Ex Libris C. K. OGDEN US; LESSONS IN GREEK; A FAMILIAR INTRODUCTION TO THE GREEK LANGUAGE, AS A LIVING TONGUE. BY THEODORE D WIGHT, JR; SPRINGFIELD: PUBLISHED BT G. AND C. MERRIAM. 1833. Entered according to act of Congress, in the year 1833, by o. t c. M ERR i AM, in the Clerk's Office of the District Court of Massachusetts. PREFACE. THIS book is designed for the instruction of the young in the Greek as a spoken and written, that is, a living language. The author regards this as a highly important branch of education, and would have it taught before the Latin, as well as the French, Spanish, and Italian, all which owe to it their origin. This noble, venerable, highly cultivated, and useful language he would wish to see much more extensively and thoroughly understood than it ever has been in this country, that the best heathen writers may be familiarly read in the original, and still more the New Testament, with that translation of the Old, which was so often quoted by the apos- tles and the Savior. Having, however, had an acquaintance with the old plan of studying and teaching Greek, he sees no possibility of the desired end being accomplished until a fundamental change be made in the method. Sufficient evi- dence that the knowledge of Greek is at a very low ebb in the United States, is found in a recent declaration of Profes- sor Stuart, in which he represents the time devoted to it as so nearly wasted, that even graduates at Andover generally carry away with them hardly any useful knowledge of so im- portant a tongue. 1C91SSG - * IV PREFACE. The ancient Greek grammars appear to have been designed for text books for the occasional reference of instructors. But although our grammars at the present day are formed on the same general plan, teachers in England and the United States have often persisted in driving their pupils through the whole book, before they have allowed them to regard the language in the only proper light : that is, as a thing for practical use. When language is otherwise presented, than as a convenient vehicle for thought, it is misrepresented ; and when treated as something else in instruction, it can never be well ac- quired. Common grammars, so far from being adapted to the capacities of children, are formed on a plan which a ma- ture mind finds it exceedingly difficult as well as uninterest- ing to pursue ; and although an instructor may acknowledge no other mode of teaching a language but that common in our institutions, he never submits to study in that manner if he can avoid it, but seeks the aid of the living voice and ear, and chooses to apply the new words at once to objects around him, and feelings in his own breast. In this manner the memory is no less exercised, and it is employed in a more natural and rational manner, while other powers of the mind are also brought into action at the same time ; if the plan be such as should be adopted, other branches of knowl- edge, and the training of the affections, may be connected with the study of language to a considerable extent. Different men of eminence have recommended the adoption of a system of instruction allied to that commonly practised with mother tongues, among whom may be mentioned Mr. Locke, President Dwight, and Professor Stuart of Andover ; and some of our recent editions of Greek grammars have made some progress towards a change in this respect. But while we see such results in all ages and countries, in the progress of language among children, who pursue the method of nature, there can be no doubt that our ground work should PREFACE. V if possible be laid on the same principles. An attempt is therefore made in this work to lead those beginning the study of a most important tongue, in a way \vhich cannot be well pursued without the prospect of advantage. The lessons are designed to guide the teacher as well as the student : for although some such course of varied questions was probably pursued by teachers in ancient times, and is supposed by the grammars to grow out of the principles they contain, it re- quires a familiarity with the language which is rarely to be found among us. Some of our best teachers of modern lan- guages now pursue a somewhat similar plan in their classes. It will be seen that various principles are used in the course of these Lessons, such as some of Jacotoi's, Fellenberg's, Hamilton's, &c. all which may be more properly compre- hended under the natural or maternal system. It may seem to some persons, that the adaptation of Greek stanzas to moderr times is an improper familiarity with that venerable tongue: but its excellencies and beauties are of such a na- ture, that they are only enhanced by intimate acquaintance. The mind easily and naturally deduces general principles from isolated cases, and improves by the practice : opportuni- ties are therefore afforded in this work for the exercise of this propensity. It often makes great exertions also, and accom- plishes much while it is laboring to attain an ulterior object, and not discouraged by being set at an acknowledged task. On this account the forms of letters are first held up to view, but the pupil will probably learn their names without much sensible exertion. Exceptions from general rules form the most unpleasant and yet not the most important part of grammar ; and therefore many of the secondary rules, em- bracing only exceptions have been omitted in these intro- ductory Lessons. As the mind of the pnpil is the great ma- chine by which the difficulties of the language are to be over- come, opportunities are here offered for its employment, in 1* VI PREFACE. the encouraging task of self instruction in retirement as well as in the regular hours of study ; and this part of the plan, as well as others, may be greatly varied according to cir- cumstances. On these principles the author has great reason to rely, though he apprehends that he may not have done them full justice in their application. We have no uniform system of pronunciation for the Greek, and none which can be right if the principles of Eras- mus are just : for in professing to follow his plan we give several letters the sounds of the English instead of the Ger- man language. The pronunciation of the modern Greeks is harmonious, easy, and useful in tracing etymology in Greek as well as other languages, while its acquisition introduces us at once to a spoken tongue. It has been therefore adopted in this work, though the plan of study may be pursued with advantage if it be discarded. The Greek, it will be observed, is here treated as one language, containing several dialects, among which the Modern receives the greatest attention, be- cause practically useful in introducing us to the general fea- tures of the whole tongue. The teacher or pupil need only to be referred to the supe- rior advantages enjoyed by every Greek of the present day, in the study of the language of his ancestors, to be con- vinced that a familiar acquaintance with their mother tongue is highly important, whether its affinity to the ancient be near or distant. The following remarks, the author wishes it to be under- stood, are made rather for the gratification of the curiosity of those who have never examined the Modern Greek language, than to gain any opinions in favor of his own ; as he wishes to urge the adoption of the principles of instruction in these Lessons chiefly on the ground that they are highly expedi- ent. He regards the Modern and Ancient tongues of Greece PREFACE. Vll as no more unlike than the English of Chaucer from that of our present writers, and much less so than many of the in- telligible dialects of England, France, Italy, &c. from those of there respective courts, or those of the ignorant and the refined of our own country. The great question, however, still is ; Is the plan proposed expedient ? F, which is called in Greek the digamma or double gam- ma, (as it has the form of two .Ts,) was introduced into An- cient Greek at an early period, and at first expressed sounds which were subsequently represented by the letters (?, y, S, &> n , V> Xi as well as v, ot } ov. It was differently used in some of the dialects. The ^Eolians, for instance, are said to have placed it between two vowels to improve the sound, al- ways after and e, and sometimes before some consonants. The various uses of the digamma must have produced a con- fusion to the eye, even where none existed to the ear. On this principle many differences in the ancient dialects will appear only as differences in spelling, and not in sound. The modern Greeks give the same sound of long English e to 17, *, v, (when a vowel,) . But as no grammar is considered complete which does not comprehend all, they erroneously pass as distinct *s. Before Erasmus the Modern Greek pronunciation pre- vailed in Europe, as is proved by the grammar of Scote, pub- lished iu London in 1604, and that of Clenardus, published in Frankfort in 1590.* * The Author here copies the names of the Greek letters from an edition of Clenardus' Grammar in his possession, published in Hanover in 1604. The power of the letters is of course that of the X PREFACE. One ancient writer says, that t was so pronounced as to make the sound come through the teeth, the mouth being a little open, but without any movement of the lips. He says again, that e was pronounced with the mouth open ; but o better disposes the aperture. Aristophanes says that dnsxe^ay was by some gramma- rians written dnexiZav and Eustatius makes remarks which show that ei and t were sounded alike. He also says in speaking of book B of the Iliad, v. 93, that was formerly written e, " which had the same sound." The ancient lonians contracted is into t; as noheg into nolis, fegov into fqov ; while the Attics made it et. Now the lonians analyze si> into ee t as guA.ee for qotiet, which shows that they used ee for e. In many ancient inscriptions, * is substituted for e. A scholiast says (noxefov must not be written with i. How could there have been any necessity for saying this, unless the sound of et and had been the same ? In numerous Greek names, and other words, the Romans represented si by /: as IVeilog, Nilus : ie/tfw, libo, &c. &c. and Aulus Gellius says they usually wrote the terminations of the plural nouns in s*, but afterwards omitted the e. The /Eolians wrote Is'yt/u, ta'pj, leyiai. The circumflex accent in a diphthong is places over the vowel whose sound is retained : as ATJTOI, IJeQixlei. The rules for placing the accents would require, if the sounds of ot and ei are separated, the grave accent should be used, as these vowels are short. An ancient writer remarks, that the German, giving a the sound it has in father, t that of a in mate, i in unique, &c. Alpha, a ; vita, v ; gamma, g : delta, d ; epsilon, e ; zita, z ; ita, i ; thita, th ; iota, i ; cappa, k c ; lambda, 1 ; my, m ; ny, n ; xi, x ; omicron, o parvum ; pi, p ; rho, r ; sigma, s ; tau, t ; ypsilon, y ; phi, ph ; chi, ch ; psi, ps ; omega, o magnum. PREFACE. XI circumflex accent was used in nloior, because the ^Eolians, dividing vowels o, t, said nlo'fov. These few extracts are made from Meinas as examples of the numerous arguments with which he contends for the an- tiquity of the Modern Greek pronunciation, and rather for the gratification of common readers than the establishment of the point : for the author repeats, that he considers the expe- diency of its adoption in our schools as sufficient ground for proposing it, even to such as may suppose it differs as widely from the pronunciation of ancient days as our own. As has been before remarked, some light on the affinity of the ancient and modern Greek may be found in the following pages LESSONS IN GREEK. FIRST LESSON. [Let these words be written on the black board, or on a slate or pa- per, before the class assemble, and placed where all may see them distinctly from their seats.] / write a letter. [The following questions may be put to the whole class : but it is generally better to put questions to one scholar at a time, sometimes in order as they sit or stand, and sometimes selecting them without re- gard to order, to keep them attentive.] How many Greek words are here? How many letters are in the first ? Write the first letter. This capital or large epsilon is like what English letter ? Epsilon sounds like e in met, or a in mate. Now write the second letter. Gamma,* you see, is made long : the pen being carried down below the line, and brought up again. That is the Greek g. Now write omega. Gamma, omega spell go. What is the *whole word ? Speak it. Erase it. Write the first letter. What is it ? How does it sound ? Write the * Speak gamma as if spelt gammah; and omega, as if spelt 6me"gah. 2 10 LESSONS IN GREEK. second. What is it ? How does it sound ? The third. What is it ? How does it sound ? Put the little mark before or over epsilon, which is the soft breathing, and shows that the ancient Greeks used to sound it as if h came before it. Mark the long accent over omega. That shows that you are to speak it more strongly than the rest of the word : ego, not ego : e must be sounded like e in met, or a in mote ; and e like c in me. Now erase it, and write the word again. "What is the first letter 1 Second ? Third ? What must you put over the first ? Why ? What over the third ? Why ? Erase and write it again. How many letters are in the second word ? What is the first ? What is it like ? What does it sound like ? Write the second. Ro, as you see, goes below the line, but does not come up to it again. Write alpha. That is the Greek a, and sounds like a in father. Spell this first syllable after me : gamma, ro, alpha gra, [pronounced grah.~\ Erase it. Write it again. What is the first letter ? Second 1 Third ? Write the fourth, phe. What is the last ? What does phe, omega spell ? Put the sharp accent over alpha. That shows that it is sounded more strongly than any other part of the word, as a is in father. It is spoken grapho, not grapho. Erase the two words. Write the first. The second. Erase them again. What is the last letter in the first word ? The second ? The first ? What is the third letter in the second word? The fifth ? The fourth ? Second? First? Erase them. Write the second word : the first before it. What accents are to be placed over them ? Where ? Why ? What breathing ? Where ? Why ? How many letters are in the third word ? Write the first. FIRST LESSON. 11 It is a small epsilon. What does epsilon sound like ? What is over it ? Why ? Write the second letter. The third. Spell this syllable after me: epsilon, pe, iota epi. Erase and write it again. Write the next syllable: sigma, taf, orni- kron sto. Write it again. Write the seventh letter, lam- da. The eighth, eta. The ninth, ne len. Erase and write it again, and put the dull accent over eta. This shows that eta is spoken more strongly than any other part of the word. What mark is over epsilon ? Why 1 Erase the whole word. Speak it. What is the first letter ? Second ? &c. &c. Erase it. What is the last letter ? The fifth ? &c. Where is the soft breathing to be placed ? Which accent is used ? Where is it put ? Why 1 Erase the word. Write all the three words. Speak them. What do these mean ? [Make every scholar speak the sentence many times, with the proper accents, until all are familiar with them. Make all write them over and over again, and spell them, naming all the letters, till they know them by heart.] What letters are used more than once in these three words ? What are used only once ? Let each write down in a line all the different letters, with the names and sounds against them : thus, E e epsilon like e in met. Y gamma g w omega o and so go on with the other letters. [The Greeks have a written hand, as different from the printed text as ours is. It is easy and useful to learn it and use it.] O-/e'ya, or omega, means great or long o. O-fuxgdv, or 12 LESSONS IN GREEK. omikron, means small o. JE-y/t'Aov, or epsilon, means sharp or small e. Write /"eya, (itxydv, and ytt-ov. What letters are hero which were not given before ? Write them under the others, with their names and sounds against them. /" is called me, and sounds like m. x is called kappa, and sounds like k. V is called pse, and sounds like ps. How many letters have you now in all 1 There are in Greek only 24 letters. In English there are 26. Who can put together any of these words so as to make sense ? [si sounds like e in me.] is. man. good, friend. wise. yi'kdv&QWTCog, yikbaoyoq, r\v, 6, ot>Vo philanthropist, philosopher. was. the. this. he. runs, speaks. walks. horse. [Those who can make sentences of these words should write, spell, speak, and translate them over and over; and the other scholars after them. When one has written or spoken, inquire of others whether it is right, &c.] What letters are there in these words which you have not had before ? Set them down, u is called vydov, (epse- lon,) and sounds like e in me, or like v orf. FIRST LESSON. 13 The 24 Greek letters when placed in order are : Letters. Names. Sound like A a alpha a in father B /S beta or veta v " vain r y gamma g before a, , o J " 17, , t, *, 01 A d delta th in this E e epsilon e " met Z zeta z " zinc H y eta e " me & & theta th thin I i iota e " me K K kappa K A^ing A I lamda 1 " let M p me m " man N v ne n " no z xe x " six O omikron o " not or no n * pe p " put after u, and v like b f' * P 9 ro r w rope 2 o q sigma S " 50 T T taf t ^o Y v eipsilon e " me after a, e, 77, t, like y or v (p y phe ph" p/iysic X y hhe hh" o/t, /tow 5P" w pse ps w gipsey Ll CD omega o " no 2* 14 LESSONS IN GREEK. What are the two first letters called ? Speak them toge- ther. What English word do they sound like ? Alphabet means what, we mean when we speak of a, b, c. There are many words from the Greek in our language, which mean nothing more than some very common English words. [Having removed the alphabet, the teacher, if he have time, may say Write omikron. Give its sound. Delta. Its sound. Pse. Its sound. &c. &c.] [Or the teacher may give the scholars these words, written by him or themselves, to take home and commit to memory, write, and speak.] Sound e as in me ; e as in met, or like a in mate ; d like th in this; oo as in boot ; o as in no ; and oi as e in me. Kctki} rjjU^a, JovKoq aog, kale hemera doolos sos Good day. Thy servant. (servant thy} Hag e%Te ; Ti xh'tare ; poz ehhete te thelete How do you do ? What will you ? (How have you ?} ( What do you want ?} g TOV oxov juoi>. Come into the house of me, (my house.} Hov eicfiv 6 natriQ Y.O.I r\ \VY\T;r$ /nov ; poo esen ho pater ke he meter moo Where are the father and the mother of me? (my father and mother.} Eig rriv nohv. ees ten bolin In the city. EAETE1A, tit TOV Aip<5 Bupuvu. m Toil! Xa/inpot>; 6/ivouj rlj; vt - xtjf o - - =ff -- T-r F i>-* b ^-^ pciui/ 4 jrrpardj, KoJ rd rpf - noiov 0a - d - rou f aXXos Tt>praTof, Efs K&dt or^Oof noX^fiwv opfufif, H\rlv, (f>cu, b BdfSos tXirdraf /larai'ws, 'loot) pcm 8ti(>ovaa rb ica'XXof n>>oq ri Iffit^ev avf/Kou aoSpov. 5. 'EXXas .' ay rd (ij, I go down; , he came out ; awxadito/usv, we sit tog-ether; avfi- ofiev, we sound tog-ether, or harmonize. Prepositions are never changed like nouns, verbs, and ad- jectives. There are many prepositions, such as : ig, v, avv, in or into, in, with, with, without, through, THIRD LESSON. *O dvTt, nagd, dnb, exore, Inl, against, from or by, from, out of, upon, xavd. according to, &c. Look at the seven Greek words at the beginning of this lesson. Do you know what kind of word the fifth is 1 ? You see the meaning written under. Is it a noun, verb, adjective or preposition ? Why not the first ? &c. What word does it end like ? What word does it seem, from its meaning,to be- long to ? Tdv is an article a definite article, like the in English. It is generally changed at the end like the noun to which it belongs. RULE V. The article points out a thing. Write these words in Greek : I write the letter. Put down the first word. The second. The third. What means the ? What kind of word is -idv ? Is the article in Greek ever changed ? In what part ? What does it gene- rally end like ? To make iov end like eVtaro^y, how must it be changed ? Put articles before these nouns, ending like them: ydov, cpil(3, YQ a( Ffl} YQ a( f 1 l v ) ^vfiyij, (/afce,) A.i^uj'TJg, ivfivr] , Ivfiv^v dvexdorov, dvexdoTov. In these and many other words the article ends like the noun. In many others it does not. You will be told, by and by, that the article o, JQV, TO?, &c, generally shows that the noun it belongs to means a male animal ; that ij, t-^s, &c. generally belongs to females; and rd, zoiJ, &c. generally belongs to things without life, 24 LESSONS IN GREEK. " well. Is the second word here the name of a thing? Does it show that any thing is done? Is it an adjective? Preposi- tion ? &c. &c. What is its use ? much. Is the second word here a noun ? &c. What difference does it make in the meaning of y^a'qpw ? These words are called Adverbs. RULE VI. Adverbs are generally added to verbs, though sometimes to adjectives or other adverbs, to show manner, time, distance, direction, degree, &c. &c. Here are some of the most common adverbs : KQUTOV, first ; ea%aTO)>, last j xotieDs, well ; TroW, much ; o^'/uepoy, to-day; #0e?, yesterday; UVQIOV, tomorrow; n&s, how; offer, as much; no a ov, how much; roaov, so much; ore, O'TTOTS, ifvixot, when; TTOTS, nqvixa ; when? tore, iqvixa, then ; 6'der, onodsv, whence ; nodev; whence ? rode*, thence ; noadxig ; how often? xoadxig, so often- Which words are adverbs here ? KvQog xccXcog xca avd(>ela}$ inmQivaro- Cyrus " " manfully answered. MaxQo&EV ivo^jnoev try Biqyiviav ^O'VT^V. From afar 1 thought " " alone. THIRD LESSOJf. 35 Td (fv^a oafovovrai, ndvvoTe ano " leaves are blown always " the winds. Why is - an adverb ? What is an adverb ? What is its use ? What word is - added to, or which does it qualify 1 The meaning of which word is in any manner changed by leaving it out ? Make a short sentence with an adverb in it. Write it. Spell it. Speak it. Make another. Write it, &c. How is ndvTQTs pronounced ? When is i sounded like d ? What does it come after here ? Why is i sounded like d after v ? Is it easier to say pandote than pantote ? Is there an adverb in the two Greek verses at the end of the first lesson? Which ? What does the first belong to ? What is the se- cond? What is its use? What does it qualify ? Are there any adverbs in the Greek verses at the end of the first lesson? Which ? What does the first qualify? What does qualify mean ? What difference would there be in the meaning of the word it qualifies, if the adverb were taken away ? Jioyfrrjt; nqoc, rov dnovra KCMOV uvai " to him who said bad it is TO ^tv, oil TO ?v, sinev, a Ma TO to live, not " " said he, but " badly What is the first English word to be added here, in the translation ? The second ? &c. Which word is an adverb ? Why ? Which is another ? Which rule speaks of adverbs? What does it say ? 3* 26 LESSONS IN GREEK. FOURTH LESSON. xa]V sniarol^v mean 1 Ka^ means good. Write this with the changes, so as to make in Greek, a good letter, of a good letter, &c. When we speak in English of more than one letter, what do we say ? In Greek, nouns ending in ??, generally end in at in the plural number : as imarolal. Now put the adjec- tive and the article before it, with the same ending. Of let- ters is GiTi|uog air&v. ye " pas ho kosmos avion. earth, " all the beauty of them. Kal avvvutfoaev 6 Oeoq tv ffi 'n^Q^ " " " Theos en " hemera j9nd finished together God in " day Trj XT?] TCI tqya avtov, a inoirfif, " hekte ta erga avtoo ha epeese in the sixth the works of him, which he made ; xai xaTtnavas ty ^f^tQa rfi e,gd6[iri dno " katepavse " " evdome apo " rested " " " seventh from Tc5v eqytov avtov wv pandon ton ergon " hon tk all the works " which " Which is the fifth noun here ? Has it an article belonging to it ? In what case is it ? How do you know TJ/ is in the dative ? Was it ever written differently ? How ? Why do you think it was afterwards written as it is now ? (It is more convenient.) What article has ij^ieqa with it ? What does TIJ tfftsQa mean ? What does rf/ne^a. mean alone ? &c- TIFTH LESSON. 33 Do the articles always end like their nouns ? How is the ar- ticle when it is put with a feminine noun ? (a noun meaning a female.) With a masculine noun ? (meaning a male.) With a neuter noun ? (a noun meaning a thing without life.) Examples for all the Declensions. [Fifth Chapter of St. Matthew.] 1st v. 'Id OTQaTEi/natoq kay to pleethos too varvarikoo strateumatos and the fulness of the barbarian army : What kind of word is if 1 What do you think it to be ? What does it mean ? What do you change it into to say of the? to the? and in speaking of many things how? What nouns are changed like this? Is / used with a noun that means a man, a horse, or any other male creature ? What is ? Tell its changes. What nouns are changed so ? Or with a noun meaning a stone, water, or other lifeless things ? What is ? Tell its changes. What nouns are changed like this? How is vi5 changed ; or to what declension does it belong, the first, second, or third? Does it end in 17, , af, or ys ? Does it end in oc or ov ? Does it end like any of the words SIXTH LESSON. 37 of the third declension ? How do they end ? How does vol end ? What is the end of nouns of the second declen- sion, in the second or genitive case ? Has the genitive case just as many syllables as the nominative? Which has more ? How many more ? How can you make a new syllable end- ing in os for n| ? If you put os to nux (neex) it would make a hard word: w6s. The Greek language is soft ; and when a word would sound harshly if regularly changed they generally put in some smoother letters : so here, they do not say vv } night, >>v|d?, of night} but yi)|, wxtds. We do so in English sometimes, to make a pleasant sound, or, as the Greeks say, euqpwyj?, (euphony.) ^ yv, the night ; TJS wxr6g, of the night. Wiite the third or dative case ; the fourth ; the fifth. The first, plural ; the second ; &c. Is rldri a verb ? What then ? What is nsgl ? What is TJJJ- ? What does it belong to? What does it show ? [That there is a noim in the feminine gender, singular number, and accusative case.] Tezaprip what does this belong to ? What kind of word is it ? "Jlqav what is that? What case ? What declension ? Why ? Give all the cases. What does if show ? [That there is a feminine noun, in the nominative plural, to which it belongs. By seeing the article if you would know that there is to be some one thing spoken, and no more ; and that the name of that thing is feminine, and in what declension? Why the first or third?] Give the cases of aelijvij. What is the moons in Greet? What is of the moons ? What is to the moons ? What is o moon ? 4* 38 LESSONS IN GREEK. is Ttedia in the first case, and TrsSiddog in the second. What declension does it belong to ? How do you know? Give all the cases. What is TOV ? What might we know from seeing TOV ? What kind of word must come af- ter it? In what case? Why ? Declension ? Why? Why might it not be in the first declension ? What sort of work is fiaqSaQMoti 1 What does it belong to ? What would you know of any other word to come, by seeing this? Might this word and TOI) belong to the same nouns, or not? The first case of the next word is o-TQUTevfiaros : what declension does it belong to ? Why ? Why not the first ? Why not the second ? Now write down alone the first noun, vi>|. Tell me all you know about it. [Any of the former questions may be repeated.] What is the next ? What do you know of this? The third ? &c. &c. What nouns are in the verses to "a Friend of Greece"? In what declension is the first ? second ? &c. SEVENTH LESSON. What is a verb ? What does every verb mean 1 There in only one verb in Greek which shows that any thing is, or has been, or will be ; but there are many which show thai any thing is done, or has been done, or will be done, &c. Is it so in English ? If you want to say, this book is in my hand, what verb will you use ? [Is is part of the verb to 6e, that is, to be is changed into is in one of its changes.] If SEVENTH LESSON. 39 you want to say that this book was on the table, must you use the verb to be in another change? If you want to say that this book will be in my hand again, do you use the verb to be in another change? But if you want to say this book contains easy lessons, must you use the verb to be ? If you want to say it shows how to read, write, and speak Greek, do you use the verb to be ? In saying that the sun rises, or the wind blows, or the rain descended, must you use the verb to be? So it is in Greek : there is but one verb which shows that any thing is, which is, etvai, to be ; but there are many which show that something is done. What Greek verb do you know which shows that something is done ? There are several in the former lessons. What is y^a'qpw? Is it a verb? Why? What does it mean ? If I wish to say, I am making words on paper with a pen, I say / write. What do I say when I want to men- tion that he is doing it ? Why should I not say he write 1 What does it show when s is put on, or added, to the end of write 1 If I want to say that you are doing the same, do I make any change in the word ? In former times thou was used in the singular instead of you. Was any change then made in the word write ? What change? They used to say : I write, thou what ? he what ? Do these changes in the verb help you to understand better what is meant? They do often. In Greek they change the verbs at the end for the same reason, though not in the same way. They say : or gyw y^ayto, 1 write ; or oi y(3aig, thou writest ; or av-rog y^aepet, he writes. 40 LESSONS IN GREEK. Do we make any change in the verb when we say we write ? ye or you write ? they write ? In Greek they change the verb in the plural : as, or r^fieig y^acpo/z-ev, we write ; or v^iuq ^aye-re, you write ; or avroi yQayovoi, they write. The Greeks often leave off the pronouns. If we did should we understand what was said ? Take the pronoun from we write, and from they or you write, and what diffe- rence is there between them ? Take off the pronoun from the third person singular of the Greek verb, and from the second and third persons plural, and what difference is there? As there is a difference the Greeks know what pronoun should be there, or what is understood, and what is meant; and this is often a great convenience. Read the first person of the Greek verb. What does it mean? The second. Third. First, plural, &c. What do they mean ? Erase them. Write the second. What does it mean ? Write the second. Gamma, rho, alpha, &c. What does it mean ? &c. &c. Write a'xov'w, / hear. What kind of word is this ? The Greek word ovg means ear. This verb is made from it. What do you think it should mean ? Write the word ear. Put h before it. What does that mean ? Write ovj. Put dx before it, and change $ into w, to make it end like a verb, and what does it make? 'Axovw means I hear. What did you do to ygdcpta to make it mean Ihou hearest? Do the same to a'xoi/w. What does that make ? Write it. What SEVENTH LESSON. 41 did you do to y^ot'cpw to make it mean he writes ? Do the same to dxovco. Write it. &c. &c. Noog means mind. Put w in the place of og. What does that make 1 What kind of words generally end in . This is another verb. What does it mean ? What sort of word is it ? Put ? before f&dw. They make a verb: what ought it to mean? It means / come into. Change this like the other verbs. Put e? before eWat. What does e mean ? What is it ? What does e%eW<>) mean ? Put itsql before sWta. What does negl mean ? What is it? What does nEQisWw mean? HB- gisWca is spelt TTape'Aflw, to make it an easier word. Change it like y^a'qpw. Eai v(a means I go. What does V mean ? [w^.j What does dvaSuivw mean? Change it like y^a'qow. Xazw mean* down or below. What does xaTaSaivw mean. LESSONS I.\ GREEK. EIGHTH LESSON. Times or Tenses. Which word here do you know ? Speak it. What does it mean? What kind of word is it? In what case? Is the other word like one we have had before in any respect ? How many letters are like it ? Are those letters placed in the same manner? What letters are different ? Which has been changed? changed to what? Would you expect to find that ygdyw means any thing like y^a'qpw? Exactly Ihe same? What does y^a'qow mean? rgdyjca means I will write. How do you change ypa'qow, to make it mean thou writest ? r^dy/a is changed in the same way as y^a'qow with all the pronouns. What pronoun means he? What means he writes ? Set them down, and we, you, they write, with the Greek words. Write y^a'^w with the same changes, and put against them these words I will write, thou wilt write, he will write, you will write, we will write, they will write. Erase them. What does ypa'y/w mean ? What word is it made from? How ? Is it changed ? How ? Why ? What is the Greek for they will write ? Put it down. Also, he will write, Ihou wilt write, &c. Most other verbs in Greek are changed as this is. Blctmca means to hurt. How would you change this to say they hurt ? we hurt ? &c. How can ^moi be changed to mean / will hurt 7 What new letter was put into to make it mean / will write? What one was left EIGHTH LESSON. 43 out? Is there a (p in fildmto 1 You have been told that Greek is a soft language, and that care is taken to make no rough sounds. V has the sounds of two other letters. Which are they ? If y were put in the place of T, it would make @kdir\f>(u. Would this be a soft and pleasant sound? The Greeks to make it softer, say {Mayo. Speak one first, then the other, and see which is most easy to speak and most agreeable to hear. What letters are there in Greek which are made up of other letters ? What two sounds make up that of y> ? What make the sound of ? [A person might at first think that & or $ has a compound sound, because we mark the sounds of both in English by two tetters, th. But these are simple sounds. The sounds of x and

w, / hear ; ), / see. In some verbs the future tense is made by putting a before cu. Which of these words will sound well with a before w ? in some verbs, by changing the letter before 01 into a, |, or V ; some by leaving out a letter ; and there are other ways, which may be learnt by and by. What will dxovow be changed to with CTV, (thou) 1 with OVTO'S, (he) 1 &c. How must tpvldZoj be changed to go with v'ftstgl What will it then mean? tf>i>ta'w with av'roi? What will it mean ? l7tioro^.r\v. " have written " Spell these words. Speak them. Write them. What does the sentence mean ? Is the second word like any you have had before ? How is it different from ypa'qow ? How is fQdqxa to be changed at the end to make it yeyQaya ? How at the beginning? TUTTTW means / strike. What means / will strike! Change this as ygdyo) was changed to make /e'y? '?'"- D n t P ut 7 e before it, but make a redupli- cation : that is, take the first letter, (which here is T, and place it before e ; then change the end of the verb as you changed ygdyw. What will it be ? Write it. What is reduplication ? What is the future tense of TQS- qxa ? What will the reduplication be here to make the per- fect ? How must the word be changed at the end ? Write it. Spell it. What does it mean ? Write the future and perfect of y^aqDW ; ^sn, <*cpa. What does it mean? &c. ".//yysAoe i.sid}.rjxev aviw. means, / speak ; and iaiw, I will speak. What is formed from ? How ? Some writers say that the Greek verbs had at first only one, two, or three letters each. These, it is supposed, were changed by augment, reduplications, and terminations, to show time, numbers, persons, &c. It is supposed also that 5 46 LESSONS IN CHEEK. other letters put to the first, made new verbs. Sometimes prepositions and other words are added to them, to change their meaning in different ways. When you know the present, future, and perfect of a verb, you can generally easily find out all the other changes, be- cause they grow out of them. What tenses is it important first to know ? Why ? What is the future formed from ? How ? What the perfect ? How? r^dqxa has y/ in the future in the place of g> ; ivmw has y in the place of m Uyw has in the place of y ; &c. The sound of a is generally the sign of the first future tense. Is the sound of a in y? What other sound beside? Is the sound of a in ? What other beside? Tvmoi has go in the perfect in the place of TTT, and the re- duplication. What has TU'TTTW in the perfect ? In place of what ? IJlrldo) has x in the place of 6 and the reduplication. What has it ? The perfect generally hs a rough sound at the end before a. What Greek letter has the roughest sound ? What other rough sounds are there ? X and x are generally used in the perfect. 1 is often used, which is TT with the rough sound. NINTH LESSON. Some of the Greek letters are made with the teeth ; some with the tongue ; some with the palate, or in the throat. NINTH LESSON. 47 Teeth Letters. Tong-ue Letters. Throat Letters. smooth, T 7i x middle, d /? y rough, # 9 # The teeth letters are something like each other, and some- times one is put for the other in changing verbs, nouns, &c. to make a better sound. So it is with the tongue letters and the throat letters. A, ft, v, g, and er are called liquids, be- cause their sounds run easy, like water. Z, |, and y> are called double letters, because each has the sound of two oth- ers. A, e, rj, i, o, v, and (a are vowels, because they have sounds by themselves. Two vowels together make a diph- thong. How many teeth letters are there ? Write them. How many tongue letters ? &c. Is one of the teeth letters ever put for another? When? W T hy? (So of others.) How many liquids are there? Why so called? Write them. How many double letters ? Why so called ? Write them. (So of vowels.) What other letters are there in the Alphabet ? The perfect tense ends in , with a rough letter or a throat letter before it. What are the rough letters ? What are the throat letters? Adlta means I speak, and ieAct^xw, / have spoken. TvTtTin) means I strike. What does rvyi mean? What means / have struck ? (that is, the perfect tense.) Write them. We say in English other things about striking : such as, I did strike, I may strike, I might strike, I might have struck, &c. And in Greek they have other tenses which grow out of these. 48 LESSONS IN GREEK. What is Reduplication or Doubling ? One tense, called the First Aorist, is made from Ti5y/w, by changing w into , and putting e before it. If a verb begins with a short vowel, that vowel is changed for a long one. rgdqxa is tygaiftu in the first aorist ; axdnria, (/ dig-,) Zaxoufja, I dug- ;) eadiw, (I eat,) riffdioa. This change in the beginning of a verb is called the Increase or Augment. What is Increase or Aug- ment? What is Reduplication ? Write this : A Greek Tree partly grown. TUTTO A C T I V | E | V | O I C E eiVTlOV TVlfJb) fTVTtTOV I I TV -mot I TVTt What is the root of this tree ? The trunk ? The first branch ? What grows from that ? The first three letters of -ivmta are called the root, be- cause all these changes or tenses grow out of it like the branches from a tree. You will see that the most important tenses begin with large letters. Under TC'TTTW write present and / strike. Under Irvmov write imperfect and / was striking- or struck. Under ivtfjia and Tervya write the names of their tenses and what they mean. NINTH LESSON. 49 Under eivmov write 2d Aorist, I struck. Under eivy>a write 1st Jlorist, I struck. Under iwnti write %d Future, I shall strike. Under BTSTV^EIV write Pluperfect, I had struck. All these have regular changes to show numbers and per- sons. Te'ruqoa, Timaj, ereTvcpeiy, and BTBTVTIIV, are not very often used. How is ervmov formed from TD'TTTW ? What tense is it in ? What does it mean ? What is sTvif/a formed from ? How ? Meaning ? Tense ? &c. &c. Erase these words. Write them again. Erase. Write the 1st aorist in its place. What does it mean ? Write the pluperfect in its place ? What is it formed from ? How ? What does it mean ? &c. &c. Erase the words and lines. Write the words and draw the lines again. &c. &c. Erase all. Write 790 qpw. Write all the tenses of it in their places, to form a tree. What is the tense ? What is it from? &c. Erase. Write ia'iw and its tenses, &c. Write these Greek and English words. 'H (oga Ti)g e^odov ' SlTOV elrov ovftev SITS OUCTt Imp. &2Ao. ov e? F C BTOV srrjv OflBV ere OV Perfect, a as B a arov arov afiiev UTS HI! 1 Pluperfect, SIV { ei t enov eirrjy Bifiev SIT 6 eiauv 1 Aorist, a as i O.TOV dTTJV aftev UTB av Why is the first person dual wanting? Is the dual num- ber used in the Old Testament 1 In the New Testament ? By all the ancient Greek writers? By the modern Greeks? What is ypa'qtiw in all the persons, &c. of the per- fect? First aorist? Second future? What is Xfct'tfw in the pluperfect ? Write {ttamu in the persons of the imperfect. What is (pairo), (appear;} in the first aorist? Write in the Greek " The hour of departure appeared.', Baivw means to go. What would be the increase or augment? Redu- plication or doubling ? TENTH LESSON- 51 TENTH LESSON. You might make some use of verbs from what has been taught, but there are a few more things to be known. I have not yet told you how to say in Greek, I may write, if he strikes, we may go, I was called, he has been seen, &c. &c. We say a great many such things in English by using the helping verbs in different forms or moods : as, will, shall, be, can, must, may, &c. but in Greek they generally change the verb at the end, now and then using the increase or doubling. I, thou, he may strike is TVTTKS-IJS-I]) &c. strike thou, ivms ; I might strike, Tvitroifii ; to strike, iin- TBIV ; striking, TVKTWV. This last is partly an adjective, be- ing changed like one in numbers, genders, and cases, and is called Participle. The changes first mentioned, (except the participle,) are called Modes or Moods. Beside this some changes show whether a thing is done by a person (or thing) or to him, or by himself to himself. "Ervya, I struck ; BTVfpdrjv, I was struck ; and eTvydfirjv, I was struck by myself, or I struck myself, are said to be in different voices : the Active, Passive, and Middle. RULE X. There are three voices : Active, Passive, and Middle, each of which has modes, participles, tenses, numbers, and persons. The Greek tree on page 48 shows the tenses in the active 52 LESSONS IN GREEK. voice and first mood.* This shows the tree when it has grown into the Passive and Middle voices. " Some people think the fruit looks hard, but it is not." It is true thatTv?r- TW has not all the changes that are set down in books, for some verbs are not used in particular tenses, &c. ; and be- sides the changes which are often used are but few, and soon learnt. The children in Greece learnt all the tenses they wanted to use as easily as you have learnt to say, " I may write, I can speak, he will be spoken to," &c. &c. And the Greek children now use many of these changes correctly, as their language is much like that of their ancestors. * Indicative mood. There are five moods; 1. Indicative, 2. Impera- tive, 3. Optative, 4. Subjunctive, and 5. Infinitive. - 3rf! TENTH LESSON. 53 e 9 o >~ *0 I Gr a o> ri w 3 - a. ?" s , "g 8- ^|,- g-jj s ' ^ _h_ i i i 5 ^ : H ^s i B. H ' ^ 3- ' O "2 ^ ** ^ % e J - i ^ a, R- , H " O * r\ K. * ~ Ql- n 1, Which is the root of this tree? What are the changes made in it for ? What is the first branch on the right ? In what voice is ivmoftai 1 How is -ivrnw changed to make it? What is the second branch ? What grows on it? &c. 54 LESSONS IN GREEK. 3 a a * "^ *& 8 S to 10 .04 1 -3 8 "S3 33 3 ui -3 3 a o S 3 & 57* 0^ v^ C^ *U Ak i*' A} i? *s ^1 ^ h ^ Wx \X \ < Wx w v< Q^ 2 a V I r^ C o .ti D si I II Q -g 08 ^J- ao x oi S!" S" J *" O Ov O ^ k h B" 5-2- i 8 O jj n) -*^ -*k CG **^ ri oT P > , * ^ Ml C . ,9 8 R- * R o o ^-i 3 o 55 eg 55 'U 51 a. a R- o o . a. ft- 8 P-CO ^ I-H c4 CO rf iO CD i^ X O5 O ~ o * *" Q) QJ > > > > C O- ^5 c? o5 '/./'." - f ' f > ^i w *o O O V O CJ & CO cc cC * * q> " ' Co O O b S 55 G- C^ CO ^* iO CO t** Ccl^S5^b2S| ooatoas-oa3 8o t- K 8 ^ a o a R- ^ "Illllllll ^^ ^^ a a Jj. St. to to O O S. 3. a a a a o a ~3 .-^^...Sk". !k *_r*oR" ; * ^os-o^R-s-cgo ^ ?>, S- b b o R- ^ S^ *k b -^ o b -B a R- ^J ^ * CS - N2g2?g2lsg to, (cut) [The teacher may make a pupil write all the moods, ienses. number**, persons, and participles of afty of these verbs, with the significations, under the dictation or with the assistance of the class. Or they may make Greek trees of these verbs, or take the words home to make ta- bles and trees, at their leisure.] - It is not so difficult as you might think to learn all the changes of nouns, adjectives, verbs, &c. The children in Greece learn many of them very well, and use them in speak- TENTH LESSON. 59 ing. The following is taken from a little book made to teach Greek children English. Do you study Grammar to-day ? 2nov8deig a v y^et^Martx/jV Not I, but the others study it. "0/t fi)' 1 ''? "^' ' " ^ ^ * 11 } v o Do you study grammar to-day ? .2?7r0va'0t( av jQaupaTixf[ No : I write it. * O%i, TTJV a' y T t y a'

xaXdjUoi, 1 write a letter with a pen. Write down these words: dnoygatpoi, I icrile from ; eni- yga'quw, / write upon ; vnoyQaqxa, I write under ; dviiygd- at : Part. aidg. PASSIVE VOICE. Present. Indie, i'arafiai, Imper. t'crraro ; Opta. i Subj. iffiwftai ; Infin. i'aTaaOai Part, i Imperfect. Indie. i MIDDLE VOICE. (Pres. and Imper. are the same as in the Passive.) 2 How many miles are (there) from here to TlQfbfOV OMOV house ? ' O dgopoq uvcci xcdog ; road " " "EA.a dco, apeoytceTg, idov ra Some tt driver, " " mon- aoi>. ju-e " a>t(>, hence probably the English word know. /lev (otftfev) for ou or ovx. Ovdsms, &c. are ancient. NBQOV is the mod. word for water, instead of vdtaq. Words derived from vdatg are in frequent use. TVe^ov may be de- 72 LESSONS IN GREEK. rived from veto, to flow. N is left off from the end of before a vowel, as it is from other nouns, verbs, &c. generally. Woifii or \fj(afiiov is the most common modern word for bread, but Sgrov, the ancient word is also used. Wwfiiov is used four times in St. John, 13th chap. 26th, 27th, and 30th verses. It is derived from y/w/utw, to feed, ancient, and that from ywfiog and y/ot'w. 1'wfii has the sharp accent because it ends a sentence. The dull accent is generally changed to the sharp in such cases. d () 6 /no v. Different Questions on the Road. TTove (pevyu 6 jE'wTjo'etg, noun, nom. plu., derived from eptu- rdw, e^wT<5, I ask. Jgopog, noun, nom. sing., derived from Tpe^cu, / run ; perf. dudQctfirjxa. Td%v has s omitted from the end, to make a better sound : otherwise it would make -laxvadgofios. K/', ~dv, pure, and xa^a^w- -i), -ov, purer. Kadagdg is from xadagl^a or xa- , I purify. (John i. 7, and many other places in the Scriptures.) Kadaigu may be from xaid and aigta, I take away. i, is a modern word from g>eyyoj, and means moonlight. QB\O), I will or I wish, verb. It is sometimes used in an- i lent Greek as a helping verb, and very often in modern, as it is here, with 'vd, (that is, Va f ) after it. In speaking fast the Greeks sometimes say, instead of &eloi 'vd nsdsvaw, &e' 'vot nsSevaw, and &d nsdevva) as we say " I will walk, or I '11 walk." They say also, 8ev &e' 'vd, or dsv &d' nsdsv- 00) ; as we say, " I won't walk." These are shortenings or abridgements. The proper way to write them is: #e'Aw or dsv &&(>) i'va Ttsdevaa ; or perhaps Sev should be written ovSev, (nothing.) 7* 74 LESSONS IN GREEK. TO. tidy TOVTWV 1 know " appearances of these things. ^vvyevfiaTiGfopev orjpeQov tig Let us dine together to-day " " four hours [o'clock.] Uqoo Revere xaAectytfiVovg ; [xata'w, 1 call.] Do you expect invited [friends ?] Ka6l(Jvte Y.VQIOI. [Kvgiai, y/Xot.J Sit down gentlemen, [Ladies, friends.] Give me a few vegetables. Notes. "EgevQw, modern, a verb, active, indie, pres. 1st person, sing. Derived from ', /rom, and evga, 1 find : that is, / find out, or I know. rivbxrxco, I know, is also much used in modern. Eidy, noun, neut. accus. plu. from sldos edg. These and many other words are derived from eWw, I see: such as, idea, sight or figure, (Matt, xxviii. 23 ; Gen. v. 3 ; Plutarch in Pericles,) el'dwlov, idol ; (1 Cor. Tiii. 4, &c.) elSo^arqitt, the service of idols or idolatry ; drteidp), Hook from; ETtsldm, J look in; TtQoeidu, f fore- tee ; aweidw, I see together or consider ; &c. &c- IIgay{id?rej " " " " of age " to him, he made " a coat of different colors. 4. 'l86vTeg 8e ol ddelcpoi avrov, 6'rt avrov o c TTTJ^ Seeing " " " " that " " " (filsl ex TtdfTWV idv vi<5v auzou, efiiarjaev aviov, teal ovx loves " " " " " hated <( " not jj dvvavTO XaXeTy avru ovdev eigr)vixdv. could speak " anything peaceable. 12- 'ErtOQevdrjaav ds of ddslgiol UVTOV fioaxslv id Went " " " " to feed " n^oSata iov naiads avT&v eis Sixep. <( " " " " Sichem. 13- Kai eljtsv 'Jtrga^A, nqog J I elg Sixsft. 15. xal BV'QSV avvdv avdgtanog n^uvta^isvov ev TW Tit- dirrj(TB 8e avrdv 6 avOgtanog, Keytav- ri tyrstg ; 16. 6ds 6We, TOTJS ddslyovg fiov ^i?T<5, dndyysdov ftot aov fioaxovaiv. 17- fixe ds auTW d Svdqotrtog dn^xctaiv e't>TSv6ei>, ydg avr&v Isyovuav, noqsvddifisv sic THIRTEENTH LESSON. 77 xal STtogsvdr] '/(wcrij

v xal elnsv ov natd^oifisv eig ijjv^v. (Gospel of St. John, I. 1927, 3540.) V. 19. Kal aim? earlv if {laoivoiu TOV 'Iwdvvov, ore dneaTeduv ot'Iovdaiot si; 'IsQoaohvftcav isgstg xal XsviJtag, I'va SQcaTticrcacriv aurdv ov Tig el 20- Kal (jfAohoyTjcrs, xal ovx r^qv^aaxo xal tifiohoyi]- ffsv, on ovx eiftl e^ci d Xgicnog. 21- Kal -^gdirjaav aviov tl ovv; 'Hilag e cro ; Kal leysf ovx slfii- d ngocflirjs el o~v ; Kal dnsxgidrj ov. 22- Einov ovv au'rcJ Tig e* ; i'va dnoxgtaiv d&pev toig TiE/iifjaow yftdg ; ii leysig nsgl aeavTOv ; 23- *Eq>r) syto qxavTJ fio&vrog sv -ITJ eg^fji^- evOvvars TrjV ddov Kvgiov xadwg sirtev 'ffaa'iag Q ngo(f\trje. 24. Kal of d7teo~Tal[4Bvoi' ) rjcrav ex T&V tpagiaaicav. 25- Kal r\gv>Tr)aav avrdv ) xal einov arrcii' ii ovv @an- ri^sig, el av ovx el 6 Xgiaxog, OUTS 'HMag, ours 6 Ttgo- 78 LESSONS IN GREEK. 26- 'ArtsxqiQr) . avioig 6 ^ladvvyg, Ae'y oiv eyu ev vdaif [iBaog SB vfi&v B'aTrjxsv, ov vfisig ocx oidars 27- Avrog GO-TIV o' on iff to fiov BQxdftsvog, Sg efingoadBv fiov yeyovsv ov ey^ ov ' x e 'V** <*u>s i'va Ivata OVTOV TOX TOV 35. Tff GJtavqiov ndkiv eforvixGi 6 'lotdvvrjg, ttai ex iGiv naBijT&v avTOf dvo. 36- Kal BfiB^B^iag TW ' Irjaov neQtxarovvTi, l-Byst, I'deg (f dflVQS TOV 060V. 37- Kal i[xovaav OI'TOB oi dvo ^adrjial IctlovvTog, xal ^xo^ovdrjaav TO> 'Irjaov. 38- SrgoKfsls SB 6 '/^CTOU?, xal &6aadfisvos avrovs 39. Ti ^BTBfiB ; Oi Sff slitov avria e Pa66l, o Ae' e^iirjVBvofievov, diddaxaks, nov fiBvsis ; 40. AsfBt avTOig eyxBade xai I'dsrs. ^HWov xal rtov [iGVBi,- xal nutf CCVTW epsivav TJ\V ^[IB ioQa t\v (og dBxdrrj. (Acts, xxii. 111.) V. 1. *Avdgss ddslgxal, xal aT^?, dxovaarB fiov TT[? og vfidg vvv dnoboyiag. 2. ^Axo^aavTBg SB ort rrf 'E6gaiSi dials XTU nqoaBtp&vBi avioig, jLidMov nagiaxov -f^avxiav xal qujcriv- 3. 'jEy vaiif xai if fiev itQUQa sqeiaaaa epsivsv ij de nyvfiva eivero vno rrfs (Hag TUV xvfidrtaf. 42. T(5v de aTQaTi(ar&t> (9ovi^ syeveto i'va rovg dea/uu- rag dnoxrsivwat, fi^Tig 6xxolvfj6t'jaas dict(pvyd!;as rd &T}(>iov els TO nvQ, tnn- 6ev ovdev xaxof 6. Of 8s ngoaedoxtav onurov fieiJ.eiv ni[ingaadai, i ij xu- tanimsiv a> &eov otvrov elvcti. Letter from Mr. Alexander Negris, Author of the Modern Greek Grammar. K v q i f , EiSov id oaa nsgl sfiov x6eg Sfqdi Sir, I have seen what concerning me yesterday " el; rtjv s(pT]UFQi(iu, xal TtqoatpEftwv idg vj(d(>i(niag fiou, " " newspaper " bringing " thanks " t-uuCtdvM Tijy elevdegiav Vet adg nag ax ale aw 'vd -nqofr- \ take " liberty " " request " 6iar]Te xal 'vd xdftsre fig TOTTOV tov Vet svvor^arj^ TO " " " make " " of it ct make known ' : xoivor, or* 1} fvf xctdofiilovfiGvri ' E^ij v ixij ^/tdkexTog f- news " " " spoken " " vat avT$ fie TT\V Uulatar, xal ort i\ diag>ogd elvat 16- is the same " " old, " " " difference " aov [ttxqd, warf rfftnoget nfqiaaoTfgov Vd &e(aqT)Ori b> l( small " may rather " appear " 8tad vq>ov$ nagd y ').v>o fftjg, [*ia, Isyaa, xal j avrr; a different dialect than " one, I say, " " " (?ta'lfXTOC, SiaigovfifVT] elg dvot, nalatdv xal vsav, r t divided new one per ncytexet Tovg ovyyqatpets, if de vvv sis XW~ indeed embraces writers the (other) " " " use 8 LESSONS IN GREEK. air vnQX ei * T"? *<** xao/uiovperi] ie^crat, xai TjV belongs which " spoken is called, " " onoiav Sid 'vd ) r>>ta Q^V r 'S xaioif, ngensi 'yd e- which that may know any one well he ought " vat SfjinsiQOS T^5 naiuids, ijrt eivai 77 fidais. t: skilled " " " " " " 1 E evl idj'ttj, n 'JlxBavov^ vd XUTU- ximr\ fiBTd n oliov rd%ovg did //? oeigug fiqaxfov^ oi'it- vsg vytavovTat> wj refjfog, ano TO sV, xul a no TO a fiegog Tf}S xoiryg TOV ^CV'/'TO? TOV. 'O nora/uog dviineqto) fivut, a^edov TQIU Tc'ra^ra erog [liMiov xul 01 figdzoi, elg TO (nevuiegov TOV ^ue'oog, eJvcu xoaiwv nevTr^xovta nv^^emv tfyylot. 'H dievOvvaig 8et> fifui Evdsiut) dM.d xa/Lmvi.r} ) dfioia fie nerotlov a Big TQOTIOV wore d xaTctodxTqg, og Tig fJ.OQ(pwverai, XT TO a^na TOV ipnodiov, xkodoyvoi^wv 7iaoio~Tdt>6i TO oi- xutdeaTaTOV -freafia Tijg (pvffEcag. KOIT' avTd 8s TO' [isaov TOV xvxhoTsgovg TBi%ovg TWV /nid fiixgd rfjaog, xaTutpgovovoa Tr}v @iav TOV Qou- Trooo'a'Het fiidv Trjg dxQtooeiav, xaTd T^V xogv- tpT]v T^g dnoiag^ diaigsi TO gevfia elg dvo fisgij, ctAX' evdt- VOVTUI Ttdliiv n OOTOU dxofii, vd xaxafTr^aovv elg TOV ndiov 'H ^OTJ TOV'TOU TOU exnlijxTixov xotTotgdxTOv, dxovsTai sis dnoffTrjfia fiMiwv sixoai, xal ij o'gfiil T&V vddTiav, xmd TO pegog Trjg mwasfag T&V sivai dxuTavorjTog. To ntiai- f.itjint T&V vSdTwt'. yevvd ftidv d i t/A^>', rJTig vifJQVSTai o~zsdov f'atg eig TO VE 6 avfj,og } TI}V (fEgsi xai' sndvw TOV , <. >.jyu A.7iTa Toaouioj', &g vd rlds^s ^unTiaO^v Eig TO XaTot Toy 2Emft6giov, xui ' OxiwftSgiov ftrjva, TQOOV ftf/diij noaoTijg 84 LESSONS IN GREKK. TO Trpwij I'noxdroi irjs nuaaeug TOU vdarog WCTTC nj fc : 7. TOU qppoupto'u ii\g .ZVtaya'paj (pQovtjdv, Tos'aiet d iaf, "^4(jxTmy, xai xannors, roe dnoiu xdvovrai, BV cJ doxifid^ovcrt vd nsgdvoj, TIJS mwatutg tov vdotTog. ' Ano pavOdvofisv dit xai avdqbfnoi sxd rut rdy avio Td xaict II a v ). o v xai Biqyiviav, P. 114. * oMyov d veog ovgog, 05 TI$ d8ia(f>OQOv-d T^" dvTanoxqiaiv fte TTJV $i(fi,via.v. ^Hde^ae /J.srd vot didaxOj) yewj'paqpta*', 5tot Va'TtoxT^o'^ iSeav iov onov efieMev avrij y'apot'^7/, xai faiogiav, did vd TO ^^ T7? xotfiuvias, el; TJ\V o'notav E[ieM.s vd 77017. Zlagofiolfat elxev Bxitaudevdrj TJJ*' j'cwpytXTj*', xai TTjV -is%vT)v vd svTgenit,rj fie ^a'ptv Td Trls'oi' tdoupog, and i^v diddsaiv tov eptuTOff. ^tff TCCS xai Ta'f oxonovfiBvaq dnoiavuei; TOU -fregftov TOU'TOU xai dvrjavxov fiddovg ^peworou^ev dva^Kft,66lo)s 01 d'vdqfOTiot -idg Tteptaaorepaj smarilftas xai TC^vaf, xai O'TIO TO; 5 aie- auiou xai dnotv^ias s^Bvv^dr] T| guloo-oqpt'a, rJ j diddaxsi, va Trap^^opou'/ue^a 5*' 6'i.a. OVTU$ (rvvdeaaffa ndvra id ovta did TOU e'pa/TO? TOV xa- iag vxorEivdg, tdvrj ^w^Jg ^a^axr^^a xal rfye/uovuf %o>- (tlg cpdavdQwniav. ' Engorpovae de an' avtr[V rug (IV&KJ- rogiag, 01 dnoiat (fgot'ri^ovat negiaoorsgav did rd vvfi- (ffgovru xal rd tpgovil/uara' r<5v dvOgtinotv, rov tdei^fuv st'iore xaraardasig 6/uolo; [ts riji> B From Paul and Virginia, P. 102. ^Eldovarjg 8e rrjg wgag rov deinvov, Ixdd^auv si; rjjV TigaTre'^cty, xal exaarog rdtv avvdeinvwv, ragarrofievog and nddr] Sidqioga, Hfpuyev dMyov, xal dev (ajaiirjae navrdna- au\ ' II BiQytvia earjx(h6rj TT^COTI/, xal rjlds vd xadi\oi] onov r&ga aiexopev. '0 Uavlog uxoiovdrjae per' dlfyor, xul exddrjcrs nitjatov avr^g. *s4[tlaij rd xdllog. 'H ae^frj eyuivsro ev fieaw rov aregev>/ua- TO?, nsQtxvxloifievi] pe naQansraafja veytiv, rd tinoia die- kvovio fiudfiTjSdv and rdg dxrivctg uvrrjg. Td cptog avrrjg ftifxvvero dvenaiad^roig tig rd ogrj rrjg ^Tj'aou, r&v drroi- MV at xoQvq>al dnekafinov ngdaivsv dgyvgotpevvag. Of dveftot exgarovaav rtfv nvo^v avrtir. Eig rd ddarj, ilg rd fiddog r&v xoikdduiv, 6/5 tr^v xoqvqn}v r(av lenrul qxoval, ylvxvraru yidvgiofiuru 8* 86 LESSONS IN CREEK. T d-nota TEqndueva dnd 16 qpeyyo? TTJ? vvxitig xai j'uAij*'?;*' TOU degas, e%a8E\>ovTO slg rdg qpwtaoff "Eug xai ai3i<2 TO? (utfgna s6ofi6ovaav vno TO Ot dore^eg axrivo6o).oSaav et$ tov ovqavov, xai if &d- iaaaa dvTavotxkovffe tdg TQeftovaag avrtav elxdvotf. 'J-f HiQywici eneaiQsye TOUJ dqtdakpovs avrfs ei$ TO % n xai ^ocptodq otlrijs dqi'C.ovTa, TOP o'noiov rd SQvdgd j(j)V dhtewf dei*x(t)()ictv and idv aiftakdv, xai idev eli; T^y sl'ffoSov TOV kifisvog os, cloud. Aialvofiat, 1 melt away. BaOpydov, by degrees. , ray. "Ogog, noun neut. mountain. , island. AdftTto), I shine, (whence lamp.) Uyd- aivog, green. (Revelation, xxi. 20. xyvaonQaaos.) * ' AQ- g, silver. "Avepos, wind. K^areo), I hold strongly, j, breath. 4daog, a wood, modern, neut. BdOog, depth, neiit. Kolidg, valley, neut. (KoiUa TOV Matt. xii. 40.) xogvcp-i], top, summit. BQulea, nest, modern ; (puled;, hole, ancient. Zcavyiov, a very small animal or animalcula, modern, from t,avd(>tov, light house, modern ; from (pavsQoai, which is from vpaivco, I appear. 2xd6()0)niuv which leaches " c< love " xai ofiovoiav, rd Evayye'k.iov, isyw, SXQTJ [tariffs noUovg /a- " " " Gospel " " " vag nQOffaOK; Big i&v -Evqwriutiiv tag H It (( ( (( l( xoivai xai fiegixai iv^avviui ^ivovjui dxo^irj it; " " tyrranies exist now " the name OVTOV enl TJJJ yf?.' //oto; tnena vd ekniffr/ on &i).fi of it " " earth ! " then " hope <; " wqpf breast tovs dt'Oyionov; tie fitSkiov ; favor " " " " ' Efdvfi^ffov dnoia e'aiadi] rj TV%rj T(3*" tpif.oo6 rov. 'O Sotxgdirjc, og xai ps id rjOr] xai fie rovg Aoj'ot'., iov sSwxe yXuxurara [iadijfiaTii avirjs tig Tovg ^.^dTjvitiovf, fcpaqfiaxsvOr} dtxacrTixws dn' avrnvg. ' O vtpivovg fiadr^ ' rou nidruiv naQfSodrj Sov'kfiav xurd m>o(JTayr\v TOU rajevovTog avidv rjyf/udvog, xai TIQO UVTW o' nvOayoqag, 6~ fig TJTO (fildvdgwnog xai nqog avid rd w, xaTSxdrj L<3> and tovg KQUiwvidTag. TVAe'yw; ret tffOaouv tig THIRTEENTH LESSON. uevufis aagxaafiovg xu axuuucnu xaxf^axirj^oviatfis av- T(o, dioit B% avi(av dyanu vd id yvw^t^i/ ^ dvdg&ntvog d 5e f^Bia^v i&v noM&v if f*sx(><> rovSs xadctgd nai d^toivvrog^ altiov eivai on oi avid etyaav x (U Q tcr ^ 1 ' 01 ' a 7id TW' avyx(>o vf > )t ' a v- T&JV TTJ*' xot'w'taj' xadtis riva a'yai^uara Bx6aMoi>Tai dxe- qaia dnd TOUJ a'y^ovs T^S ' EMddos xai TTJ? 'IraMag, dtdit sis iov xokrtov trjg kvavav iG>t> Virginia's Letter, P. 116. Tekog TtdvT xai Tfodeivordji] floiid ygdpfiaia a' eyqaifja fiexQi TOvde, dev i'),u6u dnoxgKHv, t/w itliiuv 'va laviijg, TO fiev GanBQiov fieyog '//iefo* xai .Msffffij jaot, xlv^ofievoi TW Sixsitxw TrsAa'j'e* e|^s de d TTJV '7/Xe*av sail TO i&v ^ A%ai&v edvog, ngog , xai 10 Koqivdtaxai xo'ijrw naqaietvov isfavia 90 LESSONS IN GREEK. slg TTJV Sixvuiviav. 'EvTBvdev 6s 2ixv Meaar/viav 1} rj, xui ?J '^oystot, ,ue/0 roil ladfiov OVT^. Mtar/ de e'ffiiv ^ ' ' A(j%u.iu., naoiv STUxetftevij, xui yenvKdcra rots floiid fief dy xai aii i'doi Tig aV ev ' xu ttxov- ffai d'av/Mxros a|ta, pdiiaia 3e TU ev ' Ol.vfj.nUt . nokiS T:r\v eiTHpdvEiav io^ev si; UQXTJS fiev did TO na TOV 'Okvfiniov 4id<; exeivov d' sxleio~eiv From Xenophon. 0e6iTO(t7tos*AdT)vaios elite. ^Jl PaivVe, vvv, G>S 0v oqng, iftfiiv ovdev aliovs'ffTiv dyuOov el //jj o-nia xui [isv ovv e^ovTff, olofisda av xal TTJ d ' av TUVTU, xui T&V aw^ua'rwv Mr} otiv oiov, rd pora rfftiv dyudd 'ovia TO(JIIV dlld avv TOVTOIS xai neqi T&V vfiBTSQUv dyad&v '^xovaag &B Totvia o' <&alvvos Byelotoe, xui [lev eoixas, 0) veaviaxs, xui keyeig 1061 (ISVTOI dvorjTog wr, el oi'ei aV, T-^V dqeT^v neQiyevsadat Tfjs (9cr*A.sw^ 8vrd[i6tg. de vivas Scpaaav ksysiv vnofiaiuxi^ofiet'ovg, a>? xai KVQO niOToi B'j'SVOVTO, xai (?crtie* y" av noMoiJ dStoi , ei @ovl.oiio cpiiog yeveadat- xui el'is dVo TI 6t7i6 ovx TOVTW xu osv, el f^dr] dnoxexQtfiet'oi titr. THIRTEENTH LESSON. 91 From Xenophon. fiev dr} w^ero, xal 01 avv cevrw. Of de nnod iov r^xov, ffgoxlrig xal Xsiglaotfog (Msv- TOV tfievB naqd ^^4Qtala)-^ ovioi d' tkeyov, or* noHovs cpuirj *j4Qiciiog elvai Uegaag, eavrov fisfaiovg, ovg ovx av dv- CIVTOV fiaaikEvovjos a'Ai' el fiovleadB avvamsvai, eSrj xelevet ii[g vvxrog- el de ^ujj, avidg TtQta'i dnis- vui (frjoiv. 'O 8e Kieagxos. f txev '^AX' ovrta XQI\ TTOieif, edr [*ev rjxwfiev, tianeg A yers el de fir}, n^dr- TSTB Snotov av Tt r\fjitv oieade ftdiiara avfttpsqeiv. 'Q T de Trotrj'ffot, ovde Tovroig sine. Merd de taiiia, f t dij ifkiov dvvorros, ffvyxaisaag Trj^nvs xul Xo/ayoiiff, tke%e roidde 'Efiol^ a Bvo) tevoct 67ii @u(ri).ea, ovx eyiyvBTO rd fegd. Kai agn ovx eyiyveio. 'fig ya^ ej'to fvv nvvddvofiai^ ev fjeaai T^MWV xal fiaadefog 6 Tiygrjq nojajtog sari vavai- noQog, ov ovx av dvvaiusda uvev nkoitav diaCrffai' nkola, d' rfftftg ovx e%o(iv. Ov ftev drj avTOv ye fieveiv oiov re- TU yct^ eTitTTj^eta ovx Eauv t^eiv levat ds rtand KVQOV qpt'Aouj, ndvv xaid r^/aip rd !egd ijy. c /2Je ovv yoi\ note if dniovretg demveiv, on Tig drretddv de aij t urfv^ TO XBQUTI, (o,- dvaneveadui, avaxevd- Z,ea6e BTisiddv de TO devTeQOf, dvarideads eni id vno- tyyiu stii de tcJ xot'iw, {'ntade TtJ ijyovftevca, rd (tev VTto^u'ytu txovreg ftQog rov norafjov, T A de onla t^ta. TUVTU dxovaarieg o{ arpanyyoi xai oi Ao^ayoi xui snoiof OUTW. LESSONS IN GREEK. COMMON GREEK WORDS. [A. means adjective, Ad. adverb, C. conjunction, N. noun, P. pronoun, Par. participle, V. verb : m. masculine, f. feminine, n. neuter, con. con- tract.] V. "Ayadog, A. good. 'Ayadonoieu -w, TJ'CTW, ^xct, con. V. do good. 'Ayandto, -u, TJ'CTW, tjxa, V. love. 'Aydnij, N. f. love. 'AyurtTjrog, -T], ov, par. beloved. "Ayyelog, -ov } angel, messen- ger. 'A YS IT], -??, f. a flock. "Ayiog, -a, ov, holy. "Ayxvgot, -ag, {. anchor. 'Ayogd, -dg, f- a market. 'Ayogd^ot, -dad), ^yoQaxa buy. "Aygog, -ov, m. afield. "Aygvnvog, -ov, A. sleepless. "Ay (a, a|w, qx a > gi lead, El- od yw, 6 ? |a'yoi, dytavla, and many otherverbsand nouns are derived from this. g, sister. s, -ou, brother. * Ad eotg, A. fearless. 'Adtxsia, -fc, ?jao, T/xot unjustly. *ASwia, -ag, f. injustice. 'Adixog, -T], ov, unjust. *A8vvaTog, impossible. do "Adia, tiao), ifxa, sing. 'Act, ad. always. , m. air. , -ov, deathless, wv, f. the city of Athens in Greece. "Aiyvmog, f Egypt. Alfia, -arog, N. blood. , ttp<3, rfgxa, take away. , -a, ov, base. , -ijg, f. shame, -vvt, yxa, shame. AtTsoi, -, ij'ffw, Tjxa, ask. Alndofiai'j -tofioti, don/nut, a- /*, blame- Aiiov, 6vog, N- m- age, eter- nity. Aluviog, -a, ov, eternal- \4xd6aQTog, -ov, unclean. "Axovu), -oo), xa, hear. 'AxQig, -idog, f. locust. "Axgov, -ov, m. top, summit- "Alag, -aiog, N. salt- 'Ai-ysoi, -c5, Tj'ffw, TJXU, to be distressed. "Alyog, -eog, m. distress, pain. ^Alsxrgvtav, -ovog, N. a fowl- 'Alr/dsia, -ag, f. truth. COMMON GREEK WORDS. 93 Baoifaia r^g, eg, true. 'Alrjdtvog, -rj, of, true. ad. truly. vg, -eog, m. fisherman. P. gen. plural only, of one another. , -ij, o, P. other. -ov, belonging to another. ALofog, -ov, m. (mod.) horse. Aig, dlog, f. salt, sea. 'AftUQTTitia, -UTOS, 1). sin, fault. ' Apaqiia, -ag, f. sin- 'A/uvog, -ov, m. lamb- * AfMie).og, -ov. f. vine- 'Afineiw*, uvog, m. vineyard- "A/uw/uog, -ov, blameless. "Av, C. if. Avd, prep, with, through, vp, &c- It is put before many verbs to form new ones- (See the verbs.) ' Avayxaiog, -a, ov, necessary- og, -, of, mqniy. , -ov, m- wind- ijQ, -eqog or 8(>6;, m. man. ' Avdog, -eog, n.Jlower. * Atdqunog, -ov, man- 'Afri, pr. for, against, instead. Used with many verbs. "Al-iog, -a, of, worthy. 'Ano, P. from- It loses o be- fore a vowel, and is used with many verbs. "Am(a,uyj(a, ijqpa, kindle. , ad. whether, really, g, -ov, m- silver- -ov, n- money. 9 . -oo), xa, please. l, yg, f. virtue- ,^a(u,r)xa, count. 'Agio-idea, -<5, TJCTW, qxa, dine- , -ij, ov, best. , -atog, n. chariot. Modern, weapon. 'AQO'U, w-,o'ffw, rixa, plovgh. 'Agnd^o), -out, xa, seize. "AQTI, ad- now. "Agrog, -ov, m. bread. '4Qri> -ns> f- power, begin- ning. ' AQxofiat, -%o[Jiai, begin. "AO.XOI, -|ri.oiitti, -ijaofjctt, ijfiui, to be willing. Bovs, POOS, m- f- or n. oar, cow. BQuSsbic, slowly. B got %v 5, -ufa, v, short. , ov, m. a wan. in, -ctTOg, \\. Joctd. r J'dq, .C.ybr. lQ, -SQO?, yog, belly w, -ta, (70),ax, laugh. , ad- boldly. J'et'ea,-ds, (.generation. revog, -cog, a kind, race. , -ov, old, old man. og, -ov, m. farmer. S i f- earth, ground. , avrog, m- giant. i, or yifvofiui, itaofiui, i, to be born, to happen- eyt-wxa, f. tongue. , -rig, knowledge- I'votqi^ot, -aw, txu, muke known. />t3ag, -evr ( , uixog, I. woman. , -ov, n- teor. -vaoj, t'xa, -weep. ^fs, C. 6?, draw- 'EU.d$, -dSo;, f, Greece. "Eii.r]f, -rjfog, m. Greek. vtog, -ov, m. Greek sea, Hellespont. ig, idog, f. hope. uavTou, -fjg ov, P. of my- self. Eu6og<5, -Tj'ffw, mod. be able, can. Euog, -T], ov. P. my, mine. g, -ou, ra- merchant. 96 LE33ON9 IN GREEK. 'Ef, prep, in, -with, by. Joined to many verbs. 'EvavTiov, ad. before. >Et>aviios, -ov, opposite. *Ev8o!;o;, -ov, glorious. "Evdvfta, -UTOS, clothing". 'EvSvvoi, -vffu, (or ei'Ju'w, -j/o-w,) creep into. " Evsxa, or evexsv, or eiVfixct, ad. because of. 'Ewe a, ad. nine , ad. then. 7j, -*]<;, f. command. ' Evuniov, ad. before. '/?, prep- from, out of. Comes before a vowel for ex ; used before many verbs. ' En' or eni, prep- upon. ' Ertatveo),-(a, T^OE, exa, praise- "Enaivos, -ov, m. praise. 'Eneidrj, ad. strece, i/. 'Enior STT', prep. upon. rl, -7ji, f. letter. eifjofiai, go with. , e7r, say. aaaat *'a, -a;, f. labor, job. ?, -ou, m. laborer, Eqyov, -ou, n- work. "EQXOfiai, slsvo-o/xai, T\lvda come. E(>ond(a, -u, rjo-oi, rjxa, ask. 'E?, for e?, prep, t'nto, ?'n, os, -#', ov, hostile. EX<, eiw or ff/'jo'w, have. "Etag, ad. until. z Za. 0eo'g, -ov, m- Gorf- ev tu, -aw, xa, cure, uos, -ow, m- harvest. g, -ov, m- Aeaf. -aw, xa, hunt, ioy, -ov, N. let'/cl beast, vgoz, -ov, m- treasure, og, -/,-o>' ) mortal. Solia, hat- 0Qi, rpt'/o;, f. Aair. e^d^oc, -ou, m. throne. Qvoa, -a?, f. door. 9* Idioog, -ov, m. physician. "I8e, ad- behold. , -a, ov', own. '/oov, ad- behold! 'Isgevg, -e'w;, in- priest. iv, ov, n. temple, 'legog, -d, ov, sacred. -ov. n. garment. " Iva, C. /ia, so ?Aaf, (often written Vrf in modern ) : 'lnnvg, -fiag, m. horseman. ' Innoz, -ov, in- f. & n. horse. ''Iffo;, -r), ov, equal. '/adw, -w, wow, equalize- ;Ut, anjaw, e'axaxa, place- -d, ov, strong-. )g, -vos, f. strength. jw, -aw, ^a, oe a6/e, can. "Jaw;, ad. equally, perhaps. ' Ixdvg,*vog, m.Jish. 'loidvvqg, -ov, m- John. * Io)v. -Kai, C. anrf, aiso. KuiQog, -ov, time. Kaxia, -ag, wickedness. Kaxov, -ov, n. etJiV. Jta/Le'w, -w, ^a, cut. K6(ia};, -axos, m. crow, raven. K< >?'?, -75, f- girl. KoQvyil, -Tj?, f. top. Koo-ftos, -ov, m. world. K.Qoi66aTos, -ov, m. bed. ), -co, r/trw, 17x0, govern. j, -TJS, ( cry, noise. ivo), -vu, xa, judge. iai?, -ews, {-judgement. IJS, -ov, m. judge. aftpa, conceal. Kielfco, XT8v, vxa,setfrec. loote. M o};, {. instruction. j?, -ou, m. scholar, learner. Maxaqi^ot, -aw, xa, think happy. S) -a, ov, happy. -a, o**, long- , ad. chiefly, very much. In mod. yes. , ai. rather. Mavddvta, fla^1|aof^a^, unn dnxa, learn. Mavia, -as, ( madneit COMMON GREEK WORDS. 99 Maqia -ag, f. Mary. MO.QIVQ, -og, rn. f. & n. wit- ness. MaQTCQBo), -<5, TJffw, ?xa, bear witness. MaQTvgia, -ag, f. testimony. Mag, P. us. Often used in mod. for rfftdg- M^X 7 }-! -*}$, f- battle, fight. Maxo(J.ui, rloouat, TJ pat, fight- Me fa, ad. greatly. Meyag, -di-rj, a, great. Me.yedog, -eog, n- greatness, "it */?) f- drunkenness. -ov, greater. g, -aiva, A. black. Msli, -nog, n honey. Meitaaot, or -ma, orjg, or TJ^J, f. bee. MtlJlui, -TjffM, will do, shall do. Tfir, ad. really, indeed. 'to, -c3, xa, remain, tig, -iSog, f. part. -eog, n. portion. Meaog, -TJ, ov, midst- for fie id, prep, with, af- ter. Joined to many verbs. t, ad until. 'if, C. or particle, not, or, &c. Mrjde, C. nor, neither. sig, -f*iu, sv, compound of 7 and sfg, no one, none- en, ad. no* yet. -vog, m- month- >, -sQog or yog, mother o'g, d, ov, small- 'O , -175, f. memory. Mvr)fj.ovv(a,-eva(a, remember. Movtj } -ys, {. dwelling, man- sion. Movov, ad. solely, only. Mofog, -TJ, o*', alone. Mvdog, -ov, m- fable, speech, word. iot, -at, a, 10,000. ia, -a, af, f. folly. N ]Va6g, -ov, m- temple. Navyia, -as, f. shipwreck. NaiJs, vaog, ( ship. JVeavlag, -ov, m- young man. s, -a, 6v, dead, -a, ov, new, young, slr], -rjg, {. cloud. IVfjaog, -ov, f. island. Nixd a>, -w, 'jo'co, rjxa, conquer- Nimw, -yo), ,few, little. "Oio;, -?;, or, whole, all. ' OuiMa } -a$, f. conversation. "Ouotog, -a, or, hTre. , -ctTos, n. name. g, ad. really, truly. , ad. behind. " On\ov,-ov, a. arms, armour. "Onov, ad. where. "Onojg, ad- so , xa, enrage^pro- voke, be angry. s, ad. rightly, straitly. is, -tOo$, m. f. & n. Wrrf, "Opo?, -cos, n. mountain. " Og, r], 6, P. tw/io, which, what. r}, -ijs, f. smell., odor. o*', -ou, n- house, modern. _ ' OO-TSOV, -ovv } ov, n. frone. "Oort?, ^frts, ort, P. whoever. "Orai', ad. wAen. "Oi, ad. when. Iluqa ^01 Oj, ad- where, whither. Ov for oi}x, ad- no, not. Ov8a[i&Si ad. ftof a/ a//, fcy no means. dei;, (ou'x and ft?. ."', *",) no one. 'x, ad. no, no^. Tio), ad. o yef. Ouoavo?, -ou, m. heaven. Out', oure, C. no/-, neither. Ovrog, avT), TOVTO, P. ?/u', Ovitu or ouro>j, ad. o, 1 OqE>0i/*6s, -oiJ, rn. eye- 'Oz^og, -ov, m. multitude. n 77i>(9o;, -eo;, one, n. suffering. rtaideia, -ag, f. instruction, education. Iluidev cu,-ao>,x, instruct, ed- ucate- FTuidiov, -ov, n. chil>!. fluig, nuiSoZj m. f. & n. child- /Jtfiuidi, -a, d>, o/(/. UufproTf, ad. always. ndtrirog, -ov, m-grandfather. /7up' for nuQd, prep, of, from. by, than. Put before many verbs. //Iff, Ttdaa, ndv, all, every one. 77(jtr>jo, -F^OS, 005, m- father. TlaiQig, -iSog, f. country. lleSiov, -ov, n. plain. IJsiOoi, -oo), 7Te7io0a, per- S, f. hunger. '^u, -aw, xa, tempt. COMMON GREEK WORD8. 101 lleiqata ITeiQ r ji(a, -}', ad. 6wf, except. (axct,fill. Illoioy, -ou, n- -a, ov, *^w, -aw, xa, enrich. , -ov, m. wealth. , -OTOS, n. spirit. , ad- whence. IJoiefa, -fa, j'aw, nenoirjxa, do, make. IIo i fiij v, -svog, ra. shepherd. war. Hdieuog, -ov, m. war, fight. , -eus, ( city, state. c, -ow, m. citizens. , ad. often- , ad. 77iz*cA. Put before many adjectives. TJolu^atfjjj, -jyfj eos, very learned. floivg, iij, v, much, many. IJovyQos, -a, ov, wicked, novas, m. labor. n6vros,-ov, m. sea. , -ao>, sink. evaouai, cvftni. go. TZoaoj, -tj, ov, how much ? noraffos, -ov, m- river. ^o^s, ad. once, in future. TJou, ad. where. , Ttodo;, m. joot. y.Ma, -aro?, n. thing. ft?, -ewff, f. acf. , or -TTW, |w, /a, do. -etas, m- am&aa- sarfor. , v, old. -OT>, m. old man. 77oo, prep, before. Put be- fore many verbs, nouns, &c. , -ov, n. ship. -duau, dsSiaxa, betray. n^o;, prep, to, toward. Joined with many verbs & nouns. TZodffxaiooj, -ov, temporary, n^oao), ad. before. TZooqpjj'rj;?, -ou, m. prophet. 77otJ, ad. morning: nowiov, ad.Jirst, at first. 77p(5rof, -17, ov, first. 102 LESSONS IN CRF.EK. ;, -rj, 6v, winged. -77, d*, poor. ?, f. door. fat, persuade. ig, -idog, f. pyramid. , -go?, n. fire. /Jeois'w, -di, TyCToo, J?xa, se/J. /7a~f, ad. 'Pa'(J*o?, -a, or, 'Pevfia, -io, n. current. 'Pijfia, -arog, i\. word. 'Pq'rwo, -0005, m- orator. 'JP*a, -iy. f. roof. j??, f. Rome- s a'o, CTaoxd?, {.flesh. 2dg, mod. P. for vftag, you. 2avTov. or ) ,,. '. > of thyself. 2BHVTOV. S 2eiov, ad. to-day. (Mod. sometimes, aTJ^eotc.) -ou, m. iron, t, -ew?, n. mustard. 'i/w, -ffoi, xa, offend. 2xiivr[, rjq^ (. tent. >s, -ou, m. slave, mod. >?, -ij, di-, dorA 1 . 2xoifia, -a?, f. darkness. 2xori^(a, -CTW, xa, darken. 2xoTog,-eos,ovs J m- darkness. 2oog, -TJ, dy, sq/e. -2*0?, -^', dy, thine. Zvqpia. -ag, f. -wisdom- oWj tanafixu. snw. 2novSd'Ctu, -aw, x, hasten, endeavor. Modern, study. 2rav()og, -ov t in. cross. , -c3, oiaw, ajx, cru- ieq>avog, -ou, m- 2r6fia t -aroj, n. mouth. Toz. n. ) r /' > army. ta, -?, f. ^ , -ou, m. soldier. -oJ, army. , -qpw, (pa, turn. -Tu', p. fftoM, aou, o/ i/tee- ^"uyyej'?/'?, -?, a relation. prep- wj'^A. Put before many verbs, nouns, &c. of- ten changing v for some other letter. orw, -TTW, $w, H//- , -aw, xa, scree- , -aroj, n- 6orfy. , -ou, or ffdo?, -ov, sq/e- j'o, -ifoo?, m- Savior. 2(aTtjgiu, -;, f. salvation- vT), -T;?, f. wisdom- T 7 , f. order. , or -TTW, fw, trouble. Tavgog, -ou, m- 6t//. T(p7j, ij?, f. burial. Tuzvvca, -c3, yxa, hasten. Tefyo?, -eoc, n- 7a//. Texvov, -ou, n. c/7c/. COMMON GREEK WORDS. 103 Teiftoo), -<3. o)aia, wxa,Jinish. Feievrafov, ad. finally. , -a, cab), EXU, Teios, -cog, n. end. T/jj;, article, f/ie ; and mod. P. for auTijv, Aer. Terr*?, -tyog, m. grasshopper, locust, cricket. -?5, <""<> trade. -di, ^CTOJ, j;xa, /reep. -^ij'atu, jsdetxa, put. Tifidw, -(5, ij'trw, j^xa, honor. Tt^UTj, -j^;, f. honor. Tifttog, -a, ov, honorable. Tie, ri, v ho? what? Ti, tl, some one. ToiovTog, TOiavTT), TOJOVTO. such. Toi%og, -ov or -.* Tet X o?, -ov, Tor, article, the ; and so times mod. abbreviation uvrnv, him- TuZevto, -at'if shoot with a bow. T6og, -ou, m- bow. Tonog, -ov, m. place. TOCTOUTO;, -avriy, ouro, great. Tore, ad. Merc. Tou';, sometimes used by mod. for avtovg, them. Tqeig, three. -Etftta, tpa, turn. in. wall. so ra, thirty. -ov, n. monument. , -j;?, {.food. , -T), ov, third. , -ifs, f. luxury. ea/, gnaw. Tvnog, -ov, m. mark, type. TvnTta, -yea, (fa, strike Tvquwig, i8og, f. tyrranny. TvQavvog, -ov, m. tyrant. Tvfpiog, -ij, o'y, blind. T^X 7 !, -y?, f. fortune, mit- fortune. ' Yysta, -ag, f. health. 'Yygog, -a, ov, wet. 'Ydgevoi, -aw, bring water- "Yduo, vduTo;, n. water. Ytog, -ov, m. son. "Y"A7, -jj?, f. wood, material. 'Yfteiego;, -a, oy, your. 'Yne Q, prep, for, through. Put before many verbs, &c. c F7rj;5>iJj?, -ov, m. servant. "Ynvog, -ov, m. sleep. * Yno , prep. 6y. from. Put be- fore many verbs, &c. 'Yn6dijfia. -roc, n. sAoe. (From B7jo and tfe'w.) ' YTIOXQIIIJ;, -ov, m. hypocrite. 'Yipr/log, -f, or, high- "Yifiog, -f w?, n. height. , (2d Aorist,) ea/. (PatVa, q>dvw % necpayxa, ap- pear. 104 LESSONS IN GREEK. J>vfoc5j, ad. openly, clearly. l Pa'ojuctxov, -ov, n. medicine. #Ti/ui, oprjCTG*, say. 4>deig(o, -eow, xa, lay waste. , -ov, m. sound. 4>66vog, -ov, m- envy, blame. . -66og, -ov, m. fear. I). -&, 7JO"CW, ^ carry- iov, -ov, n- burthen, fright tify. xa, speak, nay. , -ITU, |w, ^o, ybr- -OTO;, n. opinion^ , -a, ov, wise- ?> {-fight. -775, f. watch, prison. , -TTOJ, 5w, xa xsxX a , rejoice. j, -TJ, dv, cruel. Xaixdf, -ov, m. brass, copper. XuQd,-as, f- joy. A'oxT?jo, -^05, ni- charac- ter, mark. Xdqig, -*TO?, f. grace, thanks. Xeiq, -05, f hand. Qa, -a 5, f.widow. Xde$, ad. yesterday. XOQEVW, -CTW, dance. , n. thing, money. s, -T], ov, vseful- , -tj, o'v, g-ooc/, useful. S, -of, m. Christ, an- ointed. Xqovog, -ov, m. time. XQVO-SO?, -ovg, eu, -if, tor. ovv, golden. , -a?, f. coast, country. t';, ad- -without. at iig, -eg, false, deceitful. Vsvdog, -eos, n. lie. , -ou, m blame. f- S, f, nature. ?, C. > as. c flaney, ad. ) '/2' Ze\df. 76 7 iftiarjatv ifuariaav. 10 from bottom Vg M. 78 verse 39 $crtZre fylTtlrt. verse 1 *Avipjj