UC-NRLF TALES IN VERSE; CRITICAL, SATIRICAL, AND HUMOROUS : BY THOMAS HOLCROFT. IN TWO VOLUMES. VOL. I. LONDON: PUBLISHED, FOR THE AUTHOR, BY H. D. SYMONDS, PATERNOSTER-ROW. 1806. Printed by C. Mercier and Co. Northumberland Court, Strand, London, PREFACE, IN a periodical Work, entitled The Wits' Magazine, published in the year 17S3, of the four first numbers of which I was the Editor, the fourth, fifth, and seventh of the following Tales first appeared : the remain- der have never before been published. To excite emulation and increase the sale, the proprietor of the Wits' Magazine thought proper to bestow medals, on such correspondents as communicated the best prose and poetical compositions : but as it was difficult to find any, which were sent, that could plausibly be worthy of such re- ward, except by much alteration, the task of altering devolved upon the Editor. One that was thus altered, by me, was that entitled POLITENESS : OR, THE CAT o' NINE TAILS. The Tale I had met with in prose, but it was put into rhyme and VOL. i. A M 3858 sent by Mr. John Martin, who I under** stood was a Butcher, at Mitcham in Sur- rey. The moral of the Tale was good, and, as it was of a pleasant kind, I wil- lingly re-wrote the whole, except two lines, which, if I remember rightly, were the following : " Attended by his servant Jerry, ff Was traveling tow'rd the town of Bury." Mr. Martin, who received the medal, was by that made the reputed author; and he sent me a letter of thanks, acknow- ledging that he no longer knew the poem as his own. To confess the truth, I con- sidered it as mine : but, should Mr;. Martin be living, and be desirous to maintain his claim, I shall most willingly resign, and carefully avoid contention. The Tale entitled the Owl and the Howl, is expressly written for the purpose of inducing writers in general, but especially those wlio profess to teach the principles of language in dictionaries or grammars, to recollect the confusion which arises cer- tainly to the illiterate, and especially to foreigners who study the English language, and, as it should seem by their practice, to men of letters themselves, when they write the article an before many words that begin with an aspirated h. It ought to be the particular care of writers to understand precisely when the h is and is not pro- nounced, and never to write an but when it is mute. At present, in books the strangest confusion in this respect prevails. Writers countenance each other, through idleness, by writing the article an before tiie words beginning with an h almost univer- sally. It was a ticklish subject to handle in verse, and there are passages in tins Tale, particularly, which will not endure the severity of criticism. The subject of the last Tale in the first Volume is taken from La Fontaine's Fables, Livre X. Fable X. Le Berger et le Roi. The Tale of Giafar, in " The Arab and his Three Sons," is taken from an Eastern Tale, but with great variations, though it has been told by several of the Eastern writers themselves in a different manner : by some to honor, and by others to satirize, the fair sex. What I have mentioned are all the literary debts which I have con- A2 Vl Piously contracted, in the following vo- lumes. In the two last Tales I have taken the liberty to introduce living characters. My zeal to repress false, and, in my opinion, pernicious taste, by showing a small part of its absurdity, as well as my love of true taste, and the encouragement I would wil- lingly give it, will scarcely be blamed by the candid and considerate. If I have been led too far, if I have committed any personal injustice, when I discover it, my acknowledgment shall be as public as my fault. Indeed, I shall hold it a crime, of which I shall bitterly repent : but if a kind of public delusion should be in any degree counteracted by this slight and good-humored attack, I shall then think I deserve, whether I do or do not receive, the approbation of the public. As a man, Mr. Hope I hear spoken of as amiable in his manners ; but he is likewise a zealot, and zealots, with the purest of intentions, may commit the greatest of mistakes. His virtues, were I more intimately acquainted with them, I should take a greater pleasure, if opportunity offered, to enumerate and Vii announce, than to laugh at what appears, in him, to be but a foible; but, to foolish imitators, the consequences may be indeed serious. An enthusiast becomes dangerous in proportion as his intellect is strong, if he happen to take a wrong bias ; for he is certain to make many of the weak and the vain his proselytes. Such enthusiasts are usu- ally men of highly virtuous intentions ; but Whether in the midst of their enthusiasm, if they find its absurdity held up to public ridicule, they will have the philosophy to endure it with patierice, or the good sense to join the laugh, is strongly to be doubt- ed : it is far more probable that they and their proselytes will affect to treat such jocular attacks with sovereign contempt, and speak of them as the effusions of igno- rance, self-sufficiency, and vulgarity. Indeed, the absurdities, which are at present in such high vogue, originate chiefly, if not entirely, at Paris ; and among men who assume to themselves an exclusive discernment of fine taste: but their folly has spread so widely in this country, and is so greatly on the increase, that it is an act of charity to warn even the rich against the absurdity of a fashion, via which because of its expensiveness would be, and perhaps has been, in many in- stances ruinous. For an individual to at- tempt to exhibit the various modes of gran- deur which the various nations of the earth have childishly made the objects of their admiration, their toys, the mode in which they could best exhibit the superiority, not of intellect but of wealth, is for an individual to attempt to collect the absur- dities of all ages. Whether this be a ra- tional or a virtuous application of the great power which money bestows on its posses- sor is a question that I should think easily answered. How r ever, though Mr. Hope has fallen into this mistake, he has at least done it with a degree of splendor and consistency that make us regret his mind had not taken a different bent. The symmetry of parts is frequently well imagined and pre- served: the simplicity of the forms, and the beauty of those antique limbs, claws, and masks, which are so plentiful in his apartments, frequently attract and delight the eye. To show their absurdity, ex- cept by the simple question what con- nection is there between objects so totally IX distinct as household furniture and wild beasts ? would lead into a long disqui- sition on the principles of taste, with its relations to utility, of which a short Pre- face cannot admit. The imitators of Mr. Hope have been many, but his equals, in the discernment of beauty and sym- metry, few*. That the beautiful forms of ancient na- tions, nay, that their greatest absurdities should be made publicly known and pre- served, as well for the instruction as the amusement of mankind, is a very desirable object ; but for this there should be one, or perhaps several grand national repositories, by which the moral instruction they con- tain might be general. This is indeed a highly desirable object, in which considera- ble progress is making at the British Mu- seum ; and it will increase in proportion as true taste and genuine science are incul- cated. * The notes to the introductory Ode on Taste are extracts from a pamphlet, printed in 1804, entitled Observations on the Plans and Elevations designed by James Wyatt, Architect for Downing College, Cam* rbidge : in a Letter to Francis Annesley, Esq. J\L P, Jly Thomas Hope, X In public performers, I greatly indeed honor merit, and would willingly contri- bute to its reward ; but when these per- formers deserve reproof, or when their ta- lents are publicly misunderstood, to com- ment on them with truth and candor is to perform a public duty. In the part where I have, in the person of Master Betty, most censured, or rather ridiculed, it is justice to add, I have gone in direct opposition to a great majority of the public, at least as that majority expressed their opinion eigh- teen months ago : but on many occasions it has been too often proved that the public are occasionally seized with a strange in- fatuation, as well respecting persons as things, sometimes in favor of them, and sometimes so much to their prejudice, as greatly to injure them, and often to de- stroy. When he appeared in London, Master Betty was an extraordinary boy, and no more: fortunately for himself, he has received extraordinary rewards, such as are rarely the lot of genius in full matu- rity, and such as are but too frequently denied to a long, a laborious, and a highly useful life. Berner Street, July 20, 1806. AUTHORS AND CRITICS ; THE REVIEWER, THE GOOSE, THE NEW EDITION. A TALE. YOL. 1, AUTHORS AND CRITICS. TALE I. W^HEN Freron told Sartine* that he must feed, Sartine replied, Of that I see no need; Meaning to hint, laconic in harangue, You will not die of hunger, if you hang. I freely grant, I don't like such a dance : But that's the way they manage things in France. Now Freron was, as we are told, A writer in your French Reviews; And authors, French or English, new or old, * Sartine, Lieutenant de Police, sent for Freron, a writer and critic, and demanded why he had written what was libel- lous ? Freron answered, Monsieur, ilfaut vivre, " Sir, I must live :" to which Sartine replied, Je ne vois pas la necessity, Monsieur, " I gee no necessity for that, Sir." B2 4 Whether they well or III could write, Ha\'3 never .akon inach delight To hear their own abuse : Yet he, forgetful of bienseance , And, though a Frenchman, wanting complaisance,* Almost of common sense bereft, About him laid, to right and left. To madness stung, the scribbling swarm Called for revenge ! Justice must arm ! Good taste was murder 'd ! Yes, the laws- Must vindicate them, and their cause ! And therefore they beseechM the police Would properly correct this Freron's malice. Fve heard, and almost think it true, That Authors will together league, And, what they can't in person do, They'll somehow manage by intrigue. Statesmen, and others I could name, I've also heard, will do the same ; I mean in France : in England ! Fie ! Fll not bewray my nest, not I. 5 Well, as for this Monsieur Sartine, To know what his reply might mean, You must be told 'twas he that held the rod : Though not an executioner himself. Halter and axe lay piled upon his shelf, With hangman waiting, ready at his nod. He knew the way to make polite The man that could or could not write." We English too had hope to learn this art, Till lately, but 'tis flown : Ah me ! the dearest friends on earth must part ! Our great schoolmaster's gone ! This by the bye : I have not time To put him properly in rhime : But, should 1 praise him, as perhaps I may, Cannings and Pitts unborn shall bless the day. As for Reviewers, merciless as Turks, They pick out all the faults from others' works, Nay more than all, that they may sell their own, And of these faults make great display, and boast ; B 3 But, Author or Critic, he who has most Has never yet been fairly ask'd, or known. The man oblig'd a book to make A barren field must often rake, Together heap couch grass and weed : Till harvest's o'er, he cannot feed. Now, Sir, the rubbish, tares, and briers, Are things the Critic most desires : Nectar, Ambrosia, cannot please, Nor food Olympian, like to these ; For pudding, beef, and pork, are they, If cull'd and dress'd the proper way. What viands can, in critic court, Compare to pudding, beef, and port ? Mouse makes the cat erect his bristles : The ass, good creature, feeds on thistles. 'Twas said of old, and not at random, De gustibus non disputandum. Offals the Critic calls divine ; 'Tis these on which he loves to dine. Garbage to him is toast and tea ; And filth true Sal Volatile. - His blood runs trickling through his veins, When fetid fumes imbue his brains ; Then with delight he spends his hours ; The nauseous most he most devours. Like fee, faw, fum, Behold him come ! " I smell a fault" is his device ; And every blunder is a pearl of price. Authors and Critics, facts attest, Are opposite, as east and west. If Critics mangle me, as sure they will, Shall I be angry ? Common sense forbid ! Why make wry faces ? I must gulp the pill. Critics are shining lights, that can't be hid ; Butchers are useful ; calves are born to bleed. Freron said well : butchers themselves must feed. You think, perhaps, because I do not grumble, I'm quite a modest creature ! mighty humble ! 8 What, can you construe all this by the letter ? No doubt_, good Sir, you know an Author better. Critic and Author both delight to cozen : Just six of one, oft 7 other half a dozen. Critic must bounce and bluster; that's the law : An Author must profess respect, and awe : One is all vapour ; t' other much afraid : Both parties act according to their trade. This is the solemn sacrificing priest ; And that the sheepish victim of the feast. One way or other, both make vast pretensions : You'd think them beings of unheard dimensions ! But, though they seem to stand at heaven's portals, They eat and drink and sleep, like other mortals. Seen at a distance, each appears a god 1 Approach, both dwindle into flesh and blood. Be all things taken at their proper worth, I much suspect more phantoms stalk the earth. Now to my tale, which, you must know, Will hang but by a thread With what has gone before. But what of that ? What's said is said. I love to saunter as I go. Yes, I must be distinguished from the crowd. If such like liberties are not allowed, Pll take affront, lay down my pen, and write no more. Think not I'll be confined by rule : I'll choose my pace, like ass^ or mule ; Or Bond Street beau, or Piccadilly fop ; Quite at my ease, Just as I please, 1*11 yawn, laugh, lounge, or go or stop. THE TALE. An Author once, who oft had felt The Critic lash, and wish'd to melt The cold hard heart of Doctor Scoggins, Who wholesale dealt in monthly floggings, For, Midas like (floggings are sold) He turnM the rod he touched to gold : An Author, on a certain day, Imagin'd he had found the way 10 To work a wonder, and induce. If not large praise, at least a truce, From Doctor Scoggins. Thus, intent On this fLie scheme, to work he went : For he, 'tis fit I tell you now, Had money got, no matter how : A Goose he bought, be sure the best The market could afford, Stuffed it himself, and saw it dress'd To grace great Scoggins' board ; Then, piping hot, the dish well garnish In beak of Goose a note : Each phrase as he thought highly van The lines to come he wrote : " To Doctor Scoggins, LL. D.