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A g’ § %; , ; *..., , , Y., ..., //, / {...} ”, C/ {..} & 3 ** Facsimile of the Manuscript of MILTON'S MINOR POEMs Preserved in the Library of Trinity College Cambridge - CAMBRIDGE At the University Press I899 All Rights reserved Çambridge PRINTED BY J. AND C. F. CLAY AT THE UNIVERSITY PRESS PREF ACE. R THOMAS NEWTON, afterwards Bishop of Bristol, in the Life of Milton prefixed to his edition of Paradise Lost (1749), having occasion to refer to the Manuscripts of Milton preserved in the Library of Trinity College, Cambridge, gives the following account of them —‘These manuscripts of Milton were found by the learned Mr Professor Mason among some other old papers, which, he says, belonged to Sir Henry Newton Puckering, who was a considerable benefactor to the library: and for the better preservation of such truly valuable reliques, they were collected together, and handsomely bound in a thin folio by the care and at the charge of a person, who is now very eminent in his profession, and was always a lover of the Muses, and at that time a fellow of Trinity College, Mr Clarke, one of his Majesty's counsel.” - - * ‘The learned Mr Professor Mason' was the Woodwardian Professor of Geology, who was probably better acquainted with the contents of the Library than any other member of the Society. His testimony may therefore be accepted as final. But it is remarkable that, although there is a full catalogue of all the books given to the Library by Sir Henry Puckering in 1691, nearly 4OOO in number, and the MSS. which accompanied them were enumerated in Bernard's Catalogue of 1697, there is no hint given that the collection included the greatest treasure of all, a thin folio MS. of less than thirty leaves, on which were written, for the most part in his own hand, the chief of Milton's minor poems. Sir Henry Puckering, formerly Newton, was the son of Sir Adam Newton, who had been tutor to Prince Henry, the eldest son of James the First. In 1654, on succeeding to the estates of his uncle, Sir Thomas Puckering, son of the Lord-Keeper, he assumed the surname of Puckering. It is not known how the Milton MS. came into his possession. - t When it was discovered by Mason the leaves were loose, and it was probably in a tattered condition. It was apparently his intention to have placed it in a volume of miscellaneous papers, still in the Library (R. 5. 4), for in the table of contents in his handwriting attached to this volume it stands fifth in order, with a note that it was afterwards bound separately. Mason there describes it as ‘Milton's Juvenile Poems &c. seemingly the original.’ Thomas Clarke, afterwards Sir Thomas Clarke and Master of the Rolls, who in 1736 had just ceased to be a Fellow of Trinity, taking compassion on the MS. in its forlorn condition, was at the cost of giving it a handsome [1] PREFACE, binding, and his pious care is commemorated in the following inscription, which is affixed to the first cover of the volume: ‘Membra haec Eruditissimi et paene Divini Poetae olim miserè disjecta et passim sparsa, postea verö fortuito Inventa et in unum denuo collecta a Carolo Mason ejus Col. Socio & inter miscellanea reposita, deinceps ea, quá decuit, Religione servari voluit Thomas Clarke, nuperrimè hujusce collegii nunc vero Medii Templi Londini Socius 1736.’ - Af In 1738, Thomas Birch, in the Historical and Critical Account of the Life and Writings of Milton which is prefixed to the edition of his Prose Works published in that year, gave a list of the various readings of the MS. in Comus and Lycidas and a considerable number of extracts from other portions, but said nothing of the way in which it came into the possession of the College. - In the New Memoirs of the Life and Poetical Works of Mr John Milton by Francis Peck, M.A., there is an account (pp. 216—218) of the con- tents of the MS., which he describes as ‘pompously bound,' and to which he had access in May 1739 by the favour of the reverend Mr Charles Mason.’ In the notes to his edition of the minor poems in 1752 Dr Newton gave readings from the MS., and Warton in 1785 subjected it to “a more minute and careful examination'; but his account of its history is apparently taken from Newton. In preparation for his edition of Milton's Poetical Works, Todd in 1799 collated the ‘MS. afresh, and discovered a few peculiarities, or variations of expression,’ which had escaped the notice of his predecessors, It would not be impossible to point out some readings which are not correctly given by Todd. But these early collators had the advantage of seeing the MS. before it had suffered from the carelessness with which it was treated when it was too freely shewn to visitors, and from the rough manner in which it was patched to remedy the mischief caused by unintelligent admira- tion. They were therefore able to record a few readings which are no longer legible. But at some time in the course of the present century the MS. suffered a more grievous loss by the removal, or conveyance, of a slip of paper which was originally fastened on the inside of one of the pages of Comus (see p. 16), and contained seventeen lines of that poem (350–366), intended to take the place of those on the opposite page. The removal was so unskilfully, perhaps hastily, effected, that traces of the initial letters of the first 13 lines are still to be seen on the fragment which is left, so that if by some happy chance it should hereafter be discovered it can with perfect certainty be identified. The Council of Trinity College have requested me to superintend the reproduction of this chief treasure of the College Library, and after the photographic portion of the work had been executed by the skilful hands of Mr A. G. Dew-Smith, himself a member of our body, I thought I should do a greater service to students of Milton if, instead of merely recording the variations between the MS. and the printed text, I enabled them to ascertain [2] PREFACE. the variations for themselves. For this purpose each page of the MS. has been represented as far as possible by ordinary type, the words and letters printed in italic being those which in the MS. are struck out by the writer. It will be observed that some words in italic are underlined as in the MS. This is to indicate that although they had been struck out they were to be restored. The peculiarities which could not be represented by the use of ordinary type are recorded in the Notes. - - 2. Of the 47 written pages of which the MS. volume consists, pages 1–8 and Io—41 are in Milton's own hand, as are also the second and third sonnets, and the heading of the first sonnet on page 9. On page 44 the first and second sonnets are in Milton's hand, the third in that of an amanuensis. On pages 42 and 43, which should be reversed, are copies of four sonnets, apparently transcribed for the press by the same amanuensis who wrote the heading to the Sonnet to Henry Lawes on page 40. The originals of these sonnets are on pages 40 and 41 in Milton's hand. Pages 45, 46 and 47 are the work of three amanuenses, whose handwritings differ from each other and from the three handwritings which are not Milton's on the preceding pages. Out of these six both Peck and Warton profess to recognize five as the handwriting of five different women. I see no reason to believe that they are not all the work of men's hands. Pages 42, 43, 46 and 47 are on smaller paper than the rest, and were probably intended as copy for the edition of the Poems issued in 1673. . iº - The Arcades, with which the MS. begins, was probably written in 1633, and the pieces which follow, on pages 4–8, may be assigned to the same period. It is true that the Sonnet on page 6, which accompanies the Letter to a friend, was written on or soon after Milton's twenty-third birthday, that is, 9 December 1631 ; but this does not fix the date of the letter, because Milton adds the Sonnet not as something new, for he speaks of it as having been written ‘some while since,’ but because it came in ‘not altogether unfitly,’ and shewed that the subject of his friend's remonstrance had for some time been occupying his thoughts. On page 9 are three Sonnets, the position of which has to be accounted for, inasmuch as they are several years later in date than the pieces which precede and follow them; for the first must have been written in November 1642, and the other two in 1644 or 1645. The explanation I believe to be this. The first part of the MS. consisted of a quire or gathering of eight leaves, of which the two first and the two last were originally blank, the Arcades and other pieces occupying the four intermediate leaves. After Milton had written Comus in 1634, Lycidas in 1637, and the memoranda on pages 33–39 in 1640—2, he appears to have gone back to his first quire and made use of one of its blank pages for the three Sonnets on page 9, which belong to the period 1642–1644 or 1645. After the Notes from Scotch stories &c. on page 39, the Sonnet to Lawes and those in Milton's handwriting which follow on pages 40, 41, and 44 are apparently in [3] PREFACE. the order in which they were written, ending with the Sonnet to Fairfax in 1648. With this Milton's hand disappears from the MS. - It would be a matter of regret if the publication of these facsimiles should have the same effect upon those who examine them which the sight of the originals appears to have produced upon Charles Lamb. In a note, which was at first appended to his Essay on ‘Oxford in the Vacation,' he says, “I had thought of the Lycidas as of a full-grown beauty—as springing up with all its parts absolute—till, in an evil hour, I was shown the original copy of it, together with the other minor poems of the author, in the library of Trinity, kept like some treasure to be proud of. I wish they had thrown them in the Cam, or sent them after the latter Cantos of Spenser, into the Irish Channel. How it staggered me to see the fine things in their ore! interlined, corrected as if their words were mortal, alterable, displaceable at pleasure! as if they might have been otherwise, and just as good! as if inspiration were made up of parts, and these fluctuating, successive, indifferent! I will never go into the workshop of any great artist again.” Many neverthe- less will find pleasure in contemplating the second thoughts of the poet, or even the third, which we are told by a prophet of the order are a riper first. WILLIAM ALDIS WRIGHT. TRINITY COLLEGE, CAMBRIDGE, February, 1899. [4] ERRATA. Page 1, Arcades, line 23, ‘Ceres’ should be in italic. Milton struck it out and marked ‘Juno' to be restored by drawing a line under it. last line, ‘8: charge’ should be in italic. * Page 7, line 12. For of the tale read as the tale. ~ + las, wasaº ‘of..? º Page 22, line 8. For air read day. *~~ Page 35, headline. For British Troy read British Trag. NOTES. - am Page 1 Arcades, line 2 up, in Todd's time ‘from Jove I have the power’ could still be read. Page 3, last line, As changed to All. Page 4, line 20, whilst changed to while. - line II up, & changed to to, and ‘to' written in the margin. line 9 up, tripled changed to triple, and then struck out. Page 6, line 35, my selfe changed to me. Page 7, line 27, this changed to the line 8 up, in changed to of Page 8. Sonnet on Time. The heading was ‘To be set on a clock case, but the first three words have been pasted over. Page 9. In the margin to the first Sonnet on this page the date 1642 has been obliterated. Page 11, last line. Birch and others who follow him read the first words of this line ‘And quick Law,’ taking the tail of the ‘g’ in the line above for a part of ‘Q.” As I read them the words are ‘& nice’ followed by something which ends in ‘tom,’ perhaps “custom.’ Page 12, line 25, on (2°) changed to of line 7 up. The marginal note ‘thirst’ appears to be in the same hand as ‘hov'ring’ in the margin of p. 13, and ‘wild” and ‘pallat’ in the margin of p. 15. This is a different hand from that of any of the six amanuenses already mentioned. Page 13, line 34, wandring changed to wanderers. Page 14, line 8. The words so carefully obliterated are, I have little doubt, “And hold a counter- point,’ as they stand in the MS. of Comus now in the Library of the Earl of Ellesmere at Bridgewater House. This MS. is believed to be in the handwriting of Henry Lawes who composed the music for Comus, and he is accused by Warton of having ‘thought fit to mar the sound, sense, and elegance, of a most beautiful line, by making a pleasant professional alteration.” If my reading of the words is correct, and I find it is supported by Todd, Lawes is relieved from the imputation of taking a most unwarrantable liberty. A parallel will be found in the first sketches of the song ‘Blest pair of sirens,’ in which occur the expressions ‘Mixe yr choise chords’ and ‘harsh chromatick jarres.’ These were ultimately rejected by Milton, probably because he thought them too technical. lines 21, 22. The order of the changes in these lines appears to have been I. - would weepe and chide - 2. wept chiding 3. wept and chid, In the second line “and” was struck out and ‘chide' altered to ‘chiding.” Then “and” was restored and ‘chiding’ altered to ‘chid.’ These changes could not be indicated by ordinary type. [5] Page Page Page Page Page Page Page Page Page Page Page Page Page Page Page NOTES. 15, line 2 up. Birch, Newton, Warton and Todd all read “stable.” The true reading is “steadie, and this makes Warburton's note unnecessary, The marginal note at the line “but oh that hapless virgin,’ &c., refers to the slip of paper which has been torn away from the following page. The only words now legible are “[r]ead the ſpaper over [a]gainst [i]nstead of...downe...[per]happs såe [c]old banke is.’ I6, line 8, are changed to were. 17, line 6, over changed to o'er then to ore. 18, line 5, his changed to the, and afterwards restored. line 16 up. It is difficult to read the word before ‘honiesuckle.’ Milton appears first to have written ‘suckling’ which is a local name for ‘honeysuckle.’ Whatever it is, it is not “spreading’ as given by Birch and the rest. 20. The lines on this page are on a smaller paper and are intended to be inserted on page 2 I. 21, line 24 up, beget on changed to invent in, and afterwards restored. last line, living changed to & live. 22, line 37, fairest changed to faire. line 44. This line is very obscure. The ‘Ā’ before ‘mus!'d’ apparently indicates that Milton began to write ‘headed.' 23, line 9, a Sottish changed to besotted. line to up. ‘lovely' is the reading of the MS. Birch and others give ‘lively.’ 24, line 20, Corall-paved changed to corall-paven. line 3 up, on Amphitrite changed to in Amphitrites. 25, line 12 up, toeing changed to toes. 38, line 19, firce changed to firie. line 2 up, of changed fo by. 40. In the last line but one of the first draft of the Sonnet to Henry Lawes, Milton appears to have written originally ‘then old Casell' whom Dante won to sing.’ When he substituted “he” for ‘Dante’ he altered ‘Casell” to ‘Casella’; but making a blot in the process he wrote “Casella” clearly in the margin. At the same time he changed won’ to ‘woo'd.’ 41, line 5, clod changed to load, which is written more clearly in the margin. line 6 up. The successive changes appear to have been 1. Faith shew'd the way. 2. Love shew'd the way. 3. Love led thé on. The abbreviation for ‘them' is indicated by a horizontal stroke over the ‘e’ with three vertical strokes through it. Similarly on page 45 the abbreviation for ‘Then’ is marked by a horizontal stroke over the ‘e’ with two vertical strokes through it. line 7 up. For joy read joy. What looks like a line under the word is the top stroke of “F” in the line below. 44. The corrections in the first four lines of the first sonnet on this page are in the handwriting of the amanuensis who wrote pages 42 and 43. The words ‘turn over the leafe’ in the third line of the side note are apparently in the handwriting of the amanuensis who wrote page 45. line 8 up, embru’d changed to imbru’d. 45, line 8, And changed to Thé. line 9 up, haire braind changed to hare braind. [6] INDEX. PAGE Arcades o 9. e e e º e g ... I Song—‘Blest pair of Sirens’ e e & e • 4 Letter to a friend. Sonnet II. . † e g ... 6 Another draft of the same Letter On Time . . e o e º º 6. , 8 Upon the Circumcision e & © º º , - Sonnets VIII. IX, and X. . e & • º . 9 [Comus.] A maske . . . . . . . Io Lycidas e e e º * . tº , 28 First sketch of Paradise Lost te e & e • 33 Notes from Old Testament history . o e • 34 Notes from early English history e © g . 35 Notes for poems on Scripture Subjects: Abram from Morea, Baptistes, Sodom, Adam H 37 unparadiz'd Notes from Scotch stories } Moabitides or Phineas. Christus patiens 39 Sonnet XIII. To Mr Hen. Lawes (draft and fair copy) 40 Sonnet XII. e o º e º 9 e . - Sonnet XIV. (draft and fair copy) º o e . 4I Sonnets XIII, and XIV, . © t o e • 42 Sonnets XII. and XI. º e e @ e • 43 Sonnets XI. XV, and XVI. e o o g • 44 Sonnets XVII. and “On the forcers of Conscience” . 45 Sonnets XXI. (in part) and XXII. . º g . 46 Sonnet XXIII. . e º º o o º . 47 The numbers of the Sonnets are here given as in Professor Masson's edition. [7] Part of a maske Looke nymphs & she since at last fds looke heere ends our ques eyes are blest Arcades Part of an Entertainment at Looke Nymphs & shepherds look What sudden blaze of majestie is that weh wee from hence descrie too divine to be mistooke this this is shee to whome our vowes & wishes bend heere our sollemne seach hath end Fame that her high worth to raise seem’d erst so lavish, & profuse now seemes guiltie of abuse wee may justly now accuse and detraction from her praise of detraction from her praise lesse then halfe “she hath express’t *wee find express’t conceale Envie bid her hide the rest Marke what radiant state she spreds in circle round her shining throne shooting her beams like silver threds this this is she alone sitting seated like a goddesse bright in the center of her light might she the wise Latona be or the towred Cybele mother of a hundred gods Ceres Juno dares not give her odds who zwould had have thought this clime had held a deity so unparalel’d. appeares As they offer to come forward The Genius of ye wood rises & turning towards them speakes Gen Stay gentle Swayns, for though in this disguise I see bright honour sparkle through yor eyes Of famous Arcady you are & sprung of that renouned flood so often sung Divine Alphéus who by secret sluse stole under seas to meet his Arethuse And yee the breathing roses of ye wood faire silver-buskin’d Nymphs as great & od I know this quest of yoºs & free intent was all in honour & devotion ment To the great mistresse of yon shrine whome wth low reverence I as mine and wºn all helpfull service will comply ,- to furder nights glad sole tie and lead you where you may nore neere behold searching what shallow those we fues zºº du/Z Fame hath left untold weh I full oft amidst the alone have sat to wonder at For know by lot from Jo Wer & charge of this faire w €r - - - - - - - Kºº. ... /* - - - - … º º . - ... ******* º - - ºf - -- - - - ºf Pºpº & ºf Zºº | º - - - * - - º - | - Asa º º º:º * - - - º: * 23. º ſº tº 4. ºr tº: "- - - - - fººt ºr 4. 4. º º - | º ºf a ſº º: -- *- - | - º ſº - - - - 4 º - 4. ... • º º º 4. | ** º: º º º ºl º ººzºº. 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AºA º “º 3 Song re of Sirens pledges of heavens joy e harmonious sisters voice & verse vine power & joynt force employ wth inbreath’d sense able to peirce. * equall whilst yo' raptures temper'd sweet happie spousal meet th a while WO €S home-bred, beguile fantasie d fancies then present of pure concent * equall Sapkſire-colourd ounds ay Surrounds the Asgöeraigne throne eirce t . e VerSa. \& Sollemne crie. wº'saintlie shout & Sollemne jubilie e e the ser pr gly TOW silver are loud unsa truñºets blow lºud symphonie of trumpets blow Žhe origini vo and the *youthf ubim swee; winged squires cis Heb: re in ten thous es beary Heavn's henshmen spondet wth those just that, wegfe the *fresh greene palmes *blooming in hymnes d & Sacrgd Psalmes victorious palmes ., singing ever y while that all the f e of heayen and arches blue whilst the whole frame of resound and Eccho Hallºtl, wih undiscord g while then all the starrie that wee beſozy may/learne zvº hart & voice frame may rightly to answere that melodious noise by leaving out th9ée harsh chromatick jarres of sin that all 6ür musick marres & in our lives/& in our song may keepe iſ tune win heaven till God ere lon to his celeštiall consort us unite To live & sing wºn him in *ever-endlesse light “ever-glorious in high misterious * to to him that sits thire where day dwells whout night *uneclipsed inſ endlesse \morne of ligh cloudlesseſbirth in never parting light Blest paire of Sirens pledges of heavens joy Spheare-borne harmonious sisters Voice, & Verse Mixe yo” choise chºrds, & happies; sounds emp}6y wed yor divine sounds, dead things wºn inbreath'd sense able to piérce & mix’t power employ eet eet *happie and *his yof equall raptures temper'd o/le spousall snatch us from earth \ a while us of our selves & “home bred wogs beguile *native *up and to our high rays'd that undisturbed song of ay sung before the s re COncent Yhire - colour’d Throne wth saintly shout, touch thire irámortall harps wth those just spirits that weare the V*blooming palmes hymnes devout & “sacred Psalmes *holie singing everlastingly * zwhile all the starrie rounds & arches blue resound and eccho Hallelu haryāsie praesent uff rays'd *high raysd? *blooming or victorious | º º º | - - - ºf º - - - -º --- º º º º - º - * * e/ -º- º */7 * Pºº-wºº, *C. * v. º ** */ i. º *** *rºº º *, * ſº º * rºº º Tº gº *a*4 º ** Pºy A. º, 33.4% ºf ºz º. 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D - --> . * -- on earth - that wee, wºn undiscording hart & voice may rightly answere /that melodious noise by leaving out those harsh ºchromatick jarres *ill sounding of clai clamourous/\sin that all our musick marres & in our lives & Ån \our song may keepe in tufte wºn heaven, till God ere long to his celestiall/consort us unite to live & sin im in endlesse morne of light that wee on earth win undiscording voice may rightly answere that męlodious noise as once wee “could, till digportion'd Sin Xdid against harsh jarr'd drown'd natures chime/& wºn tumultuous din broke the faire musick that all creatures made to thire great Lord/whose love thire motion Swaid in pfect diapason Whilst they stood in first obedience/& thiré state of good Oh may wee that Song & keepe in/tune wºh heaven, till God ere long to his celestiall consort us unite To live & sing with him in endlesse morne of light At a solemn Musick Blest paire of Sirens, pledges of heavens joy, Spheare borne, harmonious sisters Voice, & Verse Wed yor divine sounds, & mixt power employ dead things wºh inbreath'd sense able to peirce and to our high-rays'd phantasie praesent that undisturbed song of pure concent ay sung before the sapphire-coulour'd throne to him that sitts theron with saintly shout, & sollemne jubilie where the bright Seraphim in burning row thire loud, up-lifted angell trumpetts blow and the Cherubick hoast in thousand quires touch thire immortall harps of golden wires wth those just spirits that weare victorious palmes hymns devout & holy psalmes singing everlastingly. That wee on earth with undiscording voice may rightly answere that melodious noise a.S On Ce We * till disproportion'd sin - jarr'd against natures chime, & wºn harsh din broke the faire musick that all creatures made to thire great Lord whose love thire motion sw sway’d in pfect diapason whilst they stood in first obedience, & thire state of good oh may wee soone againe renew that song & keepe in tune wºh heav'n, till God ere long to his celestiall consort us unite To live. & sing wºn him in endlesse morne of light 5 3. * *y-,- * 23. ***, *, +, orite, */32* e; ' ' º, - * / º **** Mº **** ** ** ºw. ºn tº: # *%. * ** */ * - º - º/ - - *º: ----- - ------ - ** * * *4 fºrº º * y”2; - - - . - }o **. , º, . ºn a -º- ºneº Awº - - º * , ...!" - ": º - * ** º *: 3.27 .º: . - - **.*...….. ºfrº.º. ºf *1.”. º sa. º ºf - -- ****** **** - - al ºwn - pº º - º º ºyº £ºys, ºsſº, v. º ºŻºłº º: º º - º ºš -ºº º ºſº/ . . . . * - - -º- }*/ * Cº. º. -- - - - - - - -- -- - -- - - - - -- } P. | - º - - - º -- - - - - - - - - - - - - * - - - - - - - * * * * -- - - . -- - whé ever as of when º (ZS 70/66 Sº, (besides that in Sundry respects I must acknowledge me to profit by you as oft, as wee . and were yesterday especially we meet), you are oftº to me, as a good watch man to admonish that the howres of the night passe on (for so I call my life as yet obscure & unserviceable to mankind) & that the twelve day is at hand wherin Christ commands all to worke labour while there is light which because I am psuaded you doe to no other purpose then out of a true desire every one - when that god should be honour'd in all men, I am ever readie, you know, still as as occasion is, though unaskt offer'd to give you account, as I ought, of my tardie moving according to the praecept of my conscience, weh I firmely trust is not whout god, yet now I will"teine for any set apologie, but only referre my selfe to what my mynd shall have at any tyme to declare her Selfe at her best ease. yet if you thinke, as you said, that too much love of learning is in fault, & that I have given up my selfe to dreame away my tyme yeares in ithe armes of studious retirement, like Endymion wth the Moone on Latmus hill, yet if it were no more but this on the other side consider that on the other side to overcome this, there is , both ill more bewitchfull, to & naturall cares more swaying to that weh you wish me entice away, A & good more ſolent to availeable, to wºhdraw A as first all the fond hopes forward none of can not sort with w°h, youth & vanitie are fledge wº, , weh would soone cause me to throw off this Pluto's - & woud soone cause me to throw it off helmet, as Homer calls it, of obscurity, if there were nothing else int but an affected & repute & fruitlesse curiosity of knowing, and then a naturall desire of honour, weh I thinke possesses the brest of every scholar as well of him that shall as ºf him that never shall obtaine s it (if this be altogether bad) wºn would quickly over sway this flegme & melancholy of bashfullnesse, or that other humor, & induce me praevaile wºn me to praeferre a life that had at least some credit in it some place given it before a manner of living much disregarded, & discountenanc’t, there is besides this, as all well know, about this tyme of a mans life a strong inclination, be it good or no, to build up a house & family of his owne in the best manner he may, to wºn nothing is more helpfull then the entring early into some 2 I credible employment, & nothing more crosse then my way, which my wasting youth would praesently bethinke her of & never brooke, but kill one love wºn another, if that were all; but what delight or what peculiar conceit may you in charitie thinke, could hold out against the long knowledge of a contrarie comand from above, & the terrible seasure of him that hid his talent, therfore - - on the other way - comit grace to grace or nature to nature, there is will be found , more obvious temptations & ſhe like to bad as gaine, praeferment ambition, more winning praesentments of good, & more prone & dispose .. affections of nature to encline A to P; other side, then the bare love of motions could re sist not counting expect outward causes as expectations & murmurs of freinds Scandals taken & such like, then the bare love of notions could resist, so that this wºº if it be that wº you suppose, it had by this bin round about begirt, & over master'd whether it had proceeded from vertue, vice, or nature in me, yet that you may see that I am somtyme suspicious of my selfe, & doe take notice of a certaine belatednesse in me selfe, I am the bolder some while since Žacáč to send you a feice some of my nightward thoughts, since they come in fitly, A made up for in a Petrachian stanza, wºº if you please, you may reade How soone hath Time the suttle theefe of Youth stolne on his wing my three & twentith yeere my hasting days fly on wth full careere but my late spring no bud or blossome shew’th Perhapps my semblance might deceave ye truth that I to manhood am arriv'd so neere & inward ripenesse doth much lesse appeare that some more tymely-happie spirits indu'th Yet be it lesse or more, or soone or slow it shall be still in strictest measure even to that same lot however meane or high toward weh Tyme leads me, & the will of heaven all is if I have grace to use it so as ever in my great task-maisters eye 6 ºś ** ºr !º Mow aw? º - - 2.4% --~. - #44 m. º, ſº - *.*.*. *& 4 º º ºº - & º 4. º * */aº aſºn aeºn wº % * ºf at ſhºt - - - whic ran a-M ºd 2a2c A ne 24- ºpº **** zº - jºš º: zºº,”%º: * £º. -- º ź º £º: **C. * /*/ſ/__. anºjº, Žiž %ºrmº% frºſ ºf:"... Aaº at *4 *4 Adºº #º: %.” ºf yes 4. º fra ºr m 'º - aºz ºvaty. - ºr zºº, ºf: º ſ # º ## --- - º: --- º - - ) M º º - - ºfo % ºf - º * º 77- ". - A. - º / - L º º º 7/ º - - - ºr - º º - ºte º pº º º - - º º ź. º tº: . : º £º. 2 r me fle , ſoºtº - ſ y -- Xºſt § 2ſºownſenae ſ. ſºrt & º * +Af.31ſº ºwn nº Že wº nº - /? 7.7% - ~ -- ſº, ºn *A A a AM4% waw. “Aºf - - ºś: *:::::::::::::::::::::::...'. 㺠† & º- º - ºn. - acºran agº ro ‘. *::::: ºf -º Sº* * * 62% ºf ce ſe rºcłżer natºr fe” - % ..º.º.º.º.3% winºus prºvºkº gº, 3 or º: Jºãº - no/-6 - º ºº:: ** a º - f - * --- - a; - - ^ gueſ *. 44 &art ſº *** º º º & #4 y- º º % #3 &n reud ſº º */ºr º :* % ºf ren. #4, . or **** * * - 4- wº- ºr º *. -ſºº rºy *3 --- - º *ek o ſ - ... ºn ºn enº, #º. º º %; º: *.*f 42. ºg.”.” TA - y 4. - | -- jº ** -- - • re-as 4-4 * - . # 4 £. :*: ... #######!" * . º º º Gºrº, y, £º *#####ſº: - -- nº warſ ºr left :*: º: -- º - | #7. palºº *4-4 º **. - is *!-6 * •y, as ſeve - *: 3, #4 #. #. º . . 4s ****** ſet–Zevºr ºt •ºg ~ * ſ º !--- º jºº ºl 4.25 **, & º ºut ºf *** - cº º - % ºf ge #########!/...}... we - 6 e º other Sº, besides that in Sundry, respects I must acknowledge me to profit by you when ever Wee meet, you are often to me, & were yesterday especially, as a good watch man to admonish that the howres of the night passe on (for so I call my life as yet obscure, & unserviceable to th mankind) & that the day. in i. hand wherin Christ comands all to labour while there is light W* because I am psuaded you doe to no other purpose then out of a true desire that God should be honourd in every one, I therfore thinke my selfe bound though unaskºt, as off as occasion is, to give you account, as oft as occasion is, of this my tardie moving; according to the prae- cept of my conscience, wºn I firmely trust is not whout god, yet now I will not streine for any set apologie, but only referre my selfe to what my mynd shall have at any best but tyme to declare her Selfe, at her owne ease, , yet if you thinke, as you said, that too much love of Learning is in fault, & that I have given up my selfe to dreame away my yeares in the armes of studious retirement like Endymion wºh the Moone of the tale Ineere - of Latmus goes, yet consider that if it were no more but the , love of learning, whether it proceed from a principle bad, good, or naturall it could not have held out thus long & tº tº º - bad against so strong opposition on the other side of every kind, for if it be, evil! in me not \ why should , all the fond hopes that forward Youth & Vanitie are fledge with together wth Gaine, pride, & ambition call me forward more powerfully, then the poore regardlesse & unprofitable sin of Curiosity should be able to withhold me, wherby a man cutts himselfe off from all action & bring becomes the most helplesse, pusilanimous & unweapon'd creature º aspire to in the word, the most unfit & unable to doe that weh all mortals most A desire to either to defend his freinds or: be usefull to his freinds, or 9 offend his enimies, & who would not - pronenesse against yt £raeferre Or if it be to be thought an naturall, inclination in me there is , a much more *inclination *inclination potentº inbred affection , wºn about this tyme of a mans life sollicits most, the desire of house 2 I 3 º g - esteemed & family of his owne, wº would soone over master the other to weh nothing is , more helpefull then the early entring into credible employment, & nothing more hindering then this affected solitarinesse_2(nature therfore would praesently worke the more pre- e but yº inferiour bent of her selfe valent way if there were nothing, above mature to restraine her, lastly if the Love as it is ye SOOner of Learning be the psuit of Somthing as it is good, it would still follow the more excellent knowne & praesented diverted & Supreme good, and so be quickly, turnd from the emptie & fantastick chase of sha- dows & notions to the solid good flowing from due & tymely obedience to that comand from in the gospell set out by the terrible seasing of him that hid the talent, it is more t the probable therfore that it is not the thing you suppose that not, endlesse delight of speculation * tº great as soone as may be but this very consideration of that high comandement does not presse forward, to underg but keeps off win a sacred reverence, & religious advisement how best to undergoe not taking thought of being late so it give advantage to be more fit, for those that were latest lost nothing when the maister of the vinyard came to give each one his hire. & heere I am come to a streame head copious enough to disburden it selfe like Nilus at seven mouthes into an ocean, but then I should also run into - at Once €XCUISé a reciprocall contradiction of ebbing & flowing, & doe that wºn I would defend my selfe that for not doing preache & not preach, yet that you may see , I am something suspicious of my selfe, & doe take notice of a certaine belatednesse in me I am the bolder to send you some of my nightward thoughts some while since because they com in not altogether unfitly) made up in a Petrarchian stanza. 70% if you flease - WCh you may reade as, I told you of and though this were anough yet there is to this another act if not of pure yet of refined nature no lesse available to dissuade prolonged obscurity, a desire J. Amozge e of honour & repute & immortall fame seated in the Örest / thinke in the brest of every true scholar weh wº one makes hast to by the readiest ways of publishing & divulging conceived merits as well those that shall as those that never shall obtaine it, to omit out ward casses after ye stanza made mention e by this I beleeve you may well repent of having, mov'd me at all of this matter, for if I have not all this while won you to this, I have certainly wearied you to it, this therfore alone may be a sufficient reason for me to keepe me as I am least having thus tired you singly, I should deale worse wºh a whole congregation, & spoyle all the patience of a Parish, for I my selfe doe InOW not only see my owne tediousnesse but, grow , offended wºn it for hi that has hinderd thus long from coming to the last & best period of my letter, & that wº" must now cheifely worke my pardon that I am Yor true & unfained freind. 7 º 2. - - - - * º º | —is - ... - "º & - * * * :7; ~ - - - º: º tº ºwn 2%". º: 'ºe, oy, ºu *::: ºut nº **** y º y Ty/ º: wºpe )ſº ºf º * ZºZº. Zºyſ ºf 5% º: º |Tººf ººººººº...?” º: * * * **b tº ºf " - *:: - - - º º ;2 º . + º ºº:: * ºfº | "..., º, º %. º: # º £º. º: º tº ** 7” ſº ºn. ... *}*-*/ 3. * + 2 5.4, ºff...?? jºſº | - F - #. * * *** * */wº ‘rnoxº~ne **** * º * 7-ºvºy #9 *** ***on ºf Tºwa - ºſſ-ºº: ** *S**t, *z, * º, ºyº **** Prºvº, jº - * - - - 34-, 2* * * * Bºº +3*& 72°º y On Time set on a clock case Fly envious Time till thou run out thy race call on the lazie leaden-stepping howres whose speed is but the heavie plummets pace & glut thy selfe wth what thy womb devoures weh is no more then what is false & vaine & meerly mortall drosse so little is our losse so little is thy gaine for when as each thing bad thou hast entomb’d & last of all thy greedie Selfe consum’d then long Æternity shall greet our blisse wth an individuall kisse • and Joy shall overtake us as a flood when every thing yt is sincerely good & pfectly divine with Truth, & Peace, & Love shall ever shine about the Supreme throne of him tº whose happy-making sight alone when once our heavenly-guided soule shall clime e º S º then all this earthie grösnesse quit attir'd wih starres wee shall for ever sit Triumphing over Death, & Chance, & thee O Time. Oh Upon the Circumcision yee flaming Powers, & winged Warriours bright that erst with musick, & triumphant song first heard by happie watchfull shepheards eare So Sweetly sung yo; joy the clouds along through the soft silence of the listening night now mourne mourne & if sad share wth us to beare yo fiery essence can distill no teare burne in yor sighs, & borrow seas wept from our deepe sorrow he who wºh all heav'ns heraldry whileare entred enter'd the world, now bleeds to give us ease alas how soone our sin sore doth begin his infancie to sease more exceeding love or law more just just law indeed but more exceeding love for wee by rightfull doome remedilesse, were lost in death till he that dwelt above high-thron’d in secret blisse for us fraile dust emptied his glory even to nakednesse and yt great cov’nant won wee still transgresse intirely satisfi’d and the full zerauth wrath beside of vengefull Justice bore for our excesse and seals obedience first wºh wounding smart this day, but Oh ere long huge pangs & strong will peirce more neere his hart Alas how soon our sin sore doth begin His infancy to sease This day but O ere long Huge pangs & strong Shall willpeirce more neere his heart 8 -- - - --- - - - - - - - - - - - - - - - - - - - - - - - - - - - - º l - º - Caº - - - - - - -- - --- - Aº - - T. - - - - - ... . . a. s. ---.S., . - º - º º: £ºſ. * * 44, race º 'º * * * *- ºf ſºlº ºr *rs * * * * * * * * º º ** 4sat: flººr, < *-* - | ºf º k P - **** ***, *, *.…... **** ºnvert Hat, * A-4- faſt e ºwn; - - - - flººr.” dr. º - - - - - - º -- * * º: - A. º - - - - * * * * * *, *, *) )*, *, - £º, ſº-º-º: ºf-44, agº sº º º ºgºgra-º, ſº - " - **as º.º. ſ - tºº. -- *** ºt, *g #3 *rely geed - - - - 6. ºl. /* - - --- º, -- - - - wººt * ºf 4* sº ºber 3aº, - - - ºfººº: º, ºl. º N -- " - ". . * zºº.º. fººlid 3.4 ×a. *** - - º * # arºz. £º - ***** ſº. #4 ºr clan tº - - - - Tºwn kia eyer-1}g --- -- -- -- P Jº ºr- * * 6. ckanº, & {{se ºf /ºr; -- " -- ----- - - - - - - - - - - - - -- - - - - - º - - º º -- {{pº *t ºr-º- - º º - - - ... . . - . -- •." ---- --- º - - ----- - - - * *q tº #asiºpeº cººd 'lawea's 4. - . . . ketº; ººk *ick, e tºaº º - - - ... ſº Kºra 4; º *** ***…* are - “ *** ſº ſey ke 2/. *g - ºfºrº - ºº:: *f;: º, º, . - }: * * *a* -lººku ae º **** * yº º, & *... - - - -- - º º ſervº . k º wº º ºlº - - - - º & **** //, / ..., ºn. ! Joyº letſ $ºn 4's **** *A*s - - - - Jord * ºn º fº º * (as ºneº. A |}}} * * ſº - º: º º º: - - º *** --- º º ******* cºn. toº... º. º, 3. *** ***A*- ºf -- º #k: d º *** **** ****** Jºaº – ‘s - - / º: 4.4 f tºº. hº wº ſº º ºr 0 , rn --- # , ºpºſe ºf - - * º #º º -- - - On his dore when ye City expected an assault When the assault was intended to yº Citty Captaine, or Collonell, or Knight in armes Whose chance on these defenselesse dores may sease If ever deed of honour did thee please Guard them, and him within protect from harmes. He can requite thee, for he knows the charmes That call Fame on such gentle acts as these And he can spread thy name or'e lands and seas, º What ever clime the sun's bright circle warmes. Lift not thy speare against the Muses bowre The great Emathian conquerour bidd spare The house of Pindarus when temple' and towre Went to ye ground . and the repeated aire Of sad Electra's poet had ye powre To saue th’ Athenian walls from ruine bare Ladie, that in the prime of earliest youth wisely hast shun'd ye broad way & ye green and with those few art eminently seen that labour up ye hill of heavnly Truth The better part with Mary & with Ruth chosen thou hast; and they y overween and at thy blooming vertues fret their spleen “prospering “growing vertues no anger find in thee, but pitty & ruth. | Thy care is fixt, & zealously attends to fill thy odorous lamp with deeds of light & Hope that reaps not shame. Therfore be sure Thou when the Bridegroom with his feastfull freinds (night howr offens the dore of Bliss, that hovre of night, passes to bliss at ye midd , watch hast gain’d thy entrance, Virgin wise & pure. To yº Lady Margaret Ley Daughter to that good Earle once President of Englands Counsel, & her Treasury who left , them both, unstain'd with gold or fee Aliv'd in & left them both, more in himself content, Till the sad breaking of that Parlament broke him, as that dishonest victory at Chaeronea, fatal to liberty kill'd with report that Old man eloquent, Though later born then to have known ye da daies wherin yor Father flourisht, yet by you Madam, methinks I see him living yet; So well yor words his noble Vertues praise, that all both judge you to relate them true and to possess them, Honourd Margaret. - - - - - - . Rºº. sº ºn axº actºrs ºr -cº-oº-ºº-º-º: - ******". * & Isºstºs may º -: n. - h --> --- these C. - [. ...tose cº-º-º-º: --- --~~ - - -- - - - - - - º - - ºf ºs. - ºffiº bºº. Tº -- - - - - - ºl. - 1 º º ºn. . º tº cººl. 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A Guardian spirit, or Daemon Before the starrie threshold of Joves court my mansion is, where those imortall shapes of bright aereall spirits live inspheard in regions mild of calme & serene aire where the banks amidst the garden: Hespign gardens, on , whose bancés 2 I (* afez'na// roses grow hyacinth bedev'd wih nectar, Celestiall songs ºyee/d aeternall roses grow, & fruits of golden * Hyacinth blow “grow *b/osme • / © rinid, on whose faire tree - - eVer the scalie-harnest whetchful/ dragons A keeps uninchanted - his never charmed eye, & round the verge & sacred limits of this “happie Isle blissful/ ‘blisfull the jealous ocean /that old river winds his farre-extended/armes till wºn steepe fall halfe his wast flºod yel wide Atlantique fills - & halfe the slow unfadom'd poole of styx Stygian poole (wonder I doubt me gentle morta/s these may seeme but soft I was not sent to court yor strange distanſes to heave & unknowne climes wºn distant worlds, & strange removed clim yet thence I/come and loft frå thence behold the smºke & stirre of this dim, narrow spot weh men call earth, & wºlow-thoughted care strive to keepe up a fraile & feavourish beeing beyond the written date of mortall change confin'd & pester'd in this pinfold heere unmindfull of the crowne that vertue gives after this mortall change to her true servants amoungst the enthron'd gods on sainted seates yet some there be that by due steps aspire to lay thire just hands on that golden key that “shews the palace of aeternity *ope's to such my errand is, & but for such I would not soyle these pure ambrosiall weeds wth the ranck vapours of this sin-worne mould taske but to my , buisnesse now. Neptune whose sway besids the sway of every salt flood & each ebbing streame tooke in by lot twixt high, and neather Jove all the the rule & title of each sea-girt Isles that like to rich gemms inlay & various gems inlay the unadorned bosome of ye deepe weh he to grace his tributarie gods by course committs to severall goverment and give them leave to weare thire Saphire crowns and weild thire little tridents, but this Isle the greatest & the best of all his empire the maine he quarters to his blu-hair'd dieties and all this tract that fronts yº falling sun a noble peere of mickle trust & power has in his charge wºn temper'd aw to guide an old and haughtie nation proud in armes where his faire of spring nurs’t in princely lore are comming to attend thire fathers state and new entrusted scepter, but thire way lies through the perplext paths of this dreare wood the nodding horror of whose shadie brows threats the forlorne & wandring passinger and heere thire tender age might suffer perill but that by quick command from soveraigne Jove I was dispatcht for thire defence, & guard and listen why, for I will tell you now what never yet was heard in tale or song by old or moderne Bard in hall, or bowre Bacchus, that first from out the purple grape crush't the sweet poyson of mis-used wine after the Tuscaine mariners transform'd IO º º º #º - * * * * ºrº º, , , ºf ºilº º - *, * *** * - - - 2. ºº º 1% ºf L /* º 7. **º º º Pº - - º º º ºnalia º *34 - nº ºf º º º, º /* º * * º º 3%. º º, * * * º, º ** Pº * ***/ */ * */ º º £º º º: º 47 Yºº º y cº º'. 22, º *** **** * º £2% - ſ" ºg ſ ºut ſº º 72°º º º 4 º żºrº º *** ** - -ºº ºf aſ ºvº º º - - ſº º ** * *4% º º - alº 3. º: ** 34* * * * º A. º % * º: ſº º º º º Tºº-ºº: cº- º, /. º º fººt. -- T. - ** *}. ºl ſº + a "7" º: "º - º, º.º.º. - - - A. - A - **** * º *** re 7 , *4.3 72 - ** * */ ñº. º*/ _ſ. ------ - sº ºwner-ºº ºf fººdºº wº, # *. “: Jºº ºreº 3% º: º - º: - - _º d º y º º “a d Lºº hº jº * - . . . .”. º, a * ***** 59 ºf ºf ºrºž. - - - ºr - ** *4 º' **** - - 1 at º * º 3% ºf ºr +4 - - **ſ Pººr ºf º: * fºr º ºf - - - -º º-º-º: Žº rººt * * - - - - * º ** * º £ - y & -ºws º º sº/* ... º- - *7 º ºn ºff-ºff * *** * * * - 73*. º º fo 44% 2 2. ºwſ º **** . - - *137 º *** * # *% º - **ºgeia º & 24 aa. º - - - - - - - - - Pºº. * - º ºccº º * . º, ºgº ** **1ſº *he º | ` - jºbºe; ºº pº’ſº by ſº - - nºſ **** * * mº #3 ºn, ******3–34 tº - º *. 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Advice Coasting the Tyrrhene shore, as ye winds listed on Circe's Island fell, (who knows not Circe the Daughter of ye sun, whose charmed cup whoever tasted lost his upright shape & downeward fell into a groveling swine) this nymph that gaz'd upon his clustring locks wth ivie berries wreath'd, & his blith youth had by him ere he parted thence, a son much like his father, but his mother more wºn therfore she brought up, and nam'd him Comus nam'd whome who ripe & frolick of his full growne age *- roaving the Celtick, & Iberian feilds at last betaks him to this ominous wood & in thick “covert of black shade imbour'd “shelter mightie - excells his mother at her potent art offring to every wearie travailer his orient like liquor in a crystall glasse to quench the drouth of Phoebus, weh as they tast fond - (for most doe tast through , weake intemperate thirst) Soone as the potions works thire humaine countnance th' expresse resemblance of o' the gods is chang'd into some brutish forme of wolfe or beare or Ounce, or tiger, hog, or bearded goate all other pts remaining as before they were and they, so pfect is thire miserie not once pceave thire foule disfiguriment but boast themselves more comely then before & all thire freinds & native home forget to roule wth pleasure in a sensuall stie therfore when any favour'd of high Jove chances to passe through this advent'urous glade swift as the sparkle of a glauncing starre I shoote from heaven to give him safe convoy as now I doe, but first I must put off these my sky robes spun out of Iris woofe and take yº weeds and liknesse of a swayne that to the service of this house belongs who wºn his soft pipe & smoth dittied song well knows to still the wild winds when they roare & hush the waving woods, nor of lesse faith and in this office of his mountaine watch the neerest & likliest to give praesent aide chance aide of this occasion, but I heare the tread hatefull - - of wirgin steps I must be veiwlesse now. Exit goes out wth a charming rod & glasse of liquor Comus enters, with his rout all headed like some wild beasts thire come on in garments some like mens & some like womens they begin a wild & humorous antick fashion intrant kopičovres. The starre that bids ye shepheard fold now the top of heav'n doth hold and the gilded carre of day his glowing axle doth allay X in the steepe Tartessian streame “Atlantick & the slope sun his upward beame shoots against the *northren pole *dusky pacing toward the other goale of his chamber in the east meane while welcome Joy & feast midnight shout & revelry tipsie dance & jollity braid yor locks with rosie twine dropping odours, dropping wine Rigor now is gon to bed & mice tom wºn her scrupulous head I I - - º - - º º º - º: º ºy º º 7: º, º ºf º ºwne, º*/ º ***** */ 3º4 cº, # * * */ ** º - - - Fº º 3.44% º rºº tºº * 2 * ſº 2 . */sº ** -ºut tº ºys & Lºyººſ fº - º: %. 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"Yºy ſ u tº 1 tº º Tº ":" " "," - - - II in of Strict age, & Sowre severity w” thire grave saws in slumber lie wee that are of purer fire imitate the starrie quire who, in thire nightly watchfull spheares lead wº swift round the months & yeares the sounds & seas wºh all thire finnie drove. now to the moone in wavering morrice move *tawnie and on the yellow sands & shelves *tawnie trip the pert fayries, & the dapper elves. by dimpled brooke & fountayne brim . the wood nymphs deck’t wºn daysies trim thire merrie wakes & pastimes keepe what hath night to doe wºn sleepe night has better sweets to prove Venus now wakes, & wakens Love Come let us our rights begin tis only daylight that makes sin wºn these dun shades will ne're report Haile goddesse of nocturnall sport Dark-vaild Cotytto, to whome the secret flame of midnight torches burnes, mysterious Dame that neere art call’d but when the dragon womb of Stygian darknesse spitts her thickest gloºme “and makes one blot and makes a blot of nature and throws a blof , of all ye aire clowdie stay thy polishi ebon chaire - (& befreind • In One 69 wherin thou ridst ridst wºh Hecate, till all thy dues bee don & nought left out & favour our close revelrie jocondrie ere the blabbing eastreane Scout us thy vow’d preists till utmost end the nice morne on th’ Indian steepe from her cabin'd loopehole peepe and to ye telltale sun discry our conceal’d sollemnity Come knit hands, & beate ye ground in Comus, w” a light & frolick fantastick round the measure (in a wild rude & wanton antick) Breake off, breake off, I heare feele the different pace of some chast footing neere about this ground - some virgin sure benighted in these 2000ds for so I can distinguish by myne art run to yor shrouds whin these braks & trees they all scatter our number may affright. Some virgin sure (for so I can distinguish by myne art) benighted in these woods; now to my traines charmes & to my mothers charmes wilie trains, I shall ere long be well stock’t wºh as faire a heard as graz'd about my mother Circe -thus I hurle dazling my powder'd spells in to the Spungie aire //ind Xbleare. of power to cheate the eye wºn A^sleight, illusion lest * and give it false praesentments, else the place and my quaint habits breed astonishment and put the damsell to suspicious flight weh must not be, for thats against my course I under faire praetence of freindly ends and well-plac’t words of glozing courtesie baited with reasons not unplausible wind me into the easie hearted man SI) areS - & hugge him into A nets, when once her eye hath met the vertue of this magick dust I shall appeare some harmelesse villager whome thrift keeps up about his countrie geare thirst but heere she comes I fairly step aside & hearken, if I may, her buisnesse heere. the Ladie enters this way the noise was, if my eare be true best my, guide now, me thought it was the sound of riot, & ill manag'd merriment I 2 º º nº º ſº. º - º - º - -- º - - - º º º º º -º-º: ºº -º º º º - - - ºr . º º -> ºy º º * * * ºl. º *** º *** **** º º - º * * * º, ºs - ºf º, - * * * - - .. - - ºº º º * * ºf º * ** º - - º * * ºr. º º º - º, º ºn sº *, *. **rºyº aſ ºf , º º ** ſº º: 1. - - - */ £º. º **** * - - º º - ſº - ºf ºººººººººº. º ºr - ſº ſº. - ºw, º º :... º """ * 7"> ºu *%. . . ſº º :: - - ** woº ----- º º º º º - º; *24ſ - tº sº; º * * * * *** gº tº ºr tº rººs ºjº, ſº - º, y, º, . º - º */ º ºve º º º * º º +* º, º: , ºf ºtº º ***P* }, */º º 22 ſº -/*q. 74°0'ſ Wººd ſo 3%; º º: º wº ſº. * º *7. ºw º Pºgº ºf gº *4. - - ...? º º º * ** º 2/ º *** **, *. *** Pºº, º ** º7. }*/ º - * º: º 3. º 3% º - **** º **** ". . . . - º º: * º: ...”. º */º º ºº ºº z I such as the jocond flute or gamesome pipe when granges stirrs up amoungst the loose unletter'd hinds ºf e gar, ners full adore > when for thire teeming flocks, & in wanton dance they, praise the bounteous Pan & thanke the gods amisse, I should be loath to meet the rudenesse & Swill'd insolence of such late wassailers yet Oh where else II]27,6S tangled shall I informe my unacquainted feete in the blind , alleys of these this arched wood . my brothers when they saw me wearied out wºn this long way resolving heere to lodge under the spredding favour of these pines : stept, as they sed, to the next thicket side to bring me berries, or such cooling fruit as the kind hospitable woods provide A they left me then, when the gray-hoodded evºn like a sad votarist in palmers weeds rose from the hindmost weeles of Phoebus chaire waine but where they are and why they come. not back is now the labour of my thoughts, tiz likliest wandring they had ingadg’d thire youth/y steps too farre to the soone parting light and envious darknesse ere they could returne had stolne them from me; else O theevish night why shouldst thou, but for some fellonious end in thy darke lanterne thus close up the starres that nature hung in heaven & fill'd thire lamps wth ever lasting oyle to give “thire light “due to the misled & lonely travailer . this is, place as well as I may guesse whence even now the tumult of loud mirth was rife & perfect in my listening eare yet nought but single darknesse doe I find what might this be? a thousand fantasies begin to throng into my memorie of calling shaps, & beckning shadows dire and ayrie toungs ‘that lure night wanderers “that syllable mens nams on Sands, & Shoars, & desert wildernesses. these thoughts may startle well, but not astound the vertuous mind, that ever walks attended by a strong siding champion conscience O welcome pure-eyd Faith, white-handed Hope thou “flittering angell girt wºn golden wings "hov'ring and thou “unspotted forme of chastity *unblemish’t I see yee visibly, & while I see yee Žhis dusky hollow is a Zaradise * & - & heaven gaſes ore my head) now / beleeve that "the supreme good to whome all things ill are but as slavish officers of vengeance would send a glistring “cherub if need were *guardian to keepe my life, & honour unassaild. was I deceav'd, or did a sable cloud turne forth her silver lining on the night I did not 'erre, there dos a sable cloud turne forth her silver lining on the night & casts a gleame over this tufted grove I cannot hallow to my brothers, but such noise as I can make to be heard fardest Ile venter, for my new-enliv'nd spirits prompt me & they phapps are not farre hence Song. Sweet Eccho sweetest nymph that liv'st unseene within thy ayrie “shell *Cell slow - - by . Maeanders margent greene ^slow and in the violet-imbroider'd vale where the love-lorne nightingale nightly to thee her sad song mourneth well I3 - * -- --- N | - º -- - - - - - got yº” ºr 7 ºr ºf 33}+ or Mºyºla | 7. **** ***1-3cº * 343) 17 | f *. ...'... ºf tº ºw - 3. *wsºkºrºšº waſ $43?” Aſ $4 j?? *]; % *...* ***** ºf ”- {{*} r fº . ** * **S - | "..) - * * -- º **r wº †vº ºwto *yd rºyº - ºw. +ſaa47 ºrº ºf ºº ... jºrº, º ºr ºf . º. º. - 2, 3,1242 º *** *** * **, * - *: *Y* * **** **, ºr *: *** *w- | £57? 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( **** * * > - - **** *#7 ºn ** Bºy. º J. *4. * º *::::::::: - º #ſº º** º º * - - - - - --- - - - - - ----- - £1 - And Co. and Canst thou not tell me of a gentle paire that likest thy Narcissus are P Oh if thou have hid them in some flowrie cave tell me but where Sweet Queene of parlie, daughter of the spheare So mast maist thou be translated to the skies Żołd a counterpoint *to all heavns harmonies “and give resounding grace Comus enters, looks in and speaks can any mortall mixture of earths mould breath such divine enchaºnting ravishment Sure Somthing holy lodges in that brest and with these raptures moves the vocall aire to testifie his hidden residence how sweetly did they flote upon the wings of silence, through the empty vaulted night at every fall smoothing the raven downe of darknesse till she smil'd, I have oft heard sitting my mother Circe with the Sirens three Aamidst the flowrie-kirtle'd Naiads who as they sung would take the prison'd soule potent - & lap it in Elizium, Scylla would zweepe wept culling thire £otent hearbs, & balefull druggs and chide her barking waves into attention (powerful!) and fell Charybdis murmur’d soft applause myghty yet they in pleasing slumber lull'd the sense and in sweet madnesse rob’d it of it selfe but such a sacred, & home felt delight such sober certainty of waking blisse I never heard till now. Ile speake to her * and she shall be my queene. Haile forreine wonder certaine whome, these rough shades did never breed unlesse the goddesse that in rurall shrine ^liz’s; heere wth Pan or Silvan, by blest song ^dwell'st forbidding every bleake unkindly fogge to touch the ‘prospering growth of this tall wood “prosperous Ladie Nay gentle shepheard ill is lost that praise t that is addrest to unattending eares not any boast of skill, but extreme shift how to regaine my sever'd companie * compell'd me to awake the courteous Echo to give me answere to give me from her mossie couſch what chance good La, hath bereft you thus dim darknesse, & this leavie labyrinth neere Could that divide you from thire ushering hands guids they left me wearied on a grassie terſe * by falshood, or discourtesie or why - \ coole to seeke i'th valley some , freindly spring. . and left yor faire side all unguarded Ladie they were but twaine, & purpos'd quick returne phapps fore stalling night praevented them how easie my misfortune is to hit * imports thire losse beside the praesent need no lesse then then if I should my brothers loose were they of manly prime, or youthfull biºme as smooth as Hebe's thire unrazor'd lipps. such tow I saw what tyme the labour'd oxe in his loose traces from the furrow came & the swinck’t hedger at his supper sate I saw’ em under a greene mantling vine that crawls along the side of yon smal hill plucking ripe clusters from ye tender shoots thire port was more then humaine as they stood I tooke it for a faerie vision of some gay creatures of the element that in the colours of ye rainbow live & play ith plighted clowds, I was aw strooke & as I past, I worshipt, if those you seeke it were a journy like the path to heav'n La to helpe you find them out. 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I know each lane, & every alley greene dingle, or bushie dell of this “wide wood wild & every bosky boséy bosky bourne from side, to side my dayly walks, & ancient nighbour neighbourhood and if yo' stray attendance be yet lodg’d €d within tº c * w or shroud, wººin these limits I shall know I shall know ^shroudie ere the larke rowse rowse ere morrow wake or the low-roosted Larke from her thetch’t rowse palate rowse, if otherwise pallat I can conduct you Ladie to a low but loyall cottage, where you may be safe till furder quest be made La. Shepheard I take thy word & trust thy honest offer'd courtesie wºn oft is sooner found in lowly sheds with & Smoakie rafters, then in tapstrie halls & Courts of princes º where it first was nam'd & is praefended yet yet is most praetended. in a place lesse warrante'd then this / cannot be or lesse secure I cannot be, that I should feare to change it my eye eye me blest providence, & square, this tryall to my proportion'd strength, shepheard lead on. Exeunt the tow brothers enter I bro. unmuffle ye faint starres, & thou faire M moone that wond'st wont'st to love the travailers benizon stoope thy pale visage through an amber cloud and disinherit Chaos, that raignes heere in double night of darknesse & of shades. or if yor influence be quite dam’d up wºn black usurping mists, some gentle taper though a rush candle from the wicker hole of Some clay habitation visit us thy wth, a long levell'd rule of streaming light and thou shalt be our starre of Arcadie or Tyrian Cynosure. 2 bro. or if our eyes be barr'd that happinesse, might wee but heare - thire the folded flocks pen'd in , watled cotes cotes or sound of pastorall reed with oaten stopps or wistle whistle from ye lodge, or village cock count the night watches to his featherie dames t’would be some solace yet, some little cheering this sad close - in , ſome, dungeon of innumerous bowes. ead the *but oh that haplesse vergin our lost sister - wander • per over where may she, now, whether betake her (amoungst rude burrs & thistles £happs some cold hard banke gainst from the chill dew in this dead solitude surrounding wilde “N perhaps some cold bank is 1 stead of £happs some cold Öancke is her boulster now do or gainst the rugged barke of some broad elme (fraught wºn sad feares Wne she leans her thoughtfull head musing at our unkindnesse unpillow'd head frate happs Söe what if old banke is or else in wild amazment, and affright so fares as did forsaken Prose??ine - rowſing when the big, wallowing fakes of pitchie clowds & darknesse woºnd her in. I Bro. Peace brother peace I doe not thinke my sister so to seeke or so unprincipl’d in vertues booke and the sweet peace yt goodnesse bosomes ever Want as that the single, of light & noise (not beeing in danger, as I trust she is n could stirre the steadie constant mood of her calme thoughts & put them into misbecomming plight I 5 w. ...sº / - ... z. 4/4. - T. º, - . - - - - - - - - - - toº. & nº ºk a sea. ...? ź: tº . & % *::::: *** * 6 */º. 3. º - º Ží; ºf 4 cº- º Ž ſºng ºn :/". º *:::::: #3 ºf & ſºlº 2. - tº: , ; *…*, £º hºrrºw wake, or #: tº reefºl 22.4% ** **** **wæ, ºf º ------ yev ſalººze a tº º Aa (€46 5. Co Avrº 6 º' **34. &º. Zººg #24. A 2.5- §ºº º ºgº, . 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S 2 Bro. tis most true himselfe is his owne that musing meditation most affects - + dungeon the pensive secrecie of desert cell farre from the cheºrfull haunt of men, or heards and sits as safe as in a Senate house weeds for who would rob a Hermit of his beads gowne beads few or beads A his, books, his Ahairie gozone, or maple dish or doe his gray hairs any violence but beautie like the faire Hesperian tree laden wth blooming gold had need the guard of dragon watch wºn uninchaunted eye to save her blossoms & defend her frºte fruite from ye rash hand of bold incontinence. you may as well spread out the unsun'd heapes of misers treasure by an outlaws den and tell me it is safe, as bid me thinke hope danger will winke on opportunity and let a single helplesse mayden passe uninjur’d £h in this wast, & Aideous wild wide surrounding wast. of night, or lonlinesse it recks not me I feare the dread events that dog them both lest some ill greeting touch attempt the pson of our unowned sister. I Bro: I doe not brother inferre, as if I thought my sisters state secure, wºout all doubt or question, no besh'ew me but I would I could be willing though now i'th darke to trie encounter a tough, passado wºn the shaggiest ruffian that lurks by hedge or lane of this dead circuit to have her by my side, though I were sure she might be free from perill where she is but where an equall poise of hopes & feares dos arbitrate the event my nature is that I incline to hope, rather then feare and gladly banish squint suspition suspicion my sister is not so defencelesse left as you imagine brother she has a hidden strength bu weh you remember not 2 bro. what hidden strenth wh unlesse the strength of heaven if you meane that fr I bro. I meane that too, but yet a hidden stren,th p wch, if heaven gave it, may be term'd her owne O tis chastitie, my brother, chastitie l she that has that is clad in compleate steele 2.É. (keene w &s may (, on any needful! accident and like a quivérd nymph with arrows don £72 - or may be if not in pride or wilfull tempting) Arasumption) trace . - - o may, walke through huge forrests, & unharbour'd heaths I infamous hills, & pe Sandie perilous wilds rays tº gº t where through the sacred aw” of chastitie *rays no salvage feirce, bandite, or mountaneere will sha/Z dare to soile her virgin puritie yea even where very desolation dwells by grots, and cavern's shag'd wºn horrid shads & yawning dens where g/aring monsters house she may passe on wth unblensh't majestie majestie bee it not don in pride or in præsumption I6 ºr dº sºud *- - º rºa º º - t º º - - -- - Iº- **** *** * *3 D 2 ‘gelº ſ - º **** “ºff”; º º: * Mºs 43, º w . - ***** - ſ 34–42-y 3/12 *7 ** ** - 2 ***** ****iºcº (39.4/ £. 5 sº }^ ºf - --- i. - ſº- º (. º ºº, a ***** **** *** * 3% ºr - - - tº gº. 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(phy 2 Bro. how charming is divine philoso Hallow within not harsh, & crabbed as dull fooles suppose but musicall as is Apollo's lute and a ppetuall feast of nectar'd sweets (I hearºd where no crude surfeit reigns. I Brother, list bro. list, me thought some farre-of hallow breake the silent aire hallow farre off 2 Bro. mee thought so too, what should it be. I Bro. for certaine either either some one like us night founder'd heere or else some neighbour woodman, or at worst hedge Some N9áving some curl’d, man of ye swoord calling to his fellows robb 2 Bro. heav'n keepe my sister, yet agen, agen & neere. Z Bro. best draw, & stand upon our guard, I Bro. Ile hallow if he be freindly he comes well, if not a just Defence is a 24 scratch he may chance, had best looke to his forehead, heere be brambles defence is a good cause & heav'n be for us he hallows hallo the guardian Daemon hallows agen & enters in the habit of shepheard you - that hallow, I should know, what are speake IrO11 Come not too neere, you fall on, pointed stakes else Dae. what voice is that? my yong lord? speake agen 2 Bro: Oh, brother tis my fathers shepheard sure 17 - - ºn ºf rºsyº ºne, ** { - - - wººe ºds ; ºr, Cº. / 3 º ºf 242 Yº 244 & *1 *** * * _ sºn ſº 5 ºteſ: 2. lººsa, *** * *Q, - * jº ºº:: º yº-º/ Cº. - - $fºreſ.”. ºw ºwn 2 º,” ºak, Yº: º **{5 *** --- º ºr ſº 3 *Y*}} - wºvº º + ******** * - º 2 º, ºl. - *** **g 7 º - - - 7.4/º *}}*g **Mºy ſºlº. º - *y ºft "… -*. - A T. º # * * * º: *Y* 2 / ZZ ſº * pºss 2 ..., º ż ż-yº...!. % ºº: º: */ º - *77°/*3.5 ºu º Aº º º Z}. º: º - - **** *** * * * £. - . º - - - - 3. o º *º º *r ºrº ſ ſº º: * * * ºf... */ * *% mºſ **wa. º ºf ,- *Č ºf - º 2 - 6% * º wº P. 72 sº - - º º * * * * *-ºſ.º.º. : "º ...'. - * * * * * * * * ſº º #ſo º - *** - */ ºr "fºº tº º Aº’. 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Thyrsis? whose artfull streines have oft delay'd the huddling brooke to heare his madrigall and sweetned every muskrose of the valley dale how cam'st thou heere good shepheard, hath any ramme from his fold or e leapf ore, the penne young ki kid lost his damme or straggling weather hath the pen't flock flock forsook? how couldst thou find this darke sequeste'rd nooke Dae. O my lov'd maisters heire, & his next joy I came not heere on such a triviall toy as a stray'd ewe, or to psue the stealth of pilfering wolfe, not all the fleecie wealth that doth enrich these downs is worth a thought to this my errand, & the care it brought but oh my virgin Ladie where is she how chance she is not in yor companie I Bro. to tell thee sadly shepheard; whout blame or our neglect wee lost her as wee came Sheph, ay me unhappie then my fears are true - I bro. what feares, good “shep. preethee breiſly shew "Thyrsis Sheff, Ile tell you. Tis not vaine or fabulous (though so esteem'd by shallow ignorance) what the Sage poets, taught by th’ heav'nly Muse storied of old in high immortall verse of dire chimaera's and inchaunted Isles & rifted rocks whose entrance leads to hell. for such there be, but unbeleife is blind immur'd in cipresse shades a sorcerer dwells of Bacchus & of Circe borne, great Comus emur'd in all his mothers witcheries and heere to every thirstie wanderer by sly enticement gives his banefull cup wth many murmurs mixt, whose pleasing poison the visage quite transforms of him y drinks and *the inglorious likenesse of a beast ^makes unmoulding reasons mintage characterd in the face this have I learnt • ... hillie crofts tending my flocks hard by i'th, pastur'd, lawns that brows this bottome glade whence night by night he & his monstrous rout are heard to howle like stabl’d wolvs, or tigers at thire prey doing abhorred rites to Hecate in thire obscured haunts of inmost bowers yet have they they many baits, & gi/ guilefull spells to' inveigle & invite th' unwarie spell sense of them yt passe unweeting by the way. this evening late by then the chewing flocks had tane thire supper on the savourie herbe of knot grasse dew besprent, and were in fold I sate me downe to watch, upon a banke with ivie canopied, & interwove blowing - blowing wth, suckling” honiesuckle, & began ºftaunting “flaunting to meditate my rurall minstrelsie - wrapt in a pleasing fit of melancholy till fancie had her fill, but ereºfhe close the wonted roare was up amidst the woods and fill'd the aire wth barbarous dissonance at web I cease'd, & listen; them awhile till an unusuall stop of suddaine silence gave respit to the drousie flighted steeds that draw the litter of close-curtain'd sleepe ×sfj// soft” º - At last a soft, & sollemne breathing sound “sweet "soft X a. 3/oze, rose like, the softe steame of Adistill'd pfumes “slow rich and stole upon the aire, that even silence was tooke ere she was ware, & wish't she might deny her nature & be never more still to be;9displact, I was all eare I8 - --- --- - C. * ſº, ſº * hºw greeA3 tº Asaº & 2x2) - . ***cºa Cºº *{{res: ºf 4. f à-l. , ſº * - + £e- º º ºl. - º **** ºt -* A º: * , # 4, 2aº. 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'º Je; {...} •y ***ſ 2 º: Prº f at: * **** **** * £2^ 3, Žº £ºwſ . ** º £ver f º yº º: - 7 ****** ***Q fºya 3% an º ** ****** r” * * *7° º - lº - - - - -- - - --- -- --- --- - 61 wntrev6ès and first behold this cordiall julep heere yº flams & dances in his crystall bounds wth spirits of baulme, & fragrant syrops mixt not that Nepenthes wºn the wife of Thone in Ægypt gave to Jove borne Helena is of such power to stirre up joy as this to life so freindly or so coole to thirst foore ladie Zhou hast need of some refreshing have . . . that Ahast bin tir'd all day whout repast * º have but . tº e & timely rest hast wanted, heere faire virgin after - A . º La, t'will not false traitor this will restore all soone. t’will not restore the truth & honestie why should you be so cruell to yor ſ selfe, and to those daintie lims won nature lent for gentle usage, and soft delicacie, but you invert the cov'nants of her trust, and harshly deale like an ill borrower wth that weh you receav'd on other terms scorning the unexempt condition by weh all that thou hast banisht from thy tour gue wth lies was this the cottage & the safe abode thou toldst me of P what grim aspects are these these ougly headed monsters? Hence wih thy hel brewd hast thou betrayd my credulous wth visor'd falshood & base forgeries and wouldst thou seeke againe to wth lickerish baites fit to ensnare were it a draft for Juno when I would not she taste thy treasonous offer, mercie guard me ! opiate foule innocence trap me heere mortall frailtie must subsist refreshment after toile, ease paine, that have bin tir’d &c. brud brewd enchauntments foule deceaver brute P banquets 11OIle but such as are good men can give good things and that wºn is not good is not delicious to a well govern'd, & wise appetite Co. O foolishnesse of men &c. 2O *****B.: : Aºſt 4.4/4. •ºut /º and 4% Hazz 22.4% 4%; ºf “ ºf 3a. kº &yºlaſ, i.e.: - 4. ſº- *…*, - ºf. ...: #. jº ". f ...ſº ** f**śńſ Aar ne-4%at Nºrthº tºº ſk: Fº %. - % avº º 2&elº lººk … * */ p!-3 kts. A /2 tº £arc ºff a. - º ºzºº ºf }*a*. 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C 2 l: - - º - - - - Zº- k - ~ / -- d. - - as a º - - - ºr-Too ºaº ... - *4, *%- * º - $4.9 t *: *f, *. teach º: ye *** *** a 4 ×eºſ ºf , aſsétº *...** ‘.....” **** * º º **4%p- a 4-4-4 º A ºr ººzlº ºf fºur kg peº *a*-*****, *k-42.ɺf 242.] a T ºf arbye ºf Zºº º: +ve- Tº 4,4 #4442. -* **** ſ º 2wº, #2 º º-ºº: deº ºrreº fºrº se: kºº ſº. º 4. 4. ºr - #at º: +a is tº - *ſ. º *.ſ. - º ſº º: ºº: º º .. º 4. º f £5% - +. º - wn -> - - - - - 47 % feeſ;º . º ! ſ 2.3% Kºº.424 -* *:: (“ ” º 4: º #e y 4 tº Meekers º r 5 Parks: 14 * * 7. ſtºck º: c - .." t º * - | 6′14 % C -- 3 º ſº 9 @ 9 aſºn *cº 2. - - Fº 3% ºfeº.º. º. f*** - * - - vººk - |-- - º º º º, º #l As - * -T- ſº *** **** * 4. all * Pleaste **t ſka are-, * ** *** wºrks ºntº aſ spºnt ºvernº . , - - *A*- º º f *...º.º.º. - **, sºaſºn. arriºrºwº- - - º: ??…" ſey: * £ºw ºf - º **tſºa'ſ gº ºf aew - - º, , , £kº & *...* ºf Hººpºes 3% º - ºzº. * j, ºf - - º ºr * . -- 4 or ºt º: ºtkº, a w *% ºr º wºº ºf ºpra ºl º, yº /*k, exº diſpºſº º ºtº:º ºrº ; º º - º ºf 2 I ..fhou folds; who would be quite surcharg'd wth her owne waight (dark’t wºh plumes and strangl'd wºn her wast fertilitie th’ earth cumber'd & the wing'd aire. the heards would over multitude thire Lords - swell Sea. the sea orefraught the ore orefraught would heave her waters up above the shoare and th’ unsought diamonds would so be studde the center wºº thire starrelight would - deepe were they not taken thence that they below Nahdaso emblaze the forhead of ye * - - - - light and so bestudde wºh starres yt they below would grow enur'd to air & come at last to gaze upon the sun wth shamelesse browes - nor and list Ladie be not coy, nor be not cozen’d with that same vaunted name virginity beautie is natures coine must not be hoorded but must be curºn, & the good therof consists in mutuall & partaken blisse unsavoury in th’ enjoyment of it selfe if you let slip tyme, like (an) neglected rose it withers on the stalke & fades away with languish't head beautie is natures brag & must be shewne in courts, at feasts, on high sollemnities where most may wonder at the workmanship. it is for homely features to keepe home from * they had thire name, thence, coarse beetle bro brows complexions and cheeks of sorrie graine will serve to ply the sample, or to teize the huswifes wooll what need a vermeil tinctur'd lip for that love-darting eyes, or tresses like the morne there was a nother meaning in these guifts & be advis'd, you are but young yet thinke what, X&º looke upon this cordia/Z juleft that flames & dances in his ch crystall bounds w” spirits of balme & fragrant syrops mixt not that nepenthes wºº the wife of Thán in Ægypt gave to Joze borne Helena is of such power to stirre up joy as this to life freindly so, or so coole to thirst 2 I hence wºº thy hel bru'd liquor lest / throw it against ye ground were it a draft &c foore Zadie thou hast need of some refreshing that hast bin fir’d all day wºotd repast & timely rest hast wanted heere sweet /adie faire virgin this will restore all soone La stand back false traitor thou can's; not touch the freedome of my mynd w” all thy charmes although this corporall rind thou hast immanac'd, zwhile heaven sees good was this the cottage, & the safe abode - what grim aspects are these ? (mercie guard me me of? Ougly these ougly headed monsters | amoung's; these A mus!'d monsters, mercie guard me A Aozº, have / bin betra?’d O my simplicity what sights are these ? wº darke disguises bruage deluded &" soothing flatteries zwhether La. and soothing lies, & soothing flatteries. hence wºº thy teacherous kindnesse fa/shood - | bru’d sorcerie 2 thou man of lies & falshood fraud, if thou give me it I throw * on the ground, were it a draft for Juno should reject A hate it from thy hands treasonous offer, none but such as are good men can give good things I had not thought to have unlockt my lips in this unhallowd aire, but that this juggler would thinke to charme my judgement as mye eyes obtruding false rules pranck’t in reasons garbe I hate when vice can boult her arguments and vertue has no tongue to check her pride not impostor doe, charge most innocent nature would . as if she ment her children should be riotous with her abundance, The good Cateresse intends means her provision only to the good that live according to her sober laws and holie dictate of spare temperance if every just man that now pines wºn want had but a moderate & beseeming share 22 $ ----- - zz *** *** **** ****peº ºr - --yº º º **w-rººf ...” ºf ſº. ºf | - - - - *** *** 3rº ºjº: "º || || ;3°] ºf 23 ºx ºf *P*** ** -**{{ * º fºr tº - * - ººcººn - - - º * tºº ſº º lº-fi, ſº , ººº-ºº-ºººº sº. ºw, fºllº.º.º.º.º.º. ºs s - sº , i. ** *y-mºy ºzºzºw, yº." - 39 & woº º |- - *:::: fº º: º - - . * td. * ** * sºiasº - - - -- - ºfflºº - - - |- - º º - *… - - - - , , -- - º º: ºf - “”. ** * 2s re. ...ſº º º ". % *%. ºath Žº 3 ***, v */****/º/” º ºw -- º - 7% # º - - * - T º º ** 34.458 ſhot sºa5 J - **}^*/ 2 5 wº *y %* *::::: ©º/ ºAy ºº, % º/ 374 º ºal. 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Come y’are too moral/ your morall stuffe fi/fed this is meere moral/ stuffe the very lees this meere moral bable, & direct ^ against the canon laws of our foundation * I must not suffer this, yet tis but the lees but this will cure all streite, one sip of this and setlings of a melancholy blood will bath the drooping spirits in delight ye blisse gº beyond, of dreames, be wise & tast. & setlings of a melancholy blood the brothers rush in strike his glasse downe the monsters shapes make as though they would resist but are all driven in. Daemon enter wth them Dae. what have you let the false enchaunter spasse scape? oh yee mistooke, yee should have snatch’t his wand rod & bound him fast;-yhout his Aart revers’t and backward mutters of dissevering power wee cannot free the La. that remaines heere sits in stonie fetters fixt & motionlesse. yet stay, be not disturb’d, now I bethinke me Some other meanes I have bearing the there is another zway that may be us'd weh once of Melibaeus old I learnt the soothest shepheard that e're pip't on plaines there is a gentle nymph not farre from hence that wºh moist curbe swaies the smooth Severne streame Sabrina is her name a virgin goddesse chast pure whilome she was the daughter of Locrine that had the scepter from his father Brute she guiltlesse damsell flying the mad psuite of her enraged stepdame Guendolen commended her faire innocence to the floud º streame floud that stayd her flight wºn his crosse flowing course the waternymphs that in the bottome playd pearled & carie take took held up thire white wrists to receave, her in straite and bore her, to aged Nereus hall who piteous of her woes, rear'd her lanck head and gave her to his daughters to imbath in nectar'd lavers strew’d wºn Asphodil and through the porch & inlet of each sence dropt in ambrosiall oyles till she reviv'd and underwent a quick immortall change made goddesse of the river, still she retaines her maiden gentlenesse, and oft at eve visits the heards along the twilight meadows helping all urchin blasts, & ill luck signes that the shrewd medling Elfe delights to leave makes wth e and often takes our cattell wº strange pinches which she wth precious viold liquors heales for weh the shepheards at thire festivals carroll her goodnesse loud in lovely layes *rustick l and throw sweet garland wreaths into her streame - pinks & of pancies A &º of bonnie daffadils ^gaudie and as the old swaine sed, she can unlock thaw the each clasping chaºme & secret holding spell, melt each numing spell if she be right invok’t in warbled song for maidenhood she loves & will be swift aide to , a virgin such as was her selfe in honourd vertues cause, this will I trie “in hard distressed need power t X and adde the power call of some strong verse adjuring 23 £z - -- -º- - - --- º - - -º-º-º- ºg fºr º r º: - - - - - * *ºr ſº)-; 2 r" ºr ºf ſº, ºffº !”. 5. */4 ſ: §" Avº wº - pºſs ºr: º ºf: ... - ſ /º *** w wº *% pºs $º º - - 2. *ºry 31}+ - º: **{}- *: : º £ºw tº Yº sº; º º * -Anº 7** º'. #: - - f **** -*- 7 - *4 ** 21 993.” Peo & wº *ALatrº ºf:4. *.*, r* **, 3. ſix y? * - *** º º 17-34 *...? •7 B. y” ºr | - - ,9% iſ 3 ***** £2.51. º. º. - . . . . . ſº. * - 9 * ... sºu º º *::. º **** º | - - - º F.T.: y; --> - - - %. 37.3% #% & 2 . 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Pºw */ ** rº fº l - Song Sabrina faire Listen virgin where thou sit’sf art sitting under the glassie coole translucent wave in twisted braids of lillies knitting the loose #’aine traine of thy amber-dropping haire listen for deare honours sake Goddesse of the silver lake Listen and save Listen and appeare to us to be said in name of great Oceanus –by th' earth shaking neptunes mace by Leucothea's lovely hands and Tethys grave majestick pace & her son that rules the strands by hoarie Nereus wrinced wrincled looke by Thetis tinsel-slipper'd f and the Carpathian wizards hooke y etIS tinSel-S pper eet by scaly Tritons winding shell __and the songs of Sirens sweet and old sooth-saying Glaucus spell by dead Parthenbpe's deare tomb by Leucotheas &c and faire Ligéas gºlden combe wherewth she sits 6n diamond rocks sleeking her soft/ alluring locks > by all the nymphs that nightly dance rise rise & heave thy rosie head upon thy streams wºn wilie glance from thy corall-paven bed and bridle in thy headlong wave till thou our summons answerd have Listen & save Sabrina rises attended wºn the water nymphs Sings | f By the rushie-fringed banck where grows the willow, & the osier danck my sliding chariot stayes thick set wºn Agat, and the azurne she?ne of turquis turkis blew, & emnald emrauld greene that my rich wheeles inlayes that in the channell straies Whilst from off the waters fleet thus I set my printlesse feet ore the couslips velvet head In Ot that bends , as I tread Gentle swaine at thy behe request I am heere - Dae. Goddesse deere wee implore thy powerfull hand to undoe the mag charmed band of true virgin heere distres’t through the force, & through the wile of unblest enchanter vile. Sa. Shepheard tis my office best to helpe ensnared chastitie werfuous Brightest ladie looke on me thus I sprinckle on thy bºest drops that from my fountaine pure I have kept of precious cure thrice upon thy fingers tip thrice upon thy rubied lip next this marble venom'd seate smear'd wºn gumms of glutenous heate I touch wºn chast palmes moist & cold Sabrina descends now the spell hath lost his hold —the ladie rises out and I must hast ere morning howre of her seate To waite in Amphitrites in her bowre Dae, Virgin daughter of Locrine sprung of old Anchises line 24 - - * ****q → ç. . ººl --- ºw; ; *** * *A jº. 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Song ends Come Ladie while heav'n lends us grace let us fly this cursed place lest the sorcerer us intice wth some other new device not a wast or needlesse sound till wee come to holyer ground I shall be yor faithfull guide through this gloomie covert wide and not many furlongs thence is yor fathers residence Imet where this night are come in state many a freind to gratulate his wish't praesence, & beside all the Swayns that neere abide w" Jiggs & rurall dance resort wee shall catch them at thire sport and our suddaine comming there will double all thire mirth & cheere come let us hast the starres “are high grow But night raigmes sitts monarch yet in the mid skie Exeunt. the scene changes and then is praesented Ludlow towne & the praesidents castle then enter countrie dances & Such like gambols &c. at After those sports the Daemon wth ye 2 bro. & the Ladie enter the Daemon sings Back shepheards back enough yor play till next sunshine Holyday heere be wth out duck or nod other trippings to be trod such neate zzfmäler such, neate of lighter toes, & Such court guise ^ first such as Hermes did , devise Mercury ºffirst wth the mincing Dryades on the lawns, & on the leas Noble Lord & Ladie bright 2 Song. I have brought yee new delight heere behold so goodly growne three faire branches of yor owne Heav'n hath timely try’d thire youth patience thire faith, thire * patience, & thire truth temperance and sent them heere through hard assayes to a crowne of Deathlesse bays praise 25 - -- - - -º-º-º- - - - - - ** ſ ... .ºrg . . . . º Pk *4 tº avº fºr tº: - *7 rºa- y - • * - º, fºlſº: ºr - - from ::::::::::ſº 4; - ¥4 - Pkal ºr 4k agº 24. **** - - - - *** * *- :) reº, º:*** *** - - *** ºr £22 r. 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Finis. 26 º *woo'ſ ºr eſ %22 22 y; . º ºf - - Zºº º ºſoz cº- 77 **** - ( * *- : *. 32/ *** **, *...ſº - - - - º - wº º *! fº. - * - -- - - - - fººl ºr Zºº º º, *** fºra/º A...., %. 32 *32 ou tº .A. º ſº **** - cº.º.º.º. :... - "??? *** */º i º º ::: - - º º *I "wº º, º ºf ‘’’: *17+? A ſ”; ºoºoºo *** t fºyº 7'º';...º.º.º.º. º: - A ---, -, - º ºf 3-4, ----- - %34. -- * ºf- yº, ſ * * - - *** ***2 ºf **. # º a " - º ſ º 2. 5% - * 2. *//~/...º.º.º.º. %2% ºf 7%. ſº ſº. º, , , ºw ºr ***4422 - - 3. º /* Zºº” ºr ºvº 3. 32 tº ***** 2 / - - 32 tº ſº. * 2 3 º 92 29 The Daemon sings or says To the Ocean now I fly and those happie climes that lie where day never shuts his eye up in the broad feilds of ye skie: there I suck the liquid aire all amidst the gardens faire of Hespus & his daughters three - that sing about the golden tree where grows the right-borne gold, upon his native free along the crisped shades and bowrs revells the spruce and jocond Spring the Graces and the rosie-bosom'd Howrs thither all thire bounties bring that there eternall Summer dwells & west winds wºh muskie wing about the cedar'ne alleys fling Nard & Cassia's baulmie Smells Iris there wºh humid bow waters the odorous banks that blow flowers of more mingled hew then her purfl'd scarfe can shew yellozº, watchel, greene, & blew & drenches wº Saiman dew ſº *Ely sian, beds of hyacinth & roses (list mortals if yor eares be true) where young Adonis oft reposes * waxing well of his deepe wound in slumber soft, & on the ground sadly sits th’ Assyrian Queene but farre above in spangled sheene celestiall, Cupid her fam'd son advanc’t holds his deare Psyche sweet entranc't after her wandring labours long till free consent the gods among make her his eternall bride and from her faire unspotted side tow blissfull twins are to be borne Youth & Joy ; so Jove hath sworne But now my taske is smoothly don I can fly, or I can run * quickly to the greene earths end where the bow’d welkin slow doth bend & from thence can Soare as soone to the corners of the Moone. mortalls that would follow me love vertue she alone is free she can teach yee how to clime higher then the sphearie chime or if vertue feeble were heaven it selfe would stoope to her. 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Bring the rathe primrose that forsaken dies the tufted crowtoe and pale Gessamin the white pinke, and X pansie freakt wºh jet the glowing violet the well-attir'd woodbine the muske rose and the garish columbine wºn cowslips wan that hang the pensive head X Weare X Weares and every flower that sad escutcheon , beares imbroidrie beares 2 ≤ daffadillies fill thire cups wºh teares I X * goarie bid Amaranthus all his beauties shed to strew &c. X* could the muse her selfe that Orpheus bore /\ the muse her selfe for her inchanting son. for her inchanting son did whome universal nature might lament when by the rout that made the hideous roare gorie - his divine, visage downe the streame was sent downe the swift Hebrus to ye Lesbian shoare. 28 * enetº", /ft aerº; a 22nzº ºrt yº nyºl; ſº wº ſº nºw, sº % 4. *kuk. º *** Aerºſ º arº. * f \ , i. º º º Żºl/, º ºl. lººk, º º yºkº %2. º: *3%.i. * feeden alº ſº ...” y 3.5.2% * As prºm c. ...? *; * * *.*/A, 47% ºf ...” £º. %: ; A ſº. ...” e tººl. *}} ºt. ºfº.º.º.º. wººl. i. **d ºf ºrc ºr. 1.4 º * & a sº -- -- *ſº - - 4. 7 - * - º “ka/-fºeſ...} º.º. 24 ** *** ya. Zotz º -- ex-vºtº a - - - - - - Arº # redº,...…. Hatſ. ºf . ºf º - 4. - - º Af. *_ *Hºººº- - A. % - - - - **** % . 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'-- ſº-cal # *% ºt - - - - - - - - - - - - - - - - - - - - - - - - - - Gi / Movemå : zó37. 2- In this Monodie the author Lycidas (seas 1637 bewails a lerned freind unfortunatly drownd in his passage from Chester on the Irish Yet once more O yee Laurells, and once more - Yee myrtle's browne wºn Ivie never sere I come to pluck yor berries harsh and crude and with forc’t fingers rude shatter yor leaves before the mellowing yeare. bitter constraint, and Sad occasion deare compells me to disturbe yo season due for Lycidas is dead, dead ere his prime young Lycidas, and hath not left his peere who would not sing for Lycidas? he well knew himselfe to sing, and build the loftie rime he must not flote upon his watrie beare unwept, and welter to the parching wind without the meed of some melodious teare Begin then Sisters of the sacred well and that from beneath the seate of Jove doth spring begin, and somwhat loudly sweepe the string hence win denial vaine, and coy excuse SO may some gentle muse wºn luckie words favour my destin'd urne and as he passes turne . to bid faire peace be to my sable shroud for wee were nurs’t upon the selfe same hill fed yº Same flock by fountaine, shade, and rill Together both ere the high Launs appear'd under the glimmering eyelids of the morne opening wee drove afeild, and both together heard what tyme the gray fly winds her sultrie horne batning our flocks with the fresh dews of night oft, till the ev'n starre bright that rose in Evning bright toward heavens descent had sloapt his burnish weele westring meane while the rurall ditties were not mute tempd to th' oaten flute - rough Satyrs danc’t ; and Fauns wºh clov'en heele from the glad sound would not be absent long and old Damoetas lov'd to heare our song But O the heavie change now thou art gone gone now thou art gon, and never must returne thee shepheard, thee the woods and desert caves wth wild Thyme, and the gadding vine oregrowne and all thire Eccho Echo's mourne the willows, and the haze'l copses greene shall now no more be seene - fanning thire joyous leavs to thy soft lays as killing as the canker to the rose or taint-worme to the weanling heards that graze e X X or frost to flowrs that thire gay buttons weare beare wardrope weare when first the white thorne blows such Lycidas thy losse to shepheards eare where were yee nymphs when ye remorselesse deepe clos'd ore the head of yor youn lov'd Lycidas for neither were yee playing on the steepe where yor old bards the famous Drüids lie nor on the shaggie top of Mona high nor yet where Deva spreds her wisard streame ay mee. I fondly dreame had yee bin there, for what could that have don? what could the golden hayrd Calliope for her inchaunting son whome universal nature might lament and heaven and hel deplore zwhen his divine head dozºme the streame was sent when shee beheld (the gods farre sighted bee) downe the swift Hebrus to the tº o e Lesbian shore. his goarie scalpe rowſe dowme the 7%racian ſee - * 29 - ----- - --- ----- 3°C tº º Z º º º: "º º º º -- - - º º ** ºº * º º **** -ºº: º - ***** **** - *C. 3. ** º gº º º º - *A**-ººººº. i. tº - sº ****272-ºxº º - - 2.4° º -a- º º º - - ******* **** **** * º - - º: - º º *** *** **** **) £...º.º.º.º.º. º.º. *7?” 39-º-º-º-º: &” Peº. Cº. *Y*:47” rººſ - º-few *...*:: **** *** J2av. Tºyºzº 74°º: ºc º ***** "ººz, º, ºf -*** - º, ſº •. *ś jº º -- º ***s sº *f º * - “ſººtº: g.º.º.º.º. sº - - - Tºyº º …? º Aºyee 24-#7% º'ºw, ***** ***** * - º - - ***** * #79 */3 *** º *% º: ºf 7° ºk, ºr *** º, '…ſº - *39 34* * *** * *** * - 3-44 º **** gº.º.º.º. > -ºf- wº ºxyºtº º * Kºes - *:::: *, */ºr - º º #7. ** *** º º ****** --> ***** *#1 f - ***** ***.*.*.*.*.*.*.*, - |- *4 ****** ſ.ſ. º *** - - *...º.º. º.º. - *A*S*** Af #" ***** **** 33% - - * -ºº ºtº Cºe ‘%after w/ ſ? *soº 3º4a 43 - -- -- - - - & aes: - - - r-º - -4 ſka. -- ...? *. º º º - 6z Lycidas Alas what boots it with incessant care to tend the homely slighteds shepheards trade and strictly meditate the thanklesse muse were it not better don as others use to sport with Amaryllis in the shade or with , hid in the tangles of Neaera's haire? fame is the spurre that the cleere spirit doth raise (that last infirmitie of noble mind) to scorne delights, and live laborious days but the faire guerdon when wee hope to find and thinke to burst out into sudden blaze comes the blind Furie wth th' abhorred sheares and slits the thin-spun life. But not the praise Phoebus repli’d, and touch't my trembling eares, Fame is no plant that grows "mortal soile nor in the glistering foile - set off to th’ world, nor in broad rumor lies but lives and spreds aloft by those pure eyes and pfect witnesse of all-judging Jove as he pronounces lastly on each deed of so much fame in heav'n expect thy meed. Oh Fountaine Arethuse and thou smooth flood fam'd "honour’d smooth soft sliding Mincius crown'd wºn vocall reeds that straine I heard was of a higher mood but now my oate proceeds and listens to the Herald of the Sea that came in Neptunes plea - he askt the waves, and askt the fellon winds what hard mishap hath doom'd this gentle swaine? and question'd every gust of rugged wings that blows from off each beaked promontorie they knew not of his storie - - and Sage Hippotades thire answer brings that not a blast was from his dungeon straid the aire was calme and on the levell brine sleeke Panope win all her sisters plaid it was yt fatall and pfidious barke built in th' eclipse, and rigg'd with curses dark that sunk so low that sacred head of thine Next Camus reverend sire went footing slow his mantle hairie, and his bonnet sedge X *scraul’d ore win figures dim, and on the edge inwraught like to that sanguine flowre inscrib'd wºn woe ah who hath reft, quoth he, my deerest pledge last came and last did goe - the pylot of the Galilean lake, tow massie keys he bore of mettalls twaine the golden opes, the iron shuts amaine he shooke his mitre’d locks and sterne bespake how well could I have spar'd for thee young swaine anough of such as for thire bellies sake creepe, and intrude, and clime into the fold of other care they little reckning make then how to scramble at the shearers feast and shove away the worthy bidden guest blind mouths that scarse themselves know how to hold a sheephooke, or have learn’t ought else the least that to the faithfull heardsmans art belongs what recks it them? what need they? they are sped 3O - - #4 …º. º-ºrº * fºr ºl, slº, 42. ºº:: , º, . key ºzºy * * * */ ºr wiłł. #e fººle; safra', ºf . y . ºfessº, ** ſº a. ** alsº: **** _ - - º - - - - - - - wº-ºke-º ºrdſ. kº, sº Aeae. andſ. #: º *... .5 º * * ºr cº-ra 52.26% ºf fºe, A. º. ºs. †: º ... #. ſºº - * *ku. º, " " ' ". * * bu. º %; ..". º, jº ... of . º: º º 7477 ºn ſºº...) º:::::::ſº. 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" º * *** *kºſº Jºaº % alsº was 4. º wº A Aka/- %; Area. º º/ % ºf º: - - º, ſerie . - - - - º * *p/phºtº #4 ºr eº/var /nº * - - . º %. ºn 4 ſº. º: *Agrº aſsºſ - *3 - - - º ſer. / - - - - * º - Ž.ºf ºn # gººd raº §&ng dark º żºł. º º/*sº *% º ſºrº) º: º # . º * *** **f, *d ºf 4enaº, ſº - 9 tº - ºf 2.2 º: 2*, * §: ºreº º - º: * *** - * *::::: º . ſ - **% º/-a. £ %. º, . . º * #4 ºf ºſ- º/*** --- - - *** **falsº º; ** ºrangºr ameº - - £º - - ********prºstygºwº, --- ºf ºf º: % * - . ºrºž, º, - ºf ºn ºãº º: *A*, ºr º - tº hºſº As º ż. - . **g, * ſº sks - - - 3. % Fº: ** . - ----" 3o Lycidas and when they list, thire leane and flashie Songs grate on thire scrannel pipes of wretched straw the hungrie sheepe looke up and are not fed but swolne win wind, and the rank mist they draw rot inwardly, and foule contagion spred besides what the grim wolfe wºn privie paw dayly devours apace, and nothing sed little but that tow-handed engine at the dore stands readie to Smite once and Smite no more Returne Alpheus the dred voice is past that shrunk thy streams, returne Sicilian Muse and call the vales and bid them hither cast - thire bells, and flowrets of a thousand hues yee vallies low where the mild wispers use of shades, and wanton winds, and gºshing brooks * sparely on whose fresh lap the swart starre sparely looks faintly *ēring hither all yor quaint enamel'd eyes * throw that on the greene terfe suck the honied showrs and purple all the ground wºn vernal flowrs -Bring the rathe &c. to strew the laureat herse where Lycid' lies for so to interpose a little ease *fraile let our sad thoughts daily wº false surmise *fraile Ay mee whilst thee X foods and sounding seas “shoars wash farre away, where ere thy bones are hurl’d whether beyond the stormie Hebrides where thou phapps under the humming tide visit'st the bottome of the monstrous world or whether thou to our moist vows deni’d sleep'st by the fable of “Corineus old *Bellerus where the great vision of the guarded mount looks toward N amancés and Bayona's hold looke homeward Angel now and melt with ruth and O yee Dolphins waft the haplesse youth Weepe no more wofull shepheards weepe no more for Lycidas yº 3I 33 º º - - - º - - -- :” - 34°º ops º Q- $ºn's *...*. º 3. 30") ... . ºy ºf ºccº º: ** tºº.º. º **º º, ºº:: $º #7. - *4 zºº.º.• *f % ºf 4% ºdºs - * * :* ******** *** ***** º º º! " " ) ... 26. *:::::: º, - *ś. ſº ***** $ºlº ºf ſºyºº. 4/ 7”. a. º **ſeº º/ - *** *-ºſ - -- - - - */ ºf ºººººy yº. - º º: #4. /* º Ży º - - | --- +* 2% º %24 º - * º/º tº ‘scºte, ºe, ºr º -- ** 21:44. *** *ye. */ * Tº - %ry cºre ºf wº */ º, 1* º: ...ſºº %. º - - - *. *. --- 4. +º - 7% *ievºsº. 3% -" *"... */ - - - - - * **** * * &º 224%.2%. */ 37-5 ::/ - --- 4 * . . . º *** **Cº-º-º/-ſº */ º º º º, - - - - º º º %2Fºt *::: *::: 4; 2. - º ºn *6 # tº Tºwa 34 ſº º, ** *%+4 * * * ſº &d ***** **, we lº * *** Sºº-yº . & heares Lycidas Weepe no more wofull shepherds weepe no more for Lycidas yor sorrow is not dead sunck though he be beneath the watrie floare so sinks the day starre in the Ocean bed & yet anon repairs his drooping head and tricks his beams & wºn newspangled ore flams in the forhead of ye morning skie so Lycidas sunk low but mounted high high through the deare might of him that walkt ye waves: where other groves and other streams along wºn nectar Žure pure his oozie locks he laves listening the unexpressive nuptiall song in the blest kingdoms meek of joy & love there entertaine him all the Sts above in Sollemne troops, and sweet societies that sing, & singing in thire glorie move and wipe the teares for ever frå his eyes now Lycidas the shepherds weepe no more henceforth thou art the Genius of ye shoare in thy large recompence, & shalt be good to all that wander in that perillous flood Thus sung the uncouth swaine to th’ Oakes & rills while ye still morne went out wºn sandals gray he toucht the tender stops of various quills wºh eager thought warbling his Dorick lay and now the Sun had stretcht out all the hills and now was dropt into westren the wester'n bay at last he rose and twitcht his mantle blew To morrow to fresh woods and pasturs new 32 ºl...º.-- *:::::::::::::::... " . #. Ží. * **, ºn 44 12 wº-ana. - 3rea - Asseſ - - º Fºx *** * * ºr 44.5 Å y ºnerº #2, -- Jº º lew 6-4-ºl º ſº * . º %. º ºlº, *:: k º: *34– º / % *a*4: º -- - * hº !. ºw- e?& aº *w- fººt, ºf ºſe * * * * * e--- - / * ºf. 2.4% wºrz 4; º, - - - º - - *: - R ź. *** **pśa/fea - . - - - ... -- oºf ºf fe stºg - - #º, ***** **, *º gº ºu º *** *** * /* **** º - --- - *A* ty; * ** - gºe %. . . . . " - 1. Żºłº º Že - º ºr ºf ºaº *º-oº- sº *> - *% *A - - º agº; 4. | - - -s ºf º fººt * Asº º/z, ** - º * new wº º #e *54-tºn º º “* aſ ſºft. As *** * * º: *** - - - Tº. **** *A*/ * *; - aeºlºrs **** º - 32 35 the Persons the Persons MOSes or º Michael Heavenly Love Michael. A Justice. ercie Chorus of Angels A. Heavenly Love The Evening Starre Hesperus T 2 g horus of Angels with th£ serpent tº other Tragedies Adam ex in Banishment The flood muteS Abram in AEgypt. Faith Hope Charity Hope Charity Paradise Lost The Persons A. god in the mount declares the like of Enoch and Eliah, besides the purity of ye pl that certaine pure winds, dues, and clouds praeserve it from corruption whence Us Aeavenly Love horts to the sight of god, tells they cannot se Adam Justice Mercie in the state of innocence by reason of sin thire sin Mercie ) debating what should become of man if he fall - his - - / recounting how he assum’d a true bodie, that it corrupts not because of his with Moses irpoxoyičev Wisdome (hymne of ye creation) Chorus of Angels sing a Act 2. Heavenly Love Evening starre chorus sing the mariage song and describe Paradice Act 3. Lucifer contriving Adams ruine Chorus feares for Adam and relates Lucifers rebellion and fall Act 4. - Adam fallen | - ve —d - Conscience cites them to Gods examination Chorus bewails and tells the good Adã hath lost Act 5 Adam and Eve, driven out of Paradice praesented by an angel with - Labour greife hatred Envie warre famine Pestilence sicknesse mutes to whome he gives. discontent thire names Ignorance likewise winter, heat Tempest &c Feare enterd into ye world Death Faith Hope comfort him and istruct him Charity *. Chorus breiſly concludes 33 - º A ſºn / - ºzº Hº / * Adam ºft - - , - - - - º º - * - . º As ºx. * -- ~~ --- - - - - - - -- - --- . % - º * º º, º º - - Diſanſ-cººl, º, - Diſa -- | - º -w *** ** ---------- - --- - * - rººtſº º º- tºare, sº --- º ------ - º --- - -- - º º - º I-º - - º º ſº ºr - --- º *dº Lººk - º 1. º º º º * *ſe - - --~~. *: ºf **, - º 2. JMeº, agº ºf: * ºf º: º º - #. ſº - - - - &rae º º - º, -- - 2. º º . - : - ºſleme º - º --- º sº --- º - *: - º . &orus ºf * * * *-* * * ******* º * ... º A4 1. , *** * tº º - º -- º - **** - º º º ---- #aawo ſeve º - * º -º-º-º: º - . ººcººr sºvº º * * * * l, s 2.5 º º ºr sº - - Chºº * ſº ºf º- - - " - - - . º 4 º' º- ty (a a º . - º, . - - - º- º º - "...º.º.º.º. º: º - ºłęk + ... " . - º, º y º º sººn º * -º º: º la- ºf … º, ºn ºs- º * * W. sº -- **** º º º º --- * * * **, sº, º ºx 3, 2. A. : * sº - - tº- tº ºl. - º º - * - * º - A - { ºva { º **) #4% * - - - *: º sº º º º º º º - fºº **º-º- º -" - º º - º, - º - l º 4; - º ** * º - - . *.. . - - - * º º º * Mºde. - - * - ºaº º º -- Pºw --- º, - - - - - º * . … . . - . iſ, -- . - - . - . £º: - - * ** . º . º º º º * --> * º - º - . - **** **ºf - .." - - * -- - * -- . - - - - - - º ºft wº ºl **tc. - º - - - - - - . alsº º º -- * - º - - - - - - - - gº - º *** y º - - - - - - - - * - - - - - - - - | ºº: **** º, ------ --- º - - - - * º - - - - - - -- -- - -- - - - - º ºlº - - 33 The Deluge. Sodom. Dinah vide Euseb, præparat. Evang, l. 9. c. 22. the Persons Dina Hamor Debora rebeccas nurse | Sichem Jacob counselers 2. Simeon nuncius Levi Chorus. Cüephorusa Thamar IIsrAodápos where Juda e A. - is found to haveºthe authofof that crimewºhe con demn’d in Tamar, Tamar excus'd in what she attempted Samson pursophorus or Hybristes, or Elias in the mount. 2 Reg. 1. Čpet/?dºrms, or better Elias Polemistes, Elisæus Hydrochóos. 2 Reg. 3. Hudrophantes Aquator Elisæus Adoradocétos. (6 Elisæus Menutes sive in Dothaimis 2 Reg. Samaria liberata 2 Reg. 7. Achabaei Cunoboroomeni. 2 Reg. 9, the scene Jesrael. beginning fro the watchmans discove- ry of Jehu till he go out in the mean while message of things passing brought to Jesebel &c, lastly the 70 heads of Ahabs ms brought in and message brought of Ahaziah brethren slain on the way c. Io Jehu Belicola. 2 Reg. to Athaliah 2 Reg. II. Amaziah Doryalotus. 2 Reg. I4. 2 chron. 25 Assyrii Hezechias “ToMopképevos 2 Reg. 18, 19. Josiah Aiaćomenos. 2 Reg. 23. (infº Zedechiah veorepičov, 2 Reg, but the story is larger in Jeremiah. *or Idolomargus lymon Halosis which may egin from a Message brought to e citty of the judgment upon Zedechiah and his children in Ribla, and so seconded with the burning and destruction of citty & emple by Nabuzaradan, lamented by eremiah. Asa or Æthiopes. deposing his mother, 2 chron. I4, with the and burning her Idol. ura- the three children Dan. 3. Hesechia beseig'd, the wicked hypocrysy of Shebna spoken of in the II or therabout of Isaiah & the commendation of Eliakim will afford aſhoppos Aoys together with a faction that sought help fro AEgypt X ovkoſhavrépévos (See Lavater 2 Chron. 18.) einds for his Seducing relation of Ahabs death his bodie brought (in Horeb. the golden calfe, or the massacre the Quails num. II. the murmurers. Num. I4. Corah Dathan &c. Num. I6. I7. Moabitides Num. 25. et Achan. Josue 7,8. Josuah in Gibeon. Josu. Io. Gideon Idoloclastes Jud. 6. 7. Gideon psuing Jos. Jud. 8. Abimelech the usurper. Jud. 9. marriing or Samson, in Ramath Lechi Jud. I5. Dagonalia. Jud. 16. Comazontes Jud or the Benjaminits Jud. I 9. 20. &c. or the Rioters. Theristria. a Pastoral out of Ruth, the Eliadae Hophni and Phinehas. Sam. I. 2. 3. 4. beginning with the first over throw of Israel by the Philistims, inter lac’t with Samuels vision concerning Eli's familie Jonathan rescu'd Sam. I. I.4. Doeg slandering Sam, I. 22. the sheepshearers in Carmel a Pastoral. I. Sam, 25. Saul / Autodańcies I Sam. 28. 31. (in Gilboa ) David revolted from I Sam. from the 27 c. to the 31. David Adulterous 2 Sam. c. II. 12. Tamar. 2 Sam. I3. Achitophel 2 Sam. I 5. I6. I7. 18. Adoniah. I Reg. 2. Salomon *Gynaecocratumenus aut Thysiazusae, Reg. I, II, politick religion Rehoboam I Reg. 12 wher is disputed of a Abias Thersæus I Reg. I4. the queen after much dispute as the last refuge sent to the profit. Ahias of Shilo receavs the message the epitasis in that shee hearing the child shall die as she comes home refuses to return thinking therby to elude the oracle. the former part is spent in bringing the sick Prince forth as it were desirous to shift his chamber and couch as dying men use his father telling him what sa crifize he had sent for his health to bethel and Dan, his fearlesnesse of Death and puting his father in mind to set to Ahiah the chorus of the Elders of Israel bemoning his vertues bereft them and at an other time wondring why Jeroboam beeing bad himself should greive for his son that was good. &c. Imbres or the Showrs. I Reg. 18. *Naboth. I Reg. 21. Ahab, I Reg. 22. beginning at th Synod of fals profets ending wi alleluiah glory be &c. SO 34 y ſºlº ºr ** * * * º, ſ):/ su, º, ºre. - ſº • ?) , ſº ſºy “sº Žº flamº. ..." ºz º.º.º. 3%, º ºſºft. Jºſe, ºº, 1-a ºf . . . . º º, 2– 4%aºgº.g. yº / ºccº, 4 × 4/4. - - CAvrºſ: £ºa *** ſew, Kºkºrºa. idean #24.42; *4%). :... . 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Venutius husband to Cartismandua the cloister king Constans set up by vortiger 2 Vortiger marrying Roena see Speed. reproov’d by Vortimer poison'd by Roena Vodin archbishop of London Speed. 3 the massacre of the britains by Hengist in thire Vortiger Öele immur'd cups at Salisbyry plaine Malmsbyry. º 4 fro the faith. 9 Sigher of the east Saxons revolted, and reclaim’d by Jaruman the life of offa & 5 ethelbert Ethelbert of the east angles slaine by Offa the mercian k, see Holinsh. 1. 6. c. 5. Speed in 6 Sebert slaine by Penda after he had left his kingdom. see Holinshed. 116 p. 7 Wulfer slaying his tow sons for beeing Christians. - - 8 ( Dans brought in. Osbert of Northumberland slain for ravishing the wife of Bernbocard and the 9 see Stow. Holinsh. 1. 6. Edmond last k. of ye East angles martyr'd by Hinguar ye Dane. c. 12 and espe to see Speed. 1, 8: c. 2. gº Speed Sigebert tyrant of ye west Saxons. Slain by a Swinheard. . Ö. C. 2. A II Edmund brother of Athelstan, slaine by a theefe at his owne table. Malmesb. I 2 - - Edwin son to Edward the yonger for lust depriv'd of his kingdom, or rather by I3 faction of monks whome he Edward son of Edgar murderd by his stepmother º º to which may be inserted the tragedie stirrd up betwixt the monks ºpºlo, un I4. & 2^ and preists about mariage. - Etheldred son of Edgar a slothfull k, the ruin of his land by the Danes. I5 Ceaulin k, of west Saxons for tyrannie depos'd, and banish't & dying I6 •, the slaughter of the monks of Bangor by Edelfride stirrd up as is said by Ethelbert, and he by Austine the monke because the Britain would not receave the rites of the Roman Church. See Beda. Geffrey Monmouth. and Holinshed, p. 104. weh must begin with the convocat of British clergie by Austin to determin supfluous points wºn by them we refused. 17 Edwin by vision promis'd the kingdom of Northhumberland on promise of his conversion and therin establish't by Rodoald K. of East angles. I8 Oswin k. of Deira slaine by Oswie his freind k of Bernitia through instiga tion of flatterers. See Holinshed. p. 115. 4 I9 Sigibert of the East angles keeping companie with a pson excomunica- ted, slaine by the same man in his house according as the bishop had foretold. 20 against Egfride k, of the Northumbers slaine in battell with the Picts having before wasted Ireland and made warre for no reason on men that ever lov'd the English, forewarnd also by Cutbert not to fight with the Picts. 2 I Kinewulf k, of ye west Saxons slaine by Kineard in the house of one of his concubins. 35 - - - - - - *** **, *, *.x.º.º.; - -z , -º ºd?” ***** ***, º/ºr tº: ºf: ***22%, hºº ºl ºº: 1449 ºf oºº-ºº-ºº! 2?” }* pºſa!! 7-24 ** 2-4 % --- - - - iv rº º - +4.74 • A-, ºr rººt **** * * %. ozº . - -- - -ºy º - *r *%% º Feß49;cy”)|| * » ſº ozº, 2 ſº * * 2 * */4; 24% --- ****** 2 3. * ** º, % ---Tºſ. % ºf *ſ, *oq iſ wº º 34 yo-ºº: tº gº ºwn by / | ºf - | - - - - - 24 *** * * * * Sºsed.* 3.3 wºr a º 4. 2.É. * -7°, 7. *** * º †: ow Wei J ;::::::::::::::::: ". *%-ºº ºz º.º.) º * * * * ºr ºgº.º.º.º. * * * * *%3 4% ºf yºu º żº º 2} ** */ cº'2 */ºr a … -*F **** * A 7 j - 20 - º ſº. ** - *//* wºn, 2% 77% ſ # ‘....” º º "..., º º Jn % ... *:::::: #:ſº º --- •yº ** Že **** tud. º Á - 4}. y-ºrº 4" * “zºº % ºf wº *}”)2 */ º *}} - 7. *. **º a a ^, ºrd prºmº or ſoºf; * **ºr ºf ºf * - %. % % - | ! ** - - - 3 & D pººr. º */ £woºvy *:::::"... 742 ºf º - *22d º - z.2 ×3% "Foody way 9 º º, *g. */ * /* º Ž y#7 º | Mººrºº - ºt - - r . 127 - " " - º ºff ºf º º * º º º,” S’ 5. #!" * * . º º º ** % fe #ſº ... ººººººº. */ * º º º rºl º, ºyº ſºlº - - - - * , ºl, - ºn ſº A2 ºn 2/# *ueº º ºnºſ, º,%2%;"º ºn vºy º ". S9. 22 the danish ladie. Gunthildis Awith her husband Palingus and her son slaine by appointment of the traitor Edrick in k Ethelreds days Holinshed. 7 l. c. 5. together with the massacre of the danes at Oxford. Speed. Prightrick of west Saxons 23 who A Bithrick Apoyson’d by his wife Ethelburge Offa's daughter dyes miserably also in beggery after adultery in an nunnery Speed in Bithric, 24. Alfred in disguise of a ministrel discovers the danes negligence sets on with a mightie slaughter about the same tyme y” devonshire men rout Hubba & slay him. A Heroicall Poem may be founded somwhere in Alfreds reigne. especially at his issuing out of Edelingsey on the Danes, whose actions are wel like those of Ulysses 25 Athelstan exposing his brother Edwin to the sea, and repenting. 26 Edgar slaying Ethelwold for false play in woing wherin may be set out his pride, lust, which he thought to close by favouring monks and building monasteries, also the disposition of woman in Elfrida toward her husband. 27 Swane beseidging London and Etheldred repuls’t by the Londoners 28 Harold slaine in battel by William the norman the first scene may begin with the ghost of Alfred the second son of Ethelred slaine in cruel manner by Godwin Harolds father. his mother and brother disuading him. 29 Edmund Ironside murder'd defeating the danes at Brentford with his combat with Canute 3O Edmund Ironside murder'd by Edrick the traitor and reveng'd by Canute. 3I Gunilda daughter to k. Canute and Emma wife to Henry the third Empour accus’d of inchastitie is defended by her English page in combat against a giantlike adversary, who by him at 2 blows is slaine &c. Speed in the life of Canute 32 Hardiknute dying in his cups an example to riot. 33 Edward Confessors divorsing and imprisoning his noble wife Editha º Godwins daughter wherin is shewed his over affection to strangers the cause yº. of Godwins insurrection, his slacknesse to redresse the corrupt clergie ance of battel and supstitious praetence of chastitie. rais'd and the glish moderatio both sides | he angels beeing askt by the preist whence agnifid they are say they are of Salem the preist inveighs against ye strict raigne of melchi zedeck 36 º **** - º aſº. *** ** Cº ºv ***us, ºr, at ºf -- l - d º * º tºº - º * **** */ tºp **** - rºº º #: º 'º - “” * . ºrºg - *14 aſ * we ſº by 4 : brººk. - º - º - º - - *º 2 *** º wd. - -G-2 ** º ſº 7 * * 4, * º, º º º - o Tºº º, ſº Ž. ! 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Abram from Morea, or Isack redeemd. the oiconomie may be thus the fift or sixt day after Abrahams departure, Eleazer Abrams steward with first alone and then with the chorus discours of Abrahams strange voiage thire mistresse sorrow and plexity accompanied with frighfull dreams, and tell the manner of his rising by night taking his servants and his son with him next may come forth Sarah her self, after the Chorus or Ismael or Agar next some shepheard or companie of merchants passing through the mount in the time that Abram was in the mid work relate to Sarah what they saw hence lamentations, fears, wonders, the matter in the mean while divulgd Aner or Eshcol, or mamre Abrams confederats come to the hous of Abrå to be more certaine, or to bring news, in the mean while discoursing as the world would of such an action divers ways, bewayling the fate of so noble a man faln from his reputation, either through divin justice or supstition, or coveting to doe . Some notable act through zeal. at length a servant sent from Abram relates the truth, and last he himselfe comes in with a great Train of Melchizedec whose shepheards beeing secret eye witnesses of all passages had related to thir master, and he conducted his freind Abraham home with joy. - Baptistes or els the Queen may plot under praetense of begging for his liberty the Scene, the Court to seek to draw him into a snare by his - freedom of speech Beginning from the morning of Herods birth day. Herod by some counseler, psuaded on his birth day to release John Baptist, purposes it causes him to be sent for to the court from prison, the Queens hears of it, takes occa- Sion to passe wher he is on purpose, that under praetence of reconsi- ling to him, or seeking to draw a kind retraction from him of his censure on the marriage, to which end she sends a courtier before to sound whether he might be psuaded to mitigate his sentence which not finding she her selfe craftily assays, and on his constancie founds an accusation to Herod of a contumacious affront on such a day before many peers; praepares the for K. to some passion, and at last by her daughters dancing effects it. there may prologize the spirit of Philip Herods brother. it may also be thought that Herod had well bedew’d himself with wine which made him grant the easi- er to his wives daughter. Some of his disciples also as to congratu- late his liberty, may be brought in, with whom after certain me command of his death many compassioning words of his disciples bewayling his youth cut off in his glorious cours he telling them Sodom, the Scene before Lots gate his work is don and wishing them to follow Christ his maister. the Chorus consists of Lots Shepherds com n to the citty about some affairs await in the evening thire maisters return from his evening walk toward the citty gates, he brings with him 2 yong men or youth of noble form after likely discourses praepares for thire entertainmen by then supper is ended, the Gallantry of the town passe by in Processio - or Peor with musick and song to the temple of Venus Urania A and understan ding of tow noble strangers arriv'd they send 2 of thire choysest youth with the preist A. to invite them to thire citty solemnities it beeing an honour that thire citty had decreed to all fair psonages, as beeing sacred to thir goddesse.] Lot that knows thire drift answers thwartly at last of which notice given to the whole assembly they hasten thither taxe him of praesumption, singula rity, breach of citty customs, in fine offer violence, the chorus of Shepher 39 . 37 - - - --- - - - - -- ºº *Vitore, ºr £4 ...} 2. - * * - ** º º: ###: - º º gº ri/. ºx! - ºf...; jº | fº 0 - #ºf ºt. ra, ººzº.” Zºº ºf * : * *** cº- ſº §: *:::::: * Jºaº-yeº. * c : al : ſº . ºyº º:*/ % tºº - - i º * ey º - - - * º * , n y” -º- - ". -- " - º º º º *** -** tº, - - ... ** - - º - º * . . , º £º - ** -- B.º.º. 4.- …": º: e - º: * *arºn Merodº ſº jºiº, 4.4.7%. 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Sodom Burning praepare resistance in thire maisters defence calling the rest of the serviture, but beeing forc’t to give back, the Angels open the dore rescue Lot, discover them selves, warne him to gather his freinds and Sons in Law out of y" citty, he goes and returns as having met with some incredulous, some other freind or son in law out of the way when Lot came to his house, overtakes him to know his buisnes, heer is disputed of incredulity of divine judgements & such like matter, at last is describ'd the parting from the citty the Chorus depart with thir maister, the Angels doe the deed with all dreadfull execution, the K, and nobles of the citty may come forth and serve to set out the terror a Chorus of Angels conclu- ding and the Angels relating the event of Lots journy, & of his wife, the first Chorus beginning may relate the course of the citty each eveing every one with mistresse, or Ganymed, gitterning along the streets, or solacing on the banks of Jordan, or down the Stream. at the preists inviting ye Angels to ye Solemnity the Angels pittying thir beauty Christ born may dispute of love & how it differs from lust seeking to win them in the last scene to ye king & nobles when the firie thunders begin aloft the Angel appeares all girt with flames which he saith are the flames of true love & tells the K. who falls down with terror his just suffering as also Athanes lots id son est Gener lots son in law for dispising ye conti- nualladmonitions of Lots then calling to ye thun ders lightnings & fires he brings them down with some short warning to all other nations to take heed Herod m massacring, or Rachel weeping Math. 2 Christ bound . - Christ crucifi’d Christ risen. Lazarus Joan. II. Adam unparadiz'd Adams Banishment (on earth, as in heavn, describes Paradise, next The angel Gabriel, either descending or entering, shewing since this globe was created, his frequency as much next first the Chorus shewing the reason of his comming to keep his watch in Paradise after R Lucifers rebellion by command from god, & withall expressing his desire to see, & know more concerning this excellent new creature man. the angel Gabriel as by his name signifying a prince of power tracing paradise with a more free office comes passes by the station of ye chorus & desired by them relates what he knew of man as the creation of Eve with thire love, & mariage. after this Lucifer appeares after his overthrow, bemoans himself, seeks revenge on man the Chorus prepare resistance at his first approach at last after discourse of enmity on either side he departs wherat the chorus sings of the battell, & victorie in heavn against him & his accomplices, as be fore after the first act was sung a hymn of the creation.) man next & Eve having by this time bin seduc’t by the serpent appeares confusedly cover'd with leaves conscience in a shape accuses him, Justice cites him to the place whither Jehova call'd for him in the mean while the chorus entertains the stage, & his inform'd by some angel the manner of his fall A Adam then & Eve returne accuse one another but especially Adam layes the blame to his wife, is stubborn in his offence Justice appeares reason with him convinces him R the Angel is sent to banish them out of paradise but before causes to passe before his eyes in shapes a mask of all the evills of this life & world he is humbl’d relents, dispaires, at last appeares Mercy comforts him & brings in faith hope & charity promises the Messiah, then calls in faith, hope, & charity, instructs him he repents gives god the glory, submitts to his penalty the chorus breiſly concludes. compare this with the former draught. heer the chorus bewailes Adams fall. the chorus admonisheth Adam, & bids him beware by Lucifers example of impeni tence 38 ſºrtſ? º: TÉ .*#5 #. 2%; - º º: º, ſº gºeſ & Aſ . ºr mºſ º #. #. º º º % Žeºro.ºf: Jºg º ſº. º: reaſºn ef. º º, 16 tº 4% *A*-*49 º 4 *re nºte ºrº, º ſº ºffº wikºwo ſº. º, #e & Hºve º #e A% open #e3ere yoſ º, #/. ber º, ºre Aºn ** y 4; tº); ºfeº & Zºe-ºy" º; •er arº ºwnſ agº. ºf wº, fºre tº credº Je º * Asso * #e way ºkº Zºe Aº, ebººkſeº Ar ºne º Keer & º; 2. %, a dºnºe - u) - º Hºt lº, **, a/-lº eſcºe Aeº 4era depart ºf º 9. 2. o parº wiſh Aºr ºaſer, #24 Jaé ée)/wº 44 droeſ ‘.... *ex. 2.5%. % * *ay ºn - * *::::: As sº sº hºrrºr a dº % % º 4:3, ºneºetº tºft. º A4%orº º: tº reſº/º Aº anº *: 0 * . . . . . º,".' 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