ll> 'iu .*< ^V. "^^ -""^ IMAGE EVALUATION TEST TARGET (MT-S) / O '<<' V c?^ 1.0 I.I 1.25 [f 1^ lllii 1^ mil 2.2 M 1.8 U IIIIII.6 V] /^ '> ^> V '^' / /^ m A y % Q- h ■X CIHM/ICMH Microfiche Series. CIHIVI/ICIVIH Collection de microfiches. Canadian Institute for Historical Microreproductions Institut Canadian de microreproductions historiques 1980 Technical and Bibliographic lyJotes/Notes techniques et bibiiographiques The Institute has attempted to obtain the best original copy available for filming. Features of this copy which may be bibliographically unique, wliich may alter any of the images in the reproduction, or which may significantly change the usual method of filming, are checked below. L'Institut a microfilm^ le meilleur exemplaire qu'il lui a 6t6 possible de se procurer. Les ddtails de cet exemplaire qui sont peut-dtre uniques du point de vue bibliographique, qui peuvent modifier une image reproduite, ou qui peuvent exiger une modification dans la methods normale de filmage sont indiqu6s ci-dessous. D Coloured covers/ Couverture de couleur I I Coloured pages/ I I Covers damaged/ D D D D D D Couverture endommag6e Covers restored and/or laminated/ Couverture restaurde et/ou pellicul6e □ Cover title missing/ Le titre de couverture manque I I Coloured maps/ Cartes g^ographiques en couleur Coloured ink (i.e. other than blue or black)/ Encre de couleur (i.e. autre que bleue ou noire) Coloured plates and/or illustrations/ Planches et/ou illustrations en couleur Bound with other material/ Relid avec d'autres documents Tight binding may cause shadows or distortion along interior margin/ L& reliure serrde peut causer de I'ombre ou de la difitortion le long de la marge intdrieure Blank leaves added during restoration n.dy appear within the text. Whenever possible, these have been omitted from filming/ II se peut que certaines pages blanches ajoutdes lors d'une restauration apparaissent dans le texte, mais, lorsque cela 6tait possible, ces pages n'ont pas 6t6 filmdes. D D Pages de couleur Pages damaged/ Pages endommagdes Pages restored and/o( Pages restauries et/ou peliiculies I I Pages damaged/ r~n Pages restored and/or laminated/ □ Pages discoloured, stained or foxed/ Pages d6color6es, tachet^es ou piqudes □ Pages detached/ Pages d6tach6es 0Showthrough/ Transparence □ Quality of print varies/ Quality indgale de I'impression □ Includes supplementary material/ Comprend du materiel suppl6mentaire Only edition available/ Seule Edition disponible Pages wholly or partially obscured by errata slips, tissues, etc., hav9 been refilmed to ensure the best possible image/ Les pages totalement ou partiellement obscurcies par un feuillet d'errata, une pelure, etc., ont 6t6 filmdes d nou^'eau de fagon d obtenir la meilleure image possible. D Additional comments:/ Commentaires suppldmentaires: This item is filmed at the reduction ratio checked below/ Ce document est film6 au taux de reduction indiqu6 ci-dessous. 10X 14X 18X 22X 26X 30X J 12X 16X 20X 24X 28X 32X The copy filmed here has been reproduced thanks to the generosity of: Harriet Irving Library University of New Brunswick L'exemplaire film6 fut reproduit grflce A la g6n6rosit6 de: Harriet Irving Library University of New Brunswick The images appearing here are the best quality possible considering the condition and legibility of the original copy and in keeping with the filming contract specifications. Les images suivantes ont 6t6 reproduites avec le plus grand soin, compte tenu de la condition et de la nettetd de l'exemplaire film6, et en conformity avec les conditions du contrat de filmage. Original copies in printed paper covers are filmed beginning with the front cover and ending on the last page with a printed or illustrated impres- sion, or the back cover when appropriate. All other original copies are filmed beginning on the first page with a printed or illustrated impres- sion, and ending on the last page with a printed or illustrated impression. Les exemplaires originaux dont la couverture en papier est imprim^e sont filmds en commen^ant par le premier plat et en terminant soit par la dernidre page qui comporte une empreinte d'impression ou d'itlustration, soit par le second plat, selon le cas. Tous les autres exemplaires originaux sont filmds en commen^ant par la premidre page qui comporte une empreinte d'impression ou d'illustration et en terminant par la dernidre page qui comporte une telle empreinte. The last recorded frame on each microfiche shall contain the symbol ^^ (meaning "CON- TINUED "), or the symbol V (meaning "END"l whichever applies. Un des symboles suivants apparaitra sur la dernidre image de cheque microfiche, selon le cas: le symbole — ^ signifie "A SUIVRE", le symbole V signifie "FIN". Maps, plates, charts, etc., may be filmed at different reduction ratios. Those too large to be entirely included in one exposure are filmed beginning in the upper left hand corner, left to right and top to bottom, as many frames as required. The following diagrams illustrate the method: Les cartes, planches, tableaux, etc., peuvent dtre fiim6s d des taux de reduction diffdrents. Lorsque le document est trop grand pour dtre reproduit en un seul clichd, il est filmd d partir de Tangle supdrieur gauche, de gauche d droite, et de haut en bas, en prenant le nombre d'images ndcessaire. Les diagrammes suivants illustrent la mdthode. 1 2 3 1 2 3 4 5 6 L A LADY ROSAMOND'S SECRET: A ROMANCE OF FREDERICTON. BY RE. AGATHA' ARMOUR. WT. JOHK, K. I!. TELHiKAPH PRINTING AND PUBLISHINi; OKKICIi. 1878. INTRODUCTION. The object of the following story has \mm to weave siin)tle facts into foiui (lei)en(lent upon the usages of society during the administration of Sir HoWAiU) D<)U(;las, 1824-30. The style is .simple and claims no jn-e- tensions for comi>lication of plot. Every means has l)een f'lnployed to obtain the most i-eliable authority upon the facts thus embodied. The writer is deeply indebted to several gentlemen of high social position win) kindly fuiiushed many im}>oi-tant facts and showed a lively interest in the work, and takes the present oi)irodncing this little work the public are aware that too much cannot be expected from an amateur. Hoping that this may meet the ai)pr()\al of many, the writer also thanks those who have so generously I'esponded to the subscription list. Fredei'icton. August, l-'^'TS, ^^.Hl'^'^ '•■^'V.v.yy: O 7C7C5 '' A boon cliin loch: the love theii nati the in tl suns then can Hitt' .,f 1 able of . witl the npo fori] LADY ROSAMOND'S SECRET: A ROMANCE OF FREDERICTON. CHAPTER I. OLD fJOVEHXMENT HOUSE. 'i Breathes there a man with soul S" liead, \Vhi( never to himself hath sait'. This is my own, m.v native land '.' Scoft. A September sunset in Frederieton, A. D. 1S24. Much has been said and sung aljout tlie beauteous scenes of nature in every clime, Scott has lovingly depicted his native heaths, mountains, lochs and glens. Moore draws deep inspiiation amid scenes of the Emerald Isle, and strikes his lyre to chords of awakening love, light and song. Cowpei/, Southey and Wordsworth raised their \'oices in tuneful and harmonious lays, echoing love of native home. Oui- beloved American poet has wreathed in song the love of natui-e's wooinj; in his immortal Hiawatha. Forests in their pi-imeval grandeur, lovely landscapes, sunrise, noonday and sunset — each has attractev lofty monuments of imposing .stateliness, costly public buildings, or princely residences, Fred- (^'icton lays claim to a higher and moie primitive order of archi- tecture than that of Hellenic aiies. The Universal Architect linyeretl lovin^h' in studyiu'i' the ett'eet of successive desio-n. Trees of grace and beauty arose on every side in ex(|uisite dra- pery, while softly curw"! outlines added harmony to the whole, teaching the wondrous and creative skill of the Divine. The picturesque river Hows gently on, calm, placid, and unrutHed save by an occasional splash of oars of the pleasure seekers, whose small white boats dotted the silvery surface and were reflected in the calm depths lielow. On such an evening more than half a century ago when the present site of Government House was occupied l>y the plain wooden structure known a,s " Old Government House," a group of ladies was seated on the balcony apparenjbly occupied in watching the lingering rays descending belund the hills. Sud- to ceri tht chi fini sell her th( fier( We nuK LADY UOSAMOXDS SK<'HKT. •lenly the foremost one, a lovely and animated girl whose lieanty battled descriiDtion, espied a y .ntleman Imsily enga<,'ed in admiring some choice specimens of Howers which were heing carefully cultivated l»y a skilful gardener. Bounding away with the elas- ticity of a fawn, her graceful form was seen to advantage as she stood beside the high-l)red and distinguished botanist. The simple acts of pleasantry that pa.ssed shewol their relationship as that of parent and child. Sir Hcnvard Douglas was proud of his beautiful and favorite daughter. He saw in her the wondrous beauty of her mother blending with those graces and rare (pialities of the heart which won for Lad)' ])ouglas tlie deej) admii-aticm of all classes. Beauty and amiability were not the entire gifts of Mary Douglas. She was endcnved with attainments of no ordinary stamp. Though young, she displayed micommon ability in many different branches of education; shewing some skill as a composer and musician, also a talent for composition and poetry. With simple earnestness she placed her hand lovingly upon her father's shoulder, exclaiming "Papa, dear, I have come to watch you arrange those lovely flowers." "Well, my dear, you are Avelcome to remain. I am certainly complimented by such preference, You must allow me to acknowledge it by this," saying which, the fond parent plucked a Avhite rosebud and fastened it in the snowy lace upon the bosom of his child. "Papa, dearest, one act of love certainly deserves another," exclaimed Mary, as she fondly pressed the lips of Sir Howard, adding " remember that you are my chevalier for the remainder of the evening. When you have finished, we will rejoin the company." Mary Douglas seated her- self in a rustic chair and chatted in 6 LADY ROSAMONDS SKCUKT. in my aunt Hulena. She created in me an (;aily love for tiowers, and I liave always clierished it. Often durin')uglas, was a man of no ordinary stamp. He had ability and coolness; the last named (piality had gained him nnich favour from the veteran commander, and a desire to retain his service. Tall, slight and athletic, Mr. Howe was foremost in all feats of physical sports. Horse racing was his greatest mania. Few could manage a horse as he, and fewer still could own one faster than his favourite mare, Bess. Quickly he rose to his feet with "Jove, Douglas, I feel angry with myself and everybody." "Then keep your