OF TIE 11 IN TIlE UNIVERSITY OF MICHIGAN BY HENRY S. FRIEZE, (UE-' ATOI- OF TItE MUSE1U M. ASN ARtB-OI, 5MII(1I.: PI'UBAISHIE1D BY THE UNIVERSITY. 87s6. *1i~UEI O R BH -SOI Entered according to Act of Congress, in ttle year 1876, by IIENRY S. FRIEZE, In the office of the Librarian of Congress, at Watsbhington.. CATALOGUE O F 11-11IE USEM OF ART AND HISTO IN T i-ll UNIVEI1SITY OF MICHIGAN. BY HENRY S. FRIEZE, CUiRATOR OF'T'HlE MLUSIEUM. ANN _ARBOI. MICH.: PUBLISHED BY THE UNIVERSITY. 1T7G. AYNN ARBOR PRINTING 2'iNi) PUBLISI-IING COM:PANY. INTRODUCTORY NOTICE AND LIST OF CONTRIBUTORS. The collection embraced in the University Museum of Art and History has been obtained chiefly by mleains of appropriations mlade in form-ler years by the Regents to this departInent. A large part, however, is clue to thle contributions of individuals, and of three college classes; those, namely, of 1-859, 1866C, and 1870; ind the most costly work it coltains, the marble statue of Nydia, was secured byS the enterprise of the Ann Arbor Ar t Association. Art Mluseum-s ml-ade up imostly of copies, such as the New Museum of Berlin, and that of the SyTldenhalllm Palace, are lamongst the mlost interesting cand instructiTve in the world; and it is to be regretted that their importancee, and thle conmparative cheapness of' the copies of w}hich they are composed, do not induce the friends of Cart who are interested in this University, to take more active measures and contribute mlore liberally for the increase of a collection so wxell begun, and,already so attractive and useful. Casts of statuary of the life size, even more perfect than copies in Imlable could be iiacde, and for all the purposes of art quite as valuable as the originals, can readclil be obtainecd at an average cost of 825. The entire collection of the Arundlel Society's publicationLs, consisting of copies in chromo of nuedilieval and modern paintings, and illustratingo completely the history of modern painting, can be purbchased for about $400. Equally inexpensive would be a collection of engravings and photographs, vwhich added to those already contained ini our museum, wTould present to the eye the whole history of architecture in all periods and of every style. The following is a list of the donations made to the Mluseum up to the present tlme in th eir historical order: By President A(ndrew D. 17White, of' Cornell University: The Horace White collection of,gems and portrait medal lions, copied in plaster by Eichler, of Berlin, nunmbering neagrly 1700; presenteci to the Musenln when President White was Professor of History in the University of Michigan. See Part IV, Section 1. By the Rogers Art Association: Rogers' Nydia. By President and Mrs. Tappan: Copies of the Sistine Madonna; Part I, 124; aind engravings; Part I, 119, 123, 125, a, b, c, d, e, f, g, 127, 128, 131, 134, 135, 141, 142. 4: INTRODUCTORY NOTICE. By Professor HI. S. Frieze: Tile Hours of the Day ncld Night,,attributed to Raphllael; Part I, 1'26, a, b, c, cl, e, f, g; h, i, ki, 1 ni; and the butsts of Isocrates and Cicero; Part II, 36, 44. By the Class of 1859: The group of Laocoon. By the Class of 1866: A coply oof Murillo's Madonna of tlhe Ilmaculate Conception. By the Class of 1870: A co:)py of HTouilon's statue of Franklin; placed on the Unitversit3 glrounl(is. By Randolph IRogers, Esq.: A col:)y of his " Ruth Gleaninlg." By the Ion. C. C. Trowbridge: A mnecdallion portrait in marble of Randolph Roo-elrs. By Professor MX. L. D'Oooe: A collection of phllotograplls illustrative of classical art and mantiquities, enml)race(l in numbers 48 (b), 68 (b), 75 (a), 76, 82, 89, 90, 93. 97, 98, 101, 102, 103, 113, 114, 115. 11;5 (b), 116. By Gov ernor John J. Bagley: A collection of American historical niedalions in silver an'd bronze. See Parlt IV, Section 2. The descriptive imantter in Parts I and II ]has been dcrivecl Ila rgelyi fion l)ooks of travel, lMuirray: Baledeker, alnd other guide book,s, Smitlh's Geograiphlical D)iction ary, and from Nagler, Liibke, anlc othler writers on art. CONTENTS OF THE CATALOGUE. PAPT I.-ENGCAVINGS,C PIIOTOGRAEIPHS, CHROMO-IAITHOGRAPHS, AN)D PAINTINGS. SE(CTION FIrmST. —T ienws inl Romlne al(l Italy, mostly archIitectural, 1-64'. SiE(-_CTION Sit ONDo-).-VTiews of' Atluhes, anlll of Architectural Remains in tllells andl Gree(t, 50-l)O3. SECION Titn 1 ).-PliotoOril)is of C lassicail Statues, 104-11(). SI(CTION F11o)Tlr. —C ())is of Mdi(lval atl Modern Paintidngs, 117-142. SE CTIION FIPiT:i. Ph iot/)r1apls 1of Modern Sculpture, 14.3-155. SI(c;T1riON Sixi T1.-i-11E1vin\-glls in the I-aills of the Alph)1a Nl Society, a II tlhe Society of the Litenary A(lelphi, 1,56-180. PART II.-SCULPITURE. SECtTION FPIaST.-r Statues. 1. Ai''iCent SCl'at tleS. (t. In the Ilnseuim, 1-17. b. In the A &lp1ha Niu Ill, 1S-24. tc. In the lMulsenum, 25-0. ). Inl the Aliphi Nu 1-all, 1-31. SECTrION SiECONT.I) -BUStS. 1. A'ncient, 3(-44. 2. llodvclni.,. In tle iMuseuim 15, 4G. 4 b. In the I-IIill of the I iterary Adel-phi, 47-54. Si(nT'ION Tll rm).-A-Tork s in R'elief 1. A:cin(, 5 5-57. 2. llodc(n,. 0. Ii the MT1eieumi, 58. b. In the IIills of the Societies,,59-I1. SlEcrrioN FoT r II:. Ter ra Cotta Statuettes,, (02-10,3. SECTION FIr.-Smiall Blists in Terr1 ( o(ttla, 1(04-142. PART III.- - ODELS AN-D ENG lRAVINC-S OF 0MISCE LILANEOUS ANTIQUEI 01JJITCTS. PAI'r IV.-GE lmS AND MIiDMALL;ONS. SICTION FIRST. The lorlctce T115ite Collectiol- of?cielit GCaes, caoocl of Anzcient, lfledliatrVol ott Molforh an1 PortriClit Iledaillioais. I.-Co)Inis o01 GETiS. ct. Egtl ticl!, I-' aa3. b. G(reek, ww'l(! RomCIN 1. Illustintive of iMAythology, 37-38. * The nnumerals refer to the nunmbers designating the illudividual objects. Each part colllenlces with a nea? series of numbsers. 6 CONTENTS OF THE CATALOGUE. 2. Illustrative of the Heroic Period, 369-427. 3. Illustrative of Greek and Roman History, 428-450. II. —MEDIuEVAL AND MODERN PORTRAIT M/[EDALLIONS. 1. By known Italian Artists, 451-709. 2. lMostly by unknown artists of the 16th and 17th centuries, 710-1033. 3. Popes and Sovereigns of Europe from the 15th century to thle present time, 1034-1213. 4. tIistorical characters of ancient, mnediicval and modern times, 1214-1493. 5. Portrait and Artistic Meldallions copied from works of Canova, Thorwallsen, alnd others, and from works ancient c ad modern in the great museumns, 1,505-1694. SECTION SECONI). DTip Governor Botgley Collection of A'mc'reicct,i Histo~riccl ielledls. I. —-BRONZ MED\IALS. 1. lArnm1y MIedails, 1695-1715. 2. Navy Miedals, 17-16-1734. 3. Miscellanlleous, 1;5-1 41. 4. Plresidential, 17402-17515. 5. Stte Medls, 1 75(-1 75. 6. Miscellaneous, 1759-1770. 7. Wasliimgtoon Mledals, 1771-1775. 1 1.-S I L MVE r / D A LS. 177(-)-1787. PART I. PAINTINGS, ENGRAVINGS, PHOTOGRAPHHS, AND CHROMO1-LITHOGRAPHS. SECTION FIRST. VIEWS IN ROMBE AND ITALY, OSTLY ARIICHITECTUR-AL. The engraved topographical and arlclitecturall views in this section were mace by the Iost clistinguishedl copperplate engravlers of Rome in the middle of' the last century. 1. A PANORAMI(c' VIEW OF RPocEn, embral cing also a portion of the Ccyrt2,c9I,.l or open coltly arounlll the city, and the Ailban ancl Saine mountains. This excellent work was designed acnd engraved by Giuse)ppe V asi, aiil eminellt (artist and copper-lplate elograver, who flourisliecl it Rolme in the mnidclle of the last, century. The specta tor is st'andclio onl Mtount.,Jo(icitWla,i, labout 160 feet above the level of the Tiier. The v'iewT is to the east. The greater par1t of the m1iodcern city lies before us, occup-yi mg the central p(ortion of the picture. It is built p)artlv upon the level ground between the Tiber aid thle lills of'incienrt 1Rome, andl pIrtlv on the western slopes of tlhese hills. This level grouncl w ias ca lledl in ancient times tile Gc(,.)ials 11cjo' ti1/s, and was not inclucledl iwithin thle wiills of 1republica'n RomI. rIlThe walils of mn-clelrn Rome, hlich corl'espl)oldl flr the most part with those 1)uilt a)pt tullr Enro l-\urelihl, in the thlilr(l ecltury, re, fioin 1t to 12 mliles in ctuilcit. A port tion of t1hem is seen in the ivicew e st)cre iis. It eoi)nem ees on the flartel(r 1)aik of' thle Tiber. oin our ri'ihtl,:l.cd crosses tfli ope-ii undulating' gr(und to t1he.':(te of' St.'Paul, idicatedl in thle en1gravilg 1by tile 11um-jlei 143, floll t llece it 1ru>s to the gate off St. Sebastialn, 140, where it pa isses out of view belmind thle Caelan hill, anti the basilica, of St. Jolht? Lctc'clo'it. It colies into view Ji, gaill in the distanlce at the')om tcia hll-ygiol e, 120, land stlretchles along the hill behindil thle )hasilica of St. Ji1accm MJt Jlffio,,c 101(). The wall is built of' brick ad stone, 50) eet hihtll oil the ex terior, 30 feet on the interior sidl, surniountedl t regular intervals bIh towers, mIlost of Awhichl are in ruinlls.'Thlle ibci enteors the cityT oli our left., and dividing it by a winiding Counre into two unequal. parts, issues into the C(/<,pa(at~,C on the right. Its mouth is about 16 miles below Iorome. 2 PcTMUSEUM OF ART AND HISTORY. The student can trace out the seven hills of ancient Rome by finding in the picture the following objects, as designated by their numbl ers: a little to the riglit of the cecnte, at thle suimllit of 1 lofty flight of stel)s, 102, is a conspicuous edifice, called the church of Sta. iJloriai of 1,rac Ctcli. This clurhcll stcands on the site of the temple of JoljitCe (Ccjpitolilos, tLad therefore gives us tlhe location of' the loI)ts CO-aitoli, 1ts, or Cot)itoli'ie hill. A little'to the left of this is seen the column of Trajaln, 100. T}lis stands at the foot of the Q0cctiincl hill. Still flrther to the left, anld nearer -the backgrounnd of the plicture, is the 0Quirinal patlace nlow the royal residence, 79.'ris occpies the suillm11lit of the Q0lril'i),l. Nearily in the line with the Clapitol, and in the backgrouncl is a chllrchl surmiounted b)y tXwo dormyes, acl a tower, 101. This is the blsilica of Sc/a. Jfc(i cl llJ[o/Jo', whliclh oecupies the higllest point of the lAsyqtlilic c hlill. Tlhe Lsqulili is thle nmost esteInsire of the sevenl hills, and is now nelrlya unilhtibited.'I-le (iolosseum1, 119, stands It tlle fot of the EIsqnuiline, to tlhe I'i lht of the (C il:pitol. The i lies 1)(tweel the l&sq(ililte Iand the Qc (il'tii,(t alll is not distinlguished(l by ciy conspiCIuous 1)0illi-10 visible in this lictur'. evyonld the ('.scl,1'O, 119,:clnd inealrly in lillC w ith it, is a clhurch with a sinle tovwer 1'1, called thle blsilict. of the.Zloly C.(0Ss, i;i f/"a Ml( I. Tlie uilbrol enii line of Iluil(liniis extenldini, fron this church to the edieice nmari e(d 123, il(licates the long hill calle(l tlhe Cctli.cc Tle lIc1(it'ii(e hill fills up ille crl Itlie lhe ti tre sltce lct.vween th1e C('/hi(/, and t lI ier. (1 ] e eX tsteril ex \tre llity of tl;e Avctntine rises ve.I'y ti ldrul)tly frion tlhe rN er, and is seen(l over thle hlslpit-il of St. it Iiicl], 1 T36. rhie ehlthtrles intl econvents altn l 1m37, d lu,;'S, 18-9(I, stan(l on the b1row oti thle Aventine. Tllie I-Pcdl-clti,(c l-ill is (a little to( thie left of' the Ai-vertiill, anlld is millirked t.y t,}e rtils Of tllue iluptil patilCe, 125. It is nearlc, encirlcld I-v tlhe othelr l ills. tlie clhurnel of St. Tlteodore, 1.26, on the site,i' the ancieit telill c' )of Vestt, is at tlle Awestern lase of tlie I'mllatinle. Tlhe low grouitlld I)ettw\nI the i\Veltine andl Pliatile was occupied e l) y the Cfit'cs C:/to,if. in A l'rge pa]rt of tle seve(iIo hills, iand of:' tle valleys betweev l tlheml is o110\ ulinilltablited: antl the lon1iit is dcevotetl to vinl(eyartls and gardein s. FI1rom the )atet of St. Paul, 143, issuts the r(oald to O.tia<, at thle irouth of the Tib)er. Fro1ll the gatte of St. Sebastianl 140, tlhe ancien t vica i plf ru ling across the C( imtpaona to the Altblln hills, is tracedt by m1 eans, of the luined tolmbs anicd monullnenllts, which are scattt ered ulpon eitheir side of the road for a tlistanicee of 10 imiles. The imost conspicuous of these is the tomb of Ctcilia c llc11cll 146, a nearer vioeI of which is presenlted ill photograp, l No. T56. The light colored line in the engraving, extending froom the PART FIRST-SECTION FIRST. 9 JI'ortc, ilfcayioae, 120, across the opten country on the right, is the CuCl/cni nc- A qf.ed.l,,ct, 1which is still kept in. a condition to conduilct iaTlter into the city by mean s of pipesO lali(l in its ancient chalnniel of inlasOtry. l lle (Clmdlian aq(ucduct( luilt 1by tile emplero(r Claudius, A. 1). r1, is one of thle nine gralet tlueduclets of ancient Rtomne. It wAtls 46 miles in lenlgtli and sucl terrmneal i with the excepltion of the last 10 mniles, where it NwNas thrown across the Callmp:lmlllta in 1 sel'ies of' noi)1e arches. Th'rere Vere to aiqueductS lonler tlhILn tile (Claulicll: tlie Aiio) No)ltIo, which wVas ()2 miles in len(thl, th cud tiln' I'i'.c, x licch wi:is 60. Only one (of the ancient aqluedueLt s the Allwi((c;, his entirely dis lippeared. T liec li'lli(a s onil the ri'llt Of thte btckgroulnd in the riange of the icr ijA1;'&), are the Alhban mountains. lThe highest suililit, _li2etc C'o.ro, is iabout 250() fi-et ablove the levxel of thell sea. rl'ese hills descend on the left to a vNlley, which separal tes tllem t0onI tihl e Sbine llOuntains. I'Te latter occupy tile renmiaider (tL the balck nround, nearly to tile extreme left. ()On the left, in the forl)round, e ihave St. PIeters, 3, and the VaticaLn, 9; land beyond tllelm JI,ii tc 1ct1rio,, a very high hill northliYst of the Tiler. T1mit lpart of nm-odern Romie whicl is situaLted on the west biank of thle lilber, extends frolrl St. Peters, 3, to the long row of l),iiuillind s on our rig -lt called St. Michael's host)ital, 136. Only ca p)n:rt of this ground wvias included in ancient Rome; that, nliitelyl w: ch extends froill- our ploint of view to the rivel 1)el)ow St. Aiic'lil's lhospitl. Triis is tile quarter now inchablited by tlhose who cl.cini to I)e the, enuile descendants of' tite acliet ilt Rolan s. It is c'illie(T the i7'ti-cee1(Ic. The p)lincipal entirice to I-orenl on tiie nort!l is the Poreta dlc/ I-(oplol, 42, on our left, and l)ceond the Ti)ier. Froim this still further to thei left, (1 line oiL'builldns marks tile course of thlie Lncient i,, Fla,;'Li(i, Whillit'x h cIl osses tile Til)er by the ),/te i/,(oll(i, or TTullvian bridcge, seeii in the dlistance. Pronm the simLile ilate, 42 exteds thlle great street of nllo l1in tonme, called the Co?'0o, iin a straig ht line to the Capitol, 103. It is a(bout olie liiil, iin len' th, andc c n be tracedl lby the front of buildings on a line runningi nec ar 4;, 75 7(. T1iAle lancienlt IFl'c ) lies inl the re ar of the Caplitol, between 0?3.|ld 17. Thle lc;t/icca is the pile of builcdings )eyond St. Peter's, nilullered 9, 10, 1, 12. It coCers an area of 1151 feet long, and?he7 owicde. it contintlils 20 lcourts and 4422 apllrtilents-. Three of tIhe most becautiful of the latter are exhibited in photoglrl:phs To,. a( 1cld i1 Inll nl er-lYrivnd No. ii. $t. Peters is approatchel ))by the bridge tindl castle of St. Angelo(, 2, 29, through tlhe atvenue 2!), 21, 22, 15, ldc thle circular arLe:t, in front of the churlcih. The objects in thli pa-ictlralic view aIe very fully indicated by the list of naimes unIlernlleth it. C'lic.('s means church; 2 10 MUSEUM OF ART AND HISTORY. casilica, when said of an ancient building, _a hacll of e j',s'tice; when appliedl to modern buildings, a chL ctch bI)ailt ott the( p)tit nof the.alCLCiLt Ia/silSica;,c1,(L)tzzo, 1 palaLce; )(i-/zat, opj)eaU )2itilic s8itcOl e or place; rovie, ruins; poitta, gate; teatro, theatre; tepiLao, teniple;'ole), mill;, Os'iio, hospital. NOTE. —T1is palnoramic view of Roine hats beenl copieed for tlhe Universitv on a large scale, ill water c(olors, b Mi. Whlleeler, of I-lartford, (onn., andl cn l e seen in roo1 E, Ulniversity IHall. 2. THEl CoiUvIN oF Tn tJtxN; erected, Its the inscription s ts, s )y the Senate and Rtlll an people, to the Einl)eioi (atesar NCrv' t i'tlajan Augstustis Germanicus Dacicus, Son of the cleified Nerva,a Pontifex MAaximyllus, investeti) withl the tril)unicial powver the 17th time, Imperlator thle Gth time, Consul the Gth time, Fi ther of' 1his Country; to show of' ii aitt l) ei0lit (wxrals) the hill, anid (how g1ret) the space, (whicih vI) needed cifor so great wo rks.' I'he sixtlh consulship of T' ajan waI in A. D. 114. The O'vreat xworks alludedl to are those of the forum ofi Tr ajaiin, in whlic tliis column standcls, (see pa1nolntlm, l(0,):tln(d the hill is the (Oao''i'LcL1, the southerl n extremity of whicl wa\ts idug away to L p)oiint ATwhere it was 132 Ileoman, or 1272 Engl ishl feet high, xvwhicl is just thle heiglit of tlhe columt n. This exclavation of tle I-ill wtls nltL(le in or(ler to secure rooni for the buildings of tlo'l 1fitlrU~. n'I l(u C(ollllln itsell' AT(Is intended to commninemttorate the victor ites of r'l iji otvel thle I) ecians, in A.D. 1t01 and 104. It ivlxs i(!esigned 1,y thie Gr( eel ciitect, Apollolorus, in a Iixecd stl; the )ltse andl cp]ital bein' T usctl tle sllhat Doric, andllcl the niotildings of' thle i)edestal Corinthianl. t is the best pro0portione([ dtl the mnost l, eautifully sctulpturled of all 11nuimen1t:l] columins. Tie foruti o l'T i'c ji t lies I)uried 15 feet undtler the streets ndl buildinLts to' the modernl l iti, Aith the excepition ot:' the spaice inilmed]i'IteI L arout nd the Coltumn, and aC portion of tile basilicht, wnllici have been exca titted, aintl are exhliibited in thle photo (lapillic view, No. 37. 1he colutnn is of matrbleIae, d xw isiS oligi'illvll stuir i()lllttd tly a bironZe st atuet of thle emperori as repriesntied in tlis e init:iLinL. The fiuone of the eilL)tor m ii has been Sul)tiit)late, Il\vex rC in io()lern times, by thait o0' S t. Peter, as seen in tile 1 htiot )ra1 plO.' lie columnl is colpt-)osed otf 34 pieecs oLt' xwlite mi ilhlil 9 (i, o hivCib loe tilue base, 2o the slhf't, andc tlhe relillilil( t vo thle torus atl capil)itol. rThe h)ats-relicls oti th(e sturfi ice rel) settthe cttIi aio)t'IiS ol iTrajani againtst the I),Ici:tns. The titurts iI tl1e lo twer pua-t (Ire twxo feet h1ig1h, a(iind itcieSe'ratluall N iI size tox.:imtrds tlet top, where they are 4 ieet. They aCre 250) inl Iiumberl. T11he heilght of tlhe shaft is 971- Eng lish feet, ianl its diamlleter is tirom 11 to 12 feet. It is asc clecl in the interior by 1184 stelps. 3. TlIis CoirUIN ()1o MAinCUS AURmI IUS, soimetimes elTomieously called the coliumn of Antoninus. It standt s in the piat;zCa Coloe1La, (S(te p1n11O1ii]:i, t 5,) aNI(ICre iin ancient timlles i nIunI er of public buildilngs vere erectedl in connection with the coltumin in honor of the Emperor Marcus Aurelius, in A. 1). 174, to PART FIRIST —SEICION FIl ST. It colnlommemlorcate his victories over the ilMar'colnan ni. Pope Sixtus V, ns the inscrip)tion says, purified this colunIlln fion. llheatlhlel impiety. Tlhe height of the column, includingl the bl)ise, is 122 feet S inches; the diaclleter 11' feet. The shiaft is colmposed of 28 pieces of white marble. The statue of St. Paul on the sumrnit, iiwhich has been substitutc(l ior thait of the el)mperor, is 10 feet hilh. The interior is asenlle Ied y a flight of 190 steps. The col-1umn1 is re'lard(led is'ni ii'inferior i Lita tion of that of Trajan. T'he eng,ravings of' iothl columns are by Pir lnesi, (1707-1778), whose architectural viewvs 1're celelbrated. 4. T-iii FonuTI, looking soutlhle:lst, with the (lllipagna, the Aqueducts, and thle Alban ]hills, in thle dist ance dlrawn and engrave(l by Vasi. 1Alany of the names given at tle lfoot of this and the other encllravings have leen prloved to l)e erroneous, anld havre been ch.angecl for others, usince these engravings were mai de. The ilumost ilnllortiant olj(ects are the followvinl: 2. The triumphil l arch of Septimius Severus, (A. 1). 205;) 4. T'enple of Antoninus land Fiustina, (A. D. 150;) 5. Teniple of temus; 8. (olosseuI or Fllvi l Ampithelte,(A. 1). 80;) 9. Basilical of Constantinle; I. Ruins of the baPths of Titus; 28. Arch of Constantice; 31. 1Ruins of the pal4le ofl thle C(cesars on the Paladtine hill; 8;2. Thiree columns of the temple of (Casto'and Pollux; 384. T'I'mple of Saturn. Withlin the presenlt century and since these enlgravings werte ulsliled, manmy excavations have been made in thei Forumi, on the Ptlaitine, and elsew\Nhere in onie, anld Imull of thie rude ilasoll' of tlle imidcdlce ages hla s l)een ilelnoved flrol tille ancient builClings, as uvill be seen by comiparinio the phlotogr:,l vic view.s with tile en rav ilisS 5. A Mloe linhite(l iew of the Ioi-ul, fronIlo tle foot of the Capitoline hill. DI)Lwn anL eiigraled by Volpato (1730-lSO3), who is higlhly prabised i)v Gcite. 6. Tl'Ir Alt(in OF Spr'TIMIrTS, fronl- the east; one' of the ascents, 4, to the Ca pitol, in thle leari of thle (atichl, an-(l on the left, the'arttlenieit, 5, aLnd a portiom of tlme wvill, of' the pal1ace of thle Senatol. This view is c()oi)lprellel ded in phliotograpi No. 26, whicl shlows that a large ) art of tlhe rubbish m:t(1 aceumulated soil havle 1now been ren-vel.'l'The mlounld of earth on the left was dug aLway )y the soltliers of Ni-apoleon, and the three columlns of the templle of Vespin aini were thus brought to view. Drawn a1nid enrgra'ved )v Pi nl1esi. 7. A nearer view of the;B)ASIIICA ()F Co(NSTANTFINl', seen ii. pictures 4 and 5, at a dlistance. Tlls imassivTe ruin w'iVs fornlerlv called the Teluiple of' Peace. T[he spaLce in front bhus been recently excavated, and the ground 1)lin of thle edlifice hacs tllus been brought to light. See phiotograph No. 29. The three arches before us formed one side of the building; the corresponding side has disappeared. On thle ruinecd piers stoodl coluinns over 60 feet highl. Length 320 feet; width 235 teet. The arches are 80 feet wide. The walls are of brick. Drawn 12 lMUSIlEUMiT 0OF AlIT AND IIISTORY. l)y Pltnini, t disLingnuished a:icl(fti(,tunral painter (1691-1758), Land en(liv e( by Volp)to. 8.. I[ thlis viw wve hl:Lveo thle i'oii o I Titus in the distLance to tile west, the tc(mnple of' Vrelus anld Ro ino on tih-e right, 7, on the extreil-e r ight: pairt of thle wail of tlhe Colosseiullm 9, and on thle left, thie aclh of Cmolltmlltille,, anl estend ino i'om it to the arch of' Titus, the P'alltine h:ill. Fo(1 the present aippeliLr-:lnce of the airehes of Constatile aln (l l itus, see 1)phoLo(tor:Itls Nos. 32, o3, in 3A Dr ) 1 (I 1ai li, ni( cii(aved by V ol)(to. 9. Tr fIC,OLOss lo S Mi t:lkIen fironi tlhe Ilorth Awest. Drlawn a:ll engrved by Piraes ls cen i presents tliait i)po tioln whichl is ill tle lni-ost pLrl ect lpresecrvation. o Since thlis drawini' wais adle, lllssi,habutllnenlts have b eell elrected by the palpal g)overnnlelnt to plrevet the wvalls illing, where tlhey had been weakened by thle reloxvrl of' iilterials. Tlhese:hutilents are exhibited in No. it). IThie c ntrnce reserved fo tile E1nmperoir was the acl i m carkedl D. 10. A photoraplllic view froin a p ioint aliout II:alf opposite tlhe foregoinL, exlibiting fthe most ruinous portion as xwell tis tlle repairs reerred to il No. 9, nl clispllaying, also, nlore dlistinctly the interior structure. Tis ininimense almphitheatre, desionecl n-)'ti ui lrly for (l1adiAto)rii colnibats, was foulltde(i by Ve spsiall, A. O. 72. and finished by his son Titus, A. D. 80. It wais used for glidliatoriaml shows neirly 500 years. In the mlilddle (ages it served as a. fortress, and then for nearly two centuries it supplied the IRollnan princes with nimaterials for their palaces, three oi' which. the palace of St. Mark, the IBarberini. and IFairnese pm:lices, were entirely Iuilt fionm its ruins. In 17)50 tile obuilding was consecrated to the mneilory of the christian nlartyrs who ihad pelished in it. The Freonch clearecl the 1!orti(oes, amd iremovedl the runbhish fiorn the arena, luring the oascendancy of Napoleon. During the last towo yeanrs extensive excavations have bheen in(adee in the interior. The -four stories into iwhich the extenerll Awall is dividedcl, re of the Doric, lonic and Corinthianl orders; the foiurthi being adorned with Corinthiain p)ilasters. T he height is 157 feet. The looger exterior edimnleter, 620 feet; the shorter, 513 feet. The arenal is 287 feet long, andl 180 feet xxwidce. The whole a'rea covered by the luillding anld the arena is abolt 6 acres. There were four tiers of' seats, orresponl(ing to the ioun' stories of the external rwaoll. The RleaionLaries state that tlhe amnpblitheatre would contain 87,000 spectators. The principaml inalteriil is travertin stoie, thougnh brick and tnfal are used exteinsiTecly in the interior. The small conicll ruin in front of the Colosseciml is called the llJfet, S'(dct1s. It iTas a foiuntain applenlCce to the Anlphlitheate( ffor thle use of the gladiators. It is seen also in photograph No. 30. NToTE.-Thle student mav obtain ai1 idea of the nlieasuroients which are indlicated hiere ani( in othler plarts of the catalogue.)y fig PART FIRST —SECTION FIRST. 13 tres. if lhe will adopt soime familifar ol-ject as a stalllard. For exanmple the winos of UjniversitTy allli ar e each 40 feet h igh, 110 lono, an1( 40 deep. The Colosseum, therefoile, is ablout eqluabl in hieigt to fouri sllch baildlinos. 11. TI-in SIXTINE 01 SISTINE C(ITAPT, in the Vtticanl; built by Pope Sixtus IV, in 1473; oplened for the celebration of hig-b nrnmass on grea:t occasions. It is 135 feet long, andcl 45 feet widle. Tihe fr esco 10 iiiitings on the side walls are by eminent aitists, cnd illustr Lte the Old0 andc New Tcstlinellts. The roof' an- thle end of the echapel were p>aixnted by Michel Anldelo. His celebiratel iicture of thie Lc(Gt,1 fTcl,(1lyct occupies tle whlole wavll at tile end of thle chlipel in the distance. It is 60 feet hligh and 30 feet wide. Drawvn by PIlnini engorlv7ed byT!;u'baazza. 12. TiE TEiiPIT OF' NEllTUNIE. son1etinies called tile temple of' Marclus AureliLus. Drmwn a1id en cravedl Iby Piranesi. The columls are partially buried in the masonry of' the lodern structure, wn hich serves as the IRomal n custollm hlouse, 01 Dojocc,(l. Thlle columns were originally 15 il nulmber, and foirmed in open portico. Thlley were walled in by Innocent XII, 1700. IHeiliht 421 feet; cliameter, 4'. 13. The P-reat Hall, or Cella Calidcaria of the, TIATHS OF DIOCLmTIAN, (built aibout A..;300) tlranslforned by Michel Angelo into a, cthurch. The I)resenlt lpavenimelt is S feet above the (ancientt. The larches are now7 84 feet high. Drawn and engravTel by Pirlanesi. 14. The interior of the basilica or imetropolitan church, of ST. JOHN LATRAn N. Drawin by Pninii, engraved cl y Barbaizza. The view is through the principall nivne towardcs the high altar and tribune. There are also four lateril aisles, nearly concealed from view 1)by the intervening walls inicl pilasters. In the niches are colossal statues of the twelve Apostles. 15. The RPA-GRtANDEo alnd HIospital of St. Michel, situnted on the right baLnk of' the Tiber, wh ere it issues fiomn the city. Drawn by Panini, engraved c )y Va7si. Figure 11, in the river, indicates the position of the ancient Poms S'dZvic/i(tsc. 16. I\oTNrT CAAVAr,eTO: an open area on the sumrlmlit of the Quirinal, in front of the Quirinal palace, now the residence of the king, which is the edifice on the left. On the opposite side (3) is the palace of the sacred council. The street becfore us, passing throuolh ti-e gate called the APortca, P ia, in the dista ncc, runs along the sumniuit of the Quirinal, and corresponds very nearly to the ancient clta se,;tac. The colossal statues are tlhose of Castor 1aid Pollux, foundl in the baths of' C(onstantine, Iand placed here in the last century by Pius VI. TheyT -re undoubltecly fronm Greek originals. The view is englraved from IPanini lby Ma.lngini. 17. A )phototoralphic view of the end of the street, seen in plate 1C), a1ndi of tlme PORTA PIA, or Ga.te of Pius, as improved and finishled by the present Pope, PiUs IX. 14 MUSEUM OF ARIIT AND HISTOR1Y. 18, 19, 20, 21, 22. Views of the exterior iand( interior of the PANTHE()N. Drawn alnd engraved )by Piranesi; and aidmnirlable specinmens of his skill. This celebrated tlrchitectural monument, now consecratedl to the Roman Catholic religion under the namle of St. M111 y Iotoilc,, was originailly connected with the baths of Agrippla. In B. C. 27, it wais dedicatted by Agrippa to the worship of all the gods. It was set apairt to the christiVOl'rship b)etween the ye'ars 608 and 610, by Pope Bloni-flcee IV. Th'e two bell towers wllich dlisfigure the roof iwere l)pt up under Urban VIII, two hundred yeCars afgo. In the first three plates 18, 19, 20, we have the exterior of the building, and the exterior and interior of the portico. Four of the original five steps are buried beneatlh the modern street. The portico is 110 -feet long and 44 deep, supported by 16 Corinthian columss. The shafts of the columns are monolitlhs of red granite, with marble capitals and bases. The height of the columnms, including base and capital, is 462i feet, and the diamleter 5 feet. Tie portico is faced with white marble. The walls of the rotundla are of brick, resting on a foundation of travertin, anld were once coveredl with stucco. They are 20 feet in thicklness. The door frame, lland door, as well as the grating above, are of bronze. The opening for the door and grating is 39 feet high by 19 feet wide. See:llso photograpllh No. 44. The other two plates, 21, 22, present the interior of the telnple. The height of the rotunda fr(ol the pavement to the skylight is 145 feet, an(l its interior diaimeter is exactly equal. to its l-eight. The sky-light is 28 feet in diamimeter. lThe open area of the rotunda is surrounded by eighlt comlpartmlents, one of which serves as the entrance, thle opposite one as the tribune, or place of thle ]igh altar, and the remaining six as chalpels. Thle walls aLnd niches are partly covered with nionunmental inscriptions; amlong the rest, one to the rmemnory of Raphael, wvlho was entomllbecl here, in 1537. The fluted Corinthian columnms, two of whlicie adorn ealch of the niches, are partly of yellomw mimarble, and partly of colored paonazetto, meIasurin1g< 28 feet in height, and 38 feet in dcianeter. The views 21 and 22, are tBken friom opposite sides of the temiple. The niches and the spaces between the niches were once richly adorned Jwithl statues. Abl-ovTe the niches and altLrs runs a marble cornice, covered with fille sculpture perfectly preserved, anld supporting an attic, with niches and a second cornice. Froml this rises the dome, finished with converiing panels. The only light admitted into the interior is througl l the opening in the centre of the dome. A large part of the bronze was stripped from the roof in A. D. 657 by the emperor Constans II. Urban VIII, 1627, took the renmainder to cast into ipillars for the canopy over the high altar in St. Peter's, and also into cannon for the castle of St. Angelo. The amiount taken avway by Urban on this occasion was 450,250 pounds; a PART FIRST —SECTION FIRST. 15 fact which may give us some idea of the original magnificence of the Pantheon. 23. THmE MODEIRN CAPIrror; from the west side. The flight of steps from tlhe west leads up to the ancient lrLtesontoila), on which the buildings before us are erected. In fiont, surmlountecl by a high tower, is the Pualace of' the Scinatoi; on the right the Coanscrvctorly; on the left the'capitolile j1fuse'm. In the centre of the rectangular space in front of these edifices stands the bronze statue of M~iac'(:u;s Arzclieus. See No. 24. These buildings, and the plan and decorations of the area, were designed by Michel Angelo. 24. The heroic equestrian statue of tthe EMAIPEROR MARCUS AuRtlJrIus; the most perfect work of its kind which has been preserved froml ancient tines. 25. A view, taken friom the street which deecends fromn the Capitol, to the ancient forum along the south side of the Palace of the Senator. See No. 23. The 8 Ionic colurmrns on our right formed the portico of the TEMPLn C oF SATURN. They are of glranite with nmarble capitols, 43 feet high. The three Corinthian columns of marble on the left belonged to the small te,mllple of Vespa'tsican, built at the foot of the Capitol. Beyond, is the plat-forin of lmalsonry on which stood the te,22ple of Concord. In the centre of the view is the atrch of Sept'iiu.s Se;er'1118s, A. D. 205. The church with the dome in the back ground is that of S. JMacrotioal-a, built on the site of the telml-~e of Mars. The building partly concealed by the temple of NVespasian, an(l to the left of the clhurch of S. MIartina, stlnds over the Acllt,'mertile J5'is?:o, lnd is called the C/utcr/h of tt. J St Josp:h. The pJl1lin buildingS, half concealed by the arch of Septilnius Severus, is tlhe (/h00lc h of St. Adl'ian, on the site of the ba(silic6- of l'clvloz~s l olemifitS, tInIl constructeCd )rItly of its walls. The mass of nlalsonrry seen between the teinple of S lturn and the arch of Septinmius is the extreinity of the o/ost,'a, or ancient trilhunal, which stood at the northwest end of the forumn. The open spaee seen throunh the columnn on the rihllt, co rresponds very nearly to the (tc(aZt Jf)lll) which has leent exl)osedl to viewv by recent excavations. 26. TMI: FO()UtUM AND CA'ITOLr; froml the east. On the extreme ri(glt is the t(oln-le (f Ail,ton)itulus (nd (Fil a, sLtin(e, see No. 27; on tle left of the centre are the 8 coltimnl.S of the temple of Sattuln, and the 3 of the temple of Vespasian, alnd the single column-n of'Phoc s; on1 the righllt of the centre, the arch of Sel,timiuts. All of these objects are seen in No. 25 fromn the windinog street, which ascendls the hill on the right, in the distance. The inlassive base of the Capitol is of the ancient republican period, andl was the Tl(abdealle',, n or state archives. 27. The tenmple erected by the Roman senate in memory of the EImpn)eror ANTONIUS nllld his wife FAUSTINA, about A. D. 1)50. It is surmounted by a modern structure, and is consecrated as the chuLrch oj' St. Lorienzo. The columns are mono 16 MUSEUM OF ART AND HISTORY. liths" of cilolloiao marble, about 46 feet in height, with bases,,and ct pitols of Parian marbIle. The wv'alls are of the stone c ale(l J)etc',i )o. rThe temple was approached lby a fliilnht of 20,Ste)ps, which are far beneath the present )aveient Th'le frieze anld cornice are finely sculptured with griffiins, vases, 1-1(1d calndelabra. Tho donle in the (listance is thait of the C/'110ch of' St(,. iflo'l t'io(-. 28. Three columns, once supposed to have belonhged to THE TEAMPLE 01' MINRllVA ( THAiCIDICA; but now klnown to llave been part of the temple of Castor. Tlie bul)illil- to hlqiicl they belonged was very extensive, anld wa1s surrunded )by forty coluiiins such as the thiee here left st:rndin. Architeets regard the colunmns as the,ni,ost )ic(of'ct 1,odeltS ( the (e oii thbio:a,,I oi'd'Gc'. Trlhey are 47f, feet high, 4 feet 9 in-chlles in diaeter, mCI lld ave flutinlls about 9 inches acrosS. On the left is he Ic t'n11jle (0 AaItooiel, coacl Pcd _cswtoiuaz; ill tle backl(round tle bisidica of Constbantinle. See No. 29. Tllhelow Circular luildling, nIe1rly elhind the three coluLmns is the tcmipile of hAoilio,'. 29. Ti-IIun,BSIlHICA oF CONSTANTINEas; as1 it now'ppears since the, debris haive been remloved.l On t-le ruined piers in front rested column-s over 60 feet high, supllorlting a vllted(l root, such:as is seen in No. 13. For a furthler laccount (oif this baslica see No. 7. The hill whicli isies fi'om th e rit ht ii f the rui I; surmiounted by the church of Ste1. JLoia, aiI tlfiiori C in the listalce, is tile Iiciltivc. 0. A dlistlant view of'rHi-i T::arall o)F V nsND R)onl R,>,; ldesilned anid buil' 1y the 1hEm])erol f-Hdri:i, albout A. I 1 -3(). it was one(, of' tle mnost s)lcldcli edifices in inpllerial Rodlle. It yvwas suirrounl ded by 1)a: ieristyle of i na-erlv 2':)0 colu2lins. \Ve are stanldino, in this view, by tile sie of the Coloisselll. Awlicli is o~n our rihdlt. Tile broken an'd iisinr gr'oundll in ront; oif the ruins, is xiwhat reiiiauins of the doulable fligCht of stelps, wlhicih formaled the ascent to the f'iOnt portico of the tellple. Bctween it ancl tole Colosseunm, on ourI righ't, stood the colo]ssal1 staitue of Nero, froni whicll thle'" Colosseuni " talkes its nalme. I1n the dist-lce, on thle left, is the Lrch ofi Titus, llc beyonicl it tle (iCapitol. D)iectly befoie us is the diaet6i, -i,, lh., or ruins of tle founntain connecteci with thie Colosseum. 31. haIle valulted triibune of TIE, Tlirm rla I)oa Vi- Tis AIND ItoAnr,:; as seen fromi the pliatforiml, andll witilln the lilits once enclosed by its rwalls. Directly in the relar of the vaulted arch was anotlier sinila r arch, fronting in the opposite direction nicld terminll iltinox the other half of the double temple. Uncer tlhese vaults stood the statues of Venus ainid Rome. Thle wI hole )buildlino was 360 feet loing and 175 feet wide. 32 A neari view of THzE TRIUMPHAL ARCII )F TOIrTUS; seen in Lunllers 30 ndcl 31, at a dlistance. It stands at the highlest point of the Vil(a Sacral. It iS the imost elegatut oa' all e the liulai-i)hpll arches in Rome, and particularly intercestingl as a meinorial of the capture of Jerusaleln. It was erected, as th!e in PART FIRST-SECTION FIRST. 17 scriltion shows, by a decree of the Senate and Romran people, in honor of Titus, and the term' "Divo" proves that the work was not completed till some time after his death, which occurred A. D. 81; eleven years after the fitall of Jerusalem. On it we observe the earliest existing columns of the composite or PRomian order. 33. One side of THE INTlERIOR0 OF THE A}RcR OF TITUS. The lb8sreliejs before us represent a part of the triumphal procession bearing the sjpoils of the terluplle of Jertusaclemi. It contains the only representation of these objects which has been preserved from ancient times. AVe see here the golden table, the.ilver tbrutIlpet, and the,seven lr')azched cu,.c llestic/ of gold, which was lost in the river Tiber in the battle of Constantine with Matxentius, near the Milvian bridge. 34. The TRIUMPHAL ARCH OF CONSTANTINE; taken from the north. It stands on the Triunlphal Way, lTia Tritml9Chalcis, between the Palatine and Caelian hills. As it exhibits a degree of excellence in art superior to the age of Constantine, (A. D. 326,) many critics believe that with the exception of somne of the bcas-re ieJB it was built by Constantine with materials taken from a, triumlphal arch of Trlajan. The bcs-reliefs in the circular medallions' for exanmple, are much superior to the fiat and rudely finished figures round the middle of the arch. The sunbjects also of mnany of the bcus-rlelics prove them to be from somlle monumlent erectecl in honor of Trajan. The four square reliefs on the attic represent: 1. The triumphal entrance of TrIi; an into Rome; 2. The Emileror raising a recumbent figure, in allegoricial allusion to the repairs malade by him on the Appiin WNay; 3. His supplying the people with provisions; 4. The emperor on a chair of State, while Parthanmasiris, king of Armenia. is brought before him. The works of Constantine are:mulch inferior to these. The sculptured fiieze around the middle of the arch relates to the life of Constantine. The figures of faliie over the arch, the bucs'-8rel'iejf of the piers, and the victories on the pedlestals of the Columns, also belong to the agoe of Constantine; they show how much art hacl already degenerlated two hundred years after the reign of Trajan. 35. THE aneR OF T-HE T SIIVEMSMITi-S; erectedl about A. D. 212 by the silversmiths in honor of Septinlius Severus and his soils C(airacalla and Geta. It is styled an arch rather from its use than its form. It stands near the J(,aut1,s Qal(Cri'firo'8ns, (see No. 48,) and marks the site of the b'trui/a Boarictl, or cattle mlarket. 36. The two Corinthian columns before us, half buried undler the modcern pavement, forniedl part of the portico of a TEM11ILI ()OF I' IN1ERVA, the ruined pledilment of which, adorned with a statue of the goddcless, still surmounts the columns. This temple was probably built by the Emperor Nerva, in the public square openecl by lini, and calledl the FoRuMr TRANSITOiruar. It elates froll about A. D. 96. 3 18 MUSEUM OF ART AND HISTORY. 37. The part of THEiJ: FORUM oi' TRAJAN which has been excavated around the colulmn (see No. 2,) exposing the fragments of broken columns of granite which belonged to the basilica. The space before us is but a small part of the Forum of Trajan, which extended under the modern buildings on every side. These columns were originally 55 feet high. 38. The ruins of a temple, and a lpart of the massive walls in'Ioruh Fonuai o0l AUGUSTUS, erected at. the beginning of the Christian era. The columns are 54 feet high, and formed part of the peristyle of the tetple ofJ lar' Ultor'. 39. Powrri MA(Gi OTlO; or Greater Gate. This is the finest gaite of Rome. It is torimed of two arclles pertaining to the aqueduct built b)y the Emperor Claudius, about A. D. 50. Across the top of it are still remiaining the channels of two aqueducts, called Aquaa Claudia ancld ilqa \orma. One of the origincal arches is entirely, and the other partially closed. Throu3dh the latter passes the road which exten(ls to Pra.eeneste, or P-Jlestrina. 40. A side view of the Pot'rA MXC~GIOcmoalc. 41. TI-rs TEAIPLE ()cI FOlRTITNA ATIRILIS; or01 elle's Fortunle. This is near the Ponte Rotto. It is now a ch/roch tof the Airiieian Ct, tholics.. It is the more interestingl as being one of the few lbuildin s ol' tt he Ionic 0oller preserved from ancient Rome, tind ats pertail lt t( thle rel.)ltlicin period. Nearly all the archilecturtrl relics.exlii ited iii these views are of tllhe ilmperial times, andcl ol the (o0rinti-iian olrder. The tclilil)e i)efore us, so perfect ii its proportions, aid so pure in its style, stands on the site olf one erected by Servius Tunllius tihe 6th king. Tle materi:l is tr,we til, and volca oic ttfit.. The colu(' ns which are 28 feet high, are partly willed up. 42. Ti jAPI,E 1 o1 VESTA, or, more probally, of Jlte'r Jlatata; from the east. This eleallnt specimen of thle circulalr teml)le was formerlyv consecrat ed as a church lunder thle nime ol' St. Stephenr,'s; but more recently, of S'c1,t, al a ria del Sole. A roof of tiles hais been built over the ruin to save it fi'rom further dcecay.'lniere is noine of tle attic (see No. 55,) rema.inin. Of the 20 C1orinthiian columns which foiraed its peristyle, only one is missinl). The Temple is of Paria n marble. Tile dialmeter of the cella is 26 feet. Heigilt of the c lulllns o32 feet, diameter 3. No relic of anciellt I',omne -ihas been miore ladmired. It stands -lear the left bank of the Tiber, and a dlistant view of it from the west is presented in the next picture, No. 43. 43. -A view t -ken from the Porute Rotto (broken bridge,) comprising a small lportion of the river Tiber, and the ancient sewer called the Cloaca ila:ti,.''lThe photograph is designed especially to show the concelntric areches of mlassive stone work in this sewer, which was constructed in the timue of the elder Tarquin, 2450 years ago, for the purpose of draining the low grounds of the city. This massive work is a lasting meinorial of the solidity of the early Roman architectulre. It is PART FIRST-SECTION FIRST. 19 still as firmn as when its foundations were laid. The stones are of the kind called pepelrino; put together like all the primitive Italian imasonry, without cement. The archway where it enters the Tiber is 12 feet high, but the surface of the river is rarely more than four feet below the key stone. The view includes also the teletlc of Vesta fronm the west. (See No. 42.) 44. THE PANTHEON, as it now appears. (See No. 18-22 for a detailed description.) 45. TuI, IHOUSE OI RIENZI, or, cla cdi Rienrzo,, last of the Tribunes; situated near the telmple of For'tlc, Tuieilis. Popular tradition is the only authority for designating this singular edifice.as the house of Rienzi. rThe style of the building and its decorations indicate a much earlier period; but it is not improbable that it was occupied by the last of the Tribunes (1347). 46. THE FOUNTAIN OF TREVI, Fomtcataa dci T'levi. This is the largest and finest of the imany tountains in Rome. It was finished in the tirme of Clement XIII, A. D. 1758-1769.. The buildling in the rear is the iimmense paclace of Coltri, built in 1735. The water descends froim a imass of artificial crags into a large basin of white marble. A colossal statue of TYeptualne drawn in a chariot by sea horses, and attended by Titlons, adorns the fountain. The 4 columns and 6 pilasters on the palace are of travertin and of the Corinthian order. 47. FOUNTAIN OF THUE TRITON; FontaenaC cdel Tritolne; in the Piazza Boarlberimi. The Barberini palace is the large edifice on the right. The fountain was designed by Bernini of the 17th century, and represents a Triton rising from a shell, supported by four dolphins, and blowing a jet of' water fiorn a conch. 48. (a.) THE ARcH OF1 JANUS, or J(aOS Qaclrf';o'ifo?,S; in the VellabroM,l near the arch of the Silversrmiths. (See 35.) It was built over the junction of two streets, and served as a sort of merchants' exchange. It belongs to the imperial age, probably the tine of Septimius Severus, and consists in part of the spoils of earl.y buildings. Each front is 54 feet long. The niches were for statues. A fortress was once built upon it. 49. (b.) TE BRIDGE oF CAALTGUTA; recently brought to light by the excavations on the Palatine hill. 50. One of the most beautiful halls of the'Vatican, called the BRnccro Nuovo, or New Wing. Built byT Pitus VII in 1817. Length nearly 230 feet. It contains over 40 statues, and about 80 busts. The floor is paved witli nmarkble and ancient nios'aics. All the columns are taken foll-l ancient l)uildings. The first two columns on the riolt are froln the tomb of Cecilia MIetella. (See No. 56.) The first bust on the right is said to be that of Sat]lst. Between the columins is a colossal mask of JJclieduLsa, taken fioln the temple of Venus and Rorle. The large vase in the centre of the hall is of Egyptian basalt. At the end of the hall stands the celebrated statue of the Athlete by Lysippus. On each side of this statue is a half figure, of the style called 20 MUSEUM OF ART AND HISTORY.'hermes." First on the left is the nbust of the Emlperor MlaLorcaIs Alcreiits. Next to this the colossal he'ad of a Datcini sl Irc; taken from tile Forum of Trajan. The fourth bust on the left is that of,heo Refg1ia?,. 51. A hall in the Vatican called " Tr GA.LLERY O F STATUiis," opening into the "1hall of busts,'" at the end of which is seen a colossal stattute of', T.t2iitci seated. (Se IPart II, 18, a.) The first full length statue on the right is thq't of Mil'ierva P'(, ifC'ra, or Minerva offering, peace. Tlhe nud(e figue beyon(l is that of Calig/da. On the next pedestal, partially concealed by the trunk of a tree, is a smildl statue of Apl-ollo, attributed to Prax iteles. The last standin fioIure on the right is that of Juno, found at Otricoli. The sitting staitue on the riiht of tile arch is that of the Greek comlic poet, JPo.usid)(l)lj),s thle correspondilng one on the left is that of ilcale,. Both worlks are of' tlle time of Alexander the Great. The second figolure on our left represents Barc/chuns, reclinino on a bank, and pourilng water from an inverted vase as Ca river god. The statlding figure 1beyond this is the youthll Nt',lisss, gaziIng at his ilmage in tlle streaml. The next statue, fulls in sight. is l\ephtoee stalilding on1the sea, wTith a dolphin by his side. Thle rclining figure beyonl this, partiallyx concealed, is the f'lon)'i1ryj Dido." 52. The base of the COiUMNS 01 ANTONINUS PlIus; now in tile garden of the Vatican. The coluimln itself a'Ts destroyed. T'he side here brought into view represents, in Pns — lclf, -,oman horsemen and standard bearers. Tle four sides of the base are each 11 feet high, and 12 feet broad. 58. PoNT1 LITUCeANO, or bridge of Iucanus, over thle 2cverone (Av~nio,) on the road to Tivoli. The pliers and nearly all tl e arches are ancient. The round structure across the river is tile tolmb of Povnti'. s LnctICenuI.s,. It reseml-bles the tolbl ( of CocieicMe/ietl, No. 56, and was built about the beginning of the Clhristian era. Claude Lorraine acnd other plaiters have introducedl this scene into theil landscapes. 54. One of the beautiful ASCASCADES AT TIVOLIi. Th1e uma1siTve Ibuilding is the vitlle of JMice,$as, now used as Ian iron foundery. 55. The circular temple on the rocks overlalgig thile Anio at Tivoli. It is knowni as THI-E TE1M'PTL1E OF THlE SIBYL. The smaller one on the right is called thc telpl)le of'eIstac. The telnple of the Sibyl belongs to the early iniperial age, and to the best period of Roman art. An (cttic, sinilar to the one on this temple, once surimountecl the colun-ins on the temple of Vesta, No. 42. 56. The t01o,) of Ceciliia Metelca, wife of C ralssus, and dauolglter of Quintus Metellus, surnamed C1reticus. It vais erected in the time of Cicero, on the Appiatn, i'oa/(t, two m-iles froom the city gate. The tolmb is nearlry 70 feet in diamleter. The ilarble facing of the square basement and the ornainien tal Aoirk lhallve been used to adorn palaces and churches in Rome; and a part was elployecd in conlstructing the fountain of Trevi. See No. PART FIRST —SECTION FIRST. 21 46. In the 13th century it was used as a fortress. This accounts for the )battlernelnts which have taken the place of its conical root 57. The TEirPLE OF NEPTUNE at Paestum. For a detailed description see Part III, No. 10. 58. HOUTSI OF T1lE COLOREiD) CAPITA,LS at Pompeii. The coloinnnade, o01r pc istilc in the view wa:ls built round the rectangular court, into whj1]i li the interior apartmenrts opened. The spectator is supp)osed to be standi ng in the outer court or hl-t',iio, which was surrounded by the guest ehamihers and lreception roo1ms of the house. Many of the houses of Pompeii consist of two suits of apartm entns, eacllh built round alin open COUt, fr1om TIhiC they are seplrated by a narrow colonntde, or covered All. 59. TI1 HCoUTSi OF (CASTOR AN.I) P'O.ILLX at Pompeii. 11e tili'Jui has been put on to protect thle ruin floin the weathler. 60. The STRUAEET OF ToMIs at Pompeii, near the HI clueiv,(ccII,,Jute, h1y which1 visitors usually enter1 the city. The paverment is ablout 15 feet ile. Thlle "Street of Tomlhbs'" is of about the siame Iwidlth, and is pauved precisely in thie sane inalner, as thle l i(-c,?j.jit-, an(d,ll other IRolaln roads. Thle excaNvationrs show that IPoem-peii was covered to the depth of albout 19 feet fiom the )lurelTelelt. The ma'ss of volcanic nimatter under w:hich it wa;s luriied consists of dltcenl te la)yers of fine hi black( c(i(cs and burnt puiicc stele. o At the ottoim is a la'yer of cindlelrs ten inches in depth; above this is a, la)yei of pumlice 7 feet deep; then a laiyer of ci(nders 2 inches deep; this is succeeded 1).5T 2 inches of puimice, 20. inches of cindes, 15 inches of puIn-ice, andl 4 feet of cinders. Tlhese altcrnating layers iare covered by the.modern soil, which consists of' crunblihnl volcanlic matter imixedl with decalyedl vegetable substalnces, al.l is about 4 feet in delpth. 61. TI-r STREET OF ToMBs; fromn the opposite point of viemw; with the baty of Naples in1 the distance. 62. THE 1BASTLCTA; or hall of justice at Pompeii. A rectangular building, 220 feet in length by 70 in width, surrounded on the interior of its walls by columns, and terminated at thle far:ther elid by the tribunal of the judges. 63. THI1 F()RUM at Pompeii looking north; with Jfoio,(t FI~'(,viuvus in the distance. 64. (a). TH1E SAME looking south. 64. (b). TnHE ROMAN AMPHIT'HEATRE,at Verona. The interior is more perfectly ipreserved than any other; but nearly the Twhole external wall was destroyed by tile earthquakes of 369 antd 1183. The fiagmelnt remaining is about 100 teet higi h. The longer diameter is 514 feet; the shorter 410. It seated about 30,(00 spectators. 64. (c). A p]lotograpihic view, embracing the part of tlhe external walal still stanllding. 22 MUSEUM OF ART AND HISTORY. SECTION SECOND. PI-IOTOGRAPHIC VIEWVS OF ATHENS, AND OF ARCHITECTURAL REMAINS IN ATHENS AND OTHER GRECIAN LOCALITIES. Numlbers 65, 66, 67, 68, are views of Modern Athens. 65. General view looking northwest. In the foreground is seen the Theseiumn, or temple of Theseus, described in No. 84; in the distance,are the nmountains of Attica. 66. View fromn the south. 67. View from the west towards Mount HTymettus, which is about two miles fromn the Acropolis. 68S. View fronm the southwest, towards Mount Lycabettus. A I)panoramic view of Athens and vicinity, painted by Mr. eWheeler, has been p-laced in the Greek room, G, University Numbers 69, 70, 71, 72 are views of the Acropolis. The Acropolis w as to Athens as the CaGpitol to Rolme; a citadel and Isanctua ry. The summit t afforded the sites of temn-plles, statues, nionuments; the sidles welre foritified w ith niassive walls. The mnost conspicuous buildings on the A cropolis iwere the Propyl]ea, the Erechtheium, andc the Parthenon, dlescribed below. 69. THEn ACRI'OOTIS; fi'om the tIst, with the Parthenon on the southern summit. The ruinecd temple on the right of the foregoround is that of Zeus Olyvj)mpius, situated nearly a (quarter of a mnile southeast of the hill. 70. The view filol the southwest, xwith the theatre of Herodes Atticus in the foreground. 71. \iexr fromn the west, with te Propylea in the center, the tenimple of \Tingless Victory on the right, and the pedestal of' the statue of Agrippa, on the left. The lofty square towner is cedliieval. 72. The view fronm the north with the Erectheium on the northern summit. 73, 74. TH1E PARTHENON, or temple of the Virgin Pallas Athllen. This was the most perfect of all the architectural wortks of Greece. It wax'is designed by the architects Callicrates and Ietinnus, under Pericles, Twho employed Pheidias to superintend tlhe buildimng. It wacs completed in B. C. 4388. The stylob,ate, oir 1latform, ascended by three steps, extending roucnd the building, is 22S feet long andcl 101 feet widce. The fecristyle or colonnade sulrrounding the temlple consisted of 4{6 Doric columns, 8 of xhlielh weree on each frlont. These wTecre 6 feet 2 inches in dialetelr at the base and 34 feet higoh. The heighllt of the plediientts from the platforlm was 66 feet and f'om the entablature 1112- feet. The eastern portico led into the nave, or pr ineipal chaunber of the telmple, where stood the statue of the goddess, made by Pheidias of gold and ivory. This chaniber hias two tiers or stories of Doric columns along the sides, as in the temple of Neptune at Poestum. See Part III. In the PART FIRST-SECTION SECOND. 23 smaller chamber at the west end there were four Ionic colunins supporting the ceiling. The pedimlents and entablatlt res, and the frieze on the outside of the temple walls were richly decorated with the sculptures of Pheidias. Many of these are preserved in the British Museuml under the nam-Ie of "the Elgin Marbles. " See Part II, 57, reduced copies in l)laster. It llas been ascertained that the lrchitectural decorations of the entablatures, and also mnany of the sculptures were painted with various colors. No. 73 shows the east front, No. 74 the west. The present ruinous condition of the Parthenon was caused chiefly by the bonibuardmennt of the Venetians in 1684. 75 (a), 75 (b), 75 (c). Three views of the PROPYLJEA, or passages constituting the grand gateway of the Acropolis. Thlis struCtUre was plaIniCed and commenced by the architect Mesicles, inl B. C. 437, and complleted in five years. The material is Pentelie Inarble. The propylcla, or l)(,.sLcye Lways, were five in number; one for carriages, between the two middle columns, seen in this view, was destroyed by gunpowder about 1656. 76, 77, 78s 79, 80, 81. THE EIutCTIIKnUM, or temple of Evreetheus, sornetimes caelled the telnmple of Poseidon Ereethleus, ind also the temple of Athena Polias; on the north side of the Acropolis. It vwas comml enced on the site of the old buildiiin of the same 1 nlme durilng the P'eloponnesin w:i lr, alnd cormpleted in labout 13. (C. 393. It is of the Ionic order, il its m:lost lperfect developine t, alld in perfection of' finlishl the l)cst u'chitectural work in.thens. The of orml is soiewhvllat irleglllr on account of the peculiar character of the site. The dilllensions are about 62 feet east lan-l west, and )4 feet noth land south. On the east portico which wa is the princil.l ltLIIce, five columlns of -the original row of six arie standling; on the northAwest corner the whole portico, consisting of ifou i ront and two side columns, is presexrved enti e; the i west front, whicli w~as not an entrallce, was finishedl with a row of four half cioluiins; rnml the southwest corner was' Sn-ial l)prjeetilelg e winll f'ronted with a porlch of six ca ryaTtides, tcwo of wlchli wer e on thle flfa.nks, (lnd four on the front. One of the caryxtidces is now in the British Mluseum-. r This portico. which, prior to 1846, waLs in a ruinous condition, viwas tlhen restored )by the French Aibat::ssaloi, A. Piiscatory, Awho causedl a new fiurie to be nacde in place of the orne taiken to England. No. 76 is the view from the west; 77 the porch of tlhe caryatides from the southelist; 78 f'rom the sout1hwest; 79 the east, or principal portico; 80 the same firoi tlhe southeast; 81 the north portico fromi thle northeast. 82, 83. TIhe simall TEMPLE' O NIIvIF A:PTEROS, or \Villgless Victory, standlinlg in1 front of the right wing of the Prop yl1a; an Ionic structure, of the age' of Pericles. Tlhis teiuple wihlich had entirely elisappeared, wvas restored in 1835, by mneans of the fraginents discovered in excavations of that year. 24 MUSEUM OF ART AND HISTORY. 84. THE THESEIUM, or temple of Theseus; situated about a quarter of a mile northwest of the Acropolis. It is in the Doric style, and was probably completed about B. C. 465, or twenty-seven years earlier than the Parthenon. In it were deposited the bones of Theseus, which Cimon had conveyed from Scyros to Athens five years before. It is, like the Parthenon, a peripteral temple, or one with columns on the sides as well as on both fronts. Length 104 feet, breadth, 45 feet; height to the top of the pedinient 331 feet. The columns, 35 in number, are nearly nineteen feet high, with a diameter at the base of 3 feet 4 inches. The sculptures did not extend completely rountl the frieze, as in the case of the Parthenon, but were confined to the fronts of the porticos and of the cella. This temple is more completely preserved than any other at Athens; but only fragments of its sculptures, with traces of their coloring, are now remaining. The building is now used as the National Museu m. 85. THE RUINS OF THE OLTYMPEIUM, or temple of Olympian Zeus. This was the grandest of all the Grecian temples dedicated to Jupiter, and reckoned with the temple of D)iana at Ep[hesus, as one of the wonders of ancient architecture. It was commenced by Pisistratus (3B. C. 560-527), and continued by his sons until their expulsion in B. C. 510; fromn which time the building was suspended for nearly 350 years. Antiochus Epiphbanes in B. C. 174 employed a Romlan architect named Cossutius to resume the work. By Cossutius the superstructure was laid out in the Corinthian style of architecture, and it was finally completed in this style by the Emperor Hadrian (A. D. 117-138). As the Corinthian order was fully developed and iperfected by the Romans, and especiablly by the Cmesars, this temple may be regarded as belonging in style to the best period o)f I-olman architecture, rather than to that of Grecican. Sixteen of the columns were standing when this view was taken. One of the middle columns of the group of three has since fallen. They are the largest marble colunlms now in Europe; being six and a half feet in dliameteri', and more than 60 feet in height. There were 120 of these surrounding the temple, which was 354 feet in length by 71 feet in breadth. 86. THRI' TOWlcR OF THE WINDS," or more properly the Horologiumn of Anclronicus Cyrrhestes; an octagonal building about 44 feet high, with the eight sides facing respectively the eight winds, and with sculptured figures of the winds around the frieze. It stands north of the Acropolis. It had sun dials on some of the faces, a clepsydra., or water clock, in the interior, and was surmounted by the figure of a T'riton moving on a pivot, to indicate the direction of the wind. The building (lates fromn about 100 B. C. 87. THE CHORAGIC MONUAIENT OF IIYSICRATES, often called "The Lantern of Demosthenes,'" situated east of the Acropolis; a beautiful structure, and the earliest known of the Cor PART FIRST-SECTION SECOND. 25 inthian order; erected in B. C. 335-4, by Lysicrates, the Choragus, or chorus leader, to conmmaemrorate the victory won by him and the boys of the chorus in a theatrical contest. The building is circular, 70 feet in diameter, 34 high. 88. THE ARCH OF HADRIAN. This building was 56 feet in height, with an archway of 20 feet, and separated ias the inscriptions indicate, the Athens of Hadrian from the ancient Athens of Theseus. It formed the entrance to the enclosure of the Olympeum, (see 85,) on the northern corner. 89. FRIEZI, fronm the theatre of Dionysus, or great theatre of Athens, on the south side of the Acropolis. 90. GATE OF THE AGORA, northeast of the Acropolis. 91. THE AREOPAGUS, or Mars' Hill, from the southeast. It is a short distance west of the Acropolis. The view exhibits the remains of the steps leading up from the Agora, to the stone seat of the judges. 92. THE RUINS OF THE MONUMENT OF PHIILOPAPPUS, a grandson of the Antiochus who was deposed by Vespasian. The monumnent is on the hill called the Museiunm, south of the Acropolis, and was built in the reign of Trajan. 93. THE PNYX AND BExIA, from the northwest. The Bema, or massive stone on the fourth step from the bottom was the platform, from which the orators addressed the multitude. Over the hill to the southeast is seen the ruins of the monument of Philopappus. 941. THE BAY OF ELUSEUS, from a point of the coast east of Elusis, and looking westerly across the bay. In the distance, on the right, the shore of Salamis is seen. 95, 96, 97. Three views of the TEMiPLE oi' ArlTHENA, in the island of Aegina. A Doric teample erected about a century earlier than the Parthenon, and of about the same age as the temple of Neptune at Pcestum. (See 57.) It stands on a hill on the northeastern side of the island, commanding a view of Salamis, the coast of Attica, and the Acropolis at Athens. The sculptured figures which had fallen from the two pedestals, were excavated in 1811, and are now in the Glyptothek at Munich. 98. RUINs OF THEn TEMPLE oFf NEMEAN ZEUS, on the plain of Nemea. 99', 100, 101. Three views of the TEMPLE OF POSEIDON, or Neptune, at Corinth; called by some the Temple of Athena Chalinitis. Nothing is known of its history. The style is Doric of a very early period. 102. The celebrated " LION GATE " OF MYCEN', leading into the lower Acropolis of that ancient town. The block of stone forming the top or lintel of the gateway, is fifteen feet long, four feet wide. and six feet seven inches high in the middle. 103. THE1: TREASURY OF ATRE3US, otherwise called the tomb of Agamemnon, near Mycenae. It is a, subterranean dome of 4 26 MIUSEUM OF ART AND HISTORY. the imgore prilmitive form; the stones being laid horizontally, and the courses gradually contracting, until thley colme near togetler at the apex. Thlie diameter of the done at the base is 47 feet 6 inches; the heidlit 50 feet. There is also a smaller inner chamllber of rectLan g ular fori n. The slab of rock over the entr-ltnce to the domle is 9 yards lono and nearly 6 feet wide. The bronze nails still remlaianing on the inner walls indicate that tle whlole was once linued with tbronze -plates, and so belonged to the class of buildings called l)y the ancient writers ra;ctzea clhalbers, towels', etc.'lhis structure and the Lion Gate beloing to the heroic age of G-reece. SECTION THIRD. PIlOTOCGRAP'IIS OF CLASSICAT I STATUES. 104. STATTUE O(F Fo()rrUN. A na jestie fihure found at Ostia, and( now in the o,allery of the Vatican. Thle hand rests upon a ship's rudder; for she is " dIcilta xc~uois, or' fi8'tes'' (f the 10()5. Colossal statue of' thle Rvii NIln; a workl of the blest Iolllom1n period. It was found'it ARome in the reigii of Leo X, 5lii-1621,:l2 l:t-lterw\ards pl)laed inl thie L3raccio Nuovo of tile V iticaill. See No. 50). Thlie sixteen figures of cehil(dren signify tlhe uise of sixteeln culbits, at IwVhichll the Nile overflows the 1lmed. [()i. Ai to B6i Tvmr-In,]. (See Part 11, 2.) 107. T (,1 group of the LAc1OOlN; from tlhe original in the Vatic,n, ill. which the right arm of the Iather w'ls restored by Ble/rlliniii anal thlose of the two sons by Cornacchini. (See Part I,l 4 and 16.) 108. Tirll AIICCeURY BI.LIvT-DE RI,;; fornIerly called the Antinous0. This woirk was aI favorite study of D)oilnenicliilo anid IPoussin, on account of its adllirable I)roilortiol-ls. It was I'ound on tlhe Lsq(uiline hill, lduring the p)olltifiecate of Paul III, (15341-1549>, ancd llLceed in the Vatican. 109. TrliI DI) rNc( GjikDIAiTO:t, SO taken as to exhibit the careful finish even of the soles of the feet. (See Part II, No. 82.) 110. DYI~NG Gl,-DliATiOR; from the opposite side. 111. BRUTUS THEI-] CONSPIRIATOR. In the Vatican. 11-2. Front view of the colossal statues seen in No. 16, from tlhe rear. 113. MIJNEtRVA I MInDIc. A statue of Parian m.arble found in the ruins of the temlple of Minerva Medica, on the Esq4uiline, anud now in the Braccio Nuovo of the Vatican. It is supposedl by some to be a copy of the statue of Athena, malcde by Pheidias of gold and ivory for the Parthenon at Athens. 111. VENUS OF CNIDos. Fromn a statue a little larger than PART FIRST-SECTION THIRD. 27 life, now in the Vatican; the mlost perfect copy in existence of the celel)brted Venus of PrIaxiteles, whlichl ws lost in a COnllll.0rlaltiou_ at ByZanlltilUm1 ill tile )ulrtll cetury. Thle attitulte nddrapery vceryT nea'rl resenible those of tile Venus of tMelos. (See Prot II, 17.) 115. Tl, FAUIN OF P:VAXIT:rElESS; cIlled llso tile "Faun of the Ca'pitol, " as it stands in thle (1 apitoline Museum at R-ome. This is the finest of ill existing copies. T1lhere is another in the Vatican, but inllerior to this. 115,. (b). EURTPIDES. Fromn a bust in the Capitolirne MAu116. PoMaTPEY. A statue in thle Sp),ada Palace at Romle; supposed to be the one at the foot of which Ciesar fell. Portrait stlatues of Romanls rrepresented like Greek heroes, nude, or partially so, are called Achillean. SECTION FOURTH. COPIES OF TIEDIATVAL AND lMODERIN PAINTINGS. The chroimo-lithographlic copies nuimbered 117, 118, 120, 121, 132, 133, 37, 1'3, 139, 140, are'exceedingly accurlalte reductions of paintings by some of the earlier Italian and German nmasters; executedl by Kiellerhover, and published in Paris by Didot fircies. I. ItCaltian,, 1French ard SpaItish, MaI-ctsters. 117. D1ESCENT FROM THE C imOSS; by Fra Giovanni da, Fiesole, called Fra Angelico; (1387-14,53). A nmonk of the Monastery of St. Mark in Florence. The original is in the UtJfizi gallery in Florence. 1 18. MADONNA DELLTTA STELLA; by Pietro Vanucei, called Peruoino (1446-1524), the master of the rnllbrian sclool fromi whom Itaplhael took his earlier and less free arnd original style. 119. VIRGIN AND CHIID inl the garden; fom thle originall in the gallery at Munich, by Francesco IRibolini, ca'lled F:ranciIa. The engravinog is oni stone by Ferd. Piloty, (1786-1811) whose improvenments in lithography brought that art to great perfection. 120. ST. BERNAR1D WRITrNG( THIE LIFE OF CHRIST, under the dictation of the Viroin Mary, by Philippino Lippi, a Florentine nmaster, livinog from 1460 to 1505. The original in the church of the Badclia in Florence, is considered the best of his easel )aintings. 121. DEPOSITION OF TH-IE BODY OF CHRIST; froml one of the best works of ilartolom-imeo di Gentile dal Urbino, called Fra Bartolomnimeo; now in the lgallery of the Pitti Palace in Florence. This master, a, friecnd of Raphael, lived froii 1469 to 1517. 122. A photographic copy of the LAST JUDGMENT, of Mi 28 MUSEUM OF ART AND ItISTORY. chael Angelo (1475-1564) in the Sistine chapel of the Vaticall at Rome. Christ is seated in judgment with the Virgin Mary on his right. In the arches above'are angels. On one side of the Savior are the Patriarchs and Saints of the old Testanlent; on the other are Christian martyrs with the symbols of their martyrdoml; St. Catharine with the wheel, St. Bartholomnew with the arrows, etc. Next below is a group of ang'els. GO the left (of the spectator) the blessed are rising friom the deadl and ascending to heaven, assisted by angels. On the other side are the damned, some delscendino to hell seized by demons, and some in the ferry boat of ChLaron. For a full description see Dup L's life of Michel Angelo, in the University Library. 123. The MXnAcDAiENA of PaM:, called Palllma Vecelio, of the Venetian school. 1480-lr48. Engralved on stone by J. Fertig, fronm the original in the gallery at Munich. 124. TIIE MOTHiER AND CHILD in the "' Sistine Madonna of Raphael, copied very perfectly in water colors fionm the original in the Dresden gallery. Raphael, or Rafatello Sanzio (or Santi) da JUrbino, (1481520), painted this igreat masterpiece for the Monastelry of St. Sixtus in Piacelnz, il 1i518. Ilt 178, it wias purchlased by Frederic Augustus II11, elector of SoaxoniT, for 20,000 ducaats, and placed in the Dresden gallery. Kuler, in speaking of the Madonna and child in this paintin S, says' there is in her countenance a somIethlino inexpressi lle. I imight call it a timid wonderment at her own exaltation, united with a lofty calmness and self-possession, as if conscious of the divine glory to which she has been elevatecl. The inlfint, childlike, and yet not childish, resting in her arms, looks out earnestly into the world. Never has the painter's art before or since expressed so vividly as in the feature, of this child, the sweetness of infincy blended with the earnest thought and forecast of a holy mission of suffering." 125. THIE1 CARTOONS; so called from the Itali'an C(rltonLe, pasteboard, because the paintings were executed on that mnaterial as patterins for tapestry. Eleven such desiglns, represent-. inig scenes in the New T'estaiment were made by R'aphael for Leo X, probably between 1518 and 1520, and sent to Brussels to be copied in tapestry. The Aractzzzi, or tapestries, are now in the Vaticah, together with ten others from designs by tle pupils of Raphael. Of Raphael's cartoons, which were laid aside and neglected, only seven have been preserved, and belong to the British government. These are now in the Kensington1 nuseun at London. They have often been copied by painters andcl engavers. The engravings here exhibited are the copperplates of TIhomas Holloway, executed and published under the patronage of George III, and superior to all others in excellence of engraving. PART FIRaST-SECTION FOURTH. 29 Nagler remarks of Holloway's engraving: " It is incredible that thehuinan hand, not a machine undisturbed by the beating of a, pulse, can draw lines when hampered by the severe restraints of art, with such decision, steadiness and miniute exactness." 125. (a). The Miraculous DrauThbt of Fishes. 125. (b). The Chllarge of Peter. 125. (c). Peter and John healing the Lanme AMan. 125. (ci). Death of Ananias. 125. (e). Elymas thle Sorcerer struck blind. 125. (f). I'aul and Barnal)as at Lystr 125. 2 (g). Palrl preaclhinl at Athens. 126. THE SIX HOURS OF TIIE ID)AY AND SIX IIOur S OF' THINI(1ITr said to be by Raphael; exquisite figures floating in air, (lesigned aclfter the antique style, and evidently suagested )by som(ne classical original. They air(e s.id to h'ave been in a mionastery on the Palla tine hill in RoLme. Thle fiiures in the bor(let at thle bottomn of each (lesign appear to be symnIolical of the hour, though harl to interpret. Tlhe copies are the Awiork of dlistinguil shed Frenchl copperplate englraves, flourishing:in the time of the first Napoleon. They were plblished in 1805-6. _Iloerrs of the DaJ.-126. (a). Fimrst Hour; enolravedl b J. B. Fosseyux. 126.. (b). Second Hlour; Louis Petit. 126. (c). Third H-our; L. Croutelle. 126. (d). F'ourtlh Hour; J. Lavalece. 126. (e). Fifth Hour; L. F. M'iaiae. 126. (f). Sixth hour; i. F. FMaliage. Jlolts off the ATiget.-126. (g). First Ilour; engraved by A. Bourgeois and N. Tonas. 12.126. (). Second our; J... Ribhault. 126. (i). Third Hour; F. Hubert. 126. (k). Fourth Hour; F. J. Dequevauvillier. 126. (1). Fifth Hour; IL. Crontelle. 126. (in). Sixth Hour; N. Tomas. 127. Correggio's NATIVITY OF CH-RIST, some11timines called "rThe Night;" one of the Imost admirable masterpieces of the Dresden gallery. The strongest light is nmadle to emanate fronm the foirm of tile infant. Antonio Allegli, cailed Correggio, frorm the name of his birth-place, near Modena, and one of the mlost original andl perfect painters of his age, lived from 1494 to 1534. The copperplate is by A. Lefevre. 128. BEcciFa HOMO, or Christ crowned with thorns; one of the best of the works of Guido Reni, (1575-1642), andc one of several paintings of this title in the Corsini Gallery at Rome. Guido was of the school of Bologna. 129. A large and very accurate photographic copy of the AuRORA OF Guino, a fresco painting nearly covering the ceiling of a hall in the Rospigliosi palace at Rome. Aurora, followed by Hesperus with his torch, flies through the air, scattering flowers before the ascending chariot of Phoebus, which is attended by the Hours. The figure on the left is supposed to be a, poI'trait of Beatrice di Cenci. The two patches in the plaster are tlhe tryaces of the bombshells which struck the roof duringo the French seige of 1849. 1130. The much admired portrait of BEArnIcE DI CNCIr, by 30 MUSEUM OF ART AND HTSTORY. Guidlo Reni, in the Barberini palace at Rome. The coloring in this chiomo, which is not onie of Kellerhover's, does not well represent the original. 131. Cu: STIr CIROWNID WITH THORNS; frlom tlhe original in the Munich gallery, by Guercino, or G'iovani Francesco Barbieri ii Gtuercino; one of the many great painters of the Bolognese sclool. 1591-1666. The copy is by F. Piloty. 132. MAI)ONNA AND SLEESP IING CT-II), by Salvi da Sassoferrato; a plainter of the Roman school, remnarkable for delicacy and sweetness, and so5letinmes callecd the lpainter of beautiful Madonnas. 1615-1685. lHe seems to have imade several copies of the work, one of which is in the Louvre, and another in Dresden. 130. MATER, DOLoROSA, or the Viroin Mother mourning for Christ, by Carlo l)olce or Dolci, (1616-1686); who held much the s(ame place in the Florentine school as Sassoferrato in the Romlan. The original is in the gallery at Naples. 13 )4. THE FLKIG HT INTO EGYPT. From1 the original by the great French master, Claude Gellee, or Claude Lorraine, (16001682), in the Dresden gallery. Engraved by C. Kruger. 135. SPANISHI CHIILDREN S'ELLING FRJUIT; by the Spanish nmaster Bartolomieo Estaban Murillo. 1618-1686. Engraved by F. Piloty firom the original in the Munich gallery. 136. A good copy in oil of the figure of the Virgin in Murillo's' IMMACUILATE CONCEPTION;" the original of which is one of the gems of the Louvre, and was purchased for that gallery in 1852 for nearly $125,000. Presented to the Uniiversity Miuseuln by the class of 1866. II. Germaclznt, Flemissh and D~utch7 lkastcrs. 137. THE WORSTHIP OF T1-4E MAGI; by Stephen Lce thener, or Stephen of Cologne, the most distinguished of the p)upils of William of Cologne, founder of this school. This painting, the most noted of his works, and bearing the date 1410, is now in the cathedral of Cologne. The time of the birth and death of this mnaster is not known. 138. "DESCENT FROM THE CROSS:" by Quentin Matsys, or Massys, (1460-1530); from the original in the museuml of Antwerp. 139. THE MYsTICc MARRIAGE OF ST. CATHARINE; by Haiuns Meerummling, or Hemruling (1470-1485); fromr the original dated 1479, in the Hospital of St. Johns at Bruges. Memleu1ing was of the school of Van Eyck, the inventor of oil painting. 140. BAPTISM OF CHRIST; by the saome master. The original was painted in 1485, and i is in the academy of Bruges. 14.1. HOIBETIN'S MADONNA, one of the great masterpieces of the Dresden Gallery. Hans Holbein, or Holbeini the younger, (1498-1554), painted this picture of the Madonna for the mayor of Basle, Jacob Meyer, who desired to cominlemorate by this work the recovery of an infant child from sickness, PART FIRST-SECTION FIFTH. 31 and who is relpresented in the picture with his fainily adoring the Virgin while she holds the sick child in her arms. The engraving is by Moritz Mi'iller, of Steinla, one of the finest German copperplhate engravers of the present centlury. This engraving, published in 1841, is ranked by Ngler, amnongst the most perfect muasterpieces of the art. It received the golden medal of the French Academy. 142. TII'v CRnucIFIXION; by Peter Paul Rubens, the greatest of the Flemish inmasters. (1577-1640). Engraved fiom the original in the Munich gallery, by F. Piloty. SECTION FIFTH. PIIOTOGRAPIIIS OF MIOI)EIZN WAOR1TKS IN SCULPTURE. Nunmbers 143-146. Four basreliefs of Thorwaldsen. (17701844). 143. THRE VINTAGSE. 144. CUPID AND INFANT BACCHUS. 145, (a). NIGHT. 145, (b). MORNING. 146. One of the bronze doors of thce BAPTISTRY IN FLOREsNCE, (lesigned by Ghiberti, (1378-1455), and so much admired by Michel Angelo that he said it was worthy to be the gate of Paradise. The subject of the reliefs is the early Bible history. 147. One of the bronze doors of the ROTUNDA1 OF THEI CAPITOL Clt Washington; designed by Randolph Rogers. It represents passages in the life of Colun-ibus. 148, 149. RUTH GLEANING and NYDIA, by Rogers. (See part II, 26, 27.) 150, 151. Two small statues by Rogers, CUPID IN DESPAITI, and "Tlrl,' FlnsT PAIR OF SKATES." 152, 153, 154. Three views of the MICHIGAN SOLDIEJRS' MONUMENT, at Detroit; taken from the original clay model at Rome, before the design was accepted. Presented by Mr. Rogers to the nmuseunm. 155. The colossal figure of "MICHIGaN," fron the soldiers' monumnent. SECTION SIXTH. ENGRtAVED COPIES OF iMODERN PAINTINGS IN TIIE IIHALLS OF TIlE ALPIHA NU AND LITERARY ADELPIII SOCIETIES. I. In t(he Alphca N1V Hacell. 156. CONVERSION OF THE BRITONS by St. Augustine. Painted by Herbert; engraved by Lewis. 1;57. WiMs. CAXTON PRESENTING HIS "PROO10F SHEET" TO JOHN ESTENEY, Abbott of WTestminter, 1477. Painted by Doyle; engraved by Walker. 32 MUSEUM OF ART AND) HISTORY. 158. HARVEY DEMONSTRATING TO CHARLES I HIS TIIIHEORY 01 TIHE CIRCULATION OF THE BrLOOD. Paidited by Hannah; engraved by Lemon. 159. LoRD WM. RUSSELL TAKING LEAVE OF HIS FAMII.Y, 1642. Painted by Bridges; engraved by Bellin. 160. MICHAEL ANGELO AND JULIUS II. Painted by Carba,nel; engraved by Caslan. 161. LANDING OF THE PILGRIMS, 15th November, 1620. Painted by Lutze; engraved by Simmons. 162. FRANKLIN B3EFORE THE LORDS in council at White Hall Chapel, London, 1774. Painted by Schuessele; engraved by Whitechurch. 163. HENRY CLAY. Painted and engraved by Ritchie. 164. DANIEL WMEBSTER. Painted by Harding; engraved by Andrews and Simith. 165. WASHINGTON IRVIN(G AND HIS FRIENDS. 166. MARTIN LUTHER BURNING THE PAPAL BUL, at Witternberg, 1520. Painted by Martersteg; engraved by Thielley. 167. THE TRIUAIPH OF RICHELIEU, 1642. Painrted by Delaroche; engraved by Gautier. 168. MAZARIN, on his death bed, 1661. Painted by Delaroche; engraved by Gautier. 169. CROMWIELL, dictating to his Secretary, John Milton, his celebrated dispatch to the Duke of Savoy concerning the persecution of the protestants. Painted by Newenham; engraved by Sirnions. 170. TrIE TRIAXL OF CHARLLES I, Westminster Hall, 1649. Painted by Fiske; engraved by Wagstaff. 171. Stuart's HEAD OF W\ASHINGTON. 172. ToRCH LI-IGHT PROCESSION OF HEI'IDElLBERC G STUDENTS. 173. THE ACQUITTAL OF THEI SEVEN BISHOPS, 1668. Painted t)y H erbert; engraved by Reynolds. 1-1. In the flcall of the Litercry Aclelihi. 174. THE FIRST TRIAL BY JURY. Painted by Cope; engraved by Sadd. 175. PRESENTATION OF MAGNA-CI-JARTA. Painted by Davis; engraved by Murray. 176. FIRST READING OF THE BIBLE IN TH-IE CiY1PT OF' OLD ST. PAUL'S. Painted by Harvey; engraved by Graves. 177. ASSERTION OF LIBERTY OF CONSCIENCE BY 1THiE INDEPENDENTS, in the WiTestminister Assembly of Divines, 1644. Painted by Herbert; engraved by Bellin. 178. HOUSE OF PEERS, at the imoment when the Earl of Ch.latham fainted and fell from his seat, 7th April, 1778. P1ainted and engraved by Sherwin. 1 79. TRIAL OF WMVi. LORD RUSSELL. Painted by Hayden; engraved by J. Chunt. 180. TIIE PI(LGRIMS SIGNING THE COMIPACT, on board the PART FIRST-SECTION SIXTH. 33 Mayflower, November 11, 1620. Painted by T. H. Matteson; engraved by Gautier. 181. SIGNING TI-IE DECLARATION OF INDEPENDENCE, 4th July, 1776. Painted by J. Trunmbull; engraved by W. L. Ormsby. 182. INAUGURAL ADDRESS OF WASHINGTON, in Federal Hall, New York, April 30, 1789. Painted by T. H. Matteson; engraved by H. L. Sadd. 183. LUTHER BEFORE TIHE EMIPEROR, CHARLES V, at the Diet of Worms, 1Sth April, 1521. Painted by E. Jacobs; engraved by Clauder. 184. THE REFORTMERS PRESENTING THEIR PROTEST AT THE DIET OF SPIRES, April 17, 1529. Painted by George Catermole; engraved by Win. Walker. 185. STUART'S WASHINGTON. 186. TI-IE FRENCII TIERS ETAT', taking the oath in the Tennis Court, June 20, 1789. Painted by David; engraved by Jazet. PART II. SCULPTURE. This collection consists mostly of copies in plaster, terra cotta and bronze. The statues and other articles in plaster were obtained in the moulding esttablishlments connected with the Louvre, the Imperial Academy of fine arts in Paris, and from lEichler, and the brothers Mlicheli in Berlin; those in tcrcr cotta from the works of Jean Mollica in Naples; the bronzes froim F. Barbcdienne in Paris. They are all of the mnost relia,ble charactter, and more esteenmed than copies produced,t anmy other similar estLablishim-ents in Europe. The ancient statnues and busts from which they tare taken, are among' the mnost reniarkable in the world, either as works of art or als poltraits of eminent historical characters. Of the originals, those which rel)resent historical characters, have been generally authenticated by thle inscri)l;ions found connected witli themY; the stcatUves of l-yth'iologictl perlsolltes, such'IS the Melpomlene or the Diana, hllve often been recognized by the attributes and synmbols whicli were oassionecl to thenim ) the anciennt poets and sculptors. The names ot' soime, however, tb[oth of the historicatl eand idel statues tndl busts, in the bsl)snee( of inscriptions or any other ime is of ascertainin( their true cllarilcters, have been adopted soiely on the authority of the tlLtiquaries, and are not unfrequently clih nged by the suamie authority. The few contained( in this collection which are doulbtf'ul, will be pointe(I'out in the caLtalogue. Neatrly all of theml i bclong to the best periods of art in Greece and Romie. SECTION FIRST. S TAT U ES. NOTE. —Il the folloxwing description all statuies and busts not otherwise designated are friom originals in marb.le. 1. IA lcien't,S'tatues. 1. SOPIOocIcs, the tragic poet; copied from a statue found at Terracina, and now in the mluseum of St. Johns Lateran, at Rome. It is unequalled by any cdraped statue, yet discovered, excepting that of Aristides, (No. 6,) to which it bears a striking resemblance in conception and style. Both of them belong to the best period of Grecian art. In the Sophocles there is more of repose, both in the expression of the countenance PART SECOND-SECTION FIRST. 35 andl in thle attitude of the whole figure, and greater simplicity in the:tdjustmlent of tile p/)lioo /o, toi )l 1' (:I'Crecian cloak, in wihich thle foninr is envelope. Thllere is in this stattue a quiet dig-lnity, an unconscious grace, an entire absence of effort, wihich we can lahnlost faincy to be directly imnpessed upon the inmarble by thle living chalracter, aind without the intervention of the chisel. This is the cqucalitv iwhich stamlps it as the work of a geniius of the very hiohest oirdle. 2. AioLLJo. The great masterpiece of ancient art, universally knolwnl as the Alpollo Belv(Oede(e; fromn the name of that part of the Vatican in iwhicll it stands, the cottile di Belvedere. It was found anong the ruins of' a palace in Antium, about the end of the 15th century, and conlveyed to the museum of the Vatican. The right [fore arm and left hand were missiang, and were restored by Montorsoli. It wvas the opiniol of Canova that the Apollo Belvedere was copied by the Romans, in the time of the early emlperors, from a Grecian work in bronze; and more recent sculptors generally coincide in this belief. The marble of' which the origrinal is made, is pronounced by critics to be the Italian mnarble of Carrara, anciently called the marble of' Luna. According to Wickelmann the god is represented in this statue at the mloment when his arrow has struck the serpent PytIhon. The effobrt of pulling tile bow strinog had thrownll the weight of his body forward upon the left foot. But a'bronze statuette, recently discovered and now in St. Petersburg, evidently colied fromn the original, is represented as holding the regis of Jupiter. (See Lubke, Vol. 1, page 249.) A plhotographic view of the original mav be seen in the collection of pictures. (See Part I, No. 106.) 3. AucusTrus CiSAnr, B. C. 63 —A. l). 14. Copied fromn an ancient statue in the Louvre. The Emperor is represented in the attitude of addressing the Senate. His resemblance to the first Napoleon has often been remnarked. 4. LAOCOON. From the colossal group in marble, discovered in Rome in 1505 in the ruins of the baths of Titus, and now in the Vatican. It is described by Pliny the elder, as the work of three Grecian sculptors of Ilhodes, nnamed Agesander, Polydlorus, and Athenodorus. They flourished probably in the third century before Christ. Pliny pronounces it the grefatest of all the iworlks of art esisting irn his time. It was found enltire with the exception of the rilht arms, Avwhich had all been destroyed. These wvere restored by Bernini and his pupil Cornacehini, as seen in the photograplIh No. 107, which was taken from the original group in the Vatican. Canova,- however, believecl that Bernini had imisconceived the true positions of the armls, and suggested the foirm which has been given to the restored parts in this copy. This grotup was presented by the class of 1859. 5. PLATO SEATED. Copied fronm a statue in Rome. The inscription is partly legible on the right side of the chair. 36 MUsiMUSErUMri OF A1RT AND HISTORY. 5, (a). Cries Froim a illn( statue in the( Vatticaln oft tlhe saime size. s the coy. Trhe staitnues of i this goddess oare recognized 1y the cars ofi wlleat, either held in her h-and, 0oi w11rn as a wreatll oin lier ll a1(1 Thl dralper is beautifully executed. (. AISTIDEzS; oftten called, dlmd perhIaps Inore correctly, A(5sc(,ilces. IReduced froill a mlucIh admi(red sttue of the same size as the Sophocles, in ti1e 1JI.n, asce L,,)'o ivo, or National Mlusceum l t Naples. It is enerally rega::dedl ias the finest draiped male figure whiclh llhas 1been preserved froml I,tiquity. CLmova neTver enteied the mnuseuml0 withlout visiting this statue, and he took p)ains tO desigonate upon1 the floor the best 1)oints of view, for the ibeiefit of visitois. It w\Ts discoivereil( in the villat of the P)apyri, at HerIculaneuni. 7. DIANA TMrl lIHUNTrlESS. Thr e origiial, wlic:h is of' colossa.l size, is now in the Iouvre (at P(tris. It is known as the Dictau 2f i%'.sac'ille"s, (as it was forimerly in the gallery of the palace of VersaCilles. It is also called l)ianal \iith the hindcl; fron the small figure of the deer at hier side, which is designed nmerely as a symbl)ol of the chase, anl lherefore not represented of the natural size. The statue belongs to the Roman period of sculpture. 8. E]UTEIHII'E. T1i' I (,,,SC Of )',l( c,'d t,sic, symbolized l)y the p:'ilJe8 or anllcient flecs, which she bears in her hands. It was the custom of' the amcients to play on both at once, the ends being inserted betweeni the lips, as in plciaying on the mocldern clarionet. The llrapery of this figure is worthy of special attention.''The original, whicl is of the size of life, is in the Louvre. 9. POLYnlV'rNTA. T1)',c lJ),m,sc of t ie,ui?,Qc hyo',. Copied from a colossal statue in the Louvrec The wireath of roses, the ample folds of drapery, complletely el-lvTeloping the whole person, and the meditative posture andi expression, are characteristics of the statues of Polhy mnia. (.See 84.) 10. MI'iP'oMmxiI. The muse of' traigedy, with her appropriate synmbols, the tragic 1insk alndl dagger. Froni a very ancient Gieek statue, of the salme size as the copy, in the Louvre. 11. PUIIcrITA. A reduction froii a favorite statue of' the life size, in the Capitoline museum, at Rome. It appears to be the likelness of a Rojman umatron taklen in the style of the figures which personify Pdcr:ecitic, or Modesty. 12. TI-i: PRAYING BOY, or PRAYIN(I GENTITS. RPeduced fro0m a bronze statue of the life size. founll in the river Tiber, and plreseiited by the Pope to the king of Prussia for the Berlin Museum. 13. HEIRCULES STRANGLING THEn NMIEAN IION. Miiliature copiy of an expressive statue iii the lIeseo Bo10on)tico, ait Naples. 13, (a). JUPIITERr ENTHtRONED. Minialture cop) of a colossal statue in the Vatican; (see pihotograph No 51); which is perhalps a copy of the great statue of Phlidias at Olyllpia. 14. THE WNILD BOAR. Miniature co)py of a celebrated ancient statue of the life size, now in the Uffizzi at Florence. PART SICCOND-SCI( TrION FIiRST. 37 t5. iUrll IDEl)lS SEATrl). C'op)ie(l frolml a statue (of the life size, in the vill Al bi 1 \ i:1t 1Iom1e. 1(. \ I e(lice1(l cop( ) of the IAOClON a loul ), with1 the ailMn restored ias ill the orioiilll groupl) in the Avaticlanl (See photographl No. 1h07.) 17. T-1r HrF VEi NU S Ol4F M[ li.,: (0,01 l\1os, fos110i1 tllh e nlmone of tiae (reek islal(d wherelc this be( lutifil stl tue was found(1. The origitl is socmewhat Icltgoer thl:ln life, aI(nd is tlie 111 of' the LTouve ry. ue1111r 11 l 1(1enuiarks tlhat this is the only statuc thaJt 1has co 001 don 11 to us, wi lhich. r prese lts th1( o(()c.(.s( and not merely a b eautiful womItOll. 1The followino excellnlit copies ill pliaster atre in the possession of thle Allha. Nu Society, Iand are exhlilbited in tie h ill of the society, southl wing. (For thlei modeclrn statuary ill tills hall see divisioni " Modleirn Statues," Nos. 31-(5.) 18. Ciio. ri( I1T,,/ (Ao Glo)l'? ([,0(/d Ifi.ito,'l; c1opied flo0m a statue in ttlie Ii1uscii'iumat IBerlin. She is reprliesentecd as l1oldingl a scoll, the syinbol by nwhich the statuces of (Clio al e u1sually clhiracterized. Tine original is ill ILn1h1e andcl of the samne size'as the copy. 19. UIANIA. Th1ie Muse of Astronoiny, beiaring in her hancl the celestial lohbe. This staitue is also iom one of the life size, mcich admilred, now ill thle ielrlin iluseuOll. 20. MiNsNtvi. Fromn al splenidid colossal statue dliscovered at ellettl, inetr omeie inl 179 7, alnd inow ini tlue L0ou vre. It is the finiest of the lnullle rous statues of Miler(11a. 21. VmICTOiY. The staltues of VictorTy are usually winged ncld often replresent the goddess as just poised on ai globe; indicating that Victory, like fortune, who is ialso re111e1sentedl w A itll winis, is cap)riio us ail(nd controlledc by accident. The orv'inal of this staltue is in the Berlin muselumi. 21, (a). lTii FARNESEI FLORA. A largOer copy t1 tlll ti,11t in tle University museumi. (See Part II, No. 76.) Artists admire, esp)ecillyT ill the Farnese Floral, the attitudle and ldraper)y, TwhIiCh are proinounlced illlimitable. 22. A statue of FLoRA by another and unkinown Poh1and. 23. TIE DIscOBULUS, or Qiuoit Thlrower. The celeblrated m:aLrble statue fi'om wLich this is copied, is itself also a copy, mac1Lde by Cleomlenes, a sculptor of the Ronman period, froml the bronize Discobulus of Myron, thle Bccoti, inwho was a coilteim1poratry of Pheiclias. He was fiimous for his power of representillg the hulman figure in its illost clifficult' and molnelntary attitudes, and as tihe first who lprodluced exact and vivid statues of animials. Lucian, Pliny, Quintilialn, and othler ancient writers describe his wor'ks with enthusiastic admlniration. His statues were nearly cll of bronze. Of the Discobulus, which is the greatest of his works, four copies in rnarble have been preserved: onie found in the villa of Hadrian in 1791, and now in the British miuseum; another, foundl in 1782, on the EIsquiline hill, and no-w in the Pcdalzzo cMassimvo, at Rome; a thii'd, now 98 MUSEUM[ OF ART AND HISTORY. in the Valtican, du(g up in 1793, near the villa Palloimbara; and a fourth 1r estolrel as a l hdiiLto il the Clapitoline lmuseum. Oir' reduced co)py is foiom the best of these; that now in the Pol(z24. (Gs1i'MAN('CUS; son of Drlusls, and nephew and adopted son of the emniperor Tiberius. HIe was univers'a.lly beloved and admnilred fr his virtues, and his splendid talents; and his untilly dlcaltl ait the ae of thllirty-five plunged the Thole empire in grief. Tle statue of his w ifbe Agripl)pina,, whto wa's also idolized by thle Roman. people, is (lescribed in. Part II, No. 73. The original of the statue of Germanicus is in the Louvre. 11. Mode)-n SitattLes. 25. DANTE, 1265-1321. BIy an unknown sculptor. 26. RurTI- (GIhANING; a plaster copy of one of Rogers' earl:ie worlks; presentedc by tlle artist himself to the museunl. 27. NYDIA, or the Blindl Flower Girl of Pomlpeii. A very perfect copy in Carrara marble, of the size of the original, made h1y Mr. Rogers for the Ann Arbor Art Society, and presented by the society to the mnuseum. Few recent statues are more widel known and admired. It represent.s the blind girl at the moment when she is suddenly separated from Glaucus anll his friends, in the midst of the tempest and the descending showers of' ashes, as she was guiding them out of the doomed city. She is intently listening to catch the sound of their footsteps and voices. 28, 29, 30. The statues in bronze, nunmbered 28 —30, are exact and artistic copies of three of Michel Angelo's most admired wTorks. These and similar reductions in bronze, are made in Paris at the " MaIison Indcstrielle, " under the direction of F. Barbedienne, after the mlethod of reduction invented by Achille Collas. The present copies are nearly half the height of the originals. 28. Tn11 MOSES, a. colossal statue of marble, was designed by) Michel Angelo for the nonuiment of Pope Julius II, (15031513), and is now in the church of St. Pietro in Vincoli, at Rome. It, was intended to be. placed in an elevated position on the cornice of a monumental temple about 40 feet high; and hence, perlhaps, the bold exaggeratioln of the proportions. "The expression, air and attitude," says Duppa, "comnbine to formn a grand personification of the author of the Pentateuch and law-,iver of thme Jews." 29. JUULIAN D'IEDIcI, thle brother of Leo X. From the original on the tonmb of Julian, in the church of St. Lorenzo, at Florence. 30(. LORENZO D)'MEDIC I, nephew of Julian, fronm his tomb in thle samle church. This statue is often called "I1. Penseroso," or " I1 Penlsiero." PART SECOND-SECTION SECOND. 39 in the Alpha Nu Collectioln. 31. GOETHE. Copied fronm a statue of Schwanthaler. 32. SCHILLEI. From Thorwaldsen's statue. 33. S-IAKSPEARE. Fromr his monument in Westminster Abbey. 34. NAPOLEON I. From the bronze statue by Nardy, on the surmmit of the Vendomrle column1 in Paris. 35. A MAJESTIC FIGUREn o01 CHRIST. From tlhe celebrated group of Christ and his Apostles, by Thorwaldsen. Trhe original is now in Copenha gein. SECTION SECOND. BUSTS. I Ancient -Busts. 36. CICERo, B. C. 106-43. A copy of a bust in the Vatican, found in Roma Vecchia. 37. CIEsAR, 13. C. 100-44. Fro1m a colossal bust in the miuseum at Naples. 38. THE YOUNG AUGUSTUS. This beautiful likeness of Augustus at the age of fourteen, one of the n-ost perfect works in the Vatican, was foucnd at Ostia, by Mir. Fa;gan, the British consul, at the beginning of the present centllury. 39. SOCRATWES. From one of the three hleacds of' this philosopher, now in the Capitoline museum. The busts of Socrates are very numerous. B. C. 470-400. 40. DEMOSTIYENES. Copied from a, bronze bust, found in HIerculaneum. B. C. 385-322. 41. SEN1ECA THE- MORALIST. The origial of this bust, which is in bronze, was found at Herculaneum, and is now in the Milseo Borbozico,' in the hall of bronze statuary. A. D. 165. 42. HOM]ER. A conventional likleness of Horner seems to have been adopted by Greek sculptors, just as was the case also in their representations of some of their gods andc heroes; as, for example, Jupiter, Neptune, Hercules, and Achilles. The present bust is fronm an ancient one, of course ideal, in the Capitoline museum. 43. CATO THE ELDER, B. C. 234-149. 44. ISOCRATES, B. C. 436-338. II. Modern Busts. 45. A BUST OF MICHEL ANGELO; copied from the bronze bust malde by Daniello da Volterra, his pupil, and'now inl the Capitol at Rome. 46. A BUST OF RANDOLPH ROGECRS; by Volk. (In the Nydia room.) 40 MUSEUM[ OF ART AND HTSTORY. Ame'ricani Iistoriccal, Basts in, the lHal, of the Litlerary 1 delphi. 47. B Ie, NJAMIN FIRA-PNKLIN, 1706-1790, 48. HENRY CLAY; 1777-1852. 49. JOIN C. CALTOUN, 1782-1849. 50. AN:DREW JAC1KSON, 1769-1845. 51. A\INFIELD SCOTT, 1786-1866. 52. IEWIS CASS, 1782- 1864. 53. ZACHI-ARY TAYXo01, 1784-18 50. 54. DANIEL WE3ST'ER, 1782-1852. SECTION THIRD.,WORKS IN REIEF. I; Copies of Classical BasreCliefs. 55. CUPID AND THE CENTAUR. Copy of a basrelief in the Capitoline imuseum. 56. THIE DRArMATIC POcET. This work in basrelief has excited no little criticism. Some have taken it for a mask shop; the purchaser se'ated and examnining the masks on the counter, while the female figure is supposed to represent the dealer, exhibiting the articles for sale. As this figure appears, however, somewhat too noble for a shop girl, Emil Braun, the eminent lecturer on Romnan antiquities, believes that it represents the dramatic muse, and that the other person is a 1raaaltic poetC, iln the act of contemplaiting the statue and the masks, as a, means of quicekening his fancy in composition. 57. THEI TRIluPvip OF ARIADNE. From a bronze basrelief, said to be by Lorenzo Ghiberti, in Florence. 58. Reductions of the basreliefs from the FRIEz c OF T-iHE PAaIrrmI:NON; now preserved with the rest of the so called Elgin nmarbles, in the British museum. The basreliefs, of which these form but a part, represented the sacred processiofn of the Athenians at the Paorathlcnct, or annual festival in honor of Athlena. This admired work of Pheidias extended completely roundi the walls of the temple, forming a series of reliefs which in one line would be 500 feet in length. The originals were 2-1 feet high. More than half the marbles of the Parthenon were lost on thle voyage to England in 1814. II. Modern Woe/ks in elaief. 59. A fine medallion relief of RANDOI,P0I RaOG,,tS, executed:in marble, of the size of life, 1y R. Cushing, of New York. Presented to thel University by Hon. C. C. Trowbridge. I,, the l11ll of 1the Alpha RT SocSa i ty. 60, (a.) Portrait meldallion head of Presid(ent Henry P. Tapp)an by Bradi sh. PART SECOND-SECTION FOURTH. 41.In the LiterCr;i A delphti Ilail. 60, (b). Another copy of the above portrait medallion. 61. Medallion portrait of WXASHINGTON IRVING; by Blradish. SECTION FOURTH. STATUETTES IN TERRA COTTA. These copies, executed by Mollica in Naples, are highly esteemed for their accuracy. The terml " Farnese" is applied to certainl works of art which were once in the collection of the Farnese faimily at Rorile, but which have b)een transferred to the great museums of' Italy and France. 62. Ti-t WOUNDED AMAZON. From a marbl e statue of the life size, formerly in the Farnese gallery at Rome, and now in the museum at Naples. 63, 64. NONIus BALBUS, FATnHER AND SON, MAYORS Ol0 PR[AETORS, OF HEICULANEU,[JM. Two equestrian statues were found in the Bailica, or hIall of jiustice, in Herculaneum; one N Lonius Balbus, the fathier, the other his son of the same name; both successively PI acttor.s, or chief -lagistrates of the city. The originals cre in Grecian marble, of the life size, and precisely similar to eacEh other in style.. 65. Trim GIADIATOR MO)RTAI LY WVOUNDED. Sir Johni Bell thus speaks of the original: "The knees bend as no longer all)le to sustain the frame, which is in the act of sinking lown; the weapon dlropls down in his hand; his features are shrunk; his eyes fixec in vacancy; the light fades froiln before him." It waVs discovered in the baths of Canracallla t Ronme, andc long preserv ed in the Farnese collection. 66. MiERCURY IN REPOSE. From a bronze statue of the life size, foiund in Herculaneumi. Winckellmann said in his time, that this was beyond question the most beautiful bronze statue in the world. 67. THIE FARtN1ESii HEitCULES. This faimous colossal statue, 12 feet in height, is the work of the Athenian sculptor, Glycon, who probably lived in the first century of the Christian era. It was found at Rome in the baths of Caracalla. Some critics supp)ose this to be a copy of an earlier statue by Lysippus. 68. THE INFANT HEIRCui,iiS. From a brolnze statue formerly in the Farnese gallery. He is in the act of strangling the serpents, sent by Juno to destroy him. The pedestal, representing the labors of Hercules, is a work of the 16th century. 69. A ROMIAN ORATOR, somletimes called Cicero; fromn a statue found in Pompeii. He is clad in the toga, in the form in which it was worn by the republican Romans, and supposed to be addressing the people in the forum. 42 MUSEUM OF ART AND HISTORY. 70. EPICURUS, Fronm a statue of the life size found in Pompeii. 71. I)ACIAN CAPT'IVE. It is sometimes called the Daeian captive king, and belongs to the tile of Trajan. Formerly in the lFarnese gallcery. 72. SoIn,, —1TE. Draped in a cpacllia, /ib aatiomt, or Athenian cloak. 73. A.CEIlPPINA, TI-II WIIE OF GCTINANICUS. Agrippina seems to ha ve bleen a fivorite sul)ject with Ltonji in artists, or with the TGreeks employed lby thle I[ltlolnns.'Tllhete se veral sttitues of her tlken in the saite attitude, still preservet d in Italy and France. Thle stlat-ne in Naplltes, ti-on wllich this is copied, is consideed the best of them. She is represente d as "'lalientino_, in silent lbut most. expressive ai-n-l:guish, tlhe death of G-ermlanicus." It is one of the lnmost impressive cndcl most beautitful of tancient sttites. Agriipina, the wif of (-ei manlicus, an d rLndI dau hter of Aug;ustus, (not the motlie of Nero) was loved and revered hy tihe l-oinans, who ed'tlled her "the ornanlent of her countlry, aend thle plttern of an-cient tin-es." 74. E]3tlJNiAlCTn,'C 1ri: PlIISTIS,. Froni a, statltu fund in Poipeii, o011 the pltlesttl of' \t icnlT is n insctilption coilleiloratin? thle jeneriositv ol" Enntitel-l, Wctho had iectted ait lher ownll extl n lse a C/mil)t itall:l (Clci/ticr)., thl.t is, a:s coi inonly undl'stto(l It PeOtico atnd Ve stil)ule, ini the Fidtllotict 01or Fultler's Exeti:1(-, m a t P omi1)eii 75. [INX IvX. F1roIn a1 very ancient statue oft thli Etluscan style, Wviiclih as one of thle first:found in I terCulancl.111. 67. ITi-ui, F'iARNi S n C opiedI fio()nl o01 of tlhe I1ost perfect statues in Italyt, ftind in tne b)athls of Ca(1itacal. Sir John Bell thus concludes (an civloirtte criticism of this work':' Suci are the fiie p)rolortionls of tilis staltue, suc-tl ttle )einltiful (cflfects of the figure, grtaduall l tipuerilii dowmi to( tle ainkle, such the elegant tfow of tle d7ralpery, as it ftlls over the breatsts, or ais it blinds tlhe waist, chinging to antl etirc tling the limbls, or drlawnil oblique iandl lightly Icross thie le(:i1ld lt1cet, borne 11p )by time right hand, which gathers it into a triantoular tlinl peindulous point, tihat althlOtill of colossa1l size, vith linlbs ailnlunost aus lahire as those of the tercules, it vet presents a oirm of' lightness and gracte at omeCe elegoant iandl libeautiful." 77. Tl1Hi FARxNESI: 1UI. FrOom tlie colossal (i oupl executtel by Apollonius and Ti auriscus, of Tralles, at about the saiie period as the Laocoon. (See Part II, 4.) The subject is Zethos and Ainphion faLstening Dirce to the horns of a furious bull, in revenge for the wvrongs of their niother, Antiolpe; who is represented in the rear of the gronp. The original stands in the hall of the Farnese Hercules, in the National lmuseurm at Naples. 78. Copy of an equestrian statuette of ALEXANDER THE GREAT, in battle, found in Herculaneumni The copy is of the PART SECOND-SECTION FOURTH. 43 same size as the original, and is covered with the samle tint of bronze. 79. THE DANCING FAWN. From a finely executed bronze statuette, discovered in a house at Polmpeii, which from this circurmstance is called "the house (f the fwlnm,." 80. THE FIGHTINGT GLADIATOR; also called the Borghese Glt1cdiator. From the great statue in the Louvre, executed by the Grecian sculptor, Agasias, who flourished about 13. C. 850. It, does not, in fact, represent a g'ladiator, but either an Athlete or Greek wa"rrior, perhliaps Achilles, in the act of attacking anl adversary on horseback. This statue was (liscovered, like that of the Apollo Belvedere, among the ruins of Antiunl. 81. THE POET EURIPIDES. From the Farnese collection. 82. THE DYING (-GLADIAToR. See photogra]ph Nos. 109, 110. The original is a little larger than life. It was found,at Antium about A. D. 1770, and is now in the Capitoline nmuseurnm. In its anatolny this stfatue is pronounced faultless. Though universally known as " the dying Gladiator," it is regarded b)y critics as a G-recian statue, )probally representing tlle dceathl of' a, Grllic he-', l( in some battleh of the (auls in Asia Minor. His nation is supposed to be indicdated by the twisted collar, torqves, round the neck; his office by the horliS Iying at, his side. By sonme it is ascribed to Ktesilaus, by) otl eis to P1olni, chus of Perogamos, of tleo second century )ef'ore Christ. 83. FuICTrti OF A NYMPH-, or per ahps, a ba cchanlte. 84. THEI ArImFE' oFiv NONIUS BATLIUS, (see No. )63), attired as the laIhse Jtolhyai,?n,n,,, with characteristics similar to those of No. 9. 85. VENus AND CUPID. A favorite sublject of ancient scullture. (86. rrE FAYXvN OF, THI-E FI.OREINCE MTUSE1cTM. 287. APO ILO CITI-ARItEDUS; or Apollo playing thle lyre, as whTeln pesidlin over thle Muses. Il the nmuseunm alt Naples. 88. NYMPi WC)OUNDE1D BY AN Asp. 89. VlNUS AND CUP1ID. 90. THl-r I'SYC:HE OF TIHE NATIONAL MUSEUM AT NAPLESS; somletilmes called " Innocence." 91. Ti-rE FICUI1E OF A XNYMPTlH, Or Baccllante, borne 1)y a: saT m o01 ste r. 92. T-rE "PASTOrn FIn)TE," o0r the boy pulling a thorn:from the sole of his foot. In the Capitoline imuseuni at Ronme, 93. PAN AND APOLr,o. An adclllil,le statue, representing Pan gently correcting Apollo's ]ist ake in sounding the wrong note on the pf1ni1-pipes. or primiitive o01ran. 94. HInRCU,Es HOLDING ANTUITS AB3()E THE G-ROUND. From the muuseulln of NTlaples. 95. (iANYMEDTI)E AND TIE EAGTLE OF JUPITER. Fromn a bronze statue in the Vatican, said to be the wTork of Leochares. 96. HEBEIlJ BEARINCG THE NECTAR. 97. CUPID mWITH THE BUTTERFLY, or Symlbol of Psyche. 44 MUSEUM OF ART AND HISTORY. 98. FIcURE OF THE INFANT HERCnCULES, PLAYING WVTITII A GoosEa. The original by Beoethius of Chalceclon. 99. APOLLO IPLAYING THE PAN PIPES. 100. PACCIUS AND AMPErrUS. From a, colossal group in thle Vatican. 101. NYMPH. 102. - Copy of a marble statue in the 1useumn at Naples, representing the infalnt Hercules stra.ngling the serpents sent by Juno to destroy him. 103. JEscuLAPIITS. SECTION FIFTH. MINIATURE PORTRAIT BUSTS IN TERRA COTTA. I. Alncinf. 104. JULIU CISAnI) B. C. 100-44. From a fine bronze bust founcl in Hercnulaneu1m. 105. AUCITSTUS, B. C. 63-A. BD. 14. 106. TimRl*Tmous; reigedc A. D..14-37. From a, bust in tihe Farnese collection. 107. CAIGULA, reigned A. O. 37-41. 10(8. CIJAUDIUS; reigned A. -D. 41-54. 109. NERO; reigned A. 1). 5468. 110. GA1LBA, reigned A. D. 63-69. 111. OTIIO; reigne(l A. D. 69. 112. VITE]LL-US; reigned A. D. 69. 113. VESPASIJAN; reigned A. I). 69-79. 114. TITUS reigned A. D. 79-81. 115. DOMITIAN; reigned A, D. 81-96. 116. NERVA; reigned A. r. 96-98. 117. LucUS VERTUS, brother Iand colleanle of the Emperor AMIarcus Aurelius during the years A. D. 161 —169. 118. CARACALA, reigned A. D. 211-217. The original, a bronze bust, is in the Mnuseum at Nlaples. 1 19. HANNIBAL, B. C. 247-183. 120. FAUSTINA, wife of Antoninus Pius. A. D. 104-141. 121. SoLoN, B. C. 600. 122. SOCRATES, B. C. 468-399. 123. AnRCHYTAS, OF TARENTUM, B. C. 400. 124. PLATO, P3. C. 429-0347. 125. DEMOSTHr'EN-ES, B. C. 385-322. 126. ZENO, B. C. 300. 127. AJGATHOCI',s, Tyrant of Syracuse, B. C. 360-289. 128. PTOLFr'MY PHILADELPHITUS king of Egypt, B. C. 385-322. 129. ARCIIiMnI)EoS, B1. C. 267-212. 13(). MlIoETrnonOUS O1' SCePSIs, B. (C. 180. 131. PosIDoNIrUs, philosopher and friend of' Poinpeius Magnus, B. C. 75. 132. CiICIno, B. C. 106-43. 133. 33. ANTINOUS, the f-Ivorite of Hadrian. 134. T1 riE VESTA,. 135. VIRGIL, B. C 70-19. 136. SENECA, the Philosol)her, died A. 1). 65. 137. AU(-GUSTUS, in his Youth, A. D. 14. 138. JUPITER AMiMON. II. Jfoder,. 139. DANTE, A. D. 1265-1321. 140. PETnAIRCn, A. ). 13(041374. 141. ARIOSTO, A. D.- 1474.-1533. 142. TASSO, A. 1). 1544-1595. PART III. 1MISCELLANEOUS ANTIQUITIES. MO()T)iS AND ENGRAVINGT S OF VARIOUS OBJECTS BROUGJIIT TO IGIT r,BY TIlE EXCAVATIONS AT POMlPEII, TIERCULANEUM A NnD EI,SEWHIERE. 1. BPnONzE IAMPS, of the original size. 2. THrIE, CANTHARUS, or drinliking cup with two halncdles, of the original size. 3. THE RHIYTON, 01r drinking horn, of the original size. 4. THEn, PATERA, for sacrificial libations. 5. THE CRATIER, for mnixigT' wine and water. 6. TI-rr AMPI-TORA, CADus, or WINE JAR. These were made of clay, andl held from 5 to 20 gallons. 7. MOnDTLs OF VARIOUs VEssEI, for useful and ornament:al purposes. S. The engraved plates in frames, lettered a, b, c, d, e, f, g, h, i, k, represent some of the more important objects in the museum of small bronzes at Naples. These obljeets, mostly of bronze, have been found in Ponmpeii and Hlerculaneumn. All the articles in the plates colored bluish green are of bironze. The dark yelloow represents iron. Plate *a contains the implements of the kitchen; such as furnaces, boilers, egg-boilers, moulds for preserves, panis, ladles, etc. Plate h, balancces, weights, and leasures, both liqliid and dry. Placte, lamulps, candelabra, and chandeliers. Plate (, articles connected mostly wvith religions ceremonies; such as tripods, lustral basins, censers, and sprinklers; also, at curule chair, a rhytom, and a crater, or mixing bowl. Plate c, religious objects. 1. is a bronze lectisterv.in, or couch for ain idol. Those numbered from 13 to 30 are idols oi I.eatces; Jupiter, Juno, Neptune, etc. The origilals are frtol- 6 to 10O inches in heihlit. Plate f.f shields, corselets, hellets, greavTes, spears, sw0dRs, etc. Plate g on the left side, surgical instruments etc., found in the " house of the'apothecary;" on the rioht, bits, spurs, bridles, etc. Plate hI, things pertaining to the bath; tickets made of ivory and bone, for theatres and amphitheatrical shows; articles for 46 MUSEUM OF ART AND HISTORY. the toilet; anmong the latter, a glass box containing rouge. The collection of specimens of ancient glass in the Naples Alusenumly contains upwa:rds of 4000 pieces, including almost every article into which glass is capable of beino workled. Pl01te /, car'penters' tools, and agricultural implements; also the criminal stocks found at Pompeii with skeletons in them. 9. 1ronze mlodel of the BIGr.AE, or two horse chariot; the original of which is in the Vatican, and gives its name to one of the principal apartients of the museum: "the hall of the Bigan" e The original is of marble, and about half the natural size. 10. A copy of the "' ALnANI VASE," of the size of the original marble. 11. A very exact 1model in cork of the TEMPLE OF NEPTUNE AT PIRSTUAI, or Po',sedon, in the south of Italy. The Doric telmples at PIestuln were called ancient even in the tirme of Augustus; that of Neptune, which is the oldest, was undoubtedly built al cenitury earlier than the Parthenon, and is one of the grandest monuients of the Grecian Carchitecture. A imlore correct impression of the architectural eff-ect of this teiimple can be olbttlined lofimo the photogrlaphic view, in the collection of picturles, No. 57. By studying the model, however, the plan of the structure canl be uniderstood. The material of whlich it is built, as wiell as thatt of the other two buildings at Paestum, is a dlarlk ellowish limestone, siill-tl to thle trcver/in, of St. Peters, and the colosseum, a speciimen of which is seen in the umodel of S( iio's S(,''cophom/;S, No. 12. Tlre building consists of two peristyles, or colonades runnin g entirely round it, separated from each other by a wall. This close wall within thle outer colonade forimed the cella,. llThe internal peristyle consisted of six coluumns at each front, an(i twelve on each sile. rThe stylobalte or plaitforim on which the colunllmu-is stand, is ascendcled by three steps which extendcl colmpletely round the building. rThe floor of the cell, is elevatecd nearly five feet above the stlol)cate. The peristyle within the cclle, consists of two tiers of columnls, rising one above the other, andind separated by an architrave. There are fourteen on each sidle in both thle lower and upper storyi, and those in the upper 1range, tapering in the samle propportion as those beneathl tlleli1, (l:appearl' lihke continuations of' tlhe lower columns. The celia was Openm to tIhe sky, ainl therefore tIle temlie was of the,style cal-led hlif-irethlta/. There was a roof fromL tIle sumnlmit of itle innmer to thalt of the outer colo-llade. Soille steps of the stairs whllichl led to the second story or gallery, are still tralcca,le in tile, vestiblule. T l( shafts of tile columnis 1diminishl in a str aight line f-'rom tile ottol to thle tcl,; tIle aparlent swelling orl cen.t,lR.i* in tlle colulmlns beinl' due to tll e rlelloe napid (lecay of tile'IIn thle columllns of the Partlhenon a(nd other Athenian edifices, the etlasis or swelling of the column, is not nmerely apparent, but real. PART THIRD —BISCELLANEOUS. 47 stone near the bottormr of the coluniln. The llmeasurements are as follows: lentlh, 155 feet 4 inches; breadth, 73 feet 10 inches; height of externall co1 lumns1 inclunding capitals, 28 feet 11 inches; diameter of columnin at )lse, 6 f(eet 10 inches; those at the corners being a, little larger thtln the others, as in the Parthenonl, wvhebre there is a diifference of 2 inches; nlumber of flutinos 2)4. Entchblature 12 feet 2 inches; length of cMliN, 90 feet; breadthl 32 feet 4 inches; height of the interior columnLns, 19 feet 9 inches; diamnetei att tbase, 4 feet S inches; numlber of flutings in tlle lower range, 20, in thle upl)er range 16. The cork.miodel irepresents this edificeC precisely as it now appear's. 12. Model of the SALcol.Ui',n US, or (COFl1'IN o01' SCII'iO IA BATUS. TIe Original waVis found in the tonib of thle Scip)os at Rome, lld is nlO il the Vattican. It is i-la(]e of cl dark grey stone, called j1c]'cj'el, o. This mnodel is of t('Cl't ti, the matiterica l so generally elmployed in tile edifices both of imncient mand li-loderni RoPmer. The Scipio colmmleAnorted in the inscliption flourished in the tllird Sailunite wLar, arl(l wavs 0colsul. (. 288. iTe inscril)tion is one of the most ancient that Lha s been ])eserved in the,Latin ltnllluage, tan is interesting as a specitnen of the ortho all)phy of the IoniOanIs aIt thalt l)eliod. CotN irvs. LUCIVS. SCI IIOe BAInATUS. (10 Al IvoU. PATI'(tAl. I t()oCNATrvs. ]?olTIS. V1i. SAIPIScViS(. Qv\1VS. Fo(FRMAi. IV ilUTEr. PAltlARMA. FIlV. C)NsoL. CI NSOt I. Air)misi. Q F u. Ai). Vo)S. TAvR\ASIA. CISTAVNA. SAMNfIO. CEIT. SUIIIlT. OMNi. 1JOVCANA. OPSIDI:SQ(V. AliMovcr. (o",lciT " AScipio ])W I(ttjG, (I(c() )ctro ((l1Jlc' 0m, lc'it' c(11([li (fl/t J ljl!cfiit t(rtI l v vs T['(10ltill/ 1 issi0l(tl( it (in) Sda io() C-p}ult mabclgit 0o11t003, 11 ( GLi(t11i o1)8i(iGildo(p (dt)(bt cit. Comelius Ilucius Schi)io 1-rl)batus, tile so() of (leius; a b)rave and prudent manm; vhose forlm was as fs Llilthss i _s ]lis cou)}rage; who was alnong you Consul, Censor, ikdile; caplturedi TaU1rasial (aInd) Cisauna in Sanmium; conquered 1l LmucIi, and brought away hostiges." PART I V. GEMS AND MEDALLIONS. SECTION FIRST. THIE 1IORACE W-IITE COLLECTIO()N OF CGEIS ANI) MEDALLIONS. This valuable collection wlas the gift of the I-on. Andclrew.D. White, President of Cornell University, and nameld after ]is filther the late Hon. Horace White, of Syracuse, N. Y. It consists of 1694 copies in plaster. -mace with great care andl artistic skill by G. Eichler of Berlin; those of gems froml tlhe BarOI von. Stosch collection in the Berlin museum, and those of })ortrait medallions from the most authentic originals to be found in Europe. The ge-ms, which are all from the Lantique, are embraced in Division First (1-450), antd only described y) classes. The detailed catalogue is not yet Irepared. Division Secondc comprises portrait atnd r atistic mledallions, tmlostly nme(limevl and modern, and meclallion copies of m-any of the works of Canova, Thorwalcdsen, Gibson, and others; and ailso of works of' art, atncient and modern, in the grectt 1Europeain mlluseums. Of the port rait medallions a full description has been fulrnishecl bhy 1Eichler, as far as number 722, with the rnames of the artists as fair as 709. Thec present catalogue will give no detailed description of the remainder; but in general, only thle names: rLc titles of the personages representedc so ftir as thTey can be deciphered. A few nanmes will be found chronologoically misplaced, owing to an occasional error in arranging an(d numllbering the medallions in the cases. DIVISION I. COPIES OF ANTIfQUE GEMS. ('l(1.s First-E!gypt-iao Gems illustrating the EllyptiCaL, lRlig;/on. 1-15. Gems bearing hieroglyphics. 16 —24. Gems illustrating the worship of Isis and Osiris. 25-27. Of' Halrpocra:tes. 28-386, of Anubis andc Canopus. PART FOUIRTHH- SECTION FIRST. 49 Clases Second —Gemols illustratactyg the Clatssicl llytllology, Rel]igionl and Sacred OCrcmoalunil. 37-39. SATURN. 40-43, CY:BELE. 44-47. Symbolic representations of Africa, Sicily, Antioch, and Alexanria. 48-62. JUPITEIR. (33-65. The Thunderbltolt and Eagle of Jupiter. 66 — 71. War of Jupiter and the other gods against the titans and giants. 72-74. JUNO. 75-88. Amlours of Jupiter. 89-97. AIINER-VA. 98-103. CEumIs. 104. TRIPPTOrLEMUS. 105-109. Attributes of Ceres. 110-119. 1)IANA. 120-128. The Chase. 129. ENDYMION. 130 —133. PLUTO and PR()SEIR1'INmE. 134-147. MiERuculu. 148-152. Attributes of Mercurv. 153. H]IlirnAPlolIROTus. 154-170. NEPTrUNs. 171, 172. Rivers and Fountains. 173-176. Sea-AMonsters. 177-179. Attributes of Nep)tune. 180187. VINUS. 188-190. ADONIS. 191-196. V`ULCAN. 197-247. CUPID. 248-257. PsYCHE. 258-270. M s. 271-274. Ani,'is. 2795-279. VICTORY. 280-284. APOLLo. 285-291. The LVre t1eld other attributes of Apollo. 292. Apollo as the God of the the Sun. 293-304. The signs of the Zodiac. 305-808. TIIE MusI;s. 309-311. Masks. 312-315. EscuLAPrIUS. 3' 16-320. BACC-tus. 321-322. SIIENu s. 323-326. FAUNS. 3i27-331. SATYRs. 332-39. oo-o c. BACCANTrlS. 340-344. Attributes of Blacchus. 345-347. PRIAPUS. 348-365. HERCULES. 366-368. IOLUS. 369 A VI,:sTAI,. Class Thir.d —Pers' oalgtes of t' e Myllthlic and t lcroic Period. 370-399. The Fabulous Tinles. 400-403. The seven Heroes of the war against Thebes., 404-421. The Troljan War. 422427. The homeward Voyage of Ulysses. Class Fourth —A nc'in~t JHiStor'Il. 428-442. Persian and Grecian. 443-450, (c). PRoman. DIVISION II. MAEDIz3EVAL AND 3IODERN POiTRAIT LMED)ALLIONS. Ccuas lFirst- Tosr of Itatlia1, lrtit, of the LEarbiset Aye-A. D. 14D0-1570. I. WVlORS OF P1s \sNO Prl(CTOR, )properlly niamed Vittoaio Pisa.no, or Pianlello; a (listinguished paintei i all modeller of medallliols. His works of the latter kind are tlhe earliest klown after the fill of the IRmani Empire. HIe was horn at VeroLna in 136-(19, and died in 1449. Twenty-eisght of his Imedallions are preserved and are exceedingly re. 451. JOHN PAL]iOL OGUS III, Greek Emileror 1425-1448. This medal was struck in comnlemoration of his visit to Pope Eugenle IV, at Florence in 1438, p)artly to confer with him on the union of the eastern and western churches, and partly to obtain assistance fromi Europlean( princes against the Turks, This is the earliest historical medal whose clate is known, 50 MUSEUMI OF ART AND HISTORY. 452. The reverse of the foregoing, representing the Emperor and an attendant on horsebl)ack. 453. SIGISA;i NDUS PANPDUJI'US DlE MiALATEJSTA, Marquis of Arimini. 454. Reverse of the foregoing. A man in armor; on tle rihl-It, a coat of armls marked wVith the letters S I; l)erhall s the initials of the German Emi)eror Sigismund, (Sigismyundus In11perealtor), who conferred thle title. 4155. The samne personIage in steel armor. 456. Reverse. The Mat rquis on horiseback holdino' the baton in Iis rilit, hand. lTt the balckground, a caistle with the coat. of arnis on one of its towers and on tlte other tlhe date AICC1(,(, C"1 L \. 4:57. I 1()NElUS AMcLIO EENSTiS: withl t1he inscription ( E( ( nerllis) R eogitis) Ar innier). Leonello, Ml rquis of Este, Lord of Ierrera( l ezzo llnd no(lel-a. 415S. leverse. A lio, na guardian aigel holding a scroll, an eagle, ind a, toweir witll a sail unfurled. Tlhis marquis received his title ofl (Geneialliss Tegius Armii(c r friom Alf- fol.l-(nso, k-in:g? of NTlples, wrl0ose dcl:i'ltU tr lie lild lnllrri l is second wif'e in 1444. 459. NIMcOLAUS PIcixNINus VICtoaI s; Nicolais Picinino Viscon li. 460. Itxecrse. A wriined l'iffii en(lin in the fi) r11 of a lioness, llatl sucklin ti two boys.'rhe riloii ioulnd the neck is inscLibed Petrusil (PetLeunia). Nicolias Piciitino \\:tas a cdistinguishled (gener}1 of Duke'111hili Mntria Viscti of Milin, and dlopted (1Y hi is. son x Vitt11 tlit fimily;iiae \TVSCOn1ti, or inl latin, ViC()IIts. He a i rival of Frtincisc() St')rza, ainother adopted soii of' Viscoiti. and wavxs throtulli his in-l uclence driiven from i ilan, andl die(l in 1444. Nicolais aii(l ilotlleri cdistilguished fi)llo\er of t Duke Visconti, wure 1)()ri at Perug ia, xwliich is syml)(bolized in tlhis mnedal by the grifii) nursiing the twAo boys. 461. Fn'l NCsCu,; S O() Tx: FIr ancesco S'oirz:I. 4062. eeverseC. Tle heialI of Ca hori, a svCd, and three books. Sfizax wv:s intaliiec( to the (ltiulitter of the I)uke of Milain in 1444, and succeeded to his dul Ledomi on lins deattlh in 1447. 463. The st-ame as 4a57; with the face tulneled to the 1iglt. 464. The reverse, represe nting a Child's head wAithl three fa.ces between two suits of trnmor, suslp)ended frol pine trees; the simnifieance of which is uncertain. 465. JOHA NNES FiANiriseus ii (: GONZxAC;, cCmalIatclder-inchief of' the ariny, first M aruis of Ma itna. 466. lteverse. Thle Mariluis on horseback with the baton. On the right another ]lorsemlan. (-onzaga was bIorn in 139l, wvas inT ade mLabrquis by the Emiperor Sigisnluntl in 14133, andc died in 1444. 467. LuDovicus GONZAGA. A bust armed with a cuirass. PART FOURTH-SECTION FIRST. 51 468. Reverse. The Marquis on horseback in complete armor. The syimbol of the sunfloiwer turned towards the sun, was introduced by Pisano into his ledals; perlhaps as an elmblemn of the aspiration of his heroes. This marqll(uis was tile son of the foregoing, succeeded to his titles on his (leath in 1444, alcd died in 1468. He was a great general, andl took the side of the Venetians against Fr. Sforza, Duke of Milan. He Twas also a patron of science and art. 469. CECILIA GONZAG(-A, sister of the foregoing. 470. Reverse. A femnale figoure seated on a rock, with her hand lying on the head of a unicorn resting at her side. Above is a crescent, andcl on the right a stone pillar. This princess, noted for the purity of her character, by the request of her father retired to a convent and took the veil. The sy1mbols allude to the power of virtue to restrain brutish violence, the truth and strength of religion and its growth in a life of clevotion. 471. VIcToRINUS FLiTRENSIS; Victorinus of Feltri, the teacher of Cecilia and one of her sisters; noted for his learninu, esi)ecially in -mathematics, and highly esteemed by Duke John Francis and his son. 472. Divus ALPHONSUS REX, T.riho,mphcittor ct Paclifiecs, 1448. The bust of Alphonso V, king of Aragon and Sicily, 141(); king of Naples, 1443. He died in 1458. 473. Reverse. Libcr, aitas Ai,/est,. An eagle on the trullnk of a tree, near the carcass of' the dleer he has killed, seenms to have sullmmonemd the young eagles arnd other birds to share the prey. A spirited allegory, well desig'ned and executed. 474. Another medallion portrait of Alphonso. 475. Re erse. A lhunter in the act of slaying a wild boar', with the inscription: Velator intrepidus. Trre design and that of No. 473-allude to the conquest of Naples by Alphonso. In this is symbolized his final success aifter an obstinate struggle, in the other the mrlunificent rejTwards bestowed upon his follo wers. 476. DoN! INIGO DE DAvAsROS. Bust of a young nobleman. 477. Reverse. A representation. of the starry firmament, the earth on which are mountains, buildincg, and castles, and below it the sea. Above, between two sunllflowTers, is seen the escutcheon of Davalos, and belo\w, the Italian inscription: Pe'l voi Se,,t; it is done by thee. Davalos had been a conspicuous follower of Alphonso, and largely instrumental in bringino about the conquest of Naples. Hence the inscription: "It is achieved by thee. 478. Ileverse of a mnedal of Mailatesta Novellus, younger brother of Sioismund Malatesta. (See below, No. 481.) He received the namle of Novellus, when knighted by the emperor Sigismund in 1433. He is represented embracing a crucifix, while his horse is tied to a neighboring tree. 479. PISANO PICTOR. Portrait of the artist. 5, 2 MUSEUM OF ART AND HISTORY. II. JS\ATTEO PSTI, or (le Pastis, of YVeronta. He flourislhed between the years 1446(-14(6i(, and distilnguishled himself, like Pisanol 1),bot in paintillg, designuin an(l c(astilln medals. 480. PBiNEi DITCTITS DE PASTIS, brother of the artist, an1(1 of' the clerical order. 481. SICISMUNDUS PANDULFUS MAATLATEUSTA, P'oit(d(fif) F (iii',,S) Poh(orIcctc' et m Iol,pcr'(.tmor ) seoI)ler i'v,,ictls' The so n of 4593. 482. IsoTr, of Rimini, mistress of Sigismunnd. 48t. ReverCse. The figure of anl elephant, one of the( emblems belonging to the, arims of Malatesta. 484. GUARINUS VERONENSIS a, poet and eminent scholar and countryman of the artist, by whoum this mledal was mnadle in the year of thle deathl of (uarinus, 1460. 485. A head of CHniST. It is of the traditional type, and remlinds us of the drawing in the catacomlbs at Rome. 486. Bust of CHRIST between two children; behind him, a cross. III. JOnIANNES BOLDU, probably a Venetian artist. 487. Portrait of the artist, with an inscription iin Greek an-ld Hebrew. 488. P-TITIPPUS DE VADIS, de Pises, probably a physician of Pisa. 489. PHInIPPO MrASSEnRANO V\ENETO, iusis dilecto; probably a Sinoge0r or unsiaeitn. 490. Reverse. Arion borne by a, dolphin over the sea,. 491. NICOLAUIS ScIuTinEn, G-ellrman us, vir moolestus alterque Orpheus. 492. Reverse. A-ollo playing on the lyre. Opus Johannis Boldu Pictoris, 1457. This is the oldest po01trait of a German nusicilan, as that of Masserino of''an Ita lian. Nothling is known of Boldu but thie flct of his making these imeclals. IV. AM\i)EO 1IIIANESE, 01r Amlladeus of Milan, livillg between 1450-1452. 493'). DOMrNITS BRonstIs, sMarchio Estensis, Lord Borso, Marquis of Este, jwho succeeded his brother Lionel as Marquis of Perrala, anid Modena, in 1450,()nd was made Duke in 1452 by the Em periliI Frederic III. V. P'RnECINI, living in Florence ablout 1460. 494. Boso, Dulke of Modena. anfd Ferrcara. VI. ANlREAs (GUACCELIOTTI, of Cremiona; about 1460. 495. NICOLAUS PALMIERUS, Sielus, ilsEpiscopus Ortanensis. VTII. DONATELLO, the celebrated architect aind sculptor. Died at Florence in 1460. 496. CosMus MEDIcEs, decreto publico, P(ater) P(atriae). PART FOURTH —SECTION FIRST. 53 As Cosino dl'S5tMedici died in 146;5, this medal wTas prolabt;ly struck shortly before thalt tile. VIII. MClmlnirrozzo,( a pul)il of Donatello, living at Florence about 1460-1470. 497. CoSrus MIDICES. A ie(dal very similari to that of Donatello, but much less plastic and true to nature, a, nd a little exasggerated in its detail. IX. PIErnno iE MILANO. About 1460-147(). 498. RI:NI,::)' ANJOu, titular king of Naples, and1 rivaTll of kiine Alphonso; 1463-1480. X. Limr11i,mI)o Iom,liNrJINO; Bertold of Florence, a pul)il of l)oiiatello. TIe sto()(l 40( iol in tlie favoro of llrenzo (li eli(i, whol-, I-made hIin sil(elintend(let of the Academy of Arlts. 499. StTTAN M![OHAMMrED II, the conqueror of Constantinople, 1454. 500. Reverse. A triumllphal car drawnl by two horses, led by Mars. On the car three nude female figures, personifying the conquered kingdoms of Asia l\lior, Trebizond land Greece, and bound witl a, cord, the end of whlich is held b)y the victor, XI. CONsr'ANzr. About 1 480. 501. MAHOMMED II. Tle Sultan taken att a mlore advanced age. 502. Reverse. lhe Sultan on horselbalck. XII. BAEriroo TALpAx; about 1470-l-4S(). I-Ie is only knownN1 by the followin tiwNo med1als. 503. FREDIuICUS CGONZAGA AMANTUYE MAARCIO III. 504. FRANcSCuIS GONZACA MATNTUE MAARCHIr I V. XIII. ANToNIO PALLAJOILO. of Florence. Born 1426; died 1498. An excellent sculptor, palinter an1d -ol(ismuith. 505. SxXTJUS IV, Pontifex Maximus, 1471-84. Pope Sixtus IV with the tiara. 5(06. The slmne, smaller. 507. INNOCENTIUIS VIII, Pont. Max.; 1484-91. The Pope withl- heald uncovered. 508. PoPE1, ALEXANDER VI, 1492-1503. 509. ERAYNALDUS DIE ORSINIS, Archbisl-op of Florence. XITV. ANDREA DA PRATero; about 1480. IHe wav-1s a gol1dsmaith. 510. ALFONSO FTRDTNATNDUS, Duke of Calabria, eldest son of king Ferdintand of Naples. Born 1448; became king 1494, Awith the title of Alphonso II. XVA. GocLro DELLFA Toiul. Hle was originally a lawyerl of Padcla, but froml his love of art gave up that profession and became a painter and maker of medals. 54 MUISEUM OF ART AND HISTOIRY. 5"1I. HInRONYMUS TnRRIS, Jeronme della Torre, provost of the church of Majo; a relative of the artist, who has immrlortalized hilm, as vell as several other kinsnmen, by his i.e(dalis. 512. JorI. B]APTISTA GONFALONIERI, a learned physician and mathematician. XVI. JonI. MARIAn PoATEInmLLO of VTerona; 1470-1520. 513. Portrait of an unklnown female personage; with the inscription: F. B. et longius vivat servata fide. 514. Reverse. Cupid standling under a grape vine lowaded witll grapes on a globe liarked with the letters A. S. O. 515. LUCRETIA BORGIA, daughter of Pope Alexander VI. 516. Rleverse. Cupid with various symbols of disappointed love; in allusion to the fickleness of this princess in her attachnments. SXVII. FriANCESco LAruRANxo, k-norwn to have lived in France,.46(0-S0. 517. JOHANN1,S DUX CALTABE]R, ET LOTnHOnRINUS, eldest son of Recn6 d'Anjou. (See 498.) Died 1470. XVIII. SPERANDIo, 1465-1528. 518. ALEXANDER PAIRTAGNUTS; an eminen1 t 1lawyrer, 1424-77. 519. MAARINUS KARAZOLUS; Field Marshal of Ferdinand, King of Naples. 520. Jori. BENTIVOTous II, 3entivoglio, last dylnast of Bologna,. 521. FRANCISCUS S vORPzA. 522. nArTOiLOMIcO PENDALTA. 523. IIERONYrMUS SAVTONAOLN, thie Italian predecessor of Luther, 1 452 —-1 498. 52z4. LT)ovICO CoaRo; a celebrated poet of his timle; born at Re(gg'io. 525. IReverse. The niuse Calliope seated by the fountain of Castalia, presents a wreuath to the poet. 526. ANTONIO VINCTGIUIERRA; m11ember of the privy council of the R1,epulblic of' Venice. 527. AN'TONIO SARZANELLA DBE MANFREIDIS. 528. PIuTRO BONNUS AvOCGARIUS, a celebrated physician and astrologer at Ferrlara. 529t. CAIROLUS SEcUTNI)US l)E, MANFtREDfS, Lord of Faenza. 530. SImION RPuFINus, a follower of the Dukes of Milan and Ferrara. XIX. CORinADI:TI, flourishing in the periodl between 1471-1505. 531. HIFEIR(UIES, DLuke of Ferrara, Modena and Reggio, of the house of Este. 032. DANTEs FLORENTINUS. The poet Dante, 1255-1321. PART FOURTTI-SECT(TION FIRST. 55 XX. GIOVAXNNI FIANC':EsCo ExN-;OLO, of Panla; 14(60-1480. 5O3,. RANCEiSCO SIFORZA. 0o4. GAA-EAZZO MIARIA SvFORZA. 535. CONST. SFORZA, son of Alexander Sforza, prince of Pesaro, 14.75. 536. Reverse. Richly armedcl knight on horseback. XXI. CAro; flourished ud(ler the EImperors Frederick III, and Maximllian, 1470-1500. 537. PMAAXIMILIANUS, son of Frcleric III, Duke of Austria and Burgunldv; afterwards emil)eror. 538. Reeverse. Maria Karoli(na), the letters M'M (Maxinmilianus, Maria), and a crown. This medal commemorates the marriage of Malximilian and the archduchess Maria, daughter of Charles the Bold of Burgundy. XXII. CHaRISTO-ANo GEREM I A. 539. ALFONSO, rex regibus imperans et bellorum victor. King Alfonso, of Naples. (See 472.) 6540. ReAverse. The king crowlned by Mars and Bellona. XXIII. Medals by artists not known, 1430-1(500. 541. NiHnoIAus MARCHII() ESTENSIS, Duke of Ferrara. Died 1441. 542. JO-TANNFES B)ccAceCIO, the celebrated author of the Decameron. This mnedal is the one from'Which all more recent portraits of Boccacc1io have been copied. 043. PAUL, II. Cardinal Paul Barbi, of Venice, was elected Pope in 1465; the occaision of' this medal. 544. Portrait of a young manl, unknoNvn. 5) 45. Portrait of a mian of nmature years, unknown.rl 546. AIESSANDRO DI GINO VICHTIETTI. 547. PHILIPPUS STROZZA, the rival of the )Medici. 54S. )NONUINA STROZZA, probably thle daughter of the foregoing. 549. FRANCISCUs LANZITLOTTUS FLORENTINUS. 550. GIOVANNI I)ANDRIA DASTIA. 551. An unknoiTowln young man. 5 52. A simnilar port]rait. 553. VICTOR PAvoNrus; private secretary and ambassador of the Duke of Ferrara. 554. TIHADDFA PAVONIA, his wife. 555. RonERTUS D)ANTES CASTI I ITONEN5SiS 556. (U-TUIJAN() PAXTRICINI, 1460, 557. AINTONTO PIZAhAXn. oo:S. PlTnRUS M3ARIA. 559. ANTONIUS SPANNOCHIUIS. 56(0. R-0onB1nRTUS DI BIPr',N-ARDO NASI. 5t61. AMA Tn lTus FiciNus FORENTIN-us. the most celebrated. ,56 MUSEUM OF ART AND HISTORY. scholar of his age; editor and translator of Plato; residing at the court of the Medici, 1433-99. 562. ANGELUS POLITIANUS, tutor of the sons of Lorenzo de' Medici, 1454-94. 563. MARIA POJITIANA, his wife, or sister. 564. BETn EDICTUS BEMBO. 565. URSA, his wife. 566. JOH. PAULUS URSINUS, (Orsini), Count of Atri)aldo. 567. JOH. ALOISlUS TUSCA, a distinlguisheA jurist, died ill 1475. 568. CALIXTUS III, Pope, 1455-58. 569. PAUL IV, 1555-59. 570. PANDUI 1FUS MAT:ETI TSTA. 571. GILIERTUS, of Bourbon, Count andl Dauphin of Auvergne, viceroy of Naples under Louis XI[. 572. CARoLus DUIX BURiGUbNDIs, Chlirles the 0ol(1, 141o3-77. 573. FREDIMnRICUS TIrR'IrIUS. The Gerliman EmIl)eror F1re1(eric III, when on a visit to Rorme in 1469, knighted (a number of Italians and Germans. The mnedal comlmeinoraltes the event. 574. Jo)HANNES TuRUABONUS, uncle of Lorenzo de' Medici. 575. Medal struck on the occasion of the (tlSS'ssinationll o Julian de' Me(dici, with the inscription: I1 tut. pbl)Uic48. 576. Reverse. The rescue of Lorenzo de' Mcedici, with the inscription: Sails ptm)licCta. 577. IAURENTIUS MEnDICUS, Lorenzo de' Medici; reigned 1472-1492. 578. JOHANNNES PIORnJs, of Miraindlola, 1472-1492. Thou(l1 he died so young he gaLined a I ineinienlt place, anmong tlle prominent men of his age by his talents and vast learnin,' The medal was struck in 149). -79. BAIRTHTJO:LOMUS, Of Ruvere, Bislhop of Ferrara. 5SO. HIRONsYMiuS SANrTU(lIUS, ( of Urbino. A bishop. 81. CHRISTOF()IIUS AIAUizo Dux, Doge of Venice, 1462-1.471. 582. JOtIANNES FA.NCISCUS, Mariquis ()f IPtll:vicini. 583. JorI. BAPTISTA URSINTUS, of the house of Orsini. 584. JACOiuJS LAURI1DANUJS.,585. VINCENTIUS MmRPETRO A ANDRA FIJIUs. 586. FRANCIscUS MfPIPETR1O ANDREA FIIIuJS, ann. xxx. 587. JOHAINNES JUvrANUS, apostolic protonotary in. the court of Rota in Rome. 588. CATHARINN CGO()NZAGA. Nothing' is rknown of her history. 589. ALPHO-NSUS ATESTINUS, of the house of Este; first Duke of Ferrara, husband of Lucretia Borgia. 590. The same a little older. 591. HIERONYMUS FERRARIiENSIS, etc., bust of Savonarola, (see 523), taken froin a cameo in the cabinet at Florence. 592. JULIANUS, Episcopus Ostiensis, Cardinal Julian, of the house of Ruvere, nephew of Pope Sixtus IV, afterwbards Pope Julius II, 15(03-13. PART FOURTH —SECTION FIRST. 57 593. Reverse. Clemens Episcopus MIimatiensis; also of the house of Rovere, cousin of the foregoing; 1483-1503. 494. FR ANCISCUS PI[CTlARlGAc, the great poet; 1304-1374 595. ALDUS PIUS MA'L NUTIUS. Portrait of the celebrated printer of Venice, publisiher of the Aldine texts, 1447-1515. XXIV. CARADOSSO, a. friend( of' Benvenuto Collini. 596. BRAIMANT'rS ASDRUVALDINUS, 1444-1514. Bramnan te, the great architect of St. Peters in RtomIe. XXV. BENI iNU\:c o Cl, (ILlIx, a sculp)tor celebrated especially for his works in gold aInd silver; 15)()-15.(). 597. CARnINArL PEITrUS 13BM'B\1O, 1470-1547. 598. Reverse. Pegiasus. 599. PoPE- (JIrMl-NT VII, of the house of Medici, 15231534. 600. Reverse. The goddess of i)eace; the god of war, a temple, and trophies of war. 601. FRANcIS I, kini of France, 1515-1547. 602. Reverse. A horseman brandishing a. club, a prostrate femaLle figure, an oar and c a glole. XXVI. I)PoinxIco P A((ri5m, a friend (of ( ellini. 603. (AM.IIn iO PERETTI, sister of Pope Sixtus V. XXVII. JoxI PArUL P(G( IN'I; lived first at Florence, and afterwards at the conurt of Phlilip II, ill MaLd(lrid. 604. HILERONYMA SACI IATA, 1555. 60o(. HI] nRnoN~Y I-, of the house Farnese, duchess of San Vitale, 1556. 606. LUCRInTA iE' IEDUMICr, P1cits ()ts of Ferrara, in her fourteenth year; 1558. 60I. The samne, smialler, 1560. 608. The saite, a little altered. 609. ALFONSO, of tire house of lEste, here(ditarly Tprince, a(fterwairds prince of Ferrara, i1.58. 610. BoNA SFORZA i)n An RACTONIx, wif( of Sigismundl, king of Poland, 15,56. (i1. PrHIIP I, king /of ~iu, 1567. 612. ISABELLr,r of Fralnce wife of the foregoing, 1559. 613. AiNNA, lrChduchess of Austria, fourth wife of Philip II, of Sp)ain. 614. BARn1ARA, archduchess of Austria, idaughter of Ferdinand I of Austria, andl:l wife of duke Allphonso II, of Ferrara, made in 1565, the date of ti]e mnarriage. 615. Em'ioNo-n, sister of the dI)ove, rim:arried Duke William of Maintnua 1.561, when the mledlcl waVs madllie. XXVII[. \VercLmrsU B1E3,1i of ViA'e1 lna; live(l mostly at Romlle, 1.5406. (616. VALJElmIUS BELLUSN VeICENT INUS. Piortrait of the artist. 8 58 MUSEUM OF ART AND HISTORY. XXIX. LEON LEONE, of Arezzo, henice calling himself Arretinus. 617. ANDRI\ EAS DORIA, the celebrated Andrew Doria, of Genoa, 1468-1560. 618. Reverse. The portrait of the artist with a, galley behind hin. andl a chain forming the rirm of the lmedal; symbols of the service of the artist in the galleys as a punishment for wounding an eIemny at Rome. Having been released from this service by Doria, he made the mledal in his honor. 619. HIPPOITA GONZAGA; in her sixteenth year, about 1555. (See 645.) 620. Iteverse. The princess as Diana hunting. 621. AiMtclElr, ANGELO BUONAiROTTI, in his eighty-eighth year; hence in 11562. 622. Gor(aoo VASSARI, of Arezzo, author of the liographies of Italian artists, and in-timate friend of Michel Angelo, 15121574. 623. ANTONIUS PE1RREnNOT, bishop of Arras, afterwards Cardinal Gra nvellla. G624. The same as Cardinal. 625. PnITIP, crown prince of Spain, afterwards Philip II. About 1547. 626. FrltrIsnD, RIolmnorulmi inp. electus. As Ferdcinand, the l)rother of Cihairles V, was electedl emperor in 1556 and died in 1564, this medail niust have been struck during that periol. XXX. POMaPEJO LEON, so11 of tlle foregoing artist, and living at the court of Phiilip II, of Spaion, lland in the Nethlerlands. 627. CAROIus. Don Carlos, eldest son of Philip II, ancl hero of Schiller's drama of- "Don Carlos." The mnedal was executed in Sptain in his twenty-thlird year, )by order of his father. 1545-68. 628. HEIRCULJES II, of the house of Este, fourth duke of Ferrara. 629. FE}DRINAND)o CArrITArLDUs, in his eighteenth year. 630. LucAs, Abbot of' St. Bavoin, in Ghlent, 1559, ret. 66. 631. MAXInMILLIANUS MORiTEiJON PnIIEPOsITUS AmiIXNSIS, 1563. 632. ANTO()NUS VAN STRAT,E, lord of AMerxhhlleim and Damllbrugge, in his forty-foburth year, 1565. I-e wals;mayor of Antwerp, and was put to death by order of the duke of Alba. 633. PIILIP, of Montmorenci, count of Hoorn, admiral of the Dutch fleet, put to death in 1565, together with his friend, Count Larnoral Egmont. 634. The same of suitaller size. 635. His wife, WAliURG-, countess of Nuenar, 1566. 636. The same, smaller. 637. VICLIUS ZUICnHEius, president of the court of inquli PART FOURTH-i-SE CTION FIRST. 59 sition established in the Netherlands after the arrival of the Duke of Alba; taken in his forty-ninth year. 638. The same as Provost of St. IBayou, and Chancellor of the order of the Golden Fleece. 639. CI-tARLES PHILIPPE DE CROY, Marquis de Havre. 640. GITs HOFPTMANN, 1576. 641. JUSTUS Lirsius, tet. 51; the celebrated scholar and antiqua.ri1an, 1547-1606. 642. JACOBUS, Cardinal Sabellus, 1576. XXXI. JAcoro nr TnEzzo, one of the 1most d istinguished artists of his time; patronized by Philip II, and( by Italian prinlces. 643. ISABEILLA, of Capua, princess of Malfetto, wife of Ferd. Gonzaga, of Mantua. 644. FumD. GONZAGA, husband of Isabella, celebrated general of Charles V. 645. HIPPoLITA GONZA(A, their daullter. (See 619.) 646. PHIIIP II, of Spain; struck in 1555,,et. 28. 647. MARY, queenl of England, 1554-1558, married to Philip II, as his second wife. 648. JOhIANN HERREIRA, architect of Philip II, and builder of the Escurial. 649. FERDINAND LOFREDUS, Marquis of Treviso. 650. JoiHi. FRANCISCUS, Tri(vulgii) nmar(chio) Vig(zani) comes. John Francis, marquis of Trivulgio, count of' Vigzani. XXXII. NIcoLo CAVALLERINO, of Ml~ode1na1. 651. GuIDus RANGONUS, bello paceque insignis. 652. Reverse. Europa on the bull, crowned by the goddess of victory. 653. Jo1-. BAPTISTA MALVITIUs, eques ac comes Bon(oniensis),Tt. 27. 654. FR. ATIDOxIus, Cardinalis Papiensis Bonohnime Rbormandiolhcque legatus. 655. FRANCIScus GUcICCIARDINUS, Guicciardini, the celebrated historian, 1482-1540. 656. BER(NARDUS) RU(EruIS) co(nmes) B(evorti) episcopus Tar(visanus) Le(gatus) Bo(noniensis) vi(carius) Gu(bernator) et Prmt(fectus.) 657. ALTOBELLUS AVARATTALDUS, eC)Iscopus Polensis, etc. XXXIII. FRANCISCO DA SANCGALLO, of Rome; lived in Florence until about 1570. 658. His portrait. The inscription calls him sculptor and architect. 659. PAUirUS JovINUS Comensis. Paul Jovinus of Como, the eminent author, 1552. 660. Reverse. A dignified personage holding a folio volume, is represented as helping a naked figure to rise out of 60 MUSEUM OF ART AND HISTORYo the ground in which it has been buriedl; thus symbolizing the office of the historian. XXXIV. C'ESAnRE Dr BAGN)o. 661. FERDINANDITS FRANcIscUS I)ANIvALUS DR AQUA MiAncI-Io PISOARIUE III. 662. A,(FONSUS) DAVA(LOS) 1\A Iar(hcio) Gu(astelle) Cap(itaneus) G(enertalis) Car(oli) V, Inllp(ecratoris.) 663. Joi. BAPTISTA, Cas(tacldus) dusx belli maximus; a celebrated goeneral of ChaIleS V. 664. Reverse. Castalclo on a throne; an eagle, sword, vanquished kinos, and sUnppliant figure. XXXV..TAcoPo PnILi PAVEMRn. 665. MARIA SrTUART legina, Scotiie et Anglice. Mary queen of Scotland, 1542-87. 666. ELIZAnETHn d(ei) g(ratim) Anglire F(raneire) et H(ibernir) PReg(ina.) Elizabeth, queen of England. XXXVI. AiTssAXlm:O CEISATr, boirn in MAilan; called Greco, because he inscribed his 1niame ill Greek. 667. PAULuS III PonatifeX MaIiXnms, an1(no) XV. Pope Paul III in the fifteenth year of hlis reign, 1549. 668. JULIUS III, Pont. Milx. tnno jubilei, 15,50. 669. Reverse. Ganlyi e(leAwstering a lily and repelling the eagle. 670. MAR(IELLUs III, Pont. Max.) 1555. XXXVII. Jori. AN'()NOo 1IUmIS, or dCe Rossi, of Milan; lived in Florence and Rolite. 671. Pius IV, Pontitex Optimnus Maxirnus, in the second year of' his reign, 1561. 672. The same smaller, friom a coin. 673. PAULUS IV, Pope, 1555-1559. XXXVIII. PIETr PO IPAno) GuAL'rOTT(o, calledl Rornanlo; born in Rome; lived. ini Florencte inder Cosim~o I, 16(0. 674. JAcoiBus AIhDxICEIS, Mar chllio Melegensis et Cesaris, CapitanLeus Generalis, brother of' Pope Pius IV, 15.59. 675. FRANcIscus TABERNA, ian1o (65. 676. JOH. PAUIUS LOMATITS (IO11azzo)). 677. CHRI- sToPIrORUs [MADUZZI, cardinalI and archbishop of Trent, president of the council of T'rent, 1545. XXXIX. 1FmmizIIu(io B1()ONZA(GNN. 678. Pius IV, Pontifex Maximus, 1559-156.5. XL. Lu)ovAco PiAnRMI(IxNO(. Louis of Parma. 679. CHRISTOPHORUS MxIADRUZZI. 680. GRE(ORIUS XIII, 1572-85. PART FOURTH —SECTION FIRST. 61 681. The sanme (ias the foregoing, smnaller. 682. LEO XI, 160,5. XLI. JOJr;\NES MEL ONENIS, Jo11n of IMelone. 683. J OHANNES AUSTRIAnr etc. Don John of Austria; natural son of Charles V; and at the a(le of twenllty cominander of the Christian fleet at the battle of Lepanto; 1,573. 684. ALI,:XANDER, Cardinal Farnese. 685. EuIzn\nETn, the eldest and favorite daughter of Philip II of Spain; nmarried Albert Archdulke of Austria; 1566-1633. 686. ALTBERT, Archlduke of Austria. 687. CLEMENT VIII, 1591-1605. 688. PAULIUS V, 13orghese, 1313. 689. SIXTUS V, 158o5-1590. 690. PAULUS V, 1615. 691. Gm< rEc.orn us XV, 1623. 692. Unnl)ANUS VIII, 1631. XLII. GAS;iPA MOLA; lived( in Florencle anld ncome, 1567. 693. MAnrA MAGCDALENA, etc.; wife of Cosmo II, grand duke of Florence, 1608, died 1631. (694. JOIHN BAPTIST CASTALDUS. Same as 663. XLSIII. ALEXAS\ r AlNNITBALE. 695. The same with some alterations. XLIV. ANTONio A1so)NnIo; 1)orn in Florence; lived at the court of Austria. 696. IMP. CASAR FIEDEnICUS IV, E11mperor, 1564-76, 697. MIAXIMILIAN II, German emperor, 1564-76. 698. MARIA IMPERYATnrIx; his wife, daughter of Charles V, 1575. 699. RonoiTLr-ius II, Rom (anus) Imp(erator) et Aug(ustus). On the rim, NN; AB; 1576-1612. 700. AP'POLLONIUS MENAIENUS, I)octor Physicus. 701. CmESAR. 702. Dux JOHANNES FRiEDEIRCUS Captivus. John Frederic, Duke and elector of Saxony, head of the Protestant league of Smalkalde, signed in 1636; imade prisoner bly Charles V in 1647. Died in 1654. Ile was liberated on condition of giving up the title of elector; but could not be induced to renounce Protestantism. 703. The sanm-e, with the inscription: allein evangel ist on verbust; the gospel alone is without loss; alluding to his yielding up all else. 704. ELIZAB3ETH, Dei gratia ducissa Saxoniae; the duchess of Saxony, his wife. 705. EFFIGIES HIEIRONYMI SCOTTII PLACENTINI; an adventurer of the second half of the sixteenth century, well received 62 MUi[,S1EUM OF ART AND) HISTORY. at v(ariouS European courts on account'of his fine appearance and prepossessing m nianners.. 706. Ailosius princeps dux Montis Alti, etc. Alois duke of Montalti et Alcala, Viceroy of Sicily. XLV. AIFONSO IT1usAcIIORE. 707. EaMANuEL Ii'irIERTUS, Dux Saboidiae. Emanuel Phili-bert, IDuke of Sa70vo. 708. PETRUs MACIIFThLA, LUGICiNSyS. Portrait of a young man in a Spanish state dress. 709. MARIA.DE GumIET, COentessa de PaIncallieri. Class Secocnd- TTor1ks oJ' TUnknown Artists-A. D. 1500-1600. 710. L,-io X Pontif'ex Maximus, one of the best portraits of this pope; perhaps by Sangallo, 1513-1521. 711. CATIARlNA Sforza, etc.; a princess of nmasculine character, who defended Rimini at the head of the garrison for several months, until the seige was raised. She died at the beginning of the sixteenth century. 712. DIvus SIGISMUNDus, etc. As king Sigismund of Poland was rmarriedl in 1518 in his sixty-first year to Bona Sforza, daulghter of the Duke of Milan, the medal was probably macde in th'at Tyear. 7193. IUDoovICus Rex Hungarice; obiit anno 1526. He fell in battle against the Turks in his twentieth year. 714. JOHIINNnES MEDnIcs, etc. GiovTanni de' Medici, killed in a slkinrmish by the celebrated German general, Georg Frunsherg, 1526. 715. HECT()R PODOCATALARUS. 716. OTTAVIO FARNE'SE, etc. Dukle Ottavio Farinese of Parma, and Margaretta of Austria, a natural dauohter of Charles a; a medal probably struck on the occasion of their marriage, when the Duke was at the age of nineteen, and the bride sixteen. 717. LuDovico ARIosTo, the great poet, was born in 1474, andi died in 1533. The medal was probably struck the year of his (leath. 718. PliTrnus GRIMANI, etc., knight of the order of the temnl)lars of Jerusalem, prior of' the knighllts of Hulngary. 719. CONSTANTINUS COMINATUS. 720. FnA. AMIGNAN]EIIUS Epis(copus) Luc(ensis) Bon(oniensis) C(ancellarius) Vic(arius.) 721. SIISMUNDUS GONZAGA Card(ina)lis) Man(ture) Leg(atus). 722. PHI-IIP rex CastilicU, LEONl Grenade, et FiRDINANDUS, rex Hunlgarie et Bohemice. Both in the same costumne with Spanish hltts. Philip the beautiful, only son of the emperor Maximnilian I, and his second son1, afterwards Emperor Ferdin PART FOURTH-SECTION FIRST. 63 and I. The medal must date subsequently to 1527, when Ferclinancd was made king of Hungary. 723. FERDINAND, Archduke of Austria; brother of the Emperor Charles V. 724. COUNT EIOMONT, 1522-1563. 725. ANDRE1AS VENTURUS. 726. JOHANNES MANICILUs, Florentinus civis, ret. 19. 727. Jo. BAPTISTA RIHAMNUSIUS. 728. HIIERONYmIUS FRACASTOR:IUS. 729. MARTINUS DE HANNA. 730. A portrait, supposed by some to be that of Tm'HoDoRE BEJZA, but not with good reason; 1519-1605. 731. ANTONIUS LIVyA, the general of Charles V, who comnmanded in the battle of Pavia (1527) and took Francis I prisoner; and in consequence was made Viceroy of Italy. 732. FRANCIS I king of France; reiglned 1515 —1547. 733. ALEXANDER iMEDICI, who became in 1531 Duke of Florence, and was assassinated in 1537. 734. PoPjE JuLIus II, 1503-1513. 735. The same in velvet cap. 736. POPE LEO X, 1513-1521. 737. GeONSALVO III, Duke of Cordova, the great commander, 1443-1515. 738. HIPPOLITUS of Este, Cardinal of Ferrara. 740. CHARLES V, 1519-1558. 741. CosMO D1E' MEDICI, second Duke of Florence, 1609. 742. FRANcIS I, reigned 1515-1547. 743. JOANNAn, of Austria. daughter of Charles V. 744. SIGISiMUND AUGUSTUS, King of Polancd, 1561. 745. CATXTnARINA, his wiife, (lauhter of tl-e Emperor Ferdinand I. 7416. PHILIP II of Spain, 1527-1598. 747. The Duke of Alba, FERDINAND of Toledo, 1.508-1582. 748. BENEVE1NUTO CIELLINI, 1500-1570. 749. ALEXANDER1 PICOLOMINI. 750. 13APTISTA SPINOLA, Genoese general in the service of Spain, 1569-1630. 751. CH-IAREImS BIORROMEO, tile celebrated archbishop of MIilan, 1538-1534. 752. JoHI. VALLES-A, one Of the miost eminent grand mnrasters of the telnlars. 7.53.,CLAUDIUS DE AQUAVIVA, general of the Society of Jesus, from 1581 to 1607. 754. ALEXANDElt FARNESE, general of Philip II in the Netherlan ds. 755. Unknown portrait. 756. PAULUS SARPIIus, the celebrated Venetiall historian, 1552-1622. 757. JohIN, Cardinal Salviati. 758. NICOLAS Of Viccn za, 64 MUSEUM OF ART AND HISTORY. 759. IGNATIUS LOYOLA, founder of the order of the Jesuits, 1491-1556. 760. DIANA of rMactntua. 761. OcTAVIUS VESTIIUS, jurist, 38. 762. JAcoBus GAVANUS, turifaher. James Gavanus, goldsmith. 763. FRANCIS BONNATUS, of the grand council of St. AMRark. 764. DOMINIco FONTANA, 1,543-1607; the architect and engineer who raised the obelisk in firout of St. Peters, under Pope Sixtus V. 76,5. G-nom(:;Ius CASTRIOTA, the Greek patriot who so bravely resisted the Turks, 1401-1467. 766. IuDovIcus TonmRis, AIrcelbishop of Palermo. 767. FERDINAND of Toledo, Dule of Alba, 1508-1582. 768. HosIus, the celelbrated Bishop of lErmelland. 769. Pi-TRUS ARETINUS, PI'eter of Arezzo. 770. ANDRAnIX&s GrITTI, Doge of Venice, 1523-1538. 771. HIERONYMUS CAIAPTA, 16()00-1650; one of the generals of Ferdinand II at the beginning of' the tllirty years war. 772. FnRNcIscus DE SALES, celebrateId Jesuit, I (10. 773. RUTtILIUS cGAIUS, 1615. 774. BILImALDUS PIRKHEIAImRn and AL iERT Dui1nR. 775. ALBERT DURERn, ('t. 56; 1471-1528. 776. PIRKUEIMIEmI, 1470-1531. 7 77. DURmER AND H I FAMILY. 778. D)UREin'S WuvI1,;, 1508. 779. ERnASMUS, 15)14. 780. Feinmalle portrait, unknown. 781. Fenmale l)portrait, unklnown. 782. FERDINAND, iIng of Hungary and Bohemia, 1539. 783. CONRAD PEUTINGE1R, alt. 37; 1.46(5-1.47. 784. The sarme, sninller. 785. The same, act. (). 786. JOHN KiJAINMIJHIT]R, plhysi'cian,:et. 54; 1527. 787. PE-TEIR HAINTZEL, citizen of Augsburg. 788. JOAcGI-rmM, Elector of Blra ndleburg, 1530. 789. BONTNAV\rlNTURA of Eckl 1'28. 790. CASIpAI PIncKJcR, 1526. 791. MATTE-IEW SCHWVARTvZ AUCTUSTANUS, 1527. 792. AMBROSE HECISTsTIIER?, of Augsburg, 1527. 793. CASPAR XTIINUNTZNER. 794. JOHN FREIsDERIC, Elector of Saxony, cket. 32; 1.537-48. 795. CIHARIL,1ES V, 15 37. 7(96. FlonRI)A ULJRICHIA. 797. Unknown. 798. JA(1cOn FuC(oou, bakcr, of Augsburg(, 1530. 799, JOHN AW]NCI, 26tli Abb-\lot of Heilbrouin, lct. 41. 80(). IReverse of No. 798. 801. MATTHEAW CnAluR11S (G:cREN,, of Salzburg. 802. ANN COLBIN, 1526. PART FOURTH-SECTION FIRST. 65 803. SE1BAIDUS PFINTZING, 1500. 804. ENNI)RES, t. 27. 805. LucRlTIA DE' MImDICI, Princess of Ferrara. 806. MARGARITA A. FIR~MIAN, wife of Caspar A. Fruntzberg. 807. FaREDEiRIC I, King of Dennmark, 1530. 808. ALEXANDER MARTIN. 809. JOAChImI MAR.RO'RAVrE, of Branrdelnburg, aet. 35. 810. DIETRICH FPRII-IERR, Lord of Steirmark. 8:11. CONTRAD P1EUTINGER. (See 783.) 812. GEIORGEI ILSUNG VON TRAiTSBURG;, litter. 813. HANS VON OBERNITZ, Ritter, 1525. 814. MICCHA'ImL OTr1o, of Achterdingen, officer of Maximilian I and Charles V. 815. LEONAIRD COBOLrT, 1552. 816. Luc(,xs HANOLT, 1519. 817. ALEXANDER SWARTZ, adt. 40. 818. ]BALTHAZAtR FRUNTZPERG, tet. 23. 819. LuciA DolnUIIN, "the tenth of the Muses and the glory of Germnany,' 1522. 820. WOLF RECZEL, 1525. 821. BARBARA, wife of R. Fihingen. 822. LucAS SYCZINGEN, a't. 72. 823. GEORGE H ERMANN, t. 35. 824. HIERONYMUS HOLTSCHUER. 825. PETER M~YSZKOWSKIDEmIIR, Bishop of Crawcow. 826. NIcHOLAS ZE3BRZIDOAwSKIi, Russian general. 827. ALBErrT of Lascho. 828. HANS NlEUKO1MMrI, aot. 31; 1526. 829. JOHN HOFF'MANN, Abbot of Admon. s30. JOHlCERCG REVACO, at. 19. 831. GERVIcUS, Abbot of Weingarten, -et. 34. 832. The same. 833. FREDERIc, Abbot of St. fEgidius, ret. 42. 834. COLMAN HE3LMSCHAmIID, tt. 62; 1532. 835. WARKARA RECZLIN, 1525. 836. GE30 cGE DOXANUS, Knight of Silesia. 837. Portrait with the inscription: ",Dulce bellum inexperto; " war is pleasing to him who has not tried it. 838. SS. Theol(ogie( D(octor) Eccl(esihe) Ulmen(sis) Superin(tendens), at. 51. No name. 839. LEONARD HOBNER, mt. 15,57. 840. JOHN, Lord of Epstein and Mintzenberg, Count of Dietz. 841. Without name. 842. CARL WOLFGANG, of Porrendorf. 843. JACOB MUFFEt, det. 22. 844. LAWRENCEI STAUBER, aet. 33. 845. D. JOHN RANTZON, Knight of the Golden Fleece. 846. FELICITAS MmAIREN, ad. 32, 1553, 847. IBARBARA WTELSERIN. 9 66 MUSEUM OF ART AND HISTORY. 848. HEINRICH SCHERIL, acet. 61. 849. RAYMOND FUGGER, of Augsburg, ret. 40. 850. CRISTOF FURER, cet. 47. 851. " True nid Tliltiq." No name. 852. HANS HAUSCHEL. 853. GEOR~GE HERMANN, CONRAD MAIER, and HENEY RIBISCH. 854. Unknown. 855. Unknown. 856. ULRICH ZWINTGLE, sret. 48. 857. MARTIN PFINCZING, of Henfenfelt. 858. WALTER VON CRON, master of the Teutonic order of knigh ts. 859. GASPAR HEDIO, Doctor Evangelii, act. 48. 860. CATARINA VON LOXAN, acet. 19. 861. VERITIC MARG, female head. 862. " GOT VORMACK ALLEDINCK, " 1540. 863. MAGD ALENA SIGMARIN. 864. SOPHIA GALBRIN, 1538. 865. KATHARINA VOLKAMER, aet. 27. 866. EIEXIILIA, Marcliio(,nss of Brandcelburg_::. 867. Unknown. 868. Unknowtn. 869). URSULA SEIFRIDT PFIJNTZINGEN, act. 34. 87U. NICLAS KHOLNPOCKI aet. 31; 1531. 871. I)I I, MARGRETA HANS GWANDTISCIINI_;II)IEI IN. 872. D. ACHILLES PUI4i, of Lindan. 873. GionRGE A. D RATTENBACH. 874. PHImIP Count Palatine, Duke of Bavaria, 1522. Same:s 970. 875. WOLF VON WERENDORP. 876. HENRY, Count of Wildbald, Thumlherr of Balrnberg, etc. 877. "Spes meeC ian Dec." No name. 8S78. JOHN ( UTTENBERIG, 1450-1526. 879. SEBASTIAN, Count of Ortelnberg. 88(). Reverse of 879. "Aller heiligste Mutter, hilf du." 881. ADOLPHUS OCCO FRIESE, M. 1). 882. JOHN NUIEDORFFUIRI, Arithmetician, cet. 22, 1520. 883. THOMAS MORE, Lord Chancellor of England, 14801535. 884. FERDINAND CORTIS, acet. 42, 1529. 885. FRANCIS VON SICKIN'T, Counsellor and Captain of Charles V, 1521. 886. The same, smaller. 887. GEORGE OLINGER, acet. 69(; 15156. 888. MICHAEL VON MERGETHEIM. 889. Portrait of a child. 890. WENCESLAUS BEYER, of Bohemia, 891, WOLFF SWERIENN, act. 70, PART FOURTH-SECTION FIRST. 67 892. SIMON of Liebenstein, Chancellor of Spires, 1520. 893. ANNA, his wife, 1524. 894. The same, aet. 38. 895. SIXTUS FORSTER, aet. 50; 1521. 896. HENRY, Abbot of Eppendorf, aet. 29; 1524. 897. MARIA, Countess of Holbeck, aet. 25. 898. MARIA GEORG FFINTZINGEN. 899. Same as 890. 900. JEROME ROTENGARTER, aet. 24. 901. JOHN PETREIUS, Printer, 1540. 902. CHRISTOF TETZEL. 903. W~ILHELM WEIDOLT. 904. BERTHOLT, Count of Hennenberg. 905. CHRISTIAN, King of Norway, 1559. 906. WOLFGANG PALER, aet. 71; 1575. 907. JOHN of Austria, acet. 63. 908. FREDERIC, Count Palatine, Elector. 909. JOHN PAULI ZUPONUS PALARINUS. 910. LUDWIG IOL-, acet. 31. 911. TILoMANus HERTWIG, Jurist. 912. CASIMIR, Margrave of Brandenburg, 1520. 813. JOHN SCHORN, Advocate, acet. 48. 914. FEIICITAS FORSTER, 1527. 915. MARTIN LUTHIER. "Got bin ich geborn, Got leb ich Got stirb ich." 916. MARTIN BucER, acet. 53; 1491-1551. 917. "Noli avertere facciem tain ab) vii panpetre." Portrait with no name. 918. LEONARD FREUHERR ZU Veils, Hofineister. 919. LAWRENCE TEUCHSE Of Bomersfeld, 1530. 920. JEROME APPELBECK, acet. 30; 1541. 921. MELCHIOR, Bishop of AWirtsburg, acet. 42. 922. BARTHEL BEHAM, Painter, of Nuremburg, acet. 40; 1540, the year of his death. 923. ULRICH STARCI(, acet. 46, and KATARINA, acet. 38. 924. PAUL GIERSTNER, acet. 40; 1525. 925. JOHN VAGNER, acet. 28; 1532. 926. SEIFRID PFINZINGEN, aet. 47. 927. GEORGE HERMAN, aet. 38. 928. ANNA EKHAMER, acet. 45; 1540. 929. AUGUSTUS, Elector of Saxony, 1553 —1586. 930. FREDERIC W~ILLIAM, Duke of Saxony. 931. AUGUSTUS, Elector of Saxony, 1553-86. 932. JOHN, Duke of Saxony; son of George. 933. HENRY, Duke of Saxony; son of George. 934. AUGUSTUS, Elector of Saxony. Same as 929. 935. CHRISTIAN, GEORGE and AUGUSTUS, of Saxony, in childhood. 936. ALBERT, DUKE of Saxony, son of Ftederic, 1443-1490. 937. MAURICE, Duke of Saxonyl. 68 MUSEUM OF AlT AND HISTORY. 93?8. SOPHIA, Marchioness of Brandcenbtrg. 939. JoACHIM FREI)ERIC, Elector of BraLndenburrg, 1598-1.608. 9)40. CHRISTIAN A. CARoLrowm. 941. SABINA, Duchess of' lBrandenburg. 942. JoT-rN, MaIrgrave of Bralndenbl rg', 1869. 943. JOHN GEOR(GE, Prince Elector of Bralndenburg, 1572. 944. CHRISTIAN, Elector of Saxony, 160G. 945. FREDERICK ULrcI-T, Elector of Brunswick. 946. JOHN CONRAD, Bishopl of Enstellen. 948. REGINA CRISTINA, 1632-1654. 949. GONSALVO, the great commander, 1443-1515. 950. FRANCIS, of Monc ata. governor of Belgiu1m. 951' GCEORE FREnDERIC Margr:ave of Brandenburg. 952. JOH-IN CHIARES ERNEST, Margrave of Braindenburg. 953. HINRICII DINE1R. 954. ANDREnA GAILL, Imperial Counsellor, 1532. 955. JULIUS GEYDER, of Heroitzberg, acet. 63; 1594. 956. BARBnnnARA IARnTIN PFINZINBERGC, act. 49; 1570. 957. LUDWIG, Elector of Bavaria, 1526. 958. Unknown. 959. TYCIO BRAHE, aet. 49. 960. LUDWIG, Elector of Bavaria, 1557. 961. ELIZA, Countess Palatine. 962. Unkcnowin. 963. MATTITIAS SCHILTIuER, ac t. 49. 964. ANNA MATTHIAS SCHILTHERRIN, aet. 53. 965. HANS VOLLAND T DEREIITER, aet. 71. 966. DAVID KREUSER, acet. 46. 967. WILLIAM, Prince of Orange, 1570. 968. JOHN, ERNEST and BE1RN-IT, Princes of Anhalt, 1569. 969. PAUL BRAUN, 1584. 970. PHILIP, Count Palatine Duke of Upper and Lower Bavaria. Same as 874. 971. SUSAN, Marchioness of Brandenburg, 1525. 972. "Do,iln.,ts 11ihfi A liuto~r Quel,, Tiw'ebo." No name. 973. MARGARET, MVarchioiess of Brandenburg, acet. 20. 974. GEORGE, Margrave of Bra1ndenburg. 975. ALBERT, Count of Brandenburg. 976. FRANCIS, Duke of Brunswick and Luneburg. 977. JULIUS, Biishop of Wurtzburg. 978. FREDERIC III and his son MAXIMILIAN; Elmperors of Geruany, 1475. 979. PAULUS of Berestenn, act. 75, and VOLCKRERA NICOLAI, aet. 69. 980. FREDERIC, Duke of Saxon15y. 981. JOHN FREDERI(C, Elector of Saxony, 1532-1548. 982. CHRISTIAN, Duke of Wurtelmberg, aet. 45. 983. HEDWIG, Marchioness of Brandenburg. 984. "Sepcecr laus ejS in ore 9meo." No name. PART FOURTH-SECTION FIRST. 69 985. LUDWIG, Count Palatine, Prince Elector of Bavaria, 1526. 986. HENRY, Count Palatine, 1518. 987. CATARINA CHIEREGATA. 988.' h, an()o'at propria aliziatR,." No nanle. 1541. 989. ANNA, Queen of Hungary and Bohemia. 990. LUDWIG. Count Palatine, aet. 57. 991. OTTO HEINRICH, Count Palatine. 992. FREDERIC III, Elector of Saxony, 1486-1525. 993. EMILTA, Marchioness of Brandenburg. 994. TILLIAM, Marg1rave of Brandenburg, 1525. 995. CASIMIR, Margrave of Brandenburg, 1525. 996. OTTO HEINRICH; same as 991; aet 56. 997. Same as the above. 998. The same. 999. No name. 1000. ALBERT, Margrave of Brandenburg. 1001. Same as 997. 1002. " Semper laes ejul, inz ore neo." Alt. 65. Same as 984. 1003. MAXIMILIAN I, 1459-1519. 1004. Same as 997. 1005. CHARLES V, 1509-58. 1006. MAXIMILIAN I, on a richly caparisoned horse. 1007. DOROTHEA, Countess Palatine. 1008. MAXIMILIAN I, with scepter and sword. 1009. JOHN G3EORGE, Margrave of Brandenburg, 1608. 1010. ELiZABETH SOPHIA, Marclioness of Brandenburg. 1011. CHRISTIAN IV, King of Denmark, 1577-1648. 1012. ANNA CATARINA, wife of the foregoing. 101 3. HENRY, Count Palatine. 1014. JOHN SIGISMUND, Margrave of Brandenburg. 1015. GEORGE WTLIIAM, Duke of Brandenburg. 1016. MARIA ELEONORA, Queen of Sweden, wife of the following. 1017. GUSTAVUS ADOLPHUS, king of Sweden, 1630. 1018. ChRISTIAN, Elector of Saxony, and his wife, 1586-91. 1019. MATTHIAS, Emperor of Germany, King of Bohemia, and Hungary, 1612-1619. 1020. ERNEST, Margrave of Cassel. 1021. CHI:ITSTIAN IV, King of Denmark, 1648. 1022. JOSEPH KUINIG, 1535-1602. 1023. BERNHARD, Grand Dukle of Saxe Weiinar. 1024. The same, older. 1025. JOHN CASIMIR, Duke of Saxony, 1525-32. 1026. " Cov}juges L anctort,m, posteris?lmonumentu ln eliqerunt." A golden wedding medal, 1631. No name. 1027. FR.EDERICK III, King of Denmark. 1028. " Verbm1o doinli maLet in cTteruu)ln," 1538. No name. 1029. M[ARGARET, Princess of Austria. 1030. CosMo II, Fourth Grand Duke of Tuscany, 1608. 1031. MARIA MAGDALENA, of Austria, his wife. 70 MUSEUM OF ART AND HISTORY. 1032. NICHOLAS, eighth Marquis of Neufville, Marshal of France, 1651. 1033. VICTOR AMADEUS, Duke of Savoy, 1606. Class Third-Popes and Sovereigns qf Europe. THE POPES OF ROME. 1064. INNOCENT X, Paimfili, 16441655. 1034. MARTIN V, Colonna, 1417- 1065. ALEXANDER VII, Chigi, 16551431. 1667. 1035. EUGENE IV, Condolnmieri, 1066. CLEMENT ITX, Rospigliosi, 1431-1447. 1667-1669. 1036. NIICIOL AS V, Sarzana, 1447- 1067. CIEleIINT X, Altieri, 16701455. 1676. 1037. CALIXTUS III, Borgia, 1455- 1068. INNOCENT XI, Odescalchi, 1458. 1676-1689. 1038. PIus III, PiCColomini, 1458- 10(9. ALEXANDER VIII, Ottoboni, 1464. 1689-1691. 1039. PAUL II, Barbo,; 1464-1471. 1070. INNOCENT XII, Pignatelli, 1040. SIXTUS IV, Rovere, 1471-1484. 1691-1700. 1041. INNOCENT VIII, Cibo, 1484- 1071. CLE,MENT XI, Albani, 17001491. 1721. 1042. ALEXrANDER VI, Borgia, 1492- 1072. INNOCENT XIII, Conti, 1721150)3. 1724. 1043. Pius III PiceColomini, 1503, 1073. BENEDICT XIII, Orsini, 1724(26 days.) 1730. 1044. JULIUs II, Rovere, 1503- 1074. CLEMENT XII, Corsini, 17301513. 1740. 1445. LEO X, Medici, 1513-1521. 1075. BENEDICT XIV, Lambertini, 1046(. ADRIAN VI, Adrian, 1522- 1740-1758. 1523. 1076. CLErMENT XIII, Rezzonico, 1047. CLEIMENT VIII, Medici, 1523- 1758-1769. 1534. 1077. CLEMrIENT XIVT, Ganganelli, 1048. PUL, III, Farnese, 1534-1.549. 1769-1774. 1049. JuLius III, Ciocchi, 1550- 1,078. Pius VI, Braschi, 1775-1798. 1555. 1079. Pius VII, Chiaramonti, 18001050. MARCELLUS II, Cervini, 1555- 1823. (22 days.) 1080. LEo XII, Della Genga, 1823 — 1051. PAUL IV, Caraffa, 1555-1559. 1829. 1052. PIus IV, Medici, 1559-1565. 1081. PIus VIII, Castiglione, 18291053. PIus V, Ghislieri, 1566-1572. 1830. 1054. GREGORY XIII, Buoncampag- 1082. GREGcORY XVI, Cappellari, ni, 1572-1585. 1831-1846. 1055. SIXTUS V, Peretti, 1585-1590. 1083. Pius IX, Feretti, 18461056. URnBAN VII, Castagno, 1590(12 days.) EMIPERORS OF GER.MANY AND AUSTRIA. 1057. GREGORY XIV, Sfrondrati, 1590-1591. 1084. FREDERIC III, 1452-1493. 1058. INNOCENT IX, Facchinetti, 1085. MAXIIIILIAN I, 1493-1519. 1591 (2 mnonths.) 1086. CHIARLES V, 1519-1558. 1059. CLEIENTVIII, Aldobrandini, 1087. FERDINAND I, 1558-1564. 1591-11605. 1088. MAXI1MILIAN II, 1564-1576. 1060. LEO XI, Medici, 1605, (26 1089. RUDOLPH II, 1576-1612. days.) 1090. MATTHIAS, 1612-1619. 1061. PAUL V, Borghese, 1605-1621. 1091. FERDINAND II, 1619-1.637. 1062. GnREGcoY XV, Ludovisi, 1(321- 1092. FERDINAND III, 1637-1657. 1623. 1093. LEOPOLD I, 1657-1705. 1063. UnBsaN VIII, Barberini, 1623- 1094. JOSEP-I I, 1705-1711. 1644. 1095. CHARLES VI, 1711-1740. PART FOURTH-SECTION FIRST. 71 1096. CHARLES VII, rival of Maria 1145. JOHN SIGISMUND, 1609-1619. Theresa, 1742-1745. 1146. GEOR~GE WILLIAM, 1619-1640. 1097. FRANCIS I, 1745-1765. 1147. FREDERIC 3V4ILLIAMT, the great 1098. MARIA TtHERESA, 1740-1780. Elector, 1640-1688. 1099). JOSEPHI II, 1765-1790. KingS. 1100. LEOPOLD II, 1790-1792. 1101. FRANCIS II, Emperor of Ger- 1148. FREDERIC I, Elector 1688-170! many, 1792-1806; of Austria, -King 1701-1715. 1804-1835. 1149. FREDERIC WILLIAM I, 17131740. SOVEREIGNS OF FRANCE. 1150. FREDERIC II, the Great, 17401102. CHARLES VI, 1380-1422. 1786. 1103. CIHARLES VII, 1422-1461. 1151. FREDERIC WILLIAM II, 17861104. LoUIs XI, 1461-1483. 1797. 1105. CIIARLES VIII, 1483-1498. 1152. FREDERIC WV ILLIAM III, 17971106. LouIS XII, 1498-1515. 1840. 1107. FRANCIS I, 1515-1547. 1153. FREDERIC WVILLIAM IV, 18401108. HENRY II, 1547-1559. 1861. 1109. FRANCIS II, 1559-1560. 1 154. WILLIAMi III, 1861 —, elect1110. CHARLES IX, 1560-1574. ed Emperor Germany 1871. 1111. HENRY III, 1574-1589. SOVEREIGNS OF SAXONY. 1112. HENRY IV, 1589-1610. 1113. LouIS XIII, 1610-1643. Electors. 1114. LouIs XIV, 1643-1715. 1155. FREDERIC THE WISE, 14861115. LOUIs XV, 1715-1774. 1525. 1116. LOUI:, XVI, 1774-1793. 1156. JoIN, 1525-1532. 1117. ],n 1itInPUHLIQIUI,:, 1793-1804. 1157. JOi-iN FREDERIC TIIE MAGNAN] 118. NAPOLEO)N, 180()4-1814. ImIOUS, 1532-1548, t1554. 1119. Louis XVIII, 1814-1824. 1158. MAURICE, 1548-1553. 1120. CHIARLES X, 1824-1830. 1159. AUGUSTUS I, 1553-1586. 1121. LOUIS PhIILIPPE, 1830-1848. 1160. CIIIrSTIAN I, 1586-1591. 1122. NAT'OLEON III, 1852-1870. 1161. CIIR[STIAN II, 1591-1611. SOVE;RmrIGNS OF ENGLAND. 1162. JOHN GEORGE 1,1(111-1656. 1163. JOHN GEORGE II, 165611-1680. 1123. HE-IErY VII, 1485-1509. 1164. JoIIN GEORGE III, 1680-1691. 1124. HENRY VIII, 1509-1547. 1165. JOHN GEORG(E IV, 1691-169'34. 1125. ElI)\WAVn VI, 1547-1553. 1166. FREDERIC AUGUSTUS I, of Sax1-126. MARY, 1553-1558. ony; AUGUSTUS II, of Poland, 1127. ELIZABETH, 1558-1603. 1694 —1733. 1128. JAm~iS I, 1603-1625. 1167. FREDERIC AUGUSTUS II, of 1129. ClOlnnL,rS I, 1625 —1649. Saxony; AUGUSTUS III, of Po1130. CIiOIE\-I,NI,, Protector, 1658. land, 1733-1763. 1131. ClrRLlmRs II, 1649 —1685. 1168. FREDERIC C-IRISTIAN, 1763. 1132. JAMlS II, 1685-1689. 1133. Nri,.II wi III and MARY II, 16IIIa)89-hd M0ARY. 1.169. FREDEc IC AUGUSTUS III, as 1129-14. ANr1 110'-1714. Elector, 1763-1806; with the title.tI ORGE I, 1714-1727. of King Frederic Augustus I, 1135. GEORGE I, 17147-1720. 180-1827. 1137. GEORGE III, 1760-1820. 1170. ANTONY, 1827-1836; FREDERIC 1138. GEORGE IV, 1820-1830. AiGUSTUS II, 1836-1854 1 139. WOIIREAM ITV, 1.830-1837. 1171. ANTONY and his Wife. 1139. WILLIAMI IV, 1830-1837. 1140. VICTORIA, 1837. -172. JOHN, 1854 SOVEREIGNS OF RUSSIA. SOVEREIG(NS OF PRUSSIA. 1173. ALEXIS MICHAELOWITCII and Electors of Bratndlenburg. his Wnife, 1(45-1G72. 1141. Jo2wcIM I, 1,499-1535. 1174. PETER I, the Great, 16721142. JotACIIII II, 1535-1571. 1725. 1143. JoHrN GEORcGE, 1571-1588. 1175. CATIARINE I, 1725 —1727. 1144. JOACIIIM FREDERIC, 1598-1608. 1176. PETER II, 1727-1730. 72 MUSEUM OF ART AND HISTORY. 1177. ANxx, 1730-1740. KIN(GS OF SWEDEN. 1178. ELIZAiETII, 1740-176(2. 1179. C, ATHARINE, 1762-1796. 1196. GUST.VaUS I, Vasa, 1523-1560. 1180. PAUL I and his Wife, 1796- 1197. EIIC, XIV, 1560-1568. 1801. 1198. JOHN III, 1 68-159).:1181. ALEXAN.DER I, 1801-1825. 11'99. SIcrIsmNDx1) II, Sig. III, of Po1182. NICHOLASS 1825-1855. land, 1592-1602. 1200. CHARLES IX, 1604-1611. KINCGS O'F POLAND. 1201. GUSTAvUS II, Adolphus, 16111183. SIC4isiuND I, 1506-1548. 1632. 1184. SIGlISvAUND or Augustus I, 1202. QUEEN C[IRI.STINA, 1632-1654. 1548-1572. 1203. CiAIRLES X, Gustav, 16(541185. H11:NRY III, 1.572-74. 1660. 1186. STEPlIEN, B1athori, 1574-1586. 1204. Cii LveiS XI, 1660-1797. 1187. SIGIsarUND III, 1587-16(32. 1105. CIiARLES XII, 1i69i7-1780. 1188. LADmISLAus IV, 1632-1648. 1206. ULRIC.I ELEONOR.i, 1718-1720. 1189 (a). JOIINN1, Cssimir, 1648-1669. 1207. FIJEDEPIC VI, Adolph1us, 1189 (b). The same. 1720-1771. 1190. JollN II, (?) Michael, 1669- 1208. GUSTAIVUS III, 1771-1792. 16173209. Ihe Crown Prin1c(e ADOLP1I 1191 (a). JonIN III, SOBIESKI, 1673- FREDERIC (saite as 1207), and his 1695. wife LouISE. 1191 (b). The same. 1210. The Crown Prince GUST1' VUs, 1192. AUGUSTUS II, same as 1166, afterwards Gustavus IV, 17921 ()97-7-1 73. 1809. 11.93. STANir LAUU S I, the claimant 1211. CHARLES XIII, 1809-1818. against Augustus II, 1706-1709. 1212. CHAtLEs XIV, Bernad otte, 1194. AuGsTrus III, 1733-1763. 1818-1244. 1195. STANISLAUS II, Augustus, 1764 1213. OSC.ARP, Crown1 Prin1ce, after-1794. wards king Oscar I, 1844-1859. Cl(ass Fourllth. This division contains a small number of medallions of ancient mythical and historical heads, and a few medireval portraits; but is made up chiefly of the portraits of modern historical personages. 1.214. MINERVA. 1235. BRi-AIANTE, 11_444-1514. 121.5. AR(Hn iEDES, B. C. 287-212. 1236. COLIMIus, 1436-150)6. 1216. MinP US AUIE1LIU;, Emperor, 1237. COMINES, PHIlL. DE, 1-445-1,509. A. D. 161-180. 1238. GUTENBIRG, 1400-1468. 1217. AUGUSTUST 1, C. 63-A. D. 14. 12439. Huss, JoIIN, 1373-1415. 1218. FAuBIUS C[TNCTTATOR, B. C. 202. 1240. SAVON.tOLA, JEROMEE, 14521219. H IaNNIBAJ, B. C. 247-183. 1498. 1220. Unknown. 1241. AL3x, 1 08-18S2. 1 121. Unknown. 1242. BACON, FRAINCJIS, 1561-1626. 1222'. CIcERIo, B. C. 106-403. 1243. BI:AYAtID, 1476 -1524. 12 23. PLAT01 B. C. 428-389. 1244. BEIP 3O, 1470-1547. 1224. Unknown. 11)45. BR E, TCHO, 1546-1601.'5. VITRUVIUiS, B. C. 46. 124-(. BUCEPR, MARTIN, 1491-1551. 1226. ST. BENEI)ICT, 5(0. 12 47. CAMD)NI 1561-1-623. 1227. ABELARD, 1079 —1142. 1248. CA IMr NS, 1524 -1579. 122'8. HELOIS, 1101 —11(64. 149 (OLIGNY, Aclldiral, 1l17-1572. 1229. RoCER BALCON, 1214-1294. 2bO. 50 OPERNICTUS 147) -3-1 )543. 1230. BoccAccIo, 1313-1375. 151. CORTZ, 14)5-1554. 1231. G-ioJA, Flavio, 1400. 1)252. C(iItNAcI, Luctxs, 1472-1553. 12t32. SCIIWARITZ Bertliold, 1330. 125.' DuEill,, Ar,l:rET, 1471 —1'523. 12.'3'3. LAULER, Johln, 1290-1361 t')54. 154 EncsrUs, 1465-1 536. 1234. 4WiCLIFPIE, 1324-1387. 1'5. Fuc;GUERi, J' COB, 1459'-1525. PART FOURTH-SECTION FIRST. 73 1256. RAIMUND, 1489-1535. 1309. RU:ENS, 1577-1640. 12507. GOUJON, JEAN, 1502. 1310. RUYTER, M. A. DE, 1607-1676. 1258. GUISE, FERANCIS DE, 1519-10563. 1311. SC-oM)BERG Marshal, 16161259. LOYOLA, IcGNArIUS, 1491-1556. 1690. 12)60. MACCuIIVELLI 1469-1527. 1312. SEVIGNE, Mad. DE, 1626-1696. 12)61. MELANCTION, 1497-1560. 1313. TILLY, 1559 —1632. 1262. MONrTAIGNE, 1533-1592. 1314. TIomIp', MAuRrIN, 1579-1691. 1263. PALLADIO 1518-1580. 1315. TURENNE, 1611-1675. 1264. RABELAIS, 1483-1553. 1316. VAN D aci 1599-1640. 1265. Saxony, MAURICE of, reigned 1317. VAUBAN, 1633-1707. 1548-1553. 1318. WALLENSTEIN, 1583-1634. 1266. SICKINGEN. FRANZ VON, 1481- 1319. WITTr, JOHN, ald1 CORNELIUS 1523. DE, 1625-1672. 1267. SULLY, 1560-1641. 132)0. DIYALEMNIERT, 1717-1783. 1268. VALLErTTE, Jom:N of, about 1321. ADDISON, JOSEPH, 1672-1719. 1565. 1322. D'AGNESSEAU, HENRY FRAN1269. ZWINGLE, 1484-1531. CIS, 1668-1751. 1270. ARNAULTL, ANTOINE, 1612- 1323. ALFIERI, 1749-1803. 1694. 1324. BxAILLY, SILVAN, 173(6-1793. 1271 ]3AYLE, PETER, 1647-1706. 13925. 13BuIUIL, HENRY, 1700-1763. 1272. BERNINI, 1578-1680. 1326.. BUF1oX, 1707-1788. 1273. BOSsUETr, 1627-1704. 1327. CAriPuxN, Mad., 1752-1822. 1274. BOURDALOUFI, 1632-1704. 1328. CITARETTE, 1763-1796. 1275. CERVAULT, 1547-1616. 1329. CHIESTE1FIELD, PHIILIP STAN1276. COLBERT, 1619-1683. iioun, 1699-1773. 1277. CONDE, Prince Louis, 1621- 1330. Cooil, Capt. JAMES, 1728-1779. 1686. 1331. CORNwALLIS, Lord, 1738-180)5. 1278. CONGREVE, W. M., 1670-1729. 1332. DAVID, JACQUE,8 Louis, 17481279. CORNEILLE, PIERRE, 1606(-1684. 1825. 1280. CROMWELL, 1599-1658. 1333. DIDEROT DENIS, 1713-1784. 1281. DUQUESNE, 1610-1688. 1334. EPEEI, Abbe del, 11712-1789. 1282. FENELON, 16o1 -1715. 1335. EUGENE, Prince, 1663-1736. 1283. FLECHIER, 1632-171(0. 1336. FLEURY, Cardinal, 1653-1743. 1284. GAILEO, 15o64-1642. 1337. FoNTENELIE, 1657- 1757. 1285. GASSENDI, 1592-16O5. 1338. Fox, CHAI, ES J AImES, 17-81286. GROTrIUS, HuGo, 1583-1645. 1806. 1287. HARVEY, WTI., 1578-1655. 1339. GALVANI, 1737-1798. 1288. HEINSIUS, DrNIEL, 1580-1655. 1340. GARRICK, DAVID, 1716-1]779. 1289. KEPLER, JOHN, 1571-1630. 1341. GENLIS, Mad. DE, 1746-1830. 1290. LAR~UYERE, 1639-1696. 1342. GLUCK, 1714-1787. 1291. LAFONTAINE, 1621- 1695. 1343. H ixiwi, N GEO. FRED., 168512929. LAUD, ABP., 1573-1645. 1759. 1293.. LEBEUN. CJIXRES, 1618-1690. 1344. HAYDN, JosEPH, 1732-1809. 1294. LOCKE, 1632-1704. 1345. HOCHE, LAZARUS, 1768-1797. 1995. LOPEZ DE VCEGA, 1562-1635. 1346. JoHNsON, SIAMUEL, 1709-1784. 1296. MANSARD, 1645-1708. 1347. KANT, ERMANUEL, 1724-1804. 1297. MAZtARIN, Cardinal 1602- 1348. KAUNITZ, 1711-1794. 1661. 1349. KLEBER, 1703-1800. 1298. MATILTON, 1608-1694. 1350. KLOPSTOCIK, 1724-1803. 1299. MOLE, MALTHEnW, 1584-1665. 1351. Kosciusco, 1753-1817. 1300. MOLIE3RE, 1620-1673. 1352. LAFAYrETTE, 17057-1834. 1301. MOLINoS, 1640-1696. 1353. LATOUR, D AuVEIGNE, First 1302. NEWATON, ISAAC, 1642-1727. Grenadier of France, 1743-1800. 1303. OXENSTIERN, 1583-1654. 1354. LAVOISIER, 1743-1794. 1304. PASCAL, 1623-1662. 1355. LEBRUN, PONCE DENIS, 17291305. POUSSIN, NIChOLAS, 1594-1665. 1807. 1306. RACINER, 1639-1699. 1356. LESAGE, 1668-1749. 1307 (a). REGNARD, 1647-1709. 1357. LESSING, 1729-1781. 1307 (b). RICHELIEU, 1585-1642. 1358. LAUDON, ]1716-1790. 1308. REMdBRANT, 1606-1669, 13059. MALESHERBES, 1721-1794. 10 74 MUSEUM OF ART AND HISTORY. 1360. MARLLI,()O, 1(i50-1722. 1411. BEA: U:IiNAPS, ElN(I,:iiNE, 17811'361. MSIPoTrFL 172 170-17). 1824. 136 2. 51issI,I,ON, 16t3-1743. 1412. Foy, ( ener11, I1775 -1825. 1b313o. SInL I,|m.IT, 1749- 1791 7141,3. G (ETIEr, 1749-) 1 832 13(64. MONTXESQUI'U, 1689- 1755. 141 4. H ivnv n. xN 1755-1843. 136(o5. M\Sloi IU, 17()1-1813.41 1415. H;ll) lOOcn;, Princie, 17501303(1. Mo Uzrr, 1 756 -17 1.1 18 2'2. -13(17. ( lr:IMsi'rOl l[r (, C(ount of 3tmn- 1 141(. Hi(, 177(0-1831. iclh. 1417. Ilialn NN, J. G., 1772-1848. 1368. NEA/Ci', J1eC(QES, 17 32-1 804 1418. H stussoxN, WAT., 177()-183(0. 131(;). P xNx-, 1742 -1814. 141 9. JoI t)\, i\S arshl, I17(2 -183'3. 1370. PreoxN, 1(8( 9-1773. 142(). KEM.LE/, JOH1[N P., 1l75 7-1823. 1371. ITT 1 Earl Chatlam, 17()8- 142 1. KiU TsoiuF, 1745- -1843. 1778. 1422.) IxiS, SMlrshal, 17()0-180((). 1372. PIn?, \W.,theo()ungr, 1750- 1 423. LA: I;tiC', 1745-1827. 180(. 1 142S4. ss, ix.,lMarshal, 17/,58-1817. i 373. oP() to:, 1(1 88 -7 1 44. 1 425). 4 MI"1FTlTI-C I, Prillee, 17731137. IMN 1((-1 -1741. 1 9. 1375). ROUSS Ii:U, JErA x 1 1 t t, t 1i(1(70 1426. MA()ONCFY, Illshali 1 754-1842. -1740. 1427. SI 1 7 4(-1 818. 137(. I1OUSSEAI_,,JEAu J I.c, 4 U]LIS 171- 1 428. 1loItNT, 1 7) -1 28. -1 778. 14 299. iMSoIr:i, 1aSrs ial, 1 7(8-1 835. 137;7. StIrIuDAN, N. B., 175 1-1 8. 11., 143. 17(18i-1815. 1 378. Sico-1n), 1742-181. 1431. NiI.soN, Loil1, 178-18 05. 1379.,ad0. Smii, 1 7(; ( -11(81. 1412. NixY, SM([larlll, 17/()-181b. 180 St Ij 11x'1~0 o 1/2 -,9- 18)(().\ 141. NiLuP, B. G., 177 (:-18 1. 1381. TuV(ot, 1727-1 7(81. 14)34. ()'O N\t 1775-1847. 1.38. A 1 I N E (,. J ( S, 1 1 7Fi. 1 1 14 )4. (4 tsTii D, H. C. 1 777-1-851. L13803. ~II l. Af:S, HECToRN)-E I )I, i(;F t3- 143(). ()uI)ixN()T, arshal, (11(1 7-1847'. 1734. I 143;. Ii it (,I 1 777-1832. _'1384. AoLJt 17N 7 -18t. 1438. 1P(ONi iTOS.Kr, Pl7ri (te, 17(2138t). A OLTx, 145-1827.- 1. 13)80. NVolI-Lonl\, 1 ()4-1 78. 1439). Iu't\ i (I c isN., 1777 -1857. 1387. AVNTLPOIEz Si Rloml,'T, 1(7(0- 1440) IO IN 1 792-18(8. 1 7145. 14i. 1 o)YE- 1 0) 7 ( l3-7184o. 1388. AVA IT, JA1/ES, 173(3-1 81. 144S. S(/4 rt'EL G(, 17/ 75-1854. 13809. lV3ST, BL13N;. I 31738-182(). I,3. S1t8 4 Ii l II 1'i:t). voN 1 773 —()9. 1390. AV I CKmixx 1 1-A N N 1 7(. 1444. SCIt(IJ, A. WV. yo, 167-7 13019. ZiETIN,I 10(900-178(6. 184-5. 13(2. ZINZENxI)OR' 1 700(-1 7()( 1445. SCI-tra(Lt, 17(8-1834. 1393. AU(-EI -.A U, 17/5 -181(. 1446. SCHW:E'RrZFxnlI31E(:, G r PIL. yoNx 131)94. Im1 o,x 1771)-1827. 1771-1(1.) 13'095. BLmzoxI, 17-2-18 23. 1 1447. Sx-cTIN, Bl roll VON, 17571')309. BElTIl, ] 753-181 (40. 183(. 139)7. 13ZELiMUTS, 1(771)-1848. 14-48. Suil, LUtoct:s, 18()-1-1-57. 13'0(8. BESSIFIZ1ES, 1768-1811. 144). TIiL.,EEYl?-ANt), i'i11itC, 175413)99. BLiC EIiR, 1742-1819. 18('38. 1400. B1RUxs, Stairshil, 1,7(;3-181o. 145)(. T_\[ 17/1 -1826. 140(1. CA LICE/nS, 173- 1824. 1451. T'(;iNEII, 1782-184(t. 1-10)2. CONSAiLNJ-, 1757-1824. 14 )2. TIEt, KLu;)i(, 1773-1853. 1403. C(ON1ST/NT1, LENJIJ., 17(7 -18t` 0. 1 4 i Il NI'T /-1l (0A, 1 8(-130. 14()4. DAIN.Tl(ICKER, 1758-1841. 1454. A I Wt t,, 178(-1,2. 1405. AVD ]D/1) ANt F, 11789-18( 1450) NYVIo; /NCT()N 17(;)-1852 1406(. DAVENANT, ITslSI11i 1/770- 14 5(;. ()Ii, FiIo). Duke of, 17631823. 27. 1407. DlENoN 1747-18325. 1457. SIAi PE/I_.u, 1564-1 (1(0. 1408. DrOT, PIERn:E, 1761- 18t)(). 1458. 1YBYlON, 1788S-1827. 1409. PDUIN,.. iS, 1783-5185. 14159.) SIR WN. SOTTr, 1771-1832. 1410. ELDON, LordC Chllc. 11 10, 171- 1. 1 -18. 1838, 14(1. Sc/ILLEE/, 17509-1805. PAnT FOURTH —— SECTION mFl'STis. 75 1462. KSAN%, 114-1 148. (lrloTJE, (see XNo. 14(60.) 1460-. CITnl, Aiu(pUST, Gl-01d Duke I 14791. S(11ILIl. (See No. 1-4(61.) Of Slaxe \Veilller. 1480. Hu)v. (Se(e No. 1461.) 146(1. AlMoz vr ), 1756-1791. 1481 WE ND 1 11 146. MINE,SSOHN, 1809-184:7. 1482. IuT I'Er, 1I1-] 11 546. 1 -()()6. J4 A1MS WATrrl 17-)-1819.. 148.8 AI LBEIT i)UrI, 1471-152S. 11(t7. Gnc(-)O E (,TuvnlP 1769-1882. 1484. A. LixND 1\VON TIUMB3OLT, 1-468. )ANE, 12(-1 21. I (9-.1 S9t). 1469. TI T I, 18()4 —1874. I 4-85. PT EIrFIn yIIiEnR 4 70. T1 \so, 154-15195. 11(. EOpR(nE AVSIIINT( rON 17321471]. _rIoIsTo, 144-17'4. 1" 1t7 1472. MAr(ir,-f, ANl,(o,1 1-174-15)6 1 4. 4 Wi:LfJALxr I PENN, 1544-1718. 17. ]t:1-nAI SN/I( 1 -18 0 1488. BEN. F IZ (N [,I I 71 06-1 790. 147.1 ANN II-\ 1) ( AL l: CCI, 1 (;t)0 i I), 0NA POlEON I, I 76!)-81 21. 10 ()(9. i 4iA90. NEINSON, 1 7)8-18))5. 14175. C(In(:I to 1494-5ll )4 1491. II I, 17-t2-1819. 14-71;. TIT1I N, N IL I —17 6 O 1492. G NEIsENAI, 1((66)(0-1 181. 1477. (GjTTIITEN]ENRG, FAUST nd 1-93). YObK VON ARTENBUI, 1759Sicu]IFT)I:, 114)50 1 S:(). Portrlit and t(la rtistic mInedalliiolns copied from the work]s of Canovl, T orwaldsen, and( otheFs, and ( f i111o works ancient and m17o0dernl in the ]cvcat iseu801m1ls. 1504. Wlorks of Thorw aldsen, Gib- 15 1. VICTOToY. sonI, Wolf aid (Others. 1 5') 1-I11'm,15- (N)) IIE,,. 15()8 A.auTurun tx.1)1-37. THE llINFINT E.LHPIiT'S NU.si)09. W\TINTEr. El) Y A FAWN; b )Iy Wolf 1 10. TITE GENIITUS OF THE F1'INE 15:). M \I NERVA. AnrPs. 15 9. CtI1I ) ND Ps YCHE; by Gib15 11. MACE1)ONIAN (oNT HORSEBACK. so. on 1512 GIo id.. 14(. ]IARS AND) CUI). 15131. TVENxTIIs \il CUPITD. 1;541. VENUS AI(Tl) CtrulT). 1 514. VENTFS WVOUNl)I)ED I~ CUPID. 1) 42. 1BEINFICENCE; bV T111eran1i. 1515. MA1Y, CHIIEST AND JOHN. 1 543). T11 ( TI S\AIoT,; )y Ta(olini. 15116). CItIS, blessin Chihlden. 10514. ST. MIC (I AEL ANDIETI EDIEAGON; 1]5 1 7(. ENTAUR AN)XD YOUTH,1.. 1i518. GANYMEIE AND EAG(LE. 1019 APITOIo ADFI. ROM) TIIE MUSEUM OF TIlE VATICAN. 1..'19. SAPPHtO ~W;OUNDED BY CUPID. 1520. MI:CEDIONI(AN, companion pi- 1 1545. TIITI GoI) MITn1nLAS. ttle to No. lo1 1. 154(. A Spi[Y Nx. 1521. iJPITER iAND JUNO. 1547. TIE )ISCOIULITS OF /[RON. 1522. i\onIo n. 1 548. AIN E AGLE. l52'3. NIHIlT 1G)49. 13UST OF ANTIN. OPS. I P524. APOTITEOSIS OF I HO( I. 155)0. ISIS. 1525. TIIm Wonrs-ioI' OP N uIICN. 1. 551. Tirei NUPTIAs]',S OF ALDOI)RAiN152 6. THt 11 IDUCv(TIO(N OF BCc(IHUTS. DINI. 1527. UIYSSFS NI) DIOMIED. 1552). JAiUS. 1528. IIECTOiR ANI) P(RIS. 155l}. A ANIE, froin 1R)aph'ael's 1529. A )I VEn Goll. 1Battle of Constantine. 1-5')0. MEI CUN~ CONVEYINC T711 IN- 1 554. CrflO TP TEA, 01 DANAER. F (NT 1)'VCCAITS TO A N A'1[I1; by 1 HOM. EIRolin. Pestrini. 1556. PtiocioN. 76 MUSEUM OF ART AND HISTORY. 1557. VENUS. 1 604. ST. INNOCENT. 1558. MEnRCURY-. 16()5. TIIE COUNT OF SOMMARIVIA. 1559. A HIOUND. 1560. AMEHoliEACGER. FROM VARIOUS MT USEUMNIS. 1561. ASPASIA. 1606. HElA D OFI MEDUSA. 1607. ATENTTS WVOUNDED BY C(UPID. FR0OM THE MUSEUFM OF TIIE CAPITOL. 1608. A WVTLD Be;\n. 1562. CATO. 1609. ULYSSES RECOGNIZED BY HTIS 1563. A SON OF THE EIJ)DER, BRUTUTS. Do. 1t564. SECOND SON OF BERUTUS. 1(310. TIIE JUDGAIMENT OF PARIS. 1565. MITI-IRIIDATES KING OF PON- 1611. LEA.,vND)ER SWv\\IING TIIE HELTIJS. LESPONT. 1566. URANIA, the Muse of Astron- 1612. ANTINOUS, Of St. John Lateom0y. ran. 1567. A FIGURE OF VICTORY. 1613. PRIAMI KNEELING BEEFORE 1568. JUNO. ACHIIILIES. 1569. THE MUSE EUTERPE. 1614. IRIS, in the British Museum. 1570. A CROCODILE. 1615. BACCIIANAL.S AND CUPID. 1571. THE EMPEROR NERVA. 1616. FIGURE OF A HORlSE. 1572. SAPPIIO. 1-617. THE GENIUS OF WAR; by 1573. A LION ATTACIKING A BULL. Gibson. 1574. HERCULES SLAYINC THE STYMI- 1618. CATO. PHALIAN BIRDS. 1619. MEDUSA. 1575. A RIVER GOD. 1620. JUNo. 1576. SAB-INUS. 1621. SALMACI,C AND HERMIrAPIoIroDI1577. TIHE WOLF SUCKLING ROMU- TU S. LUS AND REMrUS. 1622. CUPID. 1578. SCIPIo AnRICANUS. 1623. HER(C ULES. 1579. GETA. 1624. THE GoD PAN. 1580. PoPPzEA, wife of Nero. 1625. THE MUSE OF TRAGEDY. 1581. SOCRATES. 1626. JUPITER WPITH THE EAGLE. 1582. AUGUSTUS. 1627. THE GENIUS OF THE CHASE. 1583. CARNEADES. 1628. CUPID IN CHAINS. 1584. BUST OF PARIS. 1629. RETUSA. 1630. IOLE. MODERN WORKS IN TIIEI MUSEUM OF 1631. VENUS An MARS. SOMAMNIARIVA. 1632. JUNO. 1585. TVENUS, Goddess of Pleasure. 1633. CERES. 1586. ACIIILLES RESTRAINED BY MI- 1634. MEDUSA. NERVA. 1635. ACHILLES. 1587. CUPID AND PSYCHE. 1636. A LITTLE CUPID. 1588. THlE FIRST MURDER. 1637. JUSTICE. 1589. TI-E FORGE OF VULCAN. 1638. LEDA AND TIIE EAGLE. 1590. VENUS AND CUPID. 1639. CASTOR, one of the Colossi of 1591. BACCHANTE AND SILENUS. the Quirinal. 1592. CUPID CHASTISEmD BY PSYCHE. 1640. MINERVA; by Jiromnetti. 1593. VASE OF FLOWERS. 1641. ST. AGNES, in th e Piazza Ago1594. COPERNICUS. nale. 1595. CUPID AND PSYCHE. 1642. ARIADNE. 1596. AN ARABIAN HORSE. 1643. POLLUX, comnpanion to No. 1597. LEDA AND TET] SWVAN. ~163'9. 1598. ZEPIIYR. 1644. COCNTEST BETWEEN NEPTUNE 1599. CURTIUS CA\STING HIMSELF IN- AND MINERVA. TO TIIE CHASM. 1645. CUPID AVITI A DOVE. 1600. JUPITER WITHI 3M/ARkS AND 1(46. TIIIE INIFANT HERCULES WITrH MERCURY. TUE S E RPENTS. 1601. PlIIUiBUS APOLLO IN 11S CHAP- 1647. JUNO. IOT. 1648. HERCUJLES BEARDED. 1602. HERCULES DRINKING. 1649. VENUIS AND MARS. 1603. ST. CATHARINE. 1650. BALLERINA, OR DANCING GIRL. PART FOURTH-SECTION SECOND. 77 1651. VENUS IN HEN CHAIIIOT. 16 I75. PARIS AND tHELEN. 1652. THE PARCPl, OR FATES. 1676. DIscOPuiUs. 1653. PALAmnIEiEDES A\Ni ULYSSES. 1677. CUPIDI AS A FISTIERMAN. 1654. VENTS. 1678. 78VENUS. 16,55. THE LION OF TITE PALACE 1679. A CJENTAUR CONQUEITRE) BY' A BARBERINI. ]BACCHAINTE. 1656. SAPPno. Sp168. 8A RIVEN GOi). 1657. A BACCHANTE. 1681. SYTIBOL OF FIDELITY. 1658. HERCULES AND TELEIPIJUS. 1682. ALEXANDE1'S HOUSE B TCE1659. SYIrBOL OF FIDELITY, A_ CHILD PAIIIUS. ANI) Doo. 1 6(83. (,UPID M3[AKINcG A NE T. 1660. APoi,LIo AND DAPlINE. 1684. PARIS AND HEILEN, REPRI1661. VENUS, MENRCurY AND CUPID. M ANDED B,- HECTOR. 1(62. DISCOBIUIUS. 1685. A EBACCIIANTE. 1663. AnRIADNE. 1 (;86. UTLYSSES. 1664. HERCULES KILING THEII NE- 1687. TIrE TRIUMrNiPH OF ALEXANDER. MEAN LION. 1688. JUPITE:R OLYMrTPUTS, in Venice. 1665. VENUS nAND MARS. 1689. ANTINOUIS. 1666. ANTINOUS. 1690. TIIE PROPHET ZACIIARIAII; by 1667. GUIDo'S AnonRA. Michel Angelo. 1668. DIANA ANnD rEN NYMIPIHS; by 1(691. ThE CUIJrAIAN SIBYL; by DoDomenichi no. m enichino. 1669. A BACCHANTE. 1692. TrlE TIANSFIGURATION; by 1670. ARETH-USA. Raphael. 1671. A BACCIIANTE. 1(93. THE PIIRYGIANi SIBYL; by 1672. A NY-rPH. Guido. 1673. R ETUSA. 1694. THE DRESDEN MADONNA; by 1674. C ENES. Raphael. SECTION SECOND. THE GOVERNOR BAGCLEEY COLLECTION OF AMERICAN ITISTONICAL iMIEDALS. This collection has been recently commenced by His Excellency, Governor John J. Bagley, and is intended to embrace, as far as possible, all the medals struck by order of the national authorities to commemorate important incidents in our history, or in hoinor of distinguished individuals. DIVISION 1. BlRO: NZE MEDALS. Class First-The ArmJ.y. 1695. WASHINGTON, before Boston. 1696. MAJOR GENERAL GATES, for Saratoga. 1697. GENERAL MORGAN, for Cowpeins. 1698. JOHN EAGER HOwTARD, for Cowpels. 1699.' Co.oLNEL WILLIAM WASHINGTON, for Cowp)ells. 1700. COILONET, GEORGE CROGHAN, for Sanduslky. 1701. MAJOR GENERAL MORRISON, for thle Thames. 1702. GOVERNOR ISAAC SHELBY, for the Thames. 78:IIMUSESUM 0USEU OF ART ANND HISTORY. -1703. MA Noi GlNEPAL SCOr, iT fr Chippewa and Niagara. 17()04. MAJOR- (o GEN ^I4tAI GAINIES, for Foit Erie. 1705. MIAJor GmUIcnRAL PonrrEn, frL Chippewa., Niagal. and Erie. 1706. \ITAJO)R GFNI: RA.I BROARoN, ioI 1th( csale. 1707. BIGRADIER ( ] ENEIRAL 1Y 1LER', for the saml-n. 1708. ImuXArAtSnT~ GE;ENA I R lmAT Iv, foT ) thlle samle. 1709. MK AOR GENEA MACORvB, for I'llIttsburg. 171 A). i/i I -I NERAJ A( IKSON Ne- orle' ls. 1711. iAJo:1_ (G-ENERIAL1 TAYLORt I'.dlo Alto 171'2. AIJ[A.ofpR GI:ENElRA Tarli O:, ) IO nt(trey. 1713. MAAJOL GENE'~RAll ln,-0io1., A llel ViNst:e. 1714. i[AJ'on (GENEPAL SC()TT, )Iattles in-1 Mexisco 1715. MAJITon GENErnAIA (4tI ANT. C(IT(a.s Silcond — Th(l N\Tvy. 1716. JOTIN PAUL. JONES, for the Sorlp)iS. 1717. CAP1TA:IN rIiiOMAS TRnuxo ON, for tlle a( ction withl the FrigaLte Sera.pis. 171]8. CAPTAIN HuLLr,, capture of tlle] G( lerl'ielr o 1'710. (CAPTAIN JACOB JONES, capturi of the Frolic. 1720. CAPTAIN iDECATUP,) capture of thie Mlacedoniia n. 1721. CAPTAIN NI n INT)IOC)E, capl-tu:t'e of the Javra. 1722. CAPTAIN LAIAWFENCcE, capturel of tile P1eacock. 1723. CAP.TAIN IIURPIOwTS, ClcaptUIn of t1le Boxer. 1724. 9 I,4iUTENANT MCCATI, Icatu e of the Iloxer. 17 25. CA'TAIN InRRYv, capture of the British fle et on Lake Erie 1.720. CAPTAIN ELLILOTT, for the samie. 1727. CAPTAl N WARlTINON, capturle of thle Eperviere. 1728. CiPTATN PBl1AKEJLY, capturee of thle Reindeer. 1'729. CAPTAIN rMAcDONOUGI-H, capture of tlhe 1SBritish fleet on Lake Clnliplaill. 1730. CAPTAIN HENLEY, for the same. 1731. LIUTENANT' CASSIN, for the sanmle. 1732. CAPTAIN ]3IDDILE, for the ccapture of the Penguitn. 1733. CAPTAIN STEWARnT, canpture of the (CyaanIie and Levaln t. 1734. CoirlonoDoRE PnEBiIE. C(1, s8 h'li/rtcl —-.lfisc)lsrcikouels. 1735. Bnm SOIMMinE rescue of officers and crew. 173(3. CAPTAIN INC1XA HAAM, for the rIescue of Martin Kotza. 17 37. SHIPWRECK- MEDAL. 17338. UJNITED STATES COAST SURVEY, gallantryT and lumaninity. 17 39. JAPANES EmIBASSY Mi]EDA]L. 1740. DR. FREI)EIC ROSE, skill lanld humanityt 1741. ALLECGOIANCE {MEDATL. PART FOURTH-SECTION SECOND. 79 Cla( ss i% ot, Ert/h-_P), rdcs icntiict l. 1742. TI-ToIAS JEFFERIS()N. 1743. JAMES MIADISN. 1744. JAAMIES lMVONRO1. 1745. JOHN Q. ADAXIS. 17446. AND)REAN JACKSON., 1747. M'ARTIN VAN BIJREN. 1748. JOHN TYIJiRn. 1749. JAMES K. POLK. 1750. ZACHARY TAYIOR. 1751. MIILtLARD FILJAIORE. 1752. FRANKLTIN PIEdRCE. 1753. JAM ES BUCHANAN. 1754. ABRAHAI- LINCOLN. 1755. A.NDREW JOHNSON. Cl, sts. F/l't7 h-,-,!7,C- A,\T( dti(o'rt,% c~ l1 M~lx. 1756. CAPTAIN PERRY, Pennsylvanial, Lake Erie. 1757. PENNSYrLVANIA VOLUNTEERS, Latke Erie. 17,58. VIRG;INIA, MIAJOR GEN1ERAL SCOTT. (;7ct,,ss JS!i:;tlt7,-Jil[, g'(', G t, l.o x 1 A);x,~,:'liCCCt.1. 17 _59. COLONEL AmirSTRONG ifor destructionl of Kittaning, 1760. INDIAN PEAC:E MEDAL. 1761. CA )TAINS CREI(GIITo:N, LAW andV (i ( STOU:iFF:ER, wreck of steamer San Francisco. 17(62. A, RE1CK OF STEAMEVIE IMETIS, Loi) ISland Sound. 1763. EDI. R. HASACK. 1764. FIRIST STEAMI COINAGc11E. 17(65. ConaoDOn1ol M1. C. PERRY, from mercLhants of lI3oston. 17(56. PACIFIC RAILROAD MED)AL. 17767. ]EMANCIPATION PROCLAIMATION MiLED.AL, 1768. Reverse of the foregoing. 1769. FIELD MEDAL. 1770. Diz. JosEPH PANCOAST. 1771. G5RANTT'S INDIAN PEACE MEDAL., 1772. " iLET Us HAVE PIEA(CEo." Clal.s S'evnrvh- WrCashhes;i /t'n, _[(l8a[,s. 1773. PRESIDENCY ELrINQEUISIE11). 1774. Tr-IsE CA INEXT M1CI)EDAL. 1775. TIMrE INC BEAs S HIS FAmvI, 177(5. COME MNO CAB,aINET. 1777. SMALL HEA-I) OF WnAS -nIN(:rxOT(. 80 MUSEUM OF ART AND HISTORY. DIVISION II. FINE SILVER 3MEDALS. 1778. CABINET MEDAL. 1779. PRESIDENCY RELINQUISHED. 1780. ALLEGIANCE MEDAL. 1781. TImrE1, INCREAS1IS HIII FAME. 1782. COMMENCEIIlSNT OF CABINET. 1783. W~ASHINGTON AND JACKSON. 1784. AWASHINGT'ON AND LINCOLN. 1785. WASHINGTON AND GRANT. 1786. WASHINGTON ASREmATH. 1787. LINCOLN ANI) GRANT. 1788. LINCOLN BROKEN COLUMN. 1789. PACIF'c IC RAILROAD MEDAL.