ON THE COMMON CHORDS. " The C Major of this life." BROWNING. Alt Vogler, ON THE COMMON >+. CHORDS OS" VERSES CLIFFORD HARRISON LONDON A. D. INNES & CO. BEDFORD STREET 1895 TO MY MOTHER. TEN years have passed since to Your hands I brought The book l I dedicated unto You, And now, as then, I write, " in filial thought," The dear inscription on this page anew. For though You now have passed away from us The foretime Dedication still holds good ; Nay gains a new authority : and thus, In unseen ways more felt than understood, Your smile rests on the pages that I bring To add to those I brought to You erewhile. And life has few beliefs more gladdening Than that I still may gain that unseen smile. 1 " In Hours of Leisure." 5 6 DEDICATION. I think with no sad memory or regret, No aching sense of loss unsatisfied, Upon Your love, but rather find it set, Shining and living, at my very side. Surely in nought is it more truly felt Than when I'm happy in my work or play : And if at times the love in tears will melt, The tears by love are also wiped aw r ay. I never writ a line You did not see. Why should I doubt You see what now I write ? Across the silence comes Your smile to me. The Dedication gains a brighter light. CONTENTS. PAGE "THE SONG THAT HAS NO SOUND" . -9 A PRAYER 13 THE BENEDICTION . l6 THE VALSE 2 5 THE SILVER BELL 2 9 A STATEMENT - 39 TO B. H 4 1 THE WAY OF IT . 45 FI*RE 5 BALLADE ... 54 A BALLADE OF BUTTERFLIES ... . 56 THE RUBAIYAT OF OMAR KHAYYAM . . 58 TO CHARLES KINGSLEY .... -59 TO ROBERT BROWNING .... . 6l A HARMONY . . -64 INITIATION ... .68 A SON OF ORPHEUS .... -7 THE SIGNATURE . -83 7 8 CONTENTS. PAGE VITA MYSTICA 85 THE REED-PIPE 93 AURORE 95 VERSES IO2 LINES 107 SUNSHINE . .110 "THE SONG THAT HAS NO SOUND." " This music of the Song without a sound." Sir EDWIN ARNOLD, "With Sadi in the Garden." GRIEVE not that Beauty dies like summer flowers ; That bright thoughts come and go like fleeting showers They do but wander through this life of ours To tell us of ".the Song that has no Sound." Out of that song they come all lovely things, Beauty, joy, music, brave imaginings, And then pass back again with tired wings Into their Home " the Song that has no Sound." They find a moment's speech in this our air, As Heat and Light evolve, to make Earth fair, And having touched our souls, they pass to where They join again " the Song that has no Sound." io "THE SONG THAT HAS NO SOUND." Say not to Earth " Why are you silent thus ? " Nor to the sky " You give no sign to us ! " For both do speak with voice miraculous, If once you hear " the Song that has no Sound." The rainbow hanging in the fringe of rain, The fields that clothe themselves with golden grain, The trees that in the springtime bud again, Are music from " the Song that has no Sound." The waters from the seas and streams updrawn, That fall again at sunset and at dawn In dew anti rain to feed the flower and lawn, They also sing " the Song that has no Sound." See how all colours lose themselves in Light ; They still are there though they have fled our sight. So Music at a point from us takes flight Into the perfect " Song that has no Sound." Oh, love of lovers, and all love that lies 'Twixt souls that on the flame of love arise, What are ye but the far-off melodies That reach us from " the Song that has no Sound " ? "THE SONG THAT HAS NO SOUND." ir The noble deed, wrought often all unknown, The suffering borne without complaint or moan, The rash word checked, the little kindness shown, Are harpstrings to " the Song that has no Sound." No thought we feel, yet cannot quite express, No momentary wish or willingness To make joy purer, or one pain the less, But carries on " the Song that has no Sound." Glory of morning that has just begun, Pathos of eventide and set of sun, Major and Minor, all are fused in one, For keynote to " the Song that has no Sound." The calm acceptance of a lowly lot, The greatness that this great world values not, The causes lost the victories forgot, Are rich chords in " the Song that has no Sound." The Life that first climbed up from where it fell, The Discord solved, the curse changed to a spell, Passion transfigured, these things go to swell The triumph of " the Song that has no Sound." 12 "THE SONG THAT HAS NO SOUND." From star-worlds to the stone upon the ground, From where Life issues, back to where 'tis crowned, For him who has the ears to hear, is found The Secret of " the Song that has no Sound." A PRAYER. O ! MOUNTAINS, give me of your strength. Above the clouds ye rise A huge impact of Titan force. I look on you. My eyes Draw in strong Thought. That Thought In Action realise. O ! Beauty of the sunlit day, Tell me your message true : Let your bright ether o'er me flow, And wash me through and through ; Infuse your meanings into me And make me one with you. O ! Miracle of Nature, wrought All round us every day, Touch me with wonder more and more : To darkness bring the ray Whereby to read the open Book And find the secret way. 14 A PRAYER. O ! stars unseen, but ever there, Grant your beneficence : Let me lie open to all rays Of upward influence, Nor fret myself with questioning How they may come or whence. O ! fair and most dear Memories, Make Past and Future one In all that raises Life to Love : And oh ! ye eyes that shone With such undying love on me Still lead me up and on. O ! Ache of heart unsatisfied, Give me no lower rest Than That the dim mind apprehends As Highest and as Best : Live like a searching melody Within me unexpressed. O ! shining Footsteps of the Christ, Too often hid in gloom, Shine out and blossom in the dust : Life's mysteries illume, And guide me on a path of Light In worlds beyond the tomb. A PRAYER. 15 O ! Thoughts of God unspeakable, Work in me unto Light : Quicken deific impulses ; Keep the Shekinah bright, Still shining clearer through the veil, Till faith gives way to sight. O ! Name of God Ineffable, Undreamt of yet by me, Let my soul listen, till it hear The far-off Melody ; And on the Music of that Word, Rise rise eternally ! THE BENEDICTION. ADAPTED FOR RECITATION FROM "LA BENEDICTION," BY FRANCOIS COPPEE. Ix the year eighteen hundred and nine we took Saragossa. I was a sergeant then. As soon as the town was ours, the men Were ordered to enter each street and nook And search every house. So in we went. Close-barred and shuttered at windows and doors, (At once we saw that mischief was meant !) The houses had a treacherous look, As if they held part in some deadly plot. No lie. For from all the upper floors A very hail of bullet and shot Fell like a fiery rain of death. And we whispered bitterly under our breath, " This is the work of the priests ! " And thus Although we'd been fighting since break of day, And the dust had well nigh blinded us, 16 THE BENEDICTION. 17 And our clothes were discoloured with smoke and clay, And our lips were burnt with the bitter taste Of the cartridges, when at the end of the street We spied some priests escaping in haste, We took our aim with a pleasant sense Of fit reward and recompense, Which made the murderous business sweet, And shot them down as you'd shoot down rats Those long black cassocks and great black hats ! My company struck up a narrow lane, A sort of alley. I went ahead. And as I went, with cautious tread, (Hard in the smoke and the dust to see plain !) I watched the roofs to left and right ; And suddenly in the strip of the sky I saw the dull red pulsing light, Like the breath of a forge, from the streets hard by Where the flames had won the victory ; Whilst rising swift and sinister Came the sharp shrill shrieks of the massacre. The road was thickly strewn with the dead. We trod on them : no time to pick Our way, the bodies lay so thick ! Well, slowly up the lane we crept. l8 THE BENEDICTION. A sharp look out all round was kept, As stopping at every house our men Burst open the door, and stooping low, As if they were storming a wild beast's den, Entered ; and in a minute or so Came out again with bayonets red. It was horrible work, let it be said. And then they'd trace upon the wall A sort of grim sign manual, A cross, with their crimsoned hands, to show That the house was ours. For it's well to know In these narrow streets that you leave no foe At your back. Still on and up the lane we went. Not a bit of a tune to help us on, Not a drum tap even, silent as mutes ! The officers thoughtful, black brows bent ; Veterans anxious, keeping in touch At the elbow : and every mother's son Sickening no wonder ! at heart as much As if we were boys and raw recruits. Suddenly at the end of the street We heard loud shouts in French for aid ; Nothing for it but a rush to gain Our friends in peril ! At once we made A desperate charge, with answering cheers, THE BENEDICTION. 19 Right through the alley. And there we found The men who had called, and the reason why. It was a line of grenadiers, Who every moment were losing ground, Pressed back ignominiously From some steps that rose in triple tiers To a convent. Twenty monks at least, Black demons with their shaven crowns ! Were gathered on the topmost stair. White woollen crosses were on their gowns : And with their blood-stained arms all bare, Their sleeves thrown back, they clustered there, Flinging large stones and heavy sticks ; Whilst in their midst a half-mad priest Beat back the soldiers everywhere, With blows from a great gold crucifix. Bah ! it was tragic ! what a scene ! We levelled and fired by platoon. 'Twas done quite coolly : like a machine ! We were weary and sick, and we seemed a troop Of butchers. An executioner Would scarce do such work without demur. As we fired, we saw the horrible group Of heroes, for such in truth they were ! Go down in a writhing heap. 20 THE BENEDICTION. As soon As the thick smoke cleared, sure enough a mass Of bodies lay there : and underneath Long lines of blood crept dark and slow Along and over the steps. And lo ! Behind this foreground, grim with death, The great church opened out, immense, And cool, and dark ; with shadows dense. * Lit dimly with the rich stained glass. On the high altar candles burned. And in the chancel, far away, Shrined as it were in dusk profound, A priest, with long hair silver grey, Solemnly toward the altar turned, And undisturbed as though no sound Had reached him of the outside fray, And wars on earth did not exist, And death itself were not hard by, Was finishing quite tranquilly The office of the Eucharist. Look here ! a bitter blasphemy Had grown to be a part of me. I was a very heathen well, Give it the right name infidel. THE BENEDICTION. 21 And in my time . . . there let it be ! What need to tell you ? only this : No sort of violence came amiss To me, the battered man of blood. I had no fear of gods or men. The very wrinkle on my lip, Which wrought an evil line 'there when I smiled, proclaimed my fellowship With men who laugh at what is good. But this old man who calmly stood So tall and white and undismayed, Made me I scarce know how, afraid ! " Fire ! " cried an officer. No doubt The priest (I'm sure it was so !) heard : But quietly he stood, without A quiver. Not a man had stirred. Sudden the old man turned about, And faced us with the Sacrament. It was the point, you'll understand, At which the priest, concluding Mass, Turns to the kneeling church, and has To bless with an uplifted hand The faithful and the penitent. His vestments, with his_arms outspread, 22 THE BENEDICTION. Looked like great wings. A beam of light Happening to fall upon his head, The silver whiteness of his hair Gleamed like a halo. Standing there He held the Monstrance high in air, And with it three times made the sign Of the cross. His hands were firm as mine. He shook no more, I tell you, sirs, Than if he stood before a crowd Of awed and kneeling worshippers. Then, speaking solemnly and slow, With that strange chaunt which, as you know. Priests always use, he cried aloud, " Benedicat vos, omnipotens Deus." " Fire ! " again the word of command. We watched him still and could not stir ; When a soldier in our midst the cur ! Took aim and fired. The old man paled. But never once his courage failed. His eye gleamed brighter and his hand, With blessing more beneficent, Lifted on high the Sacrament : And once again he spake and said, " Pater et Filius." THE BENEDICTION. 1 What anger stirred us I know not : What murderous mist, of hatred bred, - Blinded us, who can say ? A shot Crashed forth again. Shame ? You are right. A shame ! but still the thing was done. The monk a moment bowed his head, Whilst we stood breathless, every one. Then, lifting up a death-pale face, Propping himself as best he might Against the altar slab, he tried Feebly again in air to trace The symbol of the Crucified : And in a low voice every word In that deep hush was plainly heard With slowly closing eyes, he said " Et spiritus sanctus ! " And at the altar steps fell dead ! The Monstrance, tumbling to the ground, Rebounded three times on the stone, And clattered down the steps. No sound Was heard. Awe silenced every one ; Yes, even us hard, hardened men ! A hoarse laugh broke the silence then, And a drummer-boy sang out " Amen ! " 24 THE BENEDICTION. I think perhaps since life began For me now near its close ! almost The only blessing I can boast, In which I've had the smallest share, Is this ! And some folks might declare That given so, by such a man, 'Twas less of blessing than of ban. But not so meant that priest, I'll swear ! We did our duty. He did his. Priests know what soldiers' duty is. They too are soldiers. Vive la Guerre ! THE VALSE. TEN YEARS AFTER "A FAREWELL." I HEAR it still the Valse we heard that night When last we met a long ten years ago. In those ten years how much has taken flight ! But it remains. Unaltered ? Yes and No. I hear it still. But 'tis with other ears. Its pathos deepens, but it has no pain. And hearing it across the silent years I know the meaning of its rhythmic strain. The pain that once was as a searching flame Died in my heart : and from its burial place It rose again with wondrous bridal name, And with a smile on its transfigured face. 26 THE VALSE. And you ? I see you as you were, and dream All my strange dream of years so long gone past. And looking on you, through that Valse, you seem To smile as one, a conqueror to the last. Yet is the victory yours ? No victor I ! Victorious neither, both defeat endure. Yours is an untriumphant victory, Mine a defeat that holds investiture. I do not blame you. Blame ? who is to blame ? There's blame nowhere : we are but as we are. Life works up from the crystal to the flame. Each has his part and each obeys his star. It was not you I loved : but it was you Who broke the dream wherein I dreamed of Love. Who was it that I loved so wildly ? who ? I love Her still. Her name I wot not of. That valse-tune too had it not power as well ? There's something words, I think, may not explain In Music. Certain 'tis it holds a spell Which makes for joy, but moves toward it thro' pain. THE VALSE. A valse a valse ! Lightly we think of it, But there's the mystery of the fatal Three Within its rhythmic pulse ; and thro' it flit Strange hints of Hope, Desire, and Destiny. That mystic time which sounds so cruel-sweet, Suggests that dream I dreamt was but a part Of what, in speech vibrating incomplete, Makes the dumb secret of its Music-heart. I longed to Hear : and you, you brought the word, Not knowing, and not caring, shall we add ? Not greatly ! well, so let it be. I Heard. And if perchance less pain I might have had In taking home the message which you brought, Less wonder also in it might have been. Mine was the blame, if blame there be in aught. You gave me something I might not have seen Except for you. I give you gratitude For that. You smiled at love. Take this instead. Let me not speak as one in tragic mood : I dreamed a dream : there's no more to be said. 28 THE VALSE. Save this : that valse-tune holds the hidden clue. There lies the secret locked ! Love is the key. May kinder hands unlock It unto you, Than that white hand of yours once was to me. THE SILVER BELL. IN times half mythic, when the pathless wild Stretched from the white Alps to the Northern sea ; And, pioneered by hermits brave and mild, Came on the Knightly Age of Chivalry, With sword whose blade 'gainst mortal foe was keen As was its cross-hilt 'gainst all foes unseen ; In those far times, in the fair Teuton land, There lived a youthful Prince beloved of all. His father ruled with firm benignant hand, Wearing in peace the double coronal Of sovereignty that writes its honour true, And Age that is a crown of honour too. The Prince had gained that happy April age When life seems glad to all who truly live. And regal in his youth, his heritage, 29 30 THE SILVER BELL. His beauty, everything combined to give Such plenitude of pleasure to his share, That joy for him seemed written everywhere. He saw it in the sunshine and the stars : He felt its bright elixir thrill each limb : In dark romantic tales of far-off wars, In love-songs passionate, in legends dim, In boyish game and in the ringing chase, He wooed sweet life and kissed its blooming face. " Father," he cried, " why say you life is sad ? I find the world so liberal of delight, That though I, like my churls and vassals had To toil, I still should find the toiling bright. The paths of life are not so harsh and rough. Give us but air and sunshine 'tis enough. " From priest and bookman, warrior, serf and sage Rises this wail for happiness that flies, As if the greybeards in revenge for age, Grudging fair youth its flowers and sunlit skies, By gloomy words and frowning brows were bent To make the sadness they themselves lament. THE SILVER BELL. 3! " I would that I the whole wide world could tell How glad at heart and well content am I ! I would my voice like some clear silver bell Could ring my tale of pleasure far and nigh, That hearing its joy-message day by day, ' Our Prince at least is happy ! ' men might say." The king gazed fondly at the handsome boy, His hand upon the fearless golden head. " Were there such bell maybe 'twould not be joy Would set it ringing after all," he said. " We miscall things, and change with changing years ; Joy sometimes lives in negatives and tears. " But see, my son, we put thy thought to test. ' Our Prince is happy ! ' let the people say. The silver bell, of which you spoke in jest, It shall be cast and hung without delay ; That we before we die may hear its voice, And with our people in thy joy rejoice ! " The furnace fires were lit ; the silver weighed ; Rare alkalies the metals purified ; The molten ore the workman's will obeyed ; The panting slaves at forge and anvil plied ; The Bell was graved with text and symbol meet, Till it stood forth in every part complete. 32 THE SILVER BELL. High o'er the tower which formed the city's crown The wondrous Silver Bell was duly hung : And thence long chains and cords were carried down Straight to the Prince's room ; and these were slung With such elaborate care and perfect poise, The lightest touch would make the Bell give voice. Nor was this all. The cords that moved the Bell Others did move to ring in unison In sacred fane and rock-built citadel, So that the sound might travel on and on To where the limits of the fertile plain Touched on the forest's limitless domain. Thus, through the echoing city far and near Melodious peals of answering bells would ring, And as the carillon with utterance clear Its fearless challenge to the Fates would fling, The people were to answer to the spell, " Our Prince is happy ! Hark the Silver Bell ! " With sumptuous state and solemn ritual The Bell was lifted to its aerial home. Its purpose was proclaimed with trumpet call ; And every eye turned toward the gilded dome, Where, in a belfry open to the sky, The Bell hung glittering like a star on high. THE SILVER BELL. 33 The courtiers and the people waited long, Expectant of the silvery voice. The day Sank to the west. Anon the vesper song Rose from the Minster ; then the sun's last ray Flamed on the city spires, and darkness fell. But motionless and silent hung the Bell. In his own chamber stood the Prince alone, His hand upon the silken cord. A light Burnt in the brazen lamp. His robe was thrown Across the couch ; and through the quiet night Came up the plash of fountains, and the sound Of watch-drums beating out the midnight round. " Why should I wait ? What do I wait for ? What ? For greater happiness ? That scarce can be. My joy was something that I doubted not Until my tongue proclaimed its certainty. The boast itself suggests the questioning : And at a question shy joy spreads her wing." Irresolute he mused, until at last Sleep lulled his questions into quietude. And so the one auspicious hour went past Wherein he might have made his boasting good. The Bell was his ; he might have rung it then. That was his chance : it never came again. 3 34 THE SILVER BELL, For when next day his hand was on the cord f And purpose shone forth clearly from his eyes r There came a cry, and one rushed in " My lord ! The King, your father, calls for you \ He dies ! Come quickly, and receive his parting breath ! " He went, and looked for the first time on Death, The tale foretells itself in clearest speech. Often the young Prince raised his hand to ring The Bell, but ere that eager hand could reach The cord, his purpose sank to faltering r Or if joy came, alas ! the joy had flown Before he fully knew it for his own. When he was crowned he heard a nation's cheers, His bosom swelled. Is he not happy now ? Yes ; but within his eyes rose bitter tears, Thinking whose crown it was that clasped his brow. The boy-king and the orphan met in him : The boy's heart laughed the orphaned eyes were dim. A war broke out. His helmet led the host. He swept his foes before him like the wind. His name in triumph rang from coast to coast, And shouting crowds his homeward pathway lined. But whilst the laurel crowned anew his head, His friend upon the battlefield lay dead. THE SILVER BELL. 35 Lovely his bride, betrothed from early youth, " I will be true as wife and Queen," she said, " But ask not Love. Tis best you know the truth. With one I loved my heart of love is dead. The people's good remains : for it I live. I give you faith, but love I cannot give I " Yet when the influence of maternal love Warmed her cold heart to joy in life again, Her husband's every look to her did prove Such tender chivalry that she was fain To own him worthy of a worthier mate ; At last he gained her love : too late ! too late ! He never knew it till the hour was near When memory of it only could be his, For she lay dying. In his bended ear She whispered low, " I love you ! " Then her kiss Did seal the secret of their two lives fast, And in that kiss of love her spirit passed. Let the long years roll by, with changes wrought By wear and tear and fever of a life That under all its outward calm was fraught With penetrating sympathy, and rife With that same fervid spirit which, as boy, Made for such very insolence of joy. 30 THE SILVER BELL. At last the man is old and bowed and white, His fourscore years are halting to their goal ; The world is fast receding from his sight ; His face grows wistful with the parting soul. And beckoning feebly to those standing by, He says, " Bring me the boy before I die ! " It was his grandson. Handsome, brave, and strong, Light of his eyes, hope of the old man's days ! Tales of his prowess had been told in song, And prophecy for him turned into praise. " Summon the Prince ! " the word flies far and wide, And the youth hastens to his grandsire's side. Upon a couch the dying King is lain, Even in the castle turret, where, as Prince, He used to live. His dimming eyes again Look on the scene on which he looked long since, A happy-hearted boy ! His faltering hand Stretches itself as if to bless the land. Slowly he gazes round him. Is there not A silken cord up yonder ? Yes. Grown old, Dusty and frayed ! Ah ! memories forgot Crowd on his brain ; a hundred scenes unfold. He lifts his hands they touch the mouldering cord. " Father ! " he murmurs, " I recall your word ! THE SILVER BELL. 37 " The Silver Bell has not been rung by Joy ! Far liker 'twill be tolled for obsequy." Even as he speaks, with tear-bright eyes, the boy Runs in, and with strong arms full tenderly Doth clasp him, whilst the old face raised to his Feels the hot tears which consecrate the kiss. " Father ! " he cried, "for so to me thou art, Since other father I remember none, I kneel to thee, and from my very heart Beseech thy blessing. Bless me." "Ah ! my son, Who seem'st to me in very truth An angel born of my remembered youth, " I bless thee, and I bid thee take thy throne. And may the King of kings to your heart give The will to make His sovereign will your own, And for the welfare of His people live. Prophetic light upon my soul doth shine, The joy my life has missed I find in thine ! " It come upon me in this hour of death, With light ineffable, and hope divine. Reach me yon cord. Now, with my latest breath, Life seems beginning. Clasp my hand in thine, And give me of thy strength ; for Joy has passed Away from Self and found its own at last." 38 THE SILVER BELU And suddenly the Silver Bell on high, Rang clear and full, and flung its message wide ; And as the King fell back with broken cry, The answering peal burst out on every side ; But jangled, harsh, w r ith cruel discord crossed, fts purpose passed away its meaning lost 1 It was a thing unthought of and forgot ; Buried with those who mouldered in the ground. Even the young Prince knew the story not, And trembled at the unexpected sound. Its only answer was his grief-bowed head, And this sharp cry of pain " The King is dead I '" Then, with a trembling voice, an aged man, The Abbot of the Minster, straightway told The tale. Swift down his cheeks the hot tears ran, Remembering all the days and hopes of old, As, stooping o'er the white and death-crowned brow. He said, "Thank God, the King zs happy now ! " Then all did kneel, and from the Chapel nigh Floated the chant of intercessory prayer. And as the echoing bells discordantly Died sadly on the hushed and heavy air, On every lip the voices twain were wed " The King is happy I " and " The King is dead ! " A STATEMENT. I WILL not sing our love, lest singing it I mar the living song it sings unsung. Love so perfected needs a perfect wit, And most imperfect is my witless tongue., Love, though old earth have seen its counterpart Ten thousand times in every age and shore, Is ever new-born in each living heart, A thing of wonder never known before ! And words which are not each and all its own, Though they were echoes of the sweetest song That ever lover's poesy hath known, Would seem such new-born miracle to wrong. I Hence it would take a verse more skilled than mine To put in words as fresh as is our love, The light that from your life on mine doth shine, The faith that needs no song its strength to prove. 39 40 A STATEMENT. So if my tongue hath, all these constant years, Been mute, nor framed a verse, sweet friend, to thee. Blame not the heart that with such reason fears, Lest it should sing our love unworthily. But rather listen to that unheard song Sung in my thought to thee each hour we live ; Its poetry is sovereign sweet and strong, And yet 'tis all mine own. That let me give . TO B. H. (IN MEMORIAM HIS SISTER, WHO DIED MAY 23, 1885, AGED FIVE YEARS.) CHILDREN there are so bright and fair They seem almost too frail and rare For this our heavy earthly air. They may not long time with us stay, Even like Angels as we say They come to us and pass away. Yet in their little life's brief span They do a work the wisest man Were proud to make his wisdom's plan. For they bring Love which holds no sting, And in their bright companioning Life half unfolds its closed wing. 42 TO B. H. The world, made better by their smile, Smiles in return, and for awhile Forgets its greed and veils its guile. Such was your little sister. She Incarnate music seemed to be A little human melody ! No one could look upon her face Or watch her winning little ways And feel no stir of answering grace. The fairest child I ever knew ! Her hair was silken floss, in hue Like ripening corn. Her eyes were blue. You know the pink convolvulus That grows upon the sea shore ? Thus Her flow r er-like face did look to us. A haloed atmosphere and scent Exhaled from her ; and as one bent To kiss her, in acknowledgment Of all she was, one grew aware Of some bright aura in the air, A something good one longed to share. TO B. H. 43 Her roseleaf lips would give a kiss That spoke of purer worlds than this ; Her breath was sweet as new milk is. So like to you was she that sure She seemed your Guardian Angel pure, Yourself in fairy miniature ! And people as they saw you pass Would oft look back ; the picture was As fair a sight and pretty as Could well be seen : the little maid All in her summer white arrayed Holding your hand, demure and staid. I have a pleasant memory of That afternoon whereon we drove To Gosleston Pier a place we love ! She watched with dancing eyes the scene, Sitting enthroned us two between, A perfect baby Beauty-Queen ! The little child the Holy Book Tells us that Jesus blessed and took As sign of Heaven, I think did look 44 TO B. H. Like her. And in her childhood sweet Immortal childhood now we greet, And hear the lips divine repeat " Of such are the kingdom of God." THE WAY OF IT. (WRITTEN TO A TUNE.) LIFE at the best, dear, What can we say of it ? Be it confessed, dear, Dark is the way of it ! Less is the knowledge The more that we know ; Deeper the puzzle The older we grow : Mystery ever ! Is it not s'o ? Yes, we must own it, That is the way of it : That is the best, dear, The best we can say of it Life is compact Of hopes and fears : Life is a fusion 45 46 THE WAY OF IT. Of smiles and tears : Really and truly Much what one hears Wise people say of it ! Whether we view it With eyes of the seers, Or wish to make merely A sort of child's play of it. Still there is something That rings through the years, A longing a question, The which, it appears, Sounds more and more On our unwilling ears Strive as we may To get out of the way of it. Ah, but you smile ! Dismal things may be true, But they won't happen, dear, Will they ? to you ! Ah ! in our youth That is what we all say of it. If we but knew ! If we but knew ! If we but treasured THE WAY OF IT. 47 Life's tenderest flowers ! If we but valued it Whilst youth was ours ! If ! and oh, if ! And if we did this, Or if we did that, Or the other did miss, Life would be possibly Worse than it is ! Looking at Life In the radiant May of it, Little we reck What wise people say of it. So, if Life be dreary, And sad, and the rest of it, Gold of the rainbow Be ever the quest of it, What can be done But just make the best of it ? Bad is the best, If it's true what they say of it ! Well, in our hearts This at least we may pray of it, 48 THE WAY OF IT. Let True Love Light every ray of it ! Then if it prove, dear, That our love is true, What will it matter To me, love, or you, What wiser folk May declare is the way of it ? Let them all speak Of life as they may of it, Give us a storm-cloud To darken each day of it, Minus the rainbow That lives in the grey of it, What do we care ? They have got the wrong lay of it. They do not love ; And Love's the mainstay of it ! Since then of Life, dear, The best we can say of it Is, it is Mystery, Make what you may of it ; Mystery always, The more that we see of it, THE WAY OF IT. 49 Mystery ever, And that we agree of it ; Love holds the only Possible key of it ! That, I believe, Is the best I can say of it. Would you know more ? Go to Love, then, and pray of it That it should teach ye : It will. 'Tis the way of it ! FIRE. CIRCLEWISE move the elements, The Ancient wisdom saith By death of Air the water lives ; Earth by the water's death ; Fire from the Earth ; and Air once more From Fire doth take the breath. Eternal Flux thus rules them all. Yet, through all change they own One primal, final Element For which no name is known, Even as Man is one, in whom A Fourfold state is shown. For Earth his Body claims, its own : Mind as the Air is free : 5 FIRE. 51 Unfathomed Water is the Soul, Who knows its mystery ? And in the Spirit that aspires The flame of Fire we see. Thus the states rise, and in the Fire We find the Logos great That makes one living Entity Out of the Fourfold state, And gives the Mystery of earth, The Man Regenerate. On every altar Earth has known The sacred fires outshine ; From every temple Man has built Flashes the answering sign : And Flame doth symbolise alike The Good and the Malign. And still before our altars burn The lamps and tapers fair ; The fuming censer still sends up Its cloud into the air : And Genius, Anger, Love, and Faith, The Fiery tincture share. 52 FIRE. The Flaming Sword, the Burning Bush, The bolts of Sinai, The Pillar, Cloud and Light in one, The Chariot from the sky, The sun-bright photosphere that rings The Name of Adonai, The baleful fires of Ashtaroth, Of Cybele and Bel, The reek of torch and brasier, Dark with inversive spell, The awful signatures of Flame We symbolise in " Hell," They all are Kabalistic types Of depthless mystery : Images of the Living Fire, Burning eternally, Awful, adorable biune Anguish and Ecstasy. The Furnace which is martyrdom May prove in other wise, The Son of God's most radiant tryst : Point of Ignition lies In enmity : but love the Flame, And lo ! in Love, Fear dies. FIRE. 53 Shine, Spirit ! till your Light become My everliving Name ! Burn, Fire ! until my life is wrought, Through all its parts the same ! O God ! I would aspire to grow One with Thine Unseen Flame. BALLADE. TO THE FOHN. 1 A WIND from the South comes up in the night ; Over the mountains it sweeps to the lake. The darkness is checkered with shadow and light As moonbeams the racing stormclouds rake. Are not the flowers of Easter at stake ? The South Wind knows it, and seems to say, " The Spring is up, and the Earth is awake ! The snows of the Winter are melting away ! " I' the morning, all hail to the gladdening sight ! As fair a scene as the earth can make ! Ah ! 'tis not alone that its Beauty is bright, But its sense of Life doth the whole heart take 1 The Fohn is the south wind, which melts the Alpine snow. There is a Swiss proverb that, " Unless the Fohn blows, the sun and ' le bon Dieu ' can do nothing with the snow." 54 BALLADE. 55 With a joy so great that the heart doth ache ! Hark ! water is laughing, which many a day Frost has held chained in a prison opaque ! The snows of the Winter are melting away ! The grasses and flowers, that lie 'neath the white, Have moved in the earth : quick song-pulses shake The blackbird's throat as he stops in his flight : And deep in the drift-covered tangle of brake Is born the bud of the first " snowflake." And as children remember the flowers of May The avalanche thrills with its first heart-quake ! The snows of the Winter are melting away ! ENVOI. O heart ! 'twere a shame if Great Nature spake And you answered not. Cry Yea to her Yea ! And tell her for you too for Springtime's sake The snows of the Winter are melting away ! A BALLADE OF BUTTERFLIES. " Butterflies will some day be valued as one of the most important branches of biological science." BATES'S " Naturalist on the Amazon." STRANGE are the truths that Great Science doth teach ! Grave is her utterance, grand is her aim. Far less inclined to a joke than to preach, Holds she her mind in a serious frame. Yet, when to one little fact she came, Which somewhat her gravity seemed to upset, She owned it at once the dignified Dame ! Science to butterflies owes a great debt ! Pause for a moment or two, I beseech, Just to consider how trite and how tame Sounds, after this, the poor moralist's speech Crying to Butterflies, " Fie ! " and " For Shame ! " Surely the fribbles were scarcely to blame Were they to answer him back in a pet " Rubbish ! we're things of remarkable fame ! Science to butterflies owes a great debt ! " 56 A BALLADE OF BUTTERFLIES. 57 When o'er the pink-budding boughs of the peach, Sulphur- wings beat, in the song of " je t'aime ! " When high in air, (safe from Science's reach !) Foolish fritilleries flutter like flame, Just as if flowers were out for a game ! 'Tis not alone (and let us regret Good folks so often ignore the same !) Science to butterflies owes a great debt. ENVOI. " Emperor," gorgeous in habit and name, " Painted Lady," unpeu coquette, For ever this honour you now may claim Science to butterflies owes a great debt ! THE RUBilYiT OF OMAR KHAYYAM. DRINK as we may the Song is magic Wine : Yet at the Tavern Door what is the Sign ? See, how he smiles who proffers us the Draught ; He leaves to us the Vintage and the Vine. Ruby or amber do you wish to see ? Call the Cup either, that the Cup will be. Is the Door open ? Enter, friend, and drink ! The lock will turn if you possess the key. TO CHARLES KINGSLEY. GREATER than many whom the world has hailed As greatest, thou by inner greatness failed To gain the height your footseps might have scaled. The narrower paths in which you bravely trod, With feet by purpose clean and active shod, Thou took'st as limits given thee by God. Did not the heart within thee often burn From that strict chosen path aside to turn, The beckoning victories of the world to earn ? And more : did Thought not long for ampler flight To regions where Thought passes Day and Night, And darkness swallows what we call the Light ? To highest point thy vision seems to rise When facing those unworded mysteries To which our age turns blind or blinded eyes. 59 6o TO CHARLES KINGSLEY. But the strong heart, by fiery pulses stirred, The poet-promptings by thy spirit heard, Were hushed for what was deemed the Higher Word. Content and happy in thy discipline, Disciple to the last, in thee was seen A man ev'n greater than he might have been ! TO ROBERT BROWNING. AFTER RECITING " SAUL," "EVELYN HOPE," AND "ABT VOGLER." GREAT poet, in whose secret mines we find the unseen gold- Singer of things unspeakable, and hardly to be told, Adept at " music " more than sound, and as the Ages old O Mystic, silent to the world, but yet proclaiming clear, To those who know, the Word of one who holds the Inner Sphere, Thy message is a magic one, and few who listen, hear ! 'Tis not the Hebrew Shepherd, nor Abt Vogler speaks through thee, They are but Names to guard thyself, and veil that Mystery Which ever hides behind a veil and speaks in Harmony. 62 TO ROBERT BROWNING. I think a sense of something great, a wonder and a light, Passes from out the very words even to those whose sight Takes not thy way, or taking it, notes not how high thy flight. I know that some who listen hear. Their hearing would suffice, Were all the others deaf and mute : but in some hidden- wise A deep responsive echo seems from every heart to rise. No voice so great as thine, so freed from rhapsody or moan, Has in this age of ours been raised, with world-compelling tone, To plead for Thought which by the world is little prized or known. And we, who humbly and afar follow that Thought Divine, Do thank thee for the shining words through which you flash the sign To us. If as I speak those words the light through them may shine TO ROBERT BROWNING. 63 On others, nay, on one ! that light has on my spirit shone Not all in vain. Twofold my debt : the gift were great, alone ; But in it I grow giver too ; speaking, I pass it on ! A HARMONY. ALL the world is full of music So at least the wise folk say : There is music in the sunshine, Such as shines on us to-day : Rainbow-music in the storm-cloud : Flower-music in the ground : And the harmonies of colour Answering those of song and sound. All, you see, is but Vibration, Given alike to eye and ear : Only, for a variation, This we see and that we hear. All's the same in different language Springing from one root above. There perhaps will find the secret Is not far from those who love. 6 4 A HAEMONT. 65 All the world is full of music : Let me not my cadence miss. It is sealed within your spirit ; Let me learn it in a kiss ! Everywhere I -hear it ringing : What is the refrain thereof ? Ah ! why ask ? Perhaps the secret Is not far from those who love. O my love, the real true Music Just begins where this sound dies : On the other side of silence Are the spirit's harmonies. As the Alchemists have told us There is Fire beyond a doubt Burning in the inner Ether When the flame we see goes out. Could we hear the Sound of all things We should find it wondrous true ; And amidst the whole world's chorus I should know which Note was You ! Love, to those who know, is Music Born within the atmosphere Of that world of finer essence Which but few can see or hear. 5 66 A HARMONY. How the sunshine in your hair, dear,- (I am listening !) softly sings ! All the thoughts within your spirit Vibrate true like golden strings. May no discords from my life, dear, Those vibrations falsify ! All such discords now you love me Will resolve in harmony. Do not heed them if they tell you, They, the over- wise, to-day, That the world has grown aweary Of the Lover and his Lay. Love the root and flower of Life is, And the world in which we move, Live and move and have our being, Has no meaning save for Love ! He who hears it, he who sees it, Smiles at peace amid the strife, And its song will solve the riddle Of the sphinx that men call Life. Hear it in the seas and rivers ! See it in the starlit sky ! ? Tis no poet's idle dreaming, 'Tis the world's great Mystery ! A HARMONY. 67 Thus the world is full of music ! From the air an Echo falls : Even in the ground beneath us, Something answers something calls ! All the world say I ? Look higher ! Heaven itself is made thereof. And we feel we know the secret Is not far from those who love. INITIATION. THROUGH daily joy and daily pain One truth is clear discerned, The lessons which this life can teach Must in this life be learned. Here, or none other where at all Those lessons learned must be. Refused, they are a broken link In our eternity. Consider : we, and we alone, And only now and here, Can do that thing which comes to us In Duty plain and clear. There's neither small, nor mean, nor low, To one who sees the Real : Perfection raises everything To its untired Ideal. 68 INITIATION. 69 We long to know the Way : and yet The secret of the skies May lie in some rejected task To which we close our eyes. For he who does the will shall know. What promise is more plain ? Yet this, of wisdom's many roads Will fewest followers gain. Whatever comes to us to do, Though dark it seem to sight, Simply because it comes to us, That is our road to Light. O ! lesson hardest to be learnt ! Some great thing to be done Were easy, welcome. But this thing Is welcome unto none. Yet once accepted it becomes The key of human Fate. Life's Mysteries unveil themselves : We are Initiate. A SON OF ORPHEUS. " GOOD-NIGHT ! good-night ! The feast is done, I must be getting on my way. ' Happy the bride the sun shines on ! ' And never brighter sunlight shone Than ours this happy bridal day ! Another glass ? Well, then, just one. A parting bumper, as you say, A brimming glass ! it is the last. Swiftly the smiling hours fly past When young feet trip it on the floor. What ! yet another dance ? one more ? My fiddle's tired ... old ! I too ! Well, look you if I play for you, You will not grudge my ndder's fee ? And what is that, you ask, maybe ? What and how much ? Why, listen this A good, fair, honest, buxom kiss ! You'll pay ? Then for your dance ; here 'tis ! " 70 A SON OF ORPHEUS. 71 He fiddled well, and well the feet The floor in tuneful measure beat. And fast and faster went the bow, And fast and faster, to and fro, The dancers danced : till when the flight Of foot and bow were at their height, And through the merry -laughing rout The rhythm of the polka swung Like waves of wind the wheat among, The fiddler broke off with a shout. " Good-night ! this time, good-night, indeed, In vain ye tempt, in vain ye plead. No ; not another bar I'll play. Have ye not danced enough I say ? Toed it and heeled it all the night ? For shame ! you're cruel. Nay is nay. I've far to go : and ere 'twas light This morning did I start from home. We've had a jolly day ! Now come ! Give me my fee. Then one glass more, And see me safe outside the door. Charles, here's my hand. God bless you, boy ! Marie, good-night ! Health, wealth, and joy Be yours and always all thro' life ! Here's luck to bridegroom and to wife 1 " 72 A SON OF ORPHEUS. The farewell voices die away. The light that streamed with ruddy ray Out from the open cottage door, Fades down and dwindles more and more And now it gleams, and now 'tis gone ! The road turns sharply to the right, Up the hillside he trudges on As best he can. 'Tis dead of night. The clouds are scurrying o'er the sky, The wind with ghostly homeless sigh Wails in the trees : and hark ! hard by, The night-jar croaks with bodeful cry. Some snow fell on the hills last night. Above the woods of fir and pine, The great slopes, looming phantom-white, Across the midnight darkness shine. But naught of this the fiddler heeds ; Well-used to dark and lonesome ways, Onward with stumbling feet he speeds, And only thinks of all the day's Good fare and fun and that sweet fee She gave and gave so willingly ! And how uncommon pleased he'll be (The road is rough just here and steep !) A SON OF ORPHEUS. 73 To be in bed and fast asleep. Meanwhile, come courage ! step along ! And cheer the darkness with a song. For truth to tell we've had enough, Red wine and white, good generous stuff, Has freely flowed for every guest, And that last bottle was the best. A glorious day, the saints be praised ! And if we feel a trifle dazed, Well, what of that ? The cool night air Revives us : and a merry heart Is good sometimes. We have our part Of trouble, more than is our share ! So let us troll our song to-night, Thankful for good wine, red and white, And neither blame ourselves nor it If we just trip a little bit, And here and there forget our song As in the dark we trudge along. Soon be at home and safe asleep ! Here are the cross roads. Shall we keep The highroad, or that short cut try, And save a good two miles thereby ? A thousand feet or more below, 74 A SON OF ORPHEUS. The village lies : and yonder, see ! The first white little patch of snow. The road or short cut shall it be ? The wood perhaps is dark and black At night. Ah, bah ! We know each yard ; No fear of straying from the track. Safe, safe enough ! and not so hard As that long road. We'll try the wood. The moon will soon have risen. Good. So in we go. Dark, dark and still, Among the tall black pines : so dark You scarce can see a tree until Your hand in passing scrapes the bark. Onward he trudges. Not a sound. He knows each turn and inch of ground. How silent 'tis in here ! And hark ! What's that ? 'Twas some one following ! No, no : but he has ceased to sing. A sense of loneliness has put Its finger on his lip : his foot Is somehow spurred to hasten on. Look ! stop a minute, something shone Out of the darkness yonder. There ! It shone again and now 'tis gone. A SON OF ORPHEUS. 75 He turns to look behind, and sees What seem two eyes of greenish glare That watch him from between the trees Two cruel spectral eyes that stare ! His heart is nipped with sudden frost Of fear. Those eyes ! And see ! another pair T Mon Dieu ! and there ! and there ! and there ! Encircled by them everywhere ! " A pack of wolves ! I'm lost ! I'm lost ! " He looks at them with freezing breath : He knows they are the eyes of Death. His voice breaks up the silent air In shout on shout. Against a pine He sets his back. The void black night Is starred with those fierce eyes. They shine Like some accursed magic ring That now is slowly narrowing To hem its wretched victim in ; Till almost by their wicked light He seems to see the teeth that grin, The mouths that snarl with cruel fangs. He feels his life each moment hangs Over the edge of doom. But see That pair of eyes is coming close, Closer and closer and he knows 76 A SON OF ORPHEUS. Horror will soon be pain. His lips Refuse the cry of agony The heart compels. He faints and slips Upon the smooth fir-needles, grips A branch, and in the struggle twangs The fiddle slung behind his back. And in a moment all the pack Of wolves start back, and listen dazed, Arrested ! Like a flash there shoots Across the fiddler's brain a tale Once heard, of how these savage brutes Are tamed by music. Heaven be praised ! The saints forfend the hope should fail ! Swift as the thought, the violin Is clutched, the bow is poised : and thin And shrill, as if with frightened wail, The strings, with almost human cry, Croak out their challenge, and begin Their grim death-dance of agony. Play, fiddler, play ! for life you play. Give them your best. No moment stay. Play, play, with quickening pulse and breath. That catgut is the leash of Death ; Once broke or slipped, 'tis at your throat ! A SON OF ORPHEUS. 77 A devil peers between each note, And at one pause, why, in he'll slip And have you writhing in his grip ! Play, man, as never yet did man Since first the fiddling world began ! A polka ! Dance, wolves, dance ! nor glare With those fierce eyes so still and grim. Horribly patient stand they there, All silently besieging him ; But for the moment kept at bay In some unknown mysterious way, By some uncomprehended link Such as no brain would dream or think Could be betwixt such alien things As hearts of wolves and fiddle-strings ! And yet is it not known to us The Thracian conquered Tartarus ? So great is music's magic spell It binds in one Heaven, Earth, and Hell. But still the fiddler works amain. An hour ago the self-same strain Re-echoed through the dancing room And gained that sweet kiss for its fee : And now it almost seems to be 78 A SON OF ORPHEUS. Played in a black and stifling tomb With grisly ghouls for company. A witches' sabbat were less mad ! A Brocken revel- never had More subtly fiendish mockery Of joy. A -dance of Death it is ! Agony's stiff paralysis Threatens his aching arms and hands : And yet as on hot iron he stands, And still he madly plies the strings, And works the bow and madlier sings, Shouting anon a cry of fear In the last hope that some, mayhap, Returning from the feast may hear. Ah, God ! a string breaks with a snap ! No time to fix another one ! On, on : pray Heaven the others last ! A twang a cry ! Another's gone ! Sense almost swoons hope stands aghast. Nothing he sees but eyes eyes eyes ! The world is but a vault of black Lit with those hungry lurid eyes, Resounding with despairing cries, Grotesque insane demoniac ! A SON OF ORPHEUS. 79 " Help ! help ! I'm lost." A twang, a crack ! The third string gone : but one remains. The music dwindles, falters, wanes : Yet on its weak and trembling strains A man's life- hangs. A slender cord For such a weight ! A child's toy-sword Against an armed and murderous horde ! The brutes begin to feel the reins Are growing slack. They edge more near With more of hunger, less of fear. The end is surely come at last. The poor scraped notes diminish fast, Although he works with might and main. Not long will he have power to sway The devil in the wolfish brain, Or keep the savage beasts at bay. And lo ! as if to make the doom More hideous still, the Stygian gloom Is lifted. Suddenly a glare Of moonlight makes the whole place bright, And with its weird and cruel light The horror of the scene lays bare. It is too much ! It is too much ! Ah ! neither tortured string nor heart 8o A SON OF ORPHEUS. Can any longer bear their part : They snap beneath this final touch. Both in that awful moment fail, And sense goes out in one sharp wail One last despairing cry for help ! But lo ! as all the savage pack Bark out the signal for attack, A shot is heard : a whip's sharp crack ! Jangle of sledge-bells on the snow ! And bang, bang, bang, the rifles go ! Two brutes fall dead with snarl and yelp ; The rest, like cowards, all turn tail And skurrying off in wild affright, Vanish as spectres in the night. Prone on the earth the fiddler lies, Nor knows the struggle's happy end ; Nor hears the loud advancing cries, u Courage ! We're near ! Where are you, friend ? " Some of his neighbours going home Just in the nick of time had come. Their guns took up the conquering tale Where music had begun to fail, And made the fittest coda, sure, To such a demon overture. A SON OF ORPHEUS. 8 1 The fiddler, snatched in truth from death, The veriest jaws of death, they bore Rejoicing to his cottage door, Shouting a loud triumphant tune, And left him safe and sound beneath His own roof. Late next afternoon The cure, having heard somewhat About the story ; (such a boon To village gossips happens not Too often !) takes his way to hear From out the man's own mouth the true Account. And as he's drawing near, He thinks he spies a something new Above the little carven shrine Wherein, holding the Child Divine, An image of Our Lady stands Blessing the threshold with her hands. A lamp hangs down before the niche, Always alight ; to tend to which Is every day the fiddler's care. All this the cure knows : but there, What's that ? above, against the wall : Some relic or memorial, 6 82 A SON OF ORPHEUS. Symbol of gratitude or prayer, To pious memory dedicate ? The old man puts his glasses on To look. His spectacles are dim. Or his eyesight f ailing him ? He wipes his eyes at any rate, Whilst, with some text appropriate, He murmurs out a benison. For a strong nail is hammered in Above the shrine : and from it, lo ! Hangs the poor stringless violin, And under it the broken bow. THE SIGNATURE. NOT with the passing name I bear By chrism and by heritage Sign I myself, whilst years endure, To you, O Friend, in friendship sure ; But with a greater signature Than pen can write upon this page. I write it in the spirit-light, And with that Name, unspoken, real, Which not in this life will be shown ; That New Name which shall be my own,- The Name by which the soul is known, And only Spirit can reveal : The Name I hear and answer to When life has risen to its Best ; The Name that Music tells me of ; 83 84 THE SIGNATURE. Which lives in Silence, Light, and Love ; The Name to which my life doth move And till it find it, knows no rest. The name by which I move in life Is but a passing badge to me, A badge to hold and honour well ; The many memories it can tell Of lives well-lived stand sentinel And challenge me to keep it free. But for the Man within the man There is another Name, be sure. Its script we may not yet divine : But 'tis with that Name I would sign My real self in friendship thine. Take that eternal signature. VITA MYSTICA. I. Elixir Vitce. CALM thou the waters of thy soul, Unruffled let them lie, Till, crystal-clear, they may reflect The overarching sky. Let Fear be stilled : and all thy thought Unto that point be set That does not hasten on toward Hope, Nor linger to regret. Calm thou thy soul, till o'er its face, As o'er primeval seas, The spirit moves, and Life takes form At the Divine decrees. 85 86 VITA MYSTICA. Forget the things that are behind ; Water defiled may gain Its purity, without an atom lost, It does but lose its stain. In confidence possess thy soul, In Patience, Calmness, Love, Till, crystal-clear, its waters lie, Calm as the skies above. So will they the Elixir bright Of Life most truly be : The magic draught which dowers us With Immortality. For sweetened by eternal springs, And purified by Pain, They are the Cup whereof who drinks Shall never thirst again. 2. Transmutation. IN Flesh Immortal Life begins ; Heaven lies within, 'tis writ : The Body may a temple be If God transfigure it. VITA MYSTICA. 87 There may arise a Bethlehem Within thy soul to-day j And in the " Manger " of thy Life Thou must the Christ-Child lay. Not in the palace, or the Inn, But in the oxen's stall : 'Twas there the Wise Men found the Birth Of Life Celestial. 3. Magic. THE mystery of Growth who knows ? A silent, unseen Force, Apart from thee it works its will, And takes its unseen Course. The seed becomes a plant, the plant Bursts into bud and flower ; By alchemy of earth and air And nurture of the shower. But whence the substance of the plant ? How did it upward grow ? Not from the seed, not from the mould. The mystery none may know. 88 VITA MYSTICA. Take note the lilies of the field, They neither toil nor spin ; Plant thou the seed within the soul, And lo ! the Flower within ! 4. Prima Mater ia. THE element of Human Will Is not yet wholly known, Although its right of miracle Has oft been taught and shown. In Thought we hold the motive power That made the universe : Its triumph Truth could make us free, Its slavery is our curse. Miracles are but sovereign Thought ; Latent, they lie in us. In other truth, w r e see there's naught That is miraculous. If we could only realise The Best our Thought can give, That Thought alone would limit then The Life we might receive. VITA MYSTICA. 89 5. The Philosopher's Stone. TRUTH must be true in every plane. The Magian only wrought In baser substance what his soul Discerned in worlds of Thought. Surely the alchemy of old Was an attempted sign To show, in Matter, truths the soul Worked out in things divine. The New Name graven on the Stone, The mystic Stone of white These are but symbols : finite things Ciphering the Infinite. The search to find the Stone is hard : Strait road and narrow gate. The world cares not to walk therein : The Life Regenerate. The road is free to every one, Yet heavy is the toll ; By many names the road is called, By many names the goal. 90 VITA MYSTICA. But each and all have meant the same Since first the world began : The Life that lives within the life, The Man within the man. And he who once perceives this quest Nor life nor death will stay : But Few, of even chosen ones, There be who find the way. Many, how many, lose the clue ! Many, how many, fall ! And some lose heart, and some lose life, And scorn is given to all. Yet he who follows out the quest His life transmuted is : Through all its Seven Spheres he feels Celestial genesis. The Cross becomes the Tree of Life, The Crown of Thorns the Wreath ; He spells the Words of Power that takes All Victory from Death. VITA MYSTICA. 9! His is the Inward Man that speaks As one who sees and KNOWS : The Interlaced Triangles his, The Flaming Star and Rose. He passes Earth's penumbral shade, He conquers all eclipse : His is the Stone of White the Seer Saw in Apocalypse. It squares the circle in its lines : Numbers are fused in One : Its sphere contains the Universe ; Its light outshines the Sun. 6. The Seal of Solomon. THE Seer that in the desert slept Beheld the angels fair Ascending and descending still Upon the Golden Stair. The lines descending to the Stone, To us the Beth-el true ! Became in turn ascending lines To meet Descent anew. 92 VITA MYSTICA. Behold the mystic symbol here, Graved on the opal stone : The two Triangles Interlaced, The Seal of Solomon. And one descends and one ascends ; They cross in every line : And as a star shall shine the Soul Whose Life has wrought the Sign. 7. The Word of Power. " GIVE us a Sign ! " the people cried. The Master stayed his hand. No sign was given, save one they knew And would not understand. Whate'er might soothe the suffering Was never put aside : But for the sign of Magic Power It always was denied. Though from the Grave one rose and spake, Him would not earth believe. For he who hears not silence speak Cannot the Word receive. THE REED-PIPE. THE reed's a perfect instrument, But hard to learn, they say : A thought too much of pitch and lo ! The sound flies off, away ! The note at once the octave leaps, And straight to silence goes : The sound has gone clean gone but where ? Ah ! where indeed ? who knows ? See ! if vibrations grow too swift They pass to the Beyond. To ope that door to Eye and Ear Who has the magic wand ? I would be as a reed to Love, But am not tuned aright ; Too rapid the vibrations are, The notes have taken flight ! 93 94 THE REED-PIPE. I meant to pipe a song for you, But vain is such an aim : My love has leapt to silence, dear, At touch of your sweet Name. But you have that enchanted rod The unseen gates to move : To you will silence yield the song, And vocalise my love. u AURORE. AN OCTAVE OF SONG. First Morning. THE new- waked spirit sometimes sighs For Life Eternal in the skies : Straightway this bright thought crowns the brow,- " Eternity is always Now." Second Morning. Find me the sun above these clouds, O, heart of mine ! Or take the clouds themselves as proof The sun doth shine. The loveliest Sign the sunshine gives To mortal eyes, Is wrought by it in falling rain On cloudy skies. 96 AURORE. How say, " the sun shines not to-day," Whilst day is day ? The daylight is but sunlight veiled In clouds of grey. Live on the rays that filter through : For every one That falls on thee, it came for thee Straight from the sun. In shade or sunshine be content, O, heart ! and know Earth's atmosphere which makes the cloud Makes Light also. Third Morning. Awake ! The light of day I never yet have seen ! Forth from its slumber let my Being break ! I know, I feel, I never yet have been Body and soul awake. The sleep of Adam is not yet forgot. There is a sleepless life in us that fain Would take us to the Life that slumbers not, Never to sleep again. AURORE. 97 Fourth Morning. What is the bugle-call to-day That doth to us " Reveillez " say ? Is it some great thing to be done ? Some work fulfilled ? some joy forgone ? Or is it that life comes to us With no task made solicitous : But with an open sheet addressed For us to write what seems us best ? That were indeed the harder task For watchful life from us to ask. But we accept the challenge bright, On a clear page our Day to write. The morning bugle-call that rings To us the thought of upward things May ring at sundown on a Day That has harked forward on the way. 7 98 AURORE. Fifth Morning. What are the " debts " O God the which Forgiven we ask to be ? The touch of Thee that lives in us That is our Debt to Thee. The debtor's count grows day by day In all we hear and see : All that is meant by that word " life " This is our Debt to Thee. The Birthright given in the Christ, Of which we hold the key : The Mystery of the Sons of God These are our " Debts " to Thee. Sixth Morning. In the dim land of Sleep Where did I go last night ? Memory is there none Of what was said and done : All has taken flight ! AURORE. 99 In that dark world of Dreams We are but wanderers lost ! Born in a world unknown : Sailing out, alone, Drifting, or tempest-tossed ! Ah ! in the world of Death, What for the wandering soul ? Falling asleep, as 'twere, Drifts it to some Dream-sphere Where it has no control ? If our own Thought-world makes That unto which we go, Why does it claim us not When sleep has freed our Thought ? What is Dream's phantom-show ? Well : we arise from sleep The dreams, they pass away ! Sleep, none the less, makes us strong, We greet the Light with a song, And we face the coming day. 100 AURORE. See ! how bright is the Morn ! Draw in its life-giving breath ! Bright may that Morning be, God ! when we wake to Thee, After the Dreams of Death ! Seventh Morning. The earth to me is not the same it was In childhood's days of " splendour in the grass." The sunset has a different tale to tell To that in youth I loved to hear so well. The Dawn no more the message gives it had In wondrous summers when I was a lad. Ah ! how the magic boyish memories come And look at me and pass : for they are dumb ! Far-off in more than years, with changes rife, I view them as they were another life ! Even as I who knows ? may view some day, The hundred lives that led me on my way ! But no regret I feel, no sense of pain, No sighs for days that cannot come again. AURORE. 101 Those sighs are past : I sighed them once, in truth ; I sang my echo-song of Vanished Youth ! But Sunrise came ! a sun not seen before ! , And Earth grows young for ever in That Aurore ! Eighth Morning. There's nothing great and nothing small ; God is alike in each and all : All things are lofty to the eye That sees in all, Reality. God's Kingdom is on earth begun : Time and Eternity are one : And Heaven is not some distant sphere : It lies about us Now and Here. VERSES WRITTEN FOR AN ADAPTATION OF DICKENS'S " CHRISTMAS CAROL." i. Chorus of Spirits. i. AH ! will it last for ever, The struggle and endeavour ? Who will set thee free ? The wail of wasted life, Goal of a barren strife These things wait for thee ! Shadow and Illusion, Phantom and Confusion, All you love may be. Flesh doth the soul conceal ; Only That is Real Which you cannot see. VERSES. 103 II. Life turns to decay, All things pass away ; Where is Reality ? Listen ! look ! 'Tis near. He with ears shall hear, He, and only he ! Not in sight or sound, Not in things around Mortals find the key. Flesh doth the soul conceal Only that is Real Which you cannot see. 2. A Christmas Song. MANY our pleasures and many our pains, Worries enough and to spare ! Days there are in each month when it rains, Days, when the skies are fair ; But very good things, very, very good things- Oh, no ! they don't often appear ! Holidays many the round year brings, But Christmas comes once a year. 104 VERSES. So Songs we'll sing to it, Bells we'll ring to it, Joy we'll bring to it Once a year ! ii. Perhaps when winds are bitter-black, And the ground is hard as a brick, When water-pipes burst, and glasses crack, And coals burn all too quick, When bills a many there are to pay, And nothing to pay them O, dear ! We are almost sorry that Christmas Day Should come even once a year ! Ah! Yea or nay for it, Say what you may for it, Oh ! we pay for it Once a year ! in. But ah 1 what matter the worry and chill When we clasp the hands we love ? We take the good and we take the ill,, Press forward, and look above. VERSES. 105 For hearts grow warm when earth doth freeze, And stars i' the dark shine clear : So let us be glad (all together, please !) That Christmas comes once a year. Ay! Comes with light for us, Makes life bright for us, Puts things right for us Once a year ! 3. A Carol. CHRISTMAS carols ! Christmas carols ! Still we sing them year by year ; Still the holy Christmas message, " Peace on earth," the nations hear. But we wait in vain ! expectant Of that Advent in the skies ; For its kingdom is within us. And 'tis there that sun must rise. Christmas Day the wondrous Birthday Of the soul's celestial Breath Whilst it gives new life to this life Gives nativity to Death. 106 VERSES. If its Truth were born within us Life were Immortality, And a song too great for singing Would our Christmas carol be ! Not alone when snows are falling Do the herald angels sing : They are with us in the May-time If our hearts are listening. Summer, Winter, Seed-time, Harvest, All alike are Christmas-time Unto him who hears the Tidings In each passing hour and chime. Look above, and look within you, Seek and find your Bethlehem : For the Star the Wise Men followed Shines for us as erst for them. Every breath becomes a carol, Every star-beam points the way, And the message of the Christmas Lives for all in every day ! LINES WRITTEN AFTER READING A POEM BY THOMAS BAILEY ALDRICH CALLED " VOICES AND VISIONS " REGRET- TING THE LOSS OF THE FAIRYLAND OF YOUTH. " In youth, beside the summer sea, Voices and visions came to me. Now one by one the visions fly, Now one by one the voices die," &c., &c. STILL in the common daily round The visions shine, the voices sound. Ah ! do not ever from me flee ; Still to the end companion me. Eyesight may dim and hearing fail, Our Life may try to weave a veil Between me and that shining sphere That shone upon me once so clear, 107 108 LINES. But let me all these things defy To dull the Spirit's ear and eye. For Age what is it ? Time is naught To him who holds the world of thought. Away then, plaints of vain regret, For youth gone by, and suns now set ! Away with fears that days may dawn When those fair visions are withdrawn ! Those whom the gods love so 'tis sung- Always (I read it thus) die young ! Their youth, that is, lasts all their day : Childhood for them fades not away ; It only sinks within apart To live for ever in the Heart. Ah ! let me never lose the gleam Of that true world men call a Dream ! Mine be the blame if sense grow gross, If those fair visions suffer loss. LINES. 109 Let the loud world go on amain, Toiling at what it counts as gain, Laugh with a pitying smile at what It seeth and it heareth not, Gibe at the Truth it dubs " Ideal," And clutch Illusions it calls " Real" ; But let the world be still to me The same it was in Infancy ! The same and better ! Fairyland Brought living to my very hand, And " heaven " once far beyond the sky Part of to-day's reality ! So, whilst the round years onward roll, Till Death itself unloose the soul Ay, seeing as I now do see For ever, mine may this prayer be " Voices and Visions, come to me ! " SUNSHINE. As the flowers, though earth-rooted, Take their colour from the sun : So my life takes form and colour, All from thee, my dearest one. In the rose and in the lily, In the violet, there lies Beauty that is born in heaven, Light drawn down from summer skies. Thus the heart of every flower Holds a sun-shaft, deep concealed : But it throbs through all its being, And in colour is revealed. If my life gain any honour, Give the honour where 'tis due : For I hold you. in my heart, dear, And the light comes shining through. UNWIN BROTHERS, CHILWORTH 3ND LONDON. NOVELS PUB- LISHED BY A. D. INNES & COMPANY BEDFORD ST. DCCCXCV. NOVELS AND FICTION PUBLISHED BY A. D. INNES & CO. NEW ONE-VOLUME NOVELS. THREE NEW NOVELS OF ADVENTURE. By FRANK BARRETT, Author of " The Admirable Lady Biddy Fane." A Set Of Rogues : Namely, Christopher Sutton, John Dawson, the Senor don Sanchez del Castillo de Castelafia, and Moll Dawson. Their Wicked Conspiracy, and a True Account of their Travels and Adventures. With Illustrations by S. COWELL. Crown 8vo, buckram, 6s. By JAMES CHALMERS. The Renegade. Being a Novel dealing chiefly with the Career of the American Captain Paul Jones. With Illustrations by JOHN WILLIAMSON. Crown 8vo, buckram, 6s, By J. C. SNAITH. Mistress Dorothy Marvin. A Tale of the Seventeenth Century. 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" The reputation of Mr. Richard Pryce will be strengthened and broadened by his latest novel. We fully expect ' The Burden of a Woman ' to survive as one of the best novels of the year." Birmingham Post. " This novel is good to read. . . . Mr. Pryce, we fancy, has done nothing better than ' The Burden of a Woman.'" Birmingham Gazette. "By dint of work of exceptional merit Mr. Richard Pryce has attained a very distinct position as a novelist. His last novel, ' The Burden of a Woman,' is hi* best. . . . There is something greater than mere talent. Mr. Pryce has set himself a difficult precedent." Star, By the same Author. Winifred Mount. Crown 8vo, cloth, 6s. Neiv Edition, By DBAS CROMARTY, Author of " A High Little World," etc. Under God's Sky. Crown 8vo, cloth, 6s. " A very powerful and fascinating dramatic tale. . . . Always strong and intense. The plot ... is intensely interesting." Scotsman. " We always welcome Deas Cromarty's books ; they are unlike those of any other writer and better than those of very many contemporary novelists." Daily Chronicle. " It is a long time since we have read a book which affords greater pleasure than the one now under notice. . . . An exceedingly clever piece of work." The Manchester Courier. "Is undoubtedly a novel with a backbone, and will repay those who take the trouble to study it as carefully as it is written." St. James's Gazette. " In the best sense one of the most successful stories which have appeared this season ; it gives such evidence of power that we shall look with peculiar interest for further work by the same writer." Observer. By CAROLINE C. HOLROYD. Seething Days. A Romance of Tudor Times. With 8 Illustrations by JOHN WILLIAMSON. Crown 8vo, cloth, 6s. " For a picture of the age the book is admirable, and we congratulate the author upon her facility in catching its tone and manners." Pall Aiall Gazette. " A very cleverly written romance of the sixteenth century. A book that should be very popular." The Lady. "A very interesting and admirable piece of historical fiction." Morning Leader. POPULAR NOVELS. Crown Svc, uniform scarlet cloth, 3s. Qd. each Volume. By ANTHONY HOPE, Author of " The Prisoner of Zenda." Half a Hero. Crown 8vo, cloth, 3*. 6d. New Edition. " The book is delightful to read, and an excellent piece of work." Standard. Mr. Witt's Widow. Crown 8vo, cloth, 3^. 6d. "A brilliant little tale. . . . Exhibits unborrowed ingenuity, plausibility, and fertility in surprises." Times, " Excellent fooling. From first to last the story is keenly and quietly amusing." Scotsman. By C. R. COLERIDGE. Amethyst. The Story of a Beauty. Crown 8vo, cloth, 3*. 6d. " Extremely amusing, interesting, and brightly written." Guardian. " Clever in its analysis, pleasant in its diction, and artistic in its presentment of certain aspects of fashionable humanity." National Observer. " We do not think that we have seen any work by this author stronger or more interesting. ' ' Speaker. By F. FRANKFORT MOORE. Two in the Bush and Others Elsewhere. Crown 8vo, cloth, 3^. 6d. New Edition. " Carry the reader on from page to page till criticism is forgotten in enjoyment." Daily Graphic. By "NUMQUAM." A Son of the Forge. By ROBERT BLATCIIFORD. New and Cheaper Edition. Crown 8vo, cloth, 3.5. 6d. " Nor Tolstoi nor Zola have written anything more vividly descriptive of the horror of war than the powerful realism of life in the trenches before Sebastopol, which will for ever render famous Mr. Robert Blatchford's story." Sliejfield Telegraph. " If not a genuine bit of autobiography, it has all the realism and verisimilitude of one. The plain truth of it, and the unaffected force and sincerity of its unadorned style and phraseology, are merits of no mean order." Scotsman. " A rattling good story. It is well and powerfully told, with an occasional flash of humour in situation and dialogue, and possesses a strong readable interest which inclines one to read straight on, having once commenced, until the book is finished." Literary World. " Not for many a day have we read descriptions so terse and yet so true. The story itself is simple, but decidedly fresh and novel and human." Bradjord Observer. POPULAR 35. 6d. NOVELS. By E. GERARD, Joint- Author of " Reata." The Voice of a Flower. Crown 8vo, cloth, $s. 6d. "A novel of which one can speak justly only in superlatives. It is as perfect in its beauty as the carnation about which we read so much in the story." Liverfool Mercury. "A fantastic but graceful romance. The mystic, legendary story of the Ronsecco carnation is skilfully wrought into the plot." -Speaker* "This romantic story, well and cleverly told, is singularly unlike the run of modern fiction." Manchester Courier. " Recounted with infinite pathos, grace of style, and delicacy of feeling." Daily Telegraph. "A charming story." Academy. By a New Author. 6,000 Tons of Gold. A Romance of Hard Cash. Crown 8vo, cloth, y. ft/. "The extremely clever author has worked out the disabilities of a billionaire even more artistically . . . has beaten Godwin out of the field with the skill with which he has devised his plot." Spectator. "The idea is ingenious and the development no less so." Morning Post. " Presents a deeply interesting study as well as an exciting story." Glasgow Herald. By ROMA WHITE. Punchinello's Romance. Crown 8vo, cloth, 3*. 6d. "\Ve give Roma White the warmest of welcomes into the world of fiction. . . . Admirably and irresistibly comic, without anything in the nature of force or even of apparent exaggeration, ready at the least moment to run into equally true pathos.." Graphic. " A charming little story- There are readers who like to be made to laugh and readers who like to be made to cry, and this book is calculated to meet both." Black and White. By FERGUS MACKENZIE. The Humours of Glenbruar. New Edition. Crown 8vo, cloth, price y. 6d. " He has the same command over the springs of laughter and tears that Barrie and Crockett and Ian Maclaren have, and this woik, which in its origin owes nothing to either, is fit in quality to rank with any of those noble names." Alornin? Leader. " Mr. Mackenzie must have gone directly to the hearts and homes of the Angu.- folk to be able to interpret so truthfully and touchingly their cares and sorrows as well as their humours. ' Scotsman. By JOHN CUNNINGHAM. Broomieburn : Border Sketches. Crown 8vo, buckram, gilt top, $s. 6i/. "Will prove delightful reading." Morning Post. "One of the least pretentious, but at the same time most quietly effective, books dealing with Scotch life of yesterday that have recently appeased." Spectator. "Contains old traits and memories that are. worthy preserving ; they have been gathered by a hand that has been guided by an observant eye and a sympathetic mind." Scotsman. viii FEB 1 2 1986 A 000 563 891 1