have been shown out, in my time, from more than one lady's room; but there always was some acceptable reason for it. In this case I could not so much as surmise what crime I had committed. On asking one of my English friends, I learnt that I ought to have commenced the conversation with remarks on the weather. Unless conversation is commenced in that way it will never commend itself ALCIBIADES ON WOMEN 67 to that class of women in England. It is undoubtedly for that reason, Zeus, that you have given England four different seasons indeed, but all in the course of one and the same day. But for this meteorological fact, conversation with middle-class people would have become impossible. " The women of that class have an incessant itch for indignation; unless they feel shocked at least ten times a day, they cannot live. Accordingly, everything shocks them; they are afflicted with permanent shockingitis. "Tell her that it is two o'clock P.M., and she will be shocked. Tell her you made a mistake, and that it was only half-past one o'clock, and she will be even more shocked. Tell her Adam was the first man, and she will scream with indignation; tell her she had only one mother, and she will send for the police. The experience of over two thousand years amongst all the nations in and out of Europe has not enabled me to find a topic, nor the manner of con- versation agreeable or acceptable to an English middle- class woman. " At first I thought that she was as puritanic in her virtue as she was rigid and forbidding in appear- ance. One of them was unusually pretty and I attempted to please her. My efforts were in vain, until I found out that she took me for a Greek from Soho Square, which in London is something like the poor quarters of our Piraeus. She had never heard of Athens or of ancient history, and she believed that Joan of Arc was the daughter of Noah. "When I saw that, I dropped occasionally the remark that my uncle was Lord Pericles, and that the King of Sparta had reasons to hide from me 68 NIGHTS WITH THE GODS his wife. This did it at once. She changed com- pletely. Everything I said was c interesting.' When I said, c Wet to-day,' she swore that it was a capital joke. She admired my very gloves. She never tired asking me questions about the c swell set.' I told her all that I did not know. The least man of my acquaintance was a lord; my friends were all vis- counts and marquesses ; my dog was the son of a dog in the King's kennels; my motor was one in which three earls and their wives had broken eleven legs of theirs. " These broken legs brought me very much nearer to my goal ; and when finally I apprised her that I had hopelessly spoilt my digestion at the wedding meal of the Duke of D'Ontexist, she im- plored me not to trifle any longer with her feelings. I stopped trifling. " This experience," Alcibiades continued, " did much to enlighten me about what was behind all that forbidding exterior of the middle-class woman. I discovered Eve in the Mediaeval form of woman- hood. I was reminded of the Spartan women who, at the first meeting, seemed so proud, unapproach- able and Amazonian ; at the second meeting they had lost some of their prohibitive temper ; and at the third meeting they proved to be women, and nothing but women after all. "Honestly, I preferred the English middle-class woman in her first stage. It suited the somewhat rigid style of her beauty much better. In the last or sentimental stage she was much less interesting. Her tenderness was flabby or childish. Then she cried after every rendezvous. That annoyed me considerably. One evening I could not help ask- ALCIBIADES ON WOMEN 69 ing her whether she did not feel like sending five pounds of conscience-money to the Chancellor of the Exchequer. She drew the line on that, and cried more profusely. Whereupon I proposed to send fifty pounds of conscience-money and to be released of any further tears. This seemed to pacify and to console her ; and thus we parted. " A few days after I had been relieved of my first lady friend in England," Alcibiades continued, " I made the acquaintance of a girl whose age I was unable to determine. She said she was twenty-nine years old. However, I soon found that all unmarried girls d*un certain age in England are exactly twenty- nine years old. "She was not without certain attractions. She had read much, spoke fluently, had beautiful auburn hair and white arms. In her technical terms, which she used very frequently, she was not very felicitous. She repeatedly mixed up bigotry with bigamy, or with trigonometry. My presence did not seem to affect her very much, and after two or three calls I discovered that she was in a chronic state of re- bellion against society and law at large. " She held that women were in absolute serfdom to men, and that unless women were given the most valuable of rights, that is, the suffrage, neither women nor men could render the commonwealth what it ought to be. I told her that shortly after my disappearance from the political stage of Athens, 70 NIGHTS WITH THE GODS about twenty-three centuries ago, the women of that town, together with those of other towns, clamoured for the same object. 'What?' she ex- claimed. c Do you mean to say that suffragettes were already known in those olden times ? ' I assured her that all that she had told me about the aims and arguments of herself and her friends was as old as the comedies of Aristophanes. That seemed to have a strange effect upon her. I noticed that what she believed to be the novelty of the movement con- stituted really its greatest charm for her. She had thought that suffragettism was the very latest fashion, in every way brand new. " But after a time she recovered and said : e Very well ; if our obj ects and aims are as old as all that, they are sure to be even more solidly founded in reason than I thought they were.' "Reason, Right, Equity, and Fairness were her stock-in-trade. She was the daughter of Reason; the wife of Right ; the mother of Equity ; and the mother-in-law of Fairness. It was in vain that I told her that this world was not held together by Reason or Right alone, but also by Unreason and Wrongs. She scoffed at my remarks, and asked me to come to one of her speeches in Hyde Park on one of the next Sundays. I came. There was a huge crowd, counting by the hundreds of thousands. My lady friend stood on a waggon in the midst of about half- a-dozen other women, who all hacf preferred single blessedness to coupled bliss. They were, of course, each of them twenty-nine years old; and yet their accumulated ages brought one comfortably ,back to the times of Queen Elizabeth. When my friend's turn came, she addressed the crowd as follows : ALCIBIADES ON WOMEN 71 " f Men and women. Excuse me, ladies, beginning my speech in that way. It is mere custom, the behests of which I obey. In my opinion there are no men in this country. There are only cowards and their wives. Who but a coward would refuse a woman the most elementary right of citizenship? Who but a wretch and a dastardly runaway would deny women a right which is given to the scum of men, provided they pay a ridiculous sum in yearly taxes ? There are no men in this country.' (A voice from the people : c None for you, m'um, evi- dently ! ') " * I repeat it to you : there are no men. I will repeat it again. I can never repeat it too frequently. Or, do you call a person a man who is none ? The first and chief characteristic of a true man is his love of justice. It is so completely and exclusively his, that we women do not in the least pretend to share in this his principal privilege. " * But can the present so-called men be called just ? Is it justice to deny justice to more than one half of the nation, to the women ? Let us women have the suffrage, so that men, by thus doing justice, shall become true men worthy of their suffrage. For are not all their reasonings against our wishes void of any force ? " c They say that the suffrage of women, by drag- ging them too much into the political arena, would defeminise them. Pray look at us here assembled. Are we unwomanly ? Do we look as if we had lost any of that down which hovers over the soul of domesticated women as does the nap on a peach ? ' (Stormy applause.) ' Thanks, many thanks. I knew you would not think so. 72 NIGHTS WITH THE GODS " c No, it is indeed absurd to assume that a waggon can change a woman into a dragon. Am I changed by entering a 'bus ? Or by mounting a taxi ? Why, then, should I be changed by standing on a waggon ? I am no more changed by it, than the waggon is changed by me.' (A voice : ' Good old wag- gon!') " ' We want to have a share in legislation. There are a hundred subjects regarding which we are better informed than are men. Take food-adulteration who knows more about it than we do ? Take intem- perance who drinks more in secret than we do? Take the law of libel and slander who libels and slanders more than we do? Who can possibly possess more experience about it ? " c Look at history. Repeatedly there have been periods when a number of queens and empresses proved to be more efficient than men. Politics, especially foreign policy, spells simply lies and dis- simulation. Who can do that better than ourselves ? People say that if we women get the suffrage, the House of Commons would soon be filled with mere women. Let us grant that, for argument's sake. Would the difference be really so great ? Are there not women in trousers? And are there not more trousers than men? " c Nowadays most men cry themselves hoarse over Peace, Arbitration, International Good Will, and similar nostrums. Could we women not do that too ? I ask you men present, could we not do that as well? The men of this country think that they will bring about the millennium by preaching and spreading teetotalism, Christian Science, vegetarian- ism, or simple lifeism. How ridiculous and petty. ALCIBIADES ON WOMEN 73 "'Look at the "isms" we propose to preach and spread: (i) Anti-corsetism ; (2) Anti-skirtism ; (3) Anti-bonnetism ; (4) Anti-gloveism ; (5) Anti- necktieism ; (6) Anti-cigarettism ; and finally (7) Anti-antiism. " ' On these seven hills of antis, or if you prefer it, on these seven ant-hills, which are in reality anti-ills, we shall build our New Rome, the rummiest Rome that ever was, and more eternal than the town of the Caesars and the Popes. Give us the suffrage ! Do you not see how serious we are about it ? We know very well that the various classes of men obtained the suffrage only by means of great fights in which, in some countries, untold thousands of men were killed. But can you seriously think of putting us women to similar straits ? " ( Evidently, what men had to fight for in bitter earnest, ought to be given to women in jest as a mere gift. Do give us the suffrage ! Do not be pedantic nor naughty. We mean it very seriously ; therefore give it to us as a joke, by sheer politeness, and as a matter of good manners. " * Come, my male friends, be good boys ; let me brush your coat, fix the necktie in the proper shape and pour a little brilliantine on your moustaches. There ! That's a nice little boy. And now open the safe of the nation and give us quick the right of rights, the might of mights, the very thing that you men have been fighting for ever since Magna Charta in 1215, give us the suffrage as an incidental free gift. " * If you do so, we will pass a law that all barbers' shops shall be in the soft, pleasant hands of young she-barbers. Think of the downy satisfaction that this will give you ! Think of the placid snoozes in 74 NIGHTS WITH THE GODS a barber's chair when your face is soaped, shaven and sponged by mellow hands ! Is it not a dear little enjoyment? Now, look here my male friends, this and similar boons we shall shower upon you, provided you give us the suffrage. " c Nay, we shall before everything else (provided we have the suffrage !) pass a law abolishing breach-of- promise cases. 9 " (Endless hurrahs from all sides Band Fire- works St Vitus 5 Dances, until the whole immense crowd breaks out in a song ' She is a jolly good maiden, etc.') " ' Thanks, you are very kind. Yes, we mean to abolish breach-of-promise cases. Consider what ad- vantages that would imply for you. A man will be able to flirt round five different corners at a time, without risking anything. He will be able to practise letter-writing in all the colours of the rainbow, without in the least jeopardising his situation, purse or expectations. He will be in a position to amuse himself thoroughly, freely, everywhere, and at any time. What makes you men so stiff, so tongue-tied, so pokery, but the dread of a breach-of-promise case. Once that dread is removed by the abolition of such cases, you will be amiable, great orators, full of charming abandon, and too lovely for words. As a natural consequence, women will be more in love with you than ever before. Your conquests in Sexland will be count- less. You will be like Alcibiades, irresistible, universally victorious. Now, could we offer you anything more tempting? , " ' I know, of course, that outwardly you affect to be no ladies' men. But pray, entre nous, are you not ALCIBIADES ON WOMEN 75 in reality just the reverse? Man is polygamous. We women do not in the least care for men, and if all my female contemporaries should die out, leaving me alone in the world with 600,000,000 men, I should myself speedily die with boredom. What are men here for but as mere cards in our game of one woman against the other ? If I cannot martyrise a little the heart of my female friend by alienating her man from her, what earthly use has her man for me? " * But you men, you are quite different. You do wish that all the women, at any rate all the young and beautiful women, shall be at your order. This of course we cannot legislate for you. But we can do the next best thing: we can abolish the chief obstacle in your way: the breach-of-promise cases. This we promise to do, provided you give us the suffrage. You are, however, much mistaken if you think that that is all we have in store for you. Far from it. " c If you give us the franchise, we pledge ourselves never to publish a novel or a drama? " (Applause like an earthquake men embrace one another elderly gentlemen cry with joy a clergy- man calls upon people to pray in the skies a rain- bow appears.) " c Yes, although with a breaking heart, yet we will make this immense sacrifice on the altar of our patriotism : we will henceforth not publish any novels. I cannot say that we will not write any. This would be more than I or any other woman could promise. We must write novels. We are subject to a writing itch that is quite beyond our control. The less a woman has to say the more 76 NIGHTS WITH THE GODS she will write. She must write; she must write novels. u< We write, we publish at present about five novels a day. If you give us the suffrage, we pledge ourselves not to publish a single novel.' " (Universal cry : c Give them the suffrage, for God's sake ! ') " c And if you do not give us the suffrage, we shall publish ten novels a day.' " (Fearful uproar fierce cries for the police twenty publishers present are mobbed Miss Cora Morelli present is in imminent danger of life.) " < Did I say, ten ? What I meant to say is, that if you do not give us the franchise, we shall publish fifteen novels a day.' " (Revolution - - pistol shots the fire-brigade comes.) u ( Twenty thirty forty novels a day.' " (The Big Ben is howling the Thames river floods Middlesex the House of Commons suspends the Habeas Corpus Act.) " c Or even ten novels every hour.' " (The Albert Memorial leaves its place and takes refuge in the Imperial Institute the crowd, in despair, falls on their knees and implores the speaker to have mercy on them they promise the suffrage, at once, or somewhat before that.) " ' There ! I told you, we do mean what we mean, and we have all sorts of means of making you mean what we mean. It is therefore understood that you will give us the franchise, and we shall stop publish- ing novels. But should you change youi>mind and go back on your present promises, then I must warn you that we have in store even more drastic means ALCIBIADES ON WOMEN 77 of forcing your hands. You must not in the least believe that the pressure we can bring to bear upon you is exhausted with the devices just enumerated. There are other devices. But for evident reasons of modesty I prefer calling upon my motherly guide, Mrs Pancake, to tell you more about them.' " With that my tender friend retired, and up got a middle-aged woman with hard features and much flabby flesh. She was received with mournful silence. She began in a strident voice, which she accentuated by angular gestures cutting segments out of the air. She said : " c You have, ladies and gentlemen, heard some of the disadvantages that will inevitably be entailed upon you by not granting us what Justice, Equity and our Costume render a demand that none but barbarians can refuse. I am now going to give you just an inkling of what will befall you should you pertinaciously persist in your obdurate refusal of the franchise to women. We women have made up our minds to the exclusion of any imaginable hesitation, change, or vacillation. We shall be firm and un- shakable. " c We have done everything that could be done by way of persuading you. We have published innumerable pamphlets; we have trodden countless streets in countless processions ; we have been wearing innumerable badges and carrying thousands of flags and standards; we have screamed, pushed, rowdied, boxed, scuffled, gnashed our teeth (even 78 NIGHTS WITH THE GODS such as were not originally made for that purpose), and suffered our skirts to be torn to shreds ; we have petitioned, waylaid, interpellated, ambushed, bullied and memorialised all the ministers, all the editors, all the clergymen, all the press-men; we have suffered imprisonment, fines, scorn, ridicule ; we have done, with the exception of actual fighting, everything that men have done for the conquest of the suffrage. " ' Should all these immense sacrifices not avail us any ; should it all be in vain ; then we the women of this country, and I doubt not those of the other countries too, will, as a last resort, take refuge in the oldest and most powerful ally of our sex. Eternal Time has two constituents : Day and Night. The Day is man's. The Night is ours.' "(Deadly silence men begin looking very serious.) " c The Night, I repeat it in the sternest manner possible, the Night is ours. We grant, indeed, that sixteen hours are man's; but the remaining eight are ours. The stars and the moon; the darkness and the dream they are all ours. Should you men persist in refusing us the franchise, you will wake in vain for the moon and the stars and the dream. You will see stars indeed, but other ones than you expect. We shall be inexorable. No moon any more for you ; neither cresent, half nor full moon ; neither stars nor milky- way; neither galaxy nor gallantry.' " (A Salvationist : ' Let us pray ! ' A soldier : 'Hope, m'um, that Saturdays will be off-days?' Solicitors, teetotallers, and three editors* of Zola's collected works : ' Disgraceful ! shocking ! ' A scholar: 'Madame, that's a chestnut, Aristophanes ALCIBIADES ON WOMEN 79 has long proposed that ! ' General uproar a band of nuns from Piccadilly hurrah the proposal and raise prices of tickets Scotland Yard smiles the Daily Nail kodaks everybody and interviews Mrs Pancake on the spot Mrs Guard, the famous writer, at once founds a counter-League, with the motto c Astronomy for the people Stars and Stripes free the United Gates of Love' the Daily Crony has an attack of moral appendicitis.) " I wish," continued Alcibiades, amidst the laughter of the immortals, " Aristophanes had been present. I assure you that all that he said in his comedies called Ecclesiazusae and Lysistrata pale beside the tumultu- ous scenes caused by the peroration of Mrs Pancake. Her threat was in such drastic contrast to the stars and moon she personally could exhibit to the desires of men, that the comic effect of it became at times almost unbearable. " While the pandemonium was at its height a sten- torian voice invited all present to another platform where another woman was holding forth on Free Love and Free Marriage. I forthwith repaired to the place, and heard what was in every way a most inter- esting speech delivered by a woman who consisted of a ton of bones and an ounce of flesh. She was between forty and seventy-nine. She talked in a tone of conviction which seemed to come from every corner of her personal masonry. Her gestures were, if I may say so, as strident as her voice, which came 8o NIGHTS WITH THE GODS out with a peculiar gust of pectoral wind, unimpeded, as it was, by the fence of too numerous teeth. She said : " ' Gentlemen, all that you have heard over there from the platforms of the suffragettes is, to put it mildly, the merest rubbish. We women do not want the suffrage. What we want is quite another thing. All our misery since the days of Eve comes from one silly, absurd, and criminal institution, and from that alone. Abolish that cesspool of depravity ; that hotbed of social gangrene ; that degradation of men and women ; and we shall be all happy and con- tented for ever. " * That institution ; that cancerous hotbed ; that degradation is: Marriage. As long as we shall endure this scandalous bondage and prostitution of the most sacred sentiments and desires of human beings, even so long will our social wretchedness last. " ' Abolish marriage. " c lt has neither sense, nor object, nor right; it is the most hapless aberration of humanity. How can you uphold such a monstrous thing ? " * Just consider : I do not know, and do not care to know what other nations are like ; I only care for my great nation, for England, for Englishmen. Now, can anyone here present (or here absent, for the matter of that), seriously contend that an Englishman is by nature or education fit for marriage ? Why, not one in ten thousand has the slightest aptitude for it. " c An Englishman is an island, a solitary worm, morally a hermit, socially a bear, humanly a Cyclop. He hates company, including his own. The idea ALCIBIADES ON WOMEN 81 that any person should intrude upon his hallowed circles for more than a few minutes is revolting to him. When he is ill he suffers most from the inquiries of friends about his condition. When he is success- ful he is too proud to stoop to talking with anyone under the rank of a lord. When he is unsuccessful, he takes it for granted that nobody desires to speak to him. He builds his house after his own character : rooms do not communicate. He chooses his friends among people that talk as little as possible and call on him once a year. Any remark about his person he resents most bitterly. Tell him, ever so mildly, that the colour of his necktie is cryingly out of har- mony with the colour of his waistcoat, and he will hate you for three years. " c And you mean to tell me, gentlemen, that such a creature is fit for marriage ? That is, fit for a condi- tion of things in which a person, other than himself, claims the right to be in the same room with him at any given hour of the day or the night ; to pass remarks on his necktie, or his cuffs, or even on his tobacco; to talk, ay, to talk to him for an hour, to twit him, or chaff him good heavens, one might just as well think of asking the Archbishop of Canter- bury by telephone whether he would not come to the next bar round the corner for a glass of Bass. " c And as to other still more personal claims of tenderness and intimacy on the part of the wife, such as embraces and kisses, one shudders to think how any woman may ever hope to attempt doing them without imminent risk to her life. "'Fancy a wife trying to kiss her legal husband ! He, prouder of his collar and cuffs than of his bank- ing account, to stand calmly and willingly an assault 82 NIGHTS WITH THE GODS on the immaculate correctness of the said collar and cuffs! " c It passes human comprehension. The mere idea thereof is unthinkable. " ' Perhaps in the first few weeks of married life. But after six months ; after a year, or two by what stretch of imagination shall one reach the possibility of such an event ? After six months, he is indifferent to the entire astronomy of his wife ; after a year or so, he hates her. It is not so much that he wants another woman, or another man's wife, or another wife's man ; what he wants is to be left alone. " c He has long since shaken off the State, the Church, the Army, and, politically, the Nobility. Nothing can be more evident than that he wants to shake off the last of the old shackles: Marriage. His motive is : shekels, but no shackles. " c Some incomprehensibly modest people have pro- posed marriage to last ten years only. It appears, they contend, that the critical period of the modern marri- age shows itself at the end of ten years. The scandals that are usually cropping up at the end of that period, they say, might very well be avoided by terminating marriage legally at the end of the tenth year. People proposing such stuff clearly manifest their utter inability to see through the true character of modern marriage. " c If marriages were to last only ten years, then be sure that the said critical period with its inevitable scandals would set in at the end of the fifth year. The cause, the real cause of these scandals is not in the length of time, but in the very nature qf marriage. If this iniquitous and barbarous contract were to last only for five years, then its critical period and its ALCIBIADES ON WOMEN 83 scandals would appear at the end of two years. And by a parity of reasoning, if marriage were to last one year only, it would by its inherent vice come to grief at the end of six months. " < The only cure for marriage is to abolish it. Does marriage not demand the very quality that not one English person in a hundred thousand possesses : yieldingness ? Or can anyone deny that no English person has ever really meant to admit that he or she was wrong? " * They are all of them infallible. People write such a lot about the hatred of Popery in English history. What nonsense. English people do not hate Popery ; they despise the idea that there should be only one infallible Pope, whereas they know that in England alone there are at present over thirty millions of such infallibles. This being so, how can marriage be a success ? " c Or take it,' the Free Love lady continued, 'from another standpoint. Most Englishmen enter married life with little if any experience of woman- hood. Only the other day a young man of twenty- five, who was just about to marry, asked in my presence whether it was likely that a woman gave birth to one child early in the month of May, and to the other in the following month of June ? He thought that The Times instalment system applied to all good things. "'Other young men inquire seriously about the strategy of marriage, and the famous song in the Belle of New Tork, in which the girl asks her fianct "When we are married what will you do?" was possible only in countries of Anglo-Saxon stock. In Latin countries the operette could not have been 84 NIGHTS WITH THE GODS finished in one evening on account of the intermin- able laughter of the public. In London nobody turned a hair, as they say. Half of the men present had, in their time, asked the same question of them- selves or of their doctors. " * Now if there is one thing more certain than another in the whole matter of marriage it is this, that the inexperienced fiancd generally makes the worst husband. Being familiar only with the ways and manners of men, he misunderstands, misconstrues, and misjudges most of the actions or words of his young wife. He is positively shocked at her im- petuous tenderness, and takes many a manifesta- tion of her love for him as mere base flattery or as hypocrisy. Not infrequently he ceases treating her as his wife, and goes on living with her as his sister; and, since the wife, more loyal to nature, rarely omits recouping herself, her husband acts the part of certain gentlemen of Constantinople. It is thus that the famous manage a trois does not, properly speaking, exist in England. In England it is always a ?n<*nage a deux. "'If, then, instead of continuing marriage; if, instead of maintaining an institution so absurd and so contrary to the nature of an Englishman, we dropped it altogether; if, instead of compulsory wedding ceremonies, we introduced that most sacred of all things : FREE LOVE ; the advantages accruing to the nation as a whole, and to each person con- stituting that nation, would be immense. " c Free Love, ay : that is the only solution. Nature knows what she is after. The * blue-eyed crave the black-eyed ones ; the fair-haired desire the dark-haired ; the tall ones the small ; the thin ones ALC1BIADES ON WOMEN 85 the thick ; the unlettered ones the lettered unfettered ones. This is Nature. " c If these affinities are given free scope, the result will be a nation of giants and heroes. Affinities produce Infinities. Free Trade in wedlock is the great panacea. Since the only justifiable ground for marriage is the child, how dare one marry anyone else than the person with whom he or she is most likely to have the finest babe ? That person is clearly indicated by Nature. How, then, can Society, Law, or the Church claim the right to interfere in the choice ? " c I know that many of you will say : " Oh, if men should take their wives only from Free Love, they would take a different one every quarter." But if you come to think of it, it is not so at all. If men took their wives out of Free Love, they could not so much as think of taking another wife every quarter. For, which other wife could they take? There would be none left for them, since all the other women would, by the hypothesis, long have been taken up by their Free Lovers. Moreover, if a man takes a wife out of Free Love, he sticks to her just because he loves her. Had he not loved her, he would not have taken her; and if he should cease loving her, he would find no other woman to join him, owing to his proved fickleness. " ' Last, not least, women and men would form elaborate societies for the prevention of frivolous breaches of faith. At present no woman has a serious interest in watching another woman's man. It would be quite different in Free-Love-Land. The unofficial supervision and control of men and women would be as rigorous as in monastic orders. As a 86 NIGHTS WITH THE GODS man will pay off debts contracted at a card -table with infinitely greater anxiety than any ordinary debt of his to a tailor or a grocer, just because such gambling debts are not actionable; even so conjugal debts would, in Free-Love-Land, be discharged with a punctuality that now is practically unknown. " * The commonplace assertion that legal marriage preserves men and women in a virtuous life has been refuted these six thousand years. To the present day one is not able to deny the truth of what once a Turkish woman replied to a Christian lady. The latter asked the Oriental : " How can you tolerate the fact that your husband has at the same time and in the same house three other wives of his ? " The Turkish lady replied : " Please, do not excite yourself unduly. The only difference between me and you is this, that I know the names of my rivals, and you do not." " e In Free-Love-Land alone is there virtue. Men and women select freely, obeying only the dictates of infallible Nature* The result is order, health, joy, and efficiency. How can any person of sense believe in the present marriage systems, when one considers the countless lives of old maids sacrificed to the Moloch of modern legal monogamy ? " c In England there are about four times more old maids than in any other country ; except in New England, in the United States, where every second woman is born an old maid. Has anybody ever seriously pondered over the great danger to Society and State implied in an excessive number of old maids? I leave it to you, and I dare say to^ everyone of you who has, no doubt, bitterly suffered at the hands of some one old maid in his or her family. ALCIBIADES ON WOMEN 87 " < Old maids are either angels of goodness, or devils in human form; the real proportion of either must be left to the Lord Chancellor to decide. But who, or what produces old maids ? Our legal monogamy. Give us Free Love, and you shall have heard the last word of old maids. Refuse Free Love, and we shall have to form our old maids into regiments and send them against the Germans. Plato said that the unsatisfied womb of a woman wanders about in all her body like a ravenous animal and devours every- thing on his path. Our present marriage system makes more victims than victors.' "The good bag of bones wanted to continue in the same strain, but was stopped by a young police- man who threatened to take her into custody unless she discontinued her oratory. She threatened to love him freely; whereupon he ran away as speedily as he could manage, but was at once followed by the valiant she-orator, who nearly overtook him, crying all the time c I love you freely ' * I love you freely.' The whole crowd followed, howling, screaming, laughing, and singing songs of Free Love. So ended the discourse on Free Love. "A few weeks later," continued Alcibiades, "I made the acquaintance of what they call a society 88 NIGHTS WITH THE GODS lady. She was, of course, a specialist. She had found out that her physical attractions were of a kind to show off best at the moment of entering a crowded room. She was, to use the phraseology of the chef, an entree beauty. Her name was Entrea. At the moment she entered a salon, she gave, just for a few minutes, the impression of being strikingly handsome. She walked well, and the upper part of her head, her hair, forehead, and eyes were very pretty. She knew that on entering a room, the upper part of the head is precisely the one object of general attention. This she utilised in the most methodic manner. She entered with an innocent smile and lustrous eyes. The effect was decidedly pretty. " In order to heighten it she always came late. Her cheeks, which were ugly; her shoulders, which were uglier ; her arms, which were still uglier, were all cleverly disguised or made to appear secondary, and as if dominated by her big eyes. She was very successful. Most men considered her beautiful ; and women were happy that her principal effect did not last very long. She knew some fifteen phrases by heart, which were meant to meet the conversation of the fifteen different species into which she had, for daily use, divided the different men she met in society. Each of these phrases gave her the appear- ance of much esprit and of an intelligent interest in the subject. She did not understand them at all; but she never mixed them up, thanks to her instinct, which was infallible. "The last time she had done or said Anything spontaneously or naively was on the day she left her nursery. Ever since she was the mere manager of ALCIBIADES ON WOMEN 89 her words and acts. In everything there was a cool intention. As a matter of fact she was meant by Nature to be a salesgirl at Whiteley's. Failing this, she sold her presence, her smiles, her manners to the best social advantage. A rabid materialist, she always pretended to live for nothing but ideals. Sickened by music, she always gave herself out to be an enthusiast for Wagner. Like many women that have no natural talent for intellectual pursuits, she was most eager to read serious books, to attend serious lectures, and to engage a conversation on philosophy. "I met her in my quality as Prince of Syracuse. She first thought that Syracuse was the name of my father; when I had explained to her that Syracuse was the name of a famous town in Sicily, she asked me whether I belonged to the great family whose motto was qui s'excuse, s^iracuse. " On my answering in the negative, she exclaimed : 'But surely you belong at least to the Maffia? Oh do, it would be so interesting ! ' In order to please her I at once belonged to that society of secret assassins. However, I soon noticed that she thought the Maffia was the Sicilian form of a society for patriotic Mafficking. " When we became a little more intimate, she told me that I was never to speak of anything else than Syracuse. That would give me a certain cachet, as she put it, and distinguish me from the others. Accordingly I placed all my stories and occasional sallies of talk at Syracuse. I was the Syracusan. She swore my accent was Syracusan, and that my entire personality breathed Syracusan air. In society she presented me as a member of a curious race, the Syracusans, in Sicily, close to the Riviera. 90 NIGHTS WITH THE GODS "One day she surprised me with the question whether the men of Syracuse were still in the habit of marrying two women at a time. She had read in some book of the double marriage of Dionysus the Elder in the fourth century B.C. I calmed her in that respect. I said that since that time things had changed at Syracuse. " On the other hand, I was unable to make out whether she was a divorced virgin, or a deceased sister's wife. It was not clear at all. When con- versing with me alone, she was as dry as a Non- conformist; but in a drawing-room, full of people, she showered upon me all the sweets of passionate flirtation. " One day I told her that I had won great victories in the chariot races at Olympia. She looked at me with a knowing smile and said : c Come, come, why did I not read about it in the Daily Nat/? 9 and, showing me the inside of her hat, she pointed at a slip of paper in it, on which was printed : ' I am somewhat of a liar myself. 9 I assured her that I had really won great prizes at Olympia. " ' Were they in the papers ? ' she asked. " I said, we had no papers at that time. " c No papers ? ' she exclaimed. c Why, were you like the negroes ? No papers ! What will you tell me next ? Had you perhaps no top-hats either ? Do you mean to tell me that this great poet of yours what you call him? ah, Lord Homer, had no top-hat ? ' " I assured her that we had no hats whatever. " c Oh, I see,' she said, < you were founded like the blue boys, I see. But surely you wore gloves ? ' " On my denying it, she turned a little pale. ALCIBIADES ON WOMEN 91 " c No gloves either ? Then I must ask you only one more thing : had you no shoes either ? ' " ' No,' I said, calmly, ' some of us, like Socrates, went always barefoot, others in sandals.' " She smiled incredulously. I told her that in the heyday of Athens men in the streets went about over one-third nude. She did not mind the nude, but she stopped at the word heyday. " She asked me : ' On which day of the year fell your heyday ? ' " I did not quite know what to say, until it flashed upon my mind that she meant ' hay-day.' I soon saw I was right, because she added : " e Does going barefoot cure hay-fever ? And is that the reason why so many people still talk of Socrates ? ' " I stared at her. Was it really possible that she did not know who Socrates was ? I tried to give a short sketch of your life, O Socrates, but I could not go beyond the time before you were born. For, when I said that your mother had been a midwife, my lady friend recoiled with an expression of terror. " c What,' she exclaimed, ' he was the son of a midwife ? a midwife ? Pray, do not let us talk about such people ! I hoped he was at least the son of a baronet. How could you ever endure his company ? ' "'That was just it,' said I, to'the high /. She sang baritone, and soprano at the same time, and what her tone wanted in width her tattle amply replaced. She sang nothing but Wagner, whose music, it would appear, is written for two-ton women only. No smaller tonnage need apply. While she sang, three dozen violins executed the tremolos of five hundred whimpering children, while forty counter- basses gave, every three minutes, a terrible grunt in x minor. There were also fifteen fifes, and twenty-one different kinds of brass instruments, some of which had necks much longer than that of the oldest giraffe. The music was decidedly sensual and nerve-irritating. It was full of chords, both accords and discords, and what little melody there was in it was kneaded out into a tapeworm of prodigious length and such hydralike vitality, that no matter how frequently the strings throttled off its head, it yet constantly recurred bulging out a new head. "The men present liked the singer; the women adored the music. It gave them all sorts of shivers, and although they did not understand it at all, they yet felt that here was a new shiver. Or as one of them, the bright Mrs Blazing, remarked : ' Quel artiste que ce M. Wagner ! He has translated into music the grating noise of a comb on silk, the creaking of a rusty key in an old lock, and the strident rasp of a skidding sleigh or motor on hard-frozen snow.' 122 NIGHTS WITH THE GODS "The next artist was a Belgian violinist. For reasons that you alone, O Zeus, could tell us, the Belgians are credited with a special gift for pulling strings in general, and those of the violin in particu- lar. Being a nation midway between the Germans and the French, they are believed to possess much of German musical talent and something of French elegance. This would easily make them good 'cello players. But not satisfied with the 'cello, in which they have excelled more than one nation, they must needs be great violinists too. However, the violin, while not at all the king of instruments, is yet the most vindictive and jealous amongst them. It is like the Lorelei : it allures hundreds, only to dash their bones against the rock of Failure. It wants the delicacy of a woman and the strength of a man. It requires the soul of spring and the heart of summer to play it well. " A Belgian is eo ipso debarred from reaching the height of violin-playing; just as a Chinaman, with his over-specialised mind, can never well play the orchestral piano. A Belgian heart is moving in a colourless and slouching andante ; the violin moves in a profoundly agitated adagio or allegro. The violin is the instrument of luckless nations, such as were formerly the Italians, the Poles, and the Hungarians who gave us Paganini, Wienavski and Joachim. The Belgians have nearly always enjoyed the embonpoint of fat prosperity. ' Leur jeu bedonne? as Mrs Blazing would say. "The Belgian played your Chaconne in D minor, O Bach." At these words of Alcibiades all the thinkers and poets present rose from their seats and bowed to ALCIBIADES CONTINUED 1 2 3 John Sebastian, who stood near Strabo and Aristotle, being exceedingly fond of geographical lore. Even the gods applauded and Polyhymnia allowed him to kiss her hands. " You remember, O John Sebastian, when I met you near Llitzen at one of your solitary walks and you spoke to me of your Chaconne. I listened with rapt attention and told you that your composition, which you then played to me on a violin which the old inn-keeper lent you and which had just arrived from Steiner in Tyrol, rendered as perfectly as possible the sentiments I had felt when for the first time in my life I went to the Oracle at Dodona, where the winds rush through the high oak-trees with a fierce power such as can be heard in no other spot in Europe. I re-imagined k my awe-struck medita- tions in the holy grove ; I heard the stormy music of Zeus' winds in Zeus' trees; I again felt all through me the soul-moving chorus of the priests which ends in a jubilating mood, and finally I left with deep regret at having to re-enter my life of stress after having spent a day in sacred and mystic seclusion. " When the Belgian artist played it, I listened in vain for Dodona. What I heard was the rustling of silken tones through the wood of the chairs and tables at the Carlton. Where was the Oracle? Where the chorus of the priests ? Where their jubilation? The only thing that I found were my regrets. But the public was charmed. It is im- perative to admire the Chaconne, chiefly because it is played Violin solo. Mrs Blazing explained the matter to me with her wonted rapidity of mind : * Why wonder at our admiration of the Chaconne ? Do we not say : " Chacun d son godt ? " ' i2 4 NIGHTS WITH THE GODS "The next artist was a pianist, whose name sounded like Pianowolsky or Forterewsky. He was of course a Pole. The English have long found out that -welsky or -ewsky goes with the name of a great pianist, as the pedal goes with the piano. It was for this reason that Liszt, the Orpheus of the last century, never had any success in England. He ought to have called himself Franzescowitch Lisztobulszky, and then, no doubt, he would have scored heavily. Rubinstein had indeed much success in England, but it is patent that most English took his official name as a mere abbreviation of Ruben Ishnajewich Stone- hammercrushowsky. The English taste in music is remarkable ; it is somewhat like their taste in fruit. They prefer hothouse grapes to natural ones. In the same way they prefer the piano music of Men- delmeier, called Bartholdy, to that of Stephen Heller or Volkmann. What they more particularly like are the 'Songs without Words' of that composer, which in reality are Words without Songs. His piano music is nothing but congealed respectability, or frozen shockingitis" Aristoxenus, interrupting r Alcibiades, exclaimed : " Do not, O son of Clinias, forget the man's marvellous compositions for the violin as well as for the orchestra. Diana frequently commands his Midsummer Nighfs Dream when she dwells with her nymphs in the mystic forest near Farnham Common, where Bartholdy composed it under the trees of Canute." " You are quite right, O master of all Harmony, and I want to speak only of his piano music. The pianist at the concert had a very fine profile and beautiful hair. This helped him very much in a country where the sense of stylishness is exceedingly ALCIBI ADES CONTINUED 1 2 5 acute. A coachman must have a broad back; a pianist, a fine profile ; a violinist, long legs ; a 'cellist, beautiful hands ; and a lady singer, a vast promontory. Once these indispensable qualities are given, his or her music is practically a matter of indifference. " The pianist then performing played well, as long as he played forte and staccato ; but he had neither a legato nor, what was fatal, a piano , let alone a pianis- simo. Fortunately his sense of rhythm was very well developed ; otherwise he did not rise above a first prizeman of a conservatory. "He played a transcription or two by Liszt. This the English condemn; it appears unlegitimate to them. To please them, one must play one of the last sonatas of Beethoven, preferably those composed after his death, that is, those that the man wrote when he had long lost the power of moulding his ideas in the cast of a sonata, and when his vitality had been ebbing away for years. A transcription stands to the original as does an engraving of an oil- colour picture or a statue to its original. Most people will enjoy a fine engraving of the Transfigura- tion or of Our Lady of Milo much more readily than they would the original ; just as I now know that you gave us, O Zeus, great artists like Scopas, Praxiteles, Lionardo, or Domenichino, because we could not bear, nor comprehend the sight of the originals of their divine art, as long as we still move in our mortal coil. The transcription of some of the ideas of Mozart's Don yuan by Liszt is the best and most illuminating commentary on that incomparable opera. " More interesting than the play were the remarks which I overheard from among the public. The men dwelt exclusively on the big sums of money the pianist iz6 NIGHTS WITH THE GODS made by his 1526 recitals in 2000 towns of the United States. The profits they credited him with ranged from 15,000 to 100,000. A Viennese banker present drily remarked that he wished he could play the difference between the real and the imagined profits of the virtuoso on a fine Erard piano. The women made quite different remarks. Said one : " c Herr Pianoforterewsky has been painted by royalty.' " c ls that so?' said her neighbour. 'What an interesting face ! I wish I could procure a photo of the picture.' " c Do you know,' said a third, c that Herr Pina- forewsky practises twenty-three hours a day? I know it on the best authority; his tuner told me so.' " c Which tuner ? Herr Pinacothekowsky, my dear, has three tuners : one for the high notes, the second for the middle ones, and the third for the low notes.' " < How interesting ! But suppose one of the tuners falls ill. What does he do then?' " c Why, it's simple enough. In that case he only plays pieces requiring two of the three ranges of notes.' " c How intensely interesting ! But pray, if you do not take it amiss, my dear, I learnt that Herr Pedalewsky has only two tuners : one for the black keys, the other for the white ones.' " ' My dear, that was so in bygone times when he played sometimes a whole concert on the black keys alone, being 231 variations on Chopin's Etude on the black keys. But it made such a sad impression that some nasty critics said his piano was in mourning ALCIBIADES CONTINUED 1 2 7 black ; other critics said that he was paid to do so by Mr Jay of Regent Street.' " ( How excruciatingly interesting ! Do you know, my dear, I was told that Herr Polonorusky plays practically all the time, and even when he travels he carries with him a dumb piano on which he practises incessantly.' " ' How touching ! I have heard that too, and be- lieved it, until that atrocious man who writes for the Bad Times destroyed all my illusions. He said that if Herr Pantyrewsky did that, he would for ever spoil his touch. Just fancy that! It is not the touch, but the pose of that languid, Chopinesque profile over a dumb piano in a rattling car that was so interesting. And now that horrid journalist spoils it all. Nay, he added that the whole story was deliberately in- vented by the artist's manager.' " < How distressingly interesting ! You know, my dear, I will not believe the story about the manager. I know too much about the wonderful pianist. I have learnt at Marienbad that he had ten teachers at a time, one for each of his fingers, and that for five years he lived in a tiny village in Bavaria, because, don't you see, it was so central for the ten different cities where his teachers lived. For the thumb he rushed off to Frankfort on the Maine. There is no town like Frankfort for the study of the thumb. That's why they make such excellent sausages there which resemble a thumb to perfection. For the index he went to Rome. And so forth and so on. It is most marvellous.' "All during that time," Alcibiades continued, "the pianist was playing the moonlight sonata of Beethoven. At the end of the piece, the ladies who 128 NIGHTS WITH THE GODS had carried on the lively conversation applauded wildly. 'Was it not marvellous?' said one to the other. ' Oh delightful ! ' was the answer. " So ended the concert. On leaving my seat I met Mrs Blazing. " c mon cherj she said, c why do all these women pretend to enjoy music? They very well know that not one of them cares for it in the least. I frankly admit that music to me is the anarchy of air, the French Revolution of sounds, acoustic bankruptcy. All our lives we have been taught to suppress our emotions, and to consider it ungenteel to express them in any way whatever. We were told that we must hide and suppress them which we have done so successfully that after some time we resemble to a nicety the famous safe of Madame Humbert. And then, in flagrant contradiction to all this genteel education, we are supposed to accept with joy the moanings, cries, sobs, sighs, and other unsuppressed emotions of some middle-class Dutchman or Teuton dished up to us in the form of a sonata. It is too absurd for words. " c If that lower-middle-class Dutchman Beethoven (or as my Cynthia calls him : " Bete au vent ") wants to exhale his moral distress and sentimental indigestion, let him do so by all means, but in a lonely room. Why does he interfere with the even tenor of our well-varnished life ? If my charming Japanese china figures, or my pretty girls and shepherds in vieux Saxe suddenly began to roar out their sentiments, I should have them destroyed or sold without any further ado. Why should I accept such roarings from an ugly, beer-drinking, unmannered Teuton? Why, I ask you ? ' ALCIBIADES CONTINUED 1 29 " < Music is the art of poor nations and poor classes. Outside a few Jews, no great musician came from among the rich classes; and Jews are socially im- poverished. I can understand the attraction of ditties nursed in the music halls. They fan one with a gentle breeze of light tones, and here and there tickle a nerve or two. But what on earth shall we do with such plesiosaurl as the monsters they call symphonies, in which fifty or sixty instruments go amuck in fifty different ways? The flute tries to serpentine round the bassoon in order to instil in it drops of deadly poison ; the violins gallop recklessly a la Mazeppa against and over the violas and 'celli, while the brass darts forth glowing bombs falling with cruelty into the finest flower-beds of oboes and harps. It is simply the hoax of the century. Would you at Athens ever have endured such a pandemonium?' " ' You are quite right, ma ires charmante dame" I said, c we never had such music and we should have little cared for it. Our way of making symphonies was to write epics, crowded with persons, divine and human, and with events and incidents of all colours and shades. The Continental nations have lost the epic creativeness proper, and must therefore write epics in sound. Just as your languages do not allow you to write very strictly metred poetry such as we have written without impairing the fire and glamour of poetry, and the only way left for you of imitating the severe metres of Archilochus, Alcasus or Sappho is in the form of musical canons, fugues, or other counterpointed music. It seems to me that you English have not done much by way of music epics, because, like ourselves, you were busily engaged in writing epics of quite a different kind : the epic of 130 NIGHTS WITH THE GODS your Empire. The nations that have written musical epics, did do so at a time when these were the only epics they could write, the symphony of Empire being refused them.' " c I see,' said Mrs Blazing. c You mean to say that our Mozarts and Beethovens are Lord Chatham, Clive, Nelson and Wellington?' " ' In a manner, yes. Few nations, if any, can excel both in arts and in Empire-making, and had you English been able to hold in your imperial power considerable parts of Europe, say, of France, Germany or Spain, you would never have had either Walter Scott or Byron, Shelley or Tennyson. For the efforts required to conquer and hold European territory would have taxed all your strength so severely that no resources would have been left for conquests in the realm of the arts and literature. " c This is why the Romans, who conquered, not coloured races, but the mightiest white nations, could never write either great epics or great dramas. They wrote only one epic, one drama of first and to this day unparalleled magnitude : the Roman Empire. I meant to do a similar thing for Athens, but I failed. I now know why. My real enemies were not in the camp of my political adversaries, but in the theatre of Dionysus and in the schools of the philosophers. Do not, therefore, ma chere amie, begrudge the Germans their great musicians. They are really very great, and not even your greatest minds sur- pass, perhaps do not even equal them. Your con- solation may be in this, that the Germans too will soon cease writing music worth the hearing. They now want to write quite different epics. And no nation can write two sorts of epics at a time.' ALCIBIADES CONTINUED 1 3 1 " ' I am so glad to hear you say so,' said Mrs Blazing. c lt relieves me of a corvee that I hitherto considered to be a patriotic duty. I mean, I will henceforth never attend the representations of the new school of soi-disant English music. Inwardly I never liked it ; it always appeared to me like an Englishwoman who tries to imitate the grace and verve of a Parisian woman, with all her easy gestures, vivacious conversation, and delicate coquetry. It will not do. " c We English women do not shine in movement ; our sphere is repose. We may be troublesome, but never troublante. " c Even so is English academic music. And I now see why it must be so. It is not in us, because another force takes its place. Like all people we like to shine in that wherein we are most deficient, and the other day I was present at a scene that could hardly be more painful. At the house of a rich and highly distinguished city man I met the famous Sir Some- body Hangar, the composer. The question arose who was the greatest musician ? Thereupon Sir Somebody, looking up to the beautiful ceiling of the room, exclaimed dreamily : " Music is of very recent origin . . ." One of the gentlemen present then asked Sir Somebody whether he had ever heard the reply given to that question by the great Gounod ? Sir Somebody contemptuously uttered: "Gounod? It is not worth hearing." I was indignant, and pointedly asked the gentleman to tell us Gounod's reply. The gentleman, looking at Sir Somebody with a curious smile, related : " c Gounod, on being asked who in his opinion was the greatest musician, said : " When I was a boy of twenty, I said: moi. Ten years later I said : moi et 1 32 NIGHTS WITH THE GODS Mozart. Again ten years later I said: Mozart et moi. And now I say : Mozart" ' " This reply," said Alcibiades, " has Attic perfume in it. Having suffered so much, as I have, at the hands of musicians in my time, when dramatic writers were as much musicians as dramatists, I have in my Olympian leisure carefully inquired into the real causes of the rise of modern music.