IgytSSAY Q iM : ^ ■X /La <&L vt^^rx^ fhuj/fcJL. -? t ( yz^*<^x~ j ^A^£i^£- — £ STORY OF CARN BREA, ESSAYS, AND POEMS./ BY JOHN HARRIS, CORNISH MINER, AUTHOR OF " THE MOUNTAIN PROPHET, THE MINE, AND OTHER POEMS," ETC. ' The fields his study, Nature was his book." — Bloomfield. 1 And this Blight boon would consecrate to Thee, Ere I with Death shake hands, and smile that I am free." II. K. White. LONDON : HAMILTON, ADAMS, AND CO. 1863. LONDON : PRINTED BY WILLIAM NICHOLS, 4G, HOXTON SqUAKK. PREFACE. In appearing before the public for the fourth time, the author feels that he has but little apology to offer. Some of the poems in the present volume have been written in his early home, when the author was in his teens, and others are of more recent date : some have been pencilled amid the fragrance of the wild flowers, at the musing time of twilight, when sitting on the moss of the hill, beside his Cornish birthplace : and some have been composed in the leisure of even- ing, by his own dear hearth, with his children play- ing around him. He once more claims for these poetical effusions the meed that has been cheerfully awarded for his former publications, — originality and simplicity. The story of the honest miner in the blank verse poem, is authenticated by many of the inhabitants of the West ; and some of Madam Worth's descendants still exist in one of our Cornish seaport towns. Other pictures in the volume are paintings from every-day life, or incidents in the writer's brief career. Nearly all the Essays in this collection were written when the author was a daily labourer in one IV PREFACE. of the oldest and deepest tin mines in Cornwall. A few of them have appeared in Magazines and local periodicals. Some of his friends have suggested his arranging them in the present issue ; and he hopes they will not be disappointed. If these Essays gain the verdict of "prose by a poet/' the writer will be satisfied. " Go, little book, from this my solitude I cast thee on the waters, go thy ways ; And if, as I believe, thy vein is good, The world will find thee after many days." 6, Killigrew Terrace, Falmouth, March IQt/i, 18G3. CONTENTS. PAGE 1 19 32 46 59 72 87 89 92 99 103 107 113 116 121 125 130 135 139 143 PEEPS AT A POET : OR, LINES IN MY OWN LIFE A STORY OF CARN BREA— Book I. Book II. Book III. .. Book IV Book V. ESSAYS. The Land's End Book-Making Christ's Invitation to the Weary Ramble to Mylor Churchyard The Leper restored Private Prayer The Works of God The pleasant Way Great Events from small Beginnings The Two Foundations Zeal for the Sanctuary The Divine Knocker To the Young MINOR POEMS. The Village Lane CONTENTS. PAQG Winter 145 My Primrose prom the Hill 146 The Dying Minstrel 148 The Hartley Hero 150 Hedges 153 The old Year 155 The Flower 156 To my Daughter Jane 157 Falmouth Fire 159 Miss E. C.'s Birthday Poem, 1861 161 Miss E. C.'s Birthday Poem, 1862 163 Not yet 164 The Bible-Reader 167 The Wesleyan-Methodist Conference, Camborne, Cornwall, August, 1862 170 The Boot upon the Sand ...'. 173 The Cornish Chough 174 IN MEMORIAM. Death op the Prince Consort 179 Marie J. E. Fotherby 182 The Death of Mrs. Philippa Williams ... 184 Old Joanna 186 EPISTLES. To my Brother William 191 Howard's Epistle to Miss S. B 195 An Epistle to my Brother 197 Jane's Epistle to her Uncle 200 CONTENTS. PAGE The Spring-Buds I gazed on, O where are they fled 201 The Lark Dick 203 EARLY EFFUSIONS. To my Mother 207 Jane finding a Primrose in February 210 Home 211 Frederick the Shepherd 212 Tale of the early Primrose 218 Night 219 The returning Brother 220 The lost Dinner 221 The Mountain Boy 224 A Flower gathered at Evening 226 To my Lyre 227 The Burial 229 The Camomile 230 Fall of the old Mine Stack 231 PEEPS AT A POET OR, LINES IN MY OWN LIFE. PEEPS AT A POET: OR, LINES IN MY OWN LIFE. " There are in this loud stunning tide Of human care and crime, With whom the melodies abide Of the everlasting chime ; AVho carry music in their heart Through dusky lane and wrangling mart — Plying their daily task with busier feet, Because their secret souls a holy strain repeat." Keblk. On the quiet evening of October 14th, 1820, in a straw -thatched, boulder-built cottage, with bare rafters and clay floor, locally known as the " six chimneys," on the top of Bolennowe Hill, Camborne, Cornwall, as the leaves are falling from the trees, and the robin mourns in the thicket, a gentle mother gives birth to a babe ; and that baby-boy is a poet. The little fellow is just Like other children ; and grows up so much Like his com peers, that he attracts but slender notice above the young bipeds around him. He cries for things he ought not to cry for, gives his mother not a little trouble by poking his fingers into bits forbidden, has his wheelbarrow, cart, and spade, and soon grows vain of his buttoned dress and cap with waving plume. Very early in life. B 2 PEEPS AT A POET : OR, LINES IN MY OWN LIFE. " There are in this loud stunning tide Of humau care and crime, With whom the melodies ahide Of the everlasting chime; AY ho carry music iu their heart Through dusky lane and wrangling mart — Plying their daily task with busier feet, Because their secret souls a holy strain repeat." Keblk. On the quiet evening of October 14th, 1820, in a straw-thatched, boulder-built cottage, with bare rafters and clay floor, locally known as the " six chimneys," on the top of Bolennowe Hill, Camborne, Cornwall, as the leaves are falling from the trees, and the robin mourns in the thicket, a gentle mother gives birth to a babe ; and that baby-boy is a poet. The little fellow is just like other children ; and grows up so much like his com peers, that he attracts but slender notice above the young bipeds around him. He cries for things he ought not to cry for, gives his mother not a little trouble by poking his fingers into bits foi-bidden, has his wheelbarrow, cart, and spade, and soon grows vain of his buttoned dress and cap with waving plume. Very early in life. B 2 PEEPS AT A POET. what time the red sun sinks behind the purple hills, and the first bright stars look through the firmament, he is taught to kneel at his bed-side, and repeat, " Oar Father." And then come picture-books and toys, mar- bles and trundling-hoops, and anon Little Red Riding Hood, Goody Two Shoes, Jack the Giant Killer, Sally Meanwell, Fifth of November, and then the green satchel, and away to the village school. See him sitting on the end of a low stool, when not much more than five years of age, and taugbt by an old Cornish crone the letters of the alphabet. Slowly, slowly, the crooked characters find a lodgment in his memory, and swim before his eyes. At length he masters the horn- book, and takes his place on an upper seat. His father and his mother praise his proficiency ; and he leaves the learned village schoolmistress, and is placed under an iron master. This man is exceedingly hard-hearted and cruel, and verily hoots the lessons in his ears. He beats his pupils without mercy, with a polished piece of flat wood, studded with small sharp nails, until the blood runs down, and soon scares the little learner from his straw-roofed academy. Nor must the Wesleyan Sunday- school in the hamlet be forgotten, where he hears with glad heart the " stoiy of the Cross," in which he remains for more than thirty years, and the religious teaching therein received tinctures all his future life. On the edge of a brown common, in a little thatched school-house by the side of the highway, very near the famous Nine Maidens, he finds another master, who wore a wooden leg, with more of the milk of human kindness in his soul, a thorough Christian, and a man of much prayer. Here he plods through the spelling-book, and walks like a conqueror into the mazes of arithmetic, learns to read and write, leaving all other branches of knowledge to slumber in forgetfulness. The evenings of his boyhood are evenings of purest joy. Sitting by the old hearth-stone where his grandfather had sat before PEEPS AT A POET. him, and another generation had mused and passed away, — sitting by the old hearth- stone, and gazing up in his mother's face, he listens to her wild stories with wondering joy. She tells of shipwrecks and battles, and feats of heroic bravery on sea and land. She tells of hallowed deeds performed in secret, which, like angels of mercy, shed a halo on the world. She tells of Beauty pining in solitude, and Virtue neglected in the humble shed. She tells of good men in rags, and wicked men in princely habiliments. She tells of sorrow and weeping as the lot of all, and of Him who came to redeem the world. And as he listens, O how his young heart beats, and imagination bears him far away on her dazzling wings ! The tears will often start into his eyes, and a gentle spirit whispers in the cells of his soul. And now, cowering by the old grate, in the dim fire-light which clothes the walls in shadowy warriors and plumed knights mounted on floating steeds, and a thousand nameless fantastic shapes, he hangs over the " Pilgrim's Progress," a tattered volume of doggerel rhyme, written by an old scarred soldier, and Cook's Voyages round the World. Then come a few stray notes from the mystic lyre of the undying Burns, in an old time-eaten copy of the " Cotter's Saturday Night," found among a few antique books belonging to his father; and its tuneful echoes float through the chambers of his soul like breathings from an iEolian harp, and ever haunt him in the silence of his reedy cot. Watts's " Divine and Moral Songs " become as parts of his being, and follow him like nymphs in snowy robes. It is then that his young heart first feels still burning aspirations after immor- tality. You might have seen him on a summer evening, when his merry schoolmates are chattei-ing in the hol- low, — you might have seen him walking by the stream, or stretched on the moss, listening to the wind tuning its organ among the rocks, or gazing up at the purple PEEPS AT A POET. heavens. He roams among the flowers, kissing them for very joy, calling them his fragrant sisters. Bora on the crest of the hill, amid the crags and storms, he grows up in love with Nature, and she becomes his chief teacher. And now come the first promptings of early genius, which develope themselves in snatches of unpolished song, pencilled on the leaves of his copy-book for the amusement of his wondering schoolmates. He often writes his rhymes on the clean side of cast-off labelled tea-papers which his mother brings from the shop, and then reads them to his astonished compeers with rapt delight. At the age of nine comes the great monster combat, his straggle for daily bi - ead; when he is taken off froni school, and put to work in the fields. At the age often he is employed by an old tin-streamer in the moor to throw the white sand from the river, earning the i»ld sum of threepence per day! And how often is genius crashed in its embiyo, as its youthful possessor, harnessed to the car of labour, scans life's rugged pathway, and faints at the commencement of his jour- ney ! O my countrymen, ye little think how many burn- ing and shining lights ye extinguish in life's aspiring morning for want of a helping hand ! my countrymen, tread not upon the errand-boy with music in his heart, or the ploughman's son who draws fresh pictures of his father's sheep, or the little slimy miner with his model engine, the work of his fruitful brain ; tread not upon the poor child of genius, do not freeze his soul with the frigid fingers of neglect, but cheer him with your kindness, and warm him with your smile ; so shall the great world be made holier and happier by your exist- ence, and learn to bless your name ! At the early age of twelve years we find him in the mine, working on the surface nearly three miles from his favourite home. As he travels to and from his labour through long lanes bramble-covered, and over meadows snowy with daisies, or by hedges blue with hyacinths, or PEEPS AT A POET. over whispering cairns redolent with the hum of bees, the beautiful world around him teems with syllables of song. Even then he pencils his strange ditties, reciting them at intervals of leisure to the dwellers of his own district, and older heads than his tell of his future fame. When thirteen summers have filled his lap with roses, and fanned his forehead with the breeze of health, we find him sweating in the hot air of the interior of a mine,* working with his father nearly two hundred fathoms below the green fields. Morning and evening he has to descend and ascend the ladders, — for there was no man- engine in those days, — so that his flannel dress is often wet with perspiration, like the locks of the hills with rain. But a gentle lay is ever ring- ing in his ears, and the angel of hope is brooding over his path. Now he writes a copy of verses for a poor blind man, and Hstens ashamed behind a bookstall as the sightless miner sings them in the streets. On rushes the great world in the pursuit of mammon, little heeding the boy-bard in his zone of numbers, the com- position of whose untutored melodies brings rich reward to his own heart. He is told that if he continues to invoke the song- spirit and write poetry, he must forego gold and silver, houses and lands, eat the bread of care- fulness, five, perhaps, in a hovel, and die at last on a pallet of straw. But in spite of this unreasonable pic- ture, he works away at his barrel-organ during his leisure moments, which is as dear to him as his own life. Though the great God placed the lyre in his hands, and poetry appeared to him to be his greatest work in the world, yet he feels that for it he must not neglect his allotted labours, but pursue the path in which Provi- dence has placed him, believing that to act thus would be noble and manly, not depending on literature as a means of pecuniary support, but partaking it as a plea- * Dolcoath, Camborne, Cornwall. PEEPS AT A POET. surable relaxation amid the cares of life. And thus he travels on through the vale of boyhood, labouring with his hands, and singing with his soul, as solitary as a stranger among his own people, without a single friend to direct him ; for how is it possible to educate the poet ? What means can you devise to burnish his golden fancies that span the universe like belts of shining jasper ? Try, if you please, with the chisel of art ; but it will only be a fatal mistake. " The only way to educate the poet is to honour him." * On plods the young minstrel of the mountain, kneeling at the shrine of Nature, taught only by her look and voice. Whilst those of his own age and acquaintance spend their leisure in merry companionship, wasting the hour in song and wassail, he is roaming with the echoes, brushing the dew-drops from the flowers. Wherever he goes, he takes his sacred harp : and whether he is in his father's field, turning up the sod with his spade, or guiding the plough along the furrow, whether he is in the shop or the shed, the mine or the mart, there is ever one object before him, and that object is his verse- writing. It grows with his physical growth, and is dearer to him than the smile of friend- ship. See him in his dear old chimney -nook, with paper and pencil on his knee, writing rhymes by the firelight, while his buxom brothers are shouting like tempests around him. And this is his only study, save the barn or the cow-house. He sometimes pencils his poems in the grey bight of morning on the white-washed walls of his bed-room, while all the other members of his father's family are asleep. How does he long, on some cold winter evening, when the cottage inmates are all garrulous around him, thundering the village gossip at the same moment, dinning his ears as he sits with pale face wooing the Muse among them, — how does he long for * "The Spirit of German Poetry. By Joseph Gostick." PEEPS AT A POET. 9 some obscure comer, where, with a handful of fire in the grate, and a small lamp upon the unplaned hoard, he could write his songs in quiet ! But this is denied him, and so the hills and valleys, woods and wolds, are his favourite haunts for composition, amid the lonely ruin or by the naked rock ; often in cold weather composing his pieces walking up and down the fields, or over the moors, or sitting in his bed-room, with his feet wrapped in his mother's cloak, a pair of small bellows for his writing-desk. And in the brown autumn- time, when a pensive calm pervades the woods, and a solemn rustle is heard upon the hills, he makes ink to write his idyls with the juice of blackberries which grow on the hedges of his mountain-meads. He saves the pence given him in the holidays by his father and his friends, and lays them out in the purchase of books ; and the neighbours are also kind in lending him any new numbers from their shelves. But his own stock is very limited ; and when he has access to the Sunday-school library in the village, he rejoices with great joy. Are there days of rain and storm, or drizzling mist, which are often, as holidays, weai-iness and misery to many ? They are gilt with glory for him ; for in some " cell confined " he is at his song-grinding as happy as a monarch, while visions of beauty crowd upon his soul. Love meets him on his flowery pathway, and he weaves a chaplet of the choicest roses to adorn her brow. He worships at the shrine of beauty till they stand before the sacred altar, and the two are made one. The world is now filled with sunshine, life's cup overflows with bliss, and he walks over the earth as through a paradise. Still he pursues his verse-writing, till a short lyric " To the Robin " finds its way into the pages of a Magazine, and his heart throbs with delight as those well-conned lines of his are first immortalized in printer's ink. He struggles with adversity as with a giant; and day after day, and often night after night, finds him 10 PEEPS AT A POET. in the smoky caves of the deep niine. Here his labours are most exhausting, often from morning till night, and from night till morning, far below the light of day, or sun, or moon, or star, with those who have but little love for his song-seraph, — Blasting the rude earth, Which fell with such a crash, that he who heard Cried, " Jcsu, save the miner ! " But she cheered his heart in the sulphur, and sang among the fiery flints, robbing the severest labour of half its blight. Many times has he escaped sudden death, almost by miracle, from masses of falling earth, or the sudden blasting of the rock. Watch him as he walks at morning to his daily toil. He seeks not the company of those who may be travelling on the same road, but more enjoys himself alone. Not a moment passes unimproved. He turns over the numbers of some unfinished poem, polishing the periods as best he may, weighing the words and smoothing the ringing euphony. Ever and anon he seeks for an opportunity, when no eye beholds him, and inscribes his verses with a worn pencil on a piece of waste paper he carries in his pocket. Often, to hide it from the passer-by, he lets it sHp up in his coat-sleeve, holding it with his fingers. The new thought preserved, he hastens to his labour filled with bright designs. In the midst of his toil his fancy is revelling with song, leading him among crystal foun- tains and bowers of living green. He sometimes writes lines of poetry on his thumb-nails, often on pieces of roof- slate and shreds of common tile, sometimes on the insides and crown of his hat, and on iron wedges down deep in the hollowed earth. Is there a secret path lead- ing to his home ? he is sure at evening to be found in it, holding strange conversation with the flowers, or shapes invisible. Often does he cower behind a hedge till his PEEPS AT A POET. 11 comrades have passed him, so that in silence and soli- tude he may finish his lay. And how they have stared sometimes, clustered under the hawthorn to hear him recite his ditties in the summer moonlight, praising the uneducated author ! Has he an hour's leisure and cessa- tion from manual labour, that horn* is spent with the Muses ; and whilst others of his own calling waste their time in rambling the streets, or roaming the lanes in idle and unprofitable chit-chat, or ruining body and soul in those dark drinking-dens which frown like famines over the land, he steals away to his bower of heath with his harp upon his shoulder, intent on his one object. His company is but little courted by the chatting choir ; for in conversation he is remarkably stupid, scarcely ever uttering the right word ; so that what was said of poor Goldsmith in this respect is truly applicable to him. Time passes on ; Providence blesses him with children, and domestic cares increase ; but he still sweeps his fingers over his harp, and the Muse is to him a solace and a joy. And now a kind friend* steps across his path, whose honoured name is syllabled by the great and good of many lands, and aids him in his up-hill course, aud a small volume of his poems passes through the press. This volume wins for him the warm sym- pathies of many hearts, and he again betakes him to his studies with sunshine in his soul. Let us look in upon him at evening in his own loved home, when his daily task is done, and he has just returned from the hard drudgery of the interior of the mine, exhausted and cruelly crushed. A few worn books are piled up in a corner on some narrow shelves, and three of the most conspicuous are, Walker's Dictionary, sweet Bums, and the immortal Shakespeare. We must not omit his Bible, the gift of his sainted father, the sweet stories of which so charmed him when a boy. Scraps of paper, written * Dr. G. Smith, author of " History of Wesleyan Methodism," &c. 12 PEEPS AT A POET. over with, jingling rhyme, lie among the volumes, and sleep in quiet nooks, jotted by his own hand. A small fire is burning in ike stove ; on one side of it sits his wife, plying her needle with a smile upon her face ; a bright girl, with soft poetic eyes, is conning her ; at his feet ; and a blue-eyed boy, like a laughing Cupid, is climbing his knees and kissing his pale brow. The weary poet, crushed and crippled with the labours of the day, lets fall a tear upon the cheek of his little one, returns its sweet caress, and for a season forgets his lassitude as he gazes into the fire, where a thousand strange shapes flit to and fro. He shares his frugal meal with his dear ones, and blesses God for what they enjoy. And now he tells the children tin ir wonted story, joins them in their sports, dances baby in his arms, or writes his poetry as they crow upon his ; O, sweet is his domestic bliss, and bright angels are bending over the walls of glory to gaze upon the scene. "He owns neither mansions nor lands. His wealth is a character trood; A pair of industrious hands, xV drop of poetical blood. " He never of fortune complains, of parentage, learning, or birth; The sweat (if his brow, and his brains, Yield more than hi D earth. " His bliss arc his eventide hours ; His book, wife, and children, his pride; In joy they 're his sweetest of Sowers, And angels when sorrows betide." Edward Capebn. And when at last his cottage roses fall asleep, and fold themselves in beauty, and quiet is br< >