?"- 7 "=. LL KS CRACK O DAWN THE MACMILLAN COMPANY NEW YORK BOSTON CHICAGO DALLAS ATLANTA SAN FRANCISCO MACMILLAN & CO., LIMITED LONDON BOMBAY CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA. LTD. TORONTO CRACK O DAWN BY FANNIE STEARNS DAVIS (MRS. A. McK. GIFFORD) AUTHOR OF " MYSELF AND I " Nrtn THE MACMILLAN COMPANY I9IS All rights reserved Copyright, 1913, 1914, by the At lantic Monthly Company, Harper & Brothers, The Century Company, The Yale Review, Harriet Monroe for Poetry, A Magazine of Verse, The Curtis Publishing Company, and Perry Mason Company. COPYRIGHT, 1915 BY THE MACMILLAN COMPANY Set up and electrotyped. Published February, 1915. CONTENTS PAGE CRACK O DAWN . 3 "I HAVE LOOKED INTO ALL MEN S HEARTS" PROFITS . 9 THE POET REBUKES His FLATTERERS . .11 "As I DRANK TEA TO-DAY" - *3 To A COWARD . J 7 THE RECLUSE . ... 20 RAIN IN THE NIGHT . RESTLESSNESS , 2 4 GHOSTS THE YEAR AFTER ... .27 THOSE I LOVE . 2 9 ESCAPE "WHAT IF I GROW OLD AND GRAY" . WIND . SORROW S SHADOW 37 "I WENT DOWN INTO MY HEART" 39 SORROW IN SPRING . 4* WINGS . ... 44 THE UNBORN . -49 THE MOTHER . -5 THE CHILDREN S PEDDLER S 2 EVENING SONG . THE NEW HOUSE . . To YOUTH IN SECRET JOY .... .60 330409 vi CONTENTS PAGE FIRE FANTASY . . . . . .63 AN OLD SONG . . . . ... . 68 HOME . . . ; . . . . . 70 WILD WEATHER 71 DAWN-JOY . - 73 "Now I WILL SADDLE THE SWIFT BROWN MARE " . 76 To THE NORTH -79 UP ON THE MOUNTAIN . . . . . .84 "THE STARS Go BY" . . ... . .86 STORM DANCE . . 89 THE BLACK WITCH . . ... . 91 RIDE . .94 ROMANCE , -97 O MY LOVE LEONORE . . . . . . .99 THE CHANGELING . . . ... . 101 HOOFS IN THE DARK . . ... . . 104 "WHAT I DESIRE TO SAY " . . . . . 107 Thanks are extended to the publishers of The Atlantic Monthly, The Century, Harper s Magazine, Poetry (A Magazine of Verse), The Yale Review, The Country ^Gen- tleman, and The Youth s Companion, for their permission to reprint in this volume poems copyrighted by them in 1913, 1914- CRACK DAWN CRACK O DAWN CRACK o dawn ! Red sun looks in Through my curtains white and thin. Sun looks in, and I look out At the sweet world spread about. Silver dew on lilac-tree, Meadow-larks desiring me, Hills that sleep along the dawn, Sense of wise stars just withdrawn, (Serious stars that hide away In the hot blue halls of Day.) No one sees me as I run Clear to meet the clear-eyed sun. No one hears me laugh and sing Many a dawn-swept dancing thing. 3 CRACK O DAWN No one knows my prayers are made Out of dew-pearl and leaf-shade, Out of lark-song and sky- breath; Simplest challengers of death. Crack o dawn. The City still Sleeps behind my daisy-hill; Very dull, with shutters locked. Though the red sun knocked and knocked They would never ask him in. But the bull-mouthed whistles din Breaks their heavy dreams apart; And they groan, and stretch, and start Grumbling up. ODawn! Ami Guilty of their sweat and sigh? Am I cold and hard, to run Free of foot to meet the sun, While the bull-mouthed whistles roar, And the drab-faced people pour CRACK O DAWN Herded down the blank gray street, Leaden eyes and leaden feet? Could I help them if I too Lost my sunrise leaves and dew? If I made my own dreams gray With the dust of day-to-day, And forgot the stars, and fell In that hideous barren Hell, Where, I think, my soul would be Hard for God Himself to see? Once I was a pagan, wild With the wonder of a child. Once I thought the City too Might go free of dawns and dew. Oh, I thought them stupid folk, With their crazy wheels and smoke, Swarming babies, huddling halls, Brazen laughter, sodden brawls, CRACK O DAWN And their blind souls, blind, while I Played the god with wind and sky. Crack o dawn! Red sun, I wake Singing for your splendid sake; Silent, for the City still Drugged behind my daisy-hill. Oh, but were I pagan yet! God! could I forget! forget! "I HAVE LOOKED INTO ALL MEN S HEARTS" I HAVE looked into all men s hearts. Like houses at night unshuttered they stand, And I walk in the street, in the dark, and on either hand There are hollow houses, men s hearts. They think that the curtains are drawn. Yet I see their shadows suddenly kneel To pray, or laughing and reckless as drunkards reel Into dead sleep till dawn. And I see an immortal child With its quaint high dreams and wondering eyes Sleeping beneath the hard worn body that lies Like a mummy-case defiled. 7 8 " I HAVE LOOKED INTO ALL MEN S HEARTS " And I hear an immortal cry Of splendor strain through the sodden words, Like a flight of brave-winged heaven-desirous birds From a swamp where poisons lie. I have looked into all men s hearts. Oh, secret terrible houses of beauty and pain! And I cannot be gay, but I cannot be bitter again, Since I looked into all men s hearts. PROFITS YES, stars were with me formerly. (I also knew the wind and sea; And hill- tops had my feet by heart. Their shagged heights would sting and start When I came leaping on their backs. I knew the earth s queer crooked cracks, Where hidden waters weave a low And druid chant of joy and woe.) But stars were with me most of all. I heard them flame and break and fall. Their excellent array, their free Encounter with Eternity, I learned. And it was good to know That where God walked, I too might go. 9 10 PROFITS Now, all these things are past. For I Grow very old and glad to die. What did they profit me, say you, These distant bloodless things I knew? Profit? What profit hath the sea Of her deep- throated threnody? What profit hath the sun, who stands Staring on Space with idle hands? And what should God Himself acquire From all the aeons blood and fire? My profit is as theirs : to be Made proof against mortality: To know that I have companied With all that shines and lives, amid So much the years sift through their hands, Most mortal, windy, worthless sands. This day I have great peace. With me Shall stars abide eternally! THE POET REBUKES HIS FLATTERERS WHY will you trouble me with praise? Give me no praise. These songs I found Flashing like wings above my ways, Or blown like leaves along the ground. I caught a feather; crushed a leaf; And you applaud me. Let me be. You had no praise for that sore grief Whereof I got the mastery. You had no praise the time I fled Down rustling corridors of fear: You left me all uncomforted, With only God to cry "Draw near!" Look! at my side this moment stands My friend, who suffers and is proud. 12 THE POET REBUKES HIS FLATTERERS He chokes his Life between his hands, Lest, hurt and crazed, it cry too loud. He makes me hateful of my fame: Hot-faced and humble: for he too Speaks softly, radiantly my name, And loves me till it stabs me through. Have you no little word for him? Can you not see how strong he is? Oh, what is all my music dim To such great reeling victories? Leave off your praise. Smile not on me. What say you? Are my songs so sweet? They are but wind-blown wizardry. Look there! His blood-stained hands and feet! "AS I DRANK TEA TO-DAY" As I drank tea to-day With a dozen women, chattering, gay, In delicate drooping gowns, in jewels like dew, Laughing, light-voiced, I thought of a certain hunger I knew Hid in the heart of one, the merriest laugher there. I saw three little dull threads in the lazy dusk of her hair; Three little keen wrinkles about her beautiful shining eyes. And I wished I were not so wise. I wished that I did not know Those symbols of pain: that low Under her pride and sweet warm-worded address She was shaken with loneliness; 13 14 " AS I DRANK TEA TO-DAY " * That the one great dream she had dared to dream was a lie, And half of her Life went wearying, "Let me die/ I wished that I could not hear That murmur of mortal fear Through the clink of silver and subtle whisper of lace. I dared not look in her face. Then I thought, (while I laughed aloud With my cup at poise,) "Ah, the proud Masques that we wear! We too, All of us, dancing through Some queer little pantomime each day, Jewelled and gloved, deft-spoken and gay, Ah, but God only hears All of the follies and fears, Meanness and courage, breathed out and in Over these tea-cups delicate din." " AS I DRANK TEA TO-DAY " 15 Then I looked in that woman s face Over its pearls and roses and lace, And I knew that I need not fear to see Those little dull threads, those wrinkles three, Or hear the cry of her life. I knew We were all of us crying too: Crying with wonder or weariness, Too much love or too little. Yes, It was Life, just Life that we hid away Under our gossip and glad array. And that woman s laughter and pride, Shielding her heart, half-crucified, Seemed bravely done, although I thought, "Must Life hurt, hurt so?" Till as I took her hand, Saying good-bye, the smooth words planned Choked in my throat. She stood there dumb, Folded my fingers and pressed them numb, J 6 " AS I DRANK TEA TO-DAY " Knowing I knew. Ah, yes! I knew! All of us seeking, hungering, hiding too, In delicate drooping gowns, and jewels like stars and dew! So we all went away: A dozen women, chattering, gay. TO A COWARD You have no right to spoil the sun, Blacken the blue and blur the stars. Is your fool s-face the only one That ever pressed Life s prison-bars, And found escape too bitter-hard? And cursed the great cold Gaoler, God? Then, crooked-lipped, pain-smirched and marred, Shrieked to the peaceful folk who trod The free street still, "But look at me! I am so hurt. God hates me so. I know that all Eternity Is foul and false and bleared. I know!" How do you know? What right have you To show your shameful coward s face? 17 i8 TO A COWARD Have you alone run ruined through Hell s wide waste-hillocked torture-place? Have you a blood-sealed pact with Pain? A secret tryst with Agony? Has no one else dared death, to gain The great brave soul, that wrests the key Of Freedom from God s Hand? ^jt Then swift To flee, beholds the door flung wide; And feels the Gaoler s fingers lift His face, and push his locks aside, While through his soul s last desperate dusk The great slow Eyes stare deep, stare deep; And Shame blows from him, like a husk Of Horror; and clean glories leap From those great Eyes to his, set free From all the foul and false and marred:- "Thou! Who hast earned Eternity! Thou! With My Secret Keys to guard!" TO A COWARD You! What know you of God, and Life? There festering to your prison-bars. Be proud! When you have won that strife You will not dare to curse the stars! THE RECLUSE I AM too much in love with loneliness. To-night, with secret joy I shut my door, (This is a shameful thing that I confess,) But I desired no footstep on my floor, No friend to share my hearth-fire, and the still Warm hours, before the midnight chime swings clear, And the small owlet hoots across the hill, And I join hands with Sleep, cool-fingered, dear. I had no need of talk or song; no need Of love. Love would have hurt and frightened me. The wind went by; I heard the lilac-seed Dry- tipped, beat on the window stubbornly. And I sat glad and silent and complete. I had no need in all the world. My heart THE RECLUSE 21 Purred like the great gray cat. It seemed so sweet To shut the door, on Life, and sit apart. Life! this is shameful! Call me out before I die of loving loneliness too well. Send hordes of beggars battering my door, To keep me clear of happiness, and hell. Send me great love to hurt me. Send me fear And anger, God s fierce messengers, for I Am swooning, swooning, in my fire-light here. Life! stab me! make me fight before I die! RAIN IN THE NIGHT OUT in the night the great good rain Makes sweet the earth, makes strong the trees. Let me be done myself with pain And hot unhappy mysteries. Let me not lie awake to-night With dreams devouring all the gloom: Wide mouths of hungry restless light Gleaming and gaping round my room. Dreams, from my souPs and body s stark And hollow red-hot caves of fear. (Oh, never a dream of leaves, a lark, A dawn-wind, sea- tides salt and clear!) RAIN IN THE NIGHT 23 Out in the night the good rain goes. Kind as my Mother used to be. Oh, if in Heaven my Mother knows, God, send her back like rain to me! RESTLESSNESS LIFE with his chin on my shoulder Whispers into my ear. His voice is like winds, and cities, And seas, and sorrow, and fear. It troubles and wearies me always. Nothing he says comes clear. Sharp chin on my aching shoulder! Strange murmurous voice in my ear! GHOSTS I AM almost afraid of the wind out there. The dead leaves skip on the porches bare, The windows clatter and whine. I sit Here in the quiet house, low-lit, With the clock that ticks and the books that stand, Wise and silent, on every hand. I am almost afraid, though I know the night Lets no ghosts walk in the warm lamp-light. Yet ghosts there are; and they drift and blow Out in the wind and the scattering snow. When I open the windows and go to bed Will the ghosts come in and stand at my head? Last night I dreamed they came back again. I heard them talking; I saw them plain. 25 26 GHOSTS They hugged me and held me and loved me; spoke Of happy doings and friendly folk. They seemed to have journeyed a week away, But now they were ready and glad to stay. But oh, if they came on the wind to-night Could I bear their faces, their garments white Blown in the dark round my lonely bed? Oh, could I forgive them for being dead? I am almost afraid of the wind. My shame! That I would not be glad if my dear ones came! THE YEAR AFTER UP and down my Garden the roses are a-revel; Up and down my Garden gleam golden butterflies. June-scent to the tree-tops floods the white air level, And June-sun to the rose-roots thrusts fingers warm and wise. O my red, red roses! my larkspurs and my lilies! (Yellow lilies leaning in a tangle and a swoon,) 0, have you forgot me? for now the Garden still is, And no one treads the warm path I knew by night and noon. Red-rose-petals blowing, and rain-bleached in the grasses, Red-rose-petals slipping, slipping to be dead, 27 28 THE YEAR AFTER Only wind may touch you: he hurts you as he passes: 0, do you remember who kissed you once instead? Up and down my Garden my Spirit runs a- tip toe, Stroking all the roses, chasing butterflies. But she may not gather one blighted bud. To slip so Empty from her Garden, blurs her shining eyes. Spirit ! Spirit ! Spirit ! Home, come home and leave them : Leave the petals blowing like little weary flames. Lest your ghostly presence, your pulsing shadow grieve them: Yet tis you, you only, who know their dear lost names! THOSE I LOVE I COULD be glad and gay to-night If those I love were gay. But they have shadows o er their sight I cannot sweep away. My body laughs and leaps and sings. I could go proud and sweet. But those I love have broken wings. Dance not! Dance not, my feet! I could have faith in God enough To keep me joyfully. But those I love must take the rough Dark way of doubt. Ah me, 29 30 THOSE I LOVE Would God that they by trusting too Gave me my right to Faith! But how dare I drink heaven-dew While those I love drink death? ESCAPE Now since I cannot make it out: Why people love and lose and die; Why there is agony and doubt, And so much cause to brood and cry; Oh, since I cannot understand God s will for all the world, and me, I will go take the wind s cold hand, And dance a little, foolishly. The hills are green and simple folk; The wind is quick with comrade-calls; White wayside apple-trees, and smoke Of woodfires, and bright waterfalls, 31 32 ESCAPE They never bid me understand. They never say, "You, too, must die. : I will go take the wind s cold hand. God knows, I cannot always cry! "WHAT IF I GROW OLD AND GRAY " WHAT if I grow old and gray Who was once so gallant-gay? When my goodliness shall pass As the flower of the grass; When there shall be none to claim Friendship in my youth s dear name; When my soul that leapt like fire Limps, too dreary for desire; When the door of Silence stands Open to my fumbling hands; Though I almost make you cry, (You, still young and passing by,) Leave me proud and high and free. Never dare to pity me! 33 34 " WHAT IF I GROW OLD AND GRAY " For I make my journeying Far from every sorry thing. I have lived too glad to fear Any hurt or horror here; And I shall be glad once more When the Silence swings its door, And I enter in, and see. Oh, you must not pity me! WIND THE Wind bows down the poplar-trees, The Wind bows down the crested seas; And he has bowed the heart of me Under his hand of memory. heavy-handed Wind, who goes Hurting the petals of the rose; Who leaves the grasses on the hill Broken and pallid, spent and still! heavy-handed Wind, who brings To me all echoing ancient things: Echoing sorrow and defeat, Crying like mourners, hard to meet! 35 WIND The Wind bows down the poplar-trees And all the ocean s argosies; But deeper bends the heart of me Under his hand of memory. SORROW S SHADOW SOME days, when I am dressed in shimmer-stuff, With yellow roses at my breast and hair; When just the air and sunlight seem enough To make the whole world delicately rare; When people love me, and I them, and all My heart is like a hill-brook s lilting call: Then, if I pass her, in her dim black dress, With heavy eye-lids darkened by old tears, I feel a sudden clutch of loneliness; I stare down vistas of unsparkling years, And there behold myself, clad close in black, With tired brows, thin hands, and aching back. O Sorrow s Shadow! let me be awhile! Wreck not my happy yellow roses: set 37 3 SORROW S SHADOW No watch upon my sudden cry and smile. Why should I not forget ah, half forget! That Sorrow s Self will meet me some strange day, And take my hand, nor let me dance away? "I WENT DOWN INTO MY HEART I WENT down into my heart. It was hollow and cold and deep. There were statues standing apart in a folded icicle- sleep. There was beauty beneath their veils, wild beauty and terror too; But they were asleep, asleep, and knew not my passing through. I went down into my heart, to the altar the God built there. The lamp burned low to its death; the altar was dusty and bare; And the face of the God was blurred, and the gold of his fringes dead. I went thither to kneel and pray, but my prayers were slow to be said. 39 40 " I WENT DOWN INTO MY HEART " I came up out of my heart to the traffic and toil of the day. I had been but the wink of an eye, the tick of a clock, away. But I knew that I should not dare go back to my heart once more Till the statues waked with a cry and the God gleamed out from the door! SORROW IN SPRING SORROW knocked at my door, Sorrow sat by my bed. I could not sing any more. The bird at the green lane s head Sings, and the Spring returns. Primroses revel in dew. Fire from the twilight burns, Soft stars, trembling and new. Children shout in the street; Pedlars gesture and chaff; Linden-branches repeat Wise-wives stories, and laugh. River runs to the sea; Boats swim brave on his breast. 41 42 SORROW IN SPRING (There is one boat whose free Swan-wings surpass the rest.) Would I might sail away! Lock my door in the town; Lock in the dark old day When Sorrow came in her gown Heavy and soiled with ash : Knocked, and entered, and sate. My candles failed in a flash. The bread was dust that I ate. Oh, to sing as of old! Sing, with the dance of the day, Sing, with the waters cold And the quick winds running away! Never, never, again. But I will be proud, not cry. Sunshine, children, the strain Of the harp-man loitering by, SORROW IN SPRING 43 I will not hurt you with tears. Look! I will laugh! And lo, Sorrow, Sorrow, she hears! She smiles! and she rises to go! WINGS TAKE down your golden wings now from their hook behind the door. The wind comes calling from the west, and you must fly once more. Oh, mine are grown too old to fly, my crooked wings and gray, But yours are glad with ruffled gold, and you must fly away. I found you far across the moors beneath a thorny- tree: The eyes of you were wide as stars above a breath less sea: But frail you were and faint you were, and nowise gay and glad Save for the leaping golden wings your slender shoulders had. 44 WINGS 45 And suddenly I led you home, and cherished you. I wrought Green robes like April willow-leaves. I coursed the hills and sought Strange jewel-seeds and pearly flow rs to weave about your hair. Beneath my hand you bloomed and grew, fair as a flame is fair. I hung your wings behind the door lest you should fly away: (They being all of bubbling gold, but mine, ah, withered gray!) I hung your wings behind the door, for secretly I knew Your golden wings, your wayward wings, they bode their time for you. And now, the cottage by the wood, its doorways shall be dark. You were its sunshine and its spring; its south wind and its lark. 46 WINGS Your bed beneath the window-sill must lie un- warmed, unpressed; The briar-rose may bear no more her star-flowers for your breast. The dragon-flies across the pools may dart and drowse all day, Sapphire and stinging emerald, with slit wings silver-gray; The rabbit up the glen may leap, the rare thrush ring his chime: But you will never come again for noon or twilight- time. Take down your golden wings now from their hook behind the door, And tie them tight against your back, the bright thongs crossed before. The bright thongs strained across your breast to keep them straight and true, The golden wings, the wandering wings, that woke my love for you. WINGS 47 The west wind calls, "Come forth! Come forth!" Look once within my eyes. Tell me, " I know you loved me well, but now the whole world cries!" Tell me, "You have been kind to me, but ah, I cannot stay. A million miles of sea and sun, they whisper me away." That is enough. I ask no more. I grow too gray to fly. I can but walk the sheltered woods to watch the year go by. The little cottage, dawn and dusk, shall keep me warm. And you That I must give you back your wings too well, too well I knew! O Face of Youth that lit my dusk! Hand too light to hold! How should you wait? The west wind cries, who cried to me of old. 48 WINGS Lean down. I tie the broad bright thongs to keep them true and straight: Your golden wings, your windy wings, that leave me desolate. THE UNBORN WHEN out of the dark I come to you, A faint new spirit, blank and blind, A bird too weak to search the blue, A ship too frail to take the wind, When out of the dark I come to you, (You having called me from that Place Where I might sleep the aeons through, Lapped in the drowsy dark of Space,) Then must you claim me for your own, Who seem no more your own than light, Across an upland pasture blown In the great solitudes of night? Body and soul, you live in me. Yet strange am I, and wild, and new. Oh, can your loving leave me free, When out of the dark I come to you? 49 THE MOTHER AND now, they did not need her any more. She heard below the shudder of the door, The quick feet on the path, and she was fain Only to snatch her sewing up again, And sew, and sew, seam over feverish seam, Hurrying in the dumb haze of a dream, Thrusting away the moment when her hand Should force her idleness to understand That they were gone, all gone, and at the door They would not call and claim her any more. Young as the morning, they were gone away, Whose kisses kept her hair from turning gray, Whose laughter kept her ready. Wherefore now Should not those wrinkles deepen in her brow, And she shut up her heart, and learn to be Of her bright self a queer dull travesty? so THE MOTHER 51 And yet, the smile they left her must not die; For crying now, might she not always cry? "0 God!" she whispered, sewing, "keep me! Oh, Thou only, over all the world, must know!" THE CHILDREN S PEDDLER UP above the village roofs the white road climbs away; There among its maple trees the church stands cool and gray, And the Dead Folk all around have houses still and sweet. But I I go a-peddling on the dusty village street. Uphill, downhill, rain and sunny weather: Right foot, left foot, (faith, it s hard on leather) ! Dolls and balls and kites and chains, knives and knick-knacks oh, I m the crazy peddlerman that all the children know! 52 THE CHILDREN S PEDDLER 53 All the village children shout and tag me down the street: Bobbing braids and freckled cheeks and bare brown dusty feet. "Have you got the marbles with the twisty glass inside?" "Have you got the gun that popped?" "And oh, the doll that cried?" "Have you got a sailorman with wind-mill arms and oars?" "I must buy a league ball, and a book to keep the scores." "Did you bring my box of paints? " They pull my coat and tease: "Show me how to fly my kite!" "And run my jig-saw, please!" Eager eyes and laughing lips and dancing dusty feet, So they cry and chase me down the maple-shaded street. 54 THE CHILDREN S PEDDLER And the grown-up people smile from window-sill and door, "It s the children s peddlerman, come to town once Oh, the grown-up people smile and tap their fore heads wise. If they think me simple well, I must be, in their eyes! But who d peddle tins and tapes and soap and pious books, When there s heaven paid him out for knives and fishing-hooks? Uphill, downhill, every sort of weather: Right foot, left foot, (and it s hard on leather) ! None too much to eat and drink, shabby coat to wear; No, it s little wonder that the grown-up people stare! THE CHILDREN S PEDDLER 55 But above the village roofs the church stands cool and gray. There the Dead Folk lie at ease, and dream the years away. There beneath a sweetbriar bush are three gray stones I know, Worn alike, but one is tall, and two are small and low. When it s summer dusk along the lazy village street, When the children loiter home with tired eyes and feet, And the grown-up people say, "You little drowsi- head, Put your playthings straight away and tumble into bed!" Then they never see me climb the steep white crooked road. Underneath the apple-tree I hide my peddler s load ; $6 THE CHILDREN S PEDDLER In the starry singing dusk I pass the churchyard gate, And beside the sweetbriar bush I stand alone and wait. Oh, there s nothing there to hear, nothing there to see: Only stars and village lights and tree that crowds on tree. No one answers when I speak; no one takes my hand. But I think they hear my voice; I think they under stand. Uphill, downhill, every sort of weather: Right foot, left foot, (mighty hard on leather) ! Dolls and bats and blocks and stamps, knives and knick-knacks, oh, Just the crazy peddlerman that all the children know! EVENING SONG LITTLE Child, Good Child, go to sleep. The tree- toads purr and the peepers peep; Under the apple-tree grass grows deep; Little Child, Good Child, go to sleep! Big star out in the orange west; Orioles swung in their gypsy nest; Soft wind singing what you love best; Rest till the sun-rise; rest, Child, rest! Swift dreams swarm in a silver flight. Hand in hand with the sleepy Night Lie down soft with your eyelids tight. Hush, Child, little Child! Hush. Good-nigh t- 57 THE NEW HOUSE MY little House is very young: No shadow makes it grave. With blue-bird-chintz and roses hung Its chamber windows wave. Here never blind-eyed Grief has knocked And entered groping in. The doors, that seem so free^ are locked As yet to Death and Sin. Here only happy wondering dreams Walk nightly to and fro. They are the friends of white moon-beams, And simple as the snow. 58 THE NEW HOUSE 59 My little House is very young And very unaware That dreams are wrought and songs are sung In any subtler air. Oh might I keep its blue-birds bright, Its hearth still warm and gay! Oh might my House but know delight, And not be dark, some day! TO YOUTH IN SECRET JOY SHUT out the wind, shut out the gloom, Draw the gold curtains round the room: The candle-light sees well that you Are glad, as mortals may be. Through Your heart a secret fragrance blows, Like a June garden, when a rose Leans to the wind: the light-lipped morn Whispers, "So thou! so thou art born! " Oh, far away the haunted past With all its lonely spaces, vast And hollow as an echoing hall Of hateful dreams, where you might call And run, but never find the end, Nor window-slit, nor face of friend. 60 TO YOUTH IN SECRET JOY 61 And far away the future. Far Its shadow as its saving star. (In truth, what stars shall shine? to make The sky still holy for their sake, When earth seems faded, and you know: "Soon I must go. Soon I must go.") So far that dusk ! Sit close, and pray. You have been very glad to-day. Glad! no one knows how glad. You keep Your dear joy sacred as your sleep. How could the hard world understand The warm light tremor of your hand, The flying flush, the dancing eyes, And how your whole heart laughs and cries? You would as soon men saw you lie White in your star-lit room, as spy This secret. No, you need not speak, Nor move the hand that holds your cheek; 62 TO YOUTH IN SECRET JOY You need not whisper. Only pray, Because you were so glad to-day. For oh, you must remember this Deep hour of hidden ecstasies, Of fragrance and unearthly light, Of sky-swept wonder when to-night Nay! but you know so well why you Are glad! let only God know, too. Only that you remember. Pray. Sometime your Life may need this day! FIRE FANTASY FLAME flies up in the chimney black. Here I lie and bid him come back. Here I lie, on the fox-skin, white As silver under the leaping light, White and furry and kind and warm. Out by the window scurries the storm. " Flame! crinkly curly Flame! Where are you going? What is your name? Is it a star you are flying to? Stay and tell me, O You! O You!" But the flame he never, never comes back. I lie and stare up the chimney black. 63 64 FIRE FANTASY Out in the hall the great clock chimes. His voice is solemn as holy rhymes That good monks made in old cloister cells, Somehow charmed to sing in his bells, Out in the dark, all deep and low, Like sea-waves swinging to and fro. Here it is very still and warm, But out on the window batters the storm. If I were a ship, I would die to-night; If I were a bird, I would freeze in my flight; If I were a ghost, I would keep to my grave. But now, I watch how the wide flames wave. Now, I dream of a thousand things: Summer, and sea-foam, and queens, and kings. Flame flies up in the chimney black. If I were a flame, would I ever come back? If I got to a star, I would never come back. FIRE FANTASY 65 But there are no stars at all to-night. Up in the sky there is never a light: Only the souls of the flames, and they Are thin and nervous, and scudding gray. They blow, they blow, they shudder and blow. The wind he hates them and hustles them so. "WindlO Wind! Are you mad?" But he Shrieks and is gone without answering me. Flame flies up in the chimney black. I am too sleepy to call him back. Now it is time to go to bed : Furry fox, my head to your head; Long warm fox, my back to your back; I stretch, I stretch, till my best bones crack. I am so still with sleep, and warm. Out on the window shivers the storm. Sleepy fire, now purr and fall. Great old clock in the dusky hall, 66 FIRE FANTASY Chime for me; chime deep, chime low, Like sea-waves swinging to and fro. I saw in my eyes a queer thing then. There was a woman with two tall men. She had a blue shawl over her head. One of them wore a cloak, blood-red. The other one had a sword. And she Was fair as an old-time queen to see. They had been travelling far so far But oh, in my eyes a falling star! Drowned in the sea. And I saw a ship With square sails over the sea s edge slip, I wonder wonder where. Oh, then I saw gaunt hills, and a black old fen A wind-mill, water. I saw I saw Sun-burnt boys and a stack of straw, Yellow, yellow! and swallows flew FIRE FANTASY 67 Was her shawl yellow, or was it blue, Over her head ? Oh, I am so warm. Out on the window tumbles the storm. I am so sleepy the chimney is black- Flame flame are you coming back? Have you found a star? are you coming back- Coming back Coming back ? AN OLD SONG AND if I came not again After certain days; If no morning sun or rain Met me on their ways; If the meadows knew no more How my feet go free, And the folded hills forbore Any speech of me; If you did not find me here, At the door at night, And the cold hearth kept no cheer, And the panes no light; 68 AN OLD SONG 69 Oh, if I came not again, Would you miss me much? Would your fingers once be fain Of my wandering touch? Would you dream me at your side In the waking wood, Where the old spring hungers hide In blue solitude? Would you wonder where I passed, Into joy or pain? Oh, to know you cared, at last, Came I not again! HOME HOME, to the hills and the rough, running water; Home, to the plain folk and cold winds again. Oh, I am only a gray farm s still daughter, Spite of my wandering passion and pain! Home, from the city that snares and enthralls me; Home, from the bold light and bold weary crowd. Oh, it s the blown snow and bare field that calls me; White star and shy dawn and wild lonely cloud! Home, to the gray house the pine-trees guard, sighing; Home, to the low door that laughs to my touch. How should I know till my wings failed me, flying, Home-nest, my heart s nest, I loved you so much? 70 WILD WEATHER THE sea was wild. The wind was proud. He shook my curtains like a shroud. He was a wet and worthy wind : His hair with wild sea-crystals twined : His cloak with wild sea-grasses green; His slanted wings all gray and lean: And strange and swift, and fierce and free He cried, "Come out! and race with me!" I snatched my mantle wide and red, And far along the cliffs I fled. The cliff-grass bowed itself in fear, The gulls forgot what path to steer; Below the cliffs the broad waves broke In trampled ranks like fighting folk; 71 72 WILD WEATHER The ships with grisly sea- wrack blind, Dead-drunken, cursed that chasing wind, My lips with salt were wild to taste. I leapt: I shouted and made haste: Along the cliffs, above the sea, With mad red mantle waving free, And hair that whipped the eyes of me. And there was no one else but he, That great grim wind who called to me. Oh, we ran far! Oh, we ran free! DAWN-JOY CLEAN, clean as crisped water-cress The dawn- taste of the wind ! I got me out with hastiness, And not a look behind. The sleep fell off my eyes like scales, And off my feet like lead. As thoughtless Things with hooves and tails, I leapt, and tossed my head! The sleep swept off my heart like mist That blurs a sun-lit sea. I felt the keen blood curl and twist To every tip of me. 73 74 DAWN-JOY I felt as cherry-trees must feel When all their blossoms shake; Or like the black-bird routs that reel Around a rushy lake. I thought, "And so the Sun must thrill, Who strides upon his way, And sees the hushed earth-hollows fill With living golden Day!" I thought, "And God Himself must know A Joy ten thousandfold More free and thirsty, when His low Dull earth grows glad and bold, "And rocks and quivers in His hand, As I do, with the Spring Across the wild green-gilded land Unloosed and glorying." DAWN-JOY 75 Clean, clean as crisped water-cress, The dawn- taste of the wind. My thoughts leapt high with heavenliness; My feet came close behind ! "NOW I WILL SADDLE THE SWIFT BROWN MARE" Now I will saddle the swift brown mare, And ride, and ride, to the sunset s death; With the wind like the hands of a star in my hair, And the white frost snatching my breath ! Shut the door where the old books stand Row on row in their musty cowls: Monks, with a scourge and a cross in each hand : Apes, and asses, and snakes, and owls! Shut the door where the Gossips sit, Hugging the hearth, with their brew of tea: Picking men s lives up, bit by bit, Dropping them dourly and damningly. 76 I WILL SADDLE THE SWIFT BROWN MARE " 77 Shut the door where my own Moods lie Faint and white on a silver bed : Delicate damsels, dreams that die, Petals from pale white poppies shed. Oh, I will saddle the swift brown mare, And ride, and ride, to the forge-fire-sky ! Might I shoe her with stars that hang white-hot there, Cooled in the sea-troughs, hissing high! Might I spur her with goads of the ice that grows Sharp as steel on the mountain-lake! Might I shout her the fierce gay song that blows Out of the west where the sun-ranks break! Look, I am weary of "Thus, and So," Mantles that mildew and swords that rust; Talk and trouble and meanness. Oh, Why should I stay to be choked with dust? 78 " I WILL SADDLE THE SWIFT BROWN MARE " So, I will saddle the swift brown mare, And ride, and ride, to the red world s death. With the wind like the hands of a star in my hair, And the quick frost catching my breath! TO THE NORTH I GIVE three calls to the North. Come forth! Come forth! Come forth! Out of the black fir-forests, where snow Hides in the hollow places; where blow Late spring winds; and the rivers run Ice-green, laughing with late spring sun; Out of the sharp white nights, too still, (Star upon star, as hill upon hill) Oh, like the fierce-foot rivers, set free, Come and awaken and trouble me! (Name that I cannot cry, Face that my dreams deny, 79 8o TO THE NORTH Feet that strode swift, and yet Should I one hour forget? Shot from your life to mine, Blazing and barbed, the Sign?) I give three calls to the North. Come forth! Come forth! Come forth! Here in my garden green Lilacs whisper and lean. Deep the grass at my door. Shadows and songs fly o er. Out in the village street Clatter of wheels and feet; Children laughing, the chime From the church- tower telling the time; Hot May-sweetness, and I Weeding my rose-beds, cry TO THE NORTH 8 1 Over the bristling hills to the North, Hear me! Come forth! Come forth! Can you not run down a mountain-side Like a rude green river s rock-roughened tide? Fly over forests of black-peaked firs Like an eagle, proudest of voyagers? Sweep like a notable wind to me, Laughing and cold-lipped, to set me free? How can I wait so long? Till the bob-o -link slackens his song; Till the roses have blossomed and blown, And the little round apples have grown Green on my twisted tree? Can you not set me free Now, while I cry to you? Now, while the sweet nights through I lie in the dark and feel Life like a mad flame reel 82 TO THE NORTH Over the floors of my heart? Now, while the wild dreams start Clamoring out of the night and noon, Under the clear sun, under the moon, Clamoring, while I go Soberly to and fro? How can I wait? I stand And cry to you. Heart and hand Reaches to you. Give heed! I, in my garden, bleed Small dark blood-drops of need. Great bees blunder and croon, Church-bell chiming high noon, O, like the fierce-foot rivers, set free, Come ! and awaken and trouble me ! Come! For I need you mortally! TO THE NORTH 83 I give three calls to the North. Come forth! Come forth! Come forth! UP ON THE MOUNTAIN UP on the mountain, where nobody comes, (But the wild wind walks, and the wild bee hums,) Up on the mountain, where nobody spies, But the shy ones, the swift ones, soft-footed and wise, There in the singing and coolness and height, With the thrush-voice all day and the brook- voice all night, There will I wander, and there will I rest, As a deer in the fern, as a bird in the nest. Far from the faces that stare and are blind; From the cold hidden heart, and the cold crooked mind, 84 UP ON THE MOUNTAIN 85 Up on the mountain where nobody sees, I will sleep like a leaf of the green simple trees. I will fold in my heart all my wonder, and sleep, While the white stars drift, and the white hours creep. And far from the wind and the stars and the hill I will wake in the hot nights and smile and lie still, As I feel on my eye-lids the hands of the night, Like an echo of leaf-song, a star s straying light. Oh, under the labor and blindness and heat Shall be music to lure me and lighten my feet, Beating, "Up on the mountain, where nobody comes, But the wild wind walks, and the wild bee hums, And the wild bee hums " "THE STARS GO BY" UNDER the Lake he growls and he groans, Tossing and twisting his frosty bones: Grim old Giant! but never we Will chop the ice out and set you free; Never we, while the moon rides high, And the stars go by, and the stars go by, As over the gray-glass Lake we fly ! Nearer, nearer, the black shores swing. Laugh and lean while the steel blades sing: Laugh, and slip into silence. See! The world is aching with splendor! Free, Free of our bodies our light souls fly Up, where the cold moon freezes the sky, Up, where the strange stars crowd into Space. Oh, have they stared into God s own Face? 86 "THE STARS GO BY" 87 Folding their flames in the Flame of God, Over His terrible threshold trod? Oh, we are thirsty of light, of light, Space, and silence and God to-night. How can we hide them forever, deep In our hearts from the dun days struggle and sleep? Hide them, and know till we die, that we Are free of the flames of Eternity, Freer than falling stars are free? Ah, but our bodies grow stiff and cold: Stars are shifting: the night is old. We must come back out of Space, and see How far it is to Eternity! So, from the shadowy pine-tree-shore, Back to our bodies! swing free once more! Chase the blurred moon whisking away Down at our feet in the mirror gray: 88 "THE STARS GO BY" Laugh, and lean to the steel blades song, Flying along, oh, flying along! But there s a star shoots over the hill. Hush. For our souls are too thirsty still, Thirsty, trembling with utter light. Hush. We are going. O Worlds, good-night! STORM DANCE THE water came up with a roar, The water came up to me. There was a wave with tusks of a boar, And he gnashed with his tusks on me. I leaned, I leapt, and was free. He snarled and struggled and fled. Foaming and blind he turned to the sea, And his brothers trampled him dead. The water came up with a shriek. The water came up to me. There was a wave with a woman s cheek And she shuddered and clung to me. I crouched, I cast her away. She cursed me and swooned and died. Her green hair tangled like sea-weed lay Tossed out on the tearing tide. 89 9 o STORM DANCE Challenge and chase me, Storm! Harry and hate me, Wave ! Wild as the wind is my heart, but warm, Sudden and merry and brave. For the water comes up with a shout, The water comes up to me. And oh, but I laugh, laugh out! And the great gulls laugh, and the sea! THE BLACK WITCH YE have driven me out from your court and your kirk, From your market-square and your mill; Ye have branded my name, ye have wasted my work, Ye have done me a deadly ill. Ye have chased me to crags where the eagles cry, And the sharp sun swallows the dew. A Witch and a Devil s Wife am I? Then why should I come to you? The Black Plague walks in your shuddering street; Your dead like herring lie thick. With mantles over your mouths ye meet. Ye take the dead for the quick. 91 92 THE BLACK WITCH God s Faith! My witchcraft could help you now: My devils could daunt your death! But I will stand under my rowan-bough However ye waste your breath. I will not come down, I will not come down, Nor weave you one wizardry, Though all the roofs o the little red town Go tumbling into the sea. Though all the cracks o the craggy Rock Gape wide as the mouths o Doom, I will stand at the crest and make you a mock Till ye long for the grave s gray gloom. Black Plague! Black Plague! push open their doors ! Lie down in their beds this day! Heavy and hard are my ancient scores. Black Plague! but we make them pay! THE BLACK WITCH 93 Oh, up and up in the face of the sun My voice like a flame shall flee, With Curse on you, Curse on you, every one, Who wrought such a curse on me! RIDE LEAN in the saddle and look aside. Ride! Turn the flame of your face away. It is white as a tree in May. It is bright as a star at sea. It is terribly dear to me. Lean in the saddle and look aside. Ride! Black-maned Balor is proud of you, Racing down in the dawn-red dew; Racing down with the dust behind, (Crackling lash of the sun and wind,) 94 RIDE 95 Black-maned Balor will never see Here in the bushes the eyes of me, Staring out like a fox in lair, Hungering out through my clotted hair, Pulling you from the saddle, down, Down through the fern and the bracken brown, Down, to the hollow where I lie, Trembling to feel your face flash by. Ah, but you must not see not see! You must never look once at me. Days gone by, and I rode with you Over the dust and under the dew: Light and perilous, rash to ride, Laughing, high as a hawk with pride. Now I kneel in the brake and hide. (Ride.) 96 RIDE Oh, if I might stand clear and cry, "Look! Itislagain! It is I!" Swing you down from the saddle, No! Turn the flame of your face and go! Watch the white clouds up in the wind; Laugh for the keen miles cast behind. Look not down at the burnt road-side. Dogs that have bitten must slink and hide. God ! that I loved you and hurt you ! See, I will not ask for one look at me. Safe as a star in the sky- ways wide Ride! Galloping hoofs on my heart, my pride. Love of me, Love of me, lean aside! RIDE! ROMANCE COME over the waters and find me! The weeds by the wet shore bind me. The water-snakes float Round my slime-dragged boat, And the clouds of the sun-dust blind me. Come over the waters and hold me! Hot fingers of Horror enfold me. My white swan lies dead In his nest blood-red, But the marsh-geese chase me and scold me, Come over the waters and woo me! The rude Marsh-People pursue me. From tussock and brake They leer and they shake Their hairy hands holden unto me. 97 98 ROMANCE Come over! Come over! Come over! Beautiful Sunrise Lover! Come over the hill of the waters! I am one of a great King s daughters: 1 am fair, I am sweet, From my head to my feet; I am young as the day; Yet my heart grows gray Ere the terrible charm be broken: Ere the dawn- word swiftly be spoken: And my boat swing free To the clear blue sea, And the sin of my race be wroken! Come over! I cry unto thee. I cover my face and sue thee. The Marsh Men seize and enslave me! Come over the waters and save me! O MY LOVE LEONORE MY Love Leonore! my lithe Lady! Is it the Grave you are gracing to-night? Is your breast cold now and covered with white? Are you grown stiff, who were lissome and light? Are they the plain coffin-planks that you see, Narrow for feet that were flying and free, Rude for white hands that wove spells over me? O my Love Leonore, O my lithe Lady? Is your cheek cool of the flush that I fanned? Must you not dance now, nor once wave your hand? Can you not laugh, through the small stones and sand, O my Love Leonore! O my lithe Lady? 99 100 O MY LOVE LEONORE It is the Grave I am gracing to-night. I am clay-cold now, and stiff-limbed, and white. A great Lord, DEATH, hath me in this plight. my Love Leonore, my lithe Lady, If he, the great Lord, lays hands on your hand, He will not help you to dance or to stand; Nor from your eyes brush the small stones and sand. Therefore farewell. Whom he wooeth is won. Therefore farewell. I am jealous of none. Are not both dancing and dying soon done? O my Love Leonore, my lithe Lady? THE CHANGELING I HAVE two horns upon my head. They please me, being garlanded With creepy pine, and berries red From some old secret hawthorn-tree. I have two horns, and hoofs also : Brown questing hoofs, that clip and go Over the mountain, high and low, From sky-crack to the droning sea. My Mother would have shame of me If she could see if she could see Those horns and hoofs that make too free With what she bore and bred so straight. 101 102 THE CHANGELING She taught me to be still and good; To walk demure as maidens should; Wear dainty slippers, silken snood, And not come loitering home too late. But now I dance, I dance all night, By faint star-light or fierce moon-light, Over the mountain, till the white Dumb dawn comes fingering, soothing me. With whom I dance, with whom I sing, Why need my Mother know this thing? In my green chamber slumbering She finds me sweet and white, when she Strokes down my curls. She does not know Two horns beneath her fingers grow; Rough horns: and I have hoofs also, Not feet like pale flow rs on the floor. THE CHANGELING 103 Oh, if you met me on the hill, Moon-maddened, dancing to my fill, O Mother, could you love me still, This wild-heart thing you never bore? HOOFS IN THE DARK I WAKE in the night, and my heart says, "Hark!" I lie like a corpse in my cool white place. For hoofs go by in the dark, in the dark. I turn on my pillow and bury my face. The night is a tomb that smothers and sounds. The night is a cavern uncressetted. The blood in my ears like a mallet pounds. My heart goes wild and my eyes see red: Red and purple with prickling light, Terrible broken light like glass. For your hoofs go by in the breathing night, And I dare not call you nor see you pass. 104 HOOFS IN THE DARK 105 Loud on the bridge and up the hill, Low and dull on the turfy lawn: You ride with the wind, at the dark wind s will, With the alien stars, an hour ere dawn. When I am dead, and the tapers burn, As stiff and pale in my place I lie, What shall I do if I cannot turn And bury my face when the hoofs go by? What if my body rose in its shroud, And leaned like a mist the casement through, Being no longer mortal and proud, Questing you, calling you, claiming you? Would you draw rein? Would you see my face Wan with wonder and love and death Shine out once from the window-space, Shine, then fade with the frost s white breath? io6 HOOFS IN THE DARK Would you draw rein? Who knows? The tide Of my blood runs high, and my heart says " Hark ! " I have long to live, while you ride you ride Out in the dark; out there in the dark. "WHAT I DESIRE TO SAY " WHAT I desire to say will not be caught in words. I have been on the hills to-day, hearing strange leaves and birds. I have been on the city street, hearing the pave ments groan. Now I am come again, glad of your face alone. Here in the quiet house, where the soft night walks through Window and open door, whispering to me and you, Here, where no stranger sounds than the far bell- chimes come, Here, being most at peace, yet am I far from home. 107 io8 "WHAT I DESIRE TO SAY" Even as if the stars started and strained in space, Even as if the winds shook Heaven s audience-place, Pressing the sapphire walls, out, till they cracked and rent, So in my side my heart strains through our still content. You, that of all the world know the wild ways I go, (You, flying farther yet, sweeping more high, more low,) Even to you, to-night, I must be dumb as death. What I desire to say dies ere I give it breath. "IVTEW Poems and Plays published by The Macmillan Company. BY THE SAME AUTHOR Myself and I Cloth, ismo, $/.oo net ; postage extra " A precious find of veritable poetry. . . . Here is a poet who has sipped at Castaly, has dwelt in Arcadia." Springfield Republican. " A volume of genuine song which promises a good deal for the writer s future." Bellman. " Hers is a delicate talent, made up of careful observation of nature, and a fine taste for beauty. The poems show a rare gift of imagination, and the real poetic quality of stamping the idea into words." Poetry. "Miss Davis has achieved very beautiful and serious poetry. That note of wistful mysticism which shimmers in almost every line, gives her art a distinction that is bound to make it appeal to those whose unerring regard for the best traditions of English will acknowledge the authentic new voice. Miss Davis 1 voice is new, but it is genuine and fresh and compelling." Boston Tran script. " Something delightfully intimate, essentially homely, win- ningly kind, shines through these verses." Chicago Tribune. There is not a single poem in this volume which does not seem spontaneous and sincere; Miss Davis is a born lyricist." Prmidence Journal. " There is an indefinable genuineness about it that lovers of good poetry will not fail to sense." Philadelphia Press. " Its freshness and originality are evident at a glance and deli cate subtleties of poetic technique become apparent with further examination." Review of Reviews. " Originality is one of the chief characteristics of the book . . . the poems breathe a strong and beautiful wholesomeness." The Living Age. THE MACMILLAN COMPANY Publishers 64-66 Fifth Avenue New York JOHN MASEFIELD S NEW VOLUME Philip the King, and Other Poems BY JOHN MASEFIELD Author of " The Tragedy of Pompey," " The Everlasting Mercy," " The Daffodil Fields " Cloth) i2mo, $f.2j net " Mr. MasefielcTs new poetical drama is a piece of work such as only the author of Nan and The Tragedy of Pompey could have written, tense in situation and impressive in its poetry. . . . In addition to this important play, the volume contains some new and powerful narrative poems of the sea the men who live on it and their ships. There are also some shorter lyrics as well as an impressive poem on the present war in Europe which ex presses, perhaps, better than anything yet written, the true spirit of England in the present struggle." PERCY MACKAYE S NEW POEMS The Present Hour BY PERCY MACKAYE Author of " The Scarecrow," " Sappho and Phaon," etc. Cloth, ismO) $1.23 net " The Present Hour " is a vital expression of America in themes of war and peace. The first section (War) contains the gripping narrative poem " Fight : The Tale of a Gunner," and a series of powerful poems dealing with the great struggle in Eu rope. Few war-poems of the many published in this country and England reveal such sincerity, force and imagery, as these of Mr. MacKaye. Among them are "American Neutrality," "Peace," "Wilson," " Louvain," " Rheims," "The Muffled Drums," "Magna Carta," "France," "A Prayer of the Peoples," etc. The second section (Peace) includes his widely read poems, " Goethals," " Panama Hymn," " School," " The Heart in the Jar," and other representative work. The volume is an im portant addition to Mr. MacKaye s long list of books and a val uable contribution to the poetry of our time. THE MACMILLAN COMPANY Publishers 84-66 Fifth Avenue New York RABINDRANATH TAGORE S NEW DRAMA The King of the Dark Chamber RABINDRAXATH TAGORE Nobel Prizeman in Literature, 1913; Author of "Gitan- gali," "The Gardener," "The Crescent Moon," "Sadhana," "Chitra," "The Post-Office," etc. Cloth 12 mo, $1.25 net. "The real poetical imagination of it is unchangeable; the allegory, subtle and profound and yet simple, is cast in to .the form of a dramatic narrative, which moves with unconventional freedom to a finely impressive climax; and the reader, who began in idle curiosity, finds his intelligence more and more engaged until, when he turns the last page, he has the feeling of one who has been moving in worlds not realized, and communing with great if mysterious presences," The London Globe. PUBLISHED BY THE MACMILLAN COMPANY Publishers 64-66 Fifth Avenue New York NEW POEMS AND PLAYS The Congo and Other Poems BY VACHEL LINDSAY. Cloth, i2mo. $1.25 net. In the readings which he has given throughout the country Mr. Lindsay has won the approbation of the critics and of his audiences in general for the new verse form which he is employing. The wonderful effects of sound produced by his lines, their relation to the idea which the author seeks to convey and their marvelous lyrical quality are some thing, it is maintained, quite out of the ordinary and suggest new possibilities and new meanings in poetry. In this book are presented a number of Mr. Lindsay s most daring experiments, that is to say they were experiments when they were first tried; they have been more than justified by their reception. It is believed that the volume will be one of the most discussed of all the year s output. Borderlands and Thoroughfares BY WILFRID WILSON GIBSON, Author of "Daily Bread," "Fires," " Womenkind," etc. Cloth, 121110. $1.25 net. With the publication of Daily Bread Mr. Gibson was hailed as a new poet of the people. Fires, his later volume, confirmed the impression that here was a man whose writing was close to real life, a man in whom were combined a sympathy and appreciation of humankind with a rare lyrical genius. This present book continues the work which Mr. Gibson can do so well. In it are brought together three plays and a number of short lyrics which reveal again his very decided talent. It is a collection which should indeed gratify those students of modern verse who are looking to such men as Gibson and Masefield for permanent and rep resentative contributions to literature. PUBLISHED BY THE MACMILLAN COMPANY Publishers 64-66 Fifth Avenue New York NEW POEMS AXD PLAYS Plaster Saints BY ISRAEL ZANGWILL Cloth, i2mo, $/.2j net A new play of deep social significance. The Melting Pot BY ISRAEL ZANGWILL New Edition. Cloth, I2mo, $/^5 net This is a revised edition of what is perhaps Mr. Zangwill s most popular play. Numerous changes have been made in the text, which has been considerably lengthened thereby. The appeal of the drama to the readers of this country is particularly strong, in that it deals with that great social process by which all nationalities are blended together for the making of the real American. Sword Blades and Poppy Seed BY AMY LOWELL Author of "A Dome of Many-Coloured Glass" Boards, i2tno, $>s.2j net In The Boston Herald Josephine Preston Peabody writes of this un usual book : " First, last, and all inclusive in Miss Amy Lowell s poetic equipment is vitality enough to float the work of half a score of minor poets. ... I cannot see that Miss Lowell s use of unrhymed vers libre has been surpassed in English. Read The Captured Goddess, Mu sic, and The Precinct Rochester, a piece of mastercraft in this kind. \Vith an honesty as whole as anything in literature she hails any and all experiences as stuff for poetry. A wealth of subtleties and sym pathies, gorgeously wrought, full of master effects (as many of the poems are) and brilliantly worked out. The things of splendor she has made she will hardly outdo in their kind." THE MACMILLAN COMPANY Publishers 64-66 Fifth Avenue New York NEW POEMS AND PLAYS Earth Triumphant and Other Tales in Verse BY CONRAD AIKEN Cloth, i2mo, $1.23 net Conrad Aiken is one of the first American writers to choose to tell his stories in verse. Helston, Masefield, and other Euro peans have been doing it with marked success, but hitherto this country has had no notable representative in this line of endeavor. Though Mr. Aiken has been writing for a number of years, Earth Triumphant and Other Tales in Verse is his first published book. In it are contained, in addition to the several narratives of mod ern life, a number of shorter lyrics. It is a volume distinguished by originality and power. Van Zorn : A Comedy in Three Acts BY EDWIN A. ROBINSON Cloth, i2mo t $1.25 net This play makes delightful reading and introduces in the per son of its author a playwright of considerable promise. Mr. Robinson tells an interesting story, one which by a clever ar rangement of incident and skillful characterization arouses strongly the reader s curiosity and keeps it unsatisfied to the end. The dialogue is bright and the construction of the plot shows the work of one well versed in the technique of the drama. THE MACMILLAN COMPANY Publishers 64-66 Fifth Avenue New York A LIST OF PLAYS Leonid Andreyev s Anathema |i . 25 net Clyde Fitch s The Climbers 75 net Girl with the Green Eyes 1.25 net Her Own Way 75 net Stubbornness of Geraldine 75 net The Truth .75 net Thomas Hardy s The Dynasts. 3 Parts. Each . . . . . 1.50 net Hermann Hagedorn s Makers of Madness I.oonet Henry Arthur Jones s Whitewashing of Julia .75 net Saints and Sinners .75 net The Crusaders .75 net Michael and His Lost Angel 75 net Jack London s Scorn of Women Theft Mackaye s Jean D Arc Sappho and Phaon Fenris the Wolf Mater Canterbury Pilgrims The Scarecrow . . A Garland to Sylvia John Masefield s The Tragedy of Pompey Philip, the King William Vaughn Moody s The Faith Healer . Stephen Phillip ; The Sin of David Nero . . . . Pietro of Siena . Phillips and Carr. Faust . Edward Sheldon s The Nigger Romance Katrina Trask s In the Vanguard . . Rabindranath Tagore s The Post Office Chitra The King of the Dark Chamber Robinson, Edwin A. Van Zorn . . Sarah King Wiley s Coming of Philibert Alcestis Yeats s Poems and Plays, VoL II, Revised Edition Hour Glass (and others) The Green Helmet and Other Poems Yeats and Lady Gregory s Unicorn from the Stara Israel Zangwill s The Melting Pot. New Edition The War God The Next Religion Plaster Saints . .25 net .25 nek .25 net .25 net .25 net .25 net .25 net .25 net .25 net .25 net .25 net .25 net .25 net .25 net .25 net . oo net .25 net .25 net .25 net .25 net .00 net . oo net .25 net .25 net .25 net .75 net . oo net .25 net .25 net . 50 net . 25 net .25 net .25 net 25 net THE MACMTLLAN COMPANY Publishers 64-66 Fifth Avenue New York THIS BOOK IS DUE ON THE LAST DATE STAMPED BELOW AN INITIAL FINE OF 25 CENTS WILL. BE ASSESSED FOR FAILURE TO RETURN THIS BOOK ON THE DATE DUE. THE PENALTY WILL INCREASE TO SO CENTS ON THE FOURTH DAY AND TO $I.OO ON THE SEVENTH DAY OVERDUE. FEB 17 1933 JUL 21 1946 LD 21-50m-l, 33 00 YB 47269 UNIVERSFTY OF CALIFORNIA LIBRARY