m ^ ^^^^"^i^ i^i^' 'mm ^> ^^^SSS^=^^;, ^,;,:/"^ ^'^^ss^^^siiy t *> ••^sl^^ ^^^v^^^sfljHHoBHS ^ 'C^^ m'3^ ** ^^y^ p^^^g ^^^pM ^/^^^ ^^^^ r-^ JAN 2A mo Division. ^w.^- Sccti on ... 4 X . -T| '^- THE BOOK OF PSALMS. THE BOOK OF PSALMS A NEW TRANSLATION. EXPLANATORY NOTES FOR ENGLISH READERS. J. J. STEWART PEROWNE, D.D, HOLSEAN PROFESSOR OF DIVINITY AT CAMBRIDGF,, AND CANON OF M.AND/.I-V THIRD EDITION, REVISED. LONDON: GEORGE BELL AND SONS. CAMBRIDGE : DEIGHTON, BELL, AND CO. 1880. {All Rights Reserved.] LONUoS R. Cr.AY. SONS. AND TAVLOR, HKKAD STREET HIT I, PREFACE. In deference to the suggestions which he has received from many quarters, the Author has consented to the publication of a popular Edition of his work on the Psalms. The great bulk of the critical matter contained in the original work has been omitted in this ; but in other respects little change has been made either in the text or in the notes. It is hoped that in its present form the book may be more accessible to many English readers, and that it will help to the more accurate understanding of this most important portion of Holy Scripture. A. M. P. Cambridge, December 5, 1876. CONTENTS. INTRODUCTION. PAGF POETRY OF THE HEBREWS .^ I — 4 THE INSCRIPTIONS OF THE PSALMS 5— g THE PSALMS. BOOK I. PSALMS I.— XLI J 13—159 BOOK II. PSALMS XLIL — LXXII . 1 63— 323 BOOK III. PSALMS LXXIIL — LXXXIX 327— 441 BOOK IV. PSALMS XC— CVI . , . 445—524 BOOK V. PSALMS CVII.— CL 527—687 INTRODUCTION. POETRY OF THE HEBREWS. The Poetry of the Hebrews is mainly of two kinds, lyrical and didactic. They have no epic, and no drama. Dramatic elements are to be found in many of their odes, and the book of Job and the Song of Songs have sometimes been called divine dramas ; but dramatic poetry, in the proper sense of that term, was altogether unknown to the Israelites. The remains of their lyric poetry which have been preserved — with one marked exception, the lament of David over Saul and Jonathan — are almost entirely of a religious character, and were designed chiefly to be set to music, and to be sung in the public services of the sanctuary. The earliest specimen of purely lyrical poetry which we possess, is the Song of Moses on the overthrow of Pharaoh in the Red Sea. It is the worthy expression of a nation's joy at being delivered, by the outstretched arm of Jehovah, from the hand of their oppres- sors. It is. the grandest ode to liberty which was ever sung: and it is this, because its homage is rendered, not to some ideal spirit of liberty deified by a people in the moment of that passionate and frantic joy which follows the successful assertion of their independence, but because it is a thanksgiving to Him who is the one only Giver of victory and of freedom. Both in form and B 2 INTRODUCTION, spirit it possesses the same characteristics which stamp all the later Hebrew poetry. Although without any regular strophical division, it, has the chorus, "Sing ye to Jehovah, for He hath triumphed gloriously,"