f '" 'I ':j^....^".":^"i^;:^c.. -., ,. iL'!!!!?.!!!!'.!'.!!™ ''''-"!]''""" "W J' ^;^'!i m {^■ i. iii >l W w »ii u « au o»»ci >n < n ii« wi > iW|i ii>f fi< ii w .i-.'. I (,t>v'. V^'-'^*'" :i - THE LIFE OF WILLIAM CARLETON Frotttiiftece — Vol. I. WHJ.IAM CAKLEION (Age 46) From the Portrait by Charles Grey, R.H.A. THE LIFE OF WILLIAM CARLETON : BEING HIS AUTOBIOGRAPHY AND LET- TERS; AND AN ACCOUNT OF HIS LIFE AND WRITINGS, FROM THE POINT AT WHICH THE AUTOBIO- GRAPHY BREAKS OFF, BY DAVID J. O'DONOGHUE. With an Introdtiction by MRS. CASHEL HOEY I N TWO VOLUMES. WITH TWO PORTRAITS VOL. I. ]30WNEY & CO., 12, York Street, Covent Garden, London. 1S96 LONDON : PKINTED BY GILBERT AND RIVINGTON, LD., ST. JOHN'S HOUSE, CLERKENWELt ROAD, E.C. ^ CONTENTS OF VOLUME I. PAGB ix Preface .... Introduction - . . . xvii Bibliography of William Carleton's Writings . . Ivii PART THE FIRST.— AUTOBIOGRAPHY. CHAPTER I. Birthplace — McManus's misleading picture — Parentage — The legends of the elder Carleton — Mrs. Carleton's songs — Catholic tolerance — Removal from Prillisk — Carleton goes to school — The hedge schoolmaster — State of education . i CHAPTER II, Mrs. Dumont's school — Jack Stuart's barn — Carleton falls in love — Expulsion from school — Findramore — Pat Frayne's academy at Skelgy — Pat's anecdotes — Sam Nelson's joke — Pat's mode of correction — How to obtain provisions — The egg trick 13 CHAPTER III. Carleton is intended for the priesthood — Popularity of political plays — Catholics and Protestants — Performance of '" The Battle of Aughrim " — A panic — Orangeism — The yeo- manry — A nocturnal visit — Removal to Nurchasy — Tul- navert school 24 CHAPTER I\^ The altars — No chapels — Removal to Springtown — Shoes and stockings not expected — Robbing an orchard — Springs and man-traps — Carleton is caught — A whimsical magis- trate — A dangerous exploit ...... 36 836333 vi Contents. CHAPTER V. PAGE Fondness for nature — Another love affair — Blighted affection —Anne Duffy marries— A brutal master— Retaliation — The superstitions of the elder Carleton — His death . . 49 CHAPTER VI. A candidate for the priesthood— Pat McArdle's scheme — Carleton takes the road as a poor scholar — His adven- tures—Curious dream— Its result — Pat Fray ne's depar- ture — Studying the classics 65 CHAPTER VII. "Tom Jones" — "Amoranda" — Keenan's classical school — The "infare" at Cargah— The Ribbonmen— Carleton made a Ribbonman — P2xtent of the organization — The oath of the society — The grip 74 CHAPTER VIII. The party fight — Orange and Ribbon funerals — Athletic sports — Runaway marriages — Lough Derg — The pilgrimage — Walking on water — Change of religion — The female pil- grims — Nell McCallum 87 CHAPTER IX. Break-up of the family — A trial of strength — The miller of Clogher — His death — Michael Carleton advises his brother to work — A great leap- — Carleton apprenticed to a stone- cutter — Buckramback the dancing master — Mickey McRory the fiddler — Stone-cutting abandoned — Happens on " Gil Bias "—Its effect 108 V ■ CHAPTER X. lviii Introduction. men and the world at large. Carleton attracted notice from the first efforts of his pen, and obtained celebrity with most unusual rapidity. He had every Irish periodical of the day open to him very soon after his first appearance in The Christian Exa^nincr ; his "Traits and Stories" were speedily translated into German, and became famous in America ; he was sought by English editors and publishers ; he drank of the wine of success in one sort of vintage if ever a man did. At a period when Dublin was bright, in intellect at all events, and rich in poets, scholars, enthusiasts, and cultured journal- ists ; and a period of " men of parts,^' as the old phrase, which we shall hardly improve upon, has it, Carleton came to his fulness of fame. In the beautiful words of Charles Gavan Dufiy, "an Irish peasant lifted a head like Slieve Donard over his contemporaries.''^ The answer to the question put above, is this: the winner of so much fame, the producer of so prodigious a tale of literature, did not earn a sufficient income to maintain his family in comfort, even according to the much more modest standard of his time, and was fre- quently reduced to very real poverty indeed. The surprise with which readers of to-day will receive Mr. O'Donoghue's account of the prices paid to Carleton by the various publishers of his famous works, the terms on which he wrote for periodicals of high standing, the sums he obtained for copyrights of books that have gone into innumerable editions, and are still being reprinted, would be tempered with incredulity were it not for the accuracy of his information. We sus- pect, indeed, that Carleton knew a good deal less about his own affairs than Mr. O'Donoghue has come to learn in what must have been a trying department of his task. The story he tells must not be anticipated here, but it may be said that with such wretched pay, and such loosely-made and ill-kept bargains, and all this acerbated by the peculiar characteristics of Carleton, the practical-minded reader of his Life will not be un- likely to think the great novelist would have been a Introduction. xllx liappler man had he remained a small schoolmaster. We should have been unwittingly poorer by the worth of many argfosies, but he might not have begun his Autobiography with " Alas ! " That he believed him- self to have been exceptionally ill-treated is plain, but in some instances — that of T/ie Dublin Unzversitv Maga::ine, for example — there must have been a uni- form scale of payment, such as made it worth the while of Carleton's collaborators, men who were not wholly dependent on the pen, to contribute to its pages "Carleton's struggles against poverty were incessant and severe," says his biographer, not far from the close of his record, and the words come like an echo from the story of his youth, with a most pitiful effect. He was a bad subject for poverty. Is a man of genius, unless he be also a saint, ever a good subject for poverty ? It takes an eminently reasonable, level, well-balanced mind, a temper either naturally faultless or absolutely governed, and a calm, practical temperament, rarely allied with intellectual gifts of the order and degree of Carleton's, to perform that " daily task " which is familiarly de- scribed as cutting one's coat according to one's cloth, especially when the cloth is scanty and must furnish forth many coats. Carleton's mind, temper, and tem- perament were not of these kinds, and he had a large family entirely dependent upon his earnings. He has been harshly handled for his constant complaining and harping upon his pecuniary troubles, charged with want of self-respect, and blamed for the non-exhibition of qualities which he did not possess. Is it quite fair to expect from the marvellous peasant the reticent dignity of the gentleman who has been bred in the precejjts and practice of " good form," and from the mosf emotional, self-pitying, impulsive of men, and a con- stitutional uttcrcr of big words, the nice balance of responsibilities, and the even distribution of blame ? It was, of course, not only unreasonable but downright ridiculous that Carleton should hold his countrymen at large responsible for his poverty, and rail at them in VOL. I. ' d 1 Introduction. good set terms on that account ; but he could not see this. The "fame'^ of which he writes so frankly (but could not really value, his biographer tells us, while his family were left to suffer distress) was the gift of the people, though of his earning ; no doubt he thought they ought to give him money too. We nowhere find him saying this precisely, but what else do his upbraid- ings imply ? His position was a very hard one ; he could not believe that there was any approach to justice in it, or any mingling of his own fault. As a matter of fact, the hand-worker with a certainty that places him above want is better off than the brain- worker whose uncertainty keeps him below competence ; and it looks as though Carleton was one of those readily-condemned bad managers of money who never have enough money to be managed at all. The constant and patient efforts of his steadfast friends to lighten his burthens encourage this view of the case. Carleton was a trying person in many ways, and only a strong feeling that his great gifts and his hard work were inadequately rewarded in the material sense, could have enabled the practical men whose education had gone so much farther than that for which he had striven so hard, to bear with him, notwithstanding his lovable qualities. He could not be moderate, he could not be just, where his personal feelings were concerned. With him everything was "AH, or nothing;" no question in which he, Carleton, was concerned could have two sides. We find a passage in a letter written by Charles Gavan Duffy, on some occasion when Carleton's unreasonableness had been more obstreperous than usual, which must be borrowed from Mr. O'Donoghue's pages, although the anticipa- tion requires apology, because it combines judgment and vindication after an exquisite fashion, and gives us the key to much of the puzzling contrariety of Carleton's character and career. *'In a gust of passion " (writes the friend — who to the end never was other) "you are one of the most unjust of men, and shut your eyes to everything but your wrath. That is one side of the Introduction. li account, but only one. No friend was ever firmer in adversity, not swayed a hair's breadth by fear, favour or worldliness — utterly ignoring all the small, shabby motives that influence common men ; impregnable against all things but the tempestuous fury of your own passion" — a difficult person for his friends, and surely not an easy one for his publishers. Yet, when the story of his relations with some of the latter is all told, and those among its readers who know enough of the trade side of literature in the present day to contrast their own experience of the dealings in the market of buyers with sellers, have followed the narra- tion with the painful interest which it must especially have for them — for some among them compunctious visitings too, for remembered grumblings — will any find it in their hearts to pass harsh judgment on Carle- ton ? They who knew him best in his closing years, like those who had known him best at the dawn of his grand and lustrous, though storm -swept and cloud- flecked day, found it not in their hearts to do so. The defects of his own qualities were made very visible to the persons with whom he had business re- lations, and he had no toleration for the defects of theirs. His one-sided notions of a bargain, his unpunctuality, his irregular ways (for although he did a tremendous amount of work, he always put it off as long as possible, generally did it in a hurry, and sometimes — if an Irishism may be permitted — not at all) ; his eager acceptance of offers from editors and publishers, and in several instances his utter disregard of his promises in connection with them ; the impossibility to him of keeping the personal element out of his business transactions ; the practically limited nature of his education — for it included neither savoir /aire nor savoir vivrc — all these are writ large upon the now open book of his history. His biographer is animated by the natural desire to fit genius to ideal character (without which for its breath a biography might have the same sort of attraction as a gazet- teer), but he has nowhere unduly yielded to it. It d 2 Hi Introduction. cannot be said of Carleton's genius that it " was not called upon to supply the cloak of charity," and Mr. O'Donoghue demands of it no such service. But he shows us the height and the splendour of that genius ; he traces the marvel of it all along the way ; he appraises its influence ; he sums up its achievements ; he shows that it has left an inheritance to the ages in the true portraiture of a terminated period and a vanished people, in immortal scenes and types. He proves that to the products of that genius, the writers, and the poets, and the artists of the future must resort, in a good company of others, indeed, but still with Carleton at the head of them, if they would make true history, and real lyrics, and live pictures of the people who dwelled in the vales and on " the holy hills of Ireland,'' in the beginning and the middle of the century that is closing on a transformation of the world. And shall this generation, who now are to make acquaintance with the man who has hitherto lived for it only in his works, be less indulgent to him than those among whom he lived ? The Young Irelanders, whose aspirations he was perfectly incapable of sharing, forgave him even his apostacy! The touch of freedom of thought, the spirit of private judgment, was abroad in the air. After all, he was " our own " Carleton, and we — the "we" of those dear, dead days — were all proud of him. And so shall the readers of his "Life" in the Old World and the New be proud of him now, and those who come after them, for all that he was so very human, and be much drawn to him inasmuch as he certainly did not 'scape whipping ! Carleton's Boanerges vein in his censure of aught he disliked or disapproved, and his unstinted ascription of supreme excellence to such persons, objects and actions as pleased him, deprive his literary criticism of value, but make it amusing in itself and also interest- ing as an illustration of the man. Mr. O'Donoghue's selection of illustrative examples in this sense is remark- ably fortunate, and among the scanty material available Introduction. ^ liii after the lapse of thirty years, he has found a treasure in the letters which give us to view Carleton in his home life. When the reader feels the charm of those letters, the rich and ready humour, the quaint simplicity too, the internal evidence of entire and intimate confidence between the father, the mother, and the children, the ardent affectionateness, the touching solicitude about the sacred trifles of home, at tht (to us) little distance of London from Dublin, while the writer is "seeing life " in the centre of its activity for the first time ; the sly domestic jokes and reminders, the constant demand for letters, and more letters, from hischildren, and the wonder- ful fire and light of thehearth and home that glow in those he sends them — let him deepen his sense of all this, and solemnize it too, by bearing in mind that in the writer's home care dwelt constantly, but had no power to mar love, or even to chill those outward and visible signs of that divine gift and grace which make life sweet, anywhere and anyhow. Unenviable would be the superior person who should read with a sneer the wanderer's account of his return, with his laurels — not much in the way of " sheaves ^^ — and his idolized daughter's swoon from joy. Carleton's love of home and family was a strong and constant passion, and no writer has ever depicted the same as it exists among the Irish peasantry as he has done. It is that passion that gives their terrible power to his scenes of wrong and oppression, of misery and desolation, of revenge and crime. Another of the gentle and gracious gifts which came in aid of the rugged grandeur of Carleton's intellect, has given him his supreme claim to the admiration, regard, and gratitude of his countrywomen, of all conditions and in every clime, and not alone to theirs, but also to those sentiments in the breast of every Irishman worthy of the name. Carleton is the interpreter to the world of Irish womanhood — to him the purest, the loveliest, the most sacred of ideals and realities. Nowhere, in no books that ever have been written, are the women whom Cailcton has made to live and move amid "the liv Introduction. changing scenes of life," equalled, in all that constitutes the moral beauty and sanctity of Woman. It is true that he has also depicted wicked women, engaged in criminal designs, defaced by evil passions, capable of evil deeds ; but an unvirtuous woman, it would seem, among his own country-folk, was unthinkable to this grand-souled peasant. There are grave faults of taste in his works, some coarseness of other kinds ; but the p.ire heart, and the lofty reverence for virtue, which were the best blessings that came to him from the humble home of his childhood, never departed from Carleton. And, therefore, mingling with their pride in his genius, and their gladness in the revival of his fame which this gift of his life-history to the world should awake in the countrywomen of Carleton, there ought to be a great tenderness for his memory, as for that of one to whom hereditary gratitude is due; for he raised a lofty standard for Irish women, and below it, please God, they will never fall. Some time before Carleton set to work on the Autobiography, which was not to be finished, but after he had had it in contemplation for a long period, he addressed to Dr. Corry of Belfast a letter which is perhaps the most valuable, as it is the most pathetic, of all his biographer's collection. He had been unable to do any work for two years, owing to ill-health, and was threatened with blindness when he wrote as follows : — " The only work I now propose to write is my life. I wish, if possible, to accomplish this before my sight leaves me, although I fear that I shall be obliged to dictate the greater part of it. It will certainly be an important work, and will contain the general history of Irish literature, including everything connected with it — its origin, its progress, its decline, and its natural and progressive exiension." "The fine scope and comprehensiveness of his project,^' says Mr. O'Donoghue, " make it a doubly sensible mi.sfortune to his countr\' that only the intro- ductory portion of that strange and moving history was written " How wonderful the brain must have been Introduction. Iv that planned it under such conditions, and produced, under worse, the first volume of this work ! And then he proceeds : — '■ The only three names which Ireland can point to with pride are Griffin's, Banim's, and — do not accuse me of vanity when I say — my own. Banim and Griffin are gone, and I wdl soon follow them — ultimus Roinanoriim, and after that will come a lull, an obscurity of perhaps half a century, when anew condition of civil society and a new phase of manners and habits among the people — for this is a tyansitioii state — may introduce new fields and new tastes for other writers, for in this manner the cycles of literature and taste appear, hold their day, displace each other, and make room for others." His prophecy has proved true. We have had the long lull, the big spell of obscurity, the dreary blank years in Irish literature. Surely the time must be nearly up, and the promise, after the prophecy, almost due! There is a stirring and a sound in the air: the revived interest in the old authors, the kindly welcome j^iven to the new, are signs of the foretold renascence of Irish literature. It will be a proud day for Ireland v/hen among her sons she shall count one fit to wear the long- time folded mantle of William Carleton, Frances Casiiel Hoey. BIBLIOGRAPHY OF WILLIAM CARLETON'S WRITINGS. The following is as full a bibliography of Carleton's writings as I have been able to compile, the periodi- cals in which they first appeared being specified in every case. It does not give a complete idea of the popularity of some of his books, for it is im- possible to trace the number of editions and reprints which have appeared of such works as the "Traits and Stories," or "Valentine McClutchy," and the smaller volumes written for the "Library of Ireland." Moreover, the American reprints of Carleton's books have been very numerous, and no account is taken of them here, from the difficulty of fixing their dates. There are two publications attributed to Carleton which are not included in this Bibliography. I have never been able to meet with a copy of either. One is " The Freeholders of Derrygola," which the Rev. Dr. Wallace Taylor, rector of Emyvale, Co. Monaghan, tells me is believed in the Carleton country to be the earliest thing he ever wrote. The other is " The Natural History of the Hawk Tribe," which the A theticBum reviewed about 1847 as a (then recent) production by Carleton, and dismisses in a few words as of no particular merit. No particulars are given, and the work is not mentioned in any other Iviii BiBLIOGRArilY OF CARLETON'S WRITINGS. place ; nor do the surviving daughters of Carleton ever remember having heard of such a pubHcation. With these exceptions, and the contributions to the WestvieatJi Guardian, everything really written by him is probably noted. 1828. The Pilgrimage to Lough Derg. " Christian Examiner." The Broken Oath. " Christian Examiner." Father Butler. " Christian Examiner." Poems. " Christian Examiner." 1829. The Station. " Christian Examiner." The Death of a Devotee. " Christian Examiner." Dick Magrath. " Family Magazine." Father Butler — The Lough Derg Pilgrim, (i vol , Dub., i2mo.) 1830. The Brothers. " Christian Examiner." The Priest's Funeral. " Christian Examiner." Lachlin Murray and the Blessed Candle. "Christian Examiner." The Lianhan Shee. " Christian Examiner." 1830-31. Alley Sheridan, or the Runaway Marriage. " National Magazine." Landlord and Tenant. '' National Magazine." Condy Cullen and the Gauger. " National Magazine." Sir Turlough, or the Churchyard Bride. " National Magazine." Laying a Ghost. "National Magazine.'' v^ie Donagh, or the Horse-stealers. " National Magazine." 1830. Traits and Stories of the Irish Peasantry. (First series, 2 vols , with illustrations by W. H. Brooke, Dub., 8vo.) The contents were: — Ned McKeown ; Three Tasks; Shari^^adh's Wed- ding ; Larry McFariand's Wake ; The Battle of the Factions ; The Party Fight and Funeral ; The'^edge School ; The Station; The Midnight Mass; TheVCfonagh ; Phil Puree! the Pig-driver ; and the Lianhan Shee. J '^^'• Denn s O'Shaughnessy going to Maynooth. " Christian Examiner." History of a Chimney Sweep. -Christian E.xaminer.'' Thi Materialist. " Christian Examiner." Bibliography of Carleton's Writings, lix / iS33- Neal IV^lone. " Dublin University Review and Quarterly." The Dream of a Broken Heart. " Dublin University Review and ^ Quarterly." ^oA '' ^