THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES -yr-^^f^-^ /'. Digitized by tine Internet Arcliive in 2007 with funding from IVIicrosoft Corporatron littp://www.arcliive.org/details/completeguidetoaOOt0wniala ^ijiff! J y TB ASSIST I Orv ' / ' sovNiis trnicH .wonf:ss ivej'Z^k.ahe wstanodw yy ONE SHOUT iioru: hit m \r wuicu sTHiiois the eye , u\'Es Lose, m'on Tin: misii-.thk p.irnitVLSiafrr KNOnAVES THE KSOMIJUKif: WCHI .1 HEAM Of IJOHV' COMPLETE GUIDE TO THE ART OF WRITING S H R T-H AND: BEING AN ENTIRELY NEW AND COMPREHENSIVE SYSTEM OP REPRESENTING THE ELEMENTARY SOUNDS OF THE English Language in Stenographic Characters ; BT MEANS OF WHICH, THE EXACT WORDS OF ANY PUBLIC SPEAKEE MAT BE RECORDED AS PRONOUNCED, AND PRESERVED IN A LEGIBLE FORM, SO AS TO BE READ AT ANY FUTURE PERIOD, WITH THE UTMOST DEGREE OF EASE AND FACILITY. Prepared expressly for the use of Schools and Private Tuition. BY T. TOWNDROW, professor of Stertoflraphg. NEW YORK: F. J. HUNTINGTON AND Co., 174 Pearl Street. 1841. Enteeed according to Act of Congress, in the year 1837, by THOMAS TOWNDROW, m the Clerk's Office of the District Court of Massachusetts. STEBEOTVPED BT FBAKC18 T. RIFtET, HEW-TORK. SQ PREFACE The Author of this treatise is exceedingly gratified in be- ing able to present to the public another edition of his work on the Science of Stenography. The extraordinary patron- age which he has thankfully received from the literary public, has made it not only the Author's interest but his duty £2 and a pleasure to revise and amend the work. To ensure ^ the permanency of its character the whole has been stereo >• typed, so that purchasers may hereafter expect the work S? CMily in its present form. The writer has diligently studied b« to render this science simple and easy of acquirement, and "-' if any thing will add to his satisfaction, it will be to leam that he has succeeded in exciting an interest for and extend- 5 ing the knowledge of a science of such exalted utility. In A these pages will be found all that is necessary to make an z accomplished stenographer without the aid of an instructor. As the purchaser of this treatise may probably be l«d to inquii^ what are the advantages which the Author claims over the numerous publications that have preceded it on the d same subject, he wLU endeavor to point out in as brief a p manner as possible some of the difficulties which have pre- sented themselves to those who have acquired or attempted to acquire proficiency in this pleasing and very useful ac- complishment, and the method which he has pursued to avoid them. IV PREFACE. One of the impediments which has considerably retarded the progress and the success of those who have paid atten- tion to this science, has been the want of a sufficient quan- tity of exercises, for practice in writing, as well as from not introducing such words and sentences as are best suited to the different stages of advancement which they must neces- sarily go through, to attain proficiency in any system. Another objection attributable to the various publications designed for self-instruction is, that the rules and directions, intended as a guide to the Learner, are very seldom express- ed in terms sufficiently clear to be comprehended, except by those already acquainted with the Art. In removing these objections, the Author hopes his effisrts have not been altogether unsuccessful. To remedy them he has introduced a complete course of exercises, as practised by pupils who put themselves under his instruction; embracing in each from fifty to two himdred examples for the student's practice, and accompanied by such explanations, as he has deemed necessary to render the whole easy to be understood. The third and greatest evil which has been so imiversally adopted in all former systems of Stenography with which the Author has become acquainted (about fifty in number) is that of representing the vowels and diphthongs, by the use of dots, commas, 6fC. Mr. Molineux, in his system, represents all the vowels by a dot, to which he assigns five distinct places ; thus ./^ when preceding a semicircle, and thus ■; | when preceding a line, as in '\at,'\et,-\it,.\ot, }ut, <^c., writing the word moat thus '7| where it is to be observed that the dot representing is made somewhat larger than that for a, to show in deci- phering, that it must be read first. Mr. M. T. C. Gould, formerly of Philadelphia, in his abridg- ment of Taylor's system, also represents the vowels by a single point, thereby rendering it indispensably necessary in the expression of some words, for the pen to be taken ofi" the paper nearly as many times as the number of letters he makes PREFACE. X use of in spelling the same, as may be observed by a refer- ence to the above work, where the following, and many similar examples may be found p,j beold for behold; 'V evry for every. Mr, Gurney in his alphabet has appropriated characters to represent the vowels, but makes use of them only when standing alone, or when joined to other letters at the begin- ning of a word: indeed their forms are such as would scarce- ly admit of their being introduced in any other situation. Mr. G. represents the vowels when in the middle or at the end of a word, in the following manner — " There are six vowels," says he, "viz — c, e, t, o, u and y; when they end words they are expressed by dots differently placed viz — a and e even with the top of the letter, i and y with the mid- dle, and and w with the bottom; as for example, "]' ba, be, y, bi, by, ^ bo, bu. When the vowel does not end the word, it is expressed by the succeeding consonant," (i. e. by draw- ing the point of the following consonant from the place which the vowel would have occupied, had it been written at the end of a word;) " thus/^ sal, sel; /^ sil, syl ; /^ sol, suL When two vowels come together, the first must be expressed by a dot, the other by the succeeding consonant, thus, <^. '. poet ; i^*_ lion ; "j- / bias, &c. Several of the difficulties which frequently arise from the practice of expressing the vowels and diphthongs by the use of points, &c., are thus correctly exposed by Mr. Lewis, in his work on Stenography, entitled the " Ready Writer, or NE PLUS ITLTEA of Short Hand." " I have seen a few modem systems, wherein the inter- mediate vowels are discarded, and a single point only re- tained to express the whole of the initial, and final vowels : this point is directed to be placed just in the centre of the line, leaving it to the sagacity of the reader to find out which of the vowels it is meant to represents And moreover, the writer is directed to omit all vowels in expeditious writing, and leave it to the context to supply these defects. It is evi- yi PREFACE. dent, however, that these rules must tend to throw the grea^ est obscurity upon the writing, and render it impossible to be read at a distance of time ; for by this mode they never can show where there is a diphthong omitted, nor give the letters of it, which are sometimes very necessary : no tech- nical terms, no names of persons, places or things can be written in it, where any vowels must intervene, to give the sense." " The only reasons I can conceive, why this method of pointing for the vowels has been so universally adopted, are the want of a proper investigation of the simple marks which nature affords, or, that apparent conciseness has hitherto been taken for real brevity. Nevertheless, it is obvious that those marks which seem to occupy the least space, are not always in reality, the shortest, or the most conducive to ex- pedition. The mode of expressing the Stenographic vowels, therefore, by means of points, is not only an enemy to legi- bility, but is also calculated to destroy the purpose of expedi- tion. This will appear more evident when we consider — " First. That if the pen be moved to the right or to the left, from a dot towards a stroke, or from a stroke towards a dot, it describes a line, whether that line be visible or not ; thus in making ' | , the pen describes the character ~\ ; in writing | * the character y ; in forming c^ the mark '^ ; in making \^ the figure n)4 , &c. " Secondly. That as the motion from point to point is less rapid, because less direct, through the air than upon the paper itself, there is as much time lost by the sudden stop aad taking off the pen, passing over the detached space, and putting it down again, as in the formation of two (and often times of three) characters. Thus a detached particle occu- pies as much time in writing, as if the word were written (by characters) at full length. It has therefore appeared ab- solutely necessary that the vowel points, so predominant in other systems, should be entirely rejected, and another kind of substitute provided for them." FSEFACE. VU It certainly appears very singular, that Mr. Lewis, who after so clearly pointing out the defects of other systems relative to the method of expressing the vowels, by the use of dots and commas, should himself, in a great measure, run into the very same error; for notwithstanding these remarks, Mr. L. makes use of a dot for the first two vowels, a and e, and a comma for the fourth and fifth vowels, o and u ; thus adopting the very plan, which, to use his own words, should be entirely rejected. Again, he says, " by this arrangement, all those difficulties and dislocations already mentioned, in expressing the vowels in order to convey the sound of the word, are avoided;" his practice, however, exhibits a complete contradiction, for in his specimen of the Lord's Prayer he places the vowels e and 0, near, not joined, to the consonants. To obviate the many evils attending the method of ex- pressing the vowels by means of points, the Author of this treatise Itas provided another kind of substitute ; viz. several simple characters, which easily combine with any other let- ter, without lifting the pen, and that not only represent the vowels and diphthongs, but are also capable of conveying the exact sound which those vowels and diphthongs express, in the pronunciation of any word. The Author, having stated his reasons for essentially di^ fering from several of the principles adopted in former sys- tems of Stenography, and for having laid before the public his New and Improved Method, wishes to engage the atten- tion of the purchaser to some of the great advantages result- ing from the practice of Short-Hand writing, which are thus eloquently and forcibly expressed by Mr. Gawtress, (a steno- grapher of great celebrity) in his introduction to the science, upon the principles of the late Dr. Byrom. " Thousands who look upon this art with the utmost in- difference, are daily reaping the fruits of its cultivation. It is scarcely necessary to mention how indispensable it is in taking minutes of public proceedings. If all the feelings of Vm PREFACE. a patriot glow in our bosoms on a perusal of those eloquent speeches which are delivered in the Senate, * * * * we owe it to short-hand. If new fervor be added to our devotion, and an additional stimulus be imparted to our exertions as Christians, by the eloquent appeals and encour- aging statements made at the aimiversaries of our religious societies — we owe it to short-hand. If we have an oppor- tunity, in interesting judicial cases, of examining the evi- dence, and learning the proceediags, with as much certainty and nearly as much minuteness, as if we had been present on the occasions — we owe it to short-hand. In short, all those brilliant and spirit-stirring effusions which the circumstances of the present times combine to draw forth, and which the press transmits to us with such astonisliing celerity, warm from the lips, and instinct with the soul of the speaker, would have been entirely lost to posterity, and comparative- ly little known to ourselves, had it not been for the facilities afforded to their preservation by short-hand. " Were the operations of those who are professionally en- gaged in exercising this art, to be suspended but for a single week, a blank would be left in the political and judicial his- tory of our coimtry, an impulse would be wanting to the pub- lic mind, and the nation would be taught to feel and acknow- ledge the important purposes it answers in the great busi- ness of life. " A practical acquaintance with this art is highly favora- ble to the improvement of the mind, invigorating all its fac- ulties, and drawing forth all its resources. The close atten- tion requisite in following the voice of a speaker, induces habits of patience, perseverance, and watchfulness, which will gradually extend themselves to other pursuits and avo- cations, and at length inure the writer to exercise them on every occasion in life. When writing in public, it will also be absolutely necessary to distinguish and adhere to the train of thought which runs through the discourse, and to observe the modes of its connection. This will naturally have a ten- PREFACE. IX dency to endue the mind with quickness of apprehension, and will impart an habitual readiness and distinctness of percep- tion, as well as a methodical simplicity of arrangement, which cannot fail to conduce greatly to mental superiority. The judgment will be strengthened and the taste refined ; and the practitioner will by degrees become habituated to seize the original and leading parts of a discourse or ha- rangue, and to reject whatever is commonplace, trivial, or uninteresting." " The rapidity with which it enables a person to commit his thoughts to the safety of manuscript, also renders it an object peculiarly worthy of regard. By this means a thot>" sand ideas which daily strike us, and which are lost before we can record them in the usual way, i lay be snatched from destruction, and preserved till mature deliberation can ripen and perfect them." " The facility it affords to the acquisition of learning ought to render it an indispensable branch in the education of youth. To be enabled to treasure up for future study the substance of lectures, sermons, &c., is an accomplishment attended with so many evident advantages, that it stands in no need of recommendation. Nor is it a matter of small importance that, by this art, the youthful student is furnish- ed with an easy means of making a number of valuable ex- tracts in the moments of leisure, and of thus laying up a stock of knowledge for his future occasions. The pursuit of this art also materially contributes to improve the student in the principles of grammar and composition. While study- ing the rules of abbreviation and connection ; while tracing the various forms of expression by which the same sentiment can be conveyed; and while endeavoring to represent, by modes of contraction, the dependence of one word on another, he is insensibly initiated in the science of universal language, and particularly in the knowledge of his native tongue." " The advantages of short-hand, in cases where secrecy is required, are sufficiently obvious. It is true, that when a X PREFACE. system is made public, this effect is partially destroyed. Yet it seldoms happens that stenographic memoranda fall into the hands of those who can read them ; and when the wri- ter has any reason to anticipate such an occurrence, it will be easy, after learning a good system, so to transpose a few of the Arbitraries, as to render the writing illegible to all but himself. " The memory is also improved by the practice of steno- graphy. The obligation the writer is under, to retain in his mind the last sentence of the speaker, at the same time that he is carefully attending to the following one, must be high- ly beneficial to that faculty, which, more than any other, owes its improvement to exercise. And so much are the powers of retention strengthened and expanded by this exer- tion, that a practical stenographer will frequently recollect more without writing, than a person unacquainted with the art, could copy in the time, by the use of common hand." Mr. Lewis, speaking of this subject, remarks, that " Of all the perfections of the mind, there is none more capable of improvement than the memory, and none that will reward our labors with more pleasure and advantage. How often from the lips of some admired speaker have we heard the most instructive lectures upon those very branches of useful knowledge with which we were most anxious to become acquainted, yet without obtaining any material advantage from the important information disclosed, and through the treachery of our memory, not being able to form even a clear and satisfactory idea of the subject; when by means of Steno- graphy, not only the thoughts which pass in our own minds receive a visible form, and can be communicated to the mind and understanding of others at the most distant period, but likewise we are enabled to catch the living ideas of a speaker in the very words by which they are conveyed to our own ears ; copy from the lips of an orator all his studied beauties of language, his arrangement of elegant expressions and force of reasoning, which we can with the utmost satisfac- PREFACE. XI tion re^new at pleasure. There are many Short-Hand wri- ters and parliamentary reporters of the present period, who, previous to the exercise of this art, could with difficulty re- member on their return home, the heads of a discourse ; yet they have been so trained to habits of attention, and to reg- ular systematic methods of investigation, and their memory has been so wonderfully improved and mechanically strength- ened by the practice of the Stenographic art, that they are now enabled to collect with verbal accuracy, every sentence of a long oration." " In addition to these inestimable advantages, Science and Religion are indebted to this noble art, for the preservation of many valuable Lectures and Sermons, which would other- wise have been irrecoverably lost. Among the latter may be instanced those of Whitfield, whose astonishing powers could move even infidelity itself, and extort admiration from a Chesterfield and a Hume ; but whose name alone would have floated down the stream of time, had not Short-Hand rescued a portion of his labors from oblivion. " With so many vouchers for the truth of the remark, we can have no hesitation in stating it as our opinion, that, since the invention of printing, no cause has contributed more to the diffusion and progress of refinement, we might almost add, to the triumphs of liberty and the interests of religion, than the revival and improvement of this long-neglected and invaluable art." " Such are the blessings which short-hand, like a generous benefactor, bestows indiscriminately on the world at large. But it has additional and peculiar favors in store for those who are so far convinced of its utility, as personally to engage in its pursuits. The advantages resulting from the exercise of this science, are not, as is the case with many others, con- fined to a particular class of society : for though it may seem more immediately calculated for those whose business it is to record the eloquence of public men, and the proceedings of popular assemblies, yet it offers its assistance to persons XU PREFACE. of every rank and station in life-r-to the man of business as well as to the man of science — for the purpose of private convenience as well as of general information." To those persons who may be desirous of forming a col- lection of the many excellent sermons and valuable lectures that they may hear from time to time, the Science of Ste- nography is of great importance. The many interesting Trials and Orations that have been reported by persons ac- quainted with this Art, and that have been fotmd exceed- ingly beneficial, both for private edification and public use- fiilness, are eminent vouchers of its great utility in that respect ; indeed, were the community fully acquainted with the pre-eminent advantages of this acquirement, they would at once become advocates for its general diifusion, because it confers a facility of despatch, in the acquisition of human learning, which no other branch of knowledge can convey. The utUity and importance of this science should there- fore fully commend it to the attention of every instructor. For if it be true that the impressions of early life are more vivid and enduring than those of later years, then if this branch of knowledge were taught to the youth as a part of education, its practice would " grow with their growth,** until in maturer years they would use it with astonish- ing success. The author would hence most respectfully suggest whether the introduction of this study into our com- mon schools would not secure the most important ends. And to those preparing for college or professional duties an early attention to this science will be one of the most power- ful auxiliaries to complete success. THOMAS TOWNDROW. New Yokk, Aprii.; 1841. TESTIMONIALS. The Author begs leave to present the following Testimo- nials to the favorable notice of an enlightened community. The following ENCOMnm is from the pen of Andrew Hun- ter, A. M. LATE of Edinburgh, where he has practised THE science of STENOGRAPHY FOR UPWARDS OF TWENTY YEARS, AND WHO IS THE AUTHOR OF A WORK ON THE SAME SUBJECT. Manchester, March 20th, 1837. Sir, I have had much pleasure in perusing your Complete Guide to the Art of Short-Hand Writing ; it is neatly and tastefully executed ; — your remarks on the science, are the dictates of a sound mind, resulting from much experience as a Teacher of the Art ; — the method and order which you have shown in the arrangement and distribution of your ma- terials, evinces in a high degree, that you have fully under- stood your subject. The characters you have chosen to rep- resent the intermediate vowel and diphthongal sounds, arc admirably easy to join with the various consonants with which they may chance to be connected, while at the same 9 XIV TESTIMONIALS. time they mark with such precision the direct sound of the words, as to render the reading of Stenographic manuscript both easy and accurate. In conclusion, I have no hesitation in giving as my opin- ion, that it forms the most complete work of the kind ever presented to a discerning public. (With hearty wishes for your future success and prosper- I am, Sir, Your obedient servant,) ANDREW HUNTER, A. M. From the Manchester Times. " There are few persons of intelligence who are not ready to acknowledge the pleasures and advantages to be derived from the practice of Short-Hand. We, who may lay some claim to an experimental knowledge of the science, can pro- nounce it to be one of the very best methods of imparting an useful versatility to the mind, and of inuring it to quick and correct apprehension. We recollect many occasions when in the exercise of our duties we have had to attend in the same day, and in rapid succession, to matters legal, political, scientific, divine, and an immensity of others too miscella- neous to be classified. These we have in various ways giv- en to the public by means of Short-Hand ; and can any one deny that exercise of this kind will fail to induce quickness of perception, and the power to turn the mind to sufficient objects unconscious of an effort ? The question then is, which Stenographic system is the TESTOrONIALS. XV best, and which is the shortest and to be acquired with least trouble ? This is a problem we really cannot undertake to solve ; there is no royal road to Short-Hand, even with the most perfect system. — Byrom's is remarkable for beauty, legibility, and conciseness. That of Mr. Towndrow, an emi- nent teacher, seems both legible, concise, and easy to be ac- quired ; inasmuch as he reduces the science to its simplest elements, and then proceeds gradually. Mr. T. has an ad- vantage over every other system we have yet seen, in the precision and certainty with which the different sounds are noted ; and in the hands of a good writer we think this sys- tem may be rendered as beautiful to the eye as any we are acquainted with, and altogether, as Stenographers, we may safely recommend it to the public." Manchester Courier. We have examined with some attention the system of Stenography invented and taught by Mr. Towndrow, and we are of opinion that it will be found eminently serviceable to those who wish to study the Art. In some points it is superior to any system that we have seen. Sheffield Iris. We have given the system of Stenography invented and recently introduced into this country by Mr. Towndrow, an attentive examination, and we feel fully convinced of the many improvements he has made on all former systems which have come imder our notice. Mr. Towndrow, in his XVI TESTIMONIALS. present method, has appropriated a distinct character to rep- resent each elementary sound of the English language, by the use of which, any word, no matter what number of vowel or diphthongal sounds it may contain, can be clearly express- ed in Short- Hand, without having occasion to raise the pen from the paper, which could not be done in the generality of systems without lifting the pen several times in order to sup- ply a number of dots representing the vowels, which is well known to form one of the greatest impediments to quick writing, while upon others we have some knowledge of, it would be impossible to convey the same words to paper so as to be recognized at a future period. Derbyshire Conner. A neat little volume, professing to be a complete guide to the Art of writing Short-Hand, or an entirely new and com- prehensive system of representing the elementary sounds of the English language in Stenographic characters, has been published by Mr. Towndrow, Professor and Teacher of the Art. The principal feature of this treatise is its originality in giving distinct characters to express the various tones of our native tongue, and from the high degree of conciseness with which this object is accomplished, and its perfect and easy amalgamation with the other parts of the system ; the operation of writing is advantageously condensed, and an in- creased facility afforded of committing to paper the eloquence of the orator. The system is exceedingly simplified in its details, capable of being acquired with comparatively little application, and in practice will, we believe, be found to TESTIMONIALS. work well. It is decidedly superior to all systems of Steno- graphy with which we are at present acquainted. Boston American Traveller. We welcome the return to this country of Mr. Towndrow, the accomplished Professor of Stenography, and author of a celebrated Guide to the Art of Short-Hand Writing. A new edition of his treatise was lately published in England, and a portion of it has been received here. The improvements he has made in the system, are well worthy the attention of the student, and give the stamp of pre-eminence to his work. Zion^s Herald. A fine opportunity is now presented to young persons in this city, by the return of Mr. Towndrow from England, to acquire the useful accomplishment of Short-Hand Writing. We became acquainted with this gentleman upon his first visit to this country, and from the success which attended his instructions then given, we have the utmost confidence in his ability to teach stenography, and the superior advan- tages of his improved system. This system enables the re- porter, not only to record the exact words, as delivered by any public speaker, but also every peculiar expression made use of by him, as pronounced, and to preserve all in a legible form, so as to be read at any future period, with the greatest ease and facility. 2* IVm TESTDIONIALS. Boston Morning Post. Mr. Towndrow's system of Stenography, is the most per- fect one ever invented, and he is one of the most agreeable and gentlemanly instructors that ever taught abbreviations. Boston Daily Evening Transcript. Mr. Towndrow is the most ready Stenographer, and the best instructor of the art in the United States, Boston Mercantile Journal. T. Towndrow, who is well known for his success m teach- ing the art of writing short-hand, has just put forth the sec- ond edition of a book entitled, "A complete Guide to the Art of Short-Hand Writing, being an entirely new and com- prehensive system of representing the elementary sounds of the English language in stenographic characters." Mr. Town- drow's system has met with approbation of persons versed in the art, and is probably the most perfect mode of short- hand writing extant. To those who wish to become an adept in this valuable accomplishment, we recommend Mr. Towndrow's book — this, with a due share of patience and perseverance, will soon qualify one to exercise this acconv plishment with great facility. Boston Atlas. Mr. Towndrow, professor and teacher of stenography, has just introduced to the notice of the American public, a new TESTIMONIALS. XIX system of writing short-hand. "We know something of the art, and having attentively examined Mr. T.'s method, can say that it possesses many advantages over any other we have seen. It is simple, neat and beautiful, giving the ex- act sound of all the vowels and diphthongs in the language, without obliging the writer to lift his pen, even when taking down the longest word. Mr. T., we are glad to leam, is well encouraged. Boston Morning News. We do not know how it is with other folks ; but for our- self there is no greater satisfaction to be found in the whole range of literary pleasures, than to be able to take down a speech as it falls warm from the lips of an extemporaneous speaker. It is then that the peculiarities of the individual slip out unperceived by the orator himself, and are probably forgotten by the majority of his audience. The science of stenography obviates the latter misfortune. It gives us the portrait of the speaker's mind exactly as it is — the glowing thought, the impassioned apostrophe, the sudden transitions are caught and faithfully represented by this divine science, before they have had time to cool and degenerate into com- moa place diction beneath the hand of the exhausted orator who prepares his speech for the press. Stenography has power to represent the speaker's mind just as it looked while he was delivering his discourse — it lets us into his heart by a direct road. We regret that our limits will not permit us to do full justice to this very interesting subject, but we know of one who is able to achieve what we are incompetent to XX TESTIMOKIALS. do. We allude to Mr. Towndrow, who has given us such information with respect to his present system, as renders it mathematically certain to our mind, that it is superior to any other known. The elementary sounds are represented by the simplest signs — an improvement never before attempt- ed — and a number of words may be connected with the greatest facility ; and the whole read with ease. This last crowns the whole, as every stenographer must be aware. For further information we refer the reader to Mr. Town- drow himself, whose patience in explaining his system, and whose urbanity and pleasing manners, render him one of the most agreeable as well as able teachers we have ever seen. United States Gazette. We have had an interview with Mr. Towndrow, the au- thor of a small book entitled " A Complete Guide to the Art of Writing Short-Hand, being an entirely new and compre- hensive System of Representing the Elementarj' Sounds of the English Language in Stenographic Characters." Of this work, we may say as of most other treatises on Stenography, that it aims to advance a much neglected art ; but, in our opinion, Mr. Towndrow has accomplished a real and valuable object in the introduction of all the vowel and diphthongal sounds, without the multiplication of characters, and in such a manner that those who are acquainted with the system may at any time read the stenography of others. We wish that the trustees of our colleges and high schools would introduce stenography among the regular pursuits of TESTIMONIALS. the classes, and have it so cultivated that each pupil should be able to read the writing of the other. Baltimore Daily Gazette. We have lately had an interview with an eminent teacher of Stenography now in this city, Mr. Towndrow, of whose merits we have seen the most flattering testimonials in the Boston papers, some time before his arrival among us. From a long conversation with Mr. T., and an attentive examina- tion of several works on the art of Stenography, which he has published, we feel fully justified in recommending him to the favorable notice of the public. His system is undoubt- edly a very great improvement upon all which have pre- ceded it, and has been the result of a long and assiduous practice of his profession. In a country like ours, where legislative bodies are so nu- merous, and where conventions and public meetings are held, and addresses delivered on all occasions, it would seem almost imnecessaryto dwell on the advantages of a know- ledge of Stenography — but the art has certainly been, hith- erto, but little cultivated. We can imagine no other cause for this neglect, than the tediousness and insuflficiency of the old systems of Short-Hand, a theoretical knowledge of which, however accurate, led to no advantages in practice corres-* ponding to the labor of acquiring it. We are informed that some of the most distinguished re- porters of speeches in our country, owe their proficiency, like Mr. Towndrow, to the expedients which their own experi- ence has suggested to them, independent of the knowledge XXU TESTDIONIALS, to be obtained iu any treatise heretofore published. But we think that httle more than a glance at the system of Mr. T. will be sufficient to convince any one that he can accom- plish all that he promises. We have no doubt that his mode of teaching will speedily be adopted in schools, and Steno- graphy made a branch of common education. From a Class in Fall River. Fall River, Mass., Mat 29th, 1840. I\Ir. Towndrow, Dear Sir, — The undersigned, members of your Stenogra- phic Class, upon the completion of their studies, tender to you their sincere thanks for the promptness, attention and assiduity with which you have performed your duties as our Instructor. The common difficulties which accompany all attempts to instruct pupils in any thing of which they are entirely ignorant, was in our case attended with another, the total ignorance of each other by teacher and pupils. But from your affability to us, we forgot that our acquaintance was of short duration, and this feeling no doubt, contributed to assist us in our studies very materially. We are going to part from each other, we may never meet you again, collectively or individually, but our good wishes go with you. And whether such pleasure be in store for us or not, we hope that each of us, tutor and pupil, may so in- cline to the path of virtue, that we may meet, if not here, in that world to which that path eternally leads. We are dear sir, Yours, very respectfully, Signed by 12 Students. TESTIMONIALS. XXIU From a Class in Bowdoin College. We the subscribers, members of Bowdoin College, wish hereby to express to Mr. Towndrow, the entire satisfaction we feel in regard to the system of Short-Hand Writing which he has been teaching us; and that we may remove, as far as is in our power, the prejudice which exists in so many minds against this valuable accomplishment, we are free to say, that after having received a full course of lessons, we feel satisfied that this system is not only easy and practica- ble, but that it is more so than any other within our know- ledge ; and we hope, that during his stay in this country, Mr. T. will receive the extensive patronage which he merits. Signed by 30 Students. From the Rev. W. H. Beecher. I take pleasure in stating that the system of Stenography taught by Mr. Towndrow, to which I have been attending for some time, is in my view, the most perfect system of Short-Hand Writing I have ever examined, uniting in a higher degree, conciseness, comprehension, neatness, and despatch, with ease of acquisition. It is my conviction, that the present rapid increase in knowledge of arts and sciences, demands an increase also in facility of expressing and com- municating thought; and that before long, this art will be- come extensively practised, and highly beneficial to the cler- gy, the lawyer, the physician, student, mechanic and mer- chant ; the process of acquisition being more an amusement than a labor. W. H. BEECHER. XXlV OPINIONS OF EMINENT MEN ON THE UTILITY OF SHORT-HAND. " I should exhort all young men to learn that most useful art, Short-Hand Writing, an art which I believe will one day be studied as universally as common writing, and which will abridge the labor of penmanship to a degree that will materially quicken the intercourse of human thought." T. CAMPBELL, Esq. Late Lord Rector of Glasgow University. "As it is usual to take notes, the attainment of Short- Hand will give such a facility to your labors, as to enable you to follow the most rapid speakers with certainty and prt^ cision." Letter from the late Me. Dunning, to a Student in the Temple. " The Art of Short-Hand, on account of its great and gen- eral utility, merits a much higher rank among the arts, than is commonly allotted to it ; and is by no means unworthy the attention and study of men of science and genius." — Dr. Johnson. The Rt. Hon. the Earl of Morton, President of the Royal Society ; the Lord Chancellor Pratt ; His Grace the Duke of Queensburg; and Dr. John Taylor, Chancellor of Lincoln, after receiving instructions from Dr. Byrom, observe: "were the public so far acquainted with the usefulness of this Art, that it should be commonly received in their intercourse with each other, taught early to youth, and practised by them when they became to be men of letters and business, the despatch arising from it, and every other advantage, would increase in proporticm to its more general reception." TO THE LEARNER. Before entering upon the exercises of this interesting study, the Author wishes the Student to peruse the following lines on ''Application," from the pen of the late Rev. Samuel Davenport, of Horsley, Derby- shire, England. "It is incredible how much may be done by diligence and assiduity. The present state of the world, enlightened by arts and sciences, is a living proof, that dijtficulties, seemingly insuperable, and undertakings im- agined to be impossible, may be accomplish- ed. This consideration ought to be no mean spur to industry and application. We are not acquainted with the strength of our own minds, till we exercise them, nor to what length our abilities will carry us, till we put them to the trial. Men who want resolu- tion, often desist from enterprises, when they have more than half effected their pur- pose : — They are discouraged by difficulties 26 TO THE LEARNER. and disappointments, which ought rather to excite their ardor, and redouble the vigor of their efforts to succeed. Let any one con- sider with attention the structure of a com- mon engine to raise water. Let him ob- serve the intricacy of the machinery, and behold in what vast quantities one of the heaviest elements is forced out of its course ; and then reflect how many experiments must have been tried in vain, how many ob- stacles must have been overcome, before a frame of such wonderful variety in its parts, could have been put together; after which, let him pursue his own enterprises, not with- out hopes of success in the end, while he supports the spirit of industry by consider- ing how much may be done by patience and ingenuity." INTRODUCTION. Note, — As the perusal of a particular remark may fre- queatly simplify the mode of expressing certaiu words, it has been deemed expedient to number each rule, observation, &c., in regular order, without any regard to classification, so that reference may most conveniently be made to the same. MATERIALS FOR WRITING. 1. The learner is recommended to make use of a good pencil on all occasions, when it is necessary to write with expedition. When he is sufficiently advanced in the art to take notes in public, he ought to be provi- ded with a pencil-case adapted to very fine points, or a number of good drawing pencils, (which should be kept in a suitable case,) with the points at all times ready for use. Whenever it shall be desirable to preserve short-hand manuscript for subsequent and probably frequent perusals, it will be prefer- able to write with a pen. CHOICE OF PENCILS. 2. In the selection of pencils, good ones 23 A COMPLETE GUIDE TO THE may be considered the cheapest. The draw- ing pencils and ever-points, manufactured by Mr. Monroe, of Concord, Massachusetts, are recommended as being of an excellent quali- ty. Those marked H. H., will be found most suitable for short-hand writing. CHOICE OF PENS. 3. An elastic steel pen with a fine point, will be found to possess decided advantages over those made from the common quill. As the manufacturers of this article are con- stantly bringing forward something neio, the writer will of course make his own selec- tion. CHOICE OF PAPER. 4. Except when writing with a pen, pa- per having a very smooth surface ought to be selected, so that the pencil may be moved with perfect freedom, at the same time form the characters with neatness and perspicu- ity. In the use of rough paper, it is impos- sible to retain a fine point to any pencil, consequently the strokes are made very large and thick, which not only impedes the process of expeditious writing, but leads to a habit of forming the characters with care- SCIENCE OF STENOGRAPHY. 29 lessness, and naturally destroys the legibili- ty of the manuscript. DIRECTIONS FOR HOLDING PEN OR PENCIL. 5. Let the long finger be placed about half or three quarters of an inch from the point of the pen or pencil, and the end of the thumb opposite that of the fore-finger — thus holding it much more erect than is usual in common writing, so that it may be moved in any direction with ease and facility. DIRECTIONS FOR LEARNING THE CONSONANTS, &C. 6. In the first place, it is necessary for the learner to become perfectly familiar with characters by which the consonants are re- spectively represented. 7. The most easy and expeditious mode of accomplishing this, is by writing the cha- racters very frequently, in the same order as exhibited in the first, second and third exercises;* imitating them as nearly as pos- sible, in size, form and position^ and at the * With a view to facilitate the progress, as well as for the conve- nience of those who may engage in the study of this treatise, the Au- thor has prepared and published in connection with the same, a small v/ork, entitled "The Stenogbaphical Copy-Book;" the pages of which are ruled with suitable spaces, and numbered to correspond with the numerous exercises introduced in the " Guide," and intended for the learner's practice. 3* 30 A COMPLETE GUIDE TO THE same time impressing upon the memory the name of each, by repeating the letter which it is intended to express. 8. In the first exercise, the characters are arranged nearly in alphabetical order; while in the second, they are classified agreeable to their relative similarity of form, posi- tion, &c. 9. C is rejected in short-hand, and substi- tuted by k or s, according to its hard or soft sound. (See exposition of c. No. 28.) 10. F^ h, k, V, to, X and sA, are each repre- sented by two distinct characters, that they may be more easily combined with other letters than they would be if confined to one. 11. Always commence with the curve, in forming g, j, q, r, x, y, z, ch and ich. 12. The double consonants ch, sA, th and 2ch, being of such frequent occurrence, dis- tinct characters have been appropriated to represent them. 13. The learner desiring further informa- tion respecting any of the letters, will pro- bably obtain it by referring to an exposition of the same, on a subsequent page of this work. SCIENCE OF STENOGRAPHT. 31 14. The student must not be too anxious to write expeditiously at first, or he will be sure to make "more haste than good speed." Let his first aim be to execute the charac- ters with neatness and accuracy, and expe- dition cannot fail to ensue : as Mr. Molineux correctly observes — " Learn to write slow, all other graces, Will soon fill up their proper places." 32 A COMPLETE GUIDE TO THE EXERCISE B D c / c / c / c / c / c / c / c / c / c / c / c / c / c / c / c / c / c / c / c / c / c ' H r\ r\ r\ r\ r\ r\ r\ H \^ \^ \^ \y ^^ \y r>o' N \^ ^^ «^ ^^ \^ \^ F \ \ \ N \ \ \ \ \ \ \ \ \ \ \ \ \ \ Q \ \ \ SCIENCE OF STENOGHAPHT. 33 FIRST. C c c c c c c c c c c c c c c c c c c c c c w w C\ ^ op / / \. / / / / 34 A COMPLETE GUIDE TO THE EXERCISE / / / / / SH \ \ / / / / / / / / \ X ■x SCIENCE OF STENOGRAPirT. 35 SECOND. CH R B L M N H H F F K K w w V ' J / c D r\ v^ /^ ^^ e 5 ^ e; c\ o C D J ^ c ) r\ v^ r^ ^> e 5 6^ e; o ^ c D J ^ c ) rs ^y r^ ^^ e 5 6^ e-i C\ c^ c D J / c ) r\ \^ r> KJ e 5 6^ e^ o ^ c D i/ <^ c ) r\ \^ /^ "^ e 5 e\ ej o ^ c D Ky e 5 6^ e; o ^ c D t/ ZJ o ^ c D ^ ^^ ^^ e 3 6^ QJ o ^ c D v^ e 5 e\ (U o ^ c D J ^ c ) r\ s^ r^ ^^ e 5 s> /-\ v^ r^ v^ e 5 5^ e> o ^ c D J ^ c ) rN ^> r^ Ky e 5 ff> -/ r^ \y e 5 es Qj c^ ^ c D i/ rN ^^ r^ \y e 5 6>
  • ^y e 5 e\ QJ c^ o c D y ^ c ) r\ >-> r> v^ e 5 s^ fO C\ ^ c D J rs >^ r^ \y e 5 6>i QJ o ^ c D c/ ^y e 5 s\ dJ o b c D J tng — \j - bst c 1 — mrl r> ^ D t rn — <: V-^ dmp / r\ N mtr n — vxn c ^ ^ fxd e •x / pdl \ / 3 wft o e — git ^ ) — pin \ D *-; wld C\ ) \ igmn c- r\ O Png \ v^ '^ — wnk o o" ff> 'grf c_ d e prf \ ^ e wsp r\ 1 \ jhlp r> ) \ qkn 1 e\ v-/ xlt •x D — 1 ihmr n\ (^ / qlt 1 D — xmn 'N o K^ hng s^ c_ qrl 1 <^ 3 1 xpl <\ \ 3 jgr j_ ^ ^ znk r ^^ 6^ link •) v^ 5^ smr 1 o C 3 s t r V 1 - / !) gngr c w -- <^ t m p r — O \ ^. h 1 pr \ \ X m n d <^ r> v^ / Imbr D r> C / X p r s at the end of a word, has frequently the sound of t, which letter may be substi- tuted for the former, when more convenient- ly joined with the preceding character; wri- ting dstrst for distressed ; xprst for express- ed, &c. 32. D may be omitted in such words as friendship, landlord, landscape, &c. 33. Dd, must be expressed by making the character for d twice separately, thus, yy as y^ dd-n for deaden; ^ kn-dd for candid, &c. 44 A COMPLETE GUIDE TO THE 34. F is represented by two distinct cha- racters, each composed of a loop and small semicircle, thus e and 5 , leaving the wri- ter at liberty to use either, as may be found most easily combined with the preceding or following character. Examples, 5_ Ift^ \<2 2)rf, &c. 35. F must always be substituted for gh and jpA, in such words as cough, laugh, rough, tough, phantom, pheasant, j)hilosopher, &c. 36. Ff may be expressed thus ^ or ^ , 37. G is represented by a small descend- ing curve and horizontal line, thus ^ (the reverse of^c-) as in -^ gd, ^ — f'^'g^^ &^- 38. G and gh being silent, may be omit- ted in such words as gnat, phlegm, feign, reign, resign, light, sight, &c. 39. Gh occurring together in the middle or at the end of a word, have generally the sound of/, as heard in enough, laugh, trough, &c., and must be substituted by that letter accordingly. 40. Gg must be expressed thus •-.- , as in the words gag, gig, &c. 41. ff. Two distinct characters have been appropriated to represent this letter, not only to render it more convenient in combination, SCIENCE OF STENOGRAPHT. 45 but to afford a ready means of expressinp^ the present and past tenses of the auxiliary verb to have. (See exercise 8.) 42. Each of the characters representing h, is composed of a large semicircle, the first being made twice the size of m ^ , thus r^, the second twice that of ti o , thus v^, leav- ing the writer at liberty to use that which most easily combines with the preceding or following character. 43. Although h is silent at the beginning of some words, it will be preferable to use it in spelling, instead of the vowel which it may happen to precede, writing hrh for herb^ instead of trb; hnr for honor, instead of 6nr, &c. 44. *^ which has a perfect uniformity of sound, (except in hallelujah) is represented by a small ascending curve and horizontal line, thus ^ , (the reverse of ^ '- ) as in 1- jst, c^^ jml, &c. 45. When g has a soft sound, 7 may be sub- stituted for it, as in the words gem, gin, gin- ger, gipsey, &c. 46. K is also represented by two distinct characters, thus 6> , and mnd, rv^ mrk, &c. 54. To express mm, write the character for m twice, as in ^"^ mm-br for mem- ber, &c. 55. N is represented by a small semicir- cle, thus u , (the reverse of m ^ ,) as in ^^-^ ngr, N^ nvr, &c. SdENCE OF STENOGEAPHT. 47 56. iVmay be omitted at the end of such words as kiln, hymn, autumn, solemn, &c. 57. JVn. Write the character representing n twice, for nn, as in ^ In-n, for linen, &,c. 58. P is represented by a short oblique line, drawn downwards from left to right, thus \ , (the reverse of d / ,) as in nx pif, \r- prt, &c. 59. P, when preceded by x, is expressed by drawing the line of the character repre- senting the latter twice its usual length, thus \i_ xpi'st, &c. 60. P may always be omitted in such words as pneumatics, ipsalm., i^tisan, tempt, contempt, raspberry, receipt, redemption, re- sumption, (fee. 61. Ph, except when silent, must be substi- tuted by the letters/ or v; as in the words nephew, phantom, philosopher, &c. 62. To express p/?, the character for jo, is made twice, thus % . Example, w, p-pl for people, &c. 63. Q is represented by a small curve and perpendicular line thus 1 (the reverse of wh r ) as in K qh ]/) qrl, &c. 64. Qu may be substituted by k in such words as conquer, liquor, marrpie, &c. 48 A COMPLETE GUIDE TO THE 65. Ca, frequently sound like q^ and may be expressed by the same character; wri- ting ^r for cure; se-qr for secure; l-o-q-tiou for elocution, &c. 66. R, when joined with other letters, is represented by a simple oblique line, thus / , the same as d, with this exception, rf is al- ways made down from right to left; but r nmst in all cases be made up from left to right, as in the following examples, /t» drk^ /u I'st, O- dprt, .j^ trnd, &c. 67. He, forming a distinct syllable at the beginning of a word, must be expressed by the character representing r in the first, sec- ond and third exercises, thus (f , in all cases commencing with the curve. Examples, jiyre-fer, /-^ re-gard, &c. 68. The same cliaracter is also written singly, to express the words are, art, and or. See No. 150. 69. To express rr, first make the simple oblique line thus / , commencing at bottom ; then join the other character ( ^^- -^^^ ^^^^ words they denote when standing alone, see Nos. 153 and 154. 80. Vv may be expressed by writing either of the characters for v, twice. 81. W. Two distinct characters have been appropriated to represent this letter, eacli composed of a small loop and large semi- circle, thus C^ and O, (twice the size of those representing A:;) writing either in con- nection with other letters. Examples, ^ did, COT) frwl, <&c. 82. TV may be omitted in such w^ords as wrap, wreck, wretch, answer, sword, &c. 83. For the expression of ivh, see exposi- tion of the double consonants, No. 97. 84. JC is also represented by two distinct characters, each composed of a small curve and oblique line, thus 'xand ^; using that SCIENCE OF STENOGRAPHY. 51 which most easily combines with the pre- ceding letter. Examples, ^ sx, ^^ txt^ &c. 85. JThas the sound of z at the beginning of proper names, as heard in JCanthus, Xeno- j)hon, Xerxes, &c., and must be substituted by that letter accordingly. 86. X may generally be substituted for cks, or cts, at the end of a word; writing c^ fx for facts, fix, and fox; /^ rx for racks ^ ricks, rocks, and icrecks, &c. 87. Y, at the beginning of a word or syl- lable, is represented thus 7 , (the reverse of z /" ,) always commencing with the curve, as in I- yt, l^ yng, &c. 88. ymust always be substituted for i, in the final syllable of such words as billiards, collier, million., onion, pinion, pannier, &c. 89. For the expression of y, in such words as day, prey, many, marry, type, thyme, ty- rant, &c. See exposition of the vowels a, e and i; Nos. 102, 112, 113, 117. 90. Z is represented by a small curve and oblique line, thus /" , (the reverse of 7 ?/,) in all cases commencing at the top. Ex- amples znk ^, zst (Z, &c. 91. Z may frequently be substituted for s. 52 A COJITLETE GUIDE TO THE when it has the hard hissing sound of the former. EXPOSITION OF THE DOUBLE CONSONANTS. 92. Ch. The sound of ch^ as heard in charrrij chajUer^ child, chosen, church, &c., is represented thus j , always commencin*; with the curve. Examples, y:>, chl for ckili, y-^ chng, for change, &c. 93. Ch having a hard sound like k, in chaos, chorus, chemist, &c., must always be ex- pressed by A; in such words accordingly ; writing skem for scheme; skodl for school, &c. 94. Ch must be expressed by sh, in such words as chagrin, cJtaise, chamade, chande- lier, &c. 95. Sh is represented thus \ and /; the first being an oblique line twice the length of p, always commencing at the top, as in \^ shrt, «&c.; the second is an oblique line twice the length of d, and may be made either by an ascending or descending move- ment, as convenience of combination may require. Examples, s/ psh, /y shtr, &c. 96. th. For the expression of ih, draw the horizontal line for t, twice its usual length, thus , as in r^ thm, — ^ thnks, vfcc. SCIENCE OF STENOGRAPHY, 5S 97. Wh. A small curve and perpendicu- lar line, thus r , (the reverse of r/,) must be used for the expression o^wh; as in the fol- lowing examples, [^ lohen^ whin, L lohatj whet, ichit, &c. 98. The first character representing A, must be written instead of the above, lor ich, in such words as whole, wholesome, icholly, whoop, whoot, &c. 99. After the learner has given due atten- tion to the foregoing illustrations, he may commence joining the characters together, and for his first practice, copy the examples which have been introduced in the Steno- graphical Copy Book, as the Fifth Lesson ; writing each as many times as possible in the space appropriated for that purpose. 100. The student must next proceed to ex- press in Short-Hand, the following exercise, and while writing each example as in the previous lesson, endeavor to impress upon his memory the words they respectively stand for. 54 A COMPLETE GUrDE TO THE EXERCISE FIFTH. With a view to facilitate the progress of the Learner, as much ' as possible iu reading Short-Hand manuscript, the word or words | which each example may denote, have bee ti placed immediately at the ri ghi of the same: — for instance, the letters bst, when joined together, will stand for best and bust, leaving the writer | in deciph ering to be guided by the context, which of those words the characters were rntended'to express. bnd band, bend, bond, j fst fast, fist, fust, bng bang, bung, ! flsh 95 flash, flesh, flush, bsk bask, busk. frnd friend. bst best bust, frnk frank. bind bland, blend, blond, frst first, frost, blnk blank, blink. gg40 gift, y blst blast, blessed, 31 g't brnk brank, brink, gmp gimp, bnch 92 bench, bunch. berth, birth, breath, ; grd gird, guard, brth96 gsh95 gash, gush, bbl26 babble, bubble. pt hmp guest, gust. bba bobbin, hemp, hump. be-km 27 became, become, hnt hint, hunt. be-dk bedeck. hrd hard, heard, herd, be-din bedim. hrt hart, heart, hurt, he-frnd befriend, hsh95 hash, hush. be.gt begat, beget, begot, behead, jb jib, job. be-hd I? jagg, jig, jog, jug. be-hld beheld. 4m jam, jamb, 25 gem, 45 be-lng belong. Jt jet, jot, jut. be-nm benum. ist kl jest, just. be-qst bequest. cull, 47 kill, kiln, 56 be-rft bereft kp cap, cop, cup. be-st besat, beset, besot, krd card, curd. be-trst betrust, krv carve, curve, dd33 dad, dead, did. kst cast, cost. dg dag, dig, dog, dug, king clang, cling, clung. amp damp, dump, krmp cramp, crimp, crump, dns28 dance, dense, dunce, krsh 95 crash, crush. drk dark, dirk. ktch 92 catch, ketch, drm dram, drum, 1ft left, lift, loft, drs dress, dross. imp lami), limp, lump, land, lend, drt dart, dirt. Ind dsk desk, disk, dusk, Ing ling, long, lung. dsh95 dash, dish, ink lank, link. dth96 death, doth. Int lent, lint, lunt, drft 35 draft, draujjht, drift, drank, drink, drunk, Irk lark, lurk, drnk 1st last, lest, list lost lust, fl fell, fill, full. mnk mink, monk, ffr36 feoffer. mrk 64 mark, marque. fnd fend, fond. msh 95 mash, mesh, mush. frm farm, firm, form, msk 64 mask, mosque, musk. SCIENCE OF STENOGRAPHY. 55 EXERCISE FIFTH i| [continued.] 1 — — — — ^— — ^ 1 ninr manner, manor, qstn — — -1 question, '. mrn morn, mourn, rft raft, reft, rift, ! mmbr 54 member. rnk rank, ; iiingl mangle, mmgle, rnt rant, rent, runt, ; 1 ninth 96 month, rsh 95 rash, rush, mrkt market. rsk risk, rusk, • mrsl morsel. rmpl rnnm. rimple, rumple, i random, i mrtl mortal, myrtle, mrtr martyr, mortar, mdr render. mrvl marvel, rnkl rankle, wrinkle, 82 mstr master, muster, rnsm ransom. nk knack, 4S knock, nick, rstk rustic, 47 "P=» knap, nap, nip, re-dm 67 redeem, nn57 none, nun, re-drs redress, nmf nymph, 35 re-fr refer, nml animal, enamel, re-grd re-Int regard, relent. nrv nerve. ntr enter, inter, re-lx 84 relax. nktr nectar, 47 re-mmbr remember. nmbr number. re-mrk remark. npkn napkin, re-ms remiss. pack, peck, pick. re-pl repel. P"1P.<, pimp, pomp, pump. re-pnt repent, ppl62 people, re-pst repast, prl pearl, purl, re-ss 74 recess. pst past, pest, re-sst resist. pth96 path, pith. re-spnd respond, pdlr padler, pedlar. re-trd retard. pink plank. re-trn return. pnch 92 pinch, punch. re-vng revenge, pndr pander, ponder. re-vrs reverse, pnmn penman, re-vrt revert, ppln 62 poplin, sft sift, soft. prdn pardon, parallel. skm scum, skim. prll52 snf sniff\ snijff, spell, spill. prns prance, prince, 28 spl prsh 9o parish, perish, spr spar^ spur, staff, stiff. prsl parcel, 28 stf pstr pastor, pester. stp step, stopj pttr 77 patter, potter, swm swam, swim, swum. qk quack, quick, sing slang, slin^, slung, slink, slunk. qi quell, quill. sink qkn quicken, smpl sample, simple, qlt quilt. spnk spank, spink, spunk. qrk quirk, sppr 62 sapper, supper, ! qrl quarrel, querl, sstm 74 system. qrt quart, sstr sister. qnch 92 quench, stmp stamp, stump. 1 qntm quantum, stng stang, sting, stung, 56 A C031PLETE GUIDE TO THE EXERCISE FIFTH ^ | [continued.] tkl tackle, tickle. xprt expert, export. tug tang, tongue. xtnt extant, extent. trn tern, torn, turn. yi yell. tsk task, tusk. ys yes. ttl 77 tattle, little. >'J yacht, yet. tmpr tamper, temper. ylp yelp. tndr tender, tinder. yng yrd young. tngl tangle, tingle. yard. "■"^Po. tramp, tromp, trump. yrk yerk. trth 96 troth, truth. ym yarn, yem. vmp vnd vamp, vend. zfr znk zaffir, zephyr. 61 zinc. vnm venom. zst zest. vnt vent. chf 92 chaff, chuff. vrg verge. chp chap, chip, chop. vrs verse. cht chat, chit. vsl vassal, vessel. chmp champ, chump. vst vast, vest. chns chance. vxnS4 vixen. chnt chant. vrbl verbal. chrm charm. vrgn virgin. chrt chart. vrmn vermin. chst chest. vml vernal. chptr chapter. vspr vesper. shn 95 shin, shun. vstl vestal. shd shad, shed, shod. wt wet, wit. shp ship, shop. wft waft, weft. shft shaft, shift. wit welt, wilt. shlf shell. wnd wand, wend, wind. shrk shark. wng wang, wing. shrp sharp. wnk wink. shtr shatter shutter. wnt want, went, wont. shltr shelter. wrd ward, word. shngl shingle. wrm warm, worm. thn96 than, then, thin. wrn warn, worn. thr their, there. wsh 95 wash, wish. ths this, thus. wsp wasp, wisp. thnk thank, think. wtch 92 watch, witch. thrd third, thread. ; wndr wander, wonder. thndr thunder. • wlkm welcome. thrft thrift. wntr winter. thrng throng. wsdm wisdom. thrsh thrash, thresh, thrush.! TS excess. thrst thirst, thrust. xmn examine. whf97 whiff. xmt exempt. 60 whm whim. xpl 59 expel. whn when, whin. j xst exist. whr where. j xpnd 59 expand, expend. wht what, whet, whit. xprs express. whip whelp. • SCIENCE Of STENOGEAPIIY. 57 EXPOSITION OF THE VOWELS AND DIPHTHONGS. 101. A. The long slender sound of a, as heard in age, ake, ale, base, face, pare, tare, &c., is represented thus 1 at the beginning of a word, and thus ^ or p , when preceded by other characters. Examples, V ^i^'? 'L &te, ^ larne, ^ rare, &c. 102. The long slender a must be substi- tuted for the diphthongs, ai, an, ay, ea, ei, and ey, in such words as aid, gauge, nay, reign, prey, &c. 103. The long Italian &, at the beginning of a word, as heard in alms, ardor, army, <&c., is represented thus S • Examples, V iirch, °^ ark, &c. 104. The short Italian a, at the beginning of a word, as heard in add, act, ant, &c., is represented thus p . Examples, 6^ answer, «; \ attend, B-^ attempt, &c. 105. The long or short Italian a, occur- ring in the middle or at the end of a word, may be expressed thus "^ or p . Examples, "p, balm, ^ Id, . . Examples, V irr, V^ earn, &c. 111. The long or short sound of e occur- ring in the middle or at the end of a word, it may be expressed thus Qrc\ mimic, V-v panic, &c. 117. The diphthongs ei, eye, ie, ui and uy, also y, sounding like i long, in such words as height, eyelid, lie, guide, buy, tyjye, tyrant, &c. must be expressed by the same characters. 118. Oi and oy. For the expression of oi and oy, make the loops of the characters representing i, twice their usual size, thus a- and ^. Examples, o~) oil 'n^ oyster, c-o- joy, ^~a-o join, -^ noise, &c. 119. The long open 6, as heard in old, Open, hope, more, sore, tone, &c., is represent- ed thus 6^ K" cr 172 012 Q_ 173 o/ 174 6 ^ 175 Oo' c/ 176 Oo2 6 177 c 7 178 tJ /« 179 Ou» 9 180 Ou2 /O -4, awy. Again, against. Ah, ay, aye. Among, amongst. Awe, alway, always. Also, although. Even, evil, evils. Ever, every. I, eye, eyes. It, its, itself. Destroy, destroys. Employ, employs. O, oh, owe, only. Off, oft, often. Who, whom, whose. Other, others, otherwise. Usual, usually, usualness. Up, upon. Hour, hours, hourly. Our, ours, ourselves. n A COJEPLETE GUIDE TO THE EXERCISE TENTH. The double consonants, and the words they denote when standing alone. 181 ; Ch 182 ! Sh^ 183 j Sh2 184 i Th 185 I Wh 195 ^ 196 1- 197 + 198 u. 199 1 1- Tl 200 <.'. » c ) s S o .3 An, and. A period. Note of interrogation Note of exclamation. A colon. A semicolon. A comma. A dash. ( — ) A colon and dash. (: — ) Et ccBtera, ect., (^c. Videlicet, viz., namely. Id est, i. e., that is. Ditto. Marks of Reference,for marginal notes, ^c. Quotations, must be distinguished as in common loriting. SCIENCE OF STENOGRAPHY. 75 SPECIMEN I. The Lord is good to all. Trust in the Lord and do good. In thee, O Lord, do I put my trust. If God he for us who can he against "V, '■ us ? I ivill sing praise to thy name O thou Most High. 5y ^^'* fsar q/" /Ae i>or. Her my kri, O G'orf, atnd nto my prayer. Thou hast been a shelter for me, and a -prayer. Thou ha^t been a shitr for me, and a strong tower from the enemy. Praise ye the Lord, strng tour from the nme. Praiseye the Lord, O my soul, and forget not all his benefits. The O my s5l and frgt not all hs bnfts. The Lord is my shepherd, I shall not want. Blessed be Lord is my shphrd, / shall not wnt. Blsd be God, who hath not turned away my prayer, nor his God, who hth not trnd awa my prayer, nr hs mercy from me. Save thy people, and bless them, mrse from me. Sv thi ppl, and bis thm, and lift them up for ever. Forsake me not, O Lord ; and \ft thm up for ever. Frsk m,e not, O Lord; O my God, be not far from me. Be pleased, O Lord, O my God, be not fr from me. Be plesd, O Lord, to deliver me. Hearken unto the voice of my cry. to dlvr me. Hrkn nto the vois of my kri. 80 A COMPLETE GUIDE TO THE EXERCISE TWELFTH. The consonant characters with a short cross line, and the words they denote when standing alone. 201 B < 202 D •f- 203 p. < 204 pa 9- 205 G 4- 206 H' ^ 207 H« ^-V 208 J c4- 209 K' cK 210 K^ V 211 L > 212 M M 213 N v 214 P \ 215 a \ 216 R t 217 s + 218 T •4- 219 V -€ 220 V2 > 221 w c^ 222 W2 V 223 X' % 224 X= V 225 Y -^ 226 iz v^ Between, betwixt. Divide -d-er-ing-divisiofi, 4*c. Facetious -ly, facetiousness. Father, fatherly. Glory, glorious-ly-glorify-cation. Heaven, heavenly, heavenward. Holy, holily, holiness. Judicatory, judicature, judiciary. Knowledge, knowing, knowingly. Acknowledge -d-ing-ment. Love, loved, lover, loves, loving. Might -ily-ness, mighty. Natural -ly-ize-izing-ization. Peace -able-ableness-ably-ful, <^*c. Question -able-ary-ed-er. Rational -e-ist-ity-ly. Spirit -ed, spiritual-ly-ity-ize. Testify -ed-er-cation, testimony. Valid, validity, validly. Viciate -d-ing, vitiate, vitiation. Workman -like-ly-ship, 6^c. Worship -ed-er-fal-fully-ing. Exaggerate, exaggeration, ^c. Executive, execvtor-ship-y, <^c. Young -er-est-ish-ling-ly-ster. Zodiac, zodiacal. SCIENCE OF STENOGRAPHY. 81 EXERCISE THIRTEENTH. | The vowel and diphthongal characters with a short cross line, and the words they denote when standing alone. 227 A' ^ Alien -ability-able-aie-ation, S^c. 228 A2 -? Agency, agent, agentship. 229 A % Altern -ate-ately-ation-ative, 4*c. 230 A ^ Accept -able-ance-ation-ed-er-ing 231 All' ^ Auspice, auspicious-ly-ness, ^c. 232 Au2 ^ Author-ity-itative-ize-ization,(^c. 233 E % Equivocal -ly-ness-equivocate, ^c. 234 E ^ Especial, especially. 235 I c+ Irascibility, irascible-ness. 236 I M- Immediate, immediately. 237 Oi> crf Appoint -able-ance-ed-er-ing. 238 Oi2 QL4- Avoid-able-ance-ed-er-ing. 239 ^ Origin-al-ally-ality-ate-ation. 240 2^ Official-ly, officiate, officiotts-ly. 241 Oo' c/ Whomsoever, whosoever. 242 Oo2 ^ Ooze, oozed, oozing, oozy. 243 u 72 Universe, universal-ly-ity, Sfc. 244 u y? Upright, uprightly, uprightness. 245 Ou' ^ Outlaw, outlawing, outlawlery. 246 Ou2 -P Outrage -ous-ously-otisness. S2 A COMPLETE GUIDE TO THE EXERCISE FOURTEENTH. Natural Contractions for words and parts of sentences of frequent occurrence, which, like the preceding Arbitrary Signs, may be used or not, as the writer thinks proper. 247 a 248 a — 249 .® 250 1 251 o 1 252 oo 253 o o 254 _c 255 -D 256 _£> 257 -o 258 l- 259 H 260 € 261 < 262 c 263 ) 264 ^T^ 265 €\ 266 . II 267 III 268 — 269 - 1 Alone. Along. About. Around. Otie, ones, once. One after the other. One upon another. Over, o'er. Under. Above. Below, beneath. Fore, foremost. After, aftermost. Before, before-hand. Behind, behind-hand. Belief, believe, -d, -ing, s. Large, let, long. Within. Without. Together. t Altogether. Equal, equally, equality. Unequal, -ly, -ness, inequality. SCIENCE OF STENOGEAFHT. 83 EXERCISE FOURTEENTH. [continued.] 270 > Major, majority. 271 < Minor, minority. 272 r Angle,, angular, -ity, -ness. 273 A Triangle, triangular. zTA X Contrary, contrariety, S^c. 275 Nothing, nobody. 276 Something, somebody. 277 B Through. 278 ■9- Throughout. 279 Earth, earthly, earthliness. 280 o World, worldly, worldliness. 281 G The beginning of the world. 282 D The end of the world. 283 © In the world. 284 6 The eyes of the world. •285 6 Upon the world. 286 o High or up in the world. 287 o Low or down in the world. 288 -e Entering or coming into the world. 289 0- Leaving or going out of the world. 290 e Through the world. 291 o The foundation of the world. 292 ® Christ came into the icorld. 293 t Christ, Chrisfs. 294 1 t Christian, Christianity. 295 X Crucify, crucifix, crucifixion. 296 ^ $ Sacrifice, -d, -r, (Sfc. 84 A COMPLETE GUIDE TO THE REPETITION OF WORDS AND SENTENCES. 297. A dash thus drawn under a word or sentence, denotes an immediate repetition of the same. Examples, ^ Lord^ Lord. -^ ^ Turn 2/e, tum-ye. "^ ^ ~ ^ >^ Praise ye the Lord. Praise-ye-the-Lord, «&c. 298. When a word is repeated three times, write it once by its proper character or characters, then draw two dashes imme- diately under the same, as in the following examples. !:j^ Glory ^ glory, glory. ^ Holy, holy, holy, &C. 299. When a preposition or conjunction intervences, the repetition together with the preposition or conjunction is denoted by placing a mark thus :- under the word so repeated. Examples, \^ Ever and-ever. ~ ^^ The Lord of-iords, &c. 300. If part of a sentence is to be repeat- ed after something else has occurred, make a mark thus c under the words to be repeated, and place a caret (a) where they must be read again ; as v-r <^ 0\ «r- \ ^ r^, ^^ — D A ^ In God will I praise his word, in the Lord wlU-I-praise-his-word. SCIENCE OF STENOGRAPHY. 85 WORDS OF CONTRARY SIGNIFICATION. 301. An oblique line thus , / when placed immediately after a word, expresses an- other word of opposite meaning preceded by and, to, or till, as in the following ex- amples. "-7/ Good and-bad, ^Z Day and-night, 5 3 — / From light to-dark. 5 r^/^/ From morn tiii-night, &c. 302. An oblique line, with a curve to the right, thus /" is used to express a word of opposite meaning, joined with the former by the conjunction or. Examples, r\-f High or-low ; yf Rich or-poor, &C. 303. When a word is followed by an- other of contrary signification without a preposition or conjunction intervening, write the first word in the usual way, then ex- press the antithesis by a mark thus / as in the following examples, '"^-^ . >/^ Men, womeH, and children ; Life, death, and eternity. 304. The negative particles, dis, il, im, in, ir, un, &c., may be represented by an oblique line placed before the remainder of the word. Examples, /^"^^ c?is- member ; IJN /-A- dis-trust ; /y demand-i?i^, &c. 118. When the termination of a word may be expressed by any of the before- mentioned characters, the plural and the possessive case are formed by converting the point into a short perpendicular stroke, as in the following examples. ^ na-tions, na.-iion^s ; U-o sentiments, _^ ^ra?isgres- sions &c. f)4 A COMPLETE GUIDE TO THE EXERCISE SEVENTEENTH. PaEPOsiTioKs represented by Alphabetical Characters. 319 1 320 P 321 "] 322 P 323 / 324 «>\ 325 «8. 326 e 327 328 329 330 5 331 ff- 332 a_ 333 e\ 334 QJ 335 o ^36 u 337 c/ 338 ^ 339 \ 340 / 341 1 342 — -343 'N ab, abbre, abro, abso. advan, adven, adver, advo. alle, alii, alio, allu. upper, appre, appro, discom, discon, disen, disi7i. elec, elect, equi, equiv. effi, esti, evi, ever, affec, affect, affirm, affix, afflic, afflict, afflu, effec. aggra, aggre, agree, agri. kept a, hyper, hyster. hetero, hydro, hypo, imper, impre, impro, incom, incon, incor. com, compre, compri, compro. con, contra, contro, counter, magni, miscon, misin, multi. enter, inter, intra, intru. ob, obli, obsti, omni, orni, obso, octo, oppro, ortho. per, pre, pri, pro, pur. recom, recon, repre, repro, sub, subter, sup, super, temp, tempt, tran, trans, exer, extir, extra, expli. SCIENCE OF STENOGRAPHY. 95 EXERCISE EIGHTEENTH. TERjnKATioNS represented by Alphabetical Characters. 344 r 1 345 c 346 / 347 ard for-tcard fro-war d home-ward inward, onward out- ward re-ward tx)-ward ' bra-zier gla-zier grazier clo sure lei-sure mea-Jure pleasure trea sjire a-zure sei zure actual, -ly mu-tual, -ly poDc-tuai, -ly capture crea-ture cal-ture depar-fure feature fix- ture ftac-ture furni-ture future join- ture June ture lee ture mixture nature nur ture pasture, pos-ture picture rap-ture, rup ture Scrip- ture texture tinc-ture tor-ture ven-ture vesture courteous righ teous ancient, -b/ pa-tience, pa-tient easen-tttU Hiian-cial jadi-cial mar-tial marshal pai-tial puten tiai so-cial spe-cial annun-cuzte, -ion asao-ciate, -ion depre-cwte, -ion emaciate, -ion enun date, -ion expatiate ingra- tiate ini-riate, -ion licen tiate SCIENCE OF STENOGRAPHS'. 103 EXERCISE TWENTY-FOURTH. EXAMPLES FOR THE LEARNER'S PRACTICE. abhoi-ing 316 disin-tei-ment incom pati-ble,bly,-binty ab-Jea elec-tion incom-pli -ance, -ant ab-la-ent equinoctial incom pressi -ble, -bility ab rap-tion ejuj-ponder-nnce, -ant incon ceiva ble, bly ab-sconiling equiv-a-lence, -lent incon-denaa -ble, -bility abseatment equiv-oca'tion incon-form-ity ab-sori>-tion effi-ca- ciotia incon nec-tion abstract esti-ma-ble incon ae-quent abstract- ing zn esti-ma-lion incon-aidexa- ble, -nets ab-stiac tion esti-va-tion incon axdeta tion ab-B\udity affiic-ted-ness inron-aiatency,ent,ently ab-aatd-ly evi-dence, evi-dent,ly incon sola -ble, -bly abbre-viat-ing evi-ta-ble incon so -nance, -nam abbre-via-tion affect-ation,aMrm-a-tion incontesti -ble, -bly obrogBXing affec-led-ly incon-ti -nence, -nent, -ly abrogation affec-tednesa affect-ing, affirm-ing affec-tion incon-\em-ence.-ent,-ently abso-\u-tion incow-verti -ble, -bility abso-nant incor-pora-tion advertiae-ment affective-ly affinn-able in cor-rigi-ble,-bler7 ess, ■ bly adver tiaing incorrect, incor-rupt advo-ca-tion affirm-ance, ajffirm-ant incor-ntption alU-giance ajirm-ative-ly incorrupt-nets 317 aUe-\ia.t-ing afflict-ing comrbat-ant aUi-ance affile- 1 ion C07n-bat-ing alloca-tion affiic-ti\e-ly, effec-tive-ly com hina ble allo-cu-tion afflu-cnce, affiu-ent, -ly com-hina-tion allusion effec-tible combin ing allusi\e-neas effec-ti\e-nes8 com-Utrtable, -blenessi-bly apper -tain in g effect-less coTn-fort-less appre fiend, -ed, -er. sive effec-tual-ly command-ant 317 apprehending 317 aggra-\a-tion com-mand-ment appre hensi-ble aggre-gating com-men>orable apprehension aggrega-tion com-mcmoration approltat-ing agreeable, agree-a-bly com-aienc ment appro bsi-tion agree-ing commcnc-ing discon-cen-ing agree-ment com-mendation dis:on-ii>rm-ity 317 agri-cnVture com-mer-cial discon-nect hydro-graphic com-mmation discon nec-tion 317 imper-atively com-mmgMng disconso\a.-tion imper-cepti-ble, -bty cow-minu tion discon-tentedly imper-fect cotn-miaera-ble discon-tenled-ness imperii- nence, nent, -ly com-m\sexa-tion discon tent-ment imperlutha-ble commission discon tinn-ance impre-ca-tion com-mit ment disen-camhrance imprecision com-mixtvre disen-gage-ment jTOpro- pria tion com-modi-ous, -ly, -nut diain-cline impro-pri-ety commodity disinfect impru-dence -dent-dently com-mona-ble disinfection incom-modi-ous, -ly,-nfss common-ness disin gena-ous, ly, -ness inco7ii para -ble, bl com-mo tion 104 A COMPLETE GTTIDE TO THE EXERCISE TWENTY-FOURTH. [COHTIHUED.] eom-mun-ily core cern ing consola-fion cojn muta -ble, -blUty con cem-nient con-sol-inff co/nmuta-rion concea-tion con-stella-fion eo»i-mu-r«oi con-cilia-rio» con-stcma-fion com-p&ct-ness con-cisc-ncM con-stitut-t'n? com-para -ble, -bly con-ci»ion con-stjturton com-pa.t-ing con-clitde con-8truc-£ion com-parti-tion con-clu aion con Bulta-tion com-pBXlment concoction con-summa-fion eom-pasa-ing conciement con-sum p-rion compassion con-ciete-nem con-tamina M< co»i-pati- ble, -bly, btiUy concte-tion core-tamina-tion com-peUa-6ie con- can ing con-tent-ment com-pe\\Ation con cas-aion con-leeti-ble cotn-peW-ing con-demna-tfon con-testa Jion compendious, -ly, -ness con-demn-inff continua-rion com-pensat-ing con-dens-ing" con tor tUm eompene&tion con-descend-i/ig" con-\en-ing com-peti tion con-descen «ion eon-veo-tion com-pila tion con-dign-n«s« con-ven-ant com-pile-ment con-di-;ion con-versa-tion com-piain-ant con-do]e-7nent con-\ersion com-p\e-ment con-do]- ence con-verti-ble cc«nce, icent, icently. nari [graMe, Rate, Ration, ftc. necru [uiaucer, luancy, luanlic, ftc. Deuiral^— [ize, izing, izatiou. noroen [clator, claiure, clatural. uomi (nale, nation, natire, ftc nolo (riety, rious, rioualy, fto. nolw ith [standing. omnip [otence, oteut,otent1y, opin [ionated, ionalive, ftc. orbic [ular, nlarly, ulate. organ (ic, -ally, -iam, -ite, ftc. porsimo [nieus, -ly, Hieas, ftc. panic [ular, -ly, -ily, -ize, ftc. pathet [ic, -ally, alness. penu [riona, -]y, -nesa. perpet [oaie, uation, uily. perpen [dicular, -ity^ -ly, ftc. pracii [cabti, cabiliiy , cal , cally, Ac quarrel [some, aomenesa. queriiQo [uioua, -]y,-ness. reani [mate, raatioa, ftc rebap [lize, ii»m, ftc recog [nition, nizable, ftc recipro^ [cal, cally, cale, ftc. recrim [inate, ination, inator, ftc. regen [erate, traiion,-d. remem [ber, bering, brance. ftc revolurion [ary, er, ist, ize, ftc sententious [ly, ne*s. aeques [tered, trable, trale, ftc. eignif [icance, icant, icanlly, ftc simu [Ule, lating, lation. Bomnam [bnlation, buliim, ftc. itahon [al, ary, er, ery. sttg (ma, -lie, -lize, ftc. slimu [lanl, late, latioo, ftc- snccea [aire, sively, Eirenesa, ftc. symbol [ic, ical, ize. system [atic, atieally, atise, izing. ■yrapa [ihetic, thetical, thixe, tiiy. taniol [ogiat, ogise, ftc tempo [rnry, rarily, -rariness, ftc tiran [ic, -ical,ntxe, ftc. trigo [nometrical, -nometry. usQ (rious, -ly, -neas. Talela [dinary, dinarily, ftc Tcnfure [ous, oiisly, ooaness. Ticto [rious, riously. Tocif [erate, eraiion, eroas. Tolup [uiary, tuout, tnoualy, Ac. roTM.cinu» [ly, neaa. watch [fully, ftilncaa wonder [fnlly, fulneas. Yellow [ish, ishneaa, ftc youih (folly, f.ilncai. SCIENCE OF STENOGRAPHY. Ill EXERCISE TWENTY-NINTH. EXAMPLES TOR THE LEARNER'S PRACTICE, Let-me 372 Lei-me-be Let-me-do Let-me-haTe Let-her Let-ber-be Let her-do Let-ber-have Let-him Lei-bim-be Lel-him-do Lel-him-haT« Lel-UB Let-US-be Lel-u8-do Let-u»-haTe Lei-them Lel*thera-b« Let-them-do Lei'Uiein'iiaT« I-hare ]-bave-beea I-tiave done I-hdve-had i-bad I-hHii-been I-had-done I-had-bad He-has He-has-been He-hasKtoue He-has-faad He-had He-had-been He-had-done fle-had-had We-have We-bave-been We-haTe-douo We-have-had We-h ad-been We-had-done We-had-had They-have They-have-been Tbey-have-done They- have-had Tbey-had They-had-been They-had-done They-had-bad I-may-be I-may-do I-may-bave l-iQighibe I-might-do I-inight-baTe He-may-be He- may-do He-may-have He-might-be 212 He-migbi-do He-might-faave We-may*be We-may-do Wemay-have We-might-be Wermighl-do We-might-have They-may-be They- may-do They-may-have They-might-be They-might do They-migbt-have I -can -be I-can-do I-can-have I-cou Id-be I-could-do I-coutd-hare He-can-be He-can-do He-can-bave He-coa Id-be He-could-do He-cou Id-have We-can-be We-can-do We-can-bave We-could-be We-could-do We-coald-have They-cau-be They-can-do They-can-have They-could-be They-cou Id-do They-could-have I-will I-w ill-be I-will-do I-will-have uld l-would-be l-would-do I-would-have He-wiU He-will-be &c. Lei-iue-ooi Let-me-not-be Let^ne-Dot-do Let-me-not-bave Let-her-not Let-her-nol-be Let-her-not-do Let-her-not-have Let-hlm-not LeL-bim-nol-be Let-him-nol-do Let-bim-not-bave Let-US- not Let-us-nol-be Let-ns-not-do Let-oa-not-have Let-them-not Let-ihem-not-be Let-them-not-do Let-tbem-uot-bave I-have-not / l-have-nol-been I-have-not-done I-bave -not-had I-bad-not J-had- not-been I -bad -not-done I-h ad-not-had He-has-not He-has-not-been He-has-not-doue He-has-nol-had He-had-not He-had-not-been He-h ad-not-done He-had-not-hud We-have-not We-have-not-been We- h a vc-u o t-d o ne We-have -not- had We-had-not-been We -had- not-done We-had-not-had They-have-not They-have-not-been They-have-noudone They-have-not-had They-had-not Tbey-had-nol-been They-had-not-done They-h ad- not-had l-mity-not-be I-may-not-do I I-may-not-hdve I-niighL-nD[-be I-migbl-nol-do I-might-not-huve He-may-not-be He-may-nol-do He-may-not-have He-might- not-be He-niight-not-do He-m ight-not-have We-m ay -not-be We-niay-not-do We-may-nol-have We-migbi-not-be We-might-not-do We-might-Dot-havt They-raay-not-be They-may-not-do They-raay-noi-have They-mjght-uot-be They-might-noi-cio They-might-not-have I-cau-not-be l-can-iiotnio I-can-nol-have l-could-iiot-be I-could-not-do I-coiild-not-have He-can-not-be He-cao-noi-do He-can-no t-have He-coulcl-DOt-be He-could-not-do He-could-not-have We-can- not-be We-can-not-do We-can-not-have We-couid-not be We-could-Dot-do W e-co u 1 d-n ot-ha v e They-can-not-be They-can-noi-do They-can-ootbave They-could-not-be They-could-not-do They-cou Id-not-have I-will-not 1-wiIl-not.be I-will-nol-do I-wiU-oot-have I.wonld-not l-wonld-nol-be I-woul(J-not-do I-wonld-not-have He-will-not He-will-nol-be &c. 112 A COMPLETE GUIDE TO THE MISCELLANEOUS RULES AND DIRECTIONS. When the student first endeavors to write after a speaker, he must not be discouraged if he finds himself unable to keep pace with him. In his early attempts he will perhaps feel so confused, as to be prevented from writing with half the expedition of which he is really capable. It will be in vain for him to expect that he can preserve every word. Let him be content, at first, to take the substance of what is delivered, retaining, as much as possible, " whatever is peculiar in the phraseology of the speaker, and by perseverance and practice he will find himself able to write more and more fully, till at length his performance will be quite satisfactory. The pupil will find it useful, after he has become well acquainted with the foregoing rules and the annexed specimen plates, to employ some friend to read extracts on different subjects, very deliberately, while he writes them down. This will familiarize him to the manner of following a voice, will call his acquirements into active exercise, and will les- sen the embarrasments above alluded to. It will also facilitate the progress of the leamer, if, when he casts his eye on an unusual word, or hears it spoken in company, he accustom himself to consider how it should be expressed in short hand. This method will greatly contribute to readiness and expedition. The first word or two of every sentence should be written very plain, so as to leave them distinct SCIENCE OF STENOGRAPHY. 113 and of an easy legibility. By this means you will secure connection, and render the whole sentence easy to be read, though much abbreviated in the latter part. When the learner at first attempts to decipher what he has written in Short-hand, the best way is to transcribe it in common hand, and when a word is not known at first sight proceed to speak each letter separately and distinctly, and then pro- nounce the whole together, and so continue writing and deciphering till in a short time, practice and perseverance will make it so completely easy, that he will be able to read it without the trouble of transcribing. The smaller the characters can be written, with- out becoming indistinct, the more it will promote expedition. An important use to which Short-hand Writing may be applied in Schools, is that of the scholars, in classes, writing in it expeditiously from a tutor's or governess' dictation ; and afterwards being re- quired to produce the same matter correctly spelled in fair writing from their short-hand manuscript. When great dispatch is requisite, all stops, except the period, may be omitted, leaving a blank, pro- portioned in size to the length of the pause required. In taking down sermons, quotations from scrip- ture frequently occur. It will be sufficient if a few of the first words of these be inserted, as the defi- ciency can afterwards be supplied from memory, or by consulting a concordance. 10* 114 A COMPLETE GUIDE TO THE When a short hand writer is employed to take down proceedings in the courts of law, and it is of consequence to report them as nearly verbatim as possible, it is desirable to make him previously ac- quainted with the matter in dispute, which is often so complicated as not to be easily understood. By becoming master of the case beforehand, he will be in less danger of falling into mistakes, and will more readily comprehend the bearing of what is said. The Eissistance of a Teacher, when it can be ob- tained, is of great advantage in the study of this art. Men differ in their genius and perceptions, and every pupil has his own peculiar views and ideas. Difficulties present themselves to some minds which never occur to others, and which no writer on the subject can anticipate. It is impossible, in a public treatise, to lay down the rules and explanations adapted to the capacities, and satisfactory to the understanding of all who may endeavor to learn by it. A master, however, has it in his power to give such minute and personal instructions as cannot fail to produce a beneficial result. He can at once explain to the student whatever seems ob- scure and ambiguous ; he can solve his difficulties, correct his mistakes, assist his inventions, encour- age him in his progress, and lead him on to a practical proficiency. "Despair of nothing that you would attain, Unwearied diligence your point will gain." SCIENCE OF STENOGRAPHY. 15 EXERCISE THIRTIETH. FOR THE learner's PRACTICE. A HYMN OF THE VINTAGERS. 'Tis evenm^,^^ and the sun's last gleam Beneath^s'' the wave will soon be gone ; But ere it leaves the mountain stream, Our vintage labor will be done. Hark ! hark l^'' the ipeaUng^^ vesper bell From toil unto devo^io?i^^ calls. Of hope and joy it seems to tell, As sweetZj/^53 ^^ the ear it falls. 'Tis sweet to rest from toil awhile ; And when the shades of night are come, To meet the cheering^^ welcome smile, That waits us at our peaceful^'* home. Hark ! hark \^ the peah'w^^^ vesper bell, From toil unto devotio7i^°^ calls, Of hope and joy it seems to tell As sweetly^^ on the ear it falls. THE CLOSE OF LIFE. When life's last lustre sheds a fee6Ze^^ ray. And time with silent^^ finger marks decay ; When scarce the droopin^^"* wing has power to soar. GladZy^^* we give the unequaP* co^itest^^" o'er ;^* And humbly^** hope in this our last re-quest^ To trim our even^?^^^ lamp, then sink to rest. 116 A COJIPLETE GUIDE TO THE EXERCISE THIRTY-FIRST. FOR THE learner's PRACTICE. A well instructed people alone^" can be a free people. BeantY is no longer amiaft/e than while virtue^^^ adorns it. Charily, like the sun, brightens every oh-ject on which it shines. Disappointment* and distress are often blessi?i^5 in disguise. Ex- ercise and temperance strengthen the cowstitu^tow, and sweeten the enjoywe/i^s of life. Feeft^e are all the pleanSMzes in which the heart has no share. Guilt may attain temporal splendor but can never confer real happiness. Happiness is a theme on which all delight to expa^ia^e. It is not only cruel but base to sport with the sorrows and suffer- ings of the unfortunate.*'* Jealousy, hatred, mal- ice, and other malignant passions pervert the soul and cramp the best feelings of our na/nre. Know- ledge'^of man is highly important for all to obtain. Let not the blessings we daiZy receive from God, make us not to value, or not praise him because they are common. Modesty sits gracefnlli/ upon youth, it covers a multi-tude of faults, and doubles the lustre of every virtue which it seems to hide. No reg\i]aiion of con-duct can altogether^'' prevent pa.ssions from disturbi??^ our peace,^'* and misfor- tunes from wounding our hearts. Over^* all the moments of life, religion scatters her favors, but re- serves her best, her choicest blessings for the last hour. Possess your mind with the vast importance of a good judgment, and the in-estimable^* advan- tage of right reasoning. SCIENCE OF STENOGRAPHY. 117 EXERCISE THIRTY-SECOND. FOR THE learner's PRACTICE. Religion is the daughter of heaven, parent of our virtues, andscource of all true felicity. Seek your companions and friends in the society of the repu- ta6/e, the wise and the good. The sentiments of universaP^^ benev-[olence^' expands the heart, hu- manizes the mind, and fosters every genero?<5 affec- tion. The end of learni/<^ is to know God, and out of that knowledge'^' to love him, and to imitate him, as we may the nearest, by possessing our souls of true virtue. Universai^^^ ignorance or infinite errors will overspread the mind which is utterly neg- lected and lies withouf^^ any cultivaifion. Vices are never ixxMy eradi-[cated,^'' it is easier to prevent their betn^ planted, than to restrain their growth after they have once taken root. We should dis- pose of the time past to observation and reflection, of the time present to duty, and of the time to come to providence. When men have once'^i resolved upon a difficult and dangeroMs enterprise, no time seems so tedions as the space betwixt^" the deter- mination and the execution. Your duty, your inter-est, and your happiness require that you should associate only with the intelli-[gent^" and the virtuous. Zealously 7?nrsue that course of life, which will be the most conducive to the general good of all. Zest may be given to virtuous prac- [tices by the loveliness of virtuous precepts. Zeal- ously endeavor to allewiate the wants of the poor. lis A COMPLETE GUIDE TO THE EXERCISE THIRTY-THIRD. FOR THE learner's PRACTICE. THE HOME OF HAPPIER DAYS. Yes, briofht the velvet lawn appears And fair the hlooming- bowers Yet blame nie not, I view with tears This scence of light and flowers. Str.ingers possess my native halls, And tread my wonted ways ; Alas ! no look, no voice recalls, The home of happier days. The gay guitar is still in tune. The green -ho use plants are rare ; Glad faces throng the wide saloon, But none I love are there. - O ! give me friendship' s^^^ cherish'd^' tone Give me affec-tion's^^^ gaze ; Else my sad heart can never own The home of happier days. RE L I G I ON. Religion hail ! by God divineZ^/ gi ven To soothe our woes, and lift our hearts to heaven ; By thee inspired our souls superior rise To EARTHLY thiugs and gain by faith the skies. O ! be thy influence through my bosom shed. When sorrows threaten and when dangers spread ; Or in prosperi/y'5 alluring' hour Still may I feel thy sweet coniioWing power. SCIENCE OF STENOGRAPHr. 119 EXERCISE THIRTY-FOURTH. FOE THE learner's PRACTICE. 'THE MEMORY OF JOYS THAT ARE PAST." There is a tear of sweet relief — A tear of rapture and of grief; The feeli?ig heart alone**^ can know What soft emotiojis bid it flow. It is when memory charms the mind, With tender images refined ; 'T is when her magic spells restore Departed friends and joys no more. There is an hour — a pensive hour ; And oh ! how dear its soothing power ! It is when twilight spreads her veil, And steals along^'^ the silent dale ; 'Tis when the fading blossoms close. When all is silence and repose ; Then memory wakes and loves'*" to mourn, The days that never can return. There is a strain — a plaintive strain. The source of joy and yet of pain ; It is the song whose dyiw^ measure Some friend beloved has heard with plea^«e. Some friend who ne'er again may hear. The melti?i^ lay to memory dear ; Ah ! then her magic spells restore Wsions of bliss/'uZ days no more. FELICIA HEMANS. 190 A COMPLETE GUIDE TO THE EXERCISE THIRTY-FIFTH. FOR THE learner's PRACTICE. Concluding sentence of the Speech of the Right Honorable Lord Brougham, Lord High Chancellor of England, on the Second Read- ing of the Reform Bill. Delivered in the House of Lords, on Friday, the 7th of October, 1831. This I know, that as sure as man is man, the delay of justice serves but to enhance the price at which you must purchase safety and peace.^" Your hoidships^^^ are the highest judicial authority^ in the realm; you sit here as judges in all causes, civil and criminal, which can come between^" sub- ject and-subject.^9 It is the first officc of judges, never to decide in any, the most trilling- cause, without^* healing- every thing that can be given in evidence conceining- it. Will you decide the great cause of a na-^iowV" hopes and fears without^^s a hearmo"? Beware of your decision.^^" Rouse not the spirif^"^ of a peace'^i^-lovingj^'i but determined people, alien- ate*^ not the affec-tions of a great empire from your body. As your friend, as the friend of my country, as the servant of my sovereign, I counsel you to assist with all your efforts to preserve the nation[al^*] peace,'^" and perpet[uate^^J the nation[al^^] prosper- ity. For all these reasons, I pray and beseech you not to reject this bill. I call upon you by all that you hold most dear, by all that binds every one of us to our common order and our common country, unless, indeed, you are prepared to say that you SCIENCE OF STENOGRAPHY. 121 will admit of no Yeform^ that you are resolved against'®* all change, for in that case, oppositions^" would at least be consistent ; I beseech you, I solemn/?/ adjure you, yea, even on bended knees, my lords, I implore you not to reject this bill. EXERCISE THIRTY-SIXTH. FOR THE LEABNER's PRACTICE. A FATHER'S SORROW. I bid thee go in grief and tears, fair daughter of my heart, For brightest days are clouded oft, and sweetest joys depart; Thou'lt find this world so flattering now, alas ! a vale of tears, The cup of our existence fiU'd with sorrow and with fears. I give thee to thy lover's arms, my beauti/u/ — my child— For well I know thy guileZess heart has fondZy on him smil'd ; He'll take thee to the altar, a young and blooming bride, But hard I feel it is to part with all a father's pride. I think me of the days gone by when on thy mother's breast, I us'd to watch thy infant sleep and bless thy place of rest ; And often in the even-tide I took thee on my knee, And happi/y the hours went on amid thy childhood's glee. i think me of the loving eye of thy young maidenAood , When joyfully to greet me home, thou'st by the jasmine stood ; And all thy gentle words are fresh e'en now upon my ear. The music of thy youth which us'd a father's heart to cheer. When thy mother's cheek grew pale and her farewell kiss was given And the blessed angel took her to live with God in heaven ; How oft I twined my fingers in thy dark raven hair. And trac'd her features in thy face and found a portrait there. 11 1 22 A COMPLETE GUIDE TO THE I give thee to thy lover's arms, my beauti/uZ — my child — For well I know thy guileZe«s heart has fond/y on him smil'd ; He'll take tbee to the altar, a young and blooming bride. But hard I leel it is to part with all a father's pride. I hope that he will be to thee, the good — the fond — the true — And never then thy marriage hour like some thou 'It \a.ialy rue ; When sorrow 's in thy dwelling love, he '11 take thee to his heart, And kiss away each bitter tear that from thy eyelids start. He '11 bless thee at his going out, and at his coming in, And thou wilt catch each look of love, and strive e'en more to win ; He will be thy strength in weakness, thy joy in sorrow's hour. Thy friend before a faithless world, thy rainbow in the shower. When friends have false or fickle prov'd, and care sits on his brow, When fortune's lash is keen/y felt, remember then thy vow ; And take him in his sadden'd mood, thy fairy hands caress. And let him know the treasure which in tbee he does possess. Thou 'It thus be round him all thy days, a tender graceful flower, And he will be thy safe-guard from the ruthZess temp-est's power : Close clasp thy love together, be his beauty and his pride, And the " shadow of a rock" be thine throughout the desert wide. I bless thee then my gentle girl, receive my benison, And may the tie now near/y wove, be formed again in heavew ; And though in bidding thee farewell, there 's sadnes* on my brow, I '11 lead thee to the altar, God's blessing on thy vow. HOME! Home ! 't is the name of all that sweetens life ; Oh ! 't is a name of more than magic spell, Whose sacred power the wanderer best can tell ; He who long distant from his native land Feels at her name his eager love expand ; Whether as parent, husband, father, friend, To that dear point his thoughts, his wishes bend ; And still he owns where'er his footsteps roam, Life's choicesf blessing* centre all at home. SCrENCE OF STENOGRAPHY. 123 EXERCISE THIRTY-SEVENTH. FOR THE LEARNEK'S PRACTICE. THE DAYS THAT ARE P^ST. We will not deplore them, the days that are past ; The gloom of misfortune is over them cast ; They are lengthened by sorrow, and sullied by care, Their griefs were too many, their joys were too rare ; Yet now that their shadows are on us no more. Let us welcome the piospect that brightens before ! We have cherished fair hopes, we have plotted brave schemes, We have lived till we find them illusive as dreams ; Wealth has melted like snow that is grasped in the hand, And the steps we have climbed have departed like sand. Yet shall we despond while of health wnbereft ?J04 And honor, bright honor, and freedom, are left ? Oh ! shall we despond while the pages of time iZe-open before us the records sttfilime ! While, enno&Zed by treaswre* more precious than gold, We can walk with the martyrs and heroes of old ; While humanity whispers such truths in the ear As it softens the heart its sweet music to hear ? Oh ! shall we despond, while with vision still free. We can gaze on the sky and the earth and the sea ; While the sunshine can waken a burst of delight. And the stars are a joy and a glory by night ; While each harmony, running through nature, can raise In our spirits the impulse of gladness and praise ? Oh ! let us no longer then vainZy l&ment Over scenes that are faded and days that are spent : But by faith unforsaken, wnawed by mischance, On hope's waving banner still fixed be our glance : And should fortune prove cruel, and false, to the last, Let us look to the future and not to the past. EPES SARGEST. 124 A COMPLETE GUIDE TO THE EXERCISE THIRTY-EIGHTH. MEMORY. A ready recollection^* ] of our knowledge, at the moment when we have occasion for it, is a tal- ent of the greatest importance. The man possessed of it seldom fails to distin o-zt isA himself in whatever sort of business he may be engaged. It is indeed evi-dent that where the power of retention is weak, all attempts at emiyience of knowledge must be vain : for memory is a primary and fundamental power, without which there could be little other intel[lectual^^ ] operation. Judgment and reason- ing" suppose SOMETHING already kiiowu, and draw their decision only from experience. Imagination selects ideas from the treasures of remem[brance,'*' J and produces novelty only by varied combination;?. We do not even form conjectures of distant, or an- ticipations of {uiure events, but by concludi?io' what is possi6/e from what is past. MEDITATION. It is by meditation that we fix in our memory whatever we learn, and form our own judgment of the truth or-falsehood, ^02 the strength or-weakness, ^ of what others speak or write. It is meditation or study that draws out long chains of argument and searches, and finds, deep and difficult truths, which BEFORE lay concealed in darkness. The way to gain a good reputa-^ion is to endeavor to be what you desire to appear. SCIENCE OF STENOGRAPHY. 12S EXERCISE THIRTY-NINTH. FOR THE learner's PRACTICE. THE WORLD TO COME. If all our hopes and all our fears Were prisoned in life's narrow bound ; If, travelers through this vale of tears, We saw no better world beyond, Oh ! what could check the rising sigh? What EARTHLY thing could pleasure give l Oh ! who would venture then to die ? — Or who would venture then to live? Were life a dark and desert moor, Where mists and clouds eternal spread Their gloomy vail behind, before,^ And temp-ests thunder overheard ; Where not a sunbeam breaks the gloom, And not a floweret smiles beneath, — Who would exist in such a tomb — Who dwell in darkness and in death "^ And such were life without the ray Of our divine religion given ; 'Tis this that makes our darkness day, 'T is this that makes our earth a heaven ! Bright is the golden sun above, And beautiful the flowers that bloom, And all is joy, and all is love, Re-flected from the world to come ! B0WRIN6. 11* 126 A COMPLETE GUIDE TO THE EXERCISE FORTIETH. FOR THE LEAEHEH's PRACTICE, THE FARMERS OF NEW ENGLAND. Mr. Colman, in one of his addresses, before an agricultural society in Connecticut, thus describes the happy condition of an industrious New England Farmer. "The farmers of New England^' have every reason to thank God for the co7idition in which they are placed. They need not sigh for more ge- nial climes nor more fertile soils ; these they cannot have WITHOUT dread/wZ abatemew^s of health and comfort. Of all the conditions on earth, which it has been my lot to see or to read of, I am bold to aver that I know of none more favoraiZe to health, competence, enjoyment, and intellectual^* ] and moral improvewe^i^, than that enjoyed by the rural population of New England. I despise the cow- tempt with which some pretend to look down upon us, and the 0/3/jrobrium which they have the ivapude7ice to cast upon our habits of thrift and frugal iV^/. I deem it my highest boast, that I am a New England man and a yankee. I do not ask to have a livino- without labor ; this would be ask- ing for a curse instead of a blessing, and a boon for which I have no claim. I only ask that a livinn^ shall be secure to me with reasonable labor ; and this, New England, in her varioiis departments of industry, promises to all her children. Better than all this, more than any other commnn- ity in our country, New England is one common SCIENCE OF STENOGKAPHT. 127 brotherhood, linked together by a common sym- pathy, a common origin, and the interchange of good offices. In our civil and rehgiotis blessm^^, where is a communiii/ more favored ? Where are tlie means of education more extended, the institu- tions of rehgion better maintained, the pubUc peace more quiet, the standard of morals higher, the course of justice more established,^' ] and the courtesies of life more freely rendered ? Where is the SPIRIT of inquiry and improvement more prompt and diffusive ? From the beauti/z^Z prairies of the great Western valley, fertile as the banks of the Nile, and magnif- [icent^**] beyond description, I yet return to my native home in New England with all the warmth of a first LOVE. Her secluded valleys, her verdant meadows, her rounded summits, her dense forests, her rocky mountains, her crystal lakes, her ocean- bound shores, her silver streams, her gushing springs — are all charming^ to me. Here, too, my friends and brethren dwell. I am satisfied to live UNDER her stormy skies, to encounter her bristling temp-ests, to dig in her hard soil — for the mind, as well as the body, is braced by the exposure and the toil. In the midst of what others deem evils, I see inrmmerable^* compensations for which I look in vain to other countries and climes apparen//y more favored. In whatever direction I turn my eyes, there is every where such an exuberance of bless- ings to those who will per-form their duty, that it 128 A COMPLETE GUIDE TO THE would be the height of ingraiitud^* to complain, and the height of Mly to abandon a certain good for that which is at least ?