CIHM Microfiche Series (Monographs) ICI\/IH Collection de microfiches (monographies) Canadian Institute for Historical Microreproductions / Institut canadien de microreproductions historiques 1C Technical and Bibliographic Notes / Notes techniques et bibliographiques The Institute has attempted to obtain the best original copy available for filming. Features of this copy which may be bibliographically unique, which may alter any of the images in the reproduction, or which may significantly change the usual method of filming are checked below. Coloured covers / Couverture de couleur I I Covers damaged / Couverture endommagee □ Covers restored and/or laminated / Couverture restauree et/ou pellicul6e Cover title missing / Le titre de couverture manque I I Coloured maps / Carles geographiques en couleur □ Coloured ink (i.e. other than blue or black) / Encre de couleur (i.e. autre que bleue ou noire) □ Coloured plates and/or illustrations / Planches et/ou illustrations en couleur Bound with other material / Reli6 avec d'autres documents Only edition available / Seule edition disponible Tight binding may cause shadows or distortion along interior margin / La reliure serree peut causer de I'ombre ou de la distorsion le long de la marge int^rieure. Blank leaves added during restorations may appear within the text. Whenever possible, these have been omitted from filming / Use peut que certaines pages blanches ajout^es lors d'une restauration apparaissent dans le texte, mais, lorsque cela etait possible, ces pages n'ont pas et6 filmees. Additional comments / Commentaires supplementaires: D D D D L'Institut a microfilm^ le meilleur exemplaire qu'il lui a 6t6 possible de se procurer. Les details de cet exem- plaire qui sont peut-etre uniques du point de vue bibli- ographique, qui peuvent modifier une image reproduite, ou qui peuvent oxiger une modification dans la m6tho- de normale de filmage sont indiqu6s ci-dessous. Coloured pages / Pages de couleur I I Pages damaged / Pages endommagees D Pages restored and/or laminated / Pages restaurees et/ou pellicul6es □ Pages discoloured, stained or foxed / Pages d6color6es, tachetees ou piqu6es |~[ Pages detached / Pages detach^es I vj Showthrough / Transparence I I Quality of print varies / D D D Quality inegale de I'impression Includes supplementary material / Comprend du materiel supplementaire Pages wholly or partially obscured by errata slips, tissues, etc., have been refilmed to ensure the best possible image / Les pages totalement ou partiellement obscurcies par un feuillet d'errata, une pelure, etc., ont 6te filmees a nouveau de fagon a obtenir la meilleure image possible. Opposing pages with varying colouration or discolourations are filmed twice to ensure the best possible image / Les pages s'opposant ayant des colorations variables ou des decolorations sont filmees deux fois afin d'obtenir la meilleure image possible. D This item Is filmed at the reduction ratio checked below / Ce document est fllme au taux de reduction indique ci-dessous, 10x 14x 18x 22x 26x 30x 12x 16x 20x 24x 28x 32x The copy filmed here has been reproduced thanks to the generosity of: .Hontreal Museum of Fine Arts Library The imeges appearing here are the best quality possible considering the condition and legibility of the original copy and in keeping with the filming contract specifications. Original copies in printed paper covers are filmed beginning with the front cover and ending on the last page with a printed or illustrated impres- sion, or the back covor when appropriate. Ail other original copies are filmed beginning on the first page with a printed or illustrated impres- sion, and ending on the last page with a printed or illustrated impression. The last recorded frame on each microfiche shall contain the symbol — •*> (meaning "CON- TINUED"), or the symbol V (meaning "END"), whichever applies. L'exemplaire film6 fut reproduit grace i la gAn^rositd de: Husee des Beaux-Arts de Montreal Bibliotheque Les images suivantes ont ix6 reproduites avec le plus grand soin. compte tenu de la condition et de la nettetA de l'exemplaire film*, et en conformity avec les conditions du contrat de filmage. Les exemplaires originaux dont la couverture en papier est imprimie sont film6s en commencant par le premier plat et en terminant soit par la derniAre page qui comporte une empreinte d'impression ou d'illustration, soit par le second plat, selon le cas. Tous les autres exemplaires originaux sont film6s en commenqant par la premiere page qui comporte une empreinte d'impression ou d'illustration et en terminant par la dernidre page qui comporte une telle empreinte. Un des symboles suivants apparaTtra sur la derniAre image de chaque microfiche, selon le cas: le symbole — ^ signifie "A SUIVRE", le symbole V signifie "FIN". Maps, plates, charts, etc., may be filmed at different reduction ratios. Those too large to be entirely included in one exposure are filmed beginning in the upper left hand corner, left to right and top to bottom, as many frames as required. The following diagrams illustrate the method: Les cartes, planches, tableaux, etc., peuvent etre film6s A des taux de reduction diffirents. Lorsque le document est trop grand pour etre reproduit en un seul cliche, il est film^ d partir de Tangle supirieur gauche, de gauche it droite. et de haut en bas, en prenant le nombre d'images n^cessaire. Les diagrammes suivants illustrent la mdthode. 1 2 3 1 2 3 4 5 6 MICROCOPY RESOLUTION TEST CHART (ANSI and ISO TEST CHART No. 2) 1^ I" 1^ M 140 M 1.8 1.6 ^^ Roi^ ^.°'' '^°'" Street === (716) :88-5989 -To, PAINTINGS CANADIAN AND AMERICAN SCENERY, IN OIL AND WATER COLORS, BY^r-^ M. & M"^?- C. A. DE LIUBIMERE ARTISTS PATRONIZED BY m l«WESTY QDEEH ViGTOHlft. 1 - , C A'!' A LOG I E OK OIL r.\iN'riN(is ;\N1> \V.\ ri':U COLOIJ DILWVINCS M. AND ¥'■ C. A. DE L'AUBINIERE ( oNsis I im; 111'" CANADIAN AM) AMKKKWN S(:KN1!:RY I'AIN I ID |il!l 47 .< 48 S" 4') I 50 2c 5> 52 Live; Oak ami luical\ plus. Cal. Near Manitou. Colorado. Suinmcr at Duncan's Mills. Cal Incliaii Summer, Lonj; Island. Landscape, California. K;unl)ow I'alN. Utc Pass. Col. l-oul Uay, Victoria. W.C. Autumn Afternoon. Cal. Shores of Vancouver's Island, H.C. rhrou' 72 Old House at Alameda, Cal. 73 :\ Colorado Ranch. 74 The Great Divide, Rocky Mountains, Col, 75 A Woodland .SpriuL^-, California. 76 Twilii^-ht in Middle Park, Col, 77 November in the White Mountain.s, \.1I. ,78 The Hunter's Return, Colorado. 79 " At Home." 80 Parthenia. I..- 'T OIL PAINTINGS BY C A. i)i: L'AUBINlkRE. 81 Sunlicj-ht on the Sea. 82 Alcatras, Inay of San Francisco. 83 On the Wildcat Ikook, White Mountains. 84 At Marhlehead Neck. 85 On the Shore, Marhlehead Neck. 8 86 «7 kind. Springtime^ Victoria, B.C. Old Government I Ioiisc,\'ictoria, P).C. At Sea — Sunset. Marhlehead I]a\ . iMorninir at Victoria, B.C. The Olympian Range, Washington Terri- tory. Ravensdale Cascade. Vancouver's Island. On the Rocks, Victoria. Brook at Cernay la Ville, France. Spring at Cernay la Ville, P^ ranee. Holiday Afternoon, California. In the Park, Alameda, Cal. The Pier, Hastings, Iingland. Beachv Head, from St. Leonards, Eneland. / »^ 05 Hig^h Tide, Hastings, Enfjiand. 06 Evening, Alameda, Cal. 07 On the Shores, Hastings, England. 08 At Belmont, l)ritish '_ olumbia. 09 A Path to the Sea, Alameda, Cal. iO Spring at Schuetzen Park, Cal. I I Twilight in iMiddle Park, Colorado. I 2 Marblehead Harbor, livening. I 3 Alameda in July. 14 Park Scene, California. I 5 Summer Afternoon. California, 16 Californian Sunlight. 1 7 Sealrocks, Cal. 18 Rain and Wind. 19 A Corner of the Pay. Victoria, B.C. 20 At Alameda. 21 The Edge of the Wood, Alameda. 22 In the Woods, IJuncan's Mills. Cal. 23 Oak Pay, Vancouver's I.sland, B.C. 24 Stormy Day, Victoria. B.C. lO /-: ^i 125 Early Mornino- in San Francisco Hay. 126 Autumn, California. 127 Autumn INIisL, Colorado. 128 At Hot Sulphur Springs, Colorado. 129 In the Alameda Woods, 130 Entrance to the Woods, Alameda. 131 Outside the Golden Gate, San TVancisco, Cal. WATER COLORS m' MADAMl'. 1.1: L'AUIMNIKRE. 32 Midsummer, California. /. 33 At Alameda, California. , 34 On the Shore, Alameda, Cal. 35 A Bed of Poppies. California. 36 The Path to tlu^ Heach, Alameda. T^y At Low Tide, Alameda, Cal. 38 Wind Blown Oaks. 39 A Californian Garden. 40 Live Oaks in Schuetzen Park, Cal. 41 Under the Live Oaks, California. ■6^ /i' ^^0 1 1 C), ./ / ^.0 42 Winter at \^ictorla. B.C. ' ^ 43 riie Minstrel of the Crew. 44 ;\n Old Sea-Doo-. 45 The Pet of the Crew. 46 A Young Gunner. 47 Off Duty. 48 On Board the " Decros." 49 Trilium — \Yild!l(jwer of British Columbia. 50 Marsh Lily. B.C. 5 I Wild Crocus — First Mower of Spring, B.C 52 " Nancy Lee.' 53 Master and Pupil. 54 After Lunch. Alameda, Cal. 55 A Dream of Spring. 56 A Day Gone By. '^ ' ' , I OIL PAINTINGS BY C. A. i)i: L'AIHIMKRK. 157 Ha! Ha! Bay, Saguenay. Il'i0' = I ;8 Riviere Baude, Tadousac. 12 // 5'> 60 61 62 63 ^\^ 66 6S 6 ) 71 "- -I I - / ."> 71 1'^ 7" / / tS Chicoutinii, Afternoon. ' Above the l\'ills, Montmorency. . • Head of the I\'il]s, Montmorency. In the Meadows, Montmorency. The Rapids, Montmorency River. livening at Chicoiitimi. On the Montmorenc)- River. Chamard Lake, Pointi* an Pic. A wSketch from Nature, Montmorency In the Woods, Montmorencv. The Citadel, Quebec. Rocks at Murray l)ay. Quebec from Montmorencv. Among the Rocks, Fointe au Pic 'I'he Lake, Tadousac. On the St. Lawrence Shores. Palls on the Chicoutimi River. A Grey Dav, Pointe au Pic Afternocjn at Pointt; au Pic. On the St. Lawrence. l.s 79 80 81 '^2 <^3 S6 <^7 ,S8 89 90 91 92 93 94 95 96 97 98 From th(i Pier. Murray Bay. The St. Lawrence. Storm Clearing- Off. Storm Clouds on the St. Lawrence. Low Tide — 'Murray I5ay. Ouebec at Sunset. Ouebec — A Grey Day. The Harbor, Quebec. (.)uebcc. Ouebec — After Sunset. Ouel^ec from Point Levis Quebec — Mists Risin^^-. On the .St. Lawrence -A Cahn. L'anse St. Jean — Sai^nienay. The Sa<'uenay at Chicoutimi. The L'Auljiniere Cascade — A Grey Day On the Chicoutimi — A Rainy Day. Chicoutimi from the .Shore. An Old P)oat on the Sai,aienay. The Harbor, Chicoutimi. Cap Ste. Anne, Sa^uenay. '4 199 1-1 KivifVc du Moulin. Chicoiitiml. 200 Cap St. I^Vangois, Chicoutimi. 201 Cascade on the Chicoutimi. 202 Calm on the Sa.i,'-uenay. 203 The L'Auhiniere Falls — Sunny Afternoon. 204 'i'wilioht. Colorado. 205 Rouirh Sea- -Hastings. 206 Quel)ec— Afternoon. 207 The Citadel of Quebec from Point Levis. 208 Quebec— Sunset. 209 Quebec— A Cloudy Day. 210 On the Montmorency River— Sunset. 211 Montmorency b'alls. 212 Summer in the Woods- Montmorency, 213 Pjirch Trees at Montmorencv. 214 Sunny Afternoon at Murra\- Bav. 215 Calm P^efore Storm — Murray Bay. 216 Murray Hay. 217 Fishermen's Cotta,<^res, Pointe au Pic. 218 Under the Cliffs, Pointe au Pic. 15 219 Autumn on tlu,' Sa^i,nicnay— Tadousac. 220 The L'Aul * iere Falls, Chicoutimi, 221 Quebec at rwilli^ht. 222 The Vernal I' alls. Yosemite Valley, Cal. )on. IS. 224 225 226 227 228 229 230 231 232 o -> -> -0.5 234 WATER COLORS HV MAD.AMI-: DK i;.\L'HI\lkKI< The Hrido;e at Montmorency. A Quiet Corner on the Chicoutimi. The Cliffs at Murray Bay. Ha ! Ha ! Bay, Sai^nienay. Quebec from Montmorency. The Saguenay at Chicoutimi. Twilig-ht on the Saguenay. An Old Boat, Chicoutimi. Quebec, Late Evening. L'Aubiniere Cascade, Chicoutimi. Chicoutimi Villao^e. Chicoutimi from the Shore. i6 / / 235 236 23.S 239 240 241 242 '43 244 245 246 247 248 249 250 252 ^~':^7> "*'-^«-ji' QiK-bcc. A Corner of the I.ac St. Jean. Tho L'Aiil)inir'rc I'alls, (.'hicoutimi River.^ I. 'A use St. Jean, Sai^nicnay. The Sa.q^ucnay at Chicoutiini. Tlie Sa.^ucnay, and Old nunal (J round of ilic Jesuits, Chicoutfmi. The Riviere Haude, Tadousac. The L'Auhiniere Cascade, Chicoutimi. 'I'he Mountains of the Saouenay, Tadousac. Summer in the Woods, Montmorency. livening- on tlie Saouenay. The Villa,<(e Street, Pointe au Pic. The Fisher-crirl , Pointe au Pic. The Fisherman's Mome, Pointe au Pic. Under the ChTf. Pointe au Pic. Quebec from Point Levis, A Hazy Afternoon^^^ Montmorency Falls. Above the^'Falls, Montmorency. The Endofthe-Journev. / 7'