i oe meant Asani ae Friendship and Love............. 004 121 Quarrels of Friends.............4... 121 Home. Hospitality y..< sivisveescweek sna anwes T2T'| POEMS sagas ove wesc weaiere aee22-216 to 231 Good Counsel.............4. veeuene [22] FRAGMENTS: Couruiwent ap Avwinarion. | THe Married States co loul as POEMS .......+. icoce brave Seas eta iver I22z to 133 Inconstancy......s.eee.seeee: te 232 FRAGMENTS: Completion ANSI IS. snlQneaaeere wes 232 Compliments........cecseccseeceees 133 FLOWS LillB sone ev venciincecdnwad eae 232 Woman.........+- eel gi eteNe ett Se 133} Mother-Love.......-c0ceeeeceeeeees 232 Personal Charms.........-+++.++00s 133] Home Pleasures... .........0000000 0s 232 Impartial Affection...........0..56- 134 Compliments from Nature........... 134 PARTING. The Poet’s Admiration,............. 134) | POEMS ice icon tai canoe sence 2B tO: 240 Platteryiccascssosewe wncnsed ass ene 134 | FRAGMENTS: Gove Farewells’ wise. aiecie: i s/elvateienig e's a's Geiss: 24T WPOEMSic::s0% ned ecneiwseranaws + «135 to 202: ABSENCE, FRAGMENTS: POEMS...... ihe See MW eRe ee 2AT TO 247 Power of Love and Beauty...... vee. 203} FRAGMENTS: Love’s Blindness .......eeeeree ees - 203| Memory in Absence........ ....005 248 vili CLASSIFICATION OF Hope Deferred... se eecs cei easseesces 248 | FRAGMENTS: Absence Strengthens Love.......... 248) Deityisecnccacesaaeasar soine.a0s 85) 6 irs 394 Time in Absence.............20008 248| Atheism............. cece eee ence eee 395 The Unwelcome Lover.... ... a aa 248 Preaching ard Missions.......++--+> 395 Presence in Absence... .........+. 248 Git d eeiane ase nite sharefacel stesso cm ete wievaintacane 395 Dei PSOINT MENT AND. EST RANGEMENT: Conscience .... oe cece eee cece eee 395 Dak ee i eee 249 to 270 REMORSE ys iain stew sensi cele o dens RS 396 ¥ , Fleeting Good...........- cece ee eee 396 FRAGMENTS: Fragility of Love.............0eeeee- 271 Hellweisotpey saanesa'ey ta: testes 396 : The: Devil ies scaverececeses sean goes 396 False Hopes.css.csess vee ves vere 271 ad Inconstancy of Man.............4-- 271 Respentability Apt ae: ee eae 396 Inconstancy of Woman............. 271 EINROPREY ecient Pere renee) take 390 y of Woman...........+.. 7 send The Disappointed Heart .......2++ gait Ecclesiasticism .... 0.00. ee ees ee eee 396 Theology ......- see eee cece cere ees 397 BEREAVEMENT AND DeatH. The Bibles ccsveeceeeeeeneeaentewes 397 POEMS ieee ccuneein Sina demise gual 272 to 308| Belief and Doubt...........+..-50+- 307 FRAGMENTS: Jesus Christ...-... 0. sees eee e cece ee 397 The Lot of Man...........-ceeeeeee 308| Virtue... .. eee cee ee eee eee eee 398 Early Death. ......-.-- sees cece enone 309] Truth... 6.66. cece eee eee ees 398 Death’s Choice........-.2eseeeceeee gog| Charity.... 2.1... cece eee ee ee cee 398 Death-Beds.........csccecccenceene 309) Prayer... 1... eee eee eee ee eee eee 398 Death and Sleep.............0 ee eens 3i0| Religious Meditation................ 399 Féarof Deéathtsc2s..0 selsieisina wees ate ee 310| The Christian Life.................. 399 Death—Conventional and Natural.... 310] Heaven...........00. 0 eee ee eee eee 399 The: Graves ccneiaet Seas cieicmiea ts 310 7 The Peace of Death......... ....... 3IT NATURE. Longing for Death. .........sseeeees 3It POEMS oo ees acs espace tis tesla es tirevetens 403 to 483 After Death. ........0eseer nero eats Str | OMENS: Mourning.......00ceeeeee eee eee tee gir| God and Nature ............e ese eee 489 Country Life. ..ccecssc49 ag arse ee ae 489 SORROW AND ADVERSITY. Fair Exchange No Robbery......... 489 POEMS sAoses eck cieesaea mene sien Y 315 to 344| Light and the Sky.................. 489 FRAGMENTS: Morning.......... fa -bseaiar Heese 490 The Lot of Mankind............... » 345 Evening........ tahiee we Sarena nang 490 Sympathy and Scorn. .........2-5005 SAG; CNightiscs (Spectator) 376 From:—Campaign, The, 5393 Cato, 310, 601, 631, 796, 799, Soo, 802; Letter from Italy, 807; Spectator, The, 724. AKENSIDE, MARK. England, 1721-1770 Delights of Fancy (Pleasures of Imagination) 819 “The shape alone let others prize” 129 Virtuoso, The . 946 | From :— Pleasures of the Imagination 814 AKERMAN, LUCY EVELINA. America. “ Nothing but leaves’ 370 ALDRICH, THOMAS BAILEY. Port mouth, N.H., b. 1836. Mter the Rain 430 Baby Bell . : 79 Before the Rain. : 427 hr taglio Head of Minerva, Onan . ah aes 740, Publi hers : Houghton, Mifilin, & Co., boston. ALEX/NDER, CECIL FRANCES. England. Burial of Moses é 7 5 < 383 ALFORD, HENRY. Englaid, b. 1810. t Lise, said the Master, come unto the feast”. 301 ALGER, WILLIAM ROUNSEVILLE. Freetovn, Mass., b. 1823. Payting Lovers, The (From the Chinese) 236 “5 Heaven approached a Sufi Saint” (From tre Persian of Dschellaleddin Rumt) Publiskers : Reberts Brothers, Boston. ALISON RICHARD. England, b. 16th century. There is a garden in h~~ face” Kahit Houre’s Recreation in Musicke, 1606) ALLEN, ELIZABETH AKERS (FVorence Poe). 365 123 Str my, Me., b. 1832. Left Behind. ° : 7 : ; 3 250 My Ship : é : i Pay 318 Rock me to Slee : h «222 Publishers = eto Sleep, & Co., ‘Boston. ALLINGEAM, WILLIAM. Ballyshannon, ireland, b. 1828, L.ives in London, Eg} Dirty Old Man, The 253 Fairies, The 5 : . - © 836 Lovelly Mary Donnelly . . : 198 Touciistone, The . «i i #735 ALLSTON) WASHINGTON Georgetown, S. C., 1779-1843. Ameri +a to Great on . . - 588 Bop pd : ey eased Svaxt hia 87 ; s . 317 / ARNOLD, GEORGE. ALTENBURG, ICHAEL: Germany, 1583 - The Battle- Seone. of Gustayas Ado! plphus (Frage lation) ANACREON. Greece, d. 476 B. C. Grasshopper, The (Cow/dey’s Translation) 48. Spring (J/oore’s Translation) . 422 ANDERSEN, ANS CHRISTIAN. Denmark, 1805 - 5 The Little Match- Girl (Frou the Danish) ANDROS, R. S. S. Burkeley, Mass., d. 18:9. Perseverance « ANGELO, MICHAEL. See BuonarotTmT1, MictaEL ANGELO. ANSTER, JOHN. Ireland, b. about 1798; d. 1867. The Fairy Child ARMSTRONG, JOE: Scotland, t7o9 - 17 Building a Home (Art of Preserving Health) 4 Fron :— The Art of Preserving Health, 558, $09. ARNOLD, Sir EDWIN. England, 1831- Almor? Blossom . a ‘ . Secret of Death, The From: —Won..a’s Voice e ‘ . 51G 336 477 z 7 31 8462 865 885 Z 181 New York, 1834-1865. en Golden Fish, The > . é . es Jolly Old Pedagogue . : September Publishers : Houghton, Miflin, & Co., Boston, ARNOLD, MATTHEW. England, 1822-1858, Desire... Dover Beach . : . Forsaken ae The . . Heine’s Grave . . . . whes Philomela ASKEWE, ANNE, England, 1529-15 The Fight or Faith AUSTIN, SARAH ‘}AYLOR. England, 1753-1367. The Passage (Prom the Geran of Uhiand ) AVERILL, ANNA BOYNTON. The Birch Stream. ces » 6 AYTON, SIR ROBER™’ Scotland, 1570 - 1638. On Love 7 Woman’s Inconsta - cy? os AYTOUN, WILLIAM EDMONSTOUNE. Scotland, <813~- 1865. Execution of Montiose, The Heart of the Bruce, The . BACON, FRANCIS, BARON VERULAM. Eng gland, 1561 - 1621 ‘From: —Life . ‘ c BAILEY, PHILIP JAMES. wt 140 207 877 504 7 85 20, 796 917 341 England, b, 1816. ‘Aim of Life, The (Festus) : js a) . a Poet of Nature, The (Festies) < ‘ * ete From:— Festus - . ; 3 204 INDEX OF AUTHORS AND TITLES, scotland, 1762-13) Heath-Coct, The . ‘ . a 477 “Up! Quit thy bower” . 3 id = » 408 From :— Rayner 7 é : 310 BALL, JOHN. 7 England, executed at Coventry, 138t. f ‘ From) — Lines used in Wat Tyler’s Rebellion 559 BARBAUID, ANNA LETITIA. | England/1743 - 1825. BOOS Life! I know not what thou art” 303 | Sabbath of the Soul, The | * 389 Summer Evening’s Meditation, A. 430 | Top Lady with some Painted Flowers 128 From|—“ Come here, fond Youth” - 80 RICHARD HARRIS (Thomas In- tity Bells |. ; 716 Jackdaw of Rheims, The 965 Misadventures at Margate 966 BARNARD, LADY ANNE Scotland, 1750-1825 Auld Robin Gray. . : . + 249 BARNFIELD, RICHARD. England, 1574-1606 ‘ 2 Address to the Nightingale . . ° . 480 BARON, ROBERT. England, b. about 1439, from : — Mirza 312 BARRETT, EATON STANNARD. Ex gland, 1785-1820. “Prom ae Woman : Her Character and Influence 795 ARRY, MICHAEL JULAND. lid From:—**The Dublin Nation,” Sept. 28, 1844. 602 - Ul Cayyeron, BERNARD. blue England, 1724-1849. Bruce and the Spider 573 As the Caractacus . és 571 “ Not ours the vows”? 213 yoke, sea, The ‘ 607 , 2, WILLIAM. And they eG TGiSaae who j. 477: — On Shakespear2 939 3953 Chaucer, $99; Faithful Shepherdess, 134 Y Four Plays * One: The Triumph of Honor, 318; Knight of Malta, 204; Love’s Cure, 107, 815; Wit Tt without Mon:y, ro8. / : nM 5 BECDOES, THUMAS LOVELL. tf ehland iBoa 1849. ree ie ae aa me pare tine beat ng = EERS, MRS. ETHELIN ELIOT (& ERS, M! th . Goshen, N. Y., 1825. Died in Orange, " a uar ‘ ; : 524 + Porter & Coates, Philadelphia, ij INETT, HENRY. b. about 1735. ‘atrick was‘a’zentleman BENNETT, WILLIAM COX. Greenwich, Eng., b. 1820, Lives in London. Baby May. . ° woes Baby’s Shoes : a : . . Ba Invocation to Rain in Summer * ie Roe Worn Wedding-Ring, Ihe . : f 223 BENTON, MYRON B Amenia, N. ¥., BD. 1524. The Mowers : © ? 55° BERKELEY, GEORGE. England, 1684-1753. bishop of Cloyne, Ireland. : On the Prospect of planting Arts and Learning in America . 4 : . . 537 BETHUNE, GECRGE WASHINGTON. New York, 1805-1802 Hymn to Night % é ‘ S 3 . 763 BICKERSTAFF, ISAAC. England, about 173 BF from : — Love ina Village, 559, 800, 816. BLACKER, COLONEL. Ireland. i ; From: — Oliver’s Advice. y 603 BLAIR, ROBERT. England, 1699 ~ 1747. from: — The Grave, 107, 120, 308, 310, 346, 396. BLAKE, WILLIAM. England, 1757-1827. Piper, The 85 Tiger, The 468 BLAMIRE, SUSANNA. England, 1747-1794. The Siler Croun. . 5 ‘ ° + 155 “ What ails this heart 0? mine?” 245 BLANCHARD, LAMAN. England, 1803- 1845. The Mother’s Hope 84 BLAND, ROBERT, REV. England, 1779-1525. Home (Fron the Greek). ’ é . 225 BLOOMFIELD, ROBERT. England, 1766 - 1323. Farmer’s Boy, The . 552 Lambs at Play 469 Moonlight in Summer , 43 Soldier’s Return, The . f 530 BOKER, GEORGE HENRY. Philadelphia, Pa., 1824-1899. Black Regiment, The é 598 Countess Laura. : : 4 ! 886 Dirge for a Soldier . ¢ 3 ; ae fsa 836 Prince Adeb . z e : 5 A 653 Publishers: J. B. Lippincott & Co., Philadelphia, BOLTON, SARAH T. Newport, Ky., 1815- Left on the Battle ez BONAR, HORATIUS. Scotland, b. 1898. ae ‘* Beyond the smiling and the weeping ” 296 Master’s Touch, Thz ‘ i 5 ‘ 388 BOOTH, BARTON. Eng!and, 1681 - 1733. From:—Song . 2 . Z : 79€ | BOTTA, ANNE CHARLOTTE LYNCH. Bennington, Vt., b. about 1820, Lives in New York. On a Picture is : ‘ A 247 BOURDILLON, FRANCIS wW. England, now living. Light . - : : . ~ of 133 BOWLES, CAROLINE ANNE. See SOUTHEY, MRS, CAROLINE BOWLES, BOWLES, WILLIAM LISLE. England, 1762- 1850. “*Come to these scenes of peace” 3 ; 403 Greenwood, The. . . ait + 454 Rhine, On the Z ‘ é 7” ; ts 447 BOWRING, SIR JOHN. i England, 1792 - 1872. | “ From the recesses of a lowly spirit”? . + 375 Nightingale, The (From the Portugu. se) 479 Nightiagae, aun oar oh. Dates 473 INDEX OF AUTHORS AND TITLES. BRADSTREET, ANNE. Englar.d, b, 1612, d. America, 1672. from:—Contemplations (Pub. in 2d ed. of The Tenth Muse, lately sprung up in A mer- tca. Boston: 1678) - 493 BRAINARD, JOHN GARDINER CALKINS. New London, Conn., 1796- 1828. “T saw two clouds at morning” . 137 Niagara, The Fall of . a 449 BRANCH, MARY L. BOLLES. Brooklyn, N. Y., b. New London, cone 1840. The Petrified Fern . : - . + 863 BRENAN, JOSEPH. Treland, b. 1829; d. in New Orleans, 3857 “Come to me, dearest ” . - 247 BRETON, NICHOLAS. Engl and, 1555-1624. “I would I were an excellent divine” 362 Phillda and Corydon - + 136 Phillis the Fair 3 . « 124 BRISTOL, LOR See DIGBY, JOHN, EARL OF BRISTOL. BROOKS, CHARLES TIMUTHY Salem, Mass., 1813-1883. Alpine Heights (From the German of Krum- macher) 445 Fisher, The (From the ‘German of Goethe) 825 Good Night (From the German of Korner). 558 Men and Boys (From the German of Korner) 583 Nobleman and the Pensioner, The rere the German of Pfeffel) . « 520 Sword Song, The (From the ‘Comm of Korner) 519 Winter Song (From the German of Ludwng Publishers Ph asiieok Mifflin, & Co., Boston 434 BROOKS, MARIA GOWEN ere. del Occidente). Med ford, Mass., 1795 - 1845. “Day, in melting purple dying” - TUE nare (Zophiel, or ou Bride’ of oo . . . a Publishers: Lee & Shepard, Boston. BROWN, FRANCES. Ireland, 1818-1864. osses s . . < . . = - 333 “O the pleasant days of old!” . 699 BROWNE, SLR: THOMAS: England, 1605 - from: = Religio Medici 2 «= = « gu BROWNE, WILLIAM. England, 1590 - 1645. y Choice 140 Siren’s Song, The (nner Temple Masque). 825 “Welcome, welcome, doI sing” - - 126 From: — Britannia’s Pastorals . - 938 BROWNELL, HENRY HOWARD. Providence, R. I., 1824-1872. Lawyer’s Invocation to Spring, The ‘i - 992 Publishers : Houghton, Mifflin Co., Boston. BROWNING, ETIZABELH BARRETT. England, 1809 ~ 186. Court Lady, A 3 - j 585 George Sand, Sonnets To * e 2 923 Lady’s Yes, The - 144 Lord Walter’s Wife. n . 217 Mother and Poet . « 283 Musical Instrument, A . é . “ 865 Parting Lovers (Sienna) . . ‘ . + 236 Pet Name, The e 89 Portrait, A - 97 Romance of the Swan’ Ss Nest, The | x A 102 Sleep ‘ oe 762 Sonnets from the Portuguese a - 189 View across the Roman Campagna, a - « 683 Wordsworth, On a Portrait of 7 914 BROWNING, ROBERT. England, 1812 - 1889. ‘velyn Hope . we See ab. SE » 2 284 Flower’s Name, The a m « e 147 Hervé Riel 617 How they brought the Good News from Ghent to Aix . . > . . 513 In a Year ‘ 3 . ee LS » 260 Incident of the French Camps. ‘ % 513 Meeting . ¢ . « 170 Pied Piper of Hamelin, The ‘ . o 849 The King is cold 884 “The Moth’s kiss, first |”? in a Gondola) . 183 ae :—One Word more, 399; Paracelsus, 801, 08. BRYANT, JOHN HOWARD. Cummington, Mass., b, 1807. Little Cloud, The. a . » §93 Valley Brook, The. . c é 447 Winter. . - 438 BRYANT, WILLIAM CULLEN. ‘Cummington, Mass., HD 1878, America, . . . . . . 587 Battle-Field, The . é z «= 534 “ Blessed are they that mourn” , 3 a 743 Death of the peeN, The . a 466 Evening Wind, The 40k Fatima and Raduan (From the Spanish) 106 Flood of Years, The . - 8 750 Forest Hymn, A e is é + 452 Fringed. Gentian, To the. fi ‘a - 465 Future Life, The . 5 z ; 275 Hurricane, The . < n 5 ‘ 686 » 425 ate of God, The (From ‘the Provencal) . 388 Mosquito, Toa 487 M Autumn Walk 6 535 , fairest of the rural ‘maids ” e 130 Planting of the Apple-Tree, The . 457 Poet, The (Manuscript Sacsioile) « 78 Robert of Lincoln s ‘ 476 Snow-Shower, The . 44° Song of Marion's Men. 589 Thanatopsis 307 Toa Waterfowl . 481 Washington’s Birthday, Ode for __. . G62 From:— Autumn Woods, 494, March, 492; Scene on the Banks of the Hudson, 309. Publishers: D. Appleton & Co., New York. BRYDGES, Sik SED EGERTON. England, 1762 - Echo and i eee i q § ri 865 BUCHANAN, ROBERT. Scotland, b. 184r. Fra Giacomo , . . 885 Little Milliner, The . i 18k BUCH ING HA MSHIRE, » JOHN SHEFFIELD, England, 1649 - 1720. ‘vom :—Essayon Poetry . 2 ‘ - 806 BUNYAN, JOHN. England, 1628 - 1683, From: — Pilgrim’s Progress + «6 347, 805 BUONAROTTI, MICHAEL ANGELO. Italy, 1474-1563. “Tf it be true that any beauteous thing” (7 Z. Taylor's Translation) 135 “The might of one fair face” (Taylor? s Trans. ) 3135 From: — Sonnet (Mrs. Henry Roscoe's Trans.) 809 BURLEIGH, GEORGE S. Plainfield, Conn... = A Prayer for > Tite - : 2 - 380 BURLEIGH, WILLIAM H Woodstock, Conn., 1812-1871. Deborah Lee . a8 3 + 1005 BURNS, ROBERT: Scotland, 175° ‘Ae fond Rie before we part . . 2 a 233 Afton Water . E : Zi es . > 447 Auld Lan; Syne. . 2 . . s 118 Banks o’ Doon, The = . 5 3 » 249 Bannockburn ‘ o . zi . 573 Bard’s Epitaph, A . a » 2 QI “Ca’ the yowes to the knowes ” 7 ‘5 . 153 Comin’ through the Rye > ° 2 187 Cotter’s Saturday Ni t, The” , < 385 “ Duncan Gray cam’ here to woo” , ‘ 196 Elegy on Captain Henderson : yi ci 917 “* For a’ that and a’ that ” a : - 361 “ Green grow the rashes, = ym, : is rgt T love my Jean . ‘i . 242 “ John Anderson, my Jo’ Oe wm a 222 52 INDEX OF AUTHORS AND TITLES. L John Barleycorn. 3 ‘ © Let not woman e’er complain” ‘i . Louse, Toa. a . . . Man was madetomourn. 4 . Maryin Heaven, To . . . : . Mary Morison. A a : y Mountain Daisy, Toa . ‘ . ‘ . Mouse, Toa. 3 ss ‘ My Heart's in the Highlands. “ My wife’s a winsome wee thing” “O my luve’s like a red, red-rose ’ “OQ, saw ye bonnie Lesley?” Tam O'Shanter : : : : “ The day returns, my bosom burns’’. Toothache, Address to the To the Unco Guid : ‘ 7 a “Whistle and I ’ll come to you, my lad” : From:— Despondency, 345; Epistle from Eso- pus to Maria, 346; Epistle to Davie, 348; Epistle to a Young Friend, 395, 396, 796, Epistle to James Smith, 108; Jessy, 134; On Captain Grose’s Peregriations through Scotland, 805, Sensibility, 204; Vision, The, 309. BUTLER, SAMUEL. England, 1600 - 1680. Hudibras’ Sword and Dagger . Hudibras, The Logic of Hudibras, The Religion of a From: — Hudibras, 108, 205, 215, 309, 347, 395 396, 490, 549, 632, 671, 803, 804, 807, 808, 809 BUTLER, WILLIAM ALLEN. Albany, N’ Y., v. 825. * Nothing to wear ’ 2 ; Publishers : Houghton, Mifflin, & Co., Boston, BYRON, JOHN Eugland, 1691 - 1763. A Pastoral “ 7 ‘ _ ‘ BYRON, GEORGE GORDON NOEL, LORD England, 1788 - 1824. dieu, adieu! my native shore” Augusta, To ° " “ Coliseum by Moonlight (Manfred) Coliseum, The (Childe Harold) . Daniel Boone (Don Fuan) 2 A 4 Destruction of Sennacherib, The (Hebrew Melodies) i Dream, The . a Evening (Dox F¥uan) . 7 “ Farewell, if ever fondest prayer’ Farewell to his Wife i Filial Love (Childe Harold) . First Love (Dou Fuan) a ‘ Greece (The Giaour) Greece (Childe Harold) . ' Greek Poet. Song of the (Don Yuan) 5 Lake Leman, Calm and Storm on (Childe flarold ) Z Latest Verses 2 5 “* Maid of Athens, ere we part”? Murat (Ode from the French) Aaneleon (Childe Harold) teht a 2 4 y Orient, The (Bride of Abydo-) . “Q, snatched away in beauty’s bioom”” Pantheon (Childe Harold) Picture of Death, A (The Giaovr) . Poet’s Impulse (Childe Harold) . Prisoner of Chillon, The . Rhine, The (Childe Harold) : Rover, Song of the (7he Corsair) Sea, The (Childe Harold) . z ‘ : “She walks in beauty” (Hebrew Ifelodies) . Swimming (Two Foscart) Fs “The kiss, dear maid’ . Thomas Moore, To * ‘ is Transient Beauty (7he Giaour) Waterloo (Childe Harold) .« A Prom:— Beppo, 721, 795, 801, 814; Bride of pert os, 134, 206, 231, 309, 541, 7203 Childe arold, 133, 134, 206, 241, 271, 396; 397) 490, 493, 54¥z 720, 725, 720, 792, 796, 800, 812, 813, 867, 869, 938 ; Corsair, 348, 812 ; Death of Sheridan, 940; Doge of Venice, 4,1; Don Juan, 107, 944 194 486 332 288 149 462 468 659 216 234 242 847 28 952 734 156 506 945 387 Sr 203, 204, 205, 215, 3095 310; 396, 490, 631, 632. 673, SO 796, 805, 808, 809, 811 ; English Bards and-Scotch Reviewers, 215, 397, 800, 804, 805, 806, 940; Giaour, The, 205, 207, 271, 312, 816; Island, The, 814; Lara, 346, 490% Letter, 793; Manfred, 107, 108, 493; Mazeppa, 899: Par- isina, 491, 899; Sardanapalus, 241, 794; Waltz, The, 814; “ When we two parted,”’ 241. CALDWELL, WILLIAM W. Newburyport, Mass., b_ 1823. Rose-Bush, The (Prom the German) . CALIDASA. India, rst Century B. C. Baby, The (Szv William Yones’s Trans)» Woman (/orace H Wilson's Trans.) CALLANAN, JEREMIAH JOSEPH Ireland, 1795 - 1829. Gougaune Barra - A , ‘ > % CALVERLEY, CHARLES 5S. England, 1831-1884. Arab, The : . * é . Cock and the Bull, The . Disaster . fi a 4 ° 4 Lovers and a Reflection . ° . a Motherhood . f = % To Tobacco . i 2 & CAMOENS, LUIS DE. Portugal, 1524-1579 Blighted Love (Z ord Strangford's Trans.) . CAMPBELL, THOMAS. Scotland, 1777-1844. Evening Star, The . 4 _ > s Exile of Erin 2 . , . Hallowed Ground . eae ‘ fH. 2 ) ope (Pleasures of Hope . - * Kiss, The First . 5 5 i . Lochiel’s Warning . s . Lord Ullin’s Daughter . ’ Maid’s Remonstrance, The . ‘ Napoleon and the British Sa:lor Poland ‘ . . River of Life, The : Soldier’s Dream, ‘The. ; é i ““Ve mariners of England ** ‘i From: — Drink ye to her, 205; Gertrude, 494; Pleasures of Hope, 204, 248, 310, 347, 395, 3972 795, 800, 802, 810; ‘To the Rainbow, 494. CANNING, GEORGE. England, 1770-1827. pitaph on the Marquis of Anglesea's Leg Friend of Humanity and the Knife-Grinder From :— New Morality, 121, 806; ‘Lhe P.Jot that weathered the Storm, 632. CAREW, LADY ELIZABETH. England, pub. 161 Revenge of tufastes (Mariam) % és > CAREW, THOMAS. England, 1589-1639. Compliment, The . : : < % ‘ “Give me more love or more disdain ” “* He that loves a rosy cheek ” “ Sweetly breathing, vernal air’' ‘ e From : — Conquest by Fheht, 205 ; On the Duke of Buckingham, 369, ‘*Thmk not ‘cause men flattering say,”’ 203 CAREY, HENRY England, 1663-1743 Maiden’s Ideal of a Husband (Contr ivances) Sally in our Alley. x From : — Choonon, 808 ; God save the King, 603. CARLETON, WILL M. Ohio, b. 1839. New Church Organ, The % a Over the Hill to the Pocr- House fi . Publishers : Harper & Bros , New York. CARY, ALICE. Near Cincinnati, O., 1820~ 1871, Dying Hymn, A . 7 . © «6 [ake Believe . . . e Pictures-of ‘Memory - e ne . . Spinster’s Stint, A fi if % 7 Publishers, Houghton, Mifllin, & Co., Boston, 1010 1008 998 1010 gor 99a 261 412 578 788 513 743 185 573 338 144 616 583 74t 629 95. 952 789 126 144 141 422 142 198 995 342 391 188 172 INDEX OF AUTHORS AND TITLES. 53 CARN Le ee FRANCIS. ani 1844. me T he fivest thing in mortal eyes” (From the French of Charles, Duke of Orleans) CARY, LUCIUS (Lorp Facktanp). England, 1610 - 1643. ‘Ben Jonson’s ‘Commonplace Book CARY, PHG@BE. Near Cincinnati, O , 1824-1871. Dreams and'Reahties . é ‘ Lovers, The . a. F ‘ Nearer Home 300 907 113 1005 375 Peace . 5 é ‘ 5 A 2 533 Publishers : Houghton, Mifflin, & Co., New York. CASIMIR THE GREAT,. KING OF POLAND Poland, 1309 - 1370 “Tt kindles all my soul "' (From: the Polish) CASWALL, EDWARD. Engiand, b. 1814. “* My God, I love thee” (From the Latin oS SZ, Francis Xavier) 5 CELANO, THOMAS A Italy, about 1250 Dies Ire (ohn A Dix's Translation) ze CHADWICK, JOHN WHITE. Marblehead, *Mass., b. 1840. The Two Waitings ‘ i CHALKHILL, JOHN (Probably Tana’ ‘Wax0%) The Angler. CHAMBERLAYNE, WILLIAM. England, 1619 - 1689. From :—Chastity CHANNING, WILLIAM ELLERY, Boston, Mass., b. 1818 Our Boat to the Waves Publishers : American Unitarian ” Association, Boston. CHAPMAN, GEORGE. England, 1557 - 1634. Camp at Night, The (Jad) : * Muses that sing Love’s sensual empirie” From:— Bhnd Beggar of Alexandria, 203, Re- venge, 120, Widows’ Tears, goo CHARLES, DUKE OF ORLEANS France, 1391 - 1465- “The fairest thing in mortal eyes me (ener F Cary's Translation Spnng . CHATTERTON, THOMAS. England, 1752 1770 Minstrel’s Song F : . CHAUCER, GEOFFREY England, 1328 ~ 1400 Canterbury Pilgrims, The (Canterbury Tales) Gomplesnte of Chaucer to his Purse Daisy, The (Legend of Good Women) Morning in May (Kuzzghtes Tale: From:— Assembly of Foules, 489, Canterbury Tales: Prologue, 809; Clerkes Tale, 23:1; Frankleines Tale, 398; Knightes Tale, 490, 492, 802; Manciples Tale, 398, Nonnes Preestes Tale, g00, ‘Troilus and Creseide, 108, CHERRY, ANDREW England, 1762 - 1812. The: Bay of Biscay F 4 ‘ sg cer getter EARL OF. England, 1694 - From: — ‘Advice toa Lady in Autumn ; CHORLEY, HENRY FOTHERGILL. England, 1808 ~ 1872, The Brave Oia Oak CHURCHILL, CHARLES England, 1731-1764. from: — Prophecy of Famine, 807: Rosciad CIBBER, COLLEY Lngland, 1671— 1757 “Che Blind Boy From:— Richard III, Altered 204, 492; 539) 541) ae CLARE, JOHN En: ‘land; 1793-1864. aborer, The . , «oe . . , Summer Moods . «6 » * > 372 360 353 277 668 796 630 414 135 300 421 289 695 904 462 418 628 = 49 454 804 557 427 CLARKE, JAMES FREEMAN Hanover, N.H.,b rio. d. Boston, Mass . 1883. Cana a The Caliph and Satan (Persian of Tholuck) Publishers : Houghton, MilHlin, & Co. Boston. CLAUDIUS, MATTHIAS Germany, 1743-1815. e Hen ( Translation) ‘ , a . CLELAND, WILLIAM England, about 1661 - 1689. allo, my Fancy. . “i i . CLEMMER, MARY HUDSON, Utica, N Y’. 1839-1884 By the Sea . a CLEVELAND, JOHN England, 1613~ 1659. To th the Memory of Ben Jonson 5 . CLOUGH, ARTHUR HUGH. England, 1819 — 1861. Qué Cursum Ventus COFFIN, ROBERT BARRY (Sarry Gray) Ships at Sea . COLERIDGE, HARTLEY England, 1796- 1849. Shakespeare. 3 Fi “She is not fair to outward view”. ‘ COLERIDGE, SAMUEL TAYLOR. England, 1772 - 1834 Answer toa Child's Question , az a . Epigrams —_. a Exchange, The Fancy in Nubibus Good Great Man, The Hymn before Sunrise in the Vale of Chamouni Knight’s Tomb, The Kubla Khan Love . Z : : a ‘ Metrical Feet . . Quarrel of Friends, The (Christabel) : Rime of the Ancient Mariner From :—Christabel, 308, 721, 726, Chnstmas Carol, 492; Day Dream, 807 ;. Death of Wallen- stein, 490, 800; Devil’s Thoughts, 396; Epi- taph on an Infant, 107 ; Fears in Solitude, 3953 Homeric Hexameter (From Schiller), 631; Wallenstein, 297 ; Youth and Age, 120 COLES, ABRAHAM Newark, N J. 1813-1891 Stabat Mater Dclaioes (From the Latin) COLLINS, ANNE. England, about 1627 The winter being over” . . COLLINS, MORTIMER England, 1827-1878. Comfort . . > . a ‘ Darwin. . ° . . COLLINS, WILLIAM. England, ‘tp20- 1756. How sleep the brave” . a Passions, The . . From: — Ode on the Death of Thomson COLMAN, GEORGE (The Younger). ens 1762 - 1836, lage gity-Glue (The aii ne the Vine) . a armaduke Toby Tosspot . . From : — Lodgings for Single Gentlemen . CONGREVE, WILLIAM. England, 670 - 1729. Silly Fair ‘ From: —Letter to Cobham, 793: “Mourning Bride, 207, 398, 809, Old Bachelor, 214. COOK, ELIZA. England, 1817 - 1889. Old Arm- enw The 5 c « #4 COOKE, PHILIP PENDLETON. Martinsburgh, Va., 1816 ~ 18 Life m the Autumn Woods. Bo ety : COOKE, ROSE TERRY Hartford, Conn _1827- Réve du Midi . . ° Publishers : Houghton, Mifflin, & Co., ‘Boston, COOLIDGE, SUSAN. See Wootszy, Saran C, 388 866 99r 820 743 go6 101 663 410 54 INDEX OF AUTHORS AND TITLES. COOPER, JAMES FENIMORE. Burlington, N. J., 1789 - 1851 My Brigantine (The Water Witch) a . CORBET, RICHARD. England, 1582~ 1635. arewell to the Fairies. =. « 2 CORNWALL, BARRY. See Proctsr, B. W. CORNWELL, HENRY SYLVESTER The Sunset City COTTON, CHARLES. England, 1630 - 1687. Contentation . = 5 be og ; Retirement, The . ‘6 a COTTON, NATHANIEL. England, 1721 - 1788. “The Fireside . a . COWLEY, ABRAHAM. England, 1618 - 1667. Chronicle, The . Grasshopper, The ( Greek of A nacreon) Hymn to Light, From the Invocation (Davideis) . Of Myself From :— Anacreontiques, 4943 3 ‘Davideis, 7933 : For Hope, 800; Gold, 204; Motio, The, 8113 On the Death of Crashaw, 398; Frophet, The, £04; Waiting Maid, The, 795. COWPER, WILLIAM. England, 1731 - 1800. Boadicea . a . Contradiction (Conversation) 7 5 Cricket, The . 5 . a ere, History of. John Gilpin Duelling (Conversation) . England (Lhe Task: Book IL) Freeman, The (The Task: Boot 17) Happy Man, The (The Task: At Vr) Humanity (The Task: Book V/.) My Mother's Picture . Nightingale and Glow-Worm, The. Nose and the Eyes, The Rose, The Royal George, On the Loss of the Slavery (The Task: Book I1.) Sum of Life, The (The. Task: Book VI. As ** Sweet stream, that winds”’ . Verses supposed to be written by ‘Alexander Selkirk . Winter Morning ( The Tash: Book V. ) , Winter Noon (The Task: Book VI) From : — Conversation, 538 724, Exhortation to Prayer, 398; Fable, A, 394; Light shining out of ‘Darkness, 632: Motto of Connonsseur No. TII., 107; Mutual Forbearance, 215; Needless Alarm, 671, 793; On Friendship, 121; Pairing-Time Anticipated, 215, 495; Progress of Error, 793; Retired Cat, 802, Retirement, 120, 396, 724, 815; Stanzas serwined to a Bill of Martatity, 308; Table Ik, 601, 602; Task, The: Sofa, 493 » 6725 Timepiece, 232, 806, 309, 814. 815; inter Evening, 492, 495, 810: Winter Morning Walk, 394, 493. 539, 541, Tirocimum, 398, To an Afflicted Protestant Lady, 348: - ransla- tion from the Greek, 271; Translation of Horace, 815 ; Truth, 397, 493. COZZENS, FREDERICK SWARTWOUT. New York, 1818 - 1869. An Experience and a Moral Publishers : Houghton, Mifflin, & Co., Boston. CRABBE, GEORGE. England, 1754- Approach ofA Age, The ( Tales of the Hail) Quack Medicines (The Borough) He Birth of Flattery, 798 ; Parish Register, 05. CRAIK, DINAH MARIA MULOCK,. ‘England, 1826-1887 Alma River, "By the. 7 5 . “* Buried to-day ° < 3 . si Dead Czar Nicholas, The . Douglas, Douglas, tender and ‘true 626 847 823 734 737 226 19gt 484 407 772 730 572 780 485 959 780 575 735 782 92 863 951 612 593 799° 738 435 437 253 323 783 516 272 929 289 Fletcher Harper, To the Memory of . é Her Likeness ‘ - ‘ Lancashire Doxology, A. . . ° . Now and Afterwards . oe Only a Woman ‘s ‘ aie, aa . Philip, my King . ‘ CRANCH, CHRISTOPHER PEARSE. Alexandria, D C , b. 1813. Thought Publishers: Houghton, Mifflin, & Co., and Roberts Bros., Boston. CRASHAW, RICHARD. England, 1600 - 1650. 935 130 556 295 258 75 73t ightingale’ 's Song (Music's Ducl) . 774 Supposed Mistress, Wishes to his 192 The Cheap Physician Un Praise of Lessins's Ss Rule of Health) . 546 “Two men went up to the Temple t to Pray” 362 Water turned into Wine . a 36 Widow's Mites, The . s . c 362 CRAWFORD, MRS. JULIA. Ireland. “ We parted in silence” eo Of 240 CROLY, REV. GEORGE, LL.D. Irclantl, 1780 - 1860. Catiline to the Roman Army ' Catiline) 508 Gemus of Death, The . : 744 Leonidas, The Deathof. 504 CROSS, MARIA EVANS LEWES (George Eliot). Enyland, 1819-1880. * Day 1s Dying” (The Spanish Gipsy) 4Ir “©, may [join the chor invisible” : 760 CROWQUILL, ALFRED. See FoRRESTER, ALFRED A. CUNNINGHAM, ALLAN. Scotland, 1784- 1842. “Thou hast sworn by thy God, my Jeanie’’ 208 Poet's Bridal-Day Song, The . 219 Wet Sheet anda Flowing Sea,,A . - 626 CUNNINGHAM, JOHN, treland, 1729 - 1773. Morning . . ‘ . . + 408 CUTTER, GEORGE Ww. Massachusetts, b._ 1801. Song of the Lightning : . . 864 Song of Steam. a 555 DANA, RICHARD HENRY. Cambridge, Mass., 1787 - 1879. Beach Bird, The Little ‘ . 482 Husband and Wife’s Grave, The > 0 304 Island, The (7ke Buccaneer) . , : 691 Pleasure-Boat, The a 666 Soul, The z . - 368 Publishers : Charles Scribner's Sons, New York. DANIEL, SAMUEL. England, 1562 - 1619. To Delia . . 8 414 Love isa Sickness —. 136 From : — On the Earl of Southampton, 348; Son- net, 204; To the Cuuntess of Cumberland, 808 DANTE. dtaly, 1265-1321, vom:—Inferno . . 346, 396. DARLEY, eee Ireland, 7785 - 18. Gambols of olnidren, The os 6 «@ “« 85 Song of the Summer Winds . . . 425 DARWIN, ERASMUS. England. 173: 1802, "vom : — Botanic Garden . ‘ + + 802 DAVIES, SIR JOHN England, 1570 - 1626, The Dancing of the Air ‘ 450 From : — Contention betwixt a Wife, &e. 6 »° 231 DAVIS, THOMAS. Ireland, 1814 ~ 1845. Sack of Baltimore, phe . - Z » 880 Welcome, The ‘ ‘s 152 DEKKER, THOMAS. England, about 1574 - about 1641. e Happy Heart (Patzent Grissell) 550 From: 1 — Honest Whore, The, 723 , Old Fortuna. tus, 308. INDEX OF AUTHORS AND TITLES. DE_LISLE, ROUGET. s France. The Song written at Strasburg, in 1792. The Marseilles Hymn (A dbrev. Translation) DENHAM, SIR JOHN. England, 1615 - 1668. i From: — Cooper’s Hill, 720, 723; Elegy on Cowley, 939- DE VERE, AUBREY THOMAS. Ireland, b. 1814. Early Friendship. |. in Po . ‘Sad is our youth, for it is ever going” DIBDI Ny CHARLES. ngland, 1745-1814. Heaving of the Lead, The a , Poor Jack . < Tom Bowling . . . . . DIBDIN, THOMAS. England, 1771~ 1841. All’s Well (Zhe British Fleet)». . . From :— The Tight Little Island 2 6 . DICKENS, CHARLES. England, 1812 - 1870. vy Green, The . * . ° ‘i . DICKINSON, CHARLES M. Lowville, N. Y., b. 1842. The Children . - - 6 . DICKSON, DAVID. England, 1583-1662. ‘he New Jerusalem et Se gs DIMOND, WILLIAM. England, 1800 - 1837. he Mariner’s Dream. . . . = DIX, JOHN ADAMS. Boscawen, N, H., 1798 ~ 1879. Dies Ire (Latin of Thomas a Celano) . . DOBELL, SYDNEY. England, 1824 - 1875, Home, Wounded. Be. 8 oe * How’s my Boy? . a . . % . Milkmaid’s Song, The. ° . DOBSON, AUSTIN. England, b. about 1840. efore Sedan e ei For a Copy of Theocritus (Essays in old French Forms of Verse). Growing Gray. . e # ° “ OnaFan- . Romaunt of the Rose (Vignettes in Rhyme) 7 Sun Dial, The «©. a a . . DODDRIDGE, PHILIP. England, 1702-1751. “Amazing, beauteous change!” . * . From :— Epigram on his Family Arms . DODGE, MARY MAPES, New York City. pb. 1838. The Two Mysteries. . © o « DOLLIVER, CLARA G. America. No Baby in the House . ne ae DONNE, DR. JOHN. England, we eWill . . in id ® A From: — Comparison, The, 795; Divine Poems: On the Sacrament, 398; Triple Fool, The, 798 ; Valediction forbidding Mourning, 248. DORR, JULIA C. R. Charleston, S. C., b. 1825. Outgrown . f P P : eet Publishers: J. B. Lippincott & Co., Philadelphia, DORSET, CHARLES SACKVILLE, EARL OF. England, 1637 ~ 1709. The Fire ok Love (Zxamen Miscellaneum) . DOUGLAS, MARIAN. See Green, AnniIz D. DOUGLASS . Scotland. Annie Laurie . 8 . . . . DOWLAND, JOHN. England, 1562-1615. Sleep . . ee oo us DOYLE, SIR FRANCIS HASTINGS. England, 1810-1888. he Private of the Buffs ~ . 584 IIt 316 627 629 627 602 465 230 358 614 353 325 168 529 405 755 749 266 184 377 794 297 794 263 155 762 514 DRAKE, JOSEPH RODMAN, New York City, 1795-1820. American Flag, The és . e . » §92 Culprit Fay, The . s . a ° . 40 DRAYTON, MICHAEL England, 1563 - 1631. allad of Agincourt, The. . . « «© g02 “Come, let us kisse and parte”? « é « 239 from:—'Yo Henry Reynolds . oe + we 938 DRUMMOND, WILLIAM. Scotland, 1585 ~ 1640. Nightingale, Toa . 2 2 «© «© « 479 DRYDEN, JOHN. Hingland, 1631 - 1700. h, how sweet ! (Zyrannic Love) . 3 » 145 Alexander’s Feast ; or, the Power of Music. 77% Character of the Karl of Shaftesbury (4 bsadome and Achitophel) — - + 4 908 Portrait of John Milton, Lines written under 907 Song for St. Cecilia’s Day, A, 1687. . . 775 Veni Creator Spiritus (From the Latin) & * 357 Zimri (A dsalom and Achitophel) + 4 gog from: — Absalom and Achitophel, 490, 601, 798 ; All for Love, 207 ; Amphictrion, 248 ; Aurung- Zebe, 793; Cock and the Fox, 489; Conquest of Grenada, 345, 798; ee and Iphigenia, 204, 206, 671, 721 ; Don Sebastian, 813 ; Elegy on Mrs. Killigrew, 311 ; Epistle to Congreve, 120; Hind and Panther, 398; Imitation of Horace, 792, 793, 806; Marriage a la Mode, 203 ; CEdipus, 309; Oliver Cromwell, 939; On the Death of a very young Gentleman, 309: Palamon and Arcite, 207; Tempest, 7253 Threnodia Augustalis, 725; Trans. Ovid’s Metamorphoses, 493; Tyrannic Love, 539. DSCHELLALEDDIN RUMI. ersia. “To heaven approached a Sufi saint” (W. R. Alger’s Translation) . . : « 365 DUFFERIN, LADY (HELEN SELINA SHERIDAN). Ireland, 1807 - 1867. Lament of the Irish Emigrant . c 292 DUNLOP, JOHN. Scotland, 1755 - 1820, “Dinnaaskme” . é ° . . 161 DWIGHT, JOHN SULLIVAN. Boston, Mass,, 1813 - 1893. Landlady’s Daughter, The (Prom the German of Uhland) . . . . . . + 142 True Rest . . . ° . 557 DWIGHT, TIMOTHY. Northampton, Mass., 1752— 1817, Columbia. . x . 5838 DYER, JOHN. Wales, 1700 ~ 1758. Grongar fi é . . : 443 From :— Ruins of Rome - o Fi 725 DYER, SIR EDWARD. England, about 1540 - 1607. “* My minde to me a kingdom is ” + 8 929 EASTMAN, CHARLES GAMAGE. Burlington, Vt., 1816 - 1861. A Picture . 7 . . F 229 ASnow-Stom . . . oo 449 EDWARDS, AMELIA BLANDFORD. Englai id, 1831 ~ 1892. % ‘Give me three grains of corn, mother’? » 338 ELIOT, GEORGE. See Cross, Maria Evans Lewes. ELLIOT, EBENEZER (The Corn-Law Rhymer), England, 1781 ~ 1849. urns . . . . . . . . gl4 Corn-Law Hymn,The. . . 2 » Bee Spring oe yew ge EMERSON, RALPH WALDO. Boston, Mass., 1803 - 1882. Boston Hymn re 7 Brahmas «+ ee www 746 Concord Monument Hymn .« . «lk 585 Each and All Hee G05 Friendship + 8 ee ood By 5 ‘ ° . ° . a 744 Humble-Bee, To th oe ewe 484 Letters... . se Ae a 746 56 INDEX OF AUTHORS AND TITLES. : Problem, The 2 3 » 738 FREILIGRATH, FERDINAND z > % 5 6 Gerinany, 1810 ~ 187, ee ene sia ats : : 3 a Lion’s Ride, "The (From the Germans . . 467 Snow- Bion ane a oe 3 . . 439 GALLAGHER, WALLIAM D. From :— Good By s « 397 Philadelphia, Pa . Publishers, Teta Mifflin, & Co Boston. | Autumn, The. : . "i i - 434 ERASMUS GARRICK, DAVID. Kotterdam, 1467 - 1536- | England, 1716- 1779. From:—Apothegms . F . 540 From :— Hearts of Gak, 631; Prologue on EVERETT, DAVID. | quitting the Stage mm 1776, 804. Fnnceton, Mass , 1769-1813 GARRISON, WILLIAM LLOYD. From: — Lines antien fora School. Declamation 107 Newburyport, Mass., 1804-- 1879 EVERETT, EDWARD | | Sonnet written in Prison . 5 593 Dorchester, Mass . 1794-18 GARTH, SIR SAMUEL Dirge of Alaric the Visigoth , . 903 England 1670-3719. EYTINGE, MARGARET From :— The Dispensary . « 309, 801 America GASCOIGNE, GEORGE Baby Louise . ‘ . e983) Eng land Wo7s 177 a re e Vanity ofthe Beautiiu « . «712 BADER, PREDERICK ‘WILLIAM | From: — The Swiftness of Time 791 England, b 1814- 1864 "O, how the thought of God attracts” . 374 GAY, JOHN. The Right must Win r f 390 | England. 1688 - FALCONER, LEE Black-eyed Susan 235 Seailanel 1730~ 171 From : — Beggar’s Opera, 121, 134 205. 493: 7225 795, Dione, 207 ; Hare and Many Friends, 121, 1335 Mother. Nurse, and Farry. 232, My own Epitaph, 792; Painter who pleased Nobody he Stipwreck z " é < . 612 pace CATHERINE England. Latter part of rath century. ‘A Riddle. (The Letter H) . ; 7 . 778 | and Everybody, 805, 810; Rural Sports, 671 ; Shepherd and Philosopher, 804, Sick Man-and FENNER, CORNELIUS GEORGE. the Angel, 794. oquire and Ins Cur, 121 ea Weed 622'GAYLORD WILLIS ulf-Weei +e « 622, EERGUSON, SIR SAMUEL. Lines written ip ar Album .- ‘ s ‘ 1015 Treland, 1805. Forgin z of the Anchor, The - « 554 GERHARDT, PAUL Pretty Girl of Loch Dan, The . . . 105 | Sma so Bi FIELDING, HENRY eee rhs a England, 1707 ~ 1754. GIBBONS, THOMAS. A hunting we will go” 662; England. 1720-178). Roast Beef of Old England, The : ge From: — When Jesus dwelt . - & 8 Oe from: — Covent Garden Tragedy, 803; Tom GIFFORD, RICHARD. Thumb the Great, 797 | ee aya Coke Jat vom ; — Contemplation : ‘ + 559 Pe a eae GILBERT, WILLIAM SCHWENCK, Nantucket Skipper, The. Z - 988 Engen ». Re Tempest, The é: 627 Captian cece : noe Publishers : Houghton. Mifflin, & Co, Boston. " Ween St ae eer The (Bab B ED) 968 y he (Lab Ballads eS ae GILDER, RICHARD WATSON The Blue and the Gray . % ¢ 2 $33 Bordentown, NJ. si FINLEY, JOHN: Publishers : Charles Scribner s Sons New York. | ee eae s Hall yal of 4003 GILMORE, JAMES R. (Edmund Kirke). FLAGG, WILSON Three Days 3 4 . + 750 Beverly, Mass. 1805- 1884 GLAZIER, WILLIAM BELCH ER. The O’Lincoln Family. ° + 475 Jlallowell, Me. b 1827 Publishers Houghton, Mili, &Co, Boston. Cane: Comaee at Sunset - 5 . 412 FLETCHER, GILES GLUCK, England, 1588 - 1623 ‘Germany. ** Drop, drop, slow tears’? , : « 360 To Death (Translation) j « 295 FLETCHER, JOHN GOETHE, JOHANN WOLFGANG VON England, 1576 1625. Germany’ 1749-1833 “Invocation to. to Sleep (Valentinian) «761 Brothers, The ( Translation) 761 “ Take, O, take those hps away ” 263 Fisher, The(C 7 Brooks s Translation) 825 From: — Nice Valour, 206; Queen of Corinth, Kingof Thule, The (Bayard Zaylor's Trans) 862 346; Upon an Honest Man's Fortwne, 793, 797 COLDSMITH, OLIVER. FORD, JOHN. Ireland 1725-1774 peas 1586 - about 1639 Deserted Village, The 686 ‘The Musical Due! (The Lover's Melancholy) 694: poe ae ce The ner of Wakefield) 138 ' ome 2 Lraveller 2 eee ae ALFRED H (4/fred Crowguill) ' Madame Blaize, Hlepy on aa Tomy Nose . . 5015” On Wor ler of cee, o48 4 33} HOSDICK, See WHITEMAN From: et oie ona too Plan, 540, Cap- he Nae gs] Reena en ae ies ee > > , 248, 3 FOSTER, STEPHEN COLLINS, 98. 603, 632 809, 812; Vicar of Wakefield : My Old Kentucky Home ¥ " . 238 Netra FOX, WILLIAM JOHNSON Pen ee England, nee 1864 H (G if Badin’ The Frost e Martyr’s Hymn (German of Lu « 365 GRAHAM, AMES, MAR UE FRANKLIN, BENJAMIN. Ose QUESS OF Mon. Boston, Mass., 1706 = 1790. fecha 1612 - 1650, Paper o< 4 & oo) ae a OS ‘* My dear and only love” coe 8 a5e AUTHORS AND TITLES. 57 INDEX OF GRAHAM OF GARTMORE. Scotland. “TE doughty deeds my lady please ” + 146 GRAHAME, JAMES. Scotland, 1785 1838. The Sabbath . 2 = _ ‘ . 378 GRANT, SIR ROBERT. Scotland, 1785 - 1838, Litany. ‘6 5 “ cS . . « 358 GRAY, DAVID Scotland, 1838 - 1861. “Die down, O dismal day? « ‘ : 419 Homesic ; 223 “O winter, wilt thou never go? pe > 44i GRAY, THOMAS Engine 1716 - 1771. El He written in a Country Churchyard 3C5 Sprin; 421 From: ne Bard, The, 108, 206, 868, Distant Prospect of Eton College, 108, 793, 899, Edu- cation and Government, 232, 397; Fatal Sis- ters, 5403 Hymn to Adversity, 345; Ode on the Pleasure arising from Vicissitude, 232, 346, 489, 5593 Progress of Poesy, 205, 867, 93) GREEN, ANNIE D. (Marian Douglas) Bristol, N_H. Two Pictures . 229 Publishers : Houghton, Mifftin, & Co., ‘Boston. GREEN, MATL EW England, 1696 — 17: Voyage of Lite, The (The Spleen) “ 742 GREENE, ALBERT GORTON. Providence, R. 1., 1802-1868 Baron’s Last Banquet, The ‘ “ a3 “ Old Grimes is dead’ Publisher : S S. Rider, or iaae Ren GREENE, ROBERT, England, 1560-1592. 293 976 Content (Farewell to Follic) é : «= 73r Shepherd and the King, The . 136 GREENWOOD, GRACE. See LIPPINCOTT, SARA J. GREGORY THE GREAT, ST. Italy, 540-604. Darkness is thinning (¥ (7 Meale's Trans). 350 Veni Creator Spiritus (Dryden's Trans ) 357 HABINGTON, WILLIAM. England, 1605 - 1645 From:—Castara - 2 a . 5 3r1 HALLECK, FITZ-GREENE. Guilford, Conn., 1790-1867. Alnwick Castle. ie a Ct 677 Bums . . . . . 915 Fortune (Fann yw). 777 Joseph Rodman Drake 937 Marco Bozzaris 582 Weehawken and the "New York Bay ( Fanny) 685 From :— Connecticut . . 603 Publishers : D. Appleton & Co, New York. HALPINE, CHARLES G. (Afiles O'Reilly). Ireland, 18.29 — — 1868. uakerdom — The Formal Call 159 Publishers : Harper & Brothers, New York. HAMILTON, ELIZABETH. Scotland, “1758— ~ 1816, My ain Fireside . . z fi + 227 HARRINGTON, SIR JOHN. Engl land, 1561 - 1612, ines on Isabella Markham . a . 268 Of a Certaine Man * 945 Warres in Ireland, Of the: (Epigrams) ‘ «503, From : — Epigrams a 801, 805, 812 HARTE, FRANCIS BRET. Albany, N.Y, b 1839. Dickens in Camp y + 926 Dow’s Flat . fi . : ‘ r 996 Her Letter 5 799 oi 997 lain Language from Truthful James (Heathen Chinee) c » 985 Pliocene Skull, To ie: . $ % A + 9g Ramon . < 5 . . , é 897 ‘| HAY, JOH ‘The 6 Society upon the Stanislaus e He Co., Boston. Publishers: Houghton, Mifflin, & HARTE, WALTER. Wales, 1700-1774, A Soliloquy. ‘ : . ‘ HARVEY, STEPHEN. nglai From: — Translation of Juvenal’s Satire LX. N Salem, Ind, b 1839. Banty ‘fim * Little Breeches ‘ D Z c Woman's Love ’ . Publishers : Houghton, Mifflin, & Co., Boston, HAYNE, PAUL HAMILTON, Charleston, S. C., 1339 1886 Love scorns Degrees (Mountain of ie Lovers) Pre- existence Publishers. E J. Hale & Son, New York, HEBER, REGINALD, ingland, 1783 - 1826 “Tf thou wert by my side, my love ’ , From: — Epiphany, 397, Gulistan, 724. Lines written toa March, 491, Missionary Hymn, 395. HEDGE, FREDERIC HENRY. Cambridge, Mass., b. 1805, “A mighty fortress is our God” (From the German of Martin Luther) HEGGE, ROBERT. England, 1599 - 1629 From:—On Love . 2 * HEINE, HEINRICH. Germany, 1797 - 1847 Fisher’s Cottage, The(C G. Leland's Trans. ) Lore-lei, The (7vazslatian) HEMANS, FELICIA DOROTHEA. England, 1794-1835. Casabianca j Homes of England, The 2 Landing of the Pilgrim Fathers, The Meeting of the Ships, The Mignon’s Song (German of Goethe) * Treasures of the Deep. The From: — Graves of a Household, 311, Hour of Death, The, 308; Wordsworth, 940. HERBERT, GEORGE Wales, 1593 - 1632 Church Porch, The . Flower, The . . Gifts of Soo The. % a Life ‘ : ‘ Praise ‘ * ‘ “Said I not so?” Virtue Immortal From :-— Answer, The, rat; Church Militant, 395; Country Parson, 398; Devil’s Progress, 271; Man, 792: Pulley, The, 395. HERRICK, ROBERT. England, Th9r= 1674. Ben Jonson, Ode to. . . Blossoms, To ® . . Daffodils ‘ 5 . i Delight in Disorder | . a Holy Spirit, The . ‘ Fé 4 Kiss, The . : 7 A Lent, A True . . ‘i . “ Sweet, be not proud oF Violets a . ei . Virg ins, To, the. 3 < hen as in silks my Fuliag ‘oes’ From:—Cherry Ripe, 134, ee me ‘little, love me long,” 207, Night Piece to Julia, 134; Rock of Rubies and Quarrie of Pearls, 134; Seek and find, 800; Upon her Feet, 721. HERVEY, THOMAS KIBBLE, England, 1804-1859. ove. The Devil at Home (The Devil's Progress) From :— The Devil’s Progress HEYWOOD, JOHN. England, d. 1565. From: “Bemerry, friends” . . 988 484 Sur 998 999 270 760 219 371 204 691 825 614 229 587 Is 789 619 364 768 778 741 366 30L 9°7 464 713 359 186 361 133 461 754 126 208 9st 271 347 58 INDEX OF AUTHORS AND TITLES. HEYWOOD, THOMAS, England, d. 1649. ‘* Pack clouds away” F ri - : » 409 Portrait, The Z é 127 From: — Apology for Actors . ; + 792 HIGGINS, JOHN England. Time of Queen Elizabeth. . Books 3 “ i ‘ . 768 HILL, AARON. England, 1685 - 1750. From :— Epilogue to Zara, 795; Verses writ- ten on a Window in Scotland, 800. HILL, THOMAS. New Brunswick, N. J., b. 1818, The Bobolink . . 475 HINDS, SAMUEL (Bisuop or Norwicu). England, 1793-1872. aby Sleeps. 282 eee MRS. CHARLES. i he Changed Cross . 374 HOFFMAN, CHARLES FENNO. New York City, 1806-1884. Monterey . 523 Publishers : Porter & Coates, Philadelphia. HOGG, JAMES. Scotlarid, 1772 — 1835. anetone, the Tinkler . b é « 639 Kine (Queen's Wake) . s o ‘ 837 Skylark, The . 4s . ‘ - 473 When the Kye comes Hame E “ 163 Women Fo’k, The 2 + 974 HOLLAND, JOSIAH GILBERT. Belchertown, Mass., 1819-183: Cradle Song (Bztter-Sweet) . 75 Publishers . Chas. Scribner's Sons, New York. HOLMES, OLIVER WENDELL Cambridge, Mass., 1809-1894 Bill and Joe 112 Boys, The. ’ 978 Chambered Nautilus, The 625 Contentment e : 733 Daniel Webster i 928 Height of the Ridiculous, The 976 Katydid 7 ‘ 485, Last Leaf, The’ “ s 323 Ode for a Social Meeting. 1015 Qld Tronsides e 620 Old Man Dreams, The . : 979 One-Hoss Shay, The A 977 Ploughman, The 551 Rudolph the Headsman 4 978 From : — Urai 347, 803 Publishers : Houghton, ‘Mittin, & Co., Boston. HOLTY, LUDWIG, HEINRICH CHRISTOPH. Germany, 1/42- 1776. Winter Song (Charles T. Brooks's Trans.) » 434 HOME, JOHN. Scotland, 1724 - 1808 Norval (Douglas) . a i ‘ a + 650 HOMER. Greece. 1X. Century, The Campat Nighi (iad: Chapman's Trans ) 414 From : — Iliad (P. ‘ope's Trans. ), 120, 792y 7945 797 Odyssey (Pofe’s Trans.), 121, 489. HOOD, THOMAS. England, 1798 - 1845. Art of Bookkeeping ‘i : : 5 989 Autumn . a . % » 433 Bridge of Sighs, The. o 8 335 Dream of Eugene Aram, The y ‘ 895 Faithless Nelly Gray ; ‘. 964 Faithless Sally Brown. és 953 “ Farewell, life !”” 5 is 2 . 327 Flowers z . 460 Her, The Lost. . . 94 Infant Son, Tomy . 93 “ T remember, I remember ” 93 eee Meditations é ‘s " 963 . ' 43 Pochiaal Sketch ee th 101 ; Ruth fi © & 106 Song of the Shirt, The. :: is “What can an old man do but die” . 337 32a From:— Mass Kilmansegg, 724, 802; Lady’s Dream, 798. HOOPER, LUCY. Newburyport, Mass., 1816-1841. ee Loves 142 Publishers : J. B. Lippincott & Ce. Philadelphia. HOPKINSON, JOSEPH. Philadelphia, Pa, 1770-1842 From: — Hail Columbia €03 HOPPIN, WILLIAM J Charlie Machree . 153 HORACE {QUINTUS HORATIUS ILACCUS]. Italy. 65 - 8 B. From :— Book i., Ode 5'Miliou's Trars) 632 HOUGHTON, LORD (RickAagpb MonckTon MILnes) England, 1809-1335. Brookside, The 149 Gcod Night and Good Morning 103 London Churches 334 Men of Old . . 740 From: — Tragedy of the Lacde Gaube . - 489 HOVEL, EDWARD. See Lorp Tuurtow HOWARD, HENRY. See SURREY, EARL oF. HOWARD, SIR ROBERT England, 1626-1698. From :— The Blind Lady a s ° * gco HOWE, JULIA WARD. New York City, b. 1819. Battle Hymn of the Republic . ‘ . » 594 Royal Guest, The < z 116 Publishers : Houghton, MiMin, &: Co., Boston. HOWITT, MARY England, 1798 ~ 1888. se of Flowers, The . : . e « « 466 HOWITT, WILLIAM. England, 1795 - 1879. eparture of the Swallow, The . « 478 Summer Noon, A . . é < i 410 HOWLAND, MARY WOOLSEY England, b. 1832, «l New York, 1854. pe Spring Flowers f » 2&9 t y . Publishers . E. P Dutton & Co , New York. o23 HOYT. RALPH New York, 1808 1878. Old Blas e oe 323 Snow. — A Winter Sketch im Ve ‘ 445 HUGO, VICTOR. France, 1802-1885. Fron :— t he Diinns(O’Sxllivan’s Trans). 868 HUME, ALEXANLER. Scotland, 1711 «1776 The StoryofaSummer Day. . . 426 HUNT, SIR A. England. From:—Julian. oo Bee a. ap GRE HUNT. LEIGH England. Be 1850. Abou Ben Adhem : a) le 768 Child during Sickness, To a 88 Cupid Swallowed ‘ + 195 Faines’ Song (Latin gi Thomas Randolph) a8 Glove and the Lions, 652 Grasshopper and Cuckets To ae 485 Jaffar Z ‘ 15 “ Jenny kissed me’ 98 Love- Letters a in Flowers i 195 Mahmoud i 700 Sneezing 1015 Trumpets of ‘Doolkarnein, The 699 From: —Politics and Poetics, 489 , The Story of Rimini, 493. HURDIS, JAME ES England, 1763 - From: Th he Village Curate . 495 ‘ INDEX OF AUTHORS AND TITLES. INGELOW, JEAN. England, b_ 1830, igh-Tide on the Coast of Lincolnshire Like a Laverock in the Lift Maiden with a Milking-Pail, A, ‘ Seven Times One 7 e : Seven Times Two @ . Seven Times Three . i ; Seven Times Four a ‘a . Seven Times Six 2 . a ’ INGOLDSBY, THOMAS. See Baruam, R. H. JACKSON, HELEN HUNT. Amherst, Mass . 1831-1885. My, Legacy. e Mu ‘ 7 Publishers : Roberts Bros.. Boston, JACKSON, HENRY R. Savannah, Ga., b 1810. My Wife and Child . JACOPONE, FRA Ttaly. d_ 1306. Stabat Mater Dolorosa (Coles'’s Transéatia:.) . JENKS. EDWARD A Newport, N.H. b 1835. Going and Coming JENNER, DR EDWARD England, 1749 - 1823. Signs of Rain. ‘i . JOHNSON, C Eng and From :—Wife’s Reick JOHNSON, EDWARD, ML England — Pub 1837 The Water-Drinker i ‘i . . JOHNSON, SAMUEL England 1709 1784 Charles XII (Vanity of Human WVishes) Shakespeare To-morrow (/rene) From :— Epitaph, 940. Epitaph on C Philips, 802. Linesadded to Goldsmith s ‘’ Traveller 807. London, 345, 806, Rambler, The, 394: Vanity of Human Wishes, 794, 804. Verses on Robert Levet, 395 JONES. SIR WILLIAM. England 1746- 1794 Baby, The (From the Sanskrit of Calidasa) “ What constitutes a State> ” From *—A Persian Song of Hafiz JONSON, BEN. England, 1574 1637. - “Drink to me only with thine eyes’ (Fronz the Greek of Philostratus) Epitaph on Ehzabeth L H Epitaph on the Countess of Pembroke Fame 7 Fantasy (Visco of Delight) Freedom in Dress (Epzcene) ‘ How near to good is what fair ”’ Good Life, Long Life . “*, do not wanton with those eyes ° On the Portrait of Shakespeare To the Memory of Shakespeare Vision of Beauty, A ; from‘ — Cynthia’s Revels, 120, Masques, 671; Underwood, 121; Valpone, 80) JUDSON, EMILY CHUBBUCK. Eaton, NY , 1817 - 1854. Watching . ‘ JUVENAL, DECIMUS JULIUS ‘ Italy, b 1st Cent., d. 2d Cent. a_D From : — Satire 1X. (S. Harvey's Trans.) KEATS, JOHN. England, 1796 ~ 1821. ve of St. Agnes, The 7 . Fairy Song . a 7 ‘ < Fancy : i ee . Grasshopper and Cricket, The . ii ‘ Ode ona Grecian Urn ‘ ‘ . Ode to a Nightingale _. ‘ : % Thing of Beauty is a Joy forever( Endymion), ¥rom:— Hypenon, 494; Lamia, 205, 808; On first looking into Chapman's Homer, B05, 286 213 167 101 172 86 213 77° 355 754 427 675 KEBLE, JOHN England, 1790- 1866, ‘Example : i 2 i i : - 739 From: — Burial of the Dead, 120; The Christian Year, 309 KEMBLE-BUTLER, FRANCES ANNE. England, 1811-1893. Absence . a 2 244 Faith . ‘ ! ; 790 KENNEDY, CRAMMOND Scotland. b 1842. Greenwood Cemetery i i ° 395 KEPPEL, LADY CAROLINE. Scotland, Robin Adair. ‘ “ s . > 154 KEY, FRANCIS SCOTT. Frederick Co Md . 1779-1843. ‘The Star-spangled Banner - ggg 2 KING, HENRY 4 England, 1591 ~ 1669. Sic Vita. . . ‘ S 3 a « 305 KING, WILLIAM. England, 1663-1712. from :— Upon a Giant's Angling . ‘ » 672 KINGSLEY, CHARLES. England. 18t9- 1875, olcino to Margaret S 2 214 Farewell, A a ‘ n 97 Merry Lark, The 7 i 280 Rough Rhyme on a Rough Matter, A 334 Sands 0’ Dee . a 621 Song of the River. ‘i 443 Three Fishers, Lhe. ‘ » 625 KINNEY. COATES Pen Yan, N Y, b 1826. Rain on the Roof 4 ss x e - 7 KNOWLES, JAMES SHERIDAN. ircland, 1784-1862 Switzerland (W7:dham Tell) > 585 KNOX, WILLIAM Scotland, 1789-7825. “O, why should the spirit ofmortal be proud?” 302 KORNER, CHARLES THEODORE. Germany, 1791 = 1813, Good Night (C. 2 Brooks's Translation) 553 Men and Boys “ : 8 583 Sword Song, The ee ; 5i> KRUMMACHER, FRIEDERICH WILHELM. Germany, 3974 = 1868. Alpine Heights(C 7 Brooks's Translation) 445 Moss Rose, The (77anslation) 404 LAMB, CHARLES. England. 1775 — 1834. Childhood . 7 . 86 Farewell to Tobacco, A " - . 543 Hester. ‘ 5 ie we BBG Housekeeper, The ‘ ‘ . 487 Old Familiar Faces, The - ‘ mw * e 274 LAMB, MARY. England, 1765-1847 Choosing a Name . 2 2 . 96 LANDON, LETITIA ELIZABETH. England, 1802 - 1838. Death and the Youth ; “ 270 Female Convict, The e & & 330 LANDOR, WALTER SAVAGE, England, 1775 - 1864. Iphigenia and Agamemnon. ei * 873 Macaulay, To howe ee 1083 Maid’s Lament, The * * “ 260 One Gray Hair, The i 2 & © wee LANIER, SIDNEY. Macon, Ga., 1842-1881. From :— Centennial Meditation of Columbia. §o02 Publishers + J. B. Lippincott & Co., Philadelphia. LARCOM, LUCY. Lowell, Mass . 1826-1893. By the Fireside ‘ ‘ . “ 227 Publishers; Floughton, Mifflin, & Co., Boston. LEE, NATHANIEL. England, 1655 = 1692. from: — Alexander the Great 204, 541 60 INDEX OF AUTHORS AND TITLES. LEIGH, GHENRY Ss. ngland. “Only Seven . be ‘ ‘i . LELAND, CHARLES G. Philadelphia, Pa., b. 1824. Fisher’s Cottage, The (From sihiats of + 1006 Heinrich Heine) . . + + 691 Hans Breitmann’s Party. 7 : . 999 Ritter Hugo « 1000 Publishers : T. B, Peterson "& Bros., Philadelphia.” LEONIDAS. Alexandria, 59- Home (&. aber! Bland’s Translation) 225 Qn the Picture of an Infant(S. Rogers’s Trans. ) & L'ESTRANGE, ROGER. i:ngland, 1616-1704. n Prison S 731 Rooms — The Boys and the Frogs a + 108 LEVER, CHARLES JAMES. Ireland, 1806 - 1872. Widow Malone . > 1003 LEWIS, MATTHEW GREGORY. England, 1975 - 1818. Alonzo the Brave and os Fair pase . 861 The Maniac .« 339 LEYDEN, JOHN. ‘scotland? 1775 — 1811. Daisy, he . ‘ . 3 ‘ 463 Noontide : 410 Sabbath Morning, "The 410 LILLY, JOHN. England, 1553-1600. From :— Endymion 2 . 120 LIPPINCOTT, ae JANE (Giaas Greenwood). Pompey, N. Y., b. 1 Horseback Ride, The 665 Poet of To-day, The 767 Publishers : Jas. R. Osgood & Co., Boston. LOCKER, FREDERICK. England, b. 1821, On an Old Muff. 972 Widow’s Mite, The . 282 LOCKHART, JOHN GIBSON. Scotland, 1792-1854 Lord o Butrago, The (From the Spanish) 507 Zara’s Ear-Rings (From the Spanish). 17 LODGE, THOMAS. Enyland, 1556-1625. Rosalind’s Complaint . 3 $ 194 Rosaline a & 127 LOGAN, JOHN. Scotland, 1748~ 1788. Cuckoo, To the ‘ 3 < - 47% “Thy braes were bonny” « ~ 288 LOGAU, FRIEDERICH VON. Germany Retribution (Loxg/ellow’s Translation) . 747 LONGFELLOW, HENRY WADSWORTH. Portland, Maine, 1807 - 188: Agassiz, Fiftieth Birthday of 935 Carillon . ; - r 716 Children’s Hour, The : 5 é - 98 Daybreak é . . ‘ 3 408 Divina Commedia. 707 Excelsior z 777 Footsteps of Angels . . 5 , = 273 God’s Acre . 305 Household Sovereign, The (Hanging x the Crane) . 79 Hymn to the Night é i 416 Maidenhood 104 Moonlight on the Prairie (e vangeline) 432 Nuremberg. 4 678 Paul Revere’s Ride ‘ is 590. Primeval Forest (Evangeline) . . + 453 Psalm of Life, A - : ae 769 Rain inSummer ss. ‘ iS . a + 428 Rainy Day, The ‘ * ‘i 344 Reaper and the Flowers, The 6 . 276 Resignation . é 272 Retribution (German of F. von Logan). + 747 Sea-Weed . + 622 Snow-Flakes . ; ns q + 449 Village Blacksmith, The ee 550 From: — Building of the Ship, 631 ; Endymion, 345, 800; Evangeline, 492 ; Fire of Drift-wood, 801; Fi lowers, 494 ; Goblet of Life, 345 ; Gold- en Legend, 794; Hawthorne, 940; Hyperion, 348; Ladder of St.. Augustine, 399; Light of Stars, 348, 802 ; Midnight Mass, 494; Sunrise on the Hills, 4 490; Day is done, 490,:813, 816. Publishers, Houghton, W Mifin, & Co., Boston. LOVELACE, RICHARD. England, 1618 — 1658. Althea from Prison, To : ae ae Lucasta, To . ° S Lucasta, on Going to the Wars, To . ° LOVELL, MARIA. From :—Ingomar the Barbarian. P o . LOVER, SAMUEL. Ireland, 1797 - 1866. Angel’s Whisper, The 2 . . « Birth of St. Patrick, The . ‘ Father Land and Mother Tongue : Low-backed Car, The . . Rory O’More . : c 5 ’ Widow Machree . : “ < LOVERIDGE, RICHARD. England, Eighteenth Century. Stanzas added to “ The Roast Hace af Old England” LOWELL, JAMES RUSSELL. Cambridge, sear 1819 ~ 1891. Abraham Lincuvin . Auf Wiederssheait ! (From Summer)" , . Courtin’, The 7 First Snow- Fall, The A Henry Wadsworth Longfellow, To June (The Vision apr Lamune): Sonnets - ‘ : Summer Storm Fi Washington . What Mr. Robinson thinks (Biglots Papers). William Lloyd Garrison : Winter Pictures (Te Vision of Sir Launfal) Winter Evening Hymn to my Fire 4 an i s romi— Biglow Papers, 493; 53% 541, 558: Irené, 723 ; Love, 215 ; Ode to Freedom, ene . phases 869 ; Sirens, The, 631; Sonnet, 796, ; To the Dandelion, 495. Pune vers ¢ Houghton, Mifflin, & Co., Boston. LOWELL, MARIA WHITE. Watertown, Mass., 1821 - 1853. The Morning Glory Publishers : Hougliton, Miffin, & Co., Bostcn. LOWELL, ROBERT T. S. Cambridge, Mass., 1815-1891. The Relief of Lucknow. A Publishers : E. P, Dutton & Co., New York.” LUDLOW, FITZ HUGH. Poughkeepsie, N.Y., 3837 ~ 1875. Too Late . . ‘ . LUTHER, MARTIN. Sate: ee 1546. mighty fortress is our God” (F. H. Hoag s Translation) . Martyrs’ Hymn, The (W. Ff. Fox's Trans.) LYLY, JOHN. England, 1554 ~ 1600. Cupid and Campaspe From: — Alexander and Campaspe . LYTLE, WILLIAM HAINES. Cincinnati, O., 1826 - 1863. Antony and Cleopatra 5 : : 7 LYTTLETON, GEORGE, LORD. Enea, es 1773. s Tell me my heart, yeths be love” ‘vom: vice to a Lady, 214, 795; Epigram, 204 5 “Tu Ode, 215; Prologue to Thom- son’s “Coriolanus,” 806; Soliloquy Beauty in the Country, 133; Stanza for Thomson’s “Castle of Indolence,”’ 940. LYTTON, EOWARD BULWER, LORD. England, 1805 - 18 from: Tad of Lyons, 203; New Tim 723, 8135 Richelieu, 541, 802, 805. 146 242 235 205 81 1004 778 197 196 200 575 930 170 993 275 937 424 216 429 927 994 932 438 228 768 280 51S 755 186 495 296 137 ona. INDEX OF “AUTHORS AND TITLES. 61 LYTTON, ROBERT BULWER, LORD (Owen Meredith). England, 1813+189¢. ux Itahens Chess- Board, The e oo a s ae Portrat, The . é ‘ rm : Possession . . From: — Lucile 2 MACAULAY, THOMAS BABINGTON, LORD England, 18,071859 Horatius at the Bridge Naseby Roma Father's Sacrifice, The (Virginia) MAC-CARTHY, DENIS FLORENCE. lreland, 1817-1882. Treland Labor Song (Bell founder) . Love and ‘Time Summer Longings MACDONALD, GEORGE. England, b 1824. Baby, The ‘ A . . . : Ear} 0” Oud terdeck . . . ° . MACE, FRANCIS LAUGHTON. Maine, b, 1836. “Only waiting’ . . i F . MACKAY, CHARLES. Scotland,” 1814-1889. CleonandI. . . . . . . Small Beginnings . . ‘é ¥ “Tell me, ye winged winds ” . 7 s Tubal Cain . 4 7 a MAGINN, WILLIAM. Ireland, 1793-1842. Waiting forthe Grapes . a = : . MAHONY, FRANCIS (Father Prout). freland, 10 Bells. of Shar Shandon, The . Bonaparte, Popular Recollections of (From Béranger) . 3 7 . ) Flight into Egypt, The . j ‘i r . MALLET, DAVID. Scotland, 1700-1765. From: — Mustapha : < S . MANGAN, es CLARENCE. Ireland, 1803~- The pice City (German of Mueller) . é MANNERS, JOHN, LORD. England, Pub. 1841. From :—England’s Trust, and Other Poems . MARLOWE, CHRISTOPHER. England. 1564— 1593: Th he Passionate Shepherd to his Love From:— Edward II, 899, Faustus, 134, 396; Hero and Leander, 203; Jew of Malta, 726. MARSDEN, WILLIAM. En, ie 1754_ 1836 hat is Time? MARSTON, JOHN England. Time of Queen Elizabeth.and James I. #rom:— A Scholar and ms Dog F MARVELL, ANDREW. England. 1620 - eath of he White: Fawn Drop of Dew, A . Song of the Emigrants in Bermuda From :— An Horatian Ode: Upon: Cromwell’s Return from Ireland, 539 , The Garden, 719, 813, The Loyal Scot, 796. MARY. (Queen of Hungary, d. 1558. Prayer “ e . » . MASSEY, GERALD. Engiand, b. 1828. “0, lay thy hand in mine, dear” . js ‘i Our Wee White Rose . 7 e . MASSINGER, PHILIP. - England, 1584-1640, From :—The Maid of Honor, 120, 900} A New Way to pay Old Debts a , 368 732 779 369 537 190 735 913 382 539 825 812 157 748 808 259 625 365 221 83 541 MAY, THOMAS. England, about 1594 - 1650. From:—Henry II, 248; Continuation of Lucan, 311. * McMASTER, GUY HUMPHREY. Clyde, N.Y, b. 1829, Carmen Bellicosum . MATURIN, CHARLES ROBERT. England, 1782- 1824. From : — Bertram, 632, 800. MEEK, ALEXANDER BEAUFORT. Columbia, S C., 1814 - 1805. Balaklava . i s . , . MEREDITH, OWEN. see LYTTON, ROBERT BULWER. MERIVALE, JOHN HERMAN. Englind, us he Vow (pets the Greek) ‘ . . MESSENGER, ROBERT HINCHLEY Boston, Mass., b. 1807. Give me the Oid . METASTASIO, PIERRE A.D B. Italy, 1698-17) 82 Without and Within (7vazs/ation), MICKLE, WILLIAM JULIUS. Scotland, 1734-1788. The Sailor's Wife. ‘i . From :—Cumpor Hall MILLER, CINCINNATUS HINER ( Foaguin) Indiana, b, 184r People’s Song of Peace, The a MILLER, WILLIAM. Scotl land. Willie Winkie . . S S MILMAN, HENRY HART. England, 1791 - 1869. ebrew Wedding | Fall of Ferusalem) . “i Jewish Hymn in Baby:on if MILNES, RICHARD MONCKTON. See HOUGHTON, LORD, MILTON, JOHN. En, wland, 1608 = 1674. “Adam and Eve (Paradise Lost), Adam describing Eve (Paradise Lost) * Adam’s Morning Hymn in Paradise Adam to Eve Battle of the Angels (Paradise Los!) Blindness, On his . Blindness, On his own ( To Cyriack. Skinner) Cromwell, To the:Lord-General . Epitaph on Shakespeare Evening in Paradise. (Paradise Lost) Faithful Angel, The (Pavadzse: Lost) . Haunt of the Sorcerer (Comzus) I] Penseroso Invocation to Light (Paradise Lost) L'Allegro. .. Lady esti in the Wood (Comus) May Morning Nymph of the Severn (Comes) Samson.on: his Blindness (Samson Agonistes) Selections from ‘‘ Paradise Lost ” From :—Comus, 491, 558, 726, 796, 869; Ly- cidas, 203, 42, 494, 495, 8123 on his ‘Being Arrived to the Age of Twenty-three, 39) the Detraction which Followed my vidoe Certain Treatises, II., 601; Paradise Lost, 121, 203, 204, 205, 206, 207;.215, 232, 310, 346, 348; 394+ 395, 396, 398, 349) 490, 491). 492).494, 496s. 539s Ag §58, 601, 719, 7225 7245 7251 7945 798, 799, 801, 803, oe 808, 812, 814, 815, 816, 868, 899; Paradise egained, 107, 490, 720, 800, 804, 811; Samson Agonistes, 631, 7943 To the Lady Margaret Ley, To the Nightingale, 496; Translation. of Li cace, 622, MITCHELL, WALTER F. New Bedford, ‘Mass, b. 1826 Tacking Ship off Shore oe 4 5 590 516 268 118 757 246 491 598 83 212 372 619 62 INDEX OF AUTHORS AND TITLES. MITFORD, MARY RUSSELL. England, 1786 — 1355. Rienzi to the "Romans (Rienzi) 3 MOIR, DAVID MACBETH. Scotland, 1798 - 1851 Casa Wappy Rustic Lad’s Lament 1 the Town, The MONTAGU, LADY MARY WORTLEY. En.land, 1690-1762 From :— Answer, The. 205; To the Imitator of the First Satire of Horacc, S06. MONTGOMERY, JAMES. Scotland, 1771-1854 Dirds (Pelican hss d) Common Lot, The Coral Reef, The \Palsca Island) Daisy, The. é Forever with the Lord. “ ‘* Make way for Liberty!” . My Country Night . : Ocean, The. : Parted Fnends__. Pelican, The (Pelicax Island) . Sea Life (Pelican Island) . From:— Earth Full of God's Goodnes*, 3093 Grave, The, 794; Issues of Lite and Death, 311, 399; Little Cloud, 801; Mother’s Love, 232; What is Prayer? 398. MONTREUIL, AM ATHIEU DE£. France, 1611 - 1 ‘0 Madame “de Sevigné . MOORE, CLEMENT CLARKE. New York City, 1779-1852. St. Nicholas, A Visit from MOORE, EDWARD. Lnedand, 1712-1757 “From : — Fables: Happy Marriage, The, 215 ; Spider and the Bee, ‘The, 134, 795- MOORE, THOMAS. Ireland, 1779 ~ 1852. “* Alas ! how light a cause may move”’ 5 ** As by the shore, at break ot day” ** As slow our ship” “ Believe me, if all those endearing young” charms”? , : . Black and Blue Eyes . 7 Campbell, To 5 ‘i Canadian Boat-Song, A . : . “Come, rest in this bosom ”* “ Farewell, but whenever ” “ Farewell’ to thee, Araby’s daughter a (Fire- Worshippers). “ Fly tothe desert, fly with me” "(From oe of the Harent) Go where Glory waits thee . “ft knew by the smoke that so gracefully curled” Linda to Hafed (Fire- Wors shippers) Love’s Young Dream 3 “Oft, in the Stilly night” ““O, breathe not his name’ Orator Puff Origin of the Harp. The i Spring (From the Greek of A nacreon) Syna ( Paradise and the Per) 3 ‘Temple to Friendship, A “ The harp that once through Tara’s halls” . ‘Those evening bells’” 2 “°T is the last rose of summer”? Vale of Avoca, The Vale of Cashmere, The (Light of the Harem) Verses written in an Album . From: — All that ’ 's bright must fade, 7933 ; Blue Stocking, 816, ‘‘ How shall I woo?” 121; Ill Omens, 205; “I saw thy form,” 248; Lalla Rookh:: Fire-Worshippers, 348, — Light of the Harem, 203,— Paradise and the Peri, 396, — Veiled Prophet of Khorassan, 120, 397, 793; Lines on the Death of Sheridan. gjo, My Heart and Lute, 795; “.O, the sight entrancing,” 539, 602; ‘Rich and Rare,” 721; Sacred Songs, 348, 399; The Time 1'’ve lost, 203, 204; ‘To —., 204; ‘While gazing on the Moon’s Light,” 491; Young May Moon, 205. 725 | 279 243 914 96 264 MORE, HANNAH. England, 1744 - 1833. From : — Florio é | MORLAIX, BERNARD DE. France, rath Century, Benedictine Monk.. The Celestial Country (Fohkx eee Neale s Lranslatzon) . a 2 MORRIS, CHARLES. England, 1739 - 1832. From :— Town and Country. . . . MORRIS, GEORGE PERKINS. Philadelphia, Pa., 1802 - 1864, My Mother’s Bible . . ‘ : . e The Retort . : . “Woodman, spare that tree”. ‘ ° * MORRIS, J. W. ‘America. Collusion between a Alegaiter and a Water- Snaik % 3 . MORRIS, WILLIAM. England, b. 1834. Atalanta Conquered ( The Earthly Paradise) Atalanta Victorious = ** March. : * . . . Riding Together. . ‘ . . MOSS, THOMAS. England, about 1740-1808. The Beggar. . . . MOTHERWELL, WILLIAM. Scotland, 1797 - 1835. Jeanie Morrison “My head is like to rend, “Wille” ‘+ They come ! the merry summer months” MOULTON, ELLEN LOUISE CHANDLER. Pomfret, Conn. b 1835 Late Spring, The. * MOULTRIE, JOHN. England. Pub. 1839. Forget thee : oi The Three Sons . é . . MUELLER, WILLIAM. Germany, 1794 - 182: he Sunken City (Fames Clarence Mangan! 's Translation) MULOCK, DINAH MARIA See Crark, Dinan Mu tock. sagt See ARTHUR J. ares P . ° é . . a . NABB. From:—Microcosmos . . . NAIRNE, CAROLINA, BARONESS. Scotland, 1776 ~ 1845; Laird 0’ Cockpen, The = a Land o’ the Leal, The , < . NASH, THOMAS England, 1558 — 1600. * Spring, the sweet Spring” . NEALE, JOHN MASON. England, 1818 - 1866, Art thou Weary? (From the Latin of St. Stephen the Sabcite) . Celestial Country, The (From the Latin of Bernard de Morla “Darkness thinning” Prare the Latin of St. Gregory the Great : : i NEELE, HEN? Y. England, 1798-1828, Toan, moan, ye dymg gales” NEWELL, ROBERT New York City, b- 1836. Poems received in Response to an Advertised Call for a National Anthem . 812 35t 165 164 418 883 340 oe #23 776 348 200 296 422 364 35 360 315 HINRY (Orpens C. Kerr), Publishers : Lee & Shepard, Boston, foot NEW ENGLAND PRIMER. Quotations + 107, 308, 397 NEWMAN, JOHN HENRY. England, r8or ~ 1890. Flowers without Fruit . ‘ . 9789 The Pillar of the Cloud . . 364 NICHOLS, MRS. REBECCA s. Greenwich. N. J. Pub. 1844. The Philosopher Toad . . % . 694 INDEX OF AUTHORS AND TITLES. NICOLL, ROBERT. Scotland, 1814 - 1837. We are Brethren a’ . oe ew NOEL, THOMAS. England. Pub, 1841. The Pauper’s Drive. ° . 2 . NORRIS, JOHN. England, 1657~I71I. My Little Saint oi * . * a * Fron :— The Parting a . . . . NORTH, CHRISTOPHER. See WiLson, JOHN. 117 34r 13 347 NORTON, CAROLINE ELIZABETH §S., HON. England, 1808-1876. ‘Arab to his Favorite Steed, The Bingen on the Rhine. King of Denmark’s Ride, T' he Love Not. : Mother’s Heart, The “We have been friends together” From:—The Dream . “ O'BRIEN, FITZJAMES. Jreland, b. 1829 ; d. wounded, in Virginia, 1862. ane i A ‘ ‘ O’KEEFE, JOHN. Ireland, 1747 - 1833+ “Tam a friar of orders gray (Rodin Hood) . OLDMIXON, JOHN. England, 67A< 1742 From :— Governor of Cyprus . , i OLIPHANT, THOMAS. England. ““ Where are the men?” ae the oe of Talhaiarn) « O’REILLY, JOHN BOYLE. Ireland, 1844-1890. My Native Land. Publishers : Roberts Brothers, Boston. O'REILLY, MILES. See HALPINE, CHARLES G. ORRERY, CHARLES BOYLE, EARL OF. England, 1676 - £731. ‘From: — Henry V. OSGOOD, FRANCES SARGENT. Boston, Mass... 1812- 1850. To Labor is to Pray ‘ « 7 . 3 OSGOOD, KATE PUTNAM. Fryeburg, Me., b. 1843. Driving Home the Cows . : ’ Publishers : Houghton, Mifflin, & Co., “Boston. O'SULLIVAN, JOHN. L. America. From:— The Djinns (Peas the French of Victor Hugo . OTWAY, THOMAS. England, 1651 - 1685. Jaffier parting with Belvidera (Venice Pre- served From: — Caius Marius, 725: Don Carlos, 108; Orphan, The, 232, 795; Venice Preserved, 133, 206, OVERBURY, SIR THOMAS. England, 1581 - 1613. From: — A Wife, 232, 796. OVID. [Pug.ius Ovinres Naso.] Italy, 43 B. C.—18 A. From: = ‘Metamorphoses (Dryden’s Transla- zion), 493; Metamorphoses (Tate and Stone- street’s Translation), 395. . PAINE, THOMAS. En; ie 1736 = 1809. he Castle in the Air. : i , PALMER, JOHN WILLIAMSON. Baltimore, Md., b. 1825, For Charlie’s sake” i : . . Thread and Song . Publishers : Charles Scribner's Sons, New York. PALMER, RAY. Rhode Island, ‘b. 1808, “*T saw thee iad . ~ & & . ‘ The Soul’s Cry_. . % . ‘ a Publisher: A. D. F; Randolph, New York, 964 271 530 579 120 556 868 82 a 277 104 393 394 PALMER, WILLIAM PITT. Stockbridge, Mass., b. 1895, The Smack in School . ae PARKER, MARTYN. England, XVII Century. from:—YeGentlemen of England . . PARKER, THEODORE. Lexington, Mass., 1810-1860. “The Way, the Truth, and the Life” , Publishers : D. Appleton & Coy New York. PARNELL, THOMAS. England, 1679-1717. ““When your beauty appears’ From:— An Elegy to an Old ren aa4s "Her. mit, The, 399, 490: Pervigilium Veneris, 207. PARSONS, THOMAS WILLIAM. Boston, Mass., 1819-1892. Ona Bust of Dante . . . Publishers : Houghton, Mifflin & Co., Boston. PATMORE, COVENTRY. land, b 1823. 5 ot the World, The . “ 3 “ Sly Thoughts i : fs a Sweet Meeting of Desires 7 ‘ é . Tribute, The < ‘ a ri ‘ PAYNE, JOHN HOWARD. New York City, 1792-1852. Home, Sweet Home (Clari, the Maid of Milan) Brutus’ S Oration over the Body of Lucretia neers Ss ee & Son, New Yors. PEALE, REMBRANDT. Near Philadelphia, Pa., 1778 - 1860, Faith and Hope. ‘ x PEELE, GEORGE. iingland, 1552~ 1598. From :—The Arraignment of Paris: Curse . 2 PERCIVAL, JAMES GATES. Berlin, oe 1795-1856. Cont Grove. The Seneca Lake . From : —The Graves of the Patriots r Publishers : Houghton, Mifflin, & Co, Bostun. PERCY, FLORENCE. See ALLEN, ELIZABETH AKERS. PERCY, THOMAS BISHOP. England, 1728-1811. ‘Friar of Orders Gray, The Cupid’s “O Nanny, wilt thou gang wi me?” , | From:—Winifreda . ‘i A ‘ . PERRY, NORA. ‘Ainerica. iS LovecKnot, The . « « « ¥ PETTEE, G. W. Canada. Sleigh Song. . : a “ PFEFFEL. ecpnany 1736-1809. he Nobleman and the Pensioner (Charles 7. Brooks's Translation) . PHILIPS, JOHN. England, 1676 - 17 The Splendid Shilling PHILLIPS, AMBROSE. England, 1675 - 1749+ *¢ Blest as the immortal gods” (From the Greek) | PHILOSTRATUS. Greece. “ Drink to me only with thine eyes” ea lation of Ben Fonson) . PIERPONT, JOHN. Litchfield, Conn., 1785 ~ 1866, My Child . io te, A we Se Not on the BattleField .° . . ‘ Warren's Address . 3 . Whittling ow From: — A Word from a Petitioner . . % PINKNEY, EDWARD COATE. Annapolis, Md., 1802~ 1828, A Health ealth . . . . . . . 632 389 185 go8 128 186 170 126 225 875 231 207 423 624 449 6or 137 156 215 125 278 534 590 979 604 129 64 INDEX OF AUTHORS AND TITLES. PITT, WILLIAM. England, d. 1840. The Sailor s Consolation ° . . . POE, EDGAR ALLAN. Baltimore, Md,, 1811 - 1849. Annabel Lee si , . . . Annie, For ‘ ai * . . Bells, The * « * is . Raven, The . " % - 3 From:—ToF.S. 0. Publisher : W. J. Widdieton, ‘New York. POLLOK, ROBERT. Scotland, 1799 - 1827. Byron (Course of Time) . . . Ocean 5 . . . From:—CourseofTime . , . 346, POMFRET, JOHN. Lngland, 1667-1703. From :— Verses to his Friend under Afflic- tion, 312, 347. POPE, ALEXANDER. England, 1688-1744, Addison (Prologue to The Satives) . a Belinda ( The Rape of the Lock) . Dying Christian to his Soul, The Fame (Zssay on Man) Greatness ‘ Happiness “ “ Nature’s Chain (Essay on Man) Ode to Solitude. ‘ Poet’s Friend, The (Essay on Man) Reason and Instinct.“ Ruling Passion, The (Mforal Essays) Scandal (Prologue to the S. atires) Sporus, — Lord Hervey . Toilet, The (Rape of the Lock) Universal Prayer, The from :—Dunciad, The, 396, 724, 803, 807 3 . Bivisa to Abelard, 21 5248 | Epigram from Boileau, 810; Epilogue to Satires, 797; Epistle II., 107, Epistle to Mr. Addison, 120; Epistle to Dr. Arbuthnot, 107, 805, 815 ; Epistle to Robert, Earl of Oxford, 801; Epitaph on Gay, 724; Epitaph on Hon. S. Harcourt, 120; Essay on Criticism, 798, 799, 803, 805, 806, 807, 812; Essay on Man, 107, 394, 395; 397; 398, 399, 489, 496; 792, 793) 796; 799; 800, 801, 803, 807, 808, 812, 815, 938, 939; Imitations of Horace, 793, 796, 803, 804, 806, 807, 811, 8143; Martinus Scribl-rus on the Art of Sinking in Poetry, 205 ; Moral Essays, 215, 231, 232, 396, 723, 795s 797) 798; 7991 803, 804, 805, 898, 812, 814 ; Pro- logue to Addison’s Cato, 602 ; Rape of the Lock, 203, 799, 810, 811, 814, 815; ‘Temple of Fame, 811; To the Memory of an Unfortunate Lady, 3t1, 312; Translation of Homer’s Iliad, 120, 792, 797 ; Translation of Homer’s Odyssey, 121, 207, 489; Wife of Bath: Prologue, 805; Wind- sor Forest, 671, 672, 815. PORTEUS, BEILBY. England, 1731 - 1808. From: — Death, 311, 539, 5415 559) 794+ PRAED, WINTHROP MACKWORTH. En; land, 1802 - 1839. elle of the Ball, The came. De IE % , vom: eT remember, I remember,” 108 ; School and Schoolfellows, 309. PRENTICE, GEORGE DENISON. Preston, Conn., 1802 = 1870. The Closing Year PRIEST, NANCY AMELIA WOODBURY. ‘America, 1837 - 1870, Heaven . : : . . ‘i Over the River PRINGLE, THOMAS. Scotland, 1789 - 1834, © Afar in the desert a a ee ee PRIOR, MATTHEW. ngland, 1664-1721. ‘o the Honorable Charles Mon From: —Henry and Emma, 721; Upon a Pas- sage in the Scaligerana, 803. 630 285 299 714 852 796 918 610 797 Io 128 780 781 405 225 grr 781 779 781 909 “33 37° 971 920 368 276 319 73° PROCTER, ADELAIDE ANNE, England, 1826-1864. Doubting Heart, A . + ° ° ‘ Judge Not . . : . . . ost Chord, A . . ‘ ° ° . Woman’s Answer, Ans : 5 3 Woman’s Question, A. . . . From : — Hearts ‘ ~ PROCTER, BRYAN W. heey Cornwall). England, 1787 - 1874 Address to the Ocean. « Blood Horse, The a: 2-8 4 . a Golden Girl, A. ~ ‘ 3 f Bey: at a Life . . ao e i Owl, < i Poet’s . to his Wie, The . : Sea, The . . 2 ki “Sit down, sad soul”. 4 ‘i ‘ “ Softly woo away her breath? 4 a Song of Wood Nymphs o . . Stormy Petrel, The . @ ‘ White Squall, "The i i PROUT, FATHER. See Manony, Peake: PULTENEY, WILLIAM, EARL OF BATH. England, 1682— 1764 From: — The Honest Jury . ° . PUNCH. Published in London. Bomba, King of Naples, Death-Bed of . Collegian to his Bride, The . . . . Jones at the Barber’s Shop. . . Roasted Sucking Pig . . . . QUARLES, FRANCIS. land, 1592-1644. ee light in God Vanity of the World, The From :— Emblems, 214, 309, 489, Poems, 309. RALEIGH, SIR WALTER. England, 1552 ~ 1618, ines found in his Bible . < . . Nymph’s Reply, The F . ¥ a Pilgrimage, The J rs ‘ % Soul’s Errand, The. 2 . 2 From: — The Silent Lover . . “ RAMSAY, ALLAN. Scotland, 1685 ~ 1758. “ At setting day and asia a morn” Lochaber no more ‘ ‘ . RANDOLPH, ANSON D. F. Woodbridge, N. J., b. 1820. Hopefully Waiting. 6 os . RANDOLPH, THOMAS. En: land, 1605- 1634. ‘airles’ Song (Leigh Hunt's Translation) 798 134) 347 ROYDEN, MATHEW. England, about 1586. Sir Philip Sidney. From:— An Elegie ona Friend's Passion for his Astrophill ‘ z i 5 . RYAN, ABRAM J. Norfolic, Va., 1840 - 1886. Rosary of my Tears . a Sentinel Songs ‘ ; , The Cause of the South . RYAN, RICHARD. England, 1796 ~ 1849. “Oh, saw ye e the lass”. ‘ . ri SANGSTER, CHARLES. Kingston, Canada, b. 1822. The Comet . D a ‘ . The Snows Publisher : John Lovell, Montreal, Canada.” SANGSTER, MRS. MARGARET E. M. New Rochelle, N. ¥., b. 1838. “Are the children at home” . SAPPHO. Island of Lesbos, 600 B. C. “Blest as the Immortal Gods”’ Chen Phillips's Translation) ° ‘s . SARGENT, EPES. Gloucester, Mass.,, 1814-1980, A Life onthe Ocean Wave... . 133 742 532 596 149 863 666 184 630 SAVAGE, RICHARD. England, 1696 - 1743. From:—Vhe Bastard . 2 6 6 « SAXE, JOHN GODFREY. Highgate, Vt Vt., 1816-1887, “My eyes ! how I'love you Mee aT tog . Proud Miss McBride, ne * é . . Railroad Rhyme. ‘ ‘ . , Woman’s Will : Publishers ; Houghton, Mifin, & Co., Boston. SCHILLER, FRIEDRICH. Wiircemberg, 1759~ 1805. From :— Homeric EISHUNSIER [Codaeiaee s Translation) ‘ . SCOTT, SIR WALTER. Scotland, 1771 - 1832. “And said T that my limbs were old’? (Eas of the Last Minstrel) . Beal’ an Dhuine (Lady of the ‘Lake) . . ** Breathes there the man ” (Last Atinstrel) . Christmas in Olden Time (Marmion) . Clan-Alpine, Song of (Lady of the tate) Coronach (Lady of the Lake). e County Guy (Quentin Durward) . FitzJames and Roderick Dhu (Lady of Lake) Flodden Field (Adarmzon) ' Helvellyn. James Fitz James and Ellen: (Lady of Lake) . Lochinvar (Marmion) . Marmion and Douglas (Marmion) . Melrose Abbey (Lay of the Last Minstrel) Norham Castle (Warmion) Pibroch of Donuil Dhu (Lady ‘Of the Lake), Rebecca’s Hymn (/vanhoe) . Scotland (Lay of the Last Minstrel) . “ Soldier, fest! thy warfare o’er”’ (Lady of the Lake) ; Stag Hunt, The (Lady of the ‘Lake) : “The heath this night ” (Lady of the Lake) ‘ “ Waken, lords and ladies gay” From :— Bridal of Triermain, 395 ; Lady of the Lake, 204, 308, 670, 671, 719, 721, 791, 8133 Lay of the Last Minstrel, 491, 494, 811, 814; Lord of the Isles, 348, 539, 8933 aaa 108, 248, 816, 899; Monastery, SCUDDER, ELIZA. The Love of God . SEARING, LAURA C. REDDEN (award lyndon Somerset Co., Md., b. about ete Lazzini SEDLEY, SIR CHARLES. En; land, 1631-1701, oa Very Young Lady | s . “Phillis is my only joy”. . SEWALL, HARRIET WINSLOW. ‘America, d. 1833. Why thus. SLonging?. a a ° é SHAKESPEARE, WILLIAM. England,. 1564 ~ 1616, Airy Nothings (Z¢esfest) ; Approach of Age (Sonnet X71. oe Antony’s Oration over the Body of Cesar (Fulius Cesar) . **Blow, plow thou winter wind ” (As You Like It) : Cleopatra (4 ntony ‘and Cina) Compiiment to Queen Elizabeth (Midsummer Night's Dream) Course of True Love, The (a idsummer Night's Dream) . ‘ ¥ Dagger of fs Mind, "A (dacbeth) Dover Cliff (Keng Lear). Fairies’ Lullaby (Midsummer Night’ 'S Dream) “ Farewell! thou art too dear” ‘Fear no more the heat” (Combetine) « D Friendship (Hamlet) . ey Grief (Hamlet). “ Hark, hark! the lark”? (Cymbeline) Hotspur’ 's Description of a Fop (Hozry Iv. .) King to his Soldiers oe seca The Henry V.) A 812 1014 195 985 98a gsr 63 202 510 698 519 283 194 655 597 648 £75 648 675 676 518 372 575 530 658 234 658 392 934 147 124 392 867 753 316 7i2 835 z50 882 445 835 239 301 m1 294 474 506 503 66 INDEX OF AUTHORS AND TITLES. “ Let me not to the marriage of true minds” Love (Merchant of Venice) Love Dissembled (4s You Like it) Love’s Memory (A di’s Well that Ends ivelt) Martial Friendship (Covzolaxus) Murder, The (Macbeth) iS bts Music (Merchant of Venice) . Old Age of Temperance (As You Like It. ) Olivia (Twelfth Night) “*O mistress mine !” Cr welfth Wight) Othello’s Defence (Othello) Othello’s Remorse (Othello) . Portia’s Picture (Merchant of Venice) é é Queen Mab (Romeo and Fuliet) . 3 Seven Ages of Man(As You Like iy. Shepherd’s Life, A (Henry VI. Part ay Sleep (Henry LV. Part ll.) . 5 Soliloquy on Death (Haznlez) “ Take, O, take those lips away "(Measure for Measure). “ . . “The forward violet?’ . é Unrequited Love (Twelfth Night) . **When icicles hang by the wall” Love's Labor Lost). y “ When in the chronicle” “‘ When to the sessions ot me silent thought ” Wolsey’s Fall (Hen Wolsey’s Advice to ea (Henry vu. ) From:— All’s Well that Ends Well, 312, 791, 793, 796; 801, 813. Antony and Cleopatra, 206, 490, 722. As You Like It, 133, 134, 204, 214, 347, 348, 394, 489, 496, 602, 722, 791, 795, 803, 810, 813. Comedy of Errors, 345, 722, 799, 868. Coriolanus, 493, 813. Cymbeline, 241, 798, 811, 816. Hamlet, 121, 133, 203, 205, 206, 207, 241, 248, 271, 309; 310, 311, 345, 346, 347) 395, 396 397. 399 489, 499 491, 495, 540 5595 671, 721, 722, 723, 724, 725) 793: 797) 798, 801, 803, 804, 808, 809, 811, 813, 814, 815, 867, 868, goo. Julius Cesar, 120, 121, 206, 310, 492, 539, 679, 671 722) 793) 7971 799, 802, 810, 899, 900, 938. is Flenry IV. 7 Hu 108 312) 397 398, 670, 71, 722, 793, 798, 807, 812, 815, 81 King Henry IV. Pt. IL., 346, 395, 540, 724, 800. King Henry V., 395; 549) 559, 631, 632, 723, 802, 811, 867. King Henry VI., Pt. I., 310, 795, S10. King Henry VI, Pt. IL, 495, 724, 796, 799» ee Henry VI., ) Pe ii. +) 541) 798, 802, 815, xe Hen: 601, 723, xing John, nai 232, 309, 345, 346, ek av 603, 722, 726, 798, 799, 801, 812, 815, 899. King Lear, 346, 347, 3485 4945 7215 723) oa, King Richard II., 308, 309, 310, 346, 541, 603, 19, 722, 725 792. xing Richard III., 107, 232, 310, 396, 549, 541, PAL BIJ, 312, 345, 346, 347, 721, 722, 796, 800, 802, 803, 804, 868, 899, 938. Love’s nator Lost, 133, 203, 723, 724) 795s 804 Lover’s See niiak 204. Macbeth, 232, 309, 311, 312, 345, 346, 347, 396, 4915 549, 541, 559, 720, 724, 725) 7911 702 7932 7942 7971 798, 800, 802, 810, 816, goo. Measure for Measure, 205, 232, 310, 3475 7979 800, 811, 813. Merchant of Venice, 133, 203, 248, 312, 346, 347) 348 ae ao 722, 723) 724, 797) 798 802, 803, 80. Merry Wives of Windsor, 868, 869. Si eunaer oe Dream, 203, 806, 8: Much none About Nothing, 121, 203, 204, 271, 312s 345) 723, 724) 799) 801. Othello, 207, 248, 347) 539) 721, 722, 723, 724, 725, 811, goo. Passionate Pilgrim, 492. Romeo and Juliet, 134, at a ate 346, 490, 492, 7215 723, 724» 809, 815, Sonnet XVIILI., 134. 4952 722, 208 125 144 242 11g 882 775 546 22. 122 145 877 122 836 It 225 762 297 263 123 251 439 122 Its 321 321 Sonnet XXV., 540. Sonnet LXVI., 393. Sonnet LXX., 722, Sonnet XC,, 271. Sonnet XCVIII., 492. Sonnet CXI., 722. Sonnet CXXXIL, 49%. Taming of the Shrew, 121, 215, 725, 804. Tempest, 133, 205, 492, 672, 721, 797, 805, 859. Timon of Athens, 347, 489. Titus Andronicus, 311, 798. Troilus and Cressida, 121, 792, 811. Twelfth Night, 205, 215, 494, 798, 808. Two Gentlemen of Verona, 133) 134) 203, 215, 271, 345) 493, 723, 795- Venus and Adonis, 205, 803. Winter’s Tale, 107, 134, 495, 631, 724, 802. SHANLY, CHARLES DAWSON. America, Pub. Brierwood Bipe . . . . . ‘ Civil War. . ‘ . . ‘ . . SHARREs R. Si nyland, 1759 = 1835. The. Minute- Gun. 3 . . . . SHEALE, RICHARD. England. Chevy-Chase 3 . ee 4 SHELLEY, PERCY BYSSHE. England, 1792-1822, pied, i . (Ou , . . . anthe, Sleeping (Queen Mab - . . “‘T arise from dreams of thee’? : fi “*T fear thy kisses, is maiden a Lament, A Love’s Philosophy “ Music, when soit voices die” Night (Queen Mab) Night, To Ozymandias of Egypt Skylark, To the % én Sunset (Queen Mab) . ’ “The sun is warm, the sky.is clear? View from the Euganean Hills ar. % 3 F “ When the lamp is shattered”. From :—Cenci, The, 720; Julian and Maddalo, $06 ; Prometheus Unbound, 206. SHENSTONE, WILLIAM. England, 1714~ 1763. illage Schoolmstress, The ( Schoolmistress) From :— Pastoral, A, 241 ; Schvolimistress, ‘he, 107; Written on the Window of an Inn, 121. SHEPHERD, N G. America. “ Only the clothes she wore” r . SHERIDAN, RICHARD BRINSLEY. lreland, 1751 - 1816 Let the T rast pass (School for Scandal) . SHIRLEY, JAMES. England, 1594 - 1666, eath, the Leveller, . ‘ A * f From:—Cupidand Death 2°.) SIBLEY, CHARLES. Scotland The Plaidie . . a . . . . SIDNEY, SIR PHILIP. En; land, 1554 1586, ove’s Silence . i ‘ “My true-love hath my heart”? . °°, Sleep (A strophel and Stella). . de “With how sad steps, O Moon”, iL Se SIGOURNEY, LYDIA HUNTLEY. Norwich, Conn., 1791 - 1865, Coral Insect, The ‘ ‘ ‘ é ‘*Go to thy rest, fair child”, . 7, . Man — Woman . . Publishers : Hamersley & Co., Hartford, Conn, SIMMONS, BARTHOLOMEW. Ireland. pub 1843; d. 1850. To the Memory of Thomas Hood . ‘ i 525 525 627 635 822 714 188 131 322 188 776 415 414 717 473 412 317 441 499 262 7°7 299 13 301 308 187 144 137 762 249 623 282 776 INDEX OF AUTHORS AND TITLES. 67 SIMMS, WILLIAM GILMORE, Charleston, 5S. C., 1806-1870. Grape-Vine Swies, The . a ‘ : 2 456 Mother and Child 4 2 . & Shaded Water . » 448 Publishers : W. J. Widdleton & Co., New York. SKELTON, JOHN. England, about 1460 - 1529s To Mistress Margaret Hussey . Ce <7) SMITH, ALEXANDER. Scotland, 1830 - 1867- Lady Barbara . < ‘ - 163 ‘The Night before the Wedding 210 From:— A Life Drama ‘ a ; + 493, 807 SMITH, CHARLOTTE, England, 1749~ "306. he Swallow. . . 478 SMITH, F. BURGE. America. Little Goldenhair . é 85 SMITH, HORACE. England, 1779- 1849. Address to the Mummy at Belzeny: 's Exhibition 717 Flowers, Hymn to the a Moral Cosmetics. 545 Tale of Drury Lane, A (Rejected A 'ddvesses) 1006 The Gouty Merchant and the Stranger . 962 From :— Rejected Addresses. 808 SMITH, JAMES. England, 1775 ~ 1839. From :— Rejected Addresses . 808 SMITH, SEBA. Turner, Me., 1792-1868. The Mother’s Sacrifice . . se 5 86 SMITH, SYDNEY. England, 1771 — 1845. A Recipe for Salad . ‘ 5 2 » 1013 SMOLLETT, TOBIAS GEORGE. Scotland, 1721-1771. From: ~ Roderick Random. 203 SOMERVILLE, WILLIAM. England, 1677-1742. From :— The Chase 3 « 671 SOUTHEY, MRS. CAROLINE BOWLES. England, 1787 - 1854. Cuckoo Clock, The aoe eee 717 Greenwood Shrift, T ° ‘ 383 Pauper’s Death- ed, “The ‘ . . 341 Young Gray Head, ‘The i . ‘ 891 SOUTHEY, ROBERT. England, 1774-1343. Blenheim, The Battle of . a 2 : » 538 Cataract of Lodore, The 449 Devil’s Walk, The . ‘ 949 Emmett’s Epitaph 921 God’s Judgment on a Wicked Bishop" : 879 Greenwood Shrift, The a ‘ 383 Holly-Tree, The. i 7 . és 455 Inchcape Rock, The . ‘ a ts 620 Old Man’s Comforts, The a ie 545 Well of St. Keyne, The - 955 From : — Curse of Kehama, 206, 309, 816: Ma- doc, 271; Joan of Arc, 3113; Thalaba the De- stroyer, 491 ; Occasional Pieces, XVIII., 806. SPENCER, CAROLINE S. Catskill, N. Y., 1850, Living Waters . 7 % 3 » 9739 SPENCER, WILLIAM ROBERT. Lngland, 1770-1 834. Beth Gélert . o . 662 “Too late I stayed” : . é 3 117 Wife, Children, and Friends . % . . 220 SPENSER, EDMUND. England, 1553 - 1599. ‘Beauty (Hymn in Honor of Beauty) « + 730 Bower of Bliss, The (Faerie Queene) . . 829 Bride, The (Zpithalamion) . 212 Cave of Sleep, The (Faerze Queene) 7 . 828 Ministry of Angel Sy Ge a 373 Una and the Lion “ ee 828 -Una and the Red Crosse Knight (Faerie Queene) 827 from : — Faerie Queene, 31, 395 308 492) 494, 540, 670, 671; Fate of the Butterfly. 489; Hymn in Honor of Beauty, 206; Lines on his Promised Pension, 933; ‘Mother Hubberd’s Tale, 204. SPOFFORD, HARRIET PRESCOTT. Calais, Me., b. 1835. Vanity z fs Publishers : Houghton, Mifilin, & Co., Boston. SPRAGUE, CHARLES, Boston, Mass., 1791 - 1875, Winged ‘Worshippers, The . ‘ ‘ . From : — Curiosity, 804; To my Cig Cigar . Fublishers : Houghton, Mifflin, Co., Boston. STANIFORD. Boston, Mass., Pub. 1803. From: — Art of Reading < Se STEDMAN, EDMUND CLARENCE. Hartford, Comn., b. 1833. Betrothed Anew. ae Cavalry Song (A dice of Monmouth) . Old Admiral, The |. a What the Winds bring . 3 Publishers; Houghton, Mifflin, & Co., Boston. STEPHEN THE SABAITE, ST. Art thou weary ? ( ¥okn Mason Neale’s Trans.) STERLING, JOHN. Scotland, 1806 - 1344. Alfred the Harper . . ° * Beautiful Day, On a Spice-Tree, The 3 : @ STEVENS, GEORGE ALEXANDER. England, 1720-1784. The Storm a A é e ‘ wo os STILL, JOHN. England, 1543-1607. ood Ale . : i . STODDARD, RICHARD HENRY. Hingham, Mass., b. 1825. Brahma’s Answer . . . . “Tt never comes again” Publishers ; Houghton, Mifflin, & Co., Boston.” STODDART, THOMAS TOD. Scotland, b. 1810. 3 The Anglers’ Trysting-Tree . . STORY, ROBERT. Scotland, 1790-1859. The Whistle . . . . ne “ STORY, WILLIAM WETMORE. Salem, Mass., b. 1819. Pan in Love Perseverance (From me Htalian ef Leonardo da Vinci) . Violet, The Publishers : Little, Brown, "& Co, Boston. STOWE, HARRIET BEECHER. Litchfield, Conn., b. 1812. A Day in the Pamfili Doria - a « Lines to the Memory of Annie ‘ . “ Only a year’ ae os Other World, The - Publishers : Houghton, Mifflin, & Co., Boston. aE Ee BORD: England, 1789 = 18: Blighted Love (From the Portuguese) . ° STREET, ALFRED B. Poughkeepsie, N. Y., 1811-188z. Nightfall. . . Be ee Settler, The... i oe ee STRODE, WILLIAM. England, 1600~ 1644. Kisses . oi . ° SUCKLING, te JOHN. England, 1609- Bride, The (a Ballad upon a Wedding) = Constancy rythee send me back my heart” " . ‘ “Why so pale and wan?” . : From :— Brennoralt, 134; Against Fruition 2 SURREY, HENRY HOWARD, EARL OF. England, 1516 = 1547. * Give'place, ye lovers” . . e : Means to attain Happy Life, he nr 769 478 8 3908 460 518 932 451 364 645 406 456 628 946 746 106 667 156 488 q3r 461 682 273 278 387 26r 412 709 186 2tT 124 146 263 801 123 226 68 INDEX OF AUTHORS AND TITLES. SWAIN, CHARLES. England, 1803 - 1874. A Violet in her Hair _ : 1 * Smile and never heed me” 2 ‘ From :— The Mother’s Hand SWIFT, JONATHAN. lreland, 1667-1745 ‘Tonis ad resto mare’ . From :— Cadenus and Vanessa, 810 : Imitation of Horace, 121; Poetry.: a Rhapsody,. 496. EWINBURNE, ALGERNON CHARLES England, b 1837 isappointed Lover, The ( 7rzumph of Teme) Kissing her Match, A. ‘i : 2 “When the hounds of spring ”’ SYLVESTER, JOSHUA. Lngland, 1563-1618, Contentment . a . ‘ ; . “Were I as base as 1s the lowly plain” TALFOURD, SIR THOMAS NOON. Lng'and, 1795-1554. Sympathy (Zoz) rom:—lon . TALHAIARN OF WALES. alr ‘Where are the men?” (Oliphant’s Trans ) TANNAHILL, ROBERT Scotland, 1774-1810 Flower o’ Dumblane, The : «The midges dance aboon the burn”. TAYLOR, BAYARD. Kennett Square, Pa., 1825-1878. Arab to the Palm, The 3 a « Bedouin Love-Son: Z at King of Thule (From the German of Goethe) Possession 2 : z Rose, The (Hassan Ben Khaled) Song of the Camp From:—National Ode. Publishers : Houghton, Mifflin, & Co. Boston. TAYLOR, BENJAMIN FRANKLIN. Lowville. N Y ,b 1822 Northern Lights, The i i TAYLOR, SIR HENRY England, b. about 1800. Athulf and Ethilda . . Heart Rest (PAilzp van Artevelde) . Scholar, The (Zdwen the Fair; . Wife, A (Philip van Artevelde) . From: — Philip van Artevelde TAYLOR, JANE England, 1783-1824. hilosopher’s Scales, The Toad’s Journal, The . TAYLOR, JOHN EDWARD. England, Pub 1852. , "348, 812, “Tf it be true that any beauteous thing ” (From the Italian of Michael Angelo Buonarotti) “The might of one fair face’' (From the Italian of Michael Angelo Buonarotti) TAYLOR, JEFFERYS, England, 1793-1853 “The Milkmaid. bis of TAYLOR, JEREMY England 1613 - 1667. eaven ‘TAYLOR, TOM. England, 1817 - 1680. Abraham Lincoln (London Punch) 4 TENNANT, WILLIAM. Scotland, 1784~ 1848. Ode to Peace . . ‘ ° . TENNYSON, Saas Ngiand, 1 + 1892, ee Be break, break”? - 8 * ‘ Bugle, The (Przzcess) . : Charge of the Light Brigade . “Come into the garden, Maud”’ Dead Friend, The (/z Memoriam) Death of the Old Year, The ; Eagle, The : Enid’s Song (Jdyls of the ef ae Foolish Virgins, The (/dyds of the Keng) 126 156 796 92 611 18 148 419 731 135 770 794 53° 148 411 454 1 862 218 404 155 604 409 172 229 766 213 867 862 851 I w wn 135 957 367 931 534 315 449 517 152 113 75 483 777 754 Godiva ¥ Hero to Leander 2 : “Home they brought he. warrior dead” (Princess). ; In Memoriam, Selections from . Lady Clara Vere de Vere Locksley Hall. é Lullaby (Przxcess) . May Queen, The . ‘ 5 3 Miller’s Daughter, The (J@Z/er's Daughter) Mort d’Arthur . i ‘1 j 7 New Year’s Eve (J Memoriam) s , “ O swallow, swallow, flymg south (Pxzzcess) “O, yet we trust that somehow goud”’ (/ Memoriam) . 5 * : . Retrospection (Prizcess) . Sleeping Beauty, The ( 7e Day Dreanz) Song of the Brook (The Brook: an /dyl) , Song of the Milkmaid (Queen Mary) Spring (Jz Memorram) < : 2 5 “Strong Son of God, immortal Love’? (72 Memoriam) . ‘ 2 e js . Victor Hugo, To aks sa ‘ : ‘* What does little birdie say?” (Sea Dreams) From:— Aylmer’s Field, 810; Fatima, 205; In Memoriam, 309, 311, 345, 394, 397, 399) 7975 803, 807; International Exhibition Ode, 541; Land of Lands, The, 603: Miller’s Daughter, 814; ‘Of old sat Freedom on the henghts,”’ 602; On the Death of the Duke of Welling- ton, 940; Princess, The, 493, 721, 807, Sir Launcelot and Queen Guinevere, 721; To the Queen, 632 ! TENNYSON, FREDERICK England. (Brother of the preceding ) Blackbird, The ‘ TERRETT, WILLIAM B Platonic ‘ THACKERAY, WILLIAM MAKEPEACE, kngland, 1811 - 1863 Age of Wisdom, The Church Gate, At the End of the Play, The Little Billee i “ Mahogany Tree, The. 4 Mr Molony’s Account of the Ball Sorrows of Werther THAXTER, MRS. CELIA Isles of Shoals, 1835 - 1894, The Sandpiper 2 Publishers Houghton, Mifllin, & Co., Boston. THEOBALD, LEWIS England, 1691 - 1744. from: —'The Double Falsehood cHOM; WILLIAM. cotland, 1799 = 1850, The ‘Mitherless Bairn THOMSON, JAMES. Sine CF a oun ngling e Seasons: img). r Bathing (The Seasons: Summer) Castle of Indolence, The (7*7o77 Canto Z) ‘ ‘ Connubial Life (The Seasons: Spring) ° , Domestic Birds ( The Seasons: ring) . Hymn on the Seasons . ee Plea for the Animals (The S. ‘easons: Spring) Rule Britannia (A d/red) Songsters, The (7he Seasons: Spring) Stag Hunt, The ( 7%e Seasons: Autumn) War for the Sake of Peace (Britannia Winter Scenes (The Seasons + Winter) ‘ : olence, From: — Britannia, 541; Castle of In 489, 539 814, 816; Conolanus, 812, Seasons, The: Spring, 107, 489, 492, 672, 799, — Sum- mer, 204, 490, 631, 719, — Autumn, 492, 795, — Winter, 310, 672, 806, Song, 205. THOREAU, HENRY DAVID Eonar, Mass., 1817 - 1862, 1s) . Smoke « § é ‘1 Publishers | Houghton, Mifflin & Co. Boston. THORNBURY, GEORGE WALTER, England, 1828 —1877 The Jester’s Sermon “ yor 235 292 267 254 8r 327 183 642 752 171 392 315 174 446 168 418 393 80 693 1g 202 132 344 971 I V7 1002 972 482 822 691 691 748 INDEX OF AUTHORS AND TITLES. THORPE, ROSE HARTWICK. Litchfield, Mich., b. 1840. Curfew must not ring to-night . * : . THRALE, HESTER LYNCH (Ms. Piozz?). Wales, 1740-1821. The Three Warnings. . THURLOW, EDWARD HOVEL, LORD. England, 1781-1829. Beauty . a ‘i . ¥ . : Bird, To a . . ‘ ‘ TICKELL, THOMAS. England, "1685-174 0 Toa Lady before Marriage. To Earl of Warwick on the Death of Addison From :—Toa Lady, with a Present of Flowers, 1343 Colin and Lucy, 311. TIMROD, HENRY. Charleston, S. C., 1829-1367. “ Sleep sweetly in your humble graves” Spring in Carolina. Publishers: E, J. Hale & Son, New York. TOURNEUR, CYRIL. England, Time of James I. From:—'The Revenger’s Tragedy . TRENCH, RICHARD CHENEVIX. Ireland, 1807-1835, Different Minds ‘ . Harmosan TROWBRIDGE, JOHN TOWNSEND. Ogden, N. Y., Dorothy in Pine ua Vagabonds, The Publishers : Harper & Brothers, New York TRUMBULL, J. Woodbury, Conn. 1750-1331, From: :—"McHingal, 671, 793- TUCKERMAN, HENRY THEODORE. Boston,¢Mass., 18131871. Newport ‘Beach Publishers : Houghton, Mifflin, & Co., “Boston. TUPPER, MARTIN FARQUHAR. England, 1810-1839. Cruelty to Animals, Of (Prev. Philosophy) From ; — Ot Education, 1¢7; Of Immortality TURNER, CHARLES TENNYSON. England, ” (808-1879. Brother of Alfred ‘Fenaysens The Ocean . . * TUSSER, THOMAS: England, 1523-15 From: — fa armer’s Daily Diet, 232; Good Husbandry Lessons, 347, 394, 672, 802; Winds, The, 802; Wiving and Lhriving, 214. TYCHEORN, CHIDIOCK. England. Lines written by One in the Tower UDALL, NICHOLAS. England, 1506-1564. From: — Translations from Erasmus, s4o. UHLAND, LUDWIG: Germany, 1787-1862. Landlady’s Daughter, The (Dwight's Trans ) Passage, The (Sarah Austin’s Translation) . UPTON, JAMES. England; 1670-1749. The Lass of Richmond Hiil . a . VAUGHAN, HENRY. England, 1621-1695. They are all gone . . VENABLE, W. H. America. Welcome to“ Boz,” A. . VERY, JONES. Salem, Mass., b. 1813. Latter Rain, The . ee Nature . 3 e Spirit Land, The . . 2 ee VICENTE, GIL. Portugal, 1482-1537. The Nightingale (Six ¥ohn Bowring’s Trans.) VINCI, LEONARDO DA. Italy, 1452-1519. Perserveratce (W..W. Story’s Translation) . 756 73° 482 209 glo 532 422 383 769 251 547 692 782 394 631 745 142 2g1 149 274 925 433 403 368 479 781 VISSCHER, MARIA TESSELSCHADE, 69 Holand, 1594-1649 The ‘Ni ghtingale, (Sir Fohn Bowring's Trans ) 479 WALLER, EDMUND. Lingland,” 1605-1687. Girdle,Ona_ . ‘ Go, Lovely Rose! . Old eee and Death (Upon kis Divine Poesy) From: ivine Love, 399; On the King’s Re- turn, 798; To a Lady singing a Song of his Composing, 134; Upon Roscommon's Trans- lation of Horace’s De Arte Poetica,806 ; Verses upon his Divine Poesy, 794, ** While I listen to thy voice,” 399. WALLER, JOHN FRANCIS. reland, b. 1810. “ Dance light” i . The Spinning-Wheel Song WALSH, WILLIAM. England, 1663-1707. Rivalry in Love . . WALION, IZAAK, (See also Joun CHALKHILL.) land, "1593-168: 3. ethe Angler’s Wish 5 . . WARTON, THOMAS. England, 1728-1790. etirement . ‘i si . . WASSON, DAVID ATWOOD. Maine, b. 1823. Love against Love... x 4 s WASTELL, SIMON. England, d. 1623. Man’s Mortality . & . WATSON, JOHN WHITTAKER. New York, 1824-1899. Beautiful Snow ‘ e . 5 . Wounded to Death : . 7 ‘ WATTS, ISAAC. England, 1674-1749. Cradle Hymn, A 4 . i % = Insignificant Existence . e 7 . Summer Evening, A > A . Fron i—Divine Songs, 395) ” 398: Funeral Thought, 308, 310; Glory to the Father and Son, 394; Hore Lyrice, 807; Hymns and Spiritual Songs, 794, 7993 pneeedy The, 815; Song XVI., 108; Song XX, WAUGH, EDWIN. England, 1817-1890. (Called “ The 1, ancashire Poet. o “The dule ’s i? this bonnet o’ mine’ : WEBSTER, DANIEL. Salisbury, N, H., 1782-1852. The Memory of the Heart. ‘i From :— The Sons of New Hampshire WEBSTER, JOHN. England, about 1600, From: — Duchess of Malfy, 121, 232; The White Devil. 495. WEIR, HARRISON. England. Pub. 1865. ‘The English Robin . a ie . WELBY, AMELIA B. COPPUCk. St. Michaels, Md., 1821-1852. Old Maid, The . . . . . . Twilight at Sea > . 5 . . WESLEY, CHARLES. England, 17068-1788. “ Love divine, all love sxoriine* é . 4 ‘Wrestling Jacob . . ° . WESLEY, JOHN. England, I The Love of God ‘Supreme . 6 «© « WESTWOOD, THOMAS. England, b. 1814. Little Bell . : ° . . “ . ‘Under my window” . . ee . WHEWELL, WILLIAM. En ane. 1795-1866. hysics . o 6 © © © « 12 125 755 174 173 147 334 526 76 Zot 431 196 112 939 475 79° 610 392 371 88 85 992 70 INDEX OF AUTHORS AND TITLES. WHITCHER, FRANCES MIRIAM. Whitesboro’, Ne Y., 1812-1852. Widow Bedott to Elder Sniffes . . . WHITE, JOSEPH BLANCO. Spain, b. 1775, d. England, oo Night a i . . . . WHITE, HENRY KIRKE. land, 1785 - 1806, ae ly Primrose, To the . . Harvest Moon, To the 7 © 5 . WHITMAN, SARAH HELEN. Providence, R. 1., 1803-1878. A Still Day in Autumn. ‘ _ WHITMAN WALT, West Hills, L. 1, The Mocking-Bird (Ome ‘of the cradle”) . WHITNEY, ADELINE D. TRAIN Boston, b. 3824. Jack Horner (Mother Goose for Grown Folks) Publishers : Roberts Bros. WHITTIER, JOHN See Haverhill, Mass., 1807-1892 Absent Sailor, To her (The Tent on the maaes) Agassiz, Prayer of . Angel of Patience, The Barbara Frietchie . . Barclay of Ury Barefoot Boy, The . Benedicite. Brown of Ossawatomie . a e Bums . i ‘ Fremont, John Gs . ‘ Halleck, "Pitz-Greene Hampton Beach a. ow Ichabod . eB 3 a Laus Deo! . Maud Muller. Meeting, The New England i in Winter (s now. Bound) . Palm-Tree, The 7 Pumpkin, The . é Reformer, The . : Thy Will be Done From: — Centennial Hymn, 604; : Democracy, 8133 Eve of Election, 603, 5k Snow-Bound, 807. Publisiers : Houghton, Mifflm, & Co., Boston. WILCOX, CARLOS. wport, N. H., 1794~ 1827. ne everywhere i m Nature i WILDE, RICHARD HENRY. ireland, b. 1789; d. New Cleans, La., aa ife . 7 . . WILLIS, NATHANIEL PARKER. Portland, Me., 1807 - 1867. Beliry Pigeon, The a Leper, The e é Parrhasius : F ‘ é ‘ . Unseen Spirits Publishers : Clark & Maynard, New "York. WILLSON, ARABELLA M. Canandaigua, N.Y. To the ‘‘Sextant”’ . r . WILLSON, BYRON FORCEYTHE, Aumerica, 1837 - 1867 In State . . a WILMOT, JOHN. See Rocuesrer, Eart. OF. WILSON, HORACE HAYMAN. England, 1786 — 1860. oman (From Sanskrit of Calidisa) : WILSON, JOHN (Xi or Christopher North). Scotland, 1785 - 1854. Evening Cloud, The . . . 7 Rose and the Ganntlet. The WINKWORTH, CATHARINE. Scotland, 1825-1878. Veni Sancte Spiritus (From the Latin). . WINTER, WILLIAM. Gloucester, Mass., 1836- Beauty . é zw é 7 . 2 WITHER, GEORGE. England, » 588-1667. “« Lord ! when those glorious lights I see” Shepherd's Resolution, The * Upona Stolen Kiss... 995 415 461 55° 692 470 977 24% 936 275 596 536 ii 599 914 935 937 929 597 158 378 436 455 459 600 375 488 743 472 JOU 881 333 100K 523 776 692 884 356 769 376 193 186 From: — Christmas, 816 ; The Shepherd’s Hunt- ing, 803. WOLCOTT, or WOLCOT, JOHN (Peter Pindar). ea ug 1819. Chloe, To . , 192 Pilgrims and the Peas, The . ee 953 Razor-Seller, The . . . e = 954 Sleep. . ° . oe 761 WOLFE, CHARLES. Ireland, 1791 - 1823. Burial of Sir John Moore. . «+ 920 WOODWORTH, SAMUEL. Scituate, Mass., 1785 - 1842. The Old Oaken Bucket . + 100 WOOLSEY, SARAH CHAUNCEY (Sudan Coolidge). New Haven, Conn. Now living. In the Mist - . . * 823 When? . ‘ s # z é a 5 381 Publishers : Roberts Brothers, Boston. WORDSWORTH, WILLIAM. England, 1770- 1850. : Cuckoo, To the . . ° . 472 Daffodils ‘ ! ‘ < 4 a * 464 Hart-leap Well 5 » 660 Highland Girl at Tnversneyde, Toa a. ci 105 Inner Vision, The . a 707 Lucy . a . “ i 104 Milton, To * a < ‘ 907 Rainbow, The a o 432 “She was a phantom of delight” . 128 Skylark, Tothe . is . 474 Sleeplessness . 763 Sonnet composed upon Westminster Bnidge 678 Sonnet, The 3 907 “There wasatime” » c . 757 “ The world is too much, wath, us” 403 “ Three years she grew’ és 103 Tintern Abbey ‘ om ge me 403" ‘Vo a Child A a > 89 Toussaint |” Ouverture, To 2 . 921 Unknown Poets (Excursion) . 766 Walton’s Book of Lives (Zccles. Sonnets) 908 Weare Seven . . 87 From :— Character of the Happy Warrior, 5403 Dion, 868; Early Spring, 492, 495; Ecciesias- tical Sonnets, 809, 939; Ellen Irwin, gui; Ex- cursion, The, 309, 396, 397, 398, 399, 494, 31, 93, 798, 801, 806, 808, 867; Expostulation and eply, 397; Extempore Effusion on the Death of James Hogg, 309 ; Influence of Natural Ob- jects, 672; Lao- damia, 203, 206, 399; Lines added to “The Ancient Mariner,’’ 108; Lines written in Ear- : Spring, ‘492, 495; ne pelos Sonnets, eH ‘ My heart leaps up,” ; Nutting, 490; le to Duty, 797; Old ‘Cum erland Beggar; 489; On the Subjugation of Switzerland, 4933 Personal Talk, 805; Peter Bell, 490, 493; Poems dedicated to National Independence, 602; Poems in Summer of 1833, 495; Poet’s Epitaph, 205; Prelude, The, 4 Resolution and Independence, 807; Sky Cased 4915 Sonnet composed at Castle, 494; Sonnet XXXV., 398; Sparrow’s Nest, The, 231; Tables turned, The, 494; Thoughts suggésted on the Banks of Nith, 398; To —, 206; To a Butterfly, 108; To the Daisy, 4953 To Sir G. H. B., 348; Toa Young Lady, 311, 723; Triad, The, 721 ; Written in London, Septem- ber, 1802, 814; Yarrow Unvisited, 493. WOTTON, SIR HENRY. England, 1368- 1639. Character ofa Happy Life, The. ¥ + 736 In Praise of Angiing ° . 667 To his Mistress 124 From: — The Death of Sir Albert Morton s Wife 312 WROTHER, MISS. From: -— The Universal Songster . . « 271 WYATT, SIR THOMAS. England, 1503 - 1542. Earnest Suit, An. : é ° . 240 XAVIER, ST. re Ti ee 1506 = 15; y God. t love thee” (Caswadll’s Trans. ). 360 INDEX OF AUTHORS AND TITLES. YALDEN, or YOULDING, THOMAS. England, 1669-70 - 1730. From: PP apainst Enjoyment . . 801 YOUNG, DR. EDWARD. England, 1684 - 1765, Man (Night Thoughts) 6 . . 776 Narcissa . 106 Procrastination (Wight Thoughts) . 748 Time (Night Thoughts) x c 747 From: — Epistle to Mr. Pope, 347) 798; Last Day, The, 398; Love of Fame, 25, 347, 541, 793, 804, ere, 815; Night houghts, 120, 232, 308, 309, 310, 312, 345, 343, 305; 393, 39% 489, 49%) 492 792; 7941 798s 79, 801, 816, YOUNG, SIR J. Epitanh on Ben Jonson < z we 939 ANONYMOUS. 7 Anne Hathaway . és 5 . go4 A Voice and Nothing Else . & . « 923 Bellagcholly Days - . . * 1016 Books (Kaléder oy Sheperdes) . a * 767 Constancy ri . . 733 Cooking and Courting ‘i fi s . 201 Cosmic Egg,The. . . . « . 991 Cradle Song. 7 Dreamer, The ( Poems bye a Seamstress) 330 Drummer-Boy’s Burial, The . . + 528 Dut Yi . f i < 557 Echo and the Lover. 1014 Edwin and Paulinus (Conver. ‘Sion of North. umbria) . 389 Eggs and the ‘Horses, The a + 955 Faithful Lovers, The . i , 201 Fetching Water from the Well . : 169 Fine Old English Gentleman 959 Flotsam and Jetsam ¢ 621 George Washington. 2 . . e 928 Girlhood . ot Bel qu “ Go, feel what I have felt Be: 5 e n 546 Good By : . ‘ ‘ * + 233 Grief for the Dead r o 272 Indian Summer a . 434 Inscription on Melrose Abbey. : s 307 ‘King John and the Abbot ot ‘Canterbury * 943 Kistae’ sno Sin . 7 a 187 “ Rock of Ages,” pay of Coleraine. & » z Lady Ann Bothwell's Lament), . . Lament of the Border Widow . . of Life’s Love, A. é . . . Little Feet “ ‘ : e ° Love lightens ‘Labor’ ‘ PRS Use Loveliness of Love, The . . e . ** Love me little, love me jong” . ° ** Love not me for comely zrace“ . ws Modern House that Jack bunt, The . ° My Love . . My sweet Sweeting (tems. Henry VHIE) . Notonetospare . ‘ Nursery Rhymes . Old-School unishment z Origin of the Opa Parting loves. The (WR. Alger’ s Tras.) Passage in the Life of St Cushsine e s Praxiteles (From the Greek) Remonstrance with the Snails - Revelry of the Dying ‘ , ‘ Robin Hood and Allan-a-Dale . . é Sea Fight, The é ¥ < ° . . Seaside Well, The . ‘ oe Siege of Belgrade eo BO we Skater Belle, Our. Cae ° e Skeleton, Toa . z i 5 . ° Somebody 5 a Somebody’ Ss Darling (South Songs) + Stormy Petrel, Lines to the . Summer Days. z . . Swell’s Soliloquy ‘ A “i = % ell- tale, The % . . . ® They are dear fish to me”, ‘ : ‘ Unsatisfactory ‘ é . oo é. Useful Plough, The. i ‘ . . . Vicar of Bray, The . a “Waly, waly, but love be bonny a, ° ““When I think on the happy days” . “ ‘* When shall we all meet again?” . “Where are you going, my pretty maid?” , White Rose, The a **Why, lovely charmer ye (The Hive) « 7 Wife to her Husband, The . . oman . From : — Battle of the Boyne, The, 602; Epigram on Matrimony, 232 ; On Tobacco, 814. 187 160 roor 282 194 55% 945 268 247 322 958 123 146 975 P. 367, in a previous edition indexed as Anonymous, was writien by Prof. Epwarp H. Rice, Springfield, Mass. ‘Silent Baby,” heretofore given as Anonymous, is by Mrs. ELLEN BARTLETT CurRIER, Oberlin, Ohio. ‘The Babie,” on p. 79, in former editions ascribed to Hucu Mixtsr, is by Rev, J. E. Rankin, Washington, D. C.,b. New Hampshire, 1828. FROM RECENT POETS. For List of Illustrations for these Poems in their order see page ix. BATES, ARLO. East Machias, Me., 1850- From:——“ Sonnets in Shadow” . 4 322 Publishers : Roberts Bros., Boston. BATES, CHARLOTTE FISKE. New York City, 1838-1889. n Mid Ocean. 631 Publishers: The Century Co., New York.” BUNNER., ee CUYLER Oswego, N. Yu For an oia. Poet (Richard Henry Stoddard) 767 Publishers : Charles Scribner s Sons, New York. CARMAN, BLISS. Fredrickton N. B., he Joys of the 2 Rand ee 48 é meee Stone & Kimball, Chicago. 461 CONE, HELEN GRAY. New’ York City, 1859- A Yellow Pansy . : 7 . Publishers : Houghton, Mi iffin & Co., Boston, DAVIDSON, JOHN England. ondon . . @ DELAND, MARGARETTA WADE. Alleghany, Penn., 1857- Affaire D’Amour . . Publishers : Houghton, Mifflin & Co., Boston. DICKINSON, EMILY. Amherst, Mass. +7 1830-1886. Poems . ae . Publishers : Roberts Bros., “Boston. 494 685 140 389 72 INDEX OF AUTHORS AND TITLES. DOBSON, AUSTIN. England, 1840- A Fancy from Fontenelle . 30 Pinblishers in America: Charles Scribner's Sons, New or! EATON, REV. ARTHUR WENTWORTH HAMILTON. Kentville, Nova Scotia, The Voyage of Slee . : 7 - 831 From: Sone ‘er Americal Poets.” Cassell Publishing EASTMAN, ELAINE GOODALE. Mt. Washington, Mass., 1863- Goldenrod i 432 Publishers : G. P. Putnam’ Ss Sons, } New York. FAWCETT, EDGAR. New York City, 1847- To an Oriole = 495 Publishers : Houghton, Mifflin & ‘Co. Boston. FIELD, EUGENE. St. Louis, Mo., 1850- A Dutch Lullaby . . 80 Pubhshers : Charles Scribner's Sons, New York. FOSTER, WILLIAM PRESCOTT. Wells, Me., 1856- The Silence of the Hills . ‘ oo ae . From :— The Century Magazine. GILDER, ee WATSON. Bordentown, N.J., Life-Mask of Troon ‘ me Publishers : The Century Co., New York. GOODALE, DORA READ. Mt. Washington, Mass., 1835- A Twilight Fancy . . . Publishers; G. P, Putnam's Sons, New York. GOSSE) EDMUND WILLIAM. England Perfume . 140 Publishers in America: Henry Holt & Co. New York. GUINEY, LOUISE IMOGENE. Boston, Mass., 1861— ‘The Wild Ride a . . Publishers : Houghton, Mifflin & ‘Co, Boston. HOVEY, RICHARD. Illinois, :864- Beethoven’s Third S mphony . a . Publishers : Stone & Kimball, Chicayo. JOHNSON, ROBERT UNDERWOOD. A September Violet . Publishers : The Century Co., New York. LAMPMAN, ARCHIBALD. Canada, 1861~ Evening ) 405 From: —" Younger American Poets.” Publishers : Cassell Publishing Co., New York. LANIER, SIDNEY. Macon, Ga., 1842-1581. From:--"Corn” . 2 . Publishers ; Charles Scribner's sons, New York. LAZARUS, EMMA. New York City, 1849-1887. Gifts Publishers : Houghton, Mifflin, & Co., Boston. Lee GALLIENNE, RICHARD. England Confessio Amantis . Publishers in America; Copeland & Day, Boston. LIGHTHALL, WILLIAM DOUW. ‘anada, Canada Not Last . From «— Younger American poets: ” Publishers : Cassell Publishing Co., New York LUDERS, CHARLES HENRY. Eageict, Pa., 1858 404 930 433 73t 830 460 571 228 mory 268 mee avid Mackay, Philadelphia. MARSTON, PHILIP BOURKE. England. To All in Haven Publishers in America: Whittaker, New York. 630 Roberts Bros., Boston, and T. PATMORE, COVENTRY KEARSEY DIGHTON. England, 1823- Parting Publishers in America : Cassell Publishing Co., New York, PECK, DR. SAMUEL MINTURN. Tuscaloosa, Ala., 1854- A Knot of Blue . Publishers : The Frederick A. Stokes Co., 7 New York. PIATT, SARAH MORGAN BRYAN. Lexington, Ky., 1836- The Witch in the Glass . e # Publishers : Houghton, Mifflin & Co., Boston. PROCTOR, EDNA DEAN. New Hampshire. The Brooklyn Bridge é i Publishers: Houghton, Mifflin & Co., Boston. RILEY, JAMES WHITCOMB. Greentield, Ind., 1853- ‘The First Bluebird . . Publishers : The Bowen- Merrill Co., Indianapolis, Ind. RITTER, MARY LOUISE. New York, 1837- ee . . . . From :— The Century Magazine. ROCHE, JAMES JEFFREY. Ireland, 1847— The V-A-S-E wo 3 Publishers : Houghton, Mifflin, & Co., Boston. RUSSELL, IRWIN. Fort Gibson, Miss., 1853-1879. Nebuchadnezzar. $ . Publishers : The Century Co., New York.” a NA, GEORGE. F, Publishers : Stone & Kimball, Chicago. SCOLLARD, CLINTON: Clinton, N. a 18 The Bookstall . Publishers: The Frederick A. Stokes Co. New York, SILL, EDWARD ROWLAND. Windsor, Conn., 1841-1887 Among the Redwoods . . . Publishers . Houghton, Mifflin & Co, Boston. SMITH, BELLE E. Newton, lowa. If ‘Should Die To-Night From: — The Christian Union. & The Outlook ), New York. STANTON, FRANK L, An Old Battlefield Publishers : Constitutional Publishing Co., “Atlanta, Ga. STEVENSON, ROBERT LOUIS. Scotland, 1850-1294. he House Beautiful ulcers in America; Charles. Scribner's” Sons, New THOMAS, EDITH MATILDA. Chatham, Ohio, 1854- Augury . Publishers ¢ Houghton, Miffiin | & Co., Boston, WATSON, WILLIAM. England. From:—“ Wordsworth’s Grave”... Publishers ; Macmillan & Co., New York. WHITMAN, WALT. West sa ee New York, 1819~1893. My Portrait . : . nr er Publisher : David Mackay, Phila. WILCOX, ELLA WHEELER. Johnstown, Wis. Life . . . . . . Publishers : W. B. Conkey Co., Chicago, WOODBERRY, GEORGE E. pars Mass., 1855~ ‘ibraltar . ‘ salen Houghton, Miffiin “& Co, Boston, WYETH, DR. JOHN ALLAN. Missionary Station, Marshall Co., Ala., 1845 My Sweetheart’s Face. . ° . . From: — Harpers Magazine. 269 191 81 684 107 974 975 388 766 806 301 535 229 300 867 93t 323 534 199 POEMS OF CHILDHOOD AND YOUTH. ~ foal te Ce pee lem 2 Bnd Jo feel Puce tevre Hay che, , tr LO Mae, Jb iia Fey tlle oxy Lin rime? PhD i Bia hn angel face: ib Sumy wealth. of hatin Sr caduant ripples bathed Ha gracojul throat And Hirns bod, thoakdonrs ; pound Me Aosy caine. Of Me swank moni a vil. Pormaed wanna ery Povsath, Ka droopiny tastor, depk e world. buoy —subdwed — but of, fow taubfar | Cupane Lye es Lb. rating ee QI, pinye HOA trv eelutnl SM Lows} Gs Lhe werd V4, a oh LT CumcL wn fore the prin Zs ee er 2 6 4 ee f ford he tn WO billie? ca: Phin Ket POEMS OF CHILDHOOD AND YOUTH. PHILIP, MY KING. “Who bears upon his baby brow the round And top of sovereiznty.’ Loox at me with thy large brown eyes, Philip, my king! Round whom the enshadowing purple lies Of babyhood’s royal dignities. Lay on my neck thy tiny hand With Love’s invisible sveptre laden ; Iam thine Esther, to command Till thou shalt find a qucen-handmaiden, Philip, my king! O, the day when thou goest a-wooing, Philip, my king! When those beautiful lips ‘gin suing, Aud, some gentle heart’s bars undoing, Thou dost enter, love-crowned, and there Sittest love-glorified ! — Rule kindly, Tenderly over thy kingdom fair ; For we that love, ah! we love so blindly, Philip, my king ! Up from thy sweet mouth up to thy brow, Philip, my king! The spirit that there lies sleeping now May rise like a giant, and make men bow As to one Heaven-chosen ainong his peers. My Saul, than thy brethren taller and fairer, Let me behold thee in future years ! Yet thy head needeth a circlet rarer, Philip, my king ; — A wreath, not of gold, but palm. Philip, my king ! Thou too must tread, as we trod, a way Thorny, and cruel, and cold, and gray; Rebels within thee and foes without Will snatch at thy crown. But march on, glorious, Martyr, yet monarch ! till angels shout, Ag thou sitt’st at the feet of God victorious, ‘Philip, the king !” DINAH MARIA MULOCK CRAIK,. One day, CRADLE SONG. FROM ‘“ BITTER-SWEET.” Wuat is the little one thinking about ? Very wonderful things, no doubt ; Unwritten history! Unfathomed mystery! Yet he chuckles, and crows, and nods, and winks, As if his head were as full of kinks And curious riddles as any sphinx! Warped by colic, and wet by tears, Punctured by pins, and tortured by fears, Our little nephew will lose two years ; And he'll never know Where the summers go ; He need not laugh, for he’ll find it so. Who can tell what a baby thinks ? Who can follow the gossamer links By which the manikin feels his way Out from the shore of the great unknown, Blind, and wailing, and alone, Into the light of day ? Out from the shore of the unknown sea, Tossing in pitiful agony ; Of the unknown sea that reels and rolls, Specked with the barks of little souls, — Barks that were launched on the other side, And slipped from heaven on an ebbing tide! What does he think of his mother’s eyes ? What does he think of his mother’s hair ? What of the cradle-roof, that flies Forward and backward through the air ? What does he think of his mother’s breast, Bare and beautiful, smooth and white, Seeking it ever with fresh delight, Cup of his life, and couch of his rest ? What does he think when her quick embrace Presses his hand and buries his face Deep where the heart-throbs sink and swell, With a tenderness she can never tell, Though she murmur the words Of all the birds, — Words she has learned to murmur well ? Now he thinks he'll go to sleep ! I can see the shadow ereep POEMS OF CHILDHOOD AND YOUTH. Over his eyes in soft eclipse, Over his brow and over his lips, Out to his little finger-tips ! Softly sinking, down he goes ! Down he goes ! down he goes ! See! he’s hushed in sweet repose. JOSIAH GILBERT HOLLAND. ss CHOOSING A NAME. I HAVE got a new-born sister ; I was nigh the first that kissed her. When the nursing-woman brought her To papa, his infant daughter, How papa’s dear eyes did glisten !— She will shortly be to christen ; And papa has made the offer, ] shall have the naming of her. Now I wonder what would please her, — Charlotte, Julia, or Louisa ? Ann and Mary, they ’re too common ; Joan ’s too formal for a woman ; Jane’s a prettier name beside ; But we had a Jane that died. They would say, if ’t was Rebecca, That she was a little Quaker. Kdith ’s pretty, but that looks Better in old English books ; Ellen ’s left off long ago ; Blanche is out of fashion now. None that 1 have named as yet Are so good as Margaret. Emily is neat and fine ; What do you think of Caroline ? How I’m puzzled and perplexed What to choose or think of next ! 1 am in a little fever Lest the name that I should give her Should disgrace her or defame her ; — I will leave papa to name her. Mary LAMB, a BABY May. / CHEEKs as soft as July peaches ; Lips whose dewy scarlet teaches Poppies paleness ; round large eyes Ever great with new surprise ; Minutes filled with shadeless gladness ; Minutes just as brimmed with sadnegs ; Happy smiles and wailing cries ; Crows, and laughs, and tearful eyes ; Lights and shadows, swifter born Than on wind-swept autumn corn ; Ever some new tiny notion, Making every limb all motion ; Catchings up of legs and arms ; Throwings back and small alarms ; Clutching fingers ; straightening jerks ; Twining feet whose each toe works ; Kickings up and straining risings ; Mother’s ever new surprisings ; Hands all wants and looks all wonder At all things the heavens under ; Tiny scorns of smiled reprovings That have more of love than lovings ; Mischiefs done with such a winning Archness that we prize such sinning ; Breakings dire of plates and glasses ; Graspings small at all that passes ; Pullings off of all that’s able To be caught from tray or table ; Silences, — small meditations Deep as thoughts of cares for nations ; Breaking into wisest speeches In a tongue that uothing teaches ; All the thoughts of whose possessing Must be wooed to light by guessing ; Slunbers, — such sweet angel-scemings That we'd ever have such dreamings ; Till from sleep we see thee breaking, And we ’d always have thee waking ; Wealth for which we know no measure Pleasure high above all pleasure ; Gladness brimming over gladness ; Joy in care; delight in sadness ; Loveliness beyoud completeness ; Sweetness distancing all sweetuess ; Beauty all that beauty may be ; — That's May Bennett ; that’s my baby. WILLIAM COX BENNETT, —o—. A CRADLE HYMN, ABBREVIATED FROM THE ORIGINAL, Husn ! my dear, lie still, and slumber Holy angels guard thy bed ! Heavenly blessings without number Gently falling on thy head. Sleep, my babe ; thy food and raiment, House and home, thy friends provide ; All without thy care or payment, All thy wants are well supvlied. How much better thou ’rt attended Than the Son of God could be, When from heaven he descended, And became a child like thee. Soft and easy is thy cradle: Coarse and hard thy Saviour lay : When his birthplace was a stable, And his softest bed was hay. INFANCY. 77 See the kinder shepherds round him, Telling wonders from the sky ! There they sought him, there they found him, With his virgin mother by. See the lovely Babe a-dressing ; Lovely Infant, how he smuled ! When he wept, the mother’s blessing Soothed and hushed the holy Child. Lo, he slumbers in his manger, Where the hornéd oxen feed ; Peace, ny darling, here’s no danger, Here ’s no ox anear thy bed. Mayst thou live to kriow and fear him, Trust and love him all thy days ; Then-go dwell forever near him, See his face and sing his praise! I could give thee thousand kisses, Hoping what I most desire ; Not a mother’s fondest wishes Can to greater joys aspire. Isaac WATTS. —_—— LITTLE FEET. Two little feet, so small that both may nestle In one caressing hand, — Two tender feet upon the untried border Of life’s mysterious land. Dimpled, and soft, and pink as peach-tree blos- soms, In April's fragrant days, How can they walk among the briery tangles, Edging the world’s rough ways ? These rose-white feet, along the doubtful future, Must bear a mother’s load ; Alas! sinve Woman has the heaviest burden, And walks the harder road. Love, for a while, will make the path before them All dainty, smooth, and fair, — Will cull away the brambles, letting only The roses blossom there. But when the mother’s watchful eyes are shrouded Away from sight of men, And these dear feet are left without her guiding, Who shall direct them then ? How will they be allured, betrayed, deluded, Poor little untaught teet ! tuto what dreary mazes will they wander, What dangers will they meot ? Will they go stumbling blindly in the darkness Of Sorrow's tearful shades ? Or find the upland slopes of Peace and Beauty, Whose sunlight never fades ? Will they go toiling up Ambition’s summit, The common world above ? Or in some nameless vale, securely sheltered, Walk side by side with Love ? Some feet there be which walk Life’s track un- wounded, Which find but pleasant ways : Some hearts there be to which this life is only A round of happy days. But these are few. Far more there are who wander Without a hope or friend, — Who find their journey full of pains and losses, And long to reach the end. IIow shall it be with her, the tender stranger, Fair-faced and gentle-eyed, Before whose unstained feet the world’s rude highway Stretches so fair and wide ? Ah! who may read the future? For our darling We crave all blessings sweet, And pray that He who feeds the erying ravens Will guide the baby’s feet. ANONYMOUS, —_—— CRADLE SONG. SLEEP, little baby of mine, Night and the darkness are near, But Jesus looks down Through the shadows that frown, Aud baby has nothing to fear. Shut, little sleepy blue eyes ; Dear little head, be at rest ; Jesus, like you, Was a baby once, too, And slept on his own mother’s breast. Sleep, little baby of mine, Soft on your pillow so white ; Jesus is here To watch over you, dear, And nothing can harm you to-night, O, little darling of mine, What can you know of the bliss, The comfort I keep, Awake and asleep, Because I am certain of this ? ANONYMOUS. “4 03 THE BABY. Wuere did you come from, baby dear ? Out of the everywhere into the here. Where did you get your eyes so blue ? Out of the sky as I came through. What makes the light in them sparkle and spin ? Some of the sturry spikes left in. Where did you get that little tear ? I found it waiting when I got here. What makes your forehead so smooth and high ? A soft hand stroked ut us I went by. What makes your cheek like a warm white rose ? Something better than any one knows, Whence that three-cornered smile of bliss ! Three angels gave me at once «a kiss. Where did you get that pearly car? Cod spoke, and it came out to hear. Where did yon get those arms and hands? Love made itself into hooks and bands. Feet, whence did you come, you darling things? From the sume box as the cherubs’ wings. How did they all just come to be you ? God thought about me, and so I grew. But how did you come to us, you dear ? God thought of you, and so I am here. GEORGE MACDONALD. —e— THE BABY. Ow parents’ knees, a naked, new-born child, Weeping thou sat’st when all around thee smiled: So live, that, sinking in thy last long sleep, Thou then mayst smile while all around thee weep. From the Sanscrit of CALIDASA, by SIR WILLIAM JONES. SILENT BABY. Tue baby sits in her cradle, Watching the world go round, Enwrapt in a mystical silence, Amid all the tumult of sound. POEMS OF CHILDHOOD AND YOUTH. She must be akin to the flowers, For no one has heard A whispered word From this silent baby of ours. Wondering, she looks at the children, As they merrily laughing pass, And smiles o’er her face go rippling, Like sunshine over-the grass ~ And into the heart of the flowers ; But never a word Has yet been heard From this silent darling of ours. Has she a wonderful wisdom, Of unspoken knowledge a store, Hid away from all curious eyes, Like the mysterious lore Of the bees and the birds and the flowers ? Is this why no word Has ever been heard. From this silent baby of ours ? Ah, baby, from ont your blue eyes The angel of silence is smiling, — Though silvern hereafter your speech, Your silence is golden, — beguiling All hearts to this darling of ours, Who speaks not a word Of all she has heard, Like the birds, the bees, and the flowers. ELLEN BARTLETT CURRIER.» —_+— BABY LOUISE. I’m in love with you, Baby Louise ! With your silken hair, and your soft blue eyes, And the dreamy wisdom that in them lies, And the faint, sweet smile you brought from the skies, — God’s sunshine, Baby Louise. When you fold your hands, Baby Louise, Your hands, like a fairy’s, so tiny and fair, With a pretty, innocent, saint-like air, Are you trying to think of some angel-taught prayer You learned above, Baby Louise ? I’m in love with you, Baby Louise ! Why ! you never raise your beautiful head ! Some day, little one, your cheek will grow red With a flush of delight, to hear the word said, **T love you,” Bahy Louise. Do you hear me, Baby Louise ? I have sung your praises for nearly an hour, And your lashes keep drooping lower and lower, And — you ’ve gone to sleep, like a weary flower, Ungrateful Baby Louise ! MARGARET EYTINGE. INFANCY. %9 THE BABIE. Naz shoon to hide her tiny taes, Nae stockin’ on her feet ; Her supple ankles white as snaw, Or early blossoms sweet. Her simple dress o’ sprinkled pink, Her double, dimplit chin, Her puckered lips an’ baumy mov’, With na ane tooth within. Her een sae like her mither’s een, Twa gentle, liquid things ; Her face is like an angel's face, We're glad she has nae wings. She is the buddin’ o’ our luve, A giftie God gied us : We maun na luve the gift owre weel, "T wad be nae blessing thus, We still maun lo’e the Giver mair, An’ see Him in the given ; An’ sae she ll lead us up to Him, Our babie straight frae Heaven. J, E. RANKIN, “THE HOUSEHOLD SOVEREIGN.” FROM ‘‘THE HANGING OF THE CRANE.” SEATED I see the two again, But not alore; they entertain A little angel unaware, With face as round as is the moon; A royal guest with flaxen hair, Who, throned upon his lofty chair, Drums on the table with his spoon, Then drops it careless on the floor, To grasp at things unseen before. Are these celestial manners? these The ways that win, the arts that please? Ah, yes; consider well the guest, And whatsoe’er he does seems best; He ruleth by the right divine Of helplessness, so lately born In purple chambers of the morn, As sovereign over thee and thine. He speaketh not, and yet there lics A conversation in his eyes; The golden silence of the Greek, The gravest wisdom of the wise, Not spoken in language, but in looks More legible than printed books. As if he could but would not speak. And now, O monarch absolute, Thy power is put to proof ; for lo! Resistless, fathomless, and slow, The nurse comes rustling like tho sea, And pushes back thy chair and thee, And so good night to King Canute. HENRY WADSWORTH LONGFELLOW., io BABY BELL. HAVE you not heard the poets tell How canie the dainty Baby Bell Into this world of ours ? The gates of heaven were left ajar: With folded hands and dreamy eyes, Wandering out of Paradise, She saw this planet, like a star, Hung in the glistening depths of even, — Its bridges, running to and fro, Q’er which the white-winged angels go, Bearing the holy dead to heaven. She touched a bridge of fiowers, — those feet, So light they did not bend the bells Of the celestial asphodels, They fell like dew upon the flowers : Then all the air grew strangely sweet ! And thus came dainty Baby Bell Into this world of ours. She came, and brought delicious May. The swallows built beneath the eaves ; Like sunlight, in and out the leaves The robins went the livelong day ; The lily swung its noiseless bell; And o’er the porch the trembling vine Seemed bursting with its veins of wine. How sweetly, softly, twilight fell! O, earth was full of singing-birds And opening spring-tide flowers, When the dainty Baby Bell Came to this world of ours! O, Baby, dainty Baby Bell, How fair she grew from day to day! What woman-nature filled her eyes, What poetry within them lay! Those deep and tender twilight eyes, So full of meaning, pure and bright Asif she yet stood in the light Of those oped gates of Paradise. And so we loved her more and more: Ah, never in our hearts before Was love so lovely born: We felt we had a link between This real world and that unseen—~ The land beyond the morn; 80 POEMS OF CHILDHOOD AND ‘YOUTH. And for the love of those «lear eyes, For love of her whom God Jed forth (The mother’s being ceased on earth When Baby came from Paradise), — For love of Him who smote our lives, And woke the chords of joy and pain, We said, Dear Christ / — our hearts bent down Like violets after rain. And now the orchards, which were white And red with blossoms when she cane, Were rich in autumn’s mellow prime ; The clustered apples burnt like flame, The soft-cheeked peaclres blushed and fell, The ivory chestnut burst its shell, The grapes hung purpling in the grange ; And time wrought just as rich a change In little Baby Bell. Her lissome form more perfect grew, And in her features we could trace, In softened curves, her mother’s face. Her angel-nature ripencd too : We thought her lovely when she came, But she was holy, saintly now : — Around her pale angelic brow We saw a slender ring of flame ! God’s hand had taken away the seal That held the portals of her speech ; And oft she said a few strange words Whose meaning lay beyond our reach. She never was a child to us, We never held her being’s key ; We could not teach her holy things : She was Christ’s self in purity. It came upon us by degrees, We saw its shadow ere it fell, — The knowledge that our God had sent His messenger for Baby Bell. We shuddered with unlanguaged pain, And all our hopes were changed to fears, And all our thoughts ran into tears Like sunshine into rain. We cried aloud in our belief, “O, smite us gently, gently, Goi ! Teach us to bend and kiss the rod, And perfect grow through grief.” Ah, how we loved her, God can tell ; Her heart was folded deep in ours. Our hearts are broken, Baby Bell! At last he came, the messenger, The messenger from unseen lands: And what did dainty Baby Bell ? She only crossed her little handy, She only looked.more meek and fair ! We parted back her silken hair, We wove the roses round her brow, — White buds, the summer’s drifted snow, — Wrapt her from head to foot in flowers! And thus went.dainty Baby: Bell Out of this world of ours! THOMAS BAILEY ALDRICH, —— NO BABY IN THE HOUSE, No baby in the house, J know, "T is far too nice and clean. No toys, by careless fingers strewn, Upon the floors are secn. No finger-marks are on the panes, No scratches on the chairs ; No wooden men set up in rows, Or marshalled off in pairs ; No little stockings to be darned, All ragged .at the toes ; No pile of mending to be done, Made up of baby-clothes ; No little troubles to be soathed ; No little hands to fold ; No grimy fingers to be washed ; No stories to be told ; No tender kisses to be given ; No nicknames, ‘‘ Dove” and * Mouse ; No merry frolics after tea, — No baby in the house ! : CLARA G. DOLLIVER. —_e— WHAT DOES LITTLE BIRDIE SAY? FROM “SEA DREAMS.’ War does little birdie say In her nest at peep of day ? Let me fly, says little birdie, Mother, let me fly away. Birdie, rest a little longer, Till the little wings are stronger. So she rests a little longer, Then she flies-away. What does little baby say, In her bed at peep-of day ? Baby says, like little birdie, Let me rise and fly away. Baby sleep, a little longer, Till the little limbs are stronger, If she sleeps a little longer, Baby too shall fly away. ALFRED TENNYSON. A DUTCH LULLABY. WYNKEN, Blynken, and Nod one night Sailed off in a wooden shoe — Sailed on a river of misty light Into a sea of dew. ‘Where are you going, and what do you wish?” The old moon asked the three. “We have come to fish for the herring- fish That live in this beautiful sea; Nets of silver and gold have we,” Said Wynken, Blynken, And Nod. The old moon laughed and sung a song As they rocked in the wooden shoe, And the wind that sped them all night long Ruffled the waves of dew; The little stars were the herring-fish That lived in the beautiful sea; **Now cast your nets wherever you wish, But never afeard are we’? — So cried the stars to the fishermen three, Wynken, Blynken, And Nod. All night long their nets they threw For the fish in the twinkling foam, Then down from the sky came the wooden shoe, Bringing the fishermen home. ’T was all so pretty a sail, it seemed As if it could not be; And some folks thought ’t was a dream they ’d dreamed Of sailing that beautiful sea. But I shall name you the fishermen three: Wynken, Blynken, And Nod. Wynken and Blynken are two little eyes, And Nod is a little head, And the wooden shoe that sailed the skies Is a wee one’s trundle-bed ; So shut your eyes while mother sings Of the wonderful sights that be, And you shall see the beautiful things As you rock in the misty sea Where the old shoe rocked the fish- ermen three — Wynken, Blynken, And Nod. EUGENE FIELD. Photo. by Atmé Dupont. THE WITCH IN THE GLASS. ‘My mother says I must not pass Too near that glass ; She is afraid that I will see A little witch that looks like me, With a red, red mouth, to whisper low The very thing I should not know!” Alack for all your mother’s care! A bird of the air, A wistful wind, or (I suppose Sent by some hapless boy) a rose, With breath too sweet, will whisper low The very thing you should not know! SaraH M. B. Piatt. INFANCY. 81 ON THE PICTURE OF AN INFANT PLAYING NEAR A PRECIPICE. WHILE on the cliff with calm delight she kneels, And the blue vales a thousand joys recall, See, to the last, last verge her infant steals ! O, fly —yet stir not, speak not, lest it fall. — Far better taught, she lays her bosom bare, And the fond boy springs back to nestle there. LEONIDAS of Alexandria (Greek). Translation - of SAMUEL ROGERS. —e— LULLABY. FROM ‘‘ THE PRINCESS.” SwEET and low, sweet and low, Wind of the western sea, Low, low, breathe and blow, Wind of the western sea ! Over the rolling waters go, Come from the dying moon, and blow, Blow him again to me ; While my little one, while my pretty one, sleeps. Sleep and rest, sleep and rest, Father will come to thee soon ; Rest, rest, on mother’s breast, Father will come to thee soon ; Father will come to his babe in the nest, Silver sails all out of the west Under the silver moon : Sleep, my little one, sleep, my pretty one, sleep. ALFRED TENNYSON. — THE ANGEL'S WHISPER. In Ireland they have a pretty fancy, that, when a child smiles in its sleep, it is ‘' talking with angels.” A BABY was sleeping ; Its mother was weeping ; For her husband was far on the wild raging sea ; And the tempest was swelling Round the fisherman’s dwelling ; And she cried, ‘ Dermot, darling ! O come back to me!” Her beads while she numbered The baby still slumbered, And smiled in her face as she bended her knee : 0, blesséd be that warning, My child, thy sleep adorning, — For I know that the angels are whispering with thee. “* And while they are keeping Bright watch o’er thy sleeping, O, pray to them softly, my baby, with me, — And say thou wouldst rather They ’d watch o’er thy father ! For I know that the angels are whispering to thee.” The dawn of the morning Saw Dermot returning, And the wife wept with joy her babe’s father to see ; And closely caressing Her child with a blessing, Said, ‘I knew that the angels were whispering with thee.” SAMUEL LOVER. —e— MOTHER AND CHILD. Tue wind blew wide the casement, and within — -| It was the loveliest picture !—a sweet child Lay in its mother’s arms, and drew its life, In pauses, from the fountain, — the white round Part shaded by loose tresses, soft and dark, Concealing, but still showing, the fair realm Of so much rapture, as green shadowing trees With beauty shroud the brooklet. The red lips Were parted, and the cheek upon the breast Lay close, and, like the young leaf of the flower, Wore the same color, rich and warm and fresh :—~ And such alone are beautiful. Its eye, A full blue gem, most exquisitely set, Looked archly on its world, — the little imp, As if it knew even then that such a wreath Were not for all; and with its playful hands It drew aside the robe that hid its realm, And peeped and laughed aloud, and so it laid Its head upon the shrine of such pure joys, And, laughing, slept. And while it slept, thetears Of the sweet mother fell upon its cheek, — Tears such as fall from April skies, and bring The sunlight after. They were tears of joy ; And the true heart of that young mother then Grew lighter, and she saug unconsciously The silliest ballad-song that ever yet Subdued the nursery’s voices, and brought sleep To fold her sabbath wings above its couch. WILLIAM GILMORE SIMMS. —_—~—. BABY ZULMA’S CHRISTMAS CAROL, A uicuTer scarf of richer fold The morning flushed upon our sight, And Evening trimmed her lamps of gold From deeper springs of purer light ; And softer drips bedewed the lea, And whiter blossoms veiled the tree, POEMS OF CHILDIIOOD AND YOUTH. And bluer waves danced on the sea When baby Zulma came to be ! The day before, a bird had sung Strange greetings on the roof and flown ; And Night’s immaculate priestess flung A diamond from her parted zone Upon the crib beside the bed, Whereunto, as the doctor said, A king or queen would soon be led By some sweet Ariel overhead. Ere yet the sun had crossed the line When we, at Aries’ double bars, Behold him, tempest-beaten, shine In sto ny Libra’s triple stars : What time the hillsides shake with corn And boughs of fruitage langh unshorn And cheery echoes wake the morn To gales of fragrance harvest-born. In storied spots of vernal flame And breezy realms of tossing shade, The tripping elves tumultuous came To join the fairy cavalcade : From blushing chambers of the rose, And bowers the lily’s buds enclose, And nooks and dells of deep repose, Where human sandal never goes, The rabble poured its motley tide : Some upon airy chariots rode, By cupids showered from side to side, And some the dragon-fly bestrode ; While troops of virgins, left and right, Like microscopic trails of light, The sweeping pageant made as bright As beams a rainbow in its flight ! It passed ; the bloom of purple plums Was rippled by trumpets rallying long O’er beds of pinks ; and dwarfish drums Struck all the insect world to song : The milkmaid caught the low refrain, The plouglunan answered to her strain, And every warbler of the plain The ringing chorus chirped again ! Beneath the sunset’s faded arch, It formed and filed within our porch, With not a ray to guide its march Except the twilight’s silver torch : And thus she came from clouds above, With spirits of the glen and grove, A flower of grace, a cooing dove, A shrine of prayer and star of love ! A queen of hearts !— her mighty chains Are beads of coral round her strung, And, ribbon-diademed, she reigns, Commanding in an unknown tongue The kitten spies her cunning ways, The patient cur romps in her plays, And glimpses of her earlier days Are seen in picture-books of fays. To fondle all things doth she choose, And when she gets, what some one sends, A trifling gift of tiny shoes, She kisses both as loving friends ; For in her eyes this orb of care, Whose hopes are heaps of frosted hair, Is but a garland, trim and fair, Of cherubs twining in the air. O, from a soul suffused with tears Of trust thou mayst be spared the thorn Which it has felt in other years, — Across the morn our Lord was born, I waft thee blessings! At thy side May his invisible seraphs glide ; And tell thee still, whate’er betide, For thee, for thine, for all, He died ! AUGUSTUS JULIAN REQUIER. = BABY’S SHOES. O, THOSE little, those little blue shoes ! Those shoes that no little feet use, O the price were high That those shoes would buy, Those little blue unused shoes ! For they hold the small shape of feet That no more their mother’s eyes meet, That, by God’s good will, Years since, grew still, And ceased from their totter so sweet. And 0, since that baby slept, So hushed, how the mother has kept, With a tearful pleasure, That little dear treasure, And o’er them thought and wept ! For they mind her forevermore Of a patter along the floor ; And blue eyes she sees Look up from her knees With the look that in life they wore. As they lie before her there, There babbles from chair to chair A little sweet face That’s a gleam in the place, With its little gold curls of hair. INFANCY. 83 Then O wonder not that her heart From all else would rather part Than those tiny blue shoes That no little feet use, And whose sight makes such fond tears start! WILLIAM COX BENNETT. —o——_ OUR WEE WHITE ROSE. Aut in our marriage garden Grew, smiling up to God, A bonnier flower than ever Suckt the green warmth of the sod; O, beautiful unfathomably Its little life unfurled ; And crown of all things was our wee White Rose of all the world. From out a balmy bosom Our bud of beauty grew ; It fed on smiles for sunshine, On tears for daintier dew : Aye nestling warm and tenderly, Our leaves of love were curled So close aud close about our wee White Rose of all the world. With mystical faint fragrance Our house of life she filled ; Revealed each hour some fairy tower Where winged hopes might build ! ‘We saw — though none like us might see — Such precious promise pearled Upon the petals of our wee White Rose of all the world. But evermore the halo Of angel-light increased, Like the mystery of moonlight That folds some fairy feast. Snow-white, snow-soft, snow-silently Our darling bud upcurled, And dropt i’ the grave — God’s lap — our wee White Rose of all the world. Our Rose was but in blossom, Our life was but in spring, When down the solemn midnight We heard the spirits sing, * Another bud of infancy With holy dews impearled !” And in their hands they bore our wee White Rose of all the world. You scarce could think so small a thing Could leave a loss so large ; Her little light such shadow fling From dawn to sunset’s marge. In other springs our life may be In bannered bloom unfurled, But never, never match our wee White Rose of all the world. GERALD MASSEY. —_¢—. WILLIE WINKIE. WEE Willie Winkie rins through the town, Up stairs and doon stairs, in his nicht-gown, Tirlin’ at the window, cryin’ at the lock, “ Are the weans in their bed ?— for it’s now ten o'clock.” Hey, Willie Winkie! are ye comin’ ben ? The cat’s singin’ gay thrums to the sleepin’ hen, The doug ’s speldered on the floor, and disna gie a cheep ; But here ’s a waukrife laddie, that winna fa” asleep. ; Ony thing but sleep, ye rogue: — glow’rin’ like the moon, Rattlin’ in an airn jug wi’ an airn spoon, Rumblin’, tumblin’ roun’ about, crawin’ like a cock, Skirlin’ like a kenna-what — wauknin’ sleepin’ folk ! Hey, Willie Winkie! the wean’s in a creel ! ‘Waumblin’ aff a bodie’s knee like a vera eel, Ruggin’ at the cat’s lug, and ravellin’ a’ her thrums : Hey, Willie Winkie !— See, there he comes ! Wearie is the mither that has a storie wean, A wee stumpie stoussie, that canna rin his lane, That has a battle aye wi’ sleep, before he'll close an ee ; But a kiss frae aff his rosy lips gies strength anew to me. WILLIAM MILLER. ——-. THE MOTHER'S HEART. WHEN first thou camest, gentle, shy, and fond, My eldest born, first hope, and dearest treasure, My heart received thee with a joy beyond All that it yet had felt of earthly pleasure ; Nor thought that any love again might be So deep and strong as that I felt for thee. Faithful and true, with sense beyond thy years, And natural piety that leaned to heaven ; Wrung by a harsh word suddenly to tears, Yet patient to rebuke when justly given; Obedient, easy to be reconciled, And meekly cheerful; such wert thou, my child ! 84 POEMS OF CHILDHOOD AND YOUTH. Not willing to be left —still by my side, Haunting my walks, while summer-day was dying ; Nor leaving in thy turn, but pleased to glide Through the dark room where I was sadly lying ; Or by the couch of pain, a sitter meek, Watch the dim eye, and kiss the fevered cheek. O boy! of such as thou are oftenest made Earth’s fragile idols ; like a tender flower, No strength in all thy freshness, prone to fade, And bending weakly to the thunder-shower ; Still, round the loved, thy heart found force to bind, And clung, like woodbine shaken in the wind ! Then THov, my merry love, — bold in thy glee, Under the bough, or by the firelight dancing, With thy sweet temper, and thy spirit free, — Didst come, as restless as a bird's wing glan- cing, Full of a wild and irrepressible mirth, Like a young sunbeam to the gladdened earth ! Thine was the shout, the song, the burst of joy, Which sweet from childhood’s rosy lip re- soundeth ; Thine was the eager spirit naught could cloy, And the glad heart from which all grief re- boundeth ; And many a mirthful jest and mock reply Lurked in the laughter of thy dark-blue eye. And thine was many an art to win and bless, The cold and stern to joy and fondness warm- ing ; The coaxing smile, the frequent soft caress, The earnest, tearful prayer all wrath disarm- ing! Again my heart a new affection found, But thought that love with thee had reached its bound. At length THou camest, — thou, the last and least, Nicknamed ‘the Emperor” by thy laughing brothers, Because a haughty spirit swelled thy breast, And thou didst seek to rule and sway the others, Mingling with every playful infant wile A mimic majesty that made us smile. And O, most like a regal child wert thou ! An eye of resolute and successful scheming ! fair shoulders, curling lips, and dauntless brow, Fit for the world’s strife, not for poet’s dream- ing; And proud the lifting of thy stately head, And the firm bearing of thy conscious tread. Different from both ! yet each succeeding claim I, that all other love had been forswearing, Forthwith admitted, equal and the same ; Nor injured either by this love’s comparing, Nor stole a fraction for the newer call, — But in the mother’s heart found room for all! CAROLINE E. NORTON. ——__ THE MOTHER'S HOPE. Is there, when the winds are singing In the happy summer time, — ‘When the raptured air is ringing With Earth’s music heavenward springing, Forest chirp, and village chime, — Is there, of the sounds that float Unsighingly, a single note Half so sweet and clear and wild As the laughter of a child ? Listen ! and be now delighted : Morn hath touched her golden strings ; Earth and Sky their vows have plighted ; Life and Light are reunited Amid countless carollings ; Yet, delicious as they are, There’s a sound that’s sweeter far, — One that makes the heart rejoice More than all, — the human voice ! Organ finer, deeper, clearer, Though it be a stranger's tone, — Than the winds or waters dearer, More enchanting to the hearer, For it answereth to his own. But, of all its witching words, Sweeter than the song of birds, Those are sweetest, bubbling wild Through the laughter of a child. Harmonies from time-touched towers, Haunted strains from rivulets, Hum of bees among the flowers, Rustling leaves, and silver showers, — These, erelong, the ear forgets ; But in mine there is a sound Ringing on the whole year round, — Heart-deep laughter that I heard Ere my child could speak a word. Ah! ’t was heard by ear far purer, Fondlier formed to catch the strain, — Ear of one whose love is surer, — Hers, the mother, the endurer Of the deepest share of pain ; CHILDHOOD. 85 Hers the deepest bliss to treasure Memories of that cry of pleasure Hers to hoard, a lifetime after, Echoes of that infant laughter. *T is a mother’s large affection Hears with a mysterious sense, — Breathings that evade detection, Whisper faint, and fine inflection, Thrill in her with power intense. Childhood’s honeyed words untaught Hiveth she in loving thought, — Tones that never thence depart ; For she listens — with her heart. LAMAN BLANCHARD. —e— THE PIPER. Prpine down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me : — “ Pipe a song about a lamb:” So I piped with merry cheer. “Piper, pipe that song again :” So I piped ; he wept to hear. “ Drop thy pipe, thy happy pipe, Sing thy songs of happy cheer :” So I sung the same again, While he wept with joy to hear. “Piper, sit thee down and write Tn a book that all may read —” So he vanished from my sight ; And I plucked a hollow reed, And I made a rural pen, And I stained the water clear, And I wrote my happy songs Every child may joy to hear. WILLIAM BLAKE. —— LITTLE GOLDENHAIR. Gopennarr climbed up on grandpapa’s knee ; Dear little Goldenhair! tired was she, All the day busy as busy could be. Up in the morning as soon as ’t was light, Out with the birds and butterflies bright, Skipping about till the coming of night. Grandpapa toyed with the curls on her head. “What has my baby been doing,’”’ he said, **Since she arose, with the sun, from her bed ?” “ Pitty much,” answered the sweet little one ; **T cannot tell so much things I have done, — Played with my dolly arid feeded my Bun. “ And I have jumped with my little jump-rope, And I made out of some water and soap Bufitle worlds ! mamma’s castles of Hope. “And I have readed in my picture-book, And little Bella and I went to look For some smooth stones by the side of the brook. “Then I comed home and I eated my tea, And I climbed up to my grandpapa’s knee. I jes as tired as tired can be.” Lower and lower the little head pressed, , Until it drooped upon grandpapa’s breast ; Dear little Goldenhair ! sweet be thy rest! We are but children ; the things that we do Are as sports of a babe to the Infinite view That sees all our weakness, and pities it too. God grant that when night overshadows our way, And we shall be called to account for our day, He shall find usas guileless as Goldenhair’s play ! And O, when aweary, may we be so blest As to sink like the innocent child to our rest, And feel ourselves clasped to the Infinite breast ! F, BURGE SMITH. —_~—- THE GAMBOLS OF CHILDREN. Downy the dimpled greensward dancing, Bursts a flaxen-headed bevy, — Bud-lipt boys and girls alvancing, Love’s irregular little levy. , Rows of liquid eyes in laughter, How they glimmer, how they quiver! Sparkling one another after, Like bright ripples on a. river. Tipsy band of rubious faces, Flushed with Joy’s ethereal spirit, Make your mocks and sly grimaces At Love's self, and do not fear it. GEORGE DARLEY. ag UNDER MY WINDOW. Unprr my window, under my window, All in the Midsummer weather, Three little girls with fluttering curls Flit to and fro together :— 86 POEMS OF CHILDHOOD AND YOUTH. There ’s Bell with her bonnet of satin sheen, And Maud with her mantle of silver-green, And Kate with her scarlet feather. Under my window, under my window, Leaning stealthily over, Merry and clear, the voice I hear, Of each glad-hearted rover. Ah! sly little Kate, she steals my roses ; And Maud and Bell twine wreaths and posies, As merry as bees in clover. Under my window, under my window, In the blue Midsummer weather, Stealing slow, on a hushed tiptoe, I catch them all together : — Bell with her bonnet of satin sheen, And Maud with her mantle of silver-green, And Kate with the scarlet feather. Under my window, under my window, And off through the orchard closes; While Maud she flouts, and Bell she pouts, They scamper and drop their posies; But dear little Kate takes naught amiss, And leaps in my arms with a loving kiss, And | give her all my roses. THOMAS WESTWOOD, —_—. CHILDHOOD. Iy my poor mind it is most sweet to muse Upon the days gone by ; to act in thought Past seasons o’er, and be again a child ; To sit in fancy on the turf-clad slope, Down which the child would roll; to pluck gay flowers, Make posies in the sun, which the child’s hand (Childhood offended soon, soon reconciled), Would throw away, and straight take up again, Then fling them to the winds, and o’er the lawn Bound with so playful and so light a foot, That the pressed daisy scarce declined her head. CHARLES LAMB. —o-~- THE MOTHER'S SACRIFICE. Tue cold winds swept the mountain’s height, And pathless was the dreary wild, And mid the cheerless hours of night A mother wandered with her child : As through the drifting snow she pressed, The babe was sleeping on her breast. And colder still the winds did blow, And darker hours of night came on, And deeper grew the drifting snow : Her limbs were chilled, her strength was gone. “O God !" she cried in accents wild, “If I must perish, save my child !” She stripped her mantle from her breast, And bared her bosom to the storm, And round the child she wrapped the vest, And smiled to think her babe was warm. With one cold kiss, one tear she shed, And sunk upon her snowy bed. At dawn a traveller passed by, And saw her ’neath a snowy veil ; The frost of death was in her eye, Her cheek was cold and hard and pale. He moved the robe from off the child, — The babe looked up and sweetly smiled ! SEBA SMITH. —~—_. SEVEN TIMES FOUR. MATERNITY. Heicu-no ! daisies and buttercups, Fair yellow daffodils, stately and tall ! When the wind wakes, how they rock in the grasses, And dance with the cuckoo-buds slender and small ! Here’s two bonny boys, and here’s mother’s own lasses, Eager to gather them all. Heigh-ho ! daisies and buttereups ! Mother shall thread them a daisy chain ; Sing them a song of the pretty hedge-sparrow, That loved her brown little ones, loved them full fain ; Sing, “‘ Heart, thou art wide, though the house be but narrow,” — Sing once, and sing it again. Heigh-ho ! daisies and buttercups, Sweet wagging cowslips, they bend and they bow ; A ship sails afar over warm ocean waters, And haply one musing doth stand at her prow. O bonny brown sons, and O sweet little daugh- ters, Maybe he thinks on you now! Heigh-ho ! daisies and buttercups, Fair yellow daffodils, stately and tall — ° A sunshiny world full of laughter and leisure, And fresh hearts unconscious of sorrow and thrall ! Send down on their pleasure smiles passing its measure, God that is over us all! JEAN INGELOW. INFANCY. 87 BOYHOOD. Au, then how sweetly closed those crowded days ! The minutes parting one by one, like rays That fade upon a summer's eve. But O, what charm or magic numbers Can give me back the gentle slumbers Those weary, happy days did leave ? When by my bed I saw my mother kneel, And with her blessing took her nightly kiss ; Whatever time destroys, he cannot this ; — £’en now that nameless kiss I feel. WASHINGTON ALLSTON. =e SEVEN TIMES ONE. THERE’s no dew left on the daisies and clover, There’s no rain left in heaven. I've said my ‘‘seven times” over and over, — Seven times one are seven. Iam old, —se old I can write a letter ; My birthday lessons are done. The lambs play always, — they know no better ; They are only one times one. O Moon ! in the night I have seen you sailing And shining so round and low. You were bright — ah, bright — but your light is failing ; You are nothing now but a bow. You Moon ! have you done something wrong in heaven, That God has hidden your face ? I hope, if you have, you will soon be forgiven, And shine again in your place. O velvet Bee! you’re a dusty fellow, — You’ve powdered your legs with gold. O brave marsh Mary-buds, rich and yellow, Give me your money to hold! O Columbine ! open your folded wrapper, Where two twin turtle-doves dwell ! O Cuckoo-pint ! toll me the purple clapper That hangs in your clear green bell ! And show me your nest, with the young ones in it, — I will not steal them away ; Iam old! you may trust me, linnet, linnet ! I am seven times one to-day. JEAN INGELOW. scteegeces WE ARE SEVEN. A SIMPLE child, That lightly draws its breath, And feels its life in every limb, What should it know of death ? I met a little cottage girl : She was eight years old, she said ; Her hair was thick with many a curl That clustered round her head. She had a rustic, woodland air, And she was wildly clad ; Her eyes were fair, and very fair ;— Her beauty made me glad. ‘Sisters and brothers, little maid, How many may you be?” “How many? Seven in all,” she said, And wondering looked at me. ‘‘And where are they? I pray you tell.” She answered, ‘‘ Seven are we ; And two of us at Conway dwell, And two are gone to sea ; “Two of us in the churchyard lie, My sister and my brother ; And, in the churchyard cottage, I Dwell near them with my mother.” “You say that two at Conway dwell, And two are gone to sea, Yet ye are seven! I pray you tell, Sweet maid, how this may be.” Then did the little maid reply, “Seven boys and girls are we ; Two of us in the churchyard lie Beneath the churchyard tree.” “You run about, my little maid ; Your limbs they are alive ; If two are in the churchyard laid, Then ye are only five.” “Their graves are green, they may be seen,” The little maid replied : “Twelve steps or more from my mother’s door, And they are side by side. ‘My stockings there I often knit, My kerchief there I hem ; And there upon the ground I sit, And sing a song to them. “ And often after sunset, sir, When it is light and fair, I take my little porringer, And eat my supper there. ‘« The first that died was Sister Jane ; In bed she moaning lay, Till God released her of her pain ; And then she went away. 88 POEMS OF CHILDHOOD AND YOUTH. ‘*Soin the churchyard she was laid ; And, when the grass was dry, Together round her grave we played, My brother John and I. ‘** And when the ground was white with snow, And I could run and slide, My brother John was forced to go, And he lies by her side.” ‘* How many are you, then,” said I, “If they two are in heaven?” Quick was the little maid's reply ! ‘“O Master! we are seven.” “But they are dead ; those two are dead ! Their spirits are in heaven !” ’T was throwing words away ; for still The little maid would have her will, And said, ‘‘ Nay, we are seven.” WILLIAM WORDSWORTH. Sg TO A CHILD DURING SICKNESS. S.eep breathes at last from out thee, My little patient boy ; And balmy rest about thee Smooths off the day’s annoy. I sit me down, and think Of all thy winning ways ; ‘Yet almost wish, with sudden shrink, That I had less to praise. Thy sidelong pillowed meekness ; Thy thanks to all that aid ; Thy heart, in pain and weakness, Of fancied faults afraid ; The little trembling hand That wipes thy quiet tears, — These, these are things that may demand Dread memories for years. Sorrows I’ve had, severe ones, ] will not think of now ; And calmly, midst my dear ones, Have wasted with dry brow ; But when thy fingers press And pat my stooping head, t cannot bear the gentleness, — The tears are in their bed. Ah, first-born of thy mother, When life and hope were new ; Kind playmate of thy brother, Thy sister, father too ; My light, where’er I go; My bird, when prison-bound ; My hand-in-hand companion — No, My prayers shall hold thee round. To say, ‘‘ He has departed ” — “‘ His voice ” — “his face ” — is gone, To feel impatient-hearted, Yet feel we must bear on, — Ah, I could not endure To whisper of such woe, Unless I felt this sleep insure That it will not be so. Yes, still he’s fixed, and sleeping ! This silence too the while, — Its very hush and creeping Seem whispering us a smile ; Something divine and dim Seems going by one’s ear, Like parting wings of cherubim, Who say, ‘‘ We ’ve finished here.” LEIGH HUNT. —— LITTLE BELL. Piped the Blackbird, on the beechwood spray, “Pretty maid, slow wandering this way, What’s your name?” quoth he, — “What’s your name? O, stop and straight un- fold, i Pretty maid with showery curls of gold.” — “Little Bell,” said she. Little Bell sat down beneath the rocks, Tossed aside her gleaming golden locks, — “ Bonny bird,” quoth she, “Sing me your best song before I go.” “‘Here’s the very finest song I know, Little Bell,” said he. And the Blackbird piped ; you never heard Half so gay a song from any bird, — Full of quips and wiles, Now so round and rich, now soft and slow, All for love of that sweet face below, Dimpled o’er with smiles. And the while that bonny bird did pour His full heart out, freely o’er and o’er *Neath the morning skies, In the little childisl: heart below All the sweetness seemed to grow and grow, And shine forth in happy overflow From the brown, bright eyes. Down the dell she tripped, and through the glade; Peeped the squirrel from the hazel shade, And from out the tree Swung and leaped and frolicked, void of fear ; While bold Blackbird piped, that all might hear, — ‘Little Bell!” piped he. INFANCY. 89 —s Little Bell sat down amid the fern : “Squirrel, Squirrel, to your task return ; Bring me nuts,” quoth she. Up, away ! the frisky Squirrel hies, — Golden wood-lights glancing in his eyes, — And adown the tree Great ripe nuts, kissed brown by July sun, In the little lap drop one by one. Hark, how Blackbird pipes to see the fun ! “ Happy Bell!” pipes he. Little Bell looked up and down the glade: “Squirrel, Squirrel, from the nut-tree shade, Bonny Blackbird, if you 're not afraid, Come and share with me!” Down came Squirrel, eager for his fare, Down came bonny Blackbird, I declare ; Little Bell gave each his honest share, — Ah! the merry three ! And the while those frolic playmates twain Piped and frisked from bough to bough again, ’Neath the morning skies, In the little childish heart below All the sweetness seemed to grow and grow, And shine out in happy overtlow From her brown, bright eyes. By her snow-white cot, at close of day, Knelt sweet Bell, with folded palms, to pray ; Very calm and clear Rose the praying voice to where, unseen, In blue heaven, an angel-shape serene Paused awhile to hear. { “What good child is this,” the angel said, “That with happy heart beside her bed Prays so lovingly ?” Low and soft, O, very low and soft, Crooned the Blackbird in the orchard croft, “Bell, dear Bell!” crooned he. ‘Whom God’s creatures love,” the angel fair Murmured, “God doth bless with angels’ care ; Child, thy bed shall be Folded safe from harm. Love, deep and kind, Shall watch around and leave good gifts behind, Little Bell, for thee!” THOMAS WESTWOOD. —>-— TO A CHILD. WRITTEN IN HER ALBUM, SMALL service is true service while it lasts : Of humblest friends, bright creature! scorn not one: The daisy, by the shadow that it casts, Protects the lingering dewdrop from the sun. WILLIAM WORDSWORTH. PICTURES OF MEMORY. Amonc the beautiful pictures That hang on Memory’s wall Is one of a dim old forest, That seemeth best of all ; Not for its gnarled oaks olden, Dark with the mistletoe ; Not for the violets golden That sprinkle the vale below ; Not for the milk-white lilies That lean from the fragrant ledge, Coquetting all day with the sunbeams, And stealing their golden edge ; Not for the vines on the upland, Where the bright red berries rest, Nor the pinks, nor the pale sweet cowslip, It seemeth to me the best. I once had a little brother, With eyes that were dark and deep ; In the lap of that old dim forest He lieth in peace asleep : Light as the down of the thistle, Free as the winds that blow, We roved there the beautiful summers, The summers of long ago ; But his feet on the hills grew weary, And, one of the autumn eves, I made for my little brother A bed of the yellow leaves. Sweetly his pale arms folded My neck in a meek embrace, As the light of immortal beauty Silently covered his face ; And when the arrows of sunset Lodged in the tree-tops bright, He fell, in his saint-like beauty, Asleep by the gates of light. Therefore, of all the pictures That hang on Memory’s wall, The one of the dim old forest Seemeth the best of all. ALICE CARY. THE PET NAME. “ The name Which from THEIR lips seemed a caress.” MISS MITFORD'S Dramatic Scenes. I HAVE a name, a little name, Uncadenced for the ear, Unhonored by ancestral claim, Unsanctified by prayer and psalm The solemn font anear. POEMS OF CHILDHOOD AND YOUTH. It never did, to pages wove For gay romance, belong. It never dedicate did move As “‘ Sacharissa,” unto love, — “ Orinda,” unto song. Though I write books, it will be read Upon the leaves of none, And afterward, when I am dead, Will ne’er be graved for sight or tread, Across my funeral-stone. This name, whoever chance to call Perhaps your smile may win. Nay, do not smile! mine eyelids fall Over mine eyes, and feel withal The sudden tears within. Is there a leaf that greenly grows Where summer meadows bloom, But gathereth the winter snows, And changeth to the hue of those, If lasting till they come ? Is there a word, or jest, or game, But time encrusteth round With sad associate thoughts the same ? And so to me my very name Assumes a mournful sound. My brother gave that name to me When we were children twain, — When names acquired baptismally Were hard to utter, as to see That life had any pain. No shade was on us then, save one Of chestnuts from the hill, — And through the word our laugh did run As part thereof. The mirth being done, He calls me by it still. Nay, do not smile! I hear in it What none of you can hear, — The talk upon the willow seat, The bird and wind that did repeat Around, our human cheer. I hear the birthday’s noisy bliss, My sisters’ woodland glee, — My father’s praise I did not miss, When, stooping down, he cared to kiss The poet at his knee, — And voices which, to name me, aye Their tenderest tones were keeping, — To some I nevermore can say An answer, till God wipes away In heaven these drops of weeping. My name to me a sadness wears ; No murmurs cross my mind. Now God be thanked for these thick tears, Which show, of those departed years, Sweet memories left behind. Now God be thanked for years enwrought With love which softens yet. Now God be thanked for every thought Which is so tender it has caught Earth’s guerdon of regret. Earth saddens, never shall remove, Affections purely given ; And e’en that mortal grief shall prove The immortality of love, And heighten it with Heaven. ELIZABETH BARRETT BROWNING, —o— THE THREE SONS. I HAVE a son, a little son, a boy just five years old, With eyes of thoughtful earnestness, and mind of gentle mould. They tell me that unusual grace in all his ways appears, That my child is grave and wise of heart beyond his childish years. I cannot say how this may be ; I know his face is fair, — And yet his chiefest comeliness is his sweet and serious air ; I know his heart is kind and fond; I know he loveth me ; But loveth yet his mother more with grateful fervency. But that which others most admire, is the thought which fills his mind, The food for grave inquiring speech he every- where doth find. Strange questions doth he ask of me, when we together walk ; He scarcely thinks as children think, or talks as children talk. Nor cares he much for childish sports, dotes not on bat or ball, But looks on manhood’s ways and works, and aptly mimics all. His little heart is busy still, and oftentimes per- plext With thoughts about this world of ours, and thoughts about the next. He kneels at his dear mother’s knee ; she teacheth him to pray ; And strange and sweet and solemn then are the words which he will say. CHILDHOOD. 91 O, should my gentle child be spared to man- hood’s years like me, But I know (for God hath told me this) that he is now at rest, A holier and a wiser man I trust that he will be ; ; Where other blessed infants be, on their Saviour’s And when I look into his eyes, and stroke his thoughtful brow, I dare not think what I should feel, were I to lose him now. I have a son, a second son, a simple child of I kno three ; I’ll not declare how bright and fair his little features be, How silver sweet those tones of his when he prattles on my knee ; I do not think his light-blue eye is, like his brother’s, keen, Nor his brow so full of childish thought as his hath ever been ; But his little heart’s a fountain pure of kind and tender feeling ; And his every look’s a gleam of light, rich depths of love revealing. When he walks with me, the country folk, who pass us in the street, Will shout for joy, and bless my boy, he looks so mild and sweet. A playfellow is he to all; and yet, with cheerful tone, Will sing his little song of love, when left to sport alone. His presence is like sunshine sent to gladden home and hearth, To comfort us in all our griefs, and sweeten all our mirth. Should he grow up to riper years, God grant his heart may prove As sweet a home for heavenly grace as now for earthly love ; And if, beside his grave, the tears our aching eyes must dim, God comfort us for all the love which we shall lose in him. I have a son, a third sweet son ; his age I cannot tell, For they reckon not by years and months where he has gone to dwell. To us, for fourteen anxious months, his infant smiles were given ; And then he bade farewell to earth, and went to live in heaven. I cannot tell what form is his, what looks he weareth now, Nor guess how bright a glory crowns his shining seraph brow. The thoughts that fill his sinless soul, the bliss which he doth feel, Are numbered with the secret things which God will not reveal. loving breast. I know his spirit feels no more this weary ioad of flesh, But his sleep is blessed with endless dreams of joy forever fresh. w the angels fold him close beneath their glittering wings, And soothe him with a song that breathes of Heaven’s divinest things. I know that we shall meet our babe (his mother dear and I) Where God for aye shall wipe away all tears from every eye. Whate’er befalls his brethren twain, his bliss can never cease ; Their lot may here be grief and fear, but his is certain peace. It may be that the tempter’s wiles their souls from bliss may sever ; But, if our own poor faith fail not, he must be ours forever. When we think of what our darling is, and what we still must be, — When we muse on that world’s perfect bliss, and this world’s misery, — When we groan beneath this load of sin, and feel this grief and pain, — Oh! we’d rather lose our other two, than have him here again. JOHN MOULTRIE. —_o—_ THE MITHERLESS BAIRN. An Inverary correspondent writes : “‘Thom gave me the fol- lowing narrative as to the origin of ‘ The Mitherless Bairn’: I quote his own words. ‘When I was livin’ in Aberdeen, I was limping roun’ the house to my garret, when I heard the greetin' o' awean. A lassie was thumpin’ a bairn, when out cama big dame, bellowin’, ‘‘ Ye hussie, will ye lick a mitherless bairn!” I hobled up the stair and wrote the sang afore sleepin’. WHEN a’ ither bairnies are hushed to their hame By aunty, or cousin, or frecky grand-dame, Wha stands last and lanely, an’ naebody carin’ ? ‘Tis the puir doited loonie, —the mitherless bairn ! The mitherless bairn gangs to his lane bed ; Nane covers his cauld back, or haps his bare head; His wee hackit heelies are hard as the airn, An’ litheless the lair 0’ the mitherless bairn. Aneath his cauld brow siccan dreams hover there, O’ hands that wont kindly to kame his dark hair ; But mornin’ brings clutches, a’ reckless an’ stern, That lo’e nae the locks o' the mitherless bairn ! 92 POEMS OF CHILDHOOD AND YOUTH. Yon sister that sang o’er his saftly rocked bed Now rests in the mools where her mammie is laid ; The father toils sair their wee bannock to earn, An’ kens na the wrangs o’ his mitherless bairn. Her spirit, that passed in yon hour o’ his birth, Still watches his wearisome wanderings on earth ; Recording in heaven the blessings they earn Wha couthilie deal wi’ the mitherless bairn ! O, speak him na harshly, —he trembles the while, He bends to your bidding, and blesses your smile; In their dark hour o’ anguish the heartless shall learn That God deals the blow, for the mitherless bairn! WILLIAM THOM. —¢— MY MOTHER’S PICTURE. OUT OF NORFOLK, THE GIFT OF MY COUSIN, ANN BODHAM, O THAT those lips had language! Life has passed With me but roughly since I heard thee last. Those lips are thine, —thy own sweet smile I see, The same that oft in childhood solaced me ; Voice only fails, else how distinct they say, “Grieve not, my child; chase all thy fears away |” The meek intelligence of those dear eyes (Blest be the art that can immortalize, — The art that baffles time’s tyrannic claim To quench it !) here shines on me still the same. Faithful remembrancer of one so dear ! O welcome guest, though unexpected here ! Who bid’st me honor with an artless song, Affectionate, a mother lost so long. I will obey, — not willingly alone, But gladly, as the precept were her own ; And, while that face renews my filial grief, Fancy shall weave a charm for my relief, — Shall steep me in Elysian revery, A momentary dream that thou art she. My mother! when I learned that thou wast dead, Say, wast thou conscious of the tears I shed ? Hovered thy spirit o’er thy sorrowing son, — Wretch even then, life’s journey just begun ? Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss — Ah, that maternal smile! it answers — Yes. I heard the bell tolled on thy burial day ; I saw the hearse that bore thee slow away; And, turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such ?— It was. — Where thou art gone Adieus and farewells are a sound unknown ; May I but meet thee on that peaceful shore, The parting word shall pass my lips no more. Thy maidens, grieved themselves at my concern, Oft gave me promise of thy quick return ; What ardently I wished I long believed, And, disappointed still, was still deceived, — By expectation every day beguiled, Dupe of to-morrow even from a child. Thus many a sad to-morrow came and went, Till, all my stock of infant sorrows spent, I learned at last submission to my lot ; But, though I less deplored thee, ne’er forgot. ‘Where once we dwelt our name is heard no more ; Children not thine have trod my nursery floor; And where the gardener Robin, day by day, Drew me to school along the public way, — Delighted with my bawble coach, and wrapped In scarlet mantle warm and velvet cap, — Tis now become a history little known That once we called the pastoral house our own. Short-lived possession ! but the record fair, That memory keeps of all thy kindness there, Still outlives many a storm that has effaced A thousand other themes, less deeply traced: Thy nightly visits to my chamber made, That thou mightst. know me safe and warmly laid; Thy morning bounties ere I left my home, — The biscuit, or confectionery plum ; The fragrant waters on my cheeks bestowed By thy own hand, till fresh they shone and glowed, — All this, and, more endearing still than all, Thy constant flow of love, that knew no fall, — Ne’er roughened by those cataracts and breaks That humor interposed too often makes ; All this, still legible in memory’s page, And still to be so to my latest age, Adds joy to duty, makes me glad to pay Such honors to thee as my numbers may, — Perhaps a frail memorial, but sincere, — Not scorned in heaven, though little noticed here. Could time, his flight reversed, restore the hours When, playing with thy vesture’s tissued flow- ers, — The violet, the pink, the jessamine, — I pricked them into paper with a pin, (And thou wast happier than myself the while — Wouldst softly speak, and stroke my head and smile, ) — Could those few pleasant days again appear, Might one wish bring them, would I wish them here ? I would not trust my heart, — the dear delight Seems so to be desired, perhaps I might. But no, — what here we call our life is such, So little to be loved, and thou so much, CHILDHOOD. 93 That 1 should ill requite thee to constrain Thy unbound spirit into bonds again. Thou —as a gallant bark, from Albion's coast, (The storms all weathered and the ocean crossed, ) Shoots into port at some well-havened isle, Where spices breathe and brighter seasons smile ; There sits quiescent on the floods, that show Her beauteous form reflected clear below, While airs impregnated with incense play Around her, fanning light her streamers gay, — So thou, with sails how swift! hast reached the shore *“ Where tempests never beat nor billows roar,” And thy loved consort on the dangerous tide Of life long since has anchored hy thy side. But me, scarce hoping to attain that rest, Always from port withheld, always distresséd, — Me howling blasts drive devious, tempest-tossed, Sails ripped, seams opening wide, and compass lost ; And day by day some current’s thwarting force Sets me more distant from a prosperous course. Yet O, the thought that thou art safe, and he! — That thought is joy, arrive what may to me. My boast is not that I deduce my birth From loins enthroned, and rulers of the earth ; But higher far my proud pretensions rise,— The son of parents passed into the skies. And now, farewell !—Time, unrevoked, has run His wonted course ; yet what I wished is done. By contemplation’s help, not sought in vain, I seem to have lived my childhood o’er again, — To have renewed the joys that once were mine, Without the sin of violating thine ; And, while the wings of fancy still are free, And I can view this mimic show of thee, Time has but half succeeded in his theft, — Thyself removed, thy power to soothe me left. WILLIAM COWPER. —~+— J REMEMBER, I REMEMBER. I REMEMBER, I remember The house where I was born, The little window where the sun Came peeping in at morn. He never came a wink too soon, Nor brought too long a day ; But now I often wish the night Had borne my breath away ! I remember, I remember The roses, red and white, The violets, and the lily-cups, — Those flowers made of light! The lilacs where the robin built, And where my brother set The laburnum on his birthday, — The tree is living yet ! I remember, I remember Where I was used to swing, And thought the air must rush as fresh To swallows on the wing ; My spirit flew in feathers then, That is so heavy now, And summer pools could hardly cool The fever on my brow ! I remember, I remember The fir-trees dark and high ; I used to think their slender tops Were close against the sky. It was a childish ignorance, But now ’tis little joy To know I’m farther off from heaven Than when I was a boy. THOMAS Hoop. —e— TO MY INFANT SON. Tov happy, happy elf! (But stop, first let me kiss away that tear, ) Thou tiny image of myself ! (My love, he’s poking peas into his ear,), Thou merry, laughing sprite, With spirits, feather light, Untouched by sorrow, and unsoiled by sin ; (My dear, the child is swallowing a pin !) Thou little tricksy Puck ! With antic toys so funnily bestuck, Light as the singing bird that rings the air, — (The door! the door! he’ll tumble down the stair !) Thou darling of thy sire! (Why, Jane, he’ll set his pinafore afire !) Thou imp of mirth and joy ! In love’s dear chain so bright a link, Thou idol of thy parents ;— (Drat the boy! There goes my ink.) Thou cherub, but of earth ; Fit playfellow for fairies, by moonlight pale, In harmless sport and mirth, (That dog will-bite him, if he pulls his tail ') Thou human humming-bee, extracting honey From every blossom in the world that blows, Singing in youth’s Elysium ever sunny, — (Another tumble! That’s his precious nose !) Thy father’s pride and hope! (He'll break that mirror with that skipping- rope !) 94 POEMS OF CHILDHOOD AND YOUTH. With pure heart newly stamped from nature’s mint, (Where did he learn that squint ?) Thou young domestic dove ! (He’ll have that ring off with another shove,) Dear nursling of the hymeneal nest ! (Are these torn clothes his best ?) Little epitome of man ! (He'll climb upon the table, that’s his plan,) Touched with the beauteous tints of dawning life, (He’s got a knife !) Thou enviable being ! No storms, no clouds, in thy blue sky foreseeing, Play on, play on, My elfin John! Toss the light ball, bestride the stick, — (I knew so many cakes would make him sick !) With fancies buoyant as the thistle-down, Prompting the face grotesque, and antic brisk, With many a lamb-like frisk ! (He’s got the scissors, snipping at your gown !) Thou pretty opening rose ! (Go to your mother, child, and wipe your nose !) Balmy and breathing music like the south, (He really brings my heart into my mouth !) Bold as the hawk, yet gentle as the dove ; (1’H tell you what, my love, I cannot write unless he’s sent above.) THOMAS HOooD. —e— THE LOST HEIR. ‘*O where, and O where Is my bonnie laddie gone?""—OLD SONG, One day, as I was going by That part of Holborn christened High, IT heard a loud and sudden ery That chilled my very blood ; And lo! from out a dirty alley, Where pigs and Irish wont to rally, I saw a crazy woman sally, Bedaubed with grease and mud. She turned her East, she turned her West, Staring like Pythoness possest, With streaming hair and heaving breast, As one stark mad with grief. This way and that she wildly ran, Jostling with woman and with man, — Her right hand held a frying-pan, The left a lump of beef. At last her frenzy seemed to reach A point just capable of speech, And with a tone almost a screech, As wild as ocean birds, Or female ranter moved to preach, She gave her “‘ sorrow words.” “O Lord! O dear, my heart will break, I shall go stick stark staring wild ! Has ever a one seen anything about the streets like a crying lost-looking child ? Lawk help me, 1 don’t know where to look, or to run, if I only knew which way — A Child as is lost about London streets, and es- pecially Seven Dials, is a needle in a bottle of hay. Iam all ina quiver — get out of my sight, do, you wretch, you little Kitty M’Nab! You promised to have half an eye to him, you know you did, you dirty deceitful young drab. The last time as ever I see him, poor thing, was with my own blessed Motherly eyes, Sitting as good as gold in the gutter, a playing at making little dirt-pies. I wonder he left the court, where he was better off than all the other young boys, With two bricks, an old shoe, nine oyster-shells, and a dead kitten by way of toys. When his father comes home, and he always comes home as sure as ever the clock strikes one, He’ll be rampant, he will, at his child being lost ; and the beef and the inguns not done ! La bless you, good folks, mind your own con- cerns, and don’t be making a mob in the street ; O Sergeant M’Farlane ! you have not come across my poor little boy, have you, in your beat? Do, good people, move on! don’t stand staring at me like a parcel of stupid stuck pigs ; Saints forbid! but he’s p'r’aps been inviggled away up a court for the sake of his clothes by the priggs ; He’d a very good jacket, for certain, for I bought it myself for a shilling one day in Rag Fair ; And his trousers considering not very much patched, and red plush, they was once his Father’s best: pair. His shirt, it’s very lucky I’d got washing in the tub, or that might have gone with the rest} But he’d got on a very good pinafore with only two slits and a burn on the breast. He’d « goodish sort of hat, if the crown was sewed in, and not quite so much jagged at the brim. With one shoe on, and the other shoe is a boot, and not a fit, and you'll know by that if it’s him. Except being so well dressed, my mind would misgive, some old beggar woman, in want of an orphan, CHILDHOOD. 95 Had borrowed the child to go a-begging with, but I’d rather see him laid out in his coffin ! Do, good people, move on, such a rabble of boys ! I’ll break every bone of ‘em I come near, Go home — you ’re spilling the porter — go home — Tommy Jones, go along home with your beer. This day is the sorrowfullest day of my life, ever since my name was Betty Morgan, Them vile Savoyards! they lost him once before all along of following a monkey and an organ : O my Billy — my head will turn right round — if he’s got kiddynapped with them Jtal- ians, They ‘ll make him a plaster parish image boy, they will, the outlandish tatterdemalions. Billy — where are you, Billy ?—I’m as hoarse as a crow, with screaming for ye, you young sorrow ! And sha’n't have half a voice, no more J sha’n’t, for crying fresh herrings to-morrow. O Billy, you’re bursting my heart in two, and my life won’t be of no more vally, If I’m to see other folks’ darlin’s, and none of mine, playing like angels in our alley, And what shall { do but cry out my eyes, when I looks at the old three-legged chair As Billy used to make coach and horses of, and there a’n’t no Billy there ! I would run all the wide world over to find him, if I only knowed where to run, Little Murphy, now J remember, was once lost for a month through stealing a penny bun, — The Lord forbid of any child of mine ! it would kill me raily, To find my Bill holdin’ up his little innocent hand at the Old Bailey. For though I say it as ought n't, yet I will say, you may search for miles and mileses And not find one better brought up, and more pretty behaved, from one end to t other of St. Giles’s. And if I called him a beauty, it’s no lie, but only as a mother ought to speak ; You never set eyes on a more handsomer face, only it has n’t been washed for a week ; As for hair, though it’s red, it’s the most nicest hair when I’ve time to just show it the comb ; I'll owe ’em five pounds, and a blessing besides, as will only bring him safe and sound home. He’s blue eyes, and not to be called a squint, though a little cast he’s certainly got ; I think And his nose is still a good un, though the bridge is broke, by his falling on a pewter pint pot ; He’s got the most elegant wide mouth in the world, and very large teeth for his age ; And quite as fit as Mrs. Murdockson’s child to play Cupid on the Drury Lane stage. And then he has got such dear winning ways — but O, I never, never shall see him no more ! O dear! to think of losing him just after nuss- ing him back from death’s door ! Only the very last month when the windfalls, hang ’em, was at twenty a penny ! And the threepence he’d got by grottoing was spent in plums, and sixty for a child is too many. And the Cholera man came and whitewashed us all, and, drat him ! made a seize of our hog. — It’s no use to send the Crier to cry him about, he’s such a blunderin’ drunken old dog ; The last time he was fetched to find a lost child he was guzzling with his bell at the Crown, And went and cried a boy instead of e girl, for a distracted Mother and Father about Town. Billy — where are you, Billy, I say ? come, Billy, come home, to your best of Mothers ! I’m scared when I think of them Cabroleys, they drive so, they’d run over their own Sisters and Brothers. Or maybe he’s stole by some chimbly-sweeping wretch, to stick fast in narrow flues and what not, And be poked up behind with a picked pointed pole, when the soot has ketched, and the chimbly ’s red hot. 0, I’d give the whole wide world, if the world was mine, to clap my two longin’ eyes on his face. For he’s my darlin’ of darlin’s, and if he don’t soon come back, you'll see me drop stone dead on the place. I only wish I’d got him safe in these two Moth- erly arms, and wouldn't I hug him and kiss him ! Lawk ! I never knew what a precious he was — but a child don’t not feel like a child till you miss him. Why, there he is! Punch and Judy hunting, the young wretch, it’s that Billy as sartin as sin! But let me get him home, with a good grip of his hair, and I’m blest if he shall have a whole bone in his skin ! ; THOMAS Hoop. POEMS OF CHILDHOOD AND YOUTH. A VISIT FROM ST. NICHOLAS. ‘T was the night before Christmas, when all through the house Not a creature was stirring, not even a mouse ; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds, While visions of sugar-plums danced in their heads ; And mamma in her kerchief, and I in my cap, Had just settled our brains for a long winter’s nap, — When out on the lawn there arose such a clatter, I sprang from my bed to see what was the mat- ter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow Gave a lustre of midday to objects below ; When what to my wondering eyes should ap- pear, But a miniature sleigh and eight tiny reindeer, With a little old driver, so lively and quick I knew in a moment it must be St. Nick. More rapid than eagles his coursers they came, And he whistled and shouted, and called them by name: **Now, Dasher! now, Dancer! now, Prancer and Vixen ! On, Comet! on, Cupid ! on, Donder and Blitzen ! To the top of the porch, to the top of the wall ! Now dash away, dash away, dash away all!” As dry leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky, So up to the house-top the coursers they flew, With the sleigh full of toys, — and St. Nicholas too. And then in a twinkling I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur from his head to his foot, And his clothes were all tarnished with ashes and soot ; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes how they twinkled! his dimples how merry ! His cheeks were like roses, his nose like a cherry ; His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow. The stump of a pipe he held tight in his teeth, And the smoke it encircled his head like a wreath, He had a broad face and a little round belly That shook, when he laughed, like a bowl full of jelly. He was chubby and plump, —a right jolly old elf; And I laughed, when I saw him, in spite of my- self. A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread. He spoke not a word, but went straight to his work, And filled all the stockings ; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose. He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a this- tle ; But I heard him exclaim, ere he drove out of sight, “Happy Christmas to all, and to all a good- night!” CLEMENT C. MOORE. age THE FROST. Tue Frost looked forth, one still, clear night, And he said, ‘‘ Now I shall be out of sight ; So through the valley and over the height In silence I'll take my way. I will not go like that blustering train, The wind and the snow, the hail and the rain, Who make so much bustle and noise in vain, But I'll be as busy as they !” Then he went to the mountain, and powdered its crest, He climbed up the trees, and their boughs he dressed. With diamonds and pearls, and over the breast Of the quivering lake he spread. A coat of mail, that it need not fear The downward point of many a spear That he hung on its margin, far and near, Where a rock could rear its head. He went to the windows of those who slept, And over each pane like a fairy crept: Wherever he breathed, wherever he stepped, By the light of the moon were seen Most beautiful things. There were flowers and trees, There were bevies of birds and swarms of bees, CHILDHOOD. 97 There were cities, thrones, temples, and towers, and these All pictured in silver sheen ! But he did one thing that was hardly fair, — He peeped in the cupboard, and, finding there That all had forgotten for him to prepare, — “ Now, just to set them a thinking, I'll bite this basket of fruit,” said he ; ‘“‘ This costly pitcher I'll burst in three, And the glass of water they ’ve left for me Shall ‘ tchick /’ to tell them I’m drinking.” HANNAH FRANCES GOULD. a oe RAIN ON THE ROOF. WHEN the humid shadows hover Over all the starry spheres, And the melancholy darkness Gently weeps in rainy tears, What a bliss to press the pillow Of a cottage-chamber bed, And to listen to the patter Of the soft rain overhead ! Every tinkle on the shingles Has an echo in the heart ; And a thousand dreamy fancies Into busy being start, And a thousand recollections Weave their air-threads into woof, As I listen to the patter Of the rain upon the roof. Now in memory comes my mother, As she used, in years agone, To regard the darling dreamers . Ere she left them till the dawn: So I sce her leaning o’er me, As I list to this refrain Which is played upon the shingles By the patter of the rain. Then my little seraph sister, With the wings and waving hair, And her star-eyed cherub brother — A serene angelic pair — Glide around my wakeful pillow, With their praise or mild reproof, As I listen to the murmur Of the soft rain on the roof. And another comes, to thrill me With her eyes’ delicious blue ; And I mind not, musing on her, That her heart was all untrue : I remember but to love her With a passion kin to pain, And my heart’s quick pulses vibrate To the patter of the rain. Art hath naught of tone or cadence That can work with such a spell In the soul’s mysterious fountains, Whence the tears of rapture well, As that melody of nature, That subdued, subduing strain Which is played upon the shingles By the patter of the rain. COATES KINNEY. —— A FAREWELL. My fairest child, I have no song to give you ; No lark could pipe to skies so dull and gray ; Yet, ere we part, one lesson I can leave you For every day. Be good, sweet maid, and let who will be clever; Do noble things, not dream them, all day long: And so make life, death, and that vast forever Gne grand, sweet song. CHARLES KINGSLEY. —_o— A PORTRAIT. “One name is Elizabeth."— BEN JONSON, I witt paint her as I see her. Ten times have the lilies blown Since she looked upon the sun. And her face is lily-clear, Lily-shaped, and dropped in duty To the law of its own beauty. Oval cheeks encolored faintly, Which a trail of golden, hair Keeps from fading off to air ; And a forehead fair and saintly, Which two blue eyes undershine, Like meek prayers before a shrine. Face and figure of a child, — Though too calm, you think, and tender, For the childhood you would lend her. Yet child-simple, undefiled, Frank, obedient, — waiting still On the turnings of your will. Moving light, as all your things, As young birds, or early wheat, When the wind blows over it. 98 POEMS OF CHILDHOOD AND YOUTH. Only, free from flutterings Of loud mirth that scorneth measure, — Taking love for her chief pleasure. Choosing pleasures, for the rest, Which come softly, — just as she, When she nestles at your knee. Quiet talk she liketh best, In a bower of gentle looks, — Watering flowers, or reading books. And her voice, it murmurs lowly, As asilver stream may run, Which yet feels, you feel, the sun. And her smile, it seems half holy, As if drawn from thoughts more far Than our common jestings are. And if any poet knew her, He would sing of her with falls Used in lovely madrigals. And if any painter drew her, He would paint her unaware With a halo round the hair. And if reader read the poem, He would whisper, ‘‘ You have done a Consecrated little Una.” And a dreamer (did you show him That same picture) would exclaim, ‘OT is my angel, with a name!” And a stranger, when he sees her In the street even, smileth stilly, Just as you would at a lily. And all voices that address her Soften, sleeken every word, As if speaking to a bird. And all fancies yearn to cover The hard earth whereon she passes, With the thymy-scented grasses. And all hearts do pray, ‘God love her !” — Ay, and always, in good sooth, We may all be sure HE porn. ELIZABETH BARRETT BROWNING. —+— THE CHILDREN’S HOUR. BETwEeEn the dark and the daylight, When night is beginning to lower, Comes a pause in the day’s occupations, That is known as the children’s hour. I hear in the chamber above me The patter of little feet, The sound of a door that is opened, And voices soft and sweet. From my study I see in the lamplight, Descending the broad hall stair, Grave Alice and laughing Allegra, And Edith with golden hair. A whisper and then a silence, Yet I know by their merry eyes They are plotting and planning together To take me by surprise. A sudden rush from the stairway, A sudden raid from the hall, By three doors left unguarded, ’ They enter my castle wall. They climb up into my turret, O’er the arms and back of my chair ; If I try to escape, they surround me: They seem to be everywhere. They almost devour me with kisses, Their arms about me intwine, Till I think of the Bishop of Bingen In his Mouse-Tower on the Rhine. Do you think, O blue-eyed banditti, Because you have scaled the wall, Such an old mustache as I am Is not a match for you all ? I have you fast in my fortress, And will not let you depart, But put you into the dungeon In the round-tower of my heart. And there will I keep you forever, Yes, forever and a day, Till the walls shall crumble to ruin, And moulder in dust away. HENRY WADSWORTH LONGFELLOW. —_+— JENNY KISSED ME. JENNY kissed me when we met, Jumping from the chair she sat in. Time, you thief! who love to get Sweets into your list, put that in. Say I’m weary, say I’m sad ; Say that health and wealth have missed me ; Say I’m growing old, but add — Jenny kissed me ! LEIGH HUNT. CHILDHOOD. 99 THE SMACK IN SCHOOL. A District school, not far away, Mid Berkshire hills, one winter's day, Was humming with its wonted noise Of threescore mingled girls and boys ; Some few upon their tasks intent, But more on furtive mischief bent. The while the master’s downward look Was fastened on a copy-book ; When suddenly, behind his back, Rose sharp and clear a rousing smack ! As ’t were a battery of bliss Let off in one tremendous kiss ! “ What's that?” the startled master cries ; “ That, thir,” a little imp replies, “Wath William Willith, if you pleathe, — J thaw him kith Thuthanna Peathe!” With frown to make a statue thrill, The master thundered, ‘‘ Hither, Will!” Like wretch o’ertaken in his track, With stolen chattels on his back, Will hung his head in fear and shame, And to the awful presence came, — A great, green, bashful simpleton, The butt of all good-natured fun. With smile suppressed, and birch upraised, The threatener faltered, — ‘‘I’m amazed That you, my biggest pupil, should Be guilty of an act so rude! Before the whole set school to boot - What evil genius put you tot?” ‘«? T was she herself, sir,” sobbed the lad, “T did not mean to be so bad ; But when Susannah shook her curls, And whispered, I was ’fraid of girls And dursn't kiss a baby’s doll, I could n’t stand it, sir, at all, But up and kissed her on the spot! I know — boo-hoo —I ought to not, But, somehow, from her looks — boo-hoo — I thought she kind o’ wished me to!” WILLIAM PITT PALMER. —_— OLD-SCHOOL PUNISHMENT. OLD Master Brown brought his ferule down, And his face looked angry and red. **Go, seat you there, now, Anthony Blair, Along with the girls,” he said. Then Anthony Blair, with a mortified air, With his head down on his breast, Took his penitent seat by the maiden sweet That he loved, of all, the best. And Anthony Blair seemed whimpering there, But the rogue only made believe ; For he peeped at the girls with the beautiful curls, And ogled them over his sleeve. ANONYMOUS. THE BAREFOOT BOY. BLEssiNnes on thee, little man, Barefoot boy, with cheek of tan ! With thy turned-up pantaloons, And thy merry whistled tunes ; With thy red lip, redder still Kissed by strawberries on the hill ; With the sunshine on thy face, Through thy torn brim’s jaunty grace ; From my heart I give thee joy, — I was once a barefoot boy ! Prince thou art, — the grown-up man Only is republican. Let the million-dollared ride ! Barefoot, trudging at his side, Thou hast more than he can buy In the reach of ear and eye, — Outward sunshine, inward joy : Blessings on thee, barefoot boy ! O for boyhood’s painless play, Sleep that wakes in laughing day, Health that mocks the doctor’s rules, Knowledge never iearned of schools, Of the wild bee’s morning chase, Of the wild-flower’s time and place, Flight of fowl and habitude Of the tenants of the wood ; How the tortoise bears his shell, How the woodchuck digs his cell, And the ground-mole sinks his well ; How the robin feeds her young, How the oriole’s nest is hung ; Where the whitest lilies blow, Where the freshest berries grow, Where the ground-nut trails its vine, Where the wood-grape’s clusters shine ; Of the black wasp’s cunning way, Mason of his walls of clay, And the architectural plans Of gray hornet artisans ! — For, eschewing books and tasks, Nature answers all he asks ; Hand in hand with her he walks, Face to face with her he talks, Part and parcel of her joy, — Blessings on the barefoot Loy ! O for boyhood’s time of June, Crowding years in one brief moon, When all things I heard or saw, Me, their master, waited for. I was rich in flowers and trees, Humming-birds and honey-bees ; For my sport the squirrel played, Plied the snouted mole his spade ; For my taste the blackberry cone Purpled over hedge and stone ; 100 Laughed the brook for my delight Through the day and through the night, Whispering at the garden wall, Talked with me from fall to fall; Mine the sand-rimmed pickerel pond, Mine the walnut slopes beyond, Mine, on bending orchard trees, Apples of Hesperides ! Still as my horizon grew, Larger grew my riches too ; All the world I saw or knew Seemed a complex Chinese toy, Fashioned for a barefoot boy ! O for festal dainties spread, Like my bowl of milk and bread, — Pewter spoon and bowl of wood, On the door-stone, gray and rude ! O’er me, like a regal tent, Cloudy-ribbed, the sunset bent, Purple-curtained, fringed with gold, Looped in many a wind-swung fold ; While for music came the play Of the pied frogs’ orchestra ; And, to light the noisy choir, Lit the fly his lamp of fire. I was monarch : pomp and joy Waited on the barefoot boy ! Cheerly, then, my little man, Live and laugh, as boyhood can ! Though the flinty slopes be hard, Stubble-speared the new-mown sward, Every morn shall lead thee through Fresh baptisms of the dew ; Every evening from thy feet Shall the cool wind kiss the heat All too soon these feet must hide In the prison cells of pride, Lose the freedom of the sod, Like a colt’s for work be shod, Made to tread the mills of toil, Up and down in ceaseless moil : Happy if their track be found Never on forbidden ground ; Happy if they sink not in Quick and treacherous sands of sin. Ah! that thou couldst know thy joy, Ere it passes, barefoot boy ! JOHN GREENLEAF WHITTIER. —_+— MY MOTHER'S BIBLE. Tuts book is all that’s left me now, — Tears will unbidden start, — With faltering lip and throbbing brow I press it to my heart. POEMS OF CHILDHOOD AND YOUTH. For many generations past Here is our family tree ; My mother’s hands this Bible clasped, She, dying, gave it me. Ah ! well do I remember those Whose names these records bear ; Who round the hearthstone used to close, After the evening prayer, And speak of what these pages said In tones my heart would thrill ! Though they are with the silent dead, Here are they living still! My father read this holy book To brothers, sisters, dear ; How calm was my poor mother’s look, ‘Who loved God’s word to hear ! Her angel face, —I see it yet! What thronging memories come ! Again that little group is met Within the halls of home ! Thou truest friend man ever knew, Thy constancy I’ve tried ; When all were false, I found thee true, My counsellor and guide. ‘ The mines of earth no treasures give That could this volume buy ; In teaching me the way to live, It taught me how to die! GEORGE PERKINS MORRIS. ge THE OLD OAKEN BUCKET. How dear to this heart are the scenes of my childhood, When fond recollection presents them to view ! The orchard, the meadow, the deep-tangled wild- wood, And every loved spot which my infancy knew ; The wide-spreading pond. and the mill which stood by it, The bridge, aud the rock where the cataract fell ; The cot of my father, the dairy-house nigh it, And e’en the rude bucket which hung in the well, — The old oaken bucket, the iron-bound bucket, The moss-covered bucket which hung in the well. That moss-covered vessel I hail as a treasure ; For often, at noon, when returned from the field, I found it the source of an exquisite pleasure, The purest and sweetest that nature can yield. How ardent I seized it, with hands that were glowing ! : And quick to the white-pebbled bottom it fell ; YOUTH. 101 Then soon, with the emblem of truth overflow- ing, And dripping with coolness, it rose from the well ; — The old oaken bucket, the iron-bound bucket, The moss-covered bucket, arose from the well. How sweet from the green mossy brim to receive it, As, poised on the curb, it inclined to my lips ! Not a full blushing goblet could tempt me to leave it, Though filled with the nectar that Jupiter sips. And now, far removed from the loved situation, The tear of regret will intrusively swell, As fancy reverts to my father’s plantation, And sighs for the bucket which hangs in the well ;— The old oaken bucket, the iron-bound bucket, The moss-covered bucket which hangs in the well. SAMUEL WOODWORTH. — THE OLD ARM-CHAIR. I Love it, I love it! and who shall dare To chide me for loving that old arm-chair ? I’ve treasured it long as a sainted prize, I’ve bedewed it with tears, I’ve embalmed it with sighs. Tis bound by a thousand bands to my heart ; Not a tie will break, not a link will start ; Would you know the spell ?— a mother sat there ! And a sacred thing is that old arm-chair. In childhood’s hour I lingered near The hallowed seat with listening ear ; And gentle words that mother would give To fit me to die, and teach me to live. She told me that shame would never betide With Truth for my ereed, and God for my guide ; She taught me to lisp my earliest prayer, As I knelt beside that old arm-chair. I sat, and watched her many a day, When her eye grew dim, and her locks were gray ; And I almost worshipped her when she smiled, And turned from her Bible to bless her child. Years rolled on, but the last one sped, — My idol was shattered, my earth-star fled ! I learnt how much the heart can bear, When I saw her die‘in her old arm-chair. "Tis past, tis past! but I gaze on it now, With quivering breath and throbbing brow : ’T was there she nursed me, ’t was there she died, And memory flows with lava tide. Say it is folly, and deem me weak, Whilst scalding drops start down my cheek ; But I love it, I love it, and cannot tear My soul from a mother’s old arm-chair. ELIZA COOK. aes WOODMAN, SPARE THAT TREE. WoopMan, spare that tree ! Touch not a single bough ! In youth it sheltered me, And I'll protect it now. ’T was my forefather’s hand That placed it near his cot ; There, woodman, let it stand, Thy axe shall harm it not ! That old familiar tree, Whose glory and renown Are spread o’er land and sea, And wouldst thou hew it down ? Woodman, forbear thy stroke ! Cut not its earth-bound ties ; O, spare that aged oak, Now towering to the skies ! When but an idle boy 1 sought its grateful shade ; In all their gushing joy Here too my sisters played. My mother kissed me here ; My father pressed my hand — Forgive this foolish tear, But let that old oak stand ! My heart-strings round thee cling, Close as thy bark, old friend ! Here shall the wild-bird sing, And still thy branches bend. Old tree! the storm still brave ! And, woodman, leave the spot ; While I’ve a hand to save, Thy axe shall hurt it not. GEORGE PERKINS MORRIS. — SEVEN TIMES TWO. ROMANCE, You bells in the steeple, ring out your changes, How many soever they be, And let the brown meadow-lark’s note as he ranges Come over, come over to me. Yet birds’ clearest carol by fall or by swelling No magical sense conveys, And bells have forgotten their old art of telling The fortune of future days. 102 POEMS OF CHILDHOOD AND YOUTH. “Turn again, turn again,” once they rang cheerily While a boy listened alone : Made his heart yearn again, musing so wearily All by himself on a stone. Poor bells! I forgive you; your good days are over, And mine, they are yet to be; No listening, no longing, shall aught, aught discover : You leave the story to me. The foxglove shoots out of the green matted heather, Preparing her hoods of snow ; She was idle, and slept till the sunshiny weather : O, children take long to grow. I wish, and I wish that the spring would go faster, Nor long summer bide so late ; And I could grow.on like the foxglove and aster, For some things are ill to wait. I wait for the day when dear hearts shall discover, While dear hands are laid on my head ; ‘*The child is a woman, the book may close over, For all the lessons are said.” I wait for my story — the birds cannot sing it, Not one, as he sits on the tree ; The bells cannot ring it, but long years, O, bring it ! Such as I wish it to be. JEAN INGELOW. —_¢— THE ROMANCE OF THE SWAN'S NEST. Littte Ellie sits alone Mid the beeches of a meadow, By a stream-side on the grass, And the trees are showering down Doubles of their leaves in shadow, On her shining hair and face. She has thrown her bonnet hy, And her feet she has been dipping In the shallow water’s flow. Now she holds them nakedly In her hands all sleek and dripping, While she rocketh to and fro. Little Ellie sits alone, And the smile she softly uses Fills the silence like a speech, While she thinks what shall be done, — And the sweetest pleasure chooses For her future within reach. Little Ellie in her smile Chooses... ‘‘I will have a lover, Riding on a steed of steeds ! He shall love me without guile, And to him 1 will discover The swan’s nest among the reeds. ‘* And the steed shall be red-roan, And the lover shall be noble, With an eye that takes the breath. And the lute he plays upon Shall strike ladies into trouble, As his sword strikes men to death. “* And the steed it shall be shod All in silver, housed in azure, And the mane shall swim the wind ; And the hoofs along the sod Shall flash onward and keep measure, Till the shepherds look behind. “But my lover will not prize All the glory that he rides in, ‘When he gazes in my face. He will say, ‘O Love, thine eyes Build the shrine my soul abides in, And I kneel here for thy grace.’ ‘*Then, ay then — he shall kneel low, With the red-roan steed anear him, Which shall seem to understand — Till I answer, ‘ Rise and go ! For the world must love and fear him Whom I gift with heart and hand.’ “Then he will arise so pale, I shall feel my own lips tremble With a yes I must not say ; Nathless maiden-brave, ‘ Farewell’ I will utter, and dissemble ; — ‘ Light to-morrow with to-day.’ “Then he’ll ride among the hills To the wide world past the river, There to put away all wrong ; To make straight distorted wills, And to empty the broad quiver Which the wicked bear along. ‘*Three times shall a young foot-page Swim the stream and climb the mountain And kneel down beside my feet ; — ‘Lo, my master sends this gage, Lady, for thy pity’s counting ! What wilt thou exchange for it ?’ ‘¢ And the first time, I will send A white rosebud for a guerdon, — And the second time, a glove ; YOUTH. 103 But the third time, I may bend From my pride, and answer, ‘ Pardon, If he comes to take my love.’ “Then the young foot-page will run, — Then my lover will ride faster, Till he kneeleth at my knee : ‘I am a duke’s eldest son ! Thousand serfs do call me master, — But, O Love, I love but thee !’ “He will kiss me on the mouth Then, and lead me as-a lover Through the crowds that praise his deeds ; And, when soul-tied by one troth, Unto him I will discover That swan’s nest among the reeds.” Little Ellie, with her smile Not yet ended, rose up gayly, Tied the bonnet, donned the shoe, And went homeward, round a mile, Just to see, as she did daily, What more eggs were with the two. Pushing through the elm-tree copse, Winding up the stream, light-hearted, Where the osier pathway leads, — Past the boughs she stoops — and stops. Lo, the wild swan had deserted, And a rat had gnawed the reeds. Ellie went home sad and slow. If she found the lover ever, With his red-roan steed of steeds, Sooth I know not! but I know She could never show him — never, That swan’s nest among the reeds ! ELIZABETH BARRETT BROWNING. —e— GOOD NIGHT AND GOOD MORNING. A FAIR little girl sat under a tree Sewing as long as her eyes could see ; Then smoothed her work and folded it right, And said, “ Dear work, good night, good night !” Such a number of rooks came over her head, Crying “Caw, caw !” on their way to bed, She said, as she watched their curious (light, “ Little black things, good night, good night !” The horses neighed, and the oxen lowed, The sheep's ‘‘Bleat! bleat!’ came over the road ; All seeming to say, with a quiet delight, “Good little girl, good night, good night !” She did not say to the sun, “‘ Good night!” Though she saw him there like a ball of light ; For she knew he had God’s time to keep All over the world and never could sleep The tall pink foxglove bowed his head ; The violets courtesied, and went to bed ; And good little Lucy tied up her hair, And said, on her knees, her favorite prayer. And, while on her pillow she softly lay, She knew nothing more till again it was day ; And all things said to the beautiful sun, “Good morning, good morning! our work is begun.” RICHARD MONCKTON MILNES. (LORD HOUGHTON.) weg THREE YEARS SHE GREW. THREE years she grew in sun and shower ; Then Nature said, “A lovelier flower On earth was never sown : This child I to myself will take ; She shall be mine, and I will make A lady of my own. ‘“* Myself will to my darling be Both law and impulse ; and with me The girl, in rock and plain, In earth and heaven, in glade and bower, Shall feel an overseeing power To kindle or restrain. ‘*She shall be sportive as the fawn That wild with glee across the lawn Or up the mountain springs ; And hers shall be the breathing balm, And hers the silence and the calm, Of mute insensate things. “The floating clouds their state shall lend To her; for her the willow bend ; Nor shall she fail to see E’en in the motions of the storm Grace that shall mould the maiden’s form By silent sympathy. “‘The stars of midnight shall be dear To her; and she shall lean her ear In many a secret place Where rivulets dance their wayward round, And beauty born of murmuring sound Shall pass into her face. ‘And vital feelings of delight Shall rear her form to stately height, Her virgin bosom swell ; Such thoughts to Lucy I will give While she and I together live Here in this happy dell.” 104 POEMS OF CHILDHOOD AND YOUTH. Thus Nature spake. The work was done, — How soon my Lucy’s race was run ! She died, and left to me ° This heath, this calm and quiet scene ; The memory of what has been, And nevermore will be. WILLIAM WORDSWORTH. Saag THREAD AND SONG. SWEETER and sweeter, Soft and low, Neat little nymph, Thy numbers flow, Urging thy thimble, Thrift’s tidy symbol, Busy and nimble, To and fro ; Prettily plying Thread and song, Keeping them flying Late and long, Through the stitch linger, Kissing thy finger, Quick, — as it skips along. Many an echo, Soft and low, Follows thy flying Faney so, — Melodies thrilling, Tenderly filling Thee with their trilling, Come and go ; Memory’s finger, Quick as thine, Loving to linger On the line, Writes of another, Dearer than brother : Would that the name were mine ! JOHN WILLIAMSON PALMER. —>— MAIDEN HOOD. MarprEw ! with the meek brown eyes, In whose orbs a shadow lies Like the dusk in evening skies ! Thou whose locks outshine the sun, — Golden tresses wreathed in one, As the braided streamlets run ! Standing, with reluctant feet, Where the brook and river meet, Womanhood and childhood fleet ! Gazing, with a timid glance, On the brooklet’s swift advance, On the river’s broad expanse ! Deep and still, that gliding stream Beautiful to thee must seem As the river of a dream. Then why pause with indecision, When bright angels in thy vision Beckon thee to fields Elysian ? Seest thou shadows sailing by, As the dove, with startled eye, Sees the falcon’s shadow fly ? Hearest thou voices on the shore, That our ears perceive no more, Deafened by the cataract’s roar? O thon child of many prayers ! Life hath quicksands, Life hath snares ! Care and age come unawares ! Like the swell of some sweet tune, Morning rises into noon, May glides onward into June. Childhood is the bough where slumbered Birds and blossoms many-numbered ; — Age, that bough with snows encumbered, Gather, then, each flower that grows, When the young heart overflows, To embalin that tent of snows. Bear a lily in thy hand ; Gates of brass cannot withstand One touch of that magic wand. Bear through sorrow, wrong, and ruth, In thy heart the dew of youth, On thy lips the smile of truth. O, that dew, like balm, shall steal Into wounds that cannot heal, Even as sleep our eyes doth seal ; And that smile, like sunshine, dart Into many a sunless heart, For a smile of God thou art. HENRY WADSWORTH LONGFELLOW. —_e— LUCY. Sue dwelt among the untrodden ways Beside the springs of Dove ; A maid whom there were none to praise, And very few to love. YOUTH. 105 A violet by a mossy stone Half hidden from the eye ! Fair as a star, when only one Is shining in the sky. She lived unknown, and few could know When Lucy ceased to be ; But she is in her grave, and O, The difference to me ! WILLIAM WORDSWORTH. og THE PRETTY GIRL OF LOCH DAN. Tue shades of eve had crossed the glen That frowns o’er infant Avonmore, When, nigh Loch Dan, two weary men, We stopped before a cottage door. ‘*God save all here,” my comrade cries, And rattles on the raised latch-pin; ‘God save you kindly,” quick replies A clear sweet voice, and asks us in. We enter; from the wheel she starts, A rosy girl with soft black eyes ; Her fluttering courtesy takes our hearts, Her blushing grace and pleased surprise. Poor Mary, she was quite alone, For, all the way to Glenmalure, Her mother had that morning gone, And left the house in charge with her. But neither household cares, nor yet The shame that startled virgins feel, Could make the generous girl forget Her wonted hospitable zeal. She brought us in a beechen bowl Sweet milk that smacked of mountain thyme, Oat cake, and such a yellow roll Of butter, — it gilds all my rhyme! And, while we ate the grateful food (With weary limbs on bench reclined), Considerate and discreet, she stood Apart, and listened to the wind. Kind wishes both our souls engaged, From breast to breast spontaneous ran The mutual thought, — we stood and pledged THE MODEST ROSE ABOVE Locu Dan. “The milk we drink is not more pure, Sweet Mary, — bless those budding charms! — Than your own generous heart, I ’m sure, Nor whiter than the breast it warms !” She turned and gazed, unused to hear Such language in that homely glen ; But, Mary, you have naught to fear, Though smiled on by two stranger-men. Not for a crown would J alarm Your virgin pride by word or sign, Nor need a painful blush disarm My friend of thoughts as pure ag mine. Her simple heart could not but feel The words we spoke were free from guile ; She stooped, she blushed, she fixed her wheel, — *T is all in vain, — she can’t but smile ! Just like sweet April’s dawn appears Her modest face, —I see it yet, — And though I lived a hundred years Methinks I never could forget The pleasure that, despite her heart, Fills all her downeast eyes with light ; The lips reluctantly apart, The white teeth struggling into sight, The dimples eddying o’er her cheek, The rosy cheek that won't be still :— O, who could blame what flatterers speak, Did smiles like this reward their skill ? For such another smile, I vow, Though loudly beats the midnight rain, I’d take the mountain-side e’en now, And walk to Luggelaw again ! SAMUEL FERGUSON, — TO A HIGHLAND -GIRL. AT INVERSNEYDE, UPON LOCH LOMOND. Sweet Highland Girl, a very shower Of beauty is thy earthly dower ! Twice seven consenting years have shed Their utmost bounty on thy head ; And these gray rocks, this household lawn, These trees, —a veil just half withdrawn, — This fall of water that doth make A murmur near the silent lake, This little bay, a quiet road That holds in shelter thy abode ; Tn truth together ye do seem Like something fashioned in a dream, Such forms as from their covert peep When earthly cares are laid asleep ! But O fair Creature ! in the light Of common day so heavenly bright, I bless thee, Vision as thou art, T bless thee with a human heart : God shield thee to thy latest years ! I neither know thee nor thy peers ; And yet my eyes are filled with tears. With earnest feeling I shall pray For thee when I am far away ; 106 For never saw I mien or face In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here scattered like a random seed, Remote from men, thou dost not need The embarrassed look of shy distress, And maidenly shamefacedness : Thou wear’st upon thy forehead clear The freedom of a mountaineer ; A face with gladness overspread, Soft smiles, by human kindness bred ; And seemliness complete, that sways Thy courtesies, about thee plays ; With no restraint, but such as springs From quick and eager visitings Of thoughts that lie beyond the reach Of thy few words of English speech, — A bondage sweetly brooked, a strife That gives thy gestures grace and life ! So have I, not unmoved in mind, Seen birds of tempest-loving kind, Thus beating up against the wind. What hand but would a garland cull For thee who art so beautiful ? O happy pleasure ! here to dwell Beside thee in some heathy dell ; Adopt your homely ways and dress, A shepherd, thou a shepherdess ! But I could frame a wish for thee More like a grave reality : Thou art to me but as a wave Of the wild sea ; and I would have Some claim upon thee, if I could, Though but of common neighborhood. What joy ‘to hear thee, and to see ! Thy elder brother I would be, Thy father, — anything to thee. Now thanks to Heaven ! that of its grace Hath led me to this lonely place ; Joy have I had ; and going hence I bear away my recompense. In spots like these it is we prize Our Memory, feel that she hath eyes : Then why should I be loath to stir ? I feel this place was made for her ; To give new pleasure like the past, Continued long as life shall last. Nor am I loath, though pleased at heart, Sweet Highland Girl! from thee to part ; For I, methinks, till I grow old As fair before me shall behold As I do now, the cabin small, The lake, the bay, the waterfall ; And thee, the spirit of them all! WILLIAM WORDSWORTH. POEMS OF CHILDHOOD AND YOUTH., SWEET STREAM, THAT WINDS. SWEET stream, that winds through yonder glade, Apt emblem of a virtuous maid, — Silent and chaste she steals along, Far from the world’s gay, busy throng ; With gentle yet prevailing force, Intent upon her destined course ; Graceful and useful all she does, Blessing and blest where’er she goes ; Pure-bosomed as that watery glass, And Heaven reflected in her face. WILLIAM COWPER, — oe. RUTH. Sue stood breast high amid the corn, Clasped by the golden light of morn, Like the sweetheart of the sun, Who many a glowing kiss had won. On her cheek an autumn flush Deeply ripened ; — such a blush In the midst of brown was born, Like red poppies grown with corn. Round her eyes her tresses fell, — Which were blackest none could tell ; But long lashes veiled a light That had else been all too bright. And her hat, with shady brim, Made her tressy forehead dim ; — Thus she stood amid the stooks, Praising God with sweetest looks. Sure, I said, Heaven did not mean Where I reap thou shouldst but glean ; Lay thy sheaf adown and come, Share my harvest and my home. THOMAS HOOD. —e— NARCISSA. FROM “NIGHT THOUGHTS,” NIGHT V. “Youne, gay, and fortunate!” Each yields a theme. And, first, thy youth : what says it to gray hairs? Narcissa, I’m become thy pupil now ; — Early, bright, transient, chaste as morning dew, She sparkled, was exhaled, and went to heaven. DR. EDWARD YOUNG. —_e— IT NEVER COMES AGAIN. THERE are gains for all our losses, There are balms for all our pain, But when youth, the dream, departs, It takes something from our hearts, And it never comes again. WINGS. Drawn by Thos. R. Manley. GS Tue sunset light is on the sail, The water all aglow, And on the billows up and down The boat rocks to and fro; The birds float upward to the sky— Oh, how I long for wings to fly! The boat has wings, the birds have wings, But none remain for me Save wings of kind and loving thought And wings of memory. On these I come, and still repeat— I love, I love, I love you, Sweet! Mary Louise RITTeEr. THE FIRST BLUE-BIRD. Jest rain and snow! and rain again! And dribble! drip! and blow! Then snow! and thaw! and slush! and then— Some more rain and snow! This morning I was ’most afeard To wake up—when, I jing! I seen the sun shine out and heerd The first blue-bird of Spring! — Mother she ’d raised the winder some ; — And in acrost the orchard come, Soft as an angel’s wing, A breezy, treesy, beesy hum, Too sweet for any thing! The winter’s shroud was rent apart — The sun bust forth in glee,— And when shat blue-bird sung, my hart Hopped out o’ bed with me! James WuItTcomB RILEy. FRAGMENTS. 107 We are stronger, and are better, Under manhood’s sterner reign ; Still we feel that something sweet followed youth, with flying feet, And will never come again. Something beautiful is vanished, And we sigh for it in vain ; We behold it everywhere, On the earth, and in the air, But it never comes again. RICHARD HENRY STODDARD. FRAGMENTS. Tue Basy. A babe in a house is a well-spring of pleasure. Of Education, M. F. TUPPER, Behold the child, by Nature’s kindly law, Pleased with a rattle, tickled with a straw. Epistle Il. POPE. Behold, my lords, Although the print be little, the whole matter And copy of the father : eye, nose, lip, The trick of his frown, his forehead ; nay, the valley, The pretty dimples of his chin, and cheek ; his smiles ; The very mould and frame of hand, nail, finger. Winter's Tale, Act ii. Sc. 3. SHAKESPEARE. . O, ’tis a parlous boy ; Bold, quick, ingenious, forward, capable ; He is all the mother’s from the top to toe. Richard HlI., Act. iii. Sc. 1. SHAKESPEARE. Ear.ty DEATH. “ Whom the gods love die young,” was said of yore. Don Fuan, Cant. iv. Stan. 12. BYRON. Ere sin could blight or sorrow fade, Death came with friendly care ; The opening bud to Heaven conveyed, And bade it blossom there. Epitaph on an Infant. >. T. COLERIDGE. Grief fills the room up of my absent child, Lies in his bed, walks up and down with me ; Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garmeuts with his form. King Fohn, Actiii. Sc. 4. SHAKESPEARE. CHILD’s Prayer, Now I lay me down to take my sleep, I pray the Lord my soul to keep : 1f I should die before I wake, I pray the Lord my soul to take. New England Prinux PROPHECIES. Men are but children of a larger growth. All for Love, Activ. Sc. DRYDEN, The childhood shows the man As morning shows the day. Paradise Regained, Book iv. MILTON. A little bench of heedless bishops here, And there a chancellor in embryo. The Schoolmistress. SHENSTONE, Look here upon thy brother Geffrey’s face ; These eyes, these brows, were moulded out of his : This little abstract doth contain that large Which died in Geffrey : and the hand of time Shall draw this brief unto as large a volume. King Fonhn, Act ii. Sc. 1. SHAKESPEARE. As yet a child, nor yet a fool to fame, I lisped in numbers, for the numbers came. Epistle to Dr. Arbuthnot, POPE. BoyIsH AMBITION. But strive still to be a man before your mother. Motto of No. [1I, Connoisseur. COWPER. Thou wilt scarce be a man before thy mother. Love's Cure, Act ii, Sc. 2. BEAUMONT and FLETCHER, ScHoot-Days, The school-boy, with his satchel in his hand, Whistling aloud to bear his courage up. The Grave. R. BLAIR. Besides, they always smell of bread and butter. Manfred. BYRON, You ’d scarce expect one of my age To speak in public on the stage ; And if I chance to fall below Demosthenes or Cicero, Don’t view me with a critic’s eye, But pass my imperfections by. Large streams from little fountains flow, Tall oaks from little acorns grow. Lines written for a School Declamation. D, EVERETT. I pray ye, flog them upon all occasions. It mends their morals, never mind the pain. Don Fuan, Cant. ii, BYRON. 108 POEMS OF CHILDHOOD AND YOUTH. Love is a boy by poets styled ; Then spare the rod and spoil the child. HAudibras, Part 1H. Cant. i. BUTLER. Whipping, that’s virtue’s governess, Tutoress of arts and sciences ; That mends the gross mistakes of nature, And puts new life into dull matter ; That lays foundation for renown, And all the honors of the gown. Hudibras, Part lf. Cant. i. BUTLER. Work AND PLAY. If all the year were playing holidays, To sport would be as tedious as to work. K. Henry, Part 1. Acti. St. 2 SHAKESPEARE, How doth the little busy bee Improve each shining hour, And gather honey all the day, From every opening flower ! For Satan finds some mischief still For idle hands to do. Song XX, WATTS. Though this may be play to you, "Tis death to us. Fables: The Boys and the Frogs. L'ESTRANGE. QUARRELLING. Let dogs delight to bark and bite, For God hath made them so ; Let bears and lions growl and fight, For ‘tis their nature too. But, children, you should never let Your angry passions rise ; Your little hands were never made To tear each other’s eyes. Song XVI. watts, CARELESS CHILDHOOD. | As children gath’ring pebbles on the shore. Paradise Regained, Book iv. MILTON, One eare it heard, at the other out it went. Trotlus and Cresetde, Book iv. CHAUCER. Children blessings seem, but torments are ; When young, our folly, and when old, our fear. Don Carlos. OTWay. I remember, I remember How my childhood fleeted by, — The mirth of its December, And the warmth of its July. 7 Remember, I Remember. PRAED. When they are young, they Are like bells rung backwards, nothing but noise And giddiness. Wit without Money. BEAUMONT and FLETCHER, Ah, happy hills! ah, pleasing shade ! Ah, fields beloved in vain ! Where once my careless childhood strayed, A stranger yet to pain ! I feel the gales that from ye blow A momentary bliss bestow. On a Distant Prospect of Eton College. Gray. CuILDIsH Days. Sweet childish days, that were as long As twenty days are now. To a Butterfly, WORDSWORTH. Merry Yours. O Life ! how pleasant in thy morning, Young Fancy’s rays the hills adorning ! Cold-pausing Caution’s lesson scorning, ! We frisk away, Like school-boys at th’ expected warning, To joy and play. Epistle to Fames Smith. BURNS, Life went a Maying With Nature, Hope, and Poesy, When I was young ! Youth and Age. S. T. COLERIDGE, Just at the age ’twixt boy and youth, When thought is speech, and speech is truth. Marmion, Introduc, to Cant. ii. SCOTT, Nanght cared this body for wind or weather + When youth and I lived in’t together. Youth and Age. S. T., COLERIDGE. Oh, Mirth and Innocence ! Oh, Milk and Water ! Ye happy mixtures of more happy days ! Manfred. BYRON. Fair laughs the morn, and soft the zephyr blows, While proudly riding o’er the azure realm In gallant trim the gilded vessel goes ; Youth on the prow, and Pleasure at the helm ; Regardless of the sweeping whirlwind’s sway, That, hushed in grim repose, expects his evening prey. The Bard, 1.2. GRAY. Yet, ah! why should they know their fate, Since sorrow never comes too late, And happiness too swiftly flies ? Thought would destroy their paradise. No more ;— where ignorance is bliss, *T is folly to be wise. On a Distant Prospect of Eton College. GRAY, POEMS OF THE AFFECTIONS. ay Of 4p a ee © pon np TI, aoe i, POEMS OF THE AFFECTIONS. FRIENDSHIP. BENEDICITE. Gop’s love and peace be with thee, where Soe’er this soft autumnal air Lifts the dark tresses of thy hair ! Whether through city casements comes Its kiss to thee, in crowded rooms, Or, out among the woodland blooms, It freshens o’er thy thoughtful face, Imparting, in its glad embrace, Beauty to beauty, grace to grace ! Fair Nature’s book together read, The old wood-paths that knew our tread, The maple shadows overhead, — The hills we climbed, the river seen By gleams along its deep ravine, — All keep thy memory fresh and green. Where’er I look, where’er I stray, Thy thought goes with me on my way, And hence the prayer I breathe to-day : O’er lapse of time and change of scene, The weary waste which lies between Thyself and me, my heart I lean. Thou lack’st not Friendship’s spellword, nor The half-unconscious power to draw All hearts to thine by Love’s sweet law. With these good gifts of God is cast Thy lot, and many a charm thou hast To hold the blessed angels fast. If, then, a fervent wish for thee The gracious heavens will heed from me, What should, dear heart, its burden be ? The sighing of a shaken reed, — What can I more than meekly plead The greatness of our common need ? God’s love, — unchanging, pure, and true, — The Paraclete white-shining through His peace, — the fall of Hermon’s dew ! With such a prayer, on this sweet day, As thou mayst hear and I may say, I greet thee, dearest, far away ! JOHN GREENLEAF WHITTIER, ==; EARLY FRIENDSHIP. Tue half-seen memories of childish days, ‘When pains and pleasures lightly came and went ; The sympathies of boyhood rashly spent In fearful wanderings through forbidden ways ; The vague, but manly wish to tread the maze Of life to noble ends, — whereon intent, Asking to know for what man here is sent, The bravest heart must often pause, and gaze; The firm resolve to seek the chosen end Of manhood’s judgment, cautious and mature, — Each of these viewless bonds binds friend to friend With strength no selfish purpose can secure : My happy lot is this, that all attend That friendship which first came, and which shall last endure. AUBREY DE VERE. 4S FRIENDSHIP. FROM “HAMLET,” ACT III. SC. 2. Ham. Horatio, thou art e’en as just a man As e’er my conversation coped withal. Hor. O my dear lord — Ham. Nay, do not think I flatter : For what advancement may I hope from thee That no revénue hast but thy good spirits, To feed and clothe thee? Why should the poor be flattered ? No, let the candied tongue lick absurd pomp, And crook the pregnant hinges of the knee, Where thrift may follow fawning. Dost thou hear? 112 POEMS OF THE AFFECTIONS. Since my dear soul was mistress of her choice, And could of men distinguish, her election Hath sealed thee for herself; for thou hast been As one, in suffering all, that suffers nothing, —- A man that Fortune’s buffets and rewards Hast ta’en with equal thanks ; and blessed are those Whose blood and judgment are so well co-mingled, That they are not a pipe for Fortune’s finger To sound what stop she please: Give me that man That is not passion’s slave, and I will wear him In my heart’s core, ay, in my heart of heart, As I do thee. SHAKESPEARE. —e—. FRIENDSHIP. A Ruppy drop of manly blood The surging sea outweighs ; The world uncertain comes and goes, The lover rooted stays. I fancied he was fled, — And, after many a year, Glowed unexhausted kindliness, Like daily sunrise there. My careful heart was free again ; O friend, my bosom said, Through thee alone the sky is arched, Through thee the rose is red ; All things through thee take nobler form, And look beyond the earth ; The mill-round of our fate appears A sun-path in thy worth. Me too thy nobleness has taught To master my despair; The fountains of my hidden life Arve through thy friendship fair. RALPH WALDO EMERSON. — THE MEMORY OF THE HEART. IF stores of dry and learned lore we gain, We keep them in the memory of the brain ; Names, things, and facts, — whate’er we knowl- edge call, — There is the common ledger for them all; And images on this cold surface traced Make slight impression, and are soon effaced. But we’ve a page, more glowing and more bright, On which our friendship and our love to write ; That these may never from the soul depart, We trust them to the memory of the heart. There is no dimming, no effacement there ; Each new pulsation keeps the record clear; Warm, golden letters all the tablet fill, Nor lose their lustre till the heart stands still. DANIEL WEBSTER. BILL AND JOE. Come, dear old comrade, you and I ‘Will steal an hour from days gone by, — The shining days when life was new, And all was bright as morning dew, — The lusty days of long ago, When you were Bill and I was Joe. Your name may flaunt a titled trail, Proud as a cockerel’s rainbow tail ; And mine as brief appendix wear As Tam O’Shanter’s luckless mare; To-day, old friend, remember still That I am Joe and you are Bill. You ’ve won the great world’s envied prize, And grand you look in people’s eyes, : With HON. and L L. D. In big brave letters, fair to see, — Your fist, old fellow ! off they go! How are you, Bill? How are you, Joe? You ’ve worn the judge’s ermined robe; You’ve taught your naine to half the globe; You’ve sung mankind a deathless strain; You’ve made the dead past live again : The world may call you what it will, But you and I are Joe and Bill, The chaffing young folks stare and say, ‘See those old buffers, bent and gray ; They talk like fellows in their teens! Mad, poor old boys ! That’s what it means,” ~ And shake their heads ; they little know The throbbing hearts of Bill and Joe! How Bill forgets his hour of pride, While Joe sits smiling at his side ; How Joe, in spite of time’s disguise, Finds the old schoolmate in his eyes, — Those calm, stern eyes that melt and fill As Joe looks fondly up at Bill. Ah, pensive scholar, what is fame ? A fitful tongue of leaping flame ; A giddy whirlwind’s fickle gust, That lifts a pinch of mortal dust: A few swift years, and who can show Which dust was Bill, and which was Joe? The weary idol takes his stand, _ Holds out his bruised and aching hand, While gaping thousands come and go, — How vain it seems, this empty show ! Till all at once his pulses thrill, *T is poor old Joe’s *‘ God bless you, Bill!” FRIENDSHIP. 113 And shall we breathe in happier spheres The names that pleased our mortal ears, — In some sweet lull of harp and song, For earth-born spirits none too long, — Just whispering of the world below, Where this was Bill, and that was Joe? No matter ; while our home is here No sounding name is half so dear ; When fades at length our lingering day, Who cares what pompous tombstones say ? Read on the hearts that love us still, Hic jacet Joe. Hic jacet Bill. OLIVER WENDELL HOLMES. —_e—. DREAMS AND REALITIES. O RosamonD, thou fair and good And perfect flower of womanhood ! Thou royal rose of June! Why didst thou droop before thy time? Why wither in the first sweet prime ? Why didst thou die so soon ? For, looking backward through my tears On thee, and on my wasted years, I cannot choose but say, If thou hadst lived to be my guide, Or thou hadst lived and J had died, *T were better far to-day. O child of light, O golden head !— Bright sunbeam for one moment shed Upon life’s lonely way, — Why didst thou vanish from our sight ? Could they not spare my little light From heaven’s unclouded day ? O friend so true, O friend so good ! — Thou one dream of my maidenhood, That gave youth all its charms, — What had I done, or what hadst thou, That, through this lonesome world till now, We walk with empty arms ? And yet had this poor soul been fed With all it loved and coveted ; Had life been always fair, Would these dear dreams that ne’er depart, That thrill with bliss my inmost heart, Forever tremble there ? If still they kept their earthly place, The friends I held in my embrace, And gave to death, alas ! Could I have learned that clear, calm faith That looks beyond the bonds of death, And almost longs to pass ? Sometimes, J think, the things we see Are shadows of the things to be ; That what we plan we build ; That every hope that hath been crossed, And every dream we thought was lost, In heaven shall be fulfilled ; That even the children of the brain Have not been born and died in vain, Though here unclothed and dumb ; But on some brighter, better shore They live, embodied evermore, And wait for us to come. And when on that last day we rise, Caught up between the earth and skieg, Then shall we hear our Lord Say, Thou hast done with doubt and death, Henceforth, according to thy faith, Shall be thy faith’s reward. PHGBE CARY. —_— THE DEAD FRIEND. FROM ‘IN MEMORIAM.” Tar path by which we twain did go, Which led by tracts that pleased us well, Through four sweet years arose and fell, From flower to flower, from snow to snow. But where the path we walked began To slant the fifth autumnal slope, As we descended, following Hope, There sat the Shadow feared of man ; Who broke our fair companionship, And spread his mantle dark and cold, And wrapped thee formless in the fold, And dulled the murmur on thy lip. ‘When each by turns was guide to each, And Fancy light from Fancy caught, And Thought leapt out to wed with Thought Ere Thought could wed itself with Speech ; And all we met was fair and good, And all was good that Time could bring, And all the secret of the Spring Moved in the chambers of the blood ; I know that this was Life, — the track Whereon with equal feet we fared ; And then, as now, the day prepared The daily burden for the back. But this it was that made me move As light as carrier-birds in air ; I loved the weight I had to bear Because it needed help of Love : 114 POEMS OF THE AFFECTIONS. Nor could I weary, heart or limb, When mighty Love would cleave in twain The lading of a single pain, And per it, Bivins ad to nes But J remained, silioie hopes were dim, Whose life, whose thoughts were little worth, To wander on a darkened earth, Where all things round me breathed of him. O friendship, equal-poised control, O heart, with kindliest motion warm, O sacred essence, other form, O solemn ghost, 0 crownéd soul ! Yet none could better know than I, How much of act at human hands The sense of human will demands, By which we dare to live or die. Whatever way my days decline, I felt and feel, though left alone, His being working in mine own, The footsteps of his life in mine. My pulses therefore beat again For other friends that once I met ; Nor can it suit me to forget The mighty hopes that make us men. I woo your love : I count it crime To mourn for any overmuch ; I, the divided half of such A friendship as had mastered Time ; Which masters Time, indeed, and is Eternal, separate from fears : The all-assuming months and years Can mine no pen ey from this. O days and eras your work is this, To hold me from my proper place, A little while from his embrace, For fuller gain of after bliss : That out of distance might ensue Desire of nearness doubly sweet ; And unto meeting when we meet, Delight a handed tele accrue. The hills are datlagis aaa tthey flow From form to form, and nothing stands ; They melt like mist, the solid lands, Like clouds they shape themselves and go. But in my spirit will I dwell, And dream my dream, and hold it true ; For tho’ my lips may breathe adieu, I cannot think the thing farewell. ALFRED TENNYSON. PARTED FRIENDS. FRIEND after friend departs : Who hath not lost a friend ? There is no union here of hearts That finds not here an end ; Were this frail world our only rest, Living or dying, none were blest. Beyond the flight of time, Beyond this vale of death, There surely is some blessed clime Where life is not a breath, Nor life’s affections transient fire, Whose sparks fly upward to expire. There is a world above, Where parting is unknown ; A whole eternity of love, Formed for the good alone ; And faith beholds the dying here Translated to that happier sphere. Thus star by star declines, Till all are passed away, As morning high and higher shines, To pure and perfect day ; Nor sink those stars in empty night ; They hide themselves in heaven’s own light, JAMES MONTGOMERY, — MARTIAL FRIENDSHIP. FROM “CORIOLANUS,” ACT IV. SC. 5. [Aufidius the Volscian to Caius Marcius Coriolanus.] AUF. O Marcius, Marcius ! Each word thou hast spoke hath weeded from my heart A root of ancient envy. If Jupiter Should from yond’ cloud speak divine things, and say, ‘“T is true,” I’d not believe them more than thee, All-noble Marcius. — Let me twine Mine arms about that body, where-against My grainéd ash an hundred times hath broke, And scared the moon with splinters! Here I clip The anvil of my sword ; and do contest As hotly and as nobly with thy love, As ever in ambitious strength I did Contend against thy valor. Know thou first, I loved the maid I married ; never man Sighed truer breath ; but that I see thee here, Thou noble thing ! more dances my rapt heart Than when I first my wedded mistress saw Bestride my threshold. Why, thou Mars! I tell thee, We have a power on foot ; and I had purpose Once more to hew thy target from thy brawn, FRIENDSHIP. 115 Or lose mine arm for’t. Thou hast beat me out Twelve several times, and I have nightly since Dreamt of encounters ’twixt thyself and me, ‘We have been down together in my sleep, Unbuckling helms, fisting each other’s throat, And waked half dead with nothing. Worthy Marcius, Had we no other quarrel else to Rome, but that: Thou art thence banished, we would muster all From twelve to seventy ; and, pouring war Into the bowels of ungrateful Rome, Like a bold flood o’erbear. O, come! go in, And take our friendly senators by the hands ; ‘Who now are here, taking their leaves of me, ‘Who am prepared against your territories, Though not for Rome itself. A thousand welcomes ! And more a friend than e’er an enemy ; Yet, Marecius, that was much. SHAKESPEARE. —e— WHEN TO THE SESSIONS OF SWEET SILENT THOUGHT. SONNET XXX. WHEN to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time’s waste : Then can I drown an eye, unused to flow, For precious friends hid in death’s dateless night, And weep afresh love’s long-since-cancelled woe, And moan the expense of many a vanished sight. Then can I grieve at grievances foregone, Aud heavily from woe to woe tell o’er The sad account of fore-bemoanéd moan, Which I new pay, as if not paid before ; But if the while I think on thee, dear friend, All losses are restored, and sorrows end. SHAKESPEARE. a4 JAFFAR. JAFFAR, the Barmecide, the good vizier, The poor man’s hope, the friend without a peer, Jaffar was dead, slain by a doom unjust ; And guilty Haroun, sullen with mistrust Of what the good, and e’en the bad, might say, Ordained that no man living from that day Should dare to speak his name on pain of death. All Araby and Persia held their breath ; All but the brave Mondeer: he, proud to show How far for love a grateful soul could go, And facing death for very scorn and grief ‘For his great heart wanted a great relief), Stood forth in Bagdad daily, in the square Where once had stood a happy house, and there Harangued the tremblers at the scymitar On all they owed to the divine Jaffar. “Bring me this man,” the caliph cried ; the man ‘Was brought, was gazed upon. The mutes began To bind his arms. ‘‘ Welcome, brave cords,” cried he ; ‘¢From bonds far worse Jaffar delivered me ; From wants, from shames, from loveless house- hold fears ; Made a man’s eyes friends with delicious tears ; Restored me, loved me, put me on a par With his great self. on How can I pay Jaffar ¢ Haroun, who felt that on a soul like this The mightiest vengeance could but fall amiss, Now deigned to smile, as one great lord of fate Might smile upon another half as great. He said, “‘ Let worth grow frenzied if it will ; The caliph’s judgment shall be master still. Go, and since gifts so move thee, take this gem, The richest in the Tartar’s diadem, And hold the giver as thou deemest fit !” “*Gifts!” cried the friend ; he took, and hold- ing it High toward the heavens, as though to meet his star, Exclaimed, ‘‘ This, too, I owe to thee, Jaffar!” LEIGH HUNT. —_o— THE MEETING OF THE SHIPS. “We take each other by the hand, and we exchange a few words and looks of kindness, and we rejoice together for a few short mo- ments; and then days, months, years intervene, and we see and know nothing of each other.” — WASHINGTON IRVING. Two barks met on the deep mid-sea, When calms had stilled the tide ; A few bright days of summer glee There found them side by side. And voices of the fair and brave Rose mingling thence in mirth ; And sweetly floated o’er the wave The melodies of earth. Moonlight on that lone Indian main Cloudless and lovely slept ; While dancing step and festive strain Each deck in triumph swept. And hands were linked, and answering eyes With kindly meaning shone ; O, brief and passing sympathies, Like leaves together blown ! 116 POEMS OF THE AFFECTIONS. A little while such joy was cast Over the deep’s repose, Till the loud singing winds at last Like trumpet music rose. And proudly, freely on their way The parting vessels bore ; In calm or storm, by rock or bay, To meet — O, nevermore ! Never to blend in victory’s cheer, To aid in hours of woe ; And thus bright spirits mingle here, Such ties are formed below. FELICIA HEMANS. sage THE VALE OF AVOCA. THERE is not in this wide world a valley so sweet As that vale in whose bosom the bright waters meet ; O, the last ray of feeling and life must depart Ere the. bloom of that valley shall fade from my heart ! Yet it was not that Nature had shed o’er the scene Her purest of crystal and brightest of green ; *T was not the soft magic of streamlet or hill, — O, no! it was something more exquisite still. ’T was that friends, the beloved of my bosom, were near, Who made every dear scene of enchantment more dear, And who felt how the best charms of nature im- prove, When we see them reflected from looks that we love. Sweet Vale of Avoca! how calm could I rest In thy bosom of shade, with the friends I love best; Where the storms that we feel in this cold world should cease, And our hearts, like thy waters, be mingled in peace, THOMAS MOORE. =e WE HAVE BEEN FRIENDS TOGETHER. WE have been friends together In sunshine and in shade, Since first beneath the chestnut-tree In infancy we played. But coldness dwells within thy heart, A cloud is on thy brow ; We have been friends together, Shall a light word part us now ? We have been gay together ; We have laughed at little jests ; For the fount of hope was gushing Warm and joyous in our breasts. But laughter now hath tled thy lip, And sullen glooms thy brow ; We have been gay together, Shall a light word part us now“ We have been sad together ; We have wept with bitter tears O’er the grass-grown graves where slumbeieu The hopes of early years. The voices which were silent then Would bid thee clear thy brow ; We have been sad together, Shall a light word part us now ? CAROLINE ELIZABETH SARAH NORTON, ees THE QUARREL OF FRIENDS. FROM “CHRISTABEL.” Aas! they had been friends in youth : But whispering tongues can poison truth ; And constancy lives in realms above ; And life is thorny ; and youth is vain; And to be wroth with one we love Doth work like madness in the brain. And thus it chanced, as I divine, With Roland and Sir Leoline ! Each spoke words of high disdain And insult to his heart’s best brother ; They parted, — ne’er to meet again ! But never either found another To free the hollow heart from paining. They stood aloof, the scars remaining,’ Like cliffs which had been rent asunder ; A dreary sea now flows between, But neither heat, nor frost, nor thunder Shall wholly do away, I ween, The marks of that which once hath been. SAMUEL TAYLOR COLERIDGE. —+— THE ROYAL GUEST. TueEy tell me I am shrewd with other men ; With thee I’m slow, and difficult of speech. With others I may guide the car of talk : Thou wing’st it oft to realms beyond my reach. Tf other guests should come, I’d deck my huir, And choose my newest garment from the shelf; When thou art bidden, I wonld clothe my heart With holiest purpose, as for God himself, FRIENDSHIP. 117 For them I while the hours with tale or song, Or web of fancy, fringed with careless rhyme ; But how to find a fitting lay for thee, Who hast the harmonies of every time ? O friend beloved ! I sit apart and dumb, — Sometimes in sorrow, oft in joy divine ; My lip will falter, but my prisoned heart Springs forth to measure its faint pulse with thine. : Thou art to me most like a royal guest, Whose travels bring him to some lowly roof, Where simple rustics spread their festal fare And, blushing, own it is not good enough. Bethink thee, then, whene’er thou com’st to me, From high emprise and noble toil to rest, My thoughts are weak and trivial, matched with thine ; But the poor mansion offers thee its best. JULIA WARD HOWE. —e— TOO LATE I STAYED. Too late I stayed, — forgive the crime ! Unheeded flew the hours : How noiseless falls the foot of Time That only treads on flowers ! And who, with clear account, remarks The ebbings of his glass, When all its sands are diamond sparks, That dazzle as they pass ? O, who to sober measurement Time’s happy swiftness brings, When birds of paradise have lent Their plumage to his wings ? WILLIAM ROBERT SPENCER. —@— WE ARE BRETHREN A’. A HAppy bit hame this auld world would be If men, when theyre here, could make shift to agree, An’ ilk said to his neighbor, in cottage an’ ha’, a9 “Come, gi’e me your hand, —we are brethren a’. I ken na why ane wi’ anither should fight, When to ’gree would make ae body cosie an’ right, When man meets wi’ man, ’t is the best way ava, To say, “‘Gi'e me your hand, —we are breth- a” Tena. My coat is a coarse ane, an’ yours may be fine, And I maun drink water, while you may drink wine ; But we baith ha’e a leal heart, unspotted to shaw : Sae gi’e me your hand, — we are brethren a’. The knave ye would scorn, the unfaithfu’ deride ; Ye would stand like a rock, wi’ the truth on your side ; Sae would I, an’ naught else would I value a straw : Then gi’e me your hand, — we are brethren a’. Ye would scorn to do fausely by woman or man ; I haud by the right aye, as weel as I can ; We are ane in our joys, our affections, an’ a’: Come, gi’e me your hand, — we are brethren a’. Your mother has lo’ed you as mithers can lo’e ; An’ mine has done for me what mithers can do ; We are ane high an’ laigh, an’ we shouldna be twa: Sae gi’e me your hand, — we are brethren a’. We love the same simmer day, sunny and fair ; Hame! oh, how we love it, an’ a’ that are there ! Frae the pure air of heaven the same life we draw : Come, gi’e me your hand, — we are brethren a’. Frail shakin’ auld age will soon come o’er us baith, An’ creeping alang at his back will be death ; Syne into the same mither-yird we will fa’ : Come, gi’e me your hand, — we are brethren a’. ROBERT NICOLL. aS: THE MAHOGANY-TREE. CHRISTMAS is here ; Winds whistle shrill, Icy and chill, Little care we ; Little we fear Weather without, * Sheltered about The mahogany-tree. Once on the boughs Birds of rare plume Sang, in its bloom ; Night-birds are we; Here we carouse, Singing, like them, Perched round the stem Of the jolly old tree. Here let us sport, Boys, as we sit, — Laughter and wit Flashing so free. 118 POEMS OF THE AFFECTIONS. Life is but short, — ‘When we are gone, Let them sing on, Round the old tree. Evenings we knew, Happy as this ; Faces we miss, Pleasant to see. Kind hearts and true, Gentle and just, Peace to your dust ! We sing round the tree. Care, like a dun, Lurks at the gate: Let the dog wait ; Happy we'll be! Drink, every one ; Pile up the coals ; Fill the red bowls, Round the old tree ! Drain we the cup. — Friend, art afraid ? Spirits are laid In the Red Sea. Mantle it up ; Empty it yet ; Let us forget, Round the old tree ! Sorrows, begone ! Life and its ills, Duns and their bills, Bid we to flee. Come with the dawn, Blue-devil sprite ; Leave us to-night, Round the old tree ! WILLIAM MAKEPEACE THACKERAY. —_e— GIVE ME THE OLD. OLD WINE TO DRINK, OLD WOOD TO BURN, OLD BOOKS TO READ, AND OLD FRIENDS TO CONVERSE WITH. OLD wine to drink ! — Ay, give the slippery juice That drippeth from the grape thrown loose Within the tun ; Plucked from beneath the cliff Of sunny-sided Teneriffe, And ripened ‘neath the blink Of India’s sun ! Peat whiskey hot, Tempered with well-boiled water ! These make the long night shorter, ~ Forgetting not Good stout old English porter. Old wood to burn ! — Ay, bring the hillside beech From where the owlets meet and screech, And ravens croak ; The crackling pine, and cedar sweet ; Bring too a clump of fragrant peat, Dug ‘neath the fern ; The knotted oak, A fagot too, perhap, Whose bright flame, dancing, winking, Shall light us at our drinking ; While the oozing sap Shall make sweet music to our thinking. Old books to read ! — Ay, bring those nodes of wit, The brazen-clasped, the vellum writ, Time-honored tomes ! The same my sire scanned before, The same my grandsire thumbed o’er, The same his sire from college bore, The well-earned meed Of Oxford’s domes ; Old Homer blind, Old Horace, rake Anacreon, by Old Tully, Plautus, Terence lie ; Mort Arthur’s olden minstrelsie, Quaint Burton, quainter Spenser, ay ! And Gervase Markham’s venerie, — Nor leave behind The Holye Book by which we live and die, Old friends to talk !— Ay, bring those chosen few, The wise, the courtly, and the true, So rarely found ; Him for my wine, him for my stud, Him for my easel, distich, bud In mountain walk ! Bring WALTER good : With soulful Frep ; and learned W111, And thee, my alter ego (dearer still For every mood), ROBERT HINCHLEY M8SSENGER. —— AULD LANG SYNE. SHOULD auld acquaintance be forgot, And never brought to min’ ? Should auld acquaintance be forgot, And days o’ lang syne ? CHORUS, For auld lang syne, my dear, For auld lang syne, We'll tak a cup o’ kindness yet, For auld lang syne. FRIENDSHIP. 119 We twa hae run about the braes, And pu’d the gowans fine ; But we’ve wandered mony a weary foot Sin’ auld lang syne. For auld, ete. We twa hae paidl’t i’ the burn, Frae mornin’ sun till dine ; But seas between us braid hae roared Sin’ auld lang syne. For ald, ete. And here’s a hand, my trusty fiere, And gie’s a hand o’ thine ; And we'll tak a right guid-willie waught For auld lang syne. For auld, ete. And surely ye ll be your pint-stowp, And surely I'll be mine ; And we’ll tak a cup o’ kindness yet For auld lang syne. For auld, etc. ROBERT BURNS. —_e— PLATONIC. 1 HAD sworn to be a bachelor, she had sworn to be a maid, For we quite agreed in doubting whether matri- mony paid ; Besides, we had our higher loves, — fair science ruled my heart, And she said her young affections were all wound up in art. So we laughed at those wise men who say that friendship cannot live ‘Twixt man and woman, unless each has some- thing more to give : We would be friends, and friends as true as e’er were man and man ; : I’d be a second David, and she Miss Jonathan. We scorned all sentimental trash, — vows, kisses, tears, and sighs ; High friendship, such as ours, might well such childish arts despise ; We liked each other, that was all, quite all there was to say, So we just shook hands upon it, in a business sort of way. We shared our secrets and our joys, together hoped and feared, With common purpose sought the goal that young Ambition reared ; We dreamed together of the days, the dream- bright days to come, We were strictly confidential, and we called each other ‘‘ chum.” And many a day we wandered together o’er the hills, I seeking bugs and butterflies, and she, the ruined mills And rustic bridges, and the like, that picture- makers prize To run in with their waterfalls, and groves, and summer skies. And many « quiet evening, in hours of silent ease, We floated down the river, or strolled beneath the trees, And talked, in long gradation from the poets to the weather, While the western skies and my cigar burned slowly out together. Yet through it all no whispered word, no tell- tale glance or sigh, Told aught of warmer sentiment than friendly sympathy. We talked of love as coolly as we talked of nebule, And thought no more of being one than we did of being three. “Well, good by, chum!” TI took her hand, for the time had come to go. My going meant our parting, when to meet, we did not know. I had lingered long, and said farewell with a very heavy heart ; For although we were but friends, ’tis hard for honest friends to part. “Good-by, old fellow! don’t forget your friends beyond the sea, And some day, when you ‘ve lots of time, drop a line or two to me.” The words came lightly, gayly, but a great sob, just behind, Welled upward with a story of quite a dilferent kind. And then she raised her eyes to mine, — great liquid eyes of blue, Filled to the brim, and running o’er, like violet cups of dew ; One long, long glance, and then I did, what | never did before — : Perhaps the tears meant friendship, but I’m sure the kiss meant more. WILLIAM B TERRETT. 120 POEMS OF THE AFFECTIONS. A TEMPLE TO FRIENDSHIP. “*A TEMPLE to Friendship,” cried Laura, en- chanted, “T’ll build in this garden; the thought is di- vine.” So the temple was built, and she now only wanted. An image of Friendship, to place on the shrine. So she flew to the sculptor, who sat down before her An image, the fairest his art could invent ; But so cold, and so dull, that the youthful adorer Saw plainly this was not the Friendship she meant. **O, never,” said she, ‘‘could I think of en- shrining An image whose looks are so joyless and dim ; But yon little god upon roses reclining, We'll make, if you please, sir, a Friendship of him.” So the bargain was struck ; with the little god laden, She joyfully flew to her home in the grove. ‘* Farewell,” said the sculptor, ‘you ’re not the first maiden Who came but for Friendship, and took away Love!” THOMAS MOORE, FRAGMENTS. FRIENDSHIP. Friendship! mysterious cement of the soul ! Sweet’ner of life ! and solder of society ! The Grave. A. BLAIR. Friendship is the cement of two minds, As of one man the soul and body is ; Of which one cannot sever but the other Suffers a needful separation. Rewnge. GEO. CHAPMAN. Friendship ’s the image of Eternity, in which there’s nothing Movable, nothing mischievous. Endymion, LILLY. Flowers are lovely ; Love is flower-like ; Friendship is a sheltering tree ; 0 the Joys, that came down shower-like, Of Friendship, Love, and Liberty, Ere I was old ! Youth and Age 8. T. COLERIDGE. Heaven gives us friends to bless the present seene ; Resumes them, to prepare us for the next. Night Thoughts. YOUNG, ‘T is sweet, as year by year we lose Friends out of sight, in faith to muse How grows in Paradise our store. Burial of the Dead. KEBLE, I praise the Frenchman,* his remark was shrewd, How sweet, how passing sweet is solitude ! But grant me still a friend in my retreat, Whom I may whisper, Solitude is sweet. Retirement. COWPER. CHOICE FRIENDS. True happiness Consists not in the multitude of friends, But in the worth and choice. Cynthia's Revels. BEN JONSON. A generous friendship no cold medium knows, Burns with one love, with one resentment glows, lliad, Book ix. HOMER, Pofe's Trans. Statesman, yet friend to truth ! of soul sincere, In action faithful, and in honor‘clear ; Who broke no promise, served no private end, Who gained no title, and who lost no friend. Epistle to Mr. Addison, POPE. Like the stained web that whitens in the sun, Grow pure by being purely shone upon. Lalla Rookh : The Veiled Prophetof Khorassan. T-MOoRE, Who ne’er knew joy but friendship might divide, Or gave his father grief but when he died. Epitaph on the Hon. S. Harcourt. POPE. Though last, not least, in love ! Fulius Cesar, Act iii. Sc. 1. SHAKESPEARE, FaITuruL Frienps. Friendship above all ties does bind the heart ; And faith in friendship is the noblest part. Henry V. EARL OF ORRERY. Be kind to my remains ; and O, defend, Against your judgment, your departed friend ! Epistle to Congreve. DRYDEN. SuMMER FrIenps. O summer friendship, Whose flattering leaves, that shadowed us in Our prosperity, with the least gust drop off In the autumn of adversity. The Matd of Honor, MASSINGER, * La Bruyére, says Bartlett. FRIENDSHIP. 121 Like summer friends, Flies of estate and sunneshine. The Answer. GEORGE HERBERT, What the declinéd is He shall as soon read in the eyes of others As feel in his own fall ; for men, like butterflies, Show not their mealy wings but to the summer. Trotlus and Cressida, Act iii, Se. 3. SHAKESPEARE, FRIENDS TO BE SHUNNED. The man that hails you Tom or Jack, And proves, by thumping on your back, His sense of your great merit, Is such a friend, that one had need Be very much his friend indeed To pardon, or to bear it. On Friendship. COWPER. Give me the avowed, the erect, the manly foe, Bold I can meet, — perhaps may turn his blow ; But of all plagues, good Heaven, thy wrath can send, Save, save, oh ! save me from the Candid Friend! New Moratity. GEORGE CANNING. FRIENDSHIP AND LovE. Friendship is constant in all other things, Save in the office ana affairs of love. Much Ado about Nothing, Act ii. Sc. SHAKESPEARE. If I speak to thee in Friendship’s name, Thou think’st I speak too coldly ; If I mention Love’s devoted flame, Thou say’st I speak too boldly. How Shall { Woo? T. MOORE. Friendship, like love, is but a name, Unless to one you stint the flame. *T is thus in friendship ; who depend On many rarely find a friend. The Hare and Many Friends. Gay. QUARRELS oF FRIENDS, I have shot mine arrow o’er the house, And hurt my brother. Hamlet, Act vy. Sc. 2. SHAKESPEARE. Brother, brother, we are both in the wrong. The Beggar's Osera, Act ii. Se. 2. GAY. A friend should bear his friend’s infirmities, But Brutus makes mine greater than they are. Julius Cesar, Act iv. Sc. 3 SHAKESPEARE, HospPIiratity. I’ve often wished that I had clear, For life, six hundred pounds a year, A handsome house to lodge a friend, A river at my garden’s end. Imitation of Horace, Book ii. Sat, 6. SWIFT, True friendship’s laws are by this rule exprest, Welcome the coming, speed the parting guest. Odyssey, Book xv Transtation of POPE. HOMER. Whoe’er has travelled life’s dull round, Where’er his stages may have been, May sigh to think he still has found The warmest welcome at an inn, Written on a Window of an Inn, SHENSTONE, And do as adversaries do in law, Strive mightily, but eat and drink as friends. Taming of the Shrew, Acti. Sc. 2. SHAKESPEARE. Sir, you are very welcome to our house : it must appear in other ways than words, Therefore I scant this breathing courtesy. The Merchant af Ventce, Act v. St. SHAKESPEARE, Goop CouNSEL. Neither a borrower nor a lender be, For loan oft loses both itself and friend. Hamlet, Act is Sc. 3 SHAKESPEARE. Be thou familiar, but by no means vulgar : The friends thou hast, and their adoption tried, Grapple them to thy soul with hoops of steel. Hamlet, Act i, Sc. 3. SHAKESPEARE. Turn him, and see his threads: look if he be Friend to himself, that would be friend to thee: For that is first required, a man be his own ; But he that’s too much that is friend to none. Underwood, BEN JONSON, Lay this into your breast : Old friends, like old swords, still are trusted best. Duchess of Matfy. JOHN WEBSTER. POEMS OF THE AFFECTIONS. COMPLIMENT AND ADMIRATION. WHEN IN THE CHRONICLE OF WASTED TIME. SONNET CVI. WHEN in the chronicle of wasted time I see descriptions of the fairest wights, And beauty making beautiful old rhyme, In praise of ladies dead, and lovely knights , Then, in the blazon of sweet beauty’s best Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have expressed Even such a beauty as you master now. So all their praises are but prophecies Of this our time, all you prefiguring ; And, for they looked but with divining eyes, They had not skill enough your worth to sing ; For we, which now behold these present days, Have eyes to wonder, but lack tongues to praise. SHAKESPEARE, age O MISTRESS MINE. FROM “‘TWELBTH NIGHT,” ACT II. SC. 3. O misTRESs mine, where are you roaining ? O, stay and hear! your true-love 's coming That can sing both high and low ; Trip no further, pretty sweeting, Journeys end in lovers’ meeting, — Every wise man’s son doth know. What is love? ‘t is not hereafter ; Present mirth hath present laughter ; What’s to come is still unsure: In delay there lies no plenty, — Then come kiss me, Sweet-and-twenty, Youth ’s a stuff will not endure. SHAKESPEARE. —e— PORTIA’S PICTURE. FROM “THE MERCHANT OF VENICE," ACT III. SC. 2 Farr Portia’s counterfeit ? What demi-god Hath come so near creation? Move these eyes? Or whether, riding on the balls of mine, Seem they in motion? Here are severed lips, Parted with sugar breath ; so sweet a bar Should sunder such sweet friends: Here in her hairs The painter plays the spider ; and hath woven A golden mesh to entrap the hearts of men, Faster than gnats in cobwebs: But her eyes, — How could he see to do them ? having made one, Methinks it should have power to steal both his, And leave itself unfurnished. SHAKESPEARE, a4. OLIVIA. FROM “TWELFTH NIGHT,” ACT I. SC. Se Viota. ’T is beauty truly blent, whose red and white Nature’s own sweet and cunning hand laid on: Lady, you are the cruel’st she alive, If you will lead these graces to the grave, And leave the world no copy. SHAKESPEARE, —e— TO MISTRESS MARGARET HUSSEY. Merry Margaret, As midsummer flower, Gentle as falcon, Or hawk of the tower ; With solace and gladness, Much mirth and no madness, All good and no badness ; So joyously, So maidenly, So womanly Her demeaning, In everything Far, far passing That I can indite, Or suffice to write, Of merry Margaret, As midsummer flower, Gentle as falcon Or hawk of the tower ; As patient and as still, And as full of good-will, As fair Isiphil, Coliander, Sweet Pomander, Good Cassander ; Stedfast of thought, Well made, well wrought ; Far may be sought Ere you can find So courteous, so kind, As merry Margaret, This midsummer flower, Gentle as falcon, Or hawk of the tower. JOHN SKELTON, COMPLIMENT AND ADMIRATION. 123 THE FORWARD VIOLET THUS DID I CHIDE. SONNET XCIX. Tue forward violet thus did I chide :— Sweet thief, whence didst thou steal thy sweet that smells, If not from my love’s breath? the purple pride Which on thy soft cheek for complexion dwells, In my love's veins thou hast too grossly dyed. The lily I condemned for thy hand, And buds of marjoram had stolen thy hair: The roses fearfully on thorns did stand, One blushing shame, another white despair; A third, nor red nor white, had stolen of both, And to this robbery had annexed thy breath; But, for his theft, in pride of all his growth A vengeful canker eat him up to death. More flowers I noted, yet I none could see, But sweet or color it had stolen from thee. SHAKESPEARE. —_e—. THERE IS A GARDEN IN HER FACE. FROM ‘‘AN HOURE'S RECREATION IN MUSICKE,” 1606. THERE is a garden in her face, Where roses and white lilies blow ; A heavenly paradise is that place, Wherein all pleasant fruits do grow ; There cherries grow that none may buy, Till cherry-ripe themselves do cry. Those cherries fairly do enclose Of orient pearl a double row, Which when her lovely laughter shows, They look like rosebuds filled with snow ; Yet them no peer nor prince may buy, Till cherry-ripe themselves do cry. Her eyes like angels watch them still, He brows like bended bows do stand, Threatening with piercing frowns to kill All that approach with eye or hand These sacred cherries to come nigh, Till cherry-ripe themselves do cry. RICHARD ALLISON, —p—— MY SWEET SWEETING. FROM A MS, TEMP. HENRY VIII. AH, my sweet sweeting ; My little pretty sweeting, My sweeting will I love wherever I go ; She is so proper and pure, Full, steadfast, stable, and demure, There is none such, you may be sure, As my sweet sweeting. Tn all this world, as thinketh me, Is none so pleasant to my e’e, That I am glad so oft to see, As my sweet sweeting. When I behold my sweeting sweet, Her face, her hands, her minion feet, They seem to me there is none so mete, As my sweet sweeting. Above all other praise must I, And love my pretty pygsnye, For none | find so womanly As my sweet sweeting. ANONYMOUS, —o—. THE WHITE ROSE. SENT BY A YORKISH LOVER TO HIS LANCASTRIAN MISTRESS. Ir this fair rose offend thy sight, Placed in thy bosom bare, *T will blush to find itself less white, And turn Lancastrian there. But if thy ruby lip it spy, As kiss it thou mayest deign, With envy pale ’t will lose its dye, And Yorkish turn again. ANONYMOUS, —_¢— A VISION OF BEAUTY. Ir was a beauty that I saw, — So pure, so perfect, as the frame Of all the universe were lame To that one figure, could I draw, Or give least line of it a law: A skein of silk without a knot ! A fair march made without a halt! A curious form without a fault ! , A printed book without a blot! All beauty !— and without a spot. BEN JONSON, —_e— GIVE PLACE, YE LOVERS. GIvE place, ye lovers, here before That spent your boasts and brags in vain ; My lady’s beauty passeth more The best of yours, I dare well sayen, Than doth the sun the candle-light, Or brightest day the darkest night. And thereto hath a troth as just As had Penelope the fair ; For what she saith, ye may it trust, As it by writing sealed were : 124 POEMS OF THE AFFECTIONS. And virtues hath she many mo’ Than I with pen have skill to show. I could rehearse, if that I would, The whole effect of Nature’s plaint, When she had lost the perfect mould, The like to whom she could not paint : With wringing hands, how she did ery, And what she said, I know it aye. I know she swore with raging mind, Her kingdom only set apart, There was no loss by law of kind That could have gone so near her heart ; And this was chiefly all her pain ; ‘She could not make the like again.” Sith Nature thus gave her the praise, To be the chiefest work she wrought, In faith, methink, soine better ways On your behalf might well be sought, Than to compare, as ye have done, To match the candle with the sun. HENRY HOWARD, EARL OF SURREY. —_——. TO HIS MISTRESS, ELIZABETH, QUEEN OF BOHEMIA. You meaner beauties of the night, That poorly satisfy our eyes More by your number than your light, — You common people of the skies, What are you when the moon shall rise ? You curious chanters of the wood, That warble forth Dame Nature’s lays, Thinking your passions understood By your weak accents, — what ’s your praise When Philomel her voice shall raise ? You violets that first appear, By your pure purple mantles known, Like the proud virgins of the year, As if the spring were all your own, — What are you when the rose is blown ? So when my mistress shall be seen In form and beauty of her mind : By virtue first, then choice, a queen, — Tell me, if she were not designed The eclipse and glory of her kind? SIR HENRY WOTTON a CONSTANCY. Our upon it. 1 have loved Three whole days together ; And am like to love three more, If it prove fair weather. Time shall moult away his wings, Ere he shall discover In the whole wide world again Such a constant lover. But the spite on’t is, no praise Is due at all to me; Love with me had made no stays, Had it any been but she. Had it any been but she, And that very face, There had been at least ere this A dozen in her place. SIR JOHN SUCKLING. —o¢— PHILLIS THE FAIR. % ON a hill there grows a flower, Fair befall the dainty sweet ! By that flower there is a bower Where the heavenly muses meet. In that bower there is a chair, Fringéd all about with gold, Where doth sit the fairest fair That ever eye did yet behold. It is Phillis, fair and bright, She that is the shepherd's joy, She that Venus did despite, And did blind her little boy. Who would not that face admire ? ‘Who would not this saint adore ? ‘Who would not this sight desire ? Though he thought to see no more. Thou that art the shepherd’s queen, Look upon thy love:sick swain ; By thy comfort have been seen Dead men brought to life again. NICHOLAS BRETON, —e— PHILLIS IS MY ONLY JOY. PHILLIS is my only joy Faithless as the wind or seas ; Sometimes coming, sometimes coy, Yet she never fails to please. If with a frown I am cast down, Phillis, smiling And beguiling, Makes me happier than before. Though, alas! too late I find Nothing can her fancy fix ; Yet the moment she is kind 1 forgive her all her tricks ; COMPLIMENT AND ADMIRATION. 125 Which though I see, I can’t get free ; She deceiving, I believing, What need lovers wish for more ? SIR CHARLES SEDLEY. ge GO, LOVELY ROSE. Go, lovely rose ! Tell her that wastes her time and me, That now she knows, When I resemble her to thee, How sweet and fair she seems to be. Tell her that’s young, And shuns to have her graces spied, That hadst thou sprung In deserts, where no men abide, Thou must have uncommended died. Small is the worth Of beauty from the light retired ; Bid her come forth, Suffer herself to be desired, And not blush so to be admired. Then die, that she The common fate of all things rare May read in thee ; How smali a part of time they share, That arc so wondrous sweet and fair. ROMUND WALLER. ‘STANZA ADDED BY HENRY KIRKE WHITE. Yet, though thou fade, From thy dead leaves let fragrance rise ; And teach the maid, That goodness Time’s rude hand defies, That virtue lives when beauty dies. —¢— ON A GIRDLE. TuatT which her slender waist confined Shall now my joyful temples bind ; No monarch but would give his crown, His arms might do what this hath done. It was my heaven’s extremest sphere, The pale which held that lovely deer : My joy, my grief, my hope, my love, Did all within this circle move. A narrow. compass:! and yet there Dwelt all that’s good, and all that’s fair. Give me but what this ribbon bound, Take all the rest the sun goes round ! EDMUNI) WALLER. DRINK TO ME ONLY WITH THINE EYES. FROM “THE FOREST.” Drink to me only with thine eyes, And I will pledge with mine ; Or leave a kiss but in the cup, And I'll not look for wine. The thirst that from the soul doth rise Doth ask a drink divine ; But might I of Jove’s nectar sup, I would not change for thine. I sent thee late a rosy wreath, Not so much honoring thee As giving it a hope that there 1t could not withered be ; But thou thereon didst only breathe And sent’st it back to me ; Since when it grows, and smells, I swear, Not of itself but thee ! PHILOSTRATUS (Greek), Trans- lation of BEN JONSON. ——- LOVE. FROM “THE MERCHANT OF VENICE,” ACT III, SC. 2 TELL me where is fancy bred, Or in the heart, or in the head ? How begot, how nourished ? Reply, reply. It is engendered in the eyes, With gazing fed ; and fancy dies In the cradle where it lies. Let us all ring fancy’s knell ; I'll begin it, —ding, dong, bell. Ding, dong, bell. SHAKESPEARE, —_+— ‘TO A LADY ADMIRING HERSELF IN A : LOOKING-GLASS. Farr lady, when you see the grace Of beauty in your looking-glass ; A stately forehead, smooth and high, And full of princely majesty ; A sparkling eye no gem so fair, Whose lustre dims the Cyprian star ; A glorious cheek, divinely sweet, Wherein both roses kindly meet ; A cherry lip that would entice Even gods to kiss at any price ; You think no beauty is so rare That with your shadow might compare ; That your reflection is alone The thing that men most dote upon. 126 POEMS OF THE AFFECTIONS. Madam, alas! your glass doth lie, And you are much deceived ; for I A beauty know of richer grace (Sweet, be not angry), ‘tis your face. Hence, then, O, learn more mild to be, And leave to lay your blame on me: If me your real substance move, When you so much your shadow love, Wise nature would not let your eye Look on her own bright majesty ; Which, had you once but gazed upon, You could, except yourself, love none : What then you cannot love, let me, That face I can, you cannot see. Now you have what to love, youll say, What then is left for me, I pray ? My face, sweet heart, if it please thee ; That which you can, I cannot see : So either love shall gain his due, Yours, sweet, in me, and mine in you. THOMAS RANDOLPH. —~——- WELCOME, WELCOME, DO I SING. Welcome, welcome, do I sing, Far more welcome than the spring ; He that parteth from you never Shall enjoy a spring forever. Love, that to the voice is near, Breaking from your ivory pale, Need not walk abroad to hear The delightful nightingale. Welcome, welcome, then I sing, ete. Love, that still looks on your eyes, Though the winter have begun To benumb our arteries, Shall not want the summer’s sun. Welcome, welcome, then I sing, ete. Love, that still may see your cheeks, Where all rareness still reposes, Is a fool if e’er he seeks Other lilies, other roses. Welcome, welcome, then I sing, ete. Love, to whom your soft lip yields, And perceives your breath in kissing, All the odors of the fields Never, never shall be missing. WILLIAM BROWNE. —e— WHENAS IN SILKS MY JULIA GOES, Wuenas in silks my Julia goes, Then, then, me thinks, how sweetly flowes That liquefaction of her clothes. Next, when I cast mine eyes and see That brave vibration each way free, O how that glittering taketh me ! R. HERRICK —— A VIOLET IN HER HAIR. A VIOLET in her lovely hair, A rose upon her bosom fair ! But O, her eyes A lovelier violet disclose, And her ripe lips the sweetest rose That’s ‘neath the skies. A lute beneath her graceful hand Breathes music forth at her command; | But still her tongue Far richer music calls to birth Than all the minstrel power on earth Can give to song. And thus she moves in tender light, The purest ray, where all is bright, Serene, and sweet ; And sheds a graceful influence round, That hallows e’en the very ground Beneath her feet ! CHARLES SWAIN. —_o— THE TRIBUTE. No splendor ‘neath the sky’s proud dome But serves her for familiar wear ; The far-fetched diamond finds its home Flashing and smouldering in her hair ; For her the seas their pearls reveal ; Art and strange lands her pomp supply With purple, chrome, and cochineal, Ochre, and lapis lazuli ; The worm its golden woof presents ; Whatever runs, flies, dives, or delves, All doff for her their ornaments, Which suit her better than themselves ; And all, by this their power to give Proving her right to take, proclaim Her beauty’s clear prerogative To profit so by Eden’s blame. COVENTRY PATMORE, —_—a THE COMPLIMENT. I po not love thee for that fair Rich fan of thy most curious hair ; Though the wires thereof be drawn Finer than the threads of lawn, And are softer than the leaves On which the subtle spider weaves. COMPLIMENT AND ADMIRATION. 127 I do not love thee for those flowers Growing on thy cheeks, — love's bowers ; Though such cunning them hath spread, None can paint them white and red : Love's golden arrows thence are shot, Yet for them I love thee not. I do not love thee for those soft Red coral lips I’ve kissed so oft ; Nor teeth of pearl, the double guard To speech whence music still is heard, Though from those lips a kiss being taken Might tyrants melt, and death awaken. I do not love thee, O my fairest, For that richest, for that rarest Silver pillar, which stands under Thy sound head, that globe of wonder ; Though that neck be whiter far Than towers of polished ivory are. THOMAS CAREW. —e— THE PORTRAIT. Give place, ye ladies, and begone, Boast not yourselves at all : For here at hand approacheth one Whose face will stain you all. The virtue of her lively looks Excels the precious stone : I wish to have none other books To read or look upon. Tn each of her two crystal eyes Smileth a naked boy : It would you all in heart suffice To see that lamp of joy. I think Nature hath lost the mould Where she her shape did take ; Or else I doubt if Nature could So fair a creature make. In life she is Diana chaste, In truth Penelope ; In word and eke in deed steadfast : What will you more we say ? If all the world were sought so far, Who could find such a wight ? Her beauty twinkleth like a star Within the frosty night. Her rosial color comes and goes With such a comely grace, More ruddier too than in the rose, Within her lovely face. At Bacchus’ feast none shall her meet, Nor at no wanton play, Nor gazing in an open street, Nor gadding as astray. The modest mirth that she doth use Is mixt with shamefastness ; All vice she doth wholly refuse, And hateth idleness. O Lord ! it is a world to see How virtue can repair And deck in her such honesty, Whom Nature made so fair ! How might I do to get a graffe Of this unspotted tree ? For all the rest are plain but chaff, Which seem good corn to be. Tuomas HEYWOOD. ROSALINE. Lixe to the clear in highest sphere Where all imperial glory shines : Of selfsame color is her hair, Whether unfolded, or in twines : Heigh-ho, fair Rosaline ! Her eyes are sapphires set in snow, Resembling heaven by every wink ; The gods do fear whenas they glow, And I do tremble when I think Heigh-ho, would she were mine! Her cheeks are like the blushing cloud That beautifies Aurora’s face, Or like the silver crimson shroud That Phebus’ smiling looks doth grace : Heigh-ho, fair Rosaline ! Her lips are like two budded roses Whom ranks of lilies neighbor nigh, Within which bounds she balm encloses Apt to entice a deity : Heigh-ho, would she were mine ! Her neck is like a stately tower Where Love himself imprisoned lies To watch for glances every hour From her divine and sacred eyes ; Heigh-ho, fair Rosaline ! Her paps are centres of delight, Her breasts are orbs of heavenly frame, Where Nature moulds the dew of light To feed perfection with the same : Heigh-ho, would she were mine ! 128 POEMS OF THE AFFECTIONS. With orient pearl, with ruby red, With marble white, with sapphire blue, Her body every way is fed, Yet soft in touch and sweet in view : Heigh-ho, fair Rosaline ! Nature herself her shape admires ; The gods are wounded in her sight ; And Love forsakes his heavenly fires And at her eyes his brand doth light : Heigh-ho, would she were mine ! Then muse not, Nymphs, though I bemoan The absence of fair Rosaline, Since for a fair there’s fairer none, Nor for her virtues so divine : Heigh-ho, fair Rosaline ! Heigh-ho, my heart! would God that she were mine! THoMAS LopGE. ——— BELINDA. FROM THE “RAPE OF THE LOCK.” On her white breast a sparkling cross she wore, Which Jews might kiss, and Infidels adore, Her lively looks a sprightly mind disclose, Quick as her eyes, and as unfixed as those : Favors to none, to all she smiles extends: Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike. Yet, graceful ease, and sweetness void of pride, Might hide her faults, if belles had faults to hide; If to her share some female errors fall, Look on her face, and you’ll forget them all. ALEXANDER POPE. ——_— TO A LADY, WITH SOME PAINTED FLOWERS. FLowers to the fair : to you these flowers I bring, And strive to greet you with an earlier spring. Flowers sweet, and gay, and delicate like you ; Emblems of innocence, and beauty too. With flowers the Graces bind their yellow hair, And flowery wreaths consenting lovers wear. Flowers, the sole Juxury which nature knew, In Eden’s pure and guiltless garden grew. To loftier forms are rougher tasks assigned ; The sheltering oak resists the stormy wind, The tougher yew repels invading foes, And the tall pine for future navies grows : But this soft family to cares unknown, Were born for pleasure and delight alone. Gay without toil, and lovely without art, They spring to cheer the sense and glad the heart. Nor blush, my fair, to own you copy these ; Your best, your sweetest empire is — to please. ANNA LATITIA BARBAULD, —= SHE WAS A PHANTOM OF DELIGHT. SHE was a phantom of delight When first she gleamed upon my sight ; A lovely apparition, sent To be a moment’s ornament ; Her eyes as stars of twilight fair ; Like Twilight’s, too, her dusky hair ; But all things else about her drawn From May-time and the cheerful dawn ; A dancing shape, an image gay, To haunt, to startle, and waylay. I saw her upon nearer view, A spirit, yet a woman too ! Her household motions light and free, And steps of virgin-liberty ; A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature’s daily food, For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles, And now I see with eye serene The very pulse of the machine ; A being breathing thoughtful breath, A traveller between life and death : The reason firm, the temperate will, Endurance, foresight, strength, and skill; A perfect woman, nobly planned To warn, to conifort, and command ; And yet a spirit still, and bright With something of an angel-light. WILLIAM WORDSWORTH —e— THE ROSE OF THE WORLD. Lo, when the Lord made north and south, And sun and moon ordainéd, he, Forth bringing each by word of mouth In order of its dignity, Did man from the crude clay express By sequence, and, all else decreed, He formed the woman ; nor might less Than Sabbath such a work succeed. And still with favor singled out, Marred less than man by mortal fall, Her disposition is devout, Her countenance angelical. No faithless thought her instinct shrouds, But fancy checkers settled sense, Like alteration of the clouds A On noonday’s azure permanence. COMPLIMENT AND ADMIRATION. 129 Pure courtesy, composure, ease, Declare affections nobly fixed, And impulse sprung from due degrees Of sense and spirit sweetly mixed. Her modesty, her chiefest grace, The cestus clasping Venus’ side, Is potent to deject the face Of him who would affront its pride. Wrong dares not in her presence speak, Nor spotted thought its taint disclose Under the protest of a cheek Outbragging Nature’s boast, the rose. In mind and manners how discreet ! How artless in her very art ! How candid in discourse ! how sweet The concord of her lips and heart ! How (not to call true instinct’s bent And woman’s very nature harm), How amiable and innocent Her pleasure in her power to charm ! How humbly careful to attract, Though crowned with all the soul desires, Connubial aptitude exact, Diversity that never tires ! COVENTRY PATMORE. —— SONG. THE shape alone let others prize, The features of the fair : I look for spirit in her eyes, And meaning in her air. A damask cheek, an ivory arm, Shall ne’er my wishes win : Give me an animated form, That speaks a mind within. A face where awful honor shines, Where sense and sweetness move, And angel innocence refines The tenderness of love. These are the soul of beauty’s frame ; Without whose vital aid Unfinished all her features seem, And all her roses dead. But ah! where both their charms unite, How perfect is the view, With every image of delight, With graces ever new : Of power to charm the greatest woe, The wildest rage control, Diffusing mildness o’er the brow, And rapture through the soul. Their power but faintly to express All language must despair ; But go, behold Arpasia’s face, And read it perfect there. MARK AKENSIDE. —— SHE IS NOT FAIR TO OUTWARD VIEW. SHE is not fair to outward view, As many maidens be ; Her loveliness I never knew Until she smiled on me: O, then I saw her eye was bright, — A well of love, a spring of light. But now her looks are coy and cold ; To mine they ne’er reply ; And yet I cease not to behold The love-light in her eye: Her very frowns are fairer far Than smiles of other maidens are ! HARTLEY COLERIDGE, —_-—_ A HEALTH. I FILL this cup to one made up Of loveliness alone, A woman, of her gentle sex The seeming paragon ; To whom the better elements And kindly stars have given A form so fair, that, like the air, ’T is less of earth than heaven. Her every tone is music’s own, Like those of morning birds, And something more than melody Dwells ever in her words ; The coinage of her heart are they, And from her lips each flows, As one may see the burdened bee Forth issue from the rose. Affections are as thoughts to her, The measures of her hours ; Her feelings have the fragrancy, The freshness of young flowers ; And lovely passions, changing oft, So fill her, she appears The image of themselves by turns, — The idol of past years ! Of her bright face one glance will trace A picture on the brain, And of her voice in echoing hearts A sound must long remain ; 130 POEMS OF THE AFFECTIONS. But memory, such as mine of her, So very much endears, When death is nigh my latest sigh Will not be life’s, but hers. I fill this cup to one made up Of loveliness alone, A woman, of her gentle sex The seeming paragon. Her health ! and would on earth there stood Some more of such a frame, That life might be all poetry, And weariness a name. EDWARD COATE PINKNEY, —o—- SHE WALKS IN BEAUTY. “HEBREW MELODIES,” Sue walks in beauty, like the night Of cloudless climes and starry skies, And all that’s best of dark and bright Meet in her aspect and her eyes, Thus mellowed to that tender light Which heaven to gaudy day denies. One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress Or softly lightens o’er her face, Where thoughts serenely sweet express How pure, how dear their dwelling-place. And on that cheek and o’er that brow So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, — A mind at peace with all below, A heart whose love is innocent. BYRON. ao A SLEEPING BEAUTY. SLEEP on! and dream of Heaven awhile! Though shut so close thy laughing eyes, Thy rosy lips still wear a smile, And move, and breathe delicious sighs. Ah! now soft blushes tinge her cheeks And mantle o’er her neck of snow ; Ah ! now she murmurs, now she speaks, What most I wish, and fear, to know. She starts, she trembles, and she weeps ! Her fair hands folded on her breast ; — And now, how like a saint she sleeps ! A seraph in the realms of rest! Sleep on secure! Above control, Thy thsughts belong to Heaven and thee ; And may the secret of thy soul Remain within its sanctuary ! SAMUEL ROGERS, —_e—_ O, FAIREST OF THE RURAL MAIDS! O, FAIREST of the rural maids! Thy birth was in the forest shades ; Green boughs, and glimpses of the sky, Were all that met thine infant eye. Thy sports, thy wanderings, when a child, Were ever in the sylvan wild, And all the beauty of the place Is in thy heart and on thy face. The twilight of the trees and rocks Is in the light shade of thy locks ; Thy step is as the wind, that weaves Its playful way among the leaves. Thine eyes are springs, in whose serene And silent waters heaven is seen ; Their lashes are the herbs that look On their young figures in the brook. The forest depths, by foot unpressed, Are not more sinless than thy breast ; The holy peace, that fills the air Of those calm solitudes, is there. WILLIAM CULLEN BRYANT. — HER LIKENESS. A GIRL, who has so many wilful ways She would have caused Job’s patience to for sake him ; Yet is so rich in all that’s girlhood’s praise, Did Job himself upon her goodness gaze, A little better she would surely make him. Yet is this girl I sing in naught uncommon, And very far from angel yet, I trow. Her faults, her sweetnesses, are purely human ; Yet she’s more lovable as simple woman Than any one diviner that I know. Therefore I wish that she may safely keep This womanhede, and change not, only grow : From maid to matron, youth to age, may creep, And in perennial blessedness, still reap On every hand of that which she doth sow. DINAH MARIA MULOCK CRAIK. COMPLIMENT AND ADMIRATION. 131 I FEAR THY KISSES, GENTLE MAIDEN. I Fear thy kisses, gentle maiden ; Thou needest not fear mine ; My spirit is too deeply laden Ever to burden thine. I fear thy mien, thy tones, thy motion ; Thou needest not fear mine ; Innocent is the heart’s devotion Witk which I worship thine. PERCY BYSSHE SHELLEY. — BLACK AND BLUE EYES. TuE brilliant black eye May in triumph let fly All its darts without caring who feels ’em ; But the soft eye of blue, Though it scatter wounds too, Is much better pleased when it heals ‘em ! Dear Fanny ! The black eye may say, “Come and worship my ray ; By adoring, perhaps you may move me!” But the blue eye, half hid, Says, from under its lid, “T love, and am yours, if you love me!” Dear Fanny ! Then tell me, O why, In that lovely blue eye, Not a charm of its tint I discover ; Or why should you wear The only blue pair That ever said ‘“‘ No” to a lover? Dear Fanny! THOMAS MOORE. —e— LET THE TOAST PASS. FROM “THE SCHOOL FOR SCANDAL.” Herz ’s to the maiden of bashful fifteen ; Here’s to the widow of fifty ; Here’s to the flaunting extravagant quean, And here’s to the housewife that’s thrifty. Let the toast pass, Drink to the lass, I'll warrant she'll prove an excuse for the glass. Here’s to the charmer whose dimples we prize, Now to the maid who has none, sir ; Here’s to the girl with a pair of blue eyes, And here’s to the nymph with but one, sir. Let the toast pass, etc. Here’s to the maid with a bosom of snow ; Now to her that's as brown as a berry ; Here’s to the wife with a face full of woe, And now to the damsel that’s merry. Let the toast pass, etc. For let ‘em be clumsy, or let ’em be slim, Young or ancient, I care not a feather ; So fill a pint bumper quite up to the brim, So fill up your glasses, nay, fill to the brim, And let us e’en toast them together. Let the toast pass, etc. RICHARD BRINSLEY SHERIDAN. —e— MY LITTLE SAINT. I care not, though it be By the preciser sort thought popery : We poets can a license show For everything we do. Hear, then, my little saint ! Ill pray to thee. If now thy happy mind, Amidst its various joys, can leisure find To attend to anything so low As what I say or do, Regard, and be what thou wast ever, — kind. Let not the blest above Engross thee quite, but sometimes hither rove : Fain would I thy sweet image see, And sit and talk with thee ; Nor is it curiosity, but love. Ah! what delight ’t would be, Wouldst thou sometimes by stealth converse with me! How should I thy sweet commune prize, And other joys despise ! Come, then ! I ne’er was yet denied by thee I would not long detain : Thy soul from bliss, nor keep thee here in pain Nor should thy fellow-saints e’er know Of thy escape below: Before thou’rt missed, thou shouldst return again. Sure, heaven must needs thy love, As well as other qualities, improve : Come, then ! and recreate my sight With rays of thy pure light ; *T will cheer my eyes more than the lamps above, But if Fate’s so severe As to confine thee to thy blissful sphere, (And by thy absence I shall know Whether thy state be so,) Live happy, and‘be mindful of me there. JOHN NORRIS. 182 POEMS OF THE AFFECTIONS. A GOLDEN GIRL. Lucy is a golden girl ; But a man, a man, should woo her ! They who seek her shrink aback, When they should, like storms, pursue her. All her smiles are hid in light ; All her hair is lost in splendor ; But she hath the eyes of Night And a heart that ’s over-tender. Yet the foolish suitors fly (Is’t excess of dread or duty 2) From the starlight of her eye, Leaving to neglect her beauty ! Men by fifty seasons taught Leave her to a young beginner, Who, without a second thought, Whispers, wooes, and straight must win her. Lucy is a golden girl! Toast her in a goblet brimming ! May the man that wins her wear On his heart the Rose of Women ! BRYAN WALLER PROCTER (Barry Cornwall). —e— THE MILKING-MAID. THE year stood at its equinox, And bluff the North was blowing, A bleat of lambs came from the flocks, Green hardy things were growing ; I met a maid with shining locks Where milky kine were lowing. She wore a kerchief on her neck, Her bare arm showed its dimple, Her apron spread without a speck, Her air was frank and simple. She milked into a wooden pail, And sang a country ditty, — An innocent fond lovers’ tale, That was not wise nor witty, Pathetically rustical, Too pointless for the city. She kept in time without a beat, As true as church-bell ringers, Unless she tapped time with her feet, Or squeezed it with her fingers ; Her clear, unstudied notes were sweet As many a practised singer's. I stood a minute out of sight, Stood silent for a minute, To eye the pail, and creamy white The frothing milk within it, — To eye the comely milking-maid, Herself so fresh and creamy. “*Good day to you!” at last I said ; She turned her head to see me. “*Good day !” she said, with lifted head ; Her eyes looked soft and dreamy. And all the while she milked and milked The grave cow heavy-laden : I’ve seen grand ladies, plumed and silked, But not a sweeter maiden ; But not a sweeter, fresher maid Than this in homely cotton, Whose pleasant face and silky braid I have not yet forgotten. Seven springs have passed since then, as I Count with a sober sorrow ; Seven springs have come and passed me by, And spring sets in to-morrow. I’ve half a mind to shake myself Free, just for once, from London, To set my work upon the shelf, And leave it done or undone ; To run down by the early train,” Whirl down with shriek and whistle, And feel the bluff north blow again, And mark the sprouting thistle Set up on waste patch of the lane Its green and tender bristle ; And spy the searce-blown violet banks, Crisp primrose-leaves and others, And watch the lambs leap at their pranks, And butt their patient mothers. Alas! one point in all my plan My serious thoughts demur to: Seven years have passed for maid and man, Seven years have passed for her too. Perhaps my rose is over-blown, Not rosy, or too rosy ; Perhaps in farm-house of her own Some husband keeps her rosy, Where I should show a face unknown, — Good-by, my wayside posy ! CHRISTINA GEORGINA ROSSETTI. e —_o— AT THE CHURCH GATE, AutTHoucH I enter not, Yet round about the spot Ofttimes I hover ; And near the sacred gate With longing eyes I wait, Expectant of her. COMPLIMENT AND ADMIRATION. 133 The minster bell tolls out Above the city’s rout, And noise and humming ; They ve hushed the minster bell ; The organ ’gins to swell ; She’s coming, coming ! My lady comes at last, Timid and stepping fast, And hastening hither, With modest eyes downeast ; She comes, — she’s here, she’s past ! May Heaven go with her! Kneel undisturbed, fair saint ! Pour out your praise or plaint Meekly and duly; I will not enter there, To sully your pure prayer With thoughts unruly. But suffer me to pace Round the forbidden place, Lingering a minute, Like outcast spirits, who wait, And see, through heaven’s gate, Angels within it. WILLIAM MAKEPEACE THACKERAY. —e— SWEET, BE NOT PROUD. SwEEt, be not proud of those two eyes, Which starlike sparkle in their skies ; Nor be you proud that you can see All hearts your captives, yours yet free. Be you not proud of that rich hair, Which wantons with the lovesick air ; Whenas that ruby which you wear, Sunk from the tip of your soft ear, Will last to be a precious stone When all your world of beauty ’s gone. ROBERT HERRICK. ——- VERSES WRITTEN IN AN ALBUM. Herz is one leaf reserved for me, From all thy sweet memorials free ; And here my simple song might tell The feelings thou must guess so well. But could | thus, within thy mind, One little vacant corner find, Where no impression yet is seen, Where no memorial yet has been, O, it should be my sweetest care To write my name forever there ! T. MOORE. FRAGMENTS. CoMPLIMENTS, Where none admire, ’tis useless to excel ; Where none are beaux, ‘tis vain to be a belle. Sottloguy on a Beauty in the Country. LORD LYTTLETON. That man that hath a tongue, I say, is 10 man, If with his tongue he cannot win a woman. Two Gentlemen of Verona, Act iii. Sc. i. SHAKESPEARE. * Woman. And when a lady’s in the case, You know all other things give place. The Hare and Many Friends. J. Gay. O woman ! lovely woman! nature made thee To temper man ; we had been brutes without you. Angels are painted fair, to look like you . There ’s in you all that we believe of heaven ; Amazing brightness, purity, and truth, Eternal joy, and everlasting love. Venice Preserved, Acti, St. 1. T. OTWAY. From women’s eyes this doctrine I derive : They sparkle still the right Promethean fire ; They are the books, the arts, the Academes, That show, contain, and nourish all the world. Love's Labor Lost, Activ. Se. 3. SHAKESPEARE. PERSONAL CHARMS. Such was Zuleika! such around her shone The nameless charms unmarked by her alone ; The light of love, the purity of grace, The mind, the music breathing from her face, The heart whose softness harmonized the whole, And oh! that eye was in itself a Soul. Bride of Abydos, Cant. i. BYRON, Is she not passing fair ? Two Gentlemen of Verona, Act. Sc. 4. SHAKESPEARE. And she is fair, and fairer than that word. Merchant of Venice, Acti. Sc. ie SHAKESPEARE, There’s nothing ill can dwell in such a temple : If the ill spirit have so fair a house, Good things will strive to dwell with ’t. The Tempest, Act i. Se. 2. SHAKESPEARE. Beauty provoketh thieves sooner than gold. As You Like It, Acti, Se. 3. SHAKESPRARE Here’s metal more attractive. Hamlet, Act iti. Se. 2 SHAKFSPFARE. 134 POEMS OF THE AFFECTIONS. She is pretty to walk with, And witty to talk with, And pleasant, too, to think on. Brennoralt, Act ti. But from the hoop’s bewitching round, Her very shoe has power to wound. Fables: The Spider and the Bee. E. MOORE. We call it only pretty Fanny’s way. An Elegy to an Old Beauty. T. PARNELL. The fair, the chaste, and unexpressive she. As You Like It, Act iii. Sc. 2 Angels listen when she speaks : She’s my delight, all mankind’s wonder ; But my jealous heart would break, Should we live one day asunder. Song. IMPARTIAL AFFECTION. How happy could I be with either, Were t’ other dear charmer away. Beggar's Opera, Actii. Se. 2, Had sighed to many, though he loved but one. BYRON. Childe Harold's Pilgrimage, Cant. i. CoMPLIMENTS FROM NATURE. O, thou art fairer than the evening air, Clad in the beauty of a thousand stars. Faustus. When he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine, That all the world will be in love with night, And pay no worship to the garish sun. Romeo and Futlret, Act iii. Se. 2 Her eyes the glow-worm lend thee, The shooting-stars attend thee ; And the elves also, Whose little eyes glow Like the sparks of fire, befriend thee. The Night Piece to Fulia. The sweetest garland to the sweetest maid. Toa Lady; with a Present of Flowers. SIR J. SUCKLING. SHAKESPEARE. EARL OF ROCHESTER. J. Gay. MARLOWE. SHAKESPEARE. R. HERRICK. T. TICKELL, | When you do dance, I wish you A wave o’ th’ sea, that you might ever do Nothing but that. Winter's Tale, Activ. Sc. 4 SHAKESPEARE. Some asked me where the Rubies grew, And nothing I did say, But with my finger pointed to The lips of Julia. The Rock of Rubies, and the Quarrie of Pearls, R. HERRICK Cherry ripe, ripe, ripe, I cry, Full and fair ones, — Come and buy ; If so be you ask me where They do grow, I answer, there, Where my Julia’s lips do smile, There ’s the land, or cherry-isle. Cherry Ripe. R. HERRICK, Except 1 be by Sylvia in the night, There is no music in the nightingale. Two Gentlemen of Verona, Act iii. Sc. 1. SHAKESPEARE, But thy eternal summer shall not fade. Sonnet XVII. SHAKESPEARE. Be thou the rainbow to the storms of life ! The evening beam that smiles the clouds away, And tints to-morrow with prophetic ray ! The Bride of Abydos, Cant. ii, BYRON. THE Ports ADMIRATION. That eagle’s fate and mine are one, Which, on the shaft that made him die, Espied a feather of his own, Wherewith he wont to soar so high. To a Lady singing a Song of his Composing. E. WALLER. Is she not more than painting can express, Or youthful poets fancy when they love? The Fair Penitent, Act iii. Sc. 1. N. Rowe. ’T is sweeter for thee despairing, Than aught in the world beside, — Jessy ! Sessy. BURNS, FLATTERY. Banish all compliments but single truth. Faithful Shepherdess. BEAUMONT and FLETCHER. LOVE. 135 LOVE. IF IT BE TRUE THAT ANY BEAUTEOUS THING. Ir it be true that any beauteous thing Raises the pure and just desire of man From earth to God, the eternal fount of all, Such I believe my love ; for as in her So fair, in whom | all besides forget, 1 view the gentle work of her Creator, I nave no care for any other thing, Whilst thus I love. Nor is it marvellous, Since the effect is not of my own power, If the soul doth, by nature tempted forth, Enamored through the eyes, Repose upon the eyes which it resembicth, And through them riseth to the Primal Love, As to its end, and honors in admiring ; For who adores the Maker needs must love his work. MICHAEL ANGELO (Italian). Translation of J. E. TAYLOR. —_e— SONNET. Musss, that sing Love’s sensual empirie, And lovers kindling your enraged fires At Cupid’s bonfires burning in the eye, Blown with the empty breath of vain desires ; You, that prefer the painted cabinet Before the wealthy jewels it doth store ye, That all your joys in dying figures set, And stain the living substance of your glory ; Abjure those joys, abhor their memory ; And let my love the honored subject be Of love and honor’s complete history ! Your eyes were never yet let in to see The majesty and riches of the mind, That dwell in darkness; for your god is blind. GEORGE CHAPMAN. —— THE MIGHT OF ONE FAIR FACE. THE might of one fair face sublimes my love, For it hath weaned my heart from low desires ; Nor death I heed, nor purgatorial fires. Thy beauty, antepast of joys above, Instructs me in the bliss that saints approve ; For O, how good, how beautiful, must be The God that made so good a thing as thee, So fair an image of the heavenly Dove ! Forgive me if I cannot turn away From those sweet eyes that are my earthly heaven, ' For they are guiding stars, benignly given To tempt my footsteps to the upward way ; And if I dwell too fondly in thy sight, I live and love in God’s peculiar light. MICHAEL ANGELO (Italian), Translation of J. E. TAYLOR. —_¢—. WERE I AS BASE AS IS THE LOWLY PLAIN. WERE I as base as is the lowly plain, And you, my Love, as high as heaven above, Yet should the thoughts of me your humble swain Ascend to heaven, in honor of my Love. Were I as high as heaven above the plain, And you, my Love, as humble and as low As are the deepest bottoms of the main, Wheresoe’er you were, with you my Love should go. Were you the earth, dear Love, and I the skies, My love should shine on you like to the sun, And look upon you with ten thousand eyes Till heaven waxed blind, and till the world were done. Wheresoe’er I am, below, or else above you, Wheresoe’er you are, my heart shall truly love you. JOSHUA SYLVESTER. —— LIGHT. TE night has a thousand eyes, The day but one ; Yet. the light of the bright world dies With the dying sun. The »nind has a thousand eyes, And the heart but one ; Yet the light of a whole life dies When its love is done. BRANCIS W. BOURDILLON- 136 POEMS OF THE AFFECTIONS. LOVE IS A SICKNESS. LovE is a sickness full of woes, All remedies refusing ; A plant that most with cutting grows, Most barren with best using. Why so? More we enjoy it, more it dies ; If not enjoyed, it sighing cries Heigh-ho ! Love is a torment of the mind, A tempest everlasting ; And Jove hath made it of a kind, Not well, nor full, nor fasting. Why so? More we enjoy it, more it dies ; If not enjoyed, it sighing cries Heigh-ho! SAMUEL DANIEL. PHILLIDA AND CORYDON. In the merry month of May, In a morn by break of day, With a troop of damsels playing Forth I rode, forsooth, a-maying, ‘When anon by a woodside, ‘Where as May was in his pride, I espiéd, all alone, Phillida and Corydon. Much ado there was, God wot! He would love and she would not: She said, ‘‘ Never man was true :” He says, ‘‘ None was false to you.” He said he had loved her long : She says, ‘‘ Love should have no wrong.” Corydon he would kiss her then. She says, ‘‘ Maids must kiss no men Till they do for good and all.” Then she made the shepherd call All the heavens to witness, truth Never loved a truer youth. Thus, with many a pretty oath, Yea and nay, and faith and troth, — Such as silly shepherds use When they will not love abuse, — Love, which had been long deluded, Was with kisses sweet concluded ; And Phillida, with garlands gay, ‘Was made the lady of the May. NICHOLAS BRETON. LOVE SCORNS DEGREES. FROM “THE MOUNTAIN OF THE LOVERS.” Love scorns degrees; the low he lifteth high, The high he draweth down to that fair plain Whereon, in his divine equality, Two loving hearts may meet, nor meet in vain; ’Gainst such sweet levelling Custom cries amain, But o’er its harshest utterance one bland sigh, Breathed passion-wise, doth mount victorious’ still, For Love, earth’s lord, must have his lordly will. PAUL H. Hayne, THE SHEPHERD AND THE KING. Aun! what is love? It is q pretty thing, As sweet unto a shepherd sa king, And sweeter too ; For kings have cares that wait upon a crown, And cares can make the sweetest face to frown: 1 then, ah.then, \ ‘ If country loves such sweet desires gain, What lady would not love a shepherd swain ? His flocks are folded ; he comes home at night As merry as a king in his delight, And merrier too ; For kings bethink them what the state require, ‘Where shepherds, careless, carol by the fire: Ah then, ah then, If country loves such sweet desires gain, What lady would not love a shepherd swain He kisseth first, then sits as blithe to eat His cream and curd as doth the king his meat, And blither too ; For kings have often fears when they sup, Where shepherds dread no poison in their cup: Ah then, ah then, If country loves such sweet desires gain, What lady would not love a shepherd swain ? Upon his couch of straw he sleeps as sound As doth the king upon his beds of down, More sounder too ; For cares cause kings full oft their sleep to spill, Where weary sh»pherds lie and snort their fill: Ah then, ah then, If country loves such sweet desires gain, What lady would not love a shepherd swain ? Thus with his wife he spends the year as blithe As doth the king at every tide or syth, And blither too ; LOVE. 137 For kings have wars and broils to take in hand, When shepherds laugh, and love upon the land ; Ah then, ah then, If country loves such sweet desires gain, What lady would not love a shepherd swain ? ROBERT GREENE. = TELL ME, MY HEART, IF THIS BE LOVE. Witten Delia on the plain appears, Awed by a thousand tender fears, I would approach, but dare not move ; — Tell me, my heart, if this be love. Whene’er she speaks, my ravished ear No other voice than hers can hear ; No other wit but hers approve ; — Tell me, my heart, if this be love. If she some other swain commend, Though I was once his fondest friend, His instant enemy I prove ;— Tell me, my heart, if this be love. When she is absent, I no more Delight in all that pleased before, The clearest spring, the shadiest grove ; — Tell me, my heart, if this be love. When fond of power, of beauty vain, Her nets she spread for every swain, I strove to hate, but vainly strove ; — Tell me, my heart, if this be love. GEORGE, LORD LYTTELTON. —-— MY TRUE-LOVE HATH MY HEART. My true-love hath my heart, and I have his, By just exchange one to the other given . T hold his dear, and mine he cannot miss, There never was a better bargain driven : My true-love hath my heart, and I have his. His heart in me keeps him and me in one ; My heart in him his thoughts and senses guides : He loves my heart, for once it was his own ; I cherish his because in me it bides: My true-love hath my heart, and I have his. SIR PHILIP SIDNEY. = I SAW TWO CLOUDS AT MORNING. I saw two clouds at morning, Tinged by the rising sun, And in the dawn they floated on, And mingled into one ; I thought that morning cloud was blest, It moved so sweetly to the west. I saw two summer currents Flow smoothly to their meeting, And join their course, with silent force, In peace each other greeting ; Calm was their course through banks of green, While dimpling eddies played between. Such be your gentle motion, Till life’s last pulse shall beat ; Like summer's beam, and summer’s stream, Float on, in joy, to meet A calmer sea, where storms shall cease, A purer sky, where all is peace. JOHN GARDINER CALKINS BRAINARD. ——- THE FRIAR OF ORDERS GRAY. Ir was a friar of orders gray Walked forth to tell his beads ; And he met with a lady fair Clad in a pilgrim’s weeds. “* Now Christ thee save, thou reverend friar ; I pray thee tell to me, If ever at yon holy shrine My true-love thou didst see.” ‘ And how should I know your true-love From many another one?” “O, by his cockle hat, and staff, And by his sandal shoon. ‘But chiefly by his face and mien, That were so fair to view ; His flaxen locks that sweetly curled, And eyes of lovely blue.” “O lady, he is dead and gone ! Lady, he’s dead and gone! And at his head a green grass turf, And at his heels a stone. “Within these holy cloisters long He languished, and he died, Lamenting of a lady's love, And ’plaining of her pride. “Here bore him barefaced on his bier Six proper youths and tall, And many a tear bedewed his grave Within yon kirkyard wall.” “ And art thou dead, thou gentle youth? And art thou dead and gone ? And didst thou die for love of me? Break, cruel heart of stone !” 138 POEMS OF THE AFFECTIONS. “°O, weep not, lady, weep not so ; Some ghostly comfort seek ; Let not vain sorrow rive thy heart, Nor tears bedew thy cheek.” “0, do not, do not, holy friar, My sorrow now reprove ; For | have lost the sweetest youth That e’er won lady’s love. “And now, alas! for thy sad loss I'll evermore weep and sigh ; For thee I only wished to live, For thee I wish to die.” ‘Weep no more, lady, weep no more, Thy sorrow is in vain ; For violets plucked, the sweetest showers Will ne’er make grow again. **Our joys as winged dreams do fly ; Why then should sorrow last ? Since grief but aggravates thy loss, Grieve not for what is past.” “0, say not so, thou holy friar ; T pray thee, say not so; For since my true-love died for me, *T is meet my tears should flow. “* And will he never come again ? Will he ne’er come again ? Ah, no! he is dead, and laid in his grave, Forever to remain. ** His cheek was redder than the rose ; The comeliest youth was he ! But he is dead and laid in his grave: Alas, and woe is me!” “Sigh no more, lady, sigh no more, Men were deceivers ever : One foot on sea and one on land, To one thing constant never. “ Hadst thou been fond, he had been false, And left thee sad and heavy ; For young men ever were fickle found, Since summer trees were leafy.” “Now say not so, thou holy friar, I pray thee say not so ; My love he had the truest heart, O, he was ever true ! ‘And art thou dead, thou much-loved youth, And didst thou die for me ? Then farewell home ; for evermore A pilgrim I will be. “ But first upon my true-love’s grave My weary limbs I'll lay, And thrice |’ll kiss the green-grass turf That wraps his breathless clay.” “Yet stay, fair lady ; rest awhile Beneath this cloister wall ; The cold wind through the hawthorn blows, And drizzly rain doth fall.” ‘©O, stay me not, thou holy friar, O, stay me not, I pray ; No drizzly rain that falls on me Can wash my fault away.” “¢Yet stay, fair lady, turn again, And dry those pearly tears ; For see, beneath this gown of gray Thy own true-love appears. ““Here forced by grief and hopeless love, These holy weeds I sought ; And here, amid these lonely walls, To end my days I thought. “But haply, for my year of grace Is not yet passed away, Might I still hope to win thy love, No longer would I stay.” “* Now farewell grief, and welcome joy Once more unto my heart ; For since I have found thee, lovely youth, We nevermore will part.” Adapted from old ballads by THOMAS PERCY. —e—- THE HERMIT. FROM “THE VICAR OF WAKEFIELD.” “Torn, gentle Hermit of the dale, And guide my lonely way To where yon taper cheers the vale With hospitable ray. ‘*For here forlorn and lost I tread, With fainting steps and slow ; Where wilds, immeasurably spread, Seem lengthening as I go.” ‘“‘Forbear, my son,” the Hermit cries, ‘To tempt the dangerous gloom ; For yonder faithless phantom flies To lure thee to thy doom. ‘* Here to the houseless child of want My door is open still; And though my portion is but scant, I give it with good will. LOVE. 139 ‘Then turn to-night, and freely share Whate’er my cell bestows ; My rushy couch and frugal fare, My blessing and repose. “No flocks that range the valley free To slaughter I condemn ; Taught by that Power that pities me, I learn to pity them: “But from the mountain’s grassy side A guiltless feast I bring ; ‘A scrip with herbs and fruits supplied, And water from the spring. ‘Then, pilgrim, turn, thy cares forego; All earth-born cares are wrong : Man wants but little here below, Nor wants that little long.” Soft as the dew from heaven descends, His gentle accents fell : The modest stranger lowly bends, And follows to the cell. Far in a wilderness obscure The lonely mansion lay ; A refuge to the neighboring poor, And strangers led astray. No stores beneath its humble thatch Required a master’s care : The wicket, opening with a latch, Received the harmless pair. And now, when busy crowds retire To take their evening rest, The Hermit trimmed his little fire, And cheered his pensive’ guest ; And spread his vegetable store, And gayly pressed and smiled ; And, skilled in legendary lore, The lingering hours beguiled. Around, in sympathetic mirth, , Its tricks the kitten tries; The cricket chirrups on the hearth ; The crackling fagot flies. But nothing could a charm impart To soothe the stranger’s woe ; For grief was heavy at his heart, And tears began to flow. His rising cares the Hermit spied, With answering care opprest : &¢ And whence, unhappy youth,” he cried, ‘The sorrows of thy breast ? “From better habitations spurned, Reluctant dost thou rove ? Or grieve for friendship unreturned, Or unregarded love ? ‘* Alas! the joys that fortune brings Are trifling, and decay ; And those who prize the paltry things More trifling still than they. ‘And what is friendship but a name, A charm that lulls to sleep ; A shade that follows wealth or fame, And leaves the wretch to weep? ‘« And love is still an emptier sound, The modern fair one’s jest ; On earth unseen, or only found To warm the turtle’s nest. “For shame, fond youth! thy sorrows hush, And spurn the sex,” he said ; But while he spoke, a rising blush His lovelorn guest betrayed. Surprised, he sees new beauties rise, Swift mantling to the view; Like colors o'er the morning skies, As bright, as transient too. The bashful look, the rising breast, Alternate spread alarms: The lovely stranger stands confest A maid in all her charms. ** And, ah! forgive a stranger rude, A wretch forlorn,” she cried ; ‘‘ Whose feet unhallowed thus intrude Where heaven and you reside. ‘«But let a maid thy pity share, Whom love has taught to stray ; Who seeks for rest, but finds despair Companion of her way. «My father lived beside the Tyne, A wealthy lord was he; And all his wealth was marked as mine, — He had but only me. ‘*To win me from his tender arms, Unnumbered suitors came ; Who praised me for imputed charms, And felt, or feigned, a flame. ‘¢Each hour a mercenary crowd With richest proffers strove : Among the rest young Edwin bowed, But never talked of love. 140 POEMS OF THE AFFECTIONS. ‘In humble, simplest habit clad, No wealth or power had he; Wisdom and worth were all he had, But these were all to me. ** And when beside me in the dale He carolled lays of love, His breath lent fragrance to the gale And music to the grove. **The blossom opening to the day, The dews of heaven refined, Could naught of purity display To emulate his mind. “The dew, the blossoms of the tree, With charms inconstant shine ; Their charms were his, but, woe to me! Their constancy was mine. ‘¢For still I tried each fickle art, Importunate and vain ; And while his passion touched my heart, I triumphed in his pain: “Till, quite dejected with my scorn, He left me to my pride; And sought a solitude forlorn, In secret, where he died. ** But mine the sorrow, mine the fault, And well my life shall pay ; I’ll seek the solitude he sought, And stretch me where he lay. ‘*And there forlorn, despairing, hid, I'll lay me down and die; *T was so for me that Edwin did, And so for him will I.” ‘Forbid it, Heaven!” the Hermit cried, And clasped her to his breast : The wondering fair one turned to chide, — *T was Edwiu’s self that pressed. **Turn, Angelina, ever dear, My charmer, turn to see Thy own, thy long-lost Edwin here, Restored to love and thee. “Thus let me hold thee to my heart, And every care resign : And shall we never, never part, My life, — my all that’s mine? “No, never from this hour to part, We'll live and love so true: The sigh that rends thy constant heart Shall break thy Edwin’s too.” OLIVER GOLDSMITH. ON LOVE. THERE is no worldly pleasure here below, Which by experience doth not folly prove ; But among all the follies that I know, The sweetest folly in the world is love: But not that passion which, with fools’ consent, Above the reason bears imperious sway, Making their lifetime a perpetual Lent, As if a man were born to fast and pray. No, that is not the humor I approve, As either yielding pleasure or promotion ; I like a mild and lukewarm zeal in Jove, Although I do not like it in devotion ; For it has no coherence with my creed, To think that lovers die as they pretend ; If all that say they dy had dy’d indeed, Sure, long ere now the world had had an end. Besides, we need not love but if we please, No destiny can foree men’s disposition ; And how can any die of that disease Whereof himself may be his own physician ? _| But some seem so distracted of their wits, That I would think it but a venial sin To take some of those innocents that sits In Bedlam out, and put some lovers in. Yet some men, rather than incur the slander Of true apostates, will false martyrs prove, But I am neither Iphis nor Leander, I'll neither drown nor hang myself for love. Methinks a wise man’s actions should be such As always yield to reason’s best advice ; Now, for to love too little or too much Are both extreams, and all extreams are vice. Yet have I been a lover by report, Yea I have dy’d for love, as others do; But, praised be God, it was in such a sort, That I revived within an hour or two. Thus have I lived, thus have I loved till now, And find no reason to repent me yet ; And whosoever otherways will do, His courage is as little as his wit. SIR ROBERT AYTON. —e— MY CHOICE. SHALL I tell you whom I love? Hearken then awhile to me ; And if such a woman move As I now shall versify, Be assured ’t is she or none, That I love, and love alone. Nature did her so much right As she scorns the help of art. In as many virtues dight As e’er yet embrace? a heart. PERFUME. WHAT gift for passionate lovers shall we find ? Not flowers nor books of verse suffice for me, Nor splinters of the odorous cedar-tree, And tufts of pine-buds, oozy in the wind; Give me young shoots of aromatic rind, Or samphire, redolent of sand and sea, For all such fragrances I deem to be Fit with my sharp desire to be combined. My heart is like a poet, whose one room, Scented with Latakia faint and fine, Dried rose-leaves, and spilt attar, and old wine, From curtained windows gathers its warm gloom Round all but one sweet picture, where incline His thoughts and fancies mingled with perfume. EDMUND WILLIAM GOSSE. AFFAIRE D’AMOUR. FOR E. W. W. OnE pale November day A leafless peach-tree bold Flying Summer paused, Thought for him she smiled, They say: I’m told; And growing bolder, And, stirred by love, O’er rosy shoulder His sleeping sap did move, Threw her lover such a glance Decking each naked branch with That Autumn’s heart began to green dance. To show her that her look was seen! (O happy lover!) (Alas, poor lover !) But Summer, laughing, fled, Nor knew he loved her! ’T is said The peach-tree sighed, And soon he gladly died: And Autumn, weary of the chase, Came on at Winter’s sober pace (O careless lover!) MARGARET DELAND. LOVE. 141 So much good so truly tried, LOVE ME LITTLE, LOVE ME LONG. Some for less were deified. ORIGINALLY PRINTED IN 1569, Wit she hath, without desire Love me little, love me long ! To make known how much she hath ; Is the burden of my song: And her anger flames no higher Love that is too hot and strong Than may fitly sweeten wrath. Burneth soon to waste. Full of pity as may be, Still I would not have thee cold, — Though perhaps not so to me. Not too backward, nor too bold ; Love that lasteth till ’t is old Fadeth not in haste, Love me little, love me long! Is the burden of my song. Reason masters every sense, And her virtues grace her birth ; Lovely as all excellence, Modest in her most of mirth. Likelihood enough to prove If thou lovest me too much, Only worth could kindle love. *T will not prove as true a touch ; Love me little more than such, — For I fear the end. I’m with little well content, And a little from thee sent Is enough, with true intent To be steadfast, friend. Such she is ; and if you know Such a one as I have sung; Be she brown, or fair, or so That she be but somewhat young ; Be assured ’t is she, or none, That I love, and love alone. ; : WILLIAM BROWNE. Say thou lovest me, while thou live I to thee my love will give, : Never dreaming to deceive While that life endures ; LOVE NOT ME FOR COMELY GRABE. Nay, and after death, in sooth, I to thee will keep my truth, Love not me for comely grace, As now when in my May of youth: For my pleasing eye or face, This my love assures. Nor for any outward part, No, nor for my constant heart ; For those may fail or turn to ill, So thou and I shall sever ; Keep therefore a true woman’s eye, And love me still, but know not why. So hast thou the same reason still To dote upon me ever. Constant love is moderate ever, And it will through life persever ; Give me that with true endeavor, — I will it restore. A suit of durance let it be, For all weathers, —that for me,— For the land or for the sea: NONYMOUS. * ( EBB) Lasting evermore. Winter's cold or summer’s heat, DISDAIN RETURNED. Autumn’s tempests on it beat ; It can never know defeat, HE that loves a rosy cheek, Never can rebel Or a coral lip admires, Such the love that I would gain, Or from starlike eyes doth seek Such the love, I tell thee plain, Fuel to maintain his fires ; Thou must give, or woo in vain: As old Time makes these decay, So to thee — farewell ! So his flames must waste away. ANONYMOUS, —e— But a smooth and steadfast mind, Gentle thoughts, and calm desires, THE LOVELINESS OF LOVE. Hearts with equal love combined, i Kindle never-dying fires : — Ir is not Beauty I demand, Where these are not, I despise A crystal brow, the moon’s despair, Lovely cheeks or lips or eyes. Nor the snow’s daughter, a white hand, THOMAS CAREW. Nor mermaid’s yellow pride of hair : Missing Page Missing Page 144 POEMS OF THE AFFECTIONS. Will you be jealous? Did you guess before I loved so many things ?—Still you the best : — Dearest, remember that I love you more, O, more a thousand times, than all the rest! ADELAIDE ANNE PROCTER. — THE LADY'S ** Yrs,” I answered you last night; ‘*No,” this morning, sir, I say. Colors seen by candle-light Will not look the same by day. “YES.” When the viols played their best, Lamps above, and laughs below, Love me sounded like a jest, Fit for yes or fit for no. Call me false or call me free, Vow, whatever light may shine, No man on your face shall see Any grief for change on mine. Yetthe sin is or us both; Time to dance is not to woo; Wooing light makes fickle troth, Scorn of me recoils on you. earn to win a lady’s faith Nobly, as the thing is high, Bravely, as for life and death, With a loyal gravity. Lead her from the festive boards, Point her to the starry skies, Guard her, by your truthful words, Pure from courtship’s flatteries. By your truth she shall be true, Ever true, as wives of yore ; And her yes, once said to you, SHALL be Yes forevermore. ELIZABETH BARRETT BROWNING. —e—- THE MAID’S REMONSTRANCE. NeEvER wedding, ever wooing, Still a lovelorn heart pursuing, Read you not the wrong you're doing In my cheek’s pale hue ? All my life with sorrow strewing, Wed, or cease to woo. Rivals banished, bosoms plighted, Still our days are disunited ; Now the lamp of hope is lighted, Now half quenched appears, Damped and wavering and benighted Midst my sighs and tears. Charms you call your dearest blessing, Lips that thrill at your caressing, Eyes a mutual soul confessing, Soon you ’li make them grow Dim, and worthless your possessing, Not with age, but woe! THOMAS CAMPBELL, —_e— LOVE’S SILENCE. Because I breathe not love to everie one, Nor do not use set colors for to weare, Nor nourish special locks of vowed haire, Nor give each speech a full point of a groane, ~ The courtlie nymphs, acquainted with the moane Of them who on their lips Love’s standard beare, ‘“What! he?” say they of me. ‘Now I dare sweare He cannot love: No, no! let him alone.” And think so still, — if Stella know my minde. Profess, indeed, I do not Cupid’s art ; But you, faire maids, at length this true shall finde, — That his right badge is but worne in the hearte. Dumb swans, not chattering pies, do loves prove : . They love indeed who quake to say they love. SIR PHILIP SIDNEY, — GIVE ME MORE LOVE OR MORE DISDAIN. GIvE me more love or more disdain ; The torrid or the frozen zone Brings equal ease unto my pain ; The temperate affords me none; Either extreme, of love or hate, Is sweeter than a calm estate. Give me a storm; If it be love, Like Danaé in a golden shower, I swim in pleasure ; if it prove Disdain, that torrent will devour My vulture hopes ; and he’s possessed Of heaven that’s but from hell released ; Then crown my joys, or cure my pain ; Give me more love or more disdain. THOMAS CAREW. —_—- LOVE DISSEMBLED. FROM “AS YOU LIKE IT," ACT III. SC. 5» THINK not I love him, though I ask for him; Tis but a peevish boy : — yet he talks well ; — But what care I for words ?—~ yet words do well, When he that speaks them pleases those that hear. FEARE. THE “JANSEN” SHAKES LOVE. 145 But, sure, he’s proud; and yet his pride becomes him: He’ll make a proper man; The best thing in him Is his complexion ; and faster then his tongue Did make offence, his eye did heal it up. He is not very tall; yet for his years he’s tall ; His leg is but so so ; and yet ’t is well : There was a pretty redness in his lip, A little riper and more lusty red Than that mixed in his cheek ; ’t was just the difference Betwixt the constant red, and mingled damask, There be some women, Silvius, had they marked him Jn parcels, as I did, would have gone near To fall in love with him: but, for my part, I love him not, nor hate him not; and yet I have more cause to hate him than to love him: For what had he to do to chide at me? He said mine eyes were black, and my hair black ; And, now I am remembered, scorned at me: I marvel, why I answered not again : But that’s all one; omittance is no quittance. SHAKESPEARE, ache 2s OTHELLO’S DEFENCE. FROM ‘‘OTHELLO,” ACT I. SC. 3. OTHELLO. Most potent, grave, and reverend signiors, My very noble and approved good masters, — That I have ta’en away this old man’s daughter, It is most true ; true, I have married her : The very heau and front of my offending Hath this extent, no more. Rude am I in my speech, And little blessed with the soft phrase of peace ; For since these arms of mine had seven years’ pith, Till now some nine moons wasted, they have used Their dearest action in the tented field ; And little of this great world can I speak, More than pertains to feats of broil and battle ; And therefore little shall 1 grace my cause In speaking for myself. Yet, by your gracious patience, 1 will a round unvarnished tale deliver Of my whole course of love; what drugs, what charms, What conjuration, and what mighty magic, — For such proceeding I am charged withal, — 1 won his daughter. I'll present How I did thrive in this fair lady’s love, And she in mine. Her father loved me ; oft invited me ; Still questioned me the story of my life, From year to year ;— the battles, sieges, fortunes, That 1 have passed. I ran it through, even from my boyish days, To the very moment that he bade me tell it : Wherein I spake of most disastrous chances, Of moving accidents by flood and field ; Of hair-breadth ‘scapes i’ the imminent ‘deadly breach ; Of being taken by the insolent foe, And sold to slavery ; of my redemption thence, And portance in my travel’s history : Wherein of antres vast, and deserts idle, Rough quarries, rocks, and hills whose heads touch heaven, It was my hint to speak, — such was the process ; And of the Cannibals that each other eat, The Anthropophagi, and men whose heads Do grow beneath their shoulders. - This to hear, Would Desdemona seriously incline : But still the house affairs would draw her thence ; Which ever as she could with haste despatch, She ’d come again, and with a greedy ear Devour up my discourse. Which | observing, Took once a pliant hour; and found good means To draw from her a prayer of earnest heart, That 1 would all my pilgrimage dilate, Whereof by parcels she had something heard, But not intentively: I did consent ; And often did beguile her of her tears, When | did speak of some distressful stroke, That my youth suffered. My story being done, She gave me for my pains a world of sighs : She swore, —in faith t was strange, 't was pass- ing strange ; ‘"T was pitiful, ’t was wondrous pitiful She wished she had not heard it ; yet she wished That Heaven had made her such a man: she thanked me ; And bade me, if I had a friend that loved her, 1 should teach him how to tell my story, And that would woo her. Upon this hint, I spake : She loved me for the dangers I had passed, And I loved her that she did pity them. This only is the witchcraft I have used : Here comes the lady, let her witness it. SHAKESPEARE. enigens AH, HOW SWEET. FROM ‘ TYRANNIC LOVE,” ACT IV. SC. 1 An, how sweet it is to love ! Ah, how gay is young desire ! And what pleasing pains we prove When we first approach love's fire ! Pains of love be sweeter far Than all other pleasures are. 146 Sighs which are from lovers blown Do but gently heave the heart : E’en the tears they shed alone Cure, like trickling balm, their smart. Lovers, when they lose their breath, Bleed away in easy death. Love and Time with reverence use, Treat them like a parting friend ; Nor the golden gifts refuse Which in youth sincere they send : For each year their price is more, And they less simple than before. Love, like spring-tides full and high, Swells in every youthful vein ; But each tide does less supply, Till they quite shrink in again. If a flow in age appear, *T is but rain, and runs not clear. JOHN DRYDEN. : —o— WHY, LOVELY CHARMER? FROM “ THE HIVE.” Wuy, lovely charmer, tell me why, So very kind, and yet so shy ? Why does that cold, forbidding air Give damps of sorrow and despair ? Or why that smile my soul subdue, And kindle up my flames anew ? In vain you strive with all your art, By turns to fire and freeze my heart ; When I behold a face so fair, So sweet a look, so soft an air, My ravished soul is charmed all o’er, I cannot love thee less or more. ANONYMOUS, —_~—- I PRITHEE SEND ME BACK MY HEART, I PRITHEE send me back my heart, Since I cannot have thine ; For if from yours you will not part, Why then shouldst thou have mine ? Yet, now I think on ’t, let it lie ; To find it were in vain; For thou ’st a thief in either eye Would steal it back again. Why should two hearts in one breast lie, And yet not lodge together ? O Love ! where is thy sympathy If thus our breasts thou sever ? POEMS OF THE AFFECTIONS. But love is such a mystery, I cannot find it out ; For when I think I’m best resolved I then am most in doubt. Then farewell care, and farewell woe ; I will no longer pine ; For I'll believe I have her heart As much as she has mine. SIR JOHN SUCKLING, —— IF DOUGHTY DEEDS MY LADY PLEASE. Ir doughty deeds my lady please, Right soon I ll mount my steed, And strong his arm and fast his seat That bears frae me the meed. I'll wear thy colors in my cap, Thy picture at my heart, And he that bends not to thine eye Shall rue it to his smart ! Then tell me how to woo thee, Love ; O, tell me how to woo thee ! For thy dear sake nae care I'll take, Though ne’er another trow me. If gay attire delight thine eye, I'll dight me in array ; I’ll tend thy chamber door all night, And squire thee all the day. If sweetest sounds can win thine ear, These sounds I'll strive to catch ; Thy voice I ‘ll steal to woo thysell, That voice that nane can match. But if fond love thy heart can gain, I never broke a vow ; Nae maiden lays her skaith to me ; I never loved but you. For you alone I ride the ring, For you I wear the blue ; For you alone I strive to sing, O, tell me how to woo ! Then tell me how to woo thee, Love ; O, tell me how to woo thee ! For thy dear sake nae care I'll take, Though ne’er another trow me. GRAHAM OF GARTMORE, pee TO ALTHEA FROM PRISON. WHEN Love with unconfinéd wings Hovers within iny gates, And my divine Althea brings To whisper at my grates ; When I lie tangled in her hair And fettered with her eye, The birds that wanton in the air Know no such liberty. LOVE. 147 When flowing cups pass swiftly round With no allaying Thames, Our careless heads with roses crowned, Our hearts with loyal flames ; When thirsty grief in wine we steep, When healths and draughts go free, Fishes that tipple in the deep Know no such liberty. When, linnet-like confinéd, With shriller throat shall sing The mercy, sweetness, majesty And glories of my King ; When I shall voice aloud how good He is, how great should be, The enlargéd winds, that curl the flood, Know no such liberty. Stone walis do not a prison make, Nor iron hars a cage ; Minds innocent and quiet take That for an hermitage : If I have freedom in my love, And in iny soul am free, Angels alone, that soar above, Enjoy such liberty. COLONEL RICHARD LOVELACE. —_e— RIVALRY IN LOVE. OF all the torments, all the cares, With which our lives are curst ; Of all the plagues a lover bears, Sure rivals are the worst ! By partners in each other kind, Afflictions easier grow ; In love alone we hate to find Companions of our woe. Sylvia, for all the pangs you see Arve laboring in my breast, I beg not you would favor me ;— Would you but slight the rest ! How great soe’er your rigors are, With them alone I'll cope ; I can endure my own despair, But not another’s hope. WILLIAM WALSH. —e— TO A VERY YOUNG LADY. Au, Chloris ! that I now could sit As unconcerned as when Your infant beauty could beget No pleasure, nor no pain. When I the dawn used to admire, And praised the coming day, I little thought the growing fire Must take my rest away. Your charms in harmless childhood lay, Like metals in the nine ; Age from no face took more away, Than youth concealed in thine. But as your charms insensibly To their perfection prest, Fond Love as unperceived did fly, And in my bosom rest. My passion with your beauty grew, And Cupid at my heart, Still as his mother favored you, Threw a new flaining dart. Each gloried in their wanton part : To make a lover, he Employed the utmost of his art ; To make a Beauty, she. Though now I slowly bend to love Uncertain of my fate, Tf your fair self my chains approve, T shall my freedom hate. Lovers, like dying men, may well At first disordered be, Since none alive can truly tell What fortune they must see. SIR CHARLES SEDLEY. —_e—_. THE FLOWER’S NAME. Here’s the garden she walked across, Arm in my arm, such a short while since: Hark ! now I push its wicket, the moss Hinders the hinges, and makes them wince. She must have reached this shrub ere she turned, As back with that murmur the wicket swung ; For shelaid the poor snail my chance foot spurned, To feed and forget it the leaves among. Down this side of the gravel-walk She went while her robe’s edge brushed the box; And here she paused in her gracious talk To point me a moth on the milk-white phlox. Roses, ranged in valiant row, I will never think that she passed you by ! She loves you, noble roses, I know ; But yonder see where the rock-plants lie! This flower she stopped at, finger on lip, — Stooped over, in doubt, as settling its claim ; Till she gave me, with pride to make no slip, Its soft meandering Spanish name. 148 POEMS OF THE AFFECTIONS. What a name! was it love or praise ? Speech half asleep, or song half awake ? I must learn Spanish one of these days, Only for that slow sweet name’s sake. Roses, if I live and do well, I may bring her one of these days, To fix you fast with as fine a spell, — Fit you each with his Spanish phrase. But do not detain me now, for she lingers There, like sunshine over the ground ; And ever I see her soft white fingers Searching after the bud she found. Flower, you Spaniard ! look that you grow not, — Stay as you are, aud be loved forever ! Bud, if I kiss you, ‘tis that you blow not, — Mind! the shut pink mouth opens never ! For while thus it pouts, her fingers wrestle, Twinkling the audacious leaves between, Till round they turn, and down they nestle: ts not the dear mark still to be seen ? Where I find her not, beauties vanish ; Whither I follow her, beauties flee. Is there no method to tell her in Spanish June’s twice June since she breathed it with me? Come, bud! show me the least of her traces ; Treasure my lady’s lightest footfall : Ah! you may flout and turn up your faces, — Roses, you are not so fair after all ! ROBERT BROWNING. eas gees WHY ? Wuy came the rose? Because the sun, in shining, Found in the mould some atoms rare and fine : And, stooping, drew and warmed them into grow- ing, — Dust, with the spirit’s mystic countersign. What made the perfume? All his wondrous kisses Fell on the sweet red month, till, lost to sight, The love became too exquisite, and vanished Into a viewless rapture of the night. Why did the rose die? Ah, why ask the question ? There is a time to love, a time to give ; She perished gladly, folding close the secret Wherein is garnered what it is to live. MARY LOUISE RITTER. —_e— A MATCH. Ir love were what the rose is, And I were like the leaf, Our lives would grow together In sad or singing weather, Blown fields or Howerful closes, Green pleasure or gray grief ; If love were what the rose is, And I were like the leaf. If I were what the words are, nd love were like the tune, With double sound and single Delight our lips would mingle, With kisses glad as birds are That get sweet rain at noon ; If I were what the words are, And love were like the tune. If you were life, my darling, And I, your love, were death, We'd shine and snow together Ere March made sweet the weather With daffodil and starling And hours of fruitful breath ; If you were life, my darling, And I, your love, were death. If you were thrall to sorrow, And I were page to joy, We'd play for lives and seasons, With loving looks and treasons, And tears of night and morrow, And laughs of maid and boy ; If you were thrall to sorrow, And I were page to joy. If you were April’s lady, And I were lord in May, We'd throw with leaves for hours, And draw for days with flowers, Till day like night were shady, And night were bright like day ; If you were April’s lady, And I were lord in May. If you were queen of pleasure, And I were king of pain, We'd hunt down love together, Pluck out his flying-feather, And teach his feet a measure, And find his mouth a rein ; If you were queen of pleasure, And I were king of pain. ALGERNON CHARLES SWINBURNE. —e— THE FLOWER O’ DUMBLANE. Te sun has gane down o’er the lofty Ben Lomond, And left the red clouds to preside o’er the scene, While lanely I stray in the calm summer gloamin’, To muse on sweet Jessie, the Flower o’ Dum- blane. LOVE. 149 How sweet is the brier, wi’ its saft fauldin’ blos-; som, And sweet is the birk, wi’ its mantle o’ green ; Yet sweeter and fairer, and dear to this bosom, Is lovely young Jessie, the Flower o’ Dumblane. | She's modest as ony, and blithe as she’s bonnie, — For guileless simplicity marks her its ain ; And far be the villain, divested of feeling, Wha'd blight in its bloom the sweet Flower o’ Dumblane. Sing on, thou sweet mavis, thy hymn to the e’ening | — Thou ’rt dear to the echoes of Calderwood glen ; Sae dear to this bosom, sae artless and winning, Is charming young Jessie, the Flower o’ Dum- blane. How lost were my days till I met wi’ my Jessie ! The sports o’ the city seemed foolish and vain ; I ne’er saw a nymph I would ca’ my dear lassie Till charmed wi’ sweet Jessie, the Flower 0’ Dumblane. Though mine were the station o’ loftiest grandeur, Amidst its profusion I'd languish in pain, And reckon as naething the height o’ its splendor, If wanting sweet Jessie, the Flower o’ Dum- plane. ROBERT TANNAHILL, — MARY MORISON. O Mary, at thy window be ! It is the wished, the trysted hour ! Those smiles and glances let me see That make the miser’s treasure poor : How blithely wad I bide the stoure, A weary slave frae sun to sun, Could I the rich reward secure, The lovely Mary Morison. Yestreen when to the trembling string The dance gaed through the lighted ha’, To thee my fancy took its wing, — I sat, but neither heard nor saw: Though this was fair, and that was braw, And yon the toast of a’ the town, I sighed, and said amang them a’, “Ye are na Mary Morison.” O Mary, canst thou wreck his peace Wha for thy sake wad gladly dee ? Or canst thou break that heart of his, Whase only faut is loving thee ? If love for love thou wilt na gie, At least be pity to me shown ; A thought ungentle cann. be The thought o’ Mary Morison. ROBERT BURNS. 0, SAW YE THE LASS? O, saw ye the lass wi’ the bonny blue een ? Her smile is the sweetest that ever was seen ; Her cheek like the rose is, but fresher, I ween ; She’s the loveliest lassie that trips on the green. The home of my love is below in the valley, Where wild-flowers welcome the wandering bee ; But the sweetest of flowers in that spot that is seen Ts the maid that I love wi’ the bonny blue een. When night overshadows her cot in the glen, She ’l] steal out to meet her loved Donald again ; And when the moon shines on the valley so green, I’ll welcome the lass wi’ the bonny blue een. As the dove that has wandered away from his nest Returns to the mate his fond heart loves the best, I’ll fly from the world’s false and vanishing scene, To my dear one, the lass wi’ the bonny blue een. RICHARD RYAN. —_—— THE LASS OF RICHMOND HILL. On Richmond Hill there lives a lass More bright than May-day morn, ‘Whose charms all other maids surpass, — A rose without a thorn. This lass so neat, with smiles so sweet, Has won my right good-will ; I’d crowns resign to call her mine, Sweet lass of Richmond Hill. Ye zephyrs gay, that fan the air, And wanton tHrough the grove, O, whisper to my charming fair, I die for her I love. How happy will the shepherd be Who calls this nymph his own ! O, may her choice be fixed on me! Mine’s fixed on her alone. JAMES UPTON —e— THE BROOKSIDE. I waxperep by the brookside, 1 wandered by the mill ; I could not hear the brook flow, — The noisy wheel was still ; There was no burr of grasshopper, No chirp of any bird, But the beating of my own heart Was all the sound I heard. 150 POEMS OF THE AFFECTIONS. I sat beneath the elm-tree ; I watched the long, long shade, And, as it grew still longer, I did not feel afraid ; For I listened for a footfall, T listened for a word, — But the beating of my own heart ‘Was all the sound I heard. He came not, — no, he came not, — The night came on alone, — The little stars sat, one by one, Each on his golden throne ; The evening wind passed by my cheek, The leaves above were stirred, — But the beating of my own heart Was all the sound I heard. Fast silent tears were flowing, ‘When something stood behind ; A hand was on my shoulder, — I knew its touch was kind : It drew me nearer, — nearer, — We did not speak one word, For the beating of our own hearts Was all the sound we heard. RICHARD MONCKTON MILNES, LORD HOUGHTON. —_+— MY DEAR AND ONLY LOVE, I PRAY. | My dood and hy ldve, I pray That little world, of THEE, Be governed by no other sway Than purest monarchie. For if confusion have a part, Which virtuous souls abhore, And hold a synod in thine heart, I'll never love thee more. As Alexander I will reign, And I will reign alone ; My thoughts did evermore disdain A rival on my throne : He either fears his fate too much, Or his deserts are small, That dares not put it to the touch, To gain or lose it all. But I will reign, and govern still, And always give the law, And have each subject at my will, And all to stand in awe ; But ‘gainst my batteries if I find Thou kick, or vex me sore, As that thou set me up a blind, I'll never love thee more. en | And in the empire of thine heart, Where I should solely be, If others do pretend a part, | Or dare to vie with me, Or if committees thou erect, Aud go on such a score, I'll laugh and sing at thy neglect, And never love thee more. But if thou wilt prove faithful then, And constant of thy word, I'll make thee glorious by my pen, And famous by my sword ; I’ll serve thee in such noble ways Was never heard before, I’ll crown and deck thee all with bays, And love thee more and more. JAMES GRAHAM, MARQUESS OF MONTROSE, LOVE AND TIME. Two pilgrims from the distant plain Come quickly o’er the mossy ground. One is a boy, with locks of gold Thick curling round his face so fair ; The other pilgrim, stern and old, Has snowy beard and silver hair. The youth with many a merry trick Goes singing on his careless way ; His old companion walks as quick, But speaks no word by night or day. Where’er the old man treads, the grass Fast fadeth with a certain doom ; But where the beauteous boy doth pass Unnumbered flowers are seen to bloom. And thus before the sage, the boy Trips lightly o’er the blooming lands, And proudly bears a pretty toy, — A crystal glass with diamond sands. A smile’o’er any brow would pass To see him frolic in the sun, — To see him shake the crystal glass, And make the sands more quickly run, And now they leap the streamlet o’er, A silver thread so white and thin, And now they reach the open door, And now they lightly enter in : “God save all here,” — that kind wish flies Still sweeter from his lips so sweet ; “God save you kindly,” Norah cries, “Sit down, my child, and rest and eat.” “Thanks, gentle Ncrah, fair and good, We'll rest awhile our weary feet ; e LOVE. 151 _ But though this old man needeth food, There ’s nothing here that he can eat. His taste is strange, he eats alone, Beneath sone ruined cloister’s cope, Or on some tottering turret’s stone, While I can only live on — Hope! ‘““ A week ago, ere you were wed, — It was the very night before, — Upon so many sweets I fed While passing by your mother’s door, — It was that dear, delicious hour When Owen here the nosegay brought, And found you in the woodbine bower, — Since then, indeed, I’ve needed naught.” A blush steals over Norah’s face, A smile comes over Owen’s brow, A tranquil joy illumes the place, As if the moon were shining now ; The boy beholds the pleasing pain, The sweet confusion he has done, And shakes the crystal glass again, And makes the sands more quickly run. “Dear Norah, we are pilgrims, bound Upon an endless path sublime ; We pace the green earth round and round, And mortals call us Love and TIME ; He seeks the many, I the few ; I dwell with peasants, he with kings. We seldom meet ; but when we do, I take his glass, and he my wings. ‘‘ And thus together on we go, Where’er I chance or wish to lead ; And Time, whose lonely steps are slow, Now sweeps along with lightning speed. Now on our bright predestined way We must to other regions pass ; But take this gift, and night and day Look well upon its truthful glass. “How quick or slow the bright sands fall Is hid from lovers’ eyes alone, If you can see them move at all, Be sure your heart has colder grown. ’T is coldness makes the glass grow dry, The icy hand, the freezing brow ; But warm the heart and breathe the sigh, And then they ‘ll pass you know not how.” She took the glass where Love’s warm hands A bright impervious vapor cast, She looks, but cannot see the sands, Although she feels they ’re falling fast. But cold hours came, and then, alas ! She saw them falling frozen through, Till Love’s warm light suffused the glass, And hid the loosening sands from view ! DENIS FLORENCE MACCARTHY. FLY TO THE DESERT, FLY WITH ME, SONG OF NOURMAHAL IN ‘'THE LIGHT OF THE HAREM.” ‘Fry to the desert, fly with me, Our Arab tents are rude for thee ; But oh! the choice what heart can doubt Of tents with love or thrones without ? ‘Our rocks are rough, but smiling there The acacia waves her yellow hair, Lonely and sweet, nor loved the less For flowering in a wilderness. ‘‘Our sands are bare, but down their slope The silvery-footed antelope As gracefully and gayly springs As o’er the marble courts of kings. “Then come, — thy Arab maid will be The loved and lone acacia-tree, The antelope, whose feet shall bless With their light sound thy loneliness. “Oh! there are looks and tones that dart An instant sunshine through the heart, As if the soul that minute caught Some treasure it through life had sought ; “ As if the very lips and eyes Predestined to have all our sighs, And never be forgot again, Sparkled and spoke before as then ! “So came thy every glance and tone, When first on me they breathed and shone ; New, as if brought from other spheres, Yet welcome as if loved for years ! “Then fly with me, if thou hast known No other flame, nor falsely thrown A gem away, that thou hadst sworn Should ever in thy heart be worn. “Come, if the love thou hast for me Is pure and fresh as mine for thee, — Fresh as the fountain underground, When first ’tis by the lapwing found. ‘But if for me thou dost forsake Some other maid, and rudely break Her worshipped image from its base, To give to me the ruined place ; ‘*Then, fare thee well !—I’d rather make My bower upon some icy lake When thawing suns begin to shine, Than trust to love so false as thine!” There was a pathos in this lay, That even without enchantment’s art Would instantly have found its way Deep into Selim’s burning heart ; 152 POEMS OF THE AFFECTIONS. But breathing, as it did, a tone To earthly lutes and lips unknown ; With every chord fresh from the touch Of musie’s spirit, ’t was too much ! Starting, he dashed away the cup, — Which, all the time of this sweet air, His hand had held, untasted, up, As if 't were fixed by magic there, And naming her, so long unnamed, So long unseen, wildly exclaimed, “©O Nourmahal! O Nourmahal ! Hadst thou but sung this witching strain, I could forget — forgive thee all, And never leave those eyes again.” The mask is off, — the charm is wrought, — And Selim to his heart has caught, In blushes, more than ever bright, His Nourmahal, his Harein’s Light ! And well do vanished frowns enhance The charm of every brightened glance ; And dearer seems each dawning smile For having lost its light awhile ; And, happier now for all her sighs, As on his arm her head reposes, She whispers him, with laughing eyes, “ Remember, love, the Feast of Roses!” THOMAS MOORE. —o~— THE WELCOME. Cows in the evening, or come in the morning ; Come when you’re looked for, or come without warning ; Kisses and welcome you ll find here before you, And the oftener you come here the more I'll adore you! Light is my heart since the day we were plighted ; Red is my cheek that they told me was blighted ; The green of the trees looks far greener than ever, And the linnets are singing, “True lovers don’t sever!” I'll pull you sweet flowers, to wear if you choose them ! Or, after you’ve kissed them, they'll lie on my bosom ; I'll fetch from the mountain its breeze to inspire you ; I'll fetch from my fancy a tale that won’t tire you. O, your step’s like the rain to the summer- vexed farmer, Or sabre and shield to a kuight without armor ; I'll sing you sweet songs till the stars rise above me, Then, wandering, I'll wish you in silence to love me. We'll look through the trees at the cliff and the eyrie ; We'll tread round the rath on the track of the fairy ; We'll look on the stars, and we’ll list to the river, Till you ask of your darling what gift you van give her. O, she’ll whisper you, “ Love, as unchange. ably beaming, And trust, when in secret, most tunefully streaming ; Till the starlight of heaven above us shah quiver, As our souls flow in one down eternity’s river,” So come in the evening, or come in the morning ; Come when you're looked for, or come without warning ; Kisses and welcome you ‘ll find here before yon, And the oftener you come here the more I'l] adore you ! Light is my heart since the day we were plighted ; Red is my cheek that they told me was blighted ; The green of the trees looks far greener than ever, And the linnets are singing, ‘‘True lovers don’t sever!” THOMAS DAVIS. —_ COME INTO THE GARDEN, MAUD. Come into the garden, Maud, For the black bat, night, has flown ! Come into the garden, Maud, Iam here at the gate alone ; And the woodbine spices are wafted abroad, And the musk of the roses blown. For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves, On a bed of daffodil sky, — To faint in the light of the sun that she loves To faint in its light, and to die. All night have the roses heard The flute, violin, bassoon ; All night has the casement jessamine stirred To the dancers dancing in tune, — Till a silence fell with the waking bird, And a hush with the setting moon. LOVE. 153 I said to the lily, ‘‘ There is but one With whom she has heart to be gay. When will the dancers leave her alone ? She is weary of dance and play.” Now half to the setting moon are gone, And half to the rising day ; Low on the sand and loud on the stone The last wheel echoes away. I said to the rose, ‘‘The brief night goes In babble and revel and wine. O young lord-lover, what sighs are those For one that will never be thine ? But mine, but mine,” so I sware to the rose, «For ever and ever mine!” And the soul of the rose went into my blood, As the music clashed in the hall ; And long by the garden lake | stood, For J heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all ; From the meadow your walks have left so sweet That whenever a March-wind sighs, He sets the jewel-print of your feet In violets blue as your eyes, To the woody hollows in which we meet, And the valleys of Paradise. The slender acacia would not shake One long milk-bloom on the tree ; The white lake-blossom fell into the lake, As the pimpernel dozed on the lea ; But the rose was awake all night for your sake, Knowing your promise to me ; The lilies and roses were all awake, They sighed for the dawn and thee. Queen rose of the rosebud garden of girls, Come hither ! the dances are done ; In gloss of satin and glimmer of pearls, Queen lily and rose in one ; Shine out, little head, sunning over with curls, To the flowers, and be their sun. There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear ; She is coming, my life, my fate! The red rose cries, ‘‘ She is near, she is near ;” And the white rose weeps, ‘‘ She is late ;” The larkspur listens, “1 hear, | hear ; ¥ And the lily whispers, ‘‘1 wait.” She is coming, my own, my sweet ! Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthly bed ; My dust would hear her and beat, Had I lain for a century dead ; ‘Would start and tremble under her feet, And blossom in purple and red. ALFRED TENNYSON. —o— CA’ THE YOWES TO THE KNOWES. Ca’ the yowes to the knowes, Ca’ them where the heather grows, Ca’ them where the burnte rowcs, My bonnie dearie. Hark the mavis’ evening sang Sounding Clouden’s woods amang ; Then a-faulding let us gang, My bonnie dearie. We'll gae down by Clouden side, Thro’ the hazels spreading wide, O’er the waves that sweetly glide To the moon sae clearly. Yonder Clouden’s silent towers, Where at moonshine midnight hours, O’er the dewy bending flowers, Fairies dance sae cheerie. Ghaist nor bogle shalt thou fear: Thou ’rt to Love and Heaven sae dear, Nocht of ill may come thee near, My bonnie dearie. Fair and lovely as thou art, Thou hast stown my very heart ; I can die — but canna part, My bonnie dearie. While waters wimple to the sea ; While day blinks in the lift sae hie ; Till clay-cauld death shall blin’ my e’e, Ye shall be my dearie. ROBERT BURNS. sages CHARLIE MACHREE. CoME over, come over The river to me, If ye are my laddie, Bold Charlie machree. Here ’s Mary McPherson And Susy O'Linn, Who say ye’re faint-hearted, And darena plunge in. But the dark rolling water, Though deep as the sea, I know willna scare ye, Nor keep ye frae me ; POEMS OF THE AFFECTIONS. For stout is yer back, And strong is yer arm, And the heart in yer bosom Is faithful and warm. Come over, come over The river to me, If ye are my laddie, Bold Charlie machree ! I see him, I see him ! He’s plunged in the tide, His strong arms are dashing The big waves aside. O, the dark rolling water Shoots swift as the sea, But blithe is the glance Of his bonny blue e’e. And his cheeks are like roses, Twa buds on a bough ; Who says ye ’re faint-hearted, My brave Charlie, now ? Ho, ho, foaming river, Ye may roar as ye go, But ye canna bear Charlie To the dark loch below ! Come over, come over The river to me, My true-hearted laddie, My Charlie machree ! He 's sinking, he’s sinking, O, what shall I do ! Strike out, Charlie, boldly, Ten strokes and ye’re thro’ ! He’s sinking, O Heaven ! Ne’er fear, man, ne’er fear ; I've a kiss for ye, Charlie, As soon as ye’re here ! He rises, I see him, — Five strokes, Charlie, mair, — He ’s shaking the wet From his bonny brown hair ; He conquers the current, He gains on the sea, — Ho, where is the swimmer Like Charlie machree ? Come over the river, But once come to me, And I ’ll love ye forever, Dear Charlie machree ! He’s sinking, he’s gone, — O God ! it is I, It is I, who have killed him — Help, help! — he must die ! Help, help !—ah, he rises, — Strike out and ye’re free ! Ho, bravely done, Charlie, Once more now, for me! Now cling to the rock, Now gie us yer hand, — Ye ’re safe, dearest Charlie, Ye ’re safe on the land ! Come rest in my bosom, If there ye can sleep ; I canna speak to ye, TI only can weep. Ye’ve crossed the wild river, Ye 've risked all for me, And I'll part frae ye never, Dear Charlie machree! WILLIAM J. HOPPIN. —_e— ROBIN ADAIR. Wuart’s this dull town to me ? Robin ’s not near, — He whom I wished to see, Wished for to hear ; Where’s all the joy and mirth Made life a heaven on earth, O, they’re all fled with thee, Robin Adair ! What made the assembly shine ? Robin Adair : What made the ball so fine? Robin was there : What, when the play was o’er, What made my heart so sore ? O, it was parting with Robin Adair ! But now thou art far from me, Robin Adair ; But now I never see Robin Adair ; Yet him I loved so well Still in my heart shall dwell ; O, I can ne’er forget Robin Adair ! Welcome on shore again, Robin Adair ! Welcome once more again, Robin Adair ! LOVE. 155 I feel thy trembling hand ; Tears in thy eyelids stand, To greet thy native land, Robin Adair. Long I ne’er saw thee, love, Robin Adair ; Still I prayed for thee, love, Robin Adair ; When thou wert far at sea, Many made love to me, But still I thought on thee, Robin Adair. Come to my heart again, Robin Adair ; Never to part again, Robin Adair ; And if thou still art true, I will be constant too, And will wed none but you, Robin Adair ! LADY CAROLINE KEPPEL. —oe—- THE SILLER CROUN. * AnD ye sall walk in silk attire, And siller hae to spare, Gin yell consent to be his bride, Nor think o’ Donald mair.” O, wha wad buy a silken goun Wi’ a puir broken heart ? Or what’s to me a siller croun Gin frae my love I part ? The mind whose meanest wish is pure Far dearest is to me, And ere I’m forced to break my faith, I'll lay me doun an’ dee. For I hae vowed a virgin’s vow My lover's fate to share, An’ he has gi’en to me his heart, And what can man do mair ? His mind and manners won my heart : He gratefu’ took the gift ; And did I wish to seek it back, It wad be waur than theft. The langest life can ne’er repay The love he bears to me, And ere I’m forced to break my faith, I’ll lay me doun an’ dee. SUSANNA BLAMIRE. ANNIE LAURIE.* MaxweE Ton banks are bonnie, Where early fa’s the dew ; Where me and Annie Laurie Made up the promise true ; Made up the promise true, And never forget will I; And for bonnie Annie Laurie I’ll lay me down and die. She’s backit like the peacock, She’s breistit like the swan, She’s jimp about the middle, Her waist ye weel micht span ; Her waist ye weel micht span, And she has a rolling eye ; And for bonnie Annie Laurie I’ll lay me down and die. WILLIAM DOUGLAS. —_—_. THE SONG OF THE CAMP. “GIVE us a song!” the soldiers cried, The outer trenches guarding, When the heated guns of the camps allied Grew weary of bombarding. The dark Redan, in silent scoff, Lay grim and threatening under ; And the tawny mound of the Malakoff No longer belched its thunder. There was a pause. A guardsman said : ‘We storm the forts to-morrow ; Sing while we may, another day Will bring enough of sorrow.” They lay along the battery’s side, Below the smoking cannon : Brave hearts from Severn and from Clyde, And from the banks of Shannon. THey sang of love, and not of fame ; Forgot was Britain’s glory : Each heart recalled a different name, But all sang “‘ Annie Laurie.” Voice after voice caught up the song, Until its tender passion Rose like an anthem, rich and strong, — Their battle-eve confession. Dear girl, her name he dared not speak, But as the song grew louder, Something upon the soldier’s cheek Washed off the stains of powder. © A daughter of Sir Robert Laurie, whom a Mr. Douglass courted in vain, but whose name he immortalized, says Chambers. 156 POEMS OF THE AFFECTIONS. Beyond the darkening ocean burned The bloody sunset’s embers, While the Crimean valleys learned How English love remembers. And once again a fire of hell Rained on the Russian quarters, With scream of shot, and burst of shell, And bellowing of the mortars ! And Irish Nora’s eyes are dim For a singer dumb and gory ; And English Mary mourns for him ‘Who sang of ‘‘ Annie Lauric.” Sleep, soldiers ! still in honored rest Your truth and valor wearing : The bravest are the tenderest, — The loving are the daring. BAYARD TAYLOR. Saf O NANNY, WILT THOU GANG WI ME? O Nanyy, wilt thou gang wi’ me, Nor sigh to leave the flaunting town ? Can silent glens have charms for thee, The lowly cot and russet gown ? Nae langer drest in silken sheen, Nae langer decked wi’ jewels rare, Say, canst thou quit each courtly scene, Where thou wert fairest of the fair ? O Nanny, when thou ‘rt far awa, Wilt thou not cast a look behind ? Say, canst thou face the flaky snaw, Nor shrink before the winter wind ? O, can that soft and gentle mien Severest hardships learn to bear, Nor, sad, regret each courtly scene, Where thou wert fairest of the fair? O Nanny, canst thou love so true, Through perils keen wi’ me to gae? Or, when thy swain mishap shall rue, To share with him the pang of wae? Say, should disease or pain befall, Wilt thou assume the nurse’s care, Nor, wishful, those gay scenes recall Where thou wert fairest of the fair? And when at last thy love shall die, Wilt thou receive his parting breath ? Wilt thou repress each struggling sigh, And cheer with smiles the bed of death? And wilt thou o’er his much-loved clay Strew flowers, and drop the tender tear? Nor then regret those scenes so gay, Where thou wert fairest of the fair? BISHOP THOMAS PERCY. SMILE AND NEVER HEED ME, THouGH, when other maids stand by, I may deign thee no reply, Turn not then away, and sigh, — Smile, and never heed me! If our love, indeed, be such As must thrill at every touch, Why should others learn as much ?— Smile, and never heed me! Even if, with maiden pride, I should bid thee quit my side, Take this lesson for thy guide, — Smile, and never heed me! But when stars and twilight meet, And the dew is falling sweet, And thou hear’st my coming feet, — Then—thou then— mayst heed me! CHARLES SWAIN, gs WHISTLE, AND I’LL COME TO YOU, MY LAD. O wuisTLE, and I'll come to you, my lad, O whistle, and I’1] come to you, my lad, Tho’ father and mither and a’ should gae mad, O whistle, and I’ll come to you, my lad. But warily tent, when ye come to court me, And come na unless the back-yett be a-jee; Syne up the back stile, and let naebody see, And come as ye were na comin’ to me. And come, ete. O whistle, ete. At kirk, or at market, whene’er ye meet me, Gang by me as tho’ that ye cared nae a flie; But steal me a blink o’ your bonnie black e’e, Yet look as ye were na lookin’ at me. Yet look, ete. O whistle, etc. Aye vow and protest that ye care na for me, And whiles ye may lightly my beauty a wee; But court nae anither, tho’ jokin’ ye be, For fear that she wile your fancy frae me. For fear, etc. 0 whistle, etc. ROBERT BURNS —_>—- THE WHISTLE. “You have heard,” said a youth to his sweet- heart, who stood, While he sat on a corn-sheaf, at daylight’s decline, — LOVE. 157 **'You have heard of the Danish boy’s whistle of wood ? 1 wish that that Danish boy’s whistle were mine.” ** And what would you do with it ?— tell me,” she said, While an arch smile played over her beautiful face. “*T would blow it,” he answered; ‘‘ and then my fair maid Would fly to my side, and would here take her place.” **Ts that all you wish it for? That may be yours Without any magic,” the fair maiden cried : **A favor so slight one’s good nature secures ;” And she playfully seated herself by his side. **T would blow it again,” said the youth, ‘and the charm Would work so, that not even Modesty’s check Would be able to keep from my neck your fine arm : She smiled, — and she laid her fine arm round his neck. **Yet once more would I blow, and the music | divine ‘ Would bring me the third time an exquisite | bliss : | You would lay your fair cheek to this brown one | of mine, And your lips, stealing past it, would give me a kiss.” The maiden laughed out in her innocent glee, — | “*What a fool of yourself with your whistle you ’d make! For only consider, how silly ’t would be To sit there and whistle for — what you might | take!” : ROBERT STORY. —_e— BEHAVE YOURSEL’ BEFORE FOLK. BEHAVE yoursel’ before folk, Behave yoursel’ before folk, And dinna be sae rude to me, As kiss me sae before folk. It wouldua give me meikle pain, Gin we were seen and heard by nane, To tak’ a kiss, or grant you ane; But gudesake! no before folk. Behave yoursel’ before folk, Behave yoursel’ before folk, — Whate’er you do when out o’ view, Be cautious aye before folk ! Consider, lad, how folks will crack, And what a great affair they ‘ll mak’ O’ naething but a simple smack, That’s gi’en or ta'en before folk. Behave yoursel’ before folk, Behave yoursel’ before folk, — Nor gi’e the tongue o’ old and young Oceasion to come o’er folk. I’m sure wi’ you I’ve been as free As ony modest lass should be; But yet it doesna do to see Sic freedom used before folk. Behave yoursel’ before folk, Behave yoursel’ before folk, — I'll ne’er submit again to it; So mind you that — before folk ! Ye tell me that my face is fair: Tt may be sae—I dinna care — But ne’er again gar’t blush so sair As ye hae done before folk. Behave yoursel’ before folk, Behave yoursel’ before folk, — Nor heat my cheeks wi’ your mad freaks, But aye be douce before folk ! Ye tell me that my lips are sweet : Sic tales, I doubt, are a’ deceit ; — At ony rate, it’s hardly meet To prie their sweets before folk. Behave yoursel’ hefore folk, Behave yoursel’ before folk, — Gin that’s the case, there ’s time and place, But surely no before folk ! But gin ye really do insist That I should suffer to be kissed, Gae get a license frae the priest, And mak’ me yours before folk ! Behave yoursel’ before folk, Behave yoursel’ before folk, — And when we're ane, baith flesh and bane, Ye may tak’ ten — before folk! ALEXANDER RODGER. ete es THE PASSIONATE SHEPHERD TO HIS LOVE. Come live with me and be my love, And we will all the pleasures prove, That hills and valleys, dales and fields, And all the craggy mountains yield. There will we sit upon the rocks, And see the shepherds feed their flocks By shallow rivers, to whose falls Melodious birds sing madrigals, And will I make thee beds of roses, With a thousand fragrant posies ; 158 POEMS OF THE AFFECTIONS. A cap of flowers and a kirtle Embroidered all with leaves of myrtle ; A gown made of the finest wool Which from our pretty lambs we pull ; Slippers lined choicely for the cold, With buckles of the purest gold ; A belt of straw, and ivy buds, With coral clasps and amber studs. The shepherd swains shall dance and sing For thy delight each May morning ; And if these pleasures may thee move, Then live with me and be my love. CHRISTOPHER MARLOWE. sagas THE NYMPH’'S REPLY. IF all the world and love were young, And truth in every shepherd’s tongue, These pretty pleasures might me move To live with thee, and be thy love. Time drives the flocks from field to fold, When rivers rage and rocks grow cold ; And Philomel becometh dumb, The rest complain of cares to come. The flowers do fade, and wanton fields To wayward winter reckoning yields ; A honey tongue, a heart of gull, Is fancy’s spring, but sorrow’s fall. Thy gowns, thy shoes, thy beds of roses, Thy cap, thy kirtle, and thy posies, Soon break, soon wither, soon forgotten, In folly ripe, in reason rotten. Thy belt of straw and ivy buds, Thy coral clasps and amber studs ; All these in me no means can move To come to thee and be thy love. But could youth last, and love still breed, Had joys no date, nor age no need, Then these delights my mind might move To live with thee and be thy love. SIR WALTER RALEIGH. ——_ MAUD MULLER. Mavp MULLER, on a summer's day, Raked the meadow sweet with hay. Beneath her torn hat glowed the wealth Of simple beauty and rustic health. Singing, she wroughit, and her merry glee The mock-bird echoed from his tree. But, when she glanced to the far-off town, White from its hill-slope looking down, The sweet song died, and a vague unrest And a nameless longing filled her breast, — A wish, that she hardly dared to own, For something better than she had known. The Judge rode slowly down the lane, Smoothing his horse’s chestnut mane. He drew his bridle in the shade Of the apple-trees, to greet the maid, And ask a draught from the spring that flewed Through the meadow, across the road. She stooped where the cool spring bubbled up, And filled for him her small tin cup, And blushed as she gave it, looking down On her feet so bare, and her tattered gown. “‘Thanks !” said the Judge, ‘‘ a sweeter draught From a fairer hand was never quaffed.” He spoke of the grass and flowers and trees, Of the singing birds and the humming bees ; Then talked of the haying, and wondered whether The cloud in the west would bring foul weather. And Maud forgot her brier-torn gown, And her graceful ankles, bare and brown, And listened, while a pleased surprise Looked from her long-lashed hazel cyes. At last, like one who for delay Seeks a vain excuse, he rode away. Maud Muller looked and sighed : ‘‘ Ah me! That I the Judge’s bride might be ! ‘«He would dress me up in silks so fine, And praise and toast me at his wine. “My father should wear a broadcloth coat, My brother should sail a painted boat. ‘*T’d dress my mother so grand and gay, And the baby should have a new toy each day. “And I'd feed the hungry and clothe the poor. And all should bless me who left our door.” The Judge looked back as he climbed the hill, And saw Maud Muller standing still : ‘* A form more fair, a face more sweet, Ne’er hath it been my lot to meet. LOVE. 159 “ And her modest answer and graceful air Show her wise and good as she is fair. ““ Would she were mine, and I to-day, Like her, a harvester of hay. ‘No doubtful balance of rights and wrongs, Nor weary lawyers with endless tongues, e ** But low of cattle, and song of birds, And health, and quiet, and loving words.” But he thought of his sister, proud and cold, And his mother, vain of her rank and gold. So, closing his heart, the Judge rode on, And Maud was left in the field alone. But the lawyers smiled that afternoon, When he hummed in court an old love tune ; And the young girl mused beside the well, Till the rain on the unraked clover fell. He wedded a wife of richest dower, Who lived for fashion, as he for power. Yet oft, in his marble hearth’s bright glow, He watched a picture come and go ; And sweet Maud Muller’s hazel eyes Looked out in their innocent surprise. Oft, when the wine in his glass was red, He longed for the wayside well instead, And closed his eyes on his garnished rooms, To dream of meadows and clover blooms ; And the proud man sighed with a secret pain, “Ah, that I were free again ! “Free as when I rode that day Where the barefoot maiden raked the hay.” She wedded a man unlearned and poor, And many children played round her door. But care and sorrow, and child-birth pain, Left their traces on heart and brain. And oft, when the summer sun shone hot On the new-mown hay in the meadow lot, And she heard the little spring brook fall Over the roadside, through the wall, In the shade of the apple-tree again She saw a rider draw his rein, And, gazing down with a timid grace, She felt his pleased eyes read her face. Sometimes her narrow kitchen walls Stretched away into stately halls ; The weary wheel to a spinnet turned, The tallow candle an astral burned ; And for him who sat by the chimney lug, Dozing and grumbling o’er pipe and mug, A manly form at her side she saw, And joy was duty and love was law. Then she took up her burden of life again, Saying only, ‘‘It might have been.” Alas for maiden, alas for judge, For rich repiner and household drudge ! God pity them both ! and pity us all, Who vainly the dreams of youth recall ; For of all sad words of tongue or pen, The saddest are these : ‘‘ It might have been |” Ah, well! for us all some sweet hope lies Deeply buried from human eyes ; And, in the hereafter, angels may Roll the stone from its grave away ! JOHN GREENLEAF WHITTIER. —_—_. QUAKERDOM. THE FORMAL CALL. THrovcu her forced, abnormal quiet Flashed the soul of frolic riot, And a most malicious laughter lighted up her downcast eyes ; All in vain I tried each topic, Ranged from polar climes to tropic, — Every commonplace I started met with yes-or-no replies. For her mother — stiff and stately, As if starched and ironed lately — Sat erect, with rigid elbows bedded thus in curv- ing palms ; There she sat on guard before us, And in words precise, decorous, And most calm, reviewed the weather, and recited several psalms: How without abruptly ending This my visit, and offending Wealthy neighbors, was the problem which em- ployed my mental care ; When the butler, bowing lowly, Uttered clearly, stiffly, slowly, ‘Madam, please, the gardener wants you,” — Heaven, I thought, has heard my prayer. 160 POEMS OF THE AFFECTIONS. “Pardon me!" she grandly uttered ; Bowing low, I gladly muttered, “Surely, madam!” and, relieved, I turned to scan the daughter’s face : Ha! what pent-up mirth outflashes From beneath those pencilled lashes ! How the drill of Quaker custom yields to Na- ture’s brilliant grace. Brightly springs the prisoned fountain From the side of Delphi’s mountain When the stone that weighed upon its buoyant life is thrust aside ; So the long-enforced stagnation Of the maiden’s conversation Now imparted five-fold brilliance to its ever- varying tide. Widely ranging, quickly changing, Witty, winning, from beginning Unto end { listened, merely flinging in a casual word ; Eloquent, and yet how simple! Hand and eye, and eddying dimple, Tongue and lip together made a music seen as well as heard. When the noonday woods are ringing, All the birds of summer singing, Suddenly there falls a silence, and we knowa serpent nigh : So upon the door a rattle Stopped our animated tattle, And the stately mother found us prim enough to suit her eye. CHARLES G, HALPINE. —— THE CHESS-BOARD. My little love, do you remember, Ere we were grown so sadly wise, Those evenings in the bleak December, Curtained warm from the snowy weather, When you and I played chess together, Checkmated by each other’s eyes ? Ah! still I see your soft white hand Hovering warm o’er Queen and Knight ; Brave Pawns in valiant battle stand ; The double Castles guard the wings ; The Bishop, bent on distant things, Moves, sidling, through the fight. Our fingers touch ; our glances meet, Aud falter ; falls your golden hair Against my cheek; your bosom sweet Is heaving. Down the field, your Queen Rides slow, her soldiery all between, And checks me unaware. Ah me! the little battle ’s done : Disperst is all its chivalry. Full many a move since then have we Mid life’s perplexing checkers made, And many a game with fortune played ; What is it we have won ? This, this at least, — if this alone : That never, never, nevermore, * As in those old still nights of yore, (Ere we were grown so sadly wise,) Can you and I shut out the skies, Shut out the world and wintry weather, And, eyes exchanging warmth with eyes, Play chess, as then we played together. ROBERT BULWER, LORD LyTTON. (Owen Meredith.) —~— SONG. Too late, alas! I must confess, You need not arts to move me; Such charms by nature you possess, *"T were madness not to love ye. Then spare a heart you may surprise, And give my tongue the glory To boast, though my unfaithful eyes Betray a tender story. JOHN WILMOT, EARL OF ROCHESTER, —— SUMMER DAYS. In summer, when the days were long, We walked together in the wood : Our heart was light, our step was strong ; weet flutterings were there in our blood, In summer, when the days were long. We strayed from morn till evening came; We gathered flowers, and wove us crowns; We walked mid poppies red as flame, Or sat upon the yellow downs ; And always wished our life the same. In summer, when the days were long, We leaped the hedge-row, crossed the brook; And still her voice flowed forth in song, Or else she read some graceful book, In summer, when the days were long. And then we sat beneath the trees, With shadows lessening in the noon ; . And in the sunlight and the breeze, We feasted, many a gorgeous June, While larks were singing o'er the leas. LOVE. 161 In summer, when the days were long, On dainty chicken, snow-white bread, We feasted, with no grace but song ; We plucked wild strawberries, ripe and red, In summer, when the days were long. We loved, and yet we knew it not, — For loving seemed like breathing then ; We found a heaven in every spot ; Saw angels, tov, in all good men ; Aud dreamed of God in grove and grot. In summer, when the days are long, Alone I wander, muse alone. I see her not ; but that old song Under the fragrant wind is blown, In summer, when the days are long. Alone I wander in the wood : But one fair spirit hears my sighs ; And half I see, so glad and good, The honest daylight of her eyes, That charmed me under earlier skies. In summer, when the days are long, I love her as we loved of old. My heart is light, my step is strong ; for love brings back those hours of gold, In summer, when the days are long. ANONYMOUS, —¢— FORGET THEE? “Forcet thee?” —If to dream by night, and muse on thee by day, If all the worship, deep and wild, a poet’s heart can pay, If prayers in absence breathed for thee to Heav- en’s protecting power, If winged thoughts that flit to thee —a thousand in an hour, If busy Fancy blending thee with all my future lot, — If this thou call’st “ fompettiigs thou indeed shalt be forgot ! ‘Forget thee?” — Bid the forest-birds forget their sweetest tune ; “Forget thee ?” — Bid the sea forget to swell beneath the moon ; Bid the thirsty flowers forget to drink the eve’s refreshing dew ; Thyself forget thine ‘‘own dear land,” - mountains wild and blue;”’ and its Forget each old familiar face, each long-remem- bered spot ; — When these things are forgot by thee, then shew | shalt be forgot ! ! Keep, if thou wilt, thy maiden peace, still calm and fancy-free, For God forbid thy gladsome heart should grow less glad for me ; Yet, while that heart is still unwon, O, bid not mine to rove, But let it nurse its humble faith and uncomplain- ing love ; If these, preserved for patient years, at last avail me not, Forget me then ;— but ne’er believe that thou canst be forgot ! JOHN MOULTRIE, —o—— DINNA ASK ME. O, DINNA ask me gin I lo’e ye: Troth, I daurna tell ! Dinna ask me gin I lo’e ye, — Ask it o’ yoursel’. O, dinna look sae sair at me, For weel ye ken me true ; O, gin ye look sae sair at me, I daurna look at you. When ye gang to yon braw braw town, And bonnier lassies see, O, dinna, Jamie, look at them, Lest ye should mind na me. For I could never bide the lass That ye’d lo’e mair than me ; And O, I’m sure my heart wad brak, Gin ye ’d prove fause to me! JOHN DUNLOP —@——— SONG. AT setting day and rising morn, With soul that still shall love thee, I'll ask of Heaven thy safe return, With all that can improve thee. I’ll visit aft the birken bush, Where first thou kindly told me Sweet tales of love, and hid thy blush, Whilst round thou didst infold me. To all our haunts I will repair, By greenwood shaw or fountain ; Or where the summer day I’d share With thee upon yon mountain ; There will I tell the trees and flowers, From thoughts unfeigned and tender, By vows you're mine, by love is yours A heart which cannot wander. ALLAN RAMSAY. POEMS OF THE AFFECTIONS. LOVE. Aut thoughts, all passions, all delights, Whatever stirs this mortal frame, All are but ministers of Love, And feed his sacred flame. Oft in my waking dreams do I Live o'er again that happy hour, When midway on the mount I lay Beside the ruined tower. The moonshine stealing o’er the scene Had blended with the lights of eve ; And she was there, my hope, my joy, My own dear Genevieve ! She leaned against the arméd man, The statue of the armed knight ; She stood and listened to my lay, Amid the lingering light. Few sorrows hath she of her own, My hope! my joy ! my Genevieve ! She loves me best whene’er I sing The songs that make her grieve. I played a soft and doleful air, I sang an old and moving story, — An old rude song, that suited well That ruin wild and hoary. She listened with a flitting blush, With downcast eyes and modest grace ; For well she knew, I could not choose But gaze upon her face. T told her of the Knight that wore Upon his shield a burning brand ; And that for ten long years he wooed The Lady of the Land. I told her how he pined : and ah! The deep, the low, the pleading tone With which I sang another's love Interpreted my own. She listened with a flitting blush, With downcast eyes and modest grace ; And she forgave me that I gazed Too fondly on her face. But when I told the cruel scorn That crazed that bold and lovely Knight, And that he crossed the mountain-woods, Nor rested day nor night ; That sometimes from the savage den, And sometimes from the darksome shade, And sometimes starting up at once In green and sunny glade, There came and looked him in the face An angel beautiful and bright ; And that he knew it was a Fiend, This miserable Knight ! And that unknowing what he did, He leaped amid a murderous band, And saved from outrage worse than death The Lady of the Land ; And how she wept, and clasped his knees ; And how she tended him in vain ; And ever strove to expiate The scorn that crazed nis brain ; And that she nursed him in a cave, And how his madness went away, When on the yellow forest-leaves A dying man he lay ; — His dying words — but when I reavhed That tenderest strain of all the ditty, My faltering voice and pausing harp Disturbed her soul with pity ! All impulses of soul and sense Had thrilled my guileless Genevieve ; The music and the doleful tale, The rich and balmy eve ; And hopes, and fears that kindle hope, An undistinguishable throng, And gentle wishes long subdued, Subdued and cherished long. She wept with pity and delight, She blushed with love, and virgin shame ; And like the murmur of a dream, I heard her breathe my name. Her bosom heaved, — she stepped aside, As conscious of my look she stept, — Then suddenly, with timorous eye She fled to me and wept. She half enclosed me with her arms, She pressed me with a meek embrace ; And bending back her head, looked up, And gazed upon my face. ‘T was partly love, and partly fear, And partly ’t was a bashful art That I might rather feel than see The swelling of her heart. T calmed her fears, and she was calm, And told her love with virgin pride ; And so I won my Genevieve, My bright and beauteous Bride. SAMUEL TAYLOR COLERIDGE LOVE 163 WHEN THE KYE COMES HAME. Com, all ye jolly shepherds That whistle through the glen, I'll tell ye of a secret That courtiers dinna ken : What is the greatest bliss That the tongue o’ man can name? ’T is to woo a bonny lassie When the kye comes hame! When the kye comes hame, When the kye comes hame, ’*Tween the gloaming and the -nirk, When the kye comes hame ! *T is not beneath the coronet, Nor canopy of state, 'T is not on couch of velvet, Nor arbor of the great, — "Tis beneath the spreading birk, In the glen without the name, Wi a bonny, bonny lassie, When the kye comes hame ! When the kye comes hame, ete. There the blackbird bigs his nest _ For the mate he loes to see, And on the topmost bough, O, a happy bird is he ; Where he pours his melting ditty, And love ig a’ the theme, And he'll woo his bonny lassie When the kye comes hame ! When the kye comes hame, etc. When the blewart bears a pearl, And the daisy turns a pea, And the bonny lucken gowan Has fauldit up her ee, Then the laverock frae the blue lift Doops down, an’ thinks nae shame To woo his bonny lassie When the kye comes hame ! When the kye comes hame, ete. See yonder pawkie shepherd, That lingers on the hill, His ewes are in the fauld, An’ his lambs are lying still ; Yet he downa gang to bed, For his heart is in a flame, To meet his bonny lassie When the kye comes hame ! When the kye comes hame, etc. When the little wee bit heart Rises high in the breast, An’ the little wee bit starn Rises red in the east, O there’s a joy sae dear, That the heart can hardly frame, Wi’ a bonny, bonny lassie, When the kye comes hame ! When the kye comes hame, etc. Then since all nature joins In this love without alloy, O, wha wad prove a traitor To Nature’s dearest joy ? O, wha wad choose a crown, Wi its perils and its fame, And miss his bonny lassie When the kye comes hame ? When the kye comes hame, When the kye comes hame, Tween the gloaming and the mirk, When the kye comes hame ! + JAMES HoGG. —_o— LADY BARBARA. Ear Gawain wooed the Lady Barbara, High-thoughted Barbara, so white and cold ! ‘Mong broad-branched beeches in the summer shaw, In soft green light his passion he has told. When rain-beat winds did shriek across the wold, The Earl to take her fair reluctant ear Framed passion-trembled ditties manifold ; Silent she sat his amorous breath to hear, With calm and steady eyes ; her heart was other- where. He sighed for her through all the summer weeks ; Sitting beneath a tree whose fruitful boughs Bore glorious apples with smooth, shining cheeks, Karl Gawain came and whispered, ‘‘ Lay, rouse ¢ Thou art no vestal held in holy vows ; Out with our falcons to the pleasant heath.” Her father’s blood leapt up into her brows, — He who, exulting on the trumpet’s breath, Came charging like a star across the lists of death, Trembled, and passed. before her high rebuke : And then she sat, her hands clasped round her knee : Like one far-thoughted was the lady's look, For in a morning cold as misery She saw a lone ship sailing on the sea ; Before the north ’t was driven like a cloud, High on the poop a man sat mournfully : The wind was whistling through mast and shroud, And to the whistling wind thus did he sing aloud :— 164 POEMS OF THE AFFECTIONS. ‘* Didst look last night upon my native vales, Thou Sun! that from the drenching sea hast clomb ? Ye demon winds! that glut my gaping sails, Upon the salt sea must I ever roam, ‘Wander forever on the barren foam ! O, happy are ye, resting mariners ! O Death, that thou wouldst come and take me home ! A hand unseen this vessel onward steers, And onward I must float through slow, moon- meagured years. “Ye winds ! when like a curse ye drove us on, Frothing the waters, and along our way, Nor cape nor headland through red mornings shone, One wept aloud, one shuddered down to pray, One howled, ‘ Upon the deep we are astray.’ On our wild hearts his words fell like a blight : In one short hour my hair was stricken gray, For all the crew sank ghastly in my sight As we went driving on through the cold starry night. ‘Madness fell on me in my loneliness, The sea foamed curses, and the reeling sky Became a dreadful face which did oppress Me with the weight of its unwinking eye. It fled, when I burst forth into a cry, — A shoal of fiends came on me from the deep; I hid, but in all corners they did pry, And dragged me forth, and round did dance and leap; They mouthed on me in dream, and tore me from sweet sleep. ‘«Strange constellations burned above my head, Strange birds around the vessel shrieked and flew, Strange shapes, like shadows, through the clear sea fled, As our lone ship, wide-winged, came rippling through, Angering to foam the smooth and sleeping blue.” The lady sighed, ‘‘ Far, far upon the sea, My own Sir Arthur, could I die with you! The wind blows shrill between my love and me.” Fond heart ! the space between was but the apple- tree. There was a cry of joy ; with seeking hands She fled to him, like worn bird to her nest ; Like washing water on the figured sands, His heing came and went in sweet unrest, As from the mighty shelter of his breast The Lady Barbara her head uprears With a wan smile, ‘‘ Methinks I’m but half blest : Now when I've found thee, after weary years, I cannot see thee, love! so blind I am with tears.” ALEXANDER SMITH. ATALANTA’S RACE. FROM “THE EARTHLY PARADISE.” ATALANTA VICTORIOUS, AnD there two runners did the sign abide Foot set to foot, — a young man slim and fair, Crisp-haired, well knit, with firm limbs often tried In places where no man his strength may spare ; Dainty his thin coat was, and on his hair A golden circlet of renown he wore, And in his hand an olive garland bore. But on this day with whom shall he contend ? A maid stood by him like Diana clad When in the woods she lists her bow to bend, Too fair for one to look on and be glad, Who scarcely yet has thirty summers had, If he must still behold her from afar ; Too fair to let the world live free from war. She seemed all earthly matters to forget ; Of all tormenting lines her face was clear, Her wide gray eyes upon the goal were set Calm and unmoved as though no soul were near ; But her foe trembled as a man in fear, Nor from her loveliness one moment turned His anxious face with fierce desire that buined. Now through the hush there broke the trum- pet’s clang Just as the setting sun made eventide. Then from light feet a spurt of dust there sprang, And swiftly were they running side by side ; But silent did the thronging folk abide Until the turning-post was reached at last, And round about it still abreast they passed. But when the people saw how close they ran, When half-way to the starting-point they were, A cry of joy broke forth, whereat the man Headed the white-foot runner, and drew near Unto the very end of all his fear; And scarce his straining feet the ground could feel, And bliss unhoped for o’er his heart ’gan steal. But midst the loud victorious shouts he heard Her footsteps drawing nearer, and the sound Of fluttering raiment, and thereat afeard His flushed and eager face he turned around, And even then he felt her past him bound Fleet as the wind, but scarcely saw her there Till on the goal she laid her fingers fair. There stood she breathing like a little chill Amid some warlike clamor laid asleep, For no victorious joy her red lips smiled, Her cheek its wonted freshness did but keep ; No glance lit up her clear gray eyes and deep, Though some divine thought softened all her face As once more rang the trumpet through the place. LOVE. 165 But her late foe stopped short amidst his course, One moment gazed upon her piteously, Then with a groan his lingering feet did force To leave the spot whence he her eyes could see; And, changed like one who knows his time must be But short and bitter, without any word He knelt before the bearer of the sword ; Then high rose up the gleaming deadly blade, Bared of its Howers, and through the crowded place Was silence now, and midst of it the maid Went by the poor wretch at a gentle pace, And he to hers upturned his sad white face; Nor did his eyes behold another sight Ere on his sou! there fell eternal night. ATALANTA CONQUERED. Now has the lingering month at last gone by, Again are all folk round the running place, Nor other seems the dismal pageantry Than heretofore, but that another face Looks o’er the*smooth course ready for the race ; For now, beheld of all, Milanion Stands on the spot he twice has looked upon. But yet —what change is this that holds the maid ? Does she indeed see in his glittering eye More than disdain of the sharp shearing blade, Some happy hope of help and victory? The others seemed to say, ‘‘ We come to die, Look down upon us for a little while, That dead, we may bethink us of thy smile.” But he — what look of mastery was this He cast on her? why were his lips so red ? Why was his face so flushed with happiness? So looks not one who deems himself but dead, E’en if to death he bows a willing head ; So rather looks a god well pleased to find Some earthly damsel fashioned to his mind. Why must she drop her lids before his gaze, And even as she casts adown her eyes Redden to note his eager glance of praise, And wish that she were clad in other guise? Why must the memory to her heart arise Of things unnoticed when they first were heard, Some lover’s song, some answering maiden’s word ? What makes these longings, vague, without a name, And this vain pity never felt before, This sudden languor, this contempt of fame, This tender sorrow for the time past o’er, These doubts that grow each minute more and more ? Why does she tremble as the time grows near, And weak defeat and woful victory fear ? But while she seemed to hear her beating heart, Above their heads the trumpet blast rang out, And forth they sprang; and she must play her part ; Then flew her white feet, knowing not a doubt, Though slackening ouce, she turned her head about, But then she eried aloud and faster fled i Than e’er before, and all men deemed him dead. But with no sound he raised aloft his hand, And thence what seemed a ray of light there flew And past the maid rolled on along the sand ; Then trembling she her feet together drew, And in her heart a strong desire there grew To have the toy ; some god she thought had given That gift to her, to make of earth a heaven. Then from the course with eager steps she ran, And in her odorous bosom laid the gold. But when she turned again, the great-limbed man Now well ahead she failed not to behold, And mindful of her glory waxing cold, Sprang up and followed him in hot pursuit, Though with one hand she touched the golden fruit. Note, too, the bow that she was wont to bear She laid aside to grasp the glittering prize, And o’er her shoulder from the quiver fair Three arrows fell and lay before her eyes Unnoticed, as amidst the people’s cries She sprang to head the strong Milanion, Who now the turning-post had wellnigh won. But as he set his mighty hand on it, White fingers underneath his own were laid, And white limbs from his dazzled eyes did flit. Then he the second fruit cast by the maid ; But she ran on awhile, then as afraid Wavered and stopped, and turned and made no stay Until the globe with its bright fellow lay. Then, as a troubled glance she cast around, Now far ahead the Argive could she see, And in her garment’s hem one hand she wound To keep the double prize, and strenuously Sped o’er the course, and little doubt had she To win the day, though now but scanty space Was left betwixt him and the winning place. Short was the way unto such wingstd feet, Quickly she gained upon him till at last He turned about her eager eyes to meet, And from his hand the third fair apple cast. She wavered not, but turned and ran so fast 166 POEMS OF THE AFFECTIONS. After the prize that should her bliss fulfil, That in her hand it lay ere it was still. Nor did she rest, but turned about to win Once more, an unblest, woful victory — And yet —and yet —why does her breath begin To fail her, and her feet drag heavily ? Why fails she now to see if far or nigh The goal is? Why do her gray eyvs grow dim ? Why do these tremors run through every limb ? She spreads her arms abroad some stay to find Else must she fall, indeed, and findeth this, A strong man’s arms about her body twined. Nor may she shudder now to feel his kiss, So wrapped she is in new, unbroken bliss : Made happy that the foe the prize hath won, She weeps glad tears for all her glory done. WILLIAM MORRIS. —e— FATIMA AND RADUAN. FROM THE SPANISH. “ Diamante falso y fingido, Engastado en pedernal,” etc. ‘‘Fatse diamond set in flint! hard heart in haughty breast ! By a softer, warmer bosom the tiger’s couch is prest. Thou art fickle as the sea, thou art wandering as the wind, And the restless ever-mounting flame is not more hard to bind. If the tears I shed were tongues, yet all too few would be To tell of all the treachery that thou hast shown to me. Oh! I could chide thee sharply, — but every maiden knows That she who chides her lover forgives him ere he goes. ‘“‘Thou hast called me oft the flower of all Gre- nada’s maids, Thou hast said that by the side of me the first and fairest fades ; And they thought thy heart was mine, and it seemed to every one That what thou didst to win my love, for love of me was done. Alas! if they but knew thee, as mine it is to know, They well might see another mark to which thine arrows go ; But thou giv'st little heed, — for I speak to one who knows That she who chides her lover forgives him ere he goes. “«It wearies me, mine enemy, that I must weep and bear What fills thy heart with triumph, and fills my own with care. Thou art leagued with those that hate me, and ah! thou know’st I feel That cruel words as surely kill as sharpest blades of steel. *T was the doubt that thou wert false that wrunz my heart with pain ; But, now I know thy perfidy, I shall be well again. I would proclaim thee as thou art, — but every maiden knows That she who chides her lover forgives him ere he goes.” Thus Fatima complained to the valiant Raduan, Where underneath the myrtles Alhambra’s foun- tains ran : The Moor was inly moved, and, blameless as he was, * He took her white hand in his own, and pleaded thus his cause : *©O lady, dry those star-like eyes, — their dim- ness does me wrong ; < If my heart be made of flint, at least ’t will keep thy image long ; Thou hast uttered cruel words, — but I grieve the less for those, Since she who chides her lover forgives hin ere he goes.” WILLIAM CULLEN BRYANT. FIRST LOVE. FROM "DON JUAN,” CANTO I. ’T 1s sweet to hear, At midnight on the blue and moonlit deep, The song and oar of Adria’s gondolier, By distance mellowed, o’er the waters sweep ; °T is sweet to see the evening star appear ; ’T is sweet to listen as the night-winds creep From leaf to leaf ; *tis sweet to view on high The rainbow, based on ocean, span the sky. *T is sweet to hear the watch-dog’s honest bark Bay deep-mouthed welcome as we draw near home ; ’T ig sweet to know there is an eye will mark Our coming, and look brighter when we come ; ’T is sweet to be awakened by the lark, Or lulled by falling waters ; sweet the hum Of bees, the voice of girls, the song of birds, The lisp of children, and their earliest words. LOVE. 167 Sweet is the vintage, when the showering grapes In Bacchanal profusion reel to earth, Purple and gushing : sweet are our escapes From civic revelry to rural mirth ; Sweet to the miser are his glittering heaps ; Sweet to the father is his first-born’s birth ; Sweet is revenge, — especially to women, Pillage to soldiers, prize-money to seamen. *T is sweet to win, no matter how, one’s laurels, By blood or ink ; ’t is sweet to put an end To strife; ‘tis sometimes sweet to have our quarrels, Particularly with a tiresome friend ; Sweet is old wine in bottles, ale in barrels ; Dear is the helpless creature we defend Against the world ; and dear the school-boy spot We ne'er forget, though there we are forgot. But sweeter still than this, than these, than all, Is first and passionate love, —it stands alone, Like Adam’s recollection of his fall ; The tree of knowledge has been plucked, — all’s known, — And life yields nothing further to recall Worthy of this ambrosia] sin, so shown, No doubt in fable, as the unforgiven Fire which Prometheus filched for us from heaven. BYRON. —_o— A MAIDEN WITH A MILKING-PAIL. I. Wuart change has made the pastures sweet, And reached the daisies at my feet, And cloud that wears a golden hem ? This lovely world, the hills, the sward, — They all look fresh, as if our Lord But yesterday had finished them. And here ’s the field with light aglow : How fresh its boundary lime-trees show ! And how its wet leaves trembling shine ! Between their trunks come through to me The morning sparkles of the sea, Below the level browsing line. 1 sce the pool, more clear by half Than pools where other waters laugh Up at the breasts of coot and rail. There, as she passed it on her way, 1 saw reflected yesterday A maiden with a milking-pail. There, neither slowly nor in haste, One hand upon her slender waist, The other lifted to her pail, — She, rosy in the morning light, Among the water-daisies white, Like some fair sloop appeared to sail. Against her ankles as she trod The lucky buttercups did nod : I leaned upon the gate to see. The sweet thing looked, but did not speak ; A dimple came in either cheek, And all my heart was gone from me. Then, as I lingered on the gate, And she came up like coming fate, I saw my picture in her eyes, — Clear dancirg eyes, more black than sloes ! Cheeks like the mountain pink, that grows Among white-headed majesties ! I said, ‘‘ A tale was made of old That I would fain to thee unfold. Ah! let me, — let me tell the tale.” But high she held her comely head : ‘*T cannot heed it now,” she said, “Yor carrying of the milking-pail.” She laughed. What good to make ado? I held the gate, and she came through, And took her homeward path anon. From the clear pool her face had fled ; It rested on my heart instead, Reflected when the maid was gone. With happy youth, and work content, So sweet and stately, on she went, Right careless of the untold tale. Each step she took I loved her more, And followed to her dairy door The maiden with the milking-pail. IL. For hearts where wakened love doth lurk, How fine, how blest a thing is work ! For work does good when reasons fail, — Good ; yet the axe at every stroke The echo of a name awoke, — Her name is Mary Martindale. I’m glad that echo was not heard Aright by other men. A bird Knows doubtless what his own notes tell ; And I know not, — but I can say I felt as shamefaced all that day As if folks heard her name right well. And when the west began to glow I went —1 could not choose but go — To that same dairy on the hill ; And while sweet Mary moved about Within, | came to her without, And leaned upon the window-sill. 168 POEMS OF THE AFFECTIONS. The garden border where I stood Was sweet with pinks and southernwood. I spoke, — her answer seemed to fail. ~! smelt the pinks, —I could not see. The dusk came down and sheltered me. And in the dusk she heard my tale. And what is left that I should tell ? I begged a kiss, — | pleaded well : The rosebud lips did long decline ; But yet, 1 think — | think ’t is true — That, leaned at last into the dew, One little instant they were mine ! O life ! how dear thou hast become ! She laughed at dawn, and I was dumb! But evening counsels best prevail. Fair shine the blue that o’er her spreads, Green be the pastures where she treads, The maiden with the milking-pail ! JEAN INGELOW. —_e— SONG OF THE MILKMAID. FROM ‘QUEEN MARY.” SHAME upon you, Robin, Shame upon you now! Kiss me would you ? with my hands Milking the cow ? Daisies grow again, Kingeups blow again, And you came and kissed me milking the cow. Robin came behind me, Kissed me well I vow ; Cuff him could 1? with my hands Milking the cow ? Swallows fly again, Cuckoos ery again, And youcame and kissed me milking the cow. Come, Robin, Robin, Come and kiss me now ; Help it can I? with my hands Milking the vow ? Ringdoves coo again, All things woo again, Come behind and kiss me milking the cow! ALFRED TENNYSON. —_+—- THE MILKMAID'S SONG. Turn, turn, for my cheeks they burn, Turn by the dale, my Harry! Fill pail, fill pail, He has turned by the dale, And there by the stile waits Harry. Fill, fill, Fill, pail, fill, For there by the stile waits Harry ! The world may go round, the world may stand still, But I can milk and marry, Fill pail, I can milk and marry. Wheugh, wheugh ! O, if we two Stood down there now by the water, I know who ‘d carry me over the ford As brave as a soldier, as proud as a lord, Though I don’t live over the water. Wheugh, wheugh ! he’s whistling through. He’s whistling ‘“‘ The Farmer’s Daughter.” Give down, give down, My crumpled brown ! He shall not take the road to the town, For I'll meet him beyond the water. Give down, give down, My crumpled brown ! And send me to my Harry. The folk o’ towns May have silken gowns, But I can milk and marry, = Fill pail, T can milk and marry. Wheugh, wheugh ! he has whistled through He has whistled through the water. Fill, fill, with a will, a will, For he’s whistled through the water, And he’s whistling down The way to the town, And it’s not ‘‘The Farmer’s Daughter !” Churr, churr ! goes the cockchafer, The sun sets over the water, Churr, churr! goes the cockchafer, I’m too late for my Harry ! And, O, if he goes a-soldiering, The cows they may low, the bells they may ring, But 1’ll neither milk nor marry, Fill pail, Neither milk nor marry. My brow beats on thy flank, Fill pail, Give down, good wench, give down ! I know the primrose bank, Fill pail, Between him and the town. Give down, good wench, give down, Fill pail, And he shall not reach the town ! Strain, strain! he’s whistling again, He’s nearer by half a mile. More, more! O, never before Were you such a weary while! Fill, fill! he’s crossed the hill, LOVE. 169 I can see him down by the stile, He’s passed the hay, he’s coming this way, He’s coming to me, my Harry ! Give silken gowns to the folk o’ towns, He’s coming to me, my Harry ! There's not so grand a dame in the land, That she walks to-night with Harry ! Come late, come soon, come sun, come moon, O, I can milk and marry, Fill pail, T can milk and marry. Wheugh, wheugh ! he has whistled through, My Harry! my lad! my lover! Set the sun and fall the dew, . Heigh-ho, merry world, what’s to do That you’re smiling over and over ? Up on the hill and down in the dale, And along the tree-tops over the vale Shining over and over, Low in the grass and high on the bough, Shining over and over, O world, have you ever a lover ? You were so dull and cold just now, O world, have you ever a lover ? I could not see a leaf on the tree, Aud now I could count them, one, two, three, Count them over and over, Leaf from leaf like lips apart, Like lips apart for a lover. And the hillside beats with my beating heart, And the apple-tree blushes all over, And the May bough touched me and made me start, And the wind breathes warm like a lover. Pull, pull! and the pail is full, And milking ’s done and over. Who would not sit here under the tree ? What a fair fair thing’s a green field to see! Brim, brim, to the rim, ah me! 1 have set my pail on the daisies ! It seems so light, — can the sun be set ? The dews must be heavy, my cheeks are wet, I could ery to have hurt the daisies ! Harry is near, Harry is near, My heart ’s as sick as if he were here, My lips are burning, my cheeks are wet, He hasn't uttered a word as yet, But the air’s astir with his praises. My Harry! The air’s astir with your praises. He has scaled the rock by the pixy’s stone, He’s among the kingeups, — he picks me one, I love the grass that I tread upon When I go to my Harry ! He has jumped the brook, he has climbed the knowe, There's never a faster foot I know, But still he seems to tarry. O Harry ! O Harry ! my love, my pride, My heart is leaping, my arms are wide ! Roll up, roll wp, you dull hillside, Roll up, and bring my Harry ! They may talk of glory over the sea, But Harry’s alive, and Harry ’s for me, My love, my lad, my Harry ! Come spring, come winter, come sun, come snow, What cares Dolly, whether or no, While I can milk and marry ? Right or wrong, and wrong or right, Quarrel who quarrel, and fight who fight, But I'll bring my pail home every night To love, and home, and Harry ! We’ll drink our can, we’ll eat our cake, There’s beer in the barrel, there’s bread in the bake, The world may sleep, the world may wake, But I shall milk and marry, And marry, Tshall milk and marry. SYDNEY DOBELL. —e— FETCHING WATER FROM THE WELL. EARLY on a sunny morning, while the lark was singing sweet, Came, beyond the ancient farm-house, sounds of lightly tripping feet. °T was a lowly cottage maiden going, — why, let young hearts tell, — With her homely pitcher laden, fetching water from the well. Shadows lay athwart the pathway, all along the quiet lane, And the breezes of the morning moved them to and fro again. O’er the sunshine, o’er the shadow, passed the maiden of the farm, With a charméd heart within her, thinking of no ill nor harm. Pleasant, surely, were her musings, for the nod- ding leaves in vain Sought to press their brightening image on her ever-busy brain. Leaves and joyous birds went by her, like a dim, half-waking dreain ; And her soul was only conscious of life’s gladdest summer gleam. At the old lane’s shady turning lay a well of water bright, Singing, soft, its hallelujah to the gracious mora- ing light. 170 POEMS OF THE AFFECTIONS. Fern-leaves, broad and green, bent o’er it where its silvery droplets fell, And the fairies dwelt beside it, in the spotted foxglove bell. Back she bent the shading fern-leaves, dipt the pitcher in the tide, — Drew it, with the dripping waters flowing o’er its glazed side. But before her arm could place it on her shiny, wavy hair, By her side a youth was standing !— Love re- joiced to see the pair! Tones of tremulous emotion trailed upon the morning breeze, Gentle words of heart-devotion whispered ‘neath the ancient trees. But the holy, blessed secrets it becomes me not to tell : Life had met another meaning, fetching water from the well ! Down the rural lane they sauntered. He the burden-pitcher bore ; She, with dewy eyes down looking, grew more beauteous than before ! When they neared the silent homestead, up he raised the pitcher light ; Like a fitting crown he placed it on her hair of wavelets bright : Emblems of the coming burdens that for love of him she’d bear, Calling every burden blessed, if his love but lighted there. Then, still waving benedictions, further, further off he drew, While his shadow seemed a glory that across the pathway grew. Now about her household duties silently the maiden went, And an ever-radiant halo o’er her daily life was blent. Little knew the aged matron as her feet like music fell, What abundant treasure found she fetching water from the well ! ANONYMOUS, —+—. AUF WIEDERSEHEN !* SUMMER. Tue little gate was reached at last, Half hid in lilacs down the lane ; She pushed it wide, and, as she past, A wistful look she backward cast, And said, “‘ Auf wiedersehen /” * Till we meet again! With hand on latch, a vision white Lingered reluctant, and again Half doubting if she did aright, Soft as the dews that fell that night, She said, ‘* Auf wiedersehen /” The lamp’s clear gleam flits up the stair ; I linger in delicious pain ; Ah, in that chamber, whose rich air To breathe in thought I scarcely dare, Thinks she, ‘‘ Auf wiedersehen !” 'T is thirteen years : once more I press The turf that silences the lane ; I hear the rustle of her dress, I smell the lilacs, and — ah yes, I hear, ‘‘ Auf wiedersehen !” Sweet piece of bashful maiden art ! The English words had seemed too fain, But these — they drew us heart to heart, Yet held us tenderly apart ; She said, ‘.4uf wiederschen !” JAMES RUSSELL LOWELL. —_¢— MEETING. THE gray sea, and the long black land ; And the yellow half-moon large and low; And the startled little waves, that leap In fiery ringlets from their sleep, As I gain the cove with pushing prow, And quench its speed in the slushy sand. Then a mile of warm, sea-scented beach ; Three fields to cross, till a farm appears : A tap at the pane, the quick sharp scratch And blue spurt of a lighted match, And a voice less loud, through its joys and fears, Than the two hearts, beating each to each. ROBERT BROWNING. —_+—_ SWEET MEETING OF DESIRES, I crew assured, before I asked, That she ’d be mine without reserve, And in her unclaimed graces basked At leisure, till the time should serve, — With just enough of dread to thrill The hope, and make it trebly dear: Thus loath to speak the word, to kill Either the hope or happy fear. Till once, through lanes returning late, Her laughing sisters lagged behind ; And ere we reached her father’s gate, We paused with one presentient mind ; LOVE. 171 Aud, in the dim and perfumed mist Their coming stayed, who, blithe and free, And very women, loved to assist A lover’s opportunity. Twice rose, twice died, my trembling word ; To faint and frail cathedral chimes Spake time in music, and we heard. The chafers rustling in the limes. Her dress, that touched me where I stood ; The warmth of her confided arm ; Her bosom’s gentle neighborhood ; Her pleasure in her power to charm ; Her look, her love, her form, her touch ! The least seemed most by blissful turn, — Blissful but that it pleased too much, And taught the wayward soul to yearn. It was as if a harp with wires Was traversed by the breath I drew; ; And O, sweet meeting of desires ! She, answering, owned that she loved too. COVENTRY PATMORE. ZARA’S EAR-RINGS. FROM THE SPANISH. “My ear-rings! my ear-rings! they’ve dropt into the well, And what to say to Muga, I cannot, cannot tell.” ’T was thus, Granada’s fountain by, spoke Albu- harez’ daughter, — “The well is deep, far down they lie, beneath the cold blue water. To me did Muga give them, when he spake his sad farewell, And what to say when he comes back, alas! I cannot tell. “« My ear-rings ! my ear-rings! they were pearls in silver set, That when my Moor was far away, I ne’er should him forget, That I ne’er to other tongue should list, nor smile on other’s tale, But remember he my lips had kissed, pure as those ear-rings pale. When he comes back, and hears that I have dropped them in the well, O, what will Muga think of me, I cannot, can- not tell. “My ear-rings! my ear-rings! he’ll say they should have been, Not of pearl and of silver, but of gold and glit- tering sheen, Of jasper and of onyx, and of diamond shining clear, Changing to the changing light, with radiance insincere ; That changeful mind unchanging gems are not befitting well, — Thus will he think, — and what to say, alas ! I cannot tell. “He'll think when I to market went I loitered by the way ; He’ll think a willing ear I lent to all the lads might say ; He’ll think some other lover's hand among my tresses noosed, From the ears where he had placed them my rings of pearl unloosed ; He'll think when I was sporting so beside this marble well, My pearls fell in, —and what to say, alas! I cannot tell. “*He’ll say I am a woman, and we are all the same ; He 'll say I loved when he was here to whisper of his flame — But when he went to Tunis my virgin troth had broken, And thought no more of Muca, and cared not for his token. My ear-rings! my ear-rings! O, luckless, luck- less well ! For what to say to Muga, alas! I cannot tell. “Tl tell the truth to Muga, and I hope he will believe, That I have thought of him at morn, and thought of him at eve ; That musing on my lover, when down the sun was gone, His ear-rings in my hand I held, by the fountain all alone ; And that my mind was o’er the sea, when from my hand they fell, And that deep his love lies in my heart, as they lie in the well.” : JOHN GIBSON LOCKHART. —_@¢— O SWALLOW, SWALLOW, FLYING SOUTH. FROM “THE PRINCESS.” O Swattow, Swallow, flying, flying South, Fly to her, and fall upon her gilded eaves, And tel). her, tell her what I tell to thee. O tell her, Swallow, thou that knowest each, That bright and fierce and fickle is the South, And dark and true and tender is the North. 172 POEMS OF THE AFFECTIONS. O Swallow, Swallow, if I could follow, and light Upon her lattice, I would pipe and trill, And cheep and twitter twenty million loves, O were I thou that she might take me in, And lay mg on her bosom, and her heart Would rock the snowy cradle till I died ! Why lingereth she to clothe her heart with love, Delaying as the tender ash delays Yo clothe herself, when all the woods are green ? O tell her, Swallow, that thy brood is flown : Say to her, I do but wanton in the South, But in the North long since my nest is made. O tell her, brief is life, but love is long, And brief the sun of summer in the North, And brief the moon of beauty in the South. O Swallow, flying from the golden woods, Fly to her, and pipe and woo her, and make her mine, And tell her, tell her, that I follow thee. ALFRED TENNYSON, a ATHULF AND ETHILDA. ATHULF. Appeared The princess with that merry child Prince Guy: He loves me well, and made her stop and sit, And sat upon her knee, and it so chanced That in his various chatter he denied That I could hold his hand within my own So closely as to hide it: this being tried Was proved against him ; he insisted then I could not by his royal sister’s hand Do likewise. Starting at the random word, And dumb with trepidation, there I stood Some seconds as bewitched ; then I looked up, And in her face beheld an orient flush Of half-bewildered pleasure : from which trance She with an instant ease resumed herself, And frankly, with a pleasant laugh, held out Her arrowy hand. I thought it trembled as it lay in mine, But yet her looks were clear, direct, and free, And said that she felt nothing. Srproc. And what felt’st thou ? ATHULF. A sort of swarming, curling, tremu- lous tumbling, As though there were an ant-hill in my bosom. I said I was ashamed. — Sidroe, you smile ; If at my folly, well! But if you smile, Suspicious of a taint upon my heart, Wide is your error, and you never loved. HENRY TAYLOR. SEVEN TIMES THREE. LOVE, I LeaNnep out of window, I smelt the white clover, Dark, dark was the garden, I saw not the gate ; ‘“Now, if there be footsteps, he comes, my one lover — Hush, nightingale, hush! O sweet nightin- gale, wait Till I listen and hear If a step draweth near, For my love he is late! “The skies in the darkness stoop nearer and nearer, A cluster of stars hangs like fruit in the tree, The fall of the water comes sweeter, comes clearer : To what art thou listening, and what dost thou see ? Let the star-clusters glow, Let the sweet waters flow, And cross quickly to me. ‘You night-moths that hover where honey brims over From sycamore blossoms, or settle or sleep ; You glow-worms, shine out, and the pathway discover To him that comes darkling along the rough steep. Ah, my sailor, make haste, For the time runs to waste, And my love lieth deep, — “Too deep for swift telling ; and yet, my one lover, I’ve conned thee an answer, it waits thee to- night.” By the sycamore passed he, and through the white clover ; Then all the sweet speech I had fashivned took flight ; But I’ll love him more, more Than e’er wife loved before, Be the days dark or bright. JEAN INGELOw. —_e— A SPINSTER’S STINT. Srx skeins and three, six skeins and three! Good mother, so you stinted me, And here they be, —ay, six and three! Stop, busy wheel! stop, noisy wheel ! Long shadows down my chamber steal, And warn me to make haste and ree! LOVE. 173 ’T is done, — the spinning work complete, O heart of mine, what makes you beat So fast and sweet, so fast and sweet ? I must have wheat and pinks, to stick My hat from brim to ribbon, thick, — Slow hands of mine, be quick, be quick ! One, two, three stars along the skies Begin to wink their golden eyes, — 1’ leave my thread all knots and ties. O moon, so red ! O moon, so red ! Sweetheart of night, go straight to bed ; Love’s light will answer in your stead. A-tiptoe, beckoning me, he stands, — Stop trembling, little foolish hands, And stop the bands, and stop the bands! ALICE CARY. —_e— THE SPINNING-WHEEL SONG. MELLOow the moonlight to shine is beginning ; Close by the window young Eileen is spinning ; Bent o’er the fire, her blind grandmother, sitting, Is croaning, and moaning, and drowsily knit- ting, — ‘Eileen, achora, I hear some one tapping.” “Tis the ivy, dear mother, against the glass flapping.” ‘Eileen, I surely hear somebody sighing.” “°T is the sound, mother dear, of the summer wind dying.” Merrily, cheerily, noisily whirring, Swings the wheel, spins the reel, while the foot ’s stirring ; Sprightly, and lightly, and airily ringing, Thrills the sweet voice of the young maiden singing. “‘What ’s that noise that I hear at the window, I wonder ?” “Tis the little birds chirping the holly-bush under.” ““What makes you be shoving and moving your stool on, And singing all wrong that old song of ‘The Coolun’?” There’s a form at the casement, —the form of her true-love, — And he whispers, with face bent, ‘‘I’m waiting for you, love ; Get up on the stool, through the lattice step lightly, We ’ll rove in the grove while the moon ’s shin- ing brightly.” Merrily, cheerily, noisily whirring, Swings the wheel, spins the reel, while the foot’s stirring ; Sprightly, and lightly, and airily ringing, Thrills the sweet voice of the young maiden singing. The maid shakes her head, on her lip lays her fingers, Steals up from her seat, — longs to go, and yet lingers ; A frightened glance turns to her drowsy grand- mother, Puts one foot on the stool, spins the wheel with the other. Lazily, easily, swings now the wheel round ; Slowly and lowly is heard now the reel’s sound ; Noiseless and light to the lattice above her The maid steps, — then leaps to the arms of her lover. Slower —and slower—and slower the wheel swings ; Lower — and lower — and lower the reel rings ; Ere the reel and the wheel stop their ringing and moving, Through the grove the young lovers by moon- light are roving. JOHN FRANCIS WALLER. —_—- SOMEBODY. SomEBopy ’s courting somebody, Somewhere or other to-night ; Somebody ’s whispering to somebody, Somebody ’s listening to somebody, Under this clear moonlight. Near the bright river’s flow, Running so still and slow, Talking so soft and low, She sits with Somebody. Pacing the ocean’s shore, Edged by the foaming roar, Words never used before Sound sweet to Somebody. Under the maple-tree Deep though the shadow be, Plain enough they can see, Bright eyes has Somebody. No one sits up to wait, Though she is out so late, All know she ’s at the gate, Talking with Somebody. 174 POEMS OF THE AFFECTIONS. Tiptoe to parlor door ; Two shadows on the floor ! Moonlight, reveal no more, — Susy and Somebody. Two, sitting side by side Float with the ebbing tide, . “Thus, dearest, may we glide Through lite,’’ says Somebody. Somewhere, Somebody Makes love to Somebody, To-night. ANONYMOUS. eligSs DANCE LIGHT. *“Au! sweet Kitty Neil, rise up from that wheel, — Your neat little foot will be weary with spin- ning ! Come trip down with me to the sycamore-tree : Half the parish is there, and the dance is be- ginning. The sun is gone down, but the full harvest moon Shines sweetly and cool on the dew-whitened valley ; While all the air rings with the soft, loving things Each little bird sings in the green shaded alley.” With a blush and a smile Kitty rose up the while, Her eye in the glass, as she bound her hair, glancing ; °T is hard to refuse when a young lover sues, So she could n’t but choose to go off to the dancing. And now on the green the glad groups are seen, — Each gay-hearted lad with the lass of his choosing ; And Pat, without fail, leads out sweet Kitty Neil, — Somehow, when he asked, she ne’er thought of refusing. Now Felix Magee put his pipes to his knee, And with flourish so free sets each couple in moticn : : With a cheer and a bound the lads patter the ground ; The maids move around just like swans on the ocean. Cheeks bright as the rose, feet light as the doe’s, Now coyly retiring, now boldly advancing : Search the world all around, from the sky to the ground, No such sight can be found as an Irish lass dancing ! Sweet Kate! who could view your bright eyes of deep blue, Beaming humidly through their dark lashes so mildly, Your fair-turnéd arm, heaving breast, rounded form, Nor feel his heart warm, and his pulses throb wildly ? Young Pat feels his heart, as he gazes, depart, Subdued by the smart of such painful yet sweet love: The sight leaves his eye as he cries with a sigh, Dance light, for my heart it lies wader your Seet, love ! JOHN FRANCIS WALLER, —@— BELIEVE ME, IF ALL THOSE ENDEAR- ING YOUNG CHARMS. Betizve me, if all those endearing young charms, Which I gaze on so fondly to-day, Were to change by to-morrow, and fleet in my arms, Like fairy-gifts fading away, Thou wouldst still be adored, as this moment thou art, Let thy loveliness fade as it will, And around the dear ruin each wish of my heart Would entwine itself verdantly still. It is not while beauty and youth are thine own, And thy cheeks unprofaned by a tear, That the fervor and faith of a soul may be known, To which time will but make thee more dear ! No, the heart that has truly loved never forgets, But as truly loves on to the close, As' the sunflower turns to her god when he sets The same look which she turned when he rose ! THOMAS MOORE. . —e— THE SLEEPING BEAUTY. FROM “THE DAY DREAM.” YEAR after year unto her feet, She lying on her couch alone, Across the purple coverlet, The maiden’s jet-black hair has grown ; On either side her trancéd form Forth streaming from a braid of pearl ; The slumberous light is rich and warm, And moves not on the rounded curl. The silk star-broidered coverlid Unto her limbs itself doth mould, Languidly ever ; and amid Her full black ringlets, downward rolled, INSCRIPTION ON MONUMENT Oak Hill Cemetery, near Washington, D. C. [FRONT] JOHN HOWARD PAYNE Author of ‘‘ Home, Sweet Home’”’ Born June 9, 1791. Died April 9, 1852 Erected a.p. 1883 [REAR] Sure when thy gentle spirit fled To realms above the azure dome, With outstretched arms God’s angel said, ‘Welcome to Heaven’s home, sweet home.’ BIRTHPLACE OF JOHN HOWARD PAYNE. Mid pleasures and palaces though we may roan, -e’s no place like homet Home! Home! Sweet, sweet homet rer so humble, the Be tt ¢ There's no place like home. LOVE. 175 Glows forth each softly shadowed arm, With bracelets of the diamond bright. Her constant beauty doth inform Stillness with love, and day with light. She sleeps : her breathings are not heard In palace chambers far apart. The fragrant tresses are not stirred That lie upon her charmed heart. She sleeps ; on either hand upswells The gold-fringed pillow lightly prest : She sleeps, nor dreams, but ever dwells A perfect form in perfect rest. THE REVIVAL. A touch, a kiss! the charm was snapt. There rose a noise of striking clocks, And feet that ran, and doors that clapt, - And barking dogs, and crowing cocks ; A fuller light illumined all, A breeze through all the garden swept, A sudden hubbub shook the hall, And sixty feet the fountain leapt. The hedge broke in, the banner blew, The butler drank, the steward scrawled, The fire shot up, the martin flew, The parrot screamed, the peacock squalled, The maid and page renewed their strife, The palace banged, and buzzed and clackt, And all the long-pent stream of life Dashed downward in a cataract. At last with these the king awoke, And in his chair himself upreared, And yawned, and rubbed his face, and spoke, ‘* By holy rood, a royal beard ! How say you? we have slept, my lords. My beard has grown into my lap.” The barons swore, with many words, *T was but an after-dinner’s nap. ‘*Pardy,” returned the king, ‘‘ but still My joints are something stiff or so. My lord, and shall we pass the bill I mentioned half an hour ago?” The chancellor, sedate and vain, In courteous words returned reply : But dallied with his golden chain, And, smiling, put the question by. THE DEPARTURE. And on her lover’s arm she leant, And round her waist she felt it fold ; And far across the hills they went In that new world which is the io ! | Across the hills, and far away Beyond their utmost purple rim, And deep into the dying day, The happy princess followed him. ‘¢T’d sleep another hundred years, O love, for such another kiss ;” **O wake forever, love,” she hears, “O love, ’t was such as this and this.” And o’er them many a sliding star, And many a merry wind was borne, And, streamed through many a golden bar, The twilight melted into morn. “©O eyes long laid in happy sleep !” ‘*O happy sleep, that lightly fled !” ‘*O happy kiss, that woke thy sleep !” **O love, thy kiss would wake the dead !” And o’er them many a flowing range Of vapor buoyed the crescent bark ; And, rapt thro’ many a rosy change, The twilight died into the dark. “A hundred summers ! can it be? And whither goest thou, tell me where?” “0, seek my father’s court with me, For there are greater wonders there.” And o’er the hills, and far away Beyond their utmost purple rim, Beyond the night, across the day, Thro’ all the world she followed him. ALFRED TENNYSON. — LOCHINVAR. FROM “MARMION, CANTO V. O, youne Lochinvar is come out of the west, Through all the wide Border his steed was the best ; And, save his good broadsword, he weapon had none, He rode all unarmed, and he rode all alone. So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar He stayed not for brake, and he stopped not for stone, He swam the Eske River where ford there was none ; But, ere he alighted at Netherby gate, The bride had consented, the gallant came late ; For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar. So boldly he entered the Netherby Hall, Among bridesmen, and kinsmen, and brothers, and all. i \ POEMS OF THE AFFECTIONS. 176 Then spoke the bride's father, his hand on his sword (For the poor craven bridegroom said never a word), ‘*O, come ye in peace here, or come ye in war, Or to dance at our bridal, young Lord Lochin- var?” “T long wooed your daughter, my suit you de- jued ;— Love swells like the Solway, but ebbs like its tide, — And now I am come, with this lost love of mine, To lead but one measure, drink one cup of wine. There are maidens in Scotland more lovely by far, That would gladly be bride to the young Loch- invar.” The bride kissed the goblet ; the knight took it up, He quaffed off the wine, and threw down the cup. She looked down to blush, and she looked up to sigh, With a smile on her lips, and a tear in her eye. He took her soft hand, ere her mother could bar, — ‘‘Now tread we a measure,” said young Loch- invar. So stately his form, and so lovely her face, That never a hall such a galliard did grace ; While her mother did fret, and her father did fume, And the bridegroom stood dangling his bonnet and plume ; And the bridemaidens whispered, ‘‘’T were bet- ter by far To have matched our fair cousin with young Lochinvar.” One touch to her hand, and one word in her ear, When they reached the hall-door, and the charger stood near ; So light to the croupe the fair lady he swung, So light to the saddle before her he sprung ; “She is won! we are gone! over bank, bush, and scaur ; They ll have fleet steeds that follow,” quoth young Lochinvar. There was mounting ’mong Gremes of the Neth- erby clan ; Forsters, Fenwicks, and Musgraves, they rode and they ran ; There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ue’er did they see. So daring in love, and so dauntless in war, Have ye e’er heard of gallant like young Loch- invar ? SIk WALTER SCOTT. THE EVE OF ST. AGNES, Sr. Acnss’ Eve, — ah, bitter chill it was! The owl, for all his feathers, was a-cold ; The hare limped trembling through the frozen grass, And silent was the flock in woolly fold : Numb were the beadsman’s fingers while he told His rosary, and while his frosted breath, Like pious incense from a censer old, Seemed taking flight for heaven without a death, Past the sweet virgin’s picture, while his prayer he saith. His prayer he saith, this patient, holy man ; Then takes his lamp, and riseth from his knees, And back returneth, meagre, barefoot, wan, Along the chapel aisle by slow degrees ; The sculptured dead on each side seem to freeze, Emprisoned in black, purgatorial rails ; Knights, ladies, praying in dumb orat’ries, He passeth by ; and his weak spirit fails To think how they may ache in icy hoods aud, nails. Northward he turneth through a little door, And scarce three steps, ere music’s golden tougue Flattered to tears this aged nan and poor ; But no, — already had his death-bell rung ; The joys of all his life were said and sung: His was harsh penance on St. Agnes’ Eve: Another way he went, and soon among Rough ashes sat he for his soul’s reprieve, And all night kept awake, for sinners’ sake to grieve. That ancient beadsman heard the prelude soft : And so it chanced, for many a door was wide, From hurry to and fro. Soon, up aloft, The silver, snarling trumpets ’gan to chide ; The level chambers, ready with their pride, Were glowing to receive a thousand guests : The carvéd angels, ever eager-eyed, Stared, where upon their heads the cornice rests, With hair blown back, and wings put crosswise on their breasts. At length burst in the argent revelry, With plume, tiara, and all rich array, Numerous as shadows haunting fairily The brain, new-stuffed, in youth, with triumphs gay Of old romance. These let us wish away ; And turn, sole-thoughted, to one lady there, Whose heart had brooded, all that wintry day, On love, and winged St. Agnes’ saintly care, As she had heard old dames full many times t «declare, : ool 2 wad LOVE. 177 They told her how, upon St. Agnes’ Eve, Young virgins might have visions of delight, And soft adorings from their loves receive Upon the honeyed middle of the night, If ceremonies due they did aright ; As, supperless to bed they must retire, And couch supine their beauties, lily white ; Nor look behind, nor sideways, but require Of heaven with upward eyes for all that they desire. Full of this whim was thoughtful Madeline ; The music, yearning Jike a god in pain, She scarcely heard ; her maiden eyes divine, Fixed on the floor, suw many a sweeping train Pass by, — she heeded not at all; in vain Came many a tiptoe, amorous cavalier, And back retired, not cooled by high disdain. But she saw not ; her heart was otherwhere ; She sighed for Agnes’ dreams, the sweetest of the year. She danced along with vague, regardless eyes, Anxious her lips, her breathing quick and short ; The hallowed hour was near at hand ; she sighs Amid the timbrels, and the thronged resort Of whisperers in anger, or in sport ; Mid looks of love, defiance, hate, and scorn, Hoodwinked with fuiry fancy ; all amort Save to St. Agnes and her lambs unshorn, And all the bliss to be before to-morrow morn. So, purposing each moment to retire, She lingered still. Meantime, across the moors, Had come young Porphyro, with heart on fire For Madeline. Beside the portal doors, buttressed from moonlight, stands he, and im- plores All saints to give him sight of Madeline ; But for one moment in the tedious hours, That he might gaze and worship all unseen ; Perchance speak, knecl, touch, kiss, —in sooth such things have been. He ventures in : let no buzzed whisper tell : All eyes be muffled, or a hundred swords Will storm his heart, love’s feverous citadel ; For him, those chambers held barbarian hordes, Hyena foemen, and hot-blooded lords, Whose. very dogs would execrations howl Against his lineage ; not one breast affords Him any mercy, in that mansion foul, Save one old beldame, weak in body and in soul. Ah, happy chance ! tne aged creature came, Shuffling along with ivory-headed wand, To where he stood, hid from the torch’s flame, Behind a broad hall-pillar, far beyond The sound of merriment and chr~us bland, He startled her ; but soon she knew his face,. And grasped his fingers in her palsied. hand, | Saying, ‘‘ Mercy, Porphyro! hie thee from this place ; They are all here to-night, the whole blood- thirsty race ! “Get hence ! get hence ! there’s dwarfish Hilde- brand ; He had a fever late, and in the ft He cursed thee and thine, both house and land; Then there’s that old Lord Maurice, not a whit More tame for his gray hairs — Alas me! flit ! Flit like a ghost away!” “Ah, gossip dear, We’re sdfe enough ; here in this arm-chair sit, And tell me how —” ‘‘Good saints! not here, not here ; Follow me, child, or else these stones will be thy bier.” He followed through a lowly archéd way, Brushing the cobwebs with his lofty plume ; And as she muttered, ‘‘ Well-a — well-a-day!” He found him in a little moonlight room, Pale, latticed, chill, and silent as a tomb. “‘ Now tell me where is Madeline,” said he, “0, tell me, Angela, by the holy loom ‘Which none but secret sisterhood may see, When they St. Agnes’ wool are weaving piously.” “St Agnes! Ah! it is St. Agnes’ Eve, — Yet men will murder upon holy days ; Thou must hold water in a witcli’s sieve, And be liege-lord of all the elves and tays, To venture so. It fills me with amaze To see thee, Porphyro ! — St. Agnes’ Eve ! God’s help ! my lady fair the conjurer plays This very night ; good angels her deceive ! But let me laugh awhile, L’ve mickle time to grieve.” Feebly she laugheth in the languid moon, While Porphyro upon her face doth look, Like puzzled urchin on an aged crone Who keepeth closed a wondrous riddle-book, As spectacled she sits in chimney nook. But soon his eyes grew brilliant, when she told His lady’s purpose ; and he scarce could brook Tears, at the thought of those enchantments cold, And Madeline asleep in lap of legends old. Sudden a thought came like a full-blown rose, Flushing his brow, and in his painéd heart Made purple riot ; then doth he propose A stratagem, that makes the beldame start : “ A crueh man and impious thou art ! Sweet lady, let her pray, and sleep and dream Alone with her good angels, far apart 178 POEMS OF THE AFFECTIONS. From wicked men like thee. Go, ge! I deem Thou canst not surely be the same that thou didst seem.” “ T will not harm her, by all saints I swear!” Quoth Porphyro ; ‘‘O, may I ne’er find grace When my weak voice shall whisper its last prayer, If one of her soft ringlets I displace, Or look with ruffian passion in her face : Good Angela, believe me by these tears ; Or I will, even in a moment’s space, Awake, with horrid shout, my foemen’s ears, And beard them, though they be more fanged than wolves and bears.” “Ah! why wilt thou affright a feeble soul ? A poor, weak, palsy-stricken, churchyard thing, Whose passing-bell may ere the midnight toll ; Whose prayers for thee, each morn and evening, Were never missed.” Thus plaining, doth she bring A gentler speech from burning Porphyro ; So woful, and of such deep sorrowing, That Angela gives promise she will do Whatever he shall wish, betide her weal or woe. Which was, to lead him, in close secrecy, Even to Madeline’s chamber, and there hide Him in a closet, of such privacy That he might see her beauty unespied, And win perhaps that night a peerless bride, While legioned fairies paced the coverlet, And pale enchantment held her sleepy-eyed. Never on such a night have lovers inet, Since Merlin paid his demon all the monstrons debt. “Tt shall be as thou wishest,” said the dame ; “ All cates and dainties shall be stored there Quickly on this feast-night ; by the tambour frame Her own lute thou wilt see ; no time to spare, For I am slow and feeble, and scarce dare On such a catering trust my dizzy head. Wait here, my child, with patience kneel in prayer The while. Ah! thou must needs the lady wed, Or may | never leave my grave among the dead.” So saying, she hobbled off with busy fear. The lover’s endless minutes slowly passed : The dame returned, and whispered in his ear To follow her ; with aged eyes aghast From fright of dim espial. Safe at last, Through many a dusky gallery, they gain The maiden’s chamber, silken, hushed and chaste ; Where Porphyro took covert, pleased amain. His poor guide hurried back with agues in her brain. Her faltering hand upon the balustrade, Old Angela was feeling for the stair, When Madeline, St. Agnes’ charmed maid, Rose, like a missioned spirit, unaware ; With silver taper’s light, and pious care, She turned, and down the aged gossip led To a safe level matting. Now prepare, Young Porphyro, for gazing on that bed ! She comes, she comes again, like ring-dove frayed and fled. Out went the taper as she hurried in ; Its little smoke, in pallid moonshine, died ; She closed the door, she panted, all akin — To spirits of the air, and visions wide ; No uttered syllable, or, woe betide ! But to her heart, her heart was voluble, Painiug with cloquence her balmy side ; As though a tongueless nightingale should swell Her throat in vain, and die, heart-stifled in her dell. A casement high and triple-arched there was, All garlanded with carven imageries Of fruits, and flowers, and bunches of knot-vrass, And diamonded with panes of quaint device, Innumerable of stains and splendid dyes, As are the tiger-moth’s deep-damasked wings ; And in the midst, ‘mong thousand heraldries, And twilight saints, and dim emblazonings, A shielded scutcheon blushed with blood of queens and kings. Full on this casement shone the wintry moon, And threw warm gules on Madeline's fair breast, As down she knelt for heaven’s grace and boon ; Rose-bloom fell on her hands, together prest, And on her silver cross soft amethyst, And on her hair a glory, like a saint ; She seemed a splendid angel, newly drest, Save wings, for heaven. Porphyro grew faint : She knelt, so pure « thing, so free from mortal taint. Anon his heart revives ; her vespers done, Of all its wreathéd pearls her hair she frees ; Unclasps her warméd jewels one by one ; Loosens her fragrant bodice ; by degrees Her rich attire creeps rustling to her knees ; Half hidden, like a mermaid in sea-weed, Pensive awhile she dreams awake, and sees, In fancy, fair St. Agnes in her bed, But dares not look behind, or all the charm is fled. LOVE. Soon, trembling in her soft and chilly nest, In sort of wakeful swoon, perplexed she lay, Until the poppied warmth of sleep oppressed Her soothéd limbs, and soul fatigued away ; Flown like a thought, until the morrow-day ; Blissfully havened both from joy and pain ; Clasped like a missal where swart Paynims pray ; Blinded alike from sunshine and from rain, As though a rose should shut, and be a bud again. Stolen to this paradise, and so entranced, Porphyro gazed upon her empty dress, Aud listened to her breathing, if it chanced To wake into a slumberous tenderness ; Which when he heard, that minute did he bless, And breathed himself; then from the closet crept, Noiseless as fear in a wide wilderness, And over the hushed carpet, silent, stept, And ‘tween the curtains peeped, where, lo !— how fast she slept. Then by the bedside, where the faded moon Made a dim, silver twilight soft he set A table, and, half anguished, threw thereon A cloth of woven crimson, gold, and jet :— O for some drowsy Morphean amulet ! The bvisterous, midnight, festive clarion, The kettle-drum, and far-heard clarionet, Affray his ears, though but in dying tone : — The hall-door shuts again, and all the noise is gone. And still she slept an azure-lidded sleep, In blanchéd linen, smooth, and lavendered ; While he from forth the closet brought a heap Of candied apple, quince, and plum, and gourd ; With jellies soother than the creamy eurd, And lucent syrops, tinet with cinnamon ; Manna and dates, in argosy transferred From Fez ; and spicéd dainties, every one, From silken Samarcand to cedared Lebanon. These delicates he heaped with glowing hand On golden dishes and in baskets bright Of wreathéd silver. Sumptuous they stand In the retired quict of the night, Filling the chilly room with perfume light. — “ And now, my love, my seraph fair, awake ! Thou art my heaven, and I thine eremite ; Open thine eyes, for meek St. Agnes’ sake, Or I shall drowse beside thee, so my soul doth ache.” Thus whispering, his warm, unnerved arm Sank in her pillow. Shaded was her dream By the dusk curtains ; --’t was a midnight charm Impossible to melt as ieéd stream : The lustrous salvers in the moonlight gleam ; Broad golden fringe upon the carpet lies ; It seemed he never, never could redeem From such a steadfast spell his lady’s eyes ; So mused awhile, entoiled in wooftd phantasies. Awakening up, he took her hollow lute, — Tumultuous, — and, in chords that tenderest be, He played an ancient ditty, long since mute, In Provence called ‘‘ La belle dame sans merci ;"" Close to her ear touching the melody ;—~ Wherewith disturbed, she uttered a soft moan : He ceased ; she panted quick, — and suddenly Her blue affrayéd eyes wide open shone : Upon his knees he sank, pale as smooth-sculptured stone. Her eyes were open, but she still beheld, Now wide awake, the vision of her sleep. There was a painful change, that nigh expelled The blisses of her dream so pure and deep ; At which fair Madeline began to weep, And moan forth witless words with many a sigh ; While still her gaze on Porphyro would keep ; Who knelt, with joinéd hands and piteous eye, Fearing to move or speak, she looked so dream- ingly. “Ah, Porphyro !” said she, ‘‘ but even now Thy voice was at sweet tremble in mine ear, Made tunable with every sweetest vow ; And those sad eyes were spiritual and clear ; How changed thon art ! how pallid, chill, and drear ! Give ine that voice again, my Porphyro, Those looks immortal, those complainings dear ! O, leave ine not in this eternal woe, For if thou diest, my love, I know not where to go.” Beyond a mortal man impassioned far At these voluptuous accents, he arose, Ethereal, flushed, and like a throbbing star Seen mid the sapphire heaven’s decp repose ; Into her dream he melted, as the rose Blendeth its odor with the violet, — Solution sweet ; meantime the frost-wind blows Like love’s alarum pattering the sharp slect Against the window-panes: St. Agnes’ moon hath set. ‘Tis dark ; quick pattereth the flaw-blown sleet : “This is no dream, my bride, my Madeline !” *T is dark ; the iced gusts still rave and beat : “No dream ? alas! alas! and woe is mine ! Porphyro will leave me here to fade and pine. Cruel! what traitor could thee hither bring ? I curse not, for my heart is lost in thine, Thongh thou forsakest a deceivéd thing ; — A dove forlorn and lost, with sick, unprunéd wing.” 180 POEMS OF THE AFFECTIONS. “My Madeline ! sweet dreamer ! luvcly bride ! Say, may I be for aye thy vassal blest / Thy beauty’s shield, heart-shaped and vermeil dyed ? Ah, silver shrine, here will I take my rest After so many hours of toil and yuest, A fumished pilgrim, — saved by miracle. Though I have found, | will not rob thy nest, Saving of thy sweet self; if thou think’st well To trust, fair Madeline, to no rude infidel. “Hark ! ’t is an elfin storm from faery land, of haggard seeming, but a boon indeed : Arise, arise! the morning is at hand ; — The bloated wassailers will never heed : Let us away, my love, with happy speed ; There are no ears to hear, or eyes to see, — Drowned all in Rhenish and the sleepy mead : Awake, arise, my love, and fearless be, For o’er the southern moors I have a home for thee.” She hurried at his words, beset with fears, For there were sleeping «lragons all around, At glaring watch, perhaps, with ready spears ; Down the wide stairs a darkling way they found, In all the house was heard no human sound. A chain-drooped lamp was flickering by each door ; The arras, rich with horseman, hawk, and hound, Fluttered in the besieging wind’s uproar ; And the long carpets rose along the gusty floor. They glide, like phantoms, into the wide hall ! Like phantoms to the iron porch they glide, Where lay the porter, in uneasy sprawl, With a huge empty flagon by his side: The wakeful bloodhound rose, and shook his hide, But his sagacious eye an ininate owns ; By one, and one, the bolts full easy slide ; The chains lie silent on the footworn stones ; The key turns, and thedoor uponits hinges groans. and they are gone! ay, ages long ago These lovers fled away into the storm. ‘That night the baron dreamt of any a woe, Aad all his warrior-guests, with shade and form Of witeh, and demon, and large cotlin-worm, Were long be-nightmared. Angela the old Died palsy-twitched, with meagre face deform ; The beadsiman, after thousand aves told, For aye unsought-for slept among his ashes cold. JOUN KHAIS. = CURFEW MUST NOT SLow.y Englani’s sun was setting o’er the hill- tops far away, RING TO-NIGHT. Filling ali the land with beauty at the close of one sad day, And the last rays kissed the forehead of a man and maiden fair, — He with footsteps slow and wear Ys she with sunny floating hair ; He with bowed hen, sad and thoughtful, she with lips all cold and white, Struggling to keep back the murmur, — “Curlew must not ring to-night.” “Sexton,” Bessie’s white lips faltered, pointing to the prison old, With its turrets tall and gloomy, with its walls dark, damp, and cold, “T've a lover in that prison, doomed this very night to die, -| At the ringing of the Curfew, and no earthly help is nigh ; Cromwell will not come till sunset,” lips grew strangely white As she breathed the husky whisper :— “Curfew must not ring to-night.” and. lier ‘* Bessie,” calmly spoke the sexton, — every word pierced her young heart Like the piercing of an arrow, like a deadly poisoned dart, — “ Long, long years I’ve rung the Curfew from that gloomy, shadowed tower ; Every evening, just at sunset, it has told the twilight hour ; I have done my duty ever, tried to do. it just and right, Now I''m old I will not falter, — Curfew, it must ring to-night.” Wild her eyes and pale her features, stern and white her thoughtful brow, As within her secret bosom Bessie made a solenm vow. She had listened while the judges read without a tear or sigh : “ At the ringing of the Curfew, Basil Underwood must die.” And her breath came fast and faster, and her eyes grew large and bright ; In an undertone she murmured : — “ Curfew must not ring to-night.” With quick step she bounded forward, sprung within the old church door, Left the old man threading slowly paths vo oft he'd trod before ; Not one moment paused the maiden, but with eye and chicek aglow Mounted up the gloomy tower, where the bell swung to and fro As she climbed the dusty ladder on which fell uo ray of light, Up and up, —her white lips saying : — “Curfew must not ring to-night” LOVE. 181 She has reached the topmost ladder; o'er her hangs the great, dark bell ; Awful is the gloom beneath her, like the path- way down to hell. Lo, the ponderous tongue is swinging, —’tis the hour of Curfew now, And the sight has chilled her bosom, stopped her breath, and paled her brow. Shall she let it ring? No, never! flash her eyes with sudden light, As she springs, and grasps it firmly, — ‘Curfew shall not ring to-night !” Out she swung —far out; the city seemed a speck of light below, There ’twixt heaven and earth suspended as the bell swung to and tro, And the sexton at the bell-rope, old and deaf, heard not the bell, Sadly thought, “That twilight Curfew rang young Basil’s funeral knell.” Still the maiden clung more firmly, and with trembling lips so white, Said to hush her heart’s wild throbbing : — * Curfew shall not ring to-night!” It was o’er, the bell ceased swaying, and the maiden stepped once more Firmly on the dark old ladder where for hun- dred years before Human foot had not been planted. The brave deed that she had done Should be told long ages after, as the rays of setting sun Crimson all the sky with beauty; aged sires, with heads of white, Tell the eager, listening children, “Curfew did not ring that night.” O’er the distant hills came Cromwell; Bessie sees him, and her brow, Lately white with fear and anguish, has no anxious traces now. At his feet she tells her story, shows her hands all bruised and torn; And her face so sweet and pleading, yet with sorrow pale and worn, Touched his heart with sudden pity, lit his eyes with misty light : “Go! your lover lives,” said Cromwell, “Curfew shall not ring to-night.” Wide they flung the massive portal; led the prisoner forth to die, — All his bright young life before him. darkening English sky Bessie comes with flying footsteps, eyes aglow with love-light sweet ; ’Neath the Kneeling on the turf beside him, lays his pardon at his feet. In his brave, strong arms he clasped her, kissed the face upturned and white, Whispered, ‘“ Darling, you have saved me, — Curfew will not ring to-night !”’ ROSE HARTWICK THORPE, —~+— THE LITTLE MILLINER. My girl hath violet eyes and yellow hair, A soft hand, like a lady’s, small and fair, A sweet face pouting in a white straw bonnet, A tiny foot, and little boot upon it ; And all her finery to charm beholders Isthe gray shawl drawn tight around her shoulders, The plain stuff-gown and collar white as snow, And sweet red petticoat that peeps below. But gladly in the busy town goes she, Summer and winter, fearing nobodie ; She pats the pavement with her fairy feet, With fearless eyes she charms the crowded street ; And in her pocket lie, in lieu of gold, A lucky sixpence and a thimble old. We lodged in the same house a year ago; She on the topmost floor, I just below, — She, a poor milliner, content and wise, 1, a poor city clerk, with hopes to rise ; And, long ere we were friends, I learnt to love The little angel on the floor above. For, every morn, ere from my bed I stirred, Her chamber door would open, and I heard, — And listened, blushing, to her coming down, And palpitated with her rustling gown, And tingled while her foot went downward slow, Creaked like a cricket, passed, and died beluw ; Then peeping from the window, pleased and sly, I saw the pretty shining face go by, Healthy and rosy, fresh from slumber sweet, — A sunbeam in the quiet morning street. And every night, when in from work she tript, Red to the ears | from my chamber slipt, That I might hear upon the narrow stair Her low “Good evening,” as she passed me there. And when her door was closed, below sut 1, And hearkened stilly as she stirred on high, — Watched the red firelight shadows in the room, Fashioned her face before me in the gloom, And heard her close the window, lock the door, Moving about more lightly than before, And thought, ‘‘She is undressing now!” and, oh! My cheeks were hot, my heart was in a glow ! And I made pictures of her, — standing bright Before the looking-glass in bed-gown white, isz POEMS OF THE AFFECTIONS. Unbinding in a knot her yellow hair, Then kneeling timidly to say a prayer ; Till, last, the floor creaked softly overhead, ’Neath bare feet tripping to the little bed, — And all was hushed. Yet still I hearkened on, Till the faint sounds about the streets were gone ; And saw her slumbering with lips apart, One little hand upon her little heart, The other pillowing a face that smiled In slumber like the slumber of a child, The bright hair shining round the small white ear, The soft breath stealing visible and clear, And mixing with the moon’s, whose frosty gleam Made round her rest a vaporous light of dream. How free she wandered in the wicked place, Protected only by her gentle face ! She saw bad things — how could she choose but see ?— She heard of wantonness and misery ; The city closed around her night and day, But lightly, happily, she went her way. Nothing of evil that she saw or heard Could touch a heart so innocently stirred, — By simple hopes that cheered it through the storm, And little flutterings that kept it warm. No power had she to reason out her needs, To give the whence and wherefore of her deeds ; But she was good and pure amid the strife, By virtue of the joy that was her life. Here, where a thousand spirits daily full, Where heart and soul and senses turn to gall, She floated, pure as innocent could be, Like a small sea-bird on a stormy sea, Which breasts the billows, wafted to and fro, Fearless, uninjured, while the strong winds blow, While the clouds gather, and the waters roar, And mighty ships are broken on the shore. All winter long, witless who peeped the while, She sweetened the chill mornings with her smile ; When the soft snow was falling dimly white, Shining among it with a child’s delight, Bright as a rose, though nipping winds might blow, And leaving fairy footprints in the snow ! *T was when the spring was coming, when the snow Had melted, and fresh winds began to blew, And girls were selling violets in the town, That suddenly a fever struck me down. The world was changed, the sense of life was pained, And nothing but a shadow-land remained ; Death came in a dark mist and looked at me, I felt his breathing, though I could not see, But heavily I lay and did not stir, And had strange images und dreams of her. 1 Then came a vacancy: with feeble breath, I shivered under the cold touch of Death, And swooned among strange visions of the dead, When a voice called from heaven, and he fled ; And suddenly I wakened, as it seemed, From a deep sleep wherein I had not dreamed. And it was night, and I could xe and hear, And I was in the room I held so 4 2a1, And unaware, stretched out upon 11y bed, 1 hearkened for a footstep overhead. But all was hushed. I looked around the room, And slowly made out shapes amid the gloom. The wall was reddened by a rosy light, A faint fire flickered, and I knew ’t was night, Because below there was a sound of feet Dying away along the quiet street, — When, turning my pale face and sighing low, I saw a vision in the quiet glow : A little figure, in a cotton gown, Looking upon the fire and stooping ‘own, Her side to me, her face illumed, she eyed Two chestnuts burning slowly, side by side, — Her lips apart, her clear eyes strained to see, Her little hands clasped tight around her knee, The firelight gleaming on her golden head, And tinting her white neck to rosy red, Her features bright, and beautiful, and pure, With childish fear and yearning half demure. O sweet, sweet dream! IJ thought, and strained mine eyes, Fearing to break the spell with words and sighs. Softly she stooped, her dear face sweetly fair, And sweeter since a light like love was there, Brightening, watching, more and more elate, As the nuts glowed together in the grate, Crackling with little jets of fiery light, Till side by side they turned to ashes white, — Then up she leapt, her face cast off its fear For rapture that itself was radiance clear, And would have clapped her little hands im glee, But, pausing, bit her lips and peeped at me, And met the face that yearned on her so whitely, And gave a cry and trembled, blushing brightly, While, raised on elbow, as she turned to flee, “ Polly!” I cried, —and grew as red as she! It was no dream! for soon my thoughts were clear, And she could tell me all, and I could hear: How in my sickness friendless I had Jain, How the hard people pitied not my pain ; How, in despite of what bad people said, | She left her labors, stopped beside my bed, LOVE. 183 And nursed me, thinking sadly I would die ; How, in the end, the danger passed me by ; How she had sought to steal away before The sickness passed, and 1 was strong once more. By fits she told the story in mine ear, And troubled all the telling with a fear Lest by my cold man’s heart she should be chid, Lest I should think her bold in what she did ; But, lying on my bed, I dared to say, How I had watched and loved her many a day, How dear she was to me, and dearer still For that strange kindness done while I was ill, And how I could but think that Heaven above Had done it all to bind our lives in love. And Polly cried, turning her face away, And seemed afraid, and answered ‘yea’ 6c nay ; a Then stealing close, with little pants and sighs, Looked on my pale thin face and earnest eyes, And seemed in act to fling her arms about My neck; then, blushing, paused, in fluttering doubt ; Last, sprang uyion my heart, sighing and sob- bing, — That I might feel how gladly hers was throbbing ! nor Ah! ne’er shall I forget until I die, How happily the dreamy days went by, While I grew well, and lay with soft heart-beats, Hearkening the pleasant murmur from the streets, And Polly by me like a sunny beam, And life all changed, and love a drowsy dream ! ’T was happiness enough to lie and see The little golden head bent droopingly Over its sewing, while the still time flew, And my fond eyes were dim with happy dew ! And then, when I was nearly well and strong, And she went back to labor all day long, How sweet to lie alone with half-shut eyes, And hear the distant murmurs and the cries, And think how pure she was from pain and sin, — And how the summer days were coming in! Then, as the sunset faded from the room, To listen for her footstep in the gloom, To pant as it came stealing up the stair, To feel my whole life brighten unaware When the soft tap came to the door, and when The door was opened for her smile again ! Best, the long evenings !— when, till late at night, She sat beside me in the quiet light, And happy things were said and kisses won, And serious gladness found its vent in fun. Sometimes I would draw close her shining héad, And pour her bright hair out upon the bed, And she would laugh, and blush, and try to scold, While ‘‘ Here,” I cried, ‘I count my wealth in gold!” Onee, like a little sinner for transgression, She blushed upon my breast, and made con- fession : How, when that night I woke and looked around, I found her busy with a charm profound, — One chestnut was herself, my girl confessed, The other was the person she loved best, And if they burned together side by side, He loved her, and she would become his bride ; And burn indeed they did, to her delight, — And had the pretty charm not proven right ? Thus much, and more, with timorous joy, she said, While her confessor, too, grew rosy red, — And close together pressed two blissful faces, As I absolved the sinner, with embraces. And here is winter come again, winds blow, The houses and the streets are white with snow ; And in the long and pleasant eventide, Why, what is Polly making at my side ? What but a silk gown, beautiful and grand, We bought together lately in the Strand ! What but a dress to go to church in soon, And wear right yueenly ’neath a honeymoon ! And who shall match her with her new straw bonnet, Her tiny foot and little boot upon it; Embroidered petticoat and silk gown new, And shawl] she wears as few fine ladies do ? And she will keep, to charm away all ill, The lucky sixpence in her pocket still ; And we will turn, come fair or cloudy weather, To ashes, like the chestnuts, close together ! ROBERT BUCHANAN, —¢— SONG. FROM “THE MILLER'S DAUGHTER.” Ir is the miller’s daughter, And she is grown so dear, so dear, That I would be the jewel That trembles at her ear : For, hid in ringlets day and night, I’d touch her neck go warm and white, And I would be the girdle About her dainty, dainty waist, And her heart would beat against me In sorrow and in rest : And I should know if it beat right, I'd clasp it round so close and tight. 184 POEMS OF THE AFFECTIONS. And I would be the necklace, | And all day long to fall and rise Upon her balmy bosom, With her laughter or her sighs : And I would lie so light, so light, I scarce should be unclasped at night. ALFRED TENNYSON. ee BLEST AS THE GODS. Burst as the immortal gods is he, The youth who fondly sits by thee, «nd hears and sees thee all the while Softly speak, and sweetly smile. IMMORTAL °T was this deprived my soul of rest, And raised such tumults in my breast : For while I gazed, in transport tost, My breath was gone, my voice was lost. My bosom glowed ; the subtle flame Ran quick through all my vital frame ; O'er my dim eyes a darkness hung ; My ears with hollow murmurs rung ; In dewy damps my limbs were clLilled ; My blood with gentle horrors thrilled : My feeble pulse forgot to play — I fainted, sunk, and died away. Frou the Greek of SAPPHO, ty AMBROSE PHILLIPS, — DO NOT WANTON EYES. WITH THOSE O, DO not wanton with those eyes, Lest I be sick with seeing ; Nor cast them down, but let them rise, Lest shame destroy their being. O, be not angry with those fires, For then their threats will kill me ; Nor look too kind on my desires, For then my hopes will spill me. O, do not steep them in thy tears, For so will sorrow slay me ; Nor spread them as distract with fears ; Mine own enough betray me. BEN JONSON. —— THE SUN-DIAL. *T ts an old dial, dark with many a stain : In summer crowned with drifting orchard bloom, Tricked in the autumn with the yellow rain, And white in winter like a marble tomb. ine: And round about its gray, time-eaten brow Lean letters speak,—a worn and shattered TOW : E ama Shade: a Shadowe too art thou: E marke the Cime: sape, Grossi, dost thou soe? Here would the ring-loves linger, head to head ; And here the snail a silver course would run, Beating old Time ; and here the peacock spread His gold-green glory, shutting out the sun, The tardy shade moved forward to the noon ; Betwixt the paths a dainty Beauty stept, That swung a flower, and, smiling, hunimed a tune, — Before whose feet a barking spaniel leapt. O’er her blue dress an endless blossom strayed; About her tendril-curls the sunlight shone ; | And round her train the tiger-lilies swayed, Like courtiers bowing till the queen be gone. She leaned upon the slab a little while, Then drew a jewelled pencil from her zone, Scribbled a something with a frolic smile, Folded, inscribed, and niched it in the stone. The shade slipped on, no swifter than the snail ; There came a second lady to the place, Dove-eyed, dove-robed, and something wan and pale, — An inner beauty shining from her face. She, as if listless with a lonely love, Straying among the alleys with a book, — Herrick or Herbert, — watched the circling dove, Aud spied the tiny letter in the nook. Then, like to one who confirmation found Of some dread secret half-accounted true, — Who knew what hearts and hands the letter bound, And argued loving commerce ‘twixt the two, — She bent her fair young forehead on the stone ; The dark shade gloomed an instant on her head ; And ‘twixt her taper fingers pearled and shone The single tear that tear-worn eyes will shed. The shade slipped onward to the falling gloom ; Then came a soldier gallant in her stead, Swinging a beaver with a swaling plume, A ribboned love-lock rippling from his head. Blue-eyed, frank-faced, with clear and open brow, Sear-seamed a little, as the women love ; So kindly fronted that you marvelled how The frequent sword-hilt had so frayed his glove ; LOVE.. 185 Wito switched at Psyche plunging in the sun ; Uncrowned three lilies with a backward swinge; And standing somewhat widely, like to one More used to “Boot and Saddle” than to cringe As courtiers do, but gentleman withal, Took out the note ; — hel: it as one who feared The fragile thing he held would slip and fall ; Read and re-read, pulling his tawny beard ; Kissed it, I think, and hid it in his breast ; Laughed softly in a flattered, happy way, Arranged the broidered baldrick on his crest, And sauntered past, singing a roundelay. The shade crept forward through the dying glow ; There came no more nor dame nor cavalier ; But for a little time the brass will show A small gray spot, —the record of a tear. AUSTIN DOBSON. —_——_ THE GOLDEN FISH. Love is a little golden fish, Wondrous shy... ah, wondrous shy... You may catch him if you wish ; He might make a dainty dish... But Il... Ah, I’ve other fish to fry! For when I try to snare this prize, Earnestly and patiently, All my skill the rogue defies, Lurking safe in Aimée’s eyes... So, you see, J am caught and Love goes free ! GEORGE ARNOLD. —_@— COME, REST IN THIS BOSOM. FROM “! IRISH MELODIES." Comg, rest in this bosom, my own stricken deer, Though the herd have fled from thee, thy home is Still here ; Here still is the smile, that no cloud can o’ercast, And a heart and a hand all thy own to the last. Oh! what was love made for, if ’t is not the same Through joy and through torment, through glory and shame ? I know not, I ask not, if guilt’s in that heart, I but know that I love thee, whatever thou art. Thou hast called me thy Angel in moments of bliss, And thy Angel I’ll be, mid the horrors of this, . Through the furnace, unshrinking, thy steps to pursue, And shield thee, and save thee, —or perish there too ! THOMAS MOORE. WHEN YOUR BEAUTY APPEARS. ‘“WHEN your beauty appears, In its graces and airs, All bright as an angel new dropt from the skies, At distance I gaze, and am awed by my fears, So strangely you dazzle my eyes ! “But when without art Your kind thoughts you impart, When your love runs in blushes through every vein, When it darts from your eyes, when it pants at your heart, Then I know that you ‘re woman again.” ‘‘There’s a passion and pride In our sex,” she replied ; ‘« And thus (might I gratify both) I would do, — Still an angel appear to each lover beside, But still be a woman to you.” THOMAS PARNELL, THE FIRST KISS. How delicious is the winning Of a kiss at love’s beginning, When two mutual hearts are sighing For the knot there ’s no untying. Yet remember, midst your wooing, Love has bliss, but love has ruing ; Other smiles may make you fickle, Tears for other charms may trickle. Love he comes, and Love he tarries, Just as fate or fancy carries, — Longest stays when sorest chidden, Laughs and flies when pressed and bidden, Bind the sea to slumber stilly, Bind its odor to the lily, Bind the aspen ne’er to quiver, —- Then bind Love to last forever ! Love’s a fire that needs renewal Of fresh beauty for its fuel ; Love's wing moults when caged and captured, — Only free he soars enraptured. 186 POEMS OF THE AFFECTIONS. ; Can you keep the bee frum ranging, Or the ring-dove's neck from changing ? No! nor tettered Love from dying In the knot there’s no untying. THOMAS CAMPBELL, — BEDOUIN LOVE-SunrG, From the Desert I come tu thee, On a stallion shod with fire; And the winds are left behind In the speed of my desire. Under thy window I stand, And the midnight hears my cry : I love thee, I love but thee ! With a love that shall not die Till the sun grows cold, And the stars are old, And the leaves of the Judgment Book unfold ! Look from thy window, and see My passion and my pain ! I lie on the sands below, And I faint in thy disdain. Let the night-winds touch thy brow With the heat of my burning sigh, And melt thee to hear the vow Of a love that shall not die Till the sun grows cold, and the stars wre old, And the leaves of the Judgment Book unfold ! My steps are nightly driven, By the fever in my breast, To hear from thy lattice breathed The word that shall give me rest. Open the door of thy heart, And open thy chamber door, And my kisses shall teach thy lips The love that shall fade no more Till the sun grows cold, Aid the stars are old, And the leaves of the Judgment Book unfold ! BAYARD TAYLOR. = SONNET UPON A STOLEN KISS. Now gentle sleep hath clostd up those eyes Which, waking, kept my boldest thoughts in awe; And free access unto that sweet lip lies, From whence I long the rosy breath to draw. Methinks no wrong it were, if I should steal From those two melting rubies one poor kiss ; None sces the theft that would the theft reveal, Nor rob I her of aught what she can miss : Nay, should [ twenty kisses take away, There would be little sign I would do so ; Why then should | this robbery delay ¢ O, she may wake, and therewith angry grow ! Well, if she do, 1 “ll back restore that one, And twenty hundred thousand more for loan, GRORGE WITHER, pop gta SLY THOUGHTS. fed “T saw him kiss your clieek !” — ‘*’T is true.” “*O Modesty !” — ‘*’T was strictly kept: He thought me asleep; at least, 1 knew He thought I thought he thought I slept.” COVENTRY PATMORE. —-— KISSES. My love and I for kisses played : She would keep stakes — I was content ; But when I won, she would he paid ; This made me ask her what she meant. ‘Pray, since I see,” quoth she, ‘‘ your wrangling vein, Take your own kisses ; give me mine again.” WILLIAM STRODE. ie CUPID AND CAMPASPE. Cupip and my Campaspe played At cards for kisses, — Cupid paid ; He stakes his quiver, how and arrows, His mother’s doves, and team of sparrows, — Loses them too ; then down he throws The coral of his lip, the rose Growing on’s cheek (but none knows how); With these the crystal of his brow, And then the dimple of his chin, — All these did my Campaspe win. At last he set her both his eyes ; She won, and Cupid blind did rise. O Love! has she done this to thee ? What shall, alas! become of me? JOHN LYLY. —_—— THE KISS. 1. Amone thy fancies tell me this : What is the thing we call a kiss? 2. I shall resolve ye what it is: It is a creature born and bred Between the lips all cherry red, By love and warm desires fed ; Chor. And makes more soft the bridal bed. LOVE. 187 It is an active flame, tha. flies First to the babies of the eyes, And charms them there with lullabies ; Chor. And stills the bride too when she cries. 1 | Then to the chin, the cheek, the ear, | It frisks and flies, — now here, now there; , *T is now far off, and then ’tis near ; Chor. And here, and there, and everywhere . Has it a speaking virtue ?— 2. Yes. 1. How speaks it, say?—2. Do you but this : Part your joined lips, — then speaks your kiss ; Chor. And this love's sweetest language is. . Has it a body? — 2. Ay, and wings, With thousand rare encolorings ; And as it flies it gently sings ; Love honey yields, but never stings. ROBERT HERRICK, Chor. caer ees THE PLAIDIE. Upon ane stormy Sunday, Coming adoon the lane, Were a score of bonnie lassies — And the sweetest I maintain Was Caddie, That I took unneath my plaidie, To shield her from the rain. She said that the daisies blushed For the kiss that I had ta’en ; I wadna hae thought the lassie Wad sae of a kiss complain : “ Now, laddie ! I winna stay under your plaidie, If I gang hame in the rain!” But, on an after Sunday, When cloud there was not ane, This selfsame winsome lassie (We chanced to meet in the lane) Said, ‘‘ Laddie, Why dinna ye wear your plaidie ? Wha kens but it may rain?” CHARLES SIBLEY. ——_ KITTY OF COLERAINE. As beautiful Kitty one morning was tripping With a pitcher of milk, from the fair of Cole- raine, When she saw me she stumbled, the pitcher it tumbled, And all the sweet buttermilk watered the plain. “OQ, what shall I do now —’t was looking at you now! Sure, sure, such a pitcher I'l] ne’er meet again ! ’T was the pride of my dairy: O Barney M’Cleary! You’re sent as a plague to the girls of Cole- raine.”’ I sat down beside her, and gently did chide her, That such a misfortune should give her such pain. A kiss then I gave her; and ere I did leave her, She vowed for such pleasure she’d break it again. ‘Twas hay-making season — I can’t tell the rea- son — Misfortunes will never come single, ‘tis plain ; For very soon after poor Kitty’s disaster The devil a pitcher was whole in Coleraine. CHARLES DAWSON SHANLY. —_ KISSING ’S NO SIN. Somer say that kissing’s a sin ; But I think it’s nane ava, For kissing has wonn’d in this warld Since ever that there was twa. O, if it wasna lawfw’ Lawyers wadna allow it ; If it wasna holy, Ministers wadna do it. If it wasna modest, Maidens wadna tak’ it ; If it wasna plenty, Puir folk wadna get it. ANONYMOUS —+— COMIN’ THROUGH THE RYE, Gin a body meet a body Comin’ through the rye, Gin a body kiss a body, Need a body ery? Every lassie has her laddie, — Ne’er a ane hae I ; Yet a’ the lads they smile at me When comin’ through the rye. Amang the train there is a swain I dearly lo’e mysel’ ; But whaur his hame, or what his name, I dinna care to tell. Gin a body meet a body Comin’ frae the town, Gin a body greet a body, _ Need a body frown ? 188 POEMS OF THE AFFECTIONS. Every lassie has her laddie, Ne'cr a ane hae I; Yet a’ the lads they smile at me When comin’ through the rye. Amang the train there ts a swain I dearly lo’e mysel’ ; But whaur his hame, or what his name, I dinna care to tell. Adapted from BURNS. —@—. KISSING HER HAIR. Kissine her hair, I sat against her feet. : Wove and unwove it, — wound, and found it sweet ; Made fast therewith her hands, drew down her eyes, Deep as deep flowers, and dreamy like dim skies ; With her own tresses bound, and found her fair, — Kissing her hair. Sleep were no sweeter than her face to me, — Sleep of cold sea-bloom under the cold sea : What pain could get between my face and hers? What new sweet thing would Love not relish worse ? Unless, perhaps, white Death had kissed me there, — Kissing her hair. ALGERNON CHARLES SWINBURNE. os MAKE BELIEVE. Kiss me, though you make believe ; Kiss me, though I almost know You are kissing to deceive : Let the tide one moment flow Backward ere it rise and break, Only for poor pity’s sake ! Give me of your flowers one leaf, Give me of your smiles one smile, Backward roll this tide of grief Just a moment, though, the while, I should feel and almost know You are trifling with my woe. Whisper to me sweet and low ; Tell me how you sit and weave Dreams about me, though I know It is only make believe ! Just a moment, though ‘t is plain You are jesting with my pain. ALICE CARY. LOVE'S PHILOSOPHY. THE fountains mingle with. the river, And the rivers with the ocean ; The winds of heaven mix forever, With a sweet emotion ; Nothing in the world is single ; All things by a law divine In one another's being mingle : — Why not I with thine ¢ See ! the mountains kiss high heaven, And the waves clasp one another ; No sister flower would be forgiven If it disdained its brother ; And the sunlight clasps the earth, And the moonbeams kiss the sea : — What are all these kissings worth, If thou kiss not me ? PERCY BYSSHE SHELLEY —¢—. THE MOTH’S KISS, FIRST! FROM ‘IN A GONDOLA.” THE Moth’s kiss, first ! Kiss me as if you made believe You were not sure, this eve, How my face, your flower, had pursed Its petals up; so, here and there You brush it, till I grow aware Who wants me, and wide open burst. The Bee’s kiss, now ! Kiss me as if you entered gay My heart at some noonday, A bud that dared not disallow The claim, so all is rendered up, And passively its shattered cup Over your head to sleep I bow. ROBERT BROWNING =e LINES TO AN INDIAN AIR. SERENADE, I arise from dreams of thee In the first sweet sleep of night, When the winds are breathing low, And the stars are shining bright. I arise from dreams of thee, And a spirit in my feet Has led me — who knows how ? -- To thy chamber-window, sweet ! The wandering airs they faint On the dark, the silent stream, — The champak odors fail Like sweet thoughts in a dream ; LOVE. 189 The nightingale’s complaint, It dies upon her heart, As I must die on thine, O, belovéd as thou art ! O, lift me from the grass ! I die, I faint, I fail! Let thy love in kisses rain On my lips and eyelids pale. My cheek is cold and white, alas! My heart beats loud and fast : O, press it close to thine again, Where it will break at last ! PERCY BYSSHE SHELLEY. —e—_ SONNETS FROM THE PORTUGUESE. Go from me. Yet I feel that I shall stand Henceforward in thy shadow. Nevermore Alone upon the threshold of my door Of individual life, I shall command The uses of my soul, nor lift my hand Serenely in the sunshine as before, Without the sense of that which I forbore,... Thy touch upon the palm. The widest land Doom takes to part us, leaves thy heart in mine With pulses that beat double. What | do And what I dream include thee, as the wine Must taste of its own grapes. And when I sue Gou for myself, he hears that name of thine, And sees within my eyes the tears of two. INDEED this very love which is my boast, And which, when rising up from breast to brow, Doth crown me with a ruby large enow To draw men’s eyes and prove the inner cost, . . . This love even, all my worth, to the uttermost, I should not love withal, unless that thou Hadst set me an example, shown me how, When first thine earnest eyes with mine were. crossed, And love called love. Of love even, as a good thing of my own. Thy soul hath snatched up mine all faint and weak, And placed it by thee on a golden throne, — Ant that I love (O soul, we must be meek !) Is by thee only, whom 1 love alone. Ir thou must love me, let it be for naught Except for love’s sake only. Do not say *1 love her for her smile... her look... her way Of speaking gently, — for a trick of thought That falls in well with mine, and certes brought A sense of pleasant ease ow sch a day.” And thus, I cannot speak | For these things in themselves, belovéd, may | Be changed, or change for thee, — and love so wrought, May be unwrought so. Neither love me for Thine own dear pity’s wiping my cheeks dry, — A creature might forget to weep, who bore Thy comfort long, and lose thy love thereby. But love me for love's sake, that evermore Thou mayst love on, through love’s eternity. I NEVER gave a lock of hair away To aman, Dearest, except this to thee, Which now upon my fingers thoughtfully I ring out to the full brown length and say “Take it.” My day of youth went yesterday ; My hair no longer bounds to my foot’s glee. Nor plant I it from rose or myrtle tree, As girls do, any more. It only may Now shade on two pale cheeks, the mark of tears, | Taught drooping from the head that hangs aside Through sorrow’s trick. 1 thought the tuneral- shears Would take this first, but Love is justified, — Take it thou,... finding pure, from all those years, The kiss my mother left here when she died. Say over again, and yet once over again, That thou dost love me. Though the word re- peated Should seem ‘‘a cuckoo-song,” as thou dost treat it, Remember, never to the hill or plain, Valley and wood, without her cuckoo-strain, | Comes the fresh spring in all her green completed. Beloved, I, amid the darkness greeted By a doubtful spirit-voice, in that doubt’s pain Cry: ‘*Speak once more — thou lovest !’’ Who can fear Too many stars, though each in heaven shall’ roll, — Too many flowers, though each shall crown the year ? Say thou dost love me, love me, love me, — toll The silver iterance !— only minding, dear, To love me also in silence, with thy soul. My letters ! all dead paper, . . . mute and white !— And yet they seem alive and quivering Against my tremulous hands which loose the string And Jet them drop down on my knee to-night. This said,... he wished to have me in his sight Quce, as a friend : this fixed a day in spring To come and touch my hand... a simple thing, 190 POEMS OF THE AFFECTIONS. Yet I wept for it! this,... the paper’s light... Said, Dear, I love thee ; and 1 sank and quailed As if God’s future thundered on my past. This said, J am thine, — and so its ink has paled With lying at my heart that beat too fast. And this .. . O Love, thy words have ill availed, If what this said, I dared repeat at last ! Tre first time that the sun rose on thine oath To love me, I looked forward to the moon To slacken all those bonds which seemed too soon And quickly tied to make a lasting troth. Quick-loving hearts, 1 thought, may quickly loathe ; And, looking on inyself, I seemed not one For such man’s love !— more like an out of tune Worn viol, a good singer would be wroth To spoil his song with, and which, snatched in haste, Is laid down at the first ill-sounding note. 1 did not wrong myself so, but I placed A wrong on thee. For perfect strains may float Neath master-hands, from instruments defaced,— And great souls, at one stroke, may do and doat. Finsr time he kissed me, he but only kissed The fingers of this hand wherewith I write ; And, ever since, it grew more clean and white, Slow to world-greetings, quick with its ‘O list!” When the angels speak. A ring of amethyst I could not wear here, plainer to my sight Than that first kiss. The second passed in height Thefirst, and sought the forehead, and half missed, Half falling on the hair. O, beyond meed ! That was the chrism of love, which love’s own crown, With sanctifying sweetness, did precede. The third upon my lips was folded down In perfect, purple state ; since when, indeed, I have been proud, and said, ‘My love, my own!” How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace. I love thee to the level of every day’s Most quiet need, by sun and candle-light. I love thee freely, as men strive for Right ; T love thee purely, as they turn from Praise. I love thee with the passion put to use In my old griefs, and with my childhood’s faith. I love thee with a love I seemed to lose With iny lost saints, —I love thee with the breath, Smniles, tears, of all my life ! — and, if God choose, Isha" but love thee better after death. ELIZABETH BARRETT BROWNING. WAITING FOR THE GRAPES, Tuart I love thee, charming maid, I a thousand times have said, And a thousand times more I have sworn it, But ’t is easy to be seen in the coldness of your mien That you doubt my affection — or scorn it. Ah me! Not a single grain of sense is in the whole of these pretences For rejecting your lover's petitions ; Had I windows in my bosom, O, how gladly 1’d expose ’em, To undo your fantastic suspicions ! Ah me! You repeat I ’ve known you long, and you hint I do you wrong, In beginning so late to pursue ye ; But ’t is folly to look glum because people did not come Up the stairs of your nursery to woo ye. Ah me! In a grapery one walks without looking at the stalks, 8 While the bunches are green that they re bear- ing: All the pretty little leaves that are dangling at the eaves Scarce attract e’en a moment of staring. Ah me! But when time has swelled the grapes to a richer style of shapes, And the sun has lent warmth to their blushes, Then to cheer us and to gladden, to enchant us and to madden, Is the ripe ruddy glory that rushes. Ah ine! O, "tis then that mortals pant while they gaze on Bacchus’ plant, — O, ’t is then, — will my simile serve ye ? Should a damsel fair repine, though neglected like a vine? Both erclong shall turn heads topsy-turvy. Ah me! WILLIAM MAGINN. —qe— THE LOVE-KNOT. Trine her bonnet under her chin, She tied her raven ringlets in. But not alone in the silken snare Did she catch her lovely floating hair, For, tying her bonnet under her chin, She tied a young man’s heart within. LOVE. 191 They were strolling together up the hill, Where the wind came blowing merry and chill; «ind it blew the curls a frolicsome race, All over the happy peach-colored fave. Till scolding and laughing, she tied them in, Under her beautiful, dimpled chin. And it blew a color, bright as the bloom Of the pinkest fuchsia’s tossing plume, All over the cheeks of the prettiest girl That ever imprisoned a romping curl, Or, in tying her bounct under her chin, Tied a young man's heart within. Steeper and steeper grew the hill, Madder, merrier, chiller still, The western wind blew down, and played The wildest tricks with the little maid, As, tying her bonnet under her chin, She tied a young man’s heart within. O western wind, do you think it was fair To play such tricks with her floating hair? To gladly, gleefully, do your best To blow her against the young man’s breast, Where he has gladly folded her in, And kissed her mouth and dimpled chiu ? O Ellery Vane, you little thought, An hour ago, when you besought This country lass to walk with you, After the sun had dried the dew, What terrible danger you'd be in, As she tied her bonnet under her chin. NoRA PERRY. GREEN GROW THE RASHES 0! GREEN grow the rashes O, Green grow the rashes O ; The sweetest hours that c’er I spend Are spent amang the lasses O ! There 's naught but care on ev’ry han’, In every hour that passes O ; What signifies the life o’ man, An 't were na for the lasses O ? The warly race may riches chase, Av’ riches still may fly them O ; An’ though at last they catch them fast, Their hearts van ne'er enjoy them 0! Gie me a canny hour at e’en, My arms about my dearie O, An’ warly cares an’ warly men May all gae tapsalteerie O ! vom For you sae douce, ye sneer at this, Ye’re naught but senseless asses O ; The wisest man the warl’ e’er saw He dearly lo’ed the lasses O ! Auld Nature swears the lovely dears Her noblest work she classes O: Her ’prentice han’ she tried on man, An’ then she made the lasses O ! ROBERT BURNS. ; f THE CHRONICLE. / aif Mareanira first possessed, If I remember well, my breast, Margarita first of all ; But when awhile the wanton maid With my restless heart had played, Martha took the flying ball. Martha soon did it resign To the beauteous Catharine. Beauteous Catharine gave place (Though loath and angry she to part With the possession of my heart) To Eliza’s conquering face. Eliza till this hour might reign, Had she not evil counsels ta’en ; Fundamental laws she broke, And still new favorites she chose, Till up in arms my passions rose, And.cast away her yoke. Mary then, and gentle Anne, Both to reign at once began ; Alternately they swayed ; And sometimes Mary was the ‘fair, Aud sometimes Anue the erown did wear, And sometimes both I obeyed. Another Mary then arose, And did rigorous laws impose ; A mighty tyrant she! Long, alas! should [I have been Under that iron-seeptred queen, Had not Rebecca set me free. Whien fair Rebecca set me free, *T was then a golden time with me: But soon those pleasures fled ; For the gracious princess died In her youth and beauty's pride, And Judith reignéd in her stead. One month, three days, and half an hour Judith held the sovereign power : Wondrous beautiful her face ! : 1 Lf “ TO CHLOE. POEMS OF THE AFFECTIONS. But so weak and small her wit, That she to govern was unfit, And so Susanua took her place. But when Isabella came, Armed with a resistless flanic, And the artillery of her eye ; Whilst she proudly marched about, Greater conquests to find out, She beat out Susan, by the by. But in her place I then obeyed Black-eyed Bess, her viceroy-maid, To whom ensued a vacancy : Thousand worse passions then possessed The interregnum of my breast ; Blegs me from such an anarchy ! Gentle Henrietta then, And a third Mary, next began ; Then Joan, and Jane, and Audria ; And then a pretty Thomasine, And then another Catharine, And then a long e¢ celeru. But I will briefer with them be, Since few of them were long with me. An higher and a nobler strain My present emperess does claim, Heleonora, first o’ th’ name, Whom God grant long to reign ! ABRAHAM COWLEY. —_e— AN APOLOGY FOR GOING INTO THE COUNTRY. CHLOE, we must not always be in heaven, Forever toying, ogling, kissing, billing ; The joys for which I thousands would have given, Will presently be scarcely worth a shilling. Thy neck is fairer than the Alpine snows, And, sweetly swelling, beats the down of doves ; Thy cheek of health, a rival to the rose ; Thy pouting lips, the throne of all the loves ; Yet, though thus beautiful beyond expression, That beauty fadeth by too much possession. Economy in love is peace to nature, Much like economy in worldly matter ; We should be prudent, never live too fast ; Profusion will not, cannot always last. Lovers are really spendthrifts, —’t is a shame, — Nothing their thoughtless, wild career can tame, Till penury stares them in the face ; And when they find an empty puise, Grown calmer, wiser, how the fault they eurse, And, limping, look with such a sneaking grace ! Job’s war-horse fierce, his neck with thunder hung, Sunk to an humble hack that carries dung. Smell to the queen of flowers, the fragrant rose — Smell twenty times— and then, my dear, thy nose Will tell thee (not so much for scent athirst) The twentieth drank less flavor than the first. Love, doubtless, is the sweetest of all fellows; Yet often should the little god retire. Absence, dear Chloe, is a pair of bellows, That keeps alive the sacred fire. DR. WOLCOTT (Peter Pindar), —#— THE EXCHANGE, WE pledged our hearts, my love and I, — I in my arms the maiden clasping ; I could not tell the reason why, But, O, I trembled like an aspen ! Her father’s love she bade me gain ; I went, and shook like any reed ! I strove to act the man, —in vain ! We had exchanged our hearts indeed. SAMUEL TAYLOR COLERIDGE, —»—. | WISHES TO HIS SUPPOSED MISTRESS, Wuor’er she be, That not impossible she, That shall command my heart and me ; Where’er she lie, Locked up from mortal eye, In shady leaves of destiny, Till that ripe birth Of studied fate stand forth, And teach hex fair steps to our earth ; Till that divine Idea take a shrine Of erystal flesh, through which to shine : Meet you her, my Wishes, Bespeak her to my blisses, And be ye called my absent kisses. I wish her beauty, That owes not all its duty To gaudy tire, or glistering shoe-tie, LOVE. Something more than Taffata or tissue can, Or rampant feather, or rich fan ; More than the spoil Of shop, or silkworm’s toil, Or a bought blush, or a set smile, A face, that ’s best By its own beauty dressed, And can alone command the rest. A face, made up Out of no other shop, Than what Nature’s white hand sets ope. Days, that need borrow Vo part of their good morrow, From a fore-spent night of sorrow. Days, that in spite Of darkness, by the light Of a clear mind, are day all night. “Nights, sweet as they fade short by lovers’ play, Yet long by the absence of the day. Life that dares send 4, challenge to his end, 4nd when it comes, say, Welcome, friend ! Sydneian showers OF sweet discourse, whose powers Can crown old Winter’s head with flowers, Soft silken hours, Open‘suns, shady bowers ;_ Bove all— nothing within that lowers. Whate’er delight Can make day’s forehead bright, Or give down to the wings of night. Yn her whole frame, Have Nature all the name, Art and ornament the shame, Her flattery, Picture and povsy, Aler counsel her own virtue be. i wish her store Of worth may leave her poor Of wishes ; and 1 wish — no more, Now, if Time knows That her, whose radiant brows Weave them o garland of my vows; 13 Her, whose just bays My future hopes can zaire, A trophy to her pre:.at praise ; Her, that dares be What these lines wish to see I seek no further, it is She. °T is She, and here, Lo, I unclothe and clear My Wish’s cloudy character ! May she enjoy it, Whose merit dare apply it, But modesty dares still deny itt Such worth as this is Shall ftx my flying wishes, And determine them to kisses. Let her full glory, My fancies, fiy before ye, Be ye my fictions, but — her story. 193 RICHARD CRASHAW —_—~— THE SHEPHERD'S RESOLUTION SHALL I, wasting in despair, Die because a woman’s fair ? Or make pale my cheeks with care ’Cause another's rosy are ? Be she fairer than the day, Or the flowery meads in May, — If she be not so to me, ‘What care I how fair she be? Shall my foolish heart be pined "Cause I see a woman kind ? Or a well-disposéd nature Joined with a lovely feature? Be she meeker, kinder than The turtle-dove or pelican, — If she be not so to me, What care I how kind she be ? Shall a woman’s virtues move Me to perish for her love ? Or, her well deservings known, Make me quite forget mine own é Be she with that goodness blest. Which may merit name of br ’ If she be not such to me, What care I how good she be ?. *Cause her fortune seems too higt Shall I play the fool and die ? Those that bear a noble mind Where they want of ri hee 6o.4, 194 POEMS OF THE AFFECTIONS. Think what with them they would do That without them dare to woo: And unless that mind I see, What care I how great she be ? Great, or good, or kind, or fair, I will ne’er the more despair : If she love me, this believe, — I will die ere she shall grieve. if she slight me when I woo, I can scorn and let her go ; — For if she be not for me, What care I for whom she be ? GEORGE WITHER. — ROSALIND'S COMPLAINT. LovE in my bosom, like a bee, Doth suck his sweet ; Now with his wings he plays with me, Now with his feet ; Within mine eyes he makes his nest, His bed amidst my tender breast, My kisses are his daily feast, And yet he robs me of my rest : Ah ! wanton, will ye ? And if I sleep, then percheth he With pretty flight, And makes his pillow of my knee, The livelong night. Strike I the lute, he tunes the string ; He music plays, if so I sing ; He lends me every lovely thing, Yet, cruel, he my heart doth sting : Whist ! wanton, still ye ! Else I with roses every day Will whip you hence, And bind you when you long to play, For your offence ; I'll shut my eyes to keep you 1m, I'll make you fast it for your sin, I’ count your power not worth a pin : Alas! what hereby shall I win If he gainsay me! What if I beat the wanton boy With many a rod ? He will repay me with annoy, Because a god ; Then sit thou safely on my knee, And let thy bower my bosom be ; Lurk in my eyes, I like of thee, O Cupid ! so thou pity me ; Spare not, but play thee ! COUNTY GUY. FROM “ QUENTIN DURWARD." Au! County Guy, the hour is nigh, The sun has left the lea, The orange-flower perfumes the bower, The breeze is on the sea. The lark, his lay who trilled all day, Sits hushed his partner nigh ; Breeze, bird, and flower confess the hour, But where is County Guy ? ' The village maid stea!s through the shade, Her shepherd’s suit to hear ; To beauty shy, Ly lattice high, Sings high-bern cavalier. The star of Lovey 2!1 stars above, Now reigns ¢’er earth and sky, And high and low the influence know, But where is County Guy ? SIR WALTER SCOTT. ——— LET NOT WOMAN E'ER COMPLAIN. LET nc’ woman e’er complain Of inconstancy in love ; Let not woman e’er complain Fickle man is apt to rove ; Look abroad through Nature’s range, Nature’s mighty law is change ; Ladies, would it not be strange Man should then a monster prove ? Mark the winds, and mark the skies 3 Ocean’s ebb and ocean’s flow ; Sun and moon but set to rise, Round and round the seasons go. ‘Why then ask of silly man, To oppose great Nature's plan ? We'll be constant while we can, — You can be no more, you know, ROBERT BURNS ee UNSATISFACTORY. ‘* HavE other lovers — say, my love — Loved thus before to-day ?” ‘They may have, yes, they may, my love ; Not long ago they may.” “ But, though they worshipped thee, my love Thy maiden heart was free?” ‘Don’t ask too much of me, my love; Don’t ask too much of me.” “Yet, now ’tis you and I, my love, | Love’s wings no more will fly ?” t * Tf love could never die, my love, Pace Serre shontd vewoy dia” Drawn by John Nelson Marile. MY SWEETHEART’S FACE. My kingdom is my sweetheart’s face, And these the boundaries I trace: Northward her forehead fair; Beyond a wilderness of auburn hair; A rosy cheek to east and west; Her little mouth The sunny south. It is the south that I love best. Her eyes two crystal lakes, Rippling with light, Caught from the sun by day, The stars by night. The dimples in Her cheeks and chin Are snares which Love hath set, And I have fallen in! Joun ALLAN WYETH. Photo. by Moreno. A KNOT OF BLUE. For THE Boys oF YALE. SHE hath no gems of lustre bright I met her down the shadowed lane, To sparkle in her hair; Beneath the apple-tree, No need hath she of borrowed light The balmy blossoms fell like rain To make her beauty fair. Upon my love and me: Upon her shining locks afloat And what I said or what I did Are daisies wet with dew, That morn I never knew, And peeping from her lissome throat But to my breast there came and hid A little knot of blue. A little knot of blue. A dainty knot of blue, A little knot of blue, A ribbon blithe of hue. A love-knot strong and true, It fills my dreams with sunny gleams,— Twill hold my heart till life shall part,— That little knot of blue. That little knot of blue. SAMUEL MINTURN PECK. LOVE. 195 Of Look-at-me and Call-me-to-you (Words that, while they greet, go through you! Of Thoughts, of Flames, Forget-me-not, Bridewort, — in short, the whole blest lot Of vouchers for a lifelong kiss, — And literally, breathing bliss ! “ For shame ! and is this so, my love, And Love and I must go ?”’ “Indeed, I do not know, my love, My life, I do not know.” “You will, you must be true, my love, — Not look and love anew !”” “Tl see what I can do, my love, T’ll see what I can do.” ANONYMOUS. —oe-- LOVE-LETTERS MADE IN FLOWERS, ON A PRINT OF ONE OF THEM IN A ROOK. AW exquisite invention this, Worthy of Love’s most honeyed kiss, — This art of writing bidlet-doux In buds, and odors, and bright hues ! In saying all one feels and thinks In clever daffodils and pinks ; In puns of tulips ; and in phrases, Charming for their truth, of daisies ; Uttering, as well as silence may, The sweetest words the sweetest way. How fit too for the lady’s bosom ! The place where billet-doux repose ’em. What delight in some sweet spot Combining love with garden plot, At once to cultivate one’s flowers And one’s epistolary powers ! _ Growing one’s own choice words and fancies In orange tubs, and beds of pansies ; One’s sighs, and passionate declarations, In odorous rhetoric of carnations ; Seving how far one’s stocks will reach ; Takiug due care one’s flowers of speech To guard from blight as well as bathos, And watering every day one’s pathos ! A letter comes, just gathered. We Dote on its tender brilliancy, Inhale its delicate expressions Of balm and pea, and its confessions Made with as sweet a Maiden’s Blush As ever morn bedewed on bush : {’T is in reply to one of ours, Made of the most convincing flowers.) Then, after we have-kissed its wit And heart, in water putting it (To keep its remarks fresh), go round ©ur little eloquent plot of ground, And with enchanted hands compose Our answer, — all of lily and rose, Of tuberose and of violet, and Little Darling (mignonette); LEIGH Hunt hisses MY EYES! HOW I LOVE you My eyes! how I love you, ‘You sweet little dove you! There’s no one above you, Most beautiful itty So glossy your hair is, Like a sylph’s or a fairy’s ; And your neck, I declare, is Exquisitely pretty Quite Grecian your nose is, And your cheeks are like roses, So delicious —O Moses ! Surpassingly sweet ! Not the beauty of tulips, Nor the taste of mint-juleps, Can compare with your two Lips. Most beautiful Kate! Wot the black eyes of Juno, Nor Minerva’s of blue, no, Nor Venus’s, you know, Can equal your owa ' 0, how my heart prances, And frolics and dances, When its radiant glances Upon me are throws And now, dearest Kitty, It’s not very pretty, Indeed it’s a pity, To keep me in sorrow So, if you ll but chime in, We'll have done with our rhymin Swap Cupid for Hymen, And be married to-morrow. JOHN GODFREY SAxe —~— CUPID SWALLOWED. T’ OTHER day, as I was twining Roses for a crown to dine in, What, of all things, midst the heap Shonld 1 light on, fast asleep, 196 POEMS OF THE AFFECTIONS. But the little desperate elf, The tiny traitor, — Love himself! By the wings I pinched him up Like a bee, and in a cup Of my wine I plunged and sank him ; And what d’ ye think I did? —1 drank him! Faith, I thought him dead. Not he! There he lives with tenfold glee ; And now this moment, with his wings I feel him tickling my heart-strings. LEIGH HUNT. DUNCAN GRAY CAM’ HERE TO WOO. Duncan Gray cam’ here to woo -— Ha, ha! the wooing o’t! On blythe Yule night when we were fou — Ha, ha! the wooing o’t ! Maggie coost her head fu’ high, Looked asklent and unco skeigh, Gart poor Duncan stand abeigh — Ha, ha! the wooing o't! Duncz.a fleeched and Duncan prayed — Ha, ha! the wooing o’t ! Meg was deaf as Ailsa eraig — Ha, ha! the wooing o’t t Duncan sighed baith out and in, Grat his een baith bleer’t and blin’, Spak o’ lowpin oer a linn — Ha, ha! the wooing o’t ! Time and chance are but a tide — Ha, ha! the wooing o’t ! Slighted love is sair to bide — Ha, ha! the wooing o't ! Shall I, like a fool, quoth he, For a haughty hizzie dee ? She may gae to — France, for me! Ha, ha! the wooing o’t ! How it comes let doctors tell — Ha, ha! the wooing o’t ! Meg grew sick as he grew heal —- Ha, ha! the wooing o”t ! Something in her bosom wrings, — For relief a sigh she brings ; And 0, her een they speak sic things Ha, ha! the wooing o’t ! Duncan was a lad o’ grace — Ha, ha! the wooing o’t ! Maggie’s was a piteous case — Ha, ha! the wooing o’t ! Duncan could na be her death : Swelling pity smoored his wrath. Now they’re crouse and canty baith, Ha, ha! the wooing o’t ! Roreeer RURNS THE DULE’S I’ THIS BONNET © MINE LANCASHIRE DIALECT. THE dule’s i’ this bonnet 0’ mines My ribbins’ll never be reet ; Here, Mally, aw’m like fo be fine, For Jamie "11 be comin’ to-neet ; He met me i’ th’ lone t’ other day (Aw wur gooin’ for wayter to th’ well), An’ he begged that aw’é wed him i’ May, Bi th’ mass, if he “ll let me, aw will! When he took my twe honds into his, Good Lord, heaw they trembled betwéem 4 An’ aw durst n’t look up in his face, Becose on him seein’ my e’en. My cheek went as red as a rose ; There’s never a morta! con tell Heaw happy aw felt, — for, thae knows, One could n’t. ha’ axed him theirsel’. But th’ tale war ut th’ end o’ my tung: To let it eawt would n’t be reet, For aw thought to seem forrud wur wrung’y So aw towd him aw’d tell him to-neet. But, Mally, thae knows very weel, Though it isn’t a thing one should own, Iv aw’d th’ pikein’ 0’ th’ world to mysel’, Aw’d oather ha Jamie or noan Neaw, Mally, aw’ve towd thae my mind ; What would to do iv it wur thee ? “ Aw’d tak him just while he’se inclined, An’ a farrar-tly bargain he Il be ; For Jamie’s as greadly a lad As ever stept eawt into th’ sun. Go, jump at thy chance, an’ get wed ; An’ mak th’ best o’ th’ job when it’s donet” EL, dear! but it’s time to be gwon : Aw, should n't like Jamie to wait ; Aw cornnut for shame be too seon, An’ aw would n’t for th’ wuld be too late Aw’m 0’ ov a tremble to th’ heel: Dost think ’at my bonnet ll do? * Be off, lass, — thae looks very weel ; He wants noan o’ th’ bonuet, thae foo!” EDWIN WAUG™: —o—. RORY O’MORE; OR, ALL FOR GOOD LUCK. Youne Rory O’More courted Kathleen bawn, — He was bold as a hawk, she as soft as the dawn ; He wished in his heart pretty Kathleen to please, And he thought the best wav to do that was te tease LOVE 197 f ‘Now, Rory, be aisy!” sweet Kathleen would cry, Reproof on her lip, but a smile in her eye, — “With your tricks, I doa’t know, in troth, what | I’m about ; Faith ! you've taced till I’ve put on my clook inside out.” “Och ! jewel,” says Rory, ‘‘that same is the way Ye've thrated my heart for this many a day ; And ’tis plazed that I am, and why not, to be sure? Por ‘tis all for gesd luck,” says bold Rory O’ More. “Indeed, then,” says Kathleen, ‘‘don’t think of the like, For-I half gave a promise to soothering Mike : The ground that I walk on he loves, I'll be j bound —” “Faith!” says Rory, “I'd rather love you than ithe ground.” — “Now, Rory, 1'll cry if you don’t tet me go ; Sure I dream every night that I’m hating you so ! ” “Och!” says Rory, “that same I’m delighted to hear, For dhrames always go by conthraries, my dear. So, jewel, kape dhraming that same tili ye die, -nd bright morning will give dirty night the black lie! aud 'tis plazed that I am, and why not, to be sure ? Singg ‘tis all for good luck,” says bold Rory O' More. drrah, Kathleen, my darlint, you've tazed me enough ; “cre I've thrashed, for your sake, Dinny Grimes and Jim Duff ; xod I've made mye*{, drinking your health, quite a baste, — ° to I think, after that, I may talk to the praste.” ‘Sen Rory, the rogue, stole his arm round her neck, ‘s soft and so white, without freckle or speck ; aud he looked in her eyes, that were beaming with light, ‘nd he kissed her sweet lips, — don’t you think he was right ? ~ Now, Rory, leave off, sir, — you ‘ll hug me no more, — cat's eight times to-day that you’ve kissed ne before.” : “'Tlsn here goes another,” says he, ‘‘to make ivre t For the 2 pach VMare. *+ sJd numbers,” says Rory cee ee te ee THE LOW-BACKED CAR WHEN first I saw sweet Peggy, *T was on a market day : A&A low-backed car she drove, and rx? Upon a truss of hay ; But when that hay was blooming go And decked with fiowers of spring No flower was there that could conie: With the blooming girl I sing As she sat in the low-backed car, The man at the turnpike bar Never asked for the toll, But just rubbed his owld poll, And looked after the low-backed cay In battle’s wild com-a0: The proud and mighty With hostile scythes deman:: Of death in warlike cars ; While Peggy, peaceful goddczs, Has darts in her bright eye. That knock men down in the uals ~ + Ag right and left they fly ; While she sits in her low-backed car, Than batile more dangerous far, — For the doctor’s art Cannot cure the heart That is hit from that low-backed car a his twillos Sweet Peggy round her car, su, Has strings of ducks aad geese, But the scores of hearts she slaughtera By far outnumber these ; While she among her poultry sits, Just like a turtle-dove, Well worth the cage, I do engage, Of the blooming god of Love ! While she sits in her low-backed car. The lovers come near and far, And sry the chicken That Peggy is pickin’, As she sits in her low-backed car. OQ, 1’d rather own that car, cir, With Peggy by my side, Than a coach and four, and gold galare, And a lady for my bride ; For the lady would sit forninst me On a cushicn made with taste, - While Peggy would sit beside me, With my arm around her waist, While we drove in the low-Lacked car, To be marricd by Father Mahar ; O, my cart would beat high At her ¢isnee and her sip .-- Tre Bnisda gre lea tele laure US POEMS OF THE AFFECTIONS. SALLY IN OUR ALLEY. OF all the girls that are so smart There ’s none like pretty Sally ; She is the darling of my heart, And she lives in our alley. There is no lady in the land Ts half so sweet as Sally ; She is the darling of my heart, And she lives in our alley. Her father he makes cabbage-nets, And through the streets does cry ’em ; Her mother she sells laces long To such as please to buy ‘em ; But sure such folks could ne'er beget So sweet a girl as Sally ! She is the darling of my heart, And she lives in our alley. When she is by I leave my work, ZT love her so sincerely ; My master comes like any Turk, And bangs me most severely. But let him bang his bellyful, 171i bear it all for Sally ; Yor she ’s the darling of my heart, And she lives in our alley. Of all the days that’s in the week I dearly love but one day, And that’s the day that comes betwixt The Saturday and Monday ; for then I’m drest all in my best To walk abroad with Sally ; She is the darling of my heart, And she lives in our alley. My master carries me to church, And often am I blaméd Because I leave him in the lurch As soon as text is naméd . i leave the church in sermon-time, And slink away to Sally ; She is the darling of my heart, And she lives in our alley. When Christmas comcs about again, O, then I shall have moncy ! ''Tl hoard it up, and box it all. And give it to my honey ; ¥ would it were ten thousand pound! I'd give it all to Sally , She is the darling of my heart, And she lives in our alley. My master and the neighbors all Make game of me end Sally, And, but for her, 1’d better be A slava, and row a galley : But when my seven long years are out, O, then 1’ll marry Sally! O, then we'll wed, and then we ‘Il Wéd, ~ ' But not in our alley! HENRY CaREv —_—~— LOVELY MARY DONNELLY O LovELy Mary Donnelly, it’s you I love tne best ! If fifty girls were round you, I'd hardly see the rest. Be what it may the time of day, the place tv where it will, Sweet looks of Mary Donnelly, they bloom 1} fore me still. Her eyes like mountain water that’s flowing on a rock, How clear they are! how dark they are! and they give me many a shock. Red rowans warm in sunshine, and wetted with shower, Could ‘ne‘er express the charming lip that hay me in its power. Her nose is straight and handsome, her eyebrows lifted up, Her chin is very neat and pert, and smooth lik: a china cup, Her hair’s the brag of Ireland, so weighty ana so fine, — It’s rolling down upon her neck, and gatheren in a twine. The dance o’ last Whit-Monday night exceeded all before , No pretty girl for miles about was missing from the floor ; But Mary kept the belt of love, and O, but sh: was gay! She danced a jig, she sung a song, that took mv heart away. When she stood up for dancing, her steps werr 80 complete The music nearly killed itself to listen to he feet ; The fiddler moaned his blindness, he heard he so much praised, But blessed himself he was n't deaf when on~ her voice she raised. And evermore I’m whistling or lilting what , -- sung, Your smile is always in my heart, your na.. beside my tongue . LOVE. 199 But you 've as many sweethearts as you'd count on both your hands, And for myself there’s not a thumb or little finger stands, U, you're the flower o’ womankind in country or in town; The higher I exalt you, the lower I’m cast down. If some great lord should come this way, and see your beauty bright, And you to be his lady, i'd own it was but right. O, might we live together in a lofty palace hall, Where joyful music rises, and where scarlet cur- tains fall! O, might we live together in a cottage mean and small ; With sods of grass the only roof, and mud the only wall! O lovely Mary Donnelly, your beauty’s my dis- tress ; It’s far too beauteous to be mine, but I’ll never wish it less. The proudest place would fit your face, and I am poor and low ; But blessings be about you, dear, wherever you may go! WILLIAM ALLINCHAM. — HER LETTER. i'm sitting alone by the fire, Dressed just as I came from the danea, In a robe even you would admire,"-— It cost a cool thousand in France ;: I’m bediamonded out of all reasor, My hair is done up in a cue : In short, sir, “‘ the belle of the season” Is wasting an hour on you. A dozen engagements I’ve broken ; T left in the midst of a set ; Likewise a proposal, half spoken, That waits — on the stairs — for me yet. They say he ’ll be rich, — when he grows up, — And then he adores me indeed. And you, sir, are turning your nose up, Three thousand miles off, as you read. ‘* And how do I like my position ?.” *¢ And what do I think of New York 7” “‘ And now, in my higher ambition, With whom do I waltz, flirt, or talk?” ‘6 And isn’t-it nice to have riches And diamonds and silks and all that?” ** And aren't it a change to the ditches And tunnels of Poverty Flat ?”” Well, yes, — if you saw ug out driving Hach.day in the park, four-in-hand ; If you saw poor dear mamma contriving To look supernaturally grand, — If you saw papa’s picture, as taken By Brady, and tinted at that, You'd never suspect he sold bacon And flour at Poverty Flat. And yet, just this moment, when sitting In the glare of the grand chandelier, In the bustle and glitter befitting The “finest soirée of the year,” In the mists of a gaze de chambéry And the hum of the smallest of talk, — Somehow, Jce, I thought of ‘‘ The Ferry,” And the dance that we had on “ The Fork ;” Of Harrison's barn, with its muster Of flags festooned over the wall ; Of the candles that shed their soft lustre And tallow on head-dress and shawl ; Of the steps that we took to one fiddle ; Of the dress of my queer vis-a-vis ; And how I once went down the middle With the man that shot Sandy McGee ; Of the moon that was quietly sleeping On the hill, when the time came to go; Of the few baby peaks that were peeping From under their bedclothes of snow ; Of that ride, — that to me was the rarest ; Of —the something you said at the gate : Ah, Joe, then I wasn’t an heiress To ‘the best-paying lead in the State.” Well, well, it’s all past ; yet it’s funny ‘fo think, as I stood in the glare Of fashion and beauty and money, That I should be thinking, right there, Of some one who breasted high water, And swam the North Fork, and all that, Just to dance with ol@ Folinsbee’s daughter, The Lily of Poverty Fiat. But goodness ! what nonsense I’m writing! (Mamma says my taste still is low;} Instead of my triumphs reciting, I’m spooning on Joseph, — heigh-ho ! And I’m to be “finished” by travel, Whatever ’s the meaning of that, — O, why did papa strike pay gravel In drifting on Poverty Flat? Good night, —here’s the end of my paper ; Good night, — if the longitude please, — For maybe, while wasting my taper, Your sun’s climbing over the trees. $00 POEMS OF THE AFFECTIONS. But know, if you haven't got riches, And are poor, dearest Joe, and all that, That my heart ’s somewhere there in the ditches, And you ’ve struck it, —on Poverty Flat. BRET HARTE. —_—e— “WIDOW MACHREE. Wipow machree, it’s no wonder you frown, — Och hone ! widow machree ; Faith, it ruins your iooks, that same dirty black gown, — Och hone ! widow machree. Hew altered your air, With that close cap you wear, — ’T is destroying your hair, Which should be flowing free : Be no longer a chur! Of its black silken curl, — Och hone! widow machree. Widow machree, now the summer is come, — Och hone! widow machree ; When everything smiles, should » beauty look glum? Och he-1e ! widow machree ! See the birds go in pairs, And the rabbits and hares ; Why, even the bears Now in coupies agree ; And the mute little fish, Though they can’t spake, they wisk, — Och hone! widow miuchiee ! Widow machree, and when winter comes in, ~ Och hone! widow machree, ~— To be poking the firs all alone is a sin, Och hone! widow imachree ! Sure the shovel and tengs To each other belowzs, And the ae sings eungs Full ef fecily x20; While alone with your cup Like a hermit you snp, Och hone! widow su.2hree ! And how do you xnow, with the ostaferts Tvs towld, — Och hon: ! widww machrec, -— But you ‘re keeping some poor fellow out in the | cowld # Ock hore! widow wachrza! With such sins on your hex, Sure your pesze would ve fled ; Could you sieep-in your be? Without thinking to ees ‘ t Mistress Jans st Some ghost or seme apy. ic, That weuld wake joa each mght, | Crying “fick bone! widew roachree 5" | Then take my advice, darling widow machree, ~ Och hone! widow machree ! — And with my advice, faith, 1 wish you'd take me, Och hone! widow machree ! ‘Youd have me to desire Then to stir up the fire ; And sure hope is ne liar In whispering to me That the ghosts wovid depart ‘When you’d m2 near your heart, ~ Och hone! widow machree ! SAMUEL LOVER — = THE LAIRD 3 COCKPEN. Tue laird o’ Cockpen h2‘s proud and he’s great, His mind is ta’en up with the things o’ the state He wanted a wife his braw bouse to keep, But favor wi’ wooin’ was feshious to seek. Doun by the dyke-side a lacy did dwei!, At his table-head he thought she ’d look well ; M'Clish’s ae daughter o’ Claverse-ha’ Lee, A penniless Inss wi’ « lang: pedigree. His wig was wee) pocthered, and gaid as wher new ; His waistcoat was white, his coat it was blue ; He put on a ring, a sword, and cocked hat, — And wha could refuse the Laird v7’ a’ that? He took the gray mare, and rade cannilie, — And rapped at the yet o’ Claverse-ia’ Lee; “‘Gae teli Mistress Jean to come speedily ben: She ’s wanted so speak: wi’ the ucird o’ Cockpen.” Mistress Jean she was’ mvin’ the elder-flower wine ; “‘ And what brings the Laird »¢ rc a like time?” She put aff her apren, and on fer siik gown, Her mutch wi ved ribbons, avi gaed awa’ down And when she cam’ ben, he boued fx’ low, Ané. what was his errand he scon tet her know. émazec was the Lais.i when the lady said, Na, 4>6@ is” » leigh curtsie she luratd awa’. | Duevionndersd he wea, but use aigh did he gi'e He mounted tis mare, ard rade carnilie, And after ns thought, as be gaec in-ough the glen. “She ’s det te vefuca the Laird © Cockpen.” 204 cow the? vhe Laird his exit bed mode, ed on what ahe hac said “OG, for ane l’t get patter it’s wanrd Ul get ten. Towac datt te vefise the peind a Torknen ” = LOVE. Neist time that the Laird and the lady were seen, They were gaun arm and arm to the kk on the green ; Now she sits in the ha’ like a weel-tappit hea, But as yet there’s na¢ chickens appeued at Cockpen. CAROLINA OLIPHANT, BARONESS Nath. oe | THE FAITHFUL LOVERS. ("p> been away from her three years, — about; that, ! And IJ returned to find my Mary true; | And though I'd question her, I did not doubt that It was unnecessary so to do. ‘T was by the chimney-corner we were siting : ‘* Mary,” said I, “have you been always true?” “Frankly,” says she, just pausing in ler knit- ting, “JT don’t think I’ve unfaithful been to you : But for the three years past I'll teli yo.1 what {'ve done ; then say if ]’ve been tine cruot. | ‘When first you left my grief vss vncontrollatle, Alone I mourned my miserable bot ; And all who saw me thought me inconsolable, Till Captain Clifford came from Aldershott. To flirt with him amused me while ’t was new : {don't count that unfaithfulness — do you ? “The neat —oh! let me see—was Frankie Phipps ; I met him at my uncle's, Christmas-tide, And ‘neath the mistletoe, where lips meet lips. He gave me his first kiss”? And here she sighed. “We stayed six weeks at uncle’s—how time flew! {don't count that unfaithfulness —do you ? “Lord Cecil Fossmore — only twenty-one — Lent me his horse. ©, how we rodeand raced ! We scoured the downs— we rode to bounds -— such fun ! , And often was his arm about my waist, — That was to lift me up and down. But who Would call just that wefaithfulness? Would you? ‘Do you know Reegy Vere? Ah, how hesings! We met, —’t was ata picnic. O, such weather ! He gave me, look, the first of these two rings When we were lost in Cliefden woods together. Ah, what 2 happy time we spent, — we two! | don’t count that unfaithfulness te you 20] “T’ve yet another ring from him ; d’ ye see The plain gold circlet that is shining here?” ! took her hand: “‘O Mary! can it be That yor—” Quoth she, “that lam Mrs. Vere 1 don’t cali that unfaithfulness —do you?” “No,” I replied, “ for I am married too.” ANONYMOUS — . COOKING AND COURTING. FROM TOM TO NED. Dzar Ned, no doubt youll be surprised When yor receive and read this letter. ve railed against the marriage state ; But then, you se2, I knew no better. Y’ve met a lovely girl out here ; Her manne. is — well — very winning : We're soon tu be—- well, Ned, my dear, I'll tell you all, from the beginning. $? I went to ask her out to ride Last Wednesday — it was perfect weather. She said she could n’t possibly : The servants uad gone uff tegether (Hibernians always rush sway, At cousins’ funerals te b= looking) ; Pies must b2 made, and 3le must stay, She said, to do that branch of cooking. “*O, iet me help you,” then I cried : “Tl be a cocker too — how jolly 1" She laughed, and answered, with a smile, “All right ! but you'll repent your folly , For I shall be a tyrant, sir, And good hard work you ’il have to grapple: So sit down there, and don’t you stir, But take this knife, and pare that apple.” She rolled her sleevz above her arm, — That lovely arm, sc plump and rounded ; Outside, the morning sun shone bright ; Inside, the dough she deftly pounded. Her little fingers sprinkied flour, sind rolled the je-crust up in masses: T passed the most delightful hour Mid butter, sugar, and molasses. With deep reflection her sweet eyes Cazed on each pot and pan and kettle. She sliced the apples, filled her pies, Aud then the upper crust did settle. Her rippling waves ef golden hair In one great coil were tightly twisted ; But locks would break it, here and there, And curl about where’er they listed. And then her sleeve came down, and I Fastened it up— her hands were doughy ; O, it did take the longest time !— Her arm Wed. ame en raund and snowy 202 PUEMS OF THE AFFECTIONS. * She blushed, and. trerabled, and looked shy ; Somehow that made me all the bolder ; Her arch lips looked so red that } — Well -— found her head upen my shcr]der. We ‘re to be married, Ned, next month, Come and attend the wedding revels. I really think that bachelo.s Are the most miserable devils ! You ’d better go for some girl’s hand ; And if you are uncertain whether You dare to maka a due demand, Why, just try cooking pies together. ANONY3roUS, ~~ POSSESSION, A Post loved a Stax, And to it whispered nightly, ‘* Being so fairy why art thou, love, so far? Or why so coldly shine, who shin'st sc brightly ? O Beauty wooed and unpossest ! 0, might I to this beating breast But clasp thee once, and then die blest !” That Star her Poet's love, So wildly warm, made humas , And leaving, for his sake, her heaven above, fis Star stooped earthward, and became 2 Woman. “Thon who hast woved and hast possest, My lover, answer: Which vas best, The Star's beam cr the Woman’s breast ?” “TY miss from heaven,” the man replied, “A light that dvew my spirit te it.” Aud to the man the woman sighed, “} miss from earth a poet.” ROBERT BULWER, LORD LY FTON. (Omen Meredith.y ——s THE AGE OF WiSROM. Ho! preity page, with the dimpled chin, That never has known the barbe.’s shear, All your wish is woman to win ; This is the way that boys begin, — Wait till you come te forty year. Curly gold locks cover foolish brains , Billing and ecoing is ali your cheer, — Sighing, and singing of midnight strains, Under Eounybell’y wirdow-panes. — Wait till you come to forty v2ac. Farty times over let ifichaelwas pass ; Grizzling hair the traia dou clear; Then yor know a boy is ut ass, Then you know the worth of 2 lags, -- Ones you have come to forty year Pledgo ma round ; ! bid ye declare, All go>! fellows wh-se tvards are gray, — Did not the fairest of the feir Com.mea grow e2:1 wearisome ere Ever a month was pet away ? The reide=, lips that ever have kissed, The brightest eves that ever hare shoue May pray ard whisper and we not lisi. Or look away and never be missed, — Exs yet ever a month is gore, Gillies ’s dead ! God rest her Lier, — Fow 1 loved her twenty years syne f Mavian 's merried ; but I sit here. Alone ard merry at iorty year, Dippiug my nose in the Gascon wine, WILLIAM MAKEPEAC? THACKERAY ——~q—— THE FIRE OF LOVE, FROM THE " EXAMEN MISCELLANEUM,” 1700, Tae fire of love in youthful bleod, Like what is kindled in brushwood, But for a moment, burus ; Yet in that moment makes a mighty mojse ; § crackles, and to vapor turns, And. scon itself destzoys, But when crept into aged veins It slowiy burns, and then long remsins, ‘And with a silent heat, Like fixe in iogs, it glows and warms ‘zie long And though the fame te not se great, Yet is the heat as strong. CUARTES SACKYU.LE, Husk. OP DORSER a LOVE, FROM THE “EGY OF THE LAST MINSTR2S,, CANTO HL Anp said I that my limbs wers sid, And said I that my blood was cold, Aud that my kindly five was fled, And my poor withered heart was dead, And that I might not sing of tove ?— How could I, to the dearest thers That ever warmed a dinstrel’s dreso, So foul, so false a recreant prove | dow could } zame love's very name, Nor wiire ws beast ro notes n2 Same | {2 peace, Love tunes che shepherd's reds in war, he mounte tho wertior's eteed ) Y, halls, in gay cite is gee ; In Parslate danare an the grees PRAGMANT: . 203 Love rifcs ths court, the caiap, the grove, And men beles, and acints above 5 For love is heaven, and heaven is love. ¢ leve’s the gift which God has given nan alee beneath the heaven ; itis nos fantasy’s hot fire, Whee wishes, soon as granied, fly ; Hiseth in fierce dasire, With cvad Gasire it doth not die ; It is Una secret sympathy, The silvex link, the silken tie, Which 1 .-st te heart, aud mind to mina, In body and in soc! ea7. hind. SIR WALTER Scart, ey, ‘ 7 1. mAh oe FRAGMENTS. Power = Love anp BEaurty. ” Leve, like death, weveis all risks, ans Tays the shepherd's crock Beside the sc zptre. Leuly of Lyons. E. BULWER-L.YTTO.. Sidst thou but know the inly touch uf love, Thou. wouldst 2s soou go kindie fire with snow, as seek to quench the fire of Love with words. Two Geetlemen ov Verona, Act iis Se. 7. SHAKESPEARE, i y fatet shafts unerring Ore oe before thine altar, Love ick Rav dom, Ch. xe ¥. SMOLLRT. Alas! the love of women ! it is known To be o lovely aud a fearful thing. Sen Yuan, Cant, ii. ‘BYRON. iMfightier far Than strength of nervo or sinew, or the sway Of magic potent over sun and star, is love, though oft to agony distrest, And though his favorite seat be feebo woman's breast. Laodcmta. WORIGVORT There’s a bliss beyond all that the minstrel has told, When two, that are linked in one heavenly tie, With heart never changing, and brow never cold, Love on through all ills, and love on till they die! One hour of « passion so sacred i is worth Whole ages of heartless and wandering bliss : and O, if there be an Elysium en cari It is this, it is this. Thoso curious locks so aptly twined Whose every hair a sovl dota bind. Think net cause men fatiertag Sop. Tv. CAREW iTo sport with Amaryllis in the shade, | ‘Or wth the tangles of Nezra’s hair. Lyeiare, “I{LTON. And beauty draws us with a single nai. Rape of the Lock, Cant, ii POPP. Tie ten nights awake, carving the fashion of » new doublet. Much odo asout Nothing, act th Se. 3 SHAKESrEARB Still harping on m+ Caughter. Fianilet, Aci tie Se. 2. SHAKESPEARE ‘this is the very eustasy