'A^ THE PRINCESS DAPHNE. T H E PRINCESS DAPHNE ' Why ! if the Soul can fling the dust aside, And, naked on the air of Heaven ride, Wer't not a shame wer't not a shame for him In this clay Carcass crippled to abide?" Omar-i-Khayydm . BELFORD, CLARKE & CO. CHICAGO, NEW YORK, AND SAN FRANCISCO PUBLISHERS 1888. COPYRIGHT BY BELFORD, CLARKE & CO. 1888 Day after day we wandered you and I Amid a labyrinth of thought, nor found The answer to the problem that we sought. Day after day we pondered, asking why Our twin souls sought each other, and seemed bound Together by some strange resistless tie. And as each answer seemed nor wrong nor right, But all inexplicable, 1 forsook The quest, and sate me down to write this book, That peradventure may contain some light That; thrown upon our question, may explain The bitter pleasure and the mad, sweet pain That we have known together. I have done This work for you ; look kindly on the flaws That mar it, since it leads you to the cause Why, when we met, we felt our souls were one. SORRENTO, March, 1885. In lands which the stupidity of civilization regards as barbarous, there are occult powers of which contemporary science is absolutely igno- rant. The materialism of Enrope has not the faintest conception of the spirituality which the Hindus have reached . . . their mortal envelope is but a chrysalis which the immortal butterfly, the sou/, can abandon or resume at will. I have attempted to undo with magnetism the bands that join mind and matter. In experiments that were certainly prodigious, but which failed to satisfy me, I surpassed Mesmer, Deslon, Maxwell, Puysegur, and Deleiize : catalepsy, somnambulism, clairvoyance, soul-projection, in fact, air the effects that are incomprehensible to the masses, though simple enough to me, I have produced at will. I have fasted, I have prayed, I have meditated so long, I have domi- nated the flesh so rigorously, that I have been able to loose the terres- trial bonds. Vishnu, the god of the tenfold incarnations, has revealed to me- the mysterious syllable that guides the soul in its avatars. I am not an erudite in the ordinary acceptation of the word ; but on the other hand, in studying certain subjects disdained by science, I have mastered some unemployed occult forces, and I prodtice effects which appear miraculous, though they are perfectly natural. . . . By wntch- ing for it I have sometimes surprised the soul .... Armed with the force of my will, tJiat electricity of the intellect, I vivify or I annilii- hi te. Nothing is opaque to my eyes ; my gaze pierces everything. . . . We Europeans are too superficial, too matter of fact, too much in love with our clay prison, to open ivindows on the eternal and infinite. THEOPIIILE GAUTIER. "AVATAR." \_Myndaert b'erelsfs Translation^ CONTENTS. CHAPTER. PAGE. PROLOGUE it I. A BOHEMIAN SOIREE 13 II. UNE MA!TRESSE FEMME 36 III. L'AMOUR EST ENFANT DE BOHEME 57 IV. MESMERISM 77 V. DAPHNE AND ERIC 95 VI. AN ANGLOMANIAC 124 VII. CLOUDS 143 VIII. TRANSMIGRATION 166 IX. THE REINCARNATION OF DAPHNE 181 X. THE AUT6CRAT OF TRTHWWSTHPLLGG 205 XI. ATTRACTION AND REPULSION 221 XII. " SPLENDIDE MENDAX 1 " 237 EPILOGUE 255 THE PRINCESS DAPHNE, PROLOGUE. " THEN, if I understand you rightly," said Mr. Paul du Peyral, " the case lies thus. My late friend and benefactor, Casimir Preault, makes my enjoyment of the fortune he has left behind him, contingent upon my offering myself as the husband of his second cousin, Miss Daphne Pre'ault of New Orleans ? " " Exactly ! " " And if she refuses me, I enjoy the income only so long as I remain unmarried ? " " Exactly ! " " And should I marry anyone else, it reverts at once to that young lady, unconditionally ? " " Exactly ! " " I understand good morning." " Good morning ; " and the senior partner of the firm of Seligman, Searcher, & Certiorari bowed Mr. Paul du Peyral out of his office on the ground-floor of No. 195 Nassau Street, New York City. "Well," said the latter gentleman to himself, as he pro- ceeded up-town in a brown study and a cab, " I am in a pretty peculiar position. Prospectively a wealthy man, but my wealth contingent on my offering myself to a woman I have never seen. Wellj they say she is beautiful. Daphne 1 1 12 THE PRINCESS DAPHNE. seems inevitable ! and as the inevitable I accept her. I wonder if she will accept me ? " On reaching his rooms he straightway indited a letter, lay- ing his hand and heart at the feet of the testator's nominee. This done, he dressed himself ; and, with the air of one who has manfully done his duty, he sought Delmonico's and dinner. A week later, he received the following reply : NEW ORLEANS, LA. ; December , 18 . Sir: Your impertinent offer of marriage has reached my daughter, who has placed it in my hands to reply thereto. We beg, once and for all, to decline the offer with which I presume you consider that you honour us. We have already suffered sufficiently from the madness of my cousin, Mr. Casimir Preault, of Baton Rouge ; we did not expect, how- ever, that he would insult us by suggesting the possibility of an alliance between his second cousin and his body-servant. We congratulate you on the disgraceful success of your efforts to gain an ascendency over the enfeebled mind of an octogenarian, though that ascendency robs us temporarily of an inheritance which should be justly ours. Any further communications that you may wish to make to us must be made through the attorneys to the estate, Messrs. Seligman, Searcher, & Certiorari ; any letter of yours to us will be re- turned unopened. I have but one regret, and that is, that my age and infirmities prevent my administering the chas- tisement that, in my opinion, you deserve. Obediently Yours, VICTOR PREAULT. " Good ! " ejaculated Mr. Paul du Peyral, as he turned to his breakfast ; " I've got the money unhampered by the woman." CHAPTER I. A BOHEMIAN SOIREE. Do you know Holland Street, Kensington ? Yes ? I wonder whether you do, or whether you answer me "in the air," the prcenomcn " Holland," as applied to streets, roads, parks, and gardens, in that expansive area known as " Ken- sington : ' to us, which comprises the Brompton, the Notting- Hill, the Hammersmith, the Fulham, and almost the St. John's Wood of our fathers, being so familiar as to call forth the affirmative with hardly a moment's reflection as to whether one is telling the truth or not. For Holland Street is not a very well known locality : it is hardly a thoroughfare : and unlike Holland Road, and Holland Park, and Holland Park gardens, it is not lined with the gorgeous abodes of fashionable Bohemia but it is Bohemia all the same, Bohemia as we knew it, the Bohemia of Thackeray, of Jerrold, of Albert Smith, and almost of Dickens ; and it is inhabited, or at any rate was, at the time of which I write, exclusively by " the boys." The men who lived there were " the boys," and wore the pepper-and-salt continuations, the velveteen or corduroy jackets, the open collars and quaint ties, the comfortable shirts and the uncompromising hats that distinguish " the boys " from their uninteresting but respect- able fellow-men, all the world over. And the women, too they too were of " the boys " ; and since long before Oscar Wilde carried the costume of the atelier into every-day life and conventional drawing-rooms, they had worn the artistic folds and colours which have become familiar to us coupled with the adjective "aesthetic," and, in merry communion with the male artists, enjoyed a blissful immunity from the tor- tures of civilization, represented for them by high heels, tight 13 !4 THE PRINCESS DAPHNE. waists, Mrs. Grundy, and the Nineteenth Century dress- improver. Those were happy days in Holland Street, and its Bohe- mian glories have not yet quite departed ; its red-brick walls and ramshackle studios have not been invaded or routed by " villa residences " ; its pipes have not been banished by the the cigarette ; it has hardly begun to be civilized, even to the extent to which Bedford Gardens and like localities have succumbed to the influence of fashionable Bohemianism, and there are many nooks yet therein, where the dress clothes cease from troubling and the opera hat's at rest. You know, of course, the church-yard of St. Mary Abbott's, and Horn- ton Street : those are the media of communication by which "the boys " sought the outer world when they wanted it which was seldom. They took the little flagged footpath through the church-yard, or, when the carrying of a picture to or from an exhibition warranted or required the extrava- gance of a cab, they reached their classic shades via Horn- ton Street. Hornton Street is practically a one-sided affair looking due west ; that is to say, throughout a greater part of its length it looks out over the gardens of Something Priory (I think it is called), and its inhabitants dread the day when this " open lot," as the Americans would say, shall be built over by greedy heirs, or by thrifty executors and trustees for now, in the early spring, from their upper windows they can watch the birth of the year and the return of the song- birds, and later on they can open them and get the full bene- fit of the summer fragrance. A discreet little street is that called Hornton, where there is no danger of being over- looked by inquisitive " opposite neighbors," but not inhabited by a homeful little colony like Holland Street or as Hol- land Street was in the autumn of the year 18 . My story opens in the September of that year. Autumn seemed to have roused herself from her long sleep, and had timorously tentatively, as it were laid her chilly touch upon the great city, to warn it that ere long she would be fully awake, and strong enough to take it wholly into her A BOHEMIAN SOIREE. l $ grasp. Already the chestnut trees in some of the parks and squares seemed to have realized that they could not store up for another year the gold they had gathered from the sun- shine during the summer, and had begun to squander it ex- travagantly, flinging it lavishly to earth in the brilliant bronzes and gilts of the leaves that strewed the grass be- neath them ; the sparrows were beginning to seek the patches of sunlight on the tree-tops, or fluffed themselves into cosy, chattering feather-balls in the warm dust of the more de- serted roadways. The summer was not gone, but it was strong with life only for a day or so at a time, husbanding its strength, as it were, during the intervening hours, to display it with the more arrogance at intervals, as a temptation to the world. But the season of the year was a matter of indifference in Holland Street. Spring meant, in its eyes, one of the male " boys," flying into the studio of one of the female " boys," and dragging her out for a walk, out toward Hammer- smith and Chiswick and Barnes and Ealing; summer meant half-a-dozen of them providing their own refreshments, and going up the river to find that each had been struck with the same original idea, viz., to bring a chicken-pie ; autumn meant a cottage by a wood or by the sea, whence they should return laden with sketches and " studies " to be worked up in the winter; the winter, which represented only an increased expenditure of gas and coal, with tea and muf- fins at intervals during the day. How happy we were ! and now that we are respectable fathers and mothers of families, a younger generation is doing the same thing behind the walls and windows of Holland Street. Perhaps I am generalizing too much, for of course I have a particular house a particular menage in my mind's eye. It is No. 141 on the north side of the street, one of those houses with no front to it, which gives one the idea that the builder was going to face it the other way, but changed his mind at the last moment, cut a front door looking into the back-yard, and filled up the road in front !6 THE PRINCESS DAPHNE, with a garden which garden, in turn, the inhabitants had filled up with a studio. There are many such in Holland Street. Where the houses are, so to speak, right side fore- most, there are little gardens in front of them, wherein old-fashioned flowers grow luxuriantly in defiance of the London smoke, and through which flagged pathways lead from the front doors to the wooden gates ; and in one of these we shall seek some of the actors in this drama. At present our attention is turned to No. 141, at whose un- compromisingly ugly door a young man is letting himself in with a latch-key. An artist obviously, by his velveteen coat, soft hat, and long hair ; and a man whom one would remark wherever one might see him. His face is, perhaps, too finely moulded for a man's there are those who declare him to be effeminate in appearance ; his eyes are large and of a danc- ing brown, his nostrils clearly cut, his lips thin, the jaw is square, the forehead high, and the brows are straight, the whole being framed in masses of rather light brown hair. The hand and arm not occupied in opening the door are en- cumbered with parcels ; Gabriel Hawleigh has been shop- ping in High Street, Kensington. Whilst he fumbles with the key, the door is opened from the inside by a girl, dressed in along, loose frock of chestnut brown, girt about the waist with a broad moirJ sash, who stands on the steps and laughs at him. The front of her dress is concealed protected rather by a long apron, and calico sleeve-preservers are tied over her arms, from the elbow down. She is neither pretty nor plain, but her great, grave, gloomy gray eyes quar- rel with the sweetness of her expression, and with the laugh which, parting her finely traced lips, displays two rows of dazzling teeth. Her hair, rather short, forms round her head an aureole of gold, which shimmers as she laughs at the " boy " on the door-step. In sooth a goodly sight are they, as she stands in the shade of the doorway, and he, with one foot on the step, looks up at her. "Thanks, Maye," says he, as he steps into the house and she closes the door. A BOHEMIAN SOIREE. ij " Have you got the muffins ? " she inquires, anxiously. "Yes." " And the plums ? " " Here they are ; they had a narrow escape from squash- ing against Dick Lindsay, as I came through the church- yard." " And the soda-water ? " " It's coming round I won't carry soda-water bottles through High Street." " And the coffee ? " " There ! " " And the cheese ? " " Rather ! " " Very well ; go and finish clearing out the studio, and I'll come up directly ; " and the girl disappears, whilst Gabriel hangs up his hat, and, passing through the little drawing- room on the right, steps through the window into the studio. Here he looks round him as one is wont to look round when one is " at home," and then produces from his apparently inexhaustible pockets a box of cigarettes, which he dumps down rather contemptuously upon the mantel-shelf, and a fat package of tobacco, which he empties carefully into a stone jar by their side. The studio already shows signs of having been cleared somewhat, but now he continues the operation, carefully covering a half-finished picture on an easel with a cloth as he turns it to the wall, and lifting into a corner a smaller easel, the flower-painting on which, however, he does not cover up. Only, the bowl of Gloire de Dijon roses which stood on a table by its side he carefully carries out of the studio and up-stairs into his own room, taking pains that their arrangement be not disturbed, so that on the morrow Maye Trevethick may have no difficulty in finishing her study from them. When he returns, an elderly lady is sitting in a low arm-chair by the window of the drawing-room. " Ah ! madre," cries he, " how are we getting on ? " " I think everything is ready now, dear. Maye is putting i 8 THE PRINCESS DAPHNE. the finishing touches to the baked meats down-stairs, and I'm ready to receive the company, and have got all my stereo- typed phrases ready to greet them with. We shall have quite an historic party ! " There was to be a party in the studio, the reader has gathered that already, and the little household at No. 141 Holland Street were quite excited at the prospect of the festi- val, which was to be one of those merry Bohemian orgies such as " the boys " delighted in. Let me present the host to you before the company arrives. Stay ! there is a ring at the bell some one arriving ? No, only a boy with the soda-water. The lady in the window is Mrs. Hawleigh a sensible, clever old lady, such as young men delight in talking to, very courteous, very correct, a great reader, but a wise old lady who, having passed her later life in poverty, by compar- ison with the affluence of her earlier years, knows her world thoroughly, and in the parlance of " the boys," has no nonsense about her. Hermippus the Sage it was who remarked that the society of young people keeps old people young ; and this was the case with Mrs. Hawleigh the ar- tistic colony with whom we are concerned adored her. She was a kind of mother to them all, and returned their affec- tion with impartiality : she had only two especial favourites, and they were her son Gabriel Hawleigh and her niece Maye Trevethick. She had married, when quite young, a lieutenant in the ill-fated Light Brigade, and soon after that fateful 25th of October, when the blue and black missive from the War Office had told her that the young husband to whom she had given her whole soul without reserve had rid- den " into the jaws of death, into the gates of Hell," and had left his fair young body before the batteries of Balaclava, she had given birth prematurely to her boy Gabriel. His consequent delicacy was almost a source of solace to her, as a safeguard against his joining that profession which had already torn two-thirds of all she cared for in the world from her. Mrs. Hawleigh, though possessed of but slender means, lived only for Gabriel, and had refused to marry A BOHEMIAN SOIREE. { g again ; had only watched with delighted solicitude the growth of her son's artistic taste, and had denied herself many a little luxury that he might cultivate it to the utmost ; for Gabriel, with all his softness and delicacy, had undoubted talent in the profession he had taken up, though that talent had not as yet proved very remunerative. Gabriel Hawleigh was an artist and a fiddler, and spent his life in the companionship of his easel and his violin. His mahl-stick and his fiddle-bow were the twin sceptres of his autocratic power in Holland Street. Often his mother feared that the one would interfere with the other, but it was impossible to make him forsake the one and cleave to the other, especially since Maye Trevethick had become a mem- ber of the household, with her enthusiasm for her paint-brush under the tuition and the able tuition of Gabriel, and her skilled, sympathetic touch upon the piano which stood in a corner of the studio, and on which she would often play rich phantasies by the hour, or accompany Gabriel when, for her delight and that of his mother, he would take up " this small, sweet thing, Devised in love and fashioned cunningly Of wood and strings," interpreting the masterpieces of the composers for his in- strument, or following Maye through the chords and melo- dies of some daring improvisation, in which he would plead to her in harmonious whispers of things unutterable. For they were very poor in this world's riches. Ah yi ! Maye Trevethick, the orphan and only child of Mrs. Haw- leigh's only sister, had joined the household some three years before, and was now a sweet woman of nineteen. Gabriel was twenty-two. By that you can approximately fix the date of my story. When her father, Claude Trevethick, had died in India, her mother had soon followed him to " that undis- covered country from whose bourne no traveller returns," and her worldly possessions hardly sufficing for the co-mainte- nance of body and soul, Mrs. Hawleigh had taken the girl to 2O THE PRINCESS DAPHNE. her heart and home, and the menage in Holland Street had become triple instead of, as heretofore, dual. Mrs. Hawleigh had never regretted her good-hearted impulse, for the pure, sweet girl had brought a rare sunshine into the little house, and was as much one of the family as if she had been in very truth Gabriel's sister. Such were the inmates of No. 141, and such, one of them at least prayed that they might ever continue, for the mother's heart read truly in the clear pages of her boy's soul, and daily she wove happy vi- sions of a happy future. The hour approached for which, as Maye said, " the cards had been sent out." Mrs. Hawleigh was suppressing a tendency to doze, and Maye and Gabriel were having an active row about the framing of certain works of art that at present lay around the studio in a frightfully dissolute state, when the bell rang, and Eric Trevanion was announced by the " Empress," a good-naturedly obese person of uncertain age, who, progressing through the stages of Mrs. Hawleigh's maid, Gabriel's nurse, and general factotum in Holland Street, had enjoyed the names of almost every imperial Roman dame, and from Eudoxia, Theodora, Faustina, As- pasia, Poppaea, and a host of others, the morals of whose original bearers would have brought her gray hairs in sor- row to the hair-dresser's, had arrived at the simple appel- lative of " Empress," from her imaginary authority in the Bohemia of Holland Street. Eric Trevanion, whom the Empress had just admitted, was a Bohemian of a class much commoner to~day than it was at the time of which I write. He was, as it were, an ama- teur Bohemian ; that is to say, he had private means of his own, an ample allowance made him by his father, a wealthy Cornish squire, enough to prevent the necessity of his sell- ing his pictures to live ; and this was a most fortunate thing for him, for though a royally good fellow, Eric was not much of an artist, though he meant very well, and covered acres of canvas, in his very superlative studio next door, with what he called " Studies from the Impressionists." A BOHEMIAN SOIREE. 21 " Mine is an untamed genius," he used to say ; " I can't trammel it with purity of line and rules of colour ; it is enough for me to know that my work elevates the thoughts and stimulates the imagination. The study of my pictures is a search after the hidden beauties of the Undefined. Look at that, for instance ; if you look carefully but comprehensively at it for a little while and at a little distance, the subject will form itself for you, and you will be astonished that you did not see it at once. Since you are pressed for time I will tell you. This is ' A Discord in Aniline Purples Jimmy Whistler struck by lightning in the middle of a sneeze.' The large canvas on the wall is a Theosophical picture. I think the idea came to me in a trance, I'm not sure ; it looks, I admit, as if it had been painted by my astral double the morning after a drunk ; but the idea is very sublime and Esoteric Buddhism-ish ' A Nocturne in Green Apple Color Madame Blavatzky as a Priestess of Isis, pondering on the " Now-ness of the When," whilst Mohini and A. P. Sinnettplay three-card monte in the distance.' Some day I shall grow a white curl and be appreciated at present I'm happy enough as I am." Such was the new-comer, the first arrival, a young man dressed with scrupulous carelessness in the costume of Bo- hemia. Son, as I have said, of a Cornish squire of consider- able means, he had adopted art as a profession for the sake of its associations and its freedom. Tall and dark, and quiet in manner, no one ever knew whether he were serious or not, or whether, like the ^Esthete of historic fiction who dined with closed doors off beefsteak and onions, he laughed at himself in the solitude of his own studio ; but everyone liked him, for it was whispered that his right hand did many a good action of which his left hand remained blissfully ignorant, among the impecunious " boys " whose pictures he would buy, ostensibly on commission for his father, and this often with such a lordly disregard of their merits as paintings, that, when Gabriel Hawleigh ate things that disagreed with him, his grisliest nightmare was always one of incarceration 22 THE PRINCESS DAPHNE. in the elder Trevanion's picture-gallery. His especial cronies were the Hawleighs, possibly on account of their proximity, a proximity which lent itself to his continual appeals "next door" to have buttons sewed on, or especial delicacies cooked, or the wounds produced by his amateur carpentering bandaged. To-night he made an early appearance, with two chairs in one hand and in the other a basket. " Do you want some more chairs ? " was his greeting. " And look here ; the governor sent me up a couple of brace of partridges yesterday, so I had them cooked and brought them round. I get very hungry later on and require strong meats, so I said to myself, ' Come early and bring your own birds.' How are you all, anyhow ? " " Now that's what I call having a proper regard for the ethics of the situation," cried Gabriel. " Empress, here is food ! Give me the chairs, and now let's greet him. How are you, Mr. Trevanion ? so good of you to come ! " " Not at all pleasure, 'm sure," replied the Cornishman, gravely. " And whilst I think of it before the aristocracy of Camden Hill turn up have you got a shoe lace ? Hark ! some one approaches I shall go away and come back fashionably late. How are you, Miss Easton ? have you brought the latch-key ? I've left mine on my dressing- table." This last remark was made to the elder of two girls who made their appearance at this moment, Sylvia and Eva Easton, occupants of the floor above him next door, who were engaged taking off their hats, smoothing their hair, and giving themselves and one another little corrective pats and punches all over, in a corner with Maye, to an accompani- ment of those hysterical whispers and bursts of suppressed merriment without which no properly constructed young women can greet one another after an enforced separation of say two hours. The elder, Sylvia Easton, was a student of " Still Life," and had been remarkably successful at getting five-pound pictures exhibited and sold in Suffolk Street, Pall Mall, and Burlington House. Her sister Eva was recently A BOHEMIAN SOIREE. 23 home from a two-years' sojourn in the Conservatoire at Leipsic, where she had devoted her time to the study of the violin. That accounted for the papier mache fiddle-case and roll of music which she dexterously concealed beneath her cloak, with one end plainly visible to guard against its being ignored. " Let us go into the studio," said Mrs. Hawleigh, as an- other arrival announced himself by " tiding at the pin ; " and the little nucleus of " the party " stepped through the win- dow. " Great Scott ! Pouff ! ! " exclaimed Trevanion, flying to the ropes of the skylights, which he opened to their fullest ex- tent. "Gabriel, what are you doing ? " The gaslights of " the flarer " were reinforced by half-a- dozen candles disposed around the studio, and seated on the floor before a brass Venetian lamp, Gabriel had succeeded in producing a perfume which, not having the pen of a Dante, I am powerless to describe. " Well," said he, smiling apologetically, in defiance of the contortions of his face from his nose outward, " I thought this Venetian thing would look pretty, alight, but I can't get it to work. By Jove ! if the merry Venetians always pro- duce this effect when they try to illuminate the world, I don't wonder that they seem rather to like the Grand Canal at low water ! " " Take it out ! Ouf ! " vociferated Eric. And amid the derisive laughter of the band, Gabriel re- moved his highly artistic but disagreeably pungent illumin- ation ; whilst Maye lit some incense in a cinque-cento thurible to neutralize the aromatic effects of his experiment. Meanwhile the other guests begin to arrive. First Bernard Rawlinson, a grave, handsome creature with picturesquely dishevelled hair and an indumentary desinvolture peculiarly his own. Rawlinson would have been an excellent artist if he had not been a tolerable actor, and an excellent actor had it not been for his talent as a painter. As it was, he divided his time about equally between the studio and the 24 THE PRINCESS DAPHNE. stage, with the result that the one always interfered with the other, and precluded his reaching the summit of excellence in either. He was followed by Dick Lindsay a funny man. That was obvious the moment you saw him. His smooth-shaved and rather ugly face never changed its expression in the slightest degree ; but from behind his light, gold-rimmed spectacles, his keen blue eyes seemed to watch everything around him, and discover the hopelessly ludicrous in what- ever presented itself within range of his observation. He stood in the doorway and snuffed the gale suspiciously. " Is anybody dead so far ? " said he. " Not at present, " replied Sylvia Easton. "Then I think I may venture," said he, stepping into the studio. "What has happened ? " he queried. " Gabriel has been making sacifice of a sweet savour, and has just disappeared, like the ghost in the ' Antiquary, ' ' with an aromatic perfume and a melodious twang. ' " " Oh ! I thought someone had had an accident with the chemicals;" and he subsided by Mrs. Hawleigh's side as Gerome Markham, an artist attached to the permanent staff of a comic paper, made his appearance. A small, fat man with a large income and a supremely careworn and worried expression, clothed in the most superlative evening dress, with a gardenia in his button-hole. " Apothecary ! an ounce of civet," cried Bernard Rawlinson, as Markham stepped round on tip-toe, making his choicest salaams to the company, and diffusing a faint, sweet perfume of chypre as he went. " Yes," said he, as if in answer, " I perceived a weird aroma before I left Phillimore Gardens, and as the wind set from this direction,. I thought you would appreciate my deli- cacy in providing a counteractive." Others followed him, and at last about a dozen genial souls had shaken their hosts by the hand, had turned from Gabriel more in sorrow than in anger, had congratulated Markham on the picturesque splendour of his appearance, A BOHEMIAN SOIREE. 2$ and joined in the tea, coffee, and gossip of the studio. Suddenly Trevanion, who occupied the music-stool, swung round and said: " Where's the Princess ? " " Echo answers where," said Gabriel. "Then Echo is a liar or intoxicated," rejoined Lindsay, " for Echo ought to answer ' cess. ' ' " But where is she ? " persisted Trevanion. " I saw her to-day," said Eva Easton, " and she said she was coming. " " I think," said Rawlinson, " that the President's dining with her ; " and at this intelligence every tongue was hushed, for " the President " dining in Holland Street was an event that brought throbs to every Bohemian heart. And yet it was not uncommon, for Sir George B , President of the Royal Something-or-other of Painters, with his fine, hand- some face and silver-gray hair, was " a boy" among "the boys," and, often looked in on the colony, and smoked cigar- ettes whilst he made suggestions that accounted for many an admission to the holy precincts of the Academy on Var- nishing day. " Well, he's in good company," said Mrs. Hawleigh, " and Sir George is likely to stay there." " No ! " said a voice on the threshold ; and most of the men rose to receive the great man himself, who stood smiling for an instant at the colony, and then bent low over the hand of Mrs. Hawleigh. " May I come to the party ? " said he, as he settled him- self by Mrs. Hawleigh's side. " Rather ! " said Gabriel. " Coffee ? " said Maye. "Thanks both of you," said Sir George. " I come as an ambassador or advance-guard," continued he, "to say that the Princess Daphne will be here directly; she stayed to interview someone for a moment, and sent me on there's a ring ! Perhaps it's she. " Maye rose and went quickly to the door; the next moment Miss Daphne Preault 2 6 THE PRINCESS DAPHNE. called unanimously by the colony " The Princess " stood in the drawing-room window and looked round the studio. The men rose again with one accord, and a little murmur of satisfied " Ah's " went round. That Miss Preault should have been dubbed " The Princess Daphne " never caused a moment's surprise to any who saw her. Who she was, and where she came from, no one knew for absolutely certain ; and the combined and persistent curi- osity of the entire female colony had not as yet elucidated the problem. Meanwhile they bowed before her ; and though she often seemed unconscious of her empire, the sceptre she swayed was that of a rule which, all agreed, was highly be- neficent to her subjects, and very genuine indeed. A dim rumour existed in the colony to the effect that the Princess Daphne was a Creole. No one, however, dreamt of pressing the idea heavily upon her, and when suggested lightly, she would equally lightly set it aside. Since then, however, I, the writer of this narrative, have been far afield, and among the beauties who stroll of a summer's evening along Carondelet Street, or on the Levee, or in the old Rue Royale, in New Orleans, or who lounge on the piazzas of Baton Rouge and Mobile and such semi-tropical cities of the New World I have seen many a finely moulded quasi-Amazonic figure that reminded me, as nothing else has ever done, of Daphne Preault. The reader may as well be let into the secret that a Creole she was. Daphne Preault was tall, or at any rate held herself, as many women have the trick of doing, so as to convey that impression ; and this dignity of stature was still further en- hanced by the grand proportions of her body, by the half- Spanish lines of the neck and shoulders, the finely rounded bust and non-atrophied waist, the curves at the hips, and the purity of the lines down to her feet, which, like her hands, were not too small. Her hands especially were a study for the artist or sculptor; not too small, as I have said, and of a respectable breadth, the flesh firm and lightly colored, the thumb not weak, as it so often is in a woman's hand, the A BOHEMIAN SOIREE. 2 J fingers smooth and slightly tapering to a delicate squareness at the tips, the nails long and curved, the finger-tips rounded on their surfaces into that little cushion of flesh, sure sign of sensitiveness in a hand ; the whole exquisitely flexible, the " Gentile morbida leggiadra mano Cui fer le proprie mani d'Aurora * of Paolo Rossi. And, above all, her head, which for very fear I have left until last ! A head not too small, covered with masses of hair that would have been black but for the red- dish lights that flashed through it when she moved, hair that came low on a broad, clear forehead, bounded by straight and rather heavy, dark eyebrows, from beneath which a pair of great dark-brown eyes looked straight into one's soul. The nose straight as we see it on a Greek coin, the mouth firm, but finely, almost sensuously, curved, the jaw square and strong, the whole complexion pale rather than coloured and there you have the portrait of the Princess Daphne. Yes ! to the cognoscenti she could never be anything but a Creole ; but nature had been kinder to her than to most of her race, she had not, in producing perfection of form, ex- hausted her creative energy, but had endowed this imperial woman with a brain no whit behind her physical develop- ment ; and though she was equally amiable to the entire colony among which she lived, her especial cronies realized and fully realized that they were lucky indeed. "Am I too fashionably late to expect absolution?" said she, as she surveyed the group, " or has Sir George prepared a gracious forgiveness for me ? " " The Princess can do no wrong sta felice alia casa" re- plied Gabriel, gallantly, as the girl stepped into the studio with a little laugh, and greeted the company with a series of " nods and becks and wreathed smiles." " I have been doing combat with our natural foe, the art- dealer," said she. " The particular specimen of to-night thought to catch me in a good humour after food, and buy a miscellaneous lot by gaslight, for ready but insufficient 2 g THE PRINCESS DAPHNE. cash. I am proud to say that I resisted, and told him to come back to-morrow, when I shall probably be suffering from this evening's dissipation, and be in too bad a temper to make him any concessions." " There is no doubt about it," said Bernard Rawlinson ; " if Art-dealers were not as a class well, let us say stupid, they would buy pictures on gastronomic and barometric principles. Take my own. case, for instance : ' Metiri se quemque suo modulo w"hat's-his-name,' as the classic has it. If I have looked in on Gabriel in the morning, and feasted on half-cooked muffins, I spend the afternoon meditating an essay on the meaning of the word ' Remorse.' At such times the dealer has no chance ; nor has he any luck when the weather is on my nerves; but if it is a fine day and I have had tea at the Princess's, I become kindly disposed towards him, and take his paltry shekels in exchange for works of art worth treble in my estimation, and merely smile a wan smile of pity when he declares that he is ruin- ing himself to save me from starvation, on strictly philan- thropic principles. To paraphrase Byron, ' Now Barabbas was an art-dealer.' " " But why talk of funerals, physic, and art-dealers ? " cried Lindsay ; " let us rather make music. Miss Trevethick, won't you twankle on the harpsichord for us ? " " Certainly," replied Maye ; " I'll play you a little thing of my own. I call it ' Funeral March of the Hanging Com- mittee,' and I am going to dedicate it by special permission to Sir George B ; " and she began to run her fingers over the keys, first in playful, catchy fantasy, drifting thence into pure tunefulness, and ending with a grand, rich fugue that left the assembled crowd wondering at its meaning, so strange and suggestive was the leit-motif that crept into the harmonies at every moment, or anon would stand out by itself in a bit of exquisite melody. When she finished, a dead si- lence had fallen on the gathering, broken only by the Prin- cess's ejaculation of, " Thanks, dear ; it's very sweet of you A BOHEMIAN SOIREE. 2 Q to exhaust yourself like that for our selfish, but appreciative edification." " What I like about Miss Trevethick's music," remarked Lindsay, "is that she gives no chances to the social fiend, the man who* beats time, or whistles the air if he knows it, or insists on turning over the music." " Poor Lindsay ! " said Markham ; " one would think he had been himself a sufferer, though I doubt whether he knows the difference between a piano and a penny-whistle." " True ! I have not suffered from the musical fiend ; my betes noires are the Story Fiend and the Introduction Fiend. Some day I shall write an essay on Social Fiends, and clear off old scores. Yet, after all, the Social Fiend is only a product of high civilization and cultivation, and will in- crease, I suppose, rather than decrease." " Explain ! Define ! Speech ! Speech ! " was the cry ; and Lindsay, after looking helplessly around for a few seconds, thus held forth : " What I mean by my introduction," said he, " is that the fiendishness of the Social Fiend generally results from the perversion of some high quality, which, kept within proper limits, would inspire our respect, e.g., musical, literary, or dramatic talent. " The social fiend is of two classes or declensions the active and the passive ; or perhaps it would better express my meaning if I were to say, transitive and neuter. To the former fiend one stands in some measure in the light of a foil ; one's presence, and to a certain extent one's coopera- tion is necessary to him ; one inflicts him on one's self, so to speak, and consequently he may be avoided with care, and discretion, and practice, and presence of mind. The latter, on the other hand, is a fiend all by himself; he can sit alone and exercise his fiendishness, disseminating it quasi-uncon- sciously all around him ; he cannot be avoided ; in his case, absence of body is preferable to presence of mind; you must get up and go away ! " Thus much by way of introduction. We can now, in the 3Q THE PRINCESS DAPHNE. words of the classic, ' cut the dialogue, and come to the figures.' "On mature reflection I think that the most drastic and damnable kind of musico-social fiend is the man who taps with his foot when music is being played. The man" (his brother cadet) who hums the tune in an undertone, or gently whistles an accompaniment, pales into insignificance before him. The affliction arises from a diseased musical ear, a patholog- ical condition, I believe, unknown to the aurist. .1 once knew one of this class who tried to beat time to Wotan's fifty-minute recitative in the ' Siegfried ' of Wagner (the sin was its own punishment he was carried out in convulsions) ; but it is the slow waltz or quick march that principally draws forth his natural corruption. An air is being played ; sud- denly you become aware of a little measured thud on the brain repeated at regular intervals ; you tap your ear and reconcentrate your attention : in vain ! the tap, tap, tap seems to become a kind of devil's tatoo on your inmost soul : the rest of the audience also gradually wake to the fact, and a scared expression spreads itself around, whilst the entire assistance ignores the music, and begins search- ing for the fiend. At last you find him, a mild-mannered youth with a wisp of hair bristling at the crown of his head, with large hands and a pale face absorbed, concentrated in the music ; his right foot is merrily accompanying the melody ; he is as unconscious as a young organ-grinder of the grief that he is causing ; he doesn't see the cyclonic glares directed at him, not he ! He is only mildly surprised thatjhe alone applauds at the end of the performance ; the rest of the audience is only waiting for the end of his, and merely regards the musician as a kind of accomplice. The tapper has ' queered the show,' but he doesn't realize the fact. The only person who is similarly self-satisfied is his brother fiend who has been softly whistling the air between his teeth all the time ; and this improvised drum-and-fife band forms a kind of link of brotherhood hitherto unrec- ognized between them. These fiends have, as I say, A BOHEMIAN SOIREE. 3 1 fallen from a high but uncultivated musical taste, like the fiend who insists upon turning the leaves for the pianistc. His radius of iniquity is often more circumscribed ; it may extend only to the lady playing, her chaperone who doubts his capacity, and the man who wishes he could perform this office for the fair #/-//.?/. if the leaf-turner is sure of himself it is all right for the others ; but as a rule he isn't. He only does it ' to show off ' ; and his anxious, conscience-stricken face, as he stares blankly at the page, wondering where the deuce and all the player has got to, gradually betrays his mental state to the audience, and they sit writhing with ap- prehension till the artiste makes a convulsive bob of the head, the fiend makes a wild dive, and it is five to one he drops a leaf on the floor and replaces it upside down. If he doesn't the audience breathes freely for another five minutes, and so on at intervals, until the fiend perspires, apologizes, is frigidly thanked, and retires into his pristine insignifi- cance to reflect upon the impression he has produced. " There are other musical fiends that we all know : the man who insists on being told the name of the piece played, and the man who tells him wrong ; the man who, in the dead silence that follows a performance, is heard remarking that he heard Rubinstein play or Sims Reeves sing that particular thing ; the man who tells the lady performer, at the conclusion of a carefully learnt English song, that he is ' so fond of those weird little Arabic chaunts. 3 And so on and so on and so on ! " The musical fiend, of whatever sort, is the best specimen of the neuter declension. The most perfect exemplification of the transitive class are the story fiends, whether active or passive. Among the active ones, of course I will not refer to the retailer of ' chestnuts,' the man who tells you the orig- inal story for telling him which Cain killed Abel ; or the man who tells a story inside out, i.e., gives you the point seriously, and wonders that you don't laugh as he concludes with the introduction thereto ; or the man who tells you a story that you know of old, and leaving out the point alto- 32 THE PRINCESS DAPHNE. gather, gets mad when you bring him safely onto the track once more. All these are too common for the esoteric pro- fundity of this sermon. The story fiend I hate is the man who with much pantomime tells you a pointless old yarn for the purpose of impressing with his wit and eloquence a girl across the room whom he hopes is looking at him and taking in his performance. " Similarly do I hate certain story fiends of the recipient variety. For instance, the converse of the last fiend, who, whilst you are telling him your latest and best, is making eyes across the room, and gauging the effect upon her, and when you come to the point where you should be interrupted by a smile, and wait for it accordingly, turns an absent- minded, lack-lustre gaze upon you and ejaculates spasmodi- cally, ' Oh ! ah ! yes ! Haha ! very good and what became of the boy?' or some torn-foolery of that sort. Only one degree removed from him is the man who, instead of listen- ing to your yarn, keeps his eyes fixed on the ground about six feet in front of him, racking his brain to think of a story on his own account, and at the conclusion of your effort, instead of grinning appreciatively, chips in like an east wind chased by lightning with ' Ah ! yes, and that reminds me of a story,' etc., etc., etc. Ugh ! there's a brute for you ! And yet how common ! "Then you have the fiend who tells you a long yarn, usually concerning his own prowess in the Camp of Mars and the Court of Venus, when you are dying to skip over unconcernedly and take the seat just vacated by her side. You are like the Pool of Bethesda ; whilst the descended angel troubles you, someone else steps in and reaps the benefit. " And again, what a fruitful field for abstract and experi- mental objurgation is the introduction fiend the man who insists on being introduced to you, and the man who insists on your introducing him to So-and-So ! the man who grasps your hand with an eighty-one ton crunch and says, 'We have a mutual friend in Mrs. X. ; she has often spoken to A BOHEMIAN SOIREE. 33 me of you.' You have never heard of Mrs. X., and don't believe in her existence, but you daren't say so, for fear that he will queer you with some pleasant acquaintance whose name you haven't caught ; so you put your head on one side like a contemplative parrot, and say, ' Oh yes ! And how was Mrs. X. when last you saw her?' praying inwardly that you are not, both of you, constructively, liars. " And then the man who says genially, ' Oh ! is this Mr. X ? ' in much the tone of voice in which Uriah's wife is said to have remarked, on her first introduction to David, ' Is this the youth who slew the great Goliath ? ' Or the man who says treacherously, ' Oh ! Mr. Z., I've heard so much of you ; ' you break into a cold perspiration and wonder what he's heard about you, and from whom. But, good heavens ! I've been lecturing for half an hour believe me, I apologize somebody else do something to wipe out the memory of my harangue ! " Lindsay stopped, and the laughter which had rippled through his discourse culminated in a storm of delighted applause, in the midst of which Maye set forth the more solid baked meats, and the company proceeded to picnic. Whilst they ate, Bernard Rawlinson recited to them, and at the conclusion of the little repast, Gabriel, with much pomp and circumstance, asked the Princess on behalf of the men to permit them on behalf of the ladies to smoke. " Well," replied she, " of course it is understood that we all dislike smoke exceedingly, and regard the use of tobacco as wholly vile ; but on this single occasion we will not only permit, but countenance, the proceeding." So saying she produced a silver cigarette-case and select- ing a cigarette for herself handed it to Sylvia Easton, who did the same and passed it on to the other girls. This was carried through with the utmost gravity, and the symposium continued amid the soft blue fumes of the weed nicotian, unsupported, however, by Sir George and Mrs. Hawleigh, who had slipped away softly, for fear of breaking up the party by their departure. 3 34 THE PRINCESS DAPHNE. It was one of those delightful evenings in which everyone does something. The two Eastons played a duet, and after that Gabriel and Maye were persuaded to do likewise. When Gabriel played in public it was a thing to hear, for it seldom took place : his fiddle was to him his confessional, his confessor, and his confession ; and if we are to accept Neil Gow's axiom, that " a mon's a player when he gar him- sel' greet wi' his fiddle," Gabriel Hawleigh was a player in- deed ; for his playing was the very soul, the very agony of music, and often, when he had a melancholy fit on him, he would bring tears to the eyes of his small but appreciative audience, consisting, as a rule, of Maye and Mrs. Hawleigh. To-night, however, he was in his more enthusiastic, fiend- ish mood, and tore out of his fiddle a brilliant suite of wild Czardas, drawing Maye irresistibly along with him as she played the piano accompaniment, and winding up with a wild, triumphant solo of barbaric melody, that roused his audience as if it had been a thunderstorm of harmonies. This solo terminated in a roar of enthusiasm, during which he recovered his senses, as it were, and when it sub- sided he seized the opportunity to fall on one knee before the Princess Daphne, saying : " Like the King's minstrel I crave a boon, Princess." " It is granted, Ser Menestrel what is it ? " " That you sing for us." " Oh, you wretch !" exclaimed she. "If I had guessed but I've promised, so I suppose I must ; " and amid the delighted acclamations of the crowd, Daphne Preault moved to the piano. "After that gorgeous performance of Gabriel and Maye's, I can't sing any of my French repertoire to you ; here is a little Cuban suite of melodies, in the Cuban dialect; it is supposed to be a triumphal song of a woman's self-sacrifice." She began in a low, soft minor key, a weird, half-monot- onous melody of which every note seemed to thrill the very souls of the listeners ; then, just as the depth of despair seemed to have been reached in the music, the major inver- A BOHEMIAN SOIREE. 35 sion of the chord was heard in the bass, the treble took it up, and the lament became a grand, almost military chaunt, that ended abruptly with an unheralded minor harmony. Daphne Pre'ault had the pure, rich contralto of the south, and threw herself into her music in a way that used to make her listeners tremble. Like Gabriel, she seldom flung the glories of her art before the public, which made it all the more an event to remember when she did sing ; and to-night undoubtedly she eclipsed herself. On one at least of the company she had made an impres- sion not likely to be soon effaced : he sat on a long, low, carved chest, with his head resting in his clasped hands as he leaned against the wall, his soul far away on the wings of the music, forgetful of everything save the grand orgy of sound. When the music ceased his eyes turned with an expression of dumb wonder in the direction of the singer, and, attracted perhaps by the intensity of his gaze, her eyes sought his. The Princess Daphne resumed her seat quietly. The man was Eric Trevanion. And so, amid music and conversation, light tobacco and light refreshments, the evening wore on. To an historian much latitude and meanness and betrayal of confidence are allowed, but I do not propose to divulge the tale which was told by the clock as the last guests Gerome Markham and Dick Lindsay concealed about their persons a stirrup-cup proffered by Gabriel, who then, turning out the gas and contemplatively munching a biscuit, wandered up to bed. The Princess had been the last girl-guest to go, escorted by Eric Trevanion ; and then Maye Trevethick had softly and silently vanished away, leaving a small male group to talk unrestrained " shop " into the small hours of the morning. The Bohemian soirte was ended, and the Empress, on the following morning, expressed a hope that there might not very soon be another. CHAPTER II. UNE MAfTRESSE FEMME. FROM Holland Street, London, to Forty-first Street, New York City, is a far cry, three thousand miles or more, but though we have transported ourselves, Aladdin-like, across the site of the submerged continent of which Ancient Egypt was a colony, and Yucatan a young dependency, according to Ignatius Donnelly, and have reached the commercial capital of that "great aristocratico-oligarchical democracy where all men are equal and none of the women," we are still in Bohemia, though it is Bohemia of a very different order from that which we have left behind us in the old world. The American autumn was much like the English one in temperature ; only its outward and visible signs were differ- ent. In the squares, the asphalt was strewn thick with broad golden and bronze leaves, and the water drawn off from the fountain-basins had left hideously bare the roots of the lilies and lotuses and other semi-tropical water-plants, whose flowers had been so good to look upon during the empty summer months, and whose leaves, decaying, were watched with almost vulture-like impatience by the municipal gardeners, who were waiting for their death to lift bodily the great square boxes of roots, to be put away for the winter, or to cover them with the fallen leaves. In Central Park, and in the open lots up beyond One Hundred and Fortieth Street, the crimson awns of the sumach were beginning to bow reverence to the autumn winds, and save and except that now and then summer seemed to have left a day behind ; and to have come back to look for it, the new world, like the old, was preparing for winter. 36 UNE MAfTKESSE FEMME. 37 In one of the lower rooms of a house on Forty-first Street, whose number lay in the first hundred, but is immaterial to our story, the morning light streams in upon a small, sup- ple figure which lies curled up on a low divan, a divan so colossal in its proportions that the figure looks even smaller than it is, and illuminates a picture that tells its own story to the inquisitive sunbeams. The room, which is large, though furnished in the main with the faded elegance that announces the lodging-house, shows by a few of its more prominent objects that its occupant has come thither from haunts of luxury and taste. The observant eye can pick out at a glance the objects that are the property of the woman who lies on the divan in the reckless abandon of sleep, relics of former years when her footsteps fell in softer places. An inlaid piano by Steinway, a screen of rare Japanese brocade, a proof-etching or two. a masterpiece of Meis- sonier, and an unfinished sketch by an artist whose name gives market value to a line drawn across a sheet of mill- board, some matchless Satsuma and Kaga porcelain, and some scraps of rare stuffs thrown across chairs of bastard design, in a vain attempt to conceal their illegitimacy all bespeak the artiste, the woman of refined taste. The floor is covered with a matting of scented Indian grasses, that fills the air with a quaint, pungent odour, and over it are strewn tattered but glorious Persian and Turkish rugs. But what catches the eye and holds the senses, taking prisoner the imagination, is the divan on which the little immobile live thing rests. It is very large and very low, covered in brown satin and furs, and cumbered with huge cushions of varied but harmoniously combined coloured silks. A great sheet of rich brocade is drawn in a crumpled mass to a corner, and is falling on the ground over the edge of the divan ; the cushions are doubled up and punched into numberless odd shapes, their corners sticking out in all directions ; and blottie among them is the small, supple, sleeping form of the woman, whose individuality harmonizes to admiration with her surroundings. Her attitude, which 38 THE PRINCESS DAPHNE. would strike the ignorant observer as intensely uncomfort- able, so curled and twisted does it seem, looks, in her case, per- fectly natural and easy. She is but half undressed, and must have fallen asleep almost unconsciously, when, in the conflict of Morpheus and Eros, exhaustion had overtaken her una- wares. At least it appears so ; every line of the dormant figure and its minutest details reveal a delicious lassitude. One little foot, in a slipper of gold brocade, rests on the floor ; the other slipper has fallen off, and the foot is drawn up under the figure. The light silk covering has slipped away, revealing a stocking of open-worked gold-green silk stretched over curves to which it clings as if fearful of mar- ring their beauty by the slightest suspicion of a wrinkle, and heightens the dazzling tints of a glimpse of the satin-like skin, that sleep has indiscreetly revealed above the stocking. It is only a glimpse, for a " mysteriette " of pink silk cov- ers the rest of the figure, without hiding its delicate, sensu- ous curves only making the picture more indefinite and more alluring by adding the subtle charm of the unseen to charms which the imagination grasps without difficulty. She lies deep among the cushions, her head thrown back in a mass of shiny hair of a bronzed, burnt gold, which, uniting with the purple brown of the divan, makes an ex- quisite background for the pale shell-pink of her skin. The stream of light which steals into the darkened room lies in a solid ray across the divan, shedding over the sleeping figure a glow which seems not to illuminate it, but to be shed by the figure itself upon the surrounding brocades; and so, a perfectly natural effect of light seems to become a weird, spectral mystery. The dead stillness of the world, the halo environing the sleeping woman, the dim light pervading all else in the room, combine to make a picture which embodies all that there is of sensuous poesy in real life. The delicate brows, the finely-curved lips, the curved nos- trils, and subtly-rounded chin, betray the woman's Oriental origin ; and if any doubt remained on the point it is dis- pelled when, without any start or visible effort of awakening, UNE MAJTRESSE FEMME. 39 Mahmoure di Zulueta opens her grand, brown eyes and, with a movement of intense, unconscious longing, stretches out her arms to the empty air, and encountering naught save a tumbled cushion, grasps a fold of it with a little feverish clutch as, using her arm lever-wise, she gives her whole body a comprehensive voluptuous twist that hides the scrap of skin that dazzled the sunbeam, beneath the falling folds of silk, and sinks back into the cushions with a scarce satisfied sigh. As she does so her hand encounters something hid- den among the cushions : she draws it forth and recognizes it with a smile of happy recollection. It is a portrait it had been her last thought as she sank to sleep, and is her first on waking ; and as she holds it before her, it brings a warmer tint to her cheek, a brighter glow to her dark eyes. The face before her, be it by reason of the photographer's art or of the individuality of the original, is one of great beauty, intense, delicate, and very youthful, so youthful indeed that at a first glance it might be taken for that of a mere boy, but on closer inspection one discovers in it a firm* ness, enhanced by the high intelligence of the brow; and the woman gazing at the picture through her half-closed eyes sees there the self hidden behind the mask. To all else he may be and is what he chooses ; to her his inmost being is revealed, and through the changeless, senseless reflection, she sees the thousand flashes of the master passion which she, and she alone, has bred within him a passion of which he had always laughingly declared himself incapable. And concerning the woman herself, the supple Eastern woman with the strange Eastern name Mahmoure di Zulueta ? There is, I know, something inexpressibly tedious in the " previous histories " of heroes and heroines of romance. Perhaps I ought to have made a former chapter of that of Mahmoure', for it is quite quaint enough to spur a biographer to his highest effort in this particular branch of natural history. I am not going to enter into a discussion of whether her history was stranger than her nature, or whether her nature was stranger than her history ; whether her his- 4O THE PRINCESS DAPHNE. tory was the result of her nature, or rice versd. Without the remotest tendency to mediocrity she was neither very good nor very bad ; she was always rather both, and often very much one of them; the world being divided, admittedly, into men, women and Mahmoure di Zulueta. Probably it was an effect of her home training, the tender influences of a father and mother who worshipped her, that prevented the bad in her from developing to its fullest extent. It is thus that many great characters in history are spoilt, are, as it were, still-born. Without the refining influences of her home Mahmoure' would have been historic, but whether as a Val- liere, a Brinvilliers, a Bradamante, or a Lola Montez, far be it from the present historian to hazard a conjecture. Her early years were monotonous, spent between the English home where she found her level in gentle, common- place family affection, and the continental conservatoire where she laboured from an early age for the development of the talent that should some day make her famous; for her father, himself an artist of great enthusiasm and judgment, two rarely concomitant attributes, strained his every resource to fit her for the position which he felt she was bound to attain. She rewarded him for all his bitter struggles (and God alone knows what privations he had endured for her) in the usual way. Developed to womanhood at an age when most of her sex are hardly out of the nursery, she chose to fancy herself in love ; and she married, when barely fifteen, a complicated concentration of the lowest qualities peculiar to half-a-dozen nationalities. The name of this mongrel was di Zulueta. A friend of the family, expert in variegated genealogies, asserted that his father was a Greek and his mother an Italian, that he was born on board a Spanish ship in French waters, and was a naturalized American citizen domiciled in England ! It is hardly worth while to attempt the impossible, or to describe the abysmal depths of blackguardism to which this gutter-bred cur had sunk by the sheer specific gravity of his own cowardly vileness ; but he oozes into my narrative at UNE MAITRESSE FEMME. 41 this point, for he married this child for not only in years, but in everything else save physique, she was a child ; and thus her first folly, the launch of her "inconsequent " career (in the Balzacian sense), was committed. Art for art's sake, which might have been to her a gracious, generous protec- tress, was thrust aside, and the first step in her progress was taken. And what a progress hers should have been with the ma- terials at her command ! A gorgeous voice, of gre?at range and power, and, above all, of that quality so rare, a perfect sympathy that one gift of blood and race without which the finest voice becomes " as sounding brass, or tinkling cym- bals." Fantastic but dazzling personal beauty, the matchless health of a perfect constitution, were all factors in a person- ality that should echo her fame from world to world and the first exercise of her will had been to fling the whole treasure of herself into the grasp of a foul-mouthed, under- bred ruffian. The first era of her life may be said to have commenced with her marriage, which, though uneventful in itself, was a fitting probation for what was to follow. He was a hard task- master to his child-wife, but, brute though he was, he treated from motives of policy his golden goose with some show of affection : but his coarseness killed the goose. Had he been a clever rascal he might have kept the girl ; as it was he never spared her, feeling sure of the obedience she dumbly gave, never looking deeper when some greater exac- tion than usual struck a flash from the highly-charged per- sonality he was trifling with. He was consequently not a little astonished when, one night, in the presence of her father, she remarked coolly and with no passion or quiver in her voice : " I am not going to live with you any longer." Her father, who had refused hrs sanction to the marriage, and loathed her husband, still did what he believed to be his duty, and urged her to reconsider her decision. " Better let me go now, when there is no man in the case. 42 THE PRINCESS DAPHNE. If I wait six months longer, there will be," she had said, calmly but quite characteristically. It was not long before this that she had made her debut on the stage, and that debut had created a furore. Men about town had but one topic of conversation this new girl with the great, wondering, innocent eyes; and a Great Per- sonage (as novelists love to call libertines of the blood-royal), on his first visit to the theatre, had sent for her. She had no idea of the importance of the attention, and kept the G. P. so long waiting that the G. P. indignantly retired. This was much commented upon in the theatre, and doubtless did not escape the observation of intelligent managers. Throughout this period that husband of hers was her exe- crated monster ; but for her father's sake she endured the burden, until month after month added feathers by the ton to her load, and at last the result came in the calm, dispas- sionate words that terminated her married life. With the advent of this relief departed every moral reserve, and her vagabond, Bohemian imagination began to expand. She had no lover and wanted none later on she had lovers and still wanted none : liberty seemed so glorious. Experi- ence had taught her that man would steal away from her this newly attained possession ; and the word " Freedom " was emblazoned upon the oriflamme that led her into and out of every scrape that ornamented her life. She had vowed never to be enthralled again ; and she all but kept her vow. She became the fashion. Her little rooms, just close enough to Belgrave Square to swear by, and avoid the ambi- guity of the euphemism, " South Belgravia," were the cher- ished haunt of the smartest men in town. I say " men " advisedly, for no " man " could boast one jot of possession. Her own income gave her independence, and she laughed at the Richelieus and Rochesters of \h& foyer and the coulisses. Of course, one or two men more enterprising than the rest sought by every means to capture what, by reason of its impossibility of capture, appeared a hundredfold more UNE MAlTRESSE FEMME. 43 attractive than it possibly was, and by force of constant pressure came very near breaking, if not wearing away, the stone ; but, on the whole, there was no getting over the fact that Mahmourd remained, through sheer disinclination, her own mistress and nobody else's. She had plenty of " epi- sodes" but no "histories." Why follow her amid the thousand scenes of passion, real and pretended, that, like every beautiful theatrical Bohe- mienne, she passed through amused sometimes, excited sometimes, disgusted often, but touched, never. She kept the foremost rank in her profession until, weary of the reit- eration of unsought conquest, she sought the New World. With all London at her feet, she travelled three thousand miles to find the Pygmalion who should quicken this worldly Galatea of European Bohemia. Just before she left London, a celebrated journalist, who led a light-hearted life of libel and lickings, said to her : " Dear child, why don't you "marry Lord Blank ? Acting as the Countess of Blank over the water, you would make your fortune besides, it would be such fun writing para- graphs about it ; I haven't had such a lovely chance since my wife bolted with D ." " Thanks," she had replied ; " sorry I can't oblige you but never mind. Get my obituary ready for an emergency, and I'll leave you my diary to work from." Thus she reached New York; and there, shutting herself up, she abandoned the world which she found took such vast amusement out of her, and gave her none in return, living a life of the closest retirement, a retirement from which she only emerged from time to time with some old friend of her earlier days. By this time Mahmoure's age was well, never mind ; I didn't intend to begin the sentence. And thus four years sped by, during which she worked hard and successfully as ever. She was the very incarna- tion of health, the wonder of all who saw her, so fresh and girlish was she ; for all the world judged her life of which 44 THE PKTNCESS DAPHNE. they knew nothing to be what it might have been had she so willed it. For in the New World, as in the Old, she inspired deep, wild passions which to her were mere patho- logical curiosities. She had caprices, of course ! but they were not what she wanted ; and at last she became resigned and made up her mind that love, the crowning joy of woman- hood, was not to be hers. ******* The end came terribly and suddenly. The wild, irregular years of artist life succeeded at last in undermining the gigantic constitution, and one day, in the middle of a peal of laughter, she fell to the ground, dyeing the white frou-frou of laces, the folds of silk, her white satin couch, and the masses of heavy exotic flowers with which she loved to deck herself, with the crimson life-blood that welled from some unseen injury. The picture was an apposite termination to her unconventional life, as it appeared when, lying uncon- scious, they found her an hour later, incarnadined as if with her very soul's self the poor little feet now so limp in their pink satin slippers, with the crushed mass of sensuous flow- ers, their waxy whiteness scarce whiter than the lifeless features of what had been an hour before Mahmoure' di Zulueta. For five long, weary months she lay between life and death, and then, her lovely figure, her overflowing vitality, her voice, all, save her beauty, which remained, chastened and refined by her interview with the Dark Angel, things of the past, Mahmoure realized that the end of her artist-life was come, and relinquishing the Bohemia of Thespis, she turned to that of the Muses, and drawing upon her rich store of experience, adopted a life of literature, seeking the acquaintanceship and companionship of its masters. It was shortly after this that Paul du Peyral was pre- sented to ber in the foyer of the Metropolitan Opera House and the introduction was a complete success. When first Paul du Peyral had met Mahmoure di Zulueta they had immediately cemented between themselves a merry UNE MA1TRESSE FEMME. 45 bond of good-fellowship. Each respected the talents of the other ; on her side there was a certain curiosity to examine the handsome young Southerner who had led such a laugh- ing, conquering life among the women of two continents. They had taken up their cues the first time he took advan- tage of her permission to call upon her, and had engaged in a brilliant little battle of epigram, in which they had talked much irresponsible philosophy and cheap cynicism, and had scoffed at love right merrily, though, in the minds of both, there arose Balzac's axiom, " qui parle d' amour fait T amour" to talk of love is to make love she, amused by the con- trast between his looks and his speech, the one so young and the other so old ; and he, delighted at finding that the woman he had known by sight and name so long, was gifted with a mental freedom so essentially identical with his own. And so their first interview had passed, leaving nothing but an interest inspired by each in the other's mind, with enough danger mingled with it to make them await with impatience their next. It soon came, and was soon repeated. She used to curl herself up on the divan, whilst he walked about, and, half seriously, and half laughingly, talked about himself or exchanged epigrams with her on platonic friendship, which they professed a belief in outwardly and confessed to ridi- culing inwardly. They resembled nothing so much as gym- nasts delighting in their own danger, as they danced on a tight-rope of platitude stretched across the gulf of passion. This operation was actively proceeding one evening when a footstep and a knock announced the approach of some guest or other. As she rose to open to the new-comer, almost unconscious of the significance of her words, she said hurriedly, " Sit him out, whoever he is ! " and admitted an old and evidently harmless " family friend." He was one of those good, innocent creatures who attach themselves to beautiful women in this capacity, regretting every moment of their lives their harmlessness and innocence, but clinging 46 THE PRINCESS DAPHNE. to these attributes feverishly as their sole excuses for ex- istence. His entry hastens the denouement. She has held herself in check when alone with the man who, in her soul, she has begun to long for with all the passion of her wild Oriental nature, and has purposely held herself at something of a tension, from pride rather than from prudery, so anxious is she not to let the wooing appear to be hers. But now she revels in the luxury of " letting go," protected as it were by the presence of Unnecessary Respectability. Her won- drously supple body, following the dictates of her scarce- formed passion, now writhes itself upon the divan into a thousand unconsciously exquisite poses. Slight though it is, Paul du Peyral, deeply versed in the ways of woman, sees the change, notes the deeper colour on the lips, the brighter light in the dark eyes, and he knows that the end is not far off now. She talks to the Unnecessary Friend with a free- dom, an utter disregard for conventionality, and a reckless gayety that make the Unnecessary Friend's mental hair stand on end. He also cannot make out why the youthful stranger does not go away, according to the rules laid down in the " Complete Manual of Etiquette for Gentlemen," but finally, after having made several heroic attempts to dislodge him, all of which are epigrammatically parried, and leave him doubtful whether the youthful stranger is a paragon of politeness or of impertinence, he resigns himself, takes up his unwilling hat, and leaves them. Now that they are really alone a fear arises in the minds of both lest by precipitation the analysis may be spoilt to borrow a phrase from the laboratory. He knows thoroughly well how one false note would jar her beyond possibility of re-established harmony, so, adopting the tactics of Fabius Maximus Cunctator on an historic occasion, he waits. She has thrown herself back on the divan and signed to him to sit by her side. " May I ? " says he, and sinks among the cushions at a virtuous distance. UNE MAITRESSE FEMME. 47 Why can she think of nothing clever to say ? All she does say is, " Is not this a lazy lounge to lie about on ? " " Delicious ! " he answers ; " but then everything about you is so restful, so soothing. Do you know, for a nervous man, as I am (though it doesn't appear), it is an exquisite pleasure to be with you, to sit near you, to touch you ? " He has taken up one of her hands, and is softly, nervously, playing with the fingers. " Do you mind my playing with this? it is so pretty." " Oh, not at all ! " in the same tone as she would refuse another cup of tea. " Have you ever been magnetized ? do you believe in electro-biology ? " he says, gently passing his fingers up to her elbow and drawing them back with a sensuous, lingering pressure. " I don't know see if you can do it." He is apparently wholly and entirely taken up with his experiment, giving her a chance to raise her guard, as it were. He does not look at her, and so, after awhile, she relaxes ; a languor born of his wonderful magnetic touch envelops her, and she looks at him, as she thinks, unseen. His face is so tranquil, she cannot decide if it is science which at each magnetic pass leads his hand nearer to her shoulder. Her sleeve is loose, he has raised it for pur- poses of his scientific experiment. He draws his sensitive fingers down her arm very slowly as he says, " How lovely these little blue veins are ! see this one, for instance." He is evidently very much interested in "this one," for his head gets nearer and nearer till his lips touch the extended arm, and rest there warm and moist. A deadly stillness prevails, as, with an intense difficulty, she suppresses the tremor caused by the pressure of his lips ; but she for- gets that the very suppression has caused a contraction of the muscles that he has felt and interpreted. When he raises his head there is a humidity about his eyes which makes it very difficult for her to preserve her impressive appearance. He makes no movement, but only looks, with 48 THE PK1XCESS DAPHNE that sweet, damp look, till she can endure no longer. She raises herself a little from the cushions as if to speak, and then sinks back, a little nearer to the silent, imploring face. He will not advance one step apparently. Suddenly, after a little movement, as if of pain, she takes the comb from her hair, and the glorious mass falls all over her, reminding him of the picture of the Magdalen in the Pitti Palace. Its subtle perfume seems to envelop him, and, plunging his hands among the glistening threads, he buries his face in it, almost with a sob. She remains very, very still. At last he whispers : " How exquisite ! and how sweet of you to let me ! " And he fills the mass of bronze gold with wild kisses, till she, with a rapid movement, clasps her hands around his neck and draws his lips to hers. He seems all entangled in her sweet, sinuous embrace. At last he takes his lips from hers for a moment, and gazes through her half-closed eyes, and then, with a little cry, he gathers her up in his arms and clasps her, panting, and almost senseless, to his bosom. ******* " If you would only love me a little ! I know I don't de- serve it ; all men^say that, I believe ; but in my case it's true, for I was always worthless. Won't you help me to a new life ? " As he spoke he crushed the little figure again in his arms ; her answer was scarcely audible, so close had she laid her head against his heart : " Do you know how near to death I am ? " and, as he pressed her closer to him, the wan light died out of her face and she seemed transfigured. A mo- ment before, when he had wound his arms about her, her features had been worn and weary, scarce showing a trace of reason for the worship that had been hers, and was hers still. True hearts had ached to see her look as she looked now, and to hear her confess the wealth of her pas- sionate love in every quiver of her rich, low voice. For now her face lit up with the glory of a passion hitherto UNE MAlTRESSE FEMAIE. 49 unknown in her wild, brilliant life ; the veil of sadness and sickness faded, and left a face, whose charm we are powerless to judge can only feel. It is not beauty, but something so fascinating, so strange, that even the fresh young face of a beautiful girl might remain unnoticed beside it, though she is on that borderland between youth and age so dreaded by a woman who has had a far greater portion than her share of the world's admiration and man's homage at her feet. And he who holds the little figure in so close an embrace look at him as he stands, glorified by his perfect youth and strength. Tall, heavily but lithely built, a strong head set massively on such shoulders as woman loves to look upon, and fears, in spite of herself. A hero to the backbone, though born in some little village of Louisiana, with his long, fair hair and blue-gray eyes, handsome as a man of his size should be, though not formed on the perfect lines which constitute an artist's ideal. His mouth, soft, gentle, and sensual, is too heavily formed for beauty, though it is in keeping with himself, for it seems to promise so much in the way of individuality ; the chin is firm but not too heavy or coarse, with a good-natured dimple in it which is one of the principle charms of the face. He is much older than his age ; many who have lived his years are boys, but he is a man in every sense of the term. How he can have absorbed so much life as he has is a mystery, as yet ; but judged, even as she judges him, by the fierce critical light of the greater world which she knows exoterically and esoterically so well, he comes unharmed through the ordeal. " Si jeunesse savait, si viellcsse pouvait ! " said the Sage. Well, his is a jeunesse qui salt et qui peut ! A great fire of joy is in her eyes, for she had honestly believed that no power of man could bring her back to life and love in the world , and all this shines in her face as she answers -him once more : " Do you know how ill I am ? " For she would not take advantage of the impulse of a moment, though fraught with such insane happiness and intoxication as this. 4 50 THE PRINCESS DAPHNE. " I know," he answers, kissing her senses away, " I know ; but you shall live again and your veins shall throb with the pulses of my love. I will give you life in which to forget your foolish fancies." "Why have you come to disturb my life ? " she says, after a pause. " I know how much older I am than you. I am not strong enough to love you as I might. Don't play with me." This, almost imploringly. " What is age to us who have only just begun to live ? '' he answers. And so she resists no more, but lies in his arms, just as he had lifted her up and laid her on the cushions of the divan ; her lips are close to his, and then she knows of noth- ing save of that wild embrace, is conscious of nothing save the soft touch of his finely moulded hands. At last, as if to wake himself from some exquisite dream, he rises to his feet and looks down upon her. ******* At parting, whilst he holds her in his arms, he says, almost malignantly : "Never let us injure one another by word, or deed, or thought ; for two such enemies as we should be, this world is far too small." No other words, no protestation of devotion could have given her so full a measure of joy ; for a savage love is the only one possible for her, gentle though all her life has seemed to be. She stands before him, looking up into his face, on hers a wonder, a curiosity, a questioning that seems to say, " Why did you seek me ? what can be the reason ? How have I won you ? " After a long look she murmurs, as her hands cling to his arms that are clasped round her waist : " I think you are right there is no middle course for us." There is nothing very clever, or original, or significant in the few words, but a look creeps into her face which does not fit the soft features it is the expression of some beauti- ful wild animal, fraught with all the jealous intensity of UNE MAfTKEJSSE PEA/ME. 5 I passion, revealing dimly, though indeed revealing a cruel, wild love that kills rather than relinquishes its object. Fascinated, both of them, their lips meet and part silently, and leave them quivering and so he goes out into the night leaving her transfigured. She looks into the glass critically, searchingly : she hurries away an instant and then, returning, looks again. The bronze-gold wrapper she had worn has fallen off, leaving her swathed in a gown of soft, clinging white silk, which is bound around her in sinuous folds even illness has been power- less to rob her of the supple grace that she inherits from her Greek ancestors. She looks at the reflection, evidently satisfied ; then a doubt grows up within her and she turns to another glass, thinking the first may have flattered : no, the reflection is still good to look upon ; her lips are crim- son with excitement, and give greater beauty to her dazzling, perfect teeth : she looks fixedly, without conceit, as if ap- praising to its exact value each feature, seeking to justify in her dreadfully wise mind all that the last six hours have brought. With the memory, her knees give away beneath her and she stumbles into the cushions of the divan, and as she almost unconsciously continues to balance the pros and cons, the last remaining spark of reason dies amid the ashes of memory, and, with a big sigh, Mahmoure di Zulueta sinks to sleep. With the practiced indiscretion of the romancist and his- torian, I have betrayed the confidence of the early sun- beams, and already the reader has assisted, in the spirit, at the waking of Mahmoure. Little by little she roused her- self, and began the indolent and luxurious operation of clothing her little, fantastic body, whilst she sipped her coffee, and at intervals embarked on the arduous undertaking of crunching an atom of toast ; for, like all Oriental women, it was with the greatest difficulty that Mahmoure could be induced to feed like a Christian which she was not and had no intention of becoming. She preferred to spoil her appetite and ruin her constitution with sweets and strange groceries, 52 THE PRINCESS DAPHNE. which later called forth Paul's dictum that " Mahmoure' lived in a state of chronic hors d'tzuvres, physically, mentally, and morally ! " It was nearly one o'clock before she was what she called dressed, and, robed or rather wrapped in cross- ing and recrossing folds of white china silk, with a little Greek jacket of gold embroidery on a burnt-sienna ground, she punched the cushions of the divan into a comfortable nest, and settled herself among them with a scrap of embroi- dery, the last novel sent her from Europe by its illustrious author, and a writing-pad whereon to make a show of writ- ing letters that never got written. She was cuddled up thus, diffusing around her a quaint fragrance of sandal-wood, of myrrh, and of Tonquin, when a card was brought her: " Mr. Paul du Peyral." "Ask him in ? Certainly ! " And it was thoroughly characteristic of the woman, that, instead of arranging a fold here, a ribbon there, and giving a precautionary touch to her hair, to receive the natural enemy man, she merely stretched herself out a little more comfortably among the cushions, and held up her hand to be kissed by Paul, who had almost to kneel on the divan by her side for the purpose. " I'm so glad you've come," said she ; " it proves at any rate that it's all real. I was beginning to wonder if I hadn't been sent to sleep by the 'family friend,' and that you had both left me to a pleasing, but wearing kind of dream." " No," replied he, " it was all exquisitely real and, being so, what do you think of it ? " " I don't know what to think. I never felt like it before it's all new to me. Suggest something, please." " I wonder whether you would act on my suggestion." " Certainly if it's feasible." " And supposing it isn't feasible ? " " Well I should try ; " this with an air of lazy but inter- ested curiosity. " Let us marry one another ! " With a sudden movement she started into a sitting pos- ture, and thus, her arms clasped around her knees, she UNE MAlTRESSE FEMME. 53 remained, her brown eyes wide open and gazing into his with an expression of lively amazement. " You suggest to marry me you who know three things that would ' make the heart of the stoutest quail,' as they say in inexpensive fiction ? First, my age ; second, the whole of my inconsequent life ; and third, that my illness has left me a mere shattered wreck of womanhood." " Certainly and those three things I meet with three in- controvertible facts. First, a woman is as old as she looks, and you look about my age ; besides, your real tale of years give you an experience that makes you more maddeningly fascinating to me than any girl between seventeen and five- and-twenty could be. Second, your ' inconsequent ' life is at an end, for I shall be your last love, just as you are my first. Speaking properly, a woman's last love is the only kind of love that can satisfy the first love of a man. Besides, your love for me can only be terminated by the death of one of us, for I shall love you till I die, and if you were unfaithful to me I should kill you without a moment's hesitation. And third, true, your health is shattered, therefore it is necessary that you should not only be taken care of as only a husband can take care of you, but also that, should I die, you should inherit what little property I have, as only a wife can inherit. I might almost say to you, in fact, as M. Le Comte de Noce' said to Mlle.de Pontivi, l Vou!ez vous etre ma. veuve ? ' will you be my widow ? for my life is full of dangers, and I might die any moment." " Paul, you overwhelm me ! A man of the world, such as you are, cannot be blind to the fact that marriage with Mahmoure di Zulueta would be ruin to your scheme of existence, which depends, as you yourself have told me, on your social position." " Chere amie, your words are like those of a printed book with the leaves in it. What you say as I expected you would say is perfectly true, but why and how, you can scarcely guess. Curl yourself up among your cushions ; I am going to expound my plan with a long story." 54 THE PKLVCRSS DAPHNE. *' Go on, mon ami." " I, Paul du Peyral, aged twenty-eight, descendant of a Franco-Spanish alliance, rejoicing, as few of us Creoles do, in the possession of a certificate of legitimate original birth and ancestry, live, move, and have my being by a caprice the caprice of a cranky old Southern gentleman whom I had the good fortune to please at a moment when he had had what the Irish call " an elegant row " with O his entire family. I was left an orphan at sixteen, and, more from pity than from anything else, was adopted as companion, assistant, secretary, steward, or whatever else you like to call it, by an old bachelor who lived a few miles from Baton Rouge, by name Casimir Prdault, and who led a solitary, woman-hating life, engrossed in the studies of the indigenous mosquito, the cosmopolitan house-fly, and the naturalized London sparrow. He was very wealthy, and the premonitory symptoms of his demise were consequently watched with cheerful solicitude by his only living relations, the Pre'aults of New Orleans, of Louisville, and sundry other cities of the South. Now, this old gentleman's nearest liv- ing relative was a cousin, by name Victor Preault, whom he cordially hated, and for whose benefit he used continually to devise irritating and ingenious schemes of disappoint- ment. The interest which I educated myself to take in the morals of the mosquito, the haunts of the house-fly, and the pathology of the common sparrow, in spite of my more absorbing interest in psychology, suggested to him a scheme for the disinheriting of Victor Preault, which, however, was tempered by a more or less genuine affection for his cousin's only daughter, Daphne Preault, whom he adored in spite of that young lady's aversion for him, an aversion which ren- dered futile a cherished scheme of his for the marrying of the said young person to his prot/ge, Paul du Peyral. He consequently made a will, the ingenuity of which has always inspired my profoundest respect. He made a disposition of his entire property to trustees, in trust to pay the entire income to me, on certain conditions and hampered by cer- UNE MAlTRESSE FEMME. 55 tain directions. First, I was directed to marry Miss Daphne Pre'ault, whom I had never seen. If she formally refused to marry me, the said income was directed to be paid to me, so that I might be in a position to prosecute his and my hobbies in elegant independence to wit, psychol- ogy, and the studies of the mosquito, the house-fly, and the sparrow. But the will further contained a proviso that, should I ever marry anyone other than the young lady aforesaid, the said income was to 'be paid thenceforward to Miss Pre'ault ; and in the event of my death the same thing was to take place, she being meanwhile invested with a power to dispose of her reversionary interest in the estate, by will, in case of her pre-deceasing me. Now, I am preju- diced against, rather than in favour of, this young woman, and this is one of the reasons I have never married, in spite of the conspiracies of designing mammas, ignorant of the provisions of my benefactor's will. The other reason is, that until I saw you I never loved any woman sufficiently to make her my wife you alone have the mentality, apart from your exquisite personality, which tempts me to throw up everything ; but I have thought of a plan that obviates this latter very painful necessity, though I have, by this time, money enough of my own to render me mildly independent. My plan is this. I am naturally very carefully watched, both by my trustees, and on behalf of Miss Pre'ault, who is, I believe, in Europe somewhere, having gone thither on the death of her father some years ago. We must elude their vigilance, and it may be done in this way : we will go away somewhere and be married very quietly, and then we can return here and go on as we should go on anyhow, only that in the eyes of the world, should they ever guess the completeness of our con- nection (which is unnecessary, if we are careful), you will be my mistress, whilst between ourselves you will be my wife, and will assert your position after my death, in respect of my separate personal estate. I ask this because I love and admire you two very different things, and seldom concomitant from the bottom of my soul, and I verily $6 THE PRINCESS DAPHNE. believe that the knowledge that you are my wife will have an excellent effect on both of us. Only, before the world I shall be still Paul du Peyral the scientist, and what is of far greater interest to the world the bachelor; whilst you will continue to reign in the Bohemia that is so dear to you, as Mahmoure di Zulueta. Say, then, darling, will you take this new lease of life from me ? " The womam, at the conclusion of this speech, had buried her head in the cushions. She kept her face thus hidden for a few minutes, during which neither of them spoke, then, raising her eyes to his, she encircled his neck with her arms he had sunk among the cushions beside her and drew his head down to hers, whispering : " Paul, Paul, my darling, are you sure you will not regret this ? " " Never, sweetheart." " But this other woman it is not fair to her." " Ah bah ! she is nothing to me, and you are everything. Sooner or later this property must be hers ; at present she is ignorant of all ; let her continue so. I wrote immediately I came into the property and offered myself to her; she refused me insultingly, and her representatives have never ceased trying to harass me ; fortunately, however, though an amateur, the old gentleman was too good a lawyer. ]f you love me, do not let any thought of these horrible people interfere with our happiness. Tell me, is it 'yes' or ' no ' ? " The " Yes " was felt rather than heard ; and radiant with hopes, and looking younger than ever in her new-found hap- piness, Mahmoure di Zulueta lay almost unconscious in her lover's arms. CHAPTER III. "L'AMOUR EST ENFANT DE BOHEME." MANY are the pros and cons of London weather. It has been said of us Londoners, and I fear with truth, that we have the most horrible weather in the world, especially in autumn and winter ; but we can boast with equal truth (hat nowhere else in the world do we find an in-door comfortableness that renders even a foggy day delightful, as we do in London nowhere else can one be so unspeakably cosy as in a Lon- don snuggery whilst the elements practise for another Del- uge, or the world outside grows while and soft with snow. Well, the day after Gabriel Hawleigh's party was " a foggy day " and by this I mean a day as foggy as London knows how to make it when she gives her mind to the subject a day that reminded one of the pictures of London by Leech in the early numbers of Punch, wherein link-boys flit like the familiar demons of the fog. It was useless for the Princess Daphne to attempt to work, for the fog lay on the glass of the skylight in her studio roof like a curtain ; so she drew an arm-chair close up to the fire, lit the gas, and took up a book one of those cynical modern romances of immoral psychology which combine the somniferousness of the old-fashioned novel with the innocu- ousness of the nursery-rhyme. The warm red and brown lights flashed by the fire amid the encircling gloom, the gas- jet with its shade, and the girl's brown dress made a charm- ing picture in the stillness of the fog ; but the Princess was not sorry to have it disturbed by a ring at the bell, closely followed by the appearance of Eric Trevanion. He also had been driven by the " murk " from his soul-elevating 57 5 8 THE PRINCESS DAPHNE. easel, and his thoughts had brought him to the door of the Princess Daphne's cottage. " Ah ! Mr. Trevanion," said she, as she saw who it was : " to what am I indebted for the honour ? " " To the weather, Princess, which gave me an excuse I was ardently desiring." " I'm sure you require no excuse to call on me ; if you're let in, it means that I am glad to see you or anybody. If I'm busy I ' sport my oak ' ! To-day I am honestly dull, trying to read this miserable production. I've formulated an axiom this morning, which is as follows : ' Modern literature is the apotheosis of truism.' Formerly everything was paradox ; a writer thought he had only to state the glaringly improbable or contradictory, to catch the popular taste : to-day he says sapiently, 'To put on one's hat wrong side foremost is very uncomfortable ; ' and instead of saying, ' Well, what of it ? we know that ! ' his readers hold up their hands and cry, 'Dear me, how true! what an observer he is! why, we've often noticed that ourselves ! ' Yes, modern literature is the apotheosis of truism, and the criterion of its excellence is piracy in the United States. If a book is clever enough to say nothing that we don't know already, it is clever enough to be stolen in America. Such is fame ! " And the Princess laughed a little, silvery laugh, which stopped short as she saw the smile die away on the face of Eric Trevanion. " Why, Sir Knight of the Rueful Visage," said she, " what ill news shortens the smile which I expected as homage to my tirade against the novelist of to-day ? " "No ill news, Princess; only I'm puzzled. I can't make you out ; you're so brilliant, and clever, and all thai, you know and you're so absolutely by yourself in the world, I can't account for you ; you're a kind of Sphinx to us all, and yet you talk more freely about yourself than anyone I have ever known. But 'it's never to the point. You know what I mean, though I can't say it," concluded he, helplessly. "Well, are you another Davus, or will you be CEdipus?" "L? AMOUR EST ENFANT DE BOHEME." 59 " I don't know who Davis is, unless he's the man who bought that academy picture of yours, and I never heard of the other gentleman," replied Eric, mendaciously, so as to hear Miss Preault's definition, which was bound to be inter- esting if not funny. "Well, the Sphinx, you know, was a bewildering lady with a taste for cannibalism and conundrums." " Yes, I know that." " Davus was the journalist of the time, the regret -of whose life was that he was not (Edipus, who was the contemporary Irving Bishop, and read the lady's thoughts." " And what good did it do him ? " " No good ; he would have married the Sphinx, or what was human of her, and killed what was animal and bad, and no doubt, like many a modern husband, would have been rather sorry for himself. As it is, I believe he married his mamma." "But you are not the Sphinx really." " Yes, I am. I am half-human and half-animal," returned the girl, gazing abstractedly into the fire. "There is a great deal in me that is terribly human, and there's an underneath side to my character which is terribly savage. I don't know which side troubles me most; and I don't know whether they will ever be separated from one another, and if they are, which will remain incarnate in Daphne Preault, and which will fly off into space ; " she raised her eyes as she finished, and found Trevanion leaning forward in his chair, his wide-stricken eyes fixed upon her with an expression that fancy had often placed there for her before, but intensified, feverish, yearning. " Princess ! Daphne you gave me my choice a minute ago whether to be Davus or the other man let me be the other man let me solve the riddle of your life for you. Surely you have seen how I worship you. I never thought I should dare to tell you of it, but I can't help it I love you. " He had taken one of her hands in his and was covering it with kisses; she did not try to take it away, but 60 THE PRINCESS DAPHNE. merely looked down with a gaze of infinite pity at him as she replied : " Yes, I knew it, but it isn't to be. I would love you in return if I dared ; but I cannot, I dare not, trust myself to love anyone : sooner or later you would discover all my bad- ness and weakness, and then it would be all over. The un- known is always a goal for one's ambition ; I am a goal for yours, which is, I fear, more than half curiosity. So long as you see me from a distance you wonder and do not ques- tion ; touch me, and you would soon criticise ; and when we criticise we soon despise. Eric, my dear friend, I like you far too well ever to show you that weak under side of my nature. Be a companion, a friend to me, if you will, you are the only man who ever had the chance to be, but a lover never ! Come, mon ami, we are merry Bohemians ; don't let's trouble our life with the silly emotions of the outer world." He had risen to his feet, and laying one arm upon the mantel-piece, was looking into the fire, leaning his head upon his hand. Her words troubled him ; troubled him with a sensation that was neither pleasure nor pain, but confusion of thought. He brought her the armor of gold, but she refused it, almost inviting his offer of the armor of brass : she had offered him a kind of emotional Platonism, that made his heart beat high with hope, but refused his avowed love on the one plea that flatters a man whilst he will not accept it her own unworthiness. " But I want something more, " he said ; " I want your love." " No, boy, " she replied ; " come to me for sympathy, for friendship, for assistance, for confession ; but love real love only comes to a man once. It has come to you, but you don't see it ; some clay you will, and then you'll be very grateful to Daphne Preault for not engaging your heart, your soul, but only your brain." " What do you mean ? " " I mean that I know a girl who loves you with her whole " L 'AMOUR EST ENFANT DE BOHEME." 6 1 heart. Ah ! no ; I am not going to tell you who it is, if you can't see for yourself : but when you are married you shall come here with your wife, and Daphne Pre'ault will continue in the sunshine of your life the friendship that she inaugu- rated with you in a London fog. Now leave me alone, dear boy, and come here to tea with me to-morrow you will have thought it over by then, and realized that it was for the best that I advised you. " So saying she gave him her hand to kiss, and with her little imperial gesture dismissed him. He stood looking at her humbly, helplessly, for a moment, and then he was gone. The Princess remained in the house just long enough to wrap herself in a cloak and put on a hat, and then started forth to call at the Hawleigh's. Here also she found work at the easel suspended, but Gabriel and Maye were lost in a cloud of harmony that seemed to make the very fog that had filtered into the studio vibrate with its passion. Daphne Preault did not disturb the musicians, but stood at the entry to the studio till the music should have ceased. When this moment arrived, Gabriel, violin in hand, flung himself onto the lounge, whilst Maye merely bent over the keys and seemed lost in reverie. It was Gabriel, in turning over on the couch, who first saw the magnificent figure standing in the flickering light, and springing to his feet, exclaimed, "Princess /" At the word, Maye turned also and greeted the visitor, and then they all drew chairs to the fire and began to talk with daring originality about the weather. "You have the advantage of me here," began Miss Pre'ault, when this subject had been exhausted. " When you can't work you can play sounds like a truism, doesn't it ? but you know what I mean. Now /simply have to read or receive visits until I get tired of both, and seek congenial society here. Which do you prefer, Gabriel, the fiddle or the easel ? " " Well, really I hardly know, " replied he ; " sometimes I 62 THE PRINCESS DAPHNE. wish I'd been brought up a professional musician instead of a painter, and at others I wouldn't give up painting if the triumvirate of ghosts of Stradivarius, Tourte, and Paganini came down and implored me to become a violinist by trade." " And who are they ? " " The Trinity of the Fiddler's worship, the Princes of Fiddle-making, Bow-making, and Fiddle-playing. I invoke their names every time I take up my violin, and beg their shades to inspire me. Ah ! I should never be an artist on the instrument ; I should always remain a virtuoso." . " And what is the difference ? " " Well, it's the difference between the active and the pas- sive : the artist is master of his violin, the virtuoso is its slave. Joachim, Viardot, Vieuxtemps were and are artists ; Sarasate, Wilhelmj, Paganini, were and are virtuosi. Don't you see the difference ? The artist can read at sight the most difficult music, and plays by note ; the virtuoso plays more, as a rule, by ear, than otherwise. The artist strives after per- fection of technique for the interpretation of the works of the great composers for the instrument ; the virtuoso, on the other hand, aims at brillant execution for the interpretation of his own moods, his own thoughts, his own fantasies. That's what I do ; and there are days when I wish I had given my whole time to it. " " Then, I suppose, " remarked Daphne, " that, just as you are a virtuoso with your bow, Eric Trevanion is a virtuoso with the brush. Certainly he doesn't aim at perfection of technique, and certainly he tries to interpret his own moods, thoughts, and fantasies and does so to his own satisfaction doubtless ! " " Well, yes ; I think we may call Eric a virtuoso of the camel-hair ; his impressions are hardly what one would call artistic are they ? " " And what do you think about it, Maye ? " queried the Princess. " Do you know, I never thought of Eric as an artist. I "I? AMOUR EST ENFANT DE BOHEMEr 63 look upon his profession as a colossal joke, and an excuse for keeping untidy, artistic rooms. " " What do you think of him as a man ? " " Good gracious, Daphne, what an indiscreet question ! Why, I think him a very worthy person, very bright and kind and all that ; but I never made a study of him. Why ask me?" The girl did her utmost to make her light reply as meaningless and casual in tone as possible ; but the flush that came over her face as she answered told the Princess the story she wanted to know. " I wonder he has never married, " she went on, vivisec- tionally. " On the contrary, " broke in Gabriel, " the wonder to me would be if any girl would ever be bold enough to take him, and be painted continually as a ' Note in Black and White,' 'A Crochet in White Worsted,' 'A Quaver in B Minor,' or something eccentric of that sort." " I think," returned Miss Pre'ault, abstractedly, " that he'd make some girl a perfect husband. He'd be so tender, and gallant, and chivalrous, and delicate." Maye looked at her gratefully, and would have spoken, only Gabriel cut in, remarking : " Well, I'm glad you think that, because he's madly in love with you. " " Of course he is so are you," replied the girl, without turning a hair. " Of course I am, but I'm not so badly bitten as Eric ; I'm only at the stage of telling you so whenever I have a chance; he's got to the point of thinking it continually." " Don't talk nonsense, Gabriel," replied the Princess, sharply. " I am not talking nonsense : and look here ; I wish you'd marry him and take him back to Cornwall or Dartmoor or wherever it is ; he's ruining me here am / painting night- mare pictures now." " Oh ! where ? Show me," 64 THE PRIA'CESS DAPiINE. " Under the seal of profoundest secrecy, I'll show you the great work for the next Academy." So saying, Gabriel uncovered the canvas on which he had been at work. It represented a London street, in a dense fog. In the foreground, lighted by a yellow blotch of street lamp, a blind itinerant fiddler was playing, apparently unconscious of the state of the atmosphere. A man and a girl were passing, wrapped up snugly, and laughing at one another. Under cover of the fog they had twined their fingers together as the girl held the man's arm tightly in hers ; whilst the blind fiddler played on, in apparent igno- rance of all. The painting was unfinished, hardly, indeed, more than roughed in, but the composition of the oblique vista of street was perfect, the balance of the figures was masterly, and the whole thing was toned in a manner which showed high artistic skill. " But, my dear friend," said Daphne Preault, gravely, " this is really a great work if you finish it as you've begun. What shall you call it ? " " ' Sunshine in the Fog, ' I think, or perhaps, ' It's an ill wind blows nobody any good.' You see, I want to convey the idea that the blind fiddler is unconscious of the fog as well as of the happiness of the young couple flirting under his blind old eyes and under cover of the darkness. Jt shows that it might be an advantage to be sightless some- times you see, to him it's apparently an ordinary day, for the sunshine is in his soul as he hears the two go laughing by." " Gabriel," said Daphne, " this will be a great picture mark my words." "Well, I hope so," said the boy; " it's time my undoubted talents were recognized by the Hanging Committee and the art-dealers. If this goes well, it will make a rent in the cloud, through which I may be enabled to shove some of my lesser masterpieces known to the vulgar as pot-boilers." "Well a thousand congratulations ! But I must go back to work, for the sky's clearing a little." " U AMOUR EST ENFANT DE BOHEME." 65 And with this she left them. In the drawing-room she found Mrs. Hawleigh. " What do you think of the boy's picture, Daphne? " said she. " I think it is going to be very great. What accounts for his sudden stride ? " " Can't you guess, dear ? " " Ah ! And does she care for him ? " " Yes, I think so. Gratitude would make her do so, but I don't think it is necessary. He has worked hard enough for her, poor boy ! I hope nothing will happen to disappoint him ; it would be his death-blow, I think." " Mrs. Hawleigh, forgive me, but has it never occurred to you that she might care for anyone else ? Eric Trevanion, for instance ? " " My dear, I have feared so sometimes, but when I see Eric with you, I feel easier about it. You know he adores you, I suppose. " " Yes." " He has told you so no doubt ? " "Yes." "And do you care for him? pardon me for asking, bu I'm so anxious on Gabriel's account; do you care for Ei ; > Trevanion ? " " Yes " this almost in a whisper. " And have you told him so ? " " No, I have not told him so." " Oh ! why not, dear ? Think a moment if you love Eric and would tell him so when he asks you, how happy we a 1 should be you he I and those children in there." "That boy, you mean, Mrs. Hawleigh ? " " And the girl too, dear ; she knows Eric doesn't care about her, and if she knew that you returned his affection, she would give her whole heart undivided to Gabriel, and uninfluenced by that terrible thing, gratitude." " I hardly know myself enough, Mrs. Hawleigh. Some- times I am afraid when I think of marriage. There are two 66 THE PRINCESS DAPHA'E. . sides to my nature, one human and the other savage" she was unconsciously drifting back to what she had told Tre- vanion " and I know that marriage would kill the one and develop the other, and unless the man were a great, strong creature, I am terribly afraid that the human, womanly side of me would disappear. It's the way with all of us South- ern American women ; we can rule others, but require to be ruled ourselves ; and I doubt if Eric Trevanion has it in his power to rule me, to keep me in his power when he gets to know all about the real Daphne Preault, with whom the Daphne Preault you know is hardly on speaking terms her- self!" " Oh ! you do yourself injustice. All girls do when they are in love. Go and think it over, dear ; I am sure you will see that what I say is for the best." " Very well I'll think it over." "That's right and remember that by making yourself and Eric happy, you are giving a new life to Gabriel and Maye, a new encouragement to him in his work, a new bul- wark of defence to Maye, against the whims of her silly little heart." The two women kissed one another, and the Princess Daphne walked back to her cottage. It was situated at the other end of Holland Street, and was one of the little houses with a patch of garden in front of it to which I have alluded, in describing the street. When her father, Victor Preault of Baton Rouge, died, leav- ing her an income which, computed in American dollars, was statable in four figures, of which the first was only one remove from an unit, Daphne, alone in the world, strongly inclined to art, and averse to governess-ship, had struck her camp, and migrated direct to Holland Street, where her in- come warranted her in furnishing the little semi-detachment in which the scene I have described between her and Eric had taken place. Her originality of invention and daring touch had quickly assured her artistic success, and her personality had gradu- "U AMOUR EST ENFANT DE BOHEME." 6j ally made for her a throne from which she ruled the colony with a beneficent and almost motherly sway. A better friend " the boys " had never had, and rumour chaunted a variegated though monotonous Iliad paradoxical though it may seem, written down of the way in which everyone had been obliged to go through the tortures of unrequited affec- tion and refusal, before settling down into the ranks of the Princess's adoring subjects. The little house was charm- ingly furnished, and the studio into which the goddess of the place now stepped was characteristic of its denizen as only a studio can become. It was very large, and its gen- eral appearance reminded one more of a Roman atelier than anything else : its solid furniture consisted of a lounge covered with an enormous bear-skin, a rosewood writing- table, a miniature grand piano by Chickering, and a renais- sance cabinet filled with a collection of the silver, ivory, and porcelain toys of the eighteenth and preceding cent- uries. Daphne Preault painted, as regards touch and sub- ject, with the weird independence of the modern French school ; and it seemed as if into her work, which had the minutia and detail of Meissonier, combined with the sensuous fantasy of Vedder and Blake, she flung without reserve the infinite shades of her complicated personality. One of her finest works which she refused to sell hung over the high oaken mantel-shelf ; it represented Gabriel Hawleigh in his silk working shirt of morning, and "autres chases" oi afternoon, his collar lying open, his feet thrust into morocco slippers, reclining on the bear-skin of the lounge, with his fiddle under his arm. Evidently he had got up in the middle of his work, seized by some musical whim or other, and, at the conclusion of his performance, had flung himself exhausted onto the fur ; the Princess had insisted on painting him thus, and called it after Tourguenieff's marve- lous story, " Le Chant d' Amour Triomphant." It was an ad- mirable specimen of her skill, and a great favorite among " the boys. " To-day, however, she did not paint, but lay till evening 68 THE PRINCESS DAPHNE. almost motionless on the bear-skin, " not at home " to any- one, and revolving in her mind the events and conversations of the morning. A black woman a negro servant who had accompanied her across the ocean four years before, brought her tea at five o'clock, and at half-past seven she went forth to dine in Queen's Gale, returning to bed and to sleep soundly till the sunrise woke her next morning. What the result of the previous day's cogitations had been not even the practised indiscretion of the novelist is entitled to impart to his readers. It is enough for them to know that, to-day being bright, she worked hard at her Academy picture until Clytie, the darkie woman, bringing in the tea-tray at five o'clock, announced : " Mr. Trevanion." Daphne Preault rose, and extending her hand, said : " Bon chevalier ! sit down and drink tea and eat things, and then I'll tell you a programme I've made out for our amusement this evening, if you're disengaged." " I'm always disengaged for you, Princess." " Very good ! that's as it should be. You must go away at six, and come back at half-past seven ; I've got two stalls for the Parthenon, and want you to take me to see the new play. Vi place cosi ? Does my plan suit you ? " " Certainly," replied Trevanion ; and they chatted easily and merrily on different subjects, avoiding the one which was uppermost in their minds, until the stated hour, when the young man, with a joyful " An rwoir" left the girl to her important meditations, her more important dinner, and her most important toilette. At half-past seven he was at the door with a hansom ; and Eric Trevanion and Daphne Preault were bowled along in what Lord Beaconsfield, plagiarizing from Balzac, called " the gondola of the London streets," past Kensington and Knightsbridge, and down Piccadilly to the doors of the Theatre Royal Parthenon. People may say what they like to the pyschological con- trary, but there is certainly something deliciously " intime " " D AMOUR EST ENFANT DE BOHEME:* 69 in the fact of driving alone with a woman, whether it be in the family coach, the discreet coup/, or the ordinary hansom. We are told that when the American young man "goes courting," he lavishes his substance on innumerable buggy rides with his young woman. I have passed much of my life in what Mr. Carnegie has called the "Triumphant Democracy," and have not observed this to be the case ; but there is no denying the fact, that when, in the depth of the transatlantic winter, the snow is packed in a polished layer upon the face of the world, the transatlantic young man and the transatlantic young woman do eagerly patronize the sleigh known as a "cutter," wherein the pair sit very close together indeed, and the young man drives; or better still, the roomier form of sleigh in which, if I may be allowed the expression, they "snuggle" beneath the buffalo-robes, and the young man prevents the young woman from falling out when they turn sharp corners. The spring is consequently the season of love and marriage in America as is, I believe, the case elsewhere, according to the poet ; and the Englishman who said he preferred as being less dangerous sitting in a draught in a rocking-chair, with his feet in a tub of ice-water, jangling a bell, to the national winter pastime, must have experienced the joys of sleighing with a well-meaning, but male, companion. In Canada they toboggan, and this is a still more ingenious in- vention ( or rather collaboration ) of Eros and Hymen ; and these things have their efficient counterparts in England, no matter what may be the vehicle that enforces an intimate physical propinquity. Love is to a great extent a meteorological phenomenon, that is to say, it is largely a matter of atmosphere. Who has not experienced, on entering a woman's boudoir, the sensa- tion that the whole atmosphere is deliriously saturated with her physical as well as mental personality ? To a much greater extent is this noticeable in a brougham or coupe, where the area is even more circumscribed. How keen an observer have we considered to be the French author who describes 7O THE PRINCESS DAPHNE. the sensations of an amorous swain on finding himself reclin- ing in a box upon wheels, practically enveloped in the dra- peries of his inamorata ! Such seances are often, like spirit- ualistic functions, carried on in darkness and silence ; but the mingling of atmospheres produces a mental excitement that has hurried many a domestic drama to its denouement. And the Londoner who understands his hansom will agree with me. She the She with a capital S not unfrequently becomes as fascinating as the " She " described by Mr. Rider Haggard (even if she was not so before), when, with a flash of ankle and whiteness, she has stepped into the expectant hansom, and we have followed her, and then, by closing the doors, have covered our knees with the outlying regions of her opera-cloak and other " things." The celibate philosopher will agree with me that to order the " cabby " to " put down the glass " is fatal ; the hansom then becomes worse than a coupe" ; the half-doors are bad enough ! It is not necessary to talk ; we have most of us observed that She leans more heavily upon our extended hand in getting out than she did on getting in. Eric and Daphne were in love with one another. They said but little during the transit, but lounged, rather than sat, crushed against one another by the narrowness of the cab, and gave themselves over to the unrestrained enjoyment of their thoughts, trusting to the rattle of the vehicle to drown the almost audible beating of one heart, if not of two. Ar- rived at the doors of the Parthenon their eyes flashed strangely bright in the darkness, and both felt almost re- lieved that the ride was over, and that the play was there to obviate the necessity of conversation. But between riding with a woman within the confines of a cab and sitting next to her in the stalls of a theatre there is little to choose ; indeed, for harmlessness, I think the palm might be given to the former. We enter and take our seats, and then, passing an arm behind her, we help her to remove her wraps and reveal for ourselves the ivory skin, the rounded arms, and the delicious dress which has been " i: AMOUR EST ENFANT DE BOHEME." 7 I hitherto hidden from us by the aforesaid wraps ; and, in so doing, we envelop ourselves, as it were, in a cloud of the delicate fragrance of the perfumes with which women in all parts of the civilized world love to heighten the fascination to themselves. We settle ourselves luxuriously in our seats, and the play commences ; after a moment the spirit moves us to rest our elbow on the arm of the stall ; we find it already occupied, and draw our sleeve away again with a thrill ! Next time we are more successful ; the arm is unen- cumbered ; she has leaned foward interested in the play : in a minute or two, the strain of attention relieved, she, in turn, rests her elbow on well, on the arm of the stall, after we have apologized sotto voce and once more vacated the posi- tion. Then something in the play calls for a whispered comment, and a lovely head is bent close to our own to listen, and to require the remark to be repeated; then our heads separate, and for a few seconds we haven't an idea of what the play is all about. Next, the opera-glasses fall down, and we dive amidst a maelstrom so it seems to us of laces and stuffs to recover the same, whilst the prettiest hand in the world holds the maelstrom aside to facilitate the search, and the glasses are gently laid back in the place whence they originally fell. Next minute, the act-drop falls, the lights are turned up, and we chatter volubly about the play, uttering commonplace platitudes against which our intelligence would revolt in broad daylight, ask stupid questions which require and expect no answers, and answer at random questions that have not been asked. The curtain rises on the next act the act in which the love interest of the play develops. It is getting interesting; and now quite unconsciously both our elbows rest upon the intermediary arm, which has by this time assumed the role of the wall which separated Pyramus and Thisbe not touching one another ; that only happens unconsciously also about half-way through the act ; and we are almost surprised to find that it is the case, when the act-drop falls once more, and turning to one another simultaneously, each 72 THE PRINCESS DAPHNE. reads in the other's eyes what each we, that is would have done under circumstances similar to those in the play. Between the second and third acts we chat reasonably, almost confidentially, on subjects quite personal, quite unconnected with the play we are witnessing, leaning back in our stalls, our shoulders almost, if not quite, touching one another. We are interrupted almost surprised when the lights in the house go down, and the stage lights up once more. There is little or no pretence during the last act ; we sit as close together as circumstances i.e. the people behind will allow. As the story before us draws to its cli- max, and everything ends happily, we fancy we can hear one another breathe ; and when the concluding sentence, often the best-written in the whole play, is drowned by the rustle of people struggling into their outer garments, and groping for hats which have somehow gone off on voyages of discovery by themselves, we carefully and with procrastina- tion which is the soul of business, in spite of the proverb wrap her up, in dire terror lest the night air should attack that beautiful throat, and we are rewarded by ever so slight a pressure of the hand that rests on our arm as we reach the outer world and embark once more in the insidious hansom, which we direct, with an air of luxurious proprietor- ship, to drive to her house. On the application of the above analysis to the circum- stances of my story I offer no comment. Eric Trevanion and Daphne Preault witnessed the performance at the Par- thenon and drove home to Holland Street. "Waters, both strong and mild, with biscuits and a fire will be in the studio," said the Princess Daphne ; " won't you come in for an instant before you stroll down the street ? " " Thanks ! with pleasure ; " and they went in. Clytemnestra, or for short, " Clyde," the ebony tirewoman of the Princess Daphne, had removed her opera-cloak, her fan, her gloves, and other impedimenta, and had left the pair alone. Whilst Eric busied himself with the innocuous comestibles that stood on a little table by the fire, Daphne " L* AMOUR EST ENFAA'T DE BOHEME." 73 threw herself onto the lounge and sat, lazily watching him, and prosecuting a search after conversation. Between them there had sprung up a sudden restraint which was quite unusual ; the pauses in the conversation were longer than necessary, the stray remarks were mostly irrelevant, the observations were spasmodic and impersonal. They who had been accustomed to compare their feelings with perfect frankness seemed conscious that a tacit understanding had been raised between them, had grown up without their knowledge, and forbade a word that might invoke they knew not what ! Who can say which hand-pressure, which tremor of the eyelid, which quiver of the lips had shown them that a chapter of their lives was ended ? Who can say which lightning-flash of passion had riven the cloud of their happy camaraderie, showing the heaven of love beyond ? Whatever might be their future, the unconscious careless- ness of their past companionship was left behind forever. And now she leaned forward and gazed into the fire, and he could look at the exquisite lines of her neck and back. Her hair grew exactly to the " beauty line," and being drawn up rather high on the head left a few lovely little soft curls at the back of the neck, their dusky warmth making her white skin still more dazzling and cool. After a moment of eloquent silence she said : " Eric, come here." He approached her, and impulsively he sank on his knees on the hearth-rug, at her side and a little behind her, and, feeling as though it were too good to be true some deceitful vision that he feared to dispel he remained in rapt wonder looking at her, scarcely breathing. Was it a simple accident, or the unconscious magnetism of love that drew Daphne's head back toward him, back until his lips almost touched the little curls ? and then, he breathed rather than imprinted a kiss, as if by accident, upon the beautiful neck. As he did so, with a strong shud- der she leant back in the lounge, and with little more than 74 THE PKIXCESS DAPHNE. curiosity in her face, though a delirious weight lay on her heart, she said in a steady, clear voice : " My poor boy, you will only be more miserable if I kiss you and some day you will blame me " Before she can say any more, he has construed her words for himself, and such a torrent of kisses rains upon her hair, her eyes, her lips, that she is unable to frame a thought or utter a word, but gives herself up to the moment. The sub- tle charm of the tender violence little by little overpowers her, a stifled sob breaks from her, and she turns deathly pale. If he had understood women better he would not have taken his arms from about her, as he does for an in- stant, and ask her if she feels faint ! The sound of his voice destroys the spell ; she puts him from her almost roughly, with a nervous force that surprises him, and says : " Go go or I shall never forgive you ; " and as he tries to speak, she interrupts him, saying, " Eric ! I know I am in your power but I am only a woman go, for God's sake ! go, and don't take advantage of that power." It is a terrible temptation to him as he holds the gorgeous figure in his arms, and he hesitates : then his manhood con- quers ; he rises with a little stagger, and without daring to look at her, he hurries from the studio. The front-door slams, and he is gone. And is she grateful to him for his obedience ? Ah ! who knows ? With the sharp click of the outer gate-latch, distinctly audible in the stillness of the night, Daphne awoke, as from the influence of a dream. She rose, straightening and smoothing the folds of her dress as if to brush away the touch of the man, and, walking to the fire, stretched out her icy-cold fingers to the blaze. As the warmth began to cir- culate in her veins the softness faded from the great brown eyes, and in its place came a calm, questioning, introspective look, which would have done more to pull Eric Trevanion together, could he have seen it, than the radical brandy-and- soda that he gave himself on reaching his rooms. Then, turning from the fire, she lit a cigarette and began "L 'AMOUR EST ENFANT DE BOHEME." 75 pacing up and down the studio. It was characteristic of her to vivisect herself with far less mercy than she would have shown to another woman ; her code had ever been, " mercy and extenuating circumstances for her feeble fellow-crea- tures ; but for herself ! the hard, uncompromising Truth." So she figuratively placed her inmost being in a sort of glass case, put it upon the piano, turned up the lights, and pro- ceeded to examine its intricacies critically. No flaw escaped her no weakness was condoned no excuse of sex was par- doned. What were her feelings as regarded Eric Trevanion ? this was the burden of her investigation ; did she wish he had remained ? Yes, she would answer herself truthfully, she wished he had not been so obedient or so English. Why had he not forced her to say she cared for him as she had never cared for man before ? Should she marry him ? Was what she now felt the love she had so often read about, and had never believed in or sympathized with ? Hardly. She had no more desire to marry him now than she had had before the events of the night which was now shivering with the chill of approaching dawn. No, she wanted to be free but she wanted Eric as the companion of that freedom ; but even with all her independence of spirit, could she stretch the mantle of Bohemia so wide as to cover that ? Hardly. But the weird confusion in the glass case said plainly, " I want liberty, and what is liberty without him ? a mere sim- ulacrum of "independence." This strange Creole girl, against whom no word of reproach had ever been breathed, was sensible that before morning her vital choice would be made. She could do as she pleased on payment of the cost Lib- erty and Eric. But the cost was enormous ; in this one venture she was called upon to sink the entire capital of her womanhood. She brought the whole of her faculty of mental concentration so rare in woman to the solution of this point. The recklessness and fatal danger of the choice attracted rather than repelled her. Her savage nature, once aroused, 76 THE PRINCESS DAPHNE. found an added charm in the thought of thus gambling away her most precious possession ; in her perfect chastity she could look upon the commission of a sin in the eyes of the world without a shock. Why do I continue ? In seeking to show the complicated nature of Daphne's personality I can- not escape being either minute to weariness or vague to incomprehensibility. It was this very confusion of charac- teristics that was one of her greatest fascinations. For hours the brain battled with the heart the spirit with the flesh ; and as the bell of the neighboring Carmelite Mon- astery roused the monks to Lauds and Prime, Daphne Pre'- ault seated herself at the writing-table and wrote to Eric : "I have fought, and I have conquered. I am yours come to me." CHAPTER IV. MESMERISM. IN the society of every city in the world, I suppose there must be, by some inscrutable law of nature, some nasty peo- ple probably to make us appreciate the nice ones. What- ever may be the reason, however, there is no doubt that New York, at the time that I chronicle, was no exception to the rule ; and even in the fascinating cosmopolitan society of the modern Gotham there were a few nasty people, of whom undoubtedly the nastiest were by common consent the Van Baulk'ems. Mrs. Odious Van Baulk'em regarded herself as handsome, and as select in her strife after social position. I have often observed that people who refuse to recognize those of their own class in life, and seek to entertain their social superiors, usually find themselves reduced to enter- taining the sediment of a class superior to their own the impecunious and shady ones, who will go anywhere for a dinner and daughters with money and so entertaining, fondly imagine their society to be " select." Well ! select it is ; but it is a selection of the riff-raff of a class into the solid substance of which they would give their eyes to be admit- ted. The Van Baulk'ems were of this complexion, and this was the kind of society that one would meet at their house on Fifth Avenue should one be so imprudent as to pass through its portals on the strength of one of the innumera- ble cards that Mrs. Van Baulk'em was in the habit of flip- ping all over New York, via the " Society List," and especi- ally among the young men who might possibly feel justi- fied by their constitutions in " going in for " the angular and highly-coloured charms of Miss Van Baulk'em, or the clever, pretty vulgarity of Miss Parthenia Van Baulk'em, a 77 78 THE PRINCESS DAPHNE. young lady suspected of society journalism, who had been hawked round Europe and America for years, in search of an adventurous swain. But such had not turned up ; and though it seemed likely that the millions of the elder might attract a penniless European of doubtful antecedents, the younger, Miss Parthenia Van Baulk'em, showed no inclina- tion to " go off." From this very slight sketch of a very unpleasant family, the reader will have gathered that the Van Baulk'ems' house was hardly one where Paul du Peyral would elect to spend much of his leisure time ; but as, on his first arrival in the city, he had dined at the house on Fifth Avenue, and had allowed himself to be mildly lionized as a social savant by the family; and as, moreover, there was something essen- tially piquante and refreshing about the ready repartee of Miss Parthenia, he would periodically drop in on Mrs. Van Baulk'em's reception day, and converse with that young person for a space. One of these occasions took place about two months after his marriage with Mahmoure di Zulueta, and, in obedience to the laws of cause and effect, that visit materially influenced the course of the history I am recording in these pages. The opera season had recently commenced, and Paul had unconsciously made him- self very interesting and instructive on the subject of the German school of opera, with Wagner as the text of his homily. " Why don't we see you more at the opera, Mr. du Pey- ral ? " had queried the fair Parthenia. " Because I have but little time for such pleasures. My work is of a kind that appreciates, nay requires, the peace- fulness of the night hours; and again, the conversation for which one goes to the opera in New York is so cruelly in- terrupted by the music that one has no chance of appreciat- ing it and profiting by it." " But don't you think it is possible to divide one's atten- tion ? " " No, I don't, Miss Van Baulk'em. To appreciate a mel- MESMERISM. 79 ody in an opera, one must have followed very carefully the harmonies which have led to it. An isolated melody is like a proverb in a foreign language, which one knows by heart, and of which one admires the meaning and sound, without knowing its literal translation." " Well, I quite agree with you, only I wanted to get at your sentiments on the subject." Miss Parthenia was accounted a brilliant conversation- alist, and deservedly so, for she had fully realized that, in woman, conversational brilliancy consists of little else than an appreciation of the conversing man ; and Paul left the Van Baulk'ems' house that day he was but human, after all with a pleased conviction that the girl was not so bad as she was painted perhaps, and as he stepped onto the avenue, recorded in his note-book an engagement he had made to visit the Van Baulk'ems' box at the opera on the following evening. Two months before this, he and Mahmoure' had fled New York and hidden themselves in a little Canadian village on the banks of the Niagara River, and beside that grand, placid stream, that gives so little indication, save by a dull murmur on a very quiet day, of the agony of turbulence with which it has rushed over the falls a few miles further up, had become man and wife, in the presence alone of a couple of parishioners, the parson, and God. There had followed a few weeks of pure, lovely delight, in contemplation of the turquoise water, with Ontario in the distance, reminding one by its colour and placidity of the Trasimene Lake ; and then they had returned to New York to a life outwardly un- changed, but new in every thought, both to Mahmoure in her nest in West Forty-first Street, and to Paul in his bach- elor apartments not so very far off. The world remarked that they seemed to be " very good friends," and looked at them with uninterested curiosity when they appeared in public together, according to the custom of the Bohemia in which they lived ; but not on that account did disinterested mammas cease to play upon Paul the shrapnel of invitations 8O THE PRINCESS DAPHNE. to every kind of entertainment where marriageable daugh- ters do congregate. The light of life seemed to be returning to Mahmoure's pale cheeks, the fire of life began to shine, as of yore, from her eyes ; but Paul was unchanged, save in the eyes of one or two of his most intimate friends, who told one another that he seemed to lack in a measure his old enthusiasm, to enter less eagerly into the somewhat exhaust- ing schemes of amusement they put before him ; that his mouth was less determined, that his eye was less bright than of old, when they disturbed him at his books and at his weird calculations, at hours when domesticated New York has sought its virtuous couch. Nevertheless, ten o'clock on the evening of the day follow- ing that of his visit above recorded found him entering the Van Baulk'ems' box, to be greeted warmly by Mrs. Van Baulk'em, who was chatting with a man on the sofa in the ante-loge, and to be " sent forward " in order to be seen talking with the dear girls in front. It was during an entre-acte, so that Miss Parthenia had no compunction in pro- ceeding to draw him out, an operation in which that young lady excelled, and in deference to which Paul subsequently wrote an article dedicated to her and entitled " The Conver- sational Corkscrew a study of Platitudinous Periphrasis ! " " Mrs. Lexington Park has told me," began the siren, "that you are most interesting, M. du Peyral, if one can get you to talk about transmigration of souls metem-what's- his-name you know." " Metempsychosis ? " " Yes, that's it and I have been thinking how it would be if one could suddenly change places and souls with one of those people up in the gallery. How strange it would be to find one's self suddenly full of new ideas, perhaps wondering if one can afford to come again on Friday, and whether the people down here enjoy themselves more than they do up there." " I think, mademoiselle, that if you could make the change MESMERISM. 8 1 you desire, you would probably find that you were in an atmosphere of genuine appreciation of the music, whilst in your place here would appear, by the exchange, a stupid, unsociable creature who actually wanted to listen, and might even go so far as to say ' Hush ! ' when your neighbors talk small talk ' and ' scandal ' to the music of the ' Gotterdam- merung.' Think ! how terrible ! " " Do you know, I think I should rather like it." " Are you sure ? " " Yes." " Then look at me for a moment." She did so, and almost immediately closed her eyes, and Paul smiled a little self-satisfied smile. Unfortunately Miss Van Baulk'em, observing that her sister had sunk from scan- dal to silence, and fearful lest she might rise from silence to snores, tapped her with her fan and exclaimed, " Thenie ! you're going to sleep ! " She opened her eyes, and looking at Paul, said, " How odd ! I just closed my eyes, and there I was in the gallery when Nell disturbed me." And then, seeing the smile on Paul's face, she exclaimed, " You wretch ! I believe you had something to do with that." " Not at all ! " returned he ; and then, rising, he added, " Alas, I must be very dull to-day ; you were nearly asleep ! Au revoir; when next we meet tell me what you think of the opera." " You will come soon very soon ? " " With pleasure good-night." As he made his adieux to the mother in the ante-loge he caught sight of the man sitting by her side. A dark, hand- some man with straight brows, a coarse mouth, and square jaws. Paul looked at him inquisitively, and the man returned the gaze without flinching : the next moment Paul had left the box. Outside, in the corridor, he stopped still for a moment, and then, looking on the ground, began pacing up and down, muttering the while " Who is he ? Who is he ? Where have I seen him before ? " 6 82 THE PRINCESS DAPHNE. From another box, during the next entre-acte, he saw him again, talking in the front of the box with Miss Parthenia Van Baulk'em. Then the whole drama came back to him. Act i. A country village, a beautiful woman, a handsome stranger. Act 2. A dishonoured wife, a wagging tongue, a hurried flight. Act 3. South Belgravia, a " scene " or two, and an outcast. That was all. And there was Charles Sturton Baker, in superlative costume, displaying his hand- some face in the Metropolitan Opera House. The Van Baulk'ems had got him ! Paul remembered the example of the eminent firm of soap- boilers who made a large fortune by attending to their own business, and strolled home in the moonlight, Baker, the Van Baulk'ems, the opera, everything dismissed from his mind by a mental picture of a little, lithe figure that lay curled upon the huge divan, in Forty-first Street, looking at the clock, and wondering whether " Gotterdammerung " was one of the long operas, or whether he would be there soon. A footstep in the hall-way, a rap at the door, and he is there, kneeling at her feet and playing with that wondrous hair, of which he used gayly to say, " the sunshine, when it kissed it, turned to darkness for very envy." " You are tired, my poor Paul the room is hot," she says, passing her ridiculous handkerchief across his forehead. " No, no, sweetheart it's not that I don't quite know what it is ; it has come on quite suddenly." He looks into her eyes until she seems to draw his very soul into hers, and then, suddenly rising with an exclamation almost of pain, he says : " Do you know, Mahmourd, I don't think I'm as strong as I used to be ? These mesmeric experiments I've been doing lately seem to take a great deal more out of me than they used to I've been feeling tired and distracted. But never mind about me ; there is something I wanted to ask you what was it ? oh, yes. Do you know anything of a man named Charles Sturton Baker ? " " Good heavens ! yes what of him ? " MESMERISM. 83 " He's here, in New York. I was in a box at the opera with him to-night. What do you know about him ? " " Well, not much that is definite beyond that affair about poor little B ; you know all about that, I suppose. After she went to grief, he used to hang about the theatre, and played ' 'Inferno e Tommaso ' among the girls. He once had the audacity to make love to me, and I had him thrown out of the place by a scene-shifter. What's he up to now ? " " I think he's going to marry Parthenia Van Baulk'em or rather, her money." " Well, let him ; they about suit one another." " No ! After all, she's only a fool and he's a knave ; and though, according to the dictum of the philosopher, the two would make an interesting little microcosm, she doesn't deserve such a fate as that. I'm sorry for her." " Well, what can you do about it ? " " Nothing. But, after all, Miss Parthenia knows I've been all over the world, and perhaps she may ask me about him." " And if she does, cher ami, don't know anything about the animal." " That would hardly be fair, would it ? If a fellow can protect a woman, surely he ought to do it eh ? " " Yes, of course he ought ; but if you undertake to protect a woman against an unscrupulous blackguard who happens to be her lover, you will probably find yourself in a most enterprising little mess. But sapristoche I Paul, since when this concern for the little Van Baulk'em ? " " Oh, I don't know. I think she's a clever little thing, for all her vulgarity ; at any rate she's sharp, and I'd sooner talk to her for half an hour than to nine out of ten of these society women. Now, make me a scene of jealousy." " Certainly ! Kiss me immediately ! " ***#*# " Paul," said Mahmoure, presently, when their conversa- tion had turned into a more reasonable channel, " this mes- merism of yours is killing you; I'm certain of it, and you 84 THE PRINCESS DAPHNE. must stop it. Every time you make your experiments with me as a * subject,' I feel stronger and better than I did before them ; but simultaneously you look paler and more worn. Mon cher, with a physique like yours, you require all your vital force to keep it going you musn't waste it on me. What is the use, dear heart ? I am a dying woman ; your absolute influence over me shows it, if nothing else ; reserve your force for some fresh young subject who won't sap your energies as I do." " Tiens ! listen to her ! here is Mahmoure posing as a charming little vampire ! Why, darling, I've a great deal more strength than I want for myself, and if I can make over the surplus to you by mesmerizing you, you ought to be as glad of it as I am. But come, we waste time. You remember that experiment we made when I sent your soul across the sea, and you told me what was going on in a house in London well, I want to carry that experience still further. I am going to mesmerize you and to try to identify your soul with that of someone over there, and learn what that someone is thinking about as well as doing" " But, Paul, it's not possible." " Perhaps not, but we can try. If we succeed, after all it's only a progression in the clairvoyant experiences with which we have been so successful. It depends, I think, only on one thing, and that is, the existence of a personality over there identical with your own or mine ; if such exists you will be able, if my will is strong enough to direct you, to identify yourself psychologically with some man or woman over there, for whom, if you knew them in the flesh, you would feel an affinity that would make me madly jealous. Come, let us try ; the result, if we attain it, will be an enormous one." " Very well, Paul but promise not to over-exert your- self." " Bah ! what a timid little woman it is ! Now, make your- self comfortable." And Mahmoure du Peyral to call her for the first time MESMERISM. 85 by her new, real name settled herself among the cushions of the divan. " Look into my eyes there ! be quiet quiet ah ! so ; " and Paul put his hand on the forehead of the woman, who sighed deeply and closed her eyes. " So you are asleep, are you not ? " "Yes." " Where are you ? " " I don't know." " Who are you ? " " I cannot say." " You are in a room ? " " Yes." " How is it furnished ? " "As a studio." " Is there a looking-glass in it T" " Yes." " Look into it and describe yourself." [A pause.] " Well ? " " A tall woman with dark hair a man is by my side Eric!" " Who is Eric ? " " Oh ! don't you know ? he is my lover, my good, brave Eric." " Is there a writing-table in the studio ? " "Yes." " There are letters addressed to you lying on it. Read me the address of one of them." " Miss Preault, The Cottage, Holland Street, W. " What is the name ? " "Miss Prdault." "Daphne?" " Yes yes who called me ? Eric ! my darling, there is some one in the room ; oh, my love, help ! " and the little figure on the divan began to writhe as if in terror. Paul du Peyral, trembling with the effort and excitement, took the beautiful head in his hands and blew softly upon 86 THE PRINCESS DAPHNE. the forehead once or twice. The convulsions ceased slowly, and Mahmoure opened her eyes. Seeing Paul leaning over her, she threw her arms around his neck and, in the terror and excitement of the moment, burst into tears. "Come, come, sweetheart," said he; "I have tried you too much. Ah ! but this is horrible wicked dangerous ! Do you know where your soul has been ? " " No, dear, only I thought you were changed, over there, or here, or wherever it was, till I felt a terrible pain and woke up." Paul was the first to recover himself. " Mahmoure," said he, " we have trifled with a great power, and its working has been more mysterious than I anticipated ; more strange, more marvellous than I ever could have dreamed. Do you know that your soul found that of Daphne Preault ? " " What ? of the woman you were to have married ? " " Yes." " Oh, Paul, never let us do this again ; it is not right." " On the contrary, with your help I shall at last be able to find out something about this strange young woman but not now ; you are tired, and I must leave you. I have much to do, much to think of, to-night ; to-morrow we will talk of this again. Now, good-night ; in half an hour you must be fast asleep do you hear ? " " Yes, Paul ; " and after a last wild embrace, he was gone. " At last ! at last ! " he cried to himself, as he reached his own rooms and began rapidly jotting down some notes in a little book with a lock-clasp. " Through Mahmoure I shall have this woman this Miss Preault in my power ; what does it mean ? Is it that the same blood runs in both our veins, as old Preault used to tell me sometimes. What it that old story of our common ancestry were true ? How else account for the identity of our personalities ? for, unless my researches have led me astray, it must be that which caused Mahmoure to single her out as the object of her search for a sympathy in Europe. Oh, Grand Principle of Life ! if you are indeed capable of obedience to command, solve me MESMERISM. 87 your secret ; whisper the solution of this mystery to me to me, Paul du Peyral ! if only to reward me for the sacrifice to you of the best years of my life, of my health, of my very soul." He rose and began pacing the room ; suddenly he stopped, and raising his arms in the air, cried : " Daphne Prdault ! if you and I are indeed one in soul, and breathe with the same life-current running through our veins, show yourself to me to me to me ! " Then, suddenly a wild pain gripped his heart, the room grew black around him, and there stood before the eyes of his super-excited imagination a woman such as we have described Daphne Preault, but having the features, almost the face, of Paul du Peyral. Then he fell senseless upon his face, in which condition his body-servant found him next morning. " Not a word of this to Madame di Zulueta," said he ; and the magnificently trained menial gave him an assurance, which his long experience of that individual's inflexible men- dacity told him was to be implicitly trusted. And so, for the next few days, he went about as usual, nothing altered in his manner to Mahmoure' or to the world, but now and then catching his breath for an instant, and looking a trifle whiter round the eyes. On Sunday afternoon he paid his promised visit' to the Van Baulk'ems. He had not been there more than a few minutes when the fair Parthenia, corralling him into a corner, asked sud- denly : " Do you know Mr. Baker an Englishman ? " " Mr. Charles Sturton Baker ? " " Yes." " Well, no, I can't say I do. I came across him some years ago, but though I was presented to him, I can hardly say I know him." " He is very charming, is he not ? " " Well, that is a question entirely for you to answer ; you 88 THE PRINCESS DAPHNE. know the English are a queer people, and have a different standard from ours ; many actions which we look upon as blackguardly, they, I believe, look upon as quite the right thing to do. I am hardly a judge ; Mr. Baker has done things that I think infamous, but he may be charming ' for a' that. 1 " " But he moves in the best society in England or might, only that he is a quiet, domesticated kind of man, and does not care about it." " Well, I should say that you have formed a misconcep- tion concerning him ; he is distinctly what I should call a 'fast.' man. But, after all, he only takes up the oppor- tunities afforded him by human nature in the class of society in which he moves. As for his going into ' the best society,' I should hardly say that was correct ; I believe that my 'set,' in London, is pretty good, and I never met him there. I have only come across him in a rather ' rowdy ' country- house, where he was having a desperate flirtation with a child of sixteen." " Is he not very well connected ? " " No I think not. In fact, I think that he is rather by way of being an absolute nobody ; I may be wrong if you like I'll find out for you." "Well, I should rather like to know; but you won't men- tion me, will you ? " " Of course not ! " And so the conversation dropped, and presently Paul sought " fresh teas and houses new," and thought no more about the ten-minutes' chat that was to have such an influence upon the fortunes of himself and Mahmoure di Zulueta. It was not till that evening that an idea on the subject occurred to him. Said he to himself : " That little girl is evidently crazily in love with Baker ; I wonder if young Hawleigh knows anything about him." And the practical form his idea took was to write and ask full particulars con- cerning the handsome adventurer from Gabriel Hawleigh, MESMERISM. 89 whom he had met in a little French village some years before, and whom he recollected as a young English Bohem- ian, who seemed to know everybody who had ever lived, by sight, name, or reputation. He wrote, merely asking if Gabriel knew anything definite against the man, and if he did not, to send a " kind " letter, " not as a guarantee of good faith, but for publication." Whilst it passed across the sea, he continued his experi- ments with Mahmoure', learning by degrees, with an accu- racy resulting from the marvellous coincidences of their three personalities, almost as much about the Princess Daphne as the Princess knew about herself. And so the world wagged, day following day, and causes developing eternally into effects. Now, Gabriel Hawleigh's recollections of the days he had spent in a French village on the Biscayan coast were not as distinct as those of the young American who had shared his self-imposed exile, and on receiving Paul du Peyral's letter it took him an appreciable time to remember who Paul du Peyral was. Gradually, however, the memory of those half- forgotten days returned to him, and he turned his attention to the object of the enquiry. Charles Sturton Baker was one of those mysterious individuals that one comes across periodically in the more careless section of London society ; one of those young men who, clustered about the door- ways of semi-public or subscription balls, compare offensive notes on the wives and sisters of their friends ; who wear ribbed shirt-fronts and single studs, cylindrical collars, satin ties, and self-satisfied smirks ; and who, when the hours of labour in the far-eastern " City " are at an end, take the Underground Railway, and are swallowed up by the deserts of Belsize or Bayswater, by inaccessible North-Western suburbs, miles beyond the comparatively civilized spots " where omnibusses turn round." We have said that he was handsome ; add to this that his mysterious occupation in the murky orient supplied him with the wherewithal to satisfy the lower cravings of his sensual 90 THE PRINCESS DAPHNE. nature, and hide the essential feebleness of his mind behind the venal adulation of impecunious clerks, and caused the said clerks to regard his triumphal progress along Piccadilly on Saturday afternoons, in a hansom, with some Lottie or Tottie of the ballet, as evidence of his claims to the titles of " devil of a fellow " and " rare good sort." The frisky matrons of his inaccessible suburb, "the squaws of the north-west frontier tribes," as Dick Lindsay used to say, hearing of his reckless lavishings in the matter of Gaiety stalls and five-shilling cab-fares, got up quite a little excite- ment about this provincial Lothario; and the ladies whom he honoured with dishonour were looked upon almost with reverence by the compulsorily virtuous remainder. And, by-the-by, he had crept into a calling acquaintance with the Holland Street colony, via the Miss Eastons, whom he had met at a subscripto-suburban ball, at the Kensington Town- Hall. Therefore Gabriel, though loth to commit himself, could hardly profess entire ignorance of the swain, but could not be said to know anything either for or against him. He had seen him a member of a party of men at a music-hall, and paraphrasing the saying of the French philosopher, " La nuit tons les homines sont gris" did not regard as a crime the fact that he had been disorderly, and, in vulgar parlance, " chucked out." That he was over-dressed did not matter much. After all, if one cuts one's coat according to one's cloth, one wears it according to one's income and educa- tion ; and to him Mr. Baker was a tasteless young man who wore very good clothes very badly. He therefore replied to Paul du Peyral, that he knew nothing against the man as a man, and that he was a harmless, stupid kind of thing who couldn't do anyone any harm ; and armed with this non- committal reply, which he thought would close the matter satisfactorily for all parties, Paul strolled up to the Van Baulk'ems', and showed it to the fair Parthenia. She received it in silence, thanked M. du Peyral for the trouble MESMERISM. 91 he had taken, and the incident, as far as he was concerned, was apparently terminated. " After all," thought he, " abuse of one man by another is very much like mud splashed up by an unconscious cart ; a modicum of it is sure to stick, according to the proverb ; but even that modicum, black and sticky as it is when it's wet, turns white or at any rate gray when it's dry, and is easily brushed off ; and I've no doubt the fair Parthenia will rather enjoy the process of brushing than otherwise. Besides, it is possible that Baker has become steadied down, and has repented the rascalities of his fevered youth." And so he returned to his solitude and to Mahmoure, and to his absorbing interest in his psychical experiments, which he concealed beneath the ostensible search after knowledge in the studies of the Sparrow, the Mosquito, and the House- fly. The constantly recurring " Psychical Romance " may be described as an intellectual nightmare resulting from the literary indigestion of the day, an indigestion produced by a surfeit of Wilkie Collins, Stevenson, Hugh Conway, and Mrs. Crow ; and lest I lay myself open to the reproach of swelling the mass of " weird " literature of the past decennium, I beg the reader to skip the following exposition of Paul's discoveries in Mesmerism and Telepathy, but to remember that I have set them out, and to recur to them for an explana- tion should the spirit move him presently to fling aside the book with the exclamation, " Bah ! another attempt to pano- ply platitude with the dim magnificence of mystery ! " if he is in the habit of using this sort of language to himself. Shortly, the result of his investigations, arrived at after months nay years of wasted tissue and brain-power, was as follows. The whole matter resolves itself into one of sympathy. Two persons are presented to one another : the one has a personality a vital force represented by the numeral six ; the other has a vital force represented by the figure two. Very well ! They try to converse : at first the conversation is spasmodic, choppy, uninteresting, carried on 92 THE PRINCESS DAPHNE. at cross purposes as it were ; gradually, however, the mere physical propinquity lessens this mental discrepancy, and before long they get interested in i.e. they understand one another. The higher force lowers itself in proportion as the lower force rises, till at last the two are said to be " in sympathy with one another." They almost know one another's thoughts ; each can almost guess what the other is going to say next : they no longer require to explain their respective meanings minutely ; an unfinished sentence, a word, a look, conveys a whole thesis on the point under dis- cussion. They are reciprocally charmed, for they feel them- selves to be on an intellectual level with one another ; in a phrase to recur they no longer represent the contrast of six and two, but each giving to and taking from the other, they represent at the end of the conversation the uniform vital force of four each. Mesmerism is an acceleration of this process by an effort of will ; Telepathy is a higher devel- opment of it. And in Mesmerism or Telepathy the one mind conveys to the other, to be acted upon, the thoughts that are uppermost at the moment within itself. In the almost clairvoyant experiences of Paul and Mah- moure, this had occurred to a high degree, and had been very powerfully assisted by the coincidences of the personal- ities of Paul and Daphne Preault, united as they seemed to be by some distant tie of Creole ancestry. Mahmoure' being powerfully attracted to, and acted upon by, Paul, there was no doubt but that Daphne would possess the same influence over her ; and, following the natural laws of attraction, it was not surprising that her spirit should seek that of the Prin- cess, living as the latter did amid associations doubtless familiar to Paul, and being, beyond all, the soul in which Paul's interest was principally centred in Europe. People who " see ghosts " are generally looked upon either as mystics or as rather weak-minded subjects by the rest of the community ; this is because we always feel a certain unea- siness in the presence of an eccentricity. If that eccentricity is one beyond our comprehension, we revere its author ; if it MESMERISM. 93 is one that we can criticise and examine, familiarity breeds contempt, and we despise him. Reverence and despite are merely developments of fear. Ghost-seers come under either the first or the second category, according to their talkative- ness. The uncommunicative ghost-seer is feared nay, he is thought a trifle mad ; the communicative ghost-seer, on the other hand, is laughed at, and considered a raconteur or an ass, according to his powers of eloquence. Now, follow- ing the theory of Paul du Peyral, a ghost is nothing more than a coincidence of condition occurring between two per- sons at the same moment, by which coincidence the illusion or rather phenomenon of the appearance of the one to the other is produced. To recur to the doctrine of sympathy established between two people who are conversing with one another : At a given point, maybe, their personalities find one another in absolute or perfect coincidence. The result of this is, as a rule, love : courtship is a continual search after a renewal of those conditions ; marriage a more or less successful effort, as the case may be, to establish a new sympathy on a new plane. However, to return : The sight of another person is merely the effort of a certain excitement on the visual seg- ment of one's brain ; when the sympathy, perfect, absolute, of which we have spoken has been established, that excite- ment becomes a very strong one. Two persons look into one another's eyes, and through their eyes into their souls ; the impression made is necessarily very forcibly stamped on the memory, and it is not so much an impression of the outer form under contemplation, as one of the inner soul that shines out in the gaze. Now if, at any future time, by reason of the one person thinking of the other with any strong effort of cerebration, by a rare coincidence that other person finds himself in the same vital condition at the same numeral of personality, in the same state of sympathy and degree of attraction as he did on the occasion when the sympathy was originally established, then, the conditions of 94 THE M/A'CSS DAPHNE. the mind being the same, the same impression will be con- veyed by the optic nerves to the brain, and the effect is pro- duced of the appearance of the one person to the other, which, for want of a better term, has become called " a ghost." It is rare for each to appear to the other at the same time ; the coincidence of thought, effort, and personal condition is too remotely possible : it is the person who makes the effort who either sees the object of his mental strain, or, if his thoughts are centred upon its present occupation, appears to that object. And so, every effort of thought of which Paul du Peyral was capable being concentrated upon the woman whom, in the body, he had never seen, he was wont to call up her mental picture with a vividness that gave to her spectre all the attributes of substantial form ; and adopting her as a subject for his experiments, which chance, coincidence call it what you will had flung in his way, he pursued his investigations with all the devotion of a savant, and at the expense of his life. CHAPTER V. DAPHNE AND ERIC. THE " tempera mutant ur " principle, as far as this story is concerned, holds good in Europe as it does in America and elsewhere ; and whilst Paul du Peyral and Mahmoure led their separated though identical lives in New York, time had wrought its changes in the Holland Street colony, though that time was measured by months only, and not by longer periods. Spring had arrived and was growing old ; already, at intervals of a week or so, the sun shone so brightly that the shades were closed on the sunny sides of the streets, giving them the appearance of having been struck blind with astonishment at the fine weather, after the fog and rain and slush of the metropolitan merry spring-time. In Holland Street, grimy persons had appeared, and had borne thence carefully protected canvases, to deposit them for approval or rejection at the doors of Burlington House ; in a word, "Show Sunday" had come and gone, and hearts beat high with hope or apprehension ; whilst " the boys " who had sent in their Academy pictures rested a little on their oars, or rather brushes, and awaited the official in timation of what ? Most of our personal friends if we may call them so had launched an argosy on the sea of public appreciation ; but all of them awaited with some anxiety the fate of Gabriel Hawleigh's picture, " Sunshine in the Fog," which had fulfilled its early promise of excel- lence, and was regarded as the chef-d 'mivre of the colony. To Gabriel himself, though he said but little on the subject, the acceptance or rejection of this picture by the hanging committee meant everything a large word, but the only one which properly expresses the case. Into it he felt he 95 96 THE PRINCESS DAPHNE. had put the very best work of which he was capable ; he knew that he could do no better, and that if this were " found wanting " he had better abandon art as a means of livelihood, once and for all ; and this reflection occurring often to him in the midst of his wildest rhapsodies with his violin, he would drop his instrument from his shoulder and sink for hours into a revery on the Future and Maye. She, on her side, said but little about the picture ; but the Princess Daphne was an angel of hope to him, and never for an in- stant assumed anything on the possibility of the rejection of his masterpiece, but urged him to work in anticipation of his popularity as an artist, which she regarded as a very proximate certainty. " There will be a great demand," she used to say to him ; " mind the supply is ready to meet it ; and, for heaven's sake, don't sell your old rejected trash on the strength of this big work of yours. You can do that later, when your hold on the public is strong enough to defy the dangers of dilution with inferior work. Remember, Gabriel, and keep Maye's happiness in your mind as the lodestar of your ener- gies." Maye herself was placidly content with her existence or outwardly so, at any rate ; deep in her heart, if the truth must be confessed, lay a gnawing agony that had usurped a place there ever since the " engagement " of Eric Trevanion and the Princess Daphne had been announced. Their liaison had been published to the colony under the title of a betrothal, though it was as impossible to get anything out of Daphne concerning her future marriage as it had been to extract information on the subject of her past history. Eric practically spent all his time with her, and seemed to have abandoned his profession of flaneur of the studios ; and men spoke still more reverently of the Princess in his presence, standing unconsciously in something like awe of the man whom Daphne Preault had selected as her future husband if not, as was whispered, as her present lover from amid the army of aspirants. DAPHNE AND ERIC. 97 He seldom touched his palette or spoilt good canvas now- a-days. They had been but an occupation for idle hours at best, and now his occupation was Daphne ; and, as he had but one pleasure, and that was to sit with her whilst she worked, she had fitted up a second and more substantial writing-table in her spacious studio, and tried to make him take seriously to literature, and make some use of his undoubted cleverness, his knowledge of the world, and his very exceptional education. Unfortunately, as a Htt'eratetir, Eric was an epigrammatist rather than a word-painter, and he seldom got beyond titles of striking and remarkable originality, for essays, which, when they were written, took the form of a collection of aphorisms, spicules of epigram embedded in a protoplasm of commonplace, the whole vivifying a spongy mass which absorbed the ideas of other people rather than originated new ones of its own. There are many writers for the most part young ones in the present day to whom this description applies, and publishers look askant upon works which are gems of literary composition rather than of imag- inative construction. And Eric's masterpieces : " An Indigo Inspiration by a Blue Bard " (written in a moment of depres- sion) ; his " Petrifaction of Passion, a Pathological Prob- lem " (written when his vocabulary of eulogy of the Princess had suddenly dried up) ; and several similarly entitled effu- sions reposed peacefully in the pigeon-hole that he described as the " Walhalla of Rejected Addresses," and over which he had inscribed on a strip of gummed label, " Lasciate ogni speranza, voi ch* entrate /" "Abandon hope all ye who enter here ! " Still, the ill luck of his manuscripts caused him no pity for himself, only contempt for them. The allowance made to him by his father was an ample one, and any caprices he might have had he might very well have satisfied ; but as it was, he had but one thought in life Daphne ! To be by her side, to hold her in his arms and tell her all over again how he loved her that was all he wanted ; and as Daphne 7 98 THE PRINCESS DAPHNE. was of a practically identical opinion, the studio in Holland Street was certainly one of the happiest places in the world. Eric Trevanion had perhaps but one thorn in the flesh, and that was Clytemnestra, the coloured woman, who jealously guarded her mistress' lightest actions, and strenuously ob- jected to Eric, not so much on the ground of his being a new master for herself, as on the ground that he stood in quasi- authority over her mistress. Clytie had no moral scruples of any kind, but, with the cunning of her race, with that devotion of self and that selfishness for others that char- acterizes the darkie, she was convinced that her mission in life was to bring about the marriage of the Princess Daphne and Paul du Peyral, whom, though she had never seen, of course she knew all about. Clytie had been owned by Victor Preault, his father had owned her father, his grandfather her grandfather; gener- ation after generation of master and slave had looked after one another, and the ideas of freedom, and a vote, and the College of Surgeons were, to Clytie, iconoclastic institutions which she strenuously objected to take in place of the com- panionship of Daphne, her red bandanna head-gear, and her own mnemonic storehouse of Voodoo pharmaceutical knowl- edge. Clytie's mind was a magazine of Creole legendary history and historic legend. As long as she could remember, Daphne had been accustomed to listen almost unconsciously, when Clytie was in the vicinity, to stories of the bayous and swamps of Louisiana, of the early settlers of New Orleans, of D'Iberville, of Bienville, of the Chevalier Le Blond de la Tour, of Indian raids, and of massacres by the Chickasaws, the Choctaws, and the Natchez. Anon her tales would be of the Spanish rule of 1760 to 1770, of the patriot merchants such as Milhet, d'Abbadie, and Preault, of the landing of Don Antonio de Ulloa, and, later'of the Irish Spaniard, Don Alexander O'Reilly, " Cruel O'Reilly " as he was still called in Louisianian folk-lore, of de Unzaga, of de Galvez ; in a word, Clytie could have dictated a complete Creole history, DAPHNE AND ERIC. 99 correct in its chronology, and fictitious only in its facts. But it was as the chronicler, the trouvere of the Preault family, to an ancestor of which an ancestor of hers had been sold in all his picturesque insufficiency of costume, that Clyde came out strong. Clytie fondly imagined that, the idol she wore around her neck had originally belonged to this ances- tor it was a shapelessly human affair, which had done duty in turn for correct and lifelike representations of Voodoo, of Obi, of Gitche-Manito, of the Madonna, of Martin Luther, of the Saviour, and of Jefferson Davis and when she lectured Daphne on her Creole ancestry, she was wont to refer to said idol, whose existence at the time said events did not take place was, to her, conclusive evidence of their historical accuracy : and it was upon one of these family legends, well known among all the branches of the Preault family, that she based her efforts to induce Daphne to reconsider her contemptuous refusal of Paul du Peyral. Clyde's legend of the Preault and du Peyral families was a remarkable chronicle, based on a good deal of historic fact, and embroidered with a good deal of historic fiction. I pre- fer, therefore, to tell the story in my own words, shorn of much ornamental eloquence, but enriched with a certain amount of careful research among the archives of the city of New Orleans. In the year 1718, Bienville had succeeded Epinay as Governor of Louisiana, and affairs in the colony were governed principally in conformity to the require- ments of John Law's " Mississippi Company" the South- Sea Bubble that was to explode with such terrific violence two years later. Among the 800 emigrants that landed at Dauphine Island on the 25th of August, 1718, was one Hippolyte du Peyral, an engineer, who formed one of the little band of pioneers who might have been seen in 1720, headed by the Sieur Le Blond de la Tour, " garbed as a knight of St. Louis, modified as might be by the exigencies of the frontier, " marking off streets and lots planning, in a word, the city of New Orleans. There are doubtless many of my readers to whom New IOO THE PRINCESS DAPHNE. Orleans would be an undiscovered country were it not for the Abbe Pre'vost and " Manon Lescaut. " I refer to this work because, if the truth must be told, the colony was then in the condition described by Prevost i.e., in what might be called a state of troglodytish simplicity as regards its social institutions, and the female society of New Orleans was com- posed, exception being made in favour of the wives of a few of the officials, and those of the French and Canadian set- tlers, of ladies who had loved not wisely but too well, if not too promiscuously, in France, and had, after going through a term of probation at the Salpetriere and St. Lazare, been shipped off by a paternal government to supply the rugged colonists with the gentle influences and reproductive advan- tages which are the prerogatives of the beau sexe. Unless these ladies are traduced by their historian, they appear to have drunk, gambled, and fought on terms of perfect equal- ity with their lords and masters, or, to put it tersely, their proprietors. But among them, a damsel of a finer mould than the generality fell to the lot of Hippolyte du Peyral, and to him was born, within a pistol-shot of the ancient and modern Place d'Armes, a beautiful daughter. This child was some six or seven years old when the gentle Ursuline Sisters established their convent and hospital on what was then called Arsenal Street; and her mother having suc- cumbed to the ravages of the colonial climate and social laxity, du Peyral was glad enough to find there an asylum where the child would be secure from the influences of the almost primeval condition of affairs in the young city, no less than from the periodical raids of Chickasaws and Natchez. In the winter of 1727-28 I quote from the pages of the Creole historian, G. W. Cable a crowning benefit was reached. On the Levee, jus~t in front of the Place d'Armes, the motley public of the wild town was gathered to see a goodly sight. A ship had come across the sea and up the river, with the most precious of all possible earthly cargoes. She had tied up against the grassy, willow-planted bank, DAPHNE AND ERIC. IOI and there were coming ashore, and grouping together in the Place d'Armes, under escort of the Ursuline nuns, a good threescore, not of houseless girls from the streets of Paris, as heretofore, but of maidens from the hearthstones of France, to be disposed of, under the discretion of the nuns, in marriage. And then there were brought ashore, and were set down in the rank grass, many small, stout chests of clothing. There was a trunk for each maiden, and a maiden for each trunk, and both maidens and trunks were the gifts of the king. Similar companies came in subsequent years, and the girls with trunks were long known in the traditions of their colonial descendants by the honourable distinction of the "filles a la cassette" the casket girls. Hippolyte du Peyral was a substantial citizen, standing high in the good graces of the pious sisters, and he was one of the first to take to his home among the new plantations of Louisiana, a gentle, sweet-tempered helpmate, his lawful wife, a healthy Provengale of some twenty summers. This good couple lived to an equally good old age, and like the worthies of nursery romance, died regretted by all who knew them, leaving a family of stalwart young colonials who founded the du Peyral family, which had accordingly flour- ished in the state until war, fever, transferrence from one government to another, and other disturbing influences had dwindled the old stock down to concentration in the person of M. Paul du Peyral. the protege and heir of old Preault of Baton Rouge. Thus, after a lapse of a century and a half, the parent stock had been thrown together again by chance ; for the nameless daughter of Hippolyte du Peyral, having arrived at years of indiscretion, had run away from the con- vent and married a handsome, wild pioneer, by name Preault, and had scattered through the state a small but ex- clusively Creole race of Preaults ; a family not, alas ! without its place in the scandalous history of Louisiana, for the hered- itary taint seemed to be fatally constant, and ever and anon the blood of the girl who had enslaved the fancy of Hippolyte du Peyral would crop out, and produce a woman 102 THE PRINCESS DAPHNE. of gorgeous meridional beauty and dazzling personality, half-tame and half-savage, a type that might be seen in its perfect development in Daphne Pre'ault, the exile, the Prin- cess of the Holland Street colony, in a word, the pure- blooded Bohemian. Now, the historic outlines and the romantic details of this family history were cherished with true negro persistency by Clytemnestra, the ex-bondwoman ; and the dream of her darkie soul was to see the old stock of Hippolyte du Peyral reunited in the persons of Paul and the Princess Daphne, and therefore, when the latter indignantly scorned the con- dititions of her second cousin's will, in refusing to marry Paul, Clyde held that she was flying in the face of Provi- dence, and valourously invoked the assistance of her multi- fold deity in jade, to bring about this consummation, to her so devoutly to be wished for. I have dealt with this family history at some length because it accounts in a great measure for the sympathy in a way, a tie of blood that existed between these two strong Creole personalities, separated from one another though they were, by half a hemisphere ; a sympathy which led in so large a degree to the denouement of this veracious nar- rative. It is hardly surprising, therefore, that to Clyde, from whom no secret of her mistress' life was concealed, the posi- tion of Eric in the Holland Street manage of the Princess Daphne was a never-failing source of annoyance ; an annoy- ance that she dared not openly show to the principals in this drama, but which made itself felt continually, and especially to Eric, who, early in the game, rechristened Clytie, ' ; Ones- ima, his thorn in the flesh." Without risking the reception of a frown from Daphne^ which though theoretically less baleful, was practically far more awful to Clytie, than the curse of Obi or the incanta- tion of Voodoo, this antagonism caused itself to be very dis- tinctly perceived on such occasions as she found it necessary in the pursuit of her professional avocations to enter his presence, as, for instance, when she would come in to lay DAPHNE AND ERIC. 103 lea at five o'clock ; and then a vague feeling of easiness would come over Eric as he sat at his writing-table, from whence he could watch the Princess at her work. Under- lying all Daphne's love for him, his super-sensitive nature fancied that there existed a feeling of superiority that only wanted one earthly touch to make it contempt; and this was a sensation he had never been able entirely to get over : it would impress him with a vague feeling of discontent in little scenes such as the following, which were of pretty con- stant recurrence. It was five o'clock, and Eric had been enjoying himself vastly, writing an essay high-flown, satirical, paradoxical entitled, " The Praise of Publishers, by one of their Vic- tims." The light was nearly gone, and Daphne sat in front of her easel painting somewhat abstractedly, playing, rather, with some of the details of her nearly finished picture. Eric had just concluded his essay with the paraphrase, " He who writes with nought to say, finds his labour thrown away," and, Clyde having set the tea-things with something like aggression of manner, he laid down his pen and looked at the Princess. She was leaning back in her chair, looking lazy and satisfied with her work, now and then making a little dab for some particular point, until the light, as far as painting was concerned, had died out. Then she laid down her palette and brushes, stretched her toes out in front of her, clasped her hands at the back of her head, and rested so, in contemplation of the canvas. That silence fell which seems to envelop every death, even that of the daylight. No sound disturbs the stillness of the studio till the fire stumbles into a frejh fantasy of fallen cinders, the ashes burst out upon the hearth, and "new- born night begins its little life." The day has risen and lived its life, it fades and dies, and as it dies there is a moment of stillness that proclaims its death: another life takes its place " Le Jour est mort ; vive laNuitl" Daphne yawns, stretches her long arms again, and rising, 104 TIIE PRINCESS DAPHNE. approaches the fire, where she throws herself into the big lounge as she did on the night that she surrendered herself to Eric, and by degrees settles herself into absolute comfort. Eric has been so quiet that she has almost forgotten his ex- istence, when suddenly he startles her if so placid a person as the Princess Daphne can ever be said to be startled by bounding from his seat with an exclamation that partakes of the dual natures of a roar and a snort, and paces up and down the floor, until Daphne, without looking at him, remarks : "Well! what are you playing at Polar bear in a cage for ? " " I swear ! " he exclaims (" Don't ! " says she). " I swear," he continues, " I'll never write another line, and I'll burn every paper that I've ever slung ink upon ! " and he comes to the fire and takes up his position before her r in the attitude peculiar to and favoured by the Englishman of patri- otic instinct. Hard as steel, and with a little playful sneer, come the words from Daphne's lips : "Why this sudden philanthropy ? Why heap these bless- ings on the heads of undeserving publishers ? Pause ! reflect ! gracious lord of mine, ere you inflict such priva- tion on helpless humanity on the world that hungers for the glorious fruit of your transcendent genius, and that has deserved no such salutary punishment at your hands. Let me plead for the world ! Oh, write one more Assyrian farce, one more essay ' On the Morals and Pathology of the non-existent races of Central America,' before the fiat goes forth and the doom is sealed ! " And she clasps her hands as if in prayer, as, with a fascinating moue of mock seriousness, she sinks on her knees from the big lounge, before him. Eric looked down at her. He made no attempt to hide the pain her levity caused him. She saw it, and her hands fell, as she remained seated on the bear-skin rug, leaning against the sofa behind her. DAPHNE AND ERIC. 1 05 " I'm blue unhappy disappointed," he said ; " why do you sneer at instead of encouraging me ? " " Because you live in the nineteenth century and your books are those of the monks of the middle ages. Your standard works might be entitled ' Auctorum ignotorum omnia qua non supersunt' ' The forgotten works of unknown authors ! ' and your romances are simply scholarly epitomes of all that has been said by previous writers on subjects no one cares anything about. There is no boy who has just left college who could not do what you do ; you write things that all scholars know as well as you, whilst as for the rest of your readers, you either bore or confuse them. Your writings, man cher, are the apotheosis of the common- ' place." " It seems to me that what you want me to write is simply bald commonplace." " Not at all. I don't see why you must necessarily jump from one extreme to the other. In doing that you admit that you have neither ability to originate nor industry to supply a demand." " There you go again ! You always stand up for the purely meretricious." "My dear boy, up to a certain point everything is mere- tricious. Why do you suppose I sold my first pictures ? Gabriel Hawleiglvs early work was infinitely superior to mine, but mine sold, and his did not. Why ? Because I am a beautiful woman, and painted my own portrait indi- rectly into everything, and with that, I painted subjects which were described as ' daring ' by unsuccessful artists disguised as critics. In this way, an interest entirely apart from the work sold my prentice efforts. What you have to do is to prove yourself personally superior as you undoubt- edly are to mere acquirements/' " In a phrase, you would have me write down to the mor- bid craving for sensation that characterizes the literary taste of to-day." " Nonsense ! Genius is universal, and requires no die- IO6 THE PRINCESS DAPHNE. tionary of its own. I tell you to forsake the display of erudition, and cultivate imagination. If I hadn't wit enough to give the public what it wants, and to give it art as well, I should be admitting that I am like every unsuccessful strug- gler who gives them pure talent which is a drug in the market. If I could write I would make a success, for the reason that I should conceal art so well that those who can- not appreciate it would not find it. A fine lady can wear gingham and homespun, and be called 'chic'; but Clyde couldn't wear my terra-cotta wrapper. Apply this to your erudition. Gild your pill, tres cher ; gild your pill ! " " Daphne, are you quite sure that you know that you understand what you are talking about ? " " Oh ! I am absolutely sensible of my own ignorance, but I live in this nineteenth century of ours, and I desire to live comfortably luxuriously and to be ' somebody ' into the bargain. My plane is immeasurably below yours, but whilst you cannot look down on me though you are over my head I can look up to you and appreciate you. I live on earth, you live in the clouds, and your work is no use there. You haven't yet reached Heaven, so you can't be sure that your works would sell there ; and with the present moral obliquity that exists with regard to international copyright, though you might be celebrated, you would probably reap no advantage from your celebrity beyond a pair of first-qual- ity wings and a more than ordinarily curly trumpet." He turned away almost petulantly. " What have I done," said he, " that you should talk to me like this ? I'm a fool a sensitive fool I know; but, by Jupiter, you know exactly where to hit, and you hit hard." " What have you done ? What have you done ? You have made me love you, darling , that's all." And she went to him, putting her arms about his neck, and pressing him closer, closer to her heart, until her head sank upon his shoulder, and her voice died away to a whisper in his ear, that she caressed softly with her lips. DAPHNE AND ERIC. IOJ Eric was deeply obstinately wounded, and he held her in a loose, distracted embrace. He was thinking so much of himself and of his own woes, and it hurt him beyond bearing that she did not worship him blindly uncritically. " Suppose," she went on, " you were not rich enough to be independent of your work. Would it be right to throw away the talent you have, on work that is gratifying only to yourself ? Be sure, your want of success lies in yourself, not in other people. The cant phrase, 'writing above the heads of the herd,' is all rubbish. Fame is the justification of Talent ; strive after it, buy it at any cost. Oh, I know the difference between Fame and Notoriety, and how much easier it is to gain the latter than the former. But to be heard, to be listened to, is the first consideration ; make your crowd listen to you, and when you have got them in your grasp, give them what you like ; but spare no means, however false they may seem to you, to get them there." " But, sweetheart, you are arguing that Art should acqui- esce in its own suppression." " No I argue that art should give you the superior force to conquer your tendency to sacrifice everything to it. Don't think I am cruel when I hurt you like this I am so proud of you, and of your talents. Oh, love, I must see you rise above your disappointments. You are satisfied to know your own worth ; /shall never be satisfied until the world acknowledges k. Forgive me, sweetheart, if I seem sordid and mercenary for your sake." Though Eric adored Daphne, there was always this grain of worldly wisdom in her that jarred upon him ; it was indefinable, but intense. But while it was repugnant to him, he was too reasonable not to acknowledge that in much of it she was right. It was almost humiliating to realize that this woman, who was only educated up to the ordinary fem- inine standpoint, could sound blindly, unthinkingly with a rush, as it were the depths of human nature, whilst he, with all his scientific and classic lore, took ten times as long to arrive anywhere near the same point. It came out strongly 108 THE PRINCESS DAPHNE. in her pictures. With all her profound artistic talent, she knew how to leaven the excellence of her work with a some- thing that arrested the eye, with details of human nature which, though admirably executed, he still felt to be essen- tially meretricious. The word was his nightmare ; it was her bank-account. It was irritating to him to argue with this woman, who, like all self-supporting workers, had a confidence in her own efforts which, being based on practical experience, was unanswerable. He was forced to admit that her instinct was unerring, and that, in spite of her sordid expressions, she was inherently artistic ; she could produce with a touch effects that, in others, demanded hours of labor. And above all, she worshipped him, and he knew it ; he was her god, and though she strove often to hide the fact, she was mentally on her knees before him, adoring him wildly, and more appre- ciatively than any milk-and-water maiden who might have flattered him more by listening to and memorizing his incom- prehensible poems, effusions which he loved to garb in the jargon of the unintelligible. She was of that type of woman who makes a man what he is. For what ? That he may straightway go from her to fling himself at the feet of some pretty specimen of puerile femininity, and in the enjoyment of its inane worship, wonder how he could so long have endured the rather trying criticisms of a woman whose fibre, though passionate and maddening, " was somewhat coarse of a woman not fit to enter the same room with his Colinette his Colinette, so pure, so holy, so " bah ! etcetera ! etcet- era ! etcetera ! 'Tis a weird world, my masters ! But Eric had not yet found his Colinette. He was enthralled by a personality stronger by far than his own, in all save that she adored him ; he was content to live with only one thought in his mind Daphne ! Daphne ! and had anyone told him that the time might come when he would tire of the electric light, and seek the comparative gloom of the unex- hausting ozokerit, he would have regarded the prophet with DAPHNE AND ERIC. \ 09 a contemptuous wonder, and would have returned to the daz- zling fascinations of the gorgeous Creole with something like pity in his heart for the inexperienced philosopher " who had evidently never loved" Certainly nothing of this could have been foreshadowed by anyone who saw Eric Trevanion take Daphne in his arms, at the end of the conversation I have recorded above, and lose consciousness of the whole world in the thought that this matchless woman was his, and his alone ; and as usual, they parted happier than ever in their fool's paradise of varied sensations. It is probable that a man of Trevanion's character would never have been chained as he was, if the course of his love had run perfectly smooth ; and it was per- haps Daphne's art of criticising and correcting him that made her tenderness so infinitely more precious to him than it would otherwise have been. An American writer Edgar Saltus has said very justly, " The secret of never displeas- ing is the art of mediocrity ; " and certainly one might wan- der for a lifetime amid the labyrinth of attribute before selecting for Daphne Preault the adjective " mediocre." She was grand, intoxicating, sublime, and infinitely soft ; but never " affectionate." The word " affectionate " is too fre- quently a synonym an euphemism for " indifferent " ; and Eric was Daphne's very soul, her only thought, her unique religion. And he left her to-day to go to some dinner-party or other, more bound to him, soul to soul, forever ; for the instinct of maternity that unconsciously mingles itself with love in every woman's heart told her that this man was des- tined to be nay, already was a thing of her own creation. After dinner she went to his writing-table and spent a couple of hours with his impractical, high-flown manuscripts. He was a Quixote of literature ; his essays were gems ; not the diamonds, the rubies, the sapphires eagerly bought by the public who understand such things, but the cameos, the avanturines, the labradorites, and chrysoberyls of language, infinitely dearer than diamonds to the collector and connois- seur, but in no wise understood or appreciated by the people. I IO THE PRINCESS DAPHNE Whilst she was thus occupied, a thought struck her : she was reading an essay of his on the social customs of the Mayas of Yucatan, as contrasted with those of the people of Atlantis ; an ingenious dissertation in which two people per- haps in the whole world Dr. Le Plongeon and Ignatius Donnelly would have revelled. She took up Eric's pen and rewrote the entire thing, discarding nothing of his, but adding a quantity of her own, until she had practically produced an essay on the Aztecs of the Parisian Boulevards and the Regent Street and the Piccadilly of the capital of Atlantis ; and in its new and almost sacrilegious form, she posted it to the editor of the leading monthly magazine of the English-speaking world. This done, the Princess Daphne, though as yet it was early, went to bed. Daphne Preault was a physically perfect woman. She had read of heroines of novels who took chloral, and she knew weak-minded women whose prayers for rest, on going to bed, took the practical form of bromide of potassium. To the Princess these things were the romance of the Pharmaco- poeia. Having wrapped her exquisite body in the clinging silks of her night attire, she was in the habit of falling asleep almost the instant that her head touched the pillow ; and with the regularity of clock-work, precisely eight hours afterward, she made one bound from her hardly tumbled bed-clothes in- to her bath. Thus, at something before six o'clock on the fol- lowing morning, the Princess surprised Clytie by stepping into the studio, where the spring-morning rays had just acquired sufficient strength to be properly called the light of day. Swathed in her loose morning-wrapper, she was carefully cleaning and polishing her palette, when suddenly a strange, faint sensation seemed to travel all over her, and a strong shudder shook her from head to foot. She grasped her easel to prevent herself from falling ; everything seemed black around her, and when the momentary mist had cleared away, everything seemed changed. Was it herself or the studio ? She touched her hair, and DAPHNE AND ERIC. \ \ \ it seemed as if she were touching the hair of another woman : in an agony of terror, as if to identify herself, she staggered to the looking-glass ; yes there she was the same hot black hair and Southern eyes ; but something seemed altered ; another soul seemed reflected from the eyes in the mirror, and, looking round, the very furniture seemed unfamiliar, though she recognized it all. Good God ! was she going mad ? Was she still herself ? She even went to her writing- table and took up some of the letters that lay thereon. She read, half-aloud, her name and address on one of them, and oh horrible ! it seemed, in some weird way, strange to her. Then her eyes fell on Eric's table, just as she had left it the night before, and in her agony she cried aloud, '* Eric ! Eric ! " " Eric ! " Clytie, hearing the cry, rushed in, to find her mistress lying in a dead faint on the floor of the studio. It was one o'clock in the morning in New York, and at that instant of time, Paul du Peyral roused Mahmoure di Zulueta from her mesmeric trance. " Sho, honey ! Sho, there ! What is it, chile ? Tell yo' Clytie what de mattah. You moughty po'ly, fo' shuah ; yu's up too early, my pretty " such were the words of her darkie nurse that rang in her ears as she recovered consciousness, to find the faithful old woman rocking herself to and fro over her prostrate body, and muttering incoherent prayers to her jade idol for her mistress' recovery. " Be quiet, Clytie," said she ; " I'm quite well, only I've been frightened. I ought to have eaten something before I got to work. Get it me quickly ; and mind ! don't speak of this to Mr. Trevanion." " Sho' 'nuff," replied she. There was little fear of her volunteering her conversation to Eric, whom she in some way connected she knew not how with this unprecedented state of her mistress' nerves. And Daphne sat down before the fire, unable for some mys- terious reason to rid her mind of thoughts of her early life, 1 1 2 THE PRINCESS DAPHNE. of Baton Rouge, and of the would-be husband she had never seen Paul du Peyral. By ten o'clock, when Eric arrived, she was herself again, calmly at work, the obsession of her mind having departed as quickly and mysteriously as it had supervened. She had, as a precautionary measure, sent for her doctor as soon as it was fair to rouse him to his day's work, and he had com- pletely restored her equanimity. There was no doubt about it he was reassuringly positive, as doctors always are on points they know absolutely nothing about she was quite obviously suffering, said he, from a touch of indigestion. She had eaten something he could not say what that had not agreed with her ! That was all. " By-the-by, Eric," said she, after he had been there some time, " I was reading over some of your stuff last night, so as to secure a good night's rest, and I found that article of yours on Yucatan and Atlantis. I liked it better than ever, and have sent it to the editor of Smith's Monthly. Do you mind ? " " Not at all ; it is a mere matter of form he's had it once, and we shall have it back again. I .might have saved you the trouble of sending it ; but it really doesn't matter, sweet- heart. What a good child you are ! You're always thinking of me." "Oh, it's not that but I will make, these editors appreci- ate you." He came over and kissed her, and went back to his work feeling that the whole world was nothing to him so long as he kept the love of this wonderful woman. Still, was it not strange that she should have suddenly warmed to an appreci- ation of that article of his ? for he remembered her laugh- ing it to scorn when first he read it to her ; but perhaps she was at last acquiring a taste for his work, and he regarded it as a good omen. Of the curious obsession of her mind that morning neither the Princess nor Clytie whispered a word, and it is probable DAPHNE AND ERIC. 1 1 3 that, had it never been repeated, he would never have heard anything about it at all ; but to Daphne's bewilderment and Clytie's alarm, the symptoms recurred at intervals, generally late at night, and sometimes with such strength that it was hours before Daphne became quite herself again. After such attacks Eric would find her altered in some strange, indefinable way ; her manner was hardened, her ideas were more independent and brusque, her whole personality was coarser, as it were, but at the same time touched over with a more languorous sense of luxury, a carelessness that was at the same time more subtle but more pronounced. They had almost ceased to alarm her, for the doctor before mentioned, having been once more consulted, had confirmed his pre- vious opinion on the case : It was impossible to say exactly what the disturbing influence was probably the home-sick fruit of the Kensington green-grocer ; the effect, beyond all doubt, was a certain congestion of the blood-vessels of the cerebellum produced by a disordered state of the stomach. There was nothing to fear in any way. Seven-and-six for the visit during which he acquired artistic dinner-party con- versation for a week and two of these pills after every attack too late to prevent the attack true ! but quite sure to prevent its recurrence for a time, at least. Er thank you ! It was one afternoon, about three weeks after her first seizure, that Eric suggested suddenly : " Daphne, do you remember that night we went to the Parthenon together ? " " Do I remember it ? Cher ami, do you think I shall ever forget it ? " " Let's go there to-night and see the new piece for ' auld lang syne,' as it were." " Certainly, boy ; will you dine here, or shall I dine with you ? " " Oh, come down to the Bristol with me, and then we shall not have to hurry so." And so it was arranged, and six o'clock saw them flying 1 14 THE PRINCESS DAPHNE. down Piccadilly again, as on the night when they gave up the world for one another. They were supremely happy, and they showed it. A brighter spark appeared to gleam in Daphne's eyes as she sat by Eric's side ; whilst, for his part, a sensation of utter and absolute contentment seemed to pervade his whole being. He hardly noticed the play, and was only conscious of a lover-like regret that the fall of the curtain chased them once more into the open air. Arrived once more in Holland Street, he was following Daphne into the studio, when sud- denly she sprang back, exclaiming, " Eric ! there's somebody there." " What ! " he cried, and strode past her into the studio. The fire-light threw shadow-shapes, gaunt and monstrous, upon the walls ; the imprisoned air seemed heavy with the sensuous perfume of the Princess Daphne's personality ; but that was all. " Bah ! " said he, as he struck a match on the sole of his shoe, and lit the gas, " there's no one here. Tell you what it is, Daph ; you're getting nervous, and I don't like it. Let me give you something strong ; what shall it be ? " She did not answer, and he looked round. Something in her look arrested him as he stepped towards her. She had curled herself up as it were on the hearth-rug among the pillows that had fallen from the lounge, a position, pictur- esque, passionate, beautiful, but not hers. A strange, yearn- ing look was in her eyes, her half-parted lips wore a feverish crimson, and, revealed by the cut of her corsage, he saw her bosom heave as if she suffocated under some strange excite- ment. It was Daphne, and yet not Daphne ; the figure that lay before him was too soft, too sinuous ; the position was too undignified, too wild if such an expression may be ap- plied to a posture for the calm, cool Princess. He flung himself on his knees by her side, exclaiming, " Daphne, my darling, what is it ? " For answer she gathered his head in her long white arms, and drew it down to hers, crushing him in an embrace that DAPHNE AND ERIC. 1 1 5 was almost suffocating, till he could feel the tumultuous beating of her heart as she whispered : "Oh, Paul, Paul, my darling ! " " Paul ! " he exclaimed, as he started from her. " Who's that ? " " What ? " " You said ' Paul.' What do you mean ? Come, child, get up, and be sensible." " Sensible ! What do you mean ? Aren't you Paul ? Oh, no ; you're Eric. And yet I seem to know a man named Paul. Isn't it you ? No. Ah ! but what does it matter ? Oh, don't look at me like that, dear ; put your arms round me, to tell me you are here. Oh ! Eric, if you knew how I love you ! " " Yes, yes. But what is the matter with you ? You look you act so strangely." " Well, never mind kiss me ! " " No, you are not yourself ; let me get you something. " Oh, don't trouble yourself," said she, rising suddenly and flinging herself into a chair. " No I'm not myself I don't care it pleases me to be someone else for the time. What does it matter ? You are not Eric, as far as I can make out everything seems topsy-turvy so much the bet- ter ; it makes a change. Come ! " He stood still, a few paces from her, as if terror-stricken spell-bound. Was this his grand, graceful Daphne, whose calmness had so often chilled the flame of his love when it blazed highest ? Was this the woman who, in the pure de- votion of herself to him, had become his, to the nethermost thought of her soul ? Good God ! the woman who looked at him from the arm-chair through Daphne's eyes was almost coarse almost animal in her expression. He turned away and looked into the fire, as if to find there the explanation of the transformation that had taken place before his very eyes. She nudged him with her slippered foot. " Don't you want to kiss me, darling ? " 1 1 6 THE PRINCESS DAP1IXE. " Oh, hush, hush ! " he murmured, taking a few steps away from her. She sprang to her feet. " My God ! what a fool I am to love you so ! I ought to be a sickly, sentimental school-girl, ready to weep with you, laugh with you, dance with you, and sigh all day at your lightest frown. But I'm not. What I am, I am ; if you don't like it you needn't take it ; there are a hundred men as good as you within as many yards. I must have been mad when I made up my mind that you were the only man in the world. Ah ! but the difference between you and Paul ! " That name again ! He turned sharply upon her, just in time to see her sway to and fro for an instant, and then to catch her as she fell into his arms. He laid her on the lounge. Hardly had he done so, when, with a choking sigh, she opened her eyes, and seeing him bending over her, she said, with a half-frightened look, as she saw the hard, cold pain in his eyes, " Eric, my darling, what is it ? " " You ask / tie sais quoi of inexplicable earthliness, that almost repelled whilst it intoxicated him. The change she had announced as possi- ble in her had taken place. The savage side of her nature seemed to have got the upper hand. She was less womanly, and more female. These were dark days for Eric. His poverty told upon his spirits ; he no longer cared to go into society, as here- tofore, and it was only at rare intervals that he could be tempted forth into the world of men. Another factor which conduced to his distaste for society was that Daphne be- trayed a tendency to cross-question and catechise his going- out and coming-in ; she would chaff him about the women he met at dinner-parties, and almost make him " scenes " about them in a word, he was beginning to feel a little friction THE REINCARNATION OF DAPHNE. 193 of the chain that bound him to Daphne Preault. It is a horrible thought for a man that he is bound to a woman by ties of financial dependence, even when the accord between them is perfect ; but when a certain uneasiness has sprung up between them, it becomes frightful ; and Eric began to experience a horrible feeling of revulsion when Daphne began to claim as a right the little services he had felt himself so honoured by her accepting as favours. Of one acquaintance of his she was especially jealous : this was the eminent Doctor P , who had apparently taken a fancy to this grave young man, and had asked him to call upon him in Hanover Square, an invitation of which he had eagerly taken advantage. One day Dr. P had called, semi- professionally, he said, upon Miss Prdault, and after he had gone, she had said : " I never want to see that man again I don't trust him ; he seems to be watching us all the time he talks ; he'd like to separate us if he could and I'll take good care he doesn't. Mind that, Eric ! " The speech had jarred upon him, more in its tone than in the words she used, and the next time he called upon Dr. P , he said nothing about it to her. It was the first action of his life, since he had known her, that he had not told her all about. One day she was lying on the lounge, reading a news- paper, one shapely foot trailing on the floor, the other lying on a cushion at the foot of the lounge, when suddenly she looked up and said, " Eric, we must see this new play at the Prince's Theatre ; let's go on Wednesday." " Very sorry, chdrie" he had replied, " but I can't." " Oh, that's all right," returned she ; " 77/get the tickets ; it wont cost you anything." He turned very pale, and then very red, as he answered : "It's not that, dear; I have an engagement." " Oh indeed ! you didn't tell me what is it ? " "A dinner-party at Dr. P 's in Hanover Square." " Ah ! " returned Daphne, " I don't wonder you said noth- '3 194 THE PRINCESS DAPHNE. ing about it : you're always with that odious man, it seems to me he interferes with everything." " You can hardly say that, Daphne ; it's only the second time I've dined there. Surely you don't mind my going ; one meets interesting people at his house, and this dinner is in honour of a celebrated American doctor who has just arrived." " Come and sit down here." He sank on the lounge by her side, a little nervously, and she put her arms round his neck and drew his head close down to hers. " Don't go, darling," she whispered ; " stay here with me I'll give up the play, if you'll give up the dinner I don't want you to go that doctor doesn't like me, and I know he'll separate us if he can." " But. my dear girl I must go. I've accepted, and I can't put off a man like Dr. P at the last moment." " You are determined ? " " Well yes, dear." " Oh, very well, then ! go to your horrid dinner-party. Anything to get away from me, and go about flirting with other women. I wonder you don't give in to your dear father and go and marry ' a county girl,' in Cornwall it would about suit yojj. You'd probably suit her, now I've made a man of you, and you've got tired of me." She pushed his head roughly away from her, and turned her face into the cushions of the lounge, pretending to go to sleep. Eric sighed deeply as he returned to his writing- table. But his mind was made up he would dine at Dr. P 's on the following Wednesday. Until the evening in question nothing more was said, on either side, on the subject. When seven o'clock on Wednes- day evening arrived, however, and Eric was just leaving the house to go home and dress for his party, as he passed the dining-room he saw, through the open door, the table rather coquettishly laid for two just as in the first days of their love. His first impulse was to return to the studio and ask THE REINCARNATION OF DAPHNE. 195 for an explanation ; his second was to do nothing of the kind, and with a little proud toss of his head he passed on and across the street. Whilst he dressed, however, the one thought that surged through his brain was, " Whom does she expect ? whom does she expect ? " He had almost lulled his mind to rest by the artificially- produced conviction that Daphne, having been stricken with a horror of being alone, had sent for Sylvia or Eva Easton to dine with her. But why had she not told him ? This was a question which solved itself as he stood at the looking- glass in his window tying his cravat. It was just half past seven, when a cab drove up to Miss Preault's door, and Mr. Charles Sturton-Baker, springing out, disappeared into the house. It was with a queer, strained sensation, like a nasty taste in his mouth which he could not get rid of, that Eric Trevanion took an omnibus at St. Mary Abbot's and proceeded, by way of Bond Street, to Hanover Square ; and though the dinner was interesting, and the American doctor was in every respect a remarkable man, his soul was in Holland Street all the time, and as soon as the first lady gave the signal for departure at eleven o'clock, he also made his escape to regain Holland Street on foot, in the fresh air of the cool summer night. Miss Daphne Preault's house was quite dark, and he stood on the pavement in front, deliberating whether to go in as usual, or not, for some minutes, his latch-key in his hand, his heart beating with that strong, measured thud that the coolest of us have experienced in moments of agitation, however impassive and unconscious we may outwardly ap- pear to be. At last he persuaded himself that to refrain from going in would be, in the first place, cowardly in him, and in the second, an insult to Daphne, so he turned the key and stepped through the house into the studio, which he could see from the hall-door was illuminated. As he walked down the little passage, how he prayed that he might find her alone ! and, such is the contradictory nature of man's feel- 196 THE PRINCESS DAPHNE. ings, the moment he stepped into the studio he felt he would have given worlds to have found Mr. Baker still there. The ex-Princess Daphne was lying asleep on the lounge in an attitude of the most delicious lassitude. She was wrapped in one of her softest and most easy neglige's, her head thrown back on her hands, which were clasped be- hind it. She did not wake as he stood on the hearth-rug, his back to the empty fireplace, looking at her, just as he had stood on that other night that seemed already so long, long ago ; and as he looked at her, a feeling of horrible, undefinable dread stealing over him, he went back in his mind over all the short past he had trodden with her, and which had seemed so exquisite to him. Was it all over was it irrevocably ended, to-night? A voice deep within his heart so deep that he could not reach it to stifle it told him that it was so indeed ; and then a great, profound pity surged up in his mind, and his eyes filled with tears. He knelt softly by the sleeping woman, and, bending over her, touched her lips with his. Without opening her eyes, and with a little sigh, she returned his kiss ah ! so sweetly, that he was about to fling his arms round her, when she raised the lids from the grand brown eyes he had so often closed with his lips, and, seeing him, uttered a little exclama- tion of surprise, in which he detected a ring of mingled disappointment and alarm, as, turning her head away so as to avoid him, she said : "Oh! it's you/" He sprang to his feet with a strangled gasp of pain and rage, and stood staring down at her as she slowly turned her head and looked him defiantly in the eyes. Not a word was said for a few moments. ****** It was Daphne who first broke the silence : " Well," she said, " did you enjoy your dinner-party ? " " No." No ? Why ? " " Because, strange though it may appear to you, I would THE REINCARNATION OF DAPHNE. 197 sooner have killed myself, or have been struck blind like poor Gabriel Hawleigh, than have seen that man enter your house this evening." " Ah ! you spy upon me ? Well I presume I am at liberty to ask whomever I like to my own house when you are away amusing yourself elsewhere." " Oh ! of course My God ! has it come to this ? " " Why, certainly, mon cher, why not ? Why can't you live and let live." " I don't live this is worse than death to me. Since when has that man been coming here in my absence ? " " Since you have made it a recurring practice to be ab- sent how selfish you are ! He has my interests at heart, and comes to consult with me on my American affairs. You know he is in some way interested in them himself, and you surely have not forgotten that it is through him that I have obtained, or shall obtain, the fortune Paul du Peyral cheated me out of;" " I congratulate you," said Eric, bitterly, " on the means whereby you have obtained his skilled cooperation. Good God, Daphne, how changed you are ! I have felt it ever since your illness it needed but this to convince me. I could almost believe that you are the subject of a marvellous story that was told us to-night by the American doctor who arrived in this country only yesterday." " Ah ! a story ? What was it ? " "I am not in a mood to tell stories." " But I am in a mood to hear them. Tell me this one." " He told us of a man whose death-bed he attended in New York a man who was the incarnation of all that was unprincipled; who had by some supernatural means pro- jected his soul his vitality into some woman over here, by means of his mistress, over whom he had obtained a marvellous mesmeric power. I could almost believe, looking at you as I see you now, that you are the woman." " I am." 198 THE PKINCESS DAPHNE. " What do you mean ? Daphne ! do you want to drive me mad?" "Not at all, my dear boy. Your American doctor's name was Schuyler Van Boomkamp, was it not ? " " Yes how did you know ? " " Inductively, through Mr. Baker. The man over there was Paul du Peyral ; his mistress was in fact his wife, Mahmoure du Peyral, nbe di Zulueta ; and I am Miss Daphne Preault of New Orleans, his. blood relation and, by a coinci- dence, apparently his double, at your service." Eric stood looking at her in horrified amazement for a few moments longer, and then, without a word, turned and left the house. Daphne Prdault rose from the lounge and spent an hour with her thoughts before going to bed. The whole thing, from Eric's entrance, seemed to be a twisted version of that other night in the preceding autumn. ****** On the following morning Eric did not make his appear- ance as was his wont. The hours crept by, filled for Daphne with idleness ; lunch-time came, and still no Eric. "Well," thought Daphne, "he's in a huff about something or other. Really, that man becomes wearisome assommant. Heaven defend me in the future from a rich man who's grown poor ! they're the worst kind of paupers, because they're so impracticable. Heigho ! I hope kind fate will send me some visitors I'm bored with myself." As if in answer to her prayer Clytie entered the studio at this moment, bearing a card. With a feeling of genuine relief Daphne stretched out her hand to take it, hoping that it was a man, or at the least an interesting woman, with whom to while away the hours of afternoon ; she did not feel inclined to go out; she would far rather sit and chat lazily at home. As she looked at the card, a sudden grip of pain seemed to seize her, and a flush rose to her brow which as quickly gave place to a white, hard, stern look that augured ill for the reception of the visitor. THE REINCARNA TION OF DAPHNE. 199 The name on the card, printed in tiny block letters, was " Madame du Peyral." We have none of us heard or thought much of anyone without making to ourselves a strongly defined mental picture of their personalities, a picture, as a rule, so widely differing from the truth that the difference, when we see how great it is, strikes us as a keen disappointment, if not as an insult to our intelligence. Since the news of Paul's marriage to an actress had reached her, Daphne had conjured up an unvarying picture of Mahmoure. She expected to see a rather loud-looking woman tall, voluptuously formed, with a handsome, bold, foreign face a face to suit the name, Mahmoure di Zulueta. She had seen the type in all its glory at Nice, at Monte Carlo, at Ems, at Aix : they are usually called " Mine, la Princesse de Quelquechose," and are generally to be seen dashing up and down the most fre- quented allies, in wildly luxurious landaus or victorias, whose panels bear highly emblazoned coats of arms, and the cockades of whose coachmen's hats are decorated with little scraps of divers-colored ribbon. They are also usually attended by quiet, dignified men, all of them built alike that is to say : complexion ivory white, hair and moustache white and trimmed en brosse, perfectly dressed, patent- leather boots, light gloves, tightly buttoned in drab-coloured frock coats, white hats, canes with gold heads, the air of " Diplomacy " stamped indescribably but unmistakably upon them, the whole arrangement identified with and known by some noble Russian name. The type pays little attention to the woman by its side, whom one catches one's self wonder- ing vaguely about whether it be his wife, sister, or chere amie. This was the kind of woman whom Daphne Pre'ault pre- pared herself to snub, as a gentle frou-frou of skirts heralded the entrance of Mahmoure. The door closed and the two women, animated by such different feelings, faced each other ; but instead of advancing, by a singular and simul- taneous impulse each stopped as if transfixed. 200 THE PRINCESS DAPHNE. Perhaps no one ever belied a name as did Mahmoure, dressed to go into the world. She had essentially that un- definable pose which only the true gentlewoman can pos- sess, whilst so many gently-bred women lack it altogether. Always dressed in an absolutely original arrangement of the very last fashion, she would have been remarked anywhere, but not, as is usually the case, in consequence of her gown per se, for she had the art of subduing and rendering har- monious the most bizarre "creation," and for " form " would have been singled out from any crowd. Where this little foreigner got her manner from was a marvel to the envious ; it seemed in no sense acquired, but instinctive. Daphne's hand which held the card dropped mechanically to her side, and the pasteboard fluttered to the floor. Her eyes were fixed on Mahmoure's face in questioning wonder where had she seen this stranger before ? The face seemed perfectly familiar, yet unknown ; and it was attrac- tive to her with an attraction beyond the power of words to describe. She remembered nothing of her indignation ; the thoughts of resentment she had felt due to Mahmoure' faded away. She felt as if a new era had sprung up in her feel- ings since the moment her eyes first rested on the small sable-clad figure that stood motronless before her, the pale face, framed in its burnished bronze hair, standing out weirdly from the dark surroundings. This strange sympathy that took possession of Daphne was the more absorbing from the fact that it was quite new to her for she was not given to what is called " gushing " over women. Though she liked them very well, she never made nor needed "greatest girl-friends." The affection which seems to be such a necessity, such an all-absorbing lien, between some women had always been a matter for wonder to her. In her school days, when some girl or other had sought her in friendship, and had drifted into adoration, as girls will drift, Daphne had never been able to under- stand why she should be expected to waste her time in pro- miscuous osculation. She would submit in a gracious man- THE REIXCARNA TION OF DAPHNE. 2OI ner to being kissed ; it seemed to please the other girl, and didn't hurt her but why ? but why ? she would question. After she had grown up, and after she had begun her Bohe- mian life among " the boys," women betrayed a tendency to like, to admire, and to adore her her magnetism seemed to reach them to an extraordinary degree. Their liking may have been due to the fact that, fascinatingly beautiful as she was, sensuously and a trifle masculinely formed, she had admitted no man before Eric to her close friendship. However it was, certain it is, that in society she was run after by all the women whose names were most quoted as associating at ultra-fashionable functions ; and the tributes to her talent which reached her in the form of letters and bouquets, each year, after the opening of the Academy, were almost invariably addressed in the fashionable female hand, and scented an point de delire. She sometimes wondered at it, for she never strove for their patronage or friendship. At last she accepted it unquestioningly, thanking her fem- inine admirers for the many charming afternoons they gave her, and passively permitting herself to be loved, as is al- ways the role of one principal in a great friendship. Therefore was she the more amazed to find herself drawn irresistibly to this little woman, whose big eyes were fixed on her with a strange, far-off look. Her prejudice faded, her fancied anger fled all were merged in an uncontrollable desire to comfort and^welcome the sad, sweet-faced woman before her. She roused herself and advanced a little, stretching out both hands so as to take Mahmoure almost in her arms as she said : " You must let me welcome you to England," and for the first time in her life offered her lips to be kissed by a woman, impelled by a fascination which was stronger than herself, and which was wholly due to the strange magnetism of her visitor's personality. And Mahmoure, who had remained meanwhile as one in a dream ? ^ As she gazed, an almost supernatural look flamed from her eyes at first it was one of questioning, then by 2O2 THE PRINCESS DAPHNE. degrees the questioning turned to recognition. It was the woman she had seen at Paul's bedside at the moment of his death ! Her eyes became moist, and lit up vividly ; the pupils dilated till the colour of the iris seemed blotted out ; a weird, sullen darkness filled them, heavy and soft ; and then, as Daphne's lips touched hers, a flash illumined them before they closed, as she leaned upon the other woman, murmur- ing in a sigh as she threw back her head, almost unconsci- ous, "Paul!" Instantly both women recovered themselves. Of what inscrutable influence had they been the sport ? Both were confused, but Mahmoure, whose momentary aberration was the more easily understood and explained, was the first to regain her ordinary equilibrium. " This is a strange meeting, Miss Preault," she said, " and I fear I frighten you ; pray forgive me. I don't know quite why I should lose my head on meeting you. I came to talk severely business. If I tried to explain why you affect me so strangely, you would laugh at me." " Oh, no ! Believe me, I am as astonished as you but somehow I seem to know you, madam." " And I, you," replied Mahmoure. " The instant I saw you all recollection of time, place, and circumstance seemed to leave me. I seemed to be in a dream, for I saw in you the man whose name is so familiar to you, and who was so dear to me, Paul du Peyral ! I should feel bitterly ashamed of my folly were I not sure that you will forgive and forget the weakness of an invalid." " But I am not angry at all," returned Daphne. " Come, let us sit on the lounge here, and you shall tell me all about yourself. As you can imagine, I have been anxious not to say curious to see you in the flesh, for I too have a con- fession to make that will seem foolish and hysterical to you. I seem to have seen you before in a dream, or somehow so we are not strangers what does it mean ? " " I don't know how I can explain it, Miss Pre'ault " "Call me Daphne won't you Mahmoure? Yours is THE REINCARNA TION OF DAPHNE. 203 such a beautiful name that I should love to call you by it in exchange." " Please, do. Well, to continue : I think the sympathy between us rests on our having both been influenced by the same man who resembled you as if he were your twin and who was my husband. It is of that I came to speak to you I have wronged you deeply can you forgive me ? " " There is nothing to forgive ; we shall be great friends, I know." "Ah! how good you are !" exclaimed Mahmoure' ; and she kissed the hand that Daphne extended to her. They were seated close together on the lounge, and though an ordinary observer would not have seen anything strange in the appearance of the two women, one of them at least had by no means recovered her self-possession. It was Daphne who could not reconcile her own conflicting sensations she could find no reason for the intense, soft satisfaction that she felt under the influence of Mahmoure's presence, of her touch, of her gaze, of her kiss. It seemed like a new obsession, and it troubled her ; but at last she explained it to her own dissatisfaction as being natural magnetism or madness. But she thought that if Mahmoure was mad, she was a singularly interesting maniac; and as the low, tender voice spoke on, the desire to befriend her and to love her grew stronger and stronger, till at last she gave herself up to the moment, and she and Mahmoure plunged, confidentially, into stories of their past lives, of the events that had established such a sympathy between them, and had finally brought them together. The afternoon was drawing to a close with tea and chatter. Daphne had denied herself to every visitor, and the two women, completely at their ease, sat, or rather lounged on the divan, exchanging confidences as the hours sped by. " Very well, then," said Daphne, as if concluding an arrangement ; " that is settled ; so long as you are in Eng- land you must spend much of your time here with me. The questions of business that exist between us can be disposed 2O4 THE PRINCESS DAPHNE. of in a morning, and we must see all that we can of one another whilst we can. You cannot think how strangely happy I am that chance should have thrown us together like this. Our friendship, though sudden, must be lasting ; promise me, Mahmoure, that it shall be." And Mahmoure, lying among the cushions, looked up into Daphne's beautiful eyes and said : " I promise you ! " For answer Daphne bent and kissed the beautiful lips that had framed the words, as if to thank them. A sudden noise made her raise her head suddenly, and Mahmoure also started up into a less "easy " position. Eric Trevanion stood before them. Daphne blushed scarlet, for no earthly reason that she could give herself, as she rose, and, going to the tea-table, said : " Madame du Peyral, this is my great friend and ally, Mr. Eric Trevanion. Eric, this is Mme. Paul du Peyral." Eric bowed profoundly and raised his eyes to Mahmourd's, What was the intense feeling of antipathy that surged over him as he met her steady gaze ? He could not tell. But he grew pale as he took his tea-cup from Daphne, and he felt that, whatever might be the character of this beautiful little Oriental woman, she was an enemy to him, a barrier to be, between himself and Daphne. He could not reason it out, but as he put Mahmoure' into her hansom when she took her departure, and she leant upon his hand in getting in, the same electric thrill of in- tense antagonism shot through him, and he turned back into the house. CHAPTER X. THE AUTOCRAT OF TRTHWWSTHPLLGG. ON the few occasions when I have time to think at all, I have often thought it strange that so few Englishmen know anything of one of the most glorious districts of their native land, save from the pages of " Lorna Doone " and the writ- ings of Baring-Gould. The Amateur Pedestrian is a strongly English institution, but the proportion of pedestrians who explore the beauties of Dartmoor is ridicuously small by comparison with the army of knapsack-fiends who yearly invade the lake district of Cumberland, the Peak scenery of Derbyshire, and Scotland generally. I am not going to challenge comparison with Blackmore in a description of Dartmoor. Had Gabriel Hawleigh been able to see the beauties that were bathed in the exquisite heather-scented atmosphere that day by day brought back the colour to his wan cheeks, he would have made many a study of landscape from the neighborhood of the little cottage in which the Hawleigh household found itself installed just beyond the borders of Cornwall. But Gabriel was blind, and it was in vain that Mrs. Hawleigh endeavoured to discover any sign that the veil that hid the life around him from his eyes showed any tendency to lift, and give back to her son the glorious gift of sight. The cottage that they had found was little short of an artist's paradise. A little house of one story, shut out from the lonely moor-road by a privet hedge, and sheltered from the winds by high elms and poplars, which bowed their heads in sage appreciation of the secrets whispered to one another by their intermingling branches, when the moor winds woke them to murmur. 205 206 THE PRINCESS DAPHNE. Their lives were as quiet and uneventful as lives can be. Maye and Gabriel made music together a good deal. Fort- unately, Gabriel, virtuoso as he had laughingly declared him- self to be, had the faculty of playing by ear, and from mem- ory, highly developed. Now that the faculty had become a necessity, it had increased wonderfully, and they spent long, happy mornings together, lost in the clouds of harmony with which they rilled the little cottage, playing over all Gabriel's old repertoire, learning new masterpieces, which Maye would play on the piano for Gabriel to pick up on the violin, and yet more often breaking into the wild, passionate improvisa- tions that had been the delight of the favoured few in the Holland Street colony who had been permitted to hear them. In the afternoon, the two would go out for walks on the moor, arm-in-arm, chattering gayly over the points of land- scape which Maye described, as minutely as she could, to her poor blind boy. And when, as sometimes happened, Gabriel had a return of his old listlessness and disappoint- ment, and wanted to be left alone with his mother or with his thoughts, Maye would wander forth alone, and explore the country for new spots to which she might lead Gabriel when next they took the air together. It was on one of these solitary excursions that she made an accidental dis- covery that was the beginning of the end of my story. She had been practising with Gabriel all the morning, and in the afternoon he had felt tired, and had gone to his room instead of taking his customary stroll on the moor, and Maye, feeling hipped and cramped in the little house, had shod herself with the uncompromising boots which she reserved for such excursions, had armed herself with the ground-ash sapling that was her constant escort in her coun- try walks, and had started out alone, along a new road, which led she knew not whither. As she walked, the girl's mind was busy revolving the changes that had come into her life, analyzing her feelings with a calm introspection that would have done credit to the Princess Daphne herself. She loved Gabriel Hawleigh with THE AUTOCRAT OF TRTHWWSTHPLLGG. 2O/ all her soul but did she yield her heart to him ? Though she was as steadfast as ever in her purpose to marry him and strive to make his life lighter for him in his blindness, yet a vague questioning mood would sometimes come over her, which frightened her, though she took it in hand, and never let it interfere with her course along the path of what she considered to be her duty. Were I writing a romance telling of things that never happened I should have caused my ideal maiden, Maye Trevethick, to love her betrothed husband all the more wildly, all the more devotedly, for his blindness, but I am speaking of a real, living woman a good, pure, English maid, with all the real feelings of her age and sex strong in her healthy young soul. Maye was not a girl to idealize, or to hide her feelings from herself. She was nineteen, and full of life and of wonder at the world ; she had all the curiosity, the enthusiasm, of her age ; and she had be- stowed her fair young self, a tribute of gratitude, upon the boy whose life she was, whose light she was to be in every sense of the word, whose mother had been a mother to her, and to whom she was bound by every tie of recognition. Yes ! My ideal maiden should have loved the boy the more dearly, the more devotedly, for his affliction ; but Maye, though strong in her single-hearted purpose to marry Gabriel whenever he should wish it, realized that her life was doomed to be blotted out, to be devoted to the care of an invalid whose only knowledge of her fresh young beauty must be the memory of the face he had so often fixed upon his canvas the face that went laughing by in the darkness, in his picture "Sunshine in the Fog, " whilst the blind man made music for her laughter that it joyed him to hear, but whose smile he would never see. " Oh ! Gabriel Gabriel ! " she cried out sometimes in her great loneliness ; " if only I could give you my eyes, and my life with them, my poor blind love ! You will never see me again and after we are married it will be the same darkness darkness always always. Oh. God ! I am a wretch to feel it like this, to think of it even for an instant ; but 2O8 THE PKIXCESS DAPHNE. the thought is sometimes terrible terrible. If only I could think of nothing but his faithful love, his strong, true- hearted devotion to me before he became a great man and blind ; but I can't I can't. What use is it that I am young, and that people tell me that I am fair? he can never see me now. What use will it be to make our home beauti- ful around him ? Oh ! why has my love changed so ? I do not love him less ah, no ! not less ; but the love is not the same. Would that I could be his servant instead of his wife ? but that cannot be. Even when we were in town Eric Trevanion was more useful to him than I ; and now he constantly wishes that Eric was here with us. Pray God he may not come but no, he cannot he has only one thought, and that thought Daphne ! Ah ! why do I not hate her ? but I can't she loves Eric so dearly and I ? well, well, I felt like a fiend before I left London, when I wished that / were blind that he might lead me about and read for me, as he did for Gabriel. Oh, Gabriel, Gabriel, why is my love for you changing ? for I can feel it changing, here at my heart; and the thought is killing me." And, wondering thus, she walked along the Cornish roads, buried in thought, and not noticing whither her wan- dering feet were leading her. She was roused suddenly from her reverie to see the sun slanting to the west, and knew that it was time she returned home. Returned home ! Yes, certainly ; but where was she ? She appeared to have reached the borders of the moor, and not a human habita- tion was in sight, not a human being of whom she could ask her way. After considering the matter profoundly for a while, at a place where three roads met, she decided at last to follow one of them, in the hope of meeting someone who could put her right, and started off, feeling a little bit frightened, and, to tell the truth, a little bit tired. But she dared not acknowl- edge this to herself, for she knew that she had a long way to walk home, even after she got the direction, and that she THE AUTOCRAT OF TRTHWWSTHPLLGG. 209 must not increase her worry by the confession, even to her- self, that she was weary. She had walked along the road she had chosen for up- wards of a mile without seeing any sign of human occupa- tion of the county, and was beginning to feel a singular ten- dency to cry for Maye was only a woman, after all when, the road taking a sudden turn, she found herself confronted by a high gate leading apparently into a park. There was no lodge, but the private road inside the gate showed such signs of cultivation that she concluded that it must lead to a house, and so, mustering all her courage, she opened the gate, which was fortunately not locked, and went in. Where was that house ? The drive, for drive it appeared to be, seemed interminable. Tired as she was, it seemed as if she had walked for hours between the high and carefully trimmed hedges of rhododendron and laurestinus, and she was just preparing to give up in despair and retrace her footsteps, when suddenly the hedges stopped, opened, and the road dipped. I say dipped, because she found herself standing on the summit of a steep declivity, where the road suddenly plunged into a great hollow, at the bottom of which lay what seemed to Maye to be the most beautiful old house she had ever seen in her life. The precipitation of the incline was modified for wayfarers by the road curving round it to reach the bottom by an easier slope ; and it stopped at a moat, a veritable moat, the mediaeval appear- ance of which was only modernized by its being crossed by a comparatively new stone bridge, which seemed to be care- fully gravelled. On the moat itself a few swans and innumerable ducks sailed hither and thither, leaving broad fan-like wakes behind them on the mirror-smooth surface of the water ; and, apparently surrounded by the moat and standing in a sweet, soft lawn that resembled green plush as she looked down upon it, there rose a lovely old house, built half of gray stone and half of grand old ruddy brick, with here and there an excrescence in the form of a win of a more modern 2IO THE PRINCESS DAPHA'E. style of architecture. The whole seemed softened and ten- der, as if its angles had been rounded off by the gentle, continuous kiss of Time, which had spread over the crevices of the masonry an embroidery of soft lichens, with here and there a tuft of saxifrage or a golden ball of stone-crop. Into the deathly stillness of the summer afternoon a perpen- dicular column of blue smoke rose here and there from the clustered chimney-stacks, and gave a touch of life to this old-time manor-house ; and as she stood stricken motionless by the beauty of the place, she espied a gardener driving a mowing-machine over a far angle of the inner lawn. A gen- tle whirr rose into the air from the machine, and then she saw, dotted here and there on the slopes that surrounded the house, lying lazily under the oaks and elms that pro- tected this elysium from the winds of the moor, a few great black oxen, which gave no sign of life save an occasional sway of the head as they reached for some hitherto unno- ticed tuft of clover. A feeling of intense repose stole* over her weary senses as she prepared to descend into the hollow and ask the man who was mowing, where she was, when suddenly her purpose was checked by the sound of wheels behind her. Whatever it was that approached, humanity, in some form or other, must accompany it, so she waited until the vehicle should reach the spot where she stood as if enchanted. The sound of the wheels drew nearer, and at last a dog-cart turned the corner, driven by a man. Maye's first feminine spasm of apprehension was banished as, on a second inspec- tion, the man appeared to possess the requisite number of years to allay her sexual alarm. It was an old man, and the dog-cart perceptibly slackened its speed as its occupant caught sight of the girl standing there, looking at him. As he saw that she was about to speak, the driver stopped his horse, and the trim servant who clung to the back seat jumped down and posted himself, tigerwise, at the animal's head, as the old gentleman, with an awkward movement, jerked off his hat and threw it on again. THE AUTOCRA T OF TRTHWWSTHPLLGG. 2 1 I " I have lost my way," began Miss Trevethick, quailing a little under his questioning look, " and I came up this drive hoping to find someone who could direct me. Can you tell me how to get back to the village of Arthisham-by-Dart- inoor " Anhisham-by-Dartmoor ! Do you wish to walk back there this evening, young lady ? " said the old gentleman, with a look of astonishment. " Yes if you please is it far ? " " It's nine miles." " Nine miles ! oh dear ! what shall I do ? they will be so anxious about me." "They?" " My aunt and my cousin. I live with them about a mile beyond Arthisham. I came out for a walk, and missed the road home oh ! how can I get back ? will you please direct me ? " " But, my dear young lady, it will "be nearly dark before you get back ; you will miss the road again. Dear, dear, dear what an unfortunate occurrence ! " " I think, sir," said poor Maye, striving hard not to burst into tears, " that if you could send a servant a little way with me, to see me on the right road, I can find my way back. I am accustomed to going about alone." " But you should have brought your cousin with you ; pardon me, has it not been a little imprudent of you ? " " My cousin is blind." " Oh ! Forgive me, pray ; " and the old gentleman's face was crossed by a look of perplexity as he glanced from the young girl, looking so pretty and so piteous before him, to his steaming horse. " I tell you what, young lady ; I hardly know what to say to you ; but if you will jump up here, we will go down to the house, and whilst my man harnesses another horse to a phaeton, my housekeeper will give you some tea you must want it and then my man here will drive you home. No, I will take no excuse ; I haven't any daughter of my own, but 212 THE PRINCESS DAPHNE. I should be very sorry, if I had one, to let her walk twenty miles." And so Maye got up, her weariness almost dazing her, a feeling of infinite comfort and safety stealing over her as she took her place at the old gentleman's side, and reached the front door of the old house across the moat. " What a lovely old place " she began, but her admira- tion was cut short by the appearance of an eminently respectable housekeeper, who, after giving her a searching glance of strong disapproval, took her in charge and carried her off, after a few words of explanation from her master, to perform the mysterious rites of the brush and comb. When she came down again to the great hall, whose pol- ished floor was strewn with fine old English rugs, her unex- pected host was ready to do, bachelorwise, the honours of the tea-table, and whilst she chatted with him about her adventures of the afternoon and the old-time pleasance in which she found herself by such a lucky chance, she was almost sorry when a most modern and comfortable phaeton drove up to the door, and a pair of strawberry roans pawed the gravel as if impatient to carry her away from this Eve- less paradise. Maye rose, and thanking her host, prepared to go. " If you will not be bored by an old man's company, my dear, will you let me drive you home? I shall be able to reassure your aunt er ? " " Mrs. Hawleigh." " Exactly your aunt, Mrs. Hawleigh, on the subject of your long absence. She must indeed be uneasy about you." " I shall be delighted, I am sure, " said Maye, a feeling coming over her that she liked this gruffly courteous old Cornishman very much indeed. And so they got into the phaeton, and her elderly Galahad took the reins. "I am quite gratified at the accident that has procured for me the pleasure of your acquaintance, Miss Hawleigh, " said he, as they reached the top of the hollow and began THE A UTOCRA T OF TRTHWWSTHPLLGG. 2 1 3 rolling swiftly down the drive she had walked up with such very different feelings half an hour before. " My name is not Hawleigh, " corrected she ; " Mrs. Hawleigh is my aunt. My name is Trevethick, Maye Treve- thick." " Trevethick ! why, that's a Cornish name, " replied her escort. " Yes my father was a Cornishman." " Was a Cornishman ? " " Yes my father died in India five years ago." " God bless my soul ! you are not going to tell me that you are the daughter of Claude Trevethick, of the Indian Civil Service." " Yes did you know him ? " " Know him ! Why, yes, very well and his wife too she?" " I am an orphan." " Dear, dear, dear ! poor child ! But I'm right glad to have met you, my dear, and am more than ever thankful that you lost your way this afternoon. Dear, dear, dear ! I won- der if you ever heard your father speak of Eric Trevanion of Trthwwsthpllgg Manor ? " ******* Eric Trevanion ! Eric Trevanion ! She was driving home with Eric's father " the Autocrat of Trthwwsthpllgg Manor, " as she had so often heard Eric laughingly call him. Her feelings at the strangeness of the situation the varied emotions that it roused in her soul, combined with the weariness that was beginning to take effect on her poor, tired little body caused her almost a feeling of faintness, and she sank into a reverie which Mr. Trevanion, taking it for natural exhaustion, forebore to disturb with any attempt at protracted conversation. So they drove along almost in silence the old gentleman periodically ejaculating : " Dear, dear, dear ! what a little world it is ! just think of it ! how strange ! who would have dreamt of it ? Egad \ THE PRINCESS DAPHNE. it's like a novel. So you are Claude's child ? dear, dear, dear ! " And so they reached the cottage, where they found Mrs. Hawleigh and Gabriel in an agony of apprehension, which changed into a chorus of gratitude and satisfaction as Maye disappeared, thanking " her preserver " once more for his charity to her. Mr. Trevanion remained but a few minutes, but before he left he had heard the latest news of his son, whom he was astounded to find was a friend of the family ; and he took his departure, promising to return next day to inquire after the maiden whom he had rescued so fortunately, and in whom he expressed an interest that was more than paternal. On the following day, true to his promise, and on many days following, Mr. Trevanion came over to see the Haw- leighs and Maye, till at last Gabriel laughingly declared that he was getting quite jealous of Eric Trevanion, senior, and should send for Eric Trevanion, junior, to keep his father in order. It was a hard trial sometimes for Maye when old Trevanion would pour forth his solitary woes to Mrs. Haw- leigh, in the little cottage parlour, on the text of his son's absence. " He has a comfortable home waiting for him here, my dear madam ; why doesn't he return to it ? Starving ! I've no doubt he is ; he was never made to get his own living, and never will. I don't ask much of him only that he should come down here and live with me, part of the year, at any rate ; and then, it's high time he married we Trevanions have always married young, and never out of the county. I don't know who that Miss Preault is, that he seems to be so fond of, but I wont have my boy marrying an American adventuress." " Miss Preault is hardly an adventuress, " mildly expos- tulated Mrs. Hawleigh. " She conies of a very fine old American family of the South she is certainly very beauti- ful, and very fond of Eric, " concluded she, guardedly. " That is all very well that is as it may be, of course THE AUTOCKA T OF TRTHWWSTHPLLGG. 2 I 5 but a Trevanion must marry a Cornish girl. Trthwwsthpllgg Manor has never been shared by a foreigner, and, please God, it never will. Tell me did my son know your niece before she became betrothed to your son ? " " Oh ! yes, Mr. Trevanion. We have known Eric ever since he came to London." " Is it possible ? is it possible ? " Maye rose and joined Gabriel on the veranda, where he loved to sit for hours at a time, listening, he said, to the world-sounds, differentiating, with all the super-sensitive keenness of a blind man's ear, between the innumerable murmurs that filled the quiet summer air. Left alone with Mrs. Hawleigh, Mr. Trevanion returned to the charge. " Tell me, my dear Mrs. Hawleigh, " said he ; " what truth is there in the stories they tell of my boy and this Miss Daphne Preault ? What is the meaning of this infatuation of his ? " "Really, Mr. Trevanion, " was the still guarded answer, " I cannot tell you more than you already know. They are great friends and constant companions, and Eric seems very anxious to marry her." " Good heavens ! when he might have married your niece ! I tell you, my dear madam " " Hush ! "exclaimed Mrs. Hawleigh, in an undertone ; " Gabriel will hear you ; his ears catch almost every sound now; it is his keenest sense." "Well, well!" returned Eric's father, in a lower tone, " it's no use crying over spilt milk in that direction, and I should be very sorry to see my boy rob another man of his sweetheart ; but I confess to you that I'm very uneasy and anxious about Eric. We are not children, my dear madam ; my boy says nothing about marriage with this woman, and there is only one interpretation to be put upon it. I know he must be very poor, and sometimes I have a horrible dread that he is indebted to her for material assistance. Will you not help me ? I'm hasty and bad-tempered a little 2l6 THE PROCESS DAPHNE. too authoritative with him, perhaps ; can you not soften my methods by supplementing them with yours ? can you not help me to get him down here ? " " I will try, Mr. Trevanion." "And then I want you all to come over and live at Trthwwsthpllgg until your son's sight is restored, or suffi- ciently so to enable him to return home. You are cramped and lonely here ; at Trthwwsthpllgg there are distractions of all kinds, even for a blind man. Ah ! do not say no, my dear madam ; it is an old fellow's whim, and it is for my son's sake that I ask it of you." So Trevanion pere wrote another and more urgent prayer to his son, to leave his modern Circe, or Helen, or what- ever she was to him ; and Mrs. Hawleigh wrote him a long letter full of entreaties from Gabriel, who longed to have him come and read to him, and talk to him as he had done in the last days in Holland Street. But Eric was enthralled by his own morbid sensitiveness, and had not the moral courage to break the chain that was beginning to gall him so fearfully. His honour, rooted in dishonour stood, And faith unfaithful kept him falsely true ! " Well, well, he was not so very much to blame he was only a man, after all, and I never knew a man who was morally as strong as the weakest woman I ever met. This is a fact which has been remarked by far pro- founder observers than I, and the explanation has yet to be found for it. I suppose that it is the compensation that is given to woman for her physical inferiorities and infirm- ities ; perhaps it is in consequence of this physical inferi- ority that she is always more or less on the defensive, and has realized the advantages of delay and patience. At any rate the man has yet to be born who can scheme towards an end, can wait behind his defences, can act with the piti- less directness, and if necessary bear the mental and physical agony that every woman can bear not in conse- THE AUTOCRA T OF TRTHWWSTHPLLGG 2 I 7 quenceof her education or determination, but simply because she is a woman ! Woman always acts on her convictions, unless she is in love ; and she is nearly always right to do so. This is doubtless why women always ask for a reason, and never listen to one. This is, however, by the way ; let us return to our story. One of Mr. Trevanion's greatest delights was to come or send over for Mrs. Hawleigh, Gabriel, and Maye, and keep them at Trthwwsthpllgg Manor all day, sending them back the last thing at night ; and Gabriel seemed to revel in the quiet that filled the hollow round the old manor-house. His host had fitted up, for the special purpose of receiving the family, a boudoir that had belonged to Mrs Trevanion, who had died when Eric was quite a child, a little room situ- ated in an angle of the house, with a conservatory leading out of it ; and in this conservatory he had arranged a lounge shrouded by ferns and high plants, where Gabriel could lie when he felt weary, revelling in the moist, soft perfume which filled the place. There he would remain for hours, as he did on the verandah at the cottage, whilst Mrs. Hawleigh and Maye explored the hidden treasures of the grand old building, from haunted garret to subterranean passage leading nowhere, below the moat. The whole place was a perfect paradise to Maye, who was always dis- covering new nooks and beauties in it, and in her frankly expressed appreciation, came nearer and nearer to the old man s heart as the days collected into weeks. Even the old housekeeper got over her suspicion of this new face about the house and Mr. Trevanion used laughingly to call her "the fair Chatelaine of Trthwwsthpllgg." It may also be mentioned that Maye had given further evidence of her Cornish origin by being the only person about the place, with the exception of Mr. Trevanion, who could say " Trthw- wsthpllgg " quickly, without premeditation, and without im- mediately suffering from paralysis of the tongue. " I envy you your children," said their host to Mrs. Hawleigh ; " upon my soul, I envy you. I wish my boy were 2l8 THE PRINCESS DAPHNE. more like yours, and I wish Maye Trevethick were going to be my daughter-in-law instead of yours." And Mrs. Hawleigh would laugh it off, though sometimes she threw an anxious glance in the direction of the pair as they walked round the moat arm-in-arm, Maye chattering gayly and describing it all to Gabriel ; he with his blind brown eyes fixed on the darkness before him, whilst he smiled at his conductress and played with the fingers of the hand that held his own. They had been living happy in this new phase of their exile for about three weeks when an anxious day dawned for Mrs. Hawleigh. Dr. Richardson, Gabriel's London phy- sician, had determined to come down to Dartmoor to report on the progress of his patient towards recovery. It had been almost impossible to say, before the Hawleighs left town, what Gabriel's chances really were. His health was so im- paired by the shock that a perfect diagnosis was almost im- possible, and Dr. Richardson had promised to come down, when the grand air of the moor should have had its effect upon Gabriel's bodily health, to make a new examination of his eyes. The long-looked-for visit was now expected, and it had been arranged that Maye should spend the day at Trthwwsthpllgg Manor, returning only after the departure of Dr. Richardson in the evening for London. He could not stay over until the following morning. Accordingly, "the Autocrat of Trthwwsthpllgg" had driven over early and carried her off, taking her for a long drive round the neighborhood before they arrived at the manor-house for lunch. In the early afternoon the old gentleman and the young girl were sitting together on the lawn within the moat, when suddenly he startled her by saying : " Have you any definite notion when you are going to be married, my dear ? " " No," she had replied, suddenly awakened from a delicious reverie about nothing at all. THE A UTOCRA T OF TR THWWSTHPLL GG. 2ig " Supposing this blindness of Gabriel Hawleigh's should prove to be really incurable after all ? " " Well ? " " In that case would you still become his wife ? " " Oh, yes ! Mr. Trevanion. How could you doubt it for a moment ? " " And what would you live upon, my dear ? " " I I don't know," faltered Maye, helplessly. " I never think about it." " But surely you must think about it, my child. Do not think me inquisitive or impertinent, but I think I understood Mrs. Hawleigh to say that the only means you have con- sist of her annuity 'and what Gabriel made by his painting." " Yes that is true." " And if Gabriel can never paint again ? Supposing (which heaven forbid !) Mrs. Hawleigh should die ? What would you young people do ? " "I I don't know," answered the girl. "I can paint a little, and I can play the piano. I could teach and and I suppose we should get along somehow," she concluded, vaguely. A long pause ensued, which was broken at last by Mr. Trevanion saying, as if to himself : " What an affliction ! what an affliction ! for an artist of all men, too ! Just as he had planted his foot on the first rung of the ladder of fame to be blinded, with only his art as a means of support ! Well well ! how capricious For- tune is ! There is my son Eric ; he might be rich and prosperous, and can see as well as you and I can ; whilst poor Gabriel, who depends on his eyes for a living, is blinded at what is practically the very commencement of his career." " Oh ! do not speak of it, 1 beg of you, Mr. Trevanion it is all so sad so sad and so hopeless." " Well there ! I won't say any more about it. But Maye, my dear child forgive me if I say that if you could have loved my boy, and he had been worthy of you, I should 22O THE PRINCESS DAPHNE. have been the happiest man in Cornwall nay, in the world ! If only you could have loved him ! " If only she could have loved him ! Ah yi ! And deep in her heart Maye knew that the love of her whole life had been given, long ago, to the son of the man who sat by her side pleading for his boy who had never known and asking nothing better than to end his days in his beautiful old manor-house, whilst the woman by his side laid her touch upon everything there to brighten it, and the old oak-panelled corridors echoed with the laughter of his grandchildren. ******* The drive back was accomplished almost in silence. Mr. Trevanion left her at the garden gate, promising to drive over in the morning to hear the news about Gabriel. The news about Gabriel ! Dr. Richardson had come and gone ; had gone away looking very grave, and leaving with Mrs. Hawleigh only a very slender remnant of the hope she had brought with her from Holland Street. He was to hold another consultation with the eminent oculist in London, and in a week or ten days, at most, was to write Mrs. Hawleigh his final opinion and Verdict on the case of Gabriel, her son. This was the news which the laird of Trthwwsthpllgg heard next morning when he came over to the cottage news which he received with genuine expressions of grief. Only Gabriel seemed unaffected by his lot he wandered about the house quietly as heretofore, now and then playing a few bars on his violin, which lay ever ready to his hand in the little parlour, or strolling out into the garden among the flowers, which he had come to kno-w by their perfume and touch. Before he left, Mr. Trevanion said : " By-the-by, in my concern at receiving your news I almost forgot to give you mine. Eric, my boy, has at last yielded to our prayers he is coming down to Trthwwsthpllgg. I am going to meet him at the station on my way home." CHAPTER XI. ATTRACTION AND REPULSION. " IT is a long lane that has no turning," said a philosopher whose name is, I believe, lost to the posterity by which he is quoted. The critically-disposed may say that the turning is of little use to the traveller if he does not reach it before he falls from very weariness. Another proverbial philoso- pher has said that, " When things are at their worst, they are sure to mend." This dogmatist had more reason than the other, and if he thought of it at all before he said it, he had probably observed that things mend when they are at their worst, because it is then and not until then, that, throwing everything aside, and sacrificing our feelings to the instinct of self-preservation, we are forced to make the supreme effort which, made earlier in the game, would have obviated the progression of " things " to their possible worst. It must not be supposed that I recommend the utilization of the supreme effort one moment before it becomes absolutely necessary ; on the contrary, nee deus intersit, dignus ni vindice nodus, as the Classic says. Never despite the axiom do to-day what can possibly be put off till to-morrow. Procrastination, as I have before remarked in these pages, is the soul of business, notwithstanding the oratorical assertion of the copy-book to the contrary. Things were not yet at their very worst for Eric Trevan- ion. It was fortunate for him and for my story that he did not know this. Had he imagined that it was possible for him to be more supremely wretched than he was when we left him last, he would assuredly have killed himself. His feeling for Daphne Pre'ault was only one of the profoundest pity a pity that was reflected upon himself. 221 222 THE PRINCESS DAPHNE. Eric Trevanion was pitiably poor : he had rebelled against receiving assistance from Daphne, and was living, miserably, on what he could make by his pen. His pride being crushed, he no longer wrote in the high-flown, debonair style of the scholar and man of the world : he had turned his talent to baser uses, and had made it pay him, inadequately to his bare needs, but still it paid him. His poems, which were sicklied o'er with the stupidity and incomprehensibility of the decen- nium in which he lived, came home to him like curses, send them where he would : at length he had made a holocaust of them, and in sheer cynicism had scribbled off a set of rhymes of social small-talk, with a slang refrain. These he sent to a society paper, which accepted them, paid for them at once, and asked him to write more. An idyllic story which his soul had loved more and more every time a magazine editor returned it to him, he had ruthlessly cut to pieces, inter- polating a series of incidents that turned it into a glaring advertisement of a patent medicine. He sent the MS. to the proprietors of said specific, and received by return of post a cheque which cleared his landwoman's scorbutic physi- ognomy of the scowl it had worn for a month past. With the exception of his lodging-bill he kept out of debt, and for the most pertinent of all reasons he could not get into it. Things got bad by degrees and beautifully worse, and Eric became a literary hack. The position had one advantage : the occupation of his days, spent among his kind in the Reading-room of the British Museum, took him far from Daphne, who idled away her life in Holland Street in practically no companionship save that of Mahinoure du Peyral, with whom she had struck up an intimacy that caused Eric a mingled feeling of fear, jealousy, and disgust. It seemed to him that dn the society of the penniless horde of scribblers who practically lived in the "Museum, he breathed a purer atmosphere than that which filled the perfumed studio in Holland Street. It was at this period of his history that I first got to know him well, for I also was one of the gang that day after day ATTRACTION AND REPULSION. 223 breathed that invigorating atmosphere of book-dust, penury, and ink. We adopted Eric as one of us, for he was as poor as the poorest of the crew, and to-day, when we are most of us respectable members of society, we often talk together of what Theophile Gautier called, with perfect truth, "those happy days when we were so miserable ! " And our misery was happy. What a merry crowd we were ! There are men whom I meet to-day, rich, respected, and celebrated, who were then poor, disreputable, and obscure. I remember one day in particular, when a man who now commands whatever price he likes to ask, for any- thing he writes, came down to the Museum, his haggard face irradiated with a smile of triumph he had not tasted food for forty-eight hours, and I don't believe that the lot of us possessed a pound between us. We crowded round him to hear the news. He had a commission to write a special article for a leading review. He had received five pounds on account, and was to receive fifteen on delivery of the manuscript and the manuscript was to be delivered next day. He was an incorrigible idler, and we banded together to make him knock off the article, inviting our- selves to dine with him on the following night. Then we left him alone, and in the afternoon I went to his seat to find out how he had got on. He was entrenched behind a fortification of reference-books and authorities ; and the article well ! not a line was written ; he had spent the day in writing a Latin ode in exquisite elegiacs, which I still possess (it hangs, framed, on the wall of my study), on the contrast between the colour of the Superintendent's hair and Fitzgerald Molloy's neck-tie. He went home that even- ing without having approached the subject of his article, and we were in despair. He owed me five shillings, and hope had been telling me a flattering tale all day, to the effect that I was going to get it back. Next evening, at six o'clock, he took down to the office of the Revieiv a posi- tive masterpiece, which practically laid the foundation of his present fame; and "the gang" dined with him at Ram- 224 *'UE PRINCESS DAPHNE. pazzi's in Soho, and adjourned for an all-night sitting at his rooms in Great Ormond Street, Bloomsbury. That is how we lived, and Eric Trevanion with us. We soon " licked him into shape," and gradually he sank with us from literature to journalism, as a preliminary towards rising from journalism to literature by the ladder of advertisement. He was not quite a stranger among us, for I had met him in Holland Street, and Bernard Rawlinson was intermittently one of the crew. It was through him that Eric joined us, and it was to that versatile genius that he owed his first lesson in practical journalism. Eric had been sitting idle at his seat all the morning, when Rawlin- son came and asked him why he didn't write, instead of gazing on vacancy in search of inspiration. " I have nothing to write about that anybody wants to read," replied he, dolefully. " Well, what of it ? " replied the Bohemian ; " write about nothing." " What bosh ! " exclaimed Trevanion. " I defy anybody to write about nothing." " Defy anybody, if you like," was the answer, " but don't defy me ; '' and, so saying, he sat down and wrote the fol- lowing, which, short and fabricless, was completely to the point, and sold for one pound ten ! "NOTHING!" " A STUDY OF MODERN JOURNALISTIC ART." " A BOY whom I left in a little country town, beloved of parents who were quite unparentally charming, wrote to me a few months ago, and asked my advice as to whether he should give up his obscure and uninteresting, but compara- tively lucrative position on a stool in a provincial bank, to embrace the profession of letters, to matriculate in journal- ism and graduate as a literary man. I sent him at once Balzac's ' Bible of the Journalist,' to wit, the two volumes of the ' Illusions Perdues ' and ' Splendeurs et Miseres des A TTRA C TION A ND REPULSION. 22$ Courtisanes,' accompanying this gift with two grains of pure aconitine in a gelatine capsule. I instructed him to read the first, and then, if he still felt himself endowed with a constitution, mental and physical, that warranted him in living or dying on what he could get out of letters, to find a spot where it was not untidy to die, to lie down, and swallow the alkaloid. " He wrote back shortly afterwards, returning me the poison and announcing that he had decided to follow the fortunes of Lucien de Rubempre, rather than be warned by the fate of Balzac's hero. In vain I pointed out to him the fact that nowadays Coralies and Mile, de Grandlieus are scarce, if not an extinct race ; he abandoned his regular hours and salary, and began to starve on the potential pro- ceeds of precariously launched articles that interested no one, and that editors betrayed a tendency to refuse consist- ently to buy. Nay more; so badly was he bitten, so pro- foundly did he develop the hydrophobia of literature, that, realizing his small possessions, he came up to London, like a modern Lucien, and proceeded to starve in the great metropolis. " Proud as Lucifer, he confided his penury to no one ; it had no outward and visible sign save in the poverty of his lodgings, to which he admitted never a soul ; and he died in my arms a fortnight ago, of combined starvation and nervous prostration. " Why ? Ah ! that is the point. He died because he had nothing to write about, and yet could not write about it. He died of starvation, here in Bloomsbury because he could not write unless he had a subject to write upon. " The man who cannot write about nothing at a moment's notice cannot make a living as a journalist. " Priggish societies with ridiculous names have met and discussed learnedly if chaotically 'The Nothingness of Everything ' : a literary coterie that will establish the ' Every- thingness of Nothing ' has yet to rise, Phoenix-like, from the ashes of unsuccessful journalists. It is a solemn and an 226 THE PRINCESS DAPHNE. undeniable fact, that unless one can write a column on Noth- ing at all, and do it more or less attractively, one has no right to attach one's self to the permanent staff of a journal in point of fact, one can't get there. " It is the age of journalistic commonplace ; one must idealize commonplace trifles, or one cannot expect to be understood. This state of things arises from the bias/ con- dition of the modern reader's faculties. The literary exalta- tion of Nothing is the only pabulum which the debilitated intellects of a large class of readers to-day are capable of assimilating. Therefore let us establish schools for the de- velopment and study of mental anaemia, that a new genera- tion of writers may arise in our midst, whose works shall be 'easily understanded of the people.' because their end is the glorification of Nothing at All. " [Signed] BERNARD RAWLINSON." " There," said the picturesque Bernard, as he handed over the manuscript with a smile, " that is how to write about Nothing. Go, thou. and do likewise." But Eric found it very hard to "go and do likewise." He went through the whole gamut of literary insuccess. Often editors cultivated men would be charmed by the epigrammatic way in which he would present the most unin- teresting matter, and, on the spur of the moment, would ac- cept his manuscripts; but he scanned their journals in vain in the hope of seeing himself in print, and finally, when he called upon them or wrote on the subject, they would return him his work with something like shame, " regretting that want of space prevented them from utilizing his articles, for the offer of which, however, they thanked him, and re- mained faithfully his," etc., etc., etc. ; and at the conclusion of his day's contemplative quietude in the Museum, he would return to Holland Street, almost dreading to enter the studio which had become associated in his mind with so many sweet and bitter thoughts. One evening, when he arrived at Daphne Preault's, a sur- A TTKA CT1ON AND REPULSION. 227 prise awaited him. He had divested himself of his impedi- menta in the hall, and penetrated to the studio. As he did so, a man who was sitting chatting with Daphne and Mah- moure rose and held out his hand. "What!" he exclaimed; "Dr. Van BoomkampJ this is indeed an unexpected pleasure." " I was waiting for you," returned the psychologist, scruti- nizing him keenly through his gold pince-nez. " Miss Pre'- ault and Madame du Peyral are deep in business matters. I have hoped to meet you again, and to-night my hope is realized. Will you do me the pleasure of taking dinner with me at my hotel, and we can continue the conversation that we began at Dr. P 's ? " Eric looked at Daphne, and she answered his look by saying : " Yes, Eric. Madame du Peyral and I have some important business to discuss, and some correspondence to go through. We shall be glad to have you out of the way, tres cher" "In that case," said Eric, "I am quite at your service, Dr. Van Boomkamp ; " and so it was arranged. Towards seven o'clock the two men took their departure, and left the two women together. It was not until they found themselves seated .comfort- ably after dinner in Dr. Van Boomkamp's room at the Hotel Metropole, that they approached the subject which was of the deepest interest to both of them. It was the American who opened the conversation by saying : " Miss Preault and Madame du Peyral seem to have taken a great fancy to one another, do they not ? " "Yes it is a very strange sympathy, and one that I can- not understand," replied Trevanion. " As you know, doubt- less, without my telling you, Miss Preault and I have been, and I trust are still, very great friends. I know her life very well for the last four years. Until now no woman has ever been her intimate friend ; this Madame du Peyral seems to possess a strange fascination over her." 228 THE PRIX CESS DAPHNE. 11 Strange yes to the casual observer, but to the psychol- ogist not so strange. You are, I know, the intimate friend of Miss Preault. Owing to circumstances into which it is not necessary to enter, I know a great deal concerning Ma- dame du Peyral, and their friendship interests whilst it fails to astonish me. It is of this that I wish to speak to you." " You knew Paul du Peyral ? " " I saw him die." " Ah ! " " You doubtless remember my recounting a curious psy- chological case at Dr. P 's on the occasion of our first meeting? " " Yes." " The man and woman in New York, to whom I alluded, were Paul and Madame du Peyral." " And the woman in Europe ? " "Was Miss Daphne Pre'ault." " Good God ! She said something to this effect herself, when I repeated your story." " In all my experience with the workings of mental science I have never encountered a stranger case. Acci- dent has- gathered all the threads into my hands, and I have postponed my visit to Paris for the purpose of watching the denouement of the drama, for drama it is, in every accepta- tion of the term." " What do you want of me ? " " Well, it is needless to say that whatever you will be good enough to say to me, will remain under the seal of a professional confidence. I want you to tell me all you know of Miss Preault of her life from the moment you became er connected; of her mental state, of her physical ill- ness everything." " So be it." And Eric gave to the American doctor, who listened in- tently, every now and then making an entry in his note-book A TTKA C TIOiV A ND REPULSION. 22$ or asking for a date, a complete account of the circum- stances which had puzzled, had frightened him, with regard to the woman who, before her most serious attack, had been "The Princess Daphne." At the conclusion of his recital, he said : " Now, Dr. Van Boomkamp, I have been eminently explicit with you ; may I ask for an exchange of confidence ? What is your explanation of these phenomena ? " Schuyler Van Boomkamp rose and paced the room in silence for a few moments. Finally, re-seating himself, he spoke as follows : " The case turns upon a strange coincidence of personality existing between Miss Pre'ault and Paul du Peyral. She was almost what the Germans call his doppelganger, and on his death his personality became merged in hers." "Then?" " Miss Daphne Preault is Paul du Peyral." " For heaven's sake, explain yourself ! " " Psychological science, founded as it is upon neurology, despite the labours of Georget, of Charcot, of Bell, of Bain, of Kollmann, and a host of others, is practically in its infancy. Mesmerism is a phenomenon which the condi- tions of its existence render very difficult to examine scientifically. Here we have two people, who, though sep- arated by half a hemisphere, were practically identical with one another, speaking psychologically. Through the medium of this strange foreign woman their souls found one another, and little by little Paul du Peyral transferred his psychic force to Miss Daphne Preault. The completeness with which this was done was due to the fact that, springing from a common ancestry, they have, by a freak of heredity, " thrown back," as it were. The exact physical process it is impos- sible to describe the result has been apparent in what we will call, for the sake of definition, Miss Preault's fits of obsession. These occurred coincidentally with Paul du Peyral's experiments. The culminating phenomenon oc- curred with the death of du Peyral : his illness was an- 230 THE PRINCESS DAPHNE. swered, as it were, by Miss Preault's, and at the moment that he died he fancied that he saw her ; at the moment of her apparent* death his soul seems to have sought hers, and was seen, or apparently seen, by the black woman Clytemnestra, who has always been closely allied with her. His wife, by- reason of his repeated experiments with her, has become strongly identified with him, but his soul sought that of his alter ego Miss Preault. He was a man of little or no principle ; in Miss Preault the good and the bad seem to have been about equally divided ; the good was dying out in her when its place was taken by the salient features of his personality. She lived again with his soul, but the strain has been too great, she is overburdened by a vitality from which she cannot escape, and which she cannot bear ; his wife sapped his physical attributes, Miss Pre'ault his mental ones. They are both disordered, ill-regulated, mentally diseased in consequence ; Miss Preault is, and has been, in a state of physical and mental hysteria ever since this trans- ference took place ; Madame du Peyral, robbed, to use a nautical simile, of her steering apparatus, her guiding princi- ple, has been vainly seeking for it ever since. She has found it ; she though she hardly realizes it herself fancies that Miss Pre'ault is well, she recognizes in her new friend the vitality, the attributes, the personality of her dead husband." " Explain yourself ! What do you mean ? " " I mean that the position requires the most careful supervision, for though they neither of them know it, and though orthodox doctors would be at a loss to admit it, both these women, when in the presence of one another, are mad!" " My God how awful ! " " Not awful, but deeply interesting." "They must be separated, of course." " No for that would probably either kill them, or drive them dangerously insane in the ordinary sense of the term." " What then ? " " They must quarrel, and part naturally." A TTR ACTION AND REPULSION. 23 1 " But how can that be brought about ? " " It will bring itself about in the ordinary course of events. They will probably quarrel over you. When that takes place, Madame du Peyral will pursue her journey to Greece, which has been interrupted by this meeting, and I hope that Miss Preault will regain her health and ordinary mental equilibrium." It was close upon midnight when the two men parted, and Eric trudged home save the mark ! to Holland Street. Seeing a light burning in Miss Pre'ault's vestibule, he went in, and passed through to the studio, where he supposed he should find her alone. The Creole was not alone. As Eric stood motionless in the doorway of the studio he saw Daphne lying in a lazy, languorous attitude upon the lounge, whilst Mahmoure' du Peyral sat by hej| side, her arms twined round her, looking into her eyes. Daphne was playing lazily with the masses of Mahmoure's hair, which she had unbound, and which were floating in tawny billows all over her as she lay among the cushions. Neither woman spoke, but the silence was far more eloquent than words and Eric, as he stood looking at them, felt his heart swell with a dull, impotent rage against this Greek who had come and thrust herself between him and the woman he had loved. The slight sound he made in entering was unnoticed by Mahmoure, who had her back turned to the door, but Daphne opened a little wider her half-closed eyes and said : " Ah ! Eric. Is that you ? I didn't suppose you would come in again to-night." At the sound of her voice and her words Mahmoure started away, but Daphne, restraining her by winding her arms about the supple little figure, said : " Don't go away, dear. He isn't going to stay. Eric, man cher, come in the morning, will you ? Madame du Peyral is staying here with me to-night. We did not get through our work till it was too late for her to think of going home alone." 232 THE PRINCESS DAPHNE. Eric turned and left the studio. He had not spoken a word since he entered. Mahmoure du Peyral had not turned her head in his direction. He was glad of it. Arrived at his own rooms he spent an hour feverishly pacing up and down, reviewing the position and criticising himself, nothing extenuating, nothing hiding. Week by week, month by month, he lived over again the period of his liaison with the fascinating Creole. It had begun with her song at Gabriel Hawleigh's Bohemian soiree ; it had ended ended ? with Dr. Schuyler Van Boomkamp's precis of the case of the Princess Daphne, and its corroboration before his very eyes half an hour ago. Hardly more than half a year, but in that time what multifold experiences had been his ! Every month seemed an age as he looked back upon the time : he had passed through every phase of worldly con- dition and every nuance of the thing called " love." And what had he now ? From affluence he had ^llen to poverty sordid, grinding poverty and from passionate adoration to a feeling very near akin to profound disgust. Daphne Preault had declined from her altitude as queen of his soul, to a weird, monstrous, unnatural problem ; and as he thought of the interview next day great beads of perspiration started to his forehead. What would the morrow bring forth ? He felt that, before another sun would set, his future course would be definitively shaped and in what direction ? He could not tell he dared not surmise. He passed a restless night, and next morning waited, watching the door of the cottage opposite for Madame du Peyral's departure. At length it came, and ten minutes later he confronted Daphne Preault in her studio. " I am glad you are alone," he began ; " I have been watching for that woman to leave you. I have something serious to discuss with you." " Have you ? " replied she, her womanly scent giving her premonition of a " scene," and drawing herself into a position of aggressive attention. " If you have a great deal to say A TTKA C TION AND REPULSION. 233 you had better begin at once, for she will be back here very soon." " Back here ? " " Yes I have persuaded her to come and stay with me for a few days perhaps till she leaves England." " Oh ! indeed ! then that makes my way clear before me." Daphne Pre'ault had selected a cigarette from her case, and, lighting it, had settled herself in the lounge, like some beautiful wild animal, crouching on the defensive, whilst Eric stood looking down at her. "Daphne," he began, his voice growing stronger and his manner more determined as he went on, " you and I must distinctly understand one another. Our love for one an- other is not, alas ! what it was, and sooner or later we must speak plainly better to-day than to-morrow ! " " Certainly, my dear Eric go on." "You have made life very beautiful for me all these months, and from the bottom of my soul I am grateful, dear ; but there should be no question of gratitude between us. A love such as ours has been must live upon itself alone by itself, and of itself ; it cannot decrease, it can only change ; and once changed God help us ! it is ex- tinguished. I have asked you to be my wife. I love you still, in spite of the troubles that have come between us ; if you love me in return, I ask you again to share my life with me, and proclaim ourselves one before all men." " My dear boy why should I ? " " For every reason in the world for your purity, for my honour, for our happiness." " But, my dear Eric, I am quite content to remain as I am free unrestrained Bohemian. Love is for me an ecstasy I will never make it a bondage." " Then the love you offer me is not the love I ask of you ! It is not love at all it is mere passion." " Call it what you will," replied the woman ; "it suits me as it is." 234 THE PRINCESS DAPHNE. "And you would insult the name of love by giving it to an emotion that is capable of no sacrifice ? " " Sacrifice ! have I made no sacrifice already ? What would you have of me now ? " " First and foremost that you should give up the friend- ship of this du Peyral woman. It is infamous, disgraceful, unworthy of you. Then that you should come with me as my wife somewhere, anywhere, to your own America, if you will but to a spot where no one shall be able to whisper about us as they do here." " Really, Eric I think it is as well to be as frank with you as you are with me. Your programme does not suit me. I like you I am rich enough to indulge my likes or dislikes you shall share my home, my fortune, if you will but I will not be bound down by any laws. And mark me I will not be dictated to. As for Madame du Peyral or ' the du Peyral woman,' as you contemptuously call her she at- tracts and she pleases me. I shall keep up my acquaintance with her in any form I please." " Very well, then," rejoined Eric, turning a trifle paler and looking yet more determined ; "you will have to choose between her and me." " Exactly ! " " And your choice is ? " " Mon cher ami she has all the charm of novelty ! " " Novelty ! Good God ! " " Yes novelty. If you must know the truth, you weary me with your sermons on honour, your tirades upon virtue and all that. You took me as I am." " No as you were ! " "Well, then," exclaimed Daphne, her eyes flaming at last, " I am changed you are changed we are changed we are tired of one another let us part ! I prefer this woman to you there ! you wanted the truth you have it ! " " Great heavens ! is it possible ? " " Not only possible, but existent. Let this be an end of it let us square our accounts and part." A TTR ACTION AND REPULSION. 2$$ "Our accounts?" Eric turned a vivid crimson, and then became deathly pale. He thought that she referred to the material issues between them, and as he turned away, he added, in a broken voice, " True, I owe you money as well as gratitude you are right to remind me of it ; though I never forget it, night or day." It was an insult ; an accidental one, it is true, for she had not dreamt that he would so construe her expression. Un- der its sting, she turned upon him and exclaimed : " Very well, then since you reduce it to that level, so be it. Give in to your father ; he will welcome his prodigal son, and sell his fatted calf to pay your debts. This is the end of everything between us I despise you, Eric Tre- vanion ! " "You do well to despise me, Miss Preault," he returned, bitterly " I am a despicable object, and you have a right to tell me of it." What she would have replied to this taunt he never knew, for at that moment Clytie appeared at the door of the studio announcing " Madame du Peyral." It was the culminating point of the scene. Eric recovered his composure as he bowed to Mahmoure, and, taking his hat, turned to Daphne, who was greeting the new-comer as if they had been parted for years. He said : " I will say good-bye now, Miss Preault ; I will send you over a note during the afternoon ; " and so saying he bowed and left the studio. Mahmoure' turned after him an enquiring look. " Tiens /" said she; "there has been an unpleasantness ? " " Yes." " You have quarrelled ? " " Yes." " About ? " " You." 236 THE PRINCESS DAPHNE. A couple of hours later Daphne received a note from Eric Trevanion : it was short, and read as follows : " I write merely to say good-bye the scene of this morn- ing leaves no other course open to me to us. I leave for Cornwall to-morrow. We have a few little matters to settle; I think that I have them clearly stated ; you shall hear from me from home in a day or two. I thank you from the bottom of my heart for all your kindness to me, and should you ever want a friend you can count upon me. In any other capacity good-bye. ERIC TREVANION." With a little laugh Daphne handed the note to Mahmoure. " Ah ! " said the latter, " now I am really happy. Do you know, chere amie, I loathed that man from the first moment I set eyes upon him." CHAPTER XII. " SPLENDIDE MENDAX ! " THE return of Eric to Trthwwsthpllgg was an occasion of profound rejoicing to two people, and of anxiety which bor- dered on misery to two others. The former were his father and Gabriel ; the latter were Mrs. Hawleigh and Maye. Poor Eric, broken in spirit, and bereft of all his old careless merriment, saw only the pleasure that his presence gave to Trevanion pere and the blind boy. He was too recently arrived from the scenes ^of the deepest agony he had ever suffered, to take note of the care with which Maye avoided being alone with him, a care that was almost frustrated by Mrs. Hawleigh in her endeavours to the same end. The time for which the cottage had been taken had elapsed, and it had been impossible to resist Mr. Trevanion's prayer that its inmates should move over en masse to Trthwwsthpllgg. Mrs. Hawleigh and Maye were strongly opposed to the change, but poor Gabriel poor, blind Gabriel received the invitation with the first transport of joy he had known since the accident in the studio. To Mrs. Hawleigh's mild argu- ments against the advisability of such a step, he had queru- lously replied : " Why, mother, why not ? I'm tired of this pokey little cottage ; every time I walk two yards, I run up against something it's narrow, cramped, e'trique ; and besides, we see so much of the Trevanions that we might just as well be with them altogether. I don't want to go back to London not until I can see again. I shall be able to see again some day I know it and I want to look at Dartmoor before I leave it. We must leave the cottage anyhow why not go to Trevanion's place with the unpronounceable name ? they 237 238 THE PRINCESS DAPHNE. really want us to. It must be an awful tax upon them, bringing them over all this way every time. Besides, I want to go there I adore that old place it's lovely to wander about in, even for me, and / cannot see it. Do accept, mother do accept." There was no refusing him, and so it was settled, though Mrs. Hawleigh's heart sank within her, and Maye's soul was filled with a vague terror of she knew not what. Only, dur- ing the last days before they moved she devoted herself more assiduously than ever to her poor, blind lover. Did he appreciate her devotion ? who knows ? he had become accustomed to being attended to, waited on, to have his lightest wish anticipated. Accustomed ah! there it is. Accustomed ! And so they went to Trthwwsthpllgg, and found them- selves at home at once. In the little boudoir Mrs. Haw- leigh would sit with Mr. Trevanion, whilst Gabriel lay on the lounge in the conservatory, and Maye sat talking to him ; or more often she would sit with Maye, whilst Eric and Gabriel went for strolls round the place, or for long drives into the country, from which he would return radiant, and full of Eric's descriptions of the scenery through which they had passed. " Really, do you know," he used to say, enthusiastically, " Eric ought to have been a real artist instead of a toy one. If his picture-painting equalled his word-painting he'd be famous in no time. He has been describing the landscape to me. There has been such a lovely sunset ; a gorgeous blaze of crimson and gold, melting out of the blue heaven into the purple and browns of the moor the most beautiful thing I ever saw," he would continue, forgetting himself, his affiction, everything, in his artist's enthusiasm ; " and the very next picture I paint Ah ! what am I saying? what am I saying ? " And a tear would gather in his sightless eyes as he turned sadly away, to fling himself upon the lounge, or to play a mournful bar or two upon his violin. Constantly this would happen : happy in the companion- "SPLENDIDE MEND AX!" 239 ship of Eric he would lose all memory of his blindness, to be suddenly reminded of it and stabbed to the heart by the recollection ; then he would become fretful, and Maye would soothe him into peace again. Sometimes on these occasions Eric would look at her with something like star- tled wonder in his eyes at the spectacle of this fair young girl devoting her life to a blind man's care ; and if Maye caught his look she would turn a shade paler, and her heart would give a strong, convulsive throb as she turned to hide her face from him. What is love but contrast ? The adored one is different from all the women one has ever met. What a difference there was between Daphne Preault and this sweet, pure maiden who stood before him in all the majestic solemnity of her matchless self-sacrifice ! He looked at her, and his look was that of the Catholic to the crucified Christ ; and she returned him a look that seemed, in deprecating his adoration, to beg for mercy at his hands. It was the Prince-god Siddartha and the maiden Yasodhara once more : " So their eyes mixed, and from the look sprang love / " And the days passed by, and with them weeks, but more slowly. Eric would absent himself for longer at a time, and Mrs. Hawleigh's heart was filled with a vague terror. Mr. Trevanion was as blissfully ignorant of the struggle that was proceeding beneath his roof as the blind boy himself, and quite innocently strove to throw his son and Maye together, that he might appreciate the difference between this pure English girl and the delirious Creole he had fled from in London. Of Daphne, Eric had heard nothing. With some- thing like a fear that he was insulting her he had repaid to her the loans which he doubted whether she regarded as such, and she had answered never a word. Only he re- ceived a line or two from Schuyler Van Boomkamp, who still lingered in London, and who told him he had done emi- nently right in leaving Holland Street; that the intimacy of 240 THE PRINCESS DAPHXE. Daphne and Mahmour6 du Peyral showed little or no signs of abatement ; and that he began to entertain grave fears of how it might end. And Maye ? Ah, sirs ! who shall pry into the secrets of a woman's heart ? If ever she allowed herself to think, it was only to add a new incentive to her imagination in devis- ing new duties for herself that should draw her nearer, should make her more necessary, to Gabriel ; and the love that was growing in Eric's heart would probably never have found an answer in that which lay deep and stifled in her own, had it not been that one day Mrs. Hawleigh brought it before her in all its truth. Maye was sitting alone in the little boudoir, reading a little volume of verse which Eric had brought from London. She had just read a poem which had shaken her to the soul, had terrified her, so close did its possible application seem to her own case, when Mrs. Hawleigh entered the room, and, seeing her sitting the open book in her lap looking straight before her, apparently plunged in a reverie so profound that her entrance did not disturb it, broke the silence by saying : " Where are Gabriel and and Eric ? " " Oh out in the woods and gardens, as usual, " replied Maye ; " I heard them go laughing over the bridge more than an hour ago." " I don't know what we should do without Eric ; it is really wonderful the way. he manages and takes care of Ga- briel, reading to him and telling him stories by the hour, and never minding when he grows irritable, poor boy ! Curious, is it not, that he should forsake his shooting, and his house-parties all over the county, to stay here and take care of a blind man and amuse his companions ? Very cred- itable, of course, but strange in such a fashionable and rich young man." " Very, " replied Maye, faintly, as she felt her aunt's eyes riveted on her face. " I hope for his sake "- continued Mrs. Hawleigh, com- "SPLENDIDE AIENDAX!" 24! ing close to her, and laying her hand gently on her shoulder " and ours, my dear child, that there is no other attraction that keeps him here." " Oh, auntie, of course not, " returned Maye, very hurried- ly, and growing deathly pale as she continued, with a visible effort ; " how could you suggest such a thing ? I respect Eric Trevaniori for his devotion to Gabriel, and like all men, it pleases it flatters him, to be respected by a woman. It flatters his vanity. And being such a friend of Gabriel's, he likes me almost as a brother would. But beyond that nothing oh, nothing ! " And the girl rose and left the room to run out into the grounds, where she might be alone with the soft, black cattle, and her heart-agony. Left by herself, Mrs. Hawleigh stood for a moment at the window, and saw Maye run out across the bridge. As she settled to her work, she said to herself : " Well, I hope Eric is not falling in love at last with Maye. What a calamity it would be ! and yet poor child ! per- haps well, well, Eric told me that, when Dr. Richardson's final report came, he would accept some of his country-house invitations, and go away from here, so that Gabriel might get accustomed to perpetual darkness, or that he might grow gradually well under Maye's gentle care. But it struck me that he didn't talk of leaving them together with much enthusiasm. Oh ! why doesn't Dr. Richardson write ? his letter is days overdue, and the suspense is terrible." The end was nearer than she supposed. It came on the following afternoon. Day after day Mrs. Hawleigh waited and watched for the arrival of the post. Daily, from the post-office in the little village, a decrepid courier, known as " the post boy, " started on his weary round, bringing in the letters for Trthwwsthpllgg soon after lunch ; and often, the minute the meal was fin- ished, Maye or Eric would start for the village, and get the letters before the post-boy had consigned them to his sack, for delivery in their proper turn. 16 242 THE PRINCESS DAPHNE. To-day Maye had undertaken this duty at Mrs. Hawleigh's earnest request, and her aunt anxiously awaited her return. And as she waited she soliloquised : " Dr. Richardson must write to-day, and then we shall know. Poor Gabriel ! I hope I shall get as reconciled to his affliction some day as he is now ; but at present there is hardly a moment of the day that I can banish the thought of it from my mind, and when I think of it a pang shoots through my heart which is almost more than I can bear. Poor little Maye, too ! poor child ! poor child ! How long Gabriel was in love before he asked her to be his wife ! and then that dreadful gas-explosion in the studio which blinded him ! Dear, faithful little nurse ! she has shown us since then what a good, true girl she is ; what should we have done without her ? Still, it seems hard that she should be condemned for the rest of her fair young life to taking care of a poor, blind man, and looking after his helplessness. Besides, what will they live upon if this blindness proves really incurable ? Thank God ! I can just support him and myself; but she has nothing, and he is no richer than she. I see nothing but starvation in front of them." At this point her soliloquy was interrupted by the entrance of Maye. " Well," exclaimed she, as the girl took off her hat, " have you got the letters ? the post has not been here." " No," replied Maye, " I just missed them. That poor old man they call the post-boy had just started on his round in the opposite direction, but I thought he would have been here by now, for I walked slowly, and have been doing a little gardening since I came in. Ah, there ! he has just appeared at the top of the slope. I'll run and save him the walk down and up again." Five minutes later she returned, exclaiming, " Here you are, auntie ! Two letters for you, and one big one for Eric. Heigho ! there has never been anybody to write to me but Gabriel, and now I write his letters for him. I can't very well write love-letters to mvself. Poor Gabriel ! " " SPLENDIDE MEND AX ! " 243 " Ah," interrupted Mrs. Hawleigh, " here is Dr. Richard- son's letter. This will put us out of our suspense about him. Dear child, I can hardly hold it in my hands, I am so ner- vous. Do you read it to me. Oh, heaven ! if I could only know, without opening it the best or the worst ! " She had given the envelope to Maye, and Maye, opening it, had run her eyes over the first lines of the letter. Her face, as she did so, became deathly white, and she said softly : "You must sit down, auntie darling ; I'm afraid the news is not going to be good. Shall I begin now ? yes ? Very well." And she read as follows : " MY DEAR MRS. HAWLEIGH : I have had a long and final consultation with Dr. Critchett since I saw your son at Dart- moor, and I regret to say that I fear I must destroy even the small hope which I was able to give you then. There is no longer any doubt that the nerves of both eyes are destroyed, and, this being the case, it would be dealing unkindly with you were I to hint at the possibility of an ultimate recovery. You were good enough to make me the recipient of your confidence, and to tell me of your son's approaching mar- riage when this accident befell him." The reader's voice died out for a moment, and then she resumed : " I feel that this must be a terrible blow to his intended bride, for he will never be able to see her again, and I can fully realize what it will be to you to break this news to her. Please accept my sincere sympathy with this sad affliction which has fallen upon you, and believe me to be, with kind regards, Always very faithfully yours, E. CLIFFORD RICHARDSON. As she finished reading, she rose, and, moving to the window leading into the conservatory, she leant against it, struggling to suppress her emotion. Mrs. Hawleigh, who had burst into tears, came to her, and, winding her arms 244 THE PXIA'CESS DAPHNE. about her, kissed her silently. Then, taking the letter from her, she left the room. Maye returned to the seat she had occupied before, and sat, dry-eyed tearless gazing into the future. Blind ! hope was extinguished Gabriel was incurably blind ! And whilst she sat, the twilight deepening over her soul, she heard a burst of laughter in the conservatory, and Eric and Gabriel stood on the threshold. The former, seeing the girl sitting there, a wild, white look in her eyes, started forward a step, forgetful of the blind man's hand upon his arm. " Why, what's the matter, old man ? " exclaimed Gabriel ; " I'll trouble you not to stumble when your two eyes have to direct four legs. Is anybody here ? " Maye tried to speak, but her parched tongue refused to articulate immediately. Seeing the struggle, Eric answered : " Yes yes Miss Trevethick is here." " Then why don't you answer, Maye ? " said Gabriel, irri- tably. " I wish you wouldn't play with me as if I were Caleb Deecie in ' The Two Roses.' Ah ! I saw ' The Two Roses.' Well," he continued, recovering himself, "you've missed such a treat ; you should have come out with us. Eric has been reading me some lovely poems out of a new little book called 'Tares.' They are beautiful he must read some to you. And we have had another exquisite sunset. You ought to have seen it." And he took up his violin, which lay as usual on the piano, and began playing to himself, " Told in the Twilight," the refrain of the song, " Close to the Thresh- old." " Poor fellow ! " said Eric, in an undertone to Maye ; " it's hard to believe sometimes that he doesn't really see the things he describes to one. Do you know, Miss Trevethick, sometimes he describes you to me so perfectly that I actually see you before me he delights in doing it. Really, if you heard him you would be both interested and flattered, be- lieve me." "SPLENDIDE MEND AX!" 245 "And believe me, Mr. Trevanion," returned Maye, with a wild effort at merriment, as she made him a courtesy, " I am. But seriously, how can we ever thank you for your kindness to him and to us ? It is only with you that he forgets that he is blind. What would I not give to be able to be to him what you are ! " What Eric would have answered I know not; what he thought was : " And what would I not give to be to her what he is ! I wish that I were blind when I see them together." It was her own thought repeated. They were interrupted by Gabriel suddenly laying down his violin and saying : " Now, then, what are you two conspiring about ? Don't you know that it's very rude to whisper before third parties ? I suppose you imagine that I don't count ah, no, I don't mean that," added he, as Maye went quickly to his side and touched him ; " I was only chaffing. Come ! what have you been doing since lunch ? and where's the mother ? " "Oh," replied Maye, turning cold and confused at the thought of the imminent explanation, " I walked down to the village because auntie wanted to geOthe letters quickly, but the post had started, so I came home and tied up those creepers which hang down and annoy you when you come in at the conservatory door and then the post came in here's a letter for you, Mr. Trevanion and then the mother left me alone and went to her room I think. How far did you walk ? " concluded she, desperately changing the subject. "Tell me," said Gabriel, not heeding her question, "was mother's letter from Richardson ? " " I I think it was." " Did mother tell you what was in the letter ? " pursued the blind man, with a strong effort to appear calm. " Rich- ardson was to write and say how soon I shall be able to see again." " No," replied Maye, with forced prevarication, " she did not tell me what was in the letter." 246 THE PRINCESS DAPHNE. " I must go to her at once take me to her, Maye ; " and the two disappeared. Left alone, Eric drew his letter from his pocket. It was directed in Schuyler Van Boomkamp's characteristic fist, and was a bulky letter enclosed in a foolscap envelope. It was with a vague, sickening feeling of apprehension that he tore it open and brought to light a closely written manu- script, headed " The Narrative of the Coloured Woman Cly- temnestra" and a letter from Schuyler Van Boomkamp. The latter was short, and to the point. It read as follows : " MY DEAR TREVANION : Miss Daphne Preault is dead. The circumstances attending her death constitute, I fear, a horrible tragedy, of which the details are contained in the narrative I have compiled for you, from the account given by the coloured woman who attended upon Miss Preault and witnessed her death. To that narrative I have nothing to add, save that I was able to certify that death ensued from naturally-produced asphyxia, in which certificate a singularly ignorant practitioner, who announced himself to me as Miss Preault's regular medical attendant, concurred, knowing noth- ing of the case. I am making arrangements for the return of Clytemnestra to New Orleans ; she is amply provided for under the will of Miss Preault, the bulk of whose property is bequeathed to you. Finally, as regards Madame du Peyral, if it became necessary at any future time, I could certify that she was mentally deranged, and not responsible for her actions ; in any case, under the circumstances, the death of Miss Preault certainly unpremeditated might have been accidental. Madame du Peyral left England the same night as the tragedy occurred. I forbore to enquire whither she was bound possibly to her original destination in Greece. I do not think it will be necessary for us to ascertain ; she will certainly not return. I leave, myself, for Paris this evening. Should you wish to communicate with me, a letter addressed, care of His Excellency, the American Minister, will reach me safely. A word in conclusion, in case we should never meet "SPLENDIDE MEND AX!" 247 again. You and I have been the witnesses of, and to a certain extent actors in, one of the most startling, nay terrific, psychological dramas that it has ever been my fate to encounter in all my experience in mental science. I shall prepare a report thereon, which I shall send you for signature ; any details that you can add will be valuable. I think we had better keep our own counsel in the matter, closely and completely, until the story of Daphne Preault and Paul du Peyral shall have become a chapter of forgotten history. I wish you health and prosperity, and shall remain always, my dear Trevanion, Very faithfully yours, SCHUYLER VAN BOOMKAMP. White to the lips, Eric Trevanion looked from the letter he held in his hand to the manuscript, which had fallen to the floor. He picked it up and hastily glanced through the sheets until he reached the last page. Then his eyes di- lated with horror, his pallor increased, and he felt as though he would have fainted, had he not fled forth into the air. There his senses seemed to return to him. Composing himself with a violent effort, he returned into the house, and, going to his own room, he locked away carefully Schuyler Van Boomkamp's letter and manuscript in his dispatch-box. And then a great sense of misery and loneliness came over him, and flinging himself onto a sofa, he cried aloud in the agony of his soul : " Oh, God ! and is this the end ? Is my life utterly wasted? utterly spoilt ? Blind blind fool that I have been ! Had I but known where my happiness lay had I not been stupefied by my ghastly folly you might have loved me Maye, my darling, my pure, beautiful love ! And now what is left for me ? Ashes ashes ! I am not fit to enter your presence and yet I have fancied but no, she is pledged to Gabriel God forbid that I should break his heart should wreck his life more completely than it is wrecked already ! I will go to her perhaps the sight of 248 THE PRINCESS DAPHNE. her sweet, true face will chase this nightmare from my brain may save me, after all, in spite of myself/' And then the lines recurred to him this time with a new hope in every word : " I hold it truth, with him who sings To one clear harp in divers tones, That men may rise on stepping-stones Of their dead selves to higher things ! " And so Eric Trevanion sought once more the little boudoir, where he found Maye alone in the twilight, standing at the window looking out into the deepening shadows across the moat. As he entered the room she turned quickly. The evening light slanted across his drawn, white face, and she ex- claimed : " Mr. Trevanion Eric you have had bad news ! " " Bad news ! bad news ? I wonder whether it be bad. Terrible news yes ! but bad ! I wonder ? " "Oh, what is it?" " Daphne Pre'ault is dead." " Dead ! " " Yes." " How dreadful ! how did she die ? tell me about it." " She died in one of her curious fainting-fits. She had had many of them in the past year, and since her serious illness a short while ago she has never been her old self." " I am so sorry Eric." " Nay, do not be sorry for her, or for me, Miss Treve- thick. Perhaps it is better thus." " But you loved her so." " Loved her ? did I love her ? no ; I think God help me ! that I was bewitched, possessed mad ! " " But surely " " Do not let us speak of it I beg of you. It is all too sudden, too ghastly. Let us speak of something else." There was a moment of deathly stillness, and then Maye, womanlike, recovering herself the first, said : " SPLENDIDE MEND AX ! " 249 " What are these poems that Gabriel speaks about, that you have been reading to him ? " " A little volume by a young author," answered he, draw- ing it from his pocket as he spoke. " They are light, of course ; but some of them are very pretty. It has been lying about ; have you not read them ? " " No I took it up yesterday, but I was interrupted. Will you not read me one, as Gabriel suggested ? " " Certainly, if you wish it. No, do not ring : there is light enough here at the window. What sort of poem shall I read you ? " " Had you not better go on where you left off ? " " Very well. I was just going to read this one, when it struck me it was getting chilly for Gabriel, and we got up to come home. It is called " Nachtstuck" and runs thus : " 1 will lie still, here in the shadow, and turn my face to the wall ; Mine eyes shall behold no other since they may not mirror you, * Since I may not hear your voice mine ears shall be sealed too, And my lips are mute to all ! '' But you oh, my fair, sweet love, you must walk far afield, in the light, Not quite forgetting my soul that aches in the darkness here, Though Time's soft, dead hand puts me from you, each day less dear Grow the tender memories of night. " And that shall be well ! I am only a wraith from the fast, No more may my glad arms cradle your drooped gold head, To you and because to you, to all am I henceforth dead. [And you knew not that kiss was our last /] " And that is well too ! to the last was otir summer sweet, To the very end no pale cloud obscured our exquisite days, Our sun, for the last time, set in a warm, wild blaze, Making earth and heaven meet ! " False ? Ah, no! hardly that dear heart, you are not to blame ; [ Who carps at the sun, or the transient rain, or the fleeting evening dew ? ] And I cavil not at your fair young soul that would fain, but could not be true, And I love you, aye, the same. 250 THE PRINCESS DAPHNE. " That you do not ask it, I know, and I would not, alas ! but must Lie here chained and tortured by memory forever ; but you, dear, are free : And the welcomest gift that this wide, blank universe holds for me Is a little handful of dust! " As he read, his voice grew lower and more tender. Every word ate into her soul. It seemed as if Gabriel him- self was speaking, and it was more than she could bear. The spell of the words lay over Eric too, and he realized every word and its meaning. Had it not been for this they would have heard the slight noise that Gabriel had made as he raised himself on one elbow, to listen as he lay upon the couch in the conservatory. He had come in from the garden just as Eric entered the room they had not heard him and now, with a blind man's acuteness of ear, not a word that they had said had escaped him. Even now he might have made his presence known to them, but that, as Eric's voice ceased, Maye buried her head in her hands, and moaning, " Oh ! Gabriel ! " burst into an agony of tears. Gabriel waited and listened hardly daring to breathe in the gloom of the conservatory. It was Eric who spoke first within the room : " Ah, Miss Trevethick," he exclaimed, " I have pained you, Maye ! This poem has touched you then it speaks to you as it speaks to me. Poor Gabriel ! of us three I do not know whom I should pity most. You do not answer. Alas ! that I should speak so, when every prompting of honour urges me to keep silent. I have no right to speak, as my heart bids me, to the affianced wife of my best friend least of all when he is afflicted, helpless, as poor Gabriel is, but I am going away now, and I cannot go without a word." " Oh, Mr. Trevanion I beg of you " "Ah! don't stop me now I am leaving you, perhaps forever. Every day that I have been here I have been drawing nearer and nearer to the truth, that I love you aye ! love you more than words can say than eyes can speak ; " SPLENDIDE MEND AX! " 251 and that when I leave you as leave you I must poor Gabriel's blindness will have fallen on my soul. God help me, for I am utterly helpless myself." " My duty my duty " began the girl, but he interrupted her: " Yes, your duty and mine ; but when I think of your fair young life tied to his in one ceaseless continuance of care for his infirmity, even as you have tended him hitherto ; when I think that his eyes can never see you, that you must be chained for all your life to the side of a man whose only knowledge of you is memory the remembrance of your beauty, which cannot give brilliancy, for one moment, to the darkness before his eyes, my heart is ready to burst. Ah ! " he continued, desperately, losing himself in the torrent of his words, " let me go to him and implore his forgiveness for myself, for us. Why should we wreck three lives as wrecked they must be without doing any good by the sacrifice ? I cannot believe that I have been mistaken that you care nothing for me oh ! come to me, and be the light of my life." He had fallen on his knees by her side, burying his head in his hands in the agony of his despair and she laid her hand gently on his shoulder, as she answered him in a cold, miserable voice : " Hush, Eric ! hush ! I can never be the light of your life, if, indeed, that might be, for I have promised to be the light of his. You have spoken truly he will never see me you any of us, again ; the letter from Dr. Richardson has destroyed our last hope Gabriel is incurably blind, and this, if nothing else, makes my path clear before me." He raised his eyes to hers, and stayed there, on his knees, gazing into her soul, as she pronounced the death- sentence of their love. "We must not misunderstand one another, dear friend," continued she, "but I would gladly have spared both my- self and you this full knowledge of the truth. I am, as you 252 THE PRINCESS DAPHNE. know, without relations, without friends, save for Mrs. Hawleigh and Gabriel ; without means of subsistence save what I can gain by my own work. Auntie rescued me five years ago from absolute penury, and whilst I lived with her, Gabriel loved me in silence during all that wear}' time. It was only when he became famous and was becoming rich that he asked me to link my life with his ; and I con- sented. What else could I do ? besides I loved him very dearly though not as I could love. Hush ! do not speak ! His accident, as you know, has destroyed all his prospects ; would you have me desert him now ? No, no ! We must go away from here for I own to you, Eric, that you have stirred a deeper feeling within my heart than I knew existed there. Ah ! why should I pretend ignorance of my own weakness ? it is love ! But you are his friend and mine are you not ? Help me, then, by your example, to do my duty to our poor, blind Gabriel." She ceased speaking, and Eric, rising to his feet, took her hand and kissed it as he would have done homage to a saint. Then he said, controlling his voice with a violent effort : "Then it is all over. Thank you for this grand lesson you have taught me, and may you be as happy in your new life as you deserve. Forgive me for what is past, dear, and forget, if you can, that I ever asked you to be untrue to your promise to Gabriel. I leave here to-morrow. Think of me kindly, if you can, sometimes. For myself I cannot regret this trial, for it will make my life better, purer, to have loved you as I have come to do. See I will tear this poem from this little book ; and he must never know ! Perhaps we shall never meet again. In that case good- bye God in heaven bless you, Maye Trevethick." He kissed her hand once more, and the next moment he was gone. The silence that he left behind him was broken by a tiny noise in the conservatory. Maye's heart gave a violent bound, and for an instant she seemed to stifle ; then " SPL END IDE MEND A X!" 253 she went into the conservatory it was empty and flinging herself upon Gabriel's lounge, she sobbed as if her heart would break. The dinner at Trthwwsthpllgg that night was a silent meal save that Gabriel made a superhuman effort to appear gay as usual. He and Eric kept up a cross-fire of conversation, in which Maye alone detected the false note. When it was ended, and the Trevanions, father and son, and Gabriel had joined Mrs. Hawleigh and Maye in the little boudoir, Gabriel said : " Are we all here ? yes ? That is good I have some- thing very serious to say to you all. Yes, mother," he said to Mrs. Hawleigh, who came and laid her hand on his arm, " it must be said sooner or later, as I told you. Sit down and keep silence, all of you, please, till I have done. Maye ! mother has been reading to me Dr. Richardson's letter,, and it has decided me to say what I have been on the verge of saying to you for many weeks for many weeks. You now know that I can never recover my sight, that I can never again see the landscapes in which I have revelled, the flowers and animals which I have loved ; can never again see you, save as the beautiful model whose features I fixed upon my canvas and my brain last, before my light became a great darkness. I am poor very poor and blind. That, I know, makes no difference to you but, alas ! this physical infirmity has altered my whole being in a moment, as it were in a moment and I should be doing you a grievous wrong were I to conceal my altered feelings from you and marry you notwithstanding. Hush! do not speak I beg of you. Only forgive me. I cannot marry you to make your fair young life one of slavery, even if I would do so; and you must not think me fickle or untrue ; it is my infirmity my infirmity, that has altered my whole life." Maye flung herself on her knees by his side, and put her arms about him : 254 THE PRINCESS DAPHNE. "I cannot leave you like this, Gabriel I cannot leave you ! " she said. " I know I know, dear," he replied ; " but it must be so. Eric your voice, when you have spoken to me of Maye, has told me far more than your words have said we blind men have keen intuitions and infallible instincts, you know ; will you guide for me this child-friend of mine through her pure, sweet life ? and the knowledge of your happiness will be a light to my life which has become so dark." Eric Trevanion rose in his turn : " Gabriel dear old man," he said, " you must not make this sacrifice we cannot bear it." " Yes, old friend," he replied, " it must be it is better so. Mother, dear we shall not be separated, after all, you and I. We will go back to the old studio, to our old life and my music, and Eric and Maye will come sometimes to tell me of the world they see around them." Splendide mendax ! EPILOGUE. Many years have passed since the day that the story told in the foregoing pages was closed with Gabriel Hawleigh's magnificent lie. The Hawleighs, mother and son, are both dead. Gabriel Hawleigh died in Naples or more accu- rately speaking, at Sorrento, whither he had fled in search of quiet, and recovery from a malarial fever caught in Rome but not before his fame as a musician had rung from one end of Europe to the other, as would have rung his fame as a painter, had not his career been cut short by his accident. There lingers probably in the memory of many of my readers the fame of a violinist who stirred the heart-strings of his audiences as no one has stirred them since Paganini and Sainton stayed their magic fingers under the grasp of death. He was a miracle for he was blind. And under the nom d'artiste which he adopted and inscribed indelibly upon the roll-call of glory, only a few people in England recognized Gabriel Hawleigh the painter. His mother was with him to the last, but she did not long survive her son. She died in the old studio-house in Hol- land Street shall I say of a broken heart ? Now-a-days I fear to say it, for, now-a-days, hearts do not break. Dick Lindsay married Eva Easton, but Sylvia never mar- ried anybody : she lives on the Schiavoni in Venice, and paints pictures that are eagerly sought for in the index of the Academy catalogue. Bernard Rawlinson is a great actor now, and never paints at all ; Gerome Markham still individualizes the pages of a leading comic paper, and dresses five times a day he does not look an hour older than he did the day on which I first saw him ; and Mr. Charles Sturton-Baker has disappeared. There was a little difficulty about the prospectus of a joint-stock company, 255 256 THE PRINCESS DAPHNE. which brought about his enforced seclusion for a few years at the expense of Her Majesty's government. When he had served his term he sought fresh fields for his peculiar industry in the United States, exchanging them subse- quently, owing to circumstances over which unfortunately he had control, for the pleasant security of Canada. He did not marry Parthenia Van Baulk'em. That young lady came over to England to inspect Mr. Charles Sturton-Baker's position " on the ground " so to speak, and finding that the swain had given to an airy noth- ing, a local habitation and a name, returned to Fifth Avenue the betrothed of Mr. Murray Hill. They were married in the spring following and people say that he beats her. It was only last summer that I went down to Cornwall, to rest at Trthwwsthpllgg Manor, at the conclusion of a more than ordinarily hard spell of work, and gave that terrible polymonosyllable to my publishers as my address for a couple of months. The Autocrat of Trthwwsthpllgg is a grand old gentleman, autocrat now only in name, for the reins of government have fallen to Eric, who is the typical young country squire, very proud of his place and his horses, and on his knees to his wife, who has not aged an hour I swear! since I first met her in Holland Street. And in the early morning I used to be awakened by a chorus of shrill shouts from the lawn beneath my windows, proceeding from the throats of Eric's children, to wit, his daughter Dorothy, a young woman of decided and advanced opinions, and her twin brothers, Eric and Gabriel, whom she rules with a rod of iron. They are her juniors by a couple of years, and it is an understood thing that Dorothy is to make haste and catch me up, and then we are to be married ! One evening I was sitting alone with Eric in his armoury, dignified by the name of " study," when our conversation turned upon the old colony in Holland Street, on the Hawleighs, and on " the Princess Daphne." The old wound had long healed over, so I knew that I could ap- proach the subject with impunity. EPILOGUE. 257 " By-the-bye," I said, " what a dreadfully sudden thing Daphne Pre'ault's death was ! did you ever hear any of the details ? " "Yes all of them." " How did she die ? " "My dear fellow," said Eric, very gravely, " the death of Daphne Preault was one of the most horrible tragedies that the world has ever witnessed: Fortunately for everybody concerned she had been attended by Schuyler Van Boom- kamp, the American psychologist, and he arranged matters." " Why, what do you mean ? " I exclaimed ; " I never thought there was any mystery. I always understood that Miss Preault was subject to fits of some kind, and that in one of them she had died." " If you like," said Eric Trevanion, not answering my re- mark, " I will place in your hands a complete account of her death. It reached me and I read it the day that I pro- posed to Maye, my wife. From that day to this it has lain undisturbed." So saying, he turned to a dispatch-box that lay on the table, and, unlocking it, he took thence a few sheets of paper, folded up, and getting yellow with age. These he placed into my hands. I unfolded them and read as follows : THE NARRATIVE OF THE COLOURED WOMAN CLYTEMNESTRA : GATHERED FROM HER LIPS BY SCHUYLER VAN BOOM- KAMP, M.D., LEYDEN, PARIS, AND N. Y. I was born in the service of the late Victor Preault of New Orleans, on the Belles Fontaines plantation, Louisiana, U. S. A. After his death I came to England with Miss Daphne Preault, and have been with her all the time she has been in this country. Madame du Peyral began coming to the house early in this summer, and she and Miss Pre'ault seemed very much attached to one another. Whenever Mr. Trevanion was not here, Madame du Peyral used to come and remain with Miss Pre'ault. One day Madame du Peyral 17 258 THE PRINCESS DAPHNE. brought her things and came to stay in the house. The next day Mr. Trevanion left London. I have not seen him since. Madame du Peyral was here about three weeks ; she occupied the room adjoining Miss Preault's on the first floor, and connected with it by a door. They used generally to sit up talking late into the night in one room or the other, and in the morning, at nine o'clock, I used to carry up the breakfast. Often Madame du Peyral would be in Miss Pre- ault's room, and then I used to carry the chocolate in there for both. A few days after Mr. Trevanion had left, a letter came from him, and I took it up to Miss Daphne on her tray. Madame du Peyral was there, sitting on the edge of the bed talking, and the moment she saw the letter she tried to snatch it. Miss Daphne was too quick for her, and she did not get it. I often heard them speak of it afterwards, Madame du Peyral always wanting to see it, and Miss Daphne never showing it to her. The last morning before Madame du Peyral left the house I took up the chocolate as usual, and as I went into the room I thought I heard their voices raised as if in anger, and when I got in, Miss Daphne was lying in bed looking very pale, and I was afraid she was going to have one of the fainting-fits she used to have. Madame du Peyral was sitting on the bed by her side, looking at her her face was red, and she had a dangerous look in her eyes that frightened me. The bed-clothes were disarranged, and the two looked as if they had been struggling. Neither spoke whilst I was in the room, and instead of going out again by the door onto the landing, I went into Madame du Peyral's room, intending to arrange it a little, and to be within call. In a moment, however, I heard footsteps, and Madame du Peyral, coming in by the connecting door, said : " You need not arrange my room yet wait till I am dressed." I went out, but came back as soon as I heard them talk- ing together again, and listened at the door, which had been EPILOGUE. 359 left ajar between the two rooms. Madame du Peyral was saying : " Why won't you let me see it ? I am sure there can be nothing to conceal. I know Mr. Trevanion dislikes me, and that if he mentioned me at all, it was unpleasantly." " But he didn't mention you at all, Mahmoure what a child you are ! " said Miss Daphne. " Not such a child," she said, " as to be deceived in that ridiculous way. I know what was in the letter he wants to make peace with you, and he wants you to give me up. Well, it is very simple for you to choose. You are tired of me." "Don't be so silly," was the answer; " there isn't a word of truth in what you say ! " Then I peeped through the door-crack, and saw Miss Preault take Madame in her arms. The latter struggled away, exclaiming : " No you are tired of me." " I am not." " Then give me the letter." "I can't." And then Madame du Peyral began to cry. " Come, Mahmoure," said Miss Daphne, " you excite yourself too much. You are overtaxing your strength. We carry our gossip too late into the night. Even /am not so strong as I was. Every night I determine to send you to bed, and not let you sit here and chatter; but then we for- get all about the time. I have been feeling unlike myself for days, and this morning I have a dreadful headache. Come, stroke my temples for me, dear." Madame du Peyral's face was turned in my direction, and as she leaned over Miss Daphne, the same horrible, frightening look came into it. I could see that Miss Pre- ault's eyes were shut. Then the other got up and, creeping across the room, pulled down the blind, and came back to the bed, where she lay down and began passing her fingers across Miss Prdault's forehead and through her hair. 2<5o THE PRINCESS DAPHNE. Miss Daphne did not move, and gradually Madame du Peyral drew herself into a crouching, sitting position, watch- ing, watching, watching, as she played with the other woman's hair. Suddenly Miss Daphne gave a gasp and struggled a little. Madame, seeing her move, flung herself suddenly upon her, and gripped her round the throat I did not dare to stir I was frozen with terror. Then she began to mutter rapidly and incoherently in a harsh, forced voice. " No, no ! " she said, "you shall not die I will keep your life in you ; it shall not escape ; " and she still held Miss Daphne's throat. The latter moved a little, then a little more. Then her movements grew weaker again, and at last she lay quite still. Then Madame du Peyral stooped lower and began kissing her. I went into the room. As I entered, she looked up like a wild animal just going to spring, and cried, "Go away ! how dare you come in here ? " I was terrified, and put on my things and ran for the American doctor who has been here sometimes. When he came he told me Miss Daphne was dead. I say that Madame du Peyral killed her. Her CLYTEM X NESTRA. Mark At this point the manuscript was signed with the mark of Clytemnestra, witnessed by Schuyler Van Boomkamp. A few words were added by the doctor to the effect that Miss Daphne Preault had died of a sudden cerebral congestion produced by over-excitement, and the narrative closed with his signature and the date. THE END. POPULAR BOOKS SELECTED FROM THE CATALOGUE OF BELFORD, CLARKE & CO., CHICAGO AND NEW YORK. Memories of the Men Who Saved the Union, Lincoln, Stanton, Chase, Seward, Gen. Thomas, etc., with new portraits. 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Ballantyne. Forayers (The). By W. Gilmore Simms. Giant Raft (The). By Jules Verne. Guy Rivera. By W. Gilmore Simms. Hunting In The Great West. By G. O. Shields. Katharine Walton . By W. Gilmore Simms. Last of The Mohicans (The). By Fenimore Cooper. Mellichampe. By W. Gilmore Simms. Mysterious Island, (The.) By Jules Verne. Partisan (The) . By W. Gilmore Simms . Pathfinder (The.) By Fenimore Cooper. Perilous Adventures, By Land and Sea. By John Frost, LL.D Rifle and Hound In Ceylon. By Sir Samuel Baker. Richard Hurdis. ByW. Gilmore Simms. Robinson Crusoe. By Daniel Defoe. Scout (The). By W. Gilmore Simms. Secret Dispatch (The) . By James Grant. Southward Ho! By W. Gilmore Simms. Spy (The). By Fenimore Cooper. Swiss Family Robinson. By Wyss & Montolieu. Xhrilling Scenes Among The Indians. ByT. M. Newson. Four of The World In Eighty Days . By Jules Verne . Twenty Thousand Leagues Under The Sea. By Jules Verne. Vasconselos. By W. Gilmore Simms. Woodcraft. By W. Gilmore Simms. 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ByR. H. and Elizabeth Stoddard. FABLES AND FAIRY TALES ! ^Esop's Fables, 100 Illustrations . Andersen's Fairy Tales. By Hans Christian Andersen. Arabian Nights (The) Grimm's Popular Tales. By The Brothers Grimm. Gulliver's Travels and Baron Munchausen. By Dean Swift and R. E. Raspe. FICTION. Adam Bede. By Geo. Eliot. Admiral's Ward. By Mrs. Alexander. Airy Fairy Lilian . By " The Duchess." All In A Garden Fair . By Besant & Rice. Arundel Motto (The). By Mary Cecil Hay. Beauty's Daughters. By " The Duchess." Belinda. By Rhoda Broughton. Beyond Pardon. By Bertha M. Clay. Broken Wedding Ring (A). By Bertha M. Clay. Called Back and Dark Days. By Hugh Conway. Cardinal Sin (A) . By Hugh Conway . Children of The Abbey . By Maria Roche . Daughter of Heth (A). By Wm. Black. Doris. By " The Duchess." Dora Thome. By Bertha M. Clay. Dick's Sweetheart. By "The Duchess." Dunallan. By Grace Kennedy. Earl's Atonement (The). By Bertha M. Clay. 13 East Lynne. By Mrs. Henry Wood. Eugene Aram . By Bulwer Lytton . Endyinion. By Benjamin Disraeli. Faith and Unfaith. By " The Duchess." Felix Holt . By Geo . Eliot . ForLilias. By Rosa N. Carey. Green Pastures and Picadilly. By Wm. Black. Great Expectations. By Chas. Dickens. Heart and Science. By Wilkie Collins. Henry Esmond . By Wm . M. Thackeray . Her Desperate Victory. By Mrs. M. L. Rayne. Her Mother's Sin. By Bertha M. Clay. lone Stewart. By Miss E. Linn Linton. Ishmaelite (An). By Miss M. E. Braddon. Jane Eyre. By Charlotte Bronte. John Halifax, Gentleman. By Miss Mulock. Kenelm Chillingly. By Bulwer Lytton. King Arthur. By Miss Mulock. King Solomon's Mines. By H. Rider Haggard. Ladies Lindores. By Mrs. Oliphant. Lady Audley's Secret. By Miss M. E. Braddon. Lady Branksmere . By ' ' The Duchess . " Love Works Wonders. By Bertha M. Clay. Macleod of Dare. By Wm. Black. Madcap Violet. By Wm. Black. Maid of Athens. By Justin McCarthy. Margaret and Her Bridesmaids. By Julia Stretton. Mental Struggle, (A) . By " The Duchess . " Mill On The Floss . By Geo . Eliot . Molly Bawn. By "The Duchess." Mrs . Geoffrey . By " The Duchess . " New Magdalen (The). By Wilkie Collins. Old Myddelton's Money. By Mary Cecil Hay. Oliver Twist . By Charles Dickens . Our Mutual Friend . By Charles Dickens. Parisians (The). By Bulwer Lytton . Paul and Virginia, Rasselas and Vicar of Wakefield. By St Pierre, Johnson & Goldsmith. Phantom Fortune. By Miss M. E. Braddon. Phyllis. By "The Duchess." Portia ; or, By Passions Rocked . By " The Duchess . " Princess of Thule (A). By Wm. Black. Repented at Leisure . By Bertha M. Clay. Romola . By Geo . Eliot . Rossmoyne. By " The Duchess." Shandon Bells. By Wm. Black. She . By H . Rider Haggard . Strange Story (A). By Bnlwer Lytton . Strange Adventures of a Phaeton . By Wm . Black . Sunrise. By Wm. Black. Sunshine and Roses. By Bertha i.i. Clay. Tale of Two Cities (A). By Charles Dickeris. That Beautiful Wretch . By Wm. Black . ; Three Feathers . By Wm . Black . To The Bitter End . By Miss M . E . Braddon . Tom Brown's School Days. By Thomas Hughes. Tom Brown At Oxford . By Thomas Hughes. 13 Two On A Tower . By Thos . Hardy. Under Two Flags. By Ouida. Vanity Fair. By Wm. Thackeray. Wanda. By Ouida. Wilfred Cumbermede. By Geo. Macdonald. Woman's Temptation ( A) . By Bertha M . Clay Wooing O't. By Mrs. Alexander. Yolande. By Wm. Black. Zanoni. By Bulwer Lytton. HISTORICAL ROMANCES. Bride of Lammermoor. By Sir Walter Scott. Guy Mannering. By Sir Walter Scott. Heart of Midlothian . By Sir Walter Scott. Ivanhoe . By Sir Walter Scott . Kenilworth. By Sir Walter Scott. Last Days of Pompeii. By Bulwer Lyttou. Redgauntlet. By Sir Walter Scott. Rienzi . By Bulwer Lytton . Rob Roy . By Sir Walter Scott . Scottish Chiefs. By Jane Porter. Thaddeus of Warsaw. By Jane Porter. Waverley. By Sir Walter Scott. Willy Reilly. By Wm. Carleton. HISTORY AND BIOGRAPHY. Dickens' Child's History of England. Washington and Marion (Life of) . Webster (Life of). By Samuel Snmcker, LL.D. HUMOROUS FICTION. Charles O'Malley . By Charlea Lever . Handy Andy By Samuel Lover. Harry Lorrequer. By Charles Lever. Rory O'More. Samuel Lover. RELIGIOUS AND DEVOTIONAL. From Year to Year. By Alice Carey. Imitation of Christ. By Thos. & Kempis. Is Life Worth Living. By W. H. Mallock. Pilgrim's Progress (The). By John Bunyao. SEA TALES. Cruise of The Black Prince (The). By Commander Cameron . Five Years Before The Mast. By W. B. Hazen. Jack In The Forecastle. By Hawser Martingale. Mark Seaworth. By W. H. Kingston. Midshipman (The) . By W . H . Kingston . Peter The Whaler . By Sir Samuel Baker . Pilot (The). By Fenimore Cooper. Pirate (The). By Sir Walter Scott. Red Eric (The) . By R . M . Ballantyne . Round The World. By W . H . Kingston . Salt Water. By Sir Samuel Baker. 14 Sea Queen (A). By W. Clark Russell. Tom Cringle's Log. By Michael Scott. Two Years Before The Mast. By R. H. Dana, Jr. SHORT STORIES. Dickens' Christmas Stories. Dickens' Shorter Stories. Dickens' Story Teller. Ethan Brand. By Nathaniel Hawthorne and others. Fern Leaves. By Fanny Fern. Half Hours With Great Authors. Half Hours With Great Humorists. Half Hours With Great Novelists. Half Hours With Great Story Tellers. Poe's Tales . By Edgar Allan Poe . Shadows and Sunbeams. By Fanny Fern. True Stories From History. By Hugh DeNormand. TRAVEL. Eight Years' Wanderings In Ceylon. By Sir Samuel Baker. Hyperion. By H. W. Longfellow. Outre Mer. By H. W. Longfellow. Some New and Popular Books. A Dream and a Forgetting. By Julian Hawthorne. 12mo, cloth $1 00 Paper covers 50 Rents in Our Robes. By Mrs. Frank Leslie, a brilliant review of modern society and manners by one of their most noted exponents. 12mo, cloth 1 00 Paper covers 50 -\ A Slave of Circumstances. By B. DeLancy Pierson. 12mo, cloth 1 00 Paper covers 50 The Romance of a Quiet Watering Place. An extraordinary study of human nature, by Nora Wardell. 12mo,oloth 100 Paper covers 50 His Way and Her Will. A pen-and-ink miniature of Eastern society, by A.X. 12mo, cloth 1 00 Paper co vers " 50 The Land of the Nihilist : Russia. By W. E. Curtis. Illustrated with over 100 drawings. 12mo, cloth 1 00 The Lone Grave of the Shenandoah. By Bonn Piatt. 12mo, cloth 1 00 Paper covers 50 The Political Oratory of Emery A. Storrs. From Lincoln to Garfield. By Isaac E. Adams. 12mo, cloth . 1 00 Paper covers 50 Th Protective Tariff. jbat It Dea for Us! By Gen 1 ! Hermann Lieb. 12mo, cloth 1 00 >elford'5 Edited by DONN PIATT. A Magazine devoted to Politics, Poetry, General Literature, Science and Art. 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