NIGHTS WITH
THE GODS
NIGHTS WITH
THE GODS t
BY
EMIL REICH
DOCTOR JURIS
Author of
1 ' Foundations of Modern Europe '
" Success among Nations" etc.
LONDON
T. WERNER LAURIE
CLIFFORDS INN, FLEET STREET
THE RIVERSIDE PRESS LIMITED, EDINBURGH.
CONTENTS
PAGE
THE FIRST NIGHT
ARISTOTLE ON SPECIALISM IN ENGLAND . 1
THE SECOND NIGHT
DIOGENES AND PLATO ON TOLSTOY, IBSEN,
SHAW, ETC. ...... 32
THE THIRD NIGHT
ALCIBIADES ON WOMEN IN ENGLAND . . 65
THE FOURTH NIGHT
ALCIBIADES CONTINUED .... IOI
THE FIFTH NIGHT
CAESAR ON THE HOUSE OF COMMONS . T 34
THE SIXTH NIGHT
APOLLO AND DIONYSUS IN ENGLAND . . l6o
THE SEVENTH NIGHT
SOCRATES, DIOGENES, AND PLATO ON RE-
LIGION ....... l82
270640
FOREWORD
THE great spirits of the past, chiefly Hellenes,
recently revisited England. With a view to an ex-
change of ideas on English contemporary life, they
met at night in various towns of Italy, where, by the
favour of Dionysus, the author was allowed to be
present, and to take notes at the proceedings. The
following pages contain some of the speeches de-
livered in the Assembly of the Gods and Heroes.
THE AUTHOR.
33 ST LUKE'S ROAD,
NOTTING HILL,
LONDON, W.
vn
NIGHTS WITH THE GODS
THE FIRST NIGHT
ARISTOTLE ON SPECIALISM IN ENGLAND
THE first night the gods and heroes assembled on
the heights around Florence. From the magnificent
town there came only a faint glimmer of artificial
light, and the Arno rolled its waves melodiously
towards the sea. On a height full of convenient
terraces, offering a view on the Lily of the Arno, on
Fiesole, and on the finely undulating outlines of the
Apennine Mountains, the Assembly sat down. From
afar one could see the bold lines of the copy of
Michelangelo's David on the hill. The evening was
lovely and balmy. Zeus opened the meeting with a
request directed to Alexander, King of Macedon, to
ask his teacher Aristotle to entertain them with his
experiences at the seats of modern learning and
study. Alexander did so, and the grave Stagirite,
mellowed by the years, addressed the Assembly as
follows :
" All my mortal life I have tried, by reading, by
making vast collections of natural objects and animals,
and by the closest thinking on the facts furnished to
me by men of all sorts of professions and crafts, to
get at some unity of knowledge. I held, and still
hold, that just as Nature is one, so ought Know-
WITH THE GODS
ledge'. -too ."to be. \ have written a very large
number of treatises, many of which, thanks to
Thy Providence, O Zeus, have escaped the small-
pox called commentaries, in that the little ones
never got possession of those works. But while
always loving detail and single facts, I never lost
sight of the connection of facts. As a coin,
whether a penny or a sovereign, has no currency
unless the image of the prince is cut out on it,
even so has no fact scientific value unless the
image of an underlying general principle is grafted
thereon. This great truth I taught all my pupils,
and I hoped that men would carefully observe it
in all their studies. When then I went amongst
the little ones, I expected them to do as I had
taught their teachers to do. However, what I
found was, O Zeus, the funniest of all things.
" On my visit to what they call Universities I
happened to call, in the first place, on a professor who
said he studied history. In my time I believed that
history was not as suggestive of philosophical truths
as is poetry. Since then I have somewhat altered my
view. Naturally enough I was curious to know what
my Professor of History thought of that, and I asked
him to that effect. He looked at me with a singular
smile and said : ' My young friend ( I had assumed
the appearance of a student ), my young friend,
history is neither more nor less than a science. As
such it consists of a long array of specialities.'
f And which,' I asked timidly, c is your special period?'
Whereupon the professor gravely said : c The after-
noons of the year 1234 A.D." While everybody
present in the Assembly, including even St Francis
of Assisi, laughed at this point of Aristotle's narrative,
ARISTOTLE ON SPECIALISM 3
Diogenes exclaimed : " Why has the good man not
selected the nights of that year ? It would greatly
reduce his labours."
A peal of laughter rewarded the lively remark.
Aristotle resumed his tale, and said : " When the
professor saw that I was a little amused at his state-
ment, he frowned on me and exclaimed in a deep
voice, if with frequent stammerings, which as I subse-
quently learnt is the chief attraction of their diction,
4 My young friend, you must learn to understand
that we modern historians have discovered a method
so subtle, and so effective, that, with all deference
be it said, we are in some respects stronger even
, than the gods. For the gods cannot change the past ;
but we modern historians can. We do it every day
of our lives, and some of us have obtained a very
remarkable skill at it. 5 "
At this point of Aristotle's narrative Homeric
laughter seized all present, and Aristophanes patted
the Stagirite on the back, saying : " Pray, consider
yourself engaged. At the next performance of my
best comedy you will be my protagonist." Aristotle
thanked him with much grace, and continued :
"I was naturally very curious to learn what my
Professor of History thought of the great Greeks
of my own time and of that of my ancestors. I
mentioned Homer. I had barely done so but what
my professor burst into a coarse and disdainful
guffaw.
" ' Homer ? ' he exclaimed ; c Homer ? but of
whom do you speak ? Homer is nothing more nor
less than a multiple syndicate of street-ballad-singers
who, by a belated process of throwing back the
"reflex "of present and modern events to remote ages,
4 NIGHTS WITH THE GODS
and by the well-known means of literary contamina-
tion, epical syncretism, and religious, mythopceic,
and subconscious impersonation have been hashed
into the appearance of one great poet.
" c Our critical methods, my young friend, are so
keen that, to speak by way of simile, we are able to
spot, from looking at the footprints of a man walking
in the sand, what sort of buttons he wore on his
cuffs.
" c Poor Cuvier otherwise one of my revered
colleagues used to say : " Give me a tooth of an
animal and I will reconstruct the rest of the animal's
body." What is Cuvier's feat as compared with
ours ? He still wanted a tooth ; he still was in need
of so clumsy and palpable a thing as a tooth ; perhaps
a molar. We, the super-Cuviers of history, we do
not want a tooth any more than toothache ; we want
nothing. No tooth, no footprint even, simply nothing.
Is it not divine ? We form, as it were, an Ex Nihilo
Club. We have nothing, we want nothing, and yet
give everything. Although we have neither leg to
stand on, nor tooth to bite with, we staunchly prove
that Homer was not Homer, but a lot of Homers.
Is that not marvellous? But even this, my young
friend, is only a trifle. We have done far greater
things.
" c These ancient Greeks (quite clever fellows, I
must tell you, and some of them could write gram-
matical Greek), these ancient Greeks had, amongst
other remarkable men, one called Aristotle. He
wrote quite a number of works ; of course, not quite
as many as he thought he did. For we have proved
by our Ex Nihilo methods that much of what he
thought he had written was not written by him, but
ARISTOTLE ON SPECIALISM 5
dictated. We have gone even so far (I myself,
although used to our exploits, stand sometimes
agape at our sagacity), we have gone so far as to
prove that in the dictation of some of his writings
Aristotle was repeatedly interrupted by letters or
telephonic messages, which accounts for gaps and
other shortcomings.
" ' Well, this man Aristotle (for, we have not yet
pluralised him, although I but this would pass your
horizon, my young friend) this clever man has left
us, amongst other works, one called " Politics." It
is not wanting in quality, and it is said, if with certain
doubts, that there are a few things to be learnt from
it. It is, of course, also said that no professor has
ever learnt them. But this is mere calumny. Look
at their vast commentaries. Of course, how can one
accept some of the glaring fallacies of Aristotle ?
Imagine, that man Aristotle wants us to believe that
nearly all Greek states were founded, equipped with
a constitution, and in a word, completely fitted out by
one man in each case. Thus, that Sparta was founded,
washed, dressed, fed, and educated by one Lycurgus.
How ridiculous !
" ' Having proved, as we have, that Homer's
poetry, a mere book, was made by a Joint Stock
Company, Unlimited, how can we admit that a big
and famous state like Sparta was ordered, cut out,
tailored, stuffed and set on foot by one man ?
Where would be Evolution ? If a state like Sparta
was made in the course of a few months by one
man, what would Evolution do with all the many,
many years and ages she has to drag along ? Why,
she would die with ennui, bored to death. Can we
admit that ? Can one let Evolution die ? Is she not
6 NIGHTS WITH THE GODS
a nice, handy, comely Evolution, and so useful in the
household that we cannot be happy until we get
her? To believe in a big, important state like
Sparta having been completely established by one
man is like saying that my colleague, the Professor
of Zoology, taking a shilling bottle of Bovril, has
reconstituted out of its contents a live ox walking
stately into his lecture-room. Hah-hah-hah ! Very
good joke. (Secretary! Put it into my table-talk!
Voltairian joke ! serious, but not grave.)
cc < Now, you see, my young friend, in that capital
point Aristotle was most childishly mistaken; and
even so in many another point. We have definitely
done away with all state-founders of the ancients.
Romulus is a myth ; so is Theseus ; so is Moses ; so
is Samson (not to speak of Delilah) ; so is every-
body who pretended to have founded a city-state.
Since he never existed, how could he have founded
anything? Could I found a city-state? Or any
state, except a certain state of mind, in which I say
that no single man can found a city-state ? Could I ?
Of course, I could not. Well then, how could
Lycurgus ? Was he a LL.D. ? Was he a member
of the British Academy? Was he a professor at
Oxford ? Had he written numerous letters to The
Times'! Was he subscriber to so respectable a
paper as The Spectator! It is ridiculous to speak
of such a thing. Lycurgus founding Sparta ! It
is too amusing for words. These are all myths.
Whatever we cannot understand, we call a myth ;
and since we do not understand many things, we
get every day a richer harvest of myths. We are
full of them. We are the real living mythology.'
" To this long oration," Aristotle continued, " I
ARISTOTLE ON SPECIALISM 7
retorted as calmly as I could, that we Greeks had
states totally different from those of the moderns, just
as the latter had a Church system absolutely differ-
ent from our religious institutions ; so that if anyone
had tried to persuade an Athenian of my time
that a few hundred years later there would be
Popes, or single men claiming and obtaining the
implicit obedience of all believers in all countries,
the Athenian would sooner have gone mad than
believe such stuff. For, to him, as a Greek, it must
have seemed hopelessly incredible that an office such
as that of the universal Pope should ever be toler-
ated ; or, in other words, that a single man should
ever be given such boundless spiritual power. I said
all that with much apparent deference ; but my pro-
fessor got more and more out of control.
" c What,' said he, < what do you drag in Popes
for? We talk of Lycurgus, not of Popes. Was
Lycurgus a Christian? Let us stick to the point.
The point is that Lycurgus never existed, since so
many professors, who do exist beyond doubt, deny
his historical existence. Now, either you deny the
existence of these professors, which you can't; or
you deny that of Lycurgus, which you must. Exist-
ence cannot include non-existence. For, non-existence
is, is it not ? the negation of existence. And since
the professors exist, their non-existence would in-
volve us in the most exasperating contradictions with
them, with ourselves, and with the daily Press.
This, however, would be a disaster too awful to be
seriously thought of. Consequently, Lycurgus did
not exist ; nor did any other state-founding person-
ality in Greek or Roman times.
" c In fact when you come to think of it, nobody
8 NIGHTS WITH THE GODS
ever existed except ourselves. Adam was not; he
will be at the end of ends. The whole concept of
the world is wrong as understood by the vulgar.
Those old Greek and Roman heroes, like Aristomenes,
Coriolanus, Cincinnatus, never existed for a day.
Nor did the Doric Migration, the Twelve Tables,
and lots of other so-called events. They have been
invented by schoolmasters for purposes of exams.
Did Draco's laws ever exist ? Ridiculous. That
man Aristotle speaks of them, but it is as evident
as soap that he invented them for mods, or other
exams, of his.
" c The vulgar constantly ask me whether or no
history repeats itself. What, for goodness' sake,
does that matter to me ? It is sufficient for all
purposes that historians repeat each other, for it is
in that way that historical truth is established. Or
do not the great business-princes thus establish their
reputation ? They go on repeating " Best furniture
at Staple's," "Best furniture at Staple's," three
hundred and sixty-five times a year, in three hundred
and sixty-five papers a day. By repetition of the
same thing they establish truth. So do we historians.
That's business. What, under the circumstances,
does it matter, whether history itself does or does
not repeat itself?
" c One arrogant fellow who published a wretched
book on " General History," thought wonders what
he did not do by saying, that " History does repeat Itself
in institutions, but never in events or persons" Can
such drivel be tolerated ! Why, the repetition by
and through persons (read: historians) is the very
soul of history. We in this country have said and
written in and out of time and on every sort of
ARISTOTLE ON SPECIALISM 9
paper, that the "Decline and Fall of the Burmese
Empire" is the greatest historical work ever written
by a Byzantine, or a post-Byzantine. We have
said it so frequently, so incessantly, that at present
it is an established truth. Who would dare to say
that it is not? Why, the very Daily Nail would
consider such a person as being beneath it.
" ' We real historians go for facts only. Ideas are
sheer dilettantism. Give us facts, nothing but
single, limited, middle-class facts. In the Republic
of Letters we do not suffer any lordly ideas, no more
than the idea of lords. One fact is as good as
another, and far worse. Has not our greatest
authority taught that the British Empire was estab-
lished in and by absent-mindedness, that is, without
a trace of reasoned ideas? As the British Empire,
even so the British historians, and, cela vo sang dir,
all the other historians. Mind is absent. " Mind " is
a periodical ; not a necessity. We solid researchers
crawl from one fact to another for crawling 5 s sake.' "
The gods and heroes were highly amused with
the tale of Aristotle, and it was with genuine delight
that they saw him resume the story of his ex-
periences at the seats of learning. "When I left
the Professor of History," continued Aristotle, "I
felt somewhat heavy and dull. I could not easily
persuade myself that such utter confusion should
reign in the study of history after so many centuries
of endless research. I hoped that the little ones
io NIGHTS WITH THE GODS
might have made more real advance in philosophy;
and with a view to ascertain the fact, I entered a lectur-
ing hall where a professor was even then holding
forth on my treatise c De Anima.' He had just
published a thick book on my little treatise, although
(or perhaps because? . . .) another professor, a
Frenchman, had recently published a much thicker
book on it.
" I listened very attentively, but could not under-
stand a word of what he said. He treated me text-
critically, philologically, hermeneutically, everything,
except understandingly. I felt that my treatise was
not mine at all. It was his. At a given moment
I could not help uttering aloud a sarcastic remark
about the professor's explanations. Down he came
on me like thunder, and with a triumphant sneer
he proved to me that what I had said I had not said
at all. In that I differed entirely from a great states-
man of theirs, who had said what he had said. The
professor put me under a regular examination, and
after twenty minutes formally ploughed me in *De
Anima. '
"This was a novel experience for me. In the
Middle Ages, it is true, I had repeatedly had the
same experience, and Albertus Magnus and St
Thomas Aquinas had done me the same honour.
But in modern times I had not yet experienced it.
The next day I called upon the professor, who lived
in a beautiful house, filled with books, amongst
which I saw a great number of editions of my own
works.
" I asked him whether he had ever cared* to study
the anima, or what they call the psychology of
animals. I added that Aristotle had evidently done
ARISTOTLE ON SPECIALISM n
so, as his works explicitly prove, and that after he
had surveyed all sorts of souls in the vegetable,
animal and human kingdom, both normal and patho-
logical, he wrote his treatise * De Anima,' the real
sense of which must escape him who has not taken
such a wide range of the question. Ah you ought
to have seen the professor! He jumped from his
seat, took another whisky and soda and said : c My
young friend, the first thing in science is to dis-
tinguish well. Bene docet qui bene distinguit. You
speak of animals. What have they to do with
human psychology ? Their souls are studied by my
colleague who goes in for comparative psychology;
or rather by several of my colleagues, one of whom
studies the comparative psychology of the senses ;
the other that of the emotions; the third that of
memory; the fourth the fifth the sixth, etc.,
etc., etc.
" < I, I stick to my point. I have my speciality.
You might think that my speciality is psychology,
or Aristotle's psychology. Not at all. This is
all too vague, too general. My speciality is quite
special; a particularly singular speciality: the text of
Aristotle's psychology. And even that goes too far;
for what I really call my speciality is my version of
the text which is said to have been written by
Aristotle.
"'Now at last we are on firm ground. What
under those conditions need I trouble about cats and
rats ? The latter, the rats, have* I admit, some little
importance for me. They -have* in their time de-
voured parts of Aristotle's manuscripts, and I have
now to reconstitute what they have swallowed. I
am to them a kind of literary Beecham's Pill. But
12 NIGHTS WITH THE GODS
as to cats, mules or donkeys? What have they
to do with me ? Can they influence my version of
the text ? Hardly.
" ' My young friend, if Aristotle himself came to
me, I should tell him : " My good man, unless you
accept my version of your text, you are out of court.
I am a professor, and you are only an author.
Worse than that a Greek author. As theologians
fix the value and meaning of gospel- words ; as the
State makes a piece of worthless paper worth five
pounds sterling by a mere declaration; even so
we say what you Aristotle did say. What you said
or meant is indifferent; what we say you said or
meant is alone of consequence." How then could
even Aristotle refute me regarding my view of
his views ? It is logically impossible.
" 4 Don't you see, this is why we have invented our
beautiful system of excessive specialisation. Where
each of us studies only one very small thing, there
he need not fear much competition, but may hope for
exclusive authority. We shall soon establish chairs
for professors of philosophy, who will study, each of
them, just a mere splinter of a twig of one branch of
the tree of philosophy; or better still, just one leaf
of such a twig of such a branch; and finally, just
a dewdrop on such a leaf of such a twig of such
a branch. Then we shall have completed our net-
work of authority.
" ' Our contemptible enemies say that our talk
about Aristotle and Plato is like the gossip of
lackeys in the pot-house about their noble masters.
We know better. You are a young man* I will
give you a bit of profound advice. If you want
to make your way in the literary world rapidly and
ARISTOTLE ON SPECIALISM 13
with ease, hitch on your name to some universally
acknowledged celebrity. Do not write on obscure,
if great authors or heroes ; but pick out Homer,
Plato, Dante, Shakespeare, Goethe, or Napoleon.
Write constantly on some speciality of these men;
thus, on the adjectives in Homer; on the neutral
article in Plato; on the conjunctions in Dante; on
the plant-lore in Shakespeare; on the names of
women in Goethe; or on the hats of Napoleon.
"'Your name will then incessantly be before the
public together with that of Homer or Shakespeare
or Napoleon. After a time, by a natural association
of ideas, something of the lustre of the immortal will
fall on you. Note how the most elaborate writers
on, say Shakespeare, are almost invariably men of
the most sincere mediocrity. They are, neverthe-
less, exceedingly clever tacticians. They become
"authorities." We are not authorities because we
are specialists ; we have, on the contrary, introduced
the system of specialities in order to pass for authori-
ties. To use Plato's terms: our whole business
spells effectology, and nothing else. Take this to
heart and be successful.'
" On leaving the professor," Aristotle said, " I felt
that I had made several steps forward in the compre-
hension of that system of specialisation which I heard
praised and admired in all the Universities. I need not
tell you, my friends, how utterly wrong that system
is. As humans do not think in words, but in whole
i 4 NIGHTS WITH THE GODS
sentences, so Nature does not act in particulars, but
in wholes. The particulars are ours, not Nature's.
In making them we act arbitrarily. Why should
dentistry be one speciality ? Why should there not
be thirty- two different specialist dentists for our thirty-
two teeth ? All specialisation in the realm of know-
ledge is rank arbitrariness. Without exception, the
great leading ideas in all organised thought have
invariably been made by wholesale thinkers like
Pythagoras, Plato, I venture to add : myself, Lionardo
da Vinci, Kepler, Newton, Pascal, Leibniz, Darwin.
. That is precisely where humans differ from animals.
All animals are the most conceited specialists."
Here Diogenes interrupted : " Does the converse
hold good, O Aristotle ? "
"I will leave," Aristotle replied with a smile,
" the consideration of this case to your own discre-
tion. I do repeat it, that each animal is an out-
and-out specialist. It troubles about nothing else
than the two or three things it takes a professional
interest in. It eats, sleeps, and propagates ; occasion-
ally it adds a tightly circumscribed activity of some
kind. That's why animals do not talk. It is not
part of their speciality. They do not talk for the
same reason that the English do not produce fine
music, nor the Prussians tactful behaviour. In all
these cases the interest of the specialist lies else-
where.
" Does a modern specialist in heart-diseases study
the kidneys? Does a specialist in surgery care to
study the nerves? Even so an animal does not
care to speak. It is a specialist; it restricts itself
to its 'business,' to 'the point.' The h'ttle ones
say that animals have no general ideas, and that
ARISTOTLE ON SPECIALISM 15
is why they cannot speak. But have human
specialists any general ideas of anything, and yet
do they not speak? The argument is too foolish
for words.
" Why, Nature created men in order to have a few
genera/ists, if I may say so, amongst all the specialists
called animals or plants; just as amongst men she
created Homers and Platos and Galileos and Leibnizes,
in order to save the rest of humans from their evil
tendency to over-specialisation. It is a plan as plain
as transparent glass.
"Thousands of years ago Nature found out that,
with all these endless vegetal and animal specialists
on hand, she would soon have to declare herself
bankrupt. One specialist ignored the other; or
hampered, hurt, and paralysed the other ; they could
N not understand one another, because they had no
common interest. In her predicament, Nature created
human beings for the same reason that men invented
the locomotive or the telegraph. She could no longer
be without him. Man was, by his very needs,
obliged to drop over-specialisation. He interested
himself, for a variety of ends and reasons, in stones
as much as in plants and animals. By exterminating
some of the most damaging species of animals, he
saved the life of millions of specimens of other
animals that would otherwise have been killed out
by ferocious specialists, such as the tiger, the leopard,
and the wolf. The same he did to plants, and partly
to rivers and lakes. He brought a little order into
this pandemonium of specialists in Nature.
"Look at the sea. There man was unable to
exert his power for order by general ideas. Look
at the indescribable disorder and chaos and mon-
16 NIGHTS WITH THE GODS
strosity of life and living beings in the sea. They
are hideous, like an octopus ; short-lived, nay, of
a few minutes' duration, like the jelly-fish; fearful
and yet cowardly like a shark ; abominably under-
sized or over-sized; incapable of any real passion,
except that of eating and drinking. This liquid
mass of fanatic and unsystematised specialists render
the sea as inferior to the land as is Thibet to Holy
Athens. People travelling in that ocean of specialists
are exasperated by foul sea-sickness ; and empires
built on it have repeatedly been destroyed in a single
week ; ay, in one day.
" The dread of being swamped by specialists has
driven Nature into creating the most grotesque
compositions of beings half plant and half animal,
or half stone and half plant ; or again half male and
half female ; or half land-animal, half fish. Another
way adopted by Nature in her attempt to obviate
the ravages of specialists was by giving them ex-
ceedingly short shrift, and just a mere speck of
existence ; or again by forcing them to form big
corporations and societies, such as forests, prairies,
meadows, swarms, troupes.
" In fact Nature is a free lance fighting incessantly
the evil done by the specialists. Ask Poseidon what
trouble the sea gives him; ask .ZEolus how his
life is made a misery through the mad freaks of
the various specialists in winds. And what is the
deep, underlying reason of all this insane race for
specialism? I will tell you that in one word. It
is Envy and Jealousy. In certain countries Envy
and Jealousy are the inextinguishable and ubiquitous
hydra of life.
" Take England. She is a democracy, if a masked
ARISTOTLE ON SPECIALISM 17
one. Hence Jealousy is the dominating trait of
her citizens. Jealousy has, thousands of years ago,
invented railways, telegraphs, wired and wireless
ones, telephones and Rontgen-rays, and all the rest
of the infernal machines whereby Space, Time, and
Work is shortened, curtailed, annihilated. Jealousy
has at all times sent wireless messages over and
through all the houses of a town or an entire country.
It has Rontgenised the most hidden interiors; and
its poison runs more quickly through all the veins
and nerves of men than does the electric spark.
"Look at the customs, social prejudices, or views
of that nation. Over one half of them was introduced
to disarm the ever-present demon of Jealousy. Why
is a man a specialist? Because in that way he
disarms Jealousy more quickly and more surely than
by any other expedient. It gives him an air both
of modesty and of strength by concentration. In
reality it does neither. It is only an air. The so-
called Reality consists of nothing but unrealities,
of shams, and masks. A specialist is not a master
of his subject ; he is a master of the art than which
there is no greater, the art of making other people
believe that you are not what you are, but what they
want you to be.
"Nature has a horror of specialists; and she
will reveal her secrets to an insane poet rather than
to a specialist. Most great inventions were made
either by 'outsiders,' or by young men who had
not yet had the time to harden into specialists. In
specialisation there is nothing but a total misunder-
standing of Nature.
"Nature acts by instantaneous correlation and
co-operation of different parts to one end ; and to
1 8 NIGHTS WITH THE GODS
specialise is tantamount to taking a clock to pieces,
putting them separately in a row on the table,
and then expecting them to give you the exact
time.
"In Nature there is no evolution, but only co-
evolution ; there is no differentiation but only co-
differentiation. The little ones have quite overlooked
all that ; and that is why so many of the statements
of co-differentiation in my zoology can be neither
confirmed nor refuted by them. Who dare say
which is a ' part ' in Nature ? Is the hand a ( part,'
that is, something that might legitimately be told off
as a speciality ? Or must it be studied in connection
with the arm, or with its homologies in the nether
part of the body ?
" In the same way : what constitutes a * period '
in history ? Any division of a hundred or a thousand
years by two, three, or four ? Or by a division of
twenty-five or thirty only ? Who can tell ? A man
who says he is a specialist in the thirteenth century,
is he not like a man who pretends that he is a
specialist in respiration in the evening ?
" Nature does specialise ; witness her innumerable
specialists. But do we know, do we possess the
slightest idea as to how she does it ? Can we prove
why a goose has its peculiar head and not that of a
stork? Evidently not, because we do not know
what Nature calls a part, a speciality. She abhors
specialists, just because they know so little of her
way of specialising."
ARISTOTLE ON SPECIALISM 19
At this point of Aristotle's speech, Aristophanes
asked for leave to protest. Having obtained it from
Zeus, he commenced forthwith : " O Father of
Nature and Man, I can no longer stand the invective
of the Stagirite. In his time he was prudent enough
to postpone his birth till after my mortal days ; other-
wise I should have treated him as I did Meton and
Socrates, and other philosophers. But here he shall
not escape me. Just imagine, this man wants to
deprive creation of the best fun that is offered to
the thinking beings amongst animals and humans.
"I wish he had overheard, as I have, when the
other night I passed through an old forest near
Darlington, a conversation between an old owl, a
black woodpecker, and a badger. The owl sat,
somewhat lower than usual on a birch-tree, while
the woodpecker stopped his work at the bark of the
groaning tree, and the badger had left his hole in
order to enjoy the cool breath of the night. The
owl said : < Good-evening, Mr Woodpecker, how is
business? Many worms beneath the bark? 5 The
woodpecker replied : * Thanks, madam, there is a
slump, but one must put up with what one can get.'
"The badger then complained that he passed
tedious hours in the ground, and he wished he
could again see the exciting times of a few
hundred thousand years ago when earthquakes and
other catastrophes made existence more entertaining.
* Quite so,' said the owl, < the forest is getting too
civilised, and too calm. But you see, my friends, I
have provided for much solid amusement for my old
days. I used to visit a human's room, who read
a great number of books. I asked him to teach
me that art. I found it easy enough, only that
20 NIGHTS WITH THE GODS
these humans will read in a straight line from left
to right, and I am accustomed to circular looks all
round.
" c When I had quite acquired the art, I read some
of his books. They were all about us folk in the
forest. Once I chanced upon a chapter on owls.
You may easily imagine how interested I was. I
had not yet read a few pages, when I was seized
with such a laughter that the professor became very
indignant and told me to leave him. This I did ;
but whenever he read his books, I read them too,
perched on a tree not far from his study. I cannot
tell you how amusing it was.
" c These humans tell stories about us owls, and
about you, Mr Woodpecker, and Mr Badger, that
would cause a sloth to dance with joy. They
imagine they know how we see, how we fly, how
we get our food, and how we make our abodes. As
a matter of fact they have hopelessly wrong notions
about all these things. They want, as my venerated
father used to say, to tap the lightning off into nice
little flasks, in order to study it conveniently. This
they call Evolution.
" c The idea was mostly developed in England, in
a country where they are proud of thinking that
they always "muddle through somehow." These
> three words they apply to Nature, and call it
Evolution. Once upon a time, they say it does not
matter whether 200,000 or 300,000 years, or per-
chance 645,789 years ago there was my ancestor
who, by mere accident, had an eye that enabled him
to see more clearly at night than other , birds did.
This eye enabled him to catch more prey, thus to
live longer, and to transmit his nocturne of an eye
ARISTOTLE ON SPECIALISM 21
to his progeny. And so by degrees we muddled
into owlship.
" c Is that not charming ? My father used to laugh
at that idea until all the cuckoos came to inquire
what illness had befallen him. He told me, that
an owl's eye was in strict correlation with definite
and strongly individual formations of the ears, of the
neck, of the feet, and of the intestines, and that
accordingly a mere accidental change in the supposed
ancestor's eye was totally insufficient to account for
the corresponding and correlative formations just
mentioned.
" c Such correlative and simultaneous changes in
various organs can be the consequences only of a
violent and, as it were, fulgurous shock to the whole
system of a bird. Such shocks are not a matter of
slow growth. As all individual animal life at present
is called into existence by one shock of fulgurant
forces, even so it arose originally.
" ' But the English think that Nature is by birth
an Englishman who adopts new organisms as English-
men adopt new systems of measures, calendars,
inventions, or laws, i.e. hundreds of years after
someone else has fulgurated them out.
" c They imagine Nature to be, by rank and profes-
sion, a middle-class man and muddler; by religion,
a Nonconformist ; and by politics, a Liberal. How-
ever, we know better. Nature is, by rank and
profession, a free lance and a genius ; by religion, a
Roman Catholic; and by politics, a Tory of the
Tories. Now this being so, you may imagine, Mr
Woodpecker and Mr Badger, what capital fun it is
to read these learned lucubrations about birds and
other animals as written by humans.
22 NIGHTS WITH THE GODS
" c The other day I called on Master Fox in the
neighbourhood. He was ill and, in order to amuse
him, I told him what they say of him in human
books. He fairly burst with laughter. He told me
later on, that by narrating all the Don Quixote
stories told of him by man, to a big brown bear, he
became the court-favourite of that dreaded king of
the place,
" ' I have sent the swiftest bat, to whom I gave
a safe conduct, to all the birds and animals of this
country, to meet at a given time on one of the peaks
of the Hartz Mountains, where I mean to entertain
them with the stories told by specialists on each of
them, on their structure, functions, and mode of life.
It will be the greatest fun we have had these two
thousand years. I charged the nightingales, the
larks, and the mocking birds of America to open the
meeting with the most wonderful chorus that they
have ever sung, and I am sure that 1 will deserve
well of the whole community of birds and other
animals by offering them this the most exhilarating
amusement imaginable.'
" So spake the owl. And now, O Zeus, can you
really brook Aristotle's attempt to demolish and to
remove men who furnish pleasure and intense amuse-
ment to so many animals holy to men and even to
the gods ? I cannot believe it. You know how
necessary it is to provide carefully for the amuse-
ment of people. To neglect Dionysus is to court
hideous punishment. If the specialists in Nature
should disappear, you will, O Zeus, have endless
anarchy on all sides. Birds, insects, v sn$kes, and
reptiles, lions, felines, and bears they will all rise
in bored discontent, in the waters, on land, in the
ARISTOTLE ON SPECIALISM 23
air. You will never have a free moment for calm
repose.
" They will worry all the gods incessantly. They
will make the most annoying conspiracies and plots
and intrigues against all of us. Let us not take
Aristotle seriously. He means well, and is no doubt
quite right, as far as reason goes. But does reason
go very far ? Can he now deny the eternal rights
of unreason ? To remove the specialists in biology
and natural history is to remove the comedy from
Athens. The Athenians, in order to be ruled, must
be entertained. But for me and the like of me, the
Athenians could never have held out as long as they
did hold out. It is even so with animals. They
want their Aristophanes. They must have their
specialists. Pray, Artemis, you who in your hunts
over dales and mountains have heard and observed
everything that concerns animals, join me in protest-
ing against the onslaught of Aristotle on men so
necessary for the well-being of animated Nature."
Artemis Diana laughed melodiously and nodded
consent. The other gods, amidst great hilarity,
passed a vote against Aristotle, and the sage smilingly
bowed acceptance of the censure.
" I will abide," he exclaimed, " by your decision.
But, pray, let me make just one more remark which,
I have ncy doubt, the master-minds of the unique
city, over which we are hovering at present, will
gladly approve. I call upon you Lionardo, Michel-
24 NIGHTS WITH THE GODS
angelo, Machiavelli, and you magnificent Lorenzo,
whether I am exceeding the limits of truth. I
do maintain that while the little ones have, in
religion, gone from Polytheism to Monotheism,
they pretend that in matters of knowledge time is
constantly increasing the number of gods to be
worshipped.
"At present they affect to believe no longer in
the numerous gods and goddesses of the Olympus,
but only in one God. In point of knowledge, on the
other hand, they declare that each little department
thereof is endless, requiring the study and devotion
of a whole lifetime, and controlled, each of them,
by a god whom they call an authority. Now, nothing
can be more evident than the fact that knowledge,
real knowledge, becomes increasingly more steno-
graphic in expression, and sensibly easier of acquisi-
tion. The Chinese write encyclopaedias in 6000
volumes ; the modern Europeans do so in twenty-four
or thirty-six volumes."
Here Diogenes interrupted the Stagirite and said :
"I am afraid, O Aristotle, that your argument has
little real force to boast of. It does not prove at all
that the Chinese have only crude, empirical, and un-
organised knowledge, while the little ones in Europe
have a reasoned and systematised, and hence a less
cumbrous one. This is owing to quite a different cause.
"The little ones have of late invented a method of
publishing encyclopaedias in a manner so well adapted
to tempt, threaten, bully, or wire each member of
the general public into the purchase of an entire
copy, that if their encyclopaedias consisted of 6000
or 10,000 volumes each, the people of England, for
instance, would have to conquer Norway, Sweden,
ARISTOTLE ON SPECIALISM 25
and Iceland first. Norway they would be obliged to
conquer, in order to possess themselves of sufficient
wood for the cases ; Sweden, in order to appoint all
Swedish gymnasts for the acrobatic feat of fetching
a volume from the fiftieth row of a bookcase ; and
Iceland, in order to place excited readers of the en-
cyclopaedia in a cool place. But for this circumstance,
I am sure the little ones in Europe would fain publish
an encyclopaedia in 1 5,000 volumes."
When the laughter of the Assembly had subsided,
Aristotle continued : cc Nothing has struck me more
forcibly in my visit to their seats of learning than
this universal belief in the infinitude of each tiny
department or speciality. They do most gravely
assert that c nowadays ' it is impossible to embrace
more than one speciality ; and they look upon me or
Leibniz with a certain knowing smile as if in our
times all knowledge would have consisted of a few
jugs full of water, whereas now it is no less than
an ocean. But when you ask them the simplest
questions, they are at a loss how to answer them.
" I asked one of their most famous specialists why
the eyebrows of men are shorter than the moustaches.
He did not know it. How could he ? It takes the
knowledge of at least five so-called specialities to
answer such a question. I asked their most learned
specialist in their language, why the English have
dropped the use of c thou,' although no other
European nation has done so. He did not know it.
26 NIGHTS WITH THE GODS
"They study a given subject when death has
driven out all life from it. They do not trouble
about language as a living organism, full of fight, of
movement, of ruses, of intrigues, of sins and graces ;
but only of language when it lies motionless, a
veritable corpse, on the table of the anatomical dis-
sector and dictionary-fiend. They do not study a
butterfly when it is in full life, flirting, pilfering,
gossiping, merrymaking ; but only when it is motion-
less, lifeless, pierced by a pin. This is how they get
their specialities.
" Death indeed is the greatest of all specialisers.
As soon as a man is dead, each hair or bone on or in
his body takes up a separate line of decay, caring
nothing for the other, full of scorn for its immediate
neighbour, sulking by itself, wandering to the Styx
alone and sullen.
" In England they have pushed that belief in
specialities to a funereal degree. I wonder they
allow a man to play one of their instruments, called
the piano, with both his hands at a time. I wonder
they do not insist that a given piece by Chopin be
played by two men, one of whom should first play
the part for the right hand, and afterwards the
other man the part for the left hand. To play
both parts at a time, and to have that done by
one single man too, what presumption ! How
superficial !
"In law they have long acted in this sense.
There is one man, called the solicitor ( a very good
name ), who plays the bass, or left-hand part with a
vengeance, for several weeks. When that is done;
when the c hearer ' or client lies prostrate on the
ground from the infernal noise made by the solicitor's
ARISTOTLE ON SPECIALISM 27
music, the solicitor hands over the whole case to the
other man, the barrister, who plays the most tortuous
treble, in a manner likely to madden Pan himself.
"The idea, accepted by all the other nations of
Europe, that the whole prejudicial business of a legal
contention might very well be left to one man, to
a lawyer proper, what presumption ! How super-
ficial !
" But when you tell them that they browbeat their
own principle of specialisation by taking their judges
from amongst late barristers, then they wax into an
august anger. Yet no other nation does that. The
function of a judge is radically different from that of
a barrister. After a man has been a barrister for
twenty years ; after all his mind has taken the creases
and folds of barristerdom ; after he has quite special-
ised himself in that particular line, he is unlikely to
have the best qualities of a judge. If a barrister
cannot be a solicitor ; why should he be at once, and
suddenly able to become judge?
" Their arguments to that effect are most amusing.
They dance a real war-dance round the truth that
they mean to scalp.
"The truth of course is that all the three have
one and the same speciality : that of running England.
That country is lawyer-ridden, as Egypt was priest-
ridden, or Babylonia scribe-ridden. The English
being too proud to be stingy or petty in money
matters, do not mind their rulers, the solicitors-
barristers-judges, because these deprive them eventu-
ally only of what the English do not hold in great
esteem, small sums of money. In France, where
people cling fanatically to a penny, the bar-
risters have not been allowed to become judges.
28 NIGHTS WITH THE GODS
In France specialisation in law has triumphed, where
in England it has failed.
" Does that not show that specialisation is done,
not in obedience to the behests of truth, but to those
of interests ?
" We Hellenes specialised on small city-states ;
we did not want to widen out indefinitely into huge
states; just because we wanted to give each citizen
a chance of coining out all his human capital, and not
to become, like our slaves, a limited specialist. In a
huge state specialisation becomes inevitable. In such
states they must, more or less, sterilise the human
capital of millions of citizens, just as we Hellenes
sterilised the political capital of thousands of slaves.
"Specialisation is enslaving, if not downright
slavery. It furthers truth very little; it cripples
man.
" Just as a man who talks several languages well,
will write his own idiom better than do his less
accomplished compatriots; even so the man who
keeps his mind open to more than one aspect of
things, to more than one c speciality ' will be by far
more efficient than his less broad-minded colleagues.
Man may and shall invent, as I have long predicted
it, highly specialised machines doing the work of the
weaver, or the baker. But he himself must not
become a machine. This is what happens c now,' as
the little ones say all over Europe and America.
" Not only have they formed states with many,
many millions of people each. Worse than that,
they have agglomerated the majority of these millions
into a few towns of unwieldy size. In those towns
specialisation is carried into every fibre of men and
women. This desiccates them, disemotions them,
ARISTOTLE ON SPECIALISM 29
sterilises them. We Hellenes gladly admit that the
Europeans of the last four centuries have excelled us
in one art : in music. But their period for this ex-
ceeding excellence is now gone.
"By over-specialisation of thought and heart,
caused chiefly by over-urbanisation, the very wells of
music begin to dry up. The music of the day is
hysterical, neurasthenic, and false. It is the cry, not
of an aching heart, but of an aching tooth, of a
gouty toe, or a rheumatic nerve. It does not weep ;
it coughs phthisically. It does not sigh ; it sneezes.
It is a blend of what we used to call Phrygian and
Corybantic rhapsodies.
"And as in music, even so in character. Where
each individual distorts himself or herself into a
narrow speciality, there people must needs become as
angular, lop-sided, and grotesque as possible. They
are, when together in a room, like the words on a
page of a dictionary: they have nothing to com-
municate to one another. There they stand, each in
his cage, uncommunicative, sulky, and forbidding.
One thinks in F major ; the other in F sharp minor.
Harmony amongst them is impossible. Every one of
them is hopelessly right in every one of his ideas ; and
of all mental processes, that of doubt or hesitation in
judgment is the last they practise.
" A specialist, does not doubt. Why should he ?
To him the most complicated things human appear as
mere specialities, that is, as mere fragments. A
woman is only a specialist in parturition. A physician
is only a specialist in writing Latin words on small
slips of paper. A barrister is only a man who wears
neither moustache nor beard. A clergyman is prac-
tically a collar buttoning behind, and supported by
30 NIGHTS WITH THE GODS
a sort of man inside it. In that way everything is
so simplified that no difficulty of comprehending it
remains.
" All this clearly proves, O Empedocles, how right
and, at the same time, how wrong you were in your
view of the origin of things. Perhaps you were
right in saying that the parts or organs of our bodies
arose singly, or, as it were, as specialists. In times
long before us there arose, as you taught, heads
without necks ; arms wandering alone in space ; eyes,
without foreheads, roaming about by themselves.
But when you say that all this happened only at the
beginning of things, you are, I take it, sorely mis-
taken. Indeed it is still going on in countries where
specialism reigns supreme; at anyrate it is going on
in the moral world. In such countries you still see
arms wandering alone in space, or eyes roaming
about without foreheads, as well as heads without
brains flying about in space. Not literally, of course.
But what else is a character-specialist cultivating
exclusively one quality of the human soul than an
arm wandering about alone? The little ones must
come back to the Hellenic idea of seeing things as a
whole, and not, as do wretched flies, as mere chips
of things."
The divine Assembly had listened deferentially to
the great sage. Zeus now charged Hermes^ to fetch
some of the masterpieces from the room called the
Tribuna at the Uffizi in Florence. Hermes, aided by
ARISTOTLE ON SPECIALISM 31
a number of nymphs, fetched them and, placing them
in the midst of the Assembly, exhibited their perfect
beauty to the gods and heroes. This refreshed their
souls sickened with the story of the serfdom of
modern over-specialism.
THE SECOND NIGHT
DIOGENES AND PLATO ON TOLSTOY, IBSEN,
SHAW, ETC.
ON the second night the Olympians assembled at
Pompeii. It was a balmy, starry night. The ruins
of the old town, white in their marble dresses, shone
with a spectral brightness against the mountains,
bays, and meadows surrounding them. From Stabise
and Gragnano opposite one could hear the pipe of
Pan and the laughter of his nymphs, and on the
dark water there were magic boats carrying Circe
and her maids to their blue grotto in Capri. Selene
sent her mildest rays over the scene, and grass and
stone were as if steeped in silvery dreams. The
place selected for the meeting was the amphitheatre.
At a move of Zeus' right hand the seats and alleys,
which had long since disappeared under the pressure
of the ugly lava, rose from the ground. The
orchestra and stage took up their old shape, and the
whole graceful space with its incomparable view was
again full of beauty, comfort, and pleasurableness.
Zeus, and his wife Juno, sat down on the central
seat, and around them the other gods and heroes.
When everyone had found his or her seat, Zeus
spake : " We have heard with much contentment the
experiences of Aristotle in the country which the
little ones below call England. We should now like
to hear something about the theatres in that strange
3 2
DIOGENES AND PLATO 33
land. If life itself is so uncommon and funny in
that part of the non-Grecian world, their theatre,
reflecting life, must be unusually entertaining. Per-
haps you Aristotle, as the most renowned critic
of poetry and the drama, will be good enough to
give us an idea of the thing they call drama in
England."
Whereupon Aristotle rose from his seat, and treated
the immortals to a sight which no one had as yet
enjoyed : he smiled. And smilingly he said to the
almighty son of Kronos, ruler of the world : " O
Zeus, your wish is a behest, and if you insist I will
of course obey. But pray, kindly consider that I
have, with your consent, withheld from these people,
who call themselves moderns, and who might better
be called after lings, the second book of my c Poetics,' in
which I treat of the comedy, the farce, the burlesque,
and similar phlyakes, as we term them. If now I
should reveal my thoughts on the phlyakes of the
English, several of their sophists, whom they call
University professors, might still add to the lava
which my commentators have spurted out upon
my works, just as we see here the lava of angry
Vesuvius cover the beauteous fields in and around
Pompeii.
"May I propose the proper person to entertain
us about that sort of comedy of the English which,
at present, is more or less generally considered to be
their most valuable dramatic output ? If so," Aristotle
continued at a sign from Zeus, " I propose him who
over there at the right entrance of the stage lies
carelessly on the ground and seems to heed us as
little as in his time he heeded the Athenians and the
Corinthians." Aristotle, raising his hand, pointed
34 NIGHTS WITH THE GODS
to the shabby, untidy figure of Diogenes. When
the gods and heroes heard the name and looked at
the person of the Cynic, they all burst out in im-
mortal laughter, and the sea, catching the gay ripple,
laughed as far as Sorrento.
Diogenes, without moving from his position, and
putting one of his legs comfortably on one of the
low statues of a satyr, turned his head towards Zeus
and exclaimed : " Verily, I tell you, you only confirm
me in my old belief, that there is nothing sadder than
laughter. Why should you laugh? Are we not
here to enjoy ourselves? Is not this lovely spot one
where even we might and ought to feel perfectly
happy? Why, then, laugh? I mean, of course,
laugh at me.
"I do pooh-pooh all your glories. Olympus to me
is not a whit more agreeble than my tub at Corinth.
This is, you understand, the reason of my predilection
for the English. They, alone of all these Europeans,
live at least for five seconds each day in a tub.
" I also pooh-pooh your feasts, your ambrosia and
nectar. For having passed a few months in a large
village they call London, I have so completely
lost my palate and taste, that for the next two
thousand years, at any rate, I shall not be able to
distinguish nectar from stale ale, nor ambrosia from
cabbage. ,
" Yes, I still pooh-pooh, disdain and neglect most
of the things that you and your worshippers hold in
DIOGENES AND PLATO 35
great esteem. Alcibiades raved about the beauty of
women now limping about in the various cities of the
barbarians, and more particularly in the towns of the
English. A woman ! A mere woman ! What is
the good of a woman unless one is rid of her? I
still think what I used to teach, that between a man
and a woman there is only a slight difference, one
that is scarcely worth considering.
" You may laugh until Vesuvius again vomits scorn
upon you, but I tell you here, at Pompeii, what I used
to tell everybody at Corinth : your glories are all
gone, or ought to go. Just look at Venus. There
she sits displaying to eager-looking Pans and Sileni
the loveliness of her head and neck and figure. But
what does it mean after all ? Repentance and worm-
wood. Look at Ares (Mars). Does he not look
as if he ruled the world ? Does he not behave as if
all great things were achieved through and by him ?
And what is it in reality ? Mere butchery cowardly
butchery. You laugh; of course, you do. But I
mean to show you that all that I have ever taught is
nothing less than strictly true ; the only truth ; truth
the one.
"Aristotle, in pointing me out as the person
who can best tell you what this new Shavian drama
of England really is ; Aristotle, I say, may have acted
with malice. He has, nevertheless, acted with great
wisdom. I am indeed the only man out of the world
(there is none in it), who does clearly and fully
understand my little disciple who calls himself
Bernard Shaw. Of the other friends and admirers
of his, he might very well say what that great
German philosopher Hegel said in his last moments :
c One man alone has understood me well, and even
36 NIGHTS WITH THE GODS
he misunderstood me entirely.' He might with
reference to my Cynic lady friend Hipparchia also
say : ' One man alone understood me well, and she
was a woman.'
"The fact is, Shaw, the son of Pooh-Pooh, is
simply a goody disciple of my school, of the Cynics.
When I was still within that mortal coil which men
call skin and flesh, I did take all my sputterings and
utterings very seriously, or as they say in cultured
Mayfair : c Oh grant serio? I really thought, as
undoubtedly thinks my brave disciple in London, that
my criticism of social, political, or religious things
went deep into the essence of all that maintains
Society, the State, and the Temples. Good old
Plato, it is true, hinted at my vanity and conceit
. more than once, and I still feel the sting of his
remark when once, soaked all through by the rain,
I was surrounded by pitying folk : c If you want to
feel pity for Diogenes,' Plato said, c then leave him
alone.'
"But I then did not heed any satire directed
against me, being fully occupied with satirising others
all day long. However, since that time, and since I
have been given a corner in the palace of the immortals,
lying on one of the steps like a dog, as that Italian
dauber, whom they call Raphael, painted me in his
* School of Athens' ( a fresco which might be much
better had Raphael wisely chosen his age and
appeared as a Pros-Raphael ite ) ; ever since I have
learnt a great deal, not only about others, but also
about myself.
"While you superior people \drink nectar, and par-
take of ambrosia, I enjoy with infinite zest the mali-
cious pleasure of studying the capers, antics, and poses
DIOGENES AND PLATO 37
of my posthumous selfs, the Diogeneses of that
speck on the mirror of eternity which the little
ones below call c our time.' Could anything be
more amusing to a Cynic of about twenty-two
centuries' standing like myself, who has heard and
taught all the most nerve-rasping eccentricities
imaginable, than to hear Tolstoy, Shaw, Ibsen, and
tutti quanti, teach with thunderous ponderosity,
and with penurious fulguration their doctrines as
the latest and hitherto unheard-of delivery of the
human or inhuman mind? I beg to assure you it
is excruciatingly funny. But I feel I must tell
you the whole story in due order. It happened
thus.
"I learnt from Momus that another posthumous
self of mine had arisen and, accordingly, I forthwith
repaired to the place called London. (By the way,
it is a queer place. It is neither a village, nor a
town; neither a country, nor a desert; it is some-
thing of all, and much of neither.) In one of the
streets I saw an inscription over a door 'Agency
for amusements, theatres, blue bands, green bands,
etc.' I did not quite understand what blue bands
had to do with amusement, but I entered.
" Behind the counter was a middle-aged man work-
ing busily at papers. I addressed him: 'Be cheerful!'
"He looked at me in a curious fashion, evidently
doubting the sanity of my mind. As a matter of
fact, after a little while I could not help seeing that
he was right. How could I imagine him to be
cheerful ?
" I asked him for the means of seeing a theatrical
piece by Shaw. He offered a ticket, and wanted
to know my name. I said c Diogenes.'
38 NIGHTS WITH THE GODS
" He became impatient, and said : ' Diogenes
which ? I mean, your family name ? '
UC I have no other name,' I said; 'don't you
know, I am Diogenes who cut Alexander the
Great?'
" c Alexander the Great?' he said c Why, I only
know of a tailor, called Alexander the Great. Do
you mean to tell me you cut him?'
" c No,' I said ; c I do not. I mean Alexander,
King of Macedon.'
" Whereupon he contemptuously said : ' I never
heard of the gentleman, and if he was a king of
Macedon he has made a jolly fine mess of his
country just read about the Macedonian question
in to-day's Daily Telegraph? I wanted to ask him
whether he was perchance Professor of History,
but other people came in, and so I left.
" On the same evening I was shown the way to a
theatre, and I understood that the piece given was
Arms and the Man. I enjoyed myself immensely.
"It is all very well to share the pleasures of
Olympus with the gods. Yet, by all the Graces,
whenever I hear or read reminiscences of my early
youth, those unforgettable events and ideas of the
time when I walked in the streets of Athens in the
wake of my revered master Antisthenes, it gives
me a thrill of pleasure, I might almost saj, a new
shiver.
" Just fancy, here I was sitting in far-off Britannia,
DIOGENES AND PLATO 39
over two thousand years after my mortal existence,
listening to an oration of Antisthenes, my master,
which we used to call 'Kyros.' I see very well, O
Ares, you remember the famous oration directed
against you, against all the glories of War, because
even now you frown on me, and I must ask Venus
to keep you in check. I have received too many a
whipping while I was at Athens and Corinth pray
let me in peace here in our temporary Olympus.
"At present, as you well know, I have quite
changed my ideas about war, and much as I may
have disliked you before, at present I know that
Apollo, Venus, you Ares, and Dionysus keep all
mortal things agoing. But let us amuse ourselves
with the contemplation of an oration of Antisthenes
in modern Britannic.
"Antisthenes hated war so much that he attacked
the greatest and least doubted military glory of the
Athenians, their victories over the Persians. He
attacked it with serious arguments, he sneered at it,
he tried to reduce it to a mere sham. Did Antis-
thenes not say, that the victory of the Athenians
over the Persians at Salamis would have been
something admirable, had the Persians excelled the
Athenians in point of virtue and capability ? For
in that case the Athenians would have proved even
more virtuous and more capable. However, the
Persians, Antisthenes elaborately proves, were alto-
gether inferior. Nor did they have a true king,
Xerxes being a mere sham king with a high and
richly jewelled cap on his head, sittting on a golden
throne, like a doll. Had Xerxes not to whip his
soldiers into battle? What, then, is the glory of
the Athenians ? None ! Salamis, like all battles,
40 NIGHTS WITH THE GODS
was a mere butchery, and soldiers are mere cowards,
beating inferiors and running away from superiors.
So far Antisthenes.
"The Britannic version of Antisthenes' sally
against war, soldiers, and the whole of the military
spirit, I found comical in the extreme. ' Well done '
I repeatedly exclaimed within myself, when I saw
the old capers of the Cynics of my mortal time
brought up again for the consumption of people
who had never heard of Cynics. That man Shaw
out-Cynics many a Cynic. He brings upon the
stage a number of persons, each of whom is, in turn,
a good soul first, and then a viper; an enthusiast,
and then a liar ; a virtue, and then vice itself.
"Take the girl Raina. She begins by being ideal
and enthusiastic; ideal, because she is pure, young,
and in love with her own fiancd; enthusiastic, be-
cause she is in raptures over the military glory of
her fianc^ as would be in all truth and reality a
hundred out of each hundred girls in most countries
of the sub-Shavian world. Not the slightest inkling
or fact is indicated that she is not pure, ideal, or
genuinely enthusiastic. In the next scene she is
suddenly made out to be a vicious girl, a coldly
calculating minx, and we are given to understand
that she has had no end of general and particular
adventures behind her, as she hopes to have a good
many in front of her.
" Why ? Why are we now to assume or believe
that Raina of yesterday is not Raina of to-day?
Where is the motive, I asked myself with grim
satisfaction with the brave Cynicism of the author.
Why ? Simply, for nothing. The comedy as such
does not require it ; no fact alleged to have happened,
DIOGENES AND PLATO 41
substantiates it; no situation growing out of the
piece makes it a dramatic necessity. It is done
simply and exclusively, in true Cynic fashion, for the
sake of ridiculing a person that began by being
enthusiastic for War.
"It is the old story of the ugly sorceress in the
child's book of fables. ' If you praise the beauty of
yonder little girl in the garden, I will transform you
into a guinea-pig ; and if you still continue doing so,
I will make an old cock of you.' Even so Raina is
changed into a viper, a liar, a dissimulator, a sense-
less changer of lovers, an anything, without the
slightest inner coherence, or what the philosophers
call, psychological connection.
"The same old witch's wand is used, with the
freedom of a clown, with regard to the fiancg of
Raina, the young military hero. He had by a bold
cavalry charge captured a battery or two of the
enemy's artillery. How can he be forgiven such an
execrable deed ? How dare he succeed ? Out with
the old sauce of Antisthenes ! It is, of course,
exceedingly stale by this time. But the English, it
appears, are so thoroughly used to stale sauces.
They will not notice it at all. And thus all the
threadbare arguments of Antisthenes are dished up
again. I jubilated in my pride.
" Thejianc^, Sergius, took the batteries of cannon
because, we are told, by a mistake of their com-
mander, they were not charged. How witty !
How clever ! Antisthenes merely said that the
Persians were much inferior to the Athenians, so
the latter easily got the better of the former. But
this twentieth-century dapper little Cynic goes one
better. He says, as it were, the Persians had no
42 NIGHTS WITH THE GODS
weapons to strike with. Who would have thought
of such an ingenious satire ?
" Please, Hermes (Mercury), do not interrupt me !
I know very well what you mean to say. In all
actions of men, victory depends more on the short-
comings of their rivals and competitors than on their
own genius. It is no special feature of military
victories. Of two grocers in the same street,
one succeeds mainly because the other is neglect-
ful and unbusinesslike. Of two dramatists in the
same country, one succeeds because he gives the
people what they want, and not, as does the other,
what dramatic Art wants. And so forth ad in-
Jinitum.
"But my Cynical Shavian does not heed these
inconsistencies ; he knows the public will not notice
them. He wants simply to ridicule War, and the
whole military spirit. Accordingly out with the
witch's wand, and let us change the hero first into a
whimpering calf, and then suddenly into a lewd he-
goat, and then, for no reason whatever, into the
most mendacious magpie flying about, and finally into
a little mouse caught in a trap laid by a kitchen-
maid. For this is precisely what happens to the
hero Sergius.
"Returning from war, he is sick of it with a
nauseating sea-sickness. Why? Unknown; or, as
Herbert Spencer, the next best replica of Antisthenes
in Britannia, would have said, unknowable.
" Sergius is sentimentally idiotic about the nullity
of his military glory. A few moments later he can-
not resist the rustic beauties of a kitchen-maid, one
minute after he had disentangled himself out of the
embraces of his beautiful, young, and worshipped
DIOGENES AND PLATO 43
Jiancde. The he-goat is upon him. Why? Un-
known, unknowable.
"Here in our fourth dimension we know very
well (do we not. Ares ?) that soldiers have done
similar escapades ? But have barristers done less ?
Have all solicitors proved bosom-proof? Has no
dramatist ever been sorely tempted by buxomness
and vigorous development of youthful flesh? One
wonders.
"Why then bring up such stuff, without the
slightest reason, without the slightest need, internal
or external ? But the soldier, do you not see, must
be run down. He must be ridiculed. It must be
shown that he is only a cowardly mouse caught in
the trap laid for him by that very kitchen-maid
whom at first he treats merely as a well-ordered
mass of tempting flesh, and whom in the end he
marries.
"This trait is delicious. I have frequently been
in Mysia, or what these people now call Bulgaria,
where Shaw's scene is laid. The idea of a Bulgarian
gentleman of the highest standing marrying a kitchen-
maid gave me a fit of laughter. In eccentric England
a high-born gentleman may very well marry a bar-
maid. In Bulgaria a nobleman will no more marry a
servant-girl than his own mother. He has known
too many of them; he can study her carefully,
encyclopaedically, without marrying her in the least.
For, she will never love him.
" Of course, my acolyte full well knows that the
English are not at all conversant with any nation
south of Dover Straits, and that one may tell them
anything one pleases about nations other than them-
selves. They will believe it. And so Sergius
44 NIGHTS WITH THE GODS
marries the girl by the same necessity that a mouse
may be said to have married the trap into which it
drops.
" Is not this fun indeed ? To call marrying what
simple people call getting morally insane ? How
clever ! How bright !
"This is precisely what we Cynics used to do in
ancient Greece. We turned humanity inside out,
and then I walked in day-time in the streets with a
lamp in my hand in search of a normal man, of a
human being. If you vitriole a person's face or
character first, how can you expect him to have
unscathed features ? But that is precisely the point
with us Cynics. We take human nature ; we then
vitriole it out of all shape, and afterwards cry out in
sheer indignation, * How awful ! ' ' How absurd ! '
This reminds me of my lawyer pupil who once, in
the defence of a fellow who had murdered his
parents, pathetically exclaimed to the jury: c And
- finally, gentlemen, have pity on this poor, orphaned
V boy! 5
" Not content with Sergius, another c type ' of
soldier is dragged up to the stage ; a Swiss. Now I
do not here mean to repeat our old Greek jokes
about people similar to the Swiss, such as the
Paphlagonians or Cilicians. I will only remark that
the French, who have for over four hundred years
had intimate knowledge of the Swiss, put the whole
of Swiss character into the famous mot: ' Which
animal resembles a human being most?' Answer:
'A Swiss.'
"From a Swiss you may expect anything. He
talks three languages ; all in vile German. He is to
his beautiful country like a wart on a perfect face.
DIOGENES AND PLATO 45
In the midst of paradise he is worse than a Prussian
yokel born in the dreary heaths of North Germany.
He is a Swiss. He has been a mercenary soldier to
Popes and Lutheran princes alike. His aim was
money ; is money ; will always be nothing but money.
He sells his blood as he does the milk of his cows,
by the litre or the decilitre; preferably by the latter.
He likes war well enough ; but he prefers truces and
cessation of arms. He thinks the best part of death
is the avoidance thereof. He is, when a mercenary,
a military Cynic.
" I like him dearly ; he does me honour. When-
ever I see him on the grand staircase in the Vatican, I
grin 'way down in my heart. Here is a Cynic dressed
up like a parrot in gorgeous plumage. Diogenes
in Rococo-dress ! It is intensely amusing.
" Now this Swiss is made by Shaw a c type ' of a
soldier. This is quite in accordance with the pro-
cedure of the Cynical School. First, all real soldierly
qualities are vitrioled out of the man by making him
a Swiss mercenary; and then he is shown up in all
his callous indifference to Right, Love, or Justice;
which is tantamount to saying 'a distinguished
Belgian lady patrolling Piccadilly after midnight.'
That Swiss mercenary proves no more against the
worth of soldiers, than that Belgian woman proves
anything in disgrace of the women of Belgium. If
Shaw's figure proves anything, it proves the worth-
lessness of mercenaries in general, and of Swiss
mercenaries in particular. That is, it proves some-
thing quite different from what it means to prove.
This too is arch-Cynical. Why, who knows it better
than I, that we Cynics were not infrequently instru-
mental in bringing about the very reverse of what
46 NIGHTS WITH THE GODS
we were aiming at? But the more perverse, the
better the fun.
"And the fun is excellent beyond words. It is,
in fact, as grim as the grimmest Welshman. On my
way home from the theatre I thought of it, and
started laughing in the street with such violence that
a policeman wanted to take me to the station. The
grimness of the fun was this : inquiring about the
author, I learnt that he was an Irishman. I had no
sooner made sure of the truth of this statement than
I could not control myself for laughter.
" An Irishman reviling war, and soldiers, and the
military spirit! How unutterably grim, how un-
speakably grimy! The Irish, endowed by nature
with gifts of the body as well as the mind incom-
parably superior to those of the English, have made
the most atrocious failure of their history, of their
possibilities, of their chances, for that one and only
reason, that they never found means of character
and endurance to fight for their rights and hopes in
bitter and unrelenting wars. Not having made a
single effort in any way comparable to the sustained
armed resistance of the Scotch, the Dutch, the
Hungarians, or the Boers, in the course of over three
hundred years, they have fallen under the yoke of a
nation whom they detest. This naturally demoralised
them, as it demoralises a mere husband when he is
yoked to a hated wife. Being demoralised, they
have never, oh never, reached that balance of internal
powers without which nothing great can be achieved.
The English with lesser powers, being undemoralised,
got their powers into far greater balance. So did
the Scot through sustained, reckless fighting for
their ideals. Hence the misery of the Irish, who are
DIOGENES AND PLATO 47
like their fairies, enchanting, but fatal to themselves
and to others ; unbalanced, unsteady in mind and
resolution to a sickening degree ; fickle, and re-
sembling altogether sweet kisses from one's lady-
love intermingled with knocks in the face from one's
vilest creditors.
" Their recoiling from making resolute war on the
enemy being the great cause of the failure of the
Irish, what can be more grimly Cynical than an
Irishman's indignation at all that appertains to war?
We Cynics always do that. Moderation having been
the soul of all things Hellenic, we Cynics told the
Greeks that the one fatal excess that man can commit
is moderation. Of music we taught that its only
beauties are in the pauses ; and of man we held that
he is perfect only by making himself into a beast.
" We taught people to contemplate everything in
a convex mirror and then to fall foul of the image
so distorted. This the idlers and the mob greatly
admire. They deem it marvellous originality. And
what can be nearer to the origin of new things than
to take man and nature always in the last agonising
stage of final decomposition ?
" In my own dramas I did all that with a vengeance ;
so did Crates, my revered colleague. What was a
plot to us ? What does a plot matter ? The other day
when I sauntered through the Champs Elysees of Paris,
I overheard a conversation between little girls playing
at ladies. By Antisthenes, that was the real model
of the plot and dialogue of all Cynic dramas !
" Said one little girl to the other : < How are you,
madame ? '
"'Thanks,' said the other, 'very well. I am
watching my children.'
CC C
48 NIGHTS WITH THE GODS
* How many have you ? '
Seventy-five, please.'
" c And how old are you ? '
" ' Twenty years, madame.'
" c And how is your husband ? '
" ( T pensez-vous ? My husband ? Fancy that !
Why, I have none ! '
" This is precisely the plot and dialogue in Shaw's
Candida.
"I enjoyed Candida so intensely; I could have
kissed the author. How entirely like my own dramas !
How closely modelled on the dialogue of the little
girls !
"A husband of forty, vigorous, brave, honest,
hard-working in a noble cause, loving and loved,
father of two children, befriends a boy of eighteen,
who is as wayward and conceited and inconsistent as
only boys of eighteen can be. That boy suddenly
tells the husband that he, the boy, loved Candida,
the wife of the said husband. The boy, not satisfied
with this amenity, becomes intolerably impudent, and
the husband, acting on his immediate and just senti-
ment, wants to throw him out of the house.
" But this is too much of what ninety-nine out of
a hundred husbands would do. So instead of kicking
the impertinent lad into the street, the husband-
invites him to lunch. ,
"I was so afraid the .husband would in the end
bundle the youth out of the room. To my intense
DIOGENES AND PLATO 49
delight the author did not forget the rules of the
Cynic drama, aud the boy remained for lunch.
" Bravo ! Bravo ! I secretly hoped the husband
would solemnly charge the interesting youth to fit
Candida with the latest corset. To my amazement
that did not take place. But yet there was some
relief for me in store : the husband invites the boy
to pass the evening with his wife alone.
"This is, of course, precisely what most husbands
would do.
"This is what another disciple of mine in Paris
(a man called Anatole, and misnamed France), did
do in an even worse case. In Anatole's story, the
husband arrives in the most inopportune moment that
a forgetful wife can dread. He looks at the scene
with much self-control, takes up the Petit Parisien
lying on the floor, and withdraws gracefully into
another room, there to make sundry reflections on
the Petit Parisien and on the 'Petite Parisienne.'
"How classically Cynical! How Bion, Metrocles,
Menippus, and all the rest of our sect would have
enjoyed that ! Here is a true comedy ! Here is some-
thing truly realistic, and realistically true. That's
why Anatole is so much admired by Englishmen.
He too is, as we Cynics have been called, a philo-
sopher, of the proletariate.
"Much, O Zeus, as I enjoy the honour and
pleasure of being allowed to crouch on one of the
steps of your divine halls, I do also keenly appreciate
the pleasure of meeting my disciples of the hour.
One of these next days I will ask Momus to invite
Tolstoy, Ibsen, Shaw, Anatole, and a few others to
a lunch, to meet me in a Swiss hotel. Plato, you
better come and listen behind a screen. You might
50 NIGHTS WITH THE GODS
perhaps improve upon your Gorgias in which dialogue
you attempt to sketch the superman and super-
cynic. Ibsen will stammer and jerk his best in
deathly hatred of all Authority. Shaw will pinprick
to death the foundations of Marriage and Family.
Anatole will try to upset, by throwing little mud-
pellets at them, ideal figures such as Joan of Arc "
( Diogenes had barely uttered this name, when
Zeus and all the other gods rose from their seats,
and bowed towards Pallas Athene, who held Joan in
her holy arms ). " Tolstoy, with a penny trumpet
in his toothless mouth, will bray against war; Oh,
it will be glorious.
" Of course, by this time I know very well that
the controlling principle of all mundane and supra-
mundane things is Authority. As we here all bow
to Zeus, so mortals must always bow to some
authority. Nothing more evident can be imagined
nor shown. It is the broadest result of all history,
of all experience. Just because this is so, and
unmistakably so, my disciples must naturally say
the reverse. They do not look at facts by a micro-
scope or a telescope; they telescope train-loads of
facts into a mass of pulverised debris.
" Instead of saying that in England, through her
social caste system, there are many, too many,
parvenus or tactless upstarts, my disciples must say :
'The greatness of England is owing to her tactless-
ness.' This is the real merchandise which I sold
at Corinth over two thousand years ago.
"Tolstoy thunders against War. I wonder he
does not thunder against mothers' breasts feeding
their babies. Why, War made everything that is
worth having. First of all, it made Peace. With-
DIOGENES AND PLATO 51
out war there is no peace ; there is only stagnation.
The greater the ideal, the greater the price we have
to pay for it. And since we always crave for the
sublime ideals of Liberty, Honour, Wealth, Power,
Beauty, and Knowledge, we must necessarily pay the
highest price for it ourselves, our lives in war.
There is no Dante without the terrible wars of the
Guelfs and the Ghibellines. There could have been
no ideal superman like Raphael without the counter-
superman called Cesare Borgia. It is only your
abominable Philistine who squeaks : c Oh, we might
have many a nice slice from the ham of Ideals with-
out paying too dearly for it.' What do you think of
that, Hercules? Did you win Hebe by avoiding
conflicts and disasters ? "
Hercules groaned deeply and looked first at his
battered club and then at charming Hebe. The
gods laughed aloud and Apollo, taking up his lyre,
intoned a grand old Doric song in praise of the
heroes of war who, by their valour, had prepared the
palastra for the heroes of thought and beauty. He
was soon joined by a thousand harmonious voices
from the temple of Isis, and from his own majestic
sanctuary at Pompeii. Vesuvius counterpointed the
lithe song with his deep bass ; and, with Dionysus at
the head of them, Pan and the nymphs came waft-
ing through the air, strewing buds of melodies on
to the Olympian wreaths of tones sung by Phoebus
Apollo in praise of War.
52 NIGHTS WITH THE GODS
When the song had subsided, Zeus, in a voice full
of serenity and benign music, addressed the gods and
heroes as follows : " We are very much beholden to
Diogenes for his bright and amusing story of the
Cynical ants that at present run about the woods
and cottages of men, biting each other and their
friends. Their epigrams and other eccentric utter-
ances can affect none of us here assembled. You
very well know that I have not allowed Apollo, or
Reason to reign alone and unaided by Unreason,
or Dionysus. The Cynical critics of men want to
bring about the Age of Reason, or as these pre-
sumptuous half-knowers call it, the Age of Science.
This, I have long since laid down, shall never be.
"At the gate of the Future, at Delphi, Apollo
is associated with Dionysus, and so it has been ever
since I came to rule this Universe. Just as good
music consists of tones and rhythms, and again of the
cessation of all sound, or of measured pauses ; even
so my Realm consists of Reason, and of the cessation
of all Reason, or of Unreason. The Cynics who
ignore the latter, misjudge the former. This, I take
it, is perfectly clear to all of us.
" But while we here may laugh at the bites of the
Cynical ants below, we do not mean to state that in
their occupation there is no point, no utility at all.
These little ants may be, and undoubtedly are largely
sterile mockers. Yet even I have experienced it
on myself that the effects of their doings are not
always sterile."
And leaning back on his chryselephantine chair,
Zeus lowered his voice and said almost in a^ whisper:
" See, friends, why do we meet here in lonely places,
in a dead town, during the mysterious hours of
DIOGENES AND PLATO 53
night ? You know very well who and what has
prevailed upon me to choose this temporary darkening
of our blissful life."
At this moment there came from the rushes near
the sea a plaintive song accompanied by a flute, and
a voice of a human sobbed out the cry : " Pan, the
Great Pan is dead ! "
A sudden silence fell over the divine Assembly.
A cloud of deep sadness seemed to hover over all.
The three Graces then betook themselves to danc-
ing, and their beauteous movements and poses so
exhilarated the Assembly, that the former serenity
was soon re-established.
Zeus now turned to Plato, calling upon him to
give his opinion on the Cynics. Zeus reminded
Plato that hitherto the Cynics had been treated by
him merely incidentally, mostly by hidden allusions
to Antisthenes, or by witty remarks on Diogenes.
At present Plato might help the gods to pass agree-
ably the rest of the beautiful night by telling them
in connection and fulness what really the ultimate
purport of these modern Cynics, Shavian or other is
going to be. Everybody turned his or her face
towards Plato, who rose from his seat, and bowing,
with a smile, towards Diogenes, thus addressed Zeus
and the Assembly of gods and heroes at Pompeii :
"It is quite true that in my writings I have not
devoted any explicit discussion to the views and
tenets of the Cynics. They appeared to me at that
54 NIGHTS WITH THE GODS
time far too grotesque to be worth more than a
passing consideration. Of their dramas I had, and
still have a very poor opinion. From what I hear from
Diogenes, the modern imitators of Cynic dramatists
are not a whit better. In addition to all their weary-
ing eccentricities, they add the most unbearable
eccentricity of all, to wit, that their dramas and
comedies represent a new departure within dramatic
literature.
"Shaw's dramas are no more dramas than his
Swiss, in Arms and the Man^ is a soldier ; or his
clergyman in Candida a husband, or a man. His
pieces are not dramatic in the least; they do not
exhibit the most elementary qualities of a comedy.
For, whatever the definition of a comedy may be,
one central quality can never be missing in it : the
persons presented must be types of human beings.
" Shaw's persons are no humans whatever. They
are homunculi concocted in a chemical laboratory of
pseudo-science and false psychology. They crack,
from time to time, brave jokes ; so do clowns in a circus.
That alone does not make a wax figure into a human.
"There may be very interesting comic scenes
amongst bees, wasps, or beavers ; but we cannot
appreciate them. We can only appreciate human
comicality, even when it is presented to us in the
shape of dialogues between animals, as Aristophanes,
the fabulists, and so many other writers have done.
"Who would care to sit through a comedy show-
ing the comic aspects of life in a Bedlam ? If madmen
have humour, as undoubtedly they have, we do not
want to see it on a public stage. The fact, that it is
a madman's humour deprives it of all humour.
"Hedda Gabler can appeal to no sound taste.
DIOGENES AND PLATO 55
One never sees why she is so fearfully unhappy. If
she is not in love with her husband, let her work in
the house, in the kitchen, in the garden ; let her try
to be a mother ; let her adopt a child if the gods
deny her one of her own. Let her do something.
Of course, idling all day long as she does, will in the
end demoralise a poker; and far from wondering
that she ends badly at the end of the last act, one
only wonders that she did not do away with herself
before the first scene of the first act. By doing so
she would have done a great service to herself, her
people, and to dramatic literature.
" Of the same kind is Raina, in Arms and the
Man. She is a doll, but not a young girl. She has
neither senses, nor sense. She is made of cardboard,
and fit only to appear in a Punch and Judy show.
She is, in common with most of the figures in the
comedies of the modern Cynics, a mere outline
drawing of a human being from whose mouth hang
various slips of paper on which the author con-
veniently writes his variorum jokes and bright sayings.
All these so-called dramatic pieces will be brushed
away by the broom of Time, as happened to the
dramas and travesties of our Greek Cynics. Life
eternal is given to things only through Art, and in
these writings of the Cynics, old or modern ones,
there is not the faintest trace either of one of the
Graces, or of one of the Muses.
" Having said this much about Shaw's and the
other modern Cynics' alleged dramatic writings, I
56 NIGHTS WITH THE GODS
hasten to add, that when we come to consider
the effect these so-called dramas have, and pos-
sibly will continue to have on the mind of the
public, we are bound to speak in quite a different
manner.
"I have had plenty of time, since the days of
my Academy at Athens, to think out the vast differ-
ence between such works of the intellect as aim at
nothing but truth and beauty, or what we might
call a/ethology, on the one hand ; and such works as
aim at effect, or what may be generally termed as
effectology.
" It is from this all-important point of view that I
say that Tolstoy, Ibsen, Shaw and the others are,
effectologically, ] ust as remarkable as they are aletho-
logically without much significance.
" As to the latter ; as to their hitting off great or
new truths; as to their being philosophers; or to
put it in my terms, as to their having any alethological
value, Diogenes has already spoken with sufficient
clearness. Just consider this one point.
"Tolstoy, as well as Shaw, wants to reform the
abuses of civilisation. In order to do so they combat
with all their might the most powerful purifier and
reformer of men, War. Can anything be more
ludicrous, and unscientific ?
"Who gave the modern Germans that incompar-
able dash and 4lan, thanks to which they have in one
generation quadrupled their commerce, doubled their
population, quintupled their wealth, and ensured their
supremacy on the Continent?
" Was it done by their thinkers and scholars ? The
greatest of these died before 1870.
"Was it done by getting into possession of the
DIOGENES AND PLATO 57
mouth of the Rhine, or of the access to the Danish
Sounds, which formerly debarred them from the sea ?
They do not possess the mouth of the Rhine, nor
Denmark to the present day.
"Nothing has changed in the material or intel-
lectual world making the Germany of to-day more
advantageous for commerce or power than it had
been formerly.
"Except the victorious wars of 1866 and of
1870.
" Can such an evident connection of fact be over-
looked ? And would Russia have introduced the
Duma without the battle of Mukden ? It is waste
of time even for the immortals to press this point
much longer.
" As in this case, so in nearly all the other cases,
Cynics revile abuses the sole remedies for which
they violently combat. In their negative attacks
they brandish the keenest edges of the swords,
daggers and pins of Logic; in their positive advices
they browbeat every person in the household of
logical thought.
"Yet, worthless, or very nearly so, as they may
be as teachers of truth, they are powerful as writers
of pamphlets. For this is what their literature comes
to. They do not write dramas, nor novels. They
can do neither the one, nor the other. But they
write effective pamphlets in the apparent form of
dramas and novels.
" They are pamphleteers, and not men of
letters.
cc In that lies their undeniably great force. They
instinctively choose as eccentric, as loud, and as
striking forms and draperies of ideas as possible, so
5 8 NIGHTS WITH THE GODS
as to rouse the apathetic Philistine to an interest in
what they say. They are full of absurdities; but
which of us here can now after centuries of ex-
perience venture to make light of the power of the
absurd ?
" Error and Absurdity are so powerful, so neces-
sary, so inevitable, that Protagoras was perhaps not
quite wrong in saying that Truth herself is only a
particular species of Error.
" Once, many years ago, I despised the Cynics,
and my own master Socrates made light of them.
But at present I think differently. When Socrates
said, with subtle sarcasm, to Antisthenes: 'I see
your vanity peeping out through the holes of your
shabby garment,' Antisthenes might have retorted
to him : c And I, O Socrates, see through these very
holes how short-sighted you are. 5
"For have we not lived to see that while all
revere Socrates in words, they follow the pupils of
Antisthenes in deeds? The Cynics, fathered by
Antisthenes, begot the Stoics ; and the Stoics were
the main ferment in the rise and spread of Chris-
tianity. Many of the sayings and teachings and
doings of the Cynics, which we at Athens made
most fun of, have long since become the sinews and
fibres of Christian ideas and institutions. There is
greater similarity and mental propinquity between
Antisthenes or Diogenes and St Paul, than between
Socrates and St Augustine of Hippo.
" I pray thee, O Zeus, to let us for a moment see
this town of Pompeii as it was a day before its
destruction, with all its life in the streets and the
Forum, so as to give us an ocular proof of the truth
of what I just now said about the Cynics and Eccen-
DIOGENES AND PLATO 59
tries of Antiquity, and what I am going to apply to
the modern Cynics, literary or other."
Thereupon Zeus, by a wave of his hand, placed
the whole Assembly in the shadow as if encircled by
a vast mantle of darkness, and shed a strange and
supramundane light on the town of Pompeii, which
grew up at sight from the ground, putting on life
and movement and beauty on all its houses, narrow
streets, gardens, and squares. The ancient population
filled, in ceaseless movement, every part of the charm-
ing city. Richly dressed ladies, carried in sedan-
chairs by black slaves; patricians in spotless togas,
followed by crowds of clients; magistrates preceded
by lictors ; soldiers recruited from all nations ; trades-
men from every part of the Roman Empire ; all these
and innumerable others, visitors from the neighbour-
ing cities, thronged the streets, and the whole popu-
lation seemed to breathe nothing but joy and a sense
of exuberant life.
In one of the squares there was a hilarious crowd
listening, with loud derision and ironical applause, to
a haggard, miserably clad, old man who, addressing
them in Ionian Greek, with the strong guttural
accent of the Asiatics, stood on one of the high
jumping-stones of the pavement, and spoke with
fanatic fervour of the nameless sinfulness of the
people of Pompeii. With him were two or three
other persons of the same description, joining him
from time to time in his imprecations against the
"doomed town."
60 NIGHTS WITH THE GODS
The old man told them that their whole life was
rotten through and through, a permanent lie, a
contradiction to itself, a sure way to damnation. He
thundered against the soldiers jeering at him in the
crowd, calling them cowards, butchers, wretches, and
the sinners of all sinners. He sneered at one of the
priests of Isis present in the crowd, telling the people
that there was only one true belief, and no other.
The more the old man talked, the more the crowd
laughed at him; and when a Greek philosopher,
who happened to be there, interpellated and ele-
gantly refuted the old man in a manner approved by
the rules of the prevalent school of rhetoric and
dialectics, the crowd cheered the philosopher, and the
more accomplished amongst the bystanders said to
one another: "This old man is a mere charlatan, or
an impostor ; it's waste of time to take him seriously."
One man alone, in the whole crowd, a shy and
retiring disciple of Apollonius of Tyana, waited until
the crowd had dispersed, and then walking up to the
old man, asked him what sect of Cynics he belonged to.
The old man said : " I am no Cynic ; I am a
Christian."
Thereupon the disciple of Apollonius took the old
man's hand, pressed it with emotion, kissed him,
and turning away from him, walked off, plunged in
deep thought.
A minute later the supramundane light over
Pompeii disappeared, and the Assembly of the gods
and heroes was again in the mild rays of Selene.
DIOGENES AND PLATO 61
" Can anyone here," continued Plato, " deny that
that crowd together with the philosopher was quite
mistaken in their appreciation of the eccentric old
man, and that the silent pupil of Apollonius alone
was right ?
" Cynics and Eccentrics have at all times been the
forerunners of vast popular movements. The flagel-
lants, the Beguins and Lollards, and countless other
Cynics in the latter half of the Middle Ages preceded
the Reformation.
"And was not the French Revolution, or the
vastest effort at realising Ideals ever made by the
little ones down here, preceded by a Cynic and his
pamphlets, by Jean Jacques Rousseau ?
" No Greek town would have endured within its
walls a youth so completely shattered in all his moral
build, as was Rousseau. He was thoroughly and
hopelessly demoralised in character, ddcousu and
eccentric in thought, and badly tutored in point of
knowledge. The clever woman that was his pro-
tectress, mistress, and guide, and who displayed a
marvellous capacity for devising jobs and an in-
exhaustible resourcefulness in turning things and
persons to practical use, could yet never discover any
usefulness in Jean Jacques.
"He wrote, later on, novels, political treatises,
botanical ones, musical ones. In truth he never
wrote a novel; he wrote nothing but pamphlets;
stirring, wild, eccentric, enchanting pamphlets. He
was not, like Beaumarchais, a pamphleteer and yet a
writer of a real, and immortal comedy, itself a politi-
cal pamphlet. Rousseau was a writing stump-orator
doing anticipative yeoman's work for the Revolution.
" So are all the Cynics. So are Ibsen, Tolstoy ; so
62 NIGHTS WITH THE GODS
is Shaw. Their dramas may be, say are no dramas at
all; their novels may be, say are no novels at all;
their serious treatises are neither serious nor treatises ;
and yet they are, and always will be great effectological
centres. They attack the whole fabric of the extant
civilisation ; by this one move they rally round them
both the silent and the loud enemies of WHAT Is,
and the eager friends of what OUGHT To BE. Of
these malcontents there always is a great number;
especially in times of prolonged peace.
"A war, a real, good national war would immedi-
ately sweep away all these social malcontents.
" That's why the leaders of the Cynics, and more
especially Tolstoy and Shaw, hate war. It is their
mar-feast, their kill-joy; their microbes do not
prosper in times of war.
" Without the fatal and all but universal peace
of the period from 50 A.D. to 1 90 A.D., Christianity
could never have made any headway in the Roman
Empire; just as we got rid of our Cynics by the
second Athenian Empire and its great wars.
"This, then, is in my opinion the true perspective
of our modern Cynics. As literature or truth, they
exhibit little of value, except that Shaw appears to
me ( if a Greek may be allowed to pass judgment
on such a matter ) to be the only one amongst
living writers in England who has real literary splen-
dour in his style. As men, however, exercising an
effect on a possible social Revolution, these writers
are of the utmost importance.
" Or to repeat it in my terms : alethologically nil
or nearly so, effectologically very important or , interest-
ing ; this is the true perspective of writers like
Tolstoy, Shaw, and other modern Cynics.
DIOGENES AND PLATO 63
" Their influence is not on Thought, nor on Art,
but on Action.
"They may eventually, if Mars will continue
trifling with wood-nymphs and other well-intended
cordials, become a great power. They may beget
Neo-Stoics, who may beget Neo-Christians. They
themselves may then appear only as the tiny drum-
pages running in front or beside the real fighters
in battle. Yet their importance will be little impaired
thereby.
"The Church Fathers have frequently endeavoured
to honour me with the name of one of the lay
protagonists of Christianity. But I know much
better than that. The true protagonists were
Antisthenes or Diogenes ; and that is why the
Roman Catholic Church has at no time countenanced
me. And just as we now do not mind the jokes,
burlesques and boutades of Diogenes any more, ad-
mitting freely, as we do, that behind them was
the aurora borealls of a new creed, a new movement,
a new world ; even so we must not mind the
grotesque boutades of Tolstoy, Ibsen, Shaw, Anatole,
and other modern Cynics, for behind them is the
magnetic fulguration of new electric currents in the
social world.
"This, the public indistinctly feel; that's why
they continue to read and criticise or revile these
men. The public feels that while there may not
be much in what these men yield for the present,
the future, possibly, is theirs.
"The little ones below do not as yet know, that
there is no future; nor that all that is or can be,
has long been. Therefore they do not turn to
us who might point out to them what things are
64 NIGHTS WITH THE GODS
driving at ; but they want the oldest things in ever
new forms.
" We, however, know that plus cela change, plus
test la meme chose, as one of the modern Athenians
in Paris has put it.
" Do not frown on me, Heraclitus ; I well know
that you hold the very reverse, and that you would
say : 'plus fest la mme chose, plus cela change?
" I have gladly accepted that in my earthly time
when I made a sharp distinction between phenomena
and super-phenomena, or noumena. But I do no
longer make such a distinction.
" We are above time. We Hellenes are alive
to-day as we were over two thousand years ago. We
still think aloud or on papyrus the most beautiful and
the truest thoughts of men. Have we not but
quite lately sent down for one of us to while amongst
us for ever ? He too began as a Cynic. But having
learnt the inanity of the so-called c future,' he rose
above time and space, and soared on the wings of
eagle concepts to the heights where we welcome
him. He has just entered the near port in a boat
rowed by the nymphs of Circe. We cannot close
our meeting in a more condign fashion than by ask-
ing Hebe to offer him the goblet of welcome."
The eyes of all present turned to the shore, where
a man of middle age, who had evidently regained
his former vigour, walked up to the steps of the
amphitheatre. When he came quite near to the
Assembly, Diogenes exclaimed : " Hail to thee,
Frederick Nietzsche ! "
THE THIRD NIGHT
ALCIBIADES ON WOMEN IN ENGLAND
IN the third night the gods and heroes assembled
at Venice. Where the Canal Grande almost dis-
appears in the sea, there on mystic gondolas the
divine Assembly met in the town of Love and
Passion, at the whilom centre of Power wedded
to Beauty. It was a starlit night of incomparable
charm. The Canal Grande, with its majestic silence;
the dark yet clearly outlined Palaces surrounding
the Canal like beautiful women forming a procession
in honour of a triumphant hero ; the grave spires of
hundreds of churches standing like huge sentinels
of the town of millions of secrets never revealed,
and vainly searched for in her vast archives ; and
last not least the invisible Past hovering sensibly
over every stone of the unique city; all this con-
tributed ever new charms to the meeting of the
gods and heroes at Venice.
Zeus, not unforgetful of the Eternal Feminine,
asked Alcibiades to entertain the Assembly with
his adventures amongst the women of England.
Alcibiades thereupon rose and spake as follows :
" O Zeus and the other gods and heroes, I am
still too much under the fascination of the women
with whom I have spent the last twelve months, to
be in a position to tell you with becoming calmness
what kind of beings 'hey are. In my time I knew
E 65
66 NIGHTS WITH THE GODS
the women of over a dozen Greek states, and
many a woman of the Barbarians. Yet not one
of them was remotely similar to the women of
England. I will presently relate what I observed of
the beauty of these northern women.
"But first of all, it seems to me, 1 had better
dwell upon one particular type of womanhood which
I have never met before except when once, eight
hundred years ago, I travelled in company with
Abelard through a few towns of Mediaeval France.
That type is what in England they call the middle-
class woman. She is not always beautiful, and yet
might be so frequently, were her features not spoilt
by her soul. She is the most bigoted, the most
prejudiced, and most intolerant piece of perverted
humanity that can be imagined.
"The first time I met her I asked her how she
felt that day. To this she replied, c Sir-r-r ! ' with
flashing eyes and sinking cheeks. When I then
added : c I hope, madame, you are well ? ' she looked
at me even more fiercely and uttered : ' Sir-r-r ! '
Being quite unaware of the reason of her indignation,
I begged to assure her that it gave me great pleasure
to meet her. Thereupon she got up from her seat
and exclaimed in a most tragic manner : ' Si-r-r-r, you
are no gentleman ! ! '
" Now, I have been shown out, in my time, from
more than one lady's room; but there always was
some acceptable reason for it. In this case I could
not so much as surmise what crime I had committed.
On asking one of my English friends, I learnt that
I ought to have commenced the conversation with
remarks on the weather. Unless conversation is
commenced in that way it will never commend itself
ALCIBIADES ON WOMEN 67
to that class of women in England. It is undoubtedly
for that reason, Zeus, that you have given England
four different seasons indeed, but all in the course of
one and the same day. But for this meteorological
fact, conversation with middle-class people would
have become impossible.
" The women of that class have an incessant itch
for indignation; unless they feel shocked at least
ten times a day, they cannot live. Accordingly,
everything shocks them; they are afflicted with
permanent shockingitis.
"Tell her that it is two o'clock P.M., and she will
be shocked. Tell her you made a mistake, and that it
was only half-past one o'clock, and she will be even
more shocked. Tell her Adam was the first man,
and she will scream with indignation; tell her she
had only one mother, and she will send for the
police. The experience of over two thousand years
amongst all the nations in and out of Europe has not
enabled me to find a topic, nor the manner of con-
versation agreeable or acceptable to an English middle-
class woman.
" At first I thought that she was as puritanic in
her virtue as she was rigid and forbidding in appear-
ance. One of them was unusually pretty and I
attempted to please her. My efforts were in vain,
until I found out that she took me for a Greek from
Soho Square, which in London is something like the
poor quarters of our Piraeus. She had never heard
of Athens or of ancient history, and she believed
that Joan of Arc was the daughter of Noah.
"When I saw that, I dropped occasionally the
remark that my uncle was Lord Pericles, and that
the King of Sparta had reasons to hide from me
68 NIGHTS WITH THE GODS
his wife. This did it at once. She changed com-
pletely. Everything I said was c interesting.' When
I said, c Wet to-day,' she swore that it was a capital
joke. She admired my very gloves. She never tired
asking me questions about the c swell set.' I told
her all that I did not know. The least man of my
acquaintance was a lord; my friends were all vis-
counts and marquesses ; my dog was the son of a
dog in the King's kennels; my motor was one in
which three earls and their wives had broken eleven
legs of theirs.
" These broken legs brought me very much
nearer to my goal ; and when finally I apprised her
that I had hopelessly spoilt my digestion at the
wedding meal of the Duke of D'Ontexist, she im-
plored me not to trifle any longer with her feelings.
I stopped trifling.
" This experience," Alcibiades continued, " did
much to enlighten me about what was behind all
that forbidding exterior of the middle-class woman.
I discovered Eve in the Mediaeval form of woman-
hood. I was reminded of the Spartan women who,
at the first meeting, seemed so proud, unapproach-
able and Amazonian ; at the second meeting they
had lost some of their prohibitive temper ; and at
the third meeting they proved to be women, and
nothing but women after all.
"Honestly, I preferred the English middle-class
woman in her first stage. It suited the somewhat
rigid style of her beauty much better. In the last
or sentimental stage she was much less interesting.
Her tenderness was flabby or childish. Then she
cried after every rendezvous. That annoyed me
considerably. One evening I could not help ask-
ALCIBIADES ON WOMEN 69
ing her whether she did not feel like sending five
pounds of conscience-money to the Chancellor of the
Exchequer. She drew the line on that, and cried
more profusely. Whereupon I proposed to send fifty
pounds of conscience-money and to be released of
any further tears. This seemed to pacify and to
console her ; and thus we parted.
" A few days after I had been relieved of my first
lady friend in England," Alcibiades continued, " I
made the acquaintance of a girl whose age I was
unable to determine. She said she was twenty-nine
years old. However, I soon found that all unmarried
girls d*un certain age in England are exactly twenty-
nine years old.
"She was not without certain attractions. She
had read much, spoke fluently, had beautiful auburn
hair and white arms. In her technical terms, which
she used very frequently, she was not very felicitous.
She repeatedly mixed up bigotry with bigamy, or
with trigonometry. My presence did not seem to
affect her very much, and after two or three calls I
discovered that she was in a chronic state of re-
bellion against society and law at large.
" She held that women were in absolute serfdom
to men, and that unless women were given the most
valuable of rights, that is, the suffrage, neither
women nor men could render the commonwealth
what it ought to be. I told her that shortly after
my disappearance from the political stage of Athens,
70 NIGHTS WITH THE GODS
about twenty-three centuries ago, the women of
that town, together with those of other towns,
clamoured for the same object. 'What?' she ex-
claimed. c Do you mean to say that suffragettes
were already known in those olden times ? ' I assured
her that all that she had told me about the aims and
arguments of herself and her friends was as old as
the comedies of Aristophanes. That seemed to have
a strange effect upon her. I noticed that what she
believed to be the novelty of the movement con-
stituted really its greatest charm for her. She
had thought that suffragettism was the very latest
fashion, in every way brand new.
" But after a time she recovered and said : e Very
well ; if our obj ects and aims are as old as all that,
they are sure to be even more solidly founded in
reason than I thought they were.'
"Reason, Right, Equity, and Fairness were her
stock-in-trade. She was the daughter of Reason;
the wife of Right ; the mother of Equity ; and the
mother-in-law of Fairness. It was in vain that I told
her that this world was not held together by Reason
or Right alone, but also by Unreason and Wrongs.
She scoffed at my remarks, and asked me to come to
one of her speeches in Hyde Park on one of the
next Sundays. I came. There was a huge crowd,
counting by the hundreds of thousands. My lady
friend stood on a waggon in the midst of about half-
a-dozen other women, who all hacf preferred single
blessedness to coupled bliss. They were, of course,
each of them twenty-nine years old; and yet their
accumulated ages brought one comfortably ,back to
the times of Queen Elizabeth. When my friend's
turn came, she addressed the crowd as follows :
ALCIBIADES ON WOMEN 71
" f Men and women. Excuse me, ladies, beginning
my speech in that way. It is mere custom, the
behests of which I obey. In my opinion there
are no men in this country. There are only cowards
and their wives. Who but a coward would refuse
a woman the most elementary right of citizenship?
Who but a wretch and a dastardly runaway would
deny women a right which is given to the scum of
men, provided they pay a ridiculous sum in yearly
taxes ? There are no men in this country.' (A voice
from the people : c None for you, m'um, evi-
dently ! ')
" * I repeat it to you : there are no men. I will
repeat it again. I can never repeat it too frequently.
Or, do you call a person a man who is none ? The
first and chief characteristic of a true man is his love
of justice. It is so completely and exclusively his,
that we women do not in the least pretend to share
in this his principal privilege.
" * But can the present so-called men be called just ?
Is it justice to deny justice to more than one half of
the nation, to the women ? Let us women have the
suffrage, so that men, by thus doing justice, shall
become true men worthy of their suffrage. For are
not all their reasonings against our wishes void of
any force ?
" c They say that the suffrage of women, by drag-
ging them too much into the political arena, would
defeminise them. Pray look at us here assembled.
Are we unwomanly ? Do we look as if we had lost
any of that down which hovers over the soul of
domesticated women as does the nap on a peach ? '
(Stormy applause.) ' Thanks, many thanks. I knew
you would not think so.
72 NIGHTS WITH THE GODS
" c No, it is indeed absurd to assume that a waggon
can change a woman into a dragon. Am I changed
by entering a 'bus ? Or by mounting a taxi ? Why,
then, should I be changed by standing on a waggon ?
I am no more changed by it, than the waggon is
changed by me.' (A voice : ' Good old wag-
gon!')
" ' We want to have a share in legislation. There
are a hundred subjects regarding which we are better
informed than are men. Take food-adulteration
who knows more about it than we do ? Take intem-
perance who drinks more in secret than we do?
Take the law of libel and slander who libels and
slanders more than we do? Who can possibly
possess more experience about it ?
" c Look at history. Repeatedly there have been
periods when a number of queens and empresses
proved to be more efficient than men. Politics,
especially foreign policy, spells simply lies and dis-
simulation. Who can do that better than ourselves ?
People say that if we women get the suffrage, the
House of Commons would soon be filled with mere
women. Let us grant that, for argument's sake.
Would the difference be really so great ? Are there
not women in trousers? And are there not more
trousers than men?
" c Nowadays most men cry themselves hoarse
over Peace, Arbitration, International Good Will,
and similar nostrums. Could we women not do that
too ? I ask you men present, could we not do that
as well? The men of this country think that they
will bring about the millennium by preaching and
spreading teetotalism, Christian Science, vegetarian-
ism, or simple lifeism. How ridiculous and petty.
ALCIBIADES ON WOMEN 73
"'Look at the "isms" we propose to preach
and spread: (i) Anti-corsetism ; (2) Anti-skirtism ;
(3) Anti-bonnetism ; (4) Anti-gloveism ; (5) Anti-
necktieism ; (6) Anti-cigarettism ; and finally (7)
Anti-antiism.
" ' On these seven hills of antis, or if you prefer it,
on these seven ant-hills, which are in reality anti-ills,
we shall build our New Rome, the rummiest Rome
that ever was, and more eternal than the town of the
Caesars and the Popes. Give us the suffrage ! Do
you not see how serious we are about it ? We know
very well that the various classes of men obtained
the suffrage only by means of great fights in which,
in some countries, untold thousands of men were
killed. But can you seriously think of putting us
women to similar straits ?
" ( Evidently, what men had to fight for in bitter
earnest, ought to be given to women in jest as
a mere gift. Do give us the suffrage ! Do not be
pedantic nor naughty. We mean it very seriously ;
therefore give it to us as a joke, by sheer politeness,
and as a matter of good manners.
" * Come, my male friends, be good boys ; let me
brush your coat, fix the necktie in the proper shape
and pour a little brilliantine on your moustaches.
There ! That's a nice little boy. And now open
the safe of the nation and give us quick the right of
rights, the might of mights, the very thing that you
men have been fighting for ever since Magna Charta
in 1215, give us the suffrage as an incidental free gift.
" * If you do so, we will pass a law that all barbers'
shops shall be in the soft, pleasant hands of young
she-barbers. Think of the downy satisfaction that
this will give you ! Think of the placid snoozes in
74 NIGHTS WITH THE GODS
a barber's chair when your face is soaped, shaven
and sponged by mellow hands ! Is it not a dear little
enjoyment? Now, look here my male friends, this
and similar boons we shall shower upon you, provided
you give us the suffrage.
" c Nay, we shall before everything else (provided
we have the suffrage !) pass a law abolishing breach-of-
promise cases. 9
" (Endless hurrahs from all sides Band Fire-
works St Vitus 5 Dances, until the whole immense
crowd breaks out in a song ' She is a jolly good
maiden, etc.')
" ' Thanks, you are very kind. Yes, we mean to
abolish breach-of-promise cases. Consider what ad-
vantages that would imply for you. A man will be
able to flirt round five different corners at a time,
without risking anything. He will be able to practise
letter-writing in all the colours of the rainbow,
without in the least jeopardising his situation,
purse or expectations. He will be in a position
to amuse himself thoroughly, freely, everywhere,
and at any time. What makes you men so stiff,
so tongue-tied, so pokery, but the dread of a
breach-of-promise case. Once that dread is removed
by the abolition of such cases, you will be amiable,
great orators, full of charming abandon, and too
lovely for words. As a natural consequence,
women will be more in love with you than ever
before. Your conquests in Sexland will be count-
less. You will be like Alcibiades, irresistible,
universally victorious. Now, could we offer you
anything more tempting? ,
" ' I know, of course, that outwardly you affect to
be no ladies' men. But pray, entre nous, are you not
ALCIBIADES ON WOMEN 75
in reality just the reverse? Man is polygamous.
We women do not in the least care for men, and if
all my female contemporaries should die out, leaving
me alone in the world with 600,000,000 men, I
should myself speedily die with boredom. What
are men here for but as mere cards in our game of
one woman against the other ? If I cannot martyrise
a little the heart of my female friend by alienating her
man from her, what earthly use has her man for
me?
" * But you men, you are quite different. You do
wish that all the women, at any rate all the young
and beautiful women, shall be at your order. This
of course we cannot legislate for you. But we can
do the next best thing: we can abolish the chief
obstacle in your way: the breach-of-promise cases.
This we promise to do, provided you give us the
suffrage. You are, however, much mistaken if you
think that that is all we have in store for you. Far
from it.
" c If you give us the franchise, we pledge ourselves
never to publish a novel or a drama?
" (Applause like an earthquake men embrace one
another elderly gentlemen cry with joy a clergy-
man calls upon people to pray in the skies a rain-
bow appears.)
" c Yes, although with a breaking heart, yet we will
make this immense sacrifice on the altar of our
patriotism : we will henceforth not publish any
novels. I cannot say that we will not write any.
This would be more than I or any other woman
could promise. We must write novels. We are
subject to a writing itch that is quite beyond our
control. The less a woman has to say the more
76 NIGHTS WITH THE GODS
she will write. She must write; she must write
novels.
u< We write, we publish at present about five
novels a day. If you give us the suffrage, we pledge
ourselves not to publish a single novel.'
" (Universal cry : c Give them the suffrage, for
God's sake ! ')
" c And if you do not give us the suffrage, we shall
publish ten novels a day.'
" (Fearful uproar fierce cries for the police
twenty publishers present are mobbed Miss Cora
Morelli present is in imminent danger of life.)
" < Did I say, ten ? What I meant to say is, that if
you do not give us the franchise, we shall publish
fifteen novels a day.'
" (Revolution - - pistol shots the fire-brigade
comes.)
u ( Twenty thirty forty novels a day.'
" (The Big Ben is howling the Thames river
floods Middlesex the House of Commons suspends
the Habeas Corpus Act.)
" c Or even ten novels every hour.'
" (The Albert Memorial leaves its place and takes
refuge in the Imperial Institute the crowd, in
despair, falls on their knees and implores the speaker
to have mercy on them they promise the suffrage,
at once, or somewhat before that.)
" ' There ! I told you, we do mean what we mean,
and we have all sorts of means of making you mean
what we mean. It is therefore understood that you
will give us the franchise, and we shall stop publish-
ing novels. But should you change youi>mind and
go back on your present promises, then I must warn
you that we have in store even more drastic means
ALCIBIADES ON WOMEN 77
of forcing your hands. You must not in the least
believe that the pressure we can bring to bear upon
you is exhausted with the devices just enumerated.
There are other devices. But for evident reasons
of modesty I prefer calling upon my motherly guide,
Mrs Pancake, to tell you more about them.'
" With that my tender friend retired, and up got
a middle-aged woman with hard features and much
flabby flesh. She was received with mournful
silence. She began in a strident voice, which she
accentuated by angular gestures cutting segments
out of the air. She said :
" c You have, ladies and gentlemen, heard some of
the disadvantages that will inevitably be entailed
upon you by not granting us what Justice, Equity
and our Costume render a demand that none but
barbarians can refuse. I am now going to give you
just an inkling of what will befall you should you
pertinaciously persist in your obdurate refusal of the
franchise to women. We women have made up our
minds to the exclusion of any imaginable hesitation,
change, or vacillation. We shall be firm and un-
shakable.
" c We have done everything that could be done
by way of persuading you. We have published
innumerable pamphlets; we have trodden countless
streets in countless processions ; we have been
wearing innumerable badges and carrying thousands
of flags and standards; we have screamed, pushed,
rowdied, boxed, scuffled, gnashed our teeth (even
78 NIGHTS WITH THE GODS
such as were not originally made for that purpose),
and suffered our skirts to be torn to shreds ; we
have petitioned, waylaid, interpellated, ambushed,
bullied and memorialised all the ministers, all the
editors, all the clergymen, all the press-men; we
have suffered imprisonment, fines, scorn, ridicule ;
we have done, with the exception of actual fighting,
everything that men have done for the conquest of
the suffrage.
" ' Should all these immense sacrifices not avail us
any ; should it all be in vain ; then we the women of
this country, and I doubt not those of the other
countries too, will, as a last resort, take refuge in the
oldest and most powerful ally of our sex. Eternal
Time has two constituents : Day and Night. The
Day is man's. The Night is ours.'
"(Deadly silence men begin looking very serious.)
" c The Night, I repeat it in the sternest manner
possible, the Night is ours. We grant, indeed, that
sixteen hours are man's; but the remaining eight
are ours. The stars and the moon; the darkness
and the dream they are all ours. Should you men
persist in refusing us the franchise, you will wake in
vain for the moon and the stars and the dream.
You will see stars indeed, but other ones than you
expect. We shall be inexorable. No moon any
more for you ; neither cresent, half nor full moon ;
neither stars nor milky- way; neither galaxy nor
gallantry.'
" (A Salvationist : ' Let us pray ! ' A soldier :
'Hope, m'um, that Saturdays will be off-days?'
Solicitors, teetotallers, and three editors* of Zola's
collected works : ' Disgraceful ! shocking ! ' A
scholar: 'Madame, that's a chestnut, Aristophanes
ALCIBIADES ON WOMEN 79
has long proposed that ! ' General uproar a band
of nuns from Piccadilly hurrah the proposal and raise
prices of tickets Scotland Yard smiles the Daily
Nail kodaks everybody and interviews Mrs Pancake
on the spot Mrs Guard, the famous writer, at once
founds a counter-League, with the motto c Astronomy
for the people Stars and Stripes free the United
Gates of Love' the Daily Crony has an attack of
moral appendicitis.)
" I wish," continued Alcibiades, amidst the laughter
of the immortals, " Aristophanes had been present.
I assure you that all that he said in his comedies called
Ecclesiazusae and Lysistrata pale beside the tumultu-
ous scenes caused by the peroration of Mrs Pancake.
Her threat was in such drastic contrast to the stars
and moon she personally could exhibit to the desires
of men, that the comic effect of it became at times
almost unbearable.
" While the pandemonium was at its height a sten-
torian voice invited all present to another platform
where another woman was holding forth on Free
Love and Free Marriage. I forthwith repaired to the
place, and heard what was in every way a most inter-
esting speech delivered by a woman who consisted of
a ton of bones and an ounce of flesh. She was
between forty and seventy-nine. She talked in a
tone of conviction which seemed to come from every
corner of her personal masonry. Her gestures were,
if I may say so, as strident as her voice, which came
8o NIGHTS WITH THE GODS
out with a peculiar gust of pectoral wind, unimpeded,
as it was, by the fence of too numerous teeth. She
said :
" ' Gentlemen, all that you have heard over there
from the platforms of the suffragettes is, to put it
mildly, the merest rubbish. We women do not
want the suffrage. What we want is quite another
thing. All our misery since the days of Eve comes
from one silly, absurd, and criminal institution, and
from that alone. Abolish that cesspool of depravity ;
that hotbed of social gangrene ; that degradation of
men and women ; and we shall be all happy and con-
tented for ever.
" * That institution ; that cancerous hotbed ; that
degradation is: Marriage. As long as we shall
endure this scandalous bondage and prostitution of
the most sacred sentiments and desires of human
beings, even so long will our social wretchedness
last.
" ' Abolish marriage.
" c lt has neither sense, nor object, nor right; it is
the most hapless aberration of humanity. How can
you uphold such a monstrous thing ?
" * Just consider : I do not know, and do not care to
know what other nations are like ; I only care for my
great nation, for England, for Englishmen. Now,
can anyone here present (or here absent, for the
matter of that), seriously contend that an Englishman
is by nature or education fit for marriage ? Why,
not one in ten thousand has the slightest aptitude
for it.
" c An Englishman is an island, a solitary worm,
morally a hermit, socially a bear, humanly a Cyclop.
He hates company, including his own. The idea
ALCIBIADES ON WOMEN 81
that any person should intrude upon his hallowed
circles for more than a few minutes is revolting to
him. When he is ill he suffers most from the inquiries
of friends about his condition. When he is success-
ful he is too proud to stoop to talking with anyone
under the rank of a lord. When he is unsuccessful,
he takes it for granted that nobody desires to speak
to him. He builds his house after his own character :
rooms do not communicate. He chooses his friends
among people that talk as little as possible and call
on him once a year. Any remark about his person
he resents most bitterly. Tell him, ever so mildly,
that the colour of his necktie is cryingly out of har-
mony with the colour of his waistcoat, and he will
hate you for three years.
" c And you mean to tell me, gentlemen, that such a
creature is fit for marriage ? That is, fit for a condi-
tion of things in which a person, other than himself,
claims the right to be in the same room with him at
any given hour of the day or the night ; to pass
remarks on his necktie, or his cuffs, or even on his
tobacco; to talk, ay, to talk to him for an hour, to
twit him, or chaff him good heavens, one might
just as well think of asking the Archbishop of Canter-
bury by telephone whether he would not come to the
next bar round the corner for a glass of Bass.
" c And as to other still more personal claims of
tenderness and intimacy on the part of the wife, such
as embraces and kisses, one shudders to think how
any woman may ever hope to attempt doing them
without imminent risk to her life.
"'Fancy a wife trying to kiss her legal husband !
He, prouder of his collar and cuffs than of his bank-
ing account, to stand calmly and willingly an assault
82 NIGHTS WITH THE GODS
on the immaculate correctness of the said collar and
cuffs!
" c It passes human comprehension. The mere idea
thereof is unthinkable.
" ' Perhaps in the first few weeks of married life.
But after six months ; after a year, or two by what
stretch of imagination shall one reach the possibility
of such an event ? After six months, he is indifferent
to the entire astronomy of his wife ; after a year or
so, he hates her. It is not so much that he wants
another woman, or another man's wife, or another
wife's man ; what he wants is to be left alone.
" c He has long since shaken off the State, the
Church, the Army, and, politically, the Nobility.
Nothing can be more evident than that he wants to
shake off the last of the old shackles: Marriage.
His motive is : shekels, but no shackles.
" c Some incomprehensibly modest people have pro-
posed marriage to last ten years only. It appears, they
contend, that the critical period of the modern marri-
age shows itself at the end of ten years. The
scandals that are usually cropping up at the end of
that period, they say, might very well be avoided by
terminating marriage legally at the end of the tenth
year. People proposing such stuff clearly manifest
their utter inability to see through the true character
of modern marriage.
" c If marriages were to last only ten years, then be
sure that the said critical period with its inevitable
scandals would set in at the end of the fifth year.
The cause, the real cause of these scandals is not in
the length of time, but in the very nature qf marriage.
If this iniquitous and barbarous contract were to last
only for five years, then its critical period and its
ALCIBIADES ON WOMEN 83
scandals would appear at the end of two years. And
by a parity of reasoning, if marriage were to last one
year only, it would by its inherent vice come to grief
at the end of six months.
" < The only cure for marriage is to abolish it. Does
marriage not demand the very quality that not one
English person in a hundred thousand possesses :
yieldingness ? Or can anyone deny that no English
person has ever really meant to admit that he or she
was wrong?
" * They are all of them infallible. People write
such a lot about the hatred of Popery in English
history. What nonsense. English people do not
hate Popery ; they despise the idea that there should
be only one infallible Pope, whereas they know that
in England alone there are at present over thirty
millions of such infallibles. This being so, how can
marriage be a success ?
" c Or take it,' the Free Love lady continued,
'from another standpoint. Most Englishmen enter
married life with little if any experience of woman-
hood. Only the other day a young man of twenty-
five, who was just about to marry, asked in my
presence whether it was likely that a woman gave
birth to one child early in the month of May, and to
the other in the following month of June ? He
thought that The Times instalment system applied to
all good things.
"'Other young men inquire seriously about the
strategy of marriage, and the famous song in the
Belle of New Tork, in which the girl asks her fianct
"When we are married what will you do?" was
possible only in countries of Anglo-Saxon stock. In
Latin countries the operette could not have been
84 NIGHTS WITH THE GODS
finished in one evening on account of the intermin-
able laughter of the public. In London nobody
turned a hair, as they say. Half of the men present
had, in their time, asked the same question of them-
selves or of their doctors.
" * Now if there is one thing more certain than
another in the whole matter of marriage it is this,
that the inexperienced fiancd generally makes the
worst husband. Being familiar only with the ways
and manners of men, he misunderstands, misconstrues,
and misjudges most of the actions or words of his
young wife. He is positively shocked at her im-
petuous tenderness, and takes many a manifesta-
tion of her love for him as mere base flattery or as
hypocrisy. Not infrequently he ceases treating her
as his wife, and goes on living with her as his
sister; and, since the wife, more loyal to nature,
rarely omits recouping herself, her husband acts
the part of certain gentlemen of Constantinople.
It is thus that the famous manage a trois does not,
properly speaking, exist in England. In England it
is always a ?n<*nage a deux.
"'If, then, instead of continuing marriage; if,
instead of maintaining an institution so absurd and
so contrary to the nature of an Englishman, we
dropped it altogether; if, instead of compulsory
wedding ceremonies, we introduced that most sacred
of all things : FREE LOVE ; the advantages accruing
to the nation as a whole, and to each person con-
stituting that nation, would be immense.
" c Free Love, ay : that is the only solution.
Nature knows what she is after. The * blue-eyed
crave the black-eyed ones ; the fair-haired desire the
dark-haired ; the tall ones the small ; the thin ones
ALC1BIADES ON WOMEN 85
the thick ; the unlettered ones the lettered unfettered
ones. This is Nature.
" c If these affinities are given free scope, the result
will be a nation of giants and heroes. Affinities
produce Infinities. Free Trade in wedlock is the
great panacea. Since the only justifiable ground for
marriage is the child, how dare one marry anyone
else than the person with whom he or she is most
likely to have the finest babe ? That person is clearly
indicated by Nature. How, then, can Society, Law,
or the Church claim the right to interfere in the
choice ?
" c I know that many of you will say : " Oh, if men
should take their wives only from Free Love, they
would take a different one every quarter." But if
you come to think of it, it is not so at all. If men
took their wives out of Free Love, they could not so
much as think of taking another wife every quarter.
For, which other wife could they take? There
would be none left for them, since all the other
women would, by the hypothesis, long have been
taken up by their Free Lovers. Moreover, if a man
takes a wife out of Free Love, he sticks to her just
because he loves her. Had he not loved her, he
would not have taken her; and if he should cease
loving her, he would find no other woman to join
him, owing to his proved fickleness.
" ' Last, not least, women and men would form
elaborate societies for the prevention of frivolous
breaches of faith. At present no woman has a
serious interest in watching another woman's man.
It would be quite different in Free-Love-Land. The
unofficial supervision and control of men and women
would be as rigorous as in monastic orders. As a
86 NIGHTS WITH THE GODS
man will pay off debts contracted at a card -table with
infinitely greater anxiety than any ordinary debt of
his to a tailor or a grocer, just because such gambling
debts are not actionable; even so conjugal debts
would, in Free-Love-Land, be discharged with a
punctuality that now is practically unknown.
" * The commonplace assertion that legal marriage
preserves men and women in a virtuous life has been
refuted these six thousand years. To the present
day one is not able to deny the truth of what once a
Turkish woman replied to a Christian lady. The
latter asked the Oriental : " How can you tolerate
the fact that your husband has at the same time and
in the same house three other wives of his ? " The
Turkish lady replied : " Please, do not excite yourself
unduly. The only difference between me and you is
this, that I know the names of my rivals, and you do
not."
" e In Free-Love-Land alone is there virtue. Men
and women select freely, obeying only the dictates
of infallible Nature* The result is order, health,
joy, and efficiency. How can any person of sense
believe in the present marriage systems, when one
considers the countless lives of old maids sacrificed to
the Moloch of modern legal monogamy ?
" c In England there are about four times more
old maids than in any other country ; except in New
England, in the United States, where every second
woman is born an old maid. Has anybody ever
seriously pondered over the great danger to Society
and State implied in an excessive number of old
maids? I leave it to you, and I dare say to^ everyone
of you who has, no doubt, bitterly suffered at the
hands of some one old maid in his or her family.
ALCIBIADES ON WOMEN 87
" < Old maids are either angels of goodness, or devils
in human form; the real proportion of either must
be left to the Lord Chancellor to decide. But who,
or what produces old maids ? Our legal monogamy.
Give us Free Love, and you shall have heard the last
word of old maids. Refuse Free Love, and we shall
have to form our old maids into regiments and send
them against the Germans. Plato said that the
unsatisfied womb of a woman wanders about in all
her body like a ravenous animal and devours every-
thing on his path. Our present marriage system
makes more victims than victors.'
"The good bag of bones wanted to continue in
the same strain, but was stopped by a young police-
man who threatened to take her into custody unless
she discontinued her oratory. She threatened to
love him freely; whereupon he ran away as speedily
as he could manage, but was at once followed by the
valiant she-orator, who nearly overtook him, crying
all the time c I love you freely ' * I love you freely.'
The whole crowd followed, howling, screaming,
laughing, and singing songs of Free Love. So
ended the discourse on Free Love.
"A few weeks later," continued Alcibiades, "I
made the acquaintance of what they call a society
88 NIGHTS WITH THE GODS
lady. She was, of course, a specialist. She had
found out that her physical attractions were of a
kind to show off best at the moment of entering a
crowded room. She was, to use the phraseology of
the chef, an entree beauty. Her name was Entrea.
At the moment she entered a salon, she gave, just
for a few minutes, the impression of being strikingly
handsome. She walked well, and the upper part of
her head, her hair, forehead, and eyes were very
pretty. She knew that on entering a room, the
upper part of the head is precisely the one object of
general attention. This she utilised in the most
methodic manner. She entered with an innocent
smile and lustrous eyes. The effect was decidedly
pretty.
" In order to heighten it she always came late.
Her cheeks, which were ugly; her shoulders, which
were uglier ; her arms, which were still uglier, were
all cleverly disguised or made to appear secondary,
and as if dominated by her big eyes. She was very
successful. Most men considered her beautiful ; and
women were happy that her principal effect did not
last very long. She knew some fifteen phrases by
heart, which were meant to meet the conversation of
the fifteen different species into which she had, for
daily use, divided the different men she met in
society. Each of these phrases gave her the appear-
ance of much esprit and of an intelligent interest in
the subject. She did not understand them at all;
but she never mixed them up, thanks to her instinct,
which was infallible.
"The last time she had done or said Anything
spontaneously or naively was on the day she left her
nursery. Ever since she was the mere manager of
ALCIBIADES ON WOMEN 89
her words and acts. In everything there was a cool
intention. As a matter of fact she was meant by
Nature to be a salesgirl at Whiteley's. Failing
this, she sold her presence, her smiles, her manners
to the best social advantage. A rabid materialist,
she always pretended to live for nothing but ideals.
Sickened by music, she always gave herself out to be
an enthusiast for Wagner. Like many women that
have no natural talent for intellectual pursuits, she
was most eager to read serious books, to attend serious
lectures, and to engage a conversation on philosophy.
"I met her in my quality as Prince of Syracuse.
She first thought that Syracuse was the name of my
father; when I had explained to her that Syracuse
was the name of a famous town in Sicily, she asked
me whether I belonged to the great family whose
motto was qui s'excuse, s^iracuse.
" On my answering in the negative, she exclaimed :
'But surely you belong at least to the Maffia? Oh
do, it would be so interesting ! ' In order to please
her I at once belonged to that society of secret
assassins. However, I soon noticed that she thought
the Maffia was the Sicilian form of a society for
patriotic Mafficking.
" When we became a little more intimate, she told
me that I was never to speak of anything else than
Syracuse. That would give me a certain cachet, as
she put it, and distinguish me from the others.
Accordingly I placed all my stories and occasional
sallies of talk at Syracuse. I was the Syracusan.
She swore my accent was Syracusan, and that my
entire personality breathed Syracusan air. In society
she presented me as a member of a curious race, the
Syracusans, in Sicily, close to the Riviera.
90 NIGHTS WITH THE GODS
"One day she surprised me with the question
whether the men of Syracuse were still in the habit
of marrying two women at a time. She had read in
some book of the double marriage of Dionysus the
Elder in the fourth century B.C. I calmed her in
that respect. I said that since that time things had
changed at Syracuse.
" On the other hand, I was unable to make out
whether she was a divorced virgin, or a deceased
sister's wife. It was not clear at all. When con-
versing with me alone, she was as dry as a Non-
conformist; but in a drawing-room, full of people,
she showered upon me all the sweets of passionate
flirtation.
" One day I told her that I had won great victories
in the chariot races at Olympia. She looked at me
with a knowing smile and said : c Come, come, why
did I not read about it in the Daily Nat/? 9 and,
showing me the inside of her hat, she pointed at a
slip of paper in it, on which was printed : ' I am
somewhat of a liar myself. 9 I assured her that I
had really won great prizes at Olympia.
" ' Were they in the papers ? ' she asked.
" I said, we had no papers at that time.
" c No papers ? ' she exclaimed. c Why, were you
like the negroes ? No papers ! What will you tell
me next ? Had you perhaps no top-hats either ? Do
you mean to tell me that this great poet of yours
what you call him? ah, Lord Homer, had no
top-hat ? '
" I assured her that we had no hats whatever.
" c Oh, I see,' she said, < you were founded like the
blue boys, I see. But surely you wore gloves ? '
" On my denying it, she turned a little pale.
ALCIBIADES ON WOMEN 91
" c No gloves either ? Then I must ask you only
one more thing : had you no shoes either ? '
" ' No,' I said, calmly, ' some of us, like Socrates,
went always barefoot, others in sandals.'
" She smiled incredulously. I told her that in the
heyday of Athens men in the streets went about
over one-third nude. She did not mind the nude,
but she stopped at the word heyday.
" She asked me : ' On which day of the year fell
your heyday ? '
" I did not quite know what to say, until it flashed
upon my mind that she meant ' hay-day.' I soon
saw I was right, because she added :
" e Does going barefoot cure hay-fever ? And is
that the reason why so many people still talk of
Socrates ? '
" I stared at her. Was it really possible that she
did not know who Socrates was ? I tried to give
a short sketch of your life, O Socrates, but I could
not go beyond the time before you were born. For,
when I said that your mother had been a midwife,
my lady friend recoiled with an expression of terror.
" c What,' she exclaimed, ' he was the son of
a midwife ? a midwife ? Pray, do not let us talk
about such people ! I hoped he was at least the
son of a baronet. How could you ever endure
his company ? '
"'That was just it,' said I, to'the high /. She sang baritone,
and soprano at the same time, and what her tone
wanted in width her tattle amply replaced. She
sang nothing but Wagner, whose music, it would
appear, is written for two-ton women only. No
smaller tonnage need apply. While she sang,
three dozen violins executed the tremolos of five
hundred whimpering children, while forty counter-
basses gave, every three minutes, a terrible grunt
in x minor. There were also fifteen fifes, and
twenty-one different kinds of brass instruments,
some of which had necks much longer than that of
the oldest giraffe. The music was decidedly sensual
and nerve-irritating. It was full of chords, both
accords and discords, and what little melody there
was in it was kneaded out into a tapeworm of
prodigious length and such hydralike vitality, that
no matter how frequently the strings throttled off
its head, it yet constantly recurred bulging out a
new head.
"The men present liked the singer; the women
adored the music. It gave them all sorts of shivers,
and although they did not understand it at all, they
yet felt that here was a new shiver. Or as one of
them, the bright Mrs Blazing, remarked : ' Quel
artiste que ce M. Wagner ! He has translated into
music the grating noise of a comb on silk, the creaking
of a rusty key in an old lock, and the strident rasp
of a skidding sleigh or motor on hard-frozen snow.'
122 NIGHTS WITH THE GODS
"The next artist was a Belgian violinist. For
reasons that you alone, O Zeus, could tell us, the
Belgians are credited with a special gift for pulling
strings in general, and those of the violin in particu-
lar. Being a nation midway between the Germans
and the French, they are believed to possess much
of German musical talent and something of French
elegance. This would easily make them good 'cello
players. But not satisfied with the 'cello, in which
they have excelled more than one nation, they must
needs be great violinists too. However, the violin,
while not at all the king of instruments, is yet the
most vindictive and jealous amongst them. It is
like the Lorelei : it allures hundreds, only to dash
their bones against the rock of Failure. It wants
the delicacy of a woman and the strength of a man.
It requires the soul of spring and the heart of
summer to play it well.
" A Belgian is eo ipso debarred from reaching the
height of violin-playing; just as a Chinaman, with
his over-specialised mind, can never well play the
orchestral piano. A Belgian heart is moving in a
colourless and slouching andante ; the violin moves in
a profoundly agitated adagio or allegro. The violin
is the instrument of luckless nations, such as were
formerly the Italians, the Poles, and the Hungarians
who gave us Paganini, Wienavski and Joachim. The
Belgians have nearly always enjoyed the embonpoint of
fat prosperity. ' Leur jeu bedonne? as Mrs Blazing
would say.
"The Belgian played your Chaconne in D minor,
O Bach."
At these words of Alcibiades all the thinkers and
poets present rose from their seats and bowed to
ALCIBIADES CONTINUED 1 2 3
John Sebastian, who stood near Strabo and Aristotle,
being exceedingly fond of geographical lore. Even
the gods applauded and Polyhymnia allowed him to
kiss her hands.
" You remember, O John Sebastian, when I met
you near Llitzen at one of your solitary walks and
you spoke to me of your Chaconne. I listened with
rapt attention and told you that your composition,
which you then played to me on a violin which the
old inn-keeper lent you and which had just arrived
from Steiner in Tyrol, rendered as perfectly as
possible the sentiments I had felt when for the first
time in my life I went to the Oracle at Dodona,
where the winds rush through the high oak-trees
with a fierce power such as can be heard in no other
spot in Europe. I re-imagined k my awe-struck medita-
tions in the holy grove ; I heard the stormy music of
Zeus' winds in Zeus' trees; I again felt all through
me the soul-moving chorus of the priests which ends
in a jubilating mood, and finally I left with deep
regret at having to re-enter my life of stress after
having spent a day in sacred and mystic seclusion.
" When the Belgian artist played it, I listened in
vain for Dodona. What I heard was the rustling of
silken tones through the wood of the chairs and
tables at the Carlton. Where was the Oracle?
Where the chorus of the priests ? Where their
jubilation? The only thing that I found were my
regrets. But the public was charmed. It is im-
perative to admire the Chaconne, chiefly because it is
played Violin solo. Mrs Blazing explained the matter
to me with her wonted rapidity of mind : * Why
wonder at our admiration of the Chaconne ? Do we
not say : " Chacun d son godt ? " '
i2 4 NIGHTS WITH THE GODS
"The next artist was a pianist, whose name
sounded like Pianowolsky or Forterewsky. He was
of course a Pole. The English have long found out
that -welsky or -ewsky goes with the name of a great
pianist, as the pedal goes with the piano. It was for
this reason that Liszt, the Orpheus of the last century,
never had any success in England. He ought to
have called himself Franzescowitch Lisztobulszky,
and then, no doubt, he would have scored heavily.
Rubinstein had indeed much success in England, but
it is patent that most English took his official name
as a mere abbreviation of Ruben Ishnajewich Stone-
hammercrushowsky. The English taste in music is
remarkable ; it is somewhat like their taste in fruit.
They prefer hothouse grapes to natural ones. In
the same way they prefer the piano music of Men-
delmeier, called Bartholdy, to that of Stephen Heller
or Volkmann. What they more particularly like are
the 'Songs without Words' of that composer, which
in reality are Words without Songs. His piano music
is nothing but congealed respectability, or frozen
shockingitis"
Aristoxenus, interrupting r Alcibiades, exclaimed :
" Do not, O son of Clinias, forget the man's marvellous
compositions for the violin as well as for the orchestra.
Diana frequently commands his Midsummer Nighfs
Dream when she dwells with her nymphs in the
mystic forest near Farnham Common, where Bartholdy
composed it under the trees of Canute."
" You are quite right, O master of all Harmony,
and I want to speak only of his piano music. The
pianist at the concert had a very fine profile and
beautiful hair. This helped him very much in a
country where the sense of stylishness is exceedingly
ALCIBI ADES CONTINUED 1 2 5
acute. A coachman must have a broad back; a
pianist, a fine profile ; a violinist, long legs ; a 'cellist,
beautiful hands ; and a lady singer, a vast promontory.
Once these indispensable qualities are given, his or
her music is practically a matter of indifference.
" The pianist then performing played well, as long
as he played forte and staccato ; but he had neither a
legato nor, what was fatal, a piano , let alone a pianis-
simo. Fortunately his sense of rhythm was very well
developed ; otherwise he did not rise above a first
prizeman of a conservatory.
"He played a transcription or two by Liszt.
This the English condemn; it appears unlegitimate
to them. To please them, one must play one of the
last sonatas of Beethoven, preferably those composed
after his death, that is, those that the man wrote
when he had long lost the power of moulding his
ideas in the cast of a sonata, and when his vitality
had been ebbing away for years. A transcription
stands to the original as does an engraving of an oil-
colour picture or a statue to its original. Most
people will enjoy a fine engraving of the Transfigura-
tion or of Our Lady of Milo much more readily than
they would the original ; just as I now know that you
gave us, O Zeus, great artists like Scopas, Praxiteles,
Lionardo, or Domenichino, because we could not bear,
nor comprehend the sight of the originals of their
divine art, as long as we still move in our mortal coil.
The transcription of some of the ideas of Mozart's
Don yuan by Liszt is the best and most illuminating
commentary on that incomparable opera.
" More interesting than the play were the remarks
which I overheard from among the public. The men
dwelt exclusively on the big sums of money the pianist
iz6 NIGHTS WITH THE GODS
made by his 1526 recitals in 2000 towns of the United
States. The profits they credited him with ranged
from 15,000 to 100,000. A Viennese banker
present drily remarked that he wished he could play
the difference between the real and the imagined
profits of the virtuoso on a fine Erard piano. The
women made quite different remarks. Said one :
" c Herr Pianoforterewsky has been painted by
royalty.'
" c ls that so?' said her neighbour. 'What an
interesting face ! I wish I could procure a photo of
the picture.'
" c Do you know,' said a third, c that Herr Pina-
forewsky practises twenty-three hours a day? I
know it on the best authority; his tuner told me
so.'
" c Which tuner ? Herr Pinacothekowsky, my
dear, has three tuners : one for the high notes, the
second for the middle ones, and the third for the
low notes.'
" < How interesting ! But suppose one of the
tuners falls ill. What does he do then?'
" c Why, it's simple enough. In that case he only
plays pieces requiring two of the three ranges of
notes.'
" c How intensely interesting ! But pray, if you
do not take it amiss, my dear, I learnt that Herr
Pedalewsky has only two tuners : one for the black
keys, the other for the white ones.'
" ' My dear, that was so in bygone times when he
played sometimes a whole concert on the black keys
alone, being 231 variations on Chopin's Etude on the
black keys. But it made such a sad impression that
some nasty critics said his piano was in mourning
ALCIBIADES CONTINUED 1 2 7
black ; other critics said that he was paid to do so by
Mr Jay of Regent Street.'
" ( How excruciatingly interesting ! Do you know,
my dear, I was told that Herr Polonorusky plays
practically all the time, and even when he travels he
carries with him a dumb piano on which he practises
incessantly.'
" ' How touching ! I have heard that too, and be-
lieved it, until that atrocious man who writes for the
Bad Times destroyed all my illusions. He said that
if Herr Pantyrewsky did that, he would for ever spoil
his touch. Just fancy that! It is not the touch,
but the pose of that languid, Chopinesque profile over
a dumb piano in a rattling car that was so interesting.
And now that horrid journalist spoils it all. Nay,
he added that the whole story was deliberately in-
vented by the artist's manager.'
" < How distressingly interesting ! You know, my
dear, I will not believe the story about the manager.
I know too much about the wonderful pianist. I
have learnt at Marienbad that he had ten teachers
at a time, one for each of his fingers, and that for
five years he lived in a tiny village in Bavaria, because,
don't you see, it was so central for the ten different
cities where his teachers lived. For the thumb he
rushed off to Frankfort on the Maine. There is no
town like Frankfort for the study of the thumb.
That's why they make such excellent sausages there
which resemble a thumb to perfection. For the
index he went to Rome. And so forth and so on.
It is most marvellous.'
"All during that time," Alcibiades continued,
"the pianist was playing the moonlight sonata of
Beethoven. At the end of the piece, the ladies who
128 NIGHTS WITH THE GODS
had carried on the lively conversation applauded
wildly. 'Was it not marvellous?' said one to the
other. ' Oh delightful ! ' was the answer.
" So ended the concert. On leaving my seat I met
Mrs Blazing.
" c mon cherj she said, c why do all these women
pretend to enjoy music? They very well know that
not one of them cares for it in the least. I frankly
admit that music to me is the anarchy of air, the
French Revolution of sounds, acoustic bankruptcy.
All our lives we have been taught to suppress our
emotions, and to consider it ungenteel to express
them in any way whatever. We were told that we
must hide and suppress them which we have done
so successfully that after some time we resemble to
a nicety the famous safe of Madame Humbert. And
then, in flagrant contradiction to all this genteel
education, we are supposed to accept with joy the
moanings, cries, sobs, sighs, and other unsuppressed
emotions of some middle-class Dutchman or Teuton
dished up to us in the form of a sonata. It is too
absurd for words.
" c If that lower-middle-class Dutchman Beethoven
(or as my Cynthia calls him : " Bete au vent ") wants
to exhale his moral distress and sentimental indigestion,
let him do so by all means, but in a lonely room.
Why does he interfere with the even tenor of our
well-varnished life ? If my charming Japanese china
figures, or my pretty girls and shepherds in vieux
Saxe suddenly began to roar out their sentiments,
I should have them destroyed or sold without any
further ado. Why should I accept such roarings
from an ugly, beer-drinking, unmannered Teuton?
Why, I ask you ? '
ALCIBIADES CONTINUED 1 29
" < Music is the art of poor nations and poor classes.
Outside a few Jews, no great musician came from
among the rich classes; and Jews are socially im-
poverished. I can understand the attraction of
ditties nursed in the music halls. They fan one with
a gentle breeze of light tones, and here and there
tickle a nerve or two. But what on earth shall we
do with such plesiosaurl as the monsters they call
symphonies, in which fifty or sixty instruments go
amuck in fifty different ways? The flute tries to
serpentine round the bassoon in order to instil in it
drops of deadly poison ; the violins gallop recklessly
a la Mazeppa against and over the violas and 'celli,
while the brass darts forth glowing bombs falling with
cruelty into the finest flower-beds of oboes and harps.
It is simply the hoax of the century. Would you at
Athens ever have endured such a pandemonium?'
" ' You are quite right, ma ires charmante dame"
I said, c we never had such music and we should have
little cared for it. Our way of making symphonies
was to write epics, crowded with persons, divine and
human, and with events and incidents of all colours
and shades. The Continental nations have lost the
epic creativeness proper, and must therefore write
epics in sound. Just as your languages do not allow
you to write very strictly metred poetry such as we
have written without impairing the fire and glamour
of poetry, and the only way left for you of imitating
the severe metres of Archilochus, Alcasus or Sappho
is in the form of musical canons, fugues, or other
counterpointed music. It seems to me that you
English have not done much by way of music epics,
because, like ourselves, you were busily engaged in
writing epics of quite a different kind : the epic of
130 NIGHTS WITH THE GODS
your Empire. The nations that have written musical
epics, did do so at a time when these were the only
epics they could write, the symphony of Empire
being refused them.'
" c I see,' said Mrs Blazing. c You mean to say
that our Mozarts and Beethovens are Lord Chatham,
Clive, Nelson and Wellington?'
" ' In a manner, yes. Few nations, if any, can excel
both in arts and in Empire-making, and had you
English been able to hold in your imperial power
considerable parts of Europe, say, of France, Germany
or Spain, you would never have had either Walter
Scott or Byron, Shelley or Tennyson. For the
efforts required to conquer and hold European
territory would have taxed all your strength so
severely that no resources would have been left for
conquests in the realm of the arts and literature.
" c This is why the Romans, who conquered, not
coloured races, but the mightiest white nations, could
never write either great epics or great dramas. They
wrote only one epic, one drama of first and to this
day unparalleled magnitude : the Roman Empire. I
meant to do a similar thing for Athens, but I failed.
I now know why. My real enemies were not in the
camp of my political adversaries, but in the theatre
of Dionysus and in the schools of the philosophers.
Do not, therefore, ma chere amie, begrudge the
Germans their great musicians. They are really
very great, and not even your greatest minds sur-
pass, perhaps do not even equal them. Your con-
solation may be in this, that the Germans too will
soon cease writing music worth the hearing. They
now want to write quite different epics. And no
nation can write two sorts of epics at a time.'
ALCIBIADES CONTINUED 1 3 1
" ' I am so glad to hear you say so,' said Mrs Blazing.
c lt relieves me of a corvee that I hitherto considered
to be a patriotic duty. I mean, I will henceforth
never attend the representations of the new school
of soi-disant English music. Inwardly I never liked
it ; it always appeared to me like an Englishwoman
who tries to imitate the grace and verve of a
Parisian woman, with all her easy gestures, vivacious
conversation, and delicate coquetry. It will not do.
" c We English women do not shine in movement ;
our sphere is repose. We may be troublesome, but
never troublante.
" c Even so is English academic music. And I now
see why it must be so. It is not in us, because another
force takes its place. Like all people we like to
shine in that wherein we are most deficient, and the
other day I was present at a scene that could hardly
be more painful. At the house of a rich and highly
distinguished city man I met the famous Sir Some-
body Hangar, the composer. The question arose
who was the greatest musician ? Thereupon Sir
Somebody, looking up to the beautiful ceiling of the
room, exclaimed dreamily : " Music is of very recent
origin . . ." One of the gentlemen present then
asked Sir Somebody whether he had ever heard the
reply given to that question by the great Gounod ?
Sir Somebody contemptuously uttered: "Gounod?
It is not worth hearing." I was indignant, and
pointedly asked the gentleman to tell us Gounod's
reply. The gentleman, looking at Sir Somebody
with a curious smile, related :
" c Gounod, on being asked who in his opinion was
the greatest musician, said : " When I was a boy of
twenty, I said: moi. Ten years later I said : moi et
1 32 NIGHTS WITH THE GODS
Mozart. Again ten years later I said: Mozart et
moi. And now I say : Mozart" '
" This reply," said Alcibiades, " has Attic perfume
in it. Having suffered so much, as I have, at the
hands of musicians in my time, when dramatic writers
were as much musicians as dramatists, I have in my
Olympian leisure carefully inquired into the real
causes of the rise of modern music.