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Bºrº Fº º s : E. º × -º \\}; 24%% | {{}}| º %| || \"" §AA; N * Sº º Nºgºk. sº- -º- : *r w— -ms- - tºº." W ^. - *-- # X3:RS. , ſk jº §. & *: 26 733. §§§ #W § º ?? º ** §ºr gé . Ż 3. §§§ #. ſ ºlº • ? at º *** ** ** * * * *, * * * & A. **{{\'º', t iſ a • \ CopyRIGHT, 1899, BY JOHN LANE Press §: J. Little & Co. Astor Place, New York A. Author’s Note The greater number of these verses appeared recently in Punch ; those reproduced from The World belong to an earlier date, 1897; the imitation of Mr. George Meredith was printed in The Morning Post within the last year. To the Proprietors of Punch and the Editors of The World and Z'he Morning Post, I give my best thanks for their kindness in permitting me to re-publish my work. I need not, perhaps, apologize for the motley character of this collection; nor for having, towards the end of it, made use of the Fool's privilege of being serious on occasion. O. S. , , , , ; , º, Tº ~. . ... ". 4; , ; ; , . . " .. . . . . . . . . X_i. CONTENTS. TO MR. ALFRED AUSTIN . & º * AMONG THE ROARING FORTIES . g tº AT THE SIGN OF THE COCK * (e * COMIN' THRO’ THE ROMANY RYE . tº THE WOMAN WITH THE DEAD CERT wº THE FIGHTING GEFION * tº * e A SONG OF INACTION o tº tº e ALFRED's ALFRED º ty º gº e LINEs WRITTEN (“By REQUEST") F OF THE OMAR KHAYYA M CLUB . * THE PLAINT OF DYING HuMOUR ſº © RESIGNATION º {} & e © tº THE BOOK OF OOM . sº º {} & To JULIA UNDER LOCK AND KEY . © THE DOMESTIC BALLAD . & º ALFRED ON CAEDMON . & & te ſº THE BITTER CRY OF THE GREAT UNPAID e OR A DINNER PAGE II I5 2I 25 30 35 38 45 49 53 6O 66 68 71 76 viii Contents. PAGE To THE AUTHOR of “THE CHRISTIAN" e . 80 TO AN OLD FOGEY . tº & tº e tº . 84 THE PENALTIES OF BALDNESS . e º & . 87 THE TEUTONIC PLAGUE . te e e e • 9I OF THE LORD OF POTSDAM e e e wº • 94 THE SCHOLAR-FARMER * º tº º ſº • IO2 THE WARRIOR's LAMENT . e g & * • IO5 OF THE STALKING OF THE STAG © © & . IO8 OF BIG GAME . * Ç e e G tº • II4 “THE HURT THAT HONOUR FEELS ’’ • © • II9 “THOSE WHO LIVE IN GLASS HOUSES-" gº • I23 LE MONDE Ot, L’ON S'AFFICHE . g tº tº • I27 WILHELMINA e tº tº g & ſº * • I34 IN MEMORIAM . ſº * º {º tº º • I37 “SCOTS WHA. HAE’” . o tº wº e e • I4O To THE CREw of THE MARGATE SURF-BoAT," FRIEND TO ALL NATIONS ’’ * tº * tº tº • I4I * FROM THE PROVENGAL OF SORDELLO, TROUBADour . I43 IN CAP AND BELLS. TO MR. ALFRED AUSTIN. [In polite imitation of his Jubilee Ode.] I. THE early bird got up and whet” his beak; The early worm awoke, an easy prey; This happened any morning in the week, Much as to-day. II. The moke uplift * for joy his hinder hoof; Shivered the fancy-poodle, freshly shorn; The prodigal upon the attic-roof Mewed to the morn. * Poetical license. 2 In Cap and Bells. III. His virile note the cock profusely blew; The beetle trotted down the kitchen tong; The early bird above alluded to Was going strong. IV. All this of course refers to England’s isle, But things were going on across the deep; In Egypt—take a case—the crocodile Was sound asleep. V. Buzzed the Hymettian bee; sat up in bed The foreign oyster sipping local drains; The impious cassowary lay like dead On Afric's plains. VI. A-nutting went the nimble chimpanzee;— And what, you ask me, am I driving at 2 Wait on; in less than twenty minutes we Shall come to that. In Cap and Bells. VII. The bulbous crowfoot drained his dewy cup; The saxifrage enjoyed a morning crawl; The ampelopsis slowly sidled up The garden wall. VIII. Her petals wide the periwinkle flung; Blue gentian winked upon unweaned lambs; And there was quite a pleasant stir among The cryptogams. IX. May was the month alike in croft and wild, When—here, in fact, begins the actual tale— When forth withal there came an infant child, A healthy male. X. Marred was his ruby countenance, as when A blushing peony is moist with rain; And first he strenuously kicked, and then He kicked again. 4. In Cap and Bells. XI. They put the bays upon his barren crest, Laid on his lap a lexicon of rhyme, Saying—“You shall with luck attain the quest In course of time.’’ XII. Stolid he gazed, as one that may not know The meaning of a presage—or is bored; But when he loosed his lips it was as though The sea that * roared. XIII. That dreadful summons to a higher place He would not, if he could, have spurned away; But, being a babe, he had, in any case, Nothing to say. XIV. So they continued:—“Yes, on you shall fall The laurels; you shall clamber by-and-by Where Southey sits, where lately sat withal The poet Pye. * Poetical license. In Cap and Bells. 5 XV, As yet you are not equal to the task; A sense of euphony you still must lack; Nor could you do your duty by the cask Of yearly sack. XVI. Just now, withal (that's twice we’ve said “withal’), The place is filled by some one sitting there; Yet poets pass; he, too, will leave his stall And go elsewhere. XVII. Meanwhile, to trust you with a pointed pen, Dear babe, would manifestly be absurd; Besides, all well-conducted little men Are seen, not heard. XVIII. First, how to tutor your prehensile mind Shall be the object of our deep concern; We'll teach you grammar; grammar, you wil/find, Takes years to learn. 6 In Cap and Belis. XIX. 'Twixt—mark the pretty word—'twixt boy and man You shall collate from every source that's known A blended style; which may be better than One of your own. XX. Your classic mould shall be completely mixed Of Rome’s robustness and the grace of Greece; And you shall be a Tory, planted 'twixt Plenty and peace. XXI. And lo! we call you ALFRED ! Kinglihood Lies in the name of Him, the Good and Great! You may not rise to greatness; O be good At any rate ’’ XXII. Eight happy summers passed and Southey too, And one that had the pull in point of age Walked in; for Alfred still was struggling through The grammar-stage. In Cap and Bells. 7 XXIII. When William followed out in Robert’s wake, An alien Alfred filled the vacant spot, Possibly by some clerical mistake, Possibly not. XXIV. Our friend had then achieved but fifteen years, Nor yet against him was there aught to quote; For he had uttered in the nation’s ears Not half a note. YXV. Adult, no more he dreamed the laurel-wreath,” But wandered, being credentialled * to the Bar, There where the Northern Circuit wheels beneath The Polar star. XXVI. One day, asleep in Court, Apollo's crown All in a briefless moment his he saw; Then cast his interloping wig adown And dropped the Law. * Poetical license. 8 In Cap and Bells. XXVII. Henceforth with loyal pen he laboured for His England (situated on the main); Wrote in the tragic, or satiric, or Some other vein. XXVIII. At forty-one he let his feelings go:— “If he, that other Alfred, ever die, And I am not appointed, I will know The reason why '' XXIX. Some sixteen further autumns bound their sheaves; With hope deferred wild battle he had waged, And written books. At last the laurel-leaves Were disengaged. XXX. Felicitators, bursting through his bowers, Came on him hoeing roots. With mild surprise, “Leave me alone,” he said, “among my flowers To botanise.” In Cap and Bells. 9 XXXI. The Prime Elector, Man of Many Days, Though Allan’s Muse adorned the Liberal side, Seizing the swift occasion, left the bays Unoccupied. XXXII. The Peer that followed, having some regard For humor, hitherto accounted sin, Produced a knighthood for the blameless bard Of proud Penbryn. XXXIII. At length a callous Tory chief arose, Master of caustic jest and cynic gibe, Looked round the Carlton Club and lightly chose Its leading scribe. XXXIV. And so with heaving heart and happy tears Our patient Alfred took the tardy spoil, Though spent with sixty venerable years Of virtuous toil. IO In Cap and Bells. XXXV. And ever when marsh-marigolds are cheap And new potatoes crown the death of May, If memory serve us, we propose to keep His natal day. In Cap and Bells. II AMONG THE ROARING FORTIES; OR, THE NEW MéNAGERIE OF LETTERS. [Mr. Algernon Charles Swinburne, in a letter to the Zimes, complained bitterly that when, “in this decadent month,” the demise of the sea-serpent and the giant gooseberry is followed by the resurgence of “that ridiculous monster,” an English Academy of Letters, his name should receive the unsolicited honor of association with so “unimaginable a gathering”; what, indeed, he might call a “col/advies literarum.” He strongly resented the “adulation of such insult.”] WHEN the fiends of fog are on Autumn’s traces, The herald of Yule and the year's decay Smears the lungs and smothers the faces With slime that slithers and germs that slay; And the amorous microbe leaves his lair, And walks abroad with a wicked air, And unabashed the wanton chases By nebulous noon his palsied prey. For the Silly Season is past and over, Gone with the equinoctial gales; That sinuous hoax, the hoar sea-rover, Curbs the pride of his prancing scales; I 2 In Cap and Bells. And the giant gooseberry misbegotten Lies in the limbo of all things rotten, The savour that clings to last year's clover, The loves that follow the light that fails. Where shall they find what next they shall say to us, Give to our need what new-sent boon P What fresh air shall the pressman play to us, Worn to a thread with the jaunts of June 2 For to set the jaded limbs astir Is as food and drink to the pipe-player, And it means the deuce if, piping for pay to us, Never a heart shall heed his tune. But see! for a ballet is set before us, Figures that limp on feet of lead, Two score puppets and all sonorous, Crowned with paper upon the head! Past the thymele each one wobbles Baiting the British public’s Obols— And who fares fifth in the footling chorus 2 ALGERNoN CHARLEs! as I live by bread! In Cap and Bells. I3 Shall Z make virtuous sport for Vandals, I that mixed in the Maenads’ maze, Shod in the sheen of my winged sandals, Fellow of Fauns by woodland ways 2 Shall / parade in a vulgar buskin With ruminant Stubbs and stolid Ruskin, Not fit to hold two half-penny candles To A. C. S. in his palmy days 2 For I sang of the garb and gait unstudied Of Bacchanal routs that raged and ran; Of the cheek of Dryad and Nymph full-blooded That warmed at touch of the warming Pan; Who then dares marry my Muse with these, This literarum coſ/wzyzes 2 On him and his print and his staff that budded I lay the curse of my lips that ban. Have I not said, O Złmes, and sworn it, By all oaths valid on earth and sea, That while one blast is left to my cornet Not, if I know it, shall these things be 2 I4 In Cap and Bells. Not till the lion shear his locks And share his crib with the craven ox, Not till the fiery unyoked hornet Mate with the mere performing flea' In Cap and Bells. I5 AT THE SIGN OF THE COCK. (FRENCH STYLE, I898.) [Being an Ode in further “Contribution to the Song of French History,” dedicated, without malice or permission, to Mr. George Meredith.] RoostER her sign, Rooster her pugnant note, she struts Evocative, amazon spurs aprick at heel; Nid-nod the authentic stump Of the once ensanguined comb vermeil as wine; with conspuent doodle-doo Hails breach o' the hectic dawn of yon New Year Last issue up to date Of quiverful Fate Evolved spontaneous; hails with tonant trump The spiriting prime o’ the clashed carillon-peal; Ruffling her caudal plumes derisive of scuts; Inconscient how she stalks an immarcessibly ab- surd Bird. I6 In Cap and Bells. II. Mark where her Equatorial Pioneer Delirant on the tramp goes littoralwise, His Flag at furl, portmanteaued; drains to the dregs The penultimate brandy-bottle, coal-on-the-head- piece gift Of who avenged the Old Sea-Rover's smirch. Marchant he treads the all-along of inarable drift On dubiously connivent legs, The facile prey of predatory flies; Panting for further; sworn to lurch Empirical on to the Menelik-buffered, enhavened blue, Rhyming—see Cantique I.-with doodle-doo. III. Infuriate she kicked against Imperial fact; Vulnant she felt What pin-stab should have stained Another's pelt Puncture her own Colonial lung-balloon, In Cap and Bells. I7 Volant to nigh meridian. Whence rebuffed, The perjured Scythian she lacked At need’s pinch, sick with spleen of the rudely cuffed Below her breath she cursed; she cursed the hour When on her spring for him the young Tyrannical broke Amid the unhallowed wedlock’s vodka-shower, She passionate, he dispassionate; tricked Her wits to eye-blind; borrowed the ready as for dower; Till from the trance of that Hymettus-moon She woke, A nuptial-knotted derelict; Pensioned with Rescripts other aid declined By the plumped leech saturate urging Peace In guise of heavy-armed Gospeller to mén, Tyrannical unto fraternal equal liberal, her. Not she; Not till Alsace her consanguineous find What red deteutonising artillery Shall shatter her beer-reek alien police The just-now pluripollent; not till then. 2 I8 In Cap and Bells. IV. More pungent yet the esoteric pain Squeezing her pliable vitals nourishes feud Insanely grumous, grumously insane. For lo! Past common balmy on the Bordereau, Churns she the skim o' the gutter’s crust With Anti-Judaic various carmagnole, Whooped praise of the Anti-Just; Her boulevard brood Gyratory in convolvements militant-mad; Theatrical of faith in the Belliform, Her Og, Her Monstrous. Fled what force she had To buckle the jaw-gape, wide agog For the Preconcerted One, The Anticipated, ripe to clinch the whole; Queen-bee to hive the hither and thither volant SW21” IIl. Bides she his coming; adumbrates the new Expurgatorial Divine, In Cap and Bells. I9 Her final effulgent Avatar, Postured outside a trampling mastodon Black as her Baker's charger; towering; visibly gorged With blood of traitors. Knee-grip stiff, Spine straightened, on he rides; Embossed the Patriot’s brow with hieroglyph Of martial dossiers, nothing forged About him save his armour. So she bides Voicing his advent indeterminably far, Booster her sign, Rooster her conspuent doodle-doo. V. Behold her, pranked with spurs for bloody sport, How she acclaims, A crapulous chanticleer, Breach of the hectic dawn of yon New Year. Not yet her fill of rumours sucked; Inebriate of honour; blushfully wroth; Tireless to play her old primaeval games; Her plumage preened the yet unplucked 2O In Cap and Bells. Like sails of a galleon, rudder hard amort With crepitant mast Fronting the hazard to dare of a dual blast The intern and the extern, blizzards both. In Cap and Bells. 2 I COMIN’ THRO’ THE ROMANY RYE. [The Daily Chronicle, reviewing Mr. Theodore Watts- Dunton's poem, ZThe Coming of Love, remarked : “The Romany idiom possesses an immense advantage over our poor, every-day English, in offering at least two new rhymes for “love'—“tuv' (smoke) and ‘puv' (a field). These are priceless additions to the meagre Saxon stock—" dove,’ ‘glove,’ ‘above,’ and the impossible ‘shove.’” The reviewer scarcely did justice to Mr. Watts-Dunton's liberal ear, which allows him, in this volume, to employ “cove,” “move,” “grove,” “approve,” and “rove,” to rhyme with this same sound of “love.”] } } { { IT is the massive gipsy-maid! I think I recognize my Luv; Hither she walks; I see her wade Across the Sodden turnip-puv ; Field. O Luv, my Luv' The lark is tootling in the sky, Coos in his cot the wedded duv; Then wherefore should not you and I Gambol like rabbits in the gruv P O Luv, my Luv' 22 In Cap and Bells. Come, let us fly the wicked world, And all the simpler pleasures pruv, For life’s a vapor thinly curled, And human glory ends in tuv, Smoke. O Luv, my Luv' By stilly ponds and stagnant meres In solemn silence we will muv, Or whisper down each other’s ears The trifles we are thinking uv, O Luv, my Luv' Or let us from the ocean’s marge Out in an open wherry shuv, And when the moon is fairly large Perambulate a sandy cuv, O Luv, my Luv' Or, where the sheathèd filbert shoots, Your dusky hands that scorn a gluv Shall pluck and pass me fairer fruits Than tooth of ADAM ever cluv, O Luv, my Luv' In Cap and Bells. 23 And if, in case of cold or rain, We cannot comfortably ruv, We'll twine our noses on the pane, Or stew beside the peety stuv, O Luv, my Luv' Such dreams, so roseate and warm My free, erotic fancy wuv, When first your fine and ample form TJpon my swooning vision huv, O Luv, my Luv' You're not, I grant you, free from fault; Your grammar one might well impruv; Your brow is tanned a rich cobalt; But still you are a treasure-truv' O Luv, my Luv' And with a creature like my Own, As tentatively sketched abuv, Oft have I heard (though never known) Of poets who serenely thruv, O Luv, my Luv' 24 In Cap and Bells. Then let us fly the wicked world, And take our chance alone with luv; For life's a vapor thinly curled, And all ambitions end in tuv, Smoke. Mere tuv, my Luv' Smoke. In Cap and Bells. 25 THE WOMAN WITH THE DEAD CERT. [An exercise in accentuation, with the author's admiring regards to his friend, Mr. Stephen Phillips, Academy Coronee.] ENTRANCED by the soul-captivating light, Red, green and sapphirine, piercing the night, From bulbous bottles in a mooned row, Through the chemist’s and druggist’s shop-door, lo! I passed. Without, a terrier, a dumb thing, Draws his blind master attached by a string, Straining. He was so strong almost I wept, Wondering how the patient beggar kept Up. Thinly from a far Teutonic band Soldiers of the Queen floated down the Strand. And lo! along the ardent street, The usual average of feet, Braving the clotted traffic’s tides In buttons or elastic sides! And I was 'ware how one in haste Went by with both his boots unlaced! 26 In Cap and Bells. Across the road, outside a bar, A dull mechanic motor-car Stood uncomplaining while within Its driver slowly swallowed gin. With shame my human fibres shook At this significant rebuke; Right in my heart I felt the stab Dealt by the mute electric cab. So to the counter warily I drew And hailed the chemist: “I will trouble you For some Miltonian trochees, if you please, Which to the voice give comfortable ease, When mellifluously it would rehearse Blank, or, in other phrase, iambic verse.’ And even as I spake, oh, lo! I saw A woman sipping sal volatile, raw, Out of a test-tube. Her sinister eye, That shone like a bay-window dreadfully, Was furnished with an infelicitous cast Such as I deemed should indicate a past Disillusioned. A nice, funereal plume Lent to her hat a quiet touch of gloom. In Cap and Bells. 27 Partly for ruth no word I found to say, And partly since a truant trochee lay Athwart my throat. At length the silence stirred, As when in the green dark an early bird Twitters. Her tale she told without reserve; Keenly I remember her placid nerve. She had, when life was full of tranquil hay, A beloved husband, by profession a Dynamiter. Most proud indeed was she Of his infernal ingenuity. It chanced a public edifice was blown To bits, with people in it. Cause was shewn None; but a paltry furlong thence they came TJpon the artist’s collar, with his name And blood thereon. But of the rest of him Not so much as a fragmentary limb Anywhere found they. The Coroner said That the deceased had merely saved his head By an alibi. So in weeds she went, Doubtful at first, but growing confident As one that hath a dead cert. By-and-by After a lustre of celibacy She married with a publican and drew 28 In Cap and Bells. Beer at his bar; nor even so much as knew Who Mrs. Arden was. But on a day, She serving liquors, lo! there chanced that way A lurid reveller of familiar mould, Dight in a massive chain of Yukon gold; And on her first husband, before she wist, Swooned heavily the conscious bigamist / Anon the police held their man in thrall; And, ere the second moon’s full coronal Came round, from the scaffold, clean-shaved and Cropped, Weighted, arranged, deliberate, he dropped, Leaving a sullied widow; yea, and lone, That should be; for they whispered he had gone, Her second mate, that morning, being wed With the barmaid. This also was a dead Cert. Here her welling tears that might not dry Fell in the test-tube very bitterly. Therewith the chemist, having overheard, Sobbed like a babe. The motor-cab, referred To in a previous passage, moved about Involuntarily; and lo! the shout In Cap and Bells. 29 Raucous-insistent of the Specials broke The stilly mud-blue nocturne; and I spoke. Pitiful words I spoke that filtered through Her arid feelings as the divine dew Freshens Sahara. In the mirror she Ordered her gear. The sal volatile I paid for, with the trochees, nett; and so NIoving with rhythmic step, composed and slow, Into the large, elusive night I glide With that strange woman, my affianced /ride / 3O In Cap and Bells. THE FIGHTING GEFION. [After Mr. Newbolt. Suggested by the voyage of Prince Henry of Prussia to China.] IT was nine bells ringing, As they swaggered out O' Kiel, For the watch was busy singing, And they’d overdone the peel; It was nine bells ringing, For the watch was busy singing, And the pilot's wife was clinging To the pilot at the wheel. Oh / to hear the fisſons founding, Aaiser/and / A aiser/and/ And ſhe osculations sounding, A aſser/and// A aſser/and A Oh / ſo hear the pistoms founding And the osculations sounding, And Our Only Broſher bounding On the boom ſo Kaiser/and// In Cap and Bells. 3I It was trombones trumping In the military band, And the tide was slowly slumping As he waved his mailèd hand; It was trombones trumping, And the tide was slowly slumping, And the KAISER’s heart was bumping As they shoved Him off to land. Oh / they're bound for blood and glory, A aiserland / Kaiser/and/ But their head's zwil/a/ be hoary, Aaiser/and// A aiser/and/ Oh / they're àound for blood and glory, But their heads will all be hoary Bre they fell the “gospel-story” On the shores of Áaiserland/ It was fog-horns blowing, Where the forts o' Spithead frown, And the tide belike was flowing, And belike was running down; 32 In Cap and Bells. It was fog-horns blowing, And the tide belike was flowing, When Henricus started rowing On the loose for London town. There’ll be many another stopping, Aaiser/and / A aiser/and/ When the engine-fires are dropping, A aiserland / Kaiser/and/ There’ll be many another stopping, When ſhe engine-fires are dropping, And the good fuð goes a-flopping Aitch-an’-toss for Áaiser/and/ It was cracked mugs clinking, As they sighted Singapore, And the bleary eyes were blinking At the hope o' touching shore; It was cracked mugs clinking, And the bleary eyes were blinking, But the cabin-boy was sinking With his eighty years or more! In Cap and Bells. 33 Oh / the crumpled masts were creaking, A aiser/and / A aiser/and/ And the bilge was frankly leaking, Aaiser/and / A aiser/and// Oh / the crumpled masts were creaking, And the bilge was frankly leaking, And their throats were dry wi' speaking Mosz profane o' A'aiserland/ It was dumb bells tolling As they reeled at half a knot, For they’d done a deal o' coaling, But the pace was never hot; It was dumb bells tolling, And they’d done a deal o' coaling, When the wherry came a-rolling On to WILLIAM's little plot. Mine-and-ninety years zwere over / A aſser/and / A aiser/and/ Since they cleared the Straits o' Dover/ A aiser/and// A aiserland Z 3 34 In Cap and Bells. Mine-and-ninety years from Dover, And the lengthy lease was over, And the heathem sat in clover On the pews o' Kaiser/and/ In Cap and Bells. 35 A SONG OF INACTION. [Being a comment on the first chapter of the Cuban War, after one of Dr. A. Conan Doyle's “Songs of Action.”] THERE was a sanguinary war out West— (Wake 'em up, shake 'em up, try 'em on the trans- ports) There was a sanguinary war out West, And the troops lay low on the cocktail quest; Ho, the jolly fighting braves Playing poker by the waves, All beside the Cuban Seal The leaguer it lolled by Tampa Bay— (Prog 'em up, jog 'em up, put 'em on the war- path) The leaguer it lolled by Tampa Bay Nipping by night and napping by day; Ho, the gunners so slack They can barely lynch a black, All beside the Cuban Sea! 36 In Cap and Bells. The regulars danced to the military band— (Screw her round, slue her round, every stitch a-straining) The regulars danced to the military band, Steel on the heel and kid on the hand; Ho, the men of warlike arts Working havoc with the hearts, All beside the Cuban Seal The Tailoring Boss sat tight at home— (Rake 'em up, fake 'em up, worry on the war- paint) The Tailoring Boss sat tight at home— And Sampson he sat tight on the foam; Ho, the gallant volunteers With their tunics in arrears, All beside the Cuban Seal General Miles he has come on tour— (March 'em out, starch 'em out, put 'em through their facings) General Miles he has come on tour, And General Miles he is slow and sure; In Cap and Bells. 37 Ho, the marshal man of blood, See him chew the careful cud All beside the Cuban Seal There are sad salt tears on the best girls' cheeks— (Row 'em out, tow 'em out, stuff’em in the steerage) There are sad salt tears on the best girls' cheeks, For the heroes have sailed after eight short weeks; Ho, the shouting throats are thick For the warriors will be sick, Sick upon the Cuban Sea! They have gallantly weathered the glassy main— (Row 'em in, tow 'em in, beach 'em through the breakers) They have gallantly weathered the glassy main, And they’re safe on terra cotta again; And before the year is through We may hear of something new Somewhere by the Cuban Sea! 38 In Cap and Bells. ALFRED’S ALFRED. [Being a supposed report of the Witenagemote (or meeting of Wise Men) convened to discuss a fitting form for the com- memoration of the millenary of Alfred the Great's demise ; the Lord Mayor of London presiding, supported by Mr. Alfred Austin, etc.] The Chairman. I call on Mr. Austin for a speech. Zhe Poet Laureate (rising). My Lord and Athelings, Ealdormen and Thanes! This is withal an unexpected pleasure! Yet, when I think on it, you could not well Have made a better choice, since I am he Who did you England's Darling in a book. I see before me certain men of mark (And others) habited in decent black, Mourning the disappearance of the late Alfred deceased, who, I regret to say, Became a section of the dreadful past Nine hundred seven and ninety years ago Precisely. Add another three withal, And lo! it makes four figures—does it not ? [Pause. In Cap and Bells. 39 A Voice. It does. The A2. I. I see you follow me; ’tis well. Now note, I freely grant that there are some Who claim attention as belonging to Even remoter ages than our friend's; As, for example, Alcibiades, Confucius, Pompey, Euclid, Obadiah, Adam and Bede. But none of all the lot (And I could name with ease a dozen more) Has been so intimately mixed as he With the incipient aspirations of Our British Navy! It is not my wish, Nay, God forbid that I should underrate The gifts of Mr. Goschen, when I say That, if Britannia rules the present waves, To Alfred is the primal credit due. Zord Charles Beresford. Hear! hear! The AE’. Z. I was, in fact, about to add, Before his lordship made the above remark, That it was Alfred who designed the ships, The long-oared wherries which at Swanage clave 4O In Cap and Bells. The Danish esks. The esk, you ought to know, Is not a quadruped with antlers, but A boat. You have it in Act IV., Scene II., Of England's Darling. Yea! or rather, Aye! (The Press will kindly spell it with an e, Although, of course, it really hasn’t one.) Aye! more than that: he was an all-round man, A scholar: knew a power of botany (I taught him pages of it in the book, Act III., Scene IV.), and trained the young idea In reading, writing and arithmetic, Being, as one may say, the prototype Of London’s School Board. Sir John Gorst. Heavens ! The AE’. W. Aye, ’tis sooth ! Withal he rendered into Saxon jargon The Conso/aſions of Boethius! You may have read 'em 2 No 2 Sir John Zubbock. A glorious work! One of the Hundred Pleasures of my Life; God bless him! In Cap and Bells. 4 I ZThe P. Z. Eke the same to you, Sir John. Likewise he started on his own account The eight-hours movement. Mr. J. Burns. Good Old Alfred The P. Z. And Contributed in leisure moments to The Chronicle, before the Norman came And managed our affairs. He too it was Welded the bond of Church and State. A ord Cranborne. Bravo! Z%é F. Z. And, though a fighting patriot— Mr. Boze/es. Hear! Oh, hear! 7%e P. Z. He granted territory to the Danes, A graceful and polite concession. Sir E//is Ashmead-Barfleft. Shame! The P. Z. Yon Thane will be so good as to with- draw His coarse ejaculation. Sir E. A.-B. Never! The P. Z. Well, Let us continue just the same withal. And to the point, how best to advertise The sense of our irreparable loss! 42 In Cap and Bells. Having regard to his (our Darling's) tact In naval architecture, there are some Would have us, at the nation's own expense, Build an unparalleled torpedo-boat, And call it Alfred. First Zord of the Admiralty. Ripping! Mr. Zabouchere. Not at all ! The P. Z. Some, mindful of the monarch's ready skill In pure vernacular, would like to found Professorships of Saxon in the more Congested parts of Ireland. Mr. Zecky. Very good. The P. Z. Myself in this connection had a thought, A passing thought, of some addition to The Laureate’s endowment. Mr. Bernard Shazey. Tut! and pooh! The P. Z. I will ignore that callous observa- tion. Others, again, on insufficient grounds, Would institute an Alfred Handicap At Kempton Park. Zord Rosebery. I wholly disapprove! In Cap and Bells. 43 The P. Z. And some, untutored in orthography, Or wanting to be funny, which is worse, Would have the London County Council ope An Alfred Millinery Depôt in The Works Department. A ord Onslow. Oh! 7%e P. Z. And, last, the people, Lovers of all things beautiful, desire Some adamant (or plaster) effigy— A hearth, with toasted cakes, and in the midst Alfred, in pensive mood, belaboured by A British Matron: fit to be erected Upon a refuge in the narrowest Portion of Piccadilly. Iord Roberts (of Kandahar and the Cabmen's Onion). I object. The P. Z. I cite no more proposals, though there be More to be had; but merely make remark That fortune favors us in point of date. We do not menace France; nor mean to mar The genial status quo by clashing with Our neighbors’ Universal Exposition. 44 In Cap and Bells. Nor need we hastily decide withal, Having three years in which to do the thing. Two we might spend in tentative debate, And— [Zeft speaking. In Cap and Bells. 45 LINES WRITTEN (“By REQUEST’’) FOR A DINNER OF THE OMAR KHAYYAM CLUB. MASTER, in memory of that Verse of Thine, And of Thy rather pretty taste in Wine, We gather at this jaded Century’s end, Our Cheeks, if so we may, to incarnadine. Thou hast the kind of Halo which outstays Most other Genii’s. Though a Laureate’s bays Should slowly crumple up, Thou livest on, Having survived a certain Paraphrase. The Lion and the Alligator squat In Dervish Courts—the Weather being hot— TJnder Umbrellas. Where is Mahmūd now P Plucked by the Kitchener and gone to Pot!” * Written just after the battle of the Atbara. 46 In Cap and Bells. Not so with Thee; but in Thy place of Rest, Where East is East and never can be West, Thou art the enduring Theme of dining Bards; O make Allowances; they do their Best. Our health—Thy Prophet's health—is but so-so; Much marred by men of Abstinence who know Of Thee and all Thy lovely Tavern-lore Nothing, nor care for it one paltry Blow. Yea, we ourselves, who beam around Thy Bowl, Somewhat to dull Convention bow the Soul, We sit in sable Trouserings and Boots, Nor do the Vine-leaves deck a single Poll. How could they bloom in uncongenial air P Nor, though they bloomed profusely, should we Wear |Upon our Heads—so tight is Habit’s hold— Aught else beside our own unaided Hair. In Cap and Bells. 47 The Epoch curbs our Fancy. What is more, TO BE, in any case, is now a Bore. Even in Humour there is nothing new; There is no Joke that was not made before. But Thou! with what a fresh and poignant sting Thy Muse remarked that Time was on the Wing! Ah, Golden Age, when virgin was the Soil, And Decadence was deemed a newish Thing. These picturesque departures now are stale; The noblest Vices have their vogue and fail; Through some inherent Taint or lack of Nerve We cease to sin upon a generous scale. This hour, though drinking at my Host's ex- pense, I fear to use a fine Incontinence, For terror of the Law and him that waits Outside, the unknown X, to hale us hence. 48 In Cap and Bells. For, should he make of us an ill Report As pipkins of the more loquacious Sort, We might be lodged, the Lord alone knows Where, Save Peace were purchased with a pewter Quart. And yet, O Lover of the purple Vine, Haply Thy Ghost is watching how we dine; Ah, let the Whither go; we'll take our chance Of fourteen days with option of a Fine. MASTER, if we, Thy Vessels, staunch and stout, Should stagger, half-seas-over, blind with Doubt, In sound of that dread moaning of the Bar, Be near, be very near, to bail us out! In Cap and Bells. 49 THE PLAINT OF DYING HUMOUR. (AFTER C. S. C.) [“It is reported that Sir Lewis Morris” (M. A., Author of “The Epic of Hades,” “Songs Unsung,” “Songs without Notes,” etc., retired candidate for Carmarthen Boroughs, and J. P.) “has complained that laughter is dying out.”—Daily Paper.] I KNow not what the cause should be That Humour melts my heart no more; That nothing now induces me To roar. In days of old my waistcoat heaved Conjointly with my heaving chest As soon as ever I perceived A jest. The simple pun, the patent wheeze, Would take me in the diaphragm; But now I hardly care for these A cent. 5O In Cap and Bells. I almost fear—I know not why— That Laughter’s fount has been mislaid; I could not giggle, not if I Was paid. And yet my health is very fair; I harbour no religious doubts; And am but sixty-four or there- -abouts. Time was when I and others laughed; When many an apoplectic fit Was traced directly to a shaft Of wit; For such would find the harness-joint, And pierce the vulnerable spot, Whether they chanced to have a point Or not. You know the “Welsh Harp,” Hendon way ? Well, I had one—it came from Wales; On this it was my pride to play The scales. In Cap and Bells. 5 I Occasionally I would strike Such notes as never yet were heard; Or even sing without them, like A bird. I sang for joy with either lung; I drew applause from youngish maids; And had a small success among The shades. And once, when I was straitly pressed To go and stand for Parliament, I ceased my singing (by request) And went. I went and canvassed. Celtic fire Flamed in my eye and scorched the lid; And when they asked me to retire, I did. I settled down again and played The same old harp with all my might; And subsequently I was made A knight. 52 In Cap and Bells. But when the ever-verdant bays Alighted on another’s head, Somehow I deemed that Humour's days Were dead. And yet, who knows? If I myself, Constrained to be no longer dumb, Should lift my harp from off its shelf And strum The Spirit of Laughter (if I’m right), Though sadly worn, is still alive; And, under these conditions, might Revive! In Cap and Bells. 53 RESIGNATION. [Being two versions of the same theme, attempted in the manner (I) of Tennyson, (2) of Browning.] I. MORTE D'HARCOURT ; OR, THE BALLON D'ESSAI. º º e tº º º º © e THEN murmured Harcourt: “Place me in the car.” So to the great balloon they strolled along. And those three knights, the doleful Jean 1'Hon- nète, Sir Bel-champ Porte-drapeau, Sir Cop-la-poule, Over the side heavily hoisting him, Took out their handkerchiefs, and wept therein. But he that had the sternest eye of all And wettest, he the penman, Jean l’Honnète, Arranged the Chieftain's head upon his lap, 54 In Cap and Bells. And loosed his morion and chafed his chin Duplex, and ran his fingers through the locks That like a lion's or the rising sun High o'er the field would flame with ardent fringe. Then he unlaced the cuirass, letting out The breath in grievous pants; and dropped a hint, Darkling, of foul play, mentioning no names. So like an extinct mammoth lay the Chief; Not like that Harcourt who, from head to heel Plantagenet through all his azure blood, Let off his Budget underneath the eyes Of gracious ladies beaming through the grille. Then loudly called the doleful Jean l’Honnéte For ink and plume, and took his scroll and wrote: “O my dear Harcourt, what are we to do P For lo! the former times are now defunct, When every day produced some gallant scheme For riding out to tilt at human wrongs— The Union, or the Church, or else the Drink— And every scheme some gallant lance to run it. Such times have not been since our errant knights Took shame of wearing shamrock in their hair. And now the whole ROUND TABLE breaketh up, In Cap and Bells. 55 And on its legs the heathen hack their names, And I, the last of all thy true Elect, As in a dim-brown study I am left To write the record of the days that were.” He ceased, and made a copy for the Press, And on the fallen warrior’s failing heart Pinned the original; and so with pain Over the side, fearfully clinging, dropped. Then slowly murmured Harcourt from the car: “The good old order changeth; ay, perchance It was too large an order—who shall say ” For men may have too much of one good thing. Therefore I go; I have done my work, and feel My conscience all serene. Yet let thy voice Roll like an organ for me in the Press, That men may learn the worth of what they lose. And now farewell! I am addressed to go A strange excursion—if indeed Zgo, For I myself have had my doubts of this— To some far-off ačrial Lotus-isle, A land where it is evermore P. M.; Where falls not any noise of party-strife, Nor horrid hum of rival leaderships, 56 In Cap and Bells. But all is inward calm, with ample space For writing reams of letters to the 7%mes.” He ended, having finished. Then the twain, Sir Bel-champ Porte-drapeau, Sir Cop-la-poule, Planted on earth securely, cut the rope, And looking each on other slowly winked. But the balloon, unwitting how it bore The weightiest remnant of the TABLE ROUND, Made for the Ezwigkeit. Then Jean l’Honnéte Deep-pondering stood at gaze, until the car Shewed as a flea athwart the vast inane; Then, turning through the Forest, wearily drew To Lyndhurst Road, and took the train for town, Here ceased the speaker's tale. So I to bed; And dreaming far into the Christmas dawn, Beheld a parachute, and therewithal Pendent a personage of stateliest port, That earthward shot; and all the people cried: “Harcourt is come again! We knew he would ” And Cymric voices echoed: “Come again! He never meant to die!” Whereat I woke, Rose, dressed, and told my dreaming to the wise, But there was none that could expound the thing. In Cap and Bells. 57 II. DRAMATIS PERSONAE. SIR w. v. HARCOURT (writing). MR. JOHN MORLEY (not there). AND you are back among your books again, Who never should have left that first employ! So George Trevelyan thinks; and he should know. Too giddy-fickle was the life of State For one who walks i' th' world with single eye And scorns to wink the other. Good old John I, too, the frequent butt of Fortune's spite, And deafened with the windy war of words (Your captious -Bannerman, your talking -Beach), Fall back upon my earliest delight, Humaner Letters—written to the Złmes. The year declines: in yonder Malwood glades The last leaf drops reluctant, leaving bare The last cock-pheasant. I could hit the thing From this same window, if he did not move! I was a fighter once; but that is past, Except on paper. You recall the time When, under that great Captain's eagle glance, 58 In Cap and Bells. I in the golden prime of Derby days, You at Newcastle (somewhere in the North), We fought like Kitcheners for Irish Rule— Or was it Local Veto One forgets! How like a dream the youthful splendour fades! For we were relatively young, and took Time by the forelock, which is not the same As Celtic fringes. Life had colour then, And where the shadows crossed it, you and I, Did we not let our sunbeam-play of wit Fall like a glad surprise 2 I fancy so. But even Autumn's after-glow is off; And now a common blueness, winter’s wear, Obscures the prospect—which is also blue. John, have you ever been a Leader P No. That’s where the difference comes in. I have! And still the glory clings to me in name Though not in substance. May you never know How exquisite a pain it is for one Built as I am, opaque and something more, To be regarded as a pervious ghost, A wraith, a sort of thing through which you walk And notice no obstruction' This is bad. In Cap and Bells. 59 But all night long to labour at the nets, The weary night and never lift a fish, And then, at 9 A.M., to hear report About Another breakfasting in bed On bloated herring—this is even worse! You take my allegory There’s a Man Affects the City functions, moves at large On Sundry platforms up and down the land, Making remarks on books and Grand Old Men And foreign complications; signs himself Patriot first and politician next, And has a curious way of winning hearts! That is the Man whose blood I wish to have I thank my Natal Star that never yet Was I accused of being popular ! My simpler aim has been to know my place, And Žeep it. In the former I succeed, But sometimes fail to bring the latter off. Still there are compensations. I shall read Your biograph, though you, I fear, have missed My letters on the Church. I often wish That you could feel yourself more closely drawn To Cleric matters! Good-bye, Honest John. 6o In Cap and Bells. THE BOOK OF OOM. HYMN I. (Common metre.) [To be sung on the anniversary of Jameson's Raid.] LIKE goodly cedars, fresh and green, On Lebanon that climb, So may the righteous man be seen To flourish all the time. * When foolish enemies arise Against him to prevail, The same are taken by surprise And ludicrously fail. No trust he puts in man or horse Lest pride should be undone, But of his foes he counts the force And meets them, four to one. In Cap and Bells. 6 I And when is wrought his righteous plan, He bears not any grudge, Nor judgeth he his fellow-man, Lest others him should judge. His ear he opes to their appeal, Nor can his ruth withhold; For who shall mercy wisely deal Is dealt an hundredfold. Yet, should his foes go straightly free, Then were the lesson vain, Eor so they might encouraged be To do the same again. How may their sins be purged that cry “We do indeed repent!” Save as a blain is proběd by A prickly instrument 2 Though shrinketh mercy from the act, And though the heathen rage, The righteous surely shall extract Of sin the seemly wage. 62 In Cap and Bells. Nor will he loose one little cord Till stony they be broke; Then hath the righteous his reward, And puts it in his poke. And so, like cedars, fresh and green, On Lebanon that climb, The pious Dopper may be seen To flourish all the time. I still would be a Dopper and The Dopper’s prize receive, And have a hymnal in my hand And something up my sleeve! HYMN II. (Same metre.) Lo! as is laid the fowler's gin For conies and for hares, So do the pleasant paths of sin Abound in deadly snares. In Cap and Bells. 63 Of such as oft offend his foot Who wanders from the fold, Of these the tap-, or primal, root Is giddy lust of gold. In pastures green the righteous graze Like unto fatted kine, Nor with the wicked choose the ways Of darkness down a mine. With godly rage and grief renewed, Their fervid breast is smit To mark the naughty multitude Descend into the Pit. And, as of wine th' enticing red They shun within the cup, So at the ore they shake their head When it is scooped up. Yea, for the foolish heathen’s sake They labour long and sore The pleasant paths of sin to make Less pleasant than before. 64 In Cap and Bells. And whoso will not turn away Nor, timely wise, repent, Upon his lifted oof they lay A tax of five per cent. So from the sinful yellow crop, As with a whetted scythe, The faithful ones delight to lop Their wage of half a tithe. Though pious men of single eye Not paid can be with pelf, Who helpeth Heaven may thereby Be found to help himself. Thus for an holy end they take The spoil of them that spin, And from their filthy lucre rake The goodly shekels in. No fear of dearth or grievous debt Their hearts shall e'er appal Who, like the hungry ravens, get By faith their wherewithal. In Cap and Bells. 65 Look not to princes! These at need Turn right (or left) about; The ways of Kaisers are indeed Past hope of finding out! Blind in their ignorance or youth By crooked paths they go, Nor yet have learned the blessed truth Which runneth as below: Who ſends the righteous of his store May build this hope upon, To reaft an hundredfold, or more, AVož now, but laſer on M 5 66 In Cap and Bells. TO JULIA UNDER LOCK AND KEY. [A form of betrothal gift in America is an anklet secured by a padlock, of which the other party keeps the key.] WHEN like a bud my JULIA blows In lattice-work of silken hose, Pleasant I deem it is to note How, 'neath the nimble petticoat, Above her fairy shoe is set The circumvolving zonulet. And soothly for the lover’s ear A perfect bliss it is to hear About her limb so lithe and lank My Julia’s ankle-bangle clank. Not rudely tight, for 'twere a sin To corrugate her dainty skin; Nor yet so large that it might fare Over her foot at unaware; But fashioned nicely with a view To let her airy stocking through: So as, when Julia goes to bed, Of all her gear disburdenèd, In Cap and Bells. 67 This ring at least she shall not doff Because she cannot take it off. And since thereof I hold the key, She may not taste of liberty, Not though she suffer from the gout, Unless I choose to let her out. * © Q e g & tº sº * 68 In Cap and Bells. THE DOMESTIC BALLAD; oR, THE SONG THAT TOUCHES THE SPOT. [“It is all very well saying that sentiment is cheap, but that is said as a rule by your asinine critic, who doesn't understand human nature, a wretched being who doesn't realize that it means getting to people's hearts.”—“A Zºalk with Mr. F. E. Weatherly” in Great ZThoughts.] OH say not “Sentiment is cheap to-day!” How can the song that makes a man to weep Or else (conversely) wipes his tears away Be cheap 2 Nor say that sea-girt England's heart is dumb, Her feeling for the briny lapsed or lost; That sailors on the foam have now become A frost; That that unique creation, Mancy Zee, No more can stir the bosom as she stands Waving upon an eligible quay Her hands; : In Cap and Bells. 69 That he who ploughed the deep with such aplomb, Whose heart was ever open, brave and true, Whose yarns derived a racy flavour from The blue;— For whom the total female neighbourhood, All free to use the Christian name of Jack, Prayed that the list of wrecks might not include His smack;- That he, the British type, whose breast achieved Ever new miracles of grit and pluck, Has now, to put it vulgarly, received The Chuck | No, never! Nor shall changing taste depose The simple serio-pathetic song Of love elated, or the sort that goes All wrong. Under the stress of music's low appeal Oft have I noticed men about the Town, Strong men, encumbered by a heavy meal, Break down, 7o In Cap and Bells. Hearing the tale of Darby and his Joan, Or that of those who whispered lovers' lore In the dear days of what is widely known As “yore ”; Who, mad with memory of the morning dew That pearled the poppied meads where once they met, Are recommended by the writer to Forget. Ah! yes; for at the after-dinner hour, When even hearts of stone incline to melt, 'Tis then the homely ballad-monger’s power Is felt. For then the mind with meat is overlaid; From finer fancies men politely shrink; I trow they would not willingly be made To think. Such, nightly, are the needs which still the old Old Songs shall serve, and so can never pass; Thus differing from the Critic. Him I hold An ass! In Cap and Bells. 7 I ALFRED ON CAEDMON. [“The Poet Laureate unveiled the memorial. . . . He (Caedmon) was the half-inarticulate father of English poets yet to be, and it was not only to the lisping ancestor but to all his full-voiced descendants that this cross was erected. To be wise rather than erudite being the supreme mark and mission of the poet, very little learning equipped the greatest of English poets for universal apprehension.”— Daily Chronicle. ANGLES and Saxons! We are here To rectify an old omission, And do our primal chanticleer A tardy act of recognition; Whether his C is soft as soap, Or hard as nails like that in coffin, With this conundrum we would cope Had we the time to work it off in. Twelve teeming centuries have gone Since that acknowledged master filled a Lowly but useful office on The promontory of St. Hilda; In Cap and Bells. Immersed in feeding local swine He had a sudden inspiration, And launching on another line Evolved an epic on Creation. The hour has come, long waited for, Here where his herd was wont to wallow, To boom our lisping ancestor And likewise all the bards that follow; He failed, of course, where we succeed; His art was young—don’t let us scorn it; JHe whistled down a shaking reed, We blow, full-mouthed, a mighty cornet! Now I, who broadly represent In poetry the last achievement— My voice, as Laureate, is lent To mourn the nation’s rude bereavement; But Canon Rawnsley too shall get Full credit for his work upon it (I never knew a subject yet On which he didn’t do a sonnet). In Cap and Bells. 73 As one who has the vested right, I want to weigh our Whitby hero; I own he wasn’t erudite, His knowledge, as a fact, was zero; What then He chose the better part; He did not need, like us, to cumber His open mind with rules of art And other literary lumber. Here from this headland so sublime (The view could hardly be completer) He watched the waves that seldom rhyme Yet do suggest some sort of metre; He spoke with Nature face to face In pious terms, like Mr. Keble; And melts us with his artless grace, Despite the spelling, which is feeble. IHere still we have the moorland view Where furrowing becks debouch in ocean; The sea-mews wail, the sea-whales mew, The billows still retain their motion; 74 In Cap and Bells. Yonder the same old eagles screech, Nothing disturbs the ancient feeling, Save where you sniff from Whitby beach The fume of bloaters faintly stealing. You’ll note the cross which I propose To offer our lamented brother; One side presents an English rose, An apple-tree relieves the other; Zhis, emblematically done, Means Eden lost through lack of morals; That stands for Paradise re-won By him and us who wear his laurels. These facts, which you are free to share, I owe to curious skill in botany, Claiming a great advantage there Over deceased, who hadn't got any; More points like this might be rehearsed In proof of my contention that your Last poet overlooks the first, However slight the modern’s stature. In Cap and Bells. 75 Conclusion. Let me then unveil Our rather pleasing crucial beacon For educated tars to hail And thoughtful kine to rub their cheek on; Kaedmon! (or Saedmon 7) please to take This stone—I now remove its jacket; And oh! for Alfred’s honour’s sake I trust the tripper may not hack it! 76 In Cap and Bells. THE BITTER CRY OF THE GREAT TJNPAID. [Mr. Le Gallienne's proposal that millionaires should endow genuine poets and so obtain immortality, seems, as yet, to have elicited no adequate response.] WHENE’ER I walk the public ways, How many poor that lack ablution Do probe my heart with pensive gaze, And beg a trivial contribution' When they accost me as “My Lord,” And pray that Heaven may guard my going, It cuts my vitals like a sword To check my charity from flowing; To pass them by as though my ear Had missed their genial observations, And subsequently in the rear To catch a stream of imprecations. In Cap and Bells. 77 Perchance originally born Above the need of vulgar copper, They were not ever thus forlorn, But came a paralyzing cropper. Haply beneath those rude outsides, In substance scant, in texture scaly, Some mute inglorious Barnum hides, Or else an undeveloped Bailey. But sadder still it is to see, Advancing down the gutter's hollow, Some sandwichman that used to be Closely connected with Apollo! Where now from shoulders slightly wrung You note the blatant boards suspended, In front—the living lyre was slung, Behind—the lustrous mane descended! Within that mane the birds of song Would build their nests and lightly carol, What time the owner moved along In beauteous velveteen apparel. 78 In Cap and Bells. Long since he sold his sounding lyre, Pruned all his locks and pawned his raiment; He works for mere ignoble hire Because it offers ampler payment. The speaking eye, the godlike brow, That lips should lave and bosoms cherish— We trample on them, we allow These priceless things to go and perish' The nations' hides are very hard; You ask a trifle down—they grudge it; You scarcely ever hear a Bard So much as mentioned in a Budget. Sweet millionaires! your chance is come; Yours is the duty and you know it; Surely your hearts within you hum To reconstruct the starving Poet! O Thomas Lipton, gallant Knight! (Your health in fragrant tea and fruity!) How can you sin against the light Who paid the champion cheque for Duty 2 In Cap and Bells. 79 Sell your preserves, I say, and let Big syndicates of Song be floated; And, by a touch of humour, get The Stock Exchange to have them quoted! 8o In Cap and Bells. TO THE AUTHOR OF “THE CHRIS- TIAN.” RECLUSE of Keswick, connoisseur of Man (Day services from Fleetwood or from Barrow), Whose eye is intimately skilled to scan The secret of the Manxman's very marrow;- Whose art can conjure with creative wand The types of any mortal creed or station, Christian and Scapegoat, Ishmaelite and Bond, Without fastidious discrimination;– To you the maiden-song of Israel soars In jubilees of which the general drift is— “Our Crocketts, our Corellis, sell by scores, But he, the People's only Caine, by fifties.” The feet of fame forerun you while as yet About the plot your fiery fancy lingers, In Cap and Bells. 8I While still the opening dialogue is wet, Still warm beneath your palpitating fingers. As when the tempest-cloud looms like a hand, Waking, at most, the weather-prophet's wonder, But, swelling visibly, involves the land In nicely graduated blasts of thunder; Louder they roll and louder, like the sound Of logs across the floor of Heaven flying, Till, long before the rain is on the ground, The noise is positively petrifying;- So when we hear the threat (Lord knows through whom) Of yet another of your masterpieces, Far off a low premonitory boom Thrills through the Press, and steadily increases; Till, by the time the actual Book appears, Your worshippers (including many clerics), Stunned by its virtues vaunted in their ears, Have reached the hopeless stage of mere hys- terics. 6 82 In Cap and Bells. If, as an anticlimax, falling flat, The Book itself was bound to suffer strictures, What then P You are larger than your work, as that Is sizes larger than the life it pictures. Yet, like the speaking cinematograph, You sought to render Nature’s nude realities; Experts, you say, some thirty on your staff, Assisted you in social technicalities. Not all unaided could you answer for What happens in a baby-farmers’ alley; Nor “on your own '' portray a Premier, or A lightish lady dressing for the ballet. Could mere imagination tell aright The rules that regulate a nursing-sister, Or when and where a Civil Servant might Under the stress of circumstances have kissed her P Or show at once how holy Brothers pray Who cease for worldly things to care a button, In Cap and Bells. 83 And how your fate is told on Derby Day By gipsies opposite Zhe Cock at Sutton 2 But one there was who bore beyond mistake The right Hall-mark of Caine tattooed upon her, Whose early period of Sturm-und-Drake, Did her and her creator equal honour. How goes the sequel ? Did the widow fall A victim to the cloth, or turn to laymen P Surely it goes: I, GLORY, take thee, HALL, To be my husband in a halo. AMEN 84 In Cap and Bells. TO AN OLD FOGEY, WHO CONTENIDS THAT CHRISTMAS IS PLAYED OUT. O FRANKLY bald and obviously stout! And so you find that Christmas, as a fête Dispassionately viewed, is getting out Of date. The studied festal air is overdone; The humour of it grows a little thin; You fail, in fact, to gather where the fun Comes in. Visions of very heavy meals arise That tend to make your organism shiver; Roast beef that irks, and pies that agonise The liver; Those pies at which you annually wince, Hearing the tale how happy months will follow Proportioned to the total mass of mince You swallow. In Cap and Bells. 85 Visions of youth whose reverence is scant, Who with the brutal ze, we of boyhood's prime Insist on being taken to the pant- -omime. Of infants, sitting up extremely late, Who run you on toboggans down the stair; Or make you fetch a rug and simulate A bear. This takes your faultless trousers at the knees, The other hurts them rather more behind; And both effect a fracture in your ease Of mind. My good dyspeptic, this will never do; Your weary withers must be sadly wrung! Yet once I well believe that even you Were young. Time was when you devoured, like other boys, Plum-pudding sequent on a turkey-hen; With cracker-mottos hinting of the joys Of men. 86 In Cap and Bells. Time was when 'mid the maidens you would pull The fiery raisin with profound delight; When sprigs of mistletoe seemed beautiful And right. Old Christmas changes not! Long, long ago He won the treasure of eternal youth; Yours is the dotage—if you want to know The truth. Come, now, I’ll cure your case, and ask no fee:— Make others’ happiness this once your own; All else may pass: that joy can never be Outgrown! In Cap and Bells. 87 THE PEN ALTIES OF BALDNESS. [A case recently came before the Courts in which a gentle- man sought damages from his landlady for ejecting him on discovery of his baldness; her contention being that this physical defect would be offensive to the taste of her younger lodgers.] 'Tis not that both my eyes are black, My legs arrayed in odd extensions; Not that I wear, like Bezgerac, A nose of rather rude dimensions;– Not that my chin is cheaply shorn, INot that my face is frankly soapless, - Not, therefore, with unfeeling scorn, Woman, you treat my case as hopeless! But just because above my brow, That still preserves a certain lustre, The locks of youth no longer now Promiscuously cling (or cluster);— 38 In Cap and Bells. Because, in fact, I chance by some Design of Providence, it may be, To have my pericranium Bald as the surface of a baby;- For this, although my state is due To no specific sin or error, Woman, I understand you view My form with unaffected terror. I that was pleasing in your sight, When first you saw me with my hat on,-- Soon as my top is bathed in light, Am, metaphorically, spat on 1 My presence, so you say, would jar Upon your younger lodgers' joyance; To such the hairless ever are A source, you think, of deep annoyance. O Woman! in my hairy prime, When I resembled young Apollo, I seldom fancied—at the time— How swift a falling-off would follow. In Cap and Bells. 89 I deemed my hair should doubtless be A permanently rooted fixture; No man should ever hint to me “You want a little of our mixture!” Then came the decadence; my poll, Round as a Dutchman's ruddy cheese is, Loomed freely upward till the whole Stood bare to all the wanton breezes. Long with insidious lotions drenched, My barren scalp was seared or scalded Until the vital spark was quenched And children cried, “Go up, thou baldhead!” But still I argued, “Youth may well Be tickled by a mere external; Grown men ignore the outer shell In favour of the precious kernel. “And Woman—surely Woman must, If rightly painted by the poet, Neglect the crude material crust And love the soul that lurks below it.” 90 In Cap and Bells. But you, who should have probed beneath The rusty rind, the faded gilding— You threw my baldness in my teeth, And me myself outside the building! And yet, believe me, there have been Heroes and gallants, saints and Caesars, Whose sculptured heads are just as clean As though the thing were done with tweezers! Nay, there are those in whom you see Rough Nature's task anticipated; They took a vow of chastity, And had their summits depilated! Virtue may live in lack of hair; And, Woman, you shall live to rue it Who oped your gate, and unaware Sent forth an angel flying through it. In Cap and Bells. 9I THE TEUTONIC PLAGUE. [The German Beetle, who thrives on cheaper fare than his British equivalent, and reproduces himself with astonishing rapidity, is gradually supplanting the native in our very midst. —Zaily Paper.] NOT to the sound of Royal lips colliding, Not to the crusted smack of Kingly toasts, The latest Teuton terror, darkly gliding, Descends on Britain’s coasts! Not as the Chow-chow squadron takes the ocean, With cressets’ flare and roll of throbbing drums; In silent armaments with stealthy motion The German Beetle comes. A cause of madness in our kitchen Maries, Their vestal hearth he rudely violates; He sidles in among our ancient Zares, And settles on Our grates. 92 In Cap and Bells. The witching hour that wakes the wanton weevil Beholds him doing that which is not right; He loves the dark because his deeds are evil, He loathes the blessed light. Untempted by the larder's toothsome foison, For which your pampered British Beetles go, He battens with success upon the poison Designed to lay him low. A shrewd ascetic, he derives an ample Inflation from the coarsest kind of food; He is a precious type, a proud example Of Teuton hardihood. Colonial—less by taste than by instruction Drawn indirectly from his cosmic Chief— His facile gift of rapid reproduction Simply transcends belief! The Native who, secure in his position, Waxed fat and kicked upon the Scullery floor, Now feels the deadly strain of competition He never felt before! In Cap and Bells. 93 Less gaily from behind the heated boiler He sallies out on sinful plunder bent; The presence of a strange imported spoiler Mars all his sweet content. More warily he quits his wainscot-hollow To drink the oven's enervating airs, For fear the foreigner may go and swallow His wife at unawares. The solemn facts are proved beyond rebutting, Vainly we clutch at any straw of doubt; The German article is slowly cutting Our local talent out! England! my country! is there no renewing Our lost pre-eminence of other years 2 What is the bellicose bug-shooter doing 2 Where are the Volunteers ? 94 In Cap and Bells. OF THE LORD OF POTSDAM. I. THE AUTHOR’s APOLOGY. As to the sportsman grateful is the first Appearance of September (or October), As to the man that has an ardent thirst Sweet is the sense of ceasing to be sober, So dear to me The object I shall mention presently. As toothsome meadows to the vernal lamb, As par, the perfect par, to those below it, So is the Lord of Donnerblitz-Potsdam To me, his puny, but laborious poet. I do not deem That one could light upon a lovelier theme. Not less in summer’s heat than winter’s frost, In fact at any time of year whatever, Returning to this topic I exhaust My readers and myself, my subject never; I try and try, But cannot drain this welling fountain dry. In Cap and Bells. 95 II. THE HUMOURIST AND THE HOHENzoLLERN. [“Guillaume II. recherche surtout comme convives des ‘rieurs’ . . . comme il a coutume de dire.”—Maurice Leudet.] WILLIAM, though You would like to live unknown In that peculiar sphere where fate has set You, The Röntgen rays “which beat upon a throne” Won’t let You. Shrink as You may from every sort of show, The shameless scribe, well knowing how to push, 'll Refuse to have You hide Your light below A bushel. There was a stalwart Teuton once who braved The risk of durance in a dungeon's dry vat, And told us openly how You behaved In private! How many miles of uniforms You kept, How lark-like from Your bed You loved to sally, With facts that no one ought to know except Your za/ef. 96 In Cap and Bells. Importunate! whom no rebuke could snub, Yearning to fathom secrets yet unsounded, Into the chamber where You take Your tub He bounded ! And here’s another book about You now, A Gaulish work—an enemy hath done it! He paints Your regal kitchen, shows us how You run it. Plucking aside the kingly veil divine Things sacred (or profane) the man exposes; Your meals he numbers ; yea, Your food and wine He noses. And what a picture here to haunt the brain' Those little luncheon-parties at the palace; The quips and moſs that circle as You drain The chalice. Speaking as one apprenticed to the trade, I own to feeling some respectful wonder; We must, we other mountebanks, have made A blunder! In Cap and Bells. 97 We thought you did not care for funny men; That special gaols were built to overawe them; That jokes were not congenial even when You saw them. That was our fixed opinion ever since We heard of You; but now we know our error; You are the jester's Patron, not his Prince Of Terror. You stroke us royally upon the back; “My good buffoons,” You very kindly term us; You are not after all so very pach- -ydermous. For me, who in some foolish doggrel fitte On Your supposed opaqueness once reflected, Hot coals of fire possess my head; I sit Corrected Verãaſim I recant my old offence, Who wrongly wrote—“There never was a TU11110 U11' Of asking Hohenzollerns for a sense Of humour.’’ 98 In Cap and Bells. III. PARTANT POUR LA CHINE ; OR, THE NEw EVANGELIST. My precious Henry, hear my parting speech, Ere yet you sail beyond my vocal reach! Oft have I sauntered round by way of Kiel And stopped, like this, to take a transient meal; But never have I sucked the local breeze In circumstances so unique as these. To see you launched upon your First Crusade Sends up my blood to 60 (Centigrade). Bemember, Henry, it’s a Holy War That you are on the point of starting for; Or, bearing still in mind our trade's increase, Perhaps I ought to say a Holy Peace. You will remark among my sketchy plans a Design for re-establishing a Hansa! What is a Hansa P Any one who looks Will find about it in the history books; It was a Syndicate in ancient times For planting German goods in various climes; It swept from pole to pole the ambient blue As we, my Henry, contemplate to do; In Cap and Bells. 99 Working the Ocean on our own account As soon as we can raise the right amount. Meanwhile I send you on to clear the way; Ach, Himme// what a sacrifice to pay! Think of me sometimes, Henry, all alone With thorns distributed about my throne! You know your brother's wish; lay hands, my pet, On any mortal thing that you can get. Employ, if feasible, your native charms, But, failing this, resort at once to arms. If people in the neighbourhood resist, Let out upon them with your mailèd fist; It saves the knuckles; do be sure to take This small precaution for your brother's sake. For longer range you carry shot and shell, In case you see a running infidel; I also hand you here St. Michael's Shield, You’ll stick it somewhere on the coaling field. Observe the blazon—our Imperial Bird, Of which, no doubt, the dragons will have heard; * • * * * o 9 @ 9 ° i * I OO In Cap and Bells. Call their attention to it; let them see The Fowl is emblematical of Me. One dragon you will notice, should he come, Because he wears a large chrysanthemum; Henry, between us two, as man to man, Be careful how you jump upon Japan! And now before you make a final clearance (This is your positively last appearance), Before, in fact, we tear ourselves apart, Recite that little thing you have by heart; And tell these gentlemen how you propose To visit countries where the heathen grows, And preach abroad in each distinct locality The Gospel of my hallowed Personality. Henry, my boy, I cannot lightly smother The sacred feelings of an only brother! Pray Heaven, though we cannot go together, You may enjoy a decent turn of weather; And when your task, your glorious task, is o'er (I trust, without expenditure of gore), iº © M. * l, a tº a • * * * * * { a º & In Cap and Bells. IOT Omit not to return that I may spread The laurels on your slightly youthful head. Charge glasses! Ere he climbs the deadly poop, I give His Royal Highness—Whoop! WHoop!! WHOOP ( " ' If O2 In Cap and Bells. THE SCHOLAR-FARMER. [The petition for a School of Honours in Agriculture at Oxford has been rejected.—Daily Paper.] OxFORD ! of whom the poet said That one of your unwritten laws is To back the weaker side and wed Your gallant heart to wobbling causes; It is with mute surprise and pain I mark a breach of old tradition; I hear you will not entertain The Ploughman’s plea for recognitionſ You, on whose nicely watered plains Where'er the rural student trips, he Is sure to notice some remains Suggestive of the Scholar-Gipsy; In Cap and Bells. IO3 Ford of the Ox whose ancient name Is full of fine bucolic feeling, How could you thus ignore his claim, The learned farmer's, lowly kneeling 2 He spoke of ensilage and germs, Of fallow land and pigs in clover; You answered in derisive terms, And lightly passed his Georgics over. He proffered butter-churns; he knew The patent cream-extractor’s odd use; He tested milk; but you, you threw Cold water on his dairy produce. He wove for you a Cereal crown, And craved in turn an Honours title; You knocked his cornucopia down, And gave him beans for cold requital! Oh, Oxford! in your hours of ease Content to spurn the newer knowledge! What if the foot-and-mouth disease Should hit you hard in court and college 2 IO4 In Cap and Bells. What if, through pestilence or drought, You failed for very lack of victuals, And all your prophets, driven out, Made Cambridge flow with beer and skittles 2 In Cap and Bells. IO5 THE WARRIOR'S LAMENT. [“The ruler of a certain small European principality, who is an officer in the Spanish navy, addressed a letter to the Queen Regent, expressing in warm terms his regret that his private duties prevented him from discharging his naval duties.”—Daily Paper.] OH, a sailor's life is the life for me, Lashed by the bounding, sounding sea, With the blue above and the bilge below, And a general sense of Yo-heave-ho! But how can I ride on the wrathful deep With private fields of my own to reap 2 I would love to lather the open main Under the yellow and red of Spain; To sniff the tootle of war's alarms, Where the young Canaries are up in arms; But something tells me to shun the foam, For piety best begins at home. Ioé In Cap and Bells. Think what a Monte-Carlist feels When Aragon calls and the two Castiles! For the ban is out and the arrière-ban, And Spain must fight to her last true man; But practical duties have to be done, So Spain must fight to her last-but-one. My heart is away with my own brave tars, Possibly handling ropes and spars; And it would, if it could, be beating warm Beneath its nautical uniform; But personal claims are apt to clog The passionate pulse of this old sea-dog. Here from my singular sea-girt rock, In a manner of speaking, I feed my flock; Under my rigid sovereign rod I rule an army of six-score odd; What, if I went, would be their fate P I haven’t the heart to calculate. So it’s oh! (once more) for the spanking main Under the yellow and red of Spain! In Cap and Bells. IoW My thoughts go out to the old flotilla, Steadily anchored off Manila; But Duty First is the rule and plan Of a Prince who is also a family man. IO8 In Cap and Bells. OF THE STALKING OF THE STAG. [From “The Jubilee Guide for Young Sportsmen.”] INTRODUCTION. IN Scotland, where the porridge grows, And jokes demand a deal of care, The stag, who has a nimble nose, Imbibes the pleasant mountain air ; He roams the forest at his ease, And never knocks against the trees. The colour of the beast is red, More sombre than the carrot's tone; A most engaging quadruped When fairly hit, or left alone; He really wouldn’t hurt a child, But crooked shooting drives him wild. In Cap and Bells. Io9 So eager is his sense of smell He knows you half a league away; He also travels very well, How fast I hardly care to say; But, though you take the train or drive, You cannot catch the brute alive. Your rifle's pace must be superb, And bullets built of common stuff Are insufficient to disturb A frame incorrigibly tough; It’s best to penetrate his hide With missiles made to burst inside. OF THE PROCESS. Rules of the game as recognised:— Your stalker comes the night before To say that he has just surprised A herd of thirty head or more, And in their midst a noble beast With twelve or thirteen points at least. I IO In Cap and Bells. This is a lie; but well I know You will believe it, every word, And in your dreaming you will go And slay the whole astonished herd; Then rise with blood upon the brain And sally in a driving rain. For miles and miles, soaked through and through, By barren braes you stoutly pound, Your ardent body bent in two, An awful silence hovering round; And so to lunch, with bated breath, To drink the stag’s ensuing death. Your stalker, having had his fill Of undiluted mountain-dew, Asserts that on a distant hill A ruddy patch arrests his view; This representing, says the wag, A portion of a splendid stag. What seems to you the obvious track Is not the one by any means; In Cap and Bells. III You have to turn about and tack Round three precipitous ravines; Mere crows may steer an even flight, Man stalks by faith and not by sight. Emerging as the shadows fall, You find the reddish object there! Your next manoeuvre is to crawl Face downwards—wentre, in fact, & terre; Or bury your excrescent head Within a torrent’s foaming bed. OF THE DEATH. The gloaming deepens; all is dim! Now let the fatal bullet hum; You fix your prey, your eye is grim, Your heart is going like a drum;- Crash! how the echoes rend the air! The object doesn’t turn a hair. “Just over him!” your man observes; His duty is to seem to know; In Cap and Bells. At this you brace your shattered nerves And let the second barrel go; Your stag is steady as a fence; These beasts are really very dense. With wary steps you now advance, Reloading swiftly on your way, In case the stricken deer should chance, Being annoyed, to turn at bay; And finally you come full-cock Upon a ruddy patch of rock! Well in its centre you derive Some Solace from a splash of lead, Which, had the target been alive, Would certainly have killed it dead; Your stalker, meaning not to miss His honorarium, tells you this. He further says that what he spied Six miles away against the crag (Speaking as one who never lied) Indubitably was a stag; In Cap and Bells. II.3 But in the darkness, while you stalked, The stupid beast had been and walked. OF THE HOME-COMING. Your pony waits you down below, Grazing at large with slackened girth; At sight of you his features glow With pity, not untouched by mirth; And where the quarry should have been You mount and quit the painful scene. “How many ?” all the ladies cry; “One paltry Royal!” you remark; “Sore wounded, he escaped to die Elsewhere in private after dark.” This is your statement, terse but clear, Describing how you killed the deer. 8 In Cap and Bells. OF BIG GAME. [From “The Jubilee Guide for Young Sportsmen.”] OF THE RESPECT DUE TO THIS CLASS. AMONG the bards that make for mirth There is a young and reckless school That treats the nobler beasts of earth With unbecoming ridicule; That mocks the Lion’s love of gore, And chaffs the sainted Dinosaur. This literary vogue is due To courage born of false conceit; It comes of going to the Zoo To see the savage creatures eat, Or watch them impotently rage Within a stout, impervious cage. But when you come across the same Lounging at large with empty maw, It is a very different game, And stirs a stronger sense of awe In Cap and Bells. II5 Than even when in Richmond Park You meet a rabbit after dark. OF THE PRIMAEVAL CHASE. Yet have we weapons far from rude, And sport is more developed than In days when, altogether nude, Your hardy prehistoric man Would make his pointless flint to drum Upon the Megatherium. And though the mammal’s early size Approximated to a church, He wasn’t sensitive to flies, Nor lightly tickled with a birch; Viewed as a target he was great, But passing thick to perforate. Now cased in rock, as I have heard, Lies the lamented Mastodon; I understand the Dodo-bird Is also permanently gone; II6 In Cap and Bells. And in the place of these, deceased, The Lion is the leading beast. Though in his way a little god, And gifted with peculiar powers, As Homer’s self was known to nod, He has his after-dinner hours; In conscious moments he can leap, But grows inactive when asleep. OF BAITING THE LION. Remembering his taste for blood, You’d better bait him with a cow; Persuade the brute to chew the cud, Her tail suspended from a bough; It thrills the lion through and through To hear the milky creature moo. Having arranged this simple ruse, Yourself you climb a neighbouring tree; See to it that the spot you choose Commands the coming tragedy; In Cap and Bells. 117 Take up a smallish Maxim gun, A search-light, whisky, and a bun. It's safer, too, to have your bike Standing immediately below, In case your piece should fail to strike, Or deal an ineffective blow; The Lion moves with perfect grace, But cannot go the scorcher’s pace. Reep open ear for subtle signs; Thus, when the cow profusely moans, That means to say, the Lion dines; The crunching sound, of course, is bones; Silence resumes her ancient reign— This shows the cow is out of pain. But when a fat and torpid hum Escapes the eater’s unctuous nose, Turn up the light and let it come Full on his innocent repose; Then, pour your shot between his eyes, And go on pouring till he dies. II.8 In Cap and Bells. Play, even so, discretion’s part: Descend with stealth; bring on your gun; Then lay your hand above his heart To see if he is really done; Don’t skin him till you know he’s dead, Or you may perish in his stead! Years hence, at home, when talk is tall, You’ll set the gun-room wide agape, Describing how, with just a small Pea-rifle, going after ape, You met a Lion unaware, And felled him flying through the air. CONCLUSION. Time fails me to pursue the track Of further monsters not a few; I must omit the hairy Yak, I must ignore the brindled Gnu; I may not even—this is hard— Discuss the coy Camélopard. In Cap and Bells. II 9 ‘‘THE HURT THAT HONOUR FEELS.” [Suggested by the attitude of the French Press on the Fashoda question.] THAT man is surely in the wrong And lets his angry passions blind him Who, when a person comes along Behind him, And hits him hard upon the cheek (One whom he took to be his brother), Declines to turn and let him tweak The Other. It should be his immediate care By delicate and tactful dealings To ease the striker's pain and spare His feelings; Nor should he, for his private ends, Make any personal allusion Tending to aggravate his friend's Confusion. I 2 O In Cap and Bells. For there are people built this way:— They may have scratched your face or bent it, Yet, if you reason with them, they Resent it! Their honour, quickly rendered sore, Demands that you should suffer mutely, Lest they should feel it even more Acutely. I knew a man of perfect tact, He caught a burglar once, my man did, He took him in the very act Red-handed; What kind of language then occurred P How did he comment on the jemmy Did he employ some brutal word Like ‘‘ demme '’ ” Or kick the stranger then and there, Or challenge him to formal battle P Or spring upon the midnight air His rattle P In Cap and Bells. I 2 I Certainly not! He knew too much; He knew that as a bud is blighted Your burglar's honour, at a touch, Feels slighted. He saw, as men of taste would see, That others’ pride should be respected; Some people cannot bear to be Detected. Therefore his rising wrath he curbed, Gave him a smile as warm as may be, Thanked him because he’d not disturbed The baby; Apologised for fear his guest Might deem him casual or surly For having rudely gone to bed So early. The night was still not very old And, short as was the invitation, Would he not stay and share a cold Collation ? I 2.2 In Cap and Bells. So was his tact not found at fault, So was he spared by tasteful flattery What might have ended in assault Or battery. Soft language is the best—how true! This doctrine, which I here rehearse, 'll Apply to nations: it is u- -niversal Thus England should not take offence When, from behind, they jump upon her; She must not hurt their lively sense Of honour. For plain opinions, put in speech, Might lead to blows, which might be bloody, A lesson which the Press should teach And study! In Cap and Bells. I23 “THOSE WHO LIVE IN GLASS HOUSES- " [En souhaitant le bonjour à M. le Rédacteur-en-chef du Petit Journal.] DEAR SIR,--I wish to point a moral. Last week I showed in lightish vein How gentle words may square a quarrel And save a lot of needless pain; I rather hoped for some reply Saying that this had caught your eye. I hinted—here I’m roughly quoting— That France was touchy in the skin, That she possessed an outer coating So soft, so sensitively thin, That, when a homely truth is stated, She finds her honour perforated. But those whose native habits lead 'em To live in structures built of glass Should not indulge with any freedom In heaving stones when people pass, I 24 In Cap and Bells. Because, when people heave them back, Conservatories often crack. Now note with what unique urbanity Your journals judge our conduct here; Not such as make for mere insanity— The gamin’s rage, the rag pour rire, But prints like yours, whose pride it is To educate the provinces. Voyons, mon ami, we have gathered Erom that enlightened organ's page That we it was who lately lathered Your rabble into frenzied rage; The same old story, O so old, Of virtue bribed by British gold! Concealed behind our sombre climate, With every means for lying low, It seems that zwe were all the time at The bottom of the bordereau, Our object being, in a word, To make your army look absurd! In Cap and Bells. I25 And when the English missionary Was missed among the pagan blacks, Pray, who suborned the cassowary That fell upon his pious tracks 2 We did! It happened through our nation Being so keen on compensation. And who for some ulterior reason Made full arrangements for the Turk To vegetate in bloated ease on Armenia’s grave, his gruesome work 2 If one may credit your suggestion We were the horrid brutes in question. All that is cunning, base, perfidious, In beery Albion has its birth; She still must be the blot, the hideous Blister that blights the crust of Earth, TJntil her race retires to bed on The gory field of Armageddon. Such is your day-by-day consignment Of eye-awakeners for the blind; I 26 In Cap and Bells. Such is the tone of true refinement To which you raise the rustic mind; While we are straining to abolish All speech that lacks the pure French polish. Mon Diew / you used to send us over Manners to fit your fashion's code, What time the Empire lived in clover And Paris set the social mode! At all the graces once so deft, You surely have some humour left P In Cap and Bells. 127 LE MONDE OU L’ON S'AFFICHE. I. THE GLASS OF FASHION. I HARDLY doubt, what journalists confess, That England's Greatness issues from the Press; Indeed it tells you for a cent or two Much that is strange and often even true. Here he that runs (though some prefer to sit) May make him cheaply wise on others’ wit; Here side by side, to suit his taste in diet, he Has meats of preternatural variety:— May read the ribald jests of Men-at-law; Or “phossy '' and the other kinds of jaw; How margarine is slightly on the slump, But frozen pig continuing to jump; Great wars and warlike rumours greater still, And whether any Noblemen are ill; Yesterday’s crimes, to-day’s menu for dinner, The ordination list and “all the winner.” I 28 In Cap and Bells. Of such-like fare you pay and take your choice, But there are themes in which we a/Z rejoice; On which, when other memories need correction, The fancy lingers with profound affection; TJnversed in which, to ignorantly go (Excuse the burst infinitive) below, Would cause us to our resurrection-day More real regret than I should care to say:— How Mrs. X., for instance, in the Park, (For once without her husband) caused remark, Being observed of all the smartest folk By reason of her captivating fogue; How Lady THIS, who graced a moiré gown, Is on the very eve of leaving town; While, en revamche, the Honourable THAT Has just secured an eligible flat; How SOMEONE gave a dinner, quite select, To meet the Prince of HoHEN-BUMMELPFLECHT; And SOMEONE ELSE her last of small-and-earlies, To hear the Coster-King complete in pearlies. Are these ephemeral trifles P Mo such ſhing / They have an almost elemental ring ! Out of the realm of petty Sordid care In Cap and Bells. I29 They lift us (loosely speaking) by the hair; And must remain in this our fleeting Show The only solid truths we need to know. And if you ask me how they are supplied To correspondents of the Zoady's Guide, Or what the medium through which they get Reported in the Cºffer Crus: Gazette,_ I know of persons, men of evil bent, Who put it down to self-advertisement! Wrongly, I need not say; for who would choose To have her ménage made a piece of news 2 I trow a woman’s heart would have the vapours To find her frock exploited in the papers, Did not the modesty that veils her beauty Surrender to a sense of public Duty, Because it ranks among the noblest deeds To minister to common people's needs. Take an extreme example:—we derive a Pure joy in reading all about GODIVA; And doubtless there are women of to-day Not less divinely open in their way; Who yearn, on ordering their wedding frousseau, To share their secret with the crowd—and do so; Q I30 In Cap and Bells. And even pay a tariff (dare we hint it 2) So much a line, to get the Press to print it. II. THE AUTHOR-LECTURER. THERE is a way that none may hope to tread But whoso has a halo round his head; Who, whether Nature leaves his apex bare Or nicely coated with a wealth of hair, Arranges, like the milking-maid, to base The nucleus of fortune on his face. Expressly chartered at a lordly wage, He stands in beauty's strength upon the stage, Perusing to a mixed but cultured crowd His own selected efforts out aloud, Or lecturing the literary Press Upon the methods which command success— Maidens that dote and women that adore All drinking in his charms at every pore. Dight in a dress that suits the brilliant scene, Rich knickerbockers wrought of velveteen, Or else in evening-wear whose very hem Scarce would the London Tailor dare condemn, In Cap and Bells. I 3 I Awhile he poses in a weary trance To give the wonder-stricken pit a chance; Then, if he boasts the kind of hairy crown Which means an extra forty dollars down, Just runs his fingers through the wavy crop While in the hush you hear his hair-pins drop; Till with a studied smile of high disdain He breaks at last the agonising strain, Lifts up his tawny voice and lets it go, And in a burst of passion blent with woe, Where all the notes of nightingales occur, Becomes (like Heaven) his own Interpreter. There is to prophets, so I understand, A certain charm in some one else’s land; For when our native products cross the sea They are devoured with more avidity. The Author’s figure being vaguely known, They very kindly take him at his own; Which estimate is entered in the bond And backed by Barnum’s or by Major Pond. Whereas, at home, it is another case, For there we see the prophet's frequent face; Perchance we have that best of annual treats I 32 In Cap and Bells. When the Society of Authors eats; Or find him feeding in a friendly way At houses where you haven’t got to pay. And if from oversight, or other reason, Patrons omit to ask him in the season, We still may hope—most happily for us— To brush against him in an omnibus; Or sometimes even see him in the street Fanning the pavement with his wingéd feet; Where anybody has a perfect right To watch him till he trickles out of sight. But over there, where people read his books, But know not, save in pictures, how he looks; Where still the hero draws a fancy price For sniffing up the fumes of sacrifice; There men will freely fling the careless dollar Simply to see a section of his collar, Girding the sacred column which sustains The beetling bulk of those abnormal brains— A sight that well repays the entrance-pelf, Being an education in itself;- Will sit on wooden planks, in mortal anguish, To watch the poet’s lovely glances languish; In Cap and Bells. I33 Will cross a continent's complete expanse, To scan the brow that schemed the brave romance; And die of suffocation just to wring The veritable hand that wrote the thing. Thus may be worked, with small expense of wit, The Man-and-Author’s Mutual Benefit; For such as read the latter's verse or prose Will take a stall to view the former’s nose; While those that pay to see the Man's complexion Will go and buy the Author’s whole collection. What wonder, then, if there across the main, Richard Le Narcisse was himself again, And tonsured Anthony, our only Hope, With this supreme temptation could not cope P I34 In Cap and Bells. WILHELMINA, QUEEN OF THE NETHERLANDs. SEPTEMBER 6, 1898. MAIDEN, on whose gentle brow, With the weight of woman's years, Lies another burden now, Rest a nation’s hopes and fears, See, we send across the foam, Yours and ours that laughs between, Greetings in your Lowland home, Maiden-Queen! Over half the world to-day Deep in every loyal heart Brayer is made that you may play Like a queen your queenly part; And, not least we love your throne, We, who trusted once to trace From your princely line our own Royal race. In Cap and Bells. I35 Yet we claim to be your kin Bound by other bonds than these; By the courage wise to win Fame and fortune from the seas; By the strength that taught the world What a fearless faith should be; By the banner never furled Of the Free. Many a wave rolls o'er the dead Since the conqueror of Spain, With a broom at his mast-head, Swore to sweep us from the main; And, as now our seamen go Rival comrades down the deep, Memories of that gallant foe Still we keep. Such the splendid warrior-breed, Lady, from whose blood you spring; Such their sons that shall at need All you ask of service bring: I36 In Cap and Bells. So you stand as once she stood, England's Queen, a simple maid, In her dawn of womanhood, Unafraid. And this hour, when hearts are sent Up to God in prayer for you, Doubt not where her thoughts are bent As remembrance lives anew ; How she smiles through happy tears, Thinking what her life has been Since her land at eighteen years Crowned her Queen. And she prays that yours may be Such a heritage as hers, Peace that only loyalty Yielded by the heart confers; With that other love, apart; Ah! for what could well atone, If you missed to have one heart All your own 2 In Cap and Bells. I37 IN MEMORIAM. “LEWIS CARROLL.” LovER of children | Fellow-heir with those Of whom the imperishable kingdom is! No longer dreaming, now your spirit knows The unimagined mysteries. Darkly as in a glass our faces look To read ourselves, if so we may, aright; You, like the maiden in your faërie book, You step beyond and see the light! The heart you wore beneath your pedant’s cloak Only to children's hearts you gave away; Yet unaware in half the world you woke The slumbering charm of childhood’s day. We older children, too, our loss lament, We of the “Table Round,” remembering well How he, our comrade, with his pencil lent Your fancy’s speech a firmer spell. 138 In Cap and Bells. Master of rare woodcraft, by sympathy's Sure touch he caught your visionary gleams, And made your fame, the dreamer's, one with his, The wise interpreter of dreams. Farewell! But near our hearts we have you yet, Holding our heritage with loving hand, Who may not follow where your feet are set Upon the ways of Wonderland. SIR CHARLEs EDWARD POLLOCK. “LAST of the Barons!” lo! the sudden call Summons you hence across the silent land To where at His Assize, the Judge of all, Themselves, the judges of the earth must stand. Not much shall then avail that legal art Splendid, that set you other men above; But much the record how with perfect heart You learned and practised all the law of Love. In Cap and Bells. I39 SIR FRANK LOCKWOOD. FRANK LOCKWOOD dead 2 Then we have lost A life we counted more than dear; What darker shadow could have crossed Our Christmas cheer 2 Gone now his laughter’s lusty note That malice never once could mar; The genial wit that gently smote And left no scar. Small mirth enough beguiles our way; By sombre paths at best we tread; And duller seems the world to-day With Lockwood dead! I4O In Cap and Bells. “SCOTS WHA HAE.” [To Colonel Mathias and his Gordon Highlanders. Chagru Rotal, October 20, 1897.] BRAvo, the Gordons! Proved again The men that never fail! Though gallant comrades, true and tried, India's flower and England’s pride, Bushing to storm that bare hill-side, Reeled in the raking hail. Then skirled the pipes, and up you leapt; Out rang your Highland yell; And there with boyish step and light, Running the gauntlet up the height, Shouting for battle's sheer delight, Young Alec Lamont fell! Fell as the Gordons choose to fall On a well-won field afar; Fell for the flag whose storied stains Call back the fight by Delhi's fanes, Teaguer of Lucknow, Egypt's plains, Kabul and Kandahar! In Cap and Bells. I4 I TO THE CREW OF THE MARGATE SURF-BOAT, “FRIEND TO ALL NATIONS.” ALL night the pitiless blast had swept Out of the North-East blind as hell; Ere dawn, the sudden signal leapt, Death's meteor-signal leapt and fell. Then, as the cry for rescue rang, With quick farewell to child and wife Into the roaring surf they sprang To yield their lives for the stranger life. Æriend ſo a/AWaſions / Friend at need, Where danger sets the task to do! Not ill they chose a name to speed The gallant craft of a gallant crew. Stout hearts of Kent, that heard the call Of man to man in the face of death ! Is this, is this the end of all— These bodies dank with the salt sea’s breath 2 I42 In Cap and Bells. Nay, but their names shall stand in gold When the opened books of God are read, With deeds remembered and deeds untold That wait till the sea gives up its dead! In Cap and Bells. I43 FROM THE PROVENCAL OF SORDELLO, TROUBADOTUR.” ALAs! these eyes, how little serves their sight, That look no longer on my heart's delight. The breath of spring about the fields is blown, The earth with bud and bloom is glad again; Therefore that I no longer should make moan My Lady, queen of Graces, is full fain, Praying that song for sighing should atone; Then will I sing, though deadly be my pain, So much I have of love for her alone, So much of longing for her lips in vain. Alas! these eyes, how little serves their sight That look no longer on my heart’s delight. Though Love be cruel even unto death, I make not plaint therefore in any wise; To think upon my Lady comforteth, For I have never looked on gentler eyes; * Raynouard, “Choix des Poésies des Troubadours,” Vol. III., pp. 441–443. I44 In Cap and Bells. Let her but promise, “If Love tarrieth, Thou yet shall find him wearing pity’s guise,” So shall my grief be silent, so no breath Shall mar her merry days with sad surmise. Alas! these eyes, how little serves their sight, That look no longer on my heart’s delight. TJnto my Lady Pitiful I sing That life may yet be left me, of her grace, For, were I dead, the ruth thereof would wring Sorrow for wrong, and for my cruel case; Nay, surely, but it were a better thing To die, than, living still, to lack solace; For death, I know, has not so sharp a sting As thus to love and miss my Lady’s face. Alas! these eyes, how little serves their sight That look no longer on my heart’s delight. 1 z- #AY 6 1919 A V THE SAME A UTHOR. Horace at Cambridge A. D. INNES, Bedford Street, London. “To every university man . . . this book will be a rare treat. But in virtue of its humour, its extreme and felicitous dexterity of workmanship both in rhyme and metre . . . it will appeal to a far wider public.” —Pazzech. “We very cordially recommend Mr. Seaman’s book . . . to all who are likely to care for verse which is not unworthy to be ranked with the efforts of Calverley the immortal.”— The World. “Mr. Seaman manages his ingenious metres with unfailing skill.” — The Athenaeumt. “A genial cynic with a genuine smack of Bon Gaultier.” —St. James's Gazette. “The humour is bright and spontaneous.”—The Times. “Mr. Seaman's book is never slipshod; it has the neatness, the preci- sion, the sparkle of its Latin namesake.”—The Séectator. Tillers of the Sand SMITH, ELDER & Co., London. “In the political sphere Mr. Seaman is at present without a rival.” — The Globe. “Taken as a whole, we are much mistaken if any better volume of political verse has made its appearance since the days of the Rolliad and the Anti-Jacobin.”— The World. “The best of the satirists on the other side is Mr. Owen Seaman, who has touched off some of the weaknesses of the late government with very happy and caustic humour.”—The Séectator. “Mr. Seaman is own brother to Calverley, and in modern times there has been nothing so good of its sort as ‘Tillers of the Sand. . . . Mr. Seaman proves himself so brilliant a jester that it needs must be he takes the jester's privilege of offending no one.”— The Søeaker. “One of the most accomplished of writers of occasional verse to-day.” —Book?ftanz. “It is all so good that passages are hard to choose.”—Scotsmart. “The author’s rare quality—a capacity ſor satirizing one’s political opponents with a wit that leaves no wound.” —Mr. JAMES PAYN in The WZ/ustrated Londore News. “Brilliant and inimitable.”—Chicago Daily AVews. As Y THE SAME A UTA/OA’. The Battle of the Bays OPINIONS OF THE PRESS. “Now that Calverley is no more, Mr. Owen Seaman is his own most dangerous rival. He has excelled himself in The Battle of the Bays. . . In this little volume the master hand is visible in every line.”—Punch. “The new "Rejected Addresses' of Mr. Owen Seaman are quite worthy to be ranked with the classic volumes of Horace and James. . . . . . The thing is done as well as it could be. . . . This little volume is 2nterzº me sal.”— The Søectator. . “Mr. Kipling has never been so nimbly caught before, for Mr. Seaman has the art to reproduce his flute-notes as well as his big drum. . . . Several of the miscellaneous pieces are among the very best humourous poetry of this generation. We have laughed at nothing lately more than at “Ars Postera,’ at ‘A New Blue Book," at ‘To a Boy-Poet of the Deca- dence,’ and at ‘To Julia in Shooting Togs.” But, after all, Mr. Seaman's masterpiece up to date is certainly ‘To the Lord of Potsdam.' . . . This will live, or we are greatly mistaken, among the most effective exam- ples of historical satire-lyric.”— The Saturday Rezyżew. “It is certainly remarkable, in our dearth of great poetry, how good of its sort the satiric verse of our day is — so good, in fact, that Ilothing but the best will serve, and even the best, like Mr. Seaman's, which in the day when Sir George Trevelyan was a wit would have taken people's breath away, is apt to be treated as mere journalism. . . . But really it is the most characteristic expression of our time, using the accustomed forms of verse to point the neatest criticisms and the slyest of epigrams. . . . Mr. Seaman's humourous imitation of Mr. Swinburne, Sir Edwin Arnold, Sir Lewis Morris, Mr. Kipling, and the rest, is in every case very funny.” —St. James's Gazette. “The book abounds in excellent fooling and really wholesome satire, the ingenuity and felicity of verse and expression giving it likewise a high artistic value. . . . Quips and cranks of audacious wit, strokes of a humour always sane and healthy, waylay the reader incessantly, and leave him no peace for laughter.”—The Westminster Gazette. “Mr. Seaman must be tired of being compared to Calverley and J. K. S., but he is of their company, and, what is more, on their level. “The Battle of the Bays' . . . bristles with points; it is brilliant, . . . and it has that easy conversational flow which is the one absolutely necessary characteristic of good humourous poetry. . . . One charm of writing such as Mr. Seaman's is that it makes us feel quite obliged to poets whom we have never admired for being so good to parody. '—Pall Mall Gazette. “Mr. Owen Seaman has a very neat talent for parody. . . . The * Ballad of a Bun,’ is exceedingly ſunny, and ought to make even Mr. John Davidson laugh. . . . All the imitations are good.”— The Times. “In point of technique . . . extraordinarily clever.” — The IZZzestrated! Londone Wews. 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