'm-j. vv .,-1 ,-, '.•_ me.': -*-J, -'■,■ .V- .-/, - ■ ■ /;•:•■■ i' ■'"■■' ' 'U., ?ri^:''^^?i^'';^y :. . • ■<<' '*^\r-''^ ^.y. ;^.^■^■j ■ -^ .\^.i .^^■•^ ■'<;■'*' ■*»ii''''''Oir 'Ti''.'^.'* ■,.':r""'-v" ,'',-■■:>;..?' ■, " .N^':,v' ^■:^.^:'.- ^' •^,r^r-;s.;.:*.--.^.--cv^ THE SPIRITUAL TEACHING OF TENNYSON'S ''IN MEMORIAMr By the same Author, THE SPIRITUAL TEACHING OF THE HOLY GRAIL. SIX LENTEN ADDRESSES. Small Crown 8vo, cloth boards, 216. "This is an unusual form in which to pre- sent Lent teaching, and a very delightful one. We are sure those who listened to these simple and beautiful and spiritual addresses found themselves not only edified so far as the life of their souls was concerned, but also greatly helped in their appreciation of what is perhaps the most beautiftil portion of the Arthurian legend." — Guardian. LONDON : Wells Gardner, Darton & Co. t'it ^pititmi ^eac^in^ OF Ztm^0on*B "3n (YKlewomm/' SIX LENTEN ADDRESSES. BY THE REV. MORLEY STEVENSON, M.A., PRINCIPAL OF WARRINGTON TRAINING COLLEGE. Eonlroii : WELLS GARDNER, DARTON & Co., 3, PATERNOSTER BUILDINGS. ^2>40 ^3 30 1904. TO MY DEAR COUSIN AND LIFE-LONG FRIEND, ANNA COLE, I DEDICATE THIS LITTLE BOOK. 019 PREFACE. The kind reception accorded to my addresses on "The Holy Grail" emboldens me to publish these addresses on " In Memoriam." They were delivered in substance in the Churches of St. Margaret's, Prince's Road, Liverpool, in St. Mary's, Grassendale, and in the Chapel of the Training College, War- rington, in Lent, 1904, but they have been revised, and some additions made. I have consulted several books, and, I hope, have acknowledged all the quotations I have made. It would, however, be ungrateful if I did not specially mention the great help I have received from Mr. Masterman's thoughtful work, "Tennyson, as a Religious Teacher." The subjects suggested by "In Memo- riam " must always be of the deepest interest viii. PREFACE, to all thoughtful people. It is with fear and reverence that one ventures to write on Death and the Future Life, or to approach the problems of Sorrow and Suffering. I can only hope that these thoughts in- spired by our great poet may be of some small use and comfort to those who are kind enough to read them. My grateful acknowledgments are due to Messrs. Macmillan for their courteous per- mission to quote so freely from various poems of Tennyson. CONTENTS. PAGE I. SORROW AND SUFFERING i II. DEATH AND THE FUTURE STATE ... 22 III. DOUBT AND FAITH 42 IV. GOD ... 62 V. GOD AND HIS PURPOSE 78 VI. THE CHRIST 87 ^^ In Memoriam/' I.— borrow mb buffering. "TN 1850," says the late Mr. Gladstone, X " Tennyson gave to the world, under the title of ' In Memoriam,' perhaps the richest oblation ever offered by the affec- tion of friendship at the tomb of the departed." " The poem raised him above all the poets of his time, and the book was appre- ciated, read and loved by the greater part of the English-speaking world." True as this judgment is, the value of this poem does not consist only in the mar- vellous exhibition of true friendship which it portrays but in the deep thoughts of a great thinker — a seer — on some of those 2 SORROW AND SUFFERING. subjects which are of the gravest import to every thoughtful person. The underlying theme is that old story of sorrow, suffering and perplexity which has been told and is being told in varying degrees in every human life, gradually working itself out, as it ought always to do, into resignation, peace, trust, and a sure and certain hope of and for the future. The poem was written in memory of Tennyson's great friend, Arthur Hallam, who died suddenly and unexpectedly at the early age of twenty-two. " His powers seemed so exceptional that his father " — the great historian — " who was of all literary men the most sober and balanced in his judgments, imagined him capable of the greatest things. It was thought that a splendid future was before him, and his loss seemed to his friends to be a loss to all mankind." ^ In stanzas 109 — 113 we may read the 1 Stopford Brooke. SORROW AND SUFFERING, 3 poet's glowing description of his friend. His was "A life that all the Muses deck'd With gifts of grace, that might express All-comprehensive tenderness, All-subtilizing intellect." His was " High nature amorous of the good, But touch'd with no ascetic gloom." Of him Tennyson says — " Thy converse drew us with delight, The men of rathe and riper years : The feeble soul, a haunt of fears, Forgot his weakness in thy sight. On thee the loyal-hearted hung. The proud was half disarm'd of pride. Nor cared the serpent at thy side To flicker with his double tongue. The stern were mild when thou wert by, The flippant put himself to school And heard thee, and the brazen fool Was soften'd and he knew not why." The friendship between Tennyson and Hallam was of an intensity rarely found 4 SORROW AND SUFFERING, in modern life. " All their thoughts, dreams, and aspirations, for the present and the future, were shared together. It seemed an affection that might defy the shocks of time and the finger of change. Then something intervened ; the ' fair com- panionship ' was broken ; and the man he loved was suddenly hurried out of sight. Death was striking visibly in a manner which drove his whole being into revolt and fierce protest ; not coming as a wel- come friend at the close of the long day's toil, to round off and complete a well- spent life ; not as the reply to persistent prayer for relief from the burden of exist- ence ; but unasked for and unbidden, defy- ing, mocking, as it were, the intensity of the love between them, striking at the * human-hearted man ' with all his genius just unfolding, with unfathomed possibili- ties, with limitless affections and am- bitions and desires, stricken down without warning, and swept into the darkness with- out a cry. One moment the two spirits SORROW AND SUFFERING. 5 were growing together without a barrier between them ; the next one had dis- appeared for ever and no answer remained." ^ The loss of such a friend was a terrible blow to Tennyson, and for a while, as we learn from his biography, " blotted out all joy from his life." Hallam's remains were brought to England and buried at Cleve- don in Somersetshire, the Church of which place overlooks a wide expanse of water where the Severn flows into the Bristol Channel. A well-known and exquisite little poem tells us something of Tennyson's grief: — " Break, break, break On thy cold, gray stones, O Sea ! And I would that my tongue could utter The thoughts that arise in me. O well for the fisherman's boy That he shouts with his sister at play ! O well for the sailor lad That he sings in his boat on the bay ! 1 Masterman. 6 SORROW AND SUFFERING. And the stately ships go on To their haven under the hill, But O for the touch of a vanish'd hand And the sound of a voice that is still ! Break, break, break, At the foot of thy crags, O Sea ! But the tender grace of a day that is dead Will never come back to me." When we come to the study of "In Memoriam " we must remember that it is not so much a poem as a collection of poems, written at different times, and yet fitly linked together as forming a com- plete work, through which may be traced the poet's conviction that sorrow, suffer- ing and doubt will find answer and gain relief only through faith in a GOD of Love. It will not be profitable therefore to con- sider the poem in the order in which its stanzas are written, but rather to listen to the lessons which it has to teach us on cer- tain subjects, while at the same time we keep in mind the gradual progress which we ought to perceive, the pilgrimage of the SORROW AND SUFFERING. 7 soul from the depths of sorrow and doubt into the light of faith and the security of hope. Indeed, the idea of the poem can hardly be described better than in the words in which the Psalmist depicts the life of those who go down to the sea in ships : " They are carried up to the heaven, and down again to the deep ; their soul melteth away because of the trouble : they reel to and fro, and stagger like a drunken man, and are at their wits' end. So when they cry unto the Lord in their trouble. He delivereth them out of their distress ; for He maketh the storm to cease, so that the waves thereof are still. Then are they glad thereof, because they are at rest, and so He bringeth them unto the haven where they would be." ^ Our subject to-day is Sorrow and Suffer- ing. The poem opens with the portrayal of the anguish caused by the loss of the poet's friend. 1 Psalm cvii. 26-30. 8 SORROW AND SUFFERING. In the second stanza he sees in the yew tree an image of stubborn sorrow. The old Churchyard yew, which seems to keep its sombre foliage unchanged for centuries, and unmoved by all the changes of the different seasons, is a fit emblem of that sorrow and gloom which seem as if they would wrap round him for evermore. In the next stanza it appears to him as if sorrow, " Priestess in the vaults of death," had distorted all Nature, as if all things had been created in vain. " A hollow form with empty hands." Even in his sleep (stanza 4) " Clouds of nameless trouble cross his eyes." The first deep plunge into a great sor- row produces a state of grief which seems overwhelming. We read of such sorrow as that of Jacob at the loss of his favourite son, when " all his sons and all his daughters rose up to comfort him ; but he refused to be comforted " ; or of David at the death of Absalom ; we listen sympa- thetically to the pathos of his words, SORROW AND SUFFERING. g "Would God that I had died for thee, O Absalom, my son, my son " ; or we wit- ness great sorrow in others, we note the traces of grief in their faces, the chastened submission of their lives, and our hearts are stirred with compassion ; or we go to Church and join in the recitation of the Psalter, and repeat glibly those marvellous descriptions of anguish and sorrow. Yet for us life is on the whole bright and happy ; we do not realize what sorrow really means. At last the blow falls, per- haps unexpectedly, suddenly, and in a moment we understand what grief really is, and it almost seems as if life were no longer worth the living, as if there could be no more happiness in this world. The sombre character of the yew must be ours for ever : our life must be dark, gloomy and cold. Nor can the well-meant attempts at con- solation offered in the commonplace stock phrases of the world be of any avail to comfort us. 10 SORROW AND SUFFERING. "One writes that 'Other friends remain,' That ' Loss is common to the race ' — And common is the commonplace And vacant chaff well meant for grain. ' That loss is common Avould not make My own less bitter, rather more : Too common ! Never morning wore To evening, but some heart did break.' O somewhere, meek unconscious dove, That sittest ranging golden hair : And glad to find thyself so fair, Poor child, that waitest for thy love ! For now her father's chimney glows In expectation of a guest : And thinking ' this will please him best,' She takes a riband or a rose ; For he will see them on to-night ; And with the thought her colour burns ; And, having left the glass, she turns Once more to set a ringlet right : And, even when she turn'd, the curse Had fallen, and her future lord Was drown'd in passing through the ford. Or kill'd in falling from his horse. SORROW AND SUFFERING. ii O what to her shall be the end? And what to me remains of ^ood ? To her, perpetual maidenhood, And unto me no second friend." (Stanza 6.) This is the very depth of sorrow, which no human consolation can assuage. Let us then approach this mystery with all humility and reverence, and seek for some lines of thought which may help us to see in what spirit we may best meet the trial. First, we must try to understand that sorrow and suffering have a distinct work to do for individuals in particular and for the world in general ; that even our Saviour Himself was made " perfect through suffer- ing," thereby setting an example for His people ; that suffering is the chastisement, the loving discipline which the Father knows to be necessary for the child. When we once grasp this truth, then we see that sorrow and suffering are not to plunge us into sullen despair, but are to educate us 12 SORROW AND SUFFERING. in holiness and to form our character in sanctity, that they are the chisel which is to let the angel out from the rough block of our life, and hammer out the image and likeness of GOD, which has been overlaid and disfigured by sin. Secondly, we must learn to accept the truth that " GOD is Love," and that GOD is " our Father." This was Tennyson's solu- tion of the problem, and his message to the world. He was able to sum up his great poem in the words, " Strong Son of God, Immortal Love." When once we accept this, then " through all the mysteries of suffering and sin and death we can follow the beam of light which lit upon the world in the life and the Cross of Jesus, to the truth of the divine love beyond them. In the joy of human love, of the sunshine and the sea, and the streams and the birds, we can re- joice in it ; but in the sadness and sorrow of things we can trust it. We can endure as still seeing the love which in them may SORROW AND SUFFERING. 13 be invisible. . . . Once convinced that GOD is Love, a man can go straight ahead upon his way. He is master of his falls, for he knows that he can rise. He is master even of the blows that seem to strike him, for they cannot overthrow him. He bows his head in submission ; but his spirit rises as he says, * I believe in the love of GOD.' " ^ The calm peace which had come to Tennyson through his faith in GOD as a GrOD of love may be well seen in stanza 126 — " Love is and was my Lord and King, And in His presence I attend To hear the tidings of my friend, Which every hour his couriers bring. Love is and was my King and Lord, And will be, tho' as yet I keep Within His court on earth, and sleep Encompass'd by His faithful guard. And hear at times a sentinel W^ho moves about from place to place, And whispers to the worlds of space, In the deep night that all is well," 1 Bishop Lang. 14 SORROW AND SUFFERING. Thirdly, Time is a great healer. After the first great shock of grief we realize that with all the work which is waiting to be done it is pure selfishness to shut our- selves up and indulge in the luxury of sorrow. Thus, if we are wise, we pass into the daily round of duty ; we let ourselves glide into the interests of life, above all we take up GOD'S work as it is shown to us, and throw ourselves earnestly into it. Then does Time do her gentle work, and we are surprised to feel the gradual but sure healing of the wound. This is most strikingly brought out in " In Memoriam." For as we date the different parts of the poem we can notice the change from the sullen grief at its beginning to the calm resignation and assured hope at its close. The opening stanzas express the depth of sorrow, but with the exquisite 19th stanza, referring to the remains of the poet's departed friend being brought to England SORROW AND SUFFERING. 15 to his home on the Severn, we note that the cloud begins to lift — " The Danube to the Severn gave The darken'd heart that beat no more ; They laid him by the pleasant shore, And in the hearing of the wave. There twice a day the Severn fills : The salt sea-water passes by, And hushes half the babbling Wye, And makes a silence in the hills. The Wye is hush'd nor moved along. And hush'd my deepest grief of all, When fill'd with tears that cannot fall, I brim with sorrow drowning song. The tide flows down, the wave again Is vocal in its wooded walls ; My deeper anguish also falls. And I can speak a little then." Passing on again to the concluding verse of the 27th stanza, we read — '• I hold it true, whate'er befall : I feel it, when I sorrow most : 'Tis better to have loved and lost Than never to have loved at all." One more quotation out of many that i6 SORROW AND SUFFERING. could be quoted must serve to illustrate this point. The ii6th stanza, near the close of the poem, shows how his sorrow has been soothed without lessening the love he feels — "Is it, then, regret for buried time That keenlier in sweet April wakes, And meets the year, and gives and takes The colours of the crescent prime ? Not all ; the songs, the stirring air, The life re-orient out of dust, Cry thro' the sense to hearten trust In that which made the world so fair. Not all regret ; the face will shine Upon me, while I muse alone : And that dear voice, I once have known. Still speak to me of me and mine ; Yet less of sorrow lives in me For days of happy commune dead ; Less yearning for the friendship fled, Than some strong bond which is to be." Thus, if we accept sorrow and suffering as sent by GOD for a special and good pur- pose, sent also by One Who is not only All-powerful but also All-loving, we may SORROW AND SUFFERING. 17 then expect the gradual healing of the sor- row wrought by time, and aided by the unselfish going forth from oneself to the duties which lie around us and to work for others. " I will not shut me from my kind, And lest I stiffen into stone, I will not eat my heart alone, Nor feed with sighs a passing wind." {Stanza 108.) This, of course, is not the teaching of the world. The world bids us drown sor- row in pleasure, in licentiousness, in evil. The world laughs to scorn any attempt to wear the crown of thorns, and refuses to see any good that can come from sorrow and suffering ; but the crown of suffering confers its own blessings, though these are unintelligible to the world. This is beau- tifully expressed in the 69th stanza — " I wander'd from the noisy town, I found a wood with thorny boughs : I took the thorns to bind my brows I wore them like a civic crown : B i8 SORROW AND SUFFERING. I met with scoffs, I met with scorns From youth and babe and hoary hairs : They call'd me in the public squares The fool that wears a crown of thorns : They call'd me fool, they call'd me child : I found an angel of the night : The voice was low, the look was bright : He look'd upon my crown and smil'd. He reach'd the glory of a hand, That seem'd to touch it into leaf : The voice was not the voice of grief, The words were hard to understand." What amount of sorrow and suffering it may please GOD to send into our lives is unknown to us. We only know that " whom He loveth, He chasteneth," and " He purgeth the branch that it may bring forth more fruit " ; but come when it may, and how it may, if we will patiently wear our crown of thorns, the hand that gave it in love will " touch it into leaf," though the reason may be " hard to under- stand." But there is one species of sorrow that no Christian should ever shrink from, and SORROW AND SUFFERING. 19 that is the penitential sorrow for sin. How little we modern Christians realize our sinfulness ! How unreal to us is the penitential language of the saints! We cannot, with St. Paul, call ourselves " the chief of sinners," nor, to come to our own times, can we use the language of such an one as John Keble. In these days we sin lightly and easily, thinking little of it, and sorrowing little for it. And yet " our growth depends on our con- tinuance in penitence ; and the growth will only go forward according to the measure with which our growing penitence admits of it. " And still each admitted act of grace by which we are succoured and uplifted purges our blighted eyes, so that we can see a little further into the mystery of Divine Love, and as we see more of the Love we see, too, a little more into our own outrage upon it, our own ingratitude to it, our own disregard of it, our own scandalous defeat of it : and our shame is therefore deeper, 20 SORROW AND SUFFERING. and our plea for pardon more real, and our power of repentance more vivid and sincere. And this, again, drives us out in recoil upon GOD, Who ever pardons and absolves ; and we cry to Him with a louder voice, and we weep more bitter tears, and we cling" to Him the faster as we realize our impotence, and we lie open, with less obstruction than before, to the incoming of His pity, and become capable of a larger spiritual gift, which, again, lays more bare our own spiritual infirmity. . . . " This is the spiritual process, which in- creases in intensity as the soul advances in apprehension of GOD, so that we are to spend our whole lives in putting an ever- deepening significance into the confession with which we begin, * Have mercy upon us miserable sinners.' " When we first said it we were but as children, sobbing for some blind and in- tangible misery. The gathering years bring us the realities of experience, by which we can give shape and substance to SORROW AND SUFFERING. 21 our sense of guilt ; and the confession therefore grows more urgent, more articu- late, more keen. And only by degrees, under slow and bitter pressure, do we actu- ally learn to enter, trembling and aston- ished, into the mysterious depths of sorrow which lie behind the language of these un- known penitents, whose words may have been on our lips from our childhood." ^ Grant to me, Lord, pardon for my past sins, grace to resist present temptations, and watchfulness for the future. Let not my days be ended before my sins are forgiven ; but grant that before I die T may fully attain to Thy mercy : and as Thou wilt and as Thou knowest, have mercy upon me, O Lord. I Scott Holland. II.— ©eaf^ Ani> t^i fufure §t