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 Photographic 
 
 Sciences 
 
 Corporation 
 
 23 WEST MAIN STREET 
 
 WEBSTER, N.Y. 14S80 
 
 (716) 872-4503 
 
 1 
 
 
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 CIHM 
 Microfiche 
 Series 
 (l\/lonograplis) 
 
 ICIVIH 
 
 Collection de 
 microfiches 
 (monographles) 
 
 Canadian Institute for Historical Microreproductions / Institut Canadian de microreproductions historiques 
 
 r\f\ 
 
Technical and Bibliographic Notes / Notes tect 
 
 The Institute has attempted to obtain the best original 
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 may be bibliographically unique, which may alter any 
 of the images in the reproduction, or which may 
 significantly change the usual method of filming, are 
 checked below. 
 
 
 
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 Coloured covers/ 
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 Covers damaged/ 
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 Relie avec d'autres documents 
 
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 La reliure serree peut causer de I'ombre ou de la 
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 Blank leaves added during restoration may appear 
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 This Item is filmed at the reduction ratio checked below/ 
 
 Ce document est filme au taux de reduction mdique ci-dessous. 
 
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I Bibliographic Notes / Notes techniques et bibliographiques 
 
 L'Institut a microfilm^ le meilleur exemplaire qu'il 
 tui a exi possible de se procurer. Les details de cet 
 exemplaire qui sont peut-itre uniques du point de vue 
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 Le titre de ren-t£te provient; 
 
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Jh(i copy film«d her« has been reproducsd thanks 
 to tha ganarosity of: 
 
 Department of Rare Books 
 and Special Collections, 
 McGill University, Montreal. 
 
 Tha imagas appaaring hara ara tha baat quality 
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 Original copiaa In printad papar covars ara filmad 
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reproducsd thanks 
 
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 >al. 
 
 th« bast quality 
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 llustrated imprss- 
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 beginning on the 
 trated impres- 
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 I microfiche 
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 corner, left to 
 i frames aa 
 I illustrate the 
 
 L'exemplaire film^ fut reproduit grice ^ la 
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 Department of Rare Books 
 and Special Collections, 
 McGill University, Montreal. 
 
 Lee imegea suivantas ont «t6 reproduites avec le 
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 Un dee symboies suivants apparaitra sur la 
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 symbols V signifie "FIN". 
 
 Les cartea. planches, tableaux, etc., peuvent dtre 
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 Lorsque le document est trop grand pour *tre 
 reproduit en un seul clich*, il est film* d partir 
 do I'angie sup*rjeur gauche, de gauche ^ droite, 
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 illustrent la m*thode. 
 
 1 2 3 
 
 4 5 6 
 
Colonial House 
 
 Fine Art ^e 
 Department 
 
 nil PATMTTXTGp 
 
 WATPP rmnpQ 
 
 Reproductions of the old 
 and modern Masters in 
 PHOTOGRAPHS, 
 PHOTOGRAVURES, 
 EN G R A V I NGS, 
 CARBONS, ETC., ETC. 
 
 Artistic framing and gilding 
 in all styles. Pictures arranged 
 and placed in position .... 
 FINE GOLD FRAMES 
 
 Thk Gauery of Pictures 
 IS Opbn Daily 
 
 Henry Morgan & Co. 
 
 ST. CATHERINE STREET 
 
 Lu 
 
a 
 
 M 
 M 
 
 HP 
 
 PRINTED nv 
 
 THE! HKHAIJ) PHSSS, 
 
 MONTH KA I,. 
 
 
 F 
 
 N 
 
E^xhibition of Arts 
 and Handicrafts ^ 
 
 Montreal BrancH of the 
 Woman's Art Association 
 o^ Canada j^ j^ j0 j^ ^^ j0^ 
 
 ITNDKR THR PATRONAttE OF 
 
 HRR EXCELLENCY THE COt;NTESS OF MINTO 
 
 Art Galleries, Colonial 
 House, PKillips Square 
 
 From Oct. 22nd to 
 Nov. 3rd. 1900 
 
Ai 
 
 Mrs. H) 
 
 Miss M. 
 Miss Ga 
 Miss K. 
 Miss Eh 
 Miss G 
 
 ni 
 Miss A 
 
 Bi 
 Miss Wi 
 Mrs. Hi 
 
 // 
 
 M 
 
WOMAN'5 ART 
 ASSOCIATION 
 
 (iNOOnPORATKD) 
 
 "Cabore ct ^onstontin" 
 
 H£AD ASSOCIATION 
 
 Officers 1900-1901 
 
 i'rksidknt 
 Mrs. Dignam 
 
 ELECTED I ILE-PftEStDENTS 
 
 Mrs. Hkmstkd Mrs. J. E. Hluott 
 
 EXOhFICW lICEPRES/DE.WTi, 
 
 Miss M. M. Phulips, Presitkut Montreal Branch. 
 Miss Galbraith, Tresident Hamilton Branch. 
 Miss K. Cochrank, President Brockville Branch. 
 Miss Ermatinorr, President St. Thomas Branch. 
 Miss Georgk Murray, President St. John, N.B., 
 
 Branch. 
 Miss Aonrs Maulk Machar, President Kingston 
 
 Branch. 
 Miss Wkir, President Portage La Prairie Branch. 
 Mrs. Hutton, President Ottawa Branch. 
 
 HONORARY RECORDING SECRETARY 
 
 Miss F. Lindsay, Toronto. 
 
 HONORARY CORRESPONDING SECRETARY 
 
 Miss Emily F. Dknison, Toronto. 
 
 HONORARY TREASURER 
 
 Mrs. Alfred Morson, Toronto. 
 
 MONTREAL BRANCH 
 
 president 
 
 Miss Mary M. Phillips. 
 
 first vice-president 
 
 Mrs. F. Minden Cole. 
 
 second t^icepresident 
 
 Mks. w. S. Kerry. 
 
 secretary 
 Mrs. D. Crawford. 
 
iSSlSTANr SKCKKrAHy 
 
 Miss M. R. Irwin. 
 
 rfHiA.sttfu/i 
 Mm. a. p. Dunloh. 
 
 HOAt/D 
 
 Mrs. j. h. pkck Mrs. o. B. Bur, and 
 
 MRS. noVKv M,..s MacV.CAR MRS. HW STROUD 
 
 MmKoLA..;.. MRS. A,.„x. Woods 
 
 Mrs. Chas. Bvrd 
 
 Exhibition Committee 
 
 PKKS/DKNT 
 
 Miss M. M. Phii.i,ip,s. 
 
 HO.\OKA K y .vAt A"/; TA K y 
 
 Miss M. E. Irwin. 
 
 ffO.SO/fAA'y TKI-ASfKHK 
 
 Miss Egcauoh. 
 
 f/JVA.vce coMMirrrii 
 
 Convener, Miss Egi,augh 
 
 Mrs. a. K. Dunlop Mrs. Jas. H. Pkck 
 
 Mrs. G. B. Buri,and 
 
 fKl'.SS COMMITTEE 
 
 iMoo » <^°"vener, Mrs. H. W. Stroud 
 
 \^fl- ^'"''''' ^''^^t'^inK Mrs. W. s Kkrrv 
 MISS EGI.AUGH and Miss MacVicar, CataLue 
 Miss Botting Mrs Mabstok, ,i '-"wioKue, 
 
 MRS. marston mi.ss Bklangkr 
 Mi.ss McLkod Moorb 
 
 S«ctioii JI.-c«te. ntfdUwork, tie. 
 
 Convener, Mdk. Thibaudhau 
 MimWatt MissGuerin 
 
 MdE. DK B. MACDONAI.D Mdh. L. Q. Lora.GER 
 
 Mde. Martiai, Chevalier 
 Mde. Hkrtkl Larocquh Mku.k. Larocque 
 Melle. Amos 
 Mdh. Rottol Mdb. Desbarats 
 MEtLE Gagnov Mrs. Frances McLellae 
 
 $«ctio« B.-ttioo<l and meMi work. 
 
 Convener, Mrs. Jas. H. Peck 
 
 Miss Crawford Mrs. F. Redpath 
 
 MRS.BOVEY Mrs.A.T.Tayior 
 
 Mrs^ Phiup Gilbert Mrs. f. Adams 
 
 Miss Skelton Mrs. W. Miller 
 
 Mellr. de B. Macdonald 
 
 Mrs. Walton Mrs. E. A. Whitehead, Jr 
 
 Mrs. Favettr Brown 
 
 Mr 
 
 Mv». M 
 
 Mr; 
 
 Mrs. H 
 
 Mrs. 
 
 Mr 
 Miss h, 
 
 Ml! 
 
ticttAR €.— etranlct aid Poittry. 
 
 BU»I,AND 
 *. H. W. STROirn 
 
 ;x. Woooa 
 
 ^itt«« 
 
 H. PRCK 
 
 JD 
 
 W. vS. Kbrrv 
 
 Cataloffue, 
 ISS BBI.ANGKR 
 
 fc. 
 
 ERIN 
 LORANGER 
 
 
 Convener, Mrs R. C Smith 
 
 Mrs. Cf. CAVRRHii.t. Mdk. I/nris Prkciikttk 
 
 MPS. McPiiAii, MishA. MAcDorr.Ai.i. Mrs. MiInuor 
 
 Mrs. C. Ai,i.oway Miss Hagar 
 
 Mrs. Dri.macombk Mrs. John Fair 
 
 MPS. C. A. Ijndsav 
 
 $((tlOR D.-Be«kblN4lRi Md CtailMr (Uork. 
 
 Mrs. Anson McKim, Convener 
 
 Miss Krid Mrs. Lrarmont 
 
 Mrs. Hi'N'aKY Drummond Mrs. w. I). L,i('.nTHAi.i. 
 
 Mrs. Miiibrrt Miss A. Van Hurnk 
 
 Mrs. Coi,bv 
 
 S<ctieR €.— TaH< aad miRlaturtt. 
 
 Mrs. Charles Spragge, Convener 
 
 Mrs. A. A. Allan Mrs. C. McDougall 
 
 Mrs. Deacon Mrs. MacTikr 
 
 Miss Sisk Melle. Roy 
 
 Miss O. Robertson 
 
 tcctlOR T.-D($iaRt RNd lllttinratlOHi. 
 
 Mrs. G. B. Burland, Convener 
 
 Mrs. Jehkrev Burland Mrs. Lachlan Gibe 
 
 Miss Raylis Miss Sadlier Miss Barry 
 
 Miss M. J. Sanborn Miss McLeod Moore 
 
 Miss Penfield Mrs. a1. B. Black 
 
 $<ttloR fl.-Batket Work. 
 
 Mm. Wm. Markland M0L.SON, Convener. 
 Miss Black. 
 
 'iitl 
 S.J 
 
 arocque 
 
 ITS 
 
 McLellae 
 
 \*4 
 
 ATH 
 
 Taylor 
 
 3AMS 
 R 
 
 BAD, JK 
 
•Section A.— Lace. Needle- 
 work, Weaving. Etc. 
 
 Salt CxMMti 
 
 23 
 24 
 25. 
 26. 
 
 28 
 29 
 
 ;<o, 
 31 
 32. 
 33- 
 34- 
 35- 
 36. 
 37. 
 38. 
 39- 
 
 40. 
 41. 
 
 Crochet Lace, t% yards. 
 Crochet Lace, 6% yards. 
 
 M8i,i,E RiNFRBT, Quebec 
 Netted d'oyley 
 Netted d'oyley 
 Netted d'oyley 
 Netted d'oylev 
 Netted d'oyley 
 Netted d'oyley 
 Netted d'oyley 
 . Netted d'oyley 
 Netted d'oylev 
 Drawn work do\'Iev 
 
 Made by Mr.s. John P. Morin, St. Hvaci.ithe 
 Cap, tatting 
 . Crochet quilt 
 
 . Dozen napkins, drawn work 
 Tablecloth, drawn work. 
 Made by MKi.r.K Victoria Gauthir, St. Pie 
 Embroidered dressing gown 
 Bread napkin worked on nails. 
 Table centre, guipure. 
 Handkerchief, guipure. 
 Handkerchief case, satin. 
 Two pincushion covers, guipure. 
 
 For sale, apply to Secretary 
 Made by Mklle A. Trbmbi,ay, Longueuil 
 Fascinator, trimmed blue silk 
 Fascinator, cream 
 Fascinator, pink 
 
 Handkerchief, silk with insertion 
 Macamb Warnaui.t. 
 . Table centre (white daisies^ 
 ■ Doyley (poppies) 
 . Mat (eglantine) 
 Table ornaments fviolets and carnations) 
 Table ornaments (violets and carnations 
 Table ornament (holly) ' 
 
 Salt cellar mats 
 Salt cellar mats 
 Salt cellar mats 
 Basket of flowers 
 Bibs 
 
 Mat for glass 
 Bolero, point lace 
 
 Made by MEi,r.K Rinfrbt, Quebec 
 Hearthrug, wool 
 Hearthrug, wool 
 
 Made by D. Paui,«t, City. 
 
 Phice. 
 
 |2.2S 
 
 3-25 
 
 3 
 4. 
 5- 
 6. 
 
 ?• 
 8. 
 
 9. 
 10. 
 II. 
 12. 
 
 '3 
 '4 
 I.S. 
 16. 
 
 17 
 18 
 
 19 
 20. 
 21. 
 22. 
 
 2.00 
 1.50 
 '•25 
 1. 00 
 
 75 
 65 
 65 
 
 65 
 
 50 
 
 5-o<) 
 
 1.5" 
 
 25.CX3 
 10.00 
 20.00 
 
 3.00 
 3.00 
 3.00 
 3.50 
 
 3.00 
 
 2. 00 
 
 2.00 
 2.00 
 2.00 
 1. 00 
 
 1. 00 
 
 1. 00 
 
 0.7s 
 1.50 
 
 1. 00 
 
 2.00 
 
 7.00 
 
 6.00 
 
 
 80. ' 
 
 81. ( 
 
 82. 1 
 
 83. i 
 
>^eedle- 
 £tc. 
 
 tyaciiithe. 
 
 Pkice. 
 
 $3.25 
 3-25 
 
 2.00 
 1.50 
 '•25 
 1. 00 
 
 75 
 ^5 
 
 65 
 
 50 
 5.00 
 
 1.50 
 
 25.CX3 
 
 ro.oo 
 20.00 
 
 St. Pie. 
 
 jueuil. 
 
 
 3.00 
 
 
 .^.00 
 
 
 300 
 
 
 3-50 
 
 
 3.00 
 
 
 2.00 
 
 IS) 
 
 2.CK) 
 
 IS) 
 
 2.00 
 
 
 2.00 
 
 
 1. 00 
 
 
 I. 00 
 
 
 I. 00 
 
 
 0.75 
 
 
 1.50 
 
 
 I.CX) 
 
 
 2.00 
 
 
 7.00 
 
 
 6.00 
 
 
 42. Knitttd quilt 16.00 
 
 Made by Mdk J. R. Chagnon, City. 
 
 43. Unen quilt, red and white design 5.00 
 MadebyMDR Barnab^ Chevrirr, Vaudreuil 
 
 44. Centre piece ) 
 45- Twelve doylies J 
 
 Made by Miss Van Fbi^EN, Quebec. 
 
 45. Lace front 
 
 47. Lace scarf 
 
 48. Centre piece 
 
 Mrs. Bell. 
 
 49. Handkerchief, drawn work 
 
 50. Centre piece, drawn work 
 
 Mde. a. Desnoyers, Belneil. 
 
 51. Battenberg centre piece 
 
 J. W. EsTKY, St. John, N.B. 
 
 52. Linen tablecloth, drawn work and needle 
 
 work 
 53- Embroidered pincushion 
 
 54. Handkerchief, point lace 
 
 55. Cream satin cushion 
 
 56. Fancy handkerchief 
 
 Emma Beausoi,eii,. 
 
 57. Silk lace collar and cuffs 
 
 58. Twelve white silk d'oyleys, embroidered 
 
 ^ with butterfly, each, 
 
 59. Two squares, drawn work on grass linen, 
 
 each 
 
 60. Scarf, same work 
 6i. Neckbands and cuffs, gold embroideries on 
 
 white cloth 
 
 62. Shawl embroidered on white crepe 
 
 Chine, long knotted fringe 
 
 Blanche Poulette. 
 
 63. Sofa cushion in Turkish embroidery 
 
 64. Sofa cushion in Turkish embroidery 
 
 Sistero of St. Margaret. 
 
 65. Two pieces for front of dress 
 
 66. Handkerchief 
 
 67. Collar for jacket 
 
 68. Handkerchief border, unfinished. 
 
 Psyche Grant, Toronto. 
 
 69. Homespun portiere 
 
 70. Homespun portiere 
 
 71. Quilt (wool) 
 
 72. Quilt (wool) 
 
 73. Six yards catalogue portiere 
 
 74. Quilt (cotton) 
 
 Made by Native Women of Parish of 
 Tadousac, P.Q. 
 
 75. Tea cosey 
 
 76. Handkerchief case 
 
 77. Lace 
 
 Sisters of the Church, Ottawa. 
 
 78. Cushion cover, green satin 
 
 79. Cushion cover, Mexican design 
 
 Mrs. M. R. Bradley. 
 
 80. Two point lace d'oyleys, each 
 
 81. Crcwn for hat 
 
 82. Large lace butterfly, tipped with gold 
 
 83. Small lace butterfly, tipped with gold i.oo 
 
 50.00 
 
 10.00 
 30.00 
 20.00 
 
 3.00 
 
 1500 
 
 325.00 
 
 6.00 
 
 7.00 
 
 1500 
 
 4.00 
 
 10.00 
 •50 
 
 7.00 
 00 
 
 -.50 
 5500 
 
 20.00 
 20.00 
 
 3.00 & 4.00 
 
 25.00 
 
 5.00 
 
 3'Oo 
 4.00 
 3.00 
 4.00 
 2.00 
 3-00 
 
 de 
 
 6.50 
 50 
 50 
 
 00 
 00 
 
 25 
 25 
 00 
 
 fi.i.' M 
 
85 
 
 87. 
 
 2.00 
 1 .00 
 '•?5 
 
 150.00 
 
 89, 
 
 90. 
 
 91- 
 92. 
 
 93- 
 9-4. 
 95- 
 96. 
 
 97- 
 
 9«. 
 99. 
 100. 
 
 lOI. 
 
 102. 
 103. 
 104. 
 105. 
 
 106. 
 107. 
 108. 
 
 109. 
 no. 
 III. 
 112. 
 
 Tl4. 
 
 '15- 
 116. 
 117. 
 
 ri8. 
 
 Hat ornaments, each 
 Cream Fleur de li.s 
 
 Strip of tape trimmed with down, sewn on 
 so finely that the whole makes a pretty 
 fnr, w-h.ch might be called "artificial 
 tur. It may be washed like a piece of 
 cotton without being hurt 
 Made by Km I UK Morin, a girl of 14, Kor 
 price see Secretary. 
 88. Black net, embroidered in straw. Said to 
 have been made in the time of Queen 
 Mary of Scotland, as her maids of honor 
 rom Handers were known to be experts 
 in laceniaking. Owner knows it to have 
 been an heirloom in a Scottish family and 
 descended to her direct 
 
 Charlottk E. Sh.wv 
 
 Qu'lt'^^'"''' '"' ^^^"'^'•i-K A. Bannister. 
 
 Ear laps. ®^^ Secretary. 
 
 Two tidies. 
 
 Made by Mkllb. Biron, L'Assomption 
 
 Embroidered table centre 
 
 Embroidered d'oyleys. 
 
 Yoke and revers, Ba'ttenljerg lace'. 
 
 Lace, Battenberg, , y, yards. See Secretary. 
 
 Made by Muk. St. Jk.\n. 
 Hand-made bedspread, crocheted 
 
 Made by Ml.ss A. E. Gr.^nt. 
 Point lace handkerchief 
 Point lace handkerchief, 30 years ol<l 
 Point lace collar, 30 years old 
 iJanish antique drawnwork 
 
 Society of Dkcorativk Art. 
 Three pair pillow slips, each 
 One pair pillow slips 
 Four embroidered .squares, each 
 Two embroidered squares, each 
 
 DorKHOBOR lNDl'.ST.VI.\I, COMMITTlJK. 
 
 r,„ ■ •,, P""" particulars, see Secretary 
 
 One pair pillow cases, drawn work 
 lea cloth, drawn work 
 Tr.^y cloth, drawn work 
 
 Made by Mr,,.;. Mai.hoit, l.ongueuil 
 Centre piece with roses 
 
 |I2.0() 
 
 lo.oo 
 8.00 
 
 10.00 
 5-0O 
 
 10.00 
 
 10.30 
 
 2.50 
 
 2.25 
 
 12.00 
 6.00 
 2.00 
 
 
 Baby's cloak 
 Pincushion 
 Sofa cushion 
 Picture frame. 
 
 Made by Mde. E. A. Barsalo. 
 Lace handkerchief 
 
 Sample >^ yard Honiton lace, per yard 
 D'oyley, Honiton, per sei ""■>'" 
 
 From Women's IN.STITUTE, England 
 Lace sideboard scarf. ^"t,iana. 
 
 Mary Rkgan, London, Ont. 
 
 14.00 
 S-oo 
 
 13.00 
 3-00 
 
 8.00 
 
 12.50 
 
 5.00 
 
 m 
 
2.CX) 
 I .CX) 
 1-75 
 
 I'or 
 
 150.00 
 
 I12.00 
 
 10. CK) 
 8.00 
 
 10.00 
 5.00 
 
 10.00 
 
 10.30 
 
 2.50 
 
 2.25 
 
 12.00 
 6.00 
 2.CX} 
 
 15-00 
 10.00 
 14-00 
 
 5-00 
 
 13.00 
 3.00 
 
 8.00 
 12.50 
 500 
 
 
 Section A. — Lace, Needle- 
 work, Weaving, Etc. 
 
 Eoan €xAibit(. 
 
 1. Table centre and two d'oyley.s, niediffival pillow, 
 
 etc., Irish. 
 
 2. Wedding veil, Limerick, 100 years old. 
 
 3. One small piece of fine old Ivnglish point. 
 
 4. One Ro.se point handkerchief. 
 
 5. Piece of Indian beetlewing and gold embroidery. 
 
 Mrs. H. Allan. 
 
 6. One Spanish lace scarf, black silk. 
 
 Miss Elsik Scott. 
 
 7. Good example of Venetian lace. 
 
 Mrs. Thomas Tait. 
 
 8. Swedish sampler. 
 
 9. Nor\vegian needlework. 
 
 Mrs. F. D. Adams. 
 
 10. Large baptismal veil in old drochel Brussels. A 
 
 lost art. 
 
 1 1 . Brussels lace in process of making. Le r^seau of 
 
 the drochel and flowers in fine applique. 
 
 12. Large scarf of very fine Brussels application lace. 
 
 13. Brussels, very fine application (dotted .style). 
 
 14. Brussels lace, needlepoint, one handkerchief, one 
 
 collar, two cuffs. 
 
 15. Duchesse (Bruges), two small collars, one hand- 
 
 kerchief, (Bruges boucld). 
 
 16. Malines lace (Flemish), or Mechlin. I. and II. 
 
 modern. III. old (.single heavy thread, outlining 
 pattern). 
 
 17. Valenciennes christening bonnet. 
 
 18. Valenciennes, one handkerchief, square mesh. 
 
 19. Valenciennes, a very old piece from a vestment 
 
 belonging to the d'Oudouinent Chapel. 
 
 20. D'Alenjon jabot and sleeve rufBes belonging to 
 
 General Rostolan, Governor of Martinique 
 under Napoleon I. 
 
 21. Point de Plume. The work of the Baroness du 
 
 Bois d= Ferriere. 1700. 
 
 22. Blonde (Spanish lace) favorite of Marie Antoinette 
 
 Queen of France. 
 
 23. Chantilly lace pointed shawl in fine Llama wool, 
 
 black. 
 
 24. Guipure, pillow lace capuchon in white Llama. 
 
 25. Crepe de Chine shawl, heavily embroidered. 
 
 26. India mull child's robe, embroidered by the Baroness 
 
 du Bois de Ferriere. 
 
 27. F'our Cashmere shawls. 
 
 a. Ventura, a lost art, very old and of great 
 
 value. 
 
 b. Indian, black background, modern. 
 
 c. Persian, blue background, modern. 
 
 d. French, red backg[round, i8oo. 
 
 i lis 
 
29- Greek lace for top of sheet. 
 
 30. Oreek lace, one small pillow 
 
 31. Japanese embroidery 
 
 32. Morris embroidery, modern Enelish 
 
 33. Chinese cut velvet, square ^"^"- 
 
 Mrs. Gho. CAVERHir.r, 
 36. i;ea cloth I.a France roses, 
 ^s' i?,;'"/!^'''''^'^'^^. K"Klish point l,.ce 
 38. Turkish apron, dyed and woven on hind 
 women of Central Turkey ""' 
 
 D oy eys of needlework, Snivrna 
 Greek p,ll„w lace, Smvrna ' 
 
 ^ltSl?r' ''''''■ «"1- taken. 
 Miss M. E. Bayi,is. 
 
 39- 
 40. 
 
 41. 
 
 42- 
 
 loom bv 
 
 43- 
 
 Mr. D. a. p. Watt 
 
 after an old English tapestry "'""'""'^"'''°"'" 
 The Sisters ok St. Maroaret (Anglican, 
 
 ''■ '^K'.^i^r^a^i^'S, '^---^-t.grandmother 
 |;ScStC^-^^-'i-"epeHod. 
 
 51. P.e«s Of patchwork not niUS 
 
 Mrs. Napier. 
 Piece Hollie lace. 
 Limerick lace, very old. 
 
 Mrs. Girdwood. 
 Piece of needlework worked r,„ ., ^• 
 
 with 35 shades o silk boU? tl!^",^^ P^P^"" 
 needle holes are all nlrfl. ^ I '^^^ ^''^e, the 
 A perfect miracle o'^^^ art ' ^'^°V' ^.?°/^«" old. 
 1851 and ,862 ; Pari.s ,878: ^'''"'^'ted London 
 Mr. Henry Tammadge 
 Example of bead work. 
 
 Miss Fourdrinier. 
 „-. Mexican drawn work 
 
 57. Mexican drawn work 
 
 58. Mexican drawn work. 
 
 .0 <;iii, ^^^: ^- ^- ^°°™' P°rt Hope. 
 
 59. Silk embroidered centre piece 
 
 60. Point lace table and she/cov^r 
 
 61. Point lace handkerchief 
 
 62. Point lace cravat ends. ' 
 
 Mrs. D. Crawford. 
 
 52. 
 53. 
 
 54- 
 
 55- 
 56 
 
 8a. 
 
the work of 
 umont n^e de 
 
 lONT. 
 
 fame silk, 
 ■n work edge, 
 
 iiiid loom bv 
 
 en. 
 
 ed prey cot- 
 ted by Wm. 
 
 silk, 
 uiiciation," 
 
 :anj. 
 
 'andmother 
 
 iod. 
 
 799. 
 
 Jg the pro- 
 
 e of paper 
 alike, the 
 years old. 
 i London 
 
 
 63 
 64 
 65 
 
 66 
 
 67. 
 
 { 
 
 Porcupine quill embroidered table top, 
 
 Miss Johnstons, Lachine. 
 Knitted quilt. 
 
 Mrs. Olikrhead, Heart's Content, Nswfoim.llftittl 
 One lace lappet, very fine, over 150 yvm III uwiiers' 
 lamily. 
 
 The MissBS Dinning, 
 
 (a) Greek netted cap. 
 
 (b) Work bag embroidered at B^thltheiH of 
 Judea, endof last century. "»"ein 01 
 
 Modern French embroidery in ribbsnds siitl silk 
 for dress trimmings. 
 
 Miss E. J. Watt. 
 
 68. Piece of lace, old. 
 
 69. Cope, old. 
 
 70. Fragment of tapestry, old. 
 
 SisTBRS OF THB HoTBi, DiKu, Montrwl, (§et 
 
 Cope, i8th century. 
 
 Chasuble, 1838, worked by Sisters. 
 
 Altar cloth, worked by lady boarders, befurt lilt 
 
 Purse, 1730. '' 
 
 Frame in bead work, 1833. 
 
 Frame -mbroidered in silk. 
 
 Canadian carpet embroidered in homesptill weol. 
 
 Woollen blanket, woven in the convent. 
 
 Three samples of rag carpet. 
 
 Grbv Nuns, Montreal. 
 Embroidered waistcoat, belonged to OeHklHlteffv, 
 Mrs. C. MacDougai,!,. 
 
 Sample of Buckingham lace, now e»tlnet SSd vefv 
 valuable. ' 
 
 Mrs. C. Hatton. 
 Sample of all hand work, old and valHsbla 
 The same. ' 
 
 Lady Kingston. 
 Turkish bead sash or girdle, very old, 
 
 Mrs. Spraggb. 
 
 ^"•"^ii",!*^* ^. *" English soldier whil? a «ri»OB#l' 
 m Malta. There are 29,000 pieces of pjotfl, fettt-e 
 sentmg every regiment of the English Afiiiy, 
 It IS all hand sewn, and took over three vanf^ in 
 design and make. /cami" 
 
 Mrs. Charlbs H. Nbmon. 
 Initials in tambour work, and Renaissanee Stikh, 
 
 Artist— Madamb J. H. Lahivi^rh, 
 Screen, Begonias. 
 Panel, Daffodils. 
 Tablecloth, Begonias. 
 All original designs worked from growing flewefl, 
 
 Mrs. G. W. Simpson. 
 Louis XV. embroidery. Waistcoat (bftlf), sstlu 
 semde with rosebuds, scroll and floral l*§r»1er and 
 pocket. Paris, about 1740. (From pavishehuftih 
 near Quebec. ) 
 
 Mr. W. D. Lighthai<i<. 
 Pine old lace handkerchief. 
 
 Dr. R. Wimon. 
 
 83. 
 83. 
 
 84. 
 85. 
 
 86. 
 87. 
 
 88. 
 
 89. 
 90. 
 
 91. 
 
 92. 
 
 93. 
 
94 
 95 
 96 
 
 97 
 (>8 
 
 99 
 
 t(KI 
 Itll. 
 1(11, 
 
 loj. 
 
 10,4. 
 
 '",1 
 
 ll)f) 
 107, 
 
 ItiH, 
 1 1 19, 
 110, 
 lit, 
 til, 
 113. 
 114. 
 
 11,5. 
 
 116, 
 117. 
 
 US. 
 119. 
 
 lao, 
 lat. 
 
 Three atrips of embroidery and insertion. 
 One strip of embroidery, silver and red. 
 Two strips of embroidery, silver on white. 
 Two d'oyleys, silver and red, 
 Ten luce d'oyleys, drawn. 
 Two ."iqiiare d'oyleys, drawn. 
 One Hiiiiill tablecloth. 
 f )ne sideboard cloth. 
 I'lveiiairs lace towel ends. 
 One single end, lace. 
 
 ( )ne pocket, worked in Russia for Industrial Rooms, 
 Moscow. 
 
 The DonKHOBoR Industrial Com-mittrk, 
 under National Council of Women. 
 
 One costume, made and worn on vSundays by the 
 Ooukhobor women in our Nortli-West, composed 
 of uiiderKarment, stockings, shoes, skirt, woollen 
 apron, print jacket, velvet jacket, capand knitted 
 toque , 
 
 Two d'oyleys, made by Doukhobor women. 
 DOUKHOBOR iNDUSTRIAt, COMMITTKB. 
 
 '^)lie copper bowl. 
 
 One belt. 
 
 Two wooden spoons. 
 
 Two pairs woollen gloves. 
 
 Oirl's apron with shoulder straps. 
 
 llftlidkerchief worked with M. 
 
 White apron, with lace drawn work. 
 
 Towel with lace ends. 
 
 Work of DofKHOBORTSI. 
 
 3 Strips of embroidery and insertion. 
 
 1 Strip silvpr on red. 
 a Strips silver on white. 
 
 2 D'oyleys, drawn. 
 10 I^ace d'oyleys, drawn. 
 2 Squares. 
 
 {t. I Sinall tablecloth. 
 J. I Sideboard cloth. 
 1. 5 Pairs lace towel ends. 
 
 ti Single roll. 
 . 1 Pocket, worked in Russia for Industrial Rooms, 
 Moscow. 
 One costume, Doukhobor woman. 
 
 Doukhobor Industrial Committrr. 
 
 a. Copper bowl. 
 
 b. Belt. 
 
 c. 2 Wooden spoons. 
 
 d. 2 Pairs gloves, wool. 
 
 e. Girl's apron with straps. 
 
 f. Handkerchief. 
 
 fr. White apron, drawn work. 
 I. Towel lace ends. Made by Doukhobors in 
 North-West. 
 
 Mrs. Fitzgibbon, Toronto. 
 One piece English darned lace. 
 Miss MacKrand. 
 Portiere of silk catalogue. Made by Grey Nuns. 
 
 Mrs, C. Spraggr. 
 Satin Quilt, pale blue, embroidered. 
 
 Mmb. J. R. Chagnon. 
 Tablecloth, Oriental embroidery done by an En- 
 glish lady 76 years of age. 
 
 a, 
 b. 
 c. 
 d. 
 e. 
 f, 
 
irtlon. 
 
 red. 
 
 white. 
 
 lustrial Rooms, 
 
 IMITTRK, 
 
 II. 
 
 iiiulays by the 
 .Vest, composed 
 , skirt, woollen 
 c.'ip and knitted 
 
 women. 
 
 TTKR. 
 
 
 ustrial Rooms, 
 
 TTHR. 
 
 oukhobors in 
 
 Grey Nuns. 
 
 le by an En- 
 
 Small panel of embroidery of fish scales and silk. 
 
 Mr.s. G. B. Burland. 
 Navajo blanket. 
 Navajo .saddle blanket, 
 Navnjo blanket. 
 
 Mrs. W. Markland Moi^on. 
 Pair of court lappets of Bru.s.sels lace and one strip 
 
 of Brussels lace, believed to be 200 years old. 
 6 pieces of Mexican work, made in a convent in 
 Mexico. 
 
 Mrs. C. F. Deacon. 
 
 One lace (Malines) weddinR dress, over 150 years 
 
 old. 
 One wedding veil, over 150 years old. 
 One gold embroidered scarf. 
 
 Mrs. Bklasco. 
 Two tapestries, representing birds and flowers. 
 Screen forms, mounted on tripod, about 100 years 
 old. 
 
 Mi,i,E. M. Larocque. 
 One pink gown, all hand made. 
 One brocade gown, all hand made. 
 One hand embroidered petticoat. 
 Three fichus, hand embroidered. 
 One blonde scarf. 
 
 One hand embroidered baby's dress. 
 One lumd ettibroidercd baby's waist. 
 One hand embroidered bag. 
 
 One yellow crape Chinese shawl, reversible em- 
 broidery. 
 All over 75 years old. Garments worn 
 Catherine Torrance in early part of century. 
 Mrs. N. \V. Trenholme. 
 Strip of Swedish needlepoint, very old. 
 Bureau cover, white drawn linen with Dresden 
 China floral design, specially noteworthy for the 
 harmony of color. 
 .Swedish tapestry strips. See note. 
 Mrs, John McDougall. 
 Brussels lace handkerchief needle point, made 
 specially for the Queen of Belgium. 
 Mrs. Thomas Drummond. 
 Piece of lace veil hand work, 1842. 
 Lace handkerchief. 
 Worked handkerchief. 
 Handkerchief border of hairpin work. 
 
 Mrs. E. p. Hannaford. 
 Skirt, veil and scarf, hand embroidery. Worn as a 
 
 wedding dress in 1812. 
 Black Maltese lace shawl. 
 Tatting. Made by Irish peasant. 
 Wire thread black Valenciennes lace. 
 Old lace. 
 
 Mrs. C. MacDougall. 
 
 154. Screen, tapestry work, representing Don Quixote, 
 
 1820. 
 
 Mde. J. O. Gravel. 
 
 155. Collarette, fine muslin, 100 years old. 
 
 156. Collarette, embroidery, hand worked on tulle, 100 
 
 years old. 
 
 133 
 
 "3 
 124 
 
 "5 
 126 
 137. 
 
 128. 
 
 129. 
 130. 
 
 I3'. 
 
 >32. 
 133- 
 134. 
 135. 
 136. 
 137. 
 13«- 
 139. 
 140. 
 
 141. 
 142, 
 
 143. 
 144. 
 
 145. 
 146. 
 
 147. 
 148. 
 
 149. 
 
 150. 
 151- 
 152. 
 153- 
 
 by 
 
 I II 
 
157. Collars, hand embroidered, loo yeari old, 
 
 MUB A. Larocqub, Chambly. 
 
 158. Russian embroidery. 
 
 Mrs. Lambert. 
 159- Set in Valenciennes. 
 
 160. Piece Malines lace. 
 
 161. D'Aubusson tapestry 
 i6a. Two Ceintures Flichies. 
 
 Mmk a. Boykr. 
 Parasol cover, Brussels application. 
 
 Mmk Amos. 
 Torchon lace (on loom). 
 
 Mmk F. X. Choqubt. 
 Lace collar. 
 
 Mmk E. Ostigny, St. Hyacinthe. 
 Silk banner, Hebrew letters, 300 years old, Jerusa- 
 Ancient cotton print. 
 
 Mr, D. a. ANSEtL. 
 Embroidered shawl from Delhi, India. 
 
 Mrs. MacVicar. 
 Embroidery in outline, wools on twilled grey cot- 
 ton sheetxng, designed and executed by Wm 
 Morns & Co., Ltd., London, Eng., 6 feet by 5! 
 Mr. D. a. p. Watt. 
 
 Modern Venetian point lace handkerchief in silk 
 
 valued at $1^.00. 
 Representation of the Annunciation in silk and 
 
 gold, on white satin ; copy of an old English 
 
 tapestry, valued at (50.00. 
 
 Sisters of St. Margaret, 
 
 Lady's dress of the i8th century, black network 
 with chenille. ' 
 
 Gentleman's white silk embroidered waistcoat of 
 the 1 8th century. 
 
 Hon. Mrs. Wadd. 
 Knitted quilt. 
 
 MiNA Ollerhkad, Newfoundland. 
 Greek netted '::ap. 
 
 Work ba^, embroidered at Bethlehem of Judea 
 beginning of century. 
 
 Mrs. w. a. Phillips. 
 Porcupine quill embroidery table top. 
 
 Miss E. G. Johnstone. 
 PoJnt lace lappet. 
 
 The Misses Dinning. 
 Embroidery by the Countess de Villeroy, 1815. 
 
 Mde. Roder Roy. 
 Old needlework. 
 
 Mrs. F. Rolland. 
 Six d'oyleys. 
 One cushion top. 
 Two pincushion tops. 
 Two dish collars. 
 Bath mit. 
 One bag. 
 
 163. 
 164. 
 165. 
 
 166. 
 167. 
 168. 
 169. 
 
 170. 
 171. 
 
 17a. 
 173- 
 
 174. 
 
 175 
 176, 
 
 177. 
 178. 
 
 179- 
 
 180. 
 
 181. 
 182, 
 183. 
 184. 
 185. 
 186. 
 
 187 
 188 
 1 89 
 190 
 191 
 193, 
 
 «93 
 194 
 
 '95. 
 
 196. 
 I97. 
 
 198, 
 199. 
 200. 
 
 201. 
 202. 
 203. 
 204. 
 
 205. 
 
 206. 
 207. 
 208. 
 209. 
 210. 
 211, 
 
 212. 
 
 214. 
 SIS- 
 
 216. 
 
 217. 
 
 218. 
 219. 
 
 220, 
 
 221. 
 222. 
 
 223- 
 224. 
 225. 
 226. 
 
 
I old. 
 
 he. 
 
 irs old, Jcrusa- 
 
 lled grey cot- 
 uted by Win. 
 ., 6 feet by 5. 
 
 rchief in silk, 
 
 I in silk and 
 1 old English 
 
 ick net work, 
 1 waistcoat of 
 
 Bd. 
 
 5m of Judea, 
 
 oy, 1815. 
 
 187 
 188 
 189. 
 190, 
 191. 
 193. 
 
 '93 
 194. 
 
 195. 
 
 196. 
 197- 
 
 198, 
 
 199 
 200, 
 
 201 
 
 203. 
 203 
 304. 
 
 205. 
 
 206. 
 207. 
 208. 
 209. 
 210. 
 211. 
 
 212. 
 
 213- 
 214. 
 
 215- 
 
 216. 
 
 217. 
 
 218. 
 219. 
 
 220. 
 
 221. 
 222. 
 
 323. 
 334. 
 325. 
 226. 
 
 Large d'oyley. 
 . One collar. 
 Wide edging, 4 yards. 
 Medium eilging, 3 yards. 
 Medium ed^jing, 2 yard.'*. 
 Narrow edging, i^ yards, all knitted lace. 
 
 Mrs. Jambs Barry 
 Old embroidery from Rhodes. 
 Drawn work over 300 years old, Sicilian. 
 
 Mr.s. Hugh McLk.nnan. 
 Embroidered tablecloth. 
 
 Mrs. Rkdpath. 
 Shoes, embroidered porcupine quills. 
 Rug, hand-made, by Acadian women of Cape 
 Breton. 
 
 Mnn. liKLI.KMARK. 
 
 Ceinture fldchde and the method of the ceinture 
 
 fldchde stitch. 
 Two pairs of chamois shoes embroidered by the 
 
 North West Indians. 
 Jacket, black lace, embroidered in black silk 
 
 (Houiton luce), worked bv Mde. Rottot 36 years 
 
 ago. 
 Sleeve ruffles ( Honiton ) . 
 Handkerchief, drawn work. 
 Old fichu, Chantilly lace. 
 Old canvas, embroidered by the mother of Dr 
 
 Rottot. 
 
 Mdk. Rottot. 
 Table cover, Honiton lace. 
 
 Mdk. Raymond. 
 Cape. 
 
 Pair stockings. 
 Petticoat. 
 
 Baby's shoes, .stockings and jacket. 
 Bead basket. 
 Tea-service, beadwork. 
 Dress made and cut out bv the Blind. 
 Made by The Bmnd of Nazareth Asylum. 
 Piece of East-Indian work. 
 Mouchoir case. 
 Handbag, green silk and Berlin wool. 
 
 David McCord. 
 Yellow China crape shawl, with fringe and violet 
 
 and rose flowers and leaves, 175 years old. 
 Small beaded bag representing harv-esting, 150 
 
 years old. 
 White lace, point d'Ksprit. 
 Small Chantilly lace jacket (black). 
 Mklle. Marie Charlebois. 
 Patch work quilt 60 years old. 
 Miss Baird. 
 
 Child's cap, knitted by an ancestress of the 
 
 Papineaii family. 
 Quilt, hand-made by Madame Trudeau in 1825. 
 
 Mde. Joseph Beaudry, 
 Loom for working guipure lace. 
 Two pairs of stockings . 
 Pair of shoes. 
 Albstockings in lace (priests' wear) 
 
 m 
 
 mai 
 
of spinning with 
 
 aa7. Embroidered cope 
 aad. Samples of colored lace. 
 
 Rkvkrknd S.sturs oi' thk Good Shrphkri,. 
 "9. Samples of emljroidery for initials, ...onoKn.ms etc 
 
 Made by Mhi,i,k Orandidkr. 
 230- Ouipurc Ince curtain 
 
 231. Guipure lace. 
 
 232. Lnce curtain. 
 233- Surplice. 
 
 234. I'airofembroiilcred scanularn 
 
 235. Small hammock. 
 
 236. Pair woollen stockinirs 
 
 237. Pair cotton stocking ' 
 
 238. Necktie, black wool " 
 
 239. Suiall work box 
 
 240. Woven silk ciuilt. 
 
 241. Circular towel, flax linen 
 
 242. Napkin.s, flax linen 
 
 244: CoKteT"' ""^""' *^^^"" """^ •■'''^''' 
 
 245. Quilt. 
 
 246. Soap. 
 
 247. Pair leather .shoes. 
 24H. Cap, embroidered black silk 
 249- Spinning: wheel and process 
 
 di.staff. ^ 
 
 250. Weaving loom. 
 
 251. Woven blanket. 
 Small mattress. « 
 
 SiSTKR.s of MkRCV. 
 
 Drawn table cover. 
 
 Miss G. Gkrin. 
 
 ., . Bmbroideries and laces 
 
 S.STRR.S OP THE CoNGRROATtON V,U.K MaR.«, 
 
 Monklands. ' 
 
 25.S. Embroideries, laces and drawn work. 
 
 Sisters Jk.su.s-Marie, Hochelaga. 
 
 256. One netted quilt. 
 
 Mrs. J. O. CUTHBKRT. 
 
 257. Hand embroidered vest about 150 years old. 
 
 Mrs. Bklasco. 
 
 258. Bolero, Renaissance lace. 
 
 Mei.lk. Remillard. 
 '^^' ^%"L°J^ ""broidery, lon^ point silk on a silk 
 
 Sv' Wnru'^/^;"'" ofVoman representing 
 cnarity. Worked about l8os bv Mde Willin ,, 
 Mason, nde Emilie Turgeon,'the^n ,5 vears'S 
 Mde. Provencher. 
 Work done by North-West Indians. 
 Mde. L. a. Boyer. 
 261. Silk dress, hand worked, over 100 years old 
 
 Miss U. O. Thompson.' 
 m W^"}"^' 'ace mantilla, bought in Spain in 17.0 
 
 263. Hand made embroidery. 1848 ^ "°- 
 
 264. Alphabet on canvas, embroidered in silk, 1840 
 
 Mrs. M. Davis. 
 
 252. 
 
 253. 
 
 2.S4- 
 
 260. 
 
fRrilRRI). 
 onoKrnins, etc. 
 
 [)iniiin>{ with 
 
 R Marib, 
 
 old. 
 
 : on a silk 
 
 epresenting 
 
 1e. William 
 
 yenrs old. 
 
 old. 
 
 n 1750. 
 , 1840. 
 
 »6.V 
 
 366. 
 267. 
 
 368. 
 
 369. 
 370. 
 
 371. 
 
 273. 
 
 Printed »atiu decorative piecet, painted in indelible 
 dyes, preservinK '>oth the transparency and 
 texture of the satin. Design not original. 
 Mrs, Pknnington. 
 
 Embroidery dont- \>y coolie woman, Island o 
 Jamaica. 
 
 Centre |)iece, lace work, with native ferns. 
 Mrs. W. H. Drit.mmond. 
 
 Old lace, 17.J.). " Valenciennes," " Point i\ Alcn- 
 V-on " and r)L'ntelle Ilourdalaise," of which 
 the .stitch ha.s Ix'eii I'.st for manv years. 
 
 ' t'nnst and 
 
 made in the 
 
 273. 
 374. 
 
 275. 
 376. 
 
 J77. 
 
 378. 
 379. 
 
 380. 
 
 381. 
 
 383. 
 283. 
 384. 
 ^85. 
 
 386. 
 
 387. 
 388. 
 
 Tanestry or picture in needlework 
 
 Marguerite," 
 Tapestry, " Tlie Kaster Morn." 
 
 Mmk I)K ». MAcnoNAi.n. 
 Embroidered and drawn bed linen 
 city. See secretary, 
 
 Mrs. Sh.u-ciinkssv. 
 
 Crocheted and cross-stitch afghan, made 30 vear" 
 ago in New York. 
 
 Mk.s. \V. Marki.and Moi,son. 
 Italian curtain. (See notes.) 
 Piece of Donegal rough embroidery. (See notes.) 
 
 Mr. d. a. p. WArr. 
 Piece of silk catalogue. ( See notes ■ 
 One Ru.ssian apron. 
 
 Mi.ss Skki,to\. 
 Embroidered pocket, 1800, showing where the idea 
 of our present embroideries on white linen came 
 from. 
 Needle work picture, "Fort of Chambly," by Mrs 
 
 John Hall, 1800. ' ^ 
 
 Map of England, by Mi.ss Gamble, lyHa, silks on 
 ^ white satin with wreath of natural emblems. 
 French waistcoat, green, spangled and embroidered 
 on silk and ribbon work, belonged to Sieur de 
 le Pailleur. 
 English waistcoat in white silk with colored em- 
 broider>-, belonged to Captain John Morrison. 
 Mrs. Lindsay, 
 Two pieces Bulgarian embroidery. 
 Mrs. H. MacCulloch. 
 Embroidered stole, worked by Mrs. D. A. Barrett. 
 
 Rev. Mr. Mackav, Ottawa. 
 Embroidered stole, worked by Mrs. D. A. Barrett. 
 
 MI.SS Code, Ottawa. 
 Purse or bag, belonged to the family of Margane 
 de la Valtrie, whose last descendant in 1773 
 married the Hon. Charles Gaspard Tarieu de 
 LanaudiSre. 
 Ceinture fldch^e, 1790. 
 
 Mr. Charles de Lanaudierk. 
 Linen tea cloth. 
 
 Mr. Arthur Pumsoli,. 
 Court Costume Louis XVI. (about 1780), belonged 
 to Michel-Eustache-Gaspard Chartier, Marquis 
 de LotbiniSre, seigneur of Vaudreuil (Beauce) 
 Hocquart, Alainville, etc., engineer of Fort 
 Carillon. 
 
 Mrs. Robert W. Harwood. 
 
»«9. It«lliti lace 
 a9i. 
 
 '9» 
 
 »94 
 
 J95 
 
 396. 
 
 ■197 ■ 
 
 399. 
 
 300. 
 
 301 
 
 302 
 .V->3 
 
 305. 
 3<j6. 
 
 307. 
 308. 
 
 309. 
 
 very r«re. 
 Miss Ch. Ui prk, 
 White Unen quilt, .Iruwn work au.l e.nbroiclery 
 
 Mrs. H. Harkowku. 
 Lace tx)l«M). 
 
 W1S8 llHADPIKM) 
 Bnby'ii dress. 
 Ruby's (lreM». 
 Hiibv's cap. 
 
 Th^se three show the nee.llework of e.Khty ye«r. 
 Miss S. A. Phillips 
 • ''^'7'"^*'" picture, •■ V■^^u\u^^^ „f M.me, " Of.r 
 
 Month KAi, Ladv. 
 Italian bed-snread earU- i«ti. 
 
 beautiful cJaiuple ' '*' '•""'"'>•■ " "«"" 
 
 Hon. Oeohck a. Okimmond. 
 Fine Irish lace. 
 
 MmkJ. R. Ti.inAii.KAr 
 
 period of taneilr 'weSir '^'^ " n"'" l"^''* 
 , I'riKhtness o^be- colors ^ '"" ""^ '''«"'■ 
 
 japa,,cj.^wall haiiKiu,, euibroidore.l. Karly ,9th 
 
 ^'"^Si;:" .^i!?;;''"*^^"-^'' ^»""- «^>«-ical subject. 
 • '"'Sr^lh ^K- ^"''i-t, clouds, leaves, etc. 
 ' h!V"T,M°^"-"' ■''"' embroidered. 
 
 ■ :"KSo^oS^£a4 - 
 
 peonietrTcal patteni hei vil 1 1 ^T^''\ ""'' " 
 
 I eisian block pnnte<] calico. 
 
 .S'R William Van HoRNK. 
 
 Mrs. C. MacDougall. 
 Cashmere shawl, green centre, oblong. 
 Miss Eglaitgh. 
 
cmbroiiiery. 
 
 of eiRhty yciirt 
 
 Mohe-i." Over 
 I'V Mrs. Mnry 
 '. lUriry Kirke 
 
 ntury, a iiioNt 
 
 "bjecl, Diana 
 Ic of tile best 
 ote the clear 
 
 Karly igtli 
 
 ssical subject. 
 
 is, leaves, etc. 
 
 :d. Note the 
 
 tlie Monks of 
 
 ingin>{. Pea- 
 
 ; cloth. Red 
 >rder and a 
 I and worked 
 
 Belonged to 
 ther of Col. 
 ay. 
 
 Section B.— Wood and Metal 
 Work. 
 
 Salt CxMDIti. 
 
 1. Queen Anne cruet stand, liefore sliver was 
 lettered 
 
 Mi.ss Okack Roukrtson. 
 J. Ancient I.oiiis XIV' iloi'k 
 .V Ancient Persian ewer, basin and tray 
 
 4. Kmpire'<")rniolu" clock 
 
 5. I'rn\i'h I'.cnais-iance gridiron 
 
 6 Ki'ipiie Citndl' ticks 
 
 7 Ancient Jewibh lamp, i6tU century 
 M. Ancient Spanish w(M)d carvinK, re'presentinx 
 
 St. foseph and the Child 
 9. Old Uuglish mahoxiiny clock 
 
 10. Lower part of Dutch bird cane I7lh ccnlurv 
 
 (hand repoussd) 
 
 I'At'I, IlKAl' & Co. 
 
 11. Mar(|ueterie tray 
 I a. Marqueterie tray 
 
 13- Oratidfather's clock case. 
 14. Hc-e clock case 
 I,"). Box for photos 
 
 16. I'l.iyin>{ card box 
 
 17. Playing card box for two sets of cards 
 
 18. Uox for stamps 
 
 19. Box for .stamps 
 
 20. Match rolder 
 
 ai. Pair of sides for blotter 
 If made up into blotter 
 aa. Carve' stool 
 33. Carved panel 
 
 E. M. Crawford. 
 a4. Moorish electrolier lantern 
 35. Moorish electrolier lantern 
 a6. Wrou>{ht iron lantern 
 ay. Wrought iron lantern 
 aS. Japanese lantern 
 
 Garth & Co. 
 ag. Chip carved card box in red cedar 
 
 30. Chip handkerchief box in red cedar 
 
 31. Relief carved pipe 
 
 E. Camkron Edwards. 
 3a. Picture frame 
 33. Picture frame 
 34- Box 
 
 MissE. M I'ishkr. 
 
 35. Child's head, pyrographv 
 
 36. HlM.l 
 
 37. Panel 
 
 38. Tray 
 
 E. A. D. Hbming. 
 
 39. Silver teapot. Time of George IV., i8ao 
 
 40. Bronir vase inlaid with gold 
 
 PRICS. 
 
 60.00 
 ao.oo 
 75.00 
 4.00 
 15.00 
 18.00 
 
 lo.uo 
 50.00 
 
 to.oo 
 
 S.oo 
 3.00 
 1.50 
 a. 00 
 
 5.00 
 1.50 
 a. 00 
 i.uo 
 1. 00 
 
 I.OO 
 
 a.oo 
 S.oo 
 to.oo 
 S.oo 
 
 44.00 
 37.^ 
 13.50 
 14.35 
 ao.oo 
 
 3.00 
 4.00 
 4.30 
 
 10.00 
 
 5.00 
 
 10.00 
 
 7.00 
 10. 00 
 10.00 
 3.50 
 
 90.00 
 35.00 
 
 II 
 
 
 
 ♦■1 
 
|I5. 
 
 41- Battersea eiiamei vase, old 
 
 Mrs. Char: hs H. Nhlson 
 42. Ktenr de lis i.airiphor wood chest 
 4^■ Wail box 
 
 Ki.izAnKTH Haskktt. 
 
 44- Chest (walnut) 
 
 45- Tabouret (oak) 
 
 46. Palm stand (butternut) 
 
 47. Large box foak) 
 
 48. Uirge box (butternut) 
 49- liox lehonized mahogany) 
 
 50. Photo Itracket (walnut) 
 
 51. Photo frame 
 
 52. Footstool (oak) 
 
 53. Teapot stand 
 
 54. Fish 
 
 JAMKS W. LaIDLAW. 
 55- Kellows carved by Miss Stevenson 
 50. I'ranie car\'ed by Miss Stevenson 
 Mrs. Hbnrv Fry. 
 57- Car\'ed hall chairs 
 58. Occasional table (carved) 
 59- 3'ox (poker work) 
 Artists, Fraui,kin Wettkri.and and Miss Tenner 
 
 00. Oil lamp 
 
 , „ , R- M. Hannaford. 
 
 01. Book-case 
 
 62. Table 
 
 63. Fern box 
 
 , „ ^ ^ ^ Helen Baker. 
 
 64. Hat stand 
 
 65. China cupboard 
 
 66. Writing desk 
 
 Mrs. Milks Williams. 
 
 67. Old Flemish repouss^ plaque 
 
 68. Very old mahogany octagonal Sheraton 
 
 wine cooler. Very rare 
 
 69. Antique dower chest. Tudor period. Very 
 nne and rare example 
 
 Antique Marie Antomette gilt chair A 
 
 museum piece 
 Genuine i6th century suit of chain and plate 
 
 armour. Damascened. With shield and 
 
 two-handed sword 
 Old Sheraton quarter circle corner stand in 
 
 mahogany 
 Fine old Sheraton dressing table. Exceed- 
 
 mgly rare and valuable piece 
 Antique Dutch marquetry inlaid side chair 
 
 with ormolu moulding ' 
 
 Leather screen. Reproduction of old paint- 
 ed leather '^ 
 
 76. Enamelled Turkish tray on brass 
 
 77. Reproduction of antique arm chair 
 
 Original in the Nuremberg Museum 
 70. Engraved dish 
 
 79. Enamelled flower vases each 
 
 80. Old Clementi pianoforte, made in the be- 
 
 ginning of the 19th century. Clementi 
 an Italian musician of the i8th century' 
 resided in London, Eng. , and formed a 
 partnership with an English gentleman 
 named Goddard. 
 
 Castlk & Son. 
 
 .00 
 .00 
 
 ,00 
 ,00 
 ,00 
 00 
 00 
 00 
 00 
 
 ,OQ 
 00 
 00 
 00 
 
 •50 
 
 ■SO 
 
 00 
 00 
 75 
 
 10.00 
 
 70. 
 71. 
 
 72. 
 73. 
 74. 
 75- 
 
 13 
 
 9 
 
 5 
 
 150. 
 250. 
 250. 
 
 25 
 
 85. 
 
 80 
 
 45 
 
 00 
 .00 
 .00 
 
 .00 
 .00 
 ,00 
 
 00 
 00 
 00 
 00 
 
 225 
 
 35 
 70 
 
 25 
 
 180 
 10. 
 
 75- 
 
 15- 
 
 7. 
 
 .00 
 
 .00 
 
 .00 
 
 00 
 
 00 
 00 
 
 00 
 00 
 25 
 
 81. 
 
 82. 
 
 83. 
 84. 
 
 85. 
 
 86. 
 
 87. 
 88. 
 89. 
 90. 
 9i- 
 92. 
 
 93- 
 94- 
 
 95. 
 
Irsoo 
 
 10,00 
 
 3.00 
 
 17.00 
 15.00 
 12.00 
 7.00 
 5.00 
 4.00 
 4.00 
 
 a.oa 
 5.00 
 3,00 
 3.00 
 
 3.50 
 1.50 
 
 4.00 
 8.00 
 
 2-75 
 ss Jenner. 
 
 10.00 
 
 12.00 
 9.00 
 5.00 
 
 150.00 
 250.00 
 250.00 
 
 81. Picture frame in Italian Renaissance (two 
 
 portraits ) 
 
 82. Picture frame, designed and executed (with- 
 
 out centrepiece ) by Ph. Proulx 
 
 Artist, Phit.ippb Proui,x. 
 Pokerwork taboret 
 Pokerwork fancy shelves 
 
 Mrs. W. J. Draynbr. 
 Renaissance paper rack 
 
 Pktkr Morin. 
 Piano bench 
 Corner bracket 
 Bowl 
 Bowl 
 Frame 
 
 91. Frame 
 
 92. Frame 
 Frame 
 Card basket 
 
 Artist, Mrs. Murray. 
 Wardrobe copied from antique. 
 Cbrini 
 
 83. 
 84. 
 
 85. 
 
 86. 
 
 87. 
 88. 
 89. 
 90 
 
 93 
 94- 
 
 95. 
 
 I50.00 
 30.00 
 
 8.00 
 5.00 
 
 15.00 
 
 12.00 
 7.00 
 
 25 
 25 
 25 
 25 
 25 
 25 
 50 
 
 iraton 
 Very 
 
 plate 
 1 and 
 
 id in 
 
 :eed- 
 
 hair, 
 
 aint- 
 
 25.00 
 85.00 
 80. ou 
 
 45 -oo 
 
 lair. 
 
 ach, 
 be- 
 :nti, 
 iiry, 
 d a 
 nan 
 
 225.00 
 
 3S-00 
 
 70.00 
 
 25.00 
 
 180.00 
 10.00 
 
 75.00 
 
 15.00 
 
 7.25 
 
II 
 
 12 
 
 J3 
 IS. 
 i6. 
 17- 
 
 18 
 19 
 
 21 
 
 32. 
 
 24- 
 25- 
 
 26. 
 27. 
 28. 
 
 •Section B. Wood and 
 Metal Work, 
 
 Coan exhibit. 
 
 . Gold-headed cane. 
 
 , Indian silver pot or jardiniere. 
 
 Miss Grack M. Robe:rtson. 
 Silver bracelet made by Haidah Indians, B.C. 
 from trade dollars; pattern, conventional Beaver. 
 Candlestick, used by Champlain. 
 
 Mrs. Harrington. 
 
 ^^dlk paUernf "^ """ '''"''' °^^ ^"S""'' ^^^'PP^"- 
 R. Tait McKenzie, M.D. 
 . Mosque lanip, brass, pierced and engraved with 
 inscription, partially damascened with silver 
 Old Persian. A good example. 
 Mr. D. a. p. Watt. 
 Old mahogany tea caddy. (See notes.) 
 
 Mrs. Kerry. 
 Canadian chair, about 150 years old. 
 
 Montreal Lady. 
 Wood carved panel. 
 
 KcENiG, Boston. 
 Pewter porringer. 
 
 Miss M. J. Sanborn. 
 Old silver sugar bowl. 
 Six Apostle spoons. 
 Silver salver. 
 Japanese mirror. 
 . Cloisonne vase. 
 
 Mr. Henry Tiffin. 
 
 . Carved panel. Designed and carved by Mr. Kurrle 
 of Montreal. 
 Bracket lantern. Designed by Mr. Kurrle, and 
 chased by Alex. Bruce, of Montreal, 
 The Robt. Mitchell Co., Ltd. 
 Study of a chestnut leaf. 
 Butternut panel. 
 
 E. Cameron Edwards. 
 
 Carved horn bowl from Queen Charlotte's Island 
 Forty years in present owner's possession 
 
 Very old carved horn bowl, made by Queen Char- 
 lotte Island Indians, for holding oil 
 
 Slave killer or fish killer, made by Alaskan Indians. 
 
 Horn spoon made from the wild goat's horn, Rockv 
 Mountains. 
 
 Poi bowl from Sandwich Islands. 
 
 Carved bucket made from a section of the red fir 
 tree, and used for holding dried fish. 
 
 Russian samovar, including tray, bowl and chimney 
 
 Brass hot water pot, Russian work. 
 
 Copper bowl, Russian work. 
 
1 and 
 
 ).v. 
 
 Indians, B.C.i 
 entional Beaver- 
 
 nglish Chippen- 
 
 engraved, with 
 d with silver. 
 
 tes.) 
 
 by Mr. Kurrle, 
 
 r. Kurrle, and 
 •1, 
 
 PD. 
 
 lotte's Island. 
 
 session. 
 
 f Queen Char- 
 
 1. 
 
 iskan Indians. 
 
 s horn. Rocky 
 
 )f the red fir 
 
 1. 
 
 and chimney. 
 
 29. Russian cup, copper. 
 
 30. Alaskan bowl of red fir, for fish, etc. 
 
 31. Spoon, Mexican silver, filigree work. 
 
 Mrs. W. Marki.and Mouon. 
 
 32. Rosewood chair. 
 
 33. Spanish walnut chair. 
 
 34. Silver urn. 
 
 Mrs. C. EC. Spr.\ggk. 
 
 35. Camphor wood chest. 
 •36. Wall box. 
 
 Mi.s.s HA.sKKrr. 
 
 37. Silver tea pot, Georgian, 1792. 
 
 38. Punch ladle, Georgian, made from half crown 
 
 piece of 28th year of Charles 11. 
 
 39. First Empire chair, Rosewood, inlaid with bras.s. 
 
 Mr. Wothkrspoon. 
 
 40. Mahogany washstand. 
 
 41. Mahogany cradle. 
 
 42. Inlaid frame, modern Tunbridge Wells ware. 
 
 43. Copper candlestick. 
 
 44. Copper snuffers. 
 
 45. Copper urn. 
 
 46. Spanish knife, bone, inlaid with brass. 
 
 47. Carved bog oak cross. Irish. 
 
 48. Carved Chinese box containing eight discs mother 
 
 of pearl, also carved. 
 
 49. Copper Japanese plaque with gold relief pattern. 
 
 Mrs. Jam7:s H. Pkck. 
 
 50. One frame, Murhayrabich. 
 
 51. Hammered iron frame, Sicilian work, 17th century. 
 
 52. In above frame, heavy bronze casting. Madonna 
 
 and child, Italian, 17th century. 
 
 53. Brass casting for ornamenting a" casket, early 17th 
 
 century. 
 
 54. Piece of carved wood from high altar of old parish 
 
 church. Not later than beginning of century. 
 
 55. Old Canadian lamp. 
 
 Mr. William McLennan. 
 
 56. Filigree spoon from Bethlehem of Judea. 
 
 57. Silver spoon from Jerusalem. 
 
 58. Silver spoon from Tientsin, North China. 
 
 Miss MacVicar. 
 
 59. Silver brooch made of Chinese finger shield. 
 
 Miss J. G. MacVicar. 
 
 60. Silver cup and saucer made of Mexican dollars. 
 
 Mr. D. a. Ansell. 
 
 61. Swiss wood carving, a Birds; b Bear. 
 
 Mrs. R. C. Smith. 
 
 62. Welsh chest, more than .150 j-ears old. 
 
 63. Welsh chair, age not known, 
 
 64. Carved oak settle. 
 
 65. Early English chair, mahogany inlaid with brass. 
 
 66. Early Venetian chair, rosewood inlaid with brass. 
 
 67. Old Sheffield candlesticks (Queen Anne). 
 
 68. Dutch candlesticks. 
 
 69. Antique copper urn from Wales. 
 
 70. Antique copper urn from Sheffield. 
 
 71. Antique brass incense burner from old altar in Paris 
 
 72. Siamese silver beetle box. 
 
 73. Bhuddist idol from Siam. 
 
 Mrs. T. S. McWhuams. 
 
75. 
 76. 
 77. 
 
 78. 
 
 79. 
 8o. 
 8i. 
 8a. 
 
 83. 
 84. 
 
 85 
 86, 
 
 87. 
 88. 
 
 Italian, 15th century, from 
 
 90. 
 
 91. 
 92. 
 93- 
 94- 
 
 95 
 96 
 
 97. 
 
 98. 
 99. 
 
 100. 
 loi. 
 
 102, 
 
 I03. 
 104. 
 
 105. 
 106. 
 107. 
 
 74- Carved oak chair, 
 Florence, Italy. ' 
 Bronze incense burner. Chinese 
 
 Woodef,i!fi'l'?"'^''i''^^' from North Wales 
 Wooden sandal, from Syria, as worn by won'en of 
 
 Mrs. E. K. Grehnk, 
 I<ire bench. 
 Tray. 
 Cricket. 
 Card tray. 
 Portrait, (Oliver Cromwell. ) 
 
 Hklen Isabkl Tilton 
 Samples of natural woods. 
 
 L. E. N. Pratte & Co 
 
 "slastian'^ak""-^^' '" Oberammergau by 
 
 iMrs. Jamks Hutchison. 
 Bowl, (owl's head handles). 
 Photo frame (cherry^ 
 AshYra "'''^^ an<l n.atch-holders. 
 
 Mr. Jamks W. Laidi,aw 
 One^ntal carved hlackwood chair, Bombay. (See 
 
 Mr. R. w. Ingijs. 
 Oriental carved table, from liombay. 
 
 Mr. Hugh Paton. 
 Poker work fancy table 
 feilver mounted cocoanut goblet 
 
 Mrs. William Robertson ' ' ' 
 
 bword belonging to de Salabeiry. 
 Mrs. C. MacDougall 
 Javanese dagger, „,ade l,y negroes i„ liatavia 
 
 Mrs. S. Taylor. 
 Solid brass candlestick used hv p;^r» t 
 
 missionary services. I5oyear?o!d ^'"'°" ^°' 
 Mrs. Cote. 
 
 3g^«-^-^--stateservice 
 %iul:^ ''"^'"^ '''°^Shi here under French 
 Dr. E. p. Lachapelle. 
 • Car^•ed wooden shoe, forming a writing case. 
 Mde Rottot 
 Portrait of Victor Hugo Hi.ri, ,„r t ■ 
 
 Repousse and cSed. ^y p ''tC ,■"'""'• 
 
 Pair Brittany sabots. 
 Renaissance picture frame 
 Carved chair of antique design. 
 
 Robert J. Wickknden. 
 
 
 108, 
 
 109. 
 
 no, 
 III. 
 
 IIS. 
 
 "3. 
 
 114. 
 
 115. 
 116. 
 
 117. 
 118. 
 119. 
 120. 
 
 121. 
 132. 
 
 123. 
 124. 
 125. 
 126. 
 127. 
 128. 
 129. 
 130. 
 131. 
 132. 
 
 133. 
 
 134. 
 135. 
 136. 
 
 137. 
 138. 
 
 139. 
 140. 
 
 141. 
 
 142. 
 143. 
 
 144. 
 
 145- 
 146. 
 
h century, from 
 
 North Wales. 
 3rii by women of 
 
 erammergau by 
 
 Bombay. (See 
 
 11 Victoria, B.C. 
 Vict( ., I?, c 
 
 1 liatavia. 
 
 !re Lauson for 
 
 le state service 
 anrler French 
 
 ig case. 
 
 Hef in steel. 
 Monchoiix. 
 lentior at the 
 ize," Paris. 
 
 is, with cast 
 
 IiilHid wood, 
 'flip Ust Sup. 
 
 io8. Old de Lotbini^re family silver. FOHf plee«». 1740. 
 
 Mrs. DE BBLLEFBUII,I,B MACBUiKAfcfJ, 
 
 109. Side dish (old silver). 
 
 Mrs. dk LoTDiNiiiim Habwuoo, 
 
 110. Marqueterie. " Spani-sh Dance." 
 
 Florentine. 
 
 111. Mother of Pearl. Hand carved. 
 
 per. ' ' 
 
 112. Animals, carved by Swiss chilclren- 
 
 Mrs. Arthur Muuhii.j,, 
 
 113. Candlesticks, in bronze, made for tile I'fi|l!!ll Himket 
 
 after the ladies sacrificed their imvplf as h war 
 fund. 
 
 Mrs. dk Bki.i.efkuii,i,k Macdonai.K, 
 
 114. Model of ship, carved from block of wofnl with a 
 
 penknife and chisel. 
 
 Mr. Harrv Prck. 
 
 115. Teak wood chair. 
 
 Mr. Vasev. 
 
 116. Old lacquer Japanese wine cup, 
 
 Mrs. W. Craig. 
 
 117. Carved oak table. 
 
 118. Cedar chess table (chip carving. ) 
 
 119. Walnut bellows, (old Italian design,) 
 
 120. Old silver " Paul Revere " iiorriiige)-, 
 
 121. Bas-relief (bronze) Barye. 
 
 122. Marqueterie smoker's cabinet. 
 
 Mrs. W. R. Mii<i,ijk. 
 
 123. Ancient Norwegian wedding rings, 
 
 124. Inlaid pipe. India. 
 
 I2,'5. Bowl, enamel on copper, from Cairo, 
 
 126. Plaque, enamel on copper, from Cairo, 
 
 127. Plaque, enamel on copper, from Perijift, 
 
 128. Tongs and two spoons, Russian enamel, 
 
 129. Spoon, German. 
 
 130. Spoon, Italian. 
 
 131. Spoon, Auvergne, France. 
 
 132. Small box, Norwegian, enamel. 
 
 Mrs. Frank D. Adamh, 
 
 133. Grille. 
 
 134. Door knocker. 
 
 135. Coat hook (wrought iron.) 
 
 136. Lock plate. 
 
 James Walker Hardwabb Co, 
 
 137. Hall gas lamp. 
 
 138. Bracket and hanging lamp. 
 
 Mr. R. M. Hannaforo, 
 
 139. Table. 
 
 140. Paper rack. 
 
 141. Panel. 
 
 Miss L. A. Girdwood. 
 
 142. Carved mahogany portfolio. 
 
 143. Carved chest, mahogany and canjpUaf woetl, With 
 
 copper trimmings. 
 
 144. Carved glove box. 
 
 145. Carved chest. 
 
 Mr. P. H. Gilbert, 
 
 146. Carved chair from Bombay. 
 
 Mrs, Fry. 
 
 ii i 
 
 I i i 
 
 m 
 
 ■''Pi 
 
 ,^i*i 
 
«47- 
 t4H. 
 
 M9. 
 
 l.V. 
 
 153. 
 I5(. 
 155. 
 
 157. 
 
 I6u. 
 I61. 
 
 162 
 
 Swiss carved wood salt stands. 
 
 Brass candlestick, made by little boy. 
 
 Mrs. Skhlton. 
 Cliair (Chippendale.) 
 Itas relief. Period Krnncis I 
 1 wo pieces Devonport china ' 
 1 wo pieces Coalport china 
 I'our salt cellars, George III 
 Mustard i)ot, George III 
 IVppcr pot, tieorge III 
 hinall silver tray, 
 Lnr^e silver tray. 
 
 Ca'^dS&S""''^^'""^^^'-^- 
 Curved Indian pipe of peace. 
 
 Mr. .\.vi)r|.;wA. McCi'I.i.och 
 
 \Var dub of ThakHnibau, Kinir of Kiii r 1 
 
 crucifix from Oberamtnergau.^ •" ' '"''"'^ 
 Mr. S. K1N1.UV. 
 
 187. C 
 
 I6,| 
 1615, 
 I6fi, 
 1 67. 
 
 I6,S 
 169 
 170, 
 
 171. 
 172. 
 
 '7J. 
 
 of the Haidah 
 
 'M 
 17s 
 176, 
 
 17.S. 
 179. 
 
 180. 
 ISl. 
 I8i. 
 iHi, 
 l«4, 
 »8S. 
 
 1%, 
 
 Old^^lvl^'Sr^^^"'^"^--"'-"- 
 '"Sed'K^^ -nbelo„«inKto the above men- 
 
 Mdk DK IiKI,I,KROID D'OUDOUMENT 
 
 :Rol:writrwl''-^-"°"''^-'l^Beaujeu.- 
 
 Rosewood chair, 
 
 Mrs. J. W. DoMvir.LK 
 Old English clock. 
 
 Dr. Stewart Nichoi 
 Plate shelf. 
 
 Miss Daisy Rri.i, 
 Carved stick used in the dances 
 Indians, British Columbia. 
 Lady Dawson. 
 French iulaid table. 
 
 Dr. J. c. Nichoi,. 
 Mahogany chest, carved by P. Gilbert 
 Mrs. \V. d. Sutherland 
 ■ Siiiall cabinet. Moorish carving. 
 
 Artist, A. F. DuNWP, R.C.A 
 Turkish brass ink horn. 
 Suj<ar basin, cocoanut and silver 
 1 nir Chinese carved vases. 
 
 Mr. w. a. Phillips. 
 
 Necklet"' '"^■''' '""'^'^ ^'°"' Waterloo. 
 
 Bracelets, 
 
 Earring, 
 
 Brooch, 
 
 Norwegian box. 
 
 E. G. Johnston. 
 Swiss carved writing table. 
 
 Mrs. Jeffrey H. Biirland. 
 
 188. A 
 
 189. £ 
 
 190. C 
 
 191. Ji 
 
 192. G 
 
 193. iv: 
 
 194. C 
 
 195. ^^ 
 
 196. p 
 
 197. T 
 
 198. C 
 
 199. C 
 
 200. C 
 
 201. Cl 
 
 202. C 
 
 203. Si 
 
 204. B) 
 
 205. Si 
 
 206. St 
 
boy. 
 
 otte Islands. 
 
 OCH. 
 
 of Kiji. CarveJ 
 
 uf the chapel and 
 
 . lieljjiuin. 
 
 I, ivory and silver. 
 
 niiion. 
 
 ) the above nien- 
 
 MENT. 
 aujeu. 
 
 of the Haidah 
 
 rt. 
 
 )o. 
 
 187, 
 
 Brought from Londonderry, 
 household effects by Samuel 
 Truro, Nova 
 has been the 
 
 188. 
 
 I Kg. 
 
 190. 
 
 191 
 
 192. 
 '93. 
 
 Oak spinning wheel. 
 Ireland, with his 
 Archibald, Esq. He settled in 
 Scotia, in 1762, and the wheel 
 property of his family ever since. 
 
 Mrs. J. S. Archibald. 
 
 Arm chair, which belonged to Delle Catherine 
 
 Quevillon before her marriage with Mr 
 
 Papineau, celebrated June 6th, 170J. 
 Knives and forks which belonged to Mr. Joseph 
 
 Papineau, Notary, before his marriage which 
 
 took place in 1779. 
 
 Clock, which has belonged to the Papineau family 
 for 1 20 years. 
 
 Hon. A. C. Papinkau. 
 
 Medicine cupboard. 
 
 Miss Olga St. Gkorgk. 
 
 George Washington silver medal, 1732. 
 Metal pendant. Indian work. 
 
 •94. 
 
 I95. 
 196. 
 
 I97. 
 
 198. 
 199. 
 200. 
 
 
 Mr. Jamks S. Barnslky. 
 
 Cashmere jewelled work. Brought from India by 
 
 theexhibitor in 1875. 
 Water bottle. 
 Plate for bottle. 
 Two goblets. 
 
 Mr F. R. Fountaink Brown. 
 Carved cabinet. 
 
 Artist, Mrs. Harrison. 
 Chipped carved tray. 
 
 Artist, Miss F. M. Andkrson. 
 Carved chair. 
 
 Artist, Miss F. M. Anderson. 
 Carved tnbourette. 
 
 Artist, Miss F. M. Anderson. 
 Carved panel. 
 
 School of Art and Applied Design. 
 
 Savonarola chair from Florence. 
 Bracket with Florentine diavolo. 
 Mr. Henry Fry. 
 
 205. Silver Madonna and child, from the back of an 
 
 ancient Italian book^ 
 
 Mrs. F. D. Adams. 
 
 206. Statue representing St. Anne. This was one of the 
 
 first of its kind made in Canada. The religieuses 
 of the Hotel Dieu kept it in the chapel of ' ir 
 second monastery. They still venerate it in . .loir 
 mortuary chapel in the interior of the cloister. 
 Sisters of the Hotei, Diku, Montreal. 
 
 203, 
 204, 
 
2l8. 
 
 319. 
 
 ao7- Canadian chair of last century 
 
 208. Wooden statue, Virgin and dii'l.l. Early Canadian 
 carving, between 1660 and 1670. ^ '-"""uiau 
 
 Mr. Thomas O'Luaky. 
 
 209. Carved table. 
 
 210. Carved bowl. 
 Miss Bkatrick Hamii.to.v. 
 
 an. Chip carved table. 
 
 Artist, Mi.ss F. M. Anderson, 
 School of Art and Applied Design. 
 
 212. Brass mirror frame. 
 Mrs. a. Pi.im.som,. 
 
 213. Carved cocoanut, 1826. 
 Mrs. R. I'. Hannafori). 
 
 214. Wrought iron guard for window box 
 
 215. Wrought iron lettered panel. 
 
 216. Wrought iron .stand. 
 MKCHANICAr, DKPART.Mli.NT, McGjij, Univprsity 
 
 '"• '^Tp^rography). '"■*■""''• P''°^"«'-''P'' ''"^' '-■«l«"dar 
 Miss Rutherford 
 Indian drinking cup, St. Maurice Indians 
 MoNTRHAi, Lady. ' 
 
 ^' of Si::? ^no^;;^*^ ^^^■^" ''''>^'' '" "- manufacture 
 "°- ^P^^"|^^"' °f «»fi»ished and finished .silver hollow- 
 221. Specimens of hand chasing on solid silver 
 
 ToSn"' "'^^^ "'-'P°^" "°^^ - ^'-« -<' 
 
 "'• '^t~f^.\7jf?ct:;r^'^'^' '""' ^-'^-'lifferent 
 
 224. Specimens of Dutch silver work. 
 
 Henry Birks & Sons. 
 
 225. Spanish brazier. 
 
 226. Dutch copper loving cup. 
 
 Mrs. Faykttb Brown. 
 
 227. Hammered brass blotter. 
 
 228. Small hammered brass tray. 
 
 Miss Trilravkn. 
 
 229. Set of silver tea service, early Georgian, say 1725 
 
 The Misses Macintosh. 
 
 230. Dutch secretary 
 
 '3'- ^°°^,-f,'^'(;.»Jf ''^ °f *''^ ^^°°'l °f "'« ship "IVOrigi- 
 nal, which was sunk in Quebec harbor and was 
 
 ,„ ^"°'>^?:^''ter for over a hundred years. 
 
 232. Old mahogany screen. 
 
 233. Old silver cake basket. 
 
 234. Old silver tea-pot and cream jug. 
 
 Mrs. Hugh A. Ai,i,an. 
 
 235. Two Sanioan battle axes 
 
 236. Samoan war paddle 
 
 237. Persian Hookah, inlaid silver on iron 
 
 238. Likeness of female, carved by Oregon Indians 
 
 239. Esquimaux bone carving. unmans. 
 
 240. Carved cocoanut. 
 
 241. Brass spittoons, East Indian 
 
 242. East Indian spice holder 
 
 243. Nubian pillow. 
 
 244- 
 
 Hg 
 
 245- 
 
 An 
 
 246. 
 
 Pa 
 
 247. 
 
 Pri 
 
 248. 
 
 Pa( 
 
 249. 
 
 Dr 
 
 250. 
 
 Sc< 
 
 251. 
 
 Qu 
 
 
 < 
 
 252- 
 
 Iro 
 
 253- 
 
 Cai 
 
 254- 
 
 Bra 
 
 255. 
 
 Wo 
 
 256. 
 
 Iro 
 
 257- 
 
 Iro 
 
 258. 
 
 Ido 
 
 259- 
 
 Spc 
 
 260, 
 
 Sw 
 
 
Early CanuJimi 
 
 SON. 
 
 )esi){n. 
 
 iOX. 
 
 . University. 
 ph box, calendar 
 
 Indians, 
 
 the manufacture 
 
 ed silver hollow- 
 
 \ silver. 
 
 t on glass and 
 
 dish in different 
 
 
 gian, say 1725. 
 
 ship "I^'Origi- 
 larbor and was 
 ars. 
 
 n Indians. 
 
 
 244. 
 245. 
 
 346. 
 
 247. 
 248. 
 249 
 
 250. 
 25" • 
 
 252- 
 253- 
 
 254- 
 255- 
 256. 
 
 257- 
 258. 
 
 259- 
 260. 
 261. 
 
 262. 
 263. 
 264. 
 
 265. 
 
 366. 
 
 Egyptian vase and coffee cups. 
 
 Ancient French halberd, dug out of the fortification 
 
 wall of the city of Montreal. 
 Paddles from the Society Islands. 
 Priest's wand, New Zealand. 
 Pad<lle spear, New Zealand. 
 Drawing on a walrus tusk. 
 
 Naturai< History Socirty. 
 Scotch snufi box. 
 Quech, a Scotch drinkin;; vcs.sel, said to have been 
 
 owned by Rob Roy. 
 
 Mrs. M. G. Hrk. 
 Iron banging lamp, Nuremberg. 
 Carved figure, Heidelberg. 
 
 A. D. Bl.ACKADAR, M.D, 
 Brass teapot (Benares). 
 Wood frame, Swedish photos. 
 Iron brooch. 
 Iron teapot. 
 
 Idol from Monkey Temple, Benares. 
 Spoon, Poker work, Sweden. 
 Swedish bowl, 
 Pewter plaque, Sweden. 
 
 Mrs. John McDougaij,. 
 
 Sheraton dressing table. 
 Sheraton toilet glass. 
 Old Irish tea-caddy table. 
 
 Mrs. F. H. Mathewson. 
 
 i" I 
 
 267. 
 268. 
 269. 
 270. 
 271. 
 
 372. 
 
 Fretwork frame. 
 
 Mrs. Frank Redpath. 
 
 Paper-cutter, carved with a knife by a Norwegian 
 peasant on Hardanger Fjord. 
 Miss Couper. 
 
 Ancient sun dial, from Thibet. 
 Thibetan god, worn on the breast. 
 Indian god, cut out of a solid block of ivory. 
 Turkish coffee cup, Constantinople. 
 Metal Vase, from Tunis. 
 
 Mrs. E. H. King. 
 Five o'clock tray. 
 
 Mrs. Murray. 
 
 273. Dutch 17th century chair. 
 
 274. Tray of Benares Brass. 
 
 Miss Lighthau.. 
 
 275. Plaque, hammered Heidelberg metal. 
 
 276. Burnt wood panel, Heidelberg Castle. 
 
 277. Carved wooden bear, from Giessbach, Switzerland 
 
 278. Rosary, Lake Maggiore, Italy, (submarine chest- 
 
 nuts). 
 
 279. Carved Chinese ornament for a lady's dress. 
 
 280. Hammered brass lion of St. Mark's, Venice. 
 
 281. Inlaid table, Bellagio, Italy. 
 
 282. Blotter, Bellagio, Italy. 
 
 283. Hammered brass Indian cup. 
 
 284. Carved wood bracket, Venice. 
 
 285. Carved cocoanut basket, Jamaica. 
 
 286. Inlaid wood photograph frame. Italy. 
 
 Dr. Grace Ritchie-England. 
 
a87. 
 
 a88. 
 389. 
 
 390, 
 
 391 
 393 
 293 
 
 394 
 
 395. 
 396. 
 397. 
 398. 
 399. 
 
 hi- 
 303. 
 303. 
 304 • 
 305- 
 
 3"7. 
 
 309- 
 310. 
 
 3>'. 
 3'2. 
 3"3- 
 3'4. 
 315. 
 3>6. 
 317. 
 318. 
 3>9- 
 330. 
 
 331- 
 333. 
 
 323- 
 324- 
 325. 
 336. 
 327- 
 338. 
 329- 
 330. 
 331- 
 332. 
 333- 
 334- 
 335- 
 336. 
 337. 
 338- 
 
 339- 
 340- 
 341. 
 
 Indian totem pole. 
 
 Mr. H. Tii'i'iN. 
 nenten l)ra»s table, with curved woo<l sUnd 
 Carved wood teapot stand. 
 
 Mrs. Lambkrt. 
 Sword in ii8e in 1776 and followinR years durin« 
 he Anieric:in war axaiiist KnKland and Canada 
 by Major Lom.s I^nace de Salaberry, father ,.f 
 Lolonel <li.- Salaberry, the hero of Chateauiniav 
 Mrs, C. McDouoat.i,. 
 HelniuM brass lamp, 1643. 
 One piece Helf<ian bra.ss, 1710 
 One piece nel«ian copper, 1730. 
 Miss Marion I.aing. 
 . Dntcli carvei' able, 1656. 
 . Dutch carveil (,iest. 
 Dutch chair, 1775. 
 Dutch chair, ru.sli seat. 
 Louis XV. cliest of drawers. 
 Credence cupboard. 
 Dutch clock. 
 
 Wooden hinj/e six>on, carved. 
 Carved Wooden bracket for uteii.sils 1637 
 Brass kettle. ' ' 
 
 Two very large round brass dishes. 
 Brass warming dish in three pieces. 
 Brass caldron. 
 Brittany brass bowl. 
 Belgian brass milk pot. 
 Seven branch brass candlestick. 
 Hra.ssbowl, Lion's paws. 
 Bra.ss lantern. 
 Brass long-handled ladle. 
 Brass lamp. 
 Brass candlestick. 
 
 Two brass perforated ladles, long handles. 
 Two brass irons, coal heaters. 
 Copper boiler, depressed cover, with handle 
 Copper Dutch oven. 
 Small copper cauldron. 
 Large copper kettle. 
 Spider. 
 
 Copper kettle, hinge spout. 
 Large copper caldron. 
 Two tall candlesticks. 
 Copper lantern. 
 
 Pewter plate with coat of arms. 
 Pewter plate with border. 
 Pewter stew pot. 
 Pewter ink pot. 
 Pewter candlestick. 
 Pewter Apostle spoon. 
 Five pewter spoons. 
 Pewter pepper pot. 
 Pewter nig. 
 Pewter bowl. 
 Copper water jug. 
 Copper coffee jug. 
 Copper tea pot. 
 
 Montreal Lady. 
 Old silver candlesticks. 
 Nutmeg grater (silver). 
 Gorget. 
 
 Mrs. Durnpord. 
 
34a. Carved horn spoon, made by Haida Indians, Pacific 
 Coast. 
 
 343. Chief's rattle (Haida). 
 
 344. Walking stick, carved by Sioux Indian. 
 
 (The) Pbtkr Rkdpath Muskum, McGill University. 
 
 345. Transparency. 
 
 Tjh. Gkorgb Dawson, Ottawa. 
 
 346. Three pieces wrought iron. 
 
 McGiLL Univkrsitv Science Dkpt, 
 3,17. Donkey chuir. 
 
 348. Bead purse. The Nile. 
 
 349. Bead Koran holder. The Nile, 
 
 MR!). Hkrbkrt Wam.is. 
 
 350. Silver 'vatcli, with Tortoi.ie shell case, inlaid willi 
 
 salon ; watch came from Mr. Clieffinch, a gentle- 
 man of the Court of Charles II. 
 
 351. Chippendale stand to hold the watch. 
 
 352. Court sword with liourhoii Arms, i8th century. 
 
 353. Snuff Ijox, painting thereon, "Torn," by S. 
 
 Ru-.;n; patronized by H.R.II. The Duke of 
 Sussex and Prince Leopol.l. From the Hayden 
 family. 
 334. Old French spearhead, found near St. Urbain and 
 Sherbrooke streets. 
 
 G. DURNFORD. 
 
 355. One metal casket, iron and silver inlay. 
 
 356. One metal tray, iron and silver inlay. 
 
 357. One brass tray. 
 
 358. One wood table. 
 
 359. One chair. 
 
 360. One panel wrought iron work. 
 
 361. One leather-covered chair. 
 36a. Two leather chair seats. 
 363. One hide shield. 
 
 Hon. G. a. Drummond. 
 3154. Silver bread basket, 150 years old. 
 
 365. Embossed silver mug. 
 
 366. Hammered silver goblet. 
 
 367. Case containing i dozen oyster and 2 pickle forks. 
 
 368. Claw sugar tongs. 
 
 369. Marrow spoon. 
 
 370. Pair dishes, antique style. 
 
 Mrs. Alprbd Bblasco. 
 
•Section C— Ceramics, Pot- 
 tery and Glass 
 
 tales exbtblii. 
 
 I. Donbonnifre, rosei 
 a. Tray, black )M:rriet 
 
 3. ClcH'k, ciipids 
 
 4. I'late, wild rose (notfonale) 
 
 5. I'late, roses 
 
 6. Cup aud saucer, gold dcsi({n 
 
 7. Cruaui ju),', roses 
 
 Artist, Miss Mamih Gordon. 
 
 8. Plaque of Uaccliiis, modelled tile underglaie 
 
 9. Jirown vase, undergluze 
 
 10. Blue vase, iiiulerglaze 
 
 Artist, Miss M. C. Jordan. 
 
 11. Ver>- rare Mason plate, from a distinguished 
 
 Canadian family 
 
 12. Chelsea vase, 150 years old 
 
 13. (lid Delhi china 
 
 14. Old Crc wn Derby, 80 years old 
 
 15. Old Davenport cup and saucer 
 
 16. Milk pitcher. Part of a set which was bar- 
 
 tered by UnKlish traders for furs 
 
 17. Cletnentson milk pitcher (exchange china) 
 Thk f)i,D Curiosity .Shop, 241a St. Catherine St 
 
 PRICK. 
 
 I 6.00 
 300 
 
 10.00 
 
 3.00 
 3. CO 
 a. 00 
 
 5.00 
 
 S-oo 
 
 10.00 
 
 5.00 
 35.00 
 3.50 
 5.00 
 5.00 
 
 1.50 
 a. 00 
 
 iH. Melon plague (roses) 
 19. Salad bowl 
 ao. Sandwich tray 
 
 Artist, Mrs. A. B. J. Moorb 
 ai. Tankard 
 aa. Plate (daisies) 
 a3. Plate (clover) 
 
 Artist, Mrs. IIhnrv Millbr. 
 a4. 17th century carved ivory 
 as. Spanish oil jar 
 a6. Antique Greek terra cotta 
 a7, Antique Greek terra cotta 
 38. Etruscan head 
 2g. Italian pharmacy jar " Urbino " 
 
 30. Italian earthenware plaque, iSth century 
 
 31. 17th century Nuremberg bottle with alle- 
 
 gorical figures 
 3a. Ancient Nuremberg jug 
 -- Old Strasburg ewer and basin, time of Louis 
 
 33 
 34. 
 
 35. 
 
 XV 
 
 Collection of rejiroductions of ancient Greek 
 and Roman cameos and medals, also 
 medals of 15th, i6th and 17th centuries 
 (5 traysl 
 
 P. BEAU & Co. 
 
 Small porcelain tea set. Six cups and 
 saucers and teapot, about 300 years old, 
 brought from Japan to Holland, where 
 they were purchased by the owner. 
 
 For set of six cups and saucers 
 
 Teapot 
 
 13.00 
 8.50 
 S-oo 
 
 00 
 00 
 00 
 
 la.oo 
 
 ia.50 
 3.00 
 300 
 
 10.00 
 S-oo 
 
 10.00 
 
 6.00 
 5.00 
 
 13.00 
 It. 00 
 
j6. Two Sivrti vwwi, (lecoiiiii-il in " ' .cu ilu 
 Roi" iitul floral ilt'iigns, tigiiru p«neU, 
 Marked letter G. between crossed L,'«. 
 Arlint Moxant, date 1759, Prlie, ciu-h $ 
 
 37. 8<vre(i plate, liciid of Marie Antoinette in 
 colors, and ({oldaiid blue lorders. Chateau 
 St. Cloud, l8|6, painted by Debrie 
 
 3H. Berlin vase, painted in figure subjci tH 
 
 39. Old Uerlin cup atid •m ,cer, painted subject, 
 
 I'aul et Virjfinie 
 
 40. A delft vase, very rare shape, Jjoyears old 
 
 41. Two delft vases, ajo years old. Each 
 
 43, One delft vase, blue and while crow foot 
 marks, iHo years old 
 
 43. One old delft vase, with cover 
 
 44. One red and blue delft plate, about ijo 
 
 yenrs old 
 
 45. One delft plate ^ rare coloring) 
 
 46. One delft plate, blue and white. 
 
 47. One delft plate, blue and white 
 
 48. Two delft plates, blue and white. Each 
 
 Castlh & Son. 
 
 49. Held 
 
 50. Landscape 
 
 51. Fishing 
 5a. Reaping 
 
 Artist, John R. BiRn. 
 
 53. Jardinidre and .stand, chrysunlliemunis 
 
 54. Jardinifire and stand, roses 
 
 55. After-dinner coffee pot 
 
 56. Small Persian va,se 
 
 57. Brush and comb tray, roses 
 
 58. Individual chocolate pot, lustres 
 
 59. Chocolate cup nnd saucer, roses 
 
 Artist, Elizaukth E. A. Caldwrul. 
 
 60. Framed miniature 
 
 61. Posteresque plaque 
 6j. Dessert plate 
 
 63. Sugar howl and cream' jug 
 
 64. Cup and saucer 
 
 65. Cup and saucer 
 
 66. Cup and saucer, roses 
 
 67. Berry bowl 
 
 68. Candlestick 
 
 69. Bon-bon box 
 
 70. Gipsey kettle 
 
 Artist, Fi,ORitNCK L. Haoar. 
 
 71. Tanknrd 
 
 72. Cup and saucer, yellow 
 
 73. Cup and saucer, blue 
 
 74. Vase, figure. Dawn 
 
 75. Persian shoe 
 
 76. Match holder 
 
 77. Photo holder 
 
 78. Match holder 
 
 79. Vase, flight of storks 
 
 80. Puff box 
 Si. Tea strainer 
 
 82. Vase 
 
 83. Buttonhole holder 
 
 84. Bonbon miniature 
 
 85. Salad bowl 
 
 86. Persian salad bowl 
 
 87. Lustre slipper 
 
 15 ou 
 
 8(1, 00 
 
 12.00 
 10.00 
 10.00 
 
 15-0" 
 12.00 
 
 18.00 
 23.00 
 
 15-0O 
 12.00 
 
 20.00 
 10.00 
 25.00 
 25.00 
 
 50.00 
 30.00 
 
 15-00 
 6.50 
 
 8.00 
 
 10.00 
 7.00 
 6.00 
 6.00 
 4.00 
 4.00 
 
 ».75 
 6.00 
 3.00 
 
 40.00 
 4.00 
 4.00 
 
 10.00 
 a. 50 
 I. as 
 I. as 
 
 1.95 
 10.50 
 
 a-7S 
 a. 50 
 4.00 
 
 a. 75 
 9.00 
 
 T.OO 
 
 6.00 
 a.oo 
 
 m 
 
88. 
 89. 
 9o. 
 
 91- 
 92. 
 
 93- 
 94. 
 95. 
 
 96. 
 97. 
 98. 
 
 99- 
 100. 
 loi. 
 102. 
 103. 
 104. 
 105. 
 106. 
 107. 
 108. 
 109. 
 110. 
 III. 
 112. 
 
 113. 
 114 
 
 115 
 
 116, 
 
 "7. 
 118. 
 119. 
 120. 
 
 121. 
 122. 
 
 "3 
 124. 
 
 "5- 
 
 126. 
 
 127 
 
 128, 
 129. 
 130- 
 '3'. 
 132. 
 
 Tray, lustre border, Eveninif < 
 
 Small candlestick * 
 
 Ariadne 
 
 Posteresque plaque 
 
 Portrait study 
 
 Half dozen plates, lustre and enamel (each) 
 
 Five o'clock tea set ' 
 
 Plaque lo.io 
 
 Artist, Marion C. McIndob. 
 
 Plaque, petunias 
 
 McKinley cup, blackberries 
 Flower vase, roses 
 Butter dish, green 
 Bonbon dish, roses 
 Cup and saucer, blue 
 Cup and saucer, green 
 Round plate, green 
 Pair salts, green 
 Card case, roses 
 Match box, roses 
 Tray, violets 
 Plaque, girl's head 
 Vase, spinning girl 
 Stamp box (blue) 
 Biscuit jar, brown 
 . Plate, convolvulus 
 . Vase, violet* 
 . Match hanger 
 One dozen de.ssert plates 
 Artist, Miss Hannaford (Mrs. Alfred 
 Boui,TBEE), Toronto. "'.rKHD 
 
 Satsuma vase 
 
 Very old Worcester plate (primroses) 
 
 Old Worcester plate 
 
 Crown Derby plate, red and gold 
 
 Old Swansea plate, roses 
 
 Crown Derby plate 
 
 Old iron stone plate (old Masons) 
 
 Crown Derby plate 
 
 Lowestoft plate 
 
 Mrs. Charles H. Nelson. 
 
 One soup set (one piece), old china, 
 bowl /jj^' 
 
 Miss Mary M. Carruthers. 
 
 Copland cup (see notes) 
 
 Mrs. Charles H. Nelson. 
 Miniature on china 
 Miniature on china 
 Bonbon box (child's face) 
 Rose jar. 
 
 Vase, lustre and gold 
 Fruit dish 
 
 Artist, Mrs. D. Crawford. 
 
 133- Grape tray 
 
 134- Rose jardiniere. 
 
 135. Fruit dish, open edge, roses 
 
 136. Salad bowl, green edge, roses 
 1.^7. Salad bowl or berry dish 
 138. Card tray, hops 
 
 139- Vase, violets 
 140. Vase, roses 
 141- Vase, iris 
 
 12.00 
 
 1 50 
 1500 
 
 7.00 
 12.00 
 
 3-50 
 12.00 
 
 8.00 
 
 12.00 
 10.00 
 7.00 
 5.00- 
 4.00 
 3.00 
 3.50 
 3.35 
 
 a.75 
 a. as 
 a. as 
 6.00 
 10.00 
 11.00 
 i.as 
 6.7s 
 9.00 
 
 4.75 
 
 1.50 
 
 40.00 
 
 10.00 
 8.00 
 8.00 
 20.00 
 25.00 
 8.00 
 5.00 
 8.00 
 7.00 
 
 one 
 
 set) 18.00 
 
 25.00 
 
 5.00 
 5.00 
 3.00 
 
 4.00 
 4.00 
 
 lo.oo 
 12.00 
 6.25 
 6-75 
 5-75 
 3-00 
 
 5.25 
 3-25 
 2.75 
 
IJ.OO 
 
 I 50 
 
 7.00 
 13.00 
 
 3 50 
 13.00 
 
 8. 00 
 
 13. 00 
 
 10.00 
 
 7.00 
 
 00 
 00 
 00 
 50 
 25 
 
 75 
 
 5 
 4 
 3 
 3 
 3 
 2 
 
 a- 25 
 2.25 
 6.00 
 10.00 
 11.00 
 '•25 
 6.75 
 9.00 
 
 4.75 
 
 1.50 
 
 40.00 
 
 10.00 
 8.00 
 8.00 
 
 30.00 
 
 35.00 
 
 8.00 
 
 5.00 
 8.00 
 7.00 
 
 iS.oo 
 
 35.00 
 
 5.00 
 5.00 
 3.00 
 
 4.00 
 4.00 
 
 10.00 
 
 13.00 
 6.25 
 
 6-75 
 5.75 
 S>oo 
 
 S-95 
 3*35 
 
 «.75 
 
 143. 
 143- 
 144- 
 145- 
 146. 
 147. 
 148. 
 149. 
 ISO. 
 151. 
 152. 
 1 53. 
 154. 
 155. 
 156. 
 
 157- 
 158. 
 
 159- 
 160. 
 161. 
 162. 
 163. 
 164, 
 165. 
 166. 
 167. 
 i68. 
 169. 
 
 170. 
 171. 
 172. 
 
 '73- 
 174. 
 
 175. 
 176. 
 
 177- 
 178. 
 179. 
 180. 
 181. 
 183. 
 183. 
 184. 
 185. 
 186. 
 187. 
 188. 
 
 189. 
 190. 
 191. 
 193. 
 
 193- 
 194. 
 195- 
 196, 
 
 197. 
 198. 
 199. 
 200. 
 201. 
 
 302. 
 
 Teapot, roses J 4.00 
 
 Cake plate, primrose and forget-me-nots 3.25 
 
 Caiuly or nut bowl ' 3.50 
 
 Nut bowl, daisies 3.25 
 
 Whipped cream bowl, roses 3. 00 
 
 Powder box, yellow (laisies a. 50 
 
 Cup and saucer, hawthorn 3.00 
 
 Cup and saucer, yellow roses 3.00 
 
 Cup and saucer, green, pink roses 3'*5 
 
 Cream jug, roses a. 90 
 
 Ringtra), roses 2.25 
 
 Pair salts, roses 2.50 
 
 Pair shakers, roses 2. 35 
 
 Bonbon dish, roses 3-25 
 
 Pair shakers, roses 2.35 
 Artist, Francis G. Hits-SON, Stratford. 
 
 Teapot, cream and sugar 
 
 12.00 
 
 ■■ ^ 
 
 Brush and comb tray 
 
 4.00 
 
 
 Brush and comb tray 
 
 3.50 
 
 
 Jug, violets 
 
 4.00 
 
 
 Coffee pot 
 
 8.00 
 
 
 Compote, underglaze blue 
 
 3.00 
 8.00 
 
 
 Perfume bottle 
 
 
 Plate, pine cones 
 
 5.00 
 
 
 Cream and sugar 
 
 4.00 
 
 
 Small ornament, dark brown 
 
 3'5o 
 
 
 Fern bowl 
 
 9.00 
 
 
 Bonbon box 
 
 3.00 
 
 01 
 
 Plate, yellow rose 
 
 3.00 
 
 m 
 
 Artist, J. T. Bkrtram. 
 
 
 1 !■ 
 
 Fern dish, roses 
 
 33.00 
 
 
 Vase 
 
 1. 00 
 
 • j 
 
 Vase, roses 
 
 5.00 
 
 m 
 
 Vase, sweet peas 
 
 5.00 
 
 '1 
 
 Round vase, poppies 
 
 A.OO 
 
 6.00 
 
 
 Round tray 
 
 
 Plaque 
 
 S.oo 
 
 
 Bread tray 
 
 S.oo 
 
 1 ■ i 
 
 Tankard 
 
 11.00 
 
 
 Jardinifire, yellow roses 
 
 12.00 
 
 
 Chocolate ]ug 
 
 7.00 
 
 ;,; 
 
 Bonbon box 
 
 3.50 
 
 'i 
 
 Plate, petunia 
 
 a.50 
 
 
 Plate, shells 
 
 3-75 
 
 
 Green cup and saucer 
 
 2.00 
 
 
 Yellow cup and saucer 
 
 X-75 
 
 
 Forget-me-not cup and saucer 
 
 2.00 
 
 
 Gold, enamel cup and saucer 
 
 3.00 
 
 
 Purple daisies cup and saucer 
 
 2.00 
 
 
 Artist, Mary Burnett, London, Out. 
 
 
 
 Salad bowl 
 
 7.00 
 
 
 Pansy tray 
 
 5.00 
 
 
 Geranium tray (Not for sale) 
 
 
 
 Bonbon box 
 
 8.00 
 
 IMM 
 
 Small hanging fern pot 
 
 3.50 
 
 IhI 
 
 Tea tile 
 
 2.00 
 
 ^Hf 
 
 Dish 
 
 2.50 
 
 ^E^ 
 
 Jug, violets 
 
 3.00 
 
 'W; 
 
 Cake plate 
 
 3.25 
 
 'fl 
 
 Vase 
 
 1.50 
 
 
 Loving cup 
 
 2.25 
 
 '"liii 
 
 Cigar tray 
 
 1-25 
 
 
 Large jardiniere 
 
 12.50 
 
 
 Small jardiniere 
 
 5-50 
 
 : : 
 
203 
 204 
 205 
 
 2o6 
 207 
 
 208, 
 
 209, 
 
 2fO. 
 211. 
 212. 
 
 213- 
 214. 
 
 215. 
 216. 
 217. 
 218. 
 219, 
 
 220. 
 221. 
 222. 
 223. 
 
 224. 
 225. 
 
 226. 
 227. 
 228. 
 229. 
 230. 
 
 231- 
 232. 
 
 233- 
 234- 
 235- 
 236. 
 
 237. 
 238. 
 
 239- 
 
 240 
 24 r 
 242 
 
 243. 
 244. 
 
 245. 
 246. 
 247. 
 248. 
 249. 
 250. 
 251- 
 252. 
 
 253. 
 254- 
 255- 
 256. 
 
 257- 
 258. 
 
 259- 
 260. 
 261. 
 
 Large plates fc . 00 and fo . 50 
 Bonbon dish '^ ^ 
 
 Bread and butter dish, poppies 
 Bread and butter dish, violets 
 Vases, small chrysanthemums 
 Loving cup, currants 
 Tray, chrysanthemums 
 Twci vases 
 Pin tray 
 Tea caddy 
 Pepper and salt 
 . Vase, roses 
 . Rose bowl 
 
 . Bonbon dish witli cover 
 . Salad bowl, grapes 
 . Blue cup and saucer 
 Cup and saucer, forget-me-nots 
 Artist, Ethel B. HENDKRSHOT,London, Ont 
 Claret jug, grapes 
 Cake plate, berries 
 Tea set 
 
 Plate, currants 
 Plate, rose festoon 
 Tea cup 
 
 Artist Mary Regan, London, Ont. 
 Slipper 
 
 Plaque, reclining figure 
 Plaque, two figures 
 Plate, figure Ariadne 
 Vase 
 
 Golf club rack 
 Half panel for hall seat 
 Glove box 
 Photograph frame 
 Photograph frame 
 Photograph frame 
 Photograph frame 
 Photograph frame 
 Small box 
 
 Artist, Grace Hvman, London, Ont. 
 . Jardinidre 
 . Jardiniere 
 . Salad bowl 
 . Half dozen plates (|2.ooeach), half doz. 
 
 , Plate 
 
 Candlestick 
 
 Cup and saucer 
 
 Cup and saucer 
 
 Salt and pepper 
 
 Shoe 
 
 Toothpick holder 
 
 Salt and pepper 
 
 Artist, Alice E. McPherson, London, Ont. 
 Jardiniure, chrysanthemums. 
 Tray, pansies 
 Vase, geranium 
 Vase, roses 
 Box, hawthorn 
 Champagne cup and saucer 
 Ash tray 
 Pen rack 
 
 Vase nasturtiums (Not for sale) 
 
 Artist, C. Mattinson, London, Ont 
 
 ! 6.50 
 
 2.10 
 
 1-25 
 1.25 
 3.50 
 
 7-00 
 4.00 
 '•75 
 •75 
 300 
 1.50 
 2.50 
 4-00 
 2.50 
 6.00 
 3.00 
 2.00 
 
 10.00 
 2.00 
 8.00 
 1. 00 
 
 1-25 
 
 2.50 
 
 1-25 
 
 6.00 
 
 2-75 
 I -25 
 1.50 
 1-75 
 1-75 
 1.50 
 •25 
 
 8.60 
 6.00 
 7.00 
 10.50 
 5-00 
 3-00 
 1.50 
 3.00 
 3.00 
 1-75 
 1.50 
 1 .00 
 1.50 
 
 15.00 
 8.00 
 8.00 
 3.00 
 3.50 
 3.00 
 1.50 
 1-50 
 
 I 
 
Ont. 
 
 , Ont. 
 
 6.50 
 2.10 
 '■25 
 
 1.25 
 
 3-50 
 7.00 
 4.00 
 1-75 
 ■75 
 3-00 
 1.50 
 2.50 
 4-00 
 2.50 
 6,00 
 3-00 
 2.00 
 
 10.00 
 2.00 
 8.00 
 1. 00 
 
 1-25 
 
 2.50 
 
 '•25 
 
 a- 75 
 25 
 50 
 75 
 75 
 SO 
 25 
 
 8.60 
 6.00 
 7.00 
 10.50 
 5-00 
 3-00 
 
 1-50 
 300 
 2.00 
 1-75 
 1.50 
 1. 00 
 1.50 
 
 15.00 
 8.00 
 8.00 
 3-00 
 3-50 
 3.00 
 1.50 
 1.50 
 
 (Section C— Ceramics, Pot- 
 tery and Glass 
 
 Ugolini, Florence. 
 Ugolini, Florence. 
 
 Coan €xbibit$. 
 
 1. A Florentine mosaic, by G. 
 
 Three birds. 
 
 2. A F'lorentine mosaic, by G. 
 
 Two birds on telegraph wire. 
 
 3. A frame in Venetian mosaic, containing miniature. 
 
 4. A vase in Favrile glass. Tiffany Glass Co., New 
 
 York. 
 
 Mr. Geo. Iles. 
 
 5. Mexican Idols, 150 years old. One red idol from 
 
 excavations in the State of Vera Cruz dates from 
 about 1550. 
 
 Mr. D. a. ANSEr<i,. 
 
 6. A china teapot, l8th century. 
 
 Mrs. Belasco. 
 
 7. Old English mug, i8th century. 
 
 Mrs. J. G. Grant. 
 
 8. Teapot. 
 
 9. Rookwood vase. 
 
 10. Tea caddie and plate (engraved.) 
 
 11. Plate, Indian china. 
 
 Mrs. W. a. Phillips. 
 
 Louis XIV bowl 
 
 Mrs. August Boeckh. 
 
 12. 
 
 13- 
 
 14. Gargoyle 
 
 15 
 
 A plaster relievo (date uncertain.) 
 Col. F, Minden Cole. 
 
 Dr. Stuart Nichol. 
 Pair of cloisonn^ vases. 
 
 Dr. J. C. Nichol. 
 
 16. Old Spode teapot and tray. 
 
 17. Antique Welsh cup. 
 
 18. Old china figure (Welsh). The first Prince of 
 
 Wales. 
 
 19. Glass vase. Ancient Phoenician. 
 
 20. Glass tsar bottle. Ancient Phcenician. ( Exhibits 
 
 19 and 20 were taken from Phteuician tombs said 
 to antedate the Christian era. ) 
 
 21. Old plate, over 100 years in u.se. 
 
 Mrs. T. S. McWilliams. 
 
 22. Cut glass dish and stand. 
 
 23. Cut glass tumbler. 
 
 24. Cut glass liqueur glass. 
 
 25. Old Mason olive dish. 
 
 26. Old Mason dessert plate. 
 
 27. Old Davenport plate. 
 
 28. Old Japanese plate. 
 
 29. Old Japanese plate. 
 
 30. Poached egg saucer (very old). 
 
 31. Japanese teapot and tray, flax leaf pattern, i8th 
 
 century. 
 
 32. Old Davenport bowl, key pattern. 
 
 Mrs. C. E. Spragge. 
 
33 
 
 34 
 
 35. 
 36. 
 
 37- 
 38. 
 39. 
 40. 
 41. 
 
 42. 
 
 43 
 44 
 
 . Cup and saucer. Lowestoft ware 
 iS^^lC n?nH^' Lowestoft, Eng., closed down i„ 
 
 Japanese cup and saucer, for more than half a 
 
 cenuiry in the possession of a Quebec family 
 Cup and saucer, Irish pattern, over loo years in use 
 Cup and saucer Gazelle pattern. Forme vh, 
 Whi'fi '.'"^/;'""ly°f a great grandson of Peregrine 
 Uhite; ohtamed from Mr. Winslow Brewster 
 Standish, a descendant of the Pilgrims 
 Mr.s. L. Saxk Holmes. 
 Tete-a-tete set. 
 Jardiniere. 
 Plate (landscape'* 
 Plate (shell). 
 Plate (flowers). 
 
 MISSE. IvlACFARLANK. 
 
 One portrait china jug (Reign of George IVl 
 Mrs. E. B. Black. '' 
 
 64. 
 
 45 
 
 46, 
 47. 
 
 48 
 
 49 
 
 50, 
 
 51. 
 
 52. 
 53- 
 
 54 
 55. 
 
 56. 
 
 57 
 58. 
 
 59. 
 
 60. 
 61. 
 62. 
 63. 
 
 Ancient vase from the ruins of Pompeii 
 
 o^Hnf".'^ 'P°?"t^ ''^,"'"''y '""'1 « ^«'f in possession 
 ot the owner s family. 
 
 Majolica plate with the Colonna arms AD 1800 
 Mrs. Girdwood. ' ' 
 
 . The Skater (an original ba.s-rehef ) 
 . Mask, Illustrating the expression of great breath- 
 lessness in a runner. From the oric^nn 
 modelled to illustrate an article on the 'Se : 
 sion of the face in fatigue " -^^pres 
 
 Mask, illustrating violent effort, as seen in a ranner 
 dunng a short race. From the original, model' 
 ed to Illustrate an article on the expres ion of 
 the face dunng violent effort 
 
 R. Tait McKhnzik, M.D 
 Glass decanter, brought to America in 1839 by 
 
 AmSve^prcf- ^ '"''' ^--^-' °f 
 Glass salt cellar (old English). 
 MoNTRBAL Lady. 
 Soup plate belonging to a dinner set, the property 
 r^d ?°"- J^J?^^ Cuthbert, Berthier Manor, 1764 
 Fist TnH.'.n**'" •":•'"' belonging to Genera Brock. 
 East Indian painting on ivory of Kali Musied 
 brought from India,,84o, by the late Mr BrehTut 
 Mrs. Jefkrey Springle. 
 Black porcelain teapot, mounted in silver 
 tsilver chains, over 200 years old. 
 
 Miss Marie Charlebois 
 OW fashioned coffee pot and coffee mug, ,50 years 
 
 Mrs. Stannus Auchmutv, 
 Part of tea set, 1820. 
 
 Mrs. John Fair, 
 East Indian vase. 
 
 Mrs. W. d, Lighthall 
 
 ^'^teu^h^dtSr^^ ^'""^ ^^^P''-" '-•>. '•- 
 Wedgwood dish of very early date 
 Three odd plates, make unknown. 
 Two small plates, figure pattern. 
 Old English jug. 
 
g., closed down in 
 :d among the finer 
 
 more than half a 
 Quebec family, 
 sr loo years in use. 
 rn. Fonnerlv in 
 idson of Peregrine 
 Vinslow Brewster 
 Pilgrims, 
 s. 
 
 George IV). 
 
 mpeii. 
 
 half in possession 
 
 arms, A.D. 1800. 
 
 of great breath- 
 1 the original, 
 ou the "Expres- 
 
 i seen in a runner 
 original, model- 
 he expression of 
 
 ■ica in 1839 by 
 descendant of 
 
 et, the property 
 
 ■ Manor, 1764. ' 
 
 I General Brock. 
 
 ■ Kali Musjed, 
 ite Mr. Brehaut. 
 
 silver. 
 
 mug, 150 years 
 
 ian tomb, time 
 
 64. 
 
 65. 
 66. 
 
 67. 
 68. 
 
 69. 
 
 70. 
 
 71- 
 
 72. 
 
 73- 
 74- 
 75- 
 76. 
 77. 
 78. 
 
 79- 
 80. 
 81. 
 
 82. 
 
 83. 
 84. 
 
 85. 
 86. 
 
 87. 
 88. 
 89. 
 90. 
 
 91- 
 92. 
 
 93- 
 94- 
 
 95. 
 96. 
 
 97. 
 98. 
 
 99- 
 100. 
 
 lOI. 
 
 102. 
 103. 
 
 104. 
 
 105. 
 106. 
 107. 
 
 Elephant tu.sk, carved ; reprehtiiiliiiu a (lativp 
 
 legend. West African work. 
 Carved shell from Bethlehem. 
 Lamp from Syria, pattern siinilur lt» l\\im ill use in 
 
 biblical times. 
 Two Egytian pots, taken from toiiilii.. 
 Egyptian beads (4tli dynasty) hoill ti.tiil, at 
 
 Assouan. 
 
 Mrs. E. k. Grkknk, 
 
 A teapot tray, early nineteenth century, 
 
 MissS. A. Phm.i.ii's. 
 Old Colport bowl. 
 Old Colport cake plate. 
 Old Colport cup and .saucer. 
 Wedgwood jug. 
 Wedgwood vase. 
 Old stoneware jug. 
 Old platter, willow pattern. 
 Old iron stone china plale. 
 Lowestoft teapot. 
 Lowestoft cup and saucer. 
 Lowestoft cup. 
 Terra cotta figure, by Giaillon. 
 
 Miss M. A. Carkuthkru, 
 Bowl from Jamaica, aboriginal native Wdfkt 
 
 Mrs. W. H. I)rumm(ini), 
 
 Painted window, " Christ blessing little dtlldfeli," 
 
 Specimen of domestic glass. 
 
 Old English glass, history unknown. 
 
 J. C. Spknck & .Sons. 
 Spode teapot, cream jug and sugar liowl, 
 
 Miss BURTSKI.t. 
 
 Vase, Marshall Fry, New York. 
 
 Tray, Franz Bishoff, Detroit. 
 
 Vase, Mrs. Vance Phillips, New V»rk, 
 
 Tankard, Miss Mason, New York. 
 
 Chocolate pot, Mrs. A. B. Leonard, Npw Vftfk, 
 
 Vase, Miss Francis Hesson, Stratford. 
 
 Mrs. Elizabeth A. Caldwhi,?,, 
 Satsuma plate, modern. 
 Old fashioned jug, i8th century. 
 Mrs. E. F. Amhs. 
 Framed Mosaic, Venetian. 
 Mosaic photo frame. 
 
 Mrs. G. B. Burland. 
 Mexican water bottle. 
 Mexican jug. 
 
 Mrs. F. F. Booth, Port Hope, 
 Old English sugar and cream set. 
 Jardiniere, Wemyss. 
 
 Mrs. W. Pktkrson. 
 Plate from personal service of Louis ChtUlUlje 
 
 Mrs. W. R. M11J.KB. *^ 
 
 Old Davenport plate. 
 Small platter, old English. 
 
 Mrs. Evans. 
 Cup and saucer, modern filagree work, 
 
 Mrs. Tom Drummonii. 
 Plate (Sevres, ) time Louis Phillippe. 
 Small box (Battersea). 
 Two pieces Aztec potterj-. 
 
 6 
 
 !'! !, 
 
 ' i 
 
Io8. 
 1 09, 
 
 Mo. 
 
 in. 
 112. 
 
 "3. 
 
 Roman jug (Antique design). 
 Fineplaquo (wireless cloisonne ). 
 Mrs. G. Cavkrhill. 
 Plate, English, i6th century. 
 
 Mhllk dk Rochkbi.avb. 
 
 plaque. Earthenware in blue ami 
 
 114, 
 115. 
 
 116. 
 
 "7. 
 
 Its. 
 119. 
 120. 
 121. 
 122. 
 
 '*3- 
 124. 
 
 125. 
 126. 
 127. 
 12S. 
 129 
 '30. 
 •31. 
 •32. 
 
 •33- 
 
 134 
 
 •35. 
 • 36. 
 
 '37. 
 
 138. 
 
 »39. 
 140. 
 
 141. 
 142. 
 •43. 
 '44. 
 
 Modern Indian 
 white. 
 
 "Xht\^°'i^^u " P'«q"e. Modern English lustre. 
 Subject, " The Ancient Mariner " 
 Mr. d. a. p. Watt. 
 
 ^'Manc^e'""^'"' '''°'" ^■"^"^ '*•* '^59 by Melle 
 Sisters of thr Hotbi< Diku 
 
 Light blue china dessert set. Floral design 
 
 Mei<i,e La Rocque. 
 Rokewood china. 
 
 Miss Annie Smith. 
 Cheltenham stone china dish 
 Brown Davenport dish. 
 One pearl stone china dish, "The Temple " 
 One Madras stone china dish 
 Blue Teutonic dish. 
 Green historical dish, " Plalifax " 
 Crown Derby plate. 
 Mason soup plate. 
 Piecrust eclge plate. 
 . Blue Meissen plate. 
 . Derby china plate. 
 Blue Davenport slop bowl. 
 Canadian plate, "Maple Leaf." 
 Spode plate. 
 Minton cup and saucer. 
 Large plaque, " Prince Consort." 
 B. M. & F. Jenkins. 
 
 Stained glass panel, after Leonardo da Vinci's 
 J-zast Supper." 
 
 Casti,e & Son. 
 
 One Chelsea candlestick. 
 One Derby candlestick 
 
 Miss Li rmont. 
 Plate and dish of twisted glass (Old German) 
 similar to a piece in Kensington Museum 
 Mrs. F. H. Wigmork. 
 Roya! Worcester fruit dish, Fliget, Barr & Barr. 
 net ot cameos. 
 
 Mosaic (picture). 
 
 Mrs. G. 
 
 A. Greene. 
 
 145. 
 146. 
 
 '47. 
 148. 
 
 Finger bowl. 
 
 Champagne glass. 
 
 Jug. 
 
 Vase (Hawthorn). 
 
 Artist, Mis.-, Whitney. 
 ScHooi. OF Art and Applied Design. 
 Bellek vase. 
 Small mug. 
 
 Cup and saucer ( Lustre V 
 Teapot. (Lustre). 
 
149- Blue vase (underglaze). 
 150. Brown vase. 
 
 Artist, Miss Jordan. 
 School of Art and Appi,ibd Design. 
 
 'K. 
 
 nware in blue and 
 
 151 
 
 ;rn English lustre. 
 
 152 
 
 er." 
 
 153 
 
 
 154 
 
 -■ 1659 by Melle 
 
 155 
 
 lEU. 
 
 156 
 
 
 157 
 
 ry antique). 
 
 158. 
 
 This china has 
 
 159- 
 
 jue family for one 
 
 160. 
 
 
 161. 
 
 ral design. 
 
 
 
 162. 
 
 
 163. 
 
 
 164. 
 
 
 165. 
 
 Temple." 
 
 166. 
 
 
 167. 
 
 
 168. 
 
 
 169. 
 
 
 170. 
 
 
 171. 
 
 
 172. 
 
 
 173- 
 
 
 174. 
 
 
 17s. 
 
 
 176. 
 
 
 177. 
 
 irdo da Vinci's 
 
 178. 
 
 
 179- 
 
 
 180. 
 
 
 181. 
 
 
 182. 
 
 [Old German), 
 
 183. 
 
 Museum. 
 
 
 
 184. 
 
 Barr & Barr. 
 
 185. 
 186. 
 
 
 187. 
 
 
 188. 
 
 
 189. 
 
 
 190. 
 
 
 191. 
 
 
 192. 
 
 KSIGN. 
 
 193. 
 
 
 194. 
 
 
 195. 
 
 
 196. 
 
 1 
 
 197. 
 
 1 
 
 198. 
 
 . Cup and saucer. 
 
 Miss Macintosh. 
 School of Art and Appukd Dbsign. 
 . Cup and saucer. 
 , Cake plate. 
 Teapot brought from Scotland in 1800, by Thomas 
 
 Torrance. 
 Plate of tea set marked T. T. 
 Soup ladle. 
 Sauce boat. 
 
 One plate of old dinner set. 
 Dish. 
 Plate. 
 Fruit dish. 
 
 Mrs. N. W. TRRNHOtME. 
 
 Mexican jar. 
 
 Vegetable dish. 
 
 Rokewood vase. 
 
 Cup and saucer (old English china). 
 
 Mrs. W. Markland Mowon. 
 Lowestoft mugs. 
 
 Mrs. FAyettk Brown. 
 Tray, roses. 
 Cream and sugar. 
 
 Mr. F o. Birks. 
 Three pieces porcelain, about 90 years old. 
 Miniature, Queen Louise. 
 Miniature, Maude Adams. 
 One Monk (Stein). 
 Three Monks (Stein). 
 Tankard (roses). 
 
 Mrs. James M. Shaw. 
 Specimen Galli glass. 
 Specimen Galli pottery. 
 Fmest specimen modern cut glass. 
 Specimen Galli glass. 
 Galli pottery. 
 Modem very fine cut glass bowl. 
 
 Hon. G. a. Drummond. 
 Egyptian vase. 
 Spode vegetable dish. 
 Water monkey, made by the Indians of San Xavier 
 
 Mission, Arizona. 
 Egg stand, willow pattern, verv old. 
 Old Irish cup, over 100 years old. 
 Cups, willow pattern. 
 
 Mrs. John McDougali,. 
 Carved soapstone plaque, Chinese. 
 Carved ivory card case. 
 Carved ivory jewellery. 
 
 Canned bone wine cup, very ancient, Japanese. 
 Pair Satsuma miniature vases. 
 Pair Satsuma miniature vases. 
 Pair Satsuma powder boxes. 
 Ivory statuettes. 
 Ivory statuettes. Nitski. 
 Pair cloisonnd jars. 
 One cloisonnd lar. 
 One cloisonne jar. 
 
 ill 
 
 m 
 
 m 
 
199- One cloisonne j.ir with cover. 
 2a). Set coral jewellery, Italian. 
 
 Mr. 'John Dillon. 
 201. I'late, marine subject. 
 
 Mks. Mi'RKAY, St. John. 
 2oa. Plate, conventional <ksij^n. 
 
 203. Copy of original (jueen'.s Jubilee cu]). 
 
 MlS-S H.XHI'KK. 
 
 204. Hon-bon box. 
 
 205. Cup and saucer. 
 
 Mr.s. C. \V. Dban. 
 
 206. Cup anil, saucer. 
 
 Mi.ss Skybold. 
 
 207. Cup and saucer. 
 
 Miss Olga Riddkll. 
 
 208. Spode platter. 
 
 209. Spode platter. 
 
 2 to. Spode soup plate. 
 
 211. Spode jilate. 
 
 Mrs. John McEntyrk. 
 
 212. One old Canadian jug, bronze glaze, decorated 
 
 with flowers. 
 
 Miss Eglaugh. 
 
 One piece TiP-iny glass. 
 
 One piece Galli glass. 
 
 One piece Galli glass. 
 
 Hon. G. a. Drummond. 
 
 One vase, Assiut pottery. 
 
 One vase, Assiut pottery. 
 
 Mrs. Herbert W'allis. 
 
 One plate (Bow), early i8th century. 
 
 Two cups, uncolored china, with raised Hawthorn 
 pattern, Chelsea. 
 
 One plate, Chelsea (anchor mark) 
 
 One dish, Plymouth. 
 
 Collection of blue and white china (English and 
 Oriental ) of willow pattern type, to show varia- 
 tions in design : 
 
 a. Old Nankin hot water dish. 
 
 b. Recent common Nankin saucer. 
 
 c. Salopian plate. 
 
 d. Two Staffordshire saucers (one transfer) 
 
 e. Bristol plate (transfer pattern). 
 
 f. Nankin annorial plates, decorated to order in 
 
 China, 1 8th century. 
 
 223. Collection of Lowestoft pieces and of Oriental East 
 
 Indian enamel, or " des Indes d fleurs." often 
 miscalled Lowestoft : 
 
 a. Lowestoft tea pot by Hart (note heart on 
 
 handle). 
 
 b. Lowestoft bowl, with salmon scale pattern 
 
 c. Lowestoft cup and saucer, with salmon scale 
 pattern. 
 
 d. Tw^-handled cup, probably Oriental china 
 
 (decorated in Liverpool). 
 
 e. Three plates of East Indian enamel (Chinese?), 
 
 made for the Euiopean market during the i8tli 
 century. 
 
 224. Staffordshire lustre ware : 
 
 a, b, c, d. Three saucers and one cup of Stafford- 
 shire "Cottage China." 
 
 214. 
 
 215- 
 
 216. 
 217. 
 
 218. 
 219. 
 
 220. 
 221. 
 222. 
 
 a4i. 
 
[laze, decorate<l 
 
 lised Hawthorn 
 
 a (English and 
 , to show varia- 
 
 ransfer). 
 
 ted to order in 
 
 3f OrienUl East 
 i fleurs," often 
 
 note heart on 
 
 lie pattern. 
 
 h salmon scale 
 
 Oriental china 
 
 inel (Chinese?), 
 during the iStli 
 
 :up of StafTord- 
 
 e! One bowl of lugtre ware (pottery). 
 225, Two I)o,v'h i.rly Worcester, one with VV. mark, 
 1750. 
 
 Dr. J. G. Adami. 
 2j6. Plaque, by Lachenal, Paris, France. 
 
 227. Plaque, Colport. 
 
 228. Plaque, r>elft. 
 
 229. Cup and saucer, dragon pattern. 
 
 230. Pitcher, old B'nglish .stone ware. 
 
 231. Bottle, old English stone ware. 
 
 232. Old Italian vase. 
 
 233. Roman glass vase. 
 Roman lamp. 
 
 M1S.S Marion Laing. 
 Antique teapot, with Arms of Henry Fourth, of 
 
 Frf,nce. 
 Napoleon tumbler. 
 Napoleon Sevres dish. 
 
 238. Ola blue Staffordshire sugar basin. 
 
 239. A, n, C glass plate, with impression in centre of 
 "Sancho Panza and Dapple." 
 
 Large English glass tumbler, made to commemorate 
 the ascension of Queen Victoria, with a four- 
 pennv silver coin of William Fourth of England, 
 dated 1836, in stem. 
 
 Two cut wine glasses, old French. 
 Mr. J. B. Lbarmont. 
 
 Old Wedgwood mug, once the property of Sir 
 
 Walter Scott. 
 Green teapot, over 200 years old. 
 Miss Barry. 
 
 244. Old Wedgwood teapot. 
 
 245. Davenport plate. 
 
 246. Spode cup and saucer and cofTeenmg. 
 
 247. Crown Derby cream pot. 
 
 248. Crown Derby vase. 
 
 249. Worcester saucer. 
 
 250. Cup and saucer, English china. These were the 
 
 property of John Ogilvy, a leading Nor' Wester, 
 godfather of Anne Ross, daughter of Duvid 
 Ross, Advocate General, and Mr. McCord's 
 mother. He it was who applied the name 
 " Trafalgar " to one of his properties, now leased 
 to the Botanic Garden of McGill college, and 
 the origin of the name given to the institute for 
 the education of young ladies founded by 
 Donald Ross. 
 
 251. English china cup and saucer, bearing the initials 
 
 of Ezekiel and Fanny Hart. This excellent man 
 was twice elected for the Parliament of Lower 
 Canada, and excluded on account of his faith. 
 He lived to see the amende honorable made him 
 by a subsequent act of the same body. 
 
 a34. 
 
 235- 
 
 236. 
 
 237. 
 
 340. 
 
 241. 
 
 242. 
 243- 
 
 i 
 
 ,5! 
 
Section D.— Bookbinding 
 and LeatHer Work 
 
 Sale ExbiDiit 
 
 1. Wnting case in embossed leather 
 
 2. Book cover in embosse;! leother 
 
 3. Lard case in embossed leather 
 Miss L. Bkrkskoru Tuttv, Ottawa 
 
 4. Blotter 
 
 5. Pin catie 
 
 6. Opera ."{lass bag 
 
 7. Shopping bag 
 
 8. Shopping bag 
 
 9. Book cover 
 10. Book cover 
 l:. Magazine cover 
 I a. Magazine cover 
 
 13. Cushion, dragon and poppy desiirn 
 
 14. Cushion 
 15- Table cover 
 
 16. Shaving case 
 
 17. Shaving case 
 
 18. Needle book 
 
 19. Needle book 
 ao. Needle book 
 ai. Needle book 
 
 Designer, Miss UtizABBTH Haskett. 
 Designs for book covers, with headings 
 
 Designer, Miss Marion E. Jordan. 
 Love Ballads of the i6th Centurv 
 Long Ago ' 
 
 In Memoriam 
 Shakespeare's Sonnets 
 French Lyrics 
 Defence of Guinevere 
 
 Artist, Otto Zahn. 
 C. E. Took & Co., Memphis, Tenn 
 29- Every Day Visiting List 
 30, Engagement List 
 
 3r. ri^:S'ofkl\l "" '^-^^^^-^^-^ Toronto. 
 
 32. Spencer's Fairie Quaene 
 
 Ebbn Pickbn. 
 
 33. Scottish Folk Ivore 
 34- Tekla 
 
 35. Heart songs 
 
 36. Heart Songs 
 
 37. Society Types 
 
 38. Folks from Dixie 
 
 39- Canada and its Capital 
 
 40. Chiistmas in French Canada 
 
 41. Nothing but Names 
 4a. Wessex Poems 
 
 43- Forest of Bonne Marie 
 44. King's Mirror 
 45- Rip Van Winkle 
 
 46. To London for Jubilee 
 
 47. Study for In Memoriam 
 
 48. Seven Seas 
 
 49. Forest of Arden 
 
 Geo. N. Morang. & Co., Ltd., Toronto. 
 
 22 
 
 33. 
 i4. 
 25. 
 26. 
 
 a7. 
 28. 
 
 Prick. 
 
 I20.00 
 10. oc 
 8.00 
 
 3-50 
 
 1. 00 
 
 2.00 
 
 3 so 
 
 3 50 
 
 1.50 
 
 1.50 
 
 a. 50 
 
 a. 50 
 
 7.00 
 
 8.50 
 
 S-oo 
 
 1.50 
 
 1.50 
 
 •50 
 
 •50 
 
 •50 
 
 .50 
 
 45.00 
 30.00 
 as 00 
 26.00 
 «9 5o 
 '7-50 
 
 31S 
 lo.oo 
 
 1. 00 
 
 '•as 
 1. 00 
 1.50 
 •7S 
 •2S 
 50 
 00 
 SO 
 75 
 
 I 
 
 a 
 
 a 
 
 a 
 
 I. 
 
 i-as 
 
 1.50 
 
 a. 50 
 
 •75 
 '•25 
 1.50 
 2- as 
 
nding 
 ork 
 
 Pricb. 
 
 |3O.0O 
 
 lo.oc 
 8.0O 
 
 3)50 
 
 1. 00 
 
 a.oo 
 
 350 
 
 3-50 
 
 1.50 
 
 t.50 
 
 9.50 
 
 a.50 
 
 7<oo 
 
 8.30 
 
 5.00 
 
 1.50 
 
 1.50 
 
 •50 
 
 .50 
 
 •SO 
 
 •SO 
 
 45.00 
 30.00 
 25 00 
 36.00 
 '9 50 
 »7-5o 
 
 31S 
 10.00 
 
 1. 00 
 
 '•25 
 1 .00 
 1.50 
 •75 
 1-25 
 2.50 
 2.00 
 2.50 
 
 1-75 
 '•25 
 
 I 50 
 2.50 
 
 ■ 75 
 1-25 
 1.50 
 2.25 
 
 
 (Section D.— Bookbinding 
 ar-d Leather Work 
 
 Coan €xMbltf. 
 
 1. Bookbinding in its tlifTcrcnt stages, tools, fleurons, 
 
 leather and paper sewing, cardboard ready for 
 the leather, 
 
 2. Bound f)ook. 
 
 3. Ordinary work. 
 
 4. Amateur work. 
 
 Ed. Lkvkii.lk Cik. 
 Silver Medallist, Paris Exposition. 
 
 5. Dante. La Divina Cornmedia. Aldus, Venice. 1502 
 
 6. Catullus. Poems. Aldus, Venice, 1554. 
 
 7. Suetonius. The Twelve Cffisars. Leydcn, 1751 
 
 8. Histoire du Pa^s de Vaud, Geneva, 1819. ' ' 
 
 9. Celebrated Friendships, Vol. i. Mrs. Thompson 
 
 London, 1861. ' 
 
 ID. Girlhood of Maria Joseplia, Holroyd ed., J. H. 
 Adams, Longmans, i8g6. 
 
 11. The Chevrels of Cheverel Manor, Lady Newdigate 
 
 Longmans, 1898. ' 
 
 12. A.solande, Robert Browning, Houghton & Mifflin 
 
 1890. 
 
 13. The Flight of 'he King, Allan Fea, John Lane, 1897 
 
 14. Literary Anect' <tes of the 19th century, Nicoll & 
 
 Wise, Vol I. Hodder & Stoughton, 1895. 
 
 15. In the Ray of Blue, Symonds, John Lane, London 
 
 1893. 
 
 16. Island Garden, Celia Thaxter, Houghton & Mifflin, 
 
 189s. 
 
 17. Our Old Home, Hawthorne, Houghton & Mifflin 
 
 1891. 
 
 18. Gentle Art of Making Enemies, Whistler, Chellea. 
 
 19. Old Italian Masters, Engravings by Timothy Cole 
 
 Notes by Stillman, Century Co., 1892. 
 
 20. Journey of the Lily and the Rose, Walter Crane 
 
 Cas.sell & Co., London. 
 
 21. Carved Leather Portfolio. 
 
 22. Carved Leather Belt. 
 
 23. Carved Leather Hand Mirror. 
 
 Mr.s. C. W. Colby. 
 
 24. Ancient missal, an old Plantin, red velvet, silver 
 
 medallions, vermilion frames, brought from the 
 chapel and Seigneury of Oudoumont. 
 Mrs. de Bkllkfroid d'Oudoumont. 
 
 25 
 26. 
 
 27- 
 
 28. 
 29. 
 
 ago. 
 
 Coat made of Cariboo skin, thirty years 
 Yellow pattern, made with fishroe dye. 
 
 Coat made of moose skin, forty years ago. 
 
 Trousers made of same. 
 
 Portmanteau of elk skin, made by Cayuse Indians 
 of Oregon. 
 
 Papoose cradle. Cayuse Indians. 
 
 Mrs. W. Markland Molson. 
 
 PI 
 
Artist, Mr». Samuel Lelean, Red- 
 
 30, Hook cover. 
 
 jr. Belt. 
 
 jj, S|)t!ctacle case. 
 
 land!), Cal. 
 
 Mrs. VVii.r.iAM Craio. Port Hope, Ont. 
 33' Jiipaiiese leather smoking case. 
 Mr. H. A.mks. 
 34. I-aUKioinrHontu-ur, 1 vol., rellure % amateur 
 
 HouikI t.y Kil. I.eveille Cie. 
 
 Oh. K. I'. Laciiai'km.k. 
 33. French I)in(liii><, f„li Morocco, roM tooliuK Hilk 
 
 lined, about iHio. Much older than tlie Epon^cs 
 
 Francaises, for which it wa,s utilized a few years 
 
 French bindinK, full polished calf, paneled sides, 
 
 InOo. 
 
 n!.nl'\'''"r""^'v'n'' morocco, 1875, Louise Ube. 
 Italian binding, full morocco, 1756. Petrarch 
 fcuKhsh binding, full cream calf, 1848. Hood's 
 
 Poems. 
 English bindin>{, half morocco, 1883. Swinburne 
 
 Mr. Wii.MA.M McLknna.n. 
 Breeches Bible printed in 1597, in oriKinal bindinR. 
 good state of preservation. " 
 
 Mr. Wm. Minto. 
 
 Poetry of Architecture. John Ru.skin. 
 Verona and other Lectures. John Ruskin. 
 . The Evergreen, 3 Vol. 
 
 Frank I. Hov. 
 . Pair bracelets, leather v ork. 
 Mrs. I'.lohkm,. 
 
 Bible cover, leather, inLiid with ivory, isio. 
 Chair cover. ' 
 
 Shield. 
 Chair. 
 
 Hon. O. a. Drummond. 
 
 Linden's Gallery British Art. A specimen of book- 
 binding by hand. 
 
 Mr.s. Herbert McKhon. 
 Bookbinding by the Sisters of Mercy. 
 
 The Slster.s ok Mercy. 
 Aucassin & Nicolette. bound in Suede calf at the 
 
 Roycr(jft shop. East Aurora. 
 Friendship, bound in Suede i df at the Roycroft 
 shop, East Aurora. 
 
 Mrs. Bui.mck. 
 Wehiro Irinini Prayer Hook, in Montagnais 
 langn.ige. Published by Father Latrobe, Que- 
 bec, 1765. The first C.inadian binding. 
 Reglement de la Co-.fr6rie de I'Adoration Per- 
 petuelle du St. Sac ement et de la bonne Mort 
 1770. Early Canai.ian binding. 
 Exercice tr^s d^vot enversS. Antoine de Padoue le 
 thaumaturge, 1777. About the first binding in 
 Montreal. ^ 
 
 Cantiques de L'Ame devote divisds en 12 livres 
 
 1776. Early Canadian binding. 
 Psautier de David avec les Cantiques, Quebec nSq 
 
 Mr. L. W. Sicotte! 
 D^fen,sede I'Ordre Social, Paris, 1829. Variegated 
 tree calf. Restoration. ^ 
 
 36. 
 
 37. 
 3»- 
 39- 
 
 40. 
 41. 
 
 4» 
 
 43 
 44 
 
 4.'5. 
 
 46. 
 
 47- 
 48. 
 
 49- 
 SO. 
 
 51 
 
 52. 
 53- 
 
 54. 
 
 55- 
 
 56. 
 
 57- 
 58. 
 
 59- 
 
el Leiean, Red- 
 e, Ont. 
 
 re X amateur. 
 
 (1 tooling, HJlk 
 an tlie Epopees 
 ed a few years 
 
 paneled sides, 
 
 , Louise Labe. 
 I'etrarch. 
 1848. Hood's 
 
 !. Swinburne. 
 
 ixinal binding, 
 
 n. 
 
 uskin. 
 
 '. isig. 
 
 limen of Ijook- 
 
 de calf at the 
 the Roycroft 
 
 Montagnais 
 <atrobe, Que- 
 ing. 
 
 iorntion Per- 
 bonne Mort, 
 
 de Padoue le 
 it binding in 
 
 en 12 livres, 
 
 Juebec, 1785. 
 
 Variegated 
 
 60. The People of the Long House (Tlie Iro<iui)i!<), 
 
 Toronto, 1897. Dt'hixiicd and folored in gilt 
 linen, the red and bliick for blood and war, wTlli 
 gilt tomahawk, llii- yellow and )iink for joy, 
 with gilt |)eace pipes. 
 
 Designer, Coi,. K. M. Chadwick. 
 
 61. Traild des Injures, I'aris, 1769. Mottled paper with 
 
 tooled calf back, I.ouis XVI. 
 
 62. Inferno di Dante, Paris, 1787 Plain calf sides, 
 
 gilt tooled eilge and back, Louis X\'I, 
 
 63. Histoire du Droit Canon, Paris, 1675. Plain calf 
 
 sides, gilt tooled back and edges. 
 
 64. Urev.iriuni Monastriense, Cologne, 1597. Old Ger- 
 
 man calf. 
 6,^. M.S. 1336 to I4,S4, Constitiones Ecclesiasticae. 
 Old C.emian half calf, black. 
 
 66. Chinese Dictionary of Rhymes. Raw silk. 
 
 67. Testament, a gift from' H. M. Queen Victoria, 
 
 Kdinburgh, 1822. Drown morocco, highly 
 stamped and gilt. 
 
 68. Songs of the Great Dominion. Green morocco gilt 
 
 tooled edges and inside edges. Dawson Bindery, 
 Montreal. 
 
 69. Low tide on Grand Pr<, Boston, 1894. Cloth 
 
 Cover designed by Geo. H. Hallowell. 
 
 70. The False Chevalier, Montreal, iHgS. Cloth, design 
 
 in white ink by A. G. Racey. 
 
 71. The Lord of Lan'oraie, Montreal, 1898. 
 
 cover, designed by Samuel Raphael, 
 
 72. Chansons Populaires du Canada, 1S80. 
 
 pictorial design by Power & Dawson 
 T. Leniieux, hinder, Quebec. 
 
 Mr. W. D. Lighthai,!,. 
 
 73. Mexican writing slab. 
 
 74. Paper holder. 
 
 75. Purse from India. 
 
 76. Bag, leather painting, Gennan. 
 
 77. Chatelaine bag, crocodile leather. The invention 
 
 of the Lady Isabel Margesson. 
 
 78. vSlippers, Russian. 
 
 79. Shield, From the days of Robert the iv 
 
 Mrs. John McDougam 
 
 80. Books, Roycroft shops, Aurora. 
 
 81. Stamp cases, Embossed Leatbcr. 
 
 82. Chair Seat. 
 
 83. Frame, Burnt Leather. 
 
 Artist Mrs. Frank Dougl is. St. Paul, Min. 
 
 84. Leather Frame, Arti.sl Mrs. Burton, San Francisco, 
 
 Mrs. Hunti.i \- Drummond. 
 
 8s. Purse, German Leather. Paris Rxpo.ntioj. 
 Mrs. Bktt. 
 
 Kilt. 
 
 Cloth, gilt 
 
 Cloth gilt, 
 Montreal, 
 
 86. Tennyson. K,ind Table edition, 
 
 87. Tennyson. Round Table edition 
 
 88. Omar Khayam. 
 
 89. The Quest of the Golden Girl. 
 
 90. The Adventures of Lady Ursula. 
 
 91. Treatise on Etching. 
 
 92. Moliere. 
 
 93. Browning's Poems. 
 
 94. Maude Adams' Book. 
 
 95. Julia Marlowe Book. 
 
 cloth. 
 V Morocco, 
 
 IF! 
 
 i ' 
 
 « 
 
 ii 
 
Tooled 
 
 96. The New Noah's Ark 
 
 97. Lra Fontaine's Fables. 
 
 Mr. H. T. Thomas. 
 
 98. Old Testament, 1773, Tooled Leather 
 
 99. Harry and Lucy, 1825, Tooled Leather 
 o?' VoTnTy^ "J^P"' ''"• Tooled leather. 
 
 leather " J°""''=y'"^»' Mason, ,829. 
 
 103. Omar Khayyam. 
 
 Inf rr^,'" ?"°"8'^' William Morris. 
 05. The Book of ^Visdom and Lies, Morris. 
 106. Hand and Soul. Publisher, Tl os Mother 
 ]%■ O^'^'LKhayyan,, Thos. Mather ' 
 
 108. The Germ, 1881, Thos. Mosher 
 
 109. Swinburne's Poems. Thos. Mo.sher. 
 no. Omar Khayyam, Brentano. 
 
 Ill ^^-^li-Khayyam, Elbert Hubbard. 
 
 • '^'Hsh'^&n'g, ?L't '""" ^'^'"°"'-" ^"'^ ^"«- 
 
 "" ^Vd'ey.^'"^'^' P"^"^*'«d by Russell for Will 
 
 Mr. a. L. White. 
 
 131. 1 
 
 13a- 1 
 
 «33. I 
 134. I 
 
 13s. 1 
 
 136. C 
 1 
 
 137. £ 
 
 138. C 
 
 139. C 
 
 113 
 
 114. 
 
 US- 
 
 Book of Esther, parchment, 180 years old 
 Mr. D. a. Anski,!,. 
 
 ^7nS^ %7^'^:r' '^^"'^■- "■-""«■ --"'^-l 
 
 uf. IrrtSstenrn',: """"'^ ^" '"""^^ °^ P^^" 
 
 118. Canvas slip cover. 
 
 119. Portfolio in burnt leather. 
 J. B. Lkarmont. 
 
 The Century Co., New York 
 
 '"• ''ttTb.ilfn^niT"^'' '" '"'^'^ '-^"''-' '--'J- 
 G. E. Desbarats. 
 
 ''Z\Xpn^!'L7^': ''-'''''''' 'y ^'^^-^ "^ Art 
 
 Artist, Miss Harrison. 
 Portfolio. 
 
 Artist, Frau Zanke. 
 Anf/^'^' ^^^ ^°°^ '=°^'^^« f>-on' the -EnElish 
 an" cTngalese.'™''"" "''"^"' ^"•^-". «-& 
 Eben Picken. 
 Don Quixote. Illustrated by Gustave Dor^ with 
 Orf^^^al-Sittr- °" ''^^ woo/^b^r-arl! 
 126. Croquemitaine. Illustrated with nrimnni -^ 
 
 1 28. Hand made books. Designs for covers 
 
 130. Song of Solomon. 
 Designer, H. Grenfei.1., of Dent & Co., London, Eng. 
 
 122. 
 
 123. 
 124. 
 
 125. 
 
 
s. 
 
 ather. 
 
 vcather. 
 
 'd leather. 
 
 son, 1829. Tooletl 
 
 and Plays, 1820. 
 
 Morris, 
 s. Mosher. 
 
 i. 
 
 fVniour, early Eng- 
 
 Russell for Will 
 
 'ears old. 
 
 binding, mounted 
 lother of pearl. 
 
 books to be pub- 
 
 ork. 
 
 leather, bound in 
 
 by School of Art 
 
 n the -English, 
 ndian, Swedish 
 
 ave Dor^, with 
 i by the artist. 
 
 original draw- 
 d by Art Union, 
 
 y Selous. 
 
 131. French binding of i8th century, green morocco, 
 prismatic edges, fine tooling. 
 Two examples Cambridge, Eng., Library binding. 
 
 Full English calf. 
 Library binding, half crushed levant and morocco. 
 Modem Italian binding, half vellum, overlaid with 
 gold and green. 
 
 McGni, Coi,I,SGH. 
 Three leather purses, done by the Santa Barbara 
 Indians. 
 
 Mrs. Coi,by. 
 136. One fr-ime cover and thirty book covers. 
 
 Designer, Charlbs Scolorutus, New York. 
 Saddle bag. Tangier. 
 
 Mrs. Hkrbhrt Walus. 
 One leather Bible case (date, 1509). 
 One "Smoker's Manual," heavy leather cover, old 
 English edition, very small. 
 Miss Eglaugh. 
 
 132- 
 
 '33- 
 134. 
 
 '35 
 
 137 
 
 138. 
 '39. 
 
 P . 
 
 ' ii 
 
 ers. 
 Vechten. 
 
 m 
 
 London, Eng. 
 
^ Section E.— Fans, 
 Miniatures, Old Jewellery 
 
 Coin Exbibiu. 
 
 3- 
 4- 
 5. 
 fi. 
 
 7- 
 
 i6 
 
 17 
 l8 
 
 Tortoiseshell fau with gray ostrich feathers 
 XZi^t S'"^^ °^ '""^ ^'"S °f Belhi! painted 
 
 Mrs. G. B. BuRlAND. 
 Miniature, painted, one Elder Englehart 
 
 fctofhi'^iJiilt'iir ^ '•^^ -' '" "^ ^'-- "• 
 
 '■'hi MarQue'^?o7S!'- -P^'' ^- o"e won, 
 
 Mrs. C. F. Deacon. 
 Chatelaine (orci.seld). 
 
 Madamr Aims Geoffrion. 
 Set yellow topaz in old gold setting, 
 
 : :: Chtleselvorf fr."^' '^'" ''^^'^'^ -" ^5 years old. 
 Painted ivory fan. 
 
 Mrs. N. w. Trenhoi,mb. 
 'Wpeafl'sti'k^.'^""'^) mounted on carved mother 
 
 Madame J. R. Thibaudeau 
 n'lTh?i'^i,P'*"!!"'^ "'i porcelain of Child on cross 
 JolirBEd' of ""/'• C-tis; grandfather Mr. 
 Ireland • ^°^«'"'' ^°""*y Wexford, 
 
 Mrs. h. Curtis. 
 
 8. 
 9- 
 
 12 
 
 13 
 
 J5 
 
 Miniature. 
 Miniature. 
 Miniature. 
 
 19' Antique fan 
 
 Mrs. F. Rolland. 
 
 20. 
 21. 
 22. 
 
 25- 
 26. 
 
 27. 
 28. 
 
 Mrs. McLennan, 
 Antique Spanish earrings 
 Antique Austrian Reliquary, 
 — . Medal, Tel-el-Kebir 
 23, Medal, Sebastopol 
 24- Medal, Afghanistan. 
 
 Mrs. F. S. Lyman. 
 
 Sr7htd\tt'it^'^i^^?,r""' '"""^ ""^^•^- 
 
 Mrs, C. E. Spragge, 
 Miniature of the Hon, Herman Witsins Rvl«„H 
 member of the Legislatiye Council of Canada ' 
 Miniature of the Duchess of Rut?and?gryen bv Sir 
 Sge the""iv" '° '''' «°"' «• W.'Kdtfm 
 Mr, Warwick Ryland, 
 Peacock feather fan, 100 years old Tu^ u j, 
 made from the quiils ^ tC feathers ^ '''"^'' 
 Mi.'.s M. E. Bayus. 
 
 30, Tortoiseshell bojc 
 
 31. Enamel box. 
 Brooch, Mexican feather work. 
 Two seals, yellow topaz and cairngorms 
 
 Miniature. '''''■ "^^ ^^ ^"'"'^"^ ' 
 
 Mrs. W. C. J. King. 
 
 29 
 
 32 
 3S 
 
 34 
 
 81. 
 
B»>a>>f 
 
 35 
 
 Bwellery 
 
 36 
 37 
 
 h feathers. 
 
 38 
 39 
 
 g of Delhi, painted 
 
 40 
 
 
 41. 
 
 
 42. 
 
 glehart. 
 
 43. 
 
 gn of Charles II. 
 
 4,. 
 
 ed from one worn 
 
 45- 
 
 
 46. 
 
 
 47. 
 
 3N. 
 
 48. 
 
 K- 
 
 49- 
 
 g- 
 
 50. 
 
 over 75 years old. 
 
 SI. 
 
 
 52. 
 
 
 53- 
 
 B. 
 
 54- 
 
 an carved mother 
 
 55. 
 56. 
 
 w. 
 
 57. 
 
 Child on cross. 
 
 58. 
 
 grandfather, Mr. 
 
 fc' 
 
 ounty Wexford, 
 
 6i. 
 
 
 63. 
 
 
 63. 
 
 
 64. 
 
 
 65. 
 
 
 66. 
 
 
 67. 
 
 
 68. 
 
 
 69. 
 
 
 70. 
 
 
 71. 
 
 
 72. 
 
 
 73. 
 
 from native. 
 
 74. 
 
 75- 
 
 l^itsins Ryland, 
 
 76. 
 
 77. 
 
 1 of Canada. 
 
 78: 
 
 id, given by .Sir 
 
 
 V. Ryland from 
 
 79. 
 
 1- The handle k 
 
 80. 
 
 rs. 1 
 
 
 •ms. 
 
 81 
 
 82, 
 
 . Miniature of J. C. Roy, 1820. 
 . Miniature of Henri Dumas. 
 . Snuff box, 1735. 
 
 Mmk. Rouer Roy. 
 . Locket. Portrait of W. Caldwell, M.D., ist Royals. 
 . Officer in Regimentals. 
 
 • Mjnjature of a lady, evening costume, about 1830. 
 . J! iniature of a gentleman about same date. 
 . Two small boxes Battersea enamel, pink and white. 
 , Small painting on copper, top of a snuff box. 
 , Brooch and earrings, Bennudian Stalactite. 
 Miss E. G. Johnstone. 
 Miniature on ivory (Mr. Dowsiey). 
 Miniature on ivory (M. H. Sanborn). 
 Miniature on ivory (Lionel Hunton). 
 
 Miss. M. Sanborn. 
 Two pearl necklaces. 
 One topaz necklace. 
 Amethyst necklace. 
 Pink topaz. 
 Coral set. 
 Coral set. 
 Miniature. 
 Miniature. 
 . Watch. 
 Fan. 
 Fan. 
 Fan. 
 Fan. 
 Fan. 
 Fan. 
 
 Mrs. Andrew A. AttAN. 
 Set Indian spar, n klet, earrings, brooch. 
 Hair bract ite and gold ciasps. 
 
 Amethyst >.. >ji.):, gold setting. 
 Indian f a/h; h.-s^t, necklace. 
 Alligato.^i ..-eLJ bracelet. 
 Old gold bracelet. 
 Antique gold chain. 
 Indian spar bracelet (green). 
 Miniature oil painting. 
 Two Silhouettes, 200 and 100 years old. 
 Antique carved ivory tablets. 
 Toothpick and case, 150 years old. 
 Miniature on ivory (Miss H. Smith, London, Eng.) 
 
 Mrs. Lyndon Smith. 
 Miniature on ivory, W. G. F. Whiting, 1844, 
 Miniature on ivory, W. G. F. Whiting. 
 Miniature on ivory, W. G. F. Whiting. 
 
 Exhibited by Mrs. F. F. Booth, Port Hope, Ont. 
 Old fashioned cameo, representing the Blessed 
 Virgin and Infant Jesus, and St. John the 
 Baptist. 
 One set in gold filagree comprising brooch with 
 large "Aqua Marines" pendants and earrings 
 and two pieces with four "Aqua Marines." 
 This set is two hundred years old. 
 Prayer beads composed of whole Agates and 
 mounted in gold. Was given by His Holiness 
 Pope Gregory XVI. (sixteenth) to the great- 
 great aunt of the sender. 
 Miniature on ivory, by Wm. de Berczy, of Madame 
 Francois Antoine La Rocque (n€e Cott6), in 
 1819. 
 
 !n,iti 
 
84. 
 85 
 86. 
 
 87. 
 
 88, 
 89. 
 go. 
 
 91. 
 92. 
 
 9i- 
 94- 
 95- 
 96. 
 
 97- 
 98. 
 
 of 
 
 83. Three stnall pastels, also by Wni. de Berczv re- 
 presenting menibers of the old Chaboillezfan'.ily 
 ancestors of the lenders. ■' ' 
 
 ivlADKMOISKLLE LaRoCQUK. 
 
 ^''a^r.lfi"' "'°""'f> '« S°l''. representing two 
 angels (over two hundred years old) 
 
 yea°s^oldr'' "'"" "'"' '^°'"''" ^''''^' *'^° ''"°'^'^'* 
 
 ^"rtnr!)*''°"''"iP'"' /eP'-esenting on one side St. 
 Geo^e, on the other Our Lord calming the 
 
 Pearl pin and earrings mounted on mother 
 pcfiri. 
 
 Miss Marir Chari,ebois. 
 Tuscarora Indian brooch. 
 Full length silhouette. 
 Miniature. 
 
 Mr. Lewis Skaife. 
 Miniature, Duchess of Devonshire (Modern) 
 Miniature, Maria Theresa (David) """"^ 
 Miniature, woman in green, D 1 1727 
 
 Brooch"twP^''1f' ^"•""" °f Sweden, after David. 
 Brooch, two small miniatures set in paste 
 
 flowers^'''"*^'^ '^"' '^°'^' ^^'""^^ "^'^^ ^"^'"el 
 Italian fan, amber with colored flowers 
 
 "i^'ilh s?e"el ^^'^^ ""'^ ^°''^ ""^^"^ ivory sticks 
 ^' ^"handli^"' P^'"*'"^' '^^'■^^'^ sticks, with paste in 
 Mrs. Hector Mackenzie. 
 Cameo brooch over 100 years old. 
 
 Mrs. WitUAM Waugh. 
 Three miniatures. 
 3^ Artist— Miss E. Woodhousb. 
 
 Ring. 
 
 Seal. 
 
 Silver buckles. 
 
 Mrs. Frank Stephen. 
 One medallion, blue enamel and pearls, figure in 
 centre done with hair. ^ 
 
 Miss Grace Robertson. 
 , Feather Fan. 
 
 Miss Nei,i,!E Barker. 
 
 ^'fbo. ^''^r.^\ ^'"'^''■^' "^^ P«r ^'««i« XIV., 
 '"93' See notes. ' 
 
 Mrs. L. Sutherland. 
 
 Miniature by Moritz Krantz. 
 
 Mrs. Campbell MacDougall 
 
 ^""h^nH ^^"^ 1^°^^^' °f P^^'-J '"laid with gold 
 hand painted, 50 years old. ^ ' 
 
 Antique steel spangled fan, tortoiseshell sticks over 
 one hundred years old 
 
 ° mS^^^'^P"'"*^'^ '" '^'^' J"*"* Wright. Esq.. 
 
 Mrs. C. R. g. Johnson. 
 Miniature, Countess of Egglinton 
 Mrs. Charles K. Nelson 
 
 ^St^'lii'I'^p'Vl Angelique Cuvillier, wife of 
 »-apt. Slack, British Army, 1825. 
 
 100 
 
 loi. 
 
 102. 
 IC3. 
 104. 
 105. 
 
 106. 
 
 107 
 108 
 
 109. 
 
 IIO. 
 
 III. 
 
 112. 
 
 113- 
 
 114. 
 
I. <le Berczv, re- 
 haboillez family, 
 
 IK. 
 
 jpresentiiiij two 
 old), 
 ver two hundred 
 
 on one .side St. 
 d calming the 
 
 on mother of 
 
 (Modem). 
 
 23- 
 
 n, after David, 
 paste, 
 with enamel 
 
 ers. 
 
 :d ivory sticks 
 
 , with paste in 
 
 arls, figure in 
 
 Ivouis XIV., 
 
 I vdth gold, 
 
 II sticks, over 
 l^right, Esq., 
 
 lier, wife of 
 
 "5 
 
 ii6 
 
 117. 
 118 
 119. 
 
 I30. 
 121. 
 
 132. 
 
 123- 
 124. 
 
 "5- 
 
 126. 
 127. 
 
 128. 
 
 129. 
 130, 
 I3I. 
 132- 
 133- 
 
 134. 
 135. 
 136. 
 
 137. 
 
 138. 
 139- 
 
 140. 
 141. 
 
 142. 
 143- 
 
 144. 
 145. 
 
 146. 
 147- 
 
 , Small purse in heads, which wfts \mi\ for toiittlne 
 whist tif rkers in, about 1M35, '^ "^ 
 
 Mrs. DKSBABATii. 
 . Set of pearls consisting of a ne.k|fl».g, twf. tiMcelets 
 pair of earrings, small l.rooiti himI lifoorJi for the 
 hair. Supposed to be about tm ypuis f)1(l 
 Mrs. Oldham Robab'cs. 
 Miniature in hair. 
 
 Sisters ok Mkbcv, 
 Miniature on ivory, Catherine I'U'ken, of Phila- 
 delphia, 1797-1854, by Aiiit-riiHM hhIs), ittiknown 
 Miniature on ivory, Mrs. K„l)iim M(faue Picken 
 of Edinburgh i77o-i«J5, by W, Robertson; 
 Scotch artist, about ifkxi. 
 Miniature on ivory Eben I'kkmi ( flJ ),, 1^4-182^ 
 Scotch artist, unknown. •'' 
 
 Bruce, Edinburgh artist. ' ^ 
 
 . Silhouette portrait, Eben Plcken JJ, 
 . Silhouette portrait, Robina I). I'if-'kpfl, 
 . Silhouette portrait, Henry lielfrajjp I'ltkea. 
 
 Mr. Ebbn Pickkn. 
 . Spanish fan. 
 
 Mrs, C. HaTTON, 
 . Very old fan. 
 . Very old fan. 
 
 Lady Kingston. 
 
 ■ Painting of the Hon. Thomas Tresdwell, Member 
 of the Continental Congress of tftP tf filled States 
 and a descendant of a TreadweU wJlo cattle over 
 in the Mayflower in 1620. 
 
 Mrs. S. Tavlob. 
 Fancy miniature on porcelain. 
 
 Mrs. C. J. Allowav, 
 Set sea pearls. 
 
 Mrs. Hugh A. Ai,i,4i», 
 
 Watch of the eighteenth century, 
 
 Baron d'HALBWVI*, 
 
 Watch of the eighteenth century, 
 
 Mr. Henry Pbtkbs, 
 
 ''^' centu"*^^""**^' '^^''"^ ^''°'" '^^ ^"** *'^*''^ 9i*ieenth 
 Old miniature brooch (Little Gardgiiei-) tjiia 
 Old nng surrounded by fine pearls, Ijm 
 Brooch. Cameo, head of iSians, StlffeUHded bv 
 fine pearls, 1700 ■' 
 
 ^^LOTis'^XV '"'e^'""*''' ^"'■'■""'"'^•^ hy fi"e pearls. 
 
 Small old miniature brooch. 
 
 Parure of diamonds. Dormei}S#S bfoehe and 
 
 eglantine. 
 Old ring. Opals and diamonds, §emaA wiie 
 
 Brussels exposition, 1880. ^ 
 
 Amber bracelet and heart. Oermftfl WOffc, com- 
 
 mencement 19th century. 
 Old Albanian bracelet. 
 Parure of coral, with cameo. fashioBftble UJidej- the 
 
 Empire, 1800. 
 Fan, very old, 
 Spanish brooch, steel and gold, I'fofti Toledo 
 
 (modem). 
 Neapolitan parure, mother of pgftrJ au^J uh\a 
 Lava brooch. * 
 
 m 
 
 'I „ 
 li. 
 
 ili^ 
 
>4H, 
 
 149. 
 • 50. 
 
 151. 
 
 15a. 
 153. 
 '54. 
 
 155- 
 
 t56. 
 
 one small brooch 
 
 in 
 
 157. 
 
 158, 
 
 '59 
 
 160. 
 161. 
 162. 
 
 '63. 
 
 164. 
 '65. 
 
 166. 
 
 167. 
 168. 
 169. 
 
 170. 
 
 •71. 
 '72. 
 
 «73. 
 174. 
 
 '75. 
 '76. 
 
 J77. 
 178. 
 
 '79. 
 
 J80. 
 Jfi.. 
 182. 
 183. 
 
 '85. 
 1P6. 
 
 One cross, one medallion 
 
 Florentine mosaic. 
 Small pocket fan, white mother of pearl. Empire 
 
 ^^wSK^Sr^'vire/e"^"'- ^^°™ ^ "«>''^^ 
 
 """i^T^nlrntS "^"' '"'-•"^ "'"^ ''■•«"'^' «='-P 
 Two cro.sses in Roman mosaic 
 
 r^Tr.l""''?',^"".''. T'"'''- M'»''e in Dieppe, France 
 t l'errii'l-1 "S^ '''°"«''' '° "«^°"^^« ^" ««i« 
 
 Fan, (lesion Spanish bull fight. 
 
 One bracelet, earrings and cross found in .i,e 
 M™s°' ''" °''' P'^^^ °^ furniture. ' Aqua 
 
 ""'lie oS^ofil^alta"''"" '"'' «""'' C-''- ^^ 
 MdK. DE BKLtEFROID D'OUDOUMONT. 
 
 Miniature, Edmund St. Rouer Antrobus, born Tan 
 
 6th ,795. Provincial Aide-de-Camp for "teut 
 
 twenty-five years. Died in Quebe? Oct ml 
 
 James Cuthbert Antrobus. Born 1789. Died 1816 
 
 Mrs. Jeffrey Springle. 
 One fan Venetian Polychrome lace 
 One small Spanish fan Grenada 
 . One set six d'oyleys lace-wood. Jamaica. 
 Dr. Grace Ritchik-England 
 
 Fine chain necklace (old) 
 Necklace of Indian filagree gold and turquoise 
 
 Mrs. Campbeu, Lane. 
 Pair of iron earrings, substituted by the Polish 
 ladies for their precious stones which were 
 sacrificed to raise funds during the war 
 Miniature, General Small 
 Miniature, Mme. Bursey 
 Two old snuff boxes. 
 
 jMDE. DE BEI,LEFEUII,LE-MaCDONAI,d 
 
 """ndbrUcT"""^ P^^^' ^"^ a«.ethyst' earrings 
 One Amber necklace (100 years old) 
 One Cornelian necklace ( 100 years old) 
 
 One fZ '^"f ^"'^'i* ('50 years old).' 
 One gold and pearl flower holder 
 One cameo and gold bracelet 
 On^^tortoiseshell necklace, brooch and pair of ear- 
 One pair tortoiseshell cuff buttons 
 One pair tortoiseshell earrings 
 Onj^^air antique jet and gold earrings, .50 years 
 
 One pair antique long gold earrings 
 nT ^A ^"^'T'^ ^^""Sree gold ear^ngs. 
 One odd coral earring, 150 years old 
 One pair pilchers enamel gold earrings. 
 
 chS."' '°^'^ ^"'"^ chatelaine, wfth two golden 
 One serpent hair bracelet. 
 One brooch with hair, very old. 
 
 187. Pa 
 
 I8S 
 
 . On 
 
 189 
 
 . On 
 
 190 
 
 Th 
 
 191 
 
 La 
 
 192 
 
 An 
 
 193 
 
 Go 
 
 19-I 
 
 Tw 
 
 195 
 
 Pr 
 
 196 
 
 T« 
 
 197 
 
 To 
 
 198 
 
 Go 
 
 199 
 
 Tw 
 
 200 
 
 Tu 
 
 201 
 
 Go 
 
 202. 
 
 We 
 
 203. 
 
 Set 
 
 204. 
 
 Crc 
 
 
 1 
 
 
 F 
 
 205. 
 
 Mil 
 
 206. 
 
 Mil 
 
 207. 
 
 Sill 
 
 208. 
 
 Sill 
 
 209. 
 
 Sill 
 
 210. 
 
 Sill 
 
 211. 
 
 Gol 
 
 212. 
 
 Gol 
 
 213. 
 
 Snu 
 
 214. 
 
 Pist 
 
 215. 
 
 Sih 
 
 
 d 
 
 2l6. 
 
 Gor 
 
 217. 
 
 Pur 
 
 218. 
 
 Tor 
 
 219. 
 
 Can 
 
 220. 
 
 Pea 
 
 221. 
 
 Coll 
 
 222. 
 
 Thn 
 
 223. 
 
 Min 
 
 
 Q 
 
 224. 
 
 Old 
 
 
 g< 
 
 225. 
 
 Min 
 
 226. 
 
 Anti 
 
 22". 
 
 Whi 
 
small brooch in 
 
 f pearl, Empire, 
 om in Italy for 
 
 id bracelet clasp 
 
 Dieppe, France, 
 aroness du Bois 
 
 i found in ^iie 
 urniture. Aqua 
 
 rand Cordon of 
 
 MONT. 
 
 obus, born Jan. 
 -amp for about 
 lebec Oct. ist, 
 
 ^9- Died 1816. 
 
 iiaica. 
 
 ID. 
 
 intingof "Taj 
 ind turquoise 
 
 by the Polish 
 which were 
 war. 
 
 fALD. 
 
 ;hyst earrings 
 1). 
 
 1 pair of ear- 
 
 ?s, 150 years 
 
 1 two golden 
 
 187. Painted miniature of Aaron Philip Hart, bom 
 
 1724, died at Three Rivers in 1800. Commis- 
 sariat officer in the army in 1760, also Seigneur 
 of Becancour. 
 
 188. One old family portrait on pearl. 
 
 189. One old medai ion. 
 
 Mr.s. Ar.KRBD Bblasco. 
 
 190. Thread lace fan. 
 
 191. Labradorite pin. 
 
 192. Antique china, over 100 years old. 
 
 193. Gold vinaigrette, 150 years. 
 
 194. T\vo small hair set brooches. 
 
 195. Primrose League pin. 
 
 196. Two charms, gold, (very old). 
 
 197. Tortoifsshell set. 
 
 198. Gold bracelet (very old). 
 
 199. Two miniatures, by Goss. 
 
 200. Turquoise brooch, gold setting, about 75 years old. 
 
 201. Gold armlet, with hair setting, over 100 years old. 
 
 MoNTRKAi, Lady. 
 
 202. Wedding ring (split), date 1819. 
 
 Mrs. C. Spraggr. 
 
 203. Set seed pearls. 
 
 Mrs. Hugh A. Ai.i.an. 
 
 204. Cross of the Chevalier St. Louis, worn by Pierre 
 
 Thomas Tarieu de Lanaudi^re, chevalier of the 
 Royal and Military Order of St. Louis, 1677-1737. 
 
 205. Miniature on ivory. Lady Emily Pusey. 
 
 206. Miniature on ivory, Mrs. Martin. 
 
 207. Silhouette on wax, Lord Porchester. 
 
 208. Silhouette on wax. Lady Porchester. 
 
 209. Silhouette on wax, Hon. Henry Herbert. 
 
 210. Silhouette on wax. Hon. Edward Herbert. 
 
 Mr. R. Percy Barnes. 
 
 211. Gold watch, 1736. 
 
 212. Gold watch, 1750. 
 
 213. Snuff mull, 1711. 
 
 214. Pistol, 1780. 
 
 215. Silver spoon made in Montreal, hidden in a well 
 
 during the war of 181 2. 
 
 216. Gorget, 18th century. 
 
 217. Purse, arms of Blois. 
 
 218. Tortoiseshell comb, 1808. 
 
 219. Candle snuffer, l8th century. 
 
 Mr. Murray Ogii.vie. 
 
 220. Pearl necklace. 
 
 Mrs. Alkx. Paterson. 
 
 221. Collection of miniatures. 
 
 Lord Strathcona. 
 
 222. Three miniatures. 
 
 Mr. W. R. Ross. 
 
 223. Miniature on ivori-, painted in 1816 by Miss Osborne, 
 
 Quebec. 
 
 Madame Provencher. 
 
 224. Old Norwegian belt, hand work of brass set with 
 
 gold and turquoises. 
 
 Mrs. J. A. K1NI.0CH. 
 
 225. Miniature. 
 
 Miss Alice M. Hamilton. 
 
 226. Antique black carved fan. 
 
 227. White spangled gauze and ivory fan, 1800. 
 
 8 
 
 I r 
 
 
237- 
 238. 
 
 239- 
 240. 
 
 2^1. 
 342. 
 
 228. Carved tortoiseshell comb. 
 
 229. EiiKravert tortoiseshell comb. 
 
 230. Antique tortoiseshell comb. 
 
 231. Miniature in strong frame. 
 
 232. Miniature in leather case. 
 
 233. Four miniatures mounted in gold. 
 
 234. Gold vinaigrette. 
 
 235. Brooch, crystal and gold 
 
 236. Seal with crest. 
 Mr.s. R. a. Lindsay. 
 
 Fan belonging to Madeleine de Verch^res. 
 Miniature, Hon. Francois Baby, taken at Paris in 
 
 1761. 
 Miniature 5th Baron de Longueuil. 
 Miniature, Capt. Grant, 71st Highlanders, brother 
 
 of the Baron de Longueuil. 
 Miniature, Mme Reeves, n^e Benoit, 1789. 
 Miniature, Lieutenant Jean Bte Hertel de 
 
 Rouville. 
 
 243. Miniature on ivory, Duke of Richmond, Governor 
 
 of Canada. 
 
 244. Three old snuff boxes with miniatures. 
 
 JUDGK Baby. 
 
 245. Carved ivory fan, 1S06. 
 
 246. Ivory and sflver fan with mother of pearl handles 
 
 1828. ' ' 
 
 247. Ivory carved fan with painted figures, 1828. 
 
 248. Carved fan with painted figures, 1820 
 
 249. Miniature, Charles May Winship, M.D 1829 
 
 250. Miniature, Lemuel Cravath, London, Rug., 1760 
 
 251. Miniature, George Barker, Parley Hill, Derbyl 
 
 shire, 1794. -^ 
 
 252. Miniature, General Henry Dearborn. ( See notes ) 
 
 253. Cameo pin. ' 
 354. Amethyst bracelets. 
 
 255. Hair bracelet, 1825. 
 
 Mrs. G. H. Napikr. 
 
 256. Miniature, over 100 years old 
 
 257. Very old fan. 
 
 258. Chatelaine gold, over 100 years old. 
 
 259. Metal snuff box. 
 
 Mrs. C. MacDougau,. 
 
 260. Ivory pendant. 
 
 tary. 
 
 261. Mother of pearl card case, about 75 years old 
 
 262. tan, about 70 years old. 
 
 263. Filigree silver comb. 
 
 264. Gold jewelled comb, 100 years old. 
 
 265. Child's coral armlet, very old. 
 
 Mips David. 
 
 267. Two carved ivorv fans, about 75 years old 
 
 268. Set carved conuiian -<\vellery (very old) 
 
 269. Antique brooch, 200 \ i ars old. 
 
 270. Two worked bead purses, 70 years old. 
 
 271. Diamond star, 200 years old 
 
 272. Caned ivorj' pendants. For sale ; enquire from 
 
 the Secretary. 
 
 273. Miniature of David Salisbury Franks ADC to 
 
 Washington. . ■ • •> 
 
 274. Pair shoe buckles, worn by same. 
 
 275. Pair diamond buckles, about 200 years old. 
 
 Miss Harune David. 
 
 For sale ; enquire from the Secre- 
 
 281 
 
erchdres. 
 
 taken at Paris in 
 
 hlanders, brother 
 
 )it, 1789. 
 
 Bte Hertel de 
 
 imond, Governor 
 
 ures. 
 
 nf pearl handles, 
 
 ures, 1828. 
 
 ^2o. 
 
 M.D., 1829. 
 
 Ion, Knf(., 1769. 
 
 y Hill, Derby- 
 
 n. ( See notes.) 
 
 from the Secre- 
 years old. 
 
 irs old. 
 ' old). 
 
 Id. 
 
 ; enquire from 
 
 iks, A.D.C., to 
 
 376. Miniature of Thomas Ridgate Maunsell (Maunsell 
 
 o( Thorpe Malson) grandfather of Mrs. McCord. 
 
 377. Miniature on ivory, a button from a coat of Thomas 
 
 Ridgate Maunsell. Each button bore a different 
 subject. An illustration of the personal art of 
 the last and the beginning of the present century. 
 
 378. Bronze Eagle from Waterloo, given by Field 
 
 Marshal Lord Hill, to Maria Daly Fortye 
 Maunsell, Mrs. McCord's mother. 
 
 279. Old ornament, filled with hair, and showing the 
 
 interlaced initals of Thomas Ridgate Maunsell 
 and his wife, Maria Daly, daughter of James 
 Daly, of Upton House, Brixhani, Devon. 
 
 280. Miniature of Mary McCape, second wife of 
 
 Robert Johnston, Inspector General, and step 
 great grand mother of Mrs. McCord. She was 
 married in January, 1795 and was one of the 
 beauties of her day. It is in its original carved 
 wood frame. 
 
 281. The seal of Robert Johnston, aforesaid, with the 
 
 arms of the Annandale Johnstons. 
 28a. Miniature of his son Major Johnston, 49th, Sir 
 Isaac Brock's Regiment, and a brother officer in 
 the war of 1812 in Canada, great uncle of Mrs. 
 McCord. 
 
 283. Miniature of Captain Johnston, another son and in 
 
 the same corps. 
 
 284. Miniature of Cuthbert Chambers, Mrs. McCord's 
 
 father, as a child. 
 
 285. Sword of Adam Walker, R.N., broken in action 
 
 under Nelson on the Victory. 
 Mrs. McCord. 
 
 286. Carved ivory fan, Chinese. 
 
 287. Carved ivory card case, Chinese. 
 
 288. Carved ivory card case, Chinese. 
 
 289. Specimens of mother of pearl card counters. 
 
 Chinese work, date about 1815. 
 Dr. R. a. Kkrry. 
 
 290. Snuff box, shell and silver, very old. 
 
 Miss Marion Laing. 
 
 291. Carved ivory card case. 
 
 292. Old silver watch. 
 
 293. Modern miniature. 
 
 Mrs. MacTikr. 
 394. One pair earrings, over 100 years old, hoops with 
 quaint setting of jewels. 
 
 295. One brooch, cameo, two shades of pink, belonged 
 
 to owner's great-grandmother. 
 
 296. One pipe, 50 years old, white porcelain, with 
 
 silhouette of owner's relative, inscribed, 
 " Eglauch, seinem Schwager." 
 Miss Egi,augh. 
 
 irs old. 
 
 ;i 
 
Section F.— Designs and 
 Illustrations 
 
 uu exMbitt. 
 
 Original design. 
 Original design. 
 Origin. il <le,sign. 
 Original design. 
 Original design. 
 Original design. 
 Original design. 
 Designer, Sistkr I'^ora ok ms Sistbk.s t)K THK 
 Church, Ottawa. 
 
 H. Design for ma^uzine cover 
 9. Still life 
 
 10. Sketch, " Sand Banks, N. Wales " 
 
 11. Naaliirtiuins oil) 
 
 12. Design for decorative page 
 Artist, Ei<KANOR S. Bayus. 
 
 |(o.oo 
 
 5.00 
 
 J. 00 
 
 10.00 
 
 10. o» 
 
 sketche,s. "Old Lachine 
 
 15- 
 16. 
 
 17 ■ 
 
 18. 
 
 19- 
 
 Water color 
 
 Canal " 
 " Lachine " 
 
 " Ste. Agathe des Monts " 
 " Ste. Agathe des Monts " 
 
 Artist, M. E. Irwin. 
 
 Twrt dozen dinner cards, per dozen 
 
 Artist, S. M. MORSK, Ottawa. 
 "Araants des Premiers Rayons ciu Soleil." 
 Pen and ink sketch by a now distmgnished 
 European artist. See note page 
 Artist, Mkhh. Aimek Rapin. 
 
 32. 
 
 23- 
 
 'The Return of the Flock," Paris Salon, 
 
 1894, Exposition, 1895 
 "Notre Dame de Paris," Paris Salon, 1895 
 
 "A Twilight Pastoral," Salon 1806 
 Twenty-five proofs taken, plate destroy^' 
 La Mere Pannefaye," Paris Salon, 1894. 
 Exposition 1895, Lyons, Antwerp. 
 
 3. I'"rtrait"Ph,lip Gilbert Hamerton" After 
 the original painting 
 
 24. Portrait of Sir Adolphe Chapleau K C M G 
 
 Pans Salon, 1899 • ■ • *vt., 
 
 25. " By the ^gean Sea," Salon, 1899. Twenty- 
 
 five proofs taken, plate destroyed 
 Artist, ROBBRT J. WlCKKNDKN. 
 
 26. Water color. Bit of Montreal Harbor 
 
 27. Water color. Poplar Trees 
 
 28. Water color, Brick Barge 
 
 Arti.st, LiLUAN TucKSR. 
 29- " La Gardeuse d'Oies " 
 30. "LaPSche" 
 
 Artist, Chari^es Huot, Quebec. 
 
 7..«> 
 
 7. (Up 
 
 7.00 
 
 10.00 
 
 4.00 
 
 25.00 
 
 1500 
 
 15.00 
 
 10.00 
 
 10.00 
 
 10.00 
 
 10.00 
 10.00 
 
 8.00 
 
 25.00 
 45.00 
 
 
ns and 
 
 a 
 
 SIEKS OK THK 
 
 
 lio.oo 
 
 
 S-oo 
 
 
 a. 00 
 
 
 I0,0») 
 
 
 lO.Oti 
 
 IS. 
 
 
 Lacliine 
 
 
 
 J.IXt 
 
 
 7.n, 
 
 
 7.00 
 
 
 lo.oo 
 
 dozen 
 wa. 
 
 4.00 
 
 iu Soleil." 
 tinguished 
 
 as. 00 
 
 'IN. 
 
 iris Salon, 
 
 15. W) 
 
 Ion, 1895, 
 plate des- 
 
 IS-O) 
 n, 1896. 
 lestroyed 10.00 
 Ion, 1894. 
 
 p. 
 
 1." After 
 
 10.00 
 :.C.M.G., 
 
 Twenty. 
 
 SN. 
 r 
 
 10.00 
 
 10.00 
 
 10.00 
 
 8.00 
 
 35.00 
 45 00 
 
 Sketch eoMpttttlOR 
 
 I. 
 
 a. 
 
 y 
 
 4- 
 
 5. 
 
 6. 
 
 7- 
 
 8. 
 
 9 
 
 10. 
 II. 
 
 13. 
 
 13 
 
 14. 
 
 15- 
 
 16. 
 
 17- 
 18. 
 
 •9- 
 20. 
 21. 
 
 32. 
 
 Cow Rock, Little Metis 
 
 |6.oo 
 
 Beach, Little Metis 
 
 6.0U 
 
 White Birchts 
 
 10.00 
 
 At Lachine 
 
 10. uu 
 
 Miss M. J. Sanborn. 
 
 
 A Orey Day 
 
 10.00 
 
 Sand Dunes 
 
 10.00 
 
 A Woodland Road 
 
 10.00 
 
 Mrs. F. MiNDKN Coi,i(. 
 
 
 Bridge at Pickanock 
 
 Not for sale. 
 
 Bridge at Kirk's Ferry. 
 View from R. C. Cemetery. 
 Road at Wakefield. 
 Early Morning at Wakefield. 
 
 Mrs. O. B. Buhlanu. 
 Morning at Bic. 
 The House by the Lilacs. 
 Under the Birches. 
 
 Miss MacVicar. 
 The Chateau 
 Homeward Bound. 
 At the Regatta. 
 The Chateau. 
 Montreal Harl)or. 
 Montreal Harbor. 
 Old ToUgate House. 
 
 Miss E. Bbaro. 
 Sketch. 
 
 Miss Dakragh. 
 
 Wall Paper eompttitioa 
 
 24. Design for wall paper. 
 
 Miss E. Beard. 
 
 Potter eoaipetitlOH 
 
 25. Design for poster. 
 
 26. Design for poster. 
 
 Miss M. E. Irwin. 
 
 .if- 
 
A. 
 
 Section F. -Designs and 
 lUustrationa 
 
 Cmh CxMblft 
 
 Picture. 
 
 Thk Coijnthss of Minto. 
 Originals o/ Illustrations : 
 
 Corner nios' ev'ry ni>{lit, old 
 
 i?e 
 
 sit on tie 
 
 I'liil-o-rutn Juneau, 
 a. So we bury deni as we fin' dem 
 
 3. He s tole me all ile w'ole biz-nesse 
 
 Jus' Ink you hear nie now 
 
 4. An' "j^eev" me de ring also. 
 
 5- Wit lot of hay kip our foot warm 
 
 An' plaindee buffalo. 
 6. Le Chasse Gallerie. 
 7- Madeleine Vercheres. 
 
 8. Phil-o-rum Juneau. 
 
 9. Iroquois Attacking Settlers 
 
 '"• '':i:o;'h:s;/r °''^" '^^'^^ ''"'^ '^'-^ "'- ^^-^ 
 "• '"^'"n;^rr:;.^'^:r^^r" ^-^-'^ ^'^'•^«- -- 
 
 I a. De Notaire Publique. 
 
 If ? "'* °!5 "='""^' w'"ts de matter wit' you ? 
 14. Away she go ' Hooraw ! Hooraw > 
 
 ecCs'^die."*"'""' "P"' ^""'^°" '"^ '"'K'ring 
 16. Chenier come dead immediatement. 
 
 f„"i?' f*"'""'^' ^^°n>"her Garcon, I tink of you. 
 tmk of you every day 
 18. The I'ortajje. 
 
 Illu.-trattons for " The Habitant " and " Phil-o- 
 
 ArtuTp.'^n""''" ^y ^' ^V' "• Drummon^. 
 Artist, Pkbdkrick Simpson Coburn. 
 
 19- Batee.se de Lucky Man 
 
 JO. Aiul^ before he can ketch her, p-s-s-t ! she's down 
 
 De Ole Badeau. 
 
 "■ "^"flay r'' "^'■''"'''' '^^ ^*'^y™«'»' '=0'"in' «"oss de 
 
 ""'^^^rDrummlT '°' ""P"^'"^^^ work of Dr. 
 Dr. Drummond. 
 
 Originals of Illustrations' 
 22. Travelling in the Klondike. 
 23- The Halt at Noon, Klondike. 
 
 24. Snow Scene, Quebec 
 
 25. The Village Cur«. 
 
 In' Tn^ Lost Travellers find a Telegraph Pole. 
 
 Throu'h '^°"'''^" ""^ ^'=^™'"'' ^""^ 
 aS. Christening the Christmas Boy in Normandy 
 29- Copying the Old Master. ^^"rnianay 
 
 30. Travellers Lost in the Snow. 
 
 gone 
 
• and 
 
 ^v'ry inKlit, old 
 
 brave din detn 
 X Riviere, some 
 
 ' you ? 
 
 I the lingering 
 
 I link of you, 
 
 and " Phil-o- 
 I. Drummond. 
 
 JURN. 
 
 t ! she's down 
 
 oiin' across de 
 ederick Simp- 
 id work of Dr. 
 
 Pole. 
 
 i were gone 
 
 mandy. 
 
 31. Father WRtches hin Sick Child, 
 jj. I.iiniherinK Scene In U<>ebec. 
 
 33. A Christinas I'artv. 
 
 34. Itringing Home the near. 
 
 35. I,unit)ering Scene in Quebec. 
 
 36. The Dcs.rted Mother. 
 
 37. The Ice Ikiat of the St. Lawrence, yuebec. 
 3H. Rural Scene, Quelwc. 
 
 .^9. The (iHnii" of Oniughts. 
 
 40. The Chasse Calcrie. 
 
 41. The Old Woman Chateau. 
 4J. KtturninK from Market, 
 
 43. Up a Tree in Ouehec 
 
 44. The 
 
 : Village Dance. 
 
 45. The Ice Hoat Crew. 
 
 46. The Angel's Visit. 
 
 47. The Dictated Letter. 
 
 Artist, Frkiikrick Simpson Cobhrn. 
 
 Illustrations for "Christmas in French Canada " 
 by I^uis I'rechelle. ' 
 
 Gko. N. Moranc & Co., Ltd,, Publishers, T .oui 
 
 48-^2. Head and tail pieces. Artists, F. C. C ourn ami 
 H. Julien. 
 
 Gro. N. Morang & Co., Ltd. 
 
 Originals of Illu.strations: 
 
 63. He Struck one Fearful, Crushing Blow. 
 
 64. Wah Yelled and Jerked Back. 
 
 65. The Roachlmck I'led into the Wood. 
 
 66. Aint He an Awful Size, though ? 
 
 67. A Savage Bobcat Warned Him to go Back. 
 
 Artist, Ernhst Skton-Thompson. 
 Illustrations for the Biography of a Grizzly. 
 Century Comp.vnv, N.Y. 
 68-77. Original Cartoons, by Bengough. 
 
 Mr. Ebrn Pickhn. 
 78-81. Original Cartoons, by Bengough. 
 8a. Portrait of Zachary Vincent. Indian Chief, known 
 as the Last of the Hurons. Drawn and painted 
 by himself. See note page. 
 
 Mr. J. B, Lkarmont, 
 83-92. Original Cartoons. 
 93-94. Wash drawings. 
 95. Portrait. 
 
 Artist, A. T. Racky. 
 96-101. Drawings. 
 102-103. Pencil sketches. 
 
 Artist, H. JULIKN. 
 Originals of Illustrations: 
 104. Pen Drawing. 
 Crayon Drawing. 
 Gouache Drawing. 
 
 lUusirations for "A Bit of Atlantis." 
 Wash Drawing, Sepia. 
 
 Moonlight on the Coast of Newfoundland. 
 Pen Drawing. 
 
 Fisherman Mending Nets. 
 Pen Drawing. 
 Landscape. 
 Pencil Drawing, 
 
 Doukhobor Girl. 
 Pencil Drawing. 
 Doukhobor Girl. 
 
 J05 
 106 
 
 107. 
 
 108. 
 
 109. 
 
 no. 
 
 III. 
 
Artist, 
 
 135 
 136. 
 
 I37. 
 
 138 
 
 I39. 
 140. 
 
 141. 
 
 142- 
 
 154. 
 155. 
 
 Pencil Drawing. 
 
 Doukhobor. 
 Pen Drawing. 
 
 Trial in Court. 
 Pen Drawing. 
 
 The Prisoner. 
 Drawings which have appeared in The Star. 
 
 K. tr. Mathews. 
 
 W. D. LiGHTHAW,. 
 -120 Four folio sheets original drawings 
 Pen and ink by Patterson for Rosalie 
 -122. Sheets of proofs of same, showing experiments 
 with different inks and colors P^™^"" 
 
 WiLtiAM McLennan. 
 Small Mn and ink drawings (103), the orieinals of 
 the 1 lu.strations of a ler es of aS^ called 
 Our Wild Flowers, in Weekly Slar 
 The Pubusher. 
 Original drawings of Canadian Wild Flowers 
 
 Artist, J. H. Ross. 
 Original etching ^portrait). By Van Dyck 
 
 '''S'sSrdT'^a^ll JJ'al?°-P'^- ^-^'-"'i'- 
 
 PoS'^'lt, rT^ signed by W. Hamilton Gibson, 
 l^ortrait In Charcoal. By Wyatt Eaton. 
 Poster, Commercial. By Wilfred M. Barnes 
 Poster, Theatncal. By Wilfred M. Barnes 
 ■ Trmitas (The Trinity). Rev. Wm. S. Barnes 
 Mezzotint Engraving by Simon Waits 
 After drawing by Francis Boucher 176s 
 notes. ' ''' 
 
 Adelaide. 
 Fonrose. 
 
 Colored engravings by E. Bartolozzi, R.A., 1708 
 After paintings by H. Bunwell. See not!s' 
 Jeffrey h. Burland. 
 Original designs for wall paper, oil cloths and prints 
 Pupils of the Senior School. Montreal 
 Mrs. M. L. Simister. 
 Water color sketches, made in 1787-88 
 
 '' British^SA^mS "•"^'"^^^'^^ ^--^'- 
 'Henofs Travels through the Canadas." 
 
 "'"mrby^G^'offif""''-^ ^^°» ''--"^^ 
 J. C. A. Heriot. 
 Small water color portrait, Napoleon I. 
 
 E. G. Johnstone. 
 Design, three light memorial window. 
 Desjign, hall window. 
 
 Designers, Castle & Son. 
 Cover design for "In the Village of Viger " 
 Bertram E. Goodhue. ^ ' 
 
 1 --signer, Duncan C. Scott, Ottawa. 
 I53' li designs. 
 
 H. BiRKs & Sons. 
 ijesign, Moorish Ceiling. 
 Design, Mosaic. 
 
 112 
 
 "3 
 114. 
 "5- 
 I16. 
 
 117 
 121 
 
 "3. 
 
 124. 
 
 125. 
 126. 
 
 127. 
 
 128. 
 129. 
 130. 
 131. 
 132- 
 
 133 
 134 
 
 1771. 
 See 
 
 See note. 
 
 by 
 
 173- 
 
The Siar. Artist, 
 False Chevalier. 
 
 'ings. 
 isalie. 
 'ing experiments 
 
 rs. 
 
 theorigiaals of 
 ' articles called 
 ar. 
 
 d Flowers. 
 
 n Dyck. 
 
 Proof signed by 
 
 e. Rembrandt. 
 
 imilton Gibson. 
 
 3aton. 
 
 I. Barnes. 
 
 Barnes. 
 
 S. Barnes. 
 
 1 Watts, 1771. 
 
 icheri765. See 
 
 KJ, R.A., 1798. 
 1. See notes. 
 
 )ths and prints, 
 •eal. 
 
 18. 
 
 ister General, 
 
 us." 
 
 rom drawings 
 
 I- See note. 
 
 f Viger," by 
 wa. 
 
 160. 
 161. 
 
 162. 
 
 167. 
 168. 
 
 156. Design, Stained Glass Window. 
 
 157. Design, Persian Plate. 
 
 158. Design, French Book Cover, i6th Century 
 159- Design, Book Cover, Modern. 
 
 Designer, M. E. MacLeod Moork. 
 Designs, Two Show Cards by Mucha. 
 Design, Tobacco Poster. 
 
 F. J. Hoy. 
 Poster, by Berthon. 
 
 163. Poster, by Berthon. 
 
 164. Poster, by Berthon. 
 
 165. Poster, by Mucha. 
 
 166. Poster, by A. de Riquer. 
 Poster, by Ch. Lucas. 
 
 Mrs. Jas. H. Peck. 
 Livre d'Heures. M.S. of the i6th Centurv. 
 Valued at I500. See Notes. 
 Mr. J. R. NKI..SON. 
 
 169. Series of photographs, electrical discharges, positive 
 
 and negative. 
 
 Dr. G. P. GiRDWOOD. 
 
 170. Photograph. 
 
 171. Photograph. 
 
 Artist, G. E. Vai,i,eau, Ottawa. 
 Enlarged photograph. Pencil. 
 
 Artist, Nemje Barker. 
 Transparency. Totem Poles of Haida Indians, 
 -kidgate. Queen Charlotte Lslands, B.C. 
 Photograph by J. M. Dawson, Geological Survey. 
 
 174. Water Color Study. 
 
 175. Water Color Studv. 
 Pencil Sketch. 
 Pencil Sketch. 
 Designs, lunch and dinner cards, etc. 
 
 Artist, L. M. Pknkiei.d. 
 . ^ Plastic Drawing. 
 
 180. Plastic Drawing. 
 
 181. Plastic Drawing. 
 
 182. Plastic Drawing. 
 
 183. Plastic Drawing. 
 
 Mrs. H. Curtis. 
 
 184. Chinc-e hand-painted figures on rice paper. 
 
 185. Chinese hand-painted boats on rice paper. 
 
 Mrs. C. E. Spragge, 
 
 186. Original drawings of illustrations used in first num- 
 
 ber of Walsh's Magazine. 
 
 187. Design for certificate. 
 
 188. Design for certificate. 
 
 189. Drawings for reproduction. 
 
 190. Design for stained glass. 
 Design for stencil. 
 Design for wall paper. 
 Designs for initial letters, etc. 
 Sketches in pen and ink. 
 
 Designer, Eleanor S. Bavi.is. 
 
 Cushion in white satin, crayon design, group of 
 children's heads. 
 
 196. Iris design in linen. 
 
 Artist, Yvonne Hamelin. 
 
 197. Painting on palm branch. Artist, Mrs. Samue! 
 
 Lelean, Reeflands, Cal. 
 
 Mrs. Wm. Craig, Port Hope. 
 
 9 
 
 I i 
 
 172. 
 
 173- 
 
 176. 
 177- 
 178. 
 
 179. 
 
 191. 
 192. 
 
 193- 
 194. 
 
 195- 
 
199- 
 
 200. 
 
 201. 
 202. 
 203. 
 
 198. Picture "The Angel Guardian." Was brought 
 from France in 1659 by the vSisters of the Order 
 who founded the Hotel Dieu. It still adonis the 
 walls of their monastery. 
 
 Sisters of the H'otei. Dieu. 
 Drawing, " Head of Brutus. " 
 
 Artist, M. R. Beixemark. 
 Classical Exercise Book, with three kinds of writ- 
 ing, in use bv the blind : 
 
 1. Graille writing. 
 
 2. With ordinary pencil. 
 
 3. Printed as on the type writer 
 A geographical map (U.S.) by the Blind. 
 Slate for arithmetic. 
 Slate for Graille writing. 
 
 Nazareth Blind Asylum. 
 204-215. A dozen notable posters. 
 F. J. Hoy. 
 
 216. The Studio. Leon V. Solon. 
 
 217. Lejuif Errant. Henri Riviere 
 
 218. Champs Elysees (2). 
 
 219. Lippincott's novels. J. J. Gould, Jr 
 
 220. Harper's Christmas. E. Denfield. 
 
 221. Heine Bibliothek Langen. Reznieck 
 
 222. Harper's August. 
 
 223. Saxoleine. 
 
 224. Harper's October. E. Denfield. 
 
 225. Clairs de Lune. Henri Riviere. 
 
 226. Quinquina Dubonnet. 
 
 Mr. White. 
 
 227. Water color sketch for Fresco painting. 
 
 Christ with Martha and Mary, at their home in 
 Bethany. Artist, A. Cope, B.A. 
 Mrs. Stanus. 
 228-231. Four sets of designs, mounted. 
 
 The Standard Photo Engraving Co., Ltd. 
 232-233. Water color pictures. Artist, R. Sherman 
 Lawson. 
 
 Mrs. Vasey. 
 Photograph. Artist, Strauss, St. Louis, Mo 
 
 Mrs. Chas. Nei,son. 
 Frame containing proofs of designs of book and 
 catalogue covers. 
 
 The Herald Press. 
 236. Three portrait sketches in photography 
 
 Artist, A.J. Rice. 
 237-246 Small gingham design, poster design, sheet of 
 headings, book cover, silk designs, borders tile 
 design, heading, wall paper design and chair 
 design. Artist, Miss Jordan. 
 School of Art and Applied Design 
 
 234- 
 235- 
 
 247 
 248. 
 
 249, 
 
 250, 
 251 
 
 Pen aid ink landscape. 
 Heraldic emblazoning in Coat of Anns of Kirk- 
 patnck. 
 
 Cameron Hutchinson. 
 Pen and ink sketch. The Zither Players H M 
 Ami collection. Artist. Mde. Elise Rondeau' 
 Dr. Ami, Ottawa. 
 Portrait. 
 Portrait. 
 
 Artists, Wm, Notman & Son. 
 
 252. I 
 
 253. I 
 
 254- I 
 
 255- 5 
 
 256. I 
 
 257. J 
 
 258. I 
 
 259. I 
 
 260. I 
 
 261. I 
 
 262. I 
 
 263. I 
 
 264. I 
 
 265. i 
 
 266. I 
 I 
 
 267. I 
 
 268. I 
 
 269. I 
 
 270. 1 
 
 271. I 
 
 272. i 
 
 273- 1 
 
 274. I 
 
 275. I 
 
 276. I 
 
 277. I 
 
 278. I 
 
 I 
 
 279. I 
 
 280. I 
 
 281. 1 
 
 282. S 
 
 283. s 
 
" Was brought 
 ;ers of the Order 
 It still adonis the 
 
 lEU. 
 
 IK. 
 
 e kinds of writ- 
 
 Blind. 
 
 Fr. 
 ck. 
 
 mg. 
 
 t their home in 
 
 i.A. 
 
 Co., Ltd. 
 , R. Sherman 
 
 juis, Mo. 
 
 IS of book and 
 
 jhy. 
 
 esign, sheet of 
 as, borders, tile 
 sign and chair 
 
 SSIGN. 
 
 \nns of Kirk- 
 
 lajers. H. M. 
 e Rondeau. 
 
 252. Painteti photograph. 
 
 Artist, C. C. PORTKR. 
 
 See Secretary. 
 
 253. Frame of photograph. 
 
 254. Painting, India ink. 
 
 Artists, Laprks & Lavhrgne. 
 
 255. Montmartre, Paris. 
 
 256. Knife Grinder. 
 
 257. Moulin Rouge, Paris. 
 25S. Palais du Khedive. 
 
 Sketches for wood engraving to be reduced 
 one-half. 
 
 259. Drawing for illustration. 
 
 Artist, Charles Huot, Quebec. 
 
 260. Fourteen drawings of silverware. 
 
 Henry Birks & Son, Montreal. 
 
 261. Forty designs for the illustration of advertisements, 
 
 pen and ink. 
 
 Mrs. J. E. Eluot. 
 
 262. Pen drawing. The Wounded Scout. 
 
 263. Pen drawing, Portrait Sea Captain. 
 
 264. Pen drawing, Indian Trapper. 
 
 265. Pen drawing. Falls. 
 
 266. Design for litho. show cards ; color, snowball. 
 Drawn by T. BarfooT, Can. Litho. Eng. Co. 
 
 267. La Gardeuse d'Oies. 
 
 268. La Peche. 
 
 Artist, Charles HnoT, Quebec. 
 
 269. Design for playing cards. 
 
 270. Thirteen sketches illustrating Canadian scenery. 
 
 271. Fourteen designs for card backs. 
 
 272. Five designs for cigar labels. 
 
 273. Two designs, menu cards. 
 
 274. Four designs, fans. 
 
 275. Four designs, cotton labels. 
 
 276. Design for insurance. Ass. Calendar, and a number 
 
 of miscellaoneous sketches. 
 
 277. Design in three colors, showing method of repro- 
 
 duction. 
 
 278. Design for diploma. Montreal Exhibition Associa- 
 
 tion. 
 Mr. Burland, Canada Engraving Company. 
 
 279. Pen and ink portrait. Rev. Mr. Winfield. 
 
 By Fred. H. Morgan. 
 
 280. Four original cartoons. 
 
 By W. Bengough. 
 
 281. Twelve original illustrations of The Starling's 
 
 Nest. 
 
 By Mr. Julien. 
 
 282. Sketch of Fox Terrier. 
 
 By F. C. Copland. 
 
 283. Sketch. 
 
 Artist, Miss Darragh. 
 
 ill 
 
 I 
 
 mm 
 
Section G.-Basket Work 
 
 Coan exMbltioN. 
 
 I. 
 
 2. 
 
 3- 
 4. 
 5- 
 6. 
 
 8. 
 9- 
 
 lo. 
 II. 
 
 12, 
 
 13. 
 14. 
 
 17 
 
 19- 
 
 20. 
 21. 
 22. 
 23- 
 
 24- 
 25- 
 26. 
 
 27. 
 28. 
 29. 
 30. 
 
 31- 
 32. 
 
 33 
 34. 
 35. 
 36. 
 37- 
 38. 
 39- 
 
 40. 
 41. 
 
 Alaskan basket, native dyes 
 Alaskan basket, old native dyes 
 A askan basket, old native dyes' 
 A askan basket, very old native'dyes. 
 Alaskan basket, n.>dern dyes 
 
 "^'fuitf .l^u?^\ ^.^'■y beautiful coloring of ol.i 
 t'JvLln" ''"''' '^ "'^ ^'^"' °^ '^^ will .naide!' 
 
 Jl^c^^'i^S^.t.SJl-^^-'^-'-'-'^an.veo- 
 
 S^t^kSi-ri;;^--^/^ 
 
 Covrr'of No'';P^"^^" '^ "- -»<1 maiden-haK^ 
 An ordinary specimen of Alaskan work 
 
 rr^lLT""' '^^'^'^ "'^ ^^'^ -'<"^ng is verv- 
 Alaskan basket covered entirely by a se arate 
 
 covering of solid bead work ;' a veA unusull 
 „ example of Alaskan work. ^ unusual 
 
 Wallet made by Fox Indians, Alaska of cednr 
 
 K ^^^'''■°«:n i« the natural color and the 
 
 . Modern Alaskan basket with lid 
 
 M.T''^%"i*^^P^^''«"^0' Washington State bv 
 Ha^dah ha? r^ "^P"'^^' ^^"' -"d cedar bark.^^ 
 
 Basket made by Haidali Indians of Queen Char 
 lone Archipelago, from spruce rooland ceda" 
 
 Alaskan mat. 
 
 Alaskan basket. 
 
 Alaskan basket 
 
 AlasKan basket. 
 
 Alaskan basket. 
 
 Moqu6 plaque for sacred mwal. 
 
 Alaskan mat. 
 . Alaskan mat. 
 ■ Alaskan mat. 
 • Alaskan mat. 
 
 Oribi Arizona, plaque for sacred ,neal. 
 Canadian mat. 
 Alaskan mat. 
 
 Pennsylvania ba^^et. Belonged many y>^rs aeo 
 to Mr. Justice Torrance, Montreal. ^ ^ ^° 
 
 New Mexico bowl. 
 Apache basket, made of willows. 
 Liatsop bag, 
 Chehalis basket. 
 Klickitat basket. 
 Neah Bay basket. 
 
 ^ orAUu'lSf"' ""''^''^ '^'"^'^y "- '^'-tians 
 
 The finest example known to the owner of basketrv 
 made V the Aleuts of A.tu Island ThfS 
 mentation IS silk. i"c orna- 
 
 81. 
 82. 
 83. 
 
et Work 
 
 dyes. 
 
 1 coloring of olil 
 f the wild maiden- 
 
 ans, Alaskan, very 
 
 .laska, native dyes, 
 itiful coloring, the 
 I maiden-hair fern. 
 
 1 work. 
 
 i coloring is verj- 
 
 ly by a se^ arate 
 ; a very unusual 
 
 Alaska, of cedar 
 •al color and the 
 the bark in char- 
 
 hington State, by 
 
 md cedar bark, 
 root and cedar 
 colors, and with 
 
 ain. 
 of Queen Char- 
 
 ; root and cedar 
 
 leal. 
 
 nany y^i,rs ago 
 il. 
 
 y the Aleutians 
 
 and work, and 
 
 nerof basketry 
 ad. The orna- 
 
 42. 
 
 43. 
 
 44. 
 
 45- 
 46. 
 47. 
 
 48. 
 49. 
 50- 
 51. 
 
 5*. 
 S3- 
 54- 
 55- 
 56. 
 57- 
 58. 
 
 59- 
 60. 
 61. 
 
 62. 
 
 63. 
 64. 
 65. 
 66 
 67 
 68 
 69, 
 70, 
 71- 
 
 72. 
 73- 
 74- 
 75. 
 
 76. 
 77- 
 78. 
 
 79- 
 80. 
 81. 
 82. 
 
 83. 
 84. 
 
 85. 
 86. 
 
 87. 
 88. 
 89. 
 90. 
 91- 
 
 92. 
 93. 
 94- 
 
 95- 
 
 sfifuce 
 
 BivBf, iimt Fort 
 
 Sfrrtice 
 »{mice 
 
 A small plain specimen of a basket «f llUUtv ttntn 
 Queen Charlotte Island. '' ^ 
 
 Covered basket from Alaska, mmU ffmt 
 root. 
 
 Rare basket from the Yukon 
 Cudahy, made from fish skin.-,. 
 
 Birch bark basket from Vnkou River, 
 
 Haidah mat, cedar bark. 
 
 ^ttat'^Mod^^n d^Js.'"^'^ '"*^^^' ^«*'^'"«*«" 
 Old Neah Bay basket of faded Blo4efH (IvM 
 Neah Bay basket. ' ' 
 
 Basket of Neah Bay work. 
 
 Bottle covered with Neah Bay work, tiveA With 
 aniline dyes. ^ 
 
 Fine syecimens of Neah Bay work MU\ Hiodefd dyes. 
 Very fine Neah Bay basket. ^ 
 
 Neah Bay basket of ordinary work, 
 Cedar bark ba^ from Vancouver's JijIsikI 
 Very fine specmien of very old Chelmlis wofk 
 A copy of 56, much inferior. ' 
 
 Very fine specimen of old Chehalis work 
 
 . Chehalis Indian basket. 
 
 . Chehalis Indian basket, very old <lyei». 
 
 . Chehalis Indian basket, naturwl mliif^ yf 
 root and grass. 
 Chehalis Indian basket, natural miUm of 
 
 root and grass. 
 Chehalis Indian storage basket for berries, 
 Chehalis Indian basket, very fine work 
 Chehalis Indian basket, very old. ' 
 
 i*"^,'} ^}.'^u^"^ I'"*''**' sooA modern work, 
 
 bmall Chehalis basket, good modern WOfk 
 
 Chehalis basket. ' 
 
 Chehalis basket. 
 
 Chehalis bowl. 
 
 Klickitat basket J^ composed o? fs fmUids 
 
 work, and holds 21 gallons of w»ter, 
 Klickitat basket. 
 Klickitat basket. 
 Klickitat basket. 
 Klickitat basket, composed of roo rounds of work 
 
 and represeuting months of toil. 
 Klickitat basket. 
 
 Klickitat basket, of natural colors, 
 Klickitat basket. 
 Klickitat basket. 
 Klickitat basket, very fine work. 
 Klickitat basket. 
 Klickitat basket. 
 
 Klickitat basket, unusual shape, modern, 
 Klickitat basket, very old. 
 Klickitat basket, unadorned. 
 Klickitat basket. 
 
 Klickitat basket, very old ; uncommon desJtfH 
 K ickitat basket, undecorated and psithed «t top. 
 Klickitat basket. ^ 
 
 Klickitat basket, partially decorated, 
 Very curious old Klickitat basket, One of two 
 
 used for carrying on the saddle hom.S, 
 Old Klickitat paint pot for paint, -- tile t\m\. 
 Klickitat water carrier. 
 Klickitat basket, very old and with pstterfj estlrely 
 
 Klickitat basket. 
 
 of 
 
 '^^ n 
 
 I 
 
 li 
 
96 
 97 
 9« 
 99 
 too. 
 
 lOI. 
 I03. 
 
 103. 
 
 104. 
 
 J05. 
 
 107. 
 108. 
 
 109. 
 no. 
 lit. 
 112. 
 >i,v 
 .i4. 
 "5. 
 116. 
 117. 
 118. 
 119. 
 
 I30. 
 131. 
 132. 
 
 123. 
 114. 
 <35. 
 
 fa6, 
 i?7 
 
 I2tJ. 
 
 I3f'. 
 
 13/. 
 
 >3i. 
 '33- 
 '34. 
 «35. 
 J36. 
 '37. 
 138. 
 
 t4a 
 141. 
 143. 
 
 «43- 
 <44. 
 «45. 
 146. 
 
 W- 
 148, 
 
 149. 
 150. 
 »Sf. 
 
 '52. 
 
 »S3. 
 134. 
 >55. 
 »86. 
 >57- 
 ««8. 
 
 ,1'; 
 
 Klickitat cup. 
 
 Klickitat basket. 
 Klickitat basket, beaded. 
 . Thompson River basket for clams 
 . rhoinpson River basket for clams 
 . riionipson River basket for clams 
 Fraser River trunk. 
 Shast 1 hat. 
 Hoopah Valley hat. 
 Shasta hat. 
 .Shasta hat. 
 Shasta hat. 
 Hoopah Valley hat. 
 Hoopah Valley hat. 
 Jhasta hat. 
 fiJiastah hat. 
 K iaiiiath hat. 
 Rogue River hat. 
 KJj'.niath hat. 
 Mo(iiH- hat. 
 CayuM. aat. 
 Sha.sta looking vessel. 
 Shasta cooking vessel. 
 Shasta cooking vessel. 
 Shasta cof 'cing vessel. 
 Shasta cooking vessel. 
 Shasta cooking vessel. 
 Shasta bucket. 
 Shasta bucket. 
 Miniature clam basket. 
 C,-iy use work. 
 Tiiet/. River basket. 
 Calapooyah basket. 
 Klamath storage basket. 
 Pitt River burden basket. 
 Klamath basket. 
 Wocus shaker. 
 
 Burden basket, Klamath Indian 
 Small burden basket. 
 Large burden basket, Mendocino C.,., Cal 
 California Mission basket. 
 San Jacinto Mission basket 
 Apache basket. 
 Apache basket. 
 Apache basket. 
 Pima, Arizona basket. 
 Hoopah Vallev papoose cradle 
 Very old Rogue River work, used for 20 years. 
 New Rogue River work. 
 Coos Bay basket. 
 
 Coos Bay basket made by a blind woman. 
 Rogue River basket, made of hazel twigs 
 Virginia basket, hickory. 
 Piute Indian basket. 
 Coos Bay Indian basket. 
 Calapooya Indian basket, Oregon 
 Samoan basket. 
 Formosa basket. 
 Konnosa basket. 
 Apea, Samoa, basket. 
 Malay hat. 
 
 Sandwich Island pillow. 
 Ceylon. 
 Ceylon. 
 Japan. 
 
., Cal. 
 
 r 20 years. 
 
 man. 
 wigs. 
 
 i6i, 
 162. 
 
 163. 
 164. 
 
 165. 
 166. 
 
 167. 
 168. 
 169. 
 :7o. 
 iji. 
 
 !72. 
 
 »73. 
 174. 
 175. 
 176. 
 
 177- 
 
 )78. 
 179. 
 
 180. 
 181. 
 182. 
 183. 
 184. 
 185. 
 186. 
 187. 
 188. 
 189. 
 190. 
 191. 
 
 192. 
 i93- 
 
 194. 
 
 of 
 
 Manilla basket. 
 
 Japan basket, owned by four generations 
 
 Montreal family. 
 Alpine basket. 
 Indian basket. 
 Morocco basket. 
 Assouan (Egypt) basket. 
 Basket from west coast of Africa. 
 Basket from Fayal. 
 Small Chinese basket. 
 Large Chinese basket. 
 Basket made in New York 35 years ago. 
 Pennsylvania egg basket. 
 Canadian baskets. 
 New Brunswick basket. 
 Melon basket. 
 Basket made on Nantucket Shoal 
 
 men. 
 Basket made from California palm 
 
 Oregon. 
 
 Basket made by Penobscot Indians. 
 Basket made on Lower St. Lawrence many years 
 
 ago. 
 Basket made on Lower St. Lawrence, 1900. 
 Canadian basket. 
 Very old Canadian basket. 
 Very old Miniature Hudson's Bay canoe. 
 Old porcupine work. 
 Old jwrcupine work. 
 Basket, Lower Klamath work. 
 
 light-ship by 
 by a boy in 
 
 Mat from Japan. 
 
 Colombo basket, a nest of 3. 
 
 British Columbian basket. 
 
 Large basket from Esneh on the Nile, same as were 
 
 worn during Pharaoh's time. 
 Soudanese hat. 
 Small Egyptian basket. 
 
 Mrs. W. Markland M01.SON. 
 Indian hay and porcupine work from Lake 
 
 Superior. 
 
 Mrs. Alloway. 
 
 195. Basket woven by Maori women. 
 
 196. Umatilla bag. 
 
 197. Cayuse basket. 
 
 198. Umatilla bag. 
 
 199. Umatilla bag. 
 
 Mrs. W. MARKtAND M01.SON. 
 
 200. Old English basket (before 1776). 
 
 201. Basket woven in Blind Asylum, Liverpool, 1834. 
 
 Miss Phillipps. 
 
 202. Round covered basket with porcupine embroidery. 
 
 203. Book shaped box of Bermudian straw inlay. 
 
 204. Bermudian basket. 
 
 Miss E. G. Johnstonk. 
 
 205. Japanese basket. 
 
 Miss M. E. Bayus. 
 
 206. Mexican hat (native hand work). 
 
 207. Sample of native braid. 
 
 Mrs. F. F. Booth, Port Hope, Ont. 
 
 208. Little canoe. 
 
 209. Osier basket. 
 
 210. Osier chair. 
 
 211. Mat made of sea reed. Made by the Blind of the 
 
 Nazareth Hospital, 2009 St. Catherine Street. 
 
 
212. Alaskan basket. 
 
 Mrs. G. Cavrrhii,!,. 
 Basket. 
 Basket. 
 
 Indians, Coast of Briti.sb Columbia 
 Miss MacFaklan, 
 
 215. Basket, Maricopa Indians, Arizona 
 
 216. Basket, Santa Inez Mission, California, 1825 (tribe 
 
 Basket, Santa Barbara, California (very oldl 
 Basket, Maricopa Indians, Arizona 
 Basket, San Diego Mission, California 
 Basket, Peina Indians, Arizona. 
 Ba.sket, Tulare Co., California, 1850 
 Ba,sket, Apache Indians, Arizona 
 Basket, San Diego Mission, California. 
 Basket, Eel River Indians, Mendocino Co., Cal 
 
 225. Basket, Klickitat Indians, Oregon 
 
 226. Basket, Klamath Indians, Oregon. 
 
 227. Basket, Apache Indians, Arizona. 
 228 Collection of eight Japanese baskets 
 
 W. C. Van Hornk. 
 
 229. Basket made by Haida Indians 
 
 230. Basket^drinking cup, made by Indian, Great Slave 
 
 (The) Pktrr Rkdpath Museum, McGill University 
 331. Basket. ■' 
 
 Dr. Geo. Dawson, Ottawa. 
 
 232. One fan, Honolulu. 
 
 233. One fan, Capri. 
 
 234. One fan, Luxor, Exypt. 
 
 235. One tray, Luxor, Egypt. 
 
 236. One fly whisk, Cairo. 
 
 Mrs. Herbert Wai.ijs. 
 Exhibition of Indian work by the women of Lorette 
 consisting of bark, basket and leather work and 
 TW° J^!^, '" porcupine quills and dyed moose hair 
 These articles are not for sale, but orders may be given 
 for any of them; prices may be had from the Secretary 
 Lorette Indian Work. ' 
 
 214. 
 
 217. 
 218. 
 219. 
 220. 
 221. 
 222. 
 223. 
 224. 
 
 Ob: 
 
 Wow 
 
 It is 
 W. A. ; 
 bership, 
 honorarj 
 promotic 
 more gei 
 mote the 
 taining t 
 to provid 
 they car 
 otherwisi 
 The payi 
 
 (too late for classification) 
 
 Old Specimen of Pyrography. "The Crucifixion 
 Lord Strathcona. 
 
 Exhibit from Toronto, 
 
 Toronto, W. A. A. 
 
ia, 1825 (tribe 
 ■y old). 
 
 Co., Cal. 
 
 Objects and Rules of tKe 
 Woman's Art Association. 
 
 It is provided for by the constitution of the 
 W. A. A. that there shall be two classes of mem- 
 bership, active or professional, and associate or 
 honorary. The latter are ladies interested in the 
 promotion of art matters. All co-operate towards 
 more general interest in original art, and to pro- 
 mote the holding of exhibitions and lectures per- 
 taining to art. The aim of the association is also 
 to provide rooms for the use of members where 
 they can work together from living models or 
 otherwise, but no paid instructor is employed. 
 The payment of $20.00 confers life membership. 
 
 , Great Slave 
 Jniversity. 
 
 1 of Lorette, 
 work, and 
 moose hair. 
 ly be given 
 secretary. 
 
 ttf 
 
 '41 
 
Cbc Restaurant Kitchen 
 
 Henry Morgan & Go's New Building 
 
 furnished witli the latest 
 
 improv'ed Cookiug and Serving 
 
 Apparatus from the manufac- 
 tory of 
 
 Geo. R. Prowse 
 
 224 ST,]A^ ' i i.:.^HT, MONTREAL. 
 
 Every patron of tliis Exhibition 
 should examine the Kitchen 
 Equipment, which, for Ele- 
 gance OF Manufacture and 
 
 CONVENIENCK IN OPERATING, 
 
 cannot be surpassed in the City. 
 
 Til 
 deeply 
 for nc 
 Exhib 
 contril 
 herself 
 circles 
 and ha 
 lace in 
 the im] 
 Aberde 
 
 WE ARE HEADQUARTERS FOR rAMILY 
 RANGES AND IGH-CI^ASS KITCHEN 
 UTENSIL?: ... 
 
WtfHen 
 
 ew Building 
 
 latest 
 ;rving 
 lufac- 
 
 3WSE 
 
 MONTREAL. 
 
 bition 
 
 CHEN 
 
 Ele- 
 { and 
 riNG, 
 City. 
 
 The Woman's Art Association of Montreal is 
 deeply grateful to Her Kxcelleiicy Lady Minto 
 for not only exttiiding her patronage to the 
 Exliihition of Arts and llanilicrafts, hut also 
 contributing to the exhihits a picture painted by 
 herself. The efforts of women in the highest 
 circles are nowadays turned to encouraging arts 
 and handicrafts, as witness the great revival in 
 luce in Italy, fostered by Queen Marghcrita, and 
 the impetus given to Irish lace- making by Lady 
 Aberdeen. 
 
 1 ■! 
 
 >R FAMILY 
 KITCHBN 
 
May tx- a little early, 
 but here iire n few 
 noveltien in Can- 
 udian Tourint Travel 
 
 Thought}* 
 
 FOR A^^j^jt^ 
 
 1 9 O 1 
 
 SUMMER 
 
 I^O LI DAY 
 
 CANOE TRIPS 
 
 in the Tcnii»kamin({, Lady Evelyn 
 and Temagmmng Lake Region* 
 
 Read "/I Canoe Trip Through 
 Temagaming the Peerlesi" 
 
 HOUSE BOATS 
 
 on the Kootenay Lakes 
 
 Read 'Glorious Sport on the 
 Kootenay in a House-boat " 
 
 SWISS GUIDES 
 
 SUtioned at Banff, Lakes in the Clouds and 
 Glacier, to assist in exploration and mountain 
 climbing 
 
 Read "Summer Tours" 
 
 IMPERIAL LIMITED 
 
 Montreal to Vancouver, 2906 miles, in 100 
 hours, passing through some of the grandest 
 scenery in the world 
 
 Read "New Highway to the 
 Orient" 
 
 Co 
 
 Mc 
 skc 
 Sin 
 
 furr 
 
 doll; 
 
 prer 
 collt 
 muc 
 eiiab 
 havi 
 
 Write for descriptive pamphlets to 
 
 WM. r. EGG, 
 
 City Passenger Agent 
 
 Canadian Pacific Railway 
 
 "9 St. James Street, MONTREAL 
 
 
y tw a little early, 
 here iiro n few 
 eltien in Can- 
 in Toiirist Travel 
 
 The Association is indebted to tlit- Century 
 Compn.iy of New York, and to Messrs. Geo N 
 MoranK&Co., of Toronto, for loans of original 
 sketches by C. Seton Thompson and Frwlerick 
 bimpson Coburu. 
 
 velyn 
 
 Kton» 
 
 }e Trip Through 
 
 'he Peerless" 
 
 IS Sport on the 
 Wouse-boat " 
 
 The Association wishes to acknowledire its 
 indebtedness to the Union Assurance Coy f„r 
 furnishing insurance to the extent of ten tiiousand 
 dollars on the exhibition, without charge for 
 prem„„„, and also to the many contributors and 
 collectors whose kindly efforts have gathered so 
 much that is curious and valuable, and ha%^e 
 enabled the Association t„ carry out its plan of 
 having an Arts and Handicrafts Exhibition 
 
 the Clouds and 
 1 and mountain 
 
 Tours" 
 
 > miles, in loo 
 3f the grandest 
 
 'ighway to the 
 
 to 
 
 er Agent 
 
 ri:'- 
 
High Grade ^ 
 Brass Bedsteads 
 
 ESTABLISHED 
 18B9m«m«* 
 
 WHOLESALE 
 ONLY**.... 
 
 In Competition with the Manu* 
 factofcrs of the World 
 
 OUR EXHIBIT AT 
 
 Paris, France 
 
 Was Awarded 
 
 SILVER 
 MEDAL 
 
 The highest prize given 
 in this Class «««•««« 
 
 H. R. IVES & COMPANY, 
 
 rianufacturers, 
 
 Queen Street, MONTREAL 
 
 
 ♦ 
 
 I 
 I 
 
teads 
 
 krith the Manu* 
 7of Id 
 
 I 
 
 134. Section F.— Francisco Bartolorrzi, born 
 at Florence, 1728, studied for a time under the 
 historical engraver Wapner. In 1764 he went to 
 Ivondon and was appointed engraver to the king. 
 On the foundation of the Royal Academy in 
 1768, he was admitted one of the first forty 
 members with full membership. All engravers 
 afterwards up to 1855 could only be elected as 
 associates. He removed to I^isbon in 1802 to 
 take charge of the National Academy there. He 
 died in Lisbon, 1813. 
 
 I BIT AT 
 
 France 
 
 p'arded 
 
 ♦ 
 
 ER 
 
 1 1 
 
 srize %\\en 
 
 MPANY, 
 
 TREAL 
 
 I 
 I 
 
Reford 
 Agenc 
 
 j-i-ij- 
 
 Donaldson Line of Steamers 
 
 BBTWKEN 
 
 MONTREAL AND GLASGOW 
 
 Thomson Line of Steamers 
 
 TO 
 
 I.ONDON. NEWCASTLE. LEITH AND 
 ABERDEEN 
 
 AND FROM 
 
 MEDITERRANEAN PORTS To MONTREAL 
 
 Lord Line 
 
 To CARDIFF 
 
 The above Lines are specially fitted 
 up for the carriage of Butter, Cheese 
 
 Eggs and Fruit, having been built 
 for the Canadian Trade. 
 
 THE ROBERT REFORD CO 
 
 LMITED 
 
 Montreai,andPorti.and,Me., 
 
 Agjsnts 
 
f Steamers 
 
 LASGOW 
 
 The three exhibits of the Hotel Dieu ladies 
 n Section A, Nos. i, 2 and 3. are notable for 
 their antiquity. The piece of lace is the work 
 of the firs^t Sisters, and was used to adorn the 
 robes of the earliest bishops of the Province of 
 Quebec when they officiated in the chapel of 
 the Order. The cope, embroidered by the 
 Reverend Hospitallers of St. Joseph, was used 
 for over one hundred years by them, and is one 
 of their most precious antiquities. The tapestry 
 IS a piece of the famous "Gobelin," and orna- 
 mented the walls of the old chapel of the Hotel 
 Dieu. It was the gift of Mons. Castonguay 
 
 Steamers 
 
 LEITH AND 
 •o MONTREAL 
 
 The Grey Nuns also .how some very ancient 
 church vestments : a cope. No. 4, worked by the 
 third Supenorof the Order, Rev. Mother Coutl^e 
 who was born in 1742 and died in 1829. afte; 
 59 years of religious life, and No. 6. an altar 
 cloth 130 years old ; No. 7 is even older 
 
 ly iitted 
 Cheese, 
 n built 
 
 T '^\!r ^""^'■^gation Nuns and the Sisters of 
 Jesus Mane have also sent in notable collections 
 ot lace, embroideries, etc. 
 
 !D CO 
 
 L MITED 
 
 D, Me., 
 
 AcltNTS 
 
SI>ARKLETS 
 
 Soda Water in half a minute. 
 
 LEEMING, MILES & CO 
 
 ^3 ST. SULPICE ST.. MONTREAL. 
 
 Gold Medal for Enamelled Ware at the World', Exposition. 
 Paris, 1900. 
 
 OUR BRANDS 
 
 Established 
 I860 
 
 "CRtSCENT 
 
 "PKEMIEK" 
 
 " PRINCESS " 
 
 WHITE 
 
 BLUE AND WHITE 
 
 "STAR- DECORATED 
 
 WHITE DECORATED 
 
 Incorporated 
 1895 
 
 The Thos. Davidson Mfg. Co.,Ltd. 
 
 MONTREAL. 
 
 JompTe'te Batftrootti Crfmminds, Kitcben 
 ASSORTMENT OP aitd Rousc Jwn\sh\m etc. 
 
 AT 
 
 Philbln's Hardware Store 
 
 223J.33 ST. CATHERINE ST. 
 2J2 GREENE AVENUE. 
 
K^rs 
 
 ag by the 
 
 lute. 
 
 ttles and 
 arts, 
 lutaiiiiiig 
 
 ^S & CO. 
 
 JTREAL. 
 
 World's Exposition, 
 
 sitinn r 
 
 Incorporated i 
 
 1895 .' 
 
 . Co.,Ltd. 
 
 d$. Hircben 
 Wng$, etc. 
 
 >tore 
 
 / 
 
 In Section F will be found deslg,^ r«lled out 
 by the kindness of several firn.s in ,)„ , , X 
 by offenng prizes for original idea«, luw, e«co. r- 
 aged many to furnish sketches for tl,.^ .onZl. 
 
 fifty dollars for two years, leaving it to the 
 Association to decide on the cIa«B of dr.jgn for 
 
 ZZelT '"^ "";• ^"""' '•" ^'"^«-''^'»-' i-^ 
 
 niaebted for a prize for the best cMmtkf idea 
 andMr.ColinMcArthurhashelMltl'rJ;^,; 
 one or designs in wall papers. H^vHl \td 
 has also been a helper in this good work, «ml the 
 Association hopes that further encoMr8g,„,,„t ^j,, 
 be given to our designers by the mmy ma.nifac- 
 turers of the city, who must b. .eH.tantly 
 needing new ideas in labels, posters, ete. 
 
 ST. 
 
k r r'''"'- '"'^'^'^^ ready for 
 
 fr practical painters, too. ft>s pure 
 ^'^'^ P-re .inc and pure HnseJ 1 
 ":;'''\ ^^-^^"y ^ade machinery 
 ^P rated ,y .^p,,,_ /^'-..../i 
 
 SOLD B y 
 
 HENRY MORGAN & cO. 
 
 h A. GORDON 
 
 CONTRACTOR 
 
 HEATING, 
 PLUMBING 
 AND ELECTRIC 
 WORK 
 
 PERSONALLY 
 SUPERVISED 
 
 30t ST.ANTOINE STREET. 
 
 TELEPHONE UP 2597 
 
/'ainf :^ 
 
 oes, ayid most of the 
 
 '■/.IMS PA/XT 
 
 Sugar Bowl, ,2 C. Loans, is supposed to be 
 one of a three piece set. given to theory of Stras 
 
 burg^a^dbythe.asawec,cli„g,ifI,oton 
 
 IS 
 
 iiildi7tgs with, in. 
 's made ready far ^ 
 'for home use and 
 '' (00. /t's pure 
 pure litiseed oil, 
 made machinery 
 ^t's made far 
 
 One of the Boeckhs WT<8 a 1-,^ • 
 the Queen and this pierw^s^X^ 1"^^ 
 and through her descendants caL Tn to tie 
 possession of the present family. 
 
 ■^^ & CO. 
 
 FRIC 
 LY 
 
 REET. 
 
B. LKDOUX cSc CO. 
 
 •uKot., or FINE CARRIAGES 
 AND SLEIGHS. 
 
 r u J. I t'f"°" whertvtr c»liil>iitd, 
 
 E^hiShii; , %*'^"^'i" !he Paris Kxhibiiion, „,o. 
 
 Address 
 
 93.95.97 Osborne St., Montreal. 
 
 W. J. GRAHAM 
 
 SANITARY 
 EXPERT 
 
 85 CATHCART STREET 
 
 Householders contemplating renew- 
 ing or altering Plumbing, Heating 
 Apparatus, etc., will receive personal 
 attention by calling up Telephone 
 1406 Up. Estimates will be cheer- 
 fully given with plans and specifica- 
 tions on any work submitted. Strictly 
 first-class work onlv. 
 
 The 
 
 was nii 
 was In 
 Napole 
 where 
 the suj 
 come 1 
 owner' 
 
 CAUTION 
 
 A. the« ,re several spurious imitations on the market, ask for 
 
 JELLY OF CUCUMBER AND ROSES 
 
 JOHN I HWIS. Chemist, 
 2208 St. Catherine St., Cor. University 
 
 Branch 2 ^ ST. Catherin e St., Cor. Guy St. 
 
 TAKE NO IMITAflON— S«.hat >o7^et Dv«s JellvofO; 
 and all roughness of the skin. All Dr'i,KL'irke''ep f°^'^ '°' "^^"^"^ ''""'''' 
 
c^ CO. 
 
 lGES 
 
 s. 
 
 lo England't Roy»l 
 ! to dale. 
 
 1 970. 
 
 w g«ing on. A call 
 
 I 
 
 The Quaich, mentioned in the B. Loan Exhibit, 
 No. 251, is thus defined: a small and .shallow 
 drinking cup or vessel, with two ears for handles ; 
 generally of wood, but sometimes of silver. — 
 {Scotch) from Ogilvie's Dictionary. 
 
 >ntreal. 
 
 \M 
 
 enew- 
 
 satiiig 
 rsonal 
 ihoiie 
 ;heer- 
 nfica- 
 rictly 
 
 The piece of work, shown in Section B. Loan, 
 was made from a selected bit of mahogany, which 
 was No. 7, being used for a sideboard for 
 Napoleon when at St. Helena. Its date is some- 
 where between 1815 and 1820. The cutting in 
 the sugar bowl is an old design which has recently 
 come into vogue again. It has been in the 
 owner's family since it was made. 
 
 ikfor 
 
 ROSES 
 
 le label. 
 e bkin. 
 
 1 1 has no 
 Druggists 
 
 ist, 
 
 Cor. Guy St. 
 
 RS JiLLYOF CU- 
 
 for chapped hands 
 
B.OcM.T.JKNK[XS 
 
 ^f^fffff^'WEFUIlNITUIiE 
 
 POR OLD CHIPPK.V„.,,E. SHKR. 
 ATON. tMPIKR, COLONlAt 
 
 ORIKNTAI. VVRKISUJ^as 
 
 OLn «KONz,.:, RAKK OLD china" 
 
 PAi^cs A.n K.;,.,,^::; 
 
 KAR, OU, SIUKR, SHKPKIB,.,; 
 ".ArE, «RIC-A-„HAC, OU> ,«„« 
 ANn ARMOR, j:tc. 
 
 2 PHILLIPS SQUAliE 
 
 MONTREAL. 
 
 Hkad Okkick AT> ri 
 
 INGHAM, EngI, 
 
 An Endless March 
 
 3£_MAIN__RIUS0N_WHY 
 
 llMerial ^ *# 
 Oxford Ran 
 
 There's no wjni. „ . , . *" " "' '""o ai 
 
 •'•'VKK'/srESr ■'•■ "' "-— •• >■- 
 THE CURNEY-MilsSEy CO., LTD 
 
 MONTREAL 
 
 '7 
 Hi 
 H( 
 de( 
 
 MS 
 aiic 
 the 
 it w 
 kin; 
 desi 
 
^EFUIINITUIIE 
 
 LE, SHEK- 
 ^OLONIAL, 
 niANAND 
 
 IS 
 
 ^ CHINA, 
 
 " \vmGs, 
 
 IKFFIEI.D 
 I-n ARMsS 
 
 L. 
 
 Street, Toronto. 
 ^M, England. 
 
 ^arch 
 
 Ho use - 
 ?, Coal 
 
 1 
 
 132. Sectm,, P.-Francis Boucher. Jx.rn Pari.s. 
 •700, ^,d Fan.s, ,770. Was a noted painter of 
 Historical and I'a.loral .subjects and Genre pieces 
 Ho .showed special trength in the grouping and 
 decorative treatment of women and children 
 
 Kf^' •"'??'? ^■~'^*" ^'''''' ""S*" «f this 
 MS. IS difficult to fix becuise of the di.sappear- 
 ance of its first pages. The designs of .so.ne of 
 the arabesq.us, however, make it apj.arent that 
 It was once the property of one of the English 
 kings. The royal arms figure in several of the 
 designs. 
 
 /HY 
 
 iges 
 
 "y with fuel. Tk-v 
 
 •a" you want as soon 
 * again ai sooo ai 
 
 fn'}'''^^'"' '"joy 
 I Oxford the (in„t 
 
 le-and we know 
 
 0., LTD. 
 
IMAGE EVALUATION 
 TEST TARGET (MT-3) 
 
 // 
 
 // 
 
 r/> 
 
 
 P4i 
 
 
 
 ,% 
 
 /a 
 
 ^4 
 
 1.0 
 
 I.I 
 
 1^128 
 
 |50 I"** 
 
 lit 
 
 2.5 
 
 1.8 
 
 
 1.25 1.4 
 
 III ''^ 
 
 
 ^ 
 
 6" — 
 
 
 ► 
 
 V] 
 
 <^ 
 
 /^ 
 
 A 
 
 ^ 
 
 M/^1^^ J" 
 
 
 
 ^W.^^/J 
 
 Photographic 
 
 Sciences 
 Corporation 
 
 
 '%^ 
 
 23 WEST MAIN STREET 
 
 WEBSTER, N.Y. 14:^0 
 
 (716) 872-4503 
 
.-^ 
 
 5i"^ 
 
 V 
 
 % 
 
 % 
 
 %^ 
 
 
WM ST. PIERI^E 
 
 LADIES' AND GENTLEMEN'S TAIl.R 
 
 83 BEAVER HALL HILL. 
 
 MONTREAL 
 
 BEi^ORE INSURING 
 YOUR LIFE 
 
 or taking on any additional 
 insurance, ascertain for 
 yourself what 
 
 The ^Travelers Insurance Co'y 
 
 OF HARTFORD, CONN, 
 can do for you. Low Rates. 
 Everything Guaranteed 
 
 I 
 I 
 
 I 
 I 
 
 I 
 
 MONTREAL OFFiCE 
 136 ST. JAMES ST. 
 
 FRANK F. PARKINS 
 CHIEF AGENT 
 
 MORTON. PHILLIPS & CO. 
 
 STATIONERS. 
 
 EUNK BOOK MAKEkS 
 AND PRINTERS 
 
 L 
 
 I7B6 A 1767 HOTRE DAME ST. 
 MONTREAL 
 
(E 
 
 onal 
 for 
 
 ncc Co'y 
 
 ["ES. 
 
 I^itHography 
 
 Soon after its invention nt the Ijeginning of 
 the century we are about to complete, the art of 
 Hthography was taken up by the great artists, 
 particularly of the French school , ns n convenient 
 means of expression. Later on and towards the 
 middle of the century it made way for the newly 
 revived art of etching, and became more a means 
 for reproduction than a medium for original work. 
 After a lapse, in which it still continued to be 
 used mostly i a commercial sense, it was again 
 taken up by artists such as Whisttler, Pantin, 
 Latour and others, and at Paris some ten years 
 since, a number of artists banded together to join 
 what might be called the renaissance of litho- 
 graph} . by employing the crayon gros and stone 
 as means for original expression, Mr. Wicken 
 den, one of our exhibitors, ehnrmed by the 
 suppleness and beauty of the nielliod, joined in 
 the movement, being elected a member of the 
 "Society des Artistes Liihographes Francais," 
 and also of th: " Soci6t6 des Pciiitres-Litho- 
 graphes" of Pari.s— the latter being formed by 
 painters alone, who practice original lithography 
 as distinct from copied work, 
 
 K F. PARKINvS 
 HIEF AGBNT 
 
 CO. 
 
 OOK MAKERS 
 *JTE1U 
 
WINSOR & NEWTON'S 
 WATER COLORS 
 OIL COLORS 
 CANVAS 
 
 ■re in use In all the oreat Ap* 
 Studio, throughout the worl? 
 
 L 
 
 BREAD ^ 
 
 NEW PROCRSS 
 ■inST INSTALLED 
 r I T T-T-T.T^ ^^' "^^ BAKERY 
 
 GLUTIN FULLY DEVELOPED. 
 
 SWEETER BREAD, VERY LITTI E VFaer 
 KEEP FRESH LONGER THaI m OTHE;' 
 
 Remember we are the only mair 
 BREAD."""''""""* '^•"•'•« 
 
 "^TISJi^NA INFANTS' FOOD U 
 
 JAMES M. AIRD, l\V^^"J>s,'"'i 
 
 Bell Tkl. Main 102.5 
 
 ^ffiiUMlnai food 
 
 FOR^J[NFANTS 
 AND I NVALIDS 
 
 Especially suitable for young children, 
 and a valuable aid to the dietary of 
 the sick room 
 
 Full Pound Tins 25c. 
 
 Shop Tei.. Vp 2401 
 
 CR SALE BY 
 OUR DRUG GIST 
 
 Kksidence Tbl. East 161 
 
 OGILVIE BROTHERS, 
 
 290 Bleury Street, above Ontario Street. 
 
 REGISTERED PRACTICAL 
 SAhiTARY ENGINEERS 
 
 Electric Light Wiring, Ftc, Rtc "''"^"^' 
 Drains Tested by the most approved modern appliance.. 
 
"ON'S 
 
 ►at Art 
 
 world 
 
 :\V PROCESS 
 ST INSTALLED 
 OUR BAKERY. 
 
 ELOPED. 
 
 E YEAST, 
 Y OTHER. 
 
 > 'NFJNTS- FOOD Is 
 
 food for babes and 
 
 3 ST. URBAiN 
 'REET. j» J 
 
 al food 
 
 ildren, 
 jry of 
 
 Jeanne Ve Ber, 1662-1714 
 
 If there are no Canadian names in the calen- 
 dar of saints, it is not because in byways and 
 obscure places, Canada had not virtues worthy of 
 canonization. Not alone her male martyrs and 
 female devotees, whose merits have found a 
 chronicle and a recognition, not certainly the 
 mediaeval pietism of Jeanne Le Ber, the vener- 
 ated recluse of Mo.itreal,— there an others quite 
 as worthy whose names have died from memory. 
 Mademoiselle Jeanne Le Ber was the favorite 
 daughter of the chief merchant of Montreal. 
 She seems to have been a girl of fine and sensi- 
 tive nature ; ardent, affectionate and extremely 
 susceptible to religious impressions. Religion at 
 at last gained absolute .sway over her. Nothing 
 could appea.se her longings or content the de- 
 mands of her excited conscience but an entire 
 consecration of herself to Heaven. Constituted 
 as she was, the resolutions nuist have cost her an 
 agony of mental conflict. Her story is a strange, 
 and, as many will think, a very sad one. She 
 renounced her suitors and wished to renounce her 
 inheritance, but her spiritual directors, too far- 
 sighted to permit such a sacrifice, persuaded her 
 to hold fast to her claims, and content herself 
 with what they called ' ' poverty of heart. ' ' Her 
 mother died and her father, left with a family of 
 young children, greatly needed her help, but she 
 
 SALE BY 
 R DRUGG IST 
 
 ! Tel. East i6i 
 
 :RS, 
 
 Street, 
 
 i, Plumbers, 
 I' Hangers, 
 c. 
 
 appliances. 
 
CHAS. M. ALEXANDER 
 
 CONFECTIONERY 
 
 LUNCHEON « DINING ROOM 
 
 GEO. GRAHAM 
 
 ^g» 
 
 Groceries 
 
 244$ $f. cafberliie srreef, 4 mmiH 
 
 BELL TELEPHONE CALLS 
 UP 1847 AND 1348 ' 
 
 Ttlephont Up 1223 
 
 THE MISSES RAMSAY 
 
 ^«.:f«.. an, reporters of aU tke l.aUst Novelties in 
 
 MILLINERY 
 
 2444 St. C»fherln4 street 
 Near Orummond 
 
 A select assortment of Hats 
 yj!u.ays kept ,„ slock f^ 
 transient trade 
 
ANDER 
 
 :RY 
 
 CHEON « DINING ROOM 
 
 >cerle$ 
 
 *< monrrear 
 
 refused to leave her chamber where she had im- 
 mured herself. Here she remained two years, 
 seeing nobody but her confessor and the girl who 
 brought her food. Only once she emerged, and 
 this was when her brother lay dead in the adjacent 
 room, killed in a fight with the English. She 
 suddenly appeared before her a.stonished sisters, 
 stood for a moment in silent prayer by the body, 
 and then vanished without uttering a word. Not 
 coutent with this domestic seclusion, she caused 
 a cell to be made behind the altar in the newly 
 built church of the Congregation, and here we 
 will permit ourselves to cast a stolen glance 
 at her through the narrow opening through 
 which food was passed into her. Her bed, 
 a pile of straw which she never moved, le.st 
 it should become too soft, -^vas so placed that her 
 head could touch the partition, which alone 
 separated it from the Host on the altar. Here 
 she lay wrapped in a garment of coarse grey 
 •serge, worn, tattered and unwashed. An old 
 blanket, a stool, a spinning wheel, a belt 
 and shirt of haircloth, a scourge, and a pair 
 of shoes made by herself of the husks of 
 Indian corn, appear to have formed the 
 sum of her furniture and her wardrobe. 
 Her employments were spinning and working 
 embroideries for churches. She remained in this 
 voluntary prison about twenty years, and the 
 nun who brought her food testifies that she never 
 
 AY 
 
 tst Novelties in 
 
 ssortment of Hats 
 Itept m stock for 
 trade 
 
f Upt53, 
 
 EM»bli.h«i i8;o 
 
 JOHN ROBERTSON & SON 
 
 FAMILY 0ROCEI?$ 
 
 PhJlli|M Square 
 
 MONTREAL 
 
 Bw.1. Tst, „ , 
 
 -BROWN BROS. 
 
 VVn[NpsOR MARKET 
 
 The Emporium for Fine Mpat<= 
 Our Motto- '^"'e X able Delicacies 
 
 1^ "■"'■ «""' •"»«'.• 8«»d blood, ^ health,. 
 
 I 
 
 O 
 
 n 
 I: 
 b 
 
 ti 
 
 tl 
 
 tc 
 
 T 
 
 hi 
 
 til 
 
 til 
 
 oc 
 
 sh 
 
 ca 
 
 as 
 
 ch 
 
 of 
 
 th( 
 
 Fr 
 
 YOU may have 
 The Beit Service 
 
 Croy tmmry £o. 
 
 8 and 10 INSPECTOR ST. 
 
 The Slater Shoe Stores 
 
 Fall Styles for 
 
 Ocntlemen. Boys and Youths 
 
 Now in Stock 
 
 JK.'it.^'"' Branch 
 2380 Sf. Catherine St. 
 
 «2B ST. MMES STREET. 
 
 MONTREAL ''""*'' ' '* "* " ''•••'" «'»• 
 "UKTREAL OTTAWA 
 
 iV«VI.''lBr«nch 
 1861 St. Catherine St. 
 
 TORONTO 
 
•p'itT",?"'^* St. anij ' 
 
 BROS. 
 
 fARKET 
 
 orium for Fine Meats 
 and manufacturers of 
 ! Delicacies 
 
 i htalih, " 
 
 omitted a mortification or a prayer though com- 
 monly in a state of profound depression. 
 In 171 1 Canada was threatentd with an attack 
 by the EngHsh, and Mademoiselle U Ber gave 
 the nuns of the Congregation an image of 
 the Virgin on which she had written a prayer 
 to protect their granary from the invaders . 
 The English, however, did not come, their fleet 
 having .suffered a ruinous shipwreck, ascribed to 
 the prayers of Jeanne U Ber ... . Nor was 
 this the only miracle of which she was the 
 occasion. She herself declares that once when 
 she had broken her spinning wheel an angel 
 came and mended it for her. Angels also 
 
 assisted in her embroidery In the 
 
 church where she had secluded herself an image 
 of the Virgin continued after her death to heal 
 the lame and cure the sick. 
 
 From "The Old Regime in Canada," by 
 Francis Parkman. 
 
BdNTINfi Aod 
 _ ^ DECORATIONS 
 
 prescriptions filled. Dn. " "° , 1""' ' "''' P'"'^'^ '° ««' 
 t-ken to six different df "^ ^"""^P^'-nptions 
 
 -">ts. The resu t ,.t;^"-^'^' ^''""^ "^ si. different 
 Poseintended-and th^^ T "'""'^' «°°" ^- "- pur 
 
 '--on,dnot:rLt::'S:;j^'"r"'^^"'-'-" 
 
 nght-the others wron^ Th/T ^''^ vvould be 
 
 ^^'the.nosts.i.^Und^osttX::,^:''^^""'' 
 
 store Llh^dt'^'^'^P^-"*-"'-. 
 
 Cor. Phillips Sq. and 
 
 St, Catherine St. 
 
 ARTISTIC 
 FimifURE 
 
 FOR ARTISTIC 
 PEOPLE 
 
 SSIPII 
 
 DPMA.,.. "-«»»- moderate. willVuTrj 
 
 RENAUD. KING & PATTERSON 
 
 652 CRAIG STREET, 
 
B(/1VT/NG And 
 
 wcomms 
 
 arpetfl 
 
 HB TABPAIUN CO. 
 
 TEL. MAIN 727. 
 
 a'ld drug stores not so 
 ^rug store may be a 
 
 brushes, sponges and 
 '-ays a safe place to ^et 
 •'■■ ^""ne prescriptions 
 'iild have six different 
 ally Kood for the pur. 
 Heing all different, 
 ect. One would be 
 
 one would be put up 
 
 druggist. 
 
 hat makes 
 'ing drug 
 
 No io8 Section E. "Ordre Royal ct Militaire 
 cr^e par Louis XIV, 1693." 
 
 The original pos.sessor of this cross was 
 
 Barth61($my Gugy, colonel d'infanterie in the 
 
 .service of Louis XVI and major du regiment 
 Suisse de Sonnenberg. 
 
 A Copland cup belonging to a ser\-ice that 
 was made for and presented to the Duke and 
 Duchess of York as a marriage gift by the cor- 
 poration of the town of Norwich is shown at 
 No, 127 Sale Exhibits Section C. 
 
 Loan Exhibits Section B, No. 82. H. R. 
 H. Prince Arthur, (Duke of Connaught) sat 
 in this chair at the annual St. Andrew's Day 
 concert, in the Mechanics' Hall on Nov. 30th, 
 1869, at which time he was resident in Montreal 
 as a Lieutenant in the Royal Brigade. 
 
 i 
 
 herlnc St. 
 
 R ARTISTIC 
 OPLE 
 
 ^hlgh grade Furnl. 
 Me with a view tJ. 
 
 N 
 
 2 CRAIG STREET. 
 
Diamond '" ' "• '" f^^^^"' "«e «„ 
 
 ««""^ "' these Kre „.„„,ue.l i.. 
 
 - therefore en„h,e.. .oi ;;:!""" ^'="^"- ^> 
 ">«rl.al,ly Koo,l v«h,e t, ""«•"•'"■« P..rchn,er. re- 
 
 to buy. ■ ^"" "'"""thepreswd 
 
 HEMSLEY'S 
 
 Dlftcl ImpofUf, 
 of pr«cioui 1(0(1(1 
 
 - -257 ST. JAMES STREET 
 
 ^^SEED MERCHANTS 
 
 HERBACEOUS 1^^^^^^?'";; ■" h^hI?^ 
 
 PLANTS !^;;St?^^^■oW;t,^-;l.:[ 
 
 M2McGILLST.,MSN7R7Ar'"'' 
 
 253 
 
 255 
 
 GKORGE BLACHE 
 
 rMPORTiNO TAir.oH 
 
 Windsor Hotui. 
 
 MONTRKAr 
 
'• "" P»*'<-nt time, an 
 ")• I'lrKc slock of i,H.cj. 
 e<l »toiie« of all ,<„« 
 
 'or Ui..ir l,rilli«„cy.' 
 '•eNe Htc mounted hi 
 
 I'eiKlanti, hut the 
 '""""'"K "ccording to 
 Mf stont-s liMve j,„j 
 '"iii'l ill rCtirope. w, 
 ■n.li.iK piircliQsers re- 
 "terestcfl we shall be 
 "I will not he pressed 
 
 BY'S 
 
 WES STREET 
 
 The Indian depnrtnient of the Exhibition will 
 be a revelation to many. In Section F will be 
 found a iK)rtrait of Zachary Vincent, the Indian 
 dnef known as the Inst of tlie Hurons, drawn and 
 painted by himself. He was called the Indian 
 iirti.st. He had a natural talent for drawing, was 
 entirely self-taught, and very ingenious in making 
 his brushes. He often made and mixed hi.s 
 colors from materials he found in the woods. He 
 died about 1880. 
 
 The women of I.orette show a very complete 
 exhibit of their characteristic Indian handicrafts, 
 consisting of bark, ba.sket and leather work, 
 embroidery in porcupine quills and dyed moo.se 
 hair. 
 
 and select assort- 
 ^"1'I^S, DAKI-O- 
 "d nil flowcrinif 
 '."f'"K- HAKDY 
 ilher in seerl or 
 ive oflFt-r the most 
 lent in Canada. 
 
 I ill Iheir addrtH, 
 
 REAL 
 
 TRKAI,. 
 
(u. D. $mm I $011$ 
 
 TEA IMPORTER ^ 
 
 OFFICES : 
 
 33 St. Sacrament St. 
 
 5 vSt. John St. 
 
 Montreal, Can. 
 
 TELBrHoNE Main i;q; 
 
 FoHriGN Officks . 
 Vokohlm,i and Kobi, Japan 
 Shanghai, Hankow anrfo 
 „ , chow, China 
 Colombo, Ceylon. 
 Calcutta, India 
 
 TRLJDEL & GRAHAM 
 
 FASHIONABLE HATTERS AND FURRIERS 
 
 Manu/acluifts of 
 
 Pur (.arm flits 
 
 Por Ladies and Gentlemen 
 
 107 Bleury Street 
 MONTREAL 
 
 1 irilyiVlJ vK O ^^'^^ DRESSING 
 
 -^ ^ » A J V 1 V vj parlors 
 
 ' ' The finest fitted up in the world ' ■ 
 
 The Marcel Wave 
 by an Expert just 
 arrived from I^ondon 
 
 O/f "? by Telephone 
 MAIN 391 
 
 •745 NOTRE DAME ST. 
 
 ^i. J. iVIcAWDREW 
 
 UPHOLSTERER AND 
 MATTRESS MAKER 
 
 Jn"Hrt^'^^'r Back Sofas. Divans 
 Hnd Cha,rs furnished on application 
 
 Designs for English 
 Over-SlufTed Furniture 
 Cosey Corners a specialty 
 
 Offlc. and War«roon,. : 7B0 Doreh.«ler St. 
 Factory ; 29 St. Bernard St. 
 
 MONTREAL 
 
A specimen of Irish industries is the item No. 
 
 i74 in Section A Loan. Here weaving, designing 
 I and dyeing are all shown. The pattern is 
 ! stamped from wooden blocks, and the work is 
 
 entirely domestic. This embroidery comes from 
 
 Donegal and is a creditable example of peasant 
 
 ingenuity. 
 
 Two silver cups in section B Loans, No. i8o, 
 should be of great interest to our visitors. They 
 were looted at Waterloo from the canteen of 
 Jerome Bonaparte, by Dr. Caldwell of the First 
 Royals, who, later, as a resident of Montreal, 
 was one of the founders, and a strong supporter, 
 of the General Hospital. These cups were in- 
 herited by a niece of his wife, in whose posses- 
 sion they still remain. 
 
RAM LAL'S 
 
 PURE INDIAN 
 TEA 
 
 RICH 
 
 FRAGRANT 
 
 DELICIOUS 
 
 PATERSON^S 
 
 CAMP 
 
 Coffee Essenc 
 
 CAMP EQUAL IN 
 
 FLAVOR TO 
 P FRESH GROUND 
 COFFEE 
 ALWAYS READY 
 A TEASPOONFUL MAKES A CUP. 
 
 ROSE & LAFLAMME 
 
 MONTREAL 
 
 400 ST. PAUI, ST, 
 
 eon. PL,ei iiov«i.t 
 
 WHY NOT 
 Try - . . 
 
 Cocbenibaler 
 
 If you cannot find what 
 you want in the way of 
 Jewellery or Cut Glass- 
 ware. We always have a 
 beautiful selection of - . 
 
 Rich Gold Jewellery & Dia monds 
 
 We cordially invite all the 
 Ladies to see our new fall 
 lines of Sterling Silver 
 novelties. Very low prices 
 this year. .... 
 
 Cochenthalcr '^^^^^ 
 
INDIAN 
 EA 
 
 Interesting specimens of indnstri«?,s from 
 Jamaica may be seen in Nos. ■?/ nd 367 Stction 
 A Loan and in No. 82 Section t L ian. The centre 
 piece (267) in lace bark ornaTi,,ated with native 
 ferns and lichens is a characteristic piece of nntive 
 work. The pottery (82) was found in the Dnr- 
 laston mountains. It was made by Inditms 
 belonging to the aboriginal tribes inhabiting the 
 West Indies at the time of the first vinit of 
 Columbus. 
 
 EQUAL IN 
 FLAVOR TO 
 > FRESH GROUND 
 COFFEE 
 
 ES A CUP. 
 
 -AMME 
 
 3NTREAL 
 
 rbaler 
 
 what 
 y of 
 
 lass- 
 ve a 
 
 : Di amonds 
 
 the 
 fall 
 ver 
 ces 
 
 gwd Jeweller 
 
 lAMES STREET 
 
RICE'S STUDIO 
 
 2261 St. Cth.rln.St 
 
 (0. Scott i) $m 
 
 FINE ART 
 DEALERS 
 
 JoOflentt ur 
 
 m9 Doire Dame st. 
 
 Tiffanv 
 ravrile 
 Glass 
 
 €itabli$bed wp 
 
 J. T. HENDERSON 
 
 (Lit., and tor over 30 >..,,, atl39 S«. Peter Sf.) 
 
 BoOKMiLLfiR and 
 SlATIONfER 
 
 L«di„g SpKialties: The new Novel, of 
 
 CrcUa«dCa,.„dtl„':::„„.'=''-'"'« (Dominion Iqi.re) 
 
JDIO 
 
 MONTREAL 
 
 A very full and fine exhibit from Toronto, 
 Ont., is also on view in the rooms, but came in 
 too late for insertion in the catalogue. 
 
 The very good work, F. 267, signed Aim^e 
 Rapin, possesses a peculiar interest. Melle 
 Rapin is a distinguished Europenn artist, a girl, 
 born without arms. She is also a sculptress and 
 a clever writer. 
 
 i$m 
 
 ffanv 
 Jvrile 
 lass 
 
 ^tawthti 1159 
 
 SON 
 
 PelerSt.) 
 and 
 
 PEEL St., 
 Union Square) 
 
"IT'S GOOD ENOUGH TO BREAK " 
 
 IS AN EXPRESSION 
 
 NO tONGKR EXCUSABI,S 
 
 Can now be had for a 
 very little money,— 
 notably at 
 
 C=B*$I). CDi«a6mpori«iii 
 
 BARNARD & HOLLAND 
 
 Wholesale and Retail 
 290 St. James St., (Victoria Square) 
 I VISITORS ALWAYS WELCOME 
 
 PHOTOGRAPHS 
 
 CHRISTMAS 'n«M AT 
 
 WM. NOTMAN 4 SON. , 
 
and 
 
 ier$ 
 
 03 norrt oiNie st, 
 
 MtMU 
 
 No. 130 of Section G is a basket that is 
 [ carried on the back of a Pitt River woman. She 
 puts on sandals of rushes and wades into a marsh 
 and gathers the seed of the wild water lily, which 
 they call ' ' wocus. ' ' She puts the seed into the 
 basket on her back, throwing it in with either 
 hand. On reaching camp the seed is thrown on 
 the large wocus .shaker or plaque with live coals, 
 and shaken up briskly until the seed is well 
 browned. It is then ground in a stone mortar 
 and cooked in a basket by throwing hot stones 
 into the cooking water. 
 
 The shaker is shown at No. 132. 
 
 Nos. 56 and 57 of Section G are interesting 
 as showing how the Chehalis work has deterior- 
 ated. Specimen 56 is of very old CheliPlis work ; 
 57 is a copy and much inferior. 
 
£R^^L^prANod 
 
 WARKROOMS 
 
 ^^^^ St. Catherine Streell 
 
 " Over 2000 of these 
 ■^I'l'CTl. an.l .-.rtistic i„! 
 stn,me„,s t„ day a.lorn 
 '"V '""'les of as nianv 
 
 f'n>"Ksi„ the Ctv 
 Montreal alone." ' 
 NEED WE s \ V 
 M ORE.' 
 
 '^HK BKLr, CO. 
 
 Offer ,,ianos of their 
 m , .-onstruction only, 
 an< fnl y guarantee 
 
 THE APOLLO 
 
 A self-playinj piano attachment. 
 
 With the aid of an 
 Apollo anyone can pro- 
 
 fiiK-eforthemselve.sthe 
 »'ost difficult musical 
 composition with sur- 
 pns.ng accuracy and at 
 Jnoderate cost. 
 
 A foil 
 
 THE ORPHEUS 
 
 An automatic self-Dlav;n» 
 
 ^"-piayingf organ. 
 
 orchestra in itself. 
 
 The public are invited 
 
 toinspect and hear thele 
 instruments at the 
 
 iMLPiiW) \Vcirero()nis 
 
 JEHSsssajasss, 
 
OOMS 
 
 lerine Street 
 
 CO. 
 
 r A N O SB Miniature Painting 
 
 Miniature painting is a beautiful and ancient 
 
 .rt, long neglected, and almost forgotten by most 
 
 ;ople. The practice of painting portraits on a 
 
 imall scale originated in the embellishment of 
 
 A. S., the initial letters being written in red lead 
 
 minium). The illumination of manuscript grew 
 
 ly degrees, until many MSS. bore the portrait of 
 
 :he author, and even some illustrations. Hence 
 
 :be name miniature. 
 
 From the eighth to the fourteenth century, 
 •eligion and leisure went hand in hand. It was 
 a work of piety to enrich breviary and missal 
 with quaint and curious designs. In the fifteenth 
 Icentury the writers and illuminators of manus- 
 cripts received a fatal blow through the invention 
 of printing. In spite of this, the art of miniature 
 still continued to flourish, for miniatures of 
 famous paintings, as well as portraits, were in 
 great demand. They were at first painted in oil 
 on vellum, also on gold and copper and slate, but 
 these were at last superseded by ivory, which, 
 from its color and transparency, became the 
 generally accepted basis for water color. 
 
 Photographic likenesses are no longer consid- 
 ered the thing for the rich, the great, or the 
 beautiful— either in England or the United States 
 —yet in the revival of this beautiful old art of 
 miniature portraits on ivory, there is the danger 
 it suggests from the ever ready demand for 
 cheapness, and to do this a photograph is often 
 made on the ivory and painted over, thus des- 
 troying its whole value as an heirloom, for the 
 chemicals will soon ruin the delicate color— it is 
 not a work of art. 
 
 Miniature painting is the one art which can 
 give in portable and enduring form the speaking 
 gleam of the eye, the glint of the hair, the play 
 of the lips, the tint of the cheek, and the hun- 
 dred other varying and elusive characteristics 
 which print themselves upon the miniaturists' 
 memory and cause these portraits to smile back 
 into our eyes with almost living, breathing power. 
 
 ^f tlie.se 
 tistic ill- 
 'v adorn 
 >s iiianv 
 niii.sicnl 
 City of 
 
 S A Y 
 
 ■ their 
 1 only, 
 rantee 
 I'LL 
 S. 
 
 LO 
 
 attachment. 
 
 f an 
 
 pro- 
 s the 
 sical 
 
 .siir- 
 idat 
 
 JS 
 
 >i'gan. 
 
 If. 
 
 A full 
 
 rernoms 
 
 i ST. 
 
i Union 
 
 Assurance 
 Society 
 
 HEAD OKHiCK : 
 8' Coriihill, London. 
 
 Institute in the 
 
 Reign of Queen Anne, 
 
 AD, 17,4 
 
 Capital and ac- 
 
 I cumulated funds exceed 
 
 yT'S.ooo.ooo. 
 
 One of the 
 
 "West and strongest of 
 
 Fire Offices, 
 
 CANADA BRANCH, 
 
 260 ST. JAMES STREET I 
 
 MONTREAL 
 
 (T. L. Morriseyj 
 
 HSSIDUNT MANAGER. 
 
An old Canadian legend, possessing the 
 merit of behing a true one, is called to mind by 
 Loan Kxhibit i«8. Section B. The Catherine 
 Quevillon who owned the chair shown, was at a 
 very curly age kidnapped by the Indians, who 
 kept her till she was about fifteen, when they 
 allowed her to return to her own people. But 
 she had contracted Indian habits, and was never 
 altogether civilized. The Papineau faniilj have 
 always referred to her in a humorous way as 
 " grand' ni6re la sauvagesse." 
 
 The knives and forks in old silver shown in 
 1 89 of Loans, Section B., are an exact counterpart 
 of a set formerly owned by General Wa.shington 
 and preserved in Washington City. 
 
 The handsome modem Japanese wall hanging 
 exhibited by Sir William Van Home should be 
 of interest to amateur embroiderers, showing as 
 it does the large effects obtained by the Japanese 
 by feather stitching in worsted silk. A notable 
 feature also, is the couched background, and 
 the use of both gold and black for heightening 
 the effects. 
 
(••^ 
 
 F^HlLYalue Received 
 
 l'ruithaii,lu.,iii«luliaM. 
 
 /«"'l. Inutile,., .he i.Jmy. 
 
 '"K 11 Co/Tcf titiit Khe 
 
 known JH perfcit. A Cof. 
 ffcllmt lH'(irHt|ieHe;,l,in.l 
 "ariieofCliaKe>«tSai,l,orn. 
 I" l.uyiiiK „ perfe.t iir- 
 Hclf, ii.Miiatter what itiH 
 
 ">H- IN ..i.n«e,i t„ ,,„^. ,; 
 
 tnde more ih,,„ ^hnt nn 
 inferior artiile (,r <m i,„i. 
 talioti woiiM lost, l)ut we 
 ft-el that we .,re K'c-ttinK 
 ""•• full uumry'n worth 
 wllt-n we hi,y the beHt of 
 
 anylhi„«. 
 
 ^nase <ic 5anborn's 
 
 HIGH GRADIi COFFEES 
 
 ArethehestaHfarascffefc 
 IS loncerne.l. ItisCfFee 
 ""It in .ihsoliitely pure 
 entirely free fro,„ „,|„it' 
 enitioM, every hean of 
 which is seleete.l and 
 hasheeiiKrowM on planta- 
 tions that are noted for the 
 excellence of their crops. 
 The nm-iner i„ „hich 
 these cofTees are roasted, 
 prepared and packer! is ali- 
 solutely,,erfect, Itn.akes 
 no diflerence whether voil 
 iHiy Cliase .V Sanborn's 
 Seal Drand Coffee that 
 comes in iK)mi(l or two- 
 pound cans, or whether 
 you buy some of tlieir 
 other hi^h Kra.le coffees 
 "Inch are sold in nicelv 
 Pnnted paj.er baxs, show 
 •"K tlie exact ,crade you 
 '■"}'■ You are protect( i 
 by tlie seal and name ' 
 this well-known firm, and 
 you will ^,et full value to 
 the last penny. 
 
 
North Carolinan silk catalogue is an exam (in.- 
 of a revived industry. The original settlers in 
 the hilU of North Carolina were largely Scotob, 
 and weaving is a coininon family industry among 
 ihom, liut this art has dii'd out almost enti'dy. 
 The descendants of the original settlers have 
 (K'^eiierated in many ways, ami few have kept 
 up the thrifty habits of their forefathers. In 
 consequence but little remains of this industry • 
 and even specimens of the olden work have 
 become rare. vSome years ago a lady artist 
 f^taying at Ashcvillo saw some of the work, and 
 k-cnniing greaL'.\ nterested has devoted herself 
 to reviving the old designs. Success has followed 
 her efforts, many of the best designs are again in 
 ime, and an almost lost handicraft has been 
 saved. Exhibit 275 in .Section A., Loan, is a 
 s{)ecimen of this weaving, made from old silk 
 dresses. This art has been practised in Canada 
 and should be ei\couraged. 
 
 An interesting exhibit is No. 273 in Section 
 A., Loan, b''ing a curtain made by two Italians, 
 who, finding themselves stranded in London, 
 applied to VV'm. Morris & Co., saying that if 
 given materials they could make a hand loom and 
 weave heavy woollen fabrics. They supplied 
 their own designs, and are said to have dyed their 
 own wools. A profitable comparison can be 
 made with the examples of domestic weaving 
 from other countries, specimens of which are also 
 in the Exhibition. 
 
Gl ;'R THE BABIES 
 
 mSTLE'S FOOD 
 
 IT IS WHOI,ESOM« 
 EASILY PREPARED 
 ECONOMICAI, 
 
 SAMPLE SENT ON REQUEST TO 
 
 LEEMING, MILES & CO. 
 
 MONTREAL, Que. 
 
 J. H. HANSON, 
 
 REPBESENTINO THE 
 
 B. GREENING WIRE CO., Ltu 
 THE WM. BUCK STOVE CO., Ltd 
 
 E- T. WRIGHT & on r . 
 
 Pa^^ ^"^ & CO., Lanterns, 
 
 Cages, Stovepipes AND E1.B0WS 
 J- H^ HANSON. Manukacturer of 
 Refrigerators and Plumbers' 
 Cabinetware. 
 
 Office and r^, ^ 
 
 warerooms 422 St. Paul Street. 
 
 NX^LALONDE_& SON 
 
 COR. ULKURY STREET AND 
 ST. CATHERINE STREET. 
 
 CHILDREN'S PHOTOS A 
 SPECIALTY 
 
 JM 
 
The costume worn by the Doukhobor women 
 in our North- West Territories, as their Sunday 
 outfit, and made by themselves, is composed of the 
 following pieces as shown in No. ii6 of Loan 
 Exhibit of Section A : — 
 
 (a) Undergarment ; (b) stockings ; (c) shoes ; 
 (d) skirt and woollen apron ; (e) print jacket ; 
 (f) velvet jacket ; (g) cap ; (h) knitteu toque ; 
 (i) 2 d'oyleys. 
 
 The whole Doukhobor exhibit shown by the 
 Industrial Connnittee of the National Council of 
 Women is curious, and remarkable for solidity of 
 workmanship, not devoid of artistic merit. 
 
 The water color sketch of Napoleon I. , No. 
 138 of lyoan Exhibit, Section F, is one roughly 
 made on a sheet of letter paper, by an officer on 
 board H. M. S. Northumberland, during the 
 voyage to St. Helena in October, 1815, and given 
 by him lo a brother officer, the late J. R. Glover, 
 from whom it passed to the present owner. The 
 Emperor was chatting on deck, at the time, and 
 perceiving the artist, remained quiet until he had 
 finished. 
 
Che 
 
 Popular 
 
 Rome 
 
 To /. 1,1, POINTS 
 
 NORTH 
 SOUTH 
 EAST 
 
 AND . 
 
 WEST 
 
 Running some of the finest and 
 fastest trains on the American 
 Continent. A famous and fav- 
 orite train of the Grand Trunk is 
 
 Tniernarional 
 
 t 
 
 n 
 
 P 
 
 tl 
 
 Cl 
 
 B 
 b 
 
 P 
 
 Leaving Montreal Dailv 
 Arriving Cornwall " 
 
 Prescott 
 " Brockville 
 
 Kingston 
 
 Belleville 
 
 Toronto 
 
 Hamilton 
 
 Woodstock 
 ^' London 
 
 Detroit 
 
 Chicago 
 
 Through Pullman cars and 
 Parlor cars and beautiful 
 Mched to this train. 
 
 at 9.00 a.m. 
 
 10.20 a.m. 
 
 11.21 a.m. 
 11.37 a.m. 
 12-55 p.m. 
 
 1-42 p.m. 
 425 p.m. 
 5.25 p.m. 
 6.45 p.m. 
 7.20 p.m. 
 930 p.m. 
 730 a.m. 
 
 elegant Cafe 
 coaches at- 
 
 CC 
 
 ar 
 
 wi 
 
 Seetht j,^^^^^^^^^.^ 
 
No art is better suited to the delicate nnd 
 imaginative quality of woman's talent than the 
 universally applied one of design. Hooks and 
 publications offer a great field. Carpels, oilcloths 
 wall paper, prints, silks, hanging.s nnd ninny 
 other objects invite the designer's .skill, nnd not 
 a mean opening exists in newspoper ciit.s, n 
 distinct genre, requiring a bold and clean Ntyl'e 
 
 St and 
 erican 
 d fav- 
 ink is 
 
 tonal 
 
 Our loan exhibit shows what embroidery used 
 to be. The church embroideries are fine speci- 
 mens, rare and curious. In modern work . centre 
 pieces and d'oyleys now engage the attention of 
 the industrious workers, instead of the fichus, 
 collars and berthas our grandmothers toiled over! 
 Both are of interest, and a clever needle will 
 bring its possessor now-a-days both praise and 
 profit. 
 
 oo a.m. 
 
 20 a.m. 
 
 " a.m. 
 J7 a.m. 
 iSP.m. 
 (2 p.m. 
 15 p.m. 
 5 p.m. 
 5 p.m. 
 op.m. 
 op.m. 
 oa.m. 
 tCafe 
 es at- 
 
 The design of No. 143 Section A " Loan " is 
 copied from an old tapestry. It is u„ excellent 
 example of the revival of Swedish hnndicrafm 
 and is a skilful blending of the antique design 
 with brilliant and harmonious coloring. 
 
 ■K., apply to 
 James Street, 
 senger Agent, 
 
BELDING'S] 
 
 H'Sh Art, Wash 
 Embroidery ■ . 
 
 Silks 
 
 Recommended by all Decorative 
 Art Needle Work Societies in 
 Canada and United States . . 
 
 Unsurpassed for fast 
 Dye and brilliancy. 
 
 Foster Br own 
 
 Books 
 
 AND 
 
 Stationery 
 
 2323 St. Ca therine Street 
 
 BEAUTY (S A CHARM 
 
 AND CAN BE OBTAINED BY 
 THE CONSTANT USE OF - . . 
 
 SCARFPS 
 
 THE BEST KNOWN REMEDY FOR TFVnvo 
 SKIN, SUNBURN, AND TAN CHAPPFn S^ v-Se 
 AND UPS. PRICE .5 CENTS '"'^^^ 
 
 ScarffS PharmaCV "^^^^ Catherine street 
 "^/ MONTREAL 
 
H Wash 
 dery . - 
 
 Iks 
 
 Women to-day have fallen under the charm 
 of hammering the rigid, unbending metals, iron, 
 ■gold, and silver into submissiveness and beauty.' 
 ■Tljere is not a more fascinating work. 
 
 Some of our readers will be familiar with the 
 'Six " of Paris, women whose aim is to create 
 larticles of every day utility, which shall be 
 jworks of art, without regard to the materials 
 [used. 
 
 We show some specimens of this handicraft. 
 [All will recognise its possibilities. 
 
 y all Decorative 
 rk Societies in 
 cd States. • • 
 
 wn 
 
 In Exhibit 113 Section C. the vases men- 
 tioned are considered as relics by the Sisters of 
 the Hotel Dieu. They were imported from 
 France in 1659 by Mile Mance. They have 
 since been in constant use in the pharmacy, and 
 are prized not only on account of their antiquity, 
 but also for the precious associations attached to 
 them. 
 
 treet 
 
 NDER 
 AN-DS 
 
 enne Street 
 lEAL 
 
D> McCORMACK 
 
 Fruits and 
 Oysters ,^ 
 
 CORNER PARK AVENUE and PRINCE ARTHUR 
 
 Cbe Canadian Rubkr 
 Company of 
 IDontreal 
 
 Make sure that 
 you get a pair 
 of RUBBER 
 SHOES of our 
 make for these 
 rainy days. 
 They are the 
 leaders for ! 
 style and wear. 
 
 J 
 
 ROBERTSON & CO'Y 
 Furs and Hats 
 
 LATEST DESIGNS IN SEALSKIN AND 
 
 PERSIAN LAMB GARMENTS 
 
 OPERA WRAPS, CAPES, BOAS, Etc. 
 
 ROBERTSON & CO'Y, 233 ST. JAMES ST. 
 
MACK 
 
 Rul)l)er 
 
 Make sure that 
 you get a pair 
 of RUBBER 
 SHOES of our 
 make for these 
 rainy days. 
 They are the 
 leaders for 
 style and wear. 
 
 & CO'Y 
 ats 
 
 A.LSKIN AND 
 LMENTS 
 BOAS, Etc. 
 
 The art of forming hard material into a 
 [proposed shape or figure. It is usually under- 
 stood to refer exclusively to works in ivory or 
 wood to distinguish it from carving in marble or 
 ' stone which comes under the term of sculpture ; 
 or in metals when it is called chasing. The 
 ancients used ivory to great extent in works of 
 art, and its union with gold, called by the Greeks 
 Chryselphaiitine sculpture, was adopted by the 
 greatest artists. 
 
 The colossal statue of the Olympian Jupiter 
 at Elis, by Phidias, was one of the most cele- 
 brated examples of this combination. In later 
 times carving in ivory has been confined to 
 smaller objects as figures, reliefs, enrichments of 
 flowers, fruits and other devices on vases and 
 cups and such objects of general use. 
 
 Wood of almost every description was a 
 favorite material for carving among the ancients, 
 and after clay, was doubtless, from the facility 
 of cutting it, the first substance used for imita- 
 tive art. Some figures of very remote antiquity 
 found in the tombs of Egypt are of sycamore. 
 For a long period in modern times there was 
 a great demand for fine wood carving. The 
 elaborately worked Gothic screens, choir-.seats 
 and desks in most of our cathedrals and edifices, 
 canopies, frames for doors and pictures, cabinets, 
 and indeed every description of furniture, are 
 evidence of the extent to which it was employed, 
 and of the skill of the artists. The woods pre- 
 ferred by modern carvers are the pear, lime, pine, 
 maple, mahogany, oak and box, and the tools 
 they employ are round hollow chisels called 
 gouges, others with an angular extremity called 
 from the shape V tools, and other chisels of 
 various shapes. A mallet is sometimes used, but 
 pressure, or a sharp blow from the bottom or 
 heel of the hand is generally preferred. The sui 
 face is cleaned and polished by friction and 
 finished in varnish or wax. 
 
 T. JAMES ST. 
 
Art Needle requirementa. new designs 
 
 ■"Sta„,ped;.i„ens, Embroidery Silks 
 
 ;" f;"'"'' ^"""--d-y Hoops and 
 
 Nee.lles,Batte„„ergLacesa„d Rings. 
 Battenberg artistic designs, as w!u 
 
 «» a .nost complete stock of Dress 
 Good. Linens, Gloves. Hand. 
 
 J'erch.ef,. Millinery. Jackets, Cape. 
 
 «nd Costumes. Whitewear and 
 
 Corsets. 
 
 whenoutshopp;ngcai.lat 
 
 Montreal's Lp.nlln 
 On (lonrti sior, 
 
 OUR 
 
 NEW 
 
 5T0RE 
 
 THB * 
 
 ^^^^^"^^^^^"^^^^^^^ 
 
 XKHJXk 
 
VY'Si 
 
 assortment of 
 Is, new designs 
 ibroiderv Silks 
 y Hoops and 
 =esand Rings, 
 'RHs, as well 
 ock of Dress 
 es, Hand- 
 ckets, Capes 
 tewear and 
 
 - CAI,L AT 
 
 Montreal'j Lf , : 
 Drv (lonrls Sfor, 
 
 nd lighting 
 ad Glass to 
 
 B. 
 
 the lowest 
 V of goods. 
 
 3. Ltd. 
 
 Pottery 
 and Porcelain 
 
 eoRtrlbutcdbymrt. 8. csMltb. 
 
 NOT with a view of entertaining those who 
 have already been attracted to the subject 
 but with the hope of stimulating the 
 interest of those who have not, the foUow- 
 uig observations are offered. A detailed descrip- 
 tion of the various specimens which have been 
 so generously lent for exhibition, would be im- 
 possible, but a brief general review of the 
 history of the ceramic art may be read with 
 interest in connection with this department. 
 
 The art of pottery-making, of moulding clay 
 iflto various forms of beauty or utility while in 
 a plastic state and then hardening them by fire 
 IS certainly cne of the most ancient of which we 
 have any knowledge. Evidence exists that it 
 was practised by nearly all the prehistoric races, 
 and from the rude shapes in coarse clay, gener- 
 ally brown or reddish or gray, progress was 
 made m the bronze and iron ages to more care- 
 fully made specimens, with a sort of covering of 
 the same substances more finely powdered and 
 mixed. Always hand made, vessels were some- 
 times hollowed out from a solid mass of clay and 
 sometimes built up with great care and ingenuity. 
 Although we inherit so much from ancient 
 Egypt in the way of pottery, some who write as 
 having authority, declare that the Egyptians 
 never made adequate use of the fine materials 
 lying before them, the rich clay washed down 
 and deposited by the Nile, the sand of the desert, 
 and the alkali found in much of the soil inviting 
 the composition of the finest enamels and glazes. 
 Whether this be true or not the student of the 
 art might find enough to occupy a lifetime in 
 
Fireplace 
 Goods 
 
 Wrought 
 Iron 
 
 and 
 
 Brass 
 Fire Do^s 
 
 Fire Irons 
 
 Orates 
 Mantels 
 Tiles, etc. 
 
 Andrew F. 
 Murray & Co. 
 
 40 BLEURY ST. 
 
 MONTREAL 
 
 
what has come down to us from Egypt, in the 
 Canopic vasus, in the brilliant wall tiles and the 
 various other uses to which the art was put Id 
 beautify temples or consecrate tombs. 
 
 The study of the history of the ceramic art 
 is inseparably associated with the study of an- 
 cient history. Especially is this so in tlie case of 
 Assyria and Babylonia where, uixni taldcts and 
 cylinders, have been found literary and historical 
 records that were first impressed in cuneiform 
 characters in the soft clay and then hardened by 
 heat into enduring manuscripts that outlive the 
 changes of time. From the ruined palaces of 
 Nineveh and Babylon have also been taken (piaii 
 tities of bricks painted with care, some of them 
 evidently being fragments of pictures commem- 
 orating Assyrian victories and supposed to 
 date from about 1200 B.C. 
 
 On the islands of Cyprus, Rhodes and Tiiera, 
 and in Attica and along the southern coasts of 
 Italy, great discoveries of ancient pottery have 
 been made of late years, and from the general 
 style of decoration and favorite forms, it is attri- 
 buted to the Phoenicians who early colonized 
 these islands. 
 
 The earliest Greek ceramic inscription is said 
 to be that on the Rhodian pinax representing a 
 scene from the Uiad. It is very difficult to say 
 just at what period the Hellenic Art, as it .elates 
 to pottery, had its origin. The finest collections 
 of Greek vases of all periods are now at the 
 British Museum, the Louvre, the Vatican and in 
 Naples, Florence and Turin. The South Kens- 
 ington Museum and the Hotel Cluny in Paris 
 have the best collection of Rhodian wares. From 
 the tenth to the seventeeth centuries the Persians 
 attained marvellous perfection in all the handi- 
 crafts and decorative arts, and the specimens of 
 Rhodian, Damascus, Lustered and .Sgraffiato 
 wares are among the richest the art affords. 
 
 The tombs of ancient chiefs in Mexico and 
 Peru contain many well preserved pieces of the 
 early pottery of these countries. Some of them 
 
Packard's '* Special" 
 Shoe Dresiingi « « « 
 
 »'"'»->'>• M"r.„..„u-..,„e,,. Shoe. 
 All Colors, 
 
 25e (111(1 15c si/i-H, 
 
 At nil Shoe Stores 
 
 MONTHCAL 
 
 C- B. PiclMrd « c». 
 
 THE MASON & 
 RISCH PJANO 
 
 * 
 
 '• «M ,.rt ,,ro.!>,ct of Canadian 
 Hl'ill,.„,|..nt..r,,nsc.,,k-siKnc-,lto 
 '";;•' "'^' •'■■■""'"I of the „u„i. 
 '•"Il.vcultdml for „„ instrument 
 "f the hi>;hc..,t nuLsical and n.e- 
 chanical excclleme. 
 
 •-.-owed upon .,,. M™ «i.' f p" '" "" "•"• ""•' 
 
 fr.n. hi. Wuer .c ,h. Ma,o„ & Hi J. r '* "'"" 
 
 "■•"<". « Kuch Ccmpariy tvH.r.CM • 
 
 «|u«ll.d Vr'isM I 7'' "'"«pi««nl, „„. 
 
 Che maioii ff Riicb PMno eo., Dd 
 
 UMBRELLAS 
 
 FROM MAKER TO WEARER 
 
 PPCOVERINC 
 *^*-PAlRnvjG 
 
 Cbe Dominion Umbrella $wre 
 
 .3<,src.™™.s,..„, ,„s,.p„„s. 
 
 I 
 
'reMrviiig Show »1 
 
 I « « 
 
 « Siloes, 
 
 ackard % Co. 
 
 ; "f Canudian 
 f, lifHiKtied to 
 of tile tmisi- 
 III iiistninient 
 *ical mid me- 
 
 Ic ilian ihiit 
 ' (he late ta- 
 king ciiraci 
 V tvider.eej : 
 
 u for- 
 t( iin- 
 Miblic 
 
 
 \s 
 
 JR 
 
 Srore 
 
 Petkr St. 
 
 are jfrotesqiie fiRures in the forms of semi-human 
 moiisttTH, made of u liiird bUi k clay ; others are 
 grncefully shaped on the iK)tt<.r'H whe( .. 
 
 Connoisseurs liave man- difficulty in dealr.g 
 with the wares of China tliaii of any other 
 amiitry. Cliinese records are said to be unre- 
 liable and Kenerally to assi(ni much greater an- 
 tiquity to lH)tli their earthenware and porcelain 
 tlian the facts warrant, Late works, however, 
 ,siiuKest that pottery was prohahly made in 
 Cliina as early as 2700 B.C., but deny that por 
 celaiii was made until the secoud century before 
 the Christian lilra under the Han dynasty. 
 During tlie Tein dynasty (265-419 A.D.) the 
 finest blue iwrcelain was made and the richest 
 ^'leen ware under the Suy dynasty (581-618 A. D.). 
 There is probably very little Chinese porcelain 
 now in Kurope dating earlier than the 17th een- 
 tury. An exquisite sky blue jjorcelain, made 
 about 950 A.D., is very highly valued by the 
 Chinese, and even small fragments of it are set 
 as expensive gems, 
 
 Japanese pottery has clo.sely followed the 
 Chinese until very recently. Now a verj- ela- 
 lH)rate method of decoration has been developed 
 in Japan in which a bra.ss cloisonne enamel is 
 u.sed on the surface to make it resemble metal. 
 
 The pottery of France and England, up to 
 the 15th century, had little of artistic merit, being 
 generally rude in design. The Italian majolica 
 ware attained considerable excellence, and evi- 
 dently gave character to, but was never equalled 
 by the Spanish wares. 
 
 The Dutch became famous about the begin- 
 ning of the 15th century, and have since remained 
 so, for peculiarly glazed coloured tiles and other 
 lottery produced at Delft and its neighborhood, 
 and in the following century Dutch dinner ser- 
 vices were to be seen in all the capitals of 
 Kurope. 
 
 At the beginning of the i6th century the 
 Portugeuse began to import Chinese porcelain, 
 which became known as "China." livery 
 
 
gjistce & son 
 
 DecoMfors and nmshtrs 
 •*mmrs i)nd Tmporrer$«» 
 g L^e Bg$f in TurMirure. 
 
 20 Uwiwrsitvlr^moiifreal 
 29 EM wh $1, new Vork 
 
 New York Mantfi &. 
 Decorating Co. -- - 
 
 2338 St. Catherine St. 
 
 MONTREAL 
 
 Telephone Up ! 
 
 Fine Furniture | 
 
 Carpets and 
 Curtains 
 
 I Upholstering 
 I Goods 
 
 Wall Papers 
 
 W. HENNY BELL 
 Manager 
 
 John Gray, twt matkt 
 
 319 PINE AVE. ^^- ^^^^ ^'5 HeNRV WIOHTON, 
 
 131 COUKSOL ST. 
 
 General Builders and Contractors 
 
 'S, MONTREAL 
 
 Stone and Brick Work 
 
 onici and Yard ; 164 GUY STREET 
 
 Tbi,. Up 1 153 
 
 Tki,. Up I 
 
 153 
 
 David H. vScott 
 
 MNE INTERIOR WOODWORK 
 HARDWOOD FINISHING IN 
 ALL DESCRIPTIONS. 
 Estimates and Designs furnished free 
 Office and Workshops : 
 2560 St. Catherine Street and 458A Guy Street 
 
 effort 1 
 
 produc 
 
 In 
 
 throng 
 
 Fraii9c 
 
 and va 
 
 the ce 
 
 ture o 
 
 Dnigh 
 
 beth p 
 
 Palissy 
 
 Fre 
 
 Berlin, 
 
 first in 
 
 transln 
 
 accusat 
 
 to havi 
 
 found 
 
 having 
 
 shaped 
 
 found 
 
 Europe 
 
 Frederi 
 
 blished 
 
 of the ( 
 
 the art 
 
 Josi 
 
 at aboi 
 
 cream 
 
 Queen 
 
 Ware.' 
 
 always 
 
 admiral 
 
 notable 
 
 Pore 
 
 about I 
 
 by roy; 
 
 Sevres i 
 
 were si 
 
 feldspar 
 
 Sevres 
 
 tation f( 
 
 Mod 
 
 Englauc 
 
effort was made in Europe to discover the secret of 
 producing a translucent ware like that from China. 
 
 In France great advances were made, largely 
 through the inventions of Bernard Palissy and 
 Fraii9ois Charpentier, who produced two distinct 
 and valuable kinds of pottery. At the end of 
 the century Dutch potters began the manufac- 
 ture of stone ware in London, and later, John 
 Dwight established works at Fulham. The Lam- 
 beth potteries initiated with some success the 
 Palissy ware. 
 
 Frederic Bottcher, an apothecary's assistant in 
 Berlin, is generally given the credit of being the 
 first in Europe to discover the nature of the 
 translucent porcelain. He fled to Dresden under 
 accusation of practising magical arts and is said 
 to have made the discovery by accident. He 
 found the powder in his wig rather heavy, and 
 having obtained some he made a paste and 
 shaped a vessel which he subjected to fire, and 
 found that at last he had discovered what all 
 Europe had been looking for. The Elector 
 Frederic Augustus become his patron and esta- 
 blished works at Meissen which were the origin 
 of the celebrated works at Dresden, from which 
 the art extended to Berlin and Vienna. 
 
 Josiah Wedgwood, born at Burslem in 1730, 
 at about 30 years of age produced the special 
 cream colored ware which by permission of 
 Queen Charlotte came to be called "Queen's 
 Ware." The name of Flaxman tlie sculptor will 
 always be as.sociated with that of Wedgwood, his 
 admirable classical designs being among the most 
 notable achievements of the art. 
 
 Porcelain works were established at Chantilly 
 about 1735, and ten years later atVincennes, and 
 by royal warrant these were transferred to 
 Sevres in 1754, but it was not till 1769 that they 
 were supplied with the genuine kaolin and 
 feldspar which had been discovered near Limoges. 
 Sevres and Limoges still retain their high repu- 
 tation for beautiful porcelain. 
 
 Modern pottery and porcelain work in 
 England is so well known as to require little 
 
The McClary M'f^. Co. 
 
 STnv^ui'"'!^/,* manufacturers of 
 STOVES, FURNACES . ENAM- 
 
 ELLEI) WARE T^^^^ ^TINWaWu 
 
 Heac'l ;'^"'^"P"°ns in t:anada. T^hil? 
 Head Office and works beinif located 
 at Lon.lon, Ont., the works covS 
 about 9 acres. They employ over 550 
 hands the year round. They also 
 have branches in Montreal, Toron o 
 Winnipeg and Vancouver where the>; 
 
 t'e'aTb'ri:,'".'*^"''"' ^r'^' '^e Mol 
 treal branch having a factory in con- 
 
 nect.on with it for the manufacture "f 
 
 1 inware of various descriptions. Their 
 
 o'^n/ ^"y^"«'-«..^vhich i^nniber aboTu 
 
 30, covers the entire Dominion. Thev 
 
 also do a large export trade, sendine 
 
 goods into every corner of tlie globe^ 
 
 McCLARY MFG. CO LTD 
 
 HEAD orPICB AMD 
 MONTRKAI., QUE 
 
 «„RK.S, tONDON, ONT„ BRANCH ANU r AC TORY 
 "--VCHK,, TORONTO, W.VM.PHC. AND VANCOUVk;;: 
 
 trs lljc mi St. meox^t 
 
 DEPARTMENTAL STORE 
 
 1883-85 NOTRE DAME STREET 
 
 FORGOODGOODS 
 
 AT LOWEST PRICES 
 
 THE ON'LY STORE THAT 
 BUYS AND SELLS FOR 
 CASH IN THE DOMINION. 
 GOODS DELIVERED TO 
 ALL PARTS OF CITY. 
 PHOXE MAIN 2439. 
 
mention here. Porcelain is said to hiue been 
 made first in Chelsea under the imtrDimRe of 
 George II and the Duke of CuniLfrlmid, and 
 shortly after at Stratford-Ie-Uow, Derby, 
 Plymouth, Worcester and other piiiccs, The 
 works at Worcester were under tlic special 
 patronage of George III, and since 17H6 have 
 been known as " The Royal Porcelain Works." 
 The variety of porcelain biscuit called Parian or 
 Carrara ware was introduced into luiRliUKi about 
 55 years ago and has since been largely used for 
 statuettes, etc. It differs from porei-laiii prin- 
 cipally in the use of a feldspar more fimibic than 
 the Cornish stone. The beautiful Doulton, 
 Minton, Coalport, Adderley and other wares novv 
 made in England are familiar objects in every 
 household. 
 
 In the United States oriianiontal eliinn is very 
 largely manufactured, the most notable centres 
 being Trenton, N.J., and East Wverpool, Ohio. 
 
 The manufacture of pottery and porcelain, 
 like most other manufactures, has its colloquial 
 technicalities ; thus a clay that shrinks much in 
 the baking is called a "fat" clay, Home of 
 these lose in one-third bulk in the proceNH. Others 
 having a large percentage of free HJlJca shrink 
 but little and are called " lean " clays. The 
 potter's wheel is in principle the same to-day as 
 when used in Egypt 2000 years before Christ. 
 The flat disk upon which the lump of clay is 
 thrown is made to revolve by mean-; of ft belt, and 
 the potter as it turns shapes it either with his 
 hands or with tools. 
 
 Painting upon china has become an art of 
 itself, and tho.se who have visited recent exhibi- 
 tions are aware to what excellence in tills branch 
 Montreal has attained. 
 
 In the present exhibit the committee, very 
 cheerfully and generously aided by so many of 
 our leading citizens, is able to present a number 
 of interesting and valuable specimens, as much 
 in the hope of stimulating industry as of antusing 
 collectors. 
 
HAND CHASING 
 
 In this age of cheap 
 machine-stamped met- 
 al work it is a pleasure 
 to see silversmithing 
 with the finish and 
 individuality of the 
 I handworker. Our Sil- 
 ver Workshops are 
 producing some verj' 
 rich hand chasings in j 
 silver bowls, claret 
 jugs, etc., which make 
 ideal wedding pres- 
 ents. To any interest- 
 ed in such handicraft, 
 we would be pleased to 
 show our factory and 
 the chasers actually at 
 work. 
 
 HENRY BIRKS & SONS 
 
 MANUFACTURING GOLD 
 
 ANDSILVERSMITHS 
 
 PHILLIPS SQUARE . MONTREAL 
 
Bookbinding' 
 
 BOOKBINDING is one of the handicrafts in 
 which women are making wonderful suc- 
 cess. A httle account of what two 
 women are doing in this Hne may inspire some other 
 woman. Mrs. Helen Bruneau Van Vechten is 
 the first woman bookmaker in America. Ru,skin 
 and William Morris were her inspiration, and on ail 
 matters of margins, arrangements, colour design 
 her taste is fine and discriminating. \'ery early 
 in her work as bookmaker, she proved her right 
 to a front place in the ranks, by the invention of 
 a simple device for doing away with an evil which 
 had been a stumbling block to the craft for years 
 It had seemed impossible to secure an even regis- 
 ter on handmade deckle-edged paper-so she set 
 to work to .solve the problem. After much think- 
 ing she discovered at last that bv removing the 
 peg which holds the paper in place, to the right 
 and feeding from the left, .she could secure perfect 
 results. In all her work there has been steady 
 progression. Some of her works are most ex- 
 quisite editions of Browning's "Andrea del 
 Sarto," Keats' "Odes," Kipling's "Recessional," 
 Spenser's "Epithalamium," and other modern 
 and ancient classics. Her workshop is in the 
 httle town of Wausau, Wisconsin, and is said to 
 be well worth a visit. 
 
 Miss Ellen Gates Starr, of Hull House in 
 Chicago, IS another woman who is doing most 
 beautiful work. She was the pupil of Mr. Cobden- 
 Sanderson, of the Doves Bindery in England, and 
 IS the only person in America who has completed 
 a course there. Mr. Cobden-Sanderson has no 
 desire for pupils, and only admits those who 
 prove their worthiness. When Miss Starr 
 returned from England she brought with her a few 
 volumes of her own exquisite work, two of 
 which she sold to a New York publisher Miss 
 
Lcssard & Harris 
 
 HEATING, PLUMBING 
 AND ROOFING 
 CONTRACTORS 
 
 MANUFACTURijRs OF 
 
 Aeolian Ventilators 
 
 The following testimonial is 
 proof of satisfaction given 
 the Canadian Pacific Railway 
 Company by our Ventilator. 
 
 MESSRS. Lhssard & Harris, 
 
 423 Craig Street, Montreal 
 Dear Sirs, 
 
 I have your letter of the .rstinst., stating that we 
 have for a couple of years, used the Aeolian Venti to« 
 
 k>ng .n would be kind enough to tell you if they have 
 given satisfaction. ^ 
 
 th wor,re,u.red of them in a hig.ly satisfacto^^ man 
 
 thT; ,T '^°' ^^^--'^eytakesomuchlou 
 
 that at times they have to be shut off. 
 
 Yours truly, 
 
 P. Alsx. Petbrson, 
 
 Chief Engineer. 
 
MNG 
 J 
 
 lators 
 
 il is 
 vtn 
 vay 
 ;or. 
 
 Starr thinks that of all the handicrafts, bookbiud- 
 ...g .s the most interesting from the standpoint of 
 literature, art and craft combined. Of course it 
 IS a laborious occupation from start to finish, and 
 . takes from two to three weeks to make a bc;ok in 
 thrs fine manner. Miss Starr considers that only 
 books of permanent value should have permanent 
 bmdmgs, and that from its merit a book should 
 earn its right to be decorated. 
 
 Mrs. Irving Way has done .some beautiful books 
 and has produced some exquisite examples o 
 .llunnnatmg. The new movement in bookmak 
 .ng IS no longer confined to a few, but has spread 
 to a large class, and women everywhere are 
 recognized as working in these lines, with an 
 
 Sfl! TT'' '°'' ^°'"" ^^^'S"' -"d deft 
 skilful hands that insure their work success. 
 
 H. H. A. 
 
 stating that we 
 'lian Ventilators 
 or Station, and 
 ou if they have 
 
 Ventilators at 
 tion are doing 
 ;isfactory man- 
 ' much air out, 
 
 JSON, 
 
 lief Engineer. 
 
 ill!" 
 
B SpltNdid ^ 
 €xhii>itioii or 
 JlrMN 
 
 (Uall Papers 
 
 8(Vm««ni« etUiM, U*\M ItalM a,.., nn..!. 
 
 MM 
 
 8. n. mm (f Son eo/$ 
 
 THMtnie new Show Roomi. 
 
 Mil It. eailxriM $f. 
 
 GOULDEN'S 
 PHARMACY 
 
 PHONE 
 UP 949 
 
 28J Bleory St., near 
 J>herbfooke St., Montreal. 
 
 Pretcriptions prepared 
 with care, n.atness 
 and despatch. 
 
 " There is nothing too 
 good for sick folks." 
 
 J. V. CALCUTT 
 
 IMPORTER OF 
 
 IRISH_LINENS 
 
 12 Cathcart Street, Phillips Square, 
 
 TELEPHONE UP 2488 MONTREAL 
 
 "SOROSIS" 
 
 THE NEW SHOE 
 FOR WOMEN 
 
 The best value and the most perfect 
 
 it aV;^'''*^'^ «*^*« - c^»ad\* 
 
 Sole Agent for Montreal and vicinity. 
 
 >V. H. STEWART 
 
 2295 ST. CATHERINE ST 
 Two doors west of McGill College Ave. 
 
Tlie Art of Lace 
 Making' 
 
 eontrlbuttd by misi Uiatt. 
 
 WITH the dawn of the middle ages the 
 history of lace began to be separated 
 from that of embroidery. The earliest 
 specimens now in existence dates back 
 to the 1 2th century, and seem to the ordinary 
 observer to be more nearly allied to embroidery 
 than to lace proper. The tran.sition steps were 
 taken by the religious orders, who, finding the 
 embroidery on solid linen with which they decked 
 their altars to be ineffective from a distance (un- 
 less worked with materials and colors which 
 would not stand washing), conceived the idea of 
 perforating the linen by open work embroidery 
 called Cutwork, or opus scissum, in the ward- 
 robe accounts of Queen Elizabeth, and Point 
 Coup^, in France. This new work developed 
 into Reticella proper during the 15th and i6th 
 centuries, and was thus the forerunner of all 
 laces. 
 
 Tim Oivliion or Cact. 
 mtdijtoal tatt. 
 
 Mediaeval lace divides itself into six different 
 classes ; i , Linen Embroidery and Cut Work • 
 2. Darned Netting ; 3, Drawn Work ; 4, Reti- 
 cella ; 5, Knotted Work ; 6, Plaited Work. 
 
 In illustration let us turn to Section A., No. 
 I. Here we have a charming adaptation to 
 modern uses of scraps of medieval lace, pillow 
 lace and the finer forms of linen embroidery. In 
 the three-cornered pieces of the d'oyleys is shown 
 Cut Work, in its simplest form, alone and in 
 conjunction with Reticella ; two of the arms of 
 the Maltese Cross are excellent examples of 
 Darned Netting, the designs .showing both the 
 earlier ecclesiastic and the later (after 1500) 
 geometrical style. The other two arms are com- 
 
Wilshire Brothers ^ ^ 
 
 FI.OKISTS AND DECORATOKS 
 
 fn°il\T"^^ ""'.'. "" °'hercut flowers 
 VVe,'l,Hn "rv ^ '"'■''' 'lecorations for 
 vve.l.linKs, Dinners, etc. Designs of 
 
 «94 Sherbrooke Street, 
 
 MONTREAL 
 
 STAN^^^7 ^"'' .''f'^"'^'*'' HEINTZMAN. Toronto 
 STANLEY. Toronto, and SHAW PIANOS 
 
 Pit.nos to Rent, Pianos on Instal- 
 ments.headquartc forallk/ndsof 
 
 tht dty''" ^^"' ^"■^'^* ^'°<=k in 
 
 J. W. SHAW & CO'i 
 
 Piano and Muilo Houat 
 
 Tel. 3899 
 
 2274 St. Catherine StreJ 
 
 n 
 A 
 
 pi 
 
 2< 
 
 fa 
 m 
 
 la 
 
 G< 
 M 
 
 Br 
 U 
 de 
 
 La 
 
 let] 
 
 lac 
 
 are 
 
 th{ 
 
 of 
 
 ch( 
 
 the 
 
 of 
 
 she 
 
 R. A. DICKSON & CO. 
 
 DIAMOND IMPORTERS 
 JEWELLERS A OPTICIANS 
 
 2261 St. Catharine Strael 
 Montraal 
 
 whi 
 162 
 wht 
 diff« 
 nati 
 
crs ^e ^ 
 
 RATOKS 
 
 cut flowerN 
 rations for 
 Designs of 
 s tastefully 
 
 MONTREAL 
 
 nc 
 
 N G 
 
 ON'S 
 
 ITZMAN. Toronto 
 
 nstal- 
 udsof 
 
 NTS 
 
 « « 
 
 ckin 
 Catherine Streiit 
 
 1 
 
 D. 
 
 ITERS 
 PTICIANS 
 
 posed of Reticella proper, the edging being 
 Iwrrowed from the later day Pillow Laces, with 
 the central monogram dating down to the present 
 time. Modern examples of Darned Netting, Cut 
 Work and Reticella will be found in the Russian 
 lace exhibited by Mrs. Cox, and in the Scandi- 
 naviar centre piece exhibited by the Decorative 
 Art Rooms. 
 
 Of Reticella alone we have an exanii^le in the 
 piece of Greek lace lent by Mrs. Caverhill, Nos. 
 29 and 30. 
 
 Of the 5th Class, Knotted Lace. We are all 
 familiar with the Macram^l' work which was so 
 much in vogue over five or six years ago. 
 
 The 6th Class, Plaited Lace, which was 
 largely manufactured in Italy, France and 
 Germany, is now closely copied in the modern 
 Maltese and Torchon pillow laces. 
 
 A word may here be said of the Tape and 
 
 Braid Guipure Laces [Taenia Poynt, Beggars' 
 
 Lace, Mezzo Punto (Italian), Point de List, Point 
 
 de Canaille, Lacet (French).] These were first 
 
 u.sed in Italy as cheap imitations of the Plaited 
 
 Laces, and 1 ave since dragged out an existence 
 
 lending themselves to every form of imitation 
 
 lace. Some of the earlier and simpler examples 
 
 are really charming, their chief beauty being in 
 
 the easy flowing design, the graceful adju.stment 
 
 of the bars for the background, and the judicious 
 
 choice of stitches for filling in the patterns. In 
 
 the present exhibition we have many examples 
 
 of the Tape and Braid Laces of to-day, which 
 
 show great beauty of execution. 
 
 Sccoaa DipUl«ii of Cacc. 
 Point Cacc. 
 
 The names of the various Point Laces, of 
 which few authenticated traces are found prior to 
 1620, come rather from the names of the cities 
 where they were made than from any structural 
 differences in the laces themselves. Among the 
 nations we find Italy, Spain, France and Belgium 
 
 I. 
 
L-WjjUGHES 
 
 'PlIONKS 
 
 Main h^h 
 Mount 501 
 
 ^S^^ 
 
 n iv A T r s r. 
 '• ^ I' M u I X G 
 VKNTILATING 
 
 <• '■: N' 1-: R A I. 
 
 J n H I X G 
 
 W K C A I, I. ATrKNTION 
 TO TFtSTlNfi DRAINS 
 
 2 ST. ANTOINJ.; STKICI'-T / 
 
 26 HAYLK STKHKT J ^^ <^> ^' T R K A L 
 
 ^.^R^V-^H AVHNtM.;, U-KSTMOUNT 
 
 ST. LAWRENCE 8UGAH 
 DEFINING CO., Limited 
 
 ^ ^ T K E A L 
 
 MANt-l.AtTlKKKS .„ TIIH 
 CHOICKST y. AMTU« oK 
 
 i^ K y f .\ E I) 
 
 '^ '^ (^ A H S 
 
 iNctuDtNO orn bt.oomv 
 
 YHI,r,OWN, HKICMT COFl'ICK 
 Sl'CARs.PHfKNIX (QUAUTY 
 ACCORDiNGTOrirK GRAIN) 
 
 GRANULATED SUGARS. EXTKA STANDARn 
 
 THli IIUST FN TIIK MARKKT 
 
 \ 
 I 
 1 
 t 
 C 
 t 
 
 p 
 
 II 
 11 
 o 
 
 IV 
 
 ci 
 
 til 
 so 
 th 
 de 
 mi 
 in 
 re; 
 diJ 
 
A T I N (; 
 [^ M « I N G 
 
 Til. ATI NO 
 
 N Iv R A I 
 
 B B I N G 
 
 '. I. ATTKNTION 
 'Nf- n RAINS 
 
 ^ T R H A L 
 E S T M O U N T 
 
 -LIMITED 
 
 J A L 
 
 STANDARD 
 
 leading in the manufacture of real lace ; 
 Germany, Denmark, Sweden and Kngland beii.g 
 only able to boast (jf a few isolated lace workers 
 who copied their methods and designs fiom the 
 southern nations. The Queen Lace Ijook 
 strictly limits the ilosiKn,itioii of Point proper to 
 Lace, entirely made with the needle on a parch- 
 ment pattern, althoiiKh the term is frccineiitly 
 misapplied to Pillow Laces, as Genoa Point, 
 Mechlin Point, Point de Paris, Honiton Point, 
 etc, 
 
 As a general rule, to distinguish Point Lace 
 from Pillow Lace, it may be considered that any 
 lace (except Reticella), in which button-hole 
 stitch occurs, falls under the category of Point 
 proper, or to put it more plainly, any lace in 
 which the back-ground and pattern are both 
 made by the needle, the back-ground of button- 
 hole stitch thus formed being called zrai rheau, 
 this six-sided mesh having much the appearance 
 of the Brussels net of to-day. vSince the inven- 
 tion in 1830 of a machine for making net (tulle) 
 vmi rSseau has almost disappeared. Applique 
 patterns in Needle Ponit and Pillow Lace are 
 made .separately and mounted on one of the 
 many m.ichiiie-made tulles, Bru.ssels Needle Point 
 or Brussels Tulle and Mechlin Pillow Lace or 
 Mechlin tulles. 
 
 In the 17th and i8th c .nes the following 
 cities may be regard.,! as the authenticated 
 centres for the manufacture of Point Lace : 
 
 Italy— Venice, No. 7 Section A. 
 
 Spain— Castille, No. 6. 
 
 France-Lonray, \lencon (See No. ao) and Argentan 
 
 BelKiuni— Bru,s.sf 1, (See No. 14, Section A). 
 
 In this list of lace centres it is easily .seen 
 that Franc, is far in advance of the other 
 southern nations ; and it is in France, during 
 the reign of Louis XIV, that we find the Points 
 de France touching the highest standard of 
 magnificence possible in needle point laces. Also 
 in Italy, about this time, the Point de Venise 
 reached its zenth. Before passing on to the 
 different classes of Pillow laces with meshed 
 
H. H. AVER, 
 
 Proprietor. 
 
 MAT. MURPHV, 
 
 Manager. 
 
 CLUB SHOE CO. 
 
 WHOLESALE AND RETAIL 
 
 2417 & 2244 St. Catherine St., 
 MONTREAL. 
 
 Old you 
 Ever Know 
 
 That the Suit Case is now the most popular 
 
 Companion 
 
 than\VeoX;:.:;t;-J;;°.-7-d ho.ds „ore 
 We have LiU . . ^ '" ''" I^P^'^"- colors. 
 
 I^adies^S;t,rra ,'rist 5"--^'^^"=" ''^ 
 Style of Silver Initials and ZZ Ltl "''■ ''''''' 
 
 TravSlin^SSf 1^' ""' °^ ^--ther Novelties and 
 be found fn eXs Variety 7"" '" ""''"" '""' "^ 
 
 3. €wWgb $ co/i 
 
 245 $r. 34Mei sr. 
 
 WALTER PAUL 
 
 Family Grocer and Provision Merchant 
 
 'MPORTER AND DEALER ,N ALL KINDS OF 
 
 2365 St. Catherine St. 
 
 S™ ""'-" '""' dSmeSTO* FRUITS. 
 
 TELEPHONES UP 1287 .nd 1218. 
 
back-grounds (k r^seaux), it may be well to say 
 a few words about the term wliich applies to the 
 large section of the older laces, that is, Guipure 
 Onginally the term was used in connection with 
 tnmming made of a cord composed of an inner 
 core, or stout thread whipped around wi; fine 
 threads Later lace makers employed the term 
 gimp to bars and tyes used in imitation of the 
 dainty brides h picots (ground work of bars 
 ornamented with knots) of the Venetians. This 
 by degrees gave rise to an extension in the use 
 of the term guipi re, and its subsequent applica- 
 tion to all laces in which a back-ground of bars 
 or tyes were used; whilst those in which the 
 back-grounds were composed of small regular 
 rntelles "'''"''^ ^^'^ designat'.^ by the name 
 
 Che Cbird Dioisloa of cace. 
 Pillow Dee. 
 
 It is surmised by such an authority as M 
 Ernest Uf^bure that the year 1500 saw Tn 
 Northern Italy the birth of this art. J the 
 absence of anything more authentic, we may 
 here repeat the pretty legend of Venice concern- 
 ing Its origin. 
 
 "A young fisherman of the Adriatic was 
 betrothed to a beautiful girl of one of the isles 
 in the lagoon. Industrious as she was beautiful 
 
 t L?. V V'^ ""' ^""^ ^'' ^°^''' who took 
 It with him on board his boat. The first time he 
 cast It into the .sea he dragged therefrom an ex- 
 quisite petrified wrack-grass, which he hastened 
 to present to his fiancee. 
 
 " ^"* w*"" breakin- out the sailors and fisher- 
 men were pressed into the service of the Venetian 
 navy, and departed for the East. 
 
 '' 'T^e poor young girl wept at the deparfire 
 of her lover and for many days inconsolably 
 contemplated his farewell gift to her. But while 
 absorbed in following the wondrous and lovdy 
 ribs of the petrified wrack-grass, knitted together 
 by the lightest fibres, she began to twist and 
 plait the threads weighted with small lead which 
 
YOU CAN ALWAYS OET THE 
 UTEST IN ..... , 
 
 Books and S tationery 
 CHAPMAN'S BOOKSToi 
 
 Robert Findlay 
 
 ARCHITECT 
 
 260 St. James Street 
 
 CANADA Lrrt Bldo 
 
 MONTREAL 
 
 McGililion,Casgrain,Ryan&Mifcli8ll 
 
 R.D.McGlbbon.Q.C. 
 Th. Chite-Casgraln, 
 
 Victor E.Mitchell 
 Edouard F. Surveyer 
 Lawrenca Mactarlane 
 
 Advocates 
 Barristers 
 
 &C.: 
 
 And 
 
 W 
 Vi 
 M 
 CI 
 Li 
 Sf 
 
 Mac Vicar & Heriot 
 
 ARCHITECTS 
 
 Canada Life Building 
 
St James Street 
 
 hung around her net ; little by little «he wrought 
 ni a skilful manner a thread imitation of the 
 beautiful petrification and thus created the nier- 
 letti a piombini (bobbin lace) ! " 
 
 The !ace thus invented,' Itnllm. merchants 
 introduced it into Germany, Swit/erlnnd. Eng- 
 and, Spain, France and Belgium, wIk.c it has 
 ever since been a more or less important industry 
 I" the present exhibition we have ninny excel- 
 ent examples showing the adaptability of this 
 form of lace to every passing whim of the fickle 
 Dame Fashion. 
 
 As in needle-point, we may ,,,ug|,ly divide 
 
 pillow lace nito two groups: the «HH,„re« with 
 
 heir uneven and knitted groundwork and the 
 
 rZfZ T ''t 'T '"' ^^""^^ ««-o«ndwork 
 Ihus we have under the guipures ; 
 
 Cluney or Maltze, 
 
 Duchesse. 
 
 Honiton. 
 
 in silk, wool, or tlimiil. 
 
 And under the dentelles : 
 
 (See Section A,, 17, m, ,g,. 
 ,, " 16, 
 
 Milanese. 
 
 Valencien -f-. 
 
 Mechlin 
 
 Chantil) . 
 
 La Blonuc. 
 
 Spanish. 
 
 Application Brussels. 
 
 d'Angleterre. 
 
 35 
 31. 
 
 6, 
 
 13. I,V 
 
 It would be impossible to eloMe witlm.u 
 
 In conclusion we would like to drn«,. f»,» 
 attention of the reader to the o„«th o^ime 
 00 years), that must be covered i ' y ^L "^l 
 of he history of lace. This necoHHarily creates 
 a slight confusion in terms, for a Ince that k 1 
 ;n history is almost extinct, in facfon y t 
 wo specimens remaining to us ; while /uZZ 
 
CONNOISSEURS 
 
 of Chocolate, the world over, know 
 
 Suchard' s Chocolate 
 
 Its purity, delicious flavor 
 and distinct quality have 
 marked SUCHARD as the 
 standard during the past 
 seventy years. One cup 
 will carry conviction. 
 
 Is the purest and best. 
 Agknts for Canada 
 
 Lecming, Miles & Co. 
 
 MONTREAL. 
 
 Edward Stuart 
 
 Hatter and Furrier 
 
 Re-Dyeing and 
 Re-Modelling 
 a specialty 
 
 r894 Notre Dame Street 
 Balmoral Block 
 
 Montreal 
 
 Do you Value Quality? 
 Do you Care for your Money's Worth? 
 If so, go to 
 
 The G. R,^Lockcf Co. 
 
 TILES &,e^',-^lt.pT/c'if rrr'- FIKEPUCE Brass and wrough. 
 B..hs, L.a.or. Basin, and ^T^lT^T^l^Z '"'• ' ' 
 
 1749 NOTRE DAME STREET. 
 
Basket Weaving' 
 
 WrifftB by mri. HI. nutrum molten. 
 
 IE STREET. 
 
 <^ 
 
 HE evolution of the basket from the 
 
 material at hand began at such a re- 
 
 mote period, and has been so gradual 
 
 m Its rise, that it is most difBcult to trace 
 
 Its origin, but it seems to have been as 
 
 old as the needs of woman. 
 
 The direction followed by the me- 
 chanical arts of a country is essentially deter 
 mined by the material found in the country 
 h,^^!?^'^' "^brilliant coloring have been ex- 
 humed from Theban tombs and placed in Euro- 
 pean museums. The valuable papyrus furnished 
 material for hats and baskets for the Egyptians 
 centuries before the Christi.^ Era, and excaTa 
 tions in Peruvian tombs also disclose baskets that 
 have been buried for centuries. Basketry pre- 
 ceded pottery, and ancient pottery often shows 
 that the day was rolled and twisted, and coiled 
 about like the coils of basketry, and oftent^tt 
 It overlaid a basket which burned away in The 
 firing of the clay, but impressions of the coi ed 
 basketry were left. 
 
 The women of Juan Fernandez plait from a 
 single banana leaf a commodious f^ruit blsket 
 and all sold togethei to passing ships, and afte ! 
 wards the leaf is tossed into the sea ; whereas 
 the women of Attu Island, which is the n os 
 sTend t."'"' °' ''^ ^^^"^'-^ Archipelag^ 
 
 Aleut LI ' """' '°™' *° '^^ '^^"^^t^^^- The 
 
 Aleutian woman ,s a poor, degraded creature 
 
 hour ":? "h ' ?"1,'"^' "^' ^" winters h^veou" 
 hours of daylight. The Alaskan tribes were 
 wonderfully skilled in the twined stUch ^f 
 basketry, and in their dyes and patterns, thd 
 
 M 
 
THE PERFECT 
 READING LIGHT 
 
 THE 
 
 AUER 
 
 LIGHT 
 
 SAVES 
 
 GAS 
 
 strong enough for the 
 finest print ; soft enough 
 for the most sensitive eyes. 
 Can be turned up or down. 
 Does not flicker or smell. 
 A restful, comfortable 
 light, and one by which 
 colors can be distinguished 
 
 We send them on trial 
 without charge 
 
 AUER LIGHT CO. 
 
 I^hnne Main lyyj 
 
 i682 NOTRE DAME 
 
 BOVRIL 
 
 THE GREAT FOOD PRODUCT 
 OF THE VICTORIAN ERA 
 
 GENERAL BADEN-POWELL says: 
 
 ' ' It may be of use in case of 
 future expeditions of this 
 kind to jot down what kit I 
 have found best for the work 
 ' InOff. Wallet— Sketchbook; 
 map ; quinine ; camera ; 
 housewife ; tin of cocoa ; tin 
 of Bovril ; etc.'" 
 
 MISS RHODES cabled ; 
 
 ' ' Send 300 tins Invalid Bovril 
 for troop hospitals at front." 
 
beautiful faint colors were unfading, and always 
 well blended by beautifully smooth stitches, and 
 often accentuated by the stem of the wild maiden- 
 hair fern, while the chief decoration was Sporo- 
 bolus. When Vancouver explored the coast of 
 the North West he found the natives wearing 
 the conical hats made from spruce wood or cedar 
 bark and using mats of the same material for 
 tents and sails, which were most durable in the 
 rainy climate. 
 
 The Esquimaux has few materials and fewer 
 needs for a basket, but she utilizes the useful 
 birch bark of the upper Yukon by bending it 
 into shape, while the woman nearer the estuary 
 sews strips of tanned fish skin into a commodious 
 receptacle. 
 
 The women of Cape i-'lattery still make 
 baskets of the rare fish -trap or bird-cage stitch 
 which is also used by the men on the Congo, and 
 the Cape Flattery women have long .since dis- 
 carded the native dyes and use the aniline colors. 
 The poor degraded Klickitat squaw wove 
 the best basket for all purpo.ses, and of the best 
 shape, design and durability that is collected ■ it 
 IS water tight, a delight to the eye in its coloring 
 and design and s-J.ting all the needs of a basket 
 The Klickitat Indians' habitat is on the Corvlitz 
 and Yakima Rivers, in Washington State, and 
 tributaries of the Columbia. 
 
 The materials were gathered at different times 
 of the year and in diiferent localities, and the 
 large baskets represent many months of labor. 
 The material was spruce root and the wild 
 squaw's grass, or Xerophyllum tenax and the 
 latter was dyed yellow by steeping it in water 
 wherein the Mahonia roots had been boiled 
 The reddish brown was either willow bark or 
 water stained by willow bark, and the black was 
 made by burying the grass in charcoal and wet 
 clay The stitch is known as the imbricated , and 
 as the patient worker finished a stitch the work 
 was complete, for no stitch was applied to the 
 work afterwards. These baskets were carried on 
 
FINE <RT CHIN* WARE BRIC-A-BRAC 
 
 ART METAL WARE 
 
 REAL EBONY QOODS 
 
 NOVELTIES, ETC. 
 
 G. W. CLARKE & CO. 
 
 2270 ST. CATHERINE ST. 
 
 Nttrly oppeitte Victoria St. 
 
 Are now opening out their K»ll importations of nil the latest foreign 
 noveltiei in Fine Fancy Goods, Bric-a-Hrac, Braijware, F.incy China 
 Ornamenti, Sterling Silver Novelties, Real Ebony Goods in Manicure 
 Pieces, Mirrors, Hair Brushes, etc., ami a Urge assortment of Choice 
 Leather Goods in fine Pocket Boolts, Card Cases, etc. , all the latest styles 
 
 THE UP-TOWN FAMILY BUTCHER 
 Handles only Goods of BEST Quality 
 
 For all kind.s of Fresh Meats, Poultry, 
 Fish, Vet^ tables, Eggs, Butter, Corned 
 Beef, Ox Tongues, Canned Goods, Bacon, 
 Hams, Sausages, &c., you cannot do 
 better than go to 
 
 Tel. Up 1066 
 
 C. R. WESTGATE'S MARKET 
 128 Park Avenue, Montreal 
 
 EDISON PHONOGRAPHS Developing >nd 
 
 KODAKS, PREMO AND VIVE CAMERAS **'■"""<> 
 
 R. F. SMITH 
 
 Montreal Photographic Supply 
 
 1756 NOTRE DAME ST. 
 
 Uptown Brinch, 148 Peel St. 
 
 ARTHUR T. FORBES & CO. 
 
 Manufacturers of all kinds of 
 
 Trunks and Traveling Bags 
 
 PuRSKS, Pocket Books, Dressing Cases 
 Dress Suit Cases and Furnished Bags . 
 
 Tel. Main 353 
 
 263 St. James St., MONTREAL 
 
the backs of women, on the sides of horses, 
 pannier-wise, or in canoes, and were used for 
 holding berries, and descended from mother to 
 daughter. The art has passed away, the utensils 
 of the day have supplanted the basket, and no 
 woman now can weave a perfectly satisfactory 
 Klickitat basket, and only years can give it tone. 
 The Chehalis woman, near the coast of Wash- 
 ington, showed great skill in coloring and de- 
 signs on pliable baskets of all sizes and beautiful 
 workmanship. 
 
 The Rogue River Indians, of Oregon, utilize 
 the young twigs of hazel for baskets for domestic 
 use among the settlers, while their caps for native 
 use show skill. The Indians of the Mount 
 Shasta group were diversified in their work 
 making caps of spruce root, Sporobolus and 
 maiden-hair fern stems ; pots for boiling their 
 food and great burden baskets for carrying the 
 seeds and nuts from the marsh or mountain to 
 camp. 
 
 The California group is a distinct type and 
 not within the .scope of this sketch. 
 
 The Apaches and Navajos of Arizona and 
 New Mexico, weave large basin-shaped baskets 
 and great storage baskets, shaped like jars, while 
 the woman of Mexico utilizes the fibre of the 
 Yucca filamentosa, thereby proving how each 
 tribe has always utilized the material at hand 
 and also showing by the weave in what dimate it 
 was made. 
 
 These poor untutored women found their 
 patterns in the passing clouds, a flight of birds 
 scales of fish, the back of a rattlesnake and other 
 objects, not always recognizable to the un- 
 initiated, but far surpassing the baskets of 
 civihzation. 
 
flr$ Coit^a, Ulta Brevis 
 
 But liowevcr sliort our life is, a considerable portion 
 of it is spent in sleep. We sleep from eight to ten 
 hours a day, more than a third of our life. It is 
 our l)usiness to make that part of your life al)so- 
 lutely restful, Iiealthv and happy. We do tliis by 
 supplying MODKKN bedsteads and springs, COM- 
 I'ORTABLK mattresses, and good, ct.k.^n, i-t.UMP 
 feather pillows. 
 
 We recommend 
 
 OSTF.RMOOR'S 
 
 PATENT 
 
 ELASTIC 
 
 FELT 
 
 MAHRESS 
 
 $15.00 full double size 
 
 FOR EXAMPLE .... 
 
 MATTRESS 
 MAKING 
 
 IS OUR BUSINESvS . . 
 Do you want one ? 
 
 AS YOU WANT IT 
 
 We can make a mattress to your order on 
 short notice. You can have it any size you 
 want, in any style you prefer; it can be filled 
 with fibre, hair, mess, or Patent Elastic Felt 
 and covered with tick or denim from the 
 
 Eiece you select from our stock. Then you 
 now just what you are getting. Then there is 
 
 THE ' WALDORF ' UPHOLSTERED SPRING 
 
 Same as was furnished to the Chateau Fron- 
 tenac, at Quebec, and the Place Viger Hotel 
 in Montreal, and the Waldorf-Astoria in 
 New York. This is another ...e of our 
 Specialties. Those who have never slept 
 on this delightful bed can have no idea what 
 sleeping comfort is. Those who have slept 
 on it will never use any other spring. May 
 we show you its good points next time you 
 are passing our comer ? 
 
 A SOFT THING IN CUSHIONS. Sateen covered 
 cushions with large frill, made of mercerized 
 
 sateen, 95c. 
 
 DOWN CUSHIONS, sizes 18 x 18, 20 x 20, 22 x 22, 
 24 x 24, 26 X 26, and 28 x 28, - from 45c to 13.00 
 DOWN TEA COSIES, sizes 11 x 15, 12 x 14, 12 x 16, 
 
 from 35c to 7sc 
 EIDERDOWN QUILTS, sateen, silk or satin covered, 
 
 from I4. 25 to|i8.oo 
 
 LOCKHART Hi:i)I)ING CO. 
 
 CORNER OF ST. CATHERINE AND VICTORIA STS. 
 
easbmm or Kasbmir $bawi$. 
 
 €xtr««t mm U4\», nn m iiM toaih H«»liiatoi miMii*, »v H. H. 
 
 eol«, Cklit. R. €., |,7«. 
 
 THE finest embroideries of India are those 
 used in the production of Kashmir shawls. 
 The material is woven of the finest pushni 
 (i.e., Kashmir goat's-hair, taken from the 
 roots), and is in itself of such beautiful texture 
 that it seems wasteful of good things to cover it 
 with embroider>'. The wool selected is the soft 
 down next the skin, and below the thick hair of 
 the Kashmir and Thibetan goats. The designs 
 most frequently used are those of the pine, and 
 the subordinate ornamentation is of every con- 
 ceivable variety. The beautiful combination of 
 colors and the high degree of finish given to thf 
 work render the shawls as perfect as human 
 hands can make them. Some shawls are worked 
 on one side onW. some on Iwth sides, some are 
 loom made and others made by hand only. The 
 people employed in tb. making of these shawls 
 are first, the woman who spins; then the 
 Pinmangu, who keeps the shop for the purchase 
 of yarn; then the Nakatu, or warp dresser; then 
 the weaver; then the Rangrez, or dyer, whose 
 calhng is always hereditary; then the pattern 
 drawer (Nakashj, and the Tazah-guru, or per- 
 sons who determine the proportion of yarn of 
 different colors to be employed. The face or 
 right side of the cloth is placed next the ground 
 the work being carried on at the back or reverse' 
 on which hang the needles in a row, and differing 
 m number from 400 to 1,500, according to the 
 lightness or heaviness of the embroidery. 
 
 When the shawls are finished they are sub- 
 mitted to the cleaner, or Purusgar, or else the 
 purchaser takes the goods unwashed and fre- 
 quently in many pieces, and the fine drawer or 
 Rufugar and the cleaner have still their work 
 to do. 
 

 Dominion Cine 
 
 mall $ttam$bip$Mfw)» 
 
 MONTREAL & QUEBKC ^ 
 
 IN RUMMXK I To 
 
 PORTLAND, Mk.,& HALIFAX J I.iVKkPoo I. 
 
 IN WINTXR ) 
 
 BOSTON TO LIVERPOOL 
 VIA QUEENSTOWN 
 
 f lett or Utimm 
 
 Pamagtr StM«m 
 
 TONd 
 
 Steamer (Building) ij.ooo 
 twin-screw 
 
 COMMONWKALTH IJ.UCW 
 
 twin-screw 
 Nrw England ii,6on 
 
 twin-tcrew 
 Canada 9,000 
 
 twin-screw 
 Dominion 6,600 
 
 twin-screw 
 Vancoiatkr 5,300 
 
 Cambroman 5,000 
 
 VrtHM Sff«Mm 
 
 NORSUMAN 
 
 twin-screw 
 
 TONS 
 
 ta,ooo 
 
 Irishman 
 
 twin-screw 
 
 11,000 
 
 Turcoman 
 
 twin-screw 
 
 8,000 
 
 Englishman 
 
 twin-screw 
 
 8,000 
 
 OTTOMAN 
 
 5.000 
 
 Roman 
 
 S.ooo 
 
 Midship Saloons and Staterooms. 
 Magnincent promenade decks. 
 Electric light throughout. All 
 modem coureniences. All classes 
 of passengers carried on all pas- 
 senger steamers. No cattle 
 carried on passenger steamers. 
 
 f*r sll littmsttM swlf Ussy 
 
 Kicbards, milli « Co. 
 
 77-81 State St., 
 Boston, Mass. 
 
 David CorraNC(|re«. 
 
 General Agents, 
 
 17 St. Sacrament St., 
 
 Montrbal.