I UNIVERSITY OF CALIFORNIA AT LOS ANGELES RELIQ^UES O F ANCIENT ENGLISH POETRY. VOL. in. R E L I E S O F ANCIENT ENGLISH POETRY CONSISTING OF Old Heroic BALLADS, SONGS, and other PIECES of our earlier POETS, (Chiefly of the L Y R i c kind) Together with fome few of later Date. THE SECOND EDITION. VOLUME THE THIRD. LONDON: Printed for J. D o D s i. E T in PaH-Mafi, LXVfl, CONTENTS OF VOLUME THE THIRD; BOOK THE FIRST. the ancient Metrical Romances fag. v I . The Boy and the Mantle I 2r The Marriage of Sir Ga-iuaine ~ II 3. King Ryence's challenge 2 4. King Arthur's death. A Fragment 28 5. 'The Legend of King Arthur yj 6. A Dyttie to Hey Downe - 42 7. Glafgericn. 43 8. Old Sir Robin of Portingale 4$ 9. * Child Waters 54 . *o. Phillida and Corydon. By Nic. Breton 62 11. Little Mufgranye and Lady Barnard 63 12. 'Tht E& 20. The King and the Miller of Mansfeld 179 21. The Shepherd's Refutation. By Geo. Wither 190 22. The Wandering Prince of Trey in* 3 The Witchts Stng. By Ben. Jo ft/on jgr> "24. Rcbin GccJ-fiHoiv 2Ojfc 25, The Fairy Qfeen ~~ 207 26. The Fdiriet Farewell By Dr. Corbet 210 BOOK THE THIRD. i. The Rirtb of St. Gecr^ t ~ 215 :. St. CONTENTS. iii a. St. George ana the Dragon* 227 3. Love will find cut the Way 238 4. * Lord Thomas and Fair Annet. A Scott ijh Ballad 240 5. Unfading Beauty. By T/JO. Careia 246 ,6. George Barniuell 247 7. The Steafaji Shfyher.1, iniitled in the frjl Edition *' The afpiring Shepherd." 263 8. The Spanijh Virgin, or Effects of Jcalonfy 266 9. Jcaloufy Tyrant of the Mind - 272 10. Conjlant Penelope 273 11. To Lacafta ongoing to the Wars. By Lovelace 278 J2. Valentine and Urfine 279 13. The Dragon cf Wantley 296 14. St. George for England. Thffrjl Part 306 15. St. Gear ge for England. The fecond Part 311 16. Lucy and Colin. By Titkel 328 17. Margarets Gbojl. By David Mallet 331 1.8. The Bey and the Mantle rt-viftd, &c . 3-55 19. L' Amour et Gljcere. Traduit dc I' Anglais 345 The Glofary ~-"347 An * Tie Baffled Knight, cr Lady** Policy, and the Song " Why S? pale." Set in Vol. 2. /. 339. 347. An ordinary SONG or BALLAD, that is the delight of the common people, cannot fail to pleafe all fuch readers, as are not unqualified for the entertainment by their affectation or their ignorance ; and the reafon is plain, becaufe the fame paintings of naturewhich recommend it to the moft ordinary Reader, will appear beautiful to the moft refined. ADDISON, in SPECTATOR, No: 70, a c 3( < & c SONGS AND BALLADS, SERIES THE THIRD. BOOK I. BALLADS ON KING ARTHUR, fcfr. ?*;& Third Volume being chiefly devoted to Romantic Sub- jeffs, may not be improperly introduced 'with a fe*.'.' flight StriSlures ontbt old METRICAL ROMANCES: afutijed the more luorthy attention, asjiich as baite written en the naturf and origin of Hods of Chivalry, Jeem not to have known VOL. III. b that ii ANCIENT SONGS that tbefrft ccmpofitions of this kind 'were in Verfe, and ufually Jung to the Harp. O N THE ANCIENT METRICAL ROMANCES, &c. I. T^HE firft attempts at compofition among all bar- barous nations are ever found to be Poetry and Song. The prarfes of their Gods, and the achieve- ments cf their heroes, are* ufually chanted at their fef- tival meetings. Thefe are the firft rudiments of Hif- tory. It is in this manner that the favages of North America preferve the memory of paft events (a) : and the fame method . is known to have prevailed among .xon Ancellors, before they quitted their Ger- man fbfelis/^,'. The ancient Britons had their BARDS, andtheGerhicrtitior.s rfrcirScALDs or popular poetsfV^, whofe bufinefs it was to record the victories of their warriors, and the genealogies of their Princes, in a kind of narrative fongs, which were committed to me- mory, and delivered down from one Reciter to another. So long as Poetry continued a diftinft profeffion, and while the Bard, or Scald was a regular and ftated of- ficer in the Prince's court, thefe men are thought to have performed the functions of the hiftorian pretty faithfully ; for tho' their narrations would be apt to re- ceive a good deal of embellimment, they are fujjpofed to (a) Vid. Lafiteau Moeurs ch Sauvages, T. 2. Dr. Browne's Hifl. of the Rife and Progrefs. of Poetry. ft) Germanl celebrant carminibus ar.t'iquh (quod vnum apud illos, mtmonte tt annallum genus eft) Tuiftcner/i &c. Tacir. Germ. c. z. (c) Barth. Antiq, Dan.' Lib, "i. 'cap. io. Worrtiii Literature Runica. ad finem. A N D B A L L A D S. lit to have had at the bottom fo nvuch of truth as to ferve for the bafis of more regular annals. At leaft fucceed- "ing hiftorians have taken up with the relations of thefe rude men, and for want of more authentic records, have agreed to allow them the credit of true hiftory (d). After letters began to prevail, and hiftory affumed a more ftable form, by being committed to plain fim- ple profe ; thefe Songs of the Scalds or Bards began to be more amufmg, than ufeful. And in proportion as it became their bufmefs chiefly to entertain and delight, they gave more and more into embellimment, and fet off their recitals with fuch marvelous ficlions, as were calculated to captivate grofs and ignorant minds. Thus began ftories of adventures with Giants and Dragons, and Witches and Enchanters, and all the monftrous ex- travagances of wild imagination, unguided by judg- ment, and uncorreled by art (e.) THIS is the true origin of that fpecies of Romance, which fo long celebrated feats of Chivalry, and which at full in metre and afterwards in profe, was the enter- tainment of our anceftors, in common with their con- temporaries on the continent, till the fatire of Cer- vantes, or rather -the increafe of knowledge and claf- fical literature, drove them off the Itage, to make room for a more refined fpecies of fiftion, under the name of French Romances, copied from the Greek (f). That our old Romances of Chivalry may be derived in a lineal defcent from the ancient hiftorical fongs of the Gothic bards and Scalds, will be mown below, and indeed appears the more evident as many of thofe Songs are ilill preferved in the north, which exhibit all b 2 the (d) See " A Defcription of the Manners, Cuftoms, &c. of the " ancient Danes and other northern nations, tranflated from the Fr. " of M. Mallet." 8vo. vol. i. p. 40,. &c. (e) Vid. infra, p. iv, v, &c.. (f) Viz. ASTEJEA, CASSANDRA, CLELIA, &c. iv ANCIENT SONGS the feeds of Chivalry before it became a folemn inftitu- tion (g). "CHIVALRY, as a dhtinfl military order, con- " ferred in the way of inveftiture, and accompanied with " the folemnity of an oath, and other ceremonies," was of later date, and fprung out of the feudal conilitution, as an elegant writer has lately fhown (h). But the ideas of Chivalry prevailed long before in all the Gothic na- tions, and may be difcovered as in embrio in the cuf- toms, manners, and opinions, of every branch of that people (I). That fondnefs of going in queft of ad- ventures, that fpirit of challenging to fmgle combat, and that refpe&ful complaifance fhewn to the fair fex, (fo different from the manners of the Greeks and Ro- mans), all are of Gothic origin, and may be traced up to the earlieft times among all the northern nations (k.) Thefe exifted long before the feudal ages, tho' they were called forth and ftrengthened in a peculiar man- ner under that conftitution, and at length arrived to their full maturity in the times of the Crufades, fo replete with romantic adventures (I). EVEN the common arbitrary fiftions of Romance were (as is hinted above) moft of them familiar to the ancient (g) Mallet, vid. Defcript of the Manners, Sec. of the Danes, vol. i. p. 318, Sec. vol.2, p. 234. &c. (b) Letters concerning Chivalry. 8vo. 1763. (\) Mallet, paffim. (k) Mallet, paffim. (I) They could not owe their rife either to the feudal fyftem or t the Crufades, becaufe they exifted long before either. Neither were the Romances of Chivalry tranfmitted to other nations from the Spaniards ; who have been fuppofcd to borrow them from the Moors, and thefc to have brought them from the eaft. Had this been the cafe, the firft French Romances in verfe would have been upon the fame fubjecls of thofe of the Spaniards : whereas the moft ancient metrical Romances in Spanifh have nothing in common with thofe of the French, Englifh, Sec. being altogether on Moorirti fubjefts; and the Spanifh Romances on the fubjecls of Charlemagne, Arthur, &c. arc chiefly in profe and of later date, being evidently borrowed from the French. AND BALLADS. v ancient Scalds of the north, long before the time of the Crufades. They believed the exiflence of Giants anil .Dwarfs (m), they had fome notion of Fairies (nj t they were ftrongly poffefled with the belief of fpells and inchantment (o}, and wf re fond of inventing com- bats with Dragons and Monfters (pj. We have a ftriking inftance of their turn for Chi- yalry and Romance, in the hiflory of King Regner Lodbrog, a celebrated warrior and pirate, who. reigned in Denmark about the year See (q). This hcrofigna- Jized his youth by an exploit of gallantry. A Svvcdiih prince had a beauti f ul daughter, whom he in trailed (probably during fome expedition) to the care of one of his officers, affigning allrongcaftle for their defence. The Officer fell in love with his ward, and detained her in his cattle, fpite of all the efforts of her father. Upon this he publimed a proclamation through all the neighbouring countries, that whoever would conquer the raviiher and refcue the Lady fhould have her in marriage. Of all that undertook the adventure, Rcgner alone was fo happy as to atchieve it : he delivered the fair captive, and obtained her for his prize. It hap- pened that the name of this difcourteous officer was ORME, which in the lilandic language iignifies.StR- PENT : Wherefore the Scalds, to give the more poetical turn to the adventure, reprefent the Lady as detained from her father by a dreadful Dragon, and that Regner b 3 flew French. Not but the Spaniards, like the other nations of Gothic race, had ab engine a turn for chivalry, which prepared them to receive and improve the Songs of the Moors, as well as thole of the French, &c. (m) Mallet. Defcript. of the Danes, vol. i. p. 36. vol. 2. pafTim. (n) Olaus Verel. ad Hervarer Saga. p. 44. 45. Hickes's Thofaur. v. 2. p. 311. Defcript. of the Ancient Danes, vol. 2. paflim. (i) Ibid. vol. i. p. 69, 37$, &c. vol. z, p. ai6, &c. (f) Rollofs Saga. Cap. 35. &c. (%) Saxo Gram. p. 152. 153 Mallet. Defcript. vol. r. p-321' vi ANCIENT SONGS flew the monfter to fet her at liberty. Even Regner himfelf, who was a celebrated poet, gives this fabulous account of the exploit in a poem of his own writing that is ftill extant, and which records all the valiant atchievements of his life (r). WITH marvelous embellifhments of this kind the Scalds early began to decorate their narratives : and they were the more lavifh of thefe, in proportion as they departed from their original inftitution, but it was a long time before they thought of delivering a fet of perfonages and adventures wholly feigned. Of the great multitude of romantic tales ftill preferved in the libraries of the North, moft of them are fuppofed to have had fome foundation in truth, and the more an- cient they are the more they are believed to be con- nected with true hiftory (f). It was not probably till after the hiftorian and the bard had been long difunited, that the latter ventured at pure fiction. At length when their bufinefs was no longer to inftruft or inform, but merely to amufe, it was no longer needful for them to adhere to truth. Then began fabulous and romantic fongs which for a long time prevailed in France and England before they had books of Chivalry in profe. Yet in both thefe countries the Minftrels ftill retained fo much of their original inftitution, as frequently to make true events the fubjeft of their Songs (t) ; and indeed, as during the barbarous ages, the regular hiftories were almoft all written in Latin by the Monks, the memory of events was preferved and propagated among the ig- (r) See a Tranflation of this poem, among the " Five pieces of " Runic Poetry," &c. (f) Vid. Mallet. Defcript. of the Manners, &c. ofthe Danes, paffim. (t) The Editor's MS. contains a multitude of poems of this latter kind. It was from this cuftom of the Minftrels that feme of our firft Hiftorians wrote their Chronicles in verfe, as Rob, of Gloucefter, Harding, c. A N D B A L L A D S. vii norant laity by fcarce any other means than the popu- lar Songs of the Minftrels. II. THE inhabitants of Sweden, Denmark, and Norway, being the lateft converts to Chriftianity, re- tained their original manners and opinions longer than the other nations of Gothic race : and therefore they have preferved more of the genuine compofitions of their ancient poets, than their fouthern neighbours. Among thefe the progrefs from poetical hiftory to poe- tical fiftion is very difcernible : they have fome of the latter kind, that are in effect complete Romances of Chivalry (u). They have alfo a multitude of SAGAsfxJor hiftories on romantic fubjedls, containing a mixture of profe and verfe, of various dates, fome of them written fince the times of the Crufades, others long before : but their narratives in verfe only are efteemed the more ancient. Now as the irruption of the NORMANS^ into France under Rollo did not take place till towards the begin- ning of the tenth century, at which time the Scaldic art was arrived to the higheft pitch in Rollo's native country, we can eafily trace the defcent of the French and Englifh Romances of Chivalry from the Northern Sagas. That conqueror doubtlefs carried many SCALDS with him from the north, who tranfmitted their fkill to their children and fucceffors. Thefe adopting the re- ligion, opinions, and language of the new country, fubftituted the heroes of Chriftendom infteacl of thofe of their Pagan anceftors, and began to celebrate the feats of Charlemagne, Roland, and Oliver ; whole b 4 true (u) See a Specimen in ad Vol. of Defcript. of the Mannei s of che Danes, &c. p. 248, &c. {x ) Eccardi Hift. Stud. Etym. 1711. p. 1795 &c. HickesVThe- faur. Vol. 2. p. 314. (y) i. e. NORTHERN MEN : being chiefly Emigrants' from Nor- %'ay, Denmark, &c. viii ANCIENT SONGS true hiflory they fet off and embellished with the Scaldic figments of dwarfs, giants, dragons, and inchantr ments. The rft mention we have in fong of thofe heroes of chivalry is in the mouth of a Norman warrior at the conqueft of England (z) : and this circumftance alone would fufficiently account for the propagation of this kind of romantic poems among the French and But this is not all ; it is very certain, that both the Anglo-faxons and the Franks had brought with them, at their farft emigrations into Britain and Gaul, the fame foiidntfs for the ancient fongs of their anceftors, which prevailed among the other Gothic tribesf^and th-at all their firll annals were tranfmitted in thefe po- pular oral poems. This fondnefs they even retained long after their conversion to (Jhriftianity, as we learn from the examples of Charlemagne and Alfred (b). Now POETRY, being thus the tranfmitter of fafts, would as cafily learn to blend them with fi&ions in France and England, as me is known to have done in the north, and that much fooner, for the reafons before affigned^V^. This, together with the example and influence of the Normans, will eafily account to us, why the firft Ro- mances ofrChivalry that appeared both in England and France (s) Seethe Account of TAILLETZR in Vol. i. Introd. (a)Jpfa CARMINA mtmor'ite mandabant, 6? prcelia initvri dieanta- bant j f "" memvria tarn fortium gtftorum a majtriius fatratorum ad imitar.onern animus adderttur* Jornandes de Gothii. (A^Ednhartus deCARoto MAGNO. "Item barbara & ar.tiquiffima CAKMINA, quibus -veterum regum afius & bdla canebantur, fcriffrt." c. 29. Afferius de /E LFRZDOMAGNO. "Rex inter bel!a, &c ..... Saxo- nicos libros rtcitare, & MAXIME CARMINA SAXONICA memoriter difcere, nms imferart, fif folus ajfidue pro -viribus, ftudlofijjimc Mn di- Jincbat" Ed. 1722. 8vo. p. 43. (c) See above, p. iii, vi, &c. AND BALLADS. ix France (d) were compofed in metre, as a rude kind of epic fongs. In both kingdoms tales in verfe were uiualJy lung by Minitrels to the harp on feilival occa- fions : and doubtlefs both nations derived their relifh for this fort of entertainment from their Teutonic an- ceftors, without either of them borrowing it from the other. Among both people narrative Songs on true or fictitious fubjecls had evidently obtained from the ear- Heft times. But the profeffed Romances of Chivalry feem to have been tirii compofed in France, where alio they had their name. The Latin Tongue, as is obferved by an ingenious writer (e}> ceaied to be fpoken in France about the ninth century, and was fucceeded by what was called the ROMANCE Tongue, a mixture of the language of the Franks and bad Latin. As the Songs of Chivalry became the moit popular compofitions in that language, they were emphatically called ROMANS or ROMANTS ; tho' this name was at riril given to any piece of poetry. The Romances of Chivalry can be traced as early as the eleventh century (f). The famous Roman de Brut by Mailtre Euftacbe was written in 1 155 : JJut this was by no means the firlt poem of the kind; others more ancient are ftill extant (g). And we have already feen, (d) The Romances on the fubjeft of PERCEVAL, SAN GRAAL, LANCELOT DU LAC, TRISTAN, &c. were among the firft that appeared in the French language in PP o SE, yet thefe were or'ginal- ly compofed in METR E : The Editor has in his pofiefion a very old French MS. in vcrfe, Containing Vandtn Roman de PERCEVAL, and metrical copies of the others may be found in the libraries of the curious. See a Note of Wanley's in Harl. Catalog. Num. 2252, p. 49, &C. Nicholfon's Eng. Hift. Library, 3d Ed. p. gi.&c. See alfo a curious collection of old French Romances, with Mr. Wanley's account of this fort of pieces, in Harl. MSS. Catal. 978. 106. (e) The Author of the Eflay on the Genius of Pope, p. 282. (f) Ibid. p. 183. Hift. Lit. Tom. 6. 7. (g) Voi Preface aux " Fabliaux fc Cpntes des Pcetes Francois " des xu, xiii, xiv, Sc xv fiecles, &c. Paris, 1756- 3 .Tom. ** jzmo." (A verj curious work.) x ANCIENTSONGS feen, that, in the preceding century, when the Nor- mans marched down to the battle of Haftings, they animated themfelves, by-finging (in fome popular ro- mance or ballad) the exploits of ROLAND an,d the other heroes of Chivalry (b). So early as this I cannot trace the Songs of Chivalry in Englifh. The moft ancient I have feen, is that of HORNECHILD defcribed below, which feems not older than the twelfth century. However, as this rather re- fembles the Saxon poetry, than the French, it is not certain that the firft Englifh Romances were tranflated from that language. We have feen above, that a pro- penfity to this kind of fiftion prevailed among all the Gothic nations (i) ; and, tho' after the Norman Con- queft, both the French and Englifh tranflated each others Romances, there is no room to doubt, but both of them compofed original pieces of their own. The (b ) Vid. fupra, Vol. I. Introd. p. xxvii, &c. Et vide. Rapin, Carte, &c. This Song of ROLAND (whatever it was) continued for fome centuries to be ufually fung by the French in their marches, if we may believe a modern French writer. " Un jour qu'on cbantoit " la CHANSON DE ROLAND, comme c*aalt Fufoge'dmula marches. " 11 y a long temps, dit IL, [John K. of France, who died in 1364.] e 5 e!>enf kyngHome. See Catalog. Karl. MSS. 2253. /. 70. The Language is almoft Saxon, yet from the mention in it of Sara- zens, it appears to have been written after fome of the Crufades. It begins thus, All heo ben b!yf;e Jsat to my fonj ylyjje: A fons ychulle ou Cnj Of Allof J3e sode kynge (x) &c. Another copy of this poem, but greatly altered and fomewhat modernized, is preferved in the Advocates. c 3 Library (x) \. e. May all they be blithe, that to my fong liften : A fone 1 fliall you fing, Of Allof the good king, &c. XXI I ANCIENT SONGS Library at Edinburgh, in a MS. quarto volume of old Englifh poetry [W. 4. i.J Num. XXXIV. in feven leaves or folios (b), intitled, Horn-child and Maiden Rinivel, and beginning thus, Mi leve frende dere, Herken and ye may here, 2. The Poem of Ipoth (or Tpctis] is preferved in the Cotton Library, Calig. A. ^. fo. 77. but is rather a re- ligious Legend, than a Romance. Its beginning is, He }?2t \vyll of wyfdome here Herkeneth nowe .ze may here Of a tale of holy vvryte Seyr.t Jon the Evangelyfte wytneHeth hyt. 3 The Romance of Sir Guy, was written before that of Bevis, being quoted in it (y). An account of this old poem is given below, pag. 100. To which it may be added, that two complete copies in MS. are preferv- ed. at Cambridge, the one in the public Library (x), the other in that of Caius College, Clafs A. 8. In Ames's Typog. p. 153. may be feen the firlt lines of the printed copy. The ift MS. begins, Sythe the tyme that God was borne. 4. Guy and Colbror.de, an old Romance irt three parts, is preferved in the Editor's folio MS. (p. 349.) It is in (b) In each full page of this Vol. are 44 lines, when the poem is in long metre : and 88, when the metre is fliort, and the page in z co- lumns. (y) Sign. K. 2. b. (x) For this and rnoft of the following, which are mentioned as preferred in the Public Library, I refer the reader to the Oxon C;ta-^ logue of MSS. 1697. vol. 2. pag. 394. in Appendix to Bp. Mue t MSS, No, 650. 33. fincc given to the Univerfity of Cambridge, AND BALLADS. xxUi in ftanzas of 6 lines, the firft of which may be feen in vol. 2. p. 163. beginning chus, Wlien rneate and driuke is great plentye. In the Edinburgh MS. (mentioned above) are two an- cient poems on the fubjetl of Guy of Warwick : viz. Num. XVIII. containing 26. leaves, and XX. 59 leaves. Both thefe have unfortunately the beginnings want- ing, otherwiie they would perhaps be found to be dif- ferent Copies of one or both the preceding articles. 5. From the fame MS. I can add another article to this lilt, viz. The Romance of Rembrun fon of Sir Guy ; being Num. XXI. in 9 leaves : this is pro- perly a Continuation of the Hiftory of Guy: and in Art. 3. theHift. of Rembrun follows that of Guy as a necell'ary Part of it. This Edinburgh Romance of Rembrun begins thus Jefu that erft of mighte moft Fader and fone and Holy Goft. Before I quit the fubjeft of Sir Guv, I mufl obferve, that if we may believe Dugdale in his Baronage, [vol. I. p. 243. col. 2.] the fame of our Englim Champion had in the time of Henry IV. travelled as far as the Eaft, and was no lefs popular among the Sarazens, than here in the Weft among the Nations of Chriften- doin. In that reign a Lord Beauchamp travelling to Jerufalem, was kindly received by a noble perfon, the Soldan's Lieutenant, who hearing he was defcend- ed from the famous Guy of Warwick, " whofe flory " they had in books of their own language," invited him to his palace ; and royally feafting him, prefent- ed him with three precious ftones of great value; be- ^des divers cloaths of filk and gold given to his fer- vants. c 4 6, The xxiv ANCIENT SONGS 6. The Romance of Syr Bevis is defcribed in pag. 216. of this vol. Two manufcript copies of this poem are extant at Cambridge; viz. in the Public Library (a), and in that of Caius Coll. Clafs A. 9. (5.) The firft of thefe begins, Lordyngs lyftenyth grete and (male. There is alfo a Copy of this Romance of Sir Bevis efHamptoun, in the Edinburgh MS. Numb. XXII. con- fifting of 25 leaves, and beginning thus, Lordinges kerkneth to mi tale, Is merier than the nightengale. The printed copies begin different from both: viz. Lyften, Lordinges, and hold you ftyl. 7. Libeaux (Libeaus, or, Lybius) Difccnius is pre- ferved in the Editor's folio MS. (pag. 317.) where the firft ilanza is, Jefus Chrift chriften kinge, And his mother that fweete thinge, Helpe them at their neede, That will liften to my tale, Of a Knight I will you tell, A doughtye man of deede. An older copy is preferved in the Cotton Library [Cal. A. 2. fol. 40.] containing innumerable varia- tions : the firft line is, Jefu Chrift our Savyour. 4, ,{a) No. 650. ^. 3I . Vid. Catalog. MSS. P . 394. AND BALLADS. xxV As for Blant'amoure, no Romance with this title has teen difcovered; but as the word occurs in that of Li- beaux, 'tis pofcble Chaucer's memory deceived him. 8. LeMorte Arthure, is among the Harl. MSS. 2252, 49. This is judged to be a tranflation from the French ; Mr. Wanly thinks it no older than the time of Hen. vii. but it feems to be quoted in Syr Bevis, (Sign. K. ij.b.) It begins Lordingcs, that are leffe and deare. In the Library of Bennet Coll. Cambridge, N. 351. is a MS. intitled in the Cat. Ada Arthuris Metrico An- gllcano, but I know not whether it has any thing ia common with the former. 9. In the Editor's Folio MS. are many Songs and Romances about King Arthur and his Knights, fome of which are very imperfedt, as K. Arthur and the king of Cornwall, (p. 24-) in ftanzas of 4 Lines, begin- ning Come here, my cozen Gawain fo gay. The Turke andGavoain, (p. 38.) in ftanzas of 6 'lines* beginning thus, Liften, Lords, great and fmall. Sir Lionel in diftichs (p. 32.) thus beginning, Sir Egrabell had Sonnes three. but thefe are fo imperfect that I do not make diftinat made both erj>e and hevene. 15. Emare, a very curious and ancient Romance, is preferved in the fame Vol. of the Cotton Library, f. 69. It is in ftan. of 6 lines, and begins thus, Jefu J3at ys kyng in trone. 16. Chevelereaffigne, or, The Knight of the Swan, preferved in the Cotton Library, has been already de- fcribed in Vol. 2. p, 272, as hath alfo 17. The ixviii ANCIENT S ON G S 1.7. The Sege of Jerlam, (or Jerufalem) which feem* to have been written after the other, and may not im- properly be clafTed among the Romances : as may alfo the following which is preferved in the fame volume : viz. 1 8. O--waine Myles, (fol. 90 ) giving an account of the wonders of St. Patrick's Purgatory. This is a tranflation into verfe of the itory related in Mat. Paris's Hill, (fub Ann. 1153.) It is in diftichs beginning thus, God f>at ys fo full of ftiyght. In the fame Manufcript are one or two other nar- rative poems, which might be reckoned among the Romances, but being rather religious Legends, I mall barely mention them ; as, Tundale, f. 17. Trentah Set Gregorii. f. 84. Jerome, f. 133. Eujlacbe. f. 136. 19. OSavian hnperator, an ancient Rtmance of Chivalry,. is in the fame vol. >,?rn has no- thing in common with the hllory of the Roman Emperors. It is in a very pecui'ar kind of Stanza, whereof i, 2, 3, & 5, rhyme tog^iher, as do the 4 and 6. It begins thus, Ihefu J>at was with fpere yftonge. Jn the public Library at Camb. ,(l>) is a poem with fiie fame title, that begins very differently Lyttyll and mykyll, olde and yongs. 20. E glamour of Arias (overlays) is preferved in the fame Vol. with the foregoing both in the Cotton Li- brary, and public Library at^Camb. It is alfo in the (b) No. 690. (30.) Vid. Oxon. Catalog. MSS. p. 394. Editor's AND BALLADS. xxix Editor's folio MS- p. 295- where it is divided into 6 Parts .A printed Copy is in the Bodleian Library, C. 39. Art. Seld. And zynong Mr. Garrick's old plays, K. vol. X. it is in diflichs, and begins thus, Ihefu Crift of heven kyng. 21. Syr Triam^re (in Man. of 6. Lines) is preferved in MS. in the Editor's folio Volume, p. 210. and in the public Library at Camb. (690. 29. Vid. Cat. MSS. p. 394.) Two printed Copies are extant in the Bodleian Library, and among Mr. Garrick's plays in the fame volumes with the lafl article. Both the Edi- tor's MS. and the printed Copies begin . Nowe Jefa Chiyfte our hsven kynge. The Cambridge Copy, thus, Heven blys that all fhall Wynne. 22. Sir Degree (Dcgare, or Degore, which la ft fecms ' the true title) in 5 Parts, in diflichs, is preferved in ths Editor's folio MS. p. 371. and in the public Library at Camb. (ubi fupra ) A '-printed Copy is in the Bod. Library, C. 39. Art. Seld. and amon^ Mr. Garrick's plays K. vol. IX. The Editor's MS. and the printed Copies begin Lordinge, and you \vyl holde you fiyl. The Cambridge MS. has it LyftenytH, lordyng^s, gente and fre. 23. Ipnmydotii (or Chylde Ipomydon) is preferved ajnong the Had. MSS. 2252. (44.) It is in diidchs and begins, Mekely, lordyngis, guntylle and fre. In xxx ANCIENTSONGS In the Library of Lincoln Cathedral. K k. 3. 10. is an old imperfect printed Copy, wanting the whole firft fheet A. 24. 'The Squyr of Lowe degre, is one of thofe bur- lefqued by Chaucer in his R. of Thopas (a} Mr. Gar- rick has a printed Copy of this, among his old plays, K. Vol. IX. It begins It was a fquyer of lovve degre, That loved the kings daughter of Hungre. 24. Hijiorye of K. Richard Cure [C That willen heren of battailes bold. 34. The King off art (Numb. iv. in 5 leaves and 1 a hal ) beginning thus, Herkneth to me bothe eld and zing, For Maries love that fwete thing. 35. A Tale or Romance, (Numb. i. 2 leaves), that wants both beginning and end. The firft lines now re- maining are, Th Erl him graunted his will y-wis. that the knicht him haden y told. The Baronriis that were of mikle pris. befor him thay weren y-cald. 36. Another mutilated Tale or Romance (Numb. in. 4 leaves). The firft lines at prefent are, To Mr Steward wil y gon. and tellen him the fothe of the Refeyvcd bcftovr fone anon, gif zou will ferve and with hir be. 37. A mutilated Talc cr Romance (Numb. ::i. in 13 leaves). The two mil lines that occur are, That richa Douke his feft gan hold With Erls and with Baronns bold. I cannot conclude my account of this curious Ma- nufcript, without acknowledging publicly, that I am indebted to the friendmip of the Reverend Dr. BLAIR, the prefent ingenious Profeffor of Deltes Lettres in the Univerfity of Edinburgh, for whatever I know of its contents, and for the important addi- tions it has enabled me to make to the foregoing Lift. T. THE BOY AND BALLADS. I. THE BOY AND THE MANTLE, // printed verbatim from the old MS defcribed in the Preface. The Editor Believes it more ancient, than it will appear to be at fir ft fight ; the tranfcriber of that ma- vufcript halving reduced thi orthography and ftyls in many inftances to the ftande.rd of his own times. , The incidents of the MANTLE and the KNIFE have not, that I can recollect, betn borroivedfrom any other writer. The former of thefe evidently fuggejted to Spenfer his conceit of FLORIMEL'J GIRDLE. B. iv. C. 5. St. 3. "That girdle gave the virtue of chafte love And wivehooa true to all that did it bears j But wbe/bKVtr contrarie dcth prove, Might not the fame about her middle weare, Rut it would loofe or elfe afunder teare. So it happened to the falfe Florimel, ft. 1 6, when Being brought, about her middle fmall They thought to gird, as beft it her became, Jint by no means they could it thereto frame, For ever as they f aft ned it, it loos' * d And fell avjay, as feeling fecret blame, &c. That all men wondrcd at the uncouihjtght And each one thought as to their fancies came. B-ut Jhe herfelf did think it done for fpight, And touched *was with jecret vjrath and Jh ante Therewith, as thing deviz'd her to defame : Then Many other ladies likevoife tride About their fender loynes to knit the fame, But it *would not on none of than abide, , ut when they thought it f aft, eftfooties it and was probably compofed for that occajlon. In a letter defcribing thofe fefti- fuities, it is thus mentioned; " A minftral came forth 'with " afollem Jong, warranted for ftory out of K. Arthur's " afts, whereof I gat a copy, and is this ; So it fell out on a Pentecoft ffr." After the fong the narrative proceeds: " At this the " Minftrell made a paufe and a curtezy for primus paffus. *' More of the fong is tkear, but I gatt it not." 'The ftory in Morte Arthur, whence it is taken, runs at follows, " Came a meffenger haftely from king Ryence of " North-Wales, - -faying, that king Ryence bad difcomfited " and overcomen eleaven kings, and ever ic he of them did * ' him homage, and that 'was this ; they gave him their " beards cleane flayne off, - wherefore the mejjenger came * ' for king Arthur's beard, for king Ryence had purfeled a 11 manteU with kings beards, and there lacked for one " place of the mantell, wherefore he fent for his beard, or " elfe he 'would enter into his lands, and brenn and Jlay t ** and never leave till he have thy head and thy beard. " Well, faid king Arthur, thou haft faid thy mejjage, " which is the moft villainous and lew deft mej/age that tl ever man heard Jent to a king. Alfo thou may eft fee my " beard is full young yet for to make a purfell of, but tell " thou the king that - or it be long hejhalldo to me homage " on both his knees, or elfe he Jhall leefe his head.'" [B. i. c. 24. See alfo the fame Romance, B. I. c. 92.] The thought feems to be originally taken from Jeff'. Mon- mouth's hift. B. IO. c. 3. which is alluded to by Dray- ton in his Poly-Olb. Song 4. and by Spencer in Faer. )u. 6. I, 13, 15. Seethe Obfervatiom on Sfenfer, vol. 2. p. 22-?. 26 ANCIENTSONGS The following text is compofed of the left readings fe- leftedfrom three different copies. The Jirft in Enderbie'i Cambria Triumphant, p. 197. The fecond in the Letter abo f uementioned. And the third inferted in MS. in a copy of Morte Arthur, 1632, in the Bodl. Library. " Stow tells us, that king Arthur kept his round " table at " diverfe places, but efpecially at Carlion, Win- " chefter, and Camalet in Somerfetfhire. This Ca- " melet fometimes a famous to-iJune or caftle, is Jltuate on " a very high tor or hill, &c." [See an exatt defcrip- tisn in Stewe's Annals, Ed. 1 63 1./. 55.] AS it fell out on a Pentecoft day, King Arthur at Camelot kept his court royall, With his faire queene dame Guenever the gay ; And many bold barons fitting in hall ; With ladies attired in purple and pall ; And heraults in hewkes, hooting on high, Cryed, Largefse, Largefse, Chevaliers tres-hardie. A doughty dwarfe to the uppermoft deas Right pertlye gan pricke, kneeling on knee, With fteven fulle ftoute amids all the preas, Sayd, Nowe fir king Arthur, God fave thee, and fee ! Sir Ryence of North-gales greeteth well thee, And bids thee thy beard anon to him fend, Or elfe from thy jaws he will it off rend. For his robe of ftate is a rich fcarlet mantle, With eleven kings beards bordered * about, Largefse, Largefse, The heralds refunded tbefe -words as oft as tbey reui-ved of the bounty of the knigbti. See " Memoir es de la Chcvalerie" torn. p. I. W.TbeexpreffionisJIMufedin the form of Injlalling knights tf:bs garter. * Perbaps 'broidered : fo " purfelled" fignifes. And AND BALLADS. 27 And there is room lefte yet in a kantle, For thine to ftande, to make the twelfth out : This muft be done, be thou never fo ftout ; This muft be done, I tell thee no fable, Maugre the teethe of all thy round table. When this mortal meflage from his mouthe pafl, Great was the noyfe bothe in hall and in bower : The king fum'd; the queene fcreecht; ladies were aghaft ; Princes puffd ; barons bluftred ; lords began lower; Knights ftormed ; fquiresftartled, like fteedsin a flower j Pages and yeomen yell'd out in the hall, Then in came fir Kay, the ' king's' fenefchal. Silence, my foveraignes, quoth this courteous knight, And in that ftound the ftowre began ftill : ' Then' the dwarfe's dinner full deerely was dight, Of wine and wafTel he had his wille ; And, when he had eaten and drunken his fill, An hundred pieces of fine coyned gold Were given this dwarf for his meflage bold. But fay to fir Ryence, thou dwarf, quoth the king, That for his bold meflage I do him defye ; And fhortlye with bafins and pans will him ring Out of North-gales ; where he and I With fwords, and not razors, quickly fhall trye, Whether he, or king Arthur will prove the beft barbor; And therewith he Ihook his good fword Excalabor, IV. 48 ANCIENT SONGS IV. KING ARTHUR'S DEATH. A FRAGMENT. tfhe fuljett of this ballad is evidently taken from the old romance Mqrte Arthur, but with feme 'variations, efpecially in the concluding ftanzas ; in which the author Jeetns ra- ther to follow the traditions of the oldWelJh Bards, ivho tl believed that King Arthur was not dead, but conveied " awaie by the Fairies into jome pleafant place, where he " Jhould remains for a time, end thsn returne againe and " reign in as great authority as ever." Holingjhed. B. 5. c. 14. or as it is exprej/ed in an old Chronicle printed at Antwerp 1493 fy Ger. de Leew, " The Bre- " tons fuppofen, that he \K. Arthur\ jhallcome yet and *' conquer e all Breiaigne, for certes this is the prophicye of " Merlyn : He fay d, that his dethjhall be doubteous ; and " fayd joth, for men thereof yet have doubt e, and Jhullenfor " ever more, -for men ivyt not whether that he lyvetb *' or is dede" See more ancient testimonies in Selden's Notes on Polyolbion, Song III. This fragment being very incorrefl and imperfeSl in the original MS. hath received fame conjectural emendations, and even a fupplement of ^ or 4 ftanzas compofed from the ro^ mance o'MoRTE ARTHUR, ON Trinitye Mondaye in the morne, This fore battayle was doom'd to bee ; Where manye a knighte cry'd, Well-awaye ! Alacke, it was the more pittie. Ere AND BALLADS. 29 Ere the firft crowinge of the cocke, 5 When as the kinge in his bed laye, He thoughte fir Gawaine to him came, And there to him thefe wordes did faye. Nowe as you are mine unkle deare, And as you prize your life, this daye I O meet not with your foe in fighte ; Putt off the battayle, if yee maye. For fir Launcelot is nowe in Fraunce, And with him many an hardye knighte : Who will within this moneth be backe, j$ And will aflifte yee in the fighte. The kinge then call'd his nobles all, Before the breakinge of the daye ; And tolde them howe fir Gawaine came, And there to him thefe wordes did faye. 20 His nobles all this counfayle gave, That earlye in the morning, hee Shold fend awaye an herauld at armes, To alke a parley faire and free. Then twelve good knightes king Arthure chofe, 25 The beft of all that with him were : To parley with the foe in field, And make with him agreement faire. The ANCIENT SONGS The king he charged all his hofte, In readinefTe there for to bee : 3* But noe man fholde noe weapon fturre, Unleffe a fword drawne they fhold fee. And Mordred on the other parte, Twelve of his knights did likewife bringe ; The befte of all his companye, 35 To hold the parley with the kinge. Sir Mordred alfoe charged his hofte, In readinefle there for to bee ; But noe man fholde noe weapon fturre, But if a fworde drawne they fhold fee. 49 For he durfte not his unkle trufte, Nor he his nephewe, fothe to tell : Alacke ! it was a woefulle cafe, As ere in Chriftentye befelle. But when they were together mette, 45 And both to faire accordance broughte ; And a month's league betweene them fette, Before the battayle fholde be foughte. An addere crept forth of a bufhe, Stunge oneo'th' king's knightes on the knee : 50 Alacke ! it was a woefulle chance, As ever was in Chriftentie. When ANDBALLADS. 31 When the knighte found him wounded fore, And fawe the wild-worme hanginge there ; His fworde he from his fcabberde drewe : 55 A piteous eafe as ye mail heare. For when the two hoftes fawe the fworde, They joyned battayle inftantlye ; Till of foe manye noble knightes, On one fide there were left but three. 60 For all were flain that durft abide, And but fome fewe that fled awaye : Ay mee ! it was a bloodye fielde, As ere was foughte on fummer's daye. Upon king Arthur's own partye, 65 Onlye himfelfe efcaped there, And Lukyn duke of Glofter free, And the king's butler Bedevere. And when the king beheld his knightes, All dead and fcattered on the molde ; 70 The teares faft trickled downe his face j That manlye face in fight fo bolde. Nowe refte yee all, brave knights, he faid, Soe true and faithful to your truft : And muft yee then, ye valiant hearts, 75 . Be lefte to moulder into duft ! Moft 2 32 ANCIENT SONGS Moft loyal have yee been to mee, Moft true and faithful unto deathe : And, oh ! to rayfe yee up againe, How freelye could I yield my breathe ? 8c But fee the traitor's yet alive, Lo where hee ftalkes among thedeade ! Nowe bitterlye he fhall abye : And .vengeance fall upon his head. O ftaye, my liege, then fayd the duke; 8$ ftaye for love and charitie ; Remember what the vifion fpake, Nor meete your foe, if it may bee. O, ftaye mee not, thou worthye wight, This debt my loyal knights I owe : 90 Betide me life, betide me death, 1 will avenge them of their foe. Then ftraite he grafp'd his truftye fpeare, And on his horfe then mounted hee : As his butler holpe him to his horfe, 9,5 His bowels gufhed to his knee. Alas I then fayd the noble king, That I fhould live this fight to fee ! To fee this good knight here be flaine, All for his love in helping mee 1 100 He AND BALLADS. 33 He put his fpeare into his relte, And to fir Mordred loud gan crye ; Nowe fette thyfelf upon thy guarde, For, traitor, nowe thy death is nye. Sir Mordred lifted up his fworde, 105 And fierce to meet the king ran hee : The king his fpeare he through him thruft j A fathom thcrow his bodie. When Mordered felt the ftroke of death, And found that he was wounded foe ; no He thrufte himfelfs upon the fpeare, And ftrucke die king a deadlye blowe. Then grimmlye dyed fir Mordered, Prefentlye upon that tree : And bloody ftreames ranne from the kinge, 115 Ere to the duke returned hee. Sir Lukyn then he thus befpake, Sir knighte, thou haft beene faithfulle tryde, Nowe take my fword Excalibar, That hangs fo freelye by my fyde. 120 O take my fword Excalibar, And there into the river thrc-.ve : .For here, henceforth, benethe this tree, All ufe of weapons I foregoe. VOL. III. D And 34 ANCIENT SONGS And fare thee well, thou truftye fword, 125 A better neer had valiant knighte, With thee full ofte, and manye a daye, Have I withftood my foe in fighte. With this good fauchion in my hande, Oft have I reapd the bloody feelde : 1 30 Bat nowe the fatalle houre is come, That never more I may thee weelde. The duke then to the river went, And there his ovvne fword in threwe hee : But he kept back Excalibar, 135 He kept it back in privitee. For all of coleyne was the blade ; And all the hflte of precious ftone : And ever alacke ! then fayd the knighte, Muft fuch a fword awaye be throwne ? 140 Then backe he came unto the kinge, Who fayd, Sir Lukyn, what did yee fee ? Nothing, my liege, fave that the winde Blewe oer the waters faire and free. O goe againe, then faid the kinge, 145 O good fir Lukyn, goe againe : Into the rivere throvve my fword, Nor keepe me lingering here in painc. 3 The A N D B A L L A D S. 35 The duke then to the river went, And the kings fcabberd in threwe hee ; 150 But hee kept backe Excalibar, And hid it undernethe a tree. Then backe he came to tell the kinge, Who fayde, Sir Lukyn fawe ye oughte ? Nothinge, my liege, fave that the winde 155 Nowe with the angrye waters fought. O Lukyn, Lukyn, faid the kinge, Twice hafte thou dealt deceytfullye : Alacke, whom may wee ever trufte, When fuche a knighte foe falfe can bee ? 1 60 Saye, wouldft thou have thy mafter dead ; All for a fword, that wins thine eye : Nowe goe againe, and throwe it in, Or here the tone of us mall dye. The duke, all fhent with this rebuke, ,165 No aunfwere made unto the kinge : But to the rivere tooke the fworde, And threwe it far as he coulde flinge. A hande and an arme did meete the fworde, And flourifhd three times ,in the air ; 170 Then funke benethe the renninge ftreme, And of the duke was feene noe mair. D 2 All ANCIENT SONGS All fore aftonied flood the duke ; He flood as ftill, as ftill mote bee : Then haftend backe to telle the kinge ; 175 But he was gone from benethe the tree. Unto what place he colde not telle, For never after he did him fpye : But hee fawe a barge goe from the lande, 180 And hee heard ladyes howle and crye.f And whether the kinge were there, or not, Hee never knewe, nor ever colde : For from that fad and direfulle daye, 185 Hee never more was feene on molds. Ver. I7 S. fee .MS. -J- Not unlike that fa/age in Vi R G 1 1. . Summoque ulularunt vertice nymphse. Ladies was the word our old Englifh writers ufed for Nymphs : As in the following lines of an old fong in the Editor's MS colleflion. " When fcorcbing Phoebus he did mount, " Then Lady Venus went to hunt : " To who?n Diana did refort, " With all the Ladyes of hills, and valleys, " f firings, andfaodes, &c. V. T H E AND BALLADS. 37 V. THE LEGEND OF KING ARTHUR. We have here a Jhort fummary of K. Arthur's Hiflory as given by J?Jf' of Monmouth and the old chronicles, ivith the addition of a fe-~w circumftances from the romance Morte Arthur. The ancient chronicle of Ger. de Leevj, (quoted above in p. 2%.} feems to have been chiefly followed: upon the authority of vjhich ive have reftored fome of the names ivbicb 'were corrupted in the MS. and have tranf- pofed one jlanza, 'which appeared to be mifplaced. [viz. that beginning at v. 49. which in the MS. followed vsHT 't?id LnA. . [.-'A XVTI. [ *** *Mt I ' THE LADY TURNED is given from a written copy, containing fame improve- ments, (perhaps modern oyesj upon the old popular ballad, intitled, " The famous flower of Serving-men : or the tf L ady turned Serving-man . ' ' YO U beauteous ladyes, great and fmall, I write anto you one and all, Whereby that you may underftand What I have fuffered in the land. I was by birth a kdy faire, '& An ancient barons only heire, And when my good old father dyed, Then I became a young knightes bride. And there my love built me a bower, Bedeck'd with many a fragrant flower ; 1O "A braver bower you ne'er did fee Then my true-love did build for mee. And there I livde a ladye gay, Till fortune wrought our loves decay; For there came foes fo fierce a band, ;..lj That foon they over-run the land. G z They 84. ANCIENT SONGS They came upon us in the night, And brent my bower, and flew my knight ; And trembling hid in mans array, I fcant with life efcap'd away. 2* In the midft of this extremitie, My fervants all did from me flee : Thus was I left myfelf alone, With heart more cold than any ftone, Yet though my heart was full of care, 25 Heaven would not fuffer me to difpaire, Wherefore in hafte I chang'd my name From faire Elife, to fweet Williame : And therewithall I cut my haire, Refolv'd my man's attire to weare; 30 And in my beaver, hofe and band, I travell'd far through many a land. At length all wearied with my toil, I fate me downe to reft awhile ; My heart it was fo fill'd with woe, 35 That downe my clieeke the teares did flow. It chanc'd the king of that fame place With all his lords a hunting was, And feeing me weepe, upon the fame Afct who I was, and whence I came. 4 Then AND BALLADS. 85 Then to his grace I did replye, I am a poore and friendlefse boye, Though nobly borne, nowe forc'd to bee A ferving-man of lowe degree. Stand up, faire youth, the king reply'd, 45 For thee a fervice I'll provyde ; But tell me firfl what thou canft do, Thou ihalt be fitted thereunto. Wilt thou be ufiier of my hall, To wait upon my nobles all? 50 Or wilt be taller of my wl .ie, To 'tend on me when I fhall dine ? Or wilt thou be my chamberlaine, About my perfon to remaine ? Or wilt thou be one of my guard, 55 And I will give thee great reward ? Chufe, gentle youth, faid he, thy place. Then I reply'd, if it pleafe your grace, To mew fuch favour unto mee, Your chamberlaine I faine would bee. ^o The king then fmiling gave confent, And ftraitwaye to his court I went ; Where I behavde fo faithfullie, That hee great favour fhowd to mee. G 3 New 86 ANCIENT SONGS Now marke what fortune did provide ; 65 The king he would a hunting ride With all his lords and noble traine, Sweet William inuft at home remainc. Thus being left alone behind, My former flate came in my mind, 70 I wept to fee my mans array, No longer now a ladye gay. And meeting with a ladyes veft, Within the fame myfelf I dreft With filken robes, and jewels rare, 75 I deckt me as a ladye faire. And taking up a lute ftraitwaye, Upon the fame I ftrove to play, And fweetly to the fame did fing, *As made both hall and chamber ring. 80 *' My father was as brave a lord, '* As ever Europe did afford ; " My mother was a lady bright ; " My hufband was a valiant knight : " And I myfelf a ladye gay, 85 " Bedeckt with gorgeous rich array ; " The happiefl lady in the land, " Had not more pleafure at command. " I had ANDBALLADS. 87 " I had my muficke every day " Harmonious leflbns for to play; 90 " I had my virgins fair and free, " Continually to wait on mee. " But now, alas! my hufband's dead, " And all my friends are from me fled, " My former days are paft and gone, 95 *' And I am now a ferving-man." And fetching many a tender figh, As thinking no one then was nigh, In penfive mood I laid me lowe, My heart was full, the tears did flowe. 100 The king, who had a huntinge gone, Grewe weary of his fport anone, And leaving all his gallant traine, Turn'd on the fudden home againe : And when he reach'd his ftatelye tower, 105 Hearing one fing within his bower, He ftopt to Men, and to fee Who fung there fo melodiouflie. Thus heard he everye word I fed, And fawe the pearlye teares I fhed, 1 10 And found to his amazement there, Sweete William was a ladye faire. G 4 Then ANCIENT SONGS Then ftepping in, Faire ladye, rife, And dry, faid he, thofe lovelye eves, For I have heard thy mournful tale, f 15 The which fhall turne to thy availe. A crimfon dye my face orefpred; I bluftit for fliame, and hung my head, To find my fex and ftory knowne, When as I thought I was alone. I zo Bat to be briefe, his royall grace Grewe foe enamour'd of my face, The richefl gifts -he proffered mee, His miftrefs if that I would bee. Ah! no, my liege, I firmlye fayd, 125 I'll rather in my grave be layd, And though your grace hath won my heart, 1 ne'er will a& foe bafe a part. Faire ladye, pardon me, fayde hee, Thy virtue fhall rewarded bee, 130 And fmce it is foe fairly tryde Thou fhalt become my royal bride. Then ftrait to end his amorous ftrife, He tooke fweet William to his wife ; The like before was never feene, J35 A ferving-man became a qneene. xvm. GIL AND BALLADS. 89 xvm. GIL MORRICE. A SCOTTISH BALLAD. *The following piece has lately run thro 1 two tditions in Scotland: the fecond was printed at Glafgow in 1755. Sw. Prefixed to them both is an advertifement, fetting forth that the prefervation of this poem was owing " to a lady, who " favoured the printers with a copy, as it was carefully " collected from the mouths of old women and nurfes ;" And " any reader that can render it more corntJ or complete " is defered to oblige the public with fuch improvements. Incon- fequence of this advertifement Jixteen additional verfes have teen produced and handed about in manufcript, which are here inferted in their proper places : (thefe are from ver. 109. to ver. 121. and frontier. 124. to ver. 129. and are perhaps after all only an ingenious interpolation.) As this poem lays claim to a pretty high antiquity >> we have afligned it a place among our early pieces : though, after all, there is reafon to believe it has received very considerable modern improvements : for in the Editor's ancient MS col- leflion is a very old imperfetl copy of the fame ballad .- wherein though the leading features ofthejtory are the fame ^ yet the colouring here is fo much improved and heightened^ find fo many additional ftrokes are thrown in, that it it evident the whole has undergone a revifal. N. B. The Editor's MS infteadof lord Barnard", has *' John Stewart"; and injieadof " G/7 Morrice", CHILD MAURICE, which laft is probably the original title. Set above p. 54. GI L Morrice was an erles fon, His name it waxed widej 90 ANCIENT SONGS It was nae for his great riches, Nor zet his mickle pride; Bot it was for a lady gay, That livd on Carron fide. Quhair fall I get a bonny boy, That will win hofe and fhoen ; That will gae to lord Barnards ha', And bid his lady cum ? ie And ze maun rin errand Willie ; And ze may rin wi' pride ; Quhen other boys gae on their foot, On horfe-back ze fall ride. O no ! Oh no ! my matter dear ! 15 I dare nae for my life ; I'll no gae to the bauld barons, For to trieft furth his wife. My bird Willie, my boy Willie ; My dear Willie, he fayd: 20 How can ze ftrive againft the flream ? For I mall be obeyd. Bot, O my mafter dear ! he cryd, In grene wod ze're zour lain ; Gi owre fie thochts, I walde ze rede, 25 For fear ze mould be tain. Hafte, hafte, I fay, gae to the ha', Bid hir cum here wi' fpeid : If Vtr. 1 1. fometb'tng feems ivantlng here. AND BALLADS. 91 Ff ze refufe my heigh command, 111 gar zour body bleid. 30 Gae bid hir take this gay mantel, 'Tis a' gowd bot the hem ; Bid hir cum to the gude grene wodt, And bring nane bot hir lain : And there it is, a filken farke, 35 Hir ain hand fewd the fleive ; And bid hir cum to Gill Morice, Speir nae bauld barons leave. fcr>w 3^3 afciij ylinj,,- .jttit M ,*atiQ. . Yes, I will gae zour black errand, Though it be to zour coft ; 40 Sen ze by me will nae be warn'd, In it ze fall find froft. The baron he is a man of might, He neir could bide to taunt, As ze will fee before its nicht, 45 How fma' ze hae to vaunt. . And fen I maun zour errand ria Sae fair againft my will, I'fe mak a vow and keip it trow, It fall be done for ill. 50 And quhen he came to broken brigue, He bent his bow and fwam ; And quhen came to grafs growing, c-3 v;!--- Set down his feet and ran. And i ANCIENT SONGS Andquhen he came toEarnards ha', 55 Would neither chap nor ca' : Bot fet his bent bow to his breift, And lichtly lap the wa'. He wauld nae tell the man his errand, Though he ftude at the gait ; 60 Bot ftraiht into the ha' he cam, Quhair they were fet at meit. Hail ! hail ! my gentle fire and dame ! My mefTage winna waite ; Dame, ze maun to the gude grene wod 65 Before that it be late. Ze're bidden tak this gay mantel, Tis a' gowd bot the hem : Zou maun gae to the gude grene wode, Ev'n by your fel alane. 70 And there it is, a filken farke, Your ain hand fewd the fleive ; Ze maun gae fpeik to Gill Morice ; Speir nae bauld barons leave. The lady ftamped wi' hir foot, 7^ And winked wi' hir ee ; Bot a' that me coud fay or do, Forbidden he wad nae bee. Its furely to my bow'r-woman ; It neir could be to me. 80 I brocht AND BALLADS. 93 I brocht it to lord Barnards lady ; I trow that ze be fhc. Then up and fpack the wylie nurfe, (The bairn upon hir knee) If it be cum frae Gill Morice. 85 It's deir welcum to mee. y#3i> SrunqtJ> aaftoi s*:I eqqil till Ze leid, ze leid, ze filthy nurfe, Sae loud's I heire ze lee ; I brocht it to lord Barnards lady ; I trow ze be nae Ihee. 90 Then up and fpack the bauld baron, An angry man was hee ; He's tain the table wi' his foot, Sae has he wi' his knee ; Till filler cup and ezar difh 95 In flinders he gard fiee. Gae bring a robe of zour eliding, That hings upon the pin ; And I'll gae to the gude grene wode, And fpeik wi' zour lemman. ICO O bide at hame, now lord Barnard, I warde ze bide at hame ; N eir wyte a man for violence, That neir wate ze wi' nane. Per. 88. Perhaps, loud fay I heire. Gil 94 A N C I EN T SONGS Gil Morice fate in gude grene wode, 105 He whittled and he fang : O what mean a' the folk coming, My mother tarries lang. His hair was like the threeds of gold, jilt Dravvne frae Minervas loome : no His lipps like rofes drappingdew, His breath was a' perfume. . His brow was like the mountain fnae Gilt by the morning beam : 13 I His cheeks like living rofes glow : 115 His een like azure ftream. The boy was clad in robes of grene, Sweete as the infant fpring : And like the mavis on the bum, He gart the vallies ring. 120 The baron came to the grene wode, Wi' mickle dule and care, And there he firft fpied Gill Morice Kameing his zellow hair : 'iw That fweetly wavd around his face, 1 2 5 That face beyond compare : He fang fae fweet it might difpel, A' rage but fell difpair. Nae Ver. 128. Soltflton, Verr.al delight ar.d joy : able to drive All fadncfi but defpalr. B. iv, v. 155, AND BALLADS. gy Nae wonders nae wonder, Gill Morice, - My lady loed thee weel, 130 Thefaireft part of my body' Is blacker than thy heel. Zet neir the lefs now, Gill Morke, For a* thy great bewty\ '-- Ze's rew the day ze eir was born ; 135 That head fall gae wi' me. : ; ornsrfi ban mi'sbbrm W Now he has drawn his trufty brand, And flaited on the ftrae ; And thro' Gill Morice' fair body* He's gar cauld iron gae. 140 And he has tain Gill Morice' head And fet it on a fpeir : The meanelt man in a' his train Has gotten that head to bear. rj raiijkxxbuiM ufT^jrftJMiA And he has tain Gill Morice up, 145 Laid him acrofs his fteid, And brocht him to his painted bowr And laid him on a bed. The lady fat on caftil wa', Beheld baith dale and doun ; - 150 And there fhe faw Gill Morice' head Cum trailing to the toun. J*iK3ift*ft 300 *n UndO ' Far better I loe that bluidy head, Bot and that zellow hair, 3 Than > ANCIENT SONGS Than lord Barnard, and a' his lands, 155 As they lig here and thair. And {he has tain her Gill Morice, And kifsd baith mouth and chin : I was once as fow of Gill Morice, As the hip is o' the ftean. tfrfj '* 160 ' * ;, " '-;' I got ze in my father's houfe, Wi' mickle fin and lhame ; I brocht thee up in gude grene wode, Under the heavy rain : Oft have I by thy cradle fitten, 165 And fondly feen thee fleip ; Bot now I gae about thy grave, The faut tears for to weip. And fyne me kifsd his bluidy cheik, And fyne his bluidy chin: 170 O better I loe my Gill Morice Than a' my kith and kin 1 Away, away, ze ill woman, And an il deith mait ze dee : Gin I had kend he'd bin zour fon, 175 He'd neir bin ilain for mee. Obraid me not, my lord Barnard J Obraid me not for fhame ! \Vi that faim fpeir O pierce my heart ! And put me out o' pain. 180 Since A N D B A L L A D S. 97 Since nothing hot Gill Morice head Thy jelous rage could quell, Let that faim hand now tak hir life, That neir to thee did ill. To me nae after days nor nichts 185 Will eir be faft or kind ; I'll fill the air with heavy fighs, And greet till I am blind. Enouch of blood by me's bin fpilt, Seek not zour death frae mee ; 190 I rather lourd it had been my fel Than eather him or thee. With waefo wae I hear zour plaint ; Sair, fair I rew the deid, That eir this curfed hand of mine lor Had gard his body bleid. Dry up zour tears, my winfom dame, Ze neir can heal the wound ; Ze fee his head upon the fpeir, His heart's blude on the ground. 200 I curfe the hand that did the deid, The heart that thocht the ill ; The feet that bore me wi' fik fpeid, The comely zouth to kill. I'll ay lament for Gill Morice, 205 As gin he v/ere my ain ; VOL. in. H I'll ANCIENT SONGS, I'll neir forget the dreiry day On which the zouth was fiain.* * The foregoing ballad is faid to have fur nijhed tht plot to the tragedy of DOUGLAS. // may be proper to mention that other copies read fuer* no. thus " S hot frae the golden fun." Andver. 116. as follows " His een like azure Jheene." THE END OF THE FIRST BOOK. SONGS AND BALLADS, SERIES THE THIRD. BOOK II. THE LEGEND OF SIR GUY contains a Jhort fummary of the exploits of tbtt famous champion, as recorded in the old ftory books j and is commonly intitled, " A pleafant fong of the valiant deeds " of chivalry atchieved by that noble knight fer Guy of " Warwick, who, for the love -of fair Phelis, became a H 2 '^hermit, ioo ANCIENT SONGS " hermit, and dyed in a cave of craggy rocke, a mile " dijtantfrom Warwick." ' The hiftory ofjir Guy, tbo 1 now very properly rejigned to , children, was once admired by all readers of wit and tafte : for tafte and wit bad once their childhood. Tho 1 ofEygliJh growth, it was early a favourite with other nations : it ap- peared in French in 1525 .' and is alluded to the old Spanijh romance Tirante el bianco, i bus VIL SIR JOHN GREHME AND BARBARA ALLAN. A SCOTTISH BALLAD. Printed, nitb a. few conjeSlural emendations, from 4 . written copy. IT was in and about the Martinmas time, When the greene leaves wer a fallan ; That Sir John Grehme o' the weft countrye, Fell in luve wi' Barbara Allan. He fent his man down throw the towne, t To the plaice wher me was dwellan : O hafle and cum to my maifter deare, Gin ye bin Barbara Allan. VOL. Ill K O hooly 130 ANCIENT SONGS O hooly, hooly, raife me up, To the plaice wher he was lyan ; i o And whan fhe drew the curtain by, Young man, I think ye're dyan* O its I'm fide, and very very fick, And its a' for Barbara Allan : O the better for me yeYe never be, 15 Though your harts blude wer fpillan. Remember ye nat in the tavern, fir, Whan ye the cups wer fillan ; How ye maide the healths gae round and round, And flighted Barbara Allan ? 20 He turn'd his face unto the wa* And death was with him dealan ; Adiew ! adiew ! my dear friends a% Be kind to Barbara Allan. Then hooly, hooly, raife me up, 25 And hooly, hooly left him ; And fighan faid, foe could not ftay, Since death of life had reft him. She had not gane a mile but twa, Whan fhe heard the deid-bell knellan ; 30 And everye jow live deid-bell geid, Cried, wae to Barbara Allan ! * An ingenious friend thinks the rhymes Dyanii and Lyand ought to be tranfpofed j as theUuut Ywnp man, Itbir.kyere'-tyand, would tc A tf D B A L L A D g 131 O mither, mither, mak my bed, O mak it faft and narrow : Since^my luve died for ie to day* 35 Ife die for him to morrowe. : : C'jdT. VIIL THE BAILIFF'S DAUGHTER OF ISLINGTOK. From an ancient black-letter copy in the Pepys Collection, "with fome improvements communicated by a lady as (he had heard the fame recited in her youth. The full title is " True *' love requited : Or, the Bailiffs daughter of IJlingten" ISLINGTON in Norfolk is prolably the place here meant. THere was a youthe, and a well-beloved youthe* And he was a fquires fon : He loved the bayliffes daughter deare, That lived in Iflington. Yet flie was coye and wo aid not believe That he did love her foe, Noe nor at any time would me Any countenance to him fhowe. K * Bat I 3 2 ANCIENT SONGS But when his friendes did underftand His fond and foolifh minde, 10 They fent him up to faire London An apprentice for to bindc. And when he had been feven long yeares, And never his love could fee : Many a teare have I fhed for her fake. 1 5 When fhe little thought of mee. Then all the maids of Iflington Went forth to fport and playe, All but the bayliffes daughter deare ; She fecretly ftole awaye. 20 She pulled off her gowne of greene, And put on ragged attire, And to faire London me would go Her true love to enquire. And as fhe went along the high-road, 25 The weather being hot and drye, She fat her downe upon a green bank, And her true love came riding bye. She ftarted up, with a colour foe redd, " Catching hold of his bridle-reine ; 30 One penny, one penny, kind fir, fhe fayd, Will eafe me of much paine. 3 Before ' A N D B A L L A D S. 133 Before I give you one penny, fweet-heart, Praye tell me where you were borne. At Iflington, kind fir, fayd fhee, 35 Where I have had many a fcorne. I prythee, fweet-heart, then tell to mee, O tell me, whether you knowe The bayliffes daughter of Iflington. She is dead, fir, long agoe. 40 If ihe be dead, then take my horfe, My faddle and my bowe ; For I will into fome farr countrye, Where noe man mall me knowe. O ftaye, O ftaye, thou goodlye youthe, 4.5 She ftandeth by thy fide ; She.is here alive, me is not dead, And readye to be thy bride. O farewell griefe, and welcome joye, Ten thoufand times therefore ; -5 For nowe I have founde mine owne true love, Whom I thought I fliould never fee more. K 3 IX. T H E i 3 4 ANCIENT SONGS IX. THE WILLOW-TREE. A PASTORAL DIALOGUE. From the /mall black-letter colleftion, intitled, " The Golden Garland of princely delights ;" collated with two other copies and corrected Ly conjetfure* WILLY. HO W now, fhepherde, what meanes that ? Why that willowein thy hat ? Why thy fcarffes of red and yellowe Turn'd to branches of greene willowe ? CUDDY, They are chang'd, and fo am I ; 5 Sorrowes live, but pleafures die : Phillis hath forfaken mee, Which makes me weare the willowc-trec. WILLY. Phillis ! fhee that lov'd thee long ? Is ftiee the lafs hath done thee wrong ? IO Shee that lov'd thee long and beft, Js her love turn'd to a j eft ? AND BALLADS. 135 CUDDY. Shee that long true love profeft, She hath robb'd my heart of reft : For fhe a new love loves, not mee ; 1 5 Which makes me wear the willow:-tree. WILLY. Come then, fhepherde, let us joine, Since thy happ is like to mine : For the maid I thought moft true Mee hath alfo bid adieu. 20 CUDDY. Thy hard happ doth mine appeafe, Companye doth forrowe eafe : Yet, Phillis, ftill I pine for thee, And ftill muft weare the willowe-tree. WILLY. Shepherde, be advis'd by mee, 45 Caft off grief and willowe-tree : For thy grief brings her content, She is pleas'd if thou lament. CUDDY. Herdfman, I'll be rul'd by thee, There lyes grief and willowe-tree : 30 Henceforth I will do as they, And love a new love every day. * * K 4 X. T H E 136 ANCIENT SONGS X. THE LADY's FALL, is given from the editor's ancient folio MS, collated *with t-~wo printed copies in black letter ; one in the Britijh Mufeum, the other in the Pepys collection. Its old title is, " A lamentable ballad of the Lady's fall. To the tune of, " In Pefcod Time, &c." The ballad here referred to is preferred in the MUSES LIBRARY 8 riiT And windowes round about, Let none bewray my wretched Hate, But keepe all perfons out. 1 20 O miftrefs, call your mother deare, Of women you have neede, And of fome fkilfull midwifes helpe, That better you may fpeed. Call not my mother for thy life, 125 Nor fetch no women here, The midwifes helpe comes all too late, My death I doe not feare. With 2 ANCIENT SONGS With that the babe fprang from her wombe No creature being nye, i$Cf And with one fighe, which brake her heart, This gallant dame did dye. The lovely little infant yonge, The mother being dead, Refigned its new received breath 135 To him that had it made. Next morning came her own true love, Affrighted at the newes, And he for forrow flew himfelfe, Whom eche one did accufe. 140 The mother with her new borne babe, Were both laid in one grave, Their parents overcome with woe, No joy thenceforth cold have. Take heed, you daintye damfelles all, 145 Of flattering words beware, And of the honour of your name Have an efpecial care. Too true, alas ! this ftory is, As many one can tell. 150 By others harmes learne to be wife, . And you (hall do full well. XL WALY A N D B A L L A D S. 143 XI. WALY WALY, LOVE BE BONNY. A SCOTTISH SONG. This is a very andentfong, lut we could 'only give it front modern copies. Some editions injlead of the four .loft lines in the fecond ftanza have tbefe, 'which have too much merit to be wholly Juppreffed, " Whan cockle Jhelh turn filler tells, " And mufcles gro-~w on every tree, " When froft and fnaiu fall voarm us aw' r " Than fall my love prove true tome.'' 1 See the Orpheus CaleJonius, tiff. Arthur-feat mentiemd in ir Upon a time fore ficke fhe was, < And at the length did dye ; And then her foul at heaven gate Did knocke moft mightilye. Firft Adam came unto the gate : Who knocketh there? quoth hee, IO I am the wife of Bath, ftie fayd, And faine would come to thee. VOL. III. L Thou I 4 6 ANCIENT SONGS Thou art a finner, Adam fayd, And here no place malt have. And fo art thou, I trowe, quoth mee ; Now, gip, you doting knave. I will come in, in fpight, me fayd, Of all fuch churles as thee; Thou wert the caufer of our woe, Our paine and mifeiy ; And firft broke Gods commandiments, In pleafure of thy wife When Adam heard her tell this tale, He ranne away for life. S HT Then downe came Jacob at the gate, And bids her packe to- hell ; Thou falfe deceiving knave, quoth me, Thou mayft be there as well. For thou deceiv'dft thy father deare, And thine t>wn brother too. Away flunk' Jacob prefently, And made no more adoo. Ver, 16. Gip, fep, or guep, is a common interjeflion of contempt in ur old poets. See Gray's Hudibras, ft. I. canto 3. v. zoz. note. She A N D B A L L A D S. 147 She knockes again with might and maiae, And Lot he chides her ftraite. How now, quoth me, thoti drunken afs, 35 Who bade thee here to prate ?,t m / With thy two daughters thoo didft lye, On them two baftardes got. And thus moft tauntingly flie chaft Againft poor filly Lot. 40 Who calleth there, quoth Judith then, With fuch fhrill founding notes ? This fine minkes furely came not here, Quoth fhe, for cutting throats. Good Lord, how Judith blufh'd for flume, 45 When fhe heard her fay foe ! King David hearing of the fame, He to the gate would goe. Quoth David, Who knockes there fo loud, And maketh all this ftrife ? 50 You were more kinde, good Sir, fhe fayd, fl'f Unto Uriah's wife. And when thy fervant thou didft caufe In battle to be flaine ; Thou caufedft far more ftrife than I, 55 Who would come here fo faine. L 2 The i4 ANCIENT SONGS The woman's mad, quoth Solomon, That thus doth taunt a king. Not half fo mad as you, Ihe fayd I trowe, in manye a thing. 60 Thou hadft fevcn hundred wives at once, For whom thou didft provide ; And yet, god wot, three hundred whores f Thou muft maintaine befide: And they made thee forfake thy God, 65 And worlhip flockes and fiones; Befides the charge they put thee to In breeding of young bones. Hadft thou not bin befide thy wits, Thou wouldit not thus have ventur'd ; 70 And therefore I do marvel much, How thou this place haft enter'd. I never heard, quoth Jonas then, So vile a fcold as this. i m br Thou whore-fon run-away, quoth flie, 75 Thou diddeft more amifs. jJuU They fay' quoth Thomas, womens tongues Of afpen-leaves are made. Thou unbelieving wretch, quoth flie, All is not true that's fayd. 80 When Ver. 77. I think. P. " A N D B A L L A D S. 149 When Mary Magdalen heard her then, She came unto the gate. Quoth ftie, good woman, you muft think Upon your former ftate. No finner enters in this place 85 Quoth Mary Magdalene. Then 'Twere ill for you, fair miftrefs mine, She anfwered her agen : You for your honeftye, quoth (he, Had once been fton'd to death ; 90 Had not our Saviour Chrift come by, And written on the earth. It was not by your occupation, You are become divine : I hope my foul in Chrift his paffion, 95 Shall be as fafe as thine, Uprofe the good apoftle Paul, And to this wife he cryed, Except thou ftiake thy fins away, Thou here fhalt be de.nyed. IOO Remember, Paul, what thou haft done, All through a lewd defire : How thou didft perfecutc God's church* With wrath as hot as fire. L 3 Then 150 ANCIENT SONGS Then up ftarts Peter at the laft, 105 And to the gate he hies : Fond fool, quoth he, knock not fo faft, Thou wearieft Chrift with cries. Peter, faid fhe, content thyfelfe, For mercye may be won j no I never did deny my Chrift, As thou thyfelfe haft done. When as our Saviour Chrift heard this, With heavenly angels bright, He comes unto this finful foul } 115 Who trembled at his fight. Of him for mercye fhe did crave. Quoth he, thou haft refus'd My proffer'd grace, and mercy both, And much my name abus'd. 120 Sore have I finned, Lord, me fayd, And fpent my time in vaine ; But bring me like a wandring (heepe Into thy fold againe. O Lord my God, I will amend 125 My former wicked vice : The thief for one poor filly word Paft into paradife. My A N D B A L L A D S. 151 My lawes and my commandiments, Saith Chrift, were knowne to thee ; 130 But of the fame in any wife, Not yet one word did yee. I grant the fame, O Lord, quoth Ihe ; Moft lewdly did I live ; But yet the loving father did 135 His prodigal fon forgive. So I forgive thy foul, he fayd, Through thy repenting crye ; Come enter then into my reft, I will not thee denye. 140 xra. D U L C I N A. Given from tiuo ancient copies, one in black-'print, in tie Pepys colleSion ; the otbtr in the editor's folio MS. The fourth jtanza is not found in MS, and feems redundant. This fong is quoted as very popular in Walton's Compltat Angler, chap. 2. It is more ancient than the fong of RO- BIN GOOD-FELLOW printed b(lo-iu t 3 Ail 160 ANCIENT SONGS All his body is a fire, I r And his breath a flame entire : Which, being {hot like lightning in, Wounds the heart, but not the fkin. Wings he hath, which though yee clip, He will leape from lip to lip, 20 Over liver, lights, and heart j Yet not ftay in any part. And, if chance his arrow miffes, He will moot himfelfe in kifles. - , He doth beare a golden bow, 25 And a quiver hanging low, Full of arrowes, which outbrave Dian's fhafts ; where, if he have Any head more (harpe than other, --mi A With that firft he Itrikes his mother. y jQ 30 ri"il Still the faireft are his fuel!, When his daies are to be cruell ; Lovers hearts are all his food, And his baths their warmeft bloud : Nought but wounds his hand doth feafon, 3^ And he hates none like to Reafon. Truft him not : his words, though fweet, Seldome with his heart doe meet : All his practice is deceit ; Everie gift is but a bait : 40 Not A N D B A L L A D S. 161 Not a kifle but poyfon beares ; And moft treafon in his teares. Idle minutes are his raigne ; Then the ftraggler makes his gaine, By prefenting maids with toyes 45 And would have yee thinke hem joyes : 'Tis the ambition of the elfe, To have all childilh, as himfelfe. If by thefe yee pleafe to know him, Beauties, be not nice, but mow him. 50 Though yee had a will to hide him, Now, we hope, yee'le not abide him, Since yee heare this falfer's play, And that he is Venus' run-away. XVI. THE KING OF FRANCE'S DAUGHTER. Tbeftory of this Ballad feems to be taken from an incident in the domeftic hiftory of Charles the Bald, king of France. His daughter 'Judith was betrothed to Etbelwulph king of England : but before the marriage ivas confummated, Ethel" ivnlph died, and Jhe returned to France : whence Jhe 'was carried off" by B aid-ivy n, Forreftcr of Flanders ; ivho after many crojjes and difficulties, at length obtained the king's (onj'ent to their marriage, and was made Earl of Flanders. This happened about A. D. 863. See Rapin, Renault, and the French Hifloriant, VOL. III. M Tbe 162 ANCIENT SONGS The following copy is given from the editor's ancient folia MS. collated 'with another in black letter in the Pepys Collection, intitled, " An excellent Ballad of a prince of " England's courtjhip to the king of France's daughter, &c. " To the tune of Crimfon Velvet."'' Many breaches having been made in this old fong by the hand of time, principally (as might be expetfed} in the quick returns of the rhime; nue have attempted to repair them, IN the dayes of old, When faire France did flouriih, Storyes plaine have told, Lovers felt annoye. The queene a daughter bare^ * Whom beautye's queene did nourifh : She was lovelye faire, She was her fathers joye. A prince of England came, Whofe deeds did merit fame, 1$ But he was exil'd, and outcalt : Love his foul did fire, Shee granted his defire, Their hearts in one were linked faft. Which when her father proved, 15 Sorelye he was moved, And tormented in his minde. He fought for to prevent them ; And, to difcontent them, Fortune crofs'd thefe lovers kinde. 20 When thefe princes twaine Were tKus barr'd of pleafure, Through the kinges difdaine, AND BALLADS. 163 Which their joyes withftoode : The lady foone prepar'd 3 25 Her Jewells and her treafure ; Having no regard For ftate and royall bloode ; In homelye poore array She went from court away, . 30 To meet her joye and hearts delight ; Who in a forreft great Had taken up his feat, To wayt her coming: in the night. But, lo! what fudden danger '^ 35 To this princely ftranger Chanced, as he fate alone? By outlawes he was robbed, And with ponyards ftabbed, Uttering many a dying gronc. : . ^o / .fccs az Us, z: *\il-\m y&vt aol - The princeffe, arm'd by love, And by chafte defire, All the night did rove Without dread at all : Still unknowne fhe paft . 4$ In her ftrange attire ; Coming at the laft Within echoes call, You faire woods, quoth mee, Honoured may you bee, Harbouring my hearts delight ; Which encompafs here My joye and only deare, My truftye friend, and comelyc knight. M 2 Swcete, i64 ANCIENT SONGS Sweete, I come unto thee, 55 Sweete, I come to woo thee ; That thou mayft not angrye bee For my long delaying ; For thy curteous Haying Soone amendes He make to thee. 60 Faffing thus alone Through the filent foreft, Many a grievous grone Sounded an her eares : She heard one complayne 6 And lament the foreft, Seeming all in payne, Shedding deadly teares. Farewell, my deare, quoth hee, Whom I muft never fee ; 70 For why my life is att an end, Through villaines crueltye: For thy fweet fake I dye, To mow I am a faithfull friend. Here I lye a bleeding, 75 While my thoughts are feeding On the rareft beautye found. O hard happ, that may be ! Little knowes my ladye My heartes blood lyes on the ground. So With that a grone he fends Which did bur ft in funder All the tender ' bands' A N D B A L L A D S 165 Of his gentle heart. She, who knewe his voice, 85 At his wordes did wonder ; All her formerjoyes Did to griefe convert. Strait fhe ran to fee, Who this man {hold bee, 9t That foe like her love did feeme : Her lovely lord fhe found Lye flaine upon the ground, Smear'd with gore a ghaftlye ftreame. Which his lady fpying, 95 Shrieking, fainting, crying, Her forrows could not uttered bee : Fate, fhe cryed, too cruell ! For thee my deareft Jewell, Would God ! that I had dyed for thee. ' 100 His pale lippes, alas ! Twentye times fhe kitted, And his face did wafh With her trickling teares : Every gaping wound 105 Tenderlye fhe prefled, And did wipe it round With her golden haires. Speake, faire love, quoth fhee, Speake, faire prince, to mee, HO One fweete word of comfort give : Lift up thy deare eyes, Liflen to my cryes, Thinke in what fad griefe I live. 166 ANCIENT SONGS All in vaine me fued, . 115 All in vaine fne wooed-, The prince's life was fled and gone. There flood fhe flill mourning, Till the funs retourning, And bright day was coming on. 120 In this great diilreffe Weeping, waylingever, Oft fhee cryed, alas ! What will become of mee ? To my fathers court ' i%$ I r.eturne will never : But in lowlye fort Will a fervant bee. While thus me made her mone, Weeping all alone, 130 In this deepe and deadlye feare : A for'fter all in greene, Moil comelye to be feene, Ranging the woods did find her there : Movd with her forrowej 135 Maid, quoth he, good morrowe, What hard happ has Brought thee here ? Harder happ did never Two kinde hearts diflever Here lyes flaine my brother deare; 140 JWhere mayjremaine, Gentle for'fter, ihew me, Till A N D B A L L A D S. 167 Till I can obtaine A fervice in my neede ? Paines I will not fpare : 145 This kinde favour doe me, It will eafe my care ; Heaven fhall be thy meede. The for'fter all amazed, On her beautye gazed, 150 Till his heart was fet on fire, If, faire maid, quoth hee, You will goe with mee, You mail have your hearts defire. He brought her to his mother, 155 And above all other He fett forth this maidens praife. Long was his heart inflamed, At length her love he gained, And fortune crown'd his future dayes. 160 Thus unknowne he wedde With a kings faire daughter ; Children feven they had, Ere me told her birth. Which when once he knew, 165 Humblye he befought her, He to the world might mew Her rank and princelye worth. He cloath'd his children then, (Not like other men) 170 In partye-colours flrange to fe ; M 4 Th 168 ANCIENT SONGS The right fide cloth of gold, The left fide to behold, Of woollen cloth ftill framed hee*. Men thereatt did wonder ; 175 Golden fame did thunder This ftrange deede in every place : The king of France came thither, It being pleafant weather, In thefe woods the hart to chafe. 1 8e The children then they bring, So their mother will'd it, Where the royall king Muft of force come bye : Their mothers riche array, 1 85 Was of crimfon velvet : Their fathers all of gray, Seemelye to the eye. Then this famous king, Noting every thing, 190 * This will remind the reader of the livery and device of Charles Brandon, a private gentleman, who married the Queen Dowager of France, fefter of Henry VHI. At a tour- nament which he held at his wedding, the trappings of his horfe 'were half Cloth of gold, and half Frieze t B A L L A D S. 171 xviir, THE CHILDREN IN THE WOOD, The fubjeft of this very popular ballad (which has btea fet in fo favourable a light by the Spectator, N* 85.^ feems to be taken from an old play , intitled, " Two lamentable ' ' Tragedies, The one of the murder of Maifter Beecri, a '* chandler in Thames-ftrecte, &c. The other of a young; ff child murtbered in a wocd by two r tiffins, with the ccn- " fentofhii unkle. By Rob. Tarrington, 1 601. 410." Our ballad-maker baiftriclly followed the play in the defcriptizn of the father and mother's dying charge : in the uncle's promije to take care of their ijjue : his hiring two ruffians to dejlroy his ward, under pretence offending him to fchool ~ their cbujlng a wood to perpetrate the murder in : one of the ruffians relenting, and a batth enfuirtg, &c. hi other refpefts he has departed from the plav- In the latter the fcene is laid in Padua : there is but ont child : ivhicb is murdered by a fuddenftab of the unrelenting ruffian : he is Jlain himfelf by bis lefs bloody companion, but ere he dies gives the other a mortai' For of new garments we have great need : 46 Of horfes and ferving-men we muft have ftore, With bridles and faddles, and twentye things more. Tufhe, AND BALLAD 5. 187 Tufhe, fir John, quoth his wife, why mould you frett, or You fhall n'er be att no charges for mee ; [frowne ? For I will turne and trim up my old ruffet gowne, 51 With everye thing elfe as fine as may bee j And on our mill-hories fwift we will ride, With pillowes and pannells as we mail provide. In this moft ftatelye fort, rode they unto the court, ec Their jolly fonne Richard rode foremoft of all ; Who fet up, by good hap, a cocks feather in his cap, And fo they jetted downe to the kings hall j The merry old miller with hands on his fide ; His wife, like maid Marian, did mince at that tide. 60 The king and his nobles, that heard of their coming, Meeting this gallant knight with his brave traine ; Welcome, fir knight, quoth he, with your gay lady : Good iir John Cockle, once welcome againe : And fo is the fquire of courage foe free. 65 Quoth Dicke, Abots on you ; do you know mee ? Quoth our king gentlye, how mould I forget thee ? That waft my owne bed-fellow, well it I wot. Yea, fir, quoth Richard, and by the fame token, Thou with thy farting didft make the bed hot. 70 Thou whore-fon unhappy knave, then quoth the knight, Speake cleanly to our king, or elfe go mite. The i88 ANCIENT SONGS The king and his courtiers laugh at this heartily, While the king taketh them both by the hand ; With ladyes and their maids, like to the queen of fpades The millers wife did foe orderly ftand, 76 A milk-maids courtefye at every word; And downe the folkes were fet to the board : Where the king royally, in princelye majeftye, Sate at his dinner with joy and delight ; 80 When they had eaten well, then hee tojefting fell, And in a bowle of wine dranke to the knight : Here's to you both, in wine, ale and beer ; Thanking you heartilye for my good cheer. Quoth fir John Cockle, I'll pledge you a pottle, 85 Were it the beft ale in Nottinghamshire : But then faid our king, now I think of a thing ; Some of your lightfoote I would we had here. Ho ! ho ! quoth Richard, full well I may fay it, *Tis knavery to eate it, and then to betray it. go Why art thou angry? quoth our king merrilye; In faith, I take it now very unkind : I thought thou wouldft pledge me in ale and wine heartily. Quoth Dicke, You are like to ftay till I have din'd : You feed us with twatling dimes foe fmall; 95 Zounds, a blacke-pudding is better than all. Aye, A N D B A L L A D S. 189 Aye, marry, quoth our king, that were a daintye thing, Could a man get but one here for to eate. [hofe, With that Dicke ftraite arofe, and pluckt one from his Which with heat of his breech gan to fweate. io The king made a proffer to fnatch it away : 'Tis meat for your matter : good fir, you muft ftay. Thus in great merriment was the time wholly fpent ; And then the ladyes prepared to dance : Old Sir John Cockle, and Richard, incontinent 105 Unto their paces the king did advance : Here with the ladyes fuch fport they did make, The nobles with laughing did make their fides ake. Many thankes for their paines did the king give them, Aflting young Richard then, if he would wed j i 10 Among thefe ladyes free, tell me which liketh thee? Quoth he, Jugg Grumball, Sir, with the red head : She's my love, file's my life, her will I wed ; She hath fworn I mail have her maidenhead. Then fir John Cockle the king call'd unto him, 1 15 And of merry Sherwood made him o'er-feer; And gave him out of hand three hundred pound yearlye . Now take heede you fteale no more of my deer : And once a quarter let's here have your view; And now, fir John Ccckle, J bid you adieu. 12* XXI. THE 190 ANCIENT SONGS xxr. THE SHEPHERD'S RESOLUTION. This beautiful old fong'njjas written by a poet, *whof name would have been utterly forgotten, if it had not been preferred by SWIKT, as a term of contempt. "DRYDEN " and WITHER" are coupled by him like the BAVIUS and M M, v i u s of Virgil. DRYDEN however has hadjuftice done him by poftevity : and as for WITHER, though offubordi- nate merit, that he was not altogether devoid of genius t *will be judged from the following ft anzas. The truth is, WITHER was a very voluminous party-writer : and as his political and fatyrical jirokes rendered him extremely po- pular in his life time ; fo afterwards, when their date vjas out, they totally configncd his writings to oblivion* GEORGE WITHER was born June II. 1588, and in his younger years diftinguijhed himfelf by fame paftoral pieces, that were not inelegant ; but growing afterwards involved in the political and religious difputes in the times ef "James I, and Charles I, he employed his poetical vein in < fever e pafquils on the court and clergy, and was occa- Jlonatty a Jujjerer for the freedom of his pen. In the civil war that enfued, he exerted himfelf in the fervice of the Parliament, and became a conjiderable jharer in the fp oils. He was even one of thofe provi>zc:a1 tyrants, whom Oliver dijlributed over the kingdom, under the name of Major Ge- nerals; and had the fleeing of the county of Surrey: but furviving the Refc oration, he ouitived both his power and his afiluence ; and giving i 'ent to hi; chagrin in libels on the A N D B A L L A D S. 191 the court, nvas long a prifoner in Newgate and the Tower. He died at length on the id of May, 1667. During the -whole courfe of his life, WITHER ivas a continual publijher ; having generally for opponent, TAYLOR the Water^poet. The long lift of his productions may be feen in Wood's Atheen. of Rior*wich, ditd in 1635, jEtat. 52. FArevvell rewards and Fairies \ Good houfewives now may fay; For now foule fluts in dairies, Doe fare as well as they : And though they fweepe their hearths no lefs 5 Than mayds were wont to doe, Yet who of late for cleanelinefs Finds fixe-pence in her fhoe ? Lament, lament old Abbies, The fairies loft command ; 10 They did but change priefts babies, But fome have chang'd your land : And all your children ftoln from thence Are now grown e Puritanes x Who live as changelings ever fince, 15 For love of your demaines. At morning and at evening both You merry were and glad, " So little care of fleepe and fioth, Thefe pr&ttie ladies had. 20 P a. Wheft 212 ANCIENT SONGS When Tom came home from labour* Or Cifs to milking rofe, Then merrily went their tabourv And nimbly went their toes. Witnefs thofe rings and rounddelayes 35 Of theirs, which yet remaine ; Were footed in queene Maries dayes On many a grafly playne. But fmce of late Elizabeth And later James came in ; 30 They never danc'd on any heath,. As when the time hath bin. By which wee note the fairies Were of the old profeffion : Their fongs were A-ve Maries, 35 Their dances were proceflion. But now, alas ! they all are dead, Or gone beyond the feas, Or farther for religion fled, Or elfe they take their cafe. 40 A tell-tale in their company They never could endure ; And whofo kept not fecretly Their mirth, was punifh'd fure : It was a juft and chriftian deed 45 To pinch fuch blacke and blue : O how the common-welth doth need AND BALLADS. 23 Now they have left our quarters ; A Regifter they have, 50 Who can preferve their charters ; A man both wife and grave. An hundred of their merry pranks By one that I could name Are kept in (lore ; con twenty thanks 55 To William for the fame. To William Churne of StafFordflure Give laud and praifcs due, Who every meale can mend your cheare With tales both old and true : 60 To William all give audience, And pray yee for his noddle : For all the fairies evidence Were loft, if it were addle. %* After tbefe SONG.S on the FAIRIES, tie Reader may lye curious to fee the manner in which they were formerly in- voked and bound to human fervice. In AJhmole's Collefiion cfMSS. at Oxford, [Num. 8259. 1406. 2.] are the pa- pers of fame Alchymijl, -which contain a variety if Incan- tations and Forms of Conjuring both FAIRIES, WITCHES and DEMONS, principally, as it Jhould fetm, to ajpjt him in his Great Work of tranf muting Metals. Mojl of them are too impious to be reprinted : but the tnvo following may be very innocently laughed at. Whoever looks into Ben Jonfon's ALCHYMIST, 'will find that tbefe impoftors, among their other Secrets, affecled to have a power over FAIRIES. P 3 "Aw 2T4 ANCIENT S O N G S, &c. " AN EXCELLENT WAY to gett a FAYRIE. (Formyfelf I call M A R G A R E T T B A R R A N c E ; but this ixill obteine any one that is not allreadj bownd.) " FIRST, gett a broad fquare chriftall or Venice glajfe, in length and breadth 3 inches. 'Than lay that glafe or chriftallin thebhSd cf a white henne, 3 Wethefdayes , cr 3 Fridayes. Then take it cut, and wajh it with hcly ciq. and fumigate it. Then tcJ:; 3 bazle flicks, or tuands of an years grot h : pill them fey re and white ; and make ' them' foe longe, as you write the SPIRITTS name, cr FAYRIES name, 'which you call, 3 times on every flicke being made Jlatt on one Jide. Then bury them under Jt,me hill, 'whereas you fiippofe F A y R i E s haunt, th: Wednefday befort you call her : And the Friday follvwinge take them uppe, and call her at 8 or 3 or 10 of the cloche, which be good planet ts and houres fcr that turns : but when you call, be in cleans life, and turne thy face towards the eaft. And iyben you have her, bind her to that ft one or glajfc." " AN UNGUENT to annoy nt under the Eyelids, and upon the Eyelids evninge and mornings : but efpecially when you call ; or fnd your feght net perfefl. " R. A pint of fallet-oyle, and put it into a viall glaffe : but fir ft ranks " St. George's for ell, and his crofs of blood" among the mcji popular ftories of his time : and an ingenious critic thinks that Spencer himfelf did not difdain to borrow hints from it f ; tho 1 I much doubt whether this popular ro~ mance 'were written fo early as the Faery Queen* The author of this book of the Seven Champions 'was one Richard Johnfon, '::, paflim. 216 ANCIENT SONGS ndja?nes t as voe colleSl from his other publications : viz. " The nine worthies of London: 1592. 4/0. " The plea/ant walks of Moor-fields : 1607. 4/2. " A cro-i-n garland of Goulden Rofes, gathered, &c. 1612. S-t/o. " 7&* ///i 7 <7 rybbes of Bev'ts brrfed than* Afler AND BALLADS. 217 After a longfght, at length, as the dragon was preparing to fy, Jir Bevis ' Hit him under the wynge ' As he was in his jlytnge, ' There he was tender without fc ah, ' And Bevis thought to be his. bail, ' He f mote after, as I you fay e, ' With his good jword Morglaye, ' Up to the hiltes Morglay yode " Through harte, lyver, bone, andblcudti ' To the ground fell the dragon, ' Great joye Jyr Bevis began, * Under the jcalcs al on hight ( He fmcte off his head forth right, ' And put it on a fpere : &c. Sign, K. iv* Sir Bevis' s dragon is evidently the parent of that in the Seven Champions, fee Chap, 111, viz, " The dragon no " fooner had ajight of him [t$V. George\ but he ga-~ve fucb " a terrible peal, as though it had thundered in tbe elements, , , . . " Betwixt his jhculders and his tail were fifty feet in " dijtance, his fcales gliftering cs bright as jile the dragon juch a thruft luiib ' ' his fpear* that it Jbi*vered in a thoufand pieces : wber&at " the furious dragon fc fiercely fmots him with his venomcut *' tail, that down fell )nun and horfe ; in which fall two *' cfSt, Georges ribs were fore bruifed, C5*r. At length . . . St, George " /mete the dragcn under the wing where " it was tender without Jc ale, whereby his good fword Afca- " Ion with an eafee paffdge went to the -i'cry hilt through *' both the dragcn' 's heart, liver, bone and blcod Then St. " Gecrge cut off the dragon's head and pitcht it upon the " truncheon of a fpear, &c." The Hiftory of the Seven Champions being written jvft le- fore the decline of bocks of chivalry was never, I believe, tranjlated into any foreign language : But " Le Roman de *' Beitves of Hantonnc, " was published at Paris in 1502, 4.'0. Let, Gcthique. Tit 218 ANCIENT S is 1 G S 'The learned Selden tells us that about tbt time of the Norman invajion was Bevis famous wits the title of Earl of Southampton, ivhofe refedence was at Dttnfton in Wiltjhire ; but obferves that the monkijh enlargements of his Jlory, have made his very exijtence .doubted. See Notes on Poly-Olbion, t-V Song III. As for the martial Hijtory of St. George, it is given up as entirely apocryphal. The equejlrian figure, worn by the knights of the garter , has bren underftocd to be an emblem of the cbrijiian warrior ', in his fpiriiual armour, -vanquishing the oldferpent. But a learned 'writer has lately /hewn that it is neither more nor lefs, than a charm or amuht borrowed from fame eajlern heretics ; which having been originally worn as a protection from tht malignity of the air, at length was conjidered as a prefer'vati've from wounds, and a means to injure . I wilh all ladies were as free From pride, as was Penelope. She in her needle took delight, And likewife in her fpinning-wheel ; & Her maids about her every night Did ufe the diftaff, and the reel : The fpiders, that on rafters twine, Scarce fpin a thread more foft and fine. Some- A N D B A L L A D S. 277 Sometimes me would bewail the lofs 85 And abfence of her deareft love : Sometimes me thought the feas to crofs, Her fortune on the waves to prove : I fear my lord is flain, quoth me, He ftays fo from Penelope. go At length the ten years fiege of Troy Did end ; in flames the city burn'd ; And to the Grecians was great joy, To fee the towers to afhes turn'd : Then came Ulyfles home to fee 95 His conftant, dear, Penelope. O blame her not if me was glad, When me her lord again had feen. Thrice-welcome home, my dear, me faid, A long time abfent thou haft been : 100 The wars mall never more deprive Me of my lord wfcilft I'me alive. Fair ladies all example takej And hence a worthy leffon learn, All youthful follies to forfake, 105 And vice from virtue to difcern : And let all women ftrive to be, As conftant as Penelope. T 3 IX. TO 278 A N C IENT SONGS XI. TO LUCASTA, ON GOING TO THE WARS. By Col. Richard Lovelace : from the volume of bis poems intitled, " Lucafta, Lond. 1649." izmo. The elegance of this writer's manner would be more admired, if it had fome^what more ofjimplicity. TELL me not, fweet, I am unkinde, That from the nunnerie Of thy chafte breaft and quiet minde, To warre and armes I flie. True ; a new miftrefle now I chafe, 5 The firft foe in the field ; And with a ftronger faith imbrace A fword, a horfe, a fhield. Yet this inconftancy is fuch, As you too fhall adore ; 10 I could not love thee, deare, fo much, Lov'd I not honour more. X. VA- A N D B A L L A D S. 279 XII. VALENTINE AND URSINE. // would be in i>aia to put off this ballad for ancient, nor yet is it altogether modern. The original is an old MS poem in the Editor's poj/ejfion ; which being in a wretched cor- rupt ft ate, the jubjel was thought worthy of feme fmbellijb- ments. The old ft ory -book of Valentine and Orfon (which fug- gefted the plan of this tale, but it is not ftricJly follow- ed in it) was originally a tranjlation from the French, being one of their earlieft attempts at romance. See " Le Bib- " liotheque de Remans, 5r." The circumftance of the bridge of bells is taken from the old metrical legend of Sir Bevis, and has alfo been copied in the Seven Champions. The original lines are, Over the dyke a bridge there lay, That man and beeft might pafse aivaj :. Under the brydge were fexty belles ; Right as the Romans telles ; That there might no man pafse in, But all they rang with a gyn" Sign. E. iv. PART THE FIRST. WHEN Flora 'gins to decke the fields With colours frelh and fine, Then holy clerkes their mattins fmg To good Saint Valentine ! T 4 The So ANCIENT SONGS The king of France that morning fair 5 He would a hunting ride : To Artois foreft prancing fortfy In all his princely pride, To grace his fports a courtly train Of gallant peers attend; 10 And with their loud and cheerful cryes The hills and valleys rend. Through the deep foreft fwift they pafs, Through woods and thickets wild ; When down within a lonely dell 15 They found a new-born child : All in a fcarlet kercher lay'd Of filk fo fine and thin : A golden mantle wrapt him round Pinn'd with a filver pin. 20 The fudden fight furpriz'd them all ; The courtiers gather'd round ; They look, they call, the mother feek ; No mother could be found. At length the king himfdf drew near, 25 And as he gazing ftands, The pretty babe look'd up and fmil'd, And ftretch'd his little hands. Now, A N D B A L L A D S. 281 Now, by the rood, king Pepin fays, This child is palling fair : 30 I wot he is of gentle blood ; Perhaps fome prince's heir. Goe bear him home unto my court With all the care ye may : Let him be chriflen'd Valentine, 35 In honour of this day : And look me outcome cunning nurfe ; Well nurtur'd let him bee j Nor ought be wanting that becomes A bairn of high degree. 4.0 They look'd him out a cunning nurfe ; And nurtur'd well was hee ; Nor ought was wanting that became A bairn of high degree. Thus grewe the little Valentine 45 Belov'd of king and peers ; And Ihew'd in all he fpake or dvd A wit beyond his years. But chief in gallant feates of arms He did himfelf advance, 50 That ere he grewe to man's eflate He had no peere in France. And 2 ANCIENT SONGS And now the early downe began To fhade his youthful chin ; When Valentine was dubb'd a knight, 55 That he might glory win. A boon, a boon, my gracious liege, I beg a boon of thee 1 The firft adventure, that befalls, May be referv'd for mee. 60 The firft adventure fhall be thine; The king did fmiling fay. Nor many days, when lo ! there came Three palmers clad in graye. Help, gracious lord, they weeping fay'd; 65 And knelt as it was meet : From Artoys foreit we be come, With weak and wearye feet. Within thofe dep and drearye woods There wends a favage boy ; 70 Whofe fierce and mortal rage doth yield Thy fubje&s dire annoy. 'Mong ruthlefs beares he fure was bred ; He lurks within their den : With beares he lives j with beares he feeds, 75 And drinks the blood of men. AND BALLADS. 283 To more than favage ftrength he joins A more than human fldll : For arms, ne cunning may fuffice His cruel rage to ftill. 80 Up then rofe fir Valentine, And claim'd that arduous deed. Go forth and conquer, fay'd the king, And great mail be thy meed. Well mounted on a milk-white fteed, $5 His armour white as fnow ; As well befeem'd a virgin knight, Who ne'er had fought a foe : To Artoys foreft he repairs With all the hafte he may ; go And foon he fpies the favage youth A rending of his prey. His unkempt hair all matted hung His fhaggy moulders round : His eager eye all fiery glow'd : 95 His face with fury frown'd. Like eagles' talons grew his nails : His limbs were thick and ftrong ; And dreadful was the knotted oak He bare with him along. 100 Soon S. ANCIENT SONGS Soon as fir Valentine approach'd, He ftarts with fudden fpring; And yelling forth a hideous howl, He made the forefts ring. As when a tyger fierce and fell 105 Hath fpyed a pafling roe, And leaps at once upon his throat ; So fprung the favage foe ; ,80 lightly leap'd with furious force The gentle knight to feize : 1 10 But met his tall uplifted fpear, Which funk him on his knees. A fecond ftroke fo ftiff and ftern Had laid the favage low ; Bnt fpringing up, he rais'd his club, 1 15 And aim'd a dreadful blow. The watchful warrior bent his head, And fhun'd the coming ftroke j Upon his taper fpear it fell, And all to fhivers broke. 120 Then lighting nimbly from his fteed, He drew his burnifht brand : The favage quick as lightning flew To wreft it from his hand. Three AND BALLADS/ 285 Three times he grafp'd the filver hilt ; 125 Three times he felt the blade ; Three times it fell with furious force ; Three ghaftly wounds it made. Now with redoubled rage he roar'd ; His eye-ball flafh'd with fire ; 130 Each hairy limb with fury fhook j And all his heart was ire. Then cloiing faft with furious gripe He clafp'd the champion round, And with a ftrong and fudden twift 135 He laid him on the ground. But foon the knight, with active fpring, O'erturn'd his hairy foe : And now between their fturdy fifts Pail many a bruifing blow. 14.0 They roll'd and grappled on the ground, And there they ftruggled long : Skilful and active was the knight ; The favage he was ftrong. But brutal force and favage ftrength 145 To art and (kill muft yield : Sir Valentine at length prevaiPd, And won the well-fought field. Then 286 ANCIENT SONGS Then binding ftrait his conqaer'd foe Faft with an iron chain, !$ He tyes him to his horfe's tail, And leads him o'er the plain. To court his hairy captive foon Sir Valentine doth bring ; And kneeling downe upon his knee, 155 Prefents him to the king. With lofs of blood and lofs of ftrength, Th favage tamer grew j And to fir Valentine became A fervant try'd and true. 16* And 'caufe with beares he erft was bred, Urfme they call his name ; A name which unto future times The Mufes fhall proclame. PART THE SECOND. IN high renown with prince and peers Now liv'd fir Valentine : His high renown with prince and peere Made envious hearts repine. A N D B A L L A D S. 287 It chanc'd the king upon a day 5 Prepar'd a fumptuous feaft ; And there came lords, and dainty dames, And many a noble gueft. Amid their cups, that freely flow'd, Their revelry, and mirth \ JQ A youthful knight tax'd Valentine Of bafe and doubtful birth. The foul reproach, fo grofsly nrg'd, His generous heart did wound : And ftrait he vow'd he ne'er would reft 15 Till he his parents found. Then bidding king and peers adieu, Early one fummer's day, With faithful Urfine by his fide, From court he takes his way. O'er hill and valley, mofs and moor, For many a day they pafs ; At length upon a moated lake, They found a bridge of brafs. Beyond it rofe a caftle fair 2J Y-built of marble ftone : The battlements were gilt with gold, And glittred in the fun. Beneath 288 ANCIENT SONGS Beneath the bridge, with ftrange device, A hundred bells were hung ; 30 That man, nor beaft, might pafs thereon, But ftrait their larum rung. This quickly found the youthful pair* Who boldly croffing o'er, The jangling found bedeaft their ears, 35 And rung from more to more. Quick at the found the caftle gates Unlock'd and opened wide, And ftrait a gyant huge and grim Stalk'd forth with flately ftride. 40 Now yield yoo, caytiffs, to my will ; He cried with hideous roar j Or elfe the wolves mail eat your flefh, And ravens drink your gore. Vain boafter, faid the youthful knight, 45 I fcorn thy threats and thee : I truft to force thy brazen gates, And fet thy captives free. Then putting fpurs unto his fteed, He aim'd a dreadful thruft : 5 The fpear againft the gyant glanc'd, And caus'd the blood to burft. Mad AND BALL ADS. 289 Mad and outrageous with the pain, He whirl'd his mace of fteel : The very wind of fuch a blow rij Had made the champion reel. It haply mift ; and now the knight His glittering fword difplay'd, And riding round with whirlwind fpeed Oft made him feel the blade. 60 As when a large and monftrous oak Unceaiing axes hew : So faft around the gyant's limbs The blows quick-darting flew* As when the boughs with hideous fall 65 Some haplefs woodman crufli : With fuch a force the enormous foe Did on the champion rum. A fearful blow, alas ! there came, Both horfe and knight it took, ~ And laid them fenfelefs in the dult ; So fatal was the ftroke. Thn fouling forth a hideous grin, The gyant ftrides in hafle, And, Hooping, aims a fecond ftroke : 75 " Now caytifF breathe thy la.1 ! " V.OL. III. U But ago ANCIENT SONGS But ere it fell, two thundering blows Upon his fcull defcend : From Urfine's knotty club they came, Who ran to fave his friend. 80 Down funk the gyant gaping wide, And rolling his grim eyes : The hairy youth repeats his blows : He gafps, he groans, he dies.. Quickly fir Valentine reviv'd 85 With Urfine's timely care : And now to fearch the caftle walls The venturous youths repair. The blood and bones of murder*d knights They found where'er they came : 90 At length within a lonely cell They faw a mournful dame. Her gentle eyes were dim'd with tears j Her cheeks were pale with woe : And long fir Valentine befought 95 Her doleful tale to know. " Alas ! young knight," me weeping faid, " Condole my wretched fate : " A childlefs mother here you fee ; " A wife without a mate. 100 3 Tlicfc AND BALLADS. 2 9 r " Thefc twenty winters here forlorn " I've drawn my hated breath; " Sole witnefs of a monfter's crimes, " And wifhing aye for death. " Know, I am filter of a king ; I o<; " And in my early years ** Was married to a mighty prince, " The faireft of his peers. " With him I fweetly liv'd in love " A twelvemonth and a day : 1 10 " When, lo ! a foul and treacherous prieft " Y -wrought our loves' decay. *' His feeming goodnefs wan him pow'r; " He had his matter's ear : ** And long to me and all the world 1 1 " He did a faint appear. " One day, when we were all alone, " He profFer'd odious love : *' The wretch with horrour I repuls'd, " And from my prefence drove. 120 " He feign'd remorfe, and piteous beg'd " His crime I'd not reveal : " Which, for his feeming penitence, " I promis'd to conceal. U 2 "With 292 ANCIENT SONGS * c With treafon, villainy, and wrong 12* " My goodnefs he repay 'd : " With jealous doubts he fill'd my lord, " And me to woe betray'd. " He hid a flave within my bed, " Then rais'd a bitter cry: 130 " My lord, poffeft with rage, condemn'd " Me, all unheard, to dye. " But 'caufe I then was great with child, " At length my life he fpar'd : " But bade me inftant quit the realme, 135 " One trufly knight my guard. " Forth on my journey I depart, " Opprefl with grief and woe ; " And tow'rds my brother's diftant court, " With breaking heart, I goe. 140 '* Long time thro' fundry foreign lands " We ilowly pace along : " At length within a foreft wild " I fell in labour ftrong : *' And while the knight for fuccojur fought, 145 *' And left me there forlorn, " My childbed pains fo fail increait " Two lovely boys were born. The AND BALLADS. 293 ft The eldeft fair, and fmooth, as (how " That tips the mountain hoar 150 *' The younger's little body rough *' With hairs was cover'd o'er. "But here afrelh begin my woes : " While tender care I took " To Ihield my eldeft from the cold, jj^ " And wrap him in my cloak ; " A prowling bear borft from the wood, " And feiz'd my younger fon : " Affetk>n lent my weaknefs wings, " And after them I run. 160 ''But all forewearied, weak and fpent, " I quickly fwoon'd away ; " And there beneath the greenwood ihade ' Longtime I lifelefs lay. " At length the knight brought me relief, 165 " And rais'd me from the ground ; *' But neither of my pretty babes " Could ever more be found, " And, while in fearch we wander'd far, " We met that gyant grim ; 170 " Who ruthlefs flew my trufty knight, * c And bare me off with him, U 3 " But 294 ANCIENT SONGS " But charm'd by heav'n, or elfe my griefs, " He offer'd me no wrong ; " Save that within thefe lonely walls 175 " I've been immur'd fo long." , furely, faid the youthful knight, Ye are lady Bellifance, Wife to the Grecian emperor : Your brother's king of France. 1 80 For in your royal brother's court Myfelf my breeding had ; Where oft the ftory of your woes Hath made my bofom fad. Iffo, know your accufer's dead, 185 And dying own'd his crime ; And long your lord hath fought you out Thro' every foreign clime. And when no tidings he could learn Of his much-wronged wife, 190 He vow'd thenceforth within his court Now heaven is kind ! the lady faid ; And dropt a joyful tear : Shall I once more behold my lord , ? 195 That lord I love fo dear ? But, A N D B A L L A D S. 295 But, madam, faid fir Valentine, And knelt upon his knee ; Know you the cloak that wrapt your babe, If you the fame fhould fee ? 200 And pulling forth the cloth of gold, In which himfelf was found ; The lady gave a fudden fhriek, And fainted on the ground. But by his pious care reviv'd, 205 His tale me heard anon ; And foon by other tokens found, He was indeed her fon. But who's this hairy youth ? me faid j He much refembles thee ; 210 The bear devour'd my younger fon, Or fure that fon were he. Madam, this youth with beares was bred, And rear'd within their den. But recollect ye any mark 21-5 To know your fon agen ? Upon his little fide, quoth me, Was flampt a bloody rofe. Here, lady, fee the crimfon mark Upon his body grows ! 220 tf 4 Then 296 ANCIENT SONGS Then clafping both her new-found fons, She bath'd their cheeks with tears ; And foon towards her brother's court Her joyful courfe flic fleers. What pen can paint king Pepin's joy, 225 His filler thus reftor'd ! And foon a mefienger was fent To chear her drooping lord : Who came in hade with all his peers, To fetch her home to Greece ; 230 Where many happy years they reign'd In perfedl Jove and peace. To them fir Urfine did fucceed, And long the fcepter bare. Sir Valentine he flay'd in France, 23$ And was his uncle's heir. *** XIII. THE DRAGON OFWANTLEY. This humorous fong (as a former Editor f has nvell cb- ferved) is to old metrical romances and ballads cf chival- ry, nvhat Don Quixote is to proje nnrraiives of that kind : a li-jely fatire on their extravagant fiflions. But alt ho' the fat ire is thus general ; the Jubjeft of thit ballad fe^mj local and peculiar ; fo that many oftbefinejljirokes cf hu- mour are loft for want cf cur hunting the particular fads. to. \ Co!!eft'.on of Hiftorical Dallads In 3 vol. 1727. A N D B A L L A D S. 297 to which they allude, Thefe we have in vain endeavoured to recover ; and are therefore obliged to acquiefce in the common account', namely, that this ballad alludes to a con-' teji at law between an overgrown Torkjhire attorney and a neighbouring gentleman. The former, it feems, had jiript three orphans of their inheritance, and by his incroachmsnts and rapacioitfnefs in/as become a nujance to the whole coun- try ; when tie latter generoujly efpoujed the cauje of the op- preffed, and gained a complete vidory over his antagonijly ,iuho with meer fpite and vexation broke his heart. In handling this fubjtEl the Author has brought in moji of the common incidents vjhich occur in Romance. The de~ Jcripiion of the dragon* ' his outrages the people flying to the knight for fuccour his care in chuf.ng his ar- mour his being dreji for fght by a young damfel and moft of ike circumftances of the battle and viflory (allcw- ing for the burlefque turn given to them) are what sccur in every book cf chivalry whether in profe or verfe. If any one piece, more than other, is more particularly levelled at, it feems to be the old rhiming legend of fir Be^ vis. There a DRAGON is attacked from a WELL in 4 Wanner not very remote from this of the ballad : There was a well, fo have 1 wynne, And Bevis Jiumbled ryght therein. Than ivas he glad without fayle, And refted a why le for his avayle ; And dranke of that water his fyll ; And than he lepte out, with good icy/7, And with Morglay his brande, He ajjfayled the dragon, I underftande : On the dragon he Jmote fo fafte, Where that he hit thej'cales brafte : The dragon then faynted fire, And caji a galon and more Out of his tnnuthe of venim ftrcng, Andonfyr Be-vis he it fiong : // ivas venymous y-v:is. Tlii 298 ANCIENT SONGS be meant by the Dragon of Wantley 1 $ ftink, ver. 1 10. As the politick knight's creeping out, and attack- ing the dragon, &c.feems evidently to allude to the following, Bevis blejjed himfelfe, and forth yode, And lepte out with hajlefull good ; And Bevis unto the dragon gone is ; And the dragon alfo to Bevis. lionge, and harde 'was that fyght Bet'wene the dragon, and that knyght : But ever whanfyr Bevis was hurt fort, He went to the well, and wajhed him thore ; He was as hole as any man, Ever frejhe as whan he began : *The dragon f awe it might not avayle Befyde the well to hold batayle ; He thought he 'would, -ivy th fome wyle, Out of that place Bevis begyle ; He woulde haveflowen then awaje, But Bevis lepte after with good Morglaye, And hyt him under the wynge, As he was in his fyenge, &c. Sign. M.jv. L.j.&c, After all, perhaps the writer of this ballad was acquaint ed with the above incidents only thro 1 the medium of Spen-, fer, who has affumed mojl of them in his Faery Queen. At leajl fome particulars in the defer iption of the Dragon, f?e birth to the fdlonving humorous performance, the federal jianzas of which ii--verf.ty Regifter ; by which it appears that he ivas matriculated in 1667, aged 20 years , being the f on of John Grubb " de Atlrjn Burnel in Comitatii Salop, pauper i<." He took his degree of Batchelor of Arts, June 7, 1671; and became Mafter of Arts, June 28, 1675. He was ft ill living in Oxford, when the folltnvimg humorous Dtftich -was written, Alma novem ^enuit celebres Rhedycina poetas, ub, Stubb, Grubb, Crabb, Trapp, Young, Carey, Tickel, Evans. X 4 Theft 3 i2 'ANCIENT' SONGS Thefe were Bub Dodington (the late LordMelcombe,) Dr, Stukbes, our Poet Grubb, Mr. Crabb, Dr. Trapp the Poetry Pr._. ;>-, Dr. Edw. Tcung the Poet, Walter Carey, Thomas lie.. , Ejq; and Dr. Eva,m the Epigrammatiji* ' 7 he '.'' '.'or has never met with any two copies of the fol- lowing ballad in which the ftanzas were ranged alike, he ,has therefore thrown them into what feemed to him themofl n'atii) al ci dc>~- The verjes were originally written in long lines' as Alexandrines, but the narrownefs of the page made it neceJTary to fubdi- felling cnv-beel 3i6 ANCIENT SONGS He rear'd up the vaft crooked rib, Inflead of arch triumphal. But George hit th' dragon fuch a pelt, As made him on his bum fall. 100 St. George he yvasforEngland; St. Dennis was for France. Sing, Honi foit qui maly penft, Tamerlain, with Tartarian bow, The Turkifh fquadrons flew ; And fetch'd the pagan crefcent down, 105 With half-moon made of yew : , His trufty bow proud Turks did gall, - With mowers of arrows thick, And bow-ftringo, without throtling, fent Grand- Vifiers to old Nick : 1 10 Much turbants, and much Pagan pates He made to humble in duft, And heads of Saracens he fixt 'On fpears, as on a fign-poft : He coop'd in cage grim Bajazet, 1 15 Prop of Mahound's religion, As if he had been the whifpering bird, That prompted him ; the pigeon. In Turkey-leather fcabbard, he Did fheath his blade fo trenchant. 120 Bat George he fwing'd the dragon's tail, And cut off every inch on't. St. George he was for England ; St. Dennis was for France. Sing, Horn foit gui maly penfe* The AND BALLADS. p 7 The amazon Thaleftris was 125 Both beautiful, and bold ; She fear'd her breafts with iron hot, And bang'd her foes with cold. Her hand was like the tool, wherewith Jove keeps proud mortals under; i jo- lt Ihone juft like his lightning-, And batter'd like his thunder : Her eye darts lightning, that would blaft The proudeft he that fwagger'd, And melt the rapier of his foul, j- In its corporeal fcabbard. Her beauty, and her drum to foes Did catife amazement double ; As timorous larks amazed are With ligkt, and with a low-bell : 14* With beauty, and that lapland-charm*, Poor men me did bewitch-all ; Still a blind whining lover had, As Pallas had her fcrich-owl. She kept the chaftnefs of a nun 14- In armour, as in cloyfter. But George undid the dragon juft As you'd undo an oifter. St. George he was for England; St. Dennis was for France* Sing, Honi foit qui n:al y penfe, 150 Great Her drum. 318 ANCIENT SONGS Great Hercules, the o ffsP" n g of Great Jove, and fair Alcmene : One part of him celeftial was, The other part terrene. To fcale the hero's cradle walls Two fiery fnakes combin'd, And, curling into fwadling cloaths, About the infant twin'd : But he put out thefe dragons' fires, Ani did their hiffing ftop ; As red-hot iron with hiffing noife Is quencht in blaclcfmith's fhop. He cleans'd a ftable, and rubb'd down The horfes of new-comers ; And out of horfe-dung he rais'd fame, As Tom Wrench f does cucumbers. He made a river help him through ; Alpheus was under groom ; The ftream, grumbling at office mean, Ran murmuring thro' the room : This liquid oftler to prevent Being tired with that long work, His father Neptune's trident took, Inilead of three-tooth'd dung-fork. This Hercules, as foldier, and As fpinfter, could take pains ; His club would fometiineb fpin ye flax, And fometimes knock out brains : f Who keft Paradift gar Jem at OxfirJ. AND BALLADS. 3^ H' was forc'd to fpin his mifs a fhift, By Juno's wrath and her-fpite ; lg o Fair Omphale whipt him to his wheel, As cooks whip barking turn-fpit. From man, or churn he well knew how To get him lafting fame : He'd pound a giant, till the blood, i$r And milk till butter came.* Often he fought with huge battoon, And oftentimes he boxed ; Tapt a frefh moniler once a month, As Hervey * doth frefh hogfhead. i^O He gave Anteus fuch a hug, As wreftlers give in Cornwall. But George he did the dragon kill, As dead as any door-nail. St. GeorgehewasforEngland ; St. Dennis was for France. Sing, Honi foit %ui malypenfc. 19$ The Gemini, fprung from an egg, Were put into a cradle : Their brains with knocks and bottled ale, Were often-times full addle : 200 And, fcarcely hatch'd, thefe fons of him, That hurls the bolt trifulcate, With helmet-fhell on tender head, Did buttle with red-ey'd pole-cat. Caltor A mstd AUkouft-kttper at Oxford. 320 ANCIENT SONGS Caftor a horfeman, Pollux tho* 20$ A boxer was, I wilt : The one was fam'd for iron heel ; Th' other for leaden fift. Pollux to fhew he was a god, When he was in a paffion, 210 With fift made nofes fall down flat, By way of adoration : This fift, as fure as French difeafe, Demolifh'd nofes' ridges : He like a certain lord * ' was fam'd c 1 5 For breaking down of bridges. Caftor the flame of fiery fteed, With well-fpur'd boot took down ; As men, with leathern buckets, do Quench fire in country town. 220 His famous horfe, that liv'd on oats, Is fung on oaten quill ; By bards' immortal provender The nag furviveth ftill. This fheliy brood on none but knaves 22^ Employ'd their brifk artillery : Flew naturally at rogues, as eggs At Dan De Foe in pillory. Much fvveat they fpent in furious fight, Much blood they did einmd : . 230 Their whites they vented thro' the pore ; Their yolks thro' gaping wound : Then * Lord Lovelace broke dnvn tke bridges alwt Oxford, at tb be- of the Revolution, A N D B A L L A D S. 3 n Then both were cleans'd from blood and dnft To make a heavenly fign ; The lads were, like their armour, fcowr'd, 235 And then hung up to mine ; Such were the heavenly double-Dicks, The fons of Jove and Tindar. But George he cut the dragon up, As 't had bin duck or windar. 240 St. George he was for England ; St.Dennis was for France : Sing, Honi fcit qui mal y penfe* Gorgon a twifted adder wore For knot upon her moulder : She kemb'd her hiffing periwig, 24$ And curling fnakes did powder. Thefe fnakes they made ftiff changelings Of all the folks they hift on ; They turned barbers into hones, And mafons into free-ftone : 250 Sworded magnetic Amazon Her fhield to load-ftone changes ; Then amorous fword by magic belt Clung faft unto her haunches. This ftrield long village did protect, 255 And kept the army from-town, And chang'd the bullies into rocks, That came t' invade Long-compton*. VOL. ID. Y She * SeetbescctuntefRnlriebtSUnes, in Dr,P left's HiJ}.ofOxforJf:irs. 322 ANCIENT SONGS She poft-diluvian ftone unmans, And Pyrrha's work unravels ; 26' And flares Deucalion's hardy boys Into their primitive pebbles* Red nofes me to rubies turns, And noddles into bricks. But George made dragon laxative ; 265 And gave him a bloody flix. St. George he was for England; St. Dennis was for France: Sing, Honi foit qui mal y penfe* By boar-fpear Meleager Acquir'd a lafting name r 270 And out of haunch of bafted fwine, He hew'd eternal fame. This beaft each hero's trouzers ript, And rudely fhew'd his bare-breech, Prickt but the wem, and out there came 275 Heroic guts and garbadge. Legs were fecur'd by iron bolts No more, than peas by peafcods : Brafs helmets, with inclofed fculls, Wou'd crackle in's mouth like chefiiuts. ?.* His tawny hairs erefted were By rage, that was refiftlefs ; And wrath, inftead of cobler's wax,. Did ftiffen his rifing briftles. A N D B A L L A D S. 323 His tuflcs lay'd dogs fo dead afleep, 285 Nor horn, nor whip cou'd wake 'um : It made them vent both their laft blood, And their laft album-grecum. But the knight gor'd him with his fpear, To make of him a tame one, 290 And arrows thick, inflead of cloves, He ftuck in monfter's gammon. For monumental pillar, that His vidtory might be known, He rais'd up, in cylindric form, 295 A coller of the brawn. He fent his made to fhades below, In Stygian mud to wallow : And eke the ftout St. George eftfoon, He made the dragon follow. 300 St. G eorge he was for England ; St.Dennis was for France : Sing, Hani foit qui maly penfe. Achilles of old Chiron learnt The great horfe for to ride ; H' was taught by th' Centaur's rational part, 305 The hinnible to beftride. Bright iilver feet, and mining face Had this ftout hero's mother j As rapier's filver'd at one end, And wounds us at the other. 310 Her 324 ANCIENT SONGS Her feet were bright, his feet were fwift, As hawk purfuing fparrow : Her's had the metal, his the fpeed Of Barfoot's * filver arrow. Thetis to double pedagogue 315 Commits her deareft boy ; Who brad him from a flender twig To be the fcourge of Troy : But ere he lafht the Trojans, h' was In Stygian waters ileept ; 32* As birch is foaked firft in pifs, When boys are to be whipt. With (kin exceeding hard, he rofe From lake, as black and muddy, As lobfters from the ocean rife, 325 With fhell about their body : And, as from lobfter's broken claw, Pick out the fiih you might : So might you from one unfhell'd heel Dig pieces of the knight. 33 His myrmidons robb'd Priam's barns And he-n-joofts, fays the fong; Carried away both corn and eggs, Like ants from whence they fprung. Hirafelf tore Heftor's pantaloons, 335 And fent him down bare-breech'd To pedant Radamanthus, in A poll are to be fwitch'd. But * Af*mus !tttcr-carrler a: OM/a-J : vld. b\\ fifJure tlert. A N D B A L L A D S. 325 But George he made the dragon look, As if he had been bewitch'd. 340 St. George he was forEngland ; St. Dennis was for France : Sing, Hani foit qui mal y penfe. Full fatal to the Romans was The Carthaginian Hanni- bal; him I mean, who gave to them 345 A devilifh thump at Cannae : Moors thick, as goats on Penmenmurc, Stood on the Alpes's front : Their one-eyed guide *, like blinking mole, Bor'd thro' the hindring mount: 350 Who, baffle^ by the maffy rock, Took vinegar for relief; Like plowmen, when they hew their way Thro' ftubborn rump of beef. As dancing louts from humid toes 355 c . Caft atoms of ill favour To blinking Hyatt f , when on vile crowd He merriment does endeavour, And faws from fuffering timber out Some wretched tune to quiver: 360 So Romans flunk and fqueak'd at fight Of Affrican carnivor : Y 3 The * Hannibal kad bat one eye. f A one-eyed fellciu, who pretended tg make fiddles as well as play n thepi j ivell-knoiun in Oxford. 326 ANCIENT SONGS The tawny furface of his phiz Did ferve inftead of vizzard: But George he made the dragon have 365 A grumbling in his gizzard. St. George he was for England; St. Dennis ws^s for France: Sing, Honifoit qui mal y penfe. The valour of Domitian, It muft not be forgotten j 370 Who from the jaws of worm-blowing flies, Protected veal and mutton. A fquadron of flies errant, Againft the foe appears ; With regiments of buzzing knights, 375 And fwarms of volunteers : The warlike wafp encourag'd 'em, With animating hum ; And the loud brazen hornet next, He was their kettle-drum : jS The Spanifli don Cantharido Did him moft forely pefter, And rais'd on flcin of vent'rous knight Full many a plaguy bliiter. A bee whipt thro' his button hole, 385 As thro' key hole a witch, And ftabb'd him with her little tuck Drawn out of fcabbard breech : AND BALLADS. 327 Bat the undaunted knight lifts up An arm fo big and brawny, 390 And flafht her fo, that here lay head, And there lay bag and honey : Then 'mongft the root he flew as fwift, As weapon made by Cyclops, And bravely quell'd feditious buz, 395 By dint of mafly fly- flops. Surviving flies do curfes breathe, And maggots too at Csefar. But George he ihav'd the dragon's beard, And Afkelon * was his razor. 400 St. George he was for England ; St. Dennis was for France ; Sing, Hani foil yui maly peafe-. * Tbt narnt of St. Gxrff' V 4 XVI. LUCY 328 ANCIENT SONGS XVI. LUCY AND COLIN Britten by Tho'mas Ticket, Efq; the celebrated friend of Mr. Addijon, and editor of his works. He was/on of a, Clergyman in the north of England, had his education at Queen s college Qxon, 'was undersecretary to Mr. Addifonand "Mr. Craggs,whenfuccejfi c velyfecretariesofftate; and 'was laftly (in 'June, 1724) appointed fecretary to the Lords "Jujiices in Ireland, which place he held till his death in 1740. He acquired Mr. Addifon's patronage by a poem in fraife of the opera, of Rofamond written while he was at the Uniijerjity. OF Leinfter, fam'd for maidens fair, Bright Lucy was the grace ; Nor e'er did Liffy's limpid itream Refled fo fair a, faqe. Till lucklefs love, and' pining care 5 Impaired her rofy hue, Her coral lip, and damafk cheek, And eyes of glofly blue. Oh ! have you feen a lily pale, When beating rains defcend ? 10 So droop'd the flow-confuming maid ; - Jier life now near its end. AND BALLADS. 329 By Lucy warn'd, of flattering fwains Take heed, ye eafy fair : Of vengeance due to broken vows, : jr Ye perjured fwains, beware. Three times, all in the dead of night, A bell was heard to ring;. And at her window, Shrieking thrice, The raven flap'd his wing. 20 Too well the love-lorn maiden knew The folemn boding found ; And thus, in dying words, befpoke The virgins weeping round. '* I hear a voice, you cannot hear, aj . " Which fays, I muft not ftay : " I fee a hand, you cannot fee, ** Which beckons me away. "* By a falfe heart, and broken vows, *' In early youth I die. 30 " Am I to blame," becaufe his bride " Is thrice as rich as I , ? " Ah Colin ! give not her thy vows ; " Vows due to me alone : " Nor thou, fond maid, receive his kifs, 35 *' Nor think him all thy own. 3 3<5 ANCIENT SONGS " To-morrow in the church to wed, " Impatient, both prepare ; " But know, fond maid, and know, falfe man, " That Lucy will be there. 40 '* Then, bear my corfe ; ye comrades, bear, " The bridegroom blithe to meet ; " He in his wedding-trim fo gay, *' I in my winding-meet." She fpoke, me dy'd ; her corfe was borne, 4$ The bridegroom blithe to meet ; He in his wedding-trim fo gay, She in her winding-meet. Then what were perjar'd Colin's thoaghts ? How were thofe nuptials kept ? $ The bride-men flock'd round Lucy dead, And all the village wept, Confufion, fhame, remorfe, defpair At once his bofom fwell : The damps of death bedew'd his brow, 55 He fhook, he groan'd, he fell. From the vain bride (ah bride no more !) The varying crimfon fled, When, ftretch'd before her rival's corfe, She faw her hujband dead, 60 Then A N D B A L L A D S. 331 Then to his Lucy's new-made grave, Convey'd by trembling fwains, One mould with her, beneath one fod For ever now remains. Oft at their grave the conftant hind +$ And plighted maid are feen ; With garlands gay, and true-love knots They deck the facred green. But, fwain forfworn, whoe'er thoq art, This hallow'd fpot forbear ; 70 Remember Colin's dreadful fate, And fear to meet him there. XVJI. MARGARET'S GHOST. *This Ballad, which appeared in fame of the public tifws- papers in or before the year 1724, cam; from the pen of Da-vid Mallet, Efq; who in the edition of his poems, 3 vols, 1759, informs us that the plan was fuggejhd ty the four *verfes quoted above in pag. 1 19, which he fuppoj'ed to be the beginning of fame ballad nmv loft. *' fhefe lines, Jays he, naked of ornament andfemple, as they ' ' are, Jtruck my fancy ; and bringing frejb into my mind an " unhappy adventure much talked of formerly, gave birth to " the following poem, which ivas written many years ago." The two introductory lines (and one or two others elfe- where) had originally more of the ballad jtmplicity, viz. " When all was wrapt in dark midnight, tl And all were faff alleep, &c. 'TWAS 332 ANCIENT SONGS 9 TT WAS at the filent folemn hour, JL When night and morning meet ; In glided Margaret's grimly ghoft, And flood at William's feet, Her face was like an April morn, Clad in a wintry cloud : And clay-cold was her lily hand, That held her fable flirowd. So fliall the faireft face appear, When youth and years are flown : Such is the robe that kings mull wear, When death has reft their crown. Her bloom was like the fpringing flower, That fips the filver dew ; The rofe was budded in her cheek, 15 Juft opening to the view. But love had, like the canker worm, Confum'd her early prime : The rofe grew pale, and left her cheek ; She dy'd before her time. 2 *' Awake ! (he cry'd, thy true love calls, " Come from her midnight grave j " Now let thy pity hear the maid, *' Thy love refus'd to fave. " This AND BALLADS. 333 " This is the dumb and dreary hour, 25 " When injur'd ghofts complain ; " Now yawning graves give up their dead, " To haunt the faichlefs Twain. " ''Bethink thee, William, of thy fault, '* Thy pledge, and broken oath : 30 " And give me back my maiden vow, " And give me back my troth. " Why did you promife love to me, " And not that promife keep ? " Why did you fwear mine eyes were bright, 35 " Yet leave thofe eyes to weep ? " How could you fay my face was fair, " And yet that face foifake ? " How could you win my virgin heart, " Yet leave that heart to break ? 40 " Why did you fay my lip was fweet, " And made the fcarlet pale ? *' And why did I, young witlafs maid, * Believe the flattering tale ? " That face, alas ! no more is fair ; 45 ** Thefe lips no longer red : " Dark are my eyes, now clos'd in death, " And every charm is fled. Kf. 25. the mirk and fearful hour. i/?. Edit. " The 334 ANCIENT SONGS " The hungry worm my filler is ; " This winding-meet I wear : 50 " And cold and weary lafts our night, " Till that laft morn appear. " But hark ! the cock has warn'd me hence ! " A long and laft adieu ! *' Come fee, falfe man, how low me lies, 5$ " Who dy'd for love of you." The lark fung loud ; the morning fmil'd, With beams of rofy red : Pale William fhook in ev'ry limb, And raving left his bed. 6 He hyed him to the fatal place, Where Margaret's body lay ; And ftretch'd him on the grafs-green turf, That wrapt her breathlefs clay : And thrice he call'd on Margaret's name, 6$ And thrice he wept full fore : Then laid his cheek to her cold grave, And word fpake never more. Yer, 57. Now birds did fing, and morning fmile, And fhuw her glittering htad. ijt Ed, XVIII. THE A N D B A L L A D S. xvm. THE BOY AND THE MANTLE, As REVISED AND ALTERED BY A MODERN HAND. Mr. Warton, in bis ingenious Observations on Spenfer r has given his opinion that the fSion of the Boy and the Mantlets taken from an old French piece intitled LE COURT MANTEL quoted by M. de St. Palaye in bis curious " Memoir es fur /' ancienne Chevalerie," Paris, 1759* 2 torn. 1 2mo. vjho tells us the ftory refembles that of Ari- ojlo^s inch anted cup. 'Tis pojfible our English poet may have taken the hint of this fubjefl from that old French Ro- mance, but he does not appear to have copied it in the man- ner of execution : to 'which (if one may judge from thefpe- cimen given in the Memoires} that of the ballad does not bear the leafl refemblance. After all 'tis moft likely that all the old ft cries concerning K. Arthur are originally of Britijh growth, and that *what the French and other fouthern na- tions have ofthi' kind were at Jirft exported from this ijlantf- See Memoires de I' Ac ad. des Injcrip. torn. xx. /, 352. IN Carleile dwelt king Arthur, A prince of pafling might; And there maintain'd his table round, Befet with many a knight. And there he kept his Chriftmas With mirth and princely cheare, When, lo ! a ftraunge and cunning boy Before him did appeare- j A kirtle. 336 ANCIENT S-O N G S A kirtle, and a mantle This boy had him upon, io With brooches, rings, and owches Full daintily bedone. Hehadafarkeoffilk About his middle meet ; And thus, with feemely courtefy, 15 He did king Arthur greet. " God fpeed thee, brave king Arthur, *' Thus feafting in thy bowre. " And Guenever thy goodly queen, " That fair and peerleffe flowre. 2 " Ye gallant lords, and lordings, " I wifli you all take heed, " Left, what ye deem a blooming rofe *' Should prove a cankred weed." Then ftraitway from his bofome 25 A little wand he drew ; And with it eke a mantle Of wondrous fhape, and hew. " Now have thou here, king Arthur, " Have thou here of mee, 30 *' And give unto thy comely queen, *' All-fhapen as- you fee. " No AND BALLADS. 337 '* No wife it (hall become, " That once hath been to blame." Then every knight in Arthur's court 35 Slye glaunced at his dame. And firft came lady Guenever, The mantle me muft trye. This dame, me was new-fangled, And of a roving eye. 40 When (he had tane the mantle^ And all was with it cladde, From top to toe it (hiver'd down* As tho' with fheers befhraddd One while it was too long* 4$ Another while too fliort, And wrinkled on her moulders In moil unfeemly fort. Now greenj now red it feemed* Then all of fable hue. 5* ft Befhrevv me, quoth king Arthur* *' I think thou teeft not true," Down (he threw the mantle, Ne longer would not ftay ; But (terming like a fury^ 55 To her chamber flung a\vaj> VOL. III. 2 ANCIENT SONG S She curft the whorefon weaver, That had the mantle wrought: And doubly curft the froward impe, Who thither had it brought. 6c " I had rather live in defaits " Beneath the green-wood tree :. " Than here, bafe king, among thy groom es, " The fport of them and thee." Sir Kay call'd forth his lady, 65 And bade her to come near : ** Yet dame, if thou be guilty, " I pray thee now forbear." This lady, pertly gigling, With forward ftep came on,, 79 And boldly to the little boy With fearlefs face is gone. When flie had tane the mantle, With purpofe for to wear : It fhrunk up to her moulder, 75 And left her b**fide bare. Then every merry knight, That was in Arthur's court, Gib'd, and laught, and flouted, To fee that pleafant fport. 80 Downs A N D B A L L A D S. 339 Downe (he threw the mantle, No longer bold or gay, But with a face all pale and wan, To her chamber flunk away. Then forth came an old knight, 85 A pattering o'er his creed ; And proffer'd to the little boy Five nobles to his meed : " And all the time of Chriilmafs " Plumb-porridge mall be thine, 90 " If thou wilt let my lady fair " Within the mantle mine." A faint his lady feemed, With ftep demure, and flow, And gravely to the mantle 95 With mincing pace does goe. When {he the fame had taken, That was fo fine and thin, It flmvell'd all about her, And fliow'd her dainty fldn. 100 Ah ! little did HER. mincing, Or HIS long prayers beftead ; She had no more hung on her, Than a uflel and a thread. Z * Vow* 340 ANCIENT SONGS Down fhe threwe the mantle, IO^ With terror and difmay* And, with a face of fcarlet, To her chamber hied away. Sir Cradock call'd his lady, And bade hf to come neare : HO *' Come win this mantle, lady, " And do me credit here. *' Come win this mantle, lady, " For now it fhall be thine, " If thou haft never done amifs, j 1 5 " Sith firft I made thee mine.'* The lady gently blnfhing, With modefl grace came on, And now to trye the wondrous tharm Courageously is gone. j 2* When me had tane the mantle, And put it on her backe, About the hem it feemed To wrinkle and to cracke. " Lye ftill, fliee cryed, O mantle ! 125 " And ihame me not for nought, *' I'll freely own whate'er amifs, *' Or blameful I have wrought. 2 " One* A N D B A L L A D S. 34I Once I kift Sir Cradocke " Beneathe the green-wood tree: 130 ** Once I kifl Sir Cradocke's mouth " Before he married mee." When thus me had her mriven, And her worft fault had told, The mantle foon became her .135 i Right comely as k mold. Moft rich and fair of colour, Like gold it glittering fhone : And much the knights in Arthur's court Admir'd her every one. 144 Then towards king Arthur's table The boy he turn'd his eye ; Where ftood a boar's-head garnished With bayes and rofemarye. When thrice he o'er the boar's head 145 His little wiind had drawne, Qnoth he, " There's never a cuckold's knife, - " Can carve this head of brawne." Then fome their whittles rubbed On whe-tftone, and on hone : i^ Some threwe them under the table, And fwore that they had none. Z 3 Sir 342 ANCIENT SO'NGS Sir Cradock had a little knife Of fteel and iron made ; And in an inftant thro' the fkull 155 He thruft the mining blade. He thruft the fiiining blade Full eafily and faft : And every knight in Arthurs court A rnorfel had to tafte. 1 6& The boy brought forth a home, All golden was the rim : Said he, " No cuckolde ever can '* Set mouth unto the brim. ' No cuckold can this little home 165 " Lift fairly to his head : *' But or on this, or that fide, " He mail the liquor med." Some fhed it on their moulder, Some med it on their thigh ; 170 And hee that could not hit his mouth, Was fure to hit his eye. Thus he, that was 3 cuckold, Was known of every man : Jut Cradock lifted eafily, 175 And wan the golden can. Thus A N D B A L L A D S. 343 Thus boar's head, horn and mantle Were this fair couple's meed : And all fudi conftant lovers, God fend them well to fpeed. 1 80 Then down in rage came Guenever, And thus could fpightful fay, *' Sir Cradock's wife moft wrongfully " Hath borne the price away. *' See yonder fhamelefs woman, 185 " That makes herfelfe fo clean : *' Yet from her pillow taken *' Thrice five gallants have been. " Priefls, clarkes, and wedded men " Have her lewd pillow preft : 190 " Yet me the vvonderous prize forfooth " Muft beare from all the reft." Then befpake the little boy, Who had the fame in hold : *' Chaftize thy wife, king Arthur, 195 Of fpeech me is too bold : *' Of fpeech me is too bold, *' Of carriage all too free ; " Sir king, me hath within thy hall " A cuckold made of thee. zoo Z 4 "All 344 ANCIENT SONGS " All frolick light and wanton '* She hath her carriage borne : " And given thee for a kingly crown " To wear a cuckold's home." %* The learned editor of the Specimens of WELCH POETRY, 4/0. informs me that the jhry of the BOY AND* THE MANTLE is taken from what is related in feme of the old Weljh HISS, of 3 'egan Earfron, one cf King Ar- thur's miftrcffes. She is /aid to have pfljjejjed a mantle that would not jit any immodeft or incontinent 'woman ; this (which, the old writers fay, was reckoned among the curt- ofities of Britain) is frequently alluded to by the old Weljh Bards. CARLEILE, fo often mentioned in the Ballads of K. Ar+ thur, the editor once thought might probably be a corruption r/'CAER-LEON, fin ancient Britijh city on the river UJke in Monmouthjbire, which was one of the places of K, Ar- thur's chief refidence ; but he is now convinced, that it it no other than CARLISLE, in Cumberland ; the Old Englijb Minftrels, being moji of them Northern Men, naturally re- prefented the Hero of Romance as refiding in the North : And many of the places mentioned in the Old Ballads are Jiill to be found there: Thus Tearne-Wadling (vid- p. 12. note.) is the name of a Lake near Hejketh in Cumber- land, on the road from Penrith to Carlijle. A Tradition Jiill prevails in the neighbourhood, that an old Cajtle once jlood at Tearne-Wadling, the remains of which are either ntfw, er were not long fence to be feen. XIX. V AMOUR. A N D B A L 1* A D S. 34$ XIX. L 'AMOUR ET GLYCERE. DE L'ANCJLOIS. 'The little Sonnet intitled CUPID AND CAMPASPE (printed above in p. 82.^ beautiful as it is, 'will have an additional merit ivitb the Reader of Tafte, 'when be finds it has given birth to the following elegant andfpirited lines : to which the Author's modefty will not permit him to affix bis name. It is, however, too flattering a compliment for the Editor to conceal, that this little Jprightly pcem was written purpofely for this Collection ; and was at onct ajt effujion of fancy and friend/hip. ' A ^ P"l uet avec ma Glycere *JL L 'amour jouoit un jour aux bailers, ctperdit. II paye, et met fon arc, fes fleches ; ma bergere * Le fait capot et gagne : Amour, plein de depit, * Rifque les effets de fa mere, 5 ' Ses colombes, fes tourtereaux, * Son attelage de moineaax, $4$ A N C I E N T S O N G S, &c. ' Et fa ceinture feduifante ; * Perd tout cela : de fa bouche charmante ' II joue enfuite le corail, * L 'albatre de fon front, 1 'email ' De fon teint des lis et des rofes, ' La foflette de fon jnenton, * Et mille autres beautes nouvellement eclofes : ' Le jeu s 'echaufFe, et le petit fripon, 15 ' Sans reflburce, et tout en furie ' Contre mes yeux, va le tout, il s 'eerie ! ' Glycere gagne, et L 'Amour confterne Se leve aveuglc et ruine. * Aicoor ! de 1 'infenfible eft-ce done la' 1 'ouvrage ? ' Heias ! pour inoi quel funefte prefage ! THE END OF THE THIRD BOOK. - A GLOS- A GLOSSARY OF THE OBSOLETE AND SCOTTISH WORDS IN VOLUME THE THIRD. Sncb ivords, as the reader cannot find here, be is dejtred to hokfor in the Glnjjariet to the other volumes. A. A' au. s. all. Ahye./v/fr, fry for. Aff. s. off. Afore, before. Aik. s. oyk. Aith. s. oath. Anc. s. one ; an, a. Ann. if. Aquoy, p. 256. coy, Jby. Aftonied. aftonijbed, Jlunned. Auld. s. old. Avowe. vonu. Awa*. s. a^juay. Aye. ever ; alj'a, ah ! alas ! Azont. s. beyond. B. Ban. curfe. Banderoiies. Jif earners, little fags. Banlcl. s. bold. Becleene. immediately. Bedone. ivrougbt, nia.de up, Becre. s. bier. Bent. s. long graft ; alfo, rigfjtfy,jqyouf. Blyth, p. 6t).joy,jprightiini:fi. Bones. />. 14.8. young bones; a common phrafe ivith our old I'jr/tersjbr Children*. BbokeT- * So in the Old Chronicle Hiftory of King Leir, 1605. wi it- ten before Shakefpeare's. (Vid. Vol. I. p. *IQ.) LEIR lays of GONORILL, ^_ ' Poor* A GLOSSARY. Bookcfinan. clerk, fecretary. B >on . favour ) requeft, petition. Bore. born. Bc'-ver, bowre. any boived or arched room ; a parlour, chamber j alfo a dwelling in general. Bowie woman, s. chamber- maul. Brae. s. the fide of a bill, a de- clivity. Brakes, thickets of brambles. JBrand. fword. Braft. bur/I. liraw. s. brave. Brayde. a're-rv out, unjbeatked* Krenr. s. burn. Bridal, the nuptial f erf. Biiaue, brigg. bridge. Britied. cawed. Vid. Biytt- lynge. Ghff. Pal. I Brooches, />. 3. ornamental trinkets. Stone buckles off, I *uer or gold* with wbicb gen- thtnen cvd ladles cl-itp their fiirt-bofo:n.>j and handker- chief < f are called in the North brooches. Brocht. s. brought. Bugle, bugle-horn, a hunting born: Bx.rn, bourne, b^ook. Br.fk. drfft, deck. i-Ui{ if. unitfs. Bitt, s. out, cut of doors, C. Can. ""gan, began. CaitifF. ajlave. Canr.a, s. cannot. Carle, a churl, clown. Carlifh, cbuylijb, difccurtttas. Cau. s. call. Cai.ld. s. cold. Certes. certainly. Chap. s. knock. Chevaliers, f. knights. Clii'd, p. 54. a knight. See ! r oi. I. p. 44. f Glo/. Chielci, s. is afltght cr familiar way 0} fpeaking of a perfon, like cur Englijb ivord lellow. Tlie chield, /. e. the feliti-uo. Chriitentie. C'uriflendcme. Churl, clo-wn : a perfon of Icio birth j a 'villain. Church-ale, a watt, a feaft in commemorating if tk de- dication of a Church. Claith?, s. chatbs. Ciead, s. chat bed. Cleadi:ig, s. cha;b>nr, Cittl, s. clad, clov'iltd. Clerks, clergymen, literati^ fcholar:. Cliding, s. doctbing. Cold, couid, p. 3. kjie r w. Coieynr. f.ologn fltel. C,'on tli rinks, gi-i-e tlxmks. Cotirtnais. p. 183. Cramafie, . crimfon. Cianion. JkuU. CrinWs. " Porre foule, flie lireeds yoNG BONES, ' A:id thai is it mnkes h>r fb ti.tchy lure. f GON. WllP.tHiee.l V-ONH BO.ES n!rca. 245. i trod, it fiyiijies a ;;:::>:' der garment . L. La eke. nuftnt. Laith. s. /;,'/'. Lang. s. laai;. Lnp. s. h\T^.f. LargefTe. t. give. I.ee; Such kind of ornaments were very commonly worn in ihis man- ner formerly by. young women in the North ; where it is a com- mon phrafe to lay, " I've got a lair haufe." i.e. I have got a fore thro.it. * Bale in his A8es of Eng. Votaries (;d Part, fol. 53.) ufc the wore! KYRTLE to ligr.iiy a Monk's Frock. He fays Ko^er Earl f Shrewfbiuy, whfn lie was'ilying, lent " to C1'iny;ike in ' France, lor the KV.RTI.E ci holy Hugh the Abbct thcie, .Xc." A GLOSSARY, Lee. fold, plain. Lee. s. lie. Leech, phyfician. Leefe. s. lofe. Leffe. (Itttrod.) leefe. dear. Leid. s, lyed. Ivemman. lover. Letieh. s. laughed. Lewd, ignorant ifcandaloits. Lichtly. s. lightlj, eafily, nimbly. Lig. s. lie. Limitoiirs./Hflrr licenfed to beg within certain limits. Limitacioune. a certain pre- cinSl altoived to a limitour. Lither. haughty, wicked. Lo'e, loed. s. love, loved. Lothly. p. 18. (vid. lodlye, Gloff. Vol. a.) loathfome *. Loud's I heire. perhaps t Loud as I hear. p. 9 ? . Lounge, (Introd). lung. Lourd, lour, s. lever, rather. Loss, lave, s. loves, love. Lyan, lyard. s. lying. Lyftenyth. (Introd.) lift en. M. Mair. more. Mait. s. Might. Mark, a coin in value i^s. $d. Maugre. infpite of. Mavis, s. a ihrujh. Maun. s. miifi. Mawt. s. malt. Meed, reward. Micht. might. Mickle. much, great. Midge, a ftnall in/eft, a hint of gnat. Minftral. s. minftrel. muficiant. Minftrelfie. mufic. Mirkie. darh, black. Mifliap. tniifortune. Mither. s. mother. Moe. more. Mold, mould, ground. Monand. moaning, bemoaning. Mores, moors, marjh grounds. Morrownynges. mornings. Mofles. fwampy grounds c- vered ivith mofs. Mote, mought. might. Mou. s. Na. nae. s. no. Naithing. s. nothing. Nane. s. none. Newfangle, newfangled, fond of novelty. Nicht. s. night. Noble, a coin in value 6s. %d. Norland, s. northern. North gales. North Wales. Nurtured, educated, bred up. o. * The adverbial Terminations -SOME and -LY were applied indifferently by our old writers : thus, as we have Lothly for Loathfcme, above; fo we have Ugfome for Ugly in Lord SUR- REY'S Vtrfion of ./En. ad. viz. " In every place the V."SOME fightes I faw." Page [29.1 A GLOSSARY. 353 o. Obraid. s. upbraid. Ony. s. any. Or. ere, before.-~ln p. 50. v. 41 . or feems to have tee force of the Latin vel, and tojigni- fy even. Ou. (lntrod.}you. Out-brayde. drew out, un- Jbeatlxd. Owre. s. crvfr. Owre-word. s. the loft