CHARLES LAMB f f f this Edition of the Memoirs of Charles Lamb Six Hundred Copies are printed. Five Hundred for England and One Hundred for America. 'y/ tsVl&u4s. f S OF HARLES AMB BY SIR THOMAS NOON TALFOURD, D.C.L. ONE OF HIS EXECUTORS EDITED AND ANNOTATED BY PERCY FITZGERALD, M.A., F.S.A. AUTHOR OF ' CHARLES LAMB, HIS HOMES, HIS HAUNTS, AND HIS BOOKS, ETC. WITH PORTRAITS W. W. GIBBINGS 18 BURY STREET, LONDON, W.C. 1892 INTRODUCTION. LAMB is a writer whose merit has been but tardily recog- nised. Talfourd's admirable and dramatic " Life " was intended rather as an account of the sad story of the struggles of an interesting literary man. It was issued in 1838, the " Final Memorials " in 1843; and though much interest was excited by their publication, it cannot be said that there was any very hearty appreciation of Lamb's rare gifts as a writer until many years later. The Americans may be said to have taken the lead in this cordial recognition. Not content with relishing his "official" writings, they set the example of diligently collecting all his scattered essays, and even his most careless scraps : and, though these were of unequal merit, they were much enjoyed, and perhaps of the same quality as his best work. But during the last thirty years, this engaging writer has enjoyed the fullest and increasing recognition and popularity. Editions of all kinds have multiplied. His writings have been edited, and collected again and again ; there have been dainty little editions of his " Essays," and even what is called an " edition of luxury," which seems to suit their tranquil ruminative character Vlll INTRODUCTION. about as little as its modern dress did the reprinted old Burton folio, which Lamb himself described as " heart- less." This supplying illustrations of localities, buildings, &c., imparted somewhat too concrete and literal a tone. I feel pleasure in thinking that in a small way I con- tributed to this revival, having nearly thirty years ago issued a volume entitled " Charles Lamb, his Homes, his Haunts, and his Books," which was very cordially received. I may also claim .to have made the first full and regular collection of Lamb's letters, and of his other writings, to which Talfourd's memoir was prefixed, and which was issued in six volumes about the year 1876. It was stereotyped, and there have been several issues during the past years. In the same year, Mr Charles Kent prepared for Messrs. Routledge a compact and convenient edition of Lamb's writings, excluding the letters, prefixing to each essay or paper a short account of its history, an ex- planation of the allusions, initials, &c. This edition was valuable for at least two interesting contributions to Lamb's history, for an extract from the Temple Register of the births of the Lamb family, and the true story of Barbara S , supplied to the editor in person by the veteran actress Miss Kelly, herself the heroine. This little narrative must have given genuine pleasure to all lovers of Elia. At this moment, I do not know of any one now alive who had known or spoken to Charles Lamb, though it is not quite sixty years since his death. It is a pleasant thing, however, to have talked of him with his friends, to have pressed hands that have shaken his. The late Mr John Forster, and Mr Procter, have often spoken to me of their departed friend, while Mr Allsop furnished me with letters which he had received from him. The INTRODUCTION. IX Cowden Clarkes are dead. Mr Forster attended Lamb's funeral, and I have seen the tears fill his eyes, coming from his honest, trusty heart, as he turned over the old letters, and faltered out, " Poor Charles Lamb ! " Mr Procter, whom I well knew, at one time corresponded with me as to his account of Lamb which he was about publishing. He and his friends pressed me much to postpone my little book on the subject, but it was too late. Since those days, what may be called the Lamb litera- ture, in the shape of criticisms, collections, lives, &c., has increased to large proportions. So diligent has been the exertion of explorers, that some pieces, thought to have disappeared, or to be apocryphal, have been recovered. Much ingenuity and labour have been expended in this interesting pursuit ; one long lost copy of the " Poetry for Children " was actually unearthed in some distant colony to great rejoicing. A few lines, quoted by Elia at the end of one of his essays, described a boy snatching " a fearful joy " from reading at a stall. This he quoted as the work of a poet of the day, but a critic sagaciously suggested that it was one of his favourite artful devices for veiling the authorship. It was in fact his sister's composition. Scattered little poems were found in a collection issued by the schoolmaster Mylius, and the indefatigable Mr Richard Herne Shepherd, who has written a useful bibliography of Lamb, contrived to bring together these fragments. The poetry for children, thus recovered, was reprinted for the curious amateur. During these latter years, however, yet another, and even, I think, a third copy, has turned up, which has been sold at auction for an enormous price. Quite as rare a production of Lamb's, almost introuvable, X INTRODUCTION. was the " Devil's Walk," of which I have seen only a single copy, in the hands of Mr Payne, the translator of the Arabian Nights. By him it was reprinted in the Moxon collection of Lamb's writings. A casual allusion, in a letter or diary of Crabb Robinson's, set the collectors and explorers on a fresh literary chase. Every effort was made to recover " Prince Dorus," a fairy tale, and in due time these labours were rewarded, the little volume re- covered and reprinted. Another fairy tale in verse, called " Beauty and the Beast," was issued by Godwin at his Juvenile Library. This, too, has been reprinted in a de luxe fashion, but no one who was familiar with Lamb's style could have any hesitation in rejecting it. It seems astonishing that Mr Andrew Lang should have accepted the office of introducing it to the public. The latest, and admittedly the best, of Lamb's editors, is certainly Canon Ainger, who, after furnishing a short life of the essayist to the series of English Men of Letters, was led by his studies to prepare a selection of his works, illustrated by notes and criticisms. No one could be better or so well fitted for the task, from a certain elegance of style, as well as from his hearty sympathy with his author, judiciously restrained, and never lapsing into hysterics. And now arises an interesting question, namely, What should be the limits of selection, when the works and writings of great authors are collected after their death ? Should everything they wrote be gathered up and reprinted, or only such productions as appear to the particular editor to be worthy of preservation ? Canon Ainger, in his edition, seems to have been guided by a rule which he thinks must be conclusive, namely, to include such pieces only as the author himself had selected for preservation. INTRODUCTION. Xt The fallacy here is the assumption that the author has discarded the rest of what he had written. But what ground is there for presuming that he would not have included these very pieces in some new and fresh miscellany? Lamb was likely enough to have merely selected what seemed to him the best for his immediate purpose. Then arises a more difficult question still. Should every scrap or fragment of every kind be collected, even such as the writer obviously produced for some ephemeral purpose, and which, to use Johnson's ex- pression, had not "vitality enough to preserve it from putrefaction " ? Of course, in the case of writers of ordinary pattern, it would be undesirable to preserve such trivialities ; even in the instance of Thackeray and Dickens, there was much that was written for a mere temporary purpose, all the interest in which evaporated when the occasion passed by. Little, therefore, would be gained by retaining such pieces. It is different with a writer like Lamb, whose style is quite unique, and where, indeed, the species is the genus. Every " scrap," as it seems to me, written by him has special interest, quaintness, and piquancy, which we would be unwilling to let die. Not less remarkable are the vast stores of letters that have come to light. When Talfourd issued his volumes, it was considered that a more than usually rich and abundant collection had been furnished. But since that time, an enormous number of letters have been discovered, the most important being those printed by Mr Kegan Paul in his life of Godwin, and the letters given in the Cowden Clarke recollections. At autograph sales, letters are constantly found. All these are of excellent quality indeed, it may be said that Lamb never wrote a letter Xll INTRODUCTION. that was not characteristic, or that was not in his best manner ; or that did not contain something quaint or curious. The collection in my own edition comprised some four hundred and thirty-seven letters and notelets. One of the most agreeable critical exercises, is the inquiry, In what consists the charm and attraction of Lamb's style ? A superficial view might be that he modelled himself on his old Elizabethan favourites, and reproduced their common forms and expressions. The truth is, that from constant study and perusal, he had become so saturated with the spirit and thoughts of these ancients, that he could only express himself in their manner and phrases. Modern language and modern forms, he found, did not serve him ; these failed to express what he desired. Certain antique but significant words he introduced with the happiest effect, and the reader finds him recurring to these with pleasure. Such, for instance, were " I do agnize," and more effective still, the happy term " arides me," for amuses or " tickles. 1 ' These linger in the memory. There is no masquerading in this, of which it must be said, we have a suspicion in Mr Carlyle's tortuous Germanisms, and which are now found rather tedious. As a judicious critic has pointed out ; " for genuine Anglicism, which, among all other essentials of excellence in our native literature, is now recovering itself from the leaden mace of the Rambler, he is quite a study, his prose is absolutely perfect, it conveys thought without smothering it in blankets." And how true, how forcible is this ! for with him, style is but the expression of his thought, or the thought itself. " But besides these quotations avowedly introduced as such, his style is full of quotations, held, if the expression may be allowed, in solution. One feels, rather than INTRODUCTION. Xlll recognises, that a phrase, particular or idiom, term, or expression, is an echo of something that one has heard or read before. This style becomes aromatic, like the per- fume of faded rose-leaves in a china jar. " But although Lamb's style is essentially the product of the authors he has made his own, nothing would be more untrue than to say of him that he read nature or anything else ' through the spectacles of books.' It is to his own keen insight and intense sympathy that we owe everything that is of value in his writing. His observation was his own, though when he gave it back into the world, the manner of it was the creation of his reading. " There are two features, I think, of Lamb's method which distinguish him from so many humorists of to-day. He takes homely and familiar things, and makes them fresh and beautiful. The fashion of to-day is to vulgarise great and noble things in burlesque associations. The humorist's contrast is obtained in both cases." Nothing is more difficult than to analyse any particular form of humour, and distinguish and contrast the methods of different writers. Addison, Fielding, Lamb, Dickens, Thackeray, all had a fashion or secret of their own, just as every painter sees the same object from a point of view of his own. In the case of Lamb, Canon Ainger helps us with this acute distinction. " What is the name," he asks, " for this antithesis of irony, this hiding of a sweet aftertaste in a bitter word ? Whatever its name, it is a dominant flavour in Lamb's humour. " But Lamb's wit, like his English, is Protean, and just as we think we have fixed its character and source, it escapes into new forms. In simile, he finds opportunity for it that is all his own. What wit, or shall wecall it XIV INTRODUCTION. humour, is there in the gravity of his detail, by which he touches springs of delight, unreached even by Defoe or Swift, as in ' Roast Pig,' where he says that the father and son were summoned to take their trial at Pekin, ' then an inconsiderable assize town.' Or more delight- ful still, later on, 'Thus this custom of firing houses continued, till in process of time, says my manuscript, a sage arose like Mr Locke.' Or yet, once more, how exquisitely unforeseen and how rich in tenderness is the following remark as to the domestic happiness of himself and his cousin Bridget, in ' Mackery End ' : ' We are generally in harmony, with occasional bickerings, as it should be among near relations.' " Perhaps the most delicately humorous and most original touches in Elia are to be found in his essay on the Burial Societies. After playing with his grim subject in his own style, though it must be confessed in places he becomes too elaborate and mechanical, he arrives at the possible hypothesis of the subscriber dying before being entitled to the benefit of his subscription. As a little exercise, the reader might here ask himself, what humorous com- plexion could he put on this, or what quip or turn could it suggest? He will then see how exquisitely droll is Elia's reflection. " One can hardly imagine," he says, " a more distressing case than that of a poor fellow lingering on in a consumption, till the period of his freedom is almost in sight, and then finding himself going with velocity, which makes it doubtful whether he shall be entitled to his funeral honours, his quota to which he nevertheless squeezes out, to the diminution of the comforts which sickness demands." Here we feel that this comic notion of a sick person's lamenting the loss of a profit which can only be secured by his death, is INTRODUCTION. XV not altogether far-fetched. Another of his speculations, on " The Melancholy of Tailors," offers the same quaint, nay, startling originality, and a view which would never have occurred to us. How rich, for instance, is his theory, so timorously suggested, as to the cause of this melancholy ! " May it not be," he asks, " that the custom of wearing apparel, being derived by us from the Fall, and one of the most mortifying results of that unhappy event, a certain seriousness (to say no more of it) may, in the order of things, have been intended to be impressed upon the minds of this race of men, to keep up the memory of the first institution of clothes?" Canon Ainger explains another " speciality " of Lamb, his curious perversion and disguising of real incidents, names, &c. " There was a certain waywardness or love of practical joking in Charles Lamb, that led him often to treat matters of fact with deliberate falsification. His essays are full of autobiography, but often purposely disguised, whether to amuse those who were in the secret, or to perplex those who were not, it is impossible to say. " But apart from changes of names and incidents in his essays, there is in Lamb's humour the constant element of a mischievous love of hoaxing. He loves nothing so much as to mingle romance with reality, so that it shall be difficult for the reader to disentangle them. And besides these deliberate mystifications, there is found also in Lamb a certain natural incapacity for being accurate, an inveterate turn for the opposite." I doubt, however, if Lamb had any such commonplace or obvious purpose as this. There was a more far-reach- ing finesse and delicacy involved, than a mere spirit of "hoaxing." His system was akin to that of the skilled novelist, who accepts a real character or incident for XVI INTRODUCTION. treatment, but will make it generic, and discard what is not characteristic, and merely an accident, as in his beautiful story of " Barbara S." I am inclined to think too that he found his fancy kindled or stimulated by adopting some living type as a model, and which he could vary or develop. One of the most favourite tributes to a deceased writer nowadays, is the tracing of him from place to place, with minute descriptions of the various houses in which he lived, a description often extended to the surrounding country. Pictures of the various localities and buildings are supplied, and the whole is usually entitled, " In the Footsteps of So-and-So." There is something attractive in this system, though the haunts and homes are daily passing away ; and when the reader, inspired with a new- born enthusiasm, comes to inspect the building, he too often finds that it has been pulled down and cleared. The Society of Arts, which places recording tablets on such houses, has perhaps indirectly contributed to their preservation, for the proprietors, from a sense of pride in having their walls thus garnished, are inclined to exert themselves to take care of it. Recently an admiring American has published a work of this kind, " In the Footsteps of Charles Lamb." But I confess this system appears to be too " pedagogic," and even earthy, and no fresh pleasure is conveyed by these researches. To write a life of Lamb might fittingly engage the most finished pen of our times, and would require the most delicate touch and the finest critical appreciation. Yet even were such forthcoming, the fragmentary Life written by Sir Thomas Talfourd would still hold its place as the work of one who had been Lamb's friend and companion, and was himself no indifferent writer. Though INTRODUCTION. XV11 in parts a little inflated, its polished style will always please readers of taste ; while the various painful episodes of Lamb's life are treated in excellent taste, and even with art. The biographical realism, as it is called, of our time, a realism which so largely affects painting and poetry, seems to require as great a collection as possible of in- teresting and detailed facts. Treated on such principles, the Life of Charles Lamb would leave a painful impression. Talfourd, his contemporary, was eminently suited for the task. In his hands all vulgar associations disappear. His style, too, reflects the literary tone of his day ; and there is introduced a strain of allusion to literary fashions and manners quite in keeping with the subject of his story. His carefully studied periods seem to harmonize with Lamb's almost fastidious style. The Memoir was issued in two portions the first, in 1837, under the title of " Letters of Charles Lamb, with a Sketch of his Life " ; the second, after an interval of eleven years, in 1848, under that of "Final Memorials of Charles Lamb; consisting chiefly of his Letters not before published, with Sketches of some of his Companions? The reason for this delay, it is explained in the Preface, was the delicate motive of not entering on the tragic side of Lamb's life, so long as his sister was alive. Her death removed the difficulty, while the scruples of persons who objected to having the letters in their possession published had given way. The author then explained that he in- tended his second portion to be, not so much a sequel, as a supplement, and that he was careful not to go over any ground that had been covered in the first part. He added that he had wished to combine both parts into one whole, but that he had forborne " out of consideration for the purchasers of the early volumes." It will also be XV111 INTRODUCTION. gathered from his second Preface that he was not at all content with the form of his work. Bearing this in mind, it did not seem improper to do what Talfourd himself was inclined to have done, viz. combine the two portions of the Memoir in one, dismissing only such short para- graphs as had been introduced to form a framework or introduction for the letters. That these were of no value or interest will be seen at once ; the following being fairly selected specimens : " The next is a short but charac- teristic letter to Manning ; " " Here is a specimen of Lamb's criticism on Southey's poetical communications;" or such a passage as " Lamb then gives an account of his visit to an exhibition of snakes ; of a frightful vividness and interesting, as all details of these fascinating reptiles are, whom we at once loathe and long to look upon, as the old enemies and tempters of our race" Having thus retained the old Memoir, it was easy to see that in many points of view it was incomplete, and passed over much that was important. These defects I have tried to supply by an abundance of notes, in which has been collected, with at least diligence, everything important relating to Lamb. A great deal of what I have added is new, and all, I hope, will be found interesting. Scratched, on Copper from Life in iBl5 'By his friend Brook._Pulhair>. CHARLES LAMB. CHAPTER I. [1775 to 1796.] LAMB'S PARENTAGE, SCHOOL-DAYS, AND YOUTH. CHARLES LAMB was born on loth February, 1 1775, in Crown Office Row, 2 in the Inner Temple, where he spent the first seven years of his life. His parents were in a humble station, but they were endued with sentiments and with manners which might well be- come the gentlest blood ; and fortune, which had denied them wealth, enabled them to bestow on their children some of the happiest intellectual advantages which wealth ever confers. His father, Mr. John Lamb, who came up a little boy from Lincoln, for- tunately both for himself and his master, entered into the service of Mr. Salt, one of the benchers of the Inner Temple, a widower, who, growing old within 1 In his first edition, Talfourd gives the date as February 1 8th. F. 2 " On the ground floor, looking into Inner Temple Lane. ' Barren Field, Annual Obituary. F. 2 PARENTAGE, SCHOOL-DAYS, AND YOUTH. its precincts, was enabled to appreciate and to reward his devotedness and intelligence ; and to whom he became, in the language of his son, " his clerk, his good servant, his dresser, his friend, his flapper, his guide, stop-watch, auditor, treasurer." 1 Although contented with his lot, and discharging its duties with the most patient assiduity, he was not without literary ambition ; and having written some occasional verses to grace the festivities of a benefit society of which he was a member, was encouraged by his bro- ther members to publish, in a thin quarto, " Poetical Pieces on several occasions." This volume contains a lively picture of the life of a lady's footman of the last century; the " History of Joseph," told in well- measured heroic couplets ; and a pleasant piece, after the manner of " Gay's Fables," entitled the " Spar- row's Wedding," which was the author's favourite, and which, when he fell into the dotage of age, he delighted to hear Charles read. 2 His wife was a wo- man of appearance so matronly and commanding, * Lamb has given characters of his father (under the name of Lovel), and of Mr. Salt, in one of the most exquisite of all the Essays of Elia " The Old Benchers of the Inner Temple." 8 The following little poem, entitled " A Letter from a Child to itj Grandmother," written by Mr. John Lamb for his eldest son, though possessing no merit beyond simplicity of expression, may show the manner in which he endeavoured to discharge his parental duties : " Dear Grandam, Pray to God to bless Your grandson dear, with happiness; That, as I do advance each year, I may be taught my God to fear ; My little frame from passion free, To man's estate Irom infancy { PARENTAGE, SCHOOL-DAYS, AND YOUTH. 3 that, according to the recollection of one of Lamb's dearest schoolmates, " she might be taken for a sister of Mrs. Siddons." This excellent couple were blessed with three children, John, Mary, 1 and Charles; John being twelve and Mary ten years older than Charles. John, who is vividly described in the essay of Elia entitled " My Relations," under the name of James Elia, rose to fill a lucrative office in the South Sea House, and died a few years ago, having to the last fulfilled the affectionate injunction of Charles, " to keep the elder brother up in state." Mary (the Bridget of the same essay) still survives, 2 to mourn the severance of a life-long association, as free from every alloy of selfishness, as remarkable for moral beauty, as this world ever witnessed in brother and sister. On the gth of October, 1782, when Charles Lamb had attained the age of seven, he was presented to the school of Christ's Hospital, 8 by Timothy Yeates, From vice, that turns a youth aside, And to have wisdom for my guide; That I may neither lie nor swear, But in the path of virtue steer; My actions generous, firm, and just, Be always faithful to my trust ; And thee the Lord will ever bless. Your grandson dear, JOHN L , the Less." 1 Mary-Anne was, properly speaking, her name. F. 8 Written in 1837. F. 3 Mr. Salt's interest was enough to secure this valuable privilege, though, as Talfourd says, he was presented by Timothy Yeates, one of tl>e Governors of die Hospital. Lamb himself says the " Governor" who presented him resided " under the paternal roof," clearly pointing to Mr. Salt. The latter probably exerted his interest with Yeates. He B 2 4 PARENTAGE, SCHOOL-DAYS, AND YOUTH. Governor, as " the son of John Lamb, scrivener, and Elizabeth his wife," and remained a scholar of that noble establishment till he had entered into his fif- teenth year. 1 was admitted in a committee, on July iyth, 1782, " by a bond entered into by Samuel Salt, of the Inner Temple, London, Esquire." A pe- tition had been sent in from his father, who set forth " that he had a wife and three children, and he finds it difficult to maintain and edu- cate his family without some assistance." The admission was then merely formal, and he was not " clothed" as a Blue-coat boy until the 9th of October in the same year. I have been favoured with these extracts from the books of the Hospital, through the courtesy of the present Treasurer. F, 1 He was a sensitive child with a delicate temper, which seems to have been misunderstood or neglected by his parents. The eldest was the mother's favourite. "They loved pleasure, and parties, and visit- ing," he says in " Maria Howe ;" " but as they found the tenor of my mind to be quite opposite, they gave themselves little trouble about me, but on such occasions left me to my choice, which was much oftener to stay at home, and indulge myself in my solitude, than join in their rambling visits." He found a friend in his old aunt, who was domiciled with them, and whom Mary long after thus recalled: " My father had a sister lived with us of course, lived with my Mo- ther, her sister-in-law ; they were, in their different ways, the best creatures in the world but they set out wrong at first. They made each other miserable for full twenty years of their lives my Mother was a perfect gentlewoman, my Aunty as unlike a gentlewoman as you can possibly imagine a good old woman to be ; so that my dear Mo- ther (who, though you do not know it, is always in my poor head and heart) used to distress and weary her with her incessant & unceasing attention and politeness, to gain her affection. The old woman could not return this in kind, and did not know what to make of it thought it all deceit, and used to hate my Mother with a bitter hatred ; which, of course, was soon returned with interest. A little frankness, and looking into each other's characters at first, would have spared all this, and they would have lived, as they died, fond of each other for the last few years of their lives. When we grew up and harmonized them a little, they sincerely loved each other." Letter of Mary Lamb, given in Mr. Hazlitrs "Charles and Mary Lamb." This aunt clung to the PARENTAGE, SCHOOL-DAYS, AND YOUTH. 5 Small of stature, delicate of frame, and constitu- tionally nervous and timid, he would seem unfitted to encounter the discipline of a school formed to restrain some hundreds of lads in the heart of the metropolis, or to fight his way among them. But the sweetness of his disposition won him favour from all : and although the antique peculiarities of the school tinged his opening imagination, they did not sadden his child, saying, with some ungraciousness towards her hosts, it was the only thing in the world she loved. Her affection for the boy was constant displayed when he was a wretched little sufferer from small- pox, when only five years old, at school, and later again under a terrible trial. But she unconsciously ministered to a diseased and morbid affection of his nature ; and when actual derangement of mind came long after, it was easy to tell "when its first seeds were sown." " I was let grow up wild," he says, " like an ill-weed ; and thrived accordingly. One night, that I had been terrified in my sleep with my imaginations, I got out of bed, and crept softly to the adjoining room. My room was next to where my aunt usually sat when she was alone. Into her room I crept for relief from my fears. The old lady was not yet retired to rest, but she was sitting with her eyes half open, half closed ; her spectacles tottering upon her nose ; her head nodding over her Prayer-book ; her lips mumbling the words as she read them, or half read them, in her dozing posture; her grotesque appearance, hei old-fashioned dress, resembling what I had seen in that fatal picture in Stackhouse. All this, with the time of night, joined to produce a wicked fancy in me, that the form which I beheld was not my aunt, but some witch. Her mumbling ol her prayers confirmed me in this shocking idea. I had read in Glanvilof those wicked creatures reading their prayers backwards ; and I thought that this was the operation which her lips were at this time employed about. Instead of flying to her friendly lap for that protection which I had so often experienced when I have been weak and timid, I shrunk back, terrified and bewil- dered to my bed, where I lay, in broken sleeps and miserable fancies, till the morning, which I had so much reason to wish for, came." From this morbid state he was rescued by a fortunate visit from his grandmamma, who carried him off to the country, down toBlakesmoor, where the change had the happiest effect. The good old lady had nof 6 PARENTAGE, SCHOOL-DAYS, AND YOUTH. childhood. One of his schoolfellows, of whose genial qualities he has made affectionate mention in his " Recollections of Christ's Hospital," Charles V. Le Grice, now of Treriefe, near Penzance, has supplied me with some particulars of his school-days, for which friends of a later date will be grateful. " Lamb," says Mr. Le Grice, " was an amiable gentle boy, very sensible and keenly observing, indulged by his school- only Charles, but her other grandchild Mary, often down on a visit. Her room in the house was the haunted one. Her recollection of the place affected her in the same mysterious way as it did her brother. She had to attend on the austere old lady, who every morning used to nod her head very kindly, and say very graciously, " How do vou do, little Mary ?" There is another episode connected with these early days which is passed over by Talfourd. Charles and his sister were sent to a day- school, situated in the mean passage that leads from Fetter Lane into Bartlett's Buildings, and looking into a discoloured, dingy garden. It was presided over by a Mr. William Bird, teacher of languages and mathematics, who was assisted by a strange being, called " Captain Starkey," later to become a character. This oddity wrote an account of his own life, which Lamb happened to stumble upon, and the name awakened all his and his sister's slumbering recollections of their school days. " This, then," he said, " was the Starkey of whom I have heard my sister relate so many pleasant anecdotes, and whom, never having seen, I almost seem to remember. Heaven knows what ' languages' were taught in it then ! I am sure that neither my sister nor myself brought any out of it but a little of our native English. By ' mathe- matics,' reader, must be understood ' ciphering.' It was, in fact, an humble day-school, at which reading and writing were taught to us boys in the morning ; and the slender erudition was communicated to the girls, our sisters, etc., in the evening." Mr. Moxon speaks of an old schoolmistress: " Well we remember the veneration with which we used to look upon the old lady for she remembered Goldsmith ! He had once lent her his poems to read. We often lament that he did not give them to her ; but the author of the ' Vicar of Wakefield' was poor." F. PARENTAGE, SCHOOL-DAYS, AND YOUTH. 7 fellows and by his master on account of his infirmity of speech. His countenance was mild ; his com- plexion clear brown, with an expression which might lead you to think he was of Jewish descent. His eyes were not each of the same colour, one was hazel, the other had specks of grey in the iris, mingled as we see red spots in the blood-stone. His step was plantigrade, which made his walk slow and peculiar, adding to the staid appearance of his figure. I never heard his name mentioned without the addition of Charles, although, as there was no other boy of the name of Lamb, the addition was unnecessary ; but there was an implied kindness in it, and it was a proof that his gentle manners excited that kindness." " His delicate frame and his difficulty of utterance, which was increased by agitation, unfitted him for joining in any boisterous sport. The description which he gives, in his ' Recollections of Christ's Hos- pital,' of the habits and feelings of the schoolboy, is a true one in general, but is more particularly a deli- neation of himself the feelings were all in his own heart the portrait was his own : ' While others were all fire and play, he stole along with all the self- concentration of a young monk.' These habits and feelings were awakened and cherished in him by pecu- liar circumstances : he had been born and bred in the Inner Temple ; and his parents continued to reside there while he was at school, so that he passed from cloister to cloister, and this was all the change his young mind ever knew. On every half- holiday (and there were two in the week) in ten minutes he was in the gardens, on the terrace, or at the fountain of the Temple : here was his home, here his recreation ; and the influence they had on his 8 PARENTAGE, SCHOOL-DAYS, AND YOUTH. infant mind is vividly shown in his description of the Old Benchers. He says, ' I was born and passed the first seven years of my life in the Temple :' he might have added, that here he passed a great portion of the second seven years of his life, a portion which mixed itself with all his habits and enjoyments, and gave a bias to the whole. Here he found a happy home, affectionate parents, and a sister who watched over him to the latest hour of his existence (God be with her!) with the tenderest solicitude; and here he had access to the library of Mr. Salt, one of the Benchers, to whose memory his pen has given, in return for this and greater favours I do not think it extravagant to say immortality. To use his own language, here he ' was tumbled into a spacious closet of good old English reading, where he browsed at will upon that fair and wholesome pasturage.' He applied these words to his sister; but there is no doubt they 'browsed' together; they had walked hand in hand from a time ' extending beyond the period of their memory.' " When Lamb quitted school, he was in the lower division of the second class which in the language of the school is termed " being in Greek Form, but not Deputy Grecian." 1 He had read Virgil, Sallust, Terence, selections from Lucian's Dialogues, and Xenophon ; and had evinced considerable skill in the niceties of Latin composition, both in prose and verse. His docility and aptitude for the attainment of classical knowledge would have ensured him an exhibition ; but to this the impediment in his speech 1 His various friends, however Leigh Hunt, Southey, and others incline to think that he was a Deputy Grecian. F. PARENTAGE, SCHOOL-DAYS, AND YOUTH. Q proved an insuperable obstacle. The exhibitions were given under the implied, if not expressed, con- dition of entering into the Church ; the whole course of education was preparatory to that end ; and there- fore Lamb, who was unfitted by nature for the clerical profession, was not adopted into the class which led to it, and quitted school to pursue the uncongenial labour of the " desk's dull wood." To this apparently hard lot he submitted with cheerfulness, and saw his schoolfellows of his own standing depart, one after another, for the University without a murmur. This acquiescence in his different fortune must have been a hard trial for the sweetness of his disposition ; as he always, in after life, regarded the ancient seats of learning with the fondness of one who had been hardly divorced from them. He delighted, when other duties did not hinder, to pass his vacations in their neighbourhood, and indulge in that fancied association with them which he has so beautifully mirrored in his '' Sonnet written at Cambridge." What worldly success can, indeed, ever compensate for the want of timely nurture beneath the shade of one of these venerable institutions for the sense of antiquity shading, not checking, the joyous impulses of opening manhood for the refinement and the grace there interfused into the long labour of ambi- tious study for young friendships consecrated by the associations of long past time ; and for liberal emula- tion, crowned by successes restrained from ungenerous and selfish pride by palpable symbols of the genius and the learning of ages ? On 23rd November, 1789, Lamb finally quitted Christ's Hospital for the abode of his parents, who still resided in the Temple. At first he was employed IO PARENTAGE, SCHOOL-DAYS, AND YOUTH. in the South Sea House, under his brother John ; but on the 5th April, 1792, he obtained an appointment in the Accountant's Office of the East India Company. 1 His salary, though then small, was a welcome addition to the scanty means of his parents ; who now were unable, by their own exertions, to increase it, his mother being in ill health, which confined her to her bed, and his father sinking into dotage. On their comfort, however, this, and what was more precious to him, his little leisure, were freely bestowed ; and his recreations were confined to a delightful visit to the two-shilling gallery of the theatre, in company with his sister, and an occasional supper with some of his schoolmates, 2 when in town, from Cambridge. On one of these latter occasions he obtained the appel- lation of Guy, by which he was always called among them ; but of which few of his late friends heard till after his death. " In the first year of his clerkship," says Mr. Le Grice, in the communication with which he favoured me, " Lamb spent the evening of the 5th November with some of his former schoolfellows, who, being amused with the particularly large and flapping brim of his round hat, pinned it up on the sides in the form of a cocked-hat. Lamb made no alteration in it, but walked home in his usual saunter- ing gait towards the Temple. As he was going down Ludgate Hill, some gay young men, who seemed not to have passed the London Tavern without resting, exclaimed, ' The veritable Guy ! no man of straw !' and with this exclamation they took him up, making a chair with their arms, carried him, seated him on a 1 " Through the influence, I believe, of Mr. Salt." Procter. F. - I^eigh Hunt, ther* a; Christ's Hospital, fcalls Lamb's occasional visits to the school. F. PARENTAGE., SCHOOL-DAYS, AND YOUTH. II post in St. Paul's Churchyard, and there left him. This story Lamb told so seriously, that the truth of it was never doubted. He wore his three-cornered hat many evenings, and retained the name of Guy ever after. Like Nym, he quietly sympathised in the fun, and seemed to say, ' that was the humour of it.' A clergyman of the City lately wrote to me, ' I have no recollection of Lamb. There was a gentleman called Guy, to whom you once introduced me, and with whom I have occasionally interchanged nods for more than thirty years ; but how is it that I never met Mr. Lamb ? If I was ever introduced to him, I wonder that we never came in contact during my residence for ten years in Edmonton.' Imagine this gentleman's surprise when I informed him that his nods to Mr. Guy had been constantly reciprocated by Mr. Lamb !" During these years Lamb's most frequent com- panion was James White, or rather, Jem White, as he always called him. Lamb always insisted that for hearty joyous humour, tinged with Shakesperean fancy, Jem never had an equal. "Jem White !" said he, to Mr. Le Grice, when they met for the last time, after many years' absence, at the Bell at Edmonton, in June, 1833, " there never was his like ! We never shall see such days as those in which Jem flourished !" All that now remains of Jem is the celebration of the suppers which he gave the young chimney-sweepers in the Elia of his friend, and a thin duodecimo volume, which he published in 1796, under the title of the " Letters of Sir John Falstaff, with a dedication (printed in black letter) to Master Samuel Irelaunde," which those who knew Lamb at the time believed to be his. " White's Letters," said Lamb, in a letter to 12 PARENTAGE, SCHOOL-DAYS, AND YOUTH. a friend about this time, " are near publication. His frontispiece is a good conceit ; Sir John learning to dance, to please Madam Page, in dress of doublet, etc., from the upper half, and modern pantaloons, with shoes of the eighteenth century, from the lower half, and the whole work is full of goodly quips an(* rare fancies, ' all deftly masked like hoar antiquity' much superior to Dr. Kenrick's ' Falstaffs Wedding.' " The work was neglected, although Lamb exerted all the influence he subsequently acquired with more popular writers to obtain for it favourable notices, as will be seen from various passages in his letters. He stuck, however, gallantly by his favourite protege ; and even when he could little afford to disburse six- pence, he made a point of buying a copy of the book whenever he discovered one amidst the refuse of a bookseller's stall, and would present it to a friend in the hope of making a convert. He gave me one of these copies soon after I became acquainted with him, stating that he had purchased it in the morning for sixpence, and assuring me I should enjoy a rare treat in the perusal ; but if I must confess the truth, the mask of quaintness was so closely worn, that it nearly concealed the humour. To Lamb it was, doubtless, vivified by the eye and voice of his old boon companion, forming to him an undying com- mentary ; without which it was comparatively spiritless. Alas ! how many even of his own most delicate fancies, nch as they are in feeling and in wisdom, will be iost to those who have not present to them the sweet broken accents, and the half playful, half melancholy smile of the writer I 1 1 "Jem White'' held an office in Christ's Hospital, and later, ac- cording to Mr. Procter, became a newspaper agent. F. PARENTAGE, SCHOOL-DAYS, AND YOUTH. 13 But if Jem White was the companion of his lighter moods, the friend of his serious thoughts was a person of far nobler powers Samuel Taylor Cole- ridge. It was his good fortune to be the schoolfellow of that extraordinary man ; and if no particular inti- macy had been formed between them at Christ's Hospital, a foundation was there laid for a friendship to which the world is probably indebted for all that Lamb has added to its sources of pleasure. Junior to Coleridge by two years, and far inferior to him in all scholastic acquirements, Lamb had listened to the rich discourse of "the inspired charity-boy" with a wondering delight, pure from all envy, and, it may be, enhanced by his sense of his own feebleness and difficulty of expression. While Coleridge remained at the University, they met occasionally on his visits to London ; and when he quitted it, and came to town, full of mantling hopes and glorious schemes, Lamb became his admiring disciple. The scene of these happy meetings was a little public-house, called the Salutation and Cat, 1 in the neighbourhood of Smithfield, where they used to sup, and remain long after they had " heard the chimes at midnight." There they discoursed of Bowles, who was the god of Coleridge's poetical idolatry, and of Burns and Cowper, who, of recent poets, in that season of com- parative barrenness, had made the deepest impression on Lamb. There Coleridge talked of " Fate, free- 1 The tavern still exists, much modernised, as the "Salutation" simply, at No. 17, Newgate Street. Coleridge's powers of conversa- tion were here exhibited to such profit for the house, that the land- lord is said to have offered him free quarters if he would stay and' talk on. F. 14 PARENTAGE, SCHOOL-DAYS, AND YOUTH. will, fore-knowledge absolute," to one who desired "to find no end" of the golden maze; and there he recited his early poems with that deep sweetness of intonation which sunk into the heart of his hearer. To these meetings Lamb was accustomed at all periods of his life to revert, as the season when his finer intellects were quickened into action. Shortly after they had terminated, with Coleridge's departure from London, he thus recalled them in a letter: 1 " When I read in your little volume your nineteenth effusion, or what you call 'the Sigh,' I think I hear you again. I imagine to myself the little smoky room at the Salutation and Cat, where we have sat together through the winter nights beguiling the cares of life with Poesy." This was early in 1796 ! and in 1818, when dedicating his works, then first collected, to his earliest friend, he thus spoke of the same meetings : " Some of the sonnets, which shall be carelessly turned over by the general reader, may happily awaken in you remembrances which I should be sorry should be ever totally extinct, the memory ' of summer days and of delightful years,' even so far back as those old suppers at our old Inn, when life was fresh, and topics exhaustless, and you first kindled in me, if not the power, yet the love of poetry, and beauty, and kindliness." And so he talked of these unforgotten hours in that short interval during which death divided them ! 1 This, and other passages I have interwoven with my own slendei thread of narration, are from letters which I have thought either too personal for entire publication at present, or not of sufficient interest, in comparison with others, to occupy a portion of the space, to whict the letters are limited. PARENTAGE, SCHOOL-DAYS, AND YOUTH. 15 The warmth of Coleridge's friendship supplied the quickening impulse to Lamb's genius : but the germ enfolding all its nice peculiarities lay ready for the influence, and expanded into forms and hues of its own. Lamb's earliest poetry was not a faint reflec- tion of Coleridge's, such as the young lustre of original genius may cast on a polished and sensitive mind, to glow and tremble for a season, but was streaked with delicate yet distinct traits, which proved it an emanation from within. There was, indeed, little resemblance between the two, except in the affection which they bore towards each other. Cole- ridge's mind, not laden as yet with the spoils of all systems and of all times, glowed with the ardour of uncontrollable purpose, and thirsted for glorious achievement and universal knowledge. The imagina- tion, which afterwards struggled gloriously but perhaps vainly to overmaster the stupendous clouds of German philosophies, breaking them into huge masses, and tinting them with heavenly hues, then shone through the simple articles of Unitarian faith, the graceful architecture of Hartley's theory, and the well-compacted chain by which Priestley and Edwards seemed to bind all things in necessary connection, as through transparencies of thought ; and, finding no opposition worthy of its activity in this poor fore- ground of the mind, opened for itself a bright succes- sion of fairy visions, which it sought to realize on earth. In its light, oppression and force seemed to vanish Hke the phantoms of a feverish dream ; man- kind were disposed in the picturesque groups of universal brotherhood ; and, in far distance, the ladder which Jacob saw in solemn vision connected earth with heaven, " and the angels of God were l6 PARENTAGE, SCHOOL-DAYS, AND YOUTH. ascending and descending upon it." 1 Lamb had no sympathy with these radiant hopes, except as they were part of his friend. He clung to the realities of life ; to things nearest to him, which the force of habit had made dear; and caught tremblingly hold of the past. He delighted, indeed, to hear Coleridge talk of the distant and future ; to see the palm-trees wave, and the pyramids tower in the long perspective of his style ; and to catch the prophetic notes of a universal harmony trembling in his voice ; but the pleasure was only that of admiration unalloyed by envy, and of the generous pride of friendship. The tendency of his mind to detect the beautiful and good in surrounding things, to nestle rather than to roam, was cherished by all the circumstances of his boyish days. He had become familiar with the vestiges of antiquity, both in his school and in his home of the Temple ; and these became dear to him in his serious and affectionate childhood. But, perhaps, more even than those external associations, the situation of his parents, as it was elevated and graced by their cha- racter, moulded his young thoughts to the holy habit of a liberal obedience, and unaspiring self-respect, 1 This was the scheme of the " PANTISOCRACY," that strange ideal of communism which seriously engaged the thoughts of Coleridge and a band of ardent and clever youths. The story is naturally and agree- ably told by Cottle the bookseller, who welcomed the young enthu- siasts at Bristol , allowed himself to be patronised by them with an amiable simplicity, and accepted the publication of their rather imma- ture compositions as a favour and an honour. Southey, Burnett, Lovell, Allen, and Coleridge, were the original spirits of the scheme ; but as it became impossible to reach the Susquehanna without money, the enthusiasm soon cooled, and the sectaries fell away one by one. See Celtic's Reminiscences, passim. F. PARENTAGE, SCHOOL-DAYS, AND YOUTH. IJ which led rather to the embellishment of what was near than to the creation of visionary forms. He saw at home the daily beauty of a cheerful submission to a state bordering on the servile ; he looked upward to his father's master, and the old Benchers who walked with him on the stately terrace, with a modest erectness of mind; and he saiv in his own humble home how well the decencies of life could be main- tained on slender means, by the exercise of generous principle. Another circumstance, akin to these, tended also to impart a tinge of venerableness to his early musings. Hie maternal grandmother was for many years housekeeper in the old and wealthy family of the Plumers of Hertfordshire, by whom she was held in true esteem ; and his visits to their ancient mansion, where he had the free range of every apartment, gallery, and terraced-walk, gave him " a peep at the contrasting accidents of a great fortune," and an alliance with that gentility of soul, which to appreciate, is to share. He has beautifully recorded his own recollections of this place in the essay entitled " Blakesmoor in H shire," in which he modestly vindicates his claim to partake in the asso- ciations of ancestry not his own, and shows the true value of high lineage by detecting the spirit of noble- ness which breathes around it, for the enkindling of generous affections, not only in those who may boast of its possession, but in all who can feel its influences. While the bias of the minds of Coleridge and Lamb thus essentially differed, it is singular that their opinions on religion, and on those philosophical questions which border on religious belief, and receive their colour from it, agreed, although probably derived from various sources. Both were Unitarians, ardent c l8 PARENTAGE, SCHOOL-DAYS, AND YOUTH. admirers of the writings and character of Dr. Priest- ley, and both believers in necessity, according to Dr. Priestley's exposition, and in the inference which he drew from that doctrine respecting moral responsi- bility, and the ultimate destiny of the human race. The adoption of this creed arose in Lamb from the accident of education ; he was brought up to receive and love it ; and attended, when circumstances per- mitted, at the chapel at Hackney, of which Mr. Belsham, afterwards of Essex Street, was then the minister. It is remarkable that another of Lamb's most intimate friends, in whose conversation, next to that of Coleridge, he most delighted, Mr. Hazlitt, with whom he became acquainted at a subsequent time, and who came from a distant part of the country, was educated in the same faith. With Coleridge, whose early impressions were derived from the rites and services of the Church of England, Unitarianism was the result of a strong conviction ; so strong, that with all the ardour of a convert, he sought to win proselytes to his chosen creed, and purposed to spend his days in preaching it. Neither of these young men, however, long continued to profess it. Lamb, in his maturer life, rarely alluded to matters of reli- gious doctrine ; and when he did so, evinced no sympathy with the professors of his once-loved creed. Hazlitt wrote to his father, who was a Unitarian minister at Wem, with honouring affection; and of his dissenting associates with respect, but he had obviously ceased to think or feel with them ; and Coleridge's Eemains indicate, what was well known to all who enjoyed the privilege of his conversation, that he not only reverted to a belief in the Trinitarian mysteries, but that he was accustomed to express as PARENTAGE, SCHOOL-DAYS, AND YOUTH. 19 much distaste for Unitarianism, and for the spirit of its more active advocates, as the benignity of his nature would allow him to feel for any human opinion honestly cherished. Perhaps this solitary approach to intolerance in the universality of Coleridge's mind arose from the disapproval with which he might justly regard his own pride of understanding, as excited in defence of the doctrines he had adopted. To him there was much of devotional thought to be violated, many reverential associations, intertwined with the moral being, to be rent away in the struggle of the intellect to grasp the doctrines which were alien to its nurture. But to Lamb these formed the simple creed of his childhood ; and slender and barren as they seem, to those who are united in religious sympathy with the great body of their fellow-country- men, they sufficed for affections which had so strong a tendency to find out resting-places for themselves as his. Those who only knew him in his latter days and who feel that if ever the spirit of Christianity bieathed through a human life, it breathed in his. will, nevertheless, trace with surprise the extraordinary vividness of impressions directly religious, and the self-jealousy with which he watched the cares and distractions of the world, which might efface them, in his first letters. If in a life of ungenial toil, diver- sified with frequent sorrow, the train of these solemn meditations was broken ; if he was led, in the dis- tractions and labours of his course, to cleave more closely to surrounding objects than those early asp ; rations promised ; if, in his cravings after immediate sympathy, he rather sought to perpetuate the social circle which he charmed, than to expatiate in scenes of untried being ; b.is pious feelings were only diverted, 2O PARENTAGE, SCHOOL-DAYS, AND YOUTH. not destroyed. The stream glided still, the under- current of thought sometimes breaking out in sallies which strangers did not understand, but always feeding and nourishing the most exquisite sweetness of disposition, and the most unobtrusive proofs of self-denying love. While Lamb was enjoying habits of the closest intimacy with Coleridge in London, he was introduced by him to a young poet whose name has often been associated with his Charles Lloyd the son of a wealthy banker at Birmingham, who had recently cast off the trammels of the Society of Friends, and, smit- ten with the love of poetry, had become a student at the University of Cambridge. There he had been attracted to Coleridge by the fascination of his dis- course j 1 and having been admitted to his regard, was introduced by him to Lamb. Lloyd was endeared both to Lamb and Coleridge by a very amiable dispo- sition and a pensive cast of thought ; but his intellect bore little resemblance to that of either. He wrote, indeed, pleasing verses with great facility a facility fatal to excellence ; but his mind was chiefly remark- able for the fine power of analysis which distinguishes his " London," and other of his later compositions. In this power of discriminating and distinguishing carried to a pitch almost of painfulness Lloyd has scarcely been equalled ; and his poems, though rugged in point of versification, will be found by those who will read them with the calm attention they require, replete with critical and moral suggestions of the highest value. He and Coleridge were devoted wholly 1 This, Southey says, is a mistaKe. Lloyd first met Coleridge at Bristol, and did not go to Cambridge till some years later. F. PARENTAGE, SCHOOL-DAYS, AND YOUTH. 21 to literary pursuits ; while Lamb's days were given to accounts, and only at snatches of time was he able to cultivate the faculty of which the society of Coleridge had made him imperfectly conscious. Lamb's first compositions were in verse produced slowly, at long intervals, and with self-distrust which the encouragements of Coleridge could not subdue. With the exception of a sonnet to Mrs. Siddons, whose acting, especially in the character of Lady Randolph, had made a deep impression upon him, they were exclusively personal. The longest and most elaborate is that beautiful piece of blank verse entitled " The Grandame," in which he so affection- ately celebrates the virtues of the " antique world" of the aged housekeeper of Mr. Plumer. A youthful passion, which lasted only a few months, and which he afterwards attempted to regard lightly as a folly past, inspired a few sonnets of very delicate feeling and exquisite music. On the death of his parents, he felt himself called upon by duty to repay to his sister the solicitude with which she had watched over his infancy; and well indeed he performed it! To her, from the age of twenty-one, he devoted his existence; seeking thenceforth no connection which could inter- fere with her supremacy in his affections, or impair his ability to sustain and comfort her. f M CHAPTER II. [1795-1798.] INSANITY OF MARY LAMB. EARLY POETIC EFFORTS. IN the year 1795, Charles Lamb resided with his father, mother, and sister, in lodgings at No. 7, Little Queen-street, Holborn. The father was rapidly sink- ing into dotage; the mother suffered under an in- firmity which deprived her of the use of her limbs ; and the sister not only undertook the office of daily and nightly attendance on her mother, but sought to add by needle- work to their slender resources. 1 Their income then consisted of an annuity which Mr. Lamb the elder derived from the old Bencher, Mr. Salt, whom he had faithfully served for many years ; Charles's salary, which, being that of a clerk of three years' standing in the India House, could have been but scanty ; and a small payment made for board by an old maiden aunt, who resided with them. In this year Lamb, being just twenty years of age, began to write verses partly incited by the example of his old friend, Coleridge, whom he regarded with as much reverence as affection, and partly inspired by an attachment to a young lady residing in the neigh- 1 Southey thus describes their menage in a letter to Moxon : " When I saw the family (one evening only, and at that time), they were lodging somewhere near Lincoln's Inn, on the western side (I for- get the street), and were evidently in uncomfortable circumstances. The father and mother were both living ; and I have some dim recol- lection of the latter's invalid appearance. The father's senses had failed him lefore that time." F. INSANITY OF MARY LAMB. 23 bourhood of Islington, who is commemorated in his early verses as " the fair-haired maid." How his love prospered we cannot ascertain ; but we know how nobly that love, and all hope of the earthly blessings attendant on such an affection, were resigned on the catastrophe which darkened the following year. In the meantime, his youth was lonely rendered the more so by the recollection of the society of Coleridge, who had just left London of Coleridge in the first bloom of life and genius, unshaded by the mysticism which it afterwards glorified full of boundless ambi- tion, love, and hope ! There was a tendency to insanity in his family, which had been more than once developed in his sister ; and it was no matter of surprise that in the dreariness of his solitude it fell upon him ; and that, at the close of the year, he was subjected for a few weeks to the restraint of the in- sane. 1 The wonder is that, amidst all the difficulties, the sorrows, and the excitements of his succeeding forty years, it never recurred. Perhaps the true cause of this remarkable exemption an exemption the more remarkable when his afflictions are considered in association with one single frailty will be found in the sudden claim made on his moral and intellectual nature by a terrible exigency, and by his generous answer to that claim ; so that a life of self-sacrifice was rewarded by the preservation of unclouded reason. In the year 1796, Coleridge, having married, 2 and relinquished his splendid dream of emigration, was resident at Bristol. Lamb felt his absence from Lon- 1 In his ravings he fancied that he was Young Norval so Coleridge told Southey. F. In the October of 1795. F. 24 INSANITY OF MARY LAMB. don bitterly, and sought a correspondence with him as, almost, his only comfort. " In your absence," he writes, in one of the earliest of his letters, " I feel a stupor that makes me indifferent to the hopes and fears of this life. A correspondence opening with you has roused me a little from my lethargy, and made me conscious of existence. Indulge me in it! I will not be very troublesome." And again, a few days after: " You are the only correspondent, and, I might add, the only friend, I have in the world. I go no-where, and have no acquaintance. Slow of speech, and reserved of manners, no one seeks or cares for my society, and I am left alone. Coleridge, I devoutly wish that Fortune, which has made sport with you so long, may play one freak more, throw you into London, or some spot near it, and there snugify you for life." These appeals, it may well be believed, were not made in vain to one xvho delighted in the lavish communication of the riches of his own mind even to strangers ; but none of the letters of Coleridge to Lamb have been preserved. He had just published his " Religious Musings," and the glit- tering enthusiasm of its language excited Lamb's pious feelings, almost to a degree of pain. " I dare not," says he of this poem, " criticise it. I like not to select any part where all is excellent. I can only admire and thank you for it, in the name of a lover of true poetry Believe thou, O my soul, Life is a vision shadowy of truth ; And vice, and anguish, and the wormy grave, Shapes of a dream.' I thank you for these lines in the name of a neces- sarian." To Priestley, Lamb repeatedly alludes as to INSANITY OF MARY LAMB. 25 the object of their common admiration. " In reading your ' Religious Musings,' " says he, " I felt a tran- sient superiority over you : I have seen Priestley. I love to see his name repeated in your writings ; I love and honour him almost profanely." 1 It was in the spring of this year that Coleridge proposed the association of those first efforts of the young clerk in the India House, which he had prompted and praised, with his own, in a new edition of his Poems, to which Mr. Charles Lloyd also pro- posed to contribute. 2 Lamb's letters at this time are full of Sonnets transmitted to Coleridge for this purpose, accompanied by characteristic remarks. When later Coleridge became settled in his melan- choly cottage, he invited Lamb to visit him, and the hope the expectation the disappointment, are all depicted in the various letters the latter sent to his friend. A little copy of verses, in which Lamb com- memorated and softened his disappointment, bearing date (a most unusual circumstance with Lamb), 5th July, 1796, was inclosed in a letter of the following day, which refers to a scheme Coleridge had formed of settling in London on an invitation to share the 1 Talfourd mentions "a poem" of Coleridge's as being " emulous of Southey's 'Joan of Arc,' " apparently ignorant that it was a contribution from Coleridge to his friend's poem. 3 Talfourd docs not appear to have known that Lamb's verses had already appeared, in company with those of Coleridge, in a little volume published at Bristol in 1796, entitled "Poems on Various Subjects," which is even more scarce than the one spoken of here. Place was given to three of Lamb's Sonnets, introduced with this handsome compliment: "The effusions signed C. L. were written by Mr. Charles Lamb, of die India House. Independently of the sig- nature, their superior merit would sufficiently have distinguished them." F. 26 INSANITY OF MARY LAMB. Editorship of the Morning Chronicle. The poem includes a lamentation over a fantastical loss that of a draught of the Avon " which Shakespeare drank;" somewhat strangely confounding the Avon of Stratford with that of Bristol. It may be doubted whether Shakespeare knew the taste of the waves of one Avon more than of the other, or whether Lamb would not have found more kindred with the world's poet in a glass of sack, than in the water of either stream. Coleridge must have enjoyed the misplaced sentiment of his friend, for he was singularly desti- tute of sympathy with local associations, which he regarded as interfering with the pure and simple impression of great deeds or thoughts ; denied a special interest to the Pass of Thermopylae : and instead of subscribing to purchase " Shakespeare's House," would scarcely have admitted the peculiar sanctity of the spot which enshrines his ashes. The autumn found Lamb engaged all the morning in task-work at the India House, and all the evening in attempting to amuse his father by playing cribbage ; while Miss Lamb was worn down to a state of extreme nervous misery, by attention to needlework by day, and to her mother by night, until the insanity, which had been manifested more than once, broke out into frenzy, which, on Thursday, 22nd of September, proved fatal to her mother. The following account of the proceedings of the inquest, copied from the Times of Monday, 26th September, 1796, supplies the details of this terrible calamity, doubtless with accuracy, except that it would seem, from a letter of Lamb's to Coleridge, that he, and not the landlord, took the knife from the unconscious hand. " On Friday afternoon, the coroner and a jury sat INSANITY OF MARY LAMB. 27 on the body of a lady in the neighbourhood of Holborn, who died in consequence of a wound from her daughter the preceding day. It appeared, by the evidence adduced, that, while the family were pre- paring for dinner, the young lady seized a case-knife lying on the table, and in a menacing manner pursued a little girl, her apprentice, round the room. On the calls of her infirm mother to forbear, she renounced her first object, and, with loud shrieks, approached her parent. The child, by her cries, quickly brought up the landlord of the house, but too late. The dreadful scene presented to him the mother lifeless, pierced to the heart, on a chair, her daughter yet wildly standing over her with the fatal knife, and the old man, her father, weeping by her side, himself bleeding at the forehead from the effects of a severe blow he received from one of the forks she had been madly hurling about the room. " For a few days prior to this, the family had observed some symptoms of insanity in her, which had so much increased on the Wednesday evening, that her brother, early the next morning, went to Dr. Pitcairn, but that gentleman was not at home. " It seems the young lady had been once before deranged. " The jury, of course, brought in their verdict Lunacy."* 1 A statement nearly similar to this will be found in several other journals of the day, and in the Annual Register for the year. The True Briton adds: " It appears she had been before, in the earlier part of her life, deranged, from the harassing fatigues of too much business. As her carriage towards her mother had always been affec- tionate in the extreme, it is believed her increased attachment to her, as her infirmities called for it by day and by night, caused her loss ot 2 INSANITY OF MARY LAMB. The following is Lamb's account of the event to Coleridge : " September zyth,- 1796. " My dearest Friend, White, or some of my friends, or the public papers, by this time may have informed you of the terrible calamities that have fallen on our family. I will only give you the out- lines : My poor dear, dearest sister, in a fit of insanity, has been the death of her own mother. I was at hand only time enough to snatch the knife out of her grasp. She is at present in a madhouse, from whence I fear she must be moved to an hospital. God has preserved to me my senses, I eat, and drink, and sleep, and have my judgment, I believe, very sound. Write as religious a letter as possible, but no mention of what is gone and done with. With me ' the former things are passed away,' and I have something more to do than to feel. " God Almighty have us well in his keeping. " C. LAMB." " Mention nothing of poetry. I have destroyed every vestige of past vanities of that kind. Do as you please, but if you publish, publish mine (I give free leave) without name or initial, and never send me a book, I charge you. " C. LAMB."' reason at this time. It has been stated in some of the morning papers that she has an insane brother in confinement; but this is without foundation." None of the accounts give the names of the sufferers ; but in the index to the Annual Register, the anonymous account is referred to with Mrs. Lamb's name. 1 In " The Old Familiar Faces " was originally inserted a stanza, which he suppressed later, as touching on terrible recollections. " Where are they gone, the old familiar faces / had a mother, but she died, Died prematurely in a day of horrors." F. EARLY POETIC EFFORTS. 29 The anxieties of Lamb's new position were assuaged during the spring of 1797, by frequent communi- cations with Coleridge respecting the anticipated volume, and by some additions to his own share in its pages. He was also cheered by the company of Lloyd, who, having resided for a few months with Coleridge, at Stowey, came to London in some per- plexity as to his future course. Of this visit Lamb speaks in a letter, probably written in January. It contains some verses expressive of his delight at Lloyd's visit, which, although afterwards inserted in the volume, are well fitted to their frame-work of prose, and indicative of the feelings of the writer at this crisis of his life. Poor Charles Lloyd ! Delusions of the most melan- choly kind thickened over his latter days yet left his admirable intellect free for the finest processes of severe reasoning. 1 At a time when, like Cowper, he believed himself the especial subject of Divine wrath, he could bear his part in the most subtle disquisition on questions of religion, morals, and poetry, with the nicest accuracy of perception and the most exem- plary candour; and, after an argument of hours, revert, with a faint smile, to his own despair ! As summer advanced, Lamb discerned a hope of compensation for the disappointment of last year, by 1 He had been already thus afflicted, when staying with Coleridge at Stowey. " I write under great agony of mind, Charles Lloyd being very ill. He has been seized with his fits three times in the space of seven days: and just as I was in bed last night, I WEB called up again ; and from twelve o'clock at night to five this morning, he re- mained in one continued state of agonized delirium." Coleridge to Cottle.F. 30 EARLY POETIC EFFORTS. a visit to Coleridge; and thus expressed his wishes : " I discern a possibility of my paying you a visit next week. May I, can I, shall I, come as soon ? Have you room for me, leisure for me, and are you all pretty well ? Tell me all this honestly immediately." The visit was enjoyed ; and Lamb was once more left to the daily labours of the India House and the unceas- ing anxieties of his home. 1 Soon after, death released his father from his state of imbecility and the son from his wearisome duties. With his life, the annuity he had derived from the old Bencher he had served so faithfully, ceased ; while the aunt continued to linger still with Lamb in his cheerless lodging. His sister still remained in cor: finement in the asylum to which she had been consigned on her mother's death perfectly sensible and calm, and he was passionately desirous of ob- taining her liberty. The surviving members of the family, especially his brother John, 2 who enjoyed a fair income in the South Sea House, opposed her dis- charge ; and painful doubts were suggested by the authorities of the parish, where the terrible occurrence happened, whether they were not bound to institute proceedings, which must have placed her for life at the disposition of the Crown, especially as no medical assurance could be given against the probable recur- 1 It took place in the first week in July, 1797, when the good- natured bookseller, Cottle, was invited to meet him, who, arriving later, heard Coleridge descant warmly and affectionately on the merits of his old schoolfellow. F. % " I do not retain an agreeable impression of him. If not rude, he was sometimes, indeed, generally, abrupt and unprepossessing in man- ner. He was assuredly deficient in that courtesy which usually springs from a mind at friendship wi*Ji the world." Procter. F. EARLY POETIC EFFORTS. 3! rence of dangerous frenzy. But Charles came to her deliverance ; he satisfied all the parties who had power to oppose her release, by his solemn engage- ment that he would take her under his care for life; and he kept his word. Whether any communication with the Home Secretary occurred before her release, I have been unable to ascertain ; it was the impres- sion of Mr. Lloyd, from whom my own knowledge of the circumstances, which the letters do not ascertain, was derived, that a communication took place, on which a similar pledge was given ; at all events, the result was, that she left the asylum and took up her abode for life with her brother Charles. For her sake, at the same time, he abandoned all thoughts of love and marriage ; and with an income of scarcely more than 100 a-year, derived from his clerkship, aided for a little while by the old aunt's small annuity, set out on the journey of life at twenty-two years of age, cheerfully, with his beloved companion, endeared to him the more by her strange calamity, and the con- stant apprehension of a recurrence of the malady which had caused it ! The illness of the poor old aunt brought on the confirmation of Lamb's fears respecting his sister's malady. After lingering a short time she died ; but before this Miss Lamb's incessant attendance upon her produced a recurrence of in- sanity, and Lamb was obliged to place her under medical care, and was left alone to write letters full of misery to his friend. It would seem that Lamb, at first, took a small lodging for his sister apart from his own but soon to be for life united. His feelings on the recurrence of the season, which had, last year, been darkened by his terrible calamity, can be understood from the first 32 EARLY POETIC EFFORTS. of two pieces of blank verse, which fill the two first sheets of a letter to Coleridge, written under an apprehension of some neglect on the part of his friend, which had its cause in no estrangement of Coleridge's affections, but in the vicissitudes of the imaginative philosopher's fortune, and the constancy of his day- dreamings. These were the verses entitled, " Writ- ten a Twelvemonth after the Events," and be- ginning : " Alas ! how am I changed !" and in which occurred these lines : "Thou and I, dear friend, With filial recognition sweet, shall know One day the face of our dear mother in heaven, And her remember'd looks of love shall greet With answering looks of love, her placid smiles Meet with a smile as placid, and her hand With drops of fondness wet, nor fear repulse." In the margin of MS. he wrote, " This is almost literal from a letter of my sister's less than a year ago." And again : " O my companions ! O ye loved names Of friend, or playmate dear, gone are ye now. Gone divers ways ; to honour and credit some ; And some, I fear, to ignominy and shame !" In the margin he added, " Alluding to some of my old play-fellows being, literally, ' on the town,' and some otherwise wretched. Two months, though passed by Lamb in anxiety and labour, but cheered by Miss Lamb's continued pos- session of reason, so far restored the tone of his mind, that his interest in the volume which had been con- templated to introduce his first verses to the world, EARLY POETIC EFFORTS. 33 in association with those of his friend, was enkindled anew. While cherishing the hope of reunion with his sister, and painfully wresting his leisure hours from poetry and Coleridge to amuse the dotage of his father, he watched over his own returning sense of enjoyment with a sort of holy jealousy, apprehen- sive lest he should forget too soon the terrible visita- tion of Heaven. It would seem that his acquaintance with the old English dramatists had just commenced with Beaumont and Fletcher, and Massinger. A proposal by Coleridge to print Lamb's poems with a new edition of his own (an association in which Lloyd was ultimately included) occasioned reciprocal communications of each other's verses, and many questions of small alterations suggested and argued on both sides. The volume which was to combine the early poetry of the three friends was not completed in the year 1796, and proceeded slowly through the press in the follow- ing year ; Lamb occasionally submitting an additional sonnet, or correction of one already sent, to the judg- ment of Coleridge, and filling long letters with minute suggestions on Coleridge's share of the work, and high, but honest expressions of praise of particular images and thoughts. The eulogy is only interesting as indi- .cative of the reverential feeling with which Lamb regarded the genius of Coleridge but one or two specimens of the gentle rebuke which he ventured on, when the gorgeousness of Coleridge's language seemed to oppress his sense, are worthy of preservation. The following relates to a line in the noble Ode on the Departing Year, in which Coleridge had written of " Th' ethereal multitude, Whose purple locks with snow-white glories shrne." D 34 EARLY POETIC EFFORTS. "'Purple locks, and snow-white glories;' these are things the muse talks about when, to borrow H. Walpole's witty phrase, she is not finely-frenzied, only a little light-headed, that's all ' Purple-locks.' They may manage things differently in fairyland ; but your ' golden tresses' are to my fancy." On this remonstrance Coleridge changed the " pur- ple" into "golden," defending his original epithet, and Lamb gave up the point. In the commencement of the previous year, Coleridge removed from Bristol to a cottage at Nether Stowey, to embody his favourite dream of a cottage life. This change of place probably delayed the printing of the volume ; and Coleridge, busy with a thousand speculations, became irregular in replying to the letters with writing which Lamb solaced his weary hours. Not satisfied with the dedication of his portion of the volume to his sister, and the sonnet which had been sent to the press, Lamb urged on Coleridge the insertion of another, which seems to have been ulti- mately withheld as too poor in poetical merit for publication. The rejected sonnet (" Friend of my earliest years ''), and the references made to it by the writer, have an interest now beyond what mere fancy can give. At length the small volume containing the poems of Coleridge, Lloyd, and Lamb, was published by Mr. Cottle at Bristol. It excited little, attention ; but Lamb had the pleasure of seeing his dedication to his sister printed in good set form, after his own fashion, and of witnessing the delight and pride with which she received it. This little book, now very scarce, had the following motto, expressive of Coleridge's feelings towards his associates: Duplex nobis vin- S. QS. M^dfAAJZa^. EARLY POETIC EFFORTS. 35 culum, et amicitice et similium junctarumque Camcs- narum ; quod utinam neque mors solvat, neque temporis longinquitas} Lamb's share of the work consists of 1 " The Latin motto, prefixed to the second edition of Mr. C.*6 poems, puzzled everybody to know from what author it was derived. One and another inquired of me, to no purpose, and expressed a wish that Mr. C. had been clearer in his citation, ' as no one could under- stand it.' On my naming this to Mr. Coleridge, he laughed heartily, and said, ' It was all a hoax. Not meeting,' said he, ' with a suitable motto, I invented one, and with references perfectly obscure." Cottle'i Reminiscences, 168. The reference was an excellent mystification. " Groscoll. Epist. ad Car., Utenhov. et Ptol. Lux. Last" In this arrangement there were some evidences of the almost tender affection with which Lamb had inspired Coleridge. He would admit Lloyd's poems, " on condition that you print them in this volume of his, Charles Lamb's, poems ; the tide-page, Poems by S. T. Coleridge. Second Edition ; to which are added Poems by C. Lamb and C. Lloyd. C. Lamb's Poems will occupy about forty pages ; C. Lloyd's at least one hundred, although only his choice fish." At Lamb's request, however, Lloyd's pieces were placed first. In the new volume Coleridge said, " There were inserted in my former edition a few sonnets of my friend and old schoolfellow, CIIARLES LAMB. He has now communi- cated to me a complete Collection of all his Poems. Qua qui non rorsus amet, ilium omnes et Firtutes et Veneres odere." He then mentions Lloyd, but not so affectionately. " My friend Charles Lloyd has likewise joined me, and has contributed every poem of his which he deemed worthy of preservation.'' This republication of the poems seems to have been connected with a dissolution of the partnership, the result of a quarrel between Coleridge and Lloyd, and also of a coolness between Lamb and Coleridge. On receipt of the volume, Lamb had written warmly, praising Lloyd's contributions, which he thought " eminently beautiful," but deferring his consideration of Coleridge's. He was not satisfied, too, with some alterations made in his own lines ; " though I think whoever altered did wrong." On the other hand, the two minor poets could not have relished some verses in ridi- cule of their style, which Coleridge sent to a magazine, under the sig- nature of " Nehemiah Higginbotham," and which, as he wned, were intended to expose " that affectation of unafTectedness, of jumping and misplaced accent, in common-place epithets, flat lines forced intj D 2 36 EARLY POETIC EFFORTS. eight sonnets ; four short fragments of blank verse, of which the Grandame is the principal ; a poem, called the Tomb of Douglas ; some verses to Charles poetry by italics (signifying how well and mouthishly the author would read them), puny pathos, etc., etc.; the instances were almost all taken from myself, and Lloyd and Lamb." Though he affected to include his own productions, the ridicule really affects his weaker com- panions. His severity in the case of Lamb, will be seen by comparing the sonnets : " Was it some sweet delight of Faery, That mock'd my steps with many a lonely glade, And fancied wand'rings with a fair-haired maid. Have these things been ? Or what rare witchery (Impregning with delights the charmed air) Enlightened up the semblance of a smile In those fine eyes ? Methought they spake the while Soft soothing things, which might enforce Despair To drop the murdering knife, and let go by His foul resolve. And does the lonely glade, Still court the footsteps of the fair-haired maid ? Still in her locks the gales of summer sigh? While I forlorn do wander, heedless where, And 'mid my wanderings meet no Anna there." So in the " HOUSE THAT JACK BUILT " : " Did ye not see her gleaming through the glade? Belike 'twas she, the maiden all forlorn. What though she milk no cow with crumpled horn, Yet ay she haunts the dale where erst she stray'd. And ay beside her stalks her amorous knight! Still on his thighs his wonted brogues are worn, And through these brogues, still tattered and betorn, His hindward charms gleam an unearthly white ; As when through broken clouds, at night's high noon, Peeps in fair fragment forth the full-orb'd harvest moon." However this may have been, it was not likely to have caused any serious dissension between Lamb and his old friend ; and the visit to Stowey with Mary Lamb, as stated in the text, seems to have fol- EARLY POETIC EFFORTS. 37 Lloyd ; and a vision of Repentance ; which are all published in the last edition of his poetical works, except one of the sonnets, which was addressed to lowed, in the first months of the year 1798. It is probable that the sensitive Lloyd showed some jealousy as to the success of the volume, which Coleridge naturally considered was owing to his share in the work. When a new edition was talked of, he may have shown a wish to be free from the alliance ; or what is more likely, thought that his labours were obscured by " the greater Ajax." Cottle seems to say that both causes were at work. Lloyd proposed to his friend Lamb that they should withdraw theirs from the association, and pub- lish their poems without Coleridge. On this being opened to the latter by the publisher, he wrote scornfully, " It is curious that I should be applied to to be persuaded to resign ; and in hopes that I mighr ' consent to give up' (unknown by whom) a number of poems which were published at the request of the author. . . . Times change and people change ; so let us keep our souls in quietness ! I have no objection to any disposal of Lloyd's poems, except that of their being republished with mine. The motto which I had prefixed, ' Duplex, etc.,' from Groscollius, has placed me in a ridiculous situation, but it was a foolish and presumptuous start of affectionateness, and I am not unwilling to incur the punishment due to my folly." " Mr. C.," adds Cottle, " even determined that the productions of his two late friends should be excluded. Strange as it may appear, Chatles Lamb determined to desert the inglorious ground of neutrality, and to com- mence active operations against his late friend." At the end of May, 1798, Lamb went down on a visit to Lloyd at Birmingham, and remained a fortnight with him. Never had Lamb " been so happy in his life." His enthusiastic friend, by dwelling on his little grievances against Coleridge, made him a partisan, having indiscreetly shown him a letter, in which was illustrated a distinction between the proportions of great genius and simple talent, contrasted with great talent and little genius, by the instances of Lamb's nature and his own. It was, no doubt, Lloyd that repeated the speech, " Poor Lamb ! If he wants any knowledge he may apply to me." This provoked Lamb to address to him the table of Theses, which he proposed that Coleridge should defend or oppugn in the German schools. And what shows that he was hurt by the ridicule of his verses, is his rather bitter retort, " Wishing, learned sir, that you may see Schiller, and swing in a j8 EARLY POETIC EFFORTS. Mrs. Siddons, and the Tomb of Douglas, which was justly omitted as common-place and vapid. They only occupy twenty-eight duodecimo pages, within which space was comprised all that Lamb at this time had written which he deemed worth pre- serving. Lamb, however, was not now so lonely as when he wrote to Coleridge imploring his correspondence as the only comfort of his sorrows and labours ; for, through the instrumentality of Coleridge, he was now rich in friends. Among his friends then was Words- worth, the great regenerator of English poetry, pre- paring for his long contest with the glittering forms of inane phraseology which had usurped the dominion of the public mind, and with the cold mockeries of scorn with which their supremacy was defended. By those the beauty of his character was felt ; the ori- ginal cast of his powers was appreciated ; and his *x. And ye five other wandering bards, that movr In sweet accord of harmony and love, C dge and S th y, L d, and L b and Co., Tune all your mystic harps to praise Lepaux ! " Not content with thus confounding persons of the most opposite opinions and the most various charac- ters in one common libel, the party returned to the charge in the number for September, and thus de- nounced the young poets, in a parody on the " Ode to the Passions," under the title of "The Anarchists." " Next H le ft vow'd in doleful tone, No more to fire a thankless age : Oblivion mark'd his labours for her own, Neglected from the press, and damn'd upon the sta#e. See ! faithful to their mighty dam, C dge, S th y, L d, and L b, In splay-foot madrigals of love, Soft moaning like the widow'd dove, 4 COLERIDGE AND SOUTHEY. Pour, side-by-side, their sympathetic notes ; Of equal rights, and civic feasts, And tyrant kings, and knavish priests, Swift through the land the tuneful mischief floats. And now to softer strains they struck the lyre. They sung the beetle or the mole, The dying kid, or ass's foal, By cruel man permitted to expire." These effusions have the palliation which the excess of sportive wit, impelled by youthful spirits and fos- tered by the applause of the great, brings with it ; but it will be difficult to palliate the coarse malignity of a passage in the prose department of the same work, in which the writer added to a statement that Mr. Coleridge was dishonoured at Cambridge for preaching Deism : " Since then he has left his native country, commenced citizen of the world, left his poor children fatherless, and his wife destitute. Ex his disce, his friends Lamb and Southey." It was surely rather too much even for partisans, when de- nouncing their political opponents as men who " dirt on private worth and virtue threw," thus to slander two young men of the most exemplary character one, of an almost puritanical exactness of demeanour and conduct and the other, persevering in a life of noble self-sacrifice, chequered only by the frailties of a sweet nature, which endeared him even to those who were not admitted to the intimacy necessary to appreciate the touching example of his severer virtues ! If Lamb's acquaintance with Coleridge and Southey procured for him the scorn of the more virulent of the Anti-Jacobin party, he showed by his intimacy with another distinguished object of their animosity, that he was not solicitous to avert it. He was intro- GODWIN. 47 duced by Mr. Coleridge to one of the most remarkable persons of that stirring time the author of " Caleb Williams," and of the " Political Justice." The first meeting between Lamb and Godwin did not wear a promising aspect. Lamb grew warm as the con- viviality of the evening advanced, and indulged in some freaks of humour which had not been dreamed of in Godwin's philosophy ; and the philosopher, for- getting the equanimity with which he usually looked on the vicissitudes of the world or the whist-table, broke into an allusion to Gilray's caricature, and asked, " Pray, Mr. Lamb, are you toad or frog ?" ' Coleridge was apprehensive of a rupture; but calling the next morning on Lamb, he found Godwin seated at breakfast with him ; and an interchange of civilities and card-parties was established, which lasted through the life of Lamb, whom Godwin only survived a few months. Indifferent altogether to the politics of the age, Lamb could not help being struck with produc- tions of its new-born energies, so remarkable as the works and the character of Godwin. He seemed to realize in himself what Wordsworth long afterwards described, " the central calm at the heart of all agita- tion." Through the medium of his mind the stormy convulsions of society were seen " silent as in a picture." Paradoxes the most daring wore the air of deliberate wisdom as he pronounced them. He fore- told the future happiness of mankind, not with the inspiration of the poet, but with the grave and 1 " Mrs. Coleridge will remember," writes Southey, " the scene, which was to her sufficiently uncomfortable." In his first edition Talfourd, mistaking the point of the jest, had written, " are you both toad andjrog ?" F. 48 "JOHN WOODVIL." passionless voice of the oracle. There was nothing better calculated at once to feed and to make steady the enthusiasm of youthful patriots than the high speculations, in which he taught them to engage on the nature of social evils and the great destiny of his species. No one would have suspected the author of those wild theories, which startled the wise and shocked the prudent, in the calm, gentlemanly person who rarely said anything above the most gentle common-place, and took interest in little beyond the whist-table. His peculiar opinions were entirely subservient to his love of letters. He thought any man who had written a book had attained a superiority over his fellows which placed him in another class, and could scarcely understand other distinctions. Of all his works Lamb liked his " Essay on Sepulchres" the best a short development of a scheme for pre- serving in one place the memory of all great writers deceased, and assigning to each his proper station, quite chimerical in itself, but accompanied with solemn and touching musings on life and death and fame, embodied in a style of singular refinement and beauty. At this time Lamb began to write the tragedy of "John Woodvil." His admiration of the dramatists of Elizabeth's age was yet young, and had some of the indiscretion of an early love ; but there was nothing affected in the antique cast of his language, or the frequent roughness of his verse. His delicate sense of beauty had found a congenial organ in the style which he tasted with rapture ; and criticism gave him little encouragement to adapt it to the frigid insipidi- ties of the time. " My tragedy," says he in the first letter to Southey, which alludes to the play, "will be MANNING. 49 a medley (or I intend it to be a medley) of laughter and tears, prose and verse ; and, in some places, rhyme ; songs, wit, pathos, humour; and, if possible, sublimity; at least, 'tis not a fault in my intention if it does not comprehend most of these discordant atoms Heaven send they dance not the dance of death !" In another letter he there introduces the delicious rhymed passage in the " Forest Scene," which Godwin, having accidentally seen quoted, took for a choice fragment of an old dramatist, and went to Lamb to assist him in finding the author. It seems to have been finished about Christmas, and transmitted to Mr. Kemble. Like all young authors, who are fascinated by the splendour of theatrical representation, he longed to see his conceptions em- bodied on the stage, and to receive his immediate reward in the sympathy of a crowd of excited spec- tators. The hope was vain ; but it cheered him in many a lonely hour, and inspired him to write when exhausted with the business of the day, and when the less powerful stimulus of the press would have been insufficient to rouse him. In the summer he revisited the scenes in Hertford- shire, where, in his grandmother's time, he had spent so many happy holidays. His choice list of friends in the meantime received a most important addition in Mr. Thomas Manning, then a mathematical tutor at Cambridge ; of whom he became a frequent cor- respondent, and to whom he remained strongly attached through life. Lloyd had become a graduate of the University, and to his introduction Lamb was indebted for Manning's friendship. His letters show how earnestly, yet how modestly, Lamb sought it. Early in the following year (1800), Lamb, with his E 5O MANNING. sister, removed to Chapel Street, Pentonville. In the summer he visited Coleridge, at Stowey, and spent a few delightful holidays in his society and that of Wordsworth, who then resided in the neighbourhood. This was the first opportunity Lamb had enjoyed of seeing much of the poet, who was destined to exercise a beneficial and lasting influence on the literature and moral sense of the opening century. At this time Lamb was scarcely prepared to sympathise with the naked simplicity of the " Lyrical Ballads," which Wordsworth was preparing for the press. The " rich conceits" of the writers of Elizabeth's reign, had been blended with his first love of poetry, and he could not at once acknowledge the serene beauty of a style, in which language was only the stainless mirror of thought, and which sought no aid either from the grandeur of artificial life or the pomp of words. In after days he was among the most earnest of this great poet's admirers, and rejoiced as he found the scoffers who sneered at his bold experiment gradually owning his power. Coleridge shortly after came to town, to make arrangements for his contributions to the daily press, and afterwards spent some weeks with Lamb. It was during this visit that he recommended Lamb to Mr. Daniel Stuart, then editor of the Morning Post, as a writer of light articles, by which he might add something to an income, then barely sufficient for the decent support of himself and his sister. It would seem from his letter to Manning, that he had made an offer to try his hand at some personal squibs, which, ultimately, was not accepted. Manning need not have feared that there would have been a particle of malice in them ! Lamb afterwards became a cor- MANNING. 51 respondent 1 to the paper, and has recorded his expe- rience of the misery of toiling after pleasantries in one of the " Essays of Elia," entitled " Newspapers thirty-five years ago." 2 1 Lamb may have filled this office in the more extended sense ot the word. The Morning Post at this time sent an agent to Margate, to report the fashionable arrivals, etc. Now from an allusion in one ot Lamb's letters, he would seem to have been at Margate about this period (1802-3). I have discovered some of these "pleasantries," which will be found, post, in the notes to the Elia Essays. F. 2 He was not to keep this connection very long. " Charles has lost the newspaper, but what we dreaded as an evil has proved the greatest blessing, for we have both strangely recovered our health and spirits since this has happened." Letter of Mary Lamb, 1804. Connected with this loss, which was more serious than might have been sup- posed, was a little incident which gives a charming idea of Mary Lamb, her deep affection and earnestness, as well as of her pleasant discrimination of character. " My brother," she writes, " has had a letter from you. Mother, which has distressed him sadly about tht postage of some letters being paid by my brother your silly brother, it seems, has informed your Mother (I did not think your brother could have been so silly) that Charles had grumbled at paying the said post- age. The fact was, just at that time we were very poor, having los the Morning Post, & we were beginning to practise a strict economy. My brother, who never makes up his mind whether he will be a Miser or a Spendthrift, is at all times a strange mixture of both : of this failing, the even economy of your correct brother's temper makes him an ill judge. The miserly part of Charles, at that time smarting under his recent loss, then happened to reign triumphant ; and he would no* write, or let me write, so often as he wished, because the postage cost two and four pence. Then came two or three of your poor Mother' letters nearly together ; and the two & four pences he wished, but grudged, to pay for his own, he was forced to pay for hers. In this dismal distress, he applied to Fenwick to get his friend Motley to send them free from Portsmouth. This Mr. Fenwick could have done for half a word's speaking ; but this he did not do ! Then Charles fool- ishly & unthinkingly complained to your brother in a half serious, hah joking way ; & your brother has wickedly, and with malice afore thought, told your Mother. O fye upon him ! what will your Mo- E 2 52 MANNING. Lamb's constant apprehensions of the recurrence of his sister's malady were soon realized. An old maid-servant who assisted her in the lodging became ill ; Miss Lamb incessantly watched the death-bed ; and just as the poor creature died, was again seized with madness. He placed her under medical care. It would seem from his letters of this time, that the natural determination of Lamb " to take what plea- sure he could between the acts of his distressful drama," had led him into a wider circle of companion- ship, and had prompted sallies of wilder and broader mirth, which afterwards softened into delicacy, retain- ing all its whim. A passage, which concludes one of his letters to Manning, else occupied with merely personal details, proves that his apprehensions for the diminution of his reverence for sacred things were not wholly unfounded ; while, amidst its gro- tesque expressions, may be discerned the repugnance to the philosophical infidelity of some of his com- panions he retained through life. It may, perhaps, be regarded as a sort of desperate compromise be- tween a wild gaiety and religious impressions obscured tber think of us ? By entreaties & prayers 1 might have prevailed on my brother to say nothing about it. But I make a point of conscience never to interfere or cross my brother in the humour he happens to be in. Charles is sadly fretted now, I know, at what to say to your Mother. Say to her it was a jest misunderstood ; tell her Charles Lamb is not the shabby fellow she & her son took him for ; but that he is now & then a trifle whimsical or so. I do not ask your brother to do this, for I am offended with him for the mischief he has made." She adds : " I have known many single men I should have liked in my life (if it had suited them) for a husband . out very few husbands have I ever wished was mine, which is rather against the state in general ; but one never is disposed to envy wives their good husbands. So much for marrying but however get married, if you can." F. MANNING. 53 but not effaced ; and intimating his disapprobation of infidelity, with a melancholy sense of his own unworthiness seriously to express it. Indeed in all his letters to Manning a vein of wild humour breaks out, of which there are but slight indications in the correspondence with his more sentimental friends ; as if the very opposition of Manning's more scientific powertohis own force of sympathy provoked the sallies which the genial kindness of the mathematician fos- tered. The prodigal and reckless humour of some of these letters forms a striking contrast to the deep feeling of the earlier letters to Coleridge. His " Es- says of Elia" show the harmonious union of both. During this year (1800) Lamb carried into effect his purpose of removing to Mitre Court Buildings, Temple. During this time he wrote only a few poems. Meanwhile he had engaged to spend a few days when he could obtain leave, with Manning at Cambridge, and, just as he hoped to accomplish his wish, received an invitation from Lloyd to give his holiday to the poets assembled at the Lakes. In the joyous excitement of spirits which the anticipated visit to Manning produced, he played off Manning's proposal on his friend, and abused mountains and luxuriated in his love of London. He was presently called on to " assist" at the pro- duction of a tragedy, by a friend, whose more mature reputation gave him readier access to the manager, but who had no better claim to success than himself. Mr. Godwin, whose powerful romance of Caleb Wil- liams had supplied the materials for " The Iron Chest" of Colman, naturally aspired, on his own account, to the glory of the scene, and completed a tragedy under the title of " Antonio; or, the Soldier's 54 GODWIN. Return," which was accepted at Drury-lane Theatre, and was announced for representation on Saturday, the i3th December in this year. Lamb supplied the epilogue. Alas for human hopes ! The play was decisively damned, and the epilogue shared its fate. The tra- gedy turned out a miracle of dulness for the world to wonder at, although Lamb always insisted it had one fine line, which he was fond of repeating sole relic of the else forgotten play. 1 Kemble and Mrs. Sid- dons, the brother and sister of the play, toiled through four acts and a half without applause or disappro- bation ; one speech was not more vapid than another ; and so dead was the level of the dialogue, that, although its destiny was seen from afar, it presented no opportunity for hissing. But as the play drew towards a close, when, after a scene of frigid chiding not vivified by any fire of Kemble's own, Antonio drew his sword and plunged it into the heroine's bosom, the " sad civility" of the audience vanished, they started as at a real murder, and hooted the actors from the stage. " Philosophy," which could not " make a Juliet," sustained the author through the trial. He sat on one of the front benches of the pit, unmoved amidst the storm. When the first act passed off without a hand, he expressed his satis- faction at the good sense of the house ; " the proper season of applause had not arrived ;" all was exactly 1 In the fourth scene of that tragedy, where the description of the Pagan deities occurs. " In speaking of Saturn, he is figured as an old man melancholy.' ' That was my line,' Lamb would say, exultingly. I forget how it was originally written, except that it had not the extra (or eleventh) syllable, which it now has." Procter. F. GODWIN. 55 as it should be. The second act proceeded to its close in the same uninterrupted calm ; his friends became uneasy, but still his optimism prevailed ; he could afford to wait. And though he did at last admit the great movement was somewhat tardy, and that the audience seemed rather patient than interested, he did not lose his confidence till the tumult arose, and then he submitted with quiet dignity to the fate of genius, too lofty to be understood by a world as yet in its childhood ! Notwithstanding this rude repulse, Mr. Godwin retained his taste for the theatre to the last. On every first night of a new piece, whether tragedy, comedy, or farce, whether of friend or foe, he sat with gentle interest in a side-box, and bore its fate, whatever it might be, with resignation, as he had done his own. 1 The ominous postponement of Lamb's theatrical hopes was followed by their disappointment at the commencement of the century. He was favoured with at least one interview by the stately manager of Drury Lane, Mr. Kemble, who extended his high-bred courtesy even to authors, whom he invariably attended to the door of his house in Great Russell Street, and bade them " beware of the step." Godwin's cata- strophe had probably rendered him less solicitous to encounter a similar peril ; which the fondest admirers of "John Woodvil" will not regret that it escaped. While the occasional roughness of its verse would have been felt as strange to ears as yet unused to the old dramatists whom Lamb's Specimens had not then made familiar to the town, the delicate beauties 1 Lamb's grotesque account of the scene will be found in a re- trenched passage of one of his Essays. F. 56 "JOHN WOODVIL." enshrined within it would scarcely have been perceived in the glare of the theatre. Exhibiting " the depth, and not the tumults of the soul," presenting a female character of modest and retiring loveliness and noble purpose, but undistracted with any violent emotion, and developing a train of circumstances which work out their gentle triumphs on the heart only of the hero, without stirring accident or vivid grouping of persons, it would scarcely have supplied sufficient of coarse interest to disarm the critical spirit which it would certainly have encountered in all its bitter- ness. Lamb cheerfully consoled himself by publishing it ; and at the close of the year 1801 it appeared in a small volume, of humble appearance, with the " Frag- ments of Burton" (to which Lamb alluded in one of his previous letters), two of his quarto ballads, and the " Helen" of his sister. The daring peculiarities attracted the notice of the Edinburgh reviewers, then in the infancy of their slashing career, and the volume was immolated, in due form, by the self-constituted judges, who, taking for their motto " Judex damnatur cum nocens absol- vitur," treated our author as a criminal convicted of publishing, and awaiting his doom from their sen- tence. With the gay recklessness of power, at once usurped and irresponsible, they introduced Lord Mansfield's wild construction of the law of libel into literature ; like him, holding every man primd facie guilty, who should be caught in the act of publishing a book, and referring to the court to decide whether sentence should be passed on him. The article on "John Woodvil," which adorned their third number, is a curious example of the old style of criticism vivified by the impulses of youth. We wonder now "JOHN WOODVIL." 57 and probably the writer of the article, if he is living, will wonder with us that a young critic should seize . on a little eighteen-penny book, simply printed, with- out any preface : make elaborate merriment of its outline, and, giving no hint of its containing one profound thought or happy expression, leave the reader of the review at a loss to suggest a motive for noticing such vapid absurdities. This article is written in a strain of grave banter, the theme of which is to congratulate the world on having a speci- men of the rudest condition of the drama, " a man of the age of Thespis." "At length," says the reviewer, " even in composition a mighty veteran has been born. Older than ^Eschylus, and with all the spirit of originality, in an age of poets who had before them the imitations of some thousand years, he comes forward to establish his claim to the ancient hircus, and to satiate the most remote desires of the philosophic antiquary." On this text the writer proceeds, selecting for his purpose whatever, torn from its context, appeared extravagant and crude, and ending without the slightest hint that there is merit, or promise of merit, in the volume. There certainly was no malice, or desire to give pain, in all this; it was merely the result of the thoughtless adoption, by lads of gaiety and talent, of the old critical canons of the Monthly Reviews, which had been accustomed to damn all works of unpatronized genius in a more summary way, and after a duller fashion. These very critics wrought themselves into good-nature as they broke into deeper veins of thought ; grew gentler as they grew wiser : and sometimes, even when, like Balaam, they came to curse, like him, they ended with "blessing altogether," 58 HESTER SAVORY. as in the review of the " Excursion," which, begin- ning in the old strain, " This will never do," pro- ceeded to give examples of its noblest passages, and to grace them with worthiest eulogy. And now, the spirit of the writers thus ridiculed, especially of Wordsworth, breathes through the pages of this very Review, and they not seldom wear the " rich em- broidery" of the language of the poet once scoffed at by their literary corporation as too puerile for the nursery. The year 1803 passed without any event to disturb the dull current of Lamb's toilsome life. He wrote nothing this year, except some newspaper squibs. His occasional connection with newspapers introduced him to some of the editors and contributors of that day, who sought to repair the spirit wasted by per- petual exertion, in the protracted conviviality of the evening, and these associates sometimes left poor Lamb with an aching head, and a purse exhausted by the claims of their necessities upon it. Among those was Fenwick, immortalised as the Bigod of " Elia," who edited several ill-fated newspapers in succession, and was the author of many libels, which did his employers no good and his Majesty's govern- ment no harm. This year he also wrote the delightful little poem on the death of Hester Savory. This he sent to Manning at Paris, with the following account of its subject : " Dear Manning, I send you some verses I have made on the death of a young Quaker you may have heard me speak of as being in love with for some years while I lived at Pentonville, though I had never spoken to her in my life. She died about a month since. If you have interest with the Abbe de Lisle, HAZLITT. 59 you may get 'em translated : he has done as much for the Georgics." The verses must have been written in the very happiest of Lamb's serious mood. I cannot refrain from the luxury of quoting the conclusion, though many readers have it by heart. " My sprightly neighbour, gone before To that unknown and silent shore ! Shall we not meet as heretofore, Some summer morning. When from thy cheerful eyes a ray Hath struck a bliss upon the day, A bliss that would not go away, A sweet forewarning ?" There is no vestige of Lamb's correspondence in the year 1804, nor does he seem to have written for the press. This year, however, added to his list of friends one in whose conversation he took great delight, until death severed them William Hazlitt. This remarkable metaphysician and critic had then just completed his first work, the " Essay on the Principles of Human Action," but had not entirely given up his hope of excelling as a painter. After a professional tour through part of England, during which he satisfied his sitters better than himself, he remained some time at the house of his brother, then practising as a portrait painter with considerable success ; and while endeavouring to procure a pub- lisher for his work, painted a portrait of Lamb. 1 ' Some extracts from Mary Lamb's letters, of this period, will give an idea of the secret gloom that overhung this menage. It suggests the painful influences brother and sister had to struggle against, and that there were in that household other dismal elements. This indeed 6O HAZLITT. It is one of the last of Hazlitt's efforts in an art which he afterwards illustrated with the most ex- was only to be expected, and is scarcely hinted at in Talfourd's equable narrative. Miss Lamb wrote in Sept., 1805 : " If I possibly can, I will prevail upon Charles to write to your brother ; but he is so unwell, I almost fear the fortnight will slip away before I can get him in the right vein, indeed, it has been sad & heavy times with us lately : when I am pretty well, his low spirits throws me back again ; & when he begins to get a little chearful, then I do the same kind office for him. I heartily wish for the arrival of Coleridge ; a few such evenings as we have sometimes passed with him would wind us up, and set us a going again. Do not say any thing, when you write, of our low spirits it will vex Charles. You would laugh, or you would cry, perhaps both, to see us sit together, looking at each other with long and rueful faces, & saying, 'how do you do?' & 'how do you do?' and then we fall a-crying, & say we will be better on the morrow." Again in November: " Your kivid heart will, I know, even if you have been a little dis- pleased, forgive me, when I assure you my spirits have been so much hurt by my last illness, that at times I hardly know what I do. I do not mean to alarm you about myself, or to plead an excuse ; but I am very much otherwise than you have always known me. I do not think any one perceives me altered, but I have lost all self-confidence in my own actions, & one cause of my low spirits is, that 1 never feel satisfied with any thing I do a perception of not being in a sane state perpe- tually haunts me." What follows opens up further the troubled interior : " Charles is very busy at the Office ; he will be kept there to-day till seven or eight o'Clock : and he came home very smoky & drinky last night ; so that I am afraid a hard day's work will not agree very well with him. "March [May] 14. Here I was interrupted; and a long, tedious interval has intervened, during which I have had neither time nor inclination to write a word. The Lodging that pride and pleasure of your heart & mine, is given up, and here he is again Charles, 1 mean as unsettled and as undetermined as ever. When he went to the poor lodging, after the hollidays I told you he had taken, he could not endure the solitariness of them, and I had no rest for the sole ot HAZLITT. 6l quisite criticism which the knowledge and love of it could inspire. my foot till I promised to believe his solemn protestations that he could & would write as well at home as there. Do you believe this ? " I have no power over Charles he will do what he will do. But I ought to have some little influence over myself. You shall hear a good account of me, and the progress I make in altering my fretful temper to a calm and quiet one. It is but being once thorowly con- vinced one is wrong, to make one resolve to do so no more ; and I know my dismal faces have been almost as great a drawback upon Charles's comfort, as his feverish, teazing ways have been upon mine. Our love for each other has been the torment of our lives hitherto. I am most seriously intending to bend the whole force of my mind to counteract this, and I think I see some prospect of success. " Of Charles ever bringing any work to pass at home, I am very doubtful; and of the farce succeeding, I have little or no hope; but if T could once get into the way of being chearful myself, I should see an easy remedy in leaving town & living cheaply, almost wholly alone ; but till I do find we really are comfortable alone, and by ourselves, it seems a dangerous experiment. We shall certainly stay where we are till after next Christmas." Letters of Charles and Mary Lamb. F. CHAPTER IV. [18061815.] " MR. H." TEMPLE LANE. THE " QUARTERLY REVIEW" ATTACK. " THE first-fruits of my retirement," Lamb wrote to Hazlitt, " has now been a farce which goes to manager to-morrow. Wish my ticket luck. God bless you, and do write. Yours, fumosissimus, C. LAMB." The farce referred to is the delightful jeucTesprit, " MR. H.," destined to only one night's stage exist- ence, but to become " good jest for ever." It must be confessed that it has not substance enough for a dramatic piece in two acts a piece which must present a show of real interest involve its pair of young lovers in actual perplexities and terminate in the seriousness of marriage P It would be rare sport in Milton's " Limbo of Vanity," but is too airy for the ponderous sentimentalism of the modern school of farce. As Swift, in " Gulliver," brings everything to the standard of size, so in this farce everything is reduced to an alphabetical standard. Humour is sent to school to learn its letters; or, rather, letters are made instinct with the most delicate humour. It is the apotheosis of the alphabet, and teaches the value of a good name without the least hint of moral 1 Leigh Hunt thought that had the name been " Mr. Horridface, or Mr. Hangman, or Mr. Hornowl or Hellish," etc., the effect would have been better. F. " MR. H ." 63 purpose. 1 This mere pleasantry this refining on sounds and letters this verbal banter, and watery collision of the pale reflexions of words, could not succeed on a stage which had begun to require interest, moral or immoral, to be interwoven with the web of all its actions ; which no longer rejoiced in the riot of animal spirits-and careless gaiety; which no longer permitted wit to take the sting from evil, as well as the load from care; but infected even its prince of rakes, Charles Surface, with a cant of sentiment which makes us turn for relief to the more honest hypocrite his brother. Mr. H. " could never do ;" but its composition was pleasant, and its acceptance gave Lamb some of the happiest moments he ever spent. 2 Wednesday, loth December, 1806, was the wished- for evening which decided the fate of " Mr. H." on the boards of Drury. Great curiosity was excited by the announcement; the house was crowded to the ceiling; and the audience impatiently awaited the conclusion of the long, dull, intolerable opera of " The Travellers," by which it was preceded. At length, Mr. Elliston, the hero of the farce, entered, gaily dressed, and in happiest spirits enough, but not too much, elated and delivered the prologue with great vivacity and success. The farce began ; at first it was much applauded ; but the wit seemed wire-drawn ; and when the curtain fell on the first act, the friends of the author began to fear. The second act dragged 1 This is a too exaggerated estimate of the merits of the piece, which is undramatic in construction. In Alibone's Dictionary it is stated that it was acted with success at Philadelphia. F. s Mary Lamb carried it herself to Drury Lane. " He was very civil to me," she says of Wroughton the manager. F. 64 " MR. H ." heavily on, as second acts of farces will do ; a rout at Bath, peopled with ill-dressed and over-dressed actors and actresses, increased the disposition to yawn ; and when the moment of disclosure came, and nothing worse than the name Hogsfiesh was heard, the audi- ence resented the long play on their curiosity, and would hear no more. Lamb, with his sister, sat, as he anticipated, in the front of the pit, and having joined in encoring the epilogue, the brilliancy of which injured the farce, he gave way with equal pliancy to the common feeling, and hissed and hooted as loudly as any of his neighbours. The next morning's play- bill contained a veracious announcement, that " the new farce of MR. H., performed for the first time last night, was received by an overflowing audience with universal applause, and will be repeated for the second time to-morrow ;" but the stage lamps never that morrow saw ! Elliston would have tried it again : but Lamb saw at once that the case was hopeless, and consoled his friends with a century of puns for the wreck of his dramatic hopes. 1 1 It was thus announced. " To-morrow The Travellers, after which (never acted) a new Farce in two acts, called ' Mr. H .' The charac- ters by Mr. Elliston, Mr. Bartley, Mr. Wewitzer, Miss Mellon, Miss Tidswell," etc. The performance was thus criticised in the Morning Chronicle : " Last night, after the opera of The Travellers, a new Farce was produced here, entitled ' Mr. H .' This air of mystery had the effect of attracting a very numerous audience. Before the rising of the curtain, and for some time after, many conjectures were formed respecting the name, and a few of the spectators seemed disposed to concur with some of the personages of the piece, in the supposition that he must turn out to be no other than the Prince of Hesse in dis- guise." An account follows of the plot. " The idea certainly might have afforded material lor a laughable entertainment, as it may be easily conceived that the fear of discovery might have brought Mr. H " MR. H ." 65 From this period, the letters of Lamb which have been preserved are comparatively few, with reference into many awkward predicaments, and his excessive irritability respect- ing his name occasioned much ludicrous conversation. The author has not by any means made so much of it as he might have done. At the same time he did not entirely fail, for the horror of Mr. H. at his own name, and his embarrassment from the eagerness of everybody to discover it, was tolerably supported. But there were defects in the piece, which justified a part of the disapprobation which it experienced towards the close. The chief of these were, first, the excessive length to which the puns on the name were carried after the discovery ; and secondly, the want of prominent characters. . . . This excessive punning produces disgust rather than laughter. The only character of any, consequence is Mr. H-. himself, and he, unfortunately, is not managed so as to enable him to support completely the interest of the piece. The unexpected change of name seemed to shock from its improbability, and the pun attached to it rather increased the disgust. The conclusion, too, was exceedingly tame and ill-managed. If, however, the most obnoxious of the puns were struck out, and a more interesting concluding scene devised, the piece might be tolerable. Certainly, even as it is, more insipid farces have been endured, and the dissatisfaction with which it was received was greater than the occasion called for. A considerable number, however, declared in its favour, and it was given out for a second representation on Friday." The author, Hazlitt, and Mr. Crabb Robinson sat together in the front row of the pit. The reception of the prologue was encouraging, and it was believed that had a less ponderous piece than The Travellers opened the performance the piece might have succeeded. His two companions were astonished to find him joining in the hisses. Lewis the actor declared, that with judicious curtailment it would even have been popular. Even now, when its author's reputation is estab- lished, it would be found amusing, and certainly interesting, if com- pressed into a one-act piece. On the following morning it was announced for Friday evening ; but in the programme of that day appeared the following: " * t * The new farce of Mr. H is with- drawn at the request of the author ;" and " Three Weeks after Mar- riage" was substituted. " Much whim," said the Daily Advertiser, "was expected. The piece was completely condemned." The laborious Geneste declares "that worse farces than this have been successful." F. F 66 TEMPLE LANE. to the years through which they are scattered. He began to write in earnest for the press, and the time thus occupied was withdrawn from his correspondents, while his thoughts and feelings were developed by a different excitement, and expressed in other forms. In the year 1807 the series of stories founded on the plays of Shakspeare, referred to in his last letter to Manning, was published ; in which the outlines of his plots are happily brought within the apprehension of children, and his language preserved wherever it was possible to retain it; a fit counterpoise to those works addressed to the young understanding, to which Lamb still cherished the strong distaste which broke out in one of his previous letters. Of these tales, King Lear, Macbeth, Timon of Athens, Romeo and Juliet, Hamlet, and Othello, are by Charles, and the others by Mary Lamb ; hers being, as Lamb always insisted, the most felicitous, but all well adapted to infuse some sense of the nobleness of the poet's thoughts into the hearts of their little readers. He had two other works preparing for the press. Miss Lamb, also, sought to contribute to her bro- ther's scanty income by presenting the plots of some of Shakespeare's plays in prose, with the spirit of the poet's genius interfused, and many of his happiest expressions preserved, in which good work Lamb assisted her; though he always insisted, as he did in reference to " Mrs. Leicester's School," that her por- tions were the best. During the next year they produced their charming little book of " Poetry for Children," and removed from Mitre Court to Southampton Buildings, but only for a few months, and preparatory to a settlement (which meant to be final) in those rooms in Inner TEMPLE LANE. 67 Temple Lane, most dear of all their abodes to the memory of their ancient friends where first I knew them. The change produced its natural and sad effect on Miss Lamb. 1 1 Here is Mary Lamb's quaint sketch of the place, written four years later : " We still live in Temple Lane, but I am now sitting in a room you never saw ; soon after you left us we were distressed by the cries of a cat, which seemed to proceed from the garrets adjoining to ours, and only separated from ours by the locked door on the farther side of my brother's bedroom, which you know was the little room at the top of the kitchen stairs. We had the lock forced and let poor puss out from behind a panel of the wainscot, and she lived with us from that time, for we were in gratitude bound to keep her, as she had introduced us to four untenanted, unowned rooms, and by degrees we have taken possession of these unclaimed apartments first putting up lines to dry our clothes, then moving my brother's bed into one of them, more commodious than his own room. And last winter, my brother being unable to pursue a work he had begun, owing to the kind interruptions of friends who were more at leisure than himself, I persuaded him that he might write at his ease in one of these rooms, as he could not then hear the door knock, or hear himself denied to be at home, which was sure to make him call out and convict the poor maid in a fib. Here, I said, he might be almost really not at home. So I put in an old grate, and made him a fire in the largest of these garrets, and carried in one table and one chair, and bid him write away, and consider himself as much alone as if he were in some lodging on the midst of Salisbury Plain, or any other wide unfrequented place where he could expect few visitors to break in upon his solitude. I left him quite delighted with his new acquisition, but in a few hours he came down again with a sadly dismal face. He could do nothing, he said, with those bare whitewashed walls before his eyes. He could not write in that dull unfurnished prison. " The next day, before he came home from his office, I had gathered up various bits of old carpeting to cover the floor ; and, to a little break the blank look of the bare walls, I hung up a few old prints that used to ornament the kitchen, and after dinner, with great boast of what an improvement I had made, I took Charles once more into his new study. A week of busy labours followed, in which I think you would not hav e disliked to have been our assistant. My brother and I F 2 68 TEMPLE LANE. A journey into Wiltshire, to visit Hazlitt, followed Miss Lamb's recovery. Martin Burney and a large company were of the party. 1 almost covered the walls with prints, for which purpose he cut out every print from every book in his old library, coming in every now and then to ask my leave to strip a fresh poor author which he might not do, you know, without my permission, as I am elder sister. There was such pasting, such consultation where their portraits, and where a series of pictures from Ovid, Milton, and Shakespeare would show to most advantage, arid in what obscure corner authors of humbler note might be allowed to tell their stories. All the books gave up their stories but one a translation from Ariosto a delicious set of four- and-twenty prints, and for which I had marked out a conspicuous place ; when lo ! we found at the moment the scissors were going to work that a part of the poem was printed at the back of every picture. What a cruel disappointment ! To conclude this long story about nothing, the poor despised garret is now called the print room, and is become our most favourite sitting-room.'' Mary Lamb to Miss Betham, Nov. 2, 1814. Mr. Crabb Robinson says the place was little more than " a garret ;" and in his diary, Talfourd's allusion to its disastrous effect on Mary Lamb receives significant confirmation. In 1810, Mr. Robinson wrote that she was " in a feeble and tottering condition. Water prescribed." The amiable motive of her brother's abstinence appears to have been a wish to encourage and support her ; and though the practice improved his health, yet when in low spirits it left him without a remedy. F. 1 As a large company was invited ; and Mary Lamb, with touching forethought, seems to have sent the hostess a contribution to defray the extra expense, " We can spare you also just five pounds," she wrote. " You are not to say this to Hazlitt, lest his delicacy should be alarmed ; but I tell you what Martin and I have planned, that, if you happen to be empty pursed at this time, you may think it as well to make him up a bed in the best kitchen. " I think it very probable that Phillips will come ; and, if you do not like such a crowd of us, for they both talk of staying a whole month, tell me so, and we will put off our visit to next summer. "The 1 4th July is the day Martin has fixed for coming. \ should have written before, if I could have got a positive answer from them." F. TEMPLE LANE. 6Q But the country excursions, with which Lamb sometimes occupied his weeks of vacation, were taken with fear and trembling often foregone and finally given up, in consequence of the sad effects which the excitement of travel and change produced in his beloved companion. Two new works were shortly after published. " The Adventures of Ulysses " had some tinge of the quaintness of Chapman ; it gives the plot of the earliest and one of the most charming of romances, without spoiling its interest. The " Specimens of English Dramatic Poets who lived about the time of Shakspeare," were received with more favour than Lamb's previous works, though it was only by slow and imperceptible degrees that they won their way to the apprehensions of the most influential minds, and wrought out the genial purpose of the editor in renewing a taste for the great contemporaries of Shakspeare. The Monthly Review vouchsafed a notice in its large print, upon the whole favourable, according to the existing fashion of criticism, but " craftily qualified." It will scarcely be credited, without reference to the article itself, that on the notes the critic pronounces this judgment : " The notes before us indeed have nothing very remarkable, except the style, which is formally abrupt and elabo- rately quaint. Some of the most studied attempts to display excessive feeling we had noted for animad- version, but the task is unnecessary," etc. It is easy to conceive of readers strongly dissenting from some of the passionate eulogies of these notes, and even taking offence at the boldness of the allu- sions ; but that any one should read these essences of criticism, suggesting the profoundest thoughts, and 7O THE "QUARTERLY REVIEW*' ATTACK. replete throughout with fine imagery, and find in them " nothing remarkable," is a mystery which puzzles us. But when the same critic speaks of the heroine of the " Broken Heart" as "the light-heeled Calantha," it is easy to appreciate his fitness for sitting in judgment on the old English drama and the congenial expositor of its grandeurs ! In the autumn, the establishment of a Quarterly Magazine, entitled the Reflector, opened a new sphere for Lamb's powers as a humorist and a critic. Its editor, Mr. Leigh Hunt, haying been educated in the same school, enjoyed many associations and friend- ships in common with him, and was thus able to excite in Lamb the greatest motive for exertion in the zeal of kindness. In this Magazine appeared some of Lamb's noblest effusions ; his essay " On Garrick and Acting," which contains the character of Lear, perhaps the noblest criticism ever written, and on the noblest human subject ; his delightful " Essays on Hogarth ;" his " Farewell to Tobacco," and several of the choicest of his gayer pieces. The number of the Quarterly Review, for December, 1811, contained an attack upon Lamb, which it would be difficult, as well as painful, to characterise as it deserves. Mr. Weber, in his edition of " Ford," had extracted Lamb's note on the catastrophe of " The Broken Heart," in which Lamb, speaking of that which he regarded as the highest exhibition of tragic suffering which human genius had depicted, dared an allusion which was perhaps too bold for those who did not understand the peculiar feeling by which it was suggested, but which no unprejudiced mind could mistake for the breathing of other than a pious spirit. In reviewing Mr. Weber, the critic, who was also the THE "QUARTERLY REVIEW" ATTACK. 7! editor of the Review, thus complains of the quota- tion : " We have a more serious charge to bring against the editor than the omission of points, or the misapprehension of words. He has polluted his pages with the blasphemies of a poor maniac, who, it seems, once published some detached scenes of the ' Broken Heart.' For this unfortunate creature, every feeling mind will find an apology in his calamitous situation ; but for Mr. Weber, we know not where the warmest of his friends will find palliation or excuse." It would be unjust to attribute this para- graph to the accidental association of Lamb in literary undertakings with persons like Mr. Hunt, strongly opposed to the political opinions of Mr. Gifford. It seems rather the peculiar expression of the distaste of a small though acute mind for an original power which it could not appreciate, and which disturbed the conventional associations of which it was master, aggravated by bodily weakness and disease. 1 I Talfourd, in his warmth for his friend, taunts the reviewer with having a small but acute mind, with associations " aggravated by bodily weakness and disease." This reproach offends against taste almost as much as the original attack. It would seem incredible indeed, even in those days of personality, that any writer would have made an infirmity of the kind a subject of abuse ; this kind of recrimination being in favour, as Lamb has said in one of his " popular fallacies," with the lower and less cultivated classes. It seems that Mr. Gifford meant no more than the conventional terms that were applied in The Anti-Jaco- bin and other Tory organs, to Radicals and Freethinkers, then inva- riably pronounced to be tools, madmen, or scoundrels. Southey wrote to the publisher, Murray, lamenting that such an unfortunate expression had been used, and received from Gifford the following, dated Feb. 13, 1812: " My dear Sir, ... I have this moment received your last letter to Murray. It has grieved and shocked me beyond expression ; but, my dear friend, I am innocent, as far as the intent goes. I call God to 72 THE "QUARTERLY REVIEW" ATTACK. Notwithstanding this attack, Lamb was prompted by his admiration for Wordsworth's " Excursion" to contribute a review of that work, on its appearance, to the Quarterly, and he anticipated great pleasure in the poet's approval of his criticism ; but when the review appeared, the article was so mercilessly man- gled by the editor, that Lamb entreated Wordsworth not to read it. For these grievances Lamb took a very gentle revenge in his sonnet, " Saint Crispin to Mr. Gifford." Lamb, as we have seen, cared nothing for politics ; witness that in the whole course of my life 1 never heard one syllable of Mr. Lamb or his family. I knew not that he ever had a sister, or that he had parents living, or that he or any person connected with him had ever manifested the slightest tendency to insanity. In a word, I declare to you, in the most solemn manner, that all I ever knew or ever heard of Mr. Lamb was merely his name. Had I been aware of one of the circumstances which you mention, I would have lost my right arm sooner than have written what I have. The plain truth is, I was shocked at seeing him compare the suffering and death of a person who just continues to dance after the death of her lover is announced (for this is all her merit) to the pangs of Mount Calvary ; and not choosing to attribute it to FOLLY, because I reserved that charge for Weber, I unhappily in the present case ascribed it to madness, for which I pray God to forgive me, since the blow has fallen heavily where I really thought it would not be felt. I considered Lamb as a thought- less scribbler, who, in circumstances of ease, amused himself by writing upon any subject. Why I thought so I cannot tell, but it was the opinion I formed to myself, for I now regret to say I never made any inquiry upon the subject; nor by any accident in the whole course of my life did 1 hear him mentioned beyond his name." It must be said that nothing could be more frank or truthful than this explanation ; and this genuine distress, as Southey says, makes one think better of Gifford. It was unfortunate that the letter was not found in time to be used in the Biography. Further, on consulting the number, I could not succeed in finding the obnoxious passage : so must have withdrawn it in the later impressions. F. THE "QUARTERLY REVIEW ATTACK. 73 yet his desire to serve his friends sometimes induced him to adopt for a short time their view of public affairs, and assist them with a harmless pleasantry. 1 His epigram on the disappointment of the Whig associates of the Regent, appeared in the Examiner ; and the better known " Triumph of the Whale," also published in the same paper, would probably have only caused a smile if read by the Regent himself, and may now be republished without offence to any one. At the time when he wrote it, Lamb used to stop any passionate attacks upon the prince, with the smiling remark, " / love my Regent." ' This scarcely represents the true state of the case. Lamb's politi- cal squibs all show a heartiness and bitterness witness his epigram on Sir J. Mackintosh which proves that his feelings were engaged. These satires, too, are much more numerous than is supposed. It was only Talfourd's amiable optimism that could have led him to believe that the Regent would have " smiled " on reading " The Whale ;" a more bitter, savage onslaught was never made. F. ( 74 ) CHAPTER V. [1815 to 1817.] LAMB'S SUPPERS. IT was at the beginning of the year 1815 that I had first the happiness of a personal acquaintance with Mr. Lamb. With his scattered essays and poems I had become familiar a few weeks before, through the instrumentality of Mr. Barren Field, now Chief Justice of Gibraltar, who had been brought into close intimacy with Lamb by the association of his own family with Christ's Hospital, of which his father was the surgeon, and by his own participation in the Reflector. Living then in chambers in Inner Temple Lane, and attending those of Mr. Chitty, the special pleader, which were on the next staircase to Mr. Lamb's, I had been possessed some time by a desire to become acquainted with the writings of my gifted neighbour, which my friend was able only par- tially to gratify. " John Woodvil," and the number of the Reflector enriched with Lamb's article, he indeed lent me, but he had no copy of " Rosamund Gray," which I was most anxious to read, and which, after earnest search through all the bookstalls within the scope of my walks, I found, exhibiting proper marks of due appreciation, in the store of a little circulating library near Holborn. There was some- thing in this little romance so entirely new, yet breathing the air of old acquaintance ; a sense of LAMB'S SUPPERS. 75 beauty so delicate and so intense ; and a morality so benignant and so profound, that, as I read it, my curiosity to see its author rose almost to the height of pain. The commencement of the new year brought me that gratification ; I was invited to meet Lamb at dinner, at the house of Mr. William Evans, a gentle- man holding an office in the India House, who then lived in Weymouth Street, and who was a proprietor of the Pamphleteer, to which I had contributed some idle scribblings. My duties at the office did not allow me to avail myself of this invitation to dinner, but I went up at ten o'clock, through a deep snow, palpably congealing into ice, and was amply repaid when I reached the hospitable abode of my friend. There was Lamb, preparing to depart, but he stayed half an hour in kindness to me, and then accompanied me to our common home the Temple. Methinks I see him before me now, as he appeared then, and as he continued, with scarcely any per- ceptible alteration to me, during the twenty years of intimacy which followed, and were closed by his death. A light frame, so fragile that it seemed as if a breath would overthrow it, clad in clerk-like black, was sur- mounted by a head of form and expression the most noble and sweet. His black hair curled crisply about an expanded forehead ; his eyes, softly brown, twin- kled with varying expression, though the prevalent feeling was sad ; and the nose slightly curved, and delicately carved at the nostril, with the lower outline of the face regularly oval, completed a head which was finely placed on the shoulders, and gave im- portance, and even dignity, to a diminutive and shadowy stem. Who shall describe his countenance catch its quivering sweetness and fix it for ever in j6 LAMB'S SUPPERS. words ? There are none, alas ! to answer the vain desire of friendship. Deep thought, striving with humour ; the lines of suffering wreathed into cordial mirth ; and a smile of painful sweetness, presents an image to the mind it can as little describe as lose. His personal appearance and manner are not unfitly characterised by what he himself says in one of his letters to Manning of Braham " a compound of the Jew, the gentleman, and the angel." He took my arm, and we walked to the Temple, Lamb stammering out fine remarks as we walked ; and when we reached his staircase, he detained me with an urgency which would not be denied, and we mounted to the top story, where an old petted servant, called Becky, was ready to receive us. We were soon seated beside a cheerful fire ; hot water and its better adjuncts were before us ; and Lamb insisted on my sitting with him while he smoked " one pipe" for, alas ! for poor human nature he had resumed his acquaintance with his " fair traitress." How often the pipe and the glasses were replenished, I will not undertake to disclose ; but I can never forget the conversation : though the first, it was more solemn, and in higher mood, than any I ever after had with Lamb through the whole of our friendship. How it took such a turn between two strangers, one of them a lad of not quite twenty, I cannot tell ; but so it happened. We discoursed then of life and death, and our anticipation of a world beyond the grave. Lamb spoke of these awful themes with the simplest piety, but expressed his own fond cleavings to life to all well-known accustomed things and a shivering (not shuddering) sense of that which is to come, which he so finely indicated in his " New Year's Eve," years afterwards. LAMB S SUPPERS. 77 It was two o'clock before we parted, when Lamb gave me a hearty invitation to renew my visit at pleasure ; but two or three months elapsed before I saw him again. In the meantime, a number of the Pamphleteer, contained an " Essay on the Chief Living Poets," among whom on the title appeared the name of Lamb, and some page or two were ex- pressly devoted to his praises. It was a poor tissue of tawdry eulogies a shallow outpouring of young enthusiasm in fine words, which it mistakes for thoughts; yet it gave Lamb, who had hitherto received scarcely civil notice from reviewers, great pleasure to find that any one recognised him as having a place among the poets. The next time I saw him, he came almost breathless into the office, and proposed to give me what I should have chosen as the greatest of all possible honours and delights an introduction to Wordsworth, who I learned, with a palpitating heart, was actually at the next door. I hurried out with my kind conductor, and a minute after was presented by Lamb to the person whom in all the world I venerated most with this preface : " Wordsworth, give me leave to introduce to you my only admirer." The years which Lamb passed in his chambers in Inner Temple Lane were, perhaps, the happiest of his life. His salary was considerably augmented, his fame as an author was rapidly extending ;' he resided 1 Many years later he met Moore at breakfasts and dinners ; and it Is amusing to see the air of patronage with which the poet records his impressions. " A clever fellow certainly," he writes in his diary, " but full of villanous and abortive puns, which he miscarries of every minute." He was, however, pleased with his comic idea of forming a library solely of the heroes of the Dunciad, displacing the Humes. Gibbons, and other respectable authors, "which no gentleman's library 78 LAMB'S SUPPERS. near the spot which he best loved ; and was surrounded by a motley group of attached friends, some of them men of rarest parts, and all strongly attached to him and to his sister. Here the glory of his Wednesday nights shone forth in its greatest lustre. If you did not meet there the favourites of fortune ; authors whose works bore the highest price in Paternoster Row, and who glittered in the circles of fashion ; you might find those who had thought most deeply, felt most keenly, and were destined to produce the most lasting influences on the literature and manners of the age. There Hazlitt, sometimes kindling into fierce passion at any mention of the great reverses of his idol Napoleon, at other times bashfully enunciated the finest criticism on art; or dwelt with genial iteration on a passage in Chaucer ; or, fresh from the theatre, expatiated on some new instance of energy in Kean, or reluctantly conceded a greatness to Kemble ; or detected some popular fallacy with the fairest and the subtlest reasoning. There Godwin, as he played his quiet rubber, or benignantly joined in the gossip of the day, sat an object of curiosity and wonder to the stranger, who had been at one time shocked or charmed with his high speculation, and at another awe-struck by the force and graphic power of his novels. There Coleridge sometimes, though rarely, took his seat; and then the genial hubbub of voices was still ; critics, philosophers, and should be without." Yet Lamb was delighted with him. " Mister Moore," Mr. Crabb Robinson heard him call out not very distinctly across the table, "will you drink a glass of wine with me?" Ther suiting the action to the word, he went on : " Mister Moore, till now I have always felt an antipathy, but now tliat I have seen you, I shalJ like you ever after." F. LAMB'S SUPPERS. 79 poets, were contented to listen ; and toil-worn lawyers, clerks from the India House, and members of the Stock Exchange, grew romantic while he spoke. Lamb used to say that he was inferior then to what he had been in his youth ; but I can scarcely believe it ; at least there is nothing in his early writing which gives any idea of the richness of his mind so lavishly poured out at this time in his happiest moods. Although he looked much older than he was, his hair being silvered all over, and his person tending to cor- pulency, there was about him no trace of bodily sick- ness or mental decay, but rather an air of voluptuous repose. His benignity of manner placed his auditors entirely at their ease, and inclined them to listen delighted to the sweet, low tone in which he began to discourse on some high theme. Whether he had won for his greedy listener only some raw lad, or charmed a circle of beauty, rank, and wit, who hung breathless on his words, he talked with equal elo- quence ; for his subject, not his audience, inspired him. At first his tones were conversational ; he seemed to dally with the shadows of the subject and with fantastic images which bordered it ; but gradually the thought grew deeper, and the voice deepened with the thought ; the stream gathering strength, seemed to bear along with it all things which opposed its progress, and blended them with its current; and stretching away among regions tinted with ethereal colours, was lost at airy distance in the horizon of the fancy. His hearers were unable to grasp his theories, which were indeed too vast to be exhibited in the longest conversation ; but they perceived noble images, generous suggestions, affecting pictures of virtue, which enriched their minds and nurtured their 8o LAMB'S SUPPERS. best affections. Coleridge was sometimes induced to recite portions of " Christabel," then enshrined in manuscript from eyes profane, and gave a bewitching effect to its wizard lines. But more peculiar in its beauty than this, was his recitation of Kubla Khan. As he repeated the passage A damsel with a dulcimer In a vision once I saw : It was an Abyssinian maid, And on her dulcimer she played, Singing of Mont Abora ! his voice seemed to mount, and melt into air, as the images grew more visionary, and the suggested asso- ciations more remote. He usually met opposition by conceding the point to the objector, and then went on with his high argument as if it had never been raised : thus satisfying his antagonist, himself, and all who heard him ; none of whom desired to hear his discourse frittered into points, or displaced by the near encounter even of the most brilliant wits. The first time I met him, which was on one of those Wednesday evenings, we quitted the party together between one and two in the morning ; Coleridge took my arm and led me nothing loath, at a very gentle pace, to his lodgings, at the Gloucester Coffee House, pouring into my ear the whole way an argument by which he sought to reconcile the doctrines of Neces- sity and Free-will, winding on through a golden maze of exquisite illustration ; but finding no end, except with the termination of that (to me) enchanted walk. He was only then on the threshold of the Temple of Truth, into which his genius darted its quivering and uncertain rays, but which he promised shortly to light LAMB'S SUPPERS. 81 up with unbroken lustre. " I understood a beauty in the words, but not the words : " " And when the stream of sound, Which overflowed the soul, had passed away, A consciousness survived that it had left, Deposited upon the silent shore Of memory, images and gentle thoughts, Which cannot die, and will not be destroyed." Men of " great mark and likelihood" attended those delightful suppers, where the utmost freedom pre- vailed including politicians of every grade, from Godwin up to the editor of the New Times. Hazlitt has alluded con amore to these meetings in his Essay " On the Conversation of Authors," 1 and 1 The following is his graphic sketch of these evenings : "This was formerly the case at Lamb's, where we used to have many lively skirmishes at his Thursday evening parties. I doubt whether the small-coal- man's musical parties could exceed them. O ! for the pen of John Buncle to consecrate a petit souvenir to their memory. There was Lamb himself, the most delightful, the most provoking, the most witty and sensible of men ! He always made the best pun and the best remark in the course of the evening. His serious conversation, like his serious writing, is his best. No one ever stammered out such fine, piquant, deep, eloquent things in half a dozen half-sentences, as he does. His jests scald like tears, and he probes a question with a play upon words. What a keen, laughing, hairbrained view of home- felt truth ! What choice venom i How often did we cut into the haunch of letters, while we discussed the mutton on the table ! How we skimmed the cream of criticism ! How we got into the heart ot controversy ! How we picked out the marrow of authors 1 And in our flowing cups many a good name and true was freshly remembered. Recollect, most sage and critical reader, that in all this I was but a. guest. Need I go over the names. They were the old everlasting set Milton and Shakespeare, Pope and Dryden, Steele and Addison, Swift and Gay, Smollett, Sterne, Richardson ; Hogarth's prints, Claude's landscapes ; the cartoons at Hampton Court, and all those things, that. having once been, must ever be. The Scotch novels had not then been G 82 LAMB'S SUPPERS. has reported one of the most remarkable discussions which graced them in his Essay " On Persons one would wish to have seen," published by his son, in the two volumes of his remains, which with so affec- tionate a care he has given to the world. In this was a fine touch of Lamb's pious feeling, breaking through his fancies and his humours, which Hazlitt has recorded, but which cannot be duly appreciated, except by those who can recall to memory the suffused eye and quivering lip with which he stammered out a reference to the name which he would not utter. " There is only one other person I can ever think of after this," said he. " If Shakespeare was to come into the room, we should all rise to meet him ; but if heard of, so we said nothing about them. In general we were hard upon the moderns. The author of the " Rambler" was only tolerated in Boswell's Life of him ; and it was as much as any one could do to edge in a word for Junius. Lamb could not bear Gil Bias. This was a fault. I remember the greatest triumph I ever had was in persuading him, after some years' difficulty, that Fielding was better than Smollett. On one occasion he was for making out a list of persons famous in history that one would wish to see : at the head of whom were Pontius Pilate, Sir Thomas Brown, and Dr. Faustus; but we black-balled most of his list. With what a gusto would he describe his favourite authors, Donne, or Sir Philip Sidney, and call their most crabbed passages deli- cious ! He tried them on his palate as epicures taste olives, and his observations had a smack in them like a roughness on the tongue. With what discrimination he hinted a defect in what he admired most ; as in saying that the display of the sumptuous banquet in 'Paradise Lost ' was not in true keeping, as the simplest fare was all that was necessary to tempt the extremity of hunger ; and stating that Adam and Eve in ' Paradise Lost' were too much like married people. There was no fuss or cant about him, nor were his sweets or his sours ever diluted with one particle of affectation. I cannot say that the party at Lamb's were all of one description. There were honorary members lay brothers. Wit and good fellowship was die motto inscribed over LAMB'S SUPPERS. 83 That Person were to come into it, we should all fall down and kiss the hem of his garment." Lamb's intention of spending the rest of his days in the Middle Temple was not to be realized. The inconvenience of being in chambers began to be felt as he and his sister grew older, and in the autumn of this year they removed to lodgings in Russell Street, Covent Garden, the corner house. Being now in the immediate neighbourhood of the theatres, Lamb re- newed the dramatic associations of his youth, which the failure of one experiment had not chilled. Although he rather loved to dwell on the recollections of the actors who had passed from the stage, than to mingle with the happy crowds who hailed the succes- the door. When a stranger came in, it was not asked, ' Has he written anything.' We were above that pedantry, but we waited to see what he could do. If he could take a hand at picquet he was welcome to sit down ; . . . we abhorred insipidity, affectation, and fine gentlemen. There was one of our party who never failed to mark two for his nob ' at cribbage, and he was thought no mean person. This was Ned Philips, and a better fellow in his way breathes not. There was Godwin, who asserted some incredible matter of fact as a likely paradox, and settled all controversies by an ipse dixlt, *.jiat of his brain the Baron Munchausen of politics and practical philosophy. There was Captain Burney, who had you at a disadvantage by never understanding you. There was Jem White, the author of 'Falstaff's letters,' who the other day left this dull world to go in search of more kindred spirits, turning like the latter end of a lover's lute.' There was Ayrton, who sometimes dropped in, the Will Honeycomb of our set; and Mr. Reynolds, who being of a quiet turn, loved to hear a noisy debate. An utterly misinformed person might have supposed this a scene of vulgar confusion and uproar. While the most critical question was pending, while the most difficult problem in philosophy was solving, Philips cried out, 'That's game!' and Martin Burney muttered a quotation over the last remains of a veal pie at a side-table." Plain Speaker, i., p. 79. F. G 2 84 LAMB'S SUPPERS. sive triumphs of Mr. Kean, he formed some new and steady theatrical attachments. His chief favourites of this time were Miss Kelly, Miss Burrell of the Olympic, and Munden. The first, then the sole sup- port of the English Opera, became a frequent guest in Great Russell Street, and charmed the circle there by the heartiness of her manners, the delicacy and gentleness of her remarks, and her unaffected sensi- bility, as much as she had done on the stage. Miss Burrell, a lady of more limited powers, but with a frank and noble style, was discovered by Lamb on one of the visits which he paid, on the invitation of his old friend Elliston, to the Olympic, where the lady performed the hero of that happy parody of Mon- crieff's, " Giovanni in London." To her Lamb devoted a little article, which he sent to the Examiner, in which he thus addresses her : " But Giovanni, free, fine, frank-spirited, single-hearted creature, turning all the mischief into fun as harmless as toys, or children's make believe." Miss Burrell soon married a person named Gould, and disappeared from the stage. To Munden in prose, and Miss Kelly in verse, Lamb has done ample justice. Among the frequent guests in Inner Temple Lane was Mr. Ayrton, the director of the music at the Italian Opera. At this time Lamb's interest was strongly excited for Mr. Kenney, on the production of his comedy entitled " A Word to the Ladies." He had engaged to contribute the prologue ; but the promise pressed hard upon him, and he procured the requisite quantity of verse from a very inferior hand. Kenney, who had married Holcroft's widow, 1 had 1 Daughter of Mercier, the author of the " Tableau de Paris." F. LAMB'S SUPPERS. 85 more than succeeded to him in Lamb's regards. Holcroft had considerable dramatic skill ; great force and earnestness of style, and noble sincerity and uprightness of disposition ; but he was an austere observer of morals and manners ; and even his gro- tesque characters were hardly and painfully sculptured ; while Kenney, with as fine a perception of the ludi- crous and the peculiar, was more airy, more indulgent, more graceful, and exhibited more frequent glimpses of " the gayest, happiest attitude of things." The comedy met with less success than the reputation of the author and brilliant experience of the past had rendered probable, and Lamb had to perform the office of comforter, as he had done on the more unlucky event to Godwin. Another of Lamb's new acquaintances was Mr. Charles Oilier, a young bookseller of considerable literary talent, which he has since exhibited in the original and beautiful tale of " Inesilla," who pro- posed to him the publication of his scattered writings in a collected form. Lamb acceded ; and nearly all he had then written in prose and verse, were pub- lished this year by Mr. Oilier and his brother, in two small and elegant volumes, of which early copies were despatched to Southey and Wordsworth. The widening circle of Lamb's literary friends also embraced additional authors and actors, famous, or just bursting into fame. He welcomed in the author of the " Dramatic Scenes," who chose to appear in print as Barry Cornwall, a spirit most congenial with his own in its serious moods one whose genius he had assisted to impel towards its kindred models, the great dramatists of Elizabeth's time, and in whose success he received the first and best reward of the 86 LAMB'S SUPPERS. efforts he had made to inspire a taste for these old masters of humanity. Mr. Macready, who had just emancipated himself from the drudgery of represent- ing the villains of tragedy, by his splendid performance of Richard, was introduced to him by his old friend Charles Lloyd, who had visited London for change of scene, under great depression of spirits. Lloyd owed a debt of gratitude to Macready which exemplified the true uses of the acted drama with a force which it would take many sermons of its stoutest opponents to reason away. A deep gloom had gradually over- cast his mind, and threatened wholly to encircle it, when he was induced to look in at Covent Garden Theatre, and witness the performance of " Bob Roy." The picture which he then beheld of the generous outlaw, the frank, gallant, noble bearing, the air and movements, as one " free of mountain solitudes," the touches of manly pathos and irresistible cordi- ality, delighted and melted him, won him from his painful introspections, and brought to him the un- wonted relief of tears. He went home " a gayer and a wiser man ;" returned again to the theatre, when- ever the healing enjoyments could be renewed there ; and sought the acquaintance of the actor who had broken the melancholy spell in which he was enthralled, and had restored the pulses of his nature to their healthful beatings. 1 The year 1820 gave Lamb an 1 In Mr. Macready's recently published Diary, is given a fuller account of this curious incident. It seems that shortly after the per- formance he received a sonnet, which, in some fervent lines, told him what had been the effect of his acting : " That one whose brain was dry whose dearest rest Was death's pale dwelling he hath felt it start, Nature's first gush for years at thy behest." LAMB'S SUPPERS. 87 interest in Macready beyond that which he had derived from the introduction of Lloyd, arising from the power with which he animated the first produc- tion of one of his oldest friends " Virginius." Knowles had been a friend and disciple of Hazlitt from a boy, and Lamb had liked and esteemed him as a hearty companion ; but he had not guessed at the extraordinary dramatic power which lay ready for kindling in his brain, and still less at the delicacy of tact with which he had unveiled the sources of the most profound affections. Lamb had almost lost his taste for acted tragedy, as the sad realities of life had pressed more nearly on him ; yet he made an exception in favour of the first and happiest part of " Virginius," those paternal scenes, which stand alone in the modern drama, and which Macready informed with the fulness of a father's affection. This perpetual influx of visitors whom he could not repel, whom indeed he was always glad to welcome, but whose visits unstrung him, induced him to take lodgings at Dalston, to which he occasionally retired when he wished for repose. 1 The deaths of some Not long after he and the author met, when Lloyd told him what had been his sufferings for four years, "a torpor of feeling, and, as it were, a numbness of his faculties." But the relief, as might be ex- pected, was only temporary, and he soon sank back into a state of incurable monomania. Macready met Lamb at Talfourd's, and was particularly " arrided" by his speech, " that the last breath he drew he wished might be through a pipe, and exhaled in a pun." F. 1 In 1820 Charles Lamb and his sister paid a visit to Cambridge. " It was a pleasure,'' says the amiable Crabb Robinson, who met them there, " to be with them. All Lamb's enjoyments are so pure and hearty." F. 88 LAMB'S SUPPERS. who were dear to him cast a melancholy tinge on his mind, as may be seen in his letters. 1 1 That some such retreat was called for, is plain from the round of entertainments if such ii may be called in which brother and sister lived. Here was Mr. C. Robinson's experience of a week only. On November I3th he met Wordsworth at Lamb's; on the i8th he dined with them at Mr. Monkhouse's ; on the zoth he was again at Lamb's to meet Wordsworth ; on the next evening came Miss Xelly, Wordsworth again, Stoddart, Barry Cornwall, Talfourd, etc. This series of little festivities duly celebrated with punch and supper was wholly unsuited to such excitable natures : and though Sir T. Talfourd puts the matter as delicately as he can, there is no doubt but that flight became a matter of absolute necessity. Then a reaction about as prejudicial followed, and we find the unhappy Mary Lamb chafing against the restraint, and sighing for the old pleasures. " I had rather," she says in one of her letters, " live in Russell Street all my life, and never set my foot but on the London pavement, than be doomed always to enjoy the silent pleasures I now do. We go to bed at ten o'clock late hours are life-shortening things ; but I would rather run all risks, and sit every night at some places I could name wishing in vain at eleven o'clock for the entrance of the supper- tray, than be always up and alive at eight o'clock breakfast, as I am here." When staying at their Dalston Cottage they lost their bro- ther, John Lamb, in November, 1821. Mr. Crabb Robinson, who visited them, found Mary Lamb " pale and thin," and just recovered from one of her attacks. " They feel their brother's loss, and seem softened by affliction, and to wish for society." Miss Wordsworth was surprised to see how much they took this affliction to heart, con- sidering " there had been so little personal or family communication." F. CHAPTER VI. [1820.] THE "LONDON MAGAZINE" WAINWRIGHT'S STORY. LAMB'S association with Hazlitt in the year 1820 intro- duced him to that of the London Magazine, which sup- plied the finest stimulus his intellect had ever received, and induced the composition of the Essays fondly and familiarly known under the fantastic title of Elia. The adoption of this signature was purely accidental. His first contribution to the magazine was a descrip- tion of the Old South Sea House, where Lamb had passed a few months' noviciate as a clerk, thirty years before, and of its inmates who had long passed away; and remembering the name of a gay, light- hearted foreigner, who fluttered there at that time, he subscribed his name to the essay. It was afterwards affixed to subsequent contributions ; and Lamb used it until, in his " Last Essays of Elia," he bade it a last farewell. 1 Never was a periodical work com- menced with happier auspices, numbering a list of contributors more original in thought, more fresh in spirit, more sportive in fancy, or directed by an editor better qualified by nature and study to preside, than this " London." There was Lamb, with humanity 1 "To be pronounced J?//-ia," he writes to one of his correspondents P. 9O THE "LONDON MAGAZINE." ripened among town-bred experiences, and pathos matured by sorrow, at his wisest, sagest, airiest, indiscreetest, best ; Barry Cornwall, in the first bloom of his modest and enduring fame, streaking the darkest passion with beauty; John Hamilton Rey- nolds, lighting up with the wildest eccentricities and most striking features of many-coloured life with vivid fancy ; and, with others of less note, Hazlitt, whose pen, unloosed from the chain which earnest thought and metaphysical dreamings had woven, gave radiant expression to the results of the solitary musings of many years. Over these contributors John Scott presided, himself a critic of remarkable candour, eloquence, and discrimination, unfettered by the dogmas of contending schools of poetry and art ; apt to discern the good and beautiful in all ; and having, as editor, that which Kent recognised as Lear, which subjects revere in kings, and boys admire in schoolmasters, and contributors should welcome in editors authority ; not manifested in a worrying, teasing, intolerable interference in small matters, but in a judicious and steady superintendence of the whole ; with a wise allowance of the occasional excesses of wit and genius. In this respect, Mr. Scott differed entirely from a celebrated poet, 1 who was induced, just a year after, to undertake the Editorship of the New Monthly Magazine, an office for which, it may be said, with all veneration for his poetic genius, he was the most unfit person who could be found in the wide world of letters who regarded a magazine as if it were a long affidavit, or a short answer in Chancery, in which the absolute 1 Thomas CampbelL F. THE "LONDON MAGAZINE." gi truth of every sentiment and the propriety of every jest were verified by the editor's oath or solemn affirmation ; who stopped the press for a week at a comma; balanced contending epithets for a fortnight; and, at last, grew rash in despair, and tossed the nearest, and often the worst article, " unwhipped of justice," to the impatient printer. Mr. Scott, indeed, was more fit to preside over a little commonwealth of authors than to hold a despotic rule over subject con- tributors ; he had not the airy grace of Jeffrey by which he might give a certain familiar liveliness to the most laborious disquisitions, and shed the glancing light of fancy among party manifestoes ; nor the boisterous vigour of Wilson, riotous in power, reck- less in wisdom, fusing the production of various intellects, into one brilliant reflection of his own master mind ; and it was well that he wanted these weapons of a tyranny which his chief contributors were too original and too sturdy to endure. He heartily enjoyed his position ; duly appreciated his contributors and himself; and when he gave audience to some young aspirant for periodical honours at a late breakfast, amidst the luxurious confusion of newspapers, reviews, and uncut novels, lying about in fascinating litter, and carelessly enunciated schemes for bright successions of essays, he seemed destined for many years of that happy excitement in which thought perpetually glows in unruffled but energetic language, and is assured by the echoes of the world. Alas ! a few days after he thus appeared the object of admiration and envy to a young visitor, in his rooms in York Street, he was stretched on a bed of mental agony the foolish victim of the guilty custom of a world which would have laughed at him for re- 92 THE " LONDON MAGAZINE.'' garding himself as within the sphere of its opinion, if he had not died to shame it ! In a luckless hour, instead of seeking to oppose the bitter personalities of Blackwood by the exhibition of a serener power, he rushed with spurious chivalry into a personal contest ; caught up the weapons which he had himself denounced, and sought to unmask his opponents and draw them beyond the pale of literary courtesy ; placed himself thus in a doubtful position in which he could neither consistently reject an appeal to the conventional arbitrament of violence nor embrace it ; lost his most legitimate opportunity of daring the unhallowed strife, and found another with an anta- gonist connected with the quarrel only by too zealous a friendship ; and, at last, met his death almost by lamentable accident, in the uncertain glimmer of moonlight, from the hand of one who went out resolved not to harm him I 1 Such was the melancholy result 1 "Mr. Lockhart, the reputed author of 'Peter's Letters to his Kinsfolk,' having been violently and personally attacked in the London Magazine, came to London for the purpose of obtaining from Mr. Scott an explanation, an apology, or a meeting. Mr. Scott declined unless Mr. Lockhart would first deny that he was the editor of Black- apers specified as being ' by the Opium Eater ;' the essay on Jean Paul Richter, and papers translated from the German, or dealing with German literature. The Reverend Henry Francis Gary (the translator of Dante) wrote the Notices of the Early French poets ; the addition to Orford's Royal and Noble Authors ;' and, I believe, the continuations of Johnson's ' Lives of the Poets.' Mr. Allan Cunningham (the Scottish poet) was author of the ' Twelve Tales of Lyddal Cross,' of the series of stories or papers styled ' Traditional Literature,' and of various other contributions in poetry and prose. Mr. John Poole contributed the ' Beauties of the living Dramatists,' being burlesque imitations of modern writers for the stage, viz., Morton, Dibdin, Reynolds, Moncrieff, etc. Mr. John Hamilton Reynolds wrote, I believe, in every number of the periodical, after it came into the hands of Taylor and Hessey, who were his friends. All the papers with the name of Henry Herbert affixed were written by him ; also the descriptive accounts of the Coronation, Greenwich Hospital, The Cockpit Royal, The Trial of Thurtell, etc. Mr. Thomas Hood fleshed his maiden sword here ; and his first poems of length, ' Lycus the Centaur' and 'The Two Peacocks of Bedfont' may be found in the Magazine. Mr. George Darley (author of ' Thomas a Becket,' etc.), wrote the several papers entitled ' Drama- ticles,' some pieces of verse, and the Letters addressed to ' The Dramatists of the Day.' Mr. Richard Ayton wrote ' The Sea Roamers,' the article on ' Hunting,' and such papers as are distin- guished by the signature ' R. A.' Mr. Keats (the poet) and Mr. James Montgomery contributed verses. Sir John Bowring (I believe) translated into English verse the Spanish poetry, and wrote the several papers which appear under the head of ' Spanish Romances.' Mr. THE " LONDON MAGAZINE." 95 which the masterly vindication of the true dramatic style by Darley ; the articles of Gary, the admirable Henry Southern (editor of The Retrospective Review) wrote the ' Conversations of Lord Byron,' and ' The Fanariotes of Constan- tinople,' in the tenth volume. Mr. Walter Savage Landor was author of the Imaginary Conversation between Southey and Porson, in volume eight. Mr. Julius (Archdeacon) Hare reviewed the works of Landor in the tenth volume. Mr, Elton contributed many transla- tions from Greek and Latin authors ; from the minor poems of Homer, from Catullus, Nonnus, Propertius, etc. Messrs. Hartley Coleridge, John Clare, Cornelius Webb, Bernard Barton, and others sent poems, generally with the indicating name. I myself was amongst the crowd of contributors ; and was author of various pieces, some in verse, and others in prose, now under the protection of that great Power which is called ' Oblivion.' Finally, the too celebrated Thomas Griffiths Wainwright contributed various fantasies, on Art and Arts ; all or most of which may be recognised by his assumed name of Janus Weathercock. To show the difficulty of specifying the authorship of all the articles contributed, even Mr. Hessey (one of the proprietors) was unable to do so ; and, indeed, shortly before his death, applied to me for information on the subject. By the aid of the gentlemen who contributed each his quota to the London Magazine, it acquired much reputation, and a very considerable sale. During its career for five years, it had, for a certain style of essay, no superior (scarcely an equal) amongst the periodicals of the day. Yet the Magazine was successful, to an extent that preserved its proprietors from loss, perhaps not greatly beyond that point. On the death of Mr. John Scott, the Magazine, in July, 1821, passed into the hands of Messrs. Taylor and Hessey; the former being the gentleman who discovered the identity of Junius with Sir Philip Francis ; the latter being simply very courteous to all, and highly respectable and intelligent. " When Taylor and Hessey assumed the management of the London Magazine, they engaged no editor. They were tolerably liberal pay- masters : the remuneration for each page of prose (not very laborious), being, if the writer were a person of repute or ability, one pound, and for each page of verse, two pounds. Charles Lamb received (very fitly) for his brief and charming essays, two or three times the amount of the other writers. When they purchased the Magazine, the proprietor* 96 THE " LONDON MAGAZINE." translator of Dante ; and the " Confessions of an English Opium Eater," held a distinguished place. Mr. De Quincy, whose youth had been inspired by enthusiastic admiration of Coleridge, shown in con- tributions to " The Friend," not unworthy of his master, and substantial contributions of the blessings of fortune, came up to London, and found an admiring welcome from Messrs. Taylor and Hessey, the pub- lishers into whose hands the London Magazine had passed. After the good old fashion of the GREAT TRADE, these genial booksellers used to assemble their contributors round their hospitable table in Fleet Street, where Mr. De Quincy was introduced to his new allies. Among the contributors who partook of their professional festivities, was a gentleman whose subsequent career has invested the recollection of his appearances in the familiarity of social life with fearful interest Mr. Thomas Griffiths Wainwright. He was then a young man; on the bright side of thirty; with a sort of undress military air, and the conversation of a smart, lively, clever, heartless, opened a house, in Waterloo Place, for the better circulation of the publication. " It was there that the contributors met once a month, over an excel- lent dinner, given by the firm, and consulted and talked on literary matters together. I do not know that many important matters were arranged, for the welfare of the Magazine, at these dinners : but the hearts of the contributors were opened, and with the expansion of the heart the intellect widened also. "Amongst others, Charles Lamb came to most of these dinners, always dressed in black (his old snuff-coloured suit having been dis- missed for years) ; always kind and genial ; conversational, not talkative, but quick in reply ; eating little, and drinking moderately with the rest." WAINWRIGHT'S STORY. 97 voluptuous coxcomb. It was whispered that he had been an officer in the Dragoons ; had spent more than one fortune ; and he now condescended to take a part in periodical literature, with the careless grace of an amateur who felt himself above it. He was an artist also; sketched boldly and graphically; exhibited a portfolio of his own drawings of female beauty, in which the voluptuous trembled on the borders of the indelicate ; and seized on the critical department of the Fine Arts, both in and out of the Magazine, un- disturbed by the presence or pretensions of the finest critic on Art who ever wrote William Hazlitt. On this subject, he composed for the Magazine, under the signature of "Janus Weathercock," articles of flashy assumption in which disdainful notices of living artists were set off by fascinating references to the personal appearance, accomplishments, and luxu- rious appliances of the writer, ever the first hero of his essay. He created a new sensation in the sedate circle, not only by his braided surtouts, jewelled fingers, and various neck-handkerchiefs, but by osten- tatious contempt for everything in the world but elegant enjoyment. We lost sight of him when the career of the Magazine ended; and Lamb did not live to learn the sequel of his history. Lamb, who de- lighted to find sympathy in dissimilitude, fancied that he really liked him ; took, as he ever did, the genial side of character ; and, instead of disliking the rake in the critic, thought it pleasant to detect so much taste and goodnature in a fashionable roue; and re- garded all his vapid gaiety, which to severer observers looked like impertinence, as the playful effusion of a remarkably guileless nature. Thus, when expatiating in his list of choicest 98 WAINWRIGHT'S STORY. friends in Elia's letter to Southey, he reckons W , the light and warm, as light-hearted "Janus" of the London; and two years afterwards, adverting to the decline of the Magazine, in a letter to Mr. Barton, he persists in his belief of Wainwright's light-heart- edness as pertinaciously as all the half-conscious dupes in Othello do in the assertion of lago's honesty: "They have pulled down Hazlitt, P , and their their best stay, kind, light-hearted W , their Janus.'" In elucidation of this apparent lightness of heart, it will not be uninstructive to trace the remainder of this extraordinary person's history ; for surely no contrast presented by the wildest romance between a gay cavalier, fascinating Naples or Palermo, and the same hero, detected as the bandit or demon of the forest, equals that which time has unveiled between what Mr. Wainwright seemed, and what he was, Mr. Wainwright having ceased to contribute to The London about the year 1825, when Lamb be- stowed on him his parting eulogium, was scarcely seen in our literary circle, though he retained the acquaintance and regard of some of its members. In the year 1830 he was residing at Linden House, Turnham Green, in the possession of which he had succeeded his uncle Dr. Griffiths, who for many years edited a monthly publication, and whose death had occurred about a year before, after a short illness, while Mr. Wainwright and his wife were visiting at his house on the occasion of her confinement with her only child. He acquired some property at the death of his uncle, by whose bounty, being early left an orphan, he had been educated ; but his expensive tastes soon brought him to severe pecuniary embar- rassments and the verge of ruin. His wife's mother, WAINWRIGHT'S STORY. 99 who had died in Linden House after a short illness, left two daughters by Mr. Abercrombie her second husband, named Helen Frances Phoebe and Made- line Mrs. Wainwright being the daughter of a former husband named Ward. These young ladies being left without provision, except a pension of 10 a year each, which had been granted to them as the desti- tute daughters of a meritorious officer, by the Board of Ordnance, were invited by Mr. Wainwright to visit him at Linden House, and at the beginning of 1830, with his wife and child formed his family. About this time, he formed the remarkable scheme of procuring the eldest of the young ladies to effect insurances on her life, to the amount of many thou- sands of pounds, for the period of three or two years. Miss Helen Frances Phoebe Abercrombie was then a lovely woman, nearly of the age of twenty-one, which she attained I2th March, 1830, without expecta- tions, except of some trifling possibility under a settlement, and, except the proceeds of the pension, without a shilling in the world ; while Mr. Wainwright, who supplied the funds for this strange speculation, was in reality still poorer, being steeped in debt, impatient of privation, with ruin daily contracting its circle around him. The first proposal was made by Mr. Wainwright, on behalf of Miss Abercrombie, to the Palladium Insurance Office, on the 28th March, for "3000 for three years. On this occasion, Mr. and Mrs. Wainwright and Miss Abercrombie called together at the office, where the object of the insurance was stated to be to enable them to recover some property to which the young lady was entitled. This proposal was accepted, and on the aoth of April completed, by payment of the premium for one year H 2 ioo WAINWRIGHT'S STORY. by the hand of Miss Abercrombie, then attended only by Mrs. Wainwright, and the delivery of the policy. On or about the same day, a similar insurance was effected with the Eagle Insurance Office for 3000, for the term of two years ; and the premium for one year and stamp duty were paid by Miss Abercrombie in her sister's presence. In the following October four more policies were effected : with the Provident for "2000, with the Hope for 2000, with the Imperial for 3000, and with the Pelican for "5000, each on the life of Miss Abercrombie, and each for the period of two years ; so that at the close of this month of Oc- tober, the life of this poor girl, described by the actuary of the Provident as " a remarkably healthy, cheerful, beautiful young woman, whose life was one of a thousand," was insured to the amount of "18,000, as to "3000 for three years, and for the residue for two years only. Premiums for one year, amounting with the stamps to something more than 220, had been paid ; the premiums which would be required tu keep the policies on foot for a second year amounting to 2,00, and in the event of her surviving the brief terms of insurance, the whole money would be lost. On every visit to the offices, Miss Abercrombie was accompanied by Mrs. Wainwright, and the appearance of these two ladies together on such an errand, sometimes awakened scruples, which the apparent desirableness of the life for insurance to an office did not always silence. At the Imperial, it was suggested to Miss Abercrombie by Mr. Ingall, the actuary, that " as she only proposed to make the insurance for two years, he presumed it was to secure some property she would come into at the expiration of that time ?" to which Mrs. Wainwright replied: " Not exactly so ; WAINWRIGHT S STORY. IO1 it is to secure a sum of money to her sister, which she will be enabled to do by other means if she out- lives that time. But I don't know much of her affairs ; you had better speak to her about it." On which Miss Abercrombie said, " That is the case." By what means the ladies were induced to make these statements can scarcely ever be guessed ; it is certain that they were illusory. No reason existed for the poor penniless girl securing "3000 for her sister, in case of her own death within two years ; nor was there the least chance of her receiving such a sum if living at the end of that period. The sum of "18,000 did not bound the limits of the speculation ; for in the same month of October, a proposal to the Eagle to increase the insurance by the addition of "2000 was made and declined, and a proposal to the Globe for "5000, and a proposal to the Alliance for some further sum, met a similar fate. At the office of the Globe, Miss Abercrombie, who, as usual, was accompanied by Mrs. Wainwright, being asked the object of the insurance, replied, that " she scarcely knew, but she was desired to come there by her friends, who wished the insurance done." On being furthei pressed, she referred to Mrs. Wainwright, who said, " It is for some money matters that are to be arranged, but ladies don't know much about such things ;" and Miss Abercrombie answered a question, whether she was insured in any other office, in the negative. At the Alliance, Helen was more severely tested by the considerate kindness of Mr. Hamilton, who received the proposal, and who was not satisfied by her state- ment, that a writ was depending in Chancery which would probably terminate in her favour, but that if she should die in the interim the property would gc 102 WAINWRIGHT S STORY. into another family, for which contingency she wished to provide. The young lady, a little irritated at the question, said, " I supposed that what you had to inquire into was the state of my health, not the object of the insurance ;" on which he informed her, " that a young lady such as she was, had come to the office two years before to effect an insurance for a short time, and that it was the opinion of the Company she had come to her death by unfair means." Poor Helen replied, " She was sure there was no one about her who would have any such object," Mr. Hamilton said, " Of course not," but added, " that he was not satisfied as to the object of the insurance, and unless she stated in writing what it was, and the Directors approved it, the proposal could not be entertained." The ladies retired, and the office heard no more of the proposal, nor of Miss Abercrombie, till they heard that she was dead, and that the payment of other policies on her life was resisted. Mr. Wainwright's affairs soon approached a crisis, for he had given a warrant of attorney in August, and a bill of sale on his furniture at Linden House, both of which had become absolute, and seizure under which he had postponed only till the 2oth or 2ist of December. Early in that month he left Linden House, and took furnished lodgings in Conduit Street, to which he was accompanied by his wife and her two half-sisters. On the i3th of that month, Miss Abercrombie called on a solicitor named Lys, to whom she was a stranger, and requested him to attest the execution of a will she desired to make, as she was going abroad : he complied, and she executed a will in favour of her sister Madeline, making Mr. Wainwright its executor. On the i4th, having obtained a form of assignment WAINWRIGHT S STORY. 103 from the office of the Palladium, she called on another solicitor, named Kirk, to whom she was also a stranger, to perfect for her an assignment of the policy of that office to Mr. Wainwright: this the solicitor did, by writing in ink over words pencilled in the handwriting of Mr. Wainwright, and witnessing her signature. On that evening Miss Abercrombie accompanied Mr. and Mrs. Wainwright and her sister to the play, as she had done the preceding evening, and partook of oysters, or lobsters, and porter, after their return. The weather was wet, she had walked home as she had done the evening before, and in the night suffered from illness, which was attributed to cold. She continued ill, however, and in a day or two Dr. Locock, who was called in by Mr. Wainwright, found her labouring under derangement of stomach, and pre- scribed for her simple remedies. She continued indisposed, but he entertained no serious apprehen- sions, until he was sent for on the aist, when she died. On that morning a powder, which Dr. Locock did not recollect ever prescribing, was administered to her in jelly, and Mr. and Mrs. Wainwright quitted her to take a long walk for some hours. Soon after their departure she was seized with violent convul- sions ; the physician was sent for, and was shocked by her condition, and by her exclaiming, " Oh, Doctor! these are the pains of death !" He administered proper remedies for pressure on the brain, under which she was then labouring. The symptoms subsided, and he left her in a state of composure. The convul- sions, however, soon returned with increased violence; the attendant, in alarm, called in the assistant of a neighbouring apothecary in the emergency ; the youn man did for her the best that human skill 104 WAINWRIGHT'S STORY. could devise, but all assistance was in vain, and before Mr. and Mrs. Wainwright returned from their walk, she was dead. An examination of the body took place with Mr. Wainwright's ready concurrence, which, in Doctor Locock's apprehension, left no reason to attribute the death to other than natural causes. Its immediate cause was obviously pressure on the brain, and the sums amounting to 18,000, insured on her life, became payable to Mr. Wain- Wright as her executor, though except as to two of the policies those of the Palladium and the Hope which had been assigned to him by poor Helen, appa- rently, at least, for the benefit of the sister. Suspicion, however, was excited, the offices resisted the claim. Mr. Wainwright left England for France, where he spent several years ; and after delays occa- sioned chiefly by proceedings in Equity, the question of the validity of the policies was tried, before Lord Abinger, on the 2gth of June, 1835, in an action by Mr. Wainwright as executor of Miss Abercrombie on the Imperial's policy. Extraordinary as were the circumstances under which the defence was made, it rested on a narrow basis on the allegation that the insurance was not, as it professed to be, that of Misc Abercrombie for her own benefit, but the insurance of Mr. Wainwright, effected at his cost for some purpose of his own, and on the falsehood of representations she had been induced to make in reply to inquiries as to insurances in other offices. The cause of her death, if the insurance was really hers, was imma- terial ; and though surely not immaterial in the con- sideration of the question, whether the insurance was her's or Mr. Wainwright's, was thrown out of the case by Lord Abinger. That accomplished Judge, WAINWRIGHT'S STORY. 105 who had been the most consummate advocate of his time, disposed always to pleasurable associations, shrunk in a Civil Court from inquiries which, if they had been directly presented on a criminal charge, would have compelled his serious attention, stated that there was no evidence of other crime than fraud, and intimated that the defence had been injured by a darker suggestion. The jury, partaking of the Judge's disinclination to attribute the most dreadful guilt to the plaintiff on a Nisi Prius record, and perhaps scarcely perceiving how they could discover for the imputed fraud an intelligible motive without it, were unable to agree, and were discharged without giving a verdict. The cause was tried again, before the same Judge, on the 3rd December following ; when the counsel for the defence, following the obvious inclination of the Bench, avoided the most fearful charge, and obtained a verdict for the Office without hesitation, sanctioned by Lord Abinger's proffered approval to the jury. In the meantime, Mr. Wain- wright, leaving his wife and child in London, had acquired the confidence and enjoyed the hospitality of an English officer residing at Boulogne. While he was thus associated, a proposal was made to the Pelican Office to insure the life of his host for "5000 ; which, as the medical inquiries were satisfactorily answered, was accepted. The Office, however, re- ceived only one premium, for the life survived the completion of the insurance only a few months, falling after a very short illness. Under what cir- cumstances Mr. Wainwright left Boulogne after this event is unknown. He became a wanderer in France ; and being brought under the notice of the Correctional Police as passing under a feigned name, was arrested. io6 WAINWRIGHT'S STORY. In his possession was found the vegetable poison called strychnine, which leaves little trace of its pas- sage in the frame of its victim ; and which, though unconnected with any specific charge, increased his liability to temporary restraint, and led to a six months' incarceration at Paris. After his release, he returned to revisit London, where, in June, 1837, soon after his arrival, he was met in the street by Forrester the police officer, who had identified him in France, and was committed for trial on a charge of forgery. The offence for which Mr. Wainwright was thus apprehended was not very heinous of its kind, but his guilt was clear, and the punishment at that time capital. It consisted in the forgery of the names of his own trustees to five successive powers of attorney to sell out stock settled on himself and his wife before their marriage, which his exigencies from time to time had tempted him thus to realize. The Bank of England, by whom he was prosecuted, consented to forego the capital charges on his pleading guilty to the minor offence of uttering in two of the cases, which he did at the Old Bailey Sessions of July, 1837, and received sentence of transportation for life. In the meantime, proceedings were taken on behalf of Miss Abercrombie's sister Madeline, who had married a respectable bookseller named Wheatley, to render the insurances available for her benefit; which induced the prisoner to offer communications to the Insurance Offices which might defeat a purpose entirely foreign to his own ; and which he hoped might procure him, through their intercession, a mitigation of the most painful severities incident to his sentence. In this expectation he was miserably disappointed ; for though in pursuance of their promise the Directors of one of WAINWRIGHT S STORY. IOJ the Offices made a communication to the Secretary of State for the Home Department, the result, instead of a mitigation, was an order to place him in irons, and to send him to his place of punishment in a vessel about to convey three hundred convicts. Thus terminated the European career of the " kind and light-hearted Janus !" The time has not arrived for exhibiting all the traits of this remarkable person. Probably before it shall arrive the means of disclosing them will be lost, or the objects forgotten ; but enough may be found disclosed in the public proceedings, from which we have taken thus far our narrative, to supply an instructive contrast between his outer and inner life ; and yet more instructive indications of the qualities which formed the links of connection between them. The defect in his moral nature con- sisted, perhaps, chiefly in morbid self-esteem, so excessive as to overwhelm all countervailing feelings, and to render all the interests of others, all duties, all sympathies, all regards, subservient to the lightest efforts, or wishes, or enjoyments of the wretched idol. His tastes appreciated only the most superficial beauty; his vanities were the poorest and most empty; yet he fancied himself akin to greatness ; and in one of his communications from Newgate, in his last hours of hope, he claimed for himself " a soul whose nutriment is love and its offspring art, music, divine song, and still holier philosophy." When writing from the hold of the convict-ship to complain of his being placed in irons, he said, " They think me a desperado. Me ! the companion of poets, philo- sophers, artists, and musicians, a desperado ! You will smile at this no I think you will feel for the man educated and reared as a gentleman, now the io8 WAINWRIGHT'S STORY. mate of vulgar ruffians and country bumpkins." This shallow notion of being always " a gentleman" one abstracted ever from conventional vulgarities seems to have given him support in the extremity of wretchedness and infamy ; the miserable reed he leaned on, not the ruling passion but the ruling folly. " They pay me respect here, I assure you," said he to an acquaintance who visited him in Newgate ; " they think I am here for "10,000;" and on some of the convicts coming into the yard with brooms to perform their compulsory labour of sweeping it, he raised himself up, pulled down his soiled wristbands, and exclaimed, with a faint hilarity " You see those people, they are convicts like me ; but no one dares offer me the broom !" Circumstances were indeed changed, but the man was the same as when he elaborated artistic articles for The London.* To 1 It may not be uninteresting, nor wholly uninstructhre, to place, in contrast with this person's deplorable condition, a specimen of his com- position when " topping the part" of a literary coxcomb. The fol- lowing is a portion of an article under the head of " Sentimentalities on the Fine Arts, by Janus Weathercock, Esq. To be continued when he is in the humour," published in the London Magazine for March, 1820: "I (Janus ) had made a tolerable dinner the other day at George's, and with my mind full of my last article, was holding up a petit "verre tfeau de vie de Dantzic to the waxen candle, watching with scient eye the number of aureate particles, some swimming, some sinking quiveringly, through the oily and luscious liquor, as if informed with life, and gleaming like golden fish in the Whang-ho or Yellow River (which, by the way, is only yellow from its mud) : so was I employed, when suddenly I heard the day of the month (the I5th) ejaculated in the next box. This at once brought me back from my delicious reverie to a sense of duty. ' Contributions must be forwarded by the i8th, at the very latest, 1 were the Editor's last words to Janus, and he is incapable of forgetting them. I felt my vigorous personal identity instantly annihilated, and resolved by some mystic process into a part of that unimaginable plurality in unity wherewithal editors, WAINWRIGHT'S STORY. 109 the last he seemed to be undisturbed by remorse ; shocked only at the indignities of the penal condition of one imbued with tastes so refined that all causes reviewers, and at present pretty commonly authors, clothe themselves when seated on the topmast tip of their topgallant masts, they pour forth their oracular dicta on the groaning ocean of London, spread out huge at their feet. Forthwith we (Janus) sneaked home alone, poked in the top of our hollow fire, which spouted out a myriad of flames, roaring pleasantly as, chasing one another, they rapidly escaped up the chimney ; exchanged our smart tight-waisted stiff-collared coat for an easy chintz gown with pink ribbons ; lighted our new elegantly-gilt French lamp, having a ground-glass globe painted with gay flowers and gaudy butterflies ; hauled forth Portfolio No. 9, and established ourselves cosily on a Grecian couch ! Then we (Janus) stroked our favourite tortoise-shell cat into a full and sonorous purr, and after that our nurse or maid-servant a good-natured Venetian-shaped girl (having first placed on the table a genuine flask of as rich Montepul- ciano as ever voyaged from fair Italia) had gently but firmly closed the door, carefully rendered air-tight by a gilt-leather binding (it is quite right to be particular), we indulged ourselves in a complacent consideration of the rather elegant figure we made, as seen in a large glass placed opposite our chimney-mirror, without, however, moving any limb except the left arm, which instinctively filled out a full cut- glass of the liquor before us, while the right rested inactively on the head of puss ! ' It was a sight that turned all our gall into blood ' Fancy, comfortable reader ! Imprimis, a very good-sized room ; item, a gay Brussels carpet covered with garlands of flowers; item, a fine ori- ginal cast of the Venus de Medicis ; item, some choice volumes in still more choice old French moroquin with water-tabby silk linings ; item, some more volumes coated by the skill of Roger Payne and ' our Charles Lewis ;' item, a piano by Tomkinson ; item, a Damascus sabre : item, one cat; item, a large Newfoundland dog, friendly to the cat; item, a few hot-house plants on a white marble slab ; item, a delicious melting love-painting by Fuseli ; and last, not least, in our dear love, we, myself, (Janus !) Each and the whole seen by the Correggio-kind of light breathed as it were through the painted glass of the lamp ! ! ! Soothed into that amiable sort of self-satisfaction so necessary to the bodying out those deliciously voluptuous ideas, perfumed with languor, which occasionally swim and undulate like gauzy clouds over the brain of the. no WAINWRIGHT'S STORY. ought to give way to their indulgence. This vanity, nurtured by selfishness and unchecked by religion, most cold-blooded men, we put forth our hand to the folio which leant against a chair by the sofa's side, and at haphazard extracted thence Lancret's charming ' Repas Italien,' T. P. le Bas. Sculp. : " ' A summer party in the greenwood shade, With lutes prepared and cloth on herbage laid, And ladies' laughter coming thro' the air.' " L. HUNT'S Rimin.' This completed the charm. We immersed a well-seasoned prime pen into our silver inkstand three times, shaking off the loose ink again lingeringly. While holding the print fast in our left hand, we perused it with half-shut eyes, dallying awhile with our delight." This last portion of the strange history of Wainwright's, which has an almost ghastly interest, was suppressed by Sir T. Talfourd in the .ater editions of his work, perhaps from a wish not to further prejudice the condition of the criminal, then undergoing his sentence of trans- portation. In Mr. Dickens' All the Tear Round, appeared a fuller account of his infamous career, from which I take the following: " On the night the Norfolk gentleman in difficulties at Boulogne died, Wainwright had insisted on making his friend's coffee, and passed poison into the sugar. The poisoner had succeeded before this in win- ning the affections of his friend's daughter, and gaining a supreme influence in the house. " Being asked in the jail how he could find it in his heart to murder the trusting girl who had so confided in him (meaning Miss Abercrom- bie), he reflected for a moment, and then returned, with a cool laugh : ' Upon my soul I don't know unless it was that her legs were too thick.' " A more insupportable scoundrel never troubled this earth. He had kept a Diary. The insurance offices, by the masterly stroke of sending to a French inn where he had lived, paying the bill he had left unpaid, and demanding the effects he had left there, obtained possession of it. Description of this demoniacal document cannot be attempted, but it contained a kind of index to the details of his various crimes, set forth with a voluptuous cruelty and a loathsome exultation worthy of the diseased vanity of such a masterpiece of evil. " In 1842, the dandy convict was admitted as in-patient of the Gene- ral Hospital in Hobart Town, where he remained some years. Whilst WAINWRIGHT'S STORY. ill became a disease, perhaps amounting to monomania, and yielding one lesson to repay the world for his an inmate ot the hospital, he forwarded to the Governor, Sir Eardley E. Wilmot, the following memorial. It is too characteristic of the man not to be given. The gilt has all gone now. The Governor's minute on the memorial is very laconic : ' A T. L. (ticket-of-leave) would be contrary to Act of Park. T. L. refused. $rd class wages received? E. E. W." " ' To His Excellency, Sir John Eardley Wilmot, Bart., Lieut.-Go- vernor of Van Dieman's Land, etc. etc. '"The humble petition of T. Griffiths Wainwright, praying the indulgence of a ticket-of-leave. " ' To palliate the boldness of this application he offers the statement ensuing. That seven years past he was arrested on a charge of forging and acting on a power of attorney to sell stock thirteen years previous. Of which (though looking for little credence) he avers his entire inno- cence. He admits a knowledge of the actual committer, gained though some years after the fact. Such, however, were their relative positions, that to have disclosed it would have made him infamous where any human feeling is manifest. Nevertheless, by his counsel's direction, he entered the plea NOT Guilty, to allow him to adduce the " circon- stance attenuante" viz., that the money (5200) appropriated was, without quibble, his o