STAC lb: ANNEX 159 ox^t^^ ■j M ItfO^ IrLrS I ^^ ^t. f$o\X}c\W0 ^iay^ and 35ocni^, Out of the (Question. i8mo, i^i.25. As full of subtle and delicate humor as anything he has written . We do not know of anything in English literature whlc h in its wa./ is superior to tliis. Worcester Spy. '^ Counterfeit Presentment. i8mo, ^n.^jj. In this comedy Mr, Howells gives new proof of his rare insi..j' into character, ari'^ oIuUm- *,-> ,-„>rf,-ov,- ;^ w- ,->it,-.rf;vr. -,nri ,-!;..r,-ir nating touches. The Sleeping Car. The Elevator. Tbo Pnrlur C-av The Register. no, 50 cents. WriUtiii \\)\\\ :vil the f-xquisite literary skill of which Mr. Howei'i is so thoroughly a master, and every page sparkles with touches nf dainty humor. — Syracuse Jour naL The Sleeping Car and other Farces. 1 2ni<^ $ i .00 A Sea Change; or, Love's Stowaway. A Lyri cated Farce in two Acts and an Epilogue. i8mo, $t.oo Poems. Revised and enlarged edition. Printer on imported hand -made paper. i6mo, par^ covers, gilt top, $2^0. The subtle, elusive charm that makes his prose ineffably delici(jii is here too. the tenderness of feelin;:,'. the play of humor, the colcu iwW ' >k Evening Mail. Choice Autobiographies. Edited by Mr. Howells and with Critical and* Biographical Essay- "" " ' i8mo, each #1.00. I., II. Memoirs of the Margravine of Baireuth. III. Lord Herbert of Cherbury, and Thomas Ellwooa IV. Vittorio Alfieri. VI. Edward Gibbon. V. Carlo Goldoni. VII., VIII. Francois Marmontel 1 among the introduction and Comment by VV.. D. Howells. \ ■, 56 Illustrations. $2.00. Its charm is irresistible. It ought to have a place by the journal of " Pet Marjorie," as one of the rare and. attractive exotics of liter- ature and art, — Boston Traveller. -/ 25Doh^ of OTctibd, i u:>uai. v,iLi.,s. With many Illuoui etchings by Joseph Pennell. Small 4to, d antique levrv^^ "'■ ♦•■^e calf, $10.00. Lib;...; square 8vo, e or flexible calf, $7.50. Vivid with the 1:,, ' '' " Tfaly. — Boii User. " " ■' ■ ' ' ' led in stylt Venetian Liie. i2mo, ^1.50. In Riverside Al- dine Series. 2 vols. 32mo, gi2.oo. Italian Journeys. i2mo, ;?i.50. Mr. Howells's "Venetian Life" and "Italian Journeys" have irtroduced him to the world of letters as a most skillful word painter, especially in the by-ways of natii! — Rev. Dr. Joseph Thompson Three Villages. i8mo, $i.2S. The villages are Gnadenhlitten (the Moravians), in Ohio, and Shirley (the Shakers) and Lexington, in Massachusetts. Happy faculty of description, sure artistic eye, genial spirit, flashes of characteristic humor. — JVew York Trihtne. Singular pathos -- tender fancy. — New York Graphic. Hotigkton^ Mifflin & Contbanv. Boston and New York. THE REGISTER JTarce By W. D. HOWELLS BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY 1S92 Copyright, 18S3, by Harper & Brothers; AND 18S4, BY VV. D. HOWELLS. All rights reser-vcd. The Riverside Press, Cambridge, Mass., U. S. A. Printed by H. O. Houghton & Company. THE REGISTER Jawe 2062(50 THE EEGISTEE. MISS ETHEL REED AND MISS HENRIETTA SPAULDIXG. "TN an upper chamber of a boarding- house in Mehmchthon Place, Boston, a mature, plain young lad}^ with ever}^ appearance of establishing herself in the room for the first time, moves about, be- stowing little touches of decoration here and there, and talking with another }'Oung lad}^ whose voice comes through the open doorway of an inner room. 6 THE REGISTER. Miss Ethel Reed, from within : " What in the world are j'ou doing, Nettie ? " Miss Henrietta Spaulding : " Oh, stick- ing up a household god or two. What are 30U doing?" Miss Reed: " Despairing." Miss Spaidding : "Still?" Miss Reed, tragicalk : ' ' Still! How soon did you expect me to stop ? I am here on the sofa, where I flung myself two hours ago, and I don't think I shall ever get up. There is no reason why I ever should." Miss Spaidding, suggestively': "Din- ner." Miss Reed: " Oh, dinner ! Dinner, to a broken heart ! " Miss Spaidding ; " I don't believe your heart is broken." THE REGISTER. 7 Miss Reed: " But I tell you it is ! I ought to know when my own heart is broken, I should hope. What makes you think it isn't? " Miss Spaulding : "Oh, it's happened so often ! " Miss Beed : "But this is a real case. You ought to feel my forehead. It 's as hot/" Miss Spaulding : " You ought to get up and help me put this room to rights, and then 3'ou would feel better." Miss Reed: "No ; I should feel worse. The idea of household gods makes me sick. Sylvan deities are what / want ; the great god Pan among the cat-tails and arrow-heads in the 'ma'sh' at Ponk- wasset ; the dr3'ads of the birch woods — there are no oaks — the n3'mphs that 8 THE REGISTER. haunt the heights and hollows of the clear old mountain; the — " Miss Spaulding : " Wha-a-at? I can't hear a word 3'ou .saj'." Miss Reed: " That 's because 3'ou keep fussing about so. Whj^ don't 3'ou be quiet, if you want to hear?" She lifts her voice to its highest pitch, with a pause fordistinctness between the words : " I 'm heart-broken for — Ponkwasset. The dryads — of the — birch woods. The nymphs — and the great — god — Pan — in the reeds — b}' the river. And all — tliat — sort of — thing ! " Miss Spaulding: " You know verj' well you're not." Miss Reed: "I'm not? AA'hat's the reason I 'm not ? Then what am I heart- broken for?" THE REGISTER. 9 Miss Spaulding : "You're not heart- broken at all. You know very well that he '11 call before we 've been here twenty- four hours." Miss Reed: "Who?" Miss Spaulding : ' ' The great god Pan." Miss Reed: "Oh, how cruel you are, to mock me so ! Come in here and sj'mpathize a little ! Do, Nettie." Miss Spaiddiiig : "No; you come out here and utilize a little. I 'm acting for 3our best good, as they say at Ponk- wasset." Miss Reed: "When they want to be disagreeable ! " Miss Spaidding : *' If this room isn't in order by the time he calls, 3'ou '11 be everlastii]oly diso;raced. 10 THE REGISTER. Miss Reed: "I'm that now. I can't be more so — there 's that comfort. What makes yon think be '11 call ? " Miss Sjiaulding : "Because he's a gentleman, and will want to apologize. He behaved very rudely to you." Miss Reed: "No, Nettie; /behaved rudely to him. Yes ! Besides, if he behaved rudelj^ he was no gentleman. It's a contradiction in terms, don't you see? But I'll tell 3'ou what I'm going to do if he comes. I 'm going to show a proper spirit for once in my life. I 'm going to refuse to see him. You've got to see him." Miss Spend ding : "Nonsense ! '^ Miss Reed: "Why nonsense? Oh, why ? Expound ! " Miss Spaulding : "Because he wasn't THE REGISTER. 11 rude to me, and he does n't want to see me. Because I 'm plain and you 're pretty." Miss Reed : * ' I 'm nol ! You know it perfectly well. I 'm hideous ! " Miss Spaulding: "Because I'm poor, and you 're a person of independent property." Miss Reed: " Dependent property, I should call it : just enough to be useless on! But that's insulting to ^i/w. How can you sa}' it 's because I have a little money ? " Miss Spaidding : " Well, then, I won't. I take it back. I '11 say it 's because you're j'oung, and I'm old." Miss Reed: " You're not old. You 're as young as anybodj', Nettie Spaulding. And you know I'm not young; I'm 12 THE REGISTER. twent3^-seven, if I'm a da}'. I'm just dropping into the grave. But I can't argue with 3'ou, miles off so, an}^ longer." Miss Reed appears at the open door, drag- ging languidl}^ after her the shawl which she had evidentl}^ drawn round her on the sofa ; her fair hair is a little disoixlered, and she presses it into shape with one hand as she comes forward ; a lovelj' flush vies with a heavenly pallor in her cheeks ; she looks a little pensive in the arching eyebrows, and a little humorous about the dimpled mouth. " Now I can prove that you are entirely wrong. Where were you ? — This room is rather an improvement over the one we had last winter. There is more of a view " — she goes to the window — " of the houses across the Place ; and I always think the THE REGISTER. 13 swell front gives a pretty shape to a room. I 'm sorrj' they 've stoi)pecl building them. Your piano goes ver}' nicel}- into that little alcove. Yes, we 're quite palatial. And, on the whole, I'm glad there's no fire-place. It's a pleasure at times ; but for the most part it 's a vanit}^ and a vexation, getting dust and ashes over everything. Yes ; after all, give me the good old-fashioned, clean, convenient register ! Ugh ! My feet are like ice." She pulls an easy-chair up to the register in the corner of the room, and pushes open its valves with the toe of her slipper. As she settles herself luxurioush' in the chair, and poises her feet daintilj' over the register : ''Ah, this is something like ! Henrietta Spaulding, ma'am ! Did I ever tell you that you were the best friend I have in the world?" 14 THE REGISTER. Miss Spaulding^ who continues her work of arranging the room: "Often." Miss Reed: " Did 3'ou ever believe it? " Miss Spauldimj : "Never." Miss Reed: "Wliy?" Miss Spaulding^ thoughtfuU}' regard- ing a vase which she holds in her hand, after several times shifting it from a bracket to the corner of her piano and back : "I wish I could tell where you do look best ! " Miss Reed^ leaning forward wistfull}', with her hands clasped and resting on her knees : " I wish you would tell me why 3'ou don't believe yoii 're the best friend I have in the world " Miss Spaulding^ finally placing the vase on the bracket : ' ' Because you 've said so too often." THE REGISTER. 15 Miss Reed: "Oh, that's no reason! I can prove to 3-011 that you are. Who else but 3-ou would have taken in a home- less and friendless creature like me, and let her stay bothering round in demoraliz- ing idleness, while 3'ou were serioush' teaching the 3'oung idea how to drub the piano ? " Miss Spaulding : " Anybody who want- ed a room-mate as much as I did, and could have found one willing to pay more than her share of the lodging." Miss Reed^ thoughtfulh' : "Do you think so, Henrietta?" Miss Spaidding ; " I know so." Miss Reed: "And you're not afraid that you wrong yourself?" Miss Spaulding : " Not the least." Miss Reed: " Well, be it so — as they 16 THE REGISTER, say in novels. I will not contradict 3'ou ; I will not say you are my hest friend ; I will merely say that you are m}^ only friend. Come here, Henrietta. Draw up your chair, and put your little hand in mine." Miss Spaulding^ with severe distrust : "What do you want, Ethel Reed?" 31{ss Reed : "I want — I want — to talk it over with 3'ou." Miss Spaulding^ recoiling: "I knew it! Well, now, we've talked it over enough ; we 've talked it over till there 's nothing left of it." 3Iiss Reed: "Oh, there's everything left ! It remains in all its original enor- mit}^ Perhaps we shall get some new light upon it." She extends a pleading hand toward Miss Spaulding. " Come, THE REGISTER. 17 Henrietta, m}- onl}' friend, shake I — as the ' good Indians ' say. Let 3'our Ethel pour her hacknej'ed sorrows into jour bosom. (Such an uncomfortable image, it always seems, does n't it, pouring sor- rows into bosoms ! ) Come ! " Miss Spaulding^ decidedly: "No, I won't ! And you need n't tr}* wheedling an}' longer. I won't sympathize with you on that basis at all." Miss Reed: " AVhat shall I try, then, if you won't let me try wheedling ? " Miss Spaulding^ going to the piano and opening it : " Try courage ; try self- respect." Miss Reed: "Oh, dear I when I have n't a morsel of either. Are you going to practise, 3'ou cruel maid? " Miss Spaulding : "Of course I am. 18 THE REGISTER. It 's half-past four, and if I don't do it now I sha'n't be prepared to-morrow for Miss Robins : she takes this piece." Miss Reed: "Well, well, perhaps it's all for the best. If music be the food of — umph-umph ! — you know what ! — play on." They both laugh, and Miss Spaulding pushes back a little from the piano, and wheels toward her friend, letting one hand rest slightly on the keys. Miss Spanlding : "Ethel Reed, you're the most ridiculous girl in the world." 3Iiss Reed: " Correct ! " 3Ess Spaulding : " And I don't believe you ever were in love, or ever will be." 3Iiss Reed: " Ah, there you wrong me, Henrietta ! I have been, and I shall be — lots of times." i THE REGISTER. 19 Miss Spaulding : ''Well, what do you want to sa}' now? You must hurry, for I can't lose any more time." 3Iiss Reed: '' I will free m}' mind with neatness and dispatch. I simph" wish to go over the whole afTair, from Alfred to Omaha ; and you 've got to let me talk as much slang and nonsense as I want. And then I '11 skip all the details I can. Will you?" 3Iiss Spaulding, with impatient pa- tience : ''Oh, I suppose so!" 3Iiss Reed: ''That's A^ery sweet of you, though you don't look it. Now, where was I? Oh, 3-es ; do you think it was forth-putting at all, to ask him if he would give me the lessons ? " Miss Spaidding : "It depends upon wh}' you asked him." 20 THE REGISTER. Miss Reed ; " I asked him from — from — Let me see ; I asked him because — from — Yes, I say it boldly ; I asked him from an enthusiasm for art and a sincere wish to learn the use of oil, as he called it. Yes ! " Miss Spaulding : " Are 3'ou sure? " Miss Reed: "Sure? Well, we will sa}' that I am, for the sake of argument. And, having secured this basis, the ques- tion is whether I was n't bound to offer him pa}" at the end, and whether he was n't wrong to take my doing so in dudgeon." Miss Spaulding : " Yes, I think he was wrong. And the terms of his refusal were xqyy ungentlemanly. He ought to apologize most amply and humbl}." At a certain expression in Miss Reed's face, THE REGISTER. 21 she adds, with severit}- : " Unless 3'ou 're keeping back the main point. Yon usu- allj' do. Are 3'ou? " Miss Reed: "No, no. I've told 3011 ever}*thing — everj-thing ! " Miss Spaulding : " Then I sa}^, as I said from the beginning, that he behaved very badlv- It was ver}' awkward and very painful, but you 've realh' nothing to blame 3'ourself for." Miss Reed, ruefully : " No-0-0 ! " Miss Spaulding : " What do you mean by that sort of ' No ' ? " Miss Reed : ' ' Nothing." Miss Spmdding, sternl}' : "Yes, 3'ou do, Ethel." Miss Reed: "I don't, really. What makes you think I do ? " Miss Spaulding : "It sounded verv dis- honest." 22 THE REGISTER. 3Iiss Reed: "Did it? I didn't mean it to." Her friend breaks down witli a laugh, while Miss Reed preserves a de- mure countenance. Miss Spaulding : ' ' Wliat are you keep- ing back ? " 3fiss Reed: " Nothing at all — less than nothing ! I never thought it was worth mentioning." Miss Spaulding: " Arc 3'ou telling me the truth?" Miss Reed: " I 'm telling 3-ou the truth and sometliing more. You can't ask bet- ter than tliat, can you?" Miss Spaidding^ turning to her music again : " Certainl}" not." Miss Reed^ in a pathetic wail: ''Oh, Henrietta, do you abandon me thus? Well, I will tell you, heartless girl ! I 'vo THE REGISTER. 23 only kept it back till now because it was so extremely mortifying to 1113' pride as an artist — as a student of oil. Will you hear me ? " Ml8s Spaulding^ beginning to play : "Xo." Miss Reed, with burlesque wildness : "You shall!" Miss S. involuntarih' desists. " There was a moment — a fatal moment — when he said lie thought he ought to tell me that if I found oil amus- ing I could go on ; but that he did n't believe I should ever learn to use it, and he could n't let me take lessons from him with the expectation that I should. There I " Miss Spaiddlng, with awful reproach : "And you call that less than nothing? I 've almost a mind never to speak to vou 24 THE REGISTER, again, Ethel. How could 3^011 deceive me so ? " Miss Reed : ' ' Was it really deceiving ? / should n't call it so. And I needed 3'our sj^mpathy so much, and I knew I should n't get it unless you thought I was altogether in the right." Miss Spaulding : ' ' You were altogether in the wrong I And it 's you that ought to apologize to him — on your bended knees. How could you offer him money after that? I wonder at you, Ethel ! " Miss Reed: "Why — don't you see, Nettie ? — I did keep on taking the les- sons of him. I did find oil amusing — or the oiUst — and I kept on. Of course I had to, off there in a farm4iouse full of lady boarders, and he the onl}' gentleman short of Crawford's. Strike, but hear THE REGISTER. 25 me, Henrietta Spaulding ! What was I to do about the half-dozen lessons I had taken before he told me I should never learn to use oil? Was I to offer to pay him for these, and not for the rest ; or was I to treat the whole series as gratui- tous? I used to lie awake thinking about it, I 've got some little tact, but I couldn't find an}' way out of the trouble. It was a box — 3'es, a box of the deepest dye ! And the whole affair having got to be — something else, don't 3'ou know? — made it all the worse. And if he 'd only — onlv — But he did n't. Not a sylla- ble, not a breath ! And there I was. I had to offer him the money. And it's almost killed me — the wa}' he took my offering it, and now the way you take it ! And it's all of a piece." Miss Reed 26 THE REGISTER. siicldeiil}' snatches her handkerchief from her pocket and buries her face in it. — "Oh dear — oh dear! Oh! — hu, hu, hii ! " Miss Spaulding^ relenting: "It was awkward." Miss Reed: "Awkward! You seem to think that because I carry things off hghtly I have no feeling." Miss Spaulding : ' ' You know I don't think that, Ethel." Miss Reed^ pursuing her advantage : "I don't know it from you, Nettie. I 've tried and tried to pass it off as a joke, and to treat it as something funny ; but I can tell you it's no joke at all." Miss Spaulding^ sympatheticallj' : "I see, dear." Miss Reed: "It's not that I care for him — " THE REGISTER. 27 Miss Spaulding : "Why, of course." Miss Reed: '• For I don't, in the least. He is horrid every way : bhint, and rude, and horrid. I never cared for hirn. But I care for iU3'self ! He has put me in the position of having done an unkind thing — an unladylike thing — when I was only doing what I had to do. Why need he have taken it the wa}' he did? Why could n't he have said politely that he could n't accept the mone}' because he had n't earned it? Even that would have been mortif3'ing enough. But he must go and be so violent, and rush off, and — Oh, I never could have treated anybod}' so ! " Miss Spauldinr/ : " Not unless you were very fond of them." Miss Reed: "What?" 28 THE REGISTER. Miss Spaulding: " Not unless you were very fond of them." Miss Reed^ putting away her handker- chief: " Oh, nonsense, Nettie ! He never cared anything for me, or he could n't have acted so. But no matter for that. He has fixed everything so that it can never be got straight — never in the world. It will just have to remain a hideous mass of — of — / don't know ':vhat; and I have simply got to go on Vrithering with despair at the point where I left off. But I don't care! That's one comfort." Miss Spaidding: " I don't believe he'll let 3'ou wither long, Ethel." Miss Reed: ''He's let me wither for twenty-four hours alread}' ! But it 's nothing to me, now, how long he lets me THE REGISTER. 29 wither. I 'm perfectlj- satisfied to have the affair remain as it is. I am in the right, and if he comes I sliall refuse to see him." Miss Spaulding : '"Oh no, you won't, Ethel ! " Miss Reed: "Yes, I shall. I shall re- ceive him ver}' coldl}'. I won't listen to an}' excuse from him." Miss Spaulding: " Oh yes, 3'ou will, Ethel ! " Miss Reed: "No, I shall not. If he wishes me to listen to him he must begin b}' humbling himself in the dust — jes, the dust, Nettie ! I won't take anything short of it. I insist that he shall realize that I have suffered." 3Iiss Spaulding : " Perhaps he has suf- fered too ! " 30 THE REGISTER. Miss Reed: '' Oh, he suffered ! " Miss Spaulding : " You know that he was perfectl}' devoted to you." Miss Reed : " He never said so." Miss Spaidding : "Perhaps he did n't dare." Miss Reed : "He dared to be veiy insolent to me." 3Iiss Spaulding : " And a'ou know 3'ou liked him very much." 3Ilss Reed: " I won't let 3'ou sa}^ that, Nettie Spaulding. I didnt like him. I respected and admired him ; but I did n't like him. He will never come near me ; but if he does he has got to begin by — b}' — Let me see, what shall I make hhn begni by doing? " She casts up her eyes for inspiration while she leans forward over the register. "Yes, I will! He has got to begin by taking that money ! " THE REGISTER. 31 Jf/ss Spaulding : "Ethel, you wouldn't put that affront upon a sensitive and high- spirited man ! " Miss Reed: " Would n't I ? You wait and see, Miss Spaulding ! He shall take the money, and he shall sign a receipt for it. I '11 draw up the receipt now, so as to have it read}', and I shall ask him to sign it the moment he enters this door — the ver}^ instant ! " She takes a port- folio from the table near her, without ris- ing, and writes : " ' Received from Miss Ethel Reed one hundred and twent3'-five dollars, in full, for twenty-five lessons in oil-painting.' There — when Mr. Oliver Ransom has signed this little document he ma}' begin to talk ; not before ! " She leans back in her chair with an air of pitiless determination. 32 THE REGISTER. Miss Spaulding : " But, Ethel, ^'Oii don't mean to make him take money for the lessons he gave 3'ou after he told 3'ou you could n't learn anything? " Miss Reed^ after a moment's pause : "Yes, I do. This is to punish him. I don't wish for justice now ; I wish for vengeance ! At first I would have com- promised on the six lessons, or on none at all, if he had behaved niceh' ; but after what's happened I shall insist upon pay- ing him for every lesson, so as to make him feel that the whole thing, from first to last, was a purely business transaction on m}' part. Yes, 2i purely — business — TRANSACTION ! " Miss Spmdding, turning to her music : " Then I've got nothing more to say to you, P:thel Reed." THE REGISTER. 33 Miss Reed : "I don't sa}' but what, after he 's taken the mone}^ and signed the receipt, I'll listen to anything else he's got to say, very willingly." Miss Spaulding makes no answer, but begins to play with a scientific absorption, feel- ing her way fitfully through the new piece, while Miss Reed, seated by the register, trifles with the book she has taken from the table. II. MR. GRIKNIDGE AND MR. RANSOM; THEN MISS SPAULDING AND MISS REED. The interior of the room of Miss Spanl- dlng and Miss Eeed remains in view, while the scene discloses, on the other side of the partition wall in the same house, the bachelor apartment of Mr. Samuel Grinnidge. Mr. Grinnidge, in his dressing gown and slippers, with his pipe in his mouth, has the effect of having just come in ; his friend Mr. Oliver Ran- som stands at the window, staring out into the November weather. Grinnidge : ' ' How long have 3'ou been waitins: here?" THE REGISTER. 35 Ransom: ''Ten minutes — ten years. How should I know ? " Grinnidge : " AVell, I don't know who else should. Get back to-day ? " Ransom: "• Last night." Grinnidge: " Well, take off j'our coat, and pull up to the register and warm your poor feet." He puts his hand out over the register. " Confound it ! some- body 's got the register open in the next room ! You see, one pipe comes up from the furnace and branches into a V just under the floor, and professes to heat both rooms. But it don't. There was a fellow in there last winter who used to get all mj' heat. Used to go out and leave his register open, and I 'd come in here just before dinner and find this place as cold as a barn. We had a running: 36 THE REGISTER. fight of it all winter. The man who got his register open first in the morning got all the heat for the day, for it never turned the other way when it started in one direction. Used to almost suffocate — warm, muggy days — maintaining my rights. Some piano-pounder in there this winter, it seems. Hear? And she has n't lost anj^ time in learning the trick of the register. What kept you so late in the country ? " Ransom^ after an absent-minded pause : " Grinnidge, I wish you would give me some advice." Grinnidge: "You can have all you want of it at the market price." Ransom : "I don't mean your legal advice." Grinnidge: "I'm sorry. What have you been doing ? " THE REGISTER. 37 Ransom: "I've been making an ass of m3'self." Grinnidge : "Wasn't that rather su- perfluous ?" Ratisom : "If ,you please, yes. But now, if you 're capable of listening to me without any further clispla}' of 3'our cross-examination wit, I should like to tell you how it happened." Grinnidge : "I will do m}* best to veil my brilliancy. Go on." Ransom .* " I went up to Ponkwasset early in September for the foliage." Grinnidge : " And staid till late in Oc- tober. There must have been a reason for that. What was her name ? Foli- age ? '* Ransom, coming np the corner of the chimney-piece, near which his friend sits, 38 THE REGISTER. and talking to bim directly over the re- gister : " I think 3'ou '11 have to get along withont the name for the present. I '11 tell 3'ou b3'-and-b3\" As Mr. Ransom pronounces these words, Miss Reed, on her side of the partition, lifts her head with a startled air, and, after a moment of vague circumspection, listens keenly. '' But she wa& beautiful. She was a blonde, and she had the loveliest eyes — ej^es, you know, that could be funny or tender, just as she chose — the kind of eyes I always liked." Miss Reed leans forward over the register. ' ' She had one of those faces that alwa3's leave 3'ou in doubt whether the3' 're laughing at 3'ou, and so keep you in wholesome subjection ; but you feel certain that they 're good.^ and that if they did hurt you by laughing at THE REGISTER. 39 3'ou, theN' 'd look sony for 3'ou afterward. "When she walked you saw what an ex- quisite creature she was. It alwa3's made me mad to think I could n't 'paint her walk." Grinnidge .' " I suppose 3'ou saw a good deal of her walk." Ransom: ''Yes; we were off in the woods and fields half the time together." He takes a turn toward the window. 3Iiss Reed, suddenly shutting the regis- ter on her side : " Oh ! " 3Iiss Spmdding^ looking up from her music : " What is it, Ethel? " 3Iiss Reed : ''Nothing, nothing; I — I — thought it was getting too warm. Go on, dear ; don't let me interrupt you." After a moment of heroic self-denial she softh' presses the register open with her foot. . 40 THE REGISTER. Ransom., coming back to the register ; "It all began in that wa}^ I had the good fortune one day to rescue her from a — cow." Miss Reed: "Oh, for shame ! " Miss Spaulding., desisting from her piano: "What is the matter?'* Miss Reed., clapping the register to : "This ridiculous book! But don't — don't mind me, Nettie." Breathlessl}' : " Go — go — on ! " Miss Spaulding re- sumes, and again Miss Reed softly presses the register open. Ransom, after a pause : "The cow was grazing, and had no more thought of hooking Miss — " Miss Reed: " Oh, I didn't suppose he would! — Go on, Nettie, go on! The liero — such a oroose ! " THE REGISTER. 41 Ransom: " I drove her awaj' with m}' camp-stool, and Miss — the young lady — was as grateful as if I had rescued her from a menagerie of wild animals. I walked home with her to the farm- house, and the trouble began at once." Pantomime of indignant protest and bur- lesque menace on the part of Miss Reed. "There wasn't another well woman in the house, except her friend Miss Spaul- ding, who was rather old and rather plain." He takes another turn to the window. Miss Reed: "Oh!" She shuts the register, but instantly opens it again. " Louder, Nettie." Miss Spaulding., in astonishment : "What?" Miss Reed: "Did I speak? I did n't know it. I — " 42 THE REGISTER. Miss Spaulding^ desisting from prac- tice : ' ' What is that strange, hollow, rumbling, mumbling kind of noise?" Miss Reed., softlj" closing the register with her foot : " I don't hear an}- strange, hollow, rumbling, mumbling kind of noise. Do you hear it now 'f " 3Ess Spcndding : ' ' No. It was the Brighton whistle, probabl}^" Miss Reed: "Oh, very likely." As Miss Spaulding turns again to her prac- tice Miss Reed re-opens the register and listens again. A little interval of silence ensues, while Ransom lights a cigarette. Grinnidge: "So you sought opportu- nities of rescuing her from other cows ? " Ransom., returning: "That wasn't necessary. The young lad}^ was so im- pressed by my behavior that she asked THE REGISTER. 43 if I would give her some lessons in the use of oil." Grinnidge : " Slie thought if she knew how to paint pictures like yours she would n't need any one to drive the cows aw^ay." Ransom: "Don't be farcical, Grin- nidge. Tliat sort of thing will do with some victim on the witness stand who can't help himself Of course I said I would, and we were off half the time together, painting the loveliest and lone- liest bits around Ponkwasset. It all went on very well, till one day I felt bound in conscience to tell her that I did n't think she would ever learn to paint, and that if she was serious about it she 'd better drop it at once, for she was wastine: her time." 44 THE REGISTER. Grinnidge, getting up to fill his pipe : " That was a pleasant thing to do." Ransom ; *" ' I told her that if it amused her, to keep on ; I would be only too glad to give her all the hints I could, but that I ought n't to encourage her. She seemed a good deal hurt- I fancied at the time that she thought I w^as tired of having her with me so much," Miss Reed: ^' Oh, did you, indeed!" To Miss Spaulding, who bends an aston- ished glance upon her from the piano: "The man in this book is the most con- ceited creature, Nettie. Play chords — something very subdued — ah ! " Miss Spaulding : *' What are you talk- ing about, Ethel?" Ransom : "That was at night ; but the next da}' she came up smihng, and said THE REGISTER. 4o that if I did n't mind she would keep on — for amusement ; she was n't a bit dis- couraged." Miss Reed: "Oh!— Go on, Nettie; don't let m}' outbursts interrupt 3'ou." Ransom ; " I used to fanc}' sometimes that she ivas a little sweet on me." Miss Reed: "You wretch! — Oh, scales, Nettie ! Play scales ! " Miss Spaidding: " Ethel Reed, are 3^ou craz}'? " Ransom^ after a thoughtful moment : " Well, so it went on for the next seven or eight weeks. AYhen we were n't sketch- ing in the meadows, or on the mountain- side, or in the old punt on the pond, we were walking up and down the farm- house piazza together. She used to read to me when I was at work. She had a heavenh" voice, Grinnidge." 46 THE REGISTER. Miss Reed: "Oh, 3^011 sill}^ sill}' thing ! — Really this book makes m€ sick, Nettie." Ransom : " Well, the long and the short of it was, I was hit — hard, and I lost all courage. You know how I am, Grinnidge." 3Iiss Reed, softly : '^ Oh, poor fellow ! " Ransom: "So I let the time go by, and at the end I had n't said anything." Miss Reed: "No, sir! You hadntf" Miss Spaulding graduall}' ceases to pla}', and fixes her attention wholly upon Miss Reed, who bends forward over the regis- ter witli an intensel}' excited face. Ransom : " Then something happened that made me glad, for twenty-four hours at least, that I had n't spoken. She sent me the money for twenty-five lessons. THE REGISTER. 47 Imagine bow I felt, Grinnidge ! What could I suppose but that she had been quietly biding her time, and storing up her resentment for my having told her she could n't learn to paint, till she could pay me back with interest in one supreme insult?" M\S8 Reed^ in a low voice : "Oh, how could you think such a cruel, vulgar thing?" Miss Spaulding leaves the piano, and softl}' approaches her, where she has sunk on her knees beside the register. Rmisom : "It was tantamount to tell- ing me that she had been amusing herself with me instead of m}- lessons. It re- manded our whole association, which I had got to thinking so romantic, to the relation of teacher and pupil. It was a snub — a heartless, killing snub ; and I 48 THE REGISTER. could n't see it in any other light." Ran- som walks away to the window, and looks out. Miss Reed^ flhiging herself backward from the register, and hiding her face in her hands : " Oh, it was n't ! it was n't ! it was n't ! How could you think so? " Miss Spaulding^ rushing forward, and catching her friend in her arms : " What is the matter with you, Ethel Reed? What are you doing here, over the regis- ter? Are 3'ou trying to suffocate your- self ? Have you taken leave of your senses ? " Grinnidge : "Our fair friend on the other side of the wall seems to be on the rampage." Miss Spaulding^ shutting the register with a violent clash : " Ugh ! how hot it ■'s here ! " THE REGISTER. 49 Grwnidge : "Doesn't like your con- versation , apparentl}'." Miss Reed., frantically pressing forward to open the register: "Oh, don't shut it, Nettie dear ! If 3-ou do I shall die ! Do-o-n't shut the register !" Miss Spaidding : " Don't shut it ? Why, we 've got all the heat of the fur- nace in the room now. Surely you don't want any more?" 3Iiss Reed: " Xo, no; not an}- more. But — but — Oh dear ! what shall I do ? " She still struggles in the embrace of her friend. Grinnidge., remaining quietly at the register, while Ransom walks awaj' to the window : " Well, what did 3-ou do? " Miss Reed: "There, there! They're commencing again ? Do open it, Nettie. 00 THE REGISTER. 1 ivill have it open ! " She wrenches her- self free, and dashes the register open. Grinnidge : "Ah, she's opened it again." Miss Reed^ in a stage-whisper : ' ' That 's the other one ! " Ransom^ from the window : " Do? 1*11 tell you what I did." Miss Reed: "That 's 01— Mr. Ransom. And, oh, I can't make out what he's saying ! He must, have gone awa}' to the other side of the room — and it 's at the most important point ! " Miss Spaulding^ in an awful undertone : " Was that the hollow rumbling I heard? And have you been listening at the reg- ister to what the}" 've been saying? Oh, Ethel!'' Miss Reed: " I have n't been listein«g, exactly.'* THE REGISTER. 51 Miss Spaidding : ' ' You have ! You have been eavesdropping ! " Miss Reed : " Eavesdropping is listen- ing through a ke^-hole, or around a cor- ner. This is very different. Besides, it 's Oliver, and he 's been talking about me. Hark ! " She clutches her friend's hand, and where they have crouched upon the floor together, pulls her forward to the register. " Oh dear, how hot it is ! I wish they would cut off the heat down below." Grinnidge^ smoking peacefully through the silence which his friend has absent- mindedl}' let follow upon his last words : "Well, you seem disposed to take your time about it." Ransom: "About what? Oh, yes! Well — " 52 THE REGISTER, Miss Reed: '- 'vSh I Listen." Miss Spaulding ; " I won't listen. It 's shameful ; it 's wicked ! I don't see how you can do it, Ethel ! " She re- mains, however, kneeling near the regis- ter, and she involuntarily inclines a little more toward it. Ransom : " — it is n't a thing that I care to shout from the house-tops." He returns from the window to the chimne}-- piece. " I wrote the rudest kind of note, and sent back her letter and her mone}^ in it. vShe had said that she hoped our acquaintance was not to end with the summer, but that we might sometimes meet in Boston ; and I answered that our acquaintance had ended already, and that I should be sorry to meet her anj'- where asfain." THE REGISTER. 53 Grinnidge: "Well, if you wanted to make an ass of yourself, 3'ou did it prettj- completely.'* Miss Beed, whispering : ' ' How witty he is ! Those men are always so humor- ous with each other." Ransom: "Yes; I didn't do it by halves." Miss Reed, whispering: "Oh, that's funn}^, too ! " Grinnidge: "It didn't occur to you that she might feel bound to pa}^ you for the first half-dozen, and was embarrassed how to offer to pay for them alone ? " Miss Reed: "How he does go to the heart of the matter ! " She presses Miss Spaulding's hand in an ecstasj' of ap- proval. Ransom : " Yes, it did — afterward." 54 THE REGISTER. Miss Reed^ in a tender murmur : " Oh, poor Oliver ! " Ransom : ' ' And it occurred to me tliat she was perfectly right in the whole affair." Miss Reed : "Oh, how generous ! how noble I " Ransom : "I had had a thousand opportunities, and I had n't been man enough to tell her that I was in love with her." Miss Reed: " How can he say it right out so bluntly ? But if it 's true — - " Ransom: "I couldn't speak. I was afraid of putting an end to the affair — of frightening her — disgusting her." Miss Reed: " Oh, how little they know us, Nettie ! " Ransom : " She seemed so much above THE REGISTER. 55 me in ever}' wa}' — so sensitive, so re- fined, so gentle, so good, so angelic ! " Miss Reed: "There! Now do 3'ou call it eavesdropping? If listeners never hear an}' good of themselves, what do you sa}' to that ? It proves that I have n't been listening." Miss Spaulding : " 'Sh ! The}' 're say- ing something else." Ransom : " But all that 's neither here nor there. I can see now that under the circumstances she could n't as a lady have acted otherwise than she did. She was forced to treat our whole acquaint- ance as a business matter, and I had forced her to do it." Miss Reed: " You had^ you poor thing ! " Grinnidge: ""Well, what do you in- tend to do about it? " 56 THE REGISTER. Ransom: "Well — " Miss Reed: '"Sh!" Miss Spaulding : " 'Sh ! " Ransom: " — that's what I want to submit to you, Grinnidge. I must see her." Grinnidge: "Yes. I'm glad /must n't." Miss Reed, stifling a laugh on Miss Spaulding' s shoulder : ' ' They 're actualh^ afraid of us, Nettie ! " Ransom: "See her, and go down in the dust." Miss Reed: " My very words ! " Ransom .' " I have been trying to think what was the very humblest pie I could eat, by wa}' of penance ; and it appears to me that I had better begin by saying that I have come to ask her for the money I refused." THE REGISTER. 57 Miss Reed^ enraptured : " Oh ! does n't it seem just like — like — inspiration, Nettie ? " Miss Spaulding : " 'Sh ! Be quiet, do ! You '11 frighten them away ! " Grinnidge : ' ' And then what ? " Ransom : " What then? I do n't know what then. But it appears to me that, as a gentleman, I 've got nothing to do with the result. All that I've got to do is to submit to my fate, whatever it is." Miss Reed^ breathlessly : " What prince- I3' courage ! What delicate magnanim- it}' ! Oh, he needn't have the least fear ! If I could only tell him that ! " Grinnidge^ after an interval of medita- tive smoking : " Yes, I guess that 's the best thing 3011 can do. It will strike her 58 THE REGISTER. fanc}', if she 's an imaginative girl, and she '11 think you a fine fellow." Miss Reed: " Oh, the horrid thing ! " Grinnidge : "If 3'ou humble 3'ourself to a woman at all, do it thoroughly. If you go half-way down she '11 be tempted to push 3^ou the rest of the way. If 3'ou flatten out at her feet to begin with, ten to one but she will pick 3'ou up." Ransom: " Yes, that was m3' idea." Miss Reed: "Oh, was it, indeed! Well ! " Ransom: "But I've nothing to do with her picking me up or pushing me down. All that I 've got to do is to go and surrender m3'self." Grinnidge: " Yes. Well ; I guess you can't go too soon. I like your company ; but I advise you as a friend not to lose time. Where does she live? '* THE REGISTER. 59 Ransom : " That 's the remarkable part of it: she Hves in this house." Miss Reed and Miss Spmdding, in sub- dued chorus : " Oh I " Grinnidge^ taking his pipe out of his mouth in astonishment : '' No ! " Ransom ; " I just came in here to give my good resolutions a rest while I was screwing m}- courage up to ask for her." Miss Reed: "Don't 3'ou think he's very humorous? Give his good resolu- tions a rest ! That 's the way he always talks." Miss Spaulding: " 'Sh ! " Grinnidge : "You said you came for my advice." Ransom: " So I did. But I didn't promise to act upon it. Well ! " He goes toward the door. 60 THE REGISTER, Grinnidge, without troubling himself to rise : " Well, good luck to 3'ou ! " Miss Reed : ' ' How droll they are with each other ! Don't 3'ou like to hear them talk? Oh; I could listen all day." Grinnidge, calling after Ransom : "You haA^en't told me your duck's name." Miss Reed : ''Is that what they call us? Duck ! Do you think it 's ver}^ respect- ful, Nettie? I don't believe I like it. Or, 3'es, why not ? It's no harm — if I am his duck ! " Ransom,, coming back : " Well, I don't propose to go shouting it round. Her name is Miss Reed — Ethel Reed." Miss Reed : ' ' How can he ? " Grinnidge: "Slender, willowy part}^, with a lot of blonde hair that looks as if it might be indigenous ? Rather pensive- looking ? " THE REGISTER. 61 Miss Reed: "Indigenous! I should hope so ! " Ransom : "Yes. But she is n't pensive. She's awfully deep. It makes me shud- der to think how deep tliat girl is. And when I think of my courage in daring to be in love with her — a stupid, straight- forward idiot like me — I begin to respect myself in spite of being such an ass. Well, I 'm off. If I sta}' any longer I shall never go." He closes the door after him, and Miss Reed instantly springs to her feet. Miss Reed: " Now he '11 have to go down to the parlor and send up his name, and that just gives me time to do the necessar}' prinking. You stay iiere and receive him, Nettie." Miss SpcmlditKj : "Never! After 62 THE REGISTER. what's happened I can never look him in the face again. Oh, how low, and mean, and guilt}* I feel ! " Miss Reed, with surprise : '' Wh}', how droll ! Now /don't feel the least so." Miss SpauJding : " Oh, it's ver}' differ- ent with you. You're in love with him." Miss Reed: " For shame, Nettie ! I'm not in love with him." Miss Spaulding : ''And you can ex- plain and justify it. But I never can justify it to myself, much less to him. Let me go, Ethel! I shall tell Mrs. McKnight that we must change this room instantly. And just after I 'd got it so nearly in order ! Go down and receive him in the parlor, Ethel. I can't see him." Miss Reed: ''Receive him in the par- THE REGISTER. 63 lor ! Wli}', Nettie dear, 3'ou 're crazy ! I 'm going to accejtt him ; and how can I accept him — with all the consequences — in a public parlor? No, indeed ! If 30U won't meet him here for a moment, just to oblige me, 3'ou can go into the other room. Or, no — you 'd be listening to ever}' word through the kej'-hole, you 're so demoralized ! " Miss Spauldivg : '•- Yes, yes, I deserve 3'our contempt, P^thel." Miss Reed., laughing : ' ' You will have to go out for a walk, you poor thing ; and I 'm not going to have you coming back in five or ten minutes. You have got to sta3' out a good hour." Miss Spaulding, running to get her things from the next room: "Oh, I'll stay out till midnight ! " 64 THE REGISTER. Miss Reed^ responding to a tap at the door : " Ye-e-s ! Come in ! — You 're caught, Nettie." A maid-servant.) appearing with a card : " This gentleman is asking for you in the parlor, Miss Reed." Miss Reed : " Oh ! Ask him to come up here, please. — Nettie ! Nettie ! " She calls to her friend in the next room. " He's coming right up, and if you don't run you 're trapped." Miss Spaidding^ re-appearing, cloaked and bonneted: "I don't bhime you^ Ethel, comparatively speaking. You can say that everything is fair in love. He will like it, and laugh at it in you, be- cause he '11 like everything you 've done. Besides, you've no priaiciples, and I have.''' THE REGISTER. 65 Miss Reed: ' ' Oh, I 've lots of principles, Nettie, but 1 've no practice ! " Miss Spaulding : ' ' No matter. Tliere 's no excuse for me. I listened simply be- cause I was a woman, and could n't help it; and, oh, what will he think of me?" Miss Reed: '' I won't give you awa}^ ; if you really feel so badly — " Miss Spaulding : "Oh, do you think you can keep from telling him, Ethel dear? Try! And I will be 3'our slave forever ! " Steps are heard on the stairs outside. " Oh, there he comes!" She dashes out of the door and closes it after her, a moment before the maid-servant, followed by Mr. Ransom, taps at it. III. MISS REED AND MR. RANSOM ; THEN MR. GRINNIDGE. Miss Reed opens the door and receives Mr. Ransom with well-affected surprise and state, suffering him to stand awk- wardl}' on the threshold for a moment. She, coldly : " Oh ! Mr. Ransom ! " He, abruptlj^ : " I 've come — " She : " Won't 3'ou come in ? " He, advancing a few paces into the room : " I ' ve come — " She, indicating a chair : " Will you sit down ? " He: "I must stand for the present. THE REGISTER. 67 I've come to ask you for that mone}', Miss Reed, which I refused yesterday, in terms that I blush to think of. I was altogether and wholly in the wrong, and I 'm ready to offer any imaginable apology or reparation. I'm ready to take the mone}' and to sign a receipt, and then to be dismissed with whatever ignominy you please. I deserve anything — everj'- thing!" She: "The money? Excuse me; I don 't know — I 'm afraid that I 'm not prepared to pay you the whole sum to- day." He^ hastily : " Oh, no matter ! no mat- ter ! I don't care for the money now. I merel}' wished to — to assure you that I thought 3'ou were pei-fectl}' right in offer- ing it, and to — to — " She.^ "AVhat?" 68 THE REGISTER. He : " Nothing. That is — ah~ah— " She : "It 's extreme]}' embarrassing to have people refuse their money when it 's offered them, and then come the next da}^ for it, when perhaps it is n't so convenient to pay it — very embarrassing." He, hotly: " Bat I tell you I don't want the money! I never wanted it, and would n't take it on any account." She: "Oh! I thought you said 3'ou came to get it ? " He: "I said — I did n't say — I meant ■ — that is — ah — I — " He stops, open- mouthed. She., quietl}' : " I could give you part of the money now." He: " Oh, whatever you like ; it 's in- different — " She : " Please sit down while I write a THE REGISTER. 69 receipt." She places herself deliberately at the table, and opens her portfolio. ' ' I will pa}' you now, Mr. Ransom, for the first six lessons you gave me — the ones before you told me that I could never learn to do anything." He^ sinking mechanically into the chair she indicates : " Oh, just as j'ou like ! " He looks up at the ceiling in hopeless bewilderment, while she writes. She^ blotting the paper: "There! And now let me offer you a little piece of advice, Mr. Ransom, which ma}' be useful to you in taking pupils hereafter." He^ bursting out: "I never take pupils ! " She: "Never take pupils! I don't understand. You took me'' He, confusedly: "I took you — yes. 70 THE REGISTER. You seemed to wish — 3'ou seemed — the case was peculiar — peculiar circum- stances." She^ with severit}^ : ''May I ask why the circumstances were peculiar? I saw nothing peculiar about the circumstances. It seemed to me it was a very simple matter. I told you that I had always had a great cui'iosit}' to see whether I could use oil paints, and I asked j-ou a very plain question, whether 3'ou would let me study with you. Did n't I? " He: "Yes." She: "Was there anj'thing wrong — anythmg queer about my asking you ? " He: "No, no! Not at all — not in the least." She : " Did n't you wish me to take the lessons of you ? If 3'ou did n't, it w\as n'l kind of you to let me." THE REGISTER. 71 He: "Oh, I was perfecth' willing — • very glad indeed, veiy much so — cer- tainly ! " She : "If it was n't 3'our custom to take pupils, 3'ou ought to have told me, and I would n't have forced myself upon 3'ou." ^6, desperateh* : "It wasn't forcing 3'ourself upon me. The Lord knows how humbl}' grateful I was. It was like a hope of heaven ! " She: "Really, Mr. Ransom, this is ver}' strange talk. What am I to under- stand by it? Whf/ should you be grateful to teach me ! Wh}- should giving me lessons be like a hope of heaven ? " He: "Oh, I will tell you ! " She: "Well?" ffe, after a moment of agon}- : ' ' Be- cause to be with vou — " 72 THE REGISTER. She: "Yes?" He: " Because I wished to be with you. Because — those days in the woods, when 3'Ou read, and I — " She: " Painted on ni}' pictures — " He: "Were the happiest of my life. Because — I loved 3'ou ! " She: "Mr. Ransom!" He: ^^ Yes, I must tell you so. I loved you ; I love you still. I shall always love you, no matter what — " She : ' ' You forget j^ourself, Mr. Ran- som. Has there been anything in my manner — conduct — to justif}' you in using such language to me ? " He: "No — no— " She: "Did you suppose that because I first took lessons of you from — from — an enthusiasm for art, and then con- THE REGISTER. 73 tinned them for — for — amusement, that I wished you to make love to me ? " He: "No, I never supposed such a thhig. I 'm incapable of it. I beseech 3'ou to beUeve that no one could have more respect — reverence — " He twirls his hat between his hands, and casts an imploring glance at her. She: " Oh, respect — reverence ! I know what the}' mean in the mouths of men. If 3'ou respected, if you reverenced me, could you dare to tell me, after my unguarded trust of you during the past months, that you had been all the time secretl}' in love with me ? " He^ plucking up a little courage: "I don't see that the three things are incom- patible." She : "Oh, then you acknowledge that 74 THE REGISTER. 3'oii did presume upon something j'ou thought 3^ou saw in me to tell me that 3'ou loved me, and that jou were in love with me all the time?" He^ contritely : "I have no right to suppose that you encouraged me ; and yet — I can't den}" it now — I was in love with 3'ou all the time." She : " And you never said a word to let me believe that 30U had any such feel- ing toward me ! " He: "I — I — " She: "You would have parted from me without a syllable to suggest it — perhaps parted from me forever? " After a pause of silent humiliation for him : "Do 3'Ou call that brave or generous? Do you call it manly — supposing, as you hoped, that /had an.y such feeling?" THE REGISTER. 75 He: " Xo ; it was cowardly, it was mean, it was iinmanl}'. I see it now, but I will spend m}' life in repairing the wrong if you will onl}' let me." He im- petuousl}^ advances some paces toward her, and then stops, arrested bj- her irresponsive attitude. She^ with a light sigh, and looking down at the paper, which she has con- tinued to hold between her hands : ' ' There was a time — a moment — when I might have answered as 3'ou wish." He: "Oh! then there will be again. If you have changed once, you ma}' change once more. Let me hope that some time — any time, dearest — " She^ quenching him with a look : "Mr. Ransom, I shall never change toward vou ! You confess that vou had 76 THE REGISTER. 3' our opportunity, and that you de- spised it." He: " Oh ! not despised ! " She: " Neglected it." He: "Not wilfull}' — no. I confess that I was stupidly, vilely, pusillan — pusillan — illani — " She: '"Mously — " He : " Thanks — 'mously unworthy of it ; but I did n't despise it ; I did n't neglect it ; and if 3'ou will onl}^ let me show b}' a lifetime of devotion how dearly and truly I have loved you from the first moment I drove that cow awa}' — " She: "Mr. Ransom, I have told you that I should never change toward aou. That cow was nothing when weighed in the balance against 3'our being willing to leave a poor girl, whom you supposed THE REGISTER. 11 interested in you, and to whom 3'ou had paid the most marked attention, without a word to show her that 3-ou cared for her. What is a cow, or a whole herd of cows, as compared with obUging a young lad}' to offer 30U mone}' that you had n't earned, and then savagely flinging it back in her face ? A yoke of oxen would be nothing — or a mad bull." He: "Oh, I acknowledge it! I con- fess it." She : ' ' And you own that I am right in refusing to listen to you now ? " Be, desolate I3' : '' Yes, yes." She: ''It seems that you gave me lessons in order to be with me, and if possible to interest me in you ; and then 3'ou were going awa}' without a word." 78 THE REGISTER. He., with a groan : " It was onty because I was afraid to speak." She: " Oil, is that any excuse?" He: " No ; none." She: " A man ought alwaj's to have courage." After a pause, in which he stands before her with bowed head : " Then there is nothing for me but to give you this money." He., with sudden energ}- : " This is too much ! I — " She^ offering him the bank-notes : ' ' No ; it is the exact sum. I counted it very care full}'." He: "I won't take it; I can't! I'll never take it ! " She., standing with the monej^ in her outstretched hand: "I have your word as a gentleman that you will take it." THE REGISTER. 79 He., gasping : '' Oh, well — I will take it — I will — " He clutches the money, and rushes toward the door. " Good- evening ; ah — good-by — " /S/^e, calling after him: "The receipt, Mr. Ransom ! Please sign this receipt ! " She waves the paper in the air. He: "Oh, yes, certainl}- ! Where is it — what — which — " He rushes back to her, and seizing the receipt, feels bhndly about for the pen and ink. "Where shall I sign?" She: " Read it first." He: " Oh , it 's all — all right — " She: " I insist npon your reading it. It 's a business transaction. Read it aloud." He, desperately: "Well, well!" He reads. " ' Received from Miss Ethel Reed 80 THE REGISTER. in full, for twenty-five lessons in oil-painting^ one hundred and twenty five dollars, and her hand, heart, and dearest love forever.'' " He looks up at her. "Ethel!" She, smiling : ' ' Sign it, sign it ! " He, catching her in his arms and kiss- ing her : "Oh yes — here I " She, pulling a little awa}^ from him, and laughing: "Oh, oh! I only wanted one signature ! Twenty autographs are too many, unless you '11 let me trade them off, as the collectors do." He: " No ; keep them all ! I could n't think of letting any one else have them. One more ! " She: " No ; it's quite enough ! " She frees herself, and retires beyond the table. " This unexpected affection — " He: " 75 it unexpected — seriously V " THE REGISTER. 81 She: " What do you mean?" He: "Oh, nothing!" She: "Yes, tell me ! " He: "I hoped — I thought — perhaps — that 3'ou might have been prepared for some such demonstration on my part." She : ' ' And why did you think — hope — perhaps — that, Mr. Ransom, may I ask?" He: " If I hadn't, how should I have dared to speak ? " She: "Dared? You were obliged to speak ! Well, since it 's all over, I don't mind saying that I did have some slight ai^prehensions that something in the way of a declaration might be extorted from you." He: "Extorted? Oh!" He makes an impassioned rush toward her. 6 82 THE REGISTER. She^ keeping the table between them : "No, no." He : " Oh, I merely wished to ask why yon chose to make me suffer so, after I had come to the point." She: " Ask it across the table, then." After a moment of reflection. " I made 3'ou suffer — I made 3 on suffer — so that you might have a reahzing sense of what 3'ou had made me suffer." He, enraptured b\^ this confession : "Oh, you angel!" She, with tender magnanimity : " No ; only a woman — a poor, trusting, foolish woman ! " She permits him to surround the table, with imaginable results. Then, with lier head on his shoulder. " You'll rzerer let me regret it, will you, drilling? You '11 never oblige me to punisli 30U THE REGISTER. 83 again, dearest, will 3011 ? Oh, it hurt me far worse to see \o\xv pain than it did 3'ou to — to — feel it ! " On the other side of the partition, Mr. Grinnidge's pipe falls from his lips, parted in slumber, and shivers to atoms on the register. " Oh ! " She flies at the register with a shriek of dismay, and is about to close it. "That wretch has been listening, and has heard ever}" word ! " j&e, preventing her : "What wretch? Where?" ^he: " Don't 3'ou hear him, mumbling and grumbling there ? " Grinnidge : "Well, I swear! Cash value of twent3'-five dollars, and untold toil in coloring it ! " Ransom, listening with an air of m3'sti- fication: "Who's that?" 84 THE REGISTER. She: "Gummidge, Grimmidge — what- ever you called him. Oh ! " She arrests herself in consternation. " Now I have done it ! " He: "Done what?" She: "Oh — nothing!" He: "I don't understand. Do 3'ou mean to say that my friend Grinnidge's room is on the other side of the wall, and that you can hear him talk through the register?" She preserves the silence of abject terror. He stoops over the regis- ter, and calls down it. "Grinnidge! Hallo ! " Grinnidge : " Hallo, yourself! " Ransom, to Miss Reed: " Sounds like the ghostly squeak of the phonograph." To Grinnidge : " What 's the trouble? " Grinnidge : " Smashed my pipe. Dozed THE REGISTER. 85 off and let it drop on this infernal reg- ister." Ransom.) turning from the register with impressive deliberation: "Miss Reed, may I ask how yon came to know that his name was Gummidge, or Grimmidge, or whatever I called him ? " She: "Oh, dearest, I cari't tell you! Or — yes, I had better." Impulsivelj' : "I will judge 3'ou by myself, /could forgive you anj'thing ! " He, doubtfully : " Oh, could you? " She: "Everything! I had — I had better make a clean breast of it. Yes, I had. Though I don't like to. I — I listened ! " He: "Listened?" She: "Through the register to — to — what — you — were saying before you . — came in here." Her head droops. 86 THE REGISTER. He: " Then 3^011 heard everything ? " She: "Kill me, but don't look so at me ! It was accidental at first — indeed it was ; and then I recognized 3'our voice ; and then I knew j-ou were talking about me ; and I had so much at stake ; and I did love 3'ou so dearly ! You will forgive me, darling? It wasn't as if I were listening with an}^ bad motive." He., taking her in his arms : ' ' Forgive you? Of course I do. But you must change this room at once, Ethel ; 3'ou see, you hear everything on the other side, too." She: " Oh, not if 3'ou whisper on this. You couldn't hear ms?" At a dubious expression of his : " You didn't hear us? If you did, I can never forgive you ! " He: "It was accidental at first — THE REGISTER, 87 indeed it was ; and then I recognized your voice ; and then I knew 3'oa were talking about me ; and I had so much at stake ; and I did love you so dearly ! " She : " All that has nothing whatever to do with it. How much did j'ou hear?" He^ with exemplary meekness : " Only what you were saying before Grinnidge came in. You did n't whisper then. .1 had to wait there for him while — " She: "While you were giving your good resolutions a rest ? " He: "While I was giving m}' good resolutions a rest." She : ' ' And that accounts for j'our de- termination to humble yourself so ? " He: " It seemed perfecth' providential that I should have known just what con- ditions 3'ou were going to exact of me." 88 THE REGISTER. She: " Oh, don't make light of it ! I can tell you it 's a very serious matter." He : ''It was very serious for me when 3'ou did n't meet m}' self-abasement as you had led me to expect you would." She: "Don't make fun! I 'm trying to think whether I can forgive you." He, with insinuation : " Don't j'ou be- lieve you could think better if you put your head on my shoulder ? " She .• " Nonsense ! Then I should for- give you without thinking." After a sea- son of reflection : ' ' No, I can't forgive 3'ou. I never could forgive eavesdrop- ping. It 's too low." He^ in astonishment: "Why, 3^ou did it yourself ! " She : " But 3'ou began it. Besides, it 's very different for a man. Women THE REGISTER. 89 are weak, poor, helpless creatures. They have to use finesse. But a man should be above it." He: " You said you could forgive me an3^thing." She: "Ah, but I didn't know what }'0u 'd been doing ! " He^ with pensive resignation, and a feint of going : " Then I suppose it's all over between us." She^ relenting : " If j'ou could think of any reason why I should forgive you — " He: "I can't." She^ after consideration : ' ' Do you suppose Mr. Grumage, or Grimidge, heard too ? " He : " No ; Grinnidge is a very high- principled fellow, and would n't listen ; besides, he was n't there, vou know." 90 THE REGISTER. She: " Well, then, I will forgive j'ou on these grounds." He instantl}^ catches her to his heart. "But these alone, re- member." He., rapturoush' : ^' Oh, on an}' ! " She., tenderl}' : "And 3'ou '11 alwa3's be devoted? And nice? And not try to provoke me? Or neglect me? Or an^'thing ? " He: "Always! Never! " She: "Oh, 3'ou dear, sweet, simple old thing — how I do love 3'OU ! " Grinnidge., who has been hstening at- tentively to ever3' word at the register at his side: "Ransom, if you don't want me to go stark mad, shut the register 1 " Ransom^ about to comply : "Oh, poor old man ! I forgot it was open ! " M'ss 7?eec?, preventing him: "No! If THE REGISTER. 91 he has been vile enough to listen at a register, let him suffer. Come, sit down here, and I '11 tell you just when I began to care for 3'ou. It was long before the cow. Do you remember that first morn- ing after you arrived — " She drags him close to the register, so that ever}' word ma}' tell upon the envious Grin nidge, on whose manifestations of acute despair, a rapid curtain descends. Mr Howells's mother, whose maiden name was Dean, was of mixed Irish and German parentage, writes Professor H. B. Boyesen in a dp.li^htful skotcb, with portraits, under the title of "Mr.Howells at Close Range,' m the November Ladies' Home Jonrnal. Her father was of Irish and Catholic extraction, but her mother was a Pennsylvania German and a Protestant. One of the authors early associa- tions with his grandmother was the Luther s Bible, which was so often in her hands. She read only German, and a Pe^-ceP^^ble foreiu^ accent lingered lifelougr in her speech. Her daughter attended a hi^h school or female ■ seminary, jnd had a fairly good education as it wS in those days. But what was more, she was a woman of a rich, warm Celtic tempera- men who cheerfully carried the burden of her ^rge household, and was full of kindness and affection. She had a fine feelins lor language fwhich is something quite dilTerent from facil- Uyin acauiring strange tongues), and her fo. mous sou believes that it is from her he has nherit^d his sense of the color a«d individaal- i^y of words and his perception of linguistic values. . _ T. J. WHIDDEN. 37 Upton street. [r]tc 8£__ TO LET---BROOKLIPiE. Furnished House and Stable. Eight bedrooms, all conveniences. Lease for the winter or longer to family without small children. GEO. B. ELLIOT, 8 Congress street. [r32t 21 NEWTONVILLE. FOR Sx\LE OR TO LET, Honse of 11 rooms; all modern Improvements and conveniences ; 3 or 4 minutes to depot, stores, cliurches; 1 minute to electric cars. Apply to A. L. GORDON & CO.. 22 and 24 Temple place, Boston. [r:4t o 19 TO LET, Houses No6. 338 and 330 West Chester Park, near Boylston street, in perfect condition. Possession given at once. PJfiTEK DAIL.Y, 809 WasMngton street. [r]tc 8 30 TO BE LET AT AUBURNOALE. ^t. J$o\i}t\i!^'^ I^otjcl^. The Rise of Silas Lapham. 1 2mo, $1.50 ; pape. , 50 cents. It is as distinctly a transcript of American life and character as anything that Hawthorne wrote. It reflects the character and the life and the inner spirit of our modern America as faitlifullyand with as much power as " The Scarlet Letter" did the intcr.sf, , gloomier, more lurid Puritanism of an earlier time. — A'. Commercial Advertiser. Woman's Reason. i2mo, $1.50; paper, 50 cents. One of the most finished productions in fiction. — The Inde- \ pendent. The Undiscovered Country. i2moj: ;^i.50. A novel of unusual power, which deals masterfully with themes of serious moment. — New York Evening Post. i\ Modern Instanc mo, ^1.50; paper, 5 cents. Worthy of a place beside some of the finest of George Eliol' . creations. — The Scotsman (Edinburgh). Indian Summer. i2mo, $1.50; i6mo, paper, 50 cents. To have written such a book is to deserve the friendship of a continent ; to read it is to incur a debt of gratitude to the writer. — Montreal Gazette. Their Wedding Journey. Illustrated. New Edi- tion, with additional chapter. i2mo, $1.50; i8mo, $1.00. The delightful manner in which it is written, so quietly humor- ous, and yet so purely natural, has never, we think, been used better effect by an American author. — New York Times. A Chance Acquaintance. Illustrated. 12m $1.50; i8mp, #1.00. One can hardly overpraise the charm and grace with which T Howells has invested the "acquaintance," and the exquisite d:- cacy with which he has treated the love into which it ripened. Boston Advertiser, 000 002 392 thoi' line democratic novel. — Ukokge f. ■ burban Sketches. Illustrated. i2mo, $1.50. J liese sketches are picked up in every-day jaunts about Boston ; and they present words themselves as a study and deli::;ht to lovers of good' reading.— Rev. Dr. Joseph P. Thomfson i)r. Breen's Practice, t— ' ^50; p.^pci, ^o cents. Grace Breen is one of the most lovable of his creations. She carries our hearts as surely as " The Lady of the Aroostook ;" and not less admirably than tliat exquisite heroine, does she illustrate the keen insij,dit into feminine character and poetic perceptions of feminine ways, which delight us jn all of Mr. Howells's stories. — ' Tribune. . v^.v.^v.ne Conclusion. i2mo, $1.50. It is the greatest triumph of the artist that out of material so little idealized, and by the help of the least pretentious of methods, he should have produced a story of such enduring and pathetic int. rest. — London Times. arful Responsibility, and other Stories. umo, $1.50; paper, 50 cents. Exquisite pieces of workmanship, reflecting the very brightness '•i-wx atmosphere of Southern Eur' 'I'he Lady of the Aroostook. i2mo, ^1.50 ; pap 50 cents. . The hand of the true artist is betrayed in the simplicity of treat- ment with which the materials of common life are made use of for an effective delineation of character in this singularly attractive %\ori.— New York Tribune. Houghton, Mifflin & Cofnpany, Boston and New York,