tetures fef ANTA CRUZ Ibeinemann'e Colonial med for Sale in the British Colonies and India only. Price 35. 6d. CLOTH, 2s. 6d. PAPER, each Volume. An Erring Pilgrimage Told in the Verandah Mammon Patience Sparhawk Aineriean Wives and English Husband: Los Cerritos Benefits Forgot Kittv's Father The Justification of Andrew Lebtun A Daughter of this World EguaKty The Fourth Napoleon Paul Beck The Broom of the War-God A Superfluous Woman Transition Life the Accuser Fortune 's Footballs The Manxman The Bondman The Scapegoat John of Strathbourne A Conspiracy of Silence A Daughter of Music The Nigger of the " Narcissus " The Open Boat The Third Violet The Triumph of Death Soldiers of Fortune Captain Castle God's Foundling 7/ie Raid of the " Detrimental " The Story of a Modern Woman A Comedy of Masks Noel Ainslie (Anon.) Mrs. Alexander Gertrude Atherton ... Gertrude Atherton ... Gertrude Atherton Wolcott Balestier Frank Barrett Frank Barrett Fletcher Battershall Edward Bellamy ... Charles Benham ... M. McDonnell Bodkin H. N. Brailsford ... Emma Brooke Emma Brooke Emma Brooke G. B. Burgin Hall Caine Hall Caine ... Hall Caine .. R. D. Chetwode G. Colmore ... G. Colmore ... Joseph Conrad Stephen Crane Stephen Crane Gabriele D'Annunzio R. H. Davis Carlton Dawe A. J. Dawson The Earl of Desart Ella Hepworth Dixon E. Dowson & A. Moore ... George Egerton Mrs. J. M. Fleming (Alice Jessie Fothergill Harold Frederic Harold Frederic Harold Frederic Harold Frederic Harold Frederic George Gissing Sarah Grand Sarah Grand Sarah Grand Sarah Grand Maxwell Gray Francis Gribble M. Hamilton M. Hamilton M. Hamilton Robert Hichens Robert Hichens Symphonies M. Kipling) /('. \ Daughter ipling) . / Pinchbeck Goddess March /lairs Illumination hi the I'allty tpperkead The Return of the CT Mahony The (V,,/ Ideala ( >/(> Manifold Nature Heavenly T;>'ins (TwoVols.) The Lust Sentence filings I hat Matter The Freedom of Hentv Meredyth A Self /h'nyiiig Ordinance Mi /.n>;/ of the Camerons 7'/;< Londoners /''/(/ ///t'.V lfoeinemann'0 Colonial library Continued. Robert Hichens Robert Hichens ... Annie E. Holds worth Annie E. Holdsworth Mrs. Hungerford ... Mrs. Hungerford ... C. J. Cutcliffe Hyne W. W. Jacobs W. W. Jacobs Henry James Henry James Henry James Henry James Henry James C. F.Keary Elsa D'E. Keeling Rudyard Kipling and Wolcott Balestier An Imaginative Man The Folly of Eustace The Gods Arrive The Years that the Locust Hath Eaten The Hoyden The O'Connors of Ballinahinch The Recipe for Diamonds The Skipper's Wooing Many Cargoes What Maisie Knew Terminations Embarrassments The Other House The Spoils of Poynton Herbert Vanlennert Appassionata The Naulahka Harry Lander Richard Le Gallienne Mrs. Lynn Linton W. J Locke Hector Malot Bertram Mitford ... Bertram Mitford ... William Morris Max Nordau Max Nordau W. E. Norris W. E. Norris W. E. Norris W. E. Norris Ouida Max Pemberton ... Mary L. Rendered E. S. Phelps Mrs. Campbell Praed Martin J. Pritchard Edwin Pugh John Quine Mrs. Riddell Amelie Rives Adeline Sergeant ... Adeline Sergeant ... Adeline Sergeant ... Flora Annie Steel . . . Flora Annie Steel ... Flora Annie Steel ... Flora Annie Steel ... J. A. Steuart Robert Louis Stevenson Robert Louis Stevenson G. S. Street ... H. Sutcliffe Tasma W. Edwards Tirebuck Lucky Bargee The Quest of the Golden Girl In Haste and at Leisure At the Gate of Samaria Her Oivn Folk Romance of the Cape Frontier ' Trveen Snow and Fire The Wood Beyond the World A Comedy of Sentiment The Malady of the Century Mai ietta's Mart iage A Victim of Good Luck The Countess Radna The Dancer in Yellow The Tower of Taddeo The Queen of the Jesters A Pastoral Played Out The Master of the Magicians The Scourge Stick Without Sin The Man of Straw The Captain of the Parish The Head of the Firm According to St. John Out of Due Season The Story of a Penitent Soul The Failure of Sibyl Fletcher In the Permanent Way The Potter's Thumb From the Five Rivers On the Face of the Waters The Minister of State The Ebb Tide St. Ives The Wise and the Wayward The Eleventh Commandment A Knight of the White Feather Miss Grace of All Souls' MR. WILLIAM HEINEMANN'S LIST. fceinemann'0 Colonial Xibrar^ Continued. E. L. Voynich H.G.Weils... H..G. Wells H. G.Weils... H. G. Wells Percy White Percy White Percy White Mary E. Wilkins H. F. Wood I. Zangwill ... I. Zangwill I. Zangwill I. Zangwill I. Zangwill Emile Zola Z.Z. Z. Z. The Gadfly The War of the Worlds Certain Personal Matters The Invisible Man The Island of Dr. Moreau Mr. Bailey- Martin Corruption Andria Jane Field Avenged on Society Dreamets of the Ghetto The Master Children of the Ghetto The King of Schnotrers The Premier and the Painter Stories for Ninon A Drama in Dutch The World and a Man FORTHCOMING VOLUMES. 1898. HallCaine Richard Harding Davis I. Zangwill Stephen Crane Gabriele D'Annunzio Harold Frederic ... Max Nordau. Bernard Capes Maxwell Gray The Christian. (In August). The King's Jackal. The Celibates Club. Pictures of War. Child of Pleasure. Gloria Mundi. The Drones must Die. The Lake of Wine. The House of Hidden Treasure. empire library of Stan&arb Published for Sale in the British Colonies and India only. Uniformly Bound in Cloth. Rear Admiral Colomb and others The Great War of 189. Sir Charles Dilke and otheis Sixty Years of Empire, 1817-1807. Rhodesia Past and Present A Friend of the Queen. Napoleon and the Fair SeX. Degeneration. ( Conventional Lies of our Civilization. Paradoxes. '/'//- ( 'hitral Campaign. I 'niifrair rents of the Second Empire. I he Romance of an Empress. The Slory of a Throne. The Crimean Diary and Letters oj S. J. Du Toit Paul Gaulot Frederic Masson Max Nordau Max Nordau Max Nordau H. C. Thomson Albert D. Vandam K. Waliszewsk: K. Waliszewski Lieut. General Sir Charles AshWindham, K.C.B. H?einemann'$ Colonial !Librar of popular jfictton Issued for sale in the British Colonies and India, and not to be imported into Europe or the United States of A merica. BY THE SAME AUTHOR Uniform ivith this Volume THE OPEN BOAT THE THIRD VIOLET ALSO T2mo, buckram, gilt top, price 2s. MAGGIE: A Child of the Streets PICTURES OF WAR BY STEPHEN CRANE AUTHOR OF "THE OPEN BOAT," ETC. LONDON WILLIAM HEINEMANN i Contents C 85 A 15 PAGE THE RED BADGE OF COURAGE . . . . . I THE LITTLE REGIMENT IQ5 THREE MIRACULOUS SOLDIERS .... 227 A MYSTERY OF HEROISM 273 AN INDIANA CAMPAIGN 29 1 A GREY SLEEVE 309 THE VETERAN . . . ." .... 335 An Appreciation ALL men are aware of antagonism and desire, or at the least are conscious, even in the nursery, that their hearts are the destined theatres of these emotions; all have felt or heard of their violence; all know that, unlike other emotions, these must* often be translated into the glittering drama of decisive speech and deed ; all, in short, expect to be lovers, and peer at the possibility of fighting. And yet how hard it is for the tried to compare notes,, for the untried to anticipate experience ! Love and war have been the themes of song and story in every language since the beginning of the world, love- making and fighting the supreme romances of most men and most nations ; but any one man knows little enough of either beyond the remembered record of his own chances and achievements, and knows still less whither to turn in order to learn more. We resent this ignorance as a slur on our manhood, and snatch at every chance of dispelling* it. And at first, in the scientific " climate" of our time, we are disposed to ask for documents : for love-letters, and letters written from the field of battle. These we imagine, if collected and classified, might supply the evidence for an induction. But on second thoughts, we remember that such love-letters as have been published are, for the most part, not x AN APPRECIATION nearer to life than romantic literature, but farther removed from it by many stages : that they are feeble echoes of conventional art not immediate reflections, but blurred impressions of used plates carelessly copied from meretricious paintings. And so it is with the evidence at first hand upon war. The letters and journals of soldiers and subordinate officers in the field are often of a more pathetic interest than most love-letters ; but to the searcher after truth they are still disappointing, for they deal almost exclusively with matters beyond the possi- bilities of the writer's acquaintance. They are all of surmises of what dear ones are doing at home, or of the enemy's intentions and the general's plans for outwitting him : they reflect the writer's love and professional ambition, but hardly ever the new things he has heard and seen and felt. And when they attempt these things they sink to the level of the love-letters, and become mere repetitions of accepted form. I can remember one letter from an English private, describing an engagement in which some eighty men were killed and wounded out of a force of eight thousand : he wrote of comrades in his own battalion " falling like sheep," and gave no clue to the country in which he served. It might have been in Siberia or the Sahara, against savages or civilised troops ; you could glean nothing except that he had listened to patriotic songs in music halls at home. Perhaps the most intimate love-letters and battle-letters never get printed at all. But, as it is, you cannot generalise from collections of documents as you can from collections of ferns and beetles : there is not, and there never can be, a science of the perceptions and emotions which thrill young lovers and recruits. AN APPRECIATION xi The modern soldier is a little less laconic than his mediaeval forebear. Indeed he could hardly surpass the tantalising reserve of, say, Thomas Denyes, a gentleman who fights at Towton, aud sums up the carnage of thirty-eight thousand men in a single sentence : " Oure Soveraign Lord hath wonne the feld."* But it is astonishing to note how little even the modern soldier manages to say. He re- ceives rude and swift answers in the field to the questions that haunted his boyish dreams, but he keeps the secret with masonic self-possession. Marbot's Memoirs and, in a lesser degree, Tom- kinson's Diary of a Cavalry Officer, are both admir- able as personal accounts of the Peninsular Campaign, but the warfare they describe is almost as obsolete as that of the Roses, and, even if it were not so, they scarcely attempt the recreation of intense moments by the revelation of their imprint on the minds that endured them. And, on the score of art and of reticence, one is glad that they do not. Their authors were gallant soldiers waging war in fact, and not artists reproducing it in fiction. They satisfy the special curiosity of men interested in strategy and tactics, not the universal curiosity of Man the potential Combatant. He is fascinated by the picturesque and emotional aspects of battle, and the experts tell him little of either. To gratify that curiosity you must turn from the Soldier to the Artist, who is trained both to see and tell, or inspired, even without seeing, to divine what things have been and must be. Some may rebel against accept- ing his evidence, since it is impossible to prove the truth of his report. But it is equally impossible * Review of the Paston Letters, Saturday Rcvieiv, November 30, 1895. xii AN APPKECIATION to prove the beauty of his accomplishment. Yet both are patent to every one capable of accepting truth or beauty, and by a surer warrant than any chance coincidence of individual experience and taste. Mr. Stephen Crane, the author of The Red Badge of Courage (London : Heinemann), is a great artist, with something new to say, and consequently, with a new way of saying it. His theme, indeed, is an old one, but old themes re-handled anew in the light of novel experience, are the stuff out of which master- pieces are made, and in The Red Badge of Courage Mr. Crane has surely contrived a master-piece. He writes of war the ominous and alluring possibility for every man, since the heir of all the ages has won and must keep his inheritance by secular combat. The conditions of the age-long contention have changed and will change, but its certainty is coeval with progress : so long as there are things worth fighting for fighting will last, and the fashion of fighting will change under the reciprocal stresses of rival inventions. Hence its double interest of abiding necessity and ceaseless variation. Of all these variations the most marked has followed, within the memory of most of us, upon the adoption of long-range weapons of precision, and continues to develop, under our eyes, with the development of rapidity in firing. And yet with the exception of Zola's La Debdcle, no considerable attempt has been made to portray war under its new conditions. The old stories are less trustworthy than ever as guides to the experiences which a man may expect in battle, and to the emotions which those experiences are likely to arouse. No doubt the prime factors in the personal problem the chances of death and AN APPRECIATION xiii mutilation continue to be about the same. In these respects it matters little whether you are pierced by a bullet at two thousand yards or stabbed at hands' play with a dagger. We know that the most appalling death-rolls of recent campaigns have been more than equalled in ancient warfare ; and, apart from history, it is clear that, unless one side runs away, neither can win save by the infliction of decisive losses. But although these personal risks continue to be essentially the same, the picturesque and emotional aspects of war are completely altered by every change in the shape and circumstance of imminent death. And these are the fit materials for literature the things which even dull men remember with the undyiug imagination of poets, but which, for lack of the writer's art, they cannot communicate. The sights flashed indelibly on the retina of the eye ; the sounds that after long silences suddenly cipher; the stenches that sicken in after-life at any chance allusion to decay ; or, stirred by these, the storms of passions that force yells of defiance out of inarticu- late clowns ; the winds of fear that sweep by night along prostrate ranks, with the acceleration of trains and the noise as of a whole town waking from night- mare with stertorous, indrawn gasps these colossal facts of the senses and the soul are the only colours in which the very image of war can be painted. Mr. Crane has composed his palette with these colours, and has painted a picture that challenges comparison with the most vivid scenes of Tolstoi's La Guerre et la Paix or of Zola's La Debacle. This is unstinted praise, but I feel bound to give it after reading the book twice and comparing it with Zola's Se"dan and Tolstoi's account of Rostow's squadron for the first XIV AN APPRECIATION time under fire. Indeed, I think that Mr. Crane's picture of war is more complete than Tolstoi's, more true than Zola's. Rostow's sensations are conveyed by Tolstoi with touches more subtile than any to be found even in his Sdbastopol, but they make but a brief passage in a long book, much else of which is devoted to the theory that Napoleon and his marshals were mere waifs on a tide of humanity, or to the analysis of divers characters exposed to civilian experiences. Zola, on the other hand, com- piles an accurate catalogue of almost all that is terrible and nauseating in war ; but it is his own catalogue of facts made in cold blood, and not the procession of flashing images shot through the senses into one brain, and fluctuating there with its rhythm of exaltation and fatigue. La Ddbdcle gives the whole truth, the truth of science, as it is observed by a shrewd intellect, but not the truth of experience as it is felt in fragments magnified or diminished in accordance with the patient's mood. The terrible things in war are not always terrible; the nauseat- ing things do not always sicken. On the contrary, it is even these which sometimes lift the soul to heights from which they become invisible. And, again, at other times, it is the little miseries of most ignoble insignificance which fret through the last fibres of endurance. Mr. Crane, for his distinction, has hit on a new device, or at least on one which has never been used before with such consistency and effect. In order to show the features of modern war, he takes a sub- ject a youth with a peculiar temperament, capable of exaltation and yet morbidly sensitive. Then he traces the successive impressions made on such a temperament, from minute to minute, during two AN APPRECIATION xv days of heavy fighting. He stages the drama of war, so to speak, within the mind of one man, and then admits you as to a theatre. You may, if you please, object that this youth is unlike most other young men who serve in the ranks, and that the same events would have impressed the average man differently ; but you are convinced that this man's soul is truly drawn, and that the impressions made in it are faithfully rendered. The youth's tempera- ment is merely the medium which the artist has chosen : that it is exceptionally plastic makes but for the deeper incision of his work. It follows from Mr. Crane's method that he creates by his art even such a first-hand report of war as we seek in vain among the journals and letters of soldiers. But the book is not written in the form of an auto- biography: the author narrates. He is therefore at liberty to give scenery and action, down to the slightest gestures and outward signs of inward ela- tion or suffering, and he does this with the vigour and terseness of a master. Had he put his descrip- tions of scenery and his atmospheric effects, or his reports of overheard conversations, into the mouth of his youth, their very excellence would have belied all likelihood. Yet in all his descriptions and all his reports he confines himself only to such things as that youth heard and saw, and, of these, only to such as influenced his emotions. By this compromise he combines the strength and truth of a monodrama with the directness and colour of the best narrative prose. The monodrama suffices for the lyrical emotion of Tennyson's Maud ; but in Browning's Martin Relph you feel the constraint of a form which in his Ring and the Book entails repetition often intolerable. Mr. Crane discovers his youth, Henry Fleming, rvi AN APPRECIATION in a phase of disillusion. It is some monotonous months since boyish ''visions of broken-bladed glory" impelled him to enlist in the Northern Army towards the middle of the American war. That impulse is admirably given : " One night as he lay in bed, the winds had carried to him the clangouring of the church bells, as some enthusiast jerked the rope frantically to tell the twisted news of a great battle. This voice of the people rejoicing in the night had made him shiver in a prolonged ecstasy of excitement. Later he had gone down to his mother's room, and had spoken thus : ' Ma, I'm going to enlist.' 'Henry, don't you be a fool,' his mother had replied. She had then covered her face with the quilt. There was an end to the matter for that night." But the next morning he enlists. He is impatient of the homely injunctions given him in place of the heroic speech he expects in accordance with a tawdry convention, and so departs, with a " vague feeling of relief." But, looking back from the gate, he sees his mother " kneeling among the potato parings. Her brown face upraised and stained with tears, her spare form quivering." Since then the army has done "little but sit still and try to keep warm " till he has " grown to regard himself merely as a part of a vast blue demonstration." In the sick languor of this waiting, he begins to suspect his courage, and lies awake by night through hours of morbid introspection. He tries " to prove to himself mathematically that he would not run from a battle " ; he constantly leads the conversation round to the problem of courage in order to gauge the confidence of his messmates. " How do you know you won't run when the time comes ? " asked the youth. "Run?" said the loud one, "run? of course not!" He laughed. "Well," continued the youth, AN APPRECIATION xvii " lots of good-a-'nough men have thought they was going to do great things before the fight, but when the time come they skedaddled." " Oh, that's all true, I s'pose," replied the other, " but I'm not going to skedaddle. The man that bets on my running will lose his money, that's all." He nodded confidently. The youth is a u mental outcast " among his com- rades, "wrestling with his personal problem," and sweating as he listens to the muttered scoring of a card game, his eyes fixed on the " red, shivering re- flection of a fire." Every day they drill ; every night they watch the red camp-fires of the enemy on the far shore of a river, eating their hearts out. At last they march: "In the gloom before the break of the day their uniforms glowed a deep purple blue. From across the river the red eyes were still peering. In the eastern sky there was a yellow patch, like a rug laid for the feet of the coming sun ; and against it, black and pattern-like, loomed the gigantic figure of the colonel on a gigantic horse." The book is full of such vivid impressions, half of sense and half of imagination : The columns as they marched " were like two serpents crawling from the cavern of night." But the march, which, in his boyish imagination, should have led forthwith into melo- dramatic action, is but the precursor of other marches. After days of weariness and nights of discomfort, at last, as in life, without preface, and in a lull of the mind's anxiety, the long-dreaded and long- expected is suddenly and smoothly in process of ac- complishment : " One grey morning he was kicked on the leg by the tall soldier, and then, before he was entirely awake, he found himself running down a wood road in the midst of men who were panting with the first effects of speed. His canteen banged xviii AN APPRECIATION rhythmically upon his thigh, and his haversack bobbed softly. His musket bounced a trifle from his shoulder at each stride and made his cap feel uncertain upon his head." From this moment, reached on the thirtieth page, the drama races through another hundred and sixty pages to the end of the book, and to read those pages is in itself an experience of breathless, lambent, detonating life. So brilliant and detached are the images evoked that, like illuminated bodies actually seen, they leave their fever-bright phantasms floating before the brain. You may shut the book, but you still see the battle-flags "jerked about madly in the smoke," or sinking with "dying gestures of despair," the men " dropping here and there like bundles " ; the captain shot dead with "an astonished and sorrowful look as if he thought some friend had done him an ill turn " ; and the litter of corpses, " twisted in fantastic contortions," as if "they had fallen from some great height, dumped out upon the ground from the sky." The book is full of sensuous im- pressions that leap out from the picture : of gestures, attitudes, grimaces, that flash into portentous defini- tion, like faces from the climbing clouds of night- mare. It leaves the imagination bounded with a " dense wall of smoke, furiously slit and slashed by the knife-like fire from the rifles." It leaves, in short, such indelible traces as are left by the actual experience of war. The picture shows grisly shadows and vermilion splashes, but, as in the vast drama it reflects so truly, these features, though insistent, are small in size, and are lost in the immensity of the theatre. The tranquil forest stands around; the " fairy-blue of the sky " is over it all. And, as in the actual experience of war, the impressions which AN APPEECIATION xix these startling features inflict, though acute, are localised and not too deep : are as it were mere pin- pricks, or, at worst, clean cuts from a lancet in a body thrilled with currents of physical excitement and sopped with anaesthetics of emotion. Here is the author's description of a forlorn hope : As the regiment swung from its position out into a cleared space the woods and thickets before it awakened. Yellow flames leaped toward it from many directions. The line swung straight for a moment. Then the right wing swung forward ; it in turn was surpassed by the left. Afterward the centre careered to the front until the regiment was a wedge-shaped mass .... the men, pitching forward in- sanely, had burst into cheerings, mob-like and barbaric, but tuned in strange keys that can arouse the dullard and the stoic .... There was the delirium that encounters despair and death, and is heedless and blind to odds .... Presently the straining pace ate up the energies of the men. As if by agreement, the leaders began to slacken their speed. The volleys directed against them had a seeming wind-like effect. The regiment snorted and blew. Among some stolid trees it began to falter and hesitate .... The youth had a vague belief that he had run miles, and he thought, in a way, that he was now in some new and unknown land .... The charge withers away, and the lieutenant, the youth, and his friend run forward to rally the regiment. In front of the colours three men began to bawl, " Come on ! Come on ! " They danced and gyrated like tortured savages- The flag, obedient to these appeals, bended its glittering form and swept toward them. The men wavered in indecision for a moment, and then with a long wailful cry the dilapidated regi- ment surged forward and began its new journey. Over the field went the scurrying mass. It was a handful of men splattered into the faces of the enemy. Toward it instantly sprang the yellow tongues. A vast quantity of blue smoke hung before them. A mighty banging made ears valueless- The youth ran like a madman to reach the woods before a. xx AN APPRECIATION bullet could discover him. He ducked his head low, like a football player. In his haste his eyes almost closed, and the scene was a wild blur. Pulsating saliva stood at the corner of his mouth. Within him, as he hurled forward, was born a love, a despairing fondness for this flag that was near him. It was a creation of beauty and invulnerability. It was a goddess radiant, that bended its form with an imperious gesture to him. It was a woman, red and white, hating and loving, that called him with the voice of his hopes. Because no harm could come to it he endowed it with power. He kept near, as if it could be a saver of lives, and an imploring cry went from his mind. This passage directly challenges comparison with Zola's scene, in which the lieutenant and the old tradition, of an invincible Frenchman overrunning the world "between his bottle and his girl," expire together among the morsels of a bullet-eaten flag. Mr. Crane has probably read La Dtbdde, and wittingly threw down his glove. One can only say that he is justified of his courage. Mr. Crane's method, when dealing with things seen and heard, is akin to Zola's : he omits nothing and extenuates nothing, save the actual blasphemy and obscenity of a soldier's oaths. These he indi- cates, sufficiently for any purpose of art, by brief allusions to their vigour and variety. Even Zola has rarely surpassed the appalling realism of Jim Conklin's death in Chapter X. Indeed, there is little to criticise in Mr. Crane's observation, except an undue subordination of the shrill cry of bullets to the sharp crashing of rifles. He omits the long chromatic whine defining its invisible arc in the air, and the fretful snatch a few feet from the listener's head. In addition to this gift of observation, Mr. Crane has at command the imaginative phrase. The firing follows a retreat as with "yellings of eager AN APPKECIATION xxi metallic hounds " ; the men at their mechanic load- ing and firing are like "fiends jigging heavily in the smoke"; in a lull before the attack "there passed slowly the intense moments that precede the tempest " ; then, after single shots, " the battle roar settled to a rolling thunder, which was a single long explosion." And, as I have said, when Mr. Crane deals with things felt he gives a truer report than Zola. He postulates his hero's temperament a day- dreamer given over to morbid self-analysis who enlists, not from any deep-seated belief in the holi- ness of fighting for his country, but in hasty pursuit of a vanishing ambition. This choice enables Mr. Crane to double his picturesque advantage with an ethical advantage equally great. Not only is his youth, like the sufferer in The Fall of the House of Usher, super sensitive to every pin-prick of sensa- tion : he is also a delicate meter of emotion and fancy. In such a nature the waves of feeling take exaggerated curves, and hallucination haunts the brain. Thus, when awaiting the first attack, his mind is thronged with vivid images of a circus he had seen as a boy : it is there in definite detail, even as the Apothecary's shop usurps Borneo's mind at the crisis of his fate. And thus also, like Herodotus' Aristodemus, he vacillates between cowardice and heroism. Nothing could well be more subtile than his self - deception and that sudden enlighten- ment which leads him to " throw aside his mental pamphlets on the philosophy of the retreated and rules for the guidance of the damned." His soul is of that kind which, "sick with self-love," can only be saved " so as by fire " ; and it is saved when the battle-bond of brotherhood is born within it, and is found plainly of deeper import than the cause for xxii AN APPRECIATION which he and his comrades fight, even as that cause is loftier than his personal ambition. By his choice of a hero Mr. Crane displays in the same work a pageant of the senses and a tragedy of the soul. But he does not obtrude his moral. The "tall soldier" and the lieutenant are brave and content throughout, the one by custom as a veteran, the other by constitution as a hero. But the two boys, the youth and his friend, "the loud soldier," are at first querulous braggarts, but at the last they are transmuted by danger until either might truly say " We have proved we have hearts in a cause, we are noble still, And myself have awaked, as it seems, to the better mind ; It is better to fight for the good than to rail at the ill ; I have fejt with my native land, I am one with my kind. I embrace the purpose of God, and the doom assigned." Let no man cast a stone of contempt at these two lads during their earlier weakness until he has fully gauged the jarring discordance of battle. To be jostled on a platform when you have lost your luggage and missed your train on an errand of vital importance gives a truer pre-taste of war than any field-day ; yet many a well-disciplined man will denounce the universe upon slighter provocation. It is enough that these two were boys and that they became men. Yet must it be said that this youth's emotional experience was singular. In a battle there are a few physical cowards, abjects born with defective circulations who, literally, turn blue at the approach of danger, and a few on whom danger acts like the keen, rare atmosphere of snow-clad peaks. But between these extremos come many to whom danger AN APPRECIATION xxiii is as strong wine, with the multitude which gladly accepts the " iron laws of tradition " and finds welcome support in " a moving box." To this youth, as the cool dawn of his first day's fighting changed by infinitesimal gradations to a feverish noon, the whole evolution pointed to " a trap " ; but I have seen another youth under like circumstances toss a pumpkin into the air and spit it on his sword. To this youth the very landscape was filled with "the stealthy approach of death." You are con- vinced by the author's art that it was so to this man. But to others, as the clamour increases, it is as if the serenity of the morning had taken refuge in their brains. This man "stumbles over the stones as he runs breathlessly forward " ; another realises for the first time how right it is to be adroit even in running. The movement of his body becomes an art, which is not self-conscious, since its whole intention is to impress others within the limits of a modest decorum. We know that both love and courage teach this mastery over the details of living. You can tell from the way one woman, out of all the myriads, walks down Piccadilly, that she is at last aware of love. And you can tell from the way a man enters a surgery or runs toward a firing-line that he, too, realises how wholly the justi- fication of any one life lies in its perfect adjustment to others. The woman in love, the man in battle, may each say, for their moment, with the artist, " I was made perfect too." They also are of the few to whom " God whispers in the ear." But had Mr. Crane taken an average man he would have written an ordinary story, whereas he has written one which is certain to last. It is glorious to see his youth discover courage in the xxiv AN APPRECIATION bed-rock of primeval antagonism after the collapse of his tinsel bravado ; it is something higher to see him raise upon that rock the temple of resignation. Mr. Crane, as an artist, achieves by his singleness of purpose a truer and completer picture of war than either Tolstoi, bent also upon proving the insignificance of heroes, or Zola, bent also upon prophesying the regeneration of France. That is much; but it is more that his work of art, when completed, chimes with the universal experience of mankind; that his heroes find in their extreme danger, if not confidence in their leaders and con- viction in their cause, at least the conviction that most men do what they can or, at most, what they must. We have few good accounts of battles many of shipwrecks ; and we know that, just as the storm rises, so does the commonplace captain show as a god, and the hysterical passenger as a cheerful heroine. It is but a further step to recognise all life for a battle and this earth for a vessel lost in space. We may then infer that virtues easy in moments of dis- tress may be useful also in everyday experience. GEORGE WYNDHAM. The Red Badge of Courage CHAPTEE I THE cold passed reluctantly from the earth, and the retiring fogs revealed an army stretched out on the hills, resting. As the landscape changed from brown to green, the army awakened, and began to tremble with eagerness at the noise of rumours. It cast its eyes upon the roads, which were growing from long troughs of liquid mud to proper thoroughfares. A river, amber -tinted in the shadow of its banks, purled at the army's feet ; and at night, when the stream had become of a sorrowful blackness, one could see across it the red, eye-like gleam of hostile camp-fires set in the low brows of distant hills. Once a certain tall soldier developed virtues and went resolutely to wash a shirt. He came flying back from a brook waving his garment banner-like. He was swelled with a tale he had heard from a reliable friend, who had heard it from a truthful cavalryman, who had heard it from his trustworthy xxiv AN APPRECIATION bed-rock of primeval antagonism after the collapse of his tinsel bravado ; it is something higher to see him raise upon that rock the temple of resignation. Mr. Crane, as an artist, achieves by his singleness of purpose a truer and completer picture of war than either Tolstoi, bent also upon proving the insignificance of heroes, or Zola, bent also upon prophesying the regeneration of France. That is much; but it is more that his work of art, when completed, chimes with the universal experience of mankind; that his heroes find in their extreme danger, if not confidence in their leaders and con- viction in their cause, at least the conviction that most men do what they can or, at most, what they must. We have few good accounts of battles many of shipwrecks ; and we know that, just as the storm rises, so does the commonplace captain show as a god, and the hysterical passenger as a cheerful heroine. It is but a further step to recognise all life for a battle and this earth for a vessel lost in space. We may then infer that virtues easy in moments of dis- tress may be useful also in everyday experience. GEORGE WYNDHAM. The Red Badge of Courage CHAPTEE I THE cold passed reluctantly from the earth, and the retiring fogs revealed an army stretched out on the hills, resting. As the landscape changed from brown to green, the army awakened, and began to tremble with eagerness at the noise of rumours. It cast its eyes upon the roads, which were growing from long troughs of liquid mud to proper thoroughfares. A river, amber -tinted in the shadow of its banks, purled at the army's feet ; and at night, when the stream had become of a sorrowful blackness, one could see across it the red, eye-like gleam of hostile camp-fires set in the low brows of distant hills. Once a certain tall soldier developed virtues and went resolutely to wash a shirt. He came flying back from a brook waving his garment banner-like. He was swelled with a tale he had heard from a reliable friend, who had heard it from a truthful cavalryman, who had heard it from his trustworthy 2 PICTURES OF WAR brother, one of the orderlies at division headquarters. He adopted the important air of a herald in red and gold. "We're goin' t' move t' morrah sure," he said pompously to a group in the company street. "We're goin' 'way up the river, cut across, an' come around in behint 'em." To his attentive audience he drew a loud and elaborate plan of a very brilliant campaign. When he had finished, the blue-clothed men scattered into small arguing groups between the rows of squat brown huts. A negro teamster who had been danc- ing upon a cracker-box with the hilarious encourage- ment of twoscore soldiers was deserted. He sat mournfully down. Smoke drifted lazily from a multitude of quaint chimneys. "It's a lie! that's all it is a thunderin' lie!" said another private loudly. His smooth face was flushed, and his hands were thrust sulkily into his trousers' pockets. He took the matter as an affront to him. " I don't believe the derned old army's ever going to move. We're set. I've got ready to move eight times in the last two weeks, and we ain't moved yet." The tall soldier felt called upon to defend the truth of a rumour he himself had introduced. He and the loud one came near to fighting over it. A corporal began to swear before the assemblage. He had just put a costly board floor in his house, he said. During the early spring he had refrained from adding extensively to the comfort of his environment, because he had felt that the army THE RED BADGE OF COURAGE 3 might start on the march at any moment. Of late, however, he had been impressed that they were in a sort of eternal camp. Many of the men engaged in a spirited debate. One outlined in a peculiarly lucid manner all the plans of the commanding general. He was opposed by men who advocated that there were other plans of campaign. They clamoured at each other, num- bers making futile bids for the popular attention. Meanwhile, the soldier who had fetched the rumour bustled about with much importance. He was con- tinually assailed by questions. "What's up, Jim?" " Th' army's goin' t' move." "Ah, what yeh talkin' about? How yeh know it is?" " Well, yeh kin b'lieve me er not, jest as yeh like. I don't care a hang." There was much food for thought in the manner in which he replied. He came near to convincing them by disdaining to produce proofs. They grew much excited over it. There was a youthful private who listened with eager ears to the words of the tall soldier and to the varied comments of his comrades. After receiving a fill of discussions concerning marches and attacks, he went to his hut and crawled through an intricate hole that served it as a door. He wished to be alone with some new thoughts that had lately come to him. He lay down on a wide bank that stretched across the end of the room. In the other end, cracker* 4 PICTURES OF WAR boxes were made to serve as furniture. They were grouped about the fireplace. A picture from an illustrated weekly was upon the log walls, and three rifles were paralleled on pegs. Equipments hung on handy projections, and some tin dishes lay upon a small pile of firewood. A folded tent was sei ving as a roof. The sunlight, without, beating upon it, made it glow a light yellow shade. A small window shot an oblique square of whiter light upon the cluttered floor. The smoke from the fire at times neglected the clay chimney and wreathed into the room, and this flimsy chimney of clay and sticks made endless threats to set ablaze the whole estab- lishment. The youth was in a little trance of astonishment. So they were at last going to fight. On the morrow, perhaps, there would be a battle, and he would be in it. For a time he was obliged to labour to make himself believe. He could not accept with assurance an omen that he was about to mingle in one of those great affairs of the earth. He had, of course, dreamed of battles all his life of vague and bloody conflicts that had thrilled him with their sweep and fire. In visions he had seen himself in many struggles. He had imagined peoples secure in the shadow of his eagle-eyed prowess. But awake he had regarded battles as crimson blotches on the pages of the past. He had put them as things of the bygone with his thought-images of heavy crowns and high castles. There was a portion of the world's history which he had regarded as the time of wars, but it, he THE RED BADGE OF COURAGE 5 thought, had been long gone over the horizon and had disappeared for ever. From his home* his youthful eyes had looked upon the war in his own country with distrust. It must be some sort of a play affair. He had long despaired of witnessing a Greek-like struggle. Such would be no more, he had said. Men were better, or more timid. Secular and religious education had effaced the throat-grappling instinct, or else firm finance held in check the passions. He had burned several times to enlist. Tales of great movements shook theland. They might not be distinctly Homeric, but there seemed to be mucli glory in them. He had read of marches, sieges, conflicts, and he had longed to see it all. His busy mind had drawn for him large pictures extravagant in colour, lurid with breathless deeds. But his mother had discouraged him. She had affected to look with some contempt upon the quality of his war ardour and patriotism. She could calmly seat herself, and with no apparent difficulty give him many hundreds of reasons why he was of vastly more importance on the farm than on the field of battle. She had had certain ways of expression that told him that her statements on the subject came from a deep conviction. More- over, on her side, was his belief that her ethical motive in the argument was impregnable. At last, however, he had made firm rebellion against this yellow light thrown upon the colour of his ambitions. The newspapers, the gossip of the village, his own picturings, had aroused him to 6 PICTURES OF WAR an uncheckable degree. They were in truth fight- ing finely down there. Almost every day the news- papers printed accounts of a decisive victory. One night, as he lay in bed, the winds had carried to him the clangouring of the church bell, as some enthusiast jerked the rope frantically to tell the twisted news of a great battle. This voice of the people rejoicing in the night had made him shiver in a prolonged ecstasy of excitement. Later he had gone down to his mother's room and had spoken thus : " Ma, I'm going to enlist." "Henry, don't you be a fool," his mother had replied. She had then covered her face with the quilt. There was an end to the matter for that night. Nevertheless, the next morning he had gone to a town that was near his mother's farm and had en- listed in a company that was forming there. When he had returned home his mother was milking the brindle cow. Four others stood waiting. " Ma, I've enlisted," he had said to her diffidently. There was a short silence. "The Lord's will be done, Henry," she had finally replied, and had then continued to milk the brindle cow. When he had stood in the doorway with his soldier's clothes on his back, and with the light of excitement and expectancy in his eyes almost defeat- ing the glow of regret for the home bonds, he had seen two tears leaving their trails on his mother's scarred cheeks. Still, she had disappointed him by saying nothing whatever about returning with his shield or on it. THE RED BADGE OF COURAGE 7 He had privately primed himself for a beautiful scene. He had prepared certain sentences which he thought could be used with touching effect. But her words destroyed his plans. She had dog- gedly peeled potatoes, and addressed him as follows : " You watch out, Henry, an' take good care of yer- self in this here fighting business you watch out, an' take good care of yerself. Don't go a-thinkin' you can lick the hull rebel army at the start, because yeh can't. Yer jest one little feller amongst a hull lot of others, and yeh've got to keep quiet an' do what they tell yeh. I know how you are, Henry. "I've knet yeh eight pair of socks, Henry; and I've put in all yer best shirts, because I want my boy to be jest as warm and comf'able as anybody in the army. Whenever they get holes in 'em, I want yeh to send 'em right-away back to me, so's I kin dern 'em. "An' allus be careful an' choose yer comp'ny. There's lots of bad men in the army, Henry. The army makes 'em wild, and they like nothing better than the job of leading off a young feller like you, as ain't never been away from home much, and has allus had a mother, an' a-learning 'em to drink and swear. Keep clear of them folks, Henry. I don't want yeh to ever do anything, Henry, that yeh would be 'shamed to let me know about. Jest think as if I was a-watchin' yeh. If yeh keep that in yer mind allus, I guess yeh'll come out about right. " Yeh must allus remember yer father, too, child, an' remember he never drunk a drop of licker in his life, and seldom swore a cross oath. 8 PICTURES OF WAR " I don't know what else to tell yeh, Henry, ex- cepting that yeh must never do no shirking, child, on my account. If so be a time comes when yeh have to be kilt or do a mean thing, why, Henry, don't think of anything 'cept what's right, because there's many a woman has to bear up 'ginst seen things these times, and the Lord '11 take keer of us all. "Don't forgit about the socks and the shirts, child; and I've put a cup of blackberry jam with yer bundle, because I know yeh like it above all things. Good-bye, Henry. Watch out, and be a good boy." He had, of course, been impatient under the ordeal of this speech. It had not been quite what he expected, and he had borne it with an air of irritation. He departed feeling vague relief. Still, when he had looked back from the gate, he had seen his mother kneeling among the potato parings. Her brown face, upraised, was stained with tears, and her spare form was quivering. He bowed his head and went on, feeling suddenly ashamed of his purposes. From his home he had gone , to the seminary to bid adieu to many schoolmates. They had thronged about him with wonder and admiration. He had felt the gulf now between them, and had swelled with calm pride. He and some of his fellows who had donned blue were quite overwhelmed with privileges for all of one afternoon, and it had been a very delicious thing. They had strutted. A certain light-haired girl had made vivacious THE RED BADGE OF COURAGE 9 fun at his martial spirit ; but there was another and darker girl whom he had gazed at steadfastly, and he thought she grew demure and sad at sight of his blue and brass. As he had walked down the path between the rows of oaks, he had turned his head and detected her at a window watching his departure. As he perceived her, she had immediately begun to stare up through the high tree branches at the sky. He had seen a good deal of flurry and haste in her movement as she changed her attitude. He often thought of it. On the way to Washington his spirit had soared. The regiment was fed and caressed at station after station until the youth had believed that he must be a hero. There was a lavish expenditure of bread and cold meats, coffee, and pickles and cheese. As he basked in the smiles of the girls, and was patted and complimented by the old men, he had felt growing within him the strength to do mighty deeds of arms. After complicated journeyings with many pauses, there had come months of monotonous life in a camp. He had had the belief that real war was a series of death struggles, with small time in between for sleep and meals ; but since his regiment had come to the field the army had done little but sit still and try to keep warm. He was brought then gradually back to his old ideas. Greek-like struggles would be no more. Men were better, or more timid. Secular and religious education had effaced the throat-grappling instinct, or else firm finance held in check the passions. He had grown to regard himself merely as a io PICTURES OF WAR part of a vast blue demonstration. His province was to look out, as far as he could, for his per- sonal comfort. For recreation he could twiddle his thumbs and speculate on the thoughts which must agitate the minds of the generals. Also, he was drilled and drilled and reviewed, and drilled and drilled and reviewed. The only foes he had seen were some pickets along the river bank. They were a sun-tanned, philosophical lot, who sometimes shot reflectively at the blue pickets. When reproached for this afterwards, they usually expressed sorrow, and swore by their gods that the guns had exploded without their permission. The youth, on guard duty one night, conversed across the stream with one of them. He was a slightly ragged man, who spat skilfully between his shoes, and possessed a great fund of bland and infantile assurance. The youth liked him personally. "Yank," the other had informed him, "yer a right dum good feller." This sentiment, floating to him upon the still air, had made him temporarily regret war. Various veterans had told him tales. Some talked of grey, bewhiskered hordes who were advancing with relentless curses, and chewing tobacco with unspeakable valour tremendous bodies of fierce soldiery who were sweeping along like the Huns. Others spoke of tattered and eternally hungry men who fired despondent powders. "They'll charge through hell's fire an' brimstone t' git a holt on a haversack, an' sech stomachs ain't a-lastin' long," THE RED BADGE OF COURAGE 11 he was told. From the stories, the youth imagined the red, live bones sticking out through slits in the faded uniforms. Still, he could not put a whole faith in veterans' tales, for recruits were their prey. They talked much of smoke, fire, and blood, but he could not tell how much might be lies. They persistently yelled " Fresh fish ! " at him, and were in nowise to be trusted. However, he perceived now that it did not greatly matter what kind of soldiers he was going to fight, so long as they fought, which fact no one disputed. There was a more serious problem. He lay in his bunk pondering upon it. He tried to mathema- tically prove to himself that he would not run from a battle. Previously he had never felt obliged to wrestle too seriously with this question. In his life he had taken certain things for granted, never challenging his belief in ultimate success, and bothering little about means and roads. But here he was confronted with a thing of moment. It had suddenly appeared to him that perhaps in a battle he might run. He was forced to admit that as far as war was concerned he knew nothing of himself. A sufficient time before he would have allowed the problem to kick its heels at the outer portals of his mind, but now he felt compelled to give serious attention to it. A little panic-fear grew in his mind. As his imagination went forward to a fight, he saw hideous possibilities. He contemplated the lurking menaces 12 PICTURES OF WAR of the future, and failed in an effort to see himself standing stoutly in the midst of them. He recalled his visions of broken-bladed glory, but in the shadow of the impending tumult he suspected them to be impossible pictures. He sprang from the bunk and began to pace ner- vously to and fro. " Good Lord, what's th' matter with me ? " he said aloud. He felt that in this crisis his laws of life were useless. Whatever he had learned of himself was here of no avail. He was an unknown quantity. He saw that he would again be obliged to experi- ment as he had in early youth. He must accumulate information of himself, and meanwhile he resolved to remain close upon his guard lest those qualities of which he knew nothing should everlastingly dis- grace him. " Good Lord ! " he repeated in dismay. After a time the tall soldier slid dexterously through the hole. The loud private followed. They were wrangling. "That's all right," said the tall soldier as he entered. He waved his hand expressively. " You can believe me or not, jest as you like. All you've got to do is to sit down and wait as quiet as you can. Then pretty soon you'll find out I was right." His comrade grunted stubbornly. For a moment he seemed to be searching for a formidable reply. Finally he said, "Well, you don't know everything in the world, do you ? " "Didn't say I knew everything in the world," retorted the other sharply. He began to stow various articles snugly into his knapsack. THE RED BADGE OF COURAGE 13 The youth, pausing in his nervous walk, looked down at the busy figure. "Going to be a battle sure, is there, Jim ? " he asked. "Of course there is," replied the tall soldier. " Of course there is. You jest wait 'til to-morrow, and you'll see one of the biggest battles ever was. You jest wait." " Thunder ! " said the youth. " Oh, you'll see fighting this time, my boy, what'll be regular out-and-out fighting," added the tall soldier, with the air of a man who is about to exhibit a battle for the benefit of his friends. " Huh ! " said the loud one from a corner. "Well," remarked the youth, "like as not this story '11 turn out jest like them others did." "Not much it won't," replied the tall soldier, exasperated. "Not much it won't. Didn't the cavalry all start this morning?" He glared about him. No one denied his statement. "The cavalry started this morning," he continued. "They say there ain't hardly any cavalry left in camp. They're going to Kichmond, or some place, while we fight all the Johnnies. It's some dodge like that. The regiment's got orders, too. A feller what seen 'em go to headquarters told me a little while ago. And they're raising blazes all over camp anybody can see that." " Shucks ! " said the loud one. The youth remained silent for a time. At last he spoke to the tall soldier. " Jim ! " "What?" " How do you think the reg'ment '11 do ? " 14 PICTURES OF WAR "Oh, they'll fight all right, I guess, after they once get into it," said the other, with cold judgment. He made a fine use of the third person. " There's been heaps of fun poked at 'em because they're new, of course, and all that; but they'll fight all right, I guess." "Think any of the boys '11 run?" persisted the youth. " Oh, there may be a few of 'em run, but there's them kind in every regiment, 'specially when they first goes under fire," said the other in a tolerant way. " Of course it might happen that the hull kit- and-boodle might start and run, if some big fighting came first- off, and then again they might stay and fight like fun. But you can't bet on nothing. Of course they ain't never been under fire yet, and it ain't likely they'll lick the hull rebel army all-to- oncet the first time ; but I think they'll fight better than some, if worse than others. That's the way I figger. They call the reg'ment ' Fresh fish ' and everything; but the boys come of good stock, and most of 'em '11 fight like sin after they oncet git shootin'," he added, with a mighty emphasis on the last four words. "Oh, you think you know " began the loud soldier with scorn. The other turned savagely upon him. They had a rapid altercation, in which they fastened upon each other various strange epithets. The youth at last interrupted them. "Did you ever think you might run yourself, Jim ? " he asked. On concluding the sentence he laughed as if he THE RED BADGE OF COURAGE 15 had meant to aim a joke. The loud soldier also giggled. The tall private waved his hand. " Well," said he profoundly, " I've thought it might get too hot for Jim Conklin in some of them scrimmages, and if a whole lot of boys started and run, why, I s'pose I'd siart and run. And if I once started to run, I'd run like the devil, and no mistake. But if everybody was a-standing and a-fighting, why, Fd stand and fight. Be jiminey, I would. I'll bet on it." " Huh ! " said the loud one. The youth of this tale felt gratitude for these words of his comrade. He had feared that all of the untried men possessed a great and correct confidence. He now was in a measure reassured. CHAPTER II THE next morning the youth discovered that his tall comrade had been the fast-flying messenger of a mistake. There was much scoffing at the latter by those who had yesterday been firm adherents of his views, and there was even a little sneering by men who had never believed the rumour. The tall one fought with a man from Chatfield Corners and beat him severely. The youth felt, however, that his problem was in nowise lifted from him. There was, on the contrary, an irritating prolongation. The tale had created in him a great concern for himself. Now, with the new-born question in his mind, he was compelled to sink back into his old place as part of a blue demonstration. For days he made ceaseless calculations, but they were all wondrously unsatisfactory. He found that he could establish nothing. He finally concluded that the only way to prove himself was to go into the blaze, and then figuratively to watch his legs to discover their merits and faults. He reluctantly admitted that he could not sit still and with a mental slate and pencil derive an answer. To gain it, he must have blaze, blood, and danger, even as a chemist THE RED BADGE OF COURAGE 17 requires this, that, and the other. So he fretted for an opportunity. Meanwhile he continually tried to measure him- self by his comrades. The tall soldier, for one, gave him some assurance. This man's serene unconcern dealt him a measure of confidence, for he had known him since childhood, and from his intimate know- ledge he did not see how he could be capable of any- thing that was beyond him, the youth. Still, he thought that his comrade might be mistaken about himself. Or, on the other hand, he might be a man heretofore doomed to peace and obscurity, but, in reality, made to shine in war. The youth would have liked to have discovered another who suspected himself. A sympathetic comparison of mental notes would have been a joy to him. He occasionally tried to fathom a comrade witb seductive sentences. He looked about to find men in the proper mood. All attempts failed to bring forth any statement which looked in any way like a confession to those doubts which he privately acknowledged in himself. He was afraid to make an open declaration of his concern, because he dreaded to place some unscrupulous confidant upon the high plane of the unconfessed from which elevation he could be derided. In regard to his companions his mind wavered between two opinions, according to his mood. Some- times he inclined to believing them all heroes. In fact, he usually admitted in secret the superior de- velopment of th3 higher qualities in others. He 18 PICTURES OF WAR could conceive of men going very insignificantly about the world bearing a load of courage unseen ; and although he had known many of his comrades through boyhood, he began to fear that his judg- ment of them had been blind. Then, in other moments, he flouted these theories, and assured himself that his fellows were all privately wonder- ing and quaking. His emotions made him feel strange in the pre- sence of men who talked excitedly of a prospective battle as of a drama they were about to witness, with nothing but eagerness and curiosity apparent in their faces. It was often that he suspected them to be liars. He did not pass such thoughts without severe condemnation of himself. He dinned reproaches at times. He was convicted by himself of many shameful crimes against the gods of traditions. In his great anxiety his heart was continually clamouring at what he considered the intolerable slowness of the generals. They seemed content to perch tranquilly on the river bank, and leave him bowed down by the weight of a great problem. He wanted it settled forthwith. He could not long bear such a load, he said. Sometimes his anger at the commanders reached an acute stage, and he grumbled about the camp like a veteran. One morning, however, he found himself in the ranks of his prepared regiment. The men were whispering speculations, and recounting the old rumours. In the gloom before the break of the day their uniforms glowed a deep purple hue. From THE RED BADGE OF COURAGE 19 across the river the red eyes were still peering. In the eastern sky there was a yellow patch, like a rug laid for the feet of the coming sun ; and against it, black and pattern-like, loomed the gigantic figure of the colonel on a gigantic horse. From off in the darkness came the trampling of feet. The youth could occasionally see dark shadows that moved like monsters. The regiment stood at rest for what seemed a long time. The youth grew impatient. It was unendurable the way these affairs were managed. He wondered how long they were to be kept waiting. As he looked all about him and pondered upon the mystic gloom, he began to believe that at any moment the ominous distance might he aflare, and the rolling crashes of an engagement come to his ears. Staring once at the red eyes across the river, he conceived them to be growing larger, as the orbs of a row of dragons advancing. He turned toward the colonel and saw him lift his gigantic arm and calmly stroke his moustache. At last he heard from along the road at the foot of the hill the clatter of a horse's galloping hoofs. It must be the coming of orders. He bent forward, scarce breathing. The exciting clickety-click, as it grew louder and louder, seemed to be beating upon his soul. Presently a horseman with jangling equipment drew rein before the colonel of the regiment. The two held a short, sharp-worded coDversation. The men in the foremost ranks craned their necks. As the horseman wheeled his animal and galloped 20 PICTURES OF WAR away he turned to shout over his shoulder, "Don't forget that box of cigars ! " The colonel mumbled in reply. The youth wondered what a box of cigars had to do with war. A moment later the regiment went swinging off into the darkness. It was now like one of those moving monsters wending with many feet. The air was heavy, and cold with dew. A mass of wet grass, marched upon, rustled like silk. There was an occasional flash and glimmer of steel from the backs of all these huge crawling reptiles. From the road came creakings and grumblings as some surly guns were dragged away. The men stumbled along, still muttering specula- tions. There was a subdued debate. Once a man fell down, and as he reached for his rifle a comrade, unseeing, trod upon his hand. He of the injured fingers swore bitterly and aloud. A low, tittering laugh went among his fellows. Presently they passed into a roadway and marched forward with easy strides. A dark regiment moved before them, and from behind also came the tinkle of equipments on the bodies of marching men. The rushing yellow of the developing day went on behind their backs. When the sun-rays at last struck full and mellowingly upon the earth, the youth saw that the landscape was streaked with two long, thin, black columns which disappeared on the brow of a hill in front, and rearward vanished in a wood. They were like two serpents crawling from the cavern of the night. The river was not in view. The tall soldier burst THE RED BADGE OF COURAGE 21 into praises of what he thought to be his powers of perception. Some of the tall one's companions cried with emphasis that they, too, had evolved the same thing, and they congratulated themselves upon it. But there were others who said that the tall one's plan was not the true on6 at all. They persisted with other theories. There was a vigorous discussion. The youth took no part in them. As he walked along in careless line, he was engaged with his own eternal debate. He could not hinder himself from dwelling upon it. He was despondent and sullen, and threw shifting glances about him. He looked ahead, often expecting to hear from the advance the rattle of firing. But the long serpents crawled slowly from hill to hill without bluster of smoke. A dun-coloured cloud of dust floated away to the right. The sky overhead was of a fairy blue. /The youth studied the faces of his companions, (ever on the watch to detect kindred emotions. He suffered disappointment. Some ardour of the air which was causing the veteran commands to move with glee almost with song had infected the new regiment. The men began to speak of victory as of a thing they knew. Also, the tall soldier received his vindication. They were certainly going to come around in behind the enemy. They expressed commiseration for that part of the army which had been left upon the river bank, feli- citating themselves upon being a part of a blasting host. 22 PICTURES OF WAR The youth, considering himself as separated from the others, was saddened by the blithe and merry speeches that went from rank to rank. The com- pany wags all made their best endeavours. The regiment tramped to the tune of laughter. The blatant soldier often convulsed whole files by his biting sarcasms aimed at the tall one. And it was not long before all the men seemed to forget their mission. Whole brigades grinned in unison, and regiments laughed. A rather fat soldier attempted to pilfer a horse from a door-yard. He planned to load his knapsack upon it. He was escaping with his prize when a young girl rushed from the house and grabbed the animal's mane. There followed a wrangle. The young girl, with pink cheeks and shining eyes, stood like a dauntless statue. The observant regiment, standing at rest in the roadway, whooped at once, and entered whole-souled upon the side of the maiden. The men became so engrossed in this affair that they entirely ceased to remember their own large war. They jeered the piratical private, and called attention to various defects in his personal appearance ; and they were wildly enthusiastic in support of the young girl. To her, from some distance, came bold advice, "Hit him with a stick." There were crows and catcalls showered upon him when he retreated without the horse. The regiment rejoiced at kis downfall. Loud and vociferous congratulations were showered upon the maiden, THE RED BADGE OF COURAGE 23 who stood panting and regarding the troops with defiance. At nightfall the column broke into regimental pieces, and the fragments went into the fields to camp. Tents sprang up like strange plants. Camp fires, like red, peculiar blossoms, dotted the night. The youth kept from intercourse with his com- panions as much as circumstances would allow him. In the evening he wandered a few paces into the gloom. From this little distance the many fires, with the black forms of men passing to and fro before the crimson rays, made weird and satanic effects. He lay down in the grass. The blades pressed tenderly against his cheek. The moon had been lighted and was hung in a tree-top. The liquid stillness of the night enveloping him made him feel vast pity for himself. There was a caress in the soft winds; and the whole mood of the darkness, he thought, was one of sympathy for himself in his distress. He wished, without reserve, that he was at home again, making the endless rounds from the house to the barn, from the barn to the fields, from the fields to the barn, from the barn to the house. He re- membered he had often cursed the brindle cow and her mates, and had sometimes flung milking-stools. But, from his present point of view, there was a halo of happiness about each of their heads, and he would have sacrificed all the brass buttons on the continent to have been enabled to return to them. He told himself that he was not formed for a soldier. And he mused seriously upon the radical differences 24 PICTURES OF WAR between himself and those men who were dodging imp-like around the fires. As he mused thus he heard the rustle of grass, and, upon turning his head, discovered the loud soldier. He called out, " Oh, Wilson ! " The latter approached and looked down. " Why, hello, Henry ; is it you ? What you doing here ? " "Oh, thinking," said the youth. The other sat down and carefully lighted his pipe. ''You're getting blue, my boy. You're looking thundering peeked. What the dickens is wrong with you ? " "Oh, nothing," said the youth. The loud soldier launched then into the subject of the anticipated fight. " Oh, we've got 'em now ! " As he spoke his boyish face was wreathed in a glee- ful smile, and his voice had an exultant ring. " We've got 'em now. At last, by the eternal thunders, we'll lick 'em good ! " " If the truth was known," he added more soberly, " they've licked us about every clip up to now ; but this time this time, we'll lick 'em good ! " " I thought you was objecting to this march a little while ago," said the youth coldly. "Oh, it wasn't that," explained the other. "I don't mind marching if there's going to be fighting at the end of it. What I hate is this getting moved here and moved there, with no good coming of it, as far as I can see, excepting sore feet and damned short rations." "Well, Jim Conklin says we'll get a plenty of fighting this time." THE RED BADGE OF COURAGE 25 " He's right for once, I guess, though I can't see how it come. This time we're in for a big battle, and we've got the best end of it, certain sure. Gee rod ! how we will thump 'em ! " He arose and began to pace to and fro excitedly. The thrill of his enthusiasm made him walk with an elastic step. He was sprightly, vigorous, fiery in his belief in success. He looked into the future with clear, proud eye, and he swore with the air of an old soldier. The youth watched him for a moment in silence. When he finally spoke his voice was as bitter as dregs. "Oh, you're going to do great things, I s'pose!" The loud soldier blew a thoughtful cloud of smoke from his pipe. " Oh, I don't know," he re- marked with dignity ; "I don't know. I s'pose I'll do as well as the rest. I'm going to try like thunder." He evidently complimented himself upon the modesty of this statement. "How do you know you won't run when the time comes ? " asked the youth. " Eun ? " said the loud one ; " run ? of course not ! " He laughed. " Well," continued the youth, " lots of good- a-'nough men have thought they was going to do great things before the fight, but when the time come they skedaddled." " Oh, that's all true, I s'pose," replied the other; "but I'm not going to skedaddle. The man that bets on my running will lose his money, that's all." He nodded confidently. 26 PICTURES OF WAR " Oh, shucks ! " said the youth. " You ain't the bravest man in the world, are you ? " "No, I ain't," exclaimed the loud soldier indig- nantly ; " and I didn't say I was the bravest man in the world, neither. I said I was going to do my share of fighting that's what I said. And I am, too. Who are you, anyhow ? You talk as if you thought you was Napoleon Bonaparte." He glared at the youth for a moment, and then strode away. The youth called in a savage voice after his comrade : " Well, you needn't git mad about it ! " But the other continued on his way and made no reply. He felt alone in space when his injured comrade had disappeared. His failure to discover any mite of resemblance in their view points made him more miserable than before. No one seemed to be wrestling with such a terrific personal problem. He was a mental outcast. He went slowly to his tent and stretched himself on a blanket by the side of the snoring tall soldier. In the darkness he saw visions of a thousand- tongued fear that would babble at his back and cause him to flee, while others were going coolly about their country's business. He admitted that he would not be able to cope with this monster. He felt that every nerve in his body would be an ear to hear the voices, while other men would remain stolid and deaf. And as he sweated with the pain of these thoughts, he could hear low, serene sentences. THE RED BADGE OF COURAGE 27 " I'll bid five." " Make it six." " Seven." " Seven goes." He stared at the red, shivering reflection of a fire on the white wall of his tent until, exhausted and ill from the monotony of his suffering, he fell asleep. CHAPTEK III WHEN another night came the columns, changed to purple streaks, filed across two pontoon bridges. A glaring fire wine-tinted the waters of the river. Its rays, shining upon the moving masses of troops, brought forth here and there sudden gleams of silver or gold. Upon the other shore a dark and mysterious range of hills was curved against the sky. The insect voices of the night sang solemnly. After this crossing the youth assured himself that at any moment they might be suddenly and fear- fully assaulted from the caves of the lowering woods. He kept his eyes watchfully upon the darkness. But his regiment went unmolested to a camping- place, and its soldiers slept the brave sleep of wearied men. In the morning they were routed out with early energy, and hustled along a narrow road that led deep into the forest. It was during this rapid march that the regiment lost many of the marks of a new command. The men had begun to count the miles upon their fingers, and they grew tired. " Sore feet an* damned short rations, that's all," said the loud soldier. There was perspiration and grumblings. After a time they began to shed their knapsacks. THE RED BADGE OF COURAGE 29 Some tossed them unconcernedly down ; others hid them carefully, asserting their plans to return for them at some convenient time. Men extricated themselves from thick shirts. Presently few carried anything but their necessary clothing, blankets, haversacks, canteens, and arms and ammunition. " You can now eat and shoot," said the tall soldier to the youth. " That's all you want to do." There was sudden change from the ponderous infantry of theory to the light and speedy infantry of practice. The regiment, relieved of a burden, received a new impetus. But there was much loss of valuable knapsacks, and, on the whole, very good shirts. But the regiment was not yet veteran-like in appearance. Veteran regiments in the army were likely to be very small aggregations of men. Once, when the command had first come to the field, some perambulating veterans, noting the length of their column, had accosted them thus: "Hey, fellers, what brigade is that?" And when the men had replied that they formed a regiment and not a brigade, the older soldiers had laughed, and said, "OGawd!" Also, there was too great a similarity in the hats. The hats of a regiment should properly represent the history of headgear for a period of years. And, moreover, there were no letters of faded gold speak- ing from the colours. They were new and beautiful, and the colour-bearer habitually oiled the pole. Presently the army again sat down to think. The odour of the peaceful pines was in the men's 3 o PICTURES OF WAR nostrils. The sound of monotonous axe-blows rang through the forest ; and the insects, nodding upon their perches, crooned like old women. The youth returned to his theory of a blue demonstration. One grey dawn, however, he was kicked in the leg by the tall soldier, and then, before he was entirely awake, he found himself running down a wood road in the midst of men who were panting from the first effects of speed. His canteen banged rhythmically upon his thigh, and his haversack bobbed softly. His musket bounced a trifle from his shoulder at each stride and made his cap feel uncertain upon his head. He could hear the men whisper jerky sentences : Say what's all this about ? " " What th' thunder we skedaddlin' this way fer ? " " Billie keep off m' feet. Yeh run like a cow." And the loud soldier's shrill voice could be heard : " What th' devil they in sich a hurry for ? " The youth thought the damp fog of early morning moved from the rush of a great body of troops. From the distance came a sudden spatter of firing. He was bewildered. As he ran with his com- rades he strenuously tried to think, but all he knew was that if he fell down those coming behind would tread upon him. All his faculties seemed to be needed to guide him over and past obstructions. He felt carried along by a mob. The sun spread disclosing rays, and, one by one, regiments burst into view like armed men just born of the earth. The youth perceived that the time had come. He was about to be measured. For a THE RED BADGE OF COURAGE 31 moment he felt in the face of his great trial like a babe, and the flesh over his heart seemed very thin. He seized time to look about him calculatingly. But he instantly saw that it would be impossible for him to escape from the regiment. It inclosed him. And there were iron laws of tradition and law on four sides. He was in a moving box. As he perceived this fact it occurred to him that he had never wished to come to the war. He had not enlisted of his free will. He had been dragged by the merciless government. And now they were taking him out to be slaughtered. The regiment slid down a bank and wallowed across a little stream. The mournful current moved slowly on, and from the water, shaded black, some white bubble eyes looked at the men. As they climbed the hill on the farther side artillery began to boom. Here the youth forgot many things as he felt a sudden impulse of curiosity. He scrambled up the bank with a speed that could not be exceeded by a bloodthirsty man. He expected a battle scene. There were some little fields girted and squeezed by a forest. Spread over the grass and in among the tree trunks he could see knots and waving lines of skirmishers, who were running hither and thither and firing at the landscape. A dark battle line lay upon a sunstruck clearing that gleamed orange colour. A flag fluttered. Other regiments floundered up the bank. The brigade was formed in line of battle, and after a pause started slowly through the woods in the rear 32 PICTURES OF WAR of the receding skirmishers, who were continually melting into the scene to appear again farther on. They were always busy as bees, deeply absorbed in their little combats. The youth tried to observe everything. He did not use care to avoid trees and branches, and his forgotten feet were constantly knocking against stones or getting entangled in briers. He was aware that these battalions with their commotions were woven red and startling into the gentle fabric of softened greens and browns. It looked to be a wrong place for a battlefield. The skirmishers in advance fascinated him. Their shots into thickets and at distant and prominent trees spoke to him of tragedies hidden, mysterious, solemn. Once the line encountered the body of a dead soldier. He lay upon his back staring at the sky. He was dressed in an awkward suit of yellowish brown. The youth could see that the soles of his shoes had been worn to the thinness of writing paper, and from a great rent in one the dead foot projected piteously. And it was as if fate had betrayed the soldier. In death it exposed to his enemies that poverty which in life he had perhaps concealed from his friends. The ranks opened covertly to avoid the corpse. The invulnerable dead man forced a way for him- self. The youth looked keenly at the ashen face. The wind raised the tawny beard. It moved as if a hand were stroking it. He vaguely desired to walk around and around the body and stare; THE RED BADGE OF COURAGE 33 the impulse of the living to try to read in dead eyes the answer to the Question. During the march the ardour which the youth had acquired when out of view of the field rapidly faded to nothing. His curiosity was quite easily satisfied. If an intense scene had caught him with its wild swing as he came to the top of the bank, he might have gone roaring on. This advance upon Nature was too calm. He had opportunity to reflect. He had time in which to wonder about himself, and to attempt to probe his sensa- tions. Absurd ideas took hold upon him. He thought that he did not relish the landscape. It threatened him. A coldness swept over his back, and it is true that his trousers felt to him that they were no fit for his legs at all. A house standing placidly in distant fields had to him an ominous look. The shadows of the woods were formidable. He was certain that in this vista there lurked fierce -eyed hosts. The swift thought came to him that the generals did not know what they were about. It was all a trap. Suddenly those close forests would bristle with rifle barrels. Iron-like brigades would ap- pear in the rear. They were all going to be sacrificed. The generals were stupids. The enemy would presently swallow the whole command. He glared about him, expecting to see the stealthy approach of his death. He thought that he must break from the ranks and harangue his comrades. They must not all * o 34 PICTURES OF WAR be killed like pigs ; and he was sure it would come to pass unless they were informed of these dangers. The generals were idiots to send them marching into a regular pen. There was but one pair of eyes in the corps. He would step forth and make a speech. Shrill and passionate words came to his lips. The line, broken into moving fragments by the ground, went calmly on through fields and woods. The youth looked at the men nearest him, and saw, for the most part, expressions of deep inter- est, as if they were investigating something that had fascinated them. One or two stepped with over-valiant airs, as if they were already plunged into war. Others walked as upon thin ice. The greater part of the untested men appeared quiet and absorbed. They were going to look at war, the red animal war, the blood-swollen god. And they were deeply engrossed in this march. As he looked the youth gripped his outcry at his throat. He saw that even if the men were tottering with fear they would laugh at his warn- ing. They would jeer him, and, if practicable, pelt him with missiles. Admitting that he might be wrong, a frenzied declamation of the kind would turn him into a worm. He assumed, then, the demeanour of one who knows that he is doomed alone to unwritten re- sponsibilities. He lagged, with tragic glances at the sky. He was surprised presently by the young lieu- tenant of his company, who began heartily to THE RED BADGE OF COURAGE 35 beat him with a sword, calling out in a loud and insolent voice : " Come, young man, get up into ranks there. No skulking '11 do here." He mended his pace with suitable haste. And he hated the lieutenant, who had no appreciation of fine minds. He was a mere brute. After a time the brigade was halted in the cathedral light of a forest. The busy skirmishers were still popping. Through the aisles of the wood could be seen the floating smoke from their rifles. Sometimes it went up in little balls, white and compact. During this halt many men in the regiment began erecting tiny hills in front of them. They used stones, sticks, earth, and anything they thought might turn a bullet. Some built compa- ratively large ones, while others seemed content with little ones. This procedure caused a discussion among the men. Some wished to fight like duellists, believing it to be correct to stand erect and be, from their feet to their foreheads, a mark. They said they scorned the devices of the cautious. But the others scoffed in reply, and pointed to the veterans on the flanks who were digging at the ground like terriers. In a short time there was quite a barricade along the regimental fronts. Directly, however, they were ordered to withdraw from that place. This astounded the youth. He forgot his stewing over the advance movement. " Well, then, what did they march us out here for ? " he demanded of the tall soldier. The latter with calm faith began a 36 PICTURES OF WAR heavy explanation, although he had been compelled to leave a little protection of stones and dirt to which he had devoted much care and skill. When the regiment was aligned in another posi- tion, each man's regard for his safety caused another line of small intrenchments. They ate their noon meal behind a third one. They were moved from this one also. They were marched from place to place with apparent aimlessness. The youth had been taught that a man became another thing in a battle. He saw his salvation in such a change. Hence this waiting was an ordeal to him. He was in a fever of impatience. He con- sidered that there was denoted a lack of purpose on the part of the generals. He began to complain to the tall soldier. " I can't stand this much longer," he cried. " I don't see what good it does to make us wear out our legs for nothin'." He wished to return to camp, knowing that this affair was a blue demonstration; or else to go into a battle and dis- cover that he had been a fool in his doubts, and was, in truth, a man of traditional courage. The strain of present circumstances he felt to be intoler- able. The philosophical tall soldier measured a sandwich of cracker and pork, and swallowed it in a nonchalant manner. " Oh, I suppose we must go reconnoitring around the country jest to keep 'em from getting too close, or to develop 'em, or something." "Huh ! " said the loud soldier. "Well," cried the youth, still fidgeting, "I'd rather do anything 'most than go tramping 'round THE RED BADGE OF COURAGE 37 the country all day doing no good to nobody and jest tiring ourselves out." " So would I," said the loud soldier. " It ain't right. I tell you if anybody with any sense was a-runnin' this army it " " Oh, shut up ! " roared the tall private. " You little fool. You little damn' cuss. You ain't had that there coat and them pants on for six months, and yet you talk as if " " Well, I wanta do some fighting anyway," inter- rupted the other. " I didn't come here to walk. I could 'ave walked to home 'round an' 'round the barn, if I jest wanted to walk." The tall one, red-faced, swallowed another sand- wich as if taking poison in despair. But gradually, as he chewed, his face became again quiet and contented. He could not rage in fierce argument in the presence of such saodwiches. During his meals he always wore an air of blissful contemplation of the food he had swallowed. His spirit seemed then to be communing with the viands. He accepted new environment and circumstance with great coolness, eating from his haversack at every opportunity. On the march he went along with the stride of a hunter, objecting to neither gait nor distance. And he had not raised his voice when he had been ordered away from three little protec- tive piles of earth and stone, each of which had been an engineering feat worthy of being made sacred to the name of his grandmother. In the afternoon the regiment went out over the same ground it had taken in the morning. The 38 PICTURES OF WAR landscape then ceased to threaten the youth. He had been close to it, and become familiar with it. When, however, they began to pass into a new region his old fears of stupidity and incompetence reassailed him, but this time he doggedly let them babble. He was occupied with his problem, and in his desperation he concluded that the stupidity did not greatly matter. Once he thought he had concluded that it would be better to get killed directly and end his troubles. Regarding death thus out of the corner of his eye, he conceived it to be nothing but rest, and he was filled with a momentary astonishment that he should have made an extraordinary commotion over the mere matter of getting killed. He would die; he would go to some place where he would be under- stood. It was useless to expect appreciation of his profound and fine senses from such men as the lieutenant. He must look to the grave for compre- hension. The skirmish fire increased to a long clattering sound. With it was mingled far-away cheering. A battery spoke. Directly the youth would see the skirmishers run- ning. They were pursued by the sound of musketry fire. After a time the hot, dangerous flashes of the rifles were visible. Smoke clouds went slowly and msolently across the fields like observant phantoms. The din became crescendo, like the roar of an on- coming train. A brigade ahead of them and on the right went into action with a rending roar. It was as if it had THE RED BADGE OF COURAGE 39 exploded. And thereafter it lay stretched in the distance behind a long grey wall, that one was obliged to look twice at to make sure that it waa smoke. The youth, forgetting his neat plan of getting killed, gazed spellbound. His eyes grew wide and busy with the action of the scene. His mouth was a little ways open. Of a sudden he felt a heavy and sad hand laid upon his shoulder. Awakening from his trance of observation, he turned and beheld the loud soldier. "It's my first and last battle, old boy," said the latter, with intense gloom. He was quite pale, and his girlish lip was trembling. "Eh?" murmured the youth in great astonish- ment. " It's my first and last battle, old boy," continued the loud soldier. " Something tells me " "What?" "I'm a gone coon this first time, and and I w-want you to take these here things to my folks." He ended in a quavering sob of pity for himself. He handed the youth a little packet done up in a yellow envelope. "Why, what the devil " began the youth again. But the other gave him a glance as from the depths of a tomb, and raised his limp hand in a prophetic manner and turned away. CHAPTER IV THE brigade was halted in the fringe of a grove. The men crouched among the trees and pointed their restless guns out at the fields. They tried to look beyond the smoke. Out of this haze they could see running men. Some shouted information and gestured as they hurried. The men of the new regiment watched and listened eagerly, while their tongues ran on in gossip of the battle. They mouthed rumours that had flown like birds out of the unknown. "They say Perry has been driven in with big loss." "Yes, Carrott went t' th' hospital. He said he was sick. That smart lieutenant is commanding ' G ' Company. Th' boys say they won't be under Carrott no more if they all have t' desert. They all us knew he was a " " Hannises' batt'ry is took." " It ain't either. I saw Hannises' batt'ry off on th' left not more'n fifteen minutes ago." "Well " " Th' general, he ses he is goin' t' take th' hull command of th' 3041)1 when we go inteh action, THE RED BADGE OF COURAGE 41 an' then he ses we'll do sech fightin' as never another one reg'ment done." "They say we're catchin* it over on th' left. They say th' enemy driv' our line inteh a devil of a swamp an' took Hannises' batt'ry." "No sech thing. Hannises' batt'ry was long here 'bont a minute ago." " That young Hasbrouck, he makes a good off'cer. He ain't afraid 'a nothin'." " I met one of th' I48th Maine boys, an' he ses his brigade fit th' hull rebel army fer four hours over on th' turnpike road an' killed about five thousand of 'em. He ses one more sech fight as that an' th' war '11 be over." "Bill wasn't scared either. No, sir! It wasn't that. Bill ain't a-gittin' scared easy. He was jest mad, that's what he was. When that feller trod on his hand, he up an' sed that he was willin' t' give his hand t' his country, but he be dumbed if he was goin' t' have every dumb bushwhacker in th' kentry walkin' 'round on it. So he went t' th' hospital disregardless of th' fight. Three fingers was crunched. Th' dern doctor wanted t' amputate 'm, an' Bill, he raised a heluva row, I hear. He's a funny feller." The din in front swelled to a tremendous chorus. The youth and his fellows were frozen to silence. They could see a flag that tossed in the smoke angrily. Near it were the blurred and agitated forms of troops. There came a turbulent stream of men across the fields. A battery changing position at a frantic gallop scattered the stragglers right and left. 42 PICTURES OF WAR A shell screaming like a storm banshee went over the huddled heads of the reserves. It landed in the grove, and, exploding redly, flung the brown earth. There was a little shower of pine needles. Bullets began to whistle among the branches and nip at the trees. Twigs and leaves came sailing down. It was as if a thousand axes, wee and in- visible, were being wielded. Many of the men were constantly dodging and ducking their heads. The lieutenant of the youth's company was shot in the hand. He began to swear so wondrously, that a nervous laugh went along the regimental line. The officer's profanity sounded conventional. It relieved the tightened senses of the new men. It was as if he had hit his fingers with a tack- hammer at home. He held the wounded member carefully away from his side, so that the blood would not drip upon his trousers. The captain of the company, tucking his sword under his arm, produced a handkerchief and began to bind with it the lieutenant's wound. And they disputed as to how the binding should be done. The battle-flag in the distance jerked about madly. It seemed to be struggling to free itself from an agony. The billowing smoke was filled with hori- zontal flashes. Men running swiftly emerged from it. They grew in numbers until it was seen that the whole command was fleeing. The flag suddenly sank down as if dying. Its motion as it fell was a gesture of despair. THE RED BADGE OF COURAGE 43 Wild yells came from behind the walls of smoke. A sketch in grey and red dissolved into a mob-like body of men who galloped like wild horses. The veteran regiments on the right and left of the 3