ere (e Vetere ake 44 ss ee: ae eee s Ane AAS ee BAe tre : 5 eae rane SASSER 6231 Ks Oe CORNELL UNIVERSITY LIBRARY CORNELL UNIVERSITY LIBRARY Gift of SAMUEL B. BIRD ’21 ] 7 =o a TERT: cae poe TN By gw Ce, Hablot AD ight [SIS- 1882, a oul ABOUT KISSES. BY DAMOCLE S.pse ide. WITH ONE HUNDRED ILLUSTRATIONS BY HABLOTT K. BROWN, (PHIZ). LONDON: CHARLES HENRY CLARKE, 13, PATERNOSTER ROW, E.C. 4 PN baz Ks Bes LONDON: WALTER ARNOLD AND CO., PRINTERS, 40 AND 41, KIRBY STREET, HATTON GARDEN, E.C. WR PE, ee eee, Contents. Otero * PART I. PAGE OPENING REMARKS she 93 oo ae I ORIGIN OF THE Kiss ee #3 ass oe 3 | WHaT Is A Kiss? xe ay side Se) 4 Eary KissEs aie oe ti vee eo 6 LATER KIssES CONVENIENT SUBJECTS FOR KISSING ... AWKWARD Susycts FOR KIssInG DIFFERENT Kinps oF Kisses wi How To Kiss wi ve aa Sop WHEN To Kiss, AND WHEN Nort... oe KIssEs IN COURTSHIP a re eee THE FLAVOUR AND FRAGRANCE oF KIssrs THE LANGUAGE or -KIssEs ... ne ais FAMILIAR SAYINGS ABOUT KIssES THROWING KIssEs ... Seb ae bass Kisses PER Post... sas $s . Cost oF KissEs Tue Heaine VIRTUE OF KissEs__,., sf Kiss IN THE RING .., FORBIDDEN FRUIT at MISCELLANEOUS KISSES a4 KIssEs IN THE OVEN wie KiIssEs IN THE Cup... ee Sa CONTENTS. AN Easy Way OF MAKING GLOVES ... ces Wuist; KissING THE DEALER aux whe aes Kissinc THE Hanp or Foor. eae es ‘gis Lirs se age seg ae ee ave UNDER THE MISTLETOE vie vee aa ee KissEs IN SONG Se a ia Kissrs AT MARRIAGES ‘RussIAN AND GERMAN CUSTOMS ... ee se “Kisses AND COLDS ... awe on ay ue Kissrs AND GAPES ... see OmMNIUM GATHERUM eas sis oats eu PART Il. (SELECTIONS FROM) Byron, Lorp ne wai ae és wee Burns cae 2 se “ive BONNEFONS, JEAN ... ie are | BONFADIUS... aaa is erie haae = teats ss . BAIF oes st wae vive es aie BUCHANAN ... we ake BEAUMONT AND FLETCHER ... ie ase CANNAZAR tise a us Be aes | COLERIDGE ... wis CoMBE as i tae ade nos ae DruMMOND ane wa FONTANUS ... és wa aie PAGE 52 54 56 60 64 67 69 69 71 7t 73 103 121 192 220 220 221 143 208 133 136 142 217 vi CONTENTS, GALLUS i yee iis ve CASSICS sux wee GUARINI ... wie ais eat Hoop, Tom... ae wee Iiunt, LEicu — see ee HoRACE sve wes sa HILL, AARON 188 tie Jonson, Brn KEATS ane nk es Moors, Ton aay an Bt Murer spe wees aaa win MARTIAL... ae cea ai OvIp tee a se Pinvar, PeTER ee a ne PASQUIER ... ds Piao wie awe die ne SUAKESPEARE sah wie wee SECUNDUS, JOHANNES as SHELLEY... is ies ast SAPPHO vee se STEPHENS ... or ae STANLEY... eu TENNYSON ... WHITE, KIRKE Various AUTHORS ... ae PACE 219 PART I. Biases in Prose, Opening Remarks. = > es fut about Kisses.” I can imagine the as- v- tonished reader exclaiming, with particular f emphasis on ‘the first word— “Bosh! all about fiddlesticks!’’ Precisely! the reader and I agree. It would be as absurd for me to attempt to tell a// about kisses as it would be to tell all about those indispensable sticks that lure the sweet music from the fiddle! My attempt is less absurd; my aim less presumptuous. If the reader will remove the emphasis from “all,” and put it on y- I 2 the “kisses,” it will better suit “my book,” and give greater satisfaction to the person oper ated upon. _ If kissing is not a science, it may certainly be con-. sidered a Fine Art. It has been practised and pro- mulgated in all countries and in all ages, but in no country has it found more zealous devotees, or more of them, than in England, and yet one would be puzzled to rake up half-a-dozen printed works on the sub- ject! The knowledge of the art has been principally conveyed from mouth to mouth. . To supply a long-felt want (?), this little volume on kisses and kissing is offered. I do not claim for it literary merit, nor yet the reader’s seréous perusal of its pages. My effort has been to make it as enter~ taining and useful as possible. In the advice and observations put forth, I have addressed myself more | particularly to man, as the stands most in need of the: same. It is for man to kiss, and for woman to be kissed. There is no law, however, against woman - kissing, nor could such a law be desired. ; _In this little labour of love I have availed myself of the assistance of many famous authors, ancient and: modern. The text will be illustrated with numerous) grotesque sketches from my own pencil, which, I hope, may provoke an occasional smile or hearty laugh. -, THE AUTHOR. Brighton. tamiwh a0 Origin of the iss, A> HE origin of the kiss, like the origin of many other things, is involved in obscurity. It is not our intention to clear up the mys- tery—in fact, we can’t. Our first parents very I:kely knew something of the matter. It is not unreasonable to suppose that Adam bestowed many a loving kiss on his fair partner, and that she kissed him in return. We are strengthened in the belief that it was so by the fact that kisses have about them so much of the ambrosial sweetness, that, in our ideas, we associate with an earthly paradise. _The first kiss on record is the one Jacob gave to Rachel, on meeting her at the well; the second is that given to Jacob by Rachel’s father. We are not told which kiss Jacob liked best! They were both modcl kisses—the first was a kiss of love, and the second a kiss of peace—a Christian salute. The ancients culti- vated both kinds of kisses; but in modern times the kiss of peace has fallen into disuse, especially among men; the women occasionally use it among them- selves, but there is more formality than ~ meaning about it. We now rely entirely on the kiss of love, which, of course, is capable of many degrees of ex- pression and application. It answers every purpose ~ for’ which a kiss is required: oP .& 4 WAbat is w Riss? ee VERYBODY knows what a kiss is. The | Its blushing maiden of sweet seventeen knows; that roguish twinkle in her eye tells us that she has often had one. The school-boy knows what a kiss is, and so does the school- girl. The old people know quite well, and even the baby knows. The rich and poor, cld and young, all know, and could show us what a kiss is—even make us feel its meaning, but could either of them /e// us? Let Edwin ask his Angelina what a kiss is, and if she does not evade the question, and call him something or other, it will be odd, and even worth entering in his diary, if he is thoughtless enough to keep one! A kiss is one of those things more easily felt than described. Josh Billings says, “ The more a man tries to analyse a kiss, the more he can’t. Any man who can sit down, tilt his chair back, place his feet on the mantel-piece, and tell how a kiss tastes, has no more real flavour in his mouth than a knot-hole. The only way to define a kiss is to take one.” There happens to be much truth in the foregoing observations. A soldier once attempted to define a kiss, and so far succeeded as to say that it was “a report at head-quarters.”