^^^%^ ^V^. .^'\ IMAGE EVALUATION TEST TARGET (MT-3) ^^l V ^ 1.0 I.I 1.25 1^128 |2.5 |5u ■^" M^H i: ^ Ilia u 1.4 nil 1.6 m % / /. ^iiag,- and LiUraturt in Tulane Univtrsity oj Louisiana, rJ I -V i> NEW ORLEANS: Published by F. F. Hansell & Bro. COPVKIGHT 1894. F. F. HANSELL & HUO. PRESS OF L., Graham \' Son, Ltd, NEW OKLEANS. 1 PREFACE. For the last ten years the author of this book has been de- vothig much time to the history of Louisiana, and he has pub- lished in different literary and scientific journals a number of papers on the literature, customs, dialects, folk-lore, and history of his native State. Some of these papers have been revised and are now published in this book, together with some new studies. The work done has been mostly one of original re- search and patient investigation, and the author hopes that his Louisiana Studies may be of use to the future historian of Louisiana, as history can not be written without taking into consideration everything concerning the literature, the speech and the inner life of the people. The author hopes also that his book will be of interest both to Louisianians, who will rec- ognize in it many familiar names, customs and incidents, and to people outside of Louisiana, who will see a true picture, as tar as the author can judge, of the inhabitants of the Pelican State. ALCEE FORTIER. New Orleans, January 24, jSg^. ! t TABLE OF CONTENTS. PART I.— LITERATURE. PA OB. I. The French Language in Louisiana i IL Literature in the Colony 6 1. Julien Poydras 7 2. Poydras' poem, La Prist dti Morne du Bdton Rouge^ par Monseigneur de Galvez 18 in. The French Literature of Louisiana „ 23 1. History and Biography 24 2. The Drama 32 3. Poetry ;...... 40 4. Novels 55 5. Miscellaneous Works 62 6. The Athinde Louisianais 64 IV. English Literature 87 1. History, Biography, Literary Criticism 91 2. The Drama 101 3. Poetry and Literary Sketches 104 4. Novel* — 113 PART II.— CUSTO/ . AND DIALECTS. I. Customs and Superstitions in Louisiana 125 II. The Creole Dialect 134 III. The Acadians of Lou .na and Their Dialect 14S 1. A Brief History of Acadia 149 2. The Acadians in Louisiana 162 3. Th radian Dialect iSi IV. The Is . OS of Louisiana and Their Dialect 197 vi Table of Contents. PART III.— HISTORY AND EDUCATION. r. War Tr.MKs (1861-1865) 211 1. Introduction 211 2. The Capture of New Orleans 214 ;;. Honrj' Walkins Allen — Battle of Haton Rouj^e 223 4. *' Dick '■' Taylor and the Caiupaiijns on the Teche and in the Trans-Mississippi Department 230 II. A IJitiicK History OF Education in Louisiana ...242 1. Colonial Times 242 2. Colleges and Private Schools Before the War 249 3. Public Schools Before the War 258 4. Public Schools in New Orleans 264 5. Public Schools Since the War ...268 6. Colleges and Schools Since the War: 274 Tulane University of Louisiana 274 11. Sophie Newcomb Memorial College 287 The Louisiana State University and Agricultural and Mechanical College 289 Colleges of the Jesuits 291 State Normal School 29S Universities for the Colored People 299 Colleges and Schools in Rural Louisiana -301 Schools in New Orleans 305 211 211 214 'eux, a place ses presens: A notre bienfaiteur offrez-en les premices. Puisse-t-il agrer vos pieux sacrifices! Pour moi, triste jouet du sort le plus cruel, Je ne puis presider a I'acte soleniiel. L'ancien de nos vieillards pourra preniire ina place, ' \ Je dois tne retirer, je le demande en grace. ( uive, to be Mr. L. avelle- operas ;red in ks are ind in .,"t a omedy a very •rk is a arte, Nou- Jvo. S? PP' i proverb, and Mr. Canonge has succeeded quite well. His comedy is light und witty. A husband wagers with a friend that he will come to a ball with him and leave his young wife at home. The latter has heard their conversation, and induces her husband to play a game of cards with her, on condition that if he loses he will spend the evening at home. She renders herself so agreeable during the game that the Imsband loses on purpose, and then acknowledges that he has played "A qui perd gagne." *' Le Comte de Carmagnola " ( 1856) was acted several times in New Orleans, and was always seen with pleasure. The subject was well chosen, as the history of the Milanese shepherd, who rose to be general-in-chief of Milan and then of Venice, is in itself intensely dramatic. The author supposes that the Duchess Beatrice de Tenda, while being led to the scaffold, gives a paper to the young Carmagnola in which she says that Bianca de Visconti is not her daughter, but an illegitimate child of the duke, and that the real heiress to the throne is Michaela, who has been brought up by Carmagnola's father. Carmagnola is in love with Michaela, and it is in order to recover her crown that he becomes great. A pretty incident in the play is that both daughters of Visconti love Carmagnola, whom the duke fears and hates. The captain, after many thrilling events, falls at Venice in the presence of '^^ 38 Louisiana Studies. hir'i.i: ijfliUjI!! Michaela and Bianca, who had vainly tried to save him. This drama, by its numerous incidents, may be reckoned in the class of the " Trois Mousque- taires " and of the "Bossu." Among our Louisiana authors Dr. Alfred Mer- cier is one of the best known. He has tried ail subjects except history, and lias succeeded well in every one. He is a dramatist, a poet, a novelist, an essayist, a philosopher and a scientist. His views are always original, and his style, both in poetry and in prose, is elegant and correct. Dr. Mercier published his first works in Paris in 1842. They comprise " La Rose de Smyrne," ''L'Ermite de Niagara" and "Erato." I shall mention at present only " L'Ermitede Niagara,"* as it may be ranked as a drama, the author himself calling it a mystery. Pere Daniel, a hermit dwelling among the Tus- caroras, has received in his ajoupa (his hut) a stranger, EUfrid, whom he loves as his son. Adina, a young Indian girl, comes every day to visit the good father, and soon loves the white man. She relates with a charming and almost biblical simplicity her first interview with Ellfrid: Un jour, j'allais piiiser a la source voisine: C'etait un jour superbe, et j'allais en chantant, Heureuse de I'air frais et d'un ciel dclatant. Je l'aper<;us ^ I'ombre, aupres de la fontaine, *Dr Alfred Mercier, "I'Ermite de Niagara," lamo., 176 pp. Jules Labitte, I'aris, 1842. Literature. 39 tried to may be ousque- :d Mer- tried all [ well in lovelist, 3t. His both in t. Paris in lyrne," I shall ^ara, * himself le Tus- lut) a IS son. day to white almost llf rid : »p. Jules Aussitot je me tais, et j'hesite, incertaine Si je dois avancer, mais avangant toujours. II paraissait pensif : ses yeux suivaient le coiirs De I'eau qui murmurait H voix plaintive et basse. En tremblant j'v plongeai ma vide calebasse; II la prit sans rien dire, et sans rien dire encore, Sur ma tete il la mit pleine jusques au bord. Moi, je leve les bras, pour prendre I'equilibre. Mais lui, voyant alors que je ne suis plus libre, II depose un baiser sur ma peau qui brOlait. In the second act we are introduced to the council of the chiefs, where Maktagol, jealous of Adina's love for EUfrid, excites the Indians against the pale face. The warriors attack the young man's hut, but are repulsed, and EUfrid wanders in the night around the cataract. There, he is met by the genius of the Falls, who, Adamastor-like, addresses him, and exhorts him to go and explore the subterranean palace of the River God, old Niagara. The young man throws himself in the cataract, and sees at the bottom Niagara and his tributaries. The description of the poet is here very fine : Je ne sais quels rayons eclairent ce lieu p4Ie, Pareils a des reflets d'aurore boreale: On dirait qu'une gaze, un crepuscule d'or, Tend de plis Lransparents le profond corridor. On his return from Niagara's palace, EUfrid meets Adina, whose joy, on seeing him alive, betrays her love. Pere Daniel marries them, and the Indian girls conduct the bride to her hut. During the night, however, the Tuscaroras attack Ellfrid, who is mortally wounded with a poisoned f-4 r F 40 Louisiana Studies. ll! '\ li -ItJ! Mm. ji^'i' arrow. Adina sucks the blood from the wound, but EUfrid can not be saved, and his wife does not survive him. The plot of this mystery is interesting, and the verses are good. As it is the only work of the kind in our literature, I thought necessary to give some details about it. > The last dramatic work published in book form in Louisiana is a comedy in verse by Dr. C. Delery, *' L'Ecole du peuple."* It is a keen satire of carpet-bag rule in our State, and very entertaining to those who have known the person- ages who appear on the stage. Although but few dramas have been published in Louisiana, many good comedies have been written to be played by amateurs. Judge Alfred Roman and Judge Felix Voorhies, of St. Martins- ville, have probably been the most successful in these *' comedies de salon." Poetry. Louisiana, with its romantic history, its stately river, its magnificent forests, its luxuriant vegeta- tion, ito numerous bayous overshadowed by secu- lar oak irees, and its picturesque scenery on the coast of the Gulf, seemed to be a fit abode for poets. They were inspired by the climate, by the nature of the country, by patriotism, by the chiv- *Dr. Chas. Delery, •* L'Ecole du Peuple." i Vol. laaio. Imprimeric du Propagaieur C"a/Ao//yw*, Nouvelle-Orl^aas, 1877. Literature. 41 le wound, wife does ;, and the rk of the •y to give 00k form y Dr. C. 3 a keen and very e person- published ive been ^e Alfred . Martins- :essful in :s stately t vegeta- by secu- y on the bode for e, by the the chiv- Impriinerie airy and bravery of the men, and, above all, by the beauty and grace of the women. Our literature, therefore, is rich in poets, richer perhaps than that of any other State. We have many verses published in Louisiana, and probably more still which their authors have not given to the public. Often has the father or the mother recited touching lines, which have been treasured by the children of the family as most precious legacies, and which were yet to remain unseen by alien eyes. I am familiar with many Creole poets whose works, though unknown to the great world of literature, would be read with emotion and pleasure, their themes being the most sacred feelings of humanity. Indeed, the gift of verse seems a not uncommon endowment among a people characterized by so much sensibility and vivacity as our Creoles. Of the poems published by my countrymen, I regret to say that I have not read all. In spite of their merit, the works of Louisianians are now rare in our State, and many of them I have not been able to procure. Among our earliest poets is Mr. TuUius St. Ceran, who wrote " Rien-ou Moi,"* in 1837, ^^^ ** Mil huit cent quatorze et mil huit cent quinze,"t in 1838. In this author we find a lively imagina- tion and the greatest enthusiasm for his subject. His poetic talent can not be said to have been of a * TulliusSt. C^ran, «' Rien-ou Moi." i Vol. Svo, 194 pp. G. Brusle, Nou- velle Orleans, 1837. t ' 'Mil huit cent quatorze et Mil huit cent quinze," i Vol. Svo, 51 pp. Gmix et Cie,NoiivelleOrl6uns, 1838. tlii':Mi I ll:i !^ I ,;l ■ i i I',! ilil •ii|!j|[;| III , i Mi I I 42 Louisiana Studies. hij^h order, but liis works may be read with inter- t-st, as they show a sincere patriotism, and give an idea of the feelings of the time. Another work of great local interest is an epic poem in ten cantos by Urbain David, of Cette, a resident of Louisiana. The book, like that of Mr. St. Ceran, was inspired by the glorious events of 1815 and is entitled *' Les Anglais a la Louisi- ane en 18 14 et 1815."* The history of Packen- ham's defeat is related with some force and with many details which must be pleasing to the de- scendants of the heroes of the battle of New Orleans. In 1846, there appeared in New Orleans a })oetical journal called " Le Taenarion."t Mr. Felix de Courmont took the satirical pen and wrote several satires which were severely criti- cised. It is amusing to read the defence of the author; his replies are sometimes quite correct, but he generally allows himself to be carried away by his passion, forgetting that it is as natural to be criticised as to be praised. Mr. de Courmont was neither a Juvenal, a Horace, nor a Boileau, and it is with pleasure that we turn from his satires to his minor pieces. " Le Morne Vert," " L' Amour," **Le Dernier des Caraibes " are really graceful poems. * Urbain David, •' Les Anglais h la Louisiane en 1814 et 1815." i Vol. i2mo. 60 pp. Nouvelle Orleans, 1845. t Felix de Courmont, ** Le Taenarion." i Vol. 8vo, Gaux and Cie., Nou- velle-Orl6ans, 1846-47. iH Litj:rature. 43 ith inter- id give an s an epic f Cette, a t that of (lis events a Louisi- Packen- and with ► the de- ot New 'rleans a "t Mr. pen and ely criti- e of the correct, ed away ral to be lont was , and it es to his Lmour," graceful IS." I Vol. Cie.,Nou- (( A Les Vagabondes" by Caniille Thierry,* con- tains some charming verses. " L'Amant du Cor- saire " begins thus: Petit oiseau de tner, toi qui reviens sans doute D'un rivage loiiitiiiii, Oh! disinoi, n'as-tu las loncontre sur ta route Le svelte brigantin? " Mariquita la Calentura " is a work of toucli- ing melancholy; it spi-aks ol a poor woman, legendary in New Orleans, pursued in the streets by ihiii^d ff If ns, and who had once been a beautiiul Spanish girl : Tu parlais de rnmant fidMe, I)e I'Espagnol (lui, cliaciiie soir, Agrafaxt sa Icgere cchelle Aux murs vieillis dc ton niaiioir. " Les Cenelles,"t a word which signifies a small berry, is a collection of poems which are ol some merit. The authors are \"alcour, Boise, Dalcour, Dauphin, Desbrosses, L:iMusse, Liotau. Riquet, St. Pierre, Thierry and Victor Sejour, whose work " Le Retour de Napoleon " v\^iis favorably received in France. Mr. Constant Lepouze,| a Frenchman residing in Louisiana for twenty years, may be considered one of our most correct and classical poets; he translated beautifully the odes of Horace and his ninth satire, " Le Facheux." Itisto be regretted ♦ C:iinille Thierry, " Les Vas^abondes." i Vol. i2ino. Paris. t" Les Cetic'lles." i Vol. 161110. NouvcUe-Orleans. t Constant Leponzc', I'ocsies Diverges, i Vol Svo, iS^ pp. i>riisle and Lesseps, Nouvelle-Orleans, iS.^S. 44 Louisiana Studies. that Mr. Lepouz^'s translations are so little known, for the author must have been a remarkable Latin scholar. *'Les Lazareennes,"* "Fables et Chansons, Poesies Sociales," by Joseph Dejacque, is the only work of its kind published in Louisiana, where, I may add, it had very little success, although it contains poems of no little literary merit. The author seems to have been a socialist, and in his book attacks the family ties and prop- erty, repeating with emphasis Proudhon's cele- brated words: ** La propriete, c'est le vol." This is the only work published in Louisiana which speaks unfavorably of our city and its inhab- itants; the others evince a most sincere patrio- tism. Mr. Dejacque had talent, as can be seen from the following lines: ** D'Esprit Rebelle a Malin Esprit- >> ,i i ' ii I ut !'i II semble qu'une F('!e h litre d'apanage, .', .^ A sur vous, blond lutin, sern^ ses dons d'amour, Qu'e'.Ie 1 d'un diuniant form6 votre visage, Et 66 tsyeux au tendre email du jour! O ^ lUs belles fleurs exprimant les fluides, 1 fit une argile et modela vos chairs, Ou oien, — comme Cypris, de ses langes humid«s, — Qu'elle vous a tir(5e, autre perle! des mers. During our civil war. Mars and Bellona, as the poets would say, had chased away Apollo and the Muses, and but one poem inspired by the war ♦ Joseph Dejacque, "Les La7.ar6ennes," etc. i Vol. 8vo, 199 pp. J. Lamarre, NouvelleOrl^ans, 1857. Literature. 45 tie known, able Latin Chansons, [ue, is the Louisiana^ i success, le literary 1 socialist, and prop- on's cele- ol." This ana which its inhab- re patrio- n be seen Rebelle a mr. 3S, id«s, — la, as the ) and the the war » »99 pp. J. was produced. It is " Lcs Nemcsienncs Con- Icdcrces "* ( 1863 ) by Dr. C. Delcry. The work, as was to be expected, is most bitter against the Federals, and stigmatizes General Butler. We have one specimen of didactic poetry in Louisiana, "IIomo,"t by Mr. Chas. Oscar Du- gue, a well written poem in seven cantos, but which is of little interest, and no more read than ♦'La Religion," ** La Navigation," or *'Les Jar- dins." Mr. Dugue also pubHshed, under the title of *'Essais Poctiques," a volume of poetry said to be very good. Unfortunately, I could not procure a copy of the work. It is with pleasure that, according to the division of my subject, I return to Dr. Alfred Mercier's poetical works: "La Rose deSmyrne"t and " Erato." The former is a graceful and touching orientale^ and relates the love of Hatilda, the Mos- lem's wife, for a young and beautiful giaour and the sad fate of the lovers. The introduction of this work is another proof o:^ the intense love of all Louisianians for their State. D'otl vient done cette voix qui me traverse I'ame, Comme passe le soir la brise snr la lame; Vague comme le son que soupire a longs traits, La harpe eolienne au milieu desforets? C'est la voix du passe, cette voix caressante Qui parle au voyageur de la patrie absente. ♦ Dr. C. Del6ry, "Les N^mfeicnnes Conf^d6r6es." i Vol. i6mo, Mobile, 1863, t Chas. Oscar Dugu6, "Homo." i Vol. i3mo, 205 pp. Paul Daffis, Paris, 1872. X Dr. Alfred Mercier, '• La Ross de Smyrnc." "Erato." i2mo, 103 pp. Jules Labitte, Paris, 184a. iiii 46 Louisiana Studies. Une ombre, uii mot, que sais-je, un rien I'^veille en nous. Ainsi, doux souvenirs, toujours me suivrez-vous? Oh! mainlenant, tandis que sous ce ciel de brume Entre mes doigts glacce jes sens fremir ma plume, Sous ce ciel, 011 juillet est plus froid h Paris Que ne Ic tut jamais decembre en mon pajs. " Erato" is a collection of short poems, of which the best are '* Sui Mer," *' Patrie " and " La Lune des lleiirs a la Louisiane." I can not resist the temptation of giving a few lines of *' Patrie:" Apros huit ans tcoules dans I'absence, Je viens revoir le ciel de mes aieux: Doux souvenirs de mon heureuse entance, Apparaissez un moment a mes yeux! Voici mon fleuve aux vagues solennelles: En demi-lune il se courbe en pas-sant, Et la cite, comme un aiglon naissant, A son flanc gauche etend ses jeunes ailes. ♦ ♦ + * * Apr('s huit ans ecoules dans I'absence, Fitl('Ie oiseuu je reviens a mon nid; Le souvenir vaut parfois I'esperance: C'est un doux songe oil ITime rajeunit. Scarron, the first husband of Mme. de Main- tenon, whose sole title to a pension was to be *' le malade de la reine," found the time, in spite of his sufferings, to write " L'Encide Travestie " and to ridicule the heroes of anti(j[uity. His was not a touching note, and the song of his poetic lyre had no pathos. If his body was affected, his mind did not seem to suffer, very different in this from Gilbert and Millevoye, whose beautiful elegies one can not read without being deeply Hi Literature. 47 e en nous. ,? -.'f me -"■j me, 1 of which La Lune resist the 1 rie:" ■■%'•■' ) .-'■i If 1 :le Main- ■.■ ' be " le I spite oJ avestie " His was is poetic cted, his It in this )eaiitiful deeply moved. Louisiana had her Gilbert, her Mille- voye; his talent was of the highest order, and his tender and melancholy verses can well be com- pared to "Le Poete Mourant " and " La Chute des Feuilles." It was in 1841 that Alexandre Latil published his *'Ephcmeres, Essais Poeti- ques."* The author was an invalid and a prey to an incurable disease, and his poems are a lamen- tation and a prayer. Very often did the pen fall from the weak hand, while from the heart were surging his rhythmical complaints. The preface to the work is exceedingly well written ; it is a protest against the modern school and, at the same time, an affectionate dedication of his verses to his countrymen. The book was well received in Louisiana, and Alexandre Latil' s name will be long remembered as that of our most sympathetic poet. Among the ** Ephemeres," I have noticed "Amour et Douleur," '* Deception et Tristesse," " Desenchantement," **A mon Grand-pere and "A mon Pere et k ma Mere," the dirge of the poet : Encore un dernier chant, et ma lyre ephemere S'echappe de mes mains, et s'eteint en ce jour, Mais que ces sons mourants, 6 mon pere, ma merel Soient exhales pour vous, objets de mon amour. De cet hymne d'adieu si la note plaintive S'envole tristement pour ne plus revenir, Vous ne I'oublirez pas; votie oreille attentive L'empreindra pour jamais dans votre souvenir. ♦Alexandre Latil, •* Les Eplicnieres, Essais Poctiques. Svo, 198 pp. Alfred Moret, Nouvellt-Oiluans, 1S14. I V< 1. ^R? 48 Louisiana Studies. Helas! si du tombeau per)> l|i )|c >)< >(< * >)• Mais si tu fus vainqueur de I'arbre des Chactas, Impie, il en est un que tu n'abattras pas; Un arbre bien plus haut, bien plus fort, et dont I'ombre Couvre I'Eden si frais et I'univers si sombre. Et cet arbre est celui que Dieu meme planta, L'arbre saint de la Croix; I'arbre du Golgotha; Literature. 55 L'arbre que I'homme en vain frappe aussi de sa hache; II le frappe en tous points, et rien ne s'en detache; Rien; car l'arbre toujours, gigantesque, eternel, S'elance, et va se perdre aux abimes du ciel! We had also in Louisiana, besides the authors whom I have mentioned, some poets whose works I could not procure, among whom are Alexandre Barde, Duperron, Guirot, and Calongne. In the different poems which I have read their names are mentioned quite favorably; Mr. Barde seems to have been the best. Of the poets whose works have not been pub- lished, Anatole Cousin, Valerien Allain and Eu- phemon La Branche were the most popular. In speaking of our Louisiana authors, I do not refer to those who have left our State, such as Albert Delpit, Henri Vignaud and Mme. Helene Allain. In concluding this review of our poets, I think that it can truly be said that a selection of their works would compare favorably with those of many authors whose reputation is much greater. Novels, It is extraordinary that with its romantic history our State did not produce more works of fiction. The romances of Louisiana have not yet been written in prose, although our poetic scenery has inspired many a songster. We have, however, a few novelists whose success should have encour- aged others to follow their example. S6 Louisiana Studies. i i . :-■ i 1 ■ , . 11: lilli I have read two novels of Dr. C. Testut: ** Le Vieux Salomon " * and ** Les Filles de Monte Cristo." The former is intended to represent scenes of plantation life, and was written in 1858, but published only in 1873. It is to be regretted that the author, in his pity for the institution of slavery, should have introduced in his work a planter worthy of Mrs. Beecher Stowe's Legree, presenting thus as a type what was really an excep- tion — a planter cruel to his slaves. ** Les Filles de Monte Cristo " is a continuation of Dumas' admirable epic, and has a moral pur- pose. In the original novel, Dantes, the millionaire, appears as inexorable as fate, and punishes sternly and without pity, rewarding sometimes, but those always who"]had been good to the poor sailor boy. In the sequel, Monte Cristo devotes his immense fortune to aiding all who are unhappy. Having lost Haydee, he returns to France, after an ab- sence of twenty years, with his daughters, Merces and Gemma. On meeting his Mercedes, his old passion returns, and the beautiful Catalane be- comes his wife. Surrounded and assisted by all those whom he had saved formerly, Dantes now forms an association of which the aim will be to look for misery and relieve the unfortunates. Merces and Gemma, from fear of being loved for their money, live as otivrieres for some time and ♦Dr. C. Testut, "Le Vieux Salomon." i Vol.4to, 176 pp. Nouvelle- Orleaiis, 1872. " Les Filles de Monte Cristo." Pamphlet form, 8vo,52opp. Impfrimerie Cosmopolite, Nouvelle-Orl^ans, 1876. mm^^^ Literature. 57 Monte present 1858, gretted ition of ^^ork a /Cgree, excep- luation al pur- onaire, sternly t those or boy. imense Having an ab- Merces his old me be- I by all es now II be to iinates. ved for ne and Nouvelle- mpTimerie "i ft are married to two deserving young men. They and their husbands help Monte Cristo in his great undertaking, and every day some wretch is rec- onciled to life. At last Mercedes dies, and the count soon follows to the grave his adored one. Their bodies are conveyed to the isle of Monte Cristo, and '.iie filial piety of the daughters trans- forms into a blooming oasis the barren rock, where had landed, so many years before, the es- caped prisoner of the '' Chateau d'If." One can see in Dr. Testut's book a generous idea and an ardent love for everything good and true, and many incredible events and visionary ideas ma^ be pardoned when one remembers that the author was inspired by a genuine philanthropy. Mme. S. de la Houssaye,* of the Attakapas, a member of one of our oldest families, is another of our lady writers. She has published several novels in the newspapers of her parish, and she is said to be preparing for a Paris editor a work on Louisiana, for which she is well qualified on ac- count of her lively imagination and her numerous family traditions. Her most inte»*esting novel is " Le Mari de Marguerite," published in V Aheille de la Nouvelle-Orleans in iS8^, as a. feuillelon. It is the story of a spoilt and vain Virginia girl, proud of her grandfatljer's plantation and fortune, and dreaming only of heroes of ron ,nce. She dis- cards her cousin and intended husband at the •Mme. S. de la Houssaye," Le Mari d« Marguerite." Abeille de In Nouvelle-Orl^ans, 1883. I 'U 58 Louisiana Studies. ;it sight of a handsome man, and abandons her home to follow him to New England. Very soon, however, she regrets the luxury of her Virginia life and treats her husband most unkindly. The great civil war breaks out, and Wm. Gray is re- ported to have been killed. Then begins the punishment of Marguerite: her grandfather dies in a battle and she loses her fortune. Reduced to poverty, the frail Southern girl, like so many noble women, shows an indomitable energy, finally be- coming a governess. Her husband returns under an assumed name and refuses to recognize her; he is at last touched by her love and sorrow, and they both live happily in the old family mansion recovered from the Federals. The story is quite romantic, and the style is good. Father Rouquette published in 1879, *' La Nou- velle Atala," * an Indian legend. The work is admirably written, and one can see the great en- thusiasm of the author for his subject. As in * ' r Antoniade, ' ' Father Rouquette speaks of solitary life, and exalts the sacrifice of a young girl who leaves the world to live in a forest. The descrip- tions of nature are ver}'^ poetic, and Chatah-Ima's Atala is no unworthy sister of Chateaubriand's. Dr. Alfred Mercier's first work of fiction, **Le Fou de Palerme,"t is a novelette, in which is re- I i il'I'i ' imillilln * Adrien Uouquette, " La Nouvelle Atala." i Vol. i6ino, 138 pp. Pro- pagateur Catholtgue, Nouvelle-Orl^ans, 1879. t Dr. Alfred Mercier, " Le Fou de Palerme," i Vol. i6mo, 140 pp. Nouvelle-OrUans, 1873. Literature. 59 lated a touching love story. The plot is very simple, but at the same time attractive. " La Fille du Pretre "* is a work of great philos- ophy; the author attacks the celibacy of priests with as much vehemence as George Sand had at- tacked confession in ** Mademoiselle de la Quin- tinie." The novel is divided into three parts: " Fausse Route, Expiation, Rehabilitation." A young man, Theotime de Kermarec, is forced into the priesthood by his parents, and, shortly after, succumbs to his passions. His victim, Jeanne Dubayle, flees from her home, and writes to her lover that she is going to die. Theotime, in despair, abandons the priesthood, and wants to sacrifice his life for a noble cause, the independence of Italy. He joins Garibaldi's army and behaves as a hero. After the fall of the kingdom of Naples, he takes part in a revolt of Poland against Russia, is taken prisoner and sent to Siberia. This is Expiation, ReJiahilitation must soon follow, for Theotime has suffered and his crime has been forgiven. Jeanne had not killed herself, for while in the act of throwing herself in the Seine, she is saved by maternal love for her unborn babe. She becomes the friend of Louise, a woman who is in the same posit'on as herself, and both go to the hospital, where a young physician, Ludovic, takes the greatest interest in Jeanne. The description * , "La Fille du Pretre." 3 Vol, 8vo. Imprimerie Cosmopolite, Nouvelle-Orl^ans, 1S77. ! ; 6o Louisiana Studies. of the hospital and the philosophical thoughts in- spired by it have merit, and can be compared to the like scene in " Les Mysteres de Paris." Jeanne dies and leaves a daughter, Jeannette, who is adopted by Ludovic. Many years passed, and France has been van- ([uished at Sedan, and the Commune has begun its atrocious deeds in Paris. Theotime is a cap- tain in the army of Versailles, when the capital is taken. There is a terrible fight in a cemetery, and Ludovic, Louise and Jeannette are engaged in it. Theotime saves his daughter without know- ing her, and after the war, goes to Italy. He finally finds Jeannette, marries her to Ludovic, and is rehabilitated by paternal love. I give the entire plot of this work, because it created quite a sensation in New Orleans, where there are so many Catholics. Whether Dr. Mercier was right or wrong in his crusade against celibacy does not concern us; but we must admit that he iiandled his lance fearlessly and well. " L'Habitation St. Ybars"* is a Louisiana story, in which life before the war on a large sugar plantation is very well described. Although the work is of great interest as a novel, it is of still greater importance for the study of philology. Dr. Mercier, who is a master of the Creole patois, uses it freely in his book and keeps thus an ad- ♦" L'Habitation St. Ybars." i Vol. i2mo, 331 pp. Eug. Antoine, Nou- velleOrl^ans, 1881. LiTERATURi:. 6i mirable coiUeur locale. The following extract is really charming for its simplicity and truth: Demon, St. Ybars' little boy, comes into the kitchen with a cage, and Mamrie, the old nurse, tells him: "Asteur assite la e conte moin coman to fe pou trape pap laie. Demon termina son 'epopee, en accompagnant sa parole de grands gestes qui epouvanterent les oiseaux; le male renouvela ses efforts pour passer a travers les barreaux de sa prison ; sa tete etait en sang. Demon le repoussa a I'interieur, en disant avec impatience : Reste don tranquil, bete! To bon toi, lui dit Mamrie; to otc li so la-liberte e to oule li contan. Mo sre voudro oua ga to sre di, si ye te mete toi dan ain lacage comme (^*a. Mete moin dan ain lacage ! s'ecria Demon sur le ton de la fierte indignee; mo sre cace tou, mo sre sorti e mo sre venge moin sur moune l-'ie Vi te emprisonnin moin. Ah! ouette, tou Qa ce bon pou la parol, repli- qua Mamrie; si ye te mete toi dr.n ain bon lacage ave bon baro en fer, to sre pa cace arien ; to sre mete en san, epi comme to sre oua Q'l Ptor world has made wonderful progress since then, it is doubtful whether in these mountainous regions there has been any considerable change in the manners and customs of the people. The Spanish priests must still be drinking from the forro^ the young men must still be hunting the fleet moun- tain deer, the bear and the wolves, and the hostess of the inn on the roadside must still be selling to the travelers, with a coquettish smile, red, green, blue or yellow garters embroidered with gold oi silver on which love-mottoes are inscribed. The same costumes must still be seen as fifty years ago; everything on the high mountains seems to be immutable as the hard rocks which form them. On leaving the Pyrenees the doctor exclaims: Solitudes grandioses et douces, paix profonde, ciel ^toile, nuit poetique et propice aux meditations on I'ame sonde rinfmi qui est en dehors d'elle et cekii qui est en elle, est-ce la derniere fois que je jouis de vous? Je I'ignore; en tout cas, adieu et inercil In " Role des Medailles dans I'histoire des Pays- lias" Dr. Mercier makes an analysis of one oi lulgar Quinet's noblest book, " Fondation de la Republique des Provinces-Unies." The author pays a magnificent tribute to William the Silent and Marnix de Sainte Aldegonde, and show show the liberators of the Netherlands, in their inces- sant warfare against Philip, used medals as a means of rousin^^' the anger and the patriotism of the people. *'The Revolution," says Quinet, 78 Louisiana Studies. ** spoke incessantly to the people througli thou- sands of brass mouths." Mrs. Eulalie L. T. Aleix contributes two charm- ing articles to the Comptes-Rendus for 1889: " Le Livre d'or de la comtesse Diane," and " Maximes de la vie par la comtesse Diane." Both studies express a philosophy delicate and entirely modern : Quelle question redoutez-vous le plus? Celle pour laquelle une reponse serait un aveu. Aimez-vous mieux un coup de pied ou un coup de patte? — Un coup de patte, parce que je peux le rendre en restant bien elevee. Quelle est la personne la plusaimable? — Celle qui me persuade que c'est moi. II est rare que la tete des rois soit faite a la mesure de leur couronne. C'est le bruit que font nos illusions en s'envo- lant qui nous les revele. •'Utilitc des Langues Vivantes," by Mr. Fran- cois Tujague, is a strong plea in favor of the teach- ing of the modern languages, and especially of French. He mentions the fact of the closer rela- tions of men in different countries by means of constant travel, and states how emigrants feel at home in a foreign country, if they are able to speak the language of the people among whom they live. Tie spea1 • of the admirable literature of the modern nations and of the great thoughts embodied in their masterpieces, and concludes by urging the Louisianians to study French most { m -f — • '■■) II I ' Literature. 79 )St diligently. He has faith in the perpetuity of the French language in Louisiana, and says : Croire que dans un avenir plus ou moins rap- proche, le fran^ais ne sera plus, en Louisiane, qu'un souvenir d'antan, c'est avoir du bon sens des Louisianais, de leur esprit de prevoyance etde ieur amour du progres une opinion erronee. Dr. G. Devron makes some very interesting con- tributions to the early histor}^ of Louisiana, and publishes a letter giving curious details of the life in New Orleans four years after the foundation of the city. The letter was written by Father Raphael, Cafucin sufericur de la Mission. Dr. Devron re- stores with critical accuracy a number of words which had been torn from both edges of the paper. The same letter was translated later by Mr. John Gilmary vShea, and published in volume ii of the Historico-Catholic Society of the United States. Mr. J. L. Peytavin gives an ingenious explana- tion of a problem in physics; I'abbe Langlois con- tributes a scientific paper on botany; Mr. IL Dubos, a well written article on the "Avantages de la cul- ture des Arts ;" and Dr. Mercicrand Mr. E. Grima publish some graceful poems. Mr. Grima's "Pour un Nickel" is light and witty, and Boileau would have called it " un ele- gant badinage." A young lady enters a city car and on going to pay her fare perceives that she has forgotten her purse. She stands confused and is on the point of leaving the car, when a young IHtf 8o Louisiana Studies. man, like a true knight, rises to relieve her of her embarrassment and steps hurriedly to the box to deposit the needed nickel. But, oh horror I he seeks in vain in his pockets, not a cent is to be found. He already thinks of rushing out and of going into exile in some distant land, when on touching his watch chain he linds a nickel in a ring. Marthe, ma vieille bonne, iui moment de mourir Voulant me laisser d'elle un dernier souvenir, L'avait mis en mes mains: '' Tiens, prends-le, me dit-elle, Pour te porter bonheur." Et Marthe disait vrai, Mon bonheur est parfait. La jeune demoiselle Qui n'avait pas de bourse et pour qui je payai, L'inconnue aux yeux noirs, est niaintenant ma teinme. Entre ses freles mains j'ai pu risquer mon dnie. Oui, n us sommes heureux, et, fortune mortel, Mon bonheur si parfait n'a coute qu' nickel. No analysis could give an idea of the harmonious verses of Dr. Mercier. Let us quote the dialogue between the Suns and the Night: Les Soleils. Nous som nes les Soleils, les vainqueurs de la Nuit; Devant nous elle fuit et meurt. A nous I'espacel A nous I'eternite, nous dont la flamme enlace L'immensite profonde et partout resplendit! Gloire h, nous, rois puissants dont le regard ft^conde Les spheres decrivanl leur orbe autour de nousl Notre chaude clarte rejouit chaque monde; La vie est un bienfait de nos feux purs et doux. A nous seuls appartient I'fetendue infinie; ; Immortels nous flottons et toujours avanpons. N^s de nos mouvements, des iieuves d'harmonie Circulent dans I'ether partout oil nous passons. ■■■■I I« I ■■ I.;, LlTERATURI^. 8l La Nuit. Vous mentez, o Soleils! h moi seule appartiennent L'espace sans limites et I'iminortalite. Au-ciela des lointains ou vos rajons parviennent, Mon noir abiine ctend sa iiiorne immensite. Semt^s de loin en loin sur mon manteau d'ebene, Vous ornez pour un temps ma severe beaute; II n'est permis qu'Jl moi, moi votre souveraine, l)e dire a haute voix: — J'ai toujours existe. D'innouibrables soleils, avant votre naissance, Etincelaient deji\ sur I'abime sans fond; Oil boul-ils aujourd'hui? qui pleure leur absence? Qui cherche leur dclat disparu de mon front? Cessez done, orgueilleux, de chanter vog louangesl Eclairez, echauffez les mondes habites. Je vous absorberai, passageres phalanges, Quand par le temps qui fuit vos jours seront comptes. Our literature- '^^-^Mshed in 1889 is certainly very creditable. The articles which appeared in the Comftes-Ren- diis de r Athenee in 1890 are of a character more varied than in 1889. The first paper which at- tracts our attention is an " Etude sur Robert-Ed- ouard Lee," by Mr. G. Doussan. The author evi- dently studied his subject carefully, and has ren- dered full justice to the great Confederate chief- lain. Let us be thankful to Mr. Doussan for pre- senting to us a very interesting picture of a man whose 'memory is honored by every American, and who, in the opinion d many, is the most perfect character in our history since Washing- ton. *' Le Pugilat chez les Anciens et les Modernes,** M S2 Louisiana Stul ■;. by Dr. Alfred Mercier, jL^ives us an account oi prize-fi;^htin^" among the ancients, and describes the terrible duel between Epeos and Eur^-alos, in the twenty-third book of the Iliad, and the combat of Dares and Entellus, in the fifth bojk of the /Eneid. However horrible and brutal those fights of the ancients appear to us, in spite of the beau- tiful verses of the greiJ*-, U masters of antiquity, we nuist remember that they were the outcome oi a civilization in which physical force and skill were of the greatest use in battle. Now, however, as the Doctor remarks, men are killed in wars at great distances, and physical strength, as exemplified by the combats described by Homer and Virgil, is no longer necessary. Let boxing, therefore, be con- sidered an hygienic exercise, and let us not adore, as did the Greeks, athletes whose brutal exhibi- tions are demoralizing and revolting to our sense of delicacy. Dr. Mercier, who has made a special study of the Creole patois and who uses it with great charm in his novels, has translated several of ^sop's tables into our Louisiana patois. He gives the fables imitated by La Fontaine, and shows that those of zEsop translated into the naive and sweet Creole patois are not unworthy to be compared with those of the great fabulist of the seventeenth century. The following fables are really charming and quaint in their new garb : ^ ill! Litj:i^.\ture. 83 ISC ot •ni ")'s he lal COMI'KR Ri:\AR. ComiMM* Renar cntrc clan ain l)oulic comcdicn, c l()iiill(' (Ian ton so bitin. Li troiive ain mask ki te iolinian bicn faitc ; li pran li dan so jiatte, e li di conniic ya: '* Ki bel latete I nuunpagagnin la cer- vcl laddan." CiGAL K FkOUMIS. Dan tan liver froiimis tape fe seeher grain dible ki te uniide. Ain cigal ki te bien faini mancU' ve kicboge pou mange. l-iroumis laye rcjionne: " Dan tan lete C(jter vou pa sen-e keke nonrritute? Main/el Cigal di ye: " Mo te pa gagnm tan; mo te toujour ape cbuite." Froumis parti rire e di ii:" Dan tan cho vou te cbante; asteur fe frette, vou danse." In "Paracelse" Dr. Mercier places before us the famous and enigmatic pb}sician, and makes him relate to us his dream while under the in- lluence of the powerful essence discovered by him. Dolor, Aphrodite, Invidia, Avaritia, Politica, Jocosa speak to him in vain: lie only heeds Pallas Athene, who leads him to her temple, and then he converses with Vita, Fides, Novitas and Mors, and although devoted to Scientia, he receives Poesis as his best friend. Tliis allegory, although fan- tastic, is written with great force, and the lan- guage of Paracelse is poetic and harmonious. Dr. AFercier published also in pamphlet form a long philosophical poem, " Reditus et Ascala- phos." Rcclitus seeks solitude, and has taken refuge in a lofty tower built upon a rock. He has 84 Louisiana Studiks. fled from the society of man and believes that he is alone in his eagle's nest, when he hears a voice near him in the darkness. He then perceives in the light of the moon an old and gigantic owl. It is Ascalaphos, whom the wrath of Ceres and Per- sephone has metamorphosed, and who has been condemned by the goddesses to live forever. He has a long conversation with R^ditiis, in which he expounds to the latter the history and destiny oi mankind. The bird of night then takes his flight toward Africa, into the interior of which the white man is at last penetrating, and Reditus exclaims in verses really grand: II a pris son essor. Quels vigoureux coups d'aile! II va plus promptenient que la prompte hiroiuielle. II est deja bien loin. Ce n'est plus qu'un point noir; A peine si mes jeux peuvent encore le voir. Dans une vapeur d'or il plonge, et la lumiere L'absorbe. Je le cherche en vain dans I'atniosph^re: Plus rien. Oh! si j'avais des ailes conime lui; J'irais revoir le ciel ou nies beaux jours ont lui, Les jours d'enchantement, d'esperance et d'ivresse, Les jours si fugitifs de I'heureuse jeunesse. Mais ne regrettons rien. Laissons s'evanouir L'image d'un passe qui ne peut revenir- Dr. Deir Orto contributes to the Comptes- Rcndus some interesting translations from the Italian. We feel pained at the sad death of Toto. the ouistiti who dies of sorrow because he has broken to pieces his lady-love, the porcelain mon- achella, Mr. Peytavin presents the result of important researches made by him upon the vicissitudes .(llllu ilppii«p LlTKR/VrrRK. 85 It of the theatre in Richmond during the war, and renders justice to tlie energy and love lor his art ot Orsy Ogden, who, in spite of numberless ob- stacles, managed to keep his theatre open until the fall of the capital of the Confederacy. Mr. George Dessommes' "La Legende d'Or- este " is a scholarly piece of work. The author makes a comparative study of the Oresteia in /Eschylus, Sophocles and Euripides, and gives a clear idea of the differences in the genius of the great Greek dramatists. "Autriche-Hongrie," by Franz Kupetz, is an interesting account of the present condition of the empire of Francis Joseph, and " Citrus trifoliata," by Dr. Devron, is a scientific botanical study. Mr. E. Grima wrote, in 1890, several light and graceful poems: " Pourquoi Jean est reste gar- con " is witty and amusing, and " Elegie " is very touching. Dominique Rouquette, perhaps the best and most original poet that Louisiana has produced, died in May, 1890. I devoted a few pages in the Comftcs-Rendus de V Athenee to the memory of the old bard of the Tchefuncte. I wish to reproduce here one of his delicate and tender poems. A Mme. Ad^xe C * * * Dites, avez-vous vu, comme souvent je vols, Sur les pieux vermoulus, au rebord des vieux toits Une plante fletrie et reduite en poussiere? Dites, avez-vous vu la sauvage fougiire, Dessechee aux rajons de nos soleils d'ete, IMAGE EVALUATION TEST TARGET (MT-S) /. A (A 1.0 [::"«- IE I.I 1.25 Hi 1^ ^ lis, 5 22 2.0 1.4 1= 1.6 V} ^ /a /, ^Vl'^"* '^' y /i!^ €p. 1^ 86 Louisiana Sjudjics. Sur im liaii'^.ir croulant, tonil>;ml ik- \ i tiislo? — La plantf iiu'a rc^icl qiiclquc pieu trciublaiil porte, Farii'e, eliolee, a nos veiix .seinlilc inoitc; Balancce au rel)oicl dii \ iciix hanj^ar inouvant, Ce n'est qu'im pen de poiidie abaiulonnce au vent; Mais qu'une fraithe oiidee iiialtendue arrive, Laissant couler sur clle une fimilte d'eau vive; La plante, bcnissanl le torrent l)ienfaiteur. Kecouvre sa verdure et toule sa fraicheur; Ainsi, dans notre canirqu'un tourbillon emporte, Dans nos couurs oublieux, I'amiti*' senible inorte, Mais le doux souvenir, Ja raninuint part'ois, Lui donne la beautr, la fraicheur d'autrefois. I shall mention only biieny the works published from 1891 to 1893. Jn 189 1 Dr. Alirod Mercier published a novel, " Johnnelle." It is a work of high philosophy, in which the author attacks in- fanticide, that monstrous crime, but yet too fre- quent. Mr. Edward Dossommes published in Paris " Femme et Statue," a clever archieological study. Miss Marie Augustin published in 1892 a strong and dramatic novel, " Le Macandal," based on an interesting episode of the revolt of the blacks against the whites in San Domingo. The writers in the Coniptes-RendusdeV AtJicucc from 1 89 1 to 1893 are nearly the same as those in 1889 and 1890. We may add to that list the names of Mr. A. Schreiber, Mr. Felix Voorhies, and Mr. H. L. Ducroq. I take the liberty to mention here my historical lectures, **le Chateau de Chambord " (1884), '*les Conquetes des Normands" (1889), my literary lectures, " le Vicux Fran(;ais et la Littera- I l^ITERATUKIi. 87 lure (111 Moyen Age" (1885), "Sept Graiuls Auteurs du XlXe Siecle "^ (1889), " ^^abriel crEnnerich/' an historical novelette (1886), and "Histoire de la Litterature Frangaise " (1893). The French literature of Louisiana is no un- worthy daughter of that of France, and will long continue to live; it is modest and simple, but above all sincere in its love for Louisiana, the United States and France. i , T ■i' ''i iMv V'jjj I «i I ,r 1' , m I * I IV.-ENGLISH LITERATURE. The English literature of the State of Louisiana is very extensive and we have so large a number of authors in every branch that in such a short sketch I can only mention the most important ones, or, at least, the works which have marked the development of our literature. For a number of years after the cession to the United States the conditions were not favorable to Entrlish literature. The settlers from the United States were not very numerous and they were too much absorbed by their material interests to attend to literary pursuits. As the prosperity of the State increased more attention was paid to education, but the culture of the people, as in other South- ern States, was directed principally to statesman- ship, and we had great orators, distinguished journalists, but comparatively few authors of note. It is proper to state, however, that the celebrated :•''.« 1 88 Louisiana SiUDUis. Dc Bow's Review exertetl a ^reat influence, for many years, upon literature. Its pages contain papers of value on all kinds of subjects and it is a complete encyclopedia of the Old South. The institution of slavery is claimed by many as having been detrimental to literary activity. It was not, perhaps, so much slavery itself as the material prosperity accompanying it which was a drawback to literature. The Southern people were content with attending to their mercantile and agricultural interests and with governing the nation, to a great extent, and although many were highly educated few wrote in branches generally included in the term literature. Too many, however, spent their energy and their talents in defending with their pens the cause of slavery, a cause which was naturally considered by them legal and just. Slav- ery, in that way, injured literature. Let us not, however, scorn the Old South, for the New South did not spring into existence in full womanhood as Minerva of old ; it is but the continuation of the Old South ; the New is possible only because tht Old has existed. The changes accomplished since the war were the result of circumstances existing before the war, and the expression tht New South should be taken rather as indicating y condition of things transformed but not new. After the convulsion caused by the war literaturt revived slowly in the State; the excellent news- papers in New Orleans, both in French and Eng liah, contributed largely to that revival i^vdevotinti •1 LlTKRATURE. 89 as they are still doin^, a larj^e space in their col- iiniiis to hterary subjects. The greatest factor, however, in the development oJ our literature in tlie last lew years has been the establishment in New Orleans of the Tulane University. It has raised considerably the level of education, and by its public lectures and the inlkience of its faculty and students has given a wonderful impetus to the literary spirit. The State University at Baton Rouge has also done good work in that direction. It is but fair to state the iniluence exerted from its foundation, many years ago, of the New Orleans Academy of Sciences, and ottiie "Geographic" and "Quarante" Clubs. These societies are doing for English literature in Louisiana what the "Athenee Louisianais" is doing for French literature, and their share in the intellectual development of our people is considerable. The " Geographic" and *'Quar- ante " Clubs were organized by the ladies of New Orleans. Col. Johnston, in his excellent lectures on Sliakspeare delivered at Tulane University in 1890, says on this subject: "The feeling has come iionie to our best and stroni^cst women, those who mould and sway the opinions of the mass, that they must not delay to enter into that higher realm of thought which lifts humanity, even so much as one step, nearer to the Divine Archetype. And they have adjudged aright when they decided that this was to be found in the best literature. For liie best literature embodies the best thought of the hiirhest thinkers, addressed to the hearts of all in ? I ■■^ 90 l^ouisiANA Studies. mankind." The course of study pursued by these clubs includes many important subjects, among which we may mention: Study of Greek D;:ama, of Ancient Religions, of Victorian Poets of Eng- land, and of France in eighteenth century. It is very much to be regretted that Art and Letters, a beautiful illustrated magazine pub- lished in New Orleans in 1887, did not last more than a year. Its influence on our literature was, however, beneficial, and some of the best local writers were contributors to it. Current Topics is a sprightly little monthly mag- azine edited by Mrs. P. W. Mount (Ruth Ramay). It is to be hoped that its success is assured. The Southern Art Union, an institution organ- ized also by ladies, did a great deal of good in the few years of its existence, and we will concUule the list of factors in our intellectual and literary development by mentioning the Louisiana Journal of Education and the Louisiana Educational So- ciety. The yournai of Education was founded in 1879 by Pi'ofessors R. M. Luslier and W. O. Rogers, and continued until 1888, owing to ihe energy an/i devotion of Prof. Rogers. Its pages, like those of DeBozv's Reviezv, contain a g-eat number of very important papers and form a large part of our literature. The Louisiana Educa- tional Society has stirred up public sentiment throughout the whole State in favor of education and has established at Ruston one of those noble institutions, a Chautauqua. LlTJ.K ATUKE. i;l IIisToiJV, r>i()(;ir\iMiv, Literary Cuiticism AND Sketches. Louisiana will always claim as belon«nntr to her the ;^reat naturalist, Audubon, whose admirable works, '' Hirds of America" and " Quadrupeds of America," have excited the admiration of man- kind. Audubon was born in Louisiana in 1781, and she is proud of her son. If in natural history we have but one name, in political history we have several, and these have trenerally devoted their talent to writing- the history of their State and country. Our earliest historian is the learned jurist Fran- gois-Xavier Martin. His history of Louisiana was published in 1827, and republished in 1882, accom- j)anied by an interesting memoir of the author by Judge W.W. Ilowe, and Annals from 1815 to 1861 by J. F. Condon. This work occupies a high rank in our literature, and is written with French con- ciseness and clearness. It begins with an excellent topographical view of the State, gives a brief ac- count of events in America before the settlement of Louisiana, and relates with impartiality and force the events in our colonial and State history lo the year 1815. The battle of New Orleans is described in detail, as well as the events leading to the imposition of the fine upon General Jackson. Judge Martin justifies the action of Judge Hall, and the opinion of such a profound jurist is entitled to great weight. i'^'^ll' ii'-l'-' ; '.;•»■ ■1 t : 1 ■!, 92 Louisiana Studies. 4 With the name of Judge Martin that of Judge Gayarre is intimately associated, as both hav^e writ- ten liistories of Louisiana which are the best which we have. After having published his two histories in French Mr. Gayarre rewrote his History ol Louisiana, and published it in English in four vol- umes. This work has placed Mr. Gayarre with the greatest historians of America, and is recog- nized by all as a standard work. It begins with the Romance of the History of Louisiana, in which the legends of the State are related in a llorid style suitable to the subject. The history proper is based on original documents, and is narrated with such impartiality that the author has been accused of not condemning with suflicient severity the cruel acts of O'Reilly. Gayarr^'s History of Louisiana is so well known that I shall pass to his Philip IL This work is not in reality a history of the gloomy and cruel tyrant of the Escurial, but a series of striking and forci- ble tableaux which remind us of Carlyle's "French Revolution." The author gives first a graphic description of the horrible death of Philip, and shows the sanguinary despot resigned, calm and composed at the moment of appearing before his judge, and calls attention to the curious psychical problem involved in that death with its apparent unconsciousness of guilt. The different scenes of Philip's reign are presented to us: the probable murder of his son, his efforts to suppress heresy throughout Europe, his persecution of the princess Literature, 93 Kboli and of Antonio Perez, the extraordinary re- sistance of the latter, his defence by the people of Saragossa and the ultimate loss of the fiicros of Aragon, and the complete enslavement of the Spanish people. The reign of Philip, in spite of his power, marks the beginning of the downfall of Spain under the rule of the house of Austria, and Mr. Gayarre has indicated clearly the causes which led to the ruin of the great kingdom of Charles and Pliilip. It is to be regretted that the historian did not present to us some scenes of the conflict be- tween Philip and his subjects of the Netherlands; he might have given us striking pictures of Alva and of the heroes of the house of Orange. Besides the above works Mr. Gayarre published in different magazines a number of important his- torical and literary papers. We may mention: ''A Historical Sketch of the Two Lafittes," "A Louisiana Sugar Plantation of the Old Regime," "The New Orleans Bench and Bar in 1823," "Mary Stuart," "Don Carlos and Isabelle de Valois," "Literature in Louisiana," and "The Creoles of History and *^be Creoles of Romance," in which he refutes completely Mr. Cable's mis- representations of the Louisianians of French and Spanish descent. We shall again refer to Mr. Gayarre as a dramati a.id a novelist; we must now consider Judge Alexander Walker's " Life of Andrew Jackson and Battle of New Orleans i860." '. ^ author gives a brief account of Jack- son's care before he went to New Orleans in 1 1!? i J 94 Louisiana Studies. 1814 to dclend that city from the inv\'\sion of the En