J. MC PHERSON'S Poems THE ] [BRARY THE UNIVERSITY OF CAL IFORNIA LOS ANGELES MoPHERSON'S POEMS. POEMS, DESCRIPTIVE AND MORAL, JOHN McPHEESON. STYLED BY HIMSELF " HARP OF ACADIA," HALIFAX, N. 8. PRINTED BY THEOPHILUS CHAMBERLAIN. 1862. "FT? INTEODUCTOEY IEMOIE. THE literary memorial is, in modern times, a favorite resort against earthly oblivion and forgetful ness. It is one of the least expensive of the monuments to departed ability or worth, and may be the most popular, enduring, and useful. The statuary or tablet may fix the attention of friendship or curiosity, the pyramid, looming above the desert sands, may attract the traveller from a distance ; but marble and granite nave but a narrow sphere, a vague and fleeting story, compared with the volume of letter-press. The latter, to some extent, perpetuates the spirit of the departed. It furnishes precept, while it embodies warning or example ; it lies on many a cot- tage window-sill, and bears its more ample record to other generations. Subjects deemed appropriate for memoir, however, are com- paratively few. Generally speaking, only to those who stood somewhat apart in life, and who in character or achievement, attained or deserved, a conspicuous position, are such remem-> brancers usually accorded. A new country has but few memorials of the past of human history, but few who are distinguished in any of the more select pursuits of life, and it is apt to be neglectful of interest- ing records, until due materials for them pass beyond reach. Under such circumstances, more than the usual excuse, or demand, exists, for occasionally taking advantage of oppor- 762940 11. INTRODUCTORY MKMOIR. tunities, by securing such memories as may tend to usefully distinguish or ornament the social annals. In lands of ancient refinement and renown, the elaborately rich landscape has castle and palace and cathedral, as marks of wealth and pro- gress; in places emerging from the wilderness state, the cottage and the clearing, beside woodland and lake, are deemed worthy of some respectful attention. So it may be with human story. Above seventeen years ago, the subject of the present memoir, under circumstances of rapidly declining health, looked fondly forward to such a mode of keeping himself and his writings in some remembrance by his countrymen, and chose the pen for the anticipated work. Since then, amid the vicissitudes of life, the task has been frequently buiFetted from the willing hand ; the times were not propitious for publication of the poems, and annoying postponements took place. Hope of achieving the object, however, was cherished, and the idea was occasionally urged on public notice. Opportunity dawns at last ; and the wish of the departed, and of many living friends, has promise of being realized. As the writer of numerous favorite melodies, who lived and died separated from the busy world, intent on maintaining the minstrel's vocation, as one whose ambition was, to be called the Poet of his native Province, and whose hopes, efforts, achievements, and disappointments, aiFord lessons, interesting and useful, McPherson, surely, was worthy of such a tribute to his memory, such a fulfilment of his expectations, as this > volume supplies. To trace the emotions and exertions of a mind out of the usual order, may be variously desirable, even though the fine machine did not always run wisely, according to the wisdom of this world. The rude details of every-day experience, encount- ered under very untoward circumstances, may, like the bars of the sky4ark's cage, have prevented higher flight and sweeter music, and caused laceration and early subsidence of song and life ; but the snatches of melody should be appreciated, and the pathetic story win attention in $ leisure hour. INTRODUCTORY MEMOIR. 111. Much of a country's wealth consists in her better minds. To allow the memory of such to disappear with their earthly frames, may be considered about as inappropriate and injudicious, as would be the interring of money wealth when the spirit de- parted. Where the memory of genius is baleful, let it be forgotten, except by way of lament or warning; where it is of beneficial tendency, the light should, as it may, be handed down from generation to generation. Happily, McPhersou's intellectual remains are of the purer kind. Nova Scotia cannot afford to lose such property. Within a brief period several names went from the lists of earthly life, the intellect connected with which deserved careful preserva- tion. Where are the eloquent and beautiful passages from the speeches of S. G. W. Archibald, as barrister and " Speaker of the House " ? Where the simply wise and classic observations of the " Philosopher of the Dutch Village " ? Where the his- toric narrative, the local anecdote, the peculiar information in varied departments of knowledge, which other " old inhabi- tants " might have so copiously furnished ? Answers to those en- quiries, in many instances, would be painful. Let McPherson's poems be an exception to the too common rule of young countries, and perhaps other similar memorials calculated to be inter- esting and useful, and those qualities should not be separated may yet furnish valued contributions to Provincial Literature. To speculate now, on what the subject of this memoir would have been under more fortunate worldly circumstances, or with more business sagacity and every-day prudence, would be idle. . He was of delicate health, a school-teacher, a writer of verses, in a rural district of a new country ; he experienced, in aggravated form, the privations too often consequent on such circumstances, and had, in addition, delicate sensibility, literary ambition, visions of impracticable achievement, which were calculated to make his position more keenly distressing. But, withal, he cherished, almost unwaveringly, a love of the beautiful and the good, of earth ; and fond thoughts, elevating and consoling, of the better country beyond. IV. INTRODUCTORY MEMOIR. This small volume affords some characteristics of the man. in reference to the brief narrative of his life; but much more suggestive indications of his mental constitution, of his sufferings and his enjoyments, in the verses which follow ; and which he left lovingly and hopefully to the Province whose bard he de- lighted to be considered. Each of the titles under which the poems are arranged, fur- nishes intimations of his moods and experience. " Love of Nature " was pre-eminently a prevailing tone of his mind. The " Social and Domestic " associations and affections might be considered instinctive to his mental constitution. He brooded, either in grief or love, over the " Personal " phases of his troubled life. The " Devotional " tendency appeared in almost every part of his more serious contemplations. Moral Reform, in the way of " Temperance " and otherwise, early attracted his attention, and sometimes engrossed his energies ; and his " Oc- casional " literary efforts were more or less tinged, throughout, with the varied coloring suggested by external nature, by family and individual affections, and by moral and religious impulses. Such was the man, with his defects and his virtues, to save whose memory from oblivion, to some good extent and good effect, is an object of this presentation of his writings, to the public for whom they were composed. SOME INCIDENTS OF LIFE. JOHX McPHERSON was born in Liverpool, Nova Scotia, the pleasant shire-town of Queen's County, on the 4th of February 1817, and continued to reside there, for the most part, until about his seventeenth year. His school education was confined to the common branches usually taught in rural districts. His early teacher was Mr. Stephen Payzant, for whom the poet entertained much respect. McPherson's boyhood was distinguished for seriousness, for avoidance of rough boisterous play, for fondness of retirement, and for an ambition to improve his mind, and mayhap to win some literary fame. Probably attention to physical organiza- INTRODUCTORY MEMOIR. V. tion was made unduly subservient to intellectual culture in the earlier years of his life ; and for such imprudence, nature generally inflicts some penalties both on body and mind. He appears to have had only few opportunities for the improvement after which he yearned,' but those opportunities were highly valued. His habit was to study by fire-light, or alone in fields or woods, or in other places of solitude and quiet. His favorite reading consisted of what are considered classic English works, in prose and verse. He was fond of repeating passages from Campbell's and Kirke White's poems ; and his story, in many parts, had much in common with that of the amiable bard who wrote so plaintively of sickness and disappointment, and early departure from the trials of earth. At about his seventeenth year he went to live at Brookfield, in what is called the northern district of Queen's County. His place of residence there was the house of his uncle, Mr. D. McPherson, whose daughter the poet married a few years subsequently. While at Brookfield he had the benefit of brief tuition, from Mr. A. M. Gidney ; a gentleman of literary taste and talent, who cherished affection for the poet and respect, for his literary abilities. This friend relates two interesting incidents relative to Mc- Pherson's early history. The first has reference to the earliest observed indication of the strength of his poetic sensibilities. A young woman, an acquaintance of McPherson, had been, at the time referred to, recently married to one of the young settlers of the district. Her husband had been away from home for some days, at work in the woods, when the relater of the anecdote, McPherson, and the young woman, met in her father's garden, at summer twilight; the hour whose semi-obscurity adds so much to the poetic effects of rural scenery. The bark- ing of a dog interrupted the friendly conversation, and, looking in the direction indicated, the woodman was observed, " plod- ding his weary way," to the homestead. A grateful flush man- VI. INTRODUCTORY MEMOIR. tied the young wife's cheek, and the elder of her companions ejaculated : " 'Tis sweet to hear the watch-dog's honest bark Bay deep-mouthed welcome as we draw near home ; 'Tis sweet to know there is an eye will mark Our coining, and look brighter that we come." The quotation was new music to McPherson ; a remark testi- fied to the charm which it had for his ear and he requested a repetition of the lines, as calling up very pleasing visions to his imagination. Soon after, the two friends, preceptor and pupil, were enjoy- ing an evening ramble on the banks of " Pleasant River." They ascended a rising ground, and loitered awhile, gazing on the landscape, under the influences of moonlight. The elder repeated Coleridge's fine ballad of Gsnevieve, commencing with the suggestive lines : " The moonshine stealing o'er the scene, Had blended with the lights of eve." The melody and pathos of the verse, affected McPherson to tears ; and the interchange of thought which followed, proved to his friend, that the young man was eminently predisposed to those utterances of strong emotion and just sentiment, in fitting words, that constitute so much of the poetic faculty. About this time, in a playful contest with a young friend, poor McPherson received severe personal injury, which caused him some months' confinement to the house, and frequent sub- sequent weakness and pain. The friend alluded to, in a letter dated 1861, says: "An accident occurred in our school-boy days which developed some valuable traits, in McPherson's character. In a boyish struggle between us, his ankle was fractured. This caused deep and lasting regret to me, and pain and inconvenience to him, but the event which in ordi- nary minds would have awakened different feelings, only served as an occasion for calling out his spirit of forgiveness, and m;idii him ever after my warmest and most faithful friend." INTRODUCTUKV MEMOIR. VU. Before taking up the employment of School teaching, Mc- Pherson lived in Halifax for awhile, in the capacity of clerk. When approaching manhood, he went a voyage to the West Indies, during which he evinced his proneness to be unduly affected by unfriendly circumstances and prospects and the harsh moods of others. He was married on the 12th December, 1841. The match was one of poetry and love, undertaken while heavy clouds impended over his experience and his prospects, but gleams of hope on the horizon more than counterbalanced, to him, the gloom of the present. He indulged cheering visions of poetic fame and pecuniary reward, of a cottage and a small farm, and humble happy independence. He moved to Kempt Settlement, Queen's County, and taught school 'or two years. Thence he went to Maitland, Annapolis County, and finally returned to Brookfield, the home of his affections. He had intellectual qualifications for the teacher's avocation ; he studied educational topics carefully ; he wrote on some departments of the profession ; but he loved leisure and medi- tative peace, his physical health required repose and solace, his mind was sensitive and yearned for some reasonable worldly competence. Such requirements, natural and praiseworthy in their way, were sadly out of keeping with the noise, and rough- ness, and fagging, and poor pecuniary remuneration, of such schools as came within his personal experience. No wonder that under the changes of locality, incident to his teaching years, his prevailing feelings were those of difficulty and gloom: his chief employment was not congenial or productive, and want of daily means for comfort, became almost a daily fear. A letter from his widow, to a friend, referring to a period soon subsequent to their marriage, says : " He continued his teaching, which weighed on him as a heavy task : shut up day after day in a miserable, uncomfortable, unhealthy school- house, and being much oppressed for breath. The labor and care were too much for his delicate health ; he used to come Vlii. INTRODUCTORY MEMOIR. home so utterly worn down, so discouraged and so sad ; his mind so low at times, it was fearful beyond description. None but the Almighty knows how much he and I suffered ; I have tried to forget those sufferings ; you are the first person to whom I have spoken of them since his death; I know they will leave no other impression on your mind than they have on my own, pity and love." What eloquent indications are here given of the social and inner life of the poor man whose poetry, meanwhile, was afford- ing pleasure to so many minds. What indications, also, of the wretched provision made for teachers and teaching in too many parts of new countries. How often might country school-houses be described as poor sheds on rocky spots at cross-roads, uncom- fortable, and unsightly, instead of being, as they ought, commo- dious and ornamental, cherished landmarks of the invaluable privileges of education. " Delightful task to rear the tender thought, And teach the young idea how to shoot." Yes, delightful in its abstract nature and objects j not, by any means, undelightful, either, in practice, to the adapted mind, and under favourable circumstances; but many varieties and strong contrasts exist in the profession. Let not those who think highly of it be ready to blame poor McPherson as queru- lous and over sensitive. Neither in body or mind was he fitted for the charge of a wilderness-settlement school ; and content- ment or success, under his circumstances, might well be deemed impracticable. McPherson learned somewhat of carpentering, and worked at the business for a short time. His attention seems to have been attracted'diversely, according to moods and opportunities. Occasionally he was led to desire more active employment, at the carpenter's bench, or in the field, as more conducive to health and cheerfulness; occasionally his energies were devot- ed to the school, as a ready and appropriate sphere for a studi- ous mind ; and poetic compositions, sometimes absorbed his INTRODUCTORY MEMOIR. IX. attention, because he felt and thought poetry, and fondly ima- gined that in so indulging his most cherished propensity, some respectable share of fame and of pecuniary reward, would result. During a visit to Halifax in 1843, his demeanor was mark- ed by the quiet retiring characteristics previously alluded to. He appeared to lack curiosity and interest concerning matters, generally found attractive by visitors from the country, and to rather shrink within himself, and within some world of his recollection, from the noise and activity of the world about him. But he could well enjoy the society of persons having literary tastes akin to his own, and therefore readily, though rather dreamily at times, he made one of an evening circle where literature, as a matter of course, would become a theme. About this time he became acquainted with Sarah Herbert, whose published verses have had a wide Provincial circulation. Miss Herbert, like McPherson, was warmly attached to poetry, and fond of giving literary exercises a moral and religious ten- dency. She evinced hearty admiration for the sweetness of McPherson's lyre, appreciated his unsophisticated character, and could repeat from memory, with much feeling, several of his best lines. One pleasant evening, a small social party, includ- ing the two writers, was assembled. The conversation, as might be expected, turned on poetry, and Miss Herbert recited with clearness, taste, and due emphasis, his stanzas, entitled " Longings for Spring." The company were much pleased with the plaintively picturesque lines ; but the bard himself, on hear- ing his verse so fluently repeated by a sister melodist, was gra- tified and delighted beyond measure, and forgot, for a happy moment, present cares and gloomy prospects. Both writers, and others, then young in years and hope, and who well enjoyed the mental treat of the evening, went ear- ly beyond the " dark river." The memory of that past has eloquently sad homilies for survivors; but may we not hope that the departed have united in higher converse in a better land? Such hopes are required to give a " silver lining " to the cloud X. INTRODUCTORY MEMOIR. that so frequently impends over mutations of earth. As Miss Herbert wrote, in memorial verses inscribed to McPherson : " The lyre we hear no more, He, doubtless, tuneth to a loftier strain ; And its soft music swells, unmixed with pain, In hymns triumphal, on the heavenly shore." Poor McPherson indulged some reasonable ambitions, in re- ference to affairs of this life. One of those was, to have a cot- tage of his own ; he fondly dreamed of 'a home, where he might freely indulge his social feelings, might make wife and child happy, and sit at a comfortable fire-side, the kind master of a loving circle. This was but a reasonable ambition ; he felt it to be virtuous and manly ; he made what might indeed be called a death-struggle for its accomplishment; but just as the prize seemed about to be realized, it eluded his enfeebled grasp. The cottage went from his possession, and he, worn out, and ut- terly defeated in his earthly hopes, departed to the " narrow house" which all inherit, and which he had learned to look on as a shelter and a refuge. In his building efforts he was aided by Halifax friends. The Highland Society gave him a donation of 20 10s. ; and an association, called the Literary Society consisting chiefly of young men, clerks, store-keepers, and others presented him -with a purse of 30. A gentleman also loaned him, on terms which made the loan equivalent to a gift, a sum of 25. Little was said of this benefaction, or of the benefactor, at the time, for but little was known on the subject ; now, however, when the incident has so long passed by, it may be only right to say, that the money was furnished by Win. Young, Esq., the present Chief Justice of Nova Scotia. MePherson accepted those compliments with feelings of gra- titude and of self-respect. He properly considered them as marks of regard for himself and his writings, as consequent on his many contributions to the public by means of the press, and as to be duly accounted for, by pecuniary return in the one INTRODUCTORY MKMOIR. XI. case, and in the others by grateful recollection and future liter- ary services. In a letter acknowledging, to the writer of this memoir, a first instalment of the Literary Society's gift, and written in August, 1846, the poet says : " I have received your letter with remittance, and need not say, I am very grateful to the Literary Society for the distinguishing mark of their favor. I desire you would, on some proper occasion, tender a poet's warmest thanks. I was moved even to tears ; the sum is thrice as large as I supposed, and will be of great service just now. * * * The balance could, I suppose, be forwarded by Post, early. I shall have to lock my door o'nights, and be a careful man on getting o'it. * * * I have not quite determined on any very specific course yet, except of remaining here and getting a living by the labor of my hands chiefly, as I find it most con- ducive to health, and self-respect, and sweet cheerfulness. I never feel so satisfied, whatever my fare, as when I have been at work and rightly earned it. * * * I had high hope, if I may be indulged the expression, of being something more than I now wish; of shining, it may be, in some more conspicuous sphere, but as I must depend on the small hand that traces these lines, think it more prudent to venture nothing among competitors of my own caste, ' for fortune's fickle favours.' I have hope, but not enough. I could not support the vagueness of the attempt, because I have been so unfortunate that doubt usurps the place of confidence. Why I sometimes even forget 1 am a bard, and start, pleased of course, at the remembrance, and return to my better mood with all the freshness of a first love. I am not writing very sensibly here, and being in haste will close, and hand the letter to the waiting ' carrier.' " The disappointments alluded to in the quotation had refer- ence to unfulfilled expectations, relative to prospects of remu- neration for some contributions to the press. By the venturing among " competitors of his caste," he no doubt wished to have understood, some hopes indulged of succeeding as a writer for Magazines, and of publishing a volume of his poems with the XII. INTRODUCTORY MEMOIR. view of pecuniary profit. He might well consider such attempts, at that time, as vague and hazardous. He purchased a lot of land, however, and commenced building. He sat down, and as many other speculators had done before and have since, be- gan figuring up his estimates and prospects, imagining his figures to be representatives of realities, and believing, apparently, in the popular notion, that Arithmetical " figures cannot err.'' Very true, indeed, abstract Arithmetic is, in its principles, uner- ring ; but, not unfrequently, a figure insinuates into a problem, which has no business there, and sets the result deplorably askew ; so, the Arithmetic of representing hopes and supposi- tions and appearances by numerical figures and reckoning accordingly, because of the certainty that two and two make four have been sadly abundant in errors, and consequent disappointment and loss. Thus poor McPherson totted up what his cottage could be furnished for, what the outlay on field and garden would amount to, and what return might be anticipated ; but, alas ! the expenditure was more sure than the gains and the house remained unfinished, and the expect- ed harvest ungathered. His hopes, concerning building a home and the happy results of such an achievement, were soon overshadowed by gloom and despondency. The money with which he was furnished, though very opportune, and though seemingly a large sum to the reci- pient, was soon nearly expended in paying some small debts, and in purchase of materials and providing for other prelimi- naries. A letter dated 12th December, about four months subsequent to that just quoted from, gives evidence of the sad change that had come over his feelings and prospects. It indirectly com- plained of delay, in reference to expected advice concerning publication or sale of some of his poetic writings. Advice could not easily be given : to damp or extinguish hope, would be an ungrateful task indeed ; and profitable sale or publica- tion, at that time, was out of the question. The letter then proceeded as follows : " I am sorry to say that matters do not INTRODUCTORY MEMOIR. Xl prosper with me as I anticipated. My house is in a very unfit condition for use ; and my health, injured by two months of severe exertion, has broken down, giving but little hope of early or late recovery. Want, and disease, the precursor of want in my case, have embittered life, and now that I have been so kindly, so generously, assisted by friends, to whom I cannot adequately express my gratitude, my prospects are scarcely improved. I had so little, and owed so much, that what was left hardly authorized my building a house for my family ; but I saw no other course, especially as friends would urge this, and I have purchased a spot of land and begun a small house. Health to enjoy, and strength to toil, are, how- ever, withheld, and while some may think it all right, I dare not look at the aspect presented, and fear I shall soon be more completely in the grasp of misfortune than ever before." So the poor Poet went on, making efforts towards the com- pletion of the Cottage, and towards profitable employment of his pen ; but disappointment followed disappointment, and the disasters dreaded soon settled around their victim. He had offered to contribute to the Provincial Press, and had made some small arrangements which were not punctually abided by, on the part of others. This caused pain of mind and pecuniary difficulty. Losses and gifts are not to be judged solely by amount. To the poor, small affairs are great. The widow's two mites were declared more, under circumstances, than the munificent gifts of those who cast in of their abundance. So the small deficits were great to the poet. Literary remuneration by publishers in a new country, however, is not to be judged by the standard of old and rich communities. The profits in the former cases are comparatively small ; the custom to pay for occasional literary contributions is but sparingly recognized ; and the capital employed is frequently absorbed in the common routine of establishments, to the practical exclusion of extra ef- forts of much consequence. McPherson might be well pardoned for not reasoning so ; encouragements from respectable sources were reckoned on as something certain, and the absence of 2 XIV. INTRODUCTORY MEMOIR. realization amounted to severe infliction. In a letter written, apparently, towards the close of the year 1844, he complains of repeated disappointments. He says, " After wasting months on such things as ' Longings for Spring,' I have received but l 15s. 6d." Subsequent to allusions concerning difficulties so caused, he remarks : " Were it not for the kindness of others who can receive no other return than that of gratitude, and a little pleasure from my poetry, I could wish that I had never written a single stanza." He meant of course, as a matter of pecuniary consideration ; for, in other respects, love of verse would be its own reward to him. He then proceeds: "the sorrow which such things occasion me is not to be described. I am too sanguine, and too sensitive to live in such a world, and am fast wearing out of it." Poor fellow : his case reminds of that of a tropical plant, requiring genial sun and rich soil, but struggling against cold and aridity, putting forth spasmodic efforts at blooming, yet declining steadily, and disappearing early from the uncongenial scene. Subsequent to some explanations, he says : " I have begun a small house, which we call Fairy Cottage, as it is near a stream or river bearing that epithet. The walls are yet unshingled ; the shingles, glass, etc., yet unpurchased, while the expense, thus far, and the support of my little family, with my sickness, have left me nothing to complete it. I hope to be able to re- sume school-teaching, but my health failed me in the fall, and living in an unshingled house has not helped it." Such was his sad experience : physical weakness, an unfinished place of resi- dence, blighted prospects, and his hope, the resumption of the poorly paid toil of school-keeping in a rural district. How different was all this, from the ideal of love and poetry in a cottage ; poetry indeed was cultivated, and family love, contrary to the cynic adage, did not " fly out of the window when want came in at the door," but in what sad contrast was the unfinished, unsupplied house, to the home with woodbine- lattice and abundant hearth, which poets delight to picture. INTRODUCTORY MEMOIR. XV. Referring to circumstances under which his verses were writ- ten, he says : " If I had had an education, I might have written more and better. I was obliged to fashion my own implements, and discover my own materials for poetry. * * * I have groped in obscurity and sorrow, and now that I am outworn by the strife, I only wish to rest in the grave." Such painful particulars as the foregoing, have to be given, as a means of judging concerning the poet's life, and of esti- mating many parts of his writings. The letter goes on, to express fears that an erroneous judgment might be formed of his literary character after his departure, to refer to the circumstances by which that character was affected, and to anticipate " a brief biographical notice," as introductory to his published poems. He then says : " All that I can hope for my poetry is, that it may serve to direct others, destined to strike the harp of Acadia with less feeble hands." He might have added the hope, that his poetry and his story would afford warning also, against making what should be con- sidered an elegant recreation an absorbing business of life ; against depending on very doubtful resources ; against the morbid concentration of mental effort, to the effect of leaving the body feeble and shattered ; against that over-indulgence of sensitiveness and imagination, which results in something very different from the well balanced mind and well braced form, that constitute health. In a letter, dated May, 1845, written during a period of sick- ness and depression, he sa) r s : " I expended the money, so opportunely received from friends in Halifax, on a little pro- perty, for the sake of having something like a home, and the luxury of a garden, and a house with two rooms, but the failure of my health, with the failure of means to proceed, has left me in no very enviable situation. My debts left me but a small sum to begin with, and I was obliged to borrow ; the sum I asked was kindly sent, and no security of any kind re- quired. I am not at liberty to mention the name of this good Samaritan, who gives me free choice of time to re-pay." Subse- XVI. INTRODUCTORY MEMOIR. quent to remarks relative to his severe indisposition, be again? refers to his building efforts. Having mentioned privations to which himself and his wife had been subjected, he says : " If I had had stnbborn health, matters had been different, but we have patience with our lot, and would be content for it to be no- better in this respect, so that we couki have our little cot more comfortable. The wood material is paid for, I had to sell a cow and a few sheep to help me out, and my work procured some. I bought five dollars worth of sashes, and made the rest myself, making first the sash tools to work with. I have twenty- four acres- of good land, some in grass, wood pasture, and an acre in oats ; this, with house, in money and other means, ccet 60 to 70." Affecting allusions to oppressive sickness, to deep despondence, and to occasional glimmerings of hope, fol- low. Part of his debt consisted of medicines, and continuation of these was apparently required for alleviation or cure. They moved into the cottage early in December. The walla were unshingled, and therefore wretchedly unfit as a shelter from the frosty winds of a Nova Scotia winter. " Quilts were sus- pended along the walls, to turn aside the chilling wind, and to stop the drifting snow, which would else have fallen on his bed.' r There the little family remained until the first of May, when the health of husband and wife was broken down, and they were removed to the home of his father-in-law at Brookfield ; whence he went, in July, to that other house, which is of sueh gloomy but enduring character. The story is soon told, or intimated rather, but how many and melancholy were the particulars of ks stages ; and how keen the slow-moving pangs which the delicately sensitive mind and frame experienced. What sad indications of life are suggested in such a narrative ; what illustration of Society in various phases, relative to isolation, apathy, and misapprehen- sion. At the very moment when poor McPherson was agonized as to how he might maintain himself and his little family, when ie was exhausted in mind and in body by sickness and priva- iiou r when lie gazed mournfully on the departure of loag. INTRODUCTORY MEMOIR. XV11. cherished hopes, and contemplated his own apparently near final departure, and the dependant state of those whom he best loved, at those very moments of gloom and pain, smiles and commendations were elicited, in many comfortable abodes of the land, by melodies in the newspapers of the day over the familiar signature of J. M. The reader knew not that the head and heart whence the verses emanated throbbed with anxiety, that the pen by which they were indited trembled in the feeble hand, and so they smiled and passed to other plea- sures, while he looked aghast at surrounding circumstances, and, amid deep earthly gloom, essayed to gird himself for the Valley of the Shadow of Death. Such frequently is life. How thankful should those be who are shielded from the keener inflictions ; how sympathising those, whose experience is that of comparative ease and sunshine. DEPARTURE. The final scene of poor McPherson's troubled life, may now obtain some brief attention. He died on the 26th July, 1845, in the twenty-eighth year of his age. The brevity of his earth- ly experience, and the suffering it included, should be duly considered in forming an estimate in reference to the number and merit of his poems. He had scarcely attained the age of maturity as a writer, and had enjoyed little indeed of the easy leisure supposed requisite for elegant composition, Avhen he was called to that rest which hushed at once the discords and the harmonies of earth. The last stage of the poet's pilgrimage had much to call forth interest and sympathy. He was delicately sensitive to life and its rational enjoyments ; to the beauty of natural objects ; to the ties of friendship and home ; he had indulged hopes of fame and competence ; hut he now became keenly aware that his earthly struggle was about to close, and to close in almost total earthly discomfiture. The battle of humble ambition, of iuimble independence, had been fought and lost He yielded XV111. INTRODUCTORY MEMOIR. gracefully and piously, however, commending those he loved to the friends who might wish to evince respect for his memory ; and committing his soul to that inscrutable Providence, which, although sometimes allowing sore besetment, and the teaching of wisdom by defeat, is always abundantly merciful in reference to the higher consolations and triumphs. And so, sustained by faith and hope, McPherson went calmly down into the dark vestibule of immortal light and life. Abundant evidence is afforded by McPherson's writings, that he had made himself familiar with the hour which many try to forget. In a letter dated 1844, he says: "I may not hope to live long at the best, and would use the remaining light to some purpose. Should I decease before the appearance of my volume, I trust my friends would call for its publication, and my countrymen afford it liberal encouragement in behalf of my family." His volume had to wait about seventeen years after decease without publication, and yet a kind Providence has permitted the fulfilment of that part of the poet's dying wishes. May we not hope that the " liberal encouragement " also, will be realised ? In May, 1845, the month dear to poets, and which McPherson frequently made a subject of his verse, he wrote thus, to Miss Sarah Herbert, who also departed in her youth : " For some weeks past life has seemed ebbing rapidly to its close. * * * I am as little fit to sit and write as can be, but am sitting up to rest, and will try to finish this, lest I fail of power another time. Probably I am dying, I think I am, and a week or month may bring you intelligence of my death. I worked very hard, for my strength, in the fall and first part of winter, and just got under way to get along rather more comfortably than before, when I was laid up by severe illness. * * * I wish to make another effort for life ; but I trust I may be made more and more enabled to submit to the will of God, whose favour, whose pardoning mercy and sustaining grace, I strive earnestly to implore. I am almost unable to read ; the books are, the Bible, and sermons in the Christian Monitor, by the greatest, INTRODUCTORY MKMOIIl. XIX. probably the best, men of the age : Chalmers, Hall, Thorp, Jay, Stephens, James Parsons, and others. My mental power is, at times, almost nothing; I cannot think, I have tried to write some, succeeding poorly. I wished I had an opportunity of seeing some of your literati and friends ; but a kind farewell to you all ; I shall think of you often, as I have done, and pray God to bless you. * * * My wife, hitherto my chief nurse, is very poorly. Poor Irene ! she is like an angel of mercy to me, her strength of mind, her sympathy and support, are all that I have to sustain me of earth, but this too is of heaven ; and the All-beneficent still helps me to call upon his name, and seek him earnestly. May He, for Christ's sake, save me, and take me to himself now, or give me strength to serve him with singleness of heart. Pray for me. * * * I have been out but twice, a few minutes, since the ides of March. The people, particularly the Christian, show me much kindness. They plant for me to-morrow. We have commenced a garden." What expressive writing is this ; how like the sobbing of a breaking heai't, and yet a heart cherishing gratitude, affection and fortitude, in its hour of faintness. Relative to some friendly allusions, concerning a monumental memorial, he says: "No stone should be given me when I am dead. I may have done something which may, or may not, call for some demonstration of feeling, let it be exerted in behalf of the wife who has cheered and nursed me, by the aid of whose kind love I have been animated to write my best poems, to persevere in continuing to write at all for these three years past. Pardon egotism. I learn that you also have been visited by the hand of disease ; I trust you are getting better fast, that you may live long to be a blessing to yourself and others, and that your departure from earth may be your entrance into heaven." These and other extracts from his letters, tend to evince his good literary taste, and his superior qualities of intellect and moral principle. XX. INTRODUCTORY MEMOIR. McPhersou's death, as much of his life, was marked by sadness and loneliness, but the melancholy particulars of both had merciful compensations. The wife of his love, the subject of many of his verses, ivas the patient attendant at his dying couch, ready, " To hear his sad sick tale, and with him pray, "While life's last hours were wearing fast away." In a letter concerning this memoir, she says, fluently and well : " I never for a moment doubted his pure love for me. The last words which his voice uttered, as I bent over him, were, ' Poor Irene.' Pie closed his eyes on me and earth. A few tears rolled down his thin pale cheek, and he sank into a calm sweet sleep, from which he never awoke until he awoke in that happy land where sorrow and tears are unknown. Through his last sickness, he was calm, patient, and resigned, ever looking forward to that better rest. He often told me he would like to be buried at the set of sun. I had that wish fulfilled. His remains were consigned to the narrow tomb just as the sun went out of sight." The place of burial, alluded to in this quotation, was near Lake Tupper; and had been chosen by himself. The banks of the lake formed the scene of his courtship ; and as such is subject of poetic reference in more than one of his verses. A communication addressed to his wife, during his sickness, says : "This is the dearest spot I have known on earth; I have passed many happy, as well as sad, moments here. Let me be laid in the little grave-yard situated on the East side of the lake. This will be your home ; you can visit my grave here oftener than if in another place." How the sensitive heart clings to the hope, that loving remembrance, and some kind attentions, will survive earthly life, and will be evinced by some simple but expressive observance. According to his wish he was laid at rest on the hill-side which commanded a view that he loved during most of his chequered pilgrimage. INTKODUCTOUY MEMOIR. XXI. The poet's story, of love and sorrow, may well claim some bnef delay, before commencing with his inelifluous verse. And surely a passing tribute of respect may be given to the truth- fulness of a true woman, as demonstrated by the wife of the poet. His consoler in solitude and sickness, his patient and ever ready amanuensis, his refuge from earthly desertion and despair, the smoother of his dying pillow, she now, so many years after his decease, and when the wife of another, encounters various difficulties and privations to have his last wishes fulfilled : to have his poems published, leaving something, if that may be, for the education of his children ; but whether or not, and as beyond compare the chief object, to have them published as a monument to his memory, a realization of hope indulged, when other hope had become estranged from hia mind; as a pleasure and honour to those children, whose welfare he yearned for, when earthly thought for himself had been bidden a last farewell. As the world goes it is something to have such evidence of love and constancy; something to have such example of mutual respect and affection under circumstances so painfully calcu- lated to try both emotions ; something, and much indeed, to have such light in darkness as the narrative affords, such alleviation of sadness, and such faith and hope concerning unfading felicity beyond the changes and sufferings of this world. CHARACTERISTICS. The mind is the true kingdom of the man, and includes his best or worst experiences. None of the localities of McPherson's sojourn appear to have presented attractions or opportunities sufficient to yield contentment. He loved the free untamed scenery of his native land ; he was accustomed to admire the solitary beauties of wood and lake ; and to wander, well- pleased, over the bushy barrens of his neighbourhood. Ideal regions, however, of some scholastic eminence, of literary fame, of worldly competence and humble home pleasures, to which XX11. INTRODUCTORY MEMOIR. his mind frequently reverted, but which seemed inexorably barred from his experience, were apt to intervene, and to make actual life still more gloomy by the contrast presented. The indulgence of such moods may excite blame, because practical heroism, a battling with adverse circumstances, and a working out of humble contentment, might be more praiseworthy. But for forming a correct estimate, we should recollect the delicate health, the frequent disappointment, and the honorable nature of the ambition which induced complaint and despondency. In his more gloomy mood he was inclined to langour and debi- lity, or to painful excitement, ; but perhaps much of the mood should be ascribed to the prevailing physical weakness. He was very sensitive to slights or rebuffs, and a hasty satiri- cal remark, or even a friendly criticism, could extremely depress his mind, or rouse him to indignant and eloquent reply. On the other hand, a kindly sympathy, a generous appreciation, could impart a most sunny mood, and induce him to repeat his favourite melodies in a quaint recitative voice, very unusual and attractive. In some of his darkest hours, despair and almost desparation beset the sufferer ; in his brighter, a quiet, complacent tone, and a child-like simplicity, gave a rare charm to his company. Both states of mind, and various shades between, are indicated in his poems. An early friend of the poet, (now a clergyman) the com- panion with whom the painful accident, previously alluded to, occurred, writes as follows, in a letter relative to this memoir : " Though he was characterised by the keenest sensibilities, yet it was only to the superficial observer that he appeared (what is called) ' sentimental.' He had a manly and high appreciation of what was pure and noble. * * Every where he was to me the faithful friend as well as the entertaining companion. He was most happy in the domestic circle, with the younger mem- bers of the family around him. His ready wit and humour were innocent and profitable. * * * Though he was far removed from fanaticism, he looked on the religion of the Bible as the one thing needful. * * In his friendly visits he INTRODUCTORY MEMOIR. XX111. often carried manuscript poems in his pocket, and to those who appreciated them he was fond of reading his productions. Often have I listened with delight, when the other members of his family had retired, and heard him as he chanted his rhymes in melifluous tones, like the cadence of the rivulet." The friendly testimony afforded by this extract, is just, and variously pleasing. Another paragraph, in reference to McPherson's poems, from the same letter, is worthy of quotation, thus : " I have felt, and still feel, that had he been spared, he would have occupied a large space in the literary world. As it is, as far as I know, he has no superior in his native Pro- vince, and, indeed, none in the British Colonies, as far as his poetry is concerned. * * * His wreath of laurels will, I trust, still be worthy of his noble ambition. * * * In a new country like ours, where little but the elements of refined cultivation exist, and the structure of society is still rough-cast, it was difficult for him to find even a comfortable poet's corner, much more a drawing room of such elegant equipments and pure air as would suit the sweet music of his lyre, and echo back the intense delicacy of his sensibilities. * * Though not fitted to encounter the ignorance, prejudice, and selfishness of the world, we should be unjust in attributing to him a lack of those higher principles which are calculated to purify our atmosphere, and bring about that state of human affairs which would be congenial to his own mind. This is one reason why I wish to see his poems, or the best of them, published. It is not a mere question of profit and loss to his friends, nor yet of embalming his own name and genius in the minds of our people, though these considerations are important; but it is a question of utility to the highest interests of society. * * His writings will speak for themselves; and, I believe, if published, will constitute no unimportant part of our Provincial literature." These, and other quotations from the letter alluded to, are honourable to the mind whence they emanated, and the memory which is there subject. XXIV. INTRODUCTORY MEMOIR. The poet's recreations were few and simple, and in accord- ance with the general tenor of his mind. He loved to muse by the fire-side or in the woods, conjuring up delicate fancies, and studying the embodiement of these in graphic language and fluent metre. Thus engaged he frequently took long walks, occasionally carrying gun or fishing-rod, but much more as an excuse for protracted solitary rambles than for any spoils of the sportsman. His religious feelings were rather subdued and meditational than demonstrative. He could communicate his views freely, in quiet conversation ; but he lacked general confidence, and that readiness which is occasionally valuable, for taking part in efforts requiring some boldness and honest display. Several of his poems, however, prove how often his aspirations assumed a fervent devotional tone, and evince a prevailing influence of religious principles and sentiment. He wrote with most facility on the affections, because in so doing he gave utterance to his most frequent and cherished emotions. He remarked to his wife, on more than one occasion, " We make our world, we will have it happy." The proposition was, to a great extent, true, and the accompanying resolution, to a great extent, practicable ; but, for realization, the maxim required, a rare combination of prudence, wisdom, and perse- verance. While reading McPherson's poems, pleased with their grace- ful melody, and improved by their morality, and while contrasting his writings with some points of his biography ; we should recollect that his example is by no means set forth, as in all cases a model for imitation. He did not come up to the standard of practical wisdom which he praised and respected. The remark, however, is applicable to many writers, from the time of Solomon and before. McPherson's estimate and plan of daily life, were unsuited to the times and circumstances amid which his lot was cast. In the ancient days of minstrelsy, such an enthusiast would have Baronial patrons, and the quaintly graceful recitation of his melifluous verse would have INTRODUCTORY MEMOIR. XXV been welcome in the hall of many a castle ; with affluence or competence at command, his daily walk would probably have been one of much respectability and practical beneficence, dig- nified by poetic recreations and labours ; but in the utilitarian nineteenth century, and for a poor man in the wilds of a new country, a more stern course had to be studied, as the way to peace and humble prosperity. He pined, too constantly, for the Bard's vocation, when daily concerns demanded rude and common-place employment ; he devoted much of his time to the lyre, as if its products could be readily and profitably bartered in the markets of the world, while such results were only practicable to a few of the masters of song. In the struggle with circumstances which were inci- dental to such an experience, his mind, suited to gentle and pleasing emotions, was subjected to a daily agony, and his delicate frame broke down in the contest. Others besides poor McPherson, have been sadly tried, by adopting pursuits and following them pertinaciously, which were not adapted to their requirements or circumstances or hopes. The intellectual victory achieved, or the possible good accom- plished, or the worthy fame acquired, may, indeed, to ardent temperaments, make amends for many privations and much suffering ; but then the cost and the penalty, if accepted, should be timely understood and duly considered. Notwithstanding the sad tenor of the story of McPherson's life, the great law of compensation, previously alluded to, was aptly applicable to his experience. The darker part of the picture was not without some happy countervailing light. Dis- appointed, harassed, yearning for objects beyond his reach, Buffering from hope deferred, and from impending and foresha- dowing gloom, from sickness, physical and mental ; he yet had some resources far above mediocrity. He possessed ardent sympathies, sincere affections, varied charities of disposition, grateful recollections, solace of poetry, of friends, and of family love, with abiding faith in goodness, and in the great Source of good. Those best acquainted with human nature and social 2 XXVI. 1NTKODUCTOKX' MEMOIR. history, may readily admit, that in some aspects, he was much more an object of complacency, than some, high in worldly fame and fortune, but irreligious, misanthropic, and at conflict with themselves and with the Creator's system and laws. The world's estimate of human life is, occasionally, very erroneously formed ; and the terms poor and rich, fortunate and unfortunate, might be frequently transposed, without detracting, however, from the active sympathy with which true worth, struggling amid difficulties, should ever be regarded. McPherson might, surely, we may presume, if he were more practically wise, have escaped much of the gloom that beset his earthly path, and at the same time have secured the blissful visions of a better world which were among the best compensa- tions of his thorny path. But he has gone from the one, and to the other ; his life-struggle had some victories and trophies to record, his example was not without some beneficial influence, and his memory and verse, in their effects on popular sympathy and improvement, may yet fulfill some of his fondest hopes and best ambitions. LOCALITIES. Reference to a few localities connected with this biographical sketch given apart, so as not to break the narrative may be deemed not undesirable. The town of Liverpool, where McPherson was born, is situ- ated on the South-east shore of the South-west part of Nova Scotia. It is about 100 miles from the. capital of the Province, and at the entrance of the Liverpool river, which, with a small bay, or cove, seaward, forms its harbour. The town is long and narrow, with a rocky basis. Its principal street has, during summer, a pleasant, picturesque appearance, too often unpro- vided for, relative to the country towns of the province. The neat residences at each side have front areas, very agreeably embellished with flowering shrubs, and with chestnut, elm, lime, and other fine shade-trees. The society of the place is consid- ered distinguished for intelligence and respectability, and its INTRODUCTORY MEMOIR. Xiv. habits, at least in years of the past, were noted for steadiness, good order, and moral enterprise. About twenty-five miles North-west of Liverpool, is the settle- ment of Brookfield, the poet's latter place of residence, where, chiefly, his sorrows and his joys were experienced, and where most of his poetry was written. It is called the "Northern District of Queen's County." Early explorers of the wilderness found promising tracts of land in that direction, and the first resident settler, William Burke, took up his abode there in the year . This "father of the district," as he was affectionately and respectfully called, appears to have been eminently qualified as pioneer, in a land which required resolution, patience, great industry, and abiding faith. The character ascribed to him by cotemporaries and their descendants, was that of an hospitable Christian patriarch. His success caused several to imitate his laborious enterprise, and thus, slowly but steadily, the various settlements of " Pleasant River," " Caledonia," " Hibernia," and others, were founded. Though surrounded by granite barrens, the district had lakes, and streams, and woods, and wild meadows, and many acres suitable for agricultural purposes, where patient toil might look forward to competence and comfort. To realize prosperity, however, serious difficulties had to be overcome. The first settlers found themselves without roads, carts, mills, or other usual aids to rural residence ; they were separated by twenty-five miles of rugged wilderness, from the county town, while bears and other untamed denizens of the primeval forest, prowled about the " clearings." The people succeeded, how- ever, winning lordship of the soil, not by the sword of maraud or chivalry, but by axe, spade and plough, and the prayerful faith of peaceful heroism. A monument to Mr. Burke's memory, evinces the grateful appreciation of those who profitted so extensively by his good example, his kind acts, and his wise counsel. In this " Northern District," John McPheraon grew from youth to manhood; and perhaps much extenuation of the appa- INTRODUCTORY MEMOIR. rent neglect and harshness that pressed heavily on his mind, might be found in the difficulty which hard-handed conquerors of the wild would experience, in duly understanding the deli- cate lad, who, in such a locality dreamed of literary fame, and made versification a serious business of life. But, assuredly, the wise will value the elegant amenities, as well as the rude essentials of society; and now that another generation has succeeded the men who toiled for lonely clearing and log-house, a monument to the poet, near that raised to the pioneer, would be a gracious tribute to the memory of a gifted son of the dis- trict, and an amiable and prudent acknowledgement of the claims of refinement and the higher civilization. " Fairy Lake," to which allusions appear in the poems, is about fifteen miles from bead waters of the Liverpool river, and three below " Fairy Falls," which also furnishes a theme for some verses. The lake has its designation from its Indian name, which includes the idea attached to the English word, Fairy, or Witch. The banks of the lake are strewed with rocks of comparatively soft material, on which are depicted, by a rude process of engraving, figures of ships, boats, men, and wild animals of the forest. The Indian legend ascribed these figures, which would seem so strangely fantastic in such a place, to the creatures of their imagination, as the English peasant, in old times, ascribed the richer tufts of herbage, which marked pas- tures or woodlands, and called them " fairy rings," circlets caused by the " Elves, "Whose midnight revels, by a forest side, Or fountain, some belated peasant sees, Or dreams he sees, while overhead, the moon Sits arbitrcss, and nearer to the earth, Wheels her pale course." Others, however, gave a more reasonable but still romantic solution of the picture-writing of the rocks. Many say that the French when defeated at Port Royal, now Annapolis retreated to the coast in this direction, and that resting for awhile by the solitary lake, they inscribed those fanciful figures. INTRODUCTORY MEMOIR. to wilo away a time that had many sad realities for them, and to leave a memorial of their last wanderings in Acadia. The Lily Lake mentioned in the poems, is a picturesque piece of water in the vicinity of which McPherson taught school for two years. It was so named by himself because of the magnifi- cent white lilies which abounded in its creeks and shoals. The scenery, no doubt, was often enjoyed during, " The teacher's pleasant walk from School," and his quiet figure may have frequently startled the cautious loon, from the sunny surface of the water ; " " I long to see yon lake resume It* breeze-kiss'd azure crest, And hear the lonely wild-fowl boom, Along its moon-lit breast." A comparative infrequency of vivid description of natural objects, in " New World " literature, may be accounted for by some local peculiarities. A country like Nova Scotia may have many features of solemn dignified picturesqueness, and beauty, without presenting the salient points for poetry which " Old World" scenery affords. The battlemented castle, the ivy- mantled church, the traditionary hall and grange, have well-recognized claims on fancy and memory ; while the primeval forests of the West, the wood-embosomed lake, the stream which lapses as it wills brawling along the ravine, as it did when the Indian was the only poet of the Continent are comparatively without the historic names and legends which impart a peculiar charm and a kind of personal identity to landscape. New world scenery, indeed, has fine capabilities even in reference to poetic elements, but, for due effect, it requires to be treated on principles of rather a new school of descriptive poetry ; while old country parks, and lawns, and bowers, and hills, are hallowed by what may be called heredi- tary claims, and by ancestral song and picture. XIX. INTRODUCTORY MEMOIR. PARTICULARS OF THE POEMS. A few observations, relative to some particulars of McPher- son's writings, may tend to increase their interest. A picture or a poem may have its value enhanced by direct association with the history of the painter or the poet. One of his longest poems, was entitled " The Victim ;" it was a somewhat disguised narrative of his own life. It is not comprised in this collection, in consequence of its over-querulous tone, and the severity of some of its personal reflections. The verses now presented, evince, in many parts besides exact appreciation, fine ear for melody, and an abiding moral sense unusual identification with persons and localities familiar to the writer. In the division, entitled " Love of Nature," the lines which are named " Walks in the Woods " are a free transcript of the poet's feelings during his favorite rambles, rather than any attempt at elaborate description or scene painting. The scenery and associations of his daily life are exquisitely alluded to, in the much admired " Longings for Spring," and himself is the " teacher," whose " pleasant walk from School," so much required more genial airs than those of declining winter. The "Domestic and Social" poems, abound in breathings of his sympathies and experience. To the manuscript of the " Beautiful is Fading," is appended, by his own hand, the re- mark, " Himself dying." What pathos does the piece derive from the circumstance. How different would the lines appear, as a mere fancy sketch, compared with their character as the expression of sad realities of the time being. The " Personal," relate, almost exclusively, to particular scenes and incidents and associations of the writer's history. The lines entitled " Sunshine and Shade " were composed on the occasion of his receiving a pecuniary tribute of respect from Halifax friends. The poem, however, to which reference in this place would be more particularly made, is that entitled " Pleadings for Return." INTRODUCTORY MEMOIR. XXXI. The poet's dark and bright moods may be supposed amply illustrated iu his verse, but his most dark may require the passing illustration which the lines just mentioned afford. If a memoir were to be a eulogy, such references might be altogether suppressed, but it' it should be a true mental portraiture, a candid dealing with readers, and a faithful chap- ter of human life, supplying warning as well as example, then the more painful phases have to be noticed, yet not so as to unduly preponderate, or to make the warning of morbid, rather than of healthy, character. Many gifted minds, not well balanced, not kept under due control, or constitutionally eccentric or excitable, have at particular junctures, experienced what half-frenzied emotions signify, when reason felt the sceptre almost dropping from its grasp, and maintained some command by agonizing efforts; or regained its sway after a blighting civil war within the breast. During a paroxysm, induced by very delicate health, and torturing circumstances, McPherson lost his self-command, and his wild conduct caused his wife to seek temporary shelter under her father's roof. While there he sent her a copy of the verses mentioned. The wailing deprecation of these, the earnest humble entreaty, the kindly allusions, serve at once to exhibit his better qualities, and the distressing abberation to which he had been subject. The lines were intended to explain his own view of the occurrence, and to be so used if thought desirable. In this melancholy effusion, the tenderness, and high moral perceptions, of the deeply-tried man, gleam out from surrounding gloom, as moon-beams from the murky clouds of a tempestuous midnight. In the lines are perceptible, more fine instinctive use of appropriate poetic language, under the form of melodious metre, than are to be found in some voluminous collections called poetry. The composition is curious as well as characteristic, in exhibiting the workings of an ingenious and gifted mind under extremely painful circumstances. What a contrast, also, does the mood under which it was called for, afford, to that of the XXX11. INTRODUCTORY MEMOIR. lines addressed to the same person under very different circum- stances. This will strongly appear by reference to verses inscribed to " lanthe," to " Irene," or those entitled " To my Wife," " To my Sick Wife," and others, in which the prevailing tone of the poet's mind respecting one who had numerous claims on his affection and esteem, is vividly expressed. In many parts of the verse designated " Devotional and Reflective" the personal interest is prominent. In the dulcet lines, entitled " Dying in Spring," which are found among the " Occasional Poems," and whose cadences may be said to undulate as melodiously as waves of air from an Eolian harp, personal allusion is attached similar to that men- tioned of " The Beautiful is Fading." In a letter previously quoted from, the poor poet says : " I have no strength to copy verses now, and have no amanuensis ; I send you a corrected copy of ' Dying in Spring,' and will try hard to have more soon." During a visit to Halifax, McPherson and a friend paused in an afternoon ramble, to observe a party of boys who were engaged sailing their miniature sloops and schooners in a pond near the Horticultural gardens. The poet was challenged to compose some lines on the occasion, but quietly declined. The verses entitled " Pastime," however, were found among his manuscripts, evidently having as a theme, that scene of youthful skill and gaiety. Several other allusions, similar to the foregoing, might be suggested by the poems, but these may suffice, as intimating the personal association that prevails, and the interest to which it may minister. POETRY. A few thoughts on Poetry in the abstract, may be considered appropriate in a preface to a book of poems. Notwithstanding the vagueness which some consider characteristic of the depart- ment, that which has distinct existence has distinct character- istics, and these discovered and stated, give definition. We INTRODUCTORY MEMOIR. XXX111. may, therefore, presume to enquire, very briefly, What is Poetry? What are its most suitable themes? What should be its objects ? Searching for poetry, then, as endorsed by com- petent judges, we may ascertain where the article is, and then, by analysis, what it is. Pursuing this course, may we not arrive at the conclusion, that Poetry consists of the essentials of strong, just thought, aided by fervid, well-regulated imagina- tion, and expressed in appropriate, and for the most part, musical, language. By the essentials of thought we understand, those latent constituents of idea and emotion, which, when duly exhibited, make sublime and mysterious themes familiar, and minute and common place, interesting. Thus, one discourses, eloquently, of a daisy and a field-mouse, and another brings to the hearth and the window-sill, glowing thoughts of Pan- demonium, Paradise and Heaven. The themes of poetry, surely, are those numerous subjects deserving of eloquent thoughts and melodious words, which appeal to the fancy, the affections, the emotions. The true objects of poetry, doubtless, are, to arouse, to soothe, to please and to improve. Accordingly, in the better works of writers alluded to, we find a material and a moral beauty, hand in hand. Milton paints with equal force, the garden planted by the Lord, the strife of angels, and the triumph of pious fidelity. Shakspeare, in his purer moods, makes his virtues walk the scene, as vividly as do his ladies and knights. Burns, when under the best influence of his muse, teaches charity and piety, while singing of hill-sides and cottage-hearths; and Cowper interweaves gracious sympathies with summer rambles and winter-evening enjoyments. One or two of those writers, unfor- tunately, descended at times, from the moral eminence ; but the general tenor of the higher products of fine art, is to demonstrate that an intimate union should subsist between beauty and usefulness, and that tho sacred office of the artist, is rightly considered, only when his desire to improve is as governing as his wish to please. McPherson's verse, we presume, will bear the more severe XXXtV. INTRODUCTORY MEMOIR. test. His thoughts are new and just, his words appropriate, his rhythm melodious ; he treats of external nature, and of the inner life of the home and the heart ; his aspirations tend to purify and exalt the reader. A critical remark has been made, to the effect, that the true poet does not seek themes of distant and general interest, and of majestic character, so much as those to which he has a near relation, and of which he knows more and cares more than most others ; and that he evinces peculiar perception of the beauty in familiar objects which lie about his path. No doubt the mere rhymer, and the true poet, are often distinguished, by the straining after grand effects in the one case, and in the other, by the keen appreciation of beauty and interest as discoverable in the more simple and comparatively humble subjects. We should recollect, however, that there is an order of intellect that instinctively aspires to the "heaven of heavens" of poetic effort, as well as another which is most efficient in those nearer topics, that, while of earth, properly direct and lead to heaven. McPherson had, evidently, the sympathies which distinguish the latter class. He seldom attempted the distant and obscure ; the flowers of the locality, the stars seen from his cottage window, the friends of his counsel, the pleasures and pains of his lot, the fears and hopes which excited his own breast, suggest much more frequently topics of his verse, and are treated with much more clearness, freedom and effect, than abstract themes. The originality of McPherson's poems may be judged by taking some of his themes and considering how similar subjects would have been worked out by other writers, or how the reader himself might be inclined to treat them. Take for instance " Walks in the Woods" : What sun-glimpse and broad-shade, and green vista, and shut-in nooks, and figures of deer and bird and woodman, would be suggested to most minds by the theme ; and then see, for better or worse is not the question, how McPherson has treated it. What simple and delicate allusions he makes to the more unobtrusive particulars of the scene ; to the flowers b}' the alder-shaded brooks, AN Inch smile up to the INTRODUCTORY MEMOIR. XXXV. meditative man ; to the eternal bowers which the forest groves typify ; and to the features of social and domestic life, which generally obtain from him more than a passing tribute, what- ever the immediate topic may be. His writings, as elsewhere intimated, illustrate, to an unusual degree, the mood of the writer at the moment. They are simple heart expressions, rather than ideal creations elaborated by means of imagination and rhetoric. His verse, in many parts, may appear deficient in that fascinating kind of descrip- tion known by the term " Word Painting," but it abounds in picturesque suggestion, illustrative of kindly sympathies and moral or religious aspirations. He pined for more cheerful circumstances, for domestic comfort and quiet, for judicious and friendly advice, and for educational opportunities, believing that with these, his writings would be much more worthy of the public regard. Several of his poems were composed during indisposition, and while harassed by fears of want, and by tantalizing memories of hopes deferred, and of plans which had but very unsubstan- tial foundation. In preparing this brief biographical sketch, the presumption was, not that its subject was very greatly exalted above his fellows, and that therefore some public record of his life was demanded, -but that he had claims on the memory of Nova Scptia, as one who wrote much under the hope that he was earning the title, " Bard of Acadia," and whose writings have been to a good degree, acknowledged as giving right to that distinction ; also, that in the comparative sadness and isolation, and yet achievements of his experience, there were several points to interest and instruct. A great writer has said, " One touch of nature makes the whole world kin," and poor McPherson's story had many touches of nature. The history of one heart, having peculiar instincts and aspirations, has interest for every other well constituted heart ; the subject of this memoir had a path very distinct from the common walki XXXVI. INTRODUCTORY MEMOIR. of life, his ambitions were those of Poetry, Education, and kindred subjects. He experienced, with the sensitiveness of an enthusiast, literary delight, worldly despair, supernal hope ; he indulged ardent and constant affections; he cultivated sound principles perseveringly, and, therefore, as has been intimated, a few pages telling what he was, and how he lived, may be deemed an appropriate accompaniement to the better memoir of his own poetry. ARRANGEMENT AND OBJECTS. The Editor has taken the liberty of arranging the Poems in different classes, supposing such a mode conducive to perspicuity and interest. He has, also, for the sajne reason, divided them into two Parts. The first Part, containing three of the classes, includes those more immediately illustrative of the life, resi- dence, and society of the Poet ; the other Part, also of three classes, comprise the poems of more general character and reference. The arrangement was not without considerable difficulty, in consequence of the state of much of the copy, and because thoughts appropriate to various titles were found in single poems. The principal characteristic, however, is taken, without too careful reference to coincidence or uniformity. A chief source of gratification derived from being instru- mental in publishing the verses, is the belief in the mental pleasure and moral profit that will arise therefrom. Another source is, the consciousness that the publication is the fulfilment of some of the last earthly wishes of the departing poet ; and certainly another may be found in the realization of the long- deferred but never relinquished hope of the " Irene " of the volume, one so faithful to old memories and duties. A collection of comparatively brief articles on various sub- jects, may be of interest and usefulness in its way, and for leisure moments, as is the more pretending and important work for more severe study. The latter may be a mentor for counsel and guidance; the former, a more equal companion, INTRODUCTORY MEMOIR. with some claims also, as a means of valuable improvement With such view, the volume is respectfully commended to that Public which formed the poet's world ; which was to him such an object of solicitude, and on which rested so many of hig cherished earthly hopes. Introductory to the poef s own portraiture of his mind, in his verse, and as a means of enhancing the pleasure with which his poems will be read, a glance may be taken at the man, as he appeared more than seventeen years ago. John McPherson was of delicate frame, with cast of countenance, mild, sad, and thoughtful. His general manner was that of one not inquisitive or curious, but rather abstracted, and influenced by some pre- vailing mood, or some recollected or imagined objects. Like the ancient minstrel, he was evidently well pleased at due opportunity for repeating his compositions to an attentive circle. He appeared to much advantage, seated by the friendly fire- side, the seniors of his audience kindly sympathetic, the juniors attracted and observant. So circumstanced, he gave delightful proof of the heartiness and good faith of his poetic feelings, repeating verse after verse, with deliberation, clearness, and quaint musical cadence, and accompanying the recitation with illustrating comments, marked by simplicity and good taste. At such times a cheerful serenity would be imparted to the poet himself, and a kind of old-world romantic charm, to the even- ing hour. In the brief memoir now presented, are some intimations of McPherson's life and character, let his poems be opened with some of the better sympathies which dictated them. They surely invite kind and friendly, rather than critical, audience ; they address those, chiefly, who are willing to be pleased with praiseworthy effort, and to be improved by the more gentle wisdom, that should ever accompany, and may so materially enhance the value of, pastoral melody and picture. July, 1862. J. S. T. INDEX. i MEMOIR Page. Introductory Remarks, ........ i Incidents of Life, ........ iv Departure, xvii Characteristics, . . . . . . . . xxi Localities, . . . . xxvi Poetry, .......... xxxii Arrangement and Objects, . xxxvi Title, Part I, 1 Mottoes, 2 POEMS. LOVE OF NATURE. Introductory Remarks, , .3 Walks in the Woods, No. 1, 5 ' " " No. 2, 7 " No. 3, 9 Morn, 10 Twilight, 12 Evening, . 13 Night, .... - 14 Longings for Spring, 16 Voice of Spring, 19 Spring, 20 May, ' 22 xlii INDEX. Page. Wild Flowers, 24 The May Flower, 25 Summer is Coming, , . . 26 Summer Morning, 27 Autumn, 29 Autumnal Musings, 31 Winter, 32 Scenes, 33 Fairy Falls, 34 Notes, 38 DOMESTIC AND SOCIAL. Introductory Remarks, 39 Evening Thoughts, No. 1, 41 " " No. 2, 42 " " No. 3, ....... 43 " " No. 4, 44 " " No. 5, ....... 45 Winter Evenings, 46 The Bride of Beauty's Bower, 48 The Beautiful is Fading, 49 Minstrelsy, 50 The First Fond Hopes, 51 The Sick Room, 53 Sympathy, 56 Maternal Duty, J 57 Sing to me, 59 The Poor Man, 60 Counsels, . . . 62 Dying in Spring, 63 When shall I again Behold Thee, 64 To a Pupil, 66 Charity, 68 The Pilgrim Sleeps, 70 Notes, 71 PERSONAL. Introductory Remarks, 73 Address to A. M. G., . . . , . . . .75 INDEX. xliii Page. To Samuel Elder, 80 Winter, .82 To Irene, . . 85 To lanthe, 86 To My Sick Wife, 87 Sonnet to lanthe, 89 Pleadings for Return, ........ 89 To Laura, 94 To a Student of Acadia College, 97 Lament, 98 Hope in Gloom, 100 Possessions, . . . . . 102 The Invalid, 103 Compensations, 105 Memory, 107 Anticipating June, . . . . . . . . . 108 Sunshine and Shade, ... 110 Why my Song is sad, . . . . . . . .111 Take back the Lyre, . . . . . . . .113 A Lucid Interval, . . . . . . . . .115 Forget Me, 117 Forget Thee, 117 The Light of thy Sunny Eye, 118 I would I were a Child Again, . . . . . .119 The Buds have Burst First, 119 One Day Nearer, 120 Departing, 122 To my Wife, 123 The Wish, 124 Notes, . . 126 DEVOTIONAL, &e. Title, Part 2, , .... 127 Mottoes, Part 2, . . 128 Introductory Remarks, . . . . ._ . . .129 INDKX. Page Praise, 131 Worship, .132 Praise and Prayer, 133 Prayer Meeting Melody, 134 Sabbath School Hymn, 135 The Compensation, . . . . . . .135 Hope, 136 The Rest, 137 Heavenly Guidance, . . . 138 Bereavements, 138 A Night Thought, 139 Mourner, 140 Resignation, . . . . . . . . . . 141 Earth, 141 Earthly Joy, 143 Votary of Pleasure, . . . . . . . .144 To a Christian Friend, 146 What we shall Be, 148 Hebrew Melody, 149 Wasted Gifts, 151 Our Lot, . .152 Reproof, 153 Recovery, 154 Joy and Innocence, . . . . . . . .155 Mortal and Immortal, . 156 Providence and Grace, 157 Christian Sympathy, 158 The Soul, 159 So Live, ' 160 Invitation, . . 161 Pilgrimage, 163 Pilgrim, 164 The Passing Bell, 165 The Blessed, 166 Enquiry, 167 On Zion's Hill, . . .168 Harvest, . . .169 The Present Help 170 INDEX. Xv Page. Probation, 172 Oh, Give the Glorious Spirit Wings, 173 Earthly Happiness, . . 174 True Happiness, 175 Prayer, 177 Praise, 178 Solicitation, 179 Sorrow may her Vigils Keep, 179 Whom have I but Thee, . 180 Neglected Mercies, 181 The Life Beyond, 182 The Better World, . 183 Notes, . . . 184 TEMPERANCE. Introductory Remarks, 185 The Praise of Water, . .187 The Effort, 196 Song of the Freed, 197 Right Perseverance, 199 Temperance, 200 A Monarch, 200 The Moderate Drinker, 201 The March of the Drunkards, 203 Remonstrance, ......... 205 The Field, 206 Abjure the Bowl, ..... .... 207 The Progress of Temperance, 208 Temperance and Peace, . . . . . . . .212 Notes, 213 OCCASIONAL. Introductory Remarks, 215 Cheerfulness, .......... 217 Shun the Path of Foolish Pleasure, 218 Changes 220 INDEX. Page. Nature's Lessons, 221 Visions, 222 Night Thoughts, 223 The Evening Shades of Life, 225 Beholding the Promised Land, 227 So Brief is Life, 229 The Prisoner of the Bastile, 231 Dream, 233 Invocation to Sleep, 234 Lost at Sea, 235 The Shipwrecked, 237 Mariner's Song, 238 The Retired Sailor, ........ 239 To the Mariner, 240 Mariner's Return, 241 Lines for the Ladies, 242 " " 244 Separation, 246 Vanished not Lost, 247 Benevolence, 248 The Yellow Leaf, 248 Daily Mercies, 250 Notes, . .251 General Note, 252 PART I. aroiUDnra irenoxs urxnu: "LOVE OP NATURE," "DOMESTIC AND SOCIAL," "PERSONAL" " For I have loved the rural walk, through lanes Of grassy swarth." " Sure there is need of social intercourse, Benevolence and peace, and mutual aid." " Peace to the memory of a man of worth, A man of letters and of manners too." LOVE OP NATURE. BT the phrase "Love of Nature," as used to designate a collection of verses, we understand, Love of Natural Scenery : appreciation and admiration of landscape, or of particular appearances of natural objects. This sympathy, in verse, is of different orders and degrees of manifestation. With some it amounts to an excitement, a passion ; with others to a pleasing consciousness merely ; and with others neither the pleasure nor the consciousness is more than dimly recog- nized. Some again are deeply attracted by the glimmer of the evening star, by the moon walking in brightness, by an um- brageous tree, or a blooming flower, who fail to appreciate, except languidly and vaguely, the charms of wood-land, lake, and varied field, as spread out in combination and perspective ; while others, with a sense of design, of composition, of the higher claims of outline, light and shade, and colour, luxuriate in the landscape, with but comparatively feeble taste for the isolated beauty of detached parts. The aggregate and the particular appreciation, the high and the low degree, of the elegant sense of natural picture, might be illus- trated by quotations from much-lauded poets ; some exhibiting exquisite instincts relative to the essentials of graphic force and beauty ; and some, of equal ability in other departments of verse, feeble, vague, and dull, in attempts at translating scenery into words. The poems which follow may not be of the more comprehensive order of word-painting ; but neither are they of the vague class. They belong rather to the minute and suggestive, than to the grand and definite ; but they evince fine susceptibilities and good taste ; they contain just thought, appropriately expressed, and in many parts, might compare more than favorably, with pictorial efforts of some widely celebrated pens. WALKS IN THE WOODS No. I. (Note 1.) The simple flowers ofbudding May, In simple charms arrayed ! Yet love I passing well to stray Where they adorn the glade. O'er sunward slopes in forest nooks, O'er meadows green and gay, And down by alder-shaded brooka That murmur oa their way. They smile up to my human face With quiet looks of love, And bless my spirit with the grace Of sweet thoughts from above. They are of heaven those lovely flowers That lend the earth their dyes To type the beauty of the bowers Eternal in the skies. MCPHEP.SON'S POEMS. Much hath he lacked the lonely man "Who hath not turned to flowers For solace in the trial-span Of weary, vexed hours. Much hath he lacked who bath not strayed In spring time to behold, The Mayflower in the wildwood shade, The violet and the gold. The snow-drop sweetly less than these, Comes in the same glad time, To woo the first adventurous bees That try Acadia's clime, But, though so small and frail a thing, It hath a mystic voice, An odorous Eden-scented wing, That bid the world rejoice. Go forth, man ! at sunny morn, Bright noon or sunset eve, That flowers may make thee less forlorn And less inclined to grieve. And if the simplest forest gem Can wake no heartfelt tone, I deem thee poor with diadem And proud Imperial throne. For me a bard the love of flowers Is deep within my soul, And blooms in dark desponding To make my spirit whole. WALKS IN THE WOODS. It dwells among the thousand things I hoard with miser care, And fans ray fevered brow with wings Refreshed in Heaven's own air. What marvel if I prize them, then, And love o'erwell to stray Beside the brooklet in the glen From noon till eve in May? The bondsman hath his truant hours, I, who am free, have mine, And give them wings where wildwood flowers Make earth a holy shrine. teach the young the whole of heart To nurse the love of flowers, Or cultured by the pride of Art, Or found in forest bowers, Not for their loveliness alone, Their influence on the air, But for the deep inbreathing tone With which they soothe our care. WALKS IN THE WOODS. No. II. 1 come, ye lovely wild-wood groves, Where placid contemplation roves And breathes untroubled air ; I come to woo your genial sweets, To wander in your green retreats, And lose the sense of care. MCPUEKSON 3 POEMS. I turn to you from human guile That wears the mask of friendship's smile I turn from human ways, Because man's dark self-seeking fills His fairest, happiest haunts with ills That should not cloud his days. Unformed to brook the vulgar strife, And heartlessness of worldly life, I court your silent gloom Where Thought may nurse, without annoy, The soothing sense of native joy The soul's inherent bloom. Receive me to your fostering arms Surround me with your varied charms Of birds and streams and flowers ; And bless me with the sweet repose That crowns the simple thoughts of those Who love your leafy bowers. fr Here, in the ancient forest maze, Remote from Mammon's specious ways, And wandering at my will, Herbs, flowers, and trees, shall be my friends, And birds and streamlets make amends For much of earthly ill. Yet, give me here a kindred tie Affection's sympathetic eye, And kind consoling tone ; WALKS IN THE WOODS. For though the multitude are cold, And anxious most for sordid gold, I would not live alone. The heart the heart is human still, And yearns for trusting love to fill Its frequent, aching void ; Unless partaken with our kind, The sweetest joys of sense and mind Are not enough enjoyed. Then will I seek, repose from strife, The tender ministries of life, And Peace, the timid Dove, In one still calm, one dear retreat, The circle of my cottage sweet The home of wedded love. SEQUEL TCT WALKS IN THE WOODS. In yon low^cot far down the dell, My babe and|my babe's mother dwell Aloof from life's annoy, And I will nurse my minstrel soul, And keep its healthful feelings whole In their calm heaven of Joy. 10 MCPHERSON'S POEMS. That mother's smile that infant's voice So make my inmost heart rejoice, So cheer where wealth is not, That I might doff a diadem, Its pride of glittering gold and gem, To share their humble lot. But am I not a monarch now ? Behold the crown is on my brow The crown that love has wrought " In outward aspect still serene, And glittering inly with the sheen Of gladdening, golden thought." MORN. " Tbe breezy call of incense-breathing morn." GRAY. (2.) i What a blessing comes with the quick fresh breeze That wakes with the summer morn, To toy with the leaves of the forest trees, And the poor man's smiling corn. It has soft wings for the youthful cheek Grown pale o'er " the midnight oil " ; It has whispered hope for the worn and weak, And strength for the man of toil. HORN*. 11 I remember well in the time of Spring, After months of pain and care, How my heart came back, and my soul took wing, At the touch of the balmy air ! The sun shone bright, and I caught his light, Through a lattice of young leaves near, While the sounds of birds and of flocks and herds, Fell sweet on my charmed ear. I remember, too, that the cheek's pale cast Gave place to the rose's dye, And my limbs grew strong, as in young days past, 'Neath the smile of the Summer sky ; Then, the world looked bright with a new sweet light Which seemed of another sphere, And my mind was fraught with the high-toned thought To the soul of the minstrel dear. Sweet scenes ! what a world of pleasant sights, And of cheerful sounds are thine ! How formed for supernal calm delights ! How meet for the poor man's shrine ! Glad eyes look up from the violet's cup, Like the gems of an eastern bride ; Gay glances flash where the waters dash And sing on the green hill side. Arise from thy bed of down, Proud Wealth, Arouse from the chamber dim, 1'2 [MCPHERSON'S POEMS. And seek for the rapture of moral health, While the wild birds chant their hymn. Arouse from the mad debauch, weak youth, From degrading wassail roar, And, baring thy brow to the breeze's truth, Return to thy cup no more. Arouse from the pillow moist with tears, Fair maid of the beauteous brow, And scatter the load of thy loving fears To the wings of the soft winds now. Instead of curtained and lonely room, See thy favorite birds and bowers ; May thy pale sad face soon outvie the bloom Of thine own love-tender flowers. TWILIGHT. (3.) When fades the glorious light of day, And twilight's gentle lights descend, From human haunts I love to stray, Alone the tranquil hour to spend. O'er hill and dale, by grove and stream, Or near the sea-beat shore I go And, gazing on the parting gleam, Recall my hours of joy and woe. EVENING. 13 As that last look of daylight dies, So passed the light of youth away, And like the gloom that round me lies Is that which clouds my later day. My earth-born hopes have been in vain, Though long their trembling light was dear ; My transient joys have closed in pain, And love has left me darkling here. Yet come there in this holy hour, Deep spells that bid my sorrows cease Pure thoughts that heavenly comfort pour, And yield the soothing balm of peace. The few I loved I see no more Yet comes there to my soul a voice, Which says, when this dim life is o'er, The lov'd may all rejoice. EVENING. (*) The task is done, the sun, who set With glory round him rolled, Arrays the far horizon yet With purple and with gold : But twilight fades and starlit evo Brings on the silent hours, That yield their calm and sweet reprieve To life's exhausted powers. 14 MCPHERSON'S POEMS. Now, wearied with the world's cold ways, The rich man seeks his hall, To taste the quiet that repays Tbe ills that come to all ; While, resting from his daily cares, Beneath his cottage-dome, The humblest son of Labour shares The dear delights of home. Now heart goes out to loving heart, And mind to kindred mind, Where'er content and peace impart The smiles that bless our kind. While from the world-enlightening Truth Of Wisdom's various page, We gather mental light for youth, And sweet repose for Age. NIGHT. " How beautiful is night ! " SOUTHEY. Earth ! thou art beautiful when Night Her mystic mantle o'er thee throws, And in the soft and silvery light The dim and shadowy things repose ! As beautiful as when by day The sun displays his burning ray. NIGHT. 15 No living thing appears no sound To break the solemn spell is heard. So deep the silence, so profound, The summer leaves are scarcely stir'd. The calm untroubled prospect seems Like those we sometimes see in dreams. My spirit with the still night hour Holds sweet communion and I feel Its star-born, pure, mysterious power Like holy rapture o'er me steal. Though sunk in worldly cares by day, By night she soars from earth away. Day is the glorious it may be Bright with the sun's empyreal blaze The heavens from clouds and darkness free ; But Night the moon's undazzling rays The stars, the shades, the silence all Hold the full soul in deeper thrall ! Night is a Spirit ! From her throne To man she wondrous knowledge shows ; She makes what day denies us, known, And pure poetic fire bestows. The Hebrew worshipped in her shrine And felt her influence divine ! Yes, learn of Night the Sybil, Night I Bead well her vast ethereal scroll, 16 MCPHERSON'S POEMH. Illumined by her orbs of light Around unnumbered worlds may roll I Yes, learn of Night her lore sublime May help thee Heaven itself to climb ! LONGINGS FOR SPRING. (5.) I long for Spring enchanting Spring, Her sunshine and soft airs, That bless the fevered brow, and bring Sweet thoughts to soothe her cares. I long for all her dear delights, Her bright green forest bowers ; Her world of cheerful sounds and sights, Her song-birds and her flowers. Even while the brumal king maintains His reign of death and gloom, How much of solid good remains To mitigate his doom. Sweet then, to taste the well-earned cheer When day's dull toil is o'er, And sit among'Our Own, and hear, The elemental roar. Then, when the snow, drifts o'er the moor, And drowns the traveller's cry, LONGINGS FOB SPRING. 17 The charities of poor to poor Go sweetly up on high ; Then, while the mighty winds accord With Mind's eternal Lyre, Our trembling hearts confess the Lord, Who touched our lips with fire. Yet give me Spring, inspiring Spring, The season of our trust, That comes like heavenly hope, to bring, New life to slumbering dust ; Restore, from Winter's stormy shocks, The singing of the birds, The bleating of the yeaned flocks, The lowing of the herds. I long to see the grass spring up, The first green corn appear, The violet ope its azure cup, And shed its glistening tear. My cheek is wan with stern disease, My soul oppressed with care ; And, anxious for a moment's ease, I sigh for sun and air. I long to see the ice give way, The streams begin to flow ; And some benignant, vernal day, Disperse the latest snow. 18 MCFHERSON'S POEMS. I long to see yon lake resume Its breeze-kiss'd azure crest, And hear the lonely wild fowl boom Along its moon-lit breast. Oh, I remember one still night, That bless'd the world of yore, A fair maid with an eye of light, Was with me on that shore. I look upon the same calm brow, But sweeter feelings throng, She, wedded, sits beside me now, And smiles upon my song. The Robin has returned again, And rests his wearied wing, But makes no music in the glen, Where he was wont to sing. The Black bird chants no jocund strain ; The tiny wild-wood throng, Still of the searching blast complain But make no joyful song. The ploughman cheering on his team, At morning's golden prime, The milk-maid singing of her dream, At tranquil evening time, The shrill frog piping from the pool, The swallow's twittering cry, The teacher's pleasant walk from school, Require a kinder sky. VOICE Of SPRING. Oh ! month of many smiles and tears, Return with those bright flowers, That come like light, from Astral spheres, To glad Acadia's bowers ! Young children go not forth to play, Life hath small voice of glee, 'Till thy sweet smiles, oh genial May ! Bring back the murmuring bee. 19 VOICE OF SPRING. Joy in the laughing vallies, Joy in the mountain glen Wherever Nature rallies And springs to life again. Stern Winter's blasts are dying O'er forest, field and stream, And balmy winds are sighing Beneath the vernal beam. Bright flowers are gaily springing On meadow, hill and lea, And birds, glad birds are singing Their wild notes full and free. 20 KCPHERSON'S POEJCS. The waters brightly glowing, From icy fetters freed, With murmur'd strains are flowing Through many a flow'ry mead. Away with undue sadness ; Let every bosom turn, To sing with Nature's gladness A song for Spring's return. Joy in the laughing rallies, Joy in the mountain glen Wherever Nature rallies And springs to life again. SPRING. A HEBREW MELODY' FOR, lo, the winter is past, the rain is over and gone ; the flowers appear on the earth ; the time of the singing of birds is come, and the voice of the turtle is heard in our land." Solomon's Song, Chap. ii. Verse 11, 12. The glance of heaven hath chased the gloom 9f Winter's sterner sway ; The mountains smile, the vales resume Glad Nature's green array. SPRING. 21 Sweet sounds of re-awakening mirth Borne on the South wind's wing, And bright things bursting into birth Declare the enchantress, Spring. The singing of the little birds, The turtle's melting voice, The bleating flocks, the lowing herds, Bid Judah's sons rejoice. Then, 0, like these, no longer mute,. Awake the tribute dear ; Bring forth the timbrel and the lute, And hail the opening year. Shall we forego the pleasing theme ? Shall we be silent long, When hill and dale and gushing streamr Are jubilant with song ? No, Hebrews, be the duty ours To bid glad echoes leap From favored Salem's holy towers To Judah's farthest steep. Rejoice, for these salubrious skies, These tender stems and flowezs, Like love's pure light in youthful eyes, Betoken happy hours. 22 MCPIIKRSON'S POKMS. Rejoice, for e'en the winged air, The green and flowery sward, Are grateful for the smiling care, And kindness of the Lord. 0, let His awful Praise impart Its power to every voice, Great gladness bound from every heart, And every soul rejoice. MAY. I love thee, pleasant Month of May, Because thy genial wing Is gladdened by the first bright ray That wakes Acadia's spring. I love thy soft reviving breeze Thy tender grass thy budding trees Thy birds that gaily sing ; But most the sweet yet simple flowers That first illume thy wildwood bowers. These emanations from above That make our earth so fair These tokens of the tender love That make all-made Its care MAY. Come oft like soft wings from the skies To waft us sweet unearthly sighs And purify our air, To calm the spirit's weary mood, And leave the wayward heart subdued. The school-girl binds them on her brow With fond yet artless care ; My gentle favourite wears them now To deck her silken hair : I love them, for they look like youth, And breathe of innocence and truth, And scenes exceeding fair ; I love them, for they yield a voice That bids my feeble heart rejoice, I love to seek them on the heath At day's most balmy hour, And weave a sweet, a dewj wreath lanthe ! for thy bower ; I feel as pleased and calm and blessed When I have placed upon thy breast The tribute of a flower, As while in childish years we strayed With glad hearts o'er the sunny glade. Sweet Firstlings of Acadia's hope Ye sometimes meet the blast On some warm southern wood-side slope Among the fallen " mast" ; W 54 MCPHERSON'S POEMS. Why smile ye in a time so drear, If not to tell our hearts-of-fear That Mercy yet will last ? That light shall shine and beauty bloom Like ye, above, the Mayflower's tomb ! WILD FLOWERS. Though gay exotics reared with care May please a cultured taste, Give me the flowers the vallies bear The wildlings of the waste. These, nursed in Flora's native bowers On earth's uncultured sward, Come to this northern land of ours All smiling from the Lord. But one, our Country's Emblem dear, The lovely flower of May, Springs in the wild our hearts to cheer While vernal suns delay ! I love its amaranthine leaf, I love its simple bloom ; It 'whispers, " Hope I" and counsels Grief To look bevond the tomb. THE MAYFLOWER. 25 * It breathes of some untroubled scene- Some land divinely fair; Of skies ineffably serene Of pure immortal air ! THE MAY-FLOWER. Sweet child of many an April shower, First gift of Spring to Flora's bower, Acadia's own peculiar flower, I hail thee here ! Thou com'st, like Hope in sorrow's hour, To whisper cheer. I love to stray with careless feet, Thy balm on morning breeze to meet Thy earliest opening bloom to greet To take thy stem, And bear thee to my lady sweet, Thou lovely gem. What though green mosses o'er thee steal, And half thy lovely form conceal Though but thy fragrant breath reveal Thy place of birth^ Gladly we own thy mute appeal, Of modest worth 1 2* 26 HCPHERSON'S POEM Thy charms so pure a spell impart r Thy softening smiles so touch my heart r That silent tears of rapture start, Sweet flower of May ! E'en while I sing, devoid of art, This simple lay. Yet thou, like many a gentle maid, la beauty's radiant bloom arrayed , O'er whom, in early youth decayed, We breathe the sigh, E'en thou art doomed, the lov'd, to fade The lov'd to die ! SUMMER IS COMING. Sweet music is springing O'er valley and hill The red breast is singing Beside the free rill. The wild bee is humming Among the sweet flowers ; Bright Summer is coming,. And gladness is ours !. Lo ! Summer is illuming The forest with green ; And blossoms are blooming In old sylvan scene. SUMMER MORNINO. 27 SUMMER MORNING. Sweet Summer Morn ! how cheering. How beautiful thou art ! How like a bride appearing To glad her bridegroom's heart ! To those who greet thee duly Thy genial dew appears As exquisitely pearly As Rapture's sparkling tears. The radiance of the flowers That ope to meet thy smile, Might bless the fadeless bowers Of an Elysian Isle. Thy friendly light hath found them Amid their green retreats, Presenting all around them A Paradise of sweets- While fairy beings, hasting, With low sounds, o'er the lea, Are delicately tasting The nectared tribute free. 28 HCPHERSON'S POEMS. Sweet Summer Morn ! thy feature* Bid every thing rejoice, And man, of all Heaven's creatures,. Lift up his spirit voice. Thine Orb of wondrous brightness Is as a glorious eye, And Zephyr in his lightness A yearning bosom's sigh. The vermil dye arraying Thy glad etberial way, Is like the blush betraying What loving lips would say. The chrystal waters gushing Beneath thy golden beam, Make music like the rushing Of soft wings in a dream. The choral matins ringing From meadow hill and lea, Is Nature's pulse upspringing In pure ecstatic glee. Sweet Summer Morn ! how cheeringv How beautiful thou art I How like a bride appearing To glad her bridegroom's heart L AUTUMN. AUTUMN. There hath been frost, the forest wears A thousand gorgeous hues, Affording man, amidst his cares, A feast of pleasing views. The hills present a rainbow sheen Of every radiant dye ; The vales, the dark relieving green, So grateful te the eye. But these are withering, day by day, Before the north wind's breath; So this world's glory fades away ! So bright things bow to death 1 A fitful sound of spectral wings Is heard in all our bowers; It is the dirge that nature sings Above her faded flowers. She sits in gloom her beauty fled Her glory gone and grieves, Like love beside the early dead, Among her falling leaves. Since earth came smiling from her source, She, like a summer day, Has seen but one unchanging course Of progress and decay ! Yet this is but the mystic art, That wisdom has designed 29 SO MCPHERSON'S POEMS, To open Plenty's liberal heart, And satisfy mankind. In all around, beneath, above, The grateful cannot miss To mark His hand outbeld in love, With varied stores of bliss. We sow our seed in early spring, In Autumn, bind our sheaves ; And rest, when frost and tempest bring The time of falling leaves. Sweet now to wander by the lake, Amid the forest hoar, Whose silvery waters joy to make Soft music on the shore, And mark, beneath the ealm sad light^ The tall trees drooping low, And pining o'er their mirrored blight Like Beauty in her woe. Sweet now to rove with minstrel thought Amid the fair decay, And mark the wondrous changes wrought Around our pilgrim way. And sweet, at holy hush of day, To walk by murmuring rill, And think of loved ones far away, The heart remembers still : !For, soothing to the soul the tears, With which Affection grieves O'er Feeling's beautiful past year,. Among her falling leaves.. AUTUMNAL MUSINGS. And sweet laborious summer past To take the calm repose That patient toil enjoys at last, At Autumn evening close ! Sweet Spring came bearing infant Hope Bright Summer nursed the child, But Autumn gave it strength to cope With Winter's changes wild ; Sweet, therefore, after all our care, To hoard our little store, And breathe the warm, the grateful prayer, That heaven rewards with more. When, round the harvest board, we share, The boon of temperate joy, Smile, smile we not at all the pain The trouble and annoy ! For soft the pillow which we press, When, garnered all our sheaves, We sink to sleep, and, dreaming, blesa The time of falling leaves. 81 AUTUMNAL MUSINGS. Flowers will fade though Love may rear them, Leaves, though born of spring-time, fall ; Autumn winds will blight and sear them, Winter spread their snowy pall. MCPHERSON'S POEMS. Day, though calmly, brightly shining, Clear and glorious, will not stay ; Sunlight from the sky declining, Night will triumph in her sway. But though flowers and leaves may wither From the sad earth's fading bowers, Time again will bring them hither , Spring-time leaves, and summer flowers. WINTER. Albeit o'er Acadia lowers An oft inconstant sky, She boasts a thousand fragrant flowers, Of Flora's fairest dye : But one her native emblem dear The little flower of May- Comes meekly forth with looks of cheer While vernal suns delay. Yet are our country's changeful skies Not always wrapped in gloom, E'en when as now the landscape lies In Ruin's herbless tomb ; For, oh, how beautifully bright When Night is coldly clear, Are yon unnumbered orbs that light This dim departing sphere. SCENES. 83 The great First-Cause, Who placed them there, Imparts their added glow, And makes the rugged clime still fair Amidst its frost and snow. He bids the flowers smile up to man, The stars look down in love, To sanctify our suffering span And guide the soul above. Yet not in flowers and stars alone Is nature's God displayed ; His equal attributes are shown In all that He has made. He, watching o'er the brumal wild As o'er the living green, Imparts an aspect fair or mild To every varied scene. SCENES. I love the sunny smile that plays On Beauty's coral lip the light That sparkles in the innocent gaze Of lovely eyes with instinct bright The voice whose touching tones impart High visions to the poet's heart. 34 MCPHERSON'S POEMS. I love to see the bud unfold, In summer's warm and sunny ray The hues of purple and of gold, Which tell of scenes that pass away, When Autumn over the landscape throws Bland Nature's brumal rich repose. I love at night's mysterious hour, To muse beside the solemn sea, And feel its strange mysterious power, And mark its waves, the wild the free, While hallowed visions sway the soul Resigned to thought's sublime control. FAIRY FALLS. (7.) Go to ! I have a leisure hour, And would enjoy its priceless dower Of freedom and delight, And cause its memory to be blest, With calmness, if not joy, of breast, Eternizing its flight. Then, having roam'd mid change of scene, Marked Nature's often-varying mien, And breathed refreshing air, Return, renewed to gentle task, Resume my place, nor wish to ask Exemption from its care. FAIKY FALLS. 35 Is toil an ill ? I say not so : Its first-fruits are the cheerful flow- The body's destined health ; Its greater good is peace of mind, With kindly feelings for our kind Its lesser guerdon, wealth. Much real rest much ease accrues To those who reverently use The moments of their trust ; For time, our capital, employed. Yields interest to be enjoyed, That well repays the just. Yet there are seasons of repose That come with angel wings to those Who prize true Pleasure's zest, Content with nature's courtesy, Though ignorant of the art to be Elaborately blest. Such now is mine to use not waste, Then while its winged moments haste Will I improve their flight, With some meet scene suggesting thought, Some impress of that MIND that wrought All life and all delight. Thus, in the absence of a friend, With whose true soul my own could blend, I will abroad, alone 36 MCPHERSON'S POEMS. And where Rosignol winds his way Through parted forests, weave a lay, Of calm and healthful tone. I love my own, my native stream, To stay my feet, and dream my dream, Beside thy Fairy Falls, Where rushing down with gladsome din, From rock to rock and lin to lin, Thy spirit half appals. Here olden Indian legends say, Mysterious beings wont to stray, And etch on cliffs of slate Dark characters of mortal doom, Prelusive of the earthly gloom That shrouds the Micmac's fate. But less romantic annals show That when Acadians fled their foe Some loitered on their way, Depicting thus, by lake and grove, Memorials with which exiles love To soothe the darker day. So let the untutored Indian roam Through fairy regions of his home Along this Naid stream, For born beneath a mystic star, Less dear to him the things that are Than those which only seem. FAIRY FALLS. Howbeit this wild scene hath power, Beyond the accidental power Of fancied fairy's art ; Sufficient in itself to please A minstrel-soul a mind at ease, It asks no borrowed part. Here, in her solemn pristine charms, Great Nature waves her awful arms Majestically free ; Here on her own uncultured sward, Her spirit walks with Nature's Lord, As on the mighty sea. NOTES TO "LOVE OF NATURE." (1.) These verses are alluded to in the Introductory Memoir, as indicative of the peculiar treatment of some of the themes of the volume. (2.) Concerning rural out-door occupations, at early Morn, opinions of modern Hygeists tend to depress the ardour of the poets, by asserting that the air at early hours, is not so salubrious as when the sun's influence has drawn off the exhalations of night. (3.) McPherson's personal feelings, and the sadness of incidents of his story, mark his verse, when the theme would not indicate such atone. 13(4.) The remark, that the themes of the different divisions of tb? volume, appear to blend occasionally, is applicable here. The verses would be almost as suitable for the "Domestic and Social" depart' ment, as for that of " Love of Nature." (5.) This has been a special favorite, with admirers of McPher- son'is verse. (6.) A peculiar delicacy of thought and metre, mark these lines, as well as several which follow. (7.) The scene of these verses is alluded to in memoir, under title " Localities." DOMESTIC AND SOCIAL, THE Circles of home and of Society, of the house and the neigh- borhood, will ever have strong claims for the man who is not a cynic or worse ; who has not from unfortunate circumstances, or more unfortunate disposition allowed apathy to wrap him in the cold cerements which cause decay of wholesome energy, and isolation of soul. The circles of heart and home and sphere are substantially those of the man ; beyond, he may extend his sympathies until the worlds of earth and sky are included, but the domestic and the social form the fitting centre of all proper expansion of the earthly affections ; and, in one sense, of the super-earthly also. If ye have not charity for your brother whom ye have seen, how can ye be expected rightly to love the great Being whom we have not seen ? Various degrees mark the regions of sympathy : At one extreme is the churlish disposition which enquires, " Am I my brother's keeper " ; at the other, the abounding benevolence which "gloried in tribulation " that ministered to the good of others, and, chief, the wonderful abnegation of Him Who freely " gave his life as a ransom for many." "Well has Charity been called the perfect gift, the bond of unity, the fulfilling of the law. The writer to whose poems these pages are devoted, whatever his personal difficulties and sorrows, seemed never to have divested himself of the social feeling, of the kindly sympathy, which commisserates, and condoles, and aids, where aid is practi- cable : " The Charities of poor to poor go sweetly up on high." In the verses which follow, and indeed in each department of this little volume, the domestic and social virtues either copiously predomi- nate, or indirectly appear, giving indication of the genial strata which underline every variety of surface. No doubt, one of the chief con- solations of the Poet was, the hope or belief, that his verse would extensively minister to the amenities which he yearned after ; and assuredly we may have confidence that such result will be among the most abundant effects of the long-desired publication. : ^.131 J3 EVENING THOUGHTS. No. I. (Note 1.) How sweet is day's delightful close, When night begins to fall And spreads the curtain of repose, Kind Heaven designs for all ! How welcome that auspicious hour To those who all the day, Are absent from affection's bower, Unsunned by Beauty's ray. Then man, whose task of daily care Makes nightly rest so sweet, Keturns, the sacred joy to share Of Love's serene retreat. Then with his partner by his side, His children at his knee, He thanketh Heaven with humble pride, Beneath his own roof-tree. 42 MCPHEKSON'S POEMS. Albeit error bows the soul Created to aspire, And Time's unholy things control Its pure immortal fire, Yet still our Maker sends us much Our thankfulness to claim, Our hearts with sacred love to touch And fan Devotion's flame. EVENING THOUGHTS. No. II. When leaves the busy world the sun, And shadows dim the west, His daily task appointed, done, The Peasant seeks his rest ; His wife, beside his cheerful fire, Receives him with a smile, His little ones his heart inspire With pure delight the while. The clean uncostly table spread, They share the frugal meal, And offer up for daily bread The gratitude they feel. Then, sung the solemn evening psalm, They breathe the ardent prayer, That He who gives Domestic calm May keep them still his care. EVENING THOUGHTS. Oh, even in the humblest sphere, Whate'er our share of ill, The grateful heart may find, to cheer, Unnumbered comforts still. None, none, however poor, need say, His life is all of gloom ; Along the lonely desert way The fairest flower may bloom. EVENING THOUGHTS. No. III. When shuts its balmy cup the flower Beneath the parting light, How welcome is the twilight hour, The dusk approach of night. I joy to mark the shadows fall, I joy the stars to see, For these thy happy husband call, To thee, my love, to thee. I grieve not that my toilsome days Are spent from thee apart, For well thine added love repays The purpose of my heart. That purpose is to make thy lot As blest as it can be To render this, our humble cot, A pleasant home to thee. 44 MCPHEESON'S POEMS. * My wife, my own, my faithful wife, Content my lot to share, Thy tenderness imparts to life A balm for many a care. Possessed of fond Affection's light, To gentle worth allied, I feel that I have reached the height For which so long I sighed. EVENING THOUGHTS. No. IV. How sweet the hour when daylight dies ! How passing dear to me The hour in which my spirit flies, My own true love, to thee ! The wind went murmuring softly by, The stars were bright above, When last I saw that beaming eye And heard thy voice of love. Not now that soft wind comes to me. Those stars above me shine ; Not now that look of love I see., And hear thee call me thine. EVENING THOUGHTS. t5 I view not now the genial sky That smiles above my home : My native scenes remotely lie Beyond the ocean's foam. EVENING THOUGHTS. No. V. As sinks yon glorious purple-vestured sun Beneath old ocean's ever-heaving breast, Even so the Christian, when his race is run, Smiles love's farewell, and seeks his place of resi. No wind-lashed wave disturbs the murmuring sea No cloud obscures the blue ethereal scene ; So parts the spirit longing to be free, Unmoved by fear, and solemnly serene. The sun has set but lo 1 the constant star Of dewy Evening glimmers in the "West, Like some bright beacon beaming from afar, To wh'sper hope to some poor wanderer's breast. Soft shades lie round us on the earth, above The myriad lights of heaven's blue halls appear, To soothe the soul with gentleness and love, And aid its visions of a holier sphere. 46 MCPHERSON'S POEMS. There hovers o'er us at this mystic hour An angel- presence, which is not of earth, Whose still small voice of deep unearthly power, Reminds the listener of his heavenly birth. "What marvel if at such a pure appeal, We grow indignant of a world's control, Sigh for the spirit's liberty, and feel New and immortal impulses of soul. I would that I had wings with which to soar Amid the light of yon celestial spheres, Rejoicing in the privilege to explore Forgetful of a cold world's gloom and tears. For I have yearnings for a better life Than this, of want's dread influence o'er the soul ; And sink o'erwearied with the hopeless strife That mocks my wishes for a peaceful goal. WINTER EVENINGS. Improve the winter evening hours, Those pleasant seasons of repose, Still lent us to augment the powers That mitigate our woes. WINTER EVENINGS. 47 A useful book will well repay A thoughtful reader's patient care, Lend much to light our troubled way, And purify its air. Let not those hours of ease and light That smile when summer's sun has set, Wound like the Parthian in his flight, With deep tho' late regret. Forbid thy wayward feet to roam With those who take no heed of time ; For sweet the pleasures found at home In Love's own hallowed clime. There, while parental smiles invite The look, the tone, the smile of cheer, The Genius of serene delight Shall make the fire-side dear. Oh ! turn not from the peaceful light Of sacred Wisdom's word and way, To follow aught, however bright, Which shines but to betray. Improve the hours, that they may leave Sweet recollections of their flight, And glad Life's latest winter eve With Truth's enlivening light. 48 MCPHERSON'S POEMS. THE PRIDE OF BEAUTY'S BOWER. She shone beneath Affection's ray, The pride of Beauty's bower, She, like the earliest bloom of May, Acadia's emblem flower, Was all too beautiful to stay Where adverse aspects lower. She lived a soul of gentlest grace Exalted and refined ; Less prized for radiant form and face Than wealth of heart and mind ; And memory keeps her faintest trace In Love's own temple shrined. Though round her last low dwelling here Autumnal leaves are strown, Still falls upon the dreaming ear Her voice in dulcet tone ; But, life without her light is drear, And, oh ! the heart is lone ! THE BEAUTIFUL IS FADING. 49 THE BEAUTIFUL IS FADING. (M The baautiful is fading, The loved and youcg must die, The film of death is shading The soft and lustrous eye. Much hadst thou to endear thee In hours of joy or woe, And new, that death is near thoe, We mourn to let thee go. Love true love well requited, Weeps o'er thy pale sad brow 4 And friendship, early blighted, Dissolves in sorrow now. But though the fond hearts round thee, Implore thy longer stay ; The time of flowers hath found thee In fair and sad decay. Sweet rose, (we hoped to nourish, With fond parental care,) Shall we not let thee flourish In pure immortal air? Thou canst not now be given To all our tears and sighs ; But we rejoice that heaven Is dawning on thine eves. MINSTRELSY. Touch, Minstrel, touch thy lute for me> And wake thy voice of song, And set my wearied spirit free, From sorrow suffered long ; For I, whom smiling Fortune slights, Am one condemned to roam Remote from all the dear delights And tender cares "of home. Recall that dearest cot on earth, Long faded from my view, My mother's home, my place of birth, Where my glad childhood grew. Recall my sire, whose calm eye beamed With kind protecting love, My sister, whose affection seemed The softness of the dove. lap me in the fairy dreams Of these untroubled hours, That held their flight by murmuring streams, And wreathed their wings with flowers. Recall the sweet, sweet feelings, crossed Ere life's glad zest had flown, And give mo now my loved and lost My beautiful- -my own., IIRST FO MB HOPES, 51 Sing on, sing on, I love to hear The strain that wakes the past, And bids the lov'd and young appear As when we saw them last. Sing on, my spell-bound ear hatk caught A sense of spirit-wings ; My friends draw near, for in my thougkt Old footstep music rings. Cro, gifted spirit ; thy control, The gentle and the deep, Has waked the woman in my soul, And I am fain to weep. Yet will I bless thy magic sway, If sad thoughts, nursed for years. Confess the momentary sway Of wlid relievbg tears. THE FIRST FOND HOPES. The first fond hopes of artless youth, In kindred feeling, blighted Our trembling trust in loving truth. And life-long friendship, slighted. The torn heart's wild and bitter tears, UH chased by smiles of gladness, May flow, like fiery rain for years, From brimming founts of sadness. 82 MCPHERSON r S POEMS- To love to woo, a gentle mind, Receive a plighted token, Yet find our fondest trust betrayed", The chain that bound us, broken r To see, love, beauty, all depart, And all around grow dreary, Ts sad experience for the heart, And makes the world o'er weary. To mark the cheek of vermil dye Forego its beauteous blooming, To see the lustrous loving, eye Submit to care's dark dooming ; These these are trials, though severe,. Less desolately blighting, And make the mortal lot less drear Than love and friendship's slighting, Though o'er the Churchyard's grass-green heaps- Affliction bends, like -Rachel, weeping, The heart has something which it keeps Sweet memories of the lost one sleeping. Last words, last looks, _last smiles come back, To tell of love and truth undying, And shed around the lone one's track Sad lights, that make its gloom less trying- But when our living idols change, And mock, unveiled, our fond believing,-. THE BlCK HOOM. When hearts grow cold and eyes grow strange, And truth shrinks back from their deceiving.; The fearful priee which we have paid, Tka rich ore mined in vain endeavour, The loving trust despised, betrayed, These wreck the early hope for evec. THE SICK ROOM. -the bitter hei'b, pain, we may extract the anodyne, patience.* (3.) 1 long to leave this cheerless room, Inhale tbe free, refreshing air, And feel my faded cheek resume The hue that Hebe loves t wear; But ah J my limbs refuse to bear The frame which they so lithely bore; And I must dwell with wasting care, And share in active life no moreJ I try to read but Learning's welt Hath no sweet draught for stern disease, And Thought no calm oblivious spell No aeodyne for -pangs like these. O give me what cun duly please, Give back my long accustomed toil '3The parent of .content and ease, culture of my native soiL 54, MCPUERSON'S POEMS. My brothers hail day's rosy blush, They scent the flowers, inspire the gale, And hear the hill-side water* gush And murmur onward to the vale ; While I, afflicted, restless, pale, And worn with premature decay, Find earthly solace sadly fail, And sigh my very soul away. I turn and turn, but find no rest Upon my weary couch of pain ; Sad feelings labour in my breast, And dark thoughts rack my burning brafe. I know that human aid is vain For one so maimed and sick as I, Who, though sweet ties my heart detain, Must die on manhood's threshold, die ! My father wears an anxious brow, Speaks to me with a faltering tongue ; My mother more than mother now With sympathetic anguish wrung ; They cannot bear that I, so young, Of late so full of life, and gay, To whom their hearts so long have clungv Should wither from them day by day. Yet sad as is my early fate, And sharp as is this wasting pain. THE SICK ROOM. 55 In looking o'er our mortal state, I feel that I should not complain. What though my feeble frame has lain Long months beneath increasing ill, Am I not linked in Nature's chain, And blest with hourly mercies still ? Home, kindred, love's kind care are mine, With much that sickness most requires ; While thousands wearily decline Far distant from their household fires. Thou by whom the world respires, Thy love has been so great to me, That, taught how vain are earth's desires, I yield my chastened soul to Thee ! The spirit suffers with the clay In which it tabernacles here, But soars at intervals away To regions exquisitely clear. Oh, if this passing world be dear With all its weariness and pain, How should we deem that better sphere That smiles undimmed by Error's stain ! The time is near, when yon blue skies Shall vanish like a closing scroll, And all that anxious worldlings prize Be dust and ashes to the soul : Ot> MCPHERSOX'S POEMS. God ! assist mo to control The warring of undue desire, That I may reach Thy blissful goal, And praise Thee in Thy day of fire. SYMPATHY. The heart has hours of That must be all its own, But cold and callous is the breast That beats for self alone. Communion lessens every care, Enhances every zest, And makes the spirit strong to bear The ills that break her rest. The rich man flies from Fashion's strife, The poor man from his care, To taste the healing sweets of life, And breathe affection's air. Though specious pleasures oft invite The wayward heart to roam, We turn with ever new delight To friendship, love, and home. Magic of domestic bliss ! How soft thy silken chain, MATERNAL DUTT. 57 How bright thy smile, how chaste thy kiss, How exquisite thy reign ! The heart that vainly sighs to share Its light and joyous tone, Might break if it were doomed to bear Its weary lot alone. MATERNAL DUTY. Young mother with how pure a heart, How firm a soul, shouldst thou Perform the dear delightful part, Entrusted to thee now. In that fair child's immortal mind, But lent thee from the sky, Instill sweet mercy for its kind, And aspirations high. Of all that, born in virtue's air, Subserves our noblest ends, How much upon maternal care And faithfulness, depends ! That bud of moral being, nursed By fond affection's hand, May into wondrous beauty burst And bless a smiling land. 58 MCPHEBSON'S POEMS. Young mother, sow betimes the seed Of all things good and fair, And let not Folly's hurtful weed, The place of wisdom share. Fulfil maternal duty's part, Confiding in the Lord, And Ho, observant of the heart, Will give the great reward. If aught on this unstable sphere Is like the world above, So sacred, beautiful and dear, It is a mother's love ; Use, then, this firm enduring band, This sweet controlling tie, To lead thy child through this dark land, To glory in the sky. Oh, with what joy the mother meets In that bright world of bliss, All pure amidst the golden streets, The child she nurs'd in this ! For in that land of " living green," Around the Eternal Throne, The blest shall see as they are seen, And know as they are known. 3ING TO MB. 59 SING TO ME. Sing to me, Dear, as David sang To Israel's troubled king, When music's magic numbers rang Along each conscious string. My soul is sick of worldly strife And burthened with despair, And song may haply take from life Some burthen of its care. Then sing to me, of those sweet ties That, strong in guileless truth, Give sunshine to the darkest skies That dim the hopes of youth. Sing to me of the loved and young Who faded in their bloom, And left a heart intensely wrung To bear a sombre doom. They passed from this cold place of graves, This desert land of death, - When all that fond Affection craves Hung trembling on their breath. But, taken to a cloudless clime Of pure immortal streams, They wear the spirit's glorious prime, And realize their dreams. eo MCPIIERSON 8 POEMS. Yet, Sweet, forgive if I recall Wild memories of thine own, That left thy silent tears to fall, Thy day to pass alone. Oh ! share the sobbing of my breast, Since we alike deplore, The dead who are not dead, the blest Who come to us no more. Less dear to me the charms of song, Whate'er the minstrel's art, Than those sweet sympathies which throng The suffering human heart. Then raise no uncommutual strain Of withered hopes for me, But of thine own deep woes complain And I will weep with thee. THE POOR MAN. (*) Lord grant the poor man daily health, To toil for daily bread, He has small other earthly wealth, And must be clothed and fed. The proud of place may grind his face, The hard withhold his hire, Great Parent ! heed his piteous case And guard his cottage fire. THE POOR MAX. 61 Thou carost for the little birds That own no earthly lord ; Thou carest for the flocks and herds That crop the flowery sward ; flear'st the young ravens when they cry, Heed'st the young lion's roar, And wilt regard the poor man's sigh, And meek petition, more. The rich man may see little need To pray for plenteous bread ; The poor man, of a nobler creed, Asks daily to be fed. His wife, the angel of his cot, Demands his constant care, The children, sent to bless their lot, Require their humble fare. Oh grant the poor man daily health, And strength for daily toil, With sweet content, the precious wealth Of weary mortal moil. And grant him power to rule his mind, To prize affection's sway, And nurse the charities, designed To smooth his pilgrim way. Assist thou him to keep his heart, To walk in virtue's light, And act, whate'er assails, a part, Praiseworthy in Thy gight. 62 MCPHERSON'S POEMS. Then, when his little span has past Amidst privations here, Oh take him to Thyself at last In rest's immortal sphere. COUNSELS. (5.) My fellow man ! whate'er thy name, Blest with a low or lofty lot, Content, or struggling on to fame, Or young, or old it matters not : Thou art my brother, and I feel, Oh ! deeply, for thy spirit's weal ! Shun sinful Pleasure ! Though she seem That which the erring heart desires, She will not realize thy dream, She is not what thy soul requires : She dims the mid-day sun, and brings Deep night and death beneath her wings. The Syren has a thousand smiles To win her thoughtless victim's trust, A thousand bland yet specious wiles To hide her heart of rank disgust; Beware, whoe'er thou art, beware ; soft allurement hides a snare. ' DYING IN SPRING. C3 If thou hast touched abjure, the bowl ; If thou hast not rejoice with me ; Preserve the beauty of thy soul, And as thou art, continue, free. When tempted, supplicate the sky ; God sees thee He is ever nigh. Our human strength is weakness, we May fall when seemingly secure ; But tried and trembling dust may flee To One whose aid is always sure. Vain-glory hath its own reward ; Look thou for succour from the Lord. Be steadfast. Duty's path is plain, The simplest need not err therein ; Put on no self-enslaving chain, Make no companionship with sin ; Hope smiles not, peace is never found, Joy springs not, but on Sacred Ground. DYING IN SPRING. (6.) Bright skies are o'er thee shining, Soft breezes fan thy brow ; Yet thou, the lov'd, art pining, With secret sorrow now. 64 MC?HERSON'S POEMS. Fair flowers are springing round thee, In foi-est, field, and bower ; But Spring's bright hues have found thee, Thyself a fading flower. Where hearts have been the lightest, Thine own has been most light ; Where smiles have shone the brightest, Thine own has shone most bright. But now a cloud lies o'er thee, The young cheek's bloom hath flown ; This life may not restore thee, The joys which thou hast known. Not now thy footstep boundeth, Among the opening flowers ; Not now thy sweet voice soundeth, As oft in former hours. Thy soul is sadly sighing, Thy loved harp lies unstrung ; And thou in spring art dying, Our beautiful and young. WHEN SHALL I AGAIN BEHOLD THEE? When shall I again behold thee ? When those lineaments review, Fondly to my heart enfold thee, And the bright hours past renew ''. VTHEN SHALL I AGAIN BEHOLD THEB. ft'3 Since I saw thy look of gladness, Since thy sweet voice cheered me last, Left to linger on in sadness, Life with me has poorly passed. Has thy path been bright before thee, Through those long eventful years ? Has no tempest, bursting o'er thee, Quenched thy hopes in gloom and tears ? If thy fond heart, lost to gladness, Shrinks from dark, dark years to be, Then, remember, in thy sadness, Thou hast yet thy God and me ! Though my eheek has somewhat faded, Though my heart has greatly changed, Though my brow is sorrow-shaded, I am not from thee estranged. If thy faith is still unshaken, If thy love its truth retains, Then, whatever time has taken, One sweet solace yet remains. What though we have wasted treasure, And experienced much of ill, Life's pure fount of dearest pleasure TremHes in our bosoms still. Our pledged hearts are fondly beating Our true spirits deeply stirred ; (Sad our parting !) sweet our meeting After years of hope deferred ! 00 MCPHERSOX'S POEMS. But, shall I again behold thee, Those dear lineaments review, Wildly to my heart enfold thee, And the sweet hours past renew '' Dearest lost one if still living, Though remote as pole from pole, I, the loving and forgiving, Give thee welcome to my soul. Come, then ; come ! with hearts still youthful, We shall soon forget our care ; Come, O come! with souls still truthful, Life shall yet again be fair. Haste, while Hope continues burning ; Fly, ere life's glad pulse be o'er, Still I watch for thy returning Wilt thou come to me no more ? TO A PUPIL. Enough enough, my conscious boy, Thy daily task is done, And thou that art a thing of joy, Shalt laugh, and leap, and run ; Go with thy happy mates to play, Beneath the open sky, And win the feelings fresh and gay Denied to such as I. 1 TO A PUPIL. 67 Gather ripe berries in the fields, Partake the limpid rill, And simple joys that nature yields, But fall not into ill. The pleasures which are pure and good, Are never found apart From duty, rightly understood, And innocence of heart. Away the cloud-attended sun Is sinking in the west, The weary day will soon be done, And all things go to rest ; Away improve the pleasant hours Endeared by school-boy dreams, And list the birds, and mark the flowers, That shade the wild-wood streams. Yet, first fulfil affection's part To thy young mother meek, That she may clasp thee to her heart, And press thy blooming cheek. boy, return her fond caress, Requite her patient care, And make her hours of loneliness Not all too hard to bear. When thou her beautiful, her own, Art absent from her side, She feels as widowed as alone, As when thy father died ; 68 MCPHERS05TS POEMS. The love that his last hours beguiled Of half their gloom and tears, Has turned to thee, her only child. With all its hopes and fears. Then, go assure the lonely heart Of which thou art the stay, And if an anxious tear should start, Wipe thou that tear away. Thy gentle mother, much for thoe Unmurmuringly has borne ; O, boy, continue kind, and she May haply cease to moura. CHARITY, Stern " Winter rules the inverted year"- The genii of the tempest meet, The sky is dark, the landscape drear With drifted snow and driving sleet j The houseless ehivers in the street, The poor man cowers beneath his shod, While calmly in his warm retreat The rich man feasts on dainty bread, O rich man .! think of those who pine Beside the fearful gulf of vice, GHARITT. While large luxurious good is thine, Without the pain that's oft the price ; Then ere thy generous state entice To proud display, to rich repast, Reserve a part that shall suffice Some humble soul on bounty cast. Yet veil thine hand from suffering's view ; For Charity, though kind, is coy, And loves, as often virtues do, Some modest way of giving joy. The donor's pride should not destroy The gratitude that ought to start, Unchecked by shame's impure alloy, From out the glad receiver's heart. Let Nature teach thee to be kind, Unostentatious, prudent, right ; Heaven-trusted with a loving mind, Thou need'st the guide of Heavenly light. The bounteous dews distil at night, The stream comes forth from founts concealed, Be, then, the deeds which these incite,. Not few, albeit unrevealed. 70 MCPHERSON'S POEMS. THE PILGRIM SLEEPS. (70 The Pilgrim sleeps his wearied form Its last long silent rest is taking ; He feels not now the ruthless storm, His heart no more with grief is aching. The Pilgrim sleeps his deathless soul, So meet for joy, and formed for soaring, Escaped from this dark life's control, Is some more glorious scene exploring. Though he to many a heart was dear, And friendship held her empire o'er him, He seemed a weary wanderer here, And why should such as we deplore him. He dwells in yon bright world of joy, Where sweet unfading flowers are springing, Where love is pure from death's alloy, And blissful souls are sweetly singing ! The Minstrel sleeps. His soul has passed From Time's (eventful) shore ; The fettered bird is freed at last Through heavenly light to soar ; He feels not fortune's bitter blast, He wakes to pain, no more ! NOTES TO "DOMESTIC AND SOCIAL.' (1.) The "Evening Thoughts" of this section, may be consider- ed by some, at first sight, as ranging more appropriately under the designation "Love of Nature;" additional examination, however, may satisfy that the " Domestic and Social " element predominates, and that the verses belong to the division so called. (2.) These lines were entitled "A Melody" by the writer. Their flowing metre and musical cadence give good claim to the designation. (3.) With much appearance of being "personal" these verses have internal evidence of being general, though the emotions were the dictates of experience. How graphically are sad circumstances dwelt on, relieved by a hope supernal at the close. (4.) The Poet's aptness to blend moral with personal picture is evinced in these and many other lines of the collection. (5.) One of many evidences of McPherson's Christian sympathy and charity. Keen sinsitiveness to his own cares was kept well apart from querulous selfishness. Sympathy blended with complaint, and generally raised him far above the reality, or the affectation, of the vice of misanthropy. (6.) An unusual expression of sad thoughts, in very musical verse. (7.) An appropriately soothing sequel to the troublous scenes previously alluded to, or described : "The Pilgrim Sleeps." PERSONAL. THE Personal characteristic forms an important part of literary composition, though in some works it is but sparingly introduced, in reference to the writer's identity. Shakespeare alludes only indi- rectly and briefly to himself and his friends. Milton's majestic verse has exquisite, but not copious, references to the Poet's circumstances and history. Self and its associations, pervade much of Byron's more celebrated poems. Cowper employs the "Personal" freely, and with much pathos and beauty. It forms the basis of the plain- tive philosophy of " Young's Night Thoughts." Painters imbue their works with such personality as consists of familiar figures and favorite localities : the portraits of themselves and their acquaintances, pictures of the river banks where they loved to loiter, of the trees which shaded their noontide walk, of the cottages and halls of familiar neighbourhoods. Poets have more ample means and more copious sources of the Personal at command ; and have sometimes been tempted, in this respect, beyond the bounds which prudence would dictate. The Personal tendencies of poets differ in nature as in degree. Inflated adulation, scathing satire, malignant denunciation, mark the mood, with some, about as freely as do true kindly feeling, and loving graphic description. Not much of the morose of personality will be found iu the verses which follow ; but, instead, some melancholy wailings, earnest yearn- ings for sympathy, occasional overshadowing of earthly despair, and, in happy moments, kindness, gaiety, and cheerfulness. McPher- son's muse, untrained to continued control, luxuriated in the melan- choly, or the joyous, in accordance with the lowering cloud, or the sunburst, which marked the landscape of life. PERSONAL ADDRESS TO A. M. G. (Note 1.) Dear Sir, in reading your last sheet, I really felt inclined " to greet," It was so 'tender and so sweet From first to last ; In fact it set me on my feet, Though much downcast It breathes a sympathetic glow Which is not merely specious show ; For you, as I have cause to know, Are quick to feel The influence of another's woe, Another's weal. I nurse a strong desire to see Your face, of late too strange to me, And blend in conversation free Led by your voice ; But, as this pleasure cannot be, I waive my choice. 76 MCPHEKSON r g FOJ3SSU I nave a wife, a daughter too (The last is really something new, At least it may be news to you ;) So I am tied To narrow bounds as if I grew At my hearth's side. But I can send you BOW and then, The rough rude products of my pen, Which you can scan in some lone glen, By some glad stream Aloof from some sad bores, called men- Who break one's dream. So now, while borne on song's wild wave, I give you what I often crave, A few thoughts humourous or grave As things may tend, Not mere appearances to save ; But eheer my friend. I trust such intercourse, (begun Beneath an inauspicious sun,) Is now renewed, through life to run With fixed regard ; For neither of us ought to shun His brother bard,. ADDUES8 TO A. M.