IMAGE EVALUATION TEST TARGET (MT-3) k ^M>Ai -^ fj^ ^^ :/ V] <? /^ / a 'c?l w J> 0'7% /A 1.0 !f:i^ IIM ■is 12.2 I.I 1.25 :^ 1^ 12.0 II 1,^ U 11.6 Photographic Sciences Corporation 23 WEST MAIN STREET WEBSTER, N.Y. 14S80 (716) 872-4503 1 1^ .^. A,^* t^ ,v 4 CIHM Microfiche Series (l\/lonograplis) ICIVIH Collection de microfiches (monographles) Canadian Institute for Historical Microreproductions / Institut Canadian de microreproductions historiques r\f\ Technical and Bibliographic Notes / Notes tect The Institute has attempted to obtain the best original copy available for filming. 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Tous les autres sxemplairas originaux sont filmte en commenpant par la premiere page qui comporte une ampreinte d'impreasion ou d'illustration at an terminant par ia derniire page qui comporte une telle empreinte. Un dee symboies suivants apparaitra sur la demiAre imege de cheque microfiche, selon le caa: le symbols — »>signifie "A SUIVRE" le symbols V signifie "FIN". Les cartea. planches, tableaux, etc., peuvent dtre filmte i dee taux de reduction diffirents. Lorsque le document est trop grand pour *tre reproduit en un seul clich*, il est film* d partir do I'angie sup*rjeur gauche, de gauche ^ droite, et de haut en baa, en prenant le nombre d'imeges n*cessaire. Les diagrammes suivants illustrent la m*thode. 1 2 3 4 5 6 Colonial House Fine Art ^e Department nil PATMTTXTGp WATPP rmnpQ Reproductions of the old and modern Masters in PHOTOGRAPHS, PHOTOGRAVURES, EN G R A V I NGS, CARBONS, ETC., ETC. Artistic framing and gilding in all styles. Pictures arranged and placed in position .... FINE GOLD FRAMES Thk Gauery of Pictures IS Opbn Daily Henry Morgan & Co. ST. CATHERINE STREET Lu a M M HP PRINTED nv THE! HKHAIJ) PHSSS, MONTH KA I,. F N E^xhibition of Arts and Handicrafts ^ Montreal BrancH of the Woman's Art Association o^ Canada j^ j^ j0 j^ ^^ j0^ ITNDKR THR PATRONAttE OF HRR EXCELLENCY THE COt;NTESS OF MINTO Art Galleries, Colonial House, PKillips Square From Oct. 22nd to Nov. 3rd. 1900 Ai Mrs. H) Miss M. Miss Ga Miss K. Miss Eh Miss G ni Miss A Bi Miss Wi Mrs. Hi // M WOMAN'5 ART ASSOCIATION (iNOOnPORATKD) "Cabore ct ^onstontin" H£AD ASSOCIATION Officers 1900-1901 i'rksidknt Mrs. Dignam ELECTED I ILE-PftEStDENTS Mrs. Hkmstkd Mrs. J. E. Hluott EXOhFICW lICEPRES/DE.WTi, Miss M. M. Phulips, Presitkut Montreal Branch. Miss Galbraith, Tresident Hamilton Branch. Miss K. Cochrank, President Brockville Branch. Miss Ermatinorr, President St. Thomas Branch. Miss Georgk Murray, President St. John, N.B., Branch. Miss Aonrs Maulk Machar, President Kingston Branch. Miss Wkir, President Portage La Prairie Branch. Mrs. Hutton, President Ottawa Branch. HONORARY RECORDING SECRETARY Miss F. Lindsay, Toronto. HONORARY CORRESPONDING SECRETARY Miss Emily F. Dknison, Toronto. HONORARY TREASURER Mrs. Alfred Morson, Toronto. MONTREAL BRANCH president Miss Mary M. Phillips. first vice-president Mrs. F. Minden Cole. second t^icepresident Mks. w. S. Kerry. secretary Mrs. D. Crawford. iSSlSTANr SKCKKrAHy Miss M. R. Irwin. rfHiA.sttfu/i Mm. a. p. Dunloh. HOAt/D Mrs. j. h. pkck Mrs. o. B. Bur, and MRS. noVKv M,..s MacV.CAR MRS. HW STROUD MmKoLA..;.. MRS. A,.„x. Woods Mrs. Chas. Bvrd Exhibition Committee PKKS/DKNT Miss M. M. Phii.i,ip,s. HO.\OKA K y .vAt A"/; TA K y Miss M. E. Irwin. ffO.SO/fAA'y TKI-ASfKHK Miss Egcauoh. f/JVA.vce coMMirrrii Convener, Miss Egi,augh Mrs. a. K. Dunlop Mrs. Jas. H. Pkck Mrs. G. B. Buri,and fKl'.SS COMMITTEE iMoo » <^°"vener, Mrs. H. W. Stroud \^fl- ^'"''''' ^''^^t'^inK Mrs. W. s Kkrrv MISS EGI.AUGH and Miss MacVicar, CataLue Miss Botting Mrs Mabstok, ,i '-"wioKue, MRS. marston mi.ss Bklangkr Mi.ss McLkod Moorb S«ctioii JI.-c«te. ntfdUwork, tie. Convener, Mdk. Thibaudhau MimWatt MissGuerin MdE. DK B. MACDONAI.D Mdh. L. Q. Lora.GER Mde. Martiai, Chevalier Mde. Hkrtkl Larocquh Mku.k. Larocque Melle. Amos Mdh. Rottol Mdb. Desbarats MEtLE Gagnov Mrs. Frances McLellae $«ctio« B.-ttioo<l and meMi work. Convener, Mrs. Jas. H. Peck Miss Crawford Mrs. F. Redpath MRS.BOVEY Mrs.A.T.Tayior Mrs^ Phiup Gilbert Mrs. f. Adams Miss Skelton Mrs. W. Miller Mellr. de B. Macdonald Mrs. Walton Mrs. E. A. Whitehead, Jr Mrs. Favettr Brown Mr Mv». M Mr; Mrs. H Mrs. Mr Miss h, Ml! ticttAR €.— etranlct aid Poittry. BU»I,AND *. H. W. STROirn ;x. Woooa ^itt«« H. PRCK JD W. vS. Kbrrv Cataloffue, ISS BBI.ANGKR fc. ERIN LORANGER Convener, Mrs R. C Smith Mrs. Cf. CAVRRHii.t. Mdk. I/nris Prkciikttk MPS. McPiiAii, MishA. MAcDorr.Ai.i. Mrs. MiInuor Mrs. C. Ai,i.oway Miss Hagar Mrs. Dri.macombk Mrs. John Fair MPS. C. A. Ijndsav $((tlOR D.-Be«kblN4lRi Md CtailMr (Uork. Mrs. Anson McKim, Convener Miss Krid Mrs. Lrarmont Mrs. Hi'N'aKY Drummond Mrs. w. I). L,i('.nTHAi.i. Mrs. Miiibrrt Miss A. Van Hurnk Mrs. Coi,bv S<ctieR €.— TaH< aad miRlaturtt. Mrs. Charles Spragge, Convener Mrs. A. A. Allan Mrs. C. McDougall Mrs. Deacon Mrs. MacTikr Miss Sisk Melle. Roy Miss O. Robertson tcctlOR T.-D($iaRt RNd lllttinratlOHi. Mrs. G. B. Burland, Convener Mrs. Jehkrev Burland Mrs. Lachlan Gibe Miss Raylis Miss Sadlier Miss Barry Miss M. J. Sanborn Miss McLeod Moore Miss Penfield Mrs. a1. B. Black $<ttloR fl.-Batket Work. Mm. Wm. Markland M0L.SON, Convener. Miss Black. 'iitl S.J arocque ITS McLellae \*4 ATH Taylor 3AMS R BAD, JK •Section A.— Lace. Needle- work, Weaving. Etc. Salt CxMMti 23 24 25. 26. 28 29 ;<o, 31 32. 33- 34- 35- 36. 37. 38. 39- 40. 41. Crochet Lace, t% yards. Crochet Lace, 6% yards. M8i,i,E RiNFRBT, Quebec Netted d'oyley Netted d'oyley Netted d'oyley Netted d'oylev Netted d'oyley Netted d'oyley Netted d'oyley . Netted d'oyley Netted d'oylev Drawn work do\'Iev Made by Mr.s. John P. Morin, St. Hvaci.ithe Cap, tatting . Crochet quilt . Dozen napkins, drawn work Tablecloth, drawn work. Made by MKi.r.K Victoria Gauthir, St. Pie Embroidered dressing gown Bread napkin worked on nails. Table centre, guipure. Handkerchief, guipure. Handkerchief case, satin. Two pincushion covers, guipure. For sale, apply to Secretary Made by Mklle A. Trbmbi,ay, Longueuil Fascinator, trimmed blue silk Fascinator, cream Fascinator, pink Handkerchief, silk with insertion Macamb Warnaui.t. . Table centre (white daisies^ ■ Doyley (poppies) . Mat (eglantine) Table ornaments fviolets and carnations) Table ornaments (violets and carnations Table ornament (holly) ' Salt cellar mats Salt cellar mats Salt cellar mats Basket of flowers Bibs Mat for glass Bolero, point lace Made by MEi,r.K Rinfrbt, Quebec Hearthrug, wool Hearthrug, wool Made by D. Paui,«t, City. Phice. |2.2S 3-25 3 4. 5- 6. ?• 8. 9. 10. II. 12. '3 '4 I.S. 16. 17 18 19 20. 21. 22. 2.00 1.50 '•25 1. 00 75 65 65 65 50 5-o<) 1.5" 25.CX3 10.00 20.00 3.00 3.00 3.00 3.50 3.00 2. 00 2.00 2.00 2.00 1. 00 1. 00 1. 00 0.7s 1.50 1. 00 2.00 7.00 6.00 80. ' 81. ( 82. 1 83. i >^eedle- £tc. tyaciiithe. Pkice. $3.25 3-25 2.00 1.50 '•25 1. 00 75 ^5 65 50 5.00 1.50 25.CX3 ro.oo 20.00 St. Pie. jueuil. 3.00 .^.00 300 3-50 3.00 2.00 IS) 2.CK) IS) 2.00 2.00 1. 00 I. 00 I. 00 0.75 1.50 I.CX) 2.00 7.00 6.00 42. Knitttd quilt 16.00 Made by Mdk J. R. Chagnon, City. 43. Unen quilt, red and white design 5.00 MadebyMDR Barnab^ Chevrirr, Vaudreuil 44. Centre piece ) 45- Twelve doylies J Made by Miss Van Fbi^EN, Quebec. 45. Lace front 47. Lace scarf 48. Centre piece Mrs. Bell. 49. Handkerchief, drawn work 50. Centre piece, drawn work Mde. a. Desnoyers, Belneil. 51. Battenberg centre piece J. W. EsTKY, St. John, N.B. 52. Linen tablecloth, drawn work and needle work 53- Embroidered pincushion 54. Handkerchief, point lace 55. Cream satin cushion 56. Fancy handkerchief Emma Beausoi,eii,. 57. Silk lace collar and cuffs 58. Twelve white silk d'oyleys, embroidered ^ with butterfly, each, 59. Two squares, drawn work on grass linen, each 60. Scarf, same work 6i. Neckbands and cuffs, gold embroideries on white cloth 62. Shawl embroidered on white crepe Chine, long knotted fringe Blanche Poulette. 63. Sofa cushion in Turkish embroidery 64. Sofa cushion in Turkish embroidery Sistero of St. Margaret. 65. Two pieces for front of dress 66. Handkerchief 67. Collar for jacket 68. Handkerchief border, unfinished. Psyche Grant, Toronto. 69. Homespun portiere 70. Homespun portiere 71. Quilt (wool) 72. Quilt (wool) 73. Six yards catalogue portiere 74. Quilt (cotton) Made by Native Women of Parish of Tadousac, P.Q. 75. Tea cosey 76. Handkerchief case 77. Lace Sisters of the Church, Ottawa. 78. Cushion cover, green satin 79. Cushion cover, Mexican design Mrs. M. R. Bradley. 80. Two point lace d'oyleys, each 81. Crcwn for hat 82. Large lace butterfly, tipped with gold 83. Small lace butterfly, tipped with gold i.oo 50.00 10.00 30.00 20.00 3.00 1500 325.00 6.00 7.00 1500 4.00 10.00 •50 7.00 00 -.50 5500 20.00 20.00 3.00 & 4.00 25.00 5.00 3'Oo 4.00 3.00 4.00 2.00 3-00 de 6.50 50 50 00 00 25 25 00 fi.i.' M 85 87. 2.00 1 .00 '•?5 150.00 89, 90. 91- 92. 93- 9-4. 95- 96. 97- 9«. 99. 100. lOI. 102. 103. 104. 105. 106. 107. 108. 109. no. III. 112. Tl4. '15- 116. 117. ri8. Hat ornaments, each Cream Fleur de li.s Strip of tape trimmed with down, sewn on so finely that the whole makes a pretty fnr, w-h.ch might be called "artificial tur. It may be washed like a piece of cotton without being hurt Made by Km I UK Morin, a girl of 14, Kor price see Secretary. 88. Black net, embroidered in straw. Said to have been made in the time of Queen Mary of Scotland, as her maids of honor rom Handers were known to be experts in laceniaking. Owner knows it to have been an heirloom in a Scottish family and descended to her direct Charlottk E. Sh.wv Qu'lt'^^'"''' '"' ^^^"'^'•i-K A. Bannister. Ear laps. ®^^ Secretary. Two tidies. Made by Mkllb. Biron, L'Assomption Embroidered table centre Embroidered d'oyleys. Yoke and revers, Ba'ttenljerg lace'. Lace, Battenberg, , y, yards. See Secretary. Made by Muk. St. Jk.\n. Hand-made bedspread, crocheted Made by Ml.ss A. E. Gr.^nt. Point lace handkerchief Point lace handkerchief, 30 years ol<l Point lace collar, 30 years old iJanish antique drawnwork Society of Dkcorativk Art. Three pair pillow slips, each One pair pillow slips Four embroidered .squares, each Two embroidered squares, each DorKHOBOR lNDl'.ST.VI.\I, COMMITTlJK. r,„ ■ •,, P""" particulars, see Secretary One pair pillow cases, drawn work lea cloth, drawn work Tr.^y cloth, drawn work Made by Mr,,.;. Mai.hoit, l.ongueuil Centre piece with roses |I2.0() lo.oo 8.00 10.00 5-0O 10.00 10.30 2.50 2.25 12.00 6.00 2.00 Baby's cloak Pincushion Sofa cushion Picture frame. Made by Mde. E. A. Barsalo. Lace handkerchief Sample >^ yard Honiton lace, per yard D'oyley, Honiton, per sei ""■>'" From Women's IN.STITUTE, England Lace sideboard scarf. ^"t,iana. Mary Rkgan, London, Ont. 14.00 S-oo 13.00 3-00 8.00 12.50 5.00 m 2.CX) I .CX) 1-75 I'or 150.00 I12.00 10. CK) 8.00 10.00 5.00 10.00 10.30 2.50 2.25 12.00 6.00 2.CX} 15-00 10.00 14-00 5-00 13.00 3.00 8.00 12.50 500 Section A. — Lace, Needle- work, Weaving, Etc. Eoan €xAibit(. 1. Table centre and two d'oyley.s, niediffival pillow, etc., Irish. 2. Wedding veil, Limerick, 100 years old. 3. One small piece of fine old Ivnglish point. 4. One Ro.se point handkerchief. 5. Piece of Indian beetlewing and gold embroidery. Mrs. H. Allan. 6. One Spanish lace scarf, black silk. Miss Elsik Scott. 7. Good example of Venetian lace. Mrs. Thomas Tait. 8. Swedish sampler. 9. Nor\vegian needlework. Mrs. F. D. Adams. 10. Large baptismal veil in old drochel Brussels. A lost art. 1 1 . Brussels lace in process of making. Le r^seau of the drochel and flowers in fine applique. 12. Large scarf of very fine Brussels application lace. 13. Brussels, very fine application (dotted .style). 14. Brussels lace, needlepoint, one handkerchief, one collar, two cuffs. 15. Duchesse (Bruges), two small collars, one hand- kerchief, (Bruges boucld). 16. Malines lace (Flemish), or Mechlin. I. and II. modern. III. old (.single heavy thread, outlining pattern). 17. Valenciennes christening bonnet. 18. Valenciennes, one handkerchief, square mesh. 19. Valenciennes, a very old piece from a vestment belonging to the d'Oudouinent Chapel. 20. D'Alenjon jabot and sleeve rufBes belonging to General Rostolan, Governor of Martinique under Napoleon I. 21. Point de Plume. The work of the Baroness du Bois d= Ferriere. 1700. 22. Blonde (Spanish lace) favorite of Marie Antoinette Queen of France. 23. Chantilly lace pointed shawl in fine Llama wool, black. 24. Guipure, pillow lace capuchon in white Llama. 25. Crepe de Chine shawl, heavily embroidered. 26. India mull child's robe, embroidered by the Baroness du Bois de Ferriere. 27. F'our Cashmere shawls. a. Ventura, a lost art, very old and of great value. b. Indian, black background, modern. c. Persian, blue background, modern. d. French, red backg[round, i8oo. i lis 29- Greek lace for top of sheet. 30. Oreek lace, one small pillow 31. Japanese embroidery 32. Morris embroidery, modern Enelish 33. Chinese cut velvet, square ^"^"- Mrs. Gho. CAVERHir.r, 36. i;ea cloth I.a France roses, ^s' i?,;'"/!^'''''^'^'^^. K"Klish point l,.ce 38. Turkish apron, dyed and woven on hind women of Central Turkey ""' D oy eys of needlework, Snivrna Greek p,ll„w lace, Smvrna ' ^ltSl?r' ''''''■ «"1- taken. Miss M. E. Bayi,is. 39- 40. 41. 42- loom bv 43- Mr. D. a. p. Watt after an old English tapestry "'""'""'^"'''°"'" The Sisters ok St. Maroaret (Anglican, ''■ '^K'.^i^r^a^i^'S, '^---^-t.grandmother |;ScStC^-^^-'i-"epeHod. 51. P.e«s Of patchwork not niUS Mrs. Napier. Piece Hollie lace. Limerick lace, very old. Mrs. Girdwood. Piece of needlework worked r,„ ., ^• with 35 shades o silk boU? tl!^",^^ P^P^"" needle holes are all nlrfl. ^ I '^^^ ^''^e, the A perfect miracle o'^^^ art ' ^'^°V' ^.?°/^«" old. 1851 and ,862 ; Pari.s ,878: ^'''"'^'ted London Mr. Henry Tammadge Example of bead work. Miss Fourdrinier. „-. Mexican drawn work 57. Mexican drawn work 58. Mexican drawn work. .0 <;iii, ^^^: ^- ^- ^°°™' P°rt Hope. 59. Silk embroidered centre piece 60. Point lace table and she/cov^r 61. Point lace handkerchief 62. Point lace cravat ends. ' Mrs. D. Crawford. 52. 53. 54- 55- 56 8a. the work of umont n^e de lONT. fame silk, ■n work edge, iiiid loom bv en. ed prey cot- ted by Wm. silk, uiiciation," :anj. 'andmother iod. 799. Jg the pro- e of paper alike, the years old. i London 63 64 65 66 67. { Porcupine quill embroidered table top, Miss Johnstons, Lachine. Knitted quilt. Mrs. Olikrhead, Heart's Content, Nswfoim.llftittl One lace lappet, very fine, over 150 yvm III uwiiers' lamily. The MissBS Dinning, (a) Greek netted cap. (b) Work bag embroidered at B^thltheiH of Judea, endof last century. "»"ein 01 Modern French embroidery in ribbsnds siitl silk for dress trimmings. Miss E. J. Watt. 68. Piece of lace, old. 69. Cope, old. 70. Fragment of tapestry, old. SisTBRS OF THB HoTBi, DiKu, Montrwl, (§et Cope, i8th century. Chasuble, 1838, worked by Sisters. Altar cloth, worked by lady boarders, befurt lilt Purse, 1730. '' Frame in bead work, 1833. Frame -mbroidered in silk. Canadian carpet embroidered in homesptill weol. Woollen blanket, woven in the convent. Three samples of rag carpet. Grbv Nuns, Montreal. Embroidered waistcoat, belonged to OeHklHlteffv, Mrs. C. MacDougai,!,. Sample of Buckingham lace, now e»tlnet SSd vefv valuable. ' Mrs. C. Hatton. Sample of all hand work, old and valHsbla The same. ' Lady Kingston. Turkish bead sash or girdle, very old, Mrs. Spraggb. ^"•"^ii",!*^* ^. *" English soldier whil? a «ri»OB#l' m Malta. There are 29,000 pieces of pjotfl, fettt-e sentmg every regiment of the English Afiiiy, It IS all hand sewn, and took over three vanf^ in design and make. /cami" Mrs. Charlbs H. Nbmon. Initials in tambour work, and Renaissanee Stikh, Artist— Madamb J. H. Lahivi^rh, Screen, Begonias. Panel, Daffodils. Tablecloth, Begonias. All original designs worked from growing flewefl, Mrs. G. W. Simpson. Louis XV. embroidery. Waistcoat (bftlf), sstlu semde with rosebuds, scroll and floral l*§r»1er and pocket. Paris, about 1740. (From pavishehuftih near Quebec. ) Mr. W. D. Lighthai<i<. Pine old lace handkerchief. Dr. R. Wimon. 83. 83. 84. 85. 86. 87. 88. 89. 90. 91. 92. 93. 94 95 96 97 (>8 99 t(KI Itll. 1(11, loj. 10,4. '",1 ll)f) 107, ItiH, 1 1 19, 110, lit, til, 113. 114. 11,5. 116, 117. US. 119. lao, lat. Three atrips of embroidery and insertion. One strip of embroidery, silver and red. Two strips of embroidery, silver on white. Two d'oyleys, silver and red, Ten luce d'oyleys, drawn. Two ."iqiiare d'oyleys, drawn. One Hiiiiill tablecloth. f )ne sideboard cloth. I'lveiiairs lace towel ends. One single end, lace. ( )ne pocket, worked in Russia for Industrial Rooms, Moscow. The DonKHOBoR Industrial Com-mittrk, under National Council of Women. One costume, made and worn on vSundays by the Ooukhobor women in our Nortli-West, composed of uiiderKarment, stockings, shoes, skirt, woollen apron, print jacket, velvet jacket, capand knitted toque , Two d'oyleys, made by Doukhobor women. DOUKHOBOR iNDUSTRIAt, COMMITTKB. '^)lie copper bowl. One belt. Two wooden spoons. Two pairs woollen gloves. Oirl's apron with shoulder straps. llftlidkerchief worked with M. White apron, with lace drawn work. Towel with lace ends. Work of DofKHOBORTSI. 3 Strips of embroidery and insertion. 1 Strip silvpr on red. a Strips silver on white. 2 D'oyleys, drawn. 10 I^ace d'oyleys, drawn. 2 Squares. {t. I Sinall tablecloth. J. I Sideboard cloth. 1. 5 Pairs lace towel ends. ti Single roll. . 1 Pocket, worked in Russia for Industrial Rooms, Moscow. One costume, Doukhobor woman. Doukhobor Industrial Committrr. a. Copper bowl. b. Belt. c. 2 Wooden spoons. d. 2 Pairs gloves, wool. e. Girl's apron with straps. f. Handkerchief. fr. White apron, drawn work. I. Towel lace ends. Made by Doukhobors in North-West. Mrs. Fitzgibbon, Toronto. One piece English darned lace. Miss MacKrand. Portiere of silk catalogue. Made by Grey Nuns. Mrs, C. Spraggr. Satin Quilt, pale blue, embroidered. Mmb. J. R. Chagnon. Tablecloth, Oriental embroidery done by an En- glish lady 76 years of age. a, b. c. d. e. f, irtlon. red. white. lustrial Rooms, IMITTRK, II. iiiulays by the .Vest, composed , skirt, woollen c.'ip and knitted women. TTKR. ustrial Rooms, TTHR. oukhobors in Grey Nuns. le by an En- Small panel of embroidery of fish scales and silk. Mr.s. G. B. Burland. Navajo blanket. Navajo .saddle blanket, Navnjo blanket. Mrs. W. Markland Moi^on. Pair of court lappets of Bru.s.sels lace and one strip of Brussels lace, believed to be 200 years old. 6 pieces of Mexican work, made in a convent in Mexico. Mrs. C. F. Deacon. One lace (Malines) weddinR dress, over 150 years old. One wedding veil, over 150 years old. One gold embroidered scarf. Mrs. Bklasco. Two tapestries, representing birds and flowers. Screen forms, mounted on tripod, about 100 years old. Mi,i,E. M. Larocque. One pink gown, all hand made. One brocade gown, all hand made. One hand embroidered petticoat. Three fichus, hand embroidered. One blonde scarf. One hand embroidered baby's dress. One lumd ettibroidercd baby's waist. One hand embroidered bag. One yellow crape Chinese shawl, reversible em- broidery. All over 75 years old. Garments worn Catherine Torrance in early part of century. Mrs. N. \V. Trenholme. Strip of Swedish needlepoint, very old. Bureau cover, white drawn linen with Dresden China floral design, specially noteworthy for the harmony of color. .Swedish tapestry strips. See note. Mrs, John McDougall. Brussels lace handkerchief needle point, made specially for the Queen of Belgium. Mrs. Thomas Drummond. Piece of lace veil hand work, 1842. Lace handkerchief. Worked handkerchief. Handkerchief border of hairpin work. Mrs. E. p. Hannaford. Skirt, veil and scarf, hand embroidery. Worn as a wedding dress in 1812. Black Maltese lace shawl. Tatting. Made by Irish peasant. Wire thread black Valenciennes lace. Old lace. Mrs. C. MacDougall. 154. Screen, tapestry work, representing Don Quixote, 1820. Mde. J. O. Gravel. 155. Collarette, fine muslin, 100 years old. 156. Collarette, embroidery, hand worked on tulle, 100 years old. 133 "3 124 "5 126 137. 128. 129. 130. I3'. >32. 133- 134. 135. 136. 137. 13«- 139. 140. 141. 142, 143. 144. 145. 146. 147. 148. 149. 150. 151- 152. 153- by I II 157. Collars, hand embroidered, loo yeari old, MUB A. Larocqub, Chambly. 158. Russian embroidery. Mrs. Lambert. 159- Set in Valenciennes. 160. Piece Malines lace. 161. D'Aubusson tapestry i6a. Two Ceintures Flichies. Mmk a. Boykr. Parasol cover, Brussels application. Mmk Amos. Torchon lace (on loom). Mmk F. X. Choqubt. Lace collar. Mmk E. Ostigny, St. Hyacinthe. Silk banner, Hebrew letters, 300 years old, Jerusa- Ancient cotton print. Mr, D. a. ANSEtL. Embroidered shawl from Delhi, India. Mrs. MacVicar. Embroidery in outline, wools on twilled grey cot- ton sheetxng, designed and executed by Wm Morns & Co., Ltd., London, Eng., 6 feet by 5! Mr. D. a. p. Watt. Modern Venetian point lace handkerchief in silk valued at $1^.00. Representation of the Annunciation in silk and gold, on white satin ; copy of an old English tapestry, valued at (50.00. Sisters of St. Margaret, Lady's dress of the i8th century, black network with chenille. ' Gentleman's white silk embroidered waistcoat of the 1 8th century. Hon. Mrs. Wadd. Knitted quilt. MiNA Ollerhkad, Newfoundland. Greek netted '::ap. Work ba^, embroidered at Bethlehem of Judea beginning of century. Mrs. w. a. Phillips. Porcupine quill embroidery table top. Miss E. G. Johnstone. PoJnt lace lappet. The Misses Dinning. Embroidery by the Countess de Villeroy, 1815. Mde. Roder Roy. Old needlework. Mrs. F. Rolland. Six d'oyleys. One cushion top. Two pincushion tops. Two dish collars. Bath mit. One bag. 163. 164. 165. 166. 167. 168. 169. 170. 171. 17a. 173- 174. 175 176, 177. 178. 179- 180. 181. 182, 183. 184. 185. 186. 187 188 1 89 190 191 193, «93 194 '95. 196. I97. 198, 199. 200. 201. 202. 203. 204. 205. 206. 207. 208. 209. 210. 211, 212. 214. SIS- 216. 217. 218. 219. 220, 221. 222. 223- 224. 225. 226. I old. he. irs old, Jcrusa- lled grey cot- uted by Win. ., 6 feet by 5. rchief in silk, I in silk and 1 old English ick net work, 1 waistcoat of Bd. 5m of Judea, oy, 1815. 187 188 189. 190, 191. 193. '93 194. 195. 196. 197- 198, 199 200, 201 203. 203 304. 205. 206. 207. 208. 209. 210. 211. 212. 213- 214. 215- 216. 217. 218. 219. 220. 221. 222. 323. 334. 325. 226. Large d'oyley. . One collar. Wide edging, 4 yards. Medium eilging, 3 yards. Medium ed^jing, 2 yard.'*. Narrow edging, i^ yards, all knitted lace. Mrs. Jambs Barry Old embroidery from Rhodes. Drawn work over 300 years old, Sicilian. Mr.s. Hugh McLk.nnan. Embroidered tablecloth. Mrs. Rkdpath. Shoes, embroidered porcupine quills. Rug, hand-made, by Acadian women of Cape Breton. Mnn. liKLI.KMARK. Ceinture fldchde and the method of the ceinture fldchde stitch. Two pairs of chamois shoes embroidered by the North West Indians. Jacket, black lace, embroidered in black silk (Houiton luce), worked bv Mde. Rottot 36 years ago. Sleeve ruffles ( Honiton ) . Handkerchief, drawn work. Old fichu, Chantilly lace. Old canvas, embroidered by the mother of Dr Rottot. Mdk. Rottot. Table cover, Honiton lace. Mdk. Raymond. Cape. Pair stockings. Petticoat. Baby's shoes, .stockings and jacket. Bead basket. Tea-service, beadwork. Dress made and cut out bv the Blind. Made by The Bmnd of Nazareth Asylum. Piece of East-Indian work. Mouchoir case. Handbag, green silk and Berlin wool. David McCord. Yellow China crape shawl, with fringe and violet and rose flowers and leaves, 175 years old. Small beaded bag representing harv-esting, 150 years old. White lace, point d'Ksprit. Small Chantilly lace jacket (black). Mklle. Marie Charlebois. Patch work quilt 60 years old. Miss Baird. Child's cap, knitted by an ancestress of the Papineaii family. Quilt, hand-made by Madame Trudeau in 1825. Mde. Joseph Beaudry, Loom for working guipure lace. Two pairs of stockings . Pair of shoes. Albstockings in lace (priests' wear) m mai of spinning with aa7. Embroidered cope aad. Samples of colored lace. Rkvkrknd S.sturs oi' thk Good Shrphkri,. "9. Samples of emljroidery for initials, ...onoKn.ms etc Made by Mhi,i,k Orandidkr. 230- Ouipurc Ince curtain 231. Guipure lace. 232. Lnce curtain. 233- Surplice. 234. I'airofembroiilcred scanularn 235. Small hammock. 236. Pair woollen stockinirs 237. Pair cotton stocking ' 238. Necktie, black wool " 239. Suiall work box 240. Woven silk ciuilt. 241. Circular towel, flax linen 242. Napkin.s, flax linen 244: CoKteT"' ""^""' *^^^"" """^ •■'''^''' 245. Quilt. 246. Soap. 247. Pair leather .shoes. 24H. Cap, embroidered black silk 249- Spinning: wheel and process di.staff. ^ 250. Weaving loom. 251. Woven blanket. Small mattress. « SiSTKR.s of MkRCV. Drawn table cover. Miss G. Gkrin. ., . Bmbroideries and laces S.STRR.S OP THE CoNGRROATtON V,U.K MaR.«, Monklands. ' 25.S. Embroideries, laces and drawn work. Sisters Jk.su.s-Marie, Hochelaga. 256. One netted quilt. Mrs. J. O. CUTHBKRT. 257. Hand embroidered vest about 150 years old. Mrs. Bklasco. 258. Bolero, Renaissance lace. Mei.lk. Remillard. '^^' ^%"L°J^ ""broidery, lon^ point silk on a silk Sv' Wnru'^/^;"'" ofVoman representing cnarity. Worked about l8os bv Mde Willin ,, Mason, nde Emilie Turgeon,'the^n ,5 vears'S Mde. Provencher. Work done by North-West Indians. Mde. L. a. Boyer. 261. Silk dress, hand worked, over 100 years old Miss U. O. Thompson.' m W^"}"^' 'ace mantilla, bought in Spain in 17.0 263. Hand made embroidery. 1848 ^ "°- 264. Alphabet on canvas, embroidered in silk, 1840 Mrs. M. Davis. 252. 253. 2.S4- 260. fRrilRRI). onoKrnins, etc. [)iniiin>{ with R Marib, old. : on a silk epresenting 1e. William yenrs old. old. n 1750. , 1840. »6.V 366. 267. 368. 369. 370. 371. 273. Printed »atiu decorative piecet, painted in indelible dyes, preservinK '>oth the transparency and texture of the satin. Design not original. Mrs, Pknnington. Embroidery dont- \>y coolie woman, Island o Jamaica. Centre |)iece, lace work, with native ferns. Mrs. W. H. Drit.mmond. Old lace, 17.J.). " Valenciennes," " Point i\ Alcn- V-on " and r)L'ntelle Ilourdalaise," of which the .stitch ha.s Ix'eii I'.st for manv years. ' t'nnst and made in the 273. 374. 275. 376. J77. 378. 379. 380. 381. 383. 283. 384. ^85. 386. 387. 388. Tanestry or picture in needlework Marguerite," Tapestry, " Tlie Kaster Morn." Mmk I)K ». MAcnoNAi.n. Embroidered and drawn bed linen city. See secretary, Mrs. Sh.u-ciinkssv. Crocheted and cross-stitch afghan, made 30 vear" ago in New York. Mk.s. \V. Marki.and Moi,son. Italian curtain. (See notes.) Piece of Donegal rough embroidery. (See notes.) Mr. d. a. p. WArr. Piece of silk catalogue. ( See notes ■ One Ru.ssian apron. Mi.ss Skki,to\. Embroidered pocket, 1800, showing where the idea of our present embroideries on white linen came from. Needle work picture, "Fort of Chambly," by Mrs John Hall, 1800. ' ^ Map of England, by Mi.ss Gamble, lyHa, silks on ^ white satin with wreath of natural emblems. French waistcoat, green, spangled and embroidered on silk and ribbon work, belonged to Sieur de le Pailleur. English waistcoat in white silk with colored em- broider>-, belonged to Captain John Morrison. Mrs. Lindsay, Two pieces Bulgarian embroidery. Mrs. H. MacCulloch. Embroidered stole, worked by Mrs. D. A. Barrett. Rev. Mr. Mackav, Ottawa. Embroidered stole, worked by Mrs. D. A. Barrett. MI.SS Code, Ottawa. Purse or bag, belonged to the family of Margane de la Valtrie, whose last descendant in 1773 married the Hon. Charles Gaspard Tarieu de LanaudiSre. Ceinture fldch^e, 1790. Mr. Charles de Lanaudierk. Linen tea cloth. Mr. Arthur Pumsoli,. Court Costume Louis XVI. (about 1780), belonged to Michel-Eustache-Gaspard Chartier, Marquis de LotbiniSre, seigneur of Vaudreuil (Beauce) Hocquart, Alainville, etc., engineer of Fort Carillon. Mrs. Robert W. Harwood. »«9. It«lliti lace a9i. '9» »94 J95 396. ■197 ■ 399. 300. 301 302 .V->3 305. 3<j6. 307. 308. 309. very r«re. Miss Ch. Ui prk, White Unen quilt, .Iruwn work au.l e.nbroiclery Mrs. H. Harkowku. Lace tx)l«M). W1S8 llHADPIKM) Bnby'ii dress. Ruby's (lreM». Hiibv's cap. Th^se three show the nee.llework of e.Khty ye«r. Miss S. A. Phillips • ''^'7'"^*'" picture, •■ V■^^u\u^^^ „f M.me, " Of.r Month KAi, Ladv. Italian bed-snread earU- i«ti. beautiful cJaiuple ' '*' '•""'"'>•■ " "«"" Hon. Oeohck a. Okimmond. Fine Irish lace. MmkJ. R. Ti.inAii.KAr period of taneilr 'weSir '^'^ " n"'" l"^''* , I'riKhtness o^be- colors ^ '"" ""^ '''«"'■ japa,,cj.^wall haiiKiu,, euibroidore.l. Karly ,9th ^'"^Si;:" .^i!?;;''"*^^"-^'' ^»""- «^>«-ical subject. • '"'Sr^lh ^K- ^"''i-t, clouds, leaves, etc. ' h!V"T,M°^"-"' ■''"' embroidered. ■ :"KSo^oS^£a4 - peonietrTcal patteni hei vil 1 1 ^T^''\ ""'' " I eisian block pnnte<] calico. .S'R William Van HoRNK. Mrs. C. MacDougall. Cashmere shawl, green centre, oblong. Miss Eglaitgh. cmbroiiiery. of eiRhty yciirt Mohe-i." Over I'V Mrs. Mnry '. lUriry Kirke ntury, a iiioNt "bjecl, Diana Ic of tile best ote the clear Karly igtli ssical subject. is, leaves, etc. :d. Note the tlie Monks of ingin>{. Pea- ; cloth. Red >rder and a I and worked Belonged to ther of Col. ay. Section B.— Wood and Metal Work. Salt CxMDIti. 1. Queen Anne cruet stand, liefore sliver was lettered Mi.ss Okack Roukrtson. J. Ancient I.oiiis XIV' iloi'k .V Ancient Persian ewer, basin and tray 4. Kmpire'<")rniolu" clock 5. I'rn\i'h I'.cnais-iance gridiron 6 Ki'ipiie Citndl' ticks 7 Ancient Jewibh lamp, i6tU century M. Ancient Spanish w(M)d carvinK, re'presentinx St. foseph and the Child 9. Old Uuglish mahoxiiny clock 10. Lower part of Dutch bird cane I7lh ccnlurv (hand repoussd) I'At'I, IlKAl' & Co. 11. Mar(|ueterie tray I a. Marqueterie tray 13- Oratidfather's clock case. 14. Hc-e clock case I,"). Box for photos 16. I'l.iyin>{ card box 17. Playing card box for two sets of cards 18. Uox for stamps 19. Box for .stamps 20. Match rolder ai. Pair of sides for blotter If made up into blotter aa. Carve' stool 33. Carved panel E. M. Crawford. a4. Moorish electrolier lantern 35. Moorish electrolier lantern a6. Wrou>{ht iron lantern ay. Wrought iron lantern aS. Japanese lantern Garth & Co. ag. Chip carved card box in red cedar 30. Chip handkerchief box in red cedar 31. Relief carved pipe E. Camkron Edwards. 3a. Picture frame 33. Picture frame 34- Box MissE. M I'ishkr. 35. Child's head, pyrographv 36. HlM.l 37. Panel 38. Tray E. A. D. Hbming. 39. Silver teapot. Time of George IV., i8ao 40. Bronir vase inlaid with gold PRICS. 60.00 ao.oo 75.00 4.00 15.00 18.00 lo.uo 50.00 to.oo S.oo 3.00 1.50 a. 00 5.00 1.50 a. 00 i.uo 1. 00 I.OO a.oo S.oo to.oo S.oo 44.00 37.^ 13.50 14.35 ao.oo 3.00 4.00 4.30 10.00 5.00 10.00 7.00 10. 00 10.00 3.50 90.00 35.00 II ♦■1 |I5. 41- Battersea eiiamei vase, old Mrs. Char: hs H. Nhlson 42. Ktenr de lis i.airiphor wood chest 4^■ Wail box Ki.izAnKTH Haskktt. 44- Chest (walnut) 45- Tabouret (oak) 46. Palm stand (butternut) 47. Large box foak) 48. Uirge box (butternut) 49- liox lehonized mahogany) 50. Photo Itracket (walnut) 51. Photo frame 52. Footstool (oak) 53. Teapot stand 54. Fish JAMKS W. LaIDLAW. 55- Kellows carved by Miss Stevenson 50. I'ranie car\'ed by Miss Stevenson Mrs. Hbnrv Fry. 57- Car\'ed hall chairs 58. Occasional table (carved) 59- 3'ox (poker work) Artists, Fraui,kin Wettkri.and and Miss Tenner 00. Oil lamp , „ , R- M. Hannaford. 01. Book-case 62. Table 63. Fern box , „ ^ ^ ^ Helen Baker. 64. Hat stand 65. China cupboard 66. Writing desk Mrs. Milks Williams. 67. Old Flemish repouss^ plaque 68. Very old mahogany octagonal Sheraton wine cooler. Very rare 69. Antique dower chest. Tudor period. Very nne and rare example Antique Marie Antomette gilt chair A museum piece Genuine i6th century suit of chain and plate armour. Damascened. With shield and two-handed sword Old Sheraton quarter circle corner stand in mahogany Fine old Sheraton dressing table. Exceed- mgly rare and valuable piece Antique Dutch marquetry inlaid side chair with ormolu moulding ' Leather screen. Reproduction of old paint- ed leather '^ 76. Enamelled Turkish tray on brass 77. Reproduction of antique arm chair Original in the Nuremberg Museum 70. Engraved dish 79. Enamelled flower vases each 80. Old Clementi pianoforte, made in the be- ginning of the 19th century. Clementi an Italian musician of the i8th century' resided in London, Eng. , and formed a partnership with an English gentleman named Goddard. Castlk & Son. .00 .00 ,00 ,00 ,00 00 00 00 00 ,OQ 00 00 00 •50 ■SO 00 00 75 10.00 70. 71. 72. 73. 74. 75- 13 9 5 150. 250. 250. 25 85. 80 45 00 .00 .00 .00 .00 ,00 00 00 00 00 225 35 70 25 180 10. 75- 15- 7. .00 .00 .00 00 00 00 00 00 25 81. 82. 83. 84. 85. 86. 87. 88. 89. 90. 9i- 92. 93- 94- 95. Irsoo 10,00 3.00 17.00 15.00 12.00 7.00 5.00 4.00 4.00 a.oa 5.00 3,00 3.00 3.50 1.50 4.00 8.00 2-75 ss Jenner. 10.00 12.00 9.00 5.00 150.00 250.00 250.00 81. Picture frame in Italian Renaissance (two portraits ) 82. Picture frame, designed and executed (with- out centrepiece ) by Ph. Proulx Artist, Phit.ippb Proui,x. Pokerwork taboret Pokerwork fancy shelves Mrs. W. J. Draynbr. Renaissance paper rack Pktkr Morin. Piano bench Corner bracket Bowl Bowl Frame 91. Frame 92. Frame Frame Card basket Artist, Mrs. Murray. Wardrobe copied from antique. Cbrini 83. 84. 85. 86. 87. 88. 89. 90 93 94- 95. I50.00 30.00 8.00 5.00 15.00 12.00 7.00 25 25 25 25 25 25 50 iraton Very plate 1 and id in :eed- hair, aint- 25.00 85.00 80. ou 45 -oo lair. ach, be- :nti, iiry, d a nan 225.00 3S-00 70.00 25.00 180.00 10.00 75.00 15.00 7.25 II 12 J3 IS. i6. 17- 18 19 21 32. 24- 25- 26. 27. 28. •Section B. Wood and Metal Work, Coan exhibit. . Gold-headed cane. , Indian silver pot or jardiniere. Miss Grack M. Robe:rtson. Silver bracelet made by Haidah Indians, B.C. from trade dollars; pattern, conventional Beaver. Candlestick, used by Champlain. Mrs. Harrington. ^^dlk paUernf "^ """ '''"''' °^^ ^"S""'' ^^^'PP^"- R. Tait McKenzie, M.D. . Mosque lanip, brass, pierced and engraved with inscription, partially damascened with silver Old Persian. A good example. Mr. D. a. p. Watt. Old mahogany tea caddy. (See notes.) Mrs. Kerry. Canadian chair, about 150 years old. Montreal Lady. Wood carved panel. KcENiG, Boston. Pewter porringer. Miss M. J. Sanborn. Old silver sugar bowl. Six Apostle spoons. Silver salver. Japanese mirror. . Cloisonne vase. Mr. Henry Tiffin. . Carved panel. Designed and carved by Mr. Kurrle of Montreal. Bracket lantern. Designed by Mr. Kurrle, and chased by Alex. Bruce, of Montreal, The Robt. Mitchell Co., Ltd. Study of a chestnut leaf. Butternut panel. E. Cameron Edwards. Carved horn bowl from Queen Charlotte's Island Forty years in present owner's possession Very old carved horn bowl, made by Queen Char- lotte Island Indians, for holding oil Slave killer or fish killer, made by Alaskan Indians. Horn spoon made from the wild goat's horn, Rockv Mountains. Poi bowl from Sandwich Islands. Carved bucket made from a section of the red fir tree, and used for holding dried fish. Russian samovar, including tray, bowl and chimney Brass hot water pot, Russian work. Copper bowl, Russian work. 1 and ).v. Indians, B.C.i entional Beaver- nglish Chippen- engraved, with d with silver. tes.) by Mr. Kurrle, r. Kurrle, and •1, PD. lotte's Island. session. f Queen Char- 1. iskan Indians. s horn. Rocky )f the red fir 1. and chimney. 29. Russian cup, copper. 30. Alaskan bowl of red fir, for fish, etc. 31. Spoon, Mexican silver, filigree work. Mrs. W. Marki.and Mouon. 32. Rosewood chair. 33. Spanish walnut chair. 34. Silver urn. Mrs. C. EC. Spr.\ggk. 35. Camphor wood chest. •36. Wall box. Mi.s.s HA.sKKrr. 37. Silver tea pot, Georgian, 1792. 38. Punch ladle, Georgian, made from half crown piece of 28th year of Charles 11. 39. First Empire chair, Rosewood, inlaid with bras.s. Mr. Wothkrspoon. 40. Mahogany washstand. 41. Mahogany cradle. 42. Inlaid frame, modern Tunbridge Wells ware. 43. Copper candlestick. 44. Copper snuffers. 45. Copper urn. 46. Spanish knife, bone, inlaid with brass. 47. Carved bog oak cross. Irish. 48. Carved Chinese box containing eight discs mother of pearl, also carved. 49. Copper Japanese plaque with gold relief pattern. Mrs. Jam7:s H. Pkck. 50. One frame, Murhayrabich. 51. Hammered iron frame, Sicilian work, 17th century. 52. In above frame, heavy bronze casting. Madonna and child, Italian, 17th century. 53. Brass casting for ornamenting a" casket, early 17th century. 54. Piece of carved wood from high altar of old parish church. Not later than beginning of century. 55. Old Canadian lamp. Mr. William McLennan. 56. Filigree spoon from Bethlehem of Judea. 57. Silver spoon from Jerusalem. 58. Silver spoon from Tientsin, North China. Miss MacVicar. 59. Silver brooch made of Chinese finger shield. Miss J. G. MacVicar. 60. Silver cup and saucer made of Mexican dollars. Mr. D. a. Ansell. 61. Swiss wood carving, a Birds; b Bear. Mrs. R. C. Smith. 62. Welsh chest, more than .150 j-ears old. 63. Welsh chair, age not known, 64. Carved oak settle. 65. Early English chair, mahogany inlaid with brass. 66. Early Venetian chair, rosewood inlaid with brass. 67. Old Sheffield candlesticks (Queen Anne). 68. Dutch candlesticks. 69. Antique copper urn from Wales. 70. Antique copper urn from Sheffield. 71. Antique brass incense burner from old altar in Paris 72. Siamese silver beetle box. 73. Bhuddist idol from Siam. Mrs. T. S. McWhuams. 75. 76. 77. 78. 79. 8o. 8i. 8a. 83. 84. 85 86, 87. 88. Italian, 15th century, from 90. 91. 92. 93- 94- 95 96 97. 98. 99. 100. loi. 102, I03. 104. 105. 106. 107. 74- Carved oak chair, Florence, Italy. ' Bronze incense burner. Chinese Woodef,i!fi'l'?"'^''i''^^' from North Wales Wooden sandal, from Syria, as worn by won'en of Mrs. E. K. Grehnk, I<ire bench. Tray. Cricket. Card tray. Portrait, (Oliver Cromwell. ) Hklen Isabkl Tilton Samples of natural woods. L. E. N. Pratte & Co "slastian'^ak""-^^' '" Oberammergau by iMrs. Jamks Hutchison. Bowl, (owl's head handles). Photo frame (cherry^ AshYra "'''^^ an<l n.atch-holders. Mr. Jamks W. Laidi,aw One^ntal carved hlackwood chair, Bombay. (See Mr. R. w. Ingijs. Oriental carved table, from liombay. Mr. Hugh Paton. Poker work fancy table feilver mounted cocoanut goblet Mrs. William Robertson ' ' ' bword belonging to de Salabeiry. Mrs. C. MacDougall Javanese dagger, „,ade l,y negroes i„ liatavia Mrs. S. Taylor. Solid brass candlestick used hv p;^r» t missionary services. I5oyear?o!d ^'"'°" ^°' Mrs. Cote. 3g^«-^-^--stateservice %iul:^ ''"^'"^ '''°^Shi here under French Dr. E. p. Lachapelle. • Car^•ed wooden shoe, forming a writing case. Mde Rottot Portrait of Victor Hugo Hi.ri, ,„r t ■ Repousse and cSed. ^y p ''tC ,■"'""'• Pair Brittany sabots. Renaissance picture frame Carved chair of antique design. Robert J. Wickknden. 108, 109. no, III. IIS. "3. 114. 115. 116. 117. 118. 119. 120. 121. 132. 123. 124. 125. 126. 127. 128. 129. 130. 131. 132. 133. 134. 135. 136. 137. 138. 139. 140. 141. 142. 143. 144. 145- 146. h century, from North Wales. 3rii by women of erammergau by Bombay. (See 11 Victoria, B.C. Vict( ., I?, c 1 liatavia. !re Lauson for le state service anrler French ig case. Hef in steel. Monchoiix. lentior at the ize," Paris. is, with cast IiilHid wood, 'flip Ust Sup. io8. Old de Lotbini^re family silver. FOHf plee«». 1740. Mrs. DE BBLLEFBUII,I,B MACBUiKAfcfJ, 109. Side dish (old silver). Mrs. dk LoTDiNiiiim Habwuoo, 110. Marqueterie. " Spani-sh Dance." Florentine. 111. Mother of Pearl. Hand carved. per. ' ' 112. Animals, carved by Swiss chilclren- Mrs. Arthur Muuhii.j,, 113. Candlesticks, in bronze, made for tile I'fi|l!!ll Himket after the ladies sacrificed their imvplf as h war fund. Mrs. dk Bki.i.efkuii,i,k Macdonai.K, 114. Model of ship, carved from block of wofnl with a penknife and chisel. Mr. Harrv Prck. 115. Teak wood chair. Mr. Vasev. 116. Old lacquer Japanese wine cup, Mrs. W. Craig. 117. Carved oak table. 118. Cedar chess table (chip carving. ) 119. Walnut bellows, (old Italian design,) 120. Old silver " Paul Revere " iiorriiige)-, 121. Bas-relief (bronze) Barye. 122. Marqueterie smoker's cabinet. Mrs. W. R. Mii<i,ijk. 123. Ancient Norwegian wedding rings, 124. Inlaid pipe. India. I2,'5. Bowl, enamel on copper, from Cairo, 126. Plaque, enamel on copper, from Cairo, 127. Plaque, enamel on copper, from Perijift, 128. Tongs and two spoons, Russian enamel, 129. Spoon, German. 130. Spoon, Italian. 131. Spoon, Auvergne, France. 132. Small box, Norwegian, enamel. Mrs. Frank D. Adamh, 133. Grille. 134. Door knocker. 135. Coat hook (wrought iron.) 136. Lock plate. James Walker Hardwabb Co, 137. Hall gas lamp. 138. Bracket and hanging lamp. Mr. R. M. Hannaforo, 139. Table. 140. Paper rack. 141. Panel. Miss L. A. Girdwood. 142. Carved mahogany portfolio. 143. Carved chest, mahogany and canjpUaf woetl, With copper trimmings. 144. Carved glove box. 145. Carved chest. Mr. P. H. Gilbert, 146. Carved chair from Bombay. Mrs, Fry. ii i I i i m ■''Pi ,^i*i «47- t4H. M9. l.V. 153. I5(. 155. 157. I6u. I61. 162 Swiss carved wood salt stands. Brass candlestick, made by little boy. Mrs. Skhlton. Cliair (Chippendale.) Itas relief. Period Krnncis I 1 wo pieces Devonport china ' 1 wo pieces Coalport china I'our salt cellars, George III Mustard i)ot, George III IVppcr pot, tieorge III hinall silver tray, Lnr^e silver tray. Ca'^dS&S""''^^'""^^^'-^- Curved Indian pipe of peace. Mr. .\.vi)r|.;wA. McCi'I.i.och \Var dub of ThakHnibau, Kinir of Kiii r 1 crucifix from Oberamtnergau.^ •" ' '"''"'^ Mr. S. K1N1.UV. 187. C I6,| 1615, I6fi, 1 67. I6,S 169 170, 171. 172. '7J. of the Haidah 'M 17s 176, 17.S. 179. 180. ISl. I8i. iHi, l«4, »8S. 1%, Old^^lvl^'Sr^^^"'^"^--"'-"- '"Sed'K^^ -nbelo„«inKto the above men- Mdk DK IiKI,I,KROID D'OUDOUMENT :Rol:writrwl''-^-"°"''^-'l^Beaujeu.- Rosewood chair, Mrs. J. W. DoMvir.LK Old English clock. Dr. Stewart Nichoi Plate shelf. Miss Daisy Rri.i, Carved stick used in the dances Indians, British Columbia. Lady Dawson. French iulaid table. Dr. J. c. Nichoi,. Mahogany chest, carved by P. Gilbert Mrs. \V. d. Sutherland ■ Siiiall cabinet. Moorish carving. Artist, A. F. DuNWP, R.C.A Turkish brass ink horn. Suj<ar basin, cocoanut and silver 1 nir Chinese carved vases. Mr. w. a. Phillips. Necklet"' '"^■''' '""'^'^ ^'°"' Waterloo. Bracelets, Earring, Brooch, Norwegian box. E. G. Johnston. Swiss carved writing table. Mrs. Jeffrey H. Biirland. 188. A 189. £ 190. C 191. Ji 192. G 193. iv: 194. C 195. ^^ 196. p 197. T 198. C 199. C 200. C 201. Cl 202. C 203. Si 204. B) 205. Si 206. St boy. otte Islands. OCH. of Kiji. CarveJ uf the chapel and . lieljjiuin. I, ivory and silver. niiion. ) the above nien- MENT. aujeu. of the Haidah rt. )o. 187, Brought from Londonderry, household effects by Samuel Truro, Nova has been the 188. I Kg. 190. 191 192. '93. Oak spinning wheel. Ireland, with his Archibald, Esq. He settled in Scotia, in 1762, and the wheel property of his family ever since. Mrs. J. S. Archibald. Arm chair, which belonged to Delle Catherine Quevillon before her marriage with Mr Papineau, celebrated June 6th, 170J. Knives and forks which belonged to Mr. Joseph Papineau, Notary, before his marriage which took place in 1779. Clock, which has belonged to the Papineau family for 1 20 years. Hon. A. C. Papinkau. Medicine cupboard. Miss Olga St. Gkorgk. George Washington silver medal, 1732. Metal pendant. Indian work. •94. I95. 196. I97. 198. 199. 200. Mr. Jamks S. Barnslky. Cashmere jewelled work. Brought from India by theexhibitor in 1875. Water bottle. Plate for bottle. Two goblets. Mr F. R. Fountaink Brown. Carved cabinet. Artist, Mrs. Harrison. Chipped carved tray. Artist, Miss F. M. Andkrson. Carved chair. Artist, Miss F. M. Anderson. Carved tnbourette. Artist, Miss F. M. Anderson. Carved panel. School of Art and Applied Design. Savonarola chair from Florence. Bracket with Florentine diavolo. Mr. Henry Fry. 205. Silver Madonna and child, from the back of an ancient Italian book^ Mrs. F. D. Adams. 206. Statue representing St. Anne. This was one of the first of its kind made in Canada. The religieuses of the Hotel Dieu kept it in the chapel of ' ir second monastery. They still venerate it in . .loir mortuary chapel in the interior of the cloister. Sisters of the Hotei, Diku, Montreal. 203, 204, 2l8. 319. ao7- Canadian chair of last century 208. Wooden statue, Virgin and dii'l.l. Early Canadian carving, between 1660 and 1670. ^ '-"""uiau Mr. Thomas O'Luaky. 209. Carved table. 210. Carved bowl. Miss Bkatrick Hamii.to.v. an. Chip carved table. Artist, Mi.ss F. M. Anderson, School of Art and Applied Design. 212. Brass mirror frame. Mrs. a. Pi.im.som,. 213. Carved cocoanut, 1826. Mrs. R. I'. Hannafori). 214. Wrought iron guard for window box 215. Wrought iron lettered panel. 216. Wrought iron .stand. MKCHANICAr, DKPART.Mli.NT, McGjij, Univprsity '"• '^Tp^rography). '"■*■""''• P''°^"«'-''P'' ''"^' '-■«l«"dar Miss Rutherford Indian drinking cup, St. Maurice Indians MoNTRHAi, Lady. ' ^' of Si::? ^no^;;^*^ ^^^■^" ''''>^'' '" "- manufacture "°- ^P^^"|^^"' °f «»fi»ished and finished .silver hollow- 221. Specimens of hand chasing on solid silver ToSn"' "'^^^ "'-'P°^" "°^^ - ^'-« -<' "'• '^t~f^.\7jf?ct:;r^'^'^' '""' ^-'^-'lifferent 224. Specimens of Dutch silver work. Henry Birks & Sons. 225. Spanish brazier. 226. Dutch copper loving cup. Mrs. Faykttb Brown. 227. Hammered brass blotter. 228. Small hammered brass tray. Miss Trilravkn. 229. Set of silver tea service, early Georgian, say 1725 The Misses Macintosh. 230. Dutch secretary '3'- ^°°^,-f,'^'(;.»Jf ''^ °f *''^ ^^°°'l °f "'« ship "IVOrigi- nal, which was sunk in Quebec harbor and was ,„ ^"°'>^?:^''ter for over a hundred years. 232. Old mahogany screen. 233. Old silver cake basket. 234. Old silver tea-pot and cream jug. Mrs. Hugh A. Ai,i,an. 235. Two Sanioan battle axes 236. Samoan war paddle 237. Persian Hookah, inlaid silver on iron 238. Likeness of female, carved by Oregon Indians 239. Esquimaux bone carving. unmans. 240. Carved cocoanut. 241. Brass spittoons, East Indian 242. East Indian spice holder 243. Nubian pillow. 244- Hg 245- An 246. Pa 247. Pri 248. Pa( 249. Dr 250. Sc< 251. Qu < 252- Iro 253- Cai 254- Bra 255. Wo 256. Iro 257- Iro 258. Ido 259- Spc 260, Sw Early CanuJimi SON. )esi){n. iOX. . University. ph box, calendar Indians, the manufacture ed silver hollow- \ silver. t on glass and dish in different gian, say 1725. ship "I^'Origi- larbor and was ars. n Indians. 244. 245. 346. 247. 248. 249 250. 25" • 252- 253- 254- 255- 256. 257- 258. 259- 260. 261. 262. 263. 264. 265. 366. Egyptian vase and coffee cups. Ancient French halberd, dug out of the fortification wall of the city of Montreal. Paddles from the Society Islands. Priest's wand, New Zealand. Pad<lle spear, New Zealand. Drawing on a walrus tusk. Naturai< History Socirty. Scotch snufi box. Quech, a Scotch drinkin;; vcs.sel, said to have been owned by Rob Roy. Mrs. M. G. Hrk. Iron banging lamp, Nuremberg. Carved figure, Heidelberg. A. D. Bl.ACKADAR, M.D, Brass teapot (Benares). Wood frame, Swedish photos. Iron brooch. Iron teapot. Idol from Monkey Temple, Benares. Spoon, Poker work, Sweden. Swedish bowl, Pewter plaque, Sweden. Mrs. John McDougaij,. Sheraton dressing table. Sheraton toilet glass. Old Irish tea-caddy table. Mrs. F. H. Mathewson. i" I 267. 268. 269. 270. 271. 372. Fretwork frame. Mrs. Frank Redpath. Paper-cutter, carved with a knife by a Norwegian peasant on Hardanger Fjord. Miss Couper. Ancient sun dial, from Thibet. Thibetan god, worn on the breast. Indian god, cut out of a solid block of ivory. Turkish coffee cup, Constantinople. Metal Vase, from Tunis. Mrs. E. H. King. Five o'clock tray. Mrs. Murray. 273. Dutch 17th century chair. 274. Tray of Benares Brass. Miss Lighthau.. 275. Plaque, hammered Heidelberg metal. 276. Burnt wood panel, Heidelberg Castle. 277. Carved wooden bear, from Giessbach, Switzerland 278. Rosary, Lake Maggiore, Italy, (submarine chest- nuts). 279. Carved Chinese ornament for a lady's dress. 280. Hammered brass lion of St. Mark's, Venice. 281. Inlaid table, Bellagio, Italy. 282. Blotter, Bellagio, Italy. 283. Hammered brass Indian cup. 284. Carved wood bracket, Venice. 285. Carved cocoanut basket, Jamaica. 286. Inlaid wood photograph frame. Italy. Dr. Grace Ritchie-England. a87. a88. 389. 390, 391 393 293 394 395. 396. 397. 398. 399. hi- 303. 303. 304 • 305- 3"7. 309- 310. 3>'. 3'2. 3"3- 3'4. 315. 3>6. 317. 318. 3>9- 330. 331- 333. 323- 324- 325. 336. 327- 338. 329- 330. 331- 332. 333- 334- 335- 336. 337. 338- 339- 340- 341. Indian totem pole. Mr. H. Tii'i'iN. nenten l)ra»s table, with curved woo<l sUnd Carved wood teapot stand. Mrs. Lambkrt. Sword in ii8e in 1776 and followinR years durin« he Anieric:in war axaiiist KnKland and Canada by Major Lom.s I^nace de Salaberry, father ,.f Lolonel <li.- Salaberry, the hero of Chateauiniav Mrs, C. McDouoat.i,. HelniuM brass lamp, 1643. One piece Helf<ian bra.ss, 1710 One piece nel«ian copper, 1730. Miss Marion I.aing. . Dntcli carvei' able, 1656. . Dutch carveil (,iest. Dutch chair, 1775. Dutch chair, ru.sli seat. Louis XV. cliest of drawers. Credence cupboard. Dutch clock. Wooden hinj/e six>on, carved. Carved Wooden bracket for uteii.sils 1637 Brass kettle. ' ' Two very large round brass dishes. Brass warming dish in three pieces. Brass caldron. Brittany brass bowl. Belgian brass milk pot. Seven branch brass candlestick. Hra.ssbowl, Lion's paws. Bra.ss lantern. Brass long-handled ladle. Brass lamp. Brass candlestick. Two brass perforated ladles, long handles. Two brass irons, coal heaters. Copper boiler, depressed cover, with handle Copper Dutch oven. Small copper cauldron. Large copper kettle. Spider. Copper kettle, hinge spout. Large copper caldron. Two tall candlesticks. Copper lantern. Pewter plate with coat of arms. Pewter plate with border. Pewter stew pot. Pewter ink pot. Pewter candlestick. Pewter Apostle spoon. Five pewter spoons. Pewter pepper pot. Pewter nig. Pewter bowl. Copper water jug. Copper coffee jug. Copper tea pot. Montreal Lady. Old silver candlesticks. Nutmeg grater (silver). Gorget. Mrs. Durnpord. 34a. Carved horn spoon, made by Haida Indians, Pacific Coast. 343. Chief's rattle (Haida). 344. Walking stick, carved by Sioux Indian. (The) Pbtkr Rkdpath Muskum, McGill University. 345. Transparency. Tjh. Gkorgb Dawson, Ottawa. 346. Three pieces wrought iron. McGiLL Univkrsitv Science Dkpt, 3,17. Donkey chuir. 348. Bead purse. The Nile. 349. Bead Koran holder. The Nile, MR!). Hkrbkrt Wam.is. 350. Silver 'vatcli, with Tortoi.ie shell case, inlaid willi salon ; watch came from Mr. Clieffinch, a gentle- man of the Court of Charles II. 351. Chippendale stand to hold the watch. 352. Court sword with liourhoii Arms, i8th century. 353. Snuff Ijox, painting thereon, "Torn," by S. Ru-.;n; patronized by H.R.II. The Duke of Sussex and Prince Leopol.l. From the Hayden family. 334. Old French spearhead, found near St. Urbain and Sherbrooke streets. G. DURNFORD. 355. One metal casket, iron and silver inlay. 356. One metal tray, iron and silver inlay. 357. One brass tray. 358. One wood table. 359. One chair. 360. One panel wrought iron work. 361. One leather-covered chair. 36a. Two leather chair seats. 363. One hide shield. Hon. G. a. Drummond. 3154. Silver bread basket, 150 years old. 365. Embossed silver mug. 366. Hammered silver goblet. 367. Case containing i dozen oyster and 2 pickle forks. 368. Claw sugar tongs. 369. Marrow spoon. 370. Pair dishes, antique style. Mrs. Alprbd Bblasco. •Section C— Ceramics, Pot- tery and Glass tales exbtblii. I. Donbonnifre, rosei a. Tray, black )M:rriet 3. ClcH'k, ciipids 4. I'late, wild rose (notfonale) 5. I'late, roses 6. Cup aud saucer, gold dcsi({n 7. Cruaui ju),', roses Artist, Miss Mamih Gordon. 8. Plaque of Uaccliiis, modelled tile underglaie 9. Jirown vase, undergluze 10. Blue vase, iiiulerglaze Artist, Miss M. C. Jordan. 11. Ver>- rare Mason plate, from a distinguished Canadian family 12. Chelsea vase, 150 years old 13. (lid Delhi china 14. Old Crc wn Derby, 80 years old 15. Old Davenport cup and saucer 16. Milk pitcher. Part of a set which was bar- tered by UnKlish traders for furs 17. Cletnentson milk pitcher (exchange china) Thk f)i,D Curiosity .Shop, 241a St. Catherine St PRICK. I 6.00 300 10.00 3.00 3. CO a. 00 5.00 S-oo 10.00 5.00 35.00 3.50 5.00 5.00 1.50 a. 00 iH. Melon plague (roses) 19. Salad bowl ao. Sandwich tray Artist, Mrs. A. B. J. Moorb ai. Tankard aa. Plate (daisies) a3. Plate (clover) Artist, Mrs. IIhnrv Millbr. a4. 17th century carved ivory as. Spanish oil jar a6. Antique Greek terra cotta a7, Antique Greek terra cotta 38. Etruscan head 2g. Italian pharmacy jar " Urbino " 30. Italian earthenware plaque, iSth century 31. 17th century Nuremberg bottle with alle- gorical figures 3a. Ancient Nuremberg jug -- Old Strasburg ewer and basin, time of Louis 33 34. 35. XV Collection of rejiroductions of ancient Greek and Roman cameos and medals, also medals of 15th, i6th and 17th centuries (5 traysl P. BEAU & Co. Small porcelain tea set. Six cups and saucers and teapot, about 300 years old, brought from Japan to Holland, where they were purchased by the owner. For set of six cups and saucers Teapot 13.00 8.50 S-oo 00 00 00 la.oo ia.50 3.00 300 10.00 S-oo 10.00 6.00 5.00 13.00 It. 00 j6. Two Sivrti vwwi, (lecoiiiii-il in " ' .cu ilu Roi" iitul floral ilt'iigns, tigiiru p«neU, Marked letter G. between crossed L,'«. Arlint Moxant, date 1759, Prlie, ciu-h $ 37. 8<vre(i plate, liciid of Marie Antoinette in colors, and ({oldaiid blue lorders. Chateau St. Cloud, l8|6, painted by Debrie 3H. Berlin vase, painted in figure subjci tH 39. Old Uerlin cup atid •m ,cer, painted subject, I'aul et Virjfinie 40. A delft vase, very rare shape, Jjoyears old 41. Two delft vases, ajo years old. Each 43, One delft vase, blue and while crow foot marks, iHo years old 43. One old delft vase, with cover 44. One red and blue delft plate, about ijo yenrs old 45. One delft plate ^ rare coloring) 46. One delft plate, blue and white. 47. One delft plate, blue and white 48. Two delft plates, blue and white. Each Castlh & Son. 49. Held 50. Landscape 51. Fishing 5a. Reaping Artist, John R. BiRn. 53. Jardinidre and .stand, chrysunlliemunis 54. Jardinifire and stand, roses 55. After-dinner coffee pot 56. Small Persian va,se 57. Brush and comb tray, roses 58. Individual chocolate pot, lustres 59. Chocolate cup nnd saucer, roses Artist, Elizaukth E. A. Caldwrul. 60. Framed miniature 61. Posteresque plaque 6j. Dessert plate 63. Sugar howl and cream' jug 64. Cup and saucer 65. Cup and saucer 66. Cup and saucer, roses 67. Berry bowl 68. Candlestick 69. Bon-bon box 70. Gipsey kettle Artist, Fi,ORitNCK L. Haoar. 71. Tanknrd 72. Cup and saucer, yellow 73. Cup and saucer, blue 74. Vase, figure. Dawn 75. Persian shoe 76. Match holder 77. Photo holder 78. Match holder 79. Vase, flight of storks 80. Puff box Si. Tea strainer 82. Vase 83. Buttonhole holder 84. Bonbon miniature 85. Salad bowl 86. Persian salad bowl 87. Lustre slipper 15 ou 8(1, 00 12.00 10.00 10.00 15-0" 12.00 18.00 23.00 15-0O 12.00 20.00 10.00 25.00 25.00 50.00 30.00 15-00 6.50 8.00 10.00 7.00 6.00 6.00 4.00 4.00 ».75 6.00 3.00 40.00 4.00 4.00 10.00 a. 50 I. as I. as 1.95 10.50 a-7S a. 50 4.00 a. 75 9.00 T.OO 6.00 a.oo m 88. 89. 9o. 91- 92. 93- 94. 95. 96. 97. 98. 99- 100. loi. 102. 103. 104. 105. 106. 107. 108. 109. 110. III. 112. 113. 114 115 116, "7. 118. 119. 120. 121. 122. "3 124. "5- 126. 127 128, 129. 130- '3'. 132. Tray, lustre border, Eveninif < Small candlestick * Ariadne Posteresque plaque Portrait study Half dozen plates, lustre and enamel (each) Five o'clock tea set ' Plaque lo.io Artist, Marion C. McIndob. Plaque, petunias McKinley cup, blackberries Flower vase, roses Butter dish, green Bonbon dish, roses Cup and saucer, blue Cup and saucer, green Round plate, green Pair salts, green Card case, roses Match box, roses Tray, violets Plaque, girl's head Vase, spinning girl Stamp box (blue) Biscuit jar, brown . Plate, convolvulus . Vase, violet* . Match hanger One dozen de.ssert plates Artist, Miss Hannaford (Mrs. Alfred Boui,TBEE), Toronto. "'.rKHD Satsuma vase Very old Worcester plate (primroses) Old Worcester plate Crown Derby plate, red and gold Old Swansea plate, roses Crown Derby plate Old iron stone plate (old Masons) Crown Derby plate Lowestoft plate Mrs. Charles H. Nelson. One soup set (one piece), old china, bowl /jj^' Miss Mary M. Carruthers. Copland cup (see notes) Mrs. Charles H. Nelson. Miniature on china Miniature on china Bonbon box (child's face) Rose jar. Vase, lustre and gold Fruit dish Artist, Mrs. D. Crawford. 133- Grape tray 134- Rose jardiniere. 135. Fruit dish, open edge, roses 136. Salad bowl, green edge, roses 1.^7. Salad bowl or berry dish 138. Card tray, hops 139- Vase, violets 140. Vase, roses 141- Vase, iris 12.00 1 50 1500 7.00 12.00 3-50 12.00 8.00 12.00 10.00 7.00 5.00- 4.00 3.00 3.50 3.35 a.75 a. as a. as 6.00 10.00 11.00 i.as 6.7s 9.00 4.75 1.50 40.00 10.00 8.00 8.00 20.00 25.00 8.00 5.00 8.00 7.00 one set) 18.00 25.00 5.00 5.00 3.00 4.00 4.00 lo.oo 12.00 6.25 6-75 5-75 3-00 5.25 3-25 2.75 IJ.OO I 50 7.00 13.00 3 50 13.00 8. 00 13. 00 10.00 7.00 00 00 00 50 25 75 5 4 3 3 3 2 a- 25 2.25 6.00 10.00 11.00 '•25 6.75 9.00 4.75 1.50 40.00 10.00 8.00 8.00 30.00 35.00 8.00 5.00 8.00 7.00 iS.oo 35.00 5.00 5.00 3.00 4.00 4.00 10.00 13.00 6.25 6-75 5.75 S>oo S-95 3*35 «.75 143. 143- 144- 145- 146. 147. 148. 149. ISO. 151. 152. 1 53. 154. 155. 156. 157- 158. 159- 160. 161. 162. 163. 164, 165. 166. 167. i68. 169. 170. 171. 172. '73- 174. 175. 176. 177- 178. 179. 180. 181. 183. 183. 184. 185. 186. 187. 188. 189. 190. 191. 193. 193- 194. 195- 196, 197. 198. 199. 200. 201. 302. Teapot, roses J 4.00 Cake plate, primrose and forget-me-nots 3.25 Caiuly or nut bowl ' 3.50 Nut bowl, daisies 3.25 Whipped cream bowl, roses 3. 00 Powder box, yellow (laisies a. 50 Cup and saucer, hawthorn 3.00 Cup and saucer, yellow roses 3.00 Cup and saucer, green, pink roses 3'*5 Cream jug, roses a. 90 Ringtra), roses 2.25 Pair salts, roses 2.50 Pair shakers, roses 2. 35 Bonbon dish, roses 3-25 Pair shakers, roses 2.35 Artist, Francis G. Hits-SON, Stratford. Teapot, cream and sugar 12.00 ■■ ^ Brush and comb tray 4.00 Brush and comb tray 3.50 Jug, violets 4.00 Coffee pot 8.00 Compote, underglaze blue 3.00 8.00 Perfume bottle Plate, pine cones 5.00 Cream and sugar 4.00 Small ornament, dark brown 3'5o Fern bowl 9.00 Bonbon box 3.00 01 Plate, yellow rose 3.00 m Artist, J. T. Bkrtram. 1 !■ Fern dish, roses 33.00 Vase 1. 00 • j Vase, roses 5.00 m Vase, sweet peas 5.00 '1 Round vase, poppies A.OO 6.00 Round tray Plaque S.oo Bread tray S.oo 1 ■ i Tankard 11.00 Jardinifire, yellow roses 12.00 Chocolate ]ug 7.00 ;,; Bonbon box 3.50 'i Plate, petunia a.50 Plate, shells 3-75 Green cup and saucer 2.00 Yellow cup and saucer X-75 Forget-me-not cup and saucer 2.00 Gold, enamel cup and saucer 3.00 Purple daisies cup and saucer 2.00 Artist, Mary Burnett, London, Out. Salad bowl 7.00 Pansy tray 5.00 Geranium tray (Not for sale) Bonbon box 8.00 IMM Small hanging fern pot 3.50 IhI Tea tile 2.00 ^Hf Dish 2.50 ^E^ Jug, violets 3.00 'W; Cake plate 3.25 'fl Vase 1.50 Loving cup 2.25 '"liii Cigar tray 1-25 Large jardiniere 12.50 Small jardiniere 5-50 : : 203 204 205 2o6 207 208, 209, 2fO. 211. 212. 213- 214. 215. 216. 217. 218. 219, 220. 221. 222. 223. 224. 225. 226. 227. 228. 229. 230. 231- 232. 233- 234- 235- 236. 237. 238. 239- 240 24 r 242 243. 244. 245. 246. 247. 248. 249. 250. 251- 252. 253. 254- 255- 256. 257- 258. 259- 260. 261. Large plates fc . 00 and fo . 50 Bonbon dish '^ ^ Bread and butter dish, poppies Bread and butter dish, violets Vases, small chrysanthemums Loving cup, currants Tray, chrysanthemums Twci vases Pin tray Tea caddy Pepper and salt . Vase, roses . Rose bowl . Bonbon dish witli cover . Salad bowl, grapes . Blue cup and saucer Cup and saucer, forget-me-nots Artist, Ethel B. HENDKRSHOT,London, Ont Claret jug, grapes Cake plate, berries Tea set Plate, currants Plate, rose festoon Tea cup Artist Mary Regan, London, Ont. Slipper Plaque, reclining figure Plaque, two figures Plate, figure Ariadne Vase Golf club rack Half panel for hall seat Glove box Photograph frame Photograph frame Photograph frame Photograph frame Photograph frame Small box Artist, Grace Hvman, London, Ont. . Jardinidre . Jardiniere . Salad bowl . Half dozen plates (|2.ooeach), half doz. , Plate Candlestick Cup and saucer Cup and saucer Salt and pepper Shoe Toothpick holder Salt and pepper Artist, Alice E. McPherson, London, Ont. Jardiniure, chrysanthemums. Tray, pansies Vase, geranium Vase, roses Box, hawthorn Champagne cup and saucer Ash tray Pen rack Vase nasturtiums (Not for sale) Artist, C. Mattinson, London, Ont ! 6.50 2.10 1-25 1.25 3.50 7-00 4.00 '•75 •75 300 1.50 2.50 4-00 2.50 6.00 3.00 2.00 10.00 2.00 8.00 1. 00 1-25 2.50 1-25 6.00 2-75 I -25 1.50 1-75 1-75 1.50 •25 8.60 6.00 7.00 10.50 5-00 3-00 1.50 3.00 3.00 1-75 1.50 1 .00 1.50 15.00 8.00 8.00 3.00 3.50 3.00 1.50 1-50 I Ont. , Ont. 6.50 2.10 '■25 1.25 3-50 7.00 4.00 1-75 ■75 3-00 1.50 2.50 4-00 2.50 6,00 3-00 2.00 10.00 2.00 8.00 1. 00 1-25 2.50 '•25 a- 75 25 50 75 75 SO 25 8.60 6.00 7.00 10.50 5-00 3-00 1-50 300 2.00 1-75 1.50 1. 00 1.50 15.00 8.00 8.00 3-00 3-50 3.00 1.50 1.50 (Section C— Ceramics, Pot- tery and Glass Ugolini, Florence. Ugolini, Florence. Coan €xbibit$. 1. A Florentine mosaic, by G. Three birds. 2. A F'lorentine mosaic, by G. Two birds on telegraph wire. 3. A frame in Venetian mosaic, containing miniature. 4. A vase in Favrile glass. Tiffany Glass Co., New York. Mr. Geo. Iles. 5. Mexican Idols, 150 years old. One red idol from excavations in the State of Vera Cruz dates from about 1550. Mr. D. a. ANSEr<i,. 6. A china teapot, l8th century. Mrs. Belasco. 7. Old English mug, i8th century. Mrs. J. G. Grant. 8. Teapot. 9. Rookwood vase. 10. Tea caddie and plate (engraved.) 11. Plate, Indian china. Mrs. W. a. Phillips. Louis XIV bowl Mrs. August Boeckh. 12. 13- 14. Gargoyle 15 A plaster relievo (date uncertain.) Col. F, Minden Cole. Dr. Stuart Nichol. Pair of cloisonn^ vases. Dr. J. C. Nichol. 16. Old Spode teapot and tray. 17. Antique Welsh cup. 18. Old china figure (Welsh). The first Prince of Wales. 19. Glass vase. Ancient Phoenician. 20. Glass tsar bottle. Ancient Phcenician. ( Exhibits 19 and 20 were taken from Phteuician tombs said to antedate the Christian era. ) 21. Old plate, over 100 years in u.se. Mrs. T. S. McWilliams. 22. Cut glass dish and stand. 23. Cut glass tumbler. 24. Cut glass liqueur glass. 25. Old Mason olive dish. 26. Old Mason dessert plate. 27. Old Davenport plate. 28. Old Japanese plate. 29. Old Japanese plate. 30. Poached egg saucer (very old). 31. Japanese teapot and tray, flax leaf pattern, i8th century. 32. Old Davenport bowl, key pattern. Mrs. C. E. Spragge. 33 34 35. 36. 37- 38. 39. 40. 41. 42. 43 44 . Cup and saucer. Lowestoft ware iS^^lC n?nH^' Lowestoft, Eng., closed down i„ Japanese cup and saucer, for more than half a cenuiry in the possession of a Quebec family Cup and saucer, Irish pattern, over loo years in use Cup and saucer Gazelle pattern. Forme vh, Whi'fi '.'"^/;'""ly°f a great grandson of Peregrine Uhite; ohtamed from Mr. Winslow Brewster Standish, a descendant of the Pilgrims Mr.s. L. Saxk Holmes. Tete-a-tete set. Jardiniere. Plate (landscape'* Plate (shell). Plate (flowers). MISSE. IvlACFARLANK. One portrait china jug (Reign of George IVl Mrs. E. B. Black. '' 64. 45 46, 47. 48 49 50, 51. 52. 53- 54 55. 56. 57 58. 59. 60. 61. 62. 63. Ancient vase from the ruins of Pompeii o^Hnf".'^ 'P°?"t^ ''^,"'"''y '""'1 « ^«'f in possession ot the owner s family. Majolica plate with the Colonna arms AD 1800 Mrs. Girdwood. ' ' . The Skater (an original ba.s-rehef ) . Mask, Illustrating the expression of great breath- lessness in a runner. From the oric^nn modelled to illustrate an article on the 'Se : sion of the face in fatigue " -^^pres Mask, illustrating violent effort, as seen in a ranner dunng a short race. From the original, model' ed to Illustrate an article on the expres ion of the face dunng violent effort R. Tait McKhnzik, M.D Glass decanter, brought to America in 1839 by AmSve^prcf- ^ '"''' ^--^-' °f Glass salt cellar (old English). MoNTRBAL Lady. Soup plate belonging to a dinner set, the property r^d ?°"- J^J?^^ Cuthbert, Berthier Manor, 1764 Fist TnH.'.n**'" •":•'"' belonging to Genera Brock. East Indian painting on ivory of Kali Musied brought from India,,84o, by the late Mr BrehTut Mrs. Jefkrey Springle. Black porcelain teapot, mounted in silver tsilver chains, over 200 years old. Miss Marie Charlebois OW fashioned coffee pot and coffee mug, ,50 years Mrs. Stannus Auchmutv, Part of tea set, 1820. Mrs. John Fair, East Indian vase. Mrs. W. d, Lighthall ^'^teu^h^dtSr^^ ^'""^ ^^^P''-" '-•>. '•- Wedgwood dish of very early date Three odd plates, make unknown. Two small plates, figure pattern. Old English jug. g., closed down in :d among the finer more than half a Quebec family, sr loo years in use. rn. Fonnerlv in idson of Peregrine Vinslow Brewster Pilgrims, s. George IV). mpeii. half in possession arms, A.D. 1800. of great breath- 1 the original, ou the "Expres- i seen in a runner original, model- he expression of ■ica in 1839 by descendant of et, the property ■ Manor, 1764. ' I General Brock. ■ Kali Musjed, ite Mr. Brehaut. silver. mug, 150 years ian tomb, time 64. 65. 66. 67. 68. 69. 70. 71- 72. 73- 74- 75- 76. 77. 78. 79- 80. 81. 82. 83. 84. 85. 86. 87. 88. 89. 90. 91- 92. 93- 94- 95. 96. 97. 98. 99- 100. lOI. 102. 103. 104. 105. 106. 107. Elephant tu.sk, carved ; reprehtiiiliiiu a (lativp legend. West African work. Carved shell from Bethlehem. Lamp from Syria, pattern siinilur lt» l\\im ill use in biblical times. Two Egytian pots, taken from toiiilii.. Egyptian beads (4tli dynasty) hoill ti.tiil, at Assouan. Mrs. E. k. Grkknk, A teapot tray, early nineteenth century, MissS. A. Phm.i.ii's. Old Colport bowl. Old Colport cake plate. Old Colport cup and .saucer. Wedgwood jug. Wedgwood vase. Old stoneware jug. Old platter, willow pattern. Old iron stone china plale. Lowestoft teapot. Lowestoft cup and saucer. Lowestoft cup. Terra cotta figure, by Giaillon. Miss M. A. Carkuthkru, Bowl from Jamaica, aboriginal native Wdfkt Mrs. W. H. I)rumm(ini), Painted window, " Christ blessing little dtlldfeli," Specimen of domestic glass. Old English glass, history unknown. J. C. Spknck & .Sons. Spode teapot, cream jug and sugar liowl, Miss BURTSKI.t. Vase, Marshall Fry, New York. Tray, Franz Bishoff, Detroit. Vase, Mrs. Vance Phillips, New V»rk, Tankard, Miss Mason, New York. Chocolate pot, Mrs. A. B. Leonard, Npw Vftfk, Vase, Miss Francis Hesson, Stratford. Mrs. Elizabeth A. Caldwhi,?,, Satsuma plate, modern. Old fashioned jug, i8th century. Mrs. E. F. Amhs. Framed Mosaic, Venetian. Mosaic photo frame. Mrs. G. B. Burland. Mexican water bottle. Mexican jug. Mrs. F. F. Booth, Port Hope, Old English sugar and cream set. Jardiniere, Wemyss. Mrs. W. Pktkrson. Plate from personal service of Louis ChtUlUlje Mrs. W. R. M11J.KB. *^ Old Davenport plate. Small platter, old English. Mrs. Evans. Cup and saucer, modern filagree work, Mrs. Tom Drummonii. Plate (Sevres, ) time Louis Phillippe. Small box (Battersea). Two pieces Aztec potterj-. 6 !'! !, ' i Io8. 1 09, Mo. in. 112. "3. Roman jug (Antique design). Fineplaquo (wireless cloisonne ). Mrs. G. Cavkrhill. Plate, English, i6th century. Mhllk dk Rochkbi.avb. plaque. Earthenware in blue ami 114, 115. 116. "7. Its. 119. 120. 121. 122. '*3- 124. 125. 126. 127. 12S. 129 '30. •31. •32. •33- 134 •35. • 36. '37. 138. »39. 140. 141. 142. •43. '44. Modern Indian white. "Xht\^°'i^^u " P'«q"e. Modern English lustre. Subject, " The Ancient Mariner " Mr. d. a. p. Watt. ^'Manc^e'""^'"' '''°'" ^■"^"^ '*•* '^59 by Melle Sisters of thr Hotbi< Diku Light blue china dessert set. Floral design Mei<i,e La Rocque. Rokewood china. Miss Annie Smith. Cheltenham stone china dish Brown Davenport dish. One pearl stone china dish, "The Temple " One Madras stone china dish Blue Teutonic dish. Green historical dish, " Plalifax " Crown Derby plate. Mason soup plate. Piecrust eclge plate. . Blue Meissen plate. . Derby china plate. Blue Davenport slop bowl. Canadian plate, "Maple Leaf." Spode plate. Minton cup and saucer. Large plaque, " Prince Consort." B. M. & F. Jenkins. Stained glass panel, after Leonardo da Vinci's J-zast Supper." Casti,e & Son. One Chelsea candlestick. One Derby candlestick Miss Li rmont. Plate and dish of twisted glass (Old German) similar to a piece in Kensington Museum Mrs. F. H. Wigmork. Roya! Worcester fruit dish, Fliget, Barr & Barr. net ot cameos. Mosaic (picture). Mrs. G. A. Greene. 145. 146. '47. 148. Finger bowl. Champagne glass. Jug. Vase (Hawthorn). Artist, Mis.-, Whitney. ScHooi. OF Art and Applied Design. Bellek vase. Small mug. Cup and saucer ( Lustre V Teapot. (Lustre). 149- Blue vase (underglaze). 150. Brown vase. Artist, Miss Jordan. School of Art and Appi,ibd Design. 'K. nware in blue and 151 ;rn English lustre. 152 er." 153 154 -■ 1659 by Melle 155 lEU. 156 157 ry antique). 158. This china has 159- jue family for one 160. 161. ral design. 162. 163. 164. 165. Temple." 166. 167. 168. 169. 170. 171. 172. 173- 174. 17s. 176. 177. irdo da Vinci's 178. 179- 180. 181. 182. [Old German), 183. Museum. 184. Barr & Barr. 185. 186. 187. 188. 189. 190. 191. 192. KSIGN. 193. 194. 195. 196. 1 197. 1 198. . Cup and saucer. Miss Macintosh. School of Art and Appukd Dbsign. . Cup and saucer. , Cake plate. Teapot brought from Scotland in 1800, by Thomas Torrance. Plate of tea set marked T. T. Soup ladle. Sauce boat. One plate of old dinner set. Dish. Plate. Fruit dish. Mrs. N. W. TRRNHOtME. Mexican jar. Vegetable dish. Rokewood vase. Cup and saucer (old English china). Mrs. W. Markland Mowon. Lowestoft mugs. Mrs. FAyettk Brown. Tray, roses. Cream and sugar. Mr. F o. Birks. Three pieces porcelain, about 90 years old. Miniature, Queen Louise. Miniature, Maude Adams. One Monk (Stein). Three Monks (Stein). Tankard (roses). Mrs. James M. Shaw. Specimen Galli glass. Specimen Galli pottery. Fmest specimen modern cut glass. Specimen Galli glass. Galli pottery. Modem very fine cut glass bowl. Hon. G. a. Drummond. Egyptian vase. Spode vegetable dish. Water monkey, made by the Indians of San Xavier Mission, Arizona. Egg stand, willow pattern, verv old. Old Irish cup, over 100 years old. Cups, willow pattern. Mrs. John McDougali,. Carved soapstone plaque, Chinese. Carved ivory card case. Carved ivory jewellery. Canned bone wine cup, very ancient, Japanese. Pair Satsuma miniature vases. Pair Satsuma miniature vases. Pair Satsuma powder boxes. Ivory statuettes. Ivory statuettes. Nitski. Pair cloisonnd jars. One cloisonnd lar. One cloisonne jar. ill m m 199- One cloisonne j.ir with cover. 2a). Set coral jewellery, Italian. Mr. 'John Dillon. 201. I'late, marine subject. Mks. Mi'RKAY, St. John. 2oa. Plate, conventional <ksij^n. 203. Copy of original (jueen'.s Jubilee cu]). MlS-S H.XHI'KK. 204. Hon-bon box. 205. Cup and saucer. Mr.s. C. \V. Dban. 206. Cup anil, saucer. Mi.ss Skybold. 207. Cup and saucer. Miss Olga Riddkll. 208. Spode platter. 209. Spode platter. 2 to. Spode soup plate. 211. Spode jilate. Mrs. John McEntyrk. 212. One old Canadian jug, bronze glaze, decorated with flowers. Miss Eglaugh. One piece TiP-iny glass. One piece Galli glass. One piece Galli glass. Hon. G. a. Drummond. One vase, Assiut pottery. One vase, Assiut pottery. Mrs. Herbert W'allis. One plate (Bow), early i8th century. Two cups, uncolored china, with raised Hawthorn pattern, Chelsea. One plate, Chelsea (anchor mark) One dish, Plymouth. Collection of blue and white china (English and Oriental ) of willow pattern type, to show varia- tions in design : a. Old Nankin hot water dish. b. Recent common Nankin saucer. c. Salopian plate. d. Two Staffordshire saucers (one transfer) e. Bristol plate (transfer pattern). f. Nankin annorial plates, decorated to order in China, 1 8th century. 223. Collection of Lowestoft pieces and of Oriental East Indian enamel, or " des Indes d fleurs." often miscalled Lowestoft : a. Lowestoft tea pot by Hart (note heart on handle). b. Lowestoft bowl, with salmon scale pattern c. Lowestoft cup and saucer, with salmon scale pattern. d. Tw^-handled cup, probably Oriental china (decorated in Liverpool). e. Three plates of East Indian enamel (Chinese?), made for the Euiopean market during the i8tli century. 224. Staffordshire lustre ware : a, b, c, d. Three saucers and one cup of Stafford- shire "Cottage China." 214. 215- 216. 217. 218. 219. 220. 221. 222. a4i. [laze, decorate<l lised Hawthorn a (English and , to show varia- ransfer). ted to order in 3f OrienUl East i fleurs," often note heart on lie pattern. h salmon scale Oriental china inel (Chinese?), during the iStli :up of StafTord- e! One bowl of lugtre ware (pottery). 225, Two I)o,v'h i.rly Worcester, one with VV. mark, 1750. Dr. J. G. Adami. 2j6. Plaque, by Lachenal, Paris, France. 227. Plaque, Colport. 228. Plaque, r>elft. 229. Cup and saucer, dragon pattern. 230. Pitcher, old B'nglish .stone ware. 231. Bottle, old English stone ware. 232. Old Italian vase. 233. Roman glass vase. Roman lamp. M1S.S Marion Laing. Antique teapot, with Arms of Henry Fourth, of Frf,nce. Napoleon tumbler. Napoleon Sevres dish. 238. Ola blue Staffordshire sugar basin. 239. A, n, C glass plate, with impression in centre of "Sancho Panza and Dapple." Large English glass tumbler, made to commemorate the ascension of Queen Victoria, with a four- pennv silver coin of William Fourth of England, dated 1836, in stem. Two cut wine glasses, old French. Mr. J. B. Lbarmont. Old Wedgwood mug, once the property of Sir Walter Scott. Green teapot, over 200 years old. Miss Barry. 244. Old Wedgwood teapot. 245. Davenport plate. 246. Spode cup and saucer and cofTeenmg. 247. Crown Derby cream pot. 248. Crown Derby vase. 249. Worcester saucer. 250. Cup and saucer, English china. These were the property of John Ogilvy, a leading Nor' Wester, godfather of Anne Ross, daughter of Duvid Ross, Advocate General, and Mr. McCord's mother. He it was who applied the name " Trafalgar " to one of his properties, now leased to the Botanic Garden of McGill college, and the origin of the name given to the institute for the education of young ladies founded by Donald Ross. 251. English china cup and saucer, bearing the initials of Ezekiel and Fanny Hart. This excellent man was twice elected for the Parliament of Lower Canada, and excluded on account of his faith. He lived to see the amende honorable made him by a subsequent act of the same body. a34. 235- 236. 237. 340. 241. 242. 243- i ,5! Section D.— Bookbinding and LeatHer Work Sale ExbiDiit 1. Wnting case in embossed leather 2. Book cover in embosse;! leother 3. Lard case in embossed leather Miss L. Bkrkskoru Tuttv, Ottawa 4. Blotter 5. Pin catie 6. Opera ."{lass bag 7. Shopping bag 8. Shopping bag 9. Book cover 10. Book cover l:. Magazine cover I a. Magazine cover 13. Cushion, dragon and poppy desiirn 14. Cushion 15- Table cover 16. Shaving case 17. Shaving case 18. Needle book 19. Needle book ao. Needle book ai. Needle book Designer, Miss UtizABBTH Haskett. Designs for book covers, with headings Designer, Miss Marion E. Jordan. Love Ballads of the i6th Centurv Long Ago ' In Memoriam Shakespeare's Sonnets French Lyrics Defence of Guinevere Artist, Otto Zahn. C. E. Took & Co., Memphis, Tenn 29- Every Day Visiting List 30, Engagement List 3r. ri^:S'ofkl\l "" '^-^^^^-^^-^ Toronto. 32. Spencer's Fairie Quaene Ebbn Pickbn. 33. Scottish Folk Ivore 34- Tekla 35. Heart songs 36. Heart Songs 37. Society Types 38. Folks from Dixie 39- Canada and its Capital 40. Chiistmas in French Canada 41. Nothing but Names 4a. Wessex Poems 43- Forest of Bonne Marie 44. King's Mirror 45- Rip Van Winkle 46. To London for Jubilee 47. Study for In Memoriam 48. Seven Seas 49. Forest of Arden Geo. N. Morang. & Co., Ltd., Toronto. 22 33. i4. 25. 26. a7. 28. Prick. I20.00 10. oc 8.00 3-50 1. 00 2.00 3 so 3 50 1.50 1.50 a. 50 a. 50 7.00 8.50 S-oo 1.50 1.50 •50 •50 •50 .50 45.00 30.00 as 00 26.00 «9 5o '7-50 31S lo.oo 1. 00 '•as 1. 00 1.50 •7S •2S 50 00 SO 75 I a a a I. i-as 1.50 a. 50 •75 '•25 1.50 2- as nding ork Pricb. |3O.0O lo.oc 8.0O 3)50 1. 00 a.oo 350 3-50 1.50 t.50 9.50 a.50 7<oo 8.30 5.00 1.50 1.50 •50 .50 •SO •SO 45.00 30.00 25 00 36.00 '9 50 »7-5o 31S 10.00 1. 00 '•25 1 .00 1.50 •75 1-25 2.50 2.00 2.50 1-75 '•25 I 50 2.50 ■ 75 1-25 1.50 2.25 (Section D.— Bookbinding ar-d Leather Work Coan €xMbltf. 1. Bookbinding in its tlifTcrcnt stages, tools, fleurons, leather and paper sewing, cardboard ready for the leather, 2. Bound f)ook. 3. Ordinary work. 4. Amateur work. Ed. Lkvkii.lk Cik. Silver Medallist, Paris Exposition. 5. Dante. La Divina Cornmedia. Aldus, Venice. 1502 6. Catullus. Poems. Aldus, Venice, 1554. 7. Suetonius. The Twelve Cffisars. Leydcn, 1751 8. Histoire du Pa^s de Vaud, Geneva, 1819. ' ' 9. Celebrated Friendships, Vol. i. Mrs. Thompson London, 1861. ' ID. Girlhood of Maria Joseplia, Holroyd ed., J. H. Adams, Longmans, i8g6. 11. The Chevrels of Cheverel Manor, Lady Newdigate Longmans, 1898. ' 12. A.solande, Robert Browning, Houghton & Mifflin 1890. 13. The Flight of 'he King, Allan Fea, John Lane, 1897 14. Literary Anect' <tes of the 19th century, Nicoll & Wise, Vol I. Hodder & Stoughton, 1895. 15. In the Ray of Blue, Symonds, John Lane, London 1893. 16. Island Garden, Celia Thaxter, Houghton & Mifflin, 189s. 17. Our Old Home, Hawthorne, Houghton & Mifflin 1891. 18. Gentle Art of Making Enemies, Whistler, Chellea. 19. Old Italian Masters, Engravings by Timothy Cole Notes by Stillman, Century Co., 1892. 20. Journey of the Lily and the Rose, Walter Crane Cas.sell & Co., London. 21. Carved Leather Portfolio. 22. Carved Leather Belt. 23. Carved Leather Hand Mirror. Mr.s. C. W. Colby. 24. Ancient missal, an old Plantin, red velvet, silver medallions, vermilion frames, brought from the chapel and Seigneury of Oudoumont. Mrs. de Bkllkfroid d'Oudoumont. 25 26. 27- 28. 29. ago. Coat made of Cariboo skin, thirty years Yellow pattern, made with fishroe dye. Coat made of moose skin, forty years ago. Trousers made of same. Portmanteau of elk skin, made by Cayuse Indians of Oregon. Papoose cradle. Cayuse Indians. Mrs. W. Markland Molson. PI Artist, Mr». Samuel Lelean, Red- 30, Hook cover. jr. Belt. jj, S|)t!ctacle case. land!), Cal. Mrs. VVii.r.iAM Craio. Port Hope, Ont. 33' Jiipaiiese leather smoking case. Mr. H. A.mks. 34. I-aUKioinrHontu-ur, 1 vol., rellure % amateur HouikI t.y Kil. I.eveille Cie. Oh. K. I'. Laciiai'km.k. 33. French I)in(liii><, f„li Morocco, roM tooliuK Hilk lined, about iHio. Much older than tlie Epon^cs Francaises, for which it wa,s utilized a few years French bindinK, full polished calf, paneled sides, InOo. n!.nl'\'''"r""^'v'n'' morocco, 1875, Louise Ube. Italian binding, full morocco, 1756. Petrarch fcuKhsh binding, full cream calf, 1848. Hood's Poems. English bindin>{, half morocco, 1883. Swinburne Mr. Wii.MA.M McLknna.n. Breeches Bible printed in 1597, in oriKinal bindinR. good state of preservation. " Mr. Wm. Minto. Poetry of Architecture. John Ru.skin. Verona and other Lectures. John Ruskin. . The Evergreen, 3 Vol. Frank I. Hov. . Pair bracelets, leather v ork. Mrs. I'.lohkm,. Bible cover, leather, inLiid with ivory, isio. Chair cover. ' Shield. Chair. Hon. O. a. Drummond. Linden's Gallery British Art. A specimen of book- binding by hand. Mr.s. Herbert McKhon. Bookbinding by the Sisters of Mercy. The Slster.s ok Mercy. Aucassin & Nicolette. bound in Suede calf at the Roycr(jft shop. East Aurora. Friendship, bound in Suede i df at the Roycroft shop, East Aurora. Mrs. Bui.mck. Wehiro Irinini Prayer Hook, in Montagnais langn.ige. Published by Father Latrobe, Que- bec, 1765. The first C.inadian binding. Reglement de la Co-.fr6rie de I'Adoration Per- petuelle du St. Sac ement et de la bonne Mort 1770. Early Canai.ian binding. Exercice tr^s d^vot enversS. Antoine de Padoue le thaumaturge, 1777. About the first binding in Montreal. ^ Cantiques de L'Ame devote divisds en 12 livres 1776. Early Canadian binding. Psautier de David avec les Cantiques, Quebec nSq Mr. L. W. Sicotte! D^fen,sede I'Ordre Social, Paris, 1829. Variegated tree calf. Restoration. ^ 36. 37. 3»- 39- 40. 41. 4» 43 44 4.'5. 46. 47- 48. 49- SO. 51 52. 53- 54. 55- 56. 57- 58. 59- el Leiean, Red- e, Ont. re X amateur. (1 tooling, HJlk an tlie Epopees ed a few years paneled sides, , Louise Labe. I'etrarch. 1848. Hood's !. Swinburne. ixinal binding, n. uskin. '. isig. limen of Ijook- de calf at the the Roycroft Montagnais <atrobe, Que- ing. iorntion Per- bonne Mort, de Padoue le it binding in en 12 livres, Juebec, 1785. Variegated 60. The People of the Long House (Tlie Iro<iui)i!<), Toronto, 1897. Dt'hixiicd and folored in gilt linen, the red and bliick for blood and war, wTlli gilt tomahawk, llii- yellow and )iink for joy, with gilt |)eace pipes. Designer, Coi,. K. M. Chadwick. 61. Traild des Injures, I'aris, 1769. Mottled paper with tooled calf back, I.ouis XVI. 62. Inferno di Dante, Paris, 1787 Plain calf sides, gilt tooled eilge and back, Louis X\'I, 63. Histoire du Droit Canon, Paris, 1675. Plain calf sides, gilt tooled back and edges. 64. Urev.iriuni Monastriense, Cologne, 1597. Old Ger- man calf. 6,^. M.S. 1336 to I4,S4, Constitiones Ecclesiasticae. Old C.emian half calf, black. 66. Chinese Dictionary of Rhymes. Raw silk. 67. Testament, a gift from' H. M. Queen Victoria, Kdinburgh, 1822. Drown morocco, highly stamped and gilt. 68. Songs of the Great Dominion. Green morocco gilt tooled edges and inside edges. Dawson Bindery, Montreal. 69. Low tide on Grand Pr<, Boston, 1894. Cloth Cover designed by Geo. H. Hallowell. 70. The False Chevalier, Montreal, iHgS. Cloth, design in white ink by A. G. Racey. 71. The Lord of Lan'oraie, Montreal, 1898. cover, designed by Samuel Raphael, 72. Chansons Populaires du Canada, 1S80. pictorial design by Power & Dawson T. Leniieux, hinder, Quebec. Mr. W. D. Lighthai,!,. 73. Mexican writing slab. 74. Paper holder. 75. Purse from India. 76. Bag, leather painting, Gennan. 77. Chatelaine bag, crocodile leather. The invention of the Lady Isabel Margesson. 78. vSlippers, Russian. 79. Shield, From the days of Robert the iv Mrs. John McDougam 80. Books, Roycroft shops, Aurora. 81. Stamp cases, Embossed Leatbcr. 82. Chair Seat. 83. Frame, Burnt Leather. Artist Mrs. Frank Dougl is. St. Paul, Min. 84. Leather Frame, Arti.sl Mrs. Burton, San Francisco, Mrs. Hunti.i \- Drummond. 8s. Purse, German Leather. Paris Rxpo.ntioj. Mrs. Bktt. Kilt. Cloth, gilt Cloth gilt, Montreal, 86. Tennyson. K,ind Table edition, 87. Tennyson. Round Table edition 88. Omar Khayam. 89. The Quest of the Golden Girl. 90. The Adventures of Lady Ursula. 91. Treatise on Etching. 92. Moliere. 93. Browning's Poems. 94. Maude Adams' Book. 95. Julia Marlowe Book. cloth. V Morocco, IF! i ' « ii Tooled 96. The New Noah's Ark 97. Lra Fontaine's Fables. Mr. H. T. Thomas. 98. Old Testament, 1773, Tooled Leather 99. Harry and Lucy, 1825, Tooled Leather o?' VoTnTy^ "J^P"' ''"• Tooled leather. leather " J°""''=y'"^»' Mason, ,829. 103. Omar Khayyam. Inf rr^,'" ?"°"8'^' William Morris. 05. The Book of ^Visdom and Lies, Morris. 106. Hand and Soul. Publisher, Tl os Mother ]%■ O^'^'LKhayyan,, Thos. Mather ' 108. The Germ, 1881, Thos. Mosher 109. Swinburne's Poems. Thos. Mo.sher. no. Omar Khayyam, Brentano. Ill ^^-^li-Khayyam, Elbert Hubbard. • '^'Hsh'^&n'g, ?L't '""" ^'^'"°"'-" ^"'^ ^"«- "" ^Vd'ey.^'"^'^' P"^"^*'«d by Russell for Will Mr. a. L. White. 131. 1 13a- 1 «33. I 134. I 13s. 1 136. C 1 137. £ 138. C 139. C 113 114. US- Book of Esther, parchment, 180 years old Mr. D. a. Anski,!,. ^7nS^ %7^'^:r' '^^"'^■- "■-""«■ --"'^-l uf. IrrtSstenrn',: """"'^ ^" '"""^^ °^ P^^" 118. Canvas slip cover. 119. Portfolio in burnt leather. J. B. Lkarmont. The Century Co., New York '"• ''ttTb.ilfn^niT"^'' '" '"'^'^ '-^"''-' '--'J- G. E. Desbarats. ''Z\Xpn^!'L7^': ''-'''''''' 'y ^'^^-^ "^ Art Artist, Miss Harrison. Portfolio. Artist, Frau Zanke. Anf/^'^' ^^^ ^°°^ '=°^'^^« f>-on' the -EnElish an" cTngalese.'™''"" "''"^"' ^"•^-". «-& Eben Picken. Don Quixote. Illustrated by Gustave Dor^ with Orf^^^al-Sittr- °" ''^^ woo/^b^r-arl! 126. Croquemitaine. Illustrated with nrimnni -^ 1 28. Hand made books. Designs for covers 130. Song of Solomon. Designer, H. Grenfei.1., of Dent & Co., London, Eng. 122. 123. 124. 125. s. ather. vcather. 'd leather. son, 1829. Tooletl and Plays, 1820. Morris, s. Mosher. i. fVniour, early Eng- Russell for Will 'ears old. binding, mounted lother of pearl. books to be pub- ork. leather, bound in by School of Art n the -English, ndian, Swedish ave Dor^, with i by the artist. original draw- d by Art Union, y Selous. 131. French binding of i8th century, green morocco, prismatic edges, fine tooling. Two examples Cambridge, Eng., Library binding. Full English calf. Library binding, half crushed levant and morocco. Modem Italian binding, half vellum, overlaid with gold and green. McGni, Coi,I,SGH. Three leather purses, done by the Santa Barbara Indians. Mrs. Coi,by. 136. One fr-ime cover and thirty book covers. Designer, Charlbs Scolorutus, New York. Saddle bag. Tangier. Mrs. Hkrbhrt Walus. One leather Bible case (date, 1509). One "Smoker's Manual," heavy leather cover, old English edition, very small. Miss Eglaugh. 132- '33- 134. '35 137 138. '39. P . ' ii ers. Vechten. m London, Eng. ^ Section E.— Fans, Miniatures, Old Jewellery Coin Exbibiu. 3- 4- 5. fi. 7- i6 17 l8 Tortoiseshell fau with gray ostrich feathers XZi^t S'"^^ °^ '""^ ^'"S °f Belhi! painted Mrs. G. B. BuRlAND. Miniature, painted, one Elder Englehart fctofhi'^iJiilt'iir ^ '•^^ -' '" "^ ^'-- "• '■'hi MarQue'^?o7S!'- -P^'' ^- o"e won, Mrs. C. F. Deacon. Chatelaine (orci.seld). Madamr Aims Geoffrion. Set yellow topaz in old gold setting, : :: Chtleselvorf fr."^' '^'" ''^^'^'^ -" ^5 years old. Painted ivory fan. Mrs. N. w. Trenhoi,mb. 'Wpeafl'sti'k^.'^""'^) mounted on carved mother Madame J. R. Thibaudeau n'lTh?i'^i,P'*"!!"'^ "'i porcelain of Child on cross JolirBEd' of ""/'• C-tis; grandfather Mr. Ireland • ^°^«'"'' ^°""*y Wexford, Mrs. h. Curtis. 8. 9- 12 13 J5 Miniature. Miniature. Miniature. 19' Antique fan Mrs. F. Rolland. 20. 21. 22. 25- 26. 27. 28. Mrs. McLennan, Antique Spanish earrings Antique Austrian Reliquary, — . Medal, Tel-el-Kebir 23, Medal, Sebastopol 24- Medal, Afghanistan. Mrs. F. S. Lyman. Sr7htd\tt'it^'^i^^?,r""' '"""^ ""^^•^- Mrs, C. E. Spragge, Miniature of the Hon, Herman Witsins Rvl«„H member of the Legislatiye Council of Canada ' Miniature of the Duchess of Rut?and?gryen bv Sir Sge the""iv" '° '''' «°"' «• W.'Kdtfm Mr, Warwick Ryland, Peacock feather fan, 100 years old Tu^ u j, made from the quiils ^ tC feathers ^ '''"^'' Mi.'.s M. E. Bayus. 30, Tortoiseshell bojc 31. Enamel box. Brooch, Mexican feather work. Two seals, yellow topaz and cairngorms Miniature. '''''■ "^^ ^^ ^"'"'^"^ ' Mrs. W. C. J. King. 29 32 3S 34 81. B»>a>>f 35 Bwellery 36 37 h feathers. 38 39 g of Delhi, painted 40 41. 42. glehart. 43. gn of Charles II. 4,. ed from one worn 45- 46. 47. 3N. 48. K- 49- g- 50. over 75 years old. SI. 52. 53- B. 54- an carved mother 55. 56. w. 57. Child on cross. 58. grandfather, Mr. fc' ounty Wexford, 6i. 63. 63. 64. 65. 66. 67. 68. 69. 70. 71. 72. 73. from native. 74. 75- l^itsins Ryland, 76. 77. 1 of Canada. 78: id, given by .Sir V. Ryland from 79. 1- The handle k 80. rs. 1 •ms. 81 82, . Miniature of J. C. Roy, 1820. . Miniature of Henri Dumas. . Snuff box, 1735. Mmk. Rouer Roy. . Locket. Portrait of W. Caldwell, M.D., ist Royals. . Officer in Regimentals. • Mjnjature of a lady, evening costume, about 1830. . J! iniature of a gentleman about same date. . Two small boxes Battersea enamel, pink and white. , Small painting on copper, top of a snuff box. , Brooch and earrings, Bennudian Stalactite. Miss E. G. Johnstone. Miniature on ivory (Mr. Dowsiey). Miniature on ivory (M. H. Sanborn). Miniature on ivory (Lionel Hunton). Miss. M. Sanborn. Two pearl necklaces. One topaz necklace. Amethyst necklace. Pink topaz. Coral set. Coral set. Miniature. Miniature. . Watch. Fan. Fan. Fan. Fan. Fan. Fan. Mrs. Andrew A. AttAN. Set Indian spar, n klet, earrings, brooch. Hair bract ite and gold ciasps. Amethyst >.. >ji.):, gold setting. Indian f a/h; h.-s^t, necklace. Alligato.^i ..-eLJ bracelet. Old gold bracelet. Antique gold chain. Indian spar bracelet (green). Miniature oil painting. Two Silhouettes, 200 and 100 years old. Antique carved ivory tablets. Toothpick and case, 150 years old. Miniature on ivory (Miss H. Smith, London, Eng.) Mrs. Lyndon Smith. Miniature on ivory, W. G. F. Whiting, 1844, Miniature on ivory, W. G. F. Whiting. Miniature on ivory, W. G. F. Whiting. Exhibited by Mrs. F. F. Booth, Port Hope, Ont. Old fashioned cameo, representing the Blessed Virgin and Infant Jesus, and St. John the Baptist. One set in gold filagree comprising brooch with large "Aqua Marines" pendants and earrings and two pieces with four "Aqua Marines." This set is two hundred years old. Prayer beads composed of whole Agates and mounted in gold. Was given by His Holiness Pope Gregory XVI. (sixteenth) to the great- great aunt of the sender. Miniature on ivory, by Wm. de Berczy, of Madame Francois Antoine La Rocque (n€e Cott6), in 1819. !n,iti 84. 85 86. 87. 88, 89. go. 91. 92. 9i- 94- 95- 96. 97- 98. of 83. Three stnall pastels, also by Wni. de Berczv re- presenting menibers of the old Chaboillezfan'.ily ancestors of the lenders. ■' ' ivlADKMOISKLLE LaRoCQUK. ^''a^r.lfi"' "'°""'f> '« S°l''. representing two angels (over two hundred years old) yea°s^oldr'' "'"" "'"' '^°'"''" ^''''^' *'^° ''"°'^'^'* ^"rtnr!)*''°"''"iP'"' /eP'-esenting on one side St. Geo^e, on the other Our Lord calming the Pearl pin and earrings mounted on mother pcfiri. Miss Marir Chari,ebois. Tuscarora Indian brooch. Full length silhouette. Miniature. Mr. Lewis Skaife. Miniature, Duchess of Devonshire (Modern) Miniature, Maria Theresa (David) """"^ Miniature, woman in green, D 1 1727 Brooch"twP^''1f' ^"•""" °f Sweden, after David. Brooch, two small miniatures set in paste flowers^'''"*^'^ '^"' '^°'^' ^^'""^^ "^'^^ ^"^'"el Italian fan, amber with colored flowers "i^'ilh s?e"el ^^'^^ ""'^ ^°''^ ""^^"^ ivory sticks ^' ^"handli^"' P^'"*'"^' '^^'■^^'^ sticks, with paste in Mrs. Hector Mackenzie. Cameo brooch over 100 years old. Mrs. WitUAM Waugh. Three miniatures. 3^ Artist— Miss E. Woodhousb. Ring. Seal. Silver buckles. Mrs. Frank Stephen. One medallion, blue enamel and pearls, figure in centre done with hair. ^ Miss Grace Robertson. , Feather Fan. Miss Nei,i,!E Barker. ^'fbo. ^''^r.^\ ^'"'^''■^' "^^ P«r ^'««i« XIV., '"93' See notes. ' Mrs. L. Sutherland. Miniature by Moritz Krantz. Mrs. Campbell MacDougall ^""h^nH ^^"^ 1^°^^^' °f P^^'-J '"laid with gold hand painted, 50 years old. ^ ' Antique steel spangled fan, tortoiseshell sticks over one hundred years old ° mS^^^'^P"'"*^'^ '" '^'^' J"*"* Wright. Esq.. Mrs. C. R. g. Johnson. Miniature, Countess of Egglinton Mrs. Charles K. Nelson ^St^'lii'I'^p'Vl Angelique Cuvillier, wife of »-apt. Slack, British Army, 1825. 100 loi. 102. IC3. 104. 105. 106. 107 108 109. IIO. III. 112. 113- 114. I. <le Berczv, re- haboillez family, IK. jpresentiiiij two old), ver two hundred on one .side St. d calming the on mother of (Modem). 23- n, after David, paste, with enamel ers. :d ivory sticks , with paste in arls, figure in Ivouis XIV., I vdth gold, II sticks, over l^right, Esq., lier, wife of "5 ii6 117. 118 119. I30. 121. 132. 123- 124. "5- 126. 127. 128. 129. 130, I3I. 132- 133- 134. 135. 136. 137. 138. 139- 140. 141. 142. 143- 144. 145. 146. 147- , Small purse in heads, which wfts \mi\ for toiittlne whist tif rkers in, about 1M35, '^ "^ Mrs. DKSBABATii. . Set of pearls consisting of a ne.k|fl».g, twf. tiMcelets pair of earrings, small l.rooiti himI lifoorJi for the hair. Supposed to be about tm ypuis f)1(l Mrs. Oldham Robab'cs. Miniature in hair. Sisters ok Mkbcv, Miniature on ivory, Catherine I'U'ken, of Phila- delphia, 1797-1854, by Aiiit-riiHM hhIs), ittiknown Miniature on ivory, Mrs. K„l)iim M(faue Picken of Edinburgh i77o-i«J5, by W, Robertson; Scotch artist, about ifkxi. Miniature on ivory Eben I'kkmi ( flJ ),, 1^4-182^ Scotch artist, unknown. •'' Bruce, Edinburgh artist. ' ^ . Silhouette portrait, Eben Plcken JJ, . Silhouette portrait, Robina I). I'if-'kpfl, . Silhouette portrait, Henry lielfrajjp I'ltkea. Mr. Ebbn Pickkn. . Spanish fan. Mrs, C. HaTTON, . Very old fan. . Very old fan. Lady Kingston. ■ Painting of the Hon. Thomas Tresdwell, Member of the Continental Congress of tftP tf filled States and a descendant of a TreadweU wJlo cattle over in the Mayflower in 1620. Mrs. S. Tavlob. Fancy miniature on porcelain. Mrs. C. J. Allowav, Set sea pearls. Mrs. Hugh A. Ai,i,4i», Watch of the eighteenth century, Baron d'HALBWVI*, Watch of the eighteenth century, Mr. Henry Pbtkbs, ''^' centu"*^^""**^' '^^''"^ ^''°'" '^^ ^"** *'^*''^ 9i*ieenth Old miniature brooch (Little Gardgiiei-) tjiia Old nng surrounded by fine pearls, Ijm Brooch. Cameo, head of iSians, StlffeUHded bv fine pearls, 1700 ■' ^^LOTis'^XV '"'e^'""*''' ^"'■'■""'"'^•^ hy fi"e pearls. Small old miniature brooch. Parure of diamonds. Dormei}S#S bfoehe and eglantine. Old ring. Opals and diamonds, §emaA wiie Brussels exposition, 1880. ^ Amber bracelet and heart. Oermftfl WOffc, com- mencement 19th century. Old Albanian bracelet. Parure of coral, with cameo. fashioBftble UJidej- the Empire, 1800. Fan, very old, Spanish brooch, steel and gold, I'fofti Toledo (modem). Neapolitan parure, mother of pgftrJ au^J uh\a Lava brooch. * m 'I „ li. ili^ >4H, 149. • 50. 151. 15a. 153. '54. 155- t56. one small brooch in 157. 158, '59 160. 161. 162. '63. 164. '65. 166. 167. 168. 169. 170. •71. '72. «73. 174. '75. '76. J77. 178. '79. J80. Jfi.. 182. 183. '85. 1P6. One cross, one medallion Florentine mosaic. Small pocket fan, white mother of pearl. Empire ^^wSK^Sr^'vire/e"^"'- ^^°™ ^ "«>''^^ """i^T^nlrntS "^"' '"'-•"^ "'"^ ''■•«"'^' «='-P Two cro.sses in Roman mosaic r^Tr.l""''?',^"".''. T'"'''- M'»''e in Dieppe, France t l'errii'l-1 "S^ '''°"«''' '° "«^°"^^« ^" ««i« Fan, (lesion Spanish bull fight. One bracelet, earrings and cross found in .i,e M™s°' ''" °''' P'^^^ °^ furniture. ' Aqua ""'lie oS^ofil^alta"''"" '"'' «""'' C-''- ^^ MdK. DE BKLtEFROID D'OUDOUMONT. Miniature, Edmund St. Rouer Antrobus, born Tan 6th ,795. Provincial Aide-de-Camp for "teut twenty-five years. Died in Quebe? Oct ml James Cuthbert Antrobus. Born 1789. Died 1816 Mrs. Jeffrey Springle. One fan Venetian Polychrome lace One small Spanish fan Grenada . One set six d'oyleys lace-wood. Jamaica. Dr. Grace Ritchik-England Fine chain necklace (old) Necklace of Indian filagree gold and turquoise Mrs. Campbeu, Lane. Pair of iron earrings, substituted by the Polish ladies for their precious stones which were sacrificed to raise funds during the war Miniature, General Small Miniature, Mme. Bursey Two old snuff boxes. jMDE. DE BEI,LEFEUII,LE-MaCDONAI,d """ndbrUcT"""^ P^^^' ^"^ a«.ethyst' earrings One Amber necklace (100 years old) One Cornelian necklace ( 100 years old) One fZ '^"f ^"'^'i* ('50 years old).' One gold and pearl flower holder One cameo and gold bracelet On^^tortoiseshell necklace, brooch and pair of ear- One pair tortoiseshell cuff buttons One pair tortoiseshell earrings Onj^^air antique jet and gold earrings, .50 years One pair antique long gold earrings nT ^A ^"^'T'^ ^^""Sree gold ear^ngs. One odd coral earring, 150 years old One pair pilchers enamel gold earrings. chS."' '°^'^ ^"'"^ chatelaine, wfth two golden One serpent hair bracelet. One brooch with hair, very old. 187. Pa I8S . On 189 . On 190 Th 191 La 192 An 193 Go 19-I Tw 195 Pr 196 T« 197 To 198 Go 199 Tw 200 Tu 201 Go 202. We 203. Set 204. Crc 1 F 205. Mil 206. Mil 207. Sill 208. Sill 209. Sill 210. Sill 211. Gol 212. Gol 213. Snu 214. Pist 215. Sih d 2l6. Gor 217. Pur 218. Tor 219. Can 220. Pea 221. Coll 222. Thn 223. Min Q 224. Old g< 225. Min 226. Anti 22". Whi small brooch in f pearl, Empire, om in Italy for id bracelet clasp Dieppe, France, aroness du Bois i found in ^iie urniture. Aqua rand Cordon of MONT. obus, born Jan. -amp for about lebec Oct. ist, ^9- Died 1816. iiaica. ID. intingof "Taj ind turquoise by the Polish which were war. fALD. ;hyst earrings 1). 1 pair of ear- ?s, 150 years 1 two golden 187. Painted miniature of Aaron Philip Hart, bom 1724, died at Three Rivers in 1800. Commis- sariat officer in the army in 1760, also Seigneur of Becancour. 188. One old family portrait on pearl. 189. One old medai ion. Mr.s. Ar.KRBD Bblasco. 190. Thread lace fan. 191. Labradorite pin. 192. Antique china, over 100 years old. 193. Gold vinaigrette, 150 years. 194. T\vo small hair set brooches. 195. Primrose League pin. 196. Two charms, gold, (very old). 197. Tortoifsshell set. 198. Gold bracelet (very old). 199. Two miniatures, by Goss. 200. Turquoise brooch, gold setting, about 75 years old. 201. Gold armlet, with hair setting, over 100 years old. MoNTRKAi, Lady. 202. Wedding ring (split), date 1819. Mrs. C. Spraggr. 203. Set seed pearls. Mrs. Hugh A. Ai.i.an. 204. Cross of the Chevalier St. Louis, worn by Pierre Thomas Tarieu de Lanaudi^re, chevalier of the Royal and Military Order of St. Louis, 1677-1737. 205. Miniature on ivory. Lady Emily Pusey. 206. Miniature on ivory, Mrs. Martin. 207. Silhouette on wax, Lord Porchester. 208. Silhouette on wax. Lady Porchester. 209. Silhouette on wax, Hon. Henry Herbert. 210. Silhouette on wax. Hon. Edward Herbert. Mr. R. Percy Barnes. 211. Gold watch, 1736. 212. Gold watch, 1750. 213. Snuff mull, 1711. 214. Pistol, 1780. 215. Silver spoon made in Montreal, hidden in a well during the war of 181 2. 216. Gorget, 18th century. 217. Purse, arms of Blois. 218. Tortoiseshell comb, 1808. 219. Candle snuffer, l8th century. Mr. Murray Ogii.vie. 220. Pearl necklace. Mrs. Alkx. Paterson. 221. Collection of miniatures. Lord Strathcona. 222. Three miniatures. Mr. W. R. Ross. 223. Miniature on ivori-, painted in 1816 by Miss Osborne, Quebec. Madame Provencher. 224. Old Norwegian belt, hand work of brass set with gold and turquoises. Mrs. J. A. K1NI.0CH. 225. Miniature. Miss Alice M. Hamilton. 226. Antique black carved fan. 227. White spangled gauze and ivory fan, 1800. 8 I r 237- 238. 239- 240. 2^1. 342. 228. Carved tortoiseshell comb. 229. EiiKravert tortoiseshell comb. 230. Antique tortoiseshell comb. 231. Miniature in strong frame. 232. Miniature in leather case. 233. Four miniatures mounted in gold. 234. Gold vinaigrette. 235. Brooch, crystal and gold 236. Seal with crest. Mr.s. R. a. Lindsay. Fan belonging to Madeleine de Verch^res. Miniature, Hon. Francois Baby, taken at Paris in 1761. Miniature 5th Baron de Longueuil. Miniature, Capt. Grant, 71st Highlanders, brother of the Baron de Longueuil. Miniature, Mme Reeves, n^e Benoit, 1789. Miniature, Lieutenant Jean Bte Hertel de Rouville. 243. Miniature on ivory, Duke of Richmond, Governor of Canada. 244. Three old snuff boxes with miniatures. JUDGK Baby. 245. Carved ivory fan, 1S06. 246. Ivory and sflver fan with mother of pearl handles 1828. ' ' 247. Ivory carved fan with painted figures, 1828. 248. Carved fan with painted figures, 1820 249. Miniature, Charles May Winship, M.D 1829 250. Miniature, Lemuel Cravath, London, Rug., 1760 251. Miniature, George Barker, Parley Hill, Derbyl shire, 1794. -^ 252. Miniature, General Henry Dearborn. ( See notes ) 253. Cameo pin. ' 354. Amethyst bracelets. 255. Hair bracelet, 1825. Mrs. G. H. Napikr. 256. Miniature, over 100 years old 257. Very old fan. 258. Chatelaine gold, over 100 years old. 259. Metal snuff box. Mrs. C. MacDougau,. 260. Ivory pendant. tary. 261. Mother of pearl card case, about 75 years old 262. tan, about 70 years old. 263. Filigree silver comb. 264. Gold jewelled comb, 100 years old. 265. Child's coral armlet, very old. Mips David. 267. Two carved ivorv fans, about 75 years old 268. Set carved conuiian -<\vellery (very old) 269. Antique brooch, 200 \ i ars old. 270. Two worked bead purses, 70 years old. 271. Diamond star, 200 years old 272. Caned ivorj' pendants. For sale ; enquire from the Secretary. 273. Miniature of David Salisbury Franks ADC to Washington. . ■ • •> 274. Pair shoe buckles, worn by same. 275. Pair diamond buckles, about 200 years old. Miss Harune David. For sale ; enquire from the Secre- 281 erchdres. taken at Paris in hlanders, brother )it, 1789. Bte Hertel de imond, Governor ures. nf pearl handles, ures, 1828. ^2o. M.D., 1829. Ion, Knf(., 1769. y Hill, Derby- n. ( See notes.) from the Secre- years old. irs old. ' old). Id. ; enquire from iks, A.D.C., to 376. Miniature of Thomas Ridgate Maunsell (Maunsell o( Thorpe Malson) grandfather of Mrs. McCord. 377. Miniature on ivory, a button from a coat of Thomas Ridgate Maunsell. Each button bore a different subject. An illustration of the personal art of the last and the beginning of the present century. 378. Bronze Eagle from Waterloo, given by Field Marshal Lord Hill, to Maria Daly Fortye Maunsell, Mrs. McCord's mother. 279. Old ornament, filled with hair, and showing the interlaced initals of Thomas Ridgate Maunsell and his wife, Maria Daly, daughter of James Daly, of Upton House, Brixhani, Devon. 280. Miniature of Mary McCape, second wife of Robert Johnston, Inspector General, and step great grand mother of Mrs. McCord. She was married in January, 1795 and was one of the beauties of her day. It is in its original carved wood frame. 281. The seal of Robert Johnston, aforesaid, with the arms of the Annandale Johnstons. 28a. Miniature of his son Major Johnston, 49th, Sir Isaac Brock's Regiment, and a brother officer in the war of 1812 in Canada, great uncle of Mrs. McCord. 283. Miniature of Captain Johnston, another son and in the same corps. 284. Miniature of Cuthbert Chambers, Mrs. McCord's father, as a child. 285. Sword of Adam Walker, R.N., broken in action under Nelson on the Victory. Mrs. McCord. 286. Carved ivory fan, Chinese. 287. Carved ivory card case, Chinese. 288. Carved ivory card case, Chinese. 289. Specimens of mother of pearl card counters. Chinese work, date about 1815. Dr. R. a. Kkrry. 290. Snuff box, shell and silver, very old. Miss Marion Laing. 291. Carved ivory card case. 292. Old silver watch. 293. Modern miniature. Mrs. MacTikr. 394. One pair earrings, over 100 years old, hoops with quaint setting of jewels. 295. One brooch, cameo, two shades of pink, belonged to owner's great-grandmother. 296. One pipe, 50 years old, white porcelain, with silhouette of owner's relative, inscribed, " Eglauch, seinem Schwager." Miss Egi,augh. irs old. ;i Section F.— Designs and Illustrations uu exMbitt. Original design. Original design. Origin. il <le,sign. Original design. Original design. Original design. Original design. Designer, Sistkr I'^ora ok ms Sistbk.s t)K THK Church, Ottawa. H. Design for ma^uzine cover 9. Still life 10. Sketch, " Sand Banks, N. Wales " 11. Naaliirtiuins oil) 12. Design for decorative page Artist, Ei<KANOR S. Bayus. |(o.oo 5.00 J. 00 10.00 10. o» sketche,s. "Old Lachine 15- 16. 17 ■ 18. 19- Water color Canal " " Lachine " " Ste. Agathe des Monts " " Ste. Agathe des Monts " Artist, M. E. Irwin. Twrt dozen dinner cards, per dozen Artist, S. M. MORSK, Ottawa. "Araants des Premiers Rayons ciu Soleil." Pen and ink sketch by a now distmgnished European artist. See note page Artist, Mkhh. Aimek Rapin. 32. 23- 'The Return of the Flock," Paris Salon, 1894, Exposition, 1895 "Notre Dame de Paris," Paris Salon, 1895 "A Twilight Pastoral," Salon 1806 Twenty-five proofs taken, plate destroy^' La Mere Pannefaye," Paris Salon, 1894. Exposition 1895, Lyons, Antwerp. 3. I'"rtrait"Ph,lip Gilbert Hamerton" After the original painting 24. Portrait of Sir Adolphe Chapleau K C M G Pans Salon, 1899 • ■ • *vt., 25. " By the ^gean Sea," Salon, 1899. Twenty- five proofs taken, plate destroyed Artist, ROBBRT J. WlCKKNDKN. 26. Water color. Bit of Montreal Harbor 27. Water color. Poplar Trees 28. Water color, Brick Barge Arti.st, LiLUAN TucKSR. 29- " La Gardeuse d'Oies " 30. "LaPSche" Artist, Chari^es Huot, Quebec. 7..«> 7. (Up 7.00 10.00 4.00 25.00 1500 15.00 10.00 10.00 10.00 10.00 10.00 8.00 25.00 45.00 ns and a SIEKS OK THK lio.oo S-oo a. 00 I0,0») lO.Oti IS. Lacliine J.IXt 7.n, 7.00 lo.oo dozen wa. 4.00 iu Soleil." tinguished as. 00 'IN. iris Salon, 15. W) Ion, 1895, plate des- IS-O) n, 1896. lestroyed 10.00 Ion, 1894. p. 1." After 10.00 :.C.M.G., Twenty. SN. r 10.00 10.00 10.00 8.00 35.00 45 00 Sketch eoMpttttlOR I. a. y 4- 5. 6. 7- 8. 9 10. II. 13. 13 14. 15- 16. 17- 18. •9- 20. 21. 32. Cow Rock, Little Metis |6.oo Beach, Little Metis 6.0U White Birchts 10.00 At Lachine 10. uu Miss M. J. Sanborn. A Orey Day 10.00 Sand Dunes 10.00 A Woodland Road 10.00 Mrs. F. MiNDKN Coi,i(. Bridge at Pickanock Not for sale. Bridge at Kirk's Ferry. View from R. C. Cemetery. Road at Wakefield. Early Morning at Wakefield. Mrs. O. B. Buhlanu. Morning at Bic. The House by the Lilacs. Under the Birches. Miss MacVicar. The Chateau Homeward Bound. At the Regatta. The Chateau. Montreal Harl)or. Montreal Harbor. Old ToUgate House. Miss E. Bbaro. Sketch. Miss Dakragh. Wall Paper eompttitioa 24. Design for wall paper. Miss E. Beard. Potter eoaipetitlOH 25. Design for poster. 26. Design for poster. Miss M. E. Irwin. .if- A. Section F. -Designs and lUustrationa Cmh CxMblft Picture. Thk Coijnthss of Minto. Originals o/ Illustrations : Corner nios' ev'ry ni>{lit, old i?e sit on tie I'liil-o-rutn Juneau, a. So we bury deni as we fin' dem 3. He s tole me all ile w'ole biz-nesse Jus' Ink you hear nie now 4. An' "j^eev" me de ring also. 5- Wit lot of hay kip our foot warm An' plaindee buffalo. 6. Le Chasse Gallerie. 7- Madeleine Vercheres. 8. Phil-o-rum Juneau. 9. Iroquois Attacking Settlers '"• '':i:o;'h:s;/r °''^" '^^'^^ ''"'^ '^'-^ "'- ^^-^ "• '"^'"n;^rr:;.^'^:r^^r" ^-^-'^ ^'^'•^«- -- I a. De Notaire Publique. If ? "'* °!5 "='""^' w'"ts de matter wit' you ? 14. Away she go ' Hooraw ! Hooraw > ecCs'^die."*"'""' "P"' ^""'^°" '"^ '"'K'ring 16. Chenier come dead immediatement. f„"i?' f*"'""'^' ^^°n>"her Garcon, I tink of you. tmk of you every day 18. The I'ortajje. Illu.-trattons for " The Habitant " and " Phil-o- ArtuTp.'^n""''" ^y ^' ^V' "• Drummon^. Artist, Pkbdkrick Simpson Coburn. 19- Batee.se de Lucky Man JO. Aiul^ before he can ketch her, p-s-s-t ! she's down De Ole Badeau. "■ "^"flay r'' "^'■''"'''' '^^ ^*'^y™«'»' '=0'"in' «"oss de ""'^^^rDrummlT '°' ""P"^'"^^^ work of Dr. Dr. Drummond. Originals of Illustrations' 22. Travelling in the Klondike. 23- The Halt at Noon, Klondike. 24. Snow Scene, Quebec 25. The Village Cur«. In' Tn^ Lost Travellers find a Telegraph Pole. Throu'h '^°"'''^" ""^ ^'=^™'"'' ^""^ aS. Christening the Christmas Boy in Normandy 29- Copying the Old Master. ^^"rnianay 30. Travellers Lost in the Snow. gone • and ^v'ry inKlit, old brave din detn X Riviere, some ' you ? I the lingering I link of you, and " Phil-o- I. Drummond. JURN. t ! she's down oiin' across de ederick Simp- id work of Dr. Pole. i were gone mandy. 31. Father WRtches hin Sick Child, jj. I.iiniherinK Scene In U<>ebec. 33. A Christinas I'artv. 34. Itringing Home the near. 35. I,unit)ering Scene in Quebec. 36. The Dcs.rted Mother. 37. The Ice Ikiat of the St. Lawrence, yuebec. 3H. Rural Scene, Quelwc. .^9. The (iHnii" of Oniughts. 40. The Chasse Calcrie. 41. The Old Woman Chateau. 4J. KtturninK from Market, 43. Up a Tree in Ouehec 44. The : Village Dance. 45. The Ice Hoat Crew. 46. The Angel's Visit. 47. The Dictated Letter. Artist, Frkiikrick Simpson Cobhrn. Illustrations for "Christmas in French Canada " by I^uis I'rechelle. ' Gko. N. Moranc & Co., Ltd,, Publishers, T .oui 48-^2. Head and tail pieces. Artists, F. C. C ourn ami H. Julien. Gro. N. Morang & Co., Ltd. Originals of Illu.strations: 63. He Struck one Fearful, Crushing Blow. 64. Wah Yelled and Jerked Back. 65. The Roachlmck I'led into the Wood. 66. Aint He an Awful Size, though ? 67. A Savage Bobcat Warned Him to go Back. Artist, Ernhst Skton-Thompson. Illustrations for the Biography of a Grizzly. Century Comp.vnv, N.Y. 68-77. Original Cartoons, by Bengough. Mr. Ebrn Pickhn. 78-81. Original Cartoons, by Bengough. 8a. Portrait of Zachary Vincent. Indian Chief, known as the Last of the Hurons. Drawn and painted by himself. See note page. Mr. J. B, Lkarmont, 83-92. Original Cartoons. 93-94. Wash drawings. 95. Portrait. Artist, A. T. Racky. 96-101. Drawings. 102-103. Pencil sketches. Artist, H. JULIKN. Originals of Illustrations: 104. Pen Drawing. Crayon Drawing. Gouache Drawing. lUusirations for "A Bit of Atlantis." Wash Drawing, Sepia. Moonlight on the Coast of Newfoundland. Pen Drawing. Fisherman Mending Nets. Pen Drawing. Landscape. Pencil Drawing, Doukhobor Girl. Pencil Drawing. Doukhobor Girl. J05 106 107. 108. 109. no. III. Artist, 135 136. I37. 138 I39. 140. 141. 142- 154. 155. Pencil Drawing. Doukhobor. Pen Drawing. Trial in Court. Pen Drawing. The Prisoner. Drawings which have appeared in The Star. K. tr. Mathews. W. D. LiGHTHAW,. -120 Four folio sheets original drawings Pen and ink by Patterson for Rosalie -122. Sheets of proofs of same, showing experiments with different inks and colors P^™^"" WiLtiAM McLennan. Small Mn and ink drawings (103), the orieinals of the 1 lu.strations of a ler es of aS^ called Our Wild Flowers, in Weekly Slar The Pubusher. Original drawings of Canadian Wild Flowers Artist, J. H. Ross. Original etching ^portrait). By Van Dyck '''S'sSrdT'^a^ll JJ'al?°-P'^- ^-^'-"'i'- PoS'^'lt, rT^ signed by W. Hamilton Gibson, l^ortrait In Charcoal. By Wyatt Eaton. Poster, Commercial. By Wilfred M. Barnes Poster, Theatncal. By Wilfred M. Barnes ■ Trmitas (The Trinity). Rev. Wm. S. Barnes Mezzotint Engraving by Simon Waits After drawing by Francis Boucher 176s notes. ' ''' Adelaide. Fonrose. Colored engravings by E. Bartolozzi, R.A., 1708 After paintings by H. Bunwell. See not!s' Jeffrey h. Burland. Original designs for wall paper, oil cloths and prints Pupils of the Senior School. Montreal Mrs. M. L. Simister. Water color sketches, made in 1787-88 '' British^SA^mS "•"^'"^^^'^^ ^--^'- 'Henofs Travels through the Canadas." "'"mrby^G^'offif""''-^ ^^°» ''--"^^ J. C. A. Heriot. Small water color portrait, Napoleon I. E. G. Johnstone. Design, three light memorial window. Desjign, hall window. Designers, Castle & Son. Cover design for "In the Village of Viger " Bertram E. Goodhue. ^ ' 1 --signer, Duncan C. Scott, Ottawa. I53' li designs. H. BiRKs & Sons. ijesign, Moorish Ceiling. Design, Mosaic. 112 "3 114. "5- I16. 117 121 "3. 124. 125. 126. 127. 128. 129. 130. 131. 132- 133 134 1771. See See note. by 173- The Siar. Artist, False Chevalier. 'ings. isalie. 'ing experiments rs. theorigiaals of ' articles called ar. d Flowers. n Dyck. Proof signed by e. Rembrandt. imilton Gibson. 3aton. I. Barnes. Barnes. S. Barnes. 1 Watts, 1771. icheri765. See KJ, R.A., 1798. 1. See notes. )ths and prints, •eal. 18. ister General, us." rom drawings I- See note. f Viger," by wa. 160. 161. 162. 167. 168. 156. Design, Stained Glass Window. 157. Design, Persian Plate. 158. Design, French Book Cover, i6th Century 159- Design, Book Cover, Modern. Designer, M. E. MacLeod Moork. Designs, Two Show Cards by Mucha. Design, Tobacco Poster. F. J. Hoy. Poster, by Berthon. 163. Poster, by Berthon. 164. Poster, by Berthon. 165. Poster, by Mucha. 166. Poster, by A. de Riquer. Poster, by Ch. Lucas. Mrs. Jas. H. Peck. Livre d'Heures. M.S. of the i6th Centurv. Valued at I500. See Notes. Mr. J. R. NKI..SON. 169. Series of photographs, electrical discharges, positive and negative. Dr. G. P. GiRDWOOD. 170. Photograph. 171. Photograph. Artist, G. E. Vai,i,eau, Ottawa. Enlarged photograph. Pencil. Artist, Nemje Barker. Transparency. Totem Poles of Haida Indians, -kidgate. Queen Charlotte Lslands, B.C. Photograph by J. M. Dawson, Geological Survey. 174. Water Color Study. 175. Water Color Studv. Pencil Sketch. Pencil Sketch. Designs, lunch and dinner cards, etc. Artist, L. M. Pknkiei.d. . ^ Plastic Drawing. 180. Plastic Drawing. 181. Plastic Drawing. 182. Plastic Drawing. 183. Plastic Drawing. Mrs. H. Curtis. 184. Chinc-e hand-painted figures on rice paper. 185. Chinese hand-painted boats on rice paper. Mrs. C. E. Spragge, 186. Original drawings of illustrations used in first num- ber of Walsh's Magazine. 187. Design for certificate. 188. Design for certificate. 189. Drawings for reproduction. 190. Design for stained glass. Design for stencil. Design for wall paper. Designs for initial letters, etc. Sketches in pen and ink. Designer, Eleanor S. Bavi.is. Cushion in white satin, crayon design, group of children's heads. 196. Iris design in linen. Artist, Yvonne Hamelin. 197. Painting on palm branch. Artist, Mrs. Samue! Lelean, Reeflands, Cal. Mrs. Wm. Craig, Port Hope. 9 I i 172. 173- 176. 177- 178. 179. 191. 192. 193- 194. 195- 199- 200. 201. 202. 203. 198. Picture "The Angel Guardian." Was brought from France in 1659 by the vSisters of the Order who founded the Hotel Dieu. It still adonis the walls of their monastery. Sisters of the H'otei. Dieu. Drawing, " Head of Brutus. " Artist, M. R. Beixemark. Classical Exercise Book, with three kinds of writ- ing, in use bv the blind : 1. Graille writing. 2. With ordinary pencil. 3. Printed as on the type writer A geographical map (U.S.) by the Blind. Slate for arithmetic. Slate for Graille writing. Nazareth Blind Asylum. 204-215. A dozen notable posters. F. J. Hoy. 216. The Studio. Leon V. Solon. 217. Lejuif Errant. Henri Riviere 218. Champs Elysees (2). 219. Lippincott's novels. J. J. Gould, Jr 220. Harper's Christmas. E. Denfield. 221. Heine Bibliothek Langen. Reznieck 222. Harper's August. 223. Saxoleine. 224. Harper's October. E. Denfield. 225. Clairs de Lune. Henri Riviere. 226. Quinquina Dubonnet. Mr. White. 227. Water color sketch for Fresco painting. Christ with Martha and Mary, at their home in Bethany. Artist, A. Cope, B.A. Mrs. Stanus. 228-231. Four sets of designs, mounted. The Standard Photo Engraving Co., Ltd. 232-233. Water color pictures. Artist, R. Sherman Lawson. Mrs. Vasey. Photograph. Artist, Strauss, St. Louis, Mo Mrs. Chas. Nei,son. Frame containing proofs of designs of book and catalogue covers. The Herald Press. 236. Three portrait sketches in photography Artist, A.J. Rice. 237-246 Small gingham design, poster design, sheet of headings, book cover, silk designs, borders tile design, heading, wall paper design and chair design. Artist, Miss Jordan. School of Art and Applied Design 234- 235- 247 248. 249, 250, 251 Pen aid ink landscape. Heraldic emblazoning in Coat of Anns of Kirk- patnck. Cameron Hutchinson. Pen and ink sketch. The Zither Players H M Ami collection. Artist. Mde. Elise Rondeau' Dr. Ami, Ottawa. Portrait. Portrait. Artists, Wm, Notman & Son. 252. I 253. I 254- I 255- 5 256. I 257. J 258. I 259. I 260. I 261. I 262. I 263. I 264. I 265. i 266. I I 267. I 268. I 269. I 270. 1 271. I 272. i 273- 1 274. I 275. I 276. I 277. I 278. I I 279. I 280. I 281. 1 282. S 283. s " Was brought ;ers of the Order It still adonis the lEU. IK. e kinds of writ- Blind. Fr. ck. mg. t their home in i.A. Co., Ltd. , R. Sherman juis, Mo. IS of book and jhy. esign, sheet of as, borders, tile sign and chair SSIGN. \nns of Kirk- lajers. H. M. e Rondeau. 252. Painteti photograph. Artist, C. C. PORTKR. See Secretary. 253. Frame of photograph. 254. Painting, India ink. Artists, Laprks & Lavhrgne. 255. Montmartre, Paris. 256. Knife Grinder. 257. Moulin Rouge, Paris. 25S. Palais du Khedive. Sketches for wood engraving to be reduced one-half. 259. Drawing for illustration. Artist, Charles Huot, Quebec. 260. Fourteen drawings of silverware. Henry Birks & Son, Montreal. 261. Forty designs for the illustration of advertisements, pen and ink. Mrs. J. E. Eluot. 262. Pen drawing. The Wounded Scout. 263. Pen drawing, Portrait Sea Captain. 264. Pen drawing, Indian Trapper. 265. Pen drawing. Falls. 266. Design for litho. show cards ; color, snowball. Drawn by T. BarfooT, Can. Litho. Eng. Co. 267. La Gardeuse d'Oies. 268. La Peche. Artist, Charles HnoT, Quebec. 269. Design for playing cards. 270. Thirteen sketches illustrating Canadian scenery. 271. Fourteen designs for card backs. 272. Five designs for cigar labels. 273. Two designs, menu cards. 274. Four designs, fans. 275. Four designs, cotton labels. 276. Design for insurance. Ass. Calendar, and a number of miscellaoneous sketches. 277. Design in three colors, showing method of repro- duction. 278. Design for diploma. Montreal Exhibition Associa- tion. Mr. Burland, Canada Engraving Company. 279. Pen and ink portrait. Rev. Mr. Winfield. By Fred. H. Morgan. 280. Four original cartoons. By W. Bengough. 281. Twelve original illustrations of The Starling's Nest. By Mr. Julien. 282. Sketch of Fox Terrier. By F. C. Copland. 283. Sketch. Artist, Miss Darragh. ill I mm Section G.-Basket Work Coan exMbltioN. I. 2. 3- 4. 5- 6. 8. 9- lo. II. 12, 13. 14. 17 19- 20. 21. 22. 23- 24- 25- 26. 27. 28. 29. 30. 31- 32. 33 34. 35. 36. 37- 38. 39- 40. 41. Alaskan basket, native dyes Alaskan basket, old native dyes A askan basket, old native dyes' A askan basket, very old native'dyes. Alaskan basket, n.>dern dyes "^'fuitf .l^u?^\ ^.^'■y beautiful coloring of ol.i t'JvLln" ''"''' '^ "'^ ^'^"' °^ '^^ will .naide!' Jl^c^^'i^S^.t.SJl-^^-'^-'-'-'^an.veo- S^t^kSi-ri;;^--^/^ Covrr'of No'';P^"^^" '^ "- -»<1 maiden-haK^ An ordinary specimen of Alaskan work rr^lLT""' '^^'^'^ "'^ ^^'^ -'<"^ng is verv- Alaskan basket covered entirely by a se arate covering of solid bead work ;' a veA unusull „ example of Alaskan work. ^ unusual Wallet made by Fox Indians, Alaska of cednr K ^^^'''■°«:n i« the natural color and the . Modern Alaskan basket with lid M.T''^%"i*^^P^^''«"^0' Washington State bv Ha^dah ha? r^ "^P"'^^' ^^"' -"d cedar bark.^^ Basket made by Haidali Indians of Queen Char lone Archipelago, from spruce rooland ceda" Alaskan mat. Alaskan basket. Alaskan basket AlasKan basket. Alaskan basket. Moqu6 plaque for sacred mwal. Alaskan mat. . Alaskan mat. ■ Alaskan mat. • Alaskan mat. Oribi Arizona, plaque for sacred ,neal. Canadian mat. Alaskan mat. Pennsylvania ba^^et. Belonged many y>^rs aeo to Mr. Justice Torrance, Montreal. ^ ^ ^° New Mexico bowl. Apache basket, made of willows. Liatsop bag, Chehalis basket. Klickitat basket. Neah Bay basket. ^ orAUu'lSf"' ""''^''^ '^'"^'^y "- '^'-tians The finest example known to the owner of basketrv made V the Aleuts of A.tu Island ThfS mentation IS silk. i"c orna- 81. 82. 83. et Work dyes. 1 coloring of olil f the wild maiden- ans, Alaskan, very .laska, native dyes, itiful coloring, the I maiden-hair fern. 1 work. i coloring is verj- ly by a se^ arate ; a very unusual Alaska, of cedar •al color and the the bark in char- hington State, by md cedar bark, root and cedar colors, and with ain. of Queen Char- ; root and cedar leal. nany y^i,rs ago il. y the Aleutians and work, and nerof basketry ad. The orna- 42. 43. 44. 45- 46. 47. 48. 49. 50- 51. 5*. S3- 54- 55- 56. 57- 58. 59- 60. 61. 62. 63. 64. 65. 66 67 68 69, 70, 71- 72. 73- 74- 75. 76. 77- 78. 79- 80. 81. 82. 83. 84. 85. 86. 87. 88. 89. 90. 91- 92. 93. 94- 95- sfifuce BivBf, iimt Fort Sfrrtice »{mice A small plain specimen of a basket «f llUUtv ttntn Queen Charlotte Island. '' ^ Covered basket from Alaska, mmU ffmt root. Rare basket from the Yukon Cudahy, made from fish skin.-,. Birch bark basket from Vnkou River, Haidah mat, cedar bark. ^ttat'^Mod^^n d^Js.'"^'^ '"*^^^' ^«*'^'"«*«" Old Neah Bay basket of faded Blo4efH (IvM Neah Bay basket. ' ' Basket of Neah Bay work. Bottle covered with Neah Bay work, tiveA With aniline dyes. ^ Fine syecimens of Neah Bay work MU\ Hiodefd dyes. Very fine Neah Bay basket. ^ Neah Bay basket of ordinary work, Cedar bark ba^ from Vancouver's JijIsikI Very fine specmien of very old Chelmlis wofk A copy of 56, much inferior. ' Very fine specimen of old Chehalis work . Chehalis Indian basket. . Chehalis Indian basket, very old <lyei». . Chehalis Indian basket, naturwl mliif^ yf root and grass. Chehalis Indian basket, natural miUm of root and grass. Chehalis Indian storage basket for berries, Chehalis Indian basket, very fine work Chehalis Indian basket, very old. ' i*"^,'} ^}.'^u^"^ I'"*''**' sooA modern work, bmall Chehalis basket, good modern WOfk Chehalis basket. ' Chehalis basket. Chehalis bowl. Klickitat basket J^ composed o? fs fmUids work, and holds 21 gallons of w»ter, Klickitat basket. Klickitat basket. Klickitat basket. Klickitat basket, composed of roo rounds of work and represeuting months of toil. Klickitat basket. Klickitat basket, of natural colors, Klickitat basket. Klickitat basket. Klickitat basket, very fine work. Klickitat basket. Klickitat basket. Klickitat basket, unusual shape, modern, Klickitat basket, very old. Klickitat basket, unadorned. Klickitat basket. Klickitat basket, very old ; uncommon desJtfH K ickitat basket, undecorated and psithed «t top. Klickitat basket. ^ Klickitat basket, partially decorated, Very curious old Klickitat basket, One of two used for carrying on the saddle hom.S, Old Klickitat paint pot for paint, -- tile t\m\. Klickitat water carrier. Klickitat basket, very old and with pstterfj estlrely Klickitat basket. of '^^ n I li 96 97 9« 99 too. lOI. I03. 103. 104. J05. 107. 108. 109. no. lit. 112. >i,v .i4. "5. 116. 117. 118. 119. I30. 131. 132. 123. 114. <35. fa6, i?7 I2tJ. I3f'. 13/. >3i. '33- '34. «35. J36. '37. 138. t4a 141. 143. «43- <44. «45. 146. W- 148, 149. 150. »Sf. '52. »S3. 134. >55. »86. >57- ««8. ,1'; Klickitat cup. Klickitat basket. Klickitat basket, beaded. . Thompson River basket for clams . rhoinpson River basket for clams . riionipson River basket for clams Fraser River trunk. Shast 1 hat. Hoopah Valley hat. Shasta hat. .Shasta hat. Shasta hat. Hoopah Valley hat. Hoopah Valley hat. Jhasta hat. fiJiastah hat. K iaiiiath hat. Rogue River hat. KJj'.niath hat. Mo(iiH- hat. CayuM. aat. Sha.sta looking vessel. Shasta cooking vessel. Shasta cooking vessel. Shasta cof 'cing vessel. Shasta cooking vessel. Shasta cooking vessel. Shasta bucket. Shasta bucket. Miniature clam basket. C,-iy use work. Tiiet/. River basket. Calapooyah basket. Klamath storage basket. Pitt River burden basket. Klamath basket. Wocus shaker. Burden basket, Klamath Indian Small burden basket. Large burden basket, Mendocino C.,., Cal California Mission basket. San Jacinto Mission basket Apache basket. Apache basket. Apache basket. Pima, Arizona basket. Hoopah Vallev papoose cradle Very old Rogue River work, used for 20 years. New Rogue River work. Coos Bay basket. Coos Bay basket made by a blind woman. Rogue River basket, made of hazel twigs Virginia basket, hickory. Piute Indian basket. Coos Bay Indian basket. Calapooya Indian basket, Oregon Samoan basket. Formosa basket. Konnosa basket. Apea, Samoa, basket. Malay hat. Sandwich Island pillow. Ceylon. Ceylon. Japan. ., Cal. r 20 years. man. wigs. i6i, 162. 163. 164. 165. 166. 167. 168. 169. :7o. iji. !72. »73. 174. 175. 176. 177- )78. 179. 180. 181. 182. 183. 184. 185. 186. 187. 188. 189. 190. 191. 192. i93- 194. of Manilla basket. Japan basket, owned by four generations Montreal family. Alpine basket. Indian basket. Morocco basket. Assouan (Egypt) basket. Basket from west coast of Africa. Basket from Fayal. Small Chinese basket. Large Chinese basket. Basket made in New York 35 years ago. Pennsylvania egg basket. Canadian baskets. New Brunswick basket. Melon basket. Basket made on Nantucket Shoal men. Basket made from California palm Oregon. Basket made by Penobscot Indians. Basket made on Lower St. Lawrence many years ago. Basket made on Lower St. Lawrence, 1900. Canadian basket. Very old Canadian basket. Very old Miniature Hudson's Bay canoe. Old porcupine work. Old jwrcupine work. Basket, Lower Klamath work. light-ship by by a boy in Mat from Japan. Colombo basket, a nest of 3. British Columbian basket. Large basket from Esneh on the Nile, same as were worn during Pharaoh's time. Soudanese hat. Small Egyptian basket. Mrs. W. Markland M01.SON. Indian hay and porcupine work from Lake Superior. Mrs. Alloway. 195. Basket woven by Maori women. 196. Umatilla bag. 197. Cayuse basket. 198. Umatilla bag. 199. Umatilla bag. Mrs. W. MARKtAND M01.SON. 200. Old English basket (before 1776). 201. Basket woven in Blind Asylum, Liverpool, 1834. Miss Phillipps. 202. Round covered basket with porcupine embroidery. 203. Book shaped box of Bermudian straw inlay. 204. Bermudian basket. Miss E. G. Johnstonk. 205. Japanese basket. Miss M. E. Bayus. 206. Mexican hat (native hand work). 207. Sample of native braid. Mrs. F. F. Booth, Port Hope, Ont. 208. Little canoe. 209. Osier basket. 210. Osier chair. 211. Mat made of sea reed. Made by the Blind of the Nazareth Hospital, 2009 St. Catherine Street. 212. Alaskan basket. Mrs. G. Cavrrhii,!,. Basket. Basket. Indians, Coast of Briti.sb Columbia Miss MacFaklan, 215. Basket, Maricopa Indians, Arizona 216. Basket, Santa Inez Mission, California, 1825 (tribe Basket, Santa Barbara, California (very oldl Basket, Maricopa Indians, Arizona Basket, San Diego Mission, California Basket, Peina Indians, Arizona. Ba.sket, Tulare Co., California, 1850 Ba,sket, Apache Indians, Arizona Basket, San Diego Mission, California. Basket, Eel River Indians, Mendocino Co., Cal 225. Basket, Klickitat Indians, Oregon 226. Basket, Klamath Indians, Oregon. 227. Basket, Apache Indians, Arizona. 228 Collection of eight Japanese baskets W. C. Van Hornk. 229. Basket made by Haida Indians 230. Basket^drinking cup, made by Indian, Great Slave (The) Pktrr Rkdpath Museum, McGill University 331. Basket. ■' Dr. Geo. Dawson, Ottawa. 232. One fan, Honolulu. 233. One fan, Capri. 234. One fan, Luxor, Exypt. 235. One tray, Luxor, Egypt. 236. One fly whisk, Cairo. Mrs. Herbert Wai.ijs. Exhibition of Indian work by the women of Lorette consisting of bark, basket and leather work and TW° J^!^, '" porcupine quills and dyed moose hair These articles are not for sale, but orders may be given for any of them; prices may be had from the Secretary Lorette Indian Work. ' 214. 217. 218. 219. 220. 221. 222. 223. 224. Ob: Wow It is W. A. ; bership, honorarj promotic more gei mote the taining t to provid they car otherwisi The payi (too late for classification) Old Specimen of Pyrography. "The Crucifixion Lord Strathcona. Exhibit from Toronto, Toronto, W. A. A. ia, 1825 (tribe ■y old). Co., Cal. Objects and Rules of tKe Woman's Art Association. It is provided for by the constitution of the W. A. A. that there shall be two classes of mem- bership, active or professional, and associate or honorary. The latter are ladies interested in the promotion of art matters. All co-operate towards more general interest in original art, and to pro- mote the holding of exhibitions and lectures per- taining to art. The aim of the association is also to provide rooms for the use of members where they can work together from living models or otherwise, but no paid instructor is employed. The payment of $20.00 confers life membership. , Great Slave Jniversity. 1 of Lorette, work, and moose hair. ly be given secretary. ttf '41 Cbc Restaurant Kitchen Henry Morgan & Go's New Building furnished witli the latest improv'ed Cookiug and Serving Apparatus from the manufac- tory of Geo. R. Prowse 224 ST,]A^ ' i i.:.^HT, MONTREAL. Every patron of tliis Exhibition should examine the Kitchen Equipment, which, for Ele- gance OF Manufacture and CONVENIENCK IN OPERATING, cannot be surpassed in the City. Til deeply for nc Exhib contril herself circles and ha lace in the im] Aberde WE ARE HEADQUARTERS FOR rAMILY RANGES AND IGH-CI^ASS KITCHEN UTENSIL?: ... WtfHen ew Building latest ;rving lufac- 3WSE MONTREAL. bition CHEN Ele- { and riNG, City. The Woman's Art Association of Montreal is deeply grateful to Her Kxcelleiicy Lady Minto for not only exttiiding her patronage to the Exliihition of Arts and llanilicrafts, hut also contributing to the exhihits a picture painted by herself. The efforts of women in the highest circles are nowadays turned to encouraging arts and handicrafts, as witness the great revival in luce in Italy, fostered by Queen Marghcrita, and the impetus given to Irish lace- making by Lady Aberdeen. 1 ■! >R FAMILY KITCHBN May tx- a little early, but here iire n few noveltien in Can- udian Tourint Travel Thought}* FOR A^^j^jt^ 1 9 O 1 SUMMER I^O LI DAY CANOE TRIPS in the Tcnii»kamin({, Lady Evelyn and Temagmmng Lake Region* Read "/I Canoe Trip Through Temagaming the Peerlesi" HOUSE BOATS on the Kootenay Lakes Read 'Glorious Sport on the Kootenay in a House-boat " SWISS GUIDES SUtioned at Banff, Lakes in the Clouds and Glacier, to assist in exploration and mountain climbing Read "Summer Tours" IMPERIAL LIMITED Montreal to Vancouver, 2906 miles, in 100 hours, passing through some of the grandest scenery in the world Read "New Highway to the Orient" Co Mc skc Sin furr doll; prer collt muc eiiab havi Write for descriptive pamphlets to WM. r. EGG, City Passenger Agent Canadian Pacific Railway "9 St. James Street, MONTREAL y tw a little early, here iiro n few eltien in Can- in Toiirist Travel The Association is indebted to tlit- Century Compn.iy of New York, and to Messrs. Geo N MoranK&Co., of Toronto, for loans of original sketches by C. Seton Thompson and Frwlerick bimpson Coburu. velyn Kton» }e Trip Through 'he Peerless" IS Sport on the Wouse-boat " The Association wishes to acknowledire its indebtedness to the Union Assurance Coy f„r furnishing insurance to the extent of ten tiiousand dollars on the exhibition, without charge for prem„„„, and also to the many contributors and collectors whose kindly efforts have gathered so much that is curious and valuable, and ha%^e enabled the Association t„ carry out its plan of having an Arts and Handicrafts Exhibition the Clouds and 1 and mountain Tours" > miles, in loo 3f the grandest 'ighway to the to er Agent ri:'- High Grade ^ Brass Bedsteads ESTABLISHED 18B9m«m«* WHOLESALE ONLY**.... In Competition with the Manu* factofcrs of the World OUR EXHIBIT AT Paris, France Was Awarded SILVER MEDAL The highest prize given in this Class «««•««« H. R. IVES & COMPANY, rianufacturers, Queen Street, MONTREAL ♦ I I teads krith the Manu* 7of Id I 134. Section F.— Francisco Bartolorrzi, born at Florence, 1728, studied for a time under the historical engraver Wapner. In 1764 he went to Ivondon and was appointed engraver to the king. On the foundation of the Royal Academy in 1768, he was admitted one of the first forty members with full membership. All engravers afterwards up to 1855 could only be elected as associates. He removed to I^isbon in 1802 to take charge of the National Academy there. He died in Lisbon, 1813. I BIT AT France p'arded ♦ ER 1 1 srize %\\en MPANY, TREAL I I Reford Agenc j-i-ij- Donaldson Line of Steamers BBTWKEN MONTREAL AND GLASGOW Thomson Line of Steamers TO I.ONDON. NEWCASTLE. LEITH AND ABERDEEN AND FROM MEDITERRANEAN PORTS To MONTREAL Lord Line To CARDIFF The above Lines are specially fitted up for the carriage of Butter, Cheese Eggs and Fruit, having been built for the Canadian Trade. THE ROBERT REFORD CO LMITED Montreai,andPorti.and,Me., Agjsnts f Steamers LASGOW The three exhibits of the Hotel Dieu ladies n Section A, Nos. i, 2 and 3. are notable for their antiquity. The piece of lace is the work of the firs^t Sisters, and was used to adorn the robes of the earliest bishops of the Province of Quebec when they officiated in the chapel of the Order. The cope, embroidered by the Reverend Hospitallers of St. Joseph, was used for over one hundred years by them, and is one of their most precious antiquities. The tapestry IS a piece of the famous "Gobelin," and orna- mented the walls of the old chapel of the Hotel Dieu. It was the gift of Mons. Castonguay Steamers LEITH AND •o MONTREAL The Grey Nuns also .how some very ancient church vestments : a cope. No. 4, worked by the third Supenorof the Order, Rev. Mother Coutl^e who was born in 1742 and died in 1829. afte; 59 years of religious life, and No. 6. an altar cloth 130 years old ; No. 7 is even older ly iitted Cheese, n built T '^\!r ^""^'■^gation Nuns and the Sisters of Jesus Mane have also sent in notable collections ot lace, embroideries, etc. !D CO L MITED D, Me., AcltNTS SI>ARKLETS Soda Water in half a minute. LEEMING, MILES & CO ^3 ST. SULPICE ST.. MONTREAL. Gold Medal for Enamelled Ware at the World', Exposition. Paris, 1900. OUR BRANDS Established I860 "CRtSCENT "PKEMIEK" " PRINCESS " WHITE BLUE AND WHITE "STAR- DECORATED WHITE DECORATED Incorporated 1895 The Thos. Davidson Mfg. Co.,Ltd. MONTREAL. JompTe'te Batftrootti Crfmminds, Kitcben ASSORTMENT OP aitd Rousc Jwn\sh\m etc. AT Philbln's Hardware Store 223J.33 ST. CATHERINE ST. 2J2 GREENE AVENUE. K^rs ag by the lute. ttles and arts, lutaiiiiiig ^S & CO. JTREAL. World's Exposition, sitinn r Incorporated i 1895 .' . Co.,Ltd. d$. Hircben Wng$, etc. >tore / In Section F will be found deslg,^ r«lled out by the kindness of several firn.s in ,)„ , , X by offenng prizes for original idea«, luw, e«co. r- aged many to furnish sketches for tl,.^ .onZl. fifty dollars for two years, leaving it to the Association to decide on the cIa«B of dr.jgn for ZZelT '"^ "";• ^"""' '•" ^'"^«-''^'»-' i-^ niaebted for a prize for the best cMmtkf idea andMr.ColinMcArthurhashelMltl'rJ;^,; one or designs in wall papers. H^vHl \td has also been a helper in this good work, «ml the Association hopes that further encoMr8g,„,,„t ^j,, be given to our designers by the mmy ma.nifac- turers of the city, who must b. .eH.tantly needing new ideas in labels, posters, ete. ST. k r r'''"'- '"'^'^'^^ ready for fr practical painters, too. ft>s pure ^'^'^ P-re .inc and pure HnseJ 1 ":;'''\ ^^-^^"y ^ade machinery ^P rated ,y .^p,,,_ /^'-..../i SOLD B y HENRY MORGAN & cO. h A. GORDON CONTRACTOR HEATING, PLUMBING AND ELECTRIC WORK PERSONALLY SUPERVISED 30t ST.ANTOINE STREET. TELEPHONE UP 2597 /'ainf :^ oes, ayid most of the '■/.IMS PA/XT Sugar Bowl, ,2 C. Loans, is supposed to be one of a three piece set. given to theory of Stras burg^a^dbythe.asawec,cli„g,ifI,oton IS iiildi7tgs with, in. 's made ready far ^ 'for home use and '' (00. /t's pure pure litiseed oil, made machinery ^t's made far One of the Boeckhs WT<8 a 1-,^ • the Queen and this pierw^s^X^ 1"^^ and through her descendants caL Tn to tie possession of the present family. ■^^ & CO. FRIC LY REET. B. LKDOUX cSc CO. •uKot., or FINE CARRIAGES AND SLEIGHS. r u J. I t'f"°" whertvtr c»liil>iitd, E^hiShii; , %*'^"^'i" !he Paris Kxhibiiion, „,o. Address 93.95.97 Osborne St., Montreal. W. J. GRAHAM SANITARY EXPERT 85 CATHCART STREET Householders contemplating renew- ing or altering Plumbing, Heating Apparatus, etc., will receive personal attention by calling up Telephone 1406 Up. Estimates will be cheer- fully given with plans and specifica- tions on any work submitted. Strictly first-class work onlv. The was nii was In Napole where the suj come 1 owner' CAUTION A. the« ,re several spurious imitations on the market, ask for JELLY OF CUCUMBER AND ROSES JOHN I HWIS. Chemist, 2208 St. Catherine St., Cor. University Branch 2 ^ ST. Catherin e St., Cor. Guy St. TAKE NO IMITAflON— S«.hat >o7^et Dv«s JellvofO; and all roughness of the skin. All Dr'i,KL'irke''ep f°^'^ '°' "^^"^"^ ''""'''' c^ CO. lGES s. lo England't Roy»l ! to dale. 1 970. w g«ing on. A call I The Quaich, mentioned in the B. Loan Exhibit, No. 251, is thus defined: a small and .shallow drinking cup or vessel, with two ears for handles ; generally of wood, but sometimes of silver. — {Scotch) from Ogilvie's Dictionary. >ntreal. \M enew- satiiig rsonal ihoiie ;heer- nfica- rictly The piece of work, shown in Section B. Loan, was made from a selected bit of mahogany, which was No. 7, being used for a sideboard for Napoleon when at St. Helena. Its date is some- where between 1815 and 1820. The cutting in the sugar bowl is an old design which has recently come into vogue again. It has been in the owner's family since it was made. ikfor ROSES le label. e bkin. 1 1 has no Druggists ist, Cor. Guy St. RS JiLLYOF CU- for chapped hands B.OcM.T.JKNK[XS ^f^fffff^'WEFUIlNITUIiE POR OLD CHIPPK.V„.,,E. SHKR. ATON. tMPIKR, COLONlAt ORIKNTAI. VVRKISUJ^as OLn «KONz,.:, RAKK OLD china" PAi^cs A.n K.;,.,,^::; KAR, OU, SIUKR, SHKPKIB,.,; ".ArE, «RIC-A-„HAC, OU> ,«„« ANn ARMOR, j:tc. 2 PHILLIPS SQUAliE MONTREAL. Hkad Okkick AT> ri INGHAM, EngI, An Endless March 3£_MAIN__RIUS0N_WHY llMerial ^ *# Oxford Ran There's no wjni. „ . , . *" " "' '""o ai •'•'VKK'/srESr ■'•■ "' "-— •• >■- THE CURNEY-MilsSEy CO., LTD MONTREAL '7 Hi H( de( MS aiic the it w kin; desi ^EFUIINITUIIE LE, SHEK- ^OLONIAL, niANAND IS ^ CHINA, " \vmGs, IKFFIEI.D I-n ARMsS L. Street, Toronto. ^M, England. ^arch Ho use - ?, Coal 1 132. Sectm,, P.-Francis Boucher. Jx.rn Pari.s. •700, ^,d Fan.s, ,770. Was a noted painter of Historical and I'a.loral .subjects and Genre pieces Ho .showed special trength in the grouping and decorative treatment of women and children Kf^' •"'??'? ^■~'^*" ^'''''' ""S*" «f this MS. IS difficult to fix becuise of the di.sappear- ance of its first pages. The designs of .so.ne of the arabesq.us, however, make it apj.arent that It was once the property of one of the English kings. The royal arms figure in several of the designs. /HY iges "y with fuel. Tk-v •a" you want as soon * again ai sooo ai fn'}'''^^'"' '"joy I Oxford the (in„t le-and we know 0., LTD. IMAGE EVALUATION TEST TARGET (MT-3) // // r/> P4i ,% /a ^4 1.0 I.I 1^128 |50 I"** lit 2.5 1.8 1.25 1.4 III ''^ ^ 6" — ► V] <^ /^ A ^ M/^1^^ J" ^W.^^/J Photographic Sciences Corporation '%^ 23 WEST MAIN STREET WEBSTER, N.Y. 14:^0 (716) 872-4503 .-^ 5i"^ V % % %^ WM ST. PIERI^E LADIES' AND GENTLEMEN'S TAIl.R 83 BEAVER HALL HILL. MONTREAL BEi^ORE INSURING YOUR LIFE or taking on any additional insurance, ascertain for yourself what The ^Travelers Insurance Co'y OF HARTFORD, CONN, can do for you. Low Rates. Everything Guaranteed I I I I I MONTREAL OFFiCE 136 ST. JAMES ST. FRANK F. PARKINS CHIEF AGENT MORTON. PHILLIPS & CO. STATIONERS. EUNK BOOK MAKEkS AND PRINTERS L I7B6 A 1767 HOTRE DAME ST. MONTREAL (E onal for ncc Co'y ["ES. I^itHography Soon after its invention nt the Ijeginning of the century we are about to complete, the art of Hthography was taken up by the great artists, particularly of the French school , ns n convenient means of expression. Later on and towards the middle of the century it made way for the newly revived art of etching, and became more a means for reproduction than a medium for original work. After a lapse, in which it still continued to be used mostly i a commercial sense, it was again taken up by artists such as Whisttler, Pantin, Latour and others, and at Paris some ten years since, a number of artists banded together to join what might be called the renaissance of litho- graph} . by employing the crayon gros and stone as means for original expression, Mr. Wicken den, one of our exhibitors, ehnrmed by the suppleness and beauty of the nielliod, joined in the movement, being elected a member of the "Society des Artistes Liihographes Francais," and also of th: " Soci6t6 des Pciiitres-Litho- graphes" of Pari.s— the latter being formed by painters alone, who practice original lithography as distinct from copied work, K F. PARKINvS HIEF AGBNT CO. OOK MAKERS *JTE1U WINSOR & NEWTON'S WATER COLORS OIL COLORS CANVAS ■re in use In all the oreat Ap* Studio, throughout the worl? L BREAD ^ NEW PROCRSS ■inST INSTALLED r I T T-T-T.T^ ^^' "^^ BAKERY GLUTIN FULLY DEVELOPED. SWEETER BREAD, VERY LITTI E VFaer KEEP FRESH LONGER THaI m OTHE;' Remember we are the only mair BREAD."""''""""* '^•"•'•« "^TISJi^NA INFANTS' FOOD U JAMES M. AIRD, l\V^^"J>s,'"'i Bell Tkl. Main 102.5 ^ffiiUMlnai food FOR^J[NFANTS AND I NVALIDS Especially suitable for young children, and a valuable aid to the dietary of the sick room Full Pound Tins 25c. Shop Tei.. Vp 2401 CR SALE BY OUR DRUG GIST Kksidence Tbl. East 161 OGILVIE BROTHERS, 290 Bleury Street, above Ontario Street. REGISTERED PRACTICAL SAhiTARY ENGINEERS Electric Light Wiring, Ftc, Rtc "''"^"^' Drains Tested by the most approved modern appliance.. "ON'S ►at Art world :\V PROCESS ST INSTALLED OUR BAKERY. ELOPED. E YEAST, Y OTHER. > 'NFJNTS- FOOD Is food for babes and 3 ST. URBAiN 'REET. j» J al food ildren, jry of Jeanne Ve Ber, 1662-1714 If there are no Canadian names in the calen- dar of saints, it is not because in byways and obscure places, Canada had not virtues worthy of canonization. Not alone her male martyrs and female devotees, whose merits have found a chronicle and a recognition, not certainly the mediaeval pietism of Jeanne Le Ber, the vener- ated recluse of Mo.itreal,— there an others quite as worthy whose names have died from memory. Mademoiselle Jeanne Le Ber was the favorite daughter of the chief merchant of Montreal. She seems to have been a girl of fine and sensi- tive nature ; ardent, affectionate and extremely susceptible to religious impressions. Religion at at last gained absolute .sway over her. Nothing could appea.se her longings or content the de- mands of her excited conscience but an entire consecration of herself to Heaven. Constituted as she was, the resolutions nuist have cost her an agony of mental conflict. Her story is a strange, and, as many will think, a very sad one. She renounced her suitors and wished to renounce her inheritance, but her spiritual directors, too far- sighted to permit such a sacrifice, persuaded her to hold fast to her claims, and content herself with what they called ' ' poverty of heart. ' ' Her mother died and her father, left with a family of young children, greatly needed her help, but she SALE BY R DRUGG IST ! Tel. East i6i :RS, Street, i, Plumbers, I' Hangers, c. appliances. CHAS. M. ALEXANDER CONFECTIONERY LUNCHEON « DINING ROOM GEO. GRAHAM ^g» Groceries 244$ $f. cafberliie srreef, 4 mmiH BELL TELEPHONE CALLS UP 1847 AND 1348 ' Ttlephont Up 1223 THE MISSES RAMSAY ^«.:f«.. an, reporters of aU tke l.aUst Novelties in MILLINERY 2444 St. C»fherln4 street Near Orummond A select assortment of Hats yj!u.ays kept ,„ slock f^ transient trade ANDER :RY CHEON « DINING ROOM >cerle$ *< monrrear refused to leave her chamber where she had im- mured herself. Here she remained two years, seeing nobody but her confessor and the girl who brought her food. Only once she emerged, and this was when her brother lay dead in the adjacent room, killed in a fight with the English. She suddenly appeared before her a.stonished sisters, stood for a moment in silent prayer by the body, and then vanished without uttering a word. Not coutent with this domestic seclusion, she caused a cell to be made behind the altar in the newly built church of the Congregation, and here we will permit ourselves to cast a stolen glance at her through the narrow opening through which food was passed into her. Her bed, a pile of straw which she never moved, le.st it should become too soft, -^vas so placed that her head could touch the partition, which alone separated it from the Host on the altar. Here she lay wrapped in a garment of coarse grey •serge, worn, tattered and unwashed. An old blanket, a stool, a spinning wheel, a belt and shirt of haircloth, a scourge, and a pair of shoes made by herself of the husks of Indian corn, appear to have formed the sum of her furniture and her wardrobe. Her employments were spinning and working embroideries for churches. She remained in this voluntary prison about twenty years, and the nun who brought her food testifies that she never AY tst Novelties in ssortment of Hats Itept m stock for trade f Upt53, EM»bli.h«i i8;o JOHN ROBERTSON & SON FAMILY 0ROCEI?$ PhJlli|M Square MONTREAL Bw.1. Tst, „ , -BROWN BROS. VVn[NpsOR MARKET The Emporium for Fine Mpat<= Our Motto- '^"'e X able Delicacies 1^ "■"'■ «""' •"»«'.• 8«»d blood, ^ health,. I O n I: b ti tl tc T hi til til oc sh ca as ch of th( Fr YOU may have The Beit Service Croy tmmry £o. 8 and 10 INSPECTOR ST. The Slater Shoe Stores Fall Styles for Ocntlemen. Boys and Youths Now in Stock JK.'it.^'"' Branch 2380 Sf. Catherine St. «2B ST. MMES STREET. MONTREAL ''""*'' ' '* "* " ''•••'" «'»• "UKTREAL OTTAWA iV«VI.''lBr«nch 1861 St. Catherine St. TORONTO •p'itT",?"'^* St. anij ' BROS. fARKET orium for Fine Meats and manufacturers of ! Delicacies i htalih, " omitted a mortification or a prayer though com- monly in a state of profound depression. In 171 1 Canada was threatentd with an attack by the EngHsh, and Mademoiselle U Ber gave the nuns of the Congregation an image of the Virgin on which she had written a prayer to protect their granary from the invaders . The English, however, did not come, their fleet having .suffered a ruinous shipwreck, ascribed to the prayers of Jeanne U Ber ... . Nor was this the only miracle of which she was the occasion. She herself declares that once when she had broken her spinning wheel an angel came and mended it for her. Angels also assisted in her embroidery In the church where she had secluded herself an image of the Virgin continued after her death to heal the lame and cure the sick. From "The Old Regime in Canada," by Francis Parkman. BdNTINfi Aod _ ^ DECORATIONS prescriptions filled. Dn. " "° , 1""' ' "''' P'"'^'^ '° ««' t-ken to six different df "^ ^"""^P^'-nptions -">ts. The resu t ,.t;^"-^'^' ^''""^ "^ si. different Poseintended-and th^^ T "'""'^' «°°" ^- "- pur '--on,dnot:rLt::'S:;j^'"r"'^^"'-'-" nght-the others wron^ Th/T ^''^ vvould be ^^'the.nosts.i.^Und^osttX::,^:''^^""'' store Llh^dt'^'^'^P^-"*-"'-. Cor. Phillips Sq. and St, Catherine St. ARTISTIC FimifURE FOR ARTISTIC PEOPLE SSIPII DPMA.,.. "-«»»- moderate. willVuTrj RENAUD. KING & PATTERSON 652 CRAIG STREET, B(/1VT/NG And wcomms arpetfl HB TABPAIUN CO. TEL. MAIN 727. a'ld drug stores not so ^rug store may be a brushes, sponges and '-ays a safe place to ^et •'■■ ^""ne prescriptions 'iild have six different ally Kood for the pur. Heing all different, ect. One would be one would be put up druggist. hat makes 'ing drug No io8 Section E. "Ordre Royal ct Militaire cr^e par Louis XIV, 1693." The original pos.sessor of this cross was Barth61($my Gugy, colonel d'infanterie in the .service of Louis XVI and major du regiment Suisse de Sonnenberg. A Copland cup belonging to a ser\-ice that was made for and presented to the Duke and Duchess of York as a marriage gift by the cor- poration of the town of Norwich is shown at No, 127 Sale Exhibits Section C. Loan Exhibits Section B, No. 82. H. R. H. Prince Arthur, (Duke of Connaught) sat in this chair at the annual St. Andrew's Day concert, in the Mechanics' Hall on Nov. 30th, 1869, at which time he was resident in Montreal as a Lieutenant in the Royal Brigade. i herlnc St. R ARTISTIC OPLE ^hlgh grade Furnl. Me with a view tJ. N 2 CRAIG STREET. Diamond '" ' "• '" f^^^^"' "«e «„ ««""^ "' these Kre „.„„,ue.l i.. - therefore en„h,e.. .oi ;;:!""" ^'="^"- ^> ">«rl.al,ly Koo,l v«h,e t, ""«•"•'"■« P..rchn,er. re- to buy. ■ ^"" "'"""thepreswd HEMSLEY'S Dlftcl ImpofUf, of pr«cioui 1(0(1(1 - -257 ST. JAMES STREET ^^SEED MERCHANTS HERBACEOUS 1^^^^^^?'";; ■" h^hI?^ PLANTS !^;;St?^^^■oW;t,^-;l.:[ M2McGILLST.,MSN7R7Ar'"'' 253 255 GKORGE BLACHE rMPORTiNO TAir.oH Windsor Hotui. MONTRKAr '• "" P»*'<-nt time, an ")• I'lrKc slock of i,H.cj. e<l »toiie« of all ,<„« 'or Ui..ir l,rilli«„cy.' '•eNe Htc mounted hi I'eiKlanti, hut the '""""'"K "ccording to Mf stont-s liMve j,„j '"iii'l ill rCtirope. w, ■n.li.iK piircliQsers re- "terestcfl we shall be "I will not he pressed BY'S WES STREET The Indian depnrtnient of the Exhibition will be a revelation to many. In Section F will be found a iK)rtrait of Zachary Vincent, the Indian dnef known as the Inst of tlie Hurons, drawn and painted by himself. He was called the Indian iirti.st. He had a natural talent for drawing, was entirely self-taught, and very ingenious in making his brushes. He often made and mixed hi.s colors from materials he found in the woods. He died about 1880. The women of I.orette show a very complete exhibit of their characteristic Indian handicrafts, consisting of bark, ba.sket and leather work, embroidery in porcupine quills and dyed moo.se hair. and select assort- ^"1'I^S, DAKI-O- "d nil flowcrinif '."f'"K- HAKDY ilher in seerl or ive oflFt-r the most lent in Canada. I ill Iheir addrtH, REAL TRKAI,. (u. D. $mm I $011$ TEA IMPORTER ^ OFFICES : 33 St. Sacrament St. 5 vSt. John St. Montreal, Can. TELBrHoNE Main i;q; FoHriGN Officks . Vokohlm,i and Kobi, Japan Shanghai, Hankow anrfo „ , chow, China Colombo, Ceylon. Calcutta, India TRLJDEL & GRAHAM FASHIONABLE HATTERS AND FURRIERS Manu/acluifts of Pur (.arm flits Por Ladies and Gentlemen 107 Bleury Street MONTREAL 1 irilyiVlJ vK O ^^'^^ DRESSING -^ ^ » A J V 1 V vj parlors ' ' The finest fitted up in the world ' ■ The Marcel Wave by an Expert just arrived from I^ondon O/f "? by Telephone MAIN 391 •745 NOTRE DAME ST. ^i. J. iVIcAWDREW UPHOLSTERER AND MATTRESS MAKER Jn"Hrt^'^^'r Back Sofas. Divans Hnd Cha,rs furnished on application Designs for English Over-SlufTed Furniture Cosey Corners a specialty Offlc. and War«roon,. : 7B0 Doreh.«ler St. Factory ; 29 St. Bernard St. MONTREAL A specimen of Irish industries is the item No. i74 in Section A Loan. Here weaving, designing I and dyeing are all shown. The pattern is ! stamped from wooden blocks, and the work is entirely domestic. This embroidery comes from Donegal and is a creditable example of peasant ingenuity. Two silver cups in section B Loans, No. i8o, should be of great interest to our visitors. They were looted at Waterloo from the canteen of Jerome Bonaparte, by Dr. Caldwell of the First Royals, who, later, as a resident of Montreal, was one of the founders, and a strong supporter, of the General Hospital. These cups were in- herited by a niece of his wife, in whose posses- sion they still remain. RAM LAL'S PURE INDIAN TEA RICH FRAGRANT DELICIOUS PATERSON^S CAMP Coffee Essenc CAMP EQUAL IN FLAVOR TO P FRESH GROUND COFFEE ALWAYS READY A TEASPOONFUL MAKES A CUP. ROSE & LAFLAMME MONTREAL 400 ST. PAUI, ST, eon. PL,ei iiov«i.t WHY NOT Try - . . Cocbenibaler If you cannot find what you want in the way of Jewellery or Cut Glass- ware. We always have a beautiful selection of - . Rich Gold Jewellery & Dia monds We cordially invite all the Ladies to see our new fall lines of Sterling Silver novelties. Very low prices this year. .... Cochenthalcr '^^^^^ INDIAN EA Interesting specimens of indnstri«?,s from Jamaica may be seen in Nos. ■?/ nd 367 Stction A Loan and in No. 82 Section t L ian. The centre piece (267) in lace bark ornaTi,,ated with native ferns and lichens is a characteristic piece of nntive work. The pottery (82) was found in the Dnr- laston mountains. It was made by Inditms belonging to the aboriginal tribes inhabiting the West Indies at the time of the first vinit of Columbus. EQUAL IN FLAVOR TO > FRESH GROUND COFFEE ES A CUP. -AMME 3NTREAL rbaler what y of lass- ve a : Di amonds the fall ver ces gwd Jeweller lAMES STREET RICE'S STUDIO 2261 St. Cth.rln.St (0. Scott i) $m FINE ART DEALERS JoOflentt ur m9 Doire Dame st. Tiffanv ravrile Glass €itabli$bed wp J. T. HENDERSON (Lit., and tor over 30 >..,,, atl39 S«. Peter Sf.) BoOKMiLLfiR and SlATIONfER L«di„g SpKialties: The new Novel, of CrcUa«dCa,.„dtl„':::„„.'=''-'"'« (Dominion Iqi.re) JDIO MONTREAL A very full and fine exhibit from Toronto, Ont., is also on view in the rooms, but came in too late for insertion in the catalogue. The very good work, F. 267, signed Aim^e Rapin, possesses a peculiar interest. Melle Rapin is a distinguished Europenn artist, a girl, born without arms. She is also a sculptress and a clever writer. i$m ffanv Jvrile lass ^tawthti 1159 SON PelerSt.) and PEEL St., Union Square) "IT'S GOOD ENOUGH TO BREAK " IS AN EXPRESSION NO tONGKR EXCUSABI,S Can now be had for a very little money,— notably at C=B*$I). CDi«a6mpori«iii BARNARD & HOLLAND Wholesale and Retail 290 St. James St., (Victoria Square) I VISITORS ALWAYS WELCOME PHOTOGRAPHS CHRISTMAS 'n«M AT WM. NOTMAN 4 SON. , and ier$ 03 norrt oiNie st, MtMU No. 130 of Section G is a basket that is [ carried on the back of a Pitt River woman. She puts on sandals of rushes and wades into a marsh and gathers the seed of the wild water lily, which they call ' ' wocus. ' ' She puts the seed into the basket on her back, throwing it in with either hand. On reaching camp the seed is thrown on the large wocus .shaker or plaque with live coals, and shaken up briskly until the seed is well browned. It is then ground in a stone mortar and cooked in a basket by throwing hot stones into the cooking water. The shaker is shown at No. 132. Nos. 56 and 57 of Section G are interesting as showing how the Chehalis work has deterior- ated. Specimen 56 is of very old CheliPlis work ; 57 is a copy and much inferior. £R^^L^prANod WARKROOMS ^^^^ St. Catherine Streell " Over 2000 of these ■^I'l'CTl. an.l .-.rtistic i„! stn,me„,s t„ day a.lorn '"V '""'les of as nianv f'n>"Ksi„ the Ctv Montreal alone." ' NEED WE s \ V M ORE.' '^HK BKLr, CO. Offer ,,ianos of their m , .-onstruction only, an< fnl y guarantee THE APOLLO A self-playinj piano attachment. With the aid of an Apollo anyone can pro- fiiK-eforthemselve.sthe »'ost difficult musical composition with sur- pns.ng accuracy and at Jnoderate cost. A foil THE ORPHEUS An automatic self-Dlav;n» ^"-piayingf organ. orchestra in itself. The public are invited toinspect and hear thele instruments at the iMLPiiW) \Vcirero()nis JEHSsssajasss, OOMS lerine Street CO. r A N O SB Miniature Painting Miniature painting is a beautiful and ancient .rt, long neglected, and almost forgotten by most ;ople. The practice of painting portraits on a imall scale originated in the embellishment of A. S., the initial letters being written in red lead minium). The illumination of manuscript grew ly degrees, until many MSS. bore the portrait of :he author, and even some illustrations. Hence :be name miniature. From the eighth to the fourteenth century, •eligion and leisure went hand in hand. It was a work of piety to enrich breviary and missal with quaint and curious designs. In the fifteenth Icentury the writers and illuminators of manus- cripts received a fatal blow through the invention of printing. In spite of this, the art of miniature still continued to flourish, for miniatures of famous paintings, as well as portraits, were in great demand. They were at first painted in oil on vellum, also on gold and copper and slate, but these were at last superseded by ivory, which, from its color and transparency, became the generally accepted basis for water color. Photographic likenesses are no longer consid- ered the thing for the rich, the great, or the beautiful— either in England or the United States —yet in the revival of this beautiful old art of miniature portraits on ivory, there is the danger it suggests from the ever ready demand for cheapness, and to do this a photograph is often made on the ivory and painted over, thus des- troying its whole value as an heirloom, for the chemicals will soon ruin the delicate color— it is not a work of art. Miniature painting is the one art which can give in portable and enduring form the speaking gleam of the eye, the glint of the hair, the play of the lips, the tint of the cheek, and the hun- dred other varying and elusive characteristics which print themselves upon the miniaturists' memory and cause these portraits to smile back into our eyes with almost living, breathing power. ^f tlie.se tistic ill- 'v adorn >s iiianv niii.sicnl City of S A Y ■ their 1 only, rantee I'LL S. LO attachment. f an pro- s the sical .siir- idat JS >i'gan. If. A full rernoms i ST. i Union Assurance Society HEAD OKHiCK : 8' Coriihill, London. Institute in the Reign of Queen Anne, AD, 17,4 Capital and ac- I cumulated funds exceed yT'S.ooo.ooo. One of the "West and strongest of Fire Offices, CANADA BRANCH, 260 ST. JAMES STREET I MONTREAL (T. L. Morriseyj HSSIDUNT MANAGER. An old Canadian legend, possessing the merit of behing a true one, is called to mind by Loan Kxhibit i«8. Section B. The Catherine Quevillon who owned the chair shown, was at a very curly age kidnapped by the Indians, who kept her till she was about fifteen, when they allowed her to return to her own people. But she had contracted Indian habits, and was never altogether civilized. The Papineau faniilj have always referred to her in a humorous way as " grand' ni6re la sauvagesse." The knives and forks in old silver shown in 1 89 of Loans, Section B., are an exact counterpart of a set formerly owned by General Wa.shington and preserved in Washington City. The handsome modem Japanese wall hanging exhibited by Sir William Van Home should be of interest to amateur embroiderers, showing as it does the large effects obtained by the Japanese by feather stitching in worsted silk. A notable feature also, is the couched background, and the use of both gold and black for heightening the effects. (••^ F^HlLYalue Received l'ruithaii,lu.,iii«luliaM. /«"'l. Inutile,., .he i.Jmy. '"K 11 Co/Tcf titiit Khe known JH perfcit. A Cof. ffcllmt lH'(irHt|ieHe;,l,in.l "ariieofCliaKe>«tSai,l,orn. I" l.uyiiiK „ perfe.t iir- Hclf, ii.Miiatter what itiH ">H- IN ..i.n«e,i t„ ,,„^. ,; tnde more ih,,„ ^hnt nn inferior artiile (,r <m i,„i. talioti woiiM lost, l)ut we ft-el that we .,re K'c-ttinK ""•• full uumry'n worth wllt-n we hi,y the beHt of anylhi„«. ^nase <ic 5anborn's HIGH GRADIi COFFEES ArethehestaHfarascffefc IS loncerne.l. ItisCfFee ""It in .ihsoliitely pure entirely free fro,„ „,|„it' enitioM, every hean of which is seleete.l and hasheeiiKrowM on planta- tions that are noted for the excellence of their crops. The nm-iner i„ „hich these cofTees are roasted, prepared and packer! is ali- solutely,,erfect, Itn.akes no diflerence whether voil iHiy Cliase .V Sanborn's Seal Drand Coffee that comes in iK)mi(l or two- pound cans, or whether you buy some of tlieir other hi^h Kra.le coffees "Inch are sold in nicelv Pnnted paj.er baxs, show •"K tlie exact ,crade you '■"}'■ You are protect( i by tlie seal and name ' this well-known firm, and you will ^,et full value to the last penny. North Carolinan silk catalogue is an exam (in.- of a revived industry. The original settlers in the hilU of North Carolina were largely Scotob, and weaving is a coininon family industry among ihom, liut this art has dii'd out almost enti'dy. The descendants of the original settlers have (K'^eiierated in many ways, ami few have kept up the thrifty habits of their forefathers. In consequence but little remains of this industry • and even specimens of the olden work have become rare. vSome years ago a lady artist f^taying at Ashcvillo saw some of the work, and k-cnniing greaL'.\ nterested has devoted herself to reviving the old designs. Success has followed her efforts, many of the best designs are again in ime, and an almost lost handicraft has been saved. Exhibit 275 in .Section A., Loan, is a s{)ecimen of this weaving, made from old silk dresses. This art has been practised in Canada and should be ei\couraged. An interesting exhibit is No. 273 in Section A., Loan, b''ing a curtain made by two Italians, who, finding themselves stranded in London, applied to VV'm. Morris & Co., saying that if given materials they could make a hand loom and weave heavy woollen fabrics. They supplied their own designs, and are said to have dyed their own wools. A profitable comparison can be made with the examples of domestic weaving from other countries, specimens of which are also in the Exhibition. Gl ;'R THE BABIES mSTLE'S FOOD IT IS WHOI,ESOM« EASILY PREPARED ECONOMICAI, SAMPLE SENT ON REQUEST TO LEEMING, MILES & CO. MONTREAL, Que. J. H. HANSON, REPBESENTINO THE B. GREENING WIRE CO., Ltu THE WM. BUCK STOVE CO., Ltd E- T. WRIGHT & on r . Pa^^ ^"^ & CO., Lanterns, Cages, Stovepipes AND E1.B0WS J- H^ HANSON. Manukacturer of Refrigerators and Plumbers' Cabinetware. Office and r^, ^ warerooms 422 St. Paul Street. NX^LALONDE_& SON COR. ULKURY STREET AND ST. CATHERINE STREET. CHILDREN'S PHOTOS A SPECIALTY JM The costume worn by the Doukhobor women in our North- West Territories, as their Sunday outfit, and made by themselves, is composed of the following pieces as shown in No. ii6 of Loan Exhibit of Section A : — (a) Undergarment ; (b) stockings ; (c) shoes ; (d) skirt and woollen apron ; (e) print jacket ; (f) velvet jacket ; (g) cap ; (h) knitteu toque ; (i) 2 d'oyleys. The whole Doukhobor exhibit shown by the Industrial Connnittee of the National Council of Women is curious, and remarkable for solidity of workmanship, not devoid of artistic merit. The water color sketch of Napoleon I. , No. 138 of lyoan Exhibit, Section F, is one roughly made on a sheet of letter paper, by an officer on board H. M. S. Northumberland, during the voyage to St. Helena in October, 1815, and given by him lo a brother officer, the late J. R. Glover, from whom it passed to the present owner. The Emperor was chatting on deck, at the time, and perceiving the artist, remained quiet until he had finished. Che Popular Rome To /. 1,1, POINTS NORTH SOUTH EAST AND . WEST Running some of the finest and fastest trains on the American Continent. A famous and fav- orite train of the Grand Trunk is Tniernarional t n P tl Cl B b P Leaving Montreal Dailv Arriving Cornwall " Prescott " Brockville Kingston Belleville Toronto Hamilton Woodstock ^' London Detroit Chicago Through Pullman cars and Parlor cars and beautiful Mched to this train. at 9.00 a.m. 10.20 a.m. 11.21 a.m. 11.37 a.m. 12-55 p.m. 1-42 p.m. 425 p.m. 5.25 p.m. 6.45 p.m. 7.20 p.m. 930 p.m. 730 a.m. elegant Cafe coaches at- CC ar wi Seetht j,^^^^^^^^^.^ No art is better suited to the delicate nnd imaginative quality of woman's talent than the universally applied one of design. Hooks and publications offer a great field. Carpels, oilcloths wall paper, prints, silks, hanging.s nnd ninny other objects invite the designer's .skill, nnd not a mean opening exists in newspoper ciit.s, n distinct genre, requiring a bold and clean Ntyl'e St and erican d fav- ink is tonal Our loan exhibit shows what embroidery used to be. The church embroideries are fine speci- mens, rare and curious. In modern work . centre pieces and d'oyleys now engage the attention of the industrious workers, instead of the fichus, collars and berthas our grandmothers toiled over! Both are of interest, and a clever needle will bring its possessor now-a-days both praise and profit. oo a.m. 20 a.m. " a.m. J7 a.m. iSP.m. (2 p.m. 15 p.m. 5 p.m. 5 p.m. op.m. op.m. oa.m. tCafe es at- The design of No. 143 Section A " Loan " is copied from an old tapestry. It is u„ excellent example of the revival of Swedish hnndicrafm and is a skilful blending of the antique design with brilliant and harmonious coloring. ■K., apply to James Street, senger Agent, BELDING'S] H'Sh Art, Wash Embroidery ■ . Silks Recommended by all Decorative Art Needle Work Societies in Canada and United States . . Unsurpassed for fast Dye and brilliancy. Foster Br own Books AND Stationery 2323 St. Ca therine Street BEAUTY (S A CHARM AND CAN BE OBTAINED BY THE CONSTANT USE OF - . . SCARFPS THE BEST KNOWN REMEDY FOR TFVnvo SKIN, SUNBURN, AND TAN CHAPPFn S^ v-Se AND UPS. PRICE .5 CENTS '"'^^^ ScarffS PharmaCV "^^^^ Catherine street "^/ MONTREAL H Wash dery . - Iks Women to-day have fallen under the charm of hammering the rigid, unbending metals, iron, ■gold, and silver into submissiveness and beauty.' ■Tljere is not a more fascinating work. Some of our readers will be familiar with the 'Six " of Paris, women whose aim is to create larticles of every day utility, which shall be jworks of art, without regard to the materials [used. We show some specimens of this handicraft. [All will recognise its possibilities. y all Decorative rk Societies in cd States. • • wn In Exhibit 113 Section C. the vases men- tioned are considered as relics by the Sisters of the Hotel Dieu. They were imported from France in 1659 by Mile Mance. They have since been in constant use in the pharmacy, and are prized not only on account of their antiquity, but also for the precious associations attached to them. treet NDER AN-DS enne Street lEAL D> McCORMACK Fruits and Oysters ,^ CORNER PARK AVENUE and PRINCE ARTHUR Cbe Canadian Rubkr Company of IDontreal Make sure that you get a pair of RUBBER SHOES of our make for these rainy days. They are the leaders for ! style and wear. J ROBERTSON & CO'Y Furs and Hats LATEST DESIGNS IN SEALSKIN AND PERSIAN LAMB GARMENTS OPERA WRAPS, CAPES, BOAS, Etc. ROBERTSON & CO'Y, 233 ST. JAMES ST. MACK Rul)l)er Make sure that you get a pair of RUBBER SHOES of our make for these rainy days. They are the leaders for style and wear. & CO'Y ats A.LSKIN AND LMENTS BOAS, Etc. The art of forming hard material into a [proposed shape or figure. It is usually under- stood to refer exclusively to works in ivory or wood to distinguish it from carving in marble or ' stone which comes under the term of sculpture ; or in metals when it is called chasing. The ancients used ivory to great extent in works of art, and its union with gold, called by the Greeks Chryselphaiitine sculpture, was adopted by the greatest artists. The colossal statue of the Olympian Jupiter at Elis, by Phidias, was one of the most cele- brated examples of this combination. In later times carving in ivory has been confined to smaller objects as figures, reliefs, enrichments of flowers, fruits and other devices on vases and cups and such objects of general use. Wood of almost every description was a favorite material for carving among the ancients, and after clay, was doubtless, from the facility of cutting it, the first substance used for imita- tive art. Some figures of very remote antiquity found in the tombs of Egypt are of sycamore. For a long period in modern times there was a great demand for fine wood carving. The elaborately worked Gothic screens, choir-.seats and desks in most of our cathedrals and edifices, canopies, frames for doors and pictures, cabinets, and indeed every description of furniture, are evidence of the extent to which it was employed, and of the skill of the artists. The woods pre- ferred by modern carvers are the pear, lime, pine, maple, mahogany, oak and box, and the tools they employ are round hollow chisels called gouges, others with an angular extremity called from the shape V tools, and other chisels of various shapes. A mallet is sometimes used, but pressure, or a sharp blow from the bottom or heel of the hand is generally preferred. The sui face is cleaned and polished by friction and finished in varnish or wax. T. JAMES ST. Art Needle requirementa. new designs ■"Sta„,ped;.i„ens, Embroidery Silks ;" f;"'"'' ^"""--d-y Hoops and Nee.lles,Batte„„ergLacesa„d Rings. Battenberg artistic designs, as w!u «» a .nost complete stock of Dress Good. Linens, Gloves. Hand. J'erch.ef,. Millinery. Jackets, Cape. «nd Costumes. Whitewear and Corsets. whenoutshopp;ngcai.lat Montreal's Lp.nlln On (lonrti sior, OUR NEW 5T0RE THB * ^^^^^"^^^^^"^^^^^^^ XKHJXk VY'Si assortment of Is, new designs ibroiderv Silks y Hoops and =esand Rings, 'RHs, as well ock of Dress es, Hand- ckets, Capes tewear and - CAI,L AT Montreal'j Lf , : Drv (lonrls Sfor, nd lighting ad Glass to B. the lowest V of goods. 3. Ltd. Pottery and Porcelain eoRtrlbutcdbymrt. 8. csMltb. NOT with a view of entertaining those who have already been attracted to the subject but with the hope of stimulating the interest of those who have not, the foUow- uig observations are offered. A detailed descrip- tion of the various specimens which have been so generously lent for exhibition, would be im- possible, but a brief general review of the history of the ceramic art may be read with interest in connection with this department. The art of pottery-making, of moulding clay iflto various forms of beauty or utility while in a plastic state and then hardening them by fire IS certainly cne of the most ancient of which we have any knowledge. Evidence exists that it was practised by nearly all the prehistoric races, and from the rude shapes in coarse clay, gener- ally brown or reddish or gray, progress was made m the bronze and iron ages to more care- fully made specimens, with a sort of covering of the same substances more finely powdered and mixed. Always hand made, vessels were some- times hollowed out from a solid mass of clay and sometimes built up with great care and ingenuity. Although we inherit so much from ancient Egypt in the way of pottery, some who write as having authority, declare that the Egyptians never made adequate use of the fine materials lying before them, the rich clay washed down and deposited by the Nile, the sand of the desert, and the alkali found in much of the soil inviting the composition of the finest enamels and glazes. Whether this be true or not the student of the art might find enough to occupy a lifetime in Fireplace Goods Wrought Iron and Brass Fire Do^s Fire Irons Orates Mantels Tiles, etc. Andrew F. Murray & Co. 40 BLEURY ST. MONTREAL what has come down to us from Egypt, in the Canopic vasus, in the brilliant wall tiles and the various other uses to which the art was put Id beautify temples or consecrate tombs. The study of the history of the ceramic art is inseparably associated with the study of an- cient history. Especially is this so in tlie case of Assyria and Babylonia where, uixni taldcts and cylinders, have been found literary and historical records that were first impressed in cuneiform characters in the soft clay and then hardened by heat into enduring manuscripts that outlive the changes of time. From the ruined palaces of Nineveh and Babylon have also been taken (piaii tities of bricks painted with care, some of them evidently being fragments of pictures commem- orating Assyrian victories and supposed to date from about 1200 B.C. On the islands of Cyprus, Rhodes and Tiiera, and in Attica and along the southern coasts of Italy, great discoveries of ancient pottery have been made of late years, and from the general style of decoration and favorite forms, it is attri- buted to the Phoenicians who early colonized these islands. The earliest Greek ceramic inscription is said to be that on the Rhodian pinax representing a scene from the Uiad. It is very difficult to say just at what period the Hellenic Art, as it .elates to pottery, had its origin. The finest collections of Greek vases of all periods are now at the British Museum, the Louvre, the Vatican and in Naples, Florence and Turin. The South Kens- ington Museum and the Hotel Cluny in Paris have the best collection of Rhodian wares. From the tenth to the seventeeth centuries the Persians attained marvellous perfection in all the handi- crafts and decorative arts, and the specimens of Rhodian, Damascus, Lustered and .Sgraffiato wares are among the richest the art affords. The tombs of ancient chiefs in Mexico and Peru contain many well preserved pieces of the early pottery of these countries. Some of them Packard's '* Special" Shoe Dresiingi « « « »'"'»->'>• M"r.„..„u-..,„e,,. Shoe. All Colors, 25e (111(1 15c si/i-H, At nil Shoe Stores MONTHCAL C- B. PiclMrd « c». THE MASON & RISCH PJANO * '• «M ,.rt ,,ro.!>,ct of Canadian Hl'ill,.„,|..nt..r,,nsc.,,k-siKnc-,lto '";;•' "'^' •'■■■""'"I of the „u„i. '•"Il.vcultdml for „„ instrument "f the hi>;hc..,t nuLsical and n.e- chanical excclleme. •-.-owed upon .,,. M™ «i.' f p" '" "" "•"• ""•' fr.n. hi. Wuer .c ,h. Ma,o„ & Hi J. r '* "'"" "■•"<". « Kuch Ccmpariy tvH.r.CM • «|u«ll.d Vr'isM I 7'' "'"«pi««nl, „„. Che maioii ff Riicb PMno eo., Dd UMBRELLAS FROM MAKER TO WEARER PPCOVERINC *^*-PAlRnvjG Cbe Dominion Umbrella $wre .3<,src.™™.s,..„, ,„s,.p„„s. I 'reMrviiig Show »1 I « « « Siloes, ackard % Co. ; "f Canudian f, lifHiKtied to of tile tmisi- III iiistninient *ical mid me- Ic ilian ihiit ' (he late ta- king ciiraci V tvider.eej : u for- t( iin- Miblic \s JR Srore Petkr St. are jfrotesqiie fiRures in the forms of semi-human moiisttTH, made of u liiird bUi k clay ; others are grncefully shaped on the iK)tt<.r'H whe( .. Connoisseurs liave man- difficulty in dealr.g with the wares of China tliaii of any other amiitry. Cliinese records are said to be unre- liable and Kenerally to assi(ni much greater an- tiquity to lH)tli their earthenware and porcelain tlian the facts warrant, Late works, however, ,siiuKest that pottery was prohahly made in Cliina as early as 2700 B.C., but deny that por celaiii was made until the secoud century before the Christian lilra under the Han dynasty. During tlie Tein dynasty (265-419 A.D.) the finest blue iwrcelain was made and the richest ^'leen ware under the Suy dynasty (581-618 A. D.). There is probably very little Chinese porcelain now in Kurope dating earlier than the 17th een- tury. An exquisite sky blue jjorcelain, made about 950 A.D., is very highly valued by the Chinese, and even small fragments of it are set as expensive gems, Japanese pottery has clo.sely followed the Chinese until very recently. Now a verj- ela- lH)rate method of decoration has been developed in Japan in which a bra.ss cloisonne enamel is u.sed on the surface to make it resemble metal. The pottery of France and England, up to the 15th century, had little of artistic merit, being generally rude in design. The Italian majolica ware attained considerable excellence, and evi- dently gave character to, but was never equalled by the Spanish wares. The Dutch became famous about the begin- ning of the 15th century, and have since remained so, for peculiarly glazed coloured tiles and other lottery produced at Delft and its neighborhood, and in the following century Dutch dinner ser- vices were to be seen in all the capitals of Kurope. At the beginning of the i6th century the Portugeuse began to import Chinese porcelain, which became known as "China." livery gjistce & son DecoMfors and nmshtrs •*mmrs i)nd Tmporrer$«» g L^e Bg$f in TurMirure. 20 Uwiwrsitvlr^moiifreal 29 EM wh $1, new Vork New York Mantfi &. Decorating Co. -- - 2338 St. Catherine St. MONTREAL Telephone Up ! Fine Furniture | Carpets and Curtains I Upholstering I Goods Wall Papers W. HENNY BELL Manager John Gray, twt matkt 319 PINE AVE. ^^- ^^^^ ^'5 HeNRV WIOHTON, 131 COUKSOL ST. General Builders and Contractors 'S, MONTREAL Stone and Brick Work onici and Yard ; 164 GUY STREET Tbi,. Up 1 153 Tki,. Up I 153 David H. vScott MNE INTERIOR WOODWORK HARDWOOD FINISHING IN ALL DESCRIPTIONS. Estimates and Designs furnished free Office and Workshops : 2560 St. Catherine Street and 458A Guy Street effort 1 produc In throng Fraii9c and va the ce ture o Dnigh beth p Palissy Fre Berlin, first in transln accusat to havi found having shaped found Europe Frederi blished of the ( the art Josi at aboi cream Queen Ware.' always admiral notable Pore about I by roy; Sevres i were si feldspar Sevres tation f( Mod Englauc effort was made in Europe to discover the secret of producing a translucent ware like that from China. In France great advances were made, largely through the inventions of Bernard Palissy and Fraii9ois Charpentier, who produced two distinct and valuable kinds of pottery. At the end of the century Dutch potters began the manufac- ture of stone ware in London, and later, John Dwight established works at Fulham. The Lam- beth potteries initiated with some success the Palissy ware. Frederic Bottcher, an apothecary's assistant in Berlin, is generally given the credit of being the first in Europe to discover the nature of the translucent porcelain. He fled to Dresden under accusation of practising magical arts and is said to have made the discovery by accident. He found the powder in his wig rather heavy, and having obtained some he made a paste and shaped a vessel which he subjected to fire, and found that at last he had discovered what all Europe had been looking for. The Elector Frederic Augustus become his patron and esta- blished works at Meissen which were the origin of the celebrated works at Dresden, from which the art extended to Berlin and Vienna. Josiah Wedgwood, born at Burslem in 1730, at about 30 years of age produced the special cream colored ware which by permission of Queen Charlotte came to be called "Queen's Ware." The name of Flaxman tlie sculptor will always be as.sociated with that of Wedgwood, his admirable classical designs being among the most notable achievements of the art. Porcelain works were established at Chantilly about 1735, and ten years later atVincennes, and by royal warrant these were transferred to Sevres in 1754, but it was not till 1769 that they were supplied with the genuine kaolin and feldspar which had been discovered near Limoges. Sevres and Limoges still retain their high repu- tation for beautiful porcelain. Modern pottery and porcelain work in England is so well known as to require little The McClary M'f^. Co. STnv^ui'"'!^/,* manufacturers of STOVES, FURNACES . ENAM- ELLEI) WARE T^^^^ ^TINWaWu Heac'l ;'^"'^"P"°ns in t:anada. T^hil? Head Office and works beinif located at Lon.lon, Ont., the works covS about 9 acres. They employ over 550 hands the year round. They also have branches in Montreal, Toron o Winnipeg and Vancouver where the>; t'e'aTb'ri:,'".'*^"''"' ^r'^' '^e Mol treal branch having a factory in con- nect.on with it for the manufacture "f 1 inware of various descriptions. Their o'^n/ ^"y^"«'-«..^vhich i^nniber aboTu 30, covers the entire Dominion. Thev also do a large export trade, sendine goods into every corner of tlie globe^ McCLARY MFG. CO LTD HEAD orPICB AMD MONTRKAI., QUE «„RK.S, tONDON, ONT„ BRANCH ANU r AC TORY "--VCHK,, TORONTO, W.VM.PHC. AND VANCOUVk;;: trs lljc mi St. meox^t DEPARTMENTAL STORE 1883-85 NOTRE DAME STREET FORGOODGOODS AT LOWEST PRICES THE ON'LY STORE THAT BUYS AND SELLS FOR CASH IN THE DOMINION. GOODS DELIVERED TO ALL PARTS OF CITY. PHOXE MAIN 2439. mention here. Porcelain is said to hiue been made first in Chelsea under the imtrDimRe of George II and the Duke of CuniLfrlmid, and shortly after at Stratford-Ie-Uow, Derby, Plymouth, Worcester and other piiiccs, The works at Worcester were under tlic special patronage of George III, and since 17H6 have been known as " The Royal Porcelain Works." The variety of porcelain biscuit called Parian or Carrara ware was introduced into luiRliUKi about 55 years ago and has since been largely used for statuettes, etc. It differs from porei-laiii prin- cipally in the use of a feldspar more fimibic than the Cornish stone. The beautiful Doulton, Minton, Coalport, Adderley and other wares novv made in England are familiar objects in every household. In the United States oriianiontal eliinn is very largely manufactured, the most notable centres being Trenton, N.J., and East Wverpool, Ohio. The manufacture of pottery and porcelain, like most other manufactures, has its colloquial technicalities ; thus a clay that shrinks much in the baking is called a "fat" clay, Home of these lose in one-third bulk in the proceNH. Others having a large percentage of free HJlJca shrink but little and are called " lean " clays. The potter's wheel is in principle the same to-day as when used in Egypt 2000 years before Christ. The flat disk upon which the lump of clay is thrown is made to revolve by mean-; of ft belt, and the potter as it turns shapes it either with his hands or with tools. Painting upon china has become an art of itself, and tho.se who have visited recent exhibi- tions are aware to what excellence in tills branch Montreal has attained. In the present exhibit the committee, very cheerfully and generously aided by so many of our leading citizens, is able to present a number of interesting and valuable specimens, as much in the hope of stimulating industry as of antusing collectors. HAND CHASING In this age of cheap machine-stamped met- al work it is a pleasure to see silversmithing with the finish and individuality of the I handworker. Our Sil- ver Workshops are producing some verj' rich hand chasings in j silver bowls, claret jugs, etc., which make ideal wedding pres- ents. To any interest- ed in such handicraft, we would be pleased to show our factory and the chasers actually at work. HENRY BIRKS & SONS MANUFACTURING GOLD ANDSILVERSMITHS PHILLIPS SQUARE . MONTREAL Bookbinding' BOOKBINDING is one of the handicrafts in which women are making wonderful suc- cess. A httle account of what two women are doing in this Hne may inspire some other woman. Mrs. Helen Bruneau Van Vechten is the first woman bookmaker in America. Ru,skin and William Morris were her inspiration, and on ail matters of margins, arrangements, colour design her taste is fine and discriminating. \'ery early in her work as bookmaker, she proved her right to a front place in the ranks, by the invention of a simple device for doing away with an evil which had been a stumbling block to the craft for years It had seemed impossible to secure an even regis- ter on handmade deckle-edged paper-so she set to work to .solve the problem. After much think- ing she discovered at last that bv removing the peg which holds the paper in place, to the right and feeding from the left, .she could secure perfect results. In all her work there has been steady progression. Some of her works are most ex- quisite editions of Browning's "Andrea del Sarto," Keats' "Odes," Kipling's "Recessional," Spenser's "Epithalamium," and other modern and ancient classics. Her workshop is in the httle town of Wausau, Wisconsin, and is said to be well worth a visit. Miss Ellen Gates Starr, of Hull House in Chicago, IS another woman who is doing most beautiful work. She was the pupil of Mr. Cobden- Sanderson, of the Doves Bindery in England, and IS the only person in America who has completed a course there. Mr. Cobden-Sanderson has no desire for pupils, and only admits those who prove their worthiness. When Miss Starr returned from England she brought with her a few volumes of her own exquisite work, two of which she sold to a New York publisher Miss Lcssard & Harris HEATING, PLUMBING AND ROOFING CONTRACTORS MANUFACTURijRs OF Aeolian Ventilators The following testimonial is proof of satisfaction given the Canadian Pacific Railway Company by our Ventilator. MESSRS. Lhssard & Harris, 423 Craig Street, Montreal Dear Sirs, I have your letter of the .rstinst., stating that we have for a couple of years, used the Aeolian Venti to« k>ng .n would be kind enough to tell you if they have given satisfaction. ^ th wor,re,u.red of them in a hig.ly satisfacto^^ man thT; ,T '^°' ^^^--'^eytakesomuchlou that at times they have to be shut off. Yours truly, P. Alsx. Petbrson, Chief Engineer. MNG J lators il is vtn vay ;or. Starr thinks that of all the handicrafts, bookbiud- ...g .s the most interesting from the standpoint of literature, art and craft combined. Of course it IS a laborious occupation from start to finish, and . takes from two to three weeks to make a bc;ok in thrs fine manner. Miss Starr considers that only books of permanent value should have permanent bmdmgs, and that from its merit a book should earn its right to be decorated. Mrs. Irving Way has done .some beautiful books and has produced some exquisite examples o .llunnnatmg. The new movement in bookmak .ng IS no longer confined to a few, but has spread to a large class, and women everywhere are recognized as working in these lines, with an Sfl! TT'' '°'' ^°'"" ^^^'S"' -"d deft skilful hands that insure their work success. H. H. A. stating that we 'lian Ventilators or Station, and ou if they have Ventilators at tion are doing ;isfactory man- ' much air out, JSON, lief Engineer. ill!" B SpltNdid ^ €xhii>itioii or JlrMN (Uall Papers 8(Vm««ni« etUiM, U*\M ItalM a,.., nn..!. MM 8. n. mm (f Son eo/$ THMtnie new Show Roomi. Mil It. eailxriM $f. GOULDEN'S PHARMACY PHONE UP 949 28J Bleory St., near J>herbfooke St., Montreal. Pretcriptions prepared with care, n.atness and despatch. " There is nothing too good for sick folks." J. V. CALCUTT IMPORTER OF IRISH_LINENS 12 Cathcart Street, Phillips Square, TELEPHONE UP 2488 MONTREAL "SOROSIS" THE NEW SHOE FOR WOMEN The best value and the most perfect it aV;^'''*^'^ «*^*« - c^»ad\* Sole Agent for Montreal and vicinity. >V. H. STEWART 2295 ST. CATHERINE ST Two doors west of McGill College Ave. Tlie Art of Lace Making' eontrlbuttd by misi Uiatt. WITH the dawn of the middle ages the history of lace began to be separated from that of embroidery. The earliest specimens now in existence dates back to the 1 2th century, and seem to the ordinary observer to be more nearly allied to embroidery than to lace proper. The tran.sition steps were taken by the religious orders, who, finding the embroidery on solid linen with which they decked their altars to be ineffective from a distance (un- less worked with materials and colors which would not stand washing), conceived the idea of perforating the linen by open work embroidery called Cutwork, or opus scissum, in the ward- robe accounts of Queen Elizabeth, and Point Coup^, in France. This new work developed into Reticella proper during the 15th and i6th centuries, and was thus the forerunner of all laces. Tim Oivliion or Cact. mtdijtoal tatt. Mediaeval lace divides itself into six different classes ; i , Linen Embroidery and Cut Work • 2. Darned Netting ; 3, Drawn Work ; 4, Reti- cella ; 5, Knotted Work ; 6, Plaited Work. In illustration let us turn to Section A., No. I. Here we have a charming adaptation to modern uses of scraps of medieval lace, pillow lace and the finer forms of linen embroidery. In the three-cornered pieces of the d'oyleys is shown Cut Work, in its simplest form, alone and in conjunction with Reticella ; two of the arms of the Maltese Cross are excellent examples of Darned Netting, the designs .showing both the earlier ecclesiastic and the later (after 1500) geometrical style. The other two arms are com- Wilshire Brothers ^ ^ FI.OKISTS AND DECORATOKS fn°il\T"^^ ""'.'. "" °'hercut flowers VVe,'l,Hn "rv ^ '"'■''' 'lecorations for vve.l.linKs, Dinners, etc. Designs of «94 Sherbrooke Street, MONTREAL STAN^^^7 ^"'' .''f'^"'^'*'' HEINTZMAN. Toronto STANLEY. Toronto, and SHAW PIANOS Pit.nos to Rent, Pianos on Instal- ments.headquartc forallk/ndsof tht dty''" ^^"' ^"■^'^* ^'°<=k in J. W. SHAW & CO'i Piano and Muilo Houat Tel. 3899 2274 St. Catherine StreJ n A pi 2< fa m la G< M Br U de La let] lac are th{ of ch( the of she R. A. DICKSON & CO. DIAMOND IMPORTERS JEWELLERS A OPTICIANS 2261 St. Catharine Strael Montraal whi 162 wht diff« nati crs ^e ^ RATOKS cut flowerN rations for Designs of s tastefully MONTREAL nc N G ON'S ITZMAN. Toronto nstal- udsof NTS « « ckin Catherine Streiit 1 D. ITERS PTICIANS posed of Reticella proper, the edging being Iwrrowed from the later day Pillow Laces, with the central monogram dating down to the present time. Modern examples of Darned Netting, Cut Work and Reticella will be found in the Russian lace exhibited by Mrs. Cox, and in the Scandi- naviar centre piece exhibited by the Decorative Art Rooms. Of Reticella alone we have an exanii^le in the piece of Greek lace lent by Mrs. Caverhill, Nos. 29 and 30. Of the 5th Class, Knotted Lace. We are all familiar with the Macram^l' work which was so much in vogue over five or six years ago. The 6th Class, Plaited Lace, which was largely manufactured in Italy, France and Germany, is now closely copied in the modern Maltese and Torchon pillow laces. A word may here be said of the Tape and Braid Guipure Laces [Taenia Poynt, Beggars' Lace, Mezzo Punto (Italian), Point de List, Point de Canaille, Lacet (French).] These were first u.sed in Italy as cheap imitations of the Plaited Laces, and 1 ave since dragged out an existence lending themselves to every form of imitation lace. Some of the earlier and simpler examples are really charming, their chief beauty being in the easy flowing design, the graceful adju.stment of the bars for the background, and the judicious choice of stitches for filling in the patterns. In the present exhibition we have many examples of the Tape and Braid Laces of to-day, which show great beauty of execution. Sccoaa DipUl«ii of Cacc. Point Cacc. The names of the various Point Laces, of which few authenticated traces are found prior to 1620, come rather from the names of the cities where they were made than from any structural differences in the laces themselves. Among the nations we find Italy, Spain, France and Belgium I. L-WjjUGHES 'PlIONKS Main h^h Mount 501 ^S^^ n iv A T r s r. '• ^ I' M u I X G VKNTILATING <• '■: N' 1-: R A I. J n H I X G W K C A I, I. ATrKNTION TO TFtSTlNfi DRAINS 2 ST. ANTOINJ.; STKICI'-T / 26 HAYLK STKHKT J ^^ <^> ^' T R K A L ^.^R^V-^H AVHNtM.;, U-KSTMOUNT ST. LAWRENCE 8UGAH DEFINING CO., Limited ^ ^ T K E A L MANt-l.AtTlKKKS .„ TIIH CHOICKST y. AMTU« oK i^ K y f .\ E I) '^ '^ (^ A H S iNctuDtNO orn bt.oomv YHI,r,OWN, HKICMT COFl'ICK Sl'CARs.PHfKNIX (QUAUTY ACCORDiNGTOrirK GRAIN) GRANULATED SUGARS. EXTKA STANDARn THli IIUST FN TIIK MARKKT \ I 1 t C t p II 11 o IV ci til so th de mi in re; diJ A T I N (; [^ M « I N G Til. ATI NO N Iv R A I B B I N G '. I. ATTKNTION 'Nf- n RAINS ^ T R H A L E S T M O U N T -LIMITED J A L STANDARD leading in the manufacture of real lace ; Germany, Denmark, Sweden and Kngland beii.g only able to boast (jf a few isolated lace workers who copied their methods and designs fiom the southern nations. The Queen Lace Ijook strictly limits the ilosiKn,itioii of Point proper to Lace, entirely made with the needle on a parch- ment pattern, althoiiKh the term is frccineiitly misapplied to Pillow Laces, as Genoa Point, Mechlin Point, Point de Paris, Honiton Point, etc, As a general rule, to distinguish Point Lace from Pillow Lace, it may be considered that any lace (except Reticella), in which button-hole stitch occurs, falls under the category of Point proper, or to put it more plainly, any lace in which the back-ground and pattern are both made by the needle, the back-ground of button- hole stitch thus formed being called zrai rheau, this six-sided mesh having much the appearance of the Brussels net of to-day. vSince the inven- tion in 1830 of a machine for making net (tulle) vmi rSseau has almost disappeared. Applique patterns in Needle Ponit and Pillow Lace are made .separately and mounted on one of the many m.ichiiie-made tulles, Bru.ssels Needle Point or Brussels Tulle and Mechlin Pillow Lace or Mechlin tulles. In the 17th and i8th c .nes the following cities may be regard.,! as the authenticated centres for the manufacture of Point Lace : Italy— Venice, No. 7 Section A. Spain— Castille, No. 6. France-Lonray, \lencon (See No. ao) and Argentan BelKiuni— Bru,s.sf 1, (See No. 14, Section A). In this list of lace centres it is easily .seen that Franc, is far in advance of the other southern nations ; and it is in France, during the reign of Louis XIV, that we find the Points de France touching the highest standard of magnificence possible in needle point laces. Also in Italy, about this time, the Point de Venise reached its zenth. Before passing on to the different classes of Pillow laces with meshed H. H. AVER, Proprietor. MAT. MURPHV, Manager. CLUB SHOE CO. WHOLESALE AND RETAIL 2417 & 2244 St. Catherine St., MONTREAL. Old you Ever Know That the Suit Case is now the most popular Companion than\VeoX;:.:;t;-J;;°.-7-d ho.ds „ore We have LiU . . ^ '" ''" I^P^'^"- colors. I^adies^S;t,rra ,'rist 5"--^'^^"=" ''^ Style of Silver Initials and ZZ Ltl "''■ ''''''' TravSlin^SSf 1^' ""' °^ ^--ther Novelties and be found fn eXs Variety 7"" '" ""''"" '""' "^ 3. €wWgb $ co/i 245 $r. 34Mei sr. WALTER PAUL Family Grocer and Provision Merchant 'MPORTER AND DEALER ,N ALL KINDS OF 2365 St. Catherine St. S™ ""'-" '""' dSmeSTO* FRUITS. TELEPHONES UP 1287 .nd 1218. back-grounds (k r^seaux), it may be well to say a few words about the term wliich applies to the large section of the older laces, that is, Guipure Onginally the term was used in connection with tnmming made of a cord composed of an inner core, or stout thread whipped around wi; fine threads Later lace makers employed the term gimp to bars and tyes used in imitation of the dainty brides h picots (ground work of bars ornamented with knots) of the Venetians. This by degrees gave rise to an extension in the use of the term guipi re, and its subsequent applica- tion to all laces in which a back-ground of bars or tyes were used; whilst those in which the back-grounds were composed of small regular rntelles "'''"''^ ^^'^ designat'.^ by the name Che Cbird Dioisloa of cace. Pillow Dee. It is surmised by such an authority as M Ernest Uf^bure that the year 1500 saw Tn Northern Italy the birth of this art. J the absence of anything more authentic, we may here repeat the pretty legend of Venice concern- ing Its origin. "A young fisherman of the Adriatic was betrothed to a beautiful girl of one of the isles in the lagoon. Industrious as she was beautiful t L?. V V'^ ""' ^""^ ^'' ^°^''' who took It with him on board his boat. The first time he cast It into the .sea he dragged therefrom an ex- quisite petrified wrack-grass, which he hastened to present to his fiancee. " ^"* w*"" breakin- out the sailors and fisher- men were pressed into the service of the Venetian navy, and departed for the East. '' 'T^e poor young girl wept at the deparfire of her lover and for many days inconsolably contemplated his farewell gift to her. But while absorbed in following the wondrous and lovdy ribs of the petrified wrack-grass, knitted together by the lightest fibres, she began to twist and plait the threads weighted with small lead which YOU CAN ALWAYS OET THE UTEST IN ..... , Books and S tationery CHAPMAN'S BOOKSToi Robert Findlay ARCHITECT 260 St. James Street CANADA Lrrt Bldo MONTREAL McGililion,Casgrain,Ryan&Mifcli8ll R.D.McGlbbon.Q.C. Th. Chite-Casgraln, Victor E.Mitchell Edouard F. Surveyer Lawrenca Mactarlane Advocates Barristers &C.: And W Vi M CI Li Sf Mac Vicar & Heriot ARCHITECTS Canada Life Building St James Street hung around her net ; little by little «he wrought ni a skilful manner a thread imitation of the beautiful petrification and thus created the nier- letti a piombini (bobbin lace) ! " The !ace thus invented,' Itnllm. merchants introduced it into Germany, Swit/erlnnd. Eng- and, Spain, France and Belgium, wIk.c it has ever since been a more or less important industry I" the present exhibition we have ninny excel- ent examples showing the adaptability of this form of lace to every passing whim of the fickle Dame Fashion. As in needle-point, we may ,,,ug|,ly divide pillow lace nito two groups: the «HH,„re« with heir uneven and knitted groundwork and the rZfZ T ''t 'T '"' ^^""^^ ««-o«ndwork Ihus we have under the guipures ; Cluney or Maltze, Duchesse. Honiton. in silk, wool, or tlimiil. And under the dentelles : (See Section A,, 17, m, ,g,. ,, " 16, Milanese. Valencien -f-. Mechlin Chantil) . La Blonuc. Spanish. Application Brussels. d'Angleterre. 35 31. 6, 13. I,V It would be impossible to eloMe witlm.u In conclusion we would like to drn«,. f»,» attention of the reader to the o„«th o^ime 00 years), that must be covered i ' y ^L "^l of he history of lace. This necoHHarily creates a slight confusion in terms, for a Ince that k 1 ;n history is almost extinct, in facfon y t wo specimens remaining to us ; while /uZZ CONNOISSEURS of Chocolate, the world over, know Suchard' s Chocolate Its purity, delicious flavor and distinct quality have marked SUCHARD as the standard during the past seventy years. One cup will carry conviction. Is the purest and best. Agknts for Canada Lecming, Miles & Co. MONTREAL. Edward Stuart Hatter and Furrier Re-Dyeing and Re-Modelling a specialty r894 Notre Dame Street Balmoral Block Montreal Do you Value Quality? Do you Care for your Money's Worth? If so, go to The G. R,^Lockcf Co. TILES &,e^',-^lt.pT/c'if rrr'- FIKEPUCE Brass and wrough. B..hs, L.a.or. Basin, and ^T^lT^T^l^Z '"'• ' ' 1749 NOTRE DAME STREET. Basket Weaving' WrifftB by mri. HI. nutrum molten. IE STREET. <^ HE evolution of the basket from the material at hand began at such a re- mote period, and has been so gradual m Its rise, that it is most difBcult to trace Its origin, but it seems to have been as old as the needs of woman. The direction followed by the me- chanical arts of a country is essentially deter mined by the material found in the country h,^^!?^'^' "^brilliant coloring have been ex- humed from Theban tombs and placed in Euro- pean museums. The valuable papyrus furnished material for hats and baskets for the Egyptians centuries before the Christi.^ Era, and excaTa tions in Peruvian tombs also disclose baskets that have been buried for centuries. Basketry pre- ceded pottery, and ancient pottery often shows that the day was rolled and twisted, and coiled about like the coils of basketry, and oftent^tt It overlaid a basket which burned away in The firing of the clay, but impressions of the coi ed basketry were left. The women of Juan Fernandez plait from a single banana leaf a commodious f^ruit blsket and all sold togethei to passing ships, and afte ! wards the leaf is tossed into the sea ; whereas the women of Attu Island, which is the n os sTend t."'"' °' ''^ ^^^"^'-^ Archipelag^ Aleut LI ' """' '°™' *° '^^ '^^"^^t^^^- The Aleutian woman ,s a poor, degraded creature hour ":? "h ' ?"1,'"^' "^' ^" winters h^veou" hours of daylight. The Alaskan tribes were wonderfully skilled in the twined stUch ^f basketry, and in their dyes and patterns, thd M THE PERFECT READING LIGHT THE AUER LIGHT SAVES GAS strong enough for the finest print ; soft enough for the most sensitive eyes. Can be turned up or down. Does not flicker or smell. A restful, comfortable light, and one by which colors can be distinguished We send them on trial without charge AUER LIGHT CO. I^hnne Main lyyj i682 NOTRE DAME BOVRIL THE GREAT FOOD PRODUCT OF THE VICTORIAN ERA GENERAL BADEN-POWELL says: ' ' It may be of use in case of future expeditions of this kind to jot down what kit I have found best for the work ' InOff. Wallet— Sketchbook; map ; quinine ; camera ; housewife ; tin of cocoa ; tin of Bovril ; etc.'" MISS RHODES cabled ; ' ' Send 300 tins Invalid Bovril for troop hospitals at front." beautiful faint colors were unfading, and always well blended by beautifully smooth stitches, and often accentuated by the stem of the wild maiden- hair fern, while the chief decoration was Sporo- bolus. When Vancouver explored the coast of the North West he found the natives wearing the conical hats made from spruce wood or cedar bark and using mats of the same material for tents and sails, which were most durable in the rainy climate. The Esquimaux has few materials and fewer needs for a basket, but she utilizes the useful birch bark of the upper Yukon by bending it into shape, while the woman nearer the estuary sews strips of tanned fish skin into a commodious receptacle. The women of Cape i-'lattery still make baskets of the rare fish -trap or bird-cage stitch which is also used by the men on the Congo, and the Cape Flattery women have long .since dis- carded the native dyes and use the aniline colors. The poor degraded Klickitat squaw wove the best basket for all purpo.ses, and of the best shape, design and durability that is collected ■ it IS water tight, a delight to the eye in its coloring and design and s-J.ting all the needs of a basket The Klickitat Indians' habitat is on the Corvlitz and Yakima Rivers, in Washington State, and tributaries of the Columbia. The materials were gathered at different times of the year and in diiferent localities, and the large baskets represent many months of labor. The material was spruce root and the wild squaw's grass, or Xerophyllum tenax and the latter was dyed yellow by steeping it in water wherein the Mahonia roots had been boiled The reddish brown was either willow bark or water stained by willow bark, and the black was made by burying the grass in charcoal and wet clay The stitch is known as the imbricated , and as the patient worker finished a stitch the work was complete, for no stitch was applied to the work afterwards. These baskets were carried on FINE <RT CHIN* WARE BRIC-A-BRAC ART METAL WARE REAL EBONY QOODS NOVELTIES, ETC. G. W. CLARKE & CO. 2270 ST. CATHERINE ST. Nttrly oppeitte Victoria St. Are now opening out their K»ll importations of nil the latest foreign noveltiei in Fine Fancy Goods, Bric-a-Hrac, Braijware, F.incy China Ornamenti, Sterling Silver Novelties, Real Ebony Goods in Manicure Pieces, Mirrors, Hair Brushes, etc., ami a Urge assortment of Choice Leather Goods in fine Pocket Boolts, Card Cases, etc. , all the latest styles THE UP-TOWN FAMILY BUTCHER Handles only Goods of BEST Quality For all kind.s of Fresh Meats, Poultry, Fish, Vet^ tables, Eggs, Butter, Corned Beef, Ox Tongues, Canned Goods, Bacon, Hams, Sausages, &c., you cannot do better than go to Tel. Up 1066 C. R. WESTGATE'S MARKET 128 Park Avenue, Montreal EDISON PHONOGRAPHS Developing >nd KODAKS, PREMO AND VIVE CAMERAS **'■"""<> R. F. SMITH Montreal Photographic Supply 1756 NOTRE DAME ST. Uptown Brinch, 148 Peel St. ARTHUR T. FORBES & CO. Manufacturers of all kinds of Trunks and Traveling Bags PuRSKS, Pocket Books, Dressing Cases Dress Suit Cases and Furnished Bags . Tel. Main 353 263 St. James St., MONTREAL the backs of women, on the sides of horses, pannier-wise, or in canoes, and were used for holding berries, and descended from mother to daughter. The art has passed away, the utensils of the day have supplanted the basket, and no woman now can weave a perfectly satisfactory Klickitat basket, and only years can give it tone. The Chehalis woman, near the coast of Wash- ington, showed great skill in coloring and de- signs on pliable baskets of all sizes and beautiful workmanship. The Rogue River Indians, of Oregon, utilize the young twigs of hazel for baskets for domestic use among the settlers, while their caps for native use show skill. The Indians of the Mount Shasta group were diversified in their work making caps of spruce root, Sporobolus and maiden-hair fern stems ; pots for boiling their food and great burden baskets for carrying the seeds and nuts from the marsh or mountain to camp. The California group is a distinct type and not within the .scope of this sketch. The Apaches and Navajos of Arizona and New Mexico, weave large basin-shaped baskets and great storage baskets, shaped like jars, while the woman of Mexico utilizes the fibre of the Yucca filamentosa, thereby proving how each tribe has always utilized the material at hand and also showing by the weave in what dimate it was made. These poor untutored women found their patterns in the passing clouds, a flight of birds scales of fish, the back of a rattlesnake and other objects, not always recognizable to the un- initiated, but far surpassing the baskets of civihzation. flr$ Coit^a, Ulta Brevis But liowevcr sliort our life is, a considerable portion of it is spent in sleep. We sleep from eight to ten hours a day, more than a third of our life. It is our l)usiness to make that part of your life al)so- lutely restful, Iiealthv and happy. We do tliis by supplying MODKKN bedsteads and springs, COM- I'ORTABLK mattresses, and good, ct.k.^n, i-t.UMP feather pillows. We recommend OSTF.RMOOR'S PATENT ELASTIC FELT MAHRESS $15.00 full double size FOR EXAMPLE .... MATTRESS MAKING IS OUR BUSINESvS . . Do you want one ? AS YOU WANT IT We can make a mattress to your order on short notice. You can have it any size you want, in any style you prefer; it can be filled with fibre, hair, mess, or Patent Elastic Felt and covered with tick or denim from the Eiece you select from our stock. Then you now just what you are getting. Then there is THE ' WALDORF ' UPHOLSTERED SPRING Same as was furnished to the Chateau Fron- tenac, at Quebec, and the Place Viger Hotel in Montreal, and the Waldorf-Astoria in New York. This is another ...e of our Specialties. Those who have never slept on this delightful bed can have no idea what sleeping comfort is. Those who have slept on it will never use any other spring. May we show you its good points next time you are passing our comer ? A SOFT THING IN CUSHIONS. Sateen covered cushions with large frill, made of mercerized sateen, 95c. DOWN CUSHIONS, sizes 18 x 18, 20 x 20, 22 x 22, 24 x 24, 26 X 26, and 28 x 28, - from 45c to 13.00 DOWN TEA COSIES, sizes 11 x 15, 12 x 14, 12 x 16, from 35c to 7sc EIDERDOWN QUILTS, sateen, silk or satin covered, from I4. 25 to|i8.oo LOCKHART Hi:i)I)ING CO. CORNER OF ST. CATHERINE AND VICTORIA STS. easbmm or Kasbmir $bawi$. €xtr««t mm U4\», nn m iiM toaih H«»liiatoi miMii*, »v H. H. eol«, Cklit. R. €., |,7«. THE finest embroideries of India are those used in the production of Kashmir shawls. The material is woven of the finest pushni (i.e., Kashmir goat's-hair, taken from the roots), and is in itself of such beautiful texture that it seems wasteful of good things to cover it with embroider>'. The wool selected is the soft down next the skin, and below the thick hair of the Kashmir and Thibetan goats. The designs most frequently used are those of the pine, and the subordinate ornamentation is of every con- ceivable variety. The beautiful combination of colors and the high degree of finish given to thf work render the shawls as perfect as human hands can make them. Some shawls are worked on one side onW. some on Iwth sides, some are loom made and others made by hand only. The people employed in tb. making of these shawls are first, the woman who spins; then the Pinmangu, who keeps the shop for the purchase of yarn; then the Nakatu, or warp dresser; then the weaver; then the Rangrez, or dyer, whose calhng is always hereditary; then the pattern drawer (Nakashj, and the Tazah-guru, or per- sons who determine the proportion of yarn of different colors to be employed. The face or right side of the cloth is placed next the ground the work being carried on at the back or reverse' on which hang the needles in a row, and differing m number from 400 to 1,500, according to the lightness or heaviness of the embroidery. When the shawls are finished they are sub- mitted to the cleaner, or Purusgar, or else the purchaser takes the goods unwashed and fre- quently in many pieces, and the fine drawer or Rufugar and the cleaner have still their work to do. Dominion Cine mall $ttam$bip$Mfw)» MONTREAL & QUEBKC ^ IN RUMMXK I To PORTLAND, Mk.,& HALIFAX J I.iVKkPoo I. IN WINTXR ) BOSTON TO LIVERPOOL VIA QUEENSTOWN f lett or Utimm Pamagtr StM«m TONd Steamer (Building) ij.ooo twin-screw COMMONWKALTH IJ.UCW twin-screw Nrw England ii,6on twin-tcrew Canada 9,000 twin-screw Dominion 6,600 twin-screw Vancoiatkr 5,300 Cambroman 5,000 VrtHM Sff«Mm NORSUMAN twin-screw TONS ta,ooo Irishman twin-screw 11,000 Turcoman twin-screw 8,000 Englishman twin-screw 8,000 OTTOMAN 5.000 Roman S.ooo Midship Saloons and Staterooms. Magnincent promenade decks. Electric light throughout. All modem coureniences. All classes of passengers carried on all pas- senger steamers. No cattle carried on passenger steamers. f*r sll littmsttM swlf Ussy Kicbards, milli « Co. 77-81 State St., Boston, Mass. David CorraNC(|re«. General Agents, 17 St. Sacrament St., Montrbal.